Interiors | 20th July 2013 | 10:00

Sale 386 | Saturday 20th July 2013 | Affordable, Stylish & Unique

Sale 386 Saturday, 20th July, 2013 at 10am at 33 Broughton Place, Edinburgh EH1 3RR Viewing Times Thursday, 18th July 10am - 5pm Friday, 19th July 10am - 5pm / From 9am on sale day Enquiries

Buyer’s Guide Everything you need to know

Bidding

In person To view all of the lots in this sale please note the public viewing times listed above. All viewable at 33 Broughton Place, Edinburgh.

There are four easy ways to bid at this sale, and all bids are (of course) confidential:

Estimates All lots carry an estimated price band, listed in the catalogue, which indicates our opinion of value. The final price may be higher or lower than this band depending on demand. If there is a reserve on the lot then it cannot be sold below that price.

Reserves do not exceed the lower estimated price and may be lower.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

Charlotte Riordan

charlotte.riordan@lyonandturnbull.com

Viewing

Online All lots are available to view online and each image can be enlarged for closer inspection. If you require additional images or would like a report on the condition of your lot(s) please contact us at info@lyonandturnbull.com

Theo Burrell

theo.burrell@lyonandturnbull.com

By absentee bid If you are unable to attend the auction we can bid on your behalf. Simply complete an absentee bid form and either hand it to a member of staff or fax it later to 0131 557 8668 at least 24 hours before the sale. Please note that our bid department may contact you for further details.

The amount you enter on the form should be your maximum limit. We will bid up to that limit for you, and remember you may end up paying less than your limit, depending on other bidding on the day.

In person at the sale Simply register at reception today, or when you arrive at the saleroom. You may need to provide identification. Once you have registered you will be handed a numbered paddle to use in the saleroom. When the bidding begins on your lot raise your paddle to bid. When the bidding stops the auctioneer will bring down the gavel and read out your number if you have won the lot.

Payment By telephone If you would like to bid by telephone, our clerk will call you from the saleroom on the sale day, just before your lot(s) come up, and bid on your behalf live at the sale. You can register to bid on the ‘phone at reception today, or contact us at least 1 hour before the sale on 0131 557 8844 or via info@lyonandturnbull.com Please note that for telephone bidding it is assumed the bidder will be prepared to pay within the estimate or higher.

For lots with a bottom estimate below £500 we would encourage you to leave an absentee bid, bid in person or bid online.

Online at lyonandturnbull.com Many clients prefer bidding live online at our auctions. It’s easy to register with us online and you can watch the sale as it happens and place bids at your computer. These live auctions are run by Artfact on our website, and they will charge you an additional 3% plus VAT for this service.

You can register to bid at any time before the sale; however we suggest you allow plenty of time to register to secure your bids.

You can pay by a number of methods - cash, credit or debit card or bank transfer.

You will be charged the hammer price plus a buyer’s premium of 25% up to £25,000 and 20% thereafter (premium subject to VAT). If there is a dagger (†), asterisk (*) or section mark (§) next to your lot number in the catalogue, your lot will be subject to VAT or Droit de Suite charges on the hammer price in addition to our standard buyer’s charges. See our Standard Terms & Conditions on the inside back cover for further details.

If you are not able to come in and see us to pay by credit or debit card please use our Online Payment service. You will find a link to this service in any email invoice we send you or you can visit the payments section of our website.

Please note that if you are paying by credit card we accept Mastercard and Visa only and there will be a 2% surcharge.

For further information on buying at Lyon & Turnbull please see our Standard Terms & Conditions of Sale and Collecting Your Purchases at the back of the catalogue.

Image © Siobhan Mooney

Welcome to

Hello and welcome to our latest Interiors sale! This month’s auction is all about collections, as we present significant pieces from two private properties, as well as a noteworthy selection of beautiful fans (page 35).

Starting on page 14, with over 100 items from Walbutt House in Kirkcudbrightshire, we have all manner of antiques and treasures for your home. Property from the impressive Lorbottle Hall in Northumberland is also a feature of our July sale, turn to page 50 to view the various paintings, furniture, taxidermy and ceramics on sale.

We teamed up too with Edinburgh based interior designer, Siobhan Mooney, this month to provide a little inspiration for the home. Siobhan picks her favourite pieces from our July sale and shows us how to place them in the home for a very effective look on pages 24 and 25.

And finally, as ever, we will be on view for two days prior to the sale to allow you to try before you buy! Staff will be on hand to answer any questions or queries, so feel free to come in, wander around and have a look. Also, don’t forget to pick up your free cup of tea or coffee once you’ve registered too!

We look forward to seeing you then!

Theodora Burrell Head of Interiors

Charlotte Riordan Picture Specialist

If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absentee bid with one of our staff members – ring us for details on 0131 557 8844.

3

Highlights from the Sale Private Collection from Lorbottle Hall, Northumberland Lorbottle Hall and Estate dates back to 1789 and is located six miles from the small market town of Rothbury in Northumberland being close to the county’s impressive National Park.

This time around we feature pictures, furniture, antiques and even a full sized painted mannequin from this unique property!

Page 50

Property removed from Walbutt House, Kirkcudbrightshire This summer our sale includes a substantial collection of antiques from Walbutt House in Castle Douglas. Built in 1881, this impressive Victorian property boasts beautiful views of the surrounding West Scottish countryside. Items include miniatures, walking canes, Asian works of art and a notable group of tea caddies.

Page 14 Selection of Fans from a Scottish Collector Our third Interiors sale features a striking collection of European and Asian fans, dating from the 1700s through to the 20th century. Comprising of over 60 pieces, including a Scottish Jacobite fan and items inspired by the Grand Tour, the collection demonstrates the beautiful quality of these historic fashion accessories, straight from the hands of an Edinburgh collector.

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1† FA389/3 TWO GEORGIAN STYLE LEATHER ARMCHAIRS the first, a wing back the arched back above outswept arms and a loose cushion seat, raised on square legs united by stretchers, 80cm wide, 110cm high, 54cm deep; the second, a barrel back arm chair, with a shaped back above out swept arms and a loose cushioned seat, raised on square legs and brass casters, 76cm wide, 113cm high, 55cm deep (2) £400-600

3 FF131/17 SET OF FOUR BURNISHED STEEL FILING CABINETS CIRCA 1920 each fitted with four drawers (4)

2 FE348/23 GILTWOOD OVERMANTLE MIRROR 19TH CENTURY the broken pediment flanked by urn finials above multiple mirror plates and a central shelf, raised on turned supports, flanked by two further shelves

61cm wide, 90cm high, 54cm deep

116cm wide, 115cm high

45cm wide, 76cm high

£200-300

£250-350

39cm wide, 132cm high, 62cm deep

£1,000-1,500 4 FF68/3 PAIR OF GEORGE II STYLE METAMORPHIC LIBRARY CHAIRS each with a shaped back above out swept arms, over a solid seat, hinged to reveal four treads, raised on cabriole legs and united by stretchers (2) £2,000-3,000 5 FG152/6 BIEDERMEIER STYLE BEACH AND EBONY TRIPOD TABLE the moulded circular top above a baluster turned support and under tier, raised on a triform base with bun feet

6 FF69/6 LIMED OAK FRAMED CREAM BUTTON BACK CHAIR 19TH CENTURY the shaped back and down swept arms above a loose cushioned seat, over a carved serpentine apron, raised on fluted turned legs 84cm wide, 101cm high, 60cm deep

£1,200-1,500 7 FE396/26 GEORGIAN STYLE MAHOGANY TRIPLE PEDESTAL DINING TABLE the reeded rectangular top above turned supports, raised on sabre legs and brass caps and casters, including two leaf extensions 335cm wide extended, 76cm high, 99cm deep

£600-1,000

8 FE396/25 SET OF TWELVE MAHOGANY CHIPPENDALE STYLE DINING CHAIRS 20TH CENTURY compring a pair of armchairs and ten side chairs, with foliate carved crest rails over a carved and pierced interlaced splat with foliate carved C scrolls, above a drop in padded seat and foliate carved seat rail, raised on acanthus carved cabriole legs ending in claw and ball feet (12) 59cm wide, 98cm high, 44cm deep

£1,200-1,800 9 FD727/1 PAIR OF FRENCH EMPIRE STYLE OPEN ARM CHAIRS each with a carved arched back above cushioned arms with carved griffin supports, over a cushioned seat, raised on out swept legs and lion paw feet (2) 67cm wide, 109cm high, 51cm deep

£200-300

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10† FA389/5 PAIR OF QUEEN ANNE STYLE WALNUT HIGH BACK HALL CHAIRS each with an arched top rail above a cushioned splat, over a solid seat, raised on block and turned legs, united by stretchers (2)

13 FF69/11 SMALL PAINTED SERPENTINE COMMODE 19TH CENTURY the shaped top above two graduated drawers, raised on moulded cabriole legs, with floral decoration

16 FG183/10 PAIR OF LEATHER GAINSBOROUGH CHAIRS each with an arched button back above padded arms and a buttoned seat, raised on square legs united by stretchers (2) 69cm wide, 107cm high, 55cm deep

19 FF160/2 GEORGE III MAHOGANY BEDSIDE COMMODE the rectangular galleried to above a frieze drawer and cross banded cupboard doors over a lower sliding section, raised on square legs

50cm wide, 72cm high, 30cm deep

£1,200-1,500

56cm wide, 81cm high, 46cm deep

46cm wide, 126cm high, 39cm deep

£300-500

£250-350

154cm wide, 54cm high, 74cm deep

14 FF68/5 LARGE MAHOGANY AND EBONY INLAID CIRCULAR ‘HOPE’ DINING TABLE 19TH CENTURY the circular brass inlaid top above a turned support, raised on out swept legs and brass lion paw feet and casters

£200-300

183cm wide, 73cm high

11 FB72/51 EMPIRE STYLE MAHOGANY AND MARBLE COFFEE TABLE 20TH CENTURY the rectangular top raised on out swept legs united by stretchers with brass eagles

£2,000-3,000 12 FF69/7 FLORAL UPHOLSTERED ARMCHAIR 20TH CENTURY the arched back above out scrolled arms and a loose cushioned seat, raised on bun feet

15 FG68/1 GILT WOOD OVER MANTLE MIRROR 19TH CENTURY with multiple mirror plates within a gadrooned and foliate carved frame

91cm wide, 84cm high, 62cm deep

170cm wide, 45cm high

£400-600

£250-350

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£200-300 17 FF160/3 REGENCY MAHOGANY WRITING TABLE the cross banded square top above a frieze drawer enclosing a writing slope, raised on ring turned legs with brass caps and casters 52cm wide, 77cm high, 48cm deep

£300-500

20 FE553/5 GEORGE II OAK DRESSER 18TH CENTURY the moulded cornice over a wavy frieze and three open shelves, the lower part with six short drawers above three further drawers, raised on chamfered legs joined by an undertier

18 FF159/3 SET OF TWELVE MAHOGANY GEORGIAN STYLE DINING CHAIRS 20TH CENTURY the shaped top rail above a pierced vertical splat and drop in pad seat, raised on square legs, united by stretchers, including two open armchairs (12)

21 FE395/1 SET OF FOUR ANGLO INDIAN HARDWOOD SIDE CHAIRS each with a shaped top rail above horizontal splats, over caned a seat, raised on turned legs, united by stretchers with inscription to the back rail (4)

51cm wide, 103cm high, 42cm deep

53cm wide, 84cm high, 38cm deep

£800-1,200

£400-600

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31

14

145cm wide, 205cm high, 45cm deep

£1,000-1,500

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22 FE307/4 MAHOGANY COLLECTORS CABINET OF SHELLS the moulded rectangular top above panel doors enclosing an interior fitted with shelves, raised on a plinth base 100cm wide, 90cm high, 39cm deep

£400-600 23 FE358/1 GEORGIAN MAHOGANY DROP FLAP SUPPER TABLE the rounded rectangular top above opposing drawers, over a turned support and reeded outswept legs, with brass lion paw feet and casters 113cm wide, 72cm high, 58cm deep

£300-500 24 FE401/1 VICTORIAN MAHOGANY BREAKFAST TABLE the oval moulded top above a turned support, raised on moulded cabriole legs

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27 FF163/2 MAHOGANY CHINESE STYLE FOLDOVER TEA TABLE BY JOHN CORLYON 20TH CENTURY the rectangular top above a carved frieze, raised on blind fretwork square legs, after a table from 10 Downing Street, edition no.11 of 50

25 FD158/3 REGENCY MAHOGANY LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top with an inset leather writing surface above two short frieze drawers, raised trestle supports ending on reeded sabre legs with brass caps and castors, united by a turned stretcher

91cm wide, 72cm high, 46cm deep

107cm wide, 74cm high, 62cm deep

£300-500

£600-800 26 FF69/9 FRENCH TRUMEAU MIRROR 18TH CENTURY the arched monochrome figural scene above a rectangular mirror plate, within a parcel gilt and painted frame 78cm wide, 132cm high

£1,200-1,500

28 FF131/12 GLASS AND POLISHED IRON DINING TABLE PART 19TH CENTURY the rectangular top raised on twin trestle end supports united by cross stretchers, the end supports inscribed ‘Fleet Works, London, Printing Manufacturers’ 215cm wide, 79cm high, 114cm deep

£400-600

29 FG187/1 IRON CLUB FENDER 19TH CENTURY the distressed leather pads above square supports and a pierced base 145cm wide, 60cm high, 53cm deep

£300-500 30 FF47/1 STEEL FRAMED BED 19TH CENTURY the head and foot boards with foliate mountings, including side rails and a base 140cm wide, 128cm high, 196cm deep

£300-500 31 FF69/1 CHINOISERIE WRITING TABLE 20TH CENTURY the canted rectangular top above two frieze drawers, raised on cabriole legs, decorated with figural scenes on a mustard ground

144cm wide, 72cm high, 112cm deep

107cm wide, 79cm high, 56cm deep

£400-600

£600-800

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34 FF156/7 PAIR OF MAHOGANY FRAMED ARMCHAIRS 20TH CENTURY the cushioned back and downswept arms over a loose cushioned seat, raised on spiral turned legs

36† FA389/4 VICTORIAN WALNUT CHEVAL MIRROR the open fretwork pediment above an arched mirror plate within a moulded frame, flanked by turned supports, raised on down swept legs

73cm wide, 96cm high, 62cm deep

90cm wide, 187cm high, 63cm deep

£250-350

£300-500

104cm wide, 82cm high, 47cm deep

35 FE184/12 DUTCH MARQUETRY FOLDOVER GAMES TABLE 18TH CENTURY the rectangular foldover top with flowering urn, foliate scrolls, butterflies, and bird marquetry, opening to a baize lined playing surface, over a single long frieze drawer raised on square tapered legs with floral marquetry throughout

37 FD373/3 AFTER SIR ROBERT LORIMER FUMED OAK CENTRE TABLE, CONTEMPORARY the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports

£400-600

150cm wide, 84cm high, 63cm deep

96cm diameter, 79cm high

(closed) Provenance: Property of an Edinburgh estate

£200-300

32 FF156/1 SET OF TEN GEORGE III STYLE MAHOGANY DINING CHAIRS 20TH CENTURY in the Hepplewhite style, comprising a pair of armchairs and eight side chairs, with shield shaped backs and pierced splats carved with wheat sheafs, over stuffover seats, raised on square tapered legs ending in spade feet (10) 53cm wiie, 97cm high, 42cm deep

£700-900 33 FF156/5 GEORGIAN STYLE MAHOGANY DRESSING TABLE the three quarter galleried rectangular top above a central drawer, flanked by short drawers, raised on turned legs

38 FD373/4 AFTER SIR ROBERT LORIMER FUMED OAK CENTRE TABLE, CONTEMPORARY the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports 96cm diameter, 79cm high

£200-300 39 FG109/2 GEORGIAN MAHOGANY DROP LEAF DINING TABLE the rectangular top above a plain frieze, raised on square tapering legs 156cm wide extended, 73cm high, 132cm deep

£250-350 40 FF68/2 CHINESE CHIPPENDALE STYLE AGED GESSO PIER MIRROR the oval mirror plate within an acanthus carved, pierced frame

£300-500

90cm wide, 150cm high

£600-800

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47

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41 FF159/1 LARGE GEORGIAN STYLE DINING TABLE 20TH CENTURY the cross banded circular top above fluted supports, raised on out swept reeded legs and brass lion paw feet and casters

50cm wide, 76cm high, 42cm deep

192cm wide, 75cm high

£200-300

44 FF160/43 GEORGE III MAHOGANY NIGHT CUPBOARD the galleried rectangular top above panel doors and two graduated drawers, raised on moulded square legs

£400-600 42 FF160/40 GEORGE III MAHOGANY BREAKFRONT WARDROBE the moulded cornice above panel doors enclosing slides, over two short and two graduated long drawers, flanked by panel doors enclosing hanging space, raised on a plinth base

45 FF160/1 GEORGIAN MAHOGANY CORNER CABINET the moulded cornice above an astragal glazed door enclosing shelves, over a boxwood strung cupboard door, raised on bracket feet 87cm wide, 209cm high, 56cm deep

£300-500

43 FF160/42 GEORGE III MAHOGANY BOWFRONT CHEST the shaped crossbanded top above two short and three graduated long drawers, raised on bracket feet

46 FE402/1 SET OF SIX AUSTRIAN SCHOOL STAINED BEECH DINING CHAIRS EARLY 20TH CENTURY the shaped top rail above a horizontal splat, raised on reeded and turned legs; together with TWO FURTHER CHAIRS (A/F) (8)

106cm wide, 91cm high, 62cm deep

47cm wide, 93cm high, 46cm deep

£250-350

£200-300

246cm wide, 216cm high, 63cm deep

£700-1,000

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47 FE346/1 VICTORIAN MAHOGANY BOOKCASE AND UNDERCABINET, BY WYLIE & LOCHHEAD the moulded cornice above three glazed doors enclosing adjustable shelves, over three panel doors, raised on a plinth base

49 FB72/24 PAIR OF LOUIS XV STYLE GILTWOOD CONSOLE TABLES,

BY CHELINI GIOVANNINI 20TH CENTURY the serpentine marble tops over pierced shaped friezes, and raised on cabriole legs (2) 110cm wide, 88cm high, 52cm deep

£1,000-2,000

203cm wide, 253cm high, 51cm deep

£1,000-1,500 48 FB72/31 LLOYD LOOM PAINTED CANE DINING TABLE AND CHAIRS MODERN the table with a glazed rectangular top raised on moulded legs, 180cm wide, 76cm high, 90cm deep; with six chairs, each with a woven cane back above a cushioned seat, raised on turned legs, 45cm wide, 105cm high, 44cm deep (7) £300-500

50 FB72/50 PAIR OF ROCOCCO STYLE ITALIAN PARCEL GILT MIRRORS, BY CHELINI GIOVANNINI 20TH CENTURY the shaped bevelled mirror plate within a foliate moulded frame (2) 102cm wide, 166cm high

£600-800

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51§ FF406/1 BET LOW (CONTEMPORARY SCOTTISH) THE ISLAND Signed, watercolour 47cm x 60cm (18.5in x 23.5in)

£500-700 52§ FF406/2 BET LOW (CONTEMPORARY SCOTTISH) EVENING Signed, watercolour 60cm x 48cm (23.5in x 19in)

£500-700 53§ FF38/3 PETER HOWSON O.B.E. (SCOTTISH b. 1958) NIGHT FALL Signed and dated ‘06, pastel 31cm x 23cm (12in x 9in)

£400-600 54§ FF38/2 PETER HOWSON O.B.E. (SCOTTISH b. 1958) HEADSTONE Signed, pastel 23cm x 31cm (9in x 13in)

£400-600

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55§ FF128/1 MARY ARMOUR R.S.A., R.S.W. (SCOTTISH 1902-2000) TOR-MOR, TAYVALLICH Signed, signed and inscribed with title label verso, oil on board 40cm x 53.5cm (15.75in x 21in)

59 FB61/16 EMMANUEL MANE KATZ (UKRAINIAN 1894-1962) PORTRAIT OF A YOUNG HASSIDIC JEW Signed and dated ‘25, pen and ink and wash on buff-coloured paper

£700-900

14.5cm x 11cm (5.75in x 4.25in)

£250-350 56§ FE736/7 NAEL HANNA (SCOTTISH/IRAQI b. 1959) PORTRAIT STUDY Signed, oil on canvas 76cm x 76cm (30in x 30in)

60§ FE499/14A JAMES HARRIGAN (SCOTTISH b. 1937) HOUSES THROUGH THE TREES Signed, oil on board

£300-500

20cm x 30cm (8in x 11.75in)

£400-600 57§ FE499/77 CHARLES SIMPSON (SCOTTISH b. 1952) MORNING SUN, SAN MAGGIORE Signed, oil on board 21cm x 24cm (8.25in x 9.5in)

61 FE499/18 HAIDEE BECKER (AMERICAN b. 1950) BLUE LILIES 11 Signed, signed, inscribed and dated 1995 verso, oil on canvas

£400-600

140cm x 119.5cm (55in x 47in)

62§ FE290/6 SIR ROBIN PHILIPSON R.A., R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) MARTYRDOM 1, 1967 Mixed media on canvas 46cm x 46cm (18in x 18in)

£1,500-2,000 63§ FE470/3 EARL HAIG A.R.S.A. (SCOTTISH 1918-2009) TREE BY THE RIVER TWEED Signed, pen and wash on paper 14cm x 20cm (5.5.in x 8in)

£200-300 64§ FE470/2 EARL HAIG A.R.S.A. (SCOTTISH 1918-2009) EILDON HILLS FROM BEMERSYDE Signed, watercolour and ink on paper 24cm x 34.5cm (9.5in x 13.5in)

£300-500

£800-1,200 58§ FE499/76 CHARLES SIMPSON (SCOTTISH b. 1952) POST BOX I, TIREE Signed, oil on board

65§ FE470/1 EARL HAIG A.R.S.A. (SCOTTISH 1918-2009) A MOSS TROOPER Signed, watercolour and crayon

19cm x 23cm (7.5in x 9in)

27cm x 23cm (10.5in x 9in)

£400-600

£400-600

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54

77

65

51

61

68

76§ FC359/1 J. D. FERGUSSON (SCOTTISH 1874-1961) the TWO SUITORS c.1906, conte

80 FE489/1 DUNCAN CAMERON (SCOTTISH 1837-1916) CORNSTOOKS Oil on canvas

21cm x 16cm (8.25in x 6.25in)

51cm x 81.5cm (20in x 32in)

£800-1,200

£600-900

73§ FB791/36 JOHN BELLANY R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) THE HARMONIOUS Signed, watercolour

77§ FD771/1 STEPHEN CONROY (SCOTTISH b. 1964) HEAD STUDY I Monogrammed, signed and inscribed with title and dated 1986 verso, oil on paper

81 FE479/1 GEORGE OGILVY REID R.S.A. (SCOTTISH 1851-1928) CASTING ON THE RIVER, WALES Signed, oil on board

71cm x 91cm (28in x 36in)

58cm x 82cm (22.75in x 32.25in)

40cm x 30cm (15.75in x 11.75in)

£400-600

£1,000-1,500

£400-600

£2,000-3,000

68§ FD676/1 ROBERT EADIE V.P.R.S.W. (SCOTTISH 1877-1954) VIEW OF LARGS; LOOKING ACROSS THE ISLE OF CUMBRAE Signed, signed verso, oil on board

74§ FB791/37 JOHN BELLANY R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) MONOCHROME FIGURES III Signed, watercolour

78 FG51/1 ROBERT MCGREGOR R.S.A. (SCOTTISH 1847-1922) THE OLD WATER PUMP Signed, oil on canvasboard

58cm x 82cm (22.75in x 32.25in)

25cm x 35cm (9.75in x 13.75in)

82 FE336/1 18TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF A BEWIGGED GENTLEMAN WITH WHITE STOCK Feigned oval, oil on canvas

£400-600

£400-600

76cm x 63cm (30in x 25in)

68cm x 89cm (26.75in x 35in) Exhibited: The Fine Art Society, June 1982

75§ FC167/1 CHARLES JAMES MCCALL R.O.I., N.E.A.C. (SCOTTISH 1907-1989) BEDTIME Inscribed with title and signed back label verso

79 FE499/72 FOLLOWER OF JOHN KNOX LOCH TARBERT, WEST HIGHLANDS Oil on panel

66§ FE386/3 JAMES MCINTOSH PATRICK R.S.A., R.O.I., R.G.I. (SCOTTISH 1907-1998) A VILLA, SPAIN Signed and dated ‘43, watercolour

72 FB61/4 VICENTE GARCIA DE PAREDES (SPANISH 1845-1903) THE WATER CARRIER Signed, indistinctly inscribed verso and dated 1920, oil on panel

15.5cm x 23.5cm (6in x 9.25in)

31.5cm x 22.5cm (12.5in x 9in)

£400-600

£200-300

67§ FD740/1 GORDON MITCHELL R.S.A., R.S.W., R.G.I. (b. 1952) BODY PARTS Signed, oil on canvas

£1,000-1,500 69-71 No lots

24.5cm x 34cm (9.75in x 13.25in)

and a companion probably his wife (2) £500-800

40cm x 60cm (15.75in x 23.5in)

£500-700

34cm x 25cm (13.5in x 9.75in)

£600-800 11

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100

83§ FE241/1 GEORGE HOUSTON R.S.A., R.S.W., R.I. (SCOTTISH 1869-1947) ARROCHAR Signed, oil on canvas

87 FE211/1 JAMES DRUMMOND (BRITISH 1816-1877) A GOOD CATCH Watercolour

91§ FG152/21 JOHN MCGHIE (SCOTTISH 1867-1952) STEAMBOAT ON THE CLYDE Signed, oil on canvas

41cm x 33cm (16in x 13in)

39cm x 58.5cm (15.25in x 23in)

97 FG145/1 18TH CENTURY BRITISH SCHOOL STILL LIFE IN THE FLEMISH STYLE Oil on canvas

71cm x 91cm (28in x 36in)

£200-300

£500-700

29cm x 21.5cm (11.5in x 8.5in)

84 FE28/1 G** VAUTIER (19TH/20TH CENTURY) ON THE RIVER BANK Signed, oil on canvas

88 FE191/20A ROBERT GEMMELL HUTCHISON R.S.A., R.S.W. (SCOTTISH 1855-1936) COTTAGE RUINS Signed, oil on board

92§ FG152/20 GEORGE MELVIN RENNIE (SCOTTISH 1874-1953) LOCH DUICH Signed, oil on canvas

41cm x 61cm (16in x 24in)

14.5cm x 22cm (5.75in x 8.75in)

£800-1,200

£500-700

£400-600

85 FB61/6 SCHOOL OF ARMFIELD SPANIELS AND TERRIER PLAY FIGHTING Oil on panel

89 FG152/23 ROBERT MACGREGOR (AMERICAN 20TH CENTURY) SAILING BOAT IN A STIFF BREEZE Signed, watercolour and bodycolour on paper

£300-500

£1,000-1,500

19cm x 21cm (7.5in x 8.25in)

£150-250

28cm x 48cm (11in x 19in)

86§ FB791/89 BERNARD LAMOTTE (FRENCH 1903-1983) THE LILY POND Signed and dated 1927, signed and indistinctly inscribed verso, oil on canvas

£300-500

73cm x 92cm (28.75in x 36.25in)

68cm x 92cm (26.75in x 36.25in)

£300-500

£1,000-1,500

90

90 FG152/22 WILLIAM HENRY CROME (BRITISH 1806-1873) RURAL LANDSCAPE Signed, oil on canvas

50cm x 75cm (19.75in x 29.5in)

93§ FG152/13 ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) FARMYARD SCENE Charcoal and wash 23.5cm x 17cm (9.25in x 6.75in)

£300-500 94 FG152/12 GEORGE SMITH R.S.A. (SCOTTISH 1870-1934) HAYFIELD IN BELGIUM Signed, inscribed ‘In Belgium’ and dated 1914 verso, oil on canvasboard 30cm x 40cm (12in x 15.75in)

£400-600 95 FG152/11 THOMAS MARJORIBANKS HAY R.S.W. (SCOTTISH 1862-1921) the EILDONS FROM GATTONSIDE Signed, inscribed and dated 17.10.04 in pencil, watercolour 12cm x 17cm (4.75in x 6.75in)

and another by the same hand, a pair (2) £400-600 96 FG152/9 JAMES WATTERSTON HERALD (SCOTTISH 1859-1914) HEAD STUDY OF A GIRL Signed and inscribed verso, pastel on grey paper 26cm x 30cm (10.25in x 11.75in)

£400-600 12

98 FG107/1 STUART HENRY BELL (SCOTTISH fl. 1880s) HOLY ISLAND CASTLE, NORTHUMBERLAND Initialled bottom left, inscribed verso, oil on canvas 29cm x 39cm (11.5in x 15.5in)

£500-700 99 FF83/1 SAMUEL EDMUNSTON (SCOTTISH fl. 1870-1887) ON BRUNSTAIN BURN Signed, signed and inscribed with title artist’s label verso, oil on board 23cm x 32cm (9in x 12.5in)

£300-500 100 FG103/1 19TH CENTURY SCOTTISH PROVINCIAL SCHOOL ABERDEEN Oil on canvas 32cm x 56cm (11.5in x 22in)

£1,200-1,500 101§ FG152/10 HAMISH MACDONALD (SCOTTISH 1935-2008) BEACH DINGLE Signed, oil and pastel on paper 19cm x 24cm (7.5in x 9.5in)

and another by the same hand (2) £400-600

Scottish Contemporary & Post War Art Auction 20th August, 2013 If you would like to know more about this sale please visit www.lyonandturnbull.com, or contact Nick Curnow 0131 557 8844 nick.curnow@lyonandturnbull.com

EVE ARNOLD (AMERICAN 1913-2012) MARILYN MONROE AND JOHN HUSTON - LUCKY TOSS) 47/49, signed label verso, silver gelatin print £5,000-8,000 PETER MCLAREN (SCOTTISH CONTEMPORARY) CAR COUPLE Oil on board £4,000-6,000

AUGUST

SEPTEMBER

19

Scottish Design & Wemyss

04

19

Scottish Silver & Accessories

20

Scottish Contemporary & Post-War Art

OCTOBER

20

The Robert Elliott Meteorite Collection: Part III

05

Interiors

23

Fine Antiques

27

The Studios of Cunningham & Wyllie (sale to be held in Glasgow)

Rare Books, Maps, Manuscripts & Photographs

Property removed from Walbutt House, Kirkcudbrightshire Walbutt House near Castle Douglas was built in 1881, and retains many of its original Victorian features today. Sitting in a remote spot in the southwest Scottish countryside, the house over looks rolling hills in this picturesque spot. Lyon & Turnbull are very fortunate to be selling a collection of items from the property, including paintings, furniture and a large selection of works of art. In particular, notable items include a group of tea caddies, a pair of glass girandoles and a variety of Asian ceramics.

Hall 102 FD227/243 EDWARDIAN INLAID MAHOGANY LETTER RACK with three shaped divisions and a pierced kidney shaped handle, inlaid with a shell patera, 35.5cm high; together with a GEORGE III MAHOGANY KNIFE BOX, of typical form with a brass lock, the interior void, 30cm high (2) £200-300 103 FD227/244 PAIR OF LIMED OAK OBELISKS OF MODERN MANUFACTURE each of typical tapering form with a knop finial, raised on an ogee foot and a stepped square base (2) 50cm high

£100-200

104 FD227/245 PAIR OF FRENCH GILT BRASS CANDLESTICKS 19TH CENTURY each with rococo style decoration in relief, depicting fruiting vines and acanthus leaves, on a spread base with three moulded feet (2)

106 FD227/249 JAPANESE BRONZE VASE of baluster form, decorated with butterflies and chrysanthemum flowers in relief, with marks to underside, converted to a lamp

23.5cm high

107 FD227/250 EDWARDIAN OAK AND BEVEL GLAZED POST BOX of rectangular form with gothiclike white metal handles, the hinged glazed panels inscribed ‘Post’ and ‘Delivery’, opening to reveal two void compartments

£100-200 105 FD227/248 COLLECTION OF FRAMED SAMPLERS variously decorated with religious and alphabet inscriptions, and animal motifs, comprising of: two woolwork examples, by Helen Yeats, 1884, 41 x 31cm; and Sarah Ellen Archer, 31 x 44cm; and three needlwork samplers, by Eleanor Jacks, 1843, 29.5 x 27cm; Emma Orwood, 28 x 30.5cm; and Sarah Aykroyd, 1834, 50 x 46cm (5) £300-400

34cm high

109 FD227/254 CHINESE CARVED HARDWOOD JARDINIERE STAND the circular marble inset top above a fretwork frieze, raised on moulded legs and united by stretchers

£400-600

36cm wide, 92cm high

£200-300

13.5cm high, 32.5cm wide, 19cm deep

£200-300 108 FD227/253 CHINESE CANTON FAMILLE ROSE VASE LATE 19TH CENTURY of baluster form with a flared neck, typically modelled with creatures in relief, decorated with opposing figural panels

32cm high, 27cm diam.

46cm high

£250-350

£200-300

108

14

112

110 FD227/258 PAIR OF MAHOGANY CARVED COLUMN CANDLESTICKS each with an ogee moulded foot, 34.5cm high; together with a pair of MAHOGANY AND BRASS CANDLESTICKS, each with a turned column above the moulded spread foot, with a brass drip tray, 32cm high (4) £200-300

106

111 FD227/260 GEORGE III MINIATURE MAHOGANY SNAP TOP TABLE the circular top surface raised on a turned column and tripod base, with brass mechanism

115

113

120

Dining Room 112 FD227/265 ROYAL CROWN DERBY PART FRUIT SERVICE each piece decorated in the imari palette, with maker’s marks and the painted number ‘8145’, comprising of: a footed comport, 11.5cm high; two shaped oval dishes, 27cm wide; and six plates, 23cm dia. (9) £200-300 113 FD227/266 LATE VICTORIAN GERMAN CARVED OAK MANTEL CLOCK,

BY LENZKIRCH the gilt metal and enamelled dial with Roman numerals, in an ornately carved case depicting acorns and lion masks below an ogee top pediment, the eight day movement striking on two gongs and inscribed ‘Lenzkirch, A.G.U.’ 41cm high

£400-600

116

107

114 FD227/267 EDWARDIAN MAHOGANY LAZY SUSAN of circular form with a moulded lobed rim, raised on a turned column and spread foot 14cm high, 37.5cm wide

£100-200 115 FD227/270 SILVER COLLARED AND EBONISED WALKING CANE CIRCA 1910 the handle modelled as a dog with glass inset eyes, above the silver collar marked Birmingham 1910, with a tapering shaft 91cm long

£300-500 116 FD227/271 MALACCA WALKING CANE WITH A CARVED IVORY HANDLE the spherical handle modelled with various grostesques above a gold collar stamped K.14, with a tapering shaft 89cm long

£300-500

117 FD227/272 COLLECTION OF WALKING CANES comprising: a silver collared example; various other canes with white metal collars; a crook handled stick carved with a thistle; and a stick modelled with a horse’s head; together with an UMBRELLA WITH A SILVER HANDLE; and an IVORY PARASOL/WHIP HANDLE (8) £100-200 118 FD227/273 WRYTHEN WALKING CANE with a crook handle above four gold plated collars, two with engraving, the shaft of tapering form with various plain bands, 90cm long; together with a SIMILAR WALKING CANE, also with a gold plated collar and mount to the tip of the handle, 88cm long (2) £200-300

119 FD227/274 LARGE JAPANESE CLOISONNE VASE of baluster form with a tapered neck, decorated with panels depicting exotic birds and creatures below ornate borders (A/F) 76cm high

£100-200

Library 120 FD227/281 AFTER SIR EDWIN LANDSEER HIGHLAND MUSIC oil on canvas 42cm x 57cm (16.5in x 22.5in) Provenance: Christies South Kensington

£800-1,200 121 FD227/282 FRENCH BOULLE TEA CADDY of rectangular serpentine form, with decorative brass inlay and black lacquer to the sides and back, the hinged lid opening to reveal a void interior, all resting on four bun feet 12cm high, 22.5cm wide, 11.5cm deep

£200-300

15

130

143

127 FD227/288 GEORGE III INLAID MAHOGANY TEA CADDY of square form, decorated with inlaid oval paterae depicting a shell and a flower bud, with a flat hinged lid opening to reveal a lined void interior

130 FD227/291 BLUE JOHN PAPERWEIGHT of rectangular form with natural inclusions, surmounted by a metal handle

11.5cm high, 12cm wide, 9.5cm deep

£400-600

131 FD227/292 IVORY AND GILT METAL MOUNTED DESK SEAL the baluster turned handle, with a decorative socket stem and plain chamfered glass matrix, 10.5cm long; together with TWO GILT METAL FOB SEALS; a BRASS RING BOX; and various other miniature and metal items (qty) £300-400

124 FD227/285 RARE GEORGE III INLAID MAHOGANY TEA CADDY of sarcophagus form, the front surface depicting a house facade, below the hinged canted lid, opening to reveal three void compartments

129 FD227/290 VICTORIAN SET OF POSTAL SCALES, BY S. MORDAN & CO., LONDON the incised brass mechanism with decorative detail and maker’s stamp, raised on a burr walnut base with squat bun feet and a paper label to the underside, with a collection of weights

132 FD227/293 VICTORIAN PAPER MACHE DESK TIDY, BY JENNENS & BETTRIDGE of rectangular form, decorated with gilt and polychrome borders and motifs, with a sloped hinged lid, opening to reveal various fitted compartments, stamped to the underside

16cm high, 22cm wide, 13cm deep

20cm wide

13.5cm high, 20cm wide

£400-600

£150-250

£200-300

122 FD227/283 GEORGE III PAINTED MAHOGANY TEA CADDY of shaped octangonal form, later decorated with panels depicting flowering urns, with a flat hinged lid opening to reveal a void interior 11.5cm high, 14.5cm wide, 8cm deep

£200-300

125 FD227/286 FRENCH KINGWOOD AND PORCELAIN INSET TEA CADDY of rectangular form with gilt metal mounts and a plaque inscribed ‘Yohann’, the hinged lid inset with a Serves style porcelain panel depicting flowers, opening to reveal a void interior lined with lilac material

£200-300

12cm high, 17.5cm wide, 10cm deep

123 FD227/284 TORTOISESHELL AND MOTHER OF PEARL INLAID TEA CADDY 19TH CENTURY of sarcophagus form with inlaid panels depicting flowers and foliage, below the canted hinged lid opening to reveal two covered compartments complete with ivory finials (A/F)

£200-300

12cm high, 18cm wide, 10cm deep

126 FD227/287 REGENCY TORTOISESHELL VENEERED TEA CADDY the bombé shaped body with a canted hinged lid, opening to reveal a fitted interior with two covered compartments complete with ivory finials, all raised on four ivory bun feet

£200-300

14cm high, 16.5cm wide, 9cm deep

£300-500

121 to 127

16

128 FD227/289 VICTORIAN BURR WALNUT HUMIDOR of square form with brass handles, the hinged door opening to reveal two fitted drawers 27cm high

11.5cm wide

£200-300

135

133 FD227/295 PAIR OF MINIATURE BRASS CANNONS each of typical form with cast decoration, pivoting on a beech carriage with four wheels, 17cm long; together with an AFRICAN KNIFE, with a carved wooden scabbard and hilt, blade, 20.5cm long (2) £100-200 134 FD227/359 COLLECTION OF ITALIAN MICRO MOSAIC FRAMES LATE 19TH/ EARLY 20TH CENTURY all with decorative foliate detail, comprising of: an arch shaped example, 21.5cm high; a circular strut mirror, 18cm high; a small pair of frames; and three other pieces, one labelled ‘Real Florentine Mosaic’ (7) £400-600 135 FD227/296 LARGE MAGNIFYING GLASS of typical form, with a facet cut glass handle and white metal mounts 36cm long, 15cm diam.

£200-300 136 FD227/298 FRENCH BRONZE FIGURE 19TH CENTURY modelled as a naked warrior bearing a sword and targe, stamped ‘Medaille d’Or, Paris’, raised on a marble base 42.5cm high

£300-500

134

137 FD227/301 EDWARDIAN BRASS DESK TELESCOPE of typical form with a spirit level and lens cover, raised on a mahogany tripod stand

131

129

38.5cm high

£300-400 138 FD227/302 REGENCY MAHOGANY AND BRASS INLAID LAP DESK of typical form, with a plaque inscribed ‘Mr J. Hooper, Bury St. Edmunds’, the interior with a leather writing slope, 17cm high; together with a VICTORIAN ROSEWOOD LAPDESK, 12cm high; and a further VICTORIAN WALNUT LAPDESK, 14cm high (3) £200-300 139 FD227/300 PAIR OF VICTORIAN UPHOLSTERED FOOTSTOOLS each of oval form, with a four shaped feet and plush upholstery (2) 32.5 cm wide

£100-200 140 FD227/303 CARVED BEECH PILASTER CAPITAL modelled in the classical style with a semi-clad woman above acanthus leaves 19.5cm high

£150-250 141 FD227/304 MORRIS, REV. F.O. - EDITOR COUNTRY SEATS OF THE NOBLEMEN AND GENTLEMEN OF GREAT BRITAIN AND IRELAND Edinburgh and Dublin: William Mackenzie, comprising of four volumes of five, including coloured plates (4) £150-250

142 FD227/305 ROCK CRYSTAL BALL of spherical form with natural inclusions, 47cm circumference; together with an AMETHYST BALL, of similar form and style, 30cm circumference (2) £200-300 143 FD227/307 SMALL GILT METAL AND ENAMELLED CASKET in the Faberge style, of rectangular form, the sides and hinged lid with decorative enamelled floral motifs 10cm wide

£200-300 144 FD227/31 MOET ET CHANDON MINIATURE SILVER PROPELLING PENCIL together with an IVORY CIGARETTE HOLDER, both modelled as champagne bottles; together with TWO SILVER PIN CUSHIONS, one modelled as a pig, the other as a chair; and a CASED THIMBLE (5) £250-350

145 FD227/44 SMALL SILVER CASED SPADE and a SAW, with a plated blade and an ivory handle; together with a PAIR OF OPERA GLASSES, late 19th century, enamelled with figural and country scenes; and a SMALL SILVER TABLE INKWELL, of circular outline with planished lobed panels, a domed lid and ball finial (4) £250-350 146 FD227/308 JAPANESE KO-KUTANI PORCELAIN VASE 20TH CENTURY of bottle shape with a flared scalloped rim, decorated with four laquer panels amongst borders depicting fish, marks to underside 40.5cm high

£200-300

17

147

156

150

162

147 FD227/309 COLLECTION OF CHINESE EXPORT PORCELAIN WARES comprising: a dish painted with figures feeding birds, after Pront, 24cm diam.; a further dish, decorated with flowers, 23cm diam., a blue and white sauce boat, with a lobed rim, 18.5cm long; and a blue and white twin handled cup, 9cm high (4) £150-250 148 FD227/310 COLLECTION OF IVORY PIECES comprising: a Chinese carved ivory puzzle ball and stand, 28cm high; a Chinese miniature abacus, 4.5cm long; a letter opener, 38cm long; and a collection of miniature tools and carved pieces, 9.5cm long approx. (4) £300-500

18

149 FD227/311 COLLECTION OF JAPANESE CARVED IVORY FIGURES modelled with various tools and baskets, comprising of: two standing figures, both signed; and a seated figure (A/F) (3) tallest 12.5cm high

£150-250 150 FD227/312 COLLECTION OF SMALL BOXES comprising of: an 18th century copper and brass Dutch tobacco box; a papier mache box and cover; a jade ground enamel box and cover; two agate and gilt patch boxes; a coin decorated box and cover depicting Charles James Fox, 1806; a small enamel pill box; a heart shaped glass perfume bottle; and an unusual brass vesta case, modelled as a violin case, largest 16cm wide; together with a CARVED CAMEO SHELL, depicting a classical gentleman, 13cm wide (9) £300-500

151 FD227/314 COLLECTION OF FRAMED MINIATURE DOG PICTURES comprising of: an oil painting of a hound; a watercolour of a greyhound; a further picture of a greyhound; a circular watercolour of a hound; and three circular coloured mezzotints, depicting classical scenes of figures and dogs (7) Provenance: Reputedly Duke of Buccleuch

£250-350 152 FD227/315 PAIR OF FRENCH PORTRAIT MINIATURES each depicting a female and mounted in a blue glass frame, one signed ‘Guillard’, the other signed ‘Juyob’, 6.5cm high; together with a MINIATURE ON IVORY, signed ‘H. Mattisé’; a further MINIATURE ON IVORY; and an oval MINIATURE (5) £200-300

153 FD227/316 PAIR OF STAFFORDSHIRE FIGURES OF DALMATIANS 19TH CENTURY each of seated form, on a naturalistic style ground, 20cm high; together with a PAIR OF STAFFORDSHIRE STYLE FIGURES OF DOGS, each modelled lying down with a puppy, on a blue enamelled ground, 9cm wide (4) £200-300 154 FD227/317 PAIR OF MAHOGANY AND BRASS CANDLESTICKS 19TH CENTURY each with a fluted column and ogee moulded foot below the brass sconce and drip tray (2) 36cm high

£150-250

155

155 FD227/319 AESTHETIC MOVEMENT EBONIZED MANTLE CLOCK the blue and white enamelled dial with Arabic numerals above a decorative panel depicting fruiting vines, all surmounted by a balustrade, with an eight day movement striking on a gong 34.5cm high

£200-300 156 FD227/320 SMALL BRONZE FIGURE OF A HOUND with a brown patina 11cm long

£150-250 157 FD227/321 PAIR OF FRAMED CARVED IMITATION BONE PANELS each of rectangular form in a glazed frame, depicting a scene of courting couples (2) 29.5cm wide

£100-200

Stairwell 158 FD227/324 JAPANESE SATSUMA BOWL of lobed circular form, typically decorated with figures in panels, marks to underside, 15cm diam; together with a PAIR OF JAPANESE PORCELAIN BOTTLE VASES, each with a flared neck, decorated with a kingfisher and sea creatures, below decorative borders, marks to underside, 33cm high (3) £200-300

163

159 FD227/325 THREE TURNED OAK DAIRY BOWLS of various size, two with a ribbed band to the exterior, 44.5cm diam.; 37cm diam.; and 28.5cm diam.; together with a TURNED MAHOGANY WOODEN BOWL, raised on a circular foot, 16.5cm high; and a TURNED WOODEN GOBLET, 15.5cm high (5) £250-350 160 FD227/329 MATCHED PAIR OF CHINESE BLUE AND WHITE VASES each of baluster form with a flared neck, one depicting figures with ruyi sceptres, the other showing a landscape scene, with four character marks but later, 20.5cm high approx.; together with a PAIR OF CHINESE BLUE AND WHITE TRAY DISHES, of rectangular form, depicting buildings amongst mountains, 17.5cm wide (4) £150-250

152

153

161 FD227/330 FRENCH WALNUT LOUIS XV STYLE ARMOIRE 19TH CENTURY the moulded cornice with carved crest above bevelled mirror doors, over a shaped apron, raised on carved cabriole legs

164§ FD227/338 JOHN MACKIE (SCOTTISH CONTEMPORARY) FIGURES BY THE HARBOUR Signed and dated ‘92, mixed media on board

140cm wide, 261cm high, 47cm deep

165 FD227/339 COLLECTION OF SMALL BOXES comprising of: a Victorian mother-of-pearl and abalone veneered example, with a geometric design, 10cm wide; a black and gold lacquer box,19.5cm wide; a mahogany and stainwood inlaid example, with an obelisk finial, 13.5cm wide; and a decorative French box with inlaid metal detail, 13.5cm wide (4) £250-400

£500-800 162§ FD227/334 JOHN MACKIE (SCOTTISH CONTEMPORARY) VENICE Signed and dated ‘91, mixed media on paper 37cm x 50cm (15in x 20in)

£300-500 163 FD227/335 JAPANESE CLOISONNE VASE of baluster form, decorated with birds and flowers on a turquoise ground

44cm x 59cm (17.25in x 23.25in)

£300-500

30.5cm high

£300-500

161

19

166

166 FD227/340 JAPANESE STYLE LACQUER BOX, BEARING STAMP FOR LUCIEN GAILLARD LATE 19TH/ EARLY 20TH CENTURY of rectangular form, decorated with brown and gilt acer leaves in low relief, the hinged lid opening to reveal three void compartments and a fold-out flap, stamped ‘L.Gaillard’ 20.5cm wide Note: Lucien Gaillard (French, 1861-1933) was primarily a designer of glass, perfume bottles and jewellery. His career, however, saw him explore various metallurgical procedures such as gold-plating, alloying and patination. His work was often inspired by Japanese craftmanship and the designs of Lalique.

£200-300

171

175

Sitting Room 167 FD227/341 PAIR OF AMBER COLOURED CARVED BIRD FIGURES each modelled in the Chinese style, depicting an exotic bird with foliage in its beak, converted to a lamp (2) 40cm high (excluding fittings)

£300-500 168 FD227/346 PAIR OF REGENCY CUT GLASS GIRANDOLES each with a cut glass stem and scalloped rim, supporting the suspended prisms and lustres (2) 20cm high

£300-500

169 FD227/344 MINIATURE FLAME MAHOGANY SERPENTINE CHEST OF DRAWERS the moulded top surface above three graduated drawers, all raised on a stepped base and four bracket feet, 22cm high, 25cm wide, 16.5cm deep; together with a MINIATURE INLAID MAHOGANY BREAKFAST TABLE, with circular banded detail to the surface and raised on a tripod base, 19.5cm high, 27.5cm diam. (2) £200-300 170 FD227/347 NEAR PAIR OF BOHEMIAN AMBER GLASS GOBLETS AND COVERS each bell shaped bowl etched with stags in a landscape, below the conical cover and cut glass finial, raised on a kopped stem and lobbed foot (2) tallest 29.5cm high

£300-500

171 FD227/348 COLLECTION OF PORCELAIN AND ENAMEL BOXES AND COVERS variously marked, comprising of: a rectangular box with a central foliate panel on a green ground; an oval Sevres style box; a Mesissen style, shaped example; and three other smaller boxes (6) largest 9cm wide

£200-300 172 FD227/349 STAINED BEECH PATENTED STOOL the seat in the form of a horse shoe, with relief letters ‘Good Luck’ registration number 188793 42cm wide, 47cm high, 37cm deep

£300-500 173 FD227/352 CANTON FAMILLE ROSE PORCELAIN BASIN of circular form with an everted rim, typically decorated with butterflies and birds amongst foliage on a celadon ground 41.5cm diam.

£150-250 174 FD227/353 CHINESE BLUE AND WHITE PORCELAIN BOWL 19TH CENTURY of circular form, decorated with panels depicting flowers and figures amongst borders, four character mark to underside 34.5cm diam.

£150-250

20

168

172

182

175 FD227/354 BURR WALNUT VENEERED BOX of square form, the hinged lid inset with an oval miniature depicting a courting couple in a pastoral setting, opening to reveal a void interior, 7.5cm high, 20cm wide, 20cm deep; together with a TUNBRIDGEWARE JEWELLERY BOX, of rectangular form, opening to reveal a padded liftout shelf, 14.5cm high, 27.5cm wide, 20.5cm deep (2) £200-300

170

177

177 FD227/356 20TH CENTURY BRITISH SCHOOL PORTRAIT OF A GIRL GATHERING PRIMROSES Indistinctly signed with monogram and dated 1884, oil on canvas 67cm x 50cm (26.5in x 19.75in)

£500-800 178 FD227/88 MINIATURE ON IVORY EARLY 20TH CENTURY of typical oval form, depicting a profile of a lady wearing a fur coat and a hat, in a yellow metal frame 8cm long

180 FD227/92 TWO MINIATURES ON IVORY EARLY 20TH CENTURY one of rectangular form, the other of oval shape, each depicting a female figure (2)

182 FD227/94 MINIATURE ON IVORY, SIGNED N. RENNER of oval form, depicting a lady with a blue skull cap, in a yellow metal glazed frame

£100-150

7 x 6cm; and 8cm long approx.

7.5cm long

£200-300

£100-200

181 FD227/93 LARGE MINIATURE ON IVORY of typical oval form, depicting a brown-eyed female in historic dress, in a glazed yellow metal frame, with glass to the reverse

34cm high

179 FD227/90 MINIATURE ON IVORY, SIGNED BARCLAY AND KRAUSS of typical oval form, depicting a lady in Victorian dress (possibly one of the Barclay sisters), signed ‘N. Barclay, R. Krauss’, in a gilt metal easel frame

£200-300

9cm long

£140-180

183 FD227/95 CHRISTMAS CARD SIGNED BY GEORGE VI 1950 with a printed photograph depicting the royal family, with inscription ‘With Best Wishes For Christmas and the New Year, 1950’, and signed in ink by George VI and Elizabeth R

176 FD227/355 FRENCH OAK AND GILT BRASS MANTLE CLOCK the enamelled dial with Arabic numerals, in a decorative case with brass mounts, with an ogee pediment and raised on a stepped base and four paw feet, the eight day movement striking on a gong and stamped ‘D.C.Co.’

£120-180

8.5cm long

17.5cm wide

£100-150 21

193

196

Bedrooms 184 FD227/357 CUT GLASS URN AND COVER the ornate baluster shaped bowl below the domed cover and knop finial, all raised on a square shaped foot, 31cm high; together with a SMALL CUT GLASS JAR AND COVER, with an ovoid body, domed cover and circular foot, 16.5cm high (2) £150-250 185 FD227/361 LATE VICTORIAN GILT BRASS TIME PIECE CARRIAGE CLOCK the reeded handle surmounting the white enamelled dial with Roman nurmerals, set in a blind fret work panel with a blue ground, with painted side panels, signed ‘W. Williams’ 16cm high (including handle)

£300-500 186 FD227/362 LARGE CHINESE CARVED ROOTWOOD FIGURE modelled as a fisherman with a rod, raised on a naturalistic style stand 85cm high approx.

£400-600 187 FD227/363 EARLY VICTORIAN ROSEWOOD WORKBOX of rectangular form, with moulded detail to the lid and box base, opening to reveal a lift-out tray with fitted compartments, the hinges stamped ‘Horne Patent’ 11cm high, 31.5cm wide, 19.5cm deep

£150-250

22

188 FD227/366 FRAMED NEEDLEWORK SAMPLER, BY HANNAH BOWER, 1822 of rectangular form, with verse inscription above a shepherd and his flock, with floral motifs

200

40 x 33cm

£200-300 189 FD227/367 GROUP OF FIVE MOUNTED MINIATURES ON IVORY each in an oval frame with a label to reverse, comprising of: a portrait of Robert Burns; Mary Queen of Scots; Elizabeth Scott; and two further females (5) 8.5cm high

£200-300 190 FD227/368 EDWARDIAN PAINTED DOLLS HOUSE the facade with glazed windows and painted decoration simulating brick work, with name plaque ‘May Villa’, the hinged back opening to reveal two open floors 86.5cm high

£300-500

191 FD227/369 CHINESE BLUE AND WHITE VASE AND COVER of baluster form with a cylindrical neck, decorated with blossoming prunus branches, surmounted by a domed cover with lion dog finial, with a hardwood stand

10cm high, 23cm wide, 15.5cm deep

£150-250

47cm high

£200-300 192 FD227/370 MOTTLED GREEN HARDSTONE FIGURE OF A DOG modelled seated, on a rectangular base 14.5cm high

£150-250

203

193 FD227/372 EDWARDIAN CROCODILE SKIN JEWELLERY BOX of casket form with a white metal lock, the hinged lid opening to reveal a lined interior with a lift-out shelf

194 FD227/373 ANGLO INDIAN CARVED WOODEN CARD CASE of typical form, carved to the body and lid with exotic birds amongst foliage, within an ivory inlaid border, 11cm high; together with a VICTORIAN TREEN AND BONE MOUNTED SNUFF BOX, in the form of a high heeled shoe, 11.5cm wide (2) £100-200

185

206

197

195 FD227/374 LARGE CHINESE HARDSTONE FIGURE OF GUANYIN the marbled yellow carving raised on a dark hardstone base, 35cm high; together with a smaller GREEN MARBLED HARDSTONE FIGURE, also of Guanyin, 17.5cm; and a PAIR OF GREEN HARDSTONE FIGURES OF HORSES, each on a hardwood stand, 10cm wide (4) £250-350

195

202

198 FD227/382 TORTOISESHELL MOUNTED POCKET KNIFE LATE 19TH CENTURY the multi-purpose knife with 21 fold out instruments, including a comb, a pair of scissors, a mini screwdriver and various knives

201 FD227/389 PROPELLER CLOCK 20TH CENTURY formed from a wooden propeller, the brass clock with a white metal dial and subsidiary second hand 42cm wide, 145cm high

£100-200

8cm long (excluding fold out

204§ FD227/392 TOMÁS MURUA (SPAIN, 1928PRESENT), BRONZE SCULPTURE BASQUE FISHERMEN modelled as two fishermen in caps with large oars, raised on a marble base with an inscribed maker’s plaque 42cm high overall

£200-300

196 FD227/377 CHINESE BRONZE JARDINIÈRE the lobed ovoid body cast with panels depicting birds, amongst decorative borders, with marks to underside

199 FD227/384 SMALL CHINESE BRASS BOUND HARDWOOD CABINET of rectangular form, with brass fittings and twin handles, the fall-front opening to reveal two drawers above a void interior

202 FD227/390 BRASS AND WOOD MOUNTED TRAVELLING TRUNK LATE 19TH EARLY 20TH CENTURY of typical form with carrying handles and an inscription to the lid ‘Major A.B. Walker, B.E., 38, Bruce Street, Riccarton, Kilmarnock, Scotland’

22cm high

34cm high

93cm wide, 37cm high, 54cm deep

31cm long

£150-250

£100-200

£100-200

£150-250

197 FD227/380 ENGLISH ARTS & CRAFTS COPPER CASKET CIRCA 1900 of rectangular form, mounted with green cabochons and raised on four brass legs

203 FD227/391 LARGE CARVED IVORY TUSK of natural curved form, carved in high relief with a row of graduated elephants

206§ FD227/398 JOHN MACKIE (SCOTTISH CONTEMPORARY) STILL LIFE WITH PLANT AND CUP Signed and dated 1982 twice, oil on canvas

20cm wide

200 FD227/388 VICTORIAN STYLE BRASS DOUBLE BED the serpentine top rails above horizontal supports with a crossed hockey sticks emblem, including rails and a sprung base

£200-300

136cm wide, 119cm high,

instruments)

£100-200

67cm long

£150-250

205 FD227/394 SET OF FOUR GILT METAL DOOR HANDLES each moulded handle mounted on an oblong plaque, with rococo style decoration, inscribed ‘Beardmore...’ to the reverse (4)

90cm x 75cm (35.5in x 29.5in)

£500-700

194cm deep

£200-300 23

Specialist’s Choice

with Siobhan Mooney, Interior Design

This month we have teamed up with Edinburgh-based interior designer Siobhan Mooney for our ‘Specialist’s Choice’. Siobhan’s passion for period property with a contemporary twist reveals how the antique and the modern can work in total harmony, so it made perfect sense to let her loose in Lyon & Turnbull to inspire us all! By clever placement of pieces in a refurbished Georgian townhouse, Siobhan shows how items from our July sale can work in any home. Here are some of her favourite pieces from our shoot.

James Paterson: The Old Stone Bridge

Lot 218

I was really drawn to this little painting by James Paterson, one of the leading members of the Glasgow Boy Group.

Famous for his atmospheric watercolour studies, this work is likely to depict a scene near his favourite corner of Scotland, Moniaive in Dumfriesshire. Showing twilight falling on the river, it exudes a quiet, restful quality. Though quite a small painting it has real wall power – the light is so beautifully executed that it glows despite the muted palette. Its small scale also makes it perfect for hanging anywhere around the home.

Rock Crystal Ball The rock crystal ball worked well in the bedroom, as it would in most neutral spaces. It’s decorative and interesting but in a rather modest way.

Despite the fact it is relatively colourless it becomes a source of fascination when viewed in the light as its many reflective inclusions create a rainbow effect. This, combined with its rather pleasing spherical shape and smooth finish makes it really rather beautiful. It’s also incredibly heavy and relatively big, so it has multi-functional roles; as well as decorating a table top you could use it as a door stop … or to perfect your clairvoyance skills, of course!

Lot 142

The ‘Calm Khaki Bedroom’ showing lots 142, 165, 218 and 292.

24

Lot 292

Pair of Overpainted Open Armchairs

The second floor double drawing room, showing lots 16, 103, 126, 130, 193 and 620.

Tortoiseshell Tea Caddy The tortoiseshell tea caddy is also something which stood out when working on our photo shoot. It’s neat size and bombe shaped body appeal to me, and it looked handsome when placed next to other similar objects. Its ability to be of age yet not aged is also of note: it truly is an antique piece that still looks smart and elegant when situated in a more modern surrounding, for which it can be commended! This is partially due to the rich colours of the veneer that are still bright. In particular, the mustard-like tones in the tortoiseshell were picked up by the other objects in the room, most notably the leather chair and the yellow hues in the painting.

The chair shown in the bedroom shot was one of the first pieces I was drawn to when viewing items in the July Interiors sale, because it was so well suited to the chosen interior. The white upholstery and distressed cream paintwork certainly complement the taupe walls, light carpet and soft furnishings of the room. It also seems perfect as a piece for a bedroom due to its neat size and feminine refurbishment. Very popular at present are similar shabby chic styled items, which rework older pieces and farmhouse-like furniture for the home. In this way the pair of chairs are very on-trend and contemporary to the fashions and desires of the 21st century.

Lot 126

Based in Edinburgh, Siobhan Mooney Interior Design works with a variety of residential and commercial clients. Siobhan enjoys a close working relationship with her clientele and loves adding her own twist of 'classic contemporary' to each project: her particular passion is for period and listed properties.

Siobhan’s recent projects include: the refurbishment of a complete A-listed Georgian townhouse; a seaside getaway; and a contemporary apartment.

To see Siobhan’s website and portfolio visit her at: www.siobhanmooney.co.uk 25

208 (part)

217 (part)

209 (part)

211 (part)

A Selection of Etchings from a Private Scottish Collector 207 FF401/1 SCOTTISH INTEREST GROUP OF 9 SIGNED ETCHINGS AND EARLY PHOTOGRAPHS Sir Muirhead Bone, ‘Small Landscape: Houses, Peterfield’, ‘The Old Justiciary Courthouse, Glasgow’, ‘Oxfordshire’; 2 x early photographs of the Scottish landscape, indistinctly signed; Sir D. Y. Cameron, ‘On the Ourthe’, ‘Robins Court’, ‘The Sound of Kettera’; James McBey, ‘Zaandijk’ (all unframed) £700-900 208 FF401/2 CHARLES FRANCOIS DAUBIGNY (FRENCH 1817-1878) GROUP OF 6 ETCHINGS ‘Le Satyre’, signed in plate; ‘Lever du Soleil’, signed in plate; ‘Les Cerfs au bord de L’eau’, signed in plate; ‘Les Bords du Cousin’, stamped; ‘Cottages’, unsigned; ‘Haycart Crossing a River’, signed in plate and stamped (all unframed) £1,000-1,500 26

209 FF401/3 FRANK WESTON BENSON (AMERICAN 1862-1951) GROUP OF 3 ETCHINGS ‘Yellowlegs and Sunlight’, signed in pencil to margin; ‘The Punter’, signed in pencil to margin; ‘Blue Herons’, signed in pencil to margin (all unframed) £1,000-1,500

211 FF401/5 SEYMOUR HADEN (BRITISH 1818-1910) GROUP OF 5 ETCHINGS ‘Egham’, signed in pencil to margin; ‘Mytton Hall’, signed in pencil to margin; ‘On the Test’, unsigned; 2 x ‘Kensington Gardens’, one of which is signed in pencil to margin (all unframed)

210 FF401/4 WILLIAM BLAKE (BRITISH 1757-1827) GROUP OF 3 ETCHINGS ON INDIAN PAPER ILLUSTRATIONS FROM THE BOOK OF JOB ‘The Morning Stars Sang Together’, 1874 ed.; ‘I Am Young & Ye Are Very Old’, 1825 ed.; ‘Then a Spirit Passed Before My Face’, 1825 ed.; and a booklet of Blake’s full illustrations of the Book of Job, published 1912 by Gowans and Gray Ltd (all unframed)

£1,500-2,500

£1,000-1,500 212 FF401/6 SAMUEL PALMER (BRITISH 1805-1881) GROUP OF 8 ETCHINGS ‘The Lonely Tower’, signed in pencil to margin and inscribed ‘Trial Proof’; ‘Resting Shepherd’, signed in plate; ‘The Skylark’, signed in plate; ‘The Rising Moon’, signed in plate; ‘Opening the Fold’ or ‘Early Morning’, signed in pencil to margin; ‘Sunset’, initialled in plate; ‘The Early Ploughman’, unsigned; ‘Morning of Life’, cut to margin (all unframed) £1,500-2,000

213 FF401/8 MISCELLANEOUS GROUP OF 11 ETCHINGS, AQUATINTS & ENGRAVINGS H. Haig, ‘Grayhurst, Haslemere’, signed and inscribed in pencil to margin; J. H. Robinson, ‘River Landscape’, signed and inscribed in pencil to margin; Indistinctly signed, ‘George Fox Refusing the Oath’, Signed in pencil to margin; Ernest Arthur Lumsden, ‘Benares no.1’, signed in pencil to margin; William Hogarth, ‘The Shrimp Girl’, engraving, ‘On Sleeping in Church’, engraving, ‘Whoever Makes a Design...’, engraving; John Taylor Arms, ‘Rio Dei Santi Apostoli’, signed, inscribed and dated 1930 in pencil to margin, ‘Sunlight on Stone’, signed, inscribed and dated 1921 in pencil to margin, ‘From Knoedler’s Window MCMXXXV’, signed and dated 1936 in pencil to margin; Kerr Eby, ‘Day’s End, Driftwat’, signed and inscribed with title in pencil to margin (all unframed) £700-900

210 (part)

214 FF401/7 JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903) GROUP OF 2 ETCHINGS ‘The Little Pool’, inscribed in plate; ‘The Pool’, signed and dated 1859 in plate (both unframed) £800-1,200 215 FF401/9 FRENCH INTEREST GROUP OF 8 ETCHINGS Alphonse Legros, ‘Le Lavoir’, signed in pencil to margin, ‘Le Petit Hangar’, signed in pencil to margin, ‘Pres du Moulin’, signed in pencil to margin; Maxime Lalanne, ‘Aux Environs de Paris’, signed in plate, ‘Bordeaux’, signed and inscribed in plate; A. Bernard,’ Le Bi a Villerville’, 1884, Signed in pencil to margin; Felix Buhot, ‘La Falaise - Baie de Saint Malo’, Signed and inscribed in plate, stamped; Charles Jacque, ‘L’Orage’, signed in plate (all unframed) £800-1,200

223

212 (part)

216 FF401/10 AUGUSTE LEPERE (FRENCH 1849-1919) GROUP OF 3 ETCHINGS ‘La Chausniere a Rousseau’, signed and numbered 16/35 in pencil to margin; ‘La Maison Inondee’, signed in pencil to margin; ‘Le Nid’, signed in pencil tommargin and numbered 12/35 (all unframed) £800-1,200 217 FF401/11 MISCELLANEOUS GROUP OF 3 ETCHINGS Ronau Willem Woiceske, ‘Afternoon Shadows’, signed and inscribed with title in pencil to margin, edition of 50; J. M. W. Turner, ‘Solway Moss’; Francisco de Goya, ‘Linda Maestra’, signed in plate (all unframed) £1,000-1,500

207 (part)

Other Properties 218 FG265/3 JAMES PATERSON R.S.W., R.S.A., R.W.S. (SCOTTISH 1854-1932) THE OLD STONE BRIDGE Signed and dated 1892, watercolour

221 FG220/2 DAVID WEST V.P.R.S.W. (SCOTTISH 1868-1936) LOSSIEMOUTH SANDS Signed, signed and inscribed with title board verso, watercolour

20.5cm x 23cm (8in x 9in)

20cm x 25cm (8in x 9.75in)

£500-700

£500-700

219 FG265/2 ROBERT DUDDINGSTONE HERDMAN A.R.S.A. (SCOTTISH 1863-1922) HARESTANE MILL, BALDOVIE Signed with monogram and dated ‘84, signed and inscribed with title verso, oil on board

222 FG220/1 DAVID WEST V.P.R.S.W. (SCOTTISH 1868-1936) COVESEA VILLAGE Signed, watercolour

22cm x 32cm (8.75in x 12.5in)

223§ FG22/1 JAN HENDRIK WILLEM WITTENBERG (DUTCH 1886-1963) STILL LIFE WITH LILIES IN A ROUND BOWL Signed and dated 1930, oil on canvas

£500-700 220 FG265/1 HENRY WRIGHT KERR R.S.A., R.S.W. (SCOTTISH 1857-1936) THE RULING ELDER Signed, signed and inscribed back label verso, watercolour 63cm x 49cm (24.25in x 19.25in)

21cm x 25.5cm (8.25in x 10in)

£500-700

53cm x 41cm (21in x 16in)

£800-1,200

£600-800

222

27

228

231

224 FG16/2 HERCULES BRABAZON BRABAZON (BRITISH 18211906) NEAR MENTONE Signed with initials, pastel

228 FG152/14 THOMAS MARJORIBANKS HAY R.S.W. (SCOTTISH 1862-1921) GLEN LEANOCK, COMRIE Signed, watercolour

12cm x 19cm (4.75in x 7.5in)

23cm x 32cm (9in x 12.5in)

51cm x 84.5cm (20in x 33.25in)

£400-600

15cm x 23.5cm (6in x 9.25in)

£800-1,200

£400-600

£300-500

49cm x 59cm (19.25in x 23.25in)

229 FG152/8 ROBERT GIBB R.S.A. (SCOTTISH 1845-1932) the GARDENER’S DAUGHTER STUDY Signed with initials, charcoal and pastel on paper

£800-1,200

38cm x 29cm (15in x 11.5in)

233 FC969/17 AFTER JAMES (THOMAS J.) NORTHCOTE (BRITISH 1746-1831) A TYGER Engraved by John Murphy, 1790, mezzotint

£300-500

48cm x 61cm (19in x 24in)

225§ FG152/24 JAMES WRIGHT (SCOTTISH d. 1947) STILL LIFE WITH FOXGLOVES Signed, oil on board

226 LT2013/38 CHARLES ROWBOTHAM (BRITISH 1856-1921) ITALIAN COASTAL SCENE Signed, watercolour and bodycolour

£800-1,200

22.5cm x 48cm (9in x 19in)

230 FF43/1 JAMES HERBERT SNELL (BRITISH 1861-1935) PONT FLAVIEN, ST CHAMAS Signed, inscribed with title verso, oil on canvas

£200-300

54cm x 77cm (21.5in x 30.25in)

£300-500 227§ FG152/15 HERBERT PARSONS WEAVER (BRITISH 1862-1945) the OLD CLOSE Signed, watercolour 33cm x 23cm (13in x 9in)

231§ FF111/2 LOUIS JACQUES VIGON (FRENCH 1897-1985) LE PONT VIEUX, SOSPEL Signed, oil on canvas

£300-500

37.5cm x 44.5cm (14.75in x 17.5in)

234§ FE50/191 JAMES MCINTOSH PATRICK R.S.A., R.E., R.O.I., R.G.I. (SCOTTISH 1907-1998) JEAN-BART, ALGERIA, EVENING Signed and inscribed with title, watercolour 15.5cm x 23cm (6in x 9in)

£500-700

£400-600

246

28

235 FE499/73 THOMAS FENWICK (SCOTTISH fl. 1835-50) VIEW OF RATHO Oil on canvas

232 FF104/1 PETER DE WINT (BRITISH 1784-1849) THE RIVER THAMES NEAR ETON Watercolour

250

236 FF102/3 19TH CENTURY SCOTTISH SCHOOL VIEW OF EDINBURGH CASTLE Watercolour and bodycolour 31cm x 45cm (12.25in x 17.75in)

£300-500 237§ FF102/2 DAVID MACBETH SUTHERLAND R.S.A. (SCOTTISH 1883-1973) WOODLAND ROAD, ABERDEENSHIRE, 1951 Signed, inscribed and dated R.S.A. label verso, pen and ink 32cm x 48.5cm (12.5in x 19in) Exhibited: R.S.A, 1951

£300-500

241

251

242

238 FE774/1 ROBERT HOPE R.S.A. (SCOTTISH 1869-1936) IN ETTRICKDALE Signed, signed and inscribed with title board verso, oil on board

243 FB61/31 RAYMOND GAUDET (20TH CENTURY FRENCH) THE VILLAGE DANCE Signed, oil on paper laid on panel

248§ FG265/12 PERPETUA POPE (SCOTTISH b. 1916) CARLOPS Signed, watercolour 24cm x 35cm (9.5in x 13.75in)

253§ FG152/18 JOHN MACKIE (SCOTTISH CONTEMPORARY) IN THE PARK Signed and dated 1994, pencil and chalk on black paper

17.5cm x 34cm (7in x 13.5in)

£200-300

57cm x 76cm (22.5in x 30in)

26cm x 34cm (10.25in x 13.5in)

£200-300

£300-500

27.5cm x 18cm (10.75in x7in)

244 FB61/18 RAYMOND GAUDET (20TH CENTURY FRENCH) RED-ROOFED COTTAGES IN THE WOODS Signed, indistinctly inscribed verso, oil on board

£300-500

13cm x 17cm (5in x 6.5in)

239§ FF111/3 HANS HANSEN R.S.W (SCOTTISH 1853-1947) STREET SCENE, TANGIERS Signed, watercolour

£400-600 249§ FG288/1 JAMES HAWKINS (SCOTTISH CONTEMPORARY) THICKET Inscribed with title and dated 1991 verso, mixed media on paper

254§ FG152/17 JOHN MACKIE (SCOTTISH CONTEMPORARY) THE WINDMILL Signed and dated 1995, pastel on paper

22cm x 37cm (8.75in x 14.5in)

56cm x 75cm (22in x 29.5in)

£300-500

£600-800

250§ FG288/2 JAMES HAWKINS (SCOTTISH CONTEMPORARY) HIGHLAND LOCH Signed and dated ‘89, watercolour 23.5cm x 33cm (9.25in x 13in)

255§ FG152/16 JOHN MACKIE (SCOTTISH CONTEMPORARY) IN THE PARK Signed and dated 1993, inscribed with title stretcher verso, oil on canvas

£400-600

57cm x 73cm (22.5in x 28.75in)

£150-250 240§ FE678/7 HANS HANSEN R.S.W (SCOTTISH 1853-1947) STREET IN TANGIERS Together with FRUIT MARKET, ORAN; signed, inscribed verso, watercolour (2) 35.5cm x 20cm (14in x 8in)

245§ FE50/192 SIR WILLIAM MACTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903-1981) ROOFTOPS Studio no. 246, charcoal on paper

£300-500

21cm x 35.5cm (8.25in x 14in)

241 FE50/201 AFTER VAN DYCK PORTRAIT OF A MAN WITH A BLACK HAT Oil on board 81cm x 59.5cm (32in x 26in)

£700-900 242 FE50/193 KATE WYLIE (SCOTTISH 1877-1941) POLYANTHUS Signed, oil on canvasboard 32cm x 30cm (12.5in x 11.75in)

£500-700

and another by the same hand (2) £500-700 246§ FG32/3 JAMES SOMERVILLE (SCOTTISH b. 1936) EDENTOWN BY LADYBANK, FIFE Signed, signed and inscribed stretcher verso, oil on canvas 62cm x 75cm (24.5in x 29.5in)

£300-500 247§ FG32/4 JAMES SOMERVILLE (SCOTTISH b. 1936) EDINBURGH CASTLE Signed, oil on canvas

£700-900 251§ FG208/1 SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W. (SCOTTISH 1916-1992) ITALIAN ICON Signed verso, oil on canvas

256 FG265/9 DAVID WEST V.P.R.S.W. (SCOTTISH 1868-1936) THE SAILING BOAT Signed, watercolour

69.5cm x 54cm (27.25in x 21.25in)

52cm x 40cm (20.5in x 15.75in)

£400-600

£800-1,200

252§ FG152/19 JOHN MACKIE (SCOTTISH CONTEMPORARY) PICKING DAFFODILS Artist’s proof, signed and dated 1996, print

257 FG265/8 DAVID WEST V.P.R.S.W. (SCOTTISH 1868-1936) THE LIGHTHOUSE Signed, watercolour

45cm x 60cm (17.75in x 23.5in)

£800-1,200

32.5cm x 41.5cm (12.75in x 16.5in)

£150-250

75cm x 62cm (29.5in x 24.5in)

£300-500

29

264

258 FE359/60 NORTHWEST PERSIAN LONG RUG LATE 19TH/EARLY 20TH CENTURY the indigo field with allover foliate lattice pattern, within ivory geometric border between bands

265

260 FF56/4 HAMADAN RUNNER NORTHWEST PERSIA, MODERN the red field with allover herati pattern, within cream geometric border between bands

262 FF156/9 QASHQAI CARPET SOUTH PERSIA, MODERN the red field with three joined black lozenge medallions, within ivory stylised vine border between bands

295cm x 110cm

307cm x 218cm

264 FF48/1 KASHAN CARPET CENTRAL PERSIA, MODERN the scarlet red field with allover palmette, rosette and foliate vine pattern, within indigo palmette and arabesque vine border between bands

£300-400

£250-350

450cm x 320cm

261 FF56/3 BAKHTIARI CARPET NORTHWEST PERSIA, MODERN the field with allover polychrome foliate rectangular lattice pattern, within cream rosette and angular vine pattern between bands

263 FF35/1 TURKISH KELIM ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with stylised olive linked chevron motif, within grey/brown hooked motif border between bands

265 FF56/2 KAZAK STYLE CARPET MODERN the red field with three shaped indigo medallions, within red hooked square border between bands

310cm x 210cm

193cm x 103cm

250cm x 186cm

£500-700

£150-250

£350-450

£300-500

235cm x 130cm

£150-250 259 FF110/1 NORTHWEST PERSIAN RUNNER 20TH CENTURY the polychrome field with allover lattice pattern, within red S vine border between bands 326cm x 82cm

£150-250

270

30

274

271

266 FF56/1 MOROCCAN RUNNER MODERN the indigo field with two columns of ten orange lozenge medallions

270 FF69/3 OAK AND IRON BOUND TRUNK 19TH CENTURY of typical form with arched hinged top and carrying handles

340cm x 90cm

£600-800

84cm wide, 60cm high, 54cm deep

£200-300 267 FD39/8 SHAPLAND & PETTER MAHOGANY AND COPPER MOUNTED WALL CABINET, CIRCA 1910 the projecting cornice above two panelled doors inset with repoussé plaques depicting stylised plants and with decorative hinges

271 FF157/7 SET OF SIX CHIPPENDALE STYLE DINING CHAIRS 20TH CENTURY the moulded top rail above a pierced vertical splat, over a drop in pad seat, raised on moulded cabriole legs and ball and claw feet (6) 52cm wide, 100cm high, 42cm deep

£400-600

51cm wide, 51cm high, 20cm deep

£150-250 268 FE536/4 TREVOR TOMS EBONISED SIDEBOARD 20TH CENTURY the rectangular top above three deep and four short drawers, raised on square tapering legs united by an under tier

272

278

272 FE396/8 SMALL WALNUT SERPENTINE GENTLEMAN’S CHEST 19TH CENTURY the shaped crossbanded top above a brush slide and four graduated drawers, raised on bracket feet

273 FF131/24 PAIR OF VICTORIAN MAHOGANY AND UPHOLSTERED ARMCHAIRS,

BY HINDLE & SONS CIRCA 1850 each covered in buttoned cream fabric and raised on turned tapered legs terminating in brass cappings and casters (2) £800-1,200 274 FF69/2 PAINTED DUTCH DROP LEAF TABLE (FROM FRIESLAND) 19TH CENTURY the rounded rectangular top above baluster turned legs united by stretchers, raised on bun feet 110cm wide, 72cm high, 78cm deep

£650-850

190cm wide, 82cm high, 50cm deep

£250-350

48cm wide, 145cm high

269 FE536/5 TREVOR TOMS EBONISED CABINET 20TH CENTURY the rectangular top above a hinged writing surface, raised on square tapering legs, united by an under tier

£200-300

155cm wide, 93cm high, 45cm deep

£300-500

72cm wide, 90cm high, 60cm deep

275 FF157/9 VICTORIAN MAHOGANY POLE SCREEN the shield shaped beadwork panel within a pierced frame, raised on a turned support and tripod base

69cm wide, 84cm high, 48cm deep

277 FF60/1 PAIR OF UPHOLSTERED ARTS & CRAFTS STYLE PINE BENCHES the castellated cushioned back above a cushioned seat, raised on canted square legs united by stretchers (2)

278 FF68/6 IRISH OVAL WALL MIRROR 19TH CENTURY the oval mirror plate within a gilt and coloured glass mounted frame 112cm wide, 137cm high

£3,000-5,000 279 FF69/4 GILT WOOD FRAMED CHESTERFIELD SOFA 19TH CENTURY the shaped buttoned back and arms above a cushioned seat and moulded frieze, raised on moulded turned legs and brass casters, with green damask style upholstery 217cm wide, 65cm high, 59cm deep

£2,500-3,000

£150-250 276 No lot

279

93cm wide, 81cm high, 36cm deep

£150-250

31

280 FD688/34 LOUIS XVI STYLE GILT METAL MOUNTED ROSEWOOD AND MARQUETRY CENTRE TABLE 19TH CENTURY the shaped oval top with brass banded edge and floral marquetry above a frieze drawer, raised on fluted tapered legs joined by a curved x-form stretcher centred by a gilt metal urn, on turned toupie feet 99cm wide, 75cm high, 60cm deep Provenance: Property from a Glasgow collection

£300-500 281 FD754/2 DUTCH KINGWOOD QUARTER VENEERED BOMBE BUREAU 18TH CENTURY the slant front opening to an interior fitted with a green leather writing surface and an arrangement of pigeon holes, drawers, secret compartments and a recessed well, over three long drawers and a foliate carved apron, raised on claw and ball feet

282 FE309/1 UPHOLSTERED TWO SEATER SOFA BED, RETAILED BY OKA 20TH CENTURY the cushioned back and arms above loose cushions, raised on block feet 183cm wide, 86cm high, 104cm deep

£400-600 283 FE311/1 THREE HARDWOOD COLLECTORS SPECIMEN CABINETS each with twenty eight drawers, raised on a plinth base (3) 116cm wide, 109cm high, 47cm deep

£800-1,000 284 FE394/1 FAUX MARBLE FIREPLACE,

BY WILLIAM MCLAREN 20TH CENTURY the serpentine top above moulded uprights, surrounding painted tile panels 114cm wide, 105cm high, 31cm deep

£300-400

285 FE500/13 WILLIAM IV MAHOGANY SOFA upholstered in Andy Warhol inspired fabric with repeating Liza Minnelli print, the carved top rail above a cushioned back and arms and a loose cushioned seat, raised on turned fluted legs and brass caps and casters, 214cm high, 90cm high, 58cm deep; together with a COLOURED PLATE, depicting a similar sofa design, signed ‘J. Taylor Del, 16 Bedford Court Gardens’, framed and glazed, 13.5 x 20.5cm (2) Provenance: The Collection of the late Terry Brodie-Smith

£1,000-1,500 286 FE364/1 EDWARDIAN MAHOGANY EXTENDING DINING TABLE the moulded oval top above a plain frieze, raised on fluted square tapering legs and ceramic casters, including two leaf insertions 239cm wide extended, 73cm high,

107cm wide, 106cm high, 50cm deep

119cm wide

£400-600

£400-600

287

294

285

296

32

287 FE361/1 QUEEN ANNE STYLE WALNUT DINING ROOM SUITE, BY MAPLE & CO. 20TH CENTURY comprising: a table with one leaf extension, 180cm wide, 75cm high, 104cm deep; six dining chairs, 52cm wide, 101cm high, 44cm deep, including two open arm chairs; a sideboard, 151cm wide, 92cm high, 58cm deep; and a display cabinet, 69cm wide, 199cm high, 34cm deep £2,000-3,000 288 FE562/12 REGENCY MAHOGANY TWIN PEDESTAL DINING TABLE the rounded rectangular top above moulded square supports, raised on quadriform bases 210cm wide extended, 73cm high, 112cm deep

£500-800

281

293

300

295

284

289

289 FE562/13 SET OF SIX GEORGIAN MAHOGANY DINING CHAIRS the serpentine top rail above a pierced vertical splat, over a stuff over seat, raised on square tapering legs, united by stretchers (6)

292 FF69/12 PAIR OF EMPIRE STYLE OVER PAINTED OPEN ARMCHAIRS 19TH CENTURY the moulded cushioned back and arms above a cushioned seat, raised on baluster turned legs

295 FE155/6 BLACK JAPANNED CUPBOARD 19TH CENTURY the moulded cornice above panel doors, raised on turned legs the whole decorated with figural scenes

61cm wide, 108cm high, 39cm deep

96cm wide, 138cm high, 24cm deep

£200-300

52cm wide, 97cm high, 39cm deep

55cm wide, 88cm high, 49cm deep

£300-500

£300-500

£1,000-1,500

290 FF156/4 EMPIRE STYLE MAHOGANY FRAMED WINDOW SEAT 20TH CENTURY the cushioned seat flanked by scrolling arms, raised on out scrolling legs, united by turned stretchers

293 FE684/8 REGENCY PAINTED EGYPTIANESQUE MIRROR the shaped bevelled mirror plate within an inverted breakfront frame, flanked by fluted columns, surmounted by sphinxes

118cm wide, 63cm high, 42cm deep

76cm wide, 99cm high

£250-350

£600-800

291 FF68/8 PAIR OF VENETIAN MIRRORS each of rectangular form, with an arched bevelled mirror plate within a cut glass mirrored frame (2)

294 FD671/14 OAK BOARDROOM TABLE, BY JAKE PHIPPS, LONDON the rectangular top with brass double line inlay, raised on rectangular supports with steel plinths, linked by stretchers

51cm wide, 95cm high

£400-600

296 FE348/20 FRENCH OVER PAINTED SETTEE the shaped upholstered back and arms above a cushioned seat and shaped apron, raised on moulded cabriole legs 196cm wide, 87cm high, 82cm deep

£600-800

298 FE497/2 GEORGIAN MAHOGANY INLAID CORNER WASHSTAND the shaped gallery above two tiers with a single drawer, united by stretchers

299 FE308/1 GEORGIAN STYLE MAHOGANY DRUM TABLE 20TH CENTURY the tooled leather inset top above four drawers and four dummy drawers, over a turned support, raised on an outswept quadriform base and brass caps and casters 137cm wide, 76cm high

297 FF68/1 INDIAN PAINTED LOW TABLE the octagonal top above a moulded frieze, raised on squat turned legs 74cm wide, 19cm high

£200-300

£1,000-1,200 300 FE307/1 GEORGE III MAHOGANY TWO DOOR WARDROBE the dentil moulded cornice above panel doors with dummy drawers, enclosing hanging space, raised on bracket feet

330.5cm long, 78.5cm high,

145cm wide, 186cm high, 57cm deep

125cm wide

£300-500

£400-600

33

303

308

301 FE155/25 SET OF EIGHT VICTORIAN MAHOGANY DINING CHAIRS the moulded top rail above a cushioned back and seat, raised on turned moulded legs (8)

120cm wide, 151cm high, 60cm deep

303 FE569/3 CHIPPENDALE STYLE CHAIR BACK SETTEE SUITE 20TH CENTURY the moulded top rail above pierced vertical splats, over outswept arms and drop in pad seat, raised on moulded cabriole legs and ball and claw feet, with two matching open arm chairs; together with a SIMILAR CHAIR BACK SETTEE; and a SET OF FOUR CHIPPENDALE STYLE CHAIRS, the shaped top rail above a pierced vertical splat, over a drop in pad seat, raised on moulded cabriole legs and ball and claw feet (8)

£500-700

settees 128cm wide, 100cm high,

50cm wide, 91cm high, 46cm deep

£250-350 302 FE501/1 PAIR OF ART DECO STYLE ARMOIRES LATE 20TH CENTURY each cupboard with twin doors with ostrich skin material, with hardwood handles and corresponding stepped bases (2)

51cm deep; chairs 62cm wide, 100cm high, 48cm deep

£300-500

305

304 FF61/6 ROCOCO STYLE CARVED WALNUT HALL BENCH 19TH CENTURY the acanthus carved back and arms above a solid seat, raised on carved trestle legs 129cm wide, 119cm high, 39cm deep

306

£300-500

307 FF155/2 VICTORIAN MAHOGANY EXTENDING DINING TABLE the moulded rectangular top raised on moulded legs and brass caps and ceramic casters, including two leaf extension 264cm wide extended, 78cm high, 114cm deep

305 FE352/1 PAIR OF CHESTERFIELD SOFAS 20TH CENTURY the buttoned back and arms above a button seat, raised on turned legs and ceramic casters (2) 206cm wide, 71cm high, 64cm deep

£300-500

£500-700 308 FG266/1 DISTRESSED PINE FRAMED CHAISE LONGUE 19TH CENTURY the foliate carved arched back and down swept arms above a shaped cushioned seat, raised on turned fluted legs 157cm wide, 87cm high, 62cm deep

306 FE349/1 EDWARDIAN OAK WELLINGTON CHEST the shaped rectangular top above seven graduated drawers, raised on a plinth base 62cm wide, 118cm high, 44cm deep

£200-300

34

£1,000-1,500

A Selection of Fans from a Private Scottish Collector For millennia people have used fans not just to circulate the air, protect from the sun and hide blushes, but as status symbols and ceremonial tools. Excavations of the tomb of Tutankhamen in Egypt revealed stunning pieces of intricate gold work and ostrich feathers, eloquently expressing the power and influence of the holder.

Prehistoric bamboo examples have also been discovered in China, a society where the fan played a continually, significant role in the demonstration of societal rank over the centuries.

The different materials, sizes, and forms - from palm leaves to the finest ivory and gold - have made the fan a very interesting and commodious object, one that was bound to capture the gaze of the collector. The first fans were of a fixed type, developing later in the 17th century into the folding fans we know today. Initially introduced to the European aristocracy from the Asian colonies, fans of the finest materials were an item of luxury. Moving into the 18th century fans were manufactured on a larger scale allowing for more affordable pieces to become available to an extensive audience. During the 19th century, Impressionist artists began to harness the potential of the fan hand-painting the leaves with landscape and allegorical scenes.

332

This sale includes an impressive and varied selection of fans from the property of a Scottish collector. This interesting assortment gathers Spanish, French, Dutch, Italian, English and Scottish fans, variously hand painted on silk and paper, and mounted with bone, mother of pearl and ivory.

310

309 FD73/2 WOLLISCROFT RHEAD, G. HISTORY OF THE FAN published in 1910, London, within a limited edition of 450 copies, with black and white and colour illustrations, within leather binding £150-250

312 FG287/66 HAND PAINTED VELLUM AND BONE MOUNTED FAN CIRCA 1810, ENGLISH OR FRENCH the leaf depicting Harlequin and the Americas, the pierced and shaped bone sticks with silvered detail and a barrel pivot 14cm long

310 FG287/9 FRENCH HAND PAINTED PAPER AND IVORY MOUNTED FAN CIRCA 1770 the leaf depicting companions in a landscape setting, the reverse showing a pastoral scene, with gilded ivory sticks 311

26.5cm long

£300-400 311 FG287/36 FRENCH HAND PAINTED PAPER AND IVORY MOUNTED FAN CIRCA 1780 the leaf depicting Achilles and the daughters of Lycomedes, with shaped and carved ivory sticks with tortoiseshell pivot decoration

£200-250 313 FG287/7 COLLECTION OF THREE FRENCH FANS CIRCA 1840-1850 all hand painted lithograph examples, comprising of: a fan depicting figures in a garden setting, with carved and gilded bone sticks, 26.5cm long; an example showing a musician and companions to one side, and a woman and child to the reverse, with gilded bone sticks and a mother of pearl pivot, 23.5cm long; and a fan depicting figures buying cloth, with gilded tortoiseshell sticks, 26.5cm long (3) £150-250

25.5cm long

£600-800

35

314 FG287/19 TWO FRENCH HAND PAINTED PAPER FANS CIRCA 1850 the first depicting figures reading, spinning and dancing, the reverse with women and a child, marked ‘No 9, Contour Editeur, Paris’, with gilded bone sticks, 26.5cm long; the second, showing figures in a garden, markled ‘I Francois’, with gilt decorated horn sticks, 26.5cm long (2) £120-180 315 FG287/27 COLLECTION OF THREE FRENCH HAND COLOURED PAPER FANS CIRCA 1840-50 comprising of: an example depicting a female with companions, marked ‘J.B.’, with bone sticks decorated with mother of pearl, 21.5cm long; a fan depicting a suitor approaching ladies, with bone sticks, 26.5cm long; and a third example showing figures in a classical setting, the reverse showing a castle interior, with carved and painted bone sticks and a cameo design to the guard, 28cm long (3) £120-180

318

36

326

316 FG287/63 TWO FRENCH HAND COLOURED PAPER FANS CIRCA 1850 the first, depicting companions conversating, the reverse showing figures in Turkish costume, with pierced bone sticks, 20.5cm long; the second, showing figures, the reverse a populated landcsape scene, marked ‘R. Wellaeys, 221’, with bone sticks and guards applied with mother of pearl, 26.5cm long (2) £80-120

317 FG287/3 COLLECTION OF THREE FRENCH FANS CIRCA 1850 all hand coloured lithogaphs on paper, comprising of: an example depicting a personification of poetry and rhetoric, with mother of pearl sticks, 27.5cm long; a fan showing Spanish soldiers and attendants, with mother of pearl sticks, 26.5cm long; and an example with figures in reserves and gilt highlights, with bone sticks, 26.5cm long; together with a FRANCO/SPANISH HAND PAINTED AND BONE MOUNTED FAN, circa 1850, with a paper leaf, 26.5cm long (4) £150-200

318 FG287/21 TWO FRENCH HAND PAINTED PAPER FANS CIRCA 1850-60 the first, with a hand painted leaf depicting figures in a pastoral scene, with carved mother of pearl sticks, 28.5cm long; the second, showing Apollo and the muses to the hand coloured lithograph, the reverse depicting figures, with gilded bone sticks, 26.5cm long (2) £200-300 319 FG287/31 TWO FRENCH HAND COLOURED PAPER FANS CIRCA 1850-60 the first depicting women dancing to a piper, the reverse showing a castle, with gilded mother of pearl sticks, 26.5cm long; the second, depicting companions of leisure, with painted and gilded bone sticks with mirror inserts to the guards; together with a FRANCO/SPANISH HAND COLOURED PAPER AND BONE MOUNTED FAN, depicting ladies making a chain of roses, and figures to the reverse, 26.5cm long (3) £120-180

315

324

320

325

320 FG287/16 FRENCH HAND PAINTED VELLUM AND IVORY MOUNTED FAN CIRCA 1890, SIGNED ‘E.DUBOIS’ the leaf depicting a female figure and amoretti in a garden setting, with ivory sticks and a silvered guard tip, lop and pivot 30.5cm long

£250-350 321 FG287/46 COLLECTION OF FRENCH HAND PAINTED SILK FANS CIRCA 1910 comprising of: two examples with gilded mother of pearl sticks, one signed ‘J. Surand’, 21.5cm and 22cm long; and two with gilt bone sticks, 24cm long each; together with a SPANISH HAND PAINTED SILK AND BONE MOUNTED FAN, circa 1910, signed ‘Matali’, with decorative bone sticks, 24cm long (5) £150-200

322 FG287/51 COLLECTION OF FOUR FRENCH FANS CIRCA 1900-10 comprising of: three hand painted silk examples, one signed ‘Fr Imbert’, another signed ‘Candey’, two with bone sticks and one with mother of pearl sticks, 19.5cm, 22cm, and 27.5cm long; the fourth, a bone brise fan, decorated to both sides with figural scenes, 16.5cm long (4) £180-220 323 FG287/17 HAND COLOURED SILK AND MOTHER OF PEARL MOUNTED FAN CIRCA 1890, FRENCH OR ENGLISH the leaf depicting a courting couple, with mother of pearl sticks, 35cm long; together with a FRENCH HAND PAINTED GAUZE AND MOTHER OF PEAL MOUNTED FAN, circa 1900, the reserves depicting figures set amongst Brussels bobbin lace, signed ‘Serona’, with carved gilded mother of pearl sticks, 25cm long (2) £180-220

324 FG287/45 ENGLISH HAND PAINTED VELLUM AND IVORY MOUNTED FAN CIRCA 1740 the leaf depicting Diana and nymphs hunting, with carved and pierced ivory sticks, with later guards 26.5cm long

£200-300 325 FG287/34 TWO ENGLISH FANS CIRCA 1740-80 the first, hand painted with Diana and Callisto, with pierced carved ivory sticks, 26.5cm long; the second, with a hand coloured etching of conversating figures in a garden, with wooden sticks and a painted guard, 27.5cm long (2) £120-180 326 FG287/35 HAND COLOURED AND IVORY MOUNTED FAN CIRCA 1746, ENGLISH/SCOTTISH the etched leaf depicting ‘The Battle of Stirling Castle’, with carved and painted ivory sticks and a floret carved pivot head

327 FG287/60 ENGLISH HAND PAINTED PAPER AND IVORY MOUNTED FAN CIRCA 1760 the leaf depicting figures in a pastoral setting, with pierced carved ivory sticks, 26.5cm long; together with an ITALIAN HAND PAINTED VELLUM AND IVORY MOUNTED FAN, circa 1720, the leaf showing Helen abducted by Paris, with shaped ivory sticks and a bulbous pivot, 27.5cm long (2) £150-200 328 FG287/54 ENGLISH PRINTED SILK AND BONE MOUNTED FAN CIRCA 1770 AND LATER the leaf with oval monochrome reserves depicting figures, with spangle decoration and bone sticks, 29cm long; together with a FRENCH HAND COLOURED PAPER AND LACQUER FAN, circa 1800, the leaf depicting a young woman and a revolutionary, with black and gilt lacquered sticks, 26.5cm long (2) £100-150

28cm long

£250-300

37

331

333

335

341

329 FG287/38 ENGLISH PAPER AND IVORY MOUNTED FAN CIRCA 1780 the leaf depicting an oval stipple engraving of Cornelia and her sons, with carved and pierced ivory sticks 28cm long

£200-250 330 FG287/4 HAND PAINTED VELLUM AND MOTHER-OF-PEARL MOUNTED FAN CIRCA 1750, POSSIBLY ENGLISH the polychrome leaf depicting Venus and Mars, with gilded mother-of-pearl sticks 29cm long approx.

£150-200 331 FG287/10 HAND PAINTED PAPER AND MOTHER OF PEARL MOUNTED FAN CIRCA 1750, POSSIBLY ENGLISH the leaf depicting a religious scene, with a chinoiserie surround, the reverse depicting a couple, with carved gilded mother of pearl sticks 26.5cm long

£300-400

38

332 FG287/37 GRAND TOUR HAND COLOURED VELLUM AND IVORY MOUNTED FAN CIRCA 1780, ITALIAN AND ENGLISH the leaf depicting various scenes and architecture of the Grand Tour, including Agrippa’s Pantheon, with carved and pierced ivory sticks

334 FG287/44 ITALIAN HAND PAINTED VELLUM AND IVORY MOUNTED FAN CIRCA 1720 the leaf depicting Susanna and the Elders, with carved ivory sticks and a bulbous pivot

28cm long

335 FG287/64 ITALIAN HAND PAINTED VELLUM AND IVORY MOUNTED FAN CIRCA 1720 the leaf depicting figures receiving fruit, with carved and pierced ivory sticks, the gorge with a Royal Coat of Arms

£800-1,000 333 FG287/42 ITALIAN HAND PAINTED VELLUM AND IVORY MOUNTED FAN CIRCA 1720 the leaf depicting Europa and the bull, the carved ivory sticks with pique work and mother of pearl applique, the pivot with tortoiseshell decoration 28cm long

£500-700

28cm long

£500-700

28cm long

£600-800 336 FG287/40 GRAND TOUR HAND PAINTED PAPER AND IVORY MOUNTED FAN CIRCA 1750, POSSIBLY ITALIAN the leaf depicting two female figures in a coastal scene, the reverse showing flower sprigs, with ivory sticks and a painted figural gorge 28cm long

£500-700

337 FG287/1 COLLECTION OF THREE FRANCO/SPANISH FANS CIRCA 1850-1860 all hand coloured lithogaphs on paper, comprising of: a bone stick example, depicting a scene of bull fighting to one side, the reverse showing figures; a further bone stick fan, showing Spanish dancers and musicians, the reverse with figures; and an example with pierced wooden sticks, also depicting scenes of bulls to the front and reverse (3) 26.5cm long

£150-250 338 FG287/13 SPANISH HAND PAINTED SILK AND MOTHER OF PEARL MOUNTED FAN 1898 the leaf depicting the toilet of Venus flanked by amoretti, signed ‘A. Jimenez ‘98’, with mother of pearl sticks, 32.5cm long; together with a HAND PAINTED SILK AND BONE MOUNTED FAN, circa 1860, possibly English, the leaf showing a winged nymph playing pipes, with pierced bone sticks, indistincly signed, 28.5cm long (2) £150-250

339 FG287/18 FRANCO/SPANISH HAND COLOURED PAPER AND MOTHER OF PEARL MOUNTED FAN CIRCA 1850 the leaf depicting James I, the reverse showing the surrender of the Moors, with mother of pearl sticks, 28cm long; together with a FRENCH HAND COLOURED PAPER AND BONE MOUNTED FAN, circa 1850, the leaf depicting an aristocratic family, and a King and Queen to the reverse, with gilded bone sticks (2) £200-300 340 FG287/5 DUTCH HAND PAINTED PAPER AND IVORY MOUNTED FAN CIRCA 1770 the leaf depicting a courting couple in a pastoral scene, with gilded ivory sticks, 27.5cm long; together with a HAND PAINTED PAPER AND IVORY MOUNTED FAN, circa 1770, possibly Dutch, the leaf depicting a family in a pastoral scane, with carved gilded ivory sticks, the central gorge with two portrait miniatures, 25.5cm long (2) £300-400 341 FG287/11 CONTINENTAL HAND PAINTED PAPER AND IVORY MOUNTED FAN CIRCA 1770 the leaf depicting a harvest scene, the reverse showing a female, with carved gilded ivory sticks, 28cm long; together with a FRENCH HAND PAINTED SILK AND IVORY MOUNTED FAN, circa 1770, the leaf depicting lovers in a reserve, with gilt thread tambour decoration, the reverse worked in ink, with silver decorated ivory sticks, 27.5cm long (2) £400-500

346

342 FG287/43 CONTINENTAL HAND COLOURED PAPER AND MOTHER OF PEARL MOUNTED FAN CIRCA 1850 the leaf depicting a classical scene of a family fleeing a burning city, with carved mother of pearl sticks, 26.5cm long; together with a FRENCH HAND COLOURED PAPER AND MOTHER OF PEARL MOUNTED FAN, circa 1830, the leaf depicting figures hunting, with pierced and piqued mother of pearl sticks, 19cm long (2) £150-200 343 FG287/12 COLLECTION OF HAND PAINTED SILK AND GAUZE FANS CIRCA 1870-1890 comprising: an English silk example depicting song birds, with bone sticks, 26.5cm long (A/F); a further silk example, possibly English, showing sisters surrounded by flowers, with gilt decorated wooden sticks, 37cm long; and a gauze fan, French or English, showing a female figure waving, with mother of pearl sticks, 34.5cm long (3) £120-160

344 FD73/6 CHINESE CANTON CARVED IVORY AND PAINTED PAPER FAN QING DYNASTY, 19TH CENTURY the guard sticks carved in relief with figures in gardens, opening to fourteen pierced and carved ivory sticks depicting figures, pavilions and flowers, the paper panel decorated on both sides with a scene of courtiers, dignitaries and attendants, the faces painted on ivory; together with an associated black lacquer box 28cm long

£300-500 345 FD73/7 CHINESE CANTON CARVED IVORY BRISE FAN QING DYNASTY, 19TH CENTURY the guard sticks carved in relief with figures, gardens and pavillions, opening to nineteen sticks pierced and carved with further figures and pavilions; together with a black lacquer box

346 FD73/10 CHINESE CANTON CARVED IVORY AND PAINTED PAPER FAN QING DYNASTY, 19TH CENTURY the outer guards carved in relief with figures and pavilions, opening to fourteen pierced and carved ivory sticks and paper panels painted on both sides with scenes of courtiers and attendants; together with an associated black lacquer box stick 28cm long

£400-600 347 FD73/11 CHINESE CANTON CARVED IVORY AND PAINTED PAPER FAN QING DYNASTY, 19TH CENTURY the guard sticks carved in deep relief with figures in gardens and flowers, opening to fourteen pierced and carved sticks depicting figures in gardens, the paper panel painted on both sides with a scene of courtiers, dignitaries and attendants; in an associated black lacquer case 28cm long

£400-600

26cm long

£500-700 336

334

39

356

348 FF68/4 TAXIDERMY LONG HAIRED GUN DOG possibly a golden/blonde Newfoundland cross breed, within a glazed case, raised on a Chippendale style mahogany base with blind fretworked frieze and square legs

365

150cm wide, 182cm high, 61cm deep

352 FE499/54 LARGE PETER COKE OCTANGONAL SHELL DISPLAY 20TH CENTURY the symmetrically mounted shells and sea horses surrounding an ornately decorated coral centre piece, in a green painted glazed case/frame

£2,000-3,000

77.5cm high, 77.5cm wide

£200-300 349 FB72/49 LARGE SUITCASE, BY LOUIS VUITTON with characteristic printed canvas to exterior and brass mounts with ciphers, the lock inscribed ‘Louis Vuitton, Made in France’, the double hinged lids opening to reveal a fitted interior with a hanging rack, with a paper label reading ‘938276’ 54.5 x 85.5 x 23cm

£800-1,200 350 FE396/21 MINIATURE SERPENTINE MAHOGANY CHEST OF DRAWERS the moulded top surface over four graduated drawers and a curved apron, raised on four splayed feet 27cm high, 35cm wide, 21cm deep

£150-250

353 FE499/55 TWO PETER COKE ‘SAILOR’S VALENTINE’ SHELL DISPLAYS 20TH CENTURY each in an octagonal glazed case/frame, the first depicting tapering bands of yellow periwinkles and tellin shells, 37.5 x 37.5cm; the second, with graduating circular bands of limpet shells and pink tellin shells, decorated with miniature sea urchins, 41.5 x 40.5cm (2) £200-300

356 FG144/1 CARVED TREEN SNUFF BOX modelled as a hand, the fingers taking a ‘pinch of snuff’, with a hinged lid 11.5cm long approx.

£200-300 357 FG183/9 PAIR OF GLASS CARBOYS each bottle shaped body with a everted rim, raised on a circular foot (2) 62cm high

£400-600 358 FF157/4A CUT GLASS DESK SEAL the purple cut glass handle, in a fitted box with 12 variously coloured, cut glass matrices with mottos seal 6cm long, box 9.5cm wide

£150-250

354 FE499/56 PETER COKE FLOWER SHELL DISPLAY 20TH CENTURY modelled as a flower vase with blossoming blooms and leaves, the vase and buds made from a variety of shells, in a mirror backed mahogany case 43cm high (height of case)

351 FE499/1 PAIR OF PETER COKE SHELL MOUNTED OBELISKS 20TH CENTURY each of typical tapering form and raised on a square stepped base, mounted with cowrie shells on a naturalistic sand covered ground (2) 120cm high approx.

£300-500

£200-300 355 FF69/13 PAIR OF GILT IRON WALL SCONCES each strap like support fixed with shaped horizontal panels flanking a single sconce above two further sconces (2) 66cm high Provenance: Chateau de Narbonne

£300-400 348 40

359 FF157/4B GROUP OF WOODEN MOUNTED DESK SEALS comprising of nine examples, some carved and turned, and one painted, with variously decorated and inscribed matrices, largest 9cm long; together with a CUT PURPLE GLASS SEAL, with a scored matrix, 6cm long (10) £150-250 360 FF157/4C GROUP OF IVORY AND BONE MOUNTED DESK SEALS comprising of: 11 variously sized and carved examples, including seals with turned handles, largest 7cm long; together with a GROUP OF DECORATIVE SEALS, including various agate and mineral mounted examples, amongst others (25) £150-250

349

355

357

367

363

360

361 FF157/4D BRASS WHEEL SEAL with eight sides, variously inscribed with mottos and motifs, 2.5cm wide; together with a BRASS FOB SEAL, matrix 2.5cm wide; and FOUR WOODEN MOUNTED DESK SEALS, each with a brass matrix inscribed with a Scottish company name, largest 11cm long (6) £150-250 362 FF157/4E GROUP OF WOODEN MOUNTED DESK SEALS comprising of 11 examples, including seals with turned handles, and a set of four with tapered handles; together with a CERAMIC MOUNTED DESK SEAL; a BRASS MOUNTED DESK SEAL; and a FOB SEAL (14) largest 12cm long

£150-250

363 FB57/9 HEREND PORCELAIN PART TEA AND COFFEE SERVICE 20TH CENTURY each piece decorated with yellow ‘Apponyi flowers’ and foliage, with gilt highlights and maker’s marks, comprising of: a coffee pot; a teapot; a milk jug; a sugar bowl; two cups; two saucers; and two side plates; together with TWO HEREND PORCELAIN SUGAR BOWLS AND COVERS; each decorated with flowers and fruit, with flower bud finials, marks to underside, 10cm high (12) £200-300

364 FE291/2 TWO WORCESTER BLUE AND WHITE MOULDED CABBAGE LEAF JUGS 18TH CENTURY of various size, each with a mask head spout and scroll handle, decorated with the ‘Bouquets’ pattern, with blue marks to underside; together with DRESDEN PORCELAIN STATIONERY RACK; FRENCH ENAMEL SNUFF BOX (7) 22cm high, 19cm high

£300-400 365 FF157/2 SMALL COLLECTION OF GLASS WALKING CANES all (A/F), comprising of: two clear/green twisted examples, 107cm and 73cm long; a cane with a red and white enamel twist, 41cm long; a further example with a red and white enamel twist, 104cm long; and a clear/green cane of twisted moulded form, 82cm long (5) £150-250

366 FB57/6 VICTORIAN OAK AND BRASS MOUNTED TANTALUS of square form, the hinged lid opening to reveal a mirror backed fitted interior and a fold-out flap 35cm high

£150-250 367 FE232/1 ‘GREYFRIARS BOBBY’ PAINTED PUB SIGN of rectangular form, painted to both sides with the dog Greyfriars Bobby before Greyfriars Kirk, mounted in a wooden and iron bound frame 80cm high approx.

£400-600 368 FE272/121 ITALIAN RECONSTITUTED MARBLE BUST, SIGNED A. FILLI modelled as the ‘Veiled Bride’, and raised on ebonised socle base 36cm high

£200-300

41

370

377

371

369

369 FD754/10 COLLECTION OF GREEN PRUNT DECORATED GLASSES each with an ovoid bowl, decorative stem and ribbed conical foot, comprising of: a near set of four, largest 14.5cm high; another similar example, 15.5cm high; a large glass, 16cm high; and a smaller version, 11.5cm high (7) £200-300 370 FF90/1 GROUP OF GRISELDA HILL WEMYSS STYLE POTTERY each with maker’s marks, comprising of: a bulldog, painted with red clover, 23.5cm high; two cats, variously posed, each with green glass eyes, one painted with dogroses, the other with cabbage roses, 33 cm and 24.5cm high; and a small cat, painted with cabbage roses, 18cm high (4) £200-300

371 FE143/7 ENGLISH PORCELAIN PART FRUIT SERVICE each piece decorated with a scrolling gilt and cream border on a green ground, some pieces marked with gilt number ‘202’, comprising off: two oval shaped low comports; four circular low comports; and 12 plates; together with a PORCELAIN PART BOTANICAL FRUIT SERVICE, each piece depicting flowers within a green and gilt border, comprising of: a low comport; and two plates (21) £150-250 372 FB57/10 VICTORIAN OAK ICE BUCKET the tapered sides with four plated bands and twin handles, marked, with a lead lined interior 27cm high

£150-250

373 FE184/119 COLLECTION OF LOUIS XV STYLE GILT BRASS FIRE TOOLS comprising of: a pair of urn chenets, 34cm high; a pierced fender, 59cm long; a pair of tongs, 65.5cm long; a shovel, 65.5cm long; and a stand, 66.5cm high (6) £200-300 374 FE310/4 SELECTION OF ANTIQUE JIGSAWS AND PUZZLES to include: ‘Zoological Loto’; Tuck’s ‘Zig-Zag’ jigsaw; ‘Farm in Motion’ jigsaw; ‘The Acrobats’; ‘Nine Interesting Scenes...’; 2 small ‘Anchor Puzzles’; ‘Picture Puzzledom’ jigsaws; five boxes of card games/puzzles; a boxed German spinning top; a boxed ‘The Econasign’ printing set; and two booklets relating to puzzles (qty) £150-250

375 FE359/51 PAIR OF VICTORIAN BRASS TABLE LAMPS each with a plain stem supporting an adjustable scroll fitting, raised on a circular base with a beaded edge, wired for electricity (2) 47.5cm high

£150-250 376 FD754/11 SET OF TEN OPAQUE TWIST DRINKING GLASSES 18TH CENTURY each with a fluted bowl above the decorative stem and conical foot (10) 18cm high

£200-300 377 FF78/6 SAMSON FAMILLE VERTE CHARGER 19TH CENTURY of typical circular form, decorated with peonies in a vase surrounded by butterfly motifs, with red marks to reverse 33cm diam.

£250-350

42

378

378 FG88/3 COLLECTION OF WEDGWOOD GREEN JASPERWARE comprising: a cheese dish and square domed cover (possibly associated), marked ‘Wedgwood’ and ‘4’, 13cm high; a teapot and cover, marked ‘Wedgwood, England’, 10.5cm high; and a jug, also marked ‘Wedgwood, England’, 13.5cm high (3) £200-300 379 FB72/8 GILT BRASS AND FOUR GLASS MANTEL CLOCK, BY TIFFANY & CO. 20TH CENTURY the white enamelled dial with Roman numerals and inscribed ‘Tiffany & Co., France’, in a glazed case, with an eight day drum movement striking on a bell above the mercury filled pendulum 27cm high

372

382 FE497/3 RENÉ LALIQUE (1860-1945) ‘PIS EN LIT’ PATTERN CLEAR AND FROSTED GLASS BOWL, CIRCA 1930 moulded with dandelion leaves, moulded and etched maker’s marks R. LALIQUE/ FRANCE/ NO. 3215 24cm diameter

£200-300 383 FG182/3B WORCESTER BLUE AND WHITE ‘ARGUMENT’ PATTERN SLOP BOWL 18TH CENTURY of typical circular form, with a blue crescent mark, 19.5cm diam.; together with a WORCESTER BLUE AND WHITE ‘THREE FLOWER’ PATTERN SLOP BOWL, 18th century, of typical circular form, with a blue crescent mark, 16cm diam. (2) £200-300

£400-600 380 FD781/4 AUSTRIAN COLD PAINTED BRONZE FIGURE OF A CAT possibly Bergmann, modelled with an empty barrel, the underside of the body and side of the tail indistinctly marked ‘Geschutzt’ 6cm high, 9.5cm wide

£150-180

384 FC765/60A BOXED LEICA M6 JAGUAR XK50 CAMERA LATE 1950S mounted with green Connolly leather and a 50mm ‘Elmar’ lens, with maker’s marks, serial number ‘ 2463831’, and lens number ‘XK 23/50’, with a certificate, warranty card, instruction booklet and associated receipt, in a fitted wooden box, with original cardboard box

381 FE125/5 ENGLISH PEARLWARE FIGURE EMBLEMATIC OF WINTER 18TH CENTURY modelled as a bearded man in a blue cloak standing beside a fire, on a square base

Note: The Leica M6 was commissioned by Jaguar to celebrate the 50th anniversary of the introduction of the ‘XK’ engine. The ‘XK50’ M6 was a special run of just 50 pieces.

22cm high

£1,000-1,500

381

385 FC765/60B LEICA Z2X JAGUAR CAMERA green body, serial number ‘2513924’, with a leather travelling case and warranty card, with original cardboard boxes; together with a LEICA ELMAR 1:3.5/35 MINI CAMERA, with associated cardboard box; and a MINOX CAMERA 35ML, in its original box, with the owner’s manual, a flash unit and a leather travelling case (3) £150-250 386 FC765/60C CASED LEICA III CAMERA CIRCA 1930S of typical form, with maker’s marks and serial number ‘No. 326650’, with an associated receipt of purchase, in a brown leather case £200-300 387 FC765/60D CASED LEICA III CAMERA CIRCA 1930S of typical form, with maker’s marks and inscription ‘Elizabeth Watt’, serial number ‘No. 155926’, with a receipt of purchase, in a brown leather case £200-300

388 FC765/60E COLLECTION OF LEICA LEITZ LENS AND FILTERS comprising of: a boxed ApoTelyt-R 1:3.4/180 lens, serial number ‘2867585’; a boxed Elmarit-R 1:2.8/135 lens; Elmarit-R lens 1:2.8/28, no.’3016107’; a Vario-Elmar-R Lens 1:3.5/35-70, no. ‘3284801’; a boxed Telyt f=20cm 1:45 lens, no ‘272623’, with two filters; a boxed Nooky Summar u.Hektor 5cm lens holder; two Serie 7 UVA filters, one boxed; a Serie 8 ‘13372’ filter; a boxed MacroElmar-R adapter 1:1; and a futher adapter (11) £500-600 389 FC765/60F COLLECTION OF LEICA LEITZ EQUIPMENT comprising: a boxed Motor Winder R3 14 270; a boxed adapter, Motor Winder R3 14 278; a boxed cable, Leica R 14 274; a boxed remote control, Leica R 14 277; a boxed 14100 tripod; togethr with a boxed METZ MECCABLITZ 32 Z-2 LIGHT; and a QUANTITY OF LEICA LEITZ BOXES; CAMERA CASES; AND EQUIPMENT (qty) £250-350

284

£120-180

43

392

395

399

400

390 FC765/60G CINÉ-KODAK SPECIAL CAMERA with plaque ‘Eastman Kodak Co., Rochester, N.Y.’, and a spare magazine; together with a ZEISS IKON CAMERA, ‘Super Ikonta 532/16’, with a brown leather travelling case; a ZEISS IKON MICROFLEX CAMERA, in a black leather case with fixtures and fittings; and a SET IF LEICA UNIVERSALE FOCUSING BELLOWS, in a fitted case (4) £250-350 391 FC765/60H FITTED CASE OF LEICA LEITZ LENS AND CAMERA EQUIPMENT comprising of a variety of items, including filters; together with a QUANTITY OF LEITZ CAMERA EQUIPMENT; and TWO BOXED CASES OF SLIDES (qty) £150-250

44

392 FD754/12 COLLECTION OF DRINKING GLASSES comprising of: a set of seven liqueur glasses with twist stems, 14.5cm high; a set of 10 amber hock glasses, 14.5cm high; a set of three amber glasses with knopped stems, 14.5cm high; a set of three etched liqueur glasses, 13.5cm high; and various other clear and green glasses (qty) £200-300 393 FE155/27 COLLECTION OF MOTTO WARE the pieces typically decorated with inscriptions, with various marks, comprising of cups, vases, jugs, dishes and further items (qty) £250-350

394 FE396/65 WORCESTER BLUE AND WHITE ‘CANNONBALL’ PATTERN TEAPOT 18TH CENTURY of typical form, with a domed cover and flower bud finial, a blue crescent mark to the underside 17.5cm high

396 FE412/5A COLLECTION OF VASART GLASS variously coloured and decorated, comprising of: three baskets; three bowls with wavy rims; a pair of vases, each with a maker’s sticker; and various other vases and bowls (qty) £150-250

£150-250 395 FE412/5 COLLECTION OF MONART GLASS variously coloured and decorated, some with aventurine, comprising of: a vase; two shallow bowls; a small dish; and a flared bowl; together with FOUR VASART GLASS VASES; and a STRATHEARN GLASS BOWL (qty) £150-250

397 FF44/1 MOORCROFT ‘ORCHIDS’ BOTTLE VASE with polychrome flowers on a green ground, impressed and painted maker’s marks 20cm high

£200-300 398 FE299/1 CAST IRON LAWN ROLLER 19TH CENTURY with a green painted frame and handle 61cm wide, 118cm high, 45cm deep

£150-250

403 FE141/21 12 BORE FLINTLOCK OFFICER’S BELT PISTOL, SIGNED H.W. MORTIMER CIRCA 1790 the feather engraved flat lock signed H.W. Mortimer, with a safety slide, roller frizzens, spurred, the trigger guard with engraved acorn finial, with a French cock, captive swivel ramrod and octagonal barrel, the walnut full stock with a chequered stock blank silver escutcheon

404

399 FG128/1 BROWN LEATHER CORDITE BUCKET of cylindrical form with a bale handle, decorated with a printed coat-of-arms and the motto ‘Aimez Verite’ 40.5cm high

£300-500 400 FE414/2 INDIAN POLYCHROMED AND GILT EMBOSSED LEATHER DHAL (SHIELD) CIRCA 1800 with four bosses decorated with lions attacking deer

401 FG257/1 GURKA OFFICERS KUKRI FOR THE SEVENTH GURKA RIFLES of conventional form, with a buffalo horn grip and a brass pommel, above the decorative scabbard covered in chased silver plaques and a badge, on a maroon velvet ground, 24cm long; together with a JAPANESE CARVED BONE MOUNTED SWORD, with a single edge blade, the scabbard and hilt decorated with figures in traditional costume, blade 32.5cm long (2) £300-400

402 FE141/20 SHORT FLINTLOCK BELT PISTOL CIRCA 1830 with a plain lock, iron furniture, and a belt hook; together with a PERCUSSION BOX LOCK POCKET PISTOL, with a turn off octagonal barrel brass lock, iron furniture, and ball but trap; a FLATTENED COW HORN POWDER FLASK; and a COPPER FLASK, embossed with a game bird; and TWO HORN AND METAL MOUNTED BUGLES (6) £250-350

36cm long

£400-500 404 FE141/22 PERCUSSION HOLSTER PISTOL, SIGNED BRANDER CIRCA 1780 the flat lock (converted from flintlock) signed Brander, with brass furniture, spurred pommel and an octagonal barrel, London view and proof marks, the full walnut stock with a replacement ramrod 41cm long

£400-500

48cm diam

£120-180

405 FE518/3 19TH CENTURY BRITISH SCHOOL PORTRAIT OF JAMES NISBET CHARLES IN MILITARY REGALIA Oil on panel 30cm x 24.5cm (11.25in x 9.75in) Note: Inscribed contemporaneous label verso: James Nisbet Charles, son of Claudius Charles, assistant surgeon to His Majesty’s General Hospital, New York, and Jane, only daughter of Captain John Griffiths, entered the Army and became aide de camp to General Sir Robert Wilson. He joined Lord Cochrane’s Expedition to Chili, and was killed at the capture of Pisco, on the 7th of November 1819, in the 29th year of his life.

Signed Jane Barwell Carter nee Johnston niece of the above

£800-1,200 This characterful portrait depicts James Nisbet, a member of the famous Admiral Thomas Cochrane’s expedition to Chile in 1819.

Cochrane, the 10th Earl of Dundonald, 1st Marquess of Maranhão, (14 December 1775-31 October 1860), was a Scottish naval flag officer of the Royal Navy and a radical politician. Though his success during the Napoleonic Wars brought him fame, the French nicknaming him Le Loup des Mers ('The Sea Wolf'), he was dismissed from the Royal Navy in 1814 following a conviction for fraud. He then served in the rebel navies of Chile, Brazil and Greece during their respective wars of independence. He was eventually pardoned and upon his death was granted the title of Rear-Admiral of the United Kingdom. The adventurous Cochrane is widely regarded as the inspiration behind C. S. Forester's Horatio Hornblower and Patrick O'Brian's Jack Aubrey.

James Nisbet Charles is no less interesting a character. He receives mentions in the standard Cochrane biographies, most frequently in Brian Vale’s Cochrane in the Pacific. He commanded the marines at Pisco, under overall command of the naval force under Captain Guise – one of Cochrane’s captains. He was buried at Valparaiso and his death was noted by Cochrane in his South

American memoir. According to Vale, Charles was Woolwichtrained, had served with Wilson in Portugal and had been seconded for a time to the Russian army. With Cochrane he was first of all involved in preparing (unsuccessful) rocket attacks.

Lyon & Turnbull are grateful to Stuart Allan of the National War Museum for his assistance in cataloguing this lot.

45

411

407

421

416

406§ FG32/1 ERNEST BURNETT HOOD (SCOTTISH 1932-1988) ARRANGING THE FLOWERS Signed, oil on canvas 38cm x 48cm (15in x 19in)

£500-700 407 FG265/7 ERNEST PARTON R.O.I. (AMERICAN 1845-1933) AUTUMN BURNHAM BEACHES Signed and monogrammed, oil on canvasboard 24cm x 34cm (9.5in x 13.25in)

£600-800 408§ FG265/6 LAURA LOUDON (SCOTTISH 1871-1945) PORTRAIT OF A BLONDE LITTLE GIRL Signed, oil on canvas 57cm x 54cm (22.5in x 21.25in )

£300-500

409 FG36/1 ROBERT ALEXANDER R.S.A., R.S.W. (SCOTTISH 1840-1923) OUTDOOR STUDY WITH HORSE Signed with monogram, oil on board

412§ FG265/5 GEORGE HOUSTON R.S.A., R.S.W., R.I. (SCOTTISH 1869-1947) DALRY LANDSCAPE IN WINTER Signed, oil on canvas

415 FG102/1 MCNEIL MACLEAY A.R.S.A. (SCOTTISH d. 1848) A HIGHLAND LOCH Signed and dated 18??, oil on canvas

26cm x 31.5cm (10.25in x 12.5in) Exhibited: ‘Robert Alexander Memorial Exhibition’, The Scottish Gallery, May 1924

45cm x 61cm (l7.75in x 24in)

53cm x 87cm (21in x 34.25in)

£1,200-1,800

£1,500-2,000

413 FG265/4 SAM REID R.S.W. (SCOTTISH 1854-1919) VIEW OF THE RIVER NEAR ABERDEEN Signed, oil on canvas 25cm x 40cm (9.75in x 15.75in)

416 FG263/1 ROBERT WATSON (SCOTTISH fl. 1890s) HIGHLAND CATTLE IN A MISTY LANDSCAPE Signed and dated 1904, oil on canvas

£500-700

39cm x 60.5cm (15.25in x 23.75in)

£400-600 410 FG32/2 GEORGE F. BUCHANAN (SCOTTISH fl. 1840s-50s) DUMBARTON ROCK Signed, oil on canvas 53cm x 89cm (21in x 35in)

£600-800 411 FG265/11 JOSEPH FARQUHARSON R.A. (SCOTTISH 1846-1935) JACOBS SHEEP GRAZING, EGYPT c. 1885, oil on canvas 38cm x 55cm (15in x 21.5in) Provenance: Originally from the artist’s estate Exhibited: Bourne Fine Art

£2,000-3,000

46

£800-1,200 414 FG208/2 GEORGE RICHMOND (BRITISH 1809-1896) PORTRAIT OF SAMUEL EVANS ESQ. OF DARLEY ABBEY c. 1850 Inscribed verso, wax seal to back board, watercolour and bodycolour 34cm x 25cm (13.5in x 9.75in)

£500-700

417§ FF435/1 MARY HOLDEN BIRD (SCOTTISH d. 1978) WEST COAST LANDSCAPE Signed, watercolour 34cm x 50cm (13.5in x 19.75in)

£200-300

27cm x 39cm (10.5in x 15.25in)

423 FF111/4 ROBERT NOBLE R.S.A. (SCOTTISH 1857-1917) NEAR THE MILL AT EAST LINTON Signed, inscribed with title verso, oil on board

£400-600

27cm x 19cm (10.5in x 7.5in)

418§ FF411/1 ERNEST BURNETT HOOD (SCOTTISH 1932-1988) ERSKINE BRIDGE Signed, watercolour and bodycolour

424

£500-700 419 FF160/5 ROBERT MCGOWAN COVENTRY A.R.S.A., R.S.W. (SCOTTISH 1855-1914) AT THE QUAYSIDE Signed, watercolour 20cm x 24.5cm (8in x 9.5in)

424 FF109/1 ROBERT GEMMELL HUTCHISON R.S.A. R.S.W. (SCOTTISH 1855-1936) THE PET KITTEN Signed, pastel

£300-500

52cm x 68cm (20.5in x 26.75in)

£1,000-1,500 420 FF148/3 FOLLOWER OF JOSEPH CRAWHALL IN FULL CRY Watercolour 31cm x 40cm (12.25in x 15.75in)

£400-600 421 FF129/1 JAMES DOCHERTY A.R.S.A. (SCOTTISH 1829-1878) PATH THROUGH THE BEECH WOOD Signed, oil on board 28cm x 44cm (11in x 17.25in)

£500-700 422 FF128/2 ROBERT CREE CRAWFORD R.S.W. (SCOTTISH 1842-1924) DISTANT MOUNTAINS Oil on board 35cm x 45cm (13.75in x 17.75in) Provenance: St Andrew’s Fine Art, 15th Annual Exhibition, April 1992

£400-600

415

425§ FF40/5 WILLIAM MILLER FRAZER P.S.S.A., R.S.A. (SCOTTISH 1864-1961) DUCK POND, EAST LOTHIAN Oil on canvas 44cm x 59cm (17.25in x 23.25in)

427 FB61/51 JOSEPH IGNACE VAN HOEY (BELGIAN 1810-1892) THE WATER-MILL Signed and dated 1829, oil on panel

£700-900

27cm x 21cm (10.5in x 8.25in)

430§ FG45/1 SHERREE VALENTINE DAINES (BRITISH b. 1956) STROLLING ALONG THE PIER Signed and numbered 177/195, print with enhancements by the artist

£400-600

65cm x 47cm (25.5in x 18.5in)

426§ FE500/143 EDWARD PIPER (BRITISH 1938-1990) SEATED WOMAN WITH TEACUP Signed and dated 8.VII.81, pen and ink on orange paper

£200-300

31cm x 23cm (12.25in x 9in)

428 FB61/53 ATTRIBUTED TO ALEXANDER FRASER SNR A.R.S.A. (SCOTTISH 1786-1865) THREE GENERATIONS Oil on canvas

£200-300

37cm x 30xm (14.5in x 11.75in)

426A FE479/2 MANNER OF PATRICK NASMYTH (SCOTTISH 1787-1831) COTTAGE BY THE LAKE Oil on canvas 39cm x 58.5cm (15.25in x 23in)

£500-700

£250-350

431§ FG147/1 ALAN M. HUNT (BRITISH b. 1947) GOLDEN EAGLE IN A HIGHLAND LANDSCAPE Signed and dated 1974, acrylic on paper 68cm x 52cm (26.75in x 20.5in)

429§ FF104/2 CHARLES OPPENHEIMER R.S.A., R.S.W. (BRITISH 1875-1961) THE EIGER Signed, signed and inscribed with title label verso, watercolour

£800-1,200

29cm x 22cm (11.5in x 8.75in)

41.5cm x 33cm (16.25in x 13in)

and another by the same hand (2) £400-600

£600-800

432§ FG147/2 ALAN M. HUNT (BRITISH b. 1947) HOOPOE AGAINST A STONEWALL Signed, acrylic on paper

431

47

438

433§ FG137/1 ROBERT SIMPSON (SCOTTISH CONTEMPORARY) FLEETING LIGHT, TORRIDON HILLS Signed, signed and inscribed with title verso, acrylic on board 30cm x 60cm (11.75in x 23.5in)

£300-500 434 FG116/1 20TH CENTURY BRITISH SCHOOL STILL LIFE - AN ASSEMBLAGE Inscribed ‘JW9 Hune(?)’, oil on canvas 58.5cm x 74.5cm (23in x 29.25in)

£300-500 435§ FG113/1 JACK HOGGAN (SCOTTISH b. 1951) GIRL WITH RABBITS Signed, oil on canvas 59cm x 43.5cm (23.5in x 17.25in) Note: Jack Hoggan is the name Jack Vettriano went by at the beginning of his career.

£800-1,200 436§ FG113/2 JACK HOGGAN (SCOTTISH b. 1951) THE LADY BATHER Signed, acrylic on canvasboard 39cm x 29cm (15.5in x 11.5in) Note: Jack Hoggan is the name Jack Vettriano went by at the beginning of his career.

£1,000-1,500

446

438§ FF90/8 MARY ARMOUR R.S.A., R.S.W. (SCOTTISH 1902-2000) SUMMER IN THE FIRTH Signed and indistinctly dated, oil on board

436

26.5cm x 39cm (10.5in x 15.25in) Note: copy of original artist’s label verso which reads ‘Mr first seascape subject, painted at Sannox, Arran from the famous ‘Rocking Stone’.

The distant hills are on the mainland with the tail end of Bute.’

£800-1,200 439 FD749/2 ROBERT MCGOWN COVENTRY A.R.S.A., R.S.W. (SCOTTISH 1855-1914) DIEPPE HARBOUR Signed and inscribed with title, watercolour 17cm x 24cm (6.75in x 9.5in)

£200-300 440 FD749/1 ROBERT MCGOWN COVENTRY A.R.S.A., R.S.W. (SCOTTISH 1855-1914) BOATS IN THE HARBOUR Signed, watercolour

443§ FG59/1 FRANK MCKELVEY JNR. (IRISH 1895-1974) A COUNTRY LANE Signed, watercolour

446 FE50/190 KATE WYLIE (SCOTTISH 1877-1941) PINK AND WHITE ROSES Signed, oil on canvas

24cm x 35cm (9.5in x 13.75in)

37cm x 52cm (14.5in x 20.5in)

34.5cm x 45cm (13.5in x 17.75in)

£300-500

£300-500

£600-800

441 FD728/1 JAMES STUART PARK (SCOTTISH 1862-1933) PALE PINK ROSES Signed, oil on canvas

444 FE148/7A JAMES MCNEILL WHISTLER (AMERICAN 1834-1903) NURSEMAIDS: LES BONNES DU LUXEMBOURG Monogramed in plate, lithograph

447 FD777/1 KATE WYLIE (SCOTTISH 1877-1941) ANEMONES Signed, oil on canvasboard

29cm x 44.5cm (11.5in x 17.5in)

£700-900

24.5cm x 19.5cm (9.75in x 7.75in)

£400-600

24cm x 18cm (9.5in x 7in)

437§ FF90/7 MARY ARMOUR R.S.A., R.S.W. (SCOTTISH 1902-2000) SUMMER FLOWERS WITH FUSHIA Signed and dated 1979, pastel 31cm x 48cm (12.25in x 19in)

£500-700

442 LT2012/8 MANNER OF DOMINGOS ANTONIO DE SEQUERIA (PORTUGESE 1763-1837) PORTRAIT OF CAPTIAN WILLIAM FORDYCE BLAIR Signed and dated 1832, pencil and wash

£250-350

56cm x 46cm (22in x 18in)

£400-600

£400-600

48

445 FD781/1 JOHN TERRIS R.S.W. (SCOTTISH 1965-1914) VIEW OF HADDINGTON Signed, watercolour 29cm x 42cm (11.5in x 16.5in)

448 FD753/3 ROBERT MCGOWN COVENTRY A.R.S.A., R.S.W. (SCOTTISH 1855-1941) UNLOADING THE CATCH Signed, watercolour 17cm x 25cm (6.75in x 9.75in)

£200-300 449-452 No lots

48

628

55

384

171

462

All that glitters is green

392

with emerald being announced as colour of the year for 2013, we’ve picked some of our green themed pieces from our July sale to inspire you all!

528

369

378 435 371 397 282

623

Private Collection from Lorbottle Hall, Whittingham, Northumberland 456 FG14/20A FULL MOUNT TAXIDERMY BADGER (MELES MELES) in standing position, raised on a wooden platform base, 84cm long; together with a TAXIDERMY WALL MOUNTED JAY, 32cm high (2) £150-250

459 FG14/20D CASED TAXIDERMY LEUCISTIC CHINESE RINGED PHEASANT (PHASIANUS COLCHICUS) raised on a thick wooden branch above the naturalistic style ground

462 FG14/73 CONTEMPORARY GREEN PAINTED TABLE the oval top raised on square tapering legs, united by cross stretchers, including a conical candle holder

case 61cm high, 80cm wide,

162cm wide, 77cm high, 114cm deep

32cm deep

£200-300

61cm x 46cm (24in x 18in)

457 FG14/20B TAXIDERMY WILD BOAR HEAD (SUS SCROFA) on a wooden shield shaped mount

£300-500

shield 52cm high

460 FG14/22 CHINESE OCCASIONAL TABLE profusely carved with sunflowers, the rectangular top raised on cabriole legs, united by an under tier

£250-350

87cm wide, 71cm high, 59cm deep

453 FG14/7 17TH CENTURY DUTCH SCHOOL THREE QUARTER LENGTH PORTRAIT OF A YOUNG MAN Inscribed and dated ‘Aetatis .23, 1668’, oil on panel 38cm x 30cm (15in x 11.75in)

£300-500 454 FG14/8 17TH CENTURY ITALIAN SCHOOL ST GEORGE AND THE DRAGON Oil on canvas

455 FG14/18 G** H** DIECKMANN (20TH CENTURY) THE DUCK SHOOT Signed and dated ‘87, oil on board

£300-400

£150-250 458 FG14/20C CASED TAXIDERMY JAY (GARRULUS GLANDARIUS) in flight, on a naturalistic style ground

43cm x 54cm (17in x 21.25in)

case 49cm high, 44.5cm wide,

£300-500

37.5cm deep

£250-350

461 FG14/51 FRENCH PROVINCIAL WALNUT ARMOIRE the moulded cornice above a carved frieze and doors, over a shaped apron, raised on block feet 147cm wide, 202cm high, 59cm deep

£400-600

455

460

50

463

474

463 FG14/83 PAIR OF TRIBAL HARDWOOD DRUMS EARLY 20TH CENTURY in the form of stylised animals, raised on stands 57cm wide, 78cm high, 120cm deep

£300-400

461

454

473

467

472

466

464 FG14/23 NUREMBERG STYLE BRASS CHARGER of circular shallow form, with typical impressed decoration surrounded by an inscription, 41cm diam.; together with a BRASS CANDLE SCONCE, the impressed wall panel decorated with scrolling leaves and flowers, above the three outscrolling candle sconces, 49cm high approx. (2) £200-300 465§ FG14/29 DAVID REMFRY M.B.E., R.A (BRITISH b. 1942) STILL LIFE OF DEAD GAME Signed, watercolour 71cm x 51cm (28in x 20in)

£300-500 466§ FG14/37 DAVID REMFRY M.B.E., R.A. (BRITISH b. 1942) GIRL IN RED Signed and dated 1991, watercolour

467§ FG14/87 DAVID REMFRY M.B.E., R.A. (BRITISH b. 1942) PORTRAIT OF JEAN MUIR Signed and dated 1980, pencil 51cm x 53cm (20in x 21in)

470 FG14/30 LARGE VICTORIAN PAPIER MACHE TRAY of oval form, decorated with gilt birds amongst branches on a black ground

£400-600

77cm wide

473 FG14/97 OAK ARMCHAIR 17TH CENTURY STYLE the panel back above scroll arms and a solid seat, raised on block and turned legs, united by stretchers

£200-300

60cm wide, 109cm high, 40cm deep

468§ FG14/38 BETTINA SHAW LAWRENCE (BRITISH b. 1921) PORTRAIT OF JEAN MUIR Signed and inscribed verso, oil on canvasboard

471 FG14/33 PAIR OF INLAID ROSEWOOD WALL BRACKETS each with a shaped inlaid back plate, above a plain platform (2)

51cm x 41cm (20in x 16in)

31.5cm high

£300-500

£150-250

469 FG14/79 NEO-GOTHIC PARQUETRY PINE TRESTLE TABLE LATE 19TH CENTURY the moulded rectangular top raised on an X frame base united by a stretcher

472 FG14/96 MAHOGANY HALL STAND 19TH CENTURY the ring turned support with scrolling arms, raised on down swept legs

121cm wide, 81cm high, 63cm deep

£200-300

£200-300

48cm wide, 196cm high

474 FG14/99 COLLECTION OF HAND PAINTED MAGIC LANTERN SLIDES 19TH CENTURY comprising of: five slides with multiple pictures, each stamped ‘Carpenter & Westley, 24 Regent St, London’; various rackwork slides with handles; slipper slides; lever slides; and other decorative examples depicting children, animals and landscape scenes (27) £200-300

£300-400

122cm x 88cm (48in x 34.5in)

£400-600

51

490

488

479

475§ FG14/113 BERYL COOK (BRITISH 1926-2008) BRYANT PARK Artist’s proof, signed, inscribed and numbered 7/60 47cm x 59cm (18.5in x 23.25in)

and another by the same hand (2) £300-500 476§ FG14/39 GWEN HARDIE (SCOTTISH b. 1962) HEAD 1 Watercolour 29cm x 20cm (11.5in x 8in)

£200-300 477§ FG14/40 BRYAN ORGAN (BRITISH b. 1935) PORTRAIT STUDY OF GEORGIA BROWN Signed and dated ‘May 1969’, mixed media 68cm x 55cm (27in x 21.5in)

£400-600

108cm wide, 140cm high, 55cm deep

481 FG14/111 SMALL OAK FRAMED CHAISE LONGUE 19TH CENTURY the scrolling back and downswept arms above a buttoned back and seat, raised on turned fluted legs

£200-300

110cm wide, 80cm high, 60cm deep

478 FG14/45 ITALIAN STAINED WOOD TWO DOOR CABINET BY GERVASONI 20TH CENTURY the rectangular top above panel doors enclosing shelves, raised on stile feet

£200-300 479 FG14/109 OAK GOTHIC TABLE 19TH CENTURY the galleried rectangular top above two frieze drawers, raised on ring turned supports and stile feet, united by a stretcher 122cm wide, 86cm high, 66cm deep

£250-350 480 FG14/110 MAHOGANY SHIP’S WASH STAND the hinged top opening to reveal a faux marble ceramic basin, above a cupboard door enclosing a waste bowl 54cm wide, 80cm high, 50cm deep

£200-300

482 FG14/82 PAINTED PLASTER MANNEQUIN modelled as a female in high hells, decorated with brightly painted scenes of figures in landscape settings, below with the words ‘The Dave Roe Show’, raised on a shaped oval base (A/F) 159cm high overall

£200-300 483 FG14/62 20TH CENTURY FRENCH SCHOOL BOUND FIGURE Indistinctly signed and dated 1972, verso, mixed media 104cm x 74cm (41in x 29in)

£300-500

52

484 FG14/103 G** M** SCHANTZ STUDY OF A ROOSTER Signed, oil on canvas 84icm x 63.5cm (33in x 25in)

£300-400 485§ FG14/54 LARGE LIDDED STONEWARE JAR AND CHARGER LATE 20TH CENTURY each painted with cross hatched panels and flowering tendrils on a buff ground, impressed seal marks, jar, 75cm high, charger, 52cm diam., together with a (§)DAVID LEACH (19112005), STONEWARE JAR AND COVER, 1960s with incised decoration and treacle glaze, impressed seal mark, 14cm high; an ALAN CAIGER-SMITH (b. 1930) CIRCULAR BOWL, with calligraphic designs, painted makes, 18cm diameter; and FIVE FURTHER STUDIO WARES, including two colanders; two shallow bowls and a dished tray (9) £200-300

477

485

486 FG14/105 CARVED MAHOGANY FRAMED WALL MIRROR CIRCA 1860 the decorative frame carved in high relief with a fishing net and a game bag flanking the circular mirror plate, below scrolling acanthus leaves and a boar’s head pediment

490§ FG14/121 JIM PARTRIDGE (b. 1953) LARGE ELM BOWL of oval stepped form, stamped ‘J. B. Partridge’ to the underside

73cm high

£300-400

66cm wide Literature: Britton, Alison and Swift, Katherine ‘Jim Partridge’, London, 2003, p. 16, figure 7, for similar examples

£300-500 487 FG14/119 VAN DYCK (AFTER) Unframed, oil on canvas 91cm x 120cm (36in x 47.25in)

£400-600 488 FG14/57 INDIAN SCHOOL PAINTING ON SILK 19TH CENTURY depicting a figural court scene, 144 x 90cm; together with an INDIAN SILKWORK AND METAL THREAD PANEL, worked in relief with a peacock and serpent, 103 x 49cm (2) £150-250 489 FG14/120 CONTEMPORARY WALL HANGING the cotton and velvet ground depicting crucifixes above abstract figural embroidered motifs, 225.5 x 144cm; together with COLLECTION OF FRAMED EMBROIDERY PANELS, BY ROSIE FALK, in the chinoiserie taste painted with humming birds and rockwork, largest 179 x 24cm (6) £200-300

491 FG14/76 LEATHER OFFICE CHAIR LATE 19TH CENTURY the shaped top rail and downswept arms above a cushioned back and serpentine seat, raised on a downswept quadriform base, united by cross stretchers 56cm wide, 86cm high, 46cm deep

£200-300 492 FG14/122 WILLIAM IV STYLE ELABORATE CAST IRON STOVE the moulded top above corinthian columns, over the moulded fire box, raised on lion paw feet

498

494 FG14/104 TWO DOULTON LAMBETH MANGANOUS CARBON FILTERS each of cylindrical form with a domed lid, with inscription ‘Doulton’s New Patent Manganous Carbon Filter, Lambeth London’, marked ‘1’ and ‘3’, the largest with a tap, 50 and 40cm high; together with TWO LARGE EARTHENWARE BOWLS, each with a glazed well, 49.5 and 42cm diam.; and a LARGE GLASS DISH, of circular form with a folded rim, 45cm diam.

(5) £200-300 495 FG14/116 ENAMEL THERMOMETER,

BY GILLETTE EARLY 20TH CENTURY with a thermometer gage and a barometer dial on a two-tone blue enamelled ground, with maker’s inscription ‘Gillette, Made in England’

496 FG14/117 20TH CENTURY BRITISH SCHOOL BULLSEYE Print 121cm (47.5in) diameter

£400-600 497 FG14/114 JEAN MUIR POSTER advertising ‘Jean Muir’ at Birmingham Museum and Art Gallery, September 11November 9 1980, depicting Jean Muir in profile, 74.5 x 49cm; together with a copy of WOMEN & MEN’S DAUGHTERS: PORTRAIT STUDIES BY ZSUZSI ROBOZ, London, 1970, including an entry about/by Jean Muir; and a FRAMED PORTRAIT OF JEAN MUIR (3) £200-300

90cm wide, 125cm high, 55cm deep

498 FG14/107 VENETIAN MIRROR 19TH CENTURY the rectangular bevelled mirror plate within mirrored frame, surmounted by a foliate pediment

£300-500

67cm wide, 105cm high

63cm high

£80-120

£300-500 493§ FG14/202 CONTEMPORARY STUDIO POTTERY DRAGON VESSEL AND STAND the crescent form dragon with incised and applied decoration and an all over blue glaze, raised on a black painted plinth (A/F)

491

74cm high overall approx.

£200-300

53

Other Properties 503

502

499 FE487/1 CHINESE PORCELAIN JAR AND COVER of baluster form with a domed lid, decorated with celebratory figures holding a Chinese dragon 23.5cm high

£150-250 500 FB72/6 PAIR OF CANTONESE PORCELAIN VASES 20TH CENTURY each of slender baluster form with twin handles, decorated with figures in panels amongst floral borders, with mark to underside (2) 42cm high

£200-300

512

501 FE222/17 TWO CHINESE BLUE AND WHITE TEAPOTS each of low squat form, one lobed and decorated with foliage, the other showing figural scenes, with maker’s marks to underside, 13cm and 12cm wide; together with a METAL SINO TIBETAN BUDDHA, of bust form, with gilt highlights, 9.5cm high; and a further CHINESE POTTERY FIGURE, 6cm high (4) £200-300 502 FE354/6 CHINESE FAMILLE NOIR BOX AND COVER in the form of a large coco de mer, decorated all over with pomegranates amongst borders on a black ground, with marks to underside 35.5cm wide

£200-300

503 FE475/67 CHINESE BLUE AND WHITE BOWL KANGXI, POSSIBLY OF THE PERIOD of shallow circular form, decorated with scholars in a landscape setting, 23.5cm diam; together with a CHINESE YELLOW GLAZED BOWL, of fluted form incised with dragons and birds, marks to underside, 14cm diam; a PAIR OF CHINESE ANHUA DECORATED BOWLS, also fluted with similar decoration to the celadon wells, 19cm diam.; and a similar CHINESE CELADON GLAZED BOWL, depicting figures, 18.5cm diam.

(5) £200-300

504 FE475/73 PAIR OF ANHUA DECORATED STEM CUPS each with a flared bowl decorated with dragons among symbols, raised on a fluted foot, with blue mark to underside, 10cm high; together with an ANHUA DECORATED VASE, the white glazed baluster body decorated with dragons in low relief, 19cm high (3) £150-250 505 FF88/2 CHINESE PORCELAIN SANG DE BOUF VASE of ovoid form with a slender neck and all-over red glaze, converted to a lamp and fixed to a hardwood base overall 41cm high (including fittings)

£200-300 506 FG106/3 CHINESE FAMILLE ROSE BALUSTER VASE MODERN finely decorated with a pheasant and peony blossoms, the neck with blue filigree, red eleven character seal mark 20cm high

£150-250

54

507 FE473/1 CHINESE EXPORT FAMILLE ROSE CACHE POT 19TH CENTURY painted in the typical palette with panels of flowers against a cafe au lait ground (cover lacking) 16.5cm high

£200-300

509 FG43/3 PAIR OF CHINESE BLUE AND WHITE PORCELAIN TEA CADDIES KANGXI MARKS BUT LATER each of lobed form with a cylindrical cover, decorated with figures and buidlings amongst a landscape, with four character mark to underside (2) overall 20cm high

508 FE598/2 TWO CHINESE BLUE AND WHITE VASES each of shaped baluster form with a flared neck, the first, depicting a bird amongst peonies and further foliage, with blue marks and a paper label to the underside, 39.5cm high; the second, depicting foliage, with blue marks and a paper label the underside, 37cm high (2) £200-300

£150-250 510 FE184/80 CHINESE CARVED BANDED AGATE GROUP QING DYNASTY, 19TH CENTURY formed as two baskets with budding stems, with an old attached wax seal and label

512 FG106/4 THREE CHINESE JADE AND HARDSTONE BI RINGS of typical form, two carved in relief with creeping chilong, the other with archaic symbols, largest 9.2cm diam; together with a JADE DOUBLE PENDANT, carved with birds, 5.5cm wide; and an ARCHAIC STYLE JADE PIECE, modelled as a bat, 13.5cm wide (5) £200-300 513 FG186/3 CHINESE LACQUER BOX AND COVER of circular form, in the cinnabar style, carved with scrolling patterns to the body and cover, opening to reveal a void interior

5cm long Provenance: Property from an Edinburgh estate

18.5cm diam.

£200-300

514 FF161/92 TWO CHINESE CARVED IVORY FIGURES each modelled as a fisherman with a staff or fishing rod, and raised on a wooden base, 26cm high and 17.5cm high overall (2) £150-250

511 FE184/96 CHINESE CARVED SMOKY QUARTZ FIGURE OF GUANYIN modelled with a child amongst scrolling drapes and foliage, on a hardwood stand

£100-200

22.5cm high Provenance: Property from an Edinburgh estate

515 FF161/93 CHINESE CARVED IVORY FIGURE OF LAO SHOUXING 19TH CENTURY typically modelled holding a peach in one hand and a staff in the other, raised on a wooden base 23.5cm high overall

£120-180 516 FF161/94 TWO CHINESE CARVED IVORY FIGURES each modelled as a laughing Buddha, and raised on a hardwood stand one shown with prayer beads, 9cm and 6cm high overall (2) £120-180 517 FF161/95 COLLECTION OF BURMESE AND CHINESE CARVED IVORY FIGURES comprising: a robed figure, raised on a wooden stand; a Buddha; a figure of Lao Shouxing; a further figure of an immortal; and a carved knight chess piece (5) tallest 11cm high overall

£100-200

£200-300

500

507

514

504

504

55

21

526

525

518 FF161/97 BURMESE CARVED IVORY PUZZLE BALL of typical form, raised a stand carved with elephants above a decorative foot, 16.5cm high; together with a smaller CARVED IVORY PUZZLE BALL, also raised on a carved stand, 15cm high (2) £120-180 519 FF145/4 CARVED IVORY PUZZLE BALL AND STAND the ball of typical form, raised on a stand carved with elephants above a decorative foot 20cm high

£200-300 520 FF409/25 COLLECTION OF CARVED IVORIES comprising of: a carved elephant tusk, modelled with a convoy of elephants in high relief, raised on a hardwood stand, tusk 37cm long; a carved length of ivory, also depicting an elephant, 14cm high; a Chinese carved vesta box (cover lacking), 11.5cm high; and various other carved stands, counters and further items (qty) £150-250

56

521 FD434/15 PAIR OF JAPANESE CLOISONNE VASES each of blauster form, depicting birds amongst blossoming trees on a blue ground, converted to lamps (A/F) (2)

523

25.5cm high (excluding fittings)

£150-200 522 FG182/2 JAPANESE BRONZED SPELTER FIGURE modelled as a barefooted fisherman with a net, raised on a carved hardwood base 28cm high overall

£150-250 523 FG182/1 COLLECTION OF CARVED WOODEN THAI SHRINE FIGURES variously modelled as a seated Buddha and Buddhist monks dressed in robes, with red and gilt decoration (4) largest 36.5cm high

£400-600 524 FE291/4 JAPANESE BLUE AND WHITE PORCELAIN BOWL of circular form with a chamfered rim decorated with stylised foliage, marked to the underside, 19cm diam.; together with a COLLECTION OF CHINESE WATERCOLOURS ON RICE PAPER, comprising of 16 unframed examples, eight depicting birds and eight depicting figures, boxed, 9 x 6cm approx. (qty) £200-300

525 FG158/2 COLLECTION OF JAPANESE WOODBLOCK PRINTS 19TH CENTURY AND LATER of various sizes, depicting polychrome portraits, landscape scenes, foliage and animals, including a small book of woodblock designs (qty) £300-500 526 FE119/12 TWO INDIAN MINIATURE MANUSCRIPT PAGES 19TH CENTURY the first depicting a nobleman at court with white borders with script, the reverse with full script, framed, 17cm x 8cm; the second depicting a couple in a bed with attendants, with gilt borders with script, the reverse with two columns of script, framed, 17cm x 10cm (2) £150-250

522

528

527

532

527 FE191/2A STAFFORDSHIRE POTTERY BUST OF SHAKESPEARE 19TH CENTURY with polychrome decoration and indented name to reverse, raised on a canted square base, 22.5cm high; together with a STAFFORDSHIRE POTTERY BUST OF JOHN LOCKE, 19th century, also with polychrome decoration and raised on a faux marble socle base, 18.5cm high (2) £200-300 528 FF73/1 EUROPEAN CERAMIC GARDEN SEAT the pierced baluster shaped body surmounted by a circular seat, with an allover green glaze 49.5cm high

£250-350

534

529

529 FD39/3 WILLIAM ARTHUR SMITH BENSON (1854-1924) DISHED COPPER TRAY, CIRCA 1900 of circular form, embossed with divided panels, the lobed edge enclosing repoussé decorated band of flowering rose branches, stamped maker’s mark 48cm across Literature: Hammerton, Ian (edit.) ‘W.A.S. Benson’, Woodbridge 2005, page 254, plate 28, for similar examples

£150-250 530 FD754/1 BOXED SET OF RICHTER’S ‘ANCHOR BLOCKS’ the decorative lid opening to reveal four trays fitted with coloured builiding blocks, with various instruction manuals and ‘Designs for Architectural Models’ box 32.5cm wide

£150-250

531 FE359/93 SILVERED METAL HALL LAMP EARLY 20TH CENTURY with a cylindrical glazed panel decorated with metal flower swags, surmounted by four cast finials 48cm high

£150-250 532 FE396/68 BRONZE FIGURE OF A DEERHOUND, SIGNED ‘DEVA’ modelled as a reclining dog, on a naturalistic ground, with signiature to base ‘A’ or ‘M’ ‘Deva’ 14.5cm wide

£120-180 533 FE396/74 TWO PATINATED BRONZE PLAQUES each modelled in relief with neo-classical females holding urns, with gilt highlights, one with a serial number to reverse (2) 26 x 7.5cm

£150-250

534 FE396/76 GILT BRONZE MANTEL CLOCK,

BY LEMERLE-CHARPENTIER & CIE. LATE 19TH CENTURY the clock with a white enamel dial inscribed ‘Lemerle Charpentier & Cie., Bronziers, Paris, 8 Rue Charlot’, in an ornate glazed gilt bronze case, the eight day movement stamped and striking on a bell, 38.5cm high; together with a PAIR OF GILT METAL AND PORCELAIN CANDLEABRA, the ovoid enamelled bodies below four sconces, 40.5 cm high (3) Note: Lemerle-Charpentier has its origins in the 16th century, and was known for its impressive gilt bronze clocks and garnitures. The original company changed name in 1860 before becoming LemerleCharpentier in 1870.

£400-600 535 FE396/80A HARDY PERFECT 4in. SALMON FLY REEL CIRCA 1960 with a nickel silver line guard and spare spoon, in original box £150-250

57

543

545

547

546

536 FE396/80B THREE HARDY MARQUIS 8/9 MULTIPLIER REELS each with spare spools and in Hardy zip pouches (6) £150-200 537 FE396/80C HARDY GOLDEN PRINCE 41⁄4in.

SALMON FLY REEL 11/12, with spare spool and Hardy zip case £80-120 538 FE396/80D HARDY GOLDEN PRINCE 41⁄4in.

SALMON FLY REEL 11/12, with spare spool and Hardy zip case £80-120 539 FE396/80E HARDY GOLDEN PRINCE 41⁄4in.

SALMON FLY REEL 11/12, with spare spool and Hardy zip case £80-120

58

540 FE396/80F CARTER & CO SOUTH BOLTON 41⁄2in. SALMON FLY REEL in a Hardy leather round block case; together with a J.W. YOUNG REDDITCH 4in.

SALMON FLY REEL (2) £120-180 541 FE222/3 COLLECTION OF CONTINENTAL BLANC DE CHINE FIGURES variously marked, comprising: four allegorical figures of cherubs; and a Rosenthal figure of a rabbit, tallest 15.5cm high; together with a COLLECTION OF CONTINENTAL PORCELAIN FIGURES, also variously marked, comprising of: a pair of sellers; a female figure incised ‘Galle’; a figure group depicting putti; and a female musician, tallest 18cm high (10) £200-300

542 FE222/8 WEDGWOOD BASALT THREE PIECE TEA SERVICE each of cylindrical form and typically decorated with cameo figures, with maker’s marks, comprising: a teapot and cover, 11.5cm high; a sugar bowl and cover, 9cm high; and a milk jug, 8cm high; together with THREE PIECES OF JASPERWARE, all with maker’s marks, comprising: a small urn; a tea bowl and saucer (6) £100-200 543 FE291/17 FRENCH BRONZE FIGURE OF A SLEEPING CHILD 19TH CENTURY modelled reclining on a cushion and wrapped in a draped cover and wearing a wreath of roses around his head, on a rectangular marble base

544 FE296/12A BOW FRONT CASED PLASTER CAST EEL mounted on a naturalistic ground and backdrop, bearing a handwritten label reading ‘Caught by S. Robertson, River Ouse, 18th August 1936, 3lb 9ozs’, in a glazed bow fronted ebonised case overall 98cm wide

£300-500 545 FE331/5 MODERN WOOL AND TAPESTRY DRAPES AND PELMET LATE 20TH CENTURY in pale terracotta wool with wide tapestry borders of acanthus wrapped columns, the pelmet with matching cording and tassel edging, fully lined, made by Drysdales, Edinburgh Pelmet 370cm wide; each panel

figure 9cm high, 16cm long

279cm drop

£150-250

£200-300

553

546 FF108/1 PAIR OF ARTS & CRAFTS WOODEN WINE COOLERS each in the form of a miniature peat bucket, bound with brass bands and raised on three paw feet, with a tin liner (2) 17.5cm high

£250-350

550

549 FF408/1 VIENNA MAHOGANY WALL CLOCK with a beaded pediment over the enamelled dial with Roman numerals, flanked by reeded columns surrounding a carved and glazed panel, with an eight day movement 96cm high approx.

547 FF161/86 CHINESE BLACK AND GILT LACQUERED GAMES BOX 19TH CENTURY with serpentine sides decorated with figures in panels and raised on dragon carved feet, the interior fitted with boxes and trays (A/F) 32cm wide

£200-300

£200-400 550 FF69/14 PAIR OF GILT METAL PINEAPPLE WALL SCONCES each half pineapple surmounted by a fan of metal leaves and supporting two outscrolling sconces amongst further simulated leaves, wired for electricity (2) 50cm high approx.

548 FF161/87 VICTORIAN TORTOISESHELL AND PAINTED TEA CADDY of bombe form, painted with figural scenes to the body and hinged lid, opening to reveal two covered compartments 17.5cm wide

£300-400

548

£300-400

555

551 FE386/5 BRASS SURVEYING TRANSIT,

BY H. MORIN, PARIS of typical form, with the maker’s inscription ‘H. Morin, 3 rue Boursault, Ateliers H. Morin & Gensse, a Paris’, lacking compass, 38.5cm high; together with THEDOLITE, BY E. R. WATTS, LONDON, of typical form, with maker’s inscription ‘E.R.Watts & Son Ltd., London, No. 46619’, 36cm high; a QUANTITY OF SURVEYING EQUIPMENT AND INSTRUMENTS (qty) £250-350 552 FD339/3 MIRROR BACKED TOLEWARE WALL LIGHT the inverted bell shaped glass shade supported by a green painted toleware back with a shaped mirror insert, with gilt metal mounts 48cm high

£200-300 553 FE363/5 ROYAL WORCESTER FOOTED BOWL DATE CODE FOR 1899 the ovoid body depicting panel with exotic birds on a blue and gilt ground, above the knopped stem and circular foot, all decorated with green and gilt highlights, maker’s marks 18cm high

£300-500 554 FE386/1 ENGLISH POLYCHROME DELFT DISH 18TH CENTURY of circular form, decorated in the Chinese style, depicting a figure in a landscape amongst floral borders (A/F)

555 FC190/21 CARVED AND GESSO POLYCHROME FIGURE OF ‘AUTUMN’ 19TH CENTURY modelled as a standing draped maiden with grapes in her hair and holding aloft a pinecone, on a square plinth base 139cm high

£300-500 556 FF157/14 PAIR OF FRAMED AND BEADED FACE SCREENS each of circular form, decorated with beaded floral motifs on a crimson plush ground, with fringing and gilded handles (2) fans 42cm high

£200-300 557 FF157/5 GEORGIAN MAHOGANY KNIFE BOX of typical serpentine form with boxwood banding, the hinged lid opening to reveal a fitted interior 37cm high

£150-250 558 FF86/1 PEWTER TAPPIT HEN possibly Irish, of typical form, with incised bands, with touch marks to the underside depicting a harp and the initials ‘J.M’, 28.5cm high; together with a PEWTER CHARGER, of typical shallow form, with an indistinctive touch mark depicting a roundel and the initials ‘B.M.’, 38.5cm diam (2) £300-500

35cm diam.

£200-300

59

559 FG133/3 FRAMED SHIP DIORAMA 19TH CENTURY depicting a half model of a masted steam ship, in a painted seascape

21 563

49.5 x 80cm

£300-500

565 FG183/12 ITALIAN SPECIMEN MARBLE TOPPED TABLE 19TH CENTURY the circular top above turned supports, raised on reeded down swept legs and ceramic casters 57cm wide, 70cm high

560 FG133/4 FRAMED SHIP DIORAMA 19TH CENTURY depicting a half model of a masted ship alongside two smaller boats, in a painted seascape

£1,800-2,200 566 FF156/6 PAIR OF FRENCH STYLE MAHOGANY DEMI LUNE SIDE CABINETS the shaped top above a central drawer, flanked by dummy drawers, above a panel door, raised on reeded legs

53 x 94cm

£300-500 561 FB72/30 REGENCY STYLE SIX LIGHT CUT GLASS CHANDELIER MODERN the tulip shaped two tier corona over a baluster stem issuing six scrolling candle arms with drip pans and hung with prisms swags and pendant drops, ending on a facetted ball drop finial

92cm wide, 93cm high, 46cm deep

£500-700 567 FE569/5 GEORGE III OAK HOUSEKEEPER’S CUPBOARD 18TH CENTURY the Greek key cornice above a pair of panelled doors enclosing adjustable shelves; the lower section with three short and three long graduated drawers, raised on bracket feet

73cm high, 64cm diam

£600-800 562 FB72/38 REGENCY STYLE SIX BRANCH CUT GLASS CHANDELIER MODERN the two tier corona over a baluster column and hung with prism strands and drops, issuing six scrolled candle arms with drip pans and hung with further glass prisms and drops with a facetted ball pendant 68cm diam, 91cm high approx

£500-700

120cm wide, 234cm high, 58cm deep

£400-600 563 FB72/39 EMPIRE STYLE GILT METAL SIX LIGHT CHANDELIER MODERN the corona with gilt metal anthemion over a central cut glass orb hung from chains and issuing six scrolling candle arms with spherical cut glass shades

564 FF96/1 PAIR OF VENETIAN MIRRORS 20TH CENTURY the oval bevelled mirror plate within an engraved mirrored frame (2)

568 FF68/9 PAIR OF REGENCY STYLE LAUREL CONVEX MIRRORS each with a circular mirror plate within a painted foliate moulded frame (2)

64cm wide, 80cm high

78cm wide

£400-600

£400-600 569 No lot

63cm diam, 83cm high

£700-900

568

60

576

565

578

579

575

566

570 FE357/2 GEORGIAN AND LATER MAHOGANY BUREAU BOOKCASE the moulded cornice above glazed doors enclosing adjustable shelves, over a fall flap enclosing a fitted interior, over two short and three graduated long drawers, raised on ogee bracket feet

572 FE312/1 GEORGE III MAHOGANY AND BOXWOOD STRUNG BREAKFRONT SIDEBOARD the shaped top above a long drawer, flanked by deep drawers, raised on square tapering legs

109cm wide, 211cm high, 57cm deep

573 FF159/2 EDWARDIAN MAHOGANY BREAKFRONT SIDEBOARD the shaped moulded top above a central drawer, flanked by short drawers, over cupboard doors, raised on moulded square tapering legs

£300-500 571 FE307/2 GEORGIAN MAHOGANY AND BOXWOOD STRUNG BOWFRONT CHEST the cross banded shaped top above two short and two long drawers, raised on outswept bracket feet 105cm wide, 90cm high, 53cm deep

£250-350

207cm wide, 86cm high, 72cm deep

£300-500

575 FF61/8 WALNUT SECRETAIRE CABINET 18TH CENTURY the moulded cornice above a concealed drawer and drop flap, enclosing a fitted interior with further hidden drawers, over two short and two graduated long drawers, raised on bun feet 91cm wide, 158cm high, 45cm deep

£1,000-1,500

182cm wide, 100cm high, 65cm deep

576 FF68/7 GEORGE I STYLE MARBLE TOP HALL TABLE the rectangular top above a shaped frieze, raised on shaped square legs

£250-350

122cm wide, 83cm high, 61cm deep

£300-400 574 FG265/10 VICTORIAN WALNUT OCCASIONAL TABLE BEARING MAKER’S LABEL WILLIAM TURNER AND SONS LIVERPOOL the moulded oval top above turned supports, raised on fluted scrolling legs, united by stretchers 109cm wide, 68cm high, 65cm deep

578 FE684/7 EARLY GEORGIAN PARCEL GILT MIRROR the oval mirror plate within a heavely carved foliate frame 61cm wide, 82cm high

£400-600 579 FE94A/4 GEORGE I WALNUT AND CROSSBANDED BUREAU 18TH CENTURY the slant front opening to an interior fitted with pigeon holes and drawers, over three long serpentine drawers and raised on shaped bracket feet 122cn wide, 110cm high, 58cm deep Provenance: Ardhuncart House, Aberdeenshire

£600-800

121cm wide, 242cm high, 39cm deep

580 FE497/1 VICO MAGISTRETTI FOR CASSINI, ITALY CARIMATE CHAIR 892, DESIGNED 1959 with red painted frames and rush woven seats, comprising of one carver, and three side chairs (4)

£400-600

51cm wide, 74cm high, 42cm deep

577 FF69/10 OAK OPEN BOOKCASE 20TH CENTURY AND EARLIER the carved top above six shelves, flanked by heavely carved uprights, raised on a plinth base

£120-180

£200-300 61

592

582

596

602

581 FE385/2 GEORGIAN MAHOGANY TWIN PEDESTAL DINING TABLE the reeded oval top above turned supports, raised on moulded sabre legs and brass caps and casters, including one leaf insertion 219cm wide, 72cm high, 112cm deep

£300-500 582 FF156/2 GEORGIAN STYLE FAUX LEATHER FOOTSTOOL MODERN the square buttoned top, raised on squat fluted legs and brass caps and ceramic casters 104cm wide, 40cm high

£350-450 583 FF61/1 SET OF EIGHT OAK SIDE CHAIRS 20TH CENTURY the high arched back above a solid seat, raised on block and turned legs, united by stretchers

584 FF61/2 TWO GEORGE III MAHOGANY SHIELD BACK OPEN ARM CHAIRS the shaped back and pierced vertical splat above outswept arms, over a serpentine drop in pad seat, raised on moulded square tapering legs, united by stretchers, and another similar (2)

586 FE359/30 GEORGE III STYLE MAHOGANY CELLARET 19TH CENTURY Cove moulded rectangular hinged top opening to reveal a mahogany lined interior, raised on acanthus moulded cabriole legs and ball and claw feet.

58cm wide, 68cm high, 37cm deep

£300-500

49cm wide, 94cm high, 45cm deep

£300-500 585 FE348/3 EDWARDIAN INLAID MAHOGANY SERPENTINE DISPLAY CABINET the pierced brass gallery above a glazed door enclosing shelves, raised on outswept square tapering legs

587 FG183/11 GEORGIAN STYLE MAHOGANY FRAMED OTTOMAN 20TH CENTURY the buttoned faux leather top above a moulded frieze, raised on turned fluted legs with brass caps and ceramic casters 105cm wide, 40cm high

£800-1,200

44cm wide, 118cm high, 37cm deep

49cm wide, 118cm high, 44cm deep

588 FG187/2 OAK AND PINE CHEST 17TH CENTURY STYLE the moulded rectangular top above three long drawers, raised on square legs, united by stretchers

£800-1,200

99cm wide, 86cm high, 58cm deep

£300-400

£200-300

62

589 FG186/1 FRENCH STYLE MARBLE TOPPED AND BRASS MOUNTED OCCASIONAL TABLE 20TH CENTURY the rounded rectangular brass galleried top above a frieze drawer, raised on moulded brass legs, 66cm wide, 50cm high, 42cm deep; together with a CARVED GILTWOOD GIRANDOLE, of shield shape, with scrolling acanthus leaves and rococo style decoration, above the later twin sconces, with a paper label to reverse ‘Alfred Esdaile, 328’, 77cm high (2) Note: Purchased from ‘The Estate of the late Alfred Esdaile’ sale, Lyon & Turnbull, lot 325, 10th June 2002.

£150-250 590 FF158/1 GEORGE IV MAHOGANY AND EBONY TWO DOOR WARDROBE the moulded cornice above panel doors enclosing fixed shelves and hanging space, raised on a plinth base 173cm wide, 213cm high, 48cm deep

£400-600

163cm wide, 82cm high, 60cm deep

594 FF61/5 GEORGE III MAHOGANY FOLDOVER TEA TABLE the shaped rectangular reeded top above a frieze drawer, raised on square tapering legs and spade feet with brass caps and castors

£250-400

97cm wide, 76cm high, 47cm deep

194cm deep

£200-300

£200-300

592 FE396/31 WALNUT CHEST ON CHEST 20TH CENTURY the oyster veneered moulded rectangular hinged top, opening to reveal a storage space, over three graduated long drawers, raised on bracket feet, incorporating earlier elements

595 FF156/10 LARGE PARCEL GILT OVERMANTLE MIRROR 19TH CENTURY the shaped mirror plate surmounted by a foliate pediment, flanked by fluted columns

94cm wide, 100cm high, 66cm deep

190cm wide, 218cm high

£250-400

£500-800

598 FE396/23 GEORGE II WALNUT PRESS CUPBOARD 18TH CENTURY the plain moulded cornice over a pair of cross banded cupboard doors opening to shelves; the lower part with a long drawer over a pair of cupboard doors, raised on later bun feet

591 FE396/19 VICTORIAN MAHOGANY FRAMED CHAISE LONGUE the arched buttoned back and arm over a cushioned serpentine seat, raised on moulded cabriole legs

597 FE396/81 PAINTED DOUBLE BED 20TH CENTURY the shaped head and foot boards with floral detailing, including irons and heals base and mattress 152cm wide, 160cm high,

110cm wide, 226cm high, 56cm deep

593 FE396/14 OVERPAINTED LOUIS XV STYLE FAUTEUIL the cushioned oval back above outswept arms and a serpentine cushioned seat, raised on moulded cabriole legs 58cm wide, 90cm high, 48cm deep

596 FE451/1 ANGLO-INDIAN CHILD’S TEAK PLANTATION CHAIR 19TH CENTURY of diminutive size in the typical form with extended armrests and caned seat and back, on turned legs

£250-400

51cm wide, 67cm high, 110cm deep

£200-300

600 FF155/1 SET OF EIGHT MAHOGANY DINING CHAIRS BASED ON THE CHIPPENDALE PLATE DIRECTORY 20TH CENTURY the shaped carved top rail above a pierced vertical splat, over a celtic tooled leather drop in pad seat, raised on carved cabriole legs and ball and claw feet 62cm wide, 103cm high, 43cm deep

£1,000-1,500 601 FF409/2 CARVED OAK WALL BRACKET of typical shape, carved to resemble scallop shells, with a scrolling bottom pediment 23.5cm high

£200-300

£300-500 599 FF131/23 VICTORIAN DOUBLE SIDED MAHOGANY AND SCRAP WORK SCREEN CIRCA 1860 the four folds surmounted by open scroll work crestings, with crystal handles

602 FF69/8 MODERN DRIFTWOOD CONVEX MIRROR the circular mirror plate within a pine and drift wood frame decorated with sea shells 85cm wide

£300-400

232cm wide, 182cm high

£400-600

600

595

590

593

585

586

63

603

603 FE396/67 ENAMELLED GLASS JAR AND COVER of ovoid form with a domed cover and knopped finial, decorated with polychrome flowers amongst white and gilt reserves, 19cm high; together with a PAIR OF GLASS PRUNT DECORATED JUGS, each with a square shaped mouth and ribbed handle, 21.5cm high (3) £120-180 604 FE396/72 COLLECTION OF CHINESE EXPORT PORCELAIN WARES 18TH CENTURY comprising of: a polychrome painted dish depicting flowers, 23cm diam.; two blue and white dishes, each decorated with buildings within a landscape, 22.5 and 23cm diam.; and a red and blue tea caddy with a white metal mount and cover, 11cm high (4) £120-180

607

605 FE453/1 NEAR SET OF ETCHED DRINKING GLASSES 18TH CENTURY AND LATER each ogee shaped bowl decorated with a hoho bird amongst blossoming foliage, above the faceted stem and slightly conical foot (3) tallest 15cm high

£400-600 606 LT2013/31 PAIR OF PAINTED POST BOXES inscribed ‘POST OFFICE LETTER BOX VR,’ the detachable cover inscribed ‘ANSWERED’ and ‘UNANSWERED, raised on moulded plinth bases, the painted surface refreshed (2) 37cm high

£1,200-1,800

607 FC186/10 HOPTON WOOD FOSSILISED LIMESTONE CHARGER of octagonal form 40cm wide

£500-800 608 FG4/3 PAIR OF BRONZE FIGURES OF A RECUMBENT STAG AND HIND 19TH CENTURY each with dark brown patina, and raised on a rectangular base, unsigned, 14.5cm wide; together with a WHITE METAL FIGURE OF A STANDING STAG, 12cm wide; and a GILT BRONZE FIGURE OF A CHARGING RAM, SIGNED MENE, on a naturalistic bronze base, 13.5cm wide (4) £250-350

609 FG4/14 BRONZE FIGURAL CANDLESTICK modelled as a swan with pierced decoration and a sconce on its back, dark brown patina, unsigned, 21cm wide; together with a BRONZE FIGURE OF A WINGED LION, modelled with a book, dark patina, raised on a square marble base, unsigned, 8.5cm high; and a BRONZE CAR MASCOT FIGURE OF AN EAGLE, golden patina, raised on a marble scocle foot, signed ‘Desmo’, 13cm high (3) £150-250 610 FG183/13 CHROME PLATED ANGLE POISE LAMP MODERN the square shaped shade on fixed on an angle poise column and raised on an ogee square base 55cm high (at tallest)

£100-200

608

64

611

605

606

616

611 FE354/15 ARTS & CRAFTS LARGE COPPER SERVING TRAY, CIRCA 1900 rectangular with rounded angles, the canted gallery with faux rivet decoration, the tray set to the angles with four green glazed heart cabochons

615

71cm wide

613 FE396/75 SPELTER FIGURE, AFTER AUGUSTE MOREAU ‘LA PRAIRIE’ modelled as a semi-clad child carrying an urn and a handful of flowers, signed and stamped, with a plaque inscribed ‘La Prairie, Par Aug. Moreau’, raised on a marble base

£350-400

56.5cm high overall

£120-180 612 FE354/30 ART DECO CHROMED ‘YACHT’ TABLE LAMP, 1930S the lamp manufactured in the form of a yacht, having chrome deck and sails with pennant, the mast a candle-shaped opaque white bulb, 51cm high; also a TABLE LIGHTER, in the form of a footballer, 13cm across (2) £200-300

610

616 FE466/1 JAEGER LE COULTRE ‘ATMOS’ CLOCK, WITH ORIGINAL BOX 20TH CENTURY the brass and glazed case of rectangular form, with a white enamelled dial displaying Arabic numerals, with an open movement and maker’s marks, in the original box with ‘Repair Notes’ and two Le Coutre ‘Order Cards’ 22cm high

614 FF420/1 GOUDA, ZUID-HOLLAND LARGE EARTHENWARE VASE, EARLY 20TH CENTURY of shouldered tapering form, decorated in bright colours with flowering foliage, painted maker’s marks 42cm high

£150-250 615 FF157/3 COLLECTION OF GLASS ROLLING PINS comprising of: various sized and coloured examples, including milk, blue and purple glass, some decorated with enamels and ribbons (22)

£400-600 617 FE480/3 INDIAN GILT BRONZE NEST OF WEIGHTS with seven cups, the master cup with incised decoration and marks to the cover interior, 11cm high; together with TWO BRASS MORTARS AND PESTLES, each flared mortar with ribbed bands, one with twin handles, 9cm and 8cm high, pestles, 17cm and 18cm long (5) £120-180

618 FF161/99 NAPOLEONIC PRISONER OF WAR BONE DOMINO SET EARLY 19TH CENTURY the carved sliding cover painted with a gentleman and a lady, opening to reveal carved dominoes 16cm long

£120-180 619 FG149/5 OVERPAINTED PLASTER BUST modelled in the neoclassical style as a young man, possibly Julius Caesar, with two paper labels to the reverse ‘Christie’s 70’ 44.5cm high approx.

£150-250

largest 43cm long

£150-250 65

637

622

620 FE396/70 SMALL BRONZE BUST modelled as a man in classical dress, mounted on a cylindrical marble base, 25cm high; together with two SMALL BRONZE FIGURES, one modelled with a discus, the other pulling thorns from his feet, tallest 13.5cm; and a HARDSTONE FIGURE OF A HOG, the green carved fogure on a rectangular base, 17cm wide (4) £200-300 621 FE442/1 DAVID KLEIN (1918-2005) FOR TWA ‘CHICAGO’ TRAVEL POSTER, 1960s 102cm x 62cm; together with a ‘BOSTON’ TRAVEL POSTER, 102cm x 62cm; and a ‘HONG KONG’ TRAVEL POSTER, 102cm x 62cm (3) £300-500

623

622 FF184/1 ANGLO-INDIAN IVORY AND SANDALWOOD WORK BOX of rectangular form, depicting a geometric design, the stepped lid opening to reveal a fitted interior with a mirror and various covered compartments

624 FG133/5 ARTS & CRAFTS BRASS AND COPPER HALL LANTERN CIRCA 1900 the overhanging hood above tapering glazed sides with protective grilles

9cm high, 25cm wide, 17cm deep

£200-300

35.5cm high

£150-250 623 FG133/2 GOOD COLLECTION OF MINERAL, GLASS AND METAL EGGS comprising of various decorative examples, including polished specimen mineral eggs; enamelled glass examples; mother-of-pearl inlaid pieces; painted examples; and various metal eggs (85) £150-250

625 FE499/53 ‘KEYSTONE’ TOBY WINTERINGHAM MIRROR 20TH CENTURY of circular form, veneered with four ebonised keystone reserves between birch panels, with plaque to reverse inscribed ‘Toby Winteringham, 426’ 87cm diam.

628 FG2/3 ART DECO PATINATED SPELTER TABLE LAMP, CIRCA 1930 cast as a girl leaning on a table, with reeded column support and green glass shade, the whole raised on stepped alabaster base 40cm high

£200-300

£200-300 626 FE480/4 VICTORIAN OAK TANTALUS of typical form, with white metal mounts, the three cut crystal decanters behind a double hinged compartment and a secret drawer 31cm high, 35cm wide

£150-250 66

627 FG133/1 COLLECTION OF SHELLS comprising of a variety of species, shapes and sizes, including cone shells, cowrie shells, and an abalone shell (qty) £150-250

629 FG191/1 LATE VICTORIAN HEXAGONAL GLASS LANTERN the glazed panels with coloured glass borders, within a metal frame surmounted by an open scrolling fixture for hanging 69cm high

£300-500

627

635

630 FF107/1 OAK CASED BAROGRAPH, BY NEGRETTI AND ZAMBRA, LONDON of typical form, with a bevel glazed lift-off case, brass mechanism, maker’s label and a chart drawer

633* FF139/17 AMERICAN ARTS & CRAFTS PAIR OF CHENILLE HANGINGS, CIRCA 1910 each with buff ground and bands of decoration depicting fruiting trees, fringed to the edges (2)

overall 21cm high, 36cm wide,

each 248cm x 154cm

22cm deep

£150-250

£200-300 631 FF161/114 NEEDLEWORK SAMPLER, BY MARTHA A. GREEN, JUNE 1864 of square form, depicting a church between an alaphabet and verse inscription, in a glazed frame 42.5 x 43cm (excluding frame)

£150-250

634 FE462/2 BRASS QUARTER REPEATER CARRIAGE CLOCK, BY BRYSONS, PARIS of typical form with glazed panels, the white enamelled dial with Roman numerals and inscribed ‘Brysons, Paris’, the quarter repeater movement striking on a bell 13cm high

632 FF194/2 VICTORIAN WOODEN EASEL the top carved with scrolling foliage, above the open frame 168cm high

£120-180

£200-300 635 FG186/6 ELGIN HORSE HEAD ‘SELENE’ a plaster cast of the 5th century BC work by Phidias 87cm wide, 62cm high, 28cm deep

£400-600

629

621

636 FB57/5 STAINED WOOD AND BRASS BOUND COAL BUCKET of tapering form, with three brass bands (A/F)

639 FC143/33 FIRST DAY COVERS LATE 20TH CENTURY a large collection, mainly still in original delivery envelopes and loose (qty) £100-200

38cm high

£300-500 637 FG247/1 SHELLEY ‘VOGUE’ PART TEA SERVICE ‘CHEVRONS’ PATTERN, No. 11775 each piece decorated with triangular motifs and monocrome borders, with a yellow rim, with printed maker’s marks, painted serial no. 11775, comprising of: six cups; ten saucers; ten side plates; a sugar bowl; a milk jug; and a cake plate (29) £1,000-1,500

640 FC143/34 FIRST DAY COVERS 1930 ONWARDS in cased albums briefly to include; 1937 coronation Malta, accumulation of Royal FDCs, military, naval history, politics, Mountbatten series, Margaret Thatcher ten years as PM, with cabinet autographs, 50 years Royal flight, Piece of Berlin Wall, etc. (qty) £150-250 END OF SALE

638 FC143/32 FIRST DAY COVERS LATE 20TH CENTURY a large collection still in original delivery envelopes and loose (qty) £100-200

628

67

Board of Directors

Specialist Departments

Administration

Chairman Sir Angus Grossart

Pictures, Watercolours & Prints Nick Curnow Charlotte Riordan Emily Johnston (London)

Rugs & Carpets Gavin Strang

Operations Manager Alex Dove

Decorative Arts & Design John Mackie

Finance Manager Mhairi McFadden

Vice Chairman Paul Roberts Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Gavin Strang Associate Directors Lee Young Mhairi McFadden

Furniture, Clocks & Works of Art Douglas Girton Lee Young Lydia Stoker Asian Works of Art Lee Young Lydia Stoker Jewellery, Silver, Coins & Medals Trevor Kyle Colin Fraser Ruth Davis

Accounts Flo Marshall Eileen Welsh

European & Asian Ceramics Douglas Girton Campbell Armour

Administration Edinburgh Kim Aitchison Eleanor Welsh

Rare Books, Maps & Manuscripts Simon Vickers Cathy Marsden

Glasgow Linda Robinson James McNaught Saleroom Staff Sydney Drew David Robertson Scott Mitchell David Fiddes Valerie Kyle

Arms & Armour John Batty (consultant) Interiors Theo Burrell Charlotte Riordan David Fiddes

Press & Public Relations Philip Gregory Marketing Matt McKenzie

London and Southern England Rachel Doerr Mobile: +44 (0)7876 653602 rachel.doerr@lyonandturnbull.com

Catriona Macpherson Tel: +44 (0)20 7930 9115 catriona.macpherson@lyonandturnbull.com

Ian Peter MacDonald Tel: +44 (0)20 7930 9115 ianpeter.macdonald@lyonandturnbull.com

Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com

Lee Young Mobile: +44 (0)7825 426555 lee.young@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Photographer Andrew McGregor

Business Development Lady Middleton John Sibbald John Thomson Tessa Thomson Lindsey Michie

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

www.l y o n an dturnbull .co m 68

Index to Artists Alexander, R., 409 Armfield, School of, 85 Armour, M., 55, 437, 438 Becker, H., 61 Bell, S.H., 98 Bellany, J., 73, 74 Benson, F.W., 209 Bird, M.H., 417 Blake, W., 210 Brabazon, H.B., 224 British School, 97, 177, 405, 434, 496 Buchanan, G.F., 410 Cameron, D., 80 Conroy, S., 77 Cook, B., 475 Coventry, R.M., 419, 439, 440, 448 Crawford, R.C., 422 Crawhall, J., follower of, 420 Crome, W.H., 90 Daines, S.V., 430 Daubigny, C.F., 208 de Paredes, V.G., 72 de Sequeria, D.A., manner of, 442 de Wint, P., 232 Dieckmann, G.H., 455 Docherty, J., 421 Drummond, J., 87 Dutch School, 453

Eadie, R., 69 Edmunston, S., 99

Kerr, H.W., 220 Knox, J., follower of, 79

Farquharson, J., 411 Fenwick, T., 235 Fergusson, J.D., 76 Fraser, A. Snr., 428 Frazer, W.M., 425 French School, 483

Lamotte, B., 86 Landseer, Sir E., after, 120 Lawrence, B.S., 468 Lepere, A., 216 Loudon, L., 408 Low, B., 51, 52

Gaudet, R., 243, 244 Gibb, R., 229

Macbeth, D., 237 Macdonald, H., 101 Mackie, J., 162, 164, 206, 252255 Macleay, M., 415 Mactaggart, Sir W., 245 McCall, C.J., 75 McGhie, J., 91 McGregor, R., 78 McKelvey, F. Jnr., 443 Mitchell, G., 68

Haden, S., 211 Haig, E., 63, 64, 65 Hanna, N., 56 Hansen, H., 239, 240 Hardie, G., 476 Harrigan, J., 60 Hawkins, J., 249, 250 Hay, T.M., 95, 228 Herald, J.W., 96 Herdmann, R.D., 219 Hogan, J., 435, 436 Hood, E.B., 406, 418 Hope, R., 238 Houston, G., 412 Houston, G., 83 Howson, P.53, 54 Hunt, A.M., 431, 432 Hutchison, R.G., 89, 424 Italian School, 454 Katz, E.M., 59

Nasmyth, P., manner of, 426A Noble, R., 423 Northcote, J.(T.J.), after, 234 Oppenheimer, C., 429 Organ, B., 477 Palmer, S., 212 Park, J.S., 441 Parton, E., 407 Partridge, J., 490 Paterson, J., 218 Patrick, J.M., 66

Philipson, Sir R., 62, 251 Piper, E., 426 Pope, P., 248 Reid, G.O., 81 Reid, S., 413 Remfrey, D., 465, 466, 467 Rennie, G.M., 92 Richmond, G., 414 Rowbotham, C., 226 Schantz, G.M., 484 Scottish School, 82, 100, 236 Simpson, C., 57, 58 Simpson, R., 433 Smith, G., 94 Snell, J.H., 230 Somerville, J., 246, 247 Taylor, E.A., 93 Terris, J., 445 van Dyck, after, 241, 487 van Hoey, J.I., 427 Veutier, G., 84 Vigon, L.J., 231 Watson, R., 416 Weaver, H.P., 227 West, D., 221, 222, 256, 257 Whistler, J.M., 214, 444 Wittenberg, J.H.W., 223 Wright, J., 225 Wylie, K., 242, 446, 447

Glossary of cataloguing terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves.

Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to...

In our opinion probably a work by the artist in whole or in part.

Studio of .../Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date After ...

In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

69

How to find Lyon & Turnbull S

Waverley Station

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Lyon & Turnbull saleroom

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St Andrew Square (bus station)

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Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom

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Collecting your purchases How to arrange collection and transport, plus everything else you might want to arrrange to make your new possessions fit your home perfectly.

Transport & Couriers Although we cannot pack or ship items, the following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Local Deliveries

Furniture and Larger Items

A&S Pert Removals

Constantine

Telephone 07876 343520

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk

Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com

A Van Man Transport Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk

Further Afield For Smaller Items and Paintings

Pictures

Mailboxes Etc.

Fine Art Carriers Gallery Support Group

Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Storage of sold lots

Restoration

All bought items will be held free of charge at Lyon & Turnbull until the Friday following the sale.

To get your purchases home in perfect condition you may wish to employ the services of a restorer.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Restoration may not be as expensive as you think and Lyon & Turnbull are able to recommend restorers of Pictures, Frames, Ceramics, Furniture and Metalwork; Upholsterers and Framers.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT 70

Please call Theo Burrell for details on 0131 557 8844

Standard Terms & Conditions of Sale Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn.

6. PAYMENT

9. THIRD PARTY LIABILITY

(1) Immediately a lot is sold you will:

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

(a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

8. REMEDIES FOR NONPAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale;

3. INCREMENTS

(f) to retain that or any other lot sold to you until you pay the total amount due;

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†).

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or

estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. Scottish law applies to the interpretation of these Conditions.

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