Fine Antiques | 5th March 2014

Fine Antiques & Works of Art Wednesday, 5th March, 2014 33 Broughton Place Edinburgh

Fine Antiques & Works of Art including Clocks from a private Scottish Collection

Wednesday, 5th March, 2014 at 11am Sale Number LT502

Viewing Sunday, 2nd March 12 noon - 4pm Monday, 3rd March 10am - 5pm Tuesday, 4th March 10am - 5pm Morning of Sale from 9am Specialists Ceramics and Glass Douglas Girton Lee Young Theo Burrell Rugs and Carpets Gavin Strang Works of Art, Clocks & Furniture Douglas Girton Lee Young

Catalogue: £15 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you.

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price.

The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price.

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the

hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

All royalty charges are paid to the appropriate collecting organisation and no handling costs or additional fees are retained by the auctioneer.

Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations.

Bidding Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement) You may present these documents in person or, alternatively, fax or email copies to us. We may, at our option, also ask you to provide a bank reference and/ or deposit.

At the Sale Potential buyers must register and collect a bidding number before the sale begins, and show that number if successful in purchasing a lot.

Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately.

If you have not been successful please leave the number at the Registration or Reception desks.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service entirely at the bidder’s risk.

By telephone Bids submitted by telephone must be confirmed in writing.

Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We

recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. All bid requests must be received an hour before the sale.

Methods of Payment Goods purchased will not be released until we have received full payment.

Bank Transfer Please find details in any email invoice we issue or upon request from our accounts department.

Cash Cash payments can be made at the accounts desk during or after a sale.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex..

Online Payments We no longer accept card payments by phone, please use our online payment service (powered by Worldpay). You will find a link to this service in any email invoice issue or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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LY O N & T U R N B U L L Order of Sale

WEDNESDAY, 5TH MARCH, 2014 at 11am 1-22

EARLY FURNITURE & WORKS OF ART

23-96

BRITISH FURNITURE & WORKS OF ART

97-120

CLOCKS FROM A PRIVATE SCOTTISH COLLECTION

127-176

VICTORIAN & LATER FURNITURE & WORKS OF ART

177-234

CONTINENTAL FURNITURE & WORKS OF ART

235-250

INDIAN & ISLAMIC WORKS OF ART

251-259

RUGS & CARPETS

CERAMICS AND GLASS: Please note that damage and/or restoration is indicated in the catalogue at our discretion. We are pleased to provide condition reports on all lots for those who cannot view in person.

INTERNET SERVICE: For colour illustrations of all lots in this sale please consult our website at www.lyonandturnbull.com.

TELEPHONE BIDDING: Please note that all absentee and telephone bid requests must be received an hour before the sale.

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Fine Furniture & Works of Art

1 FE237/3 PAIR OF ITALIAN CARVED GILTWOOD SOLOMONIC COLUMNS 18TH CENTURY the associated Corinthian capitals raised on spiral columns carved in high relief with flowers, foliage, fruiting vines and exotic birds (2) 154cm high

ÂŁ2,000-3,000

2 FG131/7A ITALIAN MAIOLICA JAR CIRCA 1565, PROBABLY WORKSHOP OF DOMENEGO DA VENEZIA the globular body with a short narrow neck and flat unglazed base, painted in blue, green, yellow, orange, brown, purple, black and white, on each side a circular panel enriched with scrolls; on one, three-quarters to left, the bust of a helmeted man, on the other, the bust of a man, three-quarters face, wearing a doublet and ruff; both heads have white halos made by radiating orange and white streaks on the yellow and white ground, both panels on a dark blue ground incised

with curved strokes and enriched with foliage flower heads 26.5cm diam, 26cm high Provenance: In the collection of the family of the present owners since the late 19th / early 20th century. Entries in the family archives suggest that maiolica was acquired between 1894 and 1916 from three different sources: from G. Donaldson in 1894 (with two items bought from the Spitzer Collection) in 1896 and in 1897; from H.A. Peto in 1899 and from S.M. Crossley in 1908 and in November 1916.

Note: For a similar Venetian jar in the Fitzwilliam Museum Cambridge see Julia Poole, Italian Maiolica and incised slipware in the Fitzwilliam Museum Cambridge, 1995, cat. 449, p.418.

ÂŁ2,000-3,000

(reverse)

LY O N & T U R N B U L L Fine Antiques & Works of Art

3 FG839/41 LARGE ROUGE MARBLE TAZZA the shallow dished top raised on a turned pedestal support ending on a circular base 47cm diam 31cm high

£600-800

4 FG610/1 TWO NEOPOLITAN POLYCHROME, CARVED WOOD AND COMPOSITE CRECHE FIGURES 19TH CENTURY each in traditional dress and carrying a basket, one depicting a woman selling eggs, the other a man selling sponges, on square plinth bases (2) 34cm high

£400-600

5 FG608/1 CONTINENTAL DOUBLE-SIDED DEVOTIONAL PENDANT LATE 17TH / EARLY 18TH CENTURY oil on copper panel, depicting Saint Walburga on one side and the Mandilion on the other, mounted in thick bevelled glass within a white metal scalloped frame 6.5cm wide, 6cm high

£400-600 (reverse)

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LY O N & T U R N B U L L Fine Antiques & Works of Art

6 FF876/3 ITALIAN SCHOOL (19TH CENTURY) MADONNA AND CHILD oil on panel, the Virgin depicted holding a scroll in her right hand, the child Christ seated in her left arm and holding an orb, with inscription verso, in a carved giltwood frame 16.5cm high, 13cm wide excluding frame

£300-500

7 FF845/1 TWO SPANISH COLONIAL POLYCHROME CARVED FIGURES 18TH CENTURY depicting a portly gentleman in a red frock coat on horseback and a seated woman with her bodice undone revealing her breasts (2) Tallest 24cm high

£400-600

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LY O N & T U R N B U L L Fine Antiques & Works of Art

8 FE383/1 TWO LARGE CONTINENTAL CARVED OAK FIGURES OF SAINTS 17TH CENTURY nearly life size, both male figures with beards and wearing tunics and robes, one holding a book in his right hand; on modern blue baize lined plinth bases (2) One: 150cm high, 214cm overall; the other: 148cm high, 210cm overall

ÂŁ3,000-5,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

9 FF577/1 RUSSIAN ICON OF CHRIST ENTHRONED 18TH / 19TH CENTURY painted with the central seated figure of Christ attended by saints, in an ochre border 29cm wide, 35cm high

£600-800

10 FG954/3 LARGE RUSSIAN ICON OF ALEXANDER NEVSKY WITH SAINTS 19TH CENTURY depicting the central figure of Alexander Nevsky flanked by two bishops and five other saints, standing beneath Christ in blessing, within a gilt border 53.5cm high, 40cm wide

£800-1,200

11 FG954/1 RUSSIAN ICON OF CHRIST ENTHRONED 18TH / 19TH CENTURY depicting Christ seated and attended by four saints, in a gilt metal oklad 40.5cm high, 35 cm wide

£700-1,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

12 FG954/6 RUSSIAN ICON OF MOTHER OF GOD 19TH CENTURY the panel divided into four equal size quadrants depicting the Mother of God of Kazan, the Mother of God of Georgia, The Mother of God Joy for all who Sorrow, and Virgin with Arrow against a gilt ground 43.5cm high, 38cm wide

£800-1,200

13 FG954/2 RUSSIAN ICON OF SAINT NICHOLAS 19TH CENTURY the saint depicted with his hand raised in blessing, Christ and the Mother of God seated on clouds above his shoulders, the margins with four additional saints, against a gilt ground with red border 44.5cm high, 38cm wide

£800-1,200

14 FG954/4 LARGE RUSSIAN ICON OF THE HOLY FACE (MANDYLION) 18TH / 19TH CENTURY depicting Christ’s face on Veronica’s veil held by two angels, mounted with a punched brass halo 52cm high, 43cm wide

£1,000-1,500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

15 FG954/7 RUSSIAN ICON OF CHRIST PANTOCRATOR 17TH / 18TH CENTURY the shoulder length portrait facing forward and gazing straight out, the tripartite halo outlined in yellow and extending into the raised border, his hair falling in curls on his left shoulder, the chiton and himation with gilt decoration on a gilt ground with red border 31.5cm high, 26cm wide

£1,500-2,500

16 FG983/1 RUSSIAN ICON OF THE MOTHER OF GOD FEODORSKAYA WITH A SILVER GILT AND ENAMEL HALO 18TH / 19TH CENTURY in a punched brass frame 27cm high, 23cm wide

£600-800

17 FG983/2 RUSSIAN ICON OF SAINT NICHOLAS, WITH A SILVER GILT OKLAD 19TH CENTURY with his right hand raised in blessing and holding the closed Gospels in his left, the figures of Christ and the Mother of God on clouds to the upper corners, the silver gilt repousse oklad with a raised halo 31cm high, 27cm high

£1,000-1,500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

18 FG983/3 LARGE RUSSIAN ICON OF SAINT NICHOLAS OF MYRA 18TH / 19TH CENTURY the waist length portrait facing forward, his right hand raised in blessing and holding the open Gospels in his left, with Christ and the Mother of God seated on clouds above his shoulders, the margins with four additional saints in attendance, on a gilt ground with a blue and red border 54cm high, 45cm wide

£1,000-1,500

19 FG983/4 LARGE RUSSIAN ICON OF CHRIST PANTOCRATOR 19TH CENTURY the figure of Christ with his right hand raised in blessing and holding an open book in his left, on a gilt ground with punch decoration in a blue and red banded border 44cm high, 37cm wide

£800-1,200

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LY O N & T U R N B U L L Fine Antiques & Works of Art

20 FF681/3 CONTINENTAL OAK CHEST 17TH CENTURY the projecting thick rectangular top over a pair of short drawers with moulded panel fronts, above an arched apron and raised on square legs 137cm wide, 81cm high, 59cm deep

ÂŁ1,000-1,500

21 FF769/4 LARGE DUTCH CARVED OAK KIST 17TH CENTURY the hinged top opening to a void interior with candle box to the side, above a foliate carved frieze and raised fielded panels divided by further foliate scroll carved panels, over a pronounced chip carved apron and trestle supports, mounted with iron loop handles 157cm wide, 89cm high, 70cm deep

ÂŁ1,000-1,500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

22 FG907/1 FLEMISH TAPESTRY PANEL 17TH CENTURY, PROBABLY BRUSSELS depicting a hunting party in a hilly wooded landscape preparing roasts on a spit over an open fire, mounted on a modern backing with hanging loops 352cm wide, 284cm high approx

ÂŁ3,000-8,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

23 FG475/1 CHARLES II CARVED OAK CUPBOARD 17TH CENTURY the projecting moulded cornice above a frieze carved with the initials MG and dated 1684, over a pair of cupboard panel doors, the lower part with a pair of panel cupboard doors, raised on stile feet 159cm wide, 165cm high, 61cm deep

£1,000-1,500

24 FF769/2 SCOTTISH OAK AND FRUITWOOD PANEL ARMCHAIR MID 17TH CENTURY the scrolling arched back panel carved with strapwork above a fielded panel back and scroll arms and plank seat, raised on turned column legs joined by peripheral stretchers 64cm wide, 100cm high, 54cm deep

£1,200-1,800

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LY O N & T U R N B U L L Fine Antiques & Works of Art

25 FF72/39 AUSTRIAN BRONZE FIGURE OF A HORSE 17TH / 18TH CENTURY modelled standing with a gilt foliate engraved saddle and long tail, raised on a naturalistic gilt oval base, with an associated porphyry pedestal stand 19cm high excluding stand Provenance: The Estate of Dr. Renate Davis, Deceased

£1,000-1,500

26 FF722/5 CONTINENTAL TERRACOTTA PANEL LATE 19TH CENTURY the pointed arch panel with a castellated border enclosing a relief moulded image of a medieval queen, her hands joined in prayer 60cm wide, 102cm high

£600-900

27 FG802/10 PAIR OF BAROQUE STYLE BRASS FIRE DOGS 19TH CENTURY with turned finials and lion masks on scroll legs ending in paw feet 52cm high, 49cm deep, 30cm wide,

£300-500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

28 FF769/1 WILLIAM AND MARY OAK AND WALNUT SIDE TABLE LATE 17TH CENTURY the rectangular top above a single long frieze drawer, raised on bobbin turned legs joined by an X-form stretcher and ending on ball feet 79cm wide, 73cm high, 58cm deep

£400-600

29 FG294/3 MATCHED SET OF EIGHT WILLIAM & MARY WALNUT HALL CHAIRS 17TH CENTURY each with a pierced arched crest rail and turned stiles flanking a carved and pierced splat with caned panel and seat, raised on scrolling legs joined by a carved and pierced stretcher; together with a pair of matching armchairs of later date (10) 47cm wide, 127cm high, 39cm deep approx

£2,000-3,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

30 FF969/1 QUEEN ANNE WALNUT AND CROSSBANDED CHEST ON STAND CIRCA 1710, THE STAND LATER the moulded cornice with canted corners over two short and three long drawers flanked by flued angles; the stand with baluster turned legs joined by shaped peripheral stretchers raised on bun feet 108cm 1ide 166cm high, 55cm deep

£3,000-4,000

31 FC796/6 GEORGE II WALNUT KNEEHOLE DESK 18TH CENTURY the rectangular quarter veneered top with a moulded edge over a long frieze drawer and recess with three short drawers, flanked by banks of three drawers, on bun feet 90cm wide, 82cm high, 55cm deep

£1,000-1,500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

32 GEORGE II BLACK LACQUER CABINET ON STAND MID 18TH CENTURY, THE STAND LATER of cubic form decorated in gilt Chinoiserie with gilt metal corner mounts and escutcheon, opening to a void interior; the later stand with an openwork frieze and apron raised on square straight cabriole legs terminating in square feet 66cm wide, 121cm high, 43cm deep

ÂŁ1,500-2,500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

33 PAIR OF GEORGE II STYLE CARVED PINE AND MARBLE CONSOLE TABLES 19TH CENTURY the rectangular veined purple marble tops over an acanthus and shell-carved shaped frieze, raised on cabriole leges carved at the knees with shells and foliate trails and terminating in carved hairy paw feet (2) 122cm long, 52cm deep

ÂŁ8,000-12,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

34 FG802/8 GEORGE III MAHOGANY FOLDOVER TEA TABLE 18TH CENTURY the serpentine foldover top over a plain apron centred with a marquetry fan medallion, raised on square fluted and tapered legs ending in spade feet 92cm wide, 73cm high 45cm deep (closed)

£400-600

35 FB81/12 GEORGE III MAHOGANY SERPENTINE COMMODE 18TH CENTURY the serpentine top with a moulded edge and rounded corners above four graduated long drawers, the top drawer bearing an ivorine Frank Partridge retailer’s label, raised on ogee bracket feet 107cm wide, 81cm high, 62cm deep Provenance: The Douglas Franks Collection

£1,200-1,800

36 FG839/30 GEORGE III MAHOGANY AND BRASS BOUND WINE COOLER ON STAND 18TH CENTURY the oval cooler with lion mask and loop handles, raised on an associated carved stand in the Chinese Chippendale manner 54cm wide, 69cm high, 38cm deep

£4,000-6,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

37 GOOD GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE 18TH CENTURY the breakfront cornice with key moulding over a blind fret carved frieze, above astragal glazed doors opening to shelves; the conforming lower part with a matching fret carved frieze over panel cupboard doors opening to shelves and raised on a plinth base 246cm wide, 231cm high, 44cm deep Provenance: Formerly in the collection of Queen’s College, London

£5,000-8,000 21

LY O N & T U R N B U L L Fine Antiques & Works of Art

38 FB81/15 AMERICAN MAHOGANY BUREAU BOOKCASE PHILADELPHIA, CIRCA 1770 the carved swan neck pediment terminating in flower heads over pierced trellis panels and centred by a carved urn finial, above a blind fret carved frieze and pair of astragal glazed doors opening to shelves, over two candle slides; the lower part with a slant front opening to an arrangement of pigeon holes and drawers, above four graduated long drawers, raised on ogee bracket feet 105cm wide, 255cm high, 60cm deep Provenance: The Douglas Franks Collection

ÂŁ2,500-3,500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

39 FB58/11 SET OF NINE GEORGE III MAHOGANY DINING CHAIRS CIRCA 1760 comprising one armchair and eight side chairs, the scroll carved top rails above pierced vasiform splats and drop-in seats, raised on square chamferred legs united by Hshaped stretchers (9) £2,000-3,000

40 FG838/2 GEORGE III MAHOGANY TWIN PEDESTAL DINING TABLE LATE 18TH / EARLY 19TH CENTURY the D-shaped ends with a reeded edge raised on turned column supports and reeded tripod base ending in brass caps and casters, with one leaf extension 213cm long, 71cm high, 122cm wide (extended)

£2,000-3,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

41 FF766/4 GEORGE II MAHOGANY LONG CASE CLOCK 18TH CENTURY the broken swan neck pediment above a silvered dial with Roman and Arabic chapters, and a subsidiary seconds dial beneath a moon phase dial, flanked by Corinthian columns, the crossbanded trunk door flanked by reeded quarter columns, on a moulded plinth base raised on bracket feet; the eight day movement striking on a bell 54cm wide, 233cm high

£1,500-2,000

42 FB58/1 GEORGE II BLACK JAPANNED LONG CASE CLOCK BY RICHARD KENFIELD, WINCHESTER 18TH CENTURY the arched and moulded hood over a silvered dial with Roman and Arabic chapters and subsidiary strike/silent and seconds dials and a date aperture; the trunk with an arched door over a plinth base, decorated all over with gilt Chinoiserie on a black ground; the eight day movement striking on a bell 48cm wide, 228cm high

£2,000-3,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

43 FB58/7 GEORGE III MAHOGANY AND LEATHER UPHOLSTERED WING ARMCHAIR CIRCA 1790 covered in studded brown leather with a loose cushion seat, raised on square tapered legs ending in brass caps 67cm wide, 111cm high, 56cm deep

£2,000-3,000

44 FB81/6 GEORGE III HEXAGONAL MAHOGANY WINE COOLER AND STAND 18TH CENTURY the hinged top with a moulded edge over a conforming body with brass bands and loop handles, raised on a blind fret carved stand with square legs with pierced corner brackets ending on leather casters 52cm wide, 77cm high Provenance: The Douglas Franks Collection

£1,000-1,500

45 FG838/1 GEORGE III OCTAGONAL TILT TOP TRIPOD TABLE 18TH CENTURY the octagonal galleried top on a fluted column support raised on carved cabriole legs ending in scrolled toes 53cm diam, 77cm high

£1,200-1,800

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LY O N & T U R N B U L L Fine Antiques & Works of Art

46 FG660/1 SCOTTISH FLINTLOCK BOXLOCK POCKET PISTOL CIRCA 1790 the lock signed ‘McLauchlan Edinburgh’, with octagonal turnoff barrel and rainproof pan, the chequered walnut butt with a silver lion mask butt cap 20.5cm long

£300-500

47 FF956/2 PAIR OF DELFT DRUG JARS 18TH / EARLY 19TH CENTURY of square form, decorated in blue to one side with floral garland swags and wreath enclosing the letter U above an oval cartouche, one labelled ‘POPUL:’ the other ‘ALB:CAMPH’ (2) 19cm high

£400-600

48 FF956/3 SET OF FIVE SMALL DELFT POLYCHROME DRUG JARS, DE VERGULDE BLOMPOT LATE 18TH / EARLY 19TH CENTURY of typical form, decorated in green and blue depicting a triform leaf each inscribed with a different herb or extract, ‘EXTR HELEN’, EXTR C:CASCAR’, ‘EXTR CHAMON:’, ‘AX: LEPOR:’, and ‘AX: CANIS’ , bearing blue ‘B:P’ to undersides (5) 12cm high, 9cm diam

£500-700

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LY O N & T U R N B U L L Fine Antiques & Works of Art

49 FG838/7 GEORGE III MAHOGANY AND BRASS BOUND WINE COOLER ON STAND CIRCA 1760 with twin side carrying handles and a later brass liner, the stand raised on moulded square chamferred legs 61cm wide, 56cm high, 43cm deep

£3,000-4,000

50 FG839/57 PAIR OF MAHOGANY OCCASIONAL TABLES the hexagonal tops raised on facetted column supports ending in tripod bases (2) £700-1,000

51 FG838/5 SMALL GEORGE III DRUM LIBRARY TABLE CIRCA 1810 the circular top with a tooled inset leather writing surface above two real and four dummy drawers, the turned column support raised on four downswept legs terminating in brass caps and casters 76cm diam, 73c high

£2,000-3,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

52 FB81/4 GEORGE III MAHOGANY KNEEHOLE ESTATE DESK LATE 19TH CENTURY the rectangular top with a green leather insert above a long frieze drawer over an arched recess and cupboard door flanked by cupboard doors, the right door opening to reveal drawers, on a plinth base 109cm wide, 81cm high, 54cm deep Provenance: The Douglas Franks Collection

£600-800

53 FE237/2 SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS CIRCA 1790 comprising two armchairs and six side chairs, the square backs with triple pierced and foliate carved splats raised on square tapered legs ending in spade feet (8) £2,000-3,000

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LY O N & T U R N B U L L Fine Antiques & Works of Art

54 FF722/2 PAIR OF PAINTED SATINWOOD AND KINGWOOD FOLDOVER GAMES TABLES ONE 18TH CENTURY, THE OTHER LATER the demilune crossbanded tops decorated wth flower and husk garlands, the moulded edge with a painted leaf tip border, opening to a pale green baize playing surface, above a plain frieze with inlay and raised on square tapered legs headed by painted floral reservies and ending in waisted feet 91cm wide, 73cm high, 45cm deep (closed)

£2,000-3,000

55 FF769/3 GEORGE III SATINWOOD AND EBONY INLAID WORK TABLE LATE 18TH CENTURY the hinged octagonal top opening to a compartmented interior above a sliding work box lined with pleated green silk, raised on square tapered legs joined by a turned Xform stretcher and ending on splayed feet 46cm wide, 76.5cm high, 35.5cm deep

£300-500

56 FG839/54 GEORGE III SATINWOOD CELLARETTE LATE 18TH CENTURY the hinged rectangular top opening to a later fitted interior with a lift out tray and baize lined compartments, raised on slender square tapered legs ending in brass casters 44cm wide, 74cm high, 26cm deep

£1,500-2,500

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LY O N & T U R N B U L L Fine Antiques & Works of Art

57 FF228/2 PAIR OF GILT METAL LAMPS 19TH CENTURY previously candlesticks, the urn-form candle nozzles above a tapered column, raised on a circular domed foot, with pleated cream silk shades (2) 27.5cm high excluding fittings

£600-800

58 FG839/18 PAIR OF ENGLISH PORCELAIN CACHE POT EARLY 19TH CENTURY each finely painted with a cartouche shaped reserve with fruit and flowers, against a gilt enhanced teal ground 12cm high

£800-1,200

59 FG839/24 FLIGHT, BARR AND BARR IMARI PATTERN SERVING DISH EARLY 19TH CENTURY the square dish with a scalloped edge and decorated in the typical palette with a walled garden, printed and impressed marks 21cm wide

£300-400

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LY O N & T U R N B U L L Fine Antiques & Works of Art

60 FG839/7 GEORGE III MUSICAL LONG CASE CLOCK BY JAMES BOOTH, ROCHESTER EARLY 19TH CENTURY the arched moulded hood with a fretwork frieze above a silvered dial with Roman and Arabic chapters, subsidiary seconds dial and date aperture, with a rolling moon phase dial above marked ‘High Water at Rochester’, the corners mounted with pierced brass spandrels and flanked by reeded Corinthian columns; the trunk with an arched door flanked by fluted quarter columns with gilt metal capitals, on a moulded base and plinth raised on bracket feet; the eight day movement striking on bells and with a musical cylinder 53cm wide, 240cm high

£8,000-12,000

31

LY O N & T U R N B U L L Fine Antiques & Works of Art

61 FG467/1 SCOTTISH REGENCY MAHOGANY DRUMHEAD REGULATOR LONG CASE CLOCK, JAMES HOWDEN & CO. EDINBURGH 19TH CENTURY the drum case with a moulded cresting over a silvered Roman numeral dial with subsidiary date and seconds dials, above a plain trunk with an arched door flanked by fluted quarter columns, on a moulded plinth base raised on bracket feet, the eight day movement striking on a bell 49cm wide, 216cm high

£600-900

62 FG838/9 SMALL REGENCY ROSEWOOD CONSOLE TABLE CIRCA 1815 with gilt metal mounts, the verde marble top above a plain frieze with applied mounts, with trellis panelled sides and a mirror back, raised on bun feet 61cm wide, 95cm high, 20cm deep

£800-1,200

32

LY O N & T U R N B U L L Fine Antiques & Works of Art

63 FG847/2 REGENCY TWIN PEDESTAL DINING TABLE CIRCA 1815 the rounded rectangular top on twin pedestal supports, each end with a drop leaf over a frieze drawer to one side and a dummy drawer opposing, raised on turned column supports ending on four outswept legs ending in brass caps and casters, with one leaf extension 221cm long, 71.5cm high, 111.5cm deep Provenance: Previously Somerville College, Oxford.

Reportedly the boardroom table at Somerville, it came to the present owner’s family in 1931 from the Secretary at the College and has remained in the family to the present day.

Note: Founded in 1879, Somerville College, Oxford was among the first colleges in the country to be created to allow women to benefit from higher education.

It was named after Mary Somerville, an important scientist of the nineteenth century and also an author, mathematician, astronomer, landscape artist and suffragette. Illustrious alumnae include Dorothy Hodgkin, the only British woman to win a Nobel Prize in science, Indira Gandhi and Margaret Thatcher. Male undergraduates first gained admission in 1994.

£1,000-1,500

64 FG847/1 SET OF SIX GEORGE III DINING CHAIRS CIRCA 1810 the curved top rail on reeded supports joined by a wheat carved horizontal splat, above stuff over seats raised on turned tapered legs (6) 50cm wide, 83cm high, 42cm deep

£400-600

33

LY O N & T U R N B U L L Fine Antiques & Works of Art

65 GOOD REGENCY MAHOGANY LIBRARY TABLE CIRCA 1815 the square top with a green leather writing surface above a frieze with a long drawer and three dummy long drawers, on a turned column support ending in four reeded downswept legs ending in brass caps and casters 98cm wide, 78cm high, 85cm deep

ÂŁ3,000-5,000

34

LY O N & T U R N B U L L Fine Antiques & Works of Art

66 FG839/53 FINE REGENCY BRASS MOUNTED ROSEWOOD SOFA TABLE CIRCA 1815 the rounded rectangular crossbanded top over two short frieze drawers and two dummy drawers opposing, raised on squared end supports with turned spindles and joined by a turned stretcher and ending in sabre legs with brass caps and casters 91,5cm wide, 71cm high, 60cm deep

ÂŁ8,000-12,000

35

LY O N & T U R N B U L L Fine Antiques & Works of Art

67 FG839/31 ENGLISH EIGHT PIECE TOLEWARE DESSERT SERVICE 19TH CENTURY comprising a pair of covered urns, a pair of shaped oval dishes, a footed basket, a comport, and a pair of shaped oval trays, all decorated in gilt with exotic birds and flowers against a black ground (8) Urn 28cm high; trays 43cm wide

£2,500-3,500

68 FB58/3 CARVED COCONUT ‘BUGBEAR’ FLASK OF NAPOLEONIC INTEREST 19TH CENTURY carved in relief on one side with the Bonaparte coat of arms, the reverse with roundels enclosing profile portraits and lions, the top carved with a grotesque face with open eyes and mouth 13cm long

£500-800

69 FB58/2 CARVED COCONUT FLASK OF SCOTTISH INTEREST 19TH CENTURY carved in relief with two vignettes in reserves, one depicting a Scotsman wearing a kilt and playing bagpipes, the other a native man drinking from a coconut, with smaller reserves depicting an elephant and flowers, with metal mounts 16cm long

£500-800

36

LY O N & T U R N B U L L Fine Antiques & Works of Art

70 FG839/23 PAIR OF REGENCY STYLE MAHOGANY LIBRARY ARMCHAIRS the caned back above loose cushion seats, raised on reeded turned tapered legs terminating in brass caps and casters (2) 57cm wide, 96cm high, 59cm deep

£2,500-3,500

71 FG305/2 FINE REGENCY ROSEWOOD AND MARBLE TOP SIDE CABINET CIRCA 1820 the shaped demilune white marble top over a pair of cupboard doors with brass grille inserts backed with faded red silk and opening to shelves, flanked by three mirrorbacked white marble quarter round open shelves raised on turned feet, the whole outlined with gilt metal mounts 154cm wide, 92cm high, 32cm deep Provenance: From the estate of Diana, Countess of Albemarle Note: Possibly supplied to Quidenham Hall, Norfolk, in 1820 when the interiors were redone under the supervision of the architect and designer Charles Heathcote Tatham (1742-1842) on direction of the 4th Earl of Albemarle.

£3,000-5,000

37

LY O N & T U R N B U L L Fine Antiques & Works of Art

72 FG839/3 FLIGHT, BARR & BARR PORCELAIN PART DESSERT SERVICE EARLY 19TH CENTURY decorated with central reserves depicting exotic birds in landscapes against a white ground with gilt ‘seaweed’ decoration and gilt gadrooned rims, impressed crowned FBB and puce printed marks; comprising twelve dessert plates, a footed comport, a pair of shaped oval dishes, a pair of shaped circular dishes, a square dish, five teacups (four with ‘seaweed’ decoration only), four teacups (two with ‘seaweed’ decoration only), and six saucers Comport 32cm wide, 9.5cm high; plate 22cm diam; oval dish 31cm wide,

£3,000-5,000

73 FG838/3 REGENCY MAHOGANY CANTERBURY CIRCA 1810 with three divisions above an apron drawer, raised on turned tapered legs ending in brass caps and casters £800-1,200

38

LY O N & T U R N B U L L Fine Antiques & Works of Art

74 FINE GEORGE IV WALNUT, GILTWOOD AND GILT BRONZE MOUNTED LIBRARY TABLE ATTRIBUTED TO MOREL & SEDDON CIRCA 1830 the rectangular top with a gilt embossed red leather writing surface bearing monogram ‘M’ with a coronet, with a gilt bronze mounted edge finely cast with acanthus, raised on giltwood scrolling lyre-form supports, the trestle base joined by a gilt cross stretcher with a leather upholstered padded footrest, raised on gilt bronze acanthus cast feet with casters 111cm wide, 75cm high, 60.5cm deep

£8,000-12,000

39

LY O N & T U R N B U L L Fine Antiques & Works of Art

75 FG838/8 REGENCY MAHOGANY AND EBONY INLAY~ BOOKCASE ATTRIBUTED TO GEORGE OAKLEY CIRCA 1820 the cavetto moulded cornice above a star inlaid frieze over two glazed panel doors enclosing shelves, the lower part with two further panelled cupboard doors, raised on square tapered legs 112cm wide, 169cm high, 49cm deep

ÂŁ2,000-3,000

40

LY O N & T U R N B U L L Fine Antiques & Works of Art

76 FF727/2 SCOTTISH REGENCY ROSEWOOD AND KINGWOOD CROSSBANDED BREAKFAST TABLE EDINBURGH, EARLY 19TH CENTURY the circular crossbanded top on a squared column support with bead moulding, on a quatreform base raised on outswept sabre legs ending in foliate cast brass caps and casters 126cm diam, 75cm high

£1,000-1,500

77 FF727/1 SCOTTISH REGENCY ROSEWOOD AND KINGWOOD CROSSBANDED BREAKFAST TABLE EDINBURGH, EARLY 19TH CENTURY the circular crossbanded top over a squared column support on a quatreform base raised on sabre legs ending in foliate cast brass caps and casters 126cm diam, 75cm high

£1,000-1,500

41

LY O N & T U R N B U L L Fine Antiques & Works of Art

78 FE237/8A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK BY CHARLES JOHN COPE, LONDON CIRCA 1820 the pointed arch pediment surmounted by a carved floral rosette, above a circular silvered Roman number dial inscribed ‘Chas Jno Cope/ Rathbone Place/ London’, the case inlaid with scrolling brass wire work, the glazed side panels with brass loop handles, on a plinth base raised on brass bracket feet, the eight day double fusee movement striking on a bell and inscribed ‘Newton/ London’ 30cm wide, 46cm high, 19cm deep

£800-1,200

79 FE237/8 REGENCY MAHOGANY AND BRASS MOUNTED BRACKET CLOCK CIRCA 1815 the stepped and moulded cornice with a metal pineapple finial over a cream enamel Roman number dial inscribed ‘Smith / London’, with brass fret panels to the side with loop handles, raised on brass ball feet; the eight day movement striking on a gong 26cm wide, 45cm high, 16cm deep

£800-1,200

42

LY O N & T U R N B U L L Fine Antiques & Works of Art

80 FG842/2 SCOTTISH REGENCY MAHOGANY AND BRASS INLAY BRACKET CLOCK BY ALEXANDER MITCHELL, GLASGOW CIRCA 1820 the circular cream enamel Roman number dial with two winding holes and strike/silent lever, inscribed ‘ALEXR MITCHELL/ 2 ARGYLE ST./ GLASGOW/ 1286’ in a mahogany case with a stepped pediment top and recessed brass lined corner panels, brass fret panels to the sides, and brass loop handles, raised on brass ball feet, the eight day double fusee movement striking on a bell, the backplate engraved ‘ALEXR MITCHELL/ 2 ARGYLE ST/ GLASGOW/ 1286’ 29cm wide, 42cm high, 17cm deep

£1,500-2,500

81 FE237/17 REGENCY ROSEWOOD AND BRASS INLAY BRACKET CLOCK CIRCA 1820 the arched case brass line inlay with a silvered arched dial with Roman number chapter and subsidiary silent/strike dial above the XII, with two winding holes, the sides with brass fret panels and foliate cast loop brass handles, on a moulded base raised on brass ball feet, the eight day movement striking on a bell 23cm wide, 34cm high, 18cm deep

£1,200-1,800

43

LY O N & T U R N B U L L Fine Antiques & Works of Art

82 FG723/3 FINE GEORGE III MAHOGANY AND BRASS MANTLE CHRONOMETER BY GEORGE MARGETTS, NO. 97 LATE 18TH CENTURY the eight day movement with a single winding hole to the back, the white enamel dial with Roman and Arabic chapters and subsidiary seconds dial above the VI, signed ‘Margetts/ London/ Invt’ and ‘No. 97’ in the seconds dial, mounted on a waisted mahogany stand with ogee brass feet and surmounted by a brass urn finial, the reverse bearing a circular ivory label inscribed ‘MARGETTS/ 97/ EIGHT DAYS’; eight day chronometer movement with spring detent platform and chain fusee movement clock 13cm diam, 33cm high overall Note: George Margetts, London (Cheapside) Freeman of Clockmakers Company 1779, Liveryman of the Clockmakers Company 1799=1808. A famous maker of the late 18th Century in the circle of English horologists experimenting with precision timekeeping, such as: Mudge, Emery, Arnold, Earnshaw, Kendal, Brockbank, Barraud, Pennington and Haley. Examples of his work can be found in the British Museum, Guildhall Museum and the Dennison Collection.

£4,000-6,000

44

LY O N & T U R N B U L L Fine Antiques & Works of Art

83 FF228/1 PAIR OF GILT AND PATINATED METAL LAMPS 19TH CENTURY previously candlesticks, each with an urn candle nozzle and leaf cast pan, on a reeded column with a circular domed foot cast with gothic tracery, with pleated cream silk shades (2) 31cm high excluding fittings

£600-800

84 FE474/6 PAIR OF IRISH REGENCY CUT GLASS COVERED URNS EARLY 19TH CENTURY the domed covers with flattened knops above a flared and lobed everted rim and globular body, raised on a square foot, with banded hobnail and diamond cutting (2) 30cm high

£700-1,000

85 FF763/34 WHITE MARBLE ARCHITECTURAL ELEMENT 19TH CENTURY possibly the frieze of a fire surround, carved with stylised flower heads 258cm long, 33cm high, 25cm deep

£400-600

45

LY O N & T U R N B U L L Fine Antiques & Works of Art

86 FE237/9 REGENCY BREAKFRONT COMPACTUM WARDROBE IN THE MANNER OF GILLOWS 19TH CENTURY the moulded breakfront cornice over a central section with a pair of moulded cupboard doors opening to sliding trays, over four graduated long drawers; flanked by further cupboard doors to the sides opening to hanging space, flanked and divided by baluster turned and reeded columns, on a plinth base 229cm wide, 250cm high, 55cm deep

ÂŁ1,500-2,500

46

LY O N & T U R N B U L L Fine Antiques & Works of Art

87 FG844/1 GOOD REGENCY MAHOGANY EXTENDING DINING TABLE CIRCA 1820 in the manner of Gillows, the rounded rectangular top with a reeded edge, raised on turned and reeded tapered legs ending in brass caps and casters, with four leaf extensions 334cm long 78cm high, 66cm deep (fully extended)

ÂŁ5,000-7,000

47

LY O N & T U R N B U L L Fine Antiques & Works of Art

88 FE237/4 AMERICAN FEDERAL MAHOGANY AND BURR MAPLE WORK TABLE IN THE MANNER OF MICHEL BOUVIER PROBABLY PHILADELPHIA, CIRCA 1815 the rectangular crossbanded top with outset ringturned corners, raised on gilt lyre form supports on a rectangular undertier supported by sabre legs ending in hairy paw caps and casters 51cm wide, 72cm high, 41cm deep

£600-800

89 FB58/5 REGENCY ROSEWOOD AND BRASS INLAY FOLDOVER GAMES TABLE CIRCA 1815 the foldover D-shape top with foliate brass inlay and opening to a blue baize lined playing surface, raised on a square column support and quatreform base on reeded bun feet, inlaid all over with scrolling foliate brass inlay 90cm wide, 74cm high, 45cm deep

£2,000-3,000

90 FB58/10 GEORGE IV YEW WOOD OCCASIONAL TABLE CIRCA 1830 the circular tilt top and turned column support raised on a triform base with squat bun feet 63cm wide, 74cm high

£800-1,200

48

LY O N & T U R N B U L L Fine Antiques & Works of Art

91 FE237/21 WILLIAM IV POLLARD OAK CENTRE TABLE CIRCA 1835 the rounded rectangular top over two short frieze drawers and acanthus scroll carved brackets, raised on column terminating on trestle supports with carved lion paw feet 138cm wide, 73cm high, 67cm deep

£3,000-5,000

92 FG839/45 PAIR OF WILLIAM IV MAHOGANY HALL CHAIRS CIRCA 1835 the oval backs painted with armorial crests above horseshoe shaped solid seats, raised on reeded turned tapered legs with splayed feet (2) 41cm wide, 86cm high, 40cm deep

£800-1,200

49

LY O N & T U R N B U L L Fine Antiques & Works of Art

93 IRISH GEORGE IV FIGURED MAHOGANY EXTENDING DINING TABLE CIRCA 1830 the extending circular top raised on an acanthus carved column and four outswept legs terminating in lotus carved scroll feet on brass casters, with two large and one smaller leaf extensions 258cm long, 74cm high, 136deep (extended with two leaves)

ÂŁ3,000-5,000

50

LY O N & T U R N B U L L Fine Antiques & Works of Art

94 FG483/1 LARGE EARLY VICTORIAN MAHOGANY INVERTED BREAKFRONT BOOKCASE 19TH CENTURY the inverted breakfront moulded cornice over a pair of astragal glazed doors flanked by two further astragal glazed doors, opening to shelves; the centre sections flanked by outset moulded cupboard doors, above a conforming lower part with moulded cupboard doors, carved all over with trailing husks, ribbons, and classical urns, on a plinth base 383cm long, 272cm high, 39cm deeo

ÂŁ3,000-4,000

51

LY O N & T U R N B U L L Fine Antiques & Works of Art

95 FG846/3 GEORGE IV ROSEWOOD ADJUSTABLE DUMBWAITER CIRCA 1830 the rising circular top with a brass gallery over two dished circular tiers, on a reeded column support and lotus carved triform base raised on bun feet 53cm diam. 102cm high extended

£800-1,200

96 FG839/42 WILLIAM IV MAHOGANY AND SPECIMEN MARBLE OCCASIONAL TABLE CIRCA 1835 the square marble top with radiating veneers, raised on a facetted column support and quatreform base 40cm wide, 73cm high

£2,000-3,000

52

Clocks from a Private Scottish Collection

97 FF553/41 QUEEN ANNE EBONISED BRACKET CLOCK BY PETER WISE, LONDON CIRCA 1710 the brass dial with silvered chapter ring with Roman and Arabic numerals, signed ‘Peter Wise London’ at the VI, with a mock pendulum and date apertures, and winged putti mask spandrels, the eight day silent pull repeating and quarter striking movement striking on two bells, verge escapement, in an ebonised case with a dome top with brass loop handle and marked at the corners with pointed brass finials, with a foliate and phoenix head engraved backplate 27cm wide, 36cm high, 16.5cm deep Provenance: Purchased:The Dyal, New Barnet, 1969

98 FF553/42 GEORGE III EBONISED BRACKET CLOCK BY MATTHEW HILL, LONDON CIRCA 1760 the break arch brass dial with a silvered Roman and Arabic numeral chapter ring with subsidiary regulating and strike/silent dials, with a date aperture above the VI and pierced brass spandrels, signed at the top of the arch ‘Matthew Hill/ Devonshire Street/ London’; in an ebonised case with a bell top and brass loop handle and acorn finials to the corners, the sides with brass fret panels, raised on brass ogee bracket feet, the eight day movement with verge escapement and hour strike on a bell, with a foliate scroll engraved backplate signed ‘Mattw Hill/ London’ 28cm wide, 47cm high, 19cm deep

Note: Peter Wise listed Clockmakers Company 1693, Master 1725-41.

Provenance: Purchased G.H. Bell, Winchester, 1957

£2,000-3,000

£3,000-4,000

53

LY O N & T U R N B U L L Fine Antiques & Works of Art

99 FF553/1 WILLIAM & MARY EBONY BASKET TOP BRACKET CLOCK BY SAMUEL WATSON, LONDON DATED 1687 the dial with a silvered chapter ring with Roman numerals and marked at the five minute intervals with Arabic numbers, the spandrels with gilt winged putto masks, in an ebony case with a pierced basket top and loop handle, the glazed side panels with pierced gilt bronze sound openings above, the movement with a silent pull cord quarter repeat and two bell strike on the hours and quarters, verge escapement, the backplate engraved with foliate scrolls and a central cartouche signed ‘Samuel Watson’, the bottom of one plate with the initials ‘S.V.’ and dated 1687 24cm wide, 30cm high (handle down), 17cm deep Provenance: Purchased: Frank G Sherrard, London, 1958 Note: Samuel Watson listed working in Coventry and London and registered with the Clockmaker’s Company 1687-1710.

£3,000-5,000

54

LY O N & T U R N B U L L Fine Antiques & Works of Art

100 FF553/55 WILLIAM & MARY WALNUT, MARQUETRY AND OYSTER VENEERED LONGCASE CLOCK BY EDMUND APPLEY CIRCA 1690 the brass dial with silvered Roman numeral chapter and subsidiary seconds dial and date aperture, pierced brass spandrels, bearing maker’s plaque signed ‘Edmund Appley / Charing Cross’ covering a second signature for ‘Adamson Londini’, flanked by spiral turned columns and surmounted by a blind fret carved frieze and broken swan neck pediment centred by a brass finial, the crossbanded trunk with a door with flowering urn marquetry panels and a lenticle, on a moulded plinth base; the thirty day movement striking on a bell 43cm wide, 216cm high Provenance: Purchased S. Lampard & Son, London, 1961 Note: Edmund Appley, member of the Clockmaker’s Company 1677-93, John Adamson, Clockmaker’s Company 1686. While it is unusual for a clock to bear two different maker’s names, it is not unheard of, as makers often bought stock from each other as demand allowed. It is feasible that the present clock dial, which bears the signature for Adamson, was purchased

by Appley who added his own maker’s plaque over the preexisting inscription.

£4,000-6,000

101 FF553/62 GEORGE III MAHOGANY STICK BAROMETER

BY WATKINS & HILL 18TH CENTURY of typical form with a brass register plate inscribed ‘WATKINS & HILL/ Charing Cross’ the exposed mercury filled tube ending in a ball cistern cover with a reservoir adjustment knob below 96cm high

£400-600

55

LY O N & T U R N B U L L Fine Antiques & Works of Art

102 FF553/5 THREE INCH TERRESTRIAL POCKET GLOBE BY JOHN & WILLIAM CARY LONDON, 1791 comprising twelve engraved and hand-coloured gores, signed in a circular cartouche ‘CARY’s Pocket GLOBE agreeable to the latest DISCOVERIES, LONDON: pub’d by J&W Cary Strand Apr 1 1791’, in a fishskin case, the hemispheres applied with further engraved and coloured gores one inscribed ‘The World as known in CAESAR’S Time agreeable to D’Anville’ , the other inscribed ‘A TABLE of Latitudes & Longitudes of Places not given on this GLOBE’ 8.5cm total diam

£1,500-2,500

103 FF553/48 REGENCY MAHOGANY AND BRASS BRACKET CLOCK BY BARWISE, LONDON CIRCA 1815 the cream enamel dial with Roman numerals and strike/silent lever above the XII, with two winding holes, in an arched case with a laurel wreath moulded panel to the front and brass fret panels to the sides, raised on brass ball feet, the eight day double fusee movement striking on a bell

104 FF553/37 GEORGE IV MAHOGANY AND BRASS BRACKET CLOCK BY BENJAMIN HARRIS, BATH CIRCA 1825 the cream enamel dial with Roman numerals and signed ‘Ben. Harris / Iesold St. / Bath’ in a mahogany arched moulded case with a brass loop handle, the sides and front with brass fishscale fretwork, raised on brass ogee bracket feet; the eight day double fusee movement striking on a bell

28cm wide, 44.5cm high, 18cm deep

25cm wide, 30cm high, 17cm deep

£800-1,200

Provenance: purchased Calvin Antiques, Ltd, 1979

£1,000-1,500

56

LY O N & T U R N B U L L Fine Antiques & Works of Art

105 FF553/38 REGENCY MAHOGANY AND BRASS INLAY SMALL BRACKET CLOCK BY HANDLEY, WINDSOR CIRCA 1815 the white enamel dial with Roman numerals and a subsidiary strike/silent quadrant at the XII and inscribed with the retailer’s name HANSON / WINDSOR, in an arched mahogany case outlined in brass and with brass foliate inlay beneath the dial, the sides and back with pierced fret panels, raised on brass ball feet, the eight day movement with quarter strike on two bells 16cm wide, 23cm high, 11.5cm deep Provenance: Purchased Martin Hutton, Battle, 1967

£800-1,200

106 FF553/2 GOOD REGENCY ORMOLU AND WHITE MARBLE TABLE CLOCK BY THOMAS MOSS LONDON, CIRCA 1815 the circular white enamel dial with Roman numerals and a single winding hole, inscribed THOMAS MOSS / LUDGATE STREET / LONDON, in a cylinder case, the backplate engraved T. Moss/ Ludgate St./ London / 110, raised on a white marble plinth with gilt bronze mounts with a pair of swans, on bun feet; with an eight day chain fusee movement 13cm wide,19.5cm high, 7cm deep Provenance: Purchased Martin Hutton, Battle, 1968

£1,000-1,500

107 FF553/84 ENGLISH BRASS CALENDAR CARRIAGE CLOCK, POSSIBLY VINER 19TH CENTURY the silvered dial with Roman numerals and a subsidiary seconds dial and blue steel moon hands, above two subsidiary days of the week and date dials, with an engine turned mask flanked by pairs of fluted doric columns to the corners, the inside back inscribed by the retailer ‘E&W Smith, Maddox Street, London’; with a chain fusee platform lever escapement 8cm high, 11cm high, 5cm deep

£800-1,200

57

LY O N & T U R N B U L L Fine Antiques & Works of Art

108 FF553/3 ENGLISH HUMPBACK CARRIAGE CLOCK BY DENT CIRCA 1835 the silvered engine-turned dial with Roman numerals and subsidiary seconds dial, signed DENT/ 82 STRAND/ LONDON, set in an arched nickel case with a brass mask engraved with foliate scrolls with a turned ivory handle, the eight-day fusee movement with English lever platform escapement and striking on a gong, stamped no. 473 14cm high Provenance: Purchased: G. E. Marsh, Winchester, 1976

£3,000-5,000

109 FF553/7 ENGLISH GILT BRASS REPEATING CARRIAGE CLOCK BY JAMES MCCABE, NO. 3506 MID 19TH CENTURY the reeded loop handle over a bevelled glass panel top with repeat button to the right rear corner, above a silvered dial with Roman chapter ring and signed JAMES McCABE/ ROYAL EXCHANGE/ LONDON/ 3506 and further bevelled glass side panels; the eight day double fusee movement with an English lever platform escapement, repeating and striking on a gong 17cm high Provenance: Purchased: G.E. Marsh, Winchester, 1977

£5,000-7,000

58

LY O N & T U R N B U L L Fine Antiques & Works of Art

110 FRENCH GILT BRASS PENDULE DE VOYAGE BY BERTHOUD MID 19TH CENTURY the reeded handle with swan neck supports above a bevelled glass panel and projecting moulded cornice and frieze with foliate mounts, over a silvered dial with Roman chapter enclosing an up/down quadrant above the VI and subsidiary seconds dial above the XII, signed BERTHOUD, the dial flanked by reeded Corinthian columns, eight day movement with spring detent platform, with remontoir, hour striking on a gong 26.5cm high excluding handle Provenance: Purchased: Robert Burnett, Nottingham, 1980

ÂŁ7,000-10,000

59

LY O N & T U R N B U L L Fine Antiques & Works of Art

111 FF553/85 FRENCH BRASS REPEATING CARRIAGE CLOCK AND CASE 19TH CENTURY the silvered Roman numeral dial and mask in a lacquered brass case with bead details and bevelled glass sides and back, the top with a button repeat and angled handle, the eight day double fusee movement with a platform lever escapement and striking on a gong, the backplate stamped ‘EM & Co’ no. 370; in an associated Moroccan leather case 10cm wide, 14cm high, 8cm deep

£500-700

112 FF553/61 PAIR OF FRENCH BRONZE AND MARBLE CANDLESTICKS 19TH CENTURY each modelled as a standing putto holding an urn-form candle nozzle, on a circular veined marble pedestal base (2) 28cm high

£200-300

113 FF553/45 FRENCH GILT BRONZE AND MARBLE COLUMN DESK CLOCK 19TH CENTURY the white enamel circular dial with Arabic numerals and marked at the quarter hour, in a drum case raised on a waisted white marble column and surmounted by a gilt bronze dove, on a rectangular white marble base raised on toupie feet, with gilt bronze mounts thoughout; with an eight day movement 12cm wide, 19cm high, 7cm deep

£400-600

60

LY O N & T U R N B U L L Fine Antiques & Works of Art

114 FF553/52 FRENCH LOUIS XV STYLE GILT BRONZE CARTEL CLOCK 19TH CENTURY the circular white enamel dial with blue Roman numerals and Arabic seconds chapters, two winding holes and signed ‘Domange *** Paris’, in a gilt bronze case with laurel garlands and surmounted by an urn 50cm high approx Provenance: Purchased Huggins and Horsey Ltd, London, 1969

£500-700

115 FF553/40 FRENCH GILT BRONZE THREE PIECE CLOCK GARNITURE 19TH CENTURY the circular white enamel dial with Arabic numerals and marked at the quarter hour, decorated with floral garlands, the eight day movement in a cylinder case supported by three putti and surmounted by a rose garland, on a circular white marble base with gilt bronze mounts, raised on toupie feet; the figural candlesticks as putti holding a flower-form candle nozzle on their head, on a matching circular white marble base on toupie feet (3) 28cm high Provenance: Purchased Russells Antiques, Bournemouth, 1967

£1,000-1,500

61

LY O N & T U R N B U L L Fine Antiques & Works of Art

116 FF553/43 FRENCH GILT BRONZE MANTLE CLOCK BY RAINGO 19TH CENTURY the white enamel dial with Roman and Arabic numeral chapters and two winding holes, in a gilt bronze case modelled as a column base hung with grape vines and surmounted by three bacchic children, on a shaped plinth base with a portrait profile medallion depicting Minerva, on foliate bun feet, the eight day movement striking on a bell 47cm high Provenance: Purchased The Dyal, New Barnet, 1967

£800-1,200

117 FF553/39 FRENCH ORMOLU AND WHITE MARBLE THREE PIECE CLOCK GARNITURE 19TH CENTURY the circular white enamel dial with Roman and Arabic chapters and painted with floral garlands, in a cylinder case mounted in a lyre-form frame with gilt mounts and a paste ‘diamond’ ring pendulum, surmounted by a classical mask and sunburst, on a flattened socle base raised on toupie feet; the candelabra with three candle nozzles in the form of rosebuds issuing from a baluster urn with further paste ‘diamonds’ and classical mask handles, on a circular foot and toupie feet (3) Clock 36cm high; candelabra 32cm high Provenance: Purchased Martin Hutton, Battle, 1970

£1,500-2,500

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118 FF553/72 MINIATURE FRENCH BIRDCAGE AUTOMATON DESK CLOCK LATE 19TH CENTURY the wirework domed cage with an hours sphere and a pivoting songbird, on a circular base and turned feet 15cm high Provenance: Robert Burnett, Beeston 1983

£200-300

119 FF553/64 FRENCH SINGING BIRDS AUTOMATON 19TH CENTURY the domed wirework cage containing three songbirds with movement to the heads, beaks and tails, on an octagonal mahogany plinth base with gilt metal mounts, raised on ball feet 25cm wide, 58cm high, 25cm deep

£800-1,200

120 FF553/4 FRENCH ENAMEL SINGING BIRD AUTOMATON MUSIC BOX 19TH CENTURY the rectangular box in mauve guilloche enamel with an oval hinged cover opening to reveal a gilt pierced panel from which emerges a small songbird with iridescent feathers which moves side to side and opens its beak to sing, in a fitted blue leather case, the interior with silk lining stamped ‘A. Lancel / 38 Rue des Italiens / Paris’ 10cm long, 4cm high, 6cm deep Provenance: Purchased Robert Burnett, Beeston, 1977 Note: Established in 1876 by Angele Lancel in the Opera Garnier, the epynomous shop specialised in luxury decorative objects and accessories for women.

£1,000-1,500

63

Victorian & Later Furniture & Works of Art

121 FF764/1 VICTORIAN RENAISSANCE REVIVAL LIBRARY TABLE 19TH CENTURY the rectangular top with outset square corners and a red leather insert writing surface, above a deeply carved foliate frieze with two short drawers, raised on carved figural supports 158cm long, 75cm high, 103cm deep

£700-1,000

122 FG839/8 GEORGE I STYLE WALNUT, GILT AND EGLOMISE MIRROR EARLY 20TH CENTURY the shaped rectangular mirror plate within a moulded frame painted with a Chinese lady and flowering branches and surmounted by a shell and foliate moulded gilt cresting 46cm wide, 93cm high

£1,000-1,500

123 FG839/19 SMALL VICTORIAN TORTOISESHELL AND SILVER MOUNTED CADDY 19TH CENTURY of sarcophagus form, the hinged lid enclosing a lidded compartment, with twin loop handles and scroll feet; together with a Scottish silver caddy spoon 13cm wide

£1,000-1,500

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124 FG839/51 GEORGE I STYLE WALNUT AND FEATHER BANDED BUREAU BOOKCASE EARLY 20TH CENTURY the double dome top above two astragal glazed panel doors enclosing shelves, the lower section with a fall front opening to reveal a fitted interior, above three long drawers raised on bracket feet 74.5cm wide, 192cm high, 45cm deep

£800-1,200

125 FG802/12 VICTORIAN BRASS FENDER 19TH CENTURY of serpentine outline, pierced with foliate scrolls and case with acanthus and shell motifs 142cm long

£700-1,000

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126 FG839/50 SMALL GEORGE I STYLE WALNUT & FEATHERBANDED BUREAU EARLY 20TH CENTURY the fall front enclosing a fitted interior with inset leather writing surface, over two long drawers; the stand with a further long apron drawer raised on shell carved cabriole legs ending in pad feet 57cm wide, 92cm high, 45cm deep

£800-1,200

127 FB58/6 GEORGE III STYLE MAHOGANY AND LEATHER UPHOLSTERED WING ARMCHAIR CIRCA 1900 of typical form upholstered in brown leather with brass stud decoration, and raised on cabriole legs ending in pad feet 75cm wide, 120cm high, 66cm deep

£2,000-3,000

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128 FG839/55 GEORGE II STYLE MAHOGANY PRESS CUPBOARD in two parts, the serpentine dentil moulded cornice above a pair of crossbanded and moulded panel doors carved with acanthus and opening to shelves, the lower part with two further doors flanked by acanthus carved angles 103cm wide, 182cm high, 53cm deep

£3,000-4,000

129 FG838/4 GEORGE III STYLE MAHOGANY FRAMED WINDOW SEAT the arched padded back over padded scroll arms and seat in natural linen upholstery, raised on cabriole legs, the frame carved with foliate scrolls and bell flowers 99cm wide, 83cm high, 50cm deep

£800-1,200

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130 FF697/1 GEORGE III STYLE MAHOGANY AND BRASS MOUNTED SERVING TABLE STAMPED GILLOWS & CO 19TH CENTURY the breakfront rectangular top with a brass gallery with urn finials, above a conforming frieze with a central drawer carved with an urn and ribbon tied laurel swags flanked by fluted panels, raised on scrolling volute legs carved with acanthus and ending on scroll toes on block feet, the drawer stamped ‘GILLOWS & CO’ and the number L41766 243cm wide, 137cm high, 67cm deep

£2,000-3,000

131 FF766/3 PAIR OF HOWARD & SONS EASY ARMCHAIRS LATE 19TH CENTURY with the deep seats and padded roll arms, raised on short cabriole legs ending in claw and ball feet, in dark green wool upholstery, the legs stamped HOWARD & SONS LTD / BERNERS ST and 1078 / 1271 (2) 77cm wide, 74cm deep, 87cm high

£600-800

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132 FG838/6 VICTORIAN MAHOGANY LONG CASE CLOCK BY MAPLE & CO. LATE 19TH CENTURY the square hood with a moulded cornice above a silvered dial with Roman and Arabic chapters engraved with foliate swags and inscribed ‘Maple/ London’, the plain trunk over a leaf carved plinth base on bracket feet, the eight day movement striking on a gong 41cm wide, 190cm high, 30cm deep

£500-700

133 FG849/1 GEORGE III STYLE IRON AND BRASS FIRE GRATE the fire basket with an iron bar front and two curved arms with brass acorn finials and hung with brass laurel garlands 94cm wide, 56cm high, 55cm deep

£400-600

69

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134 FINE GEORGE II STYLE MAHOGANY BOOKCASE CABINET BY H. SAMUEL LONDON LATE 19TH CENTURY in two parts, the square stepped cornice carved in high relief with foliate swags and centred by a lion mask above shaped open shelves; the lower part with a canted rectangular top and leaf carved frieze above four long graduated drawers on outset scroll feet, the back stamped ‘H Samuel, 484 Oxford St., London’ and stamped no.

8280 to one drawer 103cm wide, 180cm high, 51cm deep

£8,000-12,000

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135 FF768/1 GEORGE II STYLE MAHOGANY BOOKCASE CABINET CIRCA 1900 in two parts, the projecting cornice with dentil and dart moulding above a pair of astragal glazed doors opening to shelves and flanked by blind fret carved canted angles; the lower part with two further astragal glazed doors opening to shelves and flanked by similarly carved blind fret angles, raised on ogee bracket feet; the base bearing a brass plaque inscribed ‘USED BY/ DOUGLAS HAIG / 1911-1928 122cm wide, 223cm high, 50cm deep Note: Field Marshal Douglas Haig, 1st Earl Haig of Bemersyde, (19 June 1861 - 29 January 1928) was a British senior officer during World War I. He commanded the British Expeditionary Force (BEF) from 1915 to the end of the war. Haig was born in Charlotte Square, Edinburgh, not an aristocrat by birth, his father being in the whisky trade.

By the time of his death, he was extremely popular, and his funeral became a day of national mourning. Haigh and his military tactics have however been subject to criticism in more recent years, due to the high amounts of casualties during his command. These gained him the nickname of ‘Butcher of the Somme’ and make him one of the most controversial figures in British war history.

£2,000-3,000

71

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136 FG846/4 PAIR GEORGE II STYLE MAHOGANY SIDE TABLES the rectangular tops with a gadrooned edge over a frieze carved with Vitruvian scrolls and lion masks and fitted with a single long drawer, raised on foliate carved scrolling square legs ending on block feet and hung with carved fruit and flower swags (2) 183cm long, 85cm high, 54cm deep

£1,500-2,500 137 FG802/13 WROUGHT IRON AND BRASS CLUB FENDER the padded L-shaped ends in kilim upholstery on an openwork iron railing with brass ball and laurel banding 170cm long, 34cm high, 45cm deep

£300-500

72

LY O N & T U R N B U L L Fine Antiques & Works of Art

138 FG752/1 PAIR OF VICTORIAN GILTWOOD AND GESSO PIER MIRRORS 19TH CENTURY the tall, narrow mirror plates within a bead and ribbon moulded frame hung with floral garland swags and surmounted by ribbon and acanthus cresting (2) 63cm wide, 242cm high

ÂŁ1,000-1,500

73

LY O N & T U R N B U L L Fine Antiques & Works of Art

139 FB58/8 GOOD VICTORIAN YEW WOOD AND ELM WINDSOR ARMCHAIR 19TH CENTURY of typical form raised on baluster turned legs united by conforming H-shaped stretcher 66cm wide, 113cm high, 48cm deep

£800-1,200 140 FB58/9 GOOD VICTORIAN YEW WOOD AND ELM WINDSOR ARMCHAIR 19TH CENTURY of typical form raised on baluster turned legs united by conforming H-shaped stretcher 65cm wide, 106cm high, 46cm deep

£800-1,200

141 FE237/1 VICTORIAN CARVED WALNUT CENTRE TABLE MID 19TH CENTURY the shaped oval top with a moulded edge over a conforming frieze bearing the carved armorial and motto ‘Perseverantia Vincit’, raised on scrolling carved female figural supports joined by an undertier surmounted by carved deer, raised on carved foliate scroll feet 213cm wide, 71cm high, 122cm deep

£3,000-5,000 74

LY O N & T U R N B U L L Fine Antiques & Works of Art

142 FF505/2 LARGE ENGLISH POLYCHROME POTTERY VASE 19TH CENTURY the tapered hexagonal body moulded with Chinese landscapes and dragon-form handles at the shoulder, with gilt details 53cm high

£700-1,000

143 FF568/2 PAIR OF VICTORIAN GILT METAL FIGURAL CANDELABRA 19TH CENTURY each with a central candle arm and three foliate scrolling candle arms with bud form nozzles and leaf cast drip pans, held aloft on stems modelled as a Scottish man and woman in highland dress, on a spreading rococo base (2) 54.5cm high

£600-800

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144 FF626/1 NARWHAL TUSK (MONODON MONOCEROS) CIRCA 1860 unmounted 219cm long Note: Sold in compliance with CITES regulations, with (nontransferable) Transaction Specific Certificate no. 519670/01

£4,000-6,000

145 FF891/2 VICTORIAN MAHOGANY TABLE SPECIMEN CABINET RETAILED BY JAMES TENNANT MID 19TH CENTURY of cubic form, the door opening to eight shallow drawers compartmentalised and containing a numbered collection of minerals, rocks, and fossils together with Tennant’s hand written pamphlet dated 1851, identifying each specimen by name and location of origin 36cm wide, 37cm high, 28cm deep Note: James Tennant was the first Professor of Mineralogy at King’s College, London, and the official Mineralogist to the Queen. His expertise in diamonds is credited with the prediction of their existence in South Africa. He was a consultant for the 1852 re-cutting of the Koh-I-Noor diamond.

£1,000-1,500

76

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146 FF969/3 LARGE VICTORIAN GILTWOOD AND GESSO OVERMANTLE MIRROR 19TH CENTURY the arched mirror plate within a reeded giltwood and gesso frame with bead and leaf tip mouldings 183cm wide, 297cm high

ÂŁ800-1,200

77

LY O N & T U R N B U L L Fine Antiques & Works of Art

147 FF765/1 LACQUERED BRASS ‘CONGREVE’ ROLLING BALL CLOCK BY GEORGE HUNT, JEDBURGH 19TH CENTURY with three dials, in an oak framed glazed case and stand 41cm wide, 43cm high, 38cm deep

£1,000-2,000

148 SV77/8 VICTORIAN BRASS SKELETON CLOCK AND DOME 19TH CENTURY the openwork frame modelled as a clock tower with arched and rose windows to the the side panels, surmounted by a domed cupola, with a white enamel Roman numeral dial, the eight day movement striking on a bell; with a glass dome and wood stand Clock 45cm high

£500-800

149 FE237/16 FRENCH BRASS FOUR GLASS MANTLE CLOCK LATE 19TH / EARLY 20TH CENTURY of typical form with bevelled glass plates, the gilt dial with black painted Arabic numbers and two winding holes, the movement stamped V F and AD MOULIN, striking on a chime, with a mercury pendulum 18cm wide, 27cm high, 14cm deep

£400-600

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150 FG958/1 FRENCH BRASS CARRIAGE CLOCK 19TH CENTURY the white enamel dial with Roman and Arabic chapters and blue steel spade hands above a subsidiary alarm dial, in a gorge brass case with bevelled glass sides, the eight day fusee movement striking on a bell, stamped number 28004 8.5cm wide, 13cm high, 7.5cm deep

£150-250

151 FF976/13 FRENCH CHIMING AND REPEATING BRASS CARRIAGE CLOCK 19TH CENTURY the white enamel dial with Roman and Arabic chapters and signed ‘Connell/ 85 Cheapside/ London’, in a lacquered brass gorge case with quarter hour repeat button, the double fusee movement with lever escapement and striking on a gong and silent/quarter lever to the underside, the backplate stamped 1718 9cm wide, 13cm high, 8cm deep

£300-500

152 FG915/1 FRENCH BRASS REPEATING CARRIAGE CLOCK 19TH CENTURY the white enamel dial with Roman numerals and trefoil hands, over a subsidiary alarm dial, in a gorge case with bevelled glass sides and push button repeat on the top, the double fusee movement striking on a bell, the backplate engraved ‘E & E Emanuel / Paris’, number 544.

8cm wide, 11cm high, 6.5cm deep

£400-600

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LY O N & T U R N B U L L Fine Antiques & Works of Art

153 FG839/44 MINTON MAJOLICA GAME TUREEN CIRCA 1870 the oval basket form dish with branch handles, the cover modelled with a rabbit and two game birds on a fern and leaf gound, the interior glazed turquoise blue, impressed MINTON and mould number 899 33cm long, 16cm high, 20cm deep

£500-700

154 FG839/28 GEORGE JONES MAJOLICA STRAWBERRY DISH REGISTRATION DATE FOR 1873 modelled with a trellis with two birds pecking at strawberries, the basket form tray base with two removable baskets, impressed maker’s and registration mark 38cm long, 21cm high, 20cm deep

£2,500-3,500

155 FG839/4 GEORGE JONES MAJOLICA GARDEN SEAT CIRCA 1880 of barrel form, the circular seat made of faux ‘rush’ with a handhold hole to the centre, the sides moulded with dragonflies and birds perched in bullrushes and water lilies, unmarked 34cm diam, 47cm high

£4,000-6,000

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156 FG773/1 MINTON MAJOLICA MONKEY GARDEN SEAT DATE CYPHER FOR 1867 modelled as a crouching monkey holding a coconut with a blue tasselled cushion on its head, on a woven mat canted square base, impressed cypher and uppercase MINTON marks, mould number 589 45cm high

ÂŁ8,000-12,000

81

LY O N & T U R N B U L L Fine Antiques & Works of Art

157 FG755/1 SET OF TWENTY VICTORIAN CARVED OAK DINING CHAIRS 19TH CENTURY comprising two armchairs and eighteen side chairs, with pierced and foliate carved crestings above a square back and seat upholstered in foliate and red ground needlework upholstery, raised on foliate carved legs joined by turned H-form stretchers (20) Armchair 99cm high, 63cm high, 49cm deep

£1,000-1,500

158 FG839/29 VICTORIAN FIGURED WALNUT AND INLAID TEAPOY CIRCA 1860 the oval lobed top opening to reveal a fitted interior, raised on a turned and fluted support ending in four downswept legs terminating in ceramic casters 49cm wide, 75cm high, 38cm deep

£800-1,200

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159 FF730/1 VICTORIAN MAHOGANY PEDESTAL DESK OWNED BY ROBERT BROWNING CIRCA 1860 the brown leather inset leather top raised on twin pedestals with four graduated drawers on plinth bases 122cm wide, 76cm high, 65cm deep Note: Robert Browning (7 May 1812 - 12 December 1889) was born in Camberwell, London. The son of a bank clerk, he had Scottish and German descent from his mother’s side, whose family had settled in Dundee. Encouraged in his youth by a creative family, his mother being a talented musician and his father possessing an extensive library comprising of 6000 volumes, Browning became the embodiment of the Victorian sage, widely regarded for his knowledge and his explorations of philosophical questions of great resonance in Victorian life. He married fellow poet Elizabeth Barrett in 1846, and while his early poetic career passed in relative obscurity, he has come to be regarded as one of the principal poets of the Victorian period. It can be assumed the present lot was used by Browing for everyday personal use and general correspondence, while his main literary work was completed on another desk which was sold by Sotheby’s in 1913. @lotProvenance:Provenance: According to the present owners, descendants of Elizabeth Barrett Browning’s nephew General Sir Edward Altham, this desk was kept in Robert Browing’s study in his Kensington home, 29 De Vere Gardens. It was given to Edward Altham by his cousin Pen, son of Robert and Elizabeth Barrett Browning.

£3,000-4,000

83

LY O N & T U R N B U L L Fine Antiques & Works of Art

160 FG821/1 VICTORIAN SORRENTO FRUITWOOD PARQUETRY TRIPOD GAMES TABLE 19TH CENTURY the square top with canted corners and inlaid with a games board and geometric borders, raised on a turned column support and scroll tripod legs 60cm wide, 77cm high, 60cm deep

£400-600

161 FG832/2 VICTORIAN WALNUT AND PARQUETRY SIDE CABINET 19TH CENTURY with gilt metal mounts, the breakfront top above a cove moulded parquetry frieze over a central raised panel cupboard door flanked by glazed cupboard doors opening to shelves, flanked and divided by gilt metal terms, on a plinth base 169cm wide, 107cm high, 37.5cm deep

£600-800

84

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162 FG839/43 BLACK FOREST CARVED HALL STAND 19TH CENTURY carved as twining tree trunks mounted with a shaped and bevelled mirror plate surmounted by an eagle, above a fully carved mountain goat standing on a rocky outcrop, the animals fitted with glass eyes 234cm high

ÂŁ6,000-8,000

85

LY O N & T U R N B U L L Fine Antiques & Works of Art

163 FG839/26 VICTORIAN RENAISSANCE REVIVAL SIX PIECE BRASS AND COPPER DESK SET 19TH CENTURY comprising an inkstand with a facetted glass inkwell, a pair of candlesticks, a pair of pen trays and a blotter, all decorated with copper wirework filigree and portrait medallions on a brass base, the blotter with monogram ML (6) Blotter 24cm wide, 19cm high; pen tray 23.5cm long

£500-700

164 FG839/32 VICTORIAN PAINTED CAST IRON ECCLESIASTICAL SAFE 19TH CENTURY the locking door with a panel front cast with Gothic style and centred by an enamelled plaque bearing initials IHS, the sides painted with stylised foliate motifs 28cm wide, 39cm high, 33cm deep

£500-700

165 FG839/61 AESTHETIC EBONISED MUSICAL CHIMING BRACKET CLOCK CIRCA 1870 the engraved brass dial with a silvered Roman numeral chapter ring and subsidiary strike/silent and chime dials, the plate engraved with stylised flower and sunburst motifs in an ebonised and gilt case with a gallery top with ball finials, the eight day movement striking on a gong and chiming on eight bells 36cm wide, 54cm high, 24cm deep

£2,000-3,000

86

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166 FG839/33 FRENCH JAPONISME CARVED WALNUT AND IVORY INLAID ETAGERE ATTRIBUTED TO GABRIEL VIARDOT CIRCA 1880 with gilt bronze mounts, the square top above a geometric carved frieze with applied mounts above an arrangement of open shelves, over a panelled apron incorporating one door and with further applied ivory and shibayama mounts, raised on scroll feet 42cm wide, 132cm high

£5,000-7,000

167 FG239/4 FRENCH JAPONISME GLASS VASE, PROBABLY BACCARAT LATE 19TH CENTURY the flattened globular form with lug handles, wheel cut with a crane, pine tree and bamboo 18cm wide, 14cm high, 6cm deep

£300-500

87

LY O N & T U R N B U L L Fine Antiques & Works of Art

168 FG839/37 SET OF FRENCH JAPONISME ROSEWOOD AND INLAID QUARTETTO TABLES ATTRIBUTED TO GABRIEL VIARDOT CIRCA 1880 the moulded rectangular tops inlaid with mixed metal, ivory and mother of pearl depicting animals in landscapes, raised on pierced end supports joined by stretchers and raised on scroll cut legs 57cm wide, 74cm high 36cm deep

£2,000-3,000

169 FE237/7 LARGE RED LACQUER FLOOR VASE 19TH CENTURY of baluster form decorated with a pheasant and flowers, on a carved hardwood stand 86cm high, 98cm high overall

£800-1,200

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170 FF94/5 PAIR OF IMPRESSIVE CHINESE BLACK LACQUER CABINETS QING DYNASTY, 19TH CENTURY of upright rectangular form with a pair of doors decorated in gilt with court scenes with dignitaries and attendants, raised on stile feet, the interiors fitted with shelves and drawers (2) 126cm wide, 200cm high, 53cm deep

ÂŁ5,000-7,000

89

LY O N & T U R N B U L L Fine Antiques & Works of Art

171 FG723/2 EDWARDIAN PAINTED SATINWOOD DISPLAY CABINET EARLY 20TH CENTURY the rectangular top above a frieze painted with foliate scrolls and centred by a portrait medallion, above a pair of astragal glazed doors opening to shelves, raised on square tapered legs 94cm wide, 128cm high, 26cm deep

£600-800

172 FG839/52 FINE VICTORIAN SATINWOOD DAVENPORT CIRCA 1840 the hinged top with a gallery rail and insert brown leather writing surface opening to an interior fitted with drawers, above a pull out slide and hinged pen drawer, above four graduated drawers with four dummy drawers opposing, raised on lobed bun feet 52cm wide, 86cm high, 57cm deep

£4,000-6,000

173 FG839/60 SET OF MAHOGANY AND SATINWOOD BANDED QUARTETTO TABLES EARLY 20TH CENTURY with line inlay, the rectangular tops raised on spindle turned legs ending in downswept legs 49cm wide, 70cm high, 35cm deep

£1,200-1,800

90

LY O N & T U R N B U L L Fine Antiques & Works of Art

174 FG842/7 SMALL EDWARDIAN SATINWOOD SIDE CABINET EARLY 20TH CENTURY the rectangular top with an arched back rail painted with a fan and floral swags, above a glazed door with painted Prince of Wale plumes and drapery swags, open to a shelved interior, raised on a moulded plinth base and bracket feet 47cm wide, 92cm high, 26cm deep

£1,000-1,500

175 LT2014/8 EDWARDIAN MAHOGANY, SATINWOOD AND INLAY OCCASIONAL TABLE CIRCA 1910 the rectangular top with rounded outset corners above and undertier, raised on turned and tapered legs with line inlay ending in brass caps and casters 78cm wide, 76cm 50

£300-500

176 FF553/57 EDWARDIAN PAINTED SATINWOOD SIDE CABINET EARLY 20TH CENTURY the arched superstructure with a mirrored recess above a bow front drawer and hung with carved drapery swags and flanked by doors, over a bowfront with a single long drawer, raised on slender slightly splayed squared legs, painted all over with musical trophies, urns, garlands and trailing flowers 73cm wide, 130cm high, 34cm deep

£1,000-1,500

91

Continental Furniture & Works of Art

177 FG839/11 CAPODIMONTE PORCELAIN CASKET 19TH CENTURY rectangular with gilt metal mounts, the polychrome painted hinged lid and sides decorated in relief with mythical scenes and gilt details 24cm wide, 16cm high, 13cm deep

£1,000-1,500

178 FG839/59 PAIR OF CONTINENTAL CARVED GILTWOOD AND MARBLE CONSOLE TABLES 19TH CENTURY the shaped demilune white marble insert tops raised on supports carved as fruiting vines, on a shaped moulded plinth base (2) 80cm wide, 93cm high, 35cm deep

£2,500-3,500

179 FG839/27 CONTINENTAL LEATHER AND PIETRA DURA JEWELLERY BOX LATE 19TH / EARLY 20TH CENTURY the tooled red leather box inset with a foliate pietra dura oval panel, opening to reveal a plush lined and fitted interior 20cm wide

£300-400

92

LY O N & T U R N B U L L Fine Antiques & Works of Art

180 FG945/2 PAIR OF SCANDINAVIAN PAINTED AND PARCEL GILT MIRRORS LATE 17TH / EARLY 18TH CENTURY the rectangular mirror plates in a gadrooned and scroll carved and black painted frame marked at the corners with shells, with gilt details (2) 49cm wide, 56cm high Provenance: Purchased in the 1940s by the current owners parents from Bruun Rasmussen, Copenhagen

£800-1,200

181 FG586/59 CASTELLI MAIOLICA TREMBLEUSE SAUCER 18TH CENTURY decorated with figures standing by ruins in a capriccio landscape by a river, within the decorative foliate border 17.5cm diam

£500-700

93

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182 FF870/1 PAIR OF NORTHERN ITALIAN ROCOCO WALNUT OPEN ARMCHAIRS 18TH CENTURY in floral needlework upholstery, the scrolled top rail above a padded back and part padded scroll arms above a stuff over seat, raised on shell and acanthus carved cabriole legs ending in scroll toes (2) 69cm wide, 98cm high, 55cm high

£800-1,200

183 FG844/3 DUTCH WALNUT AND MARQUETRY BOMBE BUREAU 19TH CENTURY the slant front inlaid with birds and a flower-filled basket highlighted with mother of pearl, opening to an arrangement of pigeon holes, small drawers, and a recessed well with sliding cover, over a long dummy drawer and three further long drawers, with floral marquetry throughout, raised on carved claw feet 111cm wide, 111cm high, 66cm deep

£3,000-5,000

94

LY O N & T U R N B U L L Fine Antiques & Works of Art

184 FINE LOUIS XIV BOULLE MARQUETRY AND EBONY BUREAU MAZARIN, ATTRIBUTED TO NICOLAS SAGEOT CIRCA 1700 the rectangular top with canted corners above a curved central drawer and kneehole recess with fall front compartment, flanked by two banks of three drawers, raised square tapered legs joined by a shaped stretcher rail and terminating on turned feet, the whole in premiere and contre parti red boulle marquetry with oriental figures, monkey and exotic birds 116cm wide, 82cm high, 66cm deep

ÂŁ30,000-50,000

95

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185 FF765/6 LOUIS XVI BOULLE MARQUETRY CLOCK AND BRACKET BY WALTRIN LE JEUNE MID 18TH CENTURY the waisted boulle marquetry case with a gilt metal relief dial depicting a profile of Louis XVI, with white enamel Roman number panels and surmounted by a gilt metal figure of a man blowing a horn, the movement striking on a bell and engraved ‘WALTRIN LE IEUNE * AEPINAL’; on a conforming tapered boulle marquetry bracket Clock 88cm high; bracket 37cm high

£1,000-1,500

186 FG842/5 LOUIS XV STYLE GILT BRONZE DRESSING TABLE GARNITURE 19TH CENTURY comprising an easel mirror with a shaped plate within an ornate rococo bronze frame and a pair of figural lamps (3) Mirror 59cm high; lamps 27cm high

£1,200-1,800

96

LY O N & T U R N B U L L Fine Antiques & Works of Art

187 FG839/56 FINE LOUIS XV STYLE KINGWOOD AND GILT BRONZE MOUNTED BUREAU PLAT LATE 19TH CENTURY attributed to Mellier & Co., the rectangular top with an inset leather writing surface above three frieze drawers, raised on square cabriole legs ending in sabots 109cm

£5,000-7,000

188 FE237/5 PAIR OF FRENCH TRANSITIONAL KINGWOOD MARBLE TOP ECOIGNURES BY JEAN BAPTISTE VASSOU 18TH CENTURY each with a white marble top with serpentine front over a quarter veneered door, raised on tapered legs with gilt metal mounts, stamped J.B. VASSOU and JME (2) 56cm wide, 75cm high, 46cm deep approx

£1,500-2,500

97

LY O N & T U R N B U L L Fine Antiques & Works of Art

189 FF681/4 PAIR OF GILT BRONZE CANDELABRA 19TH CENTURY each with a central and two side scrolling foliate candle arms with bud form candle nozzles and drip pans, on a rococo base each with a pair of Dresden porcelain figures of a gentleman and companion (2) 43cm high

£700-1,000

190 FG839/25 PAIR OF SEVRES SILVERED BRONZE AND BISQUE PORCELAIN FIGURES OF MARS AND MINERVA 19TH CENTURY each raised on gilt bronze mounted rouge marble pedestal bases, interlaced L mark 40cm high, 53cm high (including bases)

£2,000-3,000

191 FG842/3 LOUIS XV STYLE KINGWOOD AND AMARANTH MARBLE TOP BUREAU PLAT LATE 19TH CENTURY the shaped rectangular pink marble banded in gilt metal above a long frieze drawer and a pull out slide to one end, raised on square cabriole legs with gilt metal mounts and ending in sabots 88cm wide, 73cm high, 51cm deep

£2,200-2,800

98

LY O N & T U R N B U L L Fine Antiques & Works of Art

192 FG963/6 FRENCH PORCELAIN AND GILT BRONZE THREE PIECE CLOCK GARNITURE EARLY 20TH CENTURY in the Louis XVI style, the painted porcelain dial with Roman numerals, the centre painted with a bird amongst flowers, above a further porcelain panel depicting a mother and child flanked by porcelain columns with a bleu celeste ground, the arched case stamped BRUNFAUT and surmounted by an urn finial; the eight day movement stamped P.R. 7267 and striking on a bell; together with a pair of covered urns decorated with floral reserves against a bleu celeste ground, with gilt ram’s head handles raised on a socle base (3) Clock 33cm wide, 50cm high; urn 34cm high

£1,500-2,500

193 FG963/7 FRENCH PORCELAIN AND GILT METAL MANTLE CLOCK EARLY 20TH CENTURY in the Louis XVI style, the enamel dial with Roman numeral reserves and painted with a putto above a porcelain panel depicting a fishing couple, in a gilt metal case surmounted by a porcelain urn and flanked by freestanding columns, the eight day movement striking on a bell, the case stamped P.H. MOUREY 37cm high, 24cm wide

£700-900

194 FE237/15 FRENCH MARBLE AND GILT METAL MANTEL CLOCK 19TH CENTURY the circular white enamel Arabic number dial signed ‘J. Camelin/ Paris’ surmounted by doves in a flowering basket with two winding holes, raised on square white marble columns on a shaped oval marble base raised on toupie feet, with gilt metal mounts thoughout, the movement striking on a bell 28cm wide, 42cm high, 11cm deep

£800-1,200

99

LY O N & T U R N B U L L Fine Antiques & Works of Art

195 FG945/1 SWEDISH GILT METAL BIRDCAGE CHANDELIER 19TH CENTURY the openwork frame covered in gilt metal leaves and with six flower-form candle holders 58cm wide, 69cm high

£500-700

196 FG842/1 LOUIS XV STYLE KINGWOOD AND ROSEWOOD BUREAU PLAT 19TH CENTURY with gilt metal mounts, the shaped rectangular brass banded top with a red leather inset writing surface above a long apron drawer, raised on square cabriole legs 120cm wide, 77cm high, 66cm deep

£3,000-4,000

100

LY O N & T U R N B U L L Fine Antiques & Works of Art

197 FE237/18 FRENCH LOUIS XVI STYLE AMARANTH, GILT BRONZE AND MARBLE TABLE IN THE MANNER OF FRANCOIS LINKE LATE 19TH CENTURY the shaped pink marble top with brass banding over a single frieze drawer, raised on slender cabriole legs ending in sabots, the whole outlined in gilt bronze 50cm wide, 78cm high, 35cm deep

£1,500-2,500

198 FG839/34 FRENCH PORCELAIN AND GILT BRONZE MANTLE CLOCK 19TH CENTURY the circular inset porcelain dial painted with blue Roman numerals, a trophy, garlands and raised ‘jewels’, in a gilt bronze case surmounted by a pair of doves and flanked by further trophies emblematic of music and war, mounted with further porcelain plaques painted with floral sprays against a pink ground, raised on toupie feet; the eight day movement striking on a bell 20cm wide, 25cm high, 10cm deep

£1,200-1,800

199 FG839/38 PAIR OF SEVRES STYLE GILT BRONZE MOUNTED COVERED URNS EARLY 20TH CENTURY the domed covers with a berry finial, the body of tapered oviform with a reticulated neck, decorated with oval reserves depicting amorous couples signed ‘Cottinet’, the reverse with garden views, against an orange ground with gilt details, raised on a socle and rounded square gilt metal base, with ‘Chateau de Longpre/ Manufacture Francaise’ printed red mark (2) 53cm high

£3,000-4,000

101

LY O N & T U R N B U L L Fine Antiques & Works of Art

200 FE237/12 FINE FRENCH FIGURAL ORMOLU AND MARBLE MANTLE CLOCK LATE 18TH CENTURY depicting Erigone seated on a lion’s pelt beneath a fruiting grape vine and holding a chalice and a bunch of grapes, being presented a floral crown by the draped figure of Zephyr, on a naturalistic rocky ground; the circular white enamel Roman number dial in a barrel case surmounted by a pine cone finial and inscribed ‘Zephir precede Bachus au coeur d’Erigone et de plaisir ses sens ... elle dit ah Zephir me Couronne’, on a plinth base with classical relief panels, raised on hairy paw feet on a shaped verde antico marble base, the eight day movement striking a bell 41cm wide, 52cm high, 17cm deep

£4,000-6,000

201 FE237/13 FRENCH ORMOLU AND MARBLE MANTLE CLOCK BY SUSSE FRERES 19TH CENTURY the fluted white marble plinth surmounted by a gilt bronze figure of Venus with a dove signed ‘Falconet’ and with a Susse Freres foundry stamp; the painted enamel Arabic number dial with flower garlands and signed ‘Susse Freres/ Hors Concours/ 1900’ with a single winding hole, the movement stamped ‘Susse Fres/ Paris/ C 15150’. with gilt bronze mounts and raised on toupie feet 27cm wide, 32cm high, 14cm deep

£400-600

102

LY O N & T U R N B U L L Fine Antiques & Works of Art

202 FE237/14 LOUIS XVI STYLE GILT AND PATINATED BRONZE MANTLE CLOCK BY DENIERE 19TH CENTURY the allegorical figure of a seated woman with an open book on her lap leaning against the gilt bronze clock case, the white enamel dial with Roman and Arabic number chapters and signed ‘DENIERE/ Fr DE BRONZES/ A PARIS, with two winding holes, raised on a rectangular plinth base cast with Vitruvian scrolls and rosettes, on acanthus cast feet, the movement stamped 1178 DENIERE A PARIS and CAILLEAUX 41cm wide, 34cm high, 16.5cm deep

£1,200-1,800

203 FF722/4 LARGE ALABASTER AND GILT METAL THREE PIECE GARNITURE comprising a pair of baluster form urns on a circular foot and a low centrepiece of flattened urn form on an oval foot, all with gilt metal mask loop handles and foliate cast mounts (3) Urns 61cm high; centrepiece 32cm high

£800-1,200

103

LY O N & T U R N B U L L Fine Antiques & Works of Art

204 FG839/10 FRENCH EBONISED AND PORCELAIN MOUNTED DRESSING TABLE BOX 19TH CENTURY the hinged lid and front set with chinoiserie decorated porcelain panels, opening to reveal a compartmented interior 26cm wide, 16cm high, 13cm deep

£300-400

205 FF728/1 LOUIS XVI STYLE GILTWOOD CANED DAYBED 19TH CENTURY the high caned back with a scrolling top rail centred by a ribbon-tied medallion, the high caned ends over a loose cushion seat and Vitruvian scroll carved apron raised on fluted tapered legs 218cm long, 103cm high, 76cm wide

£800-1,200

104

LY O N & T U R N B U L L Fine Antiques & Works of Art

206 FG839/9 LOUIS XVI STYLE ORMOLU AND SILVERED FILIGREE FOUR GLASS MANTLE CLOCK 19TH CENTURY the white enamel dial with blue Roman and Arabic chapters with two winding holes, set in a rectangular glazed case with a cavetto moulded pediment surmounted by gilt bronze putti, the glazed panels backed with scrolling floral and foliate pierced silvered metal openwork panels, on a shaped base with further glazed panels with filigree and gilt bronze mounts, raised on bun feet, the eight day movement striking on a bell 26cm wide, 39cm high, 16cm deep

£2,500-3,500

207 FG839/12 FRENCH ROUGE MARBLE, SLATE AND CHAMPLEVE ENAMEL THREE PIECE CLOCK GARNITURE 19TH CENTURY the clock with a circular marble dial with brass Roman numeral panels in a breakfront marble and slate case mounted with champleve enamel floral panels, surmounted by a large rouge marble urn with gilt bronze female bust handles, raised on gilt paw feet, the eight day movement striking on a bell; the matching pair of urns similarly decorated (3) Clock 40cm wide, 46cm high, 23cm deep; urn 33cm high

£2,500-3,500

105

LY O N & T U R N B U L L Fine Antiques & Works of Art

208 PAIR OF FRENCH BRONZE AND ROUGE MARBLE URNS 19TH CENTURY the dark brown patinated urns of campana form, on a rouge marble square pedestal base with leaf cast bronze mouldings (2) 29cm high

£1,200-1,800

209 FG839/14 FRENCH EGYPTIAN REVIVAL MARBLE AND BRONZE THREE PIECE CLOCK GARNITURE EARLY 20TH CENTURY the stepped rouge and black marble trapezoidal case with a gilt Roman numeral dial with two winding holes, the works stamped ‘Remacle A Paris’, surmounted by a seated bronze figure of a Pharoah; with a pair of seated bronze sphynx figural two branch candelabra on rouge marble bases (3) Clock 27cm wide, 56cm high, 18cm deep

£3,000-4,000

210 FG842/6 FRENCH ALABASTER AND CHAMPLEVE ENAMEL JARDINIERE 19TH CENTURY the rectangular white onyx body mounted with champleve enamel plaques and bosses and pointed lug handles to the ends, on a moulded base raised on gilt bronze paw feet, the interior with a metal insert 43cm long, 17cm high, 22cm deep

£500-700

106

LY O N & T U R N B U L L Fine Antiques & Works of Art

211 FG845/8 REGENCY SPECIMEN MARBLE TABLE TOP 19TH CENTURY the circular top veneered in various hardstones centred by a star motif and radiating bands; together with the original slate back support 85cm diam

ÂŁ3,000-5,000

107

LY O N & T U R N B U L L Fine Antiques & Works of Art

212 FG839/2 PAIR OF FINE PARIS PORCELAIN URNS EARLY 19TH CENTURY of campana form each finely painted with scenic views with figures, with twin dolphin handles and socle bases, underside stamped ‘Deroche A Paris’ (2) 25cm high

£3,000-5,000

213 FE237/6 DIRECTOIRE STYLE MAHOGANY AND BRASS INLAID WRITING CABINET LATE 19TH CENTURY the three quarter galleried top above a foliate inlaid frieze and two glazed panel doors enclosing shelves; the lower part with a foldover top enclosing a red baize writing surface above a long drawer, raised on turned fluted legs terminating in toupie feet 78cm wide, 50cm deep, 150cm high

£1,000-1,500

214 FE237/11 PAIR OF EMPIRE STYLE STYLE MARBLE TOP URN STANDS 19TH CENTURY the circular green marble insert tops above a plain frieze with gilt metal mounts, raised on fluted columns joined by a triform stretcher raised on toupie feet (2) 36cm diam, 80cm high

£800-1,200

108

LY O N & T U R N B U L L Fine Antiques & Works of Art

215 FF980/2 PAIR OF FRENCH GILT BRONZE FIGURAL WALL LIGHTS EARLY 20TH CENTURY each modelled as the torso of a classical maiden holding aloft a single light, on a scrolling foliate backplate (2) 48cm high

£400-600

216 FG330/9 EMPIRE ROSEWOOD, GILT METAL AND MARBLE TOP GUERIDON EARLY 19TH CENTURY the circular dished veined black marble top with a moulded edge, above a facetted baluster support and triform base with scrolling brackets and raised on carved paw feet, with gilt metal mounts throughout 98cm diam, 72cm high

£2,000-3,000

217 FG839/36 PAIR OF EMPIRE STYLE GILT BRONZE WALL LIGHTS 20TH CENTURY the back plate in the form of an arrow, the shaft issuing two curved trumpet form candle arms and centred by a mask of Minerva within a sunburst medallion, fitted for electricity (2) 63cm high

£300-500

109

LY O N & T U R N B U L L Fine Antiques & Works of Art

218 FG839/46 PAIR OF FRENCH EMPIRE STYLE FAUTEUILS 19TH CENTURY with gilt bronze mounts, the square backs, padded arms and stuffed over seats covered in green silk fabric, with eagle mask arm facings and raised on square legs terminating in paw feet (2) 61cm wide, 101cm high, 53cm deep

£4,000-6,000

219 FG839/48 FRENCH EMPIRE STYLE CHIMING LONGCASE CLOCK BY AGUL, LENZKIRCH 19TH CENTURY with neoclassical gilt metal mounts throughout, the moulded pediment above a white enamel Roman numeral dial marked at the quarter hours, the trunk door flanked by gilt bronze mounted terms, on a plinth base raised on gilt bronze paw feet, the eight day movement striking on chimes 53cm wide, 235cm high

£4,000-6,000

110

LY O N & T U R N B U L L Fine Antiques & Works of Art

220 FG844/2 CONTINENTAL MAHOGANY, KINGWOOD CROSSBANDED AND MARQUETRY CHEVAL MIRROR 19TH CENTURY the rectangular mirror plate in a swing frame and square supports surmounted by moulded cornice, above a pair of short drawers, raised on trestle supports ending on cast metal hairy paw feet and casters, the whole in foliate scrolling marquetry 97cm wide, 183cm high

£1,500-2,000

221 FG464/6 PAIR OF BRONZE CANDELABRA BY CHRISTOPHE FRATIN MID 19TH CENTURY each with three candle branches modelled with monkeys blowing horns, the column supports cast with game birds above circular bases cast with vines (2) 56cm high Provenance: Collection of Todd Gordon, Blacket Place

£1,200-1,800

111

LY O N & T U R N B U L L Fine Antiques & Works of Art

222 FG839/17 FRENCH MARBLE AND GILT BRONZE THREE PIECE CLOCK GARNITURE 19TH CENTURY the clock with a white enamel dial with Arabic numerals marked at the quarter hour and painted with floral swags, in a fluted columnar pink marble case surmounted by a putto and flanked by two further gilt bronze putto, on a shaped plinth base raised on toupie feet; the candlesticks with a gilt bronze putto holding aloft twin branch candle arms on a matching short fluted column base (3) Clock 32cm high; candlestick 26cm high

£1,500-2,500

223 FG839/35 FRENCH TERRACOTTA FIGURE GROUP AFTER CLODION 19TH CENTURY modelled as a satyr seated on a rocky outcrop attended by a bacchante and a putto, on a circular base, signed ‘Clodion’ 51cm high

£1,000-1,500

224 FG839/39 GERMAN PORCELAIN CANDLE STAND EARLY 20TH CENTURY the lobed circular top painted with a scene of an amorous couple, raised on slender baluster column with three seated putti, raised on scrolling square legs, decorated with floral sprays and edged in green bands 27cm diam, 80cm high

£1,500-2,500

112

LY O N & T U R N B U L L Fine Antiques & Works of Art

225 FG839/20 CONTINENTAL COVERED GREEN GLASS AND GILT METAL BOX 19TH CENTURY in the Empire style, the rounded rectangular box with applied mounts and a berry finial, the sides decorated in gilt with winged caryatids and laurel wreaths 16cm wide, 15cm high, 13cm deep

£400-600

226 LT2014/7 CONTINENTAL BRONZE FIGURE OF A GAMEKEEPER LATE 19TH CENTURY dark brown patina, modelled as a man walking with a stick and smoking a pipe, a rabbit in a pannier on his back and game birds hung from his waist, on a square marble plinth, unsigned Figure 21cm high, 29.5cm high overall

£200-300

227 FG839/21 CONTINENTAL GREEN GLASS ENAMELLED TANKARD EARLY 20TH CENTURY with pewter mounts, decorated in polychrome with a coat of arms and stylised motifs within anthemion and fleur-de-lys bands 33cm high

£300-400

113

LY O N & T U R N B U L L Fine Antiques & Works of Art

228 FF431/6 MEISSEN PART DINNER SERVICE 19TH CENTURY each piece decorated with a songbird with insects, flower sprigs and butterflies to the border, comprising a circular tureen and cover with scroll handles; two oval platters, a large circular serving dish, twelve dinner plates; seven fish plates; and six dessert bowls (qty) large platter 40cm wide

£1,200-1,800

229 FF884/4 SMALL LIMOGES ENAMEL VASE 19TH CENTURY of bottle form, decorated with a young beauty playing a harp against a mauve and pink ground, with gilt details and raised ‘jewels’ 12cm high

£300-500

230 FG839/13 VIENNA PORCELAIN DISH LATE 19TH CENTURY of square form, the deep pierced sides with applied flowers, centrally painted with a mythological scene in a gilt enriched border, the reverse inscribed ‘Tancrède secouru par Herminie’ against a gilt enriched red ground, blue beehive mark 18cm wide

£800-1,200

114

LY O N & T U R N B U L L Fine Antiques & Works of Art

231 MEISSEN PORCELAIN MANTLE CLOCK EARLY 20TH CENTURY the eight day movement striking on a bell, with a porcelain Arabic number dial set in a cylindrical porcelain case with sunburst pendulum, supported by two nude children seated on blue tasselled cushions, on a shaped base raised on ball feet, blue crossed swords mark 60cm wide, 37cm high, 23cm deep

ÂŁ6,000-8,000

115

LY O N & T U R N B U L L Fine Antiques & Works of Art

232 FG839/16 SMALL GERMAN PORCELAIN PLAQUE 19TH CENTURY the rectangular plaque painted with a young girl holding a bouquet of flowers, unmarked and unframed 11.5cm wide, 15.5cm high

£600-800

233 FG839/6 KPM PORCELAIN PLAQUE 19TH CENTURY painted with Bavarian hunters making their farewell to a young woman, impressed KPM and sceptre mark and 255 / 195, in a giltwood and gesso frame 18.5cm wide, 25cm high

£2,500-3,500

116

LY O N & T U R N B U L L Fine Antiques & Works of Art

234 FG839/5 LARGE KPM PORCELAIN PLAQUE 19TH CENTURY outside decorated by Ludwig Sturm (1844-1926), the rectangular plaque painted with children playing with a hay cart, inscribed verso ‘Kinder Lust v. Lasch./ L. Sturm Wien/ with Vienna shield mark, impressed KPM sceptre mark, mounted and framed 40cm wide, 49cm high

£10,000-15,000

117

Indian & Islamic Works of Art

235 FF802/1 INDIAN REPOUSSE BRONZE BREAST PLATE (KAVACHAM) 19TH CENTURY cast with a pair of serpents encircling the protruding breasts and stomach, within a pierced scroll border 50cm high, 44cm wide Note: This kavacham, most likely originating in South India, was probably made to adorn a female Hindu deity either at a temple or for private worship. Ancient rituals often included the dressing and adornment of a deity with the items worn taking on the attributes of the god/goddess. Serpents tradtionally are a symbol of fertility in Hindu culture so it can be assumed this kavacham was meant for a goddess of fertility. For a similar breastplate see Bonhams Indian Art Sale, 8th Oct 2013, lot 237.

ÂŁ1,500-2,500

236 FF802/2 INDIAN ALABASTER FIGURE OF DURGA 18TH / 19TH CENTURY seated in royal ease on the back of a lion and holding various weapons and attributes in her hands, on a rectangular plinth base 28cm wide, 32cm high, 9cm deep

ÂŁ700-900

118

LY O N & T U R N B U L L Fine Antiques & Works of Art

237 FF842/6 BIDRI MIXED METAL HUQQA BASE DECCAN, CENTRAL INDIA, 19TH CENTURY of bottle shape, the slender neck with a slightly flared mouth over a spreading body on a flared foot, decorated with floral motifs and flowering urns 22.5cm high

£600-800

238 FG566/15 LARGE INDIAN COPPER COFFEE OR HOT WATER POT 19TH CENTURY the baluster sides with a double S scroll handle and flared spout, with ornate foliate engraved decoration, raised on a pierced socle foot 32cm high

£300-500

239 FG566/13 INDIAN BRASS HANGING LANTERN 19TH CENTURY the domed top and cylindrical sides with ornate openwork foliate decoration 31cm high

£200-300

119

LY O N & T U R N B U L L Fine Antiques & Works of Art

240 FG566/11 LARGE INDIAN HEXAGONAL COPPER PLATE LATE 19TH / EARLY 20TH CENTURY the shaped tray with a pierced rim and ornate foliate chased decoration; together with an Indian embossed circular brass tray (2) Plate 60cm diam; tray 47cm diam

£200-300

241 FG839/40 LARGE PERSIAN GLAZED TERRACOTTA VASE in two parts, the baluster form body decorated with band depicting figures in a royal procession against a stylised floral ground, the separate socle foot modelled with peacocks 42cm diam, 92cm high

£500-700

242 FF506/1 ANGLO INDIAN HORN, IVORY AND SANDALWOOD WORKBOX 19TH CENTURY the domed top with radiated carved mouldings and ivory banding, opening to an interior fitted for sewing with a lift out tray and compartments, raised on ball feet 23cm wide, 17cm high, 17cm deep

£300-500

120

LY O N & T U R N B U L L Fine Antiques & Works of Art

243 FG843/2 ANGLO-INDIAN CARVED HARDWOOD TABLE EARLY 20TH CENTURY the octagonal top with a central relief carved figural reserve, in a foliate carved border, bearing a silver plaque inscribed ‘Lord Lamington GCMG GCIE/ GENUINELY SYMPATHETIC GOVERNOR OF BOMBAY /1903-1907 / DR NADIRSHAW H E SUKHIA / MUNICIPAL COUNCILOR, FORT BOMBAY’ raised on serpent carved legs joined by a shaped undertier 53cm diam 64cm high

£200-300

244 FG843/1 ANGLO INDIAN CARVED HARDWOOD ARMCHAIR 19TH CENTURY the curved back and enclosed arms profusely carved and pierced with flowers and foliate scrolls, the arm facings carved as lions, above a wavy apron and raised on short legs carved with lion masks 82cm wide, 95cm high, 69cm deep

£300-400

121

LY O N & T U R N B U L L Fine Antiques & Works of Art

245 CEYLONESE MACASSAR EBONY CHEST OF DRAWERS GALLE DISTRICT, CIRCA 1830 the rectangular top with a wavy moulded edge over four long graduated drawers with serpentine panel fronts, raised on a scroll carved apron raised on short cabriole legs with scrolled toes 118cm wide, 97cm high, 61cm deep Literature: Jaffer, A., ‘Furniture from British India and Ceylon: A Catalogue of the Collections in the Victoria and Albert Museum and the Peabody Essex Museum’, Timeless Books, 2001 Veenendaal, J., ‘Furniture from Indonesia, Sri Lanka and India During the Dutch Period’, Foundation Volkenkundig Museum Nusantara, 1985 Amin Jaffer ‘Furniture from British India and Ceylon’

£8,000-12,000

122

LY O N & T U R N B U L L Fine Antiques & Works of Art

246 FF802/10 BRASS FIGURE OF A BIRD 19TH CENTURY the stylised figure with engraved ‘feathers’ and standing on a perch, mounted on an arched band and circular hardwood base 32cm high, 30cm long

£400-600

247 FF992/1 GROUP OF MIXED METAL CAIRO WARES 19TH / EARLY 20TH CENTURY comprising a plate, 30cm diam; a smaller plate, 24cm diam; a large bowl, 23cm diam; a small bowl, 15cm diam; a globular vase, 16cm diam; a pair of vases, 16cm high, a short baluster vase, 13cm high; a circular box, 8cm diam; a two part container, 15cm long; a small jug, 8cm high; and four small cups of various sizes (15) £2,000-3,000

248 FG839/22 PERSIAN BRASS EWER 19TH CENTURY of flattened bottle form, the hinged cover with a pointed finial and scroll handle and a hexagonal straight spout, raised on stylised paw feet, engraved with raised floral tear drop panels and diaper pattern 27cm high

£300-500

123

LY O N & T U R N B U L L Fine Antiques & Works of Art

249 FG566/14 MOORISH BRASS HANGING LATERN 19TH CENTURY the baluster, facetted and trumpet form sides with ornate foliate pierced sides, supported by three chains and with a domed cover 50cm high approx

£300-500

250 FF980/3 HARDWOOD LOW TABLE WITH QAJAR TILES THE TILES 19TH CENTURY the moulded rectangular tray top inset with two large glazed tiles depicting warriors on horseback, above an acanthus carved frieze raised on cabriole legs ending in paw feet 100cm wide, 46cm high, 55.5cm deep

£3,000-5,000

124

Oriental Rugs & Carpets

251 FG821/5 KASHAN PART SILK RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the silver field with allover vine and boteh pattern, within red vine and boteh border between bands 208cm x 136cm

£400-600

252 FG813/2 USHAK CARPET WEST ANATOLIA, LATE 19TH CENTURY the ivory field with stylised palmette and foliate motif pattern, within blue palmette and vine border with orange inner band 389cm x 265cm

£800-1,200

125

LY O N & T U R N B U L L Fine Antiques & Works of Art

253 FG802/1 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the brown field with indigo and red medallion, ivory, blue and red spandrels, within indigo, rosette and vine border between bands 358cm x 277cm

£300-500

254 FG802/3 MAHAL CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover stylised vine, palmette and rosette pattern, within indigo palmette and vine border between bands 363cm x 258cm

£400-600

126

LY O N & T U R N B U L L Fine Antiques & Works of Art

255 FG761/1 MAHAL CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the madder red field with allover rosette, palmette and foliate vine pattern, within polychrome palmette and foliate scrolling border between bands 526cm x 331cm

£700-1,000

256 FF531/1 QASHQAI RUG SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY the bird filled ivory field with three rust joined stepped lozenge medallions, within triple red and green band border 228cm x 147cm

£600-800

127

LY O N & T U R N B U L L Fine Antiques & Works of Art

257 FG307/4 ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within red cartouche and palmette border 536cm x 350cm

ÂŁ2,500-3,500

128

LY O N & T U R N B U L L Fine Antiques & Works of Art

258 FG307/7 LARGE ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the red field with central cream medallion suspending pendants, cream and green spandrels, within indigo palmette and vine border 600cm x 400cm

ÂŁ3,000-5,000

129

LY O N & T U R N B U L L Fine Antiques & Works of Art

259 FH66/1 LARGE FEREGHAN CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the plain scarlet red field with a large indigo medallion suspending pendants, similar sides and spandrels, within blue turtle palmette and vine border between bands 603cm x 310cm

ÂŁ800-1,200

END OF SALE

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Fine Asian Arts Wednesday, 4th June, 2014 33 Broughton Place, Edinburgh EH1 3RR

AN EMPEROR’S TWELVE-SYMBOL IMPERIAL FESTIVE DRAGON ROBE QING DYNASTY Provenance: Ex Leonard Gow Collection

£15,000-25,000

Enquiries Lee Young Tel: +44 (0)131 557 8844 lee.young@lyonandturnbull.com Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com

FURTHER ENTRIES ARE INVITED

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Board of Directors

Specialist Departments

Chairman Sir Angus Grossart

Pictures, Watercolours and

Vice Chairman Paul Roberts

Charlotte Riordan

Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Mhairi McFadden Gavin Strang Lee Young

Prints Nick Curnow Emily Johnston (London)

Jewellery, Silver, Coins and Medals Colin Fraser Trevor Kyle Ruth Davis

Furniture, Clocks and Works of Art Douglas Girton Lee Young Sara Pierdominici

Decorative Arts and Design John Mackie European and Asian Ceramics

Asian Works of Art Lee Young Anna Westin (consultant) Sara Pierdominici

Rare Books, Maps, Manuscripts and Photographs Simon Vickers Cathy Marsden

Rugs and Carpets Gavin Strang

Arms and Armour John Batty (consultant)

Douglas Girton Campbell Armour

Interiors Theo Burrell Charlotte Riordan

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

email: info@lyonandturnbull.com www.lyonandturnbull.com

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78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

Administration

Valuation Department Telephone: 0845 882 2794

VALUERS

UK Director Rachel Doerr

Scotland Trevor Kyle Campbell Armour Gavin Strang

Finance Manager Mhairi McFadden

Northern England David Hall (consultant)

Accounts Flo Marshall Eileen Welsh Sarah Laing

Client Services Linda Robinson Jane Lightfoot Tessa Robson Business Development Ian Peter MacDonald Lindsey Michie James McNaught John Sibbald John Thomson Tessa Thomson Lady Middleton

North West England and Ireland Rachel Doerr Midlands Patrick Bowen Michael Mays

Operations Manager Alex Dove

Administration Edinburgh Kim Aitchison Eleanor Welsh Glasgow Linda Robinson James McNaught

London and Home Counties Sean McIlroy South West & Wales Robin Barlow

Saleroom Staff Sydney Drew David Robertson Scott Mitchell David Fiddes Valerie Kyle Press and Public Relations Philip Gregory Marketing Matt McKenzie Photographer Andrew McGregor

London and Southern England Rachel Doerr Mobile: +44 (0)7876 653602 rachel.doerr@lyonandturnbull.com

Catriona Macpherson Tel: +44 (0)20 7930 9115 catriona.macpherson@lyonandturnbull.com

Ian Peter MacDonald Tel: +44 (0)20 7930 9115 ianpeter.macdonald@lyonandturnbull.com

Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com

Lee Young Mobile: +44 (0)7825 426555 lee.young@lyonandturnbull.com

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STANDARD TERMS & CONDITIONS OF SALE Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

6. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006.

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We are required to collect a royalty payment for all qualifying works of art.

Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyers premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros),charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

7. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us.

We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

8. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or

your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 10. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

11. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

12. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

14. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

15. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold.

Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

(3) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the vendor, at the agreed reserve price or above, for up to 48 hours after the original auction.

16. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to

carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

17. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 18. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

9 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

22. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. Scottish law applies to the interpretation of these Conditions.

Bidder No

Bidding Form Sale/customer details

Telephone bid

Commission bid

Edinburgh Saleroom

Sale Title

33 Broughton Place Edinburgh EH1 3RR

Sale Date

Telephone 0131 557 8844

Sale No.

Title

Initials

Fax 0131 557 8668

Client No

email: info@lyonandturnbull.com

if known

Surname

www.lyonandturnbull.com

Address

I understand that if any of my bids are successful, the total price payable will be the amount of the final bid, plus a buyer’s premium calculated at 25% up to £25,000 then 20% thereafter.

Postcode Telephone

Telephone 2

VAT will be charged on the premium.

The premium and VAT is payable by all purchasers.

E-mail May we email you in future regarding similar sales?

YES

NO

How did you hear about this sale?

Lots in the catalogue marked † are subject to VAT at the standard rate on the hammer price. The symbol * by a Accompanying 1.Government-issued photo ID 2. Proof of address lot number indicates that the lot has Documents: (Passport / Driving License / National ID card) (Utility Bill / Bank Statement / Letter from Tax Authority) been temporarily imported from We may, at our discretion, ask you to provide a bank reference and/or a deposit as a condition of authorising you to bid outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price and the buyer’s Lot No. Description £ Sterling limit Excl. Premium & VAT (Commission bid only) premium.

Have you registered to bid with Lyon & Turnbull before?

YES

NO (if No please provide the following:)

No VAT is payable on the hammer price or premium for books bought at auction.

Lots in the catalogue marked § are subject to Droit de Suite or Artist’s Resale Right. Please ask us for details or see our conditions of sale.

Where there are identical bids for a lot, the first received will be executed.

Please make certain that your bids are submitted at least one hour before the start of the sale.

We will do our utmost to ensure all commission and telephone bids are executed, however this can not be guaranteed and is a service offered at the bidders risk.

I request Lyon & Turnbull, without legal obligation of any kind on its part, to bid on the above up to the prices listed. I understand that if any of my bids are successful, the total price payable will be the amount of the final bid, plus a buyer’s premium calculated at 25% up to £25,000 then 20% thereafter. VAT will be charged on the premium.

I confirm that I accept and will bid in accordance with the terms and conditions of sale as printed in the catalogue, detailed on the Lyon & Turnbull website or available for inspection in the saleroom, subject to any amendment announced or published by Lyon & Turnbull prior to the fall of the hammer.

Bidding Form - version 14.1 Client Signature OFFICE USE ONLY

D at e Received by:

Time:

Photo ID:

Proof of address:

Date:

Bidder No: Bank ref/deposit:

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British & European Paintings & Sculpture Thursday, 21st May, 2014 33 Broughton Place, Edinburgh EH1 3RR

GIOVANNI JEAN SCHRANZ (MALTESE 1794-1882) A BRITISH FRIGATE AT ANCHOR IN VALETTA HARBOUR Oil on canvas

FURTHER ENTRIES ARE INVITED

45cm x 67cm (17.75in x 26.25in)

ÂŁ10,000-15,000

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

Emily Johnston Tel: +44 (020 7930 9115 emily.johnston@lyonandturnbull.com

Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

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Waverley Station

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Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

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Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

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Packing and Shipping Please note that we do not pack or ship items.

The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

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Local Deliveries Local deliveries can be arranged by A&S Pert Removals.

Telephone 07876 343520.

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Lyon & Turnbull saleroom

St Andrew Square

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Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274