Scottish Contemporary & Post War Art | 20/08/2013

Scottish Contemporary and Post-War Art Wednesday, 20th August, 2013 33 Broughton Place Edinburgh EH1 3RR

Contemporary Scottish and Post-War Art Tuesday, 20th August, 2013 at 11am Sale Number LT390

Viewing Thursday, 15th August 10am - 5pm Friday, 16th August 10am - 5pm Saturday 17th August 12 noon - 4pm Sunday, 18th August 12 noon - 4pm Monday, 19th August 10am - 5pm Morning of sale strictly by appointment only

Specialists Nick Curnow nick.curnow@lyonandturnbull.com Emily Johnston emily.johnston@lyonandturnbull.com Charlotte Riordan charlotte.riordan@lyonandturnbull.com

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ retail rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you.

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

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The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price.

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Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It

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will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

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More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations.

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on or before the day of sale. We will need proof of identification and residence, and may require a bank reference. Potential buyers must collect a bidding number before the sale begins, and show that number if successful in purchasing a lot.

Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately.

If you have not been successful please leave the number at the Registration or Reception desks.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. They must be received at the very latest at least an hour before the sale. We will do our utmost to execute these bids but we offer this service entirely at the bidder’s risk.

Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities.

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Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

1§ FG364/1 JAMES CUMMING R.S.A., R.S.W. (1922-1991) ATLANTIC FISHERFOLK Signed, gouache 38cm x 33cm (15in x 13in)

£300-500

2§ FG364/3 JACK FIRTH R.S.W. (SCOTTISH 1917-2010) PLAQUE FOR MERLIN Signed, gouache 33cm x 33cm (13in x 13in)

£300-500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

3§ FG244/5 GEORGE DEVLIN R.S.W., R.G.I. (SCOTTISH b. 1937) NEAR GIANNI’S, ZATTERE, VENICE Signed, pastel 21.5cm x 28cm (8.5in x 11in)

£300-500

4§ FF173/1 LESLIE MAIN (SCOTTISH b. 1959) PALM TREES Signed and dated 1986, mixed media on board 19cm x 29cm (7.5in x 11.5in)

£250-400

5§ FG240/1 HUGH MCINTYRE D.A. (SCOTTISH b. 1943) ON THE SOLWAY Signed and dated ‘91, oil on canvas 66cm x 76cm (26in x 30in)

£500-700

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

6§ FG414/6 JOAN GILLESPIE (SCOTTISH 20TH CENTURY THE MOUND Signed, oil on board 31cm x 39cm (12in x 15.5in)

£400-600)

7§ FG414/5 JOAN GILLESPIE (SCOTTISH 20TH CENTURY) SUNSET, LEITH DOCKS Signed, oil on canvas 51cm x 61cm (20in x 24in)

£600-800

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

8§ FG252/1 JOHN LOWRIE MORRISON (SCOTTISH CONTEMPORARY) WET AND WINDY DAY, ARCHIE’S HOUSE Signed and dated ‘81, inscribed with title verso, oil on canvas 81cm x 101.5cm (32in x 40in)

£400-600

9§ FF194/1 PERPETUA POPE (SCOTTISH 1916-2013) ROSA “WHITE WINGS” AT KIFSGATE COURT GARDENS, GLOUCESTERSHIRE Signed, inscribed label verso, oil on canvas 61cm x 76cm (24in x 30in) Provenance: Purchased from the artist in 1978

£500-700

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

10§ FG325/7 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) STILL LIFE WITH BLUE AND WHITE VASE Signed, oil on canvas 91cm x 76cm (36in x 30in)

£1,000-1,500

11§ FG354/1 RICHARD JACQUES (20TH CENTURY SCOTTISH CONTEMPORARY) NEW TOWN INTERIOR, NIGHT Signed, mixed media on paper laid on board 122cm x 93cm (48in x 38.5in)

£500-700

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

12§ FG93/6 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) MOON AT LOW TIDE Signed and dated 2002, signed, inscribed and dated verso, oil on canvas 41cm x 41cm (16in x 16in)

£800-1,200

13§ FG356/1 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) HAYSTACK BY THE SHORE, ISLE OF MULL Signed and dated ‘99, signed, inscribed and dated verso, oil on canvas 61cm x 61cm (24in x 24in)

£1,500-2,500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

14ยง FG93/7 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) WEEKEND TUB, ISLE OF BENBECULA Signed and dated 2003, signed, inscribed and dated verso, oil on canvas 61cm x 61cm (24in x 24in)

ยฃ1,500-2,500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

15§ FE348/68 ROBERT HENDERSON BLYTH R.S.A., R.S.W. (SCOTTISH 1919-1970) TREES AND FARM BUILDING Pen and wash 25.5cm x 34.5cm (10in x 13.5in)

£300-500

16§ FE348/54 PHILIP REEVES R.S.A., P.R.S.W. (SCOTTISH b. 1931) SHORE AND WAVES Signed and inscribed with title, artist’s proof 47cm x 73cm (18.5in x 28.75in)

£200-300

17§ FE348/63 WILLIAM LITTLEJOHN R.S.A., R.S.W. (SCOTTISH b. 1929) ROPE AND DRAGONFLY Signed with initials and dated ‘95, mixed media on handmade paper 20cm x 27cm (8in x 10.5in)

£250-350

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

18§ FG48/2 GEORGES ROUAULT (FRENCH 1871-1958) FILLE NUE Etching and aquatint 27cm x 17cm (10.5in x 6.75in)

£600-800

19§ FG48/1 GEORGES ROUAULT (FRENCH 1871-1958) DEUX MATRONES Etching and aquatint 28cm x 19cm (11in x 7.5in)

£600-800

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

20§ FG359/2 GEORGE WYLLIE M.B.E., R.S.A., R.G.I. (SCOTTISH 1921-2012) ALCHEMY Signed with initials, inscribed and dated ‘82, mixed media on paper 40cm x 28cm (15.75in x 11in)

£300-500

21§ FG48/3 GEORGES ROUAULT (FRENCH 1871-1958) CRISTAL DE ROCHE Etching and aquatint 31cm x 20cm (12.25in x 8in)

£600-800

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

22§ FG377/2 BET LOW R.S.A., R.S.W., R.G.I. (SCOTTISH 1924-2007) BEACH, ORKNEY Signed, watercolour and gouache 28cm x 41cm (11in x 16in)

£500-700

23§ FB791/38 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) MONOCHROME FIGURES IV Signed, watercolour 58cm x 82cm (22.75in x 35.25in)

£400-600

24§ FG377/1 JOHN O'CONNOR R.W.S. (BRITISH 1914-2002) THE ROWAN TREE Inscribed verso, oil on canvas 61cm x 76cm (24in x 30in)

£500-700

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

25§ FF151/24 JEANETTE LASSEN (SCOTTISH d. 2008) TABLESCAPE Signed, signed, inscribed and dated 1988/9 verso, oil on canvas 93cm x 61cm (36.5in x 24in)

£400-600

26§ FF151/23 GRAHAM MCKEAN (SCOTTISH b. 1962) LEANING TOWARDS LIBERTY Signed, oil on canvas 61cm x 51cm (24in x 20in)

£300-500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

27ยง FB791/22 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) STILL LIFE WITH YUCCA PLANT Signed, oil on canvas, unframed 91cm x 122cm (36in x 48in)

ยฃ2,000-3,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

EVE ARNOLD Despite a career that spanned a myriad of subjects - asylums in Haiti, the Ku Klux Klan, Malcolm X’s Black Power rallies and Indira Ghandi’s political tours to name but a few - it is generally for the candid portraits of the rich and famous, particularly Marilyn Monroe, that Eve Arnold is best known.

Arnold was born in Philadelphia in 1912 to Russian-Jewish immigrant parents, later honing her photographic practise in 1940s Manhattan under Harper’s Bazaar art director Alexey Brodovitch. 1951 saw Arnold become one of the first female members

28§ FE363/3A EVE ARNOLD (AMERICAN 1913-2012) MARILYN MONROE Signed label verso and numbered 70/99, silver gelatin print 41cm x 51cm (16in x 20in)

£1,000-1,500

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of Magnum Photos Photographic Agency, whose founders included Henri Cartier-Bresson and Robert Capa.

As her back-catalogue attests, something in Arnold’s manner enabled her access to a huge variety of people from different walks of life and clearly earned her the implicit trust of her sitters.

The result of this subtlety was a body of work which seemed to capture the sitter with their guard down, at ease and unjudged. This is perhaps most evident in her images of Marilyn Monroe, accounting for their success above all other areas of her work.

The two met in 1951 as young

women, both starting out in their careers. As Arnold commented, “She was a starlet, I a neophyte photographer. Neither of us knew very much about her chosen métier, but this formed a bond between us.”

The photographic relationship would endure for another decade, with Arnold famously shooting Monroe during her last completed film The Misfits in 1961, just a year before her death. Their obvious rapport allowed Arnold to create an atmosphere of security and intimacy around their shoots, in turn enabling Monroe to show previously unseen aspects of her character.

Arnold was fascinated by her

mercurial ability in front of the camera, “each time I photographed her she was different – not only a variation from session to session, but a variation from frame to frame. She would look different in mood and attitude”.

The works shown here for sale are from Arnold’s 2005 show at the Halcyon Gallery in London which featured limited editions of never before seen film of Monroe.

The largest work captures a typically effervescent Marilyn with Misfits director John Huston at a gaming table in Reno in 1961.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

29 FE363/1 EVE ARNOLD (AMERICAN 1913-2012) MARILYN MONROE AND JOHN HUSTON - LUCKY TOSS 47/49, signed label verso, silver gelatin print 155cm x 104cm (61in x 41in) Exhibited: The Halcyon Gallery, London, 1995

ÂŁ5,000-8,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

30 FE363/3 EVE ARNOLD (AMERICAN 1913-2012) MARILYN MONROE UPON ARRIVAL AT THE CHAMPAIGN AIRPORT, ILLINOIS, 1955 Signed label verso and numbered 70/99, silver gelatin print 51cm x 41cm (20in x 16in)

£1,000-1,500

31 FG339/2 MILTON H. GREENE (AMERICAN 1922-1985) PORTRAIT OF MARILYN MONROE Signed and inscribed verso ‘To Peter, Merry Christmas and a happy happy New Year, Love Johanna and Milton. Look forward to seeing you soon,’ black and white photograph 35.5cm x 28cm (14in x 11in)

£500-700

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

32 FG64/1 ANDRE KERTESZ (AMERICAN/HUNGARIAN 1894-1985) THE SATIRIC DANCER Signed, inscribed ‘Paris’ and dated 1926 in pencil verso, gelatin silver print 25cm x 20cm (9.75in x 8in)

£3,000-5,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

33 FG64/3 WILLIAM KLEIN (AMERICAN b. 1928) STATEN ISLAND FERRY, 1955 Signed and dated 1977 in pencil verso, gelatin silver print 30.5cm x 40cm (12in x 15.75in)

ÂŁ1,500-2,500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

34 FG64/6 WILLIAM KLEIN (AMERICAN b. 1928) HORN AND HARDART, C.1955 Signed and dated 1977 in pencil verso, 30cm x 41cm (11.75in x 16in)

ÂŁ1,500-2,500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

35§ FG64/2 TONY RAY-JONES (BRITISH 1941-1972) BALLROOM, MORE Stamped, inscribed VII and numbered 4/125 in pencil to mount, silver print 20.5cm x 13cm (8in x 5.25in)

£700-900

36§ FG341/7 CALUM COLVIN O.B.E., R.S.A. (SCOTTISH b. 1961) TURKISH BATH Cibachrome print 1988, edition of 4 52cm x 41cm (21in x 16in)

£800-1,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

37§ FE348/50 WILLIAM BAILLIE P.R.S.A., P.R.S.W. (SCOTTISH 1923-2011) PINK PARALLELS Signed, mixed media on paper 95cm x 66cm (37.5in x 26in)

£300-500

38§ FG202/3 ETHEL WALKER (SCOTTISH b. 1941) PORT A’ MHUILINN, EASDALE Signed, oil on board 74cm x 91cm (24in x 36in)

£2,000-3,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

39ยง FG212/3 PETER MCLAREN (SCOTTISH CONTEMPORARY) CAR COUPLE Oil on board 123cm x 108cm (48.5in x 42.5in)

ยฃ4,000-6,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

40ยง FG212/2 PETER MCLAREN (SCOTTISH b. 1964) POPPIES AND TULIPS II Signed, inscribed and dated 2008, oil on board 81cm x 67cm (32in x 26.5in)

ยฃ3,000-5,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

41§ FE50/199 PAT DOUTHWAITE (SCOTTISH 1939-2002) STORK, ROMANIA Signed, inscribed and dated ‘89, charcoal 75cm x 54.5cm (29.5in x 21.5in)

£300-500

42§ FE50/197 PAT DOUTHWAITE (SCOTTISH 1939-2004) LIZ Inscribed, coloured chalk 84cm x 59.5cm (33in x 23.5in)

£300-500

43§ FE50/198 PAT DOUTHWAITE (SCOTTISH 1939-2004) BIRD ATTACK Signed, inscribed and dated 89, mixed media 91cm x 66cm (36in x 26in)

£400-600

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

44ยง FF151/15 ERIC SCHILSKY R.A., R.S.A. (BRITISH 1898-1974) PORTRAIT BUST OF A NAKED WOMAN WITH CROSSED HANDS Bronze 56cm (26in) high

ยฃ1,000-2,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

45§ FG362/6 DONALD MANSON (SCOTTISH CONTEMPORARY) STILL LIFE WITH MIDNIGHT SNOW Signed, gouache 20cm x 14cm (8in x 5.5in)

£200-300

46§ FG223/1 PERPETUA POPE (SCOTTISH 1916-2013) JIM’S BUNCH Signed, oil on canvas 56cm x 41cm (22in x 16in)

£400-600

47§ FG362/5 DONALD MANSON (SCOTTISH CONTEMPORARY) LILY BY THE RIVER Signed, gouache 20cm x 14cm (8in x 5.5in)

£200-300

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

48§ FG414/4 FRANCIS FARMAR (BRITISH 20TH CENTURY) MOUSEHOLE 2 Signed and dated 2001, signed, inscribed and dated verso, oil on canvas 76cm x 76cm (30in x 30in)

£500-700

49§ FF467/1 JOCK MACINNES R.G.I. (SCOTTISH b. 1943) QUAYSIDE Signed with a monogram, oil on gessoboard 81cm x 91cm (32in x 36in)

£800-1,200

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

50§ FG93/4 LESLIE MAIN (SCOTTISH 20TH CENTURY) A CORNER OF EDISON’S BALCONY, FLORIDA Signed and dated 1988, mixed media 66cm x 71cm (26in x 28in) Provenance: Portland Gallery, London , May 1989

£400-600

51§ FG93/2 LESLIE MAIN (SCOTTISH 20TH CENTURY) ISLE OF MYKONOS AT NIGHT Signed, oil on board 20.5cm x 25.5cm (8in x 10in) Provenance: Portland Gallery, London, May 1989

£250-350

52§ FG361/2 DANNY FERGUSON (SCOTTISH 1925-2004) FUTURE FOSSIL Signed, oil on board 60cm x 60cm (23.5in x 23.5in)

£600-800

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

53§ FF474/2 DOUGLAS THOMSON (SCOTTISH b. 1955) SHE Signed, oil on canvas laid down 41cm x 31cm (16in x 12in)

£300-500

54§ FF474/1 DOUGLAS THOMSON (SCOTTISH b. 1955) THE NOVELIST Signed, inscribed verso, oil on canvas 101cm x 76cm (40in x 30in)

£500-700

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

55§ FG14/17 BARRY CASTLE (IRISH 1835-2006) BANG, BANG YOU’RE DEAD Signed with initials and dated ‘80, oil on board 60cm x 80cm (23.5in x 31.5in) Provenance: Lorbottle Hall, Whittingham, Northumberland

£1,500-2,000

56§ FG14/63 BARRY CASTLE (IRISH 1835-2006) THREE WOMEN REMEMBERING AN EXTINCT GENDER Signed with initials and dated ‘86, oil on board 71cm x 91cm (28in x 36in) Provenance: Lorbottle Hall, Whittingham, Northumberland

£1,500-2,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

WILLIAM DRUMMOND BONE William Drummond Bone, nephew of the celebrated war artist and etcher Muirhead Bone, is best known for his long association with the Glasgow School of Art. He attended as a student between the years 1927-32, his talents and industrious attitude receiving recognition in the form of a travelling scholarship to Italy and his appointment to the position of lecturer in 1934. Retiring in 1972, Bone’s lengthy career at the school was extremely highly regarded.

The works in this sale originated from the sale of

Bone’s studio by the Edinburgh branch of Phillips Auctioneers in 1992 after the artist’s death. Several former pupils contributed to the catalogue’s foreword and dedication, evidencing the respect maintained among those he taught. John Byrne remarked upon Bone’s humility regarding his own talent, and distilled the essence of his teaching principles by recollection of his wise words: “If you can draw, you can do anything”.

Dugald Cameron, a former pupil of Bone’s and Director of the Glasgow School of Art

at the time of his death, echoed similar sentiments about the diligent work ethic Bone was able to quietly nurture in his pupils.

Though more often than not side-lined by the impact he made as a teacher, Bone’s artwork is distinctive and very of its period. He is best known for his wartime watercolours and large scale, mural-esque works like ‘In Arcadia’, which owe much to his travels to Germany and Belgium. Here, Classical overtones mingle with Hieronymus Bosch-like elements, the resulting scene

slightly uncanny and gently symbolist; a surreal idyll made up of stand-alone vignettes.

Bone has an unjustifiably quiet reputation and his work seldom appears on the market. For those interested in the history of Scotland’s art institutions, however, his is certainly a name to know.

57§ FG437/13 WILLIAM DRUMMOND BONE R.S.W., A.R.S.A. (SCOTTISH 1907-1979) THE CHEESE MARKET AT ALKMAAR Signed, oil on board 87cm x 113cm (34.25in x 44.5in)

£3,000-5,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

58ยง FG437/14 WILLIAM DRUMMOND BONE R.S.W., A.R.S.A (SCOTTISH 1907-1979) IN ARCADIA Signed, oil on board 101cm x 127cm (40in x 48in)

ยฃ2,000-3,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

59§ FF151/56 JACK MORROCCO (SCOTTISH b. 1953) PIAZZA SAN MARCO, VENICE Signed, acrylic on board 20cm x 20cm (8in x 8in)

and a companion ‘Venetian canal scene’ (2) £500-800

59A§ FF151/40 JACK MORROCCO (SCOTTISH b. 1953) THE MODEL’S BREAK Signed, oil on canvas 41cm x 41cm (16in x 16in)

£300-500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

60§ FG364/2 GEOFFREY ROPER (SCOTTISH b. 1942) MURDER IN THE CATHEDRAL Oil on canvas 38cm x 28cm (15in x 11in)

£300-500

61§ FG437/15 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH b. 1928) FISH WOMAN Signed and dated ‘64, oil on board 31cm x 38cm (12in x 15in)

£500-800

62§ FG437/18 GEOFFREY ROPER (SCOTTISH b. 1942) FURNACE Oil on board 15cm x 13cm (6in x 5in)

£200-300

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

63ยง FG414/2 JAMES FULLARTON (SCOTTISH b. 1946) STILL LIFE Signed, oil on canvas 76cm x 91cm (30in x 36in)

ยฃ2,000-3,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

64§ FB791/8 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) MINERVA Signed, watercolour 26cm x 35cm (10.25in x 13.75in)

£500-700

65§ FG414/3 NORMAN SAYLE R.I. (BRITISH 20TH CENTURY) CASTLETOWN HARBOUR, ISLE OF MAN Signed and dated 1998, watercolour 56cm x 74cm (22in x 29.25in)

£300-500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

66§ FB791/10 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942) WOMAN WITH PURPLE HAIR Signed, watercolour 35.5cm x 26cm (14in x 10.25in)

£500-700

67§ FG14/60 JOHN BELLANY C.B.E., R.A., R.S.A., L.L.D. (SCOTTISH b. 1942) WOMAN WITH CAT Signed, watercolour, unframed 75cm x 56.5cm (29.5in x 23.5in) Provenance: Open Eye Gallery, Edinburgh Lorbottle Hall, Whittingham, Northumberland

£500-800

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

68§ FG14/55 SEAN SCULLY (IRISH/AMERICAN b. 1945) DIAGONAL SERIES NO.3 Signed, inscribed and dated ‘73, mixed media and masking tape £1,000-2,000

69§ FF173/4 DONALD MORRISON BUYERS R.S.W. (SCOTTISH 1930-2003) LANDSCAPE, PINK AND GREY Signed and dated ‘65, oil on board 61cm x 122cm (24in x 40in)

£300-500

40

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

70ยง FG14/62A EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) BLACKFACE SHEEP Signed, oil on canvas 86.5cm x 112cm (34in x 44in) Provenance: Lorbottle Hall, Whittingham, Northumberland

ยฃ1,000-1,500

41

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

71§ FG244/1 DAVID CARR (BRITISH 1915-1965) COMPOSITION Oil on canvas 51cm x 76cm (20in x 30in)

£600-800

72§ FG244/2 DAVID CARR (BRITISH 1915-1965) COMPOSITION Oil on mixed media 58.5cm x 79cm (23in x 31in)

£500-700

42

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

GERALD LAING Born in Newcastle in 1936, Gerald Laing was schooled at Sandringham and seemed destined for a military life. It was not until the 1950s that he began, with total focus and vigour, to devote himself to his previously suppressed artistic abilities. He enrolled at Central Saint Martin’s College of Art, developing the graphic Pop Art style for which he would be famed throughout the 1960s. Upon graduating in 1964, Laing

moved to New York where he enjoyed a decade as a celebrated and widely exhibited member of the Manhattan art scene.

His move towards sculpture commenced in 1965, continuing apace upon his purchase and renovation of Kinkell Castle in Ross and Cromarty, Scotland. Before long he had mastered the art of bronze casting and developed his own foundry on the estate. Initially sculpting

in an abstract manner, Laing gradually turned against the fashion of the time and moved towards figuration, feeling the abstract aesthetic was illsuited to illustrate humanity in all its complexities. The Galina series of the early to mid 1970s is representative of this transitional period.

In these works, Laing seeks to rationalise his compulsion towards figuration by breaking down and exploring many of the key sculptural styles of the twentieth century. In the Galinas one can detect the futuristic, the abstracted, the mechanistic. The works variously echo Boccioni, Brancusi, pre-WW1 Epstein, and even Picasso. They are also redolent of Laing’s own far-reaching and allencompassing interests. As his friend and collaborator Ian Carr described it, “(Laing)

involves a whole spectrum of experience in his vision: from ancient history to modern machinery; from Old Masters to cars and motorcycles – all are icons in his eyes, emblematic of the mark of mankind.”

Laing took on many high profile public art commissions including several in Edinburgh: the Axis Mundi for Standard Life (1991), the Frieze of the Wise and Foolish Virgins (1979 George Street), and Sherlock Holmes – A Memorial to Sir Arthur Conan Doyle (1991, Picardy Place). In 2004 he established the Gerald Laing Art Foundation to promote the appreciation of public art practice. His work is featured in many collections worldwide, notably the universities of Cornell, Harvard and New York, The National Gallery in London, The Scottish National Gallery of Modern Art, The Tate and the Victoria and Albert Museum, London.

73§ FG437/3 GERALD LAING (BRITISH/ AMERICAN 1936-2011) GALINA V Bronze, signed with a monogram, signed, inscribed and dated 1976, 1/10 53cm (21in) high

£3,000-5,000

43

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

74§ FF173/5 CHRIS BUSHE R.S.W. (SCOTTISH b. 1958) FIRE, LAND, BLACK SEA Oil on board 19cm x 75cm (7.5in x 29.5in)

£300-500 75§ FF173/2 CHRISTOPHER WOOD (SCOTTISH b. 1962) EARLY SNOW Signed, oil on canvas 31cm x 31cm (12in x 12in)

£300-500 76§ FF151/65 JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH b. 1932) MOINE HORIZON Signed and dated 25.viii.98, oil on board 30.5cm x 96.5cm (12in x 38in)

£1,000-1,500

44

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

77§ FF151/18 DENIS PEPLOE R.S.A. (SCOTTISH 1914-1993) STILL LIFE WITH BUDDHA Signed, oil on canvas 61cm x 46cm (24in x 18in)

£1,000-1,500

78§ FE489/2 DOUGLAS THOMSON (BRITISH b. 1955) FIRE WATER Signed, signed and inscribed with title verso, oil on canvas 67cm x 67cm (26.5in x 26.5in)

£500-700

45

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

79§ FF473/1 SHONA BARR (SCOTTISH b. 1965) GLEN LIVET LANDSCAPE Signed, oil on canvas 122cm x 152cm (48in x 60)

£800-1,200

80§ FF473/2 SHONA BARR (SCOTTISH b. 1965) MOORLAND MORNING Signed, oil on canvas 91cm x 91cm (36in x 36in)

£600-800

46

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

81ยง FG371/1 ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (SCOTTISH 1917-1998) LA TREBBIA, EVENING Signed, oil on canvas 28cm x 56cm (11in x 22in) Provenance: The Estate of the artist David McClure

ยฃ5,000-7,000

47

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

82§ FG244/6 PAT DOUTHWAITE (SCOTTISH 1939-2004) KABUKI ACTOR Signed and dated ‘90, charcoal 56cm x 71cm (22in x 28in)

£400-600

83§ FG244/3 PAT DOUTHWAITE (SCOTTISH 1939-2004) STRIPEY LADY Signed and dated ‘69, coloured chalk 57cm x 47cm (22.5in x 18.5in)

£300-500

84§ FG244/4 PAT DOUTHWAITE (SCOTTISH 1939-2004) RED TURBAN Signed, coloured chalk 46cm x 46cm (18in x 18in)

£300-500

48

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

85§ FF450/1 JAMES DOWNIE ROBERTSON R.S.A., R.S.W. (SCOTTISH b. 1931) DUETTE Signed and dated ‘64, watercolour 51cm x 73cm (20in x 29in)

£300-500

86§ FE348/33 BARBARA RAE C.B.E., R.S.A., R.S.W. (SCOTTISH b. 1943) BEACH SCENE Signed, mixed media 28cm x 37cm (11in x 14.5in)

£300-500

49

83 LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

87§ FF151/67 CARLO ROSSI R.S.W., R.G.I. (SCOTTISH 1921-2010) BARGA, TUSCANY Signed and dated ‘97, oil on board 20cm x 28cm (8in x 11in)

£200-300

88§ FG368/1 JAMES HAWKINS (SCOTTISH CONTEMPORARY) SPRING STORMS MOVE IN ACROSS THE SUMMER ISLES, 1995 Signed and inscribed with title verso, mixed media on paper 54cm x 73cm (21.25in x 28.75in)

£600-800

89§ FF173/3 CARLO ROSSI R.S.W., R.G.I. (SCOTTISH 1921-2010) SUNSET BARGA, TUSCANY Signed and dated ‘62, oil on board 56cm x 76cm (22in x 30in) Exhibited: Royal Scottish Academy 1966, no.81

£400-600

50

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

90ยง FG441/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I., S.S.A. (SCOTTISH 1930-2008) STILL LIFE Signed and dated 1965, oil on canvas 112cm x 86cm (44in x 34in)

ยฃ5,000-7,000

51

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

91§ FG93/3 LESLIE MAIN (SCOTTISH 20TH CENTURY) SPRING FLOWERS IN A WHITE VASE Signed and dated 1989, mixed media 102cm x 76cm (40in x 30in) Provenance: Portland Gallery, London , May 1989

£500-800

92 FG359/4 JANE DICKSON (AMERICAN b. 1952) EL NIÑO MOTORCYCLE Artist’s proof, aquatint 69cm x 50cm (27.25in x 19.75in)

and an identical print by the same hand no. 10/100 (2) £500-700

52

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

93ยง FG414/1 JAMES FULLARTON (SCOTTISH b. 1946) MARINA, TROON Signed, oil on canvas 76cm x 91cm (30in x 36in)

ยฃ2,000-3,000

53

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

94§ FG362/4 DONALD MANSON (SCOTTISH CONTEMPORARY) LATE SUMMER LUNCH Signed, oil on canvas 90cm x 90cm (35.5in x 35.5in)

£700-900

95§ FG362/1 DONALD MANSON (SCOTTISH CONTEMPORARY) THE ARCHER Signed, oil on panel 77cm x 76cm (30.25in x 30in)

£500-700

54

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

96§ FG414/8 LEON MORROCCO R.S.A., R.G.I. (SCOTTISH b. 1942) BOATYARD AND FRUITSTALLS Signed and dated ‘97, oil on canvas 71cm x 76cm (28in x 30in)

£4,000-6,000

55

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

97§ FG244/7 SAM SKELTON (SCOTTISH b. 1949) KILLING TIME Signed, acrylic on hessian 61cm x 28cm (24in x 11in)

£400-600

98§ FG359/1 ANTHONY GREEN (BRITISH b. 1939) PARADISE Signed and dated ‘99, numbered 10/100, screenprint 76cm x 56cm (30in x 22in)

£300-500 99§ FG437/16 GEOFFREY ROPER (SCOTTISH b. 1942) AQUADUCT Oil on canvas 91cm x 71cm (36in x 28in)

£400-600

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

100ยง FG437/19 SIR WILLIAM MACTAGGART R.S.A., R.A., R.S.W., R.S.E. (SCOTTISH 1903-1981) STILL LIFE OF TULIPS AND APPLES Signed, oil on canvas 76cm x 91cm (30in x 36in)

ยฃ3,000-5,000

57

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

101§ FF151/45 JACK MORROCCO (SCOTTISH b. 1953) EXOTIC DANCER Signed and dated ‘98, acrylic on board 30.5cm x 30.5cm (12in x 12in)

£300-500

102§ FG93/1 LESLIE MAIN (SCOTTISH 20TH CENTURY) UNDER THE SHADE, KEY WEST Signed, oil on board 23cm x 18cm (9in x 7in) Provenance: Portland Gallery, London, May 1989

£250-350

103§ FG437/17 GEOFFREY ROPER (SCOTTISH b. 1942) EDINBURGH FIREWORKS Oil on board 18cm x 18cm (7in x 7in)

£400-600

58

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

104ยง FG212/5 PETER MCLAREN (SCOTTISH b. 1964) SKIPI GEO, ORKNEY Signed, inscribed and dated 2001 verso, oil on board 167.5cm x 122cm (66in x 48in)

ยฃ4,000-6,000

59

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

105§ FE363/2 HENRI MATISSE (FRENCH 1869-1954) FROM FLORILEGE DES AMOURS DE RONSARD Lithograph printed in sanguine, published by Albert Skira, Paris 1948, an edition of 300 25.5cm x 28cm (10in x 11in)

and another lithograph from the same series (2) £600-900

106§ FG202/1 ETHEL WALKER (SCOTTISH b. 1941) RIVER ADD TOWARDS MULL Signed, oil on board 46cm x 61cm (18in x 24in)

£800-1,200

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

107ยง FG202/2 ETHEL WALKER (SCOTTISH b. 1941) MACHIR BAY, ISLAY Signed, oil on board 76cm x 122cm ( 30in x 40in)

ยฃ1,500-2,500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

WILLIAM JOHNSTONE Arguably, few British abstractionist artists have genuinely succeeded in infiltrating public consciousness. William Johnstone is among the overlooked, though his significance gains recognition yearly. Born in the Borders in 1897, Johnstone, a powerful personality, mixed with other radical thinkers in the Edinburgh College of Art in the 1920s. Alongside the poet Hugh MacDiarmid he embraced the so-called “Scottish Renaissance”, a literary and artistic movement

108§ FG351/2 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) REPRESENTATION BLUE Signed and dated 1963 verso, oil on canvas 63cm x 76cm (25in x 30in)

£4,000-6,000

62

that looked to move away from Scotland’s somewhat stagnant self-view towards a modernism of politics and cultural values. His travels to Paris and America as a young man further entrenched these ideals.

Teaching was to become his major passion, however, and he held the position of Principal at the Camberwell School of Art and Design between 1938 and 1945 and later at the Central School of Arts and Crafts. In this capacity he evolved the ideologies of each art school,

bringing them more in line with principles akin to the Bauhaus. His services to education within the arts earned him an O.B.E. Johnstone’s own artworks are heavily influenced by Abstract Expressionism and see him visibly revel in the qualities of the paint, his handling intentionally naïve and visceral. As a ‘pure’ abstractionist, Johnstone’s work was perhaps difficult for the majority of the public to get to grips with, representing as it does a sophisticated and slightly surreal visual

language. His reputation as a great teacher and his lengthy time spent outwith Scotland also accounts for the slow rise in recognition of his talents and influence. As we become increasingly well versed in the appreciation of art. so too comes a burgeoning understanding and enjoyment of the work of artists like Johnstone.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

109§ FG351/3 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) COMPOSITION - BLUE AND BROWN Signed and dated ‘69 verso, oil on canvas 63cm x 76cm (25in x 30in)

£4,000-6,000

63

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

110§ FG245/1 PAUL NEAGU (BRITISH/ ROMANIAN 1938-2004) BALLOON Signed and inscribed 25.V.1969 Edinburgh, bears studio stamps, coloured pen on millimetre paper laid on card 26cm x 22cm (10.25in x 8.5in) Provenance: The artist’s family

£1,000-1,500

111§ FG245/2 PAUL NEAGU (BRITISH/ ROMANIAN 1938-2004) THE HAND Signed, studio stamped and dated 1969, mixed media on paper laid on card 36cm x 23.5cm (14in x 9.25in) Provenance: The artist’s family

£1,000-1,500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

112§ FG245/4 PAUL NEAGU (BRITISH/ ROMANIAN 1938-2004) SET OF 4 PLANS FOR THE MELVILLE STATUE Signed, studio stamped and inscribed ‘Back view of Lord Melville’s statue, Edinburgh, divided up to Neagu ‘P’s concept on 51 cells. Palpable installments (portions), 1969 Ed., 1971 London.

New concept of metamorphosis’, pen on millimetre paper 23cm x 29cm (9in x 11.5in) Provenance: The artist’s family

£2,000-3,000

65

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

113§ FG58/1 SIR EDUARDO PAOLOZZI (SCOTTISH 1924-2005) SKETCH FOR A CONSTRUCTION Pencil and ink 25cm x 17cm (9.75in x 6.75in)

£300-500

114§ FG245/3 PAUL NEAGU (BRITISH/ ROMANIAN 1938-2004) HUMAN HAND 20 CELLS IMPULSES AND VECTORS Signed, inscribed and dated 1972, oil and mixed media on unstretched canvas 38cm x 21.5cm (15in x 8.5in) Provenance: the artist’s family

£1,500-2,500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

115§ FG359/3 PETER BLAKE (BRITISH b. 1932) UNTITLED Signed in pencil to margin and numbered 10/100, stamped, screenprint 56cm x 66cm (22in x 26in)

£400-600

116§ FG377/4 IAIN MCINTOSH R.S.A (SCOTTISH CONTEMPORARY) OUTWARD BOUND Carved initials, wood carving 28cm (h) x 30cm (l) x 15cm (w) (11in x 12in x 6in) Exhibited: Royal Scottish Academy Festival Exhibition 1999, no.142

£200-300

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

117§ FG362/3 DONALD MANSON (SCOTTISH CONTEMPORARY) GULL, BUOY AND HARBOUR LIGHT Signed, oil on panel 61cm x 71cm (24in x 28in)

£400-600

118§ FG93/5 LESLIE MAIN (SCOTTISH 20TH CENTURY) PINK BLOSSOM IN MADEIRA Signed and dated 1989, mixed media 54cm x 78cm (21in x 31in)

£400-600

119§ FG362/2 DONALD MANSON (SCOTTISH CONTEMPORARY) LILIES BY A WATERFALL WITH DISTANT CLOUDBURST Signed, oil on panel 51cm x 51cm (20in x 20in)

£300-500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

120ยง FG212/1 PETER MCLAREN (SCOTTISH b. 1964) STILL LIFE WITH CLARICE CLIFF BOWL Signed, inscribed and dated verso 2013, oil on board 81cm x 67cm (32in x 26.5in)

ยฃ3,000-5,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

IAN HAMILTON FINLAY As with many of the greatest artists of the 20th century, Hamilton Finlay’s genius is tricky to pinpoint. Poetry is fused with sculpture, landscape with installation, politics with classicism; the resulting artworks enlivened by active viewer interpretation. The highly intellectual and playful nature of Hamilton Finlay’s work has cemented his reputation among critics and collectors, with the unique nature of what he has achieved becoming increasingly appreciated. Ian Hamilton Finlay is still celebrated today, most recently in a retrospective exhibition at the Tate Modern, London earlier this year.

Born in the Bahamas in 1925, Hamilton Finlay was brought

121§ FG341/1 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) PANZER V (PANTHERA SEMI-REDUCTA) Painted wood - a unique work and the first in the series, with Ian Gardner, Roderick Lyle and Robin Harrison 1977/79 22.5cm x 31.5cm x 13cm (9in x 12.25in x 5in) Provenance: Frith Street Gallery, London 1991 together with certificate of authenticity signed by the artist and dated 22nd March 1991 on Graeme Murray headed notepaper.

£5,000-8,000

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up in poverty in Glasgow. The war interrupted much of his education: he was evacuated to Orkney at thirteen which effectively put an end to his schooling and had been at the Glasgow School of Art only a short time before being called up in 1942. Hamilton Finlay was clearly an extremely dedicated self-educator, however, and became a published playwright after the war ended. In 1950 he established the Wild Hawthorn Press, publishing the work of artists from around the world. He is perhaps best known for his poetry garden Little Sparta at his home in the Pentlands.

Here, Hamilton Finlay was able to harness the landscape to enhance and contextualise his poetry. Typically

paradoxical in that it is a mixture of the carefully curated and the organic, it represents the perfect venue to view his work.

Lyon & Turnbull are pleased to offer several examples of Ian Hamilton Finlay’s work in our Scottish Contemporary and Post-War Art sale. Rare to market is ‘Panzer V (Panthera Semi-Reducta)’, created between 1977-79 with

Ian Gardner, Roderick Lyle and Robin Harrison. Though a unique work, it was part of a series of wooden tanks Hamilton Finlay created in collaboration with other artists. Panzer tanks formed a part of what Hamilton Finlay referred to as his ‘neoclassical rearmament project’, alongside other motifs such as aircraft carriers and grenades.

Through repetition and subversion of the imagery in the form of sculpture, printmaking and so on, Hamilton Finlay loads the Panzer tank with symbolism, both overt and allegorical. As with much of his other work, Hamilton Finlay employed wit to confront and relieve the political or occasionally contentious references that sometimes underlie his work.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

122§ FG341/6 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) ARCADIA Lithograph by Ian Hamilton Finlay and George Oliver 1973 29.5cm x 39.5cm (11.5in x 15.5in)

£200-300

123§ FG341/3 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) DIE HEIMAT IS NICHT DAS LAND Silkscreen print, signed and numbered 17/250, 1997 52cm x 80cm (20.5in x 31.5in)

£600-800

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

124ยง FG341/2 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) THE BLUE AND BROWN POEMS Silkscreen prints by Ian Hamilton Finlay and David Bann 1968 38cm x 38cm (15in x 15in)

the complete set of twelve prints (12) ยฃ2,000-3,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

125§ FG341/4 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SOMEONE, SOMEWHERE WANTS A CABLE FROM YOU Silkscreen by Ian Hamilton Finlay and Jim Nicholson 1977 50cm x 71cm (19.5in x 28in)

£600-800

126§ FG341/5 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) CECI N’EST PAS UNE PIPE Lithograph after Magritte with Gary Links 1991 57cm x 75cm (22.5in x 29.5in)

£600-800

73

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

127§ FF455/1 NORMAN EDGAR R.G.I. (SCOTTISH b. 1948) PORTRAIT OF MARGARET THATCHER - GLASGOW’S MILES BETTER CAMPAIGN Signed, oil on canvas 76cm x 91cm (30in x 36in)

£800-1,200

128§ FF151/46 GORDON MITCHELL R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1952) PRIMA DONNA Signed, dated on a label verso 2001, oil on canvas 41cm x 30.5cm (16in x 12in)

£400-600

129§ FG377/3 EARL HAIG O.B.E., A.R.S.A., F.R.S.A. (SCOTTISH 1918-2009) LANDSCAPE, BORDERS Signed, pastel and watercolour 38cm x 56cm (15in x 22in)

£400-600

74

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

130ยง FB791/26 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH b. 1942)

BY THE LOCK GATE Signed, oil on canvas, unframed 91cm x 122cm (36in x 48in)

ยฃ2,000-3,000

75

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

131§ FG415/1 ALEXANDER MILLAR (BRITISH 20TH CENTURY) LET’S GET READY TO RUMBLE Signed, oil on canvas 102cm x 76cm (40in x 30in) Provenance: Artica Galleries, London

£3,000-5,000

76

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

132ยง FG415/2 ALEXANDER MILLAR (BRITISH 20TH CENTURY) JOCK ON THE BACK Signed, oil on canvas 91cm x 71cm (36in x 28in) Provenance: Artica Galleries, London

ยฃ3,000-5,000

77

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

133§ FG341/8 ADRIAN WISZNIEWSKI R.S.A. (SCOTTISH b. 1958) GATEWAY Etching printed in sanguine, signed and numbered 11/50 40cm x 30 (16in x 12in)

and another by the same hand printed in blue (2) £200-300

134§ FF102/4 ELIZABETH BLACKADDER D.B.E., R.A., R.S.A., R.S.W. (SCOTTISH b. 1931) MEADOWLAND Signed, pen and ink 41cm x 51cm (16in x 20in)

£1,500-2,000

78

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

135§ FG241/1 BARBARA BALMER R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1929) JOLLY STILL LIFE Signed, pencil and watercolour 46cm x 54cm (18in x 21.25in)

£400-600

136§ FE348/80 WILLIAM BAILLIE P.R.S.A., P.R.S.W. (SCOTTISH 1923-2011) BLUE RIVER Signed, gouache 24cm x 19cm (5.5.in x 7.5in)

and a companion by the same hand ‘Last Dancers’ (2) £300-500

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

137§ FG356/2 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) WIND AND HAYSTACKS ISLE OF IONA LOOKING TO GRIBUN, MULL Signed and dated ‘99, signed, inscribed and dated verso, oil on board 61cm x 61cm (24inx 24in)

£1,500-2,500

138§ FF467/2 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) UNTITLED Mixed media 85cm x 76cm (32in x 36in)

£2,000-3,000

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

139 FG96/4 YANK WONG [WONG YAN KWAI] (CHINESE, HONG KONG, b. 1955) PAYSAGE AU LIGNE VERT Acrylic and rice paper on canvas, signed verso and dated 1989, unframed 160.5cm x 105.5cm (63in x 41.5in) Exhibited: Le Cadre Gallery, Hong Kong, “Interior Landscape”, 1989 Provenance: Purchased from the artist Private Scottish collection Note: In the 1970’s, Wong moved to France and studied at the Ecole Nationale des Beaux Arts, initially in Poitiers and then Paris, and silk screen painting at the Galerie Du Haut Pave. He was one of the earliest of a generation of foreign trained painters who went to Europe to study, then returned to his native Hong Kong to embark on a career in contemporary art. His work, with its bold use of colour and overlapping paint layers creating a sense of depth, is free of social, urban and historical context, allowing colour and structure to be the primary focus. The influence of his training in France is seen in his sensuous approach to his work and can be related to French modernist contemporaries.

£2,000-3,000

81

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

140§ FF430/1 CHRISTINE MCARTHUR (SCOTTISH b. 1953) STILL LIFE WITH LILIES Signed, oil on canvas 74cm x 90cm (29in x 35.5in)

£1,500-2,000

141§ FG351/1 WILLIAM GEAR (SCOTTISH 1915-1997) SHARP ENCOUNTER Signed and dated ‘87, acrylic 71cm x 46cm (28in x 18in)

£1,000-1,500

142§ FG212/4 PETER MCLAREN (SCOTTISH b. 1964) SKETCH FOR CAR GIRL Oil on board 78cm x 71cm (31in x 28in)

£800-1,200

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

143§ FG414/7 LEON MORROCCO R.S.A., R.G.I. (SCOTTISH b. 1942) FISHING BOAT AND FISH MARKET Signed and dated ‘98, oil on board 61cm x 71cm (24in x 28in)

£4,000-6,000

END OF SALE

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

Index Arnold, E., 28, 29, 30 Baillie, W., 37, 136 Balmer, B., 135 Barr, S., 79, 80 Bellany, J., 23, 27, 64, 66, 67, 130 Blackadder, E., 134 Blake, P., 115 Blyth, R.H., 15 Bone, W.D., 57, 58 Bushe, C., 74 Buyers, D.M., 69 Carr, D., 71, 72 Castle, B., 55, 56 Colvin, C., 36 Cuming, J., 1 Cunningham, J., 10 Devlin, G., 3 Dickson, J., 92 Douthwaite, P., 41, 42, 43, 82, 83, 84

Farmar, F., 48 Ferguson, D., 52 Finlay, I.H., 121-126 Firth, J., 2 Fullarton, J., 63, 93 Gear, W., 141 Gillespie, J., 6, 7 Green, A., 98 Greene, M.H., 31 Haig, E., 70, 129 Hawkins, J., 88 Houston, J., 90 Jacques, R., 11 Johnstone, W., 108, 109 Kertesz, A., 32 Klein, W., 33, 34 Laing, G., 73 Lassen, J., 25 Littlejohn, W., 17 Low, B., 22

Macinnes, J., 49 Mactaggart, Sir W., 100 Main, L., 4, 50, 51, 91, 102, 118 Manson, D., 45, 47, 94, 95, 117, 119 Matisse, H., 105 McArthur, C., 140 McIntosh, I., 116 McKean, G., 26 McLaren, P., 39, 40, 104, 120, 142 Michie, D., 61 Millar, A., 131, 132 Mitchell, G., 128 Morrison, J., 76 Morrison, J.L., 8, 12, 13, 14, 137 Morrocco, A., 81 Morrocco, J., 59, 59A, 60, 101 Morrocco, L., 96, 143 Neagu, P., 110, 113, 114, 116

Paolozzi, Sir E., 113 Peploe, D., 77 Pope, P., 9, 47 Rae, B., 86, 138 Ray-Jones, T., 35 Reeves, P., 16 Robertson, J.D., 85 Roper, G., 60, 62, 99, 103 Rossi, C., 87, 89 Rouault, G., 18, 19, 21 Sayle, N., 65 Schilsky, E., 44 Scully, S., 68 Skelton, S., 97 Thomson, D., 53, 54, 78 Walker, E., 38, 106, 107 Wiszniewski, A., 133 Wong, Y., 139 Wood, C., 75 Wyllie, G., 20

O'Connor, J., 24

Edgar, N., 127

Glossary of Cataloguing Terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist

Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Studio of ... / Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Attributed to...

In our opinion probably a work by the artist in whole or in part.

Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date After ...

In our opinion a copy (of any date) of a work of the artist.

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Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

The Studios of

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Auction Tuesday, 27th August, 2013 at 6pm at The Lighthouse, 11 Mitchell Lane, Glasgow G1 3NU Around 200 artworks from the studios of Scottish artists John Cunningham & George Wyllie Viewing Sun 25th 12-4pm, Mon 26th 10am-4pm, Tue 27th 10am-4pm

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For more information and our fully illustrated online catalogues, please call 0141 333 1992 or visit our website.

British & European Paintings & Sculpture Thursday, 28th November, 2013 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

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WINIFRED NICHOLSON (BRITISH 1893-1981) CHEEKY CHICKS Oil on board 71cm x 84cm (28in x 33in)

ÂŁ50,000-70,000

Fine Scottish Paintings & Sculpture Thursday, 28th November, 2013 33 Broughton Place, Edinburgh EH1 3RR

SIR EDWIN LANDSEER R.A. (BRITISH 1802-1873) LORD MELBOURNE Oil on board 25.5cm x 20cm (10in x 85in) Provenance:

Thomas Agnew & Sons, London ÂŁ10,000-15,000

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com

Viewing Sunday, 24th November, 2pm - 5pm Monday, 25th November, 10am - 5pm Tuesday, 26th November, 10am - 5pm Wednesday, 27th November, 10am - 5pm Morning of sale strictly by appointment only

Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

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STANDARD TERMS & CONDITIONS OF SALE Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate

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prevailing by law at the date of sale and is payable by buyers of relevant lots.

6. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us.

We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

13. TERMS OF SALE

GENERAL

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold.

Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. Scottish law applies to the interpretation of these Conditions.

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Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

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Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

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Packing and Shipping Please note that we do not pack or ship items.

The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

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Local Deliveries Local deliveries can be arranged by A&S Pert Removals.

Telephone 07876 343520.

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St Andrew Square

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Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

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