Winter Garden 2019

W I NTER GARDEN

W I N TER GAR DEN 23rd January – 22nd February 2019 Michael Canning | Gordon Cheung | Blaise Drummond | Lucian Freud | Sarah Graham | David Hockney | Georgie Hopton | Gary Hume | Alex Katz | Ellsworth Kelly | Michael Landy | Cornelia Parker | Francis Ruyter | Kiki Smith | Jonas Wood

Lyndsey Ingram 20 Bourdon Street London � �PL T.

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"I prefer winter and fall, when you feel the bone structure of the landscape — the loneliness of it; the dead feeling of winter. Something waits beneath it, the whole story doesn't show."– Andrew Wyeth

Detail right: Michael Canning Difficult Loves (for I.C.) VI

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“I will be the gladdest thing under the sun! I will touch a hundred flowers and not pick one.” – Edna St. Vincent Millay

Kiki Smith Escapades The complete suite of nine etchings with hand colouring, 2011.

Signed in pencil and numbered 5 from the edition of 18, with 5 artist's proofs.

Printed on Hahnemühle copperplate bright white 350 gsm paper

by Carol Weaver and Felix Harlan, New York.

Published by Harlan & Weaver, Inc., New York.

Each 38.1 × 27.94 cm

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Michael Landy Oxford Ragwort Etching, 2002.

Signed in pencil and numbered from the edition of 6.

Printed by the Hope Sufferance Press, London.

Published by Paragon Press, London.

84.4 Ă— 74.4 cm

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“A weed is but an unloved flower” – Ella Wheeler Wilcox

Michael Landy Pineapple Weed Etching, 2003.

Signed in pencil and numbered 3 from the edition of 6.

Printed by the Hope Sufferance Press, London.

Published by Paragon Press, London.

94.4 × 80.4 cm

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Georgie Hopton A Wet Season's Veg Print (xiv) Monoprint in acrylic with collage, 2011.

Signed in pencil verso.

112 Ă— 77 cm

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David Hockney Peonies in a Glass Vase Etching, 1998.

Signed in pencil and numbered from the edition of 35.

96.77 Ă— 76.45 cm

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David Hockney Rue de Seine Etching and aquatint, 1972.

Signed in pencil. An artist's proof aside from the edition of 150.

Printed on J Green mould-made paper by the Print Shop, Amsterdam.

Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London.

(Scottish Arts Council 121; Tokyo 111) 89.4 Ă— 70.6 cm

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David Hockney Tulips Etching, 1973.

Signed in pencil and numbered from the editon of 75, with 16 artist proofs.

Printed on German mould made Museum Board by Maurice Payne, London.

Published by Petersburg Press, London.

91.5 Ă— 71 cm

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Jonas Wood Shelf Still Life Lithograph and screenprint, 2018.

Signed in pencil and numbered 23 from the edition of 80.

Printed by Cirrus Editions, Los Angeles.

Published by Cirrus Editions, Los Angeles.

81.28 Ă— 66.04 cm

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“Nobody sees a flower - really - it is so small it takes time - we haven't time - and to see takes time, like to have a friend takes time.” – Georgia O'Keeffe

Michael Canning Difficult Loves (for I.C.) III Oil and varnish on Gessoed paper, 2015-18.

Signed and dated verso.

95.5 × 75 cm

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Michael Canning Difficult Loves (for I.C.) VI Oil and varnish on Gessoed paper, 2015-18.

Signed and dated verso.

95.5 Ă— 75 cm

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“A flower blossoms for its own joy.”

– Oscar Wilde

Blaise Drummond Aralia 2 Sepia ink and marker pen, 2018.

65 × 50 cm

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Lucian Freud Thistle Etching, 1985.

Initialed in pencil and inscribed 'A/P'.

One of ten artist's proofs aside from the edition of 30.

Printed on Somerset wove paper by Palm Tree Studios, London.

Published by James Kirkman, London, and Brooke Alexander, New York.

(Hartley 23) 30.7 Ă— 24.7 cm

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Lucian Freud Painter's Garden Etching, 2003-4.

Signed in pencil and numbered from the edition of 46, with 12 artist's proofs.

Published by Acquavella LLC, New York.

76.6 Ă— 99.5 cm

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Francis Ruyter Beyond the Forest Woodcut printed in colours, 2012.

Signed in pencil and numbered from the edition of 35.

Printed on Japanese Unryu-shi paper.

Published by Alan Cristea Gallery, London.

95 Ă— 94 cm

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Cornelia Parker A Bunch of Red Roses Photogravure etching, 2015.

Signed in pencil and numbered from the edition of 15.

Printed on Fabriano Tiepolo Bianco 290 gsm paper.

Published by Alan Cristea Gallery, London.

72.2 Ă— 54.5 cm

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Ellsworth Kelly Oak VI Lithograph, 1992.

From the Series of Oak Leaves.

Signed in pencil and numbered from the edition of 30, with 10 artist's proofs.

Printed on Rives BFK Paper by Gemini G.E.L., Los Angeles.

Published by Gemini G.E.L., Los Angeles.

(Axsom 264) 76.2 Ă— 91.4 cm

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Ellsworth Kelly Leaf I Lithograph , 1978.

Signed and numbered in pencil from the edition of 20.

Printed by Mark Stock at Gemini G.E.L., Los Angeles.

Published by Gemini G.E.L., Los Angeles.

(Axsom 166) 76 Ă— 106 cm

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Ellsworth Kelly Wild Grape Leaves I Lithograph , 2004.

From the Series of Five Plant and Flower Lithographs.

Signed and inscribed AP 10/10. An artist's proof aside from the edition of 30.

Printed on Rives BFK paper by Gemini G.E.L., Los Angeles.

Published by Gemini G.E.L., Los Angeles.

(Axsom 311) 58.4 Ă— 78.7 cm

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“The earth laughs in flowers.”

– Ralph Waldo Emerson

Gordon Cheung Hans Bollongier I Archival inkjet print in colours, 2015.

Signed in pencil and numbered verso from the edition of 20, with 5 artist's proofs.

Printed on Hahnemühle Photo Rag 308 gsm paper by Andrew Turnbull, Digital Print Studio, London.

Published by Alan Cristea Gallery, London.

150 × 118 cm

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Sarah Graham Medinilla Magnifica X Graphite on paper, 2018.

158 Ă— 109 cm

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Gary Hume Here's Flowers The complete portfolio of 8 linocuts printed in colours, 2006.

Each signed in pencil and numbered from the edition of 68.

Published by Paragon Press, London.

Each 80.5 Ă— 61 cm

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Alex Katz Late Summer Flowers Screenprint in colours, 2013.

Signed in pencil and numbered from the edition of 50, with 15 artist's proofs.

Published by Lococo Fine Art, St. Louis, Missouri with their inkstamp verso.

101.6 Ă— 139.7 cm

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“I must have flowers, always, and always.” – Claude Monet

Detail right: Kiki Smith Escapades

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