Luxe Magazine - November/December 2023 Southeast by Luxe Interiors + Design Magazine

SOUTHEAST

DESIGN GALLERIA

kitchen and b at h studio DESIGNGALLERIA.NET

DESIGN BY: David Cook PHOTOGRAPHY BY: Tomas Espinosa

ATLANTA 351 PEACHTREE HILLS AVENUE SUITE 234 404·261·0111 NASHVILLE 510 MERRITT AVENUE SUITE 201 615·933·6911

Discover Gaggenau’s Range of Solutions.

More than a cooktop The range, reconsidered Introducing the range alternative, a uniquely integrated approach from Gaggenau. Tailor your own range alternative with the cooking appliances matched to your culinary preferences and style. Select from a variety of cooktops such as gas, induction, wok, electric grill, or even a Teppan Yaki. Then choose from a variety of ovens, combi-microwaves, warming and vacuuming drawers, configured to create 30, 36, 48, 60-inch and larger combinations. Further your kitchen’s distinctiveness by integrating downdraft ventilation, introduced in Europe in 1976 by Gaggenau to free culinary arrangements from the limitations imposed by a traditional overhead hood, and transforming the kitchen into a social space. Imagine complete capability, paired with total compatibility. The difference is Gaggenau.

In-store interior design & 3D modeling services.(1)

Polygonia. Sculptural sideboard, designed by Giacomo Garziano.

Pre-order – for Fall 2023 release

Photos by Flavien Carlod and Baptiste Le Quiniou, for advertising purposes only. BAO BAO ISSEY MIYAKE bag. Ecker Architekten. (1)Conditions apply, contact store for details.

French Ar t de Vivre

NEW YORK CHICAGO DALLAS NASHVILLE BOSTON SAN FRANCISCO GREENWICH PALM BEACH SHORT HILLS CANNES JAKARTA

Handcrafted Custom Made Cooking Ranges & Suites, Stainless Steel Cabinetry, Fine Wood Working, Appliances & More

w w w.l e a te li e r p a r is .c o m 1 8 0 0 792 3 55 0 N E W YO R K • M IA M I • LO S A N G E L E S • DA L L AS

NoirFurnitureLA.com

WesternWindowSystems.com

Photo by Dror Baldinger

“We were designing for floor-to-ceiling glass and needed a sleek design with minimal frames. Western Window Systems fit that scope. They have a very regular, modern design for sliding doors and fixed window systems, so it worked perfectly for the house that way.” Scott Specht, Specht Architects

Design Better

2023 Luxe Red Awards Readers’ Choice Winner for Austin + San Antonio Exterior Architecture

CONTENTS

NOV DEC 2 02 3

EDITOR’S LETTER

Scene 46

D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.

Radar 54

NOTEWORTHY Meet three designers who are crafting products that address sustainability, materiality and technology.

I N S P I R AT I O N Billy Cotton unpacks his approach for creating grounded, evocative spaces.

A R C H I T E C T U R A L LY S P E A K I N G Leading architects examine the evolution of AI for the industry.

I N N O VAT I O N With a waste-not approach, plant and fruit leathers are becoming the latest in-demand textiles.

Market 76

M AT E R I A L Marvel at the handiwork of patchwork quilts and reflect on the craft’s well-deserved renaissance.

TREND Luxe rounds up three major art exhibits headlining this season.

SPOTLIGHT Get to know six vintage and antique shop owners charting their own course.

Living 104

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K I TC H E N + B AT H Conceived as design-forward sanctuaries, these restful bathroom spaces take center stage.

Designers, epicureans, and guests. The French door that satisfies them all.

Introducing our new fully integrated 48-inch French Door Refrigerator/Freezer; designed to fit any kitchen’s style and every entertainer’s needs. Thanks to its impressive capacity, and features like the exclusive 5-mode Convertible Drawer and Dual Ice Maker with Craft Ice™, your favorite foods and growing guest lists will be well taken care of. That’s how we stay #TrueToFood

SignatureKitchenSuite.com

Learn more about how we stay True to Food by visiting our showroom near you:

Guy Gunter Home, Atlanta, GA 404-874-7529 | Guygunterhome.com

Signature Appliance Center, Charleston, SC 843-571-5735 | Signatureappliances.net

Copyright 2023© Signature Kitchen Suite, 111 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.

MAKAI TAUPE RUG STARKCARPET.COM 844.40.STARK

EXPERIENCE THE NEW STARKCARPET.COM

CONTENTS

FEATURES

116

130

134

146

Southern Comfort

Modern Alchemy

State of Grace

Great Escape

From its welcoming layout to its patinated antiques, this new Georgia abode plays host to a family’s future memories.

Atlanta artist Blake Weeks channels a fantastical essence when crafting his lifelike creations from organic elements.

A heavily ornamented residence near Nashville is reimagined as an ethereal home for California transplants.

On the shore of North Carolina’s Lake Tillery, warm woods and worldly influences combine for a richly layered weekend retreat.

Written by Michelle Brunner Photography by Emily Followill Styling by Eleanor Roper

Written by Maile Pingel Photography by Kelly Blackmon

Written by Monique McIntosh Photography by Allison Elefante

Written by Lisa Mowry Photography by Laura Sumrak

ON THE COVER: White oak ceiling beams from JP Millwork define the entry salon of this Columbus, Georgia, dwelling. Activity revolves around the antique

Portuguese worktable designer Ashley Gilbreath placed at center—joined by a ladderback chair and highback chair—all from Parish. The latter wears Rose Tarlow Melrose House’s Fleurette hemp textile from Jerry Pair. Page 116

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LIAIGRE AT R HUGHES ATLANTA DECORATIVE ARTS CENTER 351 PEACHTREE HILLS AVE, NO. 320, ATLANTA, GA 30305 R-HUGHES.COM STUDIOLIAIGRE.COM

I N

P A R T N E R S H I P

SEE MORE. DISCOVER MORE. Join these industry tastemakers at ATLANTA MARKET this winter to dive deeper into the trends for 2024 and beyond. Plus, you’ll discover more home sourcing options than ever before with the addition of 50 casual/outdoor furniture showrooms, more top-notch lines and new resources across the Market.

THE PREMIER GIFT, DÉCOR & LIFESTYLE MARKET

Traverse Side Table – Ebony Cerused by Global Views

Organic Round Mirror Antique Brass by Jamie Young Co.

DARK + LOVELY

Adeline Rectangle Wall Sconce by Jamie Young Co.

“I am starting to see a trend in darker, deeply-hued spaces. I would call them ‘dark and lovely,’ and this is one of my personal favorite happenings in design right now—I’ve even implemented it into my own home. Clients are requesting a more moody and sophisticated feel, and I can achieve this look by using those dark color tones, along with sensual textures and accessories.”

AMHAD FREEMAN, Principal Designer Amhad Freeman Interiors Nashville, Tennessee | 615.429.1726 amhadfreeman.com | amhadfreemaninteriors

Boundless Chair by Caracole

Atlanta Market is open to the trade only, January 16 to 22, 2024. Register online at AtlantaMarket.com

I N

P A R T N E R S H I P

Spiritus Pendant by Currey & Company

Very Verdure 3 by Wendover Art Group

Lumberton Jar With Lid – Blue/Green by Chelsea House

Rosie Tray by Chelsea House Reed Rattan Floor Lamp by Currey & Company

Like Paradise by Rochelle Porter (currently on display at Curated Home Brands)

Riviera Deck Chair by Mainly Baskets Home

Laguna Small Bench, Striped by Uttermost

RATTAN REVIVAL

MAXIMALIST PATTERN PLAY

“Steeped in history, rattan is now returning to interiors—and not only in coastal or outdoor settings. I love the typical honey color, but I also enjoy seeing it used in painted hues paired with unexpected shapes. One of my favorite approaches is to mix rattan objects into more polished spaces, as it adds just the right bit of style tension to keep a room from feeling too formal.”

“Eye-catching walls are deﬁnitely making a statement. Whether abstract, tropical or geometric, the use of vibrant color and pattern in wall art and wallpaper is bigger than ever—and I’m thrilled to see it! Minimalism has its place, but bold, expressive prints and audacious color combinations evoke a whimsy that, in my opinion, is unmatched.”

ROCHELLE PORTER,

LAURA W. JENKINS, Principal Designer

Creative Director

Laura W. Jenkins Interiors Atlanta, Georgia | 404.452.2408 laurawjenkins.com | laurawjenkinsinteriors

Rochelle Porter Design Atlanta, Georgia | 404.915.0005 rochelleporter.com | roporterdesign

Showrooms: Tuesday, January 16 – Monday, January 22, 2024 Temporaries: Wednesday, January 17 – Sunday, January 21, 2024

MODERN COASTAL CHIC Furniture, Art, Decor, Pots, Planters, and Fountains 16810 Panama City Beach Pkwy, Panama City Beach, FL 32413 | (850) 775-1227 Open Tuesday–Saturday, 10 AM–6 PM

MAISON30A.COM | @MAISON30A

PAMELA LERNER JACCARINO VICE PRESIDENT, EDITOR IN CHIEF DESIGN DIRECTOR

EXECUTIVE EDITOR

MANAGING EDITORIAL DIRECTOR

STYLE DIRECTOR

Pam Shavalier

Brittany Chevalier McIntyre

Kelly Velocci Jolliffe

Kathryn Given

ART DIRECTOR

SENIOR MANAGING EDITOR

MANAGING EDITORS

EDITORIAL PROJECTS MANAGER

Candace Cohen

Colleen McTiernan

Krystal Racaniello, Clémence Sfadj

Khadejah Khan

HOMES EDITORS SOUTHEAST

GREATER NEW YORK

Kate Abney

Grace Beuley Hunt

COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

Kelly Phillips Badal

Paulette Pearson

PACIFIC NORTHWEST, SAN FRANCISCO

ARIZONA, CHICAGO

Mary Jo Bowling

Shannon Sharpe MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith ART ART DIRECTOR

Maria Pluta

MARKET SENIOR MARKET EDITOR

Sarah Shelton

SENIOR GRAPHIC DESIGNER

Jamie Beauparlant

DIGITAL

GRAPHIC DESIGNER

SENIOR MANAGER, DIGITAL CONTENT

Ellen Antworth Rose ASSOCIATE GRAPHIC DESIGNER

Kyle Anderson SENIOR RETOUCHER

Christian Ablan

Ileana Llorens WEB EDITOR

Michelle Yee SOCIAL MEDIA MANAGER

Zoya Naqvi

ADAM I. SANDOW CHAIRMAN

ERICA HOLBORN CHIEF EXECUTIVE OFFICER CHIEF OPERATING OFFICER

Michael Shavalier CHIEF DESIGN OFFICER

Cindy Allen CHIEF SALES OFFICER

Kate Kelly Smith

SENIOR VICE PRESIDENT, PARTNER + PROGRAM SUCCESS

Tanya Suber VICE PRESIDENT, BUSINESS DEVELOPMENT

Laura Steele DIRECTOR, VIDEO

Steven Wilsey

EXECUTIVE VICE PRESIDENT + DESIGN FUTURIST

AJ Paron EXECUTIVE VICE PRESIDENT, STRATEGY

Bobby Bonett VICE PRESIDENT, HUMAN RESOURCES

Lisa Silver Faber

SANDOW DESIGN GROUP OPERATIONS SENIOR DIRECTOR, STRATEGIC OPERATIONS

Keith Clements CONTROLLER

Emily Kaitz DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

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Let us design a kitchen that‘s uniquely you

MODERN | CUSTOM | SUSTAINABLE DISCOVER SUSTAINABLE KITCHENS FOR HEALTHY LIVING

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KATE KELLY SMITH EXECUTIVE VICE PRESIDENT + MANAGING DIRECTOR SENIOR VICE PRESIDENT, OPERATIONS

GENERAL MANAGER

Tanya Suber

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NATIONAL SALES DIRECTORS NATIONAL PUBLISHER

Michelle Blair HOME FURNISHINGS DIRECTOR

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Lisa Lovely, Carolyn Homestead MIDWEST + SOUTH CENTRAL DIRECTOR

Tanya Scribner

REGIONAL SALES DIRECTORS ARIZONA PUBLISHER Adrienne B. Honig SALES ASSOCIATE Catherine McGlynn AUSTIN + SAN ANTONIO PUBLISHER Jim Wilson SALES ASSOCIATE Addie Szews CHICAGO REGIONAL PUBLISHER Kathleen Mitchell DIRECTORS Tracy Colitte, Carolyn Funk, Taylor Greene COLORADO REGIONAL PUBLISHER Kathleen Mitchell DIRECTORS Travis Gainsley, Katie Martin DALLAS + FORT WORTH PUBLISHER Rolanda Polley

SALES OPERATIONS DIRECTOR John Baum

SALES ASSOCIATE Addie Szews

EXECUTIVE ASSISTANT Bianca Buffamonte

GREATER NEW YORK PUBLISHER Trish Kirsch ASSOCIATE PUBLISHER, NEW YORK Donna Herman

INTEGRATED MARKETING + EVENTS VICE PRESIDENT, MARKETING + DIGITAL STRATEGY Samantha Westmoreland ASSOCIATE MARKETING MANAGER Dana Jensen INTEGRATED GRAPHIC DESIGNER Antoinette Childs EVENTS MANAGER Gabriella Laimer EVENTS COORDINATORS Rachele Daszkal, Janice Hyatt

DIRECTOR, NEW YORK Maritza Smith HOUSTON PUBLISHER Amy McAnally SALES ASSOCIATE Addie Szews LOS ANGELES PUBLISHER Tiffany O’Hare ASSOCIATE PUBLISHER Virginia Williams MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA REGIONAL PUBLISHER Stacey Callahan

PARTNER + PROGRAM SUCCESS DIRECTOR, SPECIAL PROJECTS Jennifer Kimmerling PARTNER SUCCESS MANAGER + TEAM LEAD Brittany Watson SENIOR PARTNER SUCCESS MANAGERS Lauren Krause, Susan Mallek, Molly Polo LUXE PREFERRED, PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST Victoria Albrecht LUXE PREFERRED, PROGRAM SUCCESS MANAGER Stephanie Fritz NATIVE CONTENT EDITOR + TEAM LEAD Greta Wolf

DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez PACIFIC NORTHWEST REGIONAL PUBLISHER Lisa Lovely DIRECTOR Cathy Cruse SAN FRANCISCO PUBLISHER Lisa Lovely DIRECTOR Sara McGovern SOUTHEAST PUBLISHER Sibyl de St. Aubin SOUTHERN CALIFORNIA PUBLISHER Alisa Tate ASSOCIATE PUBLISHER Kali Smith

NATIVE CONTENT EDITORS Heather Schreckengast, Matthew Stewart

CIRCULATION + DISTRIBUTION

SENIOR MANAGER, MANUFACTURING + DISTRIBUTION Stacey Rigney

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@Luxe Interiors + Design

Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 21679584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 6, November/December, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431. Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Subscriptions: 1 year: $34.95 USA, $84.95 in all other countries. Luxe is a licensed trademark of SANDOW © 2023. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, P.O. Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or call toll-free 800.723.6052 (continental U.S. only, all others 847.559.7358).

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LETTER EDITOR’S

Real Intelligence Our workplace Slack channel, “Learn AI,” is frequently pinging with updates on the latest tools and links to YouTubers who share weekly recaps and practical uses. I wish that I could say I was interested. But, at the moment, I am fascinated by another regenerative force: that of trees. A few months ago, I moved from a heavily-developed area to one of the most biologically diverse regions in the country. My neighborhood was planned in the 1920s by landscape architect John Nolen in collaboration with Frederick Law Olmsted, and it is filled with massive century-old trees. An 80-foot white oak graces my front yard, and this mighty tree supports more life-forms than any other North American tree genus, providing food and protection for birds, bears, squirrels and countless insects and spiders. It will produce three million acorns in its lifetime and drop about 700,000 leaves each year, creating a habitat that regenerates and makes its own vibrant community right outside my door. Plus, oak trees also sequester carbon.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

As part of the SANDOW DESIGN GROUP (SDG) carbon impact initiative, we are now printing using soy-based inks, which are biobased and derived from renewable sources. This continues SDG’s ongoing efforts to address the environmental impact of its operations and media platforms.

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PORTRAIT: HEATHER BAIGELMAN.

Nature is way cooler and more captivating than machine-learning. I may just have to start a new workplace Slack channel, “Discover Dendrology!”

Architect: Wright Design Builder: Morgan-Keefe Builders Interior Designer: Wright Design Interiors Studio Photographer: Rebecca Lehde

Instagram @sierrapaciﬁcwindows

A Division of

When framed properly, expansive views become the marquis of a home's design. Ample reason to select the finest building materials available, to make every moment a thing of beauty. Enjoy the world on display, compliments of windows that never compromise. Learn more >

516 E Gutierrez Street / 800.824.7744

Oh Look, Another Perfect Day For Floor To Ceiling Glass.

1240 West Paces Ferry Road NW | Monday - Saturday 10-6 404.237.8271 | mathewsfurniture.com | @mathewsatl

SCENE W R I T T E N B Y K AT E A B N E Y | P R O D U C E D B Y K R Y S TA L R A C A N I E L L O

SHELF LIFE

DESIGN, STYLE & INFLUENCE W R I T T E N BY K H A D E J A H K H A N

Alexa Hampton’s latest book, the third in her oeuvre, explores the design evolution of her longtime New York City residences—in a building she’s called home for 27 years— through vivid snapshots and heartfelt tributes. Luxe chatted with the prolific designer to learn more. alexahampton.com; penguinrandomhouse.com What inspired this book? I wanted to write about my lifelong influences. Some are seminal moments, like the Bill Blass and Givenchy sales. Others are museums or architects that have inspired me. That’s the core of the book—“love letters” to various people, places and experiences that have shaped me. How do you balance grandeur with what you describe as “normalcy” in your home? I’ve given myself permission to have things like crazy helmets and formal elements, but they aren’t necessarily reflective of my personality—it’s about what delights me.

FIRST LOOK

Any advice for the next generation of designers? First, look at people you admire in other fields. What can you draw from their story? Second, take yourself seriously. Designing is a craft that requires intelligence, but it should not be divorced from our creative angels. Find the balance that suits you; authenticity is key to success.

Recently released by Birmingham editor-turneddesigner Zoë Gowen is a lavish candle collection stemming from visits to Mexico’s Teotitlán del Valle. Each product from Gowen’s El Shoppo, unveiled in spring 2023, conjures the color and festivity of this vibrant community— ranging from woven recycled-plastic totes to embroidered tunics and, soon, tabletop textiles. To fashion her Flower Candles, Gowen works directly with generational artisans to adapt a centuries-old indigenous handicraft. Made of sun-bleached beeswax frequently colored with natural dyes, her customized versions brandish showy dahlias, roses and bell flowers. Packing a punch at 36 inches tall, each pillar comes with an original piece of Oaxacan pottery: an artisanmade ceramic holder in traditional glazed or burnished black terra cotta. Sourcing through her ongoing pop-ups or website, Gowen’s customers clamor for them as dining centerpieces, entryway tableaux and art accompaniments alike. elshoppo.com

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shelf life photos: book cover, courtesy clarkson potter; interior, steve freihon. first look photo: laurey glenn.

THE FLOWER CANDLE

On location at Montage Palmetto Bluff

Not all fine dining requires linen. The best meal you’ve ever enjoyed probably had as much to do with the place and the people as the food. Some of our grandest affairs have no crystal, silver or white gloves. But there are oyster knives, hot sauce and views like this. Here in the Lowcountry, luxury isn’t always defined by starched cotton and silver. (888) 909-6806

MONTAGE.COM

DISPATCH

ONES TO WATCH TWO ATLANTA DESIGNERS DISH ON THEIR SIGNATURE STYLES, INSPIRATIONS AND TOP PICKS.

DESIGN

W R I T T E N BY K R Y S TA L R AC A N I E L LO

SCENE

Lauren E. Lowe Lauren Elaine Interiors recently settled into a new office in the heart of Buckhead. As the firm’s owner and a LUXE Next In Design 99 honoree, Lowe infuses the workspace with telltale traditional charms and vintage finds alike— similar to those found throughout her residential projects (top). Read on for an inside peek. What inspired the design? We wanted the office to be a reflection of our style: classic with a twist. We’re excited to host clients amid an expanded resource library. Favorite highlights? Wall-to-wall sisal carpet, Directoire chairs in a Casa Branca stripe, an oversize Isamu Noguchi lantern and, of course, artwork and antiques we source from auctions and estate sales. laurenelaineinteriors.com Whitney Ray When creating spaces that feel personal and timeless (bottom), the principal of Wyeth Ray Interiors knows how

to keep things fresh. Here’s more from the LUXE Next In Design 99 talent on her vision. Can you describe your aesthetic? Warm, tailored and sophisticated, with both modern and traditional elements. What are your biggest design influences? Fashion keeps me curious. As interior designers, we get large canvases to paint on, but fashion designers have a single body to decorate. What they are able to convey on such small real estate takes serious talent. Any products you’re loving right now? I recently pulled wallcoverings from Aux Abris that I adore. Their largescale botanical murals are breathtaking. I’m also a sucker for Zak+Fox’s designs. wyethray.com See our Next In Design 99

BLUEPRINT Set to open next fall in Nashville’s West End, Athena at the Park will center around seamless lifestyle perks. Totaling 51 units across five floors, this premier residential building plans to proffer resort-style indulgences—a swimming pool with private cabanas, a fitness center and sauna, communityuse bikes, a rooftop sky lounge and more—with daily conveniences at your fingertips. Spacious floor plans emphasize outdoor living via terraces and balconies, and are slated to include a host of luxury amenities: from paneled appliances and hardwood floors to zero-entry showers and futuristic smart mirrors. Architect Jesse T. Wilmoth and team aimed to foster community in this classic neighborhood boasting rare downtown views. And, thanks to the building’s proximity to the protected green space of Centennial Park, those vistas are likely to be preserved for decades to come. athenaatthepark.com

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ones to watch: lauren elaine interiors (top), emily followill; wyeth ray interiors (bottom), jeff herr. blueprint renderings: courtesy athena at the park.

ATHENA AT THE PARK

I FIREPLACE MANTELS I PEWTER COUNTERTOPS FRENCH LIMESTONE I FRENCH OAK I PORCELAIN I ZELLIGE

RANGE HOODS

ATLANTA

I CHARLOTTE I NASHVILLE I NAPLES I TAMPA 888.313.3237

DISPATCH

POST MASTER @BARIJ

SCENE

DESIGN

WHO: A Chicagoan by birth, Bari J. Ackerman came to Charlotte in 2021 following years in the Bay Area and Arizona. After cutting her teeth as a copywriter and graphic designer, Ackerman taught herself to digitally render textiles, an experiment that paved the way for her foray into fine art. She’s since authored hundreds of original prints—and two books. WHAT: Charmed by the Queen City’s historic architecture, nostalgic neighborhoods and her own flower-filled garden, Ackerman offers an array of original designs through her website.

JULISKA

An emporium of wonder on King Street, Juliska’s new 4,000-square-foot Charleston flagship store transformed a 19th-century building into a dazzling brand experience across multiple floors. Conceptual designer Douglas Little teamed with interior designer Patti Wilbourne to outfit the space, which boasts a signature mural of the Juliska Country Estate and a staircase with custom newel posts reminiscent of ginger jars—both painted by local artist Ben Oliverio. On the ground floor, period-original carvedwood shelving provides a showcase for curated seasonal displays, including new fall intro Blenheim Oak, a faux bois collection inspired by the woods of Oxfordshire. Upstairs, the table-setting studio and design parlor join the Bohemian Bar housing mouth-blown glass from the Czech Republic, along with a sunlit workshop for teaching everything from flower arranging to watercolor painting (below). Finally, in the courtyard garden, the L’amour Toujours Café serves fare in an elegant fashion: upon Juliska glass and ceramic wares. juliska.com

IN HER WORDS: “I am not a perfectionist. I’m very creative but not necessarily good at all of it; I’m just willing to try, and the results are worth it. To me, making the effort (and enjoying the process) is better than being perfect.”

REST & RELAXATION SPA AT SERENBE

The pioneering Georgia community centered around wellness, luxury and sustainability recently debuted major upgrades to its signature Spa at Serenbe— nearly doubling its footprint while adding four new treatment rooms, a private couple’s lounge and more. Inspired by “the natural elements you might see while hiking Serenbe’s surrounding trails,” local designer Jessica Layne capitalized on the clean, contemporary aesthetic previously established by resident designers Patrick and Meghan Sharp. Layne’s scheme mimics the outdoors with river rockinspired pebble tiles throughout the steam and sauna rooms as well as the powder room, where wallpaper features a forest motif. She next refreshed the balcony (above) and accented the spa lounge with a biomorphic ceramic installation by Serenbe artist Rachel K. Garceau. spaatserenbe.com

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post master photos: courtesy bari j. ackerman. rest & relaxation photo: tomas espinoza photography. retail therapy photos: peter frank edwards.

RETAIL THERAPY

WHY: The artist’s multifaceted Instagram feed captures her passion for design via vignettes from her personal home and a peek at her newest product line: sumptuous lampshades.

CAMILLE BECKLES CER A MICIST DRESS IN: B IL L IE DA R K G R E E N & S TR IPE G R E E N

B R I N G I N G A R T TO

L I F E

A RTISTICTILE.COM

RADAR

image: dripping springs house by matsys.

NOTEWORTHY

INSPIRATION

A R C H I T E C T U R A L LY

SPEAKING

INNOVATION

Get to know today’s designers and makers pushing the aesthetic envelope, brands championing sustainable textiles, and architects’ take on AI.

NOTEWORTHY RADAR

Next (Re)Generation LUXE MEETS THREE CREATORS WHOSE FORWARD-THINKING PRACTICES START WITH REGENERATIVE DESIGN AND BETTERING THE WORLD AROUND US.

Acropora by Sangmin Oh for TextielMuseum is part of his “Knitted Light” series, which uses elastic, glow-inthe-dark yarn and recycled monofilament fishing line.

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photo: courtesy sangmin oh.

W R I T T E N BY C L É M E N C E S FA D J

Photographed at The Boston Athenaeum

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SANGMIN OH

For Daniel Michalik, whose Brooklyn studio crafts striking seating and objets from cork (like the Arm Chair, below), working with the medium is more than an aesthetic choice—it is part of an effort to “rethink our relationship to natural systems.” The lifecycle and harvesting methods for cork make it a uniquely environmentally responsible material because cork trees can be harvested naturally every nine years without damage. And using this flexible, raw material is part of a circular manufacturing loop, as it’s recyclable and its main global use, the production of bottle stoppers, leaves large amounts of leftovers. Michalik, a professor at Parsons School of Design, makes frequent trips to Portugal, where cork forests abound, to study and preserve the centuries-old harvesting techniques handed down through generations. danielmichalik.com

When Korean-born designer Sangmin Oh decided to create three-dimensional textile lighting, he found himself experimenting at the fabric laboratory of the TextielMuseum in Tilburg, Netherlands, which became a playground of sorts for the maker. There, using a knitting machine, he was able to mix materials until he found his recipe for magic: a combination of elastic, glow-in-the-dark yarn and recycled monofilament fishing line. “Because of its transparent quality, it lets you play with light,” Oh says of his amorphous, abstract “Knitted Light” pieces which evoke natural forms, specifically, threatened coral. At night, Oh’s designs emit a soft glow showing different hues and dimensions, and, in the daylight, they are textile sculptures inspiring wonder and reflection. osangmin.com

TREY JONES One look at Trey Jones’ sculptural furnishings and your eye is drawn to the unusual patterning, rich coloration and whimsical proportions. What may not be immediately apparent is that the pieces are also a feat of ingenuity in reusing resources. At the workspace Jones shares in Washington, D.C., piles of plywood would accumulate as cabinet makers crafted their wares. Soon, the artist was inspired to give the scraps new life and landed on a technique inspired by Japanese Nerikomi ceramics, in which Jones painstakingly assembles small offcut sections into elaborate motifs created by exposing the wood cut ends. For the Plinths Cabinet, at left, the compounded technique reveals the inherent nature of the pattern within. treyjonesstudio.com; cultureobject.com

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PHOTOS CLOCKWISE FROM TOP LEFT: COURTESY DANIEL MICHALIK, COURTESY SANGMIN OH, JODY KIVORT.

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E legance

handmade

CANVAS ART | KC313 GREY / DENIM BLUE

Extrememly fine handknotted | Wool & Silk

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c r e at o r o f t h e m o s t b e a u t i f u l ru g s i n t h e w o r l d

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B O K A R A . CO M

SENSUAL, GROUNDED INTERIORS ARE BACK. BILLY COTTON STRIKES THIS SENTIMENT WITH BOUNDARY-DEFYING SPACES THAT SPARK EMOTION AND FORGO STANDARD FORMULAS. W R I T T E N B Y M A R I O LÓ P E Z- C O R D E R O

In a modern New York City home designed by Billy Cotton with architect Stamberg Aferiat + Associates, art by Cindy Sherman hangs above a Vladimir Kagan sofa.

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photo: © stephen kent johnson/otto.

INSPIRATION RADAR

Pure Cotton

INSPIRATION RADAR

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has yielded hauntingly memorable spaces, including a Manhattan refuge in which blue-chip contemporary art takes center stage, and light and air are ingredients as important to the finished scheme as the chevron patterned floors and curvy sofas. The project exemplifies Cotton’s belief that there should be a continuous push and pull between objects and furnishings as though they are in constant communication. Cotton’s rooms are always poetic, never banal, and pared down to sensuous and unexpected details and couplings that evoke emotion. How does he compose beautiful interiors that actually make you

feel something? “You have to edit,” he says. “I want people to bring things into their lives that have meaning. The objects and materials you employ in a space should be intentional. Intentionality dictates respect. Do you need this? Is this the best version? I would rather not buy a decorative object just to fill a room. I want houses to evolve over time and give people a canvas to paint their own spaces.” His talent lies in the way he distills a client’s passions to their best possible version and then gives them plenty of room to soar and sing. “Above all,” says Cotton, “design should be filled with joy.” billycotton.com

portrait: noe dewitt. interior photos: © stephen kent johnson/otto.

He is a polymath decorator whose soulful, wideranging body of work can incorporate bouillon fringe and chintz balloon shades as easily— and winningly— as it does sculptural staircases and chalky white walls left ethereally unadorned. And while Billy Cotton’s deft, resonant interiors can run the gamut stylistically, they are all rooted in a rigorous, inquisitive point of view the New York-based practitioner picked up at Pratt Institute. “I trained as an industrial designer, which was all about how somebody uses something and how they interact with an object, whether it’s a plate or silverware. I think of all my projects that way,” he says. “What does somebody need, what is the problem and why did they come to me?” The function-forward answer leads Cotton to a client-specific game plan that leaves him room to play—with materials, with furnishings, with romance. “I’m a dreamer. I love to fantasize about what beauty or luxury can be. When we get together with clients, we are having fun.” In Cotton’s world, “fun” is a humble euphemism for an intuitive process that

The living area is anchored by a custom sofa in Fortuny velvet, while artwork by Sadie Benning and Jacqueline Humphries flanks the fireplace (above). A sculptural Steelcase bench is paired with a graphic painting by Stanley Whitney.

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A Fine Line

TODAY’S TOP TALENTS WEIGH IN ON THE PROS AND CONS OF AI FOR RESIDENTIAL ARCHITECTURE.

In an industry that values the trained eye and a studied approach, it’s perhaps no surprise that many architects are wary of artificial intelligence programs that whip up new renderings at the push of a button. “It’s fascinating software, but it is frightening,” says Fort Worth-based architect Jeff Garnett, who does not use AI in his work but has tested the software after hours. “Design is a human creation, and we have to hold onto that as long as we can.” If you plug the phrase “Georgian Revival estate stucco” into an AI program like Midjourney, you will get multiple versions of a visualization rendering returned in mere seconds—sans blueprints and the actual details needed to build a house, of course. While these images may look authentic, they don’t replace a trained—human— professional. “You’re going to have to be careful with these programs and stay well-informed, not trusting things too much,” architect Tom Kligerman of New York City firm

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Kligerman Architecture & Design heeds when it comes to taking what’s in front of you for fact or fiction. Still, AI has its perks—especially as back-of-the-napkin initial sketches can be replaced by a tool that creates a nearly-instant rendering to elucidate an architect’s imaginings. Andrew Kudless, principal of design studio Matsys and a Professor at the University of Houston’s Hines College of Architecture + Design, believes AI can be helpful in several ways. “In the early design phases, it can explore more ideas in less time without modeling and rendering each iteration. Also, as AI models become more sophisticated and attuned to architectural problems they can help automate essential yet labor-intensive tasks, freeing up designers’ time.” In short: there are ways to put the intelligence in artificial intelligence. “There is this perception that AI models are either godlike superbeings or evil robots coming for everyone’s job,” Kudless says.

background: dripping springs house by matsys.

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INNOVATION RADAR

Juicy Fruit NOVEL PLANT AND FRUIT LEATHERS OFFER STYLISH QUALITIES ENTIRELY THEIR OWN.

A new crop of leathers is popping up and meeting the (environmentally conscious) moment, offering elegant alternatives to traditional materials. By using sustainably farmed plants, fruits and byproducts with lower ecological footprints, these imaginative textiles can capture the lithe look and grains of animal leathers while also producing unique aesthetic effects, introducing tantalizing possibilities for interior design. That’s what attracted Brooklyn-based furniture designer Bowen Liu to Fruitleather Rotterdam. The Dutch brand makes plant leather from spoiled mangos, resulting in textiles that feature naturally stained pebbled textures and embossed crocodilelike patterns. But Liu intuitively gravitated to Fruitleather’s original mottled finish, which reveals pieces of the mango’s natural pulpy texture and golden hue. “I like showing the details of a material without sacrificing its integrity,” explains the designer. “The pulp and fiber add character that feels authentic.” This speaks to plant leather’s underlying appeal— one-of-a-kind materiality, and a sense of place and history. Another brand making waves is Desserto, who is producing a leather-like textile from the nopal cactus on its farms in Zacatecas, Mexico. The heritage, drought-hardy perennial is grown without irrigation or pesticides. In the Philippines, Ananas Anam is using leftover pineapple leaf fibers to make their signature Piñatex leather. They recently collaborated with famed British designer Tom Dixon, covering his wingback chairs in metallic Piñatex to create an effect reminiscent of leather crossed with texturized silver. Such partnerships play a central role in carving sustainable paths forward. For Liu, the key to unlocking plant leather’s potential is creative curiosity. “I’m interested in materials and applying them to the proper applications,” she says. “It’s necessary to touch them and learn about their properties.”

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photo: unsplash.

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2023

INSTITUTE

VA TI

AI NAB

“

A beautiful outdoor space for our guests that will last a lifetime.

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P R O M O T I O N

| SO UTH E A ST |

NOTABLES S O P H I ST I C AT E D.C U R AT E D. S T Y L I S H .

MAISON30A Through the founding of Maison30a, Christopher Bailey and Savanna Kidd have created a Panama City Beach showroom that offers a unique blend of modern and classic coastal furniture, art and pottery. Visit today, to capture the essence of coastal living. maison30a.com

PEACOCK PAVERS Bring the look of natural stone to any construction, landscaping or remodeling project, with Peacock Pavers. Its handcrafted, patented process gives each paver subtleties of texture and color that replicate ancient cross-cut stone. Patent number: 11,000,970. peacockpavers.com

MORNING GLORY ART & DESIGN Morning Glory Art & Design works with a group of artists from France to produce large-scale, limited-edition prints from original pieces of artwork and archival images. morninggloryinc.com

PROFESSIONAL CURATION, CUSTOM COMMISSIONS, AND WHITE-GLOVE INSTALLATION Claire Rosen, B.F.A., photography, 2006, Parakeet 1, archival pigment print, 60 x 40 in.

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P A R T N E R S H I P

D ESI G N IM PAC T | SOUTHEAST “We are design pioneers who make waves with our creativity, customization and meaningful connections.”

TERRA FIRMA What sets Textures Nashville apart? Andrew Denny explains … • Nashville’s Creative Pulse: “Drawing inspiration from Nashville’s eclectic energy, we infuse creativity and innovation into everything we do.” • Wide Client Spectrum: “Working with a diversity of clients allows us to address varied needs, ensures inclusivity and enriches our solutions.” • Roots and Stories: “We honor our heritage by crafting products that tell meaningful stories and form strong connections with the people using them.” • Tailored Excellence: “Because everything we create is customizable, we are able to meet specific client needs with unmatched flexibility.” • Innovative Collaboration: “Leveraging our industry connections, we design unique and groundbreaking solutions collaboratively.”

TEXTURES NASHVILLE 615.228.2922 | texturesnashville.com |

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Skilled artisans who possess visionary talent, a collaborative spirit and creative soul deliver designs with strong and lasting impact. As is the case with Andrew Denny and his team at Textures Nashville who conceive, design and install unique handmade hardwood flooring for their discerning clientele. “At Textures Nashville, we take pride in being attentive listeners,” Denny says. “By prioritizing each client’s wants and needs, we deliver floors that aren’t just beautiful but make a deeply-personal statement.” Building strong relationships within their industry has been another key to Textures’ success. “We’ve forged exclusive partnerships with boutique mills that offer a highlycurated range of domestic and European products. This ensures that every one of our projects receives one-of-a-kind flooring solutions that radiate enduring elegance and quality that stands the test of time.”

Above Created by Aimee Lee Kinssies Design, this luxurious entryway features a custom wall application where Textures’ Mountain Oak Collection takes center stage. Top The new Southall Farm and Inn in Leiper’s Fork, Tennessee, features Textures Nashville’s rich Antique Reclaimed Oak with an original face and a water-based finish laid in an impressive herringbone pattern. Photography Above by Caroline Sharpnack; Top by Jerry Atnip

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| NATIO NAL |

DISCOVERIES FRESH.DESIGN.FINDS.

FABRICUT Fabricut’s new Luxe Home collection explores sumptuous textures and captivating patterns that combine wonderfully. Pair these fabrics with trimmings, wallcoverings and more from Fabricut for exceptional, distinctive spaces. fabricut.com

BROWN SAFE Brown Safe is the premier builder of high-security luxury safes. Each safe is thoughtfully designed with high-end ﬁnishes and features to enhance the enjoyment of the valuables it protects. brownsafe.com

SAMUEL HEATH Forme is a highly-dynamic collection of bathroom fixtures that typifies contemporary minimalism. The Oriel Pyramid design features a series of precisely-milled engravings, encouraging light and shadows to interact differently with each metallic finish. Showcased here in Antique Gold. samuel-heath.com

SOLITUDE Luxuriously crafted and beautifully designed to add dramatic character to any space, spears of Optic HazeTM Crystal composed of natural quartz gemstone glimmer beautifully when illuminated. Welcome to a new era of luxury. Modern masterpieces of style and artistry.

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P R O M O T I O N

| NATIO NAL |

DISCOVERIES FRESH.DESIGN.FINDS.

J. TRIBBLE Explore convertible antiques from J. Tribble. Repurposing antique treasures for modern homes, the purveyor has more than 200 European antiques ready for conversion available on the website. jtribble.com

POLTRONA FR AU The Beautilities collections feature pet, gaming and fitness accessories that marry elegance with functionality, creating new visions for domestic spaces that enhance mental, physical and social well-being in everyday life. poltronafrau.com

BEVOLO GAS & ELECTRIC LIGHTS The round roof design of the Cotton Exchange lends itself to a number of different styles of architecture. Available in a variety of sizes, gas or electric. bevolo.com

MARKET MATERIAL

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SPOTLIGHT

Explore the revival of American quilting, must-see art exhibits, and dealers with a keen eye on the design world both past and present.

MATERIAL MARKET

Patchwork Poetry MODERN QUILT MAKERS REVEL IN THE RENAISSANCE OF THEIR AGE-OLD CRAFT. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY W I L L I A M AND SUSAN BRINSON

FAMILIAL TIES Brooklyn-based designer Sarah Nsikak is grateful for the growing interest and appreciation in quilting, which is introducing her beloved practice to a greater audience. “For the first time in a while, people want to understand how things are made,” says Nsikak, for whom quilting is personal. When she was a young child, her grandmother immigrated to the states from Nigeria and looked to quilting as a form of communication. “She taught me how to sew, and I think that established a new language and storytelling of sorts.” Her piece It May As Well Be Spring (above) is made of leftover scraps from her fashion brand, La Réunion, and presents an amalgamation of symbols, like a fish and chair, which are meaningful to the creator yet still relatable to viewers. sarahnw.com

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RHYTHMIC ROUSE It was during his MFA studies at Cranbrook Academy of Art that Julian Jamaal Jones pivoted from fashion photography to fiber arts and quilting—a craft his grandmother practiced in her youth. It’s that kind of comforting familiarity that Jones surmises could be behind the artform’s rise. “I’m on a mission to rewrite the rules of quilting and create my own unique verbiage within the medium,” says the Indianapolis-based artist. Jones’ practice implements abstract forms and vibrant colors, bypassing preconceptions and opening a dialogue around his Black experience. Take the three pieces here: Inspired by gospel music’s rhythms, lyrics and harmonies, the movement of each design mimics song beats and the feelings they evoke. The materials are as dynamic as the patterns themselves, with cottons, denims and plush velvets existing alongside one another. julianjamaaljones.format.com

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Bauhaus Vanity 36” Pacific Blue & Walnut Bauhaus Lavatory Sink 36” made from WETMAR BiO™

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COMMUNAL COMFORTS It was in 2003 when then-art student Martha Clippinger viewed a quilt exhibit at the Whitney Museum in New York that she realized this homespun craft could hold court among fine artwork. Fast-forward to today, and the Durham, North Carolina, quilter’s own works are now displayed in museums and galleries. Cuadricula Quilt, shown hanging, and Iona’s Covid Quilt, on the table, exemplify Clippinger’s keen observation of color. “I’ve always been interested in quilts as a way to discuss ideas about pattern, symmetry and, in particular, tonal relationships,” she says. “I share Josef Albers’ interest in studying the effects of color through direct observation. Making quilts with found materials is about looking at what’s in front of you and testing combinations to create dynamic arrangements of color.” marthaclippinger.com

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Elevating design one step at a time

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A New Era of Walker Zanger Experience a revitalized, refreshed Walker Zanger, reﬂected in new heights of breathtakingly beautiful surfaces, and sustained by the superior product, showroom service, and client support that has deﬁned the storied brand since 1952. Visit walkerzanger.com

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BASIC INSTINCTS For Los Angeles creative Adam Pogue, a handmade quilt represents the ultimate gesture. “They serve a purpose; they keep us warm. And for as long as we use them, they remind us of the maker.” It’s in this spirit that he creates his textile works, like the one featured in the historic 19th-century Dr. Oliver Bronson House in Hudson, New York. The quilt, which depicts a landscape-inspired motif framed by bands of color, was originally made for Commune Design’s shop. It was crafted using a clothing designer’s cast-off hemp linen and dyed to the perfect hues. Pogue begins each work with a general idea and palette but admits he “never has it all figured out” before starting. Instead, he improvises as he goes, laying out the individual elements on the floor, rearranging and re-dyeing as desired. iamadampogue.com; communedesign.com; historichudson.org

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“Like the metamorphosis of a butterfly” Discover Timeless sofa by Lorenza Bozzoli on natuzzi.com

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Be inspired by blockbuster museum exhibitions around the country that celebrate the legacy of three renowned artists. WRITTEN AND PRODUCED BY S A R A H S H E LT O N

Renaissance Man The 15th-century Italian artist Sandro Botticelli may be known for his exquisite masterpieces like La Primavera and Birth of Venus, but the focus of his latest exhibit at the Fine Arts Museums of San Francisco centers around his exquisite drawings. Nearly 60 works from around the world, including Study of the head of a woman in profile (above), shine a light on the artist’s technical practice of draftsmanship. famsf.org

Clockwise from top right: Sophie Tassel Tieback in Rose Water and Currant / Price upon request / samuelandsons.com. Zellige Rug by Ken Fulk / From $6,000 / therugcompany.com therugcompany.com. Melograno Eau De Cologne / $100 / us.smnovella.com. Amerigo Travertine Side Table / $3,924 / interludehome.com. Raphael Sofa by GamFratesi / Price upon request / minotti.com. Platinum Wallcovering in Light Camouflage / Price upon request / arte-international.com. Conterie Floor Lamp by Luca Nichetto / $11,000 / ginori1735.com. Rome Denario Ring in White / $185 / grandtourcollection.com. Moo Bobble Catchall / $113 / montanalabelle.com.

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SANDRO BOTTICELLI. “STUDY OF THE HEAD OF A WOMAN IN PROFILE (“LA BELLA SIMONETTA”) (RECTO); STUDY OF THE FIGURE OF MINERVA (VERSO),” CA. 1485. METALPOINT, WHITE GOUACHE ON LIGHT-BROWN PREPARED PAPER (RECTO), BLACK CHALK, PEN AND BROWN INK, BROWN WASH, WHITE GOUACHE (VERSO). 13 7/16 X 9 1/16 IN. (34.2 X 23 CM.) THE ASHMOLEAN MUSEUM, UNIVERSITY OF OXFORD. BEQUEATHER BY FRANCIS DOUCE, 1834.© ASHMOLEAN MUSEUM.

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GRAND TOUR

S H E never PA I D M U C H AT T E N T I O N T O T R E N D . BUT IT SEEMED TO FOLLOW HER anyway.

THE MODERN GODDESS FEATURING THE LITZE¨ KITCHEN COLLECTION

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Living Legend

Clockwise from top right: Otto Pillow in Orange Blush / $195 / jonathanadler.com. Type 75 Mini Desk Lamp Edition 3 by Paul Smith / $370 / anglepoise.com. Check Bath Mat in Sky Blue / $35 / hay.com. Skool Armchair by Kolbrún Leósdóttir / Price upon request / roche-bobois.com. Dita 4-Door Sideboard in White Lacquer by Pagnon & Pelhaître / Price upon request / ligne-roset.com. 2x2 Straight Set Sheeted Tile in Tomato Red / $45 per square foot / fireclaytile.com. Transparent Bluetooth Turntable by Per Bristad / $1,300 / store.moma.org. Calatrava 6007G Watch / Price upon request / patek.com.

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PHOTO: ED RUSCHA. STANDARD STATION, TEN-CENT WESTERN BEING TORN IN HALF, 1964, OIL ON CANVAS, PRIVATE COLLECTION, © 2023 EDWARD RUSCHA. PHOTO EVIE MARIE BISHOP, COURTESY MODERN ART MUSEUM OF FORT WORTH.

Modern art devotees won’t want to miss Ed Ruscha’s most comprehensive retrospective to date at New York’s Museum of Modern Art. Enthusiasts will find iconic postwar compositions on display like Standard Station, Ten-Cent Western Being Torn in Half (above), along with over 250 additional pieces, from lesser-known paintings and drawings to photography and installations, spanning 1958 to present day. moma.org

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Expressive Exercise

Clockwise from top right: Calypso So XL Outdoor Light in Antigua / Guadaloupe / Martinique / Price upon request / contardi-usa.com. Rhapsody Wallpaper in Terracotta / $59 per roll / backdrophome.com. Glass Pourer by Andrew Iannazzi in Green / $192 / abask.com. Solana Chaise / Price upon request / cuffstudio.com. Foshay Bookcase in Sage / from $799 / roomandboard.com. Le Tapis Nomade in Cream and Yellow / Price upon request / cc-tapis.com. Cameron Sunglasses in Poppy 18K Rose Mirrored / $255 / krewe.com.

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PHOTO: MARK ROTHKO, UNTITLED, C. 1948, WATERCOLOR ON WATERCOLOR PAPER, NATIONAL GALLERY OF ART, WASHINGTON, GIFT OF THE MARK ROTHKO FOUNDATION, INC. COPYRIGHT © 2023 KATE ROTHKO PRIZEL & CHRISTOPHER ROTHKO / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK.

Pay a visit to the National Gallery of Art in Washington, D.C., through March and you’ll walk away with a deeper understanding and appreciation for prominent 20th-century abstract expressionist artist Mark Rothko. Hailed for his recognizably bold paintings on canvas, the exhibit centers around some 100 paintings on paper (which he considered finished works), ranging from figurative and surreal subjects to the likes of this watercolor, Untitled (above), from 1948. nga.gov

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SPOTLIGHT MARKET

Curator’s Eye

WHEN IT COMES TO THE LATEST IN DESIGN, THESE STYLISH FURNITURE DEALERS KNOW IT’S ALL ABOUT MIXING VINTAGE AND ANTIQUE FINDS WITH COOL, CONTEMPORARY PIECES. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N

Design is in Tricia Benitez Beanum’s DNA. A second-generation antiques dealer, she also wears the hat of stylist, designer and owner of Pop Up Home in Los Angeles. In her recently opened flagship space, Beanum has created an environment for anyone with an appetite for vintage flare. “I want to show how it can be elevated and not so kitschy,” she says. Beanum makes that case here, surrounded by a mix of old and new, including a Maitland-Smith coffee table, ‘70s De Sede sectional sofa and Ann Weber artwork. “Right now, people are looking for special pieces that translate into all genres of design and stand out among a sea of neutrals.” popuphome.com

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PHOTO: THE INGALLS.

MANIFEST DESTINY

SPOTLIGHT

Meet Alana Tang, owner of In The Comfort Of which opened in Seattle in 2022. With a penchant for modernist, mid-century and space-age finds sourced everywhere from estate sales and antique malls to private owners throughout the Pacific Northwest, Tang still can’t turn away contemporary pieces if they meet her standards. “I consider design, form and function in everything I buy,” Tang says. “I was offered a lounge chair and ottoman set by Naoto Fukasawa for B&B Italia, and while I mainly focus on vintage, it checked all the boxes so I had to have it.” As for the current landscape today, Tang is excited by the adventurous spirit many are taking in finding their style, and by watching clients put things together in ways she never would have thought to. inthecomfortof.com

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this page photo: amber fotus. opposite page photo: lesley unruh.

MARKET

DISCOVERY MODE

HAPPY HANGOUT Step inside The Flat in downtown Westport, Connecticut, and you’ll feel as though you’re walking into the home of a chic friend. That was precisely the goal when Becky Goss opened the doors in 2016. She imagined a place to interact with customers and share stories of the treasures within. “I still believe in local, one-of-a-kind shops where you know the owner,” Goss says. “Stop in, see what’s new, have a conversation and get off your screen!” In the highly curated familial space, not one specific period or style dominates. Because after all, a good room is all about thoughtful layering. “I’m not afraid to take vintage or antique items and reimagine them for the modern home.” Case in point: the one-off mid-19th century Biedermeier Recamier reupholstered in a bold Robert Kime fabric (pictured). theflatwestport.com

SPOTLIGHT

Tucked away on windswept Block Island, the contents of Tori Jones Studio reflects the classic New England aesthetic found outside the studio’s walls. “I gravitate toward American antiques,” says Jones, a self-proclaimed magpie who splits time between the Rhode Island enclave and New York. “We’re passionate about antique patchwork quilts, painted furniture, wicker and rope.” A former editor, Jones still taps into her prowess for discovery and storytelling in the elements she curates, stocking ready-made Hobnail Czech glassware and Sabre flatware, as well as showcasing contemporary artists from the Hudson Valley to the UK. For Jones and her customers, there’s nothing like the thrill of originality. “I think the people who shop with us are looking for items with some soul. It’s an Amazon world, but there is an authenticity, timelessness and durability to antiques that can’t be replicated.” torijonesstudio.com

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THIS PAGE PHOTO: READ MCKENDREE. OPPOSITE PAGE PHOTO: KRIS TAMBURELLO.

MARKET

ISLAND TIME

MIAMI VICE Jonathan Sanchez-Obias’ Miami storefront, Primaried Studio is a sleek and minimalist paradise. The rotating portfolio of furnishings, however, are the real scenestealers, hailing largely from the 1960s through ’90s. Pieces like the ’80s black Quebec 69 Spider Chair by Les Amisca (left) and the purple Ribbon Chair by Pierre Paulin for Artifort (right) hold court on the gallery floor with furnishings by contemporary designers like Kouros Maghsoudi and Atelier Caracas for Studio Boheme. Knowledge of the past and a keen eye on the current state of design makes Sanchez-Obias a trusted source for clientele primarily consisting of first-time homeowners and renters looking to invest in their growing furniture collections. “I am always meeting people who are looking to mix vintage pieces with new designs in their homes,” says Sanchez-Obias. primariedstudio.com

SPOTLIGHT MARKET

Pam Evans’ brick-and-mortar store Maison in Birmingham, Alabama, is a nod to French style, from which she is infinitely inspired. “Paris is always a good idea!” swoons Evans. “I love the culture and their chic sense of style, from food and fashion to interiors.” Shabby chic French finds aside, Evans’ offerings span provenance and genre (her M.O. is pairing modern art, like these abstract works on paper by Addison Ryan, with midcentury furniture), but collectively lean towards the neutral, patinaed and oversized. “I tend to buy large pieces, like these wooden Belgian spheres, a midcentury chandelier five feet in diameter, or a pair of nine-foot columns.” Such unique finds are most often scooped up by designers and architects who look to Evans’ wares for adding character to their spaces; the sort of acquisition the antiques veteran still gets a thrill out of after two decades in the business. maisonshoppe.com

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photo: hector sanchez.

FRENCH CONNECTION

P R O PROMOTIO M O T I O N PROMOTION

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From furniture and lighting to wallcoverings and fabrics, ADAC’s 65+ showrooms offer high-end home furnishings that are not only well crafted, they come with a unique point of view that is sure to inspire.

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The Caperton Collection’s Kara Vanity Stool upholstered in Jim Thompson’s Samarkand Fabric

Sewell Appliance 7455 Trowbridge Rd. Sandy Springs, GA 30328 404.255.0640

CR Flooring 4969 Roswell Rd. Suite 130 Sandy Springs, GA 30342 770.945.4097

CR Design Studio (COMING SOON) 3098 Roswell Rd. Atlanta, GA 30305 470.305.6289

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Interior Design: Brian Watford Interiors l Architecture: Castro Design Studio l Builder: Ladisic Fine Homes l Cabinetry: Marion & Bond Millwork

CR Design Center & Indoor Slab Gallery 224 Rio Circle Decatur, GA 30030 404.378.3132

CR Lighting, Fireplaces, & Garage Door 252 Rio Circle Decatur, GA 30030 ConstructionResourcesUSA.com 770.932.3585

LIVING KITCHEN

BATH

Settle into bathroom spaces that encourage relaxation, along with the newest products that create spa-like experiences right at home.

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photos: michael clifford.

LIVING KITCHEN

BATH

Chill Pill THESE TRANQUIL, HIGH-DESIGN BATHS GIVE A WHOLE NEW MEANING TO RESTORATIVE RESPITE. W R I T T E N BY A LY S S A B I R D P R O D U C E D BY S A R A H S H E LT O N

LIVING

KITCHEN+

BATH

Jenni Lauri of Lauri Design Studio transformed a dated primary bath into a Zen-like sanctuary with the help of Wide Corp construction. A Calacatta Viola marble double vanity, fluted-marble backsplash from Il Granito and Apparatus sconces lend movement and texture to the neutral space, which is decorated with a plaster bench, Moroccan runner from Mehraban and vintage figurative artwork (this page and previous).

When the owners of this Los Angeles condo purchased the unit—which is located inside a building from the 1980s—it was showing its age. The couple called on Jenni Lauri of Lauri Design Studio to update the entire residence, including the primary bath. The designer gutted the room and reworked the layout, removing an unwanted tub and opting instead for a large shower with a bold antique brass-and-glass enclosure. A double vanity featuring Calacatta Viola marble is paired with

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a fluted-marble backsplash. The remaining wall surfaces are plaster—including the shower, which has a waterproof finish, and the doors of the walnut-lined linen closet. “It feels seamless, and the plaster lends a soft, organic touch,” says Lauri, who rounded out the neutral palette—a continuation of what’s found in the main living spaces—with a Moroccan wool rug, a plaster bench and vintage figurative artwork. “We tried to combine the couple’s love of a relaxed California look with the concept of

wabi-sabi,” says the designer. “These are busy people who travel often, so the primary suite is meant to be a cozy, Zen-like sanctuary.” In fact, according to Lauri, this idea of a more subdued, pared-back type of luxury is what many clients are gravitating toward these days. “The pandemic seems to have changed what people desire,” she continues. “Clients still want luxury, but in a more understated, organic manner, with neutral tones and materials.” lauridesignstudio.com

photo: michael clifford.

PLASTER PARADISE

exclusively at

CHARLOTTE, NC 704.819.6972 ALI@COUTUREKNOTS.COM @COUTUREKNOT WWW.COUTUREKNOTS.COM

by appointment

The owners of this Miami apartment gave Sabrina Maclean of Hino Studio carte blanche when it came LOREM IPSUM DOLOR SIT AMET, to their powder room. The designer took full CONSECTETUR ADIPISCING advantage, ELIT working with both architect Antonio Sullo of Lisar and Navicon Construction to VIVAMUS ALIQUAM LIBERO VEL incorporate a barrel-vaulted ceiling—a move that NIBH ALIQUET, VITAE GRAVIDA. references arches throughout the unit. “It almost feels like a chapel,” explains Maclean, who W R I T T E N BY N A M E H E R E carried the home’s earthy palette into the space, P R O D U C E D BY N A M E H E R E selecting a Rule of Three marbleized wallpaper that complements the cement walls, Agape sink and brass Brizo fittings. “The architecture is the main protagonist here.” hinostudio.com

photo: max burkhalter.

BATH + KITCHEN LIVING

Hed QUIET Here REFLECTION

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MIXED METALS Kallista has teamed up with beloved hardware brand P.E. Guerin to create the One collection of hand-hammered brass bath fixtures made entirely at their historic New York foundry. The line—which includes widespread faucets, shower trims and a freestanding bath filler—is available in two dual-tone finishes: brushed French gold with nickel silver handles, and polished nickel with unlacquered brass handles. kallista.com

Two-century-old British brand Samuel Heath is catering to clients with a more contemporary sensibility with its newest collection, Forme. The line sports simple curves and is comprised of basin and bath taps, shower fittings and accessories in three profiles: Speed, with both lever and T-bar handles; Classic, with Art Deco−inspired levers and cross handles; and Oriel, with round knobs in a range of textures. The collection boasts nine metal finishes, including a matte-black chrome (shown here on the Speed Forme with T-bar handles). samuel-heath.com

TOWERING BEAUTY Inspired by the conical, tapered form of a lighthouse, the Nibi collection from House of Rohl brand Riobel channels the structure’s industrial nature with its range of faucets, tub fillers and shower fittings. houseofrohl.com

ROCK OUT Weighing in at 1,100 pounds, Waterworks’ new Alatri tub is carved from a block of either Prunella (shown), Carrara, Arabescato, Calacatta, Statuary or Bardiglio marbles and sports hand-finished details such as a stepped base and gently eased lip. waterworks.com

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PHOTOS: COURTESY RESPECTIVE BRANDS.

LIVING

KITCHEN+

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MODERN MARVEL

351 Peachtree Hills Avenue, Suite 121 | Atlanta, Georgia | 404.261.1820 | paulplusatlanta.com

BATH +

After living in Southeast Asia for work and falling in love with the region’s wet rooms, the owner of this Mount Hood, Oregon, residence wanted to incorporate the idea into his primary bath. The client tapped StruckSured Interiors’ Samantha Struck, who coincidentally had also lived in Southeast Asia for some time. “We gelled over our experiences there,” Struck says. “The concept of a wet room is that the shower, toilet, tub and sink are all in one waterproof space. We went for a very Japandi aesthetic that feels minimal yet warm and organic.” Struck selected materials and tones that reflect the owner’s love of the outdoors, such as sage-green waterproof plaster, natural-wood accents and copper plumbing. “The plaster has a soap sealant that makes the walls feel like silk,” Struck notes. The result: a beautifully rich product with no maintenance. strucksured.com

SUBHED HERE Designer Samantha Struck of StruckSured Interiors transformed this Oregon primary bath into a wet room inspired by those found in Southeast Asia. The walls are waterproof plaster and the copper fixtures are by Watermark. A teak shelf is mounted above the Barclay tub.

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photo: emily kennedy.

KITCHEN LIVING

GREEN GODDESS

www.firerock.us | 888.876.1025

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With family-friendly finishes and time-worn antiques, this luminous new build in Columbus, Georgia, is here for the long haul.

SOUTHERN COMFORT

Architecture: David Baker, Tippett Sease Baker Architecture Interior Design: Ashley Gilbreath, Ashley Gilbreath Interior Design Home Builder: Ray Brinegar, Ray Brinegar, Builder

For a new Columbus, Georgia, abode by architect David Baker, divided-light windows by Kolbe Windows & Doors complement a copper French Quarter lantern by Bevolo Gas & Electric Lights. Sheep’s Wool by Benjamin Moore coats the façade’s tumbled brick from Acme Brick.

et on the banks of the Chattahoochee River, Columbus, Georgia, is counted among the South’s most charming small cities. Boasting the largest urban whitewater rafting course in the world, it also beguiles adventure seekers galore. But for a local family of four, Columbus offered a thrill of a different sort: the opportunity to construct a forever home where cherished memories would be made. And a sloped, wooded lot provided the prime location for such a dream to take shape. “The draw of this property is its beautiful setting; you’re very much in the city, but it feels like a vacation home because it’s so tucked away,” explains designer Ashley Gilbreath, who dressed the interiors in her telltale curated, comfortable style. “We wanted to play up that connection to the land as much as possible.” Architect David Baker’s quest to craft the perfect envelope began with the wife’s requests. Specifically, her heart was set on a classic white-brick house organized around a central courtyard. Fulfilling her wish, Baker sketched a multigabled two-story abode augmented by a few Belgian-inspired notes. “A house is a lot like us; we travel the world, we see beautiful things, then we bring them home,” observes the architect of his inspirations. Translating Baker’s vision from paper to framing was general contractor Ray Brinegar. “Although this was the first time Ashley or I had the opportunity to work with Ray, his craft proved vital in erecting a home that perfectly fit this family,” Baker shares. Tucked into the hillside’s embrace, the residence follows a modified H-shaped layout, which happens to impart its most intriguing characteristic: Most spaces are just one room deep. Keeping the structure intentionally narrow allowed for 360-degree views to nature, a quality Baker emphasized via multipaned floor-to-ceiling windows that flood the interiors with natural light. The architect amplified this effect with a wealth of corner windows and a transom over the kitchen’s plaster range hood that further tie the home to the landscape. “Your gaze never stops at a corner or a dead-end space,” Baker explains. With every quarter turn, “You’re visually invited into the next room and the next—whether that happens to be inside or outside.”

Since there is no formal foyer, from the moment you enter, “you get a taste of the entire home,” Gilbreath notes. And although open layouts can sometimes lack a sense of mystery, this one holds a few enigmatic twists. Namely, both the kitchen and the office are part of the main thoroughfare, yet they sit discretely tucked away. Because of this, happening upon each feels like an act of profound discovery. “You’re in the center of the action but very much in your own private world,” Gilbreath says. “That’s the magic of David’s work; he can create that kind of duality within a space.” This aspect also underscores one of the guiding forces of the project: that it become a long-haul home meant to mature with the family. Comments Baker: “There’s an adaptability to this residence; it allows for rearranging or editing furniture to accommodate how the clients want the rooms to evolve.” To complement the architect’s selections of white oak floors and defining ceiling beams, Gilbreath swaddled the interiors in a palette of creams, watery blues and greens, taking her creative cues from the cerulean sky and rolling hills outside. Nature-inspired art and classic silhouettes put the focus on gracious comforts, while black-iron chandeliers introduce crisp punctuation points to the predominantly neutral backdrop. Meanwhile, heirlooms with pedigree, including the entry salon’s bleached-wood Portuguese worktable, impart gravitas without fussiness—a combination considered a must in Gilbreath’s playbook. “We believe furniture can have dings and marks and still be beautiful,” she says. “You can love on it, and it only adds more texture and patina to the space, proving that everything doesn’t have to be perfect.” For a family with two teens, two dogs and two cats, approachable finishes and fabrics like these were a prerequisite. The wife was adamant about having hard-wearing quartz in the kitchen, using stain- and fade-resistant upholstery throughout the home and laying down soft synthetic-fiber rugs that could handle the pets running to and fro. “Everything we chose was durable and life-proof, designed to hold up over time,” Gilbreath adds. In fact, that practical mindset could sum up the entire project’s warm, family-centric aesthetic. “I don’t think there’s a square inch of this house that didn’t have some massive intention behind it,” the designer says. “It’s a house that will evolve along with the owners themselves. It’s timeless and everlasting—a truly inheritable home.”

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Above: The family exercise room is swathed in Sherwin-Williams’ Link Gray. Visual Comfort & Co.’s Branson chandelier suspends above a Jaipur Living braided rug and layered cowhide from BS Trading Co. The Renée Bouchon painting is from Gregg Irby Gallery. Opposite: Demilune consoles from Parish flank a white oak front door built by JP Millwork. Indiana limestone flooring from Kolbe Windows & Doors delineates the front hall cross-axis, which leads to a transom-topped door to the family exercise room.

White oak beams from JP Millwork define the home’s dining area. Visual Comfort & Co.’s Branson chandelier presides over two styles of Lee Industries dining chairs, including a skirted version sporting Perennials’ Piccadilly Stripe fabric.

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Above: Visual Comfort & Co.’s Norma table lamp rests atop a Highland House desk in the sunlit office. Lee Industries’ High Back Campaign chair pairs with an antique footstool, providing an ideal spot to focus. Jaipur Living’s Santa Barbara Miradero rug runs underfoot. Opposite: Draperies of Carole’s Keep Calm textile surround the office, illuminated by Visual Comfort & Co.’s Belfair Grande chandelier. A 19th-century leather campaign trunk from Parish pops against the owners’ sofa, which was updated in Kravet’s Smart velvet.

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Right: Erika M. Powell Textiles’ Palm Parade grass-cloth wallcovering enlivens the laundry room. Sherwin-Williams’ Mindful Gray colors the cabinetry while an antique pine table from Parish offers a place to fold and sort. Opposite: The kitchen’s white oak paneling extends into the adjacent pantry. Custom storage is accented by Water Street Brass hardware from Brandino Brass Co. The countertops feature quartz from Sellers Beyond Tile.

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Above: In the guest bedroom, a custom Mark V Jordan headboard donning Lulie Wallace’s Anna fabric coordinates with Pom Pom at Home linens. Two framed Laura McCarty landscapes telegraph serenity as Arteriors’ Tassel lamps keep things playful. Opposite: A skylight creates a channel of light in the primary bathroom, where Visual Comfort & Co.’s equally striking Erika chandelier crowns the scene. Polished nickel Easton plumbing fixtures accompany a burnished cast-iron Voltaire tub, all by Waterworks, balancing high shine with patina.

Modern Alchemy

In Atlanta, an artist assembles natural objects into fantastical, lifelike curiosities. W R I T T E N BY M A I L E P I N G E L | P H O T O G R A P H Y B Y K E L LY B L AC K M O N

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rtist Blake Weeks isn’t one to adhere to aesthetic conventions. “I’m a maximalist, but it’s an organized maximalism,” he explains. An Alabama-born talent who has called Atlanta home since 2008, Weeks creates sculptures with natural materials including shells, feathers, beads, bones, coral and even dried mushrooms. “I’ve been collecting these things for years, but one day it occurred to me: What if they have a connection, and it’s not just a collection?” Weeks began exploring his creative side after feeling a lack of fulfillment in law school. He discovered an outlet in jewelry making but soon found even that too restrictive. “It was time to let go of regimented ideas,” he says. “I wanted to allow the objects to interact without an endgame. And as it turns out, they speak to each other.” Most of his pieces begin with a wovenhemp base, onto which Weeks sews his objects, painting them if so desired, before mounting the assemblages like prized specimens in display cases. “The best way to discover something true is to relinquish the literal,” he continues. “These works live somewhere between fantasy and reality. They’re an attempt to capture the physicality of an emotion.” Most appear mystical, like creatures conjured in some ancient folklore. At his studio in the Ansley Park home he shares with his partner, architect Bobby McAlpine, Weeks has fashioned a fittingly arcane atmosphere. “Because it’s totally underground, there are no windows, no daylight, and it really cuts me off from the world,” the artist explains. As a new piece begins, he contemplates what it might become, but he also knows not to get too attached to that idea. These sculptures develop organically and can quickly change course. Once a new creature materializes, “There’s a sense of familiarity,” Weeks says, “like recognizing an old friend.” Available locally through R Hughes, his sculptures have been getting larger (some as tall as 8 feet) and more edited in terms of their materiality. “I still allow myself to go where the work takes me, but I’m curious to see how many elements I can leave off to tell a greater truth.” By uncovering beauty in the cast-off or overlooked, Weeks’ art touches on themes of rebirth and second chances. “That feels hopeful to me,” he notes. Whether a monumental piece or one of tabletop scale, the artist thrives in their enigmatic presence, saying simply, “They’re all threads of a mystery.”

Metal display cabinets in artist Blake Weeks’ Atlanta studio (opposite) contain sources of inspiration alongside materials for his sculptures and fully realized pieces alike. The artist (left) often sews his objects by hand directly onto a woven-hemp base. Weeks’ creative process is sparked by color stories and ephemera that inspire sketches of imaginative forms (below and bottom, left).

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Reflecting the California flair of its new residents, a Tennessee abode achieves relaxed grandeur through skillful reduction.

STATE of GRACE

Interior Design: Julie Couch, Julie Couch Interiors Home Builder: Johnny Phipps, Phipps Construction Company, Inc.

This Nashville-area home’s formal parlor provides ample seating including swivel chairs by Taylor King opposite walnut armchairs by Mr. Brown London. Visual Comfort & Co.’s Serafina chandelier and an embellished oval mirror by Mississippi artist Abby Price impart glamorous notes.

rnate as a château and cloaked in climbing roses, a French-inspired residence nestled into woodlands near Nashville was everything one might expect for a country music legend’s former home. From its intricate coffered ceilings to its enfilade of vaulted rooms framed by archways, this ceremonious estate embraced decadence at every turn. But designer Julie Couch’s clients, recent Tennessee transplants by way of California, were partial to edited, clutter-free environments. To reconcile two such disparate styles might have seemed intimidating, if not impossible, for some. Fortunately, Couch found the challenge exciting. “The home was very formal and dark, but it needed to feel like a young family lived there,” explains Couch, whose clients had been swayed by the romantic landscape and sweeping views. “The wife wanted to maintain that French style but make it modern. She didn’t want to strip away what made sense for the house.” With those simple directives, Couch was granted full creative control for the abode’s next chapter. The designer preferred not to fight the house’s inherent formality, instead distilling its features down to their most essential elements. To Couch, that meant “removing some of the visual noise.” Her collaboration with general contractor Johnny Phipps, in fact, left all existing walls intact. Despite this preserved framework, however, “every single surface changed,” the designer notes. The duo stripped away one elaborate wallpaper after the next, also swapping heavy carpeting for tailored new wools as bathrooms were overhauled with crisp white vanities and quartz countertops. Fresh coats of paint brightened dark millwork in key areas like the kitchen, whose cabinetry now dons pale gray. Phipps’ crew also surgically removed excess decorative molding, then replaced the copper hood with a more subdued version in limestone. Couch updated hardware and plumbing fixtures throughout the house for an appealing mix: matte black and antique brass balanced by touches of polished nickel in a few bathrooms. Equally important were the details she left untouched: the living room’s existing carved limestone

fireplace, inlaid wood floors, plaster medallions gracing ceilings, and richly stained woods adorning crown moldings, doors and archways. Keeping to a restrained palette of warm wood, cream, gray and metallic also helped the designer marry diverse styles while letting the architecture speak for itself. Perhaps no space better exemplifies this than the paneled library, where Couch’s highcontrast palette achieved something of a yin-andyang effect. By retaining the dark backdrop, she imbued the upholstery with an ethereal feeling while turning the classic collection of books and objets d’art into a graphic tableau. The couple’s minimalist habits directly informed the pared-down furniture silhouettes Couch selected, particularly upholstery “with clean lines and simplified shapes,” says the designer, who gravitated toward soft curves to harmonize with the home’s many arches. “We wanted to find that happy medium—between the traditional residence and their modern preferences—that still made sense within the architecture.” Plentiful performance fabrics (including those with the appearance of linen, chenille or velvet) hold up to the rigors of daily life with three young children. Room by room, the designer accented her scheme with a finishing layer of appropriately traditional accents: a gilt armchair here, a classic tête-à-tête there. A Grecian bust stands proudly in one corner and a Renaissance-style angel sculpture hovers in another while the parlor plays host to an assemblage of antique fragments by Mississippi artist Abby Price. In every instance, Couch took care not to introduce excess. “A lack of clutter was very important to them. And since the furnishings were kept simple, we had to be strategic about those final touches; it was about having fewer, more impactful pieces that were artful and special.” Such elements also reflect the femininity of the wife, whom Couch channeled throughout the design. “She was trusting enough to give me an idea of what she wanted, then to let go and count on me to do it,” the designer says. “It’s a gift when a client has that confidence, because the results come out more beautiful and cohesive.” The wife even enjoyed discovering little surprises over time, Couch recounts, since the project was installed in phases. And for a grand house with quite a colorful past, one family’s West Coast roots offered the chance to be transformed—and appreciated anew.

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“We wanted to find a happy medium—between the traditional residence and the owners’ modern preferences—that still made sense within the architecture.” –J U L I E C O U C H

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Designer Julie Couch reimagined the library as a social lounge, with gatherings circulating around a Lee Industries double chaise and a Woodbridge Furniture coffee table. Custom panels of Fabricut linen soften the sunlight as a smoked-glass Royalton chandelier by Arteriors complements the coffered ceiling.

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Right: In the library, cream-colored objets d’art—ceramic vessels from Creative Co-Op and tomes customized by E. Lawrence, Ltd.— stand in contrast to the room’s darkly stained millwork. The swivel chair is by Lee Industries. Opposite: Sherwin-Williams’ Greek Villa coats the wife’s adjacent office. A Chloe chair by CR Laine pairs with the custom Parsons desk. Regina Andrew’s Glacier chandelier suspends from the ceiling clad in Villa Nova’s Sombra wallcovering.

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Above: Although her design contemporized the residence, Couch still paid tribute to its traditional roots with classical pieces. In the central rotunda en route to the living room, a bust of the Greek god Hermes from Chairish mingles with Made Goods’ bronze-wood-beaded Kira chandelier. Opposite: A casual dining area off the kitchen exudes tailored refinement thanks to its black-and-white scheme. Westan chairs by Pottery Barn surround a Mr. Brown London Equinox dining table while a Visual Comfort & Co. drum pendant presides above.

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Above: Honed Calacatta Gold marble flooring from Nashville Tile & Interiors establishes the primary bathroom’s ethereal palette. Joining MTI’s freestanding Juliet tub are a plaster figure by Mr. Brown London, a Lucy Smith Designs accent table and Visual Comfort & Co.’s Calais chandelier. Opposite: The primary bedroom features a bespoke headboard and side panels fabricated by Cool Springs Upholstery and a coordinating custom settee by Moss Home, both covered in Lee Industries’ Sanibel Smoke velvet. Visual Comfort & Co.’s Trillion flush mount fixture adorns the barrel-vaulted ceiling.

Great Escape A refined take on rusticity and curated global accessories elevate a North Carolina family’s lakeside vacation home. W R I T T E N BY L I S A M O W R Y P H O T O G R A P H Y BY L A U R A S U M R A K

Architecture: Randy Barfield, Barfield Designs, Inc. Interior Design: Kelley Lentini and Berkeley Minkhorst, House of Nomad Home Builder: Jeffrey Webb, Jeffrey Webb Construction, Inc.

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Kelly Wearstler’s Simpatico wallpaper for Lee Jofa echoes the trees beyond the breakfast area’s windows. A rope-and-rattan basket pendant by Palecek keeps natural materials at the forefront while a Four Hands oak table accommodates the family of six.

or Charlotte dwellers looking to escape the daily bustle, the surrounding lake communities provide ideal locales for weekend residences. Found just a short drive from the Queen City, Lake Tillery has long been a favorite respite of homeowners Jennifer and Al Behr, who previously owned a house there in a quiet cove. Affording a slower pace than other Charlotte-area lakes, the destination eventually offered the couple the perfect opportunity to build right beside the water, such that weekends with their four young daughters can now be spent paddleboarding, fishing and wakeboarding. “Even though it’s only an hour from Charlotte, it feels like we’re retreating somewhere farther,” Jennifer notes. Bolstering that sense of “being away from it all” was the duo the Behrs tapped for their interiors: Kelley Lentini and Berkeley Minkhorst. The designers’ brand is as dynamic as it is welltraveled. “We’re known for our underlying aesthetic of ‘global modern,’ ” shares Minkhorst, who frequently jets off with Lentini to such diverse destinations as Mexico, Morocco, Bali and beyond. An expanded world view—and the collectibles they bring back from their far-flung excursions— directly impacts the international flair of their clients’ homes, including that of the Behrs. “It makes the biggest difference,” Minkhorst continues, “in giving your home a connection to something beyond the here and now.” In this case, the clients enthusiastically approved layered details and accessories that range from Turkish rugs and Italian tile to textural baskets from Oaxaca, Mexico—all of which serve as colorful accents and conversation starters in their new abode. Joining the project from the ground up, the designers worked directly with general contractor Jeffrey Webb—suggesting tweaks to architectural plans drawn by residential designer Randy Barfield—to fully realize their clients’ vision for a vacation residence. Among the couple’s top priorities were a large bunk room similar to the one their family had enjoyed at their previous lake house, plus a sizeable screened porch, woodburning fireplace and spaces that support ease of entertaining within a free-flowing layout. Given the home’s lush location along the foothills of the Uwharrie Mountains, everyone wanted

wood to play a starring role. Areas of focus included enhancing Barfield’s exposed cathedral ceilings with a mix of stained and white-painted beams, then complementing his concept with a streamlined wood range hood and arched double doors to the scullery. Throughout the entirety of the house, white oak floors play a unifying role. Still, “Although we were bringing the outside in, we didn’t want it to be overly rustic,” Lentini says. “The home has a casual feel, but we wanted to layer in sophistication, too.” Bold blue cabinetry in the kitchen and an even more saturated shade in the bunk room echo the hues of the watery vistas beyond the windows. Adds Lentini: “This house is surrounded by nature with an incredible view, so it was important to speak to that.” Approaching each space with the aim of enhancing these foundational materials, the designers selected a mix of rounded and angular furnishings to bring balance and infuse personality. Curvy upholstery lends a contemporary foil to the home’s traditional structure, while a kinetic wallpaper in the breakfast area plays off recurring motifs of straight lines and natural colors, but still makes a statement via a contemporary pattern. Layering is always a key step in the process for Lentini and Minkhorst, who enhanced the Behr residence using color, pattern and texture. The latter is especially evident in their selections of lighting; fixtures made of rattan and coconut shell mingle with vintage accessories and artisan ceramics—many acquired abroad—injecting tactility at every turn. “These one-of-a-kind pieces introduce a sense of depth that you just can’t get from sourcing all manufactured or new,” Minkhorst notes. While some designers shop from a tightly curated collection of brands, “Kelley and I are sourcing from thousands globally,” the designer continues. “It requires a little more effort, but for us, it’s all about the discovery behind what we find, about attempting to create something entirely unique.” Although markedly different from their main residence in Charlotte, Jennifer and Al were ultimately won over by their designers’ light and modern approach. “I appreciate an eclectic mix, and Kelley and Berkeley shop from literally all over the world,” shares Jennifer, pointing to a few items that arrived slowly from Turkey. Still—much in the way of her family’s dream house by the lake— it turns out, good things are well worth the wait.

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Right: Display shelves in the kitchen—as throughout the house—are filled with globally sourced artisan pottery. Palecek’s Hendrick sconce sets off a backsplash of custom marble mosaic tiles by Tineke Triggs. Opposite: Palecek’s Fritz Rope counter stools sidle up to a kitchen island by Stanly Cabinet Company Inc. painted Farrow & Ball’s De Nimes. Visual Comfort & Co. pendants illuminate the leathered Lavezzi quartzite countertops.

A channeled outdoor sectional by Four Hands and Made Goods’ sculptural Hyde coffee table were strategically placed on the porch for maximum exposure to the Lake Tillery views. The Tennessee fieldstone fireplace was constructed by Randy Sells of Sells Stone Masonry.

“ This house is surrounded by nature with an incredible view, so it was important to speak to that.” that.” –KELLEY LENTINI

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Left: Leather lounge chairs by Moe’s Home Collection add supplementary seating to the bunk room. Regina Andrew’s Maya table lamp rests beneath a collection of framed mola textiles and Emberá masks from Anthropologie. Opposite: Farrow & Ball’s Cook’s Blue coats the bunk room. Lighting includes In Common With’s Spot Surface Mount sconces and Arteriors’ Indi chandelier, which suspends from the ceiling clad in a House of Nomad wallpaper.

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Right: Made Goods’ bleached mango-wood Allesandro canopy bed defines the primary bedroom. Baker’s Dover bedside table with brass detailing sits between Palecek’s Wisteria sconce and a teal floor covering from S&H Rugs. Opposite: In the same room, Faydon end tables flank a caned Kensington Tremaine sofa—all by Four Hands. Visual Comfort & Co.’s Moresby floor lamp pops against walls swathed in Clare’s Grayish. The chandelier is by Palecek.

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