Interiors | 24th & 25th January 2014

Sale 400 | Friday 24th & Saturday 25th January 2014 | Affordable, Stylish & Unique

Sale 400

Paintings Friday, 24th January, 2014 at 11am Enquiries

Furniture, Rugs & Works of Art

Theo Burrell

theo.burrell@lyonandturnbull.com Charlotte Riordan

charlotte.riordan@lyonandturnbull.com

Buyer’s Guide

Saturday, 25th January, 2014 at 10am at 33 Broughton Place, Edinburgh EH1 3RR Viewing Times Thursday, 23rd January 10am - 7pm Friday, 24th January 10am - 5pm (Friday Furniture, Rugs & Works of Art only) Saturday, 25th January from 9am

Everything you need to know

Viewing

Bidding

In person To view all of the lots in this sale please note the public viewing times listed above. All viewable at 33 Broughton Place, Edinburgh.

There are four easy ways to bid at this sale, and all bids are (of course) confidential:

Online All lots are available to view online and each image can be enlarged for closer inspection. If you require additional images or would like a report on the condition of your lot(s) please contact us at info@lyonandturnbull.com Estimates All lots carry an estimated price band, listed in the catalogue, which indicates our opinion of value. The final price may be higher or lower than this band depending on demand. If there is a reserve on the lot then it cannot be sold below that price.

Reserves do not exceed the lower estimated price and may be lower.

© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

By absentee bid If you are unable to attend the auction we can bid on your behalf. Simply complete an absentee bid form and either hand it to a member of staff or fax to 0131 557 8668, no later than 1 hour before the sale. Please note that our bid department may contact you for further details.

The amount you enter on the form should be your maximum limit. We will bid up to that limit for you, and remember you may end up paying less than your limit, depending on other bidding on the day.

In person at the sale Simply register at reception today, or when you arrive at the saleroom. You may need to provide identification. Once you have registered you will be handed a numbered paddle to use in the saleroom. When the bidding begins on your lot raise your paddle to bid. When the bidding stops the auctioneer will bring down the gavel and read out your number if you have won the lot.

Payment By telephone If you would like to bid by telephone, our clerk will call you from the saleroom on the sale day, just before your lot(s) come up, and bid on your behalf live at the sale. You can register to bid on the telephone at reception today, or contact us no later than 1 hour before the sale on 0131 5578844 or via info@lyonandturnbull.com Please note that for telephone bidding it is assumed the bidder will be prepared to pay within the estimate or higher.

This service is available on lots with an estimate of £300 and over, entirely at our discretion and at the bidder’s risk.

Online at lyonandturnbull.com Many clients prefer bidding live online at our auctions. It’s easy to register with us online and you can watch the sale as it happens and place bids at your computer. These live auctions are run by Invaluable on our website, and they will charge you an additional 3% plus VAT for this service.

You can register to bid at any time before the sale; however we suggest you allow plenty of time to register to secure your bids.

You can pay by a number of methods - cash, credit or debit card or bank transfer.

You will be charged the hammer price plus a buyer’s premium of 25% up to £25,000 and 20% thereafter (premium subject to VAT). If there is a dagger (†), asterisk (*) or section mark (§) next to your lot number in the catalogue, your lot will be subject to VAT or Droit de Suite charges on the hammer price in addition to our standard buyer’s charges. See our Standard Terms & Conditions on the inside back cover for further details.

If you are not able to come in and see us to pay by credit or debit card please use our Online Payment service. You will find a link to this service in any email invoice we send you or you can visit the payments section of our website.

Please note that if you are paying by credit card we accept Mastercard and Visa only and there will be a 2% surcharge.

For further information on buying at Lyon & Turnbull please see our Standard Terms & Conditions of Sale and Collecting Your Purchases at the back of the catalogue.

Welcome to

Happy new year, and welcome to our first Interiors sale of 2014! To kick the year off, we bring you various unique collections from all over the country, including a variety of historic antiquities from the collection of the late Simon John Noble, Ardkinglas House near Loch Fyne (page 24), and a group of unique column capitals from the National Gallery of Scotland (page 47).

To start things off, turn to page 10 for a further collection of caricatures, straight from the studio of the artist John Springs. Following the auctioning of work by Springs in April last year, we have a further group of portraits up for grabs, including Princess Diana, Jamie Oliver and Nelson Mandela.

We also thought we’d give you a perspective from behind the scenes at L&T this time around; our resident furniture cataloguer David Fiddes gives you his thoughts on current trends in antique world and the availability of items on sale. Turn to page 52 to see his article: ‘The beauty of antiques: furniture at auction’.

We’ve decided to continue with our two day Interiors sale this month too, and we will be auctioning the Paintings side of the sale on Friday 24th January, starting at 11am, followed by Furniture, Rugs and Works of Art on Saturday 25th January, commencing at 10am.

We will be offering our free cup of tea and coffee from our in-house café run by Valvona and Crolla for all those who register, so please do join us for a warm beverage on a winter’s day during our open viewing times!

Theodora Burrell Head of Interiors

Charlotte Riordan Picture Specialist

If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absentee bid with one of our staff members – ring us for details on 0131 557 8844.

Highlights from the Sale Collection of caricatures: the work of John Springs Our fifth sale includes 11 hand selected caricatures by John Springs.

Following on from our sale in April last year, we present a second group of drawings straight from the artist’s London studio. Springs’ career spans over 35 years, where his work has featured in numerous international publications, such as The Spectator and the Rolling Stone Magazine. We are fortunate enough to be offering further pieces for auction this January, including portraits of royalty, politicians and celebrity chefs!

Page 10 Items from the collection of the late Simon John Noble, Ardkinglas, Loch Fyne Simon John Noble was the laird of Ardkinglas house in Argyllshire, and, perhaps most notably, the founder of ‘Loch Fyne Oysters’ and ‘Loch Fyne Restaurants’. When he inherited his father’s estate in 1972 it was running at a loss, and ‘Johnny’ decided to think creatively in order to turn things around.

In partnership with a marine biologist, Johnny started to produce and retail the shellfish from the local loch. In time the company has become a worldwide success, exporting its produce internationally and now operating as a chain of restaurants. The collection on sale this January features some of Johnny’s much loved antiquities, including Egyptian, Roman and Greek jewellery, dishes, and figures, all pertaining to a very apt aquatic theme!

Page 24 Capital columns from the National Gallery of Scotland Our sale this month is also host to a collection of 11 column capitals, all of which proudly stood in the National Gallery of Scotland in Edinburgh. These decorative and historic pieces were introduced as part of the 1938/39 re-fit, designed

by Stanley Cursiter and were used to divide the large gallery spaces still seen in the building on the Mound today. Having been removed in circa 1987/88, the capitals are now up for auction this January, and offer a rare opportunity to own an architectural piece of Scottish history!

Page 47 4

Specialist’s Choice This month our Junior Specialist in the Jewellery and Silver Department, Ruth Davis, picks her favourite pieces from our Interiors sale.

Lot 200

Beads from Arkinglas This piece, one of the many interesting things from the collection of the late Simon John Noble, is one of my favourite items in the sale. It is a wonderful piece which highlights the versatility of jewellery as a subject of interest, proving that jewellery isn’t something which is only to be worn but can be a beautiful ornament or decoration in its own right. The fish, though naively done, still have a great aesthetic appeal which has much resonance within the Noble collection, whose owner was the founder of Loch Fyne oysters, just another layer to its already rich story. For a piece with such age it is unbelievable that the item still looks so current and wearable, and I think as an ornament or round someone’s neck, it would be an interesting talking point in anyone’s home. It is remarkable that something which is over 2000 years old can be found at auction at £1,200-£1,800.

As someone who is relatively new to the world of buying furniture, this piece stands out to me as something which is fun, fashionable and most importantly practical! It ticks all the boxes for someone who is looking to fill their home with interesting pieces of vintage and bespoke, which is very much in vogue at the moment. The reference to ‘Gladstone bags’ and ‘evening suits’ on its doors draw to mind a by-gone age which, with the trend for period dramas at the moment, is a very fashionable reminiscence. Though the lettering is a later addition, these pieces were common in tailors’ shops of the period, and it goes to show what can be done to make something which might have other-wise been run-of-the-mill, into a piece which really stands out, and at £400-£600 it is surely good value for money!

Robert Hope sketchbooks These three sketchbooks by the Edinburgh artist Robert Hope really are extraordinary; displaying Hope’s incredible abilities as a draughtsman. Personally, I love the intimate quality of the books, these were studies rather than something which were produced for a commercial or public purpose and yet the character studies and nudes are very enigmatic. It gives an insight into the artist’s process which you don’t get with great sweeping landscapes or large portraits of austere sitters. The women he depicts seem surprisingly un-self conscious, and you really sense the artist himself is completely at ease carrying out these private works.

The books themselves have a appealing ‘thumbed-through’ feel about them, and the occasional press clipping or pieces Hope was obviously proud of all add to the charm. At £1000£1500 they are a worthy addition to any enthusiast’s collection.

Lot 136

Lot 297

Overpainted wardrobe

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DAY 1 Friday, 24th January, 2014 at 11am

Paintings, Watercolours & Prints Lots 1-145 1§ FF924/4 MARY ARMOUR R.S.A., R.S.W., R.G.I. (SCOTTISH 1902-2000) LATE SUMMER FLOWERS Signed and dated 1979, inscribed verso ‘Wishing you all good health and good fortune at Xmas and the new year, from Mary Armour’, pastel 37cm x 43cm (14.5in x 17in)

£400-600 2§ FF923/18 MARY HOLDEN BIRD (SCOTTISH d. 1978) SUN IN THE MORNING Signed with monogram, watercolour 33cm x 49cm (13in x 19.25in)

£400-600 3§ FG461/1 BERNARD BUFFET (FRENCH 1928-1999) LE PONT DE PARIS Signed and dated ‘68 in plate, lithograph 45cm x 57cm (17.75in x 22.5in)

£400-600 4§ FG465/4 ERNEST BURNETT HOOD (SCOTTISH 1932-1988) KERRY KYLE Signed, oil on canvas 48.75in x 59cm (19.5in x 23.25in)

£400-600

5§ FG465/7 ERNEST BURNETT HOOD (SCOTTISH 1932-1988) ON THE SOUTH COAST Signed, oil on canvas 62cm x 74.5cm (24.25in x 29in)

£600-800

9§ FG575/8 MARC CHAGALL (FRENCH/RUSSIAN 1875-1985) HAGAR IN THE DESERT Ed. of 6500, pub. Éditions de la Revue Verve, Teriade, Paris, 1960, colour lithograph 35.5cm x 26cm (14in x 10.25in)

6§ FG48/3 GEORGES ROUAULT (FRENCH 1871-1958) CRISTAL DE ROCHE Etching and aquatint 31cm x 20cm (12.25in x 8in)

£300-500 7§ FG492/3 JAMES COWIE R.S.A., L.L.D. (SCOTTISH 1886-1956) HEAD STUDY OF A GIRL Signed, pencil 30cm x 23cm (11.75in x 9in)

£500-700 8§ FG575/7 MARC CHAGALL (FRENCH/RUSSIAN 1875-1985) MOSES Ed. of 6500, pub. Éditions de la Revue Verve, Teriade, Paris, 1956, colour lithograph 35.5cm x 26cm (14in x 10.25in)

£200-300

£200-300

and another by the same hand, a pair (2) £500-700 14 FB79/12 ATTRIBUTED TO HENRY BRIGHT (BRITISH 1814-1873) WINDMILL AT SUNSET Oil on board

48cm x 59cm (18.5in x 23in)

£300-500

£400-600 11§ FG627/1 FRANK WATSON WOOD (SCOTTISH 1862-1953) MOSQUITOS AND THE FLEET Signed and dated 1941, signed and inscribed with title label verso, watercolour 25cm x 74cm (9.75in x 29in)

£400-600 12§ FG627/2 FRANK WATSON WOOD (SCOTTISH 1862-1953) ROYAL TOUR ENTERING QUEBEC HARBOUR Signed and dated 1940, signed and inscribed with title label verso, watercolour £400-600

6

18.5cm x 23cm (7.25in x 9in)

10 FG621/1 CHARLES SIMPSON (SCOTTISH CONTEMPORARY) GLENFINNAN Signed, signed and inscribed with title verso, oil on canvas

27cm x 75cm (9.75in x 29.5in)

1

13 FD672/3 MANNER OF FRANCESCO SIMONINI THE BATTLE Oil on panel

5

30cm x 46cm (12in x 18in)

15 FB79/13 WILLIAM PITT (BRITISH 19TH CENTURY) FISHERMEN’S COTTAGES ON THE AVON, DEVON Signed, inscribed and dated 1876 verso, oil on board 20cm x 41cm (8in x 16in)

£300-500 16 FD683/1 WILLIAM MOUNCEY (SCOTTISH 1852-1901) AUTUMN IN GALLOWAY Signed, oil on canvas 60cm x 50cm (23.5in x 19.75in)

£700-1,000

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20

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28

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24§ FF72/99 MOISE KISLING (POLISH 1891-1953) TWO FEMALE NUDES Signed in ink, lithograph

27 FF817/1 EDWIN ALEXANDER R.S.A., R.S.W. (SCOTTISH 1870-1926) WILD FLOWERS Watercolour and bodycolour 35cm x 16.5cm (13.75in x 6.5in)

£400-600

21cm x 26cm (8.25in x 10.25in) Provenance: Redfern Gallery 1950

18 FF456/1 JAMES KAY R.S.A., R.S.W (1858-1942) HOLY LOCH Signed, dated 1903 and inscribed ‘To my namesake James’, oil on canvas

22§ FA452/4 SIR WILLIAM RUSSELL FLINT R.A., R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) STRIDING NUDE Signed, pastel

25 FF72/89 LATE 19TH CENTURY ENGLISH SCHOOL TOWN SEEN FROM THE RIVER Oil on canvas

24.5cm x 34cm (9.75in x 13.25in)

41cm x 28cm (16in x 11in)

49cm x 60cm (19.25in x 23.5in)

£500-700

£400-600

£400-600

19 FF620/4 JOHN JAMES BANNATYNE R.S.W. (SCOTTISH 1836-1911) HIGHLAND RIVER LANDSCAPE Signed, oil on canvas 76cm x 96.75cm (30.5in x 37in)

23 FF109/1 ROBERT GEMMELL HUTCHISON R.S.A. R.S.W. (SCOTTISH 1855-1936) THE PET KITTEN Signed, pastel

£1,200-1,800

52cm x 68cm (20.5in x 26.75in)

26§ FF654/7 THOMAS BONAR LYON (SCOTTISH 1873-1955) THE FRINGE OF THE WOOD AT AUCHINCRUIVE, AYR Signed, signed and inscribed with title and dated 1938 verso, oil on panel

17§ FD683/2 GEORGE HOUSTON R.S.A., R.S.W. (SCOTTISH 1869-1947) THE DUTCHMAN’S CAP Signed, oil on board 24cm x 34.5cm (9.5in x 13.5in)

21 FF616/3 SHUNKO DESHIMA (JAPANESE fl. 1930s) NOTRE DAME, PARIS Signed and dated 1929, ink and gouache on vellum

£800-1,200

70cm x 50cm (27.5in x 19.75in)

£800-1,200 20 FF507/1 JAMES STUART PARK (SCOTTISH 1862-1933) IRISES Signed stretcher verso, oil on canvas

£400-600

and another by the same hand, a pair (2) £1,000-1,500 28§ FF807/2 DAVID JAGGER (BRITISH 1891-1958) SKETCH FOR “NEEDLEWORK” Signed, signed and inscribed with title label verso, oil on board 25.5cm x 20cm (10in x 8in)

£500-700 29 FF790/1 HENRY WRIGHT KERR R.S.A., R.S.W. (SCOTTISH 1857-1936) PORTRAIT OF A RED-HAIRED YOUNG GIRL Signed, watercolour

28.5cm x 36cm (11.25in x 14.25in)

46cm x 33cm (18in x 13in)

£600-800

£700-900

37cm x 29cm (14.5in x 11.5in)

£600-800 7

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44

34

30§ FF889/1 ROBERT RUSSELL MACNEE (SCOTTISH 1880-1952) DUCKS ON A VILLAGE PATH Signed, oil on canvas 30cm x 39cm (12in x 15.25in)

33 FG534/2 WILLIAM RICKARBY MILLER (AMERICAN 1818-1893) FIGURES CROSSING A BRIDGE Signed and dated 1889, oil on canvas

£400-600

42cm x 34cm (16.5in x 13.5in)

£1,500-2,500

45

31 FF890/1 FOLLOWER OF DOMINIC SERRES BRITISH VESSELS ON A ROUGH SEA Oil on canvas

34§ FG604/1 HERMAN VEGER (DUTCH 1910-1983) AN EVENING AT VIERHOUTEN Signed, oil on canvas

60cm x 87cm (23.5in x 34.25in)

59cm x 89cm (23.25in x 35.5in)

£2,000-3,000

£500-700

32 FG534/1 JOSE MONTENEGRO CAPPELL (SPANISH 1855-1924) COURTYARD, SPAIN Signed and indistinctly dated, oil on panel

35 FG611/16 ATTRIBUTED TO PANCRACE BESSA (FRENCH 1772-1835) STILL LIFE WITH BUTTERFLY Signed, oil on paper

29cm x 15.5cm (11.5in x 6.25in)

£500-800

and another by the same hand, a pair (2) £600-800

29cm x 22cm (11.5in x 8.75in)

36 FB79/15 ATTRIBUTED TO JAMES FRANCIS DANBY (BRITISH 1816-1875) THE DAY AFTER THE STORM Inscribed on a label verso, oil on board 36cm x 51cm (14in x 20in)

£400-600 8

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46

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47

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44§ FB791/40 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH 1942-2013) FIGURE, GULL AND BASS ROCK Signed, pencil and watercolour

24cm x 18cm (9.5in x 7in)

41§ FF504/1 GEORGES SPIRO (FRENCH/POLISH 1909-1994) L’HORLOGE Signed, inscribed ‘N22’ verso and signed to stretcher, oil on canvas

£300-500

40cm x 34cm (15.75in x 13.25in)

£1,000-1,500

37 FB79/14 19TH CENTURY BELGIAN SCHOOL AN ARAB BEAUTY Indistinctly signed and dated ‘86, oil on canvas

54cm x 75cm (21.25in x 29.5in)

£600-800 38 FD672/1 JOHN FREDERICK PASMORE (BRITISH 1820-1881) THE CAVALIER Signed, oil on canvas

48§ FF752/1 HAMISH LAWRIE (SCOTTISH 1919-1987) TORRIN VILLAGE Signed, oil on board 47cm x 58cm (18.5in x 23.75in) Exhibited: Ancrum Gallery

£300-500

62.5cm x 73.5cm (24.5in x 29.5in)

42 FF452/1 JONATHAN ARMIGEL WADE (BRITISH b. 1960) REVISION Signed, oil on board

45§ FF671/4 PAUL LUCIEN MAZE (FRENCH 1887-1979) STILL LIFE - PREPARING STEW Signed, dated 1946 stretcher verso, oil on canvas

£500-800

38cm x 60cm (15in x 23.5in)

28cm x 39cm (11in x 15.25in)

49§ FF923/6 MARY HOLDEN BIRD (SCOTTISH d. 1978) APRIL MORNING Signed with monogram, watercolour

£300-500

£400-600

25.5cm x 33cm (10in x 13in)

43§ FB791/33 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH 1942-2013) THE SORCERER Signed and inscribed with title, pencil and watercolour

46§ FF824/2 DONALD MANSON (SCOTTISH CONTEMPORARY) HOLIDAY HUTS, ARYSHIRE Signed, oil on board

54cm x 75cm (21.25in x 29.5in)

£300-500

39 FE28/1 G** VAUTIER (19TH/20TH CENTURY) ON THE RIVER BANK Signed, oil on canvas 41cm x 61cm (16in x 24in)

£500-700 40 FF495/8 RICHARD DIGHTON (BRITISH 1795-1880) DOUBLE PORTRAIT OF ADMIRAL ROUS AND MR PAYNE Watercolour and bodycolour on paper 20cm x 14cm (8in x 5.5in)

£300-500

71cm x 54cm (28in x 21.25in)

£1,000-1,500 47§ FF737/9 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) SKULL Signed and dated ‘83, chalk

£400-600 50 FF946/2 RONALD STERNBERG (NEW ZEALAND b. 1919) THE OLD LAW COURTS, THAMES, NEW ZEALAND Signed, watercolour, pen and ink 21cm x 22cm (8.25in x 8.75in)

£250-350

74cm x 55cm (29in x 21.5in)

and two further works by the same hand, a trio (3) £500-700 9

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60

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58 FF859/8 JOHN SPRINGS (BRITISH b. 1962) NIGELLA LAWSON (b. 1960) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Sunday Telegraph’, c. 2011 40cm x 32cm (15,75in x 12.5in)

£250-300

51 FF859/1 JOHN SPRINGS (BRITISH b. 1962) NELSON MANDELA (b. 1918) pen and ink with red ink cross hatching and some acrylic colour, signed, published in the US magazine ‘Mirabella’, early 1990s 35cm x 22cm (13.75in x 8.75in)

£200-300 52 FF859/2 JOHN SPRINGS (BRITISH b. 1962) ELIZABETH II (b. 1926) pen and ink with red ink cross hatching and some acrylic colour, signed, possibly unpublished 23cm x 21cm (9in x 8.25in)

£200-300 53 FF859/4 JOHN SPRINGS (BRITISH b. 1962) SIR JOHN GIELGUD (1905-2000) pen and ink with red ink cross hatching, signed, published in ‘The Spectator’, late 1980s 29cm x 20cm (11.5in x 8in)

£150-250

10

54 FF859/3 JOHN SPRINGS (BRITISH b. 1962) GEORGE BERNARD SHAW (1856-1950) WITH MICHAEL HOLROYD (b. 1935) pen and ink with red ink cross hatching and acrylic colour, signed, published in the ‘Times Saturday Review’, early 1990s, possibly to coincide with the conclusion of Holroyd’s 4 volume biography of the playwright

56 FF859/6 JOHN SPRINGS (BRITISH b. 1962) WINSTON CHURCHILL (1940-2010) AND SIR WINSTON CHURCHILL (1874-1965) pen and ink, signed and inscribed by the artist verso, published in ‘The Financial Times’

38cm x 34cm (15in x 13.5in)

26cm x 15cm (10.25in x 6in) Note: Churchill, an MP from 1970 to 1983 is shown with his grandfather at his shoulder in characteristic pose with cigar.

£250-350

£200-300

55 FF859/5 JOHN SPRINGS (BRITISH b. 1962) JAMIE OLIVER (b. 1975) pen and ink with red ink cross hatching and some acrylic colour, signed, published c.2010 in the ‘Sunday Telegraph’ coinciding with Oliver’s campaign for better school meals

57 FF859/7 JOHN SPRINGS (BRITISH b. 1962) DIANA, PRINCESS OF WALES (1961 - 1997) pen and ink, published on the cover of the royal wedding issue of ‘The Spectator’, July 1981

23cm x 22cm (9in x 8.75in)

£150-200

29cm x 20cm (11.5in x 8in)

£600-800

59 FF859/9 JOHN SPRINGS (BRITISH b. 1962) HILARY CLINTON (b. 1947) pen and ink, signed, published in the ‘Sunday Telegraph’, c.

2005, during her successful period as Senator for New York, a small Bill Clinton appears by her side 24cm x 26cm (9,5in x 10.25in)

£150-200 60 FF859/10 JOHN SPRINGS (BRITISH b. 1962) HITLER, BISMARK AND THE KAISER pen and ink with red ink cross hatching and acrylic colour, signed, an unpublished cartoon, c.1989, showing the three figures playing football with the world represented as the ball 30cm x 32cm (11.75in x 12,5in)

£200-300 61 FF859/11 JOHN SPRINGS (BRITISH b. 1962) AUNG SAN SUU KYI (b. 1947) pen and ink with red ink cross hatching and acrylic colour, signed, mid 2000s 29cm x 23cm (11.5in x 9in)

£150-200

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58

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62 FG27/1 ERROL STEPHEN BOYLEY (SOUTH AFRICAN 1918-2007) VIEW FROM NEWLANDS Signed, oil on board

65§ FG465/2 ERNEST BURNETT HOOD (SCOTTISH 1932-1988) HOLY ISLAND Signed, oil on canvas

35.5cm x 51cm (14in x 20in)

28cm x 38cm (11in x 15in)

£300-500

£300-500

63§ FG361/1 WILLIAM DRUMMOND BONE A.R.S.A, R.S.W. (SCOTTISH 1907-1979) STILL LIFE OF FLOWERS IN A CREAM JUG Signed and indistinctly dated, oil on board

66§ FG497/2 WILLIAM MCGREGOR (BRITISH 19TH/20TH CENTURY) FISHERMEN ON LOCH DUICH Signed, oil on canvas

60cm x 49cm (23.5in x 19.25in)

67§ FG497/3 WILLIAM MCGREGOR (BRITISH 19TH/20TH CENTURY) LOCH GARVE Signed, oil on canvas

£300-500 64§ FG465/6 ERNEST BURNETT HOOD (SCOTTISH 1932-1988) A GLASGOW TENEMENT, WINTER Signed, oil on board 39cm x 50cm (15.25in x 19.5in)

£300-500

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68

44cm x 60cm (17.25in x 23.5in)

£400-600

45cm x 59cm (17.75in x 23.25in)

£300-500 68§ FG538/1 DAVID MCLEOD MARTIN R.S.W. (SCOTTISH b. 1922) CHURCH AND LILIES Signed, mixed media on paper 55cm x 76cm (22in x 30.25in)

69§ FG586/36 JOHN GARDEN BOYD (SCOTTISH 1940-2001) JUG AND POT Signed, signed and inscribed with title stretcher verso, oil on canvas

70 FG586/35 KENNETH WARDLE (SCOTTISH CONTEMPORARY) PARIS STREET, JANUARY 1961 Inscribed with title verso, oil on board

30cm x 40cm (11.75in x 15.75in)

£400-600

60cm x 40cm (23.5in x 15.75in)

£400-600

£400-600

11

71§ FG586/16 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.S.W., R.E, R.O.I. (SCOTTISH 1865-1945) DISTANT PEAKS Signed, pencil and watercolour

75 FG599/14 MANNER OF WILLIAM AIKMAN PORTRAIT OF A YOUNG WOMAN IN A RED CLOAK Depicted in a feigned oval, oil on canvas

82§ FF654/6 SIR GEORGE PIRIE F.R.S.A., H.R.S.W., L.L.D. (SCOTTISH 1867-1946) SHEEP ON THE MOOR Signed, oil on canvas

75cm x 61cm (30in x 24in)

79§ FF616/1 EDWARD STEEL HARPER (BRITISH 1878-1951) A MOUNTAIN TARN, INVERNESS-SHIRE Signed with monogram and dated 1921, oil on board

17cm x 28cm (6.75in x 11in)

£400-600

£600-900

30cm x 44.5cm (11.75in x 17.5in)

£400-600

38cm x 49cm (15in x 19.25in)

£500-700 72§ FG586/20 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S., R.S.W., R.E (SCOTTISH 1865-1945) LOCH NESS Signed, watercolour

76 FG599/15 MANNER OF WILLIAM AIKMAN PORTRAIT OF A YOUNG DARK HAIRED WOMAN Depicted in a feigned oval,oil on canvas

15cm x 25cm (6in x 9.75in)

74.5cm x 61.25cm (30in x 24in)

£300-500

£600-900

73§ FG530/6 MOFFAT PETER LINDNER (BRITISH 1852-1949) BOATS IN HARBOUR, VENICE Signed, watercolour 21cm x 29cm (8.25in x 11.5in)

77 FF505/1 MARY ANN FLAXMAN (BRITISH 1768-1833) EASTERN PURSUITS Signed and dated 1786, watercolour

£300-500

31cm x 47cm (12.25in x 18.5in)

80 FF620/2 JAMES WILLIAM GILES R.S.A. (SCOTTISH 1801-1870) A STAG AND DOES IN A HIGHLAND LANDSCAPE Signed and indistinctly dated 186?, oil on board 24cm x 32cm (9.5in x 12.5in)

£600-800

£400-600 81§ FF653/8 KATE CAMERON R.S.W., R.E. (SCOTTISH 1874-1965) BAMBURGH CASTLE Initialled, watercolour

74 FG600/88 SAMUEL PROUT (BRITISH 1783-1852) THE OLD WELL Signed with monogram, watercolour

78 FF508/3 A** L** GRACE (BRITISH 19/20TH CENTURY) A NEW CAMPAIGN Signed, oil on canvas

25cm x 30cm (9.75in x 11.75in) Exhibited: This appears to be the watercolour exhibited at the R.S.W in 1913 entitled ‘Bamburgh Castle, Sunset’.

Provenance: The Fine Art Society, November 1982

27cm x 22cm (10.5in x 8.5in)

76cm x 56cm (30in x 22in)

£400-600

£300-500

£600-900

73

81

12

77

84

83§ FF653/4 JOHN KINGSLEY COOK (BRITISH 1911-1994) SELF-PORTRAIT Watercolour 25cm x 23cm (9.75in x 9in)

and another by the same hand ‘Tree on the Heath’ (2) Exhibited: The Open Eye Gallery, Edinburgh

£300-500 84 FF671/2 CHARLES HODGE MACKIE R.S.A. R.S.W. (SCOTTISH 1862-1920) CHILDREN PLAYING, VENICE Signed, coloured woodblock print 43cm x 58cm (17in x 22.75in)

£500-700

76

91

94

93 87

96§ FF653/2 AILEEN BANNATYNE (CONTEMPORARY SCOTTISH) BUTTERFLY TREE Pastel

37cm x 56cm (14.5in x 22in)

93 FG64/6 WILLIAM KLEIN (AMERICAN b. 1928) HORN AND HARDART, C.1955 Signed and dated 1977 in pencil verso,

£300-500

30cm x 41cm (11.75in x 16in)

£250-350

85§ FF666/1 WILLIAM MILLER FRAZER R.S.A. (SCOTTISH 1864-1961) TANGIERS CAPE Signed, oil on board

89§ FF737/7 ANDREW ARCHER GAMLEY (BRITISH 1869-1949) VIEW OF EDINBURGH Signed, watercolour

22cm x 32cm (8.75in x 12.5in)

£600-800

43cm x 56cm (17in x 22in)

£800-1,200 86§ FF666/2 WILLIAM MILLER FRAZER R.S.A. (SCOTTISH 1864-1961) WANSFORD Signed, oil on board

90 FF763/28 JAMES STUART PARK (SCOTTISH 1862-1933) ROSES IN A GLASS VASE Signed, oil on canvas, oval

24.5cm x 35cm (9.5in x 13.75in)

60cm x 48cm (23.5in x 19in)

£600-800

£400-600

87§ FF666/3 WILLIAM MILLER FRAZER R.S.A. (SCOTTISH 1864-1961) WARWICK Signed, oil on board

91§ FG64/2 TONY RAY-JONES (BRITISH 1941-1972) BALLROOM, MORECAMBE Stamped, inscribed VII and numbered 4/125 in pencil to mount, silver print

24.5cm x 35cm (9.5in x 13.75in)

£600-800

20.5cm x 13cm (8in x 5.25in)

88§ FF737/6 GEORGE MELVIN RENNIE (SCOTTISH 1874-1953) RUGGED HIGHLAND LANDSCAPE Signed, oil on canvas 49cm x 74cm (19.25in x 29in)

£300-500

£400-600 92 FG64/3 WILLIAM KLEIN (AMERICAN b. 1928) STATEN ISLAND FERRY, 1955 Signed and dated 1977 in pencil verso, gelatin silver print

94§ FG604/2 MARGARET HISLOP R.S.A., R.B.A. (SCOTTISH 1894-1972) SQUARE DE VERT GALENT, PARIS Signed, oil on canvasboard

97§ FF653/3 MICHAEL AGNEW (SCOTTISH CONTEMPORARY) BLUEBIRD FIGURE Signed and inscribed with title and datd ‘94 verso, mixed media on canvas

75.5cm x 54.5cm (29.5in x 21.5in) Exhibited: Royal Scottish Academy, 1970

36cm x 36cm (14.25in x 14.25in) Provenance: Open Eye Gallery, Edinburgh

£600-800

£200-300

95 FF620/3 FREDERICK R. KLIX (AUSTRALIAN b. 1917) PARARACHILNA GORGE, S.A. Signed, oil on board

98§ FF653/7 ROBERT MACLAURIN (SCOTTISH b. 1961) CLIFF AND GREEN TENT Signed board verso, oil on board

40cm x 47cm (15.75 in x 18.5in)

40cm x 40cm (15.75in x 15.75in) Exhibited: The Mercury Gallery, Edinburgh, 1985

and a book on the artist (2) £300-500

£400-600

30.5cm x 40cm (12in x 15.75in)

£800-1,200 13

99

100

101

105

101§ FF818/1 FRANK HENRY MASON R.B.A., R.I. (BRITISH 1875-1965) A SHIP AMOUNGST ICEBERGS Signed, oil on canvas

117

50cm x 65cm (19.75in x 25.5in)

105§ FF737/5 ROBERT DOUGLAS STRACHAN H.R.S.A. (SCOTTISH 1875-1950) WINNING THE LADY’S FAVOUR Signed with initials and dated ‘98, oil on canvas

£1,000-1,500

50cm x 75cm (19.75in x 29.5in)

£400-600 102 FF671/3 19TH/20TH CENTURY ARCTIC EXPLORATION Indistinctly signed and dated XX, oil on board 72cm x 49cm (28.25in x 19in)

106 FF737/8 G. LENZ (19TH CENTURY CONTINENTAL SCHOOL) GATHERING THE CATCH Signed, oil on canvas

£300-500

69cm x 31cm (27in x 12.25in)

103 FF654/12 PATRICK WILLIAM ADAM R.S.A (SCOTTISH 1854-1929) INTERIOR Signed, titled and inscribed ‘To R. L. Wheatly, with best wishes, 26: Jan 1922’ artist’s label verso, chalk 22.5cm x 38cm (9in x 15in)

£600-800

and another by the same hand ‘Fisher Girl’ (2) £400-600 107 FF808/2 MALCOLM MACLACHLAN HARPER (SCOTTISH 1839-1917) CORNSTOOKS Signed and dated 1900, oil on canvas 49cm x 59cm (19.25in x 23.25in)

99 FF737/4 20TH CENTURY FRENCH SCHOOL BOIS DE BOULOGNE, AUTUMN Indistinctly signed, inscribed stretcher verso, oil on canvas

100 FF763/33 ANDREW BLACK R.S.W. (SCOTTISH 1850-1916) BUSY HARBOUR Signed and dated 1891-2, oil on canvas

32cm x 54cm (12.5in x 21.25in)

72.5cm x 124cm (28.5in x 48.5in)

£300-500

£1,000-1,500

14

104 FF654/15 JAMES RIDDEL A.R.S.A., R.S.W (SCOTTISH 1857-1928) ON THE WATER OF LEITH Oil on canvas 41cm x 48cm (16in x 19in)

£600-800

£400-600 108 FF874/1 ALEXANDER KAY BRANDEN (BRITISH fl. 1865-1905) SHIPPING OFF THE COAST Signed, oil on canvas 59cm x 92cm (24in x 36in)

£900-1,200

109 FF867/1 ALEXANDER ROCHE R.S.A., R.P. (SCOTTISH 1861-1921) POLPERRO, CORNWALL Signed, oil on board 35.5cm x 43.5cm (14in x 17.25in) Exhibited: The Fine Art Society, Glasgow and Edinburgh, May-June 1982, ‘Thoughts of Spring’

£600-800 110 FF902/3 PRE-RAPHAELITE SCHOOL PORTRAIT OF A LADY pastel roundel 35cm diameter

£300-500 111 FF922/5 CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK Signed and inscribed in plate, woodblock print 305cm x 35.5cm (12in x 14in)

112 FF922/7 WILLIAM WALLS R.S.A., R.S.W. (SCOTTISH 1860-1942) HIGHLAND CATTLE Signed and dated 1906, oil on canvas

115 FG509/1 WILLIAM WYLLIE (BRITISH 1851-1931) FORTH BRIDGE, EDINBURGH Signed and inscribed with title to margin, etching

22.25cm x 16.75cm (8.75in x 6.5in)

61cm x 91cm (24in x 36in)

11cm x 15cm (4.25in x 6in)

£250-350

£600-900

£200-300

113 FF928/1 19TH CENTURY ENGLISH SCHOOL HEADING HOME C.1820, oil on canvas 52.5cm x 63.5cm (22.5in x 24.5in)

116 FG530/5 ARTHUR BRISCOE (BRITISH 1873-1943) THE GRAIN CARRIER Signed, inscribed with title and dated ‘32, watercolour

£400-600

37cm x 53cm (14.5in x 21in)

118 FG575/5 18TH CONTINENTAL SCHOOL CLASSICAL FIGURE PLAYING A LYRE Oval, oil on copper

119 FG586/1 EDWARD TROYE (AMERICAN 1808-1874) HUNTING IN THE WOODS Signed and dated 1833, oil on canvas 65cm x 100cm (25.5in x 39.5in)

£600-800

£500-800 114 FF928/2 MANNER OF ARCHIBALD RUSSELL WATSON ALLAN (SCOTTISH 1878-1959) HANGING OUT THE WASHING Oil on canvas

117 FG575/6 19TH CENTURY DUTCH SCHOOL THE WINDMILL Oil on board, unframed

34.5cm x 27cm (13.5in x 10.5in)

49cm x 39cm (19in x 15in)

and a companion, a pair (2) £400-600

£300-500

120 FG586/2 19TH CENTURY BRITISH SCHOOL PORTRAIT OF WATER-LILY Oil on canvas 49cm x 60cm (19.5in x 23in)

£300-500 121 FG586/4 20TH CENTURY SCOTTISH SCHOOL RIVER DEE NEAR BALLATER Indistinctly signed, oil on canvas

£700-900

36.5cm x 52cm (14.25in x 20.5in)

£300-500

119

1 103

120

15

122

124

122 FF225/1 HARRY MACGREGOR (SCOTTISH FL.1894-1935) ROADSIDE CAMP Signed and dated 1910, oil on canvas

126 FF651/2 JOHN BALLINGALL (19TH CENTURY BRITISH) SAILING BOATS AT MOONRISE Signed and dated ‘94, oil on board

130 FF671/1 PATRICK WILLIAM ADAM R.S.A. (SCOTTISH 1854-1929) ST ABBS, ROUGH WEATHER Signed, inscribed with title verso, pastel

133 FF889/2 JOHN LOCHHEAD R.B.A. (SCOTTISH 1866-1921) AUTUMN IN THE VILLAGE Signed and indistinctly dated, oil on canvas

56cm x 74cm (22.5in x 29.5in)

24cm x 34cm (9.5in x 13.5in)

22cm x 31cm (8.5in x 12.25in)

32cm x 85cm (12.5in x 33.5in)

£800-1,200

£700-900

£300-500

£600-900

123§ FF614/1 ALLAN DOUGLASS MAINDS A.R.S.A. (SCOTTISH 1881-1945) HIGHLAND SEASCAPE Signed and dated 1922, oil on paper

131 FF690/1 19TH/20TH CENTURY BRITISH SCHOOL BONNIE PRINCE CHARLIE Based on Toque’s lost original of Prince Charles painted in 1748, oil on ivory

134 FF923/9 ROBERT SANDERSON (BRITISH 1848-1908) I’LL TAKE TWO Signed, oil on canvas

36cm x 26.5cm (14.25in x 10.5in)

127§ FF653/1 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.S.W., R.E, R.O.I. (SCOTTISH 1865-1945) THOUGHT TO DEPICT THE RIVER TWEED NEAR NORHAM Signed, charcoal, ink and wash

£400-600

24cm x 36cm (9.5in x 14in)

7.5cm x 6cm (3in x 2.5in)

£500-700

£250-350

54cm x 75cm (21.25in x 29.5in)

128 FF656/1 19TH CENTURY SCOTTISH SCHOOL THE LIGHTOUSE Oil on canvas

£600-800

29cm x 60cm (11.5in x 23.5in)

132 FF763/29 MARY F. SIMPSON (BRITISH 19TH CENTURY) ARABESQUE SCENE Signed and dated 1894, oil on canvas

£400-600

65cm x 35cm (25.5in x 13.75in)

135 FF923/19 SAM BOUGH R.S.A., R.S.W. (BRITISH 1822-1878) PANORAMIC VIEW OVER A RIVER VALLEY Signed and dated 1869, watercolour

£400-600

26cm x 37cm (10.25in x 18.5in)

124§ FF624/1 JOHN J. INGLIS (IRISH/AMERICAN 1867-1946) SUMMER RIVER LANDSCAPE Signed, oil on canvas

125 FF651/1 ARCHIBALD KAY R.S.A., R.S.W. (SCOTTISH 1860-1935) WINTER RIVER LANDSCAPE Signed, oil on board 23.5cm x 34cm (9.25in x 13.25in)

129 FF654/27 FOLLOWER OF PETER MACNAB MENDING THE NETS Oil on canvas

£600-800

64.75cm x 120cm (25.5in x 47.5in)

£400-600

133

16

24cm x 20cm (9.5in x 8in)

and another by the same hand, a pair (2) £500-700

£500-700

136

136

126

136 FF923/25 ROBERT HOPE R.S.A. (SCOTTISH 1869-1936) COLLECTION OF THREE SKETCHBOOKS BELONGING TO THE ARTIST Various media including watercolour, pastel and pencil (3) £1,000-1,500 137 FF946/1 FOLLOWER OF JAMES ABBOTT MCNEILL WHISTLER (19TH/20TH CENTURY BRITISH SCHOOL) NOCTURNE: BLUE AND SILVER - CREMORNE LIGHTS Oil on canvas 29.5cm x 49.5cm (11.5in x 19.5in) Note: This work is a close interpretation of Whistler’s original, painted in 1872 and held in the collection of the Tate.

£800-1,200

136

143

138§ FF946/3 LOWES DALBIAC LUARD (BRITISH b. 1944) TEAM OF HORSES Signed, watercolour and ink

141§ FG465/3 LACHLAN GOUDIE (SCOTTISH CONTEMPORARY) THE SHORE Signed, oil on canvas

8cm x 24.5cm (3.25in x 9.75in) Exhibited: The Fine Art Society, 9/4/34

32.5cm x 45cm (12.75in x 17.75in)

144§ FG586/34 WILLIAM ELLIS BARRINGTON-BROWNE (BRITISH 1908-1985) STAG AND HIND Signed, oil on board

£250-350

21cm x 29cm (8.25in x 11.5in)

£200-300

142§ FG14/63 BARRY CASTLE (IRISH 1835-2006) THREE WOMEN REMEMBERING AN EXTINCT GENDER Signed with initials and dated ‘86, oil on board

139 FG279/7 JOHN CAMPBELL MITCHELL R.S.A. (SCOTTISH 1862-1922) NEAR LOCHNELL, ARGYLLSHIRE Signed, inscribed with title verso, oil on panel 15cm x 21cm (6in x 8.25in)

£400-600 140§ FG465/5 ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) OUR VILLAGE CHURCH Signed, pastel and watercolour 49cm x 61cm (18.75in x 24in)

£400-600

£300-500

71cm x 91cm (28in x 36in) Provenance: Lorbottle Hall, Whittingham, Northumberland

£800-1,200

145 FB79/17 WILLIAM PITT (BRITISH 19TH CENTURY) BEACHED FISHING BOATS Signed and dated 1855, oil on canvas 32cm x 47cm (12.5in x 18.5in)

£300-500

END OF DAY 1

143 FG590/6 CARL FREDERIK PEDER AAGAARD (DANISH 1833-1895) THE AMALFI COAST Signed and dated 1894, oil on canvas 65.5cm x 85cm (25.75in x 33.5in)

£800-1,200

17

Forthcoming Sales Contemporary & Post-War Art 19 March, 2014 Enquiries: Charlotte Riordan charlotte.riordan@lyonandturnbull.com Tel: 0131 557 8844

JOHN HOUSTON R.S.A., R.S.W., S.S.A. (SCOTTISH 1930-2008) POPPIES, WHITE, PINK AND RED Signed, signed, inscribed with title and dated 1987 stretcher verso, oil on canvas 39cm x 44cm (15in x 17.25in) ÂŁ1,500-2,500

Sales Calendar FEBRUARY

APRIL

12

Jewellery & Silver

16

Decorative Arts & Design

23

Asian Works of Art

30

British & Continental Paintings

MARCH

MAY

05

Fine Antiques

13

Rare Books, Maps & Manuscripts

19

Contemporary & Post-War Art

22

Scottish Paintings

25

Interiors

18

DAY 2 Saturday, 25th January, 2014 at 10am

Furniture, Rugs & Works of Art Lots 146-561 148

146

146 FF704/1 OAK DRESSER AND PLATE RACK 18TH CENTURY STYLE the moulded cornice above two shelves, over the base with three frieze drawers, raised on cabriole legs and pad feet

149 FG586/26 MAHOGANY DRESSING TABLE 19TH CENTURY the rectangular top above a frieze drawer, flanked by deep drawers, raised on ring turned legs

165cm wide, 181cm high, 53cm deep

£200-300

91cm wide, 81cm high, 51cm deep

£600-800 147 FF763/2 VICTORIAN BURR WALNUT SNAP TOP BREAKFAST TABLE the oval moulded, quarter veneered top above a fluted turned support, raised on moulded cabriole legs and bun feet 135cm wide, 70cm high, 106cm deep

150 FG590/16 VICTORIAN TAPESTRY FIRE SCREEN the floral panel within a moulded rectangular frame, raised on ring turned supports and moulded cabriole legs united by a turned stretcher 52cm wide, 114cm high

£180-250

£400-600 148 FG774/6 LARGE GENOVESE GILT FAUX MARBLE MIRROR ITALIAN CIRCA 1860 the rectangular mirror plate within a foliate moulded and scrolling frame 168cm wide, 203cm high, 20cm deep

£2,000-3,000

151 FG464/43 GEORGE III MAHOGANY RAEBURN CHAIR with silk upholstery by ‘Mulberry & Co’, with leaf carved decoration to each arm, raised on moulded chamfered legs 92cm high Provenance: Collection of Todd Gordon, Blacket Place. Purchased from Lyon & Turnbull, 2001, sale 27, lot 357

£800-1,200

155

152 FG433/25 ART DECO NEST OF BURR MAPLE OCCASIONAL TABLES, CIRCA 1930 the shaped circular crossbanded top above rectangular cross supports inclosing four smaller tables of triangular section (5) 75cm diameter, 54cm high, small tables 32cm across, 50cm high

£250-400 153 FG469/7 PAIR GEORGE III MAHOGANY DINING CHAIRS the shaped top rail above a pierced vertical splat and serpentine drop in pad seat raised on moulded square legs 53cm wide, 97cm high, 40cm deep

£200-300 154 FG478/2 GEORGIAN STYLE BUREAU BOOKCASE the dentil moulded cornice above astragal glazed doors enclosing adjustable shelves, over the fall flap enclosing a fitted interior, over four graduated drawers, raised on ogee bracket feet 103cm wide, 218cm high, 62cm deep

£500-800

155 SV50/4 WALNUT AND EBONISED BRASS MOUNTED CREDENZA the shaped top above a panel door enclosing shelves, flanked by bowed glazed doors, raised on turned legs 151cm wide, 111cm high, 42cm deep

£350-450 156 FG599/16 GILTWOOD PIER GLASS 19TH CENTURY STYLE the shaped mirror plate within a beaded frame with peripheral mirror slips, surmounted by a foliate crest 56cm wide, 150cm high

£150-250 157 FG593/2 PAIR OF VICTORIAN OPEN ARMCHAIRS the carved and upholstered back above out swept arms and a serpentine stuff over seat, raised on moulded cabriole legs 62cm wide, 100cm high, 59cm deep

£300-500 158 FG593/5 VICTORIAN BRASS AND IRON SINGLE BED the serpentine shaped foot and head boards raised on casters with a needle point back curtain and throw £300-500

19

160

172

164

159 FG549/2 OAK SETTLE the padded back above down swept arms and a loose cushioned seat, raised on block and turned legs, united by stretchers 179cm wide, 101cm high, 50cm deep

£400-600 160 FG507/32 CARVED OAK COFFER the paneled hinged lid enclosing a void interior, above a carved and inlaid panel front, raised on block feet 115cm wide, 61cm high, 53cm deep

£300-500 161 FG507/24 DUTCH MARQUETRY BOMBE BUREAU the fall flap enclosing a fitted interior above a frieze with two short drawers and three graduated long drawers, raised on bracket feet 107cm wide, 110cm high, 58cm deep

£1,500-2,500

162

162 FF763/1 OAK AND MAHOGANY BANDED EIGHT DAY LONGCASE CLOCK 19TH CENTURY the broken swan neck pediment and brass eagle finial above an arched painted dial with roman numerals and subsidiary date aperture, flanked by reeded pilasters, raised on a plinth base

165 FG592/38 REGENCY MAHOGANY CANTERBURY IN THE MANNER OF GILLOWS the rectangular back flanked by serpentine rails and turned supports, above a frieze drawer, raised on turned legs and brass caps and casters 46cm wide, 58cm high, 36cm deep

£300-400

53cm wide, 225cm high, 24cm deep

£300-500 163 FF70/1 VICTORIAN STYLE MAHOGANY EXTENDING DINING TABLE the oval moulded top above a plain frieze, raised on acanthus carved legs and ball and claw feet with brass castors 242cm wide, 74cm high, 121cm deep

£400-600

166 FD74/3 MANNER OF JAMES SALMON JR. STAINED POPLAR GLASGOW STYLE DISPLAY CABINET, CIRCA 1900 the projecting corners above four glazed doors and four column supports with undertier, the whole raised on ovoid feet 154.5cm wide, 149cm high,

164 FG774/14 EDWARDIAN LEATHER CLUB CHAIR the arched back above out scrolled arms and a loose cushioned seat, raised on outswept square legs 78cm wide, 80cm high, 51cm deep

£500-700

20

175

39.5cm deep

£600-800

167 FF153/22 LOUIS XVI STYLE GILTWOOD MIRROR 19TH CENTURY the cartouche shaped mirror plate in a giltwood frame with foliate scrolls, shells and floral garlands 85cm wide, 136cm high Provenance: Selected contents of Lorton Park, Cumbria

£1,000-1,500 168 FF685/14 MAHOGANY CORNER SHELF the peaked carved top over two graduated open shelves above pierced scrolled panels 82cm high

£150-250 169 FF685/22 GEORGE III MAHOGANY PEMBROKE TABLE the reeded rectangular top above a frieze drawer and opposing dummy drawer, raised on square tapering legs and brass caps and casters 83cm wide, 71cm high, 49cm deep

£150-250

170 FF744/12 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three graduated dished circular tiers on a central baluster turned support and ending on cabriole legs with raised pad feet 50cm diam, 100cm high

£500-800 171 FG530/1 PAIR OF EDWARDIAN FLORAL UPHOLSTERED ARMCHAIRS each with a loose cushioned back and seat, flanked by out scrolling arms, raised on casters (2) 92cm wide, 78cm high, 61cm deep

£300-500 172 FG300/87 OAK PLATE RACK EARLY 19TH CENTURY the breakfront moulded cornice above two shelves and two drawers, flanked by cupboard doors (Restorations) 157cm wide, 84cm high, 24cm deep

£300-500

173 FF72/65 EARLY GEORGE III STYLE WALNUT AND CROSSBANDED TWIN PEDESTAL DINING TABLE the rounded rectangular top above turned supports, raised on cabriole legs 183cm wide, 78cm high, 91cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£700-1,000 175 FF744/11 SET OF SIX VICTORIAN GOTHIC STYLE OAK CHAIRS the arched top rail above vertical splats and a caned seat, raised on square tapering legs, united by stretchers 42cm wide, 87cm high, 39cm deep

£300-500 176 FG599/12 CHINESE CHIPPENDALE STYLE MIRROR 20TH CENTURY the shaped rectangular mirror plate within an ornate foliate moulded frame

177 FG774/8 OAK AND BRASS BOUND STICK STAND of barrel form with six sectional divisions and six brass bands fixed with copper studs 33cm wide, 65cm high

£250-350

180 FF164/25 OAK LONGCASE CLOCK CIRCA 1800 the hood with swan neck pediment, with a brass arched dial with inscribed boss ‘William M Dobie Falkirk ‘, with Roman and Arabic numerals, subsidiary seconds dial and date aperture, engraved spandrels and centre, with an eight day movement, the plain trunk with an arched door, the plain base raised on a shaped plinth base

178 FG586/21 CARVED OAK BLANKET CHEST 18TH CENTURY STYLE the hinged rectangular top opening to reveal a void interior, above three carved panels, raised on block feet

213cm high

141cm wide, 63cm high, 58cm deep

£600-900

£500-700 179 FF759/3 OAK COLLECTER CABINET, BY J.T.SCOTT, EDINBURGH the moulded rectangular top above a panel door enclosing two short and seven graduated long camphor lined drawers, raised on bracket feet

181 FF697/5 MAHOGANY FIRE SCREEN 19TH CENTURY the silk embroidered panel within a rectangular frame, raised on trestle feet united by a turned stretcher 61cm wide, 95cm high

£200-300

60cm wide, 120cm high, 44cm deep

£250-350

79cm wide, 156cm high

£200-300

161

167

166

176

170

177

21

182

184

185

187

182 FE136/1 FINE AMERICAN CLASSICAL PERIOD MAHOGANY SETTEE PROBABLY NEW YORK, CIRCA 1825 the serpentine back with a scroll end top rail carved with fruit and acanthus over a loose cushion seat and high scrolled arms, in yellow silk damask upholstery with two bolster cushions, the seat rail and corner brackets carved with acanthus and fruiting cornucopia, raised on carved lion paw feet

183A FG109/1 ASSEMBLED SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY comprising of six side chairs and two armchairs, with serpentine top rails over pierced and carved interlaced splats and wide curved stuffover seats, raised on straight square legs with arched corner brackets and joined by H-stretchers (8) 60cm wide, 100cm high, 46cm deep

£600-800

224cm wide, 90cm high, 53cm deep

£2,000-3,000 183 FG109/1A PAIR OF GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY with serpentine top rails over pierced and carved interlaced splats and curved arms, with wide curved stuffover seats, raised on straight square legs with arched corner brackets and joined by H-stretchers (2) 60cm wide, 100cm high, 46cm deep

£200-300

184 FG469/3 REGENCY ROSEWOOD BREAKFAST TABLE the circular top above an octagonal support, over a circular base raised on lion paw feet 122cm wide, 71cm high

£600-800

185 FG476/1 GEORGIAN MAHOGANY CHEST the moulded rectangular top above two short and three graduated long drawers, raised on bracket feet 94cm wide, 90cm high, 51cm deep

£300-400

190cm wide, 81cm high, 64cm deep

186 FG566/9 INDIAN CARVED ROSEWOOD TABLE 19TH CENTURY the rectangular top with a wide foliate carved border above an arched recess with pierced side panels and a pair of lateral tiers, above an arched apron and further carved and pierced panels, raised on bun feet

£200-300 189 FG774/2 PAINTED WATERFALL BOOKCASE with four graduated shelves above cupboard doors depicting oriental scenes, raised on bracket feet 70cm wide, 134cm high, 37cm deep

£1,000-1,500

77cm wide, 71cm high, 39.5 deep

£400-600 187 FG595/1 GROUP OF THREE GLOBEWERNICKE BOOKCASES the first with four glazed graduated sections, raised on a plinth base and two with three sections the tallest 87cm wide, 148cm high, 32cm deep

£400-600

22

188 FG599/23 LARGE FOLIATE MOUNTED METAL FRAME TABLE 20TH CENTURY the rectangular glass top above a foliate frieze, raised on foliate mounted legs, united by cross stretchers

190 FG469/10 VICTORIAN ROSEWOOD NEEDLEWORK POLE SCREEN the floral panel within a moulded rectangular frame, raised on a turned support and circular base with lion paw feet 43cm wide, 155cm high

£150-250

189

190

183A

192

188

34cm across, 133cm high

194 FF175/56 GEORGIAN STYLE WALNUT KNEE HOLE DESK the cross banded rectangular top above two frieze drawers, over a shaped drawer and recessed cupboard, flanked on either side by three further drawers, raised on bracket feet

£250-350

92cm wide, 76cm high, 54cm deep

191 FF904/3 VIENNESE SCHOOL PAIR OF WICKER PLANTERS, CIRCA 1910 each of hexagonal section with painted tin liners enclosed by xframed panels on turned supports with lower tier (2)

191

196

£300-500 192 FF706/5 OAK SECTIONAL BOOKCASE the moulded top above four graduated glazed sections, raised on a plinth base 87cm wide, 173cm high, 36cm deep

£250-350 193 FF65/1 HOWARD STYLE TWO SEATER FLORAL SOFA the shaped cushioned back and arms above loose cushioned seats, over a serpentine frieze, raised on turned legs and ceramic casters 156cm wide, 83cm high, 70cm deep

195 FF155/1 SET OF EIGHT MAHOGANY DINING CHAIRS BASED ON THE CHIPPENDALE PLATE DIRECTORY EARLY 20TH CENTURY the shaped carved top rail above a pierced vertical splat, over a celtic tooled leather drop in pad seat, raised on carved cabriole legs and ball and claw feet 62cm wide, 103cm high, 43cm deep

196 FF759/1 WALNUT SPECIMEN CHEST, PREVIOUSLY PROPERTY OF JAMES ROBERTSON JUSTICE the moulded top above two banks of nine graduated drawers, flanked by moulded columns, raised on a plinth base

£500-700

123cm wide, 96cm high, 54cm deep

£300-400

£200-300

23

Items from the collection of the late Simon John Noble, Ardkinglas Simon John Noble, or Johnny to those who knew him, was both the laird of Ardkinglas estate in Argyllshire and a creative entrepreneur, who founded ‘Loch Fyne Oysters’ and ‘Loch Fyne Restaurants’.

Having inherited his father’s estate on the shores of Loch Fyne in 1972, Johnny was faced with Inheritance tax to pay and an estate running at a loss. His enthusiasm, however, for marine biologist Andrew Lane’s suggestion of growing local oysters and developing a business was the creative answer to his financial woes. A few hundred seed oysters soon became thousands, and over time millions, to create the international company it is today. This also encouraged Johnny to develop the retail side of his business, which started as a trestle table in a lay-by, before moving to a cowshed, and then becoming the seafood restaurant chain now in operation.

As a result of Johnny’s hard work, he put vigour back into his estate, employing more people than it had in his greatgrandfather’s day.

Johnny’s love for shellfish was evident in his almost encyclopaedic knowledge of oysters too: he regularly recounted various facts and stories about the creatures of the loch, and it was in this vein that he started to collect all manner of antiquities and artefacts with links to the sea. Buying from shops and dealers such as Faustus Ancient Art in London, Johnny developed a fascinating collection of Greek, Roman, and Egyptian antiques. These included rock crystal amulets, gold pendants, pottery amphoras, and fossils, all with one common theme: the sea.

199 FG772/36P SMALL ROMAN SILVER FISH FIBULA modelled as a dolphin, with brooch fittings to the underside

197 FG772/5M ROMAN GOLD SHELL PENDANT modelled as a scallop shell with loop suspension, with simple incised detail

3cm long approx.

3cm long

£500-700

£1,000-1,500 198 FG772/6H PATINATED BRONZE BROOCH OF A MYTHOLOGICAL FISH of flattened curved form, modelled with oversized fins 5.5cm long

£350-450

198

24

Johnny Noble and Andrew Lane at the opening of the Oyster Bar, Loch Fyne, 1988.

It is with great pride, and much Johnny-inspired enthusiasm therefore, that Lyon & Turnbull presents the remaining pieces in this collection. Comprising of 25 fascinating items, all previously housed at Ardkinglas house, a Sir Robert Lorimer triumph, the pieces span many centuries, techniques and materials. It offers a rare chance to own something ancient and beautiful, much cherished and admired by its original collector.

201 FG772/27 MINIATURE GOLD FISH PENDANT POSSIBLY ROMAN with applied wirework detail and a garnet cabochon eye, with a simple threaded loop suspension

203 FG772/9R SMALL ROMAN GLASS DOLPHIN AMULET with a curved body and pierced hole to the head, the green glass with iridescent decoration 3cm long

£200-300

200 FG772/10 COLLECTION OF GREENSTONE BEADS 3RD CENTURY B.C. modelled as a part necklet composed of graduated fish and oval shaped beads, with simple detail, raised on a perspex stand

1.5cm long

202 FG772/3D ROCK CRYSTAL FISH AMULET 4TH/ 5TH CENTURY A.D. naturalistically modelled with a pierced hole to the mouth, with cut and incised decoration

204 FG772/31T LARGE ROMAN PATINATED BRONZE MOUNT OF A DOLPHIN the stylised body of curved form, terminating in a platypuslike head, with incised decoration

30cm long approx.

4.5cm long

18cm long

£1,200-1,800

£1,000-1,500

£2,500-3,500

£500-700

199

197

205

201

203

200

202

204

206

207

205 FG772/51O SMALL PATINATED BRONZE FISH of coiled form, with incised decoration to the head and fins 3cm diameter

£400-600

206 FG772/8J ROMAN PATINATED BRONZE HARNESS MOUNT modelled as symmetrical mirrored fish motifs, conjoined at the tale and mouth, with incised decoration 7cm long

207 FG772/15 PAIR OF REGENCY GILT ORMOLU SWEETMEAT DISHES EARLY 19TH CENTURY each modelled as scrolled open shell raised on two shell form feet, with incised decoration (2)

£300-400

11.5cm wide

£250-350

25

208

26

213

220

210

218

214

215

216

219

208 FG772/19S ROMAN PATINATED BRONZE SHELL DISH of shallow circular form with a flattened base and simple incised decoration

217

211

14cm diameter

£1,200-1,800 209 FG772/12 FOSSILISED CLAM SHELL of naturalistic closed form 10cm long

£150-250 210 FG772/38A BOLCA FISH FOSSIL POSSIBLY FROM THE CARANGIDAE FAMILY showing the fish profile, on a black weighted base with an inscribed plaque fragment 39cm wide

£400-600 211 FG772/38B BOLCA FISH FOSSIL showing the fish profile above a frond of Drepanocarpus dacampi and other weed, raised on a weighted black base with an inscribed plaque and a separate label fragment 33cm wide

£550-650 212 FG772/18 SMALL ROMAN CYLINDRICAL MARBLE SEAL the pale green stone incised with three rows of fish-like creatures, on a stand, with a plaque depicting the impression of the seal intaglio seal 1.5cm tall

£150-250 213 FG772/42 GREEK TERRACOTTA FIGURE OF A STYLISED HORSE 4TH/ 3RD CENTURY B.C. modelled standing with two fish on its back, with traces of painted decoration 9cm high, 9.5cm wide Provenance: Purchased from Faustus Ancient Art & Jewellery, 1998.

£800-1,200 214 FG772/48A POTTERY FRAGMENT FIGURE OF A FISH modelled as a head and partial section of a fish body with a pierced hole to the mouth, the incised scales and fins with painted decoration 8.5cm long

£150-250

215 FG772/4U GREEK TERRACOTTA FIGURE OF A DOLPHIN 4TH CENTURY B.C. of simple slightly curved form, with modelled features and an indistinct inscription to the underside 16.5cm long

£800-1,200 216 FG772/16C ALEXANDRIAN TERRACOTTA FISH VESSEL modelled as a bulti fish, the ovoid body of flattened form with a funnel above the incised fins and striped decoration 10.5cm long

220 FG772/30 FALISCAN POTTERY AMPHORA of baluster form with a flared rim and twin handles, with stylised fish motifs amongst decorative borders 42.5cm high

£1,200-1,800 221 FG772/45 ROMAN POTTERY WINE AMPHORA 1ST/ 2ND CENTURY A.D. the broad body tapering to a knobbed foot, above the cylindrical neck and twin handles, encrusted in places with marine life, raised on a metal tripod stand amphora 79cm high approx.

Provenance: Purchased from Faustus Ancient Art & Jewellery, 7th June 1999.

Note: This example is probably a ‘Knidos amphora’ from the Turkish-Aegean Mediterranean region.

£1,800-2,200

£1,000-1,500 217 FG772/22B EGYPTIAN FAIENCE FRAGMENT OF A LIBATION SPOON modelled as a bulti fish with fins in relief, with traces of painted decoration

221

8cm high, 7.5cm wide

£250-350 218 FG772/26 ISLAMIC POTTERY FISH PLATE of typical shallow circular form with a turned down rim and raised on a pedestal foot, with stylised decoration 16.5cm diameter

£180-220 219 FG772/34 SMALL NORTH AFRICAN SLIPWARE BOWL the hemispherical bowl raised on a disc foot, with applied decoration depicting fish to the flat rim 12cm diameter approx.

£150-250

27

226

229

28

228

232

222 FG307/1 TABRIZ CARPET NORTHWEST PERSIA, MODERN the indigo field with allover herati pattern, within red turtle palmette border 395cm x 10cm

229 FG754/1 KASHAN CARPET CENTRAL PERSIA, MODERN the red field with central indigo medallion, similar spandrels, within indigo palmette and vine border

£800-1,200

400cm x 300cm

£900-1,100 223 FG737/1 TURKISH RUNNER WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with column of lozenges and cruciform motifs, within red leaf border 402cm x 96cm

£200-300 224 FG279/20B NORTHWEST PERSIAN RUNNER EARLY 20TH CENTURY the rust red field with allover stylised foliate pattern, within beige border 396cm x 99cm

£200-300 225 FF692/1 THREE CHINESE RUGS EARLY 20TH CENTURY two with cream field with floral lattice medallion, similar spandrels, in cream borders; the other indigo with medallion and trees (3) 138 x 70cm; and 129cm x 64cm

230 FF750/4 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the camel field with red square medallion flanked by brown circular medallions, within diagonally striped border 253cm x 137cm Provenance: Mary, The Countess of Kintore at Keith Hall, Aberdeenshire.

Thence by descent to the present owner.

£150-250 231 FF750/5 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the camel field with three cream medallions, within diagonally striped border

233

277cm x 152cm Provenance: Mary, The Countess of Kintore at Keith Hall, Aberdeenshire.

Thence by descent to the present owner.

£200-300

£150-250 226 FG754/2 KAZAK STYLE CARPET MODERN the beige field with three turquoise and burgundy medallions, within turquoise and burgundy border

232 FG307/3 MESHED CARPET EAST PERSIA, LATE 20TH CENTURY the red field with allover palmette and arabesque vine pattern, within indigo palmette and arabesque vine border

300 x 205cm

550cm x 396cm

£800-1,200

£1,800-2,400

227 FG648/1 SHIRVAN LONG RUG EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with allover stylised foliate lattice pattern, within polychrome hooked border

233 FG565/2 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette and scrolling vine pattern, within cream palmette and scrolling vine border

248cm x 118cm

414cm x 320cm

£150-250

£2,000-3,000

228 FG565/4 MAHAL CARPET WEST PERSIA, LATE 20TH CENTURY the red field with allover large foliate motif pattern, within dark indigo palmette lozenge and vine border

234 FG565/3 QUM SILK CARPET 20TH CENTURY the orange field with elongated dark indigo medallion, ivory spandrels, within dark indigo palmette and vine border

377cm x 277cm

£1,400-1,800

£1,400-1,800

293cm x 162cm

234

29

235 FF692/8 HAMADAN RUG NORTHWEST PERSIA, LATE 20TH CENTURY the dark red field with three indigo foliate columns, within cream stylised vine border

238 FF745/3 ANATOLIAN KELIM RUNNER 20TH CENTURY the field with allover polychrome stepped lozenge lattice pattern, within ivory hooked lozenge border

194cm x 104cm

537cm x 138cm

£150-250

£200-300

236 FF692/7 HAMADAN RUG NORTHWEST PERSIA, 20TH CENTURY the red field with allover foliate pattern, within indigo vine border 210cm x 116cm

239 FG565/8 KASHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the eau de nil field with allover scrolling foliate vine pattern, within beige palmette and scrolling vine border

£150-250

385cm x 272cm

£1,200-1,800 237 FF944/1 KARABAGH STYLE KELIM EARLY 20TH CENTURY the raspberry field with allover floral spray pattern, within plain camel border 172cm x 139cm

£200-300

240 FF750/3 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the cream field with light blue medallion, within cream cloud scroll border 281cm x 156cm Provenance: Mary, The Countess of Kintore at Keith Hall, Aberdeenshire.

Thence by descent to the present owner.

239

£200-300

241

241 FF685/24 PAIR OF STAFFORDSHIRE FIGURE GROUPS 19TH CENTURY modelled as herder and milkmaid , each beside a cow, on a naturalistic style base, with polychrome and gilt highlights (2) tallest 21cm high

£150-250

242

30

242 FG279/20A COPELAND & GARRETT LATE SPODE PART DINNER SERVICE decorated with various green landscape scenes, with pattern names and maker’s marks to pieces, comprising of: a soup tureen, cover and stand; two small sauce tureens, covers and stands; a meat dish; two graduated ashets; a sauce boat; 41 dinner plates; 12 soup plates; 12 luncheon plates; 10 side dishes; and 11 desert plates (qty) £200-300

243 ES838/75 IVORY PAPER KNIFE the scroll end surmounted by a stained ivory parrot 35cm long

£100-200 244 FF626/3 OAK CASED BAROGRAPH, SIGNED LENNIE, EDINBURGH of typical form, with gilt brass instruments and a glass ink vial, with a lift-off bevel glazed case and a collection of chart sheets case 36cm wide

£200-300 245 FG590/34 CANVAS BOUND POSTCARD ALBUM EARLY 20TH CENTURY containing over 300 black and white and tinted examples, including a quanity of various contemporary actors and actresses, as well as tourist scenes and animals £150-250

250

245

249

246 FF431/4 COLLECTION OF VICTORIAN ALBUMS of various shape and size, some with decorative bindings, containing photographs and cards, showing portraits and landscapes, some loose, with a guest book (qty) £100-200 247 FB76/2 DRESDEN PORCELAIN EROTIC FIGURE 19TH CENTURY modelled as a fashionable young lady lifting her skirt to expose her leg, the bustle of her skirt lifting to expose her bare bottom, on an oval base, pseudo Sevres mark 19cm high

£150-250

247

252

248 FF495/6 WORCESTER BLUE AND WHITE POTTED MEAT TUB CIRCA 1750S decorated with the cormorant pattern, potter’s marks and incised line to underside, 12.5cm diam; together with a LARGE FLIGHT, BARR AND BARR PORCELAIN TEA CUP, painted with a crest within a puce and gilt border, mark’s marks, 9cm high; an ENGLISH KAKIEMON STYLE TEA BOWL AND SAUCER, the saucer with a paper label, 7cm and 11.5cm diam; and a SMALL BLANC DE CHINE CUP, 4.5cm high (5) Note: A similar Worcester meat tub was exhibited at Albert Amor Ltd at their ‘Blue and White Porcelain Exhibition 2012’, as well as in ‘The Paul Zeisler Collection’ in 1986.

£150-250

251 FF763/10 PAIR OF GOTHIC STYLE CAST IRON FIRE DOGS each will a ball finial resting on a knopped column flanked by open scrolled panels, raised on a decorative stepped foot and upright support (2) (one A/F)

249 FG592/43 LARGE STAFFORDSHIRE BLUE AND WHITE ‘INDIAN SPORTING SERIES’ ASHET 19TH CENTURY of typical form, decorated with the ‘Shooting a Leopard in a Tree’ pattern, maker’s marks to underside

51cm high approx.

54cm wide

£250-350

£350-450 250 FB66/9 RUBY LEVICK BAILEY (18711940) SEATED CHILD bronze, signed in the bronze RUBY LEVICK BAILEY, raised on a square marble plinth figure 23cm high Exhibited: Ruby Winifred Levick studied at the National Art Training School (later Royal College of Art), South Kensington, from about 1893 to 1897. Together with contemporaries Margaret Giles and Gwendolen Williams she went on to enjoy notable success as part of an emerging group of woman sculptors. Her most prolific work ‘The Wrestlers’ was exhibited at the Royal Academy in 1898, receiving a gold medal. She is known to have exhibited at the Society of Medallists, the Arts and Crafts Exhibition Society and at The Fine Art Society.

252 FF864/1 GROUP OF MOTHER OF PEARL COUNTERS comprising of various shapes and sizes, including ornately carved circular and rectangular counters; and a quantity of rectangular, oblong and oval pieces (qty) £150-250

£300-400 31

253 FF816/1 TASSIE PORTRAIT MEDALLION, OF VISCOUNT AUGUSTUS KEPPEL of oval form, typically modelled in profile, inscribed with a ‘T’, mounted in a glazed mahogany frame 11.5cm high (excluding frame) Note: A mezzotint by James Caldwell in 1782 shows the same profile of Augustus Keppel, held at the National Portrait Gallery in London.

£400-500 254 FF816/2 TASSIE PORTRAIT MEDALLION, OF CATHERINE THE GREAT of oval form, typically modelled in profile, on a blue painted ground with a moulded border

255 FF816/3 MINIATURE TASSIE PORTRAIT MEDALLION, OF ANTINOUS of oval form, typically modelled in profile, in an open ebonised frame with a paper label to reverse 3cm high (excluding frame)

£150-250 256 FG774/3 NEO-CLASSICAL CARVED WOOD TABLE LAMP the urn shaped base with scroll handles, with distressed painted decoraton, fitted for electricity, with a stone coloured hessian shade

258 FF168/37 GROUP OF FIVE SPODE PORCELAIN IMARI PATTERN VASES 19TH CENTURY all with the ‘Broken Fence’ pattern, comprising a large baluster form urn with gilt angled handles, 25cm high; two similar spill vases, 16cm and 15.5cm high; a small spill vase with beaded decoration, 12cm high; and a small urn with beaded decoration and gilt scroll handles, 11cm high; various printed and inscribed marks (5) £300-500

56cm high (excluding shade)

£80-120

259 FD672/6 PAIR OF EASTERN BRASS PANELS each of rectangular form, with embossed decoration depicting robed figures, below an inscription (2)

18cm high Note: As a gem engraver, Tassie worked for Catherine the Great, after she requested he supply her with thousands of copies of classically carved gem stones.

257 FB79/3 SET OF DAUM CRYSTAL CUPS AND SAUCERS each moulded piece with a gilt border and signed ‘Daum, France’ (12)

£400-500

22cm high

cup 7.5cm high, saucer

£150-250

10.5cm diam.

£150-250

32

253

254

256

257

260

262

260 FG530/20 LARGE CUT GLASS GOBLET the tapered bowl decorated with fruiting vines, above a knop stem and thick circular foot 33cm high

£150-250 261 FF731/3 WEMYSS WARE ‘CABBAGE ROSES’ COMB TRAY, EARLY 20TH CENTURY printed retailer’s mark, impressed mark WEMYSS, 25cm across; together with a ‘CABBAGE ROSES’ BREAD PLATE, decorated by Edwin Sandland, painted mark WEMYSS/ T. GOODE & CO; a ‘CANTERBURY BELLS’ JUG, EARLY 20TH CENTURY impressed mark WEMYSS, 15cm high; a SMALL ‘SHAMROCKS’ FRILLED VASE, impressed mark WEMYSS WARE, 8.5cm high; and a ‘CHRYSANTHEMUMS’ OVOID GINGER JAR, decorated by Edwin Sandland on a black ground, painted marks WEMYSS/ 9X, hairlines,10cm high (5) £200-300

258

263

268

270

262 FF846/1 JURASSIC AMMONITE FOSSIL of naturalistic form, raised on a polished fossil marble base 22cm high overall

£150-250 263 FG623/1 MONOGRAMMED PORCELAIN PART DINNER SERVICE each piece decorated with a central gilt monogram, ‘A.M.’, within a decorative border, variously marked to the underside for Pillivuyt & Co, Paris, comprising of: four graduated ashets; three covered tureens; a sauce tureen, cover and stand; three large serving dishes/stands; 70 dinner plates approx.; 15 soup dishes; and 10 crescent shaped dishes (qty) £250-350

264 FG623/4 LARGE SUITE OF MONOGRAMMED GLASS WARES each piece decorated with the entwined initials ‘AML’, comprising of: a footed comport; a fluted vase; three jars and covers; six saucers with ring handles; 10 champagne flutes; 13 wine glasses; 14 bowls; and a quantity of liqueur glasses, including green glass examples (qty) £200-300

266 FG478/7 PAISLEY SHAWL of rectangular form, decorated with Boteh, woven in reds and greens 326 x 162

£150-250 267 FB79/5 PAIR OF BACCARAT CRYSTAL CRUET SETS each lobed bowl and cover with a crystal spoon, flanked by two small shallow dishes, all housed in an open chrome stand, maker’s marks (2) bowl and cover 11.5cm high

265 FG300/125 PAINTED CAST IRON UNICORN AND LION typically modelled as recumbent creatures, mimicking the Royal Coat of Arms, painted white (2) unicorn 65cm wide approx; lion 71cm wide approx.

Provenance: The Collection of the Late Anna Fersch

£150-250 268 FB79/8 SET OF SIX ST. LOUIS ‘THISTLE’ WINE GLASSES each moulded tapered bowl with a gilt border, above a faceted stem and decorative foot, maker’s marks (6)

269 FE497/4 JOHN MONCRIEFF LTD., PERTH ‘MONART’ GLASS ‘PAISLEY PATTERN’ CIRCULAR BOWL, CIRCA 1930 of circular everted form, the green ground with swirling silver overlay, bears maker’s paper label, III.V.108 31cm diameter

£200-300 270 FF862/1 PAIR OF DUTCH BLUE AND WHITE DELFT VASES each of bottle form, with a knopped neck and everted rim, decorated with figural reserves in the Chinese style, amongst sytlised floral borders and motifs, marked ‘IG 52’ (2) 30cm high approx.

£300-500

21cm high

£150-250

£200-300

33

286

271 FF499/2 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) SILVER PLATE COMPORT, CIRCA 1900 cast in the form of a gondola, with gondolier figure and green glass liner, stamped factory marks No. 409 60cm long, 43cm high

£200-300 272 FF693/5 WOODEN HULLED POND YACHT, ‘THE HYPERACTIVIITY’ 20TH CENTURY with single mast, rigged for radio gear 200cm long, 295cm high

£200-300 273 FC765/135A BOXED BASSETT-LOWKE LMS O GAUGE ‘DUCHESS OF MONTROSE’ D.C. Electric 5613/O, 4-6-2, locomotive and tender, of crimson colour, the locomotive with inscribed plaque ‘Duchess of Montrose’ and number ‘6232’, and the tender with ‘L.M.S.’ 52cm long overall

£500-700 274 FC765/135B BOXED BASSETT-LOWKE O GAUGE LMS COMPOUND LOCOMOTIVE D.C. Electric 5302/O, 4-4-0, of crimson colour with number ‘1036’, the tender with ‘L.M.S.’; together with a BOXED BASSETT-LOWKE O GAUGE SUPER ENTERPRISE LOCOMOTIVE, 4-6-0, of crimson colour with number ‘5794’, the tender with ‘L.M.S.’ (2) £200-300

34

292

275 FF765/2 COLLECTION OF HORNBY DUBLO OO GAUGE MODEL TRAINS AND TRACKS comprising of various locomotives, carriages and carts, as well as a large quantity of tracks and various power control units; together with a QUANTITY OF TRI-ANG TRAIN TRACKS (qty) £400-600 276 FC765/135C COLLECTION OF BASSETTLOWKE MODEL TRAINS AND ACCESSORIES comprising of: a boxed LMS sleeping side car corridor, 1st & 3rd; a boxed LMS dining car; a boxed DMS centre corridor, brake ends, 1st class; a boxed covered van, LMS 1321/O; a boxed goods brake, LMS 1316/O; a boxed open wagon high, LMS 1306/O; a side car corridor, 1st & 3rd; together with a HORNBY LMS 2270 TANK LOCOMOTIVE; a COLLECTION OF MECCANO MODEL TRAIN ACCESSORIES; and a LARGE COLLECTION OF MODEL RAILWAY MAGAZINES AND PUBLICATIONS (qty) £250-350 277 FD672/7 BOW PORCELAIN FIGURE OF CERES REPRESENTING EARTH 18TH CENTURY from the Four Elements, modelled in a floral dress holding a cornicopia of flowers with a lion at her feet, raised on a scrolling reticulated base (A/F) 28cm high

£300-500

35.5cm high

282 FF495/3 GROUP OF THREE IVORY MOUNTED LETTER OPENERS AND A SEAL comprising of: a brass mounted letter opener and seal, both with reticulated scrolled ivory handes; a silver mounted ivory letter opener; and a plain ivory example (4)

£150-250

largest 40.5cm long

278 FF777/1 PAIR OF RUDOLSTADT PORCELAIN VASES each urn shaped body with two gilt handles and a flared neck, all raised on a circular foot and square base, painted with fruit amongst blue and gilt borders, maker’s marks (2)

£150-200 279 FG306/1 HONOR CURTIS FOR TROIKA POTTERY AZTEC STONEWARE MASK, 1960S painted mark TROIKA POTTERY/ CH

283 FG774/13 SILVER WITCHES BALL of typical spherical form, with cast metal fittings for hanging 81.5cm circumference

£100-200

25cm high

£250-400 280 No lot 281 FD672/8 PAIR OF FRENCH BRASS CANDLESTICKS each with a knopped column raised on a circular base and domed foot (2) 26.5cm high

£300-500 271

272

291

277

283

289

285

284 FG592/42 GEORGE III MAHOGANY BANJO BAROMETER with boxwood banding and a swan neck pediment above a hygrometer, thermometer plate and barometer dial, with a signed spirit level plate ‘R. Wallace, Warranted’ 96.5cm high

£200-300 285 FG774/7 PAIR OF MIRROR BACK WALL GIRANDOLES each shaped mirror plate etched with a central reserve in a distressed giltwood frame, above the bronze candle stick (2) 39cm high overall

£350-450

286 FE773/2 VICTORIAN MINIATURE DINNER SERVICE each piece painted with flower sprigs, some pieces marked ‘209’ and ‘W’, comprising of: six graduated ashets; a large soup tureen, cover and stand with a ladle; two smaller soup tureens, covers and stands, one with a ladle; four vegetable tureens and covers; four serving jugs; a square shaped bowl; 10 dinner plates; eight soup plates; and five dessert plates (qty) £300-500 287 FF685/25 GROUP OF PAINTED DUTCH TILES of various size, depicting figural and biblical scenes, comprising of seven puce coloured examples, and three blue and white tiles (10) largest 13 x 13cm

£150-250

288 FF685/29 ENGLISH PORCELAIN GINGER JAR AND COVER of baluster form with a domed cover, painted with polychrome flowers within gilt borders, with marks to underside, drilled and converted to a lamp

290 FF931/3 PERSIAN COPPER AND ENAMEL LAMP of sectional form with a tapered top supported by a knopped column and domed foot, decorated with birds amongst stylised foliage and symbols

26.5cm high (excluding fittings)

127.5cm high

£150-250

£200-400

289 FF506/4 STEIFF TEDDY BEAR FIRST HALF OF 20TH CENTURY with a jointed body, black boot button eyes, a brown embroidered nose, and a button marked ‘Steiff’ to the ear, 32cm long approx; together with a NORAH WELLINGS DOLL, with a velvet outfit and felt shoes, with a fabric label to one foot, 23cm long approx. (2) £150-250

291 FG471/10 GERMAN IVORY FIGURE OF A GNOME 19TH CENTURY the smiling figure seated on a stump, on a circular base inscribed W. Geiger fecit / Engelberg 9cm high

£150-250 292 FF765/10 TWO LARGE COPPER POTS each with twin handles, the first of slightly tapered form; the second, with an ovoid body below the cylindrical neck (2) £150-250

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112

A taste of Scotland

552

Our interiors sale falls at a patriotic time of year for Scots: Burn’s Night. To celebrate the birthday of the bard, we’ve put together Scottish-inspired pieces from our upcoming sale for you all to enjoy 356

268

88 254 26

667

141 560 336 363

269

335

299

295

301

296

293 FE371/1 GEORGE III STYLE MAHOGANY CABINET ON STAND 19TH CENTURY the moulded cornice above three astragal glazed panel front, enclosing a painted landscape view, raised on square legs united by a shaped under tier 162cm high, 140cm wide, 35cm deep

£200-300 294 FF168/60 LOUIS XV WALNUT FAUTEUIL 18TH CENTURY the padded shaped oval back and part padded scroll arms over a wide upholstered seat raised on cabriole legs ending on raised trifid feet, in pale blue patterned silk 62cm wide, 84cm high, 50cm deep

£200-300

294

295 FF626/2 OAK EIGHT DAY LONGCASE CLOCK BY L. LAUDER, PRESTON PANS 19TH CENTURY the foliate decorated arched painted dial with subsidiary second and date dials within the hood with a blind fretwork broken swan neck pediment, above a shaped door, flanked by reeded pilasters, raised on a plinth base 46cm wide, 212cm high, 24cm deep

£400-600 296 FF697/6 EDWARDIAN ROSEWOOD DESK, BY MAPLE AND CO. the shaped top with inset writing surface above a foliate and ribbon inlaid frieze drawer, flanked by two further drawers, raised on tapering legs and spade feet 91cm wide, 72cm high, 51cm deep

£200-300

297 FG774/10 OVER PAINTED TWO DOOR WARDROBE the moulded cornice above panel doors, painted with adverts and prices for a gentlemen’s outfitters, opening to reveal hanging space and a drawer, raised on a plinth base

300 FG599/13 LARGE PARCEL GILT OVER MANTLE MIRROR the bevelled mirror plate within a moulded frame 106cm wide, 137cm high

£100-200

76cm wide, 72cm high

301 FG551/5 GERMAN WALNUT AND FRUITWOOD PARQUETRY SERPENTINE COMMODE 18TH CENTURY the serpentine moulded top over a pair of long drawers over a floral carved deep apron raised on cabriole legs ending in raised scroll toes

£200-300

106cm wide, 84cm high, 64cm deep

131cm wide, 199cm high, 51cm deep

£400-600 298 FG592/35 WALNUT TILT-TOP TABLE 19TH CENTURY the circular top above a turned support, raised on a tripod base

£1,000-1,500 299 FG600/75A PAIR OF MODERN PAINTED OBELISK STYLE BOOKCASES the moulded cornice above three graduated shelves, over cupboard doors enclosing a shelf, raised on a plinth base (2) 83cm wide, 227cm high, 47cm high

£300-500

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302 FG464/67 LATE VICTORIAN EBONY, EBONISED AND IVORY CREDENZA, BY HOWARD & SONS, LONDON the shaped top with quadrant ends above dentilled triglyph frieze and pair of glazed doors enclosing shelves, flanked by open mirror backed shelves, on plinth and flattened bun feet, bearing maker’s label 102cm high, 145cm wide Provenance: Collection of Todd Gordon, Blacket Place. Purchased from Lyon & Turnbull, 2000, sale 8, lot 676

£300-500 303 FG464/33 GEORGE III MAHOGANY OPEN ARMCHAIR the arched back, seat and cutaway arms with Paisley pattern upholstery by ‘Mulberry & Co.’, on square section legs with ‘H’ form stretchers, brass and leather castors 99cm high Provenance: Collection of Todd Gordon, Blacket Place. Purchased from Lyon & Turnbull, 2001

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304 FF706/3 NEST OF FOUR MAHOGANY QUARTETTO TABLES the rectangular top above turned legs united by stretchers, raised on stile feet (4) 54cm wide, 68cm high, 36cm deep

£300-500 305 FF681/6 QUEEN ANNE STYLE INLAID WALNUT TWO SEATER OPEN SOFA the double chair back with vertical splats above out swept arms and a drop in pad seat, raised on moulded cabriole legs

307 FE588/22 EDWARDIAN MAHOGANY AND SATINWOOD MIRROR BACK SIDEBOARD the bevelled mirror plate flanked by inlaid columns, above a bow front top, over three drawers, flanked by cupboard doors, raised on square tapering legs and spade feet 151cm wide, 162cm high, 54cm deep

£400-600

306 FG811/1 PAIR OF LEATHER ARMCHAIRS, BY LAURA ASHLEY each with a cushioned back above down swept arms and a loose cushioned seat, raised on square tapering legs (2)

308 FF164/24 OAK LONGCASE CLOCK CIRCA 1800 the hood with a swan neck pediment, with a brass arched dial with inscribed boss ‘Charles Campbell Bo’ness’, with Roman and Arabic numerals, subsidiary seconds dial and date aperture, engraved spandrels, with an eight day movement, the plain trunk with an arched door, the plain base raised on a shaped plinth base

67cm wide, 87cm high, 59cm deep

211cm high

£300-400

£300-500

135cm wide, 107cm high, 55cm deep

£1,000-1,500

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46cm wide, 46cm high

£200-300 310 FF697/3 SET OF FOUR MARQUETRY SIDE CHAIRS the shaped top rail and vase shaped vertical splat above a serpentine drop in pad seat, raised on cabriole legs and ball and claw feet (4) 54cm wide, 114cm high, 41cm deep

£200-300 311 FG530/7 INDIAN BRASS STANDARD LAMP 20TH CENTURY with a ring turned tapering support and circular foot 41cm wide, 155cm high

£200-300

£800-1,200

314

309 FF494/2 ART DECO OAK SHIPS TABLE FROM THE S.S. FRANCONIA the canted square ebonised top and under tier, raised on square legs bearing makers label ‘William Mason and Son, Leeds’

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312 FF744/2 PAIR OF REGENCY ROSEWOOD AND BRASS FIRE SCREENS CIRCA 1820 the rectangular framed screens with cream upholstered panels above a brass gallery and folding shelf, raised on turned columns and ending on acanthus carved trestle supports with scrolled toes and joined by a padded stretcher (2) 38cm wide, 113cm high, 31cm deep

£600-900 313 FG590/13 REGENCY MAHOGANY CHEVAL MIRROR the shaped rectangular mirror plate within a cushioned frame, flanked by turned supports, raised on scrolling legs 84cm wide, 163cm high, 63cm deep

£200-300 314 FG650/1 REGENCY PARCEL GILT TRIPTYCH OVERMANTLE MIRROR the three bevelled mirror plates within ebonised slips and a foliate moulded frame

312

315 FG599/18 MOORISH HEXAGONAL TABLE the carved, inlaid top above carved, pierced sides, raised on turned legs 46cm wide, 57cm high

£200-300 316 FG600/52 LATE VICTORIAN ROSEWOOD, MAHOGANY AND MOTHER-OFPEARL INLAID WHATNOT the oval top with a pierced brass gallery, raised on boxwood strung out swept legs, united b y an under tier 62cm wide, 79cm high, 44cm deep

£250-350 317 FG530/21 ENGLISH OAK CHEST 17TH CENTURY STYLE the hinged top above a profusely carved frieze and three carved panels, raised on block feet

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318 FE396/32 REGENCY MAHOGANY AND INLAY BREAKFAST TABLE 19TH CENTURY the rounded rectangular tilt top with a moulded edge and ebonised banded inlay over a turned vasiform column raised on four reeded scroll legs ending in foliate cast caps and castors 135cm wide, 72cm high 99cm deep Provenance: Private collection, Aberdeenshire

£300-500 319 FF685/12 EDWARDIAN ROSEWOOD PARLOUR SUITE comprising of: a sofa, the cushioned back above inlaid horizontal splats, over a stuff over seat, raised on ring turned legs; an arm chair; a ladies chair; and two side chairs (5) sofa 132cm wide, 80cm high,

133cm wide, 70cm high, 60cm deep

56cm deep

£400-600

£500-700

320 FF693/2 GEORGIAN STYLE MAHOGANY SIDE TABLE the shaped rectangular top above a fluted frieze and turned legs, united by an undertier, raised on block feet 90cm wide, 75cm high, 57cm deep

£200-300 321 FF681/1 GOTHIC STYLE OAK CABINET the moulded cornice above double hinged doors, opening to reveal a leaded glazed door enclosing shelves, raised on square legs and a linen fold back panel and under tier 85cm wide, 36cm high, 42cm deep

£800-1,200 322 FF744/10 LATE VICTORIAN NEST OF THREE TABLES the cross banded shaped top above block and turned supports, united by stretchers, raised on trestle legs (3) 50cm wide, 63cm high, 34cm deep

£200-300

123cm wide, 65cm high,

£300-500

310

315

321

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326

323 FG507/26 SET OF TEN WILLIAM IV SCOTTISH MAHOGANY DINING CHAIRS the shaped top rail above a carved horizontal splat and drop in pad seat, raised on sabre legs, including two open armchairs (10) 49cm wide, 87cm high, 44cm deep

335

328 FG590/11 VICTORIAN MAHOGANY EXTENDING DINING TABLE the moulded rectangular top above a plain frieze, raised on fluted baluster turned legs and brass caps and ceramic casters

332 FG272/4 WALNUT DAVENPORT the rising superstructure above a hinged lid enclosing a writing slope and ink wells, over opposing cupboards, raised on a plinth base

297cm wide, extended, 72cm high,

70cm wide, 94cm high, 59cm deep

135cm deep

£250-350

£1,000-1,500

£1,000-1,500

32cm wide, 108cm high

329 FG558/2 PAIR OF LOUIS XVI STYLE WALNUT OPEN ARMCHAIRS each with a carved top rail above a cushioned back, flanked by turned supports and down swept arms, over a cushioned seat, raised on turned fluted legs (2)

£150-200

61cm wide, 102cm high, 56cm deep

324 FG586/23 GEORGIAN STYLE MAHOGANY STYLED PIER GLASS the rectangular mirror plate surmounted by a portrait panel, within a moulded frame and foliate crest

£400-600 325 FG774/5 LEATHER CUSHIONED SPINDLE LIBRARY CHAIR 19TH CENTURY the spindle back and out swept arms above a caned seat, raised on turned legs and brass caps and casters, with loose buttoned back and seat cushions 64cm wide, 112cm high, 53cm high

£1,800-2,200

333 FF706/6 SET OF THREE STAINED SECTIONAL BOOKCASES each with four graduated sections, raised on a plinth base (3) 86cm wide, 147cm high, 31cm deep

£400-600

331

330 FG478/4 OAK DRESSER AND PLATE RACK 17TH CENTURY STYLE the moulded pierced gallery above a cupboard door enclosing shelves, flanked by open shelves, over the base with a moulded rectangular top and three drawers, raised on cabriole legs 189cm wide, 192cm high, 45cm deep

326 FG774/9 LARGE ASTRAGAL GLAZED MIRROR the central cartwheel section surrounded by peripheral mirror plates, within a rectangular moulded frame 161cm wide, 164cm high

£1,000-1,500

£600-800 331 FG738/1 PAIR OF MARCEL BREUER B3 WASSILY CHAIRS 20TH CENTURY designed in 1925, the chrome frame with black leather back, seat and arms (2) 77cm wide, 72cm high, 46cm deep

327 FG599/6 VICTORIAN MAHOGANY CHEST the inlaid rectangular top above six graduated drawers, raised on reeded bun feet 47cm wide, 103cm high, 39cm deep

£200-300

40

£300-400

334

334 FF153/9 REGENCY ROSEWOOD AND BRASS INLAY FOLDOVER CARD TABLE 19TH CENTURY the foldover D shaped top with brass line inlay opening to a baize lined playing surface, raised on a tapered hexagonal column and octagonal base supported by four scrolled sabre legs ending in foliate cast caps and castors 97cm wide, 43cm high, 73.5cm high Provenance: Selected contents of Lorton Park, Cumbria

£400-600

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325

343

327

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335 FF153/4 GEORGE II RED WALNUT DWARF PRESS CUPBOARD, PROBABLY IRISH 18TH CENTURY the rectangular caddy moulded top over a pair of panel moulded cupboard doors opening to four sliding trays, above a pair of short drawers, raised on shell and scroll carved short cabriole legs ending in carved hairy paw feet 119cm wide, 117cm high, 63cm deep Provenance: Selected contents of Lorton Park, Cumbria

£2,000-3,000

336 FF685/39 GEORGIAN MAHOGANY AND SATIN WOOD EIGHT DAY LONGCASE CLOCK BY A.GLENNEY AND SON the painted arched dial depicting the escape of Mary Queen of Scots from Loch Leven castle, with subsidiary second and date dials, within a hood with a broken swan neck pediment and brass eagle pediment above reeded columns, over a shaped door flanked by reeded pilasters, raised on a bracket foot 49cm wide, 218cm high, 26cm deep

£600-800 337 FF697/4 VICTORIAN POLE SCREEN the oval floral panel within a moulded frame, raised on a brass support and a moulded tripod base 43cm wide, 154cm high

£200-300

338 FF706/4 PAIR OF ROSEWOOD AND INLAID WALL CABINETS each with turned finials above a gallery, over a mirrored door and shaped apron (2)

341 FG472/13 DUTCH MARQUETRY CABINET the moulded galleried top above glazed doors enclosing shelves, flanked by glazed sides, raised on a plinth base

36cm wide, 65cm high, 18cm deep

130cm wide, 99cm high, 32cm deep

£300-400

£200-300

339 FF72/66 SET OF SIX QUEEN ANNE STYLE WALNUT DINING CHAIRS the shaped top rail and vertical vase shaped splat, above a drop in pad seat, raised on moulded cabriole legs, united by stretchers (6)

342 FG472/13A DUTCH MARQUETRY DRESSER BASE the moulded top above two drawers and shaped legs united by peripheral stretchers, raised on bun feet

51cm wide, 105cm high, 41cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£600-800 340 FG330/21 NEAR PAIR OF GEORGE II STYLE SERVING TABLES the serpentine gadrooned top above two frieze drawers, raised on square tapering legs and paw feet (2)

136cm wide, 75cm high, 34cm deep

£200-300 343 FG600/44 FRENCH PAINTED WOOD FRAMED FAUTEUIL 18TH CENTURY the caned top rail and horizontal splat, flanked by down swept arms, above a loose cushion and caned seat, raised on turned legs 54cm wide, 85cm high, 46cm deep

£300-500

130cm wide, 93cm high, 64cm deep

£800-1,200

41

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351

353

346 FF685/26 GROUP OF PORCELAIN WARES to include:a tea cup and sparrow beak jug, painted with flowers, 6.5cm high and 8cm high; a further tea cup painted with flowers and insects, 7cm high; a leaf shaped pickle dish, painted with fruiting vines in blue, 9cm long; a small figure of a child holding a basket of flowers, on a naturalistic ground, 15cm high; a pair of saucers, painted with flowers on a cobalt ground, 14cm; a small dish, 13.5cm diam; and a large saucer, decorated in the Chinese style, 20cm diam (6) £150-250

348 FF869/2 ALBERT GUIBARA (AMERICAN, b. 1944) GILT BRONZE TREE SCULPTURE with twin trunks and spreading roots, raised on a natural stone, with maker’s plaque

51cm high approx.

tallest 24.5cm high

347 FF765/4 VIENNA STYLE WALL CLOCK the glazed mahogany case enclosing a white enamelled dial with Roman numerals and a subsidary dial, above the brass pendulum

£200-300

97cm long approx.

350 FG433/43 MANNER OF HAGENAUER BRONZE FIGURE OF A WOMAN on chromed oval stand, stamped mark to base

£200-300

44cm high

344 FF165/2 TWO FRAMED WEDGWOOD PLAQUES each marked ‘Wedgwood’ to the reverse, and in a glazed frame, the first depicting the ‘Dancing Hours’, after John Flaxman, modelled as a blue jasperware plaque, showing female figures,, 6 x 17cm (excluding frame); the second, depicting ‘Blind Man’s Buff’, modelled as a green jasperware plaque, showing children playing, 9 x 21.5cm (excluding frame) (2) £300-500 345 FF175/37 PAIR OF BLOOR DERBY PORCELAIN FIGURES WELCH TAILOR AND HIS WIFE each modelled riding a goat with a basket on their back, on a naturalistic base, incised ‘No 62’, the tailor with an incised ‘X’ and ‘1’ (2)

37cm high approx.

£300-500 349 FF869/3 ALBERT GUIBARA (AMERICAN, b. 1944) GILT BRONZE TREE SCULPTURE with a twisted trunk and spreading roots, raised on a natural stone, with maker’s plaque £400-600

£400-600

42

351 FF168/26 TWO SEVRES STYLE PORCELAIN PLATES 19TH CENTURY the first decorated with Pierrot and companion after Watteau, in a blue and gilt decorated border, 25cm diam; the second depicting lovers in a garden after Fragonard, in a blue and gilt decorated border, 24cm diam.; blue interlaced marks (2) £250-350 352 FF495/5 ASPREY LEATHER WRITING BOX of rectangular form with initials inscribed to the hinged cover, opening to reveal various fitted compartments and a fold-out writing slope, with maker’s marks to interior 30.5cm wide

£200-400

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350

349

352

348

361

353 FG433/49 ART DECO GLASS LIQUEUR SET, CIRCA 1930 comprising of: a decanter and stopper of tapering faceted form with black and frosted geometric panels, 22cm high; with six corresponding glasses, each 6.3cm high; together with a GLASS DRESSING TABLE SET, CIRCA 1930 comprising of a: perfume bottle and stopper, 14cm high; a powder dish and cover, 11cm high; a perfume atomiser, with chromium mounts,10m high, each with black enamelled and frosted glass geometric decoration; and a FRENCH GLASS POWDER DISH AND COVER, 12cm (11) £300-500 354 FF506/2 FRAMED SILKWORK MAP OF THE WORLD of rectangular form, the embroidered continents and countries below the inscription ‘The World with all the Modern Discoveries’

355 FF653/6 PLASTER BUST OF NAPOLEON AFTER ANTOINE-DENIS CHAUDET inscribed with a ‘N’ to the front and ‘G.A.U.C.HEATH’ to the reverse, all raised on a socle base 37cm high

357 FG302/8A ATTRIBUTED TO THOMAS HADDEN WROUGHT IRON ASH SHOVEL, CIRCA 1910 with tapered pan with applied scrolled bracket and slender stem with openwork handle and thistle head finial

£150-250

90cm long

£150-250 356 FF820/1 COLLECTION OF CASED LEICA LEITZ CAMERAS AND LENSES comprising of: a Leicaflex camera, marked ‘1115211’, with a Summicron -R 1:2/50 lens; a further Leicaflex camera, marked ‘1171614’, with a Summicron -R 1:2/50 lens; an Elmarit-R 1:2.8/135 lens; an Elmarit-R 1:2.8/90 lens; an Elpro VI a lens; and an Elpro VI b lens (6) £300-400

358 FG471/46 PAIR OF WHYTOCK & REID COTTON CURTAINS lined, with an attached pelmet, decorated with a green trellis pattern on a cream ground, with maker’s labels (2) 255cm drop

£200-300 359 FG471/46A PAIR OF WHYTOCK & REID COTTON CURTAINS lined, decorated with a striped pink and green pattern, with two tie backs, with maker’s labels (2)

360 FF222/1 CONTINENTAL PORCELAIN PART TEA SET comprising of: 13 cups, each painted with the crest for the Colonna family, and marked with stamp for Mansard, Paris, 10cm diam; and 14 saucers, 14cm diam; together with a further PORCELAIN PART TEA SET, BY RICHARD GINORI, each piece decorated with a gilt border, with maker’s marks, comprising of: 10 cups, 9.5cm diam; and 13 saucers, 13.5cm diam (qty) £250-350 361 FF499/3 VENETIAN ENAMELLED GLASS LAMP the domed cover above a tapering column with a circular base, decorated with embossed gilt reserves depicting flowers in relief on a blue glass ground, wired for electricity 52cm high

£300-500

261cm drop

£200-300

30 x 48cm (excluding frame)

£300-500

43

362 FG474/8 WEDGWOOD TRI-COLOURED POT POURRI VASE AND COVER of footed baluster form, decorated with swags of fruiting vines and portrait medallions on pink, with a pierced cover, marked ‘200’ to the underside 30.5cm high

£150-250 363 FF525/2 LARGE MAHOGANY MANTEL CLOCK, SIGNED WILLIAM BARR, HAMILTON the waisted case with beaded decoration and raised on four bun feet enclosing a gilded dial with Roman numerals, with an eight day movement 53.5cm high

£500-700

364 FF673/1 INDIAN SILVER BOX AND COVER CIRCA 1880 of oval domed form, decorated with scrolling foliage and figures within beaded borders, 10.5cm wide approx; together with TWO INDIAN INLAID ROSEWOOD TRAYS, each of rectangular form, one depicting chickens and chicks, the other showing a cattle driven cart, 45.5cm wide and 43.5cm wide (3) £250-350 365 FF765/3 CARVED OAK BAROMETER the ornately carved case with a clock dial and thermometer plate, above the barmometer dial and an inscribed plaque date 1891 105cm high approx.

£200-300

366§ FG426/1 REX WISTLER (1905-1944) ‘THE LISTENER, CHRISTMAS 1944’ Design for a magazine cover, watercolour and gouache 28cm x 21cm Literature: Fuller, Ronald and Whistler, Laurence ‘The Work of Rex Whistler’, pub. London 1960, p. 92

£400-600 367 FG471/9 ENAMEL SNUFF BOX BIRMINGHAM, 1760 - CHECK!! of circular waisted form, decorated with a scene of a figure by a seascape above floral garlands, painted with an insect to the underside 6cm diam. approx.

£120-180 368 FG471/48 GILT BRASS HALL LIGHT the glazed cylindrical shade enclosing three central sconces, wired for electricity 47cm high approx.

362

£150-250

371

44

369 FF222/3 THREE CONTINENTAL SILVER MOUNTED DECANTERS 20TH CENTURY comprising a faceted flattened mallet shaped decanter with a silver collar stamped LS 800 with stopper and etched decoration, 29.5cm high; a facted bottle shaped decanter with stopper and silver collar stamped 925 and with engraved inscription, 29cm high; and a hexagonal decanter with a silver collar and cap stamped 800, 17.5cm high; together with a WHISKEY DECANTER with silver plate overlay, 28.5cm high (4) £150-250

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370 FG530/8 ENGLISH PORCELAIN PART TEA AND COFFEE SERVICE each piece decorated with pink roses amongst gilt leaves and foliate borders, comprising of: a tea pot; a slop bowl; twelve tea cups; seven coffee cups; and seventeen saucers (qty) £150-250

369

370

377

379

371 FG600/60 PAIR OF MOTTAHEDEH ‘NODDING HEAD’ PORCELAIN FIGURES each modelled in the Chinese export style, as a male and female dressed in polychrome robes, with a separate head attached to a weighted pole, all raised on a square canted base, with marks to underside (2) tallest 38cm high

£150-250 372 FF532/1 CONTINENTAL BRONZE BUST modelled as a gentleman, inscribed to the reverse ‘Cie des Bruges, Bruxelles (cire perdue)’, raised on a mottled marble socle base 52cm high overall

£250-350 373 FG537/1 ART DECO HANGING LIGHT with a lobed frosted glass shade below the brass fittings and glass disc

374 FG537/2 GROUP OF THREE HANGING LIGHTS comprising of: an Art Deco gilt and enamelled bronze fitting, with five moulded glass shades, 45cm high approx (excluding fittings); a frosted glass example, comprising of a moulded triangular shaped shade, 35cm diam; a further frosted glass light, of sphreical knopped form, decorated with bands to the lower half, 25cm high (excluding fittings) (3) £300-400 375 FG537/3 ART NOVEAU STYLE HANGING LIGHT the circular copper frame with wire decoration, supporting a frosted glass concave disc and domed metal shade

376 FG650/2 EMPIRE STYLE TOILET MIRROR the bevelled mirror plate in a black lacquered frame with beaded borders and gilt metal mounts, raised on two moulded gilt metal supports 51cm high, 64cm wide

£300-500 377 FF674/1 DUTCH DELFT DISH LATE 17TH/ EARLY 18TH CENTURY of circular shallow form with a moulded rim, decorated with polychrome enamels depicting a stylised creature on a floral ground within a decorative border, with marks for ‘De Witte Starre Pottery’ to the underside

378 FF674/2 DUTCH DELFT DISH of shallow circular form, painted with polychrome birds amongst branches, marked to the underside, 33.5cm diam.; together with a SMALL DUTCH DELFT DISH, of circular form, painted in blue and white with a blossoming tree, marked to the underside, 22.5cm diam. (2) £200-300 379 FG774/1 FOUR FRENCH GREEN GLASS WINE CARBOYS 19TH CENTURY each of typical bottle form, of various size, with a painted label, ‘Margaux’, ‘Saint Estephe’, ‘Pouilly’, and ‘Barsac’ (4)

34.5cm diam.

tallest 46cm high approx.

£150-250

£300-400

59.5cm diam

£150-250

35cm high (including fittings)

£300-400

45

386

387

389

388

386 FG587/22 SPECIMEN MARBLE BUST OF THE EMPEROR HADRIAN AND PEDESTAL the chest length bust carved in various marble on an associated painted wood socle; on a stop fluted green marble sectional pedestal with an octagonal base

390 FG151/3 ENGLISH KAKIEMON PATTERNED TUREEN AND COVER of canted rectangular form with twin handles and a painted plum finial, decorated to the interior and exterior with red, blue, and gold foliage and birds (A/F)

Bust 45cm high; pedestal

32.5cm wide

110cm high

£100-200

£1,000-1,500

380 FG447/42 GREEN GLASS CARBOY EARLY 19TH CENTURY of flattened kidney form, with a cylindrical neck, 43cm high; together with a small BROWN GLASS CARBOY/ BOTTLE, of similar form, with a ring shaped handle to the neck, 20cm high (2) £250-400 381 FG447/43 TWO GLASS WINE BOTTLES 19TH CENTURY each of typical form, comprising of: a brown example with a impressed glass label ‘Lafitte Vin 1864’, 30cm high; and a plain green glass example, 30cm high (2) £200-300 382 FF631/8 OAK CASED BAROGRAPH, SIGNED DOLLOND & AITCHISON, LONDON of typical form, with gilt brass instruments marked ‘Rd. No. 428606’ and ‘No. L13529’, with a lift-off bevel glazed case above the chart drawer case 36.5cm wide

£200-300

46

383 FF826/3 MAHOGANY AND BRASS MOUNTED DECANTER BOX 19TH CENTURY of square form with twin handles, the hinged lid opening to reveal four cut glass decanters and stoppers, and an associated liqueur glass box 23cm high

£200-300 384 FG469/12 PAIR OF SPELTER ‘HORSE OF MARLY’ FIGURE GROUPS each modelled with a rearing horse restrained by a man, raised on a naturalistic style base (2)

387 FG774/16 IRON FRAMED SUNBURST MIRROR the oval mirror plate within a frame modelled as scrolled and everted rays/petals, with traces of gilt decoration 73cm high

388 FG433/53 EMILE GALLÉ CAMEO GLASS VASE, CIRCA 1910 the frosted amber glass body overlaid with sepia acid etched with a frieze of pansies, incised mark GALLÉ, chip to rim £200-300

60cm wide

26.5cm diam

£150-250

£150-250 392 FE518/5 INDIAN KRIS the wavy corroded iron blade with traces of gold inlay, with a gold mounted hilt and a shaped wooden handle, in a rosewood scabbard blade 41cm long

£150-250

15.5cm high

385 FG530/4 GEORGE III STYLE MAHOGANY TRAY of shape rectangular form with a carved edge and four scroll handles

£150-250

61cm x 47.5cm

£300-400

389 FF791/2 SET OF TWELVE FRENCH BALLOONING PLATES each of circular lobed form, painted with ballooning scenes and inscriptions and signed ‘J. Siquier’, within a gilt laurel wreath border, 10 marked with a gilt coronet and red ‘X’ to underside, two with a red ‘X’ to underside (12)

39cm high

391 FF904/7 SIMPSON OF KENDAL OAK FRAMED WALL MIROR, CIRCA 1920 the rectangular leaf carved frame above a single shelf supported by scrolled brackets

£600-800

393 FG478/6 TWO BRITISH ARMY OFFICERS’ SWORDS the first, a pattern 1822 Artilllery Officer’s sword with single edge etched blade depicting a monogram and crest, below the fish skin grip, with a field service leather scabbard, blade 85 cm long; the second, a pattern 1821 Heavy Cavalry Officer’s sword with etched blade depicting a pattern monogram, crest and maker’ marks ‘Harman & Co, Calcutta’, below the fish skin grip, blade 91cm long (2) £200-300

The Capital’s Capitals The history of the National Galleries of Scotland is an interesting tale of creativity, expansion and change, starting life in 1859 when William Henry-Playfair’s building on the Mound was completed and open to the viewing public. Various extensions of the space and refurbishments took place over the following years, including developments in 1906 and a reopening in 1912.

In the late 1930s it was decided that the National Galleries of Scotland main exhibition building on the Mound was to undergo a practical, yet elegant redisplay. Headed by the then director, (Sir) Stanley Cursiter, it was proposed to divide the gallery space in order that the Old Masters and the contemporary works of art could all be shown in the same suite, yet in their own sections of the room. The solution was the creation of tall flat arches each supported by pairs of neoclassical columns with decorative composite capitals. Cursiter’s own watercolour and oil portrayals of this re-display revealed the new effective curatorial decisions and explained the changes.

Since the 1930s various additions to the space and the creation of external buildings has resulted in the wealth of exhibition spaces we enjoy in Edinburgh today. It is with great pleasure, therefore, that Lyon & Turnbull have become part of the story of the National Galleries, as we auction some of the capitals designed by Cursiter from the Mound building. Having been removed in 1987/88, the National Galleries of Scotland is retaining one capital for record purposes, and has given two others to interested public collections in Scotland. The remainder are now being offered for sale with any proceeds going to benefit the acquisitions funds of the Galleries.

So, whether for the home, or acquired for their provenance, now is your chance to own these fascinating pieces of Scottish history and design, unique to the building from whence they came and extremely decorative in their display.

394 FG783/1 PAIR OF PAINTED PLASTER COMPOSITE COLUMN CAPITALS each capital with typical moulded decoration depicting scrolling terminals with flower heads and acanthus leaves, above a section of reeded column, with taupe and gilt decoration (2)

395 FG783/2 PAIR OF PAINTED PLASTER COMPOSITE COLUMN CAPITALS each capital with typical moulded decoration depicting scrolling terminals with flower heads and acanthus leaves, above a section of reeded column, with taupe and gilt decoration (2)

396 FG783/3 PAIR OF PAINTED PLASTER COMPOSITE COLUMN CAPITALS each capital with typical moulded decoration depicting scrolling terminals with flower heads and acanthus leaves, above a section of reeded column, with taupe and gilt decoration (2)

133.5cm high, 61cm wide, 65cm deep

133.5cm high, 61cm wide, 65cm deep

133.5cm high, 61cm wide, 65cm deep

£400-600

£400-600

£400-600 397 FG783/4 PAIR OF PAINTED PLASTER COMPOSITE COLUMN CAPITALS each capital with typical moulded decoration depicting scrolling terminals with flower heads and acanthus leaves, above a section of reeded column, with taupe and gilt decoration (2) 133.5cm high, 61cm wide, 65cm deep

£400-600 398 FG783/5 SET OF THREE PAINTED PLASTER COMPOSITE COLUMN CAPITALS each capital with typical moulded decoration depicting scrolling terminals with flower heads and acanthus leaves, above a section of reeded column, with taupe and gilt decoration (3) 133.5cm high, 61cm wide, 65cm deep

£500-700

A watercolour by Sir Stanley Cursiter showing the column capitals following the 1938 re-display.

47

407

399 FE474/12 REGENCY STYLE WALNUT DESK the raised superstructure with eight drawers above a tooled leather writing surface, over two frieze drawers, raised on ‘X’ form legs united by a turned stretcher 107cm wide, 94cm high, 55cm deep

£200-300 400 FF681/2 DUTCH ELM STOOL 19TH CENTURY the cushioned serpentine seat above a shaped frieze, raised on moulded cabriole legs and hoof feet 48cm wide, 50cm high, 34cm deep

£200-300 401 FF701/3 HARLEQUIN SET OF FIFTEEN TABLET BACK DINING CHAIRS the shaped back above a horizontal splat and pad seat, raised on turned legs, including one open arm chair (15) 47cm wide, 87cm high, 40cm deep

405

402 FF763/22 ORNATELY CARVED FRENCH ROSEWOOD MARBLE TOP CABINET, WITH AN ASSOCIATED MIRRORED TOP the shaped bevelled mirror plate within a moulded frame, flanked by foliate carved supports and shallow drawers, above a marble top and a long frieze drawer, over two cupboard doors and a moulded apron, raised on moulded cabriole legs 123cm wide, 210cm high, 53cm deep

£400-600

404 FG593/3 VICTORIAN MAHOGANY BREAKFAST TABLE the rounded rectangular top above a square tapering support, raised on a quadriform base and bun feet

409 FG586/10 GEORGIAN MAHOGANY AND INLAID BUREAU the drop flap enclosing a fitted interior above four graduated long drawers, raised on bracket feet

150cm wide, 71cm high, 126cm deep

107cm wide, 105cm high, 52cm deep

£400-600

£400-600

405 SV50/8 TWO SEATER SOFA, BY MULTIYORK the loose cushioned back and seat flanked by out scrolled arms

410 FF175/1 GEORGE III FIGURED MAHOGANY WINE COOLER ON STAND 18TH CENTURY the octagonal top with radiating panel veneers over a fluted base frieze raised on square moulded legs ending on brass caps and castors, with a metal insert liner

187cm wide, 74cm high, 74cm deep

403 FG478/1 GEORGIAN OAK LONGCASE CLOCK the dentil moulded cornice above an arched brass dial with moon phase dial, Roman numerals and date aperture, over a shaped and inlaid door, raised on a plinth base 54cm wide, 220cm high, 25cm deep

£1,000-1,500

£200-300 406 SV50/7 OAK TWIN PEDESTAL DESK 19TH CENTURY the moulded rectangular top with inset writing surface, above writing slope flanked by frieze drawers, over two cupboard doors enclosing drawers, raised on plinth bases 176cm wide, 84cm high, 107cm deep

£400-600

£1,500-2,500

418

48cm wide, 78cm high

£500-700 411 FG586/40 BERGERE ARM CHAIR the caned back and downswept arms above a caned seat, raised on square tapering legs and spade feet 63cm wide, 89cm high, 50cm deep

407 FG774/4 SILVERED CAST IRON LOW TABLE the top with moulded balustrades mounted in a rectangular frame, raised on square legs and pad feet 114cm wide, 51cm high, 95cm deep

£600-800 408 FG597/9 GEORGE III MAHOGANY FOLD OVER TEA TABLE the reeded rectangular top above a frieze drawer, raised on square tapering legs and spade feet 101cm wide, 76cm high, 48cm deep

£300-500

£250-400 412 FG590/8 FRENCH STYLE ROSEWOOD AND NEEDLE POINT UPHOLSTERED SIDE CHAIR the cushioned back above a serpentine seat, raised on moulded cabriole legs and brass casters 57cm wide, 92cm high, 49cm deep

£150-250 413 FG586/7 OAK GATE LEG DINING TABLE 18TH CENTURY the oval drop flap top above block and turned legs, united by stretchers 144cm wide, 78cm high, 63cm deep

£500-700

48

402

416

414

422

414 FG507/29 REGENCY ROSEWOOD TWODOOR LOW BOOKCASE the rectangular top above a carved frieze and two glazed doors enclosing adjustable shelves, raised on a plinth base

417 FG596/3 REGENCY STYLE MAHOGANY AND INLAID FOLD OVER TEA TABLE the reeded shaped top above a frieze drawer, raised on turned legs

137cm wide, 92cm high, 33cm deep

99cm wide, 70cm high, 48cm deep

£1,000-1,500

£250-400

415 FG433/27 ART DECO BURR MAPLE CENTRE TABLE, CIRCA 1930 the canted rectangular top with etched glass preserve above a stepped frieze on a corresponding column base

418 FG589/1 CHARLES II OAK REFECTORY TABLE LATE 17TH CENTURY the three board cleated top over a plain frieze, raised on turned baluster legs ending on octagonal block feet and joined by an H-form stretcher

89cm wide, 77cm high, 66cm deep

£250-400 416 FG558/3 REGENCY STYLE CONVEX WALL MIRROR 20TH CENTURY the circular mirror plate within an ebony slip and a ball moulded gilt frame, surmounted by an eagle crest 61cm wide, 100cm high

£200-300

411

212cm long, 80cm high, 89cm deep Provenance: According to family history, the table originally came from Muncaster Castle, Cumbria

£1,000-1,500

419 FG507/31 VICTORIAN WALNUT DAVENPORT the raised superstructure above a writing slope opening to reveal a satinwood fitted interior, over four graduated drawers to one side and opposing dummy drawers, raised on bun feet

422 FF72/61 GEORGE II WALNUT AND CROSSBANDED BACHELOR’S CHEST OF DRAWERS 19TH CENTURY of small size, the crossbanded and feather banded foldover top over a two short drawers and thee graduated long drawers, raised on bracket feet

53cm wide, 82cm high, 58cm deep

73cm wide, 73cm high, 37cm deep

£300-500

(closed) Provenance: The Estate of Dr. Renate Davis, Deceased

420 FG596/8 OAK DRESSER the dentil moulded cornice above two shelves flanked by alcoves, over the base with three drawers, flanked by cupboard doors, raised on squat bracket feet 153cm wide, 194cm high, 48cm deep

£400-700 421 FG600/24 OVER PAINTED PINE SOFA TABLE EARLY 19TH CENTURY the rectangular top above a foliate and floral frieze, raised on outswept legs and brass caps and casters

£800-1,200 423 FF744/1 GEORGE III MAHOGANY FOLDOVER TEA TABLE CIRCA 1760 the rectangular foldover top above a plain frieze and scissor action extension, raised on square straight legs with pierced corner brackets 91cm wide, 73cm high, 45cm deep

£600-900

80cm wide, 70cm high, 53cm deep

£500-700 49

429

432

449

446

438

424 FF685/23 EDWARDIAN PAINTED MAHOGANY CORNER CABINET the shaped gallery and shelf, above a moulded top and frieze drawer, over glazed doors, raised on outswept legs, united by an undertier

427 FF744/5 EDWARDIAN SATINWOOD AND INLAID CORNER CABINET the shaped gallery and graduated shelves above a frieze drawer and panel door, enclosing a shelf, raised on bracket feet

430 FG586/6 GEORGIAN STYLE MAHOGANY MIRROR the shaped mirror plate within a cushioned and fretwork frame

63cm wide, 134cm high, 43cm deep

53cm wide, 140cm high, 36cm deep

£200-300

£300-500

425 FE684/8 REGENCY PAINTED EGYPTIANESQUE MIRROR the shaped bevelled mirror plate within an inverted breakfront frame, flanked by fluted columns, surmounted by sphinxes

428 FG774/12 OUTSIZE LANCASHIRE CHAIR the shaped top rail above vertical splats and out swept arms, over a solid seat, raised on turned legs, united by stretchers

431 FG464/31 EARLY GEORGE III MAHOGANY SNAP TOP TABLE of even colour, with a ring turned column, on a tripod base

76cm wide, 99cm high

£500-700

85cm wide, 109cm high, 44cm deep

£200-300 426 FF72/34 EDWARDIAN SATINWOOD WORK TABLE the canted rectangular top above a frieze drawer, raised on square tapering legs 47cm wide, 67cm high, 33cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£200-300

50

429 FG599/20 EMPIRE STYLE BRASS MOUNTED DOUBLE BED 20TH CENTURY the arched head board and curved foot board raised on turned legs 155cm wide, 143cm high, 201cm deep

£200-300

50cm wide, 95cm high

£150-200

433 FF164/9 MAHOGANY LONGCASE CLOCK CIRCA 1800 the hood with swan neck moulding, with a brass arched dial inscribed ‘Jno Bayne Stirling’, with Roman and Arabic numerals, subsidiary seconds and date aperture, engraved scrolling floral motifs, with an eight day movement, the trunk with a shaped door and flanked by reeded columns to each side, with a plain base raised on bracket feet

70cm high, 78cm diameter Provenance: Collection of Todd Gordon, Blacket Place

215cm high

£600-800

£600-900

432 FF701/1 VICTORIAN STYLE EXTENDING DINING TABLE the moulded rectangular top above a plain frieze, raised on turned fluted legs and ceramic casters, including two leaf extension

434 FG269/27 WILLIAM IV ROSEWOOD BREAKFRONT BOOKCASE CIRCA 1835 the moulded projecting cornice over glazed doors opening to shelves, the lower part with a green baize lined sliding and ratcheted writing slope in the frieze above four cupboard doors with foliate and reeded moulding, on a plinth base

306cm wide extended, 75cm high, 123cm deep

£1,000-1,500

275cm wide, 260cm high, 50cm deep

£1,800-2,500

437

435 FF175/33 GEORGE III MAHOGANY OCTAGONAL WINE COOLER 18TH CENTURY the octagonal hinged top over a conforming base with metal insert liner and lion mask loop handles to the sides, raised on square tapered legs ending on brass caps and castors

442

439 FG566/89 NEST OF THREE ROSEWOOD OCCASIONAL TABLES MID 20TH CENTURY the rectangular top above open work sides on square tapering legs linked by stretchers (3) 35.5cm deep

446 FG551/3 LOUIS XV STYLE GILTWOOD AND GLAZED THREE FOLD SCREEN 19TH CENTURY each fold with a glazed upper panel and silk-upholstered lower panel withn a rococo scroll giltwood frame

£120-180

162cm wide, 196cm high

65.5cm wide, 72cm high,

£250-350

47cm wide, 66cm high

£300-500 436 FF706/1 REGENCY ROSEWOOD FOLD OVER CARD TABLE the rounded rectangular top above a carved frieze and turned support, raised on a quadriform base and bun feet

428

440 FG469/5 GEORGE III MAHOGANY AND BOXWOOD STRUNG PEMBROKE TABLE the cross banded rectangular top above a frieze drawer, raised on square tapering legs 91cm wide, 73cm high, 43cm deep

£200-300

92cm wide, 73cm high, 46cm deep

447 FF904/4 AFTER E.W. GODWIN EBONISED OCCASIONAL TABLE, CIRCA 1870 the square top supported by ring turned and tapering legs enclosing a lower tier with spindle gallery 42.5cm across, 66cm high

437 FG600/35 FRENCH WALNUT FRAMED OPEN ARMCHAIR 19TH CENTURY the arched cushioned back above out swept arms and a serpentine cushioned seat, raised on moulded cabriole legs united by cross stretchers

441 FG547/1 GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK the broken swan neck pediment above a painted arched dial with Roman numerals and subsidiary second and date dials, flanked by reeded columns, above a rectangular door and reeded pilasters, raised on a plinth base

71cm wide, 107cm high, 53cm deep

45cm wide, 205cm high, 23cm deep

448 FF759/2 GLAZED SPECIMEN CABINET AND UNDERCABINET the moulded cornice above glazed doors, flanked by glazed panels to either side, enclosing drawers, over a lower cabinet with a panel door, enclo--sing graduated, raised on a plinth base

£200-300

£400-600

58cm wide, 185cm high, 45cm deep

438 FG599/4 SMALL LOUIS XV STYLE BRASS MOUNTED BOMBE COMMODE 20TH CENTURY the shaped top above two drawers, raised on outswept legs

442 FG469/9 VICTORIAN ROSEWOOD CHEVAL MIRROR the rectangular mirror plate within a cushioned frame, flanked by hexagonal supports, raised on down swept legs

68cm wide, 65cm high, 33cm deep

87cm wide, 140cm high, 48cm deep

£200-300

£400-600

£400-600

£150-250

449 FG600/85 LOUIS XV STYLE PARQUETRY AND MARQUETRY SIDE TABLE 19TH CENTURY the shaped rectangular brass banded top centred by a floral marquetry spray, raised on slender cabriole legs with gilt metal mounts and ending in sabots, joined by a quarter veneered undertier outlined in brass 50cm wide, 74cm high, 39cm deep

£500-800 450 FG597/6 GEORGE III MAHOGANY LOWBOY the moulded rectangular top above three drawers and a shaped apron, raised on moulded legs 74cm wide, 71cm high, 45cm deep

£300-500 451 FG539/1 BRASS BOUND SILVER CHEST of typical form, the hinged top enclosing a void interior, with carrying handles to either side 71cm wide, 70cm high, 60cm deep

£200-300

£250-350

436

443-445 No lots

51

Consignment of African Works of Art from the Collection of Todd Gordon Enquiries: Campbell Armour Tel: +44 (0)131 557 8844 campbell.armour@lyonandturnbull.com Theo Burrell Tel: +44 (0)131 557 8844 theo.burrell@lyonandturnbull.com

Further entries invited

Two Cameroon wooden vessels Provenance: Sotheby's New York, 25 May 1999 (Lot 163)

£1,200-£1,800

The beauty of antiques: furniture at auction In my job I get to work with all manners of interesting and beautiful items, in particular pieces of antique furniture which have long held place of pride in people’s homes and have often been inherited and cherished by generations of people. Some pieces are centuries old and others have fascinating histories, made in woods once exotic and valuable to their original commissioner, each item represents former trends, culture and design which continue to have influence today.

It may seem surprising therefore that many of these items, including Georgian, Victorian, and Edwardian pieces of furniture, are extremely good value for money at auction. Indeed, one can acquire a well-made, hand crafted piece of furniture at an affordable price, with a good variety of items being regularly available for sale and purchase.

Traditional styles, like all things, come in and out of fashion, but by combining older pieces alongside newer items one can achieve an eclectic mix which will enhance the look and feel of any property.

The pair of Wassily chairs designed

by Marcel Breuer in 1925 (lot 331).

Championed by interior designers, furniture dealers, and homes and antiques publications, this is now something which everyone can achieve. So if you have one new year’s resolution this month, make it to look around and see what’s on offer!

The reason for buying antique pieces is also multitude, not least because they are attractive and functional, but also because of the stories that these items have to tell. In our sale this January, for example, we have a Victorian walnut collector’s cabinet once owned

by James Robertson Justice, the prolific mid-20th century British film star. He was also an avid collector of natural history specimens and is likely that he used this cabinet to store his pieces. On his death the cabinet was passed on to a close friend, and it is now available for sale at Lyon & Turnbull.

At the other end of the aesthetic spectrum, we are also offering are a pair of Wassily chairs designed in 1925 by Marcel Breuer. This truly iconic chair has influenced modern furniture design ever since, and shows how ‘antique’ can be both fashionable and stylish.

The Victorian walnut collector’s cabinet which was once owned

by James Robertson Justice (lot 179)

52

So come and visit us this month to see the variety of items for sale.

Spanning centuries and decades, placed one beside the other in our galleried sale room, we hope to really inspire you for a fresh start to the new year ahead!

David Fiddes

452

454

457

459 452 FF827/1 ROYAL DOULTON GLASS CHESS SET 20TH CENTURY comprising of a full set, one half modelled in dark blue glass, the other in clear glass, maker’s marks to undersides (32) king 12.5cm high

£300-500 453 FG507/21 ENGLISH PORCELAIN PART DESERT SERVICE each piece decorated with a flower surrounded by a gilt grape vine moulded border, with a waved rim, variously marked with ‘785’ and the flower name, comprising of: four oval dishes; two square dishes; one circular dish; and 24 plates (qty) £120-180 454 FG600/100 FRENCH PORCELAIN ICE BUCKET AND COVER of cylindrical form with twin handles and a heart shaped finial, decorated with scrolling gilt foliage and leaves, with inscription and marks for ‘Le Gallec’ to the underside, 25cm high; together with an OVAL PORCELAIN BOX AND COVER; decorated with gilt flowers and borders, 7.5cm high (2) £200-300

455 FF617/1 PAIR OF BRASS FIRE DOGS each modelled with an urn shaped spherical finial above open scrolling legs with acanthus leaf decoration (2) 46cm high

£250-350

459 FG234/1 GEORGIAN NEEDLEWORK SAMPLER LATE 18TH / EARLY 19TH CENTURY finely worked with a central Tree of Knowledge with the serpent and Adam and Eve, a country house, peacocks and other birds, rabbits, flowering baskets, and other male and female figures, family initials and poem box ‘Teach me to live that I may dread / the Grave as little as my Bed / Teach me to die that so I may Triumphing rise at the last Day’, framed

456 FG149/4 MANNER OF SIR ROBERT LORIMER WROUGHT IRON FENDER, CIRCA 1900 the fender of scrolling outline with pierced scrollwork trivet platform, the sides with riveted decoration

33cm wide, 39cm high (sight size)

114cm wide, 14cm high, 32cm deep

£150-250

£200-300

17cm high

460 FG234/2 FRAMED NEEDLEWORK SAMPLER of rectangular form, with an alphabet inscription above ‘The Lord’s Prayer’, with trees motifs surrounded by a floral border, in a glazed frame

£400-500

42 x 31cm (excluding frame)

457 FF564/1 CONTEMPORARY BRONZE FIGURE OF A HARE brown patina, realistically modelled as the head of a hare, signed ‘AJB’ to the reverse

458 FG604/3 FRAMED RUSSIAN ICON of rectangular form, the painted wooden panel depicting the ‘Transfiguration of Christ on Mount Tabor’, with a paper note to the reverse signed ‘Henry A. Murray’ 17.5 x 13.5cm (excluding frame)

£200-300

£300-500

461 FG234/6 FRAMED SILK AND METAL THREAD EMBROIDERED PANEL of rectangular form, depicting stylised foliate motifs, 57 x 36cm (excluding frame); together with a FRAMED WOOLWORK PANEL, or arched form, depicting birds amongst baskets of flowers, with metal thread borders, 39.5cm high, 23cm wide (excluding frame) (2) £300-500 462 No lot 463 FG566/91 PATINATED AND GILT METAL EASEL PHOTO FRAME the cast frame with a heart shaped reserve surrounded by roses, a bow, and a quiver of arrows in relief, raised on two scrolled feet 28.5cm high

£100-200 464 FF841/1 COPELAND SPODE PORCELAIN PART DESERT SERVICE each piece painted with fruit and flowers within a green gilt border with decorative reserves, some signed ‘I. Arrowsmith’, with maker’s marks, some with retailer’s marks, comprising of: three square dishes; an oval dish; and 16 plates (20) £150-250

53

472

474

465 FG600/29 CONTINENTAL PORCELAIN PLAQUE 19TH CENTURY the rectangular plaque painted with a frigate and other ships with a garrison in the distance

470 FG586/11 VICTORIAN PIERCED BRASS FENDER AND IRONS of typical form, raised on paw feet, together with a pair of tongs and two pokers (4) fender 120cm wide, 21cm high,

19cm wide, 13cm high

33cm deep

£200-300

£100-150

466 FG433/45 LALIQUE, FRANCE SET OF 6 FROSTED AND CLEAR GLASS SALAD PLATES, POST 1945 each moulded with thistle heads, script etched marks LALIQUE/ FRANCE, 20cm across; together with a LALIQUE FROSTED GLASS ASHTRAY, moulded with leaves, script etched mark LALIQUE/ FRANCE, 21cm across (7) £200-300

471 FG330/14 EMILE JOSEPH ERNEST CARLIER (FRENCH, 1849-1927) bronze, medium brown patina, modelled as a WWI Italian Bersaglieri, on a square base signed ‘E. Carlier’

467 FF722/1 GROUP OF TWELVE PILASTERS of doric and corinthian design (12) approximate height 250cm

£400-600

36cm high

£250-350 469

468 FF685/40 VIENNA MAHOGANY WALL CLOCK the shaped pediment with a carved mask, above the glazed case enclosing a white enamelled dial with Roman numerals and a pendulum, flanked by two knopped columns

469 FG774/17 CHATY VALLAURIS ‘SUNBURST’ MIRROR 1950S with a giltmetal graduated frame and a ropetwist slip surrounding a convex mirror plate, the reverse with maker’s marks

46cm wide, 123cm high, 18cm deep

£400-500

95cm wide

£200-300

465

54

481

472 FF876/2 MARCOLINI PERIOD MEISSEN PORCELAIN DISH of circular form, decorated in the imari palette with a bird within a decorative border, with blue crossed swords mark 22cm diam.

£120-180

471

477

479

470

473 FF431/2 COLLECTION OF ETCHED AND CUT GLASS RUMMERS 19TH CENTURY comprising of: a set of five glasses, each decorated with stars; and a mixed group of five rummers, of various shape and size, decorated with flowers and foliage (10)

21cm long

tallest 17cm high

£150-250

£200-300

tallest 15cm high

£200-300 474 FF431/2A COLLECTION OF ETCHED AND CUT GLASS RUMMERS 19TH CENTURY comprising of: a pair of naval glasses, decorated with fouled anchors; a pair depicting ivy and wheath sheaths; a pair etched with fruiting vines; and four further glasses, of various shape and size, decorated with foliage (10) tallest 16.5cm high

£200-300

478 FF499/5 DAUM PATE DE VERRE DISH, MODERN moulded as a lizard and moth on a leaf, etched script mark to base DAUM/ NANCY

475 FF431/2B COLLECTION OF GLASS RUMMERS 19TH CENTURY of various shape and size, including six with thumb cut bowls and six with plain bowls (12)

476 FF431/2C COLLECTION OF SIX DRINKING GLASSES each with an ogee shaped thumb-cut bowl, above a knopped stem, 12cm high; together with a SET OF THREE DRINKING GLASSES, each with a green glass ovoid bowl, above a tapered baluster stem, 20.5cm high (9) £200-300 477 FG648/2 DELFT BLUE AND WHITE FLASK VASE of flattened ovoid form, with a narrow neck, decorated with figural landscape scenes to each side set amongst floral borders, marks to underside

479 FG600/32 CHAMBERLAIN’S WORCESTER POT POURRI DISH AND COVER of circular form with a pierced cover and foliate finial, decorated with baskets of flowers in gilt reserves on a powder blue ground, raised on three paw feet, with maker’s marks to cover, 14cm high; together with a MINIATURE PORCELAIN POT POURRI POT AND COVER, of cylindrical form, painted with flowers on a pink gilt ground, 7.5cm high(2) £200-300

480 FG507/18 SUITE OF DRINKING GLASSES each piece with a border of circles above thumb cut decoration, comprising of: six champagne flutes; eight champagne bowls; 20 liqueur glasses; and six tumblers; together with TWO THUMB CUT GLASS BOWLS; FIVE STRAWBERRY CUT GLASS BOWLS; and a SET OF SIX GREEN WINE GLASSES (qty) £200-300 481 FF72/27 GEORGE III STYLE WALNUT & PARCEL GILT WALL MIRROR the shaped mirror plate within a gilt slip and fretwork frame, surmounted by a Ho ho bird 72cm wide, 68cm high Provenance: The Estate of Dr. Renate Davis, Deceased

£120-180

18.5cm high approx.

£150-250 55

486

482

489

482 FF72/46 CONTINENTAL TERRACOTTA FIGURE OF A DANCING GIRL 18TH / EARLY 19TH CENTURY the standing figure in a flowing long gown, raised on a square base with paw feet 18cm high Provenance: The Estate of Dr. Renate Davis, Deceased

£400-600 483 FG433/8 LIBERTY & CO., LONDON ‘TUDRIC’ HAMMERED PEWTER AND ENAMEL BOX AND COVER, CIRCA 1900 of octagonal form set with enamel roundel depicting a moth, stamped factory marks TUDRIC 0905, 9cm across; and a LIBERTY & CO. HAMMERED PEWTER FLAGON, of gourd form with hinged cover and applied handle, stamped factory marks 032, 26cm high (2) £150-250

56

484

500

484 FG586/58 TWO CARVED WOODEN SANTO STYLE FIGURES 18TH/ 19TH CENTURY the first modelled as the Archangel Raffaelle with a child, with polychrome decoration, raised on a wooden base, with old paper labels, 32.5cm high overall; the second, carved as a man in robes, on a plaster base, 29cm high (2) £200-300

486 FF864/2 GERMAN STONEWARE PUZZLE EWER of double ringkrug design, with a spout modelled as an eagle’s head above a pair of bearded knomes, decorated with flower heads, lions and a crest in blue relief on a grey ground, with indistinct writing to spout interior and incised ‘231’ to underside

485 FF777/2 PAIR OF ONYX PEDESTALS the square top above a spiral support, raised on an octagonal base

487 FG433/58 THOMAS FORRESTER & SON PHOENIX WARE ‘SYRIAN’ JAR AND COVER, CIRCA 1930 printed factory marks, 31.5cm high; a CARLTON WARE HAND CRAFT GINGER JAR, printed and painted factory marks, R/4217, 16cm high; a CARLTON WARE VASE, painted with flowers, printed and painted factory marks 3963, 15cm high; and a CLARICE CLIFF MOULDED LAMP BASE, printed factory marks, 15.5cm high (4) £150-250

22cm wide, 92cm high

£300-500

70.5cm high

£200-300

488 FG507/20 PORCELAIN PART DINNER SERVICE each piece decorated with puce coloured flower sprigs and sprays, within a gilt border, comprising of: five tureen and covers, of various size; a tureen (cover lacking); three stands, of various size; four graduated ashets; 23 dinner plates; 12 soup plates; and three luncheon plates (qty) £250-350 489 FG600/10 CONTINENTAL FAIENCE ASHET of shaped oval form, painted with a robed Turkish figure accompanied by a flamingo, with the inscription ‘Turco con Fenicottero’, within a red border with flower sprigs 43.5cm wide

£120-180

490 FF747/2 COLLECTION OF WORLD STAMPS comprising of four albums and a large quantity of loose stamps (qty) Note: Viewing by appointment only.

£150-250 491 FF765/9 LARGE COLLECTION OF LPS/ VINYL RECORDS 1980S AND 90S in sleeves, comprising of various albums and artists, including The Beach Boys, Genesis, Pink Floyd, Queen, and Stevie Wonder (qty) £200-300 492 FG526/1 COTTON PATCHWORK QUILT PANEL POSSIBLY EARLY 19TH CENTURY of square form, with a central panel depicting a decorative vase of flowers, amongst colourful patches on a cream ground within a foliate border 264 x 229cm approx.

£450-550

498

493 FG526/2 TWO FRENCH EMBROIDERED SILK BODICES 18TH CENTURY the first of tapered form, decorated with a repeating foliate pattern on a purple ground, with pleated frills??, 51cm long; the second, of smaller tapered form, decorated with cobalt blue flowers on a golden ground, 45cm long (2) £350-450

496 FF863/1 GERMAN BRACKET CLOCK the ebonised case with a domed top and gilt metal mounts and feet, enclosing a gilded and silvered dial with Roman numerals and a subsidary dial, the eight day movement striking on two gongs

499§ FG223/3 JAMES HARVEY CLARK ARSA (1885-1980) HORSE AND CART Bronze, signed in the bronze J.H. CLARK

tallest 35cm high

28cm long Literature: McEwan, Peter J.M. ‘Dictionary of Scottish Art’, 1988, p.130 Note: Last of the ‘Old Guard’ of Scottish sculptors, Clark worked as an assistant to several monumental sculptors including Alice Meredith Williams and J. Beattie, before setting up on his own in 1929. Some of his most important work was involved in modelling maquettes from which the woodcarvers W&A Clow worked.

£150-250

£200-300 500 FG774/11 DISTRESSED PAINTED METAL AND CARVED WOOD CHANDELIER the decorative column with six small outscrolling arms above a further six large outscrolling arms terminating in sconces, hung with glass prisms and droplets

22cm diam. approx.

498 FG574/5 PAIR OF RETICULATED FAIENCE COVERED VASES 19TH CENTURY the pierced domed covers with pear finials, the fluted inverted pear form sides painted with exotic birds amongst foliage, enriched with gilt, raised on a pierced oval foot, pseudo Chelsea gold anchor marks (2)

£250-350

33cm high

91cm high

£150-250

£800-1,200

494 FG639/1 RUSSIAN ICON the painted and gilded wooden panel depicting St. George and the dragon, within a decorative border with an inscription 33 x 28cm

£250-350 495 FG502/2 COLLECTION OF MURANO GREEN GLASS DISHES each of shallow circular form, decorated with fine gilt scrolling patterns (11)

42.5cm high

£800-1,000 497 FG507/22 GROUP OF GLASS DECANTERS of various size, shape and design, including two sets of pairs (8, plus an extra stopper)

120cm wide approx., column

492

496

57

503

504

515

517

501 FG530/3 TWO NUREMBERG STYLE BRASS CHARGERS each of shallow circular form, the first embossed with Adam and Eve within foliate borders, 43cm diam; the second, depicting George and the dragon, with marks to rim, 46.5cm diam (2) £150-250 502 FG558/1 PAIR OF GREEN PAINTED COMPOSITION OBELISKS each of tapered form above moulded decoration simulating arched doorways and bricks, raised on a square base (2) 52.5cm high

£150-250 503 FG507/36 COLLECTION OF ROYAL CROWN DERBY ANIMAL PAPERWEIGHTS each piece with polychrome and -gilded decoration, with maker’s marks/boss, comprising of: a red squirrel; a pheasant; two rabbits; a duck; a robin; a wren; and a quail (8) £150-250

58

504 FG615/1 MINTONS PART DINNER SERVICE decorated in the Asian style, with vases of peonies within a decorative polychrome border, variously marked to underside, comprising of: a soup tureen, cover and stand; two tureens and covers; four graduated ashets; a sauce boat; 11 dinner plates; 12 soup plates; 12 desert plates; and 11 side plates (qty) £200-300 505 FF179/21 MUGHAL MANUSCRIPT PAGE FROM THE SHAHNAMEH 17TH / 18TH CENTURY with black nasta’liq script in four columns above and below the image of Rostam slaying Div-e Sepid, the white demon of Mazandaran, framed 25cm high x 14.5cm wide (sight size)

£180-250

506 FG506/1 INDIAN MINIATURE PAINTING finely painted with a prince seated on a terrace with a companion and two female attendants, framed 16cm wide, 26cm high

£150-250 507 FG506/2 LARGE INDIAN PAINTING ON SILK depicting a female figure playing an instrument with three attendants/companions in an ornate garden with exotic birds, in a glazed gilt wood frame 112 x 81cm (excluding frame)

£500-700 508 FG566/87 PATINATED ART DECO SPELTER FIGURE GROUP CIRCA 1930 cast as a squirrel perched on a branch, on stepped onyx and marble plinth base with moulded opalescent glass applied scrolls 29.5cm across

£150-250

509 FG611/13 SET OF EIGHT BOTANICAL PRINTS showing various species of plant and flower, with inscriptions, framed, 37 x 23.5cm; together with a PAIR OF GERMAN BOTANICAL PRINTS, of similar style, framed, 33 x 20.5cm (10) £300-500 510 FG596/9 GROUP OF PEWTER WARES comprising of: a tankard, with touchmarks, 16cm high; a large alms dish, with inscribed initials, and touchmarks to the underside, 42cm diam.; a dish, marked ‘B.C.’ and ‘London’, with further touchmarks, 25cm diam; and a pair of dishes, with touchmarks, 23cm diam. (5) £300-500

503

511 FG67/1 FROSTED GLASS AND STEEL HANGING LIGHT with three spherical shades of various size; together with a FROSTED GLASS AND BRASS HANGING LIGHT, with two baluster shaped shades; a FROSTED GLASS AND BRUSHED STEEL HANGING LIGHT, the circular steel resting on the frosted glass shade; and a PAIR OF CRIMPED LIGHT SHADES, resembling Chinese lanterns (5) £250-350 512 FF965/1 SEYMCHAN part slice 94g Provenance: Lucy Cullen Collection Note: Seymchan (Magadanskaya obalst’, Russia) Pallasite (stony-iron) - found 1967.

A beautiful pallasite originating from deep within an asteroid. The original mass of this meteorite was found in the bed of a stream flowing into the River Hekandue, a tributary of the Jasachnaja. Further expeditions to the area yielded more finds; some discoveries being true pallasites with their roughly 50:50 mix of olivine and iron, while others were comprised entirely of iron.

The Seymchan slice offered here is the pallasite type, revealing olivine (peridot) crystals surrounded by a web of iron. This exquisite specimen has been cut extremely thinly, maximising the surface area to weight ration. When backlit, this stunning meteorite gives the appearance of an extra-terrestrial stained glass window.

Approximate dimensions: 212 x 113mm

£1,500-2,500

505

513 SV50/18 FIONA SUTHERLAND (SCOTTISH b. 1964) ‘OUMA’ painted plaster, modelled as an emancipated standing figure

512

518

143cm high Provenance: Purchased from the ‘Ware on Earth’ exhibition at The Gallery, Howe Street, Edinburgh, 09/02/1987.

£150-250 514 FF958/1 POWDER HORN 19TH CENTURY unmarked, of conventional form, the mounts of white metal and brass with chased foliate and scrolling design, with two cast brass suspension mounts; together with FOUR BOOKS PERTAINING TO THE EXPLORER JOSEPH THOMSON (5) 36.5cm Note: By family repute this item belonged to the 19th century explorer Joseph Thomson. Thompson played an important part in the race to colonize Africa by European powers, to the extent that the Thomson Gazelle is named after him. Born in Dumfriesshire, he studied at the University of Edinburgh before embarking on various expeditions.

He spent much of his time in Africa; he was employed by Cecil Rhodes to guide him in an exploration north of the Zambezi and even spent some time exploring central Europe with his close friend, J M Barrie. He died in London in 1895, at only 37 years of age.

£300-500

515 FG330/13 EMPIRE STYLE GILT AND PATINATED BRONZE CHANDELIER EARLY 20TH CENTURY the corona with six plumes over a leaf cast pan suspended by three chains and issuing eight candlearms and a pine cone drop finial 54cm high, approx

£300-500 516 FG469/11 SCOTTISH SHETLAND SPINNING WHEEL WORKSHOP OF A. SANDISON OF HILLSWICK, 19TH CENTURY a vertical bobbin-flyer spinning wheel, with turned supports, the wheel suspended above the shaped table, all raised on three legs 85cm high

£150-250 517 FG774/15 KNOLL ASSOCIATES TABLE the rosewood rectangular top above a chrome frieze, raised on square legs 120cm wide, 65cm high, 74cm deep

£500-700

518 FF153/5 LOUIS XVI STYLE MAHOGANY AND GILT BRONZE WRITING TABLE BY MELLIER & CO 19TH CENTURY the brass banded rectangular top with a faded red leather writing surface and three quarter brass gallery, over a frieze with rinceau gilt bronze mounts, above a central drawer flanked by two further drawers outlined in gilt metal, raised on fluted tapered legs ending in gilt metal sabots, the lockplates stamped ‘Mellier & Co’ 91cm wide, 76cm high, 51cm deep Provenance: Selected contents of Lorton Park, Cumbria

£1,200-1,800 519 LT2014/1 GEORGIAN STYLE MAHOGANY INVERTED BREAKFRONT BOOKCASE CABINET 19TH CENTURY the moulded cornice above astragal glazed doors, enclosing shelves, over associated base with panel doors, raised on a plinth base 129cm wide, 225cm high, 44cm deep

£250-350

59

521

528

520 FG587/37 GEORGE III MAHOGANY DEMILUNE SIDEBOARD CIRCA 1780 of small size, the demilune banded top over a central drawer and serpentine apron flanked by two curved cupboard doors, raised on square tapered legs ending in spade feet

97cm wide, 74cm high, 49cm deep

122cm wide, 87cm high, 61cm deep

£300-500

523 FF706/2 GEORGIAN MAHOGANY AND SATINWOOD CROSS BANDED FOLD OVER TEA TABLE the rounded rectangular top above a frieze drawer, over a shaped support, raised on stepped sabre legs and brass caps and casters

£600-800 521 FF685/20 SET SIX REGENCY SIMULATED ROSEWOOD DINING CHAIRS the foliate carved top rail above a horizontal splat and drop in pad seat, raised on sabre legs (6) 44cm wide, 82cm high, 40cm deep

524 FG599/3 MARQUETRY AND BRASS MOUNTED BOMBE COMMODE 20TH CENTURY the moulded shaped top above two drawers and a shaped apron, raised on outswept legs 100cm wide, 82cm high, 49cm deep

£200-300

£300-500 522 FF703/1 VICTORIAN MAHOGANY EXTENDING DINING TABLE the rounded rectangular top above a plain frieze, raised on octagonal legs and brass caps and casters 198cm wide extended, 74cm high,

525 FG477/56 OAK GATE LEG TABLE 17TH CENTURY the oval top above bobbin turned legs, united by peripheral stretchers 133cm wide, 73cm high, 55cm deep

£400-600

529

526 FG323/1 REGENCY MAHOGANY AND ROSEWOOD CROSSBANDED BREAKFAST TABLE CIRCA 1815 the rounded rectangular top with a moulded edge on a turned column support, raised on four reeded sabre legs ending in brass hairy paw feet and castors 135cm wide, 72cm high, 102cm deep

£600-800 527 FF168/62 GEORGE III SATINWOOD, MARQUETRY AND PAINTED FOLDOVER GAMES TABLE CIRCA 1790 the D-shaped foldover top centred by an oval floral marquetry panel with a painted and gilt foliate scroll border, opening to a green baize lined playing surface above an inlaid frieze centred by a painted reserve depicting a tree and the motto ‘SUR TEGMINE’, raised on square tapered legs 92cm wide, 73cm high, 46cm deep

£700-1,000

528 FG507/25 REGENCY MAHOGANY CELLARETTE the hinged rectangular top enclosing a compartmental interior, raised on ring turned legs and brass casters 46cm wide, 71cm high, 30cm deep

£300-500 529 FG530/2 GEORGIAN OAK CUPBOARD the dentil moulded cornice above two panel doors, raised on block feet 78cm wide, 179cm high, 45cm deep

£500-700 530 FG273/9 GEORGE III MAHOGANY KNEEHOLE DESK 18TH CENTURY the rectangular top with a moulded edge and canted forecorners above a dressing slide and long drawer, over a central recess with a scroll cut apron drawer and cupboard door flanked by banks of three drawers and fluted angles, raised on later bracket feet

128cm deep

94cm wide, 84cm high, 52cm deep

£300-500

£300-500

524

60

537

538

531 FG280/8 REGENCY MAHOGANY AND EBONY STRUNG INVERTED BREAKFRONT SIDEBOARD the ledge back and shaped top above three frieze drawers, flanked by deep drawers, raised on ring turned tapering legs

541

534 FG477/62 GEORGE III MAHOGANY BOWFRONT CHEST the moulded top above four graduated long drawers, raised on bracket feet 115cm wide, 103cm high, 60cm deep

£300-500

218cm wide, 114cm high, 71cm deep

£1,000-1,500 532 FF178/6 ART DECO STYLE NURSING CHAIR the shaped back above a cushioned seat, raised on cabriole legs and pad feet, stamped ‘W B’ 58cm wide, 90cm high, 47cm deep

£200-300 533 FG311/5 REGENCY MAHOGANY SIDE TABLE, STAMPED ‘G.N.’ the moulded rectangular top raised on ring turned legs and bun feet 48cm wide, 74cm high, 37cm deep

£200-300

535 FG592/39 GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK BY ANDREW FARQUHAR PETERHEAD the arched painted dial depicting naval scenes with subsidiary second and date dials, within a hood with a broken swan neck pediment above turned columns, over an arched door, flanked by reeded pilasters, raised on bracket feet £450-650 536 FG593/4 SET OF SIX VICTORIAN MAHOGANY SPOON BACK SIDE CHAIRS the moulded back above a pierced horizontal splat, over a buttoned serpentine seat, raised on moulded cabriole legs 46cm wide, 89cm high, 41cm deep

533

537 SV50/2 GEORGIAN STYLE MAHOGANY BREAKFAST TABLE the egg and dart moulded circular top above scrolling supports, raised on outswept reeded legs and brass caps and casters 121cm wide, 76cm high

540 FG472/9 VICTORIAN ROSEWOOD AND BRASS MOUNTED BREAKFRONT CREDENZA the moulded shaped top above an inlaid frieze and panel door, flanked by glazed doors enclosing shelves, raised on a plinth base

£800-1,200

179cm wide, 102cm high, 34cm deep

£500-600 538 FG590/1 SHOOLBRED OAK BOOKCASE the spindle filled cornice with corresponding apron to the base, above glazed doors enclosing adjustable shelves, over two frieze drawers and panel doors, raised on turned legs 123cm wide, 254cm high, 46cm deep

£800-1,200 539 FF697/2 VICTORIAN MAHOGANY LINEN PRESS the moulded cornice above panel drawers, enclosing slides, over two short and two graduated long drawers, raised on a plinth base

541 FF685/10 QUEEN ANN STYLE OAK AND WALNUT CHEST ON STAND EARLY 20TH CENTURY the moulded rectangular top over three long graduated drawers, the lower part with three short frieze drawers above a scrolled apron, with baluster turned legs and a conforming undertier, raised on ball feet 91cm wide, 139cm wide, 53cm deep

£500-700 542 No lot

130cm wide, 205cm high, 57cm deep

£400-600

£300-500

531

525

61

543 FG273/2 GEORGE II WALNUT SIDE TABLE CIRCA 1730 the quarter veneered and crossbanded top over a moulded frieze and single frieze drawer, raised on acanthus carved cabriole legs ending in pad feet

545 FG469/4 VICTORIAN ROSEWOOD DAVENPORT the three quarter brass gallery and hinged writing slope with inset skiver, enclosing a fitted interior, above four drawers and four opposing dummy drawers, raised on moulded cabriole legs and bun feet

77cm wide, 74cm high, 46cm deep

57cm wide, 83cm high, 56cm deep

£400-600

£500-700

544 FG280/16 MAHOGANY TWIN PEDESTAL DESK 19TH CENTURY STYLE the moulded rectangular top with an inset writing surface above a long drawer, flanked by short drawers, over cupboard doors and plinth bases

546 FG470/1 SECRETAIRE BOOKCASE AND UNDERCABINET 19TH CENTURY the moulded cornice above astragal glazed doors enclosing adjustable shelves and four short drawers, the cabinet with a secretaire drawer enclosing a fitted interior, over three graduated long drawers, raised on bracket feet

152cm wide, 80cm high, 96cm deep

£500-600

123cm wide, 243cm high, 55cm deep

£1,000-1,200

46cm wide, 115cm high, 68cm deep

550 FF685/21 VICTORIAN MAHOGANY CREDENZA the peaked gallery and supported shelf above a rectangular top, over a concealed drawer and panel doors, enclosing adjustable shelves, raised on a plinth base

£250-350

105cm wide, 128cm high, 32cm deep

547 FF904/9 COTSWOLDS SCHOOL ELM LUG CHAIR, EARLY 20TH CENTURY a shaped plank back above solid curved arm and leather covered seat on square supports linked by stretchers

£250-350 548 FF744/7 EDWARDIAN SATINWOOD DRESSING TABLE MIRROR the serpentine top rail above an oval mirror, flanked by two further shaped mirrors, raised on block feet 130cm wide, 88cm high

£200-300 549 FF693/1 GEORGIAN MAHOGANY BOWFRONT CHEST the shaped reeded top above four graduated long drawers, flanked by reeded pilasters, raised on paw feet 123cm wide, 105cm high, 58cm deep

£200-300

551

554

62

557

553

551 FF701/2 GEORGIAN MAHOGANY INVERTED BREAKFRONT SIDEBOARD the cross banded shaped top above a frieze drawer flanked by a cellarette drawer and a cupboard, raised on reeded turned legs 178cm wide, 94cm high, 71cm high

£800-1,200

545

546

559

547

556

552

552 FG469/1 SCOTTISH GEORGE III MAHOGANY WRITING TABLE LATE 18TH CENTURY the superstructure centred by a bank of drawers flanked by doors opening to further drawers, above a rectangular surface over a pair of short frieze drawers, raised on square tapered legs ending in brass caps and castors 97cm wide, 96cm high, 55cm deep

£700-1,000 553 FG473/13 OAK DRESSER BASE LATE 18TH CENTURY the ledge back with three drawers above a rectangular top, over three frieze drawers, raised on moulded square tapering legs 171cm wide, 92cm high, 47cm deep

£400-600

554 FG586/8 WALNUT COMMODE 18TH CENTURY the rounded rectangular top above three drawers, raised on bracket legs

140cm wide, 111cm high

129cm wide, 87cm high, 62cm deep

£150-250

557 FG599/17 PARCEL GILT AND EBONISED OVER MANTLE MIRROR the bevelled rectangular mirror plate within a moulded frame

£1,000-1,500 555 FG590/4 VICTORIAN MAHOGANY EXTENDED DINING TABLE the moulded oval top above a plain frieze, raised on moulded baluster turned legs and ceramic casters, including two leaf extensions

558 FG600/41 NEST OF THREE EDWARDIAN MAHOGANY OCCASIONAL TABLES the inlaid top raised on outswept legs, united by stretchers 45cm wide, 68cm high, 31cm deep

£150-250

244cm wide extended, 76cm high, 123cm deep

£800-1,200 556 FG597/8 GEORGE III MAHOGANY BACHELOR’S CHEST MID 18TH CENTURY the rectangular foldover top opening to a brown leather insert surface, over a long frieze drawer and three further graduated long drawers, raised on bracket feet

559 FG600/42 LOUIS XV STYLE KINGWOOD AND MARQUETRY SIDE TABLE LATE 19TH CENTURY the squared top with four shaped drop down sides banded in brass and with floral marquetry throughout, raised on squared cabriole legs with gilt metal mounts and ending in sabots

560 FG600/109 DUTCH MAHOGANY AND INLAID OPEN ARMCHAIR EARLY 19TH CENTURY the inlaid top rail and horizontal splat above downswept arms and a drop in pad seat, raised on ring turned legs 53cm wide, 80cm high, 45cm deep

£120-180 561 FE396/6 GEORGE II MAHOGANY KNEEHOLE DESK 18TH CENTURY the rectangular top with a moulded edge over a long drawer above an arch drawer and recessed cupboard, flanked by banks of three drawers, raised on shaped bracket feet 84cm wide, 74cm high, 50cm deep Provenance: Private collection, Aberdeenshire

£300-500 END OF SALE

88cm wide, 68cm high, 88cm wide

£400-600

76cm wide, 76cm high, 36cm deep (closed)

£1,200-1,800 63

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Index to Artists Aagaard, C.F.P., 143 Adam, P.W., 103 Adam, P.W., 130 Agnew, M., 97 Aikman, W., manner of, 75, 76 Alexander, E., 27 Allan, A.R.W., manner of, 114 Armour, M., 1

Cowie, J., 7 Danby, J.F., attributed, 36 Deshima, S., 21 Dighton, R., 40 Dutch School, 117 English School, 25, 113

Ballingall, J., 126 Bannatyne, A., 96 Bannatyne, J.J., 19 Barrington-Browne, W.E., 144 Belgian School, 37 Bellany, J., 43, 44, 47 Bessa, P., attributed to, 35 Bird, M.H., 2, 49 Black, A., 100 Bone, W.D., 63 Bough, S., 135 Boyd, J.G., 69 Boyley, E.S., 62 Branden, A.R., 108 Bright, H., attributed to, 14 Briscoe, A., 116 British School, 120, 131 Buffet, B., 3

Flaxman, M.A., 77 Flint, Sir W.R., 22 Frazer, W.M., 85, 86, 87 French School, 99

Cameron, K., 81 Cameron, Sir D.Y., 71, 72 Cappell, J.M., 32 Castle, B., 142 Chagall, M., 8, 9 Continental School, 118 Cook, J.K., 83

Inglis, J.J., 124

Gamley, A.A., 89 Giles, J.W., 80 Goudie, A., 140 Goudie, L., 141 Grace, A.L., 78 Harper, E.S., 79 Harper, M.M., 107 Hislop, M., 94 Hood, E.B., 4, 5, 46, 47 Hope, R., 136 Houston, G., 17 Hutchison R.G., 23

Jagger, D., 28 Kay, A., 125 Kay, J., 18 Kerr, H.W., 29

Kisling, M., 24 Klein, W., 92, 93 Klix, F.R., 95 Lawrie, H., 48 Lenz, G., 106 Lindner, M.P., 73 Lochhead, J., 133 Luard, L.D., 138 Lyon, T.B., 26 Macgregor, H., 122 Mackie, C.H., 84, 111 Maclaurin, R., 98 Macnab, P., follower of, 129 Macnee, R.R., 30 Mainds, A.D., 123 Manson, D., 46 Martin, D.M., 68 Mason, F.H., 101 Maze, P.L., 45 McGregor, W., 66, 67, Miller, W.R., 33 Mitchell, J.E., 139 Mouncey, W., 16 Park, J.S., 20, 90 Pasmore, J.F., 28 Pirie, Sir G., 82 Pitt, W., 145 Pitt, W., 15 Pre-Raphaelite School, 110 Prout, S., 74

Rennie, G.M., 88 Riddel, J., 104 Rocher, A., 109 Roualt, G., 6 Sanderson, R., 134 Scottish School, 121, 128 Serres, D., follower of, 31 Simonini, F., manner of, 13 Simpson, C., 10 Simpson, M.R., 132 Spiro, G., 41 Springs, J., 51-61 Sternberg, R., 50 Strachan, R.D., 105 Troye, E., 119 Vautier, G., 39 Veger, H., 34 Wade, J.A., 42 Walls, W., 112 Wardle, K., 70 Whistler, J.A.M., follower of, 137 Wood, F.W., 11, 12 Wyllie, W., 115 Young, Sir D.Y., 127

Ray-Jones, T., 91

Glossary of cataloguing terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves.

Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to...

In our opinion probably a work by the artist in whole or in part.

Studio of .../Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date After ...

In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

65

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Fine Art Carriers Gallery Support Group

Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Storage of sold lots

Restoration

All bought items will be held free of charge at Lyon & Turnbull until the Friday following the sale.

To get your purchases home in perfect condition you may wish to employ the services of a restorer.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Restoration may not be as expensive as you think and Lyon & Turnbull are able to recommend restorers of Pictures, Frames, Ceramics, Furniture and Metalwork; Upholsterers and Framers.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT 66

Please call Theo Burrell for details on 0131 557 8844

Standard Terms & Conditions of Sale Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyers premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros),charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

7. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us.

We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

8. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract;

The buyer shall pay the hammer price together with a premium thereon.

(b) to rescind the sale of that lot and/or any other lots sold by us to you;

25% up to £25,000 / 20% thereafter.

(c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller;

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

6. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006.

We are required to collect a royalty payment for all qualifying works of art.

(d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose

conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 10. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

11. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

12. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

14. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

15. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold.

Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

(3) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the vendor, at the agreed reserve price or above, for up to 48 hours after the original auction.

16. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots

accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

17. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 18. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

19 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

22. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. Scottish law applies to the interpretation of these Conditions.

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33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274