Decorative Arts | 13th November 2013 by Lyon & Turnbull

Decorative Arts Design from 1860 Wednesday, 13th November, 2013 33 Broughton Place Edinburgh

Decorative Arts Design from 1860 Wednesday, 13th November, 2013 11am Sale Number LT394

Viewing Sunday, 10th November, 2013 2pm - 5pm Monday, 11th November, 2013 10am - 5pm Tuesday, 12th November, 2013 10am - 5pm Morning of Sale from 9am Specialist John Mackie john.mackie@lyonandturnbull.com +44 (0)131 557 8844

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter. VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you. Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling. Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct. Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale). VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price. The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price. No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the

hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the appropriate collecting organisation and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale). Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale). Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations. Bidding Please note that all first time bidder’s at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement) You may present these documents in person or, alternatively, fax or email copies to us. We may, at our option, also ask you to provide a bank reference and/ or deposit. At the Sale Potential buyers must register and collect a bidding number before the sale begins, and show that number if successful in purchasing a lot. Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately. If you have not been successful please leave the number at the Registration or Reception desks. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service entirely at the bidder’s risk. By telephone Bids submitted by telephone must be confirmed in writing. Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available on lots with an estimate of £300 and over, entirely at our discretion and at the bidder’s risk. All telephone bids must be confirmed in writing, listing the

relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. All bid requests must be received an hour before the sale. Methods of Payment Goods purchased will not be released until we have received full payment. Bank Transfer Please find details in any email invoice we issue or upon request from our accounts department. Cash Cash payments can be made at the accounts desk during or after a sale. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex.. Online Payments We no longer accept card payments by phone, please use our online payment service (powered by Worldpay). You will find a link to this service in any email invoice issue or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

10/13

LY O N & T U R N B U L L Decorative Arts

WEDNESDAY, 13TH NOVEMBER at 11am 1-41 42-111

Art Glass British Ceramics

112-119

Continental Ceramics

120-146

Furniture: Part I

147-189

Jewellery, Silver & Metalware

190-207

Lighting & Miscellaneous Effects

208-236

Furniture: Part II

237-244

Textiles & Carpets

245-264

Pictures, Books & Works On Paper

265-296

Bronzes & Sculpture

297-321

Furniture: Part III

CERAMICS AND GLASS: Please note that damage and/or restoration is indicated in the catalogue at our discretion. We are pleased to provide condition reports on all lots for those who cannot view in person INTERNET SERVICE: For colour illustrations of all lots in this sale please consult our website at www.lyonandturnbull.com TELEPHONE BIDDING: Please note telephone bidding is only available on lots estimated at ÂŁ300 and above. For lots with an estimate below this we are happy to accept commission bids or suggest our online live bidding service (powered by Artfact, please see visit www.lyonandturnbull.com for further information). Please note that all absentee and telephone bid requests must be received an hour before the sale.

Art Glass

1 FG433/2 RENÉ LALIQUE (1860-1945) ‘ONDINES’ PATTERN OPALESCENT GLASS BOWL, DESIGNED 1921 no.380, moulded with spiralling water nymphs, wheel etched marks R. LALIQUE/ FRANCE/ NO. 380 21cm diameter

£700-900

2 FG327/32 RENÉ LALIQUE (1860-1945) ‘INSÉPERABLES’ CLEAR, FROSTED AND OPALESCENT GLASS STRUT CLOCK, DESIGNED 1926 no. 765, moulded mark R. LALIQUE 11cm square

£1,200-1,500

3 FG433/35 RENÉ LALIQUE (1860-1945) ‘SOUCIS’ OPALESCENT GLASS VASE, DESIGNED 1932 the body moulded with flowers, traces of original blue staining, script etched mark R. LALIQUE/ FRANCE 18cm high

£600-800

4 FG527/1 RENÉ LALIQUE (1860-1945) SET OF SIX ‘DAMPIERRE’ PATTERN GLASSES, DESIGNED 1931 each moulded with a frieze of birds, sepia stained ground, 6.5cm high; and a LARGE ‘DAMPIERRE’ PATTERN GLASS, 12cm high, etched mark R. LALIQUE (7) £200-300

5 FG433/45 LALIQUE, FRANCE SET OF 6 FROSTED AND CLEAR GLASS SALAD PLATES, POST 1945 each moulded with thistle heads, script etched marks LALIQUE/ FRANCE, 20cm across; and a LALIQUE FROSTED GLASS ASHTRAY, moulded with leaves, script etched mark LALIQUE/ FRANCE, 21cm across (7)

6 FG433/37 LALIQUE, FRANCE ‘SILENES’ CLEAR AND FROSTED GLASS VASE, POST 1945 moulded with satyr heads within foliage, script mark LALIQUE/ FRANCE, chips 20cm high

£200-300

£300-500

LY O N & T U R N B U L L Decorative Arts

7 FG493/1 RENÉ LALIQUE (1860-1945) ‘CALYPSO’ CLEAR, FROSTED AND OPALESCENT GLASS PLAFFONIER, DESIGNED 1930 moulded with a frieze of naked sirens, bronzed mounts with original hanging chains and ceiling rose and circular frosted glass diffuser, stencil etched mark ‘R. Lalique, France’ Bowl 33cm diameter, 58cm total diameter

£1,800-2,200 8 FG434/1 RENÉ LALIQUE (1860-1945) ‘LYS’ OPALESCENT GLASS BOWL, DESIGNED 1924 the deep circular bowl moulded with four lily flowerheads, wheel etched mark R. LALIQUE/ FRANCE, script etched mark No. 382 24cm diameter

£400-600

9 FG433/52 RENÉ LALIQUE (1860-1945) FROSTED GLASS LAMP BASE, CIRCA 1930 moulded with entwined birds, script etched mark R. LALIQUE/ FRANCE/ No.350 17.5cm high

£400-600

10 FB79/2 CRISTAL LALIQUE ‘DAHLIA’ FROSTED GLASS SCENT BOTTLE, LATE 20TH CENTURY etched mark LALIQUE/ FRANCE, 13cm high; and a ‘PANTHÈRE DE CARTIER’ frosted glass and moulded plastic scent bottle, 17cm high (2) £150-250

LY O N & T U R N B U L L Decorative Arts

11 FG433/53 EMILE GALLÉ CAMEO GLASS VASE, CIRCA 1910 the frosted amber glass body overlaid with sepia acid etched with a frieze of pansies, incised mark GALLÉ, chip to rim 15.5cm high

£300-500

12 FG433/3 VERLYS, FRANCE MOULDED CLEAR AND FROSTED GLASS VASE, CIRCA 1920 decorated with a frieze of mermaids and sea creatures, moulded factory mark VERLYS/ FRANCE 23.5cm high

£200-300

13 FF499/4 ETLING, PARIS ART DECO FROSTED GLASS TABLE LAMP, CIRCA 1930 of swollen rectangular outline, moulded with opposed medallions of crouching female figures, moulded mark to base ETLING/ FRANCE 28.5cm high

14 FG433/6 SABINO, PARIS OPALESCENT GLASS CAR MASCOT, CIRCA 1930 moulded as a leaping antelope, moulded mark SABINO/ PARIS, 11cm high; and a CESARI OPALESCENT GLASS FIGURE OF A DOVE, moulded marks CESARI/ FRANCE 22cm long (2)

15 FG433/39 SABINO, FRANCE PAIR OF FROSTED AND BLACK GLASS BOOK ENDS, CIRCA 1930 each moulded as a bird on geometric base, 12.5cm high; and a FRENCH MOULDED GLASS VASE with geometric decoration, moulded mark FRANCE, 24cm high (3)

£200-300

LY O N & T U R N B U L L Decorative Arts

16 FG433/5 DAUM, NANCY WINTER SCENE GLASS VASE, CIRCA 1910 of rectangular form decorated with a cameo and enamelled winter scene, painted mark DAUM/ NANCY/ 1237, with Cross of Lorraine symbol 9.5cm high

£600-800

17 FG433/1 DAUM, NANCY WINTER SCENE GLASS VASE, CIRCA 1910 of rectangular form decorated with a cameo and enamelled winter scene, painted mark DAUM/ NANCY/ 606 with Cross of Lorraine symbol 12.5cm high

£800-1,200

19 FF737/10 DAUM, NANCY LARGE CLEAR GLASS VASE, CIRCA 1960 of tapering form with bubble inclusions, etched mark DAUM/ NANCY with Cross of Lorraine symbol

18 FG433/7 DAUM, NANCY CAMEO GLASS VASE, EARLY 20TH CENTURY the mottled yellow and red glass body overlaid in black, acid etched with a lakeside scene, cameo mark DAUM/ NANCY with Cross of Lorraine

29.5cm high

20cm high

£100-200

£300-400

LY O N & T U R N B U L L Decorative Arts

20 FG433/32 DAUM, NANCY TALL ENAMELLED AND ACID ETCHED GLASS VASE, CIRCA 1910 the mottled yellow and ochre glass body acid etched and enamelled with flowering plants, etched mark DAUM/ NANCY/ FRANCE, with Cross of Lorraine symbol 44cm high

£1,500-2,000

21 FG433/36 DAUM, NANCY ACID ETCHED AND ENAMELLED GLASS BOWL, CIRCA 1910 the ovoid body acid etched and enamelled with fruiting branches, painted mark DAUM/ NANCY/ FRANCE, with Cross of Lorraine symbol 20.5cm diameter

£1,000-1,500

22 FF881/3 ART NOUVEAU GREEN GLASS TABLE LAMP, EARLY 20TH CENTURY the mushroom shade raised on baluster base 51cm high

23 FF801/1 ART NOUVEAU TALL GLASS LILY VASE, EARLY 20TH CENTURY of tall tapering form, clear glass with blue and white inclusions

£200-300

128cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

24 FG501/1 GABRIEL ARGY-ROUSSEAU (1885-1953) PÂTE DE VERRE ANEMONES BOWL, CIRCA 1920 of ovoid form, moulded in relief with anemone blooms in green, white and purple on a semi-opaque gray ground, moulded signature G. ARGY-ROUSSEAU on the body and with etched mark FRANCE to the base

25 FG501/2 GABRIEL ARGY-ROUSSEAU (1885-1953) PÂTE DE VERRE ANEMONES BOWL, CIRCA 1920 of ovoid form, moulded in relief with anemone blooms in green, white and purple on a semi-opaque gray ground, moulded signature G. ARGY-ROUSSEAU on the body and with etched mark FRANCE to the base

26 FG501/3 GABRIEL ARGY-ROUSSEAU (1885-1953) PÂTE DE VERRE ANEMONES BOWL, CIRCA 1920 of ovoid form, moulded in relief with anemone blooms in green, white and purple on a semi-opaque gray ground, moulded signature G. ARGY-ROUSSEAU on the body and with etched mark FRANCE to the base

11cm diameter

Literature: Bloch-Dermant, Janine ‘G. Argy-Rousseau: Glassware as Art’, London 1991, illus. p.183

£1,000-1,500

27 FF901/11 CONTINENTAL SCHOOL ENAMELLED GLASS VASE, EARLY 20TH CENTURY of tapering form with applied foot, the clear glass body with gilt and polychrome enamel decoration of jousting knights reserved on a floral and foliate ground 31cm high

£250-350

28 FF805/1 SEGUSO, MURANO GLASS FIGURE GROUP OF SWIMMING FISH, 1950s with green and gilt inclusions 34cm high

£200-300 29 No lot

LY O N & T U R N B U L L Decorative Arts

30 FB79/9A ATTRIBUTED TO THERESIENTHAL SET OF FIVE ART NOUVEAU LIQUEUR GLASSES, CIRCA 1910 each with bowl painted with a flowerhead on green stem with spreading foot, gilded detail (6) £150-250

31 FB79/9 ATTRIBUTED TO THERESIENTHAL SET OF SIX ART NOUVEAU HOCK GLASSES, CIRCA 1910 each with bowl painted with a flowerhead on green stem with spreading foot, gilded detail (6) £200-300

32 FB79/4 ATTRIBUTED TO MOSER, KARLSBAD FACETED BLUE GLASS VASE, EARLY 20TH CENTURY of shouldered ovoid form, decorated with a gilt frieze of Classical figures, unmarked 17cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

33 FG433/49 ART DECO GLASS LIQUEUR SET, CIRCA 1930 comprising a decanter and stopper of tapering faceted form with black and frosted geometric panels, 22cm high; with six corresponding glasses, each 6.3cm high (7) £300-500

34 FG433/50 ART DECO GLASS DRESSING TABLE SET, CIRCA 1930 comprising a PERFUME BOTTLE & STOPPER, 14cm high; a POWDER DISH & COVER, 11cm high; a PERFUME ATOMISER, with chromium mounts, 10m high, each with black enamelled and frosted glass geometric decoration; and a FRENCH GLASS POWDER DISH AND COVER, 12cm (4) £300-500

35 FF901/14 MANNER OF ADOLF BECKERT ENAMELLED GLASS VASE, EARLY 20TH CENTURY of wasted cylindrical form, with cut elliptical panels etched and painted with foliate decoration 32cm high

£250-350

LY O N & T U R N B U L L Decorative Arts

36 FD39/2 JOHN MONCRIEFF LTD, PERTH ‘MONART’ GLASS TABLE LAMP, CIRCA 1930 the mushroom shade on baluster base with applied foot, the mottled orange and yellow glass with green, orange and aventurine inclusions, bears original maker’s label, MONCRIEFF SCOTLAND/ MONART GLASS/ P/ 23.39*, original brass fittings 33cm high

£500-700

37 FG433/46 JOHN MONCRIEFF LTD., PERTH TWO ‘MONART’ GLASS VASES, 1930S one pink and blue, 20cm high; the other green with ochre and aventurine inclusions, 13.5cm high (2) £200-300

38 FG433/48 CZECHOSLOVAKIAN GLASS THREE ‘MALACHITE’ MOULDED GLASS WARES, CIRCA 1930 comprising a VASE, moulded with classical female figures, 24cm high; a BOWL moulded with recumbent naked female figure, 19cm across and a BOX & COVER, the cover moulded with a recumbent naked figure (chipped), 14.5cm across (3) £150-250

39 FF231/1 SAM HERMAN (B. 1936) GLASS VESSEL, DATED 1975 of cylindrical form with ox blood and lustre inclusions, etched signature SAMUEL HERMAN/ 1975/ SA229, bears original paper label 12.5cm high

£200-300 40 FF903/1 TAPIO WIRKKALA (19151985) FOR IITTALA ‘CHANTERELLE’ GLASS VASE, DESIGNED 1954 with etched vertical ribbed decoration, etched marks TAPIO WIRKKALA/ IITTALA

41 FG433/11 CARIN VON DREHLE TWO GLASS VESSELS, 1980s each with trailing iridescent decoration on a pink ground, etched marks, 15cm and 8cm high; and THREE SIDDY LANGLEY GLASS VESSELS, each decorated with pearlised ‘clouds’ reserved on a peacock blue iridescent ground, etched marks,11cm, 11cm and 8cm high (5) £250-350

13.5cm high

£200-300

British Ceramics

42 FG570/5 WEMYSS WARE CIRCULAR BUTTON, EARLY 20TH CENTURY decorated with a Robin, within a green band, impressed mark WEMYSS 3.2cm diameter

£600-800 43 FG570/4 WEMYSS WARE ‘EARLSHALL’ JUG, EARLY 20TH CENTURY impressed mark WEMYSS 15cm high

£800-1,200

44 FG418/1 WEMYSS WARE LARGE ‘BLACK COCKEREL & HENS’ BASIN, CIRCA 1900 printed retailer’s mark, impressed mark WEMYSS WARE/ R.H.& S. 40cm diameter

£300-500

45 FG570/1 WEMYSS WARE LARGE ‘MALLARDS’ LOVING CUP, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.& S., one restored handle 35cm diameter

£1,200-1,800

LY O N & T U R N B U L L Decorative Arts

46 FG570/3 WEMYSS WARE ‘WHITE BROOM’ SUGAR BOWL, EARLY 20TH CENTURY decorated by David Grinton, painted and impressed marks WEMYSS 6.5cm diameter

£300-500

47 FG570/2 WEMYSS WARE ‘DRAGONFLIES’ RING HOLDER, EARLY 20TH CENTURY decorated by Edwin Sandland, painted and impressed marks WEMYSS 9cm diameter

£500-700

48 FG592/10 WEMYSS WARE ‘VIOLETS’ RECTANGULAR PIN TRAY, EARLY 20TH CENTURY bears inscription I LOOKED/ FOR SOMETHING/ SWEET/ TO SEND YOU/ AND THE VIOLETS/ ASKED/ IF THEY WOULD DO, painted and impressed marks WEMYSS 10cm x 14.5cm

£150-250

49 FF731/3 WEMYSS WARE ‘CABBAGE ROSES’ COMB TRAY, EARLY 20TH CENTURY printed retailer’s mark, impressed mark WEMYSS, 25cm across; and a ‘CABBAGE ROSES’ BREAD PLATE, decorated by Edwin Sandland, painted mark WEMYSS/ T. GOODE & CO (2)

50 FF731/2 WEMYSS WARE ‘CABBAGE ROSES’ BEAKER VASE, EARLY 20TH CENTURY painted and impressed marks WEMYSS, 15.5cm high; and a ‘CABBAGE ROSES’ PLATE, decorated by Edwin Sandland, painted mark WEMYSS, 23cm diameter (2) £150-250

£150-250

LY O N & T U R N B U L L Decorative Arts

51 FG433/55B BOUGH POTTERY TWIN HANDLED VASE, CIRCA 1930 decorated by Richard Amour with camellias on a black ground, painted marks R.A. BOUGH/ 473, printed mark MADE IN SCOTLAND, 16cm high £100-200

52 FG570/6 WEMYSS WARE ‘CABBAGE ROSES’ HAT PIN, CIRCA 1900 the circular terminal fitted with a steel pin, unmarked, hairline crack, filled repair to underside 4.2cm diameter

£300-500 53 No lot 54 FG418/2 WEMYSS WARE ‘PURPLE PLUMS’ POWDER BOWL AND COVER, EARLY 20TH CENTURY decorated by Edwin Sandland, painted and impressed marks WEMYSS 9.5cm diameter

£200-300

55 FF731/1 WEMYSS WARE ‘CANTERBURY BELLS’ JUG, EARLY 20TH CENTURY impressed mark WEMYSS, 15cm high; a SMALL ‘SHAMROCKS’ FRILLED VASE, impressed mark WEMYSS WARE, 8.5cm high; and a ‘CHRYSANTHEMUMS’ OVOID GINGER JAR, decorated by Edwin Sandland on a black ground, painted marks WEMYSS/ 9X, hairlines, 10cm high (3) £150-250

56 FG433/55A EMMA GILLIES (1900-1936) PAIR OF CANDLESTICS, CIRCA 1930 decorated with flowers, painted marks EMMA S. GILLIES, 22cm high; SCOTTISH POTTERY PART TEA SET, comprising a tea pot and cover; two cups; two saucers and a serving plate, each decorated with rose hips, stencilled bee marks (8) £100-200

57 FG433/55 COLLECTION OF SCOTTISH POTTERY, CIRCA 1930 comprising a MAK MERRY SUNDAE DISH, 7cm high; a CIRCULAR BOWL DECORATED WITH DAISIES ON A HOLYROOD BLANK, painted mark VHT 1925, 17.5cm diameter; a LARGE SERVING PLATE PAINTED WITH FLOWERS, painted mark MM/ FK, 32.5cm diameter; SMALL SERVING BOWL, 11cm diameter and a BOUGH FRUIT BOWL DECORATED WITH FUSCHIA, hairline crack, 23.5cm diameter (5) £100-200

LY O N & T U R N B U L L Decorative Arts

58 FF899/16 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO ‘CORNFLOWER’ TALL BOTTLE VASE, CIRCA 1910 with frilled rim, printed factory marks, signed in green W. MOORCROFT 25cm high

£800-1,200 59 FF899/15 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO ‘CORNFLOWER’ TALL BOTTLE VASE, CIRCA 1910 with frilled rim, signed in green W. MOORCROFT, restoration 30.5cm high

£1,000-1,500

60 FF899/2 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO ‘CORNFLOWER’ TEAPOT & COVER, CIRCA 1910 printed factory marks, signed in green W. MOORCROFT 11.5cm high

£500-700

61 FF899/1 MOORCROFT POTTERY ‘SPRING FLOWERS’ THREE PIECE TEA SERVICE, 1920s comprising a teapot & cover; a milk jug; and a sugar bowl, each with impressed factory marks, the teapot initialled in blue (3) teapot 14.5cm high

£400-600

LY O N & T U R N B U L L Decorative Arts

62 FF899/14 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO TAPERED VASE, CIRCA 1908 decorated with poppies and panels of forgetme-nots, printed factory marks, signed in green W. MOORCROFT, restoration 15cm high

£300-500

63 FF899/13 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO SMALL BALUSTER VASE, CIRCA 1908 decorated with poppies and panels of forget-menots, printed factory marks, signed in green W. MOORCROFT 14.5cm high

£300-500 64 FF899/12 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO SMALL JARDINIÈRE, CIRCA 1908 decorated with poppies and panels of forgetme-nots, printed factory marks, signed in green W. MOORCROFT, restoration to rim 11cm high

£300-500

65 FG600/61 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. ‘FLORIAN WARE’ BALUSTER VASE, CIRCA 1900 decorated with flowering sprigs, bears printed maker’s marks, printed marks M2862/24, signed in green 25.5cm high

£800-1,200

LY O N & T U R N B U L L Decorative Arts

66 FF899/11 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO PAIR OF TALL ‘FLORIAN WARE’ VASES, CIRCA 1900 each of tall tapering form with frilled rim, decorated with violets on a pale blue ground, printed factory marks, Rd. No. 326470, signed in green W. MOORCROFT/ DES. (2) 30cm high

£600-800

67 FF899/9 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO ‘FLORIAN WARE’ VASE, CIRCA 1905 of bottle form, decorated with blue poppies, printed factory marks, Rd. No. 401753, signed in green W. MOORCROFT/ DES, restoration to neck and rim 22.5cm high

£300-500 68 FF899/8 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO SMALL ‘FLORIAN WARE’ VASE, CIRCA 1905 of bottle form, decorated with blue poppies, printed factory marks, Rd. No. 401753, signed in green W. MOORCROFT 13.5cm high

£600-800

6cm high

70 FF899/3 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO ‘FLORIAN WARE’ JUG, CIRCA 1900 decorated with anemones and forget-me -nots on a pale blue ground, printed factory marks Rd. No. 447667, restoration to rim

£150-250

11cm high

69 FF899/4 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO SMALL ‘FLORIAN WARE’ CREAM JUG, CIRCA 1910 decorated with cornflowers, signed in green W. MOORCROFT

£200-300

LY O N & T U R N B U L L Decorative Arts

71 FF899/10 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO PAIR OF TALL ‘FLORIAN WARE’ VASES, CIRCA 1900 each of tall tapering form with frilled rim, decorated with violets on a pale blue ground, printed factory marks, Rd. No. 326470, signed in green W. MOORCROFT/ DES., minor restorations to rims (2) 30cm high

£600-800 72 FF899/7 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO ‘FLORIAN WARE’ LANDSCAPE VASE, CIRCA 1904 of baluster form, printed factory marks Rd. No. 397964, signed in blue W. MOORCROFT, minor restoration to foot rim 30.5cm high

£1,000-1,500

73 FF899/6 MOORCROFT POTTERY ‘DAWN LANDSCAPE’ BOWL, CIRCA 1928 impressed factory marks, signed in blue W. MOORCROFT 22cm diameter

£600-800

74 FF899/5 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO LARGE ‘FLORIAN WARE’ TWIN HANDLED VASE, CIRCA 1903 decorated with stems of honesty on a textured ground, printed factory marks, signed in green W. MOORCROFT/ DES., restored hairline 31cm high

£600-800

LY O N & T U R N B U L L Decorative Arts

75 FG433/33 MOORCROFT POTTERY ‘POMEGRANATE’ PEWTER MOUNTED FOUR PIECE TEA SET, CIRCA 1930 comprising a lidded tea pot, 15cm high; a lidded hot water jug, 16cm high and a cream jug and twin handled sugar bowl, each with impressed factory marks, initialled in blue (4) £1,000-1,500

76 FG433/40 MOORCROFT POTTERY LARGE ‘POMEGRANATE’ VASE, CIRCA 1920 impressed factory marks, signed in green W. MOORCROFT, chip to rim 25.5cm high

£400-600

77 FF136/4 MOORCROFT POTTERY LARGE ‘LEAF & BERRY’ PATTERN FLAMBÉ EARTHENWARE VASE, CIRCA 1930 impressed factory marks, signed in blue 31cm high

£1,000-1,500

78 FG433/42 MOORCROFT POTTERY ‘POMEGRANATE’ TAPERING VASE, CIRCA 1920 impressed factory marks, signed in blue W.MOORCROFT; with associated stand (2)

79 FF900/6 MOORCROFT POTTERY ‘POMEGRANATE’ CIRCULAR BOWL, CIRCA 1920 impressed factory marks, signed in blue W. MOORCROFT

22.5 cm high (excluding stand)

£400-600

29cm across

£250-350

LY O N & T U R N B U L L Decorative Arts

80 FF813/1 MOORCROFT POTTERY ‘PANSIES’ BALUSTER VASE, CIRCA 1915 decorated on a white ground, impressed factory marks, signed in green W. MOORCROFT, small chip under foot rim 20.5cm high

£600-800

81 FG433/41 MOORCROFT POTTERY FOR LIBERTY & CO., LONDON ‘MOONLIGHT BLUE’ TOBACCO JAR AND COVER, CIRCA 1920 with hammered pewter mounts and separate tobacco press, stamped mark, TUDRIC/ MOORCROFT/ 01329 12cm high

£400-600 82 FF449/3 MOORCROFT POTTERY ‘MOONLIGHT BLUE’ PEWTER MOUNTED VASE, CIRCA 1930 of baluster form, impressed makers mark, initialled in blue, bears original maker’s paper label, restored 17.5cm high

£200-300 83 FG433/54 MOORCROFT POTTERY PAIR OF ‘POMEGRANATE’ CANDLESTICKS, CIRCA 1910 impressed factory marks initialled in blue (2) 12cm high

£150-250

84 FG433/38 MOORCROFT POTTERY ‘LEAF AND BERRY’ TALL TAPERING VASE, CIRCA 1920 with green and blue glazes, impressed factory marks signed in blue W.MOORCROFT, restored rim 32cm high

£300-500

LY O N & T U R N B U L L Decorative Arts

85 FF796/1 LEONARD KING FOR BURMANTOFTS FAIENCE ANGLO PERSIAN BOTTLE VASE, CIRCA 1890 model no. 270, decorated with crouching beasts in cobalt blue reserved on a ground of scrolling foliate motifs and fruiting branches, painted marks D270/ 1820 with initials KL and with impressed marks BURMANTOFTS FAIENCE/ 24 35cm high

£800-1,200

86 FG447/1 BURMANTOFTS FAIENCE SHOULDERED VASE, CIRCA 1890 moulded and incised with humming birds and palm fronds and covered in a turquoise glaze, impressed factory mark 929, and incised artist’s initials to the body P.M., minor restoration to rim 36cm high

£300-500

87 FG571/1 GORDON FORSYTH (1879–1952) FOR PILKINGTONS FACETED LUSTRE JAR, DATED 1911 of octagonal section, decorated with alternate panels of stylised trees and scrolling foliage, the cylindrical neck bearing the inscription QUI NON LABORAT NON MANDUCET, painted monogram and date symbol, impressed factory marks, cracked 24.5cm high

£300-500

LY O N & T U R N B U L L Decorative Arts

88 FF900/2 WILEMAN & CO. PAIR OF FOLEY ‘INTARSIO’ VASES, CIRCA 1900 each of shouldered ovoid form with tapered cylindrical necks and four lug handles, printed and painted with irises, printed factory mark, Rd. No. 330282 (2) 21cm high

£500-700

89 FE24/11 FREDERICK RHEAD (1856–1933) FOR WILEMAN & CO. FOLEY ‘INTARSIO’ TABLE CLOCK, CIRCA 1900 the later dial and movement within a canted and arched case, printed and painted with Art Nouveau maidens and flowers, and bearing inscription CARPE DIEM/ DIES NOX, printed and painted maker’s marks, Rd. no. 342574 29.5cm high

£1,500-2,000

90 FG439/1 PILKINGTONS ROYAL LANCASTRIAN TAPERING VASE, CIRCA 1930 covered in a mottled turquoise glaze, impressed factory marks 27.5cm high

£200-300

91 FG569/1 WILLIAM BARON, BARNSTAPLE TALL TAPERING VASE, EARLY 20TH CENTURY decorated with a swimming fish on a white ground, incised mark BARON/ BARNSTAPLE/ 394 37cm high

£200-300

92 FF901/3 GOTHIC REVIVAL GROUP OF NINE EARTHENWARE TILES, CIRCA 1870 printed foliate design, blue on white (9)

23.5cm diameter

15cm square

£200-300

£150-250

93 FG433/10 MOORE BROTHERS PÂTE-SUR-PÂTE CIRCULAR PLATE, CIRCA 1910 depicting a veiled figure on an orb, impressed mark MOORE

LY O N & T U R N B U L L Decorative Arts

94 FG473/57 CHARLES VYSE (1882-1971) THE TULIP WOMAN, DATED 1922 standing figure group, painted marks to base ‘C.V’/ CHELSEA/ 1922 26cm high

£600-800 95 FG473/57A CHARLES VYSE (1882-1971) THE DAFFODIL WOMAN, CIRCA 1923 standing figure of woman wearing full length green and blue striped and purple shawl, on ebonised plinth base, small chips to flowers figure 26.5cm high

£600-800

96 FG306/1 HONOR CURTIS FOR TROIKA POTTERY AZTEC STONEWARE MASK, 1960s painted mark TROIKA POTTERY/ CH 25cm high

£400-600

97 FG433/61 CASSANDIA ANNIE WALKER FOR DELLA ROBBIA POTTERY, BIRKENHEAD TERRACOTTA PLAQUE, CIRCA 1910 incised initials C.A.W.

98 FG433/4 BERNARD MOORE (1850-1935) CIRCULAR LUSTRE PLATE, DATED 1904 decorated with a crowing cockerel, painted marks BERNARD MOORE/1904

27.5 cm x 30cm

25.5cm diameter

£300-400

£100-200

LY O N & T U R N B U L L Decorative Arts

99 FG434/3 WILLIAM DE MORGAN (18391917) TWO CERAMIC TILES, CIRCA 1900 each decorated in red lustre with flowering foliage (2) 15cm x 15cm

£200-300

102 FF901/7 BROWNFIELDS CERAMIC SERVING TRAY, CIRCA 1910 printed and painted with figural scenes in the manner of Kate Greenaway, impressed mark BROWNFIELDS 50cm across

100 EV488/10 WILLIAM DE MORGAN (18391917) EIGHT INCH CERAMIC TILE, CIRCA 1890 Sands End period, decorated in an iznik design, impressed marks verso, framed 23cm square Provenance: Imperial Institute Note: The Imperial Institute was from 1893 housed in a building on Exhibition Road, South Kensington, designed by T.E. Collcutt. A single 85-metre tower, Queen’s Tower, is all that remains of the Imperial Institute after demolition in the 1950s and 1960s to make way for Imperial College.

£400-600 101 FG179/1 BESSIE TWYNAM FOR T.C. BROWN-WESTHEAD, MOORE & CO AESTHETIC MOVEMENT CIRCULAR WALL CHARGER, CIRCA 1890 sepia on white, painted with the head and shoulders of a young woman, signed, bears paper label for Howell & James’ Art-Pottery Exhibition, 1883 with exhibitor’s name BESSIE TWYNAM 30.5cm diameter

£200-300

£100-200 103 FG433/66 DOULTON, BURSLEM TALL TAPERING VASE, CIRCA 1920 moulded and painted with owls and poppies in a moonlit landscape, restored rim, printed factory mark 42cm high

£200-300 104 FG367/3 ROYAL DOULTON ‘TITANIUM’ FIGURE OF AN APE, EARLY 20TH CENTURY blue/green glazes, incised marks 147/ 833, printed factory marks 17cm high

£200-300 105 FG433/44 CHARLOTTE RHEAD (18851947) FOR CROWN DUCAL LARGE CIRCULAR CHARGER, CIRCA 1930 printed factory marks 36cm diameter

£200-300

106 FG433/47 SUSIE COOPER (1902-1995) A TWIN HANDLED VASE, DATED 1932 decorated with flowers, painted marks SUSIE COOPER/1932/ M180, 13cm high; A GRAY’S SUSIE COOPER ‘MOUNTAINS AND MOON’ JUG printed factory marks, 10cm high; SMALL GRAY’S ASHTRAY, decorated with flowers, printed factory marks, 9.5cm across (3) £200-300 107 FG433/58 THOMAS FORRESTER & SON PHOENIX WARE ‘SYRIAN’ JAR AND COVER, CIRCA 1930 printed factory marks, 31.5cm high; a CARLTON WARE HAND CRAFT GINGER JAR, printed and painted factory marks, R/4217, 16cm high; a CARLTON WARE VASE, painted with flowers, printed and painted factory marks 3963, 15cm high; and a CLARICE CLIFF MOULDED LAMP BASE, printed factory marks, 15.5cm high (4) £300-500 108 FG525/1 ERIC RAVILIOUS (1903-1942) FOR WEDGWOOD 1952 CORONATION MUG, PRODUCED 1953 printed factory marks 10.5cm high

£200-300

109§ FG433/57 ROBIN WELCH (B. 1936) STONEWARE VESSEL, LATE 20TH CENTURY with striped decoration impressed mark ROBIN WELCH, 35cm high; and a JANE HAMLYN STONEWARE BOWL, incised makers mark, 33.5cm diameter (2) £150-250 110§ FG569/3 JOHN MAGUIRE (B. 1962) COLLECTION OF STONEWARE VESSELS, LATE 20TH CENTURY comprising a CHEESE DISH & COVER, 22cm diameter; a CIRCULAR PLATE on scrolling wrought iron stand, 23cm diameter; a TUREEN & COVER, 25cm diameter; and a CIRCULAR FRUIT BOWL, 29cm diameter, each covered in blue and purple glazes, impressed seal marks (4) £200-300 111§ FG569/2 ALAN CAIGER-SMITH (B. 1930) COLLECTION OF VESSELS, LATE 20TH CENTURY including TWO GOBLETS, 15cm and 13.5cm high; a CIRCULAR BOWL, 21cm diameter; and a COVERED BOWL, 16cm diameter, each with calligraphic decoration, painted monogram; also THREE FURTHER ALDERMASTON WARES (7) £200-300

Continental Ceramics

112 E. JELL FOR GOLDSCHEIDER, AUSTRIA ‘CLIO’ PATINATED TERRACOTTA MANTEL CLOCK, CIRCA 1910 the single train movement with brass dial within figural case, patinated in buff colours highlighted with gilt, applied and moulded factory marks impressed marks 2313/25/69

38cm diameter

56cm high

£1,000-1,500

113 PAUL MIGNON FOR LONGWY, FRANCE ‘CHASSE ANTIQUE’, A LARGE CIRCULAR CHARGER, 1920s decorated with a tropical hunting scene in gilt and coloured enamels, painted marks DECOR DE P. MIGNON/CHASSE ANTIQUE, 29/50, printed factory marks

£400-600

114 ELENA KÖNIG SCAVINI (1886-1974) FOR LENCI, ITALY ‘MASCHERA CON NODO’ WALL MASK, CIRCA 1930 painted marks LENCI/ ITALY-TORINO/ 7-XII 27.5cm long

£600-800

115 LENOX THREE PIECE EARTHENWARE AND SILVER OVERLAID TEA SERVICE, EARLY 20TH CENTURY cobalt blue glaze, comprising a teapot and cover, a milk jug and a sugar bowl, printed factory marks (3) teapot 12cm high

£150-250

41cm diameter

118 ATTRIBUTED TO WIENER WERKSTÄTTE EARTHERNWARE PLATE, CIRCA 1920 painted with a rose seller incised W.W. marks

119 ITALIAN SCHOOL LARGE EARTHENWARE VASE, CIRCA 1960 of shouldered tapered form, with applied horses glazed in turquoise

£200-300

26.5cm diameter

47cm high

£150-250

£200-300

116 CANTIGALLI, FIRENZE LUSTRE SAUCER DISH, LATE 19TH CENTURY painted cockerel cypher to base

117 No lot

Furniture: Part I

120 FD74/1 ATTRIBUTED TO WILLIAM BURGES DECORATED SIDE CHAIR, CIRCA 1875 probably made by J. S. Chapple, the shaped top rail with painted and gilded panel of fruiting foliage flanked by turned uprights with finial terminals above a later rushed seat on turned and tapering legs linked by stretchers 42cm wide, 88cm high, 43cm deep Literature: Tilbrook, Adrian and Fischer Fine Art Ltd. ‘Truth, Beauty & Design’ pub. Richard Dennis, 1998, exhibition catalogue, page 34, for similar example. Cooper, Jeremy ‘Victorian & Edwardian Furniture & Interiors’ Thames & Hudson, 1998, p.75, shows an upholstered version in Burges’ own bedroom at Tower House.

£1,000-1,500

121 FF627/1 GILLOW & CO EBONISED AND AMBOYNA INLAID CENTRE TABLE, CIRCA 1870 with gilded decoration the octagonal top with reeded frieze and turned pendants on turned and knopped supports linked by a cross frame stretcher with spindle gallery, the whole raised on turned bun feet, stamped makers mark 12383 75cm high, 122cm diameter

£800-1,200

122 FF63/2 ATTRIBUTED TO E .W. GODWIN ANGLO-JAPANESE EBONISED ARMCHAIR, CIRCA 1870 the spindle filled top well above caned back and open arms with spindle panels enclosing a caned seat on turned and incised tapering legs linked by stretchers 53cm wide, 94cm high, 45cm deep

£1,000-2,000

LY O N & T U R N B U L L Decorative Arts

123 FF63/1 AESTHETIC MOVEMENT MAHOGANY SECRETAIRE CABINET, CIRCA 1890 the projecting corners above single door and open shelves and a panelled fall decorated with stylised honeysuckle and enclosing a fitted interior, the base with single drawer and two panelled doors with corresponding decoration 99cm wide, 133cm high, 38cm deep

£1,000-2,000

124 FF779/1 AESTHETIC MOVEMENT ANGLO-JAPANESE STEEL ÉTAGÈRE, CIRCA 1880 with square top inset with ceramic tile panel supported on turned and knopped legs enclosing two further tiers on scroll feet

125 FF904/4 AFTER E.W. GODWIN EBONISED OCCASIONAL TABLE, CIRCA 1870 the square top supported by ring turned and tapering legs enclosing a lower tier with spindle gallery

46cm wide, 80cm high, 43cm deep

£200-300

42.5cm across, 66cm high

126 FF901/31 MANNER OF GEORGE MONTAGUE ELLWOOD MAHOGANY FRAMED CORNER CHAIR, CIRCA 1910 the arched upholstered back with curved arms above circular panelled seat on turned and tapering legs linked by stretchers

127 FG433/13 L. CUGNOT PAIR OF FRENCH MARQUETRY INLAID PANELS, CIRCA 1900 each depicting birds in a woodland landscape, within shaped and moulded frames, signed L. CUGNOT (2)

60cm wide, 92cm high, 54cm deep

£500-700

39.5cm wide, 80cm high

£250-350

LY O N & T U R N B U L L Decorative Arts

128 FF904/2 BATH CABINET MAKERS MAHOGANY DISPLAY CABINET, CIRCA 1915 the moulded cornice above open shelf and four marquetry inlaid doors, flanked by glazed cupboards with two cupboards below, decorative pierced brass hinges, the whole raised on square supports 150cm wide, 173cm high, 47cm deep

ÂŁ1,000-1,500

LY O N & T U R N B U L L Decorative Arts

129 FG433/23 BATH CABINET MAKERS MAHOGANY INLAID CENTRE TABLE, CIRCA 1900 the circular top inlaid with floral roundels above square tapered legs linked by stretchers with corresponding inlay 76cm diameter, 72.5cm high

£500-700

130 FF499/6 GEORGE MONTAGUE ELLWOOD (1875-1955) FOR J.S. HENRY MAHOGANY ARMCHAIR, CIRCA 1910 the inlaid back with upholstered panel above curved arms and upholstered seat on tapered supports linked by stretchers 53cm wide, 83cm high, 45cm deep Literature: Agius, Pauline ‘British Furniture 1880-1915’, Woodbridge 1978, p.116, pl. 151 shows another variant on this model

£300-500

131 FF901/27 ATTRIBUTED TO MORRIS & CO. MAHOGANY BERGERE SETTEE, CIRCA 1900 the rectangular back with caned panels above open arms and upholstered seat, raised on square tapering legs

132 FF904/5 ARTS & CRAFTS CARVED OAK CUPBOARD, CIRCA 1910 with single door carved in bas relief with flowering plants, raised on a plinth

135cm wide, 86cm high, 56cm deep

£200-300

41cm wide, 92cm high, 26cm deep

£300-500

LY O N & T U R N B U L L Decorative Arts

133 FE354/1 SHAPLAND & PETTER, BARNSTAPLE OAK BOOKCASE, CIRCA 1900 the projecting cornice above a copper embossed frieze with the inscription VITA SINE LITTERIS MORS EST, above open shelves surrounding a single glazed door with pierced foliate copper grille, the closely matched associated base with two drawers, open shelf and single panelled door, bracket feet 135cm wide, 225cm high, 49cm deep Literature: Bennett, Daryl ‘Shapland & Petter Ltd. of Barnstaple: Arts & Crafts Furniture’, pub. Devon 2005, p. 80, fig 5.25 for bookcase with similar characteristics.

£800-1,200

134 FG433/21 ARTS & CRAFTS INLAID OAK OCCASIONAL TABLE, CIRCA 1920 the square chequered inlaid top above square tapering legs linked by stretchers

135 FG433/15 ARTS & CRAFTS OAK TUB CHAIR, CIRCA 1920 the curved slat filled back with drop in upholstered seat on square legs.

45cm square, 71cm high

£200-300

£150-250

54cm wide, 82cm high

LY O N & T U R N B U L L Decorative Arts

136 FF900/10 ATTRIBUTED TO SHAPLAND & PETTER, BARNSTAPLE INLAID OAK DESK, CIRCA 1910 the bowed top with three-quarter gallery above checker inlaid front with arrangement of seven drawers around a knee hole on turned and tapering legs 107cm wide, 82.5cm high, 51cm deep

£1,500-2,000

137 FG433/18 ARTS & CRAFTS OAK OCCASIONAL TABLE , CIRCA 1910 the circular top with inlaid band raised on eight square supports linked by a cross stretcher 60cm diameter, 69.5cm high

£300-500 138 FG433/18A ARTS & CRAFTS OAK OCCASIONAL TABLE , CIRCA 1910 the circular top with inlaid band raised on eight square supports linked by a cross stretcher 69.5cm high, 60cm diameter

£300-500

LY O N & T U R N B U L L Decorative Arts

139 FF907/3 GEORGE WASHINGTON JACK (1855-1932) FOR MORRIS & CO. MAHOGANY INLAID BOOKCASE CABINET, CIRCA 1890 of inverted breakfront with panelled superstructure supporting an open shelf above a foliate marquetry frieze and four astragal glazed doors enclosing adjustable shelves, the base with central fall enclosing a fitted interior flanked by pedestal supports each with two doors and a cupboard below, the whole raised on shaped and stepped bracket feet 198cm wide, 234cm high, 40cm deep Note: George Jack was born on Long Island, New York, of Scottish parents. Upon his fatherâ&#x20AC;&#x2122;s death in 1860, he was brought back to Glasgow. Here, he was apprenticed to Horatio Bromhead before moving to London, where he eventually joined the office of Philip Webb in 1880. Like many of his contemporaries, he also designed furniture and furnishings and made a range of plaster reliefs and wood-carvings. The connection which Webb had with his friend William Morris led to Jack receiving commissions to design for Morris & Company, alongside his architectural work. In1890 he succeeded Philip Webb as chief furniture designer for the firm. His designs encouraged the revival of marquetry techniques to embellish furniture, as this piece illustrates.

ÂŁ15,000-20,000

LY O N & T U R N B U L L Decorative Arts

140 FG433/30 ARTS & CRAFTS OAK DISPLAY CABINET, LATE 20TH CENTURY the projecting corners above two astragal glazed doors and tongue and groove doors below with decorative hinges 139cm wide, 195.5cm high, 43cm deep

£600-800

141 FF901/28 ATTRIBUTED TO CHARLES RENNIE MACKINTOSH LADDER BACK CHAIR, LATE 19TH CENTURY oak with rush seat

142 FF901/29 LIBERTY & CO., LONDON OAK HANGING WALL SHELVES, CIRCA 1900 bears paper label LIBERTY & CO./ REGENT STREET

143 FF904/8 DRYAD, LEICESTER WICKER GARDEN CHAIR, 1920s with pierced decoration, bears makers label

116cm high

83cm wide, 73cm high, 15cm deep

70cm wide, 140cm high, 56cm deep

Literature: Roger Billcliffe, ‘Charles Rennie Mackintosh, The Complete Furniture, Furniture Drawings & Interior Designs’ 1979, p. 31 (similar design illustrated)

£300-400

£300-500

£200-300

144 FF904/7 SIMPSON OF KENDAL OAK FRAMED WALL MIROR, CIRCA 1920 the rectangular leaf carved frame above a single shelf supported by scrolled brackets 61cm x 47.5cm

£200-300

LY O N & T U R N B U L L Decorative Arts

145 FD74/2 MANNER OF GEORGE WALTON ARTS & CRAFTS ARCHITECTURAL MAHOGANY AND UPHOLSTERED SETTLE, CIRCA 1900 the projecting corners above two stained and leaded glass doors open shelves and mirrored panels with two glass inset doors below enclosing an upholstered settle with two drawers to base 222cm wide, 215cm high, 56cm deep

£800-1,200

146 FD74/3 MANNER OF JAMES SALMON JR. STAINED POPLAR GLASGOW STYLE DISPLAY CABINET, CIRCA 1900 the projecting corners above four glazed doors and four column supports with undertier, the whole raised on ovoid feet 154.5cm wide, 149cm high, 39.5cm deep

£800-1,200

Jewellery, Silver & Metalware

147 FF436/8 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON CASED SET OF TWELVE SILVER AND ENAMEL COFFEE SPOONS, DATED 1935 each with stylised leaf terminals, hallmarked Birmingham 1935, bears makers stamp L&CO (12) 11.2cm long

£1,000-1,500

148* FF139/24 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘CYMRIC’ SILVER AND ENAMEL VASE, DATED 1901 of stepped tapering form with three applied lug handles, each inset with Celtic knot enamelled designs, stamped maker’s mark CYMRIC/ L&Co., hallmarked Birmingham 1901 17.2cm high

£3,000-5,000

149* FF139/1 DAVID VEASEY FOR LIBERTY & CO., LONDON ‘CYMRIC’ SILVER AND ENAMEL MANTEL CLOCK, DATED 1903 the single train movement with circular enamel dial with chapters making up the inscription LENTE FESTINA, within case cast with stylised plant forms and polychrome enamel panel, the whole raised on flared bracket feet, maker’s marks L&CO/ CYMRIC, hallmarked Birmingham 1903 12cm high

£3,000-5,000

LY O N & T U R N B U L L Decorative Arts

150 FF906/1 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON SILVER TEAPOT, DATED 1900 of tapering circular form, applied with eight heart motifs to the lower body, with short tapering spout, detachable cover with curved finial issuing from small heart motifs, and elongated loop handle bound with cord, with heartshaped terminals and wood insulators, stamped maker’s mark L&Co, hallmarked Birmingham 1900 10cm high, 18cm wide Literature: Tilbrook, Adrian J. ‘The Designs of Archibald Knox’ for Liberty & Co.’, p.144, fig. 141

£1,000-1,500

151 FF906/2 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON SILVER AND ENAMEL BRUSH POT, DATED 1908 with two embossed bands of Celtic knotwork highlighted in blue/green enamel, enclosing clear glass liner, stamped maker’s mark: L&Co., hallmarked Birmingham1908 4cm high

£200-300

152* FF139/22 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON SILVER PHOTO FRAME, DATED 1915 the border cast with foliage and berries, oak easel back, stamped maker’s marks L&Co., hallmarked Birmingham 1915 19.2cm high Literature: Martin, Stephen A. ‘Archibald Knox’, pub. Art Media Press, London, 2001, p.231

£3,000-5,000

LY O N & T U R N B U L L Decorative Arts

153* FF139/27 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF ‘TUDRIC’ PEWTER & ENAMEL CANDELABRA, CIRCA 1905 each twin-branch with removable sconces supported on columns with openwork leaves and berries, the pierced base embellished with variegated blue enamelled leaves, stamped TUDRIC and TUDRIC PEWTER 0530 (2) 28cm high Literature: Martin, Stephen A. ‘Archibald Knox’, pub. Art Media Press, London, 2001, p.217

£1,500-2,000

154* FF139/26 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF ‘TUDRIC’ PEWTER & ENAMEL CANDLESTICKS, CIRCA 1905 each circular sconce supported by three shaped supports, the circular base with cast foliate decoration, underside stamped TUDRIC/ 0223 (2) 23cm high Literature: Martin, Stephen A. ‘Archibald Knox’, pub. Art Media Press, London, 2001, p.221

£1,500-2,000

16cm diameter

157 FG433/8 LIBERTY & CO., LONDON ‘TUDRIC’ HAMMERED PEWTER AND ENAMEL BOX AND COVER, CIRCA 1900 of octagonal form set with enamel roundel depicting a moth, stamped factory marks TUDRIC 0905, 9cm across; and a LIBERTY & CO. HAMMERED PEWTER FLAGON, of gourd form with hinged cover and applied handle, stamped factory marks 032, 26cm high (2)

£300-400

155 FF901/1 WILLIAM H. HASELER FOR LIBERTY & CO., LONDON EDWARDIAN SILVER DRESSING TABLE MIRROR, DATED 1906 of circular outline with bevelled mirror plate and simple interlaced border, the reverse with similar bored and applied hinged struck and scroll feet, stamped maker’s marks, hallmarked Birmingham 1906

156 FG213/5 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER CAKE TRAY, CIRCA 1910 moulded with stylised foliage on a hammered ground, stamped marks TUDRIC 0357 30cm long

£150-250

LY O N & T U R N B U L L Decorative Arts

158* FF139/23 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER CLOCK, CIRCA 1900 the single train British United Clock Co. movement, enclosed within case of bullet form, cast with shaped spreading base, stamped maker’s marks TUDRIC/ 025 19.5cm high Literature: Martin, Stephen A. ‘Archibald Knox’, pub. Art Media Press, London, 2001, p.237

£2,000-3,000

159* FF139/25 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL CLOCK, CIRCA 1905 with Lenzkirch single train movement, the case cast with leaves and berries, with three enamelled bosses, the copper and enamel dial with roman numerals, stamped marks 0369 9.1cm high Literature: Martin, Stephen A. ‘Archibald Knox’, pub. Art Media Press, London, 2001, p.239

£3,000-4,000

160 FF901/13 J. P. KAYSER SOHN, KREFELD TALL KAYSERZINN PEWTER VASE, CIRCA 1900 model number 4506, cast mark KAYSERZINN 4500 36cm high

£200-300

161 FG433/51 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) SILVER PLATED TRAY, CIRCA 1900 cast as a child looking at a snail with whiplash foliate border, stamped factory marks 210

162 FF881/2 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) SILVER PLATED COMPORT, CIRCA 1900 cast as an Art Nouveau maiden above a trefoil tray, stamped factory marks 33cm across

163 FF881/1 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) SILVER PLATED COMPORT, CIRCA 1900 cast as an Art Nouveau maiden with trailing flowering foliage, stamped factory marks

27.5cm across

£200-300

33cm across

£150-250

£200-300

LY O N & T U R N B U L L Decorative Arts

164 FF899/17 GEORG JENSEN (1866-1935) FOR GEORG JENSEN, COPENHAGEN PAIR OF ‘GRAPE’ PATTERN STERLING SILVER TAZZAS, POST 1945 each on circular pedestal foot with spiral twist stem, the flaring circular bowl with pendant grape clusters, no. 263B, maker’s marks under base (2) 18.8cm high

£2,000-3,000

165 FF901/17 CHRISTOFLE, FRANCE PAIR OF SILVER PLATE CANDELABRA, CIRCA 1950 each with three reeded branches and central nozzle with removal stopper, the whole raised on sectional reeded column on spreading lobed base, stamped marks CHRISTOFLE/ 2707689 (2) 35cm high

£800-1,200

166 FG44/4 CHRISTOPHER DRESSER (1834-1904) FOR JAMES DIXON & SON SILVER PLATE SUGAR BOWL, CIRCA 1880 of conical form with three legs, each with scalloped terminals, stamped factory mark, registration marks and facsimile signature CHR. DRESSER 7cm high

£300-500

168 FF812/1 ART NOUVEAU WHITE METAL AND ENAMEL BROOCH, CIRCA 1910 of elliptical form set with central turquoise stone and worked as a flowering foliate design

167 FF499/2 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) SILVER PLATE COMPORT, CIRCA 1900 cast in the form of a gondola, with gondolier figure and green glass liner, stamped factory marks No. 409

4cm across

60cm long, 43cm high

£200-300

£300-500

169 FG44/3 ART NOUVEAU WHITE METAL AND ENAMEL PENDANT, CIRCA 1910 with pendant drop 4cm wide

£200-300

LY O N & T U R N B U L L Decorative Arts

170 FF900/5 SERGE S. NEKRASSOFF PAIR OF SILVER PLATE CANDLESTICKS, CIRCA 1910 each with turned nozzle above foliate support on spreading hammered base, stamped mark NEKRASOFF (2) 23cm high

£300-500

171 FF900/7 WILHELM BINDER (SILBERWARENFABRIK W. BINDER) WHITE METAL WATER JUG, EARLY 20TH CENTURY with applied foot and polished wood handle, stamped makers mark 25cm high

£400-600

171A FF935/1 MANNER OF SYBIL DUNLOP WHITE METAL AND MULTISTONE PIN BROOCH, EARLY 20TH CENTURY with cast vine motifs, set with chrysoprase, chalcedony, moonstone, cornelian and mother of pearl

172 FG439/3 ARTS & CRAFTS THREE PIECE PLATED TEA SERVICE, EARLY 20TH CENTURY comprising a teapot, milk jug and sugar bowl, each with hammered finish, unmarked (3)

173 FF901/21 ATTRIBUTED TO HANS OFNER FOR ARGENTOR PAIR OF SILVER PLATE VASES, CIRCA 1920 each of tapering form with applied foot, stamped mark ARGENTOR (2)

13.5cm long

teapot 15cm high

£200-300

£250-400

£100-200

22.5cm

174 FE160/5 SCOTTISH SCHOOL ARTS & CRAFTS SILVER PLATED PHOTOGRAPH FRAME, CIRCA 1900 of rectangular outline with embossed design depicting children looking out of a window with landscape, inscribed EAST WAST HAME’S BEST’, the rectangular aperture with water silk background 213.5cm high

£120-180

LY O N & T U R N B U L L Decorative Arts

175 FF528/2 ALEXANDER RITCHIE (1856-1941) BRASS COMB TRAY, CIRCA 1920 repoussé decorated with a long boat, 23cm across; and an ALEXANDER RITCHIE BRASS BOX, the lid repoussé decorated with a long boat leaving Iona, 12cm across (2) £300-500

176 FF528/3 ALEXANDER RITCHIE (1856-1941) BRASS CANDLE SCONSE, CIRCA 1920 the back plate repoussé decorated with Celtic knot work above a single candle nozzle, 36cm high and a MARGARET GILMOUR STYLE BRASS PEN TRAY, 23.5cm across (2) Literature: MacArthur, Mhairi E ‘Iona Celtic Art: The Work of Alexander and Euphemia Ritchie’, Iona 2003, p.37, pl. 7g

£250-350

177 FF528/1 ALEXANDER RITCHIE (1856-1941) BRASS SPILL VASE, CIRCA 1920 repoussé decorated with panels of Celtic knot work 25cm high

£150-250

LY O N & T U R N B U L L Decorative Arts

178 FF900/3 C.F.A. VOYSEY (1857-1941) FOR THOMAS ELSEY LTD, LONDON PAIR OF BRASS FIRE IRONS, CIRCA 1900 comprising a pair of coal pincers (65cm long) and an ash shovel (65cm long) (2) Literature: Rudoe, Judy ‘Decorative Arts 1850-1950; A Catalogue of the British Museum Collection’, British Museum Press1991, p. 210

£1,500-2,000

179 FG439/2 MANNER OF A.W.N. PUGIN GOTHIC REVIVAL PATINATED METAL AND ENAMELLED CHALICE, CIRCA 1900 set with semi-precious cabochon and diamond cut stones, with applied wirework, enamelled flowers and cast and pierced decoration depicting angels and foliage, the knopped stem on lobed spreading foot 20cm high

£500-700

180 FF499/1 SCOTTISH SCHOOL BRASS PLANTER, CIRCA 1900 of square form with broad rim, repoussé decorated with stylised plant forms 24cm high

181 FG218/1 CONTINENTAL SCHOOL PAIR OF BRONZED PLATES, CIRCA 1900 each of circular form, the rims cast with garden flowers, cast maker’s marks M.N./ 1384 (2)

£150-250

19cm diameter

£150-250

182 FG302/8 CHRISTOPHER DRESSER (1834-1904) FOR COALBROOKDALE, SHROPSHIRE PAIR OF CAST IRON FIRE DOGS, CIRCA 1870 each with heavy stepped bases and incised curved uprights with flowerhead terminals (2)

183 FG302/8A ATTRIBUTED TO THOMAS HADDEN WROUGHT IRON ASH SHOVEL, CIRCA 1910 with tapered pan with applied scrolled bracket and slender stem with openwork handle and thistle head finial 90cm long

£200-300

43.5cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

184 FF652/1 ARTS & CRAFTS COPPER AND STEEL PUB SIGN, CIRCA 1900 with a repoussé decorated figure of a peacock, perched on stylised branches within a riveted steel frame with hanging brackets, later converted to a fire screen

185 FF900/1 SET OF FOUR BRASS DOOR HANDLES, EARLY 20TH CENTURY each cast with castle surmount and rectangular back plate, the handles cast with the head of a Norman knight (4)

91cm x 53cm

10cm wide, 48cm tall

£600-800

Provenance: Manchester Stock Exchange

£400-600

186 FG30/13 AFTER CHARLES RENNIE MACKINTOSH PAIR OF FIRE IRONS, CONTEMPORARY wrought steel, comprising coal tongs and a poker (2)

187 FG586/49 NEWLYN SCHOOL COPPER SERVING TRAY, CIRCA 1910 repoussé decorated with a band of swimming fish

33cm long

£200-300

Note: Made to a similar design to irons designed for Miss Cranston at Hous’hill in 1905.

£200-300

55cm long

188 FG438/2 ATTRIBUTED TO HAGENAUER WERKSTÄTTE CIRCULAR BRASS COMPORT, CIRCA 1920 the dished bowl supported on a pierced ring foot formed as stylised golfers in a landscape 20.5cm diameter

£400-600

189 FF901/8 HAGENAUER, WIEN BRASS TRINKET BOX, CIRCA 1930 the dome hinged lid with curved sides on cabriole legs 11.5cm across

£300-400

Lighting & Miscellaneous Effects

190 FG204/1 ARTS & CRAFTS BRASS AND CUT GLASS CEILING LIGHT, CIRCA 1900 the semi-hemispheric cut glass shade, supported by scrolling corona with corresponding brackets, and suspended by a chain with moulded ceiling rose 66cm tall (excluding chain), 39cm diameter

£500-800

191 FG433/63 ITALIAN WROUGHT IRON HALL LANTERN, CIRCA 1920 the elaborate scrolling frame enclosing a ribbed cylindrical Vaseline glass shade

192 FF904/1 W.A.S. BENSON BRASS AND COPPER STANDARD LAMP, CIRCA 1900 the copper reservoir supported by leafy brackets on adjustable turned column on quadruped base £300-500

100cm high

£300-500

193 FG431/1 ARTS & CRAFTS PAIR OF BRASS WALL LIGHTS, CIRCA 1910 each with scrolling brackets with hanging frosted glass shades (2) back plate 28cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

194 FF901/16 EDGAR BRANDT (1880-1960) PAIR OF WROUGHT IRON AND ALABASTER TABLE LAMPS, CIRCA 1920 each with spherical shades supported on hammered columns with scrolling tripod bases, one indistinctly stamped twice BRANDT (2) 35cm high

£1,500-2,000

195 FG434/2 ART DECO PATINATED SPELTER TABLE LAMP, CIRCA 1930 cast as two opposed female figures, holding aloft an associated opaque glass globe, raised on a marble plinth 49cm high

£300-500

196 FF901/6 JUMO CIE ‘BOLIDE’ DESK LAMP, CIRCA 1945 Designed for La Socièté Jumo, Bakelite, chromed steel and copper plate 28cm high

£400-600

197 FF705/11 PETER BERHENS (1868-1940) FOR AEG PAIR OF JUGENDSTIL HANGING CEILING LIGHTS, CIRCA 1920 each with opaque glass shades and pierced brass mounts (2) 40cm tall

£400-600

198 FF907/1 ARTHUR W. SIMPSON OF KENDAL ARTS & CRAFTS OAK STANDARD LAMP, EARLY 20TH CENTURY the tapering square column with beaded angles raised on a cruciform base with curved brackets

41cm tall

£250-350

200 FF904/13 ARTHUR W. SIMPSON OF KENDAL OAK BOX, EARLY 20TH CENTURY carved with foliate panels, the hinged lid with dentil frieze above base with corresponding frieze and single drawer

158.5cm high

29cm wide, 23cm high, 17cm deep

£400-600

£200-300

201 FG438/1 ART NOUVEAU GROUP OF EIGHT WROUGHT IRON BRACKETS, CIRCA 1900 comprising two large and six smaller openwork brackets, each centred with embossed copper roundels (8) large 74cm high, small 51.5cm high

£400-600

199 FF901/26 ART DECO PAIR OF NEO-CLASSICAL WALL LIGHTS, CIRCA 1930 each with twin reeded branches and foliate cast terminals, mounted on an oval back plate

202 FG439/4 MANNER OF HOWELL & JAMES AESTHETIC MOVEMENT EBONISED MANTEL CLOCK, CIRCA 1880 the twin train movement with circular ceramic dial painted with holly leaves and berries surrounded by corresponding panels 47cm high

£400-600

LY O N & T U R N B U L L Decorative Arts

203 GLASGOW STYLE STAINED AND LEADED GLASS PANEL, CIRCA 1900 depicting stylised flowering rose plants 133cm x 98cm

£250-400

204§ ERNEST ARCHIBALD TAYLOR (1874-1951) STAINED & LEADED GLASS LANDSCAPE PANEL, CIRCA 1910 mounted on a coated steel light box; and ANOTHER STAINED & LEADED GLASS PANEL, of geometric design, 20cm x 17.5cm (2) Provenance: Miss Merle Taylor Sale of the Estate of the late Miss Merle Taylor, Sotheby’s, Glasgow, 21 June 1977, Lot 376

£800-1,200

205 RAYMOND LOEWY (1893-1986) FOR NORDMENDE SPECTRA FUTURA RADIO, CIRCA 1970 plastic and coated steel case, bears makers label NORDMENDE 58cm wide, 17.5cm high, 20cm deep

£300-500

207* ATTRIBUTED TO CHARLES ROBERT ASHBEE FOR THE GUILD OF HANDICRAFT EMBOSSED AND GILDED LEATHER PANEL, EARLY 20TH CENTURY with opposed peacock design centred by a fountain, framed 109cm x 68cm

206 No lot

Note: Decorative leather panels as fashionable wall coverings were popular in the16th and 17th centuries, and the fashion was revived in the 1890s. Ashbee designed several panels as wall coverings, and smaller objects, and Bill Hardiman, a member of the Guild of Handicraft, made the panels. The subject and style of the present lot, the peacock being a favourite motif, suggests an attribution to Ashbee.

£400-600

Furniture: Part II

208 FG433/20 ART NOUVEAU OAK AND INLAID WARDROBE, CIRCA 1900 the projecting corners above an open shelf and two central cupboard doors, flanked by two further doors inset with moulded and patinated allegorical panels with inscription NIGHT and DAY, the whole raised on block feet, decorative copper hinges 186cm wide, 214cm high, 59cm deep Note: Panels bear verses from 'Verses for Pictures' from 'Poems by the Way' by William Morris; 'Night' and 'Day'.

£1,500-2,000

209 FG433/17 ART NOUVEAU MAHOGANY JARDINIÈRE STAND, CIRCA 1910 with slat filled sides and square tapering legs linked by an undertier 28cm wide, 93cm high

£150-250

210 FG433/60 ART NOUVEAU MAHOGANY MIRROR, CIRCA 1910 with applied copper mounts and bevelled glass plate 66cm x 39cm

£200-300

LY O N & T U R N B U L L Decorative Arts

211 FF900/9 GEORGE WALTON (1867-1933) WALNUT ‘PHILIPPINES’ SIDE CHAIR, CIRCA 1902 with gilt details, the arched and pierced crest rails above a caned panel back and seat on turned and tapering front legs with out-turned feet 124cm high Literature: Moon, Karen ‘George Walton: Designer and Architect’, Oxford 1993, p.120, pl.157

£2,000-3,000

212 FF900/11 ATTRIBUTED TO E.A. TAYLOR FOR WYLIE & LOCHHEAD OAK HALL SETTLE, CIRCA 1900 the panelled back above open arms and solid seat with part pierced apron, square legs 214cm wide, 102.5cm high, 56cm deep

£1,500-2,000

213 FG30/7 ERNEST ARCHIBALD TAYLOR (18741951) FOR WYLIE & LOCHHEAD, GLASGOW PAIR OAK SIDE CHAIRS, CIRCA 1910 each with tapered back with stylised plant form on upholstered panel seats (2) £300-500

214 FG433/28 ARTS & CRAFTS OAK CORNER CUPBOARD, CIRCA 1920 the projecting cornice above central panelled door, flanking glazed and leaded doors, the lower section with central drawer flanking two inlaid cupboards on tapered legs with undertier 132cm wide, 164 cm high, 51cm deep

£400-600

215 FG592/13 CELTIC REVIVAL MAHOGANY BLANKET BOX, CIRCA 1930 the rectangular moulded lid above sides carved with Celtic beasts and knot work raised on trestle ends 94cm wide, 47cm high, 36.5cm deep

£150-250

LY O N & T U R N B U L L Decorative Arts

216 FG591/1 ARTS & CRAFTS MAHOGANY INLAID BEDROOM SUITE, CIRCA 1900 inlaid with mother of pearl and specimen woods, comprising a WARDROBE, the projecting corners above single glazed door and adjacent twin panelled doors, open shelf, two short and two long graduated doors raised on a plinth, 212cm wide, 212.5cm high, 66.5cm deep; a DRESSING TABLE, with mirrored plate and arrangement of three drawers on three legs, 132cm wide, 157cm high, 62cm deep and a WASH STAND, with marbled top with splash back, above two doors, 121.5cm wide, 134.cm high, 61cm deep (3) £800-1,200

217 FF907/2 HEAL & SON OAK CENTRE TABLE, CIRCA 1920 circular top above turned and tapering legs linked by a cross stretcher and terminating in pad feet 129cm diameter, 68cm high

218 FG437/6 LIBERTY & CO., LONDON FUMED OAK HIGH BACK CHAIR, CIRCA 1900 the serpentine top rail above slatted back and drop in seat, raised on square tapering legs linked by stretchers

219 FF904/10 ATTRIBUTED TO LIBERTY & CO., LONDON OAK HALL BENCH, CIRCA 1910 the rectangular plank seat with heart pierced tapered end supports linked by a faceted turned stretcher

£400-600

£150-250

80cm wide, 73cm high, 29cm deep

£300-400

Abingwood chairs by George Walton This remarkable group of twelve oak Abingwood chairs were supplied by George Walton for the Billiard Room of Miss Cranston’s tea room on Buchanan Street, Glasgow in 1896. They were made at a time when Glasgow was experiencing the intense period of creativity around the end of the 19th century and beginning of the 20th, the result of which we know as the ‘Glasgow Style’. Walton, by now running a successful decorating business Walton & Co., had originally designed and supplied chairs of this design to Rowntree’s Cafe in Scarborough in 1895. He was entering what was to become one of his most creative periods, experimenting with different techniques in wall coverings, metal fittings as well as stained glass and creating new furniture designs. The chair designs for the cafe were based on the French caquetoire style, popular in Scotland in the 17th century. With the Abingwood chair he took this design a step further flattening the curved arms, and including a tapered back that continues below the seat to the stretcher below, to create a chair that would become one of his most distinctive. Walton’s reputation from his work in Scarborough would reach greater heights at Buchanan Street, where Miss Cranston, with a successful reputation for service and quality, was opening her new tea rooms. He was already at work creating the interiors in November 1896 where a number of the rooms were under his complete control, whilst in others he shared the decoration with his contemporary, Charles Rennie Mackintosh. For both designers this was also a first commission from Miss Cranston, who was to become Mackintosh’s greatest patron. Walton varied the effect in each room he designed by using different techniques. In the Billiard Room, repeat stencilling and mural painting were combined on the walls with dark stained furniture arranged around the sides. A contemporary photograph shows the Abingwood chairs in situ, arranged around the large billiard table in the centre with its magnificent metal light fitting above. By controlling every aspect of the scheme Walton was able to achieve a unity in his design which was much admired, and was a technique which Mackintosh was also to use to great effect in further schemes for Miss Cranston later on. Miss Cranston disposed of the Buchanan Street tearooms in 1919, and it is at this time that the chairs offered here were purchased by T. B. Lawson, the proprietor of Lawson’s, Glasgow’s oldest jewellery business. Mr Lawson’s business premises were at 85 Buchanan Street, and he will doubtless have regularly frequented the tea rooms at Miss Cranston’s next door. This group of chairs were purchased for the family’s country property near Glasgow where they remained until 1973. It is interesting to note that Lawson’s son T. Campbell Lawson purchased Hill House from the Blackie family, and lived there before selling it in 1972 to the Royal Incorporation of Architects in Scotland. Literature: Moon, Karen ‘George Walton: Designer & Architect’, pub. Oxford 1993, pp.47-56, illus. plates 55 and 64.

LY O N & T U R N B U L L Decorative Arts

220 FF912/1 GEORGE WALTON (1867-1933) PAIR OF OAK ‘ABINGWOOD’ ARMCHAIRS, CIRCA 1896 each with tapering back with heart shaped piercing enclosed by broad curved arms and original rushed seat raised on square tapering legs joined by stretchers (2) 47cm wide, 83cm high, 53cm deep Provenanc: Miss Cranston’s Buchanan Street tearooms, Glasgow T.B. Lawson who purchased the chairs from tearoom circa 1919

£4,000-6,000

221 FF912/2 GEORGE WALTON (1867-1933) PAIR OF OAK ‘ABINGWOOD’ ARMCHAIRS, CIRCA 1896 each with tapering back with heart shaped piercing enclosed by broad curved arms and original rushed seat raised on square tapering legs joined by stretchers (2) 47cm wide, 83cm high, 53cm deep

£4,000-6,000

222 FF912/3 GEORGE WALTON (1867-1933) PAIR OF OAK ‘ABINGWOOD’ ARMCHAIRS, CIRCA 1896 each with tapering back with heart shaped piercing enclosed by broad curved arms and original rushed seat raised on square tapering legs joined by stretchers (2) 47cm wide, 83cm high, 53cm deep

£4,000-6,000

LY O N & T U R N B U L L Decorative Arts

223 FF912/4 GEORGE WALTON (1867-1933) PAIR OF OAK ‘ABINGWOOD’ ARMCHAIRS, CIRCA 1896 each with tapering back with heart shaped piercing enclosed by broad curved arms and original rushed seat raised on square tapering legs joined by stretchers (2) 47cm wide, 83cm high, 53cm deep

£4,000-6,000

224 FF912/5 GEORGE WALTON (1867-1933) PAIR OF OAK ‘ABINGWOOD’ ARMCHAIRS, CIRCA 1896 each with tapering back with heart shaped piercing enclosed by broad curved arms and original rushed seat raised on square tapering legs joined by stretchers (2) 47cm wide, 83cm high, 53cm deep

£5,000-6,000

225 FF912/6 GEORGE WALTON (1867-1933) PAIR OF OAK ‘ABINGWOOD’ ARMCHAIRS, CIRCA 1896 each with tapering back with heart shaped piercing enclosed by broad curved arms and original rushed seat raised on square tapering legs joined by stretchers (2) 47cm wide, 83cm high, 53cm deep

£4,000-6,000

LY O N & T U R N B U L L Decorative Arts

226 FG303/1 AFTER CHARLES RENNIE MACKINTOSH PAIR OF OAK SIDE CHAIRS, 1920s each with serpentine top rails with cut-out handles above slatted backs and drop-in seats on square legs linked by stretchers (2) 48cm wide, 99cm high, 42cm deep Literature: Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs’, Moffatt 2009, page 63, illus. 1898.45 Note: A design based on the chair designed by Mackintosh for the Argyle Street tearooms in 1898, thought to have been made as replacements to the original chairs in the 1920s.

£600-800

227 FF904/6 HEAL & SON, LONDON LIMED OAK DINING ROOM SUITE, CIRCA 1930 comprising a dining table with oval top on chamfered square supports and trestle ends linked by a stretcher,183cm long, 75.5cm high, 121cm deep; and eight matching chairs including two carvers (9) £1,500-2,000

LY O N & T U R N B U L L Decorative Arts

228 FG433/29 LIBERTY & CO., LONDON SATINWOOD DISPLAY CABINET, CIRCA 1920 the projecting corners above four astragal glazed doors and a central drawer, with twin bowed cupboards flanking 167cm wide, 174cm high, 41cm deep

£700-900

229 FF904/9 COTSWOLDS SCHOOL ELM LUG CHAIR, EARLY 20TH CENTURY a shaped plank back above solid curved arm and leather covered seat on square supports linked by stretchers

230 FG433/24 COTSWOLD SCHOOL OAK OCCASIONAL TABLE, CIRCA 1920 the rectangular drop flap top with carved edging above a single drawer on square legs linked by a platform stretcher

46cm wide, 115cm high, 68cm deep

42cm wide, 76.5cm high, 41cm deep

£300-400

£250-400

231 FG353/2 SMALL 1950S PARQUETRY COFFEE TABLE the inlaid top on turned tapering legs 61cm long, 45.5cm high, 42cm deep

£200-300

232 FG431/2 ERIC LYONS (1912-1980) FOR E. KAHN & CO., GREAT YARMOUTH TEAK BENT PLY COFFEE TABLE, CIRCA 1940 the rectangular top on curved supports, signed to base TECTA LAMINATED CHAIRS/ E. KAHN & CO./ GREAT YARMOUTH 92cm wide, 47cm high, 51cm deep

£200-300

LY O N & T U R N B U L L Decorative Arts

233 FF900/8 SIR EDWIN LUTYENS (1869-1944) MAHOGANY AND CANED NEWSPAPER BASKET AND STAND, CIRCA 1915 of tapered rectangular form with gadrooned and beaded mouldings, the double caned sides raised above a base with square moulded and tapering legs linked by stretchers, brass caps and castors 79.5cm long, 75cm high, 59cm deep Literature: Adrian J. Tilbrook and Fischer Fine Art ‘Truth, Beauty and Design: Victorian, Edwardian and Later Decorative Art’ Exhibition Catalogue, p. 69, fig 168 Note: According Lutyens’s daughter Mary this newspaper basket was designed by Lutyens for his own use sometime before 1919 when his family were living at 13 Mansfield Street, London. On Lutyens’ death in 1944 it passed to his wife Emily, and on her death in 1966 to her daughter, Mary.

£5,000-7,000

233A FG453/271 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) UNUSUAL OAK WINE TABLE, CIRCA 1930 the circular top above ring turned column on triform base with carved mouse signature, 31cm diameter, 60cm high; and an 18TH CENTURY COUNTRY OAK WINE TABLE, of similar design, 32cm diameter, 60cm high (2) Provenance: Lingholm, Cumbria

234 YE2013/14 NEST OF THREE ROSEWOOD OCCASIONAL TABLES, MID 20TH CENTURY the rectangular top above open work sides on square tapering legs linked by stretchers (3) 65.5cm across, 72cm high,

Note: The present lot was presumably a commission, copying the earlier table included with this lot.

35.5cm deep

£250-400

£400-600

235 YE2013/13 CARVED WOOD JARDINIÈRE STAND, MID 20TH CENTURY the circular top above open barley twist column on spreading circular base 235cm high

£200-300

236 FF904/3 VIENNESE SCHOOL PAIR OF WICKER PLANTERS, CIRCA 1910 each of hexagonal section with painted tin liners enclosed by x-framed panels on turned supports with lower tier (2) 34cm across, 133cm high

£300-500

Textiles & Carpets

237 FG422/3 WILLIAM SCOTT (1913-1989) FOR EDINBURGH WEAVERS LENGTH OF ‘SKAILL’ PATTERN FABRIC, CIRCA 1959 Jacquard woven wool 198.5cm x 123cm

£500-700

238 FG423/5 ARTS & CRAFTS PAIR OF EMBROIDERED HANGINGS, EARLY 20TH CENTURY each worked with an allover design of tulips and other flowers in coloured wools on a linen ground (2)

239 FG353/4 JAPANESE SCHOOL EMBROIDERED PANEL, CIRCA 1920 worked in coloured wools as a galleon in full sail, framed 58cm x 52cm

£150-250

240 FE424/1 ATTRIBUTED TO ARTHUR H. LEE & SONS, BIRKENHEAD PAIR OF ARTS & CRAFTS CURTAINS, CIRCA 1900 mercerised cotton, lined, each with allover repeating foliate pattern on a turquoise ground (2)

296cm x 114cm

229cm x 120cm

£400-600

£200-300

241 FF449/4 IRENE VLIEGENTHART ‘WHITE VIOLIN’ tapestry hanging, wool and mercerised cotton threads 130cm x 108cm Exhibited: Edinburgh, Aitken Dott & Son, ‘Four Weavers’ exhibition, July-August 1978, catalogue no. 15

£150-250

LY O N & T U R N B U L L Decorative Arts

242 FG353/3 GEORGE BAIN (1881-1968) FOR QUAYLE & TRANTER LTD., KIDDERMINSTER SMALL CELTIC ‘HUNTING’ WOOL RUG, CIRCA 1948 the machine woven ivory field with central red octagonal Celtic knotwork medallion surrounded by huntsmen with dogs, deer, boar and horses within red and polychrome strapwork border 192cm x 121cm

£600-800

243 FG353/1 READICUT PAIR OF WOOL RUGS, 1950s geometric design, on a pale blue ground (2) 94cm x 70cm

£80-120

244 FF906/3 GEORGE BAIN (1881-1968) FOR QUAYLE & TRANTER LTD., KIDDERMINSTER CELTIC ‘HUNTING’ CARPET, CIRCA 1948 the machine woven ivory field with central red octagonal Celtic knotwork medallion surrounded by huntsmen with dogs, deer, boar and horses within red and polychrome strapwork border 366cm x 272cm

£400-600

Pictures, Books & Works on Paper

245§ MARK SEVERIN (1906-1987) WINGED FIGURE Watercolour and gouache 50cm x 34cm Note: Mark Severin was one of the most outstanding engravers of his generation, specialising in fine miniature work, including postage stamps and book illustrations and worked for The Golden Cockerel Press. He made close to five hundred bookplates, of which a great number are on erotic subjects and was also active as an advertisement designer in Great Britain, producing poster designs for Imperial Airways and the London Underground.

£700-900

246§ REX WISTLER (1905-1944) ‘THE LISTENER, CHRISTMAS 1944’ Design for a magazine cover, watercolour and gouache 28cm x 21cm Literature: Fuller, Ronald and Whistler, Laurence ‘The Work of Rex Whistler’, pub. London 1960, p. 92

£1,000-1,500

247§ HUGH RALPH MICKLEM (1918–2009) ‘FOOTBALL PLAYERS’ oil on board, signed and dated lower right MICKLEM ‘49 38.5cm x 33cm

£400-600

LY O N & T U R N B U L L Decorative Arts

248 FF900/15 GEORGE LOGAN (1866-1939) THE BUTTERFLY watercolour and pencil, signed lower right G. LOGAN 33cm x 14cm

£800-1,200

249§ FF752/2 MARY NEWBERY STURROCK (1892-1985) ‘FLOWER ARRANGEMENT’ watercolour, signed lower left in pencil M.N. STURROCK 38.5cm x 24cm

£200-300

250§ FD782/1 MARY NEWBERY STURROCK (1892-1985) ‘ANEMONES, TAORMINA’ ink and watercolour, signed with initials lower right, M.N.S. and inscribed ANEMONES/ TAORMINA, 27cm x 20cm; and two other flower studies by the same hand, signed with initials in pencil M.N.S., 27cm x 20cm (3)

251 FG571/2 ARTS & CRAFTS OVAL PORTRAIT MINIATURE OF A LADY, DATED 1900 watercolour and gilt paint on ivory, inscribed JOANNA/ 1900, indistinctly initialled bottom right

252§ FG330/4 MILIVOY UZELAC (1897-1950) ‘LES JOIES DU SPORT’, 1932 group of seven prints, framed (7) largest 33cm x 23cm

253§ FF614/3 JANE YOUNGER (1863-1955) ‘THE VILLAGE OF LITTLE COMBERTON’ watercolour and charcoal, signed lower right

£300-500

20cm x 33cm

£300-500

12cm x 9cm

£200-300

£250-400

LY O N & T U R N B U L L Decorative Arts

254§ FF23/8 JESSIE MARION KING (18751949) ‘YOUR DEAR HEAD..’ pencil and ink study, faintly inscribed YOUR DEAR HEAD BOWED TO/ THE GILLYFLOWER BED, 31cm x 15cm; ‘A XMAS WISH..’, pencil study by the same hand, inscribed A XMAS WISH/ ROSES ROSES/ ALL THE WAY, 17cm x 10cm; and ‘GREETING’, a pencil study, inscribed GREETING/ JOPY BE YOURS AND SONG/ THROUGHOUT THE DAYS, 15cm x 8cm (3)

256 FD72/3C ATTRIBUTED TO ERNEST ARCHIBALD TAYLOR LANDSCAPE SCENE oil on board, unsigned and verso ORE/ CAFE-MUSIC/ RUE D’ANTIN, watercolour sketch for a jazz club, unsigned, 42cm x 26cm TWO OIL SKETCHES OF YOUNG GIRLS, oil on board, unsigned, 24cm x 16cm and 38cm x 36cm; and a FARMYARD SCENE, watercolour sketch, unsigned, 30cm x 38cm and several other sketches including Charles Dowell; L.J. Wood; Blair Thomson etc (qty)

Provenance: Miss Merle Taylor Sale of the Estate of the late Miss Merle Taylor, Sotheby’s, Glasgow, 21 June 1977, Lot 205

Provenance: Greengate, Kirkcudbright

£250-400 255§ FF23/15 ERNEST ARCHIBALD TAYLOR (1874-1951) SCOTLAND’S ROAD OF ROMANCE; THREE DESIGNS FOR A BOOK COVER gouache and watercolour on vellum (1) and tracing paper (2), each inscribed SCOTLANDS ROAD/ OF ROMANCE/ BY/ AUGUSTUS MUIR (3) each approx. 19.5cm x 13cm Provenance: Miss Merle Taylor Sale of the Estate of the late Miss Merle Taylor, Sotheby’s, Glasgow, 21 June 1977, Lot 301 (part)

£200-300

£300-500 257 FE354/18 PERCY ANDERSON (18511928) PORTRAIT OF A LADY pastel and watercolour, signed with monogram bottom right, 15.5cm x 16cm; and another PORTRAIT OF A LADY, watercolour, by the same hand, signed with monogram bottom right, 18cm x 15cm (2) £200-300 258§ FF193/4 ELYSE ASHE LORD (19001971) ‘CHICKENS’ Hand coloured etching, signed in pencil lower right ELYSE ASHE LORD, 16/95 21cm x 27cm

£100-150

259§ FG433/59 ALBERT RUNCIMAN CUMMINGS (B.1936) ‘EUROPA & THE BULL’ water colour, signed and dated with initials 1996 22cm x 17cm

£300-500 260 FB789/12 DOVECOT STUDIOS / SCOTTISH GUILD OF HANDICRAFTS DESIGNS A COLLECTION OF TAPESTRY DESIGNS a group of mixed media tapestry designs, some signed and monogrammed by H. Wyse, to include various whole and part designs with additional notes and costings etc; also to include to two drawings by W. S. Cumming for the ‘Lord of the Hunt’ tapestry woven for The 4th Marquess of Bute at the Dovecot Studios (qty) £150-250 261 FD72/5 ROYAL ACADEMY SUMMER EXHIBITION CATALOGUES 1888-1919; 1922-1940; 19481970; 1972-1979 and 1981, 1982, 1986, 1988 and 1989; also assorted ROYAL GLASGOW INSTITUTE exhibition catalogues; ROYAL SCOTTISH ACADEMY exhibition catalogues; BRITISH EMPIRE EXHIBITION souvenir catalogue 1924, etc (sold with all faults, not subject to return) £100-200

LY O N & T U R N B U L L Decorative Arts

262 FF902/1 MAURICE GREIFFENHAGEN (1862-1931) ‘CONTEMPLATION’ oil on canvas 74cm x 62cm

£800-1,200

263 FF902/2 MAURICE GREIFFENHAGEN (1862-1931) ‘LYDIA’ oil on canvas 74cm x 62cm

£800-1,200

264 FF902/3 PRE-RAPHAELITE SCHOOL PORTRAIT OF A LADY pastel roundel 35cm diameter

£500-700

Bronzes & Sculpture

265§ FF646/1 RONALD POPE (BRITISH 1920-1997) FIGURE GROUP patinated wrought steel raised on a plinth total height 37.5cm

£400-600

266§ FF179/60A THOMAS WHALEN (1903-1975) ‘MAY QUEEN’ lead figure, raised on a slate plinth, total height, 86cm; and STUART BEATTY ‘IKOW’ WOOD CARVING, 39cm high (2) £300-500

267§ FG600/90 BENNO SCHOTZ (1891-1984) HEAD OF A BOY patinated plaster, signed and dated BENNO SCHOTZ/ 1977, 34cm high and a companion piece by the same hand HEAD OF A BOY patinated plaster, signed and dated BENNO SCHOTZ 31cm high (2)

268§ FG97/79 ALEXANDER GOUDIE (1933-2004) BUST OF MICHELLE Terracotta, incised signature GOUDIE

270§ FG576/1 NORMAN J. FORREST (1898-1972) STANDING FIGURE carved wood, signed and dated N.J. FORREST/ 1934

50cm high

82cm high

£300-500

£500-700

Provenance: ‘The Studio Sale of Benno Schotz, R.S.A.’ Christie’s Scotland 24 September 1997, lot 144

269 FG97/12 ATTRIBUTED TO PAUL ZUNTERSTEIN RECLINING NUDE Terracotta, on black wooden plinth (damages)

£200-300

30cm long

34cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

271 FG442/2 ERIC GILL (1882-1940) MADONNA & CHILD, CIRCA 1913 polychrome painted plaster figure, partially obscured incised initials and edition number E.G./ 78 18.8cm high Literature: Collins, Judith ‘Eric Gill: The Sculpture’, catalogue raisonné, London 1990, pp. 79 & 80, cat nos. 32 and 33 illus. Collins, Judith ‘Eric Gill: Sculpture’, London 1992, p. 35 illus., p.77 cat no. 13 illus. Note: Gill made three plasticine figure groups of the Madonna & Child for his own pleasure in 1912-13. He subsequently had plaster editions of twelve made of them all as well as a bronze edition of two of them, including the present example, which numbered six. The plaster figures were made by Charles Smith & Son, sculptors’ moulders in Southcote Road, Holloway and were originally sold for £1 each from Everard Meynell’s bookshop near Westminster Cathedral. Gill hoped they would be bought by Catholic worshippers looking for something well conceived and well made which could be enjoyed by a wider audience and sold in an edition. Eventually it was thought that close to 90 were made of the present example. Each figure was decorated differently, and signed ‘E.G.’ with an edition number. Examples can be found in the collections of Manchester City Art Gallery and William Andrews Clark Memorial Library, Los Angeles. Early purchasers for the plaster figures included W.R. Lethaby and William Rothenstein who commented on his purchase ‘The lady looked like the divine mother of all the world when I saw her in red wax, but now that you have coloured her in some mysterious way she has become the virgin Mary unmistakably suckling Christ...you have painted her most beautifully and she reigns over my desk above me, my Chinese ivory mother facing her from the other end of the room’

£2,000-3,000

LY O N & T U R N B U L L Decorative Arts

272 FB66/9 RUBY LEVICK BAILEY (1871-1940) SEATED CHILD bronze, signed in the bronze RUBY LEVICK BAILEY, raised on a square marble plinth figure 23cm high Note: Ruby Winifred Levick studied at the National Art Training School (later Royal College of Art), South Kensington, from about 1893 to 1897. Together with contemporaries Margaret Giles and Gwendolen Williams she went on to enjoy notable success as part of an emerging group of woman sculptors. Her most prolific work ‘The Wrestlers’ was exhibited at the Royal Academy in 1898, receiving a gold medal. She is known to have exhibited at the Society of Medallists, the Arts and Crafts Exhibition Society and at The Fine Art Society.

£400-600

273§ FF27/1 ARCHIE FORREST (B. 1950) EMILIO COIA Bronze, signed and numbered in the bronze FORREST/ 5/9 32cm high, with plinth 41cm high Provenance: Portland Gallery, London, 1990

£600-800

274§ FF72/108 KARIN JONZEN (BRITISH 1914-1998) RECUMBANT NUDE terracotta, signed K JONZEN 24cm long, 17.5cm high

£700-900

275 YE2013/16 ENGLISH SCHOOL MADONNA & CHILD, LATE 19TH CENTURY plaster relief panel, bears monogram, within glazed mahogany case 34cm x 20cm

£200-300

LY O N & T U R N B U L L Decorative Arts

276 FF179/112 ALEXANDER CARRICK (1882-1966) HEAD OF A GIRL, DATED 1920 Bronze, signed and dated in the bronze A. CARRICK SC./ 1920 45cm high

£400-600

277 FG435/1 EDWARD ONSLOW FORD (1852-1901) TORSO, CIRCA 1895 bronze, raised on a marble plinth bronze 22.5cm high, total height 31cm

£1,200-1,800

278 FG501/4 SIR EDGAR BERTRAM MACKENNAL (1863-1931) ‘DAPHNE’ Bronze, signed in the bronze B. MACKENNAL, on socle plinth 50cm high

£5,000-8,000

LY O N & T U R N B U L L Decorative Arts

279 FF904/12 GILBERT BAYES (1872-1953) ‘THE RACE’ electrotype relief panel, bears inscription THE RACE 140cm x 59.5cm Literature: Irvine, Louise, and Atterbury, Paul ‘Gilbert Bayes, Sculptor’ Exhibition catalogue, pub. Richard Dennis, 1998 p. 112

£400-600

280 FG435/2 FRANZ BERGMAN (1861-1936) METAMORPHIC COLD-PAINTED EROTIC BRONZE FIGURE, CIRCA 1910 set with cut glass ‘jewels’ and cast as a dancing girl, the hinged skirt lifting to reveal her naked figure, impressed Bergman mark, signed ‘Nam Greb’ total height 19cm

£600-800

281 FG566/87 ART DECO PATINATED SPELTER FIGURE GROUP, 1930s cast as a squirrel perched on a branch, on stepped onyx and marble plinth base with moulded opalescent glass applied scrolls 29.5cm across

£300-400

283 LT2013/48 ITALIAN SCHOOL ALABASTER FIGURE OF A HAWK, 1920s with applied glass eyes

282 FG435/3 ART DECO PATINATED SPELTER FIGURE, 1930s cast as a dancer, raised on alabaster plinth

25.5cm high

total height 26.5cm

£200-300

£150-250

284 FG566/92 CHRISTIE WARREN ‘TROPIC BIRD’ PITCAIRN ISLAND CARVED FIGURE on oval base, stamped inscription to wings MADE BY CHRISTIE WARREN/ TROPIC BIRD/ PITCAIRN ISLAND 29cm long

£150-250

LY O N & T U R N B U L L Decorative Arts

285 FE363/4B JOSEF LORENZL (1892-1950) ART DECO SILVERED BRONZE FIGURE, 1920s cast as a naked dancer, signed in the bronze RENZL, raised on turned onyx plinth base

286 FE363/4 JOSEF LORENZL (1892-1950) ART DECO PATINATED BRONZE FIGURE, 1920s cast as a naked dancer, signed in the bronze LORENZL, raised on turned onyx plinth base

23.5cm high

28cm high

£250-400

£300-500

287 FE363/4A JOSEF LORENZL (1892-1950) ART DECO BRONZE FIGURE, 1920s cast as a naked dancer, unsigned, raised on turned onyx plinth base 24cm high

£250-400

288 FE474/9 HANS KECK (FL. 1900-1922) THE MIRROR patinated bronze figure, signed in the bronze H. KECK, raised on a stepped marble plinth 16cm high

£400-600

LY O N & T U R N B U L L Decorative Arts

289 FG433/43 HAGENAUER WERKSTÄTTE BRONZE FIGURE OF A WOMAN on chromed oval stand, stamped factory mark 44cm high

£1,000-1,500

290 FF901/10 HAGENAUER WERKSTÄTTE CHROME PLATED FIGURE OF A TENNIS PLAYER, CIRCA 1935 stamped factory marks to base HAGENAUER WIEN/ MADE IN AUSTRIA 46cm high

£700-900

291 FG433/56 HAGENAUER WERKSTÄTTE BRONZE BUST, CIRCA 1950 stamped factory marks HAGENAUER/ WIEN/ MADE IN VIENNA AUSTRIA 23.5cm high

£300-500

LY O N & T U R N B U L L Decorative Arts

292 FF901/4 HAGENAUER WERKSTÄTTE CHROME PLATED FIGURE OF A FOX, CIRCA 1935 stamped factory mark to base HAGENAUER WIEN/ MADE IN AUSTRIA 21.5cm long

£400-600

293 FF901/5 HAGENAUER WERKSTÄTTE CARVED WOOD FIGURE OF A FOX, CIRCA 1935 stamped factory logo to base MADE IN AUSTRIA 21.5cm long

£250-400 294 No lot

295 FG438/3 MANNER OF HAGENAUER CARVED WOOD FIGURE OF A GOLFER, CIRCA 1920 with applied whiskers and monocle

296 FF705/12 HAGENAUER WERKSTÄTTE PLATED BRASS CAR MASCOT, CIRCA 1930 later mounted on a mahogany orb

30cm high

total height 23cm

£200-300

£300-400

Furniture: Part III

297 FF900/12 ART DECO DRESSING TABLE AND STOOL the demi lune top with three adjustable mirrors above and two open shelves and a central drawer below, the whole raised on chromium plated tubular supports linked by a stretcher, 91cm wide, 133cm high, 53cm deep; with the MATCHING STOOL with leather upholstered seat (2) £800-1,200

298 FF907/4 ART DECO CORAMANDEL WOOD LIBRARY DESK, CIRCA 1930 with inset tooled leather writing surface above curved and scalloped front and central concave drawer flanked by two pedestals of three graduated drawers raised on a plinth 138cm wide, 76.5cm high, 57cm deep

£2,500-3,500

299 FG433/19 ART DECO OAK AND GLASS TOPPED OCCASIONAL TABLE, CIRCA 1930 the circular glass top on moulded supports linked by an undertier

300 FG433/26 ART DECO STYLE PAIR OF CALAMANDER OCCASIONAL TABLES, MODERN each with rectangular top on square supports linked by an undertier (2)

55.5cm diameter, 61cm high

80cm wide, 63cm high, 60cm deep

£150-250

£500-800

301 FG433/25 ART DECO NEST OF BURR MAPLE OCCASIONAL TABLES, CIRCA 1930 the shaped circular crossbanded top above rectangular cross supports inclosing four smaller tables of triangular section (5) 75cm diameter, 54cm high, small tables 32cm across, 50cm high

£400-600

LY O N & T U R N B U L L Decorative Arts

302 FF856/1 JACQUES ADNET (1900-1984) BIRCH AND NICKEL PLATED COMMODE, CIRCA 1930 of bowed form with three drawers, raised on square tapered legs, trace retailer’s label 99.5cm wide, 81cm high, 40.5cm deep Note: See Sotheby’s Paris, ‘Art Décoratifs du XXe siècle & Design’ May 22, 2013, Lot 60 for a similar example with shagreen veneer.

£3,000-5,000

303 FF705/5 MERROW ASSOCIATES ROSEWOOD AND CHROMIUM PLATE TWO TIER OCCASIONAL TABLE, 1960s circular top with glass inset above four steel supports linked by an undertier 55cm wide, 64cm high

£300-500

304 FG433/27 ART DECO BURR MAPLE CENTRE TABLE, CIRCA 1930 the canted rectangular top with etched glass preserve above a stepped frieze on corresponding column base

305 FF705/6 MERROW ASSOCIATES CHROME AND GLASS CONSOLE TABLE, LATE 20TH CENTURY the rectangular glass top above opposed curved chromium plated supports

89cm wide, 77cm high, 66cm deep

130cm wide

£400-600

£200-300

LY O N & T U R N B U L L Decorative Arts

306 FF901/30 ATTRIBUTED TO JOSEF HOFFMANN STAINED MAHOGANY OCCASIONAL TABLE, CIRCA 1900 the circular moulded top above four column supports on corresponding base with bun feet 70.5cm high, 42cm diameter

£400-600

307 FF705/9 CONTINENTAL SCHOOL CARVED HARDWOOD STANDARD LAMP, MID 20TH CENTURY turned ‘serrated’ column with circular shelf spacer on fluted circular base, black cylindrical shade 157cm high

£400-600

308 FB77/1 DEKORA, NANTES DISPLAY TABLE, 1950s chrome and glass 60cm diameter, 44cm high

£300-500

308A FF936/1 NIELS MØLLER (1920-1982) FOR J L MØLLER, DENMARK SET OF SIX ‘MODEL 80’ ROSEWOOD DINING CHAIRS, 1960S each with leather upholstery, included two carvers (6) £800-1,200

LY O N & T U R N B U L L Decorative Arts

309 FF705/7 B&B ITALIA LEATHER AND CHROME OCCASIONAL TABLE, LATE 20TH CENTURY the rectangular glass top supported on chrome legs with leather covered undertier, bears makers label 96cm wide, 32cm high, 96cm deep

£300-500

310 FF605/1 HANS BRATTRUD (B. 1933) FOR HOVE MÖBLER MATCHED SET OF SIX ROSEWOOD DINING CHAIRS, DESIGNED 1957 comprising two tall back and four low chairs (one in pieces), bears maker’s labels (6) 48cm wide, 94cm high, 45cm deep.

£400-600

311 FG149/6 ITALIAN SCHOOL KINGWOOD BUREAU PLAT, MID 20TH CENTURY the rectangular top with green glass inset above five drawers on square tapering legs with brass caps 162.5cm wide, 80cm high, 88.5cm deep

£400-600 312 FG149/7 ITALIAN SCHOOL KINGWOOD BUREAU PLAT, MID 20TH CENTURY en suite to the previous lot, the rectangular top with green glass inset above two asymmetric drawers on square tapering legs with brass caps £250-400

LY O N & T U R N B U L L Decorative Arts

313 FF705/10 TOM DIXON (B. 1959) FRESH FAT EASY CHAIR, 2001 extruded plastic 56cm wide, 79cm high, 48cm deep

£800-1,200

314 FF858/2 POUL CADOVIOUS & BJØRN WIINBLAD FOR CADO CIRCULAR DINING TABLE, CIRCA 1970 with painted top by Susanne Fjeldsoe Mygge, on turned aluminium pedestal base, signed on the top MYGGE, bears maker’s label 118cm diameter, 70.5cm high

£800-1,200

315 FG585/1 DANISH DESIGN TEAK FRAMED SOFA AND MATCHING ARMCHAIR, CIRCA 1970 each with loose cushions and raised on square legs (2) sofa 193cm wide

£500-700

LY O N & T U R N B U L L Decorative Arts

316 FF858/1 TITO AGNOLI (B. 1931) FOR MATTEO GRASSI SET OF SIX LEATHER UPHOLSTERED METAL DINING CHAIRS, LATE 20TH CENTURY each with loose cushions (6) 62.5cm wide, 88.5cm high, 46cm deep

£600-800

317 FG299/1 ARNE NORELL (1917-1971) FOR ARNE NORELL MÖBEL AB FOUR ‘SCIROCCO’ SAFARI ARMCHAIRS, DESIGNED 1964 leather and rosewood (4) 68cm wide, 72cm high, 66cm deep

£500-700

318 FF705/3 KURT ØSTERVIG (1912-1986) FOR JASON MÖBELFABRIK ELLIPTICAL GATELEG TABLE, 1960s with rosewood top and dark stained mahogany frame, flip-down leaves with integrated joints, six V-shaped legs 130cm wide, 72cm high, 72.5cm deep (closed)

£2,000-3,000

319 FG248/1 HARRY BERTOIA (1915-1978) FOR KNOLL INTERNATIONAL SIDE CHAIR WITH SEAT PAD, DESIGNED 1954 chrome plated steel and leather

320 FG433/65 AFTER LE CORBUSIER PAIR OF SOFAS, LATE 20TH CENTURY each with chrome plated frames (2)

321 FG508/1 DANISH DESIGN ROSEWOOD COFFEE TABLE, 1960s the rectangular top on square legs linked by stretchers

143cm wide, 71cm high, 83cm deep

160cm long, 50cm high, 58cm deep

£150-200

£400-600

£200-300

STANDARD TERMS & CONDITIONS OF SALE

prevailing by law at the date of sale and is payable by buyers of relevant lots.

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

6. PAYMENT

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate

(1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express. (2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

13. TERMS OF SALE

GENERAL

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot. (2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

Waverley Station

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom. WA ITH LE

ITH

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

QU EE N

Local Deliveries Local deliveries can be arranged by A&S Pert Removals. Telephone 07876 343520.

Lyon & Turnbull saleroom

St Andrew Square

ES ST

P R IN C

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale. Thereafter lots will be removed to store in Edinburgh and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274