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OP E N I NG PA RT Y Tuesday 7th November 2017 5:30 – 8:30pm 20 Bourdon Street London W1K 3PL
Lyndsey Ingram
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+44 (0)20 76298849
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info@lyndseyingram.com
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lyndseyingram.com
Miles Aldridge Circling The Small Ads (after Miller) Unique Polaroid print, 2017. Signed verso. 8.6 x 10.8 cm
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Walton Ford La Historia Me Absolvera Etching and aquatint in colours, 1999. Signed in pencil and numbered from the edition of 50. Printed by Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Gallery, New York. 111.8 x 78.7 cm
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Walton Ford Benjamin’s Emblem Etching and aquatint in colours, 2000. Signed in pencil and numbered from the edition of 50. Printed by Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Gallery, New York. 111.8 x 78.7 cm
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Lucian Freud Thistle Etching, 1985. Initialed in pencil and inscribed ‘A/P’. One of ten artist’s proofs aside from the edition of 30. Printed on Somerset wove paper by Palm Tree Studios, London. Published by James Kirkman, London, and Brooke Alexander, New York. (Hartley 23) 30.7 x 24.7 cm
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Jane Hammond Korean Vase with Hawthorn, Almonds and Milkweed Unique botanical collage with lithography, linocut, relief printing, digital printing, coloured pencil, watercolour and gouache, sumi ink and copper leaf, hand cut and assembled on collaged Nepali paper, 2016. Signed in pencil. 127 x 96.5 cm
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David Hockney Lithograph of water made of lines, crayon, and two blue washes Lithograph printed in colour, 1978-80. Signed in pencil and numbered from the edition of 85. Printed on TGL handmade paper by Roger Campbell, Rodney Konopaki and Kenneth Tyler at Tyler Graphics Ltd., New York. Published by Tyler Graphics Ltd., New York, with their blindstamp. (Tyler 209) 75.6 x 86.4 cm
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David Hockney Two Vases in the Louvre Etching and aquatint printed in colours, 1974. Signed in pencil and numbered from the edition of 75. Printed on Inveresk mould-made paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 154; Scottish Arts Council 168) 99.5 x 92 cm
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David Hockney Rue de Seine Etching and aquatint, 1971 Signed in pencil and numbered from the edition of 150. Printed on J Green mould-made paper by the Print Shop, Amsterdam. Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London. (Scottish Arts Council 121; Tokyo 111) 89.4 x 70.6 cm
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Damien Hirst Tetrahydrocannabinol Etching and aquatint printed in colours, 2004. Signed in pencil and numbered from the edition of 115. Printed on 350 gsm Hahnemuehle paper. 111.2 x 200.6 cm
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Roy Lichtenstein Ten Landscapes The complete portfolio of ten screenprints with photographic and Rowlux additions, 1967. Each signed and numbered from the edition of 100 verso. Printed by Fine Creations, Inc., New York. Published by Original Editions, New York. From the collection of Ileana Sonnabend. (Corlett 51-60) Each sheet: 42.2 x 54.7 cm
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Enoc Perez Pan American Terminal, Kennedy Airport Etching and aquatint with monoprint, 2009. Signed in pencil. Published by Lower East Side Print Shop, New York. 57.2 x 75.5 cm
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Grayson Perry Map of Days(Red) Etching printed in colour, 2013. Signed and numbered verso from the edition of 20. Printed on 400gsm Rives Velin Arches paper. Published by Paragon Press, London. 111.5 x 151.5 cm
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Kelly Reemtsen Tighten Up Screenprint and woodcut printed in colours, 2017. Woodblocks hand carved by the artist in Los Angeles. Signed in pencil and numbered from the edition of 25. Printed on Somerset Satin 410gsm paper by Advanced Graphics, London. Published by the artist. 92.7 x 91.4 cm
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Wayne Thiebaud Dark Cake Woodcut printed in colours, 1983. Signed in pencil and inscribed ‘AP 9’. An artist’s proof aside from the edition of 200. Printed on Tosa Kozo paper by Tadashi Toda at Shi-un-do Print Shop, Kyoto. Published by Crown Point Press, San Francisco with their blindstamp. 51.4 x 56.5 cm
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Wayne Thiebaud Candy Apples Woodcut printed in colours, 1987. Signed in pencil and inscribed ‘AP 1’. An artist’s proof aside from the edition of 200. Printed on Tosa Kozo paper by Tadashi Toda at Shi-un-do Print Shop, Kyoto. Published by Crown Point Press, San Francisco. 59 x 61.5 cm
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Wayne Thiebaud Lunch Counter Aquatint, 1964. From ‘Delights’ portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 x 27.5 cm
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Wayne Thiebaud Hill Street Woodcut printed in colours, 1987. Signed in pencil and inscribed ‘AP 7’. An artist’s proof aside from the edition of 200. Printed by Tadashi Toda, Kyoto. Published by Crown Point Press, San Francisco. 94 x 61 cm
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Ed Ruscha Sponge Puddle Lithograph printed in colours, 2015. Signed in pencil and numbered from the edition of 60 . Printed on BFK Rives paper. Published by Hamilton Press, California. 73.7 x 71.1 cm
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Richard Serra Paths and Edges #5 Etching, 2007. Signed in pencil and numbered from the edition of 60. Published by Gemini G.E.L., Los Angeles. 66 x 81.9 cm
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Andy Warhol Queen Elizabeth II of the United Kingdom Screenprint in colours, 1985. Signed in pencil and numbered from the edition of 40. Printed on Lenox Musuem Board by Rupert Jasen Smith, New York. Published by George Mulder, Amsterdam. (Feldman & Schellmann II.336) 100 x 80 cm
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Jonas Wood Untitled Lithograph and screenprint in colours, 2014. Signed in pencil. An artist proof aside from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 121.9 x 93.9 cm
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Jonas Wood Untitled Lithograph and screenprint in colours, 2014. Signed in pencil. An artist proof aside from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 121.9 x 93.9 cm
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Christopher Wool My House I Screenprint in colours, 2000. Signed in pencil and numbered from the edition of 100. Printed on 335gsm matte custom art paper by Brand X Editions, New York. Published by Counter Editions, London. 101.5 x 76 cm
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