2017
2017
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lyndseyingram.com
Peter Doig Pinto Etching and aquatint printed in colours, 2000 – 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 112 x 153.5 cm
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Richard Hamilton Release Screenprint in colours with collage, 1972. Signed in pencil and numbered from the edition of 150. Printed on Hodgkinson mould-made paper by Kelpra Studios, London. Published by Petersburg Press for the National Council of Civil Liberties and Release, London. (Lullin 83) 68.6 x 86.3 cm
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David Hockney Jungle Boy Etching and aquatint printed in colour, 1964. Signed in pencil and numbered from the edition of 50. Printed on mould-made paper by Giulio Sorrini, New York. Published by Associated American Artists, New York. (Tokyo 33; Scottish Arts Council 33) 50.5 x 61.5 cm
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David Hockney Marguerites Etching and aquatint printed in colours, 1973. Signed in pencil and numbered from the edition of 100. Printed on Arches mould made paper by Atelier Crommelynk, Paris. Published by Petersburg Press, London. (Scottish Arts Council 157; Tokyo 141) 41.5 x 32 cm
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David Hockney Afternoon Swimming Lithograph printed in colours, 1979. Signed in pencil and numbered from the edition of 55. Printed on Arches Cover mould-made paper by Kenneth Tyler, Tyler Graphics, New York. Published by Tyler Graphics with their blind stamp. (Tokyo 233) 80.6 x 100.3 cm
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David Hockney Celia in Armchair Lithograph, 1980. Signed in pencil and numbered from the edition of 74. Printed on Arches Cover paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. with their blind stamp. (Tokyo 239) 101.6 x 121.9 cm
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David Hockney Celia with Green Hat From the Moving Focus series. Lithograph printed in colours, 1984. Signed in pencil and numbered from the edition of 98. Printed on HMP handmade paper by Roger Campbell and Lee Funderberg, Tyler Graphics Ltd., New York. Published by Tyler Graphics Ltd. (Tokyo 268) 76.2 x 55.8 cm
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David Hockney Cacti on Terrace Etching, 1998. Signed in pencil and numbered from the edition of 35. Printed on wove paper. Published by Pace Editions Inc., New York. 95 x 87 cm
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Howard Hodgkin Nick Lithograph printed in colours, with hand colouring, 1977. Signed in pencil and numbered from the edition of 100. Printed on Crisbrook hand-made paper by Petersburg Studios, New York. Published by Petersburg Press, New York. (Heenk 32) 47 x 58.5 cm
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Anish Kapoor Shadow The complete set of 9 etchings printed in colours, 2007. Each signed in pencil and numbered from the edition of 35 verso. Printed on Somerset paper. Published by The Paragon Press, London. Each sheet: 49 x 65 cm
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Alex Katz Joan Aquatint printed in colours, 1986. Signed in pencil and numbered from the edition of 65. Printed on Somerset paper by Doris Simmelink and Chris Sukimoto, Jeryl Parker Editions, New York. Published by Crown Point Press, San Francisco. 79.7 x 99.7 cm
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Ellsworth Kelly Red-Orange Lithograph printed in colour, 1964 – 65. Signed in pencil and inscribed HC VI/XIII. A hors commerce proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 6) 60 x 89.5 cm
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Ellsworth Kelly Yellow over Dark Blue Lithograph printed in colours, 1964 – 65. Signed in pencil and inscribed HC XII/XIII. A hors commerce proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 22) 89.5 x 60 cm
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Jeff Koons Puppy Offset lithograph and screenprint in colours, 1999. Signed in pencil and numbered from the edition of 75. Printed on ivory stock card. 106.7 x 64.8 cm
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Gerald Laing Baby Baby Wild Things The complete portfolio of 5 screenprints in colours, 1968. Each signed in pencil and numbered from the edition of 200. Printed on smooth white paper by the artist. Published by the artist with his blind stamp. (Ingram & Halliwell 22-27) Each sheet: 89 x 58.5 cm
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Roy Lichtenstein Crying Girl Lithograph printed in colours, 1963. Signed in pencil. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. (Corlett II.1) 45.7 x 60.3 cm
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Bridget Riley Untitled (La Lune en Rodage - Carlo Belloli) Screenprint, 1965. Signed in pencil and numbered from the edition of 200. Printed by Kelpra Studio, London. Published by Editions Panderma, Basel. (Schubert 6) 31.9 x 31.9 cm
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Bridget Riley Untitled (Fragment 6) Screenprint on Plexiglas, 1965. Signed in pencil (in reverse from back) and numbered from the edition of 75. Printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. (Schubert 5f) 74.5 x 73.8 cm
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Ed Ruscha Sponge Puddle Lithograph printed in colours, 2015. Signed in pencil and numbered from the edition of 60. Printed on BFK Rives paper. Published by Hamilton Press, California. 73.7 x 71.1 cm
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Ed Ruscha Thinks I, To Myself Lithograph printed in three colours, 2016. Signed in pencil and numbered from the edition of 80. Co-published by Hamilton Press, California and Royal Academy of the Arts, London. 32.5 x 53.5 cm
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Frank Stella Sinjerli Variation III Lithograph and screenprint in colours, 1977. Signed in pencil and inscribed A.P IX. One of 20 artist’s proofs aside from the edition of 100. Printed on Arches Cover paper by Bruce Porter, James Welty, and John Campione, New York. Published by Petersburg Press, New York. (Axsom 117) 81.3 x 107.9 cm
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Wayne Thiebaud Little Red Suckers Aquatint printed in red, 1971 – 2014. Signed in pencil and numbered from the edition of 35. Printed by Emily York, Crown Point Press, San Francisco. Published by Crown Point Press. 25.4 x 26.67 cm
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Andy Warhol Camouflage Portfolio The complete portfolio of 8 screenprints in colours, 1987. Each stamped with the Warhol Estate Stamp, signed in pencil and numbered from the edition of 80 by the executor of the artist’s Estate, Fredrick W. Hughes verso. Printed on Lenox Musuem Board by Rupert Jasen Smith, New York. Published by the artist, New York. (Feldman and Schellmann II.406 – II.413) Each sheet: 96.5 x 96.5 cm
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