Interiors | 6th April 2013 10am

Sale 376 | Saturday 6th April 2013 | Affordable, Stylish & Unique

Sale 376 Saturday, 6th April, 2013 at 10am at 33 Broughton Place, Edinburgh EH1 3RR Viewing Times Thursday, 4th April 10am - 8pm Friday, 5th April 10am - 5pm / From 9am on sale day Enquiries

Buyer’s Guide Everything you need to know

Bidding

In person To view all of the lots in this sale please note the public viewing times listed above. All viewable at 33 Broughton Place, Edinburgh.

There are four easy ways to bid at this sale, and all bids are (of course) confidential:

Estimates All lots carry an estimated price band, listed in the catalogue, which indicates our opinion of value. The final price may be higher or lower than this band depending on demand. If there is a reserve on the lot then it cannot be sold below that price.

Reserves do not exceed the lower estimated price and may be lower.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

Charlotte Riordan

charlotte.riordan@lyonandturnbull.com

Viewing

Online All lots are available to view online and each image can be enlarged for closer inspection. If you require additional images or would like a report on the condition of your lot(s) please contact us at info@lyonandturnbull.com

Theo Burrell

theo.burrell@lyonandturnbull.com

By absentee bid If you are unable to attend the auction we can bid on your behalf. Simply complete an absentee bid form and either hand it to a member of staff or fax it later to 0131 557 8668 at least 24 hours before the sale. Please note that our bid department may contact you for further details.

The amount you enter on the form should be your maximum limit. We will bid up to that limit for you, and remember you may end up paying less than your limit, depending on other bidding on the day.

In person at the sale Simply register at reception today, or when you arrive at the saleroom. You may need to provide identification. Once you have registered you will be handed a numbered paddle to use in the saleroom. When the bidding begins on your lot raise your paddle to bid. When the bidding stops the auctioneer will bring down the gavel and read out your number if you have won the lot.

Payment By telephone If you would like to bid by telephone, our clerk will call you from the saleroom on the sale day, just before your lot(s) come up, and bid on your behalf live at the sale. You can register to bid on the ‘phone at reception today, or contact us at least 1 hour before the sale on 0131 557 8844 or via info@lyonandturnbull.com Please note that for telephone bidding it is assumed the bidder will be prepared to pay within the estimate or higher.

For lots with a bottom estimate below £500 we would encourage you to leave an absentee bid, bid in person or bid online.

Online at lyonandturnbull.com Many clients prefer bidding live online at our auctions. It’s easy to register with us online and you can watch the sale as it happens and place bids at your computer. These live auctions are run by Artfact on our website, and they will charge you an additional 3% plus VAT for this service.

You can register to bid at any time before the sale; however we suggest you allow plenty of time to register to secure your bids.

You can pay by a number of methods - cash, credit or debit card or bank transfer.

You will be charged the hammer price plus a buyer’s premium of 25% up to £25,000 and 20% thereafter (premium subject to VAT). If there is a dagger (†), asterisk (*) or section mark (§) next to your lot number in the catalogue, your lot will be subject to VAT or Droit de Suite charges on the hammer price in addition to our standard buyer’s charges. See our Standard Terms & Conditions on the inside back cover for further details.

If you are not able to come in and see us to pay by credit or debit card please use our Online Payment service. You will find a link to this service in any email invoice we send you or you can visit the payments section of our website.

Please note that if you are paying by credit card we accept Mastercard and Visa only and there will be a 2% surcharge.

For further information on buying at Lyon & Turnbull please see our Standard Terms & Conditions of Sale and Collecting Your Purchases at the back of the catalogue..

Welcome to

Welcome once again to our Interiors sale at Lyon & Turnbull! Following on from our successful inaugural auction in January, we are very pleased to be presenting our second sale and catalogue, filled with everything from the traditional to the modern and quirky. So whether you’re looking for a chest of drawers or an elephant bird egg, you’ve come to the right place.

This time around we have some great collections for sale, including a wide range of taxidermy and natural history pieces (page 14) and a significant group of caricatures from the established artist John Springs (pages 32 and 40). You’ll know his work for The Sunday Telegraph, or through his time spent on Newsnight, characterising politicians, royalty and celebrities.

As usual we will have all items on view two days prior to the auction, with staff on hand to answer any questions or queries. It’s just a case of walking in! Our late night viewing on Thursday 4th is also an opportunity to receive a free bidding lesson at our ‘Buying at Auction’ event, running between 6-8pm. Enjoy a glass of wine, an explanation by our specialists, and a chance to practice your new skills at our mock auction. So if you missed it last time, or you have more friends to bring along, then please do join us!

PS We thought it was only fair that we treat all those who register for the sale to a free cup of coffee, courtesy of our in house café run

by Valvona and Crolla. You can register and receive your free drink during the viewing and sale days

Theodore Burrell Head of Interiors

Charlotte Riordan Picture Specialist

If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absentee bid with one of our staff members – ring us for details on 0131 557 8844.

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Highlights from the Sale Natural History Natural history pieces and taxidermy items are back in demand! This April we have a substantial collection of both traditional and more modern works, including a range of mounted butterflies and insects; shells and fossils; and even a taxidermy platypus!

From the weird and wonderful, to the sculptural and unique, have a look at what we have to offer for all tastes and interests.

Page 14

John Springs Our second sale is also host to a significant collection of John Springs caricatures, directly from the artist’s studio. Over the last 35 years, Springs’s satirical works have featured in many a publication from The Tatler and The New Yorker to The Spectator and The Financial Times. We are fortunate enough to be offering over 50 original artworks featuring all manner of celebrities, members of royalty and politicians.

Pages 32 and 40

Collection from ex. Auchentorlie House, Dumbartonshire Auchentorlie House and Estate stood in the vicinity of Bowling Bay in Dumbartonshire, being home to the Buchanan and Fergusson-Buchanan families until the early 20th century. Following its demolition several decades ago, we have a small collection of antiques and furniture from this private Scottish property up for auction in this month’s Interiors sale.

Page 48

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Specialist’s Choice This month our Picture specialist, Charlotte Riordan, chooses some of her favourite lots from this month’s sale.

Elephant Bird Egg This sale represents the chance to own some truly weird and wonderful objects, the most extraordinary of which has to be the elephant bird egg. Indigenous to Madagascar, the elephant bird is thought to have been hunted to extinction in the 17th century. At up to 11ft tall, its extraordinary proportions are thought to be the root of the legends of the “Roc”, a monstrous bird famously described in the adventures of Sinbad. During a recent programme documenting his exploits on the island of Madagascar as a young man, Sir David Attenborough revealed that an elephant bird egg was among his most prized possessions, which certainly gives one an idea of its importance as an artefact.

Lot 124

Wellington Chest My second chosen item is a redecorated 19th century Wellington chest.

This piece appeals to me for both its functionality and ornamental appeal.

Wellington chests were introduced in the early 1800s and named after the 1st Duke of Wellington, being pieces of campaign furniture. They are therefore traditionally rather masculine items, however with the later addition of the hand-painted butterflies, this piece has both a striking look and more feminine appeal. The quality of the workmanship is excellent and it would be a real talking piece in any room.

Lot 392

Nael Hanna A fascinating back story; Hanna was born in Iraq and served in the Iraq-Iran war before moving to Scotland to study at the Duncan and Jordanstone School of Art in Dundee in the early 1980s, where he would later lecture in Fine Art. He also spent time in residence at Hospitalfields, an art school and colony in Arbroath which was also attended by Joan Eardley in the 1950s. Their shared love of the east coast of Scotland is evident in Hanna’s work, particularly in his seascapes which strongly recall Eardley’s Catterline studies. Though Eardley’s prices have reached stratospheric levels, the legacy of her talent is alive and well in Hanna’s work which represents a worthy alternative for a smaller budget.

Lot 66 5

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1 FE430/15 MAHOGANY BUREAU BOOKCASE 19TH CENTURY the moulded cornice above astragal glazed doors enclosing adjustable shelves, over the fall flap enclosing a fitted interior, over a frieze drawer, two short and two graduated long drawers, raised on bracket feet, with alterations 82cm wide, 209cm high, 40cm deep

£500-700 2 FF131/28 ITALIAN GILTWOOD MIRROR CIRCA 1850 the oval mirror plate with a moulded giltwood frame, beaded slip and rope twist edge 113cm wide, 123cm high

£600-800

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5 FD653/2 CHINESE RED LACQUER CHAIR QING DYNASTY, 19TH CENTURY the solid splat carved with a gilt roundel depicting exotic birds, above a caned seat raised on square supports 51cm wide, 106cm high

£200-300 6 FE297/9 PAIR OF LOUIS XV STYLE WALNUT AND UPHOLSTERED ARMCHAIRS 19TH CENTURY the shaped backs and stuff over seats covered in cream check fabric, with carved scroll arms and raised on cabriole square legs, united by a wavy x form stretcher and terminating in hoof feet 112cm high, 68cm wide, 52cm deep

3 FE152/4 SET OF SIX OAK HOOP BACK CHAIRS 20TH CENTURY the arched back above a pierced vertical splat, over a solid seat, raised on turned legs united by stretchers 41cm wide, 89cm high, 36cm deep

£200-300 4 FE519/1 BRASS MONTED LOUIS XV STYLE VITRINE the glazed door and sides above vernis martin style painted panels, raised on square cabriole legs 70cm wide, 160cm high, 30cm deep

£600-800

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£1,000-1,500 7 FE430/25 BOW FRONT MAHOGANY CORNER HALL CABINET ON STAND 19TH CENTURY the moulded cornice above cross banded doors enclosing hanging space, over a shaped apron, raised on bracket feet 98cm wide, 183cm high, 69cm deep

£250-350 8 FD498/19 CIRCULAR GILTWOOD CONVEX MIRROR 20TH CENTURY the circular mirror plate within a sun burst moulded frame 100cm wide

£100-150

9 FF42/4 WHYTOCK AND REID MAHOGANY TWIN PEDESTAL DESK 20TH CENTURY the moulded rectangular top with a central tooled skiver, above three frieze drawers, raised on pedestals, each with three drawers, raised on ogee bracket feet 152cm wide, 76cm high, 76cm deep

£1,000-1,500 10 FF131/13 SET OF TWELVE BEECH WOOD WINDSOR CHAIRS 20TH CENTURY of typical form with padded seats and baluster turned legs united by stretchers (12) 64cm wide, 116cm high, 44cm deep

£2,000-3,000 11 FE563/9 VICTORIAN WALNUT BOOKCASE AND UNDERCABINET the moulded cornice above glazed doors, over two frieze drawers and panel doors, raised on a plinth base 123cm wide, 232cm high, 49cm deep

£300-500 6

12 FF131/26 LARGE CONTINENTAL DISTRESS PAINTED MIRROR the triple plate with an arch moulded frame 118cm wide, 216cm high

£800-1,200 13* FE149/3 GEORGIAN STYLE WING BACK ARM CHAIR 20TH CENTURY the cushioned back and out scrolled arms above a cushioned seat, raised on moulded cabriole legs 88cm wide, 113cm high, 58cm deep

£150-250 14 FD498/2 GEORGIAN MAHOGANY AND BOXWOOD STRUNG DEMI LUNE FOLDOVER CARD TABLE the shaped top above a plain frieze, raised on square tapering legs and brass caps and casters 97cm wide, 74cm high, 49cm deep

£250-350

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15 FE430/30 MAHOGANY WORK TABLE 19TH CENTURY the shaped hinged top, opening to reveal a fitted interior, raised on ring turned supports and outswept legs, united by stretchers 48cm wide, 77cm high, 40cm deep

£250-350 16 FF132/5 PAIR OF FRENCH POLISHED STEEL WALL CABINETS LATE 19TH / EARLY 20TH CENTURY of canted rectangular form, the glazed panel door enclosing a shelved interior with mirrored panel backs (2) 90cm wide, 114cm high, 23cm deep

£600-800 17 FE568/6 SMALL ROCKING HORSE 20TH CENTURY with carved mane, horse hair tail and leather saddle, raised on turned supports 94cm wide, 83cm high, 45cm deep

£300-500

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18 FE430/39 GEORGIAN MAHOGANY EIGHT DAY LONG CASE CLOCK, BY J.N. BARR PT GLASGOW LATE 18TH CENTURY the arched brass dial with subsidiary second dial and date aperture, within the hood with a broken swan neck pediment and brass finial, above brass mounted pilasters, above a shaped door, raised on a plinth base 43cm wide, 201cm high, 26cm deep

£800-1,200 19 FE297/19 EIGHT BRANCH CANDLE CHANDELIER the green painted wooden body with gilt highlights, supporting eight wrought iron arms, each ending in a blossoming flower bud

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20 FE513/1 LARGE GOTHIC REVIVAL OAK OVERMANTLE MIRROR 19TH CENTURY the moulded top rail and spindle turned supports above a shaped mirror plate, flanked by twin pilasters 207cm wide, 181cm high

£400-600 21 FE520/1 FIVE PIECE VICTORIAN SATIN BIRCH BEDROOM SUITE comprising: a two door wardrobe; 132cm wide, 212cm high, 49cm deep; a dressing table, 113cm wide, 162cm high, 53cm deep; a chest; 114cm wide, 110cm high, 52cm deep; a bed side cabinet, 39cm wide, 74cm high, 38cm deep; and a side chair (5) £1,000-1,200

81cm high

£500-800

23 FE297/10 UNUSUAL ROOTWOOD OCCASIONAL TABLE CIRCA 1900 the square top raised on a naturalistic tripod base united by conforming stretchers £300-500

22 FC789/4 CHINESE SOFTWOOD LOW TABLE QING DYNASTY, 19TH CENTURY with a cleated rectangular top and scroll carved legs 51cm wide, 19cm high, 41cm deep

24 FD373/3 AFTER SIR ROBERT LORIMER FUMED OAK CENTRE TABLE, CONTEMPORARY the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports 96cm diameter, 79cm high

£400-600 25 FF131/9 SWEDISH LEATHER AND RAG RUG UPHOLSTERED ARMCHAIR 19TH CENTURY AND LATER raised on squat square cabriole legs 84cm wide, 102cm high, 50cm deep

£800-1,200

£250-350

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26 FE430/41 OAK COFFER 17TH CENTURY AND LATER the rectangular top above a carved frieze and three panels, raised on block feet 139cm wide, 70cm high, 56cm deep

£250-350

29 FE343/8 GEORGIAN MAHOGANY LINEN PRESS the moulded cornice above panel doors enclosing slides, over two short and two graduated long drawers, raised on bracket feet 140cm wide, 202cm high, 57cm deep

27 FE351/6 GEORGIAN ROSEWOOD TOILET MIRROR the rectangular mirror plate within a crossbanded frame, flanked by turned supports, over a boxwood strung base with two short drawers, raised on bun feet

£700-900

64cm wide, 65cm high, 23cm deep

30 FE379/3 MAHOGANY FRAMED CANE BACKED BERGERE 19TH CENTURY the carved arched back and down swept arms above a loose cushioned seat raised on sabre legs and brass caps and casters

£150-250

53cm wide, 90cm high, 50cm deep

32 FE157/1 WILLIAM IV MAHOGANY AND INLAY CENTRE TABLE 19TH CENTURY the inlay later, the circular top inlaid with husks, garlands and tassels, on a triform pedestal with oval inlay panels with ribbon tied urns, the triform base with carved lion paws and raised on flat bun feet and castors 110cm diam, 72.5cm high

£400-600 33 FF132/8 UNUSUAL CHIPPENDALE STYLE SERPENTINE COMMODE OF RECENT MANUFACTURE covered in blue flock with silvered fittings, the shaped top above three long drawers flanked by carved canted corners, raised on conforming outset bracket feet united by a wavy apron

34 FE157/2 WILLIAM IV MAHOGANY STAND 19TH CENTURY the square moulded top on a turned column carved with lotus leaves at the base, on a square moulded plinth 45cm wide, 156cm high, 46cm deep

£200-300 35 FF131/1 GEORGIAN PINE COFFER 20TH CENTURY the hinged lid enclosing a void interior above a triple panel front, raised on stile feet 110cm wide, 52cm high, 48cm deep

£300-400

100cm wide, 122cm high, 50cm deep

36 FE545/1 SET OF FOUR GREEN LAQUERED CHINOISERIE SIDE CHAIRS EARLY 20TH CENTURY in the 18th century style, the caned back and vase shaped vertical splat above a pad seat, raised on moulded cabriole legs, all decorated in gilt and lacquer in the chinoiserie taste (4)

£300-500

54cm wide, 104cm high, 39cm deep

£300-400 28 FE155/3 GEORGE IV MAHOGANY CHIFFONIER with two tiers flanked by lyre supports above a rectangular top, over a frieze drawer and two panel doors, flanked by columns, raised on fluted bun feet

31 FE430/1 GEORGE II WALNUT BUREAU the fall flap enclosing a fitted interior above four graduated long drawers, raised on bracket feet 92cm wide, 108cm high, 52cm deep

117cm wide, 86cm high, 59cm deep

£1,500-2,000

£600-800

£500-800

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37 FD497/1 ART NOUVEAU SET OF TEN MAHOGANY DINING CHAIRS, CIRCA 1900 each with curved top rails, carved in relief with stylised plant forms, above upholstered pads and corresponding carved splats, the upholstered panelled seats on square tapering legs linked by stretchers (10) £600-800 38 FD669/3 COMPOSITE SET OF TWELVE GEORGIAN MAHOGANY DINING CHAIRS the shaped top rail above a pierced vertical splat, over a drop in pad seat, raised on square legs, united by stretchers (12)

40 FE152/3 VICTORIAN MAHOGANY LINEN PRESS the moulded cornice above panel doors enclosing slides, over two short and two graduated long drawers, raised on turned legs

43 FE379/1 SET OF SIX MARQUETRY SIDE CHAIRS the shaped top rail above a pierced vertical splat, over a stuff over seat, raised on fluted square tapering legs (6)

132cm wide, 211cm high, 60cm deep

£300-400

50cm wide, 94cm high, 40cm deep

£400-600 41 FE107/15 GEORGIAN STYLE MAHOGANY AND BOXWOOD STRUNG BREAKFRONT SIDEBOARD 20TH CENTURY the shaped top above a frieze drawer, flanked by cupboard doors, raised on square tapering legs and spade feet 153cm wide, 95cm high, 55cm deep

£200-300

53cm wide, 89cm high, 45cm deep

93cm wide, 151cm high, 52cm deep

44 FE457/2 PAIR OF LOUS XV STYLE CARVED BEECHWOOD CHAISES A LA REINE the cartouche shaped backs with padded open arms and shaped seats with blue plush upholstery, the moulded frames with shell cresting, flower heads and foliate scrollwork, the aprons with ribbon tied floral garlands and cabriole legs ending in scroll feet (2)

£400-600

69cm wide, 104cm high, 57cm deep

£300-400

39 FE343/10 GEORGIAN MAHOGANY BIRD CAGE TABLE the rounded rectangular top above a turned support, raised on a tripod base and pad seat

42 FE377/1 SIX WALNUT CANE BACKED GOTHIC DINING CHAIRS 19TH CENTURY the foliate carved caned back above a stuff over seat, raised on moulded cabriole legs, united by stretchers (6)

45 FF131/16 LIMED TEAK BOOKCASE 20TH CENTURY`` with a uniformed arrangement of 42 open shelves

74cm wide, 68cm high, 54cm deep

53cm wide, 127cm high, 42cm deep

185cm wide, 226cm high, 33cm deep

£150-250

£300-500

£600-800

£1,000-1,500

46 FE351/2 OAK CORNER CABINET ON STAND 19TH CENTURY the Greek key moulded cornice above two panel doors enclosing shelves, over a shaped apron, raised on cabriole legs

47 FE563/8 SET OF SEVEN HEPPLEWHITE STYLE SHIPS SHIELD BACK OPEN ARM CHAIRS LATE 19TH CENTURY the shaped back above outswept arms, over a drop in pad seat, raised on square tapering legs and spade feet, united by stretchers (7) 56cm wide, 92cm high, 40cm deep

£600-900 48 FE568/5 BLACK LACQUER DISPLAY CABINET 20TH CENTURY with chinoiserie decoration, the moulded top above an astragal glazed door, flanked by panel doors, raised on cabriole legs, 139cm wide, 114cm high, 43cm deep

£200-300 9

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49§ FB791/77 KEN HOWARD R.A. (BRITISH b. 1932) TUSCANY Signed, oil on canvas

55§ FE154/12 TOM ROBERTSON R.B.A., R.O.I. (SCOTTISH 1850-1947) RETURN OF THE FLEET Signed, oil on canvas

35.5cm x 25.5cm (14in x 10in)

52§ FE496/1 PETER HOWSON (SCOTTISH b. 1958) MISER Signed and inscribed with paper, mixed media on paper

£500-800

30cm x 22cm (11.75in x 8.75in)

£600-800

36cm x 46cm (14in x 18in)

£500-700 50§ FB791/79 KEN HOWARD R.A. (BRITISH b. 1932) GREY MORNING, GIGLIO PORT Signed, inscribed and dated verso,’10.07.04’, oil on board 23cm xc 29cm (9in x 11.5in)

53 FD759/1 JONATHAN ARMIGEL WADE (BRITISH b. 1960) BACCHANTE Signed, signed and inscribed with title verso, oil on board

56§ FE433/1 LAURENCE STEPHEN LOWRY (BRITISH 1887-1976) THE POND Signed in pencil to margin, stamped, limited edition colour lithograph

£600-900

59cm x 120cm (23.25in x 47.25in)

45cm x 58cm (17.75in x 23in)

£600-800

£300-500

30cm x 25cm (12in x 10in)

54§ FE121/3 ERNEST PIERRE GUERIN (FRENCH 1887-1952) BOATS AT THE QUAY Signed, oil on panel

57§ FE499/2 ALLAN HERRIOT (SCOTTISH CONTEMPORARY) STILL LIFE WITH VIOLIN Signed, oil on board

£1,800-2,200

23cm x 44cm (9in x 13.5in)

28cm x 36cm (11in x 14in)

£400-600

£300-500

51§ FE737/1 PETER HOWSON (SCOTTISH b. 1958) PUGILIST Signed, oil on canvas

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58§ FA913/1 HENRYK GOTLIB (POLISH 1890-1966) RECLINING FIGURE Signed, signed and inscribed with title label verso, oil on canvas 90cm x 70cm (35.5in x 27.5in) Note: Works by Gotlib feature in the collections of the Tate, The National Portrait Gallery and the Courtauld.

Exhibited: City of Bradford Gallery; Crane Kalman Gallery, London

£500-700 59§ FE499/8 CHARLES SIMPSON (SCOTTISH b. 1952) WINTER LANDSCAPE Signed, watercolour 36cm x 45cm (14in x 17.75in)

£200-300

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60§ FE499/12 ALAN HERRIOT (SCOTTISH CONTEMPORARY) TEA TIME Signed, signed and dated 2005 and inscribed with title verso, oil on board

63§ FE678/7 HANS HANSEN R.S.W (SCOTTISH 1853-1947) STREET IN TANGIERS Signed, inscribed verso, watercolour

21cm x 61cm (8in x 24in)

69 FB466/10 18TH CENTURY ENGLISH SCHOOL PORTRAIT OF A GENTLEMAN IN A POWDERED WIG Oil on canvas

35.5cm x 20cm (14in x 8in)

£300-500

72.5cm x 59.5cm (28.5in x 23.5in)

29cm x 29cm (11.5in x 11.5in)

£400-600

£300-500 61§ FE499/20 DAVID WALKER-BARKER (BRITISH b. 1947) LANDSCAPE WITH BUILDINGS 1980, watercolour and acrylic mounted on board 48cm x 68cm (19in x 27.25in) Exhibited: Marlborough Fine Art, London

£400-600 62§ FE499/30 GORDON WARD (BRITISH b. 1932) OIL RIG, CROMARTY, FIFE Signed, and dated ‘89, oil on canvas

64§ FE678/8 HANS HANSEN R.S.W. (SCOTTISH 1853-1947) FRUIT MARKET, ORAN Signed, inscribed verso, watercolour

66§ FE736/6 NAEL HANNA (SCOTTISH/IRAQI b. 1959) BREAKING WAVES Signed, oil on canvas

£300-500 67§ FE736/7 NAEL HANNA (SCOTTISH/IRAQI b. 1959) PORTRAIT STUDY Signed, oil on canvas 76cm x 76cm (30in x 30in)

70 FB791/5 THOMAS COOPER GOTCH (BRITISH 1854-1931) MAIDENS AND A CHILD Indistinctly signed, pastel

£300-500

35cm x 44.5cm (13.75in x 17.5in)

£300-500

24cm x 36.5cm (9.5in x 14.25in)

£400-600 65§ FE736/4 NAEL HANNA (SCOTTISH/IRAQI b. 1959) AUTUMN FIELDS ANGUS Signed, oil on canvas

68 FB466/1 FOLLOWER OF ANTHONIE PALMEDESZ AT THE SUPPER TABLE Oil on panel 48cm x 63cm (19in x 24.75in)

71 FB791/39 19TH CENTURY ITALIAN SCHOOL ACROSS THE BAY AT SUNSET Gouache, oval

£300-500

45.5cm x 60cm (18in x 23.5in)

£300-500

44cm x 66cm (17.25in x 26in)

£600-800

75cm x 60cm (29.5in x 23.5in)

£400-600

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72 FB791/76 FOLLOWER OF HERMAN SAFTLEVEN (DUTCH 1609-1685) A PAIR OF DUTCH ROMANTIC IDYLLS Inscribed verso, oil on panel

75 FB791/91 19TH CENTURY GERMAN SCHOOL THE SOLDIER’S RETURN Signed ‘H. Miller’ and dated 1871, oil on canvas

79 FD728/1 JAMES STUART PARK (SCOTTISH 1862-1933) PALE PINK ROSES Signed, oil on canvas 29cm x 44.5cm (11.5in x 17.5in)

82§ FB791/4 ARTHUR DAVID MCCORMICK R.I. (BRITISH 1860-1943) SELLING APPLES AT THE HARBOUR Signed, watercolour

53cm x 67cm (20.75in x 26.25in)

£1,000-1,500

37cm x 25cm (14.5in x 10in)

13cm x 17.5cm (5in x 7in)

£400-600

unframed (2) £600-800 73 FB791/85 WILLIAM JOSEPH J. C. BOND (BRITISH 833-1926) SUNSET AT LOWTIDE Signed and dated ‘08, oil on panel 19.5cm x 34cm (7.75in x 13.5in)

£500-800 74§ FB791/88 FOLLOWER OF HANS ZATZKA (AUSTRIAN 1859-1945) STANDING NUDE Signed, oil on canvas 60cm x 37cm (23.5in x 14.5in)

£300-500

£250-350

76 FB791/94 OCTAVIUS OAKLEY (BRITISH 1800-1867) AT THE WELL Watercolour, arched mount

80 FD98/43 CHARLES ROWBOTHAM (BRITISH 1856-1921) ITALIAN COASTAL SCENE Signed, watercolour and bodycolour

83 FB791/75 ABRAHAM HULK THE YOUNGER (BRITISH 1851-1922) IN THE WATER MEADOWS Signed, oil on panel

68cm x 48cm (26.75in x 19in)

22.5cm x 48cm (9in x 19in)

28cm x 37.5cm (11in x 14.75in)

£500-700

£300-500

77§ FC765/14 KATE CAMERON R.S.W., R.E. (SCOTTISH 1874-1965) HONEYSUCKLE NO. I Signed, watercolour

81 FB466/6 FOLLOWER OF WILLIAM HOGARTH PORTRAIT OF THE IRISH ACTRESS MARGARET “PEG” WOFFINGTON Oil on canvas

and another by the same hand (2) £600-800

54cm x 20cm (21.25in x 8in)

£500-700

60cm x 47cm (23.5in x 18.5in)

78 FD669/5 DAVID GAULD R.S.A. (SCOTTISH 1865-1936) A FRENCH RIVERSIDE TOWN Signed, oil on canvas

£300-500

39cm x 59cm (15.25in x 23.25in)

£500-700

53cm x 63cm (21in x 25in)

£1,000-1,500

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84 FB791/90 ALLAN RAMSAY (SCOTTISH 1852-1912) DALBRAE BRIDGE, GLENESK Signed, signed and inscribed with title and dated 1895 verso, oil on canvas

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90

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85 FB791/93 ALFRED WILLIAM PARSONS (BRITISH 1847-1920) THE GARDEN PATH Signed, oil on canvasboard

89 FD98/46 PAUL MARNEY (BRITISH 1829-1914) ABBEVILLE Signed, watercolour

92 FE199/2 ARCHIBALD KAY R.S.A., R.S.W. (SCOTTISH 1860-1935) A HIGHLAND STREAM Signed, oil on canvas

24cm x 34cm (9.5in x 13.5in)

37cm x 60cm (14.5in x 23.5in)

35.5cm x 45.5cm (14in x 18in)

£500-700

£150-250

£600-800

86 FC190/20 FOLLOWER OF PHILP REINAGLE STAGS IN A FOREST Oil on canvas

90 FE155/8 WILLIAM WARMAN (BRITISH fl. 1825-1850) WATER NYMPHS AND A BLONDE MAIDEN Signed and dated 1851, watercolour, arched mount

93 FE2/21 19TH CENTURY BRITISH SCHOOL SHIPPING IN HIGH WINDS Oil on board

95 FE336/1 18TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF A BEWIGGED GENTLEMAN WITH WHITE STOCK Feigned oval, oil on canvas 76cm x 63cm (30in x 25in)

106cm x 150cm (41.75in x 59in)

£1,500-2,000

22cm x 32cm (8.5in x 12.5in)

£200-300

71cm x 116cm (28in x 45.5in)

87 FC969/20 19TH CENTURY ENGLISH SCHOOL ABOARD A THAMES BARGE Oil on panel 61cm x 45cm (24in x 17.75in)

£500-700 88 FD726/3 PAULUS PETRUS VAN DER VELDEN (DUTCH 1837-1915) A DUTCH INTERIOR Signed, watercolour 52cm x 45.5cm (20.5in x 18in)

£500-700 91 FE186/1 ALEXANDER FRASER JNR. R.S.A., R.S.W. (SCOTTISH 1828-1899) QUEEN MARY’S BEDCHAMBER Signed, oil on panel 45cm x 58cm (17.75in x 22.75in)

£600-800

94 FE260/2 19TH CENTURY SCOTTISH SCHOOL THE HIGHLAND DROVER’S RETURN Oil on panel 28cm x 31.5cm (11in x 12.5in)

£300-500

and a companion probably his wife (2) £1,000-1,500 96 FE499/27 JAMES KINNEAR (SCOTTISH fl. 1875-1917) A PROSPECT OF EDINBURGH Signed and dated 1916, watercolour 53cm x 70cm (21in x 27.5in)

£300-500 97 FE550/1 WILLIAM HENRY WILLIAMSON (BRITISH 1820-1883) the FORGE BANKS OF A DUTCH RIVER - MOONLIGHT Signed, signed and inscribed verso, oil on canvas 102cm x 151cm (40in x 59.5in)

£700-1,000

£500-700

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Nature’s Sculptures: Taxidermy and Natural History

107

Taxidermy is back in vogue, you cannot open an interior design magazine without seeing sets of antlers or collections of butterflies adorning someone’s wall.

Taxidermy today has a cleaner, sharper edge which is looked upon as an art form and embraced by the interior decorator and private collector alike. Indeed there is much beauty to be seen in nature’s ornaments, with items being recognised for their sculptural qualities and their absolute uniqueness.

We, at Lyon & Turnbull, are fortunate enough to have a significant selection of items from the natural world for auction in this month’s sale. Objects include fossils, skulls, antlers and mounted animals, ranging from the traditional to the quirky and modern.

105

Notice regarding Natural History and Taxidermy specimens Prospective buyers are asked to make themselves aware as to the export laws regarding natural history specimens and taxidermy into a non-European country prior to bidding.

Certain species are subject to CITES regulations when exporting items out with the EU. For more information please visit CITES at: www.ukcites.gov.uk Lyon and Turnbull work in association with Kim McDonald of The Taxidermy Law Co LLP, www.taxidermylaw.co.uk

98 FE147/15 TAXIDERMY - ADULT FEMALE BORNEAN ORANGUTAN SKULL (P. PYGMAEUS) carved and adorned with bird of paradise feathers, believed to be by the Dayak tribes of Borneo, and collected around 1906, mounted on a metalwork stand

101 FE706/1B COLLECTION OF SHELLS AND CORAL comprising of a quantity of specimens, including: a pencil sea urchin; a shark vertebrae; abalone shells; cones shells; and coral (qty) £250-350

skull 21cm long approx.

102 FE147/22 TAXIDERMY - TWO SETS OF MOUNTED BUTTERFLIES comprising of 28 specimens within two glazed cases, including the Jungle Queen; Tango Maria; and Tailed Jay (2)

£1,500-2,000 99 FE520/2 TAXIDERMY - CAPE BUFFALO HEAD MOUNT (SYNCERUS CAFFER) of typical form with glass eyes 73cm wide, 101cm deep

each case 61 x 28cm

£200-300

£300-400 100 FF41/1 TAXIDERMY - VICTORIAN MALE PLATYPUS (ORNITHORHYNCHUS ANATINUS) on a papered and textured wooden board

103 FF42/20 TAXIDERMY - CASED RUDD FISH modern skin mount of a taxidermy rudd, in a period style, on naturalistic ground work, in a black painted glazed case

58cm long (from bill to tail)

30cm high, 58.5cm wide, 15cm deep

£400-600

£400-600 110

14

108

112

115

100

overall 90cm wide approx.

108 FE147/10 TAXIDERMY - SUB ADULT MALE BORNEAN ORANGUTAN SKULL (P. PYGMAEUS) carved and adorned with bird of paradise feathers, believed to be by the Dayak tribes of Borneo, and collected around 1906, mounted on a metalwork stand

£300-500

skull 21cm long approx.

104 FE296/12 TAXIDERMY - CASED PLASTER CAST EEL mounted on a naturalistic ground and backdrop, in a glazed ebonised case, bearing a label to the reverse reading ‘E. F. Spicer F.Z.S. & Sons, Naturalists and Entomologists, 58 Suffolk Street, Birmingham’

£1,500-2,000 105 FE147/11A TAXIDERMY - TWO LIBRARY HUMAN SKULLS 17TH CENTURY each a human upper skull, mounted on a metalwork stand (sold in accordance with the Human Tissue Act) (plus letters of this by Kim McDonald of T.L.C) (2) £800-1,200 106 FE706/1 COLLECTION OF FOSSILS AND MINERALS comprising of a quantity of specimens, including: ammonites; fossilised shark’s teeth; fossilised shells; iron pyrite; geodes; and amethysts (qty) £250-350 107 FE147/14 TAXIDERMY - LARGE SET OF SCOTTISH RED DEER ANTLERS (CERVUS ELAPHUS SCOTICUS) originating from Loch Gruinart, Isle of Islay, mounted on metal work stand

109 FE147/13 TAXIDERMY - WARTHOG SKULL AND A COLLECTION OF WARTHOG TUSKS (PHACOCHOERUS AFRICANUS) comprising: a Warthog skull mounted on wooden shield, right tusk 24.5cm, left tusk 24cm, shield 48cm long approx.; and three sets of Warthog tusks, each mounted on a circular wooden plaque, largest 19.5cm diam. (4) £500-600 110 FE147/21 TAXIDERMY - FIVE SETS OF MOUNTED INSECTS each in a glazed frame and comprising of: a collection of specimens, 44 x 34cm; a tarantula (Eurypelma spinicrus), 22 x 17cm; a chost walker, 15 x 13cm; a butterfly (Prioneris amphinome), 12 x 12cm; and two beetles, 22 x 17cm (5) £200-300

111 FE147/12 TAXIDERMY - TWO SETS OF SCOTTISH WILD GOAT HORNS (CAPRA AEGAGRUS HIRCUS), CIRCA 1890S each mounted on an oak shield (2) overall 48cm long approx. each

£100-200

114 FE147/6 TAXIDERMY - VICTORIAN SET OF PERUVIAN BUTTERFLIES BEETLES AND MOTHS comprised of a quantity of specimens, including: a Blue Morpho butterfly, an Owl moth, Jewel beetles, and a Lycorea halia butterfly, in a painted glazed frame/case

112 FE147/3 ‘FEATHERED WARRIOR’ the hand painted treble shield dressing encased in glass, displaying Porcupine quills and a collection of feathers including those from an Ostrich Argus Pheasant, with a black metal stand

frame/case 34 x 39.5cm

overall 96cm high, shield 50cm high

£200-300

£300-400 115 FE317/2 COCO DE MER (LODOICEA MALDIVICA) of typical, natural form, with a light-coloured surface 28cm long approx.

£250-350 113 FE147/9 TAXIDERMY - HIGHLAND COW HORN GAVEL with a mahogany mount and handle, 22.5cm high, 27cm long; together with a SILVER MOUNTED SAILFISH BILL, of natural tapering form, the silver inscribed ‘Sail Fish, Fiji, 1971’ and marked 1971, London, 46.5cm long overall; and a WARTHOG TUSK REST, on a carved wooden mount, mount 20cm wide (3) £300-400

116 FF42/17 TAXIDERMY - EDWARDIAN PHEASANT AND GREY PARTRIDGE FAMILY GROUP comprising: a male and female pheasant, with a family of grey partridges, all on naturalistic ground work, in a black painted glazed frame 71cm high, 105cm wide, 27cm deep

£300-400 117 FE147/20 TAXIDERMY - COLLECTION OF MOUNTED BUTTERFLIES comprising of 10 specimens, including Idea Ieuconoe Clara; Papilio Thaiwanus; and Papilio Castor Formosanus, in a painted glazed frame 47cm wide, 25cm high (frame)

£150-250

from base to tip 77cm long (left), 74cm long (right)

£300-400 15

119

135

130

125

118 FE147/11 TAXIDERMY - TWO LOGGERHEAD SEA TURTLE SKULLS (CARETTA CARETTA), CIRCA 1880 of various size, each mounted on a metalwork stand (2)

119 FE147/2 COLLECTION OF SHELLS of various species, shape and size, including a Melon shell and Red helmet sea snail shells (6) largest 19cm wide

£100-150

12cm wide; 17.5cm wide (at widest point)

£400-600

124

120 FE637/1 COCO DE MER (LODOICEA MALDIVICA) the hollow pod with a carved handle and a decorative border along the open edge, with a paper label to the interior, 30cm long approx.; together with a CARVED WOODEN SCOOP, or vessel, possibly Scandinavian, depicting a man and bird amongst foliage, with a handle to one end, 14cm long (2) £250-350 121 FE147/5 TAXIDERMY - SET OF FRAMED BUTTERFLIES comprised of three specimens, including: Blue Morpho (Peru) and King Swallow Tail (Peru), in a gilded glazed frame frame 38 x 30cm

£200-300 16

125 FE147/8 TAXIDERMY - COLLECTION OF OSTRICH AND EMU EGGS comprising of: three ostrich eggs and two emu eggs, displayed in a decorative aluminium basket

122 FF42/18 TAXIDERMY- CAST OF A ROACH modern fibreglass cast of a taxidermy roach in a period style, bearing a paper label, on naturalistic ground work, in a black painted glazed case

basket 39cm wide

33cm high, 50cm wide, 13cm deep

£300-400

£120-180 123 FE147/7 TAXIDERMY - ‘LITTLE BOW PEEP’ the reverse glass painting with a Blue Morpho butterfly wing dress, gallery label to the reverse, in a painted glazed easel frame 19 x 14cm

126 FF42/19 TAXIDERMY - CASED CARP FISH modern mount, in the style of period taxidermy, on naturalistic ground work, in a black painted glazed case with wall hooks 36cm high, 71cm wide, 17cm deep

£200-300

£150-250 124 FE147/16 TAXIDERMY - REASSEMBLED ELEPHANT BIRD EGG on a fold-away wooden stand overall 47cm high Note: The elephant bird was a large flightless bird from the Island of Madagascar, thought to have become extinct in the 17th century.

It grew 11ft tall and it was probably the heaviest bird to have existed.

£1,200-1,800

127 FE147/4 TAXIDERMY - THREE SETS OF FRAMED BUTTERFLIES AND INSECTS comprised of nine specimens overall, each set in a glazed frame, including: Urania Leilus (Peru), Phoebis Philea (Mexico), and Charaxes Candiope (Africa) (3) 31 x 16cm; 22 x 18cm; 27.5 x 22.5cm (frames)

£200-300

118

132

4

121

128 FE147/18 COLLECTION OF FOSSILS comprising: a fossil coral, found in the Solway Firth, Dumfries and Galloway, believed to be 180 million years old; a fossilised sand dollar, found near North Berwick, believed to be from the ballast of a North American ship, thought to be 45 million years old; and a dinosaur rib section, found on the Isle of Skye (3) £100-150 129 FF42/5 TAXIDERMY - TWO SETS OF MOUNTED HORNS each mounted on a wooden shield, the first, a pair of American Pronghorn Antelope antlers on a cast plaster part skull, with inscription ‘American Pronghorn Antelope., Wyoming., H. W. Seton Karr.’, 40cm high approx.; the second, a pair of Somali Gerenuk horns also on a cast plaster part skull, with inscription ‘ Somali Gerenuk, H. W. Seton Karr., 1893.’, 44cm high approx. (2) Note: Heywood Walter Seton-Karr (1859-1938) was a famous game hunter and part-time explorer who discovered evidence of the Stone Age man in tropical Africa. For his contributions to archaeology he was awarded the Galileo gold medal by the University of Florence.

131 FE147/19 TAXIDERMY - COLLECTION OF MOUNTED BUTTERFLIES comprising of 15 specimens, including Morpho Achilles; Prepona Demophon and Tailed Jay, in a painted glazed frame 62cm wide, 43cm high (frame)

£200-300 132 FE147/1 THREE CAST ALUMINIUM SAWFISH BILLS of various sizes, each moulded from natural Sawfish bills and mounted on a turned wood base (3) 100cm high; 86.5cm high;

136 FE499/56 PETER COKE FLOWER SHELL DISPLAY 20TH CENTURY modelled as a flower vase with blossoming blooms and leaves, the vase and buds made from a variety of shells, in a mirror backed mahogany case 43cm high (height of case)

£250-350

133

71.5cm high

£250-350 133 FE499/1 PAIR OF PETER COKE SHELL MOUNTED OBELISKS 20TH CENTURY each of typical tapering form and raised on a square stepped base, mounted with cowrie shells on a naturalistic sand covered ground (2) 120cm high approx.

£400-600

130 FE147/17 VICTORIAN AMETHYST GEODE cut and polished

134 FE499/54 LARGE PETER COKE OCTANGONAL SHELL DISPLAY 20TH CENTURY the symmetrically mounted shells and sea horses surrounding an ornately decorated coral centre piece, in a green painted glazed case/frame

28cm long, 20cm high approx.

77.5cm high, 77.5cm wide

£150-250

£300-400

£300-500

135 FE499/55 TWO PETER COKE ‘SAILOR’S VALENTINE’ SHELL DISPLAYS 20TH CENTURY each in an octagonal glazed case/frame, the first depicting tapering bands of yellow periwinkles and tellin shells, 37.5 x 37.5cm; the second, with graduating circular bands of limpet shells and pink tellin shells, decorated with miniature sea urchins, 41.5 x 40.5cm (2) £250-350

17

Don’t forget, we’re not just here to offer a place to buy lovely things - we can sell them for you too!

If you are thinking of selling something, you can call or email us for a free, no-obligation valuation of your possessions. If you can email us a photograph we can give you some good advice straight away, though some works may require a close personal inspection. We can value single objects or entire collections, whatever you require.

The success of our business depends on offering honest and reliable advice - so we will always recommend the most suitable option that will lead to the best result possible for you, our client.

The auctions mentioned below are just some of the sales for which we are currently accepting selected lots. You can find a more comprehensive list of forthcoming sales on the home page of our website at www.lyonandturnbull.com

Fine Asian Works of Art Auction 12th June 2013 The Asian art market is currently the strongest in the world. In 2011 the Chinese market alone was worth £38.3bn - overtaking the USA as the world’s biggest spender on art and antiques.

Some of the best prices from Asian buyers are for Asian works of art, and now is certainly an excellent time to sell.

If you possess any Asian works of art and would like to know their auction value, please contact: CHINESE FAMILLE ROSE COVERED BOX Sold for £27,500 December 2012

Interiors Auction 20th July 2013 Affordable, eclectic, beautiful, interesting... the Interiors sale is the place to find any type of decorative object, from the seventeenth century to the present day, from paintings to furniture.

Simply put, if an item is both good quality and lovable, we want to hear from you!

Charlotte Riordan (paintings and prints) 0131 557 8844 charlotte.riordan@lyonandturnbull.com Theodora Burrell (antiques and furniture) 0131 557 8844 theo.burrell@lyonandturnbull.com 18

Douglas Girton 0131 557 8844 douglas.girton@lyonandturnbull.com

UNUSUAL EDWARDIAN UPHOLSTERED ARMCHAIR CIRCA 1910 AND LATER Sold for £1,125 January 2013

137

141

137 FE457/5 PINK PAINTED FIBERGLASS BUST 20TH CENTURY modelled as a female with a tiara in her hair, and raised on a circular socle base

141 FF132/11 CHIPPENDALE STYLE CARVED OVAL MIRROR OF RECENT MANUFACTURE the ornate silvered rocaille carved frame with an oval shaped mirror plate

63cm high approx.

75.5cm high approx.

£200-300

£200-300

138 FD196/37 PALISSY STYLE JUG AND COVER 19TH CENTURY of baluster form with applied toads and insects on a mossy ground, the handle modelled as a lizard, 39cm high; together with an associated STAND; and a PAIR OF MANUEL MAFRA PALISSY STYLE VASES, Portugal, each with a flared rim and elongated neck above the globular body, the handles in the form of serpents, impressed mark, 33.5cm high (4)

142 FB789/8 LARGE VICTORIAN ROSEWOOD MAGNIFYING GLASS of typical form, with a brass fitting and turned handle

Provenance: Property from a private Scottish collection

£300-500 139 FC959/17 PATCHWORK QUILT EARLY 19TH CENTURY of square form, with a central star motif surrounded by decorative patches, the reverse with flower sprigs 204 x 211cm

£200-300 140 FD168/2 TWO PANELS OF 'CLOVELLY',

BY REX WHISTLER MID 20TH CENTURY printed cotton, red, 134 x 52cm each; together with a PELMET 'BLIND MAN'S BUFF', 19th century, French printed cotton, red, 77 x 185 cm (3) £300-500

41cm long, 21.5cm diam.

£150-250 143 FD196/49 BOHEMIAN AMBER FLASH CUT GLASS VASE 19TH CENTURY the flared form vase finely engraved with flowers, foliage and hob nail cut panels, raised on a socle foot, 22cm high; together with a similar smaller example, 20cm high (2) Provenance: Property from a private Scottish collection

142

146 FE756/3 FRENCH BRASS AND OYNX CLOCK GARNITURE, BY SAMUEL MARTI EARLY 20TH CENTURY the rectangular glazed case with a white enamelled dial displaying Arabic numerals and flower garlands, the movement striking on a gong with a mercury pendulum and stamped with maker’s marks and ‘VCMB’, 23cm high; together with a pair of brass and onyx mounted candlesticks, 21.5cm high (3) £150-250

148 FE568/7 COPELAND SPODE ‘ROYAL JASMINE’, ‘STRATHMERE’ PATTERNED PART DINNER SERVICE 20TH CENTURY each piece with a border of floral bouquets on a yellow ground, comprising of: 13 dinner plates;12 luncheon plates; 12 side plates; 12 soup bowls; a soup tureen and cover, 28cm diam; a sauce boat and saucer; a circular tureen and cover, 21cm diam and a cover (tureen lacking) (qty) £150-250

147 FE628/3 POCKET BAROMETER, BY P. M. BRYSON, EDINBURGH 19TH CENTURY of typical form, with a gilt metal case, the silvered dial with the inscription ‘P. M. Bryson, Edinburgh’, in a leather travelling case

149 FE157/21 PAIR OF MIXED PATINATED COMPOSITION FIGURES OF A SHEPHERD AND SHEPHERDESS each modelled in contemporary dress on a naturalistic ground and raised on decorative stepped bases (2)

4.5cm diam. approx.

male 64cm high; female 61cm high

£120-180

£100-200

£150-250 144 FE107/11 RUSSIAN BALALAIKA of typical triangular form, with inlaid detail to the sound board, in a fitted case, 67cm long; together with a WOODEN LUTE, of typical teardrop form with a pierced grille and six strings, 97cm long (2) £100-150

143

145 FF131/22 PAIR OF BLACK LEATHER RIDING BOOTS of typical form, with wooden inserts 45.5cm high

£150-250

19

151

150 FE291/10 BERLIN STYLE WOOLWORK PANEL depicting an exotic bird within a floral cartouche, in a glazed frame, 77x 94cm overall; together with a VICTORIAN WOOLWORK PICTURE, depicting game birds as a hunting trophy, in a glazed giltwood frame, 44 x 46cm overall; a further WOOLWORK PICTURE, depicting birds amongst foliage, in a glazed giltwood frame, 60.5 x 53.5 cm; and TWO SILK EMBROIDERED PICTURES, depicting flower sprays, in oval glazed giltwood frames, 47cm and 43cm (5) £300-500 151 FE344/2A COLLECTION OF DOULTON WARES comprising: a Doulton Lambeth commemorative jug celebrating Queen Victoria’s 60th Jubilee, marks to underside, 18.5cm high; a Royal Doulton jar (cover lacking), modelled with stylised flowers in relief, marks to underside, 12cm high; and a small Doulton Lambeth bowl, modelled with a lobed rim and stylised leaves, maker’s marks, 7.5cm high (3) £300-500 152 FC765/51 PAIR OF GILT METAL AND MARBLE CANDLESTICKS each sconce modelled as a tulip amongst blossoming leaves and buds, above a twin-handled urn on a square shaped base (2) 35cm high

£150-250

20

152

158

89cm high

157 FF131/25A LARGE POND YACHT the green painted wooden hull supporting the linen sails and rigging, the painted metal keel resting on a wooden base

£200-300

102cm high (including base)

162 FB789/9 GROUP OF LATE VICTORIAN OVERPAINTED AND GILDED METAL FRAMES comprising of a near pair and a further smaller example, each modelled in the rococo style (3)

£250-350

42cm high, 30cm high

153 FE574/1 MAHOGANY SPINNING WHEEL 19TH CENTURY of typical form, with bobbin turned spokes, on a tripod base

154 FE726/5 RUSSIAN ORTHODOX ICON 19TH CENTURY depicting the ‘Iverskaya Mother of God’ with a gilt metal oklad depicting a Cyrillic inscription, with paper label to the reverse ‘Given to E. A. Elledge by the Priest of the Cathedral at Kuibishev.’, frame marked

£150-250

22.5 x 18cm

158 FE120/2 RICHARD JOYCE (1873-1931) FOR PILKINGTONS ROYAL LANCASTRIAN LUSTRE VASE, CIRCA 1915 of tapering bottle form, decorated with spiral flowerhead and foliate bands, impressed factory marks, painted monogram mark

£250-400

16cm high

15.5cm diam.

£200-300

£250-400

159 FC237/383A GOOD COLLECTION OF BRITISH AND COMMONWEALTH STAMPS contained within five albums, including early and mint issues, some stamps loose (qty) £1,000-1,500

164 FE691/1 COLLECTION OF TWIST STEM DRINKING GLASSES 18TH CENTURY AND LATER comprising: a pair of 18th century air twist stem examples, each with tapering bowls etched with wheat sheaths and vine leaves, 18cm high; a pair or opaque twist stem glasses, with etched fluted bowls, 17cm high; a further pair of twisted stem glasses, with etched fluted bowls, 19cm high; together with a PAIR OF GLASS COMPORTS, 12cm high; a PAIR OF LIQUEUR GLASSES; and a SET OF SIX SMALL LIQUEUR GLASSES (qty) £300-500

155 FE107/50 COLLECTION OF GILTWOOD LAMP BASES wired for electricity, comprising of: a large example with rococo style carved decoration, 96cm high; and a smaller pair of similar style bases, 78cm high; together with a WHITE OYNX LAMP BASE, with carved panels and lobed decoration, on a square base, wired for electricity, 53cm high (4) £150-250 156 FF42/7 COLLECTION OF SCOTTISH POTTERY CARPET BOWLS each decorated with polychrome millefiore or concentric bands, including a full-size jack (13) £400-600

160 FC237/383B GROUP OF PRESENTATION VICTORIAN AND EDWARD VII STAMPS each mounted on board, some with overprints; together with various WORLD ILLUSTRATED COVERS AND PRESENTATION CARDS (qty) £300-500 161 FC237/383 COLLECTION OF WORLD STAMPS contained within various albums, various mint and used issues (qty) £600-800

163 FE107/51 SEVRES PORCELAIN COFFEE CUP AND SAUCER each piece decorated with fleur-de-lis on a blue ground, the saucer with a gilt monogram, variously marked to undersides (2) cup 7.5cm high, saucer

164A TWO PAIRS OF BROWN LEATHER RIDING BOOTS each with wooden inserts, comprising: a lace-up example with buckles, marked 'Green Street' to the soles; and a further pair, of typical form (2) 48cm high £200-£300

163

165 FE562/18 MAIOLICA POTTERY VASE LATE 19TH/ EARLY 20TH CENTURY of baluster form, decorated in blues, yellows and ochre, with a panel depicting a cherub above an inscription, flanked by men in armour and various other animals and stylised motifs, converted to a lamp 29.5cm (excluding fittings)

£200-300 166 FE683/1 COLLECTION OF CERAMIC STRAINER INSERTS of assorted size, design and maker, variously marked (15) £150-250 167 FE683/2 COLLECTION OF CERAMIC STRAINER INSERTS of assorted size, design and maker, variously marked (15) £150-250 168 FF42/1 TEAK SHIP’S WHEEL of typical form, with eight turned spokes and handles surrounding the central brass boss 84cm high

£150-250 169 FE153/7 COLLECTION OF LACE including: an Ayrshire whitework baby’s bonnet, gathered at the crown and with drawn threadwork; two further examples; one appliqued net; three net and appliqued collars; and one whitework collar (8) £100-150

168

170 FE654/1 HAMILTON & INCHES BRASS CARRIAGE CLOCK 20TH CENTURY of typical rectangular form with four glazed panels, the white enamel dial with Roman numerals above the inscription ‘Hamilton & Inches, Edinburgh’, the movement striking on a gong and inscribed ‘ 11 Eleven Jewels Unadjusted Swiss Made; Movement Matthew Norman Switzerland 1751A/50A’, in its original box with an instruction booklet and guarantee 13.5cm high (excluding handle)

£150-250 171 FE148/16 FRAMED GLASS CADBURYS CHOCOLATE SIGN/PANEL of rectangular form, embossed with gilded letters and a central cartouche, mounted on a felt backdrop decorated with postcards, overall 79 x 100cm; together with a FRAMED DECORATED GLASS PANEL, the reverse glass picture depicting a gilded cartouche,108.5 x 65.5cm overall (2) £400-600

173 FD653/12 CONTINENTAL PICTURE CLOCK 19TH CENTURY oil on canvas, depicting a rural landscape with figures in the foreground, the clock tower with an enamelled dial and Roman numerals, the movement striking on a gong and stamped ‘Robert A Paris’, in a giltwood frame 63.5 x 78cm (85.5 x 100cm overall)

£400-600 174 FE121/10 THOMAS HEATHERWICK SCULPTURE ‘MRS BRIDGE AND MR BRIDGE’, MODERN the two Evan S. Connell hardback novels interlocked in an X form position 14cm high £100-150 175 FE109/1 FRAMED TUNBRIDGE WARE PICTURE of square form, depicting Pantiles, Tunbridge Wells, in a Tunbridge ware frame

176 FF132/10 MAHOGANY RIBBED TUB OF RECENT MANUFACTURE of circular form with two scroll handles, the ribbed body with two brass bands and a brass liner, with a collection of decorative sea shells 19cm high, 46.5cm wide

£200-300 177 FE123/8 ANGLE POISE TABLE LAMP 20TH CENTURY of typical form, with a shaped glass shade and painted metal support, all resting on a circular brass foot and wired for electricity 82cm high (when extended)

£150-250 178 FE291/24 PAIR OF BELL PULLS LATE 19TH CENTURY of printed, faded velvet, unmade; together with a further PAIR OF BELL PULLS, in the baroque style, unmade; and a PATCHWORK FRAGMENT (5) £200-300

18.5 x 22cm (including frame)

£200-300 172 FE148/11 BRASS SMOOTHING IRON EARLY 19TH CENTURY the hollow tear shaped body with an opening to one end and a turned mahogany handle, 20.5cm long, 18.5cm high; together with a VICTORIAN COPPER KETTLE, of typical form, with a shaped handle, 30cm high (2) £300-400

176

21

181

180 FE107/19 COLLECTION OF VENETIAN GLASS WARE comprising of: a set of four lustre glass swan dishes, 8cm high; a similar style goblet, 16cm high; and a tapered spill vase, 14.5cm; together with a further METAL MOUNTED GLASS SPILL VASE, 17cm high; and a METAL MOUNTED GLASS BEAKER, 11cm high (8) £150-200 181 FF131/29 BURNISHED STEEL AND ALUMINIUM INDUSTRIAL SPOT LIGHT CIRCA 1920S displaying maker’s marks ‘Strand Electric’, with a wall hanging bracket 47cm high, 39cm wide,

184 FE551/81 COLLECTION OF CARVED WOODEN WARES comprising of: a carved oak panel modelled with flowers and stylised reserves, possibly 17th century and from Rouen, 43 x 23xm; a carved wooden figure of a bishop, with an associated stand, 31cm high (A/F); and a small carved wooden panel/paddle, depicting an exotic bird above a pierced handle, 40cm long (3) £200-300 185 FE155/17 NEOCLASSICAL STYLE BRONZE TEA URN the ovoid body with twin lion mask handles and supported by four reeded legs, all resting on a shaped base modelled with a sphinx, converted to a lamp 41cm high (excluding fittings)

£250-350

37cm deep

£500-700 182 FE155/24 IRONSTONE IMARI PALETTE FOOTBATH AND BASIN each with marks to underside, the footbath, of ovoid form with an everted rim and twin handles, 48cm wide; the bowl, of flared form, 35cm diam. (2) £150-250

186 FE457/4 LARGE POLYCHROME FIBERGLASS COAT OF ARMS 20TH CENTURY typically modelled with the lion and unicorn flanking a representation of the garter surrounding the British Royal Coat of Arms with the motto ‘Dieu et Mon Droit’ 92cm high, 96cm wide approx.

£150-200 179 FE107/52 ROYAL WORCESTER ‘HYDE PARK’ PATTERN PART DINNER SERVICE 20TH CENTURY each piece with gilded decoration depicting urns amongst scrolling foliage, with maker’s marks and pattern name, comprising of: eight dinner plates; 11 plates, of various size; eight dessert plates; eight bouillon cups and saucers; eight tea cups and saucers; a further eight saucers; a tureen (cover lacking); a sauce boat; a milk jug; and a sugar bowl (qty) £200-300

182

22

183 FE157/26 FUENZE (ITALIAN) GIRL HOLDING A BIRD bronze, red brown patina, signed ‘Fuenze’, modelled as a young girl holding a bird above a basket, raised on a circular marble-like base

187 FF131/25 SMALL POND YACHT the green painted wooden hull supporting the linen sails and rigging, the painted metal keel resting on a painted wooden base

overall 60.5cm high

62.5cm high (including base)

£200-300

£150-250

186

188

189

Henry John Lintott R.S.A.

190

191

Though born and schooled in Brighton, the vast majority of Lintott’s career was conducted in Edinburgh. After completing his studies, Lintott travelled to Paris and Italy before taking up a position in the Edinburgh College of Art. He was one of a number of progressive individuals who brought a new sense of dynamism to the college.

He is most famous for his elegant period portraits. Many of the paintings shown here originally came from the collection of his second wife Audrey, one of his favourite models and an artist herself.

188§ FF39/10 HENRY JOHN LINTOTT R.S.A. (BRITISH 1877-1965) FLORA Oil on canvas

192§ FF39/14 HENRY JOHN LINTOTT R.S.A. (BRITISH 1878-1965) EVE Oil on canvasboard

75cm x 61.5cm (29.5in x 24.25in)

21cm x 15cm (8.25in x 6in)

£400-600

£200-300

189§ FF39/11 HENRY JOHN LINTOTT R.S.A (BRITISH 1878-1965) LADY IN YELLOW - MRS AUDREY LINTOTT Oil on canvas

193 FB466/5 FOLLOWER OF GEORGE MORLAND OUTSIDE THE SILVER BELL INN Oil on canvas

99cm x 69cm (39in x 27.25in)

62.5cm x 74cm (24.5in x 29in)

£500-700

£300-500

190§ FF39/12 HENRY JOHN LINTOTT R.S.A (BRITISH 1878-1965) STUDY FOR “RETURNING AT SUNSET” Oil on canvasboard 35cm x 28cm (13.75in x 11in)

194 FB614/7 19TH CENTURY CONTINENTAL SCHOOL STILL LIFE WITH PEACHES AND GRAPES Signed and indistinctly inscribed, oil on canvas

£300-500

60cm x 89cm (23.5in x 39in)

£300-500 191§ FF39/13 HENRY JOHN LINTOTT R.S.A (BRITISH 1878-1965) FIGURE ON THE DOWNS Oil on board 26cm x 33cm (10.25in x 13in)

£300-500

195§ FB791/89 BERNARD LAMOTTE (FRENCH 1903-1983) THE LILY POND Signed and dated 1927, signed and indistinctly inscribed verso, oil on canvas 73cm x 92cm (28.75in x 36.25in)

£700-900

196 FB791/86 20TH CENTURY CONTINENTAL SCHOOL FLAMENCO Inscribed ‘J. Socolla’ verso, oil on board 38cm x 60cm (15in x 23.5in)

199 FD749/2 ROBERT MCGOWN COVENTRY A.R.S.A., R.S.W. (SCOTTISH 1855-1914) DIEPPE HARBOUR Signed and inscribed with title, watercolour

£300-500

17cm x 24cm (6.75in x 9.5in)

£400-600 197 FD726/1 DAVID FULTON R.S.W. (SCOTTISH 1848-1930) the HERD LASSIE Signed, watercolour 49cm x 39cm (19.25in x 15.25in)

200§ FF39/1 L. A. FEIJEN (DUTCH b. 1947) STILL LIFE WITH POPPIES AND BUDDLEIA Signed, oil on panel

£500-700

39cm x 29cm (15.25in x 11.5in)

£600-800 198 FD749/1 ROBERT MCGOWN COVENTRY A.R.S.A., R.S.W. (SCOTTISH 1855-1914) BOATS IN THE HARBOUR Signed, watercolour 24cm x 35cm (9.5in x 13.75in)

£600-800

200A JAMES MCNEILL WHISTLER (AMERICAN 1834-1903) THE WINGED HAT Signed in plate with butterfly 25cm x 19cm (9.75in x 7.5in) £500-700 200B JAMES MCNEILL WHISTLER (AMERICAN 1834-1903) NURSEMAIDS: LES BONNES Monogramed in plate, lithograph 24cm x 18cm (9.5in x 7in) £500-700

23

201

201§ FF39/2 L. A. FEIJEN (DUTCH b. 1947) SPRING Signed, oil on panel 29cm x 38cm (11.5in x 15in)

and a companion by the same hand ‘Summer’ (2) £800-1,200 202§ FF39/3 L. A. FEIJEN (DUTCH b. 1947) WINTER Signed, oil on panel 29cm x 38cm (11.5in x 15in)

and a companion by the same hand ‘Autumn’ (2) £800-1,200 203† FE149/10 JOSEPH FARINGTON R.A (SCOTTISH 1747-1821) EDINBURGH CASTLE Signed and dated 1788, pen and ink and watercolour, 41cm x 61cm (16in x 24in)

£300-500

216

24

221

204 FE155/9 COLLECTION OF FRENCH PRINTS OF ALLEGORICAL FIGURES AFTER RAPHAEL each of rectangular form, depicting a classical figure above an inscription and ‘Raphael in. Audran ex. C.P.R.’, in a glazed giltwood frame (8) 42 x 19.5cm (excluding frame) Note: The original title for this series of prints is ‘Diverses figures hiéroglyphiques peintes par Raphael d’Urbin dans une des salles du Vatican à Rome’. The British Museum has some of these original prints within their collection, which were published by Girard Audran in the late 17th/early 18th century.

£150-250 205 FE155/11 SIX VICTORIANA PRINTS AND ENGRAVINGS including: two portraits of the Royal family; two individual portraits; a William Nicholson print of Queen Victoria; and a copy of the ‘Order of the Procession’ for George IV’s coronation, all framed (6) £200-300

206 FE155/16 FOUR COLOURED PRINTS OF ANIMALS AFTER JOHN FREDERICK MILLER each in a glazed ebonised frame, depicting a lemur, red squirrel, chameleon, and an ape, two with variations of the inscription ‘Published according to the Act 1782, by J. F. Miller’ (4) largest 48 x 31.5cm (excluding mount and frame)

£150-250 207 FE199/3 WILLIAM FULTON BROWN R.S.W. (SCOTTISH 1873-1905) MENDING THE NETS Signed, watercolour 39cm x 49cm (15.25in x 19.5in)

£300-500 208 FE211/1 JAMES DRUMMOND (BRITISH 1816-1877) A GOOD CATCH Watercolour 41cm x 33cm (16in x 13in)

£500-800

209 FE430/44 AFTER SIR DAVID WILKIE GAME OF BACKGAMMON Oil on panel 12cm x 12cm (4.75in x 4.75in)

£400-600 210 SET OF FOUR FRENCH ARCHITECTURAL PRINTS 19TH CENTURY depicting various buildings in Paris including the cathedral and the National Museum, some signed and dated, published in Paris, in glazed frames (4) 63 x 43cm £200-300 211 FE698/1 WILLIAM OLIVER THE YOUNGER (BRITISH 1823-1901) LADY IN A PLUMED HAT Signed and dated 1882, oil on panel 19cm x 14cm (7.5in x 5.75in)

£300-500

224

225

212

222

35.5cm x 54cm (14in x 21.25in)

219 FF39/5 DAVID ALLISON A.R.S.A. (SCOTTISH 20TH CENTURY) GRAND PIANO Signed, signed stretcher verso, oil on canvas

223§ FB791/83 DIANA ARMFIELD (BRITISH b. 1920) TRAGHETTO S. TOMA Signed with initials, pastel on buff paper

£500-800

59cm x 49cm (23.25in x 19.25in)

23cm x 12cm (9in x 4.5in)

£500-700

and another by the same hand (2)

212 FE747/1 HENRY JOHN KINNAIRD (BRITISH fl. 1880S) A SUSSEX CORNFIELD Signed and inscribed with title, watercolour

215 LT2013/23 FOLLOWER OF ADOLPHE JOSEPH THOMAS MONTICELLI FETE CHAMPETRE Bears signature, oil on panel

35.5cm x 53.5cm (14in x 21in)

£400-600 213 FE751/2 MASON HUNTER A.R.S.A., R.S.W. (SCOTTISH1854-1921) THE HARBOUR, ST ANDREWS Signed, inscribed with title and signed verso, watercolour

216 FF39/17 JOHN ROBERTSON REID R.B.A., R.O.I., R.I. (SCOTTISH 1851-1926) ALICE Signed with initials and dated ‘70, oil on canvas

220§ FB791/9 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) BLONDE HEAD Signed, watercolour

35cm x 25cm (13.75in x 9.75in)

17cm x 37cm (6.75in x 14.5in)

£400-600

and another by the same hand (2) £400-600

£400-600

214§ FF36/2 JOHN PATRICK DOWNIE R.S.W. (SCOTTISH 1871-1945) UP AND DRESSED Signed, oil on canvas 60cm x 44cm (23.5in x 17.25in)

217 FF39/21 17TH CENTURY COPY AFTER AN OLD MASTER MADONNA AND ST FRANCIS OF ASSISI Oil on canvas

35.5cm x 25.5cm (14in x 10in)

36cm x 53.5cm (14in x 21in)

221§ FB791/34 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) MONOCHROME FIGURES I Signed, pen and ink and wash 59cm x 83cm (29in x 32.5in)

£400-600

119cm x 85cm (46.75in x 33.5in)

£800-1,200

£500-700 218§ FF39/4 DEREK CLARKE A.R.S.A. (BRITISH b. 1912) THE RED SHAWL Signed verso, oil on canvas

224§ FC629/1 JOHN HOUSTON R.S.A., R.S.W., S.S.A (SCOTTISH 1930-2008) GREEK CHURCH Signed, watercolour

222§ FB791/35 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) MONOCHROME FIGURES II Signed, pen and ink and wash

£300-500 225§ FC788/25 WILLIAM WILSON O.B.E.,R.S.A., R.S.W (SCOTTISH 1905-1972) COLLIOURE Signed, pen and ink and watercolour 36.5cm x 51cm (14.5in x 20in)

£500-700

59cm x 83cm (29in x 32.5in)

£400-600

50cm x 37cm (19.75in x 14.5in)

£400-600 25

237

231

232§ FE499/9 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.S.W., R.E. (SCOTTISH 1865-1945) A SUNLIT LANE, SOUTH OF FRANCE Signed, watercolour

235§ FE499/23A JOHN MARTIN (BRITISH CONTEMPORARY) BIRDS IN A GARDEN Signed, artist’s proof, screenprint

24cm x 34cm (9.5in x 13.5in)

229§ FE154/16 JAMES MCINTOSH PATRICK A.R.E., R.S.A., R.O.I., R.G.I. (SCOTTISH 1907-1998) THE FARM POND Signed and dated 1932, pen and ink and watercolour

£200-300

24cm x 36cm (9.5in x 14in)

33.5cm x 28cm (13.25in x 11in) Exhibited: Bourne Fine Art, Edinburgh

£250-350

226§ FE107/42A E. MITCHELL (SCOTTISH 20TH CENTURY) BENNACHIE Signed, inscribed with title and dated 1963 verso, oil on board

£500-700 227§ FE121/4 NORMAN HEPPLE R.A. (BRITISH 1908-1994) THE FLOWER GARDEN Signed and dated 1976, oil on board 70cm x 74cm (27.5in x 29in)

£500-800 228§ FE121/5 NOEL SHEPHERDSON (BRITISH b. 1953) TREE ON THE RIVERBANK Signed and dated ‘82, oil on canvas 45cm x 55cm (17.75in x 21.5in)

£300-500

218

26

230§ FE290/5 BRENDA LENAGHAN R.S.W (SCOTTISH b. 1941) PIERROT AND NEPALESE PUPPET Signed and dated ‘81, watercolour

£600-800

51cm x 35.5cm (20in x 14in)

233§ FE499/13 DEREK MYNOTT (BRITISH 1926-1994) FRESHWATER BAY, ISLE OF WIGHT Initialled, oil on canvas

£250-350

24cm x 29cm (9.5in x 11.5in)

£400-600

231§ FE499/3 BARBARA WARREN (IRISH b. 1925) POSTCARD FROM CHINA Signed, inscribed with title and dated ‘91 verso, oil on board 25cm x 30.5cm (9.75in x 12in)

234§ FE499/23 JOHN MARTIN (BRITISH CONTEMPORARY) ROMAN GARDEN Signed, artist’s proof, screenprint

£400-600

52cm x 37cm (20.5in x 14.5in)

£250-350

232

234

38cm x 56cm (15in x 22in)

236§ FE499/35 DONALD MANSON (SCOTTISH b. 1948) YOUNG FIG IN A LANDSCAPE Signed, oil on canvas 169cm x 79cm (66.5in x 31in) Exhibited: Open Eye Gallery, Edinburgh

£700-1,000 237 FE577/1 ILYA GERASSIMOFF (RUSSIAN fl. 1940S) BRIDGE ACROSS THE STREAM, CHINA Signed, oil on canvas 45cm x 60cm (17.75in x 23.5in)

£800-1,200

Scottish Contemporary & Post War Art Auction 17th April 2013 This auction includes British and Scottish artists, and features the private collection of Jane MacAllister, deputy director of Edinburgh’s Demarco Gallery. The sale also offers works from the Herbert Smith Freehills Collection, such as the Bridget Riley print seen here.

If you would like to know more about this sale please visit www.lyonandturnbull.com, or contact Nick Curnow 0131 557 8844 nick.curnow@lyonandturnbull.com BRIDGET RILEY C.H., C.B.E (BRITISH B.1931) FELIO (DETAIL) Provenance: Herbert Smith Freehills Collection £1,500-2,000

APRIL

JULY

17

10 & 11 Jewellery & Silver

Scottish Contemporary & Post-War Art

20

Interiors

MAY 08

Decorative Arts & Design

AUGUST

15

Rare Books, Maps, Manuscripts & Photographs

19

Scottish Silver

19

Wemyss Ware & Scottish Design

20

Scottish Contemporary Paintings & Post-War Art

30

Fine Paintings

JUNE 12

Fine Asian Art

SEPTEMBER

26

Fine Antiques

19

Rare Books, Maps, Manuscripts & Photographs 27

247

238 FE557/18 TWO BURMESE CARVED STANDARD LAMPS the first with a turned and carved upright above a circular foot; 152cm high, 33cm deep; the second, with a turned upper section above a hexagonal support and base, raised on carved feet; 147cm high, 29cm deep (2) £120-180

244

242 FE562/20 SMALL GEORGIAN STYLE MAHOGANY AND BOX WOOD STRUNG BOW FRONT SERVING TABLE 19TH CENTURY the cross banded top above a long drawer, raised on box wood strung square tapering legs and spade feet

246 FC765/23 GEORGIAN MAHOGANY CHEST ON CHEST the moulded cornice above a blind fret work frieze, over three short and three graduated long drawers, over three graduated long drawers, raised on ogee bracket feet

249 FC765/48 GEORGIAN STYLE MAHOGANY LOW CABINET 20TH CENTURY the moulded inlaid cornice above inlaid doors enclosing adjustable shelves, raised on ogee bracket feet

108cm wide, 187cm high, 55cm deep

£150-200

102cm wide, 75cm high, 48cm deep

£500-800

£250-350

173cm wide, 94cm high, 60cm deep

243 FE563/1 MAHOGANY PARTNERS DESK 19TH CENTURY the moulded rectangular top with inset skiver above a central long drawer, flanked by four drawers on either sided, front and rear, raised on plinth bases

£500-800

153cm wide, 80cm high, 123cm deep

239 FE384/3 VICTORIAN WALNUT FRAMED CHAISE LONGUE the buttoned cushioned back and down swept arm above a serpentine cushioned seat, raised on moulded cabriole legs

£400-600 240 FE384/4 PAIR OF WYLIE AND LOCKHEAD OAK GLASTONBURY CHAIRS 20TH CENTURY the oak leaf carved, pierced back and down swept arms above a solid seat, raised on X frame legs, united by stretchers (2)

244 FF131/8 GOOD LEATHER UPHOLSTERED CHESTERFIELD SOFA EARLY 20TH CENTURY of typical form, covered in studded and buttoned red leather, raised on squat bun feat

56cm wide, 89cm high, 44cm deep

180cm wide, 70cm high, 74cm deep

£300-500

£2,000-3,000

241 FE557/35 WILLIAM IV MAHOGANY EIGHT DAY LONG CASE CLOCK the circular dial with subsidiary second and date dials, within a foliate carved hood with spiral turned columns, over the trunk with spiral pilasters, raised on bun feet 49cm wide, 206cm high, 26cm deep

245 FC765/10 SET OF TEN MAHOGANY HEPPLEWHITE STYLE DINING CHAIRS 19TH CENTURY the shaped shield back and pierced splat, over a stuff over seat, raised on square tapering legs and spade feet, including two carvers (10)

£400-600

50cm wide, 94cm high, 47cm deep

£500-700

28

247 FF131/3 LARGE FRENCH CHAMPAGNE WICKER BASKET, FROM RHEIMS, BEARING VINEYARD INITIALS P.D. LATE 19TH / EARLY 20TH CENTURY 87cm wide, 59cm high, 64cm deep

65cm wide, 94cm high, 26cm deep

250 FD671/8 PAINTED SATINWOOD OCCASIONAL TABLE 19TH CENTURY the lobed top raised on square tapering out swept legs, united by an under tier 44cm wide, 74cm high

£300-400

£200-300 248 FE557/21 PAIR OF VICTORIAN WALNUT AND EBONISED AESTHETIC STYLE LADIES AND GENTLMANS CHAIRS the shaped cushioned back above out swept arms, over a cushioned seat, raised on turned legs and ceramic casters (2)

251 FE142/1 GEORGE III ROSEWOOD VENEERED MAHOGANY D-END DINING TABLE the oval top with 20th century veneer, above an ebony and box wood strung frieze, raised on square tapering legs, the ends with rosewood veneer, one leaf insertion 189cm wide extended, 73cm high,

64cm wide, 100cm high, 54cm deep

136cm deep

£250-350

£300-500

240

257

254

239

241

256

252 FE107/23 GEORGIAN STYLE MAHOGANY AND BOXWOOD STRUNG FOLDOVER TEA TABLE 20TH CENTURY the rounded rectangular top above an inlaid frieze, raised on square tapering legs

255 FE379/4 PAIR OF HEPPLEWHITE STYLE ARMCHAIRS the oval cushioned back above outswept arms and a serpentine over stuffed seat, raised on moulded turned legs (2)

90cm wide, 36cm high

261 FE297/12 PAIR OF INDIAN CARVED WALNUT JARDINEIRE STANDS LATE 19TH CENTURY the dish top raised on three elephant form supports, the down scrolling trunks united by a trifoorm under tier (2)

92cm wide, 74cm high, 45cm deep

60cm wide, 95cm high, 47deep

£200-300

73cm high

£150-250

£550-650

253 FE153/10 OAK TURNERS CHAIR 19TH CENTURY the ring turned back and bobbin turned down swept arms above a loose cushion seat over turned legs united by stretchers 60cm wide, 82cm high, 45cm deep

256 FE384/1 PAIR OF BERGERE CHAIRS 19TH CENTURY the moulded back and down swept arms above a loose cushion seat, raised on moulded cabriole legs and pad feet (2)

£180-220

65cm wide, 87cm high, 48cm deep

258 FE345/1 PAIR OF SANTAMBROGIO & DE BERTI ‘MINORCA’ COFFEE TABLES 20TH CENTURY the square smoked glass top raised on a brass base (2)

£400-600 259 FE295/6 UNUSUAL DIRECTOIRE STYLE MIRRORED BUREAU PLAT OF RECENT MANUFACTURE the rectangular top above three frieze drawers, raised on square tapered legs terminating in brass caps and casters 140cm wide, 78cm high, 65cm deep

£300-500

£300-500 254 FE559/1 GEORGIAN STYLE MAHOGANY BOOKCASE AND UNDERCABINET 20TH CENTURY the moulded cornice above three glazed doors enclosing adjustable shelves, over three panel doors, raised on a plinth base

257 FE344/1 EARLY GEORGIAN ROSEWOOD DAVENPORT the three quarter galleried top above a writing slope opening to reveal a satinwood fitted interior, over four graduated drawers, raised on a plinth base

236cm wide, 260cm high, 44cm deep

£400-500

52cm wide, 90cm high, 50cm deep

260 FE562/1 VICTORIAN WALNUT TWIN PEDESTAL DESK the moulded rectangular top above a long drawer, flanked by four graduated short drawers on either side, raised on plinth bases

262 FE297/18 VICTORIAN WALNUT DEMI-LUNE CARD TABLE CIRCA 1880 the fold over top enclosing a baize playing surface, raised on a turned column support ending in four downswept moulded legs terminating in casters 72cm high, 92cm wide, 49cm deep

£300-500

148cm wide, 77cm high, 60cm deep

263 FE107/37 CANED GILT WOOD DAY BED 19TH CENTURY the moulded high back above the moulded seat, raised on fluted legs

£300-400

169cm wide, 92cm high, 61cm deep

£250-350

£2,000-2,500

29

264 FE107/21 PARKER KNOLL GEORGIAN STYLE LOUNGE SUITE 20TH CENTURY comprising a three seat sofa and two wing back arm chairs, the serpentine back above a loose cushioned seat, raised on moulded legs (5)

133cm wide, 82cm high, 58cm deep

270 FE563/3 SET OF TEN OAK DINING CHAIRS the serpentine top rail above a pierced vertical splat over a drop in pad seat raised on square tapering legs, united by stretchers

£300-500

48cm wide, 97cm high, 38cm deep

267 FE155/2 PAIR OF VICTORIAN TWO SEATER SOFAS the shaped button back above a serpentine cushioned seat, raised on parcel gilt turned legs (2)

£300-500

184cm wide, 90cm high, 52cm deep, and 70cm wide, 104cm high, 54cm deep

£150-300 265 FF132/6 CHIPPENDALE STYLE PAINTED CONSOLE TABLE OF RECENT MANUFACTURE the inverted break front stone top above a blind fret decorated frieze, raised on four open work stylised gothic square supports 199cm wide, 88cm high, 82cm deep

£3,000-5,000 266 FE121/1 REGENCY MAHOGANY AND EBONY STRUNG FOLD OVER CARD TABLE the reeded top above a turned support raised on outswept legs and brass caps and casters

268 FE155/15 VICTORIAN MAHOGANY DRESS MIRROR the mirror plate of rectangular form supported by a single turned column, all resting on a circular marble and mahogany base with three bun feet 68cm high approx.

271 FE568/1 CHINESE HARDWOOD MOTHER OF PEARL INLAID EXTENDING DINING TABLE 20TH CENTURY the oval top above a shaped, moulded frieze, raised on square legs and spade feet

£150-250

268cm wide extended, 77high, 117cm deep

269 FE457/7 GREEN ‘GOODYEAR EAGLE’ TYRE COFFEE TABLE the green tyre surmounted by a circular glass top and raised on a circular spread chrome foot 76cm wide, 53cm high

£400-600

£300-500 272 FF131/14 MAHOGANY SWIVEL DESK CHAIR EARLY 20TH CENTURY the curved back and shaped solid seat raised on four cabriole legs ending in casters 59cm wide, 84cm high, 42cm deep

£300-500

91cm wide, 74cm high, 45cm deep

£400-600

273 FE351/7 OAK COFFER 18TH CENTURY the rectangular top above a carved frieze and three carved panels, raised on block feet 127cm wide, 71cm high, 50cm deep

£400-600 274 FE351/9 UNUSUAL PROPELLER CHAIR 20TH CENTURY the elastic seat supported by two mounte arms and legs in the form of propellers 87cm wide, 78cm high, 47cm deep

£100-300 275 FE352/1 PAIR OF CHESTERFIELD SOFAS 20TH CENTURY the buttoned back and arms above a button seat, raised on turned legs and ceramic casters (2) 206cm wide, 71cm high, 64cm deep

£600-800 276 FE563/5 GEORGIAN STYLE OVAL WALNUT BREAKFAST TABLE the cross banded top above scrolling supports, raised on fluted outswept legs and brass caps 138cm wide, 70cm high, 110cm deep

£400-600

30

264

265

277

282

272

269

274

267

286

277 FE563/4 OAK HEXAGONAL DRUM TABLE LATE 19TH CENTURY the shaped top with inset skiver above two drawers and six dummy drawers, over turned supports, raised on down swept legs

280 FE678/9 VICTORIAN FOUR FOLD EMBOSED LEATHER AND GLAZED SCREEN the square glazed panels within a decorative panelled frame

122cm wide, 76cm high

281 FE123/6 GEORGE III STYLE SPIDER LEG TABLE 19TH CENTURY the drop leaf rectangular top raised on turned legs and pad feet, united by stretchers

£300-500 278 FE563/13 ROCOCCO STYLE GILTWOOD MIRROR the bevelled oval mirror plate within an ornate moulded frame

220cm wide, 195cm high,

£200-300

116cm wide, 88cm high, 52cm deep

90cm wide, 71cm high, 30cm deep

£200-300

83cm wide, 134cm high

£250-350 279 FE140/1 LATE VICTORIAN MAHOGANY DINING TABLE CIRCA 1900 the moulded, canted rectangular top, raised on square tapering legs and ceramic casters, including one leaf extension 185cm wide, 75cm high, 107cm deep

£300-500

283 FE123/9 GEORGIAN MAHOGANY DRESSING TABLE AND MATCHING STOOL the galleried rectangular top above a dummy drawer, flanked by four short drawers, raised on turned and fluted legs (2)

282 FE457/9 CREAM CANVAS COVERED TRUNK 20TH CENTURY of typical rectangular form with two carrying handles, covered with cream canvas and studded leather, depicting a Union Jack to the lid, maker’s marks to interior 101cm wide, 74cm high, 50cm deep

£300-500

£300-500 284 FE457/10 TRIUMPH PATENT PAINTED CAST IRON AND METAL ADJUSTABLE BARBER’S CHAIR 1920S/1930S the adjustable height, back and leg, with chrome arms and a beech wood and cane seat and back, with a painted foot rest and domed base

286 FE157/38 GEORGE III MAHOGANY AND GILT MIRROR the rectangular mirror plate within a gilt slip and shaped mahogany frame, surmounted by a gilt Ho-ho bird, 54cm wide, 95cm high; together with another similar REPRODUCTION MIRROR (2) 54cm wide, 95cm high £300-500 287 FE121/7 GEORGIAN MAHOGANY CHEST the moulded rectangular top above two short and three graduated long drawers, raised on bracket feet 115cm wide, 82cm high, 58cm deep

£300-400

57cm wide, 123cm high, 85cm deep

£300-500 285 FE296/3 IMPRESSIVE DISTRESSED ZINC CONVEX WALL MIRROR MODERN the circular plate within a distressed riveted sheet metal frame

288 FE305/6 OAK COAT STAND 19TH CENTURY three groups of three scrolling coat hooks, raised on a turned support and a tripod base 52cm wide, 185cm high

£300-400

141cm diam

£500-700

31

Direct from the Artist’s Studio: A Collection of John Springs Caricatures Few of the faces of history will be captured and remembered quite like the satirical caricature.

While speaking loudly of the subject’s disposition and personality, they reflect moments in time and important events in our past and present, with humorous exaggeration. They can both decorate and commentate in various measures, and the works of John Springs are no exception.

381

John Springs was born in Leeds in 1962. He did not, unlike many of his contemporaries, take a traditional route through art college but instead was published in several notable titles before the age of 20. In June 1983 he was profiled in Harpers and Queen: a beginning to an established career which has seen Springs featured in numerous publications, win several awards, and had work exhibited both in Britain and further afield.

Since the early 80s Springs has lived and worked in London, latterly from his Chelsea studio, where, armed with knowledge from his wide reading and eclectic library of books, he continues to draw. His style of drawing follows a long British tradition, established by his 18th century predecessors such as Gilray and Rowlandson. He describes his method of attack as starting with the left eye of his subject before working round the face to the right eye, until he feels he has captured the essence of his chosen character. His work has long embraced the use of red ink, watercolour and acrylic colour, developed from his early pieces which were entirely realised in black ink.

Throughout his career, Springs has illustrated and contributed to an impressive collection of publications, including The Spectator, Private Eye, New York Review of Books, The Independent, The Tatler, GQ, Rolling Stone Magazine, and The Times, to name but a few. He notably, drew for The Financial Times for over 17 years, illustrating their ‘Man in the News’ section and was the resident caricaturist of BBC’s Newsnight programme for a duration of five years. The Victoria and Albert Museum have also endorsed Springs, in commissioning him to illustrate a set of court cards featuring Labour politicians, and his colourful depiction of Margaret Thatcher is well known on the walls of Rules restaurant in Convent Garden. Today much of his work appears in America but at home he usually illustrates the person in the Sunday Telegraph’s ‘Profile’ article.

The sale of the artist’s work is therefore one which Lyon & Turnbull proudly presents. Featuring over 50 original artworks directly from Springs’s studio, the collection includes all manner of politicians, celebrities and famous faces. Most notable are the drawings of Margaret Thatcher, the colourful Winston Churchill, and a picture of Daniel Day-Lewis in his role as Abraham Lincoln, created only weeks ago. Items range from throughout Springs’ career, spanning the 1980s, ‘90s and recent ‘00s. In owning a John Springs’s, it is therefore an opportunity to have a real piece of history, in every possible sense of the word!

Please note all measurements for John Springs’ caricatures are width x height.

32

289

290

293

296

292

289 FE707/4 JOHN SPRINGS (BRITISH b. 1962) SIR WINSTON CHURCHILL (1874-1965) pen and ink with red ink cross hatching and later acrylic paint, signed, unpublished, dated on reverse in the artist’s hand 1990-2012 35 x 43cm

£350-450 290 FE707/29 JOHN SPRINGS (BRITISH b. 1962) HAROLD MACMILLAN (1894-1986) pen and ink with red ink cross hatching, signed, believed to be unpublished, circa 1980s 27 x 38.5cm Note: When Macmillan visited Russia in 1959 he surprised his hosts and the press by stepping off the aeroplane wearing a tall white fur cap of Russian style.

£200-300

291 FE707/6 JOHN SPRINGS (BRITISH b. 1962) MARGARET THATCHER (b. 1925) pen and ink, signed and dated 1984, shown on a charging war horse, depicted with Sir Geoffrey Howe

293 FE707/40 JOHN SPRINGS (BRITISH b. 1962) MARGARET THATCHER (b. 1925) pen and ink with red ink cross hatching and acrylic colour, signed, published in ‘The Spectator’, circa 1995

34.5 x 37cm Note: This equestrian version of Margaret Thatcher has some connections with the very large and iconic oil painting of her on horseback and in armour

by Springs, which hangs in the dining room of Rules Restaurant in Covent Garden, London.

19.5 x 31.5cm

£300-400 292 FE707/39 JOHN SPRINGS (BRITISH b. 1962) MARGARET THATCHER (b. 1925) pen and ink, signed, published to illustrate a profile in the ‘Sunday Telegraph’, circa 2005, shown with members of her former government 27.5 x 23.5cm

£200-300

£200-300

295 FE707/31 JOHN SPRINGS (BRITISH b. 1962) JOHN MAJOR (b. 1943) pen and ink with red cross hatching and use of acrylic colour, signed, used during an episode of BBC 2’s ‘Newsnight’ programme in the mid-1990s when John Springs was resident caricaturist (1992-1997)

294 FE707/47 JOHN SPRINGS (BRITISH b. 1962) CAROL THATCHER (b. 1953) pen and ink, signed, published in the ‘Sunday Telegraph’, 31st August 2001, shown with a bust of Margaret Thatcher

44 x 17cm Note: This dramatic and colourful image refers to Major’s father’s career in music hall and circus with perhaps references to his problems in dealing with a fractious parliamentary party.

22 x 23cm

296 FE707/38 JOHN SPRINGS (BRITISH b. 1962) ‘TWO AND A HALF PRIME MINISTERS’ pen and ink, unsigned, possibly published in the ‘Sunday Telegraph’, early 2000s, depicting Tony Blair, Gordon Brown and John Prescott

£200-300

£300-400

25 x 20cm

£150-200

33

297 FE707/21 JOHN SPRINGS (BRITISH b. 1962) GEORGE WASHINGTON (1732-1799) pen and ink with red ink cross hatching, signed, unpublished, circa 1990

300 FE707/20 JOHN SPRINGS (BRITISH b. 1962) BILL CLINTON (b. 1946) pen and ink, signed, published in the ‘Financial Times’, circa 2002 27 x 25cm

302 FE707/42 JOHN SPRINGS (BRITISH b. 1962) COLIN POWELL (b. 1937) pen and ink with red ink cross hatching and acrylic colour, signed, published in ‘Elle’ magazine, 1995

32 x 29.5cm

£250-350

19 x 29cm

£250-350 298 FE707/50 JOHN SPRINGS (BRITISH b. 1962) ABRAHAM LINCOLN (1809-1865) pen and ink, unsigned, published in the ‘The Journal of Blacks in Higher Education’, 1990s 28 x 39cm

£150-200 299 FE707/23 JOHN SPRINGS (BRITISH b. 1962) JOHN F KENNEDY (1917-1963) pen and ink, signed, published in ‘The Spectator’, 1988

£150-200 301 FE707/8 JOHN SPRINGS (BRITISH b. 1962) GEORGE W. BUSH (b. 1946) AND AL GORE (b. 1948) pen and ink on cartridge paper, signed, published as the front cover of ‘The Women’s Quarterly’, Spring 2000, 40.5 x 29.5cm; together with a copy of THE WOMEN’S QUARTERLY, bearing Springs’ illustration of Bush and Gore (2) £200-300

22.5 x 32cm

£150-200

303 FE707/22 JOHN SPRINGS ((BRITISH b. 1962) JOHN MCCAIN (b. 1936) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘New York Review of Books’, November 6th 2008 22 x 31.5cm

£200-300 304 FE707/26 JOHN SPRINGS (BRITISH b. 1962) MITT ROMNEY (b. 1947) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘New York Review of Books’, circa 2010 23 x 30cm

£150-200

34

298

299

306

307

308

310

305 FE707/16 JOHN SPRINGS (BRITISH b. 1962) BARACK OBAMA (b. 1961) pen and ink, signed, published in ‘The Journal of Blacks in Higher Education’, circa 1990 28.5 x 42cm Note: This is an early image of the President when he was first emerging onto the national stage. At this time he was the first black President of the Harvard Law Review and just about to launch his political career. This could well be one of the first drawings of Obama by an English artist.

£250-350 306 FE707/17 JOHN SPRINGS (BRITISH b. 1962) BARACK OBAMA (b. 1961) pen and ink with red and blue ink cross hatching and acrylic colour, signed, published in ‘The New York Review of Books’, 2009 22 x 23cm

£200-300

300

297

314

312

307 FE707/7 JOHN SPRINGS (BRITISH b. 1962) VLADIMIR PUTIN (b. 1952) pen and ink with red ink cross hatching and acrylic colour, signed, unpublished, 2011 22.5 x 33cm

£200-300

309 FE707/34 JOHN SPRINGS (BRITISH b. 1962) CHRISTINE LAGARDE (b. 1956) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’, May 27th 2012 42 x 30cm

308 FE707/3 JOHN SPRINGS (BRITISH b. 1962) ROBERT MUGABE (b. 1924) pen and ink with red ink cross hatching and acrylic colour, signed, published as a cover of ‘The Spectator’ and also used within the magazine, 11th January 2003, 38.5 x 43cm; together with a copy of THE SPECTATOR, bearing the Springs Mugabe illustration (2) £150-200

£200-300 310 FE707/27 JOHN SPRINGS (BRITISH b. 1962) ROWAN WILLIAMS (b. 1950) pen and ink with red ink cross hatching and use of acrylic, signed, published in ‘The Spectator’, early 2000s 27 x 36.5cm

£150-200

311 FE707/18 JOHN SPRINGS (BRITISH b. 1962) JOHN PAUL II (1920-2005) pen and ink, signed, published in the ‘American Spectator’, 1995 24 x 25cm Note: Karol Wojtyla (1920-2005) was the first Polish Pope and the first non-Italian Pope since 1523. He became the second longest reigning Pope in history.

£150-200 312 FE707/53 JOHN SPRINGS (BRITISH b. 1962) POPE BENEDICT XVI, FORMERLY CARDINAL JOSEPH RATZINGER (B. 1927) pen and ink with red ink crosshatching and acrylic colour, signed, published in the ‘Sunday Telegraph’ profile soon after his election

313 FE707/33 JOHN SPRINGS (BRITISH b. 1962) ‘THE GLORIOUS TWELFTH’ pen and ink with red ink cross hatching and strong use of acrylic colour, signed, published in the ‘Sunday Telegraph’, 30th August 2009, depicting the opening of the grouse shooting season 30 x 43cm

£250-350 314 FE707/2 JOHN SPRINGS (BRITISH b. 1962) ‘A NOSE FOR WINE’ pen and ink with red ink cross hatching, signed, published as the front cover of ‘The Decanter’, February 1994, 40.5 x 28cm; together with the FRONT COVER OF THE DECANTER, showing ‘A Nose for Wine’ (2) £200-300

22 x 23cm

£200-300

35

319 FE93/28 TWO CHINESE BLUE AND WHITE METAL MOUNTED BURNERS QING DYNASTY, 18TH CENTURY both of globular form with metal strap mounts and swing handles, the larger decorated with a figure fishing beneath a pine tree, six character Yonzheng mark, the other with a dragon (2)

338

322 FE568/14 PAIR OF CHINESE TEMPLE JARS AND COVERS 20TH CENTURY each of baluster form, each decorated with butterflies, peonies, prunus blossom and other floral sprays on a pale green ground, the cover with gilt fu dog finial, with hardwood stand (2) 64.5cm high (without stand)

£200-300

larger 11cm high, smaller 9cm high

£100-150 320 FE562/4 CHINESE FAMILLE ROSE PORCELAIN AND HARDWOOD TABLE SCREEN 19TH CENTURY the circular porcelain panel decorated with a phoenix in a fenced garden, set in a carved pierced square frame and conforming trestle support

324

40cm wide, 48cm high, 16cm deep

£200-300 321 FE234/3 CHINESE WUCAI BALUSTER VASE QING DYNASTY, 19TH CENTURY the sides painted with warriors and attendants 32cm high

£200-300

323 FE568/24 PAIR OF CHINESE FAMILLE ROSE GARDEN SEATS 20TH CENTURY of barrel form, decorated with traditional interior scenes, birds, flowers and foliage in reserves, with applied gilt roundels and reticulated top and sides, 47.5cm high, 29cm diam; together with a similarly decorated FAMILLE ROSE FISH BOWL, 29cm high, 35.5cm diam (3) £200-300 324 FE293/12 PAIR OF CHINESE BLUE AND WHITE VASES AND COVERS each of baluster form with a domed cover surmounted by a Fu dog finial, decorated with figures in a landscape scene between gilt borders, with a six character Qing mark to the underside but later (2) 54.5cm high

£250-350

315 FE691/5 CHINESE BLUE AND WHITE PORCELAIN DISH of circular form, decorated with buildings in a garden setting amongst flower sprays, with Christie’s label ‘Lot 3540, The Nanking Cargo’ 25.5cm diam.

£150-250 316 FE598/2 TWO CHINESE BLUE AND WHITE VASES each of shaped baluster form with a flared neck, the first, depicting a bird amongst peonies and further foliage, with blue marks and a paper label to the underside, 39.5cm high; the second, depicting foliage, with blue marks and a paper label the underside, 37cm high (2) £200-300

36

317 FE594/1 PAIR OF CHINESE BLUE AND WHITE DOUBLE GOURD VASES KANGXI MARK, 19TH CENTURY decorated allover with prunus on a blue ground, underglaze blue four character marks (2) 25cm high Provenance: Bowes-Lyon Family

£200-300 318 FE568/11 PAIR OF CHINESE TEMPLE JARS AND COVERS 20TH CENTURY each of baluster form, each decorated with assorted birds and butterflies surrounded by prunus blossom, peonies, pomegranate and peach motifs, on a black ground, with hardwood stand (2) 64.5cm high (without stand)

£200-300

325

325 FD701/1 SMALL CHINESE SANG-DE-BOEUF BALUSTER VASE QING DYNASTY, 19TH CENTURY with a high rounded shoulder and thin rim mouth, blue Qianlong seal mark to base

321

337

317

339

16cm high

£200-300 326 FE107/28 CHINESE CELADON VASE the lobed ovoid body decorated with scrolling foliage in low relief 24.5cm high

£140-180 327-336 No lots 337 FD434/5 CHINESE FAMILLE VERTE DOUBLE GOURD VASE QING DYNASTY, 19TH CENTURY with profusely painted fruit, flowers and scrolls 43cm high

£2,500-3,500 338 FD484/1 LARGE JAPANESE BLUE AND WHITE JARDINIERE 20TH CENTURY with an inverted rim, the sides painted with a flying cranes against clouds 45cm diam, 29cm high

£150-250 339 FE544/4 JAPANESE KO-KUTANI GREEN AND AUBERGINE GLAZED VASE 19TH CENTURY baluster form with moulded elephant head closed ring handles, decorated with lappet borders and reserves depicting ho ho birds and flowers, green glazed square mark to the base 37cm high

£150-250 340 FE291/4 JAPANESE BLUE AND WHITE PORCELAIN BOWL OF circular form with a chamfered rim decorated with stylised foliage, marked to the underside

341 FD162/2 COLLECTION OF ASIAN CERAMIC WARES comprising: nine Canton famille rose pieces, including dishes, bowls and vases; five imari pallette examples, including a vase garniture, jug and bowl; and a Japanese porcelain bowl, painted with mountainous landscapes, birds and foliage (A/F) (15) £150-250

320

19cm diam.

£200-300

37

344

346

342 FE568/8 COLLECTION OF CHINESE CLOISONNÉ WARES 20TH CENTURY seven cloisonné vases of various shapes and sizes, including a pair of bottle shaped examples decorated with prunus blossom on a white ground and another with dragon and flaming pearl decoration on a black ground, with matching bowl, together with a pair of pots with covers (10) £250-350

344 FE93/12 PAIR OF JAPANESE BUTSUDAN BRONZE LAMPS with flame finials and pierced lanterns over a waisted stem (2)

343 FE578/8 CHINESE SILVERED BRONZE LOBED MIRROR TANG DYNASTY with eight lobes, cast with phoenix, a horse, clouds and songbirds, 22cm wide; together with a CHINESE BLANC DE CHINE FIGURE OF GUANYIN, QING DYNASTY, 18th/19th century, modelled seated with a raised knee, 19.5cm high (2) £200-300

43.5cm high

343

38

47cm high

£200-300 345 FD434/4 JAPANESE BRONZE BALUSTER VASE MEIJI PERIOD the sides with two relief cast panels depicting monkeys seated on rocks and cranes amongst blossoming plants, seal mark to underside £500-700 346 FE205/3 JAPANESE CARVED IVORY OKIMONO MEIJI PERIOD depicting a young boy holding a peach while carried on a man’s back, mounted on a carved wood stand

345

347 FE411/1 LARGE CHINESE INTERIOR DECORATED SNUFF BOTTLE 20TH CENTURY of flattened ovoid form, depicting figures in a landscape scene to each side, with a green stopper 12.5cm high

£200-300 348 FE184/80 CHINESE CARVED BANDED AGATE GROUP QING DYNASTY, 19TH CENTURY formed as two baskets with budding stems, with an old attached wax seal and label 5cm long Provenance: Property from an Edinburgh estate

£300-500 349 No lot

351 FE271/1 JAPANESE CARVED ROOTWOOD FIGURE MEIJI / TAISHO the figure carved standing with one leg raised, holding a staff and improvised rootwood umbrella, the face inset with bone teeth and glass eyes 70cm high approx

£200-300

figure 18.5cm high

£150-250

357

350 FC709/6 CHINESE CARVED HORN LIBATION CUP of shaped oval tapering form, carved all round with lotus flowers, raised on a rusticated shaped oval wooden base, Cup 13.2cm long, 8.3cm high, 7cm deep; together with a CHINESE CARVED TAGUA NUT SNUFF BOTTLE, flattened oval form carved in relief to both the front and back with seated sages and calligraphic inscriptions; 6.5cm high (2) £200-300

350

355

352 FE93/10 JAPANESE BAMBOO JIZAI-KAGI HEARTH POT HOLDER the hollow bamboo support fixed with a loop handle and a further wedge shaped support, with the accompanying hardwood pole and hook, 99.5cm high; together with a PATINATED BRASS FLOOR STANDING SCONCE, with a small drip tray supported by a plain stem and larger tray on a tripod base, 66cm high (2) £200-300 353 FE291/27 COLLECTION OF CHINESE WATERCOLOURS ON RICE PAPER comprising of 16 unframed examples, eight depicting birds and eight depicting figures, boxed 9 x 6cm approx.

£200-300

354 FE93/20 UTAGAWA TOYOKUNI III (1786-1864) 19TH CENTURY woodblock print depicting a theatrical scene, framed, 24cm wide, 36cm high; together with UTAGAWA KUNIYOSHI (1798-1861) two Japanese woodblock prints from the series ‘Seichu Gishi Den’, 25cm wide, 36cm high, all framed (3) £300-500 355 FE234/2 TWO CHINESE MING STYLE SCROLL PAINTINGS 20TH CENTURY each depicting mountainous landscapes, seal marks (2) 56cm wide, 174cm high

£300-500 356 FE132/1 CHINESE SCROLL PAINTING OF AN OFFICIAL QING DYNASTY, 19TH CENTURY the seated figure wearing a brown robe with an embroidered rank badge, framed

357 FD621/1 UTAGAWA TOYOKUNI III (1786-1864) 19TH CENTURY Shunga woodblock print of an erotic encounter 32cm high, 24cm wide

£200-300 358 FE712/2 TWO CHINESE FRAMED SILK EMBROIDERIES each of rectangular form, depicting an exotic bird amongst peonies, worked in silver, grey and brown silks, in glazed frames (2) 105 x 26.5cm

£200-300 359 FD196/12 COLLECTION OF ASIAN COSTUME including a child’s embroidered tunic; a pair of pantaloons; a pair of slippers; and decorative ceremonial headdress (qty) £150-250

360 FE549/8 COLLECTION OF FOUR CHINESE SILK CUSHIONS each of square form, the orange silk decorated with variously sized brown coloured peonies to each side, with tassels to the centre and each corner (4) 54 x 54cm approx.

Note: Cushions such as these were traditionally used in Chinese sampam boats.

£150-250 361 FE155/1 COLLECTION CHINESE STRAW HATS AND PAPIER MACHE MASKS the seven hats, of various shape and size, including conical and domed examples; the masks comprising of two papier mache mythical creatures, one cat, and a man’s head (11) £150-250

scroll, 78cm wide, 156cm high

£300-500 39

362 FE707/25 JOHN SPRINGS (BRITISH b. 1962) KATE MOSS (b. 1974) AND PETE DOHERTY (b. 1979) pen and ink, signed, published in the ‘Sunday Telegraph’, circa 2005 21 x 24cm

£150-200

364 FE707/44 JOHN SPRINGS (BRITISH b. 1962) CLARISSA DIXON WRIGHT (b. 1947) pen and ink with red ink cross hatching and acrylic colour, signed, published to illustrate a profile in ‘The Spectator’, late 2000s

363

23.5 x 27.5cm

363 FE707/24 JOHN SPRINGS (BRITISH b. 1962) ANNA WINTOUR (b. 1936) pen and ink with red ink cross hatching, signed, published to illustrate a profile of her in the ‘Sunday Telegraph,’ 2000s 22 x 22cm

£200-300

£150-200 365 FE707/37 JOHN SPRINGS (BRITISH b. 1962) GREGG WALLACE (b. 1964) AND JOHN TORODE (b. 1965) pen and ink with red ink cross hatching and acrylic colour, signed, published to illustrate a profile in the ‘Sunday Telegraph’, February 20th 2011

375

29 x 41.5cm

£300-400

367

376

366 FE707/13 JOHN SPRINGS (BRITISH b. 1962) BERNIE ECCLESTONE (b. 1930) pen and ink on cartridge paper, signed, published in the ‘Financial Times’ to illustrate a “Man in the News” article, circa 1997, shown wearing a racing suit covered in advertising slogans, one of which reads “New Labour” 22.5 x 31cm Note: In 1997 Ecclestone donated £1 million to Tony Blair’s Labour Party and a crisis for the government arose when the donation was linked in the press to the exclusion of F1 racing from a ban on advertising something clearly alluded to by the “New Labour” advertisement on his suit.

£150-200

40

367 FE707/46 JOHN SPRINGS (BRITISH b. 1962) SIGMUND FREUD (1856-1939) pen and ink with red ink cross hatching and acrylic colour, signed, published in an American magazine to illustrate an article by Gene Stone, 1995, 39 x 37cm; together with a copy of the MAGAZINE, depicting the Springs illustration (2) £200-300 368 FE707/28 JOHN SPRINGS (BRITISH b. 1962) LAKSHMI MITTAL (b. 1950) pen and ink, signed, published in the ‘Financial Times’ 29.5 x 28cm

£150-200

362

365

371

370

377

378

369 FE707/48 JOHN SPRINGS (BRITISH b. 1962) ROMAN ABRAMOVICH (b. 1966) pen and ink, signed, published in the ‘Sunday Telegraph’, circa 2003 25 x 28cm

£150-200 370 FE707/35 JOHN SPRINGS (BRITISH b. 1962) JULIAN ASSANGE (b. 1971) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’, June 24th 2012

372 FE707/14 JOHN SPRINGS (BRITISH b. 1962) SIR CHRISTOPHER LEE (b. 1922) pen and ink with red ink cross hatching, signed, published in ‘The Times Saturday Review’, circa 1990

375 FE707/10 JOHN SPRINGS (BRITISH b. 1962) AMADEUS WOLFGANG MOZART (1756-1791) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Financial Times’, mid 2000s

24 x 38cm

29.5 x 31cm

£200-300

£200-300

373 FE707/45 JOHN SPRINGS (BRITISH b. 1962) PETE TOWNSEND (b. 1947) pen and ink with red ink cross hatching and acrylic colour, signed, published in ‘Entertainment Weekly’, mid 1990s

376 FE707/43 JOHN SPRINGS (BRITISH b. 1962) ROWAN ATKINSON (b. 1955) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’, November 30th 2008

377 FE707/52 JOHN SPRINGS (BRITISH b. 1962) DANIEL DAY-LEWIS (b. 1957) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’ to illustrate a profile, 12th January 2013, depicted in his role as Abraham Lincoln 21.5 x 29.5cm

£200-300

28 x 39.5cm

22 x 22cm

378 FE707/51 JOHN SPRINGS (BRITISH b. 1962) JEREMY IRONS (b. 1948) pen and ink with red ink cross hatching and acrylic colour, signed in red, unpublished, late 1990s

371 FE707/15 JOHN SPRINGS (BRITISH b. 1962) WILL SELF (b. 1961) pen and ink with red ink cross hatching and acrylic colour, signed, published in in ‘The Independent’ magazine, circa 2003, originally produced circa 1997

£250-350

£200-300

24 x 33cm

31.5 x 42cm

£200-300

29 x 37cm

£200-300

£250-350 374 FE707/49 JOHN SPRINGS (BRITISH b. 1962) the BEATLES pen and ink, signed, published in the ‘Sunday Telegraph’, circa 2003 28 x 24cm

£200-300 41

384

382

379

379 FE707/30 JOHN SPRINGS (BRITISH b. 1962) ROBBIE COLTRANE (b. 1950) pen and ink with red ink cross hatching, signed, published in ‘The Times’ supplement, circa 1990 29 x 39cm

£200-300 380 FE707/11 JOHN SPRINGS (BRITISH b. 1962) SIR SEAN CONNERY (b. 1930) pen and ink, signed, published in the ‘Sunday Telegraph’ to illustrate a profile, circa 2008 22 x 23cm

£150-200

383

386

381 FE707/12 JOHN SPRINGS (BRITISH b. 1962) ROBERT BURNS (1759-1796) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’ to illustrate a profile, late 2000s 21.5 x 22.5cm Note: The illustration was probably used for an article coinciding with the 250th anniversary of the Bard’s birth in 2009

£150-200 382 FE707/32 JOHN SPRINGS (BRITISH b. 1962) DAN BROWN (b. 1964) pen and ink with red cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’, circa 2009 21.5 x 23cm

£150-200

383 FE707/41 JOHN SPRINGS (BRITISH b. 1962) IRIS MURDOCH (1919-1999) pen and ink with red ink cross hatching, signed, published in the ‘Sunday Times’, 1985 22 x 35cm

386 FE707/36 JOHN SPRINGS (BRITISH b. 1962) CHARLES SPENCER (b. 1964) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’, 2011

£200-300

29.5 x 42cm

£200-300 384 FE707/5 JOHN SPRINGS (BRITISH b. 1962) JULIAN FELLOWES (b. 1949) pen and ink with red cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’ to illustrate a profile, 2012, shown in front of ‘Downton Abbey’ (Highclere) 40.5 x 29.5cm

£200-300 385 FE707/19 JOHN SPRINGS (BRITISH b. 1962) KEN RUSSELL (1927-2011) pen and ink with red cross hatching and acrylic colour, signed, published in ‘The Sunday Times’, circa 1997 19.5 x 23cm

£200-300

42

387 FE707/9 JOHN SPRINGS (BRITISH b. 1962) the PRINCE OF WALES AND DUCHESS OF CORNWALL pen and ink with red cross hatching and acrylic colour, signed, published as the front cover of the wedding edition of ‘The Spectator’, 2005, showing the couple’s wedding day 28 x 25cm Note: Although the couple are shown on a balcony resembling that at Buckingham Palace and Prince Charles is shown in uniform, the royal couple were married in Windsor registry office and the Prince wore morning dress

£350-450

Highlights from January 2013 Interiors We enjoyed our first Interiors sale so much, we thought we should share some of the highlights from our initial auction. Top prices included pieces from our Culzean Castle apartment, which saw a four poster bed sell for £45,875 (including premium) and a pair of dumb waiters make £2,625 (including premium). Similarly, the much loved trio of taxidermy buffalo found a new home for £1,500 (including premium) and our unusual Victorian brass shower was purchased for £2,500 (including premium).

Overall, we had some great results and very busy sale room, attracting established and new buyers alike. This was pre-empted by the turn out at our ‘Buying at Auction’ event which saw a good gathering of interested parties come along to Lyon & Turnbull on Thursday 24th January. Here we shared our top tips on how to bid at a sale, followed by a practice run in our mock auction.

We hope you all enjoy our second sale as much as our first, here are some of our favourite pieces from last time.

AFTER WILLIAM BRODIE ‘GREYFRIARS BOBBY’ brown painted plaster model of Greyfriars Bobby, on a circular wooden base, overall 51cm high; together with a VICTORIAN HAND TINTED PHOTOGRAPH, depicting a female with a Skye terrier, purporting to be Greyfriars Bobby, signed ‘Crowe and Rodgers, Stirling’, in a glazed frame, 32 x 25cm (2) Sold for £4,010 (including premium)

MAHOGANY ‘D’ END EXTENDING DINING TABLE, IN THE MANNER OF GILLOWS MID 19TH CENTURY the ‘D’ ends with blind moulded frieze, on turned and fluted bulbous legs with brass castors, with five leaves, 71cm high, 445cm long, 64cm deep; together with an ASSOCIATED MAHOGANY LEAF HOLDER, the bracket top over ogee brackets, with baize sliders, all raised on a platform base, 163cm high, 79cm wide, 49cm deep (2) Sold for £10,140 (including premium)

DENIS PEPLOE R.S.A. (SCOTTISH 1914-1993) IN GLENCOE Signed, c.1985, oil on board 32cm x 40cm (12.5in x 15.75in) Sold for £2,860 (including premium)

43

400

388

392

388 FE342/1 EDWARDIAN MAHOGANY BOOKCASE AND UNDER CABINET the dentil moulded cornice above two glazed doors enclosing adjustable shelves, over two drawers and panel doors, raised on bracket feet

405

124cm wide, 213cm high, 54cm deep

391 FE296/1 GOOD VICTORIAN PINE ESTATE CUPBOARD OR DRESSER 19TH CENTURY the superstructure with a moulded cornice above an arrangement of 36 pigeon holes, the lower section fitted with 12 short drawers, raised on a plinth base

£400-600

197cm high, 129cm wide, 41cm deep

£1,000-1,500 389 FE342/18 SET OF SEVEN MAHOGANY TABLET BACK DINING CHAIRS 19TH CENTURY the shaped top rail above a horizontal splat, over a drop in pad seat, raised on octagonal tapering legs (7) 47cm wide, 89cm high, 41cm deep

£600-900

392 FF131/18 VICTORIAN JAPANNED WELLINGTON CHEST 19TH CENTURY decorated throughout with butterflies and chinoiserie motifs, enriched with gilt, fitted with twelve graduated drawers and raised on a plinth base 69cm wide, 104cm high, 45cm deep

390 FE342/19 WILLIAM IV MAHOGANY SUPPER TABLE the moulded rectangular top above a turned support, raised on out swept moulded legs and brass caps and casters 133cm wide, 74cm high, 108cm deep

£600-900

£2,000-2,500 393 FE562/14 GEORGIAN MAHOGANY STANDING CORNER CABINET the moulded cornice above an astragal glazed door, over a single drawer and panel door, raised on a plinth base 75cm wide, 190cm high, 52cm deep

£250-350 44

394 FF42/6 PINE CRICKET TABLE 19TH CENTURY the circular plank top, raised on square tapering legs 79cm wide, 69cm high

£200-300

397 FE155/13 PAIR OF MAHOGANY POT CUPBOARDS 19TH CENTURY the rectangular top above a vertically opening door, raised on square tapering legs 38cm wide, 80cm high, 33cm deep

395 FE557/17 SET OF FOUR HARDWOOD FRAMED ART DECO TUB CHAIRS 20TH CENTURY the upholstered back and down swept arms above a loose cushioned seat, raised on fluted square legs (4) 65cm wide, 99cm high, 58cm deep

£500-700

£250-350 398 FE342/111 GEORGIAN MAHOGANY TWIN PEDESTAL DESK the bobbin turned gallery above a writing slope flanked by raised superstructures, each with four drawers, over three frieze drawers, raised on pedestals, each with four drawers and plinth bases

396 FE563/7 SET OF SEVEN GEORGIAN STYLE LADDER BACK DINING CHAIRS LADDERBACK CHAIRS the pierced top rail and horizontal splats above a stuff over seat, raised on moulded square legs, united by stretchers, including one carver (7)

399 FE343/1 VICTORIAN WALNUT INLAID BREAKFRONT CREDENZA the shaped top above a central inlaid panel, flanked by glazed doors and pilasters, raised on a plinth base

58cm wide, 97cm high, 44cm deep

134cm wide, 87cm high, 39cm deep

£300-500

£300-500

150cm wide, 119cm high, 80cm deep

£500-800

401

398

407

409

400 FE297/11 CONTINENTAL WALNUT DRESSER 19TH CENTURY the cleated rectangular top with a reeded edge above four frieze drawers, raised on baluster turned legs united by an undertier

403 FE526/1 GEORGIAN STYLE MAHOGANY BREAKFAST TABLE the circular top with a moulded edge raised on a turned column and four outswept reeded sabre legs ending in brass caps and castors 152cm diam, 74.5cm high

406 FD671/13 CHINESE STAINED ELM ALTAR TABLE QING DYNASTY, 19TH CENTURY the rectangular top above an open scroll carved frieze raised on square supports with scroll feet

92cm high, 319cm wide, 83cm deep

£500-800

98cm, 87cm high, 49cm deep

£2,000-3,000 401 FF131/24 PAIR OF VICTORIAN MAHOGANY AND UPHOLSTERED ARMCHAIRS CIRCA 1850 each covered in buttoned cream fabric and raised on turned tapered legs terminating in brass cappings and casters (2)

£200-300 404 FE563/2 VICTORIAN MAHOGANY BOOKCASE AND UNDERCABINET the moulded cornice above glazed doors enclosing adjustable shelves, over panel doors, raised on a plinth base 112cm wide, 212cm high, 51cm deep

£300-500

72cm wide, 90cm high, 60cm deep

402 FE343/2 CORNER BOBBIN CHAIR 19TH CENTURY the turned back above a reed seat, raised on turned legs united by stretchers

405 FF131/5 LARGE REGENCY WROUGHT IRON GARDEN BENCH EARLY 19TH CENTURY the rail back and seat with downswept arms raised on profile supports and united by stretchers

43cm wide, 71cm high

244cm wide, 92cm high, 37cm deep

£150-200

£800-1,200

£1,000-1,500

409 FE157/17 SET OF FOURTEEN CHIPPENDALE STYLE MAHOGANY DINING CHAIRS BY ARTHUR BRETT OF NORWICH 20TH CENTURY the shaped top rail above a pierced vertical splat, over a drop in pad seat raised on square legs united by stretchers (14) 53cm wide, 97cm high, 42cm deep

407 FE297/2 SET OF FOURTEEN LOUIS XIV STYLE WALNUT AND LEATHER CHAIRS 19TH CENTURY covered in studded brown leather and including two armchairs, each raised on moulded scroll legs united by conforming H shaped stretchers (14)

£3,000-5,000

127cm high, 55cm wide, 45cm deep

£1,200-1,800

410 FE562/12 REGENCY MAHOGANY TWIN PEDESTAL DINING TABLE the rounded rectangular top above moulded square supports, raised on quadriform bases 210cm wide extended, 73cm high, 112cm deep

£6,000-8,000 408 FE293/11 SET OF OAK SPIRAL LIBRARY STAIRS the cushioned hand rail above moulded balustrades and seven leather covered narrow treads 97cm wide, 241cm high, 60cm deep

411 FE563/11 VICTORIAN MAHOGANY AND EBONY RINGED COAT STAND the brass coat hooks on a turned upright, raised on reeded legs and turned feet 59cm wide, 196cm high

£200-300

£1,800-2,200 45

412 FF131/20 SCOTTISH REGENCY BOWFRONT PAINTED CHEST OF DRAWERS EARLY 19TH CENTURY AND LATER fitted with two short and four long graduated drawers, raised on splayed bracket feet 103cm wide, 120cm high, 52cm deep

£800-1,200

416 FE297/6 IMPRESSIVE ITALIAN WALNUT AND PARCEL GILT ARMCHAIR 19TH CENTURY the square back and seat covered in patchwork brown leather, the acanthus carved downswept scroll arms surmounted by angel masks, raised on square legs terminating on sleigh form feet

421 FE384/5 PAIR OF ITALIAN UPHOLSTERED WALNUT CHAIRS 20TH CENTURY the upholstered back and out swept arms, above a cushioned seat, raised on moulded cabriole legs (2)

£800-1,200 417 FE343/3 MAHOGANY YARN WINDER 19TH CENTURY with twin winders, raised on a turned support and circular foot 29cm wide, 127cm high

£500-800

£200-300 414 FE296/2 UNUSUAL PAINTED WOOD AND STEEL ARMCHAIR BY MARTIN SCOREY MODERN the comb back with scroll arms and surmounted by an applied whale motif, the shaped solid seat raised on four turned supports 126cm high, 65cm wide, 47cm deep Note: Martin Scorey is a contemporary folk artist, who creates his pieces in his New Forest workshop.

£600-800 415 FE291/21 REGENCY MAHOGANY DRESSING MIRROR the rectangular mirror plate within a crossbanded frame, flanked by turned supports, over a serpentine base with two drawers, raised on turned legs 61cm wide, 76cm high, 23cm deep

£200-300

422 FE385/1 GEORGIAN MAHOGANY TILT TOP TABLE the shaped circular top with plate recesses, above a turned support, raised on a tripod base 71cm wide, 71cm high

418 FE562/15 ART DECO WALNUT OPEN BOOKCASE 20TH CENTURY the cross banded stepped top above open shelves, raised on a plinth base

423 FE343/4 SET OF EIGHT VICTORIAN MAHOGANY BALLOON BACK DINING CHAIRS the shaped top rail above a stuff over seat, raised on baluster turned legs, including two open arm chairs (8)

186cm wide, 97cm high, 24cm deep

48cm wide, 86cm high, 42cm deep

£200-300

£300-500

419 FC765/1 PAIR OF REGENCY MAHOGANY HALL CHAIRS IN THE MANNER OF GILLOWS the bold carved shell back above a solid seat, raised on reeded turned legs (2)

436

46cm wide, 86cm high, 35cm deep

£350-550 420 FD719/1 GEORGIAN STYLE LEATHER WING BACK ARM CHAIR 20TH CENTURY the arched button back above out swept arms and cushion seat, raised on moulded cabriole legs 69cm wide, 109cm high, 54cm deep

£300-500

421

46

£400-600 425 FE155/12 GEORGIAN MAHOGANY CROSS BANDED LINEN PRESS the dentil moulded cornice above panel doors enclosing shelves, over four long drawers, raised on bracket feet 75cm wide, 200cm high, 60cm deep

£400-600

£250-350

£100-150

40cm wide, 75cm high, 35cm deep

96cm wide, 138cm high, 24cm deep

78cm wide, 73cm high, 43cm deep

155cm high, 71cm wide, 49cm deep

413 FE291/23 GEORGE IV MAHOGANY SIDE TABLE the rounded rectangular top above a frieze drawer with opposing dummy drawer, over a fluted and acanthus carved support, raised on a triform base

424 FE155/6 BLACK JAPANNED CUPBOARD 19TH CENTURY the moulded cornice above panel doors, raised on turned legs the whole decorated with figural scenes

430

426 FF131/19 BURNISHED STEEL FIRE SURROUND CIRCA 1860 the moulded mantle above a stylised motif decorated frieze, raised on twin corinthian style pilaster supports 128cm wide, 92cm high, 37cm deep

£500-700

416

412

420

425

426

433

427 FE563/12 ARTS AND CRAFTS OAK FRAMED OVERMANTLE MIRROR the shaped rectangular mirror plate within a carved, moulded frame 155cm wide, 171cm high

£200-300 428 FE757/1 BLACK LACQUER PAPIER MACHE TRAY TABLE 19TH CENTURY the oval tray, raised on a faux bamboo stand 77cm wide, 49cm high, 63cm deep

£200-300 429 FE545/2 18TH CENTURY STYLE OAK HIGH BACKED HALL CHAIR 19TH CENTURY the carved top rail above a caned vertical splat, over a caned seat, raised on carved legs united by stretchers 45cm wide, 127cm high, 37cm deep

£200-300

430 FE555/1 ANGLO INDIAN CARVED HARDWOOD SETTEE 19TH CENTURY the slatted back and outscrolled arms above a cushioned seat, raised on carved out swept legs, carved throughout with scrolling lotus and poppies

433 FE555/2 LARGE GILT FRAMED OVERMANTLE MIRROR 19TH CENTURY the shaped rectangular mirror plate within a moulded frame flanked by fluted and acanthus carved columns

134cm wide, 84cm high, 60cm deep

£500-700

159cm wide, 195cm high

£800-1,200 431 FE297/1 SET OF SIX OAK AND LEATHER DINING CHAIRS CIRCA 1900 the square backs and seat covered in studded brown leather, raised on square legs united by shaped cross stretchers (6) 94cm high, 53cm wide, 39cm deep

434 FE557/1 REGENCY STYLE MAHOGANY DINING TABLE 20TH CENTURY the feather inlaid gadrooned circular top above a shaped turned support, raised on a scroll tripod base, marked the globe furnishing house 150cm wide, 81cm high

£400-600

£600-800 432 FE155/14 FIVE PIECES OF VICTORIAN BAMBOO FURNITURE comprising: two side tables; a fire screen; a what not; and a canterbury (5) £250-350

435 FE782/1 CHINESE HARDWOOD AND MARBLE INSERT STAND the circular top over pierced cabriole legs carved with bamboo shoots and leaves, united with two X-form stretchers

436 FF131/2 PAIR OF QUEEN ANNE STYLE BLEACHED WALNUT AND UPHOLSTERED WING ARMCHAIRS 20TH CENTURY each with a shaped back, scroll arms and loose cushion seats covered in hessian fabric, raised on carved cabriole legs ending in claw and ball feet (2) 83cm wide, 112cm high, 60cm deep

£1,500-2,500 437 FD373/4 AFTER SIR ROBERT LORIMER FUMED OAK CENTRE TABLE, CONTEMPORARY the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports 96cm diameter, 79cm high

£400-600

89.5cm high, 35cm wide (at widest point)

£150-180 47

438

441

Property from a Private Estate ex. Auchentorlie House, Dumbartonshire Auchentorlie House and Estate, near Bowling in Dumbartonshire was home to the Buchanan and the Fergusson-Buchanan family for many generations. According to 19th-century accounts, the mansion house stood amid wooded grounds in the north-western vicinity of Bowling Bay, with the estate including a portion of the Kilpatrick Hills. In 1910 it was purchased by Paisley Parish Council. The property was used for maternity cases as well as functioning as a children’s home, before its demolition in the 1970s.

438 FE371/2 CHARLES II CARVED OAK COFFER LATE 17TH CENTURY the hinged lid above a lozenge carved triple panel front, raised on stile feet, some later carved decoration 68cm high, 125cm wide, 58cm deep

£300-500 439 FE371/3 MAHOGANY KNEEHOLE DESK 19TH CENTURY the rectangular top above two frieze drawers, the kneehole flanked by two cupboard doors 79cm high, 124cm wide, 49cm deep

£200-300

440 FE371/5 REGENCY MAHOGANY SOFA TABLE CIRCA 1815 the rounded rectangular top above one real and one opposing dummy frieze drawer, raised on a turned column and four reeded down swept legs ending in brass cappings and casters

442 FE371/1 GEORGE III STYLE MAHOGANY CABINET ON STAND 19TH CENTURY the moulded cornice above three astragal glazed panel front, enclosing a painted landscape view, raised on square legs united by a shaped under tier

445 FE371/16 ITALIAN WALNUT INLAID OCCASIONAL TABLE LATE 19TH CENTURY the crossbanded canted square top, centered by an equestrian medallion, raised on a turned column support ending in a tripod base

162cm high, 140cm wide, 35cm deep

£300-500

73cm high, 132cm wide

£1,500-2,500

£400-600

88cm high, 47cm wide, 43cm deep

443 FE371/7 VICTORIAN WALNUT AND UPHOLSTERED CHAIR CIRCA 1880 the shaped back and stuffed over seat covered in buttoned red check fabric, raised on turned tapered legs ending in casters

£600-800

84cm high, 65cm wide, 85cm deep

441 FE371/8 SET OF SIX GEORGE IV MAHOGANY DINING CHAIRS CIRCE 1825 with reeded bar backs and drop in seats raised on turned tapered legs (6)

£150-250

455

444 FE371/11 VICTORIAN CARVED OAK AND UPHOLSTERED OPEN ARMCHAIR LATE 19TH CENTURY the shaped back, padded scroll arms and serpentine stuffed over seat covered in paisley pattern fabric, raised on cabriole legs ending in casters 107cm high, 60cm wide, 52cm deep

£300-400

48

72cm high, 48cm wide

446 FE371/4 GEORGE III STYLE MAHOGANY BOW FRONT SIDEBOARD LATE 19TH CENTURY the shaped top above one central and two deep drawers, raised on square tapered legs ending in spade feet 87cm high, 137cm wide, 49cm deep

£400-600 447 FE371/6 EDWARDIAN SATINWOOD AND INLAID POT CUPBOARD CIRCA 1910 with a quarter veneered cupboard door and one apron drawer, raised on a plinth base 58cm high, 32cm wide, 23cm deep

£150-250

444

448 FE371/18 BURR WALNUT AND BRASS MOUNTED SMOKERS COMPENDIUM the glazed door with decorative brass mounts and studs, opening to reveal three graduated doors with matching handles, below the ornate camber top

452

451 FE371/9 PAIR OF GILT BRONZE WALL SCONCES 20TH CENTURY each with five outscrolling arms mounted on a reeded column bracket, all below a flaming urn finial (2) 52cm high

£250-350

36.5cm high

£150-250 449 FE371/10 MATCHED GEORGE II SILVER SPIRIT KETTLE AND STAND the kettle of inverted pear shape with foliate scroll and shell decoration surrounding an engraved armorial, London, 1745; the stand with three outscrolling legs supporting the cast and pierced borders, circa 1775 (2) 39cm high (including handle), 66oz

£600-800 450 FE371/12 MAPPIN & WEBB LEATHER TRAVELLING VANITY CASE the aubergine leather case with gilded initials ‘C. D.’ and maker’s marks, opening to reveal a fitted silk interior with various silver mounted glass bottles and hair brushes with the monogram ‘C. D.’, along with a blotting pad, mirror and various other accessories 17.5cm high, 40.5cm wide, 31cm deep

£200-300

452 FE371/13 BOHEMIAN GLASS GOBLET CIRCA 1880 the deep bowl and circular spread foot with overlay white enamel and gilded decoration, depicting grapes and wine leaves amongst scrolling foliate reserves

448

455 FE371/15B WORCESTER JAPAN STYLE PORCELAIN PART DINNER SERVICE 18TH CENTURY each piece with a scalloped rim and painted in the Imari palette, with pseudo-Chinese marks to underside, comprising of: six dinner/luncheon plates, 23cm diam.; approx; a circular shaped dish, 22.5cm diam.; and a shaped square dish, 22cm wide (8) £200-300

456 FE371/14 COLLECTION OF CHINESE EXPORT BLUE AND WHITE DISHES 18TH CENTURY each of shallow octagonal form, two depicting a pagoda in a landscape setting, two decorated with cranes amongst foliage, and a further example with a pagoda by a river (5) 22.5cm diam. approx.

£120-180

442

24.5cm high

£300-400 453 FE371/15 SPODE PART DINNER SERVICE EARLY 19TH CENTURY each piece decorated in the Chinese style with exotic birds and peonies upon rockwork, with various maker’s marks, some with pattern no. ‘2083’, comprising of: 17 soup plates, 24.5cm diam.; and two square shaped tureens (covers lacking), 23.5cm wide (19) £150-250 454 FE371/15A BLUE AND WHITE PEARLWARE PART DINNER SERVICE EARLY 19TH CENTURY each piece depicting a central basket of flowers surrounded by decorative borders, comprising of: eight soup plates, 24cm diam.; and 14 dinner plates, 24cm diam. (22) £150-250

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460

466

471

477

457 FE465/2 FOLLOWER OF ERSKINE NICOL the HANDSHAKE Oil on canvas 49cm x 83cm (19.25in x 32.75in)

£800-1,200 458§ FE465/4 GLADYS MACCABE M.B.E. (IRISH b. 1918) STILL LIFE OF FRUIT AND BOTTLE Signed, watercolour 32cm x 42cm (12.5in x 16.5in)

£400-600 459 FE723/1 20TH CENTURY BELGIAN SCHOOL AFTERNOON TEA Oil on canvas 40cm x 30cm (15.75in x 12in)

£400-600 460§ FF39/6 JOHN MACKIE (SCOTTISH b. 1953) POPPY FIELD Signed and dated ‘94, pastel 41cm x 58cm (16in x 22.75in)

£300-500

461§ FF39/15 JOHN MACKIE (SCOTTISH b. 1953) VENICE Signed and dated ‘94, oil on canvas

465§ FE499/10 DAVID SAWYER (BRITISH b. 1961) VAPORETTO AND GONDOLA, ST GIORGIO MAGGIORE Signed, oil on board

468 FD753/3 ROBERT MCGOWN COVENTRY A.R.S.A., R.S.W (SCOTTISH 1855-1941) UNLOADING THE CATCH Signed, watercolour

30cm x 40cm (11.75in x 15.75in)

29cm x 40cm (11.5in x 15.75in)

17cm x 25cm (6.75in x 9.75in)

£300-500

£400-600

£400-600

462§ FF39/16 JOHN MACKIE (SCOTTISH b. 1953) OLIVE GROVE Signed and dated ‘95, oil on canvas 39cm x 50cm (15.5in x 19.75in)

466 FE499/28 WARWICK FULLER (AUSTRALIAN CONTEMPORARY) DROUGHT DAWN, WODONGA Signed, inscribed with title verso, oil on board

469§ FE121/6 NOEL SHEPHERDSON (BRITISH b. 1953) LANDSCAPE WITH WINDING RIVER Signed and dated ‘78, oil on canvas

£400-600

61cm x 91cm (24in x 35.75in)

45cm x 56cm (17.75in x 22in)

£600-800

£300-500

467§ FE732/1 RICHARD DEMARCO O.B.E., R.S.W. (SCOTTISH b. 1930) EDINBURGH FROM THE GARDEN OF THE KEEPER OF THE NELSON MONUMENT Signed, inscribed with title and dated ‘82, watercolour and pencil

470§ FE121/8 NOEL SHEPHERDSON (BRITISH b. 1953) FERNS Signed and dated ‘78, oil on canvas

463 FE491/1 FRANCIS KELLY (AMERICAN b. 1927) YORKSHIRE Signed, inscribed with title and numbered 10/50 in pencil to margin, aquatint 55cm x 69cm (21.5in x 27in)

£300-500 464§ FE499/14 JAMES HARRIGAN (SCOTTISH b. 1937) BLEBLOCRAIGS Signed, oil on board 20cm x 30cm (7.75in x 11.75in)

£300-500 50

25cm x 20cm (10in x 8in)

£250-350

40cm x 55cm (15.75in x 21.5in)

£300-500

473

459

481

478 FE291/25 WALLER HUGH PATON R.S.A., R.S.W. (SCOTTISH 1828-1895) HIGHLAND SUNSET Signed and dated 1889, watercolour and bodycolour, arched mount

481§ FE630/2 WILLIAM MILLER FRAZER R.S.A (SCOTTISH 1864-1961) WOODED RIVER LANDSCAPE WITH PUNT Signed, oil on canvas

41cm x 61cm (16in x 20in)

475§ FE199/1 SIR WILLIAM GEORGE GILLIES C.B.E., L.L.D., R.S.A., R.S.W., R.A. (SCOTTISH 1898-1973) WOODED LANDSCAPE Signed, inscribed on a label on the backboard, ink and wash

£1,000-1,500

17.5cm x 22.5cm (7in x 8.75in)

11cm x 16.5cm (4.25in x 6.5in)

£1,000-1,500

£300-500

£300-500

476 FE2/20 AFTER P. DU BOSC PORTRAIT OF SAMUEL BOCHART Inscribed ‘Samuel Bochartus’, oil on canvas

479 FE430/46A DAVID FARQUHARSON A.R.A., A.R.S.A., R.S.W., R.O.I. (SCOTTISH 1840-1907) DEER ON A HILLSIDE Signed and dated ‘85, watercolour

471§ FE154/3 SIR WILLIAM RUSSELL FLINT R.O.I., R.S.W., R.W.S., R.E., R.A. (SCOTTISH 1880-1969) A MYTHOLOGICAL SCENE Signed, oil on board

472 FF37/1 PETER WISHART (BRITISH 1852-1932) PROMENADING Signed, watercolour 27cm x 34cm (10.5in x 13.5in)

£300-500 473§ FE154/23 WILLIAM MILLER FRAZER P.S.S.A., R.S.A. (SCOTTISH 1864-1961) ON A COUNTRY ROAD Signed, oil on canvas 36cm x 31cm (14in x 12in)

£700-900 474 FE155/18 18TH CENTURY CONTINENTAL SCHOOL LIVESTOCK IN A LAKESIDE LANDSCAPE Oil on canvas 43cm x 56cm (17in x 22in)

24cm x 17cm (9.5in x 6.5in) Note: After an original painted in 1663 and housed in the collection of the University of Oxford

£300-500 477§ FE260/1 JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE ANGLER Signed, watercolour and bodycolour 33.5cm x 49cm (13.25in x 19.25in)

£400-600

35.5cm x 51cm (14in x 20in)

£500-700 480 FE516/32 FOUR FRENCH COLOURED ENGRAVED PRINTS, SIGNED J. RIGAUD 18TH CENTURY each in a glazed frame, comprising: two depicting views of Château d'Amboise, 38.5 x 64.5cm overall; and a further two, depicting scenes of the garden at Versailles, 32.5 x 51cm overall (4) £150-250

76cm x 63cm (30in x 25in)

482§ FE727/2 ROBERT RUSSELL MACNEE R.I. (SCOTTISH 1880-1952) CHICKENS IN A FARMYARD Signed, watercolour 24cm x 32cm (9.5in x 12.5in)

and another similar by the same hand (2) £600-800 483 FE774/1 ROBERT HOPE R.S.A. (SCOTTISH 1869-1936) IN ETTRICKDALE Signed, signed and inscribed with title board verso, oil on board 26cm x 34cm (10.25in x 13.5in)

£600-800

£300-500

482

483

51

484 FE94A/16 PENCIL AND WATERCOLOUR PORTRAYAL OF A COLDSTREAM GUARD depicted in uniform against a landscape backdrop, signed, in a glazed ebonised frame, 29.5 x 18cm; together with five similar, one with inscription ‘Coldstream Guards 1650’, in similar frames, 29.5 x 18cm approx. (6) £500-800 485 FE94A/17 AQUATINT OF QUEEN VICTORIA AT HYDE PARK with inscription to mount ‘Queen Victoria Distributing the Victoria Cross in Hyde Park, June 26th 1857., George H. Thomas.’, in a glazed ebonised frame, 29 x 45cm; together with THREE FURTHER FRAMED AQUATINTS, comprising ‘Reminiscences of the Camp Coldstreams (Quarter Guard)’, 31 x 41cm, ‘Officers of the British Army, No. 4’, 35 x 28cm; and ‘R.Ackerman’s Chobham Scenes - Coldstream Guards’, 19 x 25cm (4) £200-300

494

486 FE345/2 PAIR OF REGGIANI BRUSH BRASS EFFECT TABLE LAMPS 20TH CENTURY each of spherical form with a central brass effect band, with maker’s labels to the underside and white shades (2) 45cm high approx.

£200-300

495

487 FE338/1 TWO EGYPTIAN BRASS QALAMDAMS each of similar design, with an inkwell fitted to the exterior (2) 21.5cm long

£150-300

488 FE302/1 PAINTED PRESENTATION OAR FOR TRINITY COLLEGE, LENT 1904 EARLY 20TH CENTURY of typical tapering form, bearing gilt inscriptions and names for a Trinity College rowing team and race, ‘1. Trinity, 2., 4 Bumps, Lent 1904’, all surrounding a central armorial on a dark ground, with a wooden handle 370cm long

£200-250 489 FE776/1 PAIR OF PRINTED COTTON CURTAINS

by Pierre Frey, depicting the ‘Bazoches’ pattern, lined, 198cm wide, 295cm long; together with a PAIR OF GREEN DAMASK CURTAINS WITH PELMET AND SWAGS, 162.5cm wide, 292cm long (4) £250-350 490 FE305/3 PAINTED AND WORKED SILK PICTURE depicting a male and female accompanied by dogs aboard a rowing boat, against the backdrop of a river scene, in a glazed giltwood frame 68 x 78cm overall

£200-300

52

491

490A MEISSEN STYLE BLANC DE CHINE PORCELAIN FRAMED MIRROR

492

493

496

497

LATE 19TH CENTURY the shaped frame modelled with putti and birds amongst blossoming foliage in high relief, mounted on an upholstered backboard (A/F) overall 83cm long approx. £200-£300 491 FE414/3 GERMAN CARVED OAK BRACKET CLOCK, BY WINTERHALDER AND HOFMEIER 19TH CENTURY the ornately carved rectangular case with an arched pediment, above the gilt metal dial with Roman numerals, the movement striking on five gongs and stamped ‘W. & H. Son’ 44cm high

£300-400 492 FD398/3 TROIKA POTTERY TWO VASES, CIRCA 1960 one of circular form, with abstracted mask relief decoration, 19.5cm high; the other of rectangular form with totemic relief decoration, 20cm high, both with painted maker’s marks (2) £150-250 493 FF42/2 DUTCH FRUITWOOD VENEERED BUCKET 19TH CENTURY of tapering moulded form depicting various bands of wood, with a brass liner and bale handle, resting on three ebonised ball feet 35cm high

£300-500

494 FF132/4 PAIR OF LARGE FAUX MARBLE URNS OF RECENT MANUFACTURE each of shallow circular form with an everted rim, raised on a circular foot and square shaped base (2) 62cm wide, 44cm high

£600-800 495 FF132/2 PAIR OF ADAM STYLE CARVED GILTWOOD MIRRORS OF RECENT MANUFACTURE each oval shaped mirror plate within a further margin plate decorated with foliate paterae and a beaded slip, surmounted by an urn finial (2)

497 FE155/28 CARVED MARINE IVORY WALKING STICK HANDLE modelled as a clenched fist entwined with a snake 4cm high

£150-250 498 FE412/7 COLLECTION OF MAUCHLINE WARE comprising of various lidded boxes, a wool ball, egg cups, money boxes, cauldrons, a letter rack and thimble boxes, depicting various Scottish and English scenes including castles, cathedrals and monuments (qty) £200-300

69cm wide, 156cm high

£2,000-3,000 496 FF132/3 PAIR OF ‘AMMONITE’ TABLE LAMPS OF RECENT MANUFACTURE each lamp modelled with two plaster cast ammonites on a stepped black base, below the oblong shaped black shade (2)

499 FE412/7A COLLECTION OF TREEN BOXES of various form, some decorated with flowers and landscape scenes; together with a TREEN EGG SHAPED THIMBLE BOX; a TARTANWARE EGG SHAPED THIMBLE BOX; and a TREEN BOOKSTAND (qty) £120-180

500 FE691/2 COLLECTION OF FOUR SILK PARASOLS comprising: a black silk example with a foldable ivory handle, the brass hinged fitting indistinctly inscribed ‘1852 July’; 74cm long; a further black silk parasol, with an ivory and gilt metal handle, 85cm long; a third black silk example, with a simulated tortoiseshell and gilt metal handle, the pommel with a monogram and inscription ‘ Benholm Forfar’, 87cm long; and red silk example, with a gilt metal and ceramic handle, 90cm long (4) £200-300 501 FE684/3 SET OF FOUR GOTHIC STYLE BRASS LANCETS each of shaped arched form with a moulded edge (4) 37.5cm high, 12cm wide

£300-500

53.5cm high overall

£600-800

53

513

514

515

516

502 FE155/27 COLLECTION OF MOTTO WARE the pieces typically decorated with inscriptions, with various marks, comprising of cups, vases, jugs, dishes and further items (qty) £400-600 503 FE157/30 CASTLEFORD STYLE SALT GLAZE STONEWARE JUG of typical form, with a moulded border to the base and mounted with a silver cover, marked I.R., London, 1808, 20cm high; together with a CUT GLASS CLARET JUG, of ovoid form and mounted with a silver plated cover, 24.5cm high (2) £150-250

504 FE95/2 COLLECTION OF FRAMED MINIATURES comprising: two oval examples in ebonised frames, each with a paper label to the reverse reading ‘Helen Stuart Colt...’ and ‘Caroline Augusta Colt’, 13.5 x 11.5cm overall; a small square shaped example, with paper label reading ‘Mrs Villeroy Russell’, 8 x 7.5cm; and a pencil drawing, also with a written note to reverse reading ‘John Hamilton Colt...’, 18.5 x 14xm (4) £150-250 505 FE281/127A FRAMED MINIATURE ON IVORY, DEPICTING THEOPHILUS HUGHES 19TH CENTURY of oval form, the frame inscribed ‘Theophilus Hughes, Drowned at Sea, September 1809’, backed with woven hair and a gilt monogram

506 FE628/2 COLLECTION OF FRAMED MINIATURE PORTRAITS depicting various male and female sitters, in variously sized ebonised frames, including a silhouette on ceramic, with label to reverse ‘Alexander Dingwall-Fordyce...’ (some A/F) (6) largest 15 x 12.5cm overall

£200-300 507 FE430/78 GROUP OF THREE FRAMED MINIATURES 19TH CENTURY each of oval shape, on ivory, depicting various female sitters, two backed with woven hair, in glazed frames (3) 8.5cm high, 6.5cm high, 6cm high

£200-300

508 FE726/6 GILT METAL AND IVORY FRAMED MINIATURE the miniature of oval form depicting a praying Madonna, in a square shaped ivory and gilt metal frame, stamped ‘Made in Italy’, overall 9.5 x 8.5cm; together with a CAMEO BROACH, of oval form, in a gilt metal frame, 4.5cm long (2) £100-200 509 FE281/127 COLLECTION OF FRAMED MINIATURES depicting various male, female and child sitters, including a large framed example, backed with woven hair amongst a red enamel border, with paper label ‘Mary Lady Gerrard’, the frame inscribed ‘M. L. G.’ and ‘1887’; together with further examples, some in gold frames, including two signed ‘EMR’; and one mounted with seed pearls (10) £120-180

8cm long (including fitting)

£150-250

54

510 No lot

520

511 FE155/10 TWO PAINTED WOODEN PANELS each of rectangular form, decorated with putti playing against the backdrop of an ornate landscape scene (2) 50 x 40.5cm

£200-300

511

505

515 FF42/15 NEAR PAIR OF WEDGWOOD GAME DISHES AND COVERS MID 19TH CENTURY each oval shaped dish modelled with various birds and rabbits in relief surmounted by a rabbit finial to the lid, each with maker’s marks to underside, one dish with a liner (2)

519 FD755/5 GROUP OF FIRST PERIOD WORCESTER BLUE AND WHITE TEA WARES CIRCA 1770 painted in underglaze blue with the ‘Waiting Chinaman’ pattern, comprising of three tea bowls, three saucers, and a slop bowl (7)

521 FF131/4 PAIR OF CARVED GILTWOOD GIRANDOLE MIRRORS 19TH CENTURY each with a rococo style frame above a single candle sconce, surmounted by a carved acanthus leaf mirrored pediment (2)

16cm high, 26cm wide

bowl 10cm diam.

£700-900

512 FE562/11 VICTORIAN ROSEWOOD BANJO BAROMETER, BY GARDNER, GLASGOW of typical form with a swan-neck pediment below the inlaid mother-of-pearl border, with a hygrometer plate, thermometer, barometer dial and the signed spirit level plate

£400-600

£200-300

516 FD654/10 IRISH CUT GLASS MONTIETH 19TH CENTURY oval with a crenellated rim above diamond cut and faceted bands, on a circular foot with star cut base

96cm high

23.5cm wide, 11.5cm high,

520 FC765/19 LOUIS XV STYLE BOULLE CASED MANTEL CLOCK 19TH CENTURY the tortoiseshell and brass inlaid waisted case on scroll feet, with a gilt dial and enamelled Roman numerals, the movement striking on a gong, stamped ‘Etienne Maxant Brevete Paris’, ‘C.R’, and ‘19936’

£200-300

18cm wide

£200-300 513 FE499/53 ‘KEYSTONE’ TOBY WINTERINGHAM MIRROR 20TH CENTURY of circular form, veneered with four ebonised keystone reserves between birch panels, with plaque to reverse inscribed ‘Toby Winteringham, 426’ 87cm diam.

517 FF42/10 PAIR OF WROUGHT IRON FLOOR STANDING CANDLE SCONCES each with a circular band supporting three sconces surrounding a central spike, with a twist stem and raised on a three legs (2)

£300-400

154cm high approx.

81cm long

522 FE500/21 LARGE PAINTED DOLLS HOUSE of tall narrow from, with two bay windows below six further open window frames, with steps leading to a green painted door, all surmounted by a red gabled roof 71cm wide, 127cm high, 46cm deep

£150-250

33cm high

£400-600

522

£800-1,200 514 FD39/6 ‘FRYS’ CHOCOLATE ‘FIVE BOYS’ ENAMEL ADVERTISING SIGN white lettering on blue background bearing inscription DESPERATION/ PACIFICATION’, EXPECTATION/ ACCLAMATION/ REALIZATION/ “ITS FRY’S”/ FRYS/ CHOCOLATE/ MAKERS TO/ T.M. THE KING & QUEEN/ MAKERS TO/ H.R.H. THE/ PRINCE OF WALES

518 LT2013/15 PALME KONIG PAIR IRIDESCENT GLASS VASES, CIRCA 1910 each green glass vase with trailed decoration and peacock iridescence (2) 22.5cm high

£150-160

28cm x 44cm

£200-300

55

526

523 FE457/6 TWO CLASSICAL STYLE FIBERGLASS BUSTS 20TH CENTURY the first, modelled as Julius Caesar, with some polychrome decoration, 79cm high; the second, modelled as a philosopher in classical drapes, 86cm high (2) £150-250

527 FE291/2 TWO WORCESTER BLUE AND WHITE MOULDED CABBAGE LEAF JUGS 18TH CENTURY of various size, each with a mask head spout and scroll handle, decorated with the ‘Bouquets’ pattern, with blue marks to underside (2)

182 x 211cm

528 FD769/1 PAIR OF PAINTED COMPOSITION MODELS OF GREYHOUNDS SCOTTISH, MODERN each of realistic form, cast in a seated position with an inswept head, after a model from Carron Iron Works (2)

£150-250

105cm high

£500-800 525 FF42/3 WARING & GILLOW MAHOGANY BASKET LATE 19TH/ EARLY 20TH CENTURY of tapering form with a pierced slatted body, decorated with gilt metal lion masks joined by ball swags, resting on a circular moulded base and three ball feet, the underside marked ‘Waring & Gillow Ld, Manchester, 1676, 124’ 26.5cm high

£150-250 526 FE299/1 CAST IRON LAWN ROLLER 19TH CENTURY with a green painted frame and handle 61cm wide, 118cm high, 45cm deep

£400-600

56

531 FE291/3 CAUGHLEY BLUE AND WHITE COFFEE POT AND COVER LATE 18TH CENTURY of typical form with a scroll handle, decorated with the ‘Fisherman’ pattern, blue ‘S’ mark to underside 24cm high

£200-300

22cm high, 19cm high

£300-400 524 LT2013/22 AMERICAN TREE PATTERN RED AND WHITE EMBROIDERED QUILT of square form, depicting pine tree like reserves amongst geometric shapes, with all over embroidery, backed with white cotton

525

529

532 FF42/13 SET OF SIX VICTORIAN WROUGHT IRON OIL HANGING LIGHTS each with a circular pierced band above an open bracket and surmounted by a milk glass domed shade, some with copper oil burners; together with an extra milk glass shade (6) 54cm high £500-800

533 FE291/14 DRESDEN PORCELAIN STATIONERY RACK with three dividers and painted with flower sprigs and sprays amongst gilded borders, 19.5cm high; together with a SMALL PORCELAIN EASEL FRAMED MIRROR, modelled with putti, 17.5cm long; and TWO PORCELAIN FIGURES, modelled as two of the four seasons, with polychrome and gilded decoration, maker’s marks, tallest 23cm high (4) £300-400 534 FF131/6 PAIR OF DISTRESSED PINE MIRRORS MODERN each rectangular mirror plate in a distressed white painted frame with a moulded slip (2) 95cm wide, 119cm high

529 FF132/7 PAIR OF POLISHED BRASS COLUMN BASE TABLE LAMPS 19TH CENTURY STYLE, OF RECENT MANUFACTURE each reeded column below acanthus leaf decoration, and raised on a square stepped base (2) 62.5cm high

£300-500 530 FE342/63 ROYAL CROWN DERBY IMARI PALETTE COFFEE SERVICE 20TH CENTURY each piece with maker’s marks and number ‘2451’, comprising of: 12 coffee cups; 12 saucers; 12 side plates; two cake plates; a milk jug; and a slop bowl (40) £200-400

£600-800

530

534

540

546

539

544

535 FF131/11 PAIR OF CHATY VALLAURIS ‘SUNBURST’ MIRRORS 1950S each with a giltmetal graduated frame and a ropetwist slip surrounding a convex mirror plate, the reverse with maker’s marks (2)

538 FE107/32 GEORGIAN MAHOGANY CHEST OF DRAWERS the moulded rectangular top above a deep drawer, flanked by short drawers, over three graduated long drawers, raised on outswept bracket feet

541 FE148/14 RELKO ROCKING HORSE LATE 20TH CENTURY the varnished carved body with horse hair mane and tail and leather tack, raised on turned supports 139cm wide, 126cm high, 41cm deep

544 FE557/19 KASHMIR CARVED DISPLAY CABINET the carved gallery and rectangular top above a triple glazed panel, flanked by doors, raised on cabriole legs, the whole profusely carved

122cm wide, 119cm high, 56cm deep

£300-500

95cm wide, 137cm high, 40cm deep

91cm wide (at widest point)

£200-400

£500-700 536 FE350/2 VICTORIAN MAHOGANY CHEVAL MIRROR the bevelled rectangular mirror plate within a cushioned frame, flanked by scrolling supports, raised on stile legs

539 FE384/2 PAIR OF MAHOGANY AND BRASS MOUNTED EMPIRE HALL CHAIRS the rectangular cushioned back above a cushioned seat, raised on turned legs and brass caps (2)

83cm wide, 182cm high, 64cm deep

44cm wide, 102cm high, 43cm deep

£300-500

£200-300

537 FE107/26 GEORGIAN STYLE MAHOGANY AND BOX WOOD STRUNG BIJOUTERIE TABLE 20TH CENTURY the glazed top and sides, raised on square tapering legs 67cm wide, 74cm high, 44cm deep

£200-300

540 FF131/15 VICTORIAN SCUMBLED OAK DRESSER CIRCA 1860 the sycamore top with a galleried back rail, below are seven drawers surrounding a central panelled cupboard door, raised on turned bun feet 201cm wide, 91cm high, 75cm deep

£300-500 542 FE107/4 ENGLISH MAHOGANY TALLBOY 19TH CENTURY the moulded cornice above inlaid panel doors enclosing slides, over two short and two graduated long drawers, raised on bracket feet 136cm wide, 203cm high, 62cm wide

545 FF42/16 FRUITWOOD TABLE/BENCH 19TH CENTURY the moulded rectangular top raised on chamfered square legs, united by an under tier and stretchers, with the top lifting to create a bench

£700-1,000

174cm wide, 73cm high, 86cm deep

£800-1,200 543 FD727/1 PAIR OF FRENCH EMPIRE STYLE OPEN ARM CHAIRS the carved arched back above cushioned arms with carved griffin supports, over a cushioned seat, raised on out swept legs and lion paw feet (2) 67cm wide, 109cm high, 51cm deep

546 FF131/27 SMALL LOUIS XVI STYLE PAINTED COMMODE 19TH CENTURY the faux marble top above three long drawers centred by cherubs raised on turned and fluted legs

£400-600

66cm wide, 82cm high, 42cm deep

£800-1,200

£1,500-2,500

57

562

555

573

556

547 FE385/2 GEORGIAN MAHOGANY TWIN PEDESTAL DINING TABLE the reeded oval top above turned supports, raised on moulded sabre legs and brass caps and casters, including one leaf insertion 219cm wide, 72cm high, 112cm deep

£400-600 548 FA930/1 MODERN COFFEE TABLE LATE 20TH CENTURY the rectangular top and frieze drawer raised on triangular supports 125cm wide, 41cm high, 80cm deep

£150-180

550 FE295/4 PAIR OF ADAM STYLE PARCEL-GILT AND MAHOGANY SERPENTINE TABLES OF RECENT MANUFACTURE the shaped tops above a frieze carved with anthemion, husks and centred by an openwork shell motif, raised on acanthus carved cabriole legs ending in scroll feet (2) 85cm high, 112cm wide, 48cm deep

£2,000-3,000 551 FE296/8A ANGLO-INDIAN MOORISH INLAID HEXAGONAL TABLE 19TH CENTURY with geometric inlay throughout

118cm wide, 227cm high, 51cm deep

£300-500

58

35cm wide, 149cm high

£200-300

556 FF131/23 VICTORIAN DOUBLE SIDED MAHOGANY AND SCRAP WORK SCREEN CIRCA 1860 the four folds surmounted by open scroll work crestings, with crystal handles 232cm wide, 182cm high

554 FE297/13 ART DECO CHANDELIER, IN THE MANNER OF EDGAR BRANDT CIRCA 1930 wrought metal and alabaster, of stylised plant form

£600-800

86cm high, 63cm wide

557 FE294/1 TERRACOTTA GARDEN URN 19TH CENTURY the foliate moulded flared body above a circular foot, raised on an associated base

£1,500-2,500

31cm high, 79cm high

£200-300

552 FE157/8 REGENCY ROSEWOOD FOLD OVER CARD TABLE the rounded rectangular top above a shaped frieze, over a shaped support, raised on a quadriform base

555 FF132/1 PAIR OF GEORGE II STYLE CARVED PAINTED BENCHES OF RECENT MANUFACTURE the fielded panel backs with scroll and shell carved crusting, with outswept s-scroll arms and solid seats, raised on acanthus carved cabriole legs ending in hoof feet (2)

558 FE568/4 CHINESE HARDWOOD SIDEBOARD 20TH CENTURY the shaped rectangular top above carved frieze drawers and cupboard doors, raised on bracket feet

91cm wide, 73cm high, 45cm deep

184cm wide, 135cm high, 61cm deep

£300-500

£150-250

£2,000-3,000

63cm high, 61cm wide

549 FE563/10 VICTORIAN OAK BOOKCASE AND UNDERCABINET the moulded cornice above glazed doors, over a long frieze drawer, over carved cupboard doors, raised on a plinth base

553 FE379/2 PAIR OF POLE SCREENS 19TH CENTURY the painted shaped panel over turned supports, raised on a circular foot (2)

£1,200-1,800

134cm wide, 82cm high, 40cm deep

574

553

572

105cm wide, 97cm high, 29cm deep

564* FE149/4 GEORGIAN STYLE WALNUT SIDE TABLE 20TH CENTURY the moulded rectangular top above a frieze drawer, flanked by short drawers, raised on moulded cabriole legs and ball and claw feet

568 FE503/1 TREVOR CHINN AND RAY LEIGH AT GORDON RUSSELL FOR MERROW ASSOCIATES ROSEWOOD, LEATHER & CHROME GR ‘SERIES 1’ DESK the rectangular top above three drawers on U supports, glass preserve

£400-600

111cm wide, 78cm high, 56cm deep

213cm wide, 73cm high, 90cm deep

559 FC765/50 MAHOGANY OPEN BOOKCASE IN THE MANNER OF WHYTOCK AND REID 20TH CENTURY the moulded rectangular top above four adjustable shelves, raised on ogee bracket feet

£150-250

£200-300

560 FE430/9 GEORGE III INLAID MAHOGANY TWO DOOR BOW FRONT HANGING CORNER CABINET the dentil moulded cornice, above two doors, over a single drawer, flanked by dummy drawers

565 FE107/16 PAINTED MAHOGANY MUSIC STAND 19TH CENTURY the lyre shaped rest above a turned support, raised on a tripod base

86cm wide, 133cm high, 52cm deep

41cm wide, 119cm high

£300-500

£180-250

561 FE430/10 GEORGE III MAHOGANY AND EBONY STRUNG CELLARET the cavetto moulded top above plain sides, raised on bun feet

566 FA930/15 PAIR OF PLASTIC ARMCHAIRS AND A TWO TIER SIDE TABLE 1960S the moulded back and down swept arms with a loose cushion seat (3)

569 FE503/1A TREVOR CHINN AND RAY LEIGH AT GORDON RUSSELL FOR MERROW ASSOCIATES ROSEWOOD, LEATHER & CHROME GR ‘SERIES 1’ SIDEBOARD AND BOOKCASE, DESIGNED 1973 the SIDEBOARD with rectangular top above three drawers on U supports,157cm wide, 62cm high, 72cm deep; the BOOKCASE, with glass sliding doors enclosing two adjustable shelves with two doors below, U shaped supports, 107cm wide, 174cm high, 52cm deep (2) £200-300

34cm wide, 51cm high

£300-400

71cm wide, 74cm high, 55cm deep

562 FE430/8 WALNUT LOW BOY CHEST ON STAND 18TH CENTURY the cross banded rectangular top, above two short and three long drawers, raised on spiral turned legs and bun feet, united by shaped stretchers

£100-120

105cm wide, 108cm high, 58cm deep

567 FE562/13 SET OF SIX GEORGIAN MAHOGANY DINING CHAIRS the serpentine top rail above a pierced vertical splat, over a stuff over seat, raised on square tapering legs, united by stretchers (6)

£800-1,200

52cm wide, 97cm high, 39cm deep

£600-900

570 FE501/6 ART DECO STYLE STAINLESS STEEL FIRE SURROUND 20TH CENTURY with decreasing concentric rectangular panels 122cm wide, 107cm high

£200-300

110cm wide

571 FE500/20 PINE DRESSER AND PLATE RACK LATE 20TH CENTURY the shaped cornice above three shelves, over a moulded rectangular top and cupboard doors, raised on a plinth base

£150-200

109cm wide, 239cm high, 59cm deep

563 FE457/3 LARGE IRON BOUND ELM WAGON WHEEL 19TH CENTURY with 12 spokes surrounding the central boss

572 FF131/17 SET OF FOUR BURNISHED STEEL FILING CABINETS CIRCA 1920 each fitted with four drawers (4) 39cm wide, 132cm high, 62cm deep

£1,500-2,500 573 FF131/12 GLASS AND POLISHED IRON DINING TABLE PART 19TH CENTURY the rectangular top raised on twin trestle end supports united by cross stretchers, the end supports inscribed ‘Fleet Works, London, Printing Manufacturers’ 215cm wide, 79cm high, 114cm deep

£600-800 574 FF131/10 UNUSUAL ENGLISH ‘DUG-OUT’ ARMCHAIR 19TH CENTURY of naturalistic tree-trunk form, with a curved seat back 67cm wide, 110cm high, 47cm deep

£600-800 575 FE562/6 SMALL CHINESE HARDWOOD AND MARBLE INSERT STAND the circular top, supported by cabriole legs below an ornately carved foliate apron 33.5cm high

£120-160 576 FE351/1 GEORGIAN MAHOGANY BUREAU BOOKCASE the moulded cornice above astragal glazed doors enclosing adjustable shelves, over a fall flap enclosing a fitted interior, over four graduated drawers, raised on bracket feet 102cm wide, 227cm high, 55cm deep

£500-800

£300-500

59

591

585

593

597

585 FF132/9 PAINTED CONVEX MIRROR OF RECENT MANUFACTURE of typical form, with a moulded cream painted frame

62cm wide, 82cm high, 37cm deep

583 FF131/7 VICTORIAN SET OF SCALES BY SALTERS LATE 19TH CENTURY the polished brass dial raised on a turned baluster cast iron column, with a rectangular foot plate

£200-300

42cm wide, 158cm high, 63cm deep

586 FE297/7 PAIR OF CONTINENTAL FAUX MARBLE AND PARCEL GILT URNS 19TH CENTURY with facetted necks and fluted tapered sides, raised on socle bases (2)

577 FE152/2 VICTORIAN MAHOGANY BOOKCASE & UNDERCABINET the moulded cornice above two glazed doors enclosing adjustable shelves, over two frieze drawers and two panel doors, raised on turned legs

580 FE123/3 VERNACULAR COMB BACK CHAIR the shaped top rail above turned supports, over a solid seat, raised on round section legs

129cm wide, 197cm high, 49cm deep

£600-800

£400-600

50cm wide, 91cm high, 46cm deep

581 FE123/5 GEORGE III STYLE MAHOGANY AND INLAID OPEN BOOKCASE 20TH CENTURY the broken swan neck pediment above three adjustable shelves, over a single drawer, raised on bracket feet

£300-500

75cm wide, 192cm high, 33cm deep

584 FE155/21 MAHOGANY CHIFFONIER 19TH CENTURY the shaped back above the rectangular top, over a frieze drawer and panel doors flanked by brass mounted columns, raised on a plinth base

£200-300

94cm wide, 124cm high, 41cm deep

578 FE155/25 SET OF EIGHT VICTORIAN MAHOGANY DINING CHAIRS the moulded top rail above a cushioned back and seat, raised on turned moulded legs (8)

579 FE342/21 MAHOGANY INVERTED BREAKFRONT TWIN PEDESTAL SIDEBOARD EARLY 19TH CENTURY the moulded ledge back above a shaped top, over three frieze drawers and panel doors, raised on plinth bases

582 FE678/10 GILT METAL AND GLASS THREE BRANCH CHANDELIER the foliate corona surmounting the three arms above the decorative glass basket, with swags and droplets, wired for electricity

207cm wide, 136cm high, 67cm deep

90cm high approx.

£300-500

£300-400

60

£300-500

98cm wide

£200-300

102cm high

£500-800 587 FE773/1 GERMAN PORCELAIN FLOWER BASKET the oval shaped basket and circular foot adorned with polychrome flowers in high relief amongst gilded borders, with blue marks to underside 26.5cm high

£150-250

583

588 FE291/18 FRENCH ENAMEL SNUFF BOX 18TH CENTURY of shaped rectangular form, the lid decorated with figures by a river, above panels painted with flower sprays, the underside marked ‘Lille 1767’ (A/F) 9.5cm wide

£200-300 589 FE107/13 TWO WOODEN CLARSARCHS 20TH CENTURY each raised on stands, one with decorative carved detail to column, the first, thirty string, 94cm high, 53cm deep; the second, thirty two string,104cm high, 61cm deep (2) £300-500 590 FE351/8 ROYAL CROWN DERBY IMARI PALETTE PART TEA SERVICE 20TH CENTURY variously marked, comprising of: six tea cups; six saucers; six side plates; and a small scallop shaped dish (19) £120-180 591 FE351/8A FLIGHT, BARR AND BARR PART TEA AND COFFEE SERVICE 19TH CENTURY each piece decorated with gilt and puce coloured vine leaves, some pieces with maker’s marks, comprising: ten tea cups; seven coffee cups; eleven saucers, of varying size; two cake plates; and a slop bowl (qty) £200-300

594

592 FE457/8 VICTORIAN POLYCHROME PLASTER PANEL CIRCA 1890 of rectangular form, moulded with a classical flower bearer within a ribbon-tied oval pendant and garlands, with a shell and ribbon re-entrant border and acanthus bosses to the angles

595 FE68/1 COLLECTION OF ANTIQUITIES comprising of: three shabti figures, of various size, one mounted to a perspex and wooden stand; a carved chalk stone buddha head (A/F); an Etruscan style pottery bowl/vase, of lobed form with a concave well and a paper label to one side (A/F); and a collection of pottery fragments, some bearing handwritten labels (A/F) (qty) £200-300

599 FE786/1 PAIR OF POTTERY WALLY DUG LAMPS AND SHADES each of typical form, with brown and white decoration and gilt highlights, with a black dogtooth shade, 37cm high approx.; together with a PAIR OF STAFFORDSHIRE STYLE COW LAMPS AND SHADES, each polychrome figure before brocage, with a cream and green edged shade, 38.5cm high (4) £200-300

596 FF42/22 LARGE MODEL YACHT the wooden and cream painted hull supporting white canvas sails, with brass furniture

600 FF131/21 GROUP OF GERMAN LAVA VASES 1960S comprising: a large red glazed example, with a flared neck above abstract totemic faces modelled in relief, marks to underside, 51cm high; a baluster shaped example, with a blue, yellow and orange glaze and stylised decoration in relief, marks to underside, 39.5cm high; and a further baluster shaped vase, the red glazed body with a decorative geometric pattern, marks and a label to underside, 40cm high (3) £300-400

365cm high, 308cm long, 88cm deep

£4,000-5,000

125cm wide, 193cm high

597 FE412/28 PAINTED CAST IRON DOOR STOP modelled as a kilted member of the Blackwatch with a battle axe or skullcutter, on a naturalistic ground

£300-500

36.5cm high, 35.5cm wide

£200-300 593 FE500/24 BALLY ‘FUTURE SPA’ PINBALL MACHINE PANEL/BACKGLASS LATE 1970S / 1980S of square form, with colourful fantasy-style graphics depicting male and female characters, with maker’s marks ‘Bally MFG. Corp. 1979’, ‘Playfield Graphics

by David Christensen’ and signature ‘Paul Faris’

598 FE730/1 INDIAN PATINATED BRONZE FIGURE GROUP modelled as an adorned elephant with a rider, resting on a rectangular base and raised on four wheels 17cm high, 17cm long

£200-300

72cm wide, 67cm high

£150-250 596 594 FE562/10 FLORENTINE GILTWOOD MIRROR 19TH CENTURY the rectangular mirror plate within a shell and foliate moulded, pierced frame 46cm wide, 68cm high

£150-250

61

604

601-602 No lots 603 FE691/3 LEATHER AND BRASS MOUNTED GUN CASE, BY STEPHEN GRANT & SONS of typical form with twin straps, the lid opening to reveal various felt covered compartments, with two paper labels, one reading ‘Stephen Grant & Sons, Breech Loading Guns & Rifle Manufacturers, 67A St. James’s Street, London, S.W.’ 86cm wide

£200-300 604 FF42/8 PAIR OF FLINTLOCK OTTOMAN HOLSTER PISTOLS CIRCA 1790S engraved locks, brass furniture with spurred pommels, brass flat side plates, the barrels with Islamic inscription (2)

605 FF42/9 FRENCH PERCUSSION OFFICER’S PISTOL CIRCA 1850 octagonal barrel, with captive swivel ramrod, flat butt plate, iron mounts 34.5cm long overall

£400-600 606 FF42/11 CONTINENTAL PERCUSSION BOXLOCK CARRIAGE PISTOL CIRCA 1800 with brass two-stage barrel, octangonal at the breech, walnut butt with brass butt trap, iron trigger guard, possibly converted from flintlock 30cm long overall

£200-300

36cm long overall

£800-1,200 609

62

617

607 FF42/12 PERCUSSION 12 BORE SINGLE BARREL SPORTING SHOTGUN CIRCA 1830 the top flat of the re-browned three stage barrel signed ‘Beckwith London’, with a walnut half stock with a chequered grip, with silver fore end cap, silver barrel bolt escutcheons, engraved with a pineapple finial and a game dog to the trigger guard, engraved barrel tang, stepped flat lock plate with engraved game bird, replacement brass tipped ram rod barrel 84cm long

£400-600

608 FF42/14 AMERICAN CAVALRY PATTERN 1885 SABRE with brass swept hilt in the French manner wooden grip (slight damage) covered in black leather and bound with copper wire, single edged curved blade with wide central fuller, struck at the ricasso US G.W.C. 1885, in its polished steel scabbard, blade 88cm long approx.; together with a MID-18TH CENTURY SMALL SWORD, with an iron hilt decorated with raised studs, classical urn pommel, pierced hand guard, broken knuckle guard and triangular blade with foliage engraving; and a BRASS HILTED REPRODUCTION SCOTTISH BACKSWORD, with a metal scabbard (3) £300-400

614

609 FE151/3 SET OF SIX OAK DINING CHAIRS BY JOHN TAYLOR the scrolled cushioned back above a serpentine cushioned seat, raised on turned fluted legs and brass casters 46cm wide, 89cm high, 48cm deep

£300-500

613

612

610

616

612 FE305/14 FLAME MAHOGANY DAVENPORT 19TH CENTURY the leather inset hinged top, opening to reveal a fitted interior, flanked by drawers and dummy drawers, raised on bracket feet 55cm wide, 76cm high, 55cm deep

610 FE152/1 OAK AND WALNUT CHEST 19TH CENTURY AND EARLIER the moulded rectangular top above four graduated drawers, raised on bun feet 89cm wide, 85cm high, 60cm deep

£500-700

£500-600 613 FE343/9 REGENCY STYLE MAHOGANY COLUMN CABINET the circular top above a fluted column, raised on an octagonal base 40cm wide, 72cm high

611 FE305/13 PAIR OF TWELVE LIGHT BRASS ELECTROLIERS each with six outscrolling arms above six further outscrolling arms, supported by a decorative knopped stem (2) 84cm wide, 62cm high

£500-600

£150-180 614 FE343/11 GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK BY M. RUTHERFORD, HAWICK the painted arched dial with subsidiary second and date dials, within the hood with a broken swan neck pediment and brass finials, above a box wood strung trunk with quarter pilasters raised on bracket feet

615 FE566/1 GEORGE III STYLE MAHOGANY DRUM LIBRARY TABLE 20TH CENTURY the circular top with a gilt embossed green leather top and a beaded edge over four real and four dummy frieze drawers, on a turned column support raised on four reeded sabre legs ending in brass lion paw caps and castors 111cm diam, 97cm high

£600-800 616 FE568/2 SET OF EIGHT CHINESE HARDWOOD AND MOTHER OF PEARL INLAID DINING CHAIRS 20TH CENTURY the moulded top rail above a vertical splat, over a solid seat, raised on moulded square legs (8) 44cm wide, 95cm high, 43cm deep

£500-800

617 FE569/3 CHIPPENDALE STYLE CHAIR BACK SETTEE SUITE 20TH CENTURY the moulded top rail above pierced vertical splats, over outswept arms and drop in pad seat, raised on moulded cabriole legs and ball and claw feet, with two matching open arm chairs; together with a SIMILAR CHAIR BACK SETTEE; and a SET OF FOUR CHIPPENDALE STYLE CHAIRS, the shaped top rail above a pierced vertical splat, over a drop in pad seat, raised on moulded cabriole legs and ball and claw feet (8) settees 128cm wide, 100cm high, 51cm deep; chairs 62cm wide, 100cm high, 48cm deep £400-600 618 No lot

49cm wide, 224cm high, 26cm deep

£600-900 63

622

623

619 FE569/1 GEORGIAN MAHOGANY BREAKFRONT OPEN BOOKCASE the dentil moulded cornice above adjustable shelves, over the base with four doors, enclosing shelves raised on a plinth base

50cm wide, 115cm high

623 FE123/2 VICTORIAN WALNUT FRAMED TWO FOLD SCRAP WORK SCREEN the two decorative panels within a walnut frame

624 FE191/336 GEORGIAN MAHOGANY AND GILT MIRROR with three bevelled mirror plates within a gilt slip and shell moulded frame

£300-400

123cm wide, 140cm high

126cm wide, 67cm high

£300-500

£200-300

622 FE123/1 GEORGE III MAHOGANY AND PARCEL GILT MIRROR the rectangular mirror plate within a shaped frame

346cm wide, 277cm high, 27cm deep

£800-1,200 620 FE121/2 VICTORIAN MAHOGANY FRAMED ARM CHAIR the button back above out swept arms and a cushioned serpentine seat, raised on moulded cabriole legs 69cm wide, 97cm high, 55cm deep

£250-350 621 FE173/5 ENGLISH GOTHIC REVIVAL COMPOSITE SET OF SIX OAK DINING CHAIRS, CIRCA 1880 including two carvers, each with upholstered seats and with bold canted construction, the carvers with pierced quatrefoil top rails and upholstered splats (6) £250-350

64

624

3

625 625 FE530/5 PERSIAN SOUMAC RUG MODERN the royal blue field with rectangular cruciform medallion, camel spandrels, within blue and red/brown borders

635 631 FE517/7 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette and scrolling vine pattern, within crimson palmette and vine border between bands

634 FE93/24 TIBETAN TIGER PATTERN RUG 20TH CENTURY with geometric and linghzi pattern borders to both ends, with tassle edging

230cm x 137cm

628 FE373/4 MALATYA FLATWEAVE BAGFACE EAST ANATOLIA, EARLY 20TH CENTURY the indigo field with ivory animalistic medallion, within green star border, plain red elem

£200-300

120cm x 66cm

313cm x 208cm

£150-250

£500-700

626 FD498/13 NORTHWEST PERSIAN RUNNER MODERN the dark brown field with red column of five cream bird medallions, within triple red and cream narrow boteh borders

629 FE517/4 EUROPEAN CARPET MID 20TH CENTURY the cream field with allover stylised foliate pattern, within creamy brown cloud scroll border between bands

287cm x116cm

£200-300

632 FD775/1 NORTHWEST PERSIAN LONG RUG LATE 19TH/EARLY 20TH CENTURY the indigo field with allover boteh pattern, yellow spandrels, within ivory stylised border between bands

635 FE530/2 BESHIR CARPET MODERN the rust brown field with two indigo medallions, within indigo border between bands

240cm x 170cm

£150-250

285cm x 145cm

627 FD498/29 PART SILK CARPET MODERN the salmon pink field with golden line maze pattern, Greek key end borders

630 FE530/4 NAHAVAND CARPET MODERN the dark indigo field with elongated red and indigo medallion, within indigo border between bands

241cm x 172cm

270cm x 145cm

£200-300

£250-350

£200-300 633 FE373/2 QASHQAI RUG SOUTH PERSIA, EARLY 20TH CENTURY the indigo field with red lozenge medallion, similar spandrels, within indigo rosette and vine border between bands

182cm long, 101cm wide

£300-500

210cm x 150cm

£200-300 636 FE291/19 CHINESE CARPET EARLY 20TH CENTURY the royal blue field with circular open foliate medallion, similar spandrels, within indigo roundel and vine border with inner light blue band 448cm x 358cm

£300-500

197cm x 142cm

£200-300 65

637 FE530/3 BOKHARA CARPET MODERN the black field with four columns of sixteen guls, within starburst border between bands 251cm x 160cm

£280-340 638 FE568/20 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the cream field with allover cartouche and foliate lattice pattern, within olive foliate border between bands 344cm x 249cm

£300-500

643 FE373/5 BELOUCH RUG EAST PERSIA, EARLY 20TH CENTURY the indigo field with stylised rosette lattice, within red geometric border between bands

649 FE301/8 YOMUT CARPET MODERN the dark burgundy field with allover hooked lozenge gul pattern, within ivory hooked vine border between bands 344cm x 214cm

655 FE678/1 CAUCASIAN SOUMAC RUG LATE 19TH/EARLY 20TH CENTURY the red field with three shaped indigo medallions, within dark brown zig zag border between bands

186cm x 100cm

£500-800

178cm x 138cm

£200-300 644 FE430/12D TURKOMAN RUNNER TURKMENISTAN, EARLY 20TH CENTURY the burgundy field with two columns of sixteen guls, within red hooked X motif border between bands

£150-250 650 FE373/6 NORTHWEST PERSIAN LONG RUG EARLY 20TH CENTURY the abrash red field with allover boteh pattern, within narrow red stylised vine border 235cm x 114cm

656 FE678/3 TWO YOMUT JUVALS LATE 19TH/EARLY 20TH CENTURY each with three columns of three guls, one with plain and one patterned elem (2)

£400-600

121cm x 76cm; and 141cm x 89cm

£150-250

242cm x 93cm

639 FE568/21 TABRIZ CARPET NORTHWEST PERSIA, MODERN the red field with allover tree and cartouche design, within cream cartouche and boteh border between bands 326cm x 224cm

£200-300 640 FE568/22 KASHAN STYLE CARPET MODERN the indigo field with rust and light blue medallion, grey and light blue spandrels, within rust palmette and vine border between bands 333cm x 242cm

£200-300 641 FE93/25 TWO TIGER PATTERN RUGS 20TH CENTURY both with tassle edging to the ends (2) 238cm long, 97cm wide; the other 154cm long, 90cm wide

£400-600 642 FE373/3 KURDISH RUNNER NORTHWEST PERSIA, EARLY 20TH CENTURY the abrash grey field with four red outlined medallions, within red and grey double border 242cm x 97cm

£200-300

£120-180 645 FE675/1 YOMUT ENGSI TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with cruciform design, within triple ivory and red borders, serrated leaf elems 158cm x 142cm

651 FE430/12E TWO CHINESE RUGS EARLY 20TH CENTURY one with blue field with floral vase motifs, within similar ivory border; the other with blue field with horses, within yellow fretwork border between bands (2) 207cm x 130cm; and 184cm x 94cm

£200-300

£200-300 646 FE675/2 SHIRVAN RUG EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the cream field with five polychrome lozenge medallions, within cream geometric border between bands 156cm x 110cm

72cm x 49cm; 76cm x 56cm;

652 FE517/2 MONGOLIAN CARPET EARLY 20TH CENTURY the plain brown field with bird in foliate landscape medallion, foliate spandrels, within brown lattice border lattice border between bands 300cm x 248cm

£500-700

£200-300 647 FE301/6 USHAK CARPET WEST ANATOLIA, LATE 19TH CENTURY the faded red field with allover pattern of indigo palmettes and cruciform motifs, within red rosette and foliate branch border between bands 532cm x 370cm

£400-600 648 FE301/7 TURKOMAN CARPET MODERN the dark burgundy field with allover black lozenge lattice pattern, within multiple borders 330cm x 210cm

£400-600

653 FE517/6 MAHAL CARPET WEST PERSIA, MID 20TH CENTURY the red field with allover foliate pattern, within cream palmette and vine border between bands 326cm x 216cm

£300-500 654 FE675/3 THREE TURKOMAN RUGS EARLY 20TH CENTURY including: a Tekke, the raspberry field with three columns of ten guls; a Belouch, the red field with allover rosette lattice pattern; and an Afghan, the golden field with three dragon and phoenix medallions (3) 202cm x 134cm; 204cm x 119cm; and 206cm x 120cm

£200-300

66

657 FE678/4 THREE NORTHWEST PERSIAN MATS LATE 19TH/EARLY 20TH CENTURY one dark brown with small rosette medallion; one camel with indigo medallion; and one dark brown with camel spandrels (3) 70cm x 54cm

£150-250 658 FE678/5 SPARTA CARPET WEST ANATOLIA, EARLY 20TH CENTURY woven as a suite of carpets, the camel field with central lattice pattern, the sides with indigo lozenge medallions 424cm x 346cm

£300-500 659 FE678/13 YOMUT ENGSI TURKMENISTAN, 20TH CENTURY the red field with typical cruciform motif, within red and ivory triple border, light and dark brown elem panels to one end 184cm x 127cm

£150-250 END OF SALE

Index to Artists Alliaon, D., 219 Armfield, D., 223 Belgian School, 459 Bellany, J., 220, 221, 222 Bond, W.J.J.C., 73 British School, 93 Brown, W.F., 207 Cameron, K., 77 Cameron, Sir D.Y., 232 Clarke, D., 218 Continental School, 194, 196, 476 Coventry, R.M., 198, 199, 468 DeMarco, R., 467 Downie, J.P., 214 Drummond, J., 208 du Bosc, P., after, 478

German School, 75 Gillies, Sir W.G., 477 Gotch, T.C., 70 Gotlib, H., 58 Guerin, E.P., 54 Hanna, N., 65, 66, 67 Hansen, H., 68 Harrigan, D., 464 Heatherwick, T., 174 Hepple, N., 227 Herriot, A., 57, 60 Hogarth, W., follower of, 81 Hope, R., 483 Houston, J., 224 Howard, K., 48, 49 Howson, P., 51, 52 Hulk, A., the Younger, 83 Hunter, M., 213 Italian School, 71

Manson, D., 236 Marney, P., 89 Martin, J., 234, 235 McCormick, A.D., 82 Miller, J.F., after, 206 Milne, J.M., 477 Mitchell, E., 226 Monicelli, A.J.T., follower of, 214 Morland, G., follower of, 193 Mynott, D., 233 Nicol, E., follower of, 457 Oakley, O., 76 Oliver, W., the Younger, 211

Springs, J., 289-314, 362-387 van der Velden, P.P., 88 Wade, J.A., 53 Walker-Barker, D., 61 Ward, G., 67 Warman, W., 90 Warren, B., 231 Whistler, J.M., 200A, 200B Wilkie, Sir D., after, 209 Williamson, W.H., 97 Wilson, W., 225 Wishart, P., 472

Palmedesz, A., follower of, 68 Park, J.S., 79 Parsons, A.W., 85 Paton, W.H., 478 Patrick, J.M., 229

English School, 69, 87 Farington, J., 203 Farquharson, D., 479 Feijen, L.A., 200, 201, 202 Flint, Sir W.R., 471 Fraser, A., Jnr., 91 Frazer, W.M., 472, 481 Fuller, W., 466 Fulton, D., 197 Gauld, D., 78 Gerassimoff, I., 237

Kay, A., 92 Kelly, F., 463 Kinnaird, H.J., 212 Kinnear, J., 96 Lamotte, B., 195 Lintott, H.J., 188-192 Lowry, L.S., 56 Maccabe, G., 458 Mackie, J., 460, 461, 462 Macnee, R.R., 482

Ramsey, A., 84 Raphel, after, 204 Reid, J.R., 216 Reinagle, P., follower of, 86 Robertson, T., 55 Rowbotham, C., 80 Saftleven, H., follower of, 72 Sawyer, D., 465 Scottish School, 94, 95 Shepherdson, N., 228, 469, 470 Simpson, C., 59

Glossary of cataloguing terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves.

Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to...

In our opinion probably a work by the artist in whole or in part.

Studio of .../Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date After ...

In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

67

Board of Directors

Specialist Departments

Administration

Chairman Sir Angus Grossart

Pictures, Watercolours & Prints Nick Curnow Charlotte Riordan Emily Johnston (London)

Rugs & Carpets Gavin Strang

Operations Manager Alex Dove

Decorative Arts & Design John Mackie

Finance Manager Mhairi McFadden

Vice Chairman Paul Roberts Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Gavin Strang Associate Directors Lee Young Mhairi McFadden

Furniture, Clocks & Works of Art Douglas Girton Lee Young Lydia Stoker Asian Works of Art Lee Young Lydia Stoker Jewellery, Silver, Coins & Medals Trevor Kyle Colin Fraser Ruth Davis

Accounts Flo Marshall Eileen Welsh Hazel Tyrie

European & Asian Ceramics Douglas Girton Campbell Armour

Administration Edinburgh Kim Aitchison Eleanor Welsh

Rare Books, Maps & Manuscripts Simon Vickers Cathy Marsden

Glasgow Linda Robinson James McNaught

Arms & Armour John Batty (consultant)

Saleroom Staff Sydney Drew David Robertson Scott Mitchell David Fiddes Valerie Kyle

Interiors Theo Burrell Charlotte Riordan

London and Southern England Rachel Doerr Mobile: +44 (0)7876 653602 rachel.doerr@lyonandturnbull.com

Lee Young Mobile: +44 (0)7825 426555 lee.young@lyonandturnbull.com

Nicholas Campbell Mobile: +44 (0)7920 791253 nicholas.campbell@lyonandturnbull.com

Jenny Johnson Tel: +44 (0)20 7930 9115 jenny.johnson@lyonandturnbull.com

Ian Peter MacDonald Tel: +44 (0)20 7930 9115 ianpeter.macdonald@lyonandturnbull.com

Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com

Press & Public Relations Philip Gregory Marketing Matt McKenzie Photographer Andrew McGregor

Valuation Department Telephone: 0845 882 2794 UK Director Rachel Doerr Client Services Linda Robinson Jane Lightfoot Jacky Thow Tessa Robson

Business Development Lady Middleton John Sibbald John Thomson Tessa Thomson Lindsey Michie

VALUERS Scotland Trevor Kyle Campbell Armour Gavin Strang

Midlands Patrick Bowen Michael Mays London & Home Counties Sean McIlroy

Northern England David Hall (consultant) North West England & Ireland Rachel Doerr

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

South West & Wales Robin Barlow

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

www.l y o n an dturnbull .co m 68

Catalogue Subscriptions 2013 Sales

Sales per Annum*

UK total

International total

Fine Antiques

3

£55

£80

Fine Paintings

2

£25

£40

Fine Asian Works of Art

2

£35

£50

Interiors

4

£25

£40

Scottish Contemporary Art

2

£25

£40

Books, Maps, Manuscripts & Photographs

3

£35

£50

Decorative Arts

2

£25

£40

Silver & Jewellery

4

£55

£80

Scottish Silver & Wemyss

1

£15

£20

£240

£260

All Sale Catalogues

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69

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GH TO

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Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom

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Collecting your purchases How to arrange collection and transport, plus everything else you might want to arrrange to make your new possessions fit your home perfectly.

Transport & Couriers Although we cannot pack or ship items, the following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Local Deliveries

Furniture and Larger Items

A&S Pert Removals

Constantine

Telephone 07876 343520

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk

Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com

A Van Man Transport Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk

Further Afield For Smaller Items and Paintings

Pictures

Mailboxes Etc.

Fine Art Carriers Gallery Support Group

Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Storage of sold lots

Restoration

All bought items will be held free of charge at Lyon & Turnbull until the Friday following the sale.

To get your purchases home in perfect condition you may wish to employ the services of a restorer.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Restoration may not be as expensive as you think and Lyon & Turnbull are able to recommend restorers of Pictures, Frames, Ceramics, Furniture and Metalwork; Upholsterers and Framers.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT 70

Please call Theo Burrell for details on 0131 557 8844

Standard Terms & Conditions of Sale Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn.

6. PAYMENT

9. THIRD PARTY LIABILITY

(1) Immediately a lot is sold you will:

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

(a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

8. REMEDIES FOR NONPAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale;

3. INCREMENTS

(f) to retain that or any other lot sold to you until you pay the total amount due;

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†).

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or

estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. Scottish law applies to the interpretation of these Conditions.

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33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274