Fine Antiques | 23rd October 2013

Page 1

Fine Antiques & Works of Art Wednesday, 23rd October, 2013 33 Broughton Place Edinburgh



Fine Antiques & Works of Art including The Peter Nicholson Collection of Arms & Armour The Douglas Franks Collection Selected Items from the Estate of Diana, Countess of Albemarle Selected Contents from Lorton Park, Cumbria Property of a Lady Wednesday, 23rd October, 2013 at 11am Sale Number LT393

Viewing Saturday, 19th October 12 noon - 4pm Sunday, 20th October 12 noon - 4pm Monday, 21st October 10am - 5pm Tuesday, 22nd October 10am - 5pm Morning of Sale from 9am Specialists Ceramics and Glass Douglas Girton Lee Young Theo Burrell Rugs and Carpets Gavin Strang Works of Art, Clocks & Furniture Douglas Girton Lee Young Catalogue: £15 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter. VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

Arms & Armour Colin Fraser

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com


LY O N & T U R N B U L L Important information for buyers

Buying at Auction

buyer on the hammer price and in

Bidding

number to be called. We

This sale is subject to our standard

addition to the buyer’s premium. It

At the Sale

recommend that a covering bid is

Terms and Conditions of Sale. If

will not apply to works where the

To bid at the sale all potential

also left in the event that we are

you have not bought at auction

hammer price is less than €1,000

buyers must be registered with us

unable to make the call. We cannot

before we will be delighted to advise

(euros). The charge for works of art

on or before the day of sale. We will

guarantee that lines will be

you.

sold at and above €1,000 (euros) and

need proof of identification and

available, or that we will be able to

below €50,000 (euros) is 4%. For

residence, and may require a bank

call you on the day, but will endeavour to undertake such bids to

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling. Dimensions

items selling above €50,000 (euros),

reference. Potential buyers must

charges are calculated on a sliding

collect a bidding number before the

the best of our abilities. All bid

scale.

sale begins, and show that number

requests must be received an hour before the sale.

All royalty charges are paid to the

if successful in purchasing a lot.

appropriate collecting organisation

Please ensure that the auctioneer

Methods of Payment

and no handling costs or additional

repeats the number correctly when

Goods purchased will not be

Dimensions are for guidance only; it

fees are retained by the auctioneer.

confirming the sale. If there is any

released until we have received full

is the buyer’s responsibility to

Resale royalties are not subject to

doubt at this stage as to the

payment.

ensure that they are correct.

VAT.

hammer price or buyer it must be

Please note that the royalty payment

brought to the auctioneer’s attention

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter.

is calculated on the rate of exchange

immediately. All lots will be invoiced

at the European Central Bank on the

to the name and address given on

date of the sale.

your registration form, which is nontransferable. If you have purchased

Cash

is available at www.dacs.org.uk

a lot you may take your bidding

Cash payments can be made at the

Damage and Restoration

at the rate imposed by law. (see our

Occasionally, when a lot has

Terms and Conditions of Sale).

suffered extensive damage and/or

The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price. The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price.

invoice we issue or upon request from our accounts department.

More information on Droit de Suite

VAT will be charged on the premium

VAT

Bank Transfer Please find details in any email

restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

number to the accounts department

accounts desk during or after a sale.

and receive an invoice immediately.

Credit or Debit Cards

If you have not been successful

Payment can be made by Visa Debit,

please leave the number at the

Maestro, Mastercard or Visa Credit

Registration or Reception desks.

cards. Please note there is a 2%

In writing

surcharge on credit card payments

Bid forms are available at the sale

and we do not accept Amex..

and/or the back of the catalogue.

Online Payments

These should be submitted in

We no longer accept card payments

person, by post, or by fax as soon as

by phone, please use our online

possible prior to the sale and we will

payment service (powered by

bid on your behalf up to the limit

Worldpay). You will find a link to this

indicated. In the event of receiving

service in any email invoice issue or

two identical bids the first one

you can visit the payments section of

received will take precedence. All

our website.

No VAT is payable on the hammer

Condition Reports

bids must be received an hour

price or premium for books bought

If potential buyers are unable to

Cheque

before the sale. This service entirely

at auction.

inspect lots in person our specialists

Cheques should be made payable to

at the bidder’s risk.

Lyon and Turnbull Ltd. We reserve

By telephone

the right to wait until cheques have

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to

2

will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

collect a royalty payment for all

Electrical Goods

qualifying works of art. Under new

Lots that were once operated by

legislation which came into effect on

mains electricity are bought entirely

1st January 2012, this applies to

at the buyer’s risk. They are offered

living artists and artists who have

for sale for display or historical

Bids submitted by telephone must

been cleared by our bankers before

be confirmed in writing.

releasing bought goods. Cheques

Telephone bidding

can be cleared prior to sale on

If you are unable to attend the sale

request. Cheques drawn by third

we can normally arrange for you to

parties cannot be accepted. If paying

bid on the telephone. This service is

by post please include the slip from

available on lots with an estimate of

your invoice.

£300 and over, entirely at our

Collection

discretion and at the bidder’s risk.

It is the buyer’s responsibility to

All telephone bids must be

ascertain collection procedures,

died in the last 70 years.

purposes and may not comply with

confirmed in writing, listing the

particularly if the sale is not being

This royalty will be charged to the

current regulations.

relevant lots and appropriate

held at our main saleroom.


LY O N & T U R N B U L L Order of Sale

WEDNESDAY, 23RD OCTOBER, 2013 at 11am 201-243

THE PETER NICHOLSON COLLECTION OF ARMS & ARMOUR FROM AUCHTERTOOL HOUSE, FIFE

244-516

FINE FURNITURE & WORKS OF ART 323-327 Selected Items from the Estate of Diana, Countess of Albemerle 328-347 The Douglas Franks Collection

517-537

RUGS & CARPETS

CERAMICS AND GLASS: Please note that damage and/or restoration is indicated in the catalogue at our discretion. We are pleased to provide condition reports on all lots for those who cannot view in person. INTERNET SERVICE: For colour illustrations of all lots in this sale please consult our website at www.lyonandturnbull.com. TELEPHONE BIDDING: Please note telephone bidding is only available on lots estimated at ÂŁ300 and above. For lots with an estimate below this we are happy to accept commission bids or suggest our online live bidding service (powered by Artfact, please see visit www.lyonandturnbull.com for further information). Please note that all absentee and telephone bid requests must be received an hour before the sale.

3



The Peter Nicholson Collection of Arms & Armour, Auchtertool House, Fife Part II: lots 201-243 The following lots form part II of three sections of the arms and armour collection of the late Peter Nicholson of Auchtertool House in Fife. Peter from a young age held a strong interest in all things Scottish but often with a strong leaning towards crafts and craftsmanship. His collection which has been built up over many years was well displayed in Auchtertool House which he shared with his wife, Lori. The first part, sold in our Scottish Silver sale in August, was a good cross-section covering not only edged weapons but also treen, mulls, sporrans, dirks and associated items. The third part of the collection which includes additional Scottish Arms will be sold next year. Peter not only collected Scottish weapons but also European pieces including: a German large double handed processional sword (lot 209), an Italian breast plate, circa 1600 (lot 210), a European Burgonet, circa 1590 (lot 216), and other armour, edged weapons and firearms, all included in this sale.

Selected pieces of furniture, tapestries, and painting from Auchtertool House will be included in our forthcoming Interiors sale in January 2014. A number of the furniture pieces were handmade by Peter, a number incorporate antique elements and have been 'recreated' to a useful piece of furniture, and some are antiques that have required some restoration to preserve them for future generations. Also of Scottish interest is a full length portrait by Sir John Watson Gordon of the artist Francis Grant as an esquire to the Knight Marischal, Alexander Keith. He is resplendent in full Highland dress with dirk, sword, powder horns and pistols, for the visit of George IV to Edinburgh in 1822, his apparel was typical of the 'excesses' displayed by many who attended the visit in an official capacity. While it has been a difficult decision to see the collection dispersed and sold, it is with the knowledge that the pieces will be well-appreciated by fellow collectors in Scotland and also further afield.

201 FG9/334 MAMALUKE HILTED GENERAL OFFICER’S PRESENTATION SWORD the gilt metal hilt of matted brass, ivory slab sided grip with original bullion sword knot through the pierced pommel, the corroded curved single edged clipped point blade inscribed in a panel; “The Blade Of This Sword Presented / By Major General Archibald Campbell KCB / To Captain Angus MacDonald”; the other side etched trophies of arms. 36in blade Note: Archibald Campbell of Inverneill (1739-1791)

£1,000-1,500

5


LY O N & T U R N B U L L Fine Antiques & Works of Art

202

203

202 FG9/337 CONTINENTAL HUNTING HANGER CIRCA 1700 cast brass hilt with shell knuckle guard of baroque form with stag horn grip, bun-shaped segmented pommel, the single edged blade etched with VIVAT ORANGE and foliage scroll decoration.

204 FG9/325 TWO DETACHED SWORD BLADES one double edged the single edged struck ANDREA FERARRA, 32in long; together with a SPADROON, circa 1800, the brass hilt corroded, fluted ivory grip, corroded curved blade, blade 27in long

23in blade

203 FG9/338 HUNTING HANGER CIRCA 1750 with gilt brass hilt the hand guard in the form of a pierced shell knuckle guard decorated with cast scrolls, black leather grip bound with a double twist of copper wire, single edge blade with central fuller

32in long

£700-900

21in blade

£200-300

£400-600

36in blade

206 FG9/336 ENGLISH HUNTING HANGER CIRCA 1690 with black patinated iron guard with double hand guard and flat section knuckle guard that screws to the pommel, wooden grip missing cover and with remains of copper wire, the curved single edged blade with two fullers.

£500-700

29in blade

205 FG9/335 HEAVY CAVALRY TROOPER’S BACK SWORD 1778 PATTERN the iron grip of flat section with two swept bars with replacement grip, vase shaped pommel, single edge blade with wide central unmarked fuller.

£500-700

6

207 FG9/340 INDIAN TULWAR CIRCA 1870 with curved corroded blade traces of gilding on hilt with original scabbard 27in curved blade

£100-150

208 FG9/347 TWO SWORD STICKS CIRCA 1850 single edge razor shape blade in damaged lacquered wood case, 36in. long; and single corroded blade in a bamboo sheath, 35in. overall (2) 36in long

£100-150


LY O N & T U R N B U L L Fine Antiques & Works of Art

209 FG9/341 GERMAN OR BOHEMIAN LARGE DOUBLE HANDED PROCESSIONAL SWORD with scroll cross guard, wooden grip, the blade with leather hand grip before two projecting pointed arms curling towards the blade tip, the double edged blade with waves the entire length 5ft 7in overall

ÂŁ5,000-7,000

7


LY O N & T U R N B U L L Fine Antiques & Works of Art

210 FG9/350 ITALIAN BREAST PLATE CIRCA 1600 of peascod form, with raised central rib, decorated with three long panels of etched foliate scrolls, two neck buckles and raised rivet heads throughout 14in high

£1,200-1,800

211 FG9/356 ITALIAN BACK PLATE CIRCA 1600 decorated with rope moulding, raised work, foliate leaves in centre, top with four dummy and four real plates overlapping the base, rope moulded and with raised rivet heads. £700-900

212 FG9/348 EUROPEAN BACK PLATE CIRCA 1590 with two mask heads set in roundels on shaped back, six panels of etched foliate decoration.

213 FG9/349 GERMAN BREAST PLATE CIRCA 1500 rope moulded neck and arm cuts missing lance rest corroded overall. 12in high

214 FG9/351 SPANISH SHOT PROOF BREAST PLATE CIRCA 1600 with rope moulded neck decorated with triple lines around the edge

14in high

£500-700

13in high

£500-700

8

£700-900


LY O N & T U R N B U L L Fine Antiques & Works of Art

215 FG9/352 ITALIAN MORION of traditional form, etched with four oval panels with classical female figures and with long panels of foliate decoration, broad rope moulded rim retaining some brass headed rivets, some damage to top 10in high

£600-900

216 FG9/353 EUROPEAN BURGONET CIRCA 1590 the crown with scalloped edge, large frontal rim with pierced applied decoration, two ear flaps hinged and pierced 10in high

£1,200-1,800

217 FG9/354 ENGLISH CIVIL WAR BACK PLATES of patinated black corroded iron (a pair)

218 FG9/355 CIVIL WAR PERIOD FRONT AND BACK GORGET of light weight iron with hinge and key slot fastening

13in high

12in overall

219 FG9/362 ENGLISH CIVIL WAR PERIOD BREAST PLATE blackened iron shot proof, rolled iron edges and belt plates.

£300-500

£300-500

13in high

£700-900

9


LY O N & T U R N B U L L Fine Antiques & Works of Art

220 FG9/357 ITALIAN BREAST PLATE CIRCA 1570 of peascod form, with incised lines bordering the neck and arm holes, scalloped base each with raised rivet heads and with original lance rest 19in high

£1,000-1,500

221 FG9/358 GERMAN BACK PLATE CIRCA 1590 the entire plate etched with two figures of knights in armour, rope moulded edges, foliate infill 17in high

£2,000-3,000

13in high

223 FG9/360 GERMAN COMBED BASSINET CIRCA 1600 of patinated blackened iron, with rose head brass rivets, hinged combined ear and cheek pieces, short peak.

£400-600

13in high

222 FG9/363 ENGLISH CIVIL WAR PERIOD BREAST PLATE blackened iron shot proof rolled iron edges with heavy deep corrosion overall

£2,000-3,000

224 FG9/361 GERMAN COMBED BASSINET CIRCA 1650 of patinated blackened iron, plain rivet heads, iron nose piece and with two hinged ear and cheek pieces, secured with an iron swivel hook at base 13in high 13” high 13” high

£1,200-1,800

10

225 FG9/365 GROUP OF FOUR GERMAN OR BOHEMIAN WILD BOAR SPEARS each with leaf shaped blades, with turned Iron cross guards, long straps and hafts (4) 108in long

£600-900


LY O N & T U R N B U L L Fine Antiques & Works of Art

226 FG9/359 GERMAN CLOSE HELMET CIRCA 1590 the skull with raised comb, with etched foliate panels, the breaths with pierced holes on right, rope moulded edges, panels of decoration with female figure in armour, foliate scrolls overall 12in high

£4,000-6,000

227 FG9/364 PAIR OF GOTHIC LEGHARNESS CIRCA 1830 decorated with brass flower head rivets, on maroon background on each cuisse, with plain greaves, one pointed toe missing on sabaton (2)

228 FG9/367 POLE ARM with long heavy triangular section blade, with reinforced point, associated haft and base

230 FG9/369 GROUP OF FOUR SMALL HALBERDS each with iron heads with traditional shaped blades, on various poles (4)

83in long

229 FG9/368 TWO SPEAR HEADED POLE ARMS with small leaf shaped blades, on extra long poles (currently used for hanging tapestry) (2)

£300-500

12ft long

£400-600

84in long

£100-150

Note: Possibly for Eglington Tournament 33in high

£400-600

11


LY O N & T U R N B U L L Fine Antiques & Works of Art

231 FG9/366 GERMAN POLE ARM with triangular section double edge blade, shaped cross guard with razor sharp blades, the long walnut haft with large iron spherical base 82in long

£600-900

232 FG9/370 PAIR OF GERMAN HALBERDS with crescent shaped blades of traditional form, with triple turned knops on the mounts, with long straps recovered in red velvet, octagonal hafts with tassel tops (2) 80in long

£300-500

233 FG9/371 GERMAN EXECUTIONER’S LARGE BLADED AXE pierced with quatrefoils, with original haft (wormed) with axe grip base 56in long

£300-500

12

234 FG9/372 GROUP OF THREE IRON HALBERDS CIRCA 1800 with traditional blades, crescent shape, outer and spear shaped top blade, long haft straps on shortened wood hafts (3)

235 FG9/373 GROUP OF THREE IRON HALBERDS CIRCA 1800 with traditional blades, crescent shape, outer and spear shaped top blade, long haft straps on full length wood hafts with iron tips (3)

6ft 6in long

7ft 8in long

£400-600

£300-500


LY O N & T U R N B U L L Fine Antiques & Works of Art

236 FG9/379 GEORGE III IRON CANNON cast with GR cypher, at the first reinforce, turned flared muzzle on carriage 42in long

£600-900

237 FG9/243 ENGLISH IVORY AND STEEL HUNT KNIFE the ivory grip inscribed to one side ‘Su TM 1878’ and with twenty two years stags, blade marked F West London, 2014 16cm long, closed; 28cm long open

£500-800

238 FG9/384 PERCUSSION SINGLE BARREL SPORTING GUN the back action lock unsigned, two stage barrel octagonal at the breech, iron furniture, half stock with silver fore end cap, one ramrod pipe loose

239 FG9/385 PERCUSSION SINGLE BARREL SPORTING GUN the back action lock signed MacFarlane, two stage barrel octagonal at the breech, walnut half stock, scroll trigger guard, replacement ram rod

47in long

48in long

£60-90

£80-120

13


LY O N & T U R N B U L L Fine Antiques & Works of Art

240 FG9/380 SPANISH MIQUELET LOCK SPORTING GUN CIRCA 1800 with two stage barrel octagonal at the breech stamped Lazarino the walnut full stock damaged at the muzzle replacement ramrod 58in long

£800-1,200

241 FG9/381 MIDDLE EASTERN MIQUELET LOCK SPORTING GUN with brass mounted stock, mother of pearl inlay and shaped butt 59in long

£500-700

14


LY O N & T U R N B U L L Fine Antiques & Works of Art

242 FG9/382 PERCUSSION SPORTING GUN signed Cox & Son, two stage barrel, pale walnut full stock, brass trigger guard 51in long

£400-600

243 FG9/383 PERCUSSION LARGE BORE WILD FOWLING GUN the lock signed G. Warr, three stage barrel, octagonal at the breech, then twelve sided, walnut half stock, iron furniture, trigger guard with acorn finial, silver barrel bolt escutcheons, old brass repair at the hand 48in long

£700-900

15



Furniture & Works of Art

244 FG394/2 TWO GERMAN STAINED GLASS LEADED PANELS the first depicting the Madonna and Child with attendant saints in an architectural niche, with German script, 31.5cm wide, 43.5cm high; the second depicting John the Baptist and a farmer sowing seeds beneath an heraldic crest, with German text and dated 1561, 27cm wide, 40.5cm high (2) £500-700

245 FG330/8 ITALIAN FRUITWOOD AND BRASS SANCTUARY LIGHT 18TH / 19TH CENTURY the brass domed cover with a ball finial above a cylindrical glass shade, raised on an urn form turned base ending on a wide circular foot 70cm high

£300-400

246 FF72/39 AUSTRIAN BRONZE FIGURE OF A HORSE 17TH / 18TH CENTURY the standing animal with a gilt foliate engraved saddle and long tail, raised on a naturalistic gilt oval base, with an associated porphyry pedestal stand 19cm high (not including pedestal) Provenance: The Estate of Dr. Renate Davis, Deceased

£2,000-3,000

17


LY O N & T U R N B U L L Fine Antiques & Works of Art

247 FG294/2 PAIR OF TAPESTRY PANELS FLEMISH, LATE 17TH CENTURY each depicting an allegorical female standing between terms bearing fruiting capitals, one with the inscribed panel ‘ARISTIA’, the other ‘SENETVS’, mounted and framed (2) each tapestry 138cm high, 60cm wide approx

£1,000-1,500

18


LY O N & T U R N B U L L Fine Antiques & Works of Art

248 FG426/4 RUSSIAN GILT METAL FILIGREE AND ENAMEL ICON THE KAZAN MOTHER OF GOD with raised halos and a pendant filigree gorget 22cm wide, 27cm high

£400-600

249 FG426/4A RUSSIAN ORTHODOX ICONSTASTIS CRUCIFIX EARLY 19TH CENTURY depicting Christ on the cross on the hill of Golgotha the city of Jerusalem beyond, flanked by saints beneath the Mandilion and angels 25cm wide, 43cm high

£600-800

250 FG426/4B RUSSIAN SILVER GILT AND ENAMEL CASED ICON, THE SMOLENSK MOTHER OF GOD 19TH CENTURY in a silver gilt and enamel oklad, in a gilt frame and glazed wood shadow box 24cm wide, 28.5cm high overall

£400-600 19


LY O N & T U R N B U L L Fine Antiques & Works of Art

251 FF746/2 PAIR OF IMPRESSIVE RENAISSANCE REVIVAL BRASS URNS ON STANDS EARLY 20TH CENTURY the deep urn with inward scrolling rims and acanthus and stud decoration, on a lobed circular foot; the stand with scroll supports and flowerheads on a tripod base ending in paw feet, with dedication engraving (2) 166cm high, 51cm diam

ÂŁ5,000-7,000

20


LY O N & T U R N B U L L Fine Antiques & Works of Art

252 FF744/9 PAIR OF CHARLES II STYLE OAK BENCHES LATE 19TH CENTURY the long plank seats with chip carved details, raised on turned legs joined by cross stretchers 300cm long, 5cm high, 27cm deep

£300-500

253 FG589/1 CHARLES II OAK REFECTORY TABLE LATE 17TH CENTURY the three board cleated top over a plain frieze, raised on turned baluster legs ending on octagonal block feet and joined by an H-form stretcher 212cm long, 80cm high, 89cm deep Provenance: According to family history, the table originally came from Muncaster Castle, Cumbria

£2,000-3,000

21


LY O N & T U R N B U L L Fine Antiques & Works of Art

254 FE542/6 CHARLES II CARVED OAK PANEL BACK ARMCHAIR 17TH CENTURY the double scroll arched pediment centred by a carved mask, tulips and fruit tree, above a sunburst back panel and plank seat with sawtooth edge, raised on turned legs joined by peripheral stretchers 65cm wide, 124cm high, 42cm deep

£1,500-2,500

255 FF685/16 SCOTTISH OAK MULE CHEST DATED 1703 EARLY 18TH CENTURY the triple panel hinged top over a panel front carved with thistles and dated 1703, over a foliate carved long drawer, the feet lacking 127cm wide, 68cm high, 55cm deep

£300-500

22


LY O N & T U R N B U L L Fine Antiques & Works of Art

256 FG294/3 MATCHED SET OF EIGHT WILLIAM & MARY WALNUT HALL CHAIRS 17TH CENTURY each with a pierced arched crest rail and turned stiles flanking a carved and pierced splat with caned panel and seat, raised on scrolling legs joined by a carved and pierced stretcher; together with a pair of matching armchairs of later date (10) 47cm wide, 127cm high, 39cm deep approx

£3,000-5,000

257 FG294/1 CHARLES II WALNUT ARMCHAIR 17TH CENTURY the carved caned back flanked by spiral turned supports and surmounted by scroll carved cresting, the downswept arms above a caned seat, raised on block and turned legs united by stretchers 61cm wide, 116cm high, 41cm deep

£400-600

23



LY O N & T U R N B U L L Fine Antiques & Works of Art

258 FG600/6 QUEEN ANNE STYLE TORTOISESHELL AND GILT FRAMED MIRROR 19TH CENTURY the shaped arched tortoiseshell and gilt banded frame enclosing double mirror plates with a bevelled edge 58cm wide, 119cm high

£800-1,200

259 FG600/34 GEORGE I WALNUT KNEEHOLE DESK CIRCA 1720 the rectangular quarter veneered top over a long drawer fitted with a brushing slide above a kneehole recess with a cupboard door and apron drawer, flanked by banks of three short drawers, raised on bracket feet 82xm wide, 79cm high, 46cm deep

£1,200-1,800

25


LY O N & T U R N B U L L Fine Antiques & Works of Art

260 FG234/5 ENGLISH NEEDLEWORK PANEL EARLY 18TH CENTURY worked in wool in tapestry and tent stitches, depicting a flower filled urn, framed 48cm wide, 62cm high

£300-500

261 FF685/10 QUEEN ANN STYLE OAK AND WALNUT CHEST ON STAND EARLY 20TH CENTURY the moulded rectangular top over three long graduated drawers; the lower part with three short frieze drawers above a scrolled apron, raised on baluster turned legs and a conforming undertier, raised on ball feet 91cm wide, 139cm wide, 53cm deep

£800-1,200

26


LY O N & T U R N B U L L Fine Antiques & Works of Art

262 FF153/2 GOOD QUEEN ANNE BURR WALNUT AND INLAY BUREAU BOOKCASE EARLY 18TH CENTURY the broken arch moulded pediment centred by a moulded plinth above a shaped mirror insert, over a pair of arched moulded doors with conforming bevelled mirror plates opening to an arrangement of small drawers and pigeon holes, with two candle slides below; the lower part with a slant front opening to an interior fitted for writing with a brown leather writing surface and drawers and pigeon holes centred by an architectural niche, above a pair of short drawers and two long graduated drawers, raised on bracket feet 104cm wide, 237cm high, 61cm deep Provenance: Selected contents of Lorton Park, Cumbria

ÂŁ15,000-25,000

27


LY O N & T U R N B U L L Fine Antiques & Works of Art

263 FF744/3 GEORGE I WALNUT AND ELM CROSSBANDED DRESSING TABLE CIRCA 1720 the rectangular top with a moulded edge over a long drawer and arched kneehole flanked by short drawers, raised on cabriole legs ending in pad feet 75cm wide, 71cm high, 48.5cm deep

£600-900

264 FG563/4 GEORGE I STYLE WALNUT CABINET ON STAND EARLY 20TH CENTURY the cushion moulded cornice above a pair of quarter veneered cupboard doors opening to a mirrored and shelved interior; the lower part with central drawer flanked by two deep drawers and arched apron, raised on foliate carved cabriole legs ending on claw and ball feet 94cm wide, 169cm high, 51cm deep

£1,200-1,800

28


LY O N & T U R N B U L L Fine Antiques & Works of Art

265 FG273/5 GEORGE II MAHOGANY AND UPHOLSTERED ARMCHAIR CIRCA 1730 the shield shaped upholstered back issuing scrolling open arms above a wide oval padded seat, raised on splayed legs ending on pad feet and united by a wavy X-form stretcher centred by a carved leaf 67cm wide, 95cm high, 40cm deep

£300-500

266 FG273/2 GEORGE II WALNUT SIDE TABLE CIRCA 1730 the quarter veneered and crossbanded top over a moulded frieze and single frieze drawer, raised on acanthus carved cabriole legs ending in pad feet 77cm wide, 74cm high, 46cm deep

£800-1,200

267 FG234/3 GEORGE II NEEDLEWORK PANEL DATED 1739 worked in wool depicting St Andrew in a landscape with inscription and date panel below, framed 30cm wide, 30cm high (sight size)

£300-400

29


LY O N & T U R N B U L L Fine Antiques & Works of Art

268 FF175/45 GEORGE II STYLE MAHOGANY AND NEEDLWORK UPHOLSTERED STOOL BY JOHN REID & SON, GLASGOW LATE 19TH CENTURY the rectangular curved seat upholstered in floral needlework raised on acanthus carved cabriole legs ending in carved paw feet joined by a wavy H-form stretcher 60cm wide, 47cm high, 40cm deep

£200-400

269 FF175/41 GEORGE II MAHOGANY AND UPHOLSTERED OPEN ARMCHAIR CIRCA 1750 the square padded back and part padded arms over a square upholstered seat raised on acanthus carved cabriole legs ending in pad feet, in gold striped velvet with brass nail head trim 59cm wide, 96cm high, 44cm deep

£400-600

270 FF72/102 GEORGE II WALNUT AND CROSSBANDED BACHELOR’S CHEST OF DRAWERS MID 18TH CENTURY the rectangular foldover quarter veneered top over a pair of short drawers and three long graduated drawers raised on bracket feet 71cm wide, 80cm high, 35cm deep (closed) Provenance: The Estate of Dr. Renate Davis, Deceased

£2,500-3,500

30


LY O N & T U R N B U L L Fine Antiques & Works of Art

271 FF72/30 GEORGE II STYLE BURR WALNUT AND PARCEL GILT SIDE CABINET LATE 19TH CENTURY the later moulded rectangular top over a gilt guilloche frieze and pair of cupboard doors opening to shelves, on an plinth base with water leaf moulding raised on short bracket feet 69cm wide, 91cm high, 34cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£300-500

272 FF72/61 GEORGE II WALNUT AND CROSSBANDED BACHELOR’S CHEST OF DRAWERS MID 18TH CENTURY of small size, the crossbanded and feather banded foldover top over a two short drawers and three graduated long drawers, raised on bracket feet 73cm wide, 73cm high, 37cm deep (closed) Provenance: The Estate of Dr. Renate Davis, Deceased

£3,000-4,000

31


LY O N & T U R N B U L L Fine Antiques & Works of Art

273 FF153/4 GEORGE II RED WALNUT DWARF PRESS CUPBOARD, PROBABLY IRISH 18TH CENTURY the rectangular caddy moulded top over a pair of panel moulded cupboard doors opening to four sliding trays, above a pair of short drawers, raised on shell and scroll carved short cabriole legs ending in carved hairy paw feet 119cm wide, 117cm high, 63cm deep Provenance: Selected contents of Lorton Park, Cumbria

£3,000-5,000

274 FF153/20 GEORGE II RED WALNUT CHEST ON CHEST 18TH CENTURY the moulded cornice over a plain frieze; the upper part with two short drawers over three long graduated drawers; the lower part with three further long graduated drawers, raised on shaped bracket feet 102cm wide, 186cm high, 52cm deep Provenance: Selected contents of Lorton Park, Cumbria

£1,000-1,500

32


LY O N & T U R N B U L L Fine Antiques & Works of Art

275 FF685/17 GEORGE II WALNUT AND INLAY CADDY TOP CHEST OF DRAWERS MID 18TH CENTURY the caddy moulded rectangular top over a central cupboard door flanked by banks of two short drawers, above three long graduated drawers, raised on shaped bracket feet 92cm wide, 107cm high, 48cm deep

£500-700

276 FG563/8 IRISH GEORGE II MAHOGANY WINE COOLER CIRCA 1740 the oval top with brass bands and lion mask handles, and a tin liner; the stand with turned legs joined by a turned X-form stretcher and ending on ball feet with leather castors 58cm wide, 68cm high, 42cm deep

£2,500-3,500

277 FF153/3 GEORGE II MAHOGANY OVAL DROP LEAF TABLE 18TH CENTURY the oval top with drop sides and a moulded edge, over a frieze drawer to one end, raised on cabriole legs ending in hoof feet 145cm wide (open), 74cm high, 122cm deep Provenance: Selected contents of Lorton Park, Cumbria

£500-800

33


LY O N & T U R N B U L L Fine Antiques & Works of Art

278 FG367/2 STAFFORDSHIRE REDWARE COFFEE POT MID 18TH CENTURY of pear shape with engine turned decoration and a foliate moulded spout 23cm high

£200-300

279 FF747/1 PAIR OF DUTCH DELFT BLUE AND WHITE PLATES 18TH CENTURY centrally decorated with a flowering urn within a stylised flower and scroll border, blue 124* mark (2) 34cm diam

£300-500

280 FG330/15 STAFFORDSHIRE WHITE SALTGLAZE BEARBAITING JUG AND COVER 18TH CENTURY the bear seated upright with a dog at its chest, applied allover with shredded clay, the head form cover with a pierced snout and ring and a brown ‘studded’ slip collar 23.5cm high

£800-1,200

281 FG600/53 PAIR OF GEORGE II STYLE GILTWOOD WALL BRACKETS in the rococo taste with C scrolls, shell and water motifs (2) 34cm high

£300-500

34


LY O N & T U R N B U L L Fine Antiques & Works of Art

282 FE537/1 GEORGE III OAK AND INLAY DRESSER 18TH CENTURY the moulded cornice above a scroll cut frieze over three long shelves and closed back flanked by cupboard doors and short shelves; the lower part with a moulded edge above a pair of cupboard doors flanked by two pairs of short drawers above a scroll cut apron, raised on cabriole legs ending in pointed pad feet 182cm wide, 197cm high, 48cm deep Provenance: Property of a Lady

ÂŁ1,000-1,500

35


LY O N & T U R N B U L L Fine Antiques & Works of Art

283 FG273/9 GEORGE III MAHOGANY KNEEHOLE DESK 18TH CENTURY the rectangular top with a moulded edge and canted forecorners above a dressing slide and long drawer, over a central recess with a scroll cut apron drawer and cupboard door flanked by banks of three drawers and fluted angles, raised on later bracket feet 94cm wide, 84cm high, 52cm deep

£500-800

284 FG370/7 GEORGE III ‘CHINESE CHIPPENDALE’ MAHOGANY SIDE CHAIR CIRCA 1760 the straight back with a serpentine top rail over a serpentine seat raised on blind fret carved straight square legs joined by a chamferred Hform stretcher, in yellow damask upholstery with brass nail head decoration 58cm wide, 98cm high, 50cm deep Provenance: Property of a Lady

£500-700

285 FF168/28 WORCESTER PORCELAIN JUNKET DISH 18TH CENTURY spiral moulded with a central cartouche decorated with an exotic bird in a blue scale border with gilt details, the body decorated with insects and a cobalt banded border with floral reserves, blue square seal mark 26cm diam

£600-900

36


LY O N & T U R N B U L L Fine Antiques & Works of Art

286 FF451/1A GEORGE III CUT AND ENGRAVED WINE GLASS CIRCA 1760 the funnel bowl etched in capitals ‘HODGE PODGE’ and the date ‘5 MAY 1752’ within laurel wreaths, on a facet cut stem and circular domed foot 17cm high Note: This Glasgow club was founded in the 18th century and is still in existence. Records commmence on 5th May 1752 and Dr John Moore was a famous founder member. In its original form the club had a literary nature. They started out meeting monthly at seven but this was soon changed to five‘the dinner hour among the better classes’ - according to John Strang in his 1856 ‘ Glasgow and its clubs’ where a full thirty two pages are devoted to the history of this club. He continues ‘with whist and conversation the evening passed till nine o’clock arrived’.

£300-500

287 FG328/32 PAIR OF GEORGE III ORMOLU MOUNTED BLUE JOHN CASSOLETTES, ATTRIBUTED TO MATTHEW BOULTON CIRCA 1770 the reversible gadrooned nozzles and tapering bodies hung with laurel swags, the shoulders with goat’s heads, on waisted spiral fluted socle bases and square stepped plinths terminating in ball feet 20cm high Literature: N. Goodison, Matthew Boulton: Ormolu, London, 2002, p. 333, figs. 332-333. Note: For similar example see: Christies sale, Important English Furniture and Carpets Including the Kedleston Bookcase, London, June 9th 2005, lot 217.

£1,500-2,500

37


LY O N & T U R N B U L L Fine Antiques & Works of Art

288 FF168/54 TWO EARLY ENGLISH PORCELAIN DISHES 18TH CENTURY comprising a Derby dish decorated with fruit, flowers and vegetables within a wine red shaped border with gilt details, 19cm diam; and a Chelsea dish centrally decorated with a reserve of fruit and flowers within a lobed rim with reserves decorated with birds against a puce ground with gilt details, gilt anchor mark, 22cm diam (2) £300-500

289 FF640/1 DERBY ‘DRY EDGE’ PORCELAIN FIGURE OF A BOAR CIRCA 1755 modelled by Andrew Planche, after the Pietro Tacca’s life-size marble figure after the Antique ‘Il Porcellino’ in the Uffizi Gallery, decorated in puce and black on a mound base decorated and applied with flowers 14cm long, 9cm high

£200-300

290 FF175/37 PAIR OF BLOOR DERBY PORCELAIN FIGURES WELCH TAILOR AND HIS WIFE each modelled riding a goat with a basket on their back, on a naturalistic base, incised ‘No 62’, the tailor with an incised ‘X’ and ‘1’ (2) tallest 24.5cm high

£300-600

38


LY O N & T U R N B U L L Fine Antiques & Works of Art

291 FG597/8 GEORGE III MAHOGANY BACHELOR’S CHEST MID 18TH CENTURY the rectangular foldover top opening to a brown leather insert surface, over a long frieze drawer and three further graduated long drawers, raised on bracket feet 76cm wide, 76cm high, 36cm deep (closed)

£2,000-3,000

292 FG597/7 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY the serpentine top over a brushing slide with a brown leather insert and three long graduated drawers, raised on splay feet 100cm wide, 85cm high, 56cm deep

£1,000-1,500

293 FE542/2 GEORGE III YEW WOOD WINDSOR CHAIR 18TH CENTURY the hoop back with a pierced splat above a shaped seat, raised on cabriole legs ending in pad feet joined by a crinoline stretcher 57cm wide, 105cm high, 44cm deep

£500-800

39


LY O N & T U R N B U L L Fine Antiques & Works of Art

294 FG597/5 GEORGE III MAHOGANY AND CROSSBANDED CHEST OF DRAWERS 18TH CENTURY the rectangular top with a moulded edge over a brushing slide and four long graduated drawers, raised on bracket feet 83cm wide, 82cm high, 50cm deep

£800-1,200

295 FG587/37 GEORGE III MAHOGANY DEMILUNE SIDEBOARD CIRCA 1780 of small size, the demilune banded top over a central drawer and serpentine apron flanked by two curved cupboard doors, raised on square tapered legs ending in spade feet 122cm wide, 87cm high, 61cm deep

£800-1,200

296 FF175/33 GEORGE III MAHOGANY OCTAGONAL WINE COOLER 18TH CENTURY the octagonal hinged top over a conforming base with metal insert liner and lion mask loop handles to the sides, raised on square tapered legs ending on brass caps and castors 47cm wide, 66cm high

£500-700

40


LY O N & T U R N B U L L Fine Antiques & Works of Art

297 FG563/2 GEORGE III MAHOGANY ‘GOTHIC’ ARMCHAIR MID 18TH CENTURY the carved back with tracery arches flanked by cluster column stiles with acorn finials above a leather button upholstered seat and flanked by scrolled acanthus carved arms with scrolling hand holds, raised on block and turned legs joined by a conforming H-form stretcher 63cm wide, 97cm high, 48cm wide,

£3,000-4,000

298 FG109/1 ASSEMBLED SET OF TEN GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY comprising six side chairs and four armchairs, with serpentine top rails over pierced and carved interlaced splats and wide curved stuffover seats, raised on straight square legs with arched corner brackets and joined by H-stretchers (10) 60cm wide, 100cm high, 46cm deep

£1,000-1,500

41


LY O N & T U R N B U L L Fine Antiques & Works of Art

299 FG564/4 SCOTTISH GEORGE III MAHOGANY LONG CASE CLOCK, JOHN ROSS, INVERARY MID 18TH CENTURY the broken swan neck pediment with carved floral terminals and an urn finial, above an arched steel dial with an Arabic numeral dial with subsidiary seconds and date dials, eight day movement, with pierced panels to the side backed with red silk, above a rectangular trunk door flanked by reeded Corinthian corner colums, raised on shaped bracket feet 48cm wide, 216cm high, 25cm deep

£4,000-6,000

300 FG563/16 GEORGE III MAHOGANY STICK BAROMETER BY SOMALVICO LIONE & CO, LONDON 18TH CENTURY the broken pediment above a silvered rectangular plate with thermometer and barometer scales, engraved ‘Somalvico Lione & Co. 125 Holbn, London’, the chequer banded case ending in a ball cistern 100cm high

£1,000-1,500

42


LY O N & T U R N B U L L Fine Antiques & Works of Art

301 FF744/12 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three graduated dished circular tiers on a central baluster turned support and ending on cabriole legs with raised pad feet 50cm diam, 100cm high

£500-800

302 FF177/19 GEORGE III MAHOGANY DEMILUNE SIDE CABINET 18TH CENTURY the demilune top with a moulded edge over two pairs of cupboard doors with false drawer moulded fronts opening to shelves, the sides mounted with brass bail handles, above a shaped apron raised on short splayed feet 69cm wide, 74cm high, 50cm deep

£300-500

303 FF744/1 GEORGE III MAHOGANY FOLDOVER TEA TABLE CIRCA 1760 the rectangular foldover top above a plain frieze and scissor action extension, raised on square straight legs with pierced corner brackets 91cm wide, 73cm high, 45cm deep

£600-900

43


LY O N & T U R N B U L L Fine Antiques & Works of Art

304 FF697/1 GEORGE III STYLE MAHOGANY AND BRASS MOUNTED SERVING TABLE STAMPED GILLOWS & CO 19TH CENTURY the breakfront rectangular top with a brass gallery with urn finials, above a conforming frieze with a central drawer carved with an urn and ribbon tied laurel swags flanked by fluted panels, raised on scrolling volute legs carved with acanthus and ending on scroll toes on block feet, the drawer stamped ‘GILLOWS & CO’ and the number L41766 243cm wide, 137cm high, 67cm deep

£4,000-6,000

44


LY O N & T U R N B U L L Fine Antiques & Works of Art

305 FF175/34 GEORGE III MAHOGANY AND UPHOLSTERED WINDOW SEAT 18TH CENTURY the high scroll arms above a padded seat raised on reeded square legs united by a cross stretcher 130cm wide, 71cm high, 59cm deep

£400-600

306 FF175/11 SET OF FOURTEEN GEORGE III STYLE MAHOGANY DINING CHAIRS BY WHYTOCK & REID, EDINBURGH 20TH CENTURY comprising twelve side chairs and two armchairs, each with a straight crest rail over a pierced splat and foliate needlework drop-in seats, raised on plain cabriole legs ending in pointed pad feet (14) 69cm wide, 90cm high, 48cm deep

£1,200-1,800

45


LY O N & T U R N B U L L Fine Antiques & Works of Art

307 FF175/1 GEORGE III FIGURED MAHOGANY WINE COOLER ON STAND 18TH CENTURY the octagonal top with radiating panel veneers over a fluted base frieze raised on square moulded legs ending on brass caps and castors, with a metal insert liner 48cm wide, 78cm high

£800-1,200

308 FF168/66 GEORGE III MAHOGANY AND CROSSBANDED SERPENTINE FOLDOVER GAMES TABLE CIRCA 1780 in the French Hepplewhite style, the top with checquer banding opening to a green baize playing surface above a flower carved frieze raised on shell-carved slender cabriole legs ending in scroll feet 91cm wide, 75cm high, 45cm deep (closed)

£600-900

309 FF175/43 PAIR OF MAHOGANY CROSSBANDED AND INLAY DEMILUNE FOLDOVER GAMES TABLES 18TH CENTURY the demilune tops opening to a green baize lined playing surface over a plain frieze raised on square tapered legs ending in spade feet (2) 90cm wide, 73cm high, 45cm deep (90cm open)

£600-1,000

46


LY O N & T U R N B U L L Fine Antiques & Works of Art

310 FE588/14 GEORGE III MAHOGANY AND SATINWOOD INLAY LINEN PRESS CIRCA 1790 the dentil moulded cornice above a pair of cupboard doors inlaid with oval panels with classical urns, opening to sliding trays; the lower part with two short and two long drawers, raised on shaped bracket feet 126cm wide, 208cm high, 55cm deep

£1,000-1,500

311 FE542/3 GEORGE III MAHOGANY BUREAU BOOKCASE 18TH CENTURY the broken arch pediment centred by an urn finial above a fluted frieze, over a pair of astragal glazed doors opening to shelves; the lower part with a slant front opening to an interior fitted with pigeon holes, drawers and two secret compartments, above four graduated long drawes, raised on shaped bracket feet 108cm wide, 234cm high, 54cm deep

£4,000-6,000

47


LY O N & T U R N B U L L Fine Antiques & Works of Art

312 FG564/6 GEORGE III MAHOGANY AND INLAY BOWFRONT CORNER CUPBOARD LATE 18TH CENTURY of typical form with a pair of bow front doors inlaid with shell motif medallions, opening to shelves and three small base drawers 70cm wide, 111cm high, 48cm deep

£400-600

313 FG273/1 GEORGE III PAINTED AND PARCEL GILT MARBLE TOP CONSOLE TABLE 18TH CENTURY the D-shaped grey veined marble top over a green painted leaf carved frieze raised on pale green painted scrolling supports headed by gilt Egyptian female busts, on a conforming base raised on carved and gilt paw feet 83cm wide, 92cm high, 20cm deep

£300-500

314 FF168/62 GEORGE III SATINWOOD, MARQUETRY AND PAINTED FOLDOVER GAMES TABLE CIRCA 1790 the D-shaped foldover top centred by an oval floral marquetry panel with a painted and gilt foliate scroll border, opening to a green baize lined playing surface above an inlaid frieze centred by a painted reserve depicting a tree and the motto ‘SUR TEGMINE’, raised on square tapered legs 92cm wide, 73cm high, 46cm deep

£1,000-1,500

48


LY O N & T U R N B U L L Fine Antiques & Works of Art

315 FG469/1 SCOTTISH GEORGE III MAHOGANY WRITING TABLE LATE 18TH CENTURY the superstructure centred by a bank of drawers flanked by doors opening to further drawers, above a rectangular surface over a pair of short frieze drawers, raised on square tapered legs ending in brass caps and castors 97cm wide, 96cm high, 55cm deep

£1,000-1,500

316 FG273/7 GEORGE III MAHOGANY SERPENTINE SERVING TABLE 18TH CENTURY the serpentine crossbanded top over three frieze drawers raised on square tapered legs ending on block feet 171cm wide, 90cm high, 65cm deep

£700-1,000

49


LY O N & T U R N B U L L Fine Antiques & Works of Art

317 FG593/1 GEORGE III STYLE MAHOGANY FRAME WING BACK SOFA 19TH CENTURY of large proportion, the serpentine back leading to pronounced wings and slightly scrolled arms above a padded seat, raised on square tapered legs ending in brass castors, in yellow floral damask upholstery 239cm wide, 104cm high, 72cm deep Provenance: Purchased in these rooms, 5 May, 2006, The Drambuie Collection, Sale 145, lot 1402

ÂŁ1,500-2,500

50


LY O N & T U R N B U L L Fine Antiques & Works of Art

318 FG564/3 GEORGE III MAHOGANY PEMBROKE TABLE EARLY 19TH CENTURY the rounded rectangular top with drop sides and a reeded edge over a single frieze drawer to one end, a dummy drawer opposing, raised on square tapered legs ending in brass caps and castors 98cm wide, 73cm high, 77cm deep

£250-350

319 FG564/5 GEORGE III BOWFRONT CHEST DRAWERS 18TH CENTURY the bowfront top over four graduated long drawers above a wavy apron and raised on splayed feet 94cm wide, 84cm high, 54cm deep

£1,200-1,800

320 FG600/39 GEORGE III SATINWOOD AND HAREWOOD FOLDOVER CARD TABLE LATE 18TH CENTURY the demilune and crossbanded foldover top above a frieze centred by a rectangular panel with oval inlay, raised on square tapered legs ending in spade feet 96cm wide, 74cm high, 46cm deep

£600-800

51


LY O N & T U R N B U L L Fine Antiques & Works of Art

321 FG273/3 GEORGE III ROSEWOOD KNEEHOLE DESK CIRCA 1800 the quarter veneered and crossbanded top with a moulded edge over a single long frieze drawer, above a central short drawer and recessed cupboard door flanked by banks of three drawers, raised on shaped bracket feet 99cm wide, 79cm high, 53cm deep

£800-1,200

322 FG234/1 GEORGIAN NEEDLEWORK SAMPLER LATE 18TH / EARLY 19TH CENTURY finely worked with a central Tree of Knowledge with the serpent and Adam and Eve, a country house, peacocks and other birds, rabbits, flowering baskets, and other male and female figures, family initials and poem box ‘Teach me to live that I may dread / the Grave as little as my Bed / Teach me to die that so I may Triumphing rise at the last Day’, framed 33cm wide, 39cm high (sight size)

£300-400

52


LY O N & T U R N B U L L Fine Antiques & Works of Art

323 FG234/10 TWO RELATED GEORGE III SCOTTISH NEEDLEWORK SAMPLERS WORKED BY SISTERS DATED 1792 AND 1803 worked in silk on linen, each with two rows of alphabets and number sequences above the text ‘At the Nativity of Christ our Lord / The Angels did rejoice with one accord. / let Christians imitate them here on earth, / And keep this feast with joy and civi[a]l mirth’ above a ribbon-tied flowering garland and jardiniere with flowering plants flanked by rectangular pedestals, one signed and dated ‘Mary Green Finished this / September the 6 1792’, the other ‘Elizabeth Green Finished this / January 1803’, framed (2) 32cm wide, 32cm wide (sight size) Note: It is believed that Elizabeth Green was baptised in 1792, and was the niece of Robert Green, a clockmaker in Edinburgh who married Christian Deuchar, the only daughter of David Deuchar who owned Morningside estate in Edinburgh. He was the man who discovered, taught and introduced people to the painter Henry Raeburn. It is thought that Mary Green was Elizabeth’s sister.

£500-700

53


Selected Items from the Estate of Diana, Countess of Albemarle Born Diana Cicely Grove in 1909, Diana was educated at Sherborne School for Girls in Dorset. At the age of 21 she married the widower Walter Egerton George Lucien Keppel, Viscount Bury, who was nearly 30 years her senior. The moved to Quidenham Hall in Norfolk, a 17th century house extended in the 18th century and built on a site of an earlier house dating back to the 15th century originally belonging to the Bedingfield family. It was at Quidenham where she started the Snetterton Women's Institute in 1933, beginning a lifelong commitment to public service. Now Lady Albemarle, her husband having succeeded in 1942 to become the 9th Earl of Albemarle, she continued and expanded her interest in the Women's Institute and was elected Chairman in 1947 when she spoke

at Albert Hall to 5000 members. In 1950 she was named 'British Mother of 1950' by the American Mothers Committee. Always a tireless campaigner for rural women, Lady Albemarle served on numerous committees dedicated to issues concerning living conditions in rural communities. In 1960 she was described in an article in the Observer as 'a committee-woman of brilliance' with the unique ability of being able to get things done with the gift of charm while knowing when to compromise to achieve her goals. From the death of her husband in 1979 until her death this year at the age of 103 she was known as the Dowager Countess of Albemarle. Her other love, aside from collecting rare plants, were dachshunds.

Note to lot 324 This robust and stately table bears similarities to a pair of marble side tables designed by the neo-Palladian architect William Kent for the dining room alcoves at Houghton Hall in Norfolk (fig. 1) The use of shell motifs below the frieze between the exterior pairs of legs, and the placement of the rear legs at ninety degrees from the front legs are design elements that can be seen in the Houghton tables. While the frieze itself has a different outline and carved decoration, the overall feel of the table is the same, although on a much less opulent scale. Kent's designs for furniture, based on the classical architecture of Andrea Palladio (1508-1580), were meant for specific installations in the buildings he designed, and as Palladio makes no reference to furniture in his Quattro Libro dell'Architettura, Kent is left to downscale the architectural elements and incorporate them into furniture. Kent's designs were published and copied, often interpreted for a more domestic, albeit still grand, interior. A related table at Newhailes in Musselburgh, outside Edinburgh, is a pared down version of Kent's design (fig. 2). It has a much more simplified frieze of carved key design and the legs are thinner and longer, creating a lighter overall effect. The Albemarle table, with its substantial legs, which most likely were once raised on block feet as the Houghton tables are, would have been an important commission

Figure 1: The table from Houghton Hall, Norfolk. Photo courtesy of Country Life. when ordered, however no records how been found to indicate who the maker may have been.

Figure 2: The table from Newhailes, Musselburgh. Photo courtesy of The National Trust for Scotland.

54

It is possible the present table comes from Quidenham Hall in Norfolk, home to the Keppel family from the end of the 18th century until the 1948. Purchased by George Keppel, the 3rd Lord Albemarle in 1800, the original early 17th century house was extended by John Bristow, a wealthy merchant, who added the Palladian East Wing and West Portico after purchasing the house in 1740. The table potentially was supplied at that time in keeping with the style of the new building and removed from Quidenham when the house was sold by the 9th Earl in 1948.


LY O N & T U R N B U L L Fine Antiques & Works of Art

324 IMPRESSIVE GEORGE II MAHOGANY AND ALABASTER SIDE TABLE IN THE MANNER OF WILLIAM KENT CIRCA 1750 the rectangular alabaster veneered top with a moulded verde antico edge above a wide frieze with carved acanthus and Vitruvian scrolls, the apron with pierced and carved shells, raised on six reeded volute scroll legs ending in spreading square feet 151cm wide, 85cm high, 73cm deep Provenance: From the estate of Diana, Countess of Albemarle

ÂŁ30,000-50,000

55


LY O N & T U R N B U L L Fine Antiques & Works of Art

325 CHINESE CELADON CRACKLE GLAZE AND GILT BRONZE MOUNTED VASE PORCELAIN EARLY 18TH CENTURY, THE MOUNTS MID 18TH CENTURY of baluster shape with gilt bronze rococo mounts to the mouth continuing to high scrolling loop handles to the sides, raised on a square gilt bronze cast with a laurel wreath band 49cm Provenance: From the estate of Diana, Countess of Albemarle.

ÂŁ4,000-6,000

56


LY O N & T U R N B U L L Fine Antiques & Works of Art

326 FG305/3 VICTORIAN KINGWOOD AND GILT METAL MOUNTED BREAKFRONT SIDE CABINET LATE 19TH CENTURY the shaped quarter veneered and brass bound rectangular top with a three quarter pierced gallery over a central glazed door flanked by two further glazed doors opening to shelves and glazed panels to the sides, the canted angles mounted with gilt metal caryatids, raised on gilt metal hairy paw feet 157cm wide, 109cm high, 37cm deep Provenance: From the estate of Diana, Countess of Albemarle.

ÂŁ3,000-5,000

57


LY O N & T U R N B U L L Fine Antiques & Works of Art

327 FG305/2 FINE REGENCY ROSEWOOD AND MARBLE TOP SIDE CABINET CIRCA 1820 the shaped demilune white marble top over a pair of cupboard doors with brass grille inserts backed with faded red silk and opening to shelves, flanked by three mirror-backed white marble quarter round open shelves raised on turned feet, the whole outlined with gilt metal mounts; en suite with the following lot 154cm wide, 92cm high, 32cm deep Provenance: From the estate of Diana, Countess of Albemarle. Note: Possibly supplied to Quidenham Hall, Norfolk, in 1820 when the interiors were redone under the supervision of the architect and designer Charles Heathcote Tatham (1742-1842) on direction of the 4th Earl of Albemarle.

ÂŁ5,000-8,000

58


LY O N & T U R N B U L L Fine Antiques & Works of Art

328 PAIR OF FINE REGENCY ROSEWOOD AND SPECIMEN MARBLE ETAGERES CIRCA 1820 the three quarter brass gallery over a white marble rectangular top tier above a grey veined marble open shelf, over a green marble lined recess and a cupboard door with a brass grille insert backed with faded red silk, raised on square legs joined by further veined grey marble undertier and ending on tapered feet, the whole outlined in gilt metal beading; en suite with the preceding lot (2) 38cm wide, 102cm high, 27cm deep Provenance: From the estate of Diana, Countess of Albemarle. Note: See previous lot.

ÂŁ8,000-12,000 59


The Douglas Franks Collection Douglas Franks started in the antiques business after leaving the army, having served during the war in the Glider Pilot Regiment. Afterwards he went to America and opened a small shop in Georgetown outside Washington, D.C. Joined by his brother, he later opened a larger shop on Connecticut Avenue, a street known for its antique shops, dealing mainly in silver, porcelain and small pieces of furniture. After five years he returned to England to further his knowledge in the antiques trade and after some years in Brighton and Hove he opened a business in Hersham, Esher dealing in good antique furniture and porcelain of all periods - in fact anything of interest or taste. He was well known and trusted in the antiques trade and dealt with many good London and American clients. Douglas, who passed away recently at the age of 92, retired from business about five years ago never losing his love of and interest in antique furniture and porcelain.

329 FB81/4 GEORGE III MAHOGANY KNEEHOLE ESTATE DESK LATE 19TH CENTURY the rectangular top with a green leather insert above a long frieze drawer over an arched recess and cupboard door flanked by cupboard doors, the right door opening to reveal drawers, on a plinth base 109cm wide, 81cm high, 54cm deep

ÂŁ800-1,200

60


LY O N & T U R N B U L L Fine Antiques & Works of Art

330 FB81/5 GEORGE II STYLE MAHOGANY OPEN ARMCHAIR LATE 19TH CENTURY the curved top rail over a pierced splat and scroll arms, above a needlework upholstered seat and Vitruvian scroll carved seat rail, raised on cabriole legs carved at the knees with shell and ending in pad feet 74cm wide, 94cm high, 51cm deep

£600-900

331 FB81/6 GEORGE III HEXAGONAL MAHOGANY WINE COOLER AND STAND 18TH CENTURY the hinged top with a moulded edge over a conforming body with brass bands and loop handles, raised on a blind fret carved stand with square legs with pierced corner brackets ending on leather castors 52cm wide, 77cm high

£1,000-1,500

332 FB81/7 IRISH GEORGE II MAHOGANY FOLDOVER GAMES TABLE MID 18TH CENTURY the foldover top with rounded outset corners above a serpentine frieze centred by a carved shell, raised on cabriole legs carved at the knees with shells and ending in fluted pad feet 84cm wide, 72cm high, 42cm deep (closed)

£700-900

61


LY O N & T U R N B U L L Fine Antiques & Works of Art

333 FB81/8 GEORGE II STYLE BURR WALNUT LOWBOY 18TH CENTURY AND LATER the later veneered quarter panel rectangular top with a moulded edge above a three short drawers and scroll cut apron, raised on cabriole legs ending in pointed pad feet 76cm wide, 71cm high, 49.5cm deep

£800-1,200

334 FB81/9 IRISH GEORGE II STYLE MAHOGANY OPEN ARMCHAIR 19TH CENTURY the serpentine top rail over a pierced splat carved with acanthus and centred by a shell motif, above a needlework upholstered seat flanked by scrolling arms and hand holds, above a scroll carved seat rail raised on shell carved cabriole legs ending in hairy paw feet 69cm wide, 101cm high, 50cm deep

£1,000-1,500

335 FB81/10 CHINESE STYLE RED LACQUER LOW TABLE the rectangular top above a recessed freize and serpentine apron raised on cabriole legs decorated with ho ho birds and prunus 100cm wide, 38cm high, 49cm deep

£200-300

62


LY O N & T U R N B U L L Fine Antiques & Works of Art

336 FB81/11 CHINESE LACQUER FOUR FOLD SCREEN LATE 19TH CENTURY depicting ladies and boys in pavillions and gardens, the reverse with birds in trees within a border of flowering plants and scholar’s objects 200cm high, 164cm wide

£800-1,200

63


LY O N & T U R N B U L L Fine Antiques & Works of Art

337 FB81/12 GEORGE III MAHOGANY SERPENTINE COMMODE 18TH CENTURY the serpentine top with a moulded edge and rounded corners above four graduated long drawers, the top drawer bearing an ivorine Frank Partridge retailer’s label, raised on ogee bracket feet 107cm wide, 81cm high, 62cm deep

£2,000-3,000

338 FB81/13 GEORGE II BLACK JAPANNED KNEEHOLE DESK 18TH CENTURY the rectangular top over a brushing slide and central short drawer above a kneehole recess and cupboard door, flanked by banks of three short drawers, raised on bracket feet, with Chinoiserie decoration throughout 95cm wide, 78cm high, 50cm deep

£800-1,200

64


LY O N & T U R N B U L L Fine Antiques & Works of Art

339 FB81/15 AMERICAN MAHOGANY BUREAU BOOKCASE PHILADELPHIA, CIRCA 1770 the carved swan neck pediment terminating in flower heads over pierced trellis panels and centred by a carved urn finial, above a blind fret carved frieze and pair of astragal glazed doors opening to shelves, over two candle slides; the lower part with a slant front opening to an arrangement of pigeon holes and drawers, above four graduated long drawers, raised on ogee bracket feet 105cm wide, 255cm high, 60cm deep

ÂŁ4,000-6,000

65


LY O N & T U R N B U L L Fine Antiques & Works of Art

340 FB81/14 SWEDISH MAHOGANY AND MARQUETRY AND PARQUETRY MARBLE TOP COMMODE 18TH CENTURY the breakfront green marble top with outset square corners over a conforming long frieze drawer and gilt metal laurel banding and two further long drawers, with a central marquetry panel of a basket of fruit flanked by further panels with urns, raised on square tapered legs ending in gilt metal mounts 115cm wide, 84cm high, 55cm high

£2,500-3,500

66

341 FB81/2 SET OF FOUR HENRY MOSES ENGRAVED PRINTS 19TH CENTURY depicting classical friezes. plates 19, 14, 12 and 23, published by Rodwell and Martin, New Bond Street, mounted and framed (4) 15.5cm high x 21cm wide (sight

342 FB81/3 HAND COLOURED ENGRAVING, HUNT, C. AFTER HEATH, H., “THE GREAT FIGHT BETWEEN BROOME AND HANNAN FOR £1000” PUBLISHED BY J. MORE, LONDON, 1841 framed

size)

66cm wide, 54cm high (sight size)

£150-250

£200-300


LY O N & T U R N B U L L Fine Antiques & Works of Art

343 FB81/16 AMERICAN CHIPPENDALE STYLE MAHOGANY BUREAU CIRCA 1770 the slant front opening to an arrangement of pigeon holes, drawers and secret compartments, above a long frieze drawer flanked by short drawers, above two further short drawers and two long drawers, raised on shaped bracket feet 96cm wide, 111cm high, 56cm deep

£800-1,200

344 FB81/18 GEORGE III MAHOGANY AND CROSSBANDED CHEST OF DRAWERS MID 18TH CENTURY the crossbanded rectangular top with a moulded edge over a brushing slide and four long graduated drawers, raised on shaped bracket feet 85cm wide, 91cm high, 50cm deep

£1,000-1,500

67


LY O N & T U R N B U L L Fine Antiques & Works of Art

345 FB81/19 GEORGE III MAHOGANY AND SATINWOOD FALL FRONT SECRETAIRE LATE 18TH CENTURY the rectangular top with moulded outset square corners over a long frieze drawer, above a fall front opening to an arrangement of pigeon holes and drawers with a green baize writing surface; the lower part with a cupboard door opening to shelves, all outlined in checquer stringing, raised on square tapered legs ending in brass caps and castors 76cm wide, 128cm high, 41cm deep Literature: Illustrated, Christopher Claxton Stevens and Stewart Whittington, ‘18th Century English Furniture / The Norman Adams Collection’, p. 125

£1,500-2,500

346 FB81/20 GEORGE III RED JAPANNED FOLDOVER TEA TABLE 19TH CENTURY the rectangular foldover top above a wide frieze with a drawer to one end, raised on square tapered legs, in red and gilt japanned decoration 73cm wide, 76cm high, 36cm deep (closed)

£800-1,200

347 FB81/17 MAHOGANY AND LEATHER NOVELTY SIDE TABLE the hinged top section in the form of two leather bound books opening to a void interior, raised on cabriole legs ending in pointed pad feet 55cm wide, 59cm high, 42cm deep

£200-300

68


LY O N & T U R N B U L L Fine Antiques & Works of Art

348 FB81/21 REGENCY MAHOGANY LIBRARY TABLE EX WINDSOR CASTLE CIRCA 1815 the rounded rectangular top with a green tooled leather insert, above two short frieze drawers with brass star escutcheons, with two dummy drawers opposing, raised on squared lotus carved side supports on reeded sabre legs ending in brass caps and castors; stamped on the underside ‘Windsor Castle / Room 6411’ under a crowned VR, with a paper inventory label with item no. 20 119cm wide, 76cm high, 69cm deep

£3,000-5,000

69



LY O N & T U R N B U L L Fine Antiques & Works of Art

349 FF631/3 AFTER MICHAELANGELO, BRONZE FIGURE OF COSIMO DE MEDICI 19TH CENTURY bronze, dark brown patina, the base inscribed ‘Reduction Sauvage’ 28.5cm high

£300-500

350 FG587/33 ITALIAN BRONZE FIGURE OF THE FARNESE ANTINOUS, AFTER THE ANTIQUE 19TH CENTURY bronze, dark brown patina, inscribed ‘Musee du Vatican’, on a later circular green marble base 61.5cm high

£1,000-1,500

351 FG330/28 CONTINENTAL PATINATED BRONZE ‘MEDICI’ URN 19TH CENTURY of campana form with an egg and dart cast rim above a frieze of classical figures, with bearded mask handles, raised on a reeded leaf cast foot 35cm high

£300-500

71


LY O N & T U R N B U L L Fine Antiques & Works of Art

352 FG587/38 AFTER GIAMBOLOGNA, MERCURY 19TH CENTURY bronze, dark brown patina, inscribed ‘J. DE BOLOGNE’, on a circular green marble column base with a bronze relief frieze of putti emblematic of the Arts 66cm high

£1,500-2,500

353 FG587/22 SPECIMEN MARBLE BUST OF THE EMPEROR HADRIAN AND PEDESTAL the chest length bust carved in various marble on an associated painted wood socle; on a stop fluted green marble sectional pedestal with an octagonal base Bust: 45cm high; pedestal: 110cm high

£2,000-3,000

72


LY O N & T U R N B U L L Fine Antiques & Works of Art

354 FG300/86 AFTER EDME DUMONT (FRENCH, 1761-1844) MILO OF CROTON bronze, dark greenish brown patina, inscribed on the base ‘Edme Dumont; raised on a square mahogany pedestal base with fluted sides and gilt metal mounts bronze 77cm high; pedestal 92cm high

£6,000-9,000

73


LY O N & T U R N B U L L Fine Antiques & Works of Art

355 FG564/14 REGENCY MAHOGANY WORK AND GAMES TABLE CIRCA 1815 the square sliding top with a green leather insert opening to reveal a leather games board above a sliding silk-lined work box, flanked by D-shaped compartments with brass galleries, raised on lyre supports and a stepped rectangular undertier, on curved sabre legs ending in brass paw caps and castors 70cm wide, 73cm high, 41cm deep

£2,000-3,000

356 FG564/2 REGENCY MAHOGANY AND ROSEWOOD CROSSBANDED SOFA TABLE CIRCA 1815 the rounded rectangular top with drop sides over a pair of frieze drawers with dummy drawers opposing, raised on squared end supports on reeded sabre legs ending with brass caps and castors 152cm wide, 73cm high, 76cm deep

£1,500-2,500 357 FE136/1 FINE AMERICAN CLASSICAL PERIOD MAHOGANY SETTEE PROBABLY NEW YORK, CIRCA 1825 the serpentine back with a scroll end top rail carved with fruit and acanthus over a loose cushion seat and high scrolled arms, in yellow silk damask upholstery with two bolster cushions, the seat rail and corner brackets carved with acanthus and fruiting cornucopia, raised on carved lion paw feet 224cm wide, 90cm high, 53cm deep

£4,000-6,000 74


LY O N & T U R N B U L L Fine Antiques & Works of Art

358 FG99/1 REGENCY MAHOGANY BREAKFAST TABLE 19TH CENTURY the rounded rectangular tilt top over a baluster column raised on foliate carved sabre legs ending in brass caps and castors 150cm wide, 76cm high, 107cm deep

£1,500-2,500

359 FG452/2 SET OF SIX REGENCY ROSEWOOD DINING CHAIRS CIRCA 1815 the curved top rail over a lotus and rosette carved horizontal splat above a drop in seat, raised on turned and tapered reeded legs (6) 46cm wide, 82cm high, 40cm deep

£600-800

360 FG564/7 REGENCY ROSEWOOD WHATNOT CIRCA 1815 the rectangular top raised on turned spindle supports over a conforming tier and base fitted with a drawer raised on turned legs ending in brass caps and castors 46cm wide, 104cm high, 40cm deep

£300-500

75


LY O N & T U R N B U L L Fine Antiques & Works of Art

361 FG370/5 REGENCY MAHOGANY MARBLE TOP SIDE TABLE CIRCA 1815 the square veined pink marble top in a moulded frame edge above a frieze drawer, raised on reeded legs joined by two caned tiers and ending on castors 40.5cm wide, 75cm high, 40.5cm deep Provenance: Property of a Lady

£500-700

362 FG330/16 PAIR OF REGENCY GREEN PAINTED AND PARCEL GILT TORCHERE STANDS CIRCA 1815 the triform moulded tops on scroll supports and tapered triform columns carved with flower swags and raised on scrolling legs (2) 135cm high

£1,500-2,500

363 FG376/1 REGENCY SIMULATED ROSEWOOD AND GILT METAL MOUNTED CHAISE LONGUE CIRCA 1815 with a scrolled three quarter back and ends, above a loose cushion seat and bolster, raised on sabre legs mounted with cast anthemions, on brass castors 200cm long, 81cm high, 60cm deep Provenance: Purchased in these rooms, 25 June 2003, lot 454, Selected Contents of Cloncaird Castle, Ayrshire

£1,000-1,500

76


LY O N & T U R N B U L L Fine Antiques & Works of Art

364 FG323/1 REGENCY MAHOGANY AND ROSEWOOD CROSSBANDED BREAKFAST TABLE CIRCA 1815 the rounded rectangular top with a moulded edge on a turned column support, raised on four reeded sabre legs ending in brass hairy paw feet and castors 135cm wide, 72cm high, 102cm deep

£1,000-1,500

365 FG249/3 REGENCY MAHOGANY WHATNOT ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the ratcheted rectangular top over a hinged shelf and opposing sliding leaf extensions, raised on slender turned legs joined by two undertiers with a three quarter gallery and curved front, ending on brass caps and castors 53cm wide, 83cm high, 42cm deep

£300-500

366 FF744/2 PAIR OF REGENCY ROSEWOOD AND BRASS FIRE SCREENS CIRCA 1820 the rectangular framed screens with cream upholstered panels above a brass gallery and folding shelf, raised on turned columns and ending on acanthus carved trestle supports with scrolled toes and joined by a padded stretcher (2) 38cm wide, 113cm high, 31cm deep

£600-900

77


LY O N & T U R N B U L L Fine Antiques & Works of Art

367 FF685/15 REGENCY MAHOGANY WORK TABLE CIRCA 1815 the rounded rectangular top with drop sides above two drawers with two dummy drawers opposing, raised on turned legs ending in brass caps and castors 72cm wide (open), 69cm high, 48cm deep

£300-500

368 FF685/11 SET OF REGENCY MAHOGANY QUARTETTO TABLES CIRCA 1815 the rectangular tops with ebonised line inlay raised on slender turned legs joined by a rear curved stretcher and raised on trestle feet 49cm wide, 70cm 34cm deep

£400-600

369 FF175/23 REGENCY EBONISED AND BRASS INLAY SETTEE CIRCA 1815 the low straight back and scroll arms over a loose cushion seat, above a brass inlay seat rail with foliate scroll and rosette gilt metal mounts, raised on splayed feet anthemion brass inlay and ending on brass hairy paw feet and castors, in yellow and cream striped silk upholstery 178cm long, 78cm high, 54cm deep

£500-800

78


LY O N & T U R N B U L L Fine Antiques & Works of Art

370 FE363/6 GOOD REGENCY GILTWOOD AND EBONISED CONVEX GIRONDOLE MIRROR EARLY 19TH CENTURY the large circular convex mirror plate within an ebonised moulded slip and giltwood frame issuing two pairs of curved candle arms and surmounted by acanthus scrolls and carved eagle cresting 91cm wide, 154cm high

ÂŁ10,000-15,000

79


LY O N & T U R N B U L L Fine Antiques & Works of Art

371 FF170/1 LARGE REGENCY GILTWOOD OVERMANTLE MIRROR EARLY 19TH CENTURY the arched mirror plate in an egg and dart moulded frame hung with floral garlands beneath foliate scroll cresting centred by a shell motif 146cm wide, 222cm high

ÂŁ2,000-3,000

80


LY O N & T U R N B U L L Fine Antiques & Works of Art

372 FF167/8 PAIR OF REGENCY MAHOGANY AND SATINWOOD SIDE CABINETS CIRCA 1815 the rounded rectangular brass bound tops with a three quarter pierced brass gallery above a pair of frieze drawers with ivory knobs and a further pair of glazed doors opening to shelves and flanked by inlaid baluster columns, raised on tapered conical legs ending on ball feet (2) 126cm wide, 92cm high, 49cm deep

£3,000-5,000

373 FF167/10 REGENCY MAHOGANY AND CALAMANDER CROSSBANDED BREAKFAST TABLE CIRCA 1815 the circular tilt top with a moulded edge over a plain frieze, raised on a turned baluster column on four reeded sabre legs ending in brass caps and castors 120cm diam, 73cm high

£600-800

81


LY O N & T U R N B U L L Fine Antiques & Works of Art

374 FG427/7 PAIR OF ANGLO-IRISH CUT GLASS CANDLESTICKS EARLY 19TH CENTURY each with a decorative sconce, raised on a knopped and faceted column, above an ogee foot; together with a PAIROF LATE VICTORIAN GLASS CANDLESTICKS with a fluted sconce above the drip tray etched with fruiting vines, raised by the ornate column and an etched conical foot, 24.5cm high (4) 26cm high

£300-500

375 FF745/1 PAIR OF REGENCY CUT GLASS AND GILT BRONZE CANDELABRA CIRCA 1820 the central cut glass baluster stem issuing two gilt bronze scrolling candle arms mounted with cut glass candle holders, drip pans and hung with prism lustres, with a cut glass shell motif finial and serated circular foot (2) 44cm high

£600-800

376 FE474/8A ANGLO-IRISH CUT GLASS DISH AND UNDERPLATE LATE 18TH / EARLY 19TH CENTURY the navette shaped dish with a barbed rim above a facetted and cut body, the oval dish with similar decoration and a star cut base (2)

377 FE474/8 ANGLO-IRISH REGENCY CUT GLASS COMPORT EARLY 19TH CENTURY the oval dish with a lobed serrated rim above diamond cut decorated body, raised on a gilt metal stand with a leaf cast stem and square base

Dish 24cm wide; plate 28cm wide

£300-400

£150-250 82

27cm wide, 12cm high, 19cm deep


LY O N & T U R N B U L L Fine Antiques & Works of Art

378 FE474/6 PAIR OF IRISH REGENCY CUT GLASS COVERED URNS EARLY 19TH CENTURY the domed covers with flattened knops above a flared and lobed everted rim and globular body, raised on a square foot, with banded hobnail and diamond cutting (2) 30cm high

£1,000-1,500

379 FE474/7 PAIR OF GEORGE III CUT GLASS CANDLESTICKS LATE 18TH / EARLY 19TH CENTURY the deep faceted candle nozzle with an everted rim above a knopped stem on a domed foot with a barbed edge (2) 23cm high

£200-300

380 FF160/33 SET OF REGENCY ROSEWOOD QUARTETTO TABLES CIRCA 1815 the rectangular tops raised on flattened circular legs joined by curved stretchers ending on trestle feet 55cm wide, 73cm high, 28cm deep

£500-800

83


LY O N & T U R N B U L L Fine Antiques & Works of Art

381 FF153/9 REGENCY ROSEWOOD AND BRASS INLAY FOLDOVER CARD TABLE 19TH CENTURY the foldover D shaped top with brass line inlay opening to a baize lined playing surface, raised on a tapered hexagonal column and octagonal base supported by four scrolled sabre legs ending in foliate cast caps and castors 97cm wide, 43cm high, 73.5cm high Provenance: Selected contents of Lorton Park, Cumbria

£600-900

382 FF153/1 REGENCY MAHOGANY EXTENDING DINING TABLE CIRCA 1815 the rectangular top with rounded corners and a reeded edge over a deep frieze with bead moulding, raised on squared baluster end supports joined by a turned cross stretcher raised on reeded sabre legs ending in brass paw caps and castors, with two leaf inserts 242cm long (extended), 72cm high, 115cm deep Provenance: Selected contents of Lorton Park, Cumbria

£5,000-8,000

84


LY O N & T U R N B U L L Fine Antiques & Works of Art

383 FE366/18 REGENCY STYLE FOURTEEN LIGHT GLASS CHANDELIER the trumpet shaped top over two tiers of scrolled arms hung with single lustre drops, above two further tiers of seven scrolled candle arms hung with prisms drops and swags, 126cm drop approx

£1,500-2,000

384 FE474/1 GOOD REGENCY ROSEWOOD AND GILT BRONZE MOUNTED CREDENZA CIRCA 1815 the rectangular top over a beaded frieze and a pair of brass grille insert doors lined with faded blue pleated silk and flanked by two further grille insert doors, all flanked and divided by square pilasters with lotus cast gilt metal capitals and bases, raised on lobed bun feet 160cm wide, 89cm high, 37cm deep

£3,000-4,000

85


LY O N & T U R N B U L L Fine Antiques & Works of Art

385 LT2013/28 GEORGE IV STYLE MAHOGANY ‘SCISSOR ACTION’ EXTENDING DINING TABLE the rounded rectangular top with a reeded edge and three leaf inserts, the action stamped ‘WILKINSON MOORFIELDS’, on turned tapering reeded legs ending in brass socket castors, the action allowing the table to fold down to a side table 127cm wide, 73cm high, 257cm long

£4,000-6,000

386 FG564/10 GEORGE IV MAHOGANY PEDESTAL DESK CIRCA 1825 the rounded rectangular top over three frieze drawers, above a pair of cupboard doors opening to shelves, raised on short turned feet ending on brass caps and castors 120cm wide, 76cm high 54.5cm deep

£800-1,200

86


LY O N & T U R N B U L L Fine Antiques & Works of Art

388 FG311/4 GEORGE IV MAHOGANY DRESSING MIRROR CIRCA 1825 the rectangular mirror plate flanked by lotus carved squared supports joined by a turned stretcher and raised on plinth bases with short drawers

387 FG529/7 ENGLISH SCHOOL, 19TH CENTURY THE ROAD FROM MONTREAUX watercolour on paper, 29.5cm x 39.5cm; together with seven other watercolours by the same hand comprising views of Swiss landscapes, some identified, including four different versions of the same view of Lake Geneva, a view of Chamounix dated 1839, various sizes, unframed; together with a small folio of sketches (8) Note: This collection of work, some bearing the initials DM and Henderson Mercer, are possibly for Douglas Mercer, later Henderson-Mercer.

ÂŁ2,000-3,000

69cm wide, 58cm high

ÂŁ250-350

87


LY O N & T U R N B U L L Fine Antiques & Works of Art

389 FG469/2 WILLIAM IV ROSEWOOD LIBRARY TABLE CIRCA 1835 the rounded rectangular top over a plain frieze with two short drawers, raised on octagonal tapered end supports on a trestle base with scroll feet and castors 136cm wide, 75cm high, 77cm deep

£800-1,200

390 FG452/4 WILLIAM IV ROSEWOOD SIDE TABLE CIRCA 1830 the rectangular top over two frieze drawers raised on squared end supports and flattened bun feet 69cm wide, 74cm high, 42cm deep

£250-350

391 FG452/3 WILLIAM IV ROSEWOOD SIDE CABINET CIRCA 1835 the rectangular top over a moulded frieze drawer above a pair of arch moulded cupboard doors flanked by turned and tapered columns raised on a plinth base 108cm wide, 96cm high, 45cm deep

£300-500

88


LY O N & T U R N B U L L Fine Antiques & Works of Art

392 FG269/27 WILLIAM IV ROSEWOOD BREAKFRONT BOOKCASE CIRCA 1835 the moulded projecting cornice over glazed doors opening to shelves; the lower part with a green baize lined sliding and ratcheted writing slope in the frieze above four cupboard doors with foliate and reeded moulding, on a plinth base 275cm wide, 260cm high, 50cm deep

ÂŁ2,500-3,500

89


LY O N & T U R N B U L L Fine Antiques & Works of Art

393 FG452/1 WILLIAM IV ROSEWOOD CENTRE TABLE CIRCA 1835 the circular tilt top over a plain frieze, raised on a lotus carved column and triform base, raised on scroll feet with brass castors 126cm diam, 73cm high

£500-700

394 FF685/19 WILLIAM IV MAHOGANY MARBLE TOP SIDECABINET CIRCA 1835 the later veined green marble top over a plain frieze and moulded cupboard doors flanked by squared pilasters with lotus capitals, raised on a plinth base 112cm wide, 88cm high, 40cm deep

£400-600

395 FE474/5 WILLIAM IV ROSEWOOD LOW OPEN BOOKCASE CIRCA 1835 the rectangular white veined marble top over a plain frieze above open shelves flanked by lotus carved pilasters, on a plinth base 96cm wide, 96cm high, 30cm deep

£300-500

90


LY O N & T U R N B U L L Fine Antiques & Works of Art

396 FF153/17 WILLIAM IV MAHOGANY LONGCASE CLOCK BY JAMES SCOTT, KENDAL EARLY 19TH CENTURY the swan neck pediment centred by an urn finial over a painted arched pastural scene and cream painted Roman numeral dial with gilt spandrels and subsidiary seconds hand flanked by turned columns, above a trunk with an arched door flanked by reeded quarter columns, raised on ogee bracket feet 57cm wide, 228cm high, 28cm deep Provenance: Selected contents of Lorton Park, Cumbria

£400-600

397 FE474/4 WILLIAM IV ROSEWOOD AND SATIN BIRCH WORK AND GAMES TABLE CIRCA 1835 the rectangular hinged top with an inlaid games board above a sliding silk lined compartment, raised on a square tapered support and quatreform base on bun feet 42cm wide, 68cm high, 38cm deep

£250-350

398 FE474/3 WILLIAM IV ROSEWOOD FOLDOVER GAMES TABLE CIRCA 1835 the foldover rounded rectangular top opening to a green baize playing surface over a plain frieze, on a lotus carved column and quatreform base raised on lobed bun feet with brass castors

399 FE474/2 WILLIAM IV ROSEWOOD OCCASIONAL TABLE CIRCA 1835 the circular top over a plain frieze on a waisted column support raised on a triform base with lobed bun feet 61.5cm diam, 64cm high

£400-600

91cm wide, 75cm high, 45cm deep (closed)

£500-700

91


LY O N & T U R N B U L L Fine Antiques & Works of Art

400 FG196/3 LARGE TERRACOTTA COVERED URN AND PEDESTAL 19TH CENTURY the leaf and vine moulded cover with a pinecone finial above a baluster body with opposing vine handles and applied with anthemion and fruiting vine garlands, on a leaf moulded socle foot, raised on a square pedestal base 217cm high

£800-1,200

401 FG573/1 SET OF FOUR LARGE COMPOSITION STONE PEDESTALS 20TH CENTURY each of square baluster form, in three sections (4) 93cm high, 96.5cm wide, 96.5cm deep Provenance: Christies, Dunsborough Park: Garden Statuary from the Collection of Baron and Baroness Sweerts de Landas Wyborgh, lot 33 Note: These bases are currently in storage at Cadogan Tate and can be viewed there by prior arrangement.

£3,000-5,000

92


LY O N & T U R N B U L L Fine Antiques & Works of Art

402 FG487/1 SCOTTISH ‘GARNKIRK’ FIRECLAY ALLEGORICAL FIGURE OF ‘AUTUMN’ AND PEDESTAL MID 19TH CENTURY modelled as a standing draped classical maiden holding a wheat sheaf, on an octagonal base, the column pedestal with moulded laurel wreaths figure 131cm high; 219cm total high Note: The Garnkirk Fireclay Company was established in Lanarkshire in 1832, being an internationally renowned establishment due to the high quality of their products and the resulting demand at home and overseas. The company grew to be the largest of their kind in the world, covering over 35 acres of land, with an internal railway system and employed several hundred staff, before changing hands, and later closing for business in the 1960s. This figure was illustrated in the company’s catalogue of 1853, following their representation at the Great Exhibition of 1851.

£3,000-4,000

93


LY O N & T U R N B U L L Fine Antiques & Works of Art

403 FF746/4 EARLY VICTORIAN GOTHIC REVIVAL OAK, WALNUT AND EBONISED SECRETAIRE BOOKCASE CIRCA 1840 the inverted breakfront moulded cornice over a pair of glazed doors with Gothic tracery mullions, above a frieze drawer and drop front drawer, the interior fitted for writing, above a pair of cupboard doors with pointed Gothic arch mouldings opening to sliding trays, raised on block feet 123cm wide, 207cm high, 57cm deep

£2,500-3,500

404 FF746/5 LARGE VICTORIAN REVOLVING OAK BOOKCASE LATE 19TH CENTURY the square top with a moulded edge over four tiers with slatted panels, raised on castors 55cm wide, 135cm high, 55cm deep

£800-1,200

94


LY O N & T U R N B U L L Fine Antiques & Works of Art

405 FG298/1 GOOD VICTORIAN CARVED OAK AND EBONY CENTRE TABLE CIRCA 1870 the octagonal top with radiating section veneers and ebony banded inlay with a foliate carved edge over a scrolling foliate carved frieze, raised on a tapered quatreform column with scrolling acanthus carved brackets, on a quatreform base raised on carved lion head feet 137cm diam, 74cm high

£3,000-5,000

406 FG370/6 VICTORIAN PAPIER MACHE AND BLACK LACQUERED TRIPOD TABLE CIRCA 1850 the lobed and shaped oval papier mache tilt top decorated with mother of pearl and gilt in the Chinese taste, raised on a baluster support and scrolling legs decorated with gilt details 57cm wide, 72cm high, 46cm high Provenance: Property of a Lady

£200-300

95


LY O N & T U R N B U L L Fine Antiques & Works of Art

407 FG563/23 STRAW WORK PICTURE 19TH CENTURY depicting the port of St. Helene with a British ship in the foreground, in an ebonised frame 47cm wide, 39cm high (sight size)

£700-900

408 FF178/7 ENGLISH LACQUERED BRASS TELESCOPE BY RAMSDEN, LONDON EARLY 19TH CENTURY of typical form, engraved to the body-tube, with an eyepiece extension and further lenses, raised on a tripod base, in a fitted mahogany case body tube 77cm long

£400-600

410 FG369/1 ENGLISH BRASS SHIP’S BULKHEAD CLOCK BY E. DENT & CO. 19TH CENTURY the circular cream Roman numeral dial with a subsidiary Arabic seconds dial, inscribed ‘E. Dent & Co. 61, Strand & 34, Royal Exchange London’, no. 2044, the single chain fusee movement with an anchor escapement 27cm diam Provenance: The Basil Hodson Clock Collection.

£2,000-3,000 96

409 PAIR OF DERBY SAMSON AND HANCOCK HEART SHAPED PORCELAIN DISHES EARLY 19TH CENTURY decorated with various flowers and wide foliate scroll gilt bands, red crowned ‘D’ mark (2) 26cm wide

£200-300


LY O N & T U R N B U L L Fine Antiques & Works of Art

411 FG564/11 VICTORIAN ROSEWOOD WRITING DESK IN THE LOUIS XV STYLE 19TH CENTURY the shaped rectangular top with a green leather insert oval writing surface, over a frieze with two short drawers, raised on slender squared cabriole legs carved with foliate scrolls 83cm wide, 76cm high, 53cm deep

£1,500-2,500

412 FG564/9 EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE CIRCA 1840 the circular tilt top over a plain frieze raised on a carved column support with three floral carved scroll legs ending in scroll toes with brass castors 129cm diam, 76cm high

£1,500-2,500

413 FG427/41 GOOD VICTORIAN SATIN BIRCH AND COROMANDEL WRITING SLOPE CIRCA 1880 Retailed by T. A. Simpson & Co, London, with gilt metal mounts, the double hinged top inset with Sevres style porcelain panels depicting romantic scenes after Watteau, opening to reveal a fitted interior with a velvet writing surface, bears T.A.Simpson trade label 35cm wide, 11cm high, 26cm deep

£300-500

97


LY O N & T U R N B U L L Fine Antiques & Works of Art

414 FG564/1 LARGE VICTORIA ELM AND OAK PEDESTAL DESK LATE 19TH CENTURY the rectangular top with a brown and gilt tooled leather writing surface, above three frieze drawers and two banks of three graduated drawers, the opposing side with four long drawers flanked by short drawers, raised on a plinth base 172cm wide, 80cm high, 117cm deep

£4,000-6,000

415 FG564/13 LATE VICTORIAN BUTTON UPHOLSTERED ARMCHAIR LATE 19TH CENTURY the arched button upholstered back over a pair of straight scroll arms and seat, raised on turned oak legs ending in brass caps and castors, in natural linen upholstery 71cm wide, 89cm high, 57cm deep

£500-700

98


LY O N & T U R N B U L L Fine Antiques & Works of Art

416 FG279/17 VICTORIAN EBONISED BOULLE MARQUETRY BREAKFRONT SIDE CABINET CIRCA 1880 the breakfront top over a central door with foliate brass inlay centred by a classical mask, flanked by glazed doors opening to gold velvet lined shelves, on a conforming plinth base 182cm wide, 122cm high, 47cm deep

£1,200-1,800

417 FG469/6 FRENCH BOULLE MARQUETRY CLOCK 20TH CENTURY the white enamel dial with Roman and Arabic chapter with two winding holes set in a red tortoiseshell boulle marquetry case with a fruiting urn finial, the movement striking on a gong and stamped Marti et Cie, ‘Made in France’ 31cm high

£250-350

418 FG599/2 VICTORIAN BOULLE MARQUETRY SIDE CABINET 19TH CENTURY the shaped demilune top over a deep frieze with boulle panels above a central bowfront boulle marquetry cupboard door flanked by ogee moulded glazed doors opening to a red velvet lined shelved interior, mounted with gilt metal mounts and raised on a plinth base 208cm wide, 115cm high, 48cm deep

£1,000-1,500

99


LY O N & T U R N B U L L Fine Antiques & Works of Art

419 FG590/14 VICTORIAN WALNUT DRESSING TABLE 19TH CENTURY the arched moulded frame mirror flanked by scroll supports and banks of short drawers, above a shaped bowfront top with a central frieze drawer raised on carved and lobed tapered legs joined by an undertier 120cm wide, 160cm high, 60cm deep

£400-600

420 FG587/18 BEN COX CARVED DOG’S HEAD WALKING STICK 19TH CENTURY realistically carved and painted as a wire haired fox terrier with glass eyes, with a silver collar and ebonised shaft 89cm long

£200-300

421 FG587/19 COLLECTION OF WALKING STICKS 19TH CENTURY comprising a wrythen ivory cane handle with silver collar and ebonised shaft, 86cm long; an ivory scroll cane handle with a white metal collar and malacca shaft, 83cm long; a staghorn cane handle with a white metal collar and red stained malacca shaft, 90cm long; a horn cane handle with a silver leaf embossed collar and malacca shaft, 91cm long; a Burmese silver handle stick embossed with palm trees, tigers and elephants with a bamboo shaft, 101cm long; a flattened knop silver handle stick with a bamboo shaft, 83cm long; and a silver mounted cane stick with bamboo shaft, 90cm long (7) £300-500

100


LY O N & T U R N B U L L Fine Antiques & Works of Art

422 FF168/35 SPODE IMARI PATTERN TEA AND COFFEE WARES 19TH CENTURY comprising a teapot, two covered sugar bowls, a waste bowl, nine teacups, five coffee cans, two other coffee cups, twelve saucers, two side plates, a bread plate and an oval underplate (36) teapot 27cm wide; bread plate 21cm diam

£1,000-1,500

423 FF168/37 GROUP OF FIVE SPODE PORCELAIN IMARI PATTERN VASES 19TH CENTURY all with the ‘Broken Fence’ pattern, comprising a large baluster form urn with gilt angled handles, 25cm high; two similar spill vases, 16cm and 15.5cm high; a small spill vase with beaded decoration, 12cm high; and a small urn with beaded decoration and gilt scroll handles, 11cm high; various printed and inscribed marks (5) £500-800

424 FG232/2 ROYAL CROWN DERBY IMARI PATTERN PART DESSERT SERVICE LATE 19TH CENTURY comprising a tazza, a pair of shaped dishes, and six side plates, decorated with flowers in a gilt enriched border, green and red printed marks (9) tazza 11.5cm high, 22.5cm diam; plates 22.5cm diam

£700-1,000

101


LY O N & T U R N B U L L Fine Antiques & Works of Art

425 FF744/8 EDWARDIAN SATINWOOD CENTRE TABLE EARLY 20TH CENTURY the oval top with radiating veneers and checquer banding above a plain frieze, raised on square tapered legs ending in spade feet with brass castors 137cm wide, 75cm high, 92cm deep

£1,000-1,500

426 FG600/40 EDWARDIAN PAINTED SATINWOOD CELLARETTE EARLY 20TH CENTURY of square form, the hinged cover opening to a void interior, the front panel painted with an oval reserve depicting a young woman and children, raised on square tapered legs ending in brass caps and castors 39cm wide, 57cm high, 29cm deep

£250-350

427 FF685/13 PAIR OF EDWARDIAN MAHOGANY AND PAINTED CANDLESTANDS EARLY 20TH CENTURY the circular tops on a slender baluster support and triform base raised on brass paw feet, painted with musical trophies, ribbons, garlands and laurel swags 34cm diam, 64cm high

£300-500

102


LY O N & T U R N B U L L Fine Antiques & Works of Art

428 FG556/1 LARGE GEORGE III STYLE MAHOGANY LIBRARY DESK EARLY 20TH CENTURY the rounded rectangular top with a green leather insert writing surface above a frieze carved on three sides with Vitruvian scrolls, three frieze drawers above a central recess flanked by cupboard doors opening to shelves; the reverse side fitted with three cupboard doors opening to drawers and shelves, flanked by scroll carved columns on a plinth base 183cm wide, 83cm high, 107cm deep

£1,000-1,500

429 FG325/1 EDWARDIAN MAHOGANY CARLTON HOUSE DESK BY ROBSON & SONS, NEWCASTLE EARLY 20TH CENTURY of typical form with a pierced brass gallery and brown leather sliding writing surface, bearing an ivorine maker’s label to the central frieze drawer, raised on squared tapered legs ending in brass caps and castors 137cm wide, 105cm high, 74cm deep

£800-1,200

103


LY O N & T U R N B U L L Fine Antiques & Works of Art

430 FG204/2 EDWARDIAN BRASS AND CUT GLASS HALL LIGHT IN THE MANNER OF F & C OSLER EARLY 20TH CENTURY the scrolling brass arms hung with prism drops above a cut glass basin with a faceted ball drop finial 79cm high

£700-900

431 FF744/6 VICTORIAN WALNUT AND MARQUETRY CENTRE TABLE 19TH CENTURY in the Louis XV style, the shaped rectangular top over a serpentine frieze with a long drawer, raised on squared cabriole legs with gilt metal mounts and ending in sabots 85cm wide, 73cm high, 47cm deep

£1,200-1,800

432 FG600/85 LOUIS XV STYLE PARQUETRY AND MARQUETRY SIDE TABLE 19TH CENTURY the shaped rectangular brass banded top centred by a floral marquetry spray, raised on slender cabriole legs with gilt metal mounts and ending in sabots, joined by a quarter veneered undertier outlined in brass 50cm wide, 74cm high, 39cm deep

£800-1,200

104


LY O N & T U R N B U L L Fine Antiques & Works of Art

433 FG600/42 LOUIS XV STYLE KINGWOOD AND MARQUETRY SIDE TABLE LATE 19TH CENTURY the squared top with four shaped drop down sides banded in brass and with floral marquetry throughout, raised on squared cabriole legs with gilt metal mounts and ending in sabots 88cm wide, 68cm high, 88cm wide

£700-900

434 FG587/31 PAIR OF LOUIS XV STYLE GILT BRONZE CHENETS BY HENRI VIAN 19TH CENTURY cast with an Eastern gentleman and companion with a parrot seated on rococo scroll base issuing foliate scrolls, inscribed ‘H. Vian’ and stamped initials HV and 443 (2) 42cm wide, 38cm high

£800-1,200

435 FG563/21 PAIR OF MARSEILLE, VEUVE PERRIN FAIENCE COVERED URNS 19TH CENTURY the pierced domed cover with a flower finial over a baluster body with moulded foliate scroll handles, decorated with reserves depicting figures in landscapes, on a circular foot, blue VP mark (2) 21cm high

£400-600

105


LY O N & T U R N B U L L Fine Antiques & Works of Art

436 FF631/7 ASSEMBLED FRENCH CLOISONNE CLOCK GARNITURE 19TH CENTURY the white enamel Arabic numeral dial decoratedw ith floral swags in a rococo gilt metal and cloisonne case, the French movement striking on a bell, together with a similar pair of slender baluster shaped urns on domed base with scroll feet (3) Clock 34cm high; urn 21cm high

£600-800

437 FG563/10 CONTINENTAL PAINTED AND PARCEL GILT MARBLE TOP CONSOLE TABLE 19TH CENTURY the thick breche marble breakfront top with a moulded edge over a frieze carved with rosettes and patera and centred by an oval portrait medallion above a pierced and carved foliate apron, raised on scrolling volute legs carved with acanthus and joined by a stretcher rail 135cm wide, 96cm high, 60cm deep

£4,000-6,000

106


LY O N & T U R N B U L L Fine Antiques & Works of Art

438 FG551/3 LOUIS XV STYLE GILTWOOD AND GLAZED THREE FOLD SCREEN 19TH CENTURY each fold with a glazed upper panel and silk-upholstered lower panel withn a rococo scroll giltwood frame 162cm wide, 196cm high

£400-600

439 FF72/54 PAIR OF LOUIS XV STYLE CARVED WALNUT FAUTEUILS 19TH CENTURY the cartouche shaped padded backs with floral carved cresting over a wide seat and part padded arms, raised on cabriole legs, in green and yellow striped silk upholstery (2) 64cm wide, 91cm high, 55cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£400-600

107


LY O N & T U R N B U L L Fine Antiques & Works of Art

440 FG551/2 LOUIS XV WALNUT FRAMED SOFA 18TH CENTURY the serpentine crest rail carved with flower cresting continuing to enclosed padded arms above a loose cushion seat, over a flower carved seat rail and raised on slender cabriole legs 209cm wide, 102cm high, 67cm deep

£1,500-2,500

441 FF746/6 LOUIS XV STYLE KINGWOOD BUREAU PLAT 19TH CENTURY the shaped rectangular brass banded top with a green insert writing surface over a long frieze drawer outlined in gilt metal mounts, raised on squared cabriole legs ending in sabots 126cm wide, 76cm high, 70cm wide

£3,000-4,000

108


LY O N & T U R N B U L L Fine Antiques & Works of Art

442 FG551/1 LOUIS XV STYLE THREE PIECE GILTWOOD PARLOUR SUITE LATE 19TH CENTURY comprising a settee and a pair of chaises a la reine with padded backs and part-padded arms, the frames carved with scrolls, cartouches, shell motifs and floral garlands and raised on cabriole legs; the settee upholstered in red silk damask, and the chairs in pale yellow (3) Settee 201cm wide, 109cm high, 67cm deep; chaise 76cm wide, 102cm high 54cm deep

ÂŁ1,500-2,500

109


LY O N & T U R N B U L L Fine Antiques & Works of Art

443 FG427/11 TWO SEVRES PORCELAIN PLATES each with a central scene depicting figures in conversation, surrounded by a blue, gilt and polychrome border, marks to underside (2) 25cm diam. approx.

£300-500

444 FG574/5 PAIR OF RETICULATED FAIENCE COVERED VASES 19TH CENTURY the pierced domed covers with pear finials, the fluted inverted pear form sides painted with exotic birds amongst foliage, enriched with gilt, raised on a pierced oval foot, pseudo Chelsea gold anchor marks (2) 33cm high

£300-500

445 FF168/26 TWO SEVRES STYLE PORCELAIN PLATES 19TH CENTURY the first decorated with Pierrot and companion after Watteau, in a blue and gilt decorated border, 25cm diam; the second depicting lovers in a garden after Fragonard, in a blue and gilt decorated border, 24cm diam.; blue interlaced marks (2) £400-600

110


LY O N & T U R N B U L L Fine Antiques & Works of Art

446 FB66/23 SET OF SIX SEVRES PORCELAIN PLATES 19TH CENTURY each painted with a view of a chateau, reserved against a cobalt blue ground enriched with gilt, blue printed marks for 1844, red Chateau des Tuileries mark (6) 24cm diam

£800-1,200

447 FF72/46 CONTINENTAL TERRACOTTA FIGURE OF A DANCING GIRL 18TH / EARLY 19TH CENTURY the standing figure in a flowing long gown, raised on a square base with paw feet 18cm high Provenance: The Estate of Dr. Renate Davis, Deceased

£700-900

448 FG563/15 PAIR OF HOCHST FAIENCE COVERED URNS 18TH CENTURY the domed covers with a gilt pinecone finial on a moulded body with rams’ mask handles and decorated with scenes of pastoral figures and flower sprays, on a square base, gilt wheel and cross mark (2) 28cm high

£500-700

111


LY O N & T U R N B U L L Fine Antiques & Works of Art

449 FF72/24 AUSTRIAN WALNUT PARQUETRY AND CROSSBANDED PETITE COMMODE MID 18TH CENTURY the rectangular top with a moulded edge over five short drawers, raised on cabriole legs, with gilt metal mounts 55cm wide, 108cm high, 36cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£400-600

450 FF685/18 LOUIS XV STYLE KINGWOOD AND TULIPWOOD MARBLE TOP PETITE COMMODE 19TH CENTURY the rounded rectangular breche marble top with a moulded edge over four drawers flanked by canted angles, with gilt bronze mounts throughout, raised on short cabriole legs 65cm wide, 94cm high, 35cm deep

£600-800

451 FF179/42 VENETIAN PAINTED MARBLE TOP CENTRE TABLE 19TH CENTURY the oval green veined insert marble top over a pierced frieze boldly carved with acanthus and shell motifs, raised on similarly carved double C-scroll legs joined by acanthus carved scrolling stretchers united by an urn finial 99cm wide, 77cm high, 73cm deep

£1,000-1,500

112


LY O N & T U R N B U L L Fine Antiques & Works of Art

452 FF168/63 FRENCH LOUIS XV STYLE MARBLE TOPPED GUERIDON 19TH CENTURY the shaped circular brass banded Breche d’Alep top above a serpentine frieze raised on slender cabriole legs joined by an undertier and ending in sabots 49cm diam, 75cm high

£500-800

453 FF168/60 LOUIS XV WALNUT FAUTEUIL 18TH CENTURY the padded shaped oval back and part padded scroll arms over a wide upholstered seat raised on cabriole legs ending on raised trifid feet, in pale blue patterned silk 62cm wide, 84cm high, 50cm deep

£400-600

454 FG563/9 ITALIAN WALNUT COMMODE 18TH CENTURY the shaped rectangular top with an inverted front above a chip carved frieze, over four moulded long drawers and moulded base raised on shaped bracket feet 77cm wide, 87cm high, 44cm deep

£2,000-3,000

113


LY O N & T U R N B U L L Fine Antiques & Works of Art

455 FG563/12 PAIR OF VENETIAN MURANO AND CUT GLASS MIRRORS 19TH CENTURY each oval mirror plate etched with a figure of a musical satyr within a frame encrusted with coloured glass C-scrolls, flowers and foliage (2) 79cm high

£3,000-4,000

456 FG563/1 PAIR OF FRENCH LOUIS XVI STYLE PARCEL GILT AND NEEDLEWORK UPHOLSTERED ARMCHAIRS 19TH CENTURY the curved rectangular backs with needlework upholstery depicting a pair of pastoral figures in foliate carved frames with ribbon tied cresting, leading to part padded arms above stuff over seats upholstered in floral needlework, raised on spiral carved and tapered legs (2) 59cm wide, 98cm high, 56cm wide

£1,200-1,800

114


LY O N & T U R N B U L L Fine Antiques & Works of Art

457 FF746/1 GOOD LOUIS XVI STYLE KINGWOOD, AMARANTH AND SPECIMEN PARQUETRY DISPLAY CABINET 19TH CENTURY the arched deep cornice above an inlaid cupboard door and recess over two long drawers, flanked by banks of recesses flanked and divided by gilt metal terms, over a smaller cupboard door, with gilt metal mounts throughout, raised on cabriole legs outlined in gilt metal and ending in sabots 120cm wide, 194cm high, 39cm deep

ÂŁ5,000-7,000

115


LY O N & T U R N B U L L Fine Antiques & Works of Art

458 FF175/9 LOUIS XVI STYLE KINGWOOD PARQUETRY BUREAU PLAT 19TH CENTURY the shaped rectangular top with a brass banded edge over a single frieze drawer, raised on square tapered cabriole legs with gilt metal mounts at the hips and ending in sabots 76cm wide, 77cm high, 54cm deep

£1,000-1,500

459 FF166/1 PAIR OF LOUIS XVI STYLE KINGWOOD, WALNUT AND BURR WOOD SIDE CABINETS 19TH CENTURY the shaped rectangular tops with canted corners above a plain frieze outlined with gilt metal mounts over a central door flanked by two further doors all with brass grille inserts and opening to shelves, on a plinth base with a serpentine apron (2) 184cm wide, 113cm high, 36cm deep

£2,000-3,000

116


LY O N & T U R N B U L L Fine Antiques & Works of Art

460 FF153/22 LOUIS XVI STYLE GILTWOOD MIRROR 19TH CENTURY the cartouche shaped mirror plate in a giltwood frame with foliate scrolls, shells and floral garlands 85cm wide, 136cm high Provenance: Selected contents of Lorton Park, Cumbria

£1,500-2,500

461 FF153/5 LOUIS XVI STYLE MAHOGANY AND GILT BRONZE WRITING TABLE BY MELLIER & CO 19TH CENTURY the brass banded rectangular top with a faded red leather writing surface and three quarter brass gallery, over a frieze with rinceau gilt bronze mounts, above a central drawer flanked by two further drawers outlined in gilt metal, raised on fluted tapered legs ending in gilt metal sabots, the lockplates stamped ‘Mellier & Co’ 91cm wide, 76cm high, 51cm deep Provenance: Selected contents of Lorton Park, Cumbria

£2,000-3,000

462 FF631/2 AFTER CLODION, BRONZE FIGURE GROUP 19TH CENTURY bronze, dark brown patina, modelled as three bacchic children with a garland of grapevines on an oval rouge marble base 24cm high

£400-600

117


LY O N & T U R N B U L L Fine Antiques & Works of Art

463

465

464

463 FF631/4 AFTER CHARLES-ANTOINE BRIDAN, PAIR OF BRONZE FIGURES 19TH CENTURY bronze, medium brown patina, modelled as nude boy and girl, he holds a bird, while she holds a nest, on circular rouge marble bases (2)

466 467

23.5cm high

£300-500 464 FF631/6 FRENCH BRONZE FIGURE EMBLEMATIC OF MUSIC 19TH CENTURY dark brown patina, modelled as a draped putto playing a triangle, now lacking, on a circular naturalistic base

118

25.5cm high

465 FF631/5 AFTER CLODION, PAIR OF FRENCH BRONZE FIGURES 19TH CENTURY dark brown patina, modelled as a pair of bacchic children seated on naturalistic bases, signed ‘Clodion’, on a pale green square marble base (2)

466 FG587/36 AFTER ETIENNE MAURICE FALCONET (FRENCH, 17161791) CUPID ‘L’AMOUR MENACANT’ AND PSYCHE pair of bronze figures, dark brown patina, on circular rouge marble bases (2)

467 FG587/20 JEAN LOUIS GREGOIRE (FRENCH, 1840-1890) ALLEGORY OF LOVE bronze, greenish brown patina, modelled as a pair of cupids on a rocky outcrop signed L. GREGOIRE, raised on a circular Sienna marble base

£150-250

15.5cm high

27cm high

30cm high

£250-350

£800-1,200

£500-800


LY O N & T U R N B U L L Fine Antiques & Works of Art

468 FG330/10 FRENCH EMPIRE MAHOGANY AND ORMOLU MOUNTED CHEVAL MIRROR CIRCA 1810 the arched mirror plate in a conforming frame with gilt bronze laurel garland mounts, flanked by tapered columns surmounted by gilt urn finials and raised on arched trestle supports on brass castors 90cm wide, 176cm high, 52cm deep

£1,000-1,500

469 FG330/9 EMPIRE ROSEWOOD AND GILT METAL MOUNTED MARBLE TOP GUERIDON EARLY 19TH CENTURY the circular dished veined black marble top with a moulded edge, above a facetted baluster support and triform base with scrolling brackets and raised on carved paw feet, with gilt metal mounts throughout 98cm diam, 72cm high

£3,000-5,000

119


LY O N & T U R N B U L L Fine Antiques & Works of Art

471 FG330/18 EMPIRE STYLE GILT AND PATINATED BRONZE STANDARD LAMP 20TH CENTURY the fluted column on a tripod base mounted with anthemions and ending on paw feet, raised on a triform green marble base 163cm high excluding fittings

£500-800 470 FG583/1 FRENCH EMPIRE GILT AND PATINATED BRONZE MANTEL CLOCK EARLY 19TH CENTURY the circular gilt metal and Roman numeral dial surmounted by a swan’s head and wings and flanked by fruit filled cornucopias, above a dolphin and shell cast support and stepped gilt and patinated metal base, the back plate inscribed ‘JADIN A PARIS’ 30cm high

472 FG330/17 EMPIRE STYLE GILT AND PATINATED BRONZE STANDARD LAMP 20TH CENTURY the column cast as a palm trunk raised on a foliate cast tripod base, the legs cast with leopard masks and ending on paw feet

£1,500-2,500

125cm high, excluding fittings

£400-600

473 FG330/13 EMPIRE STYLE GILT AND PATINATED BRONZE CHANDELIER EARLY 20TH CENTURY the corona with six plumes over a leaf cast pan suspended by three chains and issuing eight candlearms and a pine cone drop finial 54cm high, approx

£600-800

120


LY O N & T U R N B U L L Fine Antiques & Works of Art

474 FG330/12 EMPIRE STYLE GILT METAL HALL LANTERN EARLY 20TH CENTURY the octagonal bevelled glass case beneath an open scrolling corona cast with satyrs masks and maidens 81cm high approx

£1,000-1,500

475 FG330/11 EMPIRE STYLE MARBLE TOP AND GILT METAL LOW TABLE EARLY 20TH CENTURY the dished rectangular breche marble top raised on gilt metal legs cast with swans and ending on hairy paw feet united by a gilt metal knotted rope motif stretcher 101cm wide, 44cm deep, 56cm high

£300-500

121


LY O N & T U R N B U L L Fine Antiques & Works of Art

476 FE184/19 SWEDISH NEOCLASSICAL GILT BRONZE MOUNTED MIRROR IN THE MANNER OF BURCHARD PRECHT 19TH CENTURY the C-scroll framed cresting with gilt metal flowering urn finials above a shield shaped bevelled mirror plate, set within a moulded giltwood slip and conforming margin plates, all outlined in gilt metal 103cm wide, 148cm high Provenance: Property from an Edinburgh estate Note: Burchard Precht was closely associated with the production of mirrors of high quality in Sweden in the early part of the 18th century, and numerous examples are attributed to either Burchard Precht (1651-1738) or his sons Gustav (d. 1763) and Christian (d. 1779). Originally from Bremen, Burchard Precht arrived in Stockholm in 1674 to work at Drottingholm Palace and was named carver to the court in 1682. In 168788 he travelled to Rome and Paris with the court architect Nicodemus Tessin, which strongly influenced his work. A similar example sold in these rooms with the contents of Blair Castle, 14 April, 2012, lot 584.

ÂŁ2,000-3,000

477 FD702/1 SWEDISH NEOCLASSICAL MARBLE TOP AND GILTWOOD SIDE TABLE CIRCA 1800 the rectangular white marble top over a frieze with interlaced moulded panels with beaded borders, raised on tapered legs headed by corner blocks with sunflowers and joined by curved x-form stretchers with an urn surmount 74.5cm wide, 76.5cm high, 47.5cm deep Provenance: Purchased Bukowkis, Stockholm, 11-13 December 1930, lot 136, thence by family descent to the present owner

ÂŁ1,500-2,500

122


LY O N & T U R N B U L L Fine Antiques & Works of Art

478 FG563/19 FRENCH EMPIRE STYLE BURR ELM MANTEL CLOCK 19TH CENTURY the arched case with a circular engine turned gilt dial with Roman numerals and a leaf cast chapter over a bronze mount of an elderly man and boy, on a rectangular base raised on square gilt bronze feet cast with laurel wreaths and torches, the movement striking on a bell 40cm high, 22cm wide

£1,200-1,800

479 FG600/29 CONTINENTAL PORCELAIN PLAQUE 19TH CENTURY the rectangular plaque painted with a frigate and other ships with a garrison in the distance 19cm wide, 13cm high

£400-600

480 FG239/4 FRENCH JAPONISME GLASS VASE, PROBABLY BACCARAT LATE 19TH CENTURY the flattened globular form with lug handles, wheel cut with a crane, pine tree and bamboo 18cm wide, 14cm high, 6cm deep

£600-800

123


LY O N & T U R N B U L L Fine Antiques & Works of Art

481 FG587/7 SUITE OF MOSER GLASSWARE 20TH CENTURY comprising six red wine goblets, six white wine goblets, six champagne flutes, six sherry goblets, six cordial goblets and six water glasses, with faceted bowls and gilt borders, on a hexagonal stem and foot with acid etched mark (36) red wine 20.5cm high; cordial 12cm high

£800-1,200

482 FF222/2 PAIR OF CONTINENTAL SILVER MOUNTED DECANTERS 19TH CENTURY the pointed faceted stoppers in an embossed silver collar stamped 800 above a faceted body etched with flower and foliage motifs, on a conforming foot (2) 15cm wide, 27cm high

£400-600

483 FG563/13 FOUR ROYAL COPENHAGEN ‘FLORA DANICA’ SIDE PLATES 20TH CENTURY each centrally painted with a different fruiting branch, within a pierced serpentine border with a serrated edge, printed green and underglaze blue wave mark (4) 22.5cm diam

£1,500-2,500

124


LY O N & T U R N B U L L Fine Antiques & Works of Art

484 FG563/18 FRENCH ONYX AND GILT BRONZE MANTEL CLOCK 19TH CENTURY the arched cornice over rectangular body with gilt bronze mounts and a circular Roman numeral dial flanked by gilt bronze columns, on a square base raised on toupie feet, the movement marked Marti et Cie and striking on a gong 35.5cm high, 13cm deep, 22.5cm wide

£1,000-1,500

485 FG563/20 FINE DROCOURT BRASS REPEATING CARRIAGE CLOCK 19TH CENTURY the gorge case with foliate engraved front panel with a white enamel dial and two subsidiary dials for date and alarm, the movement with a lever escapement and striking on a bell, serial number 3953 16cm high, 8.5cm wide, 7.5cm deep

£2,000-3,000

486 FF72/36 AIME JULES DALOU (FRENCH 1838-1902) YOUNG MOTHER FEEDING HER CHILD terracotta, signed, the seated cloaked figure cradling her child, raised on an oval base 46cm high Provenance: The Estate of Dr. Renate Davis, Deceased

£2,000-3,000

487 FF222/3 THREE CONTINENTAL SILVER MOUNTED DECANTERS 20TH CENTURY comprising a faceted flattened mallet shaped decanter with a silver collar stamped LS 800 with stopper and etched decoration, 29.5cm high; a facted bottle shaped decanter with stopper and silver collar stamped 925 and with engraved inscription, 29cm high; and a hexagonal decanter with a silver collar and cap stamped 800, 17.5cm high; together with a WHISKEY DECANTER with silver plate overlay, 28.5cm high (4) £300-500

125


LY O N & T U R N B U L L Fine Antiques & Works of Art

488 FF631/1 THEOPHILE FRANCOIS SOMME (FRENCH, 1871-1952) bronze, greenish brown patina, modelled as a draped boy holding a snail in his left hand, on a naturalistic base signed ‘Th. Somme’ and stamped ‘Etling Paris’ on a shaped oval green marble base 52cm high

£500-800

489 FG330/14 EMILE JOSEPH ERNEST CARLIER (FRENCH, 1849-1927) bronze, medium brown patina, modelled as a WWI Italian Bersaglieri, on a square base signed ‘E. Carlier’ 36cm high

£400-600

490 FG563/17 FRENCH BRONZE FIGURE OF HORSE AND JOCKEY LATE 19TH CENTURY medium brown patina, the oval base signed J. BENNES, on a conforming stained wood plinth 34cm high, 49cm long

£2,000-3,000

126


LY O N & T U R N B U L L Fine Antiques & Works of Art

491 FG563/24 GEORGES OMERTH (FRENCH ACTIVE, 1895-1925) EARLY 20TH CENTURY bronze and ivory figure of a boy, wearing a tophat and tails, a walking stick behind his back, signed ‘Omerth’ on a white marble circular base 20cm high overall

£1,200-1,800

492 FG427/14 CONTINENTAL CARVED BONE CASKET 19TH CENTURY of sarcophagus form, the hinged lid surmounted by a fruiting vine cresting and with pierced filigree panels, opening to reveal a lined interior, the sides with conforming filigree panels, raised on a shaped base 14cm wide, 10cm high, 9.5cm deep

£300-400

493 FG587/32 DIEPPE CARVED IVORY TABLE TOP MIRROR 19TH CENTURY the rectangular bevelled mirror plate in a carved ivory frame with rope twist details and foliate corners surmounted by a foliate, shell and scroll carved cartouche bearing the monogram JC, with a hinged support with engraved metal mounts 36cm wide, 56cm highdg

£1,500-2,500

127


LY O N & T U R N B U L L Fine Antiques & Works of Art

494 FG551/4 DUTCH WALNUT AND MARQUETRY TALL CHEST OF DRAWERS 19TH CENTURY the raised pediment top over a projecting long drawer on scroll volutes, above five further long drawers on a plinth base raised on block feet, the whole in floral marquetry with urns and birds 101cm wide, 163cm high, 52cm deep

£1,500-2,500

495 FG551/5 GERMAN WALNUT AND FRUITWOOD PARQUETRY SERPENTINE COMMODE 18TH CENTURY the serpentine moulded top over a pair of long drawers over a floral carved deep apron raised on cabriole legs ending in raised scroll toes 106cm wide, 84cm high, 64cm deep

£2,000-3,000

128


LY O N & T U R N B U L L Fine Antiques & Works of Art

496 FG552/1 DUTCH WALNUT DISPLAY CABINET 19TH CENTURY the arch moulded cornice centred by a carved shell motif above a pair of astragal glazed doors opening to velvet lined shelves; the lower part of bombe form with three long drawers flanked by angles and raised on carved paw feet 173cm wide, 252cm high, 48cm deep

ÂŁ1,000-1,500

129


LY O N & T U R N B U L L Fine Antiques & Works of Art

497 FF168/27 MEISSEN PORCELAIN KAKIEMON PLATE 18TH CENTURY in the gelbe Löwe pattern, depicting a yellow tiger amongst bamboo and flowers, within an ozier border with gilt details, underglaze blue crossed swords mark 23.5cm diam

£600-900

498 FG440/3 MEISSEN FIGURAL MANTEL CLOCK LATE 19TH/EARLY 20TH CENTURY the rectangular clock case with key fret corners modelled with flowers and surmounted by a pair of doves, flanked by a figure of Cupid holding a flaming torch and seated on drapery, underglaze blue crossed swords and incised ‘39’ marks to base 31.5cm high

£800-1,200

499 FG471/19 MEISSEN PORCELAIN FIGURE OF A SHEPHERDESS 19TH CENTURY the standing figure playing a recorder, a sheep resting at her feet, blue crossed swords mark and incised 3, press number 24cm high

£200-300

130


LY O N & T U R N B U L L Fine Antiques & Works of Art

500 FB76/2 DRESDEN PORCELAIN EROTIC FIGURE 19TH CENTURY modelled as a fashionable young lady lifting her skirt to expose her leg, the bustle of her skirt lifting to expose her bare bottom, on an oval base, pseudo Sevres mark 19cm high

£200-300

501 FF746/3 LARGE SCHUMACHER ‘MARMORGUSS’ TERRACOTTA SCAGLIOLA VASE 19TH CENTURY of baluster form, mounted with patinated metal mounts of a squirrel and branches, with inset impressed metal makers pastille 63cm high

£800-1,200

502 FG471/10 GERMAN IVORY FIGURE OF A GNOME 19TH CENTURY the smiling figure seated on a stump, on a circular base inscribed W. Geiger fecit / Engelberg 9cm high

£200-300 131


LY O N & T U R N B U L L Fine Antiques & Works of Art

503 FF757/1 AUSTRIAN COLD PAINTED BRONZE LIZARD BY FRANZ BERGMANN EARLY 20TH CENTURY realistically modelled and decorated, stamped Amphora mark £200-300

504 FG530/18 AUSTRIAN COLD PAINTED FIGURE OF A STAG EARLY 20TH CENTURY realistically modelled and painted 19.5m high, 15cm long

£800-1,200

505 FG530/19 LARGE AUSTRIAN COLD PAINTED BRONZE FIGURE OF A PARTRIDGE BY FRANZ BERGMANN EARLY 20TH CENTURY realistically modelled and painted, stamped amphora foundry mark 21cm high, 24cm long

£1,500-2,500

132


LY O N & T U R N B U L L Fine Antiques & Works of Art

506 FG563/22 OTTOMAN MOTHER OF PEARL, BONE AND TORTOISESHELL CASKET 18TH CENTURY of sarcaphogus form, the hinged top opening to a void interior with small side compartment, the exterior with geometric and stylised foliate inlay 32cm wide, 23cm high, 19.5cm deep

£4,000-6,000

507 FG149/2 GROUP OF BRASS AND MIXED METAL CAIRO WARE LATE 19TH CENTURY / EARLY 20TH CENTURY comprising two vases, a covered box, a covered sugar bowl, and two small dishes; together with a MODERN CAIRO WARE TRAY, in brass copper and white metal inscribed with Arabic text panels (7) tray 59cm diam

£300-500

508 FG506/1 INDIAN MINIATURE PAINTING finely painted with a prince seated on a terrace with a companion and two female attendants, framed 16cm wide, 26cm high

£300-500

509 FG503/2 INDIAN PAINTED ALABASTER PANEL 19TH / 20TH CENTURY the rectangualr plaque finely painted with a royal procession with figures on horseback and riding an elephant, mounted and framed plaque 20.5cm long, 10.5cm high

£150-250

133


LY O N & T U R N B U L L Fine Antiques & Works of Art

510 FG367/1 PERSIAN VASE QAJAR PERIOD, LATE 19TH CENTURY of baluster form decorated with a seated figures, a deer, birds and narcissus with a foliate scroll band to the neck 27cm high

£300-500

511 FG563/11 FINE QAJAR KHATAMKARI TABLE CABINET 19TH CENTURY the hinged cushion top opening to a compartmented interior above a fall front opening to an arrangment of drawers 37cm wide, 34cm high, 27cm deep

£3,000-4,000

512 FF508/2 PERSIAN MINIATURE PAINTING QAJAR PERIOD, MID 19TH CENTURY gouache on paper, depicting a scribe and a scholar kneeling on rugs in an interior by a window, a landscape view in the distance, framed 19cm wide, 26.5cm high (sight size) Provenance: Collected by William Semple, an engineer with The Anglo-Persian Oil Company, in Iran circa 1910. Thence by descent to the present owner.

£600-800

134


LY O N & T U R N B U L L Fine Antiques & Works of Art

513 FF179/21 MUGHAL MANUSCRIPT PAGE FROM THE SHAHNAMEH 17TH / 18TH CENTURY with black nasta’liq script in four columns above and below the image of Rostam slaying Div-e Sepid, the white demon of Mazandaran, framed 25cm high x 14.5cm wide (sight size)

£300-500

514 FF179/25 PERSIAN KALIMKARI HANGING QAJAR PERIOD, LATE 19TH CENTURY the central panel painted with falconers and figures on horseback beneath four text panels, with an artist’s signature in the upper right corner, within a printed foliate border 303cm x 154cm

£600-800

135


LY O N & T U R N B U L L Fine Antiques & Works of Art

515 MUGHAL, GUJARAT, MOTHER-OF-PEARL EWER 17TH CENTURY the ewer of flared cylindrical form with a curved spout and applied gilt metal loop handle with foliate thumbpiece, raised on a spreading circular foot, the wood underbody applied with mother-of-pearl panels in an imbricated scale pattern 22cm high Provenance: Lord Curzon of Kedelston, Viceroy of India, via his daughter Lady Cynthia Curzon who later married Sir Oswald Mosley, then to her grandson Rupert Forbes Adam and now offered for sale by his direct family.

136

Note: Gujarat, situated on the Northwest coast of India, was a prosperous and wealthy region that rose to prominence under the influence of the Mughal Empire. Its ports were busy centres of export, and during the 17th century the Portuguese, Dutch, French and English all established bases in the region to capitalise on the lucrative trade in luxury goods. Mother-of-pearl wares from Gujarat were being exported to Europe in the early part of the 16th century through the 17th century and were frequently given European made mounts. Based on a European metalware shapes, examples of these highly desirable wares like the present lot can be found in the inventories of royal collections of that period: one is recorded being given to Henry VIII by Oliver Cromwell in 1534 as a New Year’s gift.

ÂŁ3,000-4,000


LY O N & T U R N B U L L Fine Antiques & Works of Art

516 FG563/14 ANGLO-INDIAN ROSEWOOD, EBONY AND BONE INLAY BOX ON STAND 18TH CENTURY the rectangular hinged lid and box inlaid throughout with ebony scrolling foliage and bone flowerheads, with a engraved brass escutcheon and iron loop handles to the sides, raised on an ebonised stand with spiral carved supports joined by a wavy X-form stretcher and ending on flattened bun feet ÂŁ4,000-6,000

137



Rugs & Carpets

517 FG597/2 BIKANER DHURRIE NORTH INDIA, LATE 19TH/EARLY 20TH CENTURY the cream field with green lozenge medallion and foliate spandrels, within triple green, red and cream borders, blue bands to each end 218cm x 131cm Literature: The Unappreciated Dhurrie, Steven Cohen et al, 1982, plate 1 Dhurries, Nada Chaldecott, 2003, plate 164 Note: Chaldecott notes on p103 that this is one of two: “highly stylised and very finely woven dhurries with a rather more unusual treatment of the central medallion ... the naive quality of the design and the mirror-image compostition are a mark of their originality. The use of several borders, additional top and bottom stripes, known as patti, and the fineness of the weaving indicate a special comission rather than a standard jail product.”

£700-1,000

518 FG597/1 PAIR OF SOUTH CAUCASIAN KELIMS MID 19TH CENTURY each with polychrome bands of serrated and stepped lozenges (2) largest 212cm x 102cm Literature: The Undiscovered Kelim, David Black et al, 1977, plate 41

£700-1,000

139


LY O N & T U R N B U L L Fine Antiques & Works of Art

519 FF750/2 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the gold field with three circular red and grey medallions, within triple grey borders 406cm x 219cm Provenance: Mary, The Countess of Kintore at Keith Hall, Aberdeenshire. Thence by descent to the present owner.

£300-500

520 FG597/4 BALIKESIR KELIM WEST ANATOLIA, 20TH CENTURY the plain red field within indigo zig zag side bands, red and indigo striped ends 197cm x 134cm

£200-300

521 FF745/2 CENTRAL ANATOLIAN PRAYER KELIM LATE 19TH/EARLY 20TH CENTURY the red mihrab with green spandrels, within ochre geometric border between bands

522 FG597/3 AFSHAR RUG SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red medallion suspending floral vase pendants, red spandrels, within ivory, yellow and brown triple borders

180cm x 112cm

197cm x 142cm

522A LARGE AMRITSAR CARPET NORTH INDIA, LATE 19TH/ EARLY 20TH CENTURY the plain cream field with pink medallion suspending pendants, pink and ivory spandrels, within ivory palmette, cartouche and vine border between bands

£150-250

£250-350

674cm x 463cm

£5,000-7,000

140


LY O N & T U R N B U L L Fine Antiques & Works of Art

523 FG205/2 YOMUT CARPET TURKMENISTAN, LATE 19TH CENTURY the brown field with allover polychrome gul pattern, within ivory hooked vine border between bands, brown stylised floral elem to each end 300cm x 182cm

ÂŁ800-1,200

141


LY O N & T U R N B U L L Fine Antiques & Works of Art

524 FF750/1 SHIRVAN RUNNER EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the gold field with allover geometric pattern, within cream harshang border between bands 313cm x 100cm Provenance: Mary, The Countess of Kintore at Keith Hall, Aberdeenshire. Thence by descent to the present owner.

£400-600

142

525 FF692/3 SARAB RUNNER WEST PERSIA, EARLY 20TH CENTURY the camel field with two lozenge medallions, within narrow ivory star and vine border between bands, outer plain camel band

395cm x 104cm

527 FG205/3 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover floral vase pattern, within ivory geometric border with outer band

373cm x 103cm

£300-500

484cm x 95cm

£300-500

526 FG249/8 SOUTH CAUCASIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the dark brown field with allover stylised foliate pattern, within blue harshang border with outer band

£300-500


LY O N & T U R N B U L L Fine Antiques & Works of Art

528 FF692/9 USHAK CARPET WEST ANATOLIA, EARLY 20TH CENTURY the rose pink field with allover serrated lozenge, rosette and foliate pattern, within slate blue palmette and vine border between ochre bands 430cm x 379cm

ÂŁ800-1,200

143


LY O N & T U R N B U L L Fine Antiques & Works of Art

529 FF508A/1 FINE KASHAN ‘MOHTASHAM’ CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red and indigo medallion suspending pendants, red, indigo and ivory spandrels, within indigo palmette and ribbon vine border between bands 422cm x 278cm Provenance: Collected by William Semple, an engineer with The Anglo-Persian Oil Company, in Iran circa 1910. Thence by descent to the present owner.

£8,000-12,000

144


LY O N & T U R N B U L L Fine Antiques & Works of Art

530 FF508/1 PAIR OF FINE KASHAN SILK PRAYER RUGS CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY each with cream field with floral vase flanked by birds and trees, brown and indigo spandrels, within burgundy script cartouche border between bands (2) 204cm x 135cm Provenance: Collected by William Semple, an engineer with The Anglo-Persian Oil Company, in Iran circa 1910. Thence by descent to the present owner.

ÂŁ8,000-12,000

145


LY O N & T U R N B U L L Fine Antiques & Works of Art

531 FF692/2 PAIR OF KASHAN ‘MOHTASHAM’ RUGS CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY each with cream field with cream lozenge medallion, red and blue spandrels, within cream rosette and foliate border between bands (2) larger 189 x 127cm

£600-900

532 FG532/1 KASHAN ‘MOHTASHAM’ SILK RUG LATE 19TH/EARLY 20TH CENTURY the ivory field with red and ivory medallion suspending pendants, similar spandrels, within red palmette and vine border between bands 210cm x 135cm

£800-1,200

146


LY O N & T U R N B U L L Fine Antiques & Works of Art

533 FG413/1 CENTRAL PERSIAN ‘HUNTING’ CARPET EARLY/MID 20TH CENTURY the cream field with allover pattern of hunters on horseback pursuing animals amidst foliage, within red lion and deer border between blue bands 365cm x 241cm

£500-800

534 FG565/12 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the plain gold field with red medallion suspending pendants, similar spandrels, within red palmette and scrolling vine border between bands 428cm x 330cm

£2,500-3,500

147


LY O N & T U R N B U L L Fine Antiques & Works of Art

535 FG565/1 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the light olive field with cusped red and light blue medallion suspending pendants, similar spandrels, within greyish puce palmette and arabesque vine border between bands 465cm x 342cm

£3,000-5,000

536 FG565/11 INDO-TABRIZ CARPET INDIA, MID 20TH CENTURY the indigo field with red medallions and similar spandrels, allover pattern of hunters on horseback pursuing animals, within red stylised palmette and vine border between bands 575cm x 363cm

£2,000-3,000

148


LY O N & T U R N B U L L Fine Antiques & Works of Art

537 FG307/5 ISFAHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover pattern of palmettes and foliate vine, within similar pred border between bands 566cm x 404cm

ÂŁ4,000-6,000

END OF SALE

149


STANDARD TERMS & CONDITIONS OF SALE

prevailing by law at the date of sale and is payable by buyers of relevant lots.

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

6. PAYMENT

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate

150

(1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express. (2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

13. TERMS OF SALE

GENERAL

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot. (2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.


Absentee bid form Sale/customer details 33 Broughton Place Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Sale Title Sale Date

Sale No.

Title

Initials

Client No.

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 2928 e-mail: info@lyonandturnbull.com www.lyonandturnbull.com

Surname Address Postcode Telephone

I request Lyon and Turnbull, without legal obligation of any kind on its part, to bid on the following lots up to the prices listed.

Fax

E-mail

£ Sterling limit Lot.No

Description

Ex. Premium & VAT

I understand that if any of my bids are successful the total price payable will be the amount of the final bid plus a Buyer’s premium calculated at the following rates: 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium. The premium and VAT is payable by all purchasers. Lots in the catalogue marked * or † are subject to VAT on the hammer price as well as the premium. Where there are identical bids for a lot, the first bid received will be have precedence. Please make certain that your bids are submitted at least two hours before the start of the sale.

Client Signature

Date

Please note telephone bidding is only available on lots estimated at £300 and above.

Lyon and Turnbull office use Date

Time

By

Bidder No.

Received Entered

151


Asian Works of Art Wednesday, 11th December, 2013 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Lee Young Tel: +44 (0)131 557 8844 lee.young@lyonandturnbull.com Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

CHINESE WHITE JADE ARCHAIC STYLE VASE AND COVER Provenance: The Deryck Hulbert Collection of Asian Art

ÂŁ8,000-12,000


Waverley Station

S

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom. WA ITH LE

N

ITH

ST

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

ST

TO

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

QU EE N

GH

Local Deliveries Local deliveries can be arranged by A&S Pert Removals. Telephone 07876 343520.

P

OU

Lyon & Turnbull saleroom

St Andrew Square

BR

LK

LE

P

ES ST

ST

P R IN C

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale. Thereafter lots will be removed to store in Edinburgh and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.


33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.