Interiors | 4th & 5th October 2013 by Lyon & Turnbull

Sale 392 | Friday, 4th October & Saturday, 5th October 2013 | Affordable, Stylish & Unique

Sale 392 Paintings Friday, 4th October, 2013 at 11am Enquiries Theo Burrell

theo.burrell@lyonandturnbull.com Charlotte Riordan

charlotte.riordan@lyonandturnbull.com

Buyer’s Guide

Furniture & Works of Art Saturday, 5th October, 2013 at 10am at 33 Broughton Place, Edinburgh EH1 3RR Viewing Times Saturday, 28th September & Sunday 29th September 10am - 4pm both days Monday, 30th September to Friday, 3rd October 10am - 5pm Friday Furniture/Works of Art only Saturday, 5th October from 9am

Everything you need to know

Viewing

Bidding

In person To view all of the lots in this sale please note the public viewing times listed above. All viewable at 33 Broughton Place, Edinburgh.

There are four easy ways to bid at this sale, and all bids are (of course) confidential:

Online All lots are available to view online and each image can be enlarged for closer inspection. If you require additional images or would like a report on the condition of your lot(s) please contact us at info@lyonandturnbull.com Estimates All lots carry an estimated price band, listed in the catalogue, which indicates our opinion of value. The final price may be higher or lower than this band depending on demand. If there is a reserve on the lot then it cannot be sold below that price. Reserves do not exceed the lower estimated price and may be lower.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

By absentee bid If you are unable to attend the auction we can bid on your behalf. Simply complete an absentee bid form and either hand it to a member of staff or fax to 0131 557 8668, no later than 1 hour before the sale. Please note that our bid department may contact you for further details. The amount you enter on the form should be your maximum limit. We will bid up to that limit for you, and remember you may end up paying less than your limit, depending on other bidding on the day. In person at the sale Simply register at reception today, or when you arrive at the saleroom. You may need to provide identification. Once you have registered you will be handed a numbered paddle to use in the saleroom. When the bidding begins on your lot raise your paddle to bid. When the bidding stops the auctioneer will bring down the gavel and read out your number if you have won the lot.

By telephone If you would like to bid by telephone, our clerk will call you from the saleroom on the sale day, just before your lot(s) come up, and bid on your behalf live at the sale. You can register to bid on the telephone at reception today, or contact us no later than 1 hour before the sale on 0131 5578844 or via info@lyonandturnbull.com Please note that for telephone bidding it is assumed the bidder will be prepared to pay within the estimate or higher. This service is available on lots with an estimate of £300 and over, entirely at our discretion and at the bidder’s risk. Online at lyonandturnbull.com Many clients prefer bidding live online at our auctions. It’s easy to register with us online and you can watch the sale as it happens and place bids at your computer. These live auctions are run by Artfact on our website, and they will charge you an additional 3% plus VAT for this service. You can register to bid at any time before the sale; however we suggest you allow plenty of time to register to secure your bids.

Payment You can pay by a number of methods - cash, credit or debit card or bank transfer. You will be charged the hammer price plus a buyer’s premium of 25% up to £25,000 and 20% thereafter (premium subject to VAT). If there is a dagger (†), asterisk (*) or section mark (§) next to your lot number in the catalogue, your lot will be subject to VAT or Droit de Suite charges on the hammer price in addition to our standard buyer’s charges. See our Standard Terms & Conditions on the inside back cover for further details. If you are not able to come in and see us to pay by credit or debit card please use our Online Payment service. You will find a link to this service in any email invoice we send you or you can visit the payments section of our website. Please note that if you are paying by credit card we accept Mastercard and Visa only and there will be a 2% surcharge. For further information on buying at Lyon & Turnbull please see our Standard Terms & Conditions of Sale and Collecting Your Purchases

Welcome to

Welcome to our autumn Interiors sale! This month we bring you another range of private collections, spanning eclectic Scottish homes to an elegant French chateau. Opening on page 8 we begin with a collection of fine Australian art amassed by the well-known scholar and academic Professor Doeker-Mach, and his late wife, Alice Tay. Previously housed in their chateau in the South of France, the collection of contemporary pieces features several of the most significant names in Australian art of the last fifty years, including William Rose, Stanislaus Rapotec and Andrew Sibley. Our collections then move slightly closer to home, as we feature pieces from the Edinburgh-based dealer, the late Anna Fersch (page 51), as well as a range of furniture, pictures and works of art from Blacket Place in Edinburgh, belonging to one of Britain’s leading jazz singers, Todd Gordon (page 18). We also delved into the world of upholstery and up-cycling this month, when we asked owner of The Original Chair Company, Kate MacKenzie all about her job and what it takes to rework original antique pieces. Turn to page 40 to find out more! We’re doing things a little differently this time around too, as we feature a two day Interiors sale. Dates for your diary are: the Paintings section of the sale Friday 4th October starting at 11am; and the Furniture, Rugs and Works of Art on Saturday 5th October starting at 10am. We look forward to seeing you then!

Theodora Burrell Head of Interiors

Charlotte Riordan Picture Specialist

If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absentee bid with one of our staff members – ring us for details on 0131 557 8844.

Highlights from the Sale A Private Collection of European & Australian Fine Art Our fourth Interiors sale features an impressive collection of paintings and sculpture from the scholar Professor Doeker-Mach and his late wife, Alice Tay. As academics in the fields of law and jurisprudence, both travelled extensively across the world, and in particular acquired fine art during their time in Australia. This month we are fortunate enough to be auctioning a range of their contemporary Australian pieces, as well as paintings and sculptures by the artists Gunther Christmann and Lothar Fischer.

Page 8

The Collection of a Jazz Singer: Todd Gordon This month we’re privileged to be selling items from of one of Britain’s leading jazz singers, Todd Gordon. Todd’s eclectic collection, from his home in Blacket Place, Edinburgh, includes a range of antique furniture, paintings and works of art. Notable pieces include a 17th century oak trestle table, a Scottish longcase clock and a pair of Christopher Fratin candlesticks. See Part 1: Paintings in our sale on Friday 4th October from 11am, and Part II: Furniture and Works of Art being auctioned on Saturday 5th October from 10am.

Page 18

The Collection of the late Anna Fersh Anna Fersch was a well-known antiques dealer from Edinburgh, who during her time in the trade built up an impressive collection of ceramics, furniture and works of art. In particular she purchased and sold wrought iron, which was arguably something in her blood, being the daughter and grand-daughter of blacksmiths. This October we are fortunate enough to benefit from her good eye and passion for the antique, as we sell a range of pieces from her home in Edinburgh.

Page 51 4

Specialist’s Choice This month our Silver specialist, Colin Fraser, picks his favourite pieces from our Interiors sale.

Clocks It has often been said that the beating of a clock is the heart of the home. My first choice, therefore, is not one particular item in the sale, but a nod to the various clocks which we have for auction this month, ranging from impressive longcases to more diminutive mantel clocks. Although longcase clocks have become less popular and fashionable over recent years, they actually represent very good value for money. Examples range from around £300 to £3,000 in this sale, they offer the chance to own a true and classic antique item, which is both functional and decorative. If you haven't quite got the space for one though, then this can equally be said of a mantel or bracket clock too – so there really is something for every home here!

Lot 168

Lot 370

Oak trestle table Pieces of antique oak have always interested me, they have a lovely honest wear and patina that only 300 years of use can bring to furniture of this colour, and this table is no exception. It has an interesting yet simple design and construction, enhanced by the detail of the carved frieze and the turned block legs. The age of the trestle table is also something which fascinates me, when you consider the history and connection furniture like this has with its previous owners, and all the hundreds of years of conversation and celebration it has borne witness to!

Lot 9

St George and Queen Margaret of Denmark Although the sale has a varied collection of modern and traditional paintings, the obvious connection between history and art is perhaps best shown in this 19th century copy of a 15th century original. Queen Margaret was held to be a beautiful, gentle and intelligent royal, being the consort to King James III of Scotland. The image of 'St George and Queen Margaret of Denmark' also has wider Scottish significance too: the image had an important place within the Trinity chapel, and the original is on display in the Scottish National Gallery. The original features as one of several panels, which were commissioned by Edward Bonkil, Provost of the Collegiate Chapel of the Holy Trinity in Edinburgh. This is therefore a scarce opportunity to own a very interesting and attractive item, with a good story to tell!

DAY 1 Friday, 4th October, 2013 at 11am

Paintings, Watercolours & Prints Lots 1-164 17 1† FE149/5 WILLIAM MCTAGGART R.S.W., R.S.A. (SCOTTISH 1835-1910) WAITING FOR THE RETURNING BOATS Signed and dated 1880, watercolour 38cm x 56cm (15in x 22in) Provenance: The drawing was given by the artist to the Dundee Art Society and won in the Art Union by Mr Alexander Banks, Dundee Literature: James Caw, William McTaggart 1908, p.249

£800-1,200 2 FG360/1 THOMAS HOPE MCKAY (SCOTTISH fl. 1900-1930) CROSSING THE OLD STONE BRIDGE Signed, oil on canvas 35cm x 54cm (13.75in x 21.25in)

£500-700

4 FC839/1 EDMOND CONSTANT MATHON (FRENCH 1825-1891) VOYAGE EN BÂTEAU, BEAUMONT-SUR-OISE Signed, and inscribed verso, oil on panel 40cm x 79cm (15.75in x 31in)

£400-600

24.5cm x 19.5cm (9.75in x 7.75in)

5 FG194/1 JACOB HENDRIK PIERNEEF (SOUTH AFRICAN 1886-1957) AFRICAN LANDSCAPE Initialled in plate, signed and dated 1923 to margin in pencil, woodcut

£400-600

12cm x 16cm (4.75in x 6.25in)

3 FD777/1 KATE WYLIE (SCOTTISH 1877-1941) ANEMONES Signed, oil on canvasboard

£500-700 6 FG27/1 ERROL STEPHEN BOYLEY (SOUTH AFRICAN 1918-2007) VIEW FROM NEWLANDS Signed, oil on board

7 FG242/2 W. TIMMS (BRITISH 19TH CENTURY) THE ROYAL MAIL STEAM PACKET “MAJESTIC” Oil on canvas

9 FG237/3 19TH CENTURY COPY AFTER HUGO VAN DER GOES ST GEORGE AND QUEEN MARGARET OF DENMARK Oil on panel

62cm x 90cm (24.5in x 35.5in) Note: This painting depicts the Royal Mail steam packet ‘Majestic’ with H. M. King George IV on board in the Clyde off the Duke of Argyll’s stables, Gourock. The majestic was launched from Mssrs Scotts Yard at Greenock on April 19th 1821 and plied between Liverpool, Douglas and Port Patrick.

28cm x 12.5cm (11in x 5in) Note: This is likely to be a 19th century copy after the last panel in the Trinity Altarpiece, painted for the now demolished Trinity Chapel, Edinburgh by Hugo van der Goes in the 15th century. The original is in the collection of the National Galleries of Scotland.

8 FG242/1 19TH CENTURY PROVINCIAL SCHOOL LEITH HARBOUR Oil on canvas

10 FF39/21 17TH CENTURY COPY AFTER AN OLD MASTER MADONNA AND ST FRANCIS OF ASSISI Oil on canvas

59cm x 89cm (23.25in x 35in)

119cm x 85cm (46.75in x 33.5in)

£1,500-2,500

£600-800

35.5cm x 51cm (14in x 20in)

£600-800 3

£400-600

£2,500-3,500

11 FC496/1 SCHOOL OF CHARLES-ÉMILE JACQUE (BELGIAN 1813-1894) CHICKENS IN A FARM YARD Signed, oil on panel 10cm x 15cm (4in x 6in)

and a companion, a pair (2) £600-900 12 FG456/1 AFTER DOMENICO ZAMPIERI, CALLED IL DOMENICHINO A PERSIAN SYBIL Signed S. Mazzolini and dated 18?1, inscribed ‘SALVE CASTA SYON PERMU. LTAQUE PASSA PUELLA SYBILLA SAMIA’ , oil on canvas 120cm x 98cm (47.25in x 38.5in)

14 FG227/1 PETER GRAHAM R.A., H.R.S.A. (SCOTTISH 1836-1921) WHERE SEA BIRDS HAUNT Signed and dated 1896, inscribed ‘The Lizard Point and the ??? Rocks - November’ back board verso, watercolour and bodycolour 49cm x 90cm (19.25in x 35.5in)

£300-500 15 FG215/1 EDWIN SHERWOOD CALVERT R.S.W. (SCOTTISH 1844-1898) RETURNING HOME Signed with initials, oil on board

17cm x 12cm (6.75in x 4.75in)

35.5cm x 61cm (14in x 24in)

£1,000-1,500 18 FF457/1 WILLIAM WYLLIE (BRITISH 1851-1931) UNLOADING THE CATCH AT THE PIER Signed in pencil to margin, etching 22cm x 42cm (8.5in x 16.5in)

£400-600

20cm x 27.5cm (8in x 10.75in)

£400-600

£500-800 13 FG232/3 ARTHUR GEORGE MILLS (SCOTTISH 19TH CENTURY) WHITE HOUSE, OLD BUCKHAVEN, FIFE Inscribed with title verso, oil on panel

17 FB66/15 JAMES WEBB (BRITISH 1825-1895) Signed and dated 1878, inscribed verso, oil on canvas

16 FG375/7 BENJAMIN WILLIAM LEADER (BRITISH 1831-1923) AT THE CLOSE OF DAY, LIPHOOK, HANTS. Signed and dated 1897, oil on canvas 39cm x 60cm (15.5in x 23.5in)

£2,000-3,000

19§ FF449/2 JAMES MCBEY (SCOTTISH 1883-1959) VENICE - 20TH OCTOBER 1925 Signed and inscribed with title in plate, signed in margin and numbered XVII, etching

21 FG243/3 19TH CENTURY AFTER ALBRECHT DURER (GERMAN 1471-1528) MELENCHOLIA And three further etchings: ‘Knight, Death and the Devil’, ‘The Prodigal Son’ and ‘The Braided Horse’ by Paulus Potter, all cut to margins 23.5cm x 18cm (9.25in x 7in)

£600-800 22§ FF40/5 WILLIAM MILLER FRAZER P.S.S.A., R.S.A. (SCOTTISH 1864-1961) DUCK POND, EAST LOTHIAN Oil on canvas 44cm x 59cm (17.25in x 23.25in)

£500-700

41.5cm x 24.5cm (16.25in x 9.75in)

and a postcard which accompanies the lot (2) £500-700

and another by the same hand ‘Gannochy Bridge, River Esk, North Angus’ (2) £300-500

A Private Collection of European & Australian Fine Art Professor Doeker-Mach is a well-known scholar and academic who has worked in several countries including Australia, India, the United States, Canada and throughout Europe. He is the author and editor and co-editor (with Alice Tay) of twenty books and the author of more than one hundred articles on comparative constitutional and international law (especially treaty law), legal systems and human rights. In addition he was a scholar on the subjects of regionalism and federalism, as well as legal systems in Asia Pacific and the rule of law in Asia. Alice Tay was the University of Sydney’s Challis Professor of Jurisprudence for twenty-six years and was committed to law as an instrument of justice and protector of democracy. Tay taught the first Australian university course on the subject and published widely on it. Justice and jurisprudence – the philosophy of law - was her intellectual passion. The following lots were collected by both Professor DoekerMach and Alice Tay over the last thirty years during their many posts and extensive travel throughout the world.

WILLIAM ROSE William Rose, a native Australian, was a member of the Victoria Street Group of Sydney abstract expressionists. Rose was more comfortable with the title ‘constructivist’, however, which better suited the geometric, detailed and tightly controlled formal approach which typified his work. Throughout the early 1960s, Rose’s work was represented in significant national exhibitions, including Antipodean Vision, Tate Gallery, London. William Rose’s work is widely represented across major Australian art galleries including National Gallery Australia, Art Gallery of New South Wales, Art Gallery of South Australia, Art Gallery of Western Australia, National Gallery of Victoria, Queensland Art Gallery, Museums and Art Galleries of the Northern Territory, Queen Victoria Art Gallery and Museum and Tasmanian Museum and Art Gallery.

The French home of Professor Doeker-Mach and the late Alice Tay.

23 FE475/3 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT LANDSCAPE II Signed and dated 4.3.96, pen, ink and watercolour

27 FE475/5 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT COMPOSITION 1380 Signed and numbered, pen, ink and watercolour

17.5cm x 26.5cm (7in x 10.5in)

59cm x 45cm (23.25in x 17.75in)

£300-500

£500-700

24 FE475/2 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT LANDSCAPE Signed and dated 29.2.96, pen and ink and watercolour

28 FE475/6 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT Signed and dated ‘82, pen, ink and watercolour

17.5cm x 26.5cm (7in x 10.5in)

36cm x 51cm (14in x 20in)

£300-500

£400-600

25 FE475/1 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT COMPOSITION I Signed and dated 15.3.96, pen and ink and watercolour 17.5cm x 26cm (6.75in x 10.25in)

29 FE475/7 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT COMPOSITION 12280 Signed and numbered, pen, ink and watercolour

£300-500

63cm x 39cm (24.75in x 15.5in)

£500-700

26 FE475/4 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT 20820 Signed and no., pen, ink and watercolour

30 FE475/8 WILLIAM ROSE (AUSTRALIAN 1929-1997) ABSTRACT LANDSCAPE Signed, oil on canvas

63.5cm x 39.5cm (25in x 15.5in)

46cm x 81cm (18in x 32in)

£500-700

£800-1,200

3§

STANISLAV RAPOTEC

SIR SIDNEY NOLAN

Stanislav Rapotec is highly regarded among collectors and institutions alike in his adopted home of Australia. Brought up in the newly formed Yugoslavia, Rapotec led a politically active life; establishing links between the Resistance and the Royal Yugoslav government-in-exile in Jerusalem and Cairo upon the collapse of the Yugoslavian army. He discovered a love of Australia after a visit in 1955 and would later settle there and begin to paint. When asked about his work as an artist he once commented: "In order to create you must have had experience. You must have quite a few dramas; you must have suffered; when you have balanced on the razor's edge between life and death, only then are you capable of true creation. To become an artist you must have a life rich in experience, a strong desire to express yourself, a will strong enough to carry out this desire and on top of all that - talent." His work is featured in many important Australian collections, including the National Gallery of Australia, Art Gallery of New South Wales, Art Gallery of South Australia, Art Gallery of Western Australia and Queensland Art Gallery.

Sidney Nolan is one of the best known and most significant artists Australia has produced. The Ned Kelly series of paintings and prints are among his most famous and distinctive works. As well as telling the story of Australia’s notorious outlaw, Nolan explores the universal themes of injustice, love and betrayal. His unique depiction of the Australian landscape is iconic. The Kelly saga of prints is held in several national and international collections including the Tate Gallery, London..

31 FE475/9 STANISLAUS RAPOTEC (AUSTRALIAN 1913-1997) TENSION NO. 30 Signed and dated ‘57, signed and inscribed verso, oil on board

34 FE475/12 STANISLAUS RAPOTEC (AUSTRALIAN 1913-1997) EASTER CRUCIFIXION Signed, oil on board 76cm x 54.5cm (30in x 21.5in)

£700-900

110cm x 85cm (43.25in x 33.5in)

£1,500-2,500 32 FE475/10 STANISLAUS RAPOTEC (AUSTRALIAN 1913-1997) AUSTRALIAN LANDSCAPE Signed and indistinctly dated, oil on board 52cm x 76cm (20.5in x 30in)

£700-900 33 FE475/11 STANISLAUS RAPOTEC (AUSTRALIAN 1913-1997) STILL LIFE OF BLUE FLOWERS Signed twice, oil on board

35 FE475/13 STANISLAUS RAPOTEC (AUSTRALIAN 1913-1997) COMPOSITION IN BROWN Signed, oil on panel 34cm x 27cm (13.5in x 10.5in)

£500-700 36 FE475/14 STANISLAUS RAPOTEC (AUSTRALIAN 1913-1997) BROWN STILL LIFE Signed, oil on board 135cm x 104cm (53.25in x 41in)

£2,000-3,000

37 FE475/15 SIR SIDNEY NOLAN (AUSTRALIAN 1917-1992) NO.11: MRS REARDON AT GLENROWAN Signed, numbered 39/60, screenprint, unframed

39 FE475/17 SIR SIDNEY NOLAN (AUSTRALIAN 1917-1992) NO. 14: GLENROWAN Signed, numbered 53/60, screenprint, unframed

48cm x 65cm (19in x 25.25in)

£500-700

47cm x 64cm (18.5in x 25.25in)

£500-700 38 FE475/16 SIR SIDNEY NOLAN (AUSTRALIAN 1917-1992) NO.8: THE PURSUIT Signed, numbered 44/60, screenprint, unframed 47cm x 64cm (18.5in x 25.25in)

£500-700

135cm x 104cm (53.25in x 41in)

£2,000-3,000

40§ FE475/18 GUNTER CHRISTMANN (GERMAN/AUSTRALIAN b. 1936) PULLING YIDAKI Signed with initials and dated ‘89, signed and dated verso, oil on canvas

76cm x 61cm (30in x 24in)

£1,500-2,500 41§ FE475/19 GUNTER CHRISTMANN (GERMAN/AUSTRALIAN b. 1936) COMPOSITION MIxed media

21.5cm x 12cm (8.5in x 4.75in)

and another by the same hand (2) £300-500 42§ FE475/20 GUNTER CHRISTMANN (GERMAN/AUSTRALIAN b. 1936) FREE LOVE Mixed media on board 112cm x 24cm (4.75in x 9.5in)

£300-500 43§ FE475/21 GUNTER CHRISTMANN (GERMAN/AUSTRALIAN b. 1936) NITE MISSION Signed, inscribed and dated ‘01, acrylic on canvas, unframed

47§ FE475/26 LOTHAR FISCHER (GERMAN 1933-2004) MAN ASTRIDE A HORSE Signed, clay

25cm x 23cm (9.75in x 9in)

£800-1,200

26cm x 40cm (10.25in x 15.75in) comprised of two components (2)

£300-500 44§ FE475/22 GUNTER CHRISTMANN (GERMAN/AUSTRALIAN b. 1936) YIDAKI WITH DRUM Signed with initials and dated ‘89, signed, inscribed and dated 1989 verso, oil on canvas 76cm x 61cm (30in x 24in)

£1,500-2,500 45 FE475/23 BENJAMIN LANDARA (AUSTRALIAN 1921-1985) MOUNT RAZORBACK NEAR STANDLEY CHASM Signed, watercolour 15cm x 24cm (6in x 9.5in)

and a companion, a pair ‘Mount Sonder’ (2) £300-500

48§ FE475/27 LOTHAR FISCHER (GERMAN 1933-2004) WARRIOR OF HORSEBACK Signed and dated ‘54, bronze 23cmx 34cm (9in x 13.5in)

£2,000-3,000 49§ FE475/28 LOTHAR FISCHER (GERMAN 1933-2004) HORSE AND RIDER STUDY Signed, inscribed with title and dated 17.5.95, pen and ink 28cm x 28cm (11in x 11in)

£300-500 50§ FE475/29 FRED THIELER (GERMAN 1916-1999) AFTER PAUL VALERY Inscribed, mixed media 51cm x 68cm (20in x 26.75in)

46§ FE475/25 LOTHAR FISCHER (GERMAN 1933-2004) FIGURE ON HORSEBACK Signed and dated ‘91, inscribed ‘EA’, bronze

£1,000-1,500

13.5cm x 19cm (5.25in x 7.5in)

51 FE475/31 TERRY BATT (AUSTRALIAN b. 1949) UNTITLED Oil on canvas

£800-1,200

153cm x 153cm (60in x 60in)

£1,000-1,500 10

ANDREW SIBLEY A popular artist with a highly idiosyncratic style, Andrew Sibley was originally born in Kent in the UK, arriving in Australia in 1948 where he went on to establish his reputation over a career which spanned five decades. An accomplished printmaker, Sibley’s work is figurative, playful and good-humored. It explores human relationships. 52 FE475/51 ANDREW SIBLEY (AUSTRALIAN b. 1933) PICNIC IN NOVEMBER Signed, inscribed and dated ‘88, screenprint

55 FE475/54 ANDREW SIBLEY (AUSTRALIAN b. 1933) AUSTRALIAN WINDOW Signed, inscribed and dated ‘84, screenprint

71cm x 59cm (28in x 23.5in)

70cm x 44.5cm (27.5in x 17.5in)

£400-600

£300-500

53 FE475/52 ANDREW SIBLEY (AUSTRALIAN b. 1933) THE JOURNEY (MAD LONERS SERIES) Signed, inscribed and dated ‘87, screenprint

56 FE475/55 ANDREW SIBLEY (AUSTRALIAN b. 1933) WELCOME TO THE BEACH Signed, inscribed and dated ‘88, screenprint

74cm x 55cm (29.25in x 21.5in)

£300-500

£400-600 54 FE475/53 ANDREW SIBLEY (AUSTRALIAN b. 1933) WORKING DRAWING - MOTHER AND CHILD (URBAN) Signed, inscribed and dated ‘90, screenprint 72cm x 48cm (28.25in x 19in)

£400-600

67cm x 51cm (26.5in x 20in)

Other Properties 63 FG375/1 19TH/20TH CENTURY FLORENTINE SCHOOL THE PONTE VECCHIO, FLORENCE Oil on canvas

66 FG325/15 JAMES LAWTON WINGATE P.R.S.A. (SCOTTISH 1846-1924) THE MUSSELL GATHERERS Signed and indistincly dated (‘99?), oil on canvas

41cm x 28cm (16in x 11in)

60 FG378/3 ARTHUR QUIGLEY (BRITISH fl. EARLY 1900s) GLENASHDALE, ARRAN Signed and dated ‘30, signed and inscribed with title label verso, watercolour

64cm x 98cm (25in x 38.5in)

50cm x 74cm (19.5in x 29in)

£700-900

24cm x 31.5cm (9.5in x 12.5in)

£1,000-1,500

£300-500

64§ FG349/1 WILLY SLUIJTER (DUTCH 1873-1949) DUTCH GIRL Signed and inscribed ‘To De Millar with best wishes for 1923’, watercolour

67 FF149/1 LÉON AUGUSTIN LHERMITTE (FRENCH 1844-1925) AT THE END OF THE DAY Signed, pastel

57§ FA452/4 SIR WILLIAM RUSSELL FLINT R.A., R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) STRIDING NUDE Signed, pastel

£300-500 58 FG445/4 JAMES G. H. SPINDLER (BRITISH 1862-1916) AMONGST THE RHUBARB Signed and dated ‘90, oil on canvas 45cm x 30cm (17.75in x 11.75in)

£400-600

61 FG399/1 FLORA MACDONALD REID (SCOTTISH fl. 1879-1938) PEACEFUL EVENTIDE Signed and dated 1932(?), Signed and inscribed with title label verso, oil on canvas 36cm x 25.5cm (14in x 10in)

59 FG399/2 SIR GEORGE PIRIE P.R.S.A., H.R.S.W. (SCOTTISH 1866-1940) ANGLING IN THE HIGHLANDS Inscribed with artist’s name and ‘Spearon Bridge, Perthshire’ label verso, oil on canvas

£200-300

59cm x 89cm (23.25in x 35in)

£600-800

£800-1,200

62 FG375/5 18TH CENTURY DUTCH SCHOOL VILLAGE PURSUITS Oil on panel 23cm x 33cm (9in x 13in)

50cm x 41cm (19.75in x 16in)

£4,000-6,000

13cm x 11cm (5in x 4.25in)

£500-700 65 FG343/1 WILLIAM HENRY WILLIAMSON (BRITISH 1820-1883) FISHING ON THE RIVER Signed, oil on canvas 44cm x 65cm (17.25in x 25.5in)

£400-600

68 FG325/14 JESSIE ALGIE (SCOTTISH 1859-1927) STILL LIFE OF PINK FLOWERS Oil on canvas 40cm x 44cm (15.75in x 17.25in) Note: Painting bears a back label ‘The Hope Paterson Collection, 7th MarCH 1912’

£400-600

69 FF401/11 MISCELLANEOUS GROUP OF 3 ETCHINGS Ronau Willem Woiceske, ‘Afternoon Shadows’, signed and inscribed with title in pencil to margin, edition of 50; J. M. W. Turner, ‘Solway Moss’; Francisco de Goya, ‘Linda Maestra’, signed in plate (all unframed)

£700-900 70 FF401/10 AUGUSTE LEPERE (FRENCH 1849-1919) GROUP OF 3 ETCHINGS ‘La Chausniere a Rousseau’, signed and numbered 16/35 in pencil to margin; ‘La Maison Inondee’, signed in pencil to margin; ‘Le Nid’, signed in pencil tommargin and numbered 12/35 (all unframed)

£500-700 71 FF401/9 FRENCH INTEREST GROUP OF 8 ETCHINGS Alphonse Legros, ‘Le Lavoir’, signed in pencil to margin, ‘Le Petit Hangar’, signed in pencil to margin, ‘Pres du Moulin’, signed in pencil to margin; Maxime Lalanne, ‘Aux Environs de Paris’, signed in plate, ‘Bordeaux’, signed and inscribed in plate; A. Bernard,’ Le Bi a Villerville’, 1884, Signed in pencil to margin; Felix Buhot, ‘La Falaise - Baie de Saint Malo’, Signed and inscribed in plate, stamped; Charles Jacque, ‘L’Orage’, signed in plate (all unframed)

£500-700

72 FF401/8 MISCELLANEOUS GROUP OF 11 ETCHINGS, AQUATINTS & ENGRAVINGS H. Haig, ‘Grayhurst, Haslemere’, signed and inscribed in pencil to margin; J. H. Robinson, ‘River Landscape’, signed and inscribed in pencil to margin; Indistinctly signed, ‘George Fox Refusing the Oath’, Signed in pencil to margin; Ernest Arthur Lumsden, ‘Benares no.1’, signed in pencil to margin; William Hogarth, ‘The Shrimp Girl’, engraving, ‘On Sleeping in Church’, engraving, ‘Whoever Makes a Design...’, engraving; John Taylor Arms, ‘Rio Dei Santi Apostoli’, signed, inscribed and dated 1930 in pencil to margin, ‘Sunlight on Stone’, signed, inscribed and dated 1921 in pencil to margin, ‘From Knoedler’s Window MCMXXXV’, signed and dated 1936 in pencil to margin; Kerr Eby, ‘Day’s End, Driftwat’, signed and inscribed with title in pencil to margin (all unframed)

£400-600 73 FF401/5 SEYMOUR HADEN (BRITISH 1818-1910) GROUP OF 5 ETCHINGS ‘Egham’, signed in pencil to margin; ‘Mytton Hall’, signed in pencil to margin; ‘On the Test’, unsigned; 2 x ‘Kensington Gardens’, one of which is signed in pencil to margin (all unframed)

£700-900

74 FF401/4 WILLIAM BLAKE (BRITISH 1757-1827) GROUP OF 3 ETCHINGS ON INDIAN PAPER ILLUSTRATIONS FROM THE BOOK OF JOB ‘The Morning Stars Sang Together’, 1874 ed.; ‘I Am Young & Ye Are Very Old’, 1825 ed.; ‘Then a Spirit Passed Before My Face’, 1825 ed.; and a booklet of Blake’s full illustrations of the Book of Job, published 1912 by Gowans and Gray Ltd

77§ FG19/1 CHRISTINE MCARTHUR R.S.W., R.G.I. (CONTEMPORARY SCOTTISH) TULIPS IN AN ORIENTAL TEAPOT Signed, pastel

(all unframed)

45cm x 48cm (17.75in x 19in)

£800-1,200

£400-600

75 FG132/1 MID 19TH CENTURY BRITISH SCHOOL BUST PORTRAIT OF A LADY WEARING AN AQUAMARINE NECKLACE Oil on canvas

78 FG361/3 20TH CENTURY BRITISH SCHOOL PORTRAIT OF A LADY IN A RIDING JACKET Indistinctly signed and dated 1925, pastel

74cm x 61cm (29in x 24in)

53cm x 41.5cm (20.75in x 16.25in)

£400-600

£700-900

76 FG360/2 ROBERT WEIR ALLEN (SCOTTISH 1852-1942) THE WATERMILL Signed, watercolour 35cm x 51cm (13.75in x 20in)

£300-500

79§ FG211/1 JENNY MATTHEWS (BRITISH b. 1964) FLOWER STALL Signed and dated 1990, pen, ink and watercolour

83§ FF90/8 MARY ARMOUR R.S.A., R.S.W. (SCOTTISH 1902-2000) SUMMER IN THE FIRTH Signed and indistinctly dated, oil on board

36.5cm x 43cm (14.25in x 17in)

26.5cm x 39cm (10.5in x 15.25in) Note: Copy of original artist’s label verso which reads ‘Mr first seascape subject, painted at Sannox, Arran from the famous ‘Rocking Stone’. The distant hills are on the mainland with the tail end of Bute.’

88§ FE736/4 NAEL HANNA (SCOTTISH/IRAQI b. 1959) AUTUMN FIELDS ANGUS Signed, oil on canvas

£500-700

44cm x 66cm (17.25in x 26in)

£400-600 80 FG172/1 HASSAN MASSOUDY (IRANIAN b. 1944) CALLIGRAPHY COMPOSITION Watercolour on paper, signed in pencil and dated 1994, framed 34cm high, 48.2cm wide

£300-500 81§ FG147/2 ALAN M. HUNT (BRITISH b. 1947) HOOPOE AGAINST A STONEWALL Signed, acrylic on paper 41.5cm x 33cm (16.25in x 13in)

£300-500 82 FG140/1 NICHOLAS KALMIKOFF (RUSSIAN 1873-1955) TEMPLE BUILDINGS Signed, oil on board

87§ FF167/5 MARY DUNCAN (BRITISH 1885-1964) VINEYARD, FRANCE Signed, oil on canvas 44cm x 54cm (17.25in x 21.25in)

£600-800

£600-800 85 FF170/2 ARCHIBALD KAY R.S.A., R.S.W. (SCOTTISH 1860-1935) PASSING BARGES Signed, oil on canvas 30cm x 39.5cm (11.75in x 15.5in)

£600-800 86§ FF167/6 JEFF MACDONALD (SCOTTISH CONTEMPORARY) WINTER IN ARGYLLSHIRE Signed, acrylic on paper 41cm x 58cm (16in x 23in)

89§ FG491/3 PERPETUA POPE (SCOTTISH b. 1916-2013) VIEW OF EIGG FROM THE MAINLAND Signed and dated 1953, oil on board 29cm x 39cm (11.5in x 15.25in)

£400-600

90§ FE500/27 GRAHAM SUTHERLAND O.M., R.A (BRITISH 1903-1980) INSECT FORM Signed and dated ‘79, ink and wash 29cm x 43cm (11.5in x 17in) Exhibited: Marlborough Gallery Literature: Apollinaire, Le Bestiare ou Cortège D’Orpheé 1979

£400-600 91§ FE50/196 PAT DOUTHWAITE (SCOTTISH 1939-2002) SUNSET Chalk on paper 81.5cm x 66cm (32in x 26in)

£300-500 92§ FB791/41 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH 1942-2013) ROAD Signed, watercolour 54cm x 75cm (21.25in x 29.5in)

£400-600

£200-300

40cm x 50cm (15.75in x 19.75in)

£800-1,200 13

93 FG370/3 DAVID ROBERTS R.A., H.R.S.A. (SCOTTISH 1796-1864) CONVENT OF ST CATHERINE WITH MOUNT HOREB, FEBRUARY 19TH 1839 Signed,inscribed and dated in plate, published by F. G. Moon in 1844, colour lithograph 52cm x 36cm (20.5in x 14.25in)

and another by the same hand ‘Karnack’ (2) £400-600 94 FG370/1 DAVID ROBERTS R.A. (SCOTTISH 1796-1864) VIGNETTE Signed twice and dated ‘Dec 25th 1843’, pencil, ink and wash 25cm x 19cm (9.75in x 7.5in) Exhibited: The Fine Art Society, 1990 Provenance: Originally from the collection of the artist’s daughter then via descent

£700-900

95 FG452/6 WILLIAM WYLLIE (BRITISH 1851-1931) LINERS AND TUGS IN A BUSY SHIPPING CHANNEL Signed in pencil to margin, etching

98§ FF213/1 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S., R.S.W. (SCOTTISH 1865-1945) INTERIOR OF NOTRE DAME C.1907, pencil and watercolour on buff paper

22cm x 52cm (8.5in x 20.5in)

33cm x 20cm (13in x 8in) Provenance: Previously in the collection of the artist Kate Cameron

and 3 others by the same hand and a further etching by Langmaid (5) £600-800 96 FF213/2 THOMAS MILES RICHARDSON THE YOUNGER (SCOTTISH 1813-1890) TOR POOL, RIVER LOCHY WITH BEN NEVIS IN THE BACKGROUND Signed and dated 1884, watercolour and bodycolour 33cm x 63cm (13in x 24.75in)

£1,200-1,500 97 FG103/1 19TH CENTURY SCOTTISH PROVINCIAL SCHOOL ABERDEEN Oil on canvas

£400-600 99 FF193/2 GEORGE SMITH R.S.A. (SCOTTISH 1870-1934) HORSE AND CART LOADED WITH LOGS Signed, oil on board 20cm x 39cm (11.75in x 15.25in)

£400-600 100 FF193/1 GEORGE SMITH R.S.A. (SCOTTISH 1870-1934) COWS GRAZING IN A MEADOW Signed, oil on board 29cm x 39cm (11.5in x 15.25in)

£400-600

32cm x 56cm (11.5in x 22in)

£800-1,200

101§ FF165/3 WILLIAM N. GUTHRIE (20TH CENTURY SCOTTISH) LARGS BAY Signed, oil on vellum 24cm x 37cm (9.5in x 14.5in)

£400-600 102 FF129/1 JAMES DOCHERTY A.R.S.A. (SCOTTISH 1829-1878) PATH THROUGH THE BEECH WOOD Signed, oil on board 28cm x 44cm (11in x 17.25in)

£500-700 103 FE499/75 SIR WILLIAM FETTES DOUGLAS R.S.A (SCOTTISH 1822-1891) ON THE RIVERBANK Signed with a monogram and indistinctly dated, watercolour 17cm x 36cm (6.75in x 14in)

£300-500 104 FE489/1 DUNCAN CAMERON (SCOTTISH 1837-1916) CORNSTOOKS Oil on canvas 51cm x 81.5cm (20in x 32in)

£600-900

106

107

112

116

113

105 FE396/61 RICHARD WHITFORD (BRITISH d. 1890) STUDY OF A HORSE IN LANDSCAPE Signed and dated 1860, oil on canvas

115

51cm x 61cm (20in x 24in)

108 FB74/2 JOHN MACWHIRTER R.A., R.S.W., R.E., R.I. (SCOTTISH 1839-1911) SAILING BOATS ON A HIGHLAND LOCH Signed, watercolour and bodycolour

£400-600

24cm x 33.5cm (9.5in x 13.25in)

£400-600 106 FG370/4 T. TEMPLE (BRITISH fl. 1870-90S) CHESTNUT HORSE Signed and dated 1871, oil on canvas 62cm x 74cm (24.5in x 29in)

£500-700 107 FC606/31 WILLIAM WATT MILNE (SCOTTISH fl. 1888-1915) PUNT ON A RIVER BANK Signed, oil on board 31cm x 38cm (12in x 15in)

£600-900

109 FB74/1 THOMAS MILES RICHARDSON THE YOUNGER (BRITISH 1813-1890) ABOVE LOCH TAY Signed with initials, signed and inscribed with title to old label verso, watercolour and pencil heightened with bodycolour 31cm x 63.5cm (12.25in x 25in)

£1,000-1,500 110 FB66/14 FOLLOWER OF JAMES WEBB (BRITISH 1825-1895) FIGURES CROSSING A BRIDGE Oil on canvas 31cm x 56cm (12in x 22in)

112 EZ623/2 WILLIAM ALFRED GIBSON (SCOTTISH 1866-1931) A MOORLAND PATH Signed, pencil, watercolour and bodycolour

115§ FG461/1 BERNARD BUFFET (FRENCH 1928-1999) LE PONT DE PARIS Signed and dated ‘68 in plate, lithograph

17cm x 24.5cm (6.75in x 9.75in)

45cm x 57cm (17.75in x 22.5in)

£250-400

£700-900

113§ FG215/2 SIR WILLIAM MACTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903-1981) LOW TIDE IN THE HARBOUR Signed and dated ‘22, oil on board

116§ FG243/7 DELPHIN ENJOLRAS (FRENCH 1857-1945) STUDY OF A NUDE WOMAN BY FIRELIGHT Signed, pastel on cream paper

24cm x 29cm (9.5in x 11.5in)

£800-1,200

53cm x 37cm (21in x 14.5in)

£500-700 114§ FG491/5 JONATHAN SAINSBURY (BRITISH CONTEMPORARY) GROUSE IN WINTER PLUMAGE Signed and dated ‘92, oil on board 44cm x 59cm (17.25in x 23.25in)

£500-700

117§ FG445/5 LILLIAN NEILSEN (SCOTTISH 1938-1998) BOAT TOSSED ON A STORMY SEA Signed with monogram, oil on fragment of board 10cm x 32cm (4in x 12.5in) Exhibited: St Andrews Fine Art, June 1988

£300-500

121

139

126

118§ FG361/5 FRANCISCO RODRIGUEZ SANCHEZ CLEMENTE (SPANISH 1893-1968) THE FLAMENCO DANCER Signed, oil on board 40cm x 32cm (15.75in x 12.5in) Exhibited: By Enrique Reyna at the United States World Trade Fair, 1960

£1,000-1,500 119§ FG391/1 ANNA MILLER (BRITISH CONTEMPORARY) WE THREE Signed verso, oil on canvas 43cm x 57cm (17in x 22.5in)

£300-500 120 FG384/1 LOUIS WILLIAM WAIN (BRITISH 1860-1939) RECLINING CAT Sketch of a cat’s head verso, conte 24cm x 34cm (9.5in x 13.25in) Exhibited: ‘Louis Wain’, 5th-21st July 1989, Chris Beetles Gallery, London

£400-600

136

121§ FG380/2 IAIN MACNAB P.R.O.I., R.E. (SCOTTISH 1890-1967) LE GOUTER Signed and inscribed with title and numbered 38/40 in pencil to margin, woodcut

124§ FG361/4 ARTHUR WARDLE (BRITISH 1864-1949) TIGER SKETCH With sketch of a leopard verso, signed and inscribed sketch verso, pastel on paper

127 FG325/12 ATTRIBUTED TO LORENZO CASANOVA RUIZ (SPANISH 1844-1900) THE ART COLLECTOR Oil on board

13cm x 23.5cm (5in x 9.25in)

25cm x 36.5cm (9.75in x 14.25in)

£400-600

£500-700

£600-800

122§ FG380/1 IAIN MACNAB P.R.O.I., R.E. (SCOTTISH 1890-1967) LE SPORTING BAR Signed and inscribed with title and numbered 21/40 in pencil to margin, woodcut 11cm x 15.5cm (4.25in x 6in)

125§ FG361/1 WILLIAM DRUMMOND BONE A.R.S.A, R.S.W. (SCOTTISH 1907-1979) STILL LIFE OF FLOWERS IN A CREAM JUG Signed and indistinctly dated, oil on board

£500-700

60cm x 49cm (23.5in x 19.25in)

£600-800 123§ FG375/3 FLORENCE ST JOHN CADELL (SCOTTISH 1877-1966) EILEAN DONAN CASTLE Signed, oil on board 40cm x 33cm (15.75in x 13in)

126§ FF430/1 CHRISTINE MCARTHUR (SCOTTISH b. 1953) STILL LIFE WITH LILIES Signed, oil on canvas

£300-500

74cm x 90cm (29in x 35.5in)

£1,000-1,500

28cm x 18cm (11in x 7in)

128§ FG325/11 LOUIS MASRIERA (SPANISH 20TH CENTURY) A GYPSY Signed, oil on canvasboard 32cm x 23cm (12.5in x 9in)

£400-600 129 FG325/10 JULES-ALEXANDRE GRÜN (FRENCH 1868-1935) BUSTLING STREET SCENE AT NIGHT Signed, oil on canvas 54cm x 45cm (21.25in x 17.75in)

£300-500 130§ FG289/3 ALEXANDER GRAHAM MUNRO R.S.W. (SCOTTISH 1903-1985) BOATS IN A HARBOUR Charcoal 12cm x 15cm (4.75in x 6in)

£150-250

118

125

131§ FG491/6 NANCY BURTON R.S.W. (SCOTTISH 1891-1972) STUDY OF A PAPILLON DOG Signed, watercolour

135§ FG497/3 WILLIAM MCGREGOR (BRITISH 19TH/20TH CENTURY) LOCH GARVE Signed, oil on canvas

24cm x 29cm (9.5in x 11.5in)

45cm x 59cm (17.75in x 23.25in)

£300-500

£600-800

132 FG491/8 19TH CENTURY BRITISH SCHOOL FATLIPS CASTLE RUINS, MINTO CRAGS, ROXBURGHSHIRE Dated 1837 label verso, watercolour

136 FG51/2 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1935) SEAGULLS OFF A CLIFF-FACE Signed and inscribed ‘Musselburgh’, watercolour

36cm x 49.5cm (14in x 19.5in)

£300-500

128

138 FG545/1 ROBERT HOPE R.S.A. (SCOTTISH 1869-1936) EDINBURGH FROM CRAIGLOCKHART Signed, signed and inscribed board verso, watercolour

141 FG269/10 HENRI LEOPOLD MASSON C.G.P., C.S.G.A., C.S.P.WC., F.C.A., O.S.A., Q.MG., R.C.A. (CANADIAN 1907-1996) AUTUMN Signed, oil on canvas

27.5cm x 36.5cm (10.75in x 14.25in)

31cm x 41cm (12in x 16in)

£600-800

£800-1,200 142 FF452/1 JONATHAN ARMIGEL WADE (BRITISH b. 1960) REVISION Signed, oil on board

35.5cm x 41cmb (14in x 16in)

139 FG575/1 20TH CENTURY BRITISH SCHOOL PORTRAIT OF A WOMAN WEARING A HEADSCARF Oil on canvas

£600-800

57cm x 55cm (22.5in x 21.5in)

£500-700

38cm x 60cm (15in x 23.5in)

£700-900 133§ FG497/1 WILLIAM MCGREGOR (BRITISH 19TH/20TH CENTURY) ROAD TO LOCH ALSH Signed, oil on canvas 44cm x 82cm (17.25in x 32.25in)

£700-900

137 FG51/5 ROBERT MCGOWN COVENTRY A.R.S.A., R.S.W. (SCOTTISH 1855-1941) A WOODLAND CLEARING Signed and dated 1902, oil on panel

140 LT2012/2 FOLLOWER OF JOHN COLLIER MATERNAL CARES Bears signature, oil on canvas

143§ FG267/1 HAMISH LAWRIE (SCOTTISH 1919-1987) MORNING, GLENFINNAN , 1973 Signed, oil on board

36cm x 51cm (14in x 20in)

79cm x 120cm (31in x 47.25in)

£800-1,200

£400-600

35.5cm x 25.5cm (14in x 10in)

134§ FG497/2 WILLIAM MCGREGOR (BRITISH 19TH/20TH CENTURY) FISHERMEN ON LOCH DUICH Signed, oil on canvas

144 FG244/8 CAMPBELL SMITH (AMERICAN CONTEMPORARY) FLORAL STILL LIFE Pastel on paper

and another by the same hand ‘In the Trossachs’(2) £600-800

44cm x 60cm (17.25in x 23.5in)

19cm x 14cm (7.5in x 5.5in)

£700-900

£200-300

133

129

146

151

The Collection of a Jazz Singer: Todd Gordon - Part 1 145§ FG464/3 GIANCARLO ISOLA (ITALIAN 1927) PAESAGGIO ROMANO Signed and dated indistinctly, oil on canvas 78cm x 98cm (30.75in x 38.5in)

£400-600 146§ FG464/8 PERPETUA POPE (SCOTTISH 1916-2013) COTTAGES IN SKYE Signed, oil on board

147§ FG464/19 JENNIFER MCRAE (b. 1959) HEAD OF A BOY Signed with initials and dated ‘92, oil on board 22.5cm x 20cm (8.75in x 8in) Provenance: The Scottish Gallery, Edinburgh, April 1st 2000

£400-600

148§ FG464/24 WILLIAM DRUMMOND BONE (1907-1979) ARRAN FROM AYRSHIRE Signed and dated ‘70, oil on board 58cm x 90cm (22.75in x 35.5in)

£300-500

151§ FG464/41 ALEXANDER GRAHAM MUNRO (b. 1955) SPANISH TOWN Oil on board 56cm x 57cm (22in x 22.5in)

149§ FG464/29 ADAM NIEMCZYC (b 1914) PORTRET MODELKI Signed, inscribed and dated 1963 verso, oil on board

42cm x 48.5cm (16.5in x 19in)

60cm x 29.5cm (23.5in x 11.5in)

£400-600

£200-300

145

157

150’ No lot

£300-500

147

152

155

163

154

59cm x 40cm (23.25in x 15.75in)

155§ FG464/69 STEPHEN CONROY (SCOTTISH b. 1964) IMPRESSIONIST Signed and titled to margin in pencil, artist’s proof, etching

158§ FG464/85 MARJ BOND (SCOTTISH b. 1939) AYAH BAHGWAN Signed and dated ‘89, acrylic and gesso on board,

162 FG464/101 AUSTRALIAN ABORIGINAL DOT PAINTING Oil on canvas, possibly by Two Bob Tjungarrayi or Paddy Carroll Tjungarrayi

£500-700

29cm x 22.5cm (11.5in x 9in)

56cm x 56cm (22in x 22in)

£500-700

£300-500

156§ FG464/80 SARAH MCLAREN (SCOTTISH CONTEMPORARY) STILL LIFE Mixed media 63cm x 63.5cm (24.75in x 25in)

159§ FG464/87 PETER HOWSON (SCOTTISH b. 1958) THE LAST PRAYER Signed and dated ‘89, artist’s proof

103 x 50.5cm approx. Provenance: Sotheby’s ‘Interior Decorator’ sale, Lot 367, December 2nd 2003

£400-600

32cm x 24.5cm (12.5in x 9.5in)

152§ FG464/57 PAT DOUTHWAITE (SCOTTISH 1939-2002) WOMAN WITH BIG HAIR Pastel

153§ FG464/62A IAN HUGHES (SCOTTISH b. 1958) WHITE DISEASE Signed and dated ‘87, coloured print 31 x 25.5cm (12in x 10in) Provenance: The Printmaker’s Workshop, June 1992

£100-150 154§ FG464/68 PETER HOWSON (SCOTTISH b. 1958) NUDE IN TENEMENT BUILDINGS Signed to mount, dated ‘88 to label, oil on paper 22cm x 16cm (8.75in x 6.25in)

£300-500

£150-250 157§ FG464/82 ALFRED WOLMARK (BRITISH 1877-1961) ‘ROBED FIGURES IN THE STREET’ Signed and dated ‘27, inscribed label verso ‘Ferens Art Gallery, Alfred Wolmark Exhibition, March 22nd-April 13th 1975’, lent by the Fine Art Society, oil on canvas 62cm x 75cm (24.5in x 29.5in)

£500-800

160 FG464/88 FRAMED INDIAN WATERCOLOUR depicting a princely bearded man in a green foliate costume 18cm x 12cm (7in x 4.75in)

£200-300 161§ FG464/102 CLARE MACKIE (SCOTTISH CONTEMPORARY) MATTHEW THE MODEL Signed and dated ‘89 in pencil, ink and pstel on paper 40cm x 25.5cm (15.75in x 10in)

£400-600 163 FG464/103 R. B. KITAJ (AMERICAN 1932-2007) PRISONNIERS SOVIETIQUES (1941) Signed and dated 1964 in pencil to margin, artist’s proof, colour screenprint 54 x 87.5cm approx.

£800-1,200 164 FG464/115 ALICE MARY BURTON (BRITISH 1893–1968) PORTRAIT OF A CHILD Signed and dated 1957, oil on canvas 34cm x 24.5cm (13.25in x 9.5in)

£400-600 END OF DAY ONE

£200-300 19

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The Winter Paintings Sale featuring the Collection of Dr. Renate Davis

DAY 2 Saturday, 5th October, 2013 at 1am

Furniture, Rugs & Works of Art Lots 165-668 166

173

172

The Collection of a Jazz Singer: Todd Gordon - Part 2 165 FG464/2 PURPLE IRIDESCENT GLASS SPILL VASE moulded with thistles, set in a bronzed tripod base decorated with dragonflies 36cm high

171 FG464/15 WILLIAM IV ROSEWOOD AND GILT OVERMANTEL MIRROR with half columns painted with scroll work and deer

90cm high approx.

169 FG464/11 FRIESIAN CHIP CARVED FOLDING TRIPTYCH FRAME LATE 19TH CENTURY enclosing an Eastern European brass and blue enamelled icon

£150-250

icon 5 x 5cm; frame 26.5cm high

£200-300

167 FG464/7 SET OF FOUR DANISH LEATHER CHAIRS, BY ACTONA with maker’s labels to undersides (4)

£200-300 166 FG464/1 WALNUT COLLECTOR’S CABINET CIRCA 1830 the moulded rectangular top above ten narrow drawers, raised on a plinth base 72cm high, 40cm wide

£800-1,200

110cm wide approx

£200-300 168 FG464/5 OAK TRESTLE TABLE LATE 17TH CENTURY the narrow plank top above block legs united with stretchers 78cm high, 222cm wide, 64cm deep

£2,500-4,000

170 FG464/12 COLLECTION OF TABLE LAMPS all with shades, comprising: a modern Chinese rust ground example; a turned wooden lamp base; an obelisk form table lamp; and a Chinese ochre glazed ceramic base (4) £200-300

172 FG464/6 PAIR OF BRONZE THREE BRANCH CANDELABRA, BY CHRISTOPHE FRATIN, 1840-1860 each with sconces modelled with monkeys blowing horns, the column cast with game birds above the circular plinths cast with vines (2) 56cm high

£1,800-2,200

168

173 FG464/9 GEORGE III MAHOGANY FOLD OVER CARD TABLE CIRCA 1760 the rectangular hinged baize lined top with a flower carved border above the scrolled apron and single drawer, on square section chamfered legs 71.5cm high, 92cm wide

£800-1,200

174 FG464/10 POKER WORK COFFER LATE 19TH CENTURY of domed, rectangular shape, with a central shield inscribed ‘Mc.K’ 20cm wide

177 FG464/25 VICTORIAN ROSEWOOD CHIFFONIER with a carved scroll back above a single drawer and two panelled doors, flanked by canted columns

£200-300

109cm wide

£400-600 175 FG464/18 CARVED WOOD SNUFF MULL in the form of a turtle, the underside with a hinged lid 11cm wide

£200-300 176 FG464/13 CONTEMPORARY GLASS BOWL, POSSIBLY BY SAM HERMAN of shallow circular form, with a shaped rim to one side, the pink glass graduating to jade green, on a stand 49cm wide Provenance: Coleridge Gallery, Edinburgh, circa 1984

£200-300

178 FG464/46 PAIR OF CARVED BLACK FOREST BIRD FIGURE GROUPS 19TH CENTURY modelled as game birds and fowl, with vine and barley decoration to each base, converted to lamps (2) 30cm high approx.

£300-500 179 FG464/49 EBONISED COLUMN JARDINIERE STAND 19TH CENTURY with incised gilt decoration, surmounted by a later circular granite top 101cm high

£300-400

180 FG464/20 BEECH FRAMED THREESEATER SOFA upholstered by ‘Mulberry & Co.’, with an arched back and three loose cushions, on turned legs and brass castors, 227cm wide; together with FIVE ‘MULBERRY & WILLIAM YEOWARD’ CUSHIONS, of various size and design (6) £800-1,200 181 FG464/20A BEECH FRAMED THREESEATER SOFA upholstered by ‘Mulberry & Co.’, with an arched back and three loose cushions, on turned legs and brass castors, 227cm wide; together with FIVE ‘MULBERRY & WILLIAM YEOWARD’ CUSHIONS, of various size and design (6) £800-1,200 182 FG464/17 GOURD FORM POTTERY VASE, BY ROGER GUERIN EARLY 20TH CENTURY with a streak glaze, inscribed to the base 22cm high

£100-150

176

175

180 & 181

192

183 FG464/17A GLAZED POTTERY VASE, BY PETER HAYES the bulbous tapering body simulating wood, signed ‘Peter Hayes ‘88’ 21cm high Provenance: The Scottish Gallery, Edinburgh, March 7th 1998

£80-100 184 FG464/30 BURR WALNUT DINING CHAIR EARLY 18TH CENTURY with a shaped top rail and vase splat, over a serpentine drop-in seat, on cabriole legs ending in ball and claw feet, with alterations 109cm high

£300-500 185 FG464/34 OCTAGONAL MIDDLE EASTERN OCCASIONAL TABLE inlaid with decorative geometric patterns and borders, the legs with shaped mirab (the top surface A/F) 61cm high, 48cm wide

£100-200

195

197

186 FG464/40 VICTORIAN MAHOGANY UPHOLSTERED CENTRE STOOL with waisted sides and a hinged seat, raised on squat bun feet

187

191

184

199

44.5cm high, 47cm wide

190 FG464/47 GEORGE III MAHOGANY FALLFRONT BUREAU with a fitted interior above four graduated drawers, raised on bracket feet

£300-500

109cm high, 107cm wide

£300-500 187 FG464/31 EARLY GEORGE III MAHOGANY SNAP TOP TABLE of even colour, with a ring turned column, on a tripod base 70cm high, 78cm diameter

£800-1,200 188 FG464/37 CHINESE CLOISONNÉ VASE 19TH CENTURY of transitional shape with brass mounts, depicting foliate motifs, converted to a lamp

93cm high

191 FG464/33 GEORGE III MAHOGANY OPEN ARMCHAIR the arched back, seat and cutaway arms with Paisley pattern upholstery by ‘Mulberry & Co.’, on square section legs with ‘H’ form stretchers, brass and leather castors

£300-400

99cm high Provenance: Lyon & Turnbull, 2001

56cm high, 45.5cm wide

£1,000-1,500

195 FG464/43 GEORGE III MAHOGANY RAEBURN CHAIR with silk upholstery by ‘Mulberry & Co’, with leaf carved decoration to each arm, raised on moulded chamfered legs

42cm high

£300-500 189 FG464/44 REGENCY ROSEWOOD FOLD OVER GAMES TABLE the baize-lined D-shaped top with a beaded border, raised on a plain column and shaped base with bun feet

193 FG464/51 GEORGE II CUBAN MAHOGANY DINING CHAIR CIRCA 1750 with a paper scroll top rail over a pierced splat, with a drop-in seat, raised on carved cabriole legs with paw feet

192 FG464/21 PARQUETRY WORK BOX 19TH CENTURY the hinged lid opening to reveal a fitted lift-out tray 24cm wide

£80-120

194 FG464/53 VICTORIAN MAHOGANY FOLIO STAND with an open platform above four open shelves/dividers, flanked by two pairs of turned columns £300-400

73.5cm high, 91cm wide

92cm high Provenance: Lyon & Turnbull, 2001, sale 27, lot 357

£200-300

£1,200-1,800

196 FG464/48 CHINESE BRONZE JARDINIÈRE depicting fish in relief, with twin elephant mask handles 21cm high

£200-300 197 FG464/23 TRELLIS DECORATED GLASS JUG with a cylindrical neck above a bulbous body, with orange and blue decoration 28.5cm high

£80-120 198 FG464/89 PAINTED PINE FLUTED JARDINIÈRE with a composite carved column 110cm high

£200-300 199 FG464/54 SMALL GEORGE III MAHOGANY WINE TABLE the circular top raised on a reeded column and a tripod base 49cm high, 34cm diam Provenance: Sotheby’s ‘Furniture and Rug’ sale at Olympia, September 5th 2002

£1,000-1,500 23

203

200 FG464/74 GEORGE III MAHOGANY WASH STAND with a doubled hinged top over an interior with a mirror, above two drawers and a cupboard, raised on moulded legs

220

16cm wide

206 FG464/72 CHINESE CARVED HARDWOOD JARDINIÈRE STAND with a circular pink marble top, raised on four cabriole legs with pierced aprons

£200-300

92cm high

203 FG464/26 BURR WOOD PAPERWEIGHT 19TH CENTURY of oval, naturalistic form, weighted

£200-300

90cm high, 40cm wide

£150-250 201 FG464/90 SELECTION OF CREWELWORK ITEMS to include: a crewelwork panel; a matching pair of curtains and a pelmet, lined; and a tailored valance (for a single bed) and cushion (qty) £200-300

204 FG464/75 IMPRESSIVE ROSEWOOD WHEEL BAROMETER 19TH CENTURY the case profusely decorated with mother-of-pearl, copper and white metal motifs, with a main silvered dial above the thermometer gage

207 FG464/73 CONTINENTAL EMPIRE STYLE MAHOGANY AND BOXWOOD STRUNG PIER GLASS with applied brass flower heads, above the rectangular mirror plate

116cm high

£200-300

£400-600

202 FG464/100 NATIVE AMERICAN PAINTED WOOD TOTEM POLE carved with animals and masks in high relief

205 FG464/71 GEORGE III MAHOGANY FRAMED OPEN ARMCHAIR with bar back, drop-in seat and moulded tapered legs

69cm high

85cm high

£80-120

£300-400

226

103cm high, 42cm wide approx.

208 FG464/23A STAFFORDSHIRE FIGURE OF A PUG DOG modelled seated, with polychrome highlights 23.5cm high

£100-150 209 FG464/39 MINIATURE JAPANESE SATSUMA VASE of tapered form, decorated with fan shaped panels above a continuous frieze of spring blossoms, signature to underside, with a hardwood base 9.5cm high (excluding base)

£300-500 210 FG464/63 WALNUT CORNER CABINET 18TH CENTURY with a moulded cornice and a parquetry panelled door 93.5cm high

£300-500

211 FG464/116 ASPREY NOVELTY SILVER KNIFE REST in the shape of an elongated rabbit, marked London 1906, 8cm long; together with a PAIR OF SILVER THISTLE SHAPED SALTS, marked Birmingham 1876, 5cm diam.; and an EMBOSSED SILVER NAPKIN RING, marked Sheffield 1896 (4) £150-250 212 FG464/76 GEORGE III (AND LATER) CARVED OAK CHEST with an associated marble top above two short and three long graduated drawers 87cm high, 91cm wide

£200-300 213 FG464/32 ASSEMBLED OPAQUE GLASS SCULPTURE, BY CHARLES BRAY of abstract form, raised on a rectangular base 64.5cm high (excluding base) Provenance: The Coleridge Gallery, Edinburgh, circa 1984

£250-350 214 FG464/79 GEORGE III MAHOGANY AND GILT PIER GLASS the pediment with a Hoho bird and shaped apron, above the rectangular mirror plate 93cm high, 49cm wide approx.

£300-500 215 FG464/81 VICTORIAN ARCHED MAHOGANY FRAMED HEADBOARD with later ‘congo leather’ upholstery by ‘Mulberry & Co.’ 144cm wide

£200-300

209

213

222

208

216 FG464/83 PLAIN OAK COFFER 17TH CENTURY with an iron lock plate and cutaway ends 57cm high, 90.5cm wide

£400-600 217 FG464/84 WILLIAM IV UPHOLSTERED MAHOGANY FRAMED ARMCHAIR with a button back, and raised on brass castors £300-500 218 FG464/61 GEORGE III MAHOGANY LONG CASE CLOCK, BY JOHN HAMILTON, GLASGOW with a blind fretwork, swan neck pediment over the arched silvered dial with a moon plate, flanked by spiral fluted columns, above the panelled door with an inlaid star motif and raised base, with an eightday movement striking on a single bell

219 FG464/67 LATE VICTORIAN EBONY, EBONISED AND IVORY CREDENZA, BY HOWARD & SONS, LONDON the shaped top with quadrant ends above dentilled triglyph frieze and pair of glazed doors enclosing shelves, flanked by open mirror backed shelves, on plinth and flattened bun feet, bearing maker’s label 102cm high, 145cm wide Provenance: Lyon & Turnbull, 2000, sale 8, lot 676.

204

221 FG464/77 CHINESE BRONZE CENSOR 19TH CENTURY in the form of a Fo dog with a ball 23cm wide

£300-500

224 FG464/91 MAHOGANY PANEL DOOR BEDSIDE CABINET on a plinth, 47cm wide; together with a VICTORIAN MAHOGANY BALLOON BACK DINING CHAIR (2) £200-300

222 FG464/94 CHINESE BRONZED BUDDHA HEAD of typical form, with elongated ears, raised on a modern wooden stand

225 FG464/92 MAHOGANY FRAMED ARMCHAIR LATE VICTORIAN with striped upholstery

26cm high

84.5cm high

£300-500

£100-200

223 FG464/86 STAINED PINE AND IRON BOUND KOREAN CHEST the fall-front opening to reveal three drawers 72.5cm high, 98cm wide

226 FG464/36 ART NOUVEAU JARDINIÈRE of ovoid form with four frilled lug handles, with flambé glaze decoration, stamped ‘Jerome Massier’

£300-500

36cm diam.

£500-800 220 FG464/65 CHINESE CAMPHOR COFFER carved with dragons in relief to the hinged lid, above foliate decoration 33cm high, 80cm wide

£200-300

£300-500

236cm high

£2,000-3,000

234

227 FG464/93 VICTORIAN MAHOGANY KNEEHOLE DESK with three frieze drawers above two panel doors 78cm high, 110cm wide

£200-300 228 FG464/95 CHINESE MILLEFIORI TWIN HANDLED PORCELAIN VASE the ovoid body with grotesque rouge-de-fer and gilt mask handles, with all over gilt and polychrome decoration, converted to a lamp 27cm high

£200-300

228

230 FG464/99 PAIR OF JAPANESE BRONZED VASES each of bottle form, decorated with dragons in high relief, with marks to underside, on a hardwood base, converted to lamps (2)

233 FG464/118 VICTORIAN IRON AND BRASS HEADBOARD of typical open form, with a horizontal brass top rail surmounted by ball finials, above the vertical moulded iron supports

37cm high (excluding fittings)

148 x 107cm

£200-300

£80-120

231 FG464/96 VICTORIAN MAHOGANY PIER GLASS with a reverse breakfront pediment above the half columns flanking the rectangular mirror plate

234§ FG464/78 STONEWARE FIGURE, BY KEN RYAN CIRCA 1990 modelled as a bull’s head, raised on a tapered plinth

78cm high, 57cm wide

229 FG464/98 FOUR JAPANESE WOODBLOCK PRINTS each signed, depicting various scenes of geisha girls, in giltwood frames (4)

£150-250

26.5 x 19.5cm approx.

232 FG464/64 LARGE CRANBERRY GLASS VASE of bottle shape, decorated with prunts

£150-250

55cm high

£200-300

235

232

75cm high (overall) Provenance: The Scottish Gallery, Edinburgh, June 1990

£300-500

235 FG464/97 REGENCY OVER PAINTED WROUGHT IRON BENCH the open back above a slatted seat and scroll arms, on cabriole legs 78.5cm high, 183cm wide approx.

£800-1,200 236 FG464/114 PATINATED SHIP IRON GARDEN SCULPTURE of abstract form, the open hands supported by columns simulating arms 130cm high, 58cm wide

£150-250 237 FG464/117 PAIR OF ANTIQUE CHIMNEY POTS each of octagonal form, with an ogee shaped neck and base, 72cm high; together with a CAST IRON GUTTER HEAD (3) £150-250

238

245

242

243

Other Properties 238 FF687/5 IRONWORK TREE SEAT of sectional circular form 126cm wide, 88cm high, 44cm deep

119cm wide, 111cm high, 56cm deep

244 FF96/1 PAIR OF VENETIAN MIRRORS 20TH CENTURY the oval bevelled mirror plate within an engraved mirrored frame (2)

£200-300

64cm wide, 80cm high

246 FF066/1 SET OF SIX VICTORIAN MAHOGANY BALLOON BACK DINING CHAIRS the shaped back and horizontal splat above a serpentine seat, raised on turned fluted legs

£300-500

48cm wide, 91cm high, 46cm deep

241 FG294/4 VICTORIAN MAHOGANY CHEST the rectangular top above four graduated drawers, raised on a plinth base

£500-700 239 FC789/5 CHINESE HONGMU KANG TABLE QING DYNASTY, 19TH CENTURY the cleated rectangular top and shaped frieze on scroll carved legs

242 FG330/25 VICTORIAN MAHOGANY FOUR DOOR BREAKFRONT WARDROBE the moulded cornice above panel doors enclosing shelves, flanked on either side by hanging space, raised on a plinth base

75cm wide, 25cm high, 40cm deep

244cm wide, 212cm high, 76cm deep

£200-300

£600-800

240 FG293/1 REGENCY MAHOGANY AND ROSEWOOD FOLD OVER CARD TABLE the rounded rectangular top above a shaped support, raised on out swept ebony strung legs and brass lion paw feet and casters

243 FF72/66 SET OF SIX QUEEN ANNE STYLE WALNUT DINING CHAIRS the shaped top rail and vertical vase shaped splat, above a drop in pad seat, raised on moulded cabriole legs, united by stretchers

90cm wide, 75cm high, 44cm deep

51cm wide, 105cm high, 41cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£200-300

£250-350 245 FB67/1 IMPRESSIVE JAPANESE CARVED HARDWOOD AND MARBLE INSET SETTEE 20TH CENTURY the pierced triple arch high back carved in high relief with dragons, phoenixes, clouds, fu lions and a group of nude meiren, and centred by a cartouche carved with clouds, waves, pavilions and a dragon with a central white marble medallion, over a shaped serpentine seat flanked by scrolling arms carved with further nude meiren resting on waves, above a pierced seat rail and carved short cabriole legs 200cm wide, 140cm high, 61cm deep

£2,000-3,000

247 FF153/25 OAK REFECTORY TABLE MODERN the rectangular plank top with cleated ends raised on chamfered straight legs joined by an H-stretcher 198cm long, 76cm high, 92cm deep Provenance: Selected contents of Lorton Park, Cumbria

£500-800 248 FG330/19 PAIR OF LOUIS XVI STYLE MAHOGANY FRAMED LEATHER BERGERES the arched back and down swept arms above a cushioned seat, raised on moulded square legs (2) 67cm wide, 89cm high, 52cm deep

£300-500

£800-1,200

249

250

256

259

249 FG330/21 NEAR PAIR OF GEORGE II STYLE SERVING TABLES the serpentine gadrooned top above two frieze drawers, raised on square tapering legs and paw feet (2) 130cm wide, 93cm high, 64cm deep

£1,000-1,500

252 FG437/6 GLASGOW SCHOOL FUMED OAK HIGH BACK CHAIR, CIRCA 1900 the serpentine top rail above slatted back and drop in seat, raised on square tapering legs linked by stretchers £200-300

254 FF175/28 MAHOGANY AND INLAID CORNER WASHSTAND the arched back above three tiers, with a central drawer flanked by dummy drawers, raised on outswept square legs, united by an under tier

257 FF687/9 EDWARDIAN TWEED WING BACK ARMCHAIR upholstered in jackets, the cushioned back and out swept arms above a cushioned seat, raised on bun feet

52cm wide, 111cm high, 34cm deep

£700-900

146cm wide, 62cm high, 81cm deep

£150-180 250 FG249/5 GEORGE III MAHOGANY BOWFRONT CHEST the shaped top above two short and three graduated long drawers, raised on bracket feet 107cm wide, 97cm high, 58cm deep

£300-500 251 FG396/1 UPHOLSTERED HOWARD & SON CHAIR 20TH CENTURY the cushioned back and deep seat, raised on turned legs and brass casters, bearing makers stamp 97cm wide, 83cm high, 60cm deep

£150-180

253 FF164/11 MAHOGANY LONGCASE CLOCK 19TH CENTURY the drumhead hood enclosing a circular white painted dial inscribed ‘George Stoddart, Edinburgh’, with Roman nd Arabic numerals, subsidiary seconds and date dial, with an eight day movement striking on a bell, the trunk of plain design with box inlay, all raised on bracket feet 198cm high

£400-700

255 FF179/18 EDWARDIAN MAHOGANY CHEVAL MIRROR the oval mirror plate within an ebony and boxwood strung frame, flanked by reeded supports, above a shaped base, raised on sabre legs and brass castors 70cm wide, 174cm high, 61cm deep

£300-400 256 FF65/2 HOWARD STYLE SOFA upholstered in heavy flat weave material, the double arched back above loose cushions, raised on turned legs and brass casters 176cm wide, 70cm high, 72cm deep

£300-500

258 FG299/2 TWO SECTIONAL BARRISTERS BOOKCASES each with five graduated glazed sections, raised on a plinth base 89cm wide, 176cm high, 29cm deep

£400-600 259 FG306/2 FRENCH FRUIT WOOD DRESSER BASE 19TH CENTURY the rectangular top above three panel doors, raised on bracket feet 217cm wide, 93cm high, 60cm deep

£500-800

265 FF687/8 CHROME AND MAHOGANY ANGLE POISE STANDARD LAMP MODERN raised on a tripod base, wired for electricity

267 FF156/2 GEORGIAN STYLE FAUX LEATHER FOOTSTOOL MODERN the square buttoned top, raised on squat fluted legs and brass caps and ceramic casters

173cm high, 60cm wide (at widest

104cm wide, 40cm high

point)

£200-300

260 FG306/3 VICTORIAN MAHOGANY TWIN PEDESTAL DESK the moulded rectangular top with an inset tooled writing surface above a central drawer, flanked on either side by four graduated drawers, raised on plinth bases

262 FE359/30 GEORGE III STYLE MAHOGANY CELLARET 19TH CENTURY Cove moulded rectangular hinged top opening to reveal a mahogany lined interior, raised on acanthus moulded cabriole legs and ball and claw feet.

138cm wide, 77cm high, 60cm deep

58cm wide, 68cm high, 37cm deep

£300-400

£200-300

261 FG308/1 EIGHT DAY LONG CASE CLOCK, BY JOHN TODD GLASGOW the painted arched dial with subsidiary second and date dials, within a hood with a moulded cornice and fluted uprights, over a rectangular door, flanked by turned pilasters, raised on bracket feet 53cm wide, 227cm, 24cm deep

£800-1,200

263 FG440/1 MAHOGANY HIGHCHAIR the fixed seat with shaped rails and a fold down tray, above the splayed legs united by stretchers and raised on wheels 95.5cm high

£100-200

266 FF155/1 SET OF EIGHT MAHOGANY DINING CHAIRS BASED ON THE CHIPPENDALE PLATE DIRECTORY EARLY 20TH CENTURY the shaped carved top rail above a pierced vertical splat, over a celtic tooled leather drop in pad seat, raised on carved cabriole legs and ball and claw feet

268 FC789/6 CHINESE STAINED SOFTWOOD HANGING CORNER CABINET LATE QING DYNASTY of bow front outline with four glazed panel doors enclosing shelves 31cm wide, 119cm high, 20cm deep

£150-250

123cm wide, 70cm high, 45cm deep

269 FE684/8 REGENCY PAINTED EGYPTIANESQUE MIRROR the shaped bevelled mirror plate within an inverted breakfront frame, flanked by fluted columns, surmounted by sphinxes

£250-350

76cm wide, 99cm high

264 FG311/1 MAHOGANY OVAL GATE LEG TABLE the moulded top above a plain frieze, raised on turned legs and pad feet

62cm wide, 103cm high, 43cm deep

£800-1,200

£400-600

253

265

261

257

270

284

280

281

270 FE396/22 GEORGE III MAHOGANY BUREAU 18TH CENTURY the slant front opening to a fitted interior with a baize lined writing surface, over four graduated drawers, raised on shaped bracket feet 94cm wide, 97cm high, 52cm deep Provenance: Private collection, Aberdeenshire

£300-500 271 FF687/10 WHITE UPHOLSTERED BEDROOM CHAIR, BY HOWARD & SONS the arched button back above a loose cushioned seat, raised on turned legs and ceramic casters 64cm wide, 72cm high, 53cm deep

£500-600

272 FG231/4 PAINTED DOOCOT 20TH CENTURY the steeply raked shingled roof above six pigeon holes 63cm wide, 74cm high, 28cm deep

£200-250 273 FG249/1 GEORGIAN STYLE MAHOGANY INVERTED BREAKFRONT BOOKCASE CABINET 19TH CENTURY the moulded cornice above astragal glazed doors, enclosing shelves, over associated base with panel doors, raised on a plinth base 129cm wide, 225cm high, 44cm deep

£250-350 274 FG373/30 CHINESE BRASS TOPPED TABLE the decorative circular top with a lobed rim, above a fold-away hardwood frame 60.5cm high

£150-250

275 FG373/31 CARVED CHINESE HARDWOOD CHAIR the shaped seat and back raised on two open legs, carved all over with peonies and rockwork

277 FF175/32 WHYTOCK AND REID COCKPEN ARMCHAIR the interlinked back above shaped arms, over a cushioned seat, raised turned legs united by stretchers

99cm high

59cm wide, 90cm high, 48cm deep

£100-200

£300-500

276 FF164/6 MAHOGANY REGULATOR LONG CASE CLOCK 19TH CENTURY the hood with a pointed pediment enclosing the circular silvered dial with sweep second hand, subsidiary minute and hour dials, inscribed ‘William Gray, Mid Calder’ and numbered/dated ‘1855’, the trunk with a glazed door, canted corners, a plain base, and raised on a plinth

278 FF175/16 FRENCH WALNUT OPEN ARM CHAIR the moulded cushioned back and out swept arms above a cushioned serpentine seat, raised on cabriole legs

203cm high

£1,000-1,500

54cm wide, 90cm high, 44cm deep

£150-250 279 FE157/23 EARLY GEORGE III MAHOGANY CORNER CUPBOARD MID 18TH CENTURY the reeded and moulded cornice above a pair of panel cupboard doors with bead moulding, opening to a green painted and shelved interior 110cm wide, 210cm high, 70cm deep

£500-800

277

273

272

271

280 FE396/5 VICTORIAN WALNUT AND INLAY DESK 19TH CENTURY the shaped oval top with a red leather insert writing surface and ebonised wells for pens and inkwells, outlined in line and foliate inlay, above a frieze drawer, raised on carved trestle supports joined by a turned stretcher and raised on cabriole legs ending in scroll toes with castors 102cm wide, 72cm high, 50cm deep Provenance: Private collection, Aberdeenshire

276

282 FG559/2 SYRIAN OCTAGONAL BONE AND MOTHER OF PEARL INLAID LOW TABLE the top and sides inlaid with symmetrical designs and pierced decoration

285 FG249/4 ART NOUVEAU BRASS STANDARD LAMP the adjustable upright above scrolling supports and foliate moulded feet

38cm high

50cm wide, 156cm high

£200-300

42cm wide, 50cm high

£200-300

£300-500 283 FG559/3 SYRIAN MOTHER OF PEARL INLAID WORK TABLE the hinged top opening to reveal a lined interior, above a shaped frieze and legs 44cm wide, 54cm high

£200-300

£300-500

281 FG468/1 PAIR OF EMPIRE STYLE MAHOGANY AND GILT ARMCHAIRS the serpentine cushioned back and out scrolling arms, above a cushioned seat, raised on turned reeded legs

284 FG249/2 GEORGE III MAHOGANY AND INLAID DEMI LUNE FOLD OVER CARD TABLE the cross banded top above an inlaid frieze, raised on square tapering legs and spade feet

121cm wide, 113cm high, 55cm deep

£200-300

286 FG249/6 GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK the painted arched dial with subsidiary date aperture and second dial, within a hood with a broken swan neck pediment, above fluted pilasters, raised on a plinth base 47cm wide, 218cm high, 25cm deep

£800-1,200

91cm wide, 74cm high, 46cm deep

£300-500

288 FB57/5 STAINED WOOD AND BRASS BOUND COAL BUCKET of tapering form, with three brass bands (A/F)

289 FG440/7 PORCELAIN FIGURAL DISH LATE 19TH CENTURY the elongated shaped oval dish supported by four standing putti and raised on three gilt decorated feet, the exterior moulded with polychrome flowers in high relief, the interior painted with a floral spray, with printed and impressed marks to base 44cm wide

287 FG311/2 BAMBOO STOOL IN BRIGHTON PAVILION STYLE the square cushioned top above a fretwork frieze, raised on legs united by stretchers £180-220

£150-250 290 FE371/9 PAIR OF GILT BRONZE WALL SCONCES 20TH CENTURY each with five outscrolling arms mounted on a reeded column bracket, all below a flaming urn finial (2) 52cm high

£200-300

297

305

310

314

291 FE652/39 COLLECTION OF WORLD STAMPS comprising of various covers, in a bound album, including some loose pages £150-250 292 FG325/3 SPELTER FIGURE, AFTER AUGUSTE MOREAU ‘AMOUR DÉSARMÉ’ modelled as a seated nymph or Venus destroying Cupid’s arrows with fire, with an inscribed plaque and signed to the reverse, all raised on a marble-like base 63.5cm high overall

£400-600 293 FG325/4 PAIR OF BRONZE FIGURES, SIGNED BOYES EARLY 20TH CENTURY each raised on a marble base, the first modelled as a man carrying a water jug, signed ‘S.BOYES 1910’, the second depicting a mother and child, signed ‘Sidney Boyes 1910’ (2) tallest 23cm high overall

£400-600

294 FB66/21 MEISSEN GROUP OF FIGURES BY AN APPLE TREE 20TH CENTURY modelled as a courting couple by an apple tree, the gallant holding a pocket watch, the seated lady with a basket of flowers at her feet, a girl with apples beside them, blue crossed swords marks, incised ‘D94’, press No. ‘119.’ 26.5cm high

£300-500 295 FB66/22 MEISSEN FIGURE GROUP OF APPLE PICKERS 20TH CENTURY modelled as a boy perched in a tree picking apples with two other boys at the tree’s base and a woman catching apples in material beside them, on a naturalistic grassy mound base, blue crossed swords mark, incised No. ‘1998’ 29cm high

£300-500

296 FG427/5 COLLECTION OF GLASS ICE PLATES comprising: a near set of 12 opaline glass examples, 18cm diam.; a set of four plain glass plates, 15.5cm diam.; and two cut glass examples, 16cm diam. (18) £150-250

299 FC190/21 CARVED AND GESSO POLYCHROME FIGURE OF ‘AUTUMN’ 19TH CENTURY modelled as a standing draped maiden with grapes in her hair and holding aloft a pinecone, on a square plinth base 139cm high

£200-300 297 FG427/4 GROUP OF GREEN GLASS DUMP PAPERWEIGHTS of various ovoid size, comprising three with internal flowers, and two with bubbles (5) tallest 12.5cm high approx.

£150-250 298 FB72/21B SET OF SEVEN GILT METAL WALL LIGHTS each with a moulded support and two outscrolling arms, with cut glass swags and droplets, six surmounted by a scrolled column, one without, 23cm wide; and a SET OF THREE GILT METAL WALL LIGHTS, modelled with birds, 24cm high (10) £250-350

300 FF175/14 CAULDON PART PORCELAIN DINNER SERVICE each piece decorated with a greek key border and gilt highlights, with maker’s marks, comprising of: five graduated ashets; a large tureen and cover; two oval tureens and covers; a smaller oval tureen, cover and stand; a further stand; 17 dinner plates; 14 soup plates; eight luncheon plates; 18 dessert plates; six side plates and 12 crescent shaped dishes; together with a QUANTITY OF ASSOCIATED DINNER WARES, variously marked (qty) £250-400

301 FG348/1 FRAMED SILKWORK PANEL, BY MARIA ROBINSON, 1813 of rectangular form, depicting a flower spray within decorative foliate borders above the inscription ‘Maria Robinson’s work, 1813.’, in a glazed giltwood frame

305 FG427/12 SEVRES STYLE COVERED CUP AND SAUCER each piece decorated with a polychrome, blue and gilt border, the cup with a hand painted scene depicting lovers, with maker’s marks (2)

tallest 36cm high

overall 12cm high

£250-450

44 x 40.5cm

£200-300

£300-400 302 FG370/2 BLACK LACQUERED AND MOTHER-OF-PEARL INLAID INK WELL of rectangular form, with a stamp box, two glass and silver plated ink wells, and a pen tray, raised on four flattened feet

306 FD555/5 FRENCH GILT METAL RELIQUARY FIGURE 19TH CENTURY gilt patina, modelled as a kneeling angel holding a cushion and supporting a circular bevelled glass locket in a hinged clasp

28cm wide

19cm high

£150-250

303 FC337/3 COLLECTION OF PHARMACY BOTTLES AND JARS variously marked ‘Trademark Y G Co.’, comprising of: a variety of coloured and clear glass bottles, some with labels and stoppers; and a small group of ceramic jars, with labels and some with covers (qty) £200-300

307 FF168/59 PAINTED AND GILDED METAL CHANDELIER AND WALL LIGHTS OF RECENT MANUFACTURE each modelled with wheat sheaves, the chandelier with five out scrolling arms, the wall lights with two out scrolling arms each, with shades, wired for electricity (3) chandelier 52cm high; wall lights 42cm high

304 FF175/54 GROUP OF AIR AND OPAQUE TWIST STEM GLASSES comprising of: an air twist stem glass with a fluted bowl, 18cm high; a red and white double twist stem example, with an etched fluted bowl, 15.5cm high; an opaque double twist stem glass, also with an etched fluted bowl, 16.5cm high; and a large red, blue and white double twist stem example, the conical bowl etched ‘1937 ER VIII’ (4) £200-300

£400-600 308 FF178/10 BOXED MOTHER OF PEARL AND ABALONE CASED ICON the ornate glazed case with a decorative pediment, enclosing carved figures depicting the nativity, with a fold-out stand and a fitted box 38.5cm high

£500-700

309 FF179/64 NEAR PAIR OF GEORGE III MAHOGANY KNIFE BOXES each with a serpentine front and banding, one with a void interior, the other fitted for cutlery (2)

310 FF179/107 BRONZE FIGURE OF A LYNX, SIGNED SOMERVILLE dark brown patina, modelled as a recumbent lynx with prey on a naturalistic ground, indistinctly signed ‘*. W. Somerville, 1913’ 24.5cm wide

£400-600 311 FF72/27 GEORGE III STYLE WALNUT & PARCEL GILT WALL MIRROR the shaped mirror plate within a gilt slip and fretwork frame, surmounted by a ho ho bird 72cm wide, 68cm high Provenance: The Estate of Dr. Renate Davis, Deceased

£200-300 312 FG221/1 PAIR OF GERMAN U-BOAT BINOCULARS, BY CARL ZEISS CIRCA 1930S/40S of typical form, with rubber lens covers, marked ‘7 x 50, 56494, blc’ overall 19cm high

£500-700 313 FG427/13 SUNDERLAND PINK LUSTRE MUG of typical from, decorated with an inscription by Charles Lamb known as ‘A Birthday Thought’ to one side, and a masted ship to the other, on a pink mottled lustre ground

314 FF168/41 COLLECTION OF ENGLISH PORCELAIN TEA AND COFFEE WARES all variously decorated in the chinoiserie taste or imari palette, with maker’s marks, comprising of: two Derby coffee cans; a miniature Derby bottle vase; a Barr, Flight and Barr tea cup and saucer; and a further coffee can (6) £100-150 315 FG427/15 WHITE GLAZED CERAMIC FOOTBATH of typical form, with twin handles, the body moulded with horizontal bands 42cm wide (at widest point)

£150-250 316 FB72/21 NEAR SET OF CUT GLASS WALL APPLIQUES each of similar design with cut glass drip trays and decorative droplets, comprising of: two with three outscrolling arms, supported by scrolled columns and cut glass swags; three with two outscolling arms and scrolled columns; two cut glass wall appliques, and a collection of other sconces and droplets (qty) £400-600 317 FF687/2 STAINED WOOD AND BRASS BANDED BUCKET of typical from with a leather bound bale handle and a metal liner, decorated with the Royal Coat of Arms between three brass bands 31cm high

£200-300

12cm high

£200-300

294

303

306

318

318 FF687/6 LARGE COMPOSITE FIGURE GROUP modelled as two amorous putti, on an oblong base 64cm wide, 51cm high, 41cm deep

£500-700 319 FG330/22 PAIR OF LOUIS XVI STYLE GILT BRONZE WALL LIGHTS each with three outscolling arms draped with flower swags, support by a column modelled as a quiver with arrows, marks to reverse, wired for electricity (2) 56cm high

£300-500 320 FG374/1 BRONZE FIGURE GROUP, SIGNED ‘FALKRIK’ with brown and golden patina, modelled as a greyhounds playing with a ball on an oval shaped base 16cm high, 22.5cm wide approx.

£150-250 321 FG381/1 LARGE CARVED OAK BRACKET CLOCK CIRCA 1900S the case with a broken swan neck pediment, above the reeded columns flanking a silvered dial with Roman numerals and a gilt dial plate with three subsidary dials, the movement striking on a bell and a gong 59.5cm high

£400-600

336

325

322 FG395/3 PARIAN BUST OF APOLLO raised on a socle base and inscribed ‘Art Union of London, 1881’, ‘C. Delpech REDI’, ‘Published February 1 1861’, on a black painted wall bracket/shelf

326 FB72/21A SET OF SEVEN MIRROR BACK WALL LIGHTS each of tapered form, with a gilt metal frame hung with glass prisms, wired for electricity (7) 20.5cm high, 24cm wide approx

£200-300

34cm high

£150-250 323 FD754/8 ENGLISH PORCELAIN PART TEA AND COFFEE SERVICE 19TH CENTURY decorated with floral garlands with blue bands and gilt details, marked on the underside with iron red pattern number 2733, comprising of: a teapot, covered sugar bowl, cream jug, waste bowl, eight coffee cups, twelve teacups, twelve saucers and a side plate (qty) 27cm wide, 21cm high

£150-250 324 FE363/5 ROYAL WORCESTER FOOTED BOWL DATE CODE FOR 1899 the ovoid body depicting panel with exotic birds on a blue and gilt ground, above the knopped stem and circular foot, all decorated with green and gilt highlights, maker’s marks 18cm high

£200-300

327 LT2013/31 PAIR OF PAINTED POST BOXES inscribed ‘POST OFFICE LETTER BOX VR,’ the detachable cover inscribed ‘ANSWERED’ and ‘UNANSWERED, raised on moulded plinth bases, the painted surface refreshed (2)

329 FE396/64 FRENCH BRASS CLOISONNE ENAMEL REPEATING CARRIAGE CLOCK LATE 19TH / EARLY 20TH CENTURY the four glass case with stylised foliate enamels in a blue ground and corinthian corner columns flanking a white enamel Roman numeral dial and subsidiary dial, the double fusee movement striking on a bell 10cm wide, 16cm high, 9cm deep Provenance: Private collection, Aberdeenshire

£150-250

37cm high

£400-600 328 FG436/1 VICTORIAN PAPIER MACHE REEL BOX, BY CLARK & CO., PAISLEY of rectangular form, the hinged lid depicting a sepia view of ‘The silver strand - Loch Katrine’, above maker’s inscription ‘ Clark & Co., Anchor Mills, Paisley’, the void interior fitted with a mirror 33.5cm wide

£150-250 328A FF193/3 SMALL SWISS CARVED SOFTWOOD CABINET 19TH CENTURY carved with game birds in high relief above two long drawers and two hinged doors, opening to reveal three further long drawers

330 FF167/4 LARGE VICTORIAN ARMORIAL PART DINNER SERVICE each piece with a gilt border surrounding a crest and the inscription ‘Labore et Virtute’ (possibly for Pigott), some bearing marks, including the Victorian lozenge mark, a retailer’s stamp, and ‘a6243’, comprising of: nine graduated ashets; a vegetable tureen, cover and stand; two tureens and covers; two sauce tureens, covers and stands; a soup tureen (cover lacking); 36 dinner plates; 13 soup plates; and 23 luncheon plates (qty) £250-350

15cm high

331 FF168/3A WORCESTER OR CAUGHLEY BLUE AND WHITE MOULDED CABBAGE LEAF JUG of typical form, with a mask spout and scroll handle, decorated with the ‘Pine Cone’ pattern above a gilded rim, blue crescent mark to underside

£150-250

24cm high

325 FF168/55 LOWESTOFT POLYCHROME TEAPOT of typical ovoid form, decorated to the body and cover with flower springs and sprays in reserves

46cm high approx.

£200-300

£150-250

322

332 FF175/13 LARGE PART SET OF CUT DRINKING GLASSES AND BOWLS each piece with a strawberry cut bowl above a decorative border, comprising of: 11 bowls; 10 tumblers; and five sets of variously sized liqueur glasses; together with a SET OF FIVE WINE GLASSES; a SET OF THREE CUT BOWLS; and TWO TUMBLERS (qty) £200-300 333 FF175/13A SET OF THREE CUT GLASS DECANTERS AND STOPPERS each of bottle shape, with strawberry cut decoration, 33.5cm high; together with a SET OF FOUR CUT GLASSES CANDLE STICKS, each with a decorative strawberry cut knopped stem, with a removable sconce, 25cm high (7) £250-350

331

334 FF175/7 MAHOGANY AND BRASS BOUND BUCKET of tapering form, with five brass bands, a brass liner, and a bale handle 34cm high

£150-200 335 FF175/53 GILDED AND PAINTED WOODEN BOX of shaped rectangular form, decorated with reserves depicting flowers, the hinged lid opening to reveal a silk lined interior, all raised on four squat feet 14 x 44 x 30cm

£120-180 336 FF687/12 AUSTRIAN ANTLER MOUNTED STICK STAND modelled with sets of curved antlers above the carved wood column, and raised by a circular stand fitted with a ceramic tray 93cm high approx.

£600-800

329

337 FF177/32 CASED SEXTANT, SIGNED JANET TAYLOR & CO, LONDON 19TH CENTURY of typical form, the scale inscribed ‘Janet Taylor & Co.,104 Minories, London’, with two sighting tubes, the case with various paper labels 28cm wide Note: Janet Taylor was an English astronomer and writer. She took out several patents for improvements to navigational instruments and ran a series of lectures on navigation and astronomy. She was one of the only woman working in her chosen field in the 19th century, her patroness being Queen Charlotte, widow of George III.

£300-400 338 No lot

339 FG152/3 WILLIAM IV MAHOGANY TEA POY 19TH CENTURY the sarcophagus form caddy top with a hinged lid opening to an interior fitted with four covered tea wells and a pair of cut glass footed waste bowls, raised on a hexagonal tapered column and quatreform base raised on scroll feet with castors 39cm wide, 83cm high, 33cm deep

£150-250 340 FG152/4 EARLY VICTORIAN SATINWOOD WORK TABLE BY J. ASPINWALL, LONDON MID 19TH CENTURY the foliate carved three quarter gallery over a plain frieze with a green silk covered work basket flanked by end drawers, raised on trestle supports joined by a turned stretcher legs terminating on C-scroll brackets and turned cup feet with brass castors, the drawer stamped ‘J. Aspinwall 70 Grosvenor St’ 61cm wide, 78cm high, 44cm deep

£250-350

323

363

341 FG373/13 INDIAN HEXAGONAL TABLE the top surface inlaid with scrolling brass leaves, above the carved sides of similar design 56cm high, 52.5cm wide

£200-300 342 FG373/14 CHINESE HARDWOOD LOW KANG TABLE the rectangular top above a shaped apron and square set legs 28cm high, 76.5cm wide

£200-300 343 FE366/16 LEATHER WINGBACK ARM CHAIR the shaped back and out scrolled arms above a loose cushioned seat, raised on moulded square legs, united by stretchers

356

344 FE500/13 WILLIAM IV MAHOGANY SOFA upholstered in Andy Warhol inspired fabric with repeating Liza Minnelli print, the carved top rail above a cushioned back and arms and a loose cushioned seat, raised on turned fluted legs and brass caps and casters, 214cm high, 90cm high, 58cm deep; together with a COLOURED PLATE, depicting a similar sofa design, signed ‘J. Taylor Del, 16 Bedford Court Gardens’, framed and glazed, 13.5 x 20.5cm (2) Provenance: The Collection of the late Terry Brodie-Smith

£400-600 345 FF687/11 WICKER HAMPER of typical form with metal catches and handles to either side

80cm wide, 111cm high, 50cm deep

90cm wide, 57cm high, 53cm deep

£300-500

£200-300

358

346 FF55/1 CHARLES II OAK DRESSER 17TH CENTURY AND LATER the later superstructure with a moulded cornice over shelves flanked by panel moulded cupboard doors and open compartments; the lower part with a moulded edge over three panel moulded drawers, raised on turned baluster and block legs 176cm wide, 222cm high, 44cm deep

348 FG152/7 GERMAN BURR WALNUT SOFA TABLE 19TH CENTURY the oval top with drop ends and a beaded edge, over a single long frieze drawer with drop finials at the corners, raised on flattened vasiform trestle supports on scrolled feet and joined by a spiral turned stretcher, stamped with a serial number and ‘Mainz’

£400-600

179cm wide (open), 73cm high,

347 FF65/1 HOWARD STYLE TWO SEATER FLORAL SOFA the shaped cushioned back and arms above loose cushioned seats, over a serpentine frieze, raised on turned legs and ceramic casters

£500-700

94cm deep

156cm wide, 83cm high, 70cm deep

£300-500

349 FG196/3 LARGE VICTORIAN TERRACOTTA COVERED URN AND PEDESTAL 19TH CENTURY the leaf and vine moulded cover with a pinecone finial above a baluster body with opposing vine handles and applied with anthemion and fruiting vine garlands, on a leaf moulded socle foot, raised on a square pedestal base 217cm high

£800-1,200

345

354

366

350 FG322/3 SET OF SEVEN CHIPPENDALE STYLE MAHOGANY DINING CHAIRS the shaped top rail above a pierced vertical splat, over a stuff over seat, raised on cabriole legs and pad feet

346

354 FF687/1 BLACK LEATHER THREE SEATER CHESTERFIELD SOFA the buttoned back and arms above a loose cushioned seat, raised on ceramic casters 205cm wide, 76cm high, 55cm deep

£1,600-2,200

54cm wide, 96cm high, 42cm deep

£350-450 351 FG325/2 GEORGIAN STYLE MAHOGANY AND INLAID PEMBROKE TABLE the canted rectangular top above a frieze drawer to either side, raised on square tapering legs 95cm wide, 76cm high, 51cm deep

£250-350 352 FE367/1 GEORGIAN STYLE MAHOGANY BOWFRONT SIDEBOARD the shaped top above a frieze drawer over inlaid cupboard doors, raised on square tapering legs and spade feet 122cm wide, 85cm high, 61cm deep

£300-400 353 FE396/2 REGENCY MAHOGANY WORK TABLE 19TH CENTURY the rectangular hinged top with canted corners opening to a fitted interior and sliding gold silk lined work bag, raised on lyre supports with a turned stretcher 40cm wide, 72cm high, 34cm deep Provenance: Private collection, Aberdeenshire

£120-180

343

359 FG231/1 GEORGIAN MAHOGANY CHILD’S CHAIR the caned moulded arched back and down swept arms above a serpentine seat and turned legs united by cross stretchers, raised on a base 40cm wide, 99cm high, 33cm deep

355 FG311/3 ORIENTAL FRUITWOOD SIDE TABLE the square moulded top above a frieze drawer, raised on square legs, united by stretchers 41cm wide, 71cm high

£300-350 356 FF193/8 GEORGIAN GILT WOOD OVERMANTLE MIRROR the shell and acanthus moulded panel above a rectangular mirror plate, flanked by columns 60cm wide, 98cm high

£150-200 357 FF179/57 MAHOGANY BOBBIN TURNED ARMCHAIR 19TH CENTURY the loose cushioned back and seat flanked by padded arms, raised on turned legs and brass caps and castors

£200-300 360 FG231/3 ASH AND YEW WOOD WINDSOR CHAIR 19TH CENTURY the hoop back and pierced splat above a solid seat, raised on turned legs, united by a crinoline stretcher 60cm wide, 99cm high, 36cm deep

£200-300 361 FG249/7 MAHOGANY CHEST 19TH CENTURY the moulded rectangular top above two short and three graduated long drawers, raised on bracket feet 108cm wide, 91cm high, 51cm deep

£200-300

53cm wide, 103cm high, 59cm deep

362 FG254/1 MAHOGANY DINING TABLE the oval top above a plain frieze, raised on turned legs and brass caps

£200-300

272cm wide, 74cm high, 137cm deep

364 FE396/25 SET OF TWELVE MAHOGANY CHIPPENDALE STYLE DINING CHAIRS 20TH CENTURY comprising of: a pair of armchairs and ten side chairs, with foliate carved crest rails over a carved and pierced interlaced splat with foliate carved C scrolls, above a drop in padded seat and foliate carved seat rail, raised on acanthus carved cabriole legs ending in claw and ball feet (12) 59cm wide, 98cm high, 44cm deep

£700-900 365 FG373/34 CHINESE MARBLE TOPPED STAND the circular set top above an ornately carved apron and cabriole legs, united by a square set stretcher 68.5cm high

£200-300 366 FG373/37 CHINESE HARDWOOD MARBLE TOPPED TABLE the moulded rectangular top above a foliate carved frieze, over an under tier, raised on square legs and ball and claw feet 60cm wide, 80cm high, 43cm deep

£300-400

£400-600 358 FG219/1 ART NOUVEAU OPEN ARMCHAIR the circular padded back and out scrolled arms over a cushioned seat, raised on square tapering legs, united by stretchers 67cm wide, 123cm high, 43cm deep

£200-300

363 FG254/2 SET OF EIGHT GEORGIAN STYLE MAHOGANY DINING CHAIRS 20TH CENTURY the arched back and pierced vertical splat above a drop in pad seat, raised on square tapering legs, united by stretchers

367 FG549/1 MAHOGANY LINEN PRESS the moulded cornice above panel doors enclosing slides, over two graduated long drawers, raised on bracket feet 134cm wide, 198cm high, 58cm deep

£500-700

52cm wide, 96cm high, 40cm deep

£500-800

368

369

146cm wide, 62cm high, 81cm deep

372 FF169/1 VICTORIAN MAHOGANY GLAZED DISPLAY CABINET the moulded cornice above sliding doors, flanked by bowed, glazed panels, enclosing adjustable shelves, raised on a plinth base

374 FE396/29 REGENCY MAHOGANY, EBONY AND BRASS INLAY SOFA TABLE EARLY 19TH CENTURY the rectangular top with canted drop down ends inlaid with ebony banding and brass star inlay, over one real and one dummy frieze drawer and the same opposing, with brass lion mask loop handles, raised on trestle supports joined by a turned stretcher rail and reeded scroll legs ending on brass caps and castors

£400-600

154cm wide, 192cm high, 51cm deep

164cm wide (open), 74cm high,

£300-400

63cm deep Provenance: Private collection, Aberdeenshire

377 FD704/2 PAIR OF KASHAN RUGS CENTRAL PERSIA, LATE 19TH / EARLY 20TH CENTURY each with indigo field with red and light blue cusped medallion suspending pendants, floral vase spandrels, within indigo floral vine border between bands (2)

£500-700

each 220cm x 143cm

368 FF687/3 LEATHER AND CANVAS COVERED TRAVELLING TRUNK of typical rectangular form, with a fitted interior and brass mountings, marked to each end ‘L. F. B. Denver’

371 FF168/58 VICTORIAN ROSEWOOD FRAMED CENTRE STOOL the serpentine cushioned top raised on cabriole legs 77cm wide, 46cm high, 57cm deep

£400-600

101cm wide, 75cm high, 58cm deep

£600-800 369 FF687/13 BUTTONED OTTOMAN the hinged top opening to reveal a lined interior, raised on squat bun feet

370 FG271/1 GEORGIAN OAK EIGHT DAY LONGCASE CLOCK BY GEORGE LUMSDEN PITTENWEEM the painted arched dial with subsidiary second and date dials, within a hood with a broken swan neck pediment, over turned columns, above an arched door, flanked by turned pilasters, raised on a plinth base 47cm wide, 207cm high, 23cm deep

£600-800

373 FF171/1 MICHAEL OSBORNE CANADIAN OAK AND BIRCH VENEERED DRESSER, CIRCA 1988 with central open shelves above a moveable cabinet flanked by columns of graduated drawers, surmounted by open shelves 184cm wide, 189cm high, 42cm deep Note: This dresser was the winner of the Cassina Prize in 1988

376 FE366/23 FRENCH STYLE ROSEWOOD AND BRASS MOUNTED OCCASIONAL TABLE the square galleried top above an under tier, raised on turned legs and brass caps 46cm wide, 56cm high

£300-400

£500-800 375 FF687/15 MOORISH TABLE INLAID WITH BRASS AND IVORY the octagonal top above an inlaid frieze, raised on eight legs, united by stretchers 62cm wide, 63cm high

£700-900

£500-700

378 FG565/10 HERIZ RUNNER NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the red field with central column of polychrome lozenge medallions, within brown geometric border between bands 590cm x 94cm

£600-900

371

374

376

372

379 FG565/9 HERIZ RUNNER NORTHWEST PERSIA, LATE 20TH CENTURY the ivory field with central column of polychrome medallions, within red rosette and vine border between bands

383 FG565/7 ANATOLIAN CARPET MID 20TH CENTURY the cream field with allover dense foliate pattern, within cafe au lait scrolling vine border between bands

350cm x 110cm

£300-500

286cm x 195cm

£400-600 380 FD704/3 PAIR OF TABRIZ RUGS NORTHWEST PERSIA, LATE 19TH / EARLY 20TH CENTURY each with indigo field with ivory and red arabesques and bird cartouche pattern, within blue palmette and arabesque vine border between bands (2) each 200cm x 150cm

295cm x 110cm

£250-350 382 FG565/6 MAHAL CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover scrolling foliate pattern and two ivory rosettes, within polychrome stylised vine border 350cm x 270cm

£600-900

387 FG307/2 SPARTA CARPET CENTRAL ANATOLIA, EARLY 20TH CENTURY the red field with central indigo medallion suspending pendants, ivory spandrels, within indigo palmette, rosette and vine border between bands 531cm x 356cm

384 FE531/4 KARABAGH RUNNER SOUTH CAUCASUS, LATE 19TH / EARLY 20TH CENTURY the raspberry field with two indigo, red and blue medallions flanked by floral vases, green spandrels, within triple blue, brown and red narrow borders

£700-1,000

332cm x 114cm

388 FG307/6 LARGE KASHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the eau de nil field with allover palmette and scrolling vine pattern, within similar border between bands

£300-500

615cm x 418cm

£300-500 381 FF56/4 HAMADAN RUNNER NORTHWEST PERSIA, MODERN the red field with allover herati pattern, within cream geometric border between bands

375

£2,500-3,500 385 FG205/5 SAROUK FEREGHAN RUG NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with light blue medallion, ivory and red spandrels, within palmette and vine border between bands; and a BELOUCH RUG, the brown field with four red guls, within multiple borders (2)

384

149cm x 104cm; and 152cm x 95cm

£150-250 386 FG267/2 BAKHTIARI CARPET NORTHWEST PERSIA, MODERN the abrash red field with large indigo and faded red medallion suspending pendants, within faded red lozenge border between bands 377cm x 300cm

£400-600

380

L&T’s Questions & Answers with Kate MacKenzie, founder of ‘The Original Chair Company’ The world of recycling and upcycling is ever increasing in a time when fashions look to the more organic and people have less money for expensive and brand new pieces for the home, so this month we spent some time talking with furniture maker and upholsterer, Kate MacKenzie, founder of ‘The Original Chair Company’ for a litte inspiration. Based in Perth in Scotland Kate works with mainly residential clients, around the UK providing custom made and antique chairs and sofas. As a business owner Kate is passionate about her work and enjoys working closely with clients offering a high level of personal service. What can you tell us about your business and how it works? My business started as a natural progression following my own love for antique chairs. I buy antique chairs and sofas and then have them fully restored and refurbished to bring them back to their former primed state. Thankfully there are many people out there who have the same love of antique chairs as I do and they know that if they come to The Original Chair Company they are assured of buying a genuine piece of history. Part of your business is about refurbishing and reupholstering antique pieces of furniture, what would you say were the benefits of doing this? We sell many Victorian, Edwardian and older period pieces and the wonderful expectation is that these pieces are traditionally made using skills honed by exceptionally well trained craftsmen. Once restored our customers are buying a chair/sofa that is equal or better than a high-end new build piece but with the added bonus that they have a unique item, and they have saved an antique from heading to landfill. Is buying at auction a way in which you source stock, and can clients bring their own pieces to you for a face-lift? We do source much of our stock from auction. This is often particularly helpful if we have a client who is looking for a specific period chair/sofa. We have developed a relationship with many auction houses over the years and 40

Kate MacKenzie

can usually track down an item which helps our clients find the perfect chair. We also source from other avenues and often our clients donate chairs that they are finished with. They no longer have need of the chair but nor do they want to throw it in the tip. We are always happy to rehome unwanted antiques... Clients do also bring in their own pieces for us to restore for them. We have a vast and varied fabric range to choose from and one of the most enjoyable parts of our job is helping clients pull their colours, patterns and textured fabrics together with trimmings etc. to transform their furniture. For those that haven’t explored this process before, is this a timely and costly method of furnishing your home? There are certainly many pieces of furniture to be bought for less money, but for anyone who wants a special piece of upholstered furniture with history, who recognises the benefits of upcycling and appreciates the value in period pieces, then this is a great way to obtain a unique item to add to their home. Time-wise, the process of buying an antique chair, choosing fabric and having the upholstery work done can take as little as 2-4 weeks or it may take a lot longer. Bear in mind when ordering new furniture these days lead times can be as much as 16 weeks! The most common reason for time delays when we reupholster is the wide fabric choice but we, at The Original Chair Company, love fabrics, we know the fabric

A Victorian Dickson chesterfield sofa upholstered in ‘Kenrik Red’ by Colefax & Fowler.

books well and are always happy to spend time helping our clients with their choices. Often customers know exactly what they want; it may be to match in with an existing colour scheme in their home. Other times the customers have no idea what they want and are delighted to take advice (and lots of fabric inspiring samples) home with them to mull over.

numerous trimmings the results were truly stunning / sumptuous!

The end result is always the same: exceeded expectations and a delighted client.

A home is an incredibly personal space and whilst I, and everyone else, loves to look at glossy magazines, make-over shows and film sets for ideas and inspiration, ultimately the choice of decor should be a very individual one.

You also design and make your own pieces, what inspires your work? I have seen so many wonderful, charming, beautiful and elegant pieces of antique furniture over the years. They are the reason that I love my job and they are also the inspiration behind my designs. It can often be the scale of a deep seated Victorian Armchair, the placement of buttons on the arm of Georgian bedroom chair or the curve along the back of a small Edwardian sofa that sets a piece apart and above the rest, and it is the detail combined with comfort that makes a successful design. Tell us about a favourite project that you have worked on in the past. We recently worked with a well-known London based international interiors company to put together a ‘Victoriania’ inspired brand of furniture. We collected many curvaceous, ornate, and heavily buttoned chairs, sofas and chaiselongues and then set to rebuild them; when they were then upholstered in floral fabrics with

What are your top tips for the home? There is a saying about only having things that are practical or things that you love in your home (this may work if we can add ‘on show’ in your home).

Saying that, I think the largest most expensive items in the home are generally not disposable and from an anti-landfill side point of view, these items could be in the family for generations. I also like at least one item in the room to have some ‘real presence’ about it e.g. a chair! A neutral colour scheme lends itself to being the most flexible over time. With a variety of textures used in soft furnishings, wall coverings and flooring, this alone can become an interesting place to be. If, like me, an entirely neutral room is just too calm and lacking expression then it is so simple to add pattern and colour and your own personality into a room with smaller items. For example, rugs, cushions, throws, lamps, pictures and smaller items of furniture such as footstools and occasional chairs. All these items are relatively inexpensive and simple to change. To visit Kate’s showroom in Perth see website for details: www.theoriginalchaircompany.co.uk Kate MacKenzie 41

398

403

406

389 FE125/3 CHINESE POTTERY STRAW GLAZED EQUESTRIAN FIGURE TANG DYNASTY the rider seated astride a horse with a short tail and standing four square 35cm high

£200-300

410

392 FF168/5 CHINESE BLUE AND WHITE GINGER JAR KANGXI STYLE of typical ovoid form, decorated with antiquities and foliage in reserves, on a cracked ice ground, double blue ring mark to underside, cover lacking 21cm high

390 FE125/2 CHINESE GREEN GLAZED POTTERY TOMB DISH PROBABLY TANG DYNASTY modelled as an enclosure containing two boars and a goat 22cm wide

£150-250 391 FG197/1 CHINESE BLUE AND WHITE VASE of baluster form with a fluted rim and twin handles, decorated to the front with antiquities 41cm high

£300-500

£200-300 393 FG213/4 COLLECTION OF CHINESE BLUE AND WHITE PORCELAIN comprising of: a sleeve vase, decorated with the prunus and cracked ice pattern, four character mark, 30cm high; a baluster vase and cover, depicting figures holding a large vase, 28cm high; and a jar and cover, decorated with dragons, 11cm high (3) £200-300

394 FE475/67 CHINESE BLUE AND WHITE BOWL KANGXI, POSSIBLY OF THE PERIOD of shallow circular form, decorated with scholars in a landscape setting, 23.5cm diam; together with a CHINESE YELLOW GLAZED BOWL, of fluted form incised with dragons and birds, marks to underside, 14cm diam; a PAIR OF CHINESE ANHUA DECORATED BOWLS, also fluted with similar decoration to the celadon wells, 19cm diam.; and a similar CHINESE CELADON GLAZED BOWL, depicting figures, 18.5cm diam. (5) £150-250 395 FG200/1 CHINESE BLUE AND WHITE GINGER JAR of typical ovoid form, decorated with the prunus and cracked ice pattern, with a cylindrical cover, four character mark to underside but later 21.5cm high

£200-300

396 FG447/4 LARGE CHINESE BLUE AND WHITE DISH of circular shallow form with a shaped rim, decorated with a fish amongst foliage 66cm diam. approx.

£300-500 397 FG429/2 CHINESE BLUE AND WHITE GINGER JAR AND SLEEVE VASE each decorated with the prunus and cracked ice pattern, with double blue ring marks to undersides, the ginger jar raised on a hardwood stand (cover lacking), 27.5cm high; the sleeve vase, 20.5cm high (2) £150-250 398 FC789/3 CHINESE BLUE AND WHITE JAR AND COVER 19TH CENTURY in the Ming style painted with archaic script against a scrolling foliate ground 20cm wide, 21cm high

£150-250

390

399 FG373/2 CHINESE BLUE AND WHITE GARDEN SEAT 20TH CENTURY of barrel form, decorated with panels depicting figures amongst floral motifs and key pattern borders

391

47cm high

403 FG243/2 CHINESE CANTON CABBAGE PATTERN PUNCH BOWL of typical circular form, the well decorated with a Shou motif, surrounded by butterflies, flowers and cabbage leaves, stamped ‘Made in China’ to the underside

£150-250

40.5cm diam.

£150-250 400 FG373/1 PAIR OF CHINESE GREEN GLAZED GARDEN SEATS 20TH CENTURY each of hexagonal form, with reeded panels depicting Chinese symbols in relief (2)

404 FG574/7 CHINESE PORCELAIN FIGURE OF SHOU LAO modelled in polychrome robes with a staff and scroll

47cm high

£150-250

28.5cm high

£150-250 401 FG373/29 LARGE CHINESE PORCELAIN VASE of baluster form with a flared neck, depicting warriors on a crackle glaze ground, with marks to underside 61.5cm high

£120-180 402 FG276/26 CHINESE CANTON FAMILLE ROSE VASE 19TH CENTURY of baluster form with a scalloped flared mouth, decorated with reserves depicting figures and birds, against a ground filled with butterflies and flowers 60cm high

£250-350

405 FG325/6 CHINESE PORCELAIN DISH of shallow circular form, decorated in the imari palette and depicting flowering foliage 24.5cm diam.

£300-500 406 FG373/39 THREE PIECE CHINESE YIXING POTTERY TEA SERVICE each piece mounted with white metal motifs on a red ceramic ground, with marks to underside, comprising of: a large tea pot and metal mounted cover, 10cm high; a smaller tea pot and cover 11cm high; and a sugar bowl and cover, 11cm high (3) £100-150

393

407 FE7/5D SOUTHEAST ASIAN SILK EMBROIDERED PANEL LATE 19TH / EARLY 20TH CENTURY the rectangular cream silk panel brightly embroidered with two scenes of fighting cockerels and bamboo shoots, the lining stamped PHAM-VAN-KHOAN / Brodeur / HANOI TONKIN, 71cm wide, 124cm high; together with a CHINESE CANTON SILK EMBROIDERED SHAWL, EARLY 20TH CENTURY, brightly embroidered with different coloured chrysanthemums on a cream silk ground, with a wide knotted tassel border, 131cm wide, 130cm high excluding trim (2) £200-300 408 FE7/5A CHINESE SILK EMBROIDERED PANEL LATE QING DYNASTY / EARLY REPUBLIC PERIOD the square cream silk panel embroidered with a peacock and wisteria with butterflies, roses and chrysanthemums; together with a CHINESE SILK EMBROIDERED PELMET, the long rectangular cream silk panel with a shaped edge, embroidered with chrysanthemum blossoms, pheasants, larks and butterflies, 223cm long, 22cm high (2) 123cm wide, 133cm high

409 FE460/2 CHINESE SILK EMBROIDERED PANEL LATE QING DYNASTY the large panel stitched in fine detail depicting a boy and a scholar in a boat in a river landscape, the sky filled with a multi-colour diaper pattern; in a green silk floral motif border; the whole laid down on card 116cm wide, 93cm high

£200-300 410 FG197/2 FRAMED CHINESE WATERCOLOUR PAINTING of rectangular form, depicting three fish, 17.5 x 26cm (excluding frame); together with a FRAMED CHINESE EMBROIDERED SLEEVE, depicting insects on a mustard ground, within a floral silk border, 64 x 23.5cm (excluding frame) (2) £200-300 411 FF211/5 CHINESE CHANGJUA JIXUE ‘CHICKENBLOOD’ SEAL EARLY 20TH CENTURY the knob carved with two kui dragons on a pedestal, signed ‘Ling’ 11.6cm high Provenance: Private collection, London Note: The seal is designed so it can also be used as a scroll weight when laid on its side

£150-250

£200-300 412 FG373/7 COLLECTION OF CHINESE CARVED GILT WOOD FLOWERS of various form, with elongated stems, in a large glass vase (6) tallest 78cm long approx.

£80-120

413 FG373/16 COLLECTION OF CHINESE LACQUERED WARES comprising of: a pair of bottle shaped vases, decorated with dragons, raised on hardwood stands, 27.5cm overall; a pair of stem cups, of ogee form depicting foliage, marks to underside, 12cm high ; two oval shaped trays, marks to underside, largest 40cm wide; and a wall plaque, with three fold-out shelves, with maker’s stamp to reverse, 56.5cm high (7) £200-300

415 FG447/29 PAIR OF CARVED WOODEN MALE FU LIONS each typically modelled with a paw resting on a sphere, raised on a thick rectangular base (2) 45cm high

£150-250 416 FD692/1 CHINESE CARVED ROOTWOOD FIGURE WITH GONG QING DYNASTY, 19TH CENTURY modelled as a standing immortal holding a gong, raised on a naturalistic stand surmounted by a crane

418 FG373/9 TWO CHINESE CARVED BOXWOOD DIORAMAS each in a glazed frame and raised on a lacquered stand, the first of hexagonal form depicting birds and buildings in a landscape setting, 39.5cm wide; the second of similar design, with a paper label, 23cm wide (2) £100-150 419 FG373/32 PAIR OF INLAID WOODEN WALL PLAQUES each of fan shape, inlaid with hardstone figures in a landscape setting, with brass wall mounts (2)

414 FG139/1 PAIR OF CHINESE CARVED HARDWOOD AND WIRE INLAY FIGURE GROUPS LATE 19TH / EARLY 20TH CENTURY each carved with a figure of a lohan and a boy attendant beneath a tree, with silver wire inlay

100cm high

22cm high approx.

420 FG373/38 CHINESE CARVED HARDWOOD BOOK STAND the rectangular base with two ornately carved hinged ends

42cm high

£100-150

40.5cm wide

£80-120

£200-300

33.5cm wide

417 FG373/12 PAIR OF CHINESE HARDWOOD WALL BRACKETS each with a rectangular platform above a decorated pierced support (2)

£150-250

£80-120

421 FG373/24 CHINESE MINIATURE HARDWOOD CURIO STAND the square shaped top above four circular legs united by stretchers 42cm high

£80-120 422 FG373/35 CHINESE HARDWOOD AND BRASS MOUNTED WORK BOX of rectangular form with twin carrying handles and various brass mounts, the hinged lid opening to reveal a void interior with one compartment 24cm high, 54cm wide, 26cm deep

£120-180 423 FE730/2 CHINESE SILVERED METAL FIGURE OF A GODDESS QING DYNASTY, 19TH CENTURY the standing figure wearing a headdress and long earrings, holding a lotus flower staff, now mounted on a stepped rectangular white marble base figure 21cm high; 26cm high overall

£150-250

415

425

429

432

414

416

423

428

430

435

424 FG373/43 CHINESE BRONZE BRUSH POT of cylindrical form, decorated with Chinese symbols in relief amongst dragons 14.5cm high, 21.5cm diam.

£100-150 425 FE749/4 CHINESE BRONZE TRIPOD CENSER of circular form with two loop handles at the rim, the body inscribed with script, raised on three tapered legs 29cm wide, 26cm high

£200-300 426 CHINESE BRONZE CENSOR of circular ogee form, with twin mask handles 38cm wide

£150-250 427 FG373/11 CHINESE BRONZE CENSOR AND COVER the pierced cover with a Fu dog finial, above the ovoid body decorated with dragons in relief, raised on a tripod base, marks to underside

428 FG373/17 CHINESE PATINATED BRONZE LANTERN with a bell shaped pediment above the pierced ovoid body with a hinged door, 42cm high; together with a PATINATED PEWTER GOBLET, depicting birds in relief, 19cm high (2) £200-300

431 FG373/23 CHINESE LACQUERED STONE FIGURE OF A BUDDHA typically modelled as a seated laughing Buddha clutching a set of prayer beads 35cm high approx.

£200-300

429 FG373/19 CHINESE CLOISONNE BOWL AND ORMOLU STAND the bowl of lobed ovoid form, decorated with insects and flowers on a red ground, raised on pierced ormolu stand

432 FG373/40 BOXED JAPANESE PORCELAIN HORS D’OEUVRES SET the lacquered box of circular form decorated with buildings in a landscape setting, opening to reveal a fitted interior with seven dishes, each depicting foliage

18cm high overall

36.5cm diam.

£100-150

£120-180

430 FG373/28 LARGE PAIR OF CHINESE CLOISONNE VASES each of baluster shape with a flared neck, depicting blossoming prunus on a blue ground, stamped to underside (2)

433 FG373/10 JAPANESE BLUE AND WHITE BOWL of typical form with an everted band below the rim, decorated with a mountainous scene amongst foliate panels

51.5cm high

£100-150

434 FD754/22 SET OF SIX JAPANESE BLUE AND RED TEA BOWLS AND SAUCERS comprising six thinly potted cups and saucers, decorated with blue and white painted reserves against an iron red and gilt decorated ground, underglaze blue six character marks (12) cup 8.3cm diam, 8cm high; saucer 11.5cm diam

£100-150 435 FD41/2 JAPANESE KUTANI FIGURE OF A GEISHA WITH A KATSUZUMI LATE MEIJI / EARLY TAISHO PERIOD the figure wearing a blue robe enamelled with flowers and clouds, on a carved hardwood stand figure 32cm high

£200-300

29cm diam.

£150-250

41.5cm high

£120-180 45

441

436 FD364/2 LARGE JAPANESE BRONZE TRIPOD CENSER LATE MEIJI / EARLY TAISHO of compressed globular form with relief panels depicting phoenix, a snake entwined with a tortoise, and bats, with twin animal mask loop handles on the sides, raised on tripod feet 38cm wide, 22cm high

£200-300

449

440 FF409/11 JAPANESE CARVED BONE TANTO MEIJI PERIOD the plain blade in a sectional scabbard and handle carved with eight monkeys and a dragon carved collar, 39cm long; together with a LARGE JAPANESE CARVED IVORY OKIMONO, the sectional figure of farmer holding a hoe, single character signature, 28cm high (2) £200-300

444 FG272/5 COLLECTION OF CARVED IVORIES to include: a tusk carved with a graduated row of elephants, on a hardwood stand, 31.5cm long; a figure of a long eared Buddha, on a hardwood stand, 16.5cm high overall; a puzzle ball and stand (A/F), 16cm high; a carved broach and pair of matching earrings; and a further broach (qty) £150-250

437 FG373/15 SIX JAPANESE LACQUER BOWLS AND STANDS MEIJI PERIOD each of shallow form with a red lacquered body, with a gilt well depicting various floral and animal motifs, raised on a black and gilt lacquered stand, with original cardboard box (6)

11cm long, 2cm high, 7.5cm deep

445 FG276/38 CARVED IVORY BOX of rectangular form, with pierced decoration depicting roundels of flowers, the hinged lid opening to reveal a void interior, raised on four splayed feet

12cm diam., 6cm high overall

£150-250

17.5cm wide

441 FF421/4 JAPANESE CARVED IVORY BOX MEIJI PERIOD the rounded rectangular box with an inset cover carved with a peacock and oval thumbpiece

£150-250 438 FE568/27 JAPANESE IVORY PEN BOX LATE MEIJI PERIOD the cylindrical case dividing into three compartments 16.5cm long

£120-180 439 FG249/14 SMALL JAPANESE IVORY CASED TANTO the double edged blade in a carved and gilt metal mounted ivory scabbard decorated with a scholar, signed blade 12.5cm long

£120-180

£150-250 442 FG157/1 JAPANESE SHIBAYAMA PLAQUE MEIJI PERIOD the rectangular panel inlaid with mother of pearl and ivory depicting a cockerel and songbirds amongst flowering shrubs 38cm high, 26cm wide

£150-250 443 FG271/2 COLLECTION OF IVORY AND WOODEN NETSKIS comprising of seven examples, depicting figures, animals and fruit; together with THREE FIGURES; TWO IVORY BOXES; an IVORY BOOK MARK; and an IVORY LETTER OPENER (qty) £150-250

446 FG429/1 COLLECTION OF BURMESE ITEMS comprising of: a carved ivory figure, in traditional dress with a parasol, 15cm high; a carved hardwood two fold panel, depicting figures amongst foliate borders, 94cm high; a turned painted wooden bowl, decorated in red and black, signed, 12.5cm diam. approx.; a pair of carved wooden panels, depicting labouring figures, 20cm high; and an album, fitted with various black and white photographs (qty) £150-250

447 FG14/34 LARGE CARVED WOOD PANEL OF VISHNU AND LAKSHMI 19TH CENTURY carved in relief with the standing figures of Vishnu and Lakshmi 108cm high, 54cm wide

£250-350 448 FF421/3B INDIAN CARVED IVORY FIGURE GROUP LATE 19TH CENTURY modelled as a cart being pulled by a pair of brahma bulls with a driver and carrying two men and an infant, on a rectangular wood base 20cm long, 10cm high

£200-300 449 FG373/25A INDIAN INLAID WHITE MARBLE BASIN of square form with a central lobed well surrounded by a carved border inlaid with various coloured hardstones depicting blossoming foliage 76cm squared

£300-500 450 FG373/25 INDIAN INLAID WHITE MARBLE BASIN of square form with a central lobed well surrounded by a carved border inlaid with various coloured hardstones depicting blossoming foliage 76cm squared

£300-500

453

457

451 FE308/1 GEORGIAN STYLE MAHOGANY DRUM TABLE 20TH CENTURY the tooled leather inset top above four drawers and four dummy drawers, over a turned support, raised on an outswept quadriform base and brass caps and casters

455 FE588/18 MAHOGANY CYLINDER DESK the sliding top opening to reveal a fitted interior, raised on pedestals each with three graduated drawers and plinth bases

137cm wide, 76cm high

456 FE588/19 GEORGIAN STYLE MAHOGANY D-END DINING TABLE the shaped top with drop leaves above a plain frieze, raised on canted square legs

£500-700 452 FE348/20 FRENCH OVER PAINTED SETTEE the shaped upholstered back and arms above a cushioned seat and shaped apron, raised on moulded cabriole legs 196cm wide, 87cm high, 82cm deep

£400-600 453 FF175/46 FRENCH BEACH OPEN ARM CHAIR the carved moulded back and out swept arms above a cushioned serpentine seat, raised on moulded cabriole legs, and another needle point upholstered side chair (2)

462 FF175/38 EDWARDIAN MAHOGANY FOUR DOOR BOOKCASE the moulded cornice above astragal glazed doors enclosing adjustable shelves, over inlaid doors, raised on bracket feet

137cm wide, 117cm high, 72cm deep

460 FE396/24 REGENCY ROSEWOOD TRIPOD TABLE 19TH CENTURY the oval top over a spiral and lotus carved support raised on reeded S-scroll supports ending on ball feet

£400-600

58.5cm wide, 66cm high, 40.5cm

£1,500-2,000

296cm wide, 73cm high, 118cm deep

£300-500 457 FG275/10 HEAL & SONS OVER PAINTED FLORAL MILLINERY CABINET the rectangular top above cupboard doors enclosing a shelf, over three graduated drawers, raised on bun feet 76cm wide, 139cm high, 47cm deep

£250-350

454 FF175/50 PINE AND GESSO FIRE SURROUND 19TH CENTURY the moulded top above a gesso frieze, above moulded uprights 135cm wide, 130cm high, 17cm deep

85cm wide, 101cm high, 37cm deep

£150-250

£400-600

£350-450

deep Provenance: Private collection, Aberdeenshire

£150-250 461 FE396/32 REGENCY MAHOGANY AND INLAY BREAKFAST TABLE 19TH CENTURY the rounded rectangular tilt top with a moulded edge and ebonised banded inlay over a turned vasiform column raised on four reeded scroll legs ending in foliate cast caps and castors

220cm wide, 214cm high, 40cm deep

463 FF167/10 REGENCY MAHOGANY AND CALAMANDER CROSSBANDED BREAKFAST TABLE CIRCA 1815 the circular tilt top with a moulded edge over a plain frieze, raised on a turned baluster column raised on four reeded sabre legs ending in brass caps and castors 120cm diam, 73cm high

£300-500

135cm wide, 72cm high 99cm deep Provenance: Private collection, Aberdeenshire

£500-700 458 FE356/1 VICTORIAN WALNUT, INLAY AND JASPERWARE MOUNTED SIDE CABINET CIRCA 1870 the rectangular top with outset square corners over an inlaid frieze mounted with blue jasperware medallions, above a glazed door opening to a plush lined shelved interior, on a conforming plinth base

59cm wide, 94cm high, 49cm deep

458

462

459 No lot

465

464 FF175/23 REGENCY EBONISED AND BRASS INLAY SETTEE CIRCA 1815 the low straight back and scroll arms over a loose cushion seat, above a brass inlay seat rail with foliate scroll and rosette gilt metal mounts, raised on splayed feet anthemion brass inlay and ending on brass hairy paw feet and castors, in yellow and cream striped silk upholstery 178cm long, 78cm high, 54cm deep

£500-800

478

466 FG149/1 INDIAN FOUR PANEL CARVED HARDWOOD SCREEN 19TH CENTURY each section with an arched crest rail with pointed finials over foliate relief carved panels divided by spindles

480

163cm high, 180cm wide

469 FG548/1 GEORGIAN MAHOGANY SECRETAIRE BOOKCASE CABINET the moulded cornice above astragal glazed doors enclosing adjustable shelves, above a secretaire drawer and two panel doors, lacking feet

£400-600

108cm wide, 215cm high, 57cm deep

£600-800 467 FF175/3 MAHOGANY COAL BOX the peaked octagonal lid and base with lion mask brass handles to either side, raised on brass pad feet

465 FG14/78 SYRIAN CARVED HARDWOOD AND BONE INLAY ARMCHAIR LATE 19TH CENTURY of x-form, the arched back with foliate relief carving and an inscription in Arabic, inlaid with star motifs

47cm wide, 43cm high, 41cm deep

64cm wide, 108cm high, 37cm deep

45cm wide, 114cm high

£150-250

£200-300

£150-180

470 FG549/2 OAK SETTLE the padded back above down swept arms and a loose cushioned seat, raised on block and turned legs, united by stretchers 179cm wide, 101cm high, 50cm deep

468 FG559/1 QUEEN ANNE WALNUT MIRROR the shaped mirror plate within a cushioned, shaped frame

£600-800 471 FG373/26 CHINESE HARDWOOD CORNER STOOL the square rush set seat above cabriole legs united by a turned X form stretcher 47.5cm high

£300-500

479

464

472 FE588/17 EDWARDIAN TWO-PIECE SUITE comprising a two seater wing back arm chair, the cushioned back and arms above a loose cushioned seat, raised on turned legs and casters; 161cm wide, 90cm high, 65cm deep and a matching arm chair; 87cm wide, 89cm high, 64cm deep £300-500 473 FG269/44 VICTORIAN MAHOGANY BOOKCASE CABINET the moulded cornice above two glazed doors enclosing adjustable shelves, over two panel doors, raised on a plinth base 159cm wide, 238cm high, 49cm deep

£400-600

466

477

483

474 FG270/1 MANNER OF SIR ROBERT LORIMER OAK ARTS & CRAFTS ESTATE TABLE, CIRCA 1920 the rectangular moulded top with inset writing surface, raised above a moulded frieze and turned and blocked legs with spirally fluted decoration, terminating in facetted bun feet 216cm long, 77cm high, 107cm wide

£400-600 475 FF167/9 GEORGE II WALNUT BUREAU BOOKCASE 18TH CENTURY AND LATER in two parts, the later top with a moulded cornice over a pair of mirror panel doors opening to shelves and pigeon holes; the lower part with a slant front opening to an arrangement of drawers and pigeon holes, above four graduated long drawers, raised on bracket feet 82cm wide, 198cm high, 52cm deep

£300-500

476 FF72/34 GEORGE III SATINWOOD WORK TABLE LATE 18TH CENTURY the canted rectangular top above a frieze drawer, raised on square tapering legs 47cm wide, 67cm high, 33cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£200-300 477 FF687/17 MAHOGANY AND BUTTONED LINEN FOOTSTOOL the shaped top raised on moulded legs and ball and claw feet

479 FG14/1 LARGE INDIAN BRASS AND IRON MOUNTED COFFER 18TH 19TH CENTURY the domed top and sides covered in embossed and pierced brass panels and strapwork over a softwood carcass, with iron latches, hinges and handles, the interior with a hinged compartment and two trays, raised on wood wheels 149cm wide, 115cm, 83cm deep Provenance: Lorbottle Hall, Whittingham, Northumberland

£600-800

478 FF687/16 SMALL MOORISH TABLE INLAID WITH IVORY the octagonal top above an inlaid frieze, raised on eight legs united by stretchers

480 FG268/1 FRENCH PINE PRESS CUPBOARD 19TH CENTURY the moulded cornice above two panel doors enclosing shelves, over two drawers and two further panel doors, raised on a plinth base

62cm wide, 63cm high

134cm wide, 228cm high, 52cm deep

£700-900

£500-700

67cm wide, 45cm high, 56cm deep

£700-900

481 FG277/1 OAK SNOOKER TABLE/ DINING TABLE three quarter size with four leaves, a score board, balls and cues, stamped E G Riley, Acrington 255cm wide, 72cm high, 133cm deep

£400-600 482 FG322/1 MAHOGANY EXTENDING DINING TABLE the oval top above a moulded frieze, raised on square tapering legs and brass casters, including a winder and three leaf extensions 356cm wide, extended, 76cm high, 120cm deep

£500-700 483 FG321/1 OAK DRESSER AND PLATERACK the moulded cornice above two tiers over a moulded rectangular top and two frieze drawers, over a shaped apron and a small drawer, raised on turned legs, united by stretchers 141cm wide, 181cm high, 43cm deep

£800-1,200 49

484

485

488

47cm wide, 102cm high, 42cm deep

489 FF169/2 KASHAN SILK PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with tree of life pattern, brown spandrels, within brown palmette and vine border between bands

493 FF175/52 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo lozenge medallion, ivory spandrels, within indigo palmette, rosette and vine border between bands

496 FG205/4 SOUTH CAUCASIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with stylised diagonal floral motifs, within rust red stylised floral border between bands

£500-700

198cm x 134cm

327cm x 257cm

270cm x 136cm

£200-300

£150-250

490 FG319/1 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the red field with indigo and ivory medallion suspending pendants, similar spandrels, within indigo palmette and arabesque vine border between bands

494 FF56/2 KAZAK STYLE CARPET MODERN the red field with three shaped indigo medallions, within red hooked square border between bands 250cm x 186cm

497 FG274/2 MAHAL CARPET WEST PERSIA, EARLY 20TH CENTURY the red field with allover stylised foliate pattern, within dark brown palmette border between bands

£300-400

380cm x 286cm

380cm x 277cm

495 FF56/3 BAKHTIARI CARPET NORTHWEST PERSIA, MODERN the field with allover polychrome foliate rectangular lattice pattern, within cream rosette and angular vine pattern between bands

484 FF179/28 GEORGIAN MAHOGANY SIDE CABINET the rectangular top above a panel door enclosing five drawers, above a further drawer, raised on bracket feet

485 FG559/4 VICTORIAN COW HORN HALL STAND the square support mounted with ten horns above a rectangular base with lift out drip tray, raised on square feet 64cm wide, 193cm high, 31cm deep

£500-700 486 FF175/15 GEORGE I STYLE WALNUT SIDE CABINET, BY WHYTOCK & REID, EDINBURGH 20TH CENTURY the moulded shaped top above four graduated drawers, flanked by cupboards, raised on bracket feet 125cm wide, 85cm high, 59cm deep

£1,200-1,800 487 FE588/21 SET OF FOUR WILLIAM IV MAHOGANY SIDE CHAIRS the shaped tablet back above a moulded horizontal splat over a drop in pad seat, raised on turned legs 50cm wide, 93cm high, 44cm deep

£200-300 488 FE531/7 KAZAK RUG SOUTH CAUCASUS, LATE 19TH / EARLY 20TH CENTURY the indigo field with central red octagon medallion flanked by blue and red stepped cross medallions, within ivory star border between skittle bands 238cm x 140cm

£300-500 50

£200-300 491 FG565/5 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the abrash rust field with central indigo and rose medallion suspending pendants, ivory, rose and blue spandrels, within indigo rosette and vine border between bands

£200-300

310cm x 210cm

£400-500

483cm x 320cm

£500-800

390cm x 296cm

£400-600 492 FG307/8 SOUTH CAUCASIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the dark brown field with allover stylised boteh pattern, red spandrels and inner band, within multiple borders 420cm x 124cm

£300-500

498 FG292/1 USHAK CARPET WEST ANATOLIA, LATE 19TH CENTURY the blue field with columns of red stylised palmettes and cruciform motifs, within red rosette and diagonal vine border between bands

486

504

508

506

The Collection of the late Anna Fersch 499 FG300/6 PAIR OF PEARLWARE FIGURES OF ELIJAH AND HIS WIDOW EARLY 19TH CENTURY each with polychrome decoration, and raised on a square base (A/F)

503 FG300/53B NEAR SET OF THREE GRADUATED GLAZED JUGS each with a mask moulded spout and a scroll handle, modelled with polychrome flowers in relief (3)

506 FG300/11 BISQUE FIGURE GROUP, SIGNED HIP. MOREAU modelled as putti with a basket of flowers, on a naturalistic ground, raised on a carved wooden plinth

23cm high

largest 17.5cm high

46.5cm high overall

£200-300

£100-150

£200-300

500 FG300/46 GROUP OF STAFFORDSHIRE AND FLAT BACK FIGURES comprising of eight figures, of various designs, including some modelled with spill vases, and a castle shaped watch stand; together with a POTTERY CHAIR, POSSIBLY SCOTTISH EAST COAST, with polychrome decoration and a paper label, 19cm high (9) £300-400

504 FG300/54 MINTON MAJOLICA CHEESE DISH AND COVER with all over white glaze, modelled as a beehive covered with fruiting blackberry branches, on a square shaped dish with branch-like feet, marked to the underside

507 FG300/24A GROUP OF BLUE AND WHITE CERAMICS comprising of: two pairs of knife rests, one set marked ‘Spode’; a pair of miniature scallop shaped dishes; and seven ladles, of various sizes and decoration (13) £150-250

501 FG300/53 COLLECTION OF GRADUATED JUGS, BY ‘ALLERTONS’ each decorated in the imari palette, with a shaped rim and spout above the tapered neck and octagonal body, marked to underside, largest 16cm high; together with a SMALL CERAMIC JUG, of similar design, unmarked (10) £100-200 502 FG300/53A COLLECTION OF IMARI PATTERN CERAMIC WARES comprising of: four jugs, of various size and shape, variously marked, largest 25cm high; a Mason’s tea pot and cover, with marks, 17cm high; and an Ashworth Brother’s tureen and cover, with marks, 15.5cm high (6) £100-150

36cm high overall

£150-250 505 FG300/11A TWO COPELAND BISQUE FIGURES, SIGNED ‘J. DURHAM ARA, 1872’ each inscribed ‘Vide Water Babies’, one modelled as ‘Master Tom’, the other as ‘Miss Ellie’, with marks to the reverse (2)

508 FG300/24B COLLECTION OF BLUE AND WHITE DINNER PLATES comprising of various patterns and makes, some marked to the underside, including an example depicting the ‘Death of a Bear’ pattern, a plate showing ‘Tiger Hunted by Wild Dogs’, and a Mintons charger (qty)

tallest 50cm high

plates 25.5cm diam. approx; charger

£200-300

38cm diam.

£150-250

509 FG300/24C COLLECTION OF BLUE AND WHITE TUREENS AND DISHES comprising of: three bowls, one with an under plate; four tureens (all lacking covers); a square shaped bowl; a footed rectangular dish; a small tureen and cover, with three associated stands; and three further shallow dishes, variously shaped (qty) £200-300 510 FG300/24D COLLECTION OF BLUE AND WHITE WARES comprising of: 13 assorted dinner and side plates, variously marked; five ‘Royal Persian’ plates, of various size, all marked; two pepper pots; a small twin handled dish; two boxes and covers; two baby’s beakers; a small fluted bowl; a mounted delft tile; and a Chinese export tea caddy (qty) £150-250 511 FG300/27 GROUP OF BLUE AND WHITE STRAINER INSERTS of various sizes and patterns, some with maker’s marks (10) largest 37.5cm wide

£150-250

511

512

513

514

516

512 FG300/29A COLLECTION OF FOUR GRADUATED BLUE AND WHITE ASHETS comprising of: a Spode ‘The Sow and the Wolf’ pattern example, based on ‘Aesop’s Fables’, stamped and impressed marks to the underside, 42.5cm wide; and three further examples featuring horses before ruins, one marked ‘Malmsbury Abbey, Wiltshire’ to the underside (4) £200-300 513 FG300/29C COLLECTION OF THREE BLUE AND WHITE ASHETS comprising of: an example depicting figures before a winding road, 43.5cm wide; a ‘Canton Garden’ example, with pattern mark to underside, 43cm wide; and an ashet decorated with a figure and horse before a bridge, 43.5cm wide (3) £120-180

514 FG300/29D COLLECTION OF THREE GRADUATED BLUE AND WHITE ASHETS comprising of: a J. & M.P. Bell & Co. ‘Palestine’ pattern ashet, with maker’s and pattern mark to underside, 43.5cm wide; an example depicting fishermen and animals before buildings, indistinct impressed mark to underside, 48.5cm wide; and a ‘White Rose’ pattern example, with pattern mark to underside, 37cm wide (3) £150-250

515

515 FG300/29E COLLECTION OF FOUR GRADUATED BLUE AND WHITE ASHETS comprising of: a Rogers ‘Monopteros’ pattern example, with impressed maker’s marks, 43cm wide; a Rogers ‘Camel’ pattern ashet, impressed maker’s marks, 42.5cm wide; a Davenport example depicting a fisherman, impressed maker’s marks, 37cm wide; and a similar example depicting figures before a grand building, printed marks, 37cm wide (4) £200-300

516 FG300/29B COLLECTION OF THREE BLUE AND WHITE MEAT DISHES comprising of: a ‘Lancaster’ pattern example, with pattern name to reverse, 48.5cm wide; a dish with figures in a scenic landscape, 51.5cm wide; and a an example with figures before a large ruin, 52.5cm wide (3) £150-250

518

520

526

522

517 FG300/30 BLUE AND WHITE WALL BRACKET 19TH CENTURY with a demi lune shaped platform, 16cm high approx. (A/F); together with a GROUP OF BLUE AND WHITE TUREENS AND COVERS, some with matching patterns, one marked ‘Rogers’, including a footed comport and a further cover (tureen lacking) (qty) £150-250 518 FG300/81 COPELAND SPODE FOOTBATH AND SLOP PAIL 19TH CENTURY each decorated with the ‘Italian’ pattern, with maker’s marks, the moulded footbath, of oval form with two twin handles, 45cm wide approx; and the slop pail, with a wicker bale handle, cover lacking, 26cm high (2) £200-300

519 FG300/103A COLLECTION OF WROUGHT AND CAST IRON WARES including: a swing roasting bracket; various footed candle sticks; a hoop; and further items; together with a WOODEN HANDLED SCYTHE; a further SCYTHE; and a BRASS AND LEATHER MOUNTED HORSE COLLAR (qty) £120-180

521 FG300/73 TWO WALL HANGING CANDLE BOXES comprising of: an oak example, with a hinged lid, 54.5cm high; and an oak and mahogany box, of tapered form, 43.5cm high; together with an OAK WALL HANGING BOX, 34.5cm wide; and a WOODEN WOOL WINDER, 36cm high (4) £150-250

520 FG300/103 COLLECTION OF WROUGHT AND CAST IRON WARES including: various irons; trivets; door stops; figures; a kettle; a miniature snap top table; a horse shoe; goffering iron stands; and other futher items (qty) £200-400

522 FG300/70 VICTORIAN CARVED OAK CRADLE the arched canopy and down swept sides, carved with floral designs 93cm wide, 56cm high, 39cm deep

£100-200 523 FG300/45 LANCASHIRE CHILD’S WING ARMCHAIR 19TH CENTURY the shaped top rail and turned supports, above turned arms and a reed seat, raised on turned legs, united by stretchers

524 FG300/43 MATCHED SET OF FOUR SPINDLE BACK CHAIRS the moulded top rail above turned supports, over a rush seat, raised on turned legs united by stretchers (4) 50cm wide, 99cm high, 42cm deep

£300-500 525 FG300/43A OAK TILT TOP TABLE the circular top above a turned support, raised on a tripod base 88cm wide, 73cm high

£250-350 526 FG300/25 OAK AND MAHOGANY CROSS BANDED CHEST 19TH CENTURY the hinged rectangular top above four dummy drawers, over three drawers raised on ogee bracket feet 147cm wide, 90cm high, 55cm deep

£400-600

41cm wide, 75cm high, 32cm deep

£150-250

527 FG300/5 VICTORIAN WALNUT AND EBONISED BRASS MOUNTED DISPLAY CABINET the moulded rectangular top above an inlaid frieze and two glazed doors, raised on turned legs

528

107cm wide, 99cm high, 50cm deep

£200-300 528 FG300/23 GEORGIAN OAK HANGING PLATE RACK the moulded cornice above a fretwork frieze, over three shelves flanked by narrow shelves

541

175cm wide, 118cm high, 16cm deep

529 FG300/48 OAK COMMODE 19TH CENTURY the moulded hinged top above four dummy drawers, raised on bracket feet

72cm wide, 99cm high, 50cm deep

535 FG300/A2 OAK LEDGE BACK DRESSER BASE 19TH CENTURY with five small drawers above the cross banded top, over three drawers and a shaped apron, raised on cabriole legs

67cm wide, 76cm high, 50cm deep

£250-350

169cm wide, 85cm high, 49cm deep

£300-500

532 FG300/119 GEORGIAN CROSS BANDED OAK BOWFRONT CORNER CUPBOARD the moulded cornice above cupboard doors enclosing shelves, raised on a plinth base

£200-250 530 FG300/52 CROSSBANDED OAK DRESSER AND PLATE RACK 18TH/19TH CENTURY the moulded cornice above three open shelves, flanked by cupboard doors, over the base with a central drawer above cupboard doors, flanked on either side by three drawers, raised on ogee bracket feet 201cm wide, 200cm high, 54cm deep

£800-1,200

£600-900 533 FG300/120 THREE PIECE SUITE 20TH CENTURY comprising a sofa, the cushioned back and arms above a cushioned seat, raised on turned legs; 186cm wide, 64cm high, 60cm deep also two wing back arm chairs, the shaped back above out scrolled arms, over a cushioned seat, raised on square tapering legs; 80cm wide, 97cm high, 63cm deep £100-200

536 FG300/37 OAK VERNACULAR KIST 18TH CENTURY the plank top above a plain frieze and shaped apron, raised on stile feet 95cm wide, 45cm high, 30cm deep

£250-350 537 FG300/43B VERNACULAR OAK STOOL the plank top raised on roughly carved legs 119cm wide, 36cm high, 31cm deep

531 FG300/87 OAK PLATE RACK EARLY 19TH CENTURY the breakfront moulded cornice above two shelves and two drawers, flanked by cupboard doors (Restorations)

534 FG300/A1 OAK HANGING PLATE RACK the moulded cornice above a fretwork frieze, over three shelves, flanked by narrow shelves

157cm wide, 84cm high, 24cm deep

£150-250

£500-700

530

189cm wide, 118cm high, 16cm deep

£100-150 538 FG300/44 SPINDLE BACK OPEN ARM CHAIR 19TH CENTURY the shaped top rail above turned supports and out swept arms, over a reed seat, raised on turned legs united by stretchers

100cm wide, 59cm high, 50cm deep

54cm wide, 95cm high, 38cm deep

£300-500

£200-300 539 FG300/124 CAST IRON AND BEECH DINING TABLE the rectangular top above foliate moulded supports united by stretchers, raised on bun feet, 163cm wide, 77cm high, 72cm deep; together with a SET OF FOUR WIRE WORK CHAIRS (5) £200-300

540 FG300/B1 ORIENTAL CARVED HARDWOOD CHEST the moulded top opening to reveal a lined interior, raised on ball and claw feet, the whole carved with battle scenes

541 FG300/108 CAST IRON OUTDOOR STANDING LAMP the foliate moulded upright, raised on a square foot, with later lantern 45cm wide, 234cm high

£400-600

548

546

549

542 FE366/8 GILT BRASS AND CUT GLASS BASKET CHANDELIER with a moulded corona and frame, modelled with decorative bows, and hung with swags of glass prisms 70cm high approx

£400-600

547

545 FE453/1 NEAR SET OF ETCHED DRINKING GLASSES 18TH CENTURY AND LATER each ogee shaped bowl decorated with a Hoho bird amongst blossoming foliage, above the faceted stem and slightly conical foot (3) tallest 15cm high

543 FC641/4 PAIR OF RED VELVET CURTAINS with fixed pencil pleats, lined (probably blackout), with weighted corners (2) width at top 112cm; width at hem 244cm; drop 360cm; pleats 14cm long

£100-200 544 FG149/3 REGENCY BRASS MOUNTED BAMBOO LIBRARY BOOK GRAB 19TH CENTURY of typical form with an internal mechanism and double prong metal clasp

542

£300-400 546 FE691/4 GERMAN STONEWARE ‘BARTMANN’ JUG LATE 17TH / EARLY 18TH CENTURY of elongated bottle form with a moulded mask of a bearded man to the neck and a loop handle, light gold brown salt glaze, 44cm high; together with another GERMAN STONEWARE JUG of a similar shape, medium brown salt glaze, 37cm high (2) £200-300

547 FG447/7 COLLECTION OF GILT DECORATED GLASS WARES comprising of: a pair of liqueur glasses and a matching comport; a further comport with Greek key borders; a pair of waisted decanters (stoppers lacking); a pair of ewer decanters with thistle-like decoration, one with a stopper; a further pair of liqueur glasses; and three dishes, of various design (qty) £120-180 548 FG14/24 PAIR OF NEOCLASSICAL GILT BRASS CHENETS 19TH CENTURY each modelled with a female mask below outswept wings, raised on pierced scrolling supports and a hoof foot, 51cm high; together with a GILT BRASS FENDER, with pierced moulded design, 78cm long (3) £150-250

549 FG275/74A SANDALWOOD AND IVORY CHESSBOARD of typical form, with a decorative inlaid border 40.5 x 40.5cm

£120-180 550 FG495/5 JAPANESE LACQUERED HORN CIGAR CASE of oblong form, decorated with a gilt bird amongst branches, 11.5cm long; together with a FRAMED PEN AND INK DRAWING, signed ‘Watson Adams’, 7 x 9.5cm (2) £150-200 551 FG447/34 COLLECTION OF PEWTER ALMS DISHES comprising of: four graduated examples with touch marks for London three with initials; and a decorative unmarked example, with an embossed armorial (5)

154cm long

largest 43.5cm diam.

£150-250

£200-300

554

552

555

552 FF165/2 TWO FRAMED WEDGWOOD PLAQUES each marked ‘Wedgwood’ to the reverse, and in a glazed frame, the first depicting the ‘Dancing Hours’, after John Flaxman, modelled as a blue jasperware plaque, showing female figures,, 6 x 17cm (excluding frame); the second, depicting ‘Blind Man’s Buff’, modelled as a green jasperware plaque, showing children playing, 9 x 21.5cm (excluding frame) (2) £600-800 553 FF168/7A MINTONS PORCELAIN PART DESSERT SERVICE each piece decorated with insects and foliage within an ornate blue border, with maker’s marks, some marked ‘A7527’, one with retailer’s stamp, comprising of: a centre piece; a footed comport; four low comports; and six plates (12) £300-500

559

554 FG325/5 CERAMIC DISH, POSSIBLY IZNIK of shallow circular form, decorated with flowering foliage on a green ground

557 FG330/4 MILIVOY UZELAC (1897-1950) ‘LES JOIES DU SPORT’, 1932 group of prints, framed £300-500

25cm diam. approx.

558 FG427/1 COLLECTION OF GREEN GLASS WARES comprising of: a near set of eight drinking glasses, each with a prunt decorated stem and ribbed foot, tallest 11cm high; and a near set of six bowls, of simple ovoid form, largest 12.5cm diam. (14) £200-300

£300-500 555 FF687/14 SIX BRANCH PAINTED METAL CHANDELIER the ornate frame decorated with scrolling branches and porcelain flower heads, with six outscrolling arms with gilded sconces 65cm high approx.

£350-450 556 FG505/2 FRAMED PLASTER PLAQUE, AFTER BERTEL THORVALDSEN ‘KAERLIGHEDENS ALDRE’ of rectangular form, with a painted red ground, faintly inscribed to the front and possibly marked to the reverse ‘P. Ipsen, Kjøbenhaun, After Bertel Thorvaldsen’ 17.5 x 45.5cm (excluding frame)

£200-300

559 FF687/7 GILT METAL SUN BURST CEILING LIGHT the graduated spokes surrounding a convex glass fitting, wired for electricity 55cm wide approx.

£300-400

560 FG485/1 TWO VASART GLASS VASES each of fluted form, the first with purple and orange mottled decoration, 25.5cm high; the second, with a frilled rim, with yellow and orange mottled decoration, 25cm high (2) £150-250 561 FG494/1 GILT BRASS SIX BRANCH CHANDELIER the moulded and knopped stem supporting six out-stretched arms cast with acorns, wired for electricity, 53cm high approx.; together with a SET OF FOUR GILT BRASS WALL LIGHTS, with acanthus leaf moulded decoration to the two outscrolling branches and the supporting column, wired for electricity, 42cm high approx. (5) £300-400

560

567

570

562 FG4/15 FRENCH BRONZE AND IVORY FIGURE OF A COW 19TH CENTURY realistically modelled with ivory horns, dark brown patina; together with a small FRENCH BRONZE AND IVORY FIGURE OF A BULL, with ivory horns, dark brown patina (2) cow 15cm long; bull 11cm long

565 FF167/3 REGENCY MAHOGANY MANTEL CLOCK, BY EVILL & SONS, BATH the arched case with decorative inlaid motifs above a reeded border, with a signed cream enamelled dial with Roman numerals, the eight day movement striking on a bell, all raised on four feet

£200-300

42.5cm high

£300-400 563 FF168/36 PAIR OF SPODE ‘KAKIEMON’ PATTERN PORCELAIN DISHES each of lobed square form, decorated in the imari palette with gilt highlights, with a double blue ring to the underside and the number ‘282’ (2) 23cm wide

£200-300 564 FG427/3 NEAR SET OF FIVE GREEN DRINKING GLASSES each with an ovoid bowl above a knopped stem and flat foot (5) 11cm high approx.

566 FF167/7 LARGE MAHOGANY BANJO BAROMETER, SIGNED ‘JOHN GUGERI’ of typical form with boxwood banding and a broken swan neck pediment, with a hygrometer, thermometer, and barometer dial above the signed spirit level plate also inscribed ‘Boston Warranted’ 119cm high approx.

£200-300

567 FF175/31 PAIR OF PARCEL GILT MIRRORS the oval mirror plate within a moulded frame, surrounded by floral and foliate swags 50cm wide, 101cm high

£300-500

32.5 x 27.5cm (excluding frame)

568 FF168/44 GROUP OF ENGLISH PORCELAIN DINNER WARES all decorated in the imari palette, comprising of: a pair of Coalport soup dishes, 21cm diam.; and a near pair of Derby dinner plates, one with maker’s marks, 25.5 and 25cm diam. (4) £250-350

£180-250 571 FF177/20 FRAMED SPANISH NEEDLEWORK SAMPLER, BY MARIA CARS GARCIA, 1877 of square form, depicting a floral border surrounding an alphabet inscription and various animal motifs 49 x 56.5cm (excluding frame)

569 FF175/21 PAIR OF BRONZE FIGURES, AFTER ÉMILE LOUIS PICAULT brown patina, modelled as a fisherman and fisherwoman, each signed ‘E. Picault’ and mounted with a plaque inscribed ‘Pecheur’ and ‘Mareyeuse’ (2)

£150-250

tallest 58cm high overall

572 FG234/2 FRAMED NEEDLEWORK SAMPLER of rectangular form, with an alphabet inscription above ‘The Lord’s Prayer’, with trees motifs surrounded by a floral border, in a glazed frame

£250-400

42 x 31cm (excluding frame)

£150-250

562

570 FF177/16 FRAMED NEEDLEWORK SAMPLER, BY ELIZABETH KOLBE, AGED 8, 1840 of rectangular form, with a floral border and motifs surrounding an alphabet and verse inscription

£300-500

563

577

579

580

584

573 FG249/10 TWO FRAMED NEEDLEWORK SAMPLERS the first, by ‘Hannah Hancock, Aged 12, June 29 1813’, of square form with an alphabet and verse inscription surrounded by animal and plant motifs, 29.5 x 30.5cm; the second, by ‘Mary Wood’, also of square form, with an alphabet and verse inscription, the reverse with a hand written poem, 31.5 x 30cm (2) £150-250 574 FG234/6 FRAMED SILK AND METAL THREAD EMBROIDERED PANEL of rectangular form, depicting stylised foliate motifs, 57 x 36cm (excluding frame); together with a FRAMED WOOLWORK PANEL, or arched form, depicting birds amongst baskets of flowers, with metal thread borders, 39.5cm high, 23cm wide (excluding frame) (2) £300-500

575 FG234/4 THREE FRAMED EMBROIDERED SILK PANELS each depicting flower sprays, comprising of: two similar examples, 27 x 23.5cm (excluding frames); and a smaller panel, in a rosewood frame, 21.5 x 19.5cm (excluding frame) (3) £250-350 576 No lot 577 FF179/122 GEORGE III TORTOISESHELL VENEERED TEA CADDY of casket form with canted corners, the hinged lid opening to reveal two lidded compartments with ivory veneers and finials 17cm wide

£300-400

578 FF451/1 GROUP OF THREE DRINKING GLASSES comprising of: a fluted example with a thumb moulded bowl and a double opaque twist stem, 20cm high; a plain fluted glass, with a folded foot, 19cm high; and a bell shaped example, with a double opaque twist stem, 20cm high (3) £200-300 579 FG249/12 COLLECTION OF DAVENPORT TUREENS AND ASHETS each piece decorated with the ‘Flying Bird’ pattern, with maker’s marks: comprising of a vegetable tureen and cover, 23.5cm high; a further tureen and cover, 18cm high; and three graduated ashets, largest 34cm wide (5) £200-300

580 FG261/1 CORONA WARE PART DINNER SERVICE each piece depicting the ‘Old Woodstock’ pattern, variously marked, comprising of: a large vegetable tureen, cover and stand; two further tureens and covers; four ashets; a further stand; a sauce boat; 12 soup plates; 11 dinner plates; 12 dessert plates; and 13 side/ luncheon plates (qty) £300-500 581 FG243/9 PAIR OF HESSIAN AND MOHAIR PLUSH CURTAINS each in the Art Nouveau style, depicting repeating stylised foliate motifs, with tassels (2) 250 x 125cm approx.

£200-300 582 FG249/9 VICTORIAN ROSEWOOD AND BRASS INLAID BOX of typical rectangular form, with twin handles and a central plaque inscribed ‘Mary’, the hinged lid opening to reveal a void leather lined interior 17.5 x 35.5 x 24cm

£120-180 58

592

591

583 FG394/1 DOBSON, MOLLE & COMPANY, EDINBURGH WRECKED AT THE BAR, VOTE NO LICENCE coloured poster, published by the United No-Licence Campaign Committee, 226 West George Street, Glasgow 149 x 97cm

£500-700

583

585 FG279/20 ROYAL CROWN DERBY MATCHED PART TEA SERVICE each piece decorated in the imari palette, variously marked, comprising of: a tea pot (cover lacking); a sugar bowl and cover; a milk jug; a slop bowl; 11 tea cups; 10 saucers; a coffee cup; and a stand (qty) £150-250

584 FF168/53 DERBY HAND PAINTED PORCELAIN JUG EARLY 19TH CENTURY the neck with a gilded border and the initials ‘J.M.’, above the ovoid body painted with polychrome flowers, gilt marks to underside

586 FG427/2 LARGE COIN GLASS RUMMER the cut bowl of fluted form, raised on a knopped stem enclosing a coin, with a large flat foot

15cm high

587 FG427/6 MATCHED SET OF THUMB CUT DRINKING GLASSES comprising of: 10 examples, of varying heights and bowl shape, tallest, 15.5cm high; together with TWO THUMB CUT GLASS DECANTERS, one with an associated stopper, tallest 27cm approx. (12) £150-250

£200-300

20cm high

£200-300

588 FG427/10 NEAR PAIR OF GLASS DECANTERS AND STOPPERS each with a cut stopper above the flared neck, with a stepped shoulder and a strawberry cut body, tallest 22cm high approx.; together with a CZECHOSLOVAKIAN CUT GLASS OBELISK, of triangular section, depicting the Eiffel Tower, 26cm high (3) £200-300 589 FG250/1 PAIR OF FRENCH GILT BRONZE CANDLEABRA each with three outscrolling arms and sconces below a further sconce, raised on a moulded column and three hoof feet (2)

590 FG268/2 CARVED MAHOGANY AND MOTHER OF PEARL INLAID WALL CLOCK the decorative octagonal case enclosing a cream enamelled dial with Roman numerals, above the free hanging pendulum and weights, the movement striking on a bell 31cm wide approx.

£250-350 591 FG196/1 LARGE CASED MODEL OF A MASTED SHIP the wooden hull fitted with miniature canons, supporting various masts and rigging, in a glazed case 107cm wide, 103cm high, 49cm deep

£300-500

50cm high approx.

£200-300

592 FG196/2 CASED MODEL OF A CLIPPER SHIP the painted hull modelled with miniature life boats, below the various masts and rigging, on a naturalist style ground, in a glazed case 147cm wide, 80cm high, 40cm deep

£300-500

596

599

598

593 FG275/2 MAHOGANY LONGCASE CLOCK BY JAMES STEPHEN ABERDEENSHIRE 19TH CENTURY the painted arched dial with subsidiary second and date dials within a hood with a broken swan neck pediment and turned columns, above an arched door, flanked by turned pilasters, raised on bracket feet

602

596 FF179/17 GEORGIAN STYLE FLAME MAHOGANY LINEN PRESS 19TH CENTURY the moulded cornice above two panel doors enclosing slides, over two short and two graduated long drawers, raised on bracket feet

599 FF175/25 WHYTOCK AND REID QUEEN ANNE STYLE ARMCHAIR the moulded top rail above a vertical splat and outswept arms, over a dropin pad seat, raised on moulded cabriole legs and pad feet

230cm wide, 74cm high, 60cm deep

71cm wide, 86cm high, 45cm deep

£500-700

128cm wide, 199cm high, 58cm deep

£200-300

£300-500

36cm wide, 61cm high, 28cm deep

597 FF175/5 GEORGIAN MAHOGANY CAMPAIGN CELLARETTE 19TH CENTURY AND LATER the rectangular hinged top with a brass plaque inscribed ‘Captain Maclachlan, Edinburgh Militia’ above a plain front, raised on square tapering legs

£100-150

39cm wide, 72cm high, 35cm deep

57cm wide, 207cm high, 27cm deep

£400-500 594 FG373/5 CHINESE MINIATURE HARDWOOD FOLD-OUT CHAIR the hinged frame supporting a woven rush seat

£200-300 595 FG373/6 CHINESE LACQUERED LOW TABLE the square top above a carved apron and cabriole legs, raised on a square base, with all over red and black decoration 47cm high

598 FF175/8 AFRICAN COLONIAL HARDWOOD BENCH the slatted back and downswept arms above a loose cushioned seat, raised on square tapering legs

£80-120

190cm wide, 93cm high, 50cm deep

£150-250

603

600 FE588/20 SET OF SIX MAHOGANY CHIPPENDALE STYLE CHAIRS the shaped top rail above a pierced vertical splat, over a drop in pad seat, raised on moulded cabriole legs and ball and claw feet 54cm wide, 97cm high, 42cm deep

£300-500 601 FG373/4 CARVED HARDWOOD ANGLO INDIAN CHAIR the ornate pierced back carved with scrolling foliage above the upholstered seat, supported by a carved apron and cabriole legs 88.5cm high

£300-500

602 FG274/1 LARGE UPHOLSTERED CHESTERFIELD the buttoned back and scrolling arms above a cushioned seat, raised on turned legs and ceramic casters

603 FG275/43 ROSEWOOD WHATNOT with four tiers, the lower with a frieze drawer, raised on turned supports and brass caps and casters 46cm wide, 125cm high, 40cm deep

£300-500 604 FG269/15 VICTORIAN BRASS FENDER of serpetine form, foliate moulded and fretwork with a moulded base 163cm wide, 20cm high, 24cm deep

£200-300

394

104

437 258 628

360

Autumn hues entering the darker months of the year doesnâ&#x20AC;&#x2122;t have to all be bad! Check out our range of autumnal coloured pieces in this monthâ&#x20AC;&#x2122;s sale ready to brighten up your home!

462

251

369

560 356 494 667

141

335

426

608

611

616

617

605 FG550/1 GEORGIAN MAHOGANY BOW FRONT CHEST the cross banded top above three graduated long drawers, raised on bracket feet 91cm wide, 89cm high, 52cm deep

£300-500 606 FG373/42 CHINESE CARVED HARDWOOD FIRE SURROUND of typical form, ornately carved with scrolling dragons and Chinese symbols, above the plain surface, raised on two block feet

608 FE396/10 VICTORIAN WALNUT, INLAY AND GILT METAL MOUNTED CREDENZA 19TH CENTURY the breakfront demilune top over a central inlaid and gilt metal outlined cupboard door, flanked by glazed bowed doors opening to shelves, on a plinth base raised on turned feet

610 FF179/15 VERNACULAR OAK KIST 17TH CENTURY the hinged rectangular top with an iron hasp above a plain front, raised on stile feet 127cm wide, 44cm high, 36cm deep

613 FG269/34 GEORGIAN MAHOGANY AND BOXWOOD STRUNG BOWFRONT CHEST the shaped moulded top over four graduated long drawers, raised on bracet feet

£400-600

110cm wide, 97cm high, 60cm deep

£250-400 611 FG312/1 VICTORIAN DAMASK COVERED SETTEE the scrolling back and arms above a stuff over seat, raised on squat baluster feet, and ceramic casters

609 FE396/11 FRENCH PROVINCIAL WALNUT CHEST EARLY 19TH CENTURY the rectangular moulded top over a bombe case with panels outlined with moulding and with brass loop handles to the sides, raised on turned feet

206cm wide, 72cm high, 60cm deep

614 FG269/35 GILT WOOD OVERMANTEL MIRROR the rectangular mirror plate within a foliate moulded frame, surmounted by a shell and garland pediment

£400-600

137cm wide, 163cm high

£200-300

156cm wide, 85cm high

79cm wide, 71cm high, 44cm deep Provenance: Private collection, Aberdeenshire

£300-500

£120-180

118cm high, 134.5cm wide

£400-600 607 FG559/5 REGENCY GILT OVERMANTLE the three bevelled, shaped mirror plates within a serpentine frame, surmounted by a shell and fish, foliate pediment

152cm wide, 111cm high, 39cm deep Provenance: Private collection, Aberdeenshire

£500-700

£300-400 612 FG373/18 CHINESE ROSEWOOD STOOL the circular top above a shaped apron and cabriole legs, united by stretchers 48cm high

615 FG322/2 GEORGIAN STYLE MAHOGANY BREAK FRONT SIDEBOARD the shaped boxwood strung top above two frieze drawers, flanked by bowed cupboard doors, raised on square tapering legs and spade feet 153cm wide, 93cm high, 62cm deep

£200-300

614

616 FE366/15 PAIR OF FRENCH STYLE ARM CHAIRS the serpentine back and padded arms above a loose cushioned seat, raised on moulded cabriole legs

612

74cm wide, 90cm high, 54cm deep

618 FG373/41 SET OF FOUR CHINESE HARDWOOD OCCASIONAL TABLES each with a rectangular shaped surface, above a moulded apron and stretchers uniting the square set legs (4)

£400-600

tallest 66cm high

£300-500 617 FE396/6 GEORGE II MAHOGANY KNEEHOLE DESK 18TH CENTURY the rectangular top with a moulded edge over a long drawer above an arch drawer and recessed cupboard, flanked by banks of three drawers, raised on shaped bracket feet

624

620 FF164/7 MAHOGANY LONGCASE CLOCK Early 19th century the swan neck pediment above a painted dial, with Roman numerals, subsidiary seconds and date dials, painted flowers to the spandrels and arch, inscribed David D**, the trunk door with arched top and flanked by quarter reeded columns, eight day movement, the base with line inlay and raised on plinth base

84cm wide, 74cm high, 50cm deep Provenance: Private collection, Aberdeenshire

619 FG589/2 SET EIGHT LADDER BACK CHAIRS comprising two early 19th century elm and ash open arm chairs, the shaped horizontal splats flanked by turned uprights, over out swept arms and a woven string seat, raised on turned legs united by stretchers and six similar 20th century side chairs (8)

£400-600

61cm wide, 105cm high, 42cm deep

621 FG373/20 CHINESE CARVED HARDWOOD STAND the square top above pierced aprons and shaped legs, united by stretchers and a square set base

£500-700

47cm high

207cm high

£500-700

£150-250

622 FG373/21 SMALL CHINESE MARBLE TOPPED STAND the circular top above an ornately carved apron and splayed legs, united by an X form stretcher 29.5cm high

£100-150 623 FF462/1 SERPENTINE MAHOGANY SIDE BOARD the shaped top above a boxwood strung drawer, flanked by a deep drawer and a cupboard, raised on square tapering legs 115cm wide, 86cm high, 63cm deep

£300-500 624 FG275/38 VICTORIAN MAHOGANY READING TABLE the gadrooned top with rising screen, above spiral turned supports, raised on trestle feet 60cm wide, 77cm high, 28cm deep

£350-450

613

623

627

633

631

625 FE588/16 SYRIAN MOTHER OF PEARL INLAID CHAIR the arched back and vertical splat, above scrolled arms, raised on an interlinked supports and trestle feet 48cm wide, 93cm high, 25cm deep

£150-250 626 FF72/65 EARLY GEORGE III STYLE WALNUT AND CROSSBANDED TWIN PEDESTAL DINING TABLE the rounded rectangular top above turned supports, raised on cabriole legs 183cm wide, 78cm high, 91cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£700-900

629

630

627 FF165/1 VICTORIAN MAHOGANY EIGHT DAY LONG CASE CLOCK BY A&W MARSHALL WISHAW the painted dial with subsidiary second and date dials within a hood with moulded top above a bowed door, flanked by canted corners, raised on bun feet

629 FF175/55 WHYTOCK AND REID BURR WALNUT BEDSIDE CABINET 20TH CENTURY the three quarter galleried rectangular top above a brush slide and shelf, over a drawer, raised on moulded cabriole legs

242cm wide, 74cm high, 121cm deep

45cm wide, 76cm high, 25cm deep

£600-800

50cm wide, 220cm high, 24cm deep

£250-400

£800-1,200 628 FF167/8 PAIR OF REGENCY MAHOGANY AND SATINWOOD SIDE CABINETS CIRCA 1815 the rounded rectangular brass bound tops with a three quarter pierced brass gallery above a pair of frieze drawers with ivory knobs and a further pair of glazed doors opening to shelves and flanked by inlaid baluster columns, raised on tapered conical legs ending on ball feet (2) 126cm wide, 92cm high, 49cm deep

£400-600

630 FG373/22 PAIR OF CHINESE HARDWOOD STOOLS each of open drum shape, with a circular top supported by eight united banded legs 44.5cm high

£300-400

632 FF70/1 VICTORIAN STYLE MAHOGANY EXTENDING DINING TABLE the oval moulded top above a plain frieze, raised on acanthus carved legs and ball and claw feet and brass castors

633 FF175/56 GEORGIAN STYLE WALNUT KNEE HOLE DESK the cross banded rectangular top above two frieze drawers, over a shaped drawer and recessed cupboard, flanked on either side by three further drawers, raised on bracket feet 92cm wide, 76cm high, 54cm deep

631 FF477/1 OAK BREAKFAST TABLE the circular moulded top above a bulbous turned support, raised on a triform base 153cm wide, 74cm high

£250-350

£500-700 634 FF178/5 SET OF SIX TABLET BACK MAHOGANY DINING CHAIRS the shaped back and moulded uprights above a stuff over seat, raised on tapering octagonal legs 56cm wide, 84cm high, 43cm deep

£300-500

638

639

645

635 FG313/2 FRETWORK BRASS FENDER 19TH CENTURY of serpentine form, raised on lion paw feet 139cm wide, 24cm high, 30 deep

£180-220 636 FG209/2 LARGE EDWARDIAN OAK BRACKET CLOCK, RETAILED BY JOHNSTON & CO., GLASGOW the carved case with a foliate pediment and three finials, above the reeded columns flanking a silvered dial with Roman numerals and a gilt dial plate with retailer’s marks and two subsidiary dials, the movement striking on a bell and five gongs 65.5cm high approx.

£600-800 637 FE366/19 WROUGHT IRON STANDARD LAMP previously an oil lamp, the copper reservoir above an adjustable upright and scrolling supports, with floral detailing

642

640

638 FF161/88 FRENCH CARVED IVORY FIGURE 19TH CENTURY, PROBABLY DIEPPE depicting a gentleman in 17th century dress, on a carved wood pedestal figure 18cm high

£150-250 639 FG269/32 PAIR OF BRASS FRAMED MIRRORS the bevelled oval mirror plate within a ribbon moulded frame, above sconces 35cm wide, 62cm high

£150-250 640 FF175/21A NEAR PAIR OF STAFFORDSHIRE POTTERY COCKERELS each typically modelled, with polychrome and gilt highlights (2)

642 FF175/12 COLLECTION OF FRENCH HAND PAINTED PORCELAIN WARES comprising of: four urns decorated with insects, with gilt highlights, maker’s marks, 8.5cm high; two pairs of jars and covers, with flower sprigs and monograms, maker’s marks, tallest 8.5cm high; a hand decorated box and cover with a gilt metal mount, 9cm diam.; and two canted boxes and covers, one decorated with a female in a landscape, the other with flower sprays, variously marked, 17cm wide (11) £250-400

644 FF168/57 COLLECTION OF ENGLISH PORCELAIN TEA AND COFFEE WARES comprising of: a Spode tea cup and saucer, both marked ‘688’; a matching Derby tea bowl, saucer, sugar bowl and cover, marks; a Newhall coffee can; a Davenport tea cup and saucer, both with marks; a Worcester saucer, hatched mark; a Rockingham tea cup and saucer, both marked ‘2078’; and a pair of tea cups and saucers, each marked ‘3898’; together with a SPODE PEN TRAY, with marks (A/F) (qty) £150-250

643 FG275/47 STAINED WOODEN BOWL of typical circular form, with a turned ribbed rim

645 FG4/8 AFTER PIERRE JULES MENE (FRENCH, 1810-1879) SETTER bronze, gilt patina

32cm diam.

19cm long

£150-250

£120-180

30.5cm high

£300-500 641 No lot

56cm wide, 169cm high

£180-220 65

652

646 FG447/19 LARGE IRON SHIELD of circular form with a central point, embossed with scenes of warriors and horses, with a hanging handle to the reverse 54cm diam.

£150-250 647 FG447/22 CARRON FOUNDRY IRON MORTAR of typical tapered form, the moulded body marked ‘Carron’ and ‘7’ to the underside 27.5cm high

£200-300 648 FG249/11 PAIR OF CHELSEA STYLE PORCELAIN FIGURES modelled as a male and female playing an instrument before bocage, each raised on a rococo style base, with a gilt anchor mark to reverse (2) tallest 22.5cm high

£150-250 649 FG440/2 GERMAN PORCELAIN FRAMED MIRROR the scalloped border moulded in relief with flowers and applied cherub, the three candle scones with two detachable candelabra arms, mounted on a wooden board 47cm high

£150-250 650 FF223/1 PEN AND INK TARTAN WARE BOUND BIBLE the front cover depicting a mother and child, the reverse with tartan printed covering, ‘The English Version of the Polygott Bible; Containing Old and New Testaments’, Samuel Bagster, London 16cm high

£300-500 66

658

651 FG423/4 COLLECTION OF MAUCHLINE AND TARTAN WARES comprising of: seven pieces of Mauchline ware, including a miniature crib, various boxes and a letter opener; seven Tartan ware items, including a copy of ‘The Poetical Works of Sir Walter Scott’, with various boxes; and a fernware box (15) £200-300 652 FG424/10 GROUP OF FERNWARE BOUND BOOKS comprising of: ‘The Poetical Works of William Wordsworth’; ‘The Poetical Works of William Cowper’; ‘The Poetical Works of John Milton’; ‘The Poetical Works of Thomas Moore’ and ‘Poems and Songs by Robert Burns’ (5) £120-180 653 FG424/10A GROUP OF MAUCHLINE WARE BOUND BOOKS depicting various scenes, comprising of: Scott, Walter, ‘The Lady of the Lake’, with photographs; two editions of ‘The Poetical Works of Sir Walter Scott’; ‘The Poetical Works of Robert Burns’; ‘The Poetical Works and Letters of Robert Burns’; together with a TREEN BOUND BOOK, Hall, S.C. ed., ‘The Book of Gems: From Poets and Artists of Great Britain’; and a BRYDEN & SONS CERAMIC PLAQUE, depicting the ‘Grand International Building of 1850’, raised on casters, maker’s mark, 27cm diam. (7) £200-300

654 FG419/1 FRAMED WAX PORTRAIT allegedly depicting Mrs Tassie, modelled in profile, in a glazed wooden frame 17cm high (excluding frame)

£200-300 655 FG491/1 PAIR OF GRANITE CURLING STONES each in a wicker case, with two pairs of handles, both sets variously inscribed stones 26cm diam. approx

£200-300 656 FG505/1 NEAR PAIR OF TALL BRASS CANDLESTICKS each with a decorative cast and faceted stem supporting a lobed drip tray, above an ogee foot (2) 71cm and 66.5cm high

£250-400

659

657 FG447/16 COLLECTION OF BLUE AND WHITE ASHETS AND DISHES comprising of: four ashets, depicting various patterns, some marked with a pattern name, largest 53.5cm wide; and a pair of oval shaped dishes, depicting fishermen, 32cm wide (6) £100-200 658 FG447/30 COALPORT FELTSPAR PORCELAIN PART TEA AND COFFEE SERVICE each piece decorated with flowers amongst moulded borders with gilt highlights, some with maker’s marks, comprising of: a teapot and stand; a sugar bowl; a milk jug; six tea cups; four coffee cups; and six saucers (qty) £200-300

661

660

659 FG4/18 CONTINENTAL BRONZE FIGURE GROUP 19TH CENTURY in the Renaissance style, gilt and patinated bronze, modelled as Cupid on the back of a prancing horse, on a rectangular base 12cm wide, 14cm high

£150-250 660 FG467/39 TORTOISESHELL NEEDLE CASE in the form of a miniature knife box, the hinged lid opening to reveal an ivory veneered interior with seven compartments and various packets of needles 5cm high

£100-150 661* FG182/3A SET OF EIGHT WORCESTER ‘GILLYFLOWER’ PATTERN SIDE PLATES CIRCA 1760 with scalloped borders, blue crescent mark (8) 19.5cm diam

£150-250

665

662 FG440/5 THREE GERMAN PORCELAIN FIGURES the first modelled as a female recorder player on a stylised scrollwork base, 13.5cm high; another similarly modelled playing a stringed instrument, 14cm high, both with blue crossed sword marks and incised numbers to base; a female figure of a wine seller, 11cm high and a spill vase modelled as a section of bark with applied conker, underglaze mark to base (4) £150-250 663 FG216/1 MAJOLICA URN AND ASSOCIATED STAND the campana urn with twin handles, modelled with putti amongst flower garlands, 52cm high; the shaped and lattice pierced stand with acanthus leaf decoration, 36cm high; together with a MAJOLICA JARDINIÈRE, modelled as a cat carrying a basket, stamped ‘Minton’ to the underside, 27cm high (3) £250-350

664

664 FG216/2 MAJOLICA JARDINÈRE modelled as an urn with oval panels depicting birds, raised by three winged mermaids on a tripod base with hoof feet 41.5cm high

£250-350 665 FG246/1 TWO MAIOLICA CHARGERS the first, decorated with numerous cherub, animal and floral motifs, within an ornate ochre border, painted marks and retailer’s label, 46cm diam.; the second, with a central crest surrounded by mythical creatures and grotteschi, stamped ‘10’ and with a paper label , 44.5cm diam. (2) £200-300

666 FG440/4 PAIR OF GERMAN PORCELAIN CANDLEABRA LATE 19TH / EARLY 20TH CENTURY the three branch candelabra with applied flowers in relief, one with a female figure seated on a double basket at the base, the other similarly modelled with a male figure, crossed sword marks to base (2) 17.5cm high

£150-250 667 FG484/1 TOLEWARE TRAY of shallow circular form with pierced sides, with a painted scene depicting figures mooring a boat 30cm diam.

£150-250 668 FE366/9 COLLECTION OF GILT METAL CHANDELIERS with varous moulded gilt metal frames, hung with cut glass droplets and swags (5) largest 34cm high approx. (excluding fittings)

£300-500 END OF SALE 67

Board of Directors

Specialist Departments

Administration

Chairman Sir Angus Grossart

Pictures, Watercolours & Prints Nick Curnow Charlotte Riordan Emily Johnston (London)

Operations Manager Alex Dove

Vice Chairman Paul Roberts Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Gavin Strang Associate Directors Lee Young Mhairi McFadden

Furniture, Clocks & Works of Art Douglas Girton Lee Young Asian Works of Art Lee Young Jewellery, Silver, Coins & Medals Trevor Kyle Colin Fraser Ruth Davis Rugs & Carpets Gavin Strang

Decorative Arts & Design John Mackie

Finance Manager Mhairi McFadden

European & Asian Ceramics Douglas Girton Campbell Armour

Accounts Flo Marshall Eileen Welsh Sarah Laing

Rare Books, Maps & Manuscripts Simon Vickers Cathy Marsden

Administration Edinburgh Kim Aitchison Eleanor Welsh

Arms & Armour John Batty (consultant)

Glasgow Linda Robinson James McNaught

Interiors Theo Burrell Charlotte Riordan David Fiddes

Saleroom Staff Sydney Drew David Robertson Scott Mitchell David Fiddes Valerie Kyle Press & Public Relations Philip Gregory

London and Southern England Rachel Doerr Mobile: +44 (0)7876 653602 rachel.doerr@lyonandturnbull.com

Catriona Macpherson Tel: +44 (0)20 7930 9115 catriona.macpherson@lyonandturnbull.com

Ian Peter MacDonald Tel: +44 (0)20 7930 9115 ianpeter.macdonald@lyonandturnbull.com

Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com

Lee Young Mobile: +44 (0)7825 426555 lee.young@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Marketing Matt McKenzie Photographer Andrew McGregor

Business Development Lady Middleton John Sibbald John Thomson Tessa Thomson Lindsey Michie

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

www.l y o n an dturnbull .co m 68

Index to Artists Algie, J., 68 Allen, R.W., 76 Armour, M., 83

Flint, Sir W.R., 57 Florentine School, 3 Frazer, W., 22

Batt, T., 51 Bellany, J., 92 Blake, W., 74 Bond, M., 158 Bone, W.D., 125 Bone, W.D., 148 Boyley, E.S., 6 British School, 75, 78, 132, 139 Buffet, B., 115 Burton, A.M., 164 Burton, N., 131

Gibson, W.A., 112 Graham, P., 14 Grün, J-A., 129 Guthrie, W.N., 101

Cadell, F.St.J., 123 Calvert, E.S., 15 Cameron, D., 104 Christmann, G., 40-44 Clemente, F.R.S., 118 Collier, J., follower of, 140 Conroy, S., 155 Coventry, R.M., 137 Docherty, J., 102 Douglas, Sir W.F., 103 Douthwaite, P., 91, 152 Duncan, M., 87 Durer, A., after, 21 Dutch School, 62 Enjolras, D., 116 Fischer, L., 46-49

Haden, S., 73 Hanna, N., 88 Hope, R., 138 Howson, P., 154, 159 Hughes, I., 153 Hunt, A.M., 81 Hutchison, R.G., 136 Isola, G., 145 Jacque, C-E., 11 Kalmikoff, N., 82 Kay, A., 85 Kitaj, R.B., 163 Landara, B., 45 Lawrie, H., 143 Leader, B.W., 16 Lepere, A., 70 Lhermitte, L.A., 67 Macdonald, J., 86 Mackie, C., 11 Macnab, I., 121, 122 Macwhirter, J., 108

Masriera, L., 128 Masson, H.L., 141 Massoudy, H., 80 Mathon, E.C., 4 Matthews, J., 79 McArthur, C., 77, 126 McBey, J., 19 McGregor, W., 133, 134, 135 McKay, T.H., 2 McLaren, S., 156 McRae, J., 147 McTaggart, W., 1, 113 Miller, A., 119 Mills, A.G., 13 Milne, W.W., 107 Munro, A.G., 130, 151 Neilsen, L., 117 Niemcyzc, A., 149 Nolan, Sir S., 37, 38, 39 Pierneef, J.H., 5 Pirie, Sir G., 59 Pope, P., 146 Pope, P., 89 Provincial School, 8 Quigley, A., 60 Rapotec, S., 31-36 Reid, F.M., 61 Richardson, T.M., the Younger, 98, 109 Roberts, D., 93, 94 Rose, W., 23-30

Ruiz, L.C., attributed to, 127 Sainsbury, J., 114 Scottish School, 97 Sibley, A., 52-56 Sluijter, W., 64 Smith, C., 144 Smith, G., 99, 100 Spindler, J.G.H., 58 Sutherland, G., 90 Temple, T., 106 Thieler, F., 50 Timms, W., 7 van der Goes, H., after, 9 Wade, J.A., 142 Wain, L.W., 120 Wardle, A., 124 Webb, J., 17 Webb, J., follower of, 110 Whitford, R., 105 Williamson, W.H., 65 Wingate, J.L., 66 Wolmark, A., 157 Wylie, K.,3 Wyllie, W., 18, 95 Zampieri, D. (called Il Donenichino), after, 12-

Glossary of cataloguing terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration. Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to... In our opinion probably a work by the artist in whole or in part. Studio of .../Workshop of ... In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Circle of ... In our opinion a work of the period of the artist and showing his influence. Follower of ... In our opinion a work executed in the artist’s style but not necessarily by a pupil. Manner of ... In our opinion a work executed in the artist’s style but of a later date After ... In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist. Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. Dimensions are given height before width.

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Collecting your purchases How to arrange collection and transport, plus everything else you might want to arrrange to make your new possessions fit your home perfectly.

Transport & Couriers Although we cannot pack or ship items, the following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Local Deliveries

Furniture and Larger Items

A&S Pert Removals

Constantine

Telephone 07876 343520

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk

Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com

A Van Man Transport Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk

Further Afield For Smaller Items and Paintings

Pictures

Mailboxes Etc.

Fine Art Carriers Gallery Support Group

Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Storage of sold lots

Restoration

All bought items will be held free of charge at Lyon & Turnbull until the Friday following the sale.

To get your purchases home in perfect condition you may wish to employ the services of a restorer.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Restoration may not be as expensive as you think and Lyon & Turnbull are able to recommend restorers of Pictures, Frames, Ceramics, Furniture and Metalwork; Upholsterers and Framers.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT 70

Please call Theo Burrell for details on 0131 557 8844

Standard Terms & Conditions of Sale Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn.

6. PAYMENT

9. THIRD PARTY LIABILITY

(1) Immediately a lot is sold you will:

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

(a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express. (2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time. 8. REMEDIES FOR NONPAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale;

3. INCREMENTS

(f) to retain that or any other lot sold to you until you pay the total amount due;

Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot. (2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or

estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274