Look up the word rare in a thesaurus and you will find the following synonyms: extraordinary, few and far between, limited, unique and more. Combine those with all of the synonyms for the word beauty and the word responsible and you’ll come up with a whole treasury of words that when all put together define a Forevermark Diamond. In 2009, Forevermark launched internationally and in 2011 Forevermark was officially launched in the United States. For a diamond to be chosen as a Forevermark diamond, it goes through what can almost be described as a “diamond odyssey.” Ultimately the splendor of the jewelry and the story that goes with it is what makes Forevermark so very exceptional. From the time the diamonds are raised up from the earth to the time they are placed on someone’s finger or into a velvet box the process has been socially and financially responsible. The process of acquiring a Forevermark diamond meet international and local financial regulations, fair and good employment practices, conflict and oppression free source standards and more. These standards mean that the countries, communities and employees that mine, sort and cut the diamonds etc. have good jobs and quality of life that they may not have otherwise. In addition, the consumer can footmark the journey of his or her own personal diamond. Mining is just the beginning of the venture that the diamonds take. Not all diamonds are the same. They vary in quality and color and many have dark spots, cracks and other imperfections. A Forevermark diamond, even in the rough, needs to be beyond compare in clarity, shape and color. In effect, less that 1% of the diamonds in the world actually qualify to be a Forevermark diamond. After sorting the diamond from the cast asides, it is then set to be polished. The diamond needs to be perfectly symmetrical and have intense sparkle. Mastering the craft of polishing takes incredible talent, a good eye and expertise. Perfection and attention to detail in the cutting and polishing phase is essential to the quality of the finished/refined stone. From polishing, the diamonds are then marked with the Forevermark signature inscription. They are then graded at the Forevermark Diamond Institute. Diamond grading is when experts evaluate and rate the diamonds based on the four C’s: cut, clarity, color and carat weight. The standards are so high for Forevermark that expert diamond assessor Theo Roelans says, “you won’t be able to see any imperfection on a Forevermark diamond with the naked eye.” Everything that goes into the jewelry from beginning to end is meaningful, but at the end of the “odyssey of the diamond,” what’s momentous is how it makes its possessor feel. According to Adelaide, “Forevermark diamonds are something you can be proud to wear forever. A diamond will last a lifetime and with Forevermark diamonds, you know you are getting the best of the best. You can confidently wear your diamond knowing that it is beautiful, rare and only comes from sources that are committed to the highest business, social and environmental standards.” This is something to wear with pride and adoration knowing that for every sparkle that you see from your diamond’s gleam, there is someone else across the world who is just as grateful for Forevermark’s brilliance as you are.
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®, and The Diamond. The Promise.™ are Trade Marks used under license from The De Beers Group of Companies. © Forevermark 2014. Forevermark®,
A TRUE PROMISE WILL NEVER BE BROKEN Less than one percent of the world’s diamonds can carry the Forevermark® inscription - a promise that each is beautiful, rare and responsibly sourced.
JEWELER
LOGO PLACEHOLDER INSERT URL HERE
from the publisher
Welcome.
With the holidays come expressions of love for those we revere through the joys of gift giving. It is with great joy that we bring you Brinker's Jewelers - The LX Magazine. This exciting issue features exquisite jewelry, artistic photography and captivating stories. For travel you’ll find one of the most distinctive, and fleeting destinations the planet affords. Each winter, a different group of artists creates Sweden’s ICEHOTEL from ice and snow—by hand. Christopher Hauser’s photographs brilliantly capture the essence of this singularly desirable experience. Working hand-in-hand with this feature is the “Gelé Château” (Frozen Castle) photo essay’s gorgeous collection of handcrafted gowns and fine jewelry. The allure of the finest men’s fragrances is owed to humankind’s most gifted noses. Naturally, the best fragrances are all blended by hand. In “Scent Of The Man” you’ll gain insights into what it takes to create them. We have an overview about one of finest cars the world has ever known. On December 23, 1904, Frederick Henry Royce and Charles Stewart Rolls founded Rolls-Royce Motor Cars. Specifically noted for their hand craftsmanship, these automobiles represent the ne plus ultra of the automotive world. One of the rewards of becoming a master winemaker is the sensory delight experienced when the results of your handicraft are enjoyed. Further, few possessions more completely express the specific tastes of a fastidious individual than a fine wine collection. We’ll show you how to get one started. As we enter this holiday season, know that you can count on us at Brinker's Jewelers to help you choose the perfect gift for that special someone. Whether you choose to commission a custom piece with our in-house jewelers or select from the collections of our marvelously talented designers, we’re here to serve you with all of the grace and joy of the holiday season. As a customer, you will be invited into our space and be treated with genuine respect and a welcoming spirit. Warm wishes to you and yours, Dean Brinker, Dirk Brinker and Kyle Brinker
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Punctually Unpredictable
FENDI MY WAY
FENDI.COM/TIMEPIECES
Features
inside
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Jewelry 10 What Makes it a Brinker's Diamond 14 Fendi: Unending Quest for Excellence
36 Gift Guide 60 Brinker’s Jewelers and Baselworld 2014
Photography 24 Gelé Château 43 Behind the Lens of Christopher Hauser: ICEHOTEL
Brinker's Jewelers Diamonds
Lifestyle 19 The Story Behind the Rolls Royce 32 The Indisputable Pleasures of Caviar
Photo Feature: Gelé Château
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56 Scent of a Man Libation 50 Starting a Fine Wine Collection Holiday 65 'Tis the Season of Noggin'
Starting a Fine Wine Collection
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56 Scent of a Man Brinker's Jewelers Gift Guide 7
cover on on thethe cover
Publishers DEAN BRINKER, DIRK BRINKER, KYLE BRINKER AND DARREN BRINKER Editor JON ROBERTS Creative Director ANGIE HALTER
Photo by David Green (www.diaphoto.net) Model: Leigh Nicholson Project Coordinators: Jaime Emig and Megan Schmett
Project Coordinators COURTNEY DRENTH MANDI HALVERSON
LX: a coffee table magazine Brinker's Jewelers - LX® Magazine is published by LX Publications, LLC, 524 North Main Avenue, Suite 110, Sioux Falls, SD 57104. LX® accepts no responsibility for unsolicited manuscripts and or photographs and assumes no liability for products or services advertised herein. LX® reserves the right to edit, rewrite, refuse or reuse material, is not responsible for errors or omissions and may feature the same content on lxmagazines.com, as well as other mediums for any and all purposes. Copyright © 2014 LX Publications LLC. All rights reserved. The entire contents of LX® are protected by copyright© and may not be reproduced without the expressed written consent of LX Publications, LLC. Reproduction in whole or in part or storage in any data retrieval system or any transmission by any means therefrom without prior written permission is prohibited. LX® and LX® Magazine are trademarks™ of LX Publications, LLC. 8
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When you walk in our new showroom you’ll see one reason why we’re voted Evansville’s Best.
When you want the best...Think Brinker’s! 111 S. Green River Rd. | Evansville, IN 47715 (812) 476-0651 | brinkersjewelers.com
What makes it a
BRINKER’S
DIAMOND? By Lyndon Conrad Bell
To say a diamond is an item of handcrafted brilliance is to engage in the most egregious form of understatement. In fact, it barely scratches the surface of what a fine diamond is really about. Whenever your eye is captivated by a diamond’s radiant fire, what you’re really looking at is the combined labor of many highly specialized professionals—from all over the world—each of whom worked by hand to ensure the stone eternally performs at its absolute best. From the moment the diamond was unearthed and identified, it was evaluated, polished, cut, chosen and ultimately set—all by hand. However, this too, is a simplification of the process. For example, it takes many years of experience to develop the expertise to recognize the qualities of a superior stone with the eye alone. Consequently, the number of people on the planet who can do so is very small. One of them is Dean Brinker. Leading a team of Gemological Institute of America (GIA) certified gemologists boasting more than 100 years of combined experience (30 of which are Brinker’s alone); from the time he was a very young child, Brinker was meticulously trained to recognize the hallmarks of a superior diamond. Interesting fact, the vast majority of diamonds mined are unsuitable for fine jewelry. Another interesting fact; of all the diamonds considered suitable, only a small percentage of them is truly outstanding in terms of the 4Cs of diamond grading (Color, Cut, Clarity and Carat weight). Within each of those four parameters there exists a wide array of variables. Sorting through these stones to find diamonds possessing the optimal qualities in each parameter is what Brinker does. Selecting all of the diamonds offered at Brinker’s Jewelers by hand, has been done by a member of the Brinker family since the inception of the company back in 1972, Dean Brinker adheres closely to a three-generation family tradition. To accomplish this, he works directly with some of the biggest vendors throughout the world; including DeBeers, Forevermark, GIA and the Diamond Dealers Club of New York—all of whom adhere strictly to the Kimberley Process of ensuring conflict-free diamonds. Brinker has built upon the knowledge and relationships passed down through the generations of his family to continue to bring Brinker’s Jewelers customers an exceptional level of quality at highly competitive prices. He can do this because Brinker’s relationships ensure he chooses from among the top one to three percent of diamonds designated gem grade. This, in turn, ensures Brinker’s customers select exclusively from the finest stones available.
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Dean Brinker
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Selecting all of the diamonds offered at Brinker’s Jewelers by hand, has been done by a member of the Brinker family since the inception of the company back in 1972, Dean Brinker adheres closely to a three-generation family tradition. A man truly passionate about his work, Brinker also enjoys educating his customers about what they’re getting. He compares the selection of a diamond to a personal journey upon which his customers embark; and in this regard, Brinker considers himself their guide. Ensuring they are comfortable by helping them broaden their knowledge, making sure the diamond they select fits their personal style, and most importantly—resides contentedly within their budget, Brinker makes each journey unique to the individual. This way, when they arrive at their stone, their satisfaction is assured. Just as there is no such thing as a flawless individual, not every diamond is flawless either. Further, like people, no two diamonds are exactly alike. The thing is, also like a person; a diamond needn’t be flawless to be beautiful. While Brinker’s favorite shape is pear, and he allows no stone into the store he wouldn’t feel good about presenting to his own wife, he knows—particularly in the case of a diamond engagement ring—the stone his customer selects must speak uniquely to them. He also knows the diamond a couple chooses will accompany them through the rest of their days together. A symbol of where they are in life at that very moment, the diamond also symbolizes their hopes and dreams. Most importantly though, the diamond is a physical manifestation of their love. The word “diamond” is derived from the ancient Greek word Adamas, which means “unbreakable”. This is poignant, because at its essence, the diamond they choose represents the unbreakable bond existing between those two people. This is why Brinker works to ensure his customers find the right diamond for them—not the diamond he wants to sell them. Brinker’s deep and abiding respect for the responsibility he bears ultimately means the beauty of a Brinker’s diamond is absolutely assured. With this firmly entrenched, the only consideration left is what stone speaks most to the client. For Brinker, there is absolutely nothing understated about that.
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M I K I M OTO.CO M
FENDI UNENDING QUEST FOR EXCELLENCE For almost 90 years, the House of FENDI has been a leader in the world of luxury—from fur to leather goods, ready-to-wear and watches. The Roman brand boasts a rich history of daring creativity and unparalleled craftsmanship. Much of the brand’s current accomplishments are owed to the creative genius of thirdgeneration family member Silvia Venturini Fendi, who is also the driving force behind FENDI’s timepieces—constantly raising the bar for watch creativity. Inspired by FENDI’s rich Roman heritage and its innovative leadership in the world of luxury, FENDI Timepieces has spent a quarter of a century unveiling unique watch designs. By deftly blending its Italian taste with Swiss watchmaking expertise, the brand has regularly been on the cutting edge of style and prowess. Today, FENDI Timepieces is both visionary yet respectful of its heritage—continually inventing and reinterpreting time. From opulent to playful, from classical and elegant to spirited and chic, FENDI Timepieces stands for mastery of materials, color opulence, savoir faire and a real passion for craftsmanship. FENDI watches use Swiss-made quartz movements that are battery powered and do not need to be wound. They require less maintenance than a mechanical movement. Because of their high vibration frequency (32 kHz), quartz movements are very accurate. Under normal conditions the battery can last up to two years. The watches of the Fendimatic collection use a Swiss-made automatic movement. In other words, it is a self-winding mechanism. Visible through the transparent case back, a rotating mass driven by the wearer’s movements rewinds the watch to ensure a 38hour power reserve. The FENDI Timepieces mechanical movement also includes a shock-absorbing system that preserves the watch from shocks.
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CRAZY CARATS
Passionate. Playful. Mysterious. These are all feminine emotions that make each of the individual we are. Now, there is one watch that lets you express your different moods perfectly. The chic, stylish and glamorous Crazy Carats watch is as daring as you. The multi-color gems choices that grace the dial can be selected accordingly to your own personal desires. The Crazy Carats was designed for women who dream of transforming time to suit their needs. This watch brings excitement and flair to your wrist, and it communicates luxury and uniqueness. Why settle for one look when you have many moods?
FENDI MY WAY
Captivating. Stylish. Glamorous. As a self-assured woman you love a grand entrance. And a bold fashion statement on the wrist is part of your expression. The breathtaking Fendi My Way highlights your personality with a special touch of glamour. If you wish to make a more luxurious statement, you can choose sparkling diamonds as well. And for an especially head-turning entrance to a worldly event, wear your Fendi My Way with a dazzling fur loop.
SELLERIA
Chic. Versatile. Sophisticated. Self-confident and sure of style, women are known to change their minds when the time is ripe. Savvy, sophisticated, chic, alluring and intelligent—with moods that run from hot to cold—a woman loves versatility. The Selleria, a watch as multi-faceted as a woman, pays homage to those female qualities. This ingenious timepiece lets you be whoever you want to be thanks to an easy strap-changing system. The Italian-designed Selleria brings magic to life. And it is particularly attractive with its array of colorful, luxe leather, hand-stitched straps and different case styles. This watch runs the gamut from delightful to daring.
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Montblanc TimeWalker Extreme Chronograph DLC Crafted for New Heights
the story behind the
Rolls-Royce By Lyndon Conrad Bell On December 23, 1904, two days before Christmas, Frederick Henry Royce and Charles Stewart Rolls inked a deal whereby Royce would design and build the cars, which Rolls would market. With the signing of this agreement, the legendary Rolls-Royce marque was born. With highly disparate backgrounds, the two men would create one of the world’s most prestigious car companies.
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Together, Rolls and Royce established a solid reputation for offering the finest cars the world had ever known.
prep school in Berkshire, followed by Eton College, Trinity College and Cambridge University. His fields of study were mechanical science and applied science. An early automotive enthusiast, Rolls bought the first car to be based in Cambridge—which was also one of the first three in all of Wales—at eighteen years of age. After completing his formal studies at Cambridge, Rolls soon discovered his true professional calling was in salesmanship. With a loan from his father, he started C.S. Rolls and Company—one of the first car dealerships in all of Great Britain.
Charles Rolls & Henry Royce
With but one year of formal education, Royce had to leave school at the age of nine to go to work to help support his family after his father died. His start in engineering came when an aunt helped Royce secure an apprenticeship with England’s Great Northern Railway in 1878. He spent three years working there, honing his mechanical skills. After the railroad, Royce found a situation at a tool making company in Leeds—before ultimately securing a maintenance position with the London Electric Light and Power Company.
Together, Rolls and Royce established a solid reputation for offering the finest cars the world had ever known. Because Royce spared no effort toward building the absolute best cars, in addition to being of very high quality, Rolls-Royce cars were extremely quiet, remarkably smooth running and exceptionally reliable. The Rolls-Royce Silver Ghost, launched in 1907, became their flagship. Completing a 14,371-mile drive—virtually non-stop—the Silver Ghost cemented its legendary status as being the best car in the world.
Essentially self-made, Royce ultimately saved enough money to go into business with a partner, Ernest Claremont. The two made electric fittings for homes, dynamos and electric cranes. Originally called F.H. Royce and company, the name was changed to Royce, Ltd. when the organization went public in 1899. The business ran nicely until the end of the second Boer War in 1902. Facing new competition from companies in Germany and the United States, Royce decided to build cars to diversify Royce Ltd’s revenue stream. In 1904, he completed the first three Royce 10 automobiles. One he kept for himself, one went to Claremont and the third was sold to Henry Edmunds, a member of the Royce Ltd. board of directors. When Edmunds showed the car to Charles Rolls, the seeds of Rolls-Royce were sown. Charles Stewart Rolls had been born into a wealthy London family. (His father was a Baron.) Rolls attended
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Rolls-Royce Silver Ghost
Rolls was also an aviation pioneer. A founding member of England’s Royal Aero Club, he was the second Brit to get a pilot’s license from the organization. On June 2, 1910, he became the first to make a non-stop double-crossing of the English Channel. One month later, on July 12, 1910, Rolls was doing a flying show when the elevator on his airplane broke off in mid-flight. Consequently, Rolls also became the first Brit to be killed in an accident in a powered aircraft.
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To honor his memory, the color of the Rolls-Royce logo was changed from red to black. Rolls-Royce models built before 1910 used red logos, those built after Rolls’ death in 1910 use black. Another change after 1910, was the introduction of “The Spirit of Ecstasy” radiator ornament. Adopted in 1911, the piece was sculpted by Charles Robinson Sykes, who had done a similar piece for Lord John Walter Edward Scott-Montagu to adorn his 1909 Silver Ghost. The model for the ornament is believed to be Eleanor Velasco Thornton, Lord Montagu’s secretary and secret lover for more than a decade. To help England mobilize for World War I, Rolls-Royce began producing aircraft engines. Ironically, Rolls had been trying to get Royce to do so for many years. The engines found tremendous success and eventually became the primary revenue stream for the company.
The Spirit of Ecstasy
Meanwhile, the Silver Ghost was proving so successful it was deemed necessary to open another factory—in the United States. Rolls-Royce of America was created in Springfield, Massachusetts in 1921. Some 1700 “Springfield Ghosts” were constructed before the Great Depression severely constricted demand. This ultimately caused the closure of the factory in 1931. The next significant model was the 1922 Rolls-Royce Twenty. Smaller and more affordable, the Twenty served as a bridge model between the Silver Ghost and the first Rolls-Royce Phantom, which was introduced in 1925. Initially, Rolls-Royce built only chassis, which were then shipped to coachbuilders to be completed to customer specifications. The first Rolls-Royce model to be completely built in house was the 1949 Rolls-Royce Silver Dawn. This was also the first model to come out of the company’s factory at Crewe. The Pressed Steel Company produced Silver Dawn bodies. In 1971, when the aviation side of the company encountered difficulties, the financial stability of the entire concern was jeopardized. Considered a strategic asset, the British government bought the company to preserve the manufacture of Rolls-Royce aircraft engines. In 1973, the government created Rolls-Royce Motors and separated the two concerns. Vickers plc bought Rolls-Royce Motors in 1980, then sold it in 1998. Both BMW and the Volkswagen Group vied for control of the company. Volkswagen ultimately out-bid BMW and won. Well, sort of. The deal Volkswagen made got them the then-current Rolls-Royce model range, the Spirit of Ecstasy ornament, and rights to the classic shape of the grille—but not the Rolls-Royce name, nor the RR logo. RollsRoyce plc, the aircraft engine company, had retained ownership of those elements when the British government broke up the company back in 1973. BMW subsequently worked out a deal with Rolls-Royce plc to use the name and the logo—which cost them considerably less than buying Rolls-Royce Motors would have. BMW then worked out a deal with Volkswagen to get the Flying Lady and the grille, before proceeding to build a whole new range of Rolls-Royce motorcars. Today, these include the Phantom sedan, coupe and drophead (convertible). There is a smaller “entry-level” sedan called the Rolls-Royce Ghost Series II, and a two-door fastback version of the Ghost Series II, called the Wraith.
Phantom Coupe
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Wraith
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Phantom Interior
Phantom 22
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One of the most exclusive lines of cars in existence, the Rolls-Royce Phantom family is characterized by outsized presence, overarching prestige, discerning craftsmanship and incomparable comfort. Comprised of four models: Phantom, Phantom Extended Wheelbase, Phantom Coupé and Phantom Drophead; Phantom and Phantom Extended Wheelbase are designed to be chauffeur-driven, while the other two Phantom models are personal luxury cars with a driver orientation. Hand-built at Goodwood in England, it takes some 60 people to construct each Phantom motorcar. Powering the Phantom models is a 6.75-liter V12 engine producing 453 horsepower and 531 ft-lbs of torque. Top speed is limited to 150 miles per hour, while acceleration from zero to 60 is accomplished in just over five seconds. Ghost Series II is offered in two specifications, with two wheelbases (standard and extended). While some aspects of constructing the Ghost models are mechanized, the interior is crafted by hand. The leather for the seats is pre-shrunk and drum-dyed to ensure it never squeaks or cracks. Nine specially-selected hides go into upholstering each Ghost interior. Each Ghost’s hand polished wood veneers comes from one single tree to ensure the continuity of the grain pattern throughout the automobile. An eighteen-speaker audio system promises a reality of sound unrivalled by any other automobile. Power comes from a 6.6-liter V12 capable of producing 563 horsepower and 575 ft-lbs of torque. Top speed is limited to 155 miles per hour, while acceleration from zero to 60 is accomplished in just under five seconds. There is also a more performance-oriented version of the Ghost Series II, called the Ghost V-Specification. Also available in standard and long wheelbase iterations, Ghost V-Specification enjoys 593 horsepower and 575 ft-lbs of torque from the 6.6-liter V12. It also features a more performance oriented suspension calibration, which, while maintaining the smoothness of ride all Rolls-Royce models are known for, improves the cornering abilities of the V-Spec cars.
Ghost Interior
Wraith is the newest addition to the Rolls-Royce family lineage. The most powerful Rolls-Royce automobile ever offered; Wraith’s 6.6-liter V12 creamily generates an aweinspiring 624 horsepower and 590 ft-lbs of torque. With a curb weight of 5,380 pounds, the Wraith nonetheless accelerates to 60 from zero in just over four seconds. Its top speed is electronically limited to 155 miles per hour. As graciously luxurious as it is powerful, Wraith is lavished with all of the amazing craftsmanship and attention to detail as the rest of its stablemates. This is evident in details like the chrome bullet tips on the recessed piping in the seats, as well as the fiber optic headliner designed to mimic the night sky.
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Photographer: Jon Roberts Photographer/Set Design: Jim Brummond Hair & Make Up: Angelique Verver Photo Retouching: Chelsie Roberts Models: Kristen Swan, Alyssa Anthony, Kasey Wamsher, Arquette & Associates, LLC Gowns by: The French Door
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The Indisputable Pleasures of
CAVIAR
By Linda I. Rogers
To those most familiar with the delicacy, the only true caviar is the saltcured eggs (roe) of wild sturgeon from the Caspian and Black seas. Neither red “caviar” nor Salmon roe is true caviar. Just as all cognac is brandy, but not all brandy is cognac, all caviar is roe, but not all roe is caviar. To be precise, there is a delicacy similar to caviar (decreed as substitutes of caviar by the United Nations Food and Agriculture Operation), which comes from other fish—including salmon, trout, whitefish and other species of sturgeon. There are four primary varieties of what is considered true caviar; these are Beluga, Sterlet, Osserta and Sevruga. By far, the most rare, most highly coveted, and the most expensive is derived from the prehistoric Beluga sturgeon native to the Caspian Sea. Large, soft eggs about the size of a pea characterize Beluga caviar, which ranges in color from silver to black. An extremely large fish, Sturgeon can take up to 20 years to mature and can weigh as much as 2000 pounds. The older the fish, the lighter the color of its caviar and the more prized it is. Best enjoyed alone on toast, the preferred method of handling caviar is with a spoon made of mother of pearl, bone, any other non-metallic material. Metallic flatware imparts an undesirable flavor to the delicacy. Thus, many
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epicureans will only eat caviar alone, from the nook of their hands between the index finger and thumb. When serving, it is very important to keep in mind caviar’s affinity for both cold and crystal. Keeping caviar cold is key to maintaining its freshness and flavor. A crystal serving dish will contain the eggs without imparting an untoward taste to the delicacy. Thus, a cold crystal dish will ensure the absolute optimal flavor from the precious eggs. And, while most fish will benefit from the juice of a lemon, you’ll never want to expose caviar to lemon. Further, caviar should always be served raw. The delicacy, when fresh, should smell faintly of seaweed. If it smells fishy, something is; and the caviar shouldn’t be consumed. Also, while many people say caviar tastes salty, fine caviar should taste clean, buttery, and only mildly salty. If it’s heavily salted, there’s something wrong. In your mouth, the eggs should be fairly crisp, with a satisfying “pop” to them. Soupy or sticky caviar should be avoided as it is probably going bad. Caviar doesn’t like sticking around too long, once a tin is opened, you should consume it right away. At best, three days in the refrigerator after opening is as far as you should push it.
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The most expensive Beluga should always be eaten alone. If you’re making appetizers and feel a need to pair caviar with something, use one of the more inexpensive varieties. These pair well with blini, plain bread or unsalted table water crackers. If you’re going with crackers, it might be a good idea to spread a small amount of sour cream on the bread or cracker to hold the eggs in place. Other pairing suggestions include a few crumbs of onion, and a hint of chopped egg. For libations, dry crisp cold champagne is ideal (think Brut). A nice dry vodka works well too. Once reserved only for the world’s most wealthy individuals, caviar today can be enjoyed by anyone of better than modest means. Further, a number of online purveyors will deliver it fresh, right to your doorstep. These include Petrossian Caviar at Petrossian.com; Seattle Caviar Company at Caviar.com; and The House of Caviar and Fine Foods at HouseOfCaviarAndFineFoods.com.
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alor.com
Advertising copyright © 2014 ALOR International LTD. All designs copyright © ALOR International LTD.
IPPOLITA Sterling Silver Stella Rectangular Pendant with 0.15cttw Diamonds $595
IPPOLITA Sterling Silver Stella “V”-shaped Pendant Necklace with 0.11cttw Diamonds $495
IPPOLITA Sterling Silver Stella Ring in Onyx with 0.11cttw Diamonds $495
IPPOLITA Sterling Silver Stella Toglette in Amethyst and Black Shell Doublet with 0.12cttw Diamonds $695
IPPOLITA Sterling Silver Stella Toglette in Mother of Pearl Doublet with 0.12cttw Diamonds $595
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FOURKEEPS Round Locket, 0.70ct White Topaz in Sterling Silver or White Gold $275 *charms starting at $35
FOURKEEPS Flower Locket, 0.75ct White Topaz in Sterling Silver or Yellow Gold $325 *charms starting at $35
FOURKEEPS Mom Charm, 0.05ct White Topaz in Sterling Silver or Yellow Gold $50
FOURKEEPS Anchor Charm in Sterling Silver or Rose Gold $35
FOURKEEPS Cutout Star of David Charm, 0.10ct White Topaz in Sterling Silver or Gray $50
FOURKEEPS
FOURKEEPS
Skate Charm, 0.05ct White Topaz in Sterling Silver or Rose Gold $50
Horseshoe Charm, 0.05ct White Topaz in Sterling Silver or White Gold $50
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ROBERTO COIN
ROBERTO COIN
Diamond Baby Hoop $880
Chic & Shine Small Earrings $1,180
ALOR Noir 18K White Gold, Stainless Steel and Black Stainless Steel with White and Black Stingray and 0.63cttw Diamonds $2,795
ALOR Classique 18K White Gold and Stainless Steel Bangle with 0.33cttw Black Diamonds $1,450
ALOR Classique 18K White Gold, Stainless Steel and Yellow Stainless Steel with 0.35cttw Diamonds $1,850
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ROBERTO COIN Diamond By the Inch 15 Station Diamond Necklace $3,040
ROBERTO COIN Tiny Treasure Diamond Cross Necklace $580
FOREVERMARK A.Link Deco Spiral “You and Me” Ring starting at $7,400
PANDORA Happy Snowman $50
PANDORA Christmas Ornament $60
PANDORA Jolly Santa $50
PANDORA Night Sky $65
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PANDORA
PANDORA
Sparkling Surprise $65
Galaxy Clear CZ $325
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FENDI Crazy Carats starting at $2,700
FENDI My Way starting at $850
FENDI Selleria starting at $950
TISSOT Ballade III $550
OMEGA Speedmaster $4,400
OMEGA De Ville Ladymatic $8,100
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VICTORINOX Pocket Knives starting at $20
VICTORINOX I.N.O.X. $525
SHINOLA Birdy Rose Gold $525
TUDOR Heritage Ranger $2,825
NOMOS GLASHÜTTE Ahoi Atlantik $4,660
SHINOLA Runwell 41mm $550
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Light up THE NIGHT.
Sterling silver charms from $25
Introducing the new 2014 Winter Collection from PANDORA
111 S. Green River Rd. • Evansville, IN 812.476.0651 brinkersjewelers.com
behind the lens of christopher hauser
photographing
ICEHOTEL
By Lyndon Conrad Bell photos Š Christopher Hauser
Frosty Forest Artists: Lilya Pobornikova & Viktor Tsarski www.lxmagazines.com
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Every winter for the past 24 years there has existed in Jukkasjärvi, Sweden a singularly unique travel experience. Back in 1989, entrepreneur, Yngve Bergqvist, was looking for an intriguing way to use the most abundant resource in his town—ice. Inspired by Japanese ice sculpting, he invited two professional ice sculptors from that country to help him put on a workshop for a group of artists.
Pole Dancing Artists: Christine Close & Natalie Close
That workshop gave birth to ARTic Hall, an especially designed igloo, based on techniques the artists learned during the workshop. Originally intended to be a gallery of ice art, Bergqvist happily discovered people wanted to use it for other purposes as well. He and some associates opened a bar inside, ARTic Hall, and then tried sleeping in the gallery one night as well (no word on whether the two events were somewhat related—but we digress). Here, it is useful to understand the temperature inside the hall was a consistent 23 degrees Fahrenheit. The first party of overnight guests was a team of survival experts from the Swedish armed forces. The first commercial party was a corporate retreat for a group from the Versatel Corporation. Their exhilarated response to the experience was the catalyst for the founding of ICEHOTEL. Today some 50,000 people annually queue to spend the night in this remarkable place between December and April. Each year, ICEHOTEL is built from scratch, with each of its public spaces designed by a different ice-sculpting artist. Based in Munich, photographer Christopher Hauser visited ICEHOTEL as a 12-year old boy with his family. He still has images from that visit shot with his first digital camera. Fascinated by the idea of a hotel created from ice and snow, the memory stuck with him. When he grew up, he returned as a professional photographer to shoot for his portfolio. The ICEHOTEL management team liked his work and Hauser has photographed the hotel every subsequent year for the past four years.
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Whitewater Artists: Elin Julin & Ida M책ngsbo
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Main Hall – Secret Garden Artists: AnnaSofia Mååg & Alessandro Falca
Because ICEHOTEL is built differently every time—based upon the inspiration of the artists chosen to design each suite—the experience is different every time. In a recent interview, we spoke with Hauser about his work at ICEHOTEL. LX: What made you want to go back to the ICEHOTEL to shoot?
Christopher Hauser: I think it is
something extraordinary to design and build a new hotel, bar and church every year from scratch. The ICEHOTEL is a piece of art in itself. It’s an amazing experience to walk through the finished hotel for the first time. It is such a rich pool of creativity. Sometimes I think, WOW, what a room, there can’t be anything better than this and a year later I find something even more beautiful. For me, the ICEHOTEL is a fantastic mix of architecture, art and creativity. It is always an honor, lots of fun and it is very challenging.
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Frozty Flower Artists: Shingo Saito & Natsuki Saito
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“For me, the ICEHOTEL is a fantastic mix of architecture, art and creativity.” - Christopher Hauser
Up There Artists: Luc Voisin & Mathieu Brison
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Tributary Tribute Artists: Arne Bergh, Åke Larsson, Sofi Ruotsalainen, Mikael “Nille” Nilsson, Janne Haglöf & Peter Sörwing 48
LX: What are some of the unique challenges of shooting in this environment?
CH: First, the most obvious one: It is cold, really cold. In addition to being hard on myself, it puts a lot of stress on my equipment, too. Batteries are not holding up very well when it’s that cold, so I carry around twice as many batteries as I would carry under normal temperatures.
Arktikos Artist: AnnaSofia Mååg
From a photographic standpoint, there is the space issue. Everything is quite small, so it is hard to get a good picture of a whole room or area. Ideally, you want to include as many details as possible in one photograph. I have tailored my gear to these special needs so I can work with these limitations very well. Still, it is always a challenge to find the best angle for every room.
Another challenge is the light, or rather the darkness. LED lighting is used to create mood lighting for the ICEHOTEL. You don’t want to bring in external lights, as this would destroy the mood and feeling of the hotel. Some rooms have a romantic feeling (more white, red, orange lights) others are more towards the cool tones. It is important to analyze the light to decide in each room specifically what mood is to be conveyed in the final photograph. LX: What is the foundation of your approach to your ICEHOTEL shoots?
CH: Rather than record a one hundred percent perfect replica of the actual scene in every geometric form and shape, I want to give the viewer the same feeling I had the moment I stood in that spot taking the photograph. I try to convey the stillness, the cold, and the beauty; but especially the effort every artist put into creating his or her unique room. LX: What gear do you use?
CH: For ICEHOTEL I have two different cameras. Most of the images are done in digital medium format. I use a Phase One
IQ180 back on an Arca Swiss Rm3Di. Combined with high quality lenses from Rodenstock and Schneider, this combination gives me great quality and all the options I need to realize my imagination. As a second camera, I use a Nikon D800 on a Roundshot VR Drive tripod head from Seitz. I use this when I have very limited space and can’t take the image with my other equipment. It helps me create very wide panoramic images. LX: Would you ever actually sleep in ICEHOTEL?
CH: (Laughs) Well, yes and no. When I’m working there, I’m already spending eight to 10 hours in the cold, so I do not fancy sleeping in the cold as well. There is nothing better than a hot shower and a cozy room after so much time in the cold. However, when I visited ICEHOTEL with my parents as a child, I did sleep in one of the rooms. It was quite a nice experience. I hope in one of the following years I will be able to stay a few extra days and spend a night in the cold once again.
130 Arctic Sunsets Elin Julin, Marjolein Von & Marinus Vroom
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STARTING A
Fine Wine Collection BUY WHAT YOU LIKE
By Lyndon Conrad Bell Despite the implied sophistication of the endeavor, starting a fine wine collection can be as simple or as complex as you choose to make it. Yes, there are some truly impressive multi-thousand-bottle collections out there, however there are more than a few 50 to 100-bottle collections in existence as well. It’s largely a function of personal preference. With that said, yes, of course there are fundamentals to keep in mind to ensure success. The very first thing to do is make sure you have the proper conditions on hand for storing wine for long periods of time. Depending upon how involved you want to get, it might make sense to construct a purpose-built cellar. In most cases though, a cool basement works quite well. Justin Lorenz, wine and beverage director at the New York Palace Hotel says; “Generally speaking, you want low temperature, low light, high humidity and security. Try to keep the wine at around 55 degrees F. Keep it dark, keep it humid (50 to 80 percent humidity so your corks don’t dry out) and above all, keep the wine’s temperature consistent.”
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“To start your ideal collection, just buy a few bottles of what you like— it’s that simple.” - Herb Karlitz Your next consideration should be figuring out what you like enough to collect. According to Heather Hillman, fine wine consultant at Baroness Wines in Denver, “The best place to start is with what you enjoy. For example, if your passion is French wines, explore all of the wine regions of France to find wines fitting the profile of what you are looking for. Whatever your goals, start by building upon what you already like.” One of the nice things about having a collection is the opportunity it presents to “lay down” some bottles for aging. However, this brings up another important consideration. Jessica Certo, head sommelier at Del Frisco’s Double Eagle Steak House in New York City says; “If I were building a cellar primarily to age, I’d make sure at least 25 percent of my collection would be made up of younger “free game” wines in order to avoid the temptation of drinking bottles I wanted to age. If you often host events, or drink wine on a regular basis, you might want to devote as much as 50 percent of your collection to things you want to drink now in order to avoid the possibility of impulsively breaking into your future investment. If you do get into aging wines, keep in mind some varietals age better than others. Matt Kaner, 2013 Food and Wine sommelier of the year, and wine director at Bar Covell in Los Angeles says the three determinants for aging well are; acid, tannin and sweetness. As for specific regions, Kaner suggests Barolo (Italy), Barbaresco (Italy), Burgundy (France), Bordeaux (France), Loire Valley (France), Rioja (Spain), Clare Valley (Australia), Barossa Valley (Australia), McLaren Vale (Australia), Hunter Valley (Australia), Mosel-Saar-Rwar (Germany), Rheingau (Germany), Rheinhessen (Germany), Nahe (Germany), Wachau (Austria), Kremstal (Austria), Napa Valley (California), Porto (Portugal), Madeira (Portugal), Jerez (Spain), Chateauneuf-du-Pape (France) and Champagne (France). Regarding varietals best suited for aging, Kaner recommends Riesling, Chenin Blanc, Semillon, Viura, Chardonnay, Nebbiolo, Pinot Noir, Syrah, Grenache, Tempranillo, Cabernet Sauvignon and Merlot. Ultimately though, whether you’re collecting for enjoyment, aging or investing, it really comes down to your personal preferences. Says Herb Karlitz, an avid wine collector with over 2,000 bottles in his cellar; “There is no right and wrong. Forget the rules of what to drink with what foods. It’s all up to you. To start your ideal collection, just buy a few bottles of what you like—it’s that simple.”
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Of course, if you have only a rudimentary idea of what you like, you’d do well to befriend a wine retailer to help you broaden your tastes. Each of the experts we consulted recommended learning as much as possible on your own—with the help of someone in the know.
“With so much to discover, the beauty of wine is...there is something for everyone.” - Heather Hillman
Hillman advises; “Some great books to help you get started include: Wine for Dummies, The Wine Bible, Wine Basics, Discovering Wine and my favorite book of all; The Sotheby’s Wine Encyclopedia. Wine magazines such as Wine Spectator, Wine Enthusiast, Wine Advocate and Wine & Spirits, usually focus on different regions, varietals and wine makers from around the world. These publications offer great tips on wines for collecting and wines for investment.” Hillman also suggests getting out and tasting as much as you can. While it seems obvious, it remains very valuable advice. She says; “There are many classes one can take at a local level, as well as tasting groups. Restaurants are also offering wine tastings/pairings. The best way to understand wine is to taste many different types, step out of your comfort zone, and discover new varietals by expanding upon what you already enjoy.”
Lorenz agrees; “Learn as much as you can on your own first if possible, it’s more fun that way. Taste wine often and figure out what moves you. Along the way, you’ll find some very helpful people at wine shops, restaurants and formal tasting events who can help you identify the things you like about the wines you gravitate toward.” Laughing, Lorenz says; “Some of those people might even be fun to talk to! I’d start by asking them for their advice.” Of equal importance is the stemware from which you enjoy your wines. While there are makers who offer a different type of glass for each varietal, all of our experts agree the main thing someone just starting out needs to focus on is the shape of the glass. For still wines, Kaner advises investing in two types of stems to get started—Burgundy and Bordeaux. The Burgundy shaped glass accentuates the femininity of a wine. The wines you’ll pour into this glass are more delicate and need help bringing the purity of the wine to the drinker’s nose and mouth. The Bordeaux glass focuses on wine. The kinds of wines you’ll pour into this glass are more masculine and bulky; wines requiring only flush delivery to the drinker’s mouth and nose. They also work quite well for white wines. Of course, if you enjoy sparkling wines, you’ll also need a set of champagne flutes. Regarding stemware, Lorenz goes on to offer a piece of what might at first be unintuitive advice which, actually makes a great deal of sense once you give it some thought. He says, “Leave your stemware dirty overnight: always clean it the next day. Never try to clean your stemware the night you’ve been drinking—you’ll find yourself having to re-invest in stemware more often.” Wine glasses are fragile, and if you’ve been enjoying your wines all evening, well…
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flute
CHAMPAGNE
wine glass BORDEAUX
wine glass BURGUNDY
Depending upon the size of your collection, and the amount of wine you drink on a regular basis, buying by the case can make sense for a number of reasons. First is price; most retailers offer a discount of 10 to 15 percent when you purchase by the case. Second, buying cases may help ensure the wine was stored properly (although it isn’t a guarantee). The third reason is you can take advantage of the case discount while still introducing variety to your collection. Karlitz says; “Most retailers offer case discounts, regardless of whether the case is all the same or mixed.” Of course, before you buy a case of anything, always try one or two bottles to make sure you like it first. The worst thing you can do is rush to fill your cellar by indiscriminately purchasing cases of wine just so your collection “shows” well. If you’re into aging the wines in your collection, you can employ Karlitz’s tip to buy four different wines simultaneously, and benefit from another piece of Kaner’s advice. If you’re buying bottles to lay down, get at least three bottles at a time. People, by nature, are impatient. Everyone wants to know how the wine tastes right away. If you buy three, you can commit wine infanticide on one to see when it would best make sense to open the second and third bottles. Finally, make enjoyment your primary consideration. Hillman says, “Wine collecting should be fun, it should reflect who you are. As you learn more and explore different regions and varietals, your tastes and your palette will evolve. Just keep it fun and remain true to yourself. With so much to discover, the beauty of wine is...there is something for everyone.”
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SCENT OF A MAN By Linda I. Rogers
While we as a species rely primarily upon our visual acuities, our olfactory glands have a substantial impact upon our emotional responses. Because of this, fragrances have played a significant role in our lives throughout history. Even as far back as 200 years before the birth of Christ, it is said the sixth Babylonian king Hammurabi decreed everyone in his kingdom wash in perfume. While Napoleon Bonaparte is reputed to have gone through an average of 54 bottles of cologne a month, silent film star Rudolph Valentino is credited with the proliferation of men’s fragrances in contemporary American society.
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Comprised primarily of alcohol, water and essential oils; colognes are distinguished by their “notes” of which there are basically three to each fragrance. The alcohol and water carry the oils to your skin and evaporate immediately. The oils then interact with your body heat and the air to emit the fragrance of the cologne. “Top notes” are typically citrus in nature, and diminish within ten minutes of application. The middle notes last up to an hour and are generally comprised of floral scents. The spicy base notes stick with you throughout the day. And yes, your individual body chemistry does come into play. The way a cologne smells can indeed vary on different people. One of the oldest fragrances around is Acqua di Parma’s Colonia. Introduced in 1916 to perfume the handkerchiefs of Italian men, Colonia is today worn by both women and men. Colonia’s top notes are evocative of warm citrus fruits, which then give way to lavender and rose middle notes. Base notes of vetiver, sandalwood and patchouli follow. Another classic fragrance is Guerlain’s Vetiver. Introduced back in 1959, Vetiver places the oil of its namesake root at its heart. Vetiver is also one of the key essential oils found in a number of fragrances. Guerlain’s Vetiver starts with top notes of bergamot, lemon, mandarin, neroli and coriander. It then transitions to vetiver and cedar before settling into tobacco, nutmeg, tonka bean and capsicum.
“Guerlain’s Vétiver” is a fresh woody accord for a fragrance with authentic elegance.
Designer Tom Ford’s Tobacco Vanille is described as being reminiscent of an English gentlemen’s club—with spice. Middle notes of tonka bean, tobacco flower, vanilla and cacao follow top notes of tobacco leaf and aromatic spices. The fragrance finishes with a dry fruit accord enriched with sweet wood sap.
The Colonia formula has remained unchanged for nearly a hundred years. The elegant Art Deco bottle, with its distinct bakelite stopper has been an undisputed style icon since 1930.
Tom’s Ford’s affection for London, inspired “Tobacco Vanille”. A modern take on an old-world men’s club.
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Drawing upon the exclusivity of Bentley motorcars, Bentley fragrances capture the essence of the brand. Lalique for Bentley Crystal Edition is delivered in a crystal flacon featuring the winged Bentley hood ornament. The fragrance leads with top notes of white cedar wood and ores butter, followed by patchouli and papyrus, before finishing with musk and dry amber. Proudly proclaiming itself the world’s most expensive perfume—right on the bottle— Clive Christian No.1 for Men is the flagship fragrance from the Crown Perfumery, which dates back to 1872. With a price of $865 for a 1.6 ounce bottle, its top notes are bergamot, lime, Sicilian mandarin and cardamon; followed by lily of the valley, rose, jasmine and ylang ylang, before finishing with cedarwood, sandalwood, vetiver and ambery woods.
The “Lalique for Bentley Crystal Edition” is a limited special edition (a series of 999 pieces) available only through a small selection of Lalique retailers.
“No1” perfumes were created to be the absolute best in class and have been recognized by the Guinness World Records as The World’s Most Expensive Perfume.
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Eye-catching, groundbreaking: Metro with the in-house NOMOS swing system
Find out more about this and other models at nomos-glashuette.com
ALL THE TIME IN THE WORLD
BRINKER’S JEWELERS AND BASELWORLD 2014 By Lyndon Conrad Bell
If one is to be regarded a serious player in the world of fine timepieces, attending the Baselworld watch exhibition in Basel, Switzerland is absolutely mandatory. Straddling the banks of the Rhine River in northwest Switzerland, near the borders of France and Germany, some of the most formidable builders of fine horological instruments in the world make their homes in the region surrounding this city of approximately 195,000 people. Consequently, Baselworld is the world's largest and most important event for the watch industry. There, you can quite literally find all the time in the world. Some 1500 exhibitors from 100 countries inhabit the 1.5 million square feet of exhibition space to show their wares, while more than 4000 members of the global press cover the show. Many of the world's most renowned brands showcase their collections exclusively at Baselworld, eschewing all other events. Over its seven day run, Baselworld attracts some 120,000 visitors. This is why Kyle Brinker and Dean Powell of Brinker’s Jewelers clear their calendars each spring to fly to Switzerland to participate in the event. This year, in addition to attending the massive exhibition, Brinker and Powell spent some time in the facilities of three of the world’s foremost watchmakers to gain a deeper understanding of the processes and cultures of these highly vaunted organizations. Easily ranking among the most prestigious brands in the industry, Montblanc, A. Lange & Söhne and Nomos Glashütte graciously allowed the two Americans to witness their processes firsthand.
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Montblanc Montre SA is located in the Swiss town of Le Locle, in an Art Nouveau villa built in 1906, the same year Montblanc was founded in Hamburg, Germany. Montblanc watches are singularly desirable instruments, resulting from the finest craftsmanship in the best Swiss watchmaking traditions. Montblanc has also been entrusted with the nurturing of the concern formerly known as Minerva, whose history dates back to 1858, when it was founded in Villeret, Switzerland. Known today as Montblanc Manufacture in Villeret, the Institut Minerva de Recherche en Haute Horologerie houses some 40 master watchmakers and technicians who produce less than 300 timepieces a year—with the majority of the components made by hand. Minerva movements and chronographs were so accurate they were used on the battlefields of World Wars I and II. They were also employed as the official timekeeping instruments for the 1936 Winter Olympics. Minerva has produced mechanical movements for nearly 160 years.
Montblanc Montre S.A. in Le Locle
A. Lange & Söhne traces its history back to 1845, when Ferdinand Adolph Lange founded the company. Creating a limited number of watches each year—in 18k gold or platinum— A. Lange & Söhne timepieces are among the most coveted on earth.
Institut Minerva de Recherche en Haute Horologerie
Nomos Glashütte watches originate from the German village of Glashütte. Brinker and Powell established a relationship with this company at Baselworld in 2013. One of but a few high-end manufacturers producing its own movements in house, Nomos Glashütte watches possess perpetual beauty. Further, their durability ensures they will last a lifetime.
For Brinker, CMO and CFO at Brinker’s Jewelers, these sojourns were incredibly inspiring. “We have visited manufacturing facilities before, but this time, we were invited to see everything. We actually sat alongside master builders as they assembled $300,000 timepieces,” he says. Powell, a certified watchmaker in his own right, as well as the watch department manager at Brinker’s Jewelers says, “The exacting standards employed in these places are mind boggling. It can very easily take months, in some cases even years to build one watch—such is their attention to perfection and detail.” Brinker agrees, “These are more than just mere marketing companies slapping pre-manufactured movements into mass-produced cases and painting their logos on the dial. When you acquire one of these instruments —and that’s exactly what you’re getting here, a finely tuned horological instrument—you’ve attained ownership of an elite hand made product constructed by people absolutely dedicated to the craft.” A. Lange & Söhne
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This appreciation for the skills of fine watchmakers is what drives Brinker and Powell to enforce equally rigorous principles at Brinker’s Jewelers as well. Fresh off of a complete redesign, Brinker’s brand new state of the art watch department is the only one of its kind in the region. This has resulted in the enhancement of what was already the premier destination for aficionados of fine timepieces in the Midwest. In addition to the broader selection of distinctive watches the new showroom affords, Brinker’s new service facility offers customers the capability of servicing any timepiece in-house. Brinker’s in-house servicing of high-grade Swiss movements, along with vintage restorations, and the crafting of bespoke parts (where required) is unrivaled in the area. Adhering to the stringent standards Powell and Brinker have seen in place at the most demanding watchmaking facilities on the planet, while your fine timepiece is being cared for in Evansville, Indiana—Switzerland is firmly in the house at Brinker’s. This is absolutely essential when dealing with timepieces of this caliber. An unqualified shop can actually create issues in a fine timepiece while attempting to maintain it. Just as you’d avoid subjecting a Ferrari or a Rolls-Royce to the uncertain expertise of a shade tree mechanic, these instruments require specialized proficiencies and apparatuses to ensure they are attended to properly. All of which, Brinker’s new watch department offers in abundance. Representing some of the world’s most prestigious marques; including Rolex, Omega, Montblanc, Nomos and Tudor, Brinker’s newest Baselworld find is Ressence. The Ressence name is a portmanteau assimilating the phrase, “Renaissance of the Essentials”. Belgian industrial designer Benoît Mintiens’ innovative timepieces employ four flush-mounted revolving dials, placing all of the graphical elements on one plane. Three sub dials are mounted on the main dial, which rotates to mark the passing of minutes. This means the face of a Ressence is in constant motion. Consequently, the configuration of its dials is slightly different every time you view the watch. One of but nine retailers in the United States authorized to represent these dynamic timepieces, finds like Ressence further demonstrate how attending Baselworld annually is so integral to Brinker’s watch operations. Kyle Brinker says, “The people at Baselworld lead the industry. When there are new innovations, we learn all about them there. We then develop close relationships with the people behind those innovations. This, in turn, enables us to represent their timepieces with complete confidence. It is absolutely impossible to overstate how important this is to us.”
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60 YEARS OF CONTINUOUS INSPIRATION IN THE PURSUIT OF TECHNICAL PERFECTION
Heritage Black Bay is the direct descendant of TUDOR’s technical success in Greenland on the wrists of Royal Navy sailors. 60 years later, the Black Bay is ready to stand as its own legend. TUDOR HERITAGE BLACK BAY® Self-winding mechanical movement, waterproof to 200 m, 41 mm steel case. Visit tudorwatch.com and explore more.
®
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Tis the season
of Noggin
Known as the drink for the holidays, the frothy traditional eggnog still remains a favorite for holiday parties. The basic recipe for eggnog has not changed over the years (eggs beaten with sugar, milk, cream, spices and some kind of spirit) but according to eggnogaholic.com, the largest eggnog recipe website, you can mix it up at your family gatherings or office holiday party by offering Orange Ale Eggnog* or Eggnog Coffee Punch*. By chance you are traveling for the holidays and still want to bring a touch of the eggnog tradition with you, consider a batch of Chocolate Eggnog Truffles*, Eggnog Snickerdoodles* or Eggnog Popcorn Balls*.
Basic Eggnog
*
6 eggs separated 1/2 cup sugar 2 tsp. vanilla 1/4 tsp. salt 2 cups milk 1/2 cup rum 2 cups heavy cream 1/2 tsp. nutmeg 1/4 tsp. cinnamon Whisk together the egg yolks, sugar, salt and vanilla until light yellow and creamy. Add rum and milk. Cover and refrigerate for several hours. Refrigerate the egg whites, as well. When you are ready to serve your eggnog, whip the heavy cream in one bowl and the egg whites in another bowl. Both should be beaten until stiff peaks form. Then alternate folding in egg whites and whipped cream to the eggnog mixture. This eggnog is rich, thick and delightfully creamy. You can use less whipped cream and more milk, it’s a matter of taste. Garnish with nutmeg and cinnamon.
*
Find this recipe and more at eggnogaholic.com.
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OYSTER PERPETUAL GMT-MASTER II
rolex
oyster perpetual and gmt-master ii are trademarks.