Scottish Contemporary & Post War Art | 17th April 2013 11am by Lyon & Turnbull

Scottish Contemporary and Post-War Art Wednesday, 17th April, 2013 33 Broughton Place Edinburgh EH1 3RR

Contemporary Scottish and Post-War Art Wednesday, 17th April, 2013 at 11am Sale Number LT377

Viewing Sunday, 14th April 2pm - 5pm Monday, 15th April 10am - 5pm Tuesday, 16th April 10am - 5pm Morning of sale strictly by appointment only

Specialists Nick Curnow nick.curnow@lyonandturnbull.com Emily Johnston emily.johnston@lyonandturnbull.com Charlotte Riordan charlotte.riordan@lyonandturnbull.com

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter. VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ retail rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

1§ FB791/2 KEN HOWARD R.A. (BRITISH b. 1932) SUNSET, VENICE Signed, oil on board 18cm x 23cm (7in x 9in)

£700-900

2§ FB791/2B KEN HOWARD R.A. (BRITISH b. 1932) BRIDGE OVER THE CANAL Signed, oil on board 23cm x 28cm (9in x 11in)

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

3§ FE348/67 SIR ROBIN PHILIPSON R.A., R.S.A., R.S.A. (SCOTTISH 1916-1992) CUSTARD APPLES Signed board verso, mixed media 20cm x 25.5cm (8in x 10in)

£300-500

4§ FE470/4 EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) BORDER BATTLE Signed, watercolour 23cm x 52cm (9in x 20.5in) Note: Design for the lithograph ‘Border Foray’

£300-400

5§ FE348/83 IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1994) ON THE ROCKS Signed, ink and wash 38cm x 50cm (15in x 19.5in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

6§ FE348/46 WILLIAM BAILLIE P.R.S.A., P.R.S.W. (SCOTTISH b. 1923) THE BASS FISHERMAN Signed and dated 1960, gouache 53cm x 35.5xm (21in x 14in)

£300-500

7§ FE348/60 JAMES CUMMING R.S.A., R.S.W. (SCOTTISH 1922-1996) THE BARKER Signed, mixed media on paper 51cm x 41cm (20in x 16in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

8§ FE342/59 SIR ROBIN PHILIPSON R.A., R.S.A, R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) VIEW FROM FIESOLE Signed and dated ‘51, gouache 37cm x 55cm (14.5in x 21.75in)

£500-800

9§ FD669/9 MAUREEN BINNIE (CONTEMPORARY SCOTTISH) A PLACE TO PONDER Signed and dated ‘85, pastel 68.5cm x 115cm (27in x 45.25in)

£400-600

10§ FE500/4 JUNE REDFERN (SCOTTISH b. 1953) JUNE AND KITTY LOOKING FOR SHELLS Signed, inscribed and dated 1975 verso, oil on canvas 46cm x 61cm (18in x 24in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

12§ FD768/1 ALEXANDER GOUDIE (SCOTTISH 1933-2004) ANNETTE Signed, chalk 30cm x 24cm (11.75in x 9.5in)

13§ FE348/55 GEORGE WYLLIE M.B.E. (SCOTTISH 1921-2012) PAPER BOATS Signed, inscribed and dated 1990, impressed print

£300-500

76cm x 56cm (30in x 22in)

11§ FE499/15 DAVID TONER (SCOTTISH 20TH CENTURY) TENEMENTS, KINGSTON, GLASGOW Signed, oil on canvas 96.5cm x 107cm (38in x 42in)

£800-1,200

£250-350

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

14§ FE478/1 ELIZABETH BLACKADDER D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT (SCOTTISH b. 1931) LANDSCAPE Signed, lithograph 47cm x 66cm (18.5in x 26in)

£300-500

15§ PAT DOUTHWAITE (SCOTTISH 1939-2002) EXOTIC DANCER Charcoal 60cm x 80cm (23.5in x 31.5in)

£300-500

16§ FE499/25 SIR EDUARDO PAOLOZZI R.A. (BRITISH 1924-2005) LES CHANTS DE MALDOROR Hand coloured etching, signed and dated 1993, numbered 48/50 40cm x 57cm (15.75in x 22.5in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

17§ FB791/27 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) HARBOUR SCENE WITH ARTHUR’S SEAT Signed, watercolour 54cm x 75cm (21.25in x 30in)

£800-1,200

18§ FB791/32 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) DREADNOUGHT Signed, watercolour 54cm x 76cm (21.25in x 30in)

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

19§ FE355/4 GLEN SCOULLER (SCOTTISH b. 1950) MENDING NETS OLHAO, PORTUGAL Signed, watercolour 54cm x 71cm (21.25in x 28in)

£800-1,200

20§ FE355/2 CHRIS BUSHE R.S.W. (SCOTTISH 20TH CENTURY) ROADSIDE CAFÉ, GALA GALDANA Mixed media 61cm x 61cm (24in x 24in)

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

21§† FE149/14 ALBERTO MORROCCO R.S.A., R.S.W., R.P., R.G.I., L.L.D. (SCOTTISH 1917-1998) STILL LIFE WITH MARROWS AND GOURDS Signed and dated ‘95, oil on canvas 56cm x 61cm (22in x 24in)

£6,000-8,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

22§ FE290/1 MARDIE BARRIE R.S.W. (SCOTTISH b. 1931) CHAIR AT THE WINDOW Signed, oil on canvas 71cm x 91cm (28in x 36in)

£300-500

23§ FE290/2 DENIS PEPLOE R.S.A. (SCOTTISH 1914-1993) SUTHERLAND CROFT Signed, oil on canvas 51cm x 61cm (20in x 24in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

25§ JOHN BELLANY R.A. (SCOTTISH b. 1942) THE CRUCIFIX Signed and numbered III/XV in pencil to margin, etching

26§ FE348/49 IAN MCKENZIE SMITH R.S.A., P.R.S.W. (SCOTTISH b. 1935) ENSO Watercolour

48cm x 32cm (19in x 12.5in)

£300-500

24§ FD740/1 GORDON MITCHELL R.S.A., R.S.W., R.G.I. (b. 1952) BODY PARTS Signed, oil on canvas 71cm x 91cm (28in x 36in)

£2,000-3,000

53cm x 78cm (21in x 30.5in)

£250-350

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

27§ FF38/5 PETER HOWSON O.B.E. (SCOTTISH b. 1958) MINERS Signed, pastel 61cm x 46cm (24in x 18in)

£1,000-1,500

28§ FF38/3 PETER HOWSON O.B.E. (SCOTTISH b. 1958) NIGHT FALL Signed and dated ‘06, pastel 31cm x 23cm (12in x 9in)

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

30§ FE499/41 PATRICK CAULFIELD R.A. (BRITISH 1936-2005) SAUSAGE 1978 Signed and numbered 3/75, screenprint

31§ FE500/1 BRUCE MCLEAN (SCOTTISH b. 1944) HEAD, PIPE AND TORSO Signed, acrylic on photographic paper

75cm x 91cm (29.5in x 36in)

41cm x 51cm (16in x 20in)

£300-500

Exhibited: Scottish Gallery 1986, no.67

29§ FF2/1 JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH b. 1932) BREAKING WAVES Signed and dated 31.xi.2005, oil on board 53cm x 63.5cm (21in x 25in)

£1,000-2,000

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

32 FE485/2 MICHAEL MORRIS (CANADIAN b. 1942) UNTITLED Signed and dated ‘65, mixed media 34cm x 49cm (13.5in x 19.25in)

£500-700

33§ FE500/7 FRANCIS BACON R.A. (BRITISH 1909-1991) GRAND PALAIS 1972 Offset lithograph 71cm x 43cm (28in x 17in)

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

34§ FE499/38 SEAN SCULLY (IRISH/AMERICAN b. 1945) LARGE MIRROR II Etching and aquatint, signed, inscribed and dated ‘97, numbered 35/40 90cm x 62cm (35.5in x 24.5in)

£1,000-1,500

35§ FE500/30 ALEXANDER FRASER R.S.A., R.S.W. (b. 1940) DRAWING FOR THE LARGE PAINTING NO. 7 Oil on board 135cm x 99cm (53in x 39in)

£500-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

36§ FF40/1 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) WEE CROFT, BARRA Signed and dated ‘98, oil on board 61cm x 61cm (24in x 24in)

£1,000-1,500

37§ FF40/2 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) SCARBA FROM LUING, AUTUMN Signed and dated ‘98, signed,inscribed and dated verso, oil on board 25.5cm x 25.5cm (10in x 10in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

39§ FE499/36 ROBERT MCLAURIN (SCOTTISH b. 1961) BREAK IN THE CLOUDS, STRIDING EDGE Lithograph, inscribed H/C with embossed EMP stamp

40§ FE500/28 ALEKSANDER ZYW (POLISH/SCOTTISH 1905-1995) SHIP’S CONVOY Pencil 24cm x 35cm (9.5in x 13.75in)

38cm x 57cm (15in x 22.5in)

Provenance: The artist’s estate

£300-500

38§ FE499/17 PHILIP SUTTON R.A. (BRITISH b. 1928) GLADIOLI WITH FRUIT Signed and dated 1975 vero, oil on canvas 127cm x 127cm (50in x 50in) Provenance: Roland Browse and Delbanco, London

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

The Herbert Smith Freehills Collection One of the most famous British artists of the last century, Bridget Riley’s extraordinary career continues unabated, despite the fact the grand dame of Op Art is now in her 80s. Riley has achieved that elusive artistic ideal; creating a body of work as pioneering as it is ubiquitous. Her graphic style came to epitomise the Swinging Sixties but her continued exploration of Op Art’s possibilities has proved it to be fertile ground. Despite focusing her work in a narrow field, she has managed to side-step the pitfalls of the cliché.

Whilst the results of her painstaking technique and careful colour-play display a technical understanding firmly rooted in the scientific, Riley firmly asserts that her artistic approach has always been intuitive. Beyond the initial optical illusion, her art sets out to provoke an emotional response in the viewer. The works in this sale date from a period of experimentation in the 1990s and early millennium. By this stage Riley had long abandoned the more rigid monochromatic structures

associated with her 1960s output, discovering that the ‘lozenge’ forms - featured in several of the examples here - endowed her juxtapositions of form and colour with more movement and depth than anything she had previously achieved. The nature of Riley’s work is to place demands on the viewer’s gaze but in these later works the calmer palette and the playful arabesque forms result in a series of works which are unequivocally fun and lighthearted to read.

41 § FE213/72 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) ROTHKO PORTFOLIO Signed and dated 1973, artist’s proof, screenprint 80.5cm x 102cm (31.75in x 40in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

42§ FE213/65 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) MAGENTA AND BLUE Signed and dated 2002, numbered 25/75, screenprint 117cm x 83.7cm (46in x 33in) Provenance: The Herbert Smith Freehills Collection

£1,800-2,500

43§ FE213/71 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) MAGENTA AND GREEN Signed and dated 2002, numbered 2/75, screenprint 117cm x 83.7cm (46in x 33in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

44§ FE213/64 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) BLUE AND PINK Signed and dated 2001, numbered 83/90, screenprint 53.2cm x 142cm (21in x 56in) Provenance: The Herbert Smith Freehills Collection

£1,000-1,500

45§ FE213/74 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) UNTITLED (EVOE) Signed and dated 2003, numbered 4/75, screenprint 56.2cm x 110.4cm (22in x 43.5in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

46§ FE213/102 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) SYLVAN Signed and dated 2000,numbered 59/75, screenprint 97cm x 69.5cm (38.25in x 27.25in) Provenance: The Herbert Smith Freehills Collection

£1,000-1,500

47§ FE213/66 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) MAGENTA AND YELLOW Signed and dated 2002, numbered 1/75, screenprint 117cm x 83.7cm (46in x 33in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

48§ FE213/370 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) BLUE DOMINANCE Signed and dated 1977, numbered 11/100, screenprint 104.4cm x 55cm (41in x 21.75in) Provenance: The Herbert Smith Freehills Collection

£1,800-2,500

49§ FE213/741 BRIDGET RILEY C.H., C.B.E. (BRITISH b. 1931) ECHO Signed and dated 1998, numbered 16/75, screenprint 77.5cm x 60cm (30.5in x 23.5in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

50§ FE213/680 MANUEL ROMERO (SPANISH b. 1943) ALGORIA A LA LIBERTAD Signed and dated 1989, oil on canvas, circular 162.5cm (64in) Exhibited: Royal College of Art, Degree Show 1989; The Herbert Smith Freehills Collection

£800-1,200

51§ FE213/684 GWYTHER IRWIN (BRITISH b. 1931) UNIVERSAL JOINT Dated 1987, oil on canvas 175.5cm x 213cm (69in x 83.75in) Provenance: The Herbert Smith Freehills Collection

£3,000-5,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

52§ FE213/660 MARK FAIRNINGTON (BRITISH b. 1956) WITHOUT SHAME MIRABILIS ECHINOSTOMA Signed and dated 2001, oil on canvas 155.3cm x 94.3cm (61in x 37.5in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

53§ FE213/659 MARK FAIRNINGTON (BRITISH b. 1956) FROM THE BEETLES TO THE IDOLMANTIS Signed and dated 2006, oil on panel 109cm x 85.5cm (43in x 33.5in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

54§ FE213/675 ANTHONY WISHAW R.A. (BRITISH b. 1930) PICNIC Dated 1990, acrylic and mixed media on canvas 173cm x 204cm (68in x 80.25in) Provenance: Nicola Jacobs Gallery, London; The Herbert Smith Freehills Collection

£1,000-1,500

55§ FE213/630 SUSAN DERGES (BRITISH b. 1955) STARFIELD HAWTHORN Dated 2003, unique dye destruction print 177.7cm x 69cm (70in x 27in) Provenance: Purdy Hicks Gallery, London; The Herbert Smith Freehills Collection

£3,000-5,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

The career of Patrick Heron is largely associated with the St Ives School, an artist’s colony formed around the Cornish studios of abstractionists Ben Nicholson and Barbara Hepworth in the late 1930s. It is to the generation of younger artists who gravitated there post-WW2 that the term generally refers. Heron had been brought up in Cornwall for much of his life, meeting Nicholson at the Leach Pottery in St Ives during his inter-war years spent as a conscientious objector. Like the other members of the school, Heron’s attraction to plains of colour and simplification of

form was primarily influenced by the French Moderns Matisse and Braque, and secondarily by the concurrent artistic developments of the Abstract Expressionists in the U.S.A. Heron was particularly impressed with the boldness of the scale on which Rothko and his group worked. Large canvases would increasingly become an aspect of Heron’s own oeuvre, as would a characteristic ‘flatness’ of shape, form and colour. Tonally, his earlier work contains echoes of Nicholson and his British precursors. Latterly, however, Heron would go on to embrace an

almost cartoon-ish palette of flat primary shades which engage with the aesthetic of Pop Art. His work, though abstract, always referenced reality and remained readable to the viewer; the aim being to present the audience with a new a way of seeing. Heron was also a respected art critic, theorist and author, contributing to the New Statesman, Studio International and The Guardian, as well as producing monographs on fellow artists George Braque and Ivon Hitchens.

56§ FE213/89 PATRICK HERON (BRITISH 1920-1999) JANUARY 1973:3 Signed and dated 1973 , artist’s proof, screenprint 74cm x 96.5cm (29in x 38in) Provenance: The Herbert Smith Freehills Collection

£2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

57§ FE213/87 PATRICK HERON (BRITISH 1920-1999) COMPOSITION Signed and dated 1973, numbered 3/72, screenprint 72.5cm x 95.3cm (28.5in x 37.5in) Provenance: The Herbert Smith Freehills Collection

£2,000-3,000

58§ FE213/405 PATRICK HERON (BRITISH 1920-1999) UMBER DISC, RED EDGE Signed and dated 1970, artist’s proof, screenprint 75.8cm x 106.5cm (30in x 42in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

59§ FE213/546 PATRICK HERON (BRITISH 1920-1999) MAGENTA DISC, RED EDGE Signed and dated 1970, numbered, screenprint 75.5cm x 106.5cm (30in x 42in) Provenance: The Herbert Smith Freehills Collection

£1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

60§ FE213/85 PATRICK HERON (BRITISH 1920-1999) UNTITLED FROM THE ROTHKO SERIES Signed and dated ‘72, artist’s proof, screenprint 68cm x 91cm (26.75in x 36in) Provenance: The Herbert Smith Freehills Collection

£2,000-3,000

61§ FE213/613 WILLIAM SCOTT O.B.E., R.A. (IRISH 1913-1989) CUP AND BLUE PANS Signed and dated 1970, artist’s proof, screenprint 77.2cm x 107.5cm (30.5in x 42.25in) Provenance: The Herbert Smith Freehills Collection

£3,000-5,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

62§ FE213/446 NICHOLAS HELY HUTCHINSON (BRITISH b. 1955) STILL LIFE WITH TIE AND LEMONS Signed, watercolour 97.25cm x 77.5cm (38.25in x 10.5in) Provenance: The Herbert Smith Freehills Collection

£500-800

63§ FE213/447 NICHOLAS HELY HUTCHINSON (BRITISH b. 1955) FIGURE BY THE SEA Signed, watercolour 90.5cm x 75.5cm (35.5in x 29.5in) Provenance: The Herbert Smith Freehills Collection

£500-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

64§ FE213/665 DERRICK GREAVES (BRITISH b. 1927) LAOCOON Signed and dated 2001, oil on canvas 112.2cm x 171.8cm (44in x 67.5in) Provenance: The Herbert Smith Freehills Collection

£2,000-3,000

65§ FE213/634 DERRICK GREAVES (BRITISH b. 1927) SHADOWS Signed and dated 1971, acrylic on canvas 87cm x 107cm (34.5in x 42in) Provenance: The Herbert Smith Freehills Collection

£3,000-5,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

66§ FE213/740 BARBARA HEPWORTH C.B.E., R.A. (1903-1975) MOONPLAY Signed and dated 1970, numbered 82/100, screenprint 101cm x 76cm (40in x 30in) Provenance: The Herbert Smith Freehills Collection

£800-1,200

67§ FE213/152 BARBARA HEPWORTH C.B.E., R.A. (1903-1975) COMPOSITION IN BLUE AND GREEN Signed and dated 1970, no. 6/20, lithograph 100cm x 78.5cm (39in x 31in) Provenance: The Herbert Smith Freehills Collection

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

68§ FE213/801 ALBERT IRVIN R.A. (BRITISH b. 1922) MAGDALEN Signed and numbered 8/125, screenprint 111cm x 138cm (43.75in x 54.25in) Provenance: The Herbert Smith Freehills Collection

£200-300

69§ FE213/678 ALBERT IRVIN R.A. (BRITISH b. 1922) HOLYROOD 1 Signed and numbered 91/95, screenprint 146cm x 114cm (57.5in x 45in) Provenance: The Herbert Smith Freehills Collection

£200-300

70§ FE213/110 JULIA BURNS (BRITISH CONTEMPORARY) ORANGES Oil on canvas 106.5cm x 112cm (42in x 44in) Provenance: The Herbert Smith Freehills Collection

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

Due to the outbreak of WW2, Frost’s path as an artist was somewhat unorthodox. Though he harboured a lifelong interest in art, he did not begin painting in earnest until he became a prisoner of war in Germany, an experience that served as something of an epiphany. Upon his return to the UK, Frost enrolled in both the Camberwell School of Art and the St Ives School, despite the fact he was in his thirties and had a young family to support. He was greatly encouraged by a period spent as assistant to sculptor Barbara Hepworth in 1951.

Initially adopting a Realist technique as a member of the Euston Road School, Frost soon followed his natural impulses towards abstraction and, alongside other prominent figures including Patrick Heron, William Scott and Roger Hilton, became a leader of the mid-century British avant-garde.

canvases. Throughout his career Frost committed himself time and again to exploration of the potential of simple linear and circular forms. The works represented in this sale demonstrate the diversity and imagination with which he was able to imbue the apparently simplest of compositions.

A great lover of life, Frost’s art brims with his enthusiasm for the world around him; his work often inspired by the sea, sky and light of the Cornish coast. His palette was unswervingly joyous and his passion radiates from his

Frost was knighted in 1998 in recognition of the impact of his work on the landscape of British art, and was honoured with a major retrospective by the Royal Academy in 2000.

71§ FE213/404 SIR TERRY FROST R.A. (BRITISH 1915-2003) RED, BLUE, GREEN Signed and dated 1972, numbered 23/65, lithograph 84.5cm x 114.5cm (33in x 45in) Provenance: The Herbert Smith Freehills Collection

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

72§ FE213/331 SIR TERRY FROST R.A. (BRITISH 1915-2003) UNTITLED Signed, numbered 66/125, screenprint 118cm x 74.5cm (46.5in x 29.25in) Provenance: The Herbert Smith Freehills Collection

£1,000-1,500

73§ FE213/175 SIR TERRY FROST R.A. (BRITISH 1915-2003) ORANGE AND BLUE Q, NEWLYN Signed and no. 61/150, silkscreen print 76.5cm x 76.5cm (30in x 30in) Provenance: The Herbert Smith Freehills Collection

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

74ยง FE213/685 SIR TERRY FROST R.A. (BRITISH 1915-2003) MOON BLUE Signed and dated 1989, oil on canvas 169.5cm x 169.5cm (66.5in x 66.5in) Provenance: The Herbert Smith Freehills Collection

ยฃ8,000-10,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

75§ FE213/167 ROGER CHAPELET (FRENCH 1903-1995) SIR LANCELOT Signed, oil on canvas 71cm x 102cm (28in x 40in) Provenance: The Herbert Smith Freehills Collection

£1,000-1,500

Other Properties 76§ FE500/2 PETER WHITE (BRITISH b. 1941) DRUMMER BOY Signed, inscribed and dated 1990 on the backboard 122cm x 142cm (48in x 56in)

£500-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

77†§ FE149/9* ELIZABETH BLACKADDER C.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT (SCOTTISH b. 1931) GREEN LANDSCAPE Signed, pencil and watercolour 51cm x 74cm (20in x 29in)

£2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

78ยง FB791/17 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) WOMAN AND GULL Signed, oil on canvas, unframed 91cm x 91cm (36in x 36in)

ยฃ2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

79ยง FB791/15 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) THE BOSPHORUS Signed, signed and inscribed verso, oil on canvas, unframed 75cm x 101.5cm (30in x 40in)

ยฃ2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

80§ FD706/1 CHRISTINE MCARTHUR R.S.W., R.G.I. (SCOTTISH b. 1953) GOLD FISH IN PALE WATERY Signed, acrylic on canvas 76cm x 76cm (30in x 30in)

£700-900

81§ FD706/2 CHRISTINE MCARTHUR R.S.W., R.G.I. (SCOTTISH b. 1953) CACTUS ON TABLE Signed, acrylic on canvas 71cm x 76cm (28in x 30in)

£700-900

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

82§ FD760/1 DOUGLAS THOMSON (SCOTTISH b. 1955) SULLEN DAME Signed, inscribed and dated 1996 verso, oil on canvas 107cm x 91cm (42in x 36in)

£600-800

83§ FD760/2 DOUGLAS THOMSON (SCOTTISH b. 1955) THE REAPER Signed and inscribed verso, oil on canvas, unframed 68.5cm x 53.5cm (27in x 21in)

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

84§ PAT DOUTHWAITE (SCOTTISH 1939-2002) FIGURE WITH SPANNER Charcoal 65cm x 51cm (25.5in x 20in)

£300-500

85§ PAT DOUTHWAITE (SCOTTISH 1939-2002) HEAD STUDY Signed and dated '87, charcoal 84cm x 56cm (33in x 22in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

86§ FA926/1 DAVID BREUER-WEIL (BRITISH b. 1965) CAUGHT Signed and inscribed ‘May 18 1999, Geneva’, pencil 26cm x 32cm (10.25in x 12.5in)

£2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

87§ FE355/5 ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (SCOTTISH 1917-1998) DONKEYS, ANTICOLI Signed and inscribed ‘Corrado’, watercolour 70cm x 54cm (27.5in x 21.25in)

£2,000-3,000

88§ FE355/3 JOAN GILLESPIE (SCOTTISH 20TH CENTURY) PAVEMENT CAFÉ Signed, oil on board 61cm x 51cm (24in x 20in)

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

89 FE499/18 HAIDEE BECKER (AMERICAN b. 1950) BLUE LILIES 11 Signed, signed, inscribed and dated 1995 verso, oil on canvas 140cm x 119.5cm (55in x 47in)

ÂŁ1,500-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

90§ FE485/1 CERI RICHARDS (WELSH 1903-1971) GREEN METAPHOR Signed ,dated ‘65 and numbered 2/50, lithograph 81cm x 59cm (32in x 23.25in)

£400-600

91§ FE499/33 CHARLES MCCARTHY (BRITISH 20TH CENTURY) KITCHEN TABLE WITH LEMONS Signed and dated ‘93, oil on canvas 84cm x 56cm (33in x 22in) Exhibited: Cadogan Contemporary, London

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

92 FA913/7 NYOMAN GUNARSA (INDONESIAN b. 1944) TWO CHIEFTAINS Signed and dated 1988, oil on canvas 142cm x 142cm (56in x 56in) Provenance: NEKA Gallery, Ubud, Bali, 1992 Note: One of leading Balinese artists today. This painting was one of a series conceived from the legendary “Hindu Dharma” epics, and the limed teak frame is also the work of the artist.

£2,000-4,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

93§ FE456/1 SIR TERRY FROST (BRITISH 1915-2003) THAMAR AND AMNON 12/75, monotype 55cm x 37cm (21.5in x 14.5in)

and a printed copy of the poem which inspired the work £800-1,000

94§ FE450/2 CALUM COLVIN O.B.E., R.S.A. (SCOTTISH b. 1961) THE KISS Edition of 4, cibachrome print 70cm x 53.5cm (27.5in x 21in)

£800-1,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

95§ FF38/6 PETER HOWSON O.B.E. (SCOTTISH b. 1958) GUILTY CONSCIENCE Signed, pastel 61cm x 46cm (24in x 18in)

£1,000-1,500

96§ FE500/26 WILLIAM GEAR (SCOTTISH 1915-1997) BLUE VERTICAL Signed and dated 1970, oil on paper 53.5cm x 33cm (21in x 13in)

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

97§ FD669/7 DANNY FERGUSON (SCOTTISH 1925-1993) HIGHLAND FOREST Oil on board 0cm x 90cm (23.5in x 35.5in)

£1,000-1,500

98§ FE736/2 NAEL HANNA (SCOTTISH/IRAQUI b. 1959) CLIFFS, MOONLIGHT Signed, oil on canvas 28cm x 98cm (11in x 38.5in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

99§ FE643/1 SIR ROBIN PHILIPSON R.A., R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) FIGURES AND ABSTRACT 1 Signed and dated ‘89, oil on board 23cm x 33cm (9in x 13in)

£1,800-2,500

100§ FE488/1 JOHN HOUSTON R.S.A., R.S.W. (SCOTTISH 1930-2008) SUNSET OVER THE SEA Signed, watercolour 25.5cm x 35.5cm (10in x 14in)

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

101§ FE77/8 NAEL HANNA (SCOTTISH / IRAQUI b. 1959) STORM AT SEA Signed, oil on board 46cm x 68.5cm (18in x 27in)

£600-800

102§ FB791/87 MAURICE COCKRILL (BRITISH b. 1946) VENUS Oil on paper 39.5cm x 57.5cm (15.5in x 22.5in) Exhibited: Walker Art Gallery, Liverpool, Maurice Cockrill 1995, no.32, illustrated in the catalogue Djanogly Art Gallery, Nottingham 1995 (as above)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

103ยง FD753/2 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) RAISED BEACHES COLONSAY Signed, inscribed and dated 1979 on a label verso, oil on canvas 76cm x 86cm (30in x 34in)

ยฃ1,500-2,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

Jane MacAllister-Justin Dukes Art Collection and Archive Richard Demarco O.B.E. is an Edinburgh artist and art promoter who has played a crucial role in placing Edinburgh on the map as an international arts hub, significantly contributing to the development of the Edinburgh Fringe festival. A co-founder of the Traverse Theatre in 1963, Demarco went on to run the Richard Demarco Gallery between the years 1969-1992. As well as nurturing young native talent including artists such as Damien Hirst, his most outstanding achievement has been the promotion of Eastern European artists during the Cold War; strengthening ties between the UK and countries like Poland, Romania and Yugoslavia. In particular, Demarco provided a Western European platform for the careers of the now internationally renowned and critically lauded avant-garde artists Joseph Beuys, Tadeusz Kantor, Paul Neagu and Marina Abramovich. Throughout the 70s and 80s Demarco hosted famously unorthodox ‘Summer Schools’, creating a melting pot of ideas and collaborations between local and international artists. The collection on show pertains to this important

period in Scottish, and indeed, European art. Jane MacAllister, initially Demarco’s assistant and ultimately the Deputy Artistic Director of The Demarco Gallery in its latter phase, coorchestrated the exhibitions and events based around the gallery. In 1990 Jane married Justin Dukes, joint Managing Director of the FT Group and founding Managing Director of Channel 4. Before Justin’s tragically early death in 2008 the couple built up an extensive collection of contemporary art. The collection consists of over 150 paintings, works on paper, prints, posters and

sculptures, all of which reflect the energy and range of the Demarco Gallery’s activities, and represent a unique record of the exhibition programme during this period. Local heroes include works by Byrne, Crozier, Demarco, Douthwaite, Hamilton Finlay, Hanson, Howson, Knox, McCann, McNeish, Wyllie and Yule. The Internationalists include works by Beuys, Christo, Flanagan, Hambling, Neagu, Newcomb, Rabinowitch, Swan and Uecker. The collection Jane and Justin built up over the years with the guidance and support of Richard Demarco

Jane MacAllister and the poet Sorley Maclean.

is a unique cultural record of the latter part of the 20th Century. Because of its significance as a study and research resource, Lyon & Turnbull are offering the complete Collection and Archive for private treaty sale by negotiation so as to maintain the collection and archive as one. Otherwise, a significant body of the collection will be auctioned in multiple lots as part of this sale. We are grateful to William Jackson, Proprietor and Managing Director of Aitken Dott, Edinburgh, 1975-1992, for his assistance in collating and promoting the archive.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

104§ FE400/6 JOHN BYRNE R.S.A. (SCOTTISH b. 1940) TUTTI FRUTTI, 25TH ANNIVERSARY TOUR Signed and inscribed, mixed media 28cm x 20cm (11in x 8in)

£700-1,000

105 FE400/65 20TH CENTURY SCOTTISH SCHOOL TATTOO THEATRE Screenprint, 1986 91cm x 68.5cm (36in x 27in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

106§ FE400/14 MAGGI HAMBLING (BRITISH b. 1945) STUDY FOR UNTITLED Signed and dated ‘86, inscribed and dated 1990 verso, pencil 20cm x 28cm (8in x 11in)

£400-600

107§ FE400/1 GEORGE WYLLIE A.R.S.A. (1921-2012) HAPPENING IN THE CITY Signed, inscribed with title and dated 1978, pen and ink 41cm x 28cm (16in x 11in)

£300-500

108§ FE400/11 BARRY FLANAGAN (WELSH 1941-2009) O’REMBRANDT SERIES Signed, inscribed and dated 1970, numbered 4/30, etching and aquatint 18cm x 23cm (7in x 9in)

£150-250

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

109§ FE400/52 WILLIAM CROZIER (IRISH/SCOTTISH 1930-2011) VINE AND PIT SERIES Signed and dated 1963, gouache 63.5cm x 45.5cm (25in x 18in)

£600-900

110§ FE400/56 ALASTAIR PARK (SCOTTISH 1930-1984) LEFT RIGHT, RIGHT LEFT Dated 1982, drawing on wax 56cm x 43cm (22in x 17in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

As controversial as he was influential, Joseph Beuys pushed the boundaries of Western contemporary art from the 1950s until his death in 1986. Loosely definable as a sculptor/installation/ performance artist, Beuys approached his work in a spiritual fashion and sought to connect with and ‘heal’ his audience through, as he saw it, art’s restorative powers. Via his self-created persona of the artist as teacher/shaman, Beuys popularised the anticommoditisation of art, promoting creativity as something to be experienced by everyone in the everyday. Alongside a selection of

famous installation pieces, the majority of his work was to be experienced as ‘actions’, the remnants of which exist as photographs, recordings, props and other forms of documentation. The influence of his ethos on continued contemporary German, and indeed European, art practise remains hugely relevant today. Beuys’ connection with Scotland was initiated in 1970 by Richard Demarco. Demarco became aware of the extraordinarily progressive visual art activity in Dusseldorf at the time and decided to approach its key protagonists and talents. His concept was to stage a

Festival exhibition entitled Strategy: Get Arts, to be held in the Edinburgh College of Art. It was to serve as instructive to the art students of tomorrow and enlighten the British art world to the avant-garde developments taking place out with the UK. Thirty five artists participated including Blinky Palermo, Sigmar Polke, Gerhard Richter, Dieter Rot, Günther Uecker and, in a real coup for Demarco, Joseph Beuys himself. Their brief was to create new work in direct response to their experience of Scotland. Beuys created an action which he entitled ‘Celtic (Kinloch Rannoch): a Scottish Symphony’. Performed for eight hours a day for six consecutive days, it involved performance and projections set to a soundscape by Henning Christiansen. Beuys was greatly drawn to the wilds of North West Scotland and found much to inform his interest in Celtic tradition and feed his innate sense of connection to the

111§ FE400/2 JOSEPH BEUYS (GERMAN 1921-1986) BEUYS IS HERE Poster, signed inscribed and dated ‘To Jane 1970’ 28cm x 41cm (11in x 16in)

£300-500

environment. This remarkable association with Scotland would continue right up until the artist’s last years, during which time he created works inspired by Barlinnie Prison’s Special Unit and Greyfriar’s Bobby. To Beuys, Scotland was the ‘key’ to Europe’s Celtic history, a period, in Beuy’s mind, entwined with the root of the human condition and the elemental. Germany’s Celtic past held extremely negative associations at this time due to its appropriation by the Nazis. Beuys sought to reclaim it and found inspiration in Scotland as a country that understood the importance of looking to its past in order to forge a strong foundation for the future. The works in this sale represent aspects of these seminal excursions to Scotland, including ‘Celtic (Kinloch Rannoch): A Scottish Symphony’, which is internationally and historically recognised as one of the artist’s masterworks.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

112§ FE400/109 JOSEPH BEUYS (GERMAN 1921-1986) DERNIER ESPACE AVEC INTROSPECTEUR Poster, signed and dated 1982 72cm x 50cm (28.5in x 19.75in)

£600-800

113§ FE400/110 JOSEPH BEUYS (GERMAN 1921-1986) PLIGHT Poster, signed and dated 1985 76cm x 51cm (30in x 20in)

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

114§ FE400/70 JOSEPH BEUYS (GERMAN 1921-1986) DEMOKRATIE PARTELENSTAAT Signed, plastic carrier bag 71cm x 51cm (28in x 20in)

£600-800

115§ FE400/45 JOSEPH BEUYS (GERMAN 1921-1986) FIRST OF THE GIANTS, NEW BEGINNINGS ARE IN THE OFFING Photolithograph, signed and numbered 147/400 43cm x 35.5cm (17in x 14in)

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

116§ FE400/39 JOSEPH BEUYS (GERMAN 1921-1986) MEETING WITH LADY ROSEBERY AND BUCKMASTER FULLER Colour photogravure, signed, dated 1974 and numbered 209/400 84cm x 66cm (33in x 26in)

£300-500

117§ FE400/3 JOSEPH BEUYS (GERMAN 1921-1986) PORTRAIT OF JOSEPH BEUYS Postcard, signed and dated 1981 10cm x 15cm (4in x 6in) each

Two cards framed together £200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

118§ FE400/31 JOSEPH BEUYS (GERMAN 1921-1986) THE SCOTTISH SYMPHONY / CELTIC KINLOCH RANNOCH Photograph, signed and numbered 39/200 134.5cm x 30.5cm (53in x 12in)

£800-1,200

119§ FE400/67 GARY ANDERSON (SCOTTISH b. 1970) BIG BLACK FLAG Signed and inscribed verso, mixed media 15cm x 23cm (6in x 9in)

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

120§ FE400/10 AINSLIE YULE (SCOTTISH b. 1941) FALLEN ANGEL Signed, inscribed and dated 1986 verso, wooden construction 43cm x 33cm x 10cm (17in x 13in x 4in)

£300-500

121§ FE400/64 RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) ON THE OLD COURSE, ST. ANDREWS Signed, inscribed and dated 1974, watercolour 81cm x 91cm (32in x 36in)

£500-700

122§ FE400/72 RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) OLD PORT, LEITH AT SUNSET Signed, inscribed and dated 1991, numbered 57/60, screenprint 45.5cm x 62cm (18in x 24.5in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

Best known for his repetitious use of the humble nail as an artistic prop, Uecker’s artwork transmutes the boundaries of sculpture, painting, installation, film and design. Originally from East Germany, Uecker elected to pursue an art education in Dusseldorf where students were able to practise modernism and exercise a greater freedom of expression. He remained here for many years, teaching at the Kunstakademie between 1974 and 1995.

Uecker, alongside Heinz Mack and Otto Piene, was a founding member of the important group ZERO in the early 1960s. ZERO functioned as a catalyst in rejuvenating the German art scene, largely in reaction to the dominant ‘art informel’ movement of the 40s and 50s which favoured spontaneous, gestural artistic impulses. ZERO proposed that the process should be secondary to the concept and effect.

illusion of movement. Uecker is also interested in religious and social philosophies. His nails create forms that are suggestive of the homogenized movements of mankind both physically and mentally, and hint at the concept of collective thought.

In 1956 Uecker first introduced the use of nails to his art. Later he would suggest that his connection to nails as a means of expression originated from having barricaded his family home against the approaching Russian front during WW2. When hammered into patterns, at different depths or affixed to moving constructions, nails also proved effective in the pursuit of his fascination with the use of light to create the optical

Uecker - whose associations with Demarco date back to the late 1960s - exhibited in Edinburgh on several occasions and was one of the participating Dusseldorf artists in Demarco’s Strategy: Get Arts show in 1970.

123§ FE400/8 GUNTHER UECKER (GERMAN b. 1930) UNTITLED Signed, inscribed and dated ‘Happiness for Jane & Justin 1990’, nail pressed paper 25.5cm x 20cm (10in x 8in)

£1,000-1,500

124§ FE400/99 GUNTHER UECKER (GERMAN b. 1930) WIR SIND ZÜRÜCK Inscribed and dated 1999, photograph 18cm x 28cm (7in x 11in)

£100-200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

125§ FE400/43 LYS HANSEN (SCOTTISH b. 1940) LADY MADONNA Signed and dated 1988, charcoal 63cm x 48cm (25in x 19in)

£300-500

126§ FE400/49 BRIAN MCCANN R.C.A. (SCOTTISH 20TH CENTURY) UNTITLED Watercolour and gouache 41cm x 61cm (16in x 24in)

and another by the same hand (2) £300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

127§ FE400/103 RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) CONNEMARA LANDSCAPE Signed, inscribed and dated 1966, pencil and wash 25.5cm x 34cm (10in x 13.5in)

£200-300

128§ FE400/13 DOUGLAS SWAN (SCOTTISH 1930-2000) NEWSPAPER INTERIOR INTO AIR Signed, inscribed and dated 1983, mixed media 51cm x 73.5cm (20in x 29in)

£300-500

129§ FE400/4 MARY NEWCOMB (BRITISH b. 1922) GIRLS JUMPING FOR CHESTNUTS Indistictly signed, and dated 1990, pencil 16.5cm x 18cm (6.5in x 7in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

130§ FE400/55 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) and RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) GLOSSARY, LEMAN SWEETHEART Signed with initials and numbered 146/300, lithograph 39.5cm x 43cm (15.5in x 17in)

£300-500

131§ FE400/66 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) and RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) THE LITTLE SEAMSTRESS Signed by Demarco, lithograph 43cm x 58.5cm (17in x 23in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

“Christo” is the collective name of the artist duo Christo and Jeanne-Claude Javacheff, whose series of immeasurably ambitious public installations have provided some of the most visually striking and enduring imagery of the last forty years. Christo Javacheff was born in Bulgaria in 1935. In 1957 he escaped from behind the Iron Curtain to study art in Vienna. Stateless and impoverished, Javacheff moved to Paris to make a living as a portrait painter where he met the Moroccan born philosophy graduate Jeanne-Claude Denat. Though engaged to another man, Jeanne-Claude fell pregnant by Javacheff and, in the face of severe disapproval from her family, eloped with him despite having initially gone ahead with her marriage and honeymoon. The pair started

to collaborate together artistically and, having begun to build a reputation in Paris, settled in New York in 1964 where they would remain until Jeanne-Claude’s death in 2009 at the age of 74. With a combination of staggering logistical capability, fearless imagination and limitless drive, the couple became known for their high-profile public art installations which involved “wrapping” famous monuments including the Reichstag in Berlin and the Pont Neuf Bridge in Paris. Never accepting sponsorship, Christo would raise the necessary funds – often amounting to millions of dollars – solely by selling preparatory pastels, charcoals, collages and lithographs pertaining to the project. Interestingly, Christo insist that there is no socio-political

132§ FE400/63 CHRISTO JAVACHEFF CALLED ‘CHRISTO’ (BULGARIAN b. 1935) WRAPPED HORSE PROJECT 1963 Signed, numbered 18/40, artist’s proof, collaged serigraph printed by Michael Domberger, West Germany 76cm x 58cm (30in x 23in)

£1,000-1,500

concept behind their work; that the visual impact alone is the objective. Though obviously playful, the sheer scale of the enterprise lends an undeniable grandeur and beauty to their work. Throughout the canon of art history the drapery has played a significant and often symbolic role, as has the veil or shroud of religious ritual. The fabric reveals the essence of form and holds transformative powers, in this case turning the iconic and the familiar into the extraordinary: enhancing

monumentality by simplification of form. Braver still is the fact that these works are all transitory. Years in the planning and in situ for as little as a few days at a time, nothing but the plans and photographic records remain once the installation has been dismantled, lending the works a legendary quality. The Pont Neuf project took 9 years of bureaucratic wrangling to come to fruition in 1984. It is represented in this sale in a series of images taken by their official photographer Wolfgang Volz.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

133§ FE400/12 CHRISTO JAVACHEFF / ‘CHRISTO’ (BULGARIAN b. 1935) LE PONT NEUF Signed, lithograph 61cm x 94cm (24in x 37in)

and two further lithographs from the same series (3) £800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

134§ FE400/19 ALEX MCNEISH (SCOTTISH b. 1932) BREACHED CORNUCOPIA Signed and dated 1961, inscribed on stretcher verso, oil on canvas 84cm x 112cm (33in x 44in)

£600-800

135§ FE400/37 CHRIS ORR R.A., M.B.E. (BRITISH b. 1943) 66 LOST PETS AND THEIR PROBLEMS Signed, dated and numbered 1980, 1/50, etching

136§ FE400/107 PETER HOWSON O.B.E. (SCOTTISH b. 1958) CHECKPOINT DRUNK WITH FRIGHTENED CHILD Signed and numbered 11/250, unframed, lithograph

137§ FE400/74 RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) MEMORY OF AN ITALIAN JOURNEY Signerd, inscribed and dated 1981, watercolour

37cm x 26.5cm (14.5in x 10.5in)

28cm x 48cm (11in x 19in)

37cm x 29cm (14.5in x 11.5in)

20cm x 28cm (8in x 11in)

£200-300

£150-250

£100-200

138§ FE400/27 RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) BORTHWICK’S CLOSE Signed, inscribed and dated 1983, pen and ink

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

139§ FE400/81 GEORGE WYLLIE A.R.S.A. (1921-2012) HAPPENING IN THE CITY Stamped with monogram and dated 1979, bronze 72.5cm (28.5in) high

£500-700

140§ FE400/80 GEORGE WYLLIE A.R.S.A. (1921-2012) A DAY DOWN A GOLD MINE Signed, dated 1982 and inscribed, painted brick 10cm x 21.5cm x 6.5cm (4in x 8.5in x 2.5in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

Demarco devoted much of his career to the promotion of Eastern European art; strengthening ties between the UK and countries like Poland, Romania and Yugoslavia. In particular, Demarco provided a platform for the careers of a triumvirate of now internationally renowned artists; the German Joseph Beuys, Polish Tadeusz Kantor and Romanian Paul Neagu.

conceptual sculptural structures. When the embargo on international movement was lifted for a brief eight month period in 1969, Demarco took the first flight from the UK to Bucharest – its only passenger. He offered Neagu an Edinburgh show which was readily accepted. As a direct result of this opportunity, Neagu remained in the UK for the rest of his life.

Neagu, born in Bucharest in 1938, found himself on the wrong side of the Iron Curtain to practise the abstractionist art to which he was impelled. Quietly, away from the socialist realism proscribed by his native art schools, Neagu began to explore

The works here are representative of the two predominant ciphers in his oeuvre. The sculptural assemblage ‘Hyphen’ is a version of a repeat experiment of Neagu’s, first explored in 1975 and consistently re-imagined

throughout the rest of his career. Its base materials echo the folk furniture of his homeland and the wedge-like form is said to be rooted in reminiscences of the tools of his cobbler father’s trade. To Neagu, the Hyphen form was representative of human energy and spirituality – an attempt to physically represent the metaphysical harmony that the artist felt underpinned mankind’s existence. The eight point Starheaded form is a further exploration of this ‘sacred geometry’. Neagu went on to teach in prestigious institutions such as the Chelsea School of Art and the Slade. His work, the forefront of the avant-garde at

the time, never led to commercial success. A large scale Starhead form, for example, was commissioned to be erected at Charing Cross, London, but the project was halted by factions within the council. Nevertheless, his conceptual approach to sculpture was to have a lasting effect on a generation of students, including Anthony Gormley, Anish Kapoor and Rachael Whiteread, each of whom cite his work as a significant influence. The Tate acquired Neagu’s archive and showed a retrospective of his work the year before the artist’s death in 2004 at the age of 66.

141§ FE400/41 PAUL NEAGU (ROMANIAN 1938-2004) STAR HEADS Signed and dated 1982 lower right, ink and gouache 66cm x 101.5cm (26in x 40in)

£2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

142§ FE400/36 PAUL NEAGU (ROMANIAN 1938-2004) 9 CATALYTIC STATIONS Signed, exhibition poster for 1988 exhibition, Edinburgh 89cm x 63.5cm (35in x 25in)

£800-1,200

143§ FE400/57 PAUL NEAGU (ROMANIAN 1938-2004) THREE DIMENSIONAL WALL PIECE Signed and dated 1970 verso, mixed media 52cm x 52cm (20.5in x 20.5in)

£1,500-2,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

144§ FE400/50 PAUL NEAGU (ROMANIAN 1938-2004) ROYAL HYPHEN Wood and metal construction 63.5cm x 63.5cm x 89cm (25in x 25in x 35in)

£5,000-7,000

145§ FE400/48 BRIAN MCCANN R.CA. (SCOTTISH 20TH CENTURY) UNTITLED Signed and dated 1984, collage and mixed media

146§ FE400/60 RICHARD DEMARCO C.B.E., R.S.W. (SCOTTISH b. 1930) SARDINIAN STONE CIRCLE Signed, inscribed and dated 1977, pen and ink

56cm x 68.5cm (22in x 27in)

12.5cm x 16.5cm (5in x 6.5in)

£250-350

and two other sketches within the same mount £200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

147§ FE400/5 JACK KNOX R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1936) A SCOTTISH BESTIARY Lithograph, dated and numbered 47/50 76cm x 56cm (30in x 22in)

and two further works from the same series (3) £300-500

148§ FE400/22 LYS HANSEN (SCOTTISH b. 1940) RESTRAINED Signed, inscribed verso, acrylic on canvas 12.cm x 9cm (5in x 3.5in)

£200-300

149§ FE400/7 PAT DOUTHWAITE (SCOTTISH 1939-2004) SEAGULL Signed and dated 1987, inscribed verso, charcoal 28cm x 18cm (11in x 7in)

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

150§ FE400/25 STANLEY FRANKLIN (BRITISH 1930-2004) I THINK I’D LIKE THE CHANNEL 4 DIRECTOR THERE - THE SUN Signed , inscribed and dated 4 August 1983, pen and ink 28.5cm x 35.5cm (11.25in x 14in)

£200-300

151§ FE400/28 JEREMY WELLER (SCOTTISH 20TH CENTURY) GRASSMARKET PROJECT STUDY Oil on board 15cm x 9cm (6in x 3.5in)

and five others, a set of six (6) £300-500

152 FE400/9 JOHN DAVID MOONEY (AMERICAN 20TH CENTURY) PRIMEVAL GRACE I Photograph, and three other photographs by the same hand (4) £200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

153§ FE400/118 CHRISTIAN BRETT (20TH CENTURY BRITISH) RED TREE Signed with initials and dated 1969, oil on board 114cm x 81.5cm (45in x 32in) Provenance: New Art Centre, London

£500-700

154 FE400/33 JANE MACALLISTER (BRITISH 20TH CENTURY) ST SEBASTIAN Signed, inscribed and dated ‘91 verso, mixed media 76cm x 48cm (30in x 19in)

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

155 FE400/119 A collection of letters, etchings, exhibition catalogues etc largely pertaining to the activities of the Demarco Gallery George Mackay Brown,104 letters, between 1981-1995; Joseph Beuys/Richard Demarco 7000 Oaks Project interview recorded by Jane MacAllister, 27 March 1982 at Brooks Club London, master copy cassette recording; Catalogue: Richard Demarco Archives, Through Seven Decades and Countless Locations on the Road to Meikle Seggie, year 2000; Keir Smith, 9 folding Forth Studio brochures, Keir Smith, The Coniston Variations, 1983; Forth Studio catalogue: Catalogue Designs 1990-1996; Catalogue: Demarco on the Road to Meikle Seggie; Catalogue: Demarco on the Road to Meikle Seggie, Philosophy; Catalogues: Peter Lloyd Jones, Michael Tyzak, Pat Douthwaite, Experimental Poetry, Ritzi Jacobi, Paul Neague, Ion Bitzan, Edinburgh Arts ‘75; Ian Hamilton Finlay. Book: Images from the Arcadian Dream Garden, Christmas 1992, Little Sparta, accompanied by small white embossed card - Swans in Winter, Snow on the Snow of their Wings, inscribed “Happy Christmas from Ian”; Ian Hamilton Finlay. Book: A Book of Wild Flowers, illustrated by Gary Hincks,

Wild Hawthorn Press, accompanied by card: The October coloured sails of old Thames barges, The water filled footprint of old Thames barges, The cold Christmas stables of old Thames barges, The Georgian pastorals of old Thames barges, signed “Happy Christmas, love from Ian”, Little Sparta, Christmas 1994; Ian Hamilton Finlay. Book: Unsigned, designed by Pia Maria Smig, Christmas 1995, edition of 250 copies, Wild Hawrthorn Press, accompanied by card: Pines in the Snow, TAKRL.., signed on back “Happy Christmas from Ian, as ever, XX”; Trevor Yerbury. Mounted photos of MacAllister-Dukes wedding in Demarco Gallery; Hugh

Collins, letter 1983, while in Special Unit, describing the process of making the Christ and the Sinner statue; Seamus Heaney, postcard, 1986: ‘Poland deserves Iceland’; Tom Bakewell, drawing of Marques, unsigned, [25.5cm x 18.5cm]; Jeanine Osborne, drawing, 1991; Richard Demarco. ‘Furling Sail by Moonlight’, number 33 of 60, 1991; Richard Demarco. ‘Full Sail Towards Eynhallow from Stromness’, number 36 of 60, 1991; Richard Demarco. ‘Unfurling Sail towards the Gairloch’, number 39 of 60, 1991; Douglas Swan. ‘A wee scratchy phone in the night, from Douglass with love to Jane”, etching, unframed,

[21cm x 20cm]; Zbigniew Mackariewicz. 1984. ‘Scottish Inspirations’ (nominated), 134 Portfolio, dedicated to Jane MacAllister by Zbiggy MacArewych, Wroclaw, Poland; Richard Demarco. ‘Tall Ships Passing Cruden Bay’, number 22 of 60, 1991; George Wyllie. Paper Boat Indentation certificate for Justin and Jane, signed by George and Daphne, ‘Shipmates’, 1990; Paul Neagu. Flying Horse, number 68 of 75, signed “Neagu P.”, c/o GAG 1974, rolled in a decorative cardboard tube with inscription by Paul; Timothy Emlyn Jones, ‘The Secret Box’, 1995, ink drawing. £2,000-3,000

Other Properties

156§ FE450/1 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) LACONIC - HOMAGE TO NEO-CLASSICISM Silk screenprint, ed. of 300 76cm x 58.5cm (30in x 23in)

and a companion ‘The Medium is the Message’ (2) £500-700

157§ FE441/4 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) POVERTY PITTED WITH LARKS Screenprint 14cm x 83cm (5.5in x 32.5in)

£300-400

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

158§ FE441/1 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SEA POPPY II Screenprint 33.5cm x 30cm (13.25in x 12in)

£300-400

159§ FE441/2 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SEAMS Screenprint 42cm x 55cm (16.5in x 21.5in)

£300-400

160§ FE441/3 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SCOTTISH ZULU Screenprint 28cm x 41cm (11in x 16in)

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

161ยง FE417/1 PETER HOWSON (SCOTTISH b. 1958) JUDAS Signed and dated 2008, signed, inscribed and dated verso, oil on canvas 91cm x 61cm (36in x 24in)

ยฃ3,000-5,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

162§ FF38/1 PETER HOWSON O.B.E. (SCOTTISH b. 1958) NIGHT SHOUT Signed and dated ‘06, pastel 31cm x 23cm (12in x 9in)

£600-800

163§ FF38/4 PETER HOWSON O.B.E. (SCOTTISH b. 1958) MOON GAZE Signed, pastel 61cm x 46cm (24in x 18in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

164§ FE463/2 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) MALLORCAN WINDOW 1 Signed, inscribed verso, mixed media 35.5cm x 51cm (14in x 20in)

£1,000-1,500

165§ FE736/3 NAEL HANNA (SCOTTISH/IRAQUI b. 1959) SUMMER POPPIES II Signed, oil on canvas 41cm x 61cm (16in x 24in)

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

166ยง FE290/6 SIR ROBIN PHILIPSON R.A., R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) MARTYRDOM 1, 1967 Mixed media on canvas 46cm x 46cm (18in x 18in)

ยฃ3,000-5,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

167 TOBY PATERSON (SCOTTISH b. 1974) THE SEASON’S REVERSE 2 Signed on label verso, acrylic on MDF panel 100.5cm x 184cm (40in x 72in) Note:

This work dates from 2000. £1,500-2,500

168 No lot

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

169§ FB791/2C KEN HOWARD R.A. (BRITISH b. 1932) VENETIAN CAMPANILE Signed, oil on board 25.5cm x 20cm (10in x 8in)

£800-1,000

170§ FB791/2A KEN HOWARD R.A. (BRITISH b. 1932) RIO SAN GIOVANNI LATERANO, VENICE Signed, oil on board 23cm x 18cm (9in x 7in)

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

171§ FB791/81 MAURICE COCKRILL (BRITISH b. 1936) WHITE COLUMN Signed, inscribed and dated 2009 verso, acrylic on canvas 30.5cm x 25.5cm (12in x 10in)

£300-500

172§ FB791/18 MAURICE COCKRILL F.B.A., R.A. (BRITISH b. 1936) COMPOSITION Signed and dated 2010 verso, unframed, oil on canvas 101cm x 80cm (40in x 31.5cm)

£500-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

173 FE500/8 HOCK-AUN TEH (20TH CENTURY MALAYSIAN) BLOOMING Signed, acrylic on paper 56cm x 75.5cm (22in x 29.75in) Exhibited: 369 Gallery, Edinburgh 1987, ill.p.34

£400-600

174§ FE500/25 DEREK SOUTHALL (BRITISH b. 1930) TWO ISLANDS Signed and dated 1982 on the stretcher, oil on canvas 30.5cm x 43cm (12in x 17in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

175§ FE476/1 JOHN BYRNE R.S.A. (SCOTTISH b. 1940) CITYSCAPE Signed and dated ‘68, gouache 16cm x 17cm (6.25in x 6.75in)

£400-600

176§ FE500/6 BRUCE MCLEAN (SCOTTISH b. 1944) PIPE AND LADDERS Signed, acrylic on photographic paper 74cm x 61cm (29in x 24in)

£400-600

177§ FD669/10 MAUREEN BINNIE (CONTEMPORARY SCOTTISH) LOOKING DOWN Signed and dated ‘82, chalk 85cm x 82cm (33.5in x 32.25in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

178§ FD740/2 MICHAEL SCOTT (SCOTTISH 1946-2006) YOUTH AT SEA Oil on board 33cm x 33cm (13in x 13in)

£500-800

179§ FE765/1 JAMES SPENCE R.G.I., R.S.W. (SCOTTISH b. 1944) DISTANT SAILS Signed and dated 1981, oil on canvas 51cm x 51cm (20in x 20in) Note: This painting was donated to the NUM strike fund

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

180§ GEORGE WYLLIE M.B.E. (SCOTTISH 1921-2012) HMS DISCREET Signed with initials, inscribed with title and dated '84, watercolour and charcoal 80cm x 58cm (31.5in x 12.5in)

£400-600

181§ FE201/8 JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I., S.S.A. (SCOTTISH 1930-2008) COMPOSITION Signed, pastel 106.5cm x 68.5cm (42in x 27in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

182§ FE348/61 WILLIAM BAILLIE P.R.S.A., P.R.S.W. (SCOTTISH b. 1923) INDIAN INTERIOR Signed, watercolour 61cm x 88cm (24in x 34.5in)

£300-500

183§ FE463/1 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) FISH FROM THE MED Signed, signed, inscribed and dated 1991 verso, oil on board 35.5cm x 51cm (14in x 20in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

184§ FE499/39 ALEXANDER GOUDIE (SCOTTISH 1933-2004) STILL LIFE WITH BANANAS Signed, oil on canvas 71cm x 71cm (28in x 28in)

£2,000-3,000

185§ FE290/3 ALEXANDER GOUDIE (SCOTTISH 1933-2004) SITTER’S CHAIR Signed, oil on canvas 51cm x 51cm (20in x 20in)

£1,200-1,800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

187§ FE450/3 KEN CURRIE (SCOTTISH b. 1960) HANGING SKELETON Etching, signed, inscribed and annotated p/p

188§ FE470/5 EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) SUMMER FLOWERS Signed, pen and ink and watercolour

38cm x 26cm (15in x 11in)

31cm x 23cm (12.25in x 9in)

and another by the same hand ‘Shroud’ (2)

£300-400

186§ FF40/4 GORDON MITCHELL R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1952) GIGOLO Signed and dated ‘92, oil on canvas 71cm x 91cm (28in x 36in)

£2,000-3,000

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

Stephen Conroy produces detailed preparatory drawings for his larger oil paintings using chalk, gouache and oil on paper. In these chalk studies he explores the drama created through light and shadow and gradually establishes the various components of his composition. The male head seen from behind is an important motif in his work. Conroy's depiction of groups of figures almost entirely facing away from the viewer, such as

Three Bob a Week (Aberdeen Art Gallery) is unusual in the history of art. Through avoiding a direct view of the face, he adds to the enigmatic and mysterious atmosphere of his oeuvre. The male figure has remained his primary subject since the 1980s and amongst his typical depiction of generic 'suited men', Conroy often includes a selfportrait. Conroy has depicted women comparatively rarely. The nude drawings offered here show his interest in Edgar

189Â§ FD771/2 STEPHEN CONROY (SCOTTISH b. 1964) HEAD STUDY II Monogrammed, signed and inscribed with title and dated 1986 verso, mixed media on paper 40cm x 30cm (19.75in x 11.75in)

ÂŁ2,000-3,000

Degas' pastel studies of women bathing and drying themselves. This group of drawings is evidence of the artist's extraordinary draughtsmanship and ability to accurately capture details, a quality that has led to various portrait commissions, including the portrait of Sir Jonathan Miller, commissioned by the National Portrait Gallery in London.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

190§ FD771/4 STEPHEN CONROY (SCOTTISH b. 1964) LIFE STUDY IV Signed, signed and inscribed with title and dated 1987 verso, pastel 50cm x 70cm (19.75in x 27.5in)

£1,000-1,500

191§ FD771/3 STEPHEN CONROY (SCOTTISH b. 1964) LIFE STUDY III Signed, signed and inscribed with title and dated 1987 verso, pastel 70cm x 45cm (27.5in x 17.75in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

192§ FD771/5 STEPHEN CONROY (SCOTTISH b. 1964) LIFE STUDY II Signed, signed and inscribed with title and dated 1987 verso, chalk 70cm x 45cm (19.75in x 27.5in)

£1,000-1,500

193§ FD771/6 STEPHEN CONROY (SCOTTISH b. 1964) LIFE STUDY I Signed, signed and inscribed with title and dated 1987 verso, chalk 70cm x 45cm (19.75in x 27.5in)

£1,000-1,500

100

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

194ยง FD771/1 STEPHEN CONROY (SCOTTISH b. 1964) HEAD STUDY I Monogrammed, signed and inscribed with title and dated 1986 verso, oil on paper 40cm x 30cm (15.75in x 11.75in)

ยฃ3,000-5,000

101

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

195§ FD740/3 JOHN BELLANY C.B.E., R.A., R.S.A., L.L.D. (SCOTTISH b. 1942) FISH WIFE WITH PURPLE HAIR Signed, pencil and watercolour 35.5cm x 25.5cm (14in x 10in)

£500-700

196§ FE476/2 LACHLAN GOUDIE (SCOTTISH b. 1976) THE LIGHTHOUSE AT STE. MAXIME Signed, gouache 62cm x 51cm (24in x 20in)

£600-800

102

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

197§ FE348/86 ELIZABETH BLACKADDER C.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT (SCOTTISH b. 1931) IRIS HERMODACTYLUS TUBEROSUS Coloured etching, signed and numbered 15/60, unframed 31.5cm x 24cm (12.5in x 9.5in)

and eight other prints from the John Napier 450th Anniversary Folio (William Baillie print missing) £500-800

198§ FE500/5 JOHN BELLANY C.B.E., R.A., R.S.A., L.L.D. (SCOTTISH b. 1942) CONFRONTATION Signed, watercolour 76cm x 61cm (30in x 24in)

£500-800

103

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

199§ FE499/26 ANDREW CRESSWELL (BRITISH b. 1957) HERMITAGE - THE JORDAN STAIRS IN THE WINTER PALACE Signed, watercolour 76cm x 56cm (30in x 22in)

and a companion ‘Castle Howard, The Great Hall’ (2) £600-800

104

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

200§ FE499/32 JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH b. 1932) MONTREATHMONT BEECH 1 Signed and dated 7.xi.82, oil on board 31cm x 91cm (12in x 36in)

£1,500-2,000

201§ FE766/1 MARK I’ANSON (SCOTTISH b. 1968) STUDY FOR JUST WALKING GREEN Pencil and acrylic on paper

202§ FE500/27 GRAHAM SUTHERLAND O.M., R.A. (BRITISH 1903-1980) INSECT FORM Signed and dated ‘79, ink and wash

23cm x 76cm (9in x 30in)

29cm x 43cm (11.5in x 17in)

£200-300

Exhibited: Marlborough Gallery Literature: Apollinaire, Le Bestiare ou Cortège D’Orpheé 1979

£400-600

105

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

203§ FE690/1 PETER HOWSON O.B.E. (SCOTTISH b. 1958) LOWLAND HERO 6 Signed, crayon 29cm x 20cm (11.5in x 8in) Exhibited: Glasgow Museum & Art Gallery , McClellan Gallery, Peter Howson 1993, no.44

£600-800

204§ FF38/2 PETER HOWSON O.B.E. (SCOTTISH b. 1958) HEADSTONE Signed, pastel 23cm x 31cm (9in x 13in)

£600-800

106

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

205§ FE500/3 KAREL APPEL (DUTCH 1921-2006) ALL KINDSA WAYS Signed and dated ‘86, pen and ink 29cm x 21cm (11.5in x 8.25in)

and another pen and ink by the same hand ‘The forgotten angels’ (2) Provenance: Arnolfini Gallery, Bristol 1987, Ill. pp. 56 and 54

£800-1,200

107

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

206ยง FF40/3 BERYL COOK (BRITISH 1926-2008) RAB C. NESBITT Signed, inscribed and dated 1992 verso, oil on board 58.5cm x 34.5cm (22.75in x 13.5in) Note: Postcards from the artist to the sitter accompany this lot

ยฃ6,000-8,000

108

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

207§ FF40/6 ETHEL WALKER (SCOTTISH b. 1941) STILL LIFE WITH CANDLESTICKS Signed, oil on board 61cm x 53cm (24in x 21in)

£1,000-1,500

208§ FE499/16 REGULA MARIA MÜLLER (20TH CENTURY DUTCH) WILDERNESS Oil on canvas, unframed

209§ FE456/2 PHILIP REEVES R.S.A., P.R.S.W. (SCOTTISH b. 1931) CREVICE Signed, mixed media

122cm x 107cm (48in x 42in)

21cm x 14.5cm (8.25in x 5.75in)

£500-800

£400-600

109

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

210ยง FE499/7 JOHN HOUSTON R.S.A., R.S.W., S.S.A. (SCOTTISH 1930-2008) YELLOW LILIES Signed, inscribed and dated 1985-86 verso, oil on canvas 51cm x 41cm (20in x 16in)

ยฃ1,500-2,000

110

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

211§ FE355/1 LEON MORROCCO R.S.A., R.G.I. (SCOTTISH b. 1942) STILL LIFE WITH FEZ AND TASSEL Signed and dated ‘99, oil on canvas 86.5cm x 91cm (34in x 36in)

£5,000-7,000 END OF SALE

111

LY O N & T U R N B U L L Index Cataloguing Terms

Anderson, G., 119 Arpel, K., 205

Derges, S., 55 Douthwaite, P., 15, 84, 85, 149

Bacon, F., 33 Baillie, W., 6, 182 Becker, H., 89 Bellany, J., 17, 18, 78, 79, 195, 198 Beuys, J., 37, 111-118 Binnie, M., 9, 177 Blackadder, E., 14, 77, 197 Brett, C., 153 Breuer-Weil, D., 86 Burns, J., 70 Bushe, C., 20 Byrne, J., 104, 175

Fairnington, M., 52, 53 Ferguson, D., 97 Finlay, I.H., 130, 131, 156-160 Flanagan, B., 108 Fleming, I., 5 Franklin, S., 150 Fraser, A., 35 Frost, Sir T., 71-74, 93

Caulfield, P., 30 Chapelet, R., 75 Cockrill, 171, 172 Cockrill, M., 102 Colvin, C., 94 Conroy, S., 189-194 Cook, B., 206 Creswell, A., 199 Crozier, W., 109 Cumming, J., 7 Cunningham, J., 103 Currie, K., 187 Demarco, R., 121, 122, 127, 137, 138, 146

Gear, W., 96 Gillespie, J., 88 Goudie, A., 12, 184, 185 Goudie, L., 196 Greaves, E., 64, 65 Gunarsa, N., 92 Haig, E., 4, 188 Hambling, M., 106 Hanna, N., 98, 101, 165 Hansen, L., 125, 148 Hely, N., 62, 63 Hepworth, B., 66, 67 Heron, P., 56-60 Houston, J., 100, 181, 210 Howard, K., 1, 2, 169, 170 Howson, P., 27, 28, 95, 136, 161, 162, 163, 203, 204 Irvin, A., 68, 69

The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist

Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Studio of ... / Workshop of ... In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Attributed to... In our opinion probably a work by the artist in whole or in part.

Irwin, G., 51 Javacheff, C. (called 'Christo'), 132, 133 Knox, J., 147 l'Anson, M., 201 Macallister, J., 154 McArthur, C., 80, 81 McCann, B., 126, 145 McCarthy, C., 91 McClure, D., 164, 183 McLaurin, R., 39 McLean, B., 31, 176 McNeish, A., 134 Mitchell, G., 186 Mooney, J.D., 152 Morris, M., 32 Morrison, J., 29, 200 Morrocco, A., 21, 87 Morrocco, L., 211 Müller, R.M., 208 Neagu, P., 141-144 Newcomb, M., 129 Orr, C., 135 Paolozzi, Sir E., 16 Park, A., 110 Paterson, T., 167 Philipson, Sir R., 3, 8, 99, 166 Circle of ... In our opinion a work of the period of the artist and showing his influence. Follower of ... In our opinion a work executed in the artist’s style but not necessarily by a pupil. Manner of ... In our opinion a work executed in the artist’s style but of a later date After ... In our opinion a copy (of any date) of a work of the artist.

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Redfern J., 10 Reeves, P., 209 Richards, C., 90 Riley, B., 41-49 Romero, M., 50 Scott, M., 178 Scott, W., 61 Scottish School, 105 Scouller, G., 19 Scully, S., 34 Southall, D., 174 Spence, J., 179 Sutherland, G., 202 Sutton, P., 38 Swann, d., 128 Teh, H-A., 173 Thomson, D., D., 82, 83 Toner, D., 11 Uecker, G., 123, 124 Walker, E., 207 Weller, J., 151 White, P., 76 Wishaw, A., 54 Wyllie, G., 13, 36, 107, 139, 140, 180 Yule, A., 120 Zyw, A., 28 Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist. Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. Dimensions are given height before width.

Fine Paintings Thursday, 30th May, 2013 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

SAMUEL JOHN PEPLOE R.S.A. (SCOTTISH 1871-1935) IONA Signed, oil on panel

Emily Johnston Tel: +44 (0)20 7930 9115 emily.johnston@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

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33cm x 38cm (13in x 15in)

ÂŁ30,000-50,000

Fine Paintings Thursday, 30th May, 2013 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Emily Johnston Tel: +44 (0)20 7930 9115 emily.johnston@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

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GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) STILL LIFE, FRUIT Signed, oil on convas 66cm x 775cm (25.25in x 30.25in) Provenance: J. Gibson Jarvie, Esq. Exhibited: Exhibition of Scottish Art, Royal Academy of Arts, London, 1939, no. 565

ÂŁ60,000-80,000

Fine Asian Works of Art Wednesday, 12th June, 2013 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Lee Young Tel: +44 (0)131 557 8844 lee.young@lyonandturnbull.com

Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com

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Modern & Contemporary Art Auction 05/05/13 Exhibition opens Thursday, May 2 at 10am Anne Henry +1 267.414.1220 ahenry@freemansauction.com Aimee Pflieger +1 267.414.1221 apflieger@freemansauction.com

ROY LICHTENSTEIN (american 1923-1997) "BRUSH STROKE V" Signed verso and numbered 2 (from the edition of 10) Wall relief comprised of cherry wood, epoxy paint, acrylic lacquer and enamel Executed in 1986 60 x 31 x 13 1/2 in. (152.4 x 78.8 x 34.3cm) $80,000-100,000 (detail) Please call +1 267.414.1256 to order a catalogue or subscription.

www.freemansauction.com

American Art & Pennsylvania Impressionists Auction 06/09/13 Exhibition opens Wednesday, June 5 at 10am Alasdair Nichol +1 267.414.1211 anichol@freemansauction.com David Weiss +1 267.414.1214 dweiss@freemansauction.com

GEORGE WILLIAM SOTTER (american 1879-1953) COVERED BRIDGE, WINTER Signed 'G.W. Sotter.' bottom right, oil on canvas 22 x 26 in. (55.9 x 66cm) $50,000-80,000 (detail) Please call +1 267.414.1256 to order a catalogue or subscription.

www.freemansauction.com

STANDARD TERMS & CONDITIONS OF SALE

prevailing by law at the date of sale and is payable by buyers of relevant lots.

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

6. PAYMENT

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate

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(1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express. (2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

13. TERMS OF SALE

GENERAL

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot. (2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

Absentee bid form Sale/customer details 33 Broughton Place Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Sale Title Sale Date

Sale No.

Title

Initials

Client No.

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 2928 e-mail: info@lyonandturnbull.com www.lyonandturnbull.com

Surname Address Postcode Telephone

I request Lyon and Turnbull, without legal obligation of any kind on its part, to bid on the following lots up to the prices listed.

Fax

E-mail

£ Sterling limit Lot.No

Description

Ex. Premium & VAT

I understand that if any of my bids are successful the total price payable will be the amount of the final bid plus a Buyer’s premium calculated at the following rates: 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium. The premium and VAT is payable by all purchasers. Lots in the catalogue marked * or † are subject to VAT on the hammer price as well as the premium. Where there are identical bids for a lot, the first bid received will be have precedence. Please make certain that your bids are submitted at least two hours before the start of the sale.

Client Signature

Date

Lyon and Turnbull office use Date

Time

Bidder No.

Received Entered

119

Board of Directors

Specialist Departments

Chairman Sir Angus Grossart

Pictures, Watercolours and

Vice Chairman Paul Roberts

Charlotte Riordan

Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Gavin Strang Associate Directors Lee Young Mhairi McFadden

Prints Nick Curnow Emily Johnston (London) Furniture, Clocks and Works of Art Douglas Girton Lee Young Lydia Stoker Asian Works of Art Lee Young Lydia Stoke Rugs and Carpets Gavin Strang Jewellery, Silver, Coins and Medals Trevor Kyle Colin Fraser Decorative Arts and Design John Mackie European and Asian Ceramics Douglas Girton Campbell Armour

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Rare Books, Maps, Manuscripts and Photographs Simon Vickers Cathy Marsden

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

email: info@lyonandturnbull.com www.lyonandturnbull.com

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Arms and Armour John Batty (consultant) Interiors Theo Burrell Charlotte Riordan

Valuation Department Telephone: 0845 882 2794 UK Director Rachel Doerr

Business Development Lady Middleton John Sibbald John Thomson Tessa Thomson Lindsey Michie Nicholas Campbell Ian Peter MacDonald

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

Waverley Station

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom. WA ITH LE

ITH

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

QU EE N

Local Deliveries Local deliveries can be arranged by A&S Pert Removals. Telephone 07876 343520.

Lyon & Turnbull saleroom

St Andrew Square

ES ST

P R IN C

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale. Thereafter lots will be removed to store in Edinburgh and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274