London Original Print Fair 2019

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London Original Print Fair 25th – 28th April 2019



London Original Print Fair 25th – 28th April 2019

Stand no. 36 Royal Academy of Arts London W1J 0BD

Lyndsey Ingram 20 Bourdon Street London W1K 3PL T. +44 (0)20 7629 8849 E. info@lyndseyingram.com W. lyndseyingram.com


David Hockney Peonies in a Glass Vase Etching, 1998. Signed in pencil and numbered from the edition of 35. Printed by the artist and Maurice Payne, Los Angeles. Published by the artist. 96.77 Ă— 76.45 cm

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David Hockney Green Valley Inkjet printed in colours, 2008. Signed in pencil and numbered 14 from the edition of 25. Printed on wove paper with the artist's blindstamp. Published by the artist. 96.52 Ă— 125.73 cm

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Harland Miller In Shadows I Boogie Etching with relief printing, 2019. Signed in pencil and numbered from the edition of 75, plus 12 artist's proofs. Published by Manifold Editions and White Cube, London. 148.4 Ă— 89.4 cm

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Harland Miller Thought After Filthy Thought Etching with relief printing, 2019. Signed in pencil and numbered from the edition of 75, plus 12 artist's proofs. Published by Manifold Editions and White Cube, London. 148.9 Ă— 89.4 cm

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Suzy Murphy Mirror Lake Monoprint with hand-painting in oil, 2019. Signed in pencil verso. 65 Ă— 56 cm

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Suzy Murphy The Heat Down Here Monoprint with hand-painting in oil, 2019. Signed in pencil verso. 65 Ă— 56 cm

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Suzy Murphy For Years & Years II Monoprint with hand-painting in oil, 2019. Signed in pencil verso. 65 Ă— 56 cm

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Suzy Murphy Yellow Light Falls Monoprint with hand-painting in oil, 2019 Signed in pencil verso. 65 Ă— 56 cm

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Kelly Reemtsen Splitting Hairs Woodcut printed in colours, 2012. Signed in pencil and numbered from the edition of 10. Printed on Rives BFK 300 gsm paper by the artist at Venice Printmaking Studio, Venice, Italy and the artist's studio, Los Angeles. Published by the artist. 114 Ă— 114 cm

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Kelly Reemtsen You Wouldn't Woodcut printed in colours, 2012. Signed in pencil and numbered from the edition of 10, with 1 artist's proof. Printed on Rives BFK 300 gsm paper by the artist at Venice Printmaking Studio, Venice, Italy and the artist's studio, Los Angeles. Published by the artist. 114 Ă— 114 cm

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Kelly Reemtsen Twister Sister Etching with screenprint and hand-colouring, 2015. Signed in pencil and inscribed AP2. One of 7 artist's proofs aside from the edition of 25. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, New Hampshire. Published by the artist. 91.4 Ă— 91.4 cm

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Kelly Reemtsen Gender Gap / Shears Photogravure, aquatint and screenprint in colours, 2016. Signed in pencil and numbered from the edition of 25, with 6 artist's proofs. Printed by the artist. Published by the artist. 40.6 Ă— 40.6 cm

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Frank Stella Purple Series The complete set of nine lithographs, 1972. Signed in pencil and numbered from the edition of 100, with 9 artist's proofs. Printed by Ron Adams, Charles DeLong and Kenneth Tyler. Published by Gemini G.E.L., Los Angeles. (Axsom 64-72) Each sheet: 40.6 Ă— 55.9 cm

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Wayne Thiebaud Suckers Aquatint, 1964. From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Lunch Counter Aquatint, 1964. From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Pie Case Colour direct gravure with aquatint and drypoint, 2002. Signed in pencil and numbered 12 from the edition of 40. Printed on wove Somerset paper by Dena Schuckit. Published by Crown Point Press, San Francisco. 67.3 Ă— 79.3 cm

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Jonas Wood Untitled #2 Lithograph and screenprint, 2014. Signed in pencil and numbered from the edition of 50. Printed by Cirrus Editions, Los Angeles Published by Cirrus Editions, Los Angeles. 121.9 Ă— 94 cm

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Jonas Wood Untitled #4 Lithograph and screenprint , 2014. Signed in pencil and numbered from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 121.9 Ă— 94 cm

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