Rare Books, Maps & Manuscripts | 14th & 15th May 2013 by Lyon & Turnbull

Rare Books, Manuscripts, Maps and Photographs Tuesday, 14th May, 2013

The Bruce Ritchie Collection of 18th-20th Century English Literature Wednesday, 15th May, 2013 33 Broughton Place Edinburgh

Part One Rare Books, Manuscripts, Maps and Photographs Tuesday, 14th May, 2013 at 2pm Lots 1-239

Part Two The Bruce Ritchie Collection of 18th-20th Century English Literature Wednesday, 15th May, 2013 at 10am Lots 240-743 Sale Number LT378 Viewing Sunday, 12th May 2pm - 5pm Monday, 13th May 10am - 5pm Tuesday, 14th May 10am - 1pm Morning of Sale from 9am Specialists Simon Vickers simon.vickers@lyonandturnbull.com Cathy Marsden cathy.marsden@lyonandturnbull.com John Sibbald, Consultant

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you. Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling. Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct. Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale). VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price. The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price. No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where

the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the appropriate collecting organisation and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale). Collation If on collation any NAMED item in this catalogue is proved defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S, maps or drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at time of sale, NOR in respect of lots sold for less than £300. Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition

Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale). Bidding At the Sale To bid at the sale all potential buyers must be registered with us on or before the day of sale. We will need proof of identification and residence, and may require a bank reference. Potential buyers must collect a bidding number before the sale begins, and show that number if successful in purchasing a lot. Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately. If you have not been successful please leave the number at the Registration or Reception desks. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. They must be received at the very latest at least an hour before the sale. We will do our utmost to execute these bids but we offer this service entirely at the bidder’s risk. By telephone Bids submitted by telephone must be confirmed in writing. Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk.

All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. Methods of Payment Goods purchased will not be released until we have received full payment. Bank Transfer Please find details in any email invoice we issue or upon request from our accounts department. Cash Cash payments can be made at the accounts desk during or after a sale. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Payments We no longer accept card payments by phone, please use our online payment service (powered by Worldpay). You will find a link to this service in any email invoice issue or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

Part One Rare Books, Manuscripts, Maps & Photographs Tuesday, May 14th at 2pm Lots 1-239

LY O N & T U R N B U L L Order of Sale

Lots

1-11

ART & ARCHITECTURE

12-19

ATLASES, MAPS & PRINTS

20-33

CONTINENTAL BOOKS

34-50

HISTORY & MILITARY

51-91

LITERATURE

92-97

MANUSCRIPTS

98-119

MISCELLANEOUS

120-133

NATURAL HISTORY

134-137

PHOTOGRAPHY

138-175

TRAVEL & TOPOGRAPHY

176-239

BOOKS FROM THE ROYAL COLLEGE OF SURGEONS IN IRELAND: PART VII

IMAGES AND CONDITION REPORTS For images showing the condition of lots please view our fully illustrated on-line catalogue at www.lyonandturnbull.com COLLATION If on collation any NAMED item in this catalogue proves defective, in text or illustration, the buyer may reject the lot provided it is returned within 21 days of the sale stating the defect in writing (see Important Information for Buyers). All volumes catalogued singly from the RCSI library are subject to return under the usual terms and conditions; lots comprising more than one title are sold not subject to return. BUYER’S PREMIUM 25% up to £25,000 / 20% thereafter. VAT at the appropriate rate is charged on the premium (see our Terms and Conditions of Sale).

Opposite: plate from lot 128 5

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

ART & ARCHITECTURE 1 FF12/1 Architectural sketches - France 2 volumes, small folio (358 x 234mm.), c. 1829, approximately 144 pages of mounted pencil architectural drawings, sketches and watercolours, on paper or tracing paper, engraved plan of Lyon (1827) tipped in at end of one volume, uniform green half morocco, bindings slightly rubbed (2) £1,000-1,500 2 FC269/82 Caracci, Annibale Aedium Farnesiarum tabulae. Rome: Venantii Monaldini, 1753. Folio, engraved portrait, title in red and black, 33 engraved plates on 30 sheets, contemporary vellum, rubbed and soiled, two small holes Provenance: Property of the Trustees of Lord Gretton £500-700 3 FC237/47 Castell, Robert The villas of the ancients illustrated. London, 1728. Folio, contemporary half calf, 13 engraved plates, 9 double-page, covers rubbed and spine very worn, some internal foxing and dampstaining Provenance: Viscount Strathallan, Stobhall, Perthshire £250-350 4 FC269/83 Cipriani, Giovanni Battista A collection of prints after the sketches and drawings of Giovanni Battista Cipriani... engraved by Mr Richard Earlow. London: J. & J. Boydell, 1789. Folio, portrait, engraved title, 49 engraved plates, some tinted, contemporary half calf, rubbed, joints split, binding crudely repaired Provenance: Property of the Trustees of Lord Gretton £1,000-1,500 5 FF12/10 [Dalí, Salvador] - Leymarie, Jean Picasso - métamorphoses et unité. Geneva: Editions d’Art Albert Skira, 1971. Folio, numerous colour illustrations, original cloth, dustwrapper, dustwrapper protected with acetate featuring scribble in biro adding glasses, moustache, beard and cross on a necklace to a photograph of Picasso, marks to free endpapers, inside of acetate with ownership signature, extremities slightly worn Note: The biro additions to the acetate are thought to be by Dalí. £700-800

6 FF8/4 Dresden Royal Gallery Die vorzüglichsten gemälde der königliche Galerie in Dresden. Dresden: François Hanfstaengl, 1836. Very large folio, 1 engraved portrait, 1 engraved title and 193 engraved plates, possibly 3 volumes in one but lacking engraved titles and frontispieces for second and third volumes, bookplate of Malcolm of Poltalloch, contemporary morocco gilt with gilt doublures, some foxing, darkening, slight offsetting and a little dampstaining, rubbing to boards and spine; sold not subject to return £500-600 7 FF12/3 Falda, Giovanni Baptista Der römischen fontanen... Nuremberg: In Sandrartischem Verlag, 1685. Folio (354 x 235mm.), woodcut and engraved illustrations in the text, 42 engraved plates, most double-page, later morocco, some leaves with repaired tears at foot, occasional dampstaining £700-1,000 8 FC269/121 Guiffrey, Jules Antoine Van Dyck, sa vie et son oeuvre. Paris: A. Quantin, 1882. Folio, 27 plates ( including 1 large folding plate), original cloth, bookplate of Lord Gretton, soiled, spine splitting and frayed at base, corners bumped, some spotting; Strong, Arthur S. Reproductions in facsimile of drawings of the Old Masters. London: P. & D. Colnaghi & Co., 1900-1903. Folio, 65 (of 66 plates, plate 1 lacking), in 6 parts, plates and explanations loose in wrappers inside orange portfolio case with ties, case faded with two sides detached, wrappers a little soiled, explanations of plates 43, 46, 62 and 65 lacking; Gower, Ronald, Lord Three hundred French portraits... by Clouet. London: Sampson, Low, [&c.], 1875. Folio, 2 volumes, 302 plates, plate 269 not present, contemporary blue cloth gilt, bookplates of Lord Cheylesmore and Lord Gretton, covers a little soiled, occasional spotting, most plates loose (4) Provenance: Property of the Trustees of Lord Gretton £150-200 9 LT2013/25 Porcelain and Ceramics, a quantity including Reily, Robin Wedgwood. New York: Stockton Press, 1989. 4to, 2 volumes, blue cloth gilt, marbled slip case; Sassoon, Adrian Vincennes and Sevres porcelain, catalogue of the collections. Malibu: J. Paul Getty Museum, 1991. 4to, cloth gilt, dustwrapper; Williams, Sidney B. Antique blue and white Spode. London: Omega, 1987. Small 4to, blue cloth, dustwrappert; Haggar, Reingald G. The Masons of Lane Delph. London?: Geo. L. Ashworth & Bros. [n.d.] Small 4to, red cloth gilt, dustwrapper; Blunt, Reginald, editor The Cheyne book of Chelsea china and pottery. London: Geoffrey Bles, [n.d.] Small 4to, original? boards, library stamps; Young, Hilary and Walford, Tom British ceramic design, 1600-2002. Beckenham: English Ceramic Circle, 2003. 4to, red cloth gilt, dustwrapper; Hillier, Bevis Master potters of the industrial revolution. London: Cory, Adams & Mackay, 1965. Small 4to, orange gloth, dustwrapper repaired; Mackenna, Severene Champion’s Bristol porcelain. Leigh-on-Sea: The Tithe House, 1947. Small 4to, orange cloth gilt; and a quantity of others (63) £200-300

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

10 FF12/5 Porcelain, silver, metalwork, etc., a quantity, including Hackenbroch, Yvonne English and other silver in the Untermeyer Collection. London: Thames and Hudson, 1963; Nocq Orfèverie civile française... Paris: Albert Lévy, [n.d.]; Harvard Histoire de l’orfèverie française. Paris: Ancienne Maison..., 1896; Hefner-Alteneck Eisenwerke oder ornamentik der schmeiderkunst... Frankfurt: Heinrick Keller, 1870; Snowman, Kenneth A. Gold boxes of Europe. London: Faber & Faber, 1966; Ducret, S. Porcelaine de Saxe. Fribourg: Office de Livre, 1962; [Idem] Fürstenberger porzellan. Braunschweig: Klinkhardt & Bierman, 1965. 3 volumes; [Meissen Pottery] Dissertation-programme de la plus ancienne manufacture de porcelaine. Meissen: 1910; and 72 others, various sizes (81) £500-1,000 11 FC269/117 Winkelmann, Johann Joachim Histoire de l’art chez les anciens... Paris: Seguy-Thiboust, 1790. 4to, volumes 1-2 only (of 3), engraved portrait, engraved frontispiece, volume 1 with 25 engraved plates, volume 2 with 37 engraved plates, contemporary mottled calf with gilt tooled spine and labels in red and black, spines a little rubbed and chipped, some slight foxing and several pages darkened in volume 2; Jomini, Général Baronde Traité des grandes opérations militaires, et histoire critique des campagnes de la révolution. [Paris: [N.p.] 1811-1813?] 4to, 2 atlas volumes only, first volume complete with 29 folding maps and plans, second volume has 13 folding maps, contemporary half calf, upper boards detached and rubbed, a little dust soiling and spotting to the maps; Fontenelle, Bernard le Bovier de Oeuvres... The Hague: Gosse & Neaulme, 17281729. 3 volumes, engraved frontispiece with portrait, titles in red and black, 5 engraved plates, contemporary calf, bookplates, covers rubbed, spines lacking, slight spotting and solme marginal dampstaining, small hole to upper margin of page 65 in volume 2 with loss of page number (5) Provenance: Property of the Trustees of Lord Gretton £200-300

ATLASES, MAPS & PRINTS 12 FE327/2 A collection of four maps of Scotland and Ireland Kitchin, T. A new map of the Kingdom of Ireland... [London: John Cary, after 1799?] Hand-coloured in outline, 355x442mm (engraved area 290x364mm), some very slight marginal darkening, lower left corner a little creased, a couple of small marks in purple pen; Blaeu, J. and Blaeu, C. Lothian and Linlithquo. [Amsterdam: after 1654], 620x503mm (engraved area 550x380mm), Latin text on reverse, some marginal browning, dampstain to centre of upper margin, slightly affecting the engraved area, a few short closed tears; Thomson, John [A map of part of Dumfries and Galloway (Kirkconnel, Morton, Closeburn, Glencairn)]. Edinburgh: 1828. Hand-coloured in outline, 741x217mm (engraved area 196x628mm), a little dust-soiling, a few small chips and closed tears; Cary, John A new and correct map of the south part of Scotland. London: John Stockdale, 1805. Handcoloured in outline, 427x552mm (engraved area 380x522mm) (4) £300-400

13 FE93/22 Alexander, William Two hand-coloured engravings, each depicting a Chinese warrior in traditional costume, taken from Alexander’s The Costume of China, 1805, framed and glazed in single frame with double-windowed mount, plates 13 and 20, visible engraved area of each plate c.200x135mm £150-200 14 FE480/2 Collins, Captain Greenville The east coast of Scotland with the Isles of Orkney and Shetland. [London:] 1738. Hand-coloured, engraved area 445x560mm, laid down within mount, a little browned; [Idem] The Firth of Murry. [London:] 1738. Hand-coloured, engraved area 440x560mm, laid down within mount, slight spotting (2) £150-200 15* FE149/15 Edinburgh, attributed to Mary Stewart Edinburgh and the surrounding country as seen from Calton Hill, c.1840-50[?], framed and glazed, hand-coloured lithographed panoramic view of Edinburgh with printed marginal labels indicating major landmarks, small amount of repair work to upper left corner and some very slight marginal darkening, dimensions of engraved area c.2240x230mm £800-1,200 16 FE528/15 Map Bibliographies: Olaus Magnus & Martin Behaim - Ravenstein, E.G. Martin Behaim, his life and his globe. London, 1908. Folio, number 9 of 510 copies, with facsimile of Behaim’s globe in 4 sheets printed in colors in pocket at end, original cloth-backed boards, uncut, slip case, bookplate of John Bartholomew, slip case rubbed; Brown, Basil Astronomical atlases, maps and charts. London, 1922. 4to, plates, original vellum, small tear to head of spine; Lynam, Edward The carta marina of Olaus Magnus, Venice 1539 & Rome 1572. Jenkintown: Tall Tree Library, 1949. 8vo, plates, original cloth; Rylands, Thomas G. The geography of Ptolemy elucidated. Dublin, 1893. 4to, plates, cloth, dustwrapper (4) Provenance: Bartholomew Family, Mapmakers and Geographers, Edinburgh £100-150

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

18 17 FE327/1 Pont, Timothy A selection of 7 maps of Scotland after Timothy Pont, comprising of: Blaeu Sterlinensis praefectura. Amsterdam: after 1655, 550x621mm (engraved area 520x410 mm), Latin text on reverse, closed tear along central fold, slightly dampstained; [Blaeu] Buthe insula. Amsterdam: after 1655, 500x623mm (engraved area 500x388mm), Latin text on reverse, a little dust-soiled with slight dampstaining; [Blaeu] Skia... the Yle of Skie. Amsterdam: after 1655, 616x500mm (engraved area 525x410mm), Latin text on reverse, a little dust-soiled with dampstain to upper centre; [Blaeu] Arania. Amsterdam: after 1655, 621x506mm (engraved area 520x386mm), Latin text on reverse, a little dust-soiled with slight dampstain; [Blaeu] Vistus insula [Uist]. Amsterdam:after 1655, 620x530mm (engraved area 580x447mm), Latin text on reverse, slight dust-soiling and darkening; [Blaeu] Cunninghamia. Amsterdam: after 1655, hand-coloured in outline with impressive hand-coloured cartouche and vignette, 562x440mm (engraved area 550x423mm), no text on reverse, some darkening, chipping around edges with some loss to map border; [Blaeu] Nithia vicecomitatus, the Shirifdome of Nidis-Dale. Amsterdam: 1654, hand-coloured in outline with elaborately hand-coloured cartouches and vignette, 626x523mm (engraved area 581x385mm), Latin text on reverse, very browned with some spotting, masking tape on reverse where map has been mounted (7) £400-600 8

18 FE528/16 Ptolemaeus, Claudius [Geographiae libri octo recogniti iam et diligenter emendati.] [Cologne: typis Godefridi Kempensis, 1584]. Folio, 26 double page maps and 1 single page map, nineteenth century calf-backed boards, lacks the engraved title-page and dedication leaf, some fore-margins inkstained, waterstained at inner and upper margins and upper section of most maps, wormhole at head of inner margin, some staining/discolouration to centre of maps from (later) guards, extensive worming of index inner margin, binding worn and soiled £1,500-2,500 19 FE430/40 Speed, John The kingdome of Scotland. Bassett and Chiswell?: [c.1676], framed and glazed map with insert map of Orkney, strapwork title cartouche and four vignettes of Scottish ‘commoners’ around margins, English text on verso, some very slight surface dust-soiling, engraved area c.520x382mm £200-300

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

CONTINENTAL BOOKS 20 FE326/13 Balzac, Honoré de Oeuvres complètes. Paris: M. Levy, 1875-76. 24 volumes, 8vo, contemporary maroon quarter morocco, slightly spotted, a few volumes slightly rubbed, spines faded £100-200 21 FC269/75 Baïf, Lazarede Annotationes in legem II... Basil: Froben, 1537. 4to, numerous woodcut illustrations and initials, publisher’s device to colophon, contemporary black calf, rebacked, panelled with blind tooled acorns, bookplate of John Rowden Freme, upper cover detached, lower joint split, covers rubbed, clasps broken, a few annotations in ink, some spotting [USTC 671791]

24 FC237/22 Carracci, Annibale Imagines Farnesiani cubiculi cum ipsarum monocromatibus et ornamentis Romae in aedibus Sereniss. Duciss Parmensis. Rome, [c. 1690]. Oblong folio, 12 plates and title page engraved by Petro Aquila, half morocco gilt, some light foxing and dampstaining to plates, one endpaper torn, hinges splitting and rubbing to spine and covers, cover detached Provenance: Viscount Strathallan, Stobhall, Perthshire £200-300 25 FE326/12 Fireworks - Frezier, Amédée François Traité des feux d’artifice pour le spectacle. Paris: Nyon, 1747. 8vo, frontispiece and 13 folding plates, contemporary calf, first gathering, frontispiece and upper board detached, rubbed £200-300

Note: Collates: 323 [8] Provenance: Property of the Trustees of Lord Gretton £250-350 22 FF3/1 Belidor, Bernard Forest de La Science des Ingenieurs dans la Conduite des Travaux de Fortification et d’Architecture Civile. Paris: Charles-Antoine Jombert, 1739. 4to, engraved frontispiece, 53 plates, occasional spotting and small ink stain on verso of plate 27, original boards with chewing at corners, pages frayed and browning at edges, occasional mild spotting and staining, binding decayed £250-350 23 FE326/30 Brice, Germain Description de la ville de Paris. Paris, 1752. 4 volumes, 12mo, 40 (of 41) folding engraved plates and maps, contemporary calf, rubbed; [Bauche, publisher] Memorial de Paris et de ses environs. Paris: Bauche, 1749. 2 volumes, 12mo, engraved titles, frontispieces, folding plan, folding map, contemporary calf, rubbed; [Dezallier d’Argenville, A.N.] Voyage pittoresque de Paris. Paris: De Bure, 1752. 12mo, additional engraved title & 4 plates, 2 folding, contemporary calf, rubbed; [Idem] Voyage pittoresque des environs de Paris. Paris: De Bure, 1755. 12mo, engraved frontispiece, contemporary calf, rubbed; Montesquieu, C. de S. De l’esprit des loix. Geneva: Barrilot & fils, 1753. 3 volumes, 8vo, contemporary calf, worn; Sevigné, Mme. de Recueil de lettres. Paris, 1786. 8 volumes, 12mo, calf, worn; Lafayette, Mme de. Oeuvres. Amsterdam, 1786. 8 volumes, 12mo, calf, worn; Rousseau, J.J. Lettres de deux amants. Amsterdam: M.M. Rey, 1775. 6 parts in 3 volumes, 8vo, engraved plates, calf, rubbed; and 23 others, 18th century French, volumes, worn; sold not subject to return (67) £300-400

26 FC237/288 Herbelot, Barthélemy d’ Bibliotheque orientale, ou dictionnaire universel. Maestricht: J.E. Doufour & P. Roux, 1776. Folio, title printed in red and black, halftitle, contemporary calf, crudely rebacked, head and foot of spine, corners and upper joint rubbed Provenance: Viscount Strathallan, Stobhall, Perthshire £150-200 27 FE551/20 l’Academie Royale des Médailles & des Inscriptions Médailles sur les principaux evenements du regne de Louis le Grand... Paris: l’Imprimerie Royale, 1702. 4to, engraved frontispiece, 297 engraved vignettes showing coins, contemporary calf, upper cover detached, rubbed, occasional dampstaining, small sticker to upper cover and another to spine Provenance: Bartholomew Family, Mapmakers and Geographers, Edinburgh £150-200 28 FC269/130 Le Cabinet des Fées Ou collection choisie des contes des fées et autres contes merveilleux... Amsterdam: Rue et Hôtel Serpente, 1785-1789. 8vo, 41 volumes, contemporary mottled calf, bookplates of Mr A. Holmes and Lord Gretton, some covers and spines detached, rubbed, joints splitting; Gibbon, Edward The history of the decline and fall of the Roman Empire. London: A. Strahan, 1788-1790. 8vo, 12 volumes, contemporary calf, bookplates with previous owner’s name scratched out, rubbed, joints splitting, several labels lacking; Sold not subject to return (53) Provenance: Property of the Trustees of Lord Gretton £150-200

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

29 FA335/11 [Liger, Louis] Le ménage des champs, et de la ville, ou nouveau cuisinier françois accommodé au goût du temps. Paris: Damien Beugnié, 1714, engraved frontispiece, 5 folding engraved plates; [Idem] Le ménage des champs, et de la ville, ou nouveau jardinier françois accommodé au goût du temps. Paris: Damien Beugnié, 1715 , woodcut illustrations, together 2 volumes, 12mo, uniform contemporary calf gilt, occasional slight staining, printing flaw affecting headline on Aa2 in volume II, bindings rubbed, spines chipped; Eliot, T.S. Dust jackets for ‘What is a Classic?’ (London: Faber and Faber, ca.1944-1950. 8vo., cream with red and black title) and ‘Ash Wednesday’ (London: Faber and Faber, 1930?. 8vo., green with red foliate border around black title) (4) £150-250 30 FC269/100 Mercurialis, Hieronymus Opuscula aurea & selectoria... Venice: Iuntas & Baba, 1644. 4to, title in red and black, half-title, contemporary calf, rubbed, spine peeling, half-title dust-soiled, pages 367-368 lacking Provenance: Property of the Trustees of Lord Gretton £150-200 31 FC269/129 Rousseau, Jean-Jacques Oeuvres complettes. Paris: Bélin, Caille, Grégoire & Volland, 1793. 12mo, 37 volumes, contemporary speckled calf, gilt tooled spines, covers rubbed, some volumes soiled around covers and edges, several volumes lacking labels; Voyages imaginaires, songes, visions et romans cabalistiques... Amsterdam: Rue et Hotel Serpente, 17871789. 8vo, 39 volumes, 75 (of 76?) engraved plates, contemporary mottled calf with gilt tooled spines, bookplates of Lord Gretton and Lady Ashburton, some spines and corners chipped, some soiling, some gouges to covers of volumes 1, 7 and 34 (76) Provenance: Property of the Trustees of Lord Gretton £200-300

32 FC269/91 Sanchez, Thomas Disputationum de sancto matrimonii sacremento. Antwerp: Henricus Aertssius, 1626. Folio, 3 volumes in one, contemporary vellum with embossed floral motif to covers, title painted in red on spine, binding a little soiled, repair to page 403 of volume 1, a few small holes in volumes 2 and 3 with loss of a couple of letters, darkening to some pages; Domenichi, Lodovico Dialoghi. Venice: Gabriel Giolioto, 1562. 8vo, publisher’s device to colophon, contemporary? vellum, a small amount of spotting, collates [28], 364, 385-399, [1] (Z7-AA8 possibly never bound in), [USTC 827379]; [Scudéry, Madeleine] Nouvelles conversations de morale... Paris: Sebastien Mabre-Cramoisy, 1688. First edition, 12mo, 2 volumes, engraved frontispiece, contemporary red calf gilt, g.e., covers and spines a little rubbed and soiled, some dampstaining, predominantly marginal; Terentius Afer, Publius Les comédies... Paris: Louis Cellot, 1771. 2 volumes (of 3), 2 engraved frontispieces, 3 engraved plates, contemporary mottled calf, bookplates of Joseph Knight, spines a little rubbed and cracked; Fontaine, Jean de la Contes et nouvelles en vers... Paris: Libraires Associés, 1791 and 1796. 8vo, portrait, engraved frontispiece, 84 engraved plates, contemporary calf, bokplates, slightly rubbed, spines darkened; Misson, Maximilien Voyage d’Italie. Amsterdam: (to be sold in Paris) Clousier, David, Durand, & Damonneville, 1743. 8vo, 2 volumes, frontispiece, titles in red and black, 63 engraved plates (37 folding), contemporary calf, spines and covers a little rubbed and bumped, a couple of closed closed tears to plate 1 in first volume and small hole to p.330 with loss of a couple of letters, very occasional spotting and offsetting, closed tears to plates 57 and 60 in volume 2 (10) Provenance: Property of the Trustees of Lord Gretton £300-400 33 FC269/47 Tasso, Torquato Il goffredo, ovvero Gerusalemme liberata. Venice: Antonio Groppo, 1760-1761. Folio in sixes, 2 volumes, engraved frontispiece, portrait, red and black title in volume 1, 20 engraved plates, other engraved vignettes, contemporary vellum, covers a little soiled and faded (2) Provenance: Property of the Trustees of Lord Gretton £400-600

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

HISTORY & MILITARY 34 FE326/34 17th century English works - Butler, Samuel Hudibras. London: H. Herringman, 1684. 3 parts in one volume, 8vo, contemporary calf, inscriptions on title, pencil annotations, rebacked, rubbed, [Wing B6319]; Allestree, Richard The gentleman’s calling. London: T. Garthwait, 1660. First edition, 8vo, 2 engraved titles and 2 engraved plates, contemporary calf, neatly rebacked, [Wing A1115]; [Perrinchief, Richard] The life and death of King Charles the First. London: J. Hindmarsh, 1693. 8vo, 3 parts in one volume, engraved plates, later calf, [Wing P1595], rebacked; [Baron, William] A just defence of the royal martyr K. Charles I. London: A. Roper [&c.], 1699. 8vo, 3 parts in one volume including supplement, eighteenth century panelled calf, [Wing B897], rebacked, corners worn; [Garth, Sir Samuel] The dispensary, a poem. London: J. Nutt, 1699. First edition, 8vo, engraved frontispiece, near contemporary calf, [Wing G273], upper cover detached (5) £250-350 35 FC269/7 Barclay, John Argenis. London: R. Meighen & H. Seile, 1628. 8vo, contemporary calf, rubbed, covers detached, slight marginal worming, some spotting and darkening, portrait lacking [ESTC S100796; STC 1393]; ‘Junius’ Letters. London: H. S. Woodfall, 1772. 8vo, 2 volumes, contemporary red morocco, g.e., spines a little rubbed, some very slight soiling to covers [ESTC T001830] (3) Provenance: Property of the Trustees of Lord Gretton £200-300 36 FC269/66 Barriffe, William Militarie discipline... London: John Dawson, 1643. Small 4to, engraved portrait, armorial plate (‘Arma Pacis Fulcra’), and one folding plate (of 2), contemporary calf, bookplate, binding a little rubbed and soiled, some dust and dampstaining, slight spotting, a few annotations in ink in an early hand, very small tear to foremargin on page 100 [ESTC R6178] [Wing (2nd edition) B918] Provenance: Property of the Trustees of Lord Gretton £200-300 37 FE326/15 Bindings - Pepys, Samuel The diary, edited by H.B. Wheatley. London, 1899. 10 volumes, 8vo, brown half calf, t.e.g., some joints splitting; Gibbon, Edward The history of the decline and fall of the Roman Empire. London, 1802-07. 12 volumes, 8vo, engraved portrait, folding maps, contemporary tree calf, spines gilt, head and base of spines rubbed, lacks some labels (22) £200-300

38 FC269/37 Blanckley, Thomas Riley A naval expositor. London: E. Orven, 1750. 4to, engraved title, engraved illustrations in page margins, contemporary calf, bookplate, rubbed, some soiling to covers, upper cover detached, offsetting from title to endpaper, [ESTC T131269] Provenance: Property of the Trustees of Lord Gretton £500-800 39 FC237/172 Boethius, Hector Scotorum historiae a prima gentis origine. [Paris: De Puys, 1527] First edition, folio, engraved title in red and black ink, sectional title in black, some woodcut initials, [USTC 145871] some marginal annotations, slight spotting to fol. XCVI-XCVIII and hole in fol. CCXXV with loss of several words, very clean copy, contemporary calf with slight rubbing to covers, lacking A2 and possibly a couple of other leaves Provenance: Viscount Strathallan, Stobhall, Perthshire Note: Along with Buchanan’s Historia Scotorum, Boethius’s work is often believed to have influenced Shakespeare’s portrayal of Macbeth as a malevolent character in the Scottish play. £400-500 40 FC269/42 Brenton, Edward Pelham The naval history of Great Britain. London: C. Rice, 1823-1825 8vo, 5 volumes, 33 portraits, maps and plates (lacking map of Santa Cruz and portrait of Admiral Rainer), contemporary calf gilt, bookplates, spines and covers a little rubbed and faded, upper joint of volume 3 split, some spotting & offsetting; Fearne, Charles The trial of the honourable Admiral John Byng at a court martial... London: R. Manby, [&c], 1757. Folio, modern half calf, bookplate of Lord Gretton, spine a little faded and rubbed, title foxed [ESTC N549]; Hatsell, John Precedents of proceedings in the House of Commons... London: T.Payne [&c.], 1796. Third edition, 4to, 4 volumes, contemporary green morocco, gilt tooled borders, g.e., bookplates of Lord Gretton and the Earl of Bandon, a few marginal tears, some rust-holes affecting several letters, some dampstaining to volume 3, spines faded [ESTC T144009]; James, William A full and correct account of the chief naval occurrences of the late war between Great Britain and the United States of America. London: T. Egerton, 1817. 8vo, 3 engraved plates, contemporary marbled calf, spine gilt, a little rubbed, internal spotting; [Idem] A full and correct account of the chief naval occurences of the late war between Great Britain and the United States of America. London: T. Egerton, 1817. 8vo, 3 engraved plates, original blue boards, bookplate of Lord Gretton, covers and spine a little rubbed and soiled, upper joint splitting, some spotting to edges (12) Provenance: Property of the Trustees of Lord Gretton £400-500

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

41 FC269/95 Hedderwick, Peter A treatise on marine architecture... Edinburgh: printed for the author, 1830. 4to, text volume only, 8 engraved plates, nineteenth century half calf, bookplate of Lord Gretton, spine and corners a little rubbed and bumped, some slight foxing but mostly clean; Steel, David The elements and practice of naval architecture... London: W. Simpkin and R. Marshall, 1822. Third edition, 4to, text volume only, engraved frontispiece, folding table, 15 plates (some folding), contemporary half calf, bookplate of Lord Gretton, very occasional light spotting, a couple of minor closed marginal tears with no loss of text; [Idem] The elements and practice of naval architecture. London: P. Steel, 1805. First edition?, 4to, text volume only, engraved frontispiece, 9 engraved plates, contemporary half calf, bookplate of Lord Gretton, a little rubbed, pages 93-96 misbound, occasional slight spotting and a few plates a little browned (3) Provenance: Property of the Trustees of Lord Gretton £250-350 42 FC269/111 Langon, Baron Evenings with Prince Cambacérès... London: H. Colburn, 1837. 8vo, 2 volumes, engraved portraits, contemporary purple morocco with gilt tooled portrait of Napoleon to covers, g.e., bookplates of Lord Gretton, occasional slight spotting, spines and corners a little rubbed; Neale, Adam Letters from Portugal and Spain. London: R. Phillips, 1809. 4to, engraved map laid down, 12 engraved plates, contemporary calf, bookplate of Lord Gretton, rubbed, joints splitting, some spotting and darkening to plates and text, a few plates laid down (3) Provenance: Property of the Trustees of Lord Gretton £200-300 43 FE326/35 Leather bindings - Reynolds, Sir Joshua The works. London, 1798. Second edition, 3 volumes, 8vo, contemporary tree calf gilt; Watson, Robert The history of the reign of Philip the Second. London, 1803, 3 volumes, 8vo, contemporary tree calf, rebacked; Anquetil, M. Memoirs of the court of France. Edinburgh, 1791. 2 volumes, 8vo, contemporary tree calf, neatly rebacked; Campan, Madame Memoirs of the private life of Marie Antoinette. London, 1823. 2 volumes, 8vo, contemporary half calf, spines gilt; Sheffield, John, Duke of Buckingham The works. London, 1740. Third edition, 2 volumes, 8vo, contemporary calf, neatly rebacked, spines gilt; Robertson, W. The history of the reign of the Emperor Charles V. London, 1806. 4 volumes, 8vo, contemporary calf, very worn; Salmon, W. The chronological historian. London, 1747. 2 volumes, 8vo, calf, one cover detached; [Idem] The life and reign of King William III and Queen Mary. London, 1742. 8vo, calf, slightly rubbed; Plutarch Plutarch’s lives. London: J. Tonson, 1703. 5 volumes, 8vo, engraved plates, contemporary calf, spines gilt, worn, slightly spotted; [Idem] Plutarch’s lives, in eight volumes. London, 1770. 8 volumes, 12mo, engraved frontispiece, engraved portraits in text, contemporary calf, rubbed (32) £300-500

44 FE326/23 Military - Prussia and England Regulations for the Prussian Infantry. London, 1754. 8vo, 7 folding engraved plates, 6 folding tables, contemporary calf, binding broken; [British Army] A list of the General and Field-Officers, in the several regiments of Horse, Dragoons and Foot, on the British and Irish establishments. London: J. Millan, [c.1765]. 8vo, 5 smaller engraved tables, partly hand-coloured, bound in, 2 further tables [?only] for Militia 1761, numbered 5 & 6, also bound in, contemporary calf, rubbed, upper cover detached; Lediard, Thomas The life of John, Duke of Marlborough. London, 1743. 2 volumes, 8vo, engraved portrait, plates, folding battle plans, contemporary calf gilt, rubbed (4) £200-250 45 FC269/132 Military history - Marlborough, Duke of The life and military history of his grace the Duke of Malborough. London: M. Cooper, [&c.], 1754. 4to, engraved portrait, title in red and black, 9 folding engraved plates, boards and spine a little soiled, some internal dampstaining, some tears and repairs to plates; Montgomery, Sir A., Major-General The story of the Fourth Army. London: Hodder and Stoughton, [1920]. 4to, 2 volumes, 19 folded maps, 5 (of 7, 2 and 3 lacking) folding panoramic plates, original red cloth gilt, bookplate of Lord Gretton; Murray, Sir George, editor The letters and dispatches of John Churchill, First Duke of Malborough. London: John Murray, 1845. 8vo, 5 volumes, red cloth gilt, bookplates of Lord Gretton, covers and spines soiled, spines a little chipped; Jones, Sir John T. Journal of the sieges carried on by the army under the Duke of Wellington, in Spain... London: John Weale, [N.d., 1856?]. Third edition, 8vo, 3 volumes, 26 (of 27) folding maps, green cloth gilt, faded, some spotting.Napoleon Memoirs of the history of France during the reign of Napoleon. London: H. Colburn, 1823. 8vo, 2 volumes, purple cloth, bookplates of Lord Gretton, cloth faded and soiled; Hachette & Co. La guerre, racontée par l’image d’apres les sculpteurs les graveurs et les peintres. [N.p.] Hachette et Cie., 1903. 4to, original calf, g.e., bookplate of Lord Gretton, spine faded, covers a little rubbed Moore, James A narrative of the campaign of the British army in Spain. London: J. Johnson, 1809. 4to, engraved portrait, plate, 2 folding maps, contemporary half calf, bookplate of Lord Gretton, rubbed, joints split; And 7 other titles; sold not subject to return (23) Provenance: Property of the Trustees of Lord Gretton £200-300 46 FE326/31 Napoleon Bonaparte, a collection, including O’Meara, Barry E. Napoleon in exile. London, 1827. 2 volumes, 8vo, additional engraved titles, frontispieces & 1 plate, contemporary half calf gilt; Bourrienne, M. de Memoirs of Napoloen Bonaparte. Glasgow, [c.1880]. 2 volumes,

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

large 8vo, modern half calf retaining original boards, occasional dampstains; Segur, General Count P. de History of the expedition to Russia. London, 1827. 2 volumes, 8vo, additional titles, folding map, contemporary half calf; Scott, Sir W. The field of Waterloo. Edinburgh, 1815. Third edition, 8vo, half morocco by Birdsall, original wrappers bound in; Goldsmith, LewisThe secret history of the cabinet of Bonaparte. London, 1811. 8vo, red half morocco, head of spine rubbed; Oudinot, Marshall Memoirs. London, 1896. 8vo, plates, blue half calf gilt, spine faded; Wilson, Sir R.T. A narrative of the expedition to Egypt. London, [1803]. 12mo, engraved portrait, folding map torn at fold without loss, modern calf, some spotting; Horne, R.H. The history of Napoleon. London, 1841. 2 volumes, 8vo, plates, half calf, rebacked; Gourgaud, Général Napoleon et la Grande Armée en Russie. Londres, 1825. 8vo, half calf, cover detached; Roland, Madame Mémoires. Paris, 1820. 2 volumes, 8vo, half calf gilt; Sévigné, Mme. de Lettres inédites. Paris, 1814. 8vo, folding genealogy, red half morocco gilt, slightly rubbed; Stael, Mme. la Baronne de Considérations sur les principaux événemens de la Révolution françoise. Paris, 1820. 3 volumes, 8vo, red morocco gilt, neatly rebacked retaining original spines; Marbot, Général Baron de Mémoires. Paris, [n.d.]. 3 volumes, 8vo, red half morocco gilt; [Code Napoleon] Codes de l’empire français... réunis en un seul volume. Paris, P.J. Voglet, 1812. Second edition, 12mo, engraved portrait, later calf, portrait partly hand-coloured, somewhat spotted; and 32 others, mostly cloth, relating to Napoleon or the French Revolution; sold not subject to return (55) £400-500 46

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

47 FC237/154 Royal land holdings An account of all the manors, messuages, lands, tenements, and hereditaments in the different counties of England and Wales, held by lease from the Crown. London: S. Hooper and Messrs. Robinson, 1787. Oblong folio, gilt tree-calf, neatly rebacked retaining original spine, marbled endpapers, Earl of Stradbroke copy with his signature and bookplate, fine copy with some light foxing Provenance: Viscount Strathallan, Stobhall, Perthshire £100-150 48 FC269/65 Schefferus, Joannes Argentoratensis, de militia navali veterum... Uppsala: Johannes Jansson, 1654. Small 4to, engraved frontispiece, 4 engraved plates, contemporary calf, a little rubbed and soiled, upper joint splitting, margins of pages 98 and 191 trimmed with loss of a small amount of engraving, occasional very light dampstaining Provenance: Property of the Trustees of Lord Gretton £150-200 49 FD681/7 Stevenson, J.R.H. Heraldry in Scotland. Glasgow: J. Maclehose, 1914. 4to, 2 volumes, number 158 of 540 copies, etched frontispiece by D.Y. Cameron, coloured frontispiece in volume 2 and 36 plates (9 coloured), original quarter vellum gilt, bindings a little soiled, occasional spotting, plate 26 loose, previous owner’s bookplates on paste-down endpapers; Marwick, Sir James D. Early Glasgow... Glasgow: J. Maclehose, 1911. 4to, number 43 of 60 copies, 2 folding maps, 32 plates, original red quarter morocco gilt, binding a little faded and soiled, some small wormholes around joints, bookplate, slight spotting; Innes, Sir Thomas Scots heraldry... Edinburgh: Oliver and Boyd, 1956. Second edition, 4to, frontispiece, plates, original blue cloth, spine a little faded; Smollett, T. The history of England... London: T. Cadell, 1800. 8vo, 3 volumes, 8 engraved portraits, contemporary calf, gilt tooled spines, spines rubbed, joints weakening, some slight rubbing to boards; Buckle, H. T. London: Longmans, Green, 1882. 3 volumes, 8vo, contemporary calf, gilt tooled spines; Prescott, W. H. History of the conquest of Mexico. London: Routledge, Warne and Routledge, 1865. 8vo, 2 volumes, 2 portraits, map, 2 plates, contemporary tree calf gilt, spine slightly faded, joints cracking, occasional spotting; [Idem] History of the conquest of Peru. London: R. Bentley, 1850. 8vo, 3 volumes, folding map, contemporary half calf, gilt tooled spines, spines a little faded, some slight bumping, occasional foxing; [Idem] History of the reign of Ferdinand and Isabella the Catholic. London: G. Routledge, [n.d.] 8vo, 2 volumes, 2 portraits, 4 plates, contemporary purple calf gilt, spines rubbed and faded, boards slightly scratched; Sykes, Sir Percy A history of Persia. London: Macmillan & Co., 1963. 8vo, 2 volumes, contemporary blue cloth, very slightly rubbed; Thomas, Bertram Alarms and excursions in Arabia. London: G. Allen & Unwin, 1931. First edition, 8vo, frontispiece, plates and maps, original red cloth, some fading and soiling to spine and boards, some

internal foxing and dampstaining; and 2 other titles; Scott, Sir Walter Waverley novels. Edinburgh: A. & C. Black, 1871. Centenary edition, 8vo, 25 volumes, red half morocco gilt, portrait, frontispieces, engraved title vignettes, occasional light spotting, some rubbing, fading and soiling to boards and spines (37) £300-400 50 FE326/37 Universal History, An from the earliest account of time. London. London: T. Osborne, A. Millar, J. Osborn, 1747-48. Volumes 1-20. 8vo, 110 engraved plates and maps, some folding, list of subscribers, contemporary calf, a few short tears to maps, one plate detached, head and tail of most spines rubbed, most joints split, one cover detached £300-400

LITERATURE 51 FE326/21 Dickens, Charles The chimes. London: Chapman and Hall, 1845, eigth edition, additional engraved title, frontispiece; The cricket on the hearth. London: for the author, 1845. Fifth edition, additional engraved title, frontispiece; A Christmas carol. London: Chapman and Hall, 1845. Eleventh edition, hand-coloured frontispiece and 3 hand-coloured plates, corner of frontispiece restored; The battle of life. London: Bradbury & Evans, 1846. First edition, fourth issue of the vignette title with cupid with scroll, additional title and frontispiece; The haunted man. London: Bradbury & Evans, 1848. First edition, additional title and frontispiece, all 12mo, with original cloth covers and spines bound in at end, late ninteenth century green half morocco by Tout, g.e., spines gilt, spines faded £400-600 52 FE323/1 [Dodgson, C.L.] “Lewis Carroll” Through the looking-glass. London: Macmillan and Co., 1872. First edition, first issue with misprint of ‘wade’ for ‘wabe’ in the Jaberwocky poem on page 21, 8vo, original red cloth gilt, g.e, several pages loose, some foxing and dust-soiling, first free endpaper attached to paste-down endpaper, hinges split, covers and spine soiled and a little bumped, lower joint split; [Idem] Alice’s adventures in wonderland. London: Macmillan and Co, 1872. 8vo, original red cloth gilt, g.e., a few pages coming slightly loose and hinges a little split, occasional slight foxing and dust-soiling, covers and spine dustsoiled, joints a little rubbed and spine and corners slightly bumped, previous owner’s inscription to half-title (2) £100-150 53 FE326/41 Edgeworth, Maria Leonora. London: J. Johnson, 1806. First edition, 2 volumes, 8vo, later green half morocco, uncut, spines gilt £200-250

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

54 FE326/5 [Evans (Marian)] “George Eliot” Scenes of clerical life. Edinburgh: W. Blackwood, 1858. Half-titles; Adam Bede. Edinburgh: W. Blackwood, 1859. 3 volumes; [Idem] The mill on the Floss. Edinburgh: W. Blackwood, 1860. 3 volumes, half-titles; [Idem] Silas Marner. Edinburgh: W. Blackwood, 1861; [Idem] Romola. London: Smith, Elder & Co., 1863. 3 volumes, neat repair to lower margin of volume 1; Felix Holt. Edinburgh: W. Blackwood, 1866. 3 volumes, half-titles; [Idem] The Spanish gypsy. Edinburgh: W. Blackwood, 1868; [Idem] Middlemarch. Edinburgh: W. Blackwood, 1871-72; [Idem] The legend of Jubal. Edinburgh: W. Blackwood, 1874; [Idem] Daniel Deronda. Edinburgh: W. Blackwood, 1876; [Idem] Impressions of Theophrastus Such. Edinburgh: W. Blackwood, 1879; [Idem] Essays and leaves from a note-book. Edinburgh: W. Blackwood, 1884; Cross, J.W. George Eliot’s life. Edinburgh: W. Blackwood, 1885. 3 volumes, 8vo; all first editions, uniform late nineteenth century brown half morocco by Birdsall, t.e.g., green morocco lettering pieces, occasional light spotting, a fine set (29) Provenance: George John Armytage F.S.A., bookplates £2,000-2,500

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

55 FE152/5 Greene, Graham Doctor Fischer of Geneva, or the bomb party. London: The Bodley Head, 1980. First edition, original green cloth, dustwrapper, some slight darkening to dustwrapper, price clipped; [Idem] Ways of escape. London: 1980. First edition, original green cloth, dustwrapper a little faded, not price clipped, previous owner’s signature to first free-endpaper; [Idem] Monsignor Quixote. London: 1982. First edition, green cloth, dustwrapper a little darkened along spine and very slightly chipped on front inner flap, not price clipped; [Idem] The tenth man. London: 1985. First edition, green cloth, dustwrapper slightly darkened with very minor soiling, not price clipped; [Idem] May we borrow your husband? London: 1967. First edition, some darkening to dustwrapper with spine a little faded and slightly chipped in places, not price clipped; [Idem] The captain and the enemy. London: Reinhardt Books, 1988. First edition, green cloth, dustwrapper not price clipped; [Idem] The ministry of fear. London: William Heinemann Ltd., 1943. First edition, yellow cloth, lacking dustwrapper, a little fading to spine and covers, previous owners’ inscriptions and signatures to first free-endpaper (7) £200-300

56 FE326/4 Homer The Iliad. Translated by Alexander Pope. London: H. Lintot, 1743. 6 volumes, 12mo, engraved plates, license leaf in all volumes except vol.2, contemporary calf, neatly rebacked, spines gilt; Pope, Alexander The poetical works. London, 1821. 2 volumes, 8vo, contemporary calf, gilt; Horace. Opera. London: G. Sandby, 1749. 2 volumes, 12mo, engraved title vignettes, engraved plates, contemporary calf, neatly rebacked; Middleton, C. The life of Marcus Tullius Cicero. London, 1801. 3 volumes, 8vo, contemporary calf, rubbed, joints split; Ovid. Metamorphoses. 1773. 2 volumes, 12mo, engraved plates, calf, rubbed, a cover detached; Livius, Titus. Historiarum ab urbe condita. Oxford: Theatro Heldoniano, 1708. 6 volumes, 8vo, contemporary calf, worn, one cover detached; and 3 others (24) £200-300

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

57 FE326/2 Hume, David The history of England. London, 1792. 8 volumes, 8vo, engraved frontispiece; Smollett, T. The history of England [continued]. 1791. 5 volumes, 8vo, engraved frontispiece; Smollett, T. The miscellaneous works. Edinburgh, 1790. 6 volumes, 8vo, frontispieces, all contemporary tree calf gilt, rubbed (19) £200-300 58 FE326/18 Johnson, Samuel The works of the English poets. London: for C. Bathurst, [&c.], 177981. 68 volumes, 12mo, some volumes with engraved frontispieces, contemporary red morocco gilt, g.e., some offsetting from frontispieces to title-pages, spines slightly faded, a few volumes slightly rubbed at head £1,500-2,500 59 FE326/22 Johnson, Samuel A dictionary of the English language. London, 1778. 2 volumes, 8vo, contemporary calf, neatly rebacked; Shakespeare, WIlliam The plays. London: C. Bathurst, 1778. 10 volumes, 8vo, engraved portrait, contemporary calf, red and green morocco lettering pieces, spines chipped; Mason, William Poems. York, 1779. 8vo, contemporary calf, spine chipped; [Junius, pseud.] Junius stat nominis umbra. London, 1792. 2 volumes, 8vo, engraved titles, contemporary tree calf gilt, rubbed; Gay, John Fables. London, 1793. 2 volumes in one, 8vo, engraved title and plates, later half morocco, spotting; Byron, Lord Childe Harold’s pilgrimage. London, 1812. Fourth edition, 8vo, contemporary panelled calf, neatly rebacked; Sharp, S. Letters from Italy. London, [c.1770], 8vo, contemporary calf; Watts, I. Sermons on various subjects. London, 1784. Fifth edition, 8vo, contemporary calf, neatly rebacked; [Brayley, E.W.] Cowper, illustrated by a series of views. London, 1804. 8vo, additional title and 12 plates, contemporary tree calf gilt ; and 2 volumes of The Guardian (22) £200-300 60 FE328/8 Jonson, Ben Works. London: H. Herringman, E. Brewster, T. Bassett, R. Chiswell, M. Wotton, G. Conyers, 1692. Folio, portrait, bookplates of Amasa Stone Matha and Horace Somerville Sewell to endpapers, and some bookseller’s notes, contemporary calf, rebacked, some browning and dust-soiling, some annotations in pencil, closed tear to pp.119-120 with no loss of text, small hole to pp.261-262 with loss of a couple of letters, some very slight marginal worming with no loss of text, a little rubbing to covers and spine [ESTC R15282; Wing J1006] £700-1,000

62 FD763/1 Lee, Laurie Cider with Rosie. London: Hogarth Press, 1959. First edition, 8vo, signed by author on first free-endpaper, dustwrapper, very light occasional foxing, dustwrapper price-clipped and slightly chipped around edges, with very small closed tear to spine corner £200-300 63 FF8/3 Machiavelli, Niccolo Opere. [Geneva?: Pietro Alberto?,] “1550” [but probably between 1620 and 1641]. Small 4to, woodcut portrait to title-page, contemporary vellum, rebacked, deleted signature of previous owner to titlepage, some light foxing and very slight dampstaining, a little dust-soiling to a few pages, covers a little dust-soiled and with minor bumping to corners Note: Collation: [4], [1-2], 3-351, [1-2], 3-168, [1-2], 3-170, [4], 116, [12], 3-14, [2], 304 First collected editions of Machiavelli’s works, such as this, tend to feature the date 1550 on the title-page but were, in fact, published in the seventeenth century. As some later editions bear a Geneva imprint, the collections tend to be attrubuted to Switzerland. In this particular book, Machiavelli’s woodcut portrait features on the main title page only, differentiating this version from that described by Gerber, etc., which list a portrait on each individual title page. £400-600 64 FD326/27 Naval novels - Chamier, Capt. Frederick Ben Brace, the last of Nelson’s Agaememnons. London: R. Bentley, 1836. First edition, 3 volumes, 8vo, contemporary half calf, spines gilt with emblematic tooling, Cruising Association Library gilt stamp to upper boards, bookplates and small oval blindstamp to titles; [Idem] Jack Adams, the mutineer. London: H. Colburn, 1838. First edition, 3 volumes, 8vo, contemporary green half morocco, Cruising Association Library gilt stamp to upper covers, bookplates, & small oval blindstamp to titles, contemporary newspaper accounts of Pitcairn Island pasted to leaves before title (6) Provenance: The Cruising Association Library £150-200 65 FE326/17 Newgate Calendar - Jackson, William, of the Inner Temple The new and complete Newgate Calendar, or villany displayed in all its branches... in six volumes, illustrated with upwards of sixty elegant plates. London: A. Hogg, [c.1820]. 6 volumes, engraved frontispiece and 83 plates, contemporary tree calf gilt (6) £150-200

61 FF14/1 Jonson, Ben Half length portrait, said to be of Ben Jonson, oil on canvas, 17 x 13.5cm, frame size 24 x 20cm., ?early 19th century £300-400

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

Selection from lots 66 to 72

66 FE326/24 Rackham, Arthur Arthur Rackham’s book of pictures. London: W. Heinemann, 1913. First edition, number 890 of 1030 copies signed by Arthur Rackham, 44 coloured mounted plates, original white pictorial cloth gilt, t.e.g., tissue guards slightly soiled, binding rather dust-soiled £300-400 67 FE326/27 Rackham, Arthur Some British ballads. London: Constable & Co., [1919]. 4to, number 402 of 575 copies signed by the author, 16 coloured mounted plates by Rackham, original quarter vellum, t.e.g., others uncut, binding slightly soiled £200-300 68 FE326/28 Rackham, Arthur Cinderella. London: W. Heinemann, 1919. 4to, number 562 of 850 copies signed by Arthur Rackham, hand-coloured mounted frontispiece, illustrations by Rackham, some coloured, original clothbacked pictorial boards, t.e.g., others uncut, pictorial endpapers, some offsetting from illustrations £150-250

69 FE326/36 Rackham, Arthur La Motte Fouqué, De Undine. London: W. Heinemann, 1920. 4to, 15 mounted coloured plates by Rackham, original pictorial olive morocco, head and tail of spine rubbed; Wagner, R. Parsifal. London: Harrap, [n.d.]. 4to, mounted coloured plates & page decorations by WIlly Pogany, original green morocco-backed pictorial cloth, spine discoloured, one plate creased; Wagner, R. The tale of Lohengrin. New York: T. T. Crowell, [?c.1940]. 4to, mounted coloured plates & page decorations by Pogany, maroon blindstamped cloth, spine gilt; Purey-Cust, A.P. Sonnets and songs. Leeds, 1912. 4to, plates, original vellum gilt, t.e.g., lightly marked; Raspe, R.E. The surprising adventures of Baron Munchausen. London, 1895. 8vo, illustrations by William Strang and J.B. Clark, 8vo, contemporary blue half morocco gilt, t.e.g.; Crane, Walter The baby’s opera. London: G. Routledge, [n.d.], short tear to title; [Idem] The baby’s bouquet. London: G. Routledge, [n.d.], oblong 8vo, coloured illustrations, original wrappers bound in, contemporary half morocco, wrapper to first neatly repaired with slight loss (6) £200-300

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

70 FE326/29 Rackham, Arthur - Algernon Charles Swinburne The springtide of life. London: W. Heinemann, 1918. 4to, number 16 of 765 copies signed by Arthur Rackham, 9 coloured mounted plates by Rackham, original pictorial quarter vellum, t.e.g., others uncut, binding discoloured £200-300 71 FE326/25 Rackham, Arthur - Richard Wagner The Rhinegold & the Valkyrie. London: W. Heinemann, 1910. 4to., number 82 of 1150 copies signed by Arthur Rackham, 34 mounted coloured plates by Rackham, original pictorial vellum gilt, t.e.g., others uncut, binding slightly spotted, lacks ties £300-400 72 FE326/26 Rackham, Arthur - Richard Wagner Siegfried & the Twilight of the gods. London: W. Heinemann, 1911. 4to, number 699 of 1150 copies signed by the artist, 30 coloured mounted plates by Rackham, original pictorial vellum gilt, t.e.g., others uncut, binding slightly spotted, lacks ties £300-400 73 FF10/2 Rowling, J.K. Harry Potter and the chamber of secrets. London: Bloomsbury, 1998. First paperback edition, first impression, 8vo, signed by Rowling on dedication page, original covers with ‘Smarties Book Prize’ sticker to upper cover, previous owner’s signature to inside cover, slight wear to corners and small crease to lower cover £250-350 74 FE326/11 Scott, Sir Walter Novels and tales. Edinburgh, 1821. 12 volumes; [Idem] Tales and Romances. 1827. 7 volumes; [Idem] Historical Romances; [Idem] Novels and Romances. 1824. 14 volumes; [Idem] Tales and romances. 1824-33. 14 volumes; [Idem] Introductions and notes and illustrations to the Novels, 1833; all Edinburgh: A. Constable, engraved titles, contemporary half calf, slightly spotted (40) £200-250

75 FF10/1 Spyri, Johanna Heidi, une histoire pour les enfants et pour ceux qui les aiment. Gotha: F.A. Perthes, 1882. First French edition, 8vo, 3 plates, g.e., original blue cloth gilt with Swiss country scene in black to upper cover, gift inscription in English dated 1885 to half-title, some slight darkening to plates, hinges a little weak, spine faded and some slight soiling to covers; [Idem] Encore Heidi... Bâle and Geneva: H. Georg, 1882. 8vo, 4 plates, g.e., original green cloth gilt with Swiss country scene in black to upper cover, slight darkening to endpapers and some plates, a little rubbing to spine, joints and corners, spine slightly faded (2) £1,000-1,500 76 FE326/8 Sterne, Laurence The works. London: W. Strahan [&c.], 1783. 10 volumes, 8vo, engraved frontispiece portrait and 9 plates, contemporary vellum gilt, bindings lightly soiled £200-300 77 FE326/1 Swift, Jonathan Letters written by the late Jonathan Swift. London: T. Davies [&c.] 3 volumes, 8vo, contemporary calf, extremities rubbed, [ESTC T154629]; Swift, Jonathan Political tracts. London: C. Davies, 1738. 2 volumes, 8vo, contemporary calf, worn, two covers detached, [ESTC T43973] (5) £200-250 78 FF12/9 [Thackeray, W.M.] - Titmarsh, M.A. - Christmas Books Mrs Perkins’s Ball. London: Chapman and Hall, [1847], first edition, first issue, 22 coloured plates including illustrated title-page and one folding plate; [Idem] Our Street. London: Chapman and Hall, 1848, first edition, 16 coloured plates including illustrated title-page, 1p. publisher’s adverts at rear, original upper and lower wrappers bound in at rear; [Idem] Doctor Birch and his young friends. London: Chapman and Hall, 1849, 16 coloured plates including illustrated title-page, 1p. publisher’s adverts at rear, original upper and lower wrappers bound in at rear, some slight dampstaining; [Idem] Rebecca and Rowena. London: Chapman and Hall, 1850, first edition, 8 coloured plates after Richard Doyle, 1p. publisher’s adverts at rear, original upper and lower wrappers bound in at rear; [Idem] The Kickleburys on the Rhine. London: Smith, Elder, & Co., 1850, first edition, 15 coloured plates including illustrated title-page, 2pp. publisher’s adverts at rear, original upper and lower wrappers bound in at rear; all 8vo, rebound in full green morocco by Riviere, spines gilt in compartments, some soiling to original wrappers (5) £600-800

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

79 FE739/1 Tolkien, J.R.R. The hobbit. London: George Allen & Unwin, 1937. First edition, 8vo, plates & illustrations, original green cloth, occasional light soiling and a few spots, binding slightly soiled and slightly rubbed at foot of spine £2,000-2,500 80 FE314/2 Waugh, Evelyn The ordeal of Gilbert Pinfold. London: Chapman & Hall, 1957. First edition, 8vo, blue cloth, dustwrapper slightly chipped along upper edge; [Idem] Officers and gentlemen. London: Chapman & Hall, 1955. First edition, 8vo, blue cloth, dustwrapper spine a little faded and chipped; [Idem] Scott King’s modern Europe. London: Chapman & Hall, 1947. First edition, 8vo, blue cloth, dustwrapper a little chipped (3) £100-120 81 FF13/1 Waugh, Evelyn Basil Seal Rides Again. London: Chapman and Hall, 1963. First edition, number 210 of 750 copies signed by the author, coloured frontispiece by Kathleen Hale, original blue buckram, t.e.g., others uncut, glassine wrapper torn with some loss, spine very slightly faded £150-200 82 FE326/38 111 leather bound volumes - Thomson, James The seasons. London, 1768. 12mo, engraved plates, contemporary calf, rebacked; Bloomfield, R. The farmer’s boy. London, 1800. 12mo, wood-engravings by Charlton Nesbit, contemporary calf, joints splitting; Nugent, Thomas The grand tour. London, 1749. 4 volumes, 12mo, contemporary calf, worn, several leaves in volume 4 detached; Arrowsmith, A. A compendium of ancient and modern geography. London, 1831. 8vo, folding maps, contemporary calf; Victoria, Queen Leaves from the journal of our life in the highlands. 1868. 8vo, 2 plates, contemporary half calf gilt; Lytton, Sir E. B. The last days of Pompeii. Edinburgh, 1860. 2 volumes, 8vo, contemporary calf gilt; Addison, Joseph The works. London, 1811. 6 volumes, 8vo, engraved frontispiece, contemporary half calf, rubbed, one cover detached; Virgil. The bucolicks, [The Georgicks] translated by John Martyn. London, 1749. 2 volumes, 8vo, engraved folding portrait and plates, contemporary calf, gilt, rebacked; Justinius De historiis Philippicis. Paris: F. Leonard, 1677. 4to, engraved frontispiece, contemporary calf, gilt arms on sides, spine worn; Richardson, S. The history of Sir Charles Grandison. London, 1820. 7 volumes, 12mo; [Idem] Clarissa. London, 1810. 8 volumes, 12mo, uniform calf-backed boards, a few volumes rubbed; and 76 others, leather bindings, 8vo and 12mo, varying condition; sold not subject to return (110) £500-600

83 FF13/2 Adams, Richard Watership Down. London: Penguin Books/Kestrel Books, 1976. Number 212 of 250 specially bound edition, signed by the author and with an original signed watercolour by John Lawrence bound in, illustrations by John Lawrence, green pictorial morocco gilt by Sangorski and Sutcliffe, spine gilt in compartments, gilt edges, slip case, a fine copy £800-1,200 84 FE326/32 Arabian Nights - Forster, Rev. Edward, translator The Arabian nights, with engravings from pictures by Robert Smirke, R.A., London: W. Miller, 1802. 5 volumes, 8vo, 25 engraved plates, contemporary tree calf gilt, very neatly rebacked, head of one spine slightly rubbed; Cowper, William Poems. London, 1806. 2 volumes, 8vo, contemporary tree calf gilt; [Defoe, Daniel] The life and strange surprizing adventures of Robinson Crusoe. London: J. Stockdale, 1790. 2 volumes, 8vo, engraved titles and plates, contemporary tree calf gilt, head of spines rubbed; Addison, J. The free-holder. London, 1757. 8vo, contemporary tree calf gilt, head of spine rubbed; Milton, J. Paradise lost. London, 1770; Paradise Regain’d. 1772. 2 volumes, 12mo, engraved plates, contemporary calf, worn; Keate, George The poetical works. London, 1781. 2 volumes, 12mo, engraved frontispiece, title vignettes, plates, contemporary tree calf gilt, rubbed; [Aram] The trial and life of Eugene Aram. Richmond, 1832. 8vo, engraved frontispiece, calf, worn (15) £300-400

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

85 FE326/39 Bell, John Bell’s British theatre. London: John Bell, general title dated 1780, individual play titles dated 1776-78. 20 volumes, 12mo, engraved plates, blue quarter morocco by Birdsall, spines gilt £200-250 86 FD391/54 Bibliography Scholderer, Victor Greek printing types, 1465-1927... London: B.M./O.U.P., 1927. Folio, limited edition of 650 copies, original boards, dustwrapper torn; Darton, F.J. Harvey Children’s Books in England. Cambridge: C. U. P., 1966. 8vo, 8 plates, original green cloth, dustwrapper, dustwrapper spine faded, a little dust-soiled & small tears; Cockerell, Douglas Bookbinding and the care of books. London: I. Pitman & Sons, 1945. Fourth edition, 8vo, original boards, dustwrapper, bleach spots to covers, dustwrapper slightly worn & dust-soiled; Williamson, Hugh Methods of book design...London: O. U. P., 1966. Second edition, large 8vo, original green cloth, dustwrapper spine a little faded; Morison, Stanley Four centuries of fine printing. London: E. Benn, 1960. 8vo, original red cloth, dustwrapper slightly faded and dust-soiled; [Idem] On type designs... London: E. Benn, 1962. 8vo, original grey boards, dustwrapper a little soiled; McKitterick, David Stanley Morison & D.B. Updike, selected correspondence. London: Scolar Press, 1979. 8vo, original blue cloth, yellow dustwrapper with spine slightly faded; McKerrow, Ronald B. An introduction to bibliography for literary students. Oxford: Clarendon Press, 1960. 8vo, original blue cloth, dustwrapper with some slight fading; Croft, P.J. Autograph poetry in the English language. London: Cassell, 1973. Folio, 2 volumes, 774 of 1500 copies, original quarter cloth, slip case and spines faded, slip case rubbed; Johnson, John Typographia, or the printers’ instructor... London: Longman, [&c.], 1824. First edition, 12mo, 2 volumes, Roxburghe Club issue, portraits, engraved titlepages, later pink marbled boards; and 40 others (52) £150-200 87 FD319/5 Bibliography - Dickson, Robert and John Philip Edmond. Annals of Scottish printing. Cambridge: Macmillan & Bowes, 1890. First edition, 4to, number 375 of 500 copies printed on small paper, signed by J.P. Edmond, illustrations, tan half morocco, t.e.g.; Aldis, Harry G. List of books printed in Scotland before 1700. Edinburgh: N.L.S., 1970. 4to, original cloth; Sadleir, Michael XIX Century Fiction. A bibliographical record based on his own collection. New York, 1969. 2 volumes, 4to, original cloth; Keynes, Geoffrey A bibliography of Geroge Berkeley. Oxford, 1976. 8vo, dustwrapper; Goldsmiths’ Library Catalogue of the Goldsmiths’ Library of economic literature. Cambridge, C.U.P., 1970-83. 4 volumes, 4to, original cloth, dustwrappers; Kress Library of Business and Economics Catalogue. Boston, 1957-67. 4 volumes, 4to, volume 1 a reprint, original cloth; Palgrave, R.H.I., editor Dictionary of political economy. London, 1901. 3 volumes, 8vo, orignal cloth, ex-library copy, worn; McCulloch, J.R. The literature of political economy. London, 1845. 8vo, original cloth, neatly rebacked retaining spine (17) £150-250

88 FE326/3 Burney, Charles The present state of music in France and Italy. London: T. Becket, 1771. 8vo; [Idem] The present state of music in Germany, the Netherlands and the United Provinces. London: T. Becket, 1773. 2 volumes, 8vo, contemporary uniform speckled calf, neatly rebacked, spines gilt (3) £180-220 89 FE155/23 Conrad, Joseph Works. London: William Heinemann, 1921-1927. 8vo, volumes 1-19 (of 20), one of 780 sets, volume 1 signed by the author, original quarter cloth (19) £600-700 90 FE326/16 Cruikshank, George - Roscoe, Thomas, editor The novelist’s library, with biographical and critical notices by Thomas Roscoe, and illustrations by George Cruikshank. London: Cochraine and Pickersgill, 1831-32. 12 (of 14) volumes, 12mo, engravings by Cruikshank, contemporary green half morocco gilt by Birdsall, spines gilt, t.e.g. £200-300 91 FE326/10 Dickens, Charles The life and adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, 8vo, engraved frontispiece and 39 plates by H.K. Browne “Phiz”, contemporary half calf, plates somewhat browned, tear to spine, small stamp to title; Dickens, Charles The posthumous papers of the Pickwick Club. London: Chapman and Hall, 1837. First edition in book form, 1837, 8vo, additional engraved title, frontispiece and 41 plates by H.K. Browne “Phiz”, contemporary half calf, plates somewhat discoloured; Dickens, Charles Our mutual friend. London: Chapman & Hall, 1865. 2 volumes in one, 8vo, first edition in book form, 1 additional title, plates by Marcus Stone, contemporary half calf, spine worn, joint splitting; and undated editions of David Copperfield, Bleak House, Little Dorrit, and Martin Chuzzlewit published by Chapman and Hall, and an 1871 Chapman and Hall edition of Barnaby Rudge (8) £300-500

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

MANUSCRIPTS 92 FE317/1 Battle of Trafalgar A letter from a midshipman ‘Robinson’, on board the Mars, written to his mother (Mrs Robinson of Clermiston at Number 2 Nile Street, Edinburgh), eight days after the action at the Battle of Trafalgar, describing the battle and his part in it, as well as a copy of the letter sent by Admiral Collingwood following Nelson’s death, 4 pages, each around 370x277mm, with address and postmarks to final page, the letter has been written on blank pages torn from a register of service personnel, some dustsoiling and a few other stains, numerous repairs made with tape and some text lacking due to a few missing areas of the final page Note: This is a remarkable letter detailing one Scottish midshipman’s experiences during the Battle of Trafalgar. The sailor writes to his mother, with tales such as: “Judge of our situation we engaged five ships at one time Captain Duff realised about with steady fortitude and said my God what shall we do there is a spanish three decker raking us ahead a French one under the stern in a few minutes our port? Was totally cleared the quarter deck and forcastle? nearly the same only the Boatswain and myself and three men left alive it was then the gallant Captain fell I saw him fall his head and neck were taken entirely off his body when the men heard it they held his dead body up and gave three cheers to show they were not discouraged by it and then returned to their guns we fought two hours and a half without intermission and when the smoke cleared away we found five ships had sunk” ‘Robinson’ expresses much admiration for Admiral Nelson, before copying out the letter which Nelson’s successor, Admiral Collingwood, wrote to the naval forces who fought at the Battle of Trafalgar. He finaly reassures his mother that he is, “perfectly well”. £500-800

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

93 FE46/2 Bridgeman, William - Secretary to the Admirality 1694-1698 Manuscript order, dated 13th April 1696, signed by William Bridgeman, Secretary to the Admirality, granting a merchant ship permission to, “proceed to Spithead Notwithstanding the Embargo,” Folio, 29.5x18.5cm folded, some light spotting and slight dust-soiling to edges and folds £150-250 94 FE533/1 Bright, John 5 letters from John Bright, two to Lord Hobart, one discussing the latter’s essay on capital punishmnets, 11 Jan. 1861, 4pp., one referring to Roebuck’s debate, 29 June 1855, 2 pages; two to Lady Hobart, referring to Dymond’s Essays on Morality, 26 June 1855, 2pp.,

and declining an invitation, 20 Nov. 1865, one page; Wellington, Duke of A.L.S. to the Rt. Hon. W. [?] Hurlepin, regretting the loss of his assistance, 25 May, 1828, torn at fold, traces of mounting; Russell, Lord L.S. to Lord Hobart “Government learnt with satisfaction the steps which are being taken by the Porte for the withdrawal of the paper money and the liquidation of the floating debt”, 26, Feb. 1862; Brief note, signed by Lord Russell, headed Musurus and Mr Bruce, undated; Lord Napier of Magdala A.L.S. to Lady Hobart, disussing her health, and the scenery, 6 pages, camp near Bangalore, 20 May 1871 (?), traces of mounting, short tear; Kipling, Rudyard Autographed signed card to Mr Astor, accepting invitation to see Heres and its Treasures, 18 Sept. 1913, Bateman’s; and a couple of others, and a ?1920 edition of Mrs Beeton’s Household Management, lacking its title £150-250

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

95 FE744/1 Browning, Robert Letter written and signed by Robert Browning to Mr Woolner, dated 10th? May 1873?, in which Browning replies to what can be assumed to be Mr Woolner’s request for a poem to honour the memory of a deceased friend, Browning writes that he wishes he, “...could believe that a poem of mine would be of service to dearest I.B.”, 1 folded leaf, 22.1cm. x 18.1cm, armorial crest in blind with motto ‘virtue’, first and last page a little dust-soiled, very slight closed tear to centre fold, couple of light notes in pencil Note: It is not certain who ‘“I.B.” or “Mr Woolner” are, however two likely candidates are Thomas Woolner (1825-1892) and Isabella (or Isa) Blagden (1816/17-1893). Isa Blagden was born in the East Indies and, whilst her nationality is oficially cited as Swiss in the register of the Protestant cemetary in Florence, where she is buried, she was in fact rumoured to be the illegitamate daughter of an English father and an Indian mother. After being educated in london, Blagden began to write plays, novels and poetry. In 1850, Isa Blagden moved to Florence and became very friendly with the Brownings. Elizabeth Barrett Browning encouraged Blagden to begin writing novels. Her works included AgnesTremorne, The Cost of a Secret and The Crown of a Life. It is possible that Thomas Woolner was the recipient of Browning’s letter. Born in 1825, Woolner began attending the Royal Academy Schools in 1842. In 1847, Woolner met a new studio neighbour, Dante Gabriel Rosetti, and became involved with the Pre-Raphaelite Brotherhood. One source quotes William Holman Hunt’s observation that Woolner had a, “burning ambition to do work of excelling truthfulness and strong poetic spirit.” In 1852, Woolner decided to turn his hand to gold prospecting in Australia but his efforts yielded few results and by 1853, he had taken up sculpting in Melbourne. Woolner returned to England in 1854 and became a successful sculptor of portrait medallions and busts, as well as being comissioned for several small religious works. In 1877, Woolner became professor of sculpture at the Royal Academy, but retired after five years, never having given a lecture! Oxford Dictionary of National Biography £300-400 96 FE691/7 Jacobite advance on Derby, Coventry, Mansfield, Warrington, 1745 Manuscript account of the Jacobite advance: “Derby,. Dec, 8th 1745, The rebels behaved tolerably well in there march southward but have plundered the country in their return.. houses broken with their artillery army between Ashborn and Derby... camp at Moridon Common. In their town they demanded billets for 10,000 men... horses extremely jaded and in bad condition... numbers of old men and boys of 15 without shoes or stockings all... Coventry, Dec. 9th went to Locke. Before they left Ashborn they shot 2 men.. taken all the horses they could get... had 15 piece cannon”; also refering to Macklesfield, vanguard at Manchester, Leigh, Wigan & Preston “the Duke C had made two forces march after them”, 1 leaf, folio, slight loss to left margin at foot £150-250

97 FE46/1 Montagu, John - 4th Earl of Sandwich Manuscript order by the Commissioners for exercising the Office of the Lord High Admiral of the United Kingdom of Great Britain and Northern Ireland & Co., authorising Captain Vaughan, Commander of his Majesty’s Sloop the Peregrine, to, “...cruise between Cork and Waterford...” and to, “...seize all Ships Vessels and Boats in which any Wasted Bay or Woollen Yarn, Cloth Serges, Shalloons, or any other Drapery stuffs, or any other Woollen manufacturers whatsoever made up of mixed wool, or wool flocks, should be exported, or laden, in order to be exported, from Ireland into foreign parts...” the order also commands the Peregrine, “...to prevent the Running of Brandy or other Goods, into the Kingdom of Ireland...”, 4 leaves, 20x31.5cm, bearing signatures of John Montagu [4th Earl of Sandwich and 1st Lord of the Admirality 1748-1751] William Stanhope [1st Earl of Harrington], Thomas Villiers [a Lord Commissioner of the Admirality] and Thomas Corbett, dated 21st February 1750, some slight dustsoiling, previously folded, torn down central folds where bound by green cord with no loss of text £400-600

MISCELLANEOUS 98 FE328/1 Aubry, Charles Histoire pittoresque de l’équitation. Paris: Ch. Motte, 1833. First edition, folio, lithographed title page in red and black and final page in red and black, 24 plates and inserted? frontispiece entitled Femme de Chio, contemporary blue half morocco, bookplate of Horace Somerville Sewell to paste-down endpaper, foxed throughout, small repair to frontispiece, upper cover detached, covers and spine rubbed £200-300 99 FC269/25 Bagot, William, Second Baron Memorials of the Bagot family. Blithfield (Staffs.): W.M. Hodgets, 1824. 4to in 2, inscribed by author to Henry E. Landor, engraved portrait, 4 folding tables, 5 engraved plates, hand-coloured engraving of Poole Park, signed on reverse by Lord Bagot and a manuscript description of the felling of an elm tree bound in, contemporary calf, bookplates, a little rubbed, upper joint slightly split, annotations adding to baptismal register on page 129 and to marriage register on page 139, lacking 2C2, occasional light spotting and slight darkening; James, Sir Henry Facsimiles of national manuscripts from William the Conqueror to Queen Anne... Southampton: Ordinary Survey Office, 1865. Large 4to, 4 volumes, original black cloth gilt, bookplates, some very occasional spotting, volume 4 lacking pages 72-73 (explaining plates XLV-XLIX); Folkes, Martin English coinage, silver and gold...

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

London: Society of Antiquaries, [ca.1890] 4to, frontispiece, 67 engraved plates, contemporary quarter morocco, bookplate, rubbed, some darkening and offsetting to title; Moore, Thomas Memoirs, journal and correspondence. London: Longman [&c.], 1853. 8vo, 8 volumes, contemporary half calf, bookplates of Lord Gretton, spines a little rubbed; Hearne, Thomas Robert of Gloucester’s chronicle. Oxford: printed at the Theater, 1724. 8vo, 2 volumes in 4, contemporary calf, bookplates of Lord Gretton, bindings soiled and a little rubbed; Mirabeau, Count The secret history of the Court of Berlin. London: S. Bladon, 1789. 8vo, 2 volumes, original? boards, bookplates of Lord Gretton, boards a little bumped and soiled, some fading to spines, slight internal foxing; Forsyth, J. S. The antiquary’s portfolio... London: G. Wightman, 1825. 8vo, 2 volumes, original boards, a little soiled, labels rubbed, some offsetting onto titles; Dover, Lord, editor Letters of Horace Walpole Earl of Orford to Sir Horace Mann. London: Richard Bentley, 1833. 8vo, 3 volumes, contemporary half calf, bookplates of Lord Gretton, volumes 1 and 2 lacking labels, spines a little rubbed; Turner, Sharon The history of the Anglo-Saxons... London: Longman [&c.], 1828. 8vo, 3 volumes, contemporary half calf, bookplates of Lord Gretton, rubbed; Court of England The authentic records of the Court of England for the last seventy years. London: J. Phillips, 1832. 8vo, hand-coloured frontispiece, contemporary calf, bookplate of George Chetwynde; The lounger’s common-place book London: Longman [&c.], 1805. 8vo, 3 volumes, contemporary green gilt tooled calf, bookplates, rubbed, a few labels lacking, joints splitting, spines a little chipped; sold not subject to return (32) Provenance: Property of the Trustees of Lord Gretton £200-300 100 FE319/1 British Sports and Sportsmen London: Sports and Sportsmen, Limited, 1920. 4to, 13 volumes, number 902 of 1000 copies, contemporary red morocco gilt with gilt doublures, g.e., titles: Racing; Breeding, Agriculture, Country-Life Pursuits ; Modern Flat-Racing, Steeplechasing...; Shooting and Deerstalking; Hunting; Athletic Sports, Tennis, Rackets... ; Commerce and Industry; The Story of Shipping; Cricket and Football; Polo and Coaching; Golf, Athletics, Tennis... Winter Sports; Sportsmen of the Past, 2 volumes, several covers detached, some slight foxing and spotting, rubbing and chipping to some spines and bindings; sold not subject to return (13) £300-400

101 FE326/42 Cox, Nicolas The gentleman’s recreation... fourth edition. London: J. Dawks for N. Rolls, 1697. 8vo, engraved frontispiece and 4 folding plates, the large folding plate trimmed at fore-edge, torn and laid down on linen, ownership inscription on title deleted resulting in small holes, contemporary calf, [Wing C6907], spotting, rubbed, cover detached; Pennant, Thomas British zoology. Warrington: B. White, 1776, Fourth edition, 4 volumes, 8vo, 3 engraved titles, folding plate of music and 186 plates (as per lists of plates), contemporary tree calf, rubbed, two covers detached; and Kennet’s Rome (6) £200-300 102 FE388/1 Cricket, including Fry, C.B. The book of cricket. London: George Newness, [1899]. Folio, 16 parts in original green wrappers, contained together in green cloth box, wrappers very slightly faded and soiled, occasional slight dust-soiling, several pages in part XV a little dampstained and stuck together along upper margin, with some small marginal tears, occasional leaves loose; Turner, Herbert The life of John Briggs. Manchester: T. Sower, 1902. 8vo, later green half calf, a few pages torn a little at corners, preliminary adverts repaired; Boycott, Geoff Opening up. London: Arthur Baker, 1980. 8vo, original orange cloth, signed copy; Paynter, Eddie Cricket all the way. London & Leeds: A. Richardson, 1962. First (paperback) edition, 8vo, signed copy, covers a little rubbed; Williams, Marcus and Philips, Gordon The Wisden book of cricket memorabilia. Oxford: Lennard Publishing, 1990. 4to, signed by the authors, blue half morocco, slip case; Down, Michael and West, Derek Sketches at Lord’s. London: Collins, 1990. 4to, number 127/150 copies signed by the authors, red morocco, slip case, spine a little faded; ‘Spy’- Vanity Fair Framed and glazed print of J.T. Tyldesley, [n.d.]; and 3 other books (10) £120-180 103 FC269/97 Farmer, John S. Slang and its analogues... London: Thomas Poulter and Sons, 18901904. 8vo, 7 volumes, number 92 of 750 copies printed for subscribers only and signed by the author, original half calf with gilt vellum boards, spines rubbed and faded, chipped in places, some soiling to covers, some light spotting; Bradley, Richard New improvements of planting and gardening, both philosophical and practical... London: A. Bettesworth, [&c.], 1739. 8vo, engraved frontispiece, 13 plates (10 folding), contemporary calf, a little rubbed and bumped, some very slight dampstaining, plate 9 (labelled Plate III) torn, frontispiece loose and creased, a couple of ink blots along edges [ESTC T10378] (8) Provenance: Property of the Trustees of Lord Gretton £200-300

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

106 FD391/49 La Hire, Philippe de Nouveaux elemens des sections coniques. Paris: André Pralard, 1679. 12mo, contemporary calf, lower cover detached, covers and spine rubbed, upper joint split, lacking last few pages; Euclid Elementorum. London: D. Pauli & J. Dunmore, 1678. 8vo [Wing E3394] [ESTC R3052 ]; Bound with Barrow, Isaac Lectio reverendi et doctissimi viri. London: D. Pauli & J. Dunmore, 1678. 8vo, contemporary calf, covers and spine rubbed, hinges weak, some slight foxing and darkening [Wing B936] [ESTC R8831]; Euclid Sex primi elementorum geometricorum. Canterbury: Edward Story, 1665. 12mo, contemporary calf, spine and covers a little rubbed and chipped, a little darkening [Wing E3406] [ESTC R5894]; [Idem] Elements, the whole fifteen books... London: Daniel Midwinter, Aaron Ward, Arthur Bettesworth, Charles Hitch, Thomas Page and William Mount, 1732. 8vo, portrait, contemporary calf, spine and edges of covers rubbed, spine a little chipped, hinges weak; Thomas-Stanford, Charles Early editions of Euclid’s elements. San Francisco: Alan Wofsy Fine Arts, 1977. 4to, 13 pages of plates, original grey cloth gilt; Plutarch The lives of the noble Grecians and Romans... Stratford-upon-Avon: Shakespeare Head Press, 1928. 8vo, 8 volumes, number 322 of 500 copies produced, original black cloth gilt, t.e.g., others uncut, endpapers slightly darkened, very occasional light foxing predominantly to endpapers (13) £250-350 104

104 FE326/14 Fine bindings - The Holy Bible. Oxford: S. Crowder & W. Jackson, 1772. 8vo, engraved plates; Book of Common Prayer Oxford: S. Crowder & W. Jackson, 1772. 12mo, both contemporary vellum gilt with image on covers, blue painted border and spine divisions, flat spines gilt, g.e., Bible with small split at head of spine, slightly marked, image on lower cover of Common Prayer obscured (2) £150-250 105 FE326/40 Gifford, C.H. History of the wars occasioned by the French Revolution. London, 1817. 2 volumes, 4to, 5 coloured folding maps and 35 engraved plates, contemporary calf, title of volume 2 creased, rubbed; Lever, Charles James Confessions of Harry Lorrequer. Dublin: W. Curry, 1839. First edition, additional vignette title and 21 etched plates by Hablot K. Browne [“Phiz”]; [Idem] The Dodd family abroad. London: Chapman and Hall, 1854. First edition, 8vo, additional vignette title and 39 etched plates by Hablot K. Browne [“Phiz”], without half-title; [Idem] Tom Burke of “Ours”. Dublin: W. Curry, 1844. First edition, 8vo, 2 volumes, frontispieces and 42 etched plates by H.K. Browne; [Idem] Our mess. Volume 1 Jack Hinton. Dublin: W. Curry, 1843. First edition, 8vo, frontispiece and 26 etched plates by H.K. Browne, uniform blue half morocco gilt, t.e.g., and 15 miscellaneous volumes (22) £150-200

107 FE326/19 Langley, Batty A sure method of improving estates. London: F. Clay & D. Browne, 1728. First edition, 8vo, contemporary panelled calf, lacks folding plate, neatly rebacked, upper joint cracked; Laurence, Edward The duty and office of a land steward. London, 1743. Third edition, 8vo, folding frontispiece and 1 folding plate, contemporary calf, plates with short split at fold, slightly stained throughout, neatly rebacked (2) £200-300 108 FE326/33 Locke, John An essay concerning humane understanding. London, 1805. 2 volumes, 8vo, contemporary tree calf gilt; Hume, David Essays and treatises on several subjects. Edinburgh, 1817. 2 volumes, 8vo, contemporary half calf; Barlow, Frederic The complete English peerage. London, 1775. 2 volumes, 8vo, engraved plates, half calf gilt; Warner, F. A full and plain account of the gout. London, 1768. Second edition, 8vo, contemporary calf, upper cover detached; [Anstey, Christopher] The new Bath guide. London, 1767. 8vo, frontispiece, half-title, contemporary calf, upper cover detached; Haydn, Joseph Oeuvres de Haydn en partitions quatuors. Paris: Pleyel, [c.1805], 8vo, engraved portrait, engraved throughout, contemporary half calf; [Idem] Oeuvres de Haydn en partition simphonies. Paris: Pleyel, [c.1805]. Volume 1 only, 8vo, engraved portrait, engraved throughout, contemporary half calf ; Rousseau, J.J. Letters on the elements of botany. London, 1807. 8vo, folding table, contemporary calf, joints splitting (11) £300-400

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

109 FC237/198 Map - Ainslie, John Scotland drawn and engrav’d from a series of angles and astronomical observations. Edinburgh: “Published according to Act of Parliament with improvements till 1800 by Thomas Brown”, large folding map on 9 sheets, engraved and hand-coloured in outline, dissected and backed on linen, each sheet c. 60.5 x 55cm., contemporary morocco case with flap, case somewhat worn, map clean; Foster, J.J. The Stuarts. London: Dickinson’s, 1902. Folio, 2 volumes, 116 (of 129) plates and illustrations, extra-illustrated with 60 additional plates, contemporary red half morocco gilt, some foxing to plates and pages and some slight fading to covers; Hooker, Sir W.J. Perth-shire illustrated... Glasgow: A . Fullarton and Co., 1843. Folio, 63 engraved plates, panelled green morocco with acanthus pattern, gilt tooling, spine tooled with gilt floral pattern, edges gilt, rubbing and fading to spine and covers, some foxing to plates; Gibbon, Edward Miscellaneous works, with memoirs of his life and writings composed by himself: illustrated from his letters, with occasional notes and narrative by John Lord Sheffield, in two volumes. London: A. Strathan, T. Cadell Jun. and W. Davies, 1796. 4to., silhouette portrait, contemporary tree calf, neatly rebacked with original spines, occasional light spotting (6) Provenance: Viscount Strathallan, Stobhall, Perthshire £300-500 110 FE444/1 Nettleton, J. A. The manufacture of spirit, as conducted at the various distilleries of the United Kingdom. London: Marcus Ward & Co., 1893. 8vo, halftitle, original? brown cloth with title and author’s name in gilt to spine, stamp of ‘The Surveyor of Customs and Excise, Montrose, Angus’ to reverse of half-title, along with signature of customs and excise officer in 1968, signature of James A. Beatty to title page, dated March 1900, occasional spotting, mostly marginal, and a little darkening to endpapers, covers a little soiled, rubbed and frayed along spine and at corners Note: Very rare £300-500 111 FE390/1 Perckhammer, H. von The culture of the nude in China. Berlin, 1928. 4to, plates, original boards, dustwrapper rather dust-soiled, short tears to lower wrapper £200-300 112 FE464/1 Picart, Bernard The religious ceremonies and customs of the several nations of the known world. London: N. Prevost, 1731. Folio, volumes 1-2 (of 7) only, 62 engraved plates (numbered 1-30, 32-63; no plate number 31 being called for in the list of plates), some folding, contemporary calf, worn £200-300

113 FD391/22 Purcell, Henry Orpheus Britannicus. London: J. Young, 1706-1702. 2 volumes in one, folio, first edition of part 2, second edition of part 1, titles printed in red and black, contemporary panelled calf, neatly rebacked, lacking engraved portrait, occasional light spotting £300-400 114 FD319/3 Reports on the Poor, Charitable Corporations &c. Further report with the Appendix, from the Committee to whom the petition of the proprietors of the charitable corporation for relief of industrious poor... was referred. Eighteenth of April, 1732. By Mr Sandys; 1733 The report from the Committee... 1733; First report from the committee appointed to consider of the present high price of provisions.. Reported by the Right Honourable Dudley Ryder. 1800; Reports from committees on the laws which concern the relief and settlement of the poor and of parish-poor children. Severally reported in 1775... 1788. Folio, modern calf-backed marbled boards, spine gilt £100-150 115 FF4/1 Scottish Music- Sivewright, John A collection of psalm tunes, hymns & anthems in two three & four parts... the fifth edition enlarged. Edinburgh: for the Author, [?1815]. Oblong 8vo, engraved throughout, 76pp. 4 pages of manuscript music on blank leaves at end, contemporary half calf, a few headlines cropped, some soiling and spotting, worn; McGibbon, William A collection of Scots tunes some with variations for a violin Hautboy or German Flute. Edinburgh: N. Stewart, [c.1770]. Oblong folio, engraved throughout: engraved title, 1-22, 1-21, 1-19, 8 pages of music supplied in manuscript, nineteenth century red half morocco, [? complete, cf. London edition collating pp.21, 21, 21]; M’Donald, Patrick [A collection of Highland vocal airs] [Edinburgh, 1784]. Folio, lacks title, collates printed text 1-20; engraved music: 1-40, 19th century green half morocco, last two leaves with corners torn away, pp.1-2 fore-margin ragged & inner hinge repaired obscuring a few letters; Corelli, Arcangelo Opera prima XII Sonatas of three parts for two violins and a Bass and a through Bass for ye. Organ. London: I. Walsh, [c.1740]. 2 volumes (of 4, Organ & Bass), original marbled boards, uncut, rubbed, crudely rebacked; Purcell, Henry Purcell three, four and five part fantasias for Strings. Transcibed by Peter Warlock. London, 1927. 4to., number 52 of 165 copies, original buckram, uncut, t.e.g., frayed dustwrapper; sold not subject to return (6) £200-250

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

116 FC269/118 Shannon, Robert A practical treatise on brewing, distilling, and rectification... London: Robert Scholey, 1805. First edition, 4to, 7 (of 8) engraved plates (final plate lacking), 4 folding tables, contemporary half calf, bookplate of Lord Gretton, boards detached, spine and boards rubbed, soiled and chipped, some spotting, page 64 in first part obscured with stuckdown paper, although most words still legible, pagination in part 2 jumps from p.214 to p.245, although there is no sign of pages having been removed, the text does not follow on Provenance: Property of the Trustees of Lord Gretton £150-250 117 FF4/2 Stradivarius violin - Haddock, George “The Emperor” Stradivari. Date 1715. A history and description of the famous violin in the possession of George Haddock, Esq., Newlay Hall, Leeds. London: Hart & Son, 1893. First edition, presentation copy from G. Haddock to Charles Behrens Esq., 3 mounted plates, original half green parchment, uncut, boards spotted £150-200 118 FD391/29 Wagner, Richard Parsifal. Mainz: B. Schott’s Söhne, [1882]. First edition, [2], 261 pages, folio, lithographed, variant with the publisher’s number 23406 on the title and the music beginning on the verso of the cast list, without the errata list, bookplate of Ernest Chausson, contemporary half calf, rubbed; [Idem] Die Walküre. Mainz: B. Schott’s Söhne, [c.1865-70]. Folio, publisher’s number 17995 on title, [iv], 274 pages, contemporary half calf, omits the dedicatory poem to King Ludwig II, rubbed; [Idem] Das Rheingold. London, Mainz, Brussels & Paris: Schott, [n.d.], Folio, 4to, [iv], 216 pages, cloth-backed wrappers (3) £300-400

NATURAL HISTORY 120 FE328/2 Amuchástegui, Axel Some birds and mammals of North America. London: The Tryon Gallery, 1971. Large folio, number 244 of 505 copies signed by the artist, 16 colour plates, original quarter morocco with vellum corners and blue marbled boards, slip case, a little rubbing and dampstaining to dustwrapper; [Idem] Some birds and mammals of South America. London: The Tryon Gallery, 1966. Large folio, number 181 of 305 copies signed by the artist, frontispiece and 16 coloured plates, original quarter morocco with vellum corners and blue marbled boards, slip case, slight spotting to endpapers, some dampstaining to slip case; [Idem] Some birds and mammals of Africa. London: The Tryon Gallery, 1979. Large folio, number 43 of 505 copies signed by the artist, 14 coloured plates, original quarter morocco with vellum corners and blue marbled boards, slip case, a little dampstaining/spotting with some plates slightly affected, boards very slightly rubbed, slight dust-soiling to slip case (3) £500-700 121 FE326/20 Bewick, Thomas History of British birds. Newcastle: for T. Bewick, 1797-1804. 2 volumes, 8vo, wood-engravings by Bewick, contemporary speckled calf, neatly rebacked, Ashburnham copy with bookplates and autograph of ‘F. Ashburnham, Dec. 1836’, a clean copy £150-200

119 FC269/49 Wimpheling, Jacob Avisamentum de concubinariis non absolvendis. [N.p.], 1507. Small 4to, woodcut device to title, 20th century calf gilt by Zaehnsdorf, gilt doublures, pages a little dust-soiled Provenance: Property of the Trustees of Lord Gretton £250-350

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122 FE326/9 Buffon, G.L.M.L., comte de The natural history of birds. London: A. Strahan [&c.], 1793. 9 volumes, 8vo, 260 (of 262) engraved plates, contemporary calf, spines gilt, lacking plate 16 and 199, rubbed ÂŁ200-300

123 FE328/7 Evans, I.B.P., and others, editors The flowering plants of South Africa [The flowering plants of Africa from volume 25 in 1945). Volumes 1-62, 1921-2011. 8vo, 62 volumes in 57 books, full run from beginning of publication up to 2011, volumes 1-13: London: L. Reeve, Cape Town: The Speciality Press of South Africa; volumes 14-26: London: L. Reeve, Pretoria: J.L. Van Schaik; volumes 27-41; N.p.: Botanical Research Institute - Department of Agricultural Technical Services; volumes 51-60: Cape Town: National Botanical Institute; volumes 61-62: Pretoria: National Biodiversity Institute, 1962 plates (1040 hand-coloured, in volumes 1-26); sold not subject to return (62) ÂŁ2,000-2,500

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

125 FE328/6 Gerard, John The herball or generall historie of plantes. London: Hip, Norton and Whitakers, 1633. Second edition, folio, woodcuts, bookplate of Horace Somerville Sewell, later embossed and panelled calf, spine gilt, a couple of closed repairs to pages 39, 915 and 916 with text and engravings slightly impaired, repairs to lower corners of page 1563 to end with loss of a few letters/words of index pages, final 8 leaves lacking, a little spotting, some dust-soiling and slight chipping to some page-edges, spine a little faded, slight wear to hinges [ESTC S122165; STC 11751] Note: Many botanical works are found to have been used for pressing flowers and botanical specimens. This copy of Gerard’s Herball is one such example, containing a lathyrus specimen labelled, Grown from a seed found inside an Egyptian mummy. Although it is unlikely that this is the case, the specimen does reflect the 19th and 20th century fashion for ‘mummy peas’. Unsuspecting tourists would purchase peas and seeds which were allegedly found inside an Egyptian mummy and grow plants from these. In an 1885 edition of the Gardener’s Monthly and Horticulturalist , Thomas Meeham wrote:

The modern Egyptian is nearly as good as Ah Sin, when playing the game of “Fleece your brethren.” Employ one to get you some mummy peas at a big figure, and he will get you the mummy and carefully unwrap its rags, when lo! and behold ! you may see the peas roll out before your eyes ! The delighted Yankee or Britisher smilingly carries home his prize and plants them. It is nothing to him that it is but the modern purple flowered bush pea, seeds of which he could get anywhere for a few pennies. These came from an “ old mummy, you know”. £450-650

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124 FF12/4 Ferrari, Giovanni Battista De florum cultura libri IV. Rome: Stephanus Paulinus, 1633. First edition, 4to (240 x 170mm.) engraved title, engraved additional title, 7 full-page engraved illustrations of parterres, 38 full-page engraved illustrations of flowers, tools and allegorical subjects, old vellum, title cut round and mounted, some spotting, browning and dampstaining, hinges broken £700-1,000

126 FE328/5 Godfrey, M.J., Colonel Monograph and iconograph of native British orchidaceae. Cambridge: University Press, 1933. 4to, 57 coloured plates from water-colour drawings by Hilda M. Godfrey, bookplate of Tysoe Manor, original blue cloth gilt, dustwrapper, a little fading to covers and slight bumping to spine and corners, dustwrapper faded and a little rubbed in places, with a few small chips and closed tears £180-220 127 FB466/347 Kirkman, F.B. The British bird book. London, 1911-13. 4 volumes, 4to, plates, many coloured, original cloth, slightly soiled £80-120

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

128 FE328/11 Munting, Abraham Naauwkeurige beschyving der aardgewassen... Leiden & Utrecht: Pieter van der A A, Francois Halma, 1696. Folio, (388x256mm), half-title, engraved title page and 243 engraved plates, title in red and black, engraved head- and tail-pieces, bookplate of Tysoe Manor to paste-down endpaper, contemporary calf, neatly rebacked, gilt-tooled spine, a few plates and pages very slightly browned with occasional dust-soiling and spotting (mostly marginal), small hole to 2F1 with loss of a couple of letters and a very neatly repaired closed tear to the margin of pp.698-699 with no loss of text, covers slightly rubbed with a few small gouges to leather, some slight rubbing and cracking to contemporary section of spine Note: Collation: [2 (half-title), 36], columns (2 to a page): [1-2] 3-930 (auctually 932), [64]; plus engraved title and 243 engraved plates (plates 73, 74, 147, 148 and150 misbound); whilst Hart 396 calls for 2 pages (possibly blanks) following final index page. This remarkable work contains what have been described by Lucia Tongiorgi-Tomaso as illustrations which signify, â&#x20AC;&#x153;...a radical departure from the iconography of then traditional florilegium...â&#x20AC;? in that these often exotic plants have wonderfully detailed pastoral and classical landscapes woven into the background. (Tongiorgo-Tomaso, Lucia. An Oak Spring Flora, 174.) Many of the plants almost appear to hover above ancient castles or small herds of farm animals, their roots trailing down to ground level, and are gracefully decorated with ribbons and cartouches. This embelishment thus creates some almost surreal landscapes, as it seems the artists have attempted to raise the profile of their work by trying to elevate the flowers, aloes and branches to the level of classical masterpieces. ÂŁ7,000-10,000 See also frontispiece on page 4

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129 FE343/7 New Naturalists - Pearsall, W.H. Mountains and Moorlands. 1960; Yonge, C.M. The sea shore. 1961; Turrill, W.B. British plant life. 1962; Darling, F.F. The Highlands and Islands. 1964; Raven, J. Mountain flowers. 1965; Hepburn, I. Flowers of the coast. 1966; Condry, W.M.The Snowdonia National Park. 1967; Hardy, A. The open sea. 1970. 2 vol.; Edlin, H.L. Trees, woods & man. 1972; dustwrappers; and 6 others, Scottish history (16) £150-200 130 FE328/4 Parkinson, John Paradisi in sole, paradisus terrestris. London: Methuen & Co., 1904. Folio, facsimile of the 1629 edition, 20th century blind-tooled calf in diamond patterns with initials E.K.S. to upper cover, spine gilt, blindtooled doublures, bookplate of Tysoe Manor, a few annotations in pencil, some very occasional light foxing, lower cover very slightly tarnished; Redouté, Pierre-Joseph Roses. London: The Ariel Press, 1954. Second edition, folio, 48 coloured plates and two facsimile title pages, bookplate of Tysoe Manor, red half morocco, spine gilt, spine a little faded, some slight bleaching to cloth and fading to lower cover (2) £150-200

131 FE328/10 Schmidel, D. Casimir Christoph Icones plantarum... Nuremberg: Christian de Lavnoy, 1762-1797. Folio, (410x260mm.), 3 parts, 75 hand-coloured plates in one volume (Manipulus II dated 1776), engraved head- and tail-pieces, bookplate of Tysoe Manor, contemporary calf, rebacked with modern gilt tooled spine and red label, predominantly clean text with a little browning to titles, some spotting to Maipulus III and spotting and slight dust soiling to some plates but many clean, covers a little bumped at corners with leather worn away and a few repaired gouge marks [Collation: [7], 6-94, [3], 96-197, [7], 199-280; [75pp.] plates] £2,000-3,000 132 FE328/9 Tabernaemontanus, Jacobus Theodorus Neu und vollkommen kräuter-buch. Basel: Johann Ludwig König, 1731. Folio, second volume only (of 2), bookplate of Tysoe Manor, contemporary half calf, modern spine, browned and spotted with wear to several pages and a few tears, including a lower marginal tear to 4G4 with loss of a few letters and several repairs to pp.1443-4 with loss of a few letters, spine a little faded, covers slightly rubbed and soiled, corners chewed Note: Collation: [4], 665-1529, [97] whilst collation for entire work is given as: 1529, [98] elsewhere. £300-400

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

133 FE322/1 Thornton, Robert John Picturesque botanical plates of the new illustration of the sexual system of Linnaeus. London: printed for the publisher, 1799. Large folio, engraved title, 7 mezzotint and/or aquatint engraved plates printed in colour and coloured by hand, [plates dated 1799-1801], comprising: 1) Tulips. Second state 2) The Superb Lily. Engraved by Earlom, possibly second state, with aquatint added; surface bloom, creasing to plate margin 3) The Aloe. Second state, reworked, hard horizon. 4)Large flowering sensitive plant. Probably first state: sky in aquatint. 5) The Blue Passion Flower. Possibly second state: shadows smaller and softer edged. 6) The Night-Blowing Cereus. Plate A. flourish of T in title cuts through “ht” of Moonlight, Second state with minute hand covers the dot between XII and I and the clock face has no band, clock face light, ripples in water straight; 7) The Dragon Arum. ? Second state: added mezzotint in top half, dark cloud at top reaches mid print. Descriptive text leaf for The Superb Lily and Night-Blowing Cereus only, a few spots, occasional slight dust-soiling, Superb Lily with surface bloom & marginal tear repaired, slightly dust-soiled; Aloe with small marginal tear, The Night-Blowing Cereus with slight surface bloom and slight dampstain to upper corner, Dragon Arum with slight surface bloom and slight dampstain to lower margin,

bound with [on smaller paper] The Genera of Exotic and Indigenous plants. [1801]: [Frontispiece, title, 8pp. printed text, engraved leaf “Explanation of the Second Table”, and 2 diagrammatic plates], contemporary half calf, rubbed, some light dust-soiling and a few spots to plates Note: Thornton conceived his masterpiece New Illustration of the Sexual System of Carolus von Linnaeus (more commonly known as The Temple of Flora) in the mid 1790s, and advertised the work in 1797, issuing it in parts between 1799 and 1807. The composition of the work varies greatly, but in its standard form it comprises three sections, of which the last — ‘The Temple of Flora’ — contains the magnificent botanical plates for which the work is celebrated. However, Thornton issued his works over a period of year in various permutations, frequently incorporating extant engravings into new works, or issuing components as discrete works. The present volume appears to be a product of this somewhat erratic method of publication: it contains only seven of the plates. The completed work was entitled “New Illustration of the Sexual System of...Linnaeus. Comprehending...The Temple of Flora” and was published between 1799-1807, in three parts. It comprised 31 handfinished color plates to the Temple of Flora, 6 portraits, 11 engraved calligraphic titles & half-titles and 6 engraved plates & tables. £4,000-6,000

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

PHOTOGRAPHY

TRAVEL & TOPOGRAPHY

134 FE397/1 [Brunei] - Labuan - Governor George Warren Edwardes 11 glass negatives, 215 x 165mm., of ? Labuan, including one of tombstone of “Mrs Davies, House Keeper to Governor Edwardes, d. 1860”, ?mine workings, two other tombstones, groups of Europeans and natives, tropical landscape with native houses & railway line, and 1 broken negative of a tunnel [1860s]

138 FD323/14 Armenia - Curzon, Hon. Robert Armenia, a year at Erzeroom, and on the frontiers of Russia, Turkey and Persia. London: J. Murray, 1854. 8vo, engraved frontispiece, map and 4 plates, illustrations, contemporary half calf £150-250

Note: The glass plate negatives are probably of Labuan which was part of the Sultanate of Brunei until they were ceded to Britain by the Sultan of Brunei Omar Ali Saifuddin II in 1846. George Warren Edwardes (1802-1879), was appointed Governor of Labuan in 1856, and focussed much of his efforts on hampering the development of the little state of Sarawak. Pringle described him as “another bitter enemy of the Brookes.... deeply jealous of Sarawak”. £200-300 135 FF12/2 Cadiz, Barcelona and Gibraltar Folio (420 x 318mm.), 34 late nineteenth century albumen prints (ranging from 150 x 210 to 250 x 335mm.; or the reverse), individually mounted on thick blue card, and 3 other albumen prints (each approx. 170 x 235mm.), individually mounted on thick white card, preserved in crimson cloth portfolio, upper cover lettered in gilt, portfolio slightly worn and faded £700-1,000 136 FD556/1 Cartes-de-visite - Sandys-Lumsdaine family & public figures 166 cartes-de-visite, including Queen Victoria, Prince Albert, Edward VII [as Prince of Wales], Princess Beatrice, Bismarck, Disraeli, Lord Derby, Charles Kingsley, General Gordon, Emperor Napoleon III, Empress Eugenie, Emperor Wilhelm of Germany, Moltke, and many members of the Sandys-Lumsdaine family [of Lumsdaine and Blanerne, and of Innergellie, Fife], in brown morocco album, worn with upper cover detached; 4 larger photographs (163 x 110mm) of General Gordon, Emperor & Empress of Germany, Queen Victoria; and 7 related family photographs £400-600 137 FE469/1 Victorian cartes-de-visite c. 251 cartes-de-visite of family and public figures including Dickens (by J. & C. Watkins), Thackeray, Tennyson, Tom Faed R.A., Garibaldi, Sir James Solsley, Professor Blackie, Thomas Carlyle, Thiers, W.E. Gladstone, B. Disraeli, Robert Lowe, Jenny Lind, Adelina Patti, Rosa Bonheur, David Roberts R.A., Sir G. Harvey, Sir Noel Paton R.S.A., Queen Victoria (hand-coloured), Queen Victoria with Prince Victor and Prince George, Prince Albert, Lord Palmerston, Professor G. Wilson, Lord Macaulay, Sir Edwin Landseer, Tenniel, Richard Cobden, Sir James G Simpson, &c., in three albums, one worn with leaves and covers detached (3) £250-350

139 FE324/3 Arnold, Sir Thomas W. & Adolf Grohmann The Islamic book. A contribution to its art and history from the VIIXVIII century. London: Pegasus Press, 1929. 4to., 104 plates, some coloured, original blue morocco gilt, t.e.g., rubbed £200-300 140 FE324/13 Bird, Isabella L. [Isabella Bishop] Journeys in Persia and Kurdistan. London: J. Murray, 1891. First edition, 8vo, 2 volumes, 13 plates, folding map, illustrations, original cloth £250-350 141 FC269/23 Boyer, Abel The draughts of the most remarkable fortified towns of Europe... with a geographical description of the said places... to which is prefix’d an introduction to military architecture, or fortification... London: Isaac Cleave and John Hartley, 1701. First edition, 4to, 41 plates (of 44 lacks plates 26, 36 and 44), contemporary panelled calf, bookplate, rubbed, spine and corners a little chipped, text block detaching from cover in places, hinges weak, some spotting [ESTC T112446] Provenance: Property of the Trustees of Lord Gretton £300-500 142 FC269/55 Brannon, George Vectis scenery...the Isle of Wight. Isle of Wight: published by the artist, 1844. Folio, engraved title, 36 engraved plates, folding map, contemporary half calf, bookplate, spine a little rubbed and soiled, some fading to covers, occasional light spotting; Poole, Edwin The illustrated history and biography of Brecknockshire... Brecknock: published by the author, 1886. 4to, frontispiece, 14 engraved plates, contemporary green half morocco, bookplate, spine a little rubbed; Poulson, George The history and antiquities of the seigniory of Holderness in the East-Riding of the county of York... Hull: Robert Brown, 1840. 4to, 2 volumes, 2 frontispieces, 38 engraved plates (6 coloured), original cloth, bookplates, a little rubbing and bumping, hinges weak, some spotting; Bigsby, Robert History of Repton. London: Richard Keene, 1854. 4to, portrait, engraved title, 11 plates, contemporary red calf gilt, bookplates, covers and spine a little rubbed and soiled, occasional spotting; The Victoria history of the counties of England Hampshire and the Isle of Wight. Westminster: Archibald Constable, 1900-1914. 4to in eights, 6 volumes, numerous plates and maps, many folding, original red cloth gilt, bookplates of J.P. Shawe-Storey and Lord Gretton, spines faded, some spotting (11) Provenance: Property of the Trustees of Lord Gretton £300-400

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143 FC269/56 Buckler, John Chessell Views of the cathedral churches of England and Wales. London: John Nichols and Son, 1822. Folio, large paper copy, 32 engraved plates, contemporary calf, bookplate, spine faded, a little rubbed, some light foxing and dust-soiling, mainly marginal; Stephens, George Handbook of the old-northern runic monuments of Scandinavia and England. Edinburgh: Williams and Northgate, 1884. Folio, one folding plate, contemporary cloth gilt, bookplate, a little rubbed; Watson, John The history and antiquities of the parish of Halifax, in Yorkshire. London: T. Lowndes, 1775. 4to, engraved portrait, 9 (of 10) plates (4 folding), contemporary half calf, rubbed, spine chipped, joints splitting, title and portrait spotted; Wilson, Sir Robert Thomas History of the British expedition to Egypt... London: T. Egerton, 1803. 4to, frontispiece portrait & 3 folding maps, contemporary gilt tooled calf, bookplate of the Earl of Bandon, upper cover detached, lower joint split, spine rubbed and chipped, occasional spotting, some slight offsetting onto title page (4) Provenance: Property of the Trustees of Lord Gretton £250-350 144 YE2013/1 Catlin, George Illustrations of the manners, customs and condition of the North American Indians. London: Henry G. Bohn, 1851. Eighth edition, 8vo, 2 volumes, folding map, plates, original red cloth gilt, hinges splitting, very worn, foxing; Caw, J.L. William McTaggart. Glasgow: 1917. 8vo, presentation copy from the author to Stanley Cursiter, plates, original green cloth gilt, backstrip faded; [Idem] Scottish painting past and present 1620-1908. Edinburgh, 1908. 8vo, plates, original cloth gilt, heavily rubbed, foxing throughout, some loose leaves (4) £100-150 145 FE324/9 Chesney, Lt.-Colonel Francis Rawdon The Expedition for the survey of the Rivers Euphrates and Tigris. London: Longman, Brown, Green & Longmans, 1850. First edition, 2 volumes (all published), lacking the map volume, 8vo, half-titles, 49 lithographed plates, 2 folding tables, 1 folding map, original cloth, slightly spotted, pp. vii-x vol. 2 loose, lacking spines, covers detached, worn £300-500 146 FE324/10 Chesney, Lt.-Colonel Francis Rawdon Narrative of the Euphrates Expedition. London: Longmans, Green & Co., 1868. 8vo, half-title, 45 lithographed plates, 2 maps, 1 folding, original cloth, map repaired with tape on verso, bookplate of Indian Mudie’s Library and Lt.-Col. Arthur Campbell Yate, hinges weak, binding worn, label removed from upper cover Note: Lt.-Col. Arthur Campbell Yate’s copy with some pencil annotations and an article from The Pioneer, 27 March, 1882, and a letter relating to the archaelogical work of Capt. R. Campbell Thompson’s work at Abu Shahrein and Col. J.E. Taylor, British Consul at Busreh, tipped in. £250-350

147 FE326/6 Cook, Captain James The three voyages of Captain James Cook round the world, complete in seven volumes. London: Longman, Hurst [&c.], 1821. 7 volumes, 8vo, folding map, engraved portrait and 24 aquatint plates, contemporary half calf, spines gilt, some spotting, lightly rubbed Provenance: George John Armytage F.S.A., bookplates £500-800 148 FE324/12 Curzon, Hon. George N. Persia and the Persian question. London: Longmans, Green & Co., 1892. First edition, 2 volumes, 8vo, 10 maps, 1 folding and mounted on linen, plates, several maps and three leaves annotated in ink, original pictorial cloth, worn, bookplate of Frederick W.A.H. Gillett £200-300 149 FE524/1 Edinburgh The book of the Old Edinburgh Club. Edinburgh: T. and A. Constable, 1908-1930. 8vo, volumes 1-17, uniform blue cloth, occasional spotting & slight dampstaining, some rubbed or faded; Grant, James Old and new Edinburgh. London: Cassell, [n.d.] 8vo, 3 volumes, red cloth, occasional spotting, darkening to endpapers, bookplates of George Watson’s College and The Blair Library, a few library stamps, some pages loose, bindings slightly soiled and faded; Oliphant, Mrs Old Edinburgh. London: Macmillan and Co., 1890. 8vo, blue cloth, some slight offsetting, rubbing, slight soiling and a little bumping to spine and covers; Hall, J.T.D., editor The Tounis college, an anthology of Edinburgh student journals. Edinburgh: The friends of Edinburgh University Library, 1985. 8vo, limited to 750 copies, blue cloth, a little faded with slight stain to lower cover, and three more books from ‘The Drummond Books’ series; and 7 other books relating to Edinburgh (32) £200-300 150 FE324/15 Encyclopaedia of Islam, new edition, prepared by a number of leading orientalists. Leiden: E.J. Brill, 1960-82. 4to, Volumes 1-4 original green cloth, volume 5 fascicules 79-98, and Supplement, fasc. 1-6, wrappers £200-300 151 FE390/2 Faeroe Islands - Landt, Rev. G. A description of the Feroe Islands. London: Longman [&c.], 1810. 8vo, 2 plates, 1 folding, 1 folding map, original boards, uncut, map detached, rubbed, lacks spine £200-250 152 FE324/2 Ferrier, J.P. Caravan journeys and wanderings in Persia, Afghanistan, Turkistan and Beloochistan. London: J. Murray, 1857. Second edition, 8vo, folding map, 3 plates, errata leaf, original orange cloth, upper hinge broken, frontispiece loose, rubbed, joints splitting £200-300

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153 FE324/6 Fraser, J. Baillie Travels in Koordistan, Mesopotamia, &c. London: R. Bentley, 1840. First edition, 2 volumes, 8vo, engraved frontispieces, original maroon blindstamped cloth, frontispieces spotted, slight spotting to text, later endpapers browned, bookplate of Lt. Col. Arthur Campbell Yate, spines faded and rubbed ÂŁ400-500

154 FD323/33 Greece - Williams, Hugh W. Travels in Italy, Greece and the Ionian Islands. Edinburgh: A. Constable, 1820. First edition, 2 volumes, 8vo, half-titles, 20 engraved plates, modern calf-backed cloth, some spotting, slight dampstaining to upper corners of some leaves of volume 1 ÂŁ200-300

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

155 FD323/35 Grose, Francis The antiquities of Scotland. London: S. Hooper, 1789-1791. First edition, 4to, 2 volumes, portrait, engraved titles, folding map coloured in outline, 190 plates, 4to, contemporary morocco gilt, bookplates of James Drummond, spines a little rubbed, edges bumped, tear to last page of volume 2 with loss of a few words; Morton, James The monastic annals of Teviotdale... Edinburgh: W.H. Lizars, 1732. 4to, engraved frontispiece, 18 engraved plates, red half calf, gilt tooled spine, bookplate of George Redman, a little rubbed, some slight spotting; Geddie, John Illustrations of the scenery of the River Tay... Edinburgh: T. and A. Constable, 1891. Folio, 11 plates (of 13, plates 3 and 11 lacking), blue cloth with tan and gilt panel to upper cover, spine faded, cover slightly soiled; Doré, Gustave - Ollier, Edmund Cassell’s Doré gallery... London: Cassell & Company, [n.d.] 4to, 4 volumes, original cloth gilt, g.e., spines a little faded and frayed, some slight soiling to covers (8) £150-200 156 FE324/5 Hanway, Jonas An historical account of the British trade over the Caspian Sea. London: Dodsley [&c.], 1753. First edition, 4to., 4 volumes, 4 engraved frontispieces, 9 folding maps, 15 engraved plates, some engraved head-pieces, half-title in volume 4, contemporary speckled calf, extremities worn, two covers detached £700-900 157 FE324/14 Hopkins, David A vocabulary Persian, Arabic and English, abridged from the quarto edition of Richardson’s dictionary, as edited by Charles Wilkins. London: F. & C. Rivington [&c.], 1810. 8vo, contemporary half calf, slightly spotted, worn, covers detached; Sadi of Shiraz Original Persian letters and other documents, carefully collated by E.B. Eastwick. London: for the author, 1825. 4to., 24 plates on 23 sheets, contemporary half calf, worn; Forbes, Duncan Oriental penmanship. London: W. H. Allen, 1849. 4to, 29 plates, original cloth, contents loose; Eastwick, E.B. The Gulistan (Rose Garden) of Shekh Sadí of Shíraz. Hertford, 1850. 8vo, half calf, annotated in pencil, worn, covers detached (4) £300-400 158 FE324/16 [Ibn al-Muqaffa`, `Abd Allah] Kalila and Dimna, or the fables of Bidpai. Translated from the Arabic. By the Rev. Wyndham Knatchbull. Oxford: J. Parker [&c.], 1819. 8vo, half-title, original boards, uncut, rubbed, covers detached £150-200

159 FE324/17 Jones, William A grammar of the Persian language. London: W. & J. Richardson, 1771. Small 4to, half-title, 1 engraved plate, errata leaf and advertisement leaf at end, contemporary calf, worn, textblock split, covers detached, ?shelf-mark in ink at head of title Note: ESTC T154271, listing 13 copies in the U.K. and 4 in the U.S.A. £300-500 160 FE551/7 Keltie, Scott - Exploration The story of exploration [edited by Scott Keltie]. London: Lawrence and Bullen, 1903-1905. 8vo, 5 volumes, green cloth with gilt compass motif, spines a little faded and bumped, some slight and occasional spotting, previous owner’s neat stamps to endpapers and one small, neat inscription, plates and maps, comprises: Johnston, Sir Harry The Nile quest Hogarth, D.G. The penetration of Arabia, Dawson, S.E. The Saint Lawrence basin, Mill, Hugh R. The siege of the South Pole, Clifford, Hugh Further India; Haklyut Society Voyages...London: J.M. Dent and Sons, 1927. 8vo, 10 volumes, contemporary blue-green cloth with gilt ship motifs, 10 portraits, 130 plates, occasional very slight spotting; Nansen, Fridtjof Farthest North... Westminster: Archibald Constable and Company, 1897. 8vo, 2 volumes, frontispieces, 16 colour plates, and others in monochrome, original green cloth gilt, slight rubbing and bumping to spines and corners, very occasional spotting; Burrard, Sir Sidney, Colonel Survey of India, professional paper no.26, Mount Everest and its Tibetan names. Dehra Dun: Brigadier R.H. Thomas, Surveyor General of India, 1931. 8vo, original printed boards, occasional pencil and ink annotations, corners slightly bumped, spine a little rubbed; Hogarth, D.G. The life of Charles M. Doughty. Oxford: Oxford University Press, 1928. 4to, frontispiece, 9 plates, folding map, green cloth, spine faded; Darwin, Charles A naturalist’s voyage, journal of researches... London: John Murray, 1889. 8vo, green cloth gilt, spine and corners slightly rubbed and bumped; Doughty, Charles M. Travels in Arabia Deserta. London: Jonathan Cape Ltd. & the Medici Ltd., 1926. 8vo, folding map, dark blue cloth, slight bumping to spine and corners, some slight marginal spotting; Kelman, John From Damascus to Palmyra, illustrated by Margaret Thomas. London: Adam and Charles Black, 1908. 8vo, coloured frontispiece, 85 plates, folding map, original blue and green patterned cloth, covers and spine a little dust-soiled; Geike, Sir Archibald Geological map of Scotland. Edinburgh: John Bartholemew & Co., 1910. Second edition, 8vo explanatory notes and folding map, 70x80.5cm, backed onto linen, blue cloth gilt, slight rubbing to spine, two small ‘Bartholemew’ stamps on explanatory notes and reverse of map (23) Provenance: Bartholomew Family, Mapmakers and Geographers, Edinburgh £200-300

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161 FE320/1 New Guinea - Forrest, Captain Thomas. A voyage to New Guinea, and the Moluccas, from Balambangan. London: J. Robson, J. Donaldson [&c.], 1779. First edition, 4to., [24], 388, 13, [1], engraved frontispiece portrait and 32 engraved plates and maps, some folding, contemporary calf, occasional light spotting, rebacked, corners rubbed Provenance: Col. John VIncent Forrest, C.B., C.M.G., bookplate £1,000-1,500 162 FE324/8 Ouseley, William, editor The oriental collections: consising of original essays and dissertations, translations and miscellaneous papers; illustrating the history and antiquities, the arts, sciences and literature of Asia. London: Cadell & Davies, [1797-98]. 2 volumes in one (all published), 4to., 34 engraved plates, later half calf, spine gilt £500-700 163 FE324/1 Persian language - Balfour, Francis The forms of Herkern, corrected from a variety of manuscripts, supplied with the distinguishing marks of construction and translated into English. London: S. Rousseau &c., 1804. Second edition, 8vo, [12], 232, contemporary half calf, small inscription at head of title, binding very worn Note: The forms of Herkern, first published at Calcutta in 1781, and republished in London in 1804, is a state letter-writer in Persian; a vocabulary is given by the translator at the end. Balfour was one of the earliest members of the Bengal Asiatic Society, founded, under the presidency of Sir William Jones and the patronage of Warren Hastings, in 1784. To the ‘Asiatic Researches’ (‘Transactions of the Bengal Asiatic Society’) Balfour contributed in 1790 a paper on Arabic roots, showing how the Arabic language had entered into the Persian and the language of Hindostan. £200-300 161

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164 FE712/1 Playne, Somerset The Bombay presidency in the United Provinces The Punjab, etc. London: The Foreign and Colonial Compiling and Publishing Co., 1917-1920. 4to, black morocco gilt with gilt tooled motif of blackbuck to upper cover, g.e., a little faded and rubbed; another copy red cloth gilt, covers a little dmap stained and faded; Rai, Rai Bahádur Wán Jaimat A brief history of Freemasonry in Quetta. Bombay: Times Press, 1908. 8vo, dark green cloth gilt, lower cover a little rubbed (3) £200-300 165 FF12/6 Rome, comprising of Buonanni, Filippo Numismata summorum pontificum templi Vaticani fabricam indicantia. Rome: Ercole, 1700. Folio, half-title, 88 (of 91) engraved plates (some double-page), contemporary red half morocco, spine gilt, lacking 3 plates, plate 83 remargined; Nuova raccolta delle principali vedute di Roma antica e moderna con le ruine della guerra Rome: Pietro Datri, [1849]. Oblong 8vo, engraved title-page, 59 engraved plates, contemporary cloth, some dampstaining, binding slightly worn; Fea, Carlo Descrizione di roma...seconda edizione. rome: Crispino Puccinelli, 1822. 8vo, 3 volumes in one, 43 engraved plates, folding map, contemporary calf-backed boards, spine detached; Nibby, Antonio Itinerario di Roma e delle sue vicianze. Rome Poggioli, 1827. 12mo, 2 volumes in one, 2 folding maps and 52 engraved plates, contemporary vellum, pages 97-99 torn at foredge; Canina, Luigi Vedute dei principali monumenti di Roma antica. Rome: 1851. 8vo, 108 plates, bookplate of Jenico, 14th Viscount Gormanston, contemporary half vellum, joints splitting; [Idem] Vedute dei principali monumenti di Roma antica. Rome: 1851. 8vo, 108 plates, contemporary half vellum, signature of R. Tighe on title-page, upper joint splitting; [Idem] Tavole per servire alla dimostrazione... Rome: the author, 1845. Second edition, folio, 14 double-page plates (some folding), contemporary cloth, some light foxing, plate folds reinforced with linen, spine frayed; [Idem] Tavole per servire alla dimostrazione... Rome: the author, 1845. Second edition, folio, 14 double-page plates (some folding), contemporary cloth, spine frayed; Cipriani, Giovanni Battista Itinerario figurato negli edifizi più rimarchevoli di Roma. Rome: 1835. Engraved title-page, 100 engraved plates, contemporary calf-backed boards, head of spine chipped; Valentini, Agosto I freschi delle loggie vaticane inventati da Raffaele Sanzio. Rome: the author, [1855]. Engraved title-page, 41 plates, original boards with engraved title-page repeated on cover, binding slightly soiled (10) £1,000-1,500

166 FE326/7 Rousseau, Jean Jacques Confessions. Geneva: [no publisher], 1782. Part 1 & 2 only, 12mo, [2], 252; [2], 286; contemporary half calf, head of titles excised, lacks halftitles, worn, lower margin slightly wormed at end of volume 2 £200-300 167 FE324/7 Russia and Persia - Lycklama a Nijeholt, T.M. Voyage en Russie, au Caucase et en Perse, dans la Mésopotamie, le Kurdistan, la Syrie, la Palestine et la Turque. Paris: A. Bertrand & Amsterdam: C.L. van Langenhuysen, 1872-75. 4 volumes, 8vo, frontispiece portrait, 2 folding plates & 2 (identical) folding maps, original half cloth, some spotting, coloured plate split at fold in two without loss £650-950 168 FF12/7 Santos, Francisco de los Descripcion breve del monasterio de S. Lorenzo el Real del Escorial... Madrid: Imprenta Real, 1657. First edition, small folio, engraved royal arms on title-page, engraved portrait of Philip IV by Pedro de Villafranca, woodcut initials and tailpieces, 10 engraved plates (9 folding), contemporary calf, spine gilt in compartments with a crowned monogram, paper flaw in N1 with loss of two letters, a few plates torn without loss but affecting image, plates 5-6 torn and with some loss at edges, lacking lettering-piece, binding rubbed, joints cracking £500-800 169 FF12/8 Sarayna, Torello De origine et amplitudine civitatis Veronae. Verona: Antonio Putelletto, 1540. First edition, folio, woodcut device on titlepage, woodcut portrait on verso of titlepage, woodcut illustrations (some double-page and/or folding) including a map of Verona, nineteenth-century half red morocco, lacking large folding plate of the amphitheatre, a few plates with repaired folds, a few plates shaved, extremities slightly rubbed £500-800 170 FE464/3 Smith, Charles Hamilton Selections of the ancient costume of Great Britain and Ireland. London: W. Bulmer for Messrs. Colnaghi, 1814. First edition, folio, (380 x 265mm.), additional hand-coloured aquatint title and 60 handcoloured aquatint plates, some heightened with gold, engraved dedication, list of subscribers, contemporary olive half morocco, uncut, rubbed, a few spots, otherwise a very clean copy Note: Abbey, Life, 431: iwth plates 6, 30, 34 and 49 in second but best state. £300-400

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171 FE464/2 Staffordshire - Plot, Robert The natural history of Staffordshire. Oxford: Theater, 1686. Folio, title with engraved vignette, folding map, 38 engraved plates (including the plate “Armes ommitted,to be placed next the map”), 26 double-page, list of subscribers at end, contemporary panelled calf, map with two very short tears at fold, slight spotting, slight discolouration to some plates, rebacked retaining original spine, worn £600-800 172 FD323/25 Thomas-Stanford, Charles A river of Norway... London: Longmans, Green, and Co., 1903. 8vo, photogravure frontispiece, 9 photogravure plates, 1 colour plan, original cloth gilt, spine faded, sticker to lower cover, some light foxing £150-250 173 FE551/15 Time-Life - Classics of Exploration London: Time-Life, n.d. 8vo, 19 volumes, modern facsimile editions of works on African, Asian and Polar exploration, imitation brown leather with red panels, g.e. (19) Provenance: Bartholomew Family, Mapmakers and Geographers, Edinburgh £200-300 174 FE324/4 Wagner, Moritz Reise nach Persien und dem lander der Kurden. Leipzig: Arnoldische Buchhandlung, 1852. First edition, 2 volumes in one, 8vo., contemporary quarter morocco, spotting to volume 1 title, rubbed £200-300 175 FE324/11 Waring, Edward Scott A tour to Sheeraz, by the route of Kazroon and Feerozabad. London: T. Cadell & W. Davies, 1807. First edition, 4to., engraved frontispiece and 1 plate, contemporary calf, title and A3 loose, lacks half-title, worn, lacks spine, covers detached £300-400

BOOKS FROM THE ROYAL COLLEGE OF SURGEONS IN IRELAND: PART VII 176 EZ825/942 Albers, Johannes Abraham Icones ad illustrandam anatomen comparatam. Leipzig, 1818-1822. 2 volumes, folio, 7 engraved plates, original wrappers, contents detached, spotting and dust-soiling, wrappers worn and soiled; Lucae, J. C. Gustav Zur organischen formenlehre. Frankfurt-amMain: F. Varrentrapp, 1844. 4to, 12 lithographed plates; Dursy, Emil Atlas zur Entwicklungsgeschichte des Kopfes. Tübingen, 1869. 4to, 9 engraved plates; Welcker, Hermann Untersuchungen über Wachsthum und Bau des Meschlichen Schädels. Leipzig, 1862. 4to, volume 1 only, 17 plates, several chromolithographed; 3 works in one volume, 4to, contemporary cloth, slightly spotted; Lenhossek, Joseph E. von Die Künstlichen Schädelverbildungen. Vienna, 1881. 4to, 3 plates, original boards soiled and worn; Froriep, August Zur Kenntniss der Lagebezhiehungen zwischen Grosshirn und Schädeldach. Leipzig, 1897. Folio, 5 coloured lithographs, original cloth-backed boards somewhat soiled; Froriep, Robert Atlas anatomicus. Weimar, 1856. Oblong folio, 30 engraved plates, original cloth, RCSI library stamp on title; Ecker, Alexander Icones physiologicae. Leipsig, 1859. Folio, 31 engraved plates, original clothbacked boards, spotting, RCSI blindstamp to title, rubbed and soiled; Jaeger, Eduard Beiträge zur pathologie des Auges. Vienna, 1855. Folio, presentation copy from the author, 31 chromolithographed plates, tissue guards, contemporary half calf, some spotting, upper cover detached (8) £300-400 177 EZ825/832 Andry de Boisregard, Nicolas De la generation des vers dans le corps de l’homme. Amsterdam: T. Lombrail, 1701. 12mo, 3 plates (2 double page, 1 folding), contemporary vellum, RCSI library stamp on title, folding plate torn without loss, slight dust-soiling £100-150 178 EZ825/928 Annesley, Sir James Researches into the causes, nature and treatment of the more prevalent diseases of India. London: Longman, Rees [&c.], 1828. First edition, 2 volumes, 4to., folding map, hand-coloured in outline, 40 finely hand-coloured lithographed plates, contemporary half calf, worn, 3 boards detached, one lacking, RCSI library stamp to titles and a few leaves of text, short tear to map at fold £300-400

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179 EZ825/924 Barry, Sir Edward Observations historical, critical and medical on the wines of the ancients. And the analogy between them and modern wines. London: T. Cadell, 1775. First edition, 4to., engraved frontispiece & titlevignette, cropped inscription at head of title, contemporary calf, RCSI library stamp to title, offsetting to title, worn, frontispiece, final leaf and covers detached £200-250 180 EZ825/921 Beccaria, Giovanni Battista Experimenta, atque observationes, quibus electricitas vindex late constitutur, atque explicatur. Turin: Typographia Regia, 1771. First edition, 4to, [4], 66, folding plate and folding table, contemporary half calf, worn, covers detached Note: Complete. Place and publisher from colophon; date from dedication. £150-200

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181 EZ825/923 Becher, Johann Joachim Physica subterranea. Leipzig: Officina Weidmanniana, 1738. 4to, [14], 504, [22], 161, [9], engraved frontispiece, title printed in red and black, contemporary calf, spotting and browning, RCSI library stamp to title, worn, upper cover detached Note: The last edition of Becher’s famous work, considered the best, and the only one in quarto. £400-600 182 EZ825/926 Behrens, Conrad Barthold Selecta diaetetica. Frankfurt & Leipzig: L. Schröder. 1710. First edition, 4to., [14], 548, [29], title printed in red and black, nineteenth century half calf, RCSI library stamps and blindstamps, some spotting, slight dampstaining to lower margin £200-250

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183 EZ825/920 Behrens, Georg Henning Hercynia curiosa, oder curiöser Hartz-Wald. Nordhausen: C.C. Neuenhahn, 1703. First edition, 4to., [6], 200, [16], engraved frontispiece, title printed in red and black, contemporary half vellum, RCSI library stamp to title, title slightly dust-soiled, binding slightly dust-soiled £200-300 41

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184 EZ825/919 Bell, Benjamin A system of surgery. Edinburgh: Bell & Bradfute, 1791. Fifth edition, 8vo, engraved portrait frontispiece and 99 plates, contemporary tree calf, rubbed, spine of volume 6 splitting, a few RCSI library stamps but a clean copy ÂŁ200-250 185 EZ825/925 Bell, John Engravings explaining the anatomy of the bones, muscles and joints. Edinburgh: Bell & Bradfute [&c.], 1794. First edition, 4to, [6], [22], [2], 191; additional engraved title and 32 engraved plates (including 4 outline plates), one folding, contemporary calf, lettered in gilt on covers, folding plate torn, slightly spotted, some dust-soiling, some scoring and marginalia, occasionally in ink, rubbed, covers detached ÂŁ300-500 186 EZ825/950 Bleuland, Jan Observationes anatomico-medicae de sana et morbosa oesophagi structura. Leiden: Abraham & Jan. Honkoop, 1775. First edition, 4to, 7 engraved plates, 4 colour printed, 1 folding, the folding plate repaired with slight loss, half-title, later half calf, covers detached, [Wellcome Library Catalogue Record No: 7385177], slightly spotted ÂŁ300-400

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LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

187 EZ825/769 Botany - Rose, Hugh The elements of botany. London, 1775. 8vo, 14 plates, contemporary calf, RCSI library stamp on title, worn, cover detached; Hull, John Elements of botany. Manchester, 1800. 2 volumes, 8vo, 16 plates (1 folding), contemporary half calf, lacks spines, covers detached; Smith, James Edward An introduction to the study of botany. 1833. Seventh edition, 8vo, 36 plates, quarter cloth, discolouration, covers loose, lacks spine; Smith, James Edward A grammar of botany. 1821. 8vo, 21 plates, half calf, worn, covers detached; Wildenbow, D.C. The principles of botany. 1805. 8vo, 10 plates, spotting, lacks one board, other detached; Milne, Colin A botanical dictionary. 1805. 8vo, 25 hand-coloured plates, contemporary calf, some spotting, boards detached; Moore, Thomas The field botanist’s companion. 1862. 8vo, 24 hand-coloured plates, original cloth, slightly soiled, all with RCSI library stamp to title; and others, similar; sold not subject to return £150-200 188 EZ825/883 Brugnatelli, Luigi Vincenzo Litologia umana ossia richerche chimiche e mediche... Pavia: P. Bizzoni, 1819. Folio, 3 coloured folding plates, limp marbled covers, spine rubbed, some dust-soiling to covers, tiltle page and margins, RCSI library stamp to title £100-150 189 EZ825/938 Crichton, Alexander An inquiry into the nature and origin of mental derangement. London, 1798. Volume 2 only, library stamps, covers detached; Arnold, Thomas Observations on the nature, kinds, causes and prevention of insanity. Leicester: 1782-86. 2 volumes, 8vo, spotting, library stamps; [Idem]1806. 2 volumes, 8vo, portrait, contents loose, boards detached, Willis, F. A treatise on mental derangement. 1823. Half calf, library stamps, covers detached; Cox, J.M. Practical observations on insanity. Second edition, 1806. 8vo, calf, library stamps, cover detached; Perfect, William Annals of insanity. [c.1810]. Fifth edition, library stamps, covers detached, lack spine; Mayo, Thomas Remarks on insanity. London, 1817. 8vo, original boards, uncut; and 7 later volumes; all with RCSI library stamp to title, sold not subject to return (15) £300-500 190 EZ825/861 Cullen, William A treatise of the materia medica. Edinburgh: C. Elliott, 1789. First edition, 2 volumes, 4to, advertisement leaf, contemporary calf, RCSI library stamp on titles, worn, covers detached; [Idem] Lectures on the materia medica: containing the natural history of drugs. London: E. & C. Dilly; Edinburgh: A. Kincaid & J. Bell, 1770. 2 volumes, 4to, contemporary calf, RCSI library stamp on titles, spotting, worn; [Idem] Lectures on the materia medica. London: T. Lowndes, 1772. 4to, RCSI library stamp on title, contemporary calf, some spotting, worn, upper cover detached (5) £150-250

191 EZ825/952 Edwards, George Some memoirs of the life and works of George Edwards. London: J. Robson, 1776. 4to, 4 engraved plates, 3 folding, title soiled and with RCSI library stamp; Linnnaeus, Carolus A catalogue of the birds, beasts, fishes, insects, plants &c. contained in Edward’s natural history. London: J. Robson, 1776. 4to, [ESTC T566], 2 works in one volume, nineteenth century half calf, upper joint split £150-200 192 EZ825/943 Eschscholtz, Johann Friedrich von System der Acalephen. Berlin: F. Düummler, 1829. First edition, 4to, 15 (of 16) engraved plates, later cloth, somewhat spotted £150-200 193 EZ825/929 Fleming, Alexander An inquiry into the physiological and medicinal properties of the Aconitum Napellus. London: John Churchill, 1845. First edition, 8vo, presentation copy inscribed “WIth Dr. Fleming’s Compts.” at head of title, also inscribed “Royal College of Surgeons Library”, original cloth, head of spine rubbed; Thompson, Edward P. Roentgen rays and phenomena of the anode and cathode. New York: D van Nostrand, 1896. 8vo, illustrations, original cloth, RCSI library stamp to title verso, original cloth, stained, upper hinge broken (2) £150-250 194 EZ825/927 Fox, Wilson An atlas of the pathological anatomy of the lungs. London: J. & A. Churchill, 1888. 4to, 45 lithographed or chromolithographed plates, contemporary half calf, some plates with RCSI library stamp, rubbed, joints split £100-150 195 EZ825/804 Goeze, Johann August Ephraim Versuch einer Naturgeschichte der eingewiedewürmer thierischer körper. Blankenburg: P.A. Pape, 1782. 4to, 44 folding engraved plates, original blue boards, RCSI library stamps to title, a few spots, lacks spine, upper board detached £100-150 196 EZ825/945 Jardine, William An essay towards the improvement of some of the important instruments in surgery. Edinburgh: D. Brown [&c.], 1814. First edition, 8vo, 11 engraved plates, contemporary half calf, RCSI library stamp to title, slightly rubbed £150-200

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

201

197 EZ825/949 Johnson, Robert Wallace A new system of midwifery. London: for the author, 1769. First edition, 4to, 10 folding engraved plates, contemporary calf, several leaves detached, one plate with short split at fold, several RCSI library stamps, some spotting, worn, covers detached £150-250 198 EZ825/918 La Condamine, Charles Marie de Journal du voyage fait par ordre du roi, a l’équateur. Paris: l’Imprimerie Royale, 1751. First edition, 4to., [2], 36, 280, [15]; 2 folding maps and 5 plates, 4 folding, contemporary calf, RCSI library stamp to title, some spotting, worn, lacks spine £300-400 199 EZ825/932 La Vauguion, de A compleat body of chirurgical operations. London: Henry Bonwick, T. Goodwin, W. Wotton, B. Took, S. Manship, [1699]. 8vo, 12 engraved plates, later half calf, slightly spotted, title date apparently erased, lacks upper board, [ESTC R25448 ; Wing L626] £200-300 200 EZ825/775 Linnaeus, Carolus Philosophia botanica. Vienna: J.T. Trattner, 1755. Second edition, 8vo, [iv; 364] 9 plates and 2 woodcuts, contemporary panelled calf, rebound retaining covers, slight browning, upper board detached, inscription on initial blank “John Innys, 1767 Redland Court, Glouc.” £200-300

201 EZ825/902 Monro, Alexander Three treatises. On the brain, the eye and the ear. Edinburgh: G.G. & J. Robinson, 1797. First edition, 4to, [8], 263; 24 engraved plates (including 2 outline plates), one partially hand-coloured, some folding, contemporary half calf, RCSI library stamps to text, some spotting, mainly marginal, a few margins slightly dampstained, worn, covers detached £400-600 202 EZ825/871 Müller, Johannes Ueber den feinern Bau und die Formen der krankhaften Geschwülste. Berlin: G. Reimer, 1838. Folio, 4 engraved plates, one hand-coloured, contemporary half calf, RCSI library stamp on title, rather spotted, marginal tear to one plate, rubbed £150-250 203 EZ825/905 Olivi, Giuseppe Zoologia Adriatica, ossia catalogo ragionato degli animali del Golfo e delle Lagune di Venezia. Bassano, 1792. First edition, 4to, [8], 32, 334; 9 engraved plates, 4 folding, nineteenth century half calf, RCSI library stamp to title, binding worn £200-300 204 EZ825/908 Opium - Young, George A treatise on opium. London: A. Millar, 1753. First edition, 8vo, [16], 182, [2]; advertisement leaf at end, contemporary calf, RCSI library stamp on title, some light spotting, rubbed, textblock split, upper cover detached, [ESTC T131076] £200-250

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

205 EZ825/910 Pennant, Thomas Outlines of the globe. London: Henry Hughs [John White], 1798-1800. 4 volumes, 4to, [iv], [xvi], 263, [ix]; [xii], 374, [xiii]; [xvi], 284, [xiii]; [viii], 317, [xxi]; 20 (of 21) engraved plates, 2 engraved head-pieces, 3 folding maps, half-titles, lacking plate 10 in volume 2, original clothbacked boards, uncut, RCSI library stamp to titles, some spotting, occasional dust-soiling, textblock of both volumes split, worn, two covers detached £200-300 206 EZ825/909 Perret, Jean-Jacques L’art de coutelier. Paris, 1772. Part 2 (of 4). Folio, plates 73-172, some double-page, a few folding, contemporary calf, RCSI library stamp to text, very light discolouration to plate margins, textblock split £150-250

203

207 EZ825/922 Pringle, Sir John A discourse on the different kinds of air. London: for the Royal Society, 1774. First edition, 4to, [2], 31, errata slip pasted onto verso of final leaf, disbound £150-200 208 EZ825/906 Pugh, John A treatise on the science of muscular action. London: C. Dilly, 1794. 4to, engraved title and 15 plates, each in 2 states, contemporary half calf, spotting, RCSI library stamp to title and text, plate 14 with slight marginal loss, one leaf and one plate torn without loss, worn, covers detached £100-150 209 EZ825/939 Purrmann, Matthaeus Gottfried Chirurgia curiosa, or the newest and most curious observations and operations in the whole art of chirurgery. London: D. Browne [&c.], 1706. First English edition, folio, errata leaf, contemporary half calf, title and A2 detached and slightly frayed, some spotting and soiling, 2 plates torn without loss, Ee2 cancelled, Ll1 with corner torn away affecting page numeral, lacking N1-2 (pp.309-312), worn, covers detached; Remmelin, Johann & Michael Spaher. A survey of the microcosme. London: D. Midwinter & T. Leich, 1702. Folio, 1 engraved plate (of 4), with overlays, contemporary half calf, lacks text other than title, contemporary half calf, worn, covers detached; RCSI stamp to titles (2) £200-250

208

210 EZ825/912 Reil, Johann Christian Exercitationum anatomicarum. Fasciculus primus de structura nervorum. Halle: Curt, 1796. Folio, 2 fascicles, (fascicle 2 comprising 3 engraved plates), one partly hand-coloured, green roan-backed marbled wrappers, RCSI library stamp to title and 2 plates, plates spotted, dust-soiled, slightly stained and frayed in inner margin, worn, covers of plate volume detached £200-250 45

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

211 EZ825/911 Sandifort, Eduard Museum anatomicum Academiae Lugduno-Batavae. Leiden: S. & J. Luchtmans, 1793-1835. 4 volumes, folio, 208 engraved plates, half-title in volume 3, contemporary calf, volume 4 contemporary half calf, RCSI library stamp on titles, occasional spotting, a little dust-soiling, final leaf volume 3 frayed, bindings very worn with covers detached, volume 4 lacks lower board £500-700 212 EZ825/914 Scarpa, Antonio Anatomicae disquisitiones de auditu et olfactu. Ticini: Pietro Galeati, 1789. First edition, folio, [10], 101; 16 engraved plates after Scarpa (including 8 outline plates), contemporary half calf, title dustsoiled, several faint RCSI library stamps, worn, covers detached £500-700 211

213 EZ825/917 Scarpa, Antonio Tabula neurologicae. Pavia: Balthasar Comini, 1794. First edition, large folio, [2], 44; 7 engraved plates, each with an outline plate, old half calf, RCSI library stamp to title, spotted and dust-soiled, dampstain to lower corner, very worn, covers detached £600-800 214 EZ825/944 Scarpa, Antonio Anatomische Untersuchungen des Gehörs und Geruchs. Nuremberg: Kapeschen Buchhandlung, 1800. First German edition, 4to, [8], 176; 8 numbered plates on 7 folding engraved plates, original boards, some spotting, spine and corners worn, RCSI library stamp to endpaper, plates very clean £300-500 215 EZ825/916 Staunton, George Leonard [An authentic account of an embassy from the King of Great Britain to the Emperor of China. [London, 1797]. Folio, atlas volume only, folding map and 44 plates, old half vellum, spotted throughout and very dust-soiled, some marginal tears and repairs, some stains and discolouration, plate 39 torn with loss, RCSI library stamp to a few plates, very soiled and worn, vellum torn £700-1,000 212

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

216 EZ825/827 Tolet, François Traité de la lithotomie. Paris: F. H. Muguet. Fifth edition, 8vo, engraved portrait, 18 plates (one pasted onto the verso of plate at p.187), contemporary calf, rubbed, covers detached, RCSI library stamp at foot of title, inscription “ex dono authoris Bruxelles, Julii 27, 1708” on front endpaper £80-120 217 EZ825/896 Trioen, Cornlius Observationum medico chirurgicarum fasciculus. Leiden: P. van der Eyk & J. van der Kluis, 1743. First edition, 4to, 13 engraved plates, 3 folding, title printed in red and black, half-title, contemporary half calf, somewhat spotted, worn, upper cover detached £150-200 218 EZ825/903 Tulpius, Nicolaus Observationes medicae. Leiden: G. Wishoff, 1739. 12mo, engraved frontispiece, numerous engravings in text, title printed in red and black, professionally conserved, new calf retaining original spine and one board £150-250 216

218

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

219 EZ825/900 Valli, Eusebio Experiments on animal electricity. London: J. Johnson, 1793. First English edition, 8vo, [16], 323, [1], RCSI stamp to title, nineteenth century half calf, lightly rubbed £150-200 220 EZ825/898 Valsalva, Antonio Maria De aure humana tractatus. Utrecht: Wilhelm van de Water, 1717. 4to. [12], 143, [13], 10 folding engraved plates, duplicate of plate 8 bound in, title printed in red and black, contemporary half, spotting to preliminary leaves, RCSI library stamp to title and text, rebacked, corners repaired, [Wellcome Library Catalogue, Record No: 12039706] Note: Antonio Maria Valsalva, 1666-1723, Italian anatomist, named the Eustachian tube and described its function and that of its muscle. He showed the connection between the mastoid cells and the tympanic cavity, and made observations on physiologic and pathologic processes of the ear, and the “ Valsalva maneuver”, named after his discovery. £200-300

220

221 EZ825/899 Valsalva, Antonio Maria Opera. Venice: F. Pitter, 1740. 2 volumes, 4to., [34], 155, [16], 531, [2]; 504; portrait and 13 folding engraved plates, title of volume 1 printed in red and black, errata leaf in volume 1, contemporary calf, RCSI library stamp to title and several text leaves, occasional marginal dust-soiling, worn, three covers detached £200-300 222 EZ825/904 Verduyn, Pieter Adriaanszoon De l’amputation a lambeau, ou nouvelle methode d’amputer les membres. Amsterdam & Berlin: J. Neaulme, 1756. 8vo, 9 folding engraved plates, contemporary calf, RCSI library stamps to text, some spotting and soiling, worn, covers detached, plates clean £150-250 223 EZ825/901 Verheyen, Philip Corporis humani anatomia. Leipzig: T. Fritsch, 1705. 8vo, engraved portrait and 30 plates, title printed in red and black, contemporary vellum, RCSI stamp to title, spotting, binding soiled £150-250 222 48

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

224 EZ825/941 Vesalius, Andreas Epitome anatomica. Amsterdam: Henri Laurent, 1633. 4to, [viii], 214; title printed in red and black and with engraved vignette, engraved plate at p.67 cropped, engraved illustrations, later half calf, some dampstaining, RCSI library stamp on title, upper cover detached, [Wellcome Library Catalogue Record No: 14632957] £300-400 225 EZ825/897 Vieussens, Raymond de Oeuvres françoises. Toulouse: J. Guillemette, 1715. 2 volumes, 4to, engraved portrait and 21 plates (with 2 plates numbered 11, one of which folding), many folding, contemporary panelled calf, spotting and soiling, RCSI library stamp to titles and text, textblock of volume 1 broken, worn, covers detached £200-300 226 EZ825/915 Walter, Johann Gottlieb Observationes anatomicae. Berlin: Gottlieb Augustum Lange, 1775. First edition, folio, [8], 88; title printed in red and black & with engraved vignette, 13 folding engraved plates, nineteenth century half calf, RCSI library stamp to title, some spotting, worn, upper cover detached £200-300

224

225 49

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

230 EZ825/953 Willis, Thomas Cerebri anatome. Amsterdam: H. Wetsten, 1683. 12mo, 13 folding plates [but with 5 plates cut in half and bound in separately, making a total of 18], contemporary vellum, binding dust-soiled Note: Apparently complete. It would appear that 5 of the larger plates have been cut in two and bound in at the appropriate place in the text. 13 plates appear to be called for in the text. Not in Wellcome. Copac: Manchester copy calling for 16 plates, probably incorrectly. £200-300 231 EZ825/947 Winston, Thomas Anatomy lectures at Gresham Colledge. London: R. Daniel for Thomas Eglesfield, 1654. 8vo, [Wellcome Library Catalogue Record No: 14305394; Wing (2nd ed.), W3078], later calf, RCSI library stamps, some spotting or browning, especially to title, small hole to A6 with loss of a few letters £200-300

227

232 EZ825/933 Wirsung, Christof The general practise of Physick. London: J.L., Henry Hood, Abel Roper, RIchard Tomlins, 1654. Folio (in eights), woodcut device on title, contemporary calf, inscription “Sam. Heath, his book, 1698” on title, faint RCSI library stamp to a few leaves, some spotting, occasional stains, two small rust-holes, [ESTC R216228; Wing W3101], rebacked, corners repaired, worn £250-350

227 EZ825/913 Weidmann, Johann Peter De necrosi ossium. Frankfurt: Impensis Andreaelis, 1793. First edition, folio, title with engraved vignette and 15 engraved plates by Cöntgen, original boards, uncut, RCSI library stamp to title, somewhat spotted, lacks lower board, upper board detached £200-300

233 EZ825/934 Wiseman, Richard Severall chirurgical treatises. London: R. Royston, & B. Took, 1676. First edition, 4to, half-title/license leaf before title, contemporary panelled calf, professionally conserved with conservation note bound in at end, inscription on license leaf “James FitzGerald Esq. his Book written in ye year of our Lord God 1706”, dampstain to some upper margins, occasional spotting, faint RCSI library stamp on title verso, a few professional repairs [Wing W3107] £400-600

228 EZ825/940 Welsch, Georg Hieronymus Hecatosteae II. Observationum physico-medicarum. Augsburg: J. Schonigk, 1675. First edition, 4to, [viii], 130, [6], 69, [28], 12 engraved plates, contemporary calf, slightly spotted, RCSI library stamp to title, [Wellcome Library Catalogue Record No: 11376874] £300-400

234 EZ825/935 Wiseman, Richard Severall chirurgical treatises. London: R. Royston & B. Took, 1676. First edition, 4to, large paper copy, half-title/license leaf before title, contemporary calf, RCSI library stamp on title, occasional spotting and dust-soiling, worn, patches of calf missing, [Wing W3107] £400-600

229 EZ825/946 Willis, Thomas Pathologiae cerebri. London: James Allestry, 1668. 12mo, engraved portrait on verso of *6, later blindstamped calf, [Wing W2842] £200-300

LY O N & T U R N B U L L Rare Books, Manuscripts, Maps and Photographs

235 EZ825/936 Wiseman, Richard Severall chirurgical treatises. London: R. Royston & B. Took, 1676. First edition, 4to., half-title/license leaf before title, contemporary calf, RCSI library stamps on title and two other leaves, dampstained at end, two leaves of index holed, one with loss of a few words, final leaf repaired in margin, some spotting and staining, worn, covers detached, [Wing W3107] £200-300 236 EZ825/937 Wiseman, Richard Several chirurgical treatises. London: R. Royston & B. Took, 1686. Second edition, 4to., half-title/license leaf before title, contemporary panelled calf, RCSI library stamp to title, half-title with several 19th century inscriptions, detached and frayed in inner margin, occasional dampstains to head of page, some spotting, worn, covers detached, [Wing W3108] £150-200 237 EZ825/907 Woodward, John Fossils of all kinds, digested into a method. London: W. Innys. 1728. First edition, 8vo, folding table and 7 plates (1 folding), contemporary calf, RCSI library stamp to title, slightly spotted, rubbed, upper cover detached £200-300 238 EZ825/930 Wurffbainn, Johann Paul Salamandrologia. Descriptio... Salamandrae. Nuremberg: G. Scheurer, 1683. First edition, 4to., [6], 133, [16], engraved frontispiece and 5 engraved plates, with directions to binder and errata leaves, later half calf, RCSI library stamp to title, signature on A1 of Thomas Molyneux of Dublin, spotting, head of spine worn Note: The first work devoted to Salamanders, an expanded version of the author’s dissertation Salamandra, published in 1677. £400-500

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239 EZ825/931 Yonge, James Currus triumphalis, è Terebinthô. Or an account of the many admirable vertues of Oleum Terebinthinae... and lastly, a new way of amputation. London: J. Martyn, 1679. First edition, 8vo, [24], 120, eighteenth century calf, rebacked, faint RCSI library stamp to title, signature of Thomas Molyneaux [of Dublin] on B1, [ESTC R38786; Wing Y39] Note: Suggests the use of oil of turpentine to arrest hemorrhage, and describes for the first time the use of a flap of tissue in amputations. £300-400

END OF DAY ONE

Rare Books, Manuscripts, Maps & Photographs September, 2013 33 Broughton Place, Edinburgh EH1 3RR

including a collection of private press works, a selection books and original wood-engravings by Joan Hassall, works by George Eliot, early golfing manuscripts and books from the Library of the Royal College of Surgeons in Ireland, part VIII

Cicero, Marcus Tullius Opera. Paris: Charles Estienne, 1554-5. Folio, 4 volumes in 2, bookplates including possible papal bookplates, contemporary embossed pigskin binding, foreedge title [USTC 151874]

FURTHER ENTRIES ARE INVITED UNTIL 5TH JULY

Enquiries Simon Vickers Tel: +44 (0)131 557 8844 simon.vickers@lyonandturnbull.com Cathy Marsden Tel: +44 (0)131 557 8844 cathy.marsden@lyonandturnbull.com

www.lyo nandturnbull.com

Part Two

The Bruce Ritchie Collection of 18th-20th Century English Literature Wednesday, May 15th at 2pm Lots 240-743

LY O N & T U R N B U L L Order of Sale

Lots

240-308

ENGLISH LITERATURE, PRE 1800 including a large collection of works by Alexander Pope, lots 259-294

309-368

ENGLISH LITERATURE, PRE 1900

369-738

ENGLISH LITERATURE, 20TH CENTURY including notable collections of Seamus Heany, lots 492-512 James Joyce, lots 537-550 D.H. Lawrence, lots 560-573 Tom Stoppard, lots 631-646 Evelyn Waugh, lots 657-671 W.B. Yeats, lots 680-706 and a large number of Cuala Press publications, lots 708-738

739-743

MISCELLANEOUS

Opposite: red nude from lot 696 55

Bruce Ritchie – defender of “Eng sodding Lit”

The above affectionate and honorific title, awarded by one of Britain’s most distinguished playwrights, Sir Tom Stoppard, speaks directly to two of Bruce Ritchie’s principal occupations – that of teacher of English Literature and that of book collector. Stoppard wrote this tribute on a copy of the typescript of one of his most popular and longest-running plays The Real thing (lot 639). Sir Tom has also penned a special tribute to Bruce which will be found at the head of Bruce’s substantial collection of works by the playwright (lots 631 to 646). Bruce Ritchie was born in Stirling, his pregnant mother having escaped from Singapore just as the Japanese were invading in February 1942. His father was a banker with the Chartered Bank and, in consequence, Bruce spent much of his childhood and school holidays in the Far East. Bruce returned to Scotland in 1950 to attend Dollar Academy, going from thence to the University of St Andrews in 1961 to read English and German. After a year at Cambridge training as a teacher, he was appointed to the English Department at Merchant Taylors’ School in London where he developed into an outstanding teacher of English. It was there that he met Tom Stoppard, a Merchant Taylors’ parent, and where, too, the novelist and biographer A.N. Wilson was briefly a colleague, as well as becoming a lifelong friend. A.N. Wilson has also kindly penned a special tribute to Bruce which prefaces lot 677. Apart from cricket and music, the latter an enthusiasm shared with the Head of the English Department at Merchant Taylors’, the distinguished writer and broadcaster on opera John Steane, Bruce’s passion was book collecting. With few exceptions, this was focused mainly on English literature and that chiefly on the 18th and 20th centuries. The 18th century concentrated on the fictional masterpieces of Swift, Fielding and Smollett, and in assembling a formidable collection of works by Alexander Pope (lots 259 to 294). While Browning, Dickens and a few others clearly caught his interests in terms of the 19th century, his main energies and resources were spent on the authors of the 20th century. Here the range of the collection is quite staggering for someone whose main financial resources, were, after all, his earnings as a teacher. There is almost every major writer from Eliot to Waugh, and good assembles of many lesser or emerging ones

in between. American writers such as Arthur Miller, Capote, Mark Twain and others are also well represented. However with its concentration on Wilde, Becket, Joyce, Yeats and Seamus Heaney, the collection evidences a predominant attraction to the writers of the Anglo Irish tradition. If a few rarities escaped him, such as Yeats’s first printed work Mosada (which is, at least, present in Lily Yeats’s own copy of the Cuala Press edition of 1943, lot 680), it is again worth emphasizing that the assembly of such extensive holdings of these authors on the relatively limited resources of a teacher’s salary is truly outstanding. Bruce’s admiration for 20th century authors did not confine itself to their printed works. He delighted in association and presentation copies, often building up friendships with the authors themselves through writing to request them to sign his copies of their books. A number of works offered for sale-- contain correspondence from the authors, sometimes resisting such approaches, but usually giving way in the long run to the persuasion of Bruce’s charm and enthusiasm, as in the case of Seamus Heaney who, after some initial caution, comes to write to Bruce thanking him for his efforts to promote his work. Sometimes it got off on the wrong foot, as in the case of Christopher Hampton. There is a copy of Hampton on Hampton (lot 489) inscribed by the author to Bruce, with, loosely inserted, a postcard from Hampton referring to the fact that the first contract he had from Faber & Faber was due to a confusion over a namesake, a confusion which he drily points out Ritchie also appears to have made! Condition, too, was clearly important and, wherever possible, dustwrappers are present, generally well preserved in protective covers. Bruce’s generous instructions concerning the future of his collection were that it should be dispersed by auction. His intention was to give the maximum number of people the chance to enjoy the books which had given him such pleasure in collecting throughout his own life, thus encouraging and defending “Eng sodding Lit” to the end, and, to which aims, it is hoped Bruce would see the present catalogue as a fitting memorial.

Grateful thanks to Frank Hitchman and to Dr Brian Rees, a former Headmaster of Merchant Taylors’ School, for biographical information.

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

ENGLISH LITERATURE, PRE-1800 240 FE191/390 A collection of 18th and 19th century literature, including [Arbruthnot, John] A sermon preach’d to the people at the mercatcross of Edinburgh; on the subject of union. London: Andrew Bell, 1707. 8vo, 16 page pamphlet, darkened [ESTC T49213]; Philips, [Ambrose] Pastorals... London: H. Hills, 1710. 8vo, 24 page pamphlet, some darkening, dust-soiling and spotting, small burn to first leaf with loss of price and several letters on page 2, [ESTC T70293, but a variation with vignette of bowl of flowers and price on titlepage but with with the word menalcus rather than menalcas on page 9, line 33]; [Young, Edward] Two epistles to Mr Pope, concerning the authors of the age. London: Lawton Gulliver, 1730. 8vo, original blue publisher’s wrappers with bookplate of John Sparrow, some dampstaining and soiling, final advert leaf torn with some loss of text [ESTC T52064]; [Percy, Thomas] Reliques of ancient English poetry. London: John Nichols, 1794. Fourth edition, 8vo, 3 volumes, tree and harp device to titlepages, contemporary calf [ESTC T52064]; [Shakespeare, William] - Hill, Aaron King Henry the Fifth... London: J. Watts, W. Reeve, 1746. Second edition, 8vo, engraved frontispiece, titlepage in red and black [ESTC N4655]; [bound with] Rowe, N. The tragedy of Jane Shore. London: Henry Lintot, 1758. 12mo [ESTC T51539]; [bound with] [Shakespeare, William] - Tate, N. (editor) The history of King Lear. London: C. Hitch, L. Hawes... 1759. 12mo [ESTC T36411]; [bound with] [Otway, Thomas] The orphan: or the unhappy marriage. London: C. Hitch and L. Hawes..., 1759. 12mo, engraved frontispiece [ESTC N65218]; [bound with] Smith, Edmund Phaedra and Hippolitus. London: Henry Lintot, 1756. 12mo, contemporary half cloth, a little spotting and browning [ESTC N11406]; Scott, Sir Walter (attr.) London: William Miller, 1810. 8vo, 3 volumes, titlepages with engraved vignettes, contemporary half-calf, spines a little cracked with some loss; Milton, John Poetical works. London: Jacob Tonson, 1720. 4to, volume 1 only, portrait, engraved vignettes and headpieces, contemporary calf rebacked, some dust-soiling and browning, covers rubbed, joints splitting; and 11 other titles, sold not subject to return (22) £250-300 241 FE191/12 Addison, Joseph A discourse on ancient and modern learning. London: T. Osborne, 1739. First edition, small 4to., an exceptionally fine copy in its original wrappers, edges uncut, preserved in a solander box. (Rothschild 14) ; [Idem] Dialogues upon the usefulness of ancient medals especially in relation to the Latin and Greek poets. [s.l., n.p., 1726]. 12mo., contemporary half calf, marbled boards (2) £150-200

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242 FE191/60 [Burnet, Thomas & George Duckett] Homerides: or, Homer’s first book moderniz’d, by Sir Iliad Doggrel. London: R. Burleigh, 1716. First edition, 8vo., with half title, with last blank leaf, modern quarter morocco, marbled boards, small stain to the fore-edges. Note: Guerinot pp. 20-23. One of the earliest attacks on Pope, including several anti-Catholic sneers. Published in advance of Pope’s translation of Homer, it offers translations intended to serve Pope as a model. The pamphlet was originally intended to have been called “The Hump Conference”, containing offensive personal abuse toned down by Addison. £250-350 243 FE191/204 Burns, Robert Poems chiefly in the Scottish dialect. Edinburgh: printed for the author, and sold by William Creech, 1787. Second (first Edinburgh) edition, first issue with misprint “Boxburgh” for “Roxburgh”, and the correct spelling “skinking” for “stinking” on p. 263, engraved frontispiece portrait, bound without the half-title, twentieth-century half calf, a.e.g., slip case, slightly spotted; and a 1909 Facsimile by D. Brown & Co. of the Kilmarnock edition (2) £200-300

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

impressions, modern calf, repair to lower corner of the titlepage, tear to corner of the Prologue with loss of text, tear to corner of p. 1 (Cross III 308); [Idem] The fathers, or, the good-natur’d man: a comedy as it is acted at the Theatre Royal, in Drury-Lane. London: T. Cadell, 1778. First edition, 8vo. in 4s, pp. 65 to 72 mispaginated, modern blind ruled straight grain brown morocco , in a linen slip case, neat restoration to the inner margin of the titlepage, slight paper discolouration and some foxing (Rothschild 859); [Idem] The tragedy of tragedies; or the life and death of Tom Thumb the Great as it is acted at the theatre in the Hay-Market with the annotations of H. Scriblerus Secundus. London, J. Roberts, 1732. 8vo., contemporary sprinkled light tan calf, foxed throughout (3) £150-200 247 FE191/14 Fielding, Henry Miscellanies. London: A. Millar, 1743. Second edition of volumes 1 and 3, first edition of volume 2, 3 volumes, 8vo., contemporary sprinkled calf, outer joints cracking £150-250

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244 FE191/304 Dryden, John Poems on various occasions and translations from several authors; [bound with] Fables ancient and modern. London: Jacob Tonson, 1701 & 1700. 2 volume in 1, First editions, olio, titlepage to the first work in red and black, contemporary panelled calf, rebacked, rubbed, some slight paper discolouration, and spotting of a few leaves

248 FE191/19 Fielding, Henry The history of Tom Jones, a foundling. London: A. Millar, 1749. First edition, 6 volumes, 12mo., with the errata uncorrected and with the errata leaf in volume 1, with blanks K12 and and R12 in volumes 1 and 3 respectively, cancels as listed by Rothschild, modern 18th century style full sprinkled calf, spine decorated gilt in compartments, endpapers renewed, a few dampstains and some minor repairs Note: Cross III, pp. 316-17; Rothschild 850; Grolier 100 English 48. £1,500-2,000

Note: Wing D 2278 £150-200 245 FE191/13 Fielding, Henry The history and adventures of Jospeh Andrews, and of his friend Mr. Abraham Adams: written in imitation of the manner of Cervantes, author of Don Quixote. London: A. Millar, 1742. First edition, 2 volumes, 12mo., without the 2 advertisement leaves at the end of volume 1, and the preliminary and terminal advertisement leaves in volume 2, later full red morocco, covers bordered with a triple gilt fillet, the spines decorated gilt in compartments, inner gilt dentelles, a.e.g., by Bedford, in a linen box Note: Cross III, 305; Rothschild 844 £800-1,200 246 FE191/17 Fielding, Henry The wedding-day: a comedy, as it is acted at the Theatre-Royal in Drury-Lane. London: A. Millar, 1743. First edition, 8vo. In fours, issue with the price on the titlepage, signatures B to F with mixed

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249 FE191/20 Fielding, Henry Amelia. London: A. Millar, 1752. First edition, second state with fourth line of p. 191 in volume 3 corrected to “at the Folly”, volume 1 with final blank, and volume 2 with the advertisement list, contemporary sprinkled calf, spines decorated gilt in compartments, red and green morocco lettering pieces, spines and edges rubbed, ownership inscription on titlepages

253 FE191/6 Gibbon, Edward Miscellaneous works … with memoirs of his life and writings... with occasional notes by John Sheffield. London: A. Strahan, and T. Cadell Jun. and W. Davies, 1796. 2 volumes, 4to., silhouette frontispiece, with errata slip in volume 1 and the advertisement for Decline and Fall of the Roman Empire on verso, contemporary sprinkled calf, rubbed, joints cracked

Note: ESTC 89846; Cross III, 321; Rothschild 853 £300-500

Note: A third volume appeared in 1815. £200-300

250 FE191/18 Fielding, Henry A clear state of the case of Elizabeth Canning, who hath sworn that she was robbed and almost starved to death by a gang of gipsies and other villains in January last, for which one Mary Squires now lies under sentence of death. London: A. Millar, 1752. First edition, issue with “as to require” at line 3 on p. 4, with stab holes, half light tan calf, marbled boards Provenance: Ex libris Arthur B Spingarn, with art noveau book plate by Ruth Reeves Note: Cross III, 325; ESTC T89826. £150-250 251 FE191/16 Fielding, Henry The journal of a voyage to Lisbon. London: A. Millar, 1755. First edition, 12mo., modern quarter calf, green morocco lettering piece, paper boards, slight paper discolouration throughout Note: Cross III, 60-64, 84-92; Rothschild 857. Fielding’s last book, of which this is the expurgated version with 228 (i.e. 276) pages, with passages discreetly edited by John Fielding (or perhaps Margaret Collier or Sarah Fielding) to tone down passages that gave offence. The Preface, probably the last piece that Fielding wrote, is a charming essay on the art of travel writing. It is this second version that was published first, with the sheets of the unedited version suppressed. £200-300 252 FE191/126 Gay, John Two epistles: one, to the Right Honourable Richard Earl of Burlington; the other, to a lady. London: Bernard Lintot, [c.1717]. First edition, 8vo., modern quarter pigskin, marbled boards, orginal marbled wrappers bound in, with half title and 4 pages of adverts at end. (Rothschild 913; Foxon G88) Commission, printed on vellum and signed by Richard Boyle, 3rd Earl of Burlington, as Lord-Lieutenant of the West-Riding of the Country of York, appointing Henry Marshall “Captain-Lieutenant of the Regiment of the Trained-bands Raised…” 12 x 13.5 inches, without a seal, light soiling and a few minor defects including a marginal tear (2) £200-300

254 FE191/10 Granville, George, Baron Lansdowne The genuine works in verse and prose. London: J. Tonson and L. Gilliver, 1732. First edition, 2 volumes, 4to., engraved head and tailpieces by G Vander Gucht, contemporary calf, blind tooled panelling with double gilt fillet border, lacking the engraved portrait frontispiece in volume 2 Provenance: With the bookplates of Alexander Lord Saltoun and Sir James Colquhoun of Luss, Bart. Both volumes inscribed “Ex libris Saltoun 1733.” £150-250 255 FE191/1 Gray, Thomas, and others The poetical works; [bound with] The poetical works of William Collins; [bound with] The poetical works of George Lord Lyttelton; [bound with] The poetical works of James Hammond. Glasgow: Andrew Foulis, 1787. 4 works in 1 volume, folio, blind stamped and tooled morocco in facsimile of 16th century binding, a.e.g., rebacked, original backstrip laid down; Parnell, Thomas. The poetical works. Glasgow: Andrew Foulis, 1786. Folio, later half calf, cloth boards, edges uncut, a little spotting to the titlepage and occasional other leaves (2) Note: Gaskell 684; 612; 686; 685; 681 £200-300 256 FE191/21 Horace Q. Horatius Flaccus, ex recensione & cum notis atque emendationibus Richardi Bentleii. Editio altera. Amsterdam: Rob. & Gerh. Wetstein, 1713. Second edition, 2 parts in 1 volume, 4to., engraved frontispiece, titlepage in red and black with engraved vignette, contemporary calf, gilt tooled borders, backstrip repaired with original backstrip laid down Note: Bartholomew & Clark 150; Printing and the mind of man 178; Dibdin I, p. 417. “The Amsterdam editions of 1713 and 1728 are preferable to the Cambridge of 1711: the notes and text are in the same page, and they are accompanied by the index of Treter, corrected by Verburgius.” - Dibdin. £150-250

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257 FE191/7 Milton, John Paradise lost: a poem in twelve books. London: S. Simmons, 1674. Second edition, 8vo., engraved portrait frontispiece, later calf, gilt panelled, spine decorated gilt in compartments, red morocco lettering pieces, a.e..g., by Bedford Note: Wing M 2144 £800-1,200

258 FE191/8 Montague, Lady Mary Wortley Verses address’d to the imitator of the first satire of the second book of Horace. London: A. Dodd, [n.d., 1733]. First edition, folio, 8pp., modern quarter pigskin, marbled boards, by Sangorski & Sutcliffe; [Idem] Letters … written, during her travels in Europe, Asia and Africa, to persons of distinction, men of letters, &c. in different parts of Europe. London: A. Homer and P. Milton, 1764. Second edition, 12mo., contemporary calf, upper joint broken, lacking front endpapers; [Idem] The complete letters. Oxford, 1967. 3 volumes, 8vo., publisher’s cloth, dustwrappers, and another (6) Note: Foxon V40; Guerinot Pamphlet attacks on Alexander Pope 17111744, p. 224. Issue with “Distinction” as distinct from “distinction” on p.4. £150-200

ALEXANDER POPE WORKS AS COLLECTED EDITIONS 259 FE191/29 Pope, Alexander The works. London: printed by W. Bowyer, for Bernard Lintot, 1717[Volume 2, by J. Wright, for Lawton Gilliver, 1735]. 2 volumes, 4to., engraved folding portrait of Pope by Vertue as frontispiece to volume 1, titlepages in red and black, that of volume 2 with an engraved vignette portrait, volume 1 with numerous head- and tail-pieces by Gribelin, in volume 2 by Fourdrinier, with O2 in volume 1 a cancel as usual, contemporary blind tooled, panelled calf, later rebacking, endpapers renewed, titlepage to first volume a little dusty and with some paper discolouration throughout, volume 2 with some discolouration and foxing and with a single worm hole in the upper outer corner of the margins of last few leaves of index and notes (not affecting text), and with worm holes in lower margins (not affecting text) through a number of signatures Note: Griffith 79 & 372. Volume 1 included the first printing of eleven pieces (Griffth p. 66) and volume 2, 6 pieces (Griffith volume 2 p. 284) £450-650 260 FE191/38 Pope, Alexander Letters of Mr. Pope, and several eminent persons, from the year 1705, to 1711. Vol. 1 [2]. London: printed and sold by the booksellers of London and Westminster, 1735. 2 volumes in 1, contemporary mottled calf, spine decorated gilt in compartments, a little wear to the head of spine Note: Volume 1 is Griffith 381, but volume 2 has signature R not reprinted as an eight, but remains in two half-sheets as Q-R4, with resulting disruption to the pagination. The bibliographical issues regarding publication of the letters is as complex as the background of Pope’s own relationship to their publication. £200-300

261 FE191/39 Pope, Alexander The works of Mr. Alexander Pope in prose. London: by J. Wright for J. Knapton, L. Gilliver, J. Brindley, and R. Dodsley, 1737 [Volume 2: J. and P. Knapton, G. Bathurst, and R. Dodsley, 1741]. 2 volumes, folio, titlepage of volume 1 in red and black with portrait vignette by J. Richardson, volume 2 with woodcut vignette, contemporary mottled calf, spines decorated gilt in compartments, joints slightly cracking, neat repairs to marginal tears in a couple of leaves in volume 2 (2) Provenance: Armorial bookplates of Lord Arrundell of Wardour Note: Griffith 456 & 529. The long promised “authorised edition” of the letters. £450-650

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262 FE191/41 Pope, Alexander The works. London: C. Bathurst, etc., 1769. 4 volumes, 4to., two engraved portrait frontispieces to volume 1, contemporary calf, spines decorated gilt in compartments, rebacked, original backstrips retained, first few leaves of volume 3 foxed (4) £250-350 263 FE191/52 Pope, Alexander Letters of the late Alexander Pope, Esq. to a lady, never before published. London: J. Dodsley, 1769. First edition, 8vo., later polished morocco, with gilt arms of Sir Robert Abdy within a gilt oval border on both covers, wear to foot of spine, half title and title dust soiled with upper outer corners frayed, repair to tear in last leaf Provenance: With arms and armorial bookplate of Sir Robert Abdy Note: Rothschild 1648. The “Lady” was Judith Cowper (1702-81), a poetess and aunt of William Cowper. The letters were written between 1721 and 1723. £250-350

264 FE191/28 Pope, Alexander The poetical works. Glasgow: Andrew Foulis, 1785. 3 volumes, folio, contemporary tree calf, decorated gilt borders, rebacked, repair to margins of third contents leaf in volume 3, some occasional paper discolouration (3) Note: Gaskell 678. Subscribers’ list is in volume 1 and is the version on 4 pages £200-300 265 FE191/56 Pope, Alexander Poems. London: Methuen; New Haven (Conn.): Yale University Press, 1961-69. 11 volumes in 12, 8vo., publisher’s cloth, spines unevenly faded; [Idem] The Prose works; newly collected & edited by Norman Ault. Oxford: Blackwell, 1968-86. 2 volumes, 8vo., publisher’s cloth, dustwrappers; [Idem] The Correspondence; edited by George Sherburn. Oxford: Clarendon Press, 1956. 5 volumes, 8vo., publisher’s cloth, dustwrappers, library stamps of Liverpool Public Libraries on verso of titlepages and repeated elsewhere; [Idem] Poems in facsimile: An Essay on criticism (1711); The Rape of the lock (1714); The Dunciad variorum (1729); Epistle to Arbuthnot (1734); An Essay on man (1734). Introduction by Geoffrey Day. Aldershot: Scholar Press, 1988. Large 4to., publisher’s cloth, dustwrapper (19) £250-300

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

SINGLE WORKS 266 FE191/37 Pope, Alexander, and others Poetical miscellanies: the sixth part of a collection of original poems, with several new translations, by the most eminent hands. London: Jacob Tonson, 1709. First edition, 8vo., engraved frontispiece by M. Burghers, with leaves Hh8, Mm3 and Y6 cancel, contemporary sprinkled and panelled calf, corners rubbed, single wormhole in the lower margin (not affecting text) Note: Griffith 1. Pope’s earliest published works, comprising ‘January and May; or, the merchant’s tale’, ‘The Episode of Sarpedon’, and ‘Pastorals.’ Volume VI of a six volume set known as Dryden’s or Tonson’s Miscellanies. £350-550 267 FE191/32B Pope, Alexander An essay on criticism. London: for W. Lewis; and sold by W. Taylor, T. Osborn and J. Graves, 1711. First edition, small 4to., modern quarter morocco, marbled boards, paper slightly discoloured and lightly foxed throughout. Note: Foxon P806; Griffith 2. The first book written wholly by Pope. “What gives the Essay on Criticism continuing vitality … is the felt presence in almost every line of a spirited performer who has at last found himself exulting like a dancer or skilled gymnast in the fascination of what’s difficult.” (Maynard Mack Alexander Pope: a life. New Haven (Conn.), 1985, p.176). £2,000-3,000

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268 FE191/54 Pope, Alexander An essay on criticism, written by Mr. Pope. The fifth edition. London [i.e. The Hague]: printed for T. Johnson, 1716. 8vo., modern quarter calf, linen boards, edges uncut, edges a little dusty Note: Griffith 63. Issued separately (Griffith) and also issued as part of a composite volume put together by Thomas Johnson, a British born printer who lived and worked at the Hague. It essentially consisted of three separately issued works with four titlepages. This represented the first attempt by a publisher outside England to collect and publish works by Pope. £200-300 269 FE191/42 Pope, Alexander and others Miscellaneous poems and translations, by several hands. London: Bernard Lintott, 1712. First edition, 8vo., engraved frontispiece, quarter modern calf, marbled boards, by Sangorski & Sutcliffe, library stamp on titlepage, and on page 211, repairs to the margins of the titlepage and to some other leaves Note: Griffith 6; Rothschild 1565. Contains the first appearance of The Rape of the lock in its original two canto form and six other pieces. Also contains pieces by Dryden, William Broome, Fenton, Prior, Betterton, Southcott and Philips. £300-400 268 63

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

270 FE191/32A Pope, Alexander Windsor-Forest: to the Right Honourable George Lord Lansdown. London: Bernard Lintott, 1713. First edition, folio, olive green polished morocco, gilt arms of Sir Robert Abdy, Bart. within a gilt oval border, blind ruled panelling, with blind tooled ornaments at the corners, very neat repair to the titlepage (possibly removing earlier ownership inscription), titlepage also very slightly foxed, lower margins very slightly cropped touching footnotes and one catchword Note: Griffith 9; Foxon P987; Rothschild 1567. Contains, according to Mack (Collected in himself, Newark, 1982, p. 18) one of the most execrated bit of verse in English poetry: “See Pan with flocks, with fruits Pomona crowned, Here blushing Flora paints the enamelled ground …” Nevertheless, Pope rescued the earlier section of the poem from his own juvenilia: the conclusion, with its prophecy of free trade following the Peace of Utrecht, adds a new political dimension. Within Windsor forest “our oaks,” a symbol of national identity , flourish. Provenance: With the armorial bookplate of Sir Robert Abdy, Bart. £400-600

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271 FE191/31 Pope, Alexander The rape of the lock: an heroi-comical poem in five cantos. London: Bernard Lintott, 1714. First edition, 8vo., engraved frontispiece, titlepage in red and black, 5 other engraved plates by du Bosc after du Guernier, engraved headpiece to Canto 1, pp. 29 misnumbered as 26, p. 44 as 45, p. 45 as 44, modern full panelled calf in 18th century style, endpapers renewed, uniform slight paper discolouration

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Note: Griffith 29; ESTC T5726; Foxon P941; Rothschild 1570. First edition in enlarged form, five-canto form, the first two-cantos appeared anonymously in Miscellaneous poems and translations by several hands in 1712. “Its sale was phenomenal - three thousand copies in the first four days, Pope boasted. It remained so popular that in the same year a second and a third edition were printed, in 1715 a fourth edition, in 1718 a fifth, and in 1723 the sixth and last (of the separately printed poem. “ Robert Halsband The Rape of the lock and its illustrations 1714-1896. Oxford, 1980, p. 3. £1,000-1,500

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272 FE191/36 Pope, Alexander The rape of the lock: an heroi-comical poem in five cantos. London: Bernard Lintott, 1714. Second edition, 8vo., titlepage in red and black, engraved frontispiece and 5 other engraved plates by du Bosc after du Guernier, engraved headpieces to each canto, modern boards, slight paper discolouration and some foxing throughout Note: Griffith 34; Fox P943. The type was reset throughout for the second edition. £250-350 273 FE191/31 A Pope, Alexander The rape of the lock: an heroi-comical poem in five cantos . London: Bernard Lintott, 1718. Fifth edition corrected, engraved frontispiece, 5 other engraved plates by du Bosc after du Guernier, engraved headpieces to each canto; [bound with] A key to the lock or, a treatise proving, beyond all contradiction, the dangerous tendency of a late poem, entitled The Rape of the lock, to government and religion by Esdras Barnivelt, Apoth. … London: J. Roberts, 1718. Third edition, 8vo., 2 works in 1 volume, contemporary panelled and sprinkled calf, rebacked Note: Griffith 100 & 101. “Although Pope, an inveterate reviser, continued to revise his text in varying degrees, the same copper plates were used in each edition. They became so worn in fact, that for the fifth edition they had to be retouched.” Robert Halsband The Rape of the lock and its illustrations 1714-1896. Oxford, 1980, p. 3. The Key to the Lock was first published in 1715. £200-300 274 FE191/33 Pope, Alexander The temple of fame. London: Bernard Lintott, 1715. First edition, 8vo., modern panelled and sprinkled calf in 18th century style, uniform slight paper discolouration

Note: Griffith 36: Foxon P974; Rothschild 1572. The advertisement for John Urry’s infamous edition of Chaucer dated 1714-15. In publishing sequence, issued between the enlarged Rape of the lock and the first appearance of the Iliad. £300-500 275 FE191/306 Homer. Tr. Alexander Pope The Iliad of Homer. London: W. Bowyer, for Bernard Lintott, 1715-20. 6 volumes, Folio, engraved frontispiece to volume 1 and with 2 engraved plates and folding leaf with 2 maps, volume 2 lacking the map as frontispiece but with errata, volume 3 lacking the final blank, volume 4 lacking the blank leaf between pp. 123 and 125, volume 5 with 1 folding engraving of the Shield of Achilles by Samuel Gribelin facing p. 129 (and not p. 144 as called for by Griffith 115), [AND] The Odyssey of Homer; translated from the Greek. London: printed for Bernard Lintot [sic], 1725-26. 5 volumes, engraved frontispiece by Vertue to volume 1, volume 1 with large vignette on the titlepage and with the titlepage in red and black, volumes 2, 4 and 5 with titlepage in red and black, and with head and tailpieces, together 11 volumes uniformly bound in contemporary mottled calf, spines decorated gilt in compartments, some wear to joints, heads and tails, some occasional paper discolouration and a few instances of light staining, very neat repairs to the outer corners of pp. 129-132 of volume 1 (11) Note: Griffith 42 for volume 1 of the Iliad (i.e. title in black only and with 5 engravings on 2 leaves between the Preface and the Essay and two maps on a folding leaf between pp. 36 and 37 of Observations on Book II and without head and tailpieces); Griffith 50 for volume 2; Griffith 78 for volume 3; Griffith 96 for volume 4; Griffith 115 for volume 5; Griffith 119 for volume 6; for the Odyssey volumes 1 to 3, Griffith 153, 157; 161 and for volumes 4 and 5, 168 and 172. Lintott’s name spelled variously with a double or single “t” at the end. £1,500-2,000

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276 FE191/61 Pope, Alexader The Iliad of Homer translated from the Greek, by Alexander Pope, Edinburgh: J. Robertson, 1773. 12mo., contemporary mottled calf, rubbed, with signature and bookplate of Sir Archibald Dunbar of Northfield; [Idem] The Iliad of Homer. London: [printed by Bensley] for F. J. du Roveray, 1813, 3 volumes, small 8vo., engraved plates, full red morocco, gilt tooled and blind stamped borders, a.e.g.; [Idem] The poetical works. London: Ingram Cooke, [1853]. 4 volumes, 8vo., publisher’s decorative cloth; and others (24) £100-150 277 FE191/57 [Pope, Alexander and others] Miscellanies: the second volume. London: Benjamin Motte, 1727. 8vo., contemporary calf, joints worn. (Griffith 185. Contains A Key to the lock, and the first printing of two works commonly attributed to him); St-John, Henry. Viscount Bolingbroke A letter to Sir William Windham. II. Some reflections on the present state of the nation. III. A

letter to Mr. Pope. London: A. Millar, 1753. First edition, engraved portrait frontispiece, contemporary sprinkled calf, joints cracking: Fitzosborne, Sir Thomas. The letters on several subjects. London: R. & J. Dodsley, 1758. Fifth edition, titlepage in red and black, contemporary calf, upper cover detached: Burke, Edmund. A letter to a noble lord, on the attacks made upon him and his pension, in the House of Lords, by the Duke of Bedford and the Earl of Lauderdale. London: J. Owen & F. and C. Rivington, 1796 (4) £150-250 278 FE191/32 Pope, Alexander The Dunciad, variorum with the prolegomena of Scriblerus. London: A. Dodd, 1729. First complete edition , vignette of an ass on the titlepage, modern half calf, marbled boards, by Worsfold, uncut Provenance: With the bookplate of Fredrick Warburon Dunston Note: Griffith 211; Foxon P771; Rothschild 1597. £300-500

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

279 FE191/34 Pope, Alexander The new Dunciad: as it was found year MDCCXLI with the illustrations of Scriblerus, and notes variorum. London: T. Cooper, 1742. Second edition, 4to., modern sprinkled half calf, marbled boards, by Worsfold Provenance: with the bookplate of Frederick Warburton Dunston. Note: Griffith 549. The second quarto edition of Book IV of The Dunciad, published less than two weeks after the first edition. Contents are much as in the first edition but with both text of poem and notes slightly revised. £200-300 280 FE191/40 Pope, Alexander The Dunciad, in four books: printed according to the complete copy found in the year 1742, with the Prolegomena of Scriblerus, and notes variorum. To which are added, several notes now first published, the Hypercritics of Aristarchus, and his Dissertation on the hero of the poem. London: M. Cooper, 1743. First complete edition, 4to., contemporary calf, rubbed, upper joint broken, lower board detached, some marginal staining throughout Note: Griffith 578; Foxon P796. This edition brings together for the first time in one volume the four books of The Dunciad and all the critical apparatus. £150-250 281 FE191/35 Pope, Alexander An epistle to the Right Honourable Richard Earl of Burlington: occasion’d by his publishing Palladio’s Designs of the baths, arches, theatres, &c. of ancient Rome. London: L. Gilliver, 1731. First edition, folio, with half title, but without final advertisement leaf; [bound with] [Bramston, James] The man of taste: occasion’d by an epistle of Mr. Pope’s on that subject, by the author of the Art of politicks. London: J. Wright, for Lawton Gilliver, 1733. First edition, issue without adverts at the foot of the titlepage, folio, engraved frontispiece by G. Vander Gucht on the verso of the half title, 2 works in 1 volume, modern quarter morocco, marbled boards Note: 1. Griffith 259; Foxon P908; Rothschild 1602; 2. Bramston’s work is found in two “‘editions” separated in time by less than three weeks over which there continues to be some debate as to priority. Williams, Points, pp. 67-9; W. B. Todd ‘On the use of adverts in bibliographical studies’, The Library, series V, vol. 8 (1953), pp. 186-7. £400-600

282 FE191/49 Pope, Alexander Of the use of riches, an epistle to the Right Honorable Allen Lord Bathurst by Mr. Pope. London: printed by J. Wright, for Lawton Gilliver, 1732. First edition, Griffith variant a, folio, modern quarter morocco, marbled boards, by Sangorski & Sutcliffe Note: Griffith 280. “the Epistle to Bathurst dwells less on lords than on the newly rich merchant classes. Its objects of ridicule are not building and landscaping on country estates but sharp business practice in the City … Clearly, a poem for all seasons.” Maynard Mack Alexander Pope: a life. New Haven (Conn.), 1985 pp. 513, & 521. £150-250 283 FE191/45 Pope, Alexander The first satire of the second book of Horace, imitated in a dialogue between Alexander Pope, of Twickenham in Com. Midd. Esq; on the one part, and his learned council on the other. London: printed by L.G. and sold by A. Dodd, 1733. First edition, Fourth issue Griffith variant d, folio, titlepage with a few stains. [AND] Sober advice from Horace to the young gentlemen about town as deliver’d in his second sermon, imitated in the manner of Mr. Pope together with the original text, as restored by the Revd. R. Bentley, Doctor of Divinity, and some remarks on the version. London: T. Boreman, [n.d., 1734]. First edition, folio, both works in similar modern quarter morocco, marbled boards, by Sangorski & Sutcliffe (2) Note: First work, Griffith 292; Foxon P. 888; Rothschild 1608; second work, Griffith 347; Foxon P 698; Rothschild 1621 £250-350 284 FE191/43 Pope, Alexander An essay on man in epistles to a friend . Epistle 1[ to 4] corrected by the author. London, J. Wilford, [1733-34]. Third edition of Epistle 1, First editions of Epistles 2-4, 4 parts in 1 volume, Folio, without the half-title to Epistle 2, with the advertisement leaf at the end of Epistle 4, modern quarter morocco, marbled boards, by Sangorski & Sutcliffe, a little discolouration of the titlepage of Epistle 1, also with ownership inscription on the titlepage, Epistle 2 with smaller margins Note: Griffith 307, 300, 3008, 331 i.e. issues I,L,Q and Ua; Rothschild 1613-1615. Griffith with this edition of Epistle 1 before the so called “Second edition” of the same year, while Rothschild has it as the “Third edition.” £300-500 285 FE191/51 Pope, Alexander An epistle to the Right Honourable Richard Lord Visc. Cobham, by Mr. Pope. London: Lawton Gilliver, 1733. First edition, folio, modern marbled boards, without the half-title and advert leaf at the end Note: Griffith 329; Foxon P920; Rothschild 1611. £150-250

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

286 FE191/48 Pope, Alexander An epistle from Mr. Pope to Dr. Arbuthnot. London: printed by J. Wright for Lawton Gilliver, 1734. First edition, folio, modern quarter morocco, marbled boards, by Sangorski & Sutcliffe, some paper discolouration throughout, single worm hole in the upper margins of the last two leaves (not affecting text) Provenance: With the bookplates of Lyttton Strachey and Roger Senhouse Note: Griffith 352; Rothschild 1623. £200-300 287 FE191/47 Pope, Alexander Of the characters of women: an epistle to a lady, by Mr. Pope. London: printed by J. Wright, for Lawton Gilliver, 1735. First edition, folio, modern quarter morocco, marbled boards, by Sangorski & Sutcliffe, ownership inscription on the titlepage Note: Griffith 360 with “Fleetstreet” misspelled “Flettstreet”, but with the advertisement leaf B. Provenance: With the signature of William Vaughan dated Feb. 9 1734/5 on the titlepage. £200-300 288 FE191/30 Pope, Alexander The first [second] epistle of the second book of Horace, imitated. London: T. Cooper, 1737 [The Second, R. Dodsley]. First edition, 2 parts, folio, with “37Charles” as the catchword on p. 21 of the First epistle, disbound; [Idem] Horace his ode to Venus lib. IV. Ode I, imitated by Mr. Pope. London: for J. Wright, and sold by J. Roberts, 1737. First edition, later paper wrappers, contained in a quarter green morocco slip case (3) Note: Griffith 458 or 467 and 447; Griffith 443 and Mack p. 124 for the Ode to Venus. £200-300 289 FE191/44 Pope, Alexander The first epistle of the first book of Horace imitated by Mr. Pope. London: R. Dodsley, 1737. [i.e. 1738]. First edition, first impression, Griffith variant a.; [bound with] The Sixth epistle of the first book of Horace imitated by Mr. Pope. London: L. Gilliver, 1737. [i.e. 1737]. 2 works in 1 volume, Folio, modern quarter morocco, marbled boards, by Sangorski & Sutcliffe Note: Griffith 480 ; 476. Although both dated 1737, they were not , in fact, published until 1738. £250-350

290 FE191/46 Pope, Alexander One thousand seven hundred and thirty eight: a dialogue something like Horace, by Mr. Pope. London: T. Cooper, [n.d., 1738]. First edition, Griffith variant a. [With] One thousand seven hundred and thirty eight dialogue II, by Mr. Pope. London: R. Dodsley, 1794. First edition, issue with “fools” altered to “Tools” in the last line of p. 10, 2 works in 1 volume, folio, modern quarter morocco, marbled boards, by Sangorski & Sutcliffe, small repair at the inner margin of the last leaf of the first work. [AND] The universal prayer by the author of the Essay on man. London: R. Dodsley, 1738. First edition, Folio, modern paper wrappers, worm hole in the lower margins of first two leaves, paper damage to the last leaf touching text (2) Note: Griffith 484 & 494 £250-350

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291 FE191/53 Pope, Alexander Ethic epistles. London: J. and P. Knapton, 1747. 8vo., engraved frontispiece, titlepage in red and black, modern boards, uniform slight paper discolouration.; [Idem] An Epistle from Mr. Pope to Dr. Arbuthnot. London: J. Wright for Lawton Gilliver, 1734. 8vo., later half calf, marbled boards, repair to titlepage affecting imprint, uniform paper discolouration throughout (2) Note: First work not in Griffith; Griffith 353 for the second. £150-250

MISCELLANEOUS 292 FE191/62 Pope, Alexander A Letter to Lord Bathurst. Langton Green: The Foundling Press, 1996. First edition, 8vo., wrappers, no 82 of 250 copies; Idem Pope’s epistle to Bathurst: a critical reading with an edition of the manuscripts by Earl R. Wasserman. Baltimore: Johns Hopkins Press, 1960. First edition, 4to., publisher’s cloth, ex library stamps of the University of Texas; Idem Imitations of English poets; illustrated by Meredith Ramsbotham; introduction by Julia Briggs. Marlborough: Libanus Press, 1987. Small 4to., quarter linen, patterned paper boards, no 57 of 300; Idem The rape of the lock. London: for Frederick Etchells and Hugh Macdonald [by the Chiswick Press], 1925. 8vo., illus., quarter linen, paper boards, no 440 of 725 copies; Idem Pastorals. London: the Swan Press, 1930. 8vo., quarter linen, patterned paper boards, no 57 of 100 copies; Laver, James. Love’s progress or the education of Araminta. Bloomsbury: The Nonesuch Press, 1929. Folio, marbled wrappers over paper boards, no 1169 of 1525 copies; Disraeli, Benjamin. The Dunciad of to-day: a satire and The modern Aesop; with introduction by Michael Sadleir. London: Ingpen & Grant, 1928. 8vo., quarter vellum, linen boards, edges uncut, one of 750 copies [7] £120-180

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

293 FE191/63 Pope, Alexander - Biography & criticism Mack, Maynard. Alexander Pope: a life. New Haven (Conn.), 1985. First edition, 8vo., publisher’s cloth, dustwrapper; Mack, Maynard. Collected in himself: essays critical, biographical, and bibliographical on Pope and some of his contemporaries. Newark: University of Delaware Press, 1982. First edition, 8vo., publisher’s cloth, dustwrapper; Mack, Maynard. The garden and the city: retirement and politics in the later poetry of Pope 1731-1743. Toronto: University of Toronto Press, 1969. First edition, 8vo., publisher’s cloth, dustwrappers; Mack, Maynard, ed. Essential articles for the study of Alexander Pope. Revised and enlarged edition. London: Frank Cass, 1968. 8vo., publisher’s cloth; Mack, Maynard & J.A. Winn, eds. Pope: recent essays. Brighton: Harvester Press, 1980. 8vo., publisher’s cloth, dustwrappers; Brownwell, Morris R. Alexander Pope & the arts of Georgian England. Oxford: Clarendon Press, 1978. First edition, 4to., publisher’s cloth, dustwrappers; MacDonald, W.L. Pope and his critics: a study in eighteenth century personalities. London: Dent, 1951. First edition, 8vo., publisher’s cloth, dustwrappers; Quennell, Peter. Alexander Pope: the education of genius 1688-1728. London: Weidenfeld & Nicolson, 1968. First edition, 8vo., publisher’s cloth, dustwrappers; Hammond, Brean S. Pope and Bolingbroke: a study of friendship and influence. Columbia: University of Missouri Press, 1984; Abbott, Edwin. A concordance to the works. New York: D. Appleton, 1875 facsimile reprint [n.d.]. 4to., publisher’s cloth; Foxon, David. Pope and the early eighteenth-century book trade; revised and edited by James McLaverty. Oxford: Clarendon Press, 1991. 4to., publisher’s cloth, dustwrappers; Fuchs, Jacob. Reading Pope’s imitations of Horace. Lewisburg: Bucknell University Press, 1989. First edition, 8vo., publisher’s cloth, dustwrappers; Wimsatt, William Kurtz. The portraits ofi Alexander Pope. New Haven (Conn.): Yale University Press, 1965. First edition, Folio, publisher’s cloth, dustwrappers and thirty four other similar works (47) £300-500

294 FE191/55 Pope, Alexander - Ruffhead, Owen The life of Alexander Pope Esq compiled from original manuscripts; with a critical essay on his writings and genius. London: C. Bathurst, etc., 1769. First edition, 8vo., engraved frontispiece, later half calf, marbled boards; Spence, Joseph Anecdotes, observations, and characters, of books and men collected from the conversation of Mr. Pope and other eminent persons of his time. London: Carpenter, 1820. First edition, 8vo., engraved portrait frontispiece, contemporary half calf, marbled boards, rebacked, endpapers renewed; Walpole, Horace, Earl of Orford Notes on the poems of Alexander Pope. Contributed by Sir William Augustus Fraser, of Ledeclune and Morar, Baronet, from the copy in his possession. London: [The Chiswick Press] F. Harvey, 1876. Second edition, 8vo., original quarter cloth, paper boards, upper board detached, Stoke Newington library stamp on the titlepage and on final leaf (one of 300 copies); Strachey, Lytton Pope: The Leslie Stephen Lecture for 1925. Cambridge: University Press, [n.d, 1925]. First edition, 8vo., wrappers, lacking titlepage?; Mackail, J.W. Pope: the Leslie Stephen Lecture for 1919. Cambridge: University Press, 1919. First edition, 8vo., wrappers; Newton, A. Edward. Pope, poetry and portrait. Daylesford, Berwyn P.P. (Penn.): privately printed, 1936. First edition, small 8vo., wrappers (6) £200-300

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295 FE191/93 [Prior, Matthew] Poems on several occasions. London: Jacob Tonson and John Barber, 1718. Folio, large paper copy on fine paper (Strasbourg bend, Heywood 73), engraved frontispiece, engraved vignette on the titlepage, engraved headpieces and initials by B. Baron after L. Cheron, modern full blind tooled and panelled calf in 18th century style, spine decorated gilt in compartments, red morocco lettering piece by Blair Jeary, Burghley House, Stamford, endpapers renewed, offset from the frontispiece to the title, very neat repair to frontispiece, some spotting throughout and occasional leaves discoloured, small stain in upper margin through a few leaves Provenance: With the armorial bookplate of Robert D’Arcy, Earl of Holderness. Note: One of the most imposing volumes of verse issued in the 18th century, this was the last authorised version in Prior’s lifetime. There was also a trade edition on smaller paper (watermark London arms) and a few copies on still larger paper (watermark fleur-de-lis on shield). Loosely inserted is a strip, presumably removed in the course of rebinding, cut from a breviary (c. 1290-1320) from the Easter or Holy week section (use not identified). £300-500

296 FE191/5 Shakespeare, William The works... collated and corrected by the former editions, by Mr. Pope. London: Jacob Tonson, 1723-1725. First edition thus, 6 volmes, 4to., the engraved plate of the Shakespeare monument has been substituted as a frontispiece for the engraved portrait by Vertue of Shakespeare, titlepage to the first volume in red and black, contemporary light tan calf, spines decorated gilt in compartments, joints worn, lacking some lettering pieces, some light discolouration and occasional patches of foxing (6) Note: Griffith 149; Jaggard 498. A supplementary volume with a preface by Dr. Sewell was added in 1725, but not prepared by Pope. Loosely inserted in volume 1 is a MS copy of a poem attributed to Robert Nugent. £800-1,200

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

297 FE191/50 Sheridan, Richard Brinsley The critic or a tragedy rehearsed: a dramatic piece in three acts as it is performed at the Theatre Royal in Drury lane. London: T. Becket, 1781. First edition, 8vo., engraved titlepage, later half calf, marbled boards, light paper discolouration throughout, without the half title and advert leaf; Coleman, George & David Garrick The Clandestine marriage, a comedy as it is acted at the Theatre-Royal in Drury-Lane. London: T. Becket and others, 1766. Fist edition, 8vo., with half title, later quarter calf, marbled boards, Gay, John Three hours after marriage: a comedy as it is acted at the Theatre Royal. London: Bernard Lintot, 1717. First edition, 8vo., modern quarter morocco, marbled boards, paper a little discoloured throughout, (Griffith 66 . Pope and Arbuthnot contributed) and another (4) £150-250 298 FE191/24 Smollett, Tobias The adventures of Roderick Random. London: J. Osborn, 1748. First edition, 2 volumes, p. I3 in volume 1 uncancelled, contemporary calf, blind stamped coat of arms on the boards, ownership inscription on both titlepages, lacking the final blank in volume 2 Provenance: A note inside volume 1 attributes the arms to Stuart de Rothesay. Note: Rothschild 1905. Smollett’s first novel and the book that made his name. £350-450 299 FE191/25 Smollett, Tobias The adventures of Peregrine Pickle in which are included, memoirs of a lady of quality. London: for the Author and sold by D. Wilson, 1751. First edition, 4 volumes, 12mo., L12 in volume 3 cancelled, contemporary sprinkled calf, red and black lettering pieces Provenance: Bookplates of The Earl of Guilford at Wroxton Abbey and of George Clinton Ward Note: Rothschild 1910 £350-450 300 FE191/22 Smollett, Tobias The adventures of Ferdinand Count Fathom. London: T. Johnson, 1753. First edition, 2 volumes, 12mo., later calf, spines decorated gilt in compartments, a.e.g., by Wood, titlepages and some other leaves slightly foxed Note: Rothschild 1912 £300-400

301 FE191/305 Smollett, Tobias Travels through France and Italy … with a particular description of the town, territory, and climate of Nice, to which is added, a register of the weather, kept during a residence of eighteen months in that city. London: R. Baldwin, 1766. First edition, 2 volumes, 8vo., with half titles, contemporary calf, some very occasional light foxing (Rothschild 1921); [AND] The history of England from the Revolution to the death of George the Second: designed as a continuation of Mr. Hume’s History. A new edition, with the author’s last corrections and improvements. London: T. Cadell and R. Baldwin, 1785. 5 volumes, 8vo., engraved portrait frontispiece to volume 1, contemporary tree calf, spines decorated gilt in compartments, red morocco lettering pieces, damage to head of spine on volume 1, joints cracking, with the bookplates of John George Home Drummond of Abbots Grange (2) £250-350 302 FE191/23 Smollett, Tobias The expedition of Humphrey Clinker; by the author of Roderick Random. London: W. Johnston and B. Collins, 1771. Second edition, 3 volumes, 12mo., with half-titles to each volume, contemporary calf, ownership inscription on titlepages of volumes 1 and 3 £200-300 303 FE191/11 [Swift, Jonathan] Travels into several remote nations of the world: in four parts, by Lemuel Gulliver. London: Benjamin Motte, 1726. First edition, 4 parts in 2 volumes, 8vo., engraved portrait frontispiece in volume 1, 6 plates, contemporary blind panelled calf, upper inner joint of volume 1 broken, corners rubbed, tear at lower inner margin of portrait, titlepages a little dusty, light paper discolouration throughout, possibly a composite set as volume 1 is a little taller, and the blind tooling is different on each volume Note: Teerink 290 & 291. Printing and the mind of man 185. A mixed set, volume 1 Teerink AA and volume 2, B. The portrait is in the second state printed on paper with vertical chain lines. £1,000-1,500 304 FE191/9 Theobald, Lewis Shakespeare restored: or, a specimen of the many errors, as well committed, as unamended by Mr. Pope in his late edition of this poet. London: Francklin, J. Woodman, and D. Lyon, 1726. First edition, first issue, 4to., contemporary sprinkled calf Provenance: With the bookplate of Lady Evelyn, a member of the Evelyn family, descendants of John Evelyn whose library was sold by Christie’s in 1977. Note: Jaggard p. 663. The second issue of the same year has a reset titlepage, with the addition of Chapman in the imprint and “Francklin” spelled “Franklin.” £500-800

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

305 FE191/58 Thomson, James Spring: a poem. London: A. Millar, 1728. First edition, engraved frontispiece, titlepage in red and black [bound with] Summer: a poem. London: J. Millan, 1727. First edition, engraved frontispiece; [bound with] Autumn: a poem. London: by N. Blandford for J. Millan, 1730. Second edition, engraved frontispiece; [bound with] Winter: a poem. London: J. Millan, 1728. Fifth edition, engraved frontispiece, titlepage in red and black, 4 works in 1 volume, 8vo., contemporary sprinkled calf, joints and corners worn, titles a little spotted, worm hole in the upper margins of last few leaves of Summer and first few leaves of Autumn (but not affecting text). (Foxon 227, 220, 233 & 216); Waller, Edmond Poems, &c. written upon several occasions and to several persons. London: Jacob Tonson, 1711. Eighth edition, 8vo., engraved portrait frontispiece and 9 other engraved plates, contemporary mottled calf, gilt ruled, a little wear to foot of spine, titlepage a little discoloured and with ownership inscription; Shenstone, William. The Works in verse and prose. London: for R. & J. Dodsley, 1764. 2 volumes, 8vo., engraved frontispieces to both volumes, engraved vignettes on the titlepages, folding map facing p. 333 in volume 2, contemporary sprinkled calf, joints and edges worn, titlepages discoloured, tear to map (no loss); Tasso, Torquato. Jerusalem delivered: an heroic poem; translated from the Italian by John Hoole. London: J. Walker, etc. 2 volumes, 8vo., engraved frontispiece to both volumes, 2 other engraved plates, contemporary tree calf, joints, heads and tales rubbed [6] £200-300 306 FE191/3 Thomson, James The poetical works. Glasgow: Andrew Foulis, 1784. 2 volumes in 1, Folio, with subscribers’ list, contemporary blind tooled and gilt ruled calf, rebacked, water stain at the inner margin of the titlepage Provenance: Bookplate of Thomas Boswell of Blackadder Note: Gaskell 672 £120-180

307 FE191/4 Virgil Aeneis, translated into Scottish verse, by the famous Gawin Douglas. Edinburgh: Andrew Symson and Robert Freebairn, 1710. Second edition, Folio, contemporary panelled and sprinkled calf, spine decorated gilt in compartments, joint of upper board weak, occasional slight paper discolouration Note: Thomas Ruddiman’s edition based on the text of the original edition of 1553. Ruddiman’s Glossary is acknowledged to have laid the foundation of Scottish lexicography. £200-300 308 FE191/59 [Whitehead, Paul] The state dunces; inscribed to Mr. Pope. London: W. Dickernson, 1733. First edition, folio, modern quarter sprinkled calf, marbled boards, titlepage a little dusty, some uniform paper discolouration, (Foxon W426 The rue first edition with 24 lines not in the J. Dickenson editions); [AND] Cibber, Colley. A letter from Mr. Cibber, to Mr. Pope, inquiring into the motives that might induce him in his satirical works, to be so frequently fond of Mr. Cibber’s name. London: W. Lewis, 1742. Second edition, 8vo., with half-title, quarter modern light tan calf, marbled boards, contemporary signature of J. Fletcher on half-title, small stain at upper inner margins. (Rothschild 637: Guerinot p. 289 First issue in July of the same year) (2) £150-250

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ENGLISH LITERATURE, PRE-1900 309 FE191/75 Beardsley, Aubrey - Malory, Sir Thomas The birth, life and acts of King Arthur, of his noble Knights of the Round Table... as written by Sir Thomas Mallory and imprinted by William Caxton at Westminster the year MCCCCLXXXV... with an introduction by Professor Rhys and embellished with many original designs by Aubrey Beardsley. [London: Dent] 1893-94. 2 volumes, 4to., illustrations, borders and headpieces by Beardsley, later quarter black morocco, marbled boards, edges uncut (2) Note: Beardsley’s first major commission, this is one of the ordinary issue in 1500 sets: it was also issued in parts, and in a superior issue of 300 numbered copies. £450-650

310 FE191/352 Beardsley, Aubrey - The Yellow Book An illustrated quarterly. London and Boston: John Lane, The Bodley Head and Copeland & Day, 1894-1895. Various editions, 8vo, volumes 1, 2 and 4 only, volume 1 (second edition) inscribed by Aubrey Beardsley to front free-endpaper: With Aubrey Beardsley’s compliments April 25 {?] 1894, original yellow cloth, pages 273-286 in volume 1 obscured by newspaper clippings, occasional foxing, hinges weak and splitting in some cases, spines faded and darkened, covers rubbed and bumped; sold not subject to return (3) £500-700

311 FE191/351 Beardsley, Aubrey - The Yellow Book An illustrated quarterly. London and Boston: John Lane, The Bodley Head and Copeland & Day, 1894-1897. First edition, 8vo, 13 volumes, original yellow cloth printed with designs in black, Ritchie bookplates, interiors largely clean, spines dust-soiled and darkened, some rubbing, chipping and bumping; sold not subject to return (13) £300-400

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312 FE191/350 Beardsley, Aubrey - The Savoy An Illustrated Quarterly, numbers 1-8 (all published). London: Leonard Smithers, 1896 (January-December). 8 volumes, edited by Arthur Symons, plates and illustrations by Aubrey Beardsley, and others, Beardsley’s Christmas card design loosely inserted, volumes 1 and 2 in original pink boards and 3-8 in original green wrappers, volume 1 a little foxed, some loss to spines and some soiling, chipping and fading to covers and boards, covers of volume 4 detached and repaired, lower cover of volume 3 detached and covers repaired (8) Note: The Savoy was conceived by Leonard Smithers as a rival to The Yellow Book, from which Beardsley had just been dismissed. Smithers sought out the poet Arthur Symons as editor and Aubrey Beardsley as art editor. £800-1,000 313 FE191/345 Beardsley, Aubrey - Jonson, Ben Volpone: or the foxe. London: Leonard Smithers, 1898. 4to, out-ofseries copy (of 1000), frontispiece, vignettes and cover design by Aubrey Beardsley, original blue cloth gilt, some very occasional slight dust-soiling, endpapers browned, spine and covers a little rubbed and faded, hinges weak £150-200

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314 FE191/346 Beardsley, Aubrey Under the hill. London: John Lane, Bodley head, 1904. 4to, photograveure frontispiece of Beardsley and 16 plates and illustrations, loose bookplate of Márkus Gyözö Könyve depicting striding male nude, original blue cloth with eleaborate peacock feather motifs to upper board, some internal foxing predominantly to text, corners and ends of spine a little rubbed, some bumping to corners £150-250 315 FE191/348 Beardsley, Aubrey The story of Venus and Tannhäuser... a romantic novel. London: for Private circulation, 1907, 4to, limited to 300 copies and number 67 of 250 copies on paper, bookplate of Richard M. Meyer to paste-down endpaper, original grey boards, upper and lower sections of spine repaired, label slightly soiled £150-200

316 FE191/347 Beardsley, Aubrey - Wilde, Oscar Salome. London: John Lane, Bodley Head, 1907. 4to, frontispiece, engraved title, reproduction of cover design, engraved list of pictures, and 12 plates, previous owners’ signatures of john Rutherford (1937), Bernard Hooke(?) and A. Hastings, original green cloth with eleborate gilt peacock feather design by Beardsley, a couple of plates loose, endpapers a little darkened, covers and spine very slightly faded, corners a little bumped, top right corner of upper cover dampstained and bumped, slight puncture marks to lower cover £150-200 317 FE191/344 Beardsley, Aubrey Reproductions of eleven designs omitted from the first edition of le morte dArthur... London: J. M. Dent & Sons, 1927. 4to, number 96 of 300 copies, engraved headpieces and initials, 14 plates by Aubrey Beardsley, bookplate of Robert Cameron Corbett to paste-down endpaper, original vellum, calf spine, with gilt floral motifs to covers, some very slight offsetting, some very minor soiling to covers £200-300

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

318 FE191/349 Beardsley, Aubrey A book of fifty drawings. London: Leonard Smithers, 1897. 4to, frontispiece portrait, 50 plates, bookplate of Olive Guthrie of Torosay to paste-down endpaper, original red cloth gilt, some spotting to endpapers, initial pages and first plate, some soiling, fading and bumping to covers and spine; Pope, Alexander The rape of the lock... embroidered with nine drawings by Aubrey Beardsley. London: Leonard Smithers, 1896. 4to, engraved frontispiece and 8 plates and illustrations, original cloth gilt with baroque and scissor motif to upper cover, some browning and occasional spotting, spine faded, covers very slightly rubbed with a little bumping to corners and ends of spine; MacFall, Haldane Aubrey Beardsley, the man and his work. London: John Lane, Bodley Head, 1928. First edition, 4to, frontispiece portrait, engraved title, 11 plates, original quarter cloth with paper label to spine, endpapers a little darkened, some fading to spine and covers; Samosata, Lucian Lucian’s true history... illustrated by... Strang, ...Clark and Aubrey Beardsley. London: privately printed, 1894. 8vo, number 239 of 251 copies, 16 plates, modern cream cloth, some occasional dust-soiling, small library stamp to tissue guard; Casanova de Seingalt, Giacomo Girolamo - Monét, Joseph, editor Minelli, Vincente, illustrator Casanova’s memoirs. New York: Willey Book Company, 1946. 8vo, frontispiece and 6 plates by Vincente Minnelli, previous owner’s signature to first free-endpaper, Ritchie bookplate to paste-down endpaper, original red cloth a little faded, rubbed and bumped; and 2 others (7) £300-400 319 FE191/66 Browning, Robert Paracelsus. London: Effingham Wilson, 1835. First edition, 8vo., original paper boards, printed paper label, spine slightly chipped, extremities a little rubbed, corner of label chipped (not affecting lettering), loosely inserted is Robert Browning’s signature mounted on board, in a cloth solander case. Note: Haywood 252. First edition of Browning’s second publication. This copy does not have the thirty-six pages of publisher’s advertisements which Haywood’s copy had, but as these are dated July 1836, his copy almost certainly was a later binding up. £500-700 320 FE191/366 Browning, Robert Bells and pomegranates. London: Edward Moxon, 1841-1846. First edition (number V second edition, as usual), 8vo, bookplate of Sir Henry Maine to paste-down endpaper, contemporary quarter morocco, some very slight darkening and a couple of occasional spots, covers and spine rubbed and soiled, upper hinge beginning to split Note: Collates: [1-2, half-title], [1-3], 4-16; [1-2], [1], 6-20 (pagination begins at page 6 with unnumbered page 5 on verso, but no sign of leaf having been removed); [1-3], 4-, Colombe’s Birthday, 16; [1-3], 419, [1]; [1-3], 4-16; [1-3], 4-20; [1-3], 4-24; [1-5], 6-32 Comprises: Pippa Passes, King Victor and King Charles, Dramatic Lyrics, The Return of the Druses, A Blot in the ‘Scutcheon, Colombe’s Birthday, Dramatic Romances and Lyrics, Luria and A Soul’s Tragedy £300-500 76

321 FE191/67 Browning, Robert Christmas-Eve and Easter Day. London: Chapman and Hall, 1850. First edition, 8vo., original dark green cloth, with a double blind ruled border, upper board with author and title in gilt within a gilt frame, spine with a handwritten paper label, label chipped, yellow endpapers, (Carter C binding); [Idem] Men and women. London: Chapman and Hall, 1855. First edition, 2 volumes, 12mo., contemporary dark green polished morocco, spine decorated gilt in compartments, a little rubbed (2) £150-250 322 FE191/68 Browning, Robert The Ring and the book. London: Smith, Elder, 1868-69. First edition, 4 volumes, 8vo., original dark green cloth over bevelled boards, spines lettered in gilt, boards with black double line and tooth roll border, volumes all numbered in Roman, a little rubbing to heads and tails (4) £150-250 323 FE191/154 Browning, Robert The Poetical works. London: Smith, Elder, 1888. First edition thus, 17 volumes, 8vo. on large paper, tan buckram, printed paper labels, uncut and unopened, spines darkened,slight wear at head and tails, covers a little spotted, some offsetting to endpapers, one of 250 copies (17) £150-250 324 FE191/69 Browning, Robert Balauston’s adventure: including a transcript from Euripides. London: Smith, Elder, 1871. First edition, 12mo., original brown cloth, titlepage a little foxed; [Idem] Prince Hohenstiel-Schwangau: saviour of society. London: Smith Elder, 1871. First edition, 12mo., original blue cloth over bevelled boards, with “BY” in capitals on the spine; [Idem] Fifine at the fair. London: Smith, Elder, 1872. First edition, small 8vo., original brown cloth over bevelled boards; [Idem] Red cotton nightcap country or turf and towers. London: Smith, Elder, 1873. First edition, small 8vo., original green cloth over bevelled boards, a little rubbing to head and tail, a few leaves with some spots; [Idem] The Inn album. London: Smith, Elder, 1875. First edition, small 8vo.,original green cloth over bevelled boards; [Idem] Aristophanes’ apology including a transcript from Euripides being the last adventure of Balaustion. London: Smith, Elder, 1875. First edition, small 8vo., original green cloth over bevelled boards, upper cover with black , blind ruled border, a little wear to head and tail, spine darkened, small stain to lower margin of front endpapers (6) £150-250

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

325 FE191/70 Browning, Robert Pacchiarotto and how he worked in distemper: with other poems. London: Smith, Elder, 1876. First edition, small 8vo., original grey brown cloth over bevelled boards; [Idem] The Agamemnon of Aeschylus transcribed by Robert Browning. London: Smith, Elder, 1877. First edition, small 8vo., original green cloth over bevelled boards; [Idem] La Saisaz: the two poets of Croisic. London: Smith, Elder, 1878. First edition, small 8vo., original medium blue cloth over bevelled boards; [Idem] Dramatic idylls. London: Smith, Elder, 1879. First edition, small 8vo., original olive brown cloth over bevelled boards, spine darkened; [Idem] Dramatic idylls: second series. London: Smith, Elder, 1880. First edition, small 8vo., original maroon cloth over bevelled boards; [Idem] Jocoseria. London: Smith, Elder, 1883. First edition, small 8vo., contemporary half red morocco, marbled boards, rubbed; [Idem] Parleyings with certain people of importance in their day … London: Smith, Elder, 1887. First edition, small 8vo., original red brown cloth, a little wear at head and tail; [Idem] Asolando: fancies and facts. London: Smith, Elder, 1890. First edition, small 8vo., original red cloth over bevelled boards (8) £200-300 326 FE191/528 Browning, Robert Autograph signature, dated “London, May 18, ‘64”, on slip of paper 5 x 10cm., framed with engraved portrait by A. Wagner, overall frame size 37 x 28cm. £100-150 327 FE191/250 Clemens, Samuel Langhorne The adventures of Huckleberry Finn. London: Chatto & Windus, 1884. First edition, frontispiece, illustrations, original red pictorial cloth, lettered in gilt, 32pp. publisher’s catalogue dated October 1884 at end, some spotting and soiling, recased with slight loss at head and tail of spine Note: Precedes the American edition by six weeks. £200-300 328 FE191/251 Clemens, Samuel Langhorne Life on the Mississippi. London: Chatto & Windus, 1883. First edition, frontispiece, illustrations, 32pp. publisher’s catalogue dated March 1883, original red pictorial cloth, rubbed and slightly soiled; [Idem] The innocents abroad. London: Chatto & Windus, 1881. First English edition, frontispiece, illustrations, 32pp. publisher’s catalogue dated November 1881, original red pictorial cloth, spine discoloured, slightly rubbed; [Idem] A tramp abroad. London: Chatto & Windus, 1880. First one volume English edition, frontispiece, illustrations, 32pp. publisher’s catalogue dated October 1880, original red pictorial cloth, lightly marked; [Idem] A Yankee at the court of King Arthur. London: Chatto & Windus, 1889. First English edition, frontispiece,

illustrations, 32pp. publisher’s catalogue dated October 1880, spine slightly rubbed and discoloured; [Idem] Pudd’nhead Wilson. London: Chatto & Windus, 1894. First edition, frontispiece, 32pp. publisher’s catalogue dated Dec. 1894, original red pictorial cloth, spine slightly faded; [Idem] The £1,000,000 bank-note. London: Chatto & Windus, 1893. First English edition, 32pp. publisher’s catalogue dated March 1893, original red pictorial cloth, spine faded and slightly marked; [Idem] Tom Sawyer abroad. London: Chatto & Windus, 1894. First English edition, frontispiece, original red pictorial cloth, rubbed; [Idem] Autobiography. New York & London: Harper & Brothers, 1924. First edition, 2 volumes, original blue cloth, rubbed; and 7 later volumes (16) £300-400 329 FE191/76 Coleridge, Samuel Taylor Specimens of the table talk. London: John Murray, 1835. First edition, 2 volumes, 8vo., engraved portrait frontispiece to volume 1, engraved plate to volume 2, contemporary half calf, marbled boards, extremities worn, inner joints of volume 2 cracking (2) Note: Compiled and edited by Coleridge’s nephew Henry Nelson Coleridge, this Issue with lxxi pp. of prelims. in volume 1 and without the 4pp. of Index and adverts. at the end of volume 2. £120-180 330 FE191/215 Dickens, Charles Autograph signature with quotation: “And so, as Tiny Tim observed God bless us every one!”, Charles Dickens, Saturday Twentieth March 1869”, 9 x 4.5cm., mounted on card Note: We are grateful to Andrew Xavier, Director of the Charles Dickens Museum in London for drawing our attention to the fact that this is probably a “celebrity” autograph as distinct from a signature cut from the foot of a letter, and possibly written on the occasion of one of Dickens’s public readings. For an identical quotation and near identical signature see the copy in the Berg Collection of English and American Literature in the New York Public Library. £500-800 331 FE191/221 Dickens, Charles Sketches by Boz. London: John Macrone, 1836. First edition, 2 volumes, 8vo, 16 etched plates by George Cruikshank; Sketches by Boz. The Second Series. London: John Macrone, 1837. First edition, issue with no list of illustrations beneath list of Contents on p. (x), 8vo, additional etched title, frontispiece and 8 plates by George Cruikshank, half-title, uniform modern red half morocco, lettered in gilt, marbled slip case Note: Smith, 1 and 2; Eckel, p.15-22 £600-800

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

332 FE191/220 Dickens, Charles The posthumous papers of the Pickwick Club. London: Chapman and Hall, 1837. First edition in book form, 8vo, first state of vignette title with “Veller” on inn sign, early issue with the two plates etched by Buss, additional title, frontispiece, and 41 plates by F. Seymour, R.W. Buss and Hablot K. Browne [“Phiz”], contemporary half calf, without half-title, plates somewhat spotted, page 5/6 tear repaired affecting a few letters, plate at p. 326 stained, one or two short marginal tears, lacks front free endpaper, slightly rubbed Note: Smith, 3; Eckel p.23-50 £200-300 333 FE191/213 Dickens, Charles Oliver Twist. London: R. Bentley, 1838. Second edition, [volumes 2 and 3 with “Second edition” on titles], 3 volumes, 8vo, half-titles, 24 etched plates by George Cruikshank, later maroon half morocco, some spotting, slightly rubbed Note: Eckel, p.52 £250-350 334 FE191/225 Dickens, Charles Memoirs of Joseph Grimaldi. London: Richard Bentley, 1838. First edition, first issue in pink cloth, and with “The last song” plate without a border, engraved frontispiece and 12 etched plates by George Cruikshank, half-titles, original pink embossed cloth, 36 pp. advertisements at end of volume 2, spines worn, corners rubbed Note: Eckel p. 152 £150-200 335 FE191/219 Dickens, Charles Master Humphrey’s clock. London: Chapman and Hall, 1840-41. First edition in book form, 3 volumes, 8vo, 3 frontispieces, woodengravings in text by George Cattermole and Hablot K. Browne, original purple-brown straight-grained cloth, covers decorated with blindstamped design surrounding clock blocked in gilt, slightly spotted, bindings somewhat faded, head and tail of spines rubbed Note: Eckel, p. 61-65 £200-250 336 FE191/222 Dickens, Charles American notes for general circulation. London: Chapman and Hall, 1842. First edition, first issue with page x incorrectly numbered xvi, original reddish-brown cloth stamped in blind, rebacked retaining original spines, corners rubbed, hinges renewed Note: Eckel. p. 113-115 £200-300

337 FE191/214 Dickens, Charles A Christmas carol. London: Chapman and Hall, 1843. First edition, first issue with “Stave I” on page 1, interval of 14mm between blindstamped border and extremity of gilt wreath on upper panel, the “D” of Dickens within the wreath unbroken, green endpapers, two page advertisement for the Works of Mr. Charles Dickens present at the end, and title printed in red and blue, 4 hand-coloured etched plates by John Leech, original pink-brown vertically-ribbed cloth, decorative holly and ivy border stamped in blind on panels, central gilt-stamped cartouche on the upper panel, all edges gilt, within red half morocco box, “Last of the Spirits” plate worn at fore and lower edge with slight loss of margin, some finger-soiling and light spotting, head of spine chipped, covers a bit stained, wrinkles to upper cover, neat early inscription “Emily Anna Michael from James, Christmas 1843” on half-title Note: A first edition, first issue, of Dickens’s evocation of “The Christmas Spirit”. Professor William B. Todd established that the brass used to stamp the gilt wreath on the upper panel shifted slightly to the left and devoloped in imperfection in the letter “D” of “Dickens”, which is apparent in later issues. Dickens rejected the yellow endpapers and red and green title page of the proof copies he had receieved, in preference for green endpapers and a red and blue titlepage. Green endpapers were however discontinued as they had a chalky surface which needed to be specially prepared and added to the cost. All the first three issues had the same typographical errors which were not corrected until the second edition, published the same month. £1,500-2,500 338 FE191/216 Dickens, Charles The chimes. London: Chapman and Hall, 1845. First edition, first issue, frontispiece and additional title by Maclise, illustrations, inscription dated Christmas 1844 on endpaper, hinges repaired, extremities slightly rubbed; [Idem] The cricket on the hearth. London: Bradbury & Evans, 1846. First edition, frontispiece and additional title by Maclise, 2pp. advertisements at end, three inscriptions (dated 1845, 1880 and 1918) on front endpaper, lower joint spliting, head and tail of spine slightly rubbed; [Idem] The Battle of life. Bradbury & Evans, 1846. First edition, fourth issue, with ‘A Love Story’ within a scroll borne by Cupid on the vignette title page and no publisher’s imprint, some spotting and soiling, new endpapers, rebacked; [Idem] The haunted man and the ghost’s bargain. London: Bradbury & Evans, 1848. First edition, lithographed frontispiece and additional title page after Tenniel, illustrations, a few light marks, spine repaired, new endpapers, all in publisher’s red cloth gilt, g.e. (4) Note: Eckel p.121-134 £400-600

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

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339 FE191/218 Dickens, Charles A tale of two cities. London: Chapman and Hall, 1859. First edition, first issue with page 213 misnumbered 113, 8vo, 16 etched plates by H.K. Browne including frontispiece and vignette title, original red blind-stamped cloth, spine gilt, some spotting, old repair to tear in N2, recased with new endpapers, some fading and rubbing, bound without the 32 page catalogue at end (found in some copies only) ÂŁ800-1,200 340 FE191/217 Dickens, Charles Great expectations. London: Chapman and Hall, 1861. Fifth edition [i.e. fifth issue], 3 volumes, 8vo, original violet wavy-grain cloth, stamped in blind on covers, lettered in gilt on spines, volume 1 title page and front free endpapers with small strip excised at head, free endpapers with ownership inscription dated 1923, occasional marks or small stain, head and tail of bindings worn Note: Smith, 14; Eckel p.91. The first issue in 3 volume form appeared on 6 July 1861, the fifth so-called edition (actually issue) on October 30th. The first five issues were probably printed at a single impression and published with altered title pages to imply and encourage a rapid sale. Some copies of all the first five issues did not contain catalogues. The rarity of the first issue has been attributed to the probable small binding-up of copies with the first titlepage, coupled with the fact that the first edition was almost entirely taken up by the libraries. ÂŁ1,500-2,500

340

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

341 FE191/223 Dickens, Charles The life and adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, portrait frontispiece and 39 etched plates by H.K. Browne [“Phiz”], without half-title, with the early misprint “latter” for “letter” (p.160), contemporary half calf, portrait repaired in inner margin, some spotting & offsetting to plates, plate at p.196 and 209 stained; [Idem] The life and adventures of Martin Chuzzlewit. London: Chapman and Hall, 1844. First edition in book form, bound from the parts, ‘£100’ printed correctly, etched frontispiece, additional titlepage and 38 plates, errata leaf, contemporary half calf, spotting, frontispiece & errata leaf almost detached, rubbed, lower joint splitting; [Idem] Little Dorrit. London: Bradbury & Evans, 1857. First edition in book form, bound from the parts, frontispiece, additional titlepage and 38 etched plates by H.K. Browne [“Phiz”], contemporary half calf, with the ‘Rigaud’ misprints (p.469 on), slight marginal discolouration to the plates, a good copy; [Idem] Bleak House. London: Bradbury & Evans, 1853. First edition in book form, 8vo, lacks half-title, plates spotted and with marginal dampstain, light dampstain at beginning, slightly rubbed, upper joint splitting (4) Note: Eckel, p.57, p.66., p.82; p.78 £350-450 342 FE191/224 Dickens, Charles Dombey and Son. London: Bradbury & Evans, 1847. First edition in book form, engraved frontispiece, additional titlepage and 38 plates by Hablot K. Browne [“Phiz”], with 4 additional plates by H.K. Browne bound in [Little Paul, Florence, Alice, Edith], without half-title, contemporary half calf, plates spotted, very worn; [Idem] The personal history of David Copperfield. London: Bradbury & Evans, 1850. First edition in book form, 8vo, engraved frontispiece, additional titlepage and 38 plates by Hablot K. Browne [“Phiz”], half-title, errata leaf, nineteenth century blue half morocco, somewhat dampstained, two marginal tears, rubbed; [Idem] Pictures from Italy. London: for the author, by Bradbury & Evans, 1846. First edition, 8vo, 2 page advertisements at beginning and end, wood-engraved title vignette, original blue cloth, blindstamped design on covers, lettered in gilt on spine, slight stain to endpaper, ownership inscription dated 1847 on half-title deleted, spine recased with slight loss at head of spine; [Idem] Our mutual friend. London: Chapman and Hall, 1865. First edition in book form, 2 volumes, 8vo, 40 plates by Marcus Stone, later blue half morocco, spines gilt, t.e.g., half-titles, marginal repair to plate at p.97 &124, a few plates slightly stained; [Idem] The mystery of Edwin Drood. London: Chapman and Hall, 1870. First edition in book form, 8vo, engraved portrait, additional vignette title and 12 plates, recent red half morocco, spine gilt, one plate misbound, some spotting to preliminaries; Forster, John The life of Charles Dickens. London: Chapman and Hall, [n.d.], 4to, illustrations, contemporary half calf (7) Note: Eckel, p. 71, p.75, p.135, p.96, p.99 £250-350

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343 FE191/201 [Evans (Marian)] “George Eliot” The mill on the Floss. Edinburgh & London: W. Blackwood & Sons, 1860. First edition, 3 volumes, 8vo, half-titles, late nineteenth century brown half morocco, t.e.g., spines gilt, a few leaves lightly spotted Note: Sadleir 816 £300-400 344 FE191/202 [Evans, (Marian)] “George Eliot” Silas Marner. Edinburgh & London: W. Blackwood & Sons., 1861. First edition, 8vo, half-title, late ninteenth century brown half morocco, spine gilt, t.e.g., some slight spotting; [Idem] Adam Bede. Edinburgh & London: W. Blackwood & Sons, 1859. First edition, 3 volumes, 8vo, half-titles, modern half calf, spines gilt, somewhat spotted (4) Note: Sadleir 819 & 812 £200-250 345 FE191/200 [Evans (Marian)] “George Eliot” Felix Holt the radical. Edinburgh & London: W. Blackwood & Sons., 1866. First edition, 3 volumes, 8vo, half-titles, original brown cloth, spines slightly rubbed, 20pp. publisher’s catalogue at rear of volume 3, blue-grey endpapers Note: Sadleir 814 £200-300

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

A selection from lot 347 to 353 346 FE191/203 [Evans (Marian)] “George Eliot” Middlemarch. Edinburgh & London: W. Blackwood & Sons, 1871-72. First edition in book form, 4 volumes, 8vo, half-titles in volumes 2-4, contemporary red half morocco, some spotting, chiefly to preliminary leaves, extremities worn, spines faded; [Idem] Daniel Deronda. Edinburgh & London: W. Blackwood & Sons, 1876. First edition in book form, 4 volumes, 8vo, half-titles, erratum slip in volume 3, contemporary half calf, occasional light finger soiling, rubbed;[Idem] Impressions of Theophrastus Such. Edinburgh & London: W. Blackwood & Sons, 1879. First edition, 8vo, original lilac cloth, rubbed; [Idem] Romola. London: Smith, Elder & Co., 1888. 8vo, mounted albumen print plates, white and red parchment gilt, binding slightly soiled; Cross, J.W. George Eliot’s life related in her letters and journals, arranged and edited by her husband. New York: Harper & Brothers, 1885. [Number 449 of Harper’s Franklin Square Library]. 4to, 3 parts in one volume, contemporary half calf, small repair to first title without loss, spine worn (11) Note: Sadleir 815 £200-300 347 FE191/210 James, Henry A passionate pilgrim. Boston: James & Osgood, 1875. First edition, second issue binding with “Houghton, Osgood & Co.” on spine, original green cloth lettered in gilt on spine, head and base of spine rubbed, a few small spots and stains Note: First edition, second issue binding. 1500 copies were printed, of which 11 were bound in the first binding with “J.R. Osgood” on spine and approximately 400 were bound in “1878 or later” with the binding stating on spine “Houghton Osgood & Co.” Edel & Laurence A1. £200-300

348 FE191/209 James, Henry The Europeans. A sketch. London: Macmillan & Co., 1878. First edition, 2 volumes, 8vo, 40 pages of advertisements at end of volume 1 dated June 1878, original blue sand-grain cloth, brown endpapers, armorial bookplates, spines lettered in gilt, some light soiling and marking, edges worn, bindings slightly skewed Note: Volume 1 error in chapter numbering at page heads. “IV” for “V” on pp. 171-191. This suggests this copy was part of the first printing of 250 copies; there were two subsequent printings of 250 copies each, with the error corrected variously. Edel & Laurence A7. £150-200 349 FE191/211 James, Henry The portrait of a lady. London: Macmillan & Co., volumes 1-2 1882, volume 3 1881. First edition of volume 3, first edition, second impression, of volumes 1-2, 3 volumes, 8vo, half-titles, contemporary crimson half morocco, rubbed, labels removed from upper boards, with sheet of writing paper headed 28 Wilton Place, Belgrave Square, signed “Yours very faithfully, Henry James” loosely inserted £250-350 350 FE191/207 James, Henry The Princess Casamassima. London: Macmillan & Co., 1886. First edition, [one of 750 copies], 3 volumes, 8vo, half-titles, advertisement leaf at end of volume 2 and 3, original dark blue-green cloth, issue with brown coated endpapers, recased with some loss of original spines, some spotting to covers £200-300

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

351 FE191/208 James, Henry The tragic muse. London: Macmillan & Co., 1890. First English edition, 3 volumes, 8vo, half-titles, original blue cloth lettered in gilt, head and base of spines rubbed, bindings slightly discoloured or marked, bookplates removed from endpapers, some light soiling, especially to volume 1, small marginal tear to volume 1 title Note: One of only 500 sets printed. Edel & Laurence A34b. £200-300 352 FE191/206 James, Henry The ambassadors. London: Methuen & Co., [1903], First edition, 8vo, 38pp. publisher’s catalogue dated July 1903, original red cloth, splitting to endpapers, spine slightly sunned Note: Edel & Laurence A58a. £150-200 353 FE191/212 James, Henry The American. London: Macmillan & Co., 1879. Second English edition (authorized, 1879). 8vo, original dark blue cloth, with 2pp. but lacking 40pp. catalogue advertisements at end, extremities slightly rubbed; [Idem] Washington Square. New York: Harper & Brothers, 1881. First edition, 8vo, plates, original pictorial brown-green cloth, library stamp to several leaves, labels removed endpapers, upper hinge repaired, head of spine repaired; [Idem] Tales of three cities. London: Macmillan, 1884. First edition, original cloth, slightly rubbed, slightly marked; [Idem] The Bostonians. London & New York: Macmillan, 1886. Second edition, 8vo, original blue cloth, recased, slightly rubbed; [Idem] The lesson of the master. London: Macmillan, 1892. First edition, English issue, 44pp catalogue of advertisements dated Dec. 1891 at end, without the 4pp. catalogue, original blue cloth, rubbed; [Idem] The Aspern papers. London & New York: Macmillan, 1888. Second edition, American issue. 8vo, original blue cloth, library stamp on Contents leaf and another leaf, head of spine worn; [Idem] The reverberator. London & New York: Macmillan, 1888. Second edition, English issue, original blue cloth, no catalogue at end, blue-black endpapers, spine slightly discoloured and head of spine slightly rubbed; [Idem] What Maisie knew. Chicago & New York: Herbert S. Stone & Co., 1897. First American edition, original blue cloth, title and half-title detached, p.1 with 3cm. square portion missing affecting running title and a couple of letters, rubbed; [Idem] The spoils of Poynton. London: W. Heinemann, 1897. First edition, original blue cloth, Irish binding, title page in red and black and date in Roman numerals, lightly rubed; [Idem] The two magics. London: W. Heinemann, 1898. First edition, original blue cloth, 24pp. advertisements at end, slightly rubbed and marked, [Idem] The awkward age. New York & London: Harper & Brothers, 1899. First American edition, secondary issue, light brown cloth, slightly rubbed; [Idem] The better sort. London: Methuen, 1903. First edition, original cloth, spine faded, slightly soiled; [Idem] The golden bowl. London: Methuen & Co., [1905]. First English edition, 8vo, original blue cloth

gilt, 40pp. catalogue dated March 1905, replacement front endpapers, rubbed; [Idem] The finer grain. London: Methuen & Co., [1910]. First English edition, original rust-brown cloth, 32pp. advertisements dated Sept. 1910 at end, binding worn and soiled; [Idem] A small boy and others. London: Macmillan, 1913. First English edition, original blue cloth, 4pp. advertisements; [Idem] Notes of a son & brother. London: Macmillan, 1914. First English edition, original blue cloth, 2 pp. advertisements; [Idem] The Sense of the past. London: W. Collins, [1917]. First edition, original blue-black cloth, slightly rubbed; and 9 others (28) Note: , [Edel & Laurence A4c; A15a; A28b; A37b; A32b; A31c; A49b; A48a; A52; A53b; A60b; A68b; A71b; A72b ] £500-800 354 FE191/531 Jerome, Jerome K. The idle thoughts of an idle fellow. London: Field & Tuer, The Leadenhall Press, [undated]. 8pp. advertisements at end, original yellow cloth with “Seventy-First Edition” on upper cover, somewhat spotted, binding somewhat soiled; [Idem] Three men in a boat. Bristol: J.W. Arrowsmith, 1889. First edition, first issue with “Quay Street” on titlepage, illustrations, original blue cloth, half-title reaffixed and slightly frayed in inner margin, binding slightly soiled; [Idem] Novel notes. London: Leadenhall Press, 1893. First edition, 9pp. advertisements at end, original yellow cloth, some spotting, owner’s inscription on front endpaper, slightly rubbed and soiled; [Idem] Told after supper. London: The Leadenhall Press, 1891. First edition, illustrations, original red cloth, spine faded and rubbed, new endpapers, [Idem] Three men on the bummel. London: J.W. Arrowsmith, [1900]. First edition, original cloth, slightly soiled; [Idem] Autograph postcard signed to Miss Mary Howarth, requesting her to “kindly send a copy of ‘Vanity Fair’ containing one of your contributions (marked)”, Office of The Idler, 29 May 1899 (5 volumes and 1 autographed postcard) £150-250 355 FE191/252 Scott, Sir Walter Ivanhoe. Edinburgh: A. Constable, 1820. First edition, 3 volumes, 12mo, slip with author’s signature [“Most truly yours, Walter Scott, Abborsford, 13 Sept. ?], tipped into endpaper of volume 1, contemporary half calf, lacks half-titles, rubbed; [Idem] The monastery. Edinburgh: Longman, 1820. First edition, 3 volumes, 19th century boards, lacks half-titles; [Idem] Rob Roy. Edinburgh: A. Constable, 1818. First edition, 3 volumes, 12mo, contemporary calf, worn, two titles with name excised at head; [Idem] The fortunes of Nigel. Edinburgh: A. Constable, 1822. Firs edition, 3 volumes, 12mo, contemporary half calf, volume 1 lacks half-title, rubbed; [Idem] Quentin Durward. Edinburgh: A. Constable, 1823. First edition, 3 volumes, 12mo, half-titles, contemporary half calf, slightly rubbed; [Idem] Redgauntlet. Edinburgh: A.. Constable, 1824. First edition, 3 volumes, contemporary half calf, volume 1 lacks half title, rubbed; and 6 others by or about Scott (24) £250-350

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

358 FE191/96 Thackeray, William Makepeace Doctor Birch & his young friends by Mr. M.A. Titmarsh. London: Chapman and Hall, 1849. First edition, hand coloured frontispiece and titlepage and 14 other hand coloured plates by Thackeray; [bound with] Our street, by Mr. M.A. Titmarsh. London: Chapman and Hall, 1848. Second edition, hand coloured frontispiece and titlepage, and 14 other hand coloured plates by Thackeray; [bound with] Rebecca and Rowena: romance upon romance, by Mr. M.A. Titmarsh. London: Chapman and Hall, 1850. First edition, all 8 hand coloured plates by Richard Boyle bound together after the printed titlepage, 3 works in 1 volume, later half red calf, spine decorated gilt, marbled board; [AND] The Rose and the ring: or, the history of Prince Giglio and Prince Bulbo, a fire-side pantomime for great and small children, by Mr. M.A. Titmarsh. London: Smith, Elder & Co., 1855. Second edition, 8vo., engraved frontispiece, titlepage vignette, other vignettes and 7 plates, by Richard Doyle, all uncoloured, contemporary cloth, first 40 pp. water stained (2) £120-180

356 FE191/506 Shakespeare, William The plays., edited by G. Steevens. London: J. Johnson [&c.], 1803. 10 volumes, 8vo, engraved portrait, contemporary calf gilt; Smollett, Tobias The history of England. London: T. Cadell & R. Baldwin, 1785. 5 volumes, 8vo, contemporary calf, rubbed, one spine very worn; Shakespeare, W. The plays. London: Bell & Daldy, 1868. 13 volumes, 12mo, red morocco gilt, in original miniature wooden chest with lid and hinged front, head of three spines slightly rubbed £200-300

359 FE191/95 Thackeray, William Makepeace The history of Henry Esmond: a colonel in the service of Her Majesty Q. Anne; written by himself. London: Smith Elder, 1852. First edition, 3 volumes, 8vo., with adverts, dated October 1852 at end of volume III, original olive-brown fine ribbed cloth, printed paper labels, chipped boards, a little stained, tears to upper margins of pp. 1-4 in volume III, with bookplate in each volume. (Sadlier 3187); [Idem] The Newcomes: memoirs of a most respectable family; edited by Arthur Pendennis. London: Bradbury and Evans, 1854. First edition, 2 volumes, engraved frontispieces and titlepages to both volumes, 44 engraved plates, vignettes by Richard Doyle, contemporary half calf, marbled boards, edges rubbed, light paper discolouration throughout; [Idem] The Virginians: a tale of the last century. London: Bradbury & Evans, 1858. First edition, 2 volumes, engraved frontispiece and engraved titlepages to both volumes and 44 other engraved plates, vignettes, contemporary half calf, marbled boards (7) £200-300

357 FE191/94 Thackeray, William Makepeace Vanity fair: a novel without a hero. London: Bradbury and Evans, 1848. First edition in book form, 8vo., frontispiece and engraved titlepage, 38 engraved plates, and 150 woodcut vignettes, all by Thackeray, with the advertisement leaf for The Great Hoggarty Diamond but without the adverts at the end, original slate-blue coth, blocked in blind, spine lettered in gold, rebacked, original spine retained, bookplate removed from the front pastedown, engraved and printed titles spotted, offsetting from plates throughout, and some spotting throughout

360 FE191/310 Wilde, Oscar The happy prince and other tales. London: David Nutt, 1888. First edition, illustrated with 3 full-page plates and several decorative head and tail pieces by Walter Crane and Jacomb Hood, half-title, publisher’s Japanese vellum boards with upper cover printed in red and black, some very occasional light internal soiling, some soiling to covers and a little wear to upper joint, protected in a quarter morocco custom-made folder with gilt tooled spine and marbled slip case £600-800

360

Note: With the illustration of Lord Steyne on p. 356, the reading “Mr. Pitt” on p. 453. £200-300

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

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361 FE191/309 Wilde, Oscar The picture of Dorian Gray [in] Lippincott’s monthly magazine, No 271. London: Ward, Lock & Co., July 1890. 8vo, advertisements, original printed wrappers, covers browned, covers chipped at edges, three holes to upper cover (one going through to third leaf) affecting main title text and adverts, hinges and backstrip splitting, offsetting from insert to pp.3, some marginal holes pp.145-8 with no loss of text, foxing Note: The first appearance of this important story which was revised and enlarged for final publication in book form. “The effect of Dorian Gray was prodigious. No novel had commanded so much attention for years, or awakened sentiments so contradictory in its readers.” (Richard Ellmann, Oscar Wilde)

Lippincott’s Monthly Magazine was printed in America and published simultaneously in London and Philadelphia. This is the London issue, with the Ward, Lock and Co. imprint in larger type. £300-500 362 FE191/311 Wilde, Oscar Lady Windermere’s fan... London: Elkin Mathews and John Lane, 1893. First edition, small 4to, original brown cloth gilt, previous owner’s signature to first blank, spotted, spine rebacked, covers faded with some soiling £250-350

363 FE191/313 Wilde, Oscar A woman of no importance. London: John Lane, 1894. First edition, small 4to, one of 500 copies, publisher’s bookplate and that of Herbert Newsum to paste-down endpaper, original brown cloth gilt, some very occasional light spotting, mainly to endpapers, covers and spine faded, ends bumped £350-450 364 FE191/314 Wilde, Oscar The importance of being Earnest. London: Leonard Smithers and Co., 1899. First edition, small 4to, out-of-series copy, sold in 1998 as part of the Mackenna library, original brown cloth gilt, boards and spine faded, slightly soiled and bumped £700-900 365 FE191/312 Wilde, Oscar An ideal husband. London: Leonard Smithers and Co, 1899. First edition, small 4to, one of one-thousand copies, original brown cloth gilt, a little spotting, fading to covers and spine, spine a little bumped £400-600

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

366 FE191/315 Wilde, Oscar Lord Arthur Saville’s crime and other stories. London: James R. Osgood, 1891. First edition, 8vo, original salmon boards printed in brown, some spotting to endpapers, shelf-lean, covers and spine a little rubbed and dust-soiled, lower joint slightly cracked and small split at base of spine; [Idem] Intentions... London: James R. Osgood, McIlvaine and Co., 1891. First edition, 8vo, original green cloth gilt, occasional internal spotting, pages a little discoloured, covers and spine soiled and faded; [Idem] The portrait of Mr W.H. [N.p , London?.]: Privately printed, [c.1904] One of 200 for private circulation, original blue printed wrappers with two closed tears repaired on reverse with Selotape, covers a little chipped along edges, protected in green buckram envelope; [Idem] After reading... [Westminster]: Beaumont Press, 1921. 8vo, number 87 of 475 copies, titlepage printed in orange and green, original printed boards, a little offsetting onto and some fading of title, some soiling to spine and boards; [Idem] After Berneval... [Westminster]: Beaumont Press, 1922. 8vo, number 133 of 475 copies, titlepage printed in blue, brown yellow and green with printed vignettes of Venice? to endpapers, original printed boards, some soiling to spine and boards; [Idem] Rose-leaf and apple-leaf, l’envoi. London: Printed for private circulation, 1904. 8vo, number 99 of 200 copies, original green printed covers, covers a little chipped and faded; [Idem] Ravenna. Oxford [London]: Thomas Shrimpton and Son [pirated edition], 1878 [1904]. 8vo, previous ownership inscription in pencil to title page, original covers without the Oxford University crest, signifying that it is the later pirated edition, covers a little browned around edges and chipped; [Idem] The ballad of Reading gaol. London: Leonard Smithers, 1899 [actually later, unauthorised, edition, c.1900-1907]. Small 4to, gift inscription to paste-down endpaper dated 1908, green and white painted cloth, occasional spotting, spine and covers soiled and covers rubbed; And another, in a similar condition, in orange and white painted cloth; [Idem] The picture of Dorian Gray. Paris: Charles Carrington, 1908. 8vo, one volume only of a set of 15 volumes of the Works of Oscar Wilde, original cream cloth gilt, endpapers foxed, spine faded, covers soiled; And 7 others (17) £450-650 367 FE191/15 Wilde, Oscar De profundis. London: Methuen and Co., 1905. First edition, 8vo, dedicated on first blank to Isabel Fry from the Editor, Feb. 05., t.e.g., original blue buckram gilt with prison bar and bird motif to upper cover, endpapers a little foxed and darkened, some very light foxing to several pages, covers and spine a little rubbed, bumped and faded; [Idem] De profundis. New York: G.B. Putnam’s Sons - the Knickerbocker Press, 1905. First American edition, 8vo, frontispiece portrait with tissue guard, bookplate of A. R. Hill, lacking dustwrapper but blurb from original wrappers pasted-down to last free-endpaper, with a newspaper article to last paste-down endpaper stating that “Arthur Pendenys” denies that Oscar Wilde owes his reputation to Du Maurier... Original linen-backed grey boards with gilt lettering, a little darkening to endpapers, some slight darkening to spine and around edges of boards, spine a little chipped at base (2) £150-250

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368 FE191/64 Wordsworth, William The Excursion, being a portion of the Recluse: a poem. London: Longman, Hurst, Rees, Orme and Brown, 1814. First edition, 4to., with the half-title and errata leaf, contemporary calf, blind stamped and gilt border, spine decorated gilt in compartments, spine repaired, original backstrip retained, some light marginal spotting, loosely inserted the signature of William Wordsworth [AND] The Prelude, or growth of a poet’s mind: an autobiographical poem. London: Edward Moxon, 1851. Second edition, 8vo., with alternative half title and title at end to enable the volume to become volume VIII of the Poetical works, original cloth, recased (2) Provenance: 1st work with the bookplate of Baron Burton of Rangemore. 2nd work with the signature of Hugh de Selincourt 28th October 1897 which, given Bruce Ritchie’s interest in cricket, is probably that of the author of The Cricket match (1924). Note: Hayward 203 £500-800

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

ENGLISH LITERATURE, 20TH CENTURY 369 FE191/298 North American literature, a quantity including Loos, Anita Gentlemen prefer blondes. London: Brentano’s, [1926] With T.L.S. responding to request for autograph, 25 Sept. 1973, original two tone cloth, binding dampstained; [Idem] But gentlemen marry brunettes. New York: Boni & Liveright, 1928. With T.L.S., undated, original cloth-backed boards, worn; Bellow, Saul The victim. New York: Vanguard Press, 1947. First edition, original cloth, dustwrapper; Bellow, Saul The adventures of Augie March. London: Weidenfeld & Nicholson, 1954. Dustwrapper worn; Mailer, Norman The naked and the dead. London: A. Wingate, 1949. First U.K. edition, signed by the author on titlepage by longpen, original cloth, dustwrapper frayed with loss, hinges weak; O’Neill, Eugene Long day’s journey into night. New Haven: Yale University Press, 1956. First edition, 8vo, original buckram-backed cloth, dustwrapper very worn with loss; Gershwin, Ira Lyrics on several occasions. New York: A. Knopf, 1959. First edition, 8vo, original cloth, dustwrapper discoloured & rubbed; Steinbeck, John Cannery Row. London: Heinemann, 1945. First U.K. edition, original cloth, dustwrapper worn with loss; [Idem] Of Mice and Men. New York: Covici Friedi, 1937. First edition, second issue, original beige cloth, spine discoloured; Berryman, John Homage to Mistress Bradstreet. New York: Farrar &c., 1956. First edition, pictures by Ben Shahn, original boards, dustwrapper; [Idem] Homage to Mistress Bradstreet. London: Faber & Faber, 1959. First U.K. edition, original cloth, dustwrapper lightly dust-soiled; [Idem] Berryman’s sonnets. London: Faber & Faber, 1968. First U.K. edition, original cloth, dustwrapper; [Idem] Love and fame. London: Faber & Faber, 1971. First U.K. edition, original cloth, dustwrapper; Carver, Raymond Where I’m calling from. New York: The Atlantic Monthly Press, 1988. First edition, number 137 of 250 copies signed by the author, original cloth in blue pictorial slip case; Wilbur, Richard Advice from the muse. Hatfield, MA, [n.d.] 8vo, one of 300 copies with hand-coloured woodcuts, signed by the author, black boards, dustwrapper; Atwood, Margaret The handmaid’s tale. London: 1986. First UK edition, signed by Atwood, dustwrapper not price-clipped; Thurber, James Lanterns & lances. New York: Harper & Brothers, 1960. Price-clipped dustwrapper; Tevis, Walter S. The hustler. London: Michael Joseph, 1960. First UK edition, dustwrapper not price-clipped; Proulx, Annie Close range. New York: 1999. First edition, dustwrapper not price-clipped; Keillor, Garrison Pontoon. London: 2007. First UK edition, signed by Keillor, dustwrapper not price-clipped; and 8 others by Bellow (mostly U.K. editions), 2 by Norman Mailer (U.K. editions), 4 others by Berryman, 3 others by Carver, 17 others by Wilbur, 3 others by Atwood, 11 others by Thurber, 3 others by Proulx, 7 others by Keillor, and a quantity of others; sold not subject to return £300-500

370 FE191/542 Modern English literature, a quantity including Tinniswood, Peter I didn’t know you cared. London: Hodder and Stoughton, 1973. First edition, dustwrapper not price-clipped; Hansford Johnson, Pamela The unspeakable Skipton. London: Macmillan & Co., 1959. First edition, dustwrapper not price-clipped; Keneally, Thomas Schindler’s ark. London: Hodder and Stoughton, 1982. First edition, price-clipped dustwrapper; Lavin, Mary Selected stories. New York: Macmillan, 1959. Price-clipped dustwrapper; Burgess, Anthony 1985. London: Hutchinson & Co., 1978. First edition, dustwrapper not price-clipped; Mansfield, Katherine Journal. London: Constable & Co., 1927. Fourth printing, price-clipped and worn dustwrappert; Bradbury, Malcolm All dressed up and nowhere to go. London: Pavilion, 1982. Dustwrapper not price-clipped; Wain, John Strike the father dead. London: Macmillan & Co., 1962. Dustwrapper not price-clipped; Shepard, Sam Five plays. London: Faber and Faber, 1967. Dustwrapper not price-clipped, library stamps; Forster, E.M. Abinger harvest. London: Edward Arnold & Co., 1936. First edition, lacks dustwrapper; West, Nathaniel The day of the locust. London: Grey Walls Press, 1951. First British edition, dustwrapper not price-clipped; Haddon, Mark The curious incident of the dog in the night-time. London: Jonathan Cape, 2003. First edition, dustwrapper not price-clipped; Sinclair, Andrew The breaking of Bumbo. London: Faber and Faber, 1959. First edition, dustwrapper not price-clipped; Wilson, Sandy The Boy Friend. London: Andre Deutsch, 1955. First edition?, dustwrapper not price-clipped; Lerner, Alan Jay - (Shaw, Bernard) My fair lady. London: Max Reinhardt/Constable, 1958. First British edition, dustwrapper not price-clipped; Rowson, Martin Gulliver’s travels. London: Atlantic books, 2012. First edition, signed by Rowson, dustwrapper, with sketch in black and red ink attributed to Rowson, and another work by Rowson, signed and dedicated to Bruce Ritchie, wishing him a speedy recovery from illness, with accompanying postcard from Rowson; and 5 others by Tinniswood, 14 others by Hansford Johnson, 7 others by Keneally, 4 others by Lavin, 18 others by Burgess, 3 others by Mansfield, 9 others by Bradbury and a quantity of others, sold not subject to return £300-500 371 FE191/541 Signed modern literature from the British Isles, a quantity including Ishiguro, Kazuo Nocturnes. London: Faber and Faber, 2009. First edition, dustwrapper not price-clipped; Chevalier, Tracy Burning bright. London: Harper Collins, 2007. First edition, dustwrapper not price- clipped; Tóibín, Colm The Master. London: Picador, 2004. Dustwrapper not price-clipped; O’Hagan, Andrew Our fathers. London: Faber and Faber, 1999. First edition, dustwrapper not priceclipped; Hansford Johnson, Pamela The Humber creation. New York: Harcourt, Brace and Company, 1960. First American edition, dustwrapper not price-clipped but a little torn; Burnside, John Waking up in Toytown. London: Jonathan Cape, 2010. First edition, dustwrapper not price-clipped; Banville, John Eclipse. London: Picador, 2000. First edition, dustwrapper not price-clipped; Welsh, Irvine Crime. London: Jonathan Cape, 2008. First edition, dustwrapper not price-clipped; Osbourne, John A better class of person. London: Faber and Faber, 1981. First edition, price-clipped dustwrapper; Morrison, Blake As if. London: Granta, 1997. First

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

edition, dustwrapper not price-clipped; Brookmyre, Christopher All fun and games until somebody loses an eye. London: Little Brown, 2005. First edition, dustwrapper not price-clipped; Various Authors The myths. Edinburgh: Canongate, 2005. 3 signed volumes by Jeanette Winterson, Karen Armstong and Margaret Atwood (Canadian), all signed, with signed printed essay by Philip Pullman, numbered 1217, slip case; and 5 others by Tóibín, 6 others by O’Hagan, one other by John Banville, 5 others by Morrison, 9 others by Brookmyre, 14 other works by various authors; quantity, sold not subject to return £400-600 372 FE191/394 Poetry, a quantity including Stallworthy, Jon The astronomy of love. London: 1961. First edition, signed and dedicated by Stallworthy, ‘For Leonard Clark who deserves a better book’, dustwrapper; [Idem] Out of bounds. London: 1963. First edition, signed and dedicated by Stallworthy, ‘For Leonard Clark with affection & gratitude for a most enjoyable visit to Hereford...July 1968’, dustwrapper; Reed, Henry A map of Verona. London: 1946. Second impression, dustwrapper; Cope, Wendy Making cocoa for Kingsley Amis. London: 1986. First edition, dustwrapper; Bridges, Robert The testament of beauty. Oxford: 1930. Original quarter-vellum, photographic frontispiece; Drayton, Michael Minor poems. Oxford: 1907. Vellum-effect paper covers; Sitwell, Edith Green song. London: 1944. Dustwrapper; Causley, Charles Jonny alleluia. London: 1961. First edition?, dustwrapper, with typed and signed letter from Causley to Ritchie; [Idem] Union Street. London: 1957. First edition?, dustwrapper; Crabbe, George Poetical works. London: 1908. Contemporary green calf, g.e.; Thompson, Francis Works. London: [1913?] 3 volumes, cloth gilt; The Muse’s Library A selection of volumes in decorative gilt cloth; a quantity, sold not subject to return £300-400 373 FE191/393 Poetry - Scotland Dunn, Douglas Dante’s drum-kit. London: 1993. First edition, 8vo, signed by Dunn, orange cloth, dustwrapper; [Idem] Northlight. London: 1988. First edition, 8vo, signed by Dunn, blue cloth, dustwrapper; [Idem] Elegies. London: 1985. First edition, 8vo, signed by Dunn, dustwrapper; [Idem] The happier life. London: 1972. First edition, 8vo, signed by Dunn, blue cloth, dustwrapper price-clipped; Paterson, Don Rain. London: 2009. 8vo, signed by Paterson, dustwrapper; Montgomerie, Alexander (Wood, H. Harvey - editor) The cherrie and the slae. London: 1937. 8vo, green cloth, dustwrapper price-clipped; Evans, Sally The bees - a fantasy of the bees and an elephant artist in the Highlands. Callander: 2008. Oblong 8vo, illustrated by Reinhard Behrens; Brown, George Mackay Northern lights. London: 1999. 8vo, black cloth, dustwrapper; Henryson, R. (Wood, H. Harvey - editor) Poems and fables. Edinburgh: 1958. Second edition, 8vo, blue cloth, dustwrapper; 14 others by Dunn (some signed), 4 others by Paterson (signed); and 29 others, sold not subject to return (55) £200-300

374 FE191/467 Private press and illusrated books, to include: Gay, John Trivia: or, the art of walking in London: [Chiswick Press], 1924. Folio, portrait frontispiece, plates, publisher’s decorated cloth, fore-edges uncut, bookplate, offsetting to endpapers; Browning, Robert Pictor Ignotus, Fra Lippo Lippi, Andrea del Sarto. Waltham St. Lawrence: The Golden Cockerel Press, 1925. 4to., original quarter vellum, paper boards, fore edges uncut, spine slightly darkened, bookplate, no. 168 of 360; O’Neill, Eugene Anna Christie with twelve illustrations. New York: Horace Liveright, 1930. 4to., publisher’s quarter cloth, boards, with dustwrappers, edges uncut, no. 279 of 775 signed by the author; Bunyan, John The pilgrim’s progress and The Life & death of Mr Badman. London: Nonesuch Press, 1928. 8vo., orginal marbled paper boards, printed paper label, no. 611 of 1,600; O’Connor, Frank For a two hundredth birthday. Edinburgh: The Tragara Press, 1986. 8vo., patterned paper wrappers, printed paper label, no. 103 of 120; Cameron, Katharine Flowers I love … with an anthology of flower poems selected by Edward Thomas. London: Jack, [n.d.]. 4to., original quarter cloth, upper boards with decoration designed by the artist, dustwrappers, wrappers lacking spine and piece from upper wrapper; Wilmot, John, Earl of Rochester The poetical works; edited by Quilter Johns. Manchester: The Haworth Press, 1933. 8vo., publisher’s cloth, fore edge uncut, no. 156 of 400 copies, and 10 similar works (17 ) £200-300 375 FE191/398 Ackroyd, Peter Hawksmoor. London: Hamish Hamilton, 1985. First edition, signed, dustwrapper not price-clipped; [Idem] Chatterton. London: Hamish Hamilton, 1987. First edition, signed, dustwrapper not price-clipped; [Idem] The last will and testament of Oscar Wilde. London: Hamish Hamilton, 1983. First edition, signed, dustwrapper not price-clipped; [Idem] Dickens. London: Sinclair-Stevenson, 1990. First edition, dustwrapper not price-clipped; [Idem] London, the biography. London: Chatto & Windus, 2000. First edition, signed, dustwrapper not price-clipped, small hole through copyright page as a result of signing; [Idem] Shakespeare... London: Chatto & Windus, 2005. Signed, dustwrapper not price-clipped, covers a little soiled; [Idem] The Clerkenwell tales. London: Chatto & Windus, 2003. First edition, signed, dustwrapper not price-clipped; [Idem] Dan Leno and the Limehouse golem. London: Sinclair-Stevenson, 1994. First edition?, signed, dustwrapper not price-clipped; [Idem] The house of Doctor Dee. London: Hamish Hamilton, 1993. First edition, signed and dated 1993, dustwrapper not price-clipped; [Idem] First light. London: Hamish Hamilton, 1989. First edition, signed, dustwrapper not priceclipped; and 11 others (21) £200-300 376 FE191/379 Albee, Edward Who’s afraid of Virginia Woolf? London: Jonathan Cape, 1964. First British edition, 8vo, author’s signature to bookplate attached to halftitle, original yellow cloth, dustwrapper not price-clipped but very slightly rubbed and chipped with a few discreet closed tears £150-200

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

377 FE191/381 Albee, Edward The zoo story and other plays. London: Jonathan Cape, 1969. Second edition?, 8vo, blue paper covered boards, dustwrapper not priceclipped but slightly darkened with a little chipping to top of spine, includes signed black and white photograph of Albee, 142x103mm £150-200 378 FE191/380 Albee, Edward Seascape. New York: Atheneum, 1975. First edition, 8vo, blue cloth, dustwrapper not price-clipped but slightly chipped and rubbed; [Idem] Box and quotations from Chairman Mao Tse-Tung. New York Atheneum, 1969. 8vo, black cloth, dustwrapper not price-clipped but a little darkened; [Idem] Malcolm... New York: Atheneum, 1966. 8vo, black cloth, dustwrapper not price-clipped but slightly rubbed; [Idem] Everything in the garden. New York: Atheneum, 1968. First edition, 8vo, black cloth, dustwrapper not price-clipped but very slightly chipped and a little soiling to lower cover; [Idem] Tiny Alice. New York: Atheneum, 1965. First edition, 8vo, original half-buckram, dustwrapper not price-clipped but spine darkened and a little chipped; [Idem] Counting the ways and listening. New York: Atheneum, 1977. 8vo, black cloth, dustwrapper not price-clipped; [Idem] Three tall women. New York: Penguin, 1994. 8vo, black quarter cloth, dustwrapper not price-clipped; [Idem] All over. New York: Atheneum, 1971. First edition?, 8vo, black cloth, dustwrapper not price-clipped but very slightly rubbed; all with Ablee’s signature on loosely inserted slips of paper; [Idem] A delicate balance. New York: Atheneum, 1966. First edition, 8vo, Ablee’s signature on piece of paper pasted to titlepage, black cloth, dustwrapper not price-clipped but very slightly darkened and price scribbled out with pencil; [Idem] The lady from Dubuque. New York: Atheneum, 1980. 8vo, author’s signature, dated 1993, to half-title, black cloth, dustwrapper not price-clipped but spine very slightly faded; and 8 others (18) £150-200 379 FE191/508 Amis, Kingsley Lucky Jim. London: Victor Gollancz, 1953. First edition, presentation copy “To John, all the very best from Kingsley Amis, January 1954”, original green cloth, facsimile dustwrapper, slightly spotted, binding faded £200-300

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380 FE191/511 Amis, Kingsley Bright November. London: Fortune Press, [1947]. First edition, original grey flat-backed boards; [Idem] Fantasy Poets, Number Twenty Two. Eynsham: Fantasy Press, 1954. 8vo, printed stapled wrappers; [Idem] A Case of Samples. London: Gollancz, 1956. First edition, dustwrapper frayed with slight loss & soiled; [Idem] The Evans Country. Fantasy Press, 1962. First edition, wrappers slightly discoloured; [Idem] The anti-death League. London: Victor Gollancz, 1966. First edition, dustwrapper frayed; [Idem] A look round the estate. London: J. Cape, 1967. First edition, signed by the author, dustwrapper very slightly rubbed; [Idem] I want it Now. London: J. Cape, 1968. First edition, dustwrapper frayed; [Idem] (under the name Robert Markham) Colonel Sun. London: J. Cape, 1968. First edition, dustwrapper rubbed; [Idem] The Green Man. London: J. Cape,1969. First edition, presentation copy, dustwrapper; [Idem] What became of Jane Austen ? London: J. Cape, 1970. First edition, presentation copy to Val & Stuart, dustwrapper slightly frayed; [Idem] The Riverside Villas Murder. London: J. Cape, 1973. First edition, signed by the author, dustwrapper; all 8vo, original cloth except where noted (10) £300-400 381 FE191/509 Amis, Kingsley Lucky Jim. Garden City: Doubleday, 1954. First American edition, original black cloth, dustwrapper frayed at head and tail of spine & dust soiled; [Idem] That uncertain feeling. London: Victor Gollancz, 1955. First edition, original red cloth, yellow dustwrapper slightly discoloured; [Idem] I like it here. London: Victor Gollancz, 1958. First edition, original red cloth, yellow dustrwapper lightly soiled; [Idem] Take a girl like you. London: Victor Gollancz, 1960. First edition, original red cloth, yellow dustwrapper slightly frayed and slightly soiled; [Idem] New maps of Hell. London: Victor Gollancz, 1961. First edition, yellow dustwrapper frayed & discoloured [Idem] My enemy’s enemy. London: Victor Gollancz, 1962. First edition, original red cloth, yellow dustwrapper slightly soiled; [Idem] One Fat Englishman. London: Victor Gollancz, 1963. First edition, original red cloth, yellow dustwrapper torn with slight loss (7) £250-350 382 FE191/510 Amis, Kingsley The Book of Bond. London: J. Cape, 1965. First edition; [Idem] The Darkwater Hall mystery. Edinburgh: Tragara Press, 1978. First edition, one of 165 copies, marbled wrappers; [Idem] Jake’s thing. London: Hutchinson, 1978. Second impression; [Idem] Collected poems 19441979. London: Hutchinson, 1979. First edition; [Idem] Stanley and the women. London: Hutchinson, 1984. First edition; [Idem] The old devils. London: Hutchinson, 1986. First edition; [Idem] Difficulties with girls. London: Hutchinson, 1988. First edition, signed by the author, dustwrapper; [Idem] Memoirs. 1991. First edition, signed, dustwrapper; all original cloth except where stated; and 20 later volumes by Kingsley Amis (28) £250-350

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

383 FE191/507 Amis, Martin The Rachel papers. London: J. Cape, 1973. First edition, note in biro to front endpaper; [Idem] Dead babies. London: J. Cape, 1975. First edition. [Idem] Other people. London: J. Cape, 1981. Reprinted 1981. Presentation copy to Bruce Ritchie, signed by the author; [Idem] London fields. London: J. Cape, 1989. First edition, signed by the author; [Idem] Time’s arrow. London: J. Cape, 1991. First edition, signed by the author; [Idem] The information. London: Flamingo, 1995. First edition, signed by the author; [Idem] Night train. London: J. Cape, 1997. First edition, signed by the author; [Idem] Heavy water. London: J. Cape, 1998. First edition, signed by the author; [Idem] Yellow dog. London: J. Cape, 2003. First edition, signed by the author; [Idem] Visiting Mrs Nabokov. Toronto: Knopf, 1993. First Canadian edition, signed by the author; [Idem] Money. London: J. Cape, 1984; [Idem] Experience. London: J. Cape, 2000. First edition, signed by the author; [Idem] House ofmMeetings. London: J. Cape, 2006. First edition, signed by the author, original cloth, dustwrappers; and 7 others by Martin Amis; and a signed photograph (22) £250-350 384 FE191/376 Auden, W.H. The age of anxiety. New York: Random House, 1947. Fifth printing, 8vo, signed by Auden, who has crossed-out his printed name on titlepage and replaced it with signature, original beige cloth, dustwrapper not price-clipped, cloth very lightly spotted, some faint soiling to dustwrapper with a small amount of chipping to ends of spine and corners and discreet, small closed tear to upper cover £150-200 385 FE191/374 Auden, W.H. Poems. Auden, W.H. London: Faber & Faber, 1930. First trade edition, 8vo, white card with blue paper wrappers, ruled in red to upper cover, most edges untrimmed, covers slightly browned, spotted and rubbed with a couple of very small closed tears around top of spine, contained in blue cloth book-box; [Idem] Another time. London: Faber & Faber, 1950. First British edition, 8vo, red cloth and red dustwrapper, some very occasional, slight, internal spotting and dustsoiling, dustwrapper faded with tears in several places; [Idem] Goodbye to the Mezzogiorno. Milan: All’insegnia del Pesce d’Oro, 1958. 8vo, original printed paper wrappers and publisher’s paper band, some very slight soiling to upper cover and band, closed tear to fold of band (3) £150-200 386 FE191/375 Auden, W.H. The orators, an English study. London: Faber & Faber, 1932. First edition, 8vo, black cloth, dustwrapper not price-clipped but slightly chipped and darkened along spine; [Idem] Poems 1928. Privately printed (facsimile edition for sale at the Ilkley Literature Festival), 1928 (1973). 16mo, red paper covers with green slip case; [Idem]

Journey to a war. London: Faber & Faber, 1939. First edition, 8vo, frontispiece in red and black, metallic grey covers, dustwrapper not price-clipped but with some chipping and soiling, top part of dustwrapper spine lacking; [Idem] Letter from Iceland. London: Faber and Faber, 1937. First edition, 8vo, 59 photographs and diagrams folding map, original green cloth, spine a little faded, dustwrapper not price-clipped but slightly soiled and creased; [Idem] The dance of death. Faber & Faber, 1933. First edition, 8vo, bookplate of Naomi Mitchison to front free-endpaper, original green boards, slightly chipped and soiled, lacks dustwrapper; [Idem] The dance of death. London: Faber & Faber, 1933. Second impression, 8vo, original black cloth, spine slightly faded, purple dustwrapper not price-clipped but with some fading and a little chipping; [Idem] The enchafèd flood... London: Faber & Faber, 1951. First edition, 8vo, blue cloth, a little internal spotting and a couple of ink blotches, very slight fading to spine and edges of boards, dustwrapper not price-clipped but with some fading, foxing and a little chipping; [Idem] About the house. London: Faber & Faber, 1966. 8vo, original blue cloth, dustwrapper not price-clipped; [Idem] On the frontier. London: Faber & Faber, 1938. First edition, 8vo, original red cloth, some slight spotting to endpapers, covers very slightly soiled, dustwrapper not price-clipped but a little darkened and chipped; [Idem] The shield of Achilles. London: Faber & Faber, 1955. First British edition, 8vo, original purple cloth, dustwrapper not price-clipped but very slightly faded; and 17 others (27) £250-350 387 FE191/517 Barnes, Julian Metroland. London: J. Cape, 1980. Signed by the author; [Idem] Before she met me. London: J. Cape, 1982. Signed by the author; [Idem] Flaubert’s parrot. London: J. Cape, 1984. First edition, exlibrary copy but inscribed to Bruce [Ritchie] from the author; [Idem] Flaubert’s parrot. New York: A.A. Knopf, 1985. Signed by the author; [Idem] Staring at the Sun. London: J. Cape, 1986. Presentation copy signed by the author; [Idem] A history of the world in 10 1/2 chapters. London: J. Cape, 1989. Signed by the author, owner’s bookplate [Idem] Talking it over. London: J. Cape, 1991. Signed by the author; [Idem] The porcupine. London: J. Cape, 1992. Signed by the author; [Idem] Cross Channel. London: J. Cape, 1996. Signed by the author; [Idem] England, England. London: J. Cape, 1998; [Idem] Love, etc. London: J. Cape, 2000; [Idem] The lemon table. London: J. Cape, 2004. Signed by the author; [Idem] Arthur & George. London: J. Cape, 2005. Signed by the author, publisher’s wrap around slip but no dustwrapper; [Idem] Arthur & George. London: J. Cape, 2005. No 9 of 25 specially bound copies, of a total edition of 125 copies signed by the author, quarter morocco. slip case; [Idem] Nothing to be frightened of. London: J. Cape, 2008. Signed by the author, publisher’s “Signed copy” wrap around slip but no dustwrapper; [Idem] The sense of an ending. London: J Cape, 2011. Signed by the author; all first editions with dustwrappers except where noted; and 3 paperbacks (2 signed) and one hardback (20) £400-500

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

388 FE191/339 Beckett, Samuel Waiting for Godot. London: Faber & Faber, 1955. First British edition, 8vo, original yellow cloth, dustwrapper, publisher’s note loose but present, some slight foxing, spine a little faded, dustwrapper slightly rubbed and soiled £200-300 389 FE191/341 Beckett, Samuel How it is. London: John Calder, 1964. 8vo, number 84 of one hundred copies signed by Beckett, original vellum with gilt tooled spine, t.e.g., compactable vellum and card slip case, some very slight dust-soiling and chipping to slip case £200-300 390 FE191/340 Beckett, Samuel No’s knife. London: Calder and Boyars, 1967. 8vo, number 51 of 100 B series copies signed by Beckett, original cream quarter calf with green cloth, g.e., green cloth slip case, some slight fading to covers and slip case, spine very slightly soiled £150-200 391 FE191/342 Beckett, Samuel Drunken boat. Reading: Whiteknight Press, 1976. Folio, number 6 of 100 copies signed by Beckett (300 copies produced in total), including two-page facsimile of original typescript, original brown cloth with title printed in blue to upper board £150-200 392 FE191/343 Beckett, Samuel Endgame. London: Faber and Faber, 1958. 8vo, original orange cloth, dustwrapper, a little darkening, slight rubbing and very minor chipping to dustwrapper, not price-clipped; Beckett - Joyce - et al Our exagmination round his factification for incomination of work in progress... with letters of protest. London: Faber and Faber, [1936]. First edition, 8vo, bound from the sheets of the 1929 Shakespeare & Co. issue, original blue cloth, pages a little darkened, some fading and soiling to covers; [Idem] How it is. London: John Calder, 1964. 8vo, original grey cloth gilt, dustwrapper, slight darkening to pages 15-22, dustwrapper slightly dust-soiled with very small amount of chipping, not price-clipped; [Idem] Play. London: Faber & Faber, 1964. 8vo, original red cloth gilt, dustwrapper, a little rubbing and darkening to dustwrapper with a couple of very small chips to ends of spine, not price-clipped; [Idem] Poems in English. London: John Calder, 1961. First edition, 8vo, one of 100 but unsigned out-of-series copy, original blue cloth with gilt lettering to spine, blue dustwrapper, spine and dustwrapper slightly faded, a little crumpling to dustwrapper at spine, not price-clipped; [Idem] All strange way. London: John Calder, 1979. 8vo, original lilac cloth with gilt lettering to spine, some fading and very slight dust-soiling to dustwrapper, not price-clipped; [Idem] Come and go, a dramaticule. London: Calder and Boyars, 1968. Second impression, 8vo, original covers, very slightly darkened and a little chipped; [Idem] Not I. London: Faber

and Faber, 1973. 8vo, original paper covers, very slightly darkened; [Idem] From an abandoned work. London: Faber and Faber, 1958. 8vo, original covers a little torn and faded; [Idem] Mercier and Camier. London: Calder & Boyars, 1974. First English edition, original grey paper-covered boards with gilt lettering to spine, cream and green dustwrapper a little darkened, not price-clipped; [Idem] Dream of fair to middling women. London: Calder, 1993. First edition, 8vo, original green paper covered boards with brown paper-covered spine, dustwrapper not price-clipped; and 13 others (24) £200-250 393 FE191/354 Betjeman, Sir John Ghastly good taste... London: Chapman and Hall Ltd., 1933. First edition, 8vo, later postcard from Betjeman to Dame Veronica Wedgwood loosely inserted, folding plate, original half cloth with pink printed boards, some slight internal foxing, boards and spine faded and a little rubbed, label chipped; [Idem] Collected poems. London: the Reprint Society, 1961. Second edition, 8vo, signed by Betjeman on title page, signature dated 1963, gift inscription (not in Betjeman’s hand) to front free-endpaper, To Dearest honeypot, with Fondest Love, accompanied by illustration of monkey wearing mortarboard, original cream cloth, dustwrapper a little faded and bumped; [Idem] First and last loves. London: John Murray, 1952. First edition, 8vo, original cream cloth with blue heart motifs, dustwrapper not prce-clipped but slightly faded, chipped and spotted, some fading to covers and spine; [Idem] Archie and the Strict Baptists. [London:] John Murray, 1977. First edition, 4to, with loosely inserted Christmas card to Jacquelin signed, “frae Iain MacBetjeman”, original yellow cloth gilt, dustwrapper not price-clipped (4) £200-250 394 FE191/356 Betjeman, Sir John Continual dew. London: John Murray, 1937. First edition, 8vo, inscribed by Betjeman to front free-endpaper: “There’s a long, long trailer [sic.] winding/ Out of broken hearts and brains/ While the Ealing[?] boys[?] are minding/ Our John V. Baines,” signed by John Betjeman and dated 1943, original neo-Gothic style black cloth gilt, dustwrapper not price-clipped but a little browned, especially to spine, and slightly chipped; Idem] Mount Zion. London: The James Press, [1931]. First? edition, 8vo, original striped pink and gilt boards with paper label of woman on telephone to upper cover, lower part of spine lacking and upper chipped, some fading and rubbing to boards, label a little foxed (2) £300-500 395 FE191/353 Betjeman, Sir John An Oxford University chest. London: John Miles, 1938. First edition, 8vo, with letter from Betjeman dated 11th December, reading: “Dear Veronica/ [possibly Dame Veronica Wedgwood] I quite agree about Elizabeth Jennings being worthy of the Queen’s Medal. I have already put her forward. Your letter may influence the committee which decides on these things./ I quite agree that her poetry has gained in merit lately./ Yours ever/ John”, original? quarter cloth gilt with

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

marbled boards, a little foxing to endpapers and index pages, corners slightly rubbed (2, including letter) £200-250 396 FE191/357 Betjeman, Sir John Antiquarian prejudice. London: Hogarth Press, 1939. First edition, 8vo, loosely inserted compliments slip from John Betjeman, reading: “Well done Veronica [possibly Dame Veronica Wedgwood]/ from John”, original orange paper covers, a little internal darkening, covers slightly faded; [Idem] New bats in old belfries. London: John Murray, 1945. 8vo, original red cloth, gift inscription to front free-endpaper, dustwrapper not price-clipped but slightly chipped, some soiling to dustwrapper and covers; [Idem] Poems in the porch. London: the Talbot Press (S.P.C.K.), 1954. First edition, 8vo, original wrappers, some slight foxing and a few pencil annotations, covers a little browned and worn around the edges; [Idem] Old lights for new chancels. London: John Murray, 1940. First edition, 8vo, original? blue cloth with paper label to spine, previous owner’s signature to pastedown endpaper, dustwrapper not price-clipped but soiled and torn in places with faded spine (4) £150-200 397 FE191/355 Betjeman, Sir John Summoned by bells. London: John Murray, 1960. First edition, 8vo, signed by Betjeman on half-title, bookplate to front free-endpaper, three typed (and photocopied?) sheets of poetry inserted: Harrow-onthe-Hill, Middlesex and The Metropolitan Railway, original green embossed cloth gilt, some very slight soiling and fading to dustwrapper £150-200 398 FE191/358 Betjeman, Sir John A nip in the air. London: John Murray, 1974. 8vo, yellow cloth, dustwrapper not price-clipped; [Idem] A few late chrysanthemums. London: John Murray, 1954. 8vo, blue cloth, dustwrapper not priceclipped but a little rubbed and soiled; [Idem] High and low. London: John Murray, 1966. 8vo, Betjeman’s signature tipped in to titlepage, yellow cloth, dustwrapper not price-clipped but a little rubbed and faded; [Idem] Church poems. London: John Murray , 1980. 8vo, green cloth, dustwrapper not price-clipped but a little faded; [Idem] Uncollected poems. London: John Murray, 1982. 8vo, green cloth, dustwrapper not price-clipped but some fading to spine; and another copy with annotations and writing to endpapers in biro; [Idem] Collected poems. London: John Murray, 1958; Larkin, Philip, and others A catalogue of works Sir John Betjeman. London: Warren Editions, 1983; and 9 others, including some works on architecture (17) £150-200 399 FE191/527 Bennett, Alan [with Peter Cook, Jonathan Miller & Dudley Moore] Beyond the Fringe. London: Souvenir Press, 1963; [Idem] Forty years on. London: Faber & Faber, 1969; [Idem] A private function. London: Faber &

Faber, 1984; Writing home. London: Faber & Faber, 1994; [Idem] Telling tales. London: BBC, 2000. 2 copies.; [Idem] The laying on of hands. London: Profile Books, 2001; [Idem] The history boys. London: Faber & Faber, 2004; [Idem] Untold stories. London: Faber & Faber, 2005; [Idem] The history boys. The film. London: Faber & Faber, 2006; [Idem] The habit of art. London: Faber & Faber, 2009; [Idem] A life like other people’s. London: Faber & Faber, 2009. First U.K. edition; [Idem] Smut. London: Faber & Faber, 2011; [Idem] The uncommon reader. London: London Review Bookshop Limited Editions, 2007. Number 42 of 100 signed copies, blue morocco-backed boards, slip case; all first editions, signed by the author, all original cloth, dustwrappers; and 26 paperbacks and 1 hardback by Bennett signed or inscribed by the author, and 2 unsigned; and an autographed letter from Bennett to Ritchie in franked envelope cover (43) £300-500 400 FE191/359 Blunden, Edmund Letter to Clare Blunden from her father, Edmund Blunden, dated July 27th, 1938 and congratulating her on winning a silver medal in school for speaking verse and writing, “...I am about to send “The Anatomy of Oxford” having had my midday sandwich & mug of ale yesterday with C. Day Lewis whom I like more & more. He had just flown from Paris which he thinks the most glorious of all places...”, signed “...your affectionate Father.” 228x171mm, accompanied by a letter from her mother; Blunden, Edmund The shepherd. London: Richard CobdenSanderson, 1922. Second edition, 8vo, inscribed, “with respects by the now Hawthorndenless Edmund Blunden June 20, 1929”, original blue cloth with paper label to spine, some foxing and darkening to endpapers, ownership signature of M. Cary Hogg to front freeendpaper, dated 1922, writing to final endpapers in ink, some chipping to ownership label, spine slightly faded and bumped; [Idem (Introduction)] Great short stories of the war... London: Spottiswoode, 1930. First edition, 8vo, number 100 of 250 copies signed by Blunden, t.e.g., original? quarter cloth gilt with marbled boards, slip case, corners a little rubbed, slip case rubbed and splitting slightly in places; [Idem] Shells by a stream. London: Macmillan & Co., Ltd., 1944. First edition, 8vo, original green cloth gilt, dustwrapper slightly soiled and chipped; [Idem] Poems of many years. London: Collins, 1957. First edition, 8vo, original pink cloth gilt, dustwrapper a little soiled and rubbed; [Idem] Near and far, new poems. London: Cobden-Sanderson, 1929. 8vo, original green cloth with paper label to spine, endpapers a little darkened and slight spotting to first and final few pages, and label very slightly chipped; [Idem] Retreat. London: Richard Cobden-Sanderson, 1928. First edition, 8vo, original red cloth with paper label to spine, endpapers very slightly spotted, label a little darkened and chipped; [Idem] An elegy. London: Cobden-Sanderson, 1937. First edition, 8vo, original cloth with paper label to spine, label a little darkened, covers very slightly faded and soiled; [Idem] The poems... London: Cobden-Sanderson, 1930. First edition, 8vo, g.e., original red morocco gilt, some fading to spine and boards; Mottram, R.H. - Blunden, Edmund Twelve poems... [Dublin]: Daedalus Press, 1968. 8vo, number 32 of 312 copies signed by Mottram, original sandy-green and gilt wrappers, wrappers very slightly faded (9, plus letters) £150-200

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

401 FE191/360 Boccaccio, Giovanni Decameron...now completely done into English... London: The Villon Society, 1886. 8vo, 3 volumes, translated by John Payne, original vellum with elaborate gilt tooling, a little internal dust-soiling and occasional light spotting, volume 1 lacking pp.263-6, spines darkened, covers dust-soiled and a little rubbed £200-300 402 FE191/519 Boyd, William A Good Man in Africa. London: Hamish Hamilton, 1981. First edition, signed by the author on title, original boards, dustwrapper £200-300 403 FE191/520 Boyd, William On the Yankee station. London: Hamish Hamilton, 1981. Signed by the author, ?later blue cloth (unlettered); [Idem] An ice cream war. London: Hamish Hamilton, 1982. Signed by the author, slight loss to front flap of dustwrapper; [Idem] Stars and bars. London: Hamish Hamilton, 1984. Signed by the author, dustwrapper price clipped and spine very slightly sunned; [Idem] School ties. London: Hamish Hamilton, 1985. Signed by the author; [Idem] The new confessions. London: Hamish Hamilton, 1987. Signed by the author; [Idem] The blue afternoon. London: Sinclair-Stevenson, 1993; [Idem] The destiny of Nathalie X. London: Sinclair-Stevenson, 1995. Signed by the author; [Idem] Armadillo. London: Hamish Hamilton, 1998. Signed by the author; Idem Nat Tate. London: 21 Publishing, 1998. Signed by the author; [Idem] Any human heart. London: Hamish Hamilton, 2002. Signed by the author; [Idem] Fascination. London: Hamish Hamilton, 2004. Signed by the author; [Idem] Bamboo. London: Hamish Hamilton, 2005; [Idem] Restless. London: Bloomsbury, 2006. Signed by the author; [Idem] Ordinary thunderstorms. London: Bloomsbury, 2009. Signed by the author; [Idem] Waiting for sunrise. London: Bloomsbury, 2012. Signed by the author, all first editions, original boards, dustwrappers; and 3 others (18) £500-800 404 FE191/365 Bradbury, Malcolm Eating people is wrong. London: Secker & Warburg, 1959. First edition, 8vo, inscribed by Bradbury on titlepage, “For Bruce Ritchie with my good wishes - Malcolm Bradbury, Edinburgh 2000”, original deep red cloth, dustwrapper price-clipped with lower cover slightly soiled and spine a little faded; [idem] Unsent letters. London: André Deutsch, 1988. First edition, 8vo, similarly inscribed from Bradbury to Ritchie, blue cloth, dustwrapper not price-clipped but a little darkened, especially to spine; [Idem] The history man... London: Secker & Warburg, 1975. First edition, 8vo, inscribed on title page from Bradbury to Ritchie, black cloth, dustwrapper price-clipped; [Idem] No, not Bloomsbury. London: André Deutsch, 1987. First edition, 8vo, inscribed from Bradbury to Ritchie, blue cloth, dustwrapper not price-clipped; and 5 others signed by Bradbury (9) £200-250

406

405 FE191/363 Bradbury, Ray The silver locusts. London: Hart Davies, 1951. First edition, presentation copy inscribed “For Gian-Carlo Menotti with great respect and appreciation from Ray Bradbury, 1951”, original cloth, dustwrapper slightly rubbed at head of spine, lower wrapper slightly soiled, short closed tear to upper wrapper £200-300 406 FE191/361 Bradbury, Ray Fahrenheit 451. London: Rupert Hart-Davis, 1954. First British edition, 8vo, original red cloth, dustwrapper not price-clipped, some very slight foxing around edges, dustwrapper a little rubbed, spine faded, some very slight chipping to ends of spine and corners £300-400

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

407 FE191/362 Bradbury, Ray The illustrated man. London: Rupert Hart-Davis, 1952. First British edition, 8vo, original red cloth, dustwrapper not price-clipped, previous owner’s signature to front free-endpaper, some slight foxing, dustwrapper a little faded, especially along spine, foxed and chipped; [Idem] The day it rained forever. London: Rupert Hart-Davis, 1966. Third (British) impression, original blue cloth, dustwrapper not priceclipped, spine slightly faded, dustwrapper a little browned, faded along spine with a small tear to top-left corner of upper cover and a little chipped at top of spine; [Idem] The Toynbee convector. London: Grafton Books, 1989. 8vo, orange cloth gilt, dustwrapper not priceclipped; [Idem] Green shadows, white whale. London: Harper-Collins, 1992. 8vo, blue cloth, dustwrapper not price-clipped; [Idem] The cat’s pyjamas... New York: William Morrow/Harper Collins, 2004. First edition, first impression, 8vo, white quarter-cloth, dustwrapper not price-clipped; [Idem] From the dust returned. London: Earthlight/Simon & Schuster, 2001. 8vo, black cloth gilt, dustwrapper not price-clipped (6) £150-200

front free-endpaper, endpapers and adverts a little darkened, some very slight spotting, label darkened and slightly chipped, some fading, rubbing and bumping to spine and covers; [Idem] Democracy and the arts. London: Rupert Hart-Davis, 1946. First edition, 8vo, frontispiece portrait, original green cloth with gilt lettering to spine, dustwrapper not price-clipped but a little darkened with some chipping and loss to spine, slight internal darkening; Brooke, Rupert - Hassall, Christopher, editor The prose of Rupert Brooke. London: Sidgwick and Jackson, 1956. First edition, 8vo, original green cloth with gilt lettering to spine, dustwrapper not price-clipped, but a little faded, especially along spine, some slight fading to lower part of book spine; and 2 others (6) £150-200 410 FE191/367 Burgess, Anthony A clockwork orange. London: William Heinemann, 1962. First edition, 8vo, original black cloth boards with first issue dustwrapper not price-clipped but spine faded with some chips at ends of spine and around edges £400-500

408 FE191/364 Bradbury, Ray The Halloween tree. Toronto/New York/London: Bantam, 1974. 8vo, dedication from Ray Bradbury to first page, reading: “Ritchie! And your nice lady! You are much too kind! Bless you for your book - here is a small example of my latest! Best! Ray B. Nov, 25, 1974” (presumably to another Ritchie, as the book appears to have been purchased inscribed), paperback with some creases to spine and covers; [Idem] Death is a lonely business. Pennsylvania: Franklin Library/Signed First Edition Society, 1985. First edition, 8vo, Bradbury’s signature to blank, green morocco gilt; [Idem] The golden apples of the sun. London: Rupert Hart-Davis, 1953. First British edition, 8vo, blue cloth, dustwrapper not price-clipped but a little torn and faded, some fading to spine of book; [Idem] Dark carnival. London: Hamish Hamilton, 1948. First British edition, 8vo, rebound in half-calf; [Idem] Dandelion wine. London: Rupert Hart-Davis, 1965. 8vo, red cloth, price torn neatly from dustwrapper, some fading to dustwrapper (5) £150-200 409 FE191/370 Brooke, Rupert 1914 & other poems. London: Sidgwick & Jackson, 1915. First edition, 8vo, portrait frontispiece, original blue cloth, spare label pasted to spine, possibly over original, a couple of previous ownership inscriptions and signatures to front free-endpaper, frontispiece and titlepage a little foxed, some splitting to hinges, some soiling and fading to spine and cloth; [Idem] Poems... London: Sidgwick & Jackson, 1917. 8vo, spare label pasted to final free-endpaper, original blue cloth with paper label to spine, previous owner’s signature to

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LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

411 FE191/368 Burgess, Anthony The Malayan trilogy: Time for a tiger. London: William Heinemann, 1956. First edition, 8vo, blue cloth, dustwrapper not price-clipped, cloth a little faded and soiled in places, some soiling and fading to dustwrapper with small hole to lower cover (loss of a few letters) and tear to upper cover, with loss to part of title; [Idem] The enemy in the blanket. London: William Heinemann, 1958. First edition, 8vo, dark blue cloth, dustwrapper not price-clipped, some light spotting, some slight staining and fading to boards, some darkening and soiling to dustwrapper with a few tears (including loss to upper part of spine) and small repair to lower cover; Beds in the east. William Heinemann, 1959. First edition, 8vo, blue cloth, dustwrapper not price-clipped, covers slightly faded and browned, some loss to upper part of spine; ‘Kell, Joseph’ [Burgess, Anthony] Inside Mr Enderby. London: William Heinemann, 1963. First edition, 8vo, inscribed by Burgess to ‘John’, under the pseudonym ‘Joseph Kell’, green cloth, dustwrapper not price clipped, a little spotting, spine faded, a little soiling, rubbing and bumping to dustwrapper; Burgess, Anthony The wanting seed. London: London, 1962. First edition, 8vo, dustwrapper not price-clipped but a little dust-soiled; [Idem] Nothing like the sun. London: Heinemann, 1964. First edition, 8vo, dustwrapper not priceclipped but spine slightly faded and bumped; [Idem] Devil of a state. London: William Heinemann, 1961. First edition, 8vo, dustwrapper not price-clipped but a little browned and faded along spine; [Idem] The doctor is sick. William Heinemann, 1960. First edition, 8vo, dustwrapper not price-clipped but slightly foxed with some rubbing and darkening to spine; [Idem] The worm and the ring. London: William Heinemann, 1961. First edition, 8vo, dustwrapper not priceclipped (9) £200-300 412 FE191/369 Burgess, Anthony The world of William Shakespeare. London: The Arcadia Press, 1971. 4to, number 194 of 265 copies signed by Burgess, red morocco gilt with morocco onlays in purple, brown and green to form an image of the Globe Theatre, binding by Zaehnsdorf, g.e., spine a little faded; [Idem] A mothful of air... London: Hutchinson, 1992. 8vo, titlepage signed by Anthony Burgess, dated 8th October 1992, origial black cloth with gilt lettering to spine, dustwrapper not price-clipped; [Idem] Here comes everybody. London: Faber and Faber, 1965. 8vo, dustwrapper not price clipped but appears to be backed with card and glued to covers, library stamps of Stirling County and District libraries to titlepage, dustwrapper spine a little faded; [Idem] The novel now... London: Faber & Faber, 1967. First edition, 8vo, light red cloth, dustwrapper not price-clipped and protected with glassine wrapper (4) £150-200

413 FE191/74 Butler, Samuel The Way of all flesh. London: Grant Richards, 1903. First edition, 8vo., with 12pp. of adverts at end, publisher’s red cloth, a little rubbing to head and tail of spine, spine a little faded, small ink spot on upper board, inner joints cracking £150-250 414 FE191/396 Capote, Truman Breakfast at Tiffany’s. London: Hamish Hamilton, 1958. First British edition, 8vo, red cloth, dustwrapper, very slight darkening to pages, dustwrapper price-clipped with a very small amount of chipping to top of spine £200-300 415 FE191/397 Capote, Truman Music for chameleons. New York: Random House, 1980, First edition, second impression, 8vo, signed by Capote on titlepage, black cloth, purple dustwrapper not price-clipped, a very fine copy; [Idem] Other voices, other rooms. New York: Random House, 1948. First edition, 8vo, beige cloth, dustwrapper not price-clipped but with a few chips and slightly faded; [Idem] In cold blood. London: Hamish Hamilton, 1966. First British edition, fourth impression, 8vo, green papercovered boards, dustwrapper price-clipped and a little rubbed; [Idem] The dogs bark… London: Weidenfeld and Nicolson, 1974. First British edition, 8vo, black paper-covered boards, dustwrapper not priceclipped but slightly chipped and faded; and 5 others (9) £200-250 416 FE191/518 Carey, Peter Bliss. London: Faber, 1981; [Idem] Illywhacker. London: Faber, 1985; [Idem] Jack Maggs. London: Faber, 1999; [Idem] Oscar and Lucinda. London: Faber, 1988. Dustwrapper slightly discoloured; [Idem] The tax inspector. London: Faber, 1991; [Idem] The unusual life of Tristan Smith. London: Faber, 1994; [Idem] True history of the Kelly Gang. London: Faber, 2001. First U.K. edition; [Idem] My life as a fake. London: Faber, 2003; [Idem] Theft. London: Faber, 2006; Signed by the author; [Idem] His illegal self. London: Faber, 2008. Signed by the author; [Idem] Parrot and Oliver in America. London: Faber, 2010. Signed by the author; [Idem] The chemistry of tears. London: Faber, 2011. Signed by the author, all original cloth, dustwrappers; and 2 others (14) £250-350 417 FE191/386 Cary, Joyce The horse’s mouth. London: Michael Joseph, 1944. First edition, 8vo, publisher’s note explaining that, due to wartime regulations, the amount of text which would normally create a book between 288 and 352 pages long has been condensed into 291, red cloth, dustwrapper, a little spotting to initial pages, dustwrapper not price-clipped but with some darkening, slight chipping, a couple of small closed tears and a small amount of loss to upper part of spine £150-200

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

418 FE191/515 Chatwin, Bruce In Patagonia. London: J. Cape. 1977. First edition, original boards, dustwrapper, spine very slightly sunned, price clipped £200-300 419 FE191/516 Chatwin, Bruce The Viceroy of Ouidh. London: J. Cape, 1980; [Idem] On the Black Hill. London: J. Cape, 1982, dustwrapper spine very slightly faded; [Idem] Utz. London: J. Cape, 1988; [Idem] What am I doing here. London: J. Cape, 1989; [Idem] The Songlines. Franklin Centre, Penns., 1987. Special limited edition, signed by the author, brown leather gilt, g.e.; [Idem] Photographs and notebooks. London: J. Cape, 1993. First editions, original boards except where noted, dustwrappers; and 8 others by or about Chatwin (13) £200-300 420 FE191/72 Conrad, Joseph Youth: a narrative and two other stories. Edinburgh: William Blackwood, 1902. First edition, 8vo., original green cloth, with 32 pp. of adverts. dated 10/02 at end, head and tail of spine rubbed, spine a little faded, a few spots on the titlepage and some other leaves, bookplate of Henry H. Mavor, with his signature on the front free endpaper £150-250 421 FE191/71 Conrad, Joseph The secret agent: a simple tale. London: Methuen & Co., 1907. First edition, first issue, original red cloth, slight rubbing to head and tail, inner joints weak, lacking pp. 1-2 of the 40pp. of adverts at the end £300-500 422 FE191/73 Conrad, Joseph Twixt land and sea; A smile of fortune; The Secret sharer; Freya of the Seven Isles. London: Dent, 1912. First edition, 8vo., original green cloth, extremities a little rubbed, bookplate of John Hart Nicol; [Idem] The rescue: a romance of the shallows. London: Dent, 1920. First edition, 8vo., original green cloth, head and tail a little rubbed, signature on front free endpaper; [Idem] The Nature of a crime by Joseph Conrad and F. M. Hueffer. London: Duckworth, 1924. First edition in book form, 8vo., original cloth; [Idem] Tales of hearsay. London: T. Fisher Unwin, 1925. First edition, 8vo., original blue cloth, with dust wrapper, wrapper a little chipped at extremities (4) £200-300

423 FE191/371 Coward, Noël Private lives. London: William Heinemann, 1930. First edition, 8vo, signed by Noël Coward on front free-endpaper and inscribed to, “William Flan[?]”, original blue cloth with gilt lettering to spine, dustwrapper not price-clipped, some very slight darkening to endpapers and faint spotting to first and last few pages, very small mark in blue pen to page 17, some minor chipping to dustwrapper at corners and ends of spine, dustwrapper spine a little darkened, some very light spotting and dust-soiling to wrappers £200-250 424 FE191/372 Coward, Noël The Noël Coward song book. London: Michael Joseph, 1953. First edition, large 4to, signed by Coward on titlepage, frontispiece portrait, 4 colour plates and one monochrome, original yellow and grey cloth gilt, some slight splitting to hinge, a little fading and bumping to spine, dustwrapper not price-clipped but rather chipped and rubbed, and a little soiled; [Idem] Play parade. London: William Heinemann, 1934. First edition, 8vo, bookplate of M.S. Robertson to front freeendpaper, original red cloth, dustwrapper, some darkening to dustwrapper spine, dustwrapper rubbed; [Idem] The vortex... London Ernest Benn Limited, 1925. First edition, 8vo, Coward’s signature loosely inserted on slip of paper, blue cloth with paper labels to spine and boards, a little darkening to pages, some vary slight soiling to covers, label to spine darkened; [Idem] Future indefinite... London: William Heinemann, 1954. First edition, 8vo, signed by Coward and dedicated, “For Sir Malcolm Macguigan[?] of Macguigan[?]”, original blue cloth gilt, some light internal spotting, dustwrapper priceclipped with some tears and soiling, some soiling to covers, spine a little faded; [Idem] Peace in our time. London: William Heinemann, 1947. First edition, 8vo, blue cloth, dustwrapper not price-clipped but slightly chipped and soiled; [Idem] Suite in three keys... three plays... London: Heinemann, 1966. First edition, 8vo, grey cloth, dustwrapper not price-clipped, spine a little faded, a little fading and rubbing to dustwrapper; [Idem] This happy breed. London: William Heinemann, 1943. First edition, 8vo, blue cloth, dustwrapper not price-clipped, some fading to spine, dustwrapper slightly soiled, rubbed and chipped with small hole to upper cover over ‘T’ of ‘ACTS’; [Idem] Present indicative. London: William Heinemann, 1937. First edition, 8vo, frontispiece portrait and 28 photographic plates on 14 leaves, modern red half-morocco; [Idem] A withered nosegay. London: Christophers, 1922. First edition, 8vo, black cloth, previous ownership signature to front free-endpaper, a little dust-soiling, covers slightly faded and rubbed, without dustwrapper; ‘Whittlebot, Hernia’ [Coward, Noël] Chelsea buns. London: Hutchinson & Co., [1924]. 8vo, bookplate of Harold F Thomas to front free-endpaper and gift inscription to pastedown endpaper, black quarter cloth with floral printed boards and paper label to upper cover, some darkening to endpapers and light spotting, coveres slightly browned and bumped; and 15 others (25) £180-200

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

427 FE191/377 Cummings, E.E. The enormous room. New York: Boni and Liveright, 1922. First edition, first issue with the word ‘shit’ uncensored on page 219, 8vo, original tan cloth, a little light soiling to a few pages, covers a little rubbed and soiled; [Idem] [no title]. New York: Covici Friede, 1930. 4to, number 75 of 491 copies signed by the author, eight illustrations, bookplate of The University of Chicago Library to front free-endpaper, a little dust-soiling to title, original grey cloth with silver title panel, upper hinge splitting, some fading and soiling to covers; [Idem] EIMI. New York: Covici, Friede, 1933. First American edition, 8vo, number 761 of 1381 copies signed by the author, original yellow cloth, previous owner’s signature to front free-endpaper, some soiling and fading to covers (3) £250-350

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425 FE191/448 Crane, Hart The bridge: a poem; with three photographs by Walker Evans. Paris: The Black Sun Press, 1930. 4to., printed paper wrappers, edges uncut, split at lower part of outer joint, spine slightly darkened and with some wear, some offsetting to lower endpapers Note: No. 71 of 200 copies on Holland paper from an edition of 283 copies in total. Schwartz & Schweik A2; Minkoff A32; Connolly 64 £1,200-1,800 426 FE191/449 Crawhall, Joseph Reynard ye Foxe: a set of ten drawings representing scenes from the fable. London: Patterson, [n.d., c. 1880?]. Folio, comprising a series of 10 mounted, coloured lithographic plates with printed captions, contained in a linen portfolio, lacking ties, with some spotting to the plate margins £350-450

428 FE191/378 Cummings, E.E. 50 poems. New York: Duell, Sloan and Pearce, 1940. 8vo, inscribed from E.E. Cummings to Dan Eastman on front free-endpaper, dated January 25 1941, original cloth, spine a little darkened; [Idem] Is 5. New York: Boni & Liveright, 1926. First edition, original quarter cloth with orange gilt-flecked boards, some occasional light spotting, spine slightly faded, edges and corners a little rubbed; [Idem] 1x1. New York: Henry Holt and Company, 1944. First? edition, 8vo, original blue-grey cloth, dustwrapper not price-clipped but slightly chipped and soiled with a couple of very small closed tears; [Idem] XLI poems. New York: The Dial Press, 1925. First edition, 8vo, original blue cloth with title on gold label to upper cover, previous owner’s signature and some darkening to endpapers, occasional very light spotting, some soiling to upper cover, corners and ends of spine bumped; and 6 others (10) £200-250 429 FE191/373 Day Lewis, C. The graveyard by the sea, from the French of Paul Valery. Verona: Officiana Bodoni, 1946. 8vo, number 488 of 500 copies signed by C. Day Lewis, marbled wrappers with paper label to upper cover, original numbered card slip case, a little bumping to spine and corners, slip case a little soiled and creased £200-250

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

430 FE191/242 Day Lewis, C. Country comets. London: Martin Hopkinson, 1928. First edition, light green boards, uncut, very slight wear; [Idem] A time to dance. Hogarth Press, 1935. First edition, signed by the author on half-title, original red cloth gilt, dustwrapper lightly soiled; [Idem] Collected poems 1929-1933. New York: Random House, 1935. First American edition, inscribed “Noel Linday from C. Day Lewis” on endpaper, original brown cloth, lacks final free endpaper, boards damp-spotted; [Idem] Noah and the waters. London: Hogarth Press, 1936. First edition, signed by the author on half-title, original yellow cloth, dustwrapper and boards lightly soiled; [Idem] The friendly tree. London: J. Cape, 1936. First edition, signed by the author on half-title, dustwrapper worn and soiled; [Idem] Overtures to death. London: J. Cape, 1938. First edition, dustwrapper very worn with loss, boards discoloured; [Idem] Word over all. London: J. Cape, 1943. First edition, dustwrapper worn with loss to spine; [Idem] An Italian visit. London: J. Cape, 1958. First edition, original paper-backed blue cloth, dustwrapper with three closed tears and slightly discoloured; [Idem] Pegasus. London: J. Cape, 1957. First edition, original paper -backed cloth, slightly soiled; [Idem] The eclogues of Virgil. London: J. Cape, 1963. First edition, signed by the author on half-title, original green cloth, dustwrapper slightly discoloured; [Idem] The room & other poems. London: J. Cape, 1965. First edition, original cloth-backed boards, dustwrapper; [Idem] The whispering roots. London: J. Cape, 1970. First edition, inscribed to David Davis by the author’s wife, Jill Balcon, original cloth-backed boards; [Idem] The complete poems. London: Sinclair-Stevenson,1992. First edition, dustwrapper; Handley-Taylor, G. & T. d’Arch Smith. C. Day-Lewis. Posthumous poems. The Whttington Press, 1979. First edition, one of 250 copies sisgned by Jull Balcon, the author’s widow, original cloth-backed patterned paper boards, t.e.g., slip case, boards rubbed from tight slip case; and another (15) £200-300 431 FE191/399 DeLillo, Don Americana. Boston: Houghton Mifflin Company, 1971. First printing, 8vo, loosely inserted bookplate signed by DeLillo, blue quarter cloth with red boards and blue metallic lettering, dustwrapper not priceclipped, endpapers slightly faded, a very small amount of darkening and rubbing to dustwrapper with small sticker of Saville Book Shop attached to front flap of dustwrapper; and a typed and signed letter in franked envelope from DeLillo to Bruce Ritchie, dated May 9, 2001, explaining that DeLillo would, ‘...like to be able to send you [Ritchie] a copy of Americana but I’m afraid I’m down to a precious few...”; [Idem] End zone. Boston: Houghton Mifflin Company, 1972. First printing, 8vo, signed by DeLollo on titlepage, black cloth, dustwrapper, some slight dampstaining to upper margins and covers, dustwrapper not price-clipped but a little rubbed and chipped with a small amount of writing on upper flap (2) £250-350

432 FE191/540 DeLillo, Don Great Jones Street. Boston: Houghton Mifflin Company, 1973. First printing, 8vo, loose typed autographed letter in franked envelope from DeLillo to Bruce Ritchie, in which DeLillo writes: “Instead of valuable first editions I have some 50c paperbacks I bought decades ago, and although they’re probably worth less than 50c today, they do carry the power of memory...”, original quarter cloth with red and pink metallic patterns to boards, dustwrapper not price-clipped but with some rubbing and edgewear, a small amount of writing to upper flap of dustwrapper; [Idem] Ratner’s star. New York: Alfred A. Knopf, 1976. First edition, 8vo, loose bookplate signed by DeLillo, quarter cloth, dustwrapper not price-clipped, repaired closed tears to two final leaves; [Idem] Running dog. New York: Alfred A. Knopf, 1978. First edition, 8vo, DeLillo’s signature laid down to titlepage, quarter cloth, dustwrapper not price-clipped; ‘Birdwell, Cleo’ [DeLillo, Don] Amazons. New York: Holt, Rinehart and Winston, 1980. First edition, 8vo, DeLillo’s signature laid-down to titlepage. quarter-cloth, dustwrapper not price-clipped; [Idem] White noise. New York: Viking, 1985. First edition?, 8vo, loose bookplate signed by DeLillo, quarter cloth, dustwrapper not price-clipped; [Idem] Libra. [Toronto?]: Lester & Orpen Denys, 1988. First edition, 8vo, quarter cloth, dustwrapper not price-clipped; [Idem] Mao II. New York: Viking, 1991. First edition, 8vo, loose bookplate signed by DeLillo, quarter cloth, dustwrapper not price-clipped, but with some damage and repair to spine; [Idem] Cosmopolis. New York: Scribner, 2003. First edition, 8vo, DeLillo’s signature laid down to titlepage, loose autograph letter in franked envelope from DeLillo to Ritche, quarter cloth, dustwrapper not priceclipped; and 13 others (21) £300-400 433 FE191/228 Dickinson, Emily Poems. Second Series. Boston: Roberts Brothers, 1891. First edition, first printing, Myerson’s Binding A (priority undetermined), original green-backed white pictorial cloth with lettering and flowers in gilt on upper cover, 4pp. facsimile at beginning, g.e., binding slightly spotted, head of spine slightly rubbed, [Myerson A2.1a]; Buckingham, W.J., editor Emily Dickinson, an annotated bibliography; Dickinson, E.Selected poems. London: J. Cape, 1924. 8vo, original cloth-backed boards, slightly soiled; and 1 other (4) £400-500

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

434 FE191/229 Eberhart, Richard Poems, new and selected. Norfolk, Conn., 1944; [Idem] Burr Oaks. New York: O.U.P., 1947. First American edition, inscribed “André du Bouchet, with the affection of Richard Eberhart, 1948, Cambridge, Mass.”, original blue boards, dustwrapper frayed; [Idem] Selected poems. Inscribed by the author “For John [Malcolm Brinnin] with best wishes Dick, Cambridge, Mass. May 19, 1951”; [Idem] Undercliff. Poems 1946-1965. New York: O.U.P., 1953. Dustwrapper torn with loss; Great praises. Chatto & Windus, 1957; [Idem] The quarry. New York: O.U.P., 1964; [Idem] Thirty one sonnets. New York: Eakins Press, 1967. First edition, number 77 of 99 copies, signed by the author, original buckram, slip case; [Idem] Shifts of being. London: Chatto & Windus, 1968;[Idem] Fields of grace. Chatto & Windus, 1972, owner’s inscription on endpaper;[Idem] Ways of light poems 1972-1980. New York & Oxford: O..U.P., 1980; all original cloth, all with dustwrappers except for “Sonnets”; and 4 others by or about Eberhart (14) Note: Richard Eherhart (1904-2005) won the Bollingen Prize in 1962, the Pulitzer Prize in 1966 and in 1969 the Fellowship of the Academy of American Poets. He was a fellow of the American Academy of Arts & Letters and was Honorary President of the Poetry Society of America. £200-300 435 FE191/234 Eliot, Thomas Stearns Catholic anthology 1914-1915. London: Elkin Matthews, 1915. First edition, original decorated paper-covered boards, folding cloth box, owner’s name on front endpaper [Jennie W. Aberdeir], spine slightly discoloured and a trifle rubbed, boards a little soiled

435

Note: First edition of an anthology which marks the first appearance in book form of any of Eliot’s verse. The work includes five poems by Eliot, including the first printing in book form of “The Love Song of J. Alfred Prufrock”. 500 copies printed. Contributors include Pound, who edited this volume, Sandburg, Masters, Yeats and Williams amongst others. Gallup B1 £800-1,200 436 FE191/231 Eliot, Thomas Stearns Prufrock and other observations. London: The Egoist Ltd., 1917. First edition, 8vo, [one of 500 copies], original paper wrappers lettered in black, folding box, uncut, p.9/10 carelessly opened with slight loss of margin, wrappers slightly discoloured, backstrip slightly worn at head and tail, small stain to lower wrapper Note: A very good copy of one of the first, great Modernist works. [Gallup A1]. 500 copies were published by The Egoist where Eliot was working as Assistant Editor. £3,000-4,000

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LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

437 FE191/238 Eliot, Thomas Stearns The waste land. New York: Boni and Liveright, 1922. First edition, number 234 of 1000 copies, one of the first 500 copies printed with the limitation number printed in type 5mm high and bound in flexible black cloth, but also a later copy with the “a” dropped from “mountain” in line 339 (page 41), owner inscription on front endpaper, light wear to spine ends, without the rare dustwrapper, black folding cloth box Note: First edition of one of the most important poems of the 20th century. “Eliot’s Waste Land is I think the justification of the modern experiment since 1900” (Ezra Pound). The first edition consisted of 1000 copies: approximately the first 500 copies were bound in flexible black cloth with the copy number on the limitation page stamped in type 5mm high, later copies were bound in stiff black cloth the the copy number 2mm high. In addition, the first copies have the word “mountain” correctly spelled in line 339 (p.41), in later copies the “a” has dropped out. Gallup A6. £1,000-1,500

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438 FE191/239 Eliot, Thomas Stearns The waste land. Richmond: Leonard and Virginia Woolf at the Hogarth Press, 1923. First English edition, [one of about 460 copies], original blue marbled boards, white printed label within border of asterisks on upper cover, rubbed at extremities of corners and spine ends, rebacked preserving most of original backstrip, in later marbled boards slip case £1,500-2,500 439 FE191/237 Eliot, Thomas Stearns Poems 1909-1925. London: Faber & Gwyer Ltd., 1925. First edition, original blue cloth, paper label to spine, extremities slightly rubbed, slight discolouration to binding Note: Gallup A8a £150-200 440 FE191/236 Eliot, Thomas Stearns Poems 1909-1925. London: Faber & Gwyer, [1928]. First edition, third impression, signed and dated on title page “T.S. Eliot 16.5.30”, original blue cloth boards with white paper label, uncut, spine and head of upper board slightly faded Note: Early printing of T.S. Eliot’s first collection of poems, signed by him on the titlepage. This collection, first published in 1925, includes some of Eliot’s finest work: The Love Song of J. Alfred Prufrock, The Hollw Men, and The Wasteland. Gallup A8 £500-800

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LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

441 FE191/232 Eliot, Thomas Stearns Triumphal march. London: Faber & Faber, 1931. [No. 35 of The Ariel Poems]. 8vo, number 229 of 300 large paper copies signed by the author, additional pictorial title and full-page illustration by E. McKnight Kauffer, original boards, minor marking Note: The first trade edition was published on 8 October 1931, this limited edition on 29 October 1931. Gallup A19b. £120-180 442 FE191/235 Eliot, Thomas Stearns Murder in the cathedral... Acting edition for the Festival of the Friends of Canterbury Cathedral. Canterbury: H.J. Goulden, [1935]. First (acting) edition, inscribed and signed in ink by Eliot “Murder in the Cathedral, T.S. Eliot. Lent to Speech Training Group” on upper wrapper, original printed wrapper concealed by contemporary crude paper dustwrapper, with the original printed flyer listing the cast loosely inserted, folding black cloth box, minor spotting in places, contemporary ownership signature and address of “H.J. Brettell” at foot, and their inscription on front free endpaper, marginal pencillings throughout Note: A particularly appealing signed copy of the uncommon first appearance of T.S. Eliot’s Murder in the cathedral, the so-called “Acting Edition”, printed in Canterbury. Gallup A29a £700-1,000 443 FE191/233 Eliot, Thomas Stearns [Four Quartets]: East Coker, 1940; Burnt Norton. 1941; The dry salvages. 1941; Little Gidding, 1942. First separately published editions, 8vo, original yellow, green, pale blue and mauve paper wrappers, Burnt Norton with glass rim stain and ownership inscription to upper wrapper, East Coker somewhat spotted and with inscription to upper wrapper; and duplicate copies of The Dry Salvages and Burnt Norton (6) Note: East Coker, The Dry Salvages and Little Gidding first appeared in the journal New English Weekly in 1940, 1941 and 1942 respectively. Burnt Norton was first published in the poet’s Collected Poems (1936). Gallup A37, A36c, A39, A42 £200-300 444 FE191/230 Eliot, Thomas Stearns. Geoffrey Faber 1889-1961. Faber & Faber, [1961]. Privately Printed, Merrion Press, number 32 of 100 copies, original brown boards lettered in gilt, spine and part of lower cover faded £250-350

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445 FE191/240 Eliot, Thomas Stearns, a large collection, comprising: Ara Vus Prec. [London]: The Ovid Press., [1920]. First edition, 4to, limited to 264 copies, out-of-series copy, modern calf-backed black cloth, dampstaining throughout, [Gallup A4]; [Idem] Dante. London: Faber & Faber, 1929. First edition, original pictorial boards, spine worn with loss, [Gallup A13]; [Idem] Ash-Wednesday. London: Faber & Faber, 1930. First trade edition, dustwrapper worn with significant loss, [Gallup A15a]; [Idem] Charles Whibley, a memoir. [London: H. Milord, O.U.P., 1931 [1932]. First edition, original grey wrappers, [Gallup A20a]; [Idem] Sweeney Agonistes. London: Faber & Faber, 1932. First edition, dustwrapper somewhat spotted, several tears; [Idem] The rock. London: Faber & Faber, [1934]. First edition, original grey paper wrappers slightly rubbed, slightly discoloured, [Gallup A26a]; [Idem] Essays ancient & modern. London: Faber & Faber, 1936. First edition, dustwrapper worn with loss, [Gallup A31a]; [Idem] Collected poems 1909-1935. New York: Harcourt Brace & Co., [1936]. First American edition, dustwrapper frayed, [Gallup A32b]; [Idem] The family reunion. London: Faber & Faber, 1939. First edition, dustwrapper frayed and slightly soiled, [Gallup A33a]; [Idem] Old possum’s book of practical cats. London: Faber & Faber, 1940. First edition, third impression, dustwrapper discoloured; [Idem] Elizabethan essays. London: Faber & Faber, [1941]. First edition, dustwrapper chipped at head, [Gallup A27a]; [Idem] Points of view. London: Faber & Faber, 1941. First edition, dustwrapper, [Gallup A38]; [Idem] Four quartets. London: Faber & Faber, [1944]. First English edition, dustwrapper somewhat soiled, [Gallup A42b]; [Idem] What is a classic ? London: Faber & Faber, [1945]. First edition, ordinary issue, dustwrapper worn with significant loss, [Gallup A45b]; [Idem] The cocktail party. London: Faber & Faber, 1950. First edition, dustwrapper slightly frayed, [Gallup A55a]; [Idem] Poetry and drama. London: Faber & Faber, 1951. First English edition, dustwrapper, [Gallup A57b]; [Idem], & G. Hoellering The film of Murder in the Cathedral. 1952. Dustwrapper, [Gallup A29i]; [Idem] The confidential clerk. London: Faber & Faber, 1954. First edition, first issue with “Ihad” on p.7, dustwrapper frayed at head and tail of spine, [Gallup A64a]; [Idem] The elder statesman. London: Faber & Faber, [1959]. First edition, dustwrapper, [Gallup A70a]; [Idem] Collected plays. London: Faber & Faber, [1962] First collected edition, dustwrapper discoloured, [Gallup A72]; [Idem] To criticise the critic. London: Faber & Faber, [1965]. First edition, dustwrapper slightly frayed, [Gallup A76a]; [Idem] The waste land, a facsimile and transcript of the original drafts including the annotations of Ezra Pound. London: Faber & Faber, 1971. 4to, number 55 of 500 copies, original cloth, slip case; and 8 others (2 Penguin editions, 2 volumes of The Letters, Gallup’s Bibliography, Inventions of the March Hare, ex-library copy of Poems written in early youth; & Gekoski catalogue no. 3) (32) £500-800

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

A selection of Essex House Press publications

446 FE191/92 Essex House Press - [Shakespeare, William] The poems, according to the text of the original copies, including the lyrics, songs, and snatches found in his drama. London: Edward Arnold, 1899.[1900] 8vo., woodcut plate and initials, printed in red and black, later red morocco, the boards with inlaid panels of black morocco, marbled endpapers, decorated with patterns of gilt rules and small square ornaments, no. 426 of 450. Ransom 9 £200-300 447 FE191/87A Essex House Press - [Shelley, Percy Bysshe] Adonais. London: Edward Arnold, 1900. 8vo., hand coloured wood engraved frontispiece by C.R. Ashbee, hand coloured initials, original blind stamped vellum, frontispiece leaf slightly creased, with the bookplate of Roderick Terry, no. 7 of 50 on vellum Note: Ransom 6. The first of the great poet series. £300-400 448 FE191/84 Essex House Press - [Keats, John] The eve of St. Agnes. London: Edward Arnold, 1900. 8vo., hand coloured wood engraved frontispiece by Reginald Savage, hand coloured initials, original blind stamped vellum, one leaf slightly creased, no 67 of 125 on vellum Note: Ransom 11. The second of the great poet series. £300-400

449 FE191/83 Essex House Press - [Gray, Thomas] Elegy written in a country churchyard. London: Edward Arnold, 1900. 8vo., hand-coloured wood engraved frontispiece by George Thomson, hand- coloured initials, original blind stamped vellum, no. 122 of 125 on vellum Note: The third of the great poet series. £300-400 450 FE191/90 Essex House Press - [Whitman, Walt] Hymn on the death of President Lincoln. London: Edward Arnold, 1900. 8vo., hand coloured frontispiece and capitals by C. R. Ashbee, contemporary lilac coloured morocco, boards decorated with gilt garland of lilies, marbled endpapers, no. 31 of 125 on vellum Note: Ransom 15. The fourth of the great poet series. £300-400 451 FE191/87B Essex House Press - [Spenser, Edmund] Epithalamion. London: Edward Arnold, 1901. 8vo., hand coloured wood engraved frontispiece by Reginald Savage, hand coloured initials (including gold), original blind stamped vellum, frontis. leaf slightly creased, no. 31 of 150 on vellum Note: Ransom 23.The fifth of the great poet series. £300-400

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453 FE191/79 Essex House Press - [Burns, Robert] Tam O’Shanter. London: Edward Arnold, 1902. 8vo., wood engraved frontispiece by William Strang, hand coloured historiated initial, and other hand coloured initials (including gold) throughout, original blind stamped vellum, with the bookplate of Roderick Terry, no. 69 of 150 on vellum Note: Ransom 30. The seventh of the great poet series. £300-400 454 FE191/85 Essex House Press - [Milton, John] Comus, a mask. London: Edward Arnold, 1902. 8vo., hand coloured wood engraved frontispiece by Reginald Savage, hand coloured initials (including gold), original blind stamped vellum, one leaf slightly creased, no. 35 of 150 on vellum Note: Ransom 31. The eigth of the great poet series. £300-400

453

452 FE191/89 Essex House Press - [Chaucer, Geoffrey] The flower and the leaf. London: Edward Arnold, 1902. 8vo., frontispiece and 2 other wood engraved full page illustrations, and 85 historiated initials by Edith Harwood, original vellum, slight stains to the vellum, a.e.g., front pastedown sprung, small purple ink stamp on verso of pastedown, one of 160 on vellum Note: Ransom 29. The sixth of the great poet series. Unnumbered and printed in black throughout only, without any hand colouring. Binding varies from those usually on the Great Poet Series by being lettered in gold on the upper cover, and without the blind stamped rose etc, with edges gilt. £300-400

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LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

455 FE191/88 Essex House Press - [Wordsworth, William] On the intimations of immortality. London: Edward Arnold, 1903. 8vo., hand coloured wood engraved frontispiece by Reginald Savage, hand coloured initials (including gold), original blind stamped vellum, no. 23 of 150 on vellum Note: Ransom 35. The ninth of the great poet series. £300-400 456 FE191/80 Essex House Press - [Coleridge, S.T.] The rime of the ancient mariner. London: Edward Arnold, 1903. 8vo., wood engraved frontispiece by W. Strang, hand coloured initials (including gold) by Florence Kate Kingsford, original blind stamped vellum, with the bookplate of Hans Sauer, no. 124 of 150 on vellum Note: Ransom: 40. The tenth of the great poet series. £300-400 457 FE191/81 Essex House Press - [Dryden, John] Alexander’s feast: or, the power of music. London: Edward Arnold, 1904. 8vo., hand coloured wood engraved frontispiece by Reginald Savage, hand coloured initials (including gold), original blind stamped vellum, no. 13 of 140 on vellum Note: Ransom 48. The eleventh of the great poet series. £300-400 458 FE191/82 Essex House Press - [Goldsmith, Oliver] The deserted village. London: Edward Arnold, 1904. 8vo., hand coloured wood engraved frontispiece by C.R. Ashbee, hand coloured initials (including gold), original blind stamped vellum, no. 109 of 150 on vellum

462

Note: Ransom 51. The twelfth of the great poet series. £300-400 459 FE191/91 Essex House Press - [Tennyson, Alfred, Lord] Maud. London: Edward Arnold, 1905. 8vo., hand coloured frontispiece by Reginald Savage after a design by Laurence Housman, hand coloured capitals, original blind stamped vellum, with original protective wrapper, contained in a slip case, no. 61 of 125 on vellum Note: Ransom 58. The thirteenth of the great poet series. £300-300 460 FE191/78 Essex House Press - [Browning, Robert] The flight of the Duchess. London: Essex House Press, 1905. 8vo., hand-coloured frontispiece by Paul Woodroffe and initials throughout, erratum on final leaf, original blind stamped vellum, no. 6 of 125 on vellum

461 FE191/513 Faulks, Sebastian The girl at the Lion d’Or. London: Hutchinson, 1989. First edition, signed by the author on title, original olive boards, dustwrapper, T.L.S. from the author to Bruce Ritchie loosely inserted £200-300 462 FE191/512 Faulks, Sebastian Birdsong. London: Hutchinson, 1993. First edition, signed by the author on title, 8vo, original green boards, dustwrapper £200-300

Note: Ransom 60. The fourteenth and last of the great poet series. £250-350

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463 FE191/514 Faulks, Sebastian A trick of the light. London: Bodley Head, 1984. Signed by the author; [Idem] A fool’s alphabet. London: Hutchinson, 1992; [Idem] The fatal Englishman. London: Hutchinson, 1996; [Idem] Charlotte Gray. London: Hutchinson, 1998. Signed by the author; [Idem] On Green Dolphin Street. London: Hutchinson, 2001. Signed by the author; [Idem] Human traces. London: Hutchinson, 2005. Signed by the author; [Idem] Human traces. London: Hutchinson, 2005. Signed & numbered limited edition, original black cloth, slip case, unopened; [Idem] Engleby. London: Hutchinson, 2007. Limited to 1500 copies signed by the author, original boards, slip case; [Idem] Engleby. London: Hutchinson, 2007. Signed by the author [Idem] A week in December. London: Hutchinson, 2009. Signed by the author; [Idem] Devil may care. London: Penguin, 2008; [Idem] Pistache. London: Hutchinson, 2006. Signed by the author; [Idem] Faulks on fiction. London: BBC Books, 2011. First editions, dustwrappers (16) £300-400

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464 FE191/286 Fitzgerald, F. Scott This side of paradise. New York: Charles Scribner’s Sons, 1920. First edition, first printing, 8vo, original green linen-like grain cloth [Bruccoli A5.I.a] Note: First edition of the author’s first novel, which was an immediate critical success and a huge bestseller, going through fourteen printings in the first two years. The first printing consisted of only 3000 copies. £300-400 465 FE191/287 Fitzgerald, F. Scott Flappers and philosophers. New York: Charles Scribner’s Sons, 1920. First edition, 8vo, original green linen-like grain cloth, [Bruccoli A6.I.a], list of names on front free endpaper and dates [1921-22] on verso £150-200

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

466 FE191/288 Fitzgerald, F. Scott The beautiful and damned. New York: Charles Scribner’s Sons, 1922. First edition, first issue, 8vo, original green linen-like grain cloth, [Bruccoli A8.I.a], neat ownership signature on front free endpaper £150-250 467 FE191/289 Fitzgerald, F. Scott The Great Gatsby. New York: Charles Scribner’s Sons, 1925. First edition, first printing [with “chatter” p.60:16; “northern” p.119:22, “sick in tired” p.205:9-10; and “Union Street station” p.211:7-8] original green linen-like grain cloth, [Bruccoli A11.I.a] Note: First edition of Fitzgerald’s classic of Twenties America, his sixth novel. The first printing has six textual misprints which were corrected in the second printing. £500-700 468 FE191/290 Fitzgerald, F. Scott All the sad young men. New York: Charles Scribner’s Sons, 1926. First edition, 8vo, original green linen-like grain cloth, [Bruccoli A13.I.a] Note: First edition of Fitzgerald’s great collection of short stories. £150-200 469 FE191/292 Fitzgerald, F. Scott Tender is the night. New York: Charles Scribner’s Sons, 1934. First edition, original green linen-like grain cloth, [Bruccoli A15.I.a], a trifle rubbed Note: First edition of the book Fitzgerald considered his masterpiece. £200-300 470 FE191/291 Fitzgerald, F. Scott Tales of the Jazz Age. New York: Charles Scribner’s Sons, 1922. First edition, first printing, original green linen-like grain cloth, owner’s bookplate, [Bruccoli A9.I.a], very slightly rubbed and marked; [Idem] The vegetable. New York: Charles Scribner’s Sons, 1923. First edition, original green cloth, dustwrapper torn with significant loss, [Bruccoli A10.1.a]; [Idem] Taps at Reveille. New York: Charles Scribner’s Sons, 1935. First edition, second state, original green cloth, owner’s bookplate, [Bruccoli A17.I.a2, second state]; [Idem, & others] A book of Princeton Verse II 1919, edited by Henry van Dyke &c. Princeton University Press, 1919. First edition, original green cloth, [Bruccoli B1], head and tail worn, faded; [Idem] This side of Paradise. London: W. Collins, [1923]. First English edition, second printing, original red cloth, [Bruccoli A5.2.b], spine faded; [Idem] Tales of the Jazz Age. London: W. Collins, [1923]. First English edition, first printing, original blue cloth, [Bruccoli A9.2.a], worn; [Idem] The last tycoon. New York: Scribner’s, 1941. First edition, second printing, original blue cloth, dustwrapper worn with loss, [Bruccoli 18.I.b]; and 34 later volumes by or relating to F. Scott Fitzgerald (41) £500-700

471 FE191/525 Frayn, Michael The day of the dog. London: Collins, 1962. First edition, signed by the author, dustwrapper rather soiled; [Idem] The book of Fub. London: Collins, 1963. First edition, signed by the author, dustwrapper price clipped and slightly soiled; [Idem] On the outskirts. London: Collins, 1964. First edition, signed by the author, dustwrapper with two short closed tears; [Idem] The tin men. London: Collins, 1965. First edition, signed by the author, dustwrapper; [Idem] The Russian interpreter. London: Collins, 1966. First edition, signed by the author, dustwrapper torn with some loss at head of spine and wrappers; [Idem] A very private life. London: Collins, 1968. First edition, signed by the author, ex-library copy with stamps, dustwrapper; [Idem] Sweet dreams. London: Collins, 1973. First edition, signed by the author, dustwrapper; [Idem] The trick of It. London: Viking, 1989. First edition, signed by the author, dustwrapper, [Idem] A landing on the sun. New York: Viking, 1991. First American edition, signed by the author, dustrwrapper; [Idem] Headlong. London: Faber & Faber, 1999. First edition, signed by the author, dustwrapper; [Idem] Spies. London: Faber & Faber, 2002. First edition, signed by the author, dustwrapper; [Idem] The human touch. London: Faber & Faber, 2006. First edition, signed by the author, dustwrapper; [Idem] My father’s fortune. London: Faber & Faber, 2010. First edition, presentation copy from the author to Bruce Ritchie, dustwrapper; [Idem] Skios. London: Faber & Faber, 2012. First edition, presentation copy from the author to Bruce Ritchie, dustwrapper; all original boards; and 10 signed paperbacks; and 2 others (24) £300-500 472 FE191/388 Frost, Robert Collected poems. New York: Henry Holt, 1930. First trade edition, 8vo, signed by Frost on front free-endpaper with the dedication: ‘To James A Golglove[?] from Robert Frost/ in memory of Henry Pooles/[r?] wherever he may be/ Middlebury Vt Aug 1 ‘53’, original brown cloth, dustwrapper price-clipped and slightly darkened and soiled, with a little chipping and loss to ends of spine £300-500 473 FE191/389 Frost, Robert Collected poems. New York: Henry Holt, 1936. First edition, first printing, 8vo, signed by author on front free-endpaper, 8vo, portrait frontispiece and woodcut vignette to titlepage, beige cloth with gilt and red labels, duswrapper not price-clipped but a little faded and chipped; [Idem] New Hampshire. New York: Henry Holt, 1923. First edition, 8vo, woodcut frontispiece, 2 woodcut plates and woodcut tree device to final page, green half cloth with bronze label to upper board, dustwrapper browned and chipped with some loss to spine, backed onto brown paper; [Idem] A masque of mercy. New York: Henry Holt, 1947. Number 181 of 750 copies signed by the author, original quarter blue buckram with olive boards and slip case; and 6 others £200-250

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474 FE191/123A Golding, William Lord of the flies. London: Faber and Faber Ltd, 1954. First edition, 8vo., publisher’s cloth, pictorial dustwrappers, extremities of the wrappers chipped with small loss at head of spine, partial fading of the lower wrapper, inside fold of the lower wrapper stamped “23 Sep 1954”, slightly skewed in binding Note: Loosely inserted is a TLS signed by Golding to a Mr Pearce promising Salisbury Library a bibliography of the author’s critical writings and referring to being miscalled a “Manichee several times.” £650-850

474

475 FE191/124 Golding, William The inheritors. London: Faber and Faber Ltd., 1955. First edition, 8vo., publisher’s cloth, dustwrappers, inner folds of wrappers a little foxed, signed by the author on the front free endpaper; [Idem] Pincher Martin. London: Faber and Faber, 1956. First edition, 8vo., publishers cloth, dustwrappers; [Idem] Free fall. London: Faber and Faber, 1959. First edition, 8vo., publisher’s cloth, dustwrapper, very slight foxing of top edge; [Idem] The spire. London: Faber and Faber, 1964. First edition, 8vo., publisher’s cloth, dustwrappers, head and tail of wrapper chipped, small stain on front fold in of wrapper, binding slightly skewed; [Idem] The pyramid. London: Faber and Faber, 1967. First edition, 8vo., publisher’s cloth, dustwrappers (5) £250-350

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476 FE191/125 Golding, William The hot gates and other occasional pieces. London: Faber and Faber, 1965. First edition, 8vo., publisher’s cloth, dustwrappers, with the author’s signature mounted on a card on the titlepage; [Idem] The scorpion god: three short novels. London: Faber and Faber, 1971. First edition, 8vo., publisher’s cloth, dustwrappers, small stamp on front free endpaper; [Idem] Darkness visible. London: Faber and Faber, 1979. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] Rites of passage. Faber & Faber, 1980. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] The paper men. London: Faber and Faber, 1984. First edition, 8vo., publisher’s cloth, dustwrappers, signed by the author on the front free endpaper; [Idem] Close quarters. London: Faber & Faber, 1987. First edition, 8vo., publisher’s cloth, dustwrappers, ownership inscription on front free endpaper; [Idem] Fire down below. London: Faber & Faber, 1989. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem]The double tongue. London: Faber and Faber, 1995. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] The brass butterfly: a play in three acts. London: Faber and Faber, 1958. First edition, 8vo., publisher’s cloth, dustwrappers, library stamp to verso of titlepage and 2 others (11) £250-350

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477 FE191/323 Grahame, Kenneth The wind in the willows. London: Methuen and Co., 1908. First edition, 8vo, frontispiece by W. Graham Robertson, t.e.g. original pictorial cloth gilt, slight spotting to title, endpapers spotted and a little browned, small stain to top edge of first 42 pages, binding extremities a little rubbed ÂŁ1,000-1,200

478 FE191/321 Grahame, Kenneth The wind in the willows. London: Methuen & Co., 1931. 4to, number 68 of 200 copies signed by the author and artist, illustrations by E.H. Shepard, folding map and spare label at end, original quarter cloth with label to spine, corners slightly bumped, spine very slightly faded, spine label worn ÂŁ1,500-2,000

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479 FE191/320 Grahame, Kenneth The wind in the willows...with an introduction by A.A. Milne and illustrations by Arthur Rackham. New York: Limited Editions Club, 1940. 4to, number 300 of 2020 copies signed by the designer, Bruce Rogers, 16 coloured plates by Arthur Rackham, original quarter cloth with marbled boards and gilt lettering to spine, t.e.g., slip case a little rubbed £400-600 480 FE191/322 Grahame, Kenneth The wind in the willows. London: Methuen, 1971. 8vo, number 213 of 250 copies signed by E.H. Shepard, colour illustrations, map endpapers, g.e., original green morocco gilt by Zaehnsdorf, spine a little faded, original slip case slightly marked £800-1,000

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481 FE191/325 Grahame, Kenneth The golden age. London: John Lane at the Bodley Head, 1928. 8vo, large paper edition number 231 of 275 signed by the author and illustrator, illustrations by E.H. Shepard, original quarter vellum with marbled boards and slip case with label to upper cover, some darkening to endpapers, spine a little soiled, some soiling and splitting to slip case; [Idem] Dream days. London: John Lane at the Bodley Head, 1930. 8vo, large paper edition number 270 of 275 signed by the author and illustrator, illustrations by E.H. Shepard, original quarter vellum with marbled boards and slip case with label to upper cover, a little darkening to endpapers and slight soiling to spine, slip case a little soiled and rubbed (2) £250-350 482 FE191/324 Grahame, Kenneth - Milne, A.A. Toad of Toad Hall. London: Methuen & Co.,1929. First trade edition, 4to, number 32 of 200 signed by Kenneth Grahame and A.A. Milne, original quarter cloth with label to upper board, cream dustwrapper soiled and a little chipped with repairs to spine and a significant repair to upper cover £250-300

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

483 FE191/326 Grahame, Kenneth Dream days. New York and London: John Lane, The Bodley Head, 1899 [1898]. First edition, 8vo, gift inscription to paste-down endpaper, original yellow printed cloth, slightly soiled, spine faded and a little chipped, upper hinge a little split; [Idem] Another copy, identical apart from blue cloth gilt without decoration and without gift-inscription; [Idem] Dream days. London: John Lane, the Bodley Head, 1930. 8vo, frontispiece and illustrations by E.H. Shepard, original cream cloth gilt with upper cover printed with silhouette of two children looking up into a tree, spine a little darkened, internally very clean; [idem] The wind in the willows. London: Methuen & Co., Ltd, 1913. Seventh edition, frontispiece, 10 colour plates, original green cloth with printed upper cover, rough-cut edges occasionally a little torn, pictorial endpapers with ownership signature of Martha Cameron, a little spotting, tenth plate slightly scratched, some bumping to spine and corners; [Idem] Pagan papers. London: Elkin Mathews and John Lane, 1894. First edition, 8vo, limited to 450 copies, titlepage designed by Aubrey Beardsley, bookplate of W.M. Crawford Watson and gift inscription to first free-endpaper, original green cloth faded and a little soiled; [Idem] The headswoman. London: John Lane at the Bodley Head, 1921. 8vo, coloured frontispiece and 7 coloured woodcut plates, original quarter cloth with patterned boards and paper label to upper board, some foxing and a little rubbing, bumping and soiling to covers and spine; [Idem] First whisper of ‘the wind in the willows’. London: Methuen & Co., Ltd., 1944. First edition, 8vo, original cloth, a little darkened; and 6 others (14) £250-350

faded. (Wade 312); [Idem] Our Irish theatre: a chapter of autobiography. London and New York: G.P. Putnam’s Sons, 1913. First edition, 8vo., publisher’s cloth, printed paper label, signature on front free endpaper; [Iem] Irish folk-history plays. Second series. New York and London: G.P. Putnam’s Sons, 1912. First edition, 8vo., publisher’s quarter cloth, paper boards, printed paper label, label a little darkened and scratched, boards a little faded and stained and binding shaken; [idem] The Kiltartan wonder book; illusrated by Margaret Gregory. Dublin: Maunsel & Co. Ltd, [n.d.]. Small 4to., publisher’s cloth, outer joints splitting, spine stained; Gogarty, Oliver St. John. Others to adorn. Preface by W.B. Yeats. London: Rich & Cowan, 1938. First edition, 8vo., publisher’s cloth, dustwrappers, spine of wrappers darkened and extremities with a little wear, inscribed by Gogarty to A. P. Herbert and 8 other works of or relating to Irish literature [18] £200-300 486 FE191/86 Gregynog Press - Butler, Samuel Erewhon. Newton: The Gregynog Press, 1932. 8vo., with wood engravings by Blair Hughes-Stanton, full black morocco over bevelled boards, boards tooled with abstract pattern in gilt, t.e.g., by the Cottage Bindery, Bath Note: Harrop 23. £250-350

484 FE191/282 Graves, Robert Good-bye to all that. London: J. Cape, [1929]. First edition, second state with asterisks on page 290, 341-343, and with an erratum slip between pp.398/399, original cloth, dustwrapper frayed with some loss and dust-soiled; [Idem]Poems (1914-26). London: W. Heinemann, 1927. First edition, original patterned cloth, rubbed & dust-soiled; [Idem] Lars Porsena. London: Kegan Paul, [1927]. 8vo, original maroon boards, lightly rubbed; [Idem] Mrs Fisher. London: Kegan Paul, 1928. 8vo, original maroon boards, lightly rubbed; [Idem] Beyond Giving. Poems. Stellar Press, 1969. Limited to 536 copies, one of 500 signed for sale, original yellow dustwrapper, dustwrapper slightly soiled; and 2 others (7) £200-300 485 FE191/447 Gregory, Isabella Augusta, Lady My first play. London: Elkin Mathews & Marrot, 1930. First edition, 8vo., quarter violet cloth, printed patterned paper boards, printed paper label on the upper cover, corners a little rubbed, some offsetting to the endpapers, no. 394 of 530 copies and signed by the author on the titlepage; Idem] Visions and beliefs in the West of Ireland … with two essays and notes by W.B. Yeats. First [Second] series New York and London: G.P. Putnam’s Sons, 1920. First edition, 2 volumes 8vo., publisher’s cloth, printed paper labels, spines slightly 486 109

LY O N & T U R N B U L L The Bruce Ritchie Collection of 18th-20th Century English Literature

488 FE191/283 Gurney, Ivor Severn and Somme. London: Sidgwick and Jackson Ltd., 1917. First edition, small 8vo, original pink-red cloth, dustwrapper, owner’s inscription on endpaper, dustwrapper worn with slight loss at head, centre and tail of spine, and a small amount of loss to upper wrapper, slightly discoloured; and 4 later books by or about Gurney (5) £500-800

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487 FE191/87 Gregynog Press - Herbert, George Poems. Newton: The Gregynong Press, 1923. 8vo., with a wood engraving and wood engraved letters by R.A. Maynard, printed in red and black, original quarter buckram, grey Gregynog marbled paper boards, fore-edges uncut, with the bookplates of Crales Ballantyne, no. 196 of 300 copies, in a slip case. [AND] Vaughan, Henry. Poems. Newton: The Gregynong Press, 1924. 8vo., woodcut vignettes by Robert Ashwin Maynard and Horace Walter Bray, publisher’s dark blue cloth spine, grey Ingres paper boards, blocked in blue with the swan of Usk designed by Bray, outer and lower edges uncut, corners worn, repair to border of upper board, no. 279 of 500 copies, in a slip case; [AND] Hutchins, Michael. Argraffu yng Ngregynog/Printing at Gregynong; translated by David Jenkins. Cardiff: Welsh Arts Council, 1976. Small 4to, paper wrappers; [AND] Haberly, Loyd. The wild cherry of Gregynog. Gwasg Gregynong, [n.d., c. 1980]. 1 folded sheet, and 3 other pamphlets in the series of Gweithdy Gregynog publications, and a card (8) Note: Harrop 1and 2. The first two books issued by the Gregynog Press. £150-200

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489 FE191/462 Hampton, Christopher When did you last see my mother? London: Faber and Faber, 1967. First edition, 8vo., publisher’s printed paper wrappers, corners a little rubbed, signed by Hampton on the titlepage and with a signed note from the author and a copy of the cast list for the production at the Royal Court Theatre inscribed with a quote from the play by Hampton; [Idem]Total eclipse. London: Faber and Faber, 1969. First edition, 8vo., publisher’s printed wrappers, signed by the author on the titlepage; [Idem] The philanthropist: a bourgeois comedy. London: Faber and Faber, 1970. First edition, 8vo., printed paper wrappers, signed by the author on the titlepage; [Idem] Savages. London: Faber & Faber, 1974. First edition, 8vo., printed paper wrappers, signed on the titlepage; [Idem] Able’s will. First Faber edition, 8vo., printed paper wrappers, wrappers a little rubbed, signed by the author on the titlepage; [Idem] Hampton on Hampton edited by Alistair Owen. London: Faber and Faber, 2005. First edition, 8vo., publisher’s printed wrappers, inscribed by the author to Bruce Ritchie, loosely inserted a postcard from Hampton to Bruce Ritchie referring to the fact that the first contract he had from Faber & Faber was due to a confusion over a namesake, a confusion which Ritchie also appears to have made; and 19 others, 18 of which are signed by Hampton (25) £200-300 490 FE191/529 Hardy, Thomas The works. London: Macmillan, 1912-1926. 23 volumes [Prose 18 vol., Verse 5 vol.], 8vo, Wessex edition, original maroon cloth, uncut, clipped signature of Thomas Hardy, on slip 18 x 85mm., loosely inserted in volume 1, some volumes faded; [Idem] The collected letters. volume 1 only. Oxford, 1978; and 1 other (25) £150-250 491 FE191/391 Hartley, L.P. The go-between. London: Hamish Hamilton, 1953. First edition, 8vo, with two sheet autograph letter from the author, dated 1963, to a Mr. Wiener, reading “...I am very much flattered by your request for something written by me to add to your collection. I can’t think of anything new to write, so I’ve copied out a passage I’ve always been rather fond of - it comes just before the end of the first chapter of my novel, ‘A Perfect Woman’”, the second sheet contains the passage and is also signed, red cloth, dustwrapper not price-clipped but with some chipping, especially to spine, and slight loss to lower cover £150-200

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SEAMUS HEANEY 492 FE191/130 Heaney, Seamus Eleven poems. Belfast: Festival Publications, Queens University of Belfast, [1966]. First edition, third issue with the herald with the drum device replacing the sun symbol, 8vo., publisher’s green printed wrappers, signed by the author on the verso of the front cover, and contained in a green linen solander box Note: Brandes & Durkan A1c. Variation of the third issue without the printer listed on the back cover and paper without a watermark. No priority has been determined for any of the possible variants. £400-600

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493 FE191/132 Heaney, Seamus Death of a naturalist. London: Faber and Faber Ltd, 1966. First edition, 8vo., publisher’s green cloth boards, dustwrappers, very slight wear to the edge of the wrappers and with slight fading, signed by the author on the titlepage Note: Brandes & Durkan A2a. The author’s first collection. £300-500

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494 FE191/142 Heaney, Seamus & Michael Longley Room to rhyme: an anthology of poems by Seamus Heaney and Michael Longley and of ballads collected by David Hammond. [Belfast]: Arts Council of Northern Ireland, [1968]. First edition, small 4to., woodcut vignettes, red paper wrappers with the vignettes, lower wrapper slightly dusty (Brandes & Durkan B4); [Idem] In their element: a selection of poems. Belfast: Arts Council of Northern Ireland, [1977]. Small 4to., publisher’s silver paper wrappers, edges slightly creased, signed by Heaney. (Brandes & Durkan B29) (2) £150-250 495 FE191/137 Heaney, Seamus A Lough Neagh sequence. Didsbury: Phoenix Pamphlet Poets Press, 1969. 8vo., printed card wrappers, signed by the author on p.4, one of 1,000 copies. (Brandes & Durkan A4b); [Idem] A boy driving his father to confession. Farnham: Sceptre Press, 1970. First edition, 8vo., publisher’s white card covers, signed by the author on p. 5, no. 89 of 150 copies (Brandes & Durkan A7); [Idem] Stations. Belfast: Ulsterman Publications, 1975. First edition, 8vo., publisher’s printed yellow paper cover, a couple of small paper surface scratches on the lower wrapper, minute stain on the fore-edges, with the author’s signature on the titlepage; [Idem] Hailstones. Dublin: The Gallery Press, 1984. First edition, 8vo., publisher’s white card covers, printed blue wrappers, signed by the author on the titlepage, one of 500 copies in wrappers (Brandes & Durkan A37b); [Idem] The sounds of rain. [Atlanta]: Emory University, 1988. First edition, 8vo., blue wrappers with printed label on upper wrapper, signed by the author on the titlepage, one of 300 copies printed at the Shadowy Waters Press, in original white envelope printed in blue (Brandes & Durkan A43a) (5) £450-650 496 FE191/131 Heaney, Seamus Door into the dark. London: Faber and Faber, 1969. First edition, 8vo., publisher’s black cloth boards, dustwrappers, signed by the author on the front free-endpaper Note: Brandes & Durkan A5a. Loosely inserted is a signed TLS from Seamus Heaney to Bruce Ritchie about signing copies of works by himself for display at a reading and envelope addressed by him. £250-350 497 FE191/134 Heaney, Seamus North. London: Faber and Faber Ltd, 1975. First edition, publisher’s light blue cloth, dustwrappers, spine of wrapper very slightly faded, slight discolouration of endpapers, signed by the author on the front free endpaper Note: Brandes & Durkan A12a. Loosely inserted is a postcard from Seamus Heaney to Bruce Ritchie thanking him for a letter asking him to excuse his caution about book signing. He writes “It’s only when we meet that we can be sure of the reality of the book-life in the book owner.” £250-350

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498 FE191/136 Heaney, Seamus Hedge school: sonnets from Glanmore with colour woodcuts by Claire Van Vliet. Salem (Oregon): for Charles Seluzicki at the Janus Press, 1979. First edition, 4to., publisher’s brown card wrappers, 7 coloured wood engravings, no. 67 of 285 signed by the author and the illustrator Note: Brandes & Durkan A18. £350-550

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499 FE191/133 Heaney, Seamus Field work. London: Faber and Faber, 1979. First edition, 8vo., dark brown cloth, dustwrappers Note: Brandes & Durkan A20a, describing the covers as “dark-brown paper-covered boards.” Inscribed on the front free endpaper by the author for Bruce Ritchie “The end of art is peace” with good wishes and gratitude for your work with my work. Seamus Heaney March 1983.” Loosely inserted is an ALS and cover from the author as from 191 Strand Road, Dublin, 17 June 1983 inquiring as to whether he had returned to Bruce a couple of items sent earlier for signing. Heaney explains that he is just back from teaching at Harvard (the letter is on Harvard paper) “facing a cliff of unanswered letters.” £250-350 500 FE191/152 Heaney, Seamus North. London: Faber and Faber Ltd, 1975. First edition in wrappers, 8vo., publisher’s light wrappers, slight fading and a little tear at extremities, signed by the author on the titlepage. (Brandes & Durkan A12b); [Idem] Sweeney astray. London: Faber and Faber, 1986. 8vo., publisher’s printed wrappers, inscribed on the half-title “To Bruce: Best wishes - Seamus Heaney 26. X. 89.”; [Idem] New selected poems 1966-1987. London: Faber and Faber, 1990. First edition in wrappers, 8vo., publisher’s printed wrappers, 8vo., very slight wear at edges of covers, and with crease to the upper cover (Brandes & Durkan A46b); [Idem] Hallaig Somhairlie MacGill-Eain; translated by Seamus Heaney. [s.l.]: Sorley MacLean Trust, 2002. First edition, 8vo., printed wrappers, signed by Heaney; [Idem] The burial at Thebes: Sophocles’ Antigone translated by Seamus Heaney. Dublin: Abbey Theatre, 2004. 8vo., printed wrappers, signed by Heaney on the titlepage; [Idem] Fuori campo. Novara: Interlinea Edizione, 2005. 12mo., printed paper wrappers, signed by the author on the titlepage; [Idem] Human chain. London: Faber and Faber, 2010. First edition, 8vo., publisher’s paper boards, dustwrappers; [Idem] Room to rhyme: ‘Greatest Minds” lecture delivered at the Celebrations of Graduation at the University of Dundee, July 2002; images by Brigid Collins. Dundee: University of Dundee, 2004. Small 4to., publisher’s illustrated boards; [Idem] Sweeney’s flight: based on the revised text of ‘Sweeney astray’; photographs by Rachel Giese. London: Faber and Faber, 1992. 4to., publisher’s green cloth boards, dustwrappers (Brandes & Durkan A34h), and two others (11) £200-300 501 FE191/145 Heaney, Seamus Field work. London: Faber and Faber, 1979. First edition, 8vo., publisher’s printed wrappers, wrappers creased, ownership initials on the front free endpaper. (Brandes & Durkan A20b); [Idem] Wintering out. London: Faber and Faber, 1975. 8vo., publisher’s printed wrappers, a little marked, signed by the author on the titlepage; [Idem] Sweeney astray: a version from the Irish. Derry: Field Day Theatre Company, 1983. First edition, 8vo., publisher’s rexine-covered

boards, dustwrappers, one of 1,000 copies in hardback. ( Brandes & Durkan A34a); [Idem] Sweeney astray: a version for the Irish. London: Faber and Faber, 1983. First English edition, publisher’s cloth boards, dustwrapper. (Brandes & Durkan A34d); [Idem] Dylan the durable? On Dylan Thomas. Bennington: Bennington College, 1992. First edition, 8vo., printed wrappers, no 713 of 1,000, signed by the author on the titlepage (Brandes & Durkan A53) (5) £200-300 502 FE191/147 Heaney, Seamus Pre-occupations; selected prose 1968-1978. London: Faber and Faber, 1980. First edition, 8vo., publisher’s blue cloth boards, dustwrappers, signed by the author on the titlepage, with loosely inserted a Review Copy notice. (Brandes & Durkan A25a); [Idem] The government of the tongue: the 1986 T.S. Eliot Memorial Lectures and other critical writings. London: Faber and Faber, 1988. First edition, 8vo., publisher’s red cloth boards, dustwrapper, signed by the author on the font free pastedown. (Brandes & Durkan A44a); [Idem] The place of writing. Atlanta: Scholars Press, 1989. First edition, 8vo., publisher’s dark blue cloth, dustwrappers, signed by the author on the front free endpaper. (Brandes & Durkan A45); [Idem] The redress of poetry: Oxford lectures. London: Faber and Faber, 1995. First edition in wrappers, 8vo., publisher’s wrappers, signed by Heaney on the front free endpaper. (Brandes & Durkan A61c); [Idem] Steeping stones: interviews with Seamus Heaney [by] Dennis O’Driscoll. London: Faber and Faber, 2008. First edition, 8vo., publisher’s cloth, dustwrappers, signed by Heaney and O’Driscoll on the titlepage (5) £150-250 503 FE191/151 Heaney, Seamus Selected poems 1965-1975. London: Faber and Faber, 1980. First edition in wrappers, 8vo., publisher’s printed paper wrappers, wrappers very slightly dusty, inscribed by the author on the half title “Seamus Heaney March 1983 “Dig it” !” (Brandes & Durkan A26b); [Idem] New selected poems 1966-1987. London: Faber and Faber, 1990. First edition in wrappers, 8vo., publisher’s printed wrappers, very slight wear at edges of covers. (Brandes & Durkan A46b); [Idem] Opened ground: poems 1966-1996. London: Faber and Faber, 1998. First edition, 8vo., publisher’s green paper boards, dustwrapper, signed by the author on the titlepage. (Brandes & Durkan A70a); Marin Sorescu The Biggest egg in the world. Newcastle upon Tyne, 1987. 8vo., publisher’s printed wrappers, signed by Sorescu on the half-title. (Brandes & Durksn B83); Francis Ledwidge Selected poems, introduced by Seamus Heaney. Dublin: New Island Books, 1992; with Brodsky, Joseph and Walcott, Derek Homage to Robert Frost. London: Faber and Faber, 1997. First English edition, 8vo., publisher’s printed wrappers. (Brandes & Durkan B165b); Karl Miller Tretower to Clyro: essays. London: Quercus, 2011. First edition, 8vo., publisher’s cloth, dustwrappers, signed by Karl Miller, Seamus Heaney and Andrew O’Hagan on the titlepage (7) £200-300

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504 FE191/140 Heaney, Seamus Verses for a Fordham commencement. New York: Nadja, 1982. Folio, publisher’s blue printed wrappers, no. 104 of 200 copies, signed by the author. (Brandes & Durkan A30 c); [Idem] The fire gaze; The water pause; The earth house; and The air station. Cheltenham: The Friends of the Cheltenham Festival of Literature, 1989-1992. First edition, original set of four broadsides, with a single wood cut on each by Helmut Weissenborn, Gwenda Morgan, John O’Connor and Miriam MacGregor. (Brandes & Durkan AA23, 26, 28 & 34); [Idem]The tree clock. Belfast: The Linen Hall Library, 1990. First edition, 8vo., tan cloth boards, dustwrappers, signed by the author on the titlepage, one of 750 cloth bound copies. (Brandes & Durkan A48a) (3) £200-300 505 FE191/146 Heaney, Seamus Sweeney astray: a version from the Irish. New York: Farrar, Straus, Giroux, 1983. First American edition, 8vo., publisher’s quarter bown cloth, green paper boards, signed by the author on the titlepage (Brandes & Durkan A34c); [Idem] Station Island. London: Faber and Faber, 1984. First edition, small 8vo., publisher’s black cloth, dustwrappers, signed by the author on the half-title (Brandes & Durkan A36a); [Idem] The haw lantern. London: Faber and Faber, 1987. First edition, small 8vo., publisher’s red cloth boards, dustwrappers, signed by the author on the front free endpaper (Brandes & Durkan A41a); [Idem] Seeing things. London: Faber and Faber, 1991. First edition, 8vo., publisher’s grey cloth, dustwrappers, signed by the author on the titlepage (Brandes & Durkan A50a); [Idem] The midnight verdict. Oldcastle: Gallery Books, 1993. First edition, publisher’s black cloth, dustwrappers, signed by the author on the titlepage (Brandes & Durkan A55a); [Idem] The spirit level. London: Faber and Faber, 1996. First edition, 8vo., publisher’s green cloth, dustwrappers, signed by the author on the titlepage (Brandes & Durkan A65a) (6) £300-500 506 FE191/135 Heaney, Seamus The Haw lantern. New York: Farrar, Straus, Giroux, 1987. First edition, 8vo., publisher’s dark red cloth, in wine coloured paper slip case, no. 163 of 250 signed by the author (Brandes & Durkan A41e); [Idem] Seeing things. London: Faber and Faber, 1991. First edition, 8vo., publisher’s rust coloured cloth, printed paper label, in a matching slip case, no. 24 of 250 signed by the author (Brandes & Durkan A50c); [Idem] Electric light. London: Faber and Faber, 2001. First edition, 8vo., publisher’s cream coloured paper boards, printed paper label, in a matching slip case, no. 31 of 325 copies signed by the author (Brandes & Durjan A75c); [Idem] District and circle. London: Faber and Faber, 2006. First edition, publisher’s quarter black cloth, quarter cloth, paper boards, printed paper label, in a matching slip case, no. 298 of 325 signed by the author (4) £500-800

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507 FE191/141 Heaney, Seamus Poems for Alan Hancox [by] Melvyn Bragg, D. J. Enright … Seamus Heaney…Leominister: The Wittington Press, 1993. First edition, 4to., woodcut vignettes by Miriam MacGregor on the titlepage, publisher’s quarter cloth, patterned paper boards, t.e.g., no. 134 of 350 copies. (Brandes & Durkan B136a); [Idem] Keeping going; illustrations by Dimitri Hadzi. Concord: New Hampshire: T. Ewert, 1993. First edition, 4to., publisher’s grey wrappers, no. 121 of nos. 51-200 bound in wrappers, signed by the author, the artist and the designer (Brandes & Durkan A56c); [Idem] Midsummer feast. Oldham: Incline Press, 2002. First edition, 8vo., publisher’s quarter green cloth, pinkish marbled boards, printed paper labels on spine and upper cover, with two page prospectus bound in at the end, no. 101 0f 230 copies (Brandes & Durkan B230, describing the binding as quarter leather. The prospectus refers to all copies as bound in cloth spines. They do not refer to the prospectus); [Idem] The river field: printings and drawings by Martin Gale. Old Castle: The Gallery Press, 2007. First edition, 8vo., publisher’s dark green cloth, plain dustwrappers, no. 144 of 450 copies, signed by the author (4) £300-500 508 FE191/139 Heaney, Seamus The testament of Cresseid: a retelling of Robert Henryson’s poetry with images by Hughie O’Donoghue. London: Enitharmon Editions, (printed by the Rampant Lions Press) 2004. First edition, folio, 6 mounted coloured plates, publisher’s dark green cloth, printed paper label, reduced image of Cresseid on paper inserted on front cover, no. 103 of 425 copies, signed by Seamus Heaney and Hughie O’Donoghue, with the prospectus loosely inserted as well as an invitation to the launch, and other related material £300-500 509 FE191/148 Heaney, Seamus The burial at Thebes: Sophocles’ Antigone translated by Seamus Heaney. London: Faber and Faber, 2004. First edition, publisher’s cloth, dustwrappers, signed by Heaney on the titlepage; Henryson, Robert. The testament of Cresseid & seven fables, translated by Seamus Heaney. London: Faber and Faber, 2009. First edition, 8vo., publisher’s cloth, dustwrappers, signed by Heaney on the titlepage; Kochanowski, Ian. Laments, translated by Seamus Heaney and Stanislaw Baranczak. London: Faber and Faber, 1995. First edition, 8vo., publisher’s cloth, dustwrappers, signed by Heaney on the front free endpaper (Brandes & Durkan A63a); Beowulf translated by Seamus Heaney. London: Faber and Faber, 1999. First edition, 8vo., publisher’s paper boards, dustwrappers, signed by Heaney on the titlepage (Brandes & Durkan A72a); The Cure at Troy a version of Sophocles’ Philoctetes. London: Faber and Faber in association with Field Day, 1990. First English edition, small 8vo., publisher’s paper covers. (Brandes & Durkan A 49 b); Dante Alighieri. Dante’s Inferno; translations by twenty contemporary poets. Hopewell (N.J.): The Ecco Press, 1993. First edition, 8vo., publisher’s quarter cloth, paper covered boards, dustwrappers. (Brandes & Durkan B133) (6) £150-250

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510 FE191/138 Heaney, Seamus The door stands open: Czeslaw Milosz 1911-2004. Dublin: Irish Writers Centre, 2005. First edition, 8vo., bound in stainless steel panels mounted on cloth, with a mixed-media folding wrap featuring a silkscreen collage of articles from Polish newspapers in the days following the death of Czeslaw Milosz, edges uncut, no 144 of 250 copies, signed by Seamus Heaney, in a black card folding slip case; [Idem] The human chain. London: Faber and Faber, 2010. First edition, 8vo., publisher’s paper boards, dustwrappers (2) £250-350

511 FE191/144 Heaney, Seamus District and circle. London: Faber and Faber, 2006. First edition, 8vo., publisher’s cloth, dustwrappers, signed by the author on the titlepage; [Idem] Human chain. London: Faber and Faber, 2010. First edition, 8vo., publisher’s paper boards, dustwrappers, signed by the author on the titlepage; [Idem] Articulations: poetry, philosophy and the shaping of culture: Royal Irish Academy Cunningham Medal 28th January 2008. Dublin: Royal Irish Academy, 2008. Folio, printed wrappers, no. 398 of 450 copies signed by the President of the Royal Irish Academy; [Idem] Seamus Heaney in conversation with Karl Miller. London: Between The Lines, 2000. First edition, printed paper wrappers; [Idem] Anything can happen: a poem and essay by Seamus Heaney with translations in support of Art for Amnesty. Dublin: THCH Ltd, 2004. First edition, small 8vo., printed wrappers; [Idem] Finders keepers: selected prose 1971-2001. London: Faber and Faber, 2002. 8vo., publisher’s cloth, dustwrappers; [Idem] Electric light. London: Faber and Faber, 2001. First edition, 8vo., publisher’s cloth, dustwrappers, signed on the titlepage by the author (Brandes & Durkan A75a) (7) £150-250

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512 FE191/143 Heaney, Seamus A collection of pamphlet material preserved in a blue cloth solander box, to include: Twelve to twelve. Poetry D-day, Camden Festival:1970, Jeni Couzyn, editor. London: Poets Trust, 1970. First edition, small 4to., printed paper wrappers (Brandes & Durkan B6]; [Idem] The Fire i’ the flint: reflections on the poetry of Gerard Manley Hopkins, an offprint from the Proceedings of the British Academy Volume LX (1974), green printed wrappers, signed; [Idem] The making of a music: reflections on the poetry of Wordsworth and Yeats. (Kenneth Allott Lectures). Liverpool: Univesrity of Liverpool, 1978, printed green wrappers, signed; [Idem] Gravities: a collection of poems and drawings by Seamus Heaney [and] Noel Connor. Newcastle upon Tyne: Charlotte Press Publications, 1979. Oblong 8vo., printed paper wrappers, signed by the author; [Idem] The redress of poetry: an inaugural lecture delivered before the University of Oxford on 24 October 1989. Oxford: Clarendon Press, 1990. 8vo., printed paper wrappers, signed on the titlepage; with Longley, Michael An upstairs outlook an evening of poetry. Belfast, 1989, 8vo., printed wrappers; with Balka, Miroslaw & Gober, Robert Three stanzas. Pennsylvania: Institute of Contemporary Art, 1999. 8vo., publisher’s blue printed wrappers; Heaney, Saemus Crediting poetry. (Nobel lecture 1995). Old Castle: Gallery Press, 1995. Small 8vo., printed yellow wrappers; [Idem] Diary of one who vanished: a song cycle by Leos Janacek in a new version by Seamus Heaney. London: Faber and Faber, 1999. First edition, 8vo., printed yellow wrappers, signed by Heaney on the half-title; [Idem] Hallaig Somhairle MacGill-Eain; translated by Seamus Heaney. [s.l.]: The Sorley Maclean Trust, 2002. First edition, 8vo., printed paper wrappers, no. 18 of 50 copies signed by Heaney and 15 other items (25) £600-800

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513 FE191/383 Hemingway, Ernest The torrents of spring. New York: Charles Scribner’s Sons, 1926. First edition, 8vo, original dark green cloth, some slight internal foxing spine a little faded and very slightly frayed at ends £200-300 514 FE191/382 Hemingway, Ernest For whom the bell tolls. London: Jonathan Cape, 1941. First British edition, 8vo, bookplate of Barbara W. Crook to front free-endpaper, blue cloth with gilt lettering to spine, dustwrapper not price-clipped, endpapers a little darkened with ‘March 1941’ written on front freeendpaper in ink, a little fading and bumping to spine, boards slightly darkened around edges, some darkening, creasing and a few small areas of loss to dustwrapper £150-200 515 FE191/384 Hemingway, Ernest The old man and the sea. New York: Charles Scribner’s Sons, 1952. First edition, 8vo, original blue blindstamped cloth, dustwrapper appears to be first issue, as there is no mention of Hemingway’s Nobel prize, however the production symbols are lacking, some fading and spotting to cloth, dustwrapper not price-clipped but a little soiled and rubbed with some chipping and slight loss to spine £150-250 516 FE191/385 Hemingway, Ernest The fifth column and the 40 first short stories. London: Jonathan Cape, 1939. First British edition, green cloth, dustwrapper, cloth slightly faded and soiled, dustwrapper price-clipped with some rubbing and loss to spine; [Idem] A farewell to arms. New York: Charles Scribner’s Sons, 1929. First edition, black cloth with bronzecoloured labels to upper cover and spine, without dustwrapper; [Idem] The old man and the sea. London: Jonathan Cape, 1952. First British edition, 8vo, blue printed cloth, dustwrapper, previous owner’s signature to front free-endpaper, some fading to spine and covers, dustwrapper not price-clipped but a little faded and chipped with partial loss to spine; [Idem] Winner take nothing. New York: Charles Scribner’s Sons, 1933. First edition, 8vo, black cloth with bronze-

coloured label to upper cover and spine, some internal spotting, bookseller’s stamp to final paste-down endpaper, spine a little faded and frayed, label to spine chipped, without dustwrapper; [Idem] In our time. London: Jonathan Cape, 1926. First British edition, 8vo, blue cloth, a little spotting to initial and final few pages, some rubbing and fading to covers, without dustwrapper; [Idem] Across the river and into the trees. London: Jonathan Cape, 1950. First British edition, 8vo, green cloth, dustwrapper, previous owner’s signature to front freeendpaper, spine a little faded, dustwrapper not price-clipped but a little creased, chipped and rubbed; [Idem] A moveable feast. London: Jonathan Cape, 1964. First British edition, 8vo, red cloth, dustwrapper price-clipped and a little faded and soiled; [Idem] The sun also rises. New York: Charles Scribner’s Sons, 1926[?] First edition? but later imprint with no date on titlepage, 8vo, black cloth with bronzecoloured labels to upper cover and spine, some slight internal spotting, a couple of gift inscriptions to front free-endpaper, covers and labels slightly rubbed and faded; and 8 others (16) £350-450 517 FE191/271 Hockney, David - Wallace Stevens The blue guitar. London & New York: Petersburgh Press, 1977. 8vo, original grey boards, dustwrapper; [Idem] The blue guitar. London & New York: Petersburgh Press, 1977. A set of 20 postcards including title signed by the artist, with yellow printed slip “With compliments from David Hockney”, loose in envelope, fine condition (2) £150-200 518 FE191/272 Hollinghurst, Alan The swimming pool library. Chatto & Windus, 1988. Signed by the author; [Idem] The folding star. London: Chatto & Windus, 1994. Signed by the author; [Idem] The spell. Chatto & Windus, 1998. Signed by the author; [Idem] The line of beauty. Picador. 2004; [Idem] The stranger’s child. London: Picador, 2011; first editions, original cloth, dustwrappers; [Idem] Confidential chats with boys. Sycamore Press, 1982. Signed by the author; [Idem] Isherwood is at Santa Monica. Sycamore broadsheet 22. Single printed leaf folded twice, 2 copies, one very lightly soiled; [Idem] The folding star. London: Chatto & Windus, 1994. Uncorrected proof copy in publisher’s original wrappers; and 2 others (11) £200-250

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519 FE191/205 Hopkins, Gerard Manley Poems of Gerard Manley Hopkins now first published. Edited with notes by Robert Bridges Poet Laureate. London: Humphrey Milford, [1918]. First edition, small 8vo, [one of 750 copies printed], 2 photogravure portraits by Emery Walker & 2 facsimiles, original cloth-backed blue boards with printed label on spine, folding box, boards slightly dust-soiled and marked, printed label rubbed, crease mark to upper board; with A.L.S. from Robert Bridges to the publisher, Humphrey Milford, regarding the publication “I do not think that prepayment wd. be of any convenience to Mrs H. It might of course be sentimentally assuring”, and discussing the price of the publication and its likely commercial prospects “I should guess that the edition will not sell out for some years, though there shd. be an immediate sale of some 200 or so”, Chilswell, Oxford, Nov. 11, datestamped “Oxford University Press Warehouse, 12 Nov. 1918” Note: The epoch-making first published collection of Hopkins’ work seventy four poems and fragments, the vast majority here appearing in print for the first time. Hayward 335; Connolly 33. £600-900 520 FE191/149 Housman, A.E. A Shropshire lad. London: Kegan Paul, Trench, Trubner & Co. Ltd, 1896. First edition, publisher’s quarter parchment, pale blue paper boards, printed spine label (Carter & Sparrow “A” label), edges uncut, upper right hand corner of label chopped (not touching lettering), scratch over the “L” of “Lad” on the label, boards faded and wear to corners, signature of Jack Fry of Blewbury on the front free endpaper, in a possibly contemporary marbled paper slip case Note: Carter & Sparrow 2. £900-1,200 521 FE191/150 Housman, A.E. Last poems. London: Grant Richards Ltd. 1922. First edition, first impression, small 8vo., publisher’s dark blue cloth, dustwrappers, wrappers a little dusty with nicks at extremities, small bookplate of J.O. Edwards Note: Carter & Sparrow 5. First impression without the punctuation at line 2 on p. 52. Tipped in at the front is a two page A.L.S., dated 28 Oct. 1922, from the Housman to E.V. Lucas explaining at some length his reasons for refusing to do a reading or give a paper to the English Association. “To prepare a paper would be endless labour and anxiety, and the result nothing in which I could take a pride, for I am only a connoisseur and do not mistake myself for a critic.” Accompanied by two letters, dated 2002, to Bruce Ritchie from Archie Burnett, Professor of English at Boston University about the inclusion of the letter in the Oxford edition of Housman’s correspondence which Burnett was then editing. £400-600

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522 FE191/153 Houseman, A.E A Shropshire lad: with eight illustrations in colour by William Hyde. London: Grant Richards Ltd., 1920. Large 8vo., publisher’s grey pictorial cloth, fore-edges uncut; [Idem] The name and nature of poetry: the Leslie Stephen Lecture delivered at Cambridge 9 May 1933. Cambridge: University Press, 1933. First edition, second impression, small 8vo., printed paper boards, tear at foot of spine, anonymous inscription to Noel July 1st 1933 (Noel Annan?); [Idem] More poems. London: Jonathan Cape, 1936. First edition, 8vo., publisher’s blue cloth, fore-edges uncut. (Carter & Sparrow 13); [Idem] Six poems from “A Shropshire lad” and “Last poems”. Birmingham: City of Birmingham School of Printing, 1937. 8vo., printed paper wrappers sewn with red cord, two woodcuts; [Idem] Collected poems. London: Jonathan Cape, 1939. First edition, 8vo., publisher’s blue cloth, dustrwappers, fore-edges uncut, edges of wrappers a little worn, small piece missing from spine of wrapper affecting text and with a couple of small splits, front free endpaper with some offsetting, with the bookplate of Bruce Ritchie and ownership inscription of M.S. Reid, Xmas, 1939. (Carter Sparrow 14); [Idem] A morning with the Royal Family, illustrated by Frederick Childs. Los Angeles: Green Horn Press, 1941. 8vo., publisher’s quarter cloth, printed paper boards, one of 125 copies; [Idem] The confines of criticism: the Cambridge inaugural 1911, the complete text with notes by John Carter. Cambridge: The University Press, 1969. Small 8vo., publisher’s cloth, dustwrappers; [Idem] Last poems. London: The Richards Press Ltd., 1945. Small 8vo., publisher’s brown cloth, dustwrappers, edges worn; [Idem] Fifteen letters to Walter Ashburner. Edinburgh: The Tragara Press, 1976. 8vo., printed paper wrappers, Lumsden bookplate, no. 67 of 125 copies (9) £200-300

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523 FE191/266 Hughes, Ted The iron man. London: Faber & Faber, 1968. First edition, 8vo, illustrations by George Adamson, original pictorial boards, dustwrapper spine slightly faded, very short tear at head of upper wrapper, with an autographed postcard signed from the author to Ms. Margaret Hippins discussing the work “I have no objection to your making the Iron Man more accessible to ‘special needs children’. “, and mentioning the publisher’s possible concerns; Court Green, N. Taunton, Devon, 17 March, 1994, with envelope £300-400 524 FE191/258 Hughes Ted Eat crow. London: The Rainbow Press, 1971. First edition, number 12 of 150 copies signed by the author, black calf by Zaehsndorf, t.e.g., slip case Note: Eric Quayle’s copy with bookplate, and T.L.S. from Rainbow Press to Eric Quayle [“Ted Hughes... was very touched and send his warm regards”] £150-200 525 FE191/259 Hughes, Ted Prometheus on his crag. London: The Rainbow Press, 1973. Small 4to, number 136 of 160 copies signed by the poet, frontispiece (signed in pencil) and colophon by Leonard Baskin, original purple morocco by Zaehnsdorf, t.e.g., others uncut, cloth slip case £200-300

526 FE191/260 Hughes, Ted Adam and the sacred nine. London: The Rainbow Press, 1978. Small 4to, number 103 of 200 copies signed by the poet, frontispiece and colophon by Leonard Baskin, original blue calf by Gray of Cambridge, t.e.g., others uncut, spine slightly faded Note: Sagar/Tabor A59 £120-180 527 FE191/257 Hughes, Ted Orts. London: Rainbow Press, 1978. Number 55 of 200 copies signed by the author, frontispiece by Leonard Baskin, black calf by Zaehnsdorf, t.e.g., slip case £150-200 528 FE191/267 Hughes, Ted Couples under cover; Ravens; February 17th; Teaching a dumb calf, broadsides, each one of 100 copies signed by the author, each c.470 x 325mm, Teaching a dumb calf with narrow brown marginal line running whole length, Printed for the Rainbow Press by Will Carter, 1979 (4) £200-300

529 FE191/269 Hughes, Ted Single unpublished poems by Ted Hughes: Night arrival of sea trou-t, The iron wolf, Puma. Folio, [Devon], Morrigu Press, 1979, together 3 broadsides, each number 20 of 30 copies, signed by the poet, loose as issued with prospectus in folder of decorative Japanese paper with white printed label, broadsides 298 x 200mm., presentation copy inscribed on folder “[?] Martin Booth, May 29, 79, a gift from Olwyn [Hughes]” Note: Rare: the first publication of The Morrigu Press. Printed by Hughes’s son Nicholas on an Albion handpress belonging to Olwyn Hughes, Ted Hughes’s sister. [Sagar/Tabor A61] £300-400

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530 FE191/268 Hughes, Ted Three River Poems: Catadrome, Caddis, Visitation, together 3 broadsides, each number 32 of 75 copies signed by the poet, illustrations, loose as issued in original wrappers with label to upper cover, broadsides 510 x 315mm., [Devon], Morrigu Press, 1981; and another broadside poem, Eagle , number 12 of 75 copies signed by Hughes, Morrigu Press, folio; [Idem] The interrogator. Ilkley: Scholar Press, 1975. Number 78 of 250 copies, illustration by Leonard Baskin, folding folio cream sheet (5) £200-300 531 FE191/262 Hughes, Ted Earth dances. The Old Stile Press, 1994. 4to, number 188 of 250 copies signed by the poet and R.J. Lloyd, linocuts by R.J. Lloyd, original natural boards with green cloth spine, uncut, pictorial cloth slip case £100-150 532 FE191/263 Hughes, Ted Shakespeare’s Ovid. Christopher Le Brun. Enitharmon Press, 1995. Folio, de luxe edition, limited to 200 copies, one of 50 signed by the poet and artist and accompanied by Le Brun’s etching, etching numbered 39/50 and signed by Le Brun, original sand buckram, uncut £150-250 533 FE191/265 Hughes, Ted The hawk in the rain. London: Faber & Faber, 1957. First edition, [Sagar/Tabor A1a]; dustwrapper frayed and partly discoloured; [Idem] Lupercal. London: Faber & Faber, 1960. First edition, [Sagar/Tabor A3 a1], dustwrapper slightly spotted; [Idem] Meet my folks! London: Faber & Faber, 1961. First edition, original boards, [Sagar/Tabor A4a], dustwrapper spine slightly rubbed and faded; [Idem] The earth-owl and other moon-people. London: Faber & Faber, 1963. First edition, dustwrapper, a clean copy, [Sagar/Tabor A7]; [Idem] Wodwo. London: Faber & Faber, 1967. First edition, [Sagar/Tabor A12 a.1], dustwrapper worn with slight loss, tear & soiled; [Idem] Crow. London: Faber & Faber, 1970. First edition, [Sagar/Tabor A25 a.1], ownership inscription, dustwrapper torn with loss to lower wrapper; [Idem] A few crows. Exeter: Rougemont Press, 1970. FIrst edition, number 67 of 150 copies signed by the author, illustrations by Reiner Burger, dustwrapper, [Sagar/Tabor A24]; all original cloth except where noted (7) Note: A fine collection of Ted Hughes’s first editions, including his first and second works. £350-450

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534 FE191/270 Hughes, Ted Scapegoats and rabies. London: Poet & Printer, 1967. Original pink wrappers; [Idem] Five autumn songs for children’s voices. [Devon: R. Gilberston, 1968 (but 1969)]. Limited to 500 copies, original bright pink wrappers; [Idem] The cat and the cuckoo. Sunstone Press, 1987. Limited to 1000 copies, one of 250 signed by the poet and R.J. Lloyd.; [Idem] Season songs. 1976 [Idem] Gaudete. 1977; [Idem] A solstice. Knotting: Sceptre Press, 1978., Limited to 250 copies, original yellow wrappers; [Idem] Four tales told by an idiot. Knotting: Sceptre Press, 1979. Limited to 450 copies, original wrappers; Idem Remains of Elmet. 1979; [Idem] Wolfwatching. 1989; [Idem] Moortown. 1979; [Idem] Flowers and insects. 1986; all first editions; and [Idem] Gaudete. 1979. Signed by the poet on title, paperback; [Idem] The hawk in the rain. 1968. Signed by the poet on title, paperback, all original cloth with dustwrappers except where stated, and 23 later volumes by or about Ted Hughes (37) £300-500 535 FE191/261 Hughes, Ted Chiasmadon. Baltimore: C. Zeluzicki, 1977. First edition, 4to, number 44 of 175 copies signed by the poet and the artist, relief print by Clare Van Vliet, original blue wrappers, [Sagar/Tabor A52], very slightly faded; [Idem] Shakespeare’s poem. London: Lexham Press, 1971. First edition, stab-bound bifolia, limited to 150 copies signed by the author, original wrappers, original folding black envelope, [Sagar/Tabor A30]; [Idem] A crow hymn. Frensham: Sceptre Press, 1970. First edition, P/26 lettered copies (of an edition of 100 copies), signed by the author, original printed white stapled wappers, [Sagar/Tabor A20], thin strip of foxing to top half of spine, untrimmed; [Idem] - Fainlight, Ruth & Alan Sillitoe Poems. London: Rainbow Press, 1971. Number 163 of 300 copies signed by the authors, pictorial olive green morocco gilt by Davis & Hodges, slip case, [Sagar/Tabor A30] (4) £200-300 536 FE191/264 Hughes, Ted Remains of Elmet. Rainbow Press, 1979. 4to, number 79 of 180 copies signed by the poet, photographs by Fay Godwin, original cloth-backed marbled boards, folding cloth slip case; [Idem] T.S. Eliot: a tribute. Faber & Faber: Privately Printed, 1987. 8vo, limited to 250 copies signed by the author, original blue paper wrappers; [Idem] Under the north star. London: Faber & Faber, 1981. First edition, illustrations by Leonard Baskin, signed by the author, dustwrapper; [Idem] Recklings. Turret Books, 1966. First edition, 8vo, number 6 of 150 copies signed by the author, original cloth, dustwrapper; [Idem] Earth-moon. London: Rainbow Press, 1976. Number 65 of 226 copies signed by the author, 12mo, blue calf with silver gilt design on upper cover, slip case (5) £200-300

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JAMES JOYCE

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537 FE191/101 Joyce, James Dubliners. London: Grant Richards Ltd.,1914. First edition, 8vo., publisher’s dark red cloth, upper cover stamped with the title in gilt, spine lettered in gilt, possibly recased, last few leaves slightly spotted, in a red morocco backed linen slip case

538 FE191/100 Joyce, James Portrait of the artist as a young man. New York: B.W. Huebsch, 1916. First edition, 8vo., publisher’s blue cloth, upper board lettered in blind, spine lettered in gilt, recased, in a blue morocco backed linen slip case

Provenance: From the Library of Sir Brian Mackenna.

Note: Slocum & Cahoon 8. £1,500-2,000

Note: Slocum & Cahoon 11. £1,000-1,500

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539 FE191/99 Joyce, James Exiles: a play in three acts. London: Grant Richards Ltd., 1918. First English edition, 8vo., publisher’s quarter green cloth, slate green boards, printed paper labels on the spine and upper board, spine label a little browned, cloth joints a little marked, light foxing of last few leaves Note: Slocum & Cahoon 14. £200-300 540 FE191/102 Joyce, James Ulysses. Paris: Shakespeare and Company, 1922. First edition, 4to., later full blue calf, inner gilt dentelles, marbled endpapers, edges uncut, endpapers renewed, slight staining of pp. 679-682 and last few leaves Provenance: From the Library of Sir Brian Mackenna. Note: Slocum & Cahoon 17. One of 750 copies on handmade paper numbered 251-1000, of which this is no. 984.. £2,000-3,000 541 FE191/97 Joyce, James Pomes penyeach. Paris: Shakespeare and Company, 1927. First edition, 16mo., errata slip tipped in at end, publisher’s pale green boards, glassine wrapper, wrapper chipped, joint of upper board almost detached, contained in a green cloth solander box

540

Note: Slocum & Cahoon 24. £200-300 542 FE191/108 Joyce, James The Joyce book. London: The Sylvan Press, [1933]. First edition, Folio, frontis. colotype portrait of Joyce by Augustus John, publisher’s dark blue silk, t.e. silvered, others uncut, signature on recto of front free endpaper Note: Slocum & Cahoon 29. Out of series, one of 500 copies, of which 450 copies were for sale. A collection of musical settings of Pomes penyeach, by Arnold Bax, John Ireland, Roger Sessions, Eugene Goossens, etc. £300-500

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543 FE191/98 Joyce, James Anna Livia Plurabelle. New York: Crosby Grange, 1928. First edition, 12mo., publisher’s brown cloth, blind stamped border with gilt inverted triangle on the upper board, t.e.g., others uncut, slight rubbing of heads, tails and corners, front free endpaper renewed, in a brown cloth solander box; [Idem] Anna Livia Plurabelle. London: Faber & Faber, 1930. (Criterion miscellany - no 15). First English edition, small 8vo., printed paper wrappers, edges of wrappers chipped and dusty, spine of wrapper split, a few spots in the text (2) Note: Slocum & Cahoon 32 & 33. No. 47 of an edition of 850 and signed by the author. £800-1,000 544 FE191/106 Joyce, James Tales told of Shem and Shaun: three fragments from Work in progress. Paris: The Black Sun Press, 1929. First edition, small 4to., etched frontispiece after Brancusi, titlepage in red and black, printed paper wrappers, edges uncut, very slight offsetting from the etching, in gilt slip case

545 FE191/107 Joyce, James Anna Livia Plurabelle. London: Faber & Faber, 1930. (Criterion miscellany - no 15). First English edition, small 8vo., printed paper wrappers, edges of wrappers chipped and dusty, a few spots in the text; [Idem] Two tales of Shem and Shaun: fragments from Work in progress. London: Faber and Faber, 1932. First English edition, small 8vo., publisher’s pale green paper boards, boards a little dusty, a few paper spots throughout; [Idem] Giacomo Joyce, with an introduction by Richard Ellmann. New York: The Viking Press, 1968. 8vo., publisher’s quarter cloth, folding facsimiles, paper boards, label on upper cover, in a slip case; [Idem] Works in progress. Edinburgh: The Split Pea Press, 1992. 7 parts, printed paper wrappers, uncut and unopened, contained in a slip case, one of 500 copies (4) Note: Slocum & Cahoon 33 & 37. £150-250

Note: Slocum & Cahoon 36. No. 1 of 500 copies on Holland Van Gelder Zonen paper. £400-600

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546 FE191/104 Joyce, James Haveth childers everywhere: fragment from work in progress. Paris: Henry Babou and Jack Kahane; New York: The Fountain Press, 1930. First edition, small folio, printed paper wrappers, glassine wrapper, uncut and unopened, spine of glassine wrapper missing, upper cover with damaged joint, in a dark green slip case with gilt edges and facings Note: Slocum & Cahoon 41. No. 485 of 500 copies on Vidalon Royal of a total issue of 685. £300-400 547 FE191/105 Joyce, James The Mime of Mick, Nick and the Maggies: a fragment from Work in progress. The Hague: The Servire Press; London: Faber and Faber Ltd., 1933. First edition, 8vo., titlepage in red and black, coloured decorated initial and tailpiece printed paper wrappers, protective cellophane wrapper, edges uncut, protective wrapper damaged, a couple of very minor spots on the wrappers, contained in a dark blue morocco backed slip case Note: Slocum & Cahoon 43. No. 327 of 1,00 copies. The cover, initial and tailpiece designed by Lucia Joyce. £200-300 548 FE191/103 Joyce, James Finnegans wake. London: Faber and Faber Limited, 1939. First edition, 8vo., publisher’s red cloth, t.e. stained yellow, others uncut, inscription on the half title, endpapers and last leaf a little discoloured, inner joints weak, titlepage with a few spots Note: Slocum & Cahoon 46. £300-500

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549 FE191/110 Joyce, James Ulyses. London: John Lane The Bodley Head, 1937. 8vo., publisher’s cloth, rubbed and worn; [Idem] Ulysses: the corrected text; edited by Hans Walter Gabler … London: The Bodley Head, 1986. 8vo., publisher’s cloth dustwrapper; [Idem] Ulysses; edited by Danis Rose. London: Picador, 1997. 8vo., publisher’s cloth, dustwrappers; [Idem] Joyce’s Ulysses notesheets in the British Museum, edited by Phillip F. Herring. Charlottesville: University Press of Virginia, 1972. First edition, 4to., publisher’s cloth, dustwrappers; [Idem] Letters, edited by Stuart Gilbert. London: Faber and Faber, 1957. First edition, 8vo., publisher’s cloth; [Idem] The Critical writings, edited by Ellsworth Mason and Richard Ellmann. London: Faber and Faber, 1954.First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] Stephen Hero: part of the first draft of ‘A Portrait of the artist as a young man’; edited with an introduction by Theodore Spencer, revised edition … by John J. Slocum and Herbert Cahoon. London: Jonathan Cape, 1956. 8vo., publisher’s cloth, dustwrapper; and two others (9) Note: Slocum & Cahoon p. 35. £120-180 550 FE191/109 Joyce, James - Biography & criticism Eliot, T.S. Introducing James Joyce: a selection of Joyce’s prose. London: Faber and Faber, 1942. First edition, small 8vo., publisher’s cloth, wrappers; Joyce, Stanislaus. My brother’s keeper. London: Faber and Faber, 1958. First edition, 8vo., publisher’s cloth, dustwrapper, wrapper torn; Gilbert, Stuart. James Joyce’s Ulysses: a study. London: Faber & Faber, 1930. First edition, 8vo., publisher’s cloth; Anderson, Chester G. James Joyce and his world. London: Thames and Hudson, 1967. First edition, small 4to., publisher’s cloth, dustwrappers, library stamps; Ellmann, Richard. Four Dubliners. London: Hamish Hamilton, 1987. 8vo., publisher’s cloth, dustwrappers; Budgen, Frank. James Joyce and the making of ‘Ulysses’ and other writings. London: Oxford University Press, 1972. 8vo., publisher’s cloth, dustwrappers; Burgess, Anthony. Joysprick: an introduction to the language of James Joyce. London: Andre Deutsch, 1973. First edition, 8vo., original cloth, dustwrapper; Power, Arthur. Conversations with James Joyce. London: Millington, 1974. First edition, 8vo., publisher’s cloth, dustwrappers, and 6 others (14) £120-180

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551 FE191/275 Larkin, Philip The North Ship. London: The Fortune Press, [1945]. First edition, 8vo, original black cloth, red dustwrapper, not price-clipped, dustwrapper spine repaired on verso with loss of title, dustwrapper folds worn, slightly discoloured, boards very slightly marked Note: According to Bloomfield, probably one of 500 copies. First edition of the author’s first book. £100-150 552 FE191/273 Larkin, Philip A girl in winter. London: Faber & Faber, 1947. First edition, 8vo, original blue cloth, new endpapers, a trifle rubbed Note: First edition of Larkin’s second novel. £200-300 553 FE191/278 Larkin, Philip XX Poems. [Belfast: Privately Printed by Carswels], 1951. First edition, 4to, [one of 100 copies], original pale pink printed wrappers, some light browning to wrappers, short split at foot of spine, [Bloomfield A4] Note: Larkin’s fourth book and second book of poems, privately printed in an edition of only 100 copies. Most of the copies were sent by the author to prominent literary figures who generally did not acknowledge receipt. £1,000-1,500 554 FE191/279 Larkin, Philip The fantasy poets. Number Twenty One. [Swinford:] The Fantasy Press, 1954. First edition, [one of 300 copies printed], one unsigned gathering of four leaves, slightly browned at extremities, [Bloomfield A5] Note: First edition of the author’s fifth work. £150-200 555 FE191/274 Larkin, Philip The less deceived. [Hull], Marvell Press, 1955. First edition, one of the first 300 copies with list of subscribers bound in at the end, misprint on p.38 (of “floor” for “sea” on first line of poem) and “6/- nett” on dustwrapper, Charles Monteith [Larkin’s editor at Faber]’s copy with signature on free endpaper, original green cloth, dustwrapper, cloth dampstained at head and tail, light dampstaining to front and rear endpapers, dustwrapper worn at head with very slight loss and lightly rubbed Note: The copy of Philip Larkin’s editor at Faber & Faber, Charles Monteith, with his signature. Monteith regarded this collection was the catalyst for bringing Larkin to Faber as a poet. £200-300

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556 FE191/280 Larkin, Philip The Brymore Jones annual library reports. [1954-55, - 1983-84], 21 issues (lacking report for 1955-56, 1956-57 & 1961-62), with a typed letter signed from Larkin to the Head of the School of Librarianship, Loughborough College of F.E., regarding a visit to the University of Hull library, 2 April 1962; Larkin, Philip Aubade. Salem: Charles Seluzicki, 1980. 8vo, one of 250 copies initialled by the author, original grey wrappers & envelope; with 5 other items, red cloth box lettered “Philip Larkin Ephemera” £400-600 557 FE191/277 Larkin, Philip High windows. London: Faber & Faber, 1974. First edition, signed by the author on title, original cloth, dustwrapper, [Bloomfield A10a], with a typed letter signed to Bruce Ritchie from Dr Larkin’s Secretary, saying that Dr Larkin has signed his books, thanks him for his interest in what he has written, and reports that Larkin has corrected at least one of the misprints in Ritchie’s copy, University of Hull, Brynmor Jones Library, headed paper, 31 March 1978 £150-250

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558 FE191/276 Larkin, Philip The Whitsun weddings. London: Faber & Faber, 1964. First edition, original purplish-red cloth, dustwrapper, [Bloomfield A7a]; [Idem] The North ship. London: Faber & Faber, 1966. Original purplish-blue cloth, dustwrapper, [Bloomfield A1c]; Bell, William, editor Poetry from Oxford in wartime. London: The Fortune Press, [1945]. First edition, original blue-black cloth, dustwrapper slightly darkened at spine and edges, [Bloomfield B2]; Larkin, Philip Typed letter signed to Kingsland, advising a reader about borrowing a copy of “Aelfric’s Homilies”, edited by Benjamin Thorpe, University of Hull headed paper, 9 Feb. 1972; [Idem] Jill, a novel. London: Faber & Faber, 1964. 8vo, original reddish cloth, dustwrapper, [Bloomfield A2b], dustwrapper slightly soiled, spine faded, with owner’s name on turn in of dustwrapper; [Idem] All what jazz. London: Faber & Faber, 1970. First edition, original brown cloth, dustwrapper, [Bloomfield A8a], owner’s inscription on front free endpaper; [Larkin, Philip] Westminster Abbey. Order of service in memory of Philip Arthur Larkin, CH, CBE, 1922-1985. 1986. 8vo, wrappers; School of Oriental and African Studies A keepsake from the New Library. 1973. 8vo, original wrappers, [Bloomfield B14], wrappers slightly soiled (8) £300-400 559 FE191/281 Larkin, Philip Collected poems. Faber & Faber, 1988; [Idem] Reference back. University of Hull Press, 1999; [Idem] Trouble at Willow Gables and other fictions. Faber & Faber, 2002; [Idem] Early poems and juvenilia. Faber & Faber, 2005; [Idem] Poems. Faber & Faber, 2011; [Idem] Further requirements. Faber & Faber, 2001; [Idem] The complete poems. Faber & Faber, 2012; all original cloth, dustwrappers; [Idem] Poems. Greville Press Pamphlets. 2002. Original wrappers; [Larkin, Philip] Westminster Abbey. Order of service in memory of Philip Arthur Larkin CH,CBE 1922-1985. 1986; [Idem] The North ship. Faber & Faber, 1966. Uncorrected proof copy, original wrappers; [Idem] The North ship. Faber & Faber, 1973. First paperback impression, 8vo, original pale blue wrappers, [Bloomfield A1d], very slightly soiled; Bell, William, editor Poetry from Oxford in wartime. The Fortune Press, [1945]. First edition, later issue, grained dark purplish-blue cloth, [Bloomfield B2]; Hamburger, Michael Philip Larkin. A retrospect. London: Enitharmon Press, 2002. First edition, number 58 of 90 copies signed by the author, original green decorated wrappers; and 17 others by or about Larkin (30) £300-400

561

D.H. LAWRENCE 560 FE191/166 Lawrence, D.H. The white peacock. London: William Heinemann, 1911. First English edition, Colonial issue, 8vo., publisher’s dark blue cloth with publisher’s device on the lower cover, spine buckled, with some wear to extremities, ownership in red crayon on front free endpaper, inner splitting of upper joint Note: Roberts A1c. Lawrence’s first book, reissued in the series “Heinemann’s Colonial Library of Popular Fiction.” This copy, however, is in blue cloth and not the tan decorated lattice cloth of the binding common to the series. £300-400 563

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561 FE191/167 Lawrence, D.H. The trespasser. London: Duckworth & Co., 1912. First edition, with 20pp., publisher’s dark blue cloth, slight rubbing to the extremities, a little discolouration and offsetting to the endpapers Note: Roberts A2. Lawrence’s second novel. £400-600 562 FE191/168 Lawrence, D.H. The trespasser. New York: Mitchell Kennerley, 1912. First American edition, publisher’s light green cloth, spine darkened, boards a little faded and dusty, a little discolouration and offsetting to the endpapers Note: Roberts A2. £150-250 563 FE191/164 Lawrence, D.H. Sons and lovers. London: Duckworth & Co, 1913. First edition, 8vo., with cancelled titlepage and with 20pp. of adverts at end, publisher’s blue cloth, spine and corners a little rubbed, endpapers a little discoloured and with a few spots to half title and titlepage, slight spotting of fore-edges Note: Roberts A4 variant 1. £400-600 564 FE191/169 Lawrence, D.H. The Prussian officer and other stories. London: Duckworth & Co., 1914. First edition, 8vo., with 16pp. of adverts at end, publisher’s blue cloth printed in black, spine a little faded, a little wear to extremities, offsetting to endpapers, cracking of inner joints. Note: Roberts A6 variant 2. £150-250 565 FE191/165 Lawrence, D.H. The rainbow. London: Methuen & Co. Ltd., 1915. First edition, 8vo., with 4pp. of adverts, publisher’s blue-green cloth, bottom edge untrimmed, very slight war at head, tail and corners, pencilled signature on front pastedown, tipped in contemporary newspaper account of the prosecution of Messrs Methuen for publication and the order for the destruction of copies, slight foxing of fore-edges Note: Roberts A7. The police visited Methuen on 3 and 5 November with a warrant to impound all copies and unbound sheets. Court action at the Bow Street Magistrates was taken on 13 November 1915 and the court ordered the books to be destroyed with Methuen being ordered to pay £10 10s costs £400-600

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566 FE191/162 Lawrence, D.H. The story of Doctor Manente being the tenth and last story from the suppers of A.F. Grazzini called Il Lasca; translation and introduction by D.H. Lawrence. Florence: G. Orioli, 1929. First edition, frontispiece, publisher’s cream coloured paper boards, glassine dustwrappers printed on the upper wrapper, uncut and unopened, upper board slightly creased, in brown linen solander box. Note: Roberts A45a: no. 527 of 1,000 on Lombardy paper. £200-300 567 FE191/161 Lawrence, D.H. Pansies June, 1929. London: privately printed for P.R. Stephenson, 1929. First edition, 8vo., portrait frontispiece, printed paper wrappers, glassine cover, paper covers a little spotted, inner joints weak, in brown linen solander box Note: Roberts A47c: Limited to 500 copies, of which this is no. 460, signed by the author. £200-300

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568 FE191/163 Lawrence, D.H. Lady Chatterley’s lover: including My skirmish with Jolly Roger; written especially and exclusively as an introduction to this popular edition. [Paris]; Privately printed, 1930. The author’s unabridged popular edition, 8vo., publisher’s brown paper wrappers with phoenix emblem printed in black on upper wrappers, with price 60 Frs, edges uncut, loss to head and tail of spine with some wear to other extremities £200-300 569 FE191/172 Lawrence, D.H. The lost girl. London: Martin Secker, 1920. First edition, 8vo., publisher’s brown cloth, covers rubbed and stained. (Roberts A16 variant 2); [Idem] Women in love. London: Martin Secker,1921. First trade edition, 8vo., publisher’s brown cloth, wear to head, tail and corners, upper inner joint split. (Roberts A15c); [Idem] Aaron’s rod. London: Martin Secker, 1922. First English edition, 8vo., publisher’s brown cloth, edges rubbed, some offsetting to endpapers, a little foxing to fore-edges. (Roberts p. 56); [Idem] The Ladybird: the fox; the captain’s doll. London: Martin Secker, 1923. First edition, 8vo., publisher’s brown cloth, edges rubbed, offsetting to endpapers, upper inner joint cracking. (Roberts A24); [Idem] Kangaroo. London: Martin Secker, 1923. First edition, 8vo., publisher’s brown cloth, spine a little faded, slight offsetting to endpapers. (Roberts A26); [Idem] England my England. London: Martin Secker, 1924. First English edition, 8vo., publisher’s brown cloth, a little wear to extremities, light offsetting to endpapers. (Roberts p. 59); [Idem] The woman who rode away and other stories. London: Martin Secker, 1928. First edition, 8vo., publisher’s brown cloth, covers with some fading and staining, edges rubbed, spotting of endpapers, inner joints cracking, signed by Lawrence on the half-title (7) £250-350 570 FE191/171 Lawrence, D.H. Birds, beasts and flowers. New York: Thomas Seltzer, 1923. First edition, small 4to., publsiher’s strawberry pink boards, printed paper spine label, t.e. trimmed, others uncut, label faded and chipped, some rubbing to the boards (Roberts A27a); [Idem] Birds, beasts and flowers. London: Martin Secker, 1923. First English edition, 8vo., publisher’s quarter cloth, paper boards, printed paper spine label, t.e. trimmed, others uncut, spotting to the boards and fore-edges as well as to some pages. (Roberts A27b); [Idem] Pansies: poems. London: Martin Secker, 1929. First edition (ordinary copy), 8vo., quarter cloth, blue and yellow decorative boards, t.e.g., others uncut, some rubbing to extremities, offsetting to the endpapers, small book label “Ex P.G. libris”. (Roberts A47c); [Idem] Last poems; edited with an introduction by Richard Aldington. London: Martin Secker, 1933. First English edition, 8vo., publisher’s quarter cloth, patterned paper boards, t.e.g, others uncut. (Roberts p. 145); [Idem] Selected poems. London: Martin Secker, 1934. First collected edition, small 8vo., publisher’s red cloth over bevelled boards, original light brown dustwrapper (Roberts A68) (5) £150-250

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571 FE191/170 Lawrence, D.H. The widowing of Mrs. Holroyd: a drama in three acts. London: First English edition, 8vo., publisher’s blue cloth, covers stained, bookplate of J.R. Cunningham. (Roberts p. 24); with M.L.Skinner. The boy in the Bush. London: Martin Secker, 1924. First edition, 8vo., publisher’s straw coloured boards, t.e. stained, bottom edge untrimmed (Roberts A29); [Idem] Twilight in Italy. London: Duckworth and Co., 1924. Second impression, publisher’s blue cloth. (Roberts p.29); [Idem] Assorted articles. London: Martin Secker, 1930. First edition, 8vo., publisher’s red cloth, dustwrappers, uncut, wear to head and tail of wrappers, spotting of upper board, library stamp on front pastedown, repeated on front free endpaper, and on lower pastedown. (Roberts A53); [Idem] Sea and Sardinia. London: Martin Secker, 1925. 8vo., publisher’s cloth, part of lower free endpaper torn out; [Idem] Etruscan places. London: Martin Secker, 1932. First edition, frontispiece, plates 8vo., publisher’s blue cloth over bevelled boards, spine faded (Roberts A60); [Idem] A collier’s Friday night; with an introduction by Edward Garnett. London: Martin Secker, 1934. First edition, 8vo., publisher’s green cloth, printed paper label, t.e. stained green, a little foxing of the fore-edges. (Roberts A69); [Idem] Phoenix: the posthumous papers. London: William Heinemann Ltd., 1936. First English edition, 8vo., publisher’s cloth, dustwrappers, wrappers stained and torn, front free endpaper removed, inner margins of first couple of leaves stained (Roberts p. 163) and 3 others (11) £150-250 572 FE191/170A Lawrence, D.H. Glad ghosts. London: Ernest Benn, 1926. First edition, small 8vo., printed yellow wrappers, wrappers a little faded. (Roberts A36); [Idem] Pornography and obscenity. (Criterion miscellany no 5). London: Faber & Faber, 1929. First edition, 8vo., printed orange paper wrappers, edges of wrappers darkened and with some wear to extremities, contents loose. (Roberts A40a); [Idem] ‘Nobody loves me’ in Life and letters; edited by Desmond MacCarthy Vol V no. 26 July 1930. First edition, 8vo., printed wrappers. (Roberts C203); [Idem] The Triumph of the machine; drawings by Althea Willoughby. (Ariel poems [London: Faber & Faber, 1931]). First ordinary edition, 8vo., printed paper wrappers, coloured illustration. (A variant of Roberts A58b in that it omits the number 28 on the back wrapper); [Idem] ‘Letters to S.S. Kotelliansky’ in Encounter No. 3 December 1953. First edition, 4to., printed wrappers. (Roberts C233); [Idem] Ten paintings. Manchester: Carcanet, 1964. 4to., printed wrappers; Ernest Weekley. The English language. (Benn’s sixpenny library no. 35). London: Ernest Benn, 1929. Small 8vo., printed wrappers. (Frieda Lawrence’s first husband from whom she divorced in 1914 and married Lawrence in the same year); John Arrow. J.C. Squire v. D.H. Lawrence: a reply to Mr. Squire’s article in “The Observer” of March 9th, 1930. (Blue moon booklets no 4). London: E. Lahr, [n.d, c. 1930]. Small 8vo., printed paper wrappers; Aldington, Richard D.H. Lawrence. London: Chatto & Windus, 1930. Small 8vo., printed wrappers; John R. Elliott. The man who was through with the world: an unfinished story by D.H.

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Lawrence. Reprinted from Essays in criticism Vol. IX, no. 3, July 1949, signed by John Elliott; Richard Aldington. D.H. Lawrence: a complete list of his works, together with a critical appreciation. London: William Heinemann, [1935]. Small 8vo., printed wrappers; Edward D. McDonald. A Bibliography [with supplement] of the writings of D.H. Lawrence. Philadelphia: Centaur Bookshop, [1925-31]. First editions, 2 volumes, quarter buckram, paper boards, t.e. trimmed, others uncut, with bookplates of Percy H. Muir, pencil annotations, nos. 239 and y of 500 and 350 copies respectively. (Roberts B16 & B31) (13) £150-250 573 FE191/173 Lawrence, D.H. The virgin and the gipsy. London: Martin Secker, 1930. First English edition, 8vo., publisher’s brown cloth, possibly recased. (Roberts p.131); [Idem] The lovely lady. London: Martin Secker, 1933. First edition, 8vo., publisher’s brown cloth, recased. (Roberts A63); [Idem] Lady Chatterley’s lover. London: Martin Secker, 1932. First authorised expurgated edition, 8vo., publisher’s brown cloth, slight rubbing at head and tail, ownership signature on front free endpaper, a little foxing of the bottom edge. (Roberts A42d); [Idem] Love among the haystacks and other pieces; with a reminiscence by David Garnett. London: Martin Secker, 1933. 8vo., publisher’s brown cloth, covers slightly stained and skewed. (Roberts p.134); [Idem] A modern lover. London: martin Secker, 1934. First edition, 8vo., publisher’s brown cloth, spine a little faded and marked. (Roberts A71); [Idem] The spirit of the place: an anthology compiled from the prose from the prose of D.H. Lawrence; edited and with an introduction by Richard Aldington. London: William Heinemann, 1935. First collected edition, 8vo., publisher’s brown cloth, bookplate of Agnes K. Goode. (Roberts A72) (6) £200-300 574 FE191/241 Lee, Harper To kill a mockingbird. Philadelphia & New York: J.B. Lippincott Co., 1960. First edition, [?later issue, without “First Edition” on copyright page], original pale green cloth-backed pale green boards, boards slightly marked and slightly faded, board edges and corners slightly rubbed £150-250 575 FE191/392 Lee, Laurie Cider with Rosie. London: Hogarth Press, 1959. First edition, first issue containing the passage relating to the fire at the piano works on page 272, 8vo, dustwrapper, very slight foxing to edges, dustwrapper price clipped and slightly chipped; [Idem] A moment of war. London: Viking, 1991. First edition, 8vo, dustwrapper not price-clipped, library stamps to copyright page (2) £150-200

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576 FE191/243 Lodge, David The picturegoers. London: MacGibbon & Kee, 1960. First edition, signed by the author on title “David Lodge, Edinburgh, Aug. 26, 2004”, original red cloth, dustwrapper, dustwrapper a trifle sunned on spine, owner’s initials “R.T.” on front endpaper Note: A signed copy of the author’s first novel. £200-300 577 FE191/244 Lodge, David Ginger you’re barmy. London: MacGibbon & Kee, 1962. First edition, signed by the author on title, original red cloth, ownership inscription to front free endpaper, spine faded, dustwrapper price clipped, slightly soiled and slightly discoloured Note: A signed copy of the author’s second novel. £150-250 578 FE191/245 Lodge, David The British Museum is falling down. London: MacGibbon & Kee, 1965. First edition, signed by the author on the title page, original brown cloth, dustwrapper, dustwrapper spine faded, small nick to front panel Note: A signed copy of the author’s third novel. £200-300

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579 FE191/246 Lodge, David Out of the shelter. London: Macmillan, 1970. First edition, signed by the author on title, original green cloth, dustwrapper, dustwrapper with small nick to foot of spine, inscription on slip of paper “For Bruce Ritchie, with very best wishes, David Lodge, January 2009” loosely inserted Note: A signed copy of the author’s fourth novel. Rare withdrawn first edition. Apparently numerous textual errors and Lodge’s dislike of the dustwrapper led to the edition being withdrawn. £500-700 580 FE191/247 Lodge, David Changing places. London: Secker & Warburg, 1975. First edition, signed by the author on title page, original orange cloth, dustwrapper, dustwrapper spine faded and very slightly rubbed at head and tail of spine, with an A.L.S. and two autograph postcards signed to “Dear Ship”, one declining to develop his views on the alleged Shakespeare discovery in print (23/1/86), another referring to his “Inaugural” at the University of Birmingham, (30/11/76) Note: A signed copy of the author’s fifth novel. £150-250 581 FE191/248 Lodge, David How far can you go ? London: Secker & Warburg, 1980. First edition, signed by the author on title page, original green cloth, dustwrapper Note: A signed copy of the author’s sixth novel. £100-150 582 FE191/249 Lodge, David - 12 signed copies, comprising: Small world. London: Secker & Warburgh, 1984;[Idem] Nice work. London: Secker & Warburg, 1988; [Idem] Paradise news. London: Secker & Warburg, 1991; [Idem] Thinks. London: Secker & Warburg, 2001;[Idem] Out of the shelter. London: Secker & Warburg, 1984. Second edition; [Idem] Therapy. London: Secker & Warburg, 1995; [Idem] The man who wouldn’t get up and other stories. Bridgewater Press, 1998. Limited to 138 copies, one of 100 copes signed by the author and bound in cloth; [Idem] Author, author. London: Secker & Warburg, 2004; [Idem] The year of Henry James. London: Harvill Secker, 2006; [Idem] Deaf sentence. London: Harvill Secker, 2008; [Idem] A man of parts. London: Harvill Secker, 2011; all original cloth, dustwrappers, all First editions, all signed by the author on the titlepage; [Idem] Home truths. London: Secker & Warburg, 1999, signed by the author on title, paperback; and an unsigned paperback, and a T.L.S. from David Lodge to Bruce Ritchie, thanking him for his compliments on Deaf Sentence, and including a British Council concertina biography of Lodge dated 1994 (13 volumes, and a letter) £300-500

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583 FE191/253 Lowell, Robert Lord Weary’s castle. New York: Harcourt, Brace and Company, [1946]. First edition, 8vo, presentation copy for David Posner, inscribed and signed by the author on endpaper, original black cloth, dustwrapper, dustwrapper lightly rubbed and soiled, with a couple of small tears; [Idem] Life studies. New York: Farrar Strauss, [1959]. First American edition; [Idem] New the ocean. New York: Farrar Strauss, 1967. First edition; [Idem] Phaedra. London: Faber, 1962. First English edition; and 10 others, all in dustwrappers (15) Note: An attractive copy of Lord Wary’s Castle, Lowell’s first regularly published book, which was award ed the Pulitzer Prize for Poetry. The work is inscribed to the American poet David Posner (1921-1985) “For David Posner (The finished product, alas, rather than its more interesting and embarassing beginnings), Robert Lowell” £300-400 584 FE191/254 MacCaig, Norman Far cry. London: Routledge, [1943]. First edition, original wrappers, slightly rubbed and soiled; [Idem] Riding lights. London: Hogarth Press, 1956. First edition, second impression, signed by the author, dustwrapper; [Idem] The Sinai sort. London: Hogarth Press, 1957. First edition, dustwrapper spine faded; [Idem] A common grace. London: Chatto & Windus & Hogarth Press, 1960. First edition, spine faded; [Idem] A round of applause. London: Chatto & WIndus & Hogarth Press, 1962. First edition, signed by the author, dustwapper; [Idem] Measures. London: Chatto & Windus & Hogarth Press, 1965. First edition, dustwrapper; [Idem] Surroundings. London: Chatto & Windus & Hogarth Press, 1966. First edition, signed by the author, dustwrapper; [Idem] Rings on a tree. London: Chatto & Windus & Hogarth Press, 1969. First edition, dustwrapper; [Idem] The word’s room. Chatto & Windus & Hogarth Press, 1974. First edition, signed by the author, original wrappers bound in, cloth; [Idem] Old maps and new. London: Hogarth Press, 1978. First edition, signed by the author on title, dustwrapper; [Idem] A man in my position. Chatto & Windus & Hogarth Press, 1969. First edition, dustwrapper; all publisher’s cloth unless noted; MacDiarmid, Hugh Collected poems. New York, 1962. Inscribed by the author to Bruce Ritchie, 1964. Dustwrapper; and 12 others, 8 by or on MacCaig (24) £200-300 585 FE191/521 McEwan, Ian First love, last rites. London: J. Cape, 1975. First edition, signed by the author, original cloth, dustwrapper, owner’s name and date on front free endpaper Note: A good signed copy of the author’s first book. £200-300 586 FE191/523 McEwan, Ian In between the sheets. London: J. Cape, 1978. First edition, signed by the author, original boards, dustwrapper spine slightly faded £200-250

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587 FE191/522 McEwan, Ian The cement garden. London: J. Cape, 1978. Signed by the author, owner’s name on front free endpaper; [Idem] The comfort of strangers. London: J. Cape, 1981. Signed by the author; [Idem] Or shall we die? London: J. Cape, 1983. Signed by the author; [Idem] The child in time. London: J. Cape, 1987. Signed by the author; bookplate, price-clipped; [Idem] The daydreamer. London: J. Cape, 1994. Signed by the author; [Idem] The innocent. London: J. Cape, 1990. Signed by the author; [Idem] Black dogs. London: J. Cape, 1992. Signed by the author, owner’s name on endpaper; [Idem] Enduring love. London: J. Cape, 1997. Signed by the author; [Idem] Amsterdam. London: J. Cape, 1998. Signed by the author; [Idem] Atonement. London: J. Cape, 2001. Signed by the author; [Idem] Saturday. London: J. Cape, 2005. Signed by the author; [Idem] On Chesil beach. London: J. Cape, 2007. Signed by the author; [Idem] Solar. London: J. Cape, 2010. 2 copies, both signed by the author; [Idem] Sweet tooth. London: J. Cape, 2012. Signed by the author; [Idem] Sweet tooth. London: J. Cape, 2012. Special Signed Limited Edition, limited to 100 copies, number 6 of 75 quarter bound in Harmatan Yellow 30 fine leather, and signed by the author, slip case, all first editions, original cloth, dustwrappers; and: For you, paperback, signed (17) £500-800 588 FE191/256 MacNeice, Louis Blind fireworks. London: Victor Gollancz, 1929. First edition, signed by the author at end of Foreward, original black cloth, paper label to spine Note: A signed copy of the author’s first book. C.M. Armitage & N. Clark. A1. Hayward, 342, notes the author’s own copy bound in cream canvas boards. £200-300 589 FE191/255 MacNeice, Louis The Agamemnon of Aeschylus. London: Faber & Faber, 1936. First edition, original cloth, slightly marked; [Idem] I crossed the Minch. London: Longmans, 1938. First edition, original cloth, slightly rubbed; [Idem] Zoo. London: M. Joseph, 1938. Second edition, original green cloth;[Idem] Autumn journal. London: Faber & Faber, 1939. First edition, dustwrapper with some loss to spine and upper wrapper; [Idem] Selected poems. London: Faber & Faber, 1940. Original blue boards, dustwrapper rubbed and soiled; [Idem] The poetry of W.B. Yeats. London & New York, O.U.P., 1941. First edition, spine faded; [Idem] Meet the U.S. Army. London: H.M.S.O. First edition, original red wrappers, lower wrapper slightly spotted; [Idem] Christopher Columbus.. London: Faber & Faber, 1944. Dustwrapper slightly rubbed and soiled; [Idem] Springboard. London: Faber & Faber, 1944. First edition, worn dustrwapper; [Idem] Collected poems 1925-1948. London: Faber & Faber, 1949. First edition, dustwrapper discoloured; and 16 others by Macneice, mostly first editions (28) £300-400

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590 FE191/333 Miller, Arthur Death of a salesman. New York: Viking, (March [May]), 1949. First edition, 8vo, with loose slip of paper signed by Arthur Miller, original orange cloth printed in black with house motif, dustwrapper, some very occasional light internal spotting, fading and spotting to spine and boards, dustwrapper a little soiled, creased and chipped £400-600 591 FE191/332 Miller, Arthur Death of a salesman. New York: Viking, (March [May]) 1949. First edition, 8vo, original orange cloth printed in black with house motif, dustwrapper, spine and edges of boards slightly faded and bumped, dustwrapper a little soiled and rubbed un places with the ‘T’ in ‘Death’ partially missing from rubbing, some chipping to spine and small hole to dustwrapper spine £250-300

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592 FE191/335 Miller, Arthur The misfits. New York: Viking, 1961. First edition, 8vo, inscribed by Arthur Miller on half-title: ? [name indecipherable] This being an interlude within the wider [?] - Arthur Miller and in darker ink: letter March 12, 1964, original printed cream cloth, cream dustwrapper with black jigsaw pattern to upper cover and photograph of Miller to lower cover, some annotations to text in blue ink, spine and edges of covers a little darkened, dustwrapper slightly dampstained, a little soiled with some creasing, chipping and very small holes along spine, not price-clipped £200-300 593 FE191/337 Miller, Arthur Situation normal. New York: Reynal & Hitchcock, 1944. 8vo, loose piece of paper carrying signature of Arthur Miller, original bright yellow cloth with red and black lettering, yellow dustwrapper, some very slight soiling to covers and dustwrapper with a couple of small chips; [Idem] The creation of the world... New York: Viking, 1973. First edition, original green cloth, cream dustwrapper price-clipped, a little faded and soiled with small closed tear to upper cover; [Idem]The creation of the world... [New York]: Viking, 1973. 8vo, uncorrected proof in original printed magenta covers, slightly soiled; [Idem] I don’t need you any more. New York: Viking, 1967. First edition, 8vo, loose piece of paper carrying signature of Arthur Miller, original black cloth with blue lettering to spine, dustwrapper slightly darkened and a little rubbed; [Idem] Death of a salesman. London: Cresset Press, 1949. First British edition, 8vo, original red cloth gilt, grey dustwrapper, some very slight, occasional spotting, previous owner’s signature to front free-endpaper, slight fading to covers and dustwrapper, small closed tear to dustwrapper spine; [Idem] Collected plays. London: Cresset Press, 1961. 8vo, signed by author on titlepage, Ritchie bookplate to paste-down endpaper, green cloth gilt, spine and dustwrapper a little faded, a few very small tears to dustwrapper; Miller, Arthur After the fall. New York: Viking Press, 1964. 8vo, red quarter cloth with original striped boards, dustwrapper very slightly soiled and bumped; [Idem] After the fall... final stage version. New York: Viking, 1964. 8vo, black quarter cloth with original yellow boards, yellow dustwrapper slightly faded and soiled; and 11 others, some signed (19) £350-400

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594 FE191/338 Miller, Arthur All my sons. New York: Reynal & Hitchcock, 1947. First edition, 8vo, loose piece of paper carrying signature of Arthur Miller, original green cloth, dark blue and cream dustwrapper with some rubbing, soiling, small tears and chipping, not price-clipped; [Idem] The crucible. New York: Viking, 1953. First? edition, 8vo, loose piece of paper with signature of Arthur Miller, original blue cloth, photographic dustwrapper, differs from Jensen’s description of the first edition in that the title page lacks the date and the and the copyright does not state’ Printed in the U.S.A. by Colonial Press Inc.’ but rather ‘Printed in the U.S.A.’, however there is no Act II, Scene II in book, dustwrapper price-clipped, with a few tears and some soiling; [Idem] A view from the bridge. New York: Viking, 1955. First edition, 8vo, loose piece of paper carrying signature of Arthur Miller, original red quarter cloth and printed boards, dustwrapper a little torn in places and slightly darkened, not price-clipped; Morath, Inge, (photographer) Photograph of Arthur Miller, signed in red biro at foot by Arthur Miller, 155 x 200mm., with T.L.S. from Inge Morath to Bruce Ritchie attached to frame verso (4) £200-300 595 FE191/334 Miller, Arthur Death of a salesman. New York: Viking, 1981. 8vo, number 172 of 500 copies signed on the half-title by Arthur Miller, eight pages with 11 photographs from major productions of the play, t.e.g., original brown cloth gilt in slip case, spine and slip case a little faded; [Idem] After the fall. New York: Viking, 1964. First edition, 8vo, limited to 999 copies signed by Arthur Miller, original brown buckram with ‘AM’ in red and gilt to upper cover, cover a little faded, lacking box and glassine jackets; [Idem] Homely girl, a life, and other stories. New York: Viking, 1995. 8vo, signed by Arthur Miller to title, original black blind-embossed cloth with reproduction of Modigliani’s La Femme de l’Artiste to upper cover, some very slight fading to covers (3) £150-200 596 FE191/299 Motion, Andrew Independence. Edinburgh: Salamander Press, 1981; [Idem] Secret narratives. Edinburgh: Salamander Press, 1983. [One of 400 casebound]; [Idem] Dangerous play. Poems 1974-1984. Edinburgh: Salamander Press, 1984; [Idem] The Lamberts. New York: Farrar, Strauss, Giroux, 1986. First American edition; [Idem] The pale companion. London: Viking, 1989; [Idem] Love in a life. London: Faber, 1991; [Idem] Wainewright the poisoner. London: Faber, 2000; [Idem] Public property. 2002; [Idem] The invention of Dr Cake. London: Faber, 2003; [Idem] In the blood. London: Faber, 2006; [Idem] Silver. London: J. Cape, 2012; [Idem] Two poems. Child Okeford: Words Press, 1988. Number 145 of 2000 copies, signed by author on title, pink wrappers; [Idem] Famous for the creatures. London: Viking, 1991. Uncorrected advance proof, wrappers; first editions, all original cloth in dustwrappers except for the first and last 2, all signed by the author; and 5 others (including 3 paperbacks, signed) (18) £200-300

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597 FE191/532 Nobbs, David The itinerant lodger. London: Methuen, 1965. First edition, signed by the author, signed inscribed slip loosely inserted, dustwrapper slightly soiled; [Idem] Ostrich country. London: Methuen, 1968. First edition, signed by the author, 1cm closed tear to head of dustwrapper; [Idem] Second from last in the sack race. London: Methuen, 1983. First edition, signed by the author, dustwrapper slightly discoloured; [Idem] A bit of a do. London: Methuen, 1986. First edition, inscribed by the author; [Idem] Pratt of the Argus. London: Methuen, 1988. First edition, signed by the author; [Idem] Fair do’s. London: Methuen, 1990. First edition, inscribed by the author; [Idem] The cucumber man. London: Methuen, 1994. Second edition, signed by the author; [Idem] Going gently. London: Heinemann, 2000. First edition, signed by the author; [Idem] Sex and other changes. London: Heinemann, 2004; [Idem] Pratt à manger. London: Heinemann, 2006. First edition, signed by the author; all original boards, dustwrappers; and 5 others, 2 ex-library with signed slips pasted over library stamps, 2 signed paperbacks, 1 signed autobiography, and an autograph letter signed to Bruce Ritchie, 8 April 2008 (15 volumes & 1 autographed letter) £200-300 598 FE191/65 Nonesuch Press - Blake, William The writings; edited in three volumes by Geoffrey Keynes. Volume I [III]. London: The Nonesuch Press, 1925. 3 volumes in 1, 8vo., original limp vellum, no. XIV of 75 copies on Oxford India paper. Provenance: With loosely inserted large armorial bookplate of Elliot of Harwood. £150-250 599 FE191/301 Orwell, George Homage to Catalonia. London: Secker and Warburg, 1938. First edition, 8vo, original green cloth, dustwrapper lacking spine and considerably torn around edges, not price-clipped £400-500 600 FE191/302 Orwell, George James Burnham and the managerial revolution. London: Socialist Book Centre, 1946. 8vo, original orange paper covers, some darkening to pages and very light soiling where staples have rusted, covers a little faded and dust-soiled £150-250

601 FE191/303 Orwell, George Down and out in Paris and London. London: Victor Gollancz, 1933. First edition, 8vo, original black cloth, a little internal spotting, foremargin of page 15 repaired with no loss of text, spine slightly faded, joints repaired, covers a little rubbed; [Idem] Burmese days. London: Victor Gollancz, 1935. First British edition, original black cloth, previous owner’s signature to first free-endpaper, binding a little rubbed, faded and frayed slightly at corners; [Idem] Keep the aspidistra flying. London: Victor Gollancz, 1936. First edition, 8vo, original blue cloth, several notes in pencil by previous owner to endpapers and half-title, small date stamp in red to last paste-down endpaper, spine faded, some slight soiling to covers; [Idem] Coming up for air. London: Victor Gollancz, 1939. First edition, 8vo, original blue cloth, corner torn on one free-endpaper, small date stamp in red to last paste-down endpaper, spine and covers a little faded and soiled; And a small collection of related literature (14) £300-500 602 FE191/300 Orwell, George Nineteen eighty-four. London: Secker & Warburg, 1949. First edition, 8vo, original green cloth, facsimile red dustwrapper, spine faded; [Idem] Animal farm. London: Secker & Warburg, 1945. Second edition, 8vo, original green cloth, grey and green dustwrapper a little soiled and very slightly chipped in places; [Idem] Critical essays. London: Secker & Warburg, 1946. First edition, 8vo, original red cloth gilt, beige dustwrapper with spine a little soiled and very slightly bumped along upper edge; [Idem] The road to Wigan Pier. London: Victor Gollancz, 1937. First (Left Book Club) edition, 8vo, original orange cloth, small ownership inscription to first free-endpaper, spine a little faded and a couple of corners frayed a little. [Idem] The lion and the unicorn. London: Secker & Warburg, 1941. First edition, 8vo, original grey cloth, dustwrapper a little dust-soiled and bumped; [Idem] Shooting an elephant. London: Secker & Warburg, 1950. First edition, 8vo, original green cloth, grey and red dustwrapper slightly chipped and faded along spine, spine of book faded; [Idem] England your England. London: Secker & Warburg, 1953. First edition, 8vo, original green cloth, green dustwrapper very slightly bumped and a little dust-soiled on reverse; [Idem] Such, such were the joys. New York: Harcourt, Brace and Company, 1953. First American edition, 8vo, original green cloth, orange dustwrapper a little chipped, rubbed and faded along spine with small closed tear to upper cover; [Idem] The English people. London: Collins, 1947. 8vo, original green printed boards, green and cream dustwrapper very slightly dust-soiled on lower cover; And two other works (6 books) relating to Orwell (14) £500-600 603 FE191/307 Owen, Wilfred Poems. London: Chatto & Windus, 1920. First edition, frontispiece portrait, original red cloth with paper label to spine, dustwrapper, bookplate of John Johnson to paste-down endpaper, occasional spotting, cloth very slightly bubbled in a couple of places, dustwrapper a little browned and spotted, with a few small chips to spine and repaired in places, in slightly faded red slip case £1,200-1,800 133

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604 FE191/308 Owen, Wilfred and Harold Memoirs of the Owen family by Harold Owen. London: Oxford University Press, 1963-1965. First editions, 8vo, 3 volumes, all signed by the author and dedicated to Lady Onslow, with a signed letter from Harold Owen to Lady Onslow dated July 25th 1994, apologising for not having been able to meet with her on a couple of occasions due to ill health, writing about some of his literary endeavours and offering an inscribed copy of what can be assumed to be the second volume of the Memoirs, original orange cloth, dustwrappers slightly browned along spines and a little chipped in places, price-clipped; Owen, Wilfred - Blunden, Edmund The poems of Wilfred Owen. London: Chatto & Windus, 1931. 8vo, number 35 of 160 copies, signed by Blunden on page 41, portrait frontispiece, original brown cloth, slight spotting to initial pages, edges and covers; Stallworthy, Jon Wilfred Owen, a biography. London: Oxford University Press, 1974. 8vo, original orange cloth, dustwrapper slightly faded and a little rubbed and bumped in places; and 3 others relating to Wilfred and Harold Owen (8) £200-250

606 FE191/387 Pinter, Harold The birthday party. London: Encore, 1959. First edition, 8vo, signed by Pinter on titlepage, photographic cover, a little rubbed; [Idem] Ten early poems. Greville Press, 1992. First edition, 8vo, cream printed wrappers; [Idem] The caretaker. London: Encore, [1960]. First edition, 8vo, signed by Pinter on titlepage; [Idem] I know the place. Warwick: Greville Press, [1979?] 8vo, number 344 of 500 copies signed by Pinter, 4 plates, black cloth; [Idem] Landscape and silence. London: Methuen, 1969. First edition, 8vo, signed, ‘To Bruce Ritche/ Best Wishes/ Harild Pinter’, dustwrapper; [Idem] The hothouse. London: Eyre Methuen, 1980. 8vo, signed by Pinter on titlepage, dustwrapper; [Idem] Betrayal. London: Eyre Methuen, 1978. First edition, dedicated from Pinter to Bruce Ritchie on titlepage, dustwrapper; [Idem] The Proust screenplay. London: Eyre Methuen, 1978. First edition, 4to, front free-endpaper signed by Pinter, dustwrapper; [Idem] Old times. London: Methuen & Co, 1971. First edition, 8vo, dedicated on titlepage from Pinter to Bruce Ritchie, dustwrapper; a signed black and white photograph of Harold Pinter, 165x111mm; and 35 others (44) £400-600

605 FE191/160 Parker, Dorothy Enough rope. New York: Boni & Liveright, 1926. First edition, 8vo., publisher’s quarter cloth, marbled boards, a little rubbing of extremities, some light spotting, short split at the bottom of p. 33 (no loss), with the bookplate of Dennis Wheatley and the blind stamp of Arthur Howden Smith on the front free endpaper; [Idem] Sunset gun. New York: Boni & Liveright, 1928. First edition, 8vo., publisher’s quarter cloth, marbled boards; [Idem] Laments for the living. New York: The Viking Press, 1930. First edition, 8vo., publisher’s cloth, uncut, dustwrappers, loss to spine of wrapper, endpapers discoloured; [Idem] Death and taxes. New York: The Viking Press, 1931. First edition, 8vo., publisher’s cloth, dustwrappers, wrappers with a few spots and nicks to head and tail; [Idem] Collected poems: not so deep as well; decorated by Valenti Angelo. New York: The Viking Press, 1936. First edition, 8vo., publisher’s cloth, dustwrappers, some wear to extremities of wrapper, some offsetting to endpapers, bookplate of William Stork; [Idem] Here lies: the collected stories. New York: The Viking Press, 1939. First edition, 8vo., publisher’s cloth, printed paper label, edges of label slightly creased, spine and upper section of lower cover faded, slight offsetting to the endpapers; [Idem]The Ladies of the corridor: a play by Dorothy Parker and Arnaud d’Usseau. New York: The Viking Press, 1954. First edition, 8vo., publisher’s quarter cloth, paper boards, dustwrappers, and 5 others (12)

607 FE191/285 Plath, Sylvia The colossus. London: William Heinemann, 1960. First edition, 8vo, original green cloth, owner’s name on and bookplate removed from front endpapers, binding lightly marked; [Idem] Ariel. London: Faber & Faber, 1965. First edition, 8vo, original red cloth, dustwrappper frayed with small losses; [Idem] The colossus. London: Faber & Faber, 1967. First Faber edition, dustwrapper slightly soiled and discoloured; [Idem] The bell jar. New York: Harper & Row, 1971. [Idem] First American edition, original red cloth, one corner rubbed, dustwrapper frayed and one corner worn; [Idem] Crossing the water. London: Faber & Faber, 1971. First edition, original blue cloth, dustwrapper spine slightly discoloured; [Idem] Winter Trees. London: Faber & Faber, 1971. First edition, 8vo, original blue cloth, dustwrapper; [Idem] Fiesta melons. Exeter: The Rougemont Press, 1971. First edition, 4to, number 52 of 150 copies, one of 75 signed by Ted Hughes at the foot of the Introdcution, original red cloth, dustwrapper; [Idem] The bed book. London: Faber & Faber, 1976. First edition, original cloth, dustwrapper, spine faded; [Idem] Two poems. Knotting: The Sceptre Press, [1980]. Limited edition, no. 62 of 75 “especial” copies from a total edition of 300, square 8vo, original brown wrappers; [Idem] Child. Exeter: Rougemeont Press, 1971. 4to, number 3 of 325 copies, printed wrappers, dustwrapper; and 7 others by Plath, and 1 by A. Alvarez (18) £400-600

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608 FE191/284 Plath, Sylvia Lyonnesse. London: Rainbow Press, 1971. 4to, one of 90 copies; [Idem] Crystal gazer. London: Rainbow Press, 1971. 4to, one of 400 copies; [Idem] Fiesta melons. Exeter, Rougemont Press, 1971, one of 150 copies, this one of 75 signed by Ted Hughes at the foot of the Introduction, folding box, all bound in full mottled/painted calf designed by Audrey Tomlinson, t.e.g., others uncut (3) £300-400 609 FE191/446 Poetry Society Poem of the month. London, 1970-71. 12 broadsides [of 48], 15 x 11” and an introductory sheet, the introductory sheet signed by Roy Fuller and each of the twelve broadsides signed by the author of the poem thereon. Contributions from George Baker, C. Day Lewis, Roy Fuller, John Fuller, Robert Graves, Elizabeth Jennings, Norman MacCaig, Philip Larkin, Peter Porter, Stephen Spender, Anthony Thwaite, and Stevie Smith. [AND] Auden, W.S. - Ilkley Literature Festival. Tribute to Wystan Hugh Auden: poems by Alan Brownjohn, Charles Causley, Kevin Crossley Holland …Commissioned by the Ilkley Literature Festival. Ilkley: for the Festival by the Scolar Press, 1973. Folio, booklet and 25 facsimile sheets in a folder [2] £150-200

610 FE191/530 Pym, Barbara Some tame gazelle. London: J. Cape, 1950. Second impression, dustwrapper slightly frayed, owner’s inscriptions and review cuttings pasted to front free endpaper; [Idem] Excellent women. London: J. Cape, 1952. First edition, dustwrapper slightly frayed at head of spine; [Idem] A glass of blessings. London: J. Cape, 1958. First edition, dustwrapper slightly rubbed and slightly soiled; [Idem] No fond return of love. London: J. Cape, 1961. First edition, dustwrapper slightly frayed at head and tail of spine; [Idem] Quartet in Autumn. London: Macmillan, 1977. First edition, dustwrapper; original boards, all but first item first editions, and 9 others by Pym, mostly first editions (14) £200-300 611 FE191/535 Pynchon, Thomas The crying of lot 49. Philadelphia and New York: J.B. Lippincott, [1966]. First edition, original grey cloth with yellow spine, dustwrapper slightly discoloured and with spine slightly frayed, upper edge of boards slightly discoloured; and 5 others including a slim pamphlet (6) £200-300

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612 FE191/128 Rattigan, Terence The Winslow boy. London: Hamish Hamilton, 1946. First edition, small 8vo., publisher’s cloth, dustwrappers, very slight wear to head and tail of wrapper, with a signed inscription by the author to Muriel Sneath, Christmas 1946; [Idem] Nijinsky: a play for television. London: Dr. Jan Van Loewen Ltd., foolscap, script for a screenplay, original wrappers; [Idem] The collected plays. London: Hamish Hamilton, 1954-1978. 4 volumes, 8vo., dustwrappers to volumes 3 & 4, library stamp on titlepage of volume 3, with a signed card by Terrence Rattigan and a letter from his secretary to Peter Wiener; and three others (9) £200-300 613 FE191/466 Riding, Laura The life of the dead with ten illustrations by John Aldridge engraved on wood by R.J. Beedham. London: Arthur Barker, [1933]. 4to., original paper wrappers, yapp edges, printed paper label, one of 200 copies Note: Although the notice of limitation describes each copy as being signed by the author and the illustrator, this copy is not signed. £100-150 614 FE191/293 Roethke, Theodore Open house. New York: A.A. Knopf, 1941. First edition, no. 990 of 1000 copies, original blue cloth; [Idem] The lost son and other poems. New York: Doubleday & Co., 1948. First edition, signed by the author on endpaper, original black cloth, spine slightly faded, owner’s name on endpaper; [Idem] Praise to the end!. New York: Doubleday & Co., 1951. First edition, original two-tone cloth, dustwrapper frayed; [Idem] The waking. New York: Doubleday & Co., 1953. First edition, original blue cloth, dustwrapper frayed at head and tail of spine; 8vo; and 3 U.K. editions (7) £200-300 615 FE191/295 Rosenberg, Isaac Youth. London: [Privately Printed], I. Narodiczky, printer, 1915. First edition, 8vo, original brown paper wrappers, wrappers detached and chipped Note: 18 page pamphlet, the second of only three books privately published by Rosenberg before he was killed in World War I at the age of 27. In order to pay for the printing, Rosenberg sold Edward Marsh three life drawings he had done. The book was printed in an edition of about 100 copies. £200-300 616 FE191/294 Rosenberg, Isaac Poems. London: W. Heinemann, 1922. First edition, 8vo, original black cloth, uncut, blue dustwrapper lightly soiled £200-300

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617 FE191/533 Roth, Philip Goodbye, Columbus. Boston: Houghton Mifflin, 1959. First edition, original two-tone boards, lacks dustwrapper; [Idem] Portnoy’s complaint. New York: Random House, [1969]. First edition, dustwrapper price clipped and spine faded; [Idem] The great American novel. New York: Holt, Rinehart &c., 1973. First edition; [Idem] My life as a man. New York: Holt, Rinehart &c., 1974. First edition, dustwrapper price clipped; Idem Zuckerman unbound. New York: Farrar, Strauss, Giroux, 1981. First edition; [Idem] Deception. New York: Simon & Schuster, 1990. First edition, dustwrapper slightly soiled; Idem The human stain. Boston: Houghton Mifflin, 2000. First edition; [Idem] Exit ghost. Boston: Houghton Mifflin, 2007. First edition; [Idem] The professor of desire. London: J. Cape, 1978. First U.K. edition, signed by the author and also by the book’s dedicatee, Claire Bloom; all but the first with dustwrappers; and 11 others, including 9 first U.K. Jonathan Cape editions (20) £200-300 618 FE191/296 Runyon, Damon Guys and dolls. New York: Frederick A. Stokes Co., 1931. First edition, 8vo, Review copy with stamp on endpaper “Pub’n N date Sep. 20 1931”, original red cloth, spine faded and rubbed at head and tail; with 3 later works and a biography (4) £200-300 619 FE191/127 Rushdie, Salman Midnight’s children. London: Jonathan Cape, 1981. First edition, fourth impression, 8vo., publisher’s cloth, dustwrappers, signed by the author on the titlepage;[Idem] Shame. London: Jonathan Cape, 1983. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] The Satanic verses. First edition, 8vo., publisher’s cloth, dustwrappers, price cut from wrappers, signed by the author on the titlepage; [Idem] Haroun and the sea of stories. London: Granta Books, 1990. First edition, 8vo., publisher’s cloth, dustwrappers, signed by the author on the titlepage; [Idem] The Moor’s last sigh. London: Jonathan Cape, 1965. First edition, 8vo., publisher’s cloth, dustwrapper, signed by the author on the titlepage; [Idem] The Ground beneath her feet; a novel. London: Jonathan Cape, 1999. First edition, 8vo., publisher’s cloth, dustwrapper, signed by the author on the titlepage; [Idem] Fury. London: Jonathan Cape, 2001. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] Shalimar the clown: a novel. London: Jonathan Cape, 2005. First edition, 8vo., publisher’s cloth, dustwrappers, signed by the author on the titlepage; [Idem] The Enchantress of Florence. London: Jonathan Cape, 2008. First edition, 8vo., publisher’s cloth, dustwrappers, signed by the author on the titlerpage; [Idem] Luka and the fire of life. London: Jonathan Cape, 2010. First edition, 8vo., publisher’s cloth, dustwrappers, signed by the author on the titlepage (10) £400-600

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622 FE191/158 Sassoon, Siegfried Memoirs of an infantry officer; by the author of Memoirs of a foxhunting man. London: Faber & Faber, 1930. First edition, publisher’s cloth, spine faded, Faber publication date notice loosely inserted, no. 588 of 750 copies, signed by the author £120-180 623 FE191/156 Sassoon, Siegfried Vigils. [Bristol: privately printed], 1934. 8vo., full light tan morocco, t.e.g., by John G. Gray & Sons of Cambridge, spine darkened, offsetting from inner dentelles to free endpapers, the whole work engraved on copper plates by Sigrist, no. 93 of 272, signed by the author £150-250

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620 FE191/159 Sassoon, Siegfried The old huntsman and other poems. London: William Heinemann, 1917. First edition, first impression with the errata slip, 8vo., publisher’s grey paper boards, printed spine label, edges of label slightly chipped £150-250

624 FE191/157 Sassoon, Siegfried Satirical pieces. London: William Heinemann, 1926. First edition, small 8vo., publisher’s cloth, some fading of spine and upper cover; [Idem] The Heart’s journey. London: William Heinemann, 1928. First trade edition, small 8vo., publisher’s cloth, dustwrappers, spine of wrappers darkened and with damage to head and upper fold; [Idem] The Road to ruin. London: Faber and Faber,1933. First edition, 8vo., publisher’s paper boards, dustwrappers, a little wear to the extremities of the wrappers, and to corner of the boards; [Idem] Memoirs of a fox-hunting man. London: Faber & Gwyer, 1928. First edition, second impression, with the author’s name omitted from the titlepage, 2 volumes, small 8vo., publisher’s cloth, spines faded, inscription on the front endpaper of volume 1 and bookplate of Leonard Davies in volume 2; [Idem] Vigils. London: Heinemann, 1935. First trade edition, 8vo., publisher’s cloth, dustwrappers, wrappers a little dusty and with some wear to extremities; [Idem] Sherston’s progress. London: Faber and Faber, 1936. First edition, 8vo., publisher’s cloth; [Idem] Siegfried’s journey. London: Faber and Faber, 1945. First edition, 8vo., publisher’s cloth, dustwrappers, wrappers dusty and with some wear to extremities; [Idem] Collected poems. London: Faber and Faber, 1947. First edition, 8vo., publisher’s cloth, dustwrappers, wear to extremities of wrappers, slight offsetting to the endpapers, bookplate of Maurice Lindsay; and 3 others (12) £200-300

621 FE191/155 Sassoon, Siegfried The war poems. London: William Heinemann, 1919. First edition, 12mo., publisher’s cloth, printed paper labels to spine and upper cover, edges uncut, spine slightly faded and with right hand corner of the spine label chipped affecting a couple of letters, slight wear at heads, tails and corners, front endpapers renewed £200-300

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625 FE191/297 Sherriff, Robert Cedric Journey’s end. A play in three acts. London: V. Gollancz, 1929. First edition, inscribed “To W. Gordon Carter, with kind regards from R.C. Sherriff, Esher, Surrey, 26 June 1933”, 8vo, original black cloth, dustwrapper, and with orange wrap-around band “Journey’s End. Now being performed at the Savoy Theatre”, Typed Letter Signed discussing similar habits to Capt. Coke tipped in; Sherriff, R.C. & V. Bartlett Journey’s end, a novel. London: V. Gollancz, 1930. First edition, 8vo, number 245 of 600 copies signed by the authors, original vellum-backed cloth, uncut, spine gilt (2) £300-400

626 FE191/129 Smith, Stevie [i.e Smith, Florence Margaret] Novel on yellow paper or work it out for yourself. London: Jonathan Cape, 1936. First edition, 8vo., publisher’s yellow cloth, dustwrappers, very small split at spine or wrapper with some nicks to edges, light foxing to fore-edges and to binding cloth; [Idem] A Good time was had by all: illustrated by the author. London: Jonathan Cape, 1937. First edition, 8vo., publisher’s cloth, dustwrappers, dustwrappers a little dusty; [Idem] Tender only to one: poems and drawings. London: Jonathan Cape, 1938. First edition, 8vo., publisher’s cloth, dustwrappers, wrappers a little dusty; [Idem] Harold’s leap. London: Chapman & Hall, 1950. First edition, 8vo., publisher’s cloth, dustwrappers, wrappers a little dusty, with nick to head of spine; [Idem] Selected poems. London: Longmans, 1962. First edition, 8vo., publisher’s cloth, dustwrappers, signed by Stevie Smith on the front free pastedown, and 5 others (10) £350-450 627 FE191/226 Spark, Muriel The prime of Miss Jean Brodie. London: Macmillan, 1961. First edition, signed by the author on title, original green cloth, pictorial endpaper, binding bit rubbed and marked at foot of upper board, dustwrapper price clipped and with small stain at foot of spine, extremities slightly rubbed, [David Rees: A14a] £150-250

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628 FE191/227 Spark, Muriel - a large collection, including: Child of light. Hadleigh: Tower Bridge Publications, 1951. First edition, original orange boards, [Rees A3(a)]; [Idem] The Fanfarlo. Ashford: Hand and Flower Press, 1952. First edition, light blue wrappers lettered in blue, lower wrapper spotted, [Rees A4]; [Idem] The comforters. London: Macmillan, 1957. First edition, author’s signature on a slip of paper loosely inserted at title, original blue boards, pictorial dustwrapper with two tears, slight loss and discoloured, [Rees A6(a)]; [Idem] Robinson. London: Macmillan, 1958. First edition, original green boards, pictorial dustwrapper price-clipped, [Rees A7(a)]; [Idem] The go-away bird. London: Macmillan, 1958. First edition, author’s signature on a slip of paper loosely inserted at title, pictorial dustwrapper very slightly rubbed at extremities, [Rees A8(a)]; [Idem] Momento mori. London: Macmillan, 1959. First edition, author’s signature on a slip of paper loosely inserted at title, original blue-green boards, pictorial dustwrapper slightly rubbed at extremities, [Rees A9(a)]; [Idem] The ballad of Peckham Rye. London: Macmillan, 1960. First edition, author’s signature on a slip of paper loosely inserted at title, original light blue boards, pictorial dustwrapper rubbed at extremities, 1cm tear to lower wrapper, slight staining, [Rees A10(a)]; [Idem] The bachelors. London: Macmillan, 1960. First edition, original red boards, pictorial dustwrapper rubbed with slight loss, short tear at folds and crease, [Rees A11; [Idem] The girl of slender means. London: Macmillan, 1963. First edition, author’s signature on a slip of paper loosely inserted, decorative dustwrapper rubbed at extremities and folds, [Rees A16(a)]; [Idem] Voices at play. London: Macmillan, 1961. First edition, pictorial dustwrapper with slight erasure mark to upper wrapper, [Rees A13(a)]; [Idem] The French window and the small telephone. London: Colophon Press, 1993. First edition, number 4 of 105 copies signed by the author, original black morocco-backed boards, t.e.g.; [Idem] The Portobello Road and other stories. Helsinki: Eurographica, 1990. First edition, number 230 of 350 copies signed by the author, original slate blue wrappers, [Idem] All the poems. Manchester Carcanet, 2004. First edition, signed by the author on title, dustwrapper; [Idem] Harper and Wilton. Colophon Press, 1996. First edition, number 16 of 110 copies signed by the author, original quarter brown morocco and marbled boards; [Idem] A hundred and eleven years without a chauffeur. Colophon Press, 2001. First edition, number 19 of 157 copies signed by the author, original blue wrappers; and 22 others comprising 21 by Muriel Spark (19 in dustwrappers), and a biography (37)

629 FE191/503 Stevens, Wallace Harmonium. New York: Alfred A. Knopf, 1923. First edition, first binding of original blue cloth-backed paper boards in a pattern of blue, red, yellow and white checks, uncut, [Edelstein A.1.a], very slight discolouration and a little wear at corners Note: FIrst edition of Steven’s first book of poetry. The first 500 copies of the print run were published in this binding of check boards and a cloth backstrip. £300-500 630 FE191/504 Stevens, Wallace Harmonium. New York: A.A. Knopf, 1931. Second edition, fourth binding of tan cloth, [Edelstein A1.b], original gray dustwrapper splitting along upper spine fold and spine slightly discoloured; [Idem] Ideas of order. New York: A.A. Knopf, 1936. Second edition, first binding of vertically striped pink, white, yellow and gray cloth, dustwrapper rubbed at head and base, with 2cm tear to upper wrapper and somewhat dust-soiled, [Edelstein A2.b]; [Idem] Notes toward a supreme fiction. Cummington: Cummington Press, 1942. First edition, number 14 of 190 copies on Dutch Charcoal of a total edition of 273 copies, original white cloth, uncut, [Edelstein A6.a], occasional light spotting, binding lightly soiled, without the glassine dustwrapper; [Idem] The man with the blue guitar. New York: A.Al. Knopf, 1937. First edition, [EdelsteinA4.a], original yellow cloth, without dustwrapper, spine slightly faded, binding lightly marked; [Idem] Parts of a world. New York: A.A. Knopf, 1942. First edition, original blue cloth, [Edelstein A5.a.1], without dustwrapper, a trifle soiled; [Idem] Transport to Summer. New York: A.A. Knopf, 1947. First edition, publisher’s Review Slip loosely inserted, original black clothbacked green boards, uncut, dustwrapper discoloured and slightly marked; [Idem] The auroras of Autumn. New York: A.A. Knopf, 1950. First edition, original cloth, pink dustwrapper spine slightly rubbed at head and tail and slightly discoloured, two short tears, [Edelstein A14.a.1]; [Idem] A primitive like an orb. Gotham Book Mart: Banyan Press, March 1948. 8vo, limited to 500 copies, 2 illustrations by Kurt Seligman, original green wrappers a little faded; and 2 others (10) £300-400

Note: Included in the lot is a typed letter signed from the author to Bruce Ritchie “I never sign slips of paper, but you say such wonderful things about my work that I have made an exception in your case. Thank you very much for what you say. I hope you will continue to derive pleasure from my work...”, Civitella della Chiana, 23 October 2005. £600-800

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Bruce Ritchie

Bruce Ritchie wrote to me on September 9th, “The thing is I haven’t had too good a time of late. As I thought to move serenely to the age of 70, I was assailed by, in succession, a sarcoma, a stroke, a heart attack and severe depression. I’ll spare you the complete organ recital, but it did all mean no cricket at Lord’s, no jaunts back to London for plays, music and paintings…” Much of Bruce is in those few words, his modesty, his stoicism, his humour, his pleasures in life. I was travelling when he wrote, and, to my enormous regret, when I wrote back in October he was already dead. I’ve known very few people as kind, as learned, as civilised as Bruce. He taught my son Oliver at Merchant Taylors’ forty years ago and many pupils remember him fondly. The world is poorer without him. – Tom Stoppard

TOM STOPPARD 631 FE191/444 Stoppard, Tom Introduction 2: stories by new writers. London: Faber and Faber, 1964. First edition, 8vo., publisher’s red cloth, dustwrappers, price cut from corner of front wrapper fold. Note: Baker & Wachs D1a. Contains three stories by Stoppard and is his first appearance in book form, although for the author as he had to share the glory of publication with the other authors included in the book, “this was not - not yet - the long desired consummation. That occurred a few years later when I had a novel published.” £150-250 632 FE191/442 Stoppard, Tom Lord Malquist & Mr Moon: a novel. London: Anthony Blond, 1966. First edition, 8vo., publisher’s red cloth, dustwrappers, slight wear to extremities of wrapper, top edge dusty and slightly spotted, signed by Tom Stoppard on the front free endpaper. (Baker & Wachs D2a); [Idem] Lord Malquist & Mr Moon. New York, 1968. First American edition, 8vo., publisher’s quarter taupe cloth, blue cloth boards, dustwrappers, split to rear of wrapper, boards with very light spotting. (Baker & Wachs D2f); [Idem]Lord Malquist & Mr Moon: a novel. London: Faber and Faber, 1974. 8vo., publisher’s grey cloth, dustwrapper, wear to edges of wrappers, slight spotting to top edge. (Baker & Wachs D2c); [Idem] Lord Malquist & Mr Moon. New York: Grove Press, 1975. 8vo., publisher’s printed wrappers, signed by Tom Stoppard on the titlepage. (Baker & Wachs D2h); [Idem] Lord Malquist & Mr Moon. London: Faber and Faber, 1980. 8vo., printed paper wrappers (Baker & Wachs D2d) (5) Note: The author’s first published book, by which he thought he would make his name. However, success was limited, with low sales. The author used to refer to it as a bestseller in Venezuela. (Ira Nadel Double act: a life of Tom Stoppard, 2002, p.168) £200-300

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633 FE191/430 Stoppard, Tom Rosencrantz and Guildenstern are dead. London: Faber and Faber, 1967. First edition, publisher’s blue cloth, dustwrappers, corner of wrapper with price cut off, loosely inserted is a signed photograph of the author; [Idem] Rosencrantz and Guildenstern are dead. London: Faber and Faber, 1967. First paperback edition, publisher’s printed wrappers; [Idem] Rosencrantz and Guildenstern are dead. London: Faber and Faber, 1967. Reprint edition, publisher’s printed wrappers, signed by Tom Stoppard to Bruce Ritchie on the half-title; [Idem] Rosencrantz and Guildenstern are dead: the film. London: Faber and Faber, 1991. 8vo., publisher’s printed wrappers [4] Note: Baker & Wachs A1a & b. Stoppard’s first published play. “It was in boards and the boards were important. Rosecrantz and Guildenstern are dead was about as slim as a hardback could be, but it was a proper book. A paperback would not have felt the same.” Quoted by Baker & Wachs pp. 1-2. The second paperback edition above referred to as the “Reprint edition” differs from Baker & Wachs “c” in that while on the verso of the titlepage it has “Reprinted May mcmlxvii” it does not have the words “Second edition in October mcmlxvii”. £400-600 634 FE191/431 Stoppard, Tom Enter a free man. London: Faber and Faber, 1968. First edition, 8vo., publisher’s red cloth, dustwrappers, price cut off lower corner of wrapper. (Baker & Wachs A2a); [Idem] Enter a free man. London: Faber and Faber, 1968. First paperback edition, 8vo., publisher’s printed wrappers, signed by Tom Stoppard on the front free endpaper. (Baker & Wachs A2b); [Idem] The real Inspector Hound. London: Faber and Faber, 1968. First edition, 8vo., publisher’s dark blue cloth, dustwrappers. (Baker & Wachs A3aA); [Idem] The real Inspector Hound. London: Faber and Faber, 1968. First edition, 8vo., publisher’s

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printed wrappers, signed twice by Tom Stoppard on the titlepage (Baker & Wachs A3aB); [Idem] The real Inspector Hound. New York: Grove Press Inc., [?1968]: Book Club edition?, 8vo., publisher’s black cloth, dustwrapper, but without the words “Book Club Edition” on the back flap of the wrapper. (? A variant of either Baker Wachs A3e or f); [Idem] Albert’s bridge: a play. London: Faber and Faber, 1969. 8vo., publisher’s printed paper wrappers, signed by Tom Soppard on the half-title, (Baker & Wachs A4c); [Idem] Albert’s bridge & If you’re glad I’ll be Frank. London: Faber and Faber, 1969. First thus, 8vo., publisher’s black cloth, dustwrappers, slight wear to extremities of wrappers. (Baker & Wachs A4d); [Idem] If you’re glad I’ll be Frank. London: Faber and Faber, 1976. First British separate edition, 8vo., publisher’s printed paper wrappers. (Baker & Wachs A5a);[Idem] A separate piece: a play. London: Samuel French, 1969. First edition in French’s acting edition, 8vo., printed paper wrappers. (Baker & Wachs A6b); [Idem] “Galileo” in Areté: the arts tri-quarterly, 2003 issue 11. First edition, 8vo., printed paper wrappers. (Baker & Wachs B1a. written in 1970); [Idem] After Magritte. London: Faber and Faber, 1971. First edition, 8vo., printed paper wrappers, signed by Tom Stoppard on the half tittle, with Bruce Ritchie’s book label. (Baker & Wachs A7a) [11] £250-350 635 FE191/432 Stoppard, Tom Jumpers. London: Faber and Faber, 1972. First edition, 8vo., publisher’s red cloth, dustwrappers. (Baker & Wachs A8a); [Idem] Jumpers. Faber and Faber, 1972. First edition, 8vo., publisher’s printed paper wrappers, a couple of marginal annotations in biro, signed by Tom Stoppard on the titlepage. (Baker & Wachs A8a);[Idem] Jumpers. London: Faber and Faber, 1986. First revised edition. 8vo., publisher’s brown cloth, dustwrappers. (Baker & Wachs A8e) (3) £150-200

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636 FE191/434 Stoppard, Tom Artist descending a staircase and Where are they now?: two plays for radio. London: Faber and Faber, 1973. First edition thus, 8vo., publisher’s grey cloth, dustwrappers, final leaf used as lower pastedown - apparently as issued. (Baker & Wachs A9b); [Idem] Artist descending a staircase and Where are they now?: two plays for radio. London: Faber and Faber, 1973. First edition thus, 8vo., publisher’s printed wrappers, signed by Tom Stoppard on the half-title. (Baker & Wachs A9b); [Idem] Artist descending a staircase: a play. London: Samuel French, 1988. 8vo., printed wrappers. (Baker & Wachs A9f); Dirty linen and New-Found-Land. London: Inter-Action Imprint, 1976. Second Ambience edition, 8vo., publisher’s card wrappers with House of Commons and two pairs of women’s underpants, signed by Tom Stoppard on the titlepage. (Baker & Wachs A11b; [Idem] Dirty linen and New-Found-Land. London: Faber & Faber, 1976. First thus, 8vo., publisher’s printed wrappers, very slight wear to lower extremities. (Baker & Wachs 11c); [Idem] Dirty linen and New-Found-Land. New York: Grove Press, 1976. Book Club edition, 8vo., publisher’s blue cloth, dustwrappers (Baker & Wachs 11f). [6] £150-250 633 141

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637 FE191/435 Stoppard, Tom Travesties. London: Faber and Faber, 1975. Uncorrected proof copy, 8vo., publisher’s green paper wrapper, stamped “uncorrected proof copy” and with Faber & Faber advance proof slip loosely inserted; [Idem] Travesties. London: Faber and Faber, London: Faber and Faber, 1975. First edition, 8vo., publisher’s dark green cloth dustwrappers, a little wear to wrappers’ extremities, felt pen ownership inscription on the front free endpaper. (Baker & Wachs A10a); [Idem] Travesties. London: Faber and Faber, 1975. 8vo., printed paper wrappers, signed by Tom Stoppard on the front blank. (Baker & Wachs A10aB) (3) £200-300

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638 FE191/436 Stoppard, Tom Every good boy deserves favour: a play for actors and orchestra and Professional foul: a play for television. London: Faber and Faber, 1978. First edition, publisher’s blue cloth, dustwrappers, library accession number stamped on verso of the titlepage, slight inner cracking. (Baker & Wachs A13aA); [Idem] Every good boy deserves favour: a play for actors and orchestra and Professional foul: a play for television. London: Faber and Faber, 1978. First edition, 8vo., publisher’s printed wrappers, signed by Tom Stoppard on the halftitle. (Baker & Wachs A13baB); [Idem] Every good boy deserves favour and Professional foul. New York: Grove Press, 1978. First American edition, 8vo., publisher’s cream cloth, dustwrappers. (Baker & Wachs A13d); [Idem] Night and day. London: Faber and Faber, 1978. First edition, 8vo., publisher’s black cloth, dustwrappers, signed by Tom Stoppard on the titlepage. (Baker & Wachs A14a); [Idem] Night and day. London: Faber and Faber, 1978. First edition, 8vo., publisher’s dustwrappers, with Bruce Ritchie’s ex libris signed by Tom Stoppard. (Baker & Wachs A14a); [Idem] Night and day: a play. New York: Grove Press, 1979. Book Club edition, 8vo., publisher’s black cloth, dustwrappers, some wear to the extremities of the wrappers, name “David Rankin” stamped at lower right hand corner of front free endpaper. (Baker & Wachs A14d); [Idem]Dogg’s Hamlet and Cahoot’s Macbeth. London: Inter-Action Imprint, 1979. First edition, 8vo., printed wrappers, signed by Tom Stoppard on the titlepage. (Baker & Wachs A15a); [Idem] Dogg’s Hamlet and Cahoot’s Macbeth. London: Faber and Faber, 1980. 8vo., publisher’s black cloth, dustwrappers. (Baker & Wachs A15cA); [Idem] Dogg’s Hamlet and Cahoot’s Macbeth. London: Faber and Faber, 1980. 8vo., publisher’s printed wrappers (Baker & Wachs A15cB) (9) £200-300 639 FE191/438 Stoppard, Tom The real thing. Typescript dated February 1982. Prepared by Fraser & Dunlop Scripts Ltd, 91 Regent Street, London. 4to., pale blue paper, with 2 punch holes for binding, bound in quarter green morocco, marbled boards, by Sangorski & Sutcliffe, inscribed “To Bruce Ritchie defender of Eng sodding Lit (vivat!) Tom vi. 8” (3) Note: “Staged in the West End and then on Broadway, The Real thing became one of Stoppard’s most popular and longest-running plays, opening on 16 Novemebr 1982 at the Strand with Felicity Kendal ... and Roger Rees ... in the lead roles.... The Real thing is by Stoppard’s own admission a self-referencing work, a term Stoppard used to draw on his own experience in the theatre and, presumably, in love. The play also takes on a strange prescient quality, given his later relationship with Kendal. He completed the work in march 1982, changing the original protagonist from a novelist to a playwright ...” (Ira Nadel Double act: a life of Tom Stoppard, London, 2002, pp. 321 and 323). The typescript is accompanied by a programme for the Strand Theatre 1983 production signed by Felicity Kendall, Roger Rees, and other members of the cast. Also included is a bound photocopy of the original MS of Stoppard’s libreto for Prokofiev’s The Love for three oranges now at the Bancroft Library, University of

California and of the typescript of The Frog prince. This has been bound in quarter red morocco by Allison & Downie to match the typescript of The Real thing. Bound in at the front is the broadside containing an extract from the first British edition of The Real thing, the speech by Henry, holding his cricket bat, signed in red ink by Stoppard. 500 copies of the broadsheet were produced of which this is no 372 (Baker & Wachs A18a note five.) £600-800 640 FE191/437 Stoppard, Tom The real thing. London: Faber and Faber, 1982. First edition, 8vo., publisher’s printed wrappers. (Baker & Wachs A18a); [Idem] The real thing. London: Faber and Faber, 1983. Reprinted with revisions, 8vo., publisher’s printed wrappers. (Baker & Wachs A18b); [Idem] The real thing. London: Faber and Faber, 1983. Book Club edition, 8vo., publisher’s cloth, printed grey wrappers, small nick to wrapper at foot of spine. (Baker & Wachs A18e, describing wrappers as cream); [Idem] The dog it was that died and other plays. London: Faber and Faber, 1983. First British edition, 8vo., publisher’s peach cloth, dustwrappers, slight paper discolouration of the fore-edges extending into the outer margins. (Baker & Wachs G4aA); [Idem] The dog it was that died and other plays. London: Faber and Faber, 1983. First British edition, 8vo., publisher’s printed wrappers, slight paper discolouration of the fore-edges extending into the outer margins. (Baker & Wachs G4aB); [Idem] Squaring the circle with Every good boy deserves favour and Professional foul. London: Faber and Faber, 1984. First British edition, 8vo., publisher’s light cloth, dustwrappers. (Baker & Wachs G6aA); [Idem] Squaring the circle with Every good boy deserves favour and Professional foul. London: Faber and Faber, 1984. First British edition, 8vo., publisher’s printed wrappers. (Baker & Wachs Ga6B); [Idem] Hapgood. London: Faber and Faber, 1988. First British edition, 8vo., publisher’s printed wrappers, loosely inserted is a TLS from Stoppard’s secretary to Bruce Ritchie, front blank signed “To Bruce with best wishes from Tom.” (Baker & Wachs A21a); [Idem] Hapgood. London: Faber and Faber, 1994. Second British edition with corrections, 8vo., publisher’s cloth, dustwrappers. (Baker & Wach 21b) [9] £200-300 641 FE191/443 Stoppard, Tom The real thing. [s.l.]: Reprinted by permission of Faber and Faber, [n.d.]. Broadside, single sheet 29.6 by 20.8 cm., nos. 3 and 376-386 of 500 all signed in red by Tom Stoppard. [12] Note: Baker & Wachs A18a note five, not identifying the origin or publisher of this item. The text is an 18 line speech by Henry who is described as “holding his cricket bat.” It is clear from correspondence with various booksellers that Ritchie held more copies than these currently being offered for sale. Given his great interest in cricket, it is conceivable that Ritchie himself was responsible for the production of the Broadside. Clearly he was distributing and selling copies. £200-300

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642 FE191/439 Stoppard, Tom In the native state. 1991. Author’s proof sheets, marked up with corrections, inscribed to Bruce Ritchie “Dear Bruce - as you see I have written a play - being for radio, it will remain a secret, relatively. The broadcast is on April 21. Delighted the Australian tour was achieved and so proud to be in the Bradman museum. Yours, Tom.” Contained in a red linen box. Note: The play, a radio play, was the fruit of a commission from John Tydeman, then head of BBC drama. It took more than three years to complete and was a year late in delivery. (Ira Nadel Double act: a life of Tom Stoppard, London, 2002, p. 401.) It was broadcast on BBC Radion 3 on 21 April 1991 staring Felicity Kendal to whom the play was dedicated. It became the foundation for Indian ink. (Baker & Wachs A22 Note two) £500-700 See illustration on page 142 643 FE191/440 Stoppard, Tom In the native state. London: Faber and Faber, 1991. First British edition 8vo., publisher’s cloth, dustwrapper. (Baker & Sachs A22aA); [Idem] In the native state. London: Faber and Faber, 1991. 8vo., publisher’s printed wrappers. (Baker & Wachs A22aB); [Idem] Arcadia. London: Faber and Faber, 1993. First edition, 8vo., publisher’s green cloth, dustwrappers, (Baker & Wachs A23aA); [Idem] Arcadia. London: Faber and Faber, 1993. First edition, 8vo., publisher’s wrappers, (Baker & Wachs A23aB); [Idem] Indian ink. Faber and Faber, 1995. First edition, 8vo., publisher’s blue cloth, dustwrappers. (Baker & Wachs A24aA); [Idem] The invention of love. London: Faber and Faber, 1997. First edition, 8vo., publisher’s green cloth, dustwrappers, signed by Tom Stoppard on the titlepage. (Baker & Wachs A25aA); [Idem] The Invention of love. London: Faber and Faber, 1997. 8vo., publisher’s printed wrappers. (Baker & Wachs A25aB, but with no. “2 4 6 8 10 9 7 5 3”and “Note to second edition”); [Idem] Royal Court Theatre presents Rock n’roll. London: Faber and Faber, 2006. First edition, 8vo., publisher’s printed wrappers, signed by Tom Stoppard on the titlepage. (Baker & Wachs A30a); [Idem] Rock n’roll. London: Faber and Faber, 2006. Revised edition, 8vo., publisher’s black cloth, dustwrappers. (Baker & Wachs A30bA); [Idem] The coast of utopia: Voyage; Shipwreck; Salvage. London: Faber and Faber, 2008. Revised trilogy in one volume, publisher’s printed wrappers. (Baker & Wachs A29d) (10) £200-300

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644 FE191/433 Stoppard, Tom Arcadia: a play; with a foreword by the playwright: an introduction by Diana Ketcham and four views of Sidley Park by Wlliam Matthews. San Francisco: The Arion Press, 2001. Oblong folio, with four folding coloured illustrations, publishers’ green ribbed cloth, printed paper labels to spine and upper cover, t.e. trimmed, others deckled, contained in a matching slip case, no 239 of 400 copies, signed by Tom Stoppard and William Matthews. Note: Baker & Wachs A23e. The design of the four fold-out drawings is an allusion to the ‘Red books’ of Sir Humphrey Repton, whose imaginary counterpart in the play, the landscape designer Mr Noakes, uses a similar presentation on stage. £200-300 645 FE191/441 Stoppard, Tom Voyage: the coast of Utopia part I [II and III]. London: Faber and Faber, 2002. 3 volumes, First edition, publisher’s cloth, dustwrappers, signed on each titlepage by Tom Stoppard (3) Note: Baker & Wachs A26aA, A27aA & A28aA. The Coast of Utopia comprises three self contained, sequential plays: Voyage, Shripwreck and Salvage. £150-250 646 FE191/445 Stoppard, Tom A collection of mainly adaptations, translations and collected works by Stoppard, to include: Mrozek, Slawomir Tango: translated by Nicholas Bethell; adapted by Tom Stoppard. London: Jonathan Cape, 1968. First edition, 8vo., publisher’s black cloth, dustwrappers. (Baker & Wachs C1a); Schnitzler, Arthur Undiscovered country: an English version by Tom Stoppard. London: Faber and Faber, 1980. First edition, 8vo., publisher’s printed wrappers, signed by Tom Stoppard on the half-title. (Baker & Wachs C2a); Nestroy, Johann On the razzle. London: Faber and Faber, 1980. First edition, 8vo., publisher’s printed wrappers, signed by Tom Stoppard on the half-title. (Baker & Wachs C3a); Berman, Editor Ten of the best British short plays. London: Inter-Action Inprint [sic], 1979. 8vo., publisher’s cloth dustwrapper, signed by Tom Stoppard on the front blank. (Baker & Wachs A16a, contains first edition of Dogg’s our pet); Stoppard, Tom The television plays 1965-1984. London: Faber and Faber, 1993. First edition thus, 8vo., publisher’s blue cloth, dustwrapper. (Baker & Wachs G9aA); [Idem] Is it true what they say about Shakespeare? (International Shakespeare Association occasional paper no. 2). Oxford, 1982. Pamphlet, 8vo., printed paper wrappers, inscribed “To Bruce with best wishes from Tom Stoppard.” (Baker & Wachs F6); Glynn Boyd Harte A Spring collection London: Thumb Gallery, 1976. Pamphlet, oblong 8vo. (Baker & Wachs F4, Stoppard contributed an introduction), 34 other works by Stoppard, a small quantity of books on him, newspaper cuttings relating to his life and works and numerous programmes relating to productions of his plays; sold not subject to return £400-600

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647 FE191/524 Swift, Graham Waterland. London: W. Heinemann, 1983. First edition, signed by the author, dustwrapper; [Idem] Out of this world. London: Viking, 1988. First edition, signed by the author, dustwrapper; [Idem] Last orders. London: Picador, 1996. First edition, signed by the author, dustwrapper; [Idem] Tomorrow. London: Picador, 2007. First edition, signed by the author, dustwrapper; [Idem] Making an elephant. London: Picador, 2009. First edition, signed by the author, dustwrapper; [Idem] Wish you were here. London: Picador, 2011. FIrst edition, signed by the author, dustwrapper, all original boards (6) £300-400 648 FE191/500 Thomas, Dylan 18 Poems. London: The Sunday Referee and the Parton Bookshop, 1954. First edition, first issue of 250 copies with a flat spine, 8vo, original black cloth lettered in gilt on spine, dustwrapper, occasional minor browning, dustwrapper reinforced with tape and splitting at upper joint, some soiling and tears with some loss to head of spine [Rolph B1(a)] £800-1,000 649 FE191/502 Thomas, Dylan Deaths and Entrances, edited by Walford Davies. Gregynog Press, 1984. Folio, number 153 of 250 copies, colour frontispiece and 7 double-page colour plates by John Piper, publisher’s morocco-backed cloth, slip case £200-300 650 FE191/501 Thomas, Dylan 18 Poems. London: Fortune Press, “1934” [but 1942]. Second edition, original green cloth-backed boards, [Rolf B2, later issue], boards slightly soiled; [Idem] Twenty-five poems. London: J.M. Dent, 1936. First edition, original grey boards, rebacked, boards somewhat soiled; [Idem] The map of love. London: J.M. Dent, 1939. First edition, original mauve cloth, dustwrapper slightly spotted and slightly rubbed; [Idem] Portrait of the artist as a young dog. London: J.M. Dent, 1940. First edition, original cloth, dustwrapper frayed with loss; [Idem] In country sleep. New York: New Directions Book, 1952. First edition, dustwrapper; [Idem] The doctor and the devils. London: J.M. Dent, 1953. First edition, dustwrapper frayed and slightly soiled; [Idem] Under milk wood. London: J.M. Dent, 1954. First edition, original brown cloth, dustwrapper slightly rubbed at head & one tiny tear; [Idem] Quite early one morning. London: J.M. Dent, 1954, First edition, dustwrapper slightly frayed; [Idem] Letters to Vernon Watkins. London: J.M. Dent, 1957. Dustwrapper; [Idem] Adventures in the skin trade. London: Putnam, 1955. Dustwrapper very slightly soiled; [Idem] A prospect of the sea. London: J.M. Dent, 1955. First edition, dustwrapper slightly soiled; [Idem] Rebecca’s daughters. London: Triton, 1965. First edition, dustwrapper frayed; and 6 others (18) £250-350

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651 FE191/327 Thomas, Edward The woodland life. Edinburgh: William Blackwood and Sons, 1897. First edition, 8vo, frontispiece, original green cloth gilt, occasional light foxing, covers and spine very slightly faded £150-200 652 FE191/328 Thomas, Edward Poems. London: Selwyn & Blount, 1917. First edition, 8vo, photographic portrait, some pages uncut, original boards with paper label to spine, library stamp of the International Students’ House to paste-down endpaper, a few pages a little darkened, spine slightly faded with a vertsmall amount of chipping, some soiling to label and boards; [Idem] Last poems. London: Selwyn & Blount, 1918. First edition, 8vo, original boards with paper label to spine, some darkening to pages but all text very legible, some rubbing and bumping to covers and spine, label slightly chipped and soiled (2) £200-250

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653 FE191/330 Thomas, Edward Four and twenty blackbirds. London: Duckworth & Co., 1915. First edition, 8vo, original printed blue cloth, child’s ownership inscription to first free-endpaper, occasional dust-soiling, darkening to endpapers, covers and spine a little faded with some soiling to lower cover and small tear in cloth to upper cover, lacking dustwrapper; [Idem] The country. London: B.T. Batsford, 1913. 8vo, ornate lettering designed by Percy Smith and with Smith’s ownership inscription to front paste-down endpaper, original blue cloth gilt designed by Guthrie, very slight fading to spine; Fowler, Robert Beautiful Wales. London: A.&C. Black, 1905. 8vo, plates, original green cloth gilt with floral and dragon motifs to upper cover, some spotting, especially to endpapers, covers and spine a little rubbed and bumped; [Idem] In pursuit of spring. London: Thomas Nelson and Sons, 1914. 8vo, 6 plates, original blue cloth gilt, spine and ends very slightly bumped; [Idem] The heart of England. London: J.M. Dent, 1909. Second edition, 8vo, engraved frontispiece, title in red and black, original green cloth gilt, lower hinge detached, covers and spine a little faded; [Idem] The south country. London: J.M. Dent, 1909. 8vo, presentation copy from the author’s parents with inscription to half-title dated July 1916, bookplate of Joan Stevens to first free-endpaper, original green cloth gilt, some light foxing, covers and spine a little faded; [Idem] Light and twilight. London: Duckworth & Co., 1911. 8vo, original green cloth with blue dustwrapper, covers and dustwrapper a little faded, with some rubbing to dustwrapper; [Idem] Rose acre papers. London: Duckwortrh & Co., 1910. First edition, 8vo, original green cloth, dustwrapper with photograph of the author to upper cover, dustwrapper a little torn and soiled; [Idem] The pocket book of poems and songs for the open air. London: E. Grant Richards, 1907. 8vo, bookplate of Joan Stevens to free-endpaper, original green calf gilt, g.e., very slight fading to spine; [Idem] The tenth muse. London: Martin Secker, [1911]. 8vo, bookplate of Joan Stevens to paste-down endpaper, rough-cut edges, original cream cloth gilt, some darkening to endpapers, spine and covers a little soiled; [Idem] Horae solitaire. London: Duckworth & Co., 1902. First edition, 8vo, original green cloth gilt, some spotting and darkening to endpapers, spine a little faded; [Idem] The Icknield way. London: Constable & Company Ltd., 1913. First edition, 8vo, 7 colour plates, bookplate of A.T. Copsey of Sparrowes Nest in Ipswich, original green cloth gilt, occasional light dust-soiling, hinges weak, covers dampstained, spine and corners a little bumped; and 8 others (19) £200-250 654 FE191/329 Thomas, Edward - Private Press Chosen essays. Newtown: The Gregynog Press, 1926. 4to, number 237 of 300 copies, woodcut illustrations, original blue cloth gilt, some internal foxing, spine faded; [Idem] Selected poems. The Gregynog press, 1927. 4to, number 206 of 275 copies, ruled in blue throughout with red initials, original yellow cloth, covers a little soiled, spine faded; [Idem] The chessplayer. Andoversford: The Whittington Press, 1981. 4to, original quarter cloth gilt with marbled boards; [Idem] A sportsman’s tale. Edinburgh: The Tragara Press, 1983. 8vo, original green card covers, a little faded; [idem] Old man. Sidcot: The

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Gruffyground Press, 1990. 8vo, number 111 of 240 copies, original pink printed wrappers; [Idem] Reading out of doors. Edinburgh: The Tragara Press, 1978. 8vo, original green printed wrappers, very slightly faded; [Idem] Four letters to Frederick Evans. Edinburgh: Tragara Press, privately printed, 1978. 8vo, number 106 of 150 copies, photographic portrait, original green card covers, a little faded; Thomas, Helen and Edward A handful of letters. Edinburgh: The Tragara press, 1985. 8vo, original brown card covers, very slightly faded and bumped (8) £250-350 655 FE191/331 Thomas, R.S. The stones of the field. Carmarthen: The Druid Press, [1946]. First edition?, 8vo, original blue quarter cloth gilt over blue boards, dustwrapper, previous owner’s name and address to front freeendpaper, dustwrapper chipped, very slightly dampstained and a little faded along thee spine with a small hole to spine, not price-clipped; [Idem] Tares... London: Rupert Hart-Davis, 1961. First edition, 8vo, signed by the author on front free-endpaper, original red and cream boards, red and cream dustwrapper, previous owner’s name to front free-endpaper, a little fading to spine of both book and dustwrapper, slight soiling to dustwrappert; [Idem] The bread of truth. London: Rupert Hart-Davis, 1963. First edition, 8vo, original grey boards and grey dustwrapper, spine a little faded, some slight fading and soiling to dustwrapper; [Idem] Poetry for supper... London: Rupert HartDavis, 1958. First edition, 8vo, original red and white boards and dustwrapper with only very minor wear; [Idem] Not that he brought flowers. London: Rupert Hart-Davis, 1968. First edition, 8vo, original white, brown and black boards and dustwrapper, some slight soiling and darkening to upper board, dustwrapper a little faded and priceclipped; [Idem] Poets’ meeting. Stratford-upon-Avon: The Celadine Press, 1983. 8vo, number 108 of 125 copies, woodcut illustration after Geoffrey Whitney, original brown covers and marbled paper wrappers; [Idem] Mir poets (three poems). Child Okeford: Dorset, [n.d., 1988?] 8vo, number 13 of 200 copies signed by the author, original green printed wrappers, a little faded; and 8 others (15) £200-250 656 FE191/534 Vries, Peter de But who wakes the bugler ? Boston: Houghton Mifflin, 1940. First edition, original grey pictorial cloth, lacks dustwrapper; [Idem] The Mackerel Plaza. Boston: Little Brown & Co., 1958. First edition, dustwrapper slightly frayed and creased; [Idem] The tents of Wickedness. Boston: Little Brown & Co., 1959. First edition, dustwrapper price clipped and spine frayed; [Idem] Cat’s pajamas & witch’s milk. Boston: Little Brown & Co., 1968. First edition, signed by the author, dustwrapper very slightly rubbed; [Idem] Sauce for the goose. Boston: Little Brown & Co., 1981. Dustwrapper slightly soiled; [Idem] Slouching towards Kalamazoo. Boston: Little Brown & Co., 1983. First edition, dustwrapper very slightly rubbed; original boards; and 15 first U.K. editions, 14 published by Victor Gollancz (21) £150-250

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EVELYN WAUGH

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657 FE191/120 Waugh, Evelyn Decline and fall: an illustrated novelette. London: Chapman & Hall, 1929. First edition, 8vo., frontispiece and other illustrations, publisher’s red and black boards, dustwrappers designed by Waugh, upper joint weak, covers and spine worn, dustwrappers without spine label, torn at foot of spine and with edges a little frayed, upper inner fold of wrapper detached (but present), with the signature of Derek Verschoyle on the front free endpaper Note: An interesting association copy. Waugh’s musical adventures with his old pupil Verschoyle provide the basis for the account of Peter Beste-Chetwynd’s organ lessons in the novel. £200-300

659 FE191/116 Waugh, Evelyn Vile bodies. London: Chapman & Hall Ltd., 1930. 8vo., First edition, red and black titlepage, publisher’s red and black boards, slight rubbing to edges, a little fore-edge foxing; [Idem] Black mischief. Chapman and Hall, 1932. First edition, 8vo., map as frontispiece, red and black boards, small biro inscription on the front fee endpaper. London: Chapman and Hall, 1932. First edition, 8vo., map as frontispiece, red and black boards, small biro inscription on the front free endpaper; [Idem] A Handful of dust. London: Chapman and Hall Ltd., 1934. First edition, 8vo., frontispiece, publisher’s red and black boards, edges a little rubbed (3) £300-500

658 FE191/114 Waugh, Evelyn Labels: a Mediterranean journal. London: Duckworth, 1930. First edition, frontispiece, illusrated, 4 photographic plates, publisher’s buckram, with a folding leaf of manuscript. bound in, frontispiece partly loose, slight fore-edge foxing, no. 84 of 110, signed by the author £500-800

660 FE191/115 Waugh, Evelyn Black mischief. London: Chapman and Hall, 1932. First edition, 8vo., large paper, frontispiece and 8 other plates, publisher’s cloth, t.e.g., others uncut, spine faded and upper cover partly faded, with the leather library label of Baron Rothermere, no. 33 of 250 copies signed by the author £300-500

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661 FE191/117 Waugh, Evelyn Mr. Loveday’s little outing and other sad stories. London: Chapman & Hall, 1936. First edition, 8vo., frontispiece, publisher’s red and black boards, dustwrapper, small piece missing from head of wrapper, small stain on upper part of wrapper, edges chipped, inner joints restored, very light spotting of the front fore-edge £300-400 662 FE191/111 Waugh, Evelyn Scoop: a novel about journalists. London: Chapman & Hall, 1938. First edition, 8vo., publisher’s black and red patterned boards, dustwrapper, second issue of the dustwrapper without “The Daily Beast” heading on the front panel, and with the “s” in “as” on last line of p. 88, edges of wrapper chipped; [and] Deeds, W.F., Baron . At war with Waugh: the true story of Scoop. London: Macmillan, 2003. First edition, 8vo., publisher’s cloth, dustwrappers, signed by Deeds on the titlepage [2] Note: Loosely inserted in Scoop is the signature of Baron Deeds (Bill Deeds), who, according to many sources, if not Deeds himself, was the journalist used by Waugh as the model and inspiration for the hapless William Boot his protagonist in the novel. While Deeds has always denied his association with Scoop’s boot, he, nevertheless, in At war with Waugh acknowledges some similarities. £300-400 662

663 FE191/77A Waugh, Evelyn Brideshead revisited: the sacred and profane memories of Captain Charles Ryder. London: Chapman and Hall, 1945. First edition, 8vo., with “Cat. No. 5010/4” printed at the foot of the verso of the titlepage, publisher’s cloth, dustwrapper, head and tail of dustwrapper chipped, short split (2.5 cms.) in wrapper at lower fold, ownership inscription on front fee pastedown dated 1945, with a sheet of paper loosely inserted and inscribed “With kind regards from Evelyn Waugh Christmas 1948.” £600-800

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664 FE191/118 Waugh, Evelyn The loved one: an Anglo-American tragedy; illustrated by Stuart Boyle. London: Chapman & Hall, [n.d., 1948]. First edition thus, 8vo., large paper, frontispiece and other illustrations, publisher’s green cloth, t.e.g., others uncut, heads, tails and corners a little rubbed, a couple of light stains on the upper cover, front free pastedown with inscription, no. 45 of 250 copies signed by the author and the illustrator and inscribed by the author “Mr Alfred William Haulenbeck’s copy”; [Idem] “The loved one: an Anglo-American tragedy” in Horizon no. 98 vol. XVII, February 1948, First edition, printed wrappers (2) £250-350

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665 FE191/112 Waugh, Evelyn Sword of honour trilogy: Men at arms: a novel Chapman & Hall, 1952. First edition, 8vo., publisher’s cloth, dustwrapper, edges of wrapper a little chipped, “First edition” written in biro on the front free endpaper; [Idem] Officers and gentlemen: a novel. London: Chapman & Hall, 1952. First edition, 8vo., publisher’s cloth, dustwrapper, very slight wear to edges of wrapper; [Idem] Unconditional surrender: the conclusion of Men at arms and Officers and gentlemen. London: Chapman & Hall, 1961. First edition, 8vo., publisher’s cloth dustwrapper (3) £250-350 666 FE191/119 Waugh, Evelyn Love among the ruins: a romance of the near future; with decorations by various eminent hands including the author’s. London: Chapman & Hall, 1953. First edition, 8vo., frontispiece and other illustrations, publisher’s red buckram, t.e.g., others uncut, binding a little faded, signature on front free endpaper, no. 120 of 350, signed by the author; [Idem] Basil Seal rides again or the rake’s regress. London: Chapman & Hall, 1963. First edition, 4to., colour frontispiece by Kathleen Hale, publisher’s blue cloth over bevelled boards, t.e.g., others uncut, no. 316 of 750 copies, signed by the author; [Idem] A selection from the occasional sermons of the Right Reverend Monsignor Ronald Arbuthnott Knox; edited by Evelyn Waugh. London: Dropmore Press, 1949. First edition, 4to., publisher’s cloth, t.e.g., others uncut, spine faded, no. 514 of 550 copies (3) £200-300 667 FE191/77 Waugh, Evelyn The ordeal of Gilbert Pinfold: a conversation piece, London: Chapman & Hall, 1957. First edition, 8vo., large paper, publisher’s buckram, edges uncut, spine and part of upper board slightly sun faded, in a quarter red morocco and red linen solander box Note: One of 50 copies on large paper, reserved for the use of the author, and distributed by him to his friends. In this case it is inscribed to “Jock & Bridget with warm regards from Evelyn.” The recipients were Sir John and Lady McEwen of Marchmont House, Berwickshire. Included is a copy of a letter from Bruce Ritchie to Auberon Waugh inquiring as to the recipients’ identity and Auberon Waugh’s signed reply identifying them as the McEwens. £650-850

667

668 FE191/113 Waugh, Evelyn Put out more flags. London: Chapman and Hall, 1964. First edition, 8vo., publisher’s buckram, dustwrapper, wrapper damaged at foot of spine (affecting imprint), signature on front free endpaper, small stain on lower cover £250-350

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669 FE191/123 Waugh, Evelyn Rossetti: his life and work. London: Duckworth, 1928. First edition, 8vo., portrait frontispiece, plates, publisher’s burgundy cloth, extremities very slightly rubbed, internal cracking, label on lower pastedown; [Idem] Labels: a Mediterranean journal. London: Duckworth, 1930. First edition, 8vo., frontispiece, illus., publisher’s cloth, spine faded; [Idem] Edmund Campion. London: Longmans, Green and Co., 1935. First edition, 8vo., publisher’s cloth, spine faded, mark on lower board; [Idem] Robbery under the law: the Mexican object-lesson. London: Chapman & Hall, 1939. First edition, publisher’s dark blue cloth, wear to head and tail, marks where labels have been removed from covers; [Idem] The Life of the Right Reverend Ronald Knox. London: Chapman & Hall, 1959. First edition, 8vo., frontispiece, plates, publisher’s cloth, dustwrappers; [Idem] A Little learning: the first volume of an autobiography. London: Chapman & Hall, 1964. First edition, 8vo., frontispiece, plates, publisher’s cloth, dustwrappers (6) £250-350 670 FE191/122 Waugh, Evelyn Work suspended: two chapters of an unfinished novel. London: Chapman & Hall Ltd., 1942. First edition, small 8vo., publisher’s cloth, dustwrappers, one of 500 copies; [Idem] Work suspended and other stories written before the Second World War. London: Chapman & Hall, 1948. Small 8vo., publisher’s cloth, dustwrappers, slight wear to edges; [Idem] A tourist in Africa. First edition, small 8vo., publisher’s cloth, dustwrappers; Waugh in Abyssinia. London: Longmans, Green & Co., 1936. First edition, 8vo., publisher’s cloth, rubbed, inner joints cracked, lower pastedowns stained; [Idem] Remote people. London: Duckworth, 1931. First edition, 8vo., frontispiece and other plates, publisher’s cloth, spine faded; [Idem] Ninety-two days. London: Duckworth, 1934. First edition, 8vo., frontispiece, illustrations, publisher’s cloth, rubbed, library label;[Idem] When the going was good. London: Duckworth, 1946. First edition, 8vo., publisher’s cloth, portrait frontispiece, folding map, publisher’s cloth; [Idem] Robbery under the law: the Mexican object-lesson. London: The Catholic Book

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Club, 1940. 8vo., publisher’s buckram; [Idem] The Ordeal of Gilbert Pinfold: a conservation piece. London: Chapman & Hall, 1947. First trade edition, small 8vo., publisher’s cloth, dustwrappers, price cut from dustwrapper; [Idem] When the going was good. Boston: Little, Brown and Company, 1947. First American edition, 8vo., portrait frontispiece, publisher’s cloth, dustwrappers, edges of dustwrappers frayed, binding spine faded; [Idem] The Loved one: an AngloAmerican tragedy; illustrated by Stuart Boyle. London: Chapman & Hall, [n.d., 1948]. First trade edition, small 8vo., frontispiece, illustrations, publisher’s cloth, dustwrappers; [Idem] Helena: a novel. London: Chapman & Hall, 1950. First edition, 8vo., cloth; [Idem] The Diaries; edited by Michael Davie. London: Weidenfeld & Nicolson, 1976. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] The Letters; edited by Mark Amory. London: Weidenfeld & Nicolson, 1980. First edition, 8vo., publisher’s cloth, dustwrappers;[Idem] The Essays, articles and reviews; edited by Donat Gallagher. London: Methuen, 1983. First edition, 8vo., dustwrappers; Hastings, Selina. Evelyn Waugh: a biography. London: Sinclair-Stevenson, 1994. First edition, 8vo., dustwrappers; and 9 others (25) £300-400 671 FE191/121 Waugh, Evelyn Wine in peace and war; with decorations by Rex Whistler. London: Saccone & Speed, [n.d., 1947]. First edition, 8vo., publisher’s decorative paper boards, pastedowns a little spotted, inner joints cracking; [Idem] Scott-King’s modern Europe. London: Chapman & Hall, 1947. First edition, 8vo., frontispiece and dustwrapper by John Poper, publisher’s cloth, dustwrappers; [Idem] The holy places; with engravings by Reynolds Stone. London: The Queen Anne Press, 1953. First edition, 8vo., wood engravings, publisher’s cloth, no. 629 of 1,000; [Idem] PRB: an essay on the Pre-Raphaelite brotherhood 1847-54. Westerham: Dalrymple Press, 1982. 8vo., publisher’s cloth, no 269 of 475;St John, John. To the war with Waugh; with an introductory memoir by Christopehr Hollis and illustrations by Peter MacKarell. London: Whittington Press, 1973. First edition, 4to., illus., patterned cloth boards, no. 470 of 600, signed by the author (5) £150-250

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672 FE191/505 Wells, H.G. The history of Mr Polly. London: Nelson, 1910. First edition, original cloth; [Idem] The dream. London: J. Cape, 1924. First edition, original cloth; [Idem] Experiment in autobiography. London: Gollancz, 1934. First edition, 2 volumes, original cloth, faded and spotted, bookplates; Shaw, George Bernard [Works]. London: Constable, c.1932-1949. 40 volumes only, original brown cloth, a few with dustwrappers; Holroyd, M. Bernard Shaw. London: Chatto, 1988-92. 5 volumes, signed by the author, dustwrappers; Grossmith, G. & W. The diary of a nobody. Bristol: J.W. Arrowsmith, [1892]. First edition, 3pp. advertisements, original brown cloth, very slightly soiled; and several later works by Wells £200-300 673 FE191/316 ‘Williams, Tennessee’ [Williams, Thomas Lanier] A street car named desire. New York: New Directions Books, 1947. First edition, 8vo, with small loose card dedicated to Robert [Rosenberg] signed by Williams, original pink boards with black and white figure motifs and matching dustwrapper not price-clipped, very slight browning to pages, covers lightly soiled and bumped around spine and corners, dustwrapper a little soiled with small hole to upper cover partialy obscuring name ‘Williams’, dustwrapper spine faded and a little chipped with a few very small closed tears (2) £300-400 674 FE191/317 ‘Williams, Tennessee’ [Williams, Thomas Lanier] The night of the iguana. New York: New Directions, 1962. First edition, third printing, 8vo, presentation copy signed by the author, original black cloth, dustwrapper designed by Nicola Wood (reading ‘Second Printing’) not price-clipped, dustwrapper very slightly browned along edges and spine, book’s spine a little bumped £250-350 675 FE191/318 ‘Williams, Tennessee’ [Williams, Thomas Lanier] Cat on a hot tin roof. New York: New Directions, 1955. First edition, 8vo, with loose piece of paper laid-down onto card signed by the author and including a quotation from Shakespeare’s 53rd Sonnet: “What is your substance,/ Whereof are you made/ That millions of strange shadows/ on you tend?” Shakespeare not Tennessee Williams, original cloth, faded spine; [Idem] Steps must be gentle. New York: Targ Editions, 1980. 8vo, one of 350 copies signed by the author, quarter cloth, original marbled boards; [Idem] Orpheus descending, with battle of angels. New York: New Directions, 1958. 8vo, with loose piece of paper signed by the author dedicated to ‘John’, original blue cloth, dustwrapper a little chipped and creased; [Idem] The Roman spring of Mrs. Stone. New York: New Directions,

1950. First edition, 8vo, original black cloth with yellow dustwrapper not price-clipped, dustwrapper slightly chipped and dust-soiled; [Idem] The Roman spring of Mrs. Stone. London: John Lehmann Ltd, 1950. First British edition, 8vo, original green cloth, dustwrapper badly torn with loss to both covers and spine, spine of book faded; [Idem] Hard candy. New York: New Directions, 1959. 8vo, original black cloth, dustwrapper not price-clipped but slightly soiled with a very small amount of chipping, ownership signature of Peggy Guggenheim to first free-endpaper; [Idem] Baby doll. New York: New Directions, 1956. First edition? 8vo, original yellow cloth, dustwrapper price-clipped and a little chipped and creased, yellow cloth slightly soiled, some darkening to endpapers, gift inscription to first freeendpaper reads: Peggy Guggenheim, from Willie Bruce (9) Note: Many thanks to Silvio Veronese, Head Librarian at the Peggy Guggenheim Collection, Venice, for identifying Peggy Guggenheim’s signature. £300-400 676 FE191/319 ‘Williams, Tennessee’ [Williams, Thomas Lanier] A perfect analysis given by a parrot. New York: Dramatists Play Service Inc., 1958. 8vo, signed by Williams on upper cover, original blue wrappers, a little faded along spine; [Idem] American blues... New York: Dramatists Play Service Inc., 1968. 8vo, original blue wrappers; [Idem] The mutilated. New York: Dramatists Play Services Inc., 1967. 8vo, original green wrappers, slightly faded; [Idem] Windham, Donald You touched me! London: Samuel French, 1947. 8vo, original orange wrappers with price sticker to upper cover, slightly faded and dust-soiled; [Idem] Moise and the world of reason. New York: Simon and Schuster, 1975. First edition, second printing, 8vo, original black cloth, blue dustwrapper with photograph on lower cover, dustwrapper not price-clipped but a little faded; [Idem] Period of adjustment... London: Secker and Warburg, 1960. First British edition, 8vo, original blue cloth, dustwrapper a little soiled, stamp of Stirling District Library to title, a few Selotape marks to paste-down endpapers; [Idem] Summer and smoke. New York: New Directions, 1948. First edition, 8vo, original blue cloth, dustwrapper not priceclipped but a little faded and rubbed with a couple of small chips and closed tears in places, covers faded; [Idem] The glass menagerie... New York: Random House, 1945. First edition, 8vo, original russet cloth, dustwrapper not price-clipped but chipped and creased in places with some slight spotting and a faded spine; [Idem] The knightly quest. New York: New Directions, 1966. First edition, 8vo, original dark blue cloth, dustwrapper not price-clipped but slightly soiled and a little chipped; [Idem] The theatre of Tennessee Williams, volume 1. New York: New Directions, 1971. 8vo, inscribed by the author “To James, with warmest best wishes for 1980”, original red cloth, dustwrapper not price clipped but a little faded; and 12 others (21) £150-200

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Bruce Ritchie

Cricketer, opera buff, man of letters, and an inspired teacher, Bruce was the best of company, devoted to generations of pupils and loved in return.. When I started out as a teacher at Merchant Taylors’ School, Northwood, he was a wonderful colleague, gently guiding me when he thought I was making a hash of things, and always ready for bookish talk. At the end of the day, the four English teachers - Bruce, John Steane, the Marlowe scholar , and the poet Robert Hunter and I would head to the local pub, arriving on the dot of six. There was much laughter, though Bruce was a serious man, roused to anger by injustice and unkindness. I knew he was a bibliophile, and had seen some of his Alexander Pope treasures, but only now do we realize the extent of his devotion to the Book as an object. - A.N.Wilson 677 FE191/463 Wilson, A.N. A collection of works, to include: The Sweets of Pimlico. London: Secker & Warburg, 1977. First edition, 8vo., publisher’s cloth, dustwrappers, slight wear to extremities of wrappers, with Bruce Ritchie’s bookplate and inscribed to Bruce Ritchie on the titlepage; [Idem] Unguarded hours. London: Secker & Warburg, 1978. First edition, 8vo., publisher’s cloth, dustwrappers, inscribed to Bruce Ritchie on the titlepage; [Idem] Kindly light. London: Secker & Warburg, 1979. First edition, 8vo., publisher’s cloth, dustwrappers, inscribed to Bruce Ritchie on the titlepage; [Idem] Scandal or Priscilla’s kindness. London: Hamish Hamliton, 1983. First edition, 8vo., publisher’s cloth, dustwrappers, inscribed to Bruce Ritchie on the titlepage; [Idem] Stray. London: Walker Books, 1987. Uncorrected proof, 8vo., printed paper wrappers, signed by Wilson on the titlepage; [Idem] The Life of John Milton. Oxford: Oxford University Press, 1983. First edition, 8vo., publisher’s cloth, dustwrappers, inscribed to Bruce Ritchie on the titlepage; [Idem] The Faber book of London. London: Faber and Faber, 1993. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] Tolstoy. Hamish Hamilton, 1988. First edition, 8vo., publisher’s cloth, dustwrappers; [Idem] Dream children. London: John Murray, 1998. First edition, publisher’s cloth, dustwrappers, inscribed to Bruce Ritchie on the titlepage; Iris Murdoch as I knew her. London: Hutchinson, 2003. First edition, 8vo., publisher’s cloth, dustwrappers, inscribed on the titlepage to Bruce Ritchie; [Idem] The Victorians. London: Hutchinson, 2002. First edition, 8vo., publisher’s cloth, dustwrappers, inscribed to Bruce Ritchie on the titlepage, and 25 others, all in dustwrappers (unless issued as paperbacks), of which twenty are signed (36) £300-400

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678 FE191/526 Winterson, Jeanette Oranges are not the only fruit. London: Pandora, 1985. First edition, signed by the author, original wrappers, some minor creasing; [Idem] Oranges are not the only fruit. London: Pandora, 1989. Signed by the author, original wrappers; [Idem] Sexing the cherry. London: Bloomsbury, 1989. First edition, signed by the author, dustwrapper; [Idem] Art & lies. London: J. Cape, 1994. First edition, signed by the author, dustwrapper; [Idem] Guy Symmetries. London: Granta, 1997. First edition, signed by the author, dustwrapper; Idem Guy Symmetries. London: Granta, 1997. Uncorrected proof copy, signed by the author, wrappers; [Idem] The power book. London: J. Cape, 2000. First edition, signed by the author, dustwrapper; [Idem] Lighthousekeeping. London: Fourth Estate, 2004. First edition, signed by the author, dustwrapper; [Idem] The stone gods. London: Hamish Hamilton, 2007. FIrst edition, signed by the author, dustwrapper; [Idem] Why be happy when you could be normal? London: J. Cape, 2011. First edition, signed by the author, dustwrapper; [Idem] The daylight gate. London: Hammer, 2012. First edition, signed by the author, all original boards except where noted (11) £200-300 679 FE191/395 Young, Andrew Songs of north. London: Alexander Moring/ De La More Press, [1910]. First edition, small 8vo, original printed boards, glassine wrappers, a little foxing, some fading to boards; [Idem] A prospect of flowers. London: Jonathan Cape, 1945. 8vo, signed and inscribed by Young, green cloth, dustwrapper not price-clipped; [Idem] Out of the world and back. London: Rupert Hart-Davis, 1958. 8vo, with note from Young offering a copy of the book to ‘My dear Wilson’, original printed boards, dustwrapper not price-clipped, some fading; [Idem] Collected poems... London: Jonathan Cape, [n.d.] 8vo, with loose Christmas postcard from Young to unknown recipient, green cloth, dustwrapper not price-clipped; [Idem] Speak to the earth. London: Jonathan Cape, 1939. 8vo, original cloth, dustwrapper not price-clipped, some fading, dustwrapper a little chipped; [Idem] A retrospect of flowers. London: Jonathan Cape, 1950. 8vo, green cloth, dustwrapper not price-clipped; [Idem] The green man. London: Jonathan Cape, 1947. First edition, 8vo, loose slip of paper signed and inscribed by Andrew Young, original quarter cloth and printed boards, dustwrapper price-clipped; and 7 others (14) £150-200

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W.B. YEATS 680 FE191/175 Yeats, W.B. Mosada. Dublin: Cuala Press, 1943. 8vo., frontispiece, original cream parchment wrappers, uncut and unopened, original glassine wrappers, small split in upper glassine wrapper, slight warping of the parchment wrapper Provenance: According to Sotheby’s (Sale 13. December 2007, lot 151) Lily Yeats’s copy. Note: Miller p.131; Wade 206. No. 49 of 50 copies. Privately printed and not available for sale. First included in the Dublin University Review, this dramatic poem, here reprinted, was Yeats’s first publication. The orginal issue in 1886 is one of the most celebtaited rearities of moden English literature. £1,000-1,500

681 FE191/185 Yeats, W.B. The wanderings of Oisin and other poems. London: Kegan Paul, Trench & Co., 1889. First edition, 8vo., original dark blue cloth, uncut and with the first 56 pages unopened, very slight wear at extremities, slight internal cracking. Provenance: This copy has loosely inserted a small card with the inscription “From André Raffalovich, 9 Whitehouse Terrace”, the friend of Wilde and John Gray. An annotated cutting by Ritchie records the presence of the Raffalovich card and also that this copy was purchased by him at Mallam’s Oxford and that it came from the library of James Strachey, presumably Lytton’s borther, assistant editor of the Spectator and member of the Bloomsbury Group. Note: Wade 2. Yeats’s second publication and first substantial book. Binding in the presumed first state i.e. “Kegan Paul Trench & Co” at foot of spine. 500 copies were printed of which a large number were sold as subscription copies to friends and connections. £650-850

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682 FE191/195 Yeats, W.B. The land of heart’s desire. London: T. Fisher Unwin, 1894. First edition, 8vo., with titlepage illustration by Aubrey Beardsley, later red calf, edges uncut, part of original wrapper bound in at end, tears to the inner margin of the first blank, edges a little dusty Note: Wade 10. The first play of Yeats to be produced for the stage. One of 500 copies. £400-600

683 FE191/174 Yeats, W.B. Poems. London: T. Fisher Unwin, 1895. First edition, 8vo., publisher’s light brown cloth, decorated in gilt on both covers by Granville Fell, spine darkened and with wear to head and tail, corners bumped, some offsetting and spotting to endpapers, short split at upper inner joint, gift inscription on the half-title to Hildegarde Coghill, small bookseller’s label of W. Mullan of Belfast at lower inner corner of front pastedown, one of 750 copies Provenance: Elizabeth Hildegarde Augusta Somerville, mother of the Chaucer scholar Nevill Coghill, wife of Sir Egerton Bushe Coghill and sister of Edith Somerville the authoress and artist who wrote in collaboration with her cousin “Martin Ross” Violet Martin under the pseudonym “Somerville and Ross.” Note: Wade 15. Variant issue of the binding with decoration repeated on the lower cover £800-1,000

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684 FE191/179 Yeats, W.B. The secret rose; with illustrations by J.B. Yeats. London: Lawrence & Bullen Limited, 1897. First edition, 8vo., frontispiece and other plates, original blue cloth with elaborate gilt design by Althea Gyles, uncut, rubbed at head tail and extremities, spine slightly darkened, offsetting to endpapers, ownership inscription on the front free endpaper Note: Wade 21. Eighteen occult stories which created an exotic atmosphere which was intensified by Yeats’s experimentation with hashish and mescal. The famous cover was designed to make the book resemble a grimoire, signifying the “conjunction of the Rose and the Cross, and of man and woman, in the midst of the serpentine folds of the Tree of Life.” (Richard Ellmann: The Identity of Yeats, London, 1968 pp. 64-65). First state of the binding with Lawrence & Bullen at the foot of the spine £350-550 685 FE191/189 Yeats, W.B. The tables of the law: The adoration of the Magi. [London]: privately printed, 1897. First edition thus, original red buckram over bevelled boards, spine faded and with split to the upper, outer joint, offsetting to endpapers and to the titlepage Note: Wade 24. No. 80 of 110. £350-550 686 FE191/196 Yeats, W.B. The wind among the reeds. London: Elkin Mathews, 1899. First edition, 8vo., original dark blue cloth with a design by Althea Gyles on both covers, uncut, covers rubbed and partly faded (Wade 27) with the errors listed by Wade and without the errata slip; [Idem] A book of Irish verse selected from modern writers, with an introduction and notes. London: Methuen and Co., 1895. First edition, 8vo., publisher’s green cloth, uncut, very slight rubbing to joints (Wade 225); [Idem] Fairy and folk tales of the Irish peasantry, edited and selected by W.B. Years. London: Walter Scott, [n.d., c. 1888]. First edition, later issue without the date on the titlepage, with 6pp. of adverts at the end, publisher’s blue cloth, printed paper spine label, uncut, label rubbed, slight discolouration of endpapers. (Wade 212); [Idem] The Shananchie: an Irish miscellany illustrated. [Nol. 1 Spring, 1906]. Dublin: Maunsel & Co. Ltd., 1906. 4to., printed blue wrappers. Wade p. 77, contains the first appearance by Yeats of The Song of the woman under the title Against witchcraft; [Idem] The dome: a quarterly containing examples of all the arts. London: The Unicorn Press, 1897. 8vo., publisher’s printed paper boards, wear to spine (Wade p. 46), contains the first publication of Mongan laments the change that has come upon him and his beloved under the title The Desire of man and of woman; [Idem] On the boiler. Dublin: The Cuala Press, 1939. First edition, second issue, 4to., original blue paper wrappers (Wade 202); [Idem] Poems. London: T. Fisher Unwin Ltd.,1920. 8vo., original cloth, spine with gilt decoration, covers with blind, after designs by Althea Gyles, slight wear to extremities (7) £200-300

684

687 FE191/190 Yeats, W.B. The shadowy waters. London: Hodder and Stoughton, 1900. First edition, small 4to., original blue cloth with designs in gold on the front cover, t.e.g., others uncut, edges rubbed, bookplate of Colston’s Girl’s School. Bristol, the Bequst of Charles Julius Ryland 1909, offsetting to endpapers (Wade 30) £150-250 688 FE191/182 Yeats, W.B. Samhain: edited for the Irish Literary Theatre by W.B. Yeats. Dublin: Sealy Bryers & Walker (nos. 1-4); Maunsel and Co. Ltd (nos. 5-7), 1901-1908. First edition, 4to., 4 issues in 1 volume, original green cloth, t.e.g., others uncut, issues 5, 6 and 7 in original printed paper wrappers, illustrations (4) Note: Wade 227, 228, 229, 230, 233, 237, 241. Wade does not refer to this binding up of the first four issues. Issue 7 without the later errata slip. Includes contributions from Lady Gregory and J.M. Synge. £200-300

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689 FE191/192 Yeats, W.B. Cathleen ni Hoolihan: a play in one act and in prose. London: Cardoc Press, 1902. First edition, small 8vo., original quarter calf, paper boards, edges uncut, spine rubbed, boards a little dusty Note: Wade 40. One of 300 copies. The play first appeared in Samhain in 1902, although the lyrics had appeared in The United Irishman in May of the same year. It was actually written jointly with Lady Gregory although, according to Wade, Yeats rarely acknowledged this at the time. £300-400 690 FE191/180 Yeats, W.B. Plays for an Irish theatre. London: A.H. Bullen, 1903-1907. 5 volumes, small 8vo., quarter green linen, grey paper boards, printed paper labels, some chipping to labels, offsetting to endpapers (5) Note: Wade 44, 53, 56, 262, 69. Volume 4 is The Well of the saints by J.M. Synge to which Yeats contributed an introduction. £150-250 691 FE191/197 Yeats, W.B. Poems, 1899-1905. London: A.H. Bullen, 1906. First edition, 8vo., original dark blue cloth with decoration on the spine in gilt after a design by Althea Gyles, uncut, scrapes to lower part of spine, corners knocked, repair to tear in the upper margin of the titlepage (Wade 64); [Idem] Poems: second series. London: A.H. Bullen, 1909. First edition, 8vo., original blue cloth with decoration on the spine in gilt after a design by Althea Gyles, uncut, spine dulled, some staining of the lower cover (Wade 83); and a later copy of this edition in brown paper boards, linen spine with printed paper label, and spare label inserted at the end (Wade 83); [Idem] Poems. London: T. Fisher Unwin Ltd., 1922. Second 1922 impression, 8vo., publisher’s blue cloth, blind stamped with designs by Althea Gyles on the covers, and in gilt on the spine, dustwrappers, some splits in the wrappers, boards unevenly faded, bookplate of Joan Leighton; [Idem] The collected poems. London: Macmillan and Co. Limited, 1933. First edition, 8vo., portrait frontispiece, publisher’s cloth, offsetting to endpapers, spine faded (Wade 171); [Idem] Last poems and plays. London: Macmillan & Co. Ltd, 1940. First edition, 8vo., original green cloth, stamped in blind on the upper cover after design by Sturge Moore, dustwrappers. (Wade 203); [Idem] Poems selected by Seamus Heaney. London: Faber & Faber, 1988. 12mo., publisher’s printed paper wrappers (7) £200-300

692 FE191/193 Yeats, W.B. On Baile’s strand. London: A.H. Bullen, 1907. First edition, 8vo., modern quarter buckram, blue paper boards, uncut, titlepage and final leaf a little discoloured, without the wrappers (Wade 68); [Idem] The land of heart’s desire. Portland (Maine): Thomas B. Mosher, 1908. Seventh edition, small 8vo., original grey paper boards, printed paper labels, uncut, slight offsetting to endpapers, one of 950 copies; [Idem] Cathleen Houlithan. Stratford-upon-Avon: Shakespeare Head Press, 1911. 8vo., original dark grey printed paper wrappers, uncut, signature on upper wrapper, some foxing throughout (Wade 63); [Idem] Deirdre. Stratford-upon-Avon: Shakespeare Head Press, 1911. 8vo., original grey-green paper wrappers, upper wrapper detached (but present); [Idem] The player queen. London: Macmillan, 1922. First edition, 8vo., printed paper wrappers, spine rubbed, remnants of label removed from upper wrapper. (Wade 138); Sophocles’ King Oedipus: a version for the modern stage. London: Macmillan and Co., Limited, 1928. First edition, 8vo., printed paper wrappers (Wade 160) (6) £200-300 693 FE191/194 Yeats, W.B. The unicorn from the stars and other plays. New York: The Macmillan Company, 1908. First edition, 8vo., publisher’s blue cloth with spine gilt after a design by Althea Gyles, t.e.g., others uncut, ownership inscription on front free endpaper, spine a little dulled, written jointly with Lady Gregory (Wade 73); [Idem] Four plays for dancers. London: Macmillan and Co., Limited, 1921. First edition, 8vo., with frontispiece and other illustrations by Edmund Dulac, publisher’s quarter cloth, decorative grey paper boards after a design by Sturge Moore, dustwrappers, slight loss to wrappers at head and tail and wear to edges, offsetting to endpapers, signature on front free endpaper (Wade 129); [Idem] Sophocles’ King Oedipus: a version for modern stage. New York: The Macmillan Company, 1928. First American edition, 8vo., publisher’s cloth, uncut, wrappers, wrappers frayed (Wade 161); [Idem] A Full moon in March. London: Macmillan and Co. Ltd., 1935. First edition, 8vo., publisher’s green cloth, top edge trimmed others uncut, some discolouration to endpapers, inscription on front free endpaper (4) £200-300 694 FE191/178 Yeats, W.B. The collected works in verse and prose. Straford-on-Avon: Shakespeare Head Press, 1908. 8 volumes, 8vo., portrait frontispieces in alternate volumes, original quarter green buckram, grey paper boards, a little wear to heads and tails, oval library label removed from spines, library stamp of Bolton Public Library on verso of titles, repeated elsewhere, tear in p. 49 of volume 1 (8) Note: Wade Nos. 75-81. The binding, presumably a remainder binding, appears to vary from Wade (p. 94) in two respects. The boards are grey paper and there are gold/pale brown silk markers in at least four of the volumes. Wade describes the remained binding as grey-green linen spines with light brown boards and without silk markers. £400-600

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695 FE191/188 Yeats, W.B. Poems. London: T. Fisher Unwin, 1912. Sixth English edition, revised, 8vo., portrait frontispiece, original blue cloth, spine and upper board decorated in gilt after designs by Althea Gyles, uncut, a little wear at head and tail, offsetting and spotting of endpapers (Wade 99); [Idem] Responsibilities and other poems. London: Macmillan and Co. Limited, 1916. First edition, 8vo., original blue cloth with gilt design on the upper cover by Sturge Moore, spine darkened, some offsetting to endpapers, inscription on front free endpaper (Wade 115); [Idem] The cutting of an agate. London: Macmillan and Co. Limited, 1919. First English edition, 8vo., original dark blue cloth with gilt designs on the spine and upper cover by Sturge Moore, spine slightly darkened, endpapers a little spotted, stamped in blind “presentation copy” on the titlepage (Wade 126); [Idem] Stories of Red Hanrahan and the secret rose, illustrated & decorated by Norah McGuinness. Lodnon: Macmillan and Co. Limited, 1927. First edition thus, 8vo., original dark blue cloth, gilt decoration to the upper board and spine after designs by Norah McGuinness, t.e.g., slight wear to extremities, offsetting to endpapers (Wade 157) (4) £250-350

696 FE191/184 Yeats, W.B. Eight poems; transcribed by Edward Pay. London: Morland Press Ltd. For Form, 1916. First edition, Folio, with red silhouette frontispiece by Austin Spare, original cream printed paper wrappers, uncut, wrappers lightly spotted, and with a little fraying at the edges, loosely inserted in red cloth folding case Note: Wade 114. No. 13 of 122 copies on Italian hand-made paper. The printed slip attached to the titlepage is the variant omitting the word “exact” and with a capital letter to “Proprietors”. £300-500 See also frontispiece on page 54 697 FE191/191 Yeats, W.B. The wild swans at Coole. London: Macmillan and Co. Limited, 1919. First edition thus, 8vo., publisher’s cloth, gold design on the upper cover by Sturge Moore, yellow dustwrappers printed in red, uncut, spine of wrappers faded and chipped at head and tail, edges of wrappers dusty, ownership signature on front free endpaper Note: Wade 124. The 1919 edition adds seventeen poems to the Cuala Press edition of 1917, including the famous elegy to Lady Gregory’s son Robert - An Irish airman foresees his death. £200-300

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698 FE191/199 Yeats, W.B. Later poems. London: Macmillan and Co., Limited, 1922. First edition, 8vo., uncut; [Idem] Early poems and stories. London: Macmillan and Co., Limited, 1925. First edition, 8vo., uncut and unopened; [Idem] Autobiographies: reveries over childhood and youth and the trembling of the veil. London: Macmillan and Co., Limited, 1926. First edition, 8vo., with portrait frontispiece and other plates, uncut and unopened (3) Note: Wade 134, 147 & 151. All bound in similar light green cloth with design by Charles Ricketts stamped in blind on the front covers and with uniformly decorated endpapers. These volumes formed the first, fifth and sixth volumes of Macmillan’s Collected edition of the works. Spines uniformly faded. £150-250 699 FE191/198 Yeats, W.B. Later poems. New York: The Macmillan Company, 1924. First American edition, 8vo., publisher’s brown paper boards, quarter blue cloth, printed spine and cover labels, uncut, head and tail rubbed, corners very slightly worn Note: Wade 135. No. 134 of 250 copies signed by the author. £400-600 700 FE191/177 Yeats, W.B. A vision: an explanation of the life founded upon the writings of Giraldus and upon certain doctrines attributed to Kusta ben Luka. London: privately printed for subscribers only by T. Werner Laurie Ltd., 1925. First edition, 8vo., portrait frontispiece, illustration of The Great Wheel, and design of a unicorn, all by Edmund Dulac, quarter parchment, pale blue boards, printed paper label, uncut, matching dustwrapper with printed paper label, ownership inscription on front free endpaper, slight internal cracking

701

Note: Wade 149, not mentioning the dustwrapper. No. 482 of 600 copies, signed by Yeats. Loosely inserted is a 4 page flyer advertising publication and including a subscription form. £350-550 701 FE191/187 Yeats, W.B. The tower. London: Macmillan, 1928. First edition, 8vo., original gilt decorated green cloth after a design by Sturge Moore, uncut, damage to upper edge of the upper wrapper, wrapper also with chips at head and tail, slight discolouration of the endpapers Note: Wade 158. “It was rapidly seen as a supreme achievement, and has been recognized as one of the key books of the twentieth century.” (R.F. Foster W.B. Yeats. Vol. 2 The Arch-poet, 2003, p.362). Along with The Winding stair regarded by Connolly in The Modern Movement as “a peak in English poetry”. £400-600

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702 FE191/183 Yeats, W.B. Three things: drawings by Gilbert Spencer. London: Faber & Faber Ltd., 1929. First edition, large paper 8vo., with a full page colour illustration, original pale blue paper boards, slight loss to foot of spine

704 FE191/176 Yeats, W.B. The poems. London: Macmillan and Co. Ltd., 1949. 2 volumes, large 8vo., portrait frontispieces to both volumes, publisher’s green cloth over bevelled boards, t.e.g., others uncut, wear to head of spines, in a green cloth slip case [2]

Note: Wade 166. Printed at the Curwen Press, this is no. 18 in the Ariel poems series. No. 141 of 500 copies signed by Yeats. £150-250

Note: Wade 209 & 10, noting that the two volumes were issued together in a brown cardbox slip case. No. 356 of 375 of which 350 were for sale, and signed by Yeats. Yeats had been engaged in revising the text sometime before his death in 1940 of which he had corrected the proofs and signed the pages bearing the notice of limitation. War subsequently prevented its publication until 1949. £1,000-1,500

703 FE191/186 Yeats, W.B. The winding stair and other poems. London: Macmillan and Co., 1933. First edition thus, 8vo., publisher’s blind stamped and gilt cloth to a design by Sturge Moore, dustwrappers, uncut and partly unopened, with the errata slip at p. 85 Note: Wade 169. Described as the “second pillar of Yeats’s mature reputation.”(M. M. Gatch & Ed Maggs A Little dust: the Gatch collection of Yates, 2012, p.23), the present edition differs considerably to the work with the same name published in New York in 1929. Connolly in The Modern Movement considered The Winding stair along with Yeats’s The Tower as, “a peak in English poetry”. £200-300

704

705 FE191/400 Yeats, W.B. Ideas of good and evil. London: A.H. Bullen, 1913. First edition, 8vo., original cloth, spine faded, edges rubbed, traces of bookplate removed from inside front pastedown (Wade 46, a variant binding to Wade’s copy); [Idem] Wheels and butterflies. London: Macmillan and Co. Limited, 1934. First edition, 8vo., publisher’s cloth, t.e. trimmed, others uncut. (Wade 175); [Idem] Modern poetry: the eighteenth of the Broadcast National Lectures delivered on 11 October 1936. London: BBC, 1936. First edition, 8vo., original printed paper wrappers (Wade 188, noting that 200 of this edition of 1,000 copies were destroyed by incendiary bombs); [Idem] The Senate speeches. London: Faber and Faber, 1961. 8vo., publisher’s cloth, dustwrappers; Blake, William Songs of innocence: illustrated by Jacynth Parsons, with a prefatory letter by W.B. Yeats. London: The Medici Society, 1927. 4to., illus., publisher’s cloth, dustwrappers, wrappers torn at edges (Wade 278); Blake, William Songs of innocence: illustrated by Jacynth Parsons; with a prefatory letter by W.B. Yeats. London: The Medici Society, 1927. Second impression, 4to., illus., publisher’s cloth, wear to hed, tail and corners; Spenser, Edmund Poems, selected and with an introduction by W.B. Yeats. Edinburgh: T.C. & E.C. Jack, [n.d., 1906]. 8vo., original blue cloth to a design by Jessie M. King, uncut (7) £150-250 706 FE191/401 Yeats, W.B. Letters to W.B. Yeats. London: Macmillan, 1977. First edition, 2 volumes, 8vo., publisher’s cloth, dustwrappers; Kirby, Sheelah The Yeats country: a guide to places in the West of Ireland associated with the life and writings of W.B. Yeats. Dublin: The Dolmen Press, 1962. First edition, 8vo., publisher’s paper boards, dustwrappers; Saul, George Barndon In … luminous wind. (No VII of the Dolmen Press Yeats Centenary Papers). Dublin: The Dolmen Press, 1966. 8vo, publisher’s printed wrappers; Oshima, Shotaro W.B. Yeats and Japan. Tokyo: The Hokuseido Press, 1965. First edition, 4to., publisher’s cloth, dustwrappers, slip case, no 719 of 1,000 copies, with a presentation inscription to Terence Knapp from the author; Foster, R.F. W.B. Yeats: a life. Oxford: Oxford University Press, 1997-2003. First edition, 2 volumes, 8vo., publisher’s cloth, dustwrappers; White, A.M. & A. N. Jeffares (editors) The Gonne-Yeats letters 1893-1938. New York; W.W. Norton & Company, 1993. 8vo., publisher’s cloth, dustwrappers; and 14 others (22) £150-250 159

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CUALA PRESS PUBLICATIONS

“The Cuala Press is unique among literary private presses. Its de facto editor was W.B. Yeats and the majority of its publications were wholly or in part written by him, but it was run by his sisters Lily and Lolly (Elizabeth). It effectively became the house publisher for the Irish literary revival, and was a pioneer of the Irish Arts and Crafts movement. It maintained the highest typographic standards and from the outset a distinctive house style under the influence of Emery Walker, one of the great printers of the period.” (M. M. Gatch & Ed Maggs A Little dust: the Gatch collection of Yeats, 2012, p.23)

THE DUN EMER PRESS 707 FE191/402 Cuala Press - Yeats, W.B. In the seven woods. Dundrum: The Dun Emer Press, 1903. First edition, 8vo., original off white linen boards, printed paper label on the upper board, uncut and unopened, boards a little dusty, offsetting to the endpapers Note: Miller 1; Wade 49. The first book from the Cuala Press under the Dun Emer imprint which was used for the first eleven books when the press was part of Evelyn Gleeson’s Dun Emer Industries. 325 copies were printed. £400-600 708 FE191/403 Cuala Press - [Russell, George] The nuts of knowledge, lyrical poems old and new by A.E. [Dundrum: The Dun Emer Press, 1903]. First edition, 8vo., quarter natural Irish linen with grey paper boards, uncut, slight wear to head of spine, offsetting to the endpapers Provenance: With the bookplates of Collin Armstrong and Frances Jones and signed by her on the lower pastedown Note: Miller 2 with blue boards. The second book from the Press. Quarter linen and boards became the standard binding style for publications of the Press. The Press produced some 85 books nearly all in the same format. One of 200 copies £250-350

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709 FE191/403A Cuala Press - Hyde, Douglas, compiler The love songs of Connacht collected and translated by Douglas Hyde with a preface by W.B. Yeats. [Dundrum: The Dun Emer Press, 1904]. First edition, 8vo., quarter natural Irish linen with grey blue paper boards, printed labels on spine and upper board, uncut, offsetting to endpapers, signature on one of the front free endpapers Note: Miller 3; Wade 260. Coloured endpapers matching the boards are used for the first time. One of 300 copies £200-300 710 FE191/404 Cuala Press - Yeats, W.B. & Gregory, Isabella Augusta, Lady Stories of Red Hanrahan. Dundrum: The Dun Emer Press, 1904. First edition, 8vo., woodcut by Robert Gregory, original quarter linen, blue grey boards with matching endpapers, printed paper labels on spine and upper cover, uncut, spine label with a couple of nicks, slight rubbing to corners, light offsetting to endpapers; Johnson, Lionel Twenty one poems: selected by William Butler Yeats. Dundrum: The Dun Emer Press, 1904. First thus, 8vo., quarter linen, blue grey boards with matching endpapers, printed paper label on spine, uncut, label with a couple of nicks, slight rubbing to corners, offsetting to endpapers (2) Note: 1. Miller 4; Wade 59. One of 500 copies. 2. Miller 5; Wade 231. One of 220 copies. £200-300 711 FE191/405 Cuala Press - Eglinton, John Some essays and passages; selected by William Butler Yeats. Dundrum: The Dun Emer Press, 1905. First edition, 8vo., quarter linen, blue grey boards with matching endpapers, printed paper label on spine, uncut, offsetting to endpapers, one of 200 copies. (Miller 6; Wade 232); Allingham, William Sixteen poems: selected by William Butler Yeats. Dundrum: The Dun Emer Press, 1905. First edition, 8vo., quarter linen, blue grey boards with matching endpapers, printed paper label on spine, uncut, spine a little rubbed, light offsetting to endpapers, one of 200 copies (Miller 7; Wade 234) (2) £200-300 712 FE191/406 Cuala Press - Gregory, Isabella Augusta, Lady A book of saints and wonders. Dundrum: The Dun Emer Press, 1906. First edition, 8vo., quarter linen, blue grey boards with matching endpapers, printed paper label on spine, uncut, label chipped, offsetting to endpapers, one of 200 copies, with library label of Sidney Ball. (Miller 8); [Russell, George] By still waters: lyrical poems old and new. First edition, 8vo., woodcut device, quarter linen, grey paper boards, matching grey endpapers, uncut (Miller 9) (2) £200-300

713

713 FE191/407 Cuala Press - Tynan, Katharine Twenty one poems; selected by W.B. Yeats. The Dun Emer Press, 1907. First edition thus, 8vo., printer’s device on the titlepage, woodcut by Elinor Monsell, quarter linen, blue grey boards with matching endpapers, uncut, covers a little dusty, edges knocked, offsetting to endpapers; Yeats, W.B. Discoveries: a volume of essays. The Dun Emer Press, 1907. First edition, 8vo., with woodcut of charging unicorn on the titlepage in black, quarter linen, blue grey boards with matching endpapers, uncut, offsetting to endpapers (2) Note: 1. Miller 10; Wade 238. One of 200 copies. The colophon bears for the first time the staff of the Press, Esther Ryan and Beatrice Cassidy, a practice followed in succeeding books. The Dun Emer device appears for the first time on the titlepage. 2. Miller 11, describing the circular wood cut by Robert Gregory as being printed in red; Wade 72. One of 200 copies. The only other publication with Dun Emer imprint after this was the first number of the first series of A Broadside, June 1908. £250-350 161

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715 FE191/409 Cuala Press - Synge, John M. Poems and translations. Churchtown, Dundrum: The Cuala Press, 1909. First edition, 8vo., printer’s device on the titlepage, quarter linen, blue grey boards with matching endpapers, uncut, spine label a little chipped, with the armorial McInerney bookplate; [Idem] Deirdre of the Sorrows. Churchtown, Dundrum: The Cuala Press, 1909. First edition, 8vo., printer’s device on the titlepage, quarter linen, blue grey boards with matching endpapers, uncut, fore-edges darkened, offsetting to endpapers (2) Note: Miller 13 & 14; Wade 243 & 245. Published shortly after Synge’s death. In each case Yeats contributed a preface. Both publications issued in 250 copies. £250-350

714

THE CUALA PRESS AT CHURCHTOWN 714 FE191/408 Cuala Press - Yeats, W.B. & Lionel Johnson Poetry and Ireland: essays. Churchtown, Dundrum: The Cuala Press, 1908. First thus, 8vo., printer’s device on the titlepage, quarter linen, blue grey boards with matching endpapers, uncut, spine a little dusty Note: Miller 12; Wade 242. One of 250 copies, this is the first book under the Cuala Press imprint. By 1908 it was no longer practical to continue working in the home of Evelyn Gleeson where the first eleven titles under the imprint of Dun Emer had been printed and in association with the Dun Emer Industries. Lily and Elizabeth Yeats established he Cuala Industries at Churchtown, taking the name Cula from the Irish placename of the Dublin Barony in which the new premises were located. (Miller pp. 49-50). The new publication was greeted by the Manchester Guardian as “a pamphlet printed and bound by a pupil of Morris, and worthy of him.” (Gifford Lewis The Yeats sisters and the Cuala, 1994, p. 80) £250-350

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716 FE191/410 Cuala Press - Yeats, W.B. The green helmet and other poems. Churchtown, Dundrum: The Cuala Press, 1910. First edition, 8vo., printer’s device on the titlepage, with the errata slip, quarter linen, blue grey boards with matching endpapers, uncut, spine label a little chipped, spine a little discoloured and dusty, one of 400 copies. Miller 15; Wade 84); [Idem] Synge and the Ireland of his time. Churchtown, Dundrum: The Cuala Press, 1911. First edition, 8vo., printer’s device on the titlepage, quarter linen, grey boards with matching endpapers, withdrawn stamp of the University of Texas stamped on the front pastedown and traces of library label, library stamp at head of preface and p.1, one of 350 copies. (Miller 16; Wade 88); Dunsany, Edward Plunkett, Baron Selections from the writings. Churchtown, Dundrum: The Cuala Press, 1912. First edition, 8vo., printer’s device on the titlepage, quarter linen, grey boards with matching endpapers, uncut, offsetting to lower endpapers, with the McInerney armorial bookplate, inscription on the front free endpaper, inner joints cracking, one of 250 copies (Miller 17; Wade 247) (3) £250-350 717 FE191/411 Cuala Press - Yeats, W.B. A selection from the love poetry. Churchtown, Dundrum: The Cuala Press, 1913. First edition, 8vo., printer’s device on the titlepage, quarter linen, grey boards with matching endpapers, uncut, binder’s label of Galwey & Co, Dublin, one of 300 copies. (Miller 18; Wade 106); Dowden, Edward, editor A woman’s reliquary. Churchtown, Dundrum: The Cuala Press, 1913. First edition, 8vo., printer’s device on the titlepage, quarter linen, ivory coloured paper boards with matching endpapers, uncut, binder’s label of Galwey & Co, Dublin, boards a little spotted, offsetting to endpapers, a few leaves lightly spotted, one of 250 copies. (Miller 19); Tagore, Rabindranath The Post Office: a play; translated by Devabrata Mukerjee. Churchtown, Dundrum: The Cuala Press, 1914. First edition, 8vo., printer’s device on the titlepage, quarter linen, blue grey boards with matching endpapers, uncut, binder’s label of Galwey & Co, Dublin, bookplate of Albert Parsons Sachs, no 67 of 400 copies (Miller 21; Wade 267) (3) £250-350

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718 FE191/412 Cuala Press - Yeats, W.B. Responsibilities: poems and a play. Churchtown, Dundrum: The Cuala Press, 1914. First edition, 8vo., printer’s device on the titlepage, quarter linen, grey coloured paper boards with matching endpapers, uncut, and unopened, binder’s label of Galwey & Co, Dublin, small stain to the outer corner of last leaf of prelims Note: Miller 20; Wade 110; Connolly 24. No 109 of 400 copies. “The dedicatory poem of the collection, addressed to Yeats’s ancestors, is a riposte to George Moore’s unsympathetic portrayal of him in his memoirs Hale and Farewell It is [in] this poem which T.S. Eliot identifies the beginnings of Yeats’s true greatness when “in beginning to speak as a particular man he is beginning to speak for man.” (M. M. Gatch & Ed Maggs A Little dust: the Gatch collection of Yeats, 2012, p.16) £300-400 719 FE191/413 Cuala Press- Synge, John M. John M. Synge: a few personal recollections, with biographical notes by John Masefield. Churchtown, Dundrum: The Cuala Press, 1915. First edition, 8vo., printer’s device on the titlepage, quarter linen, grey coloured paper boards with matching endpapers, uncut, binder’s label of Galwey & Co, Dublin, with the McInerney armorial bookplate and small shelf label of the Garvan Collection on Ireland, no 44 of 350 copies (Miller 22); Pound, Ezra, compiler Certain noble plays of Japan from the manuscripts of Ernest Fenollosa, chosen and finished by Ezra Pound, with an introduction by William Butler Yeats. Churchtown, Dundrum: The Cuala Press, 1916. First edition, 8vo., printer’s device on the titlepage, quarter linen, brown paper boards with matching endpapers, uncut, binder’s label of Galwey & Co, Dublin, one or two small spots on the upper cover, ownership signature on the front blank, no 284 of 350 copies. (Miller 24; Wade 269); Yeats, John Butler Passages from the letters: selected by Ezra Pound. Churchtown, Dundrum: The Cuala Press, 1917. First edition, 8vo., printer’s device on the titlepage, quarter linen, blue grey paper boards with matching endpapers, uncut, binder’s label of Galwey & Co, Dublin, uncut, one of 400 copies (Miller 25; Wade p. 453) (3) £250-350 720 FE191/414 Cuala Press - Yeats, W.B. Reveries over childhood and youth. First edition, 8vo., woodcut vignette on the titlepage, quarter linen, grey coloured paper boards with matching endpapers, uncut and unopened. [AND] Plates to accompany reveries over childhood and youth. 2 volumes (the second a portfolio). Churchtown, Dundrum: The Cuala Press, 1915. 8vo., volume 1 with a woodcut vignette on the titlepage, quarter linen, grey boards, uncut and unopened, the portfolio with pale blue boards, containing 3 plates (2) Note: Miller 23; Wade 111. No 25 of 425 copies. This is the longest book issued by the press and the only one in two volumes until the revival in the 1970s. Yeats had commissioned a new device from Sturge Moore. Moore supplied two: one the leaping unicorn which appears on the titlepage, the other, a candle in waves, which is printed in read after the dedication page. The portfolio contains three

prints made by Emery Walker. Two of these are portraits by John Butler Years of himself and of his wife, the third a colour reproduction of his watercolour Memory Harbour on a black mount. A note by W.B. Yeats on a separate sheet accompanies the plates. The book had originally been announced under the title Memorary Harbour. £250-350 721 FE191/415 Cuala Press - Yeats, W.B. The wild swans at Coole, other verses and a play in verse. Churchtown, Dundrum: The Cuala Press, 1917. First edition, 8vo., woodcut device of the charging unicorn by Robert Gregory on the front blank, original quarter linen, violet blue paper boards, matching endpapers, uncut, partial fading to the upper edges of the covers, spine label chipped with loss of some letters of text, signature of Alizon Eckroyd on the front free endpaper Note: Miller 26; Wade 118. One of 400 copies. £350-550 722 FE191/415A Cuala Press - Gregory, Isabella Augusta, Lady The Kiltartan poetry book: prose translations from the Irish. Churchtown, Dundrum: The Cuala Press, 1918. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, matching endpapers, uncut, partial fading to the edges of the covers, offsetting to endpaper following through to blanks Note: Miller 27; One of 400 copies £250-350 723 FE191/416 Cuala Press - Yeats, W.B. Two plays for dancers. [Churchtown, Dundrum]: The Cuala Press, 1919. First edition, 8vo., woodcut device, original quarter linen, grey paper boards, matching endpapers, uncut, offsetting from coloured endpapers to blanks, one of 400 copies. (Miller 28; Wade 123); Yeats, John Butler Further letters: selected by Lennox Robinson. Churchtown, Dundrum: The Cuala Press, 1920. First edition, 8vo., woodcut device, original quarter linen, grey paper boards, matching endpapers, binder’s label of Galwey & Co., Dublin, uncut, one of 400 copies. (Miller 29); Yeats, W.B. Four years. Churchtown, Dundrum: The Cuala Press, 1921. First edition, 8vo., woodcut device in red, original quarter linen, grey paper boards, matching endpapers, uncut and unopened, traces of small label removed from the front pastedown, offsetting to the endpapers, one of 400 copies. (Miller 31; Wade 131); [Idem] Seven poems and a fragment Churchtown, Dundrum: The Cuala Press, 1922. First edition, 8vo., woodcut device in red, original quarter linen, grey paper boards, matching endpapers, uncut and unopened, some offsetting to the endpapers, one of 500 copies. (Miller 32; Wade 132); Yeats, John Butler Early memories: some chapters of autobiography. Churchtown, Dundrum: The Cuala Press, 1923. First edition, 8vo., woodcut device, quarter linen, grey paper boards, matching endpapers, uncut and unopened, some offsetting to the endpapers and discolouring of prelims., one of 500 copies (Miller 33; Wade 272) (5) £300-500

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724 FE191/417 Cuala Press - Yeats, W.B. Michael Robartes and the dancer. Churchtown, Dundrum: The Cuala Press, 1920. First edition, 8vo., woodcut device printed in red, original quarter linen, grey paper boards, matching endpapers, uncut, unopened Note: Miller 30; Wade 127. One of 400 copies. Contains the first book publication of The Second Coming, a poem described by Foster (Vol. 2, p. 150) as having the power to “crystallize the doubts and feelings of a generation at a moment of flux.” Also included in book form for the first time is Yeats’s monumental poems about the nature of fanaticism and political violence, written in response to the violence of the Easter Rising of 1916 and first issued as pamphlet in 25 copies in 1916. It was considered by Yeats to be too controversial for wider publication until 1920. (See Gatch & Maggs p. 19 and Foster vol. 2, pp. 59-66) £250-350

AT 81 MERRION SQUARE, AND, AFTERWARDS AT 133 LOWER BAGGOT STRET 725 FE191/418 Cuala Press - Gogarty, Oliver An offering of swans. Dublin: The Cuala Press, 1923. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue grey paper boards, uncut and unopened, slight fading of the boards, offsetting to the endpapers, one of 300 copies. (Miller 34; Wade 273, the first title to be issued from Merion Square, Dublin); Yeats, W.B. The cat and the moon and certain poems. Dublin: The Cuala Press, 1924. First edition, 8vo., woodcut device in red on the titlepage, original quarter linen, blue grey paper boards, uncut, boards a little dusty, light offsetting to the endpapers, bookplate of Declan O’Riordan, one of 400 copies. (Miller 35; Wade 145, describing the print run as 500); [Idem] The bounty of Sweden: a meditation, and a lecture delivered before the Royal Swedish Academy and certain notes. Dublin: The Cuala Press, 1925. First edition, 8vo., wood device in red on the titlepage, original quarter linen, blue grey paper boards, uncut, boards a little dusty, offsetting to the endpapers, uncut and unopened, one of 400 copies. (Miller 36; Wade 146); Flower, Robin Love’s bitter-sweet: translations from the Irish poets of the sixteenth and seventeenth centuries. Dublin: The Cuala Press, 1925. First edition, 8vo., woodcut device on the titlepage of a lone tree from a line drawing by Elizabeth Yeats, original quarter linen, blue grey paper boards, uncut ,boards a little dusty, offsetting to the endpapers, with McInerney armorial bookplate, uncut, one of 500 copies (Miller 37) (4) Note: An Offering of Swans and The Cat and the Moon were both printed in the basement of 82 Merion Square to where the Press had moved after the lapse of the lease of the cottage at Dundrum. After two years in Merion Square the press and the rest of the stock moved to 133 Upper Baggot Street, which was the press’s home until the death of Elizabeth Yeats, with The Bounty of Sweden being the first book issued at the new address. (Clifford Lewis The Yeats sisters and the Cuala, 1994, p. 166) £300-400

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726 FE191/419 Cuala Press - Donaghy, John Lyle At dawn above Aherlow: poems. Dublin: The Cuala Press, 1926. First edition, 8vo., woodcut device on the titlepage in red, original quarter linen, blue grey paper boards, uncut, boards with some patchy fading and some red ink marks, spine label chipped, one of a 100 copies. (Miller p. 129 listing it as privately printed); Yeats, W.B. Estrangements: being some fifty thoughts from a diary kept by William Butler Yeats in the year nineteen hundred and nine. Dublin: The Cuala Press, 1926. First edition, 8vo., woodcut device on the titlepage by Sturge Moore, original quarter linen, blue grey paper boards, uncut and unopened, slight fading of the boards, offsetting to the endpapers, with McInerney armorial bookplate, one of 300 copies. (Miller 38; Wade 159); Parnell, Thomas Poems; selected by Lennox Robinson. Dublin: The Cuala Press, 1926. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue grey paper boards, uncut, off-setting to the endpapers, with McInerney armorial bookplate, one of 200 copies. (Miller 39); Yeats, W.B. October blast: poems. Dublin: The Cuala Press, 1927. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue grey paper boards, uncut, offsetting to the endpapers, with McInerney armorial bookplate, one of 350 copies. (Miller 40; Wade 156); [Idem] The Death of Synge. Dublin: The Cuala Press, 1927. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue grey paper boards, uncut and unopened, with the original paper wrappers, one of 400 (Miller 41; Wade 162) (5) £400-500

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727 FE191/420 Cuala Press - Robinson, Lennox, compiler A little anthology of modern Irish verse. Dublin: The Cuala Press, 1928. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue grey paper boards, uncut, offsetting to endpapers, with McInerney armorial bookplate, one of 300 copies (Miller 42); Yeats, W.B. A packet for Ezra Pound. Dublin: The Cuala Press, 1929. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, uncut and unopened, offsetting to the lower endpapers, one of 425 copies (Miller 43; Wade 163): Moore, Tom Lyrics & satires; selected by Sean O’Faolain. Dublin: The Cuala Press, 1929. First edition, 8vo., woodcut device on the titlepage, with five illustrations from line drawings by Hilda Roberts, original quarter black linen, patterned paper boards, printed paper label on upper wrapper, uncut and unopened, one of 130 copies (Miller 44) (3) Note: The Moore book in patterned boards was a departure from the regular style which occurs only in this book. (Miller p. 86) £300-500

728 FE191/421 Cuala Press - Gogarty, Oliver Wild apples, with William Butler Yeats. Dublin: The Cuala Press, 1929. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, uncut and unopened, offsetting to the lower endpapers, one of 250 copies. (Miller 45; Wade 279): Gregory, Isabella Augusta, Lady Coole. Dublin: The Cuala Press, 1929. First edition, 8vo., woodcut device on the titlepage, original quarter linen, dark blue paper boards, uncut, one of 250 copies (Miller 46; Wade 319); Yeats, W.B. Stories from Michael Robartes and his friends: an extract from a record made by his pupils: and a play in prose by W.B. Yeats. Dublin: The Cuala Press, 1931. First edition, 8vo., woodcut device on the titlepage, device and two illustrations on grey paper by Edmund Dulac, original quarter linen, blue paper boards, uncut, one of 450 copies. (Miller 47; Wade 167); O’Connor, Frank The wild bird’s nest: poems from the Irish; with an essay on the character in Irish literature by A.E. [i.e. George Russell]. Dublin: The Cuala Press, 1932. First edition, 8vo., woodcut device on the titlepage, woodcut device, original quarter linen, blue paper boards, uncut, some foxing of endapers and page margins, with the bookplate of the American poet William Kimball Flaccus and his artist wife Violelta, one of 250 copies. (Miller 48); Yeats, W.B. Words for music perhaps and other poems. Dublin: The Cuala Press, 1932. First edition, 8vo., woodcut device on the titlepage, woodcut device in red, original quarter linen, dark blue paper boards, uncut and unopened, one of 450 copies (Miller 49; Wade 168) (5) £400-500 729 FE191/422 Cuala Press - Rossi, Mario Pilgrimage in the West; translated by J.M. Hone. Dublin: The Cuala Press, 1933. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, boards a little marked, one of 300 copies. (Miller 50); Higgins, F.R. Arable holdings. Dublin: The Cuala Press, 1933. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, boards a little marked, no 23 of 300 copies, signed by the author on the titlepage. (Miller 51); Donaghy, Lyle Into the light, and other poems. The Cuala Press, 1934. First edition, 8vo., woodcut device of a phoenix in red on the titlepage, original quarter linen, brown paper boards, uncut and unopened, one of 200 copies privately printed (Miller p. 130) (3) £200-300

727

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731

730 FE191/423 Cuala Press - Yeats, W.B. The words upon the window pane, a play in one act, with notes upon the play and its subject. Dublin: The Cuala Press, 1934. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, boards a little marked, traces of small label removed from linen spine, front free coloured endpaper with tear and stain at top, library accession number written and stamped on verso of the titlepage, with the bookplate of Declan O’Riordan, one of 350 copies (Miller 52; Wade 174); [Idem] The king of the great clock tower, commentaries and poems. Dublin: The Cuala Press, 1934. First edition, 8vo., woodcut device in red on the titlepage, original quarter linen, blue paper boards, uncut, with the McInerney armorial bookplate, one of 400 copies. (Miller 53; Wade 179); [Idem] Dramtis personae. Dublin: The Cuala Press, 1935. First edition, 8vo., woodcut device, original quarter linen, blue paper boards, original glassine wrappers, uncut, with errata slip correcting “blackmail” to “blackball”, one of 400 copies (Miller 54; Wade 183) (3) Note: Dramtis personae contains what has been referred to as one of the greatest insults of literature, describing George Moore as “a man carved out of a turnip, looking out of astonished eyes.” (Gatch & Maggs p. 25) £250-350

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731 FE191/464 Cuala Press - W.B. Yeats, James Stephens, F. Higgins and others Broadsides: a collection of old and new songs. Dublin: The Cuala Press, 1935. Folio, hand coloured illustrations, original quarter linen, blue boards, matching blue endpapers, printed paper label, very slight internal cracking, some spotting of the fore-edges, with the armorial McInerney bookplate, one of 100 copies, signed by Yeats and Higgins; [AND] Broadsides: a collection of new Irish and English songs. Dublin: The Cuala Press, 1937. Folio, hand coloured illustrations, with errata sheet, original quarter linen, blue boards, matching blue endpapers, printed paper label, slight staining where the linen meets the paper boards, slight wrinkling to the surface of the upper board, signed by Yeats and Dorothy Wellesley, one of 150 copies (2) Note: Miller 55 & 58; Wade 249 & 254. Bound up with special preliminary essays from two series of twelve broadsides originally issued monthly and themselves limited to 300 copies for each series. Other contributors include Oliver Gogarty, Hilaire Belloc, Frank O’Connor, Edith Sitwell, Walter de la Mare, etc. The hand coloured illustrations are by Jack Yeats, Victor Brown, Harry Kernoff & Maurice McGonigal. The music is by W. Turner, Arthur Duff, Edmund Dulac etc. £2,000-3,000

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732 FE191/424 Cuala Press - [Russell, George] Some passages from the letters of AE to W.B. Yeats. Dublin: The Cuala Press, 1936. First edition, 8vo., woodcut device on the titlepage in red, original quarter linen, blue paper boards, uncut, one of 300 copies (Miller 56; Wade p. 393); Yeats, W.B. Essays by W.B. Yeats 1931 to 1936. Dublin: The Cuala Press, 1936. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, a little wear at head and tail, one of 300 copies (Miller 57; Wade 194); [Idem] New poems. Dublin: The Cuala Press, 1937. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, one of 450 copies (Miller 59; Wade 197); O’Connor, Frank Lords and commons: translations from the Irish. Dublin: The Cuala Press, 1938. First edition, 8vo., woodcut device on the titlepage in red, original quarter linen, blue paper boards, uncut, signature of the poet Wilfrid Gibson on front free endpaper, with the McInerney armorial bookplate, one of 250 copies (Miller 60; Wade 194); Yeats, W.B. Last poems and two plays. Dublin: The Cuala Press, 1939. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, one of 500 copies (Miller 61; Wade 200); Gogarty, Oliver Elbow room. Dublin: The Cuala Press, 1939. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, one of 450 copies (Miller 62) (6) £400-600 733 FE191/425 Cuala Press - MacNeice, Louis The last ditch. Dublin: The Cuala Press, 1940. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, spine label a little chipped, one of 450 copies (Miller 63; Armitage & Clark A14); Yeats, W.B. If I were four-and-twenty. Dublin: The Cuala Press, 1940. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut and unopened, with the McInerney armorial bookplate, one of 450 copies (Miller 65; Wade 205); Masefield, John Some memories of W.B. Yeats. Dublin: The Cuala Press, 1940. First edition, 8vo., frontispiece, original quarter linen, blue paper boards, uncut, no 19 of 370 copies (Miller 66); MacDonagh, Donagh Veterens and other poems. Dublin: The Cuala Press, 1940. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, the author has scorred out his printed name on the titlepage and signed the titlepage with an inscription to “ Beatrice with love Donagh MacDonagh April 4th 1941” , no 7 of 270 copies. (Miller 67); Shaw, Bernard & Yeats, W.B. Florence Farr, Bernard Shaw and W.B. Yeats; edited by Clifford Bax. Dublin: The Cuala Press, 1941. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, corners a little knocked, upper inner joints cracking, no 206 of 500 copies (Miller 68; Wade 327); O’Connor, Frank Three tales. First edition, 8vo., woodcut device on the titlepage, original quarter linen, blue paper boards, uncut, with the original glassine wrappers, inscribed on the front blank “For Stan Michael [O’Donovan] 19.2.42”, with the McInerney armorial bookplate no 6 of 250 copies (Miller 69) (6) £400-600

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734 FE191/181 Cuala Press - O’Connell, Eileen A lament for Art O’Leary: translated from the Irish by Frank O’Connor, with six illustrations by Jack B. Yeats. Folio, with the hand coloured Cuala device by Elizabeth Corbett Yeats and six illustrations hand coloured by Eileen Colum and Kathleen Banfield, original linen backed blue paper boards, with printed paper spine label, uncut and unopened, some ink splashes at the lower corner of the upper board Note: Miller no. 64. No. 23 of 130 copies. One of the smallest limitations of the entire Dun Emer/Cuala trade series, although there is evidence of an additional limitation for presentation (See Sotheby’s sale LO7411 lot 149) not mentioned by Miller. £650-850

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AT 46 PALMERSTON ROAD, DUBLIN

THE REVIVAL OF THE PRESS-

735 FE191/426 Cuala Press - Kavanagh, Patrick The great hunger. Dublin: The Cuala Press, 1942. First edition, 8vo., original quarter linen, dark blue paper boards, uncut and unopened, with original glassine wrapper, boards with some fading, spine label a little chipped touching one or two letters of text, small bookseller’s label at foot of front pastedown endpaper

737 FE191/428 Cuala Press - Yeats, W.B. Reflections: transcribed and edited by Curtis Bradford from the Journals. Dublin: The Cuala Press, 1970. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, original paper wrapper, uncut, loosely inserted is an advertisement leaf from the Press announcing forthcoming publications, no 212 of 500 copies (Miller 78); Synge, John M. Some letters to Lady Gregory and W.B. Yeats selected by Ann Saddlemyer. Dublin: The Cuala Press, 1971. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, original paper wrapper, uncut and unopened, no. 306 of 500 copies (Miller 79); Kinsella, Nigel Notes from the land of the dead: poems. Dublin: The Cuala Press, 1972. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, original paper wrapper, uncut and unopened, no. 266 of 500 copies (Miller 80); Montague, John A fair house: versions of Irish poetry. Dublin: The Cuala Press, 1972. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, original paper wrapper, uncut and unopened, 300 copies printed of which this is numbered “O/S.” (not in Miller); Yeats, John Butler Letters from Bedford Park: a selection from correspondence (1890-1901) with introduction and notes by William M. Murphy. Dublin: The Cuala Press, 1972. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, original paper wrapper, uncut and unopened, no. 220 of 500 copies (Miller 81) (5) £200-300

Note: Miller 70. No 224 of 250 copies. One of the great achievements of twentieth-century Irish literature and begun while Kavanagh was at the Russian Front in 1941, it highlights the spiritual, sexual and emotional poverty of rural Ireland in the 1930s and 1940s. The first book from the Press’s new address at 46 Palmerston Road, Dublin, where it continued to 1968. £400-600 736 FE191/427 Cuala Press - Bowen, Elizabeth Seven winters. Dublin: The Cuala Press, 1942. First edition, 8vo., original quarter linen, brown paper boards, uncut and unopened, no 127 of 450 copies. (Miller 71); Yeats, Jack B. La La Noo. Dublin: The Cuala Press, 1943. First edition, 8vo., original quarter linen, yellow paper boards, uncut, covers a liitle discoloured, 450 copies were printed with a list of Cuala Press publications at the end, this is numbered as “Out of series.” (Miller 72); O’Connor, Frank A picture book: illustrated by Elizabeth Rivers. Dublin: The Cuala Press, 1943. First edition, 8vo., illustrations, original quarter linen, brown paper boards, uncut, wth a list of Cuala Press publications at the end, no 60 of 450 (Miller 73); Gwylym, Dafydd ap. Selected poems: translated by Nigel Heseltine, with a preface by Frank O’Connor. Dublin: The Cuala Press, 1944. First edition, 8vo., woodcut device on titlepage, original quarter linen, pale grey boards, uncut, edges rubbed, no. 114 of 450 (Miller74); Yeats, W.B. Pages from a diary written in nineteen hundred and thirty. Dublin: The Cuala Press, 1944. First edition, 8vo., woodcut device on titlepage, original quarter linen, yellow boards, uncut, edges rubbed, inscription in upper corner of front pastedown, no. 51 of 250 copies (Miller 75); Hutton, Annie The love story of Thomas Davis told in the letters of Annie Hutton; edited with an introduction by Joseph Hone. Dublin: The Cuala Press, 1945. First edition, 8vo., woodcut device on titlepage, with errata slip between pp. VIII & IX, original quarter linen, ivory coloured boards, uncut, edges rubbed, corners knocked, no. 145 of 280 copies (Miller 76); Rivers, Elizabeth Stranger in Aran written and illustrated by Elizabeth Rivers. Dublin: The Cuala Press, 1946. First edition, 8vo., woodcut vignette, illustrations including 4 hand coloured, original quarter linen, ivory coloured boards, uncut, edges rubbed, corners knocked, 280 copies of which this is numbered “Out of series” (Miller 77) (7) Note: The two titles issued in 1943 contain a list of books issued by the Press to mark its fortieth anniversary. Publications from the Press were suspended after the book by Elizabeth Rivers, although the Press continued to issue hand coloured prints and greetings cards. Under new directors, the Press resumed book publication in 1968. Miller incorrectly listing Stranger in Aran as being published in 1945. £500-700

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738 FE191/429 Cuala Press - Yeats, W.B. The speckled bird; edited by William H. O’Donnell. Dublin: The Cuala Press, 1973-4. First edition, 2 volumes, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, uncut, no 139 of 500 copies, in a slip case; MacNeice, Louis The revenant: a songcycle for Hedli Anderson. Dublin: The Cuala Press, 1973-4. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, uncut and unopened, 350 copies printed of which this is numbered “O/S”; Usser, Arland From a dark lantern: a journal edited and arranged by Roger Nyle Parisious. Dalkey County Dublin, 1978. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, uncut and unopened, no 45 of 350 copies; [Russell, George] Some unpublished letters from AE to James Stephens, edited by Richard J. Finneran and Mary M. Fitzgerald. Dalkey County Dublin, 1978. First edition, 8vo., woodcut device on the titlepage, original quarter linen, grey paper boards, uncut and unopened, no 25 of 350 copies. Yeats, J.B. A little book of bookplates. Dalkey County Dublin, 1979; First edition, 8vo., printed paper wrappers, uncut and unopened, no 345 of 350 (6) £200-300

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Hand-coloured illustration by Harry Kernoff, from the Cuala Press Broadsides, lot 731

MISCELLANEOUS 739 FE191/461 Art reference, including: Baal-Teshuva, Jacob Rothko. Hong Kong, etc.: Taschen, 2009. Folio, publisher’s cloth, dustwrappers; Schama, Simon Rembrandt’s eyes. London: Allen Lane The Penguin Press, 1999. 4to., publisher’s cloth, dustwrappers; Short, Robert Dada & surrealism. London: Book Club Associates, 1980. Folio, publisher’s cloth, dustwrappers; McCarthy, Mary The stones of Florence. London: Heinemann, 1976. Folio, publisher’s cloth, dustwrappers; McCorquodale, Charles Bronzino. London: Chaucer Press, 2005. Folio, publisher’s cloth, dustwrappers; Morath, Inge Fotografien 1952-1992. Salzburg: Kurt Kaindl, 1992. Oblong folio, publisher’s cloth, dustwrappers; Atterbury, Paul, editor The Parian phenomenon: a survey of Victorian Parian porcelain statuary & busts. Beauchamp: Richard Dennis, 1989. Folio, publisher’s cloth, dustwrappers; Kinnaird, Clark George Washington:

the pictorial biography. New York: Hastings House, 1967. Folio, publisher’s cloth, dustwrappers; Canfield, Cass The Incredible Pierpont Morgan: financier & collector. London: Hamish Hamilton, 1974. 8vo., publisher’s cloth, dustwrappers; Roe, Sue Gwen John: a life. London: Chatto & Windus, 2001. 8vo., publisher’s cloth, dustwrappers, ex library copy; Fleming, J. & H. Honour The Penguin dictionary of decorative arts. London: Allen Lane, 1977. 8vo., publisher’s cloth, dustwrappers; Mirrlees, Hope A Fly in amber being an extravagant biography of the romantic antiquary Sir Robert Bruce Cotton. London: Faber and Faber, 1962. 8vo., publisher’s cloth, dustwrappers; Litchfield, F. Pottery & porcelain: a guide to collectors. New edition. London: Truslove & Hanson, 1912. 8vo., publisher’s cloth, t.e.g., outer joints rubbed; and a large quantity of related works, sold not subject to return £250-350

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740 FE191/459 Bibliography and History of the Book A collection of works of bibliography, history of the book and related subjects, to include: Carter, John & Graham Pollard An Enquiry into the nature of certain nineteenth century pamphlets. London: Constable, 1934. First edition, 8vo., publisher’s cloth, dustwrappers, bookplate of the Revd. Richard King, signature on titlepage, t.e.g; Partington, Wilfred Thomas J. Wise in the original cloth: the life and record of the forger of the nineteenth-century pamphlets. London: Hale, 1946. First edition, 8vo., publisher’s cloth, rubbed, label removed from lower pastedown; Wise, Thomas James A Pope library: a catalogue of plays, poems, and prose writings by Alexander Pope: collected by Thomas James Wise with a new introduction by K.I. Malsen; Purdy, Richard Little Thomas Hardy: a bibliographical study. Oxford: Clarendon Press, 1968. Publisher’s cloth, dustwrappers; Thomas, Alan G. Great books and book collectors. London: Chancellor Press, 1975. Folio, publisher’s cloth, dustwrappers; Salaman, M.C. British book illustration yesterday and to-day. London: The Studio, 1923. Folio, orginal blind decorated cloth, t.e.g., binding rubbed and stained; Hayward, John English poetry: a descriptive catalogue. London: National Book League, 1947. 4to., printed paper wrappers; Mandelbrote, Giles, editor Out of print & into profit: a history of the rare and secondhand book trade in Britain in the twentieth century. London: the British Library, 2006. 8vo., publisher’s cloth, dustwrappers; Anderson Galleries The Library of Jerome Kern New York City sale number 2307, New York, 1929. 2 volumes, 8vo, limp cloth bindings; Harrop, Dorothy A. A History of the Gregynong Press. Pinner: Private Libraries Association, 1980. Folio, publisher’s cloth; Reade, Brian Beardsley. London: Studio Vista, 1967. Folio, publisher’s cloth, dustwrappers; Croft, P.J. Autograph poetry in the English language: facsimiles of original manuscripts from the fourteenth to the twentieth century. London: Cassell, 1973. 2 volumes, Folio, publisher’s cloth, dustwrappers, in a slip case and a number of other related works; sold not subject to return (quantity) £250-350 741 FE191/464A Music - Fauré, Gabriel Shylock: comédie en 3 actes de Edmond Haraucout (d’après Shakspeare)[sic] Op 57. Paris: Hamelle, [1891]. First edition, pianovocal score, 4to, original pictorial paper wrappers, preserved in a linen folder Note: With a signed inscription on the titlepage from Fauré to Gustave Samazeuilh, who made the piano reduction for this edition. A note from Richard MacNutt to Bruce Ritchie describes the work as “nearunique” and there is no copy in the Bibliothèque Nationale. £150-250

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742 FE191/465 Music - Massenet, J. Manon: opèra-comique en 5 actes et 6 tableaux. Nouvelle edition. Paris: Ménestrel, 1895. 4to., quarter cloth, marbled boards, orginal wrappers bound in, edges worn and rubbed, some spotting and discolouration of the prelims Note: Signed Inscription from Massenet to Mademoiselle Flameng, dated March 1899 and with two bars of music. Included is a letter of authentication from Museo Theatro alla Scala. £150-250 743 FE191/460 Scottish Art Reference, including: Armstrong, Sir Walter Sir Henry Raeburn … and descriptive catalogue by J.L. Caw. London: Heinemann, 1901. Folio, publisher’s cloth, t.e.g., plates made from photographs by Messrs Annan, spine faded and with some wear to head and tail; Henley, W.E. Sir Henry Raeburn: a selection from his portraits reproduced in photogravure by T. and R. Annan. Edinburgh, Constable, 1890. 4to., publisher’s cloth, t.e.g.; Caw, Sir James L Sir James Guthrie: a biography. London: Macmillan, 1932. Folio, t.e.g., others uncut, photogravures by T. & R. Annan & Sons, publisher’s cloth, dustwrappers, in orginal linen covered box; [Idem] Scottish painting past and present 1620-1908. Edinburgh: Jack, 1908. 4to. Publisher’s cloth, t.e.g., binding shaken, frontispiece and some other illustrations detached (but present), with the signature of Sir William MacTaggart on the front free endpaper; [Idem] William McTaggart. Glasgow: Maclehose, 1917. 4to., publisher’s cloth, presentation inscription from the author to George A. Waters; Irwin, D. & F. Irwin. Scottish painters at home and abroad 1700-1900. 4to., publisher’s cloth, dustwrappers; Kaplan, W., editor Scotland creates: 5000 years of art and design. Glasgow: Glasgow Museums & Art Galleries, 1990. Folio, publisher’s cloth, dustwrappers; Halsby, Julian Scottish watercolours 1740-1940. London: Batsford, 1989. 4to, printed paper wrappers; Hardie, William Scottish painting 1837-1939. London: Studio Vista, 1976. 4to., publisher’s cloth, dustwrappers; Billcliffe, Roger The Glasgow Boys. Philadelphia: University of Pennsylvania Press, 1985. 4to., publisher’s cloth, dustwrappers; Bury, Adrian Joseph Crawhall: the man & the artist. London: Charles Skelton, 1958. 4to., publisher’s cloth, dustwrappers. No. 953 of 990 copies; and approximately 40 others, sold not subject to return £200-300

END OF SALE

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Ackroyd, P., 375 Adams, R., 83 Albee, E., 376-378 Amis, K., 379-382 Amis, M., 383 Amuchástegui, A., 120 Arbruthnot, J., 240 Arnold, T., 189 Arnold, T.W., 139 Aubry, C., 98 Auden, W.H., 384-386 Bagot, W., 99 Balzac, H. de, 20 Barnes, J., 387 Barriffe, W., 36 Barry, E., 179 Beardsley, A., 309-318 Beccaria, G.B., 180 Becher, J.J., 181 Beckett, S., 388-392 Behrens, C. B., 182 Behrens, G.H., 183 Bell, B., 184 Bell, J., 85, 185 Bellow, S., 369 Bennett, A., 399 Betjeman, J., 393-398 Bewick, T., 121 Blaeu, J., 17 Blake, W., 598 Bleuland, J., 186 Blunden, E., 400 Boccaccio, G., 401 Bowen, E., 736 Boyd, W., 402, 403 Bradbury, M., 404 Bradbury, R., 405-408 Brenton, E.P., 40 Brice, G., 23 Brooke, R., 409 Browning, R., 319-326, 460 Buckler, J.C., 143 Buonanni, F., 165 Burgess, A., 410-412 Burnet, T., 242 Burney, C., 88 Burns, R., 243, 453 Butler, S., 34, 413, 486 Canina, L., 165 Capote, T., 414, 415 Carey, P., 416 Carracci, A., 2, 24 Carroll, L., 52 Cary, J., 417

Castell, R., 3 Chatwin, B., 418, 419 Chaucer, G., 452 Chesney, F.R., 146 Cipriani, G.B., 4, 165 Clemens, S.L., 327, 328 Coleridge, S.T., 329, 456 Conrad, J., 89, 420-422 Coward, N., 423, 424 Cox, N., 101 Crane, H., 425 Crawhall, J., 426 Crichton, A., 189 Cummings, E.E., 427, 428 Curzon, G.N., 148 Dalí, S., 5 Day Lewis, C., 429, 430 DeLillo, D., 431, 432 Dickens, C., 51, 91, 330-342 Dickinson, E., 433 Dodgson, C.L., 52 Donaghy, J.L., 726 Dryden, J., 244, 457 Eberhart, R., 434 Edwards, G., 191 Eglinton, J., 711 Eliot, G., 54, 343-346 Eliot, T.S., 435-445 Eschscholtz, J.F. von, 192 Faulks, S., 461-463 Fauré, G., 741 Fea, C., 165 Fearne, C., 40 Fielding, H., 245-251 Fitzgerald, F.S., 464-470 Fleming, A., 193 Forrest, T., 161 Fox, W., 194 Fraser, J.B., 153 Frayn, M., 471 Frezier, A.F., 25 Frost, R., 472, 473 Gay, J., 252 Gerard, J., 125 Gibbon, E, 253 Godfrey, M.J., 126 Gogarty, O., 725, 728 Golding, W., 474-476 Goldsmith, O., 458 Grahame, K., 477-483 Grant, J., 149 Granville, G., 254

Graves, R., 484 Gray, T., 449 Gray,.T., 255 Greene, G., 55 Gregory, I. A., 485 Gregory, I.A., 712, 722 Gurney, I., 488 Hampton, C., 489 Hanway, J., 156 Hardy, T., 490 Hartley, L.P., 491 Hatsell, J., 40 Heaney, S., 492-512 Hedderwick, P., 41 Hemingway, E., 513-516 Herbelot, B. d', 26 Herbert, G., 487 Hockney, D., 517 Hollinghurst, A., 518 Homer, 275 Hopkins, G.M., 519 Horace, 256 Houeman, A.E., 521 Houseman, A.E., 520, 522 Hughes, T., 523-536 Hyde, D., 709 James, H., 99, 347-353 James, W., 40 Jerome, J.K., 354 Johnson, R.W., 197 Johnson, S., 58, 59 Jones, W., 159 Jonson, B., 60, 313 Joyce, J., 537-550 Kavanagh, P., 735 Keats, J., 448 La Condamine, C.M. de, 198 La Vauguion, de -, 199 Landt, G., 151 Langley, B., 107 Langon, B., 42 Larkin, P., 551-559 Lawrence, D.H., 560-573 Lee, H., 574 Lee, L., 62, 575 Leymarie, J., 5 Locke, J., 108 Lodge, D., 576-582 Loos, A., 369 Lowell, R., 583 Lucae, J.C.G., 176 Lycklama a Nijeholt, T.M., 167

MacCaig, N., 584 Machiavelli, N., 63 MacNeice, L., 588, 589, 733 Marlborough, Duke of, 45 Massenet, J., 742 McEwan, I., 585-587 Miller, A., 590-595 Milne, A.A., 482 Milton, J., 257, 454 Monro, A., 201 Montague, M.W., 258 Moore, T., 99 Motion, A., 596 Mottram, R.H., 400 Munting, A., 128 Neale, A., 42 Nibby, A., 165 Nobbs, D., 597 O'Connell, E., 734 O'Meara, B.E., 46 Oliphant, Mrs, 149 Olivi, G., 203 Orwell, G., 599-602 Owen, H., 604 Owen, W., 603, 604 Parker, D., 605 Parkinson, J., 130 Payne, J., 401 Pennant, T., 205 Pepys, S., 37 Perckhammer, H. von, 111 Percy, T., 240 Philips, A., 240 Picart, B., 112 Pinter, H., 606 Plath, S., 607, 608 Plot, R., 171 Poetry Society, 609 Pont, T., 17 Pope, A., 259, 260, 261-266, 267, 269-274, 276-283, 286, 287, 289-294 Pringle, J., 207 Prior, M., 295 Ptolemy, 18 Pugh, J., 208 Purrmann, M.G., 209 Pym, B., 610 Pynchon, T., 611 Rackham, A., 66, 68-70, 72 Rattigan, T., 612 Reil, J.C., 210

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Reynolds, J., 43 Riding, L., 613 Robinson, L., 727 Roethke, T., 614 Rosenberg, I., 615, 616 Rossi, M., 729 Roth, P., 617 Rowling, J.K., 73 Runyon, D., 618 Rushdie, S., 619 Russell, G., 708, 732

Spark, M., 627, 628 Speed, J., 19 Spenser, E., 451 Spyri, J., 75 Staunton, G.L., 215 Steel, D., 41 Stevens, W., 517, 629, 630 Stoppard, T., 631-646 Swift, G., 647 Swift, J., 303 Synge, J.M., 715, 719

Sandifort, E., 211 Santos, F., 168 Sarayna, T., 169 Sassoon, S., 620-624 Scarpa, A., 212-214 Schefferus, J., 48 Schmidel, D. C. C., 131 Scott, W., 74, 355 Shakespeare, W., 296, 446 Shelley, P.B., 447 Sherriff, R.C., 625 Smith, S., 626 Smollett, T., 298-302

Tennyson, A., 459 Thackeary, W.M., 359 Thackeray, W.M., 78, 357, 358 Theobald, L., 304 Thomas, D., 648-650 Thomas, E., 651-654 Thomas, R.S., 655 Thomson, J., 305, 306 Thornton, R.J., 133 Trioen, C., 217 Tulpius, N., 218 Tynan, K., 713

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Valentini, A., 165 Valli, E., 219 Valsalva, A.M., 220, 221 Verduyn, P.A., 222 Verheyen, P., 223 Vesalius, A., 224 Vieussens, R. de, 225 Virgil, 307 Vries, P. de, 656 Wagner, M., 174 Walter, J.G., 226 Waring, E.S., 175 Watson, J., 143 Waugh, E., 81, 657-671 Weidmann, J.P., 227 Wells, H.G., 672 Welsch, G.H., 228 Whitehead, P., 308 Whitman, W., 450 Wilbur, R., 369 Wilde, O., 316, 360-367 Williams, T., 673-676 Willis, T., 229, 230 Wilson, A.N., 677

Wilson, R.T., 143 Winston, T., 231 Winterson, J., 678 Wirsung, C., 232 Wiseman, R., 233-236 Woodward, J., 237 Wordsworth, W., 368, 455 Wurffbain, J.P., 238 Yeats, W.B., 680-707, 710, 714, 716-718, 720, 721, 723, 724, 730, 731, 737, 738 Yeats, W.B.., 682 Yonge, J., 239 Young, A., 679 Young, E., 240 Young, G., 204

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Fine Paintings Thursday, 30th May, 2013 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Emily Johnston Tel: +44 (0)20 7930 9115 emily.johnston@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

www.lyo nandturnbull.com

GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) STILL LIFE, FRUIT Signed, oil on canvas 66cm x 775cm (25.25in x 30.25in) Provenance: J. Gibson Jarvie, Esq. Exhibited: Exhibition of Scottish Art, Royal Academy of Arts, London, 1939, no. 565

ÂŁ60,000-80,000

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STANDARD TERMS & CONDITIONS OF SALE

6. PAYMENT

9. THIRD PARTY LIABILITY

(1) Immediately a lot is sold you will:

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

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(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

13. TERMS OF SALE

GENERAL

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(a) to proceed against you for damages for breach of contract;

(1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT)

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

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Absentee bid form Sale/customer details 33 Broughton Place Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Sale Title Sale Date

Sale No.

Title

Initials

Client No.

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 2928 e-mail: info@lyonandturnbull.com www.lyonandturnbull.com

Surname Address Postcode Telephone

I request Lyon and Turnbull, without legal obligation of any kind on its part, to bid on the following lots up to the prices listed.

Fax

E-mail

£ Sterling limit Lot.No

Description

Ex. Premium & VAT

I understand that if any of my bids are successful the total price payable will be the amount of the final bid plus a Buyer’s premium calculated at the following rates: 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium. The premium and VAT is payable by all purchasers. Lots in the catalogue marked * or † are subject to VAT on the hammer price as well as the premium. Where there are identical bids for a lot, the first bid received will be have precedence. Please make certain that your bids are submitted at least two hours before the start of the sale.

Client Signature

Date

Lyon and Turnbull office use Date

Time

Bidder No.

Received Entered

175

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Fine Asian Works of Art Wednesday, 12th June, 2013 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Lee Young Tel: +44 (0)131 557 8844 lee.young@lyonandturnbull.com

Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com

www.lyo nandturnbull.com

Waverley Station

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom. WA ITH LE

ITH

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

QU EE N

Local Deliveries Local deliveries can be arranged by A&S Pert Removals. Telephone 07876 343520.

Lyon & Turnbull saleroom

St Andrew Square

ES ST

P R IN C

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale. Thereafter lots will be removed to store in Edinburgh and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274