Contemporary & Post-War Art | 19th March 2014

Contemporary and Post-War Art Wednesday, 19th March, 2014 33 Broughton Place Edinburgh EH1 3RR

Contemporary and Post-War Art Wednesday, 19th March, 2014 at 11am Sale Number LT403

Viewing Sunday, 16th March 12 noon - 4pm Monday, 17th March 10am - 5pm Tuesday, 18th March 10am - 5pm Morning of sale strictly by appointment only

Specialists Charlotte Riordan charlotte.riordan@lyonandturnbull.com Nick Curnow nick.curnow@lyonandturnbull.com Emily Johnston emily.johnston@lyonandturnbull.com

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you.

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price.

The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price.

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the

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hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

All royalty charges are paid to the appropriate collecting organisation and no handling costs or additional fees are retained by the auctioneer.

Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations.

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1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement) You may present these documents in person or, alternatively, fax or email copies to us. We may, at our option, also ask you to provide a bank reference and/ or deposit.

At the Sale Potential buyers must register and collect a bidding number before the sale begins, and show that number if successful in purchasing a lot.

Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately.

If you have not been successful please leave the number at the Registration or Reception desks.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service entirely at the bidder’s risk.

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recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. All bid requests must be received an hour before the sale.

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Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

LY O N & T U R N B U L L Contemporary and Post-War Art

1ยง FF502/1 JAMES FULLARTON (SCOTTISH b. 1946) JARD-SUR-MER Signed, oil on board 21cm x 27cm (8.25in x 10.5in)

and two further works by the same hand (3) ยฃ800-1,200

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LY O N & T U R N B U L L Contemporary and Post-War Art

2§ FG979/1 ROBERT MACLAURIN (SCOTTISH b. 1961) THE TURKISH WEDDING Signed, signed and incribed with title verso, oil on board 40cm x 42cm (15.75in x 16.5in)

£500-700

3§ FF576/4 SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) HORSEMEN Gouache 25cm x 25cm (10in x 10in)

£800-1,200

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LY O N & T U R N B U L L Contemporary and Post-War Art

4§ FF612/1 SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) KING PHASE II Signed and inscribed with title, numbered 3/4, lithograph 59.5cm x 44cm (23.5in x 17in)

£200-300

5§ FF612/3 EDWIN LA DELL (BRITISH 1919-1970) KING’S PARADE, CAMBRIDGE Signed and inscribed with title in pencil to margin, lithograph 37cm x 64cm (14.5in x 25in)

£200-300

6 FF612/2 HARRY GOTTLIEB (ROMANIAN/AMERICAN 1895-1992) CHERRY PICKER Signed, inscribed with title and numbered 8/10 in pencil, screenprint 58cm x 38.5cm (23in x 15in)

£200-300

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LY O N & T U R N B U L L Contemporary and Post-War Art

JACK KNOX Jack Knox was born in Kirkintilloch in 1936 and studied painting at Glasgow School of Art and at the André L’hote Atelier in Paris.

A respected teacher, in 1965 he joined the staff of Duncan of Jordanstone College of Art in Dundee as lecturer in Drawing and Painting and in 1981 became Head of Painting at Glasgow School of Art until his retirement in 1992. Knox has won numerous awards including

7§ 14440/2 JACK KNOX R.S.A. (SCOTTISH b. 1936) SEA STORM Oil on canvas, unframed 137cm x 152cm (54in x 60in)

£600-800

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the Royal Scottish Academy Maude Gemmell Hutchison Prize and has exhibited regularly throughout his career in Edinburgh and London. Many of his works have been used as illustrations in books including The Scottish Bestiary by George Mackay Brown and La Potinière by David and Hilary Brown.

His work has always been distinguished by the vibrant use of colour and skilled

draughtsmanship which undoubtely came from the many years spent learning drawing while a student in Glasgow and Paris. The variety of images, subjects and signs featured in his paintings is the ultimate expression of his extraordinary creative imagination. The inspiration comes from great masters like Velasquez and Paolo Uccello, but also from the familiar landscapes of his

Scottish home or from Dutch still life painting. The result is a varied portfolio that includes still life, landscapes, illustrations and portraits.

The two landscapes presented in this sale are an example of Knox’s work in which rather stylised subjects are given a dramatic depth by the skilled use of strong, contrasting colours.

LY O N & T U R N B U L L Contemporary and Post-War Art

8§ FF988/2 JACK KNOX R.S.A. (SCOTTISH b. 1936) SANDUNES, 1990 Signed, pastel 25cm x 33cm (9.75in x 13in)

£300-500

9§ FF922/25 EDWARD GAGE R.S.W. (SCOTTISH 1925-2000) ROCHECOLOMBE Watercolour 56cm x 76cm (22in x 30in)

£500-700

10§ FF988/1 JACK FIRTH R.S.W. (SCOTTISH b. 1917) THEIR PLACE AND OURS Signed, watercolour 38cm x 56cm (15in x 22in) Exhibited: The Scottish Gallery, March-April, 1983.

£400-600

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LY O N & T U R N B U L L Contemporary and Post-War Art

11§ FB791/31 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH 1942–2013) WOMAN AND STINGRAY Signed twice, watercolour 75cm x 54cm (29.5in x 21in)

£800-1,200

12§ FG929/3 JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) WOMAN WITH GREEN HAIR Signed, watercolour 36cm x 26cm (14in x 10in)

£1,000-1,500

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LY O N & T U R N B U L L Contemporary and Post-War Art

13§ FB791/30 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH 1942–2013) EDINBURGH FROM FIFE Signed, watercolour 54cm x 75cm (21.25in x 30in)

£800-1,200

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LY O N & T U R N B U L L Contemporary and Post-War Art

14§ FG931/2 HUGHIE O’DONOGHUE (BRITISH b. 1953) CROW, 1991 Signed and inscribed in pencil, etching and aquatint, Printed at Hope Sufferance Press, London. Inscribed Crow. Signed and dated. Published by Fabian Carlsson Gallery / Hughie O’Donoghue. Edition no PP 3/3 29cm x 42cm (11.5in x 16.5in) (plate size)

£500-700

15§ FG931/1 HUGHIE O’DONOGHUE (BRITISH b. 1953) THE ROUND LAKE, 1991 Signed and inscribed in pencil, etching and aquatint, edition of 35, number 2/35.

Printed at Hope Sufference press, London 29cm x 42cm (11.5in x 16.5in) (plate size)

£500-700

16§ FG931/3 HUGHIE O’DONOGHUE (b. 1953) CROW II, 1991 Signed and inscribed in pencil, etching & aquatint. Printed at Hope Sufferance Press, London.

Inscribed below the image Crow II. Signed and dated. Published

by Fabian Carlsson Gallery / Hughie O’Donoghue. Edition No. A/P 29cm x 42cm (11.5in x 16.5in) (plate size)

£500-700

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LY O N & T U R N B U L L Contemporary and Post-War Art

17§ FG988/7 CHARLES MACQUEEN R.S.W., R.G.I. (SCOTTISH b. 1940) BELL TOWER, HAMMAMET Signed, mixed media 71cm x 71cm (28in x 28in)

£600-800

18§ FG988/8 CHRIS BUSHE R.S.W. (SCOTTISH b. 1958) CRUSADER GATE Oil on canvas 57cm x 82cm (22.5in x 32in)

£400-600

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LY O N & T U R N B U L L Contemporary and Post-War Art

ETHEL WALKER Ethel Walker is one of Scotland's leading female artists and is represented by eminent galleries both north of the border and in London. Having studied at the Glasgow School of Art between 1959-64, Walker spent several years as a teacher before commiting herself wholely to her art. She lives in Argyllshire where she finds constant inspiration in the mutable weather conditions which sweep the coast. She is also known for her elegant still lives, her chosen muted palette lending them a timeless classicism.

19§ FF30/1 ETHEL WALKER (SCOTTISH b. 1941) BLUE SHADOWS Signed, oil on board 51cm x 46cm (20in x 18in)

ÂŁ1,500-2,000

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LY O N & T U R N B U L L Contemporary and Post-War Art

20ยง FG939/3 ETHEL WALKER (SCOTTISH b. 1941) LILIES, 1991 Signed, mixed media 76cm x 53.5cm (30in x 21in)

ยฃ2,000-3,000

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LY O N & T U R N B U L L Contemporary and Post-War Art

21§ FH64/1 ETHEL WALKER (SCOTTISH b. 1941) LOCH AT FORD Signed, gouache 30cm x 54cm (12in x 21.25in)

£400-600

22§ FH64/2 ETHEL WALKER (SCOTTISH b. 1941) WEST COAST LANDSCAPE Signed, gouache 30cm x 50cm (12in x 19.5in)

£400-600

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LY O N & T U R N B U L L Contemporary and Post-War Art

23§ FG988/13 ALEXANDRA KNUBLEY (SCOTTISH b. 1969) UNTITLED Oil and beeswax on board, in three panels framed together 73cm x 118cm (28.5in x 46.5in)

£500-700

24§ FG988/12 ALEXANDRA KNUBLEY (SCOTTISH b. 1969) RETREAT Oil and beeswax on canvas 60cm x 105cm (23.5in x 41.5in)

£300-500

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LY O N & T U R N B U L L Contemporary and Post-War Art

25§ FF653/9 JOHN BOYD R.P., R.G.I. (SCOTTISH 1940-2001) UNDER A TREE Signed, oil on board 29cm x 29cm (11.5in x 11.5in)

£400-600

26§ FF653/1025 JOHN BOYD R.P., R.G.I. (SCOTTISH 1940-2001) GIRL IN RED TROUSERS Signed, oil on canvas laid on panel 44.5cm x 14cm (17.5in x 5.5in)

£400-600

27§ FG986/3 JOHN BOYD R.P., R.G.I. (SCOTTISH 1940-2001) ROAD BY ARDLAMONT Signed, oil on canvas 40.5cm x 40.5cm (16in x 16in)

£500-700

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LY O N & T U R N B U L L Contemporary and Post-War Art

28§ FF22/2 JOHN HOUSTON O.B.E., R.S.A. (SCOTTISH 1930-2008) A BEACH Signed, signed stretcher verso and inscribed with title, oil on canvas 39cm x 39cm (15in x 15in)

£3,000-5,000

29§ FF22/1 JOHN HOUSTON O.B.E., R.S.A. (SCOTTISH 1930-2008) ELIZABETH IN THE GARDEN Signed, signed and inscribed with title stretcher verso, oil on canvas 40cm x 50cm (15.5in x 19.5in) Exhibited: Mercury Gallery, London

£3,000-5,000

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LY O N & T U R N B U L L Contemporary and Post-War Art

30§ FF922/24 BARBARA HEPWORTH R.A. (BRITISH 1903-1975) WINTER SOLSTICE Signed and numbered 44/60, lithograph 75cm x 56cm (29.5in x 22in)

£1,000-1,500

31§ FG471/45G ELISABETH FRINK R.A. (BRITISH 1930-1993) CORMORANT Stamped, signed and dated 5/150 in pencil to margin, colour lithograph 65cm x 50cm (25.5in x 19.5in)

£800-1,200

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LY O N & T U R N B U L L Contemporary and Post-War Art

32§ FG491/2 PAT DOUTHWAITE (SCOTTISH 1939-2002) FUNNY LADY Signed, mixed media on board 139cm x 100cm (54.75in x 39.25in)

£2,000-3,000

33§ FG987/2 PAT DOUTHWAITE (SCOTTISH 1939-2002) BIRD SHOULDER Watercolour and ink 15cm x 10cm (6in x 4in)

£300-500

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LY O N & T U R N B U L L Contemporary and Post-War Art

34§ FF578/1 DOUGLAS THOMSON (SCOTTISH b. 1955) GREEN SEA Signed, inscribed verso, oil on canvas 75cm 55cm (29.5in x 21.5in)

£500-700

35§ FF578/2 DOUGLAS THOMSON (SCOTTISH b. 1955) THE WRITER Signed and dated ‘91, inscribed verso, oil on canvas 67cm x 52cm (26.5in x 20.5in)

£500-700

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LY O N & T U R N B U L L Contemporary and Post-War Art

36§ FF657/2 SIR WILLIAM MACTAGGART P.R.S.A., R.A., R.S.W. (SCOTTISH 1903-1981) SUNSET Signed, oil on board 28cm x 40cm (11in x 15.75in)

£1,200-1,800

37§ FF657/1 SIR WILLIAM MACTAGGART P.R.S.A., R.A., R.S.W. (SCOTTISH 1903-1981) LOCH THROUGH THE TREES Inscribed verso ‘To Professor Crofton from William MacTaggart, December 1960’, oil on board 29cm x 34.5cm (11.5in x 13.5in)

£1,000-1,500

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LY O N & T U R N B U L L Contemporary and Post-War Art

38§ FG986/5 NIAMH COLLINS (IRISH b. 1956) TWO ROCKS Signed, mixed media on paper 40.5cm x 56cm (16in x 22in)

£250-350

39§ FF996/2 GEOFFREY SQUIRE (SCOTTISH 1923-2012) SOAKING UP THE SUN Signed, oil on board 30cm x 53cm (12in x 21in)

£700-900

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LY O N & T U R N B U L L Contemporary and Post-War Art

40§ FF996/1 GEOFFREY SQUIRE (SCOTTISH 1923-2012) TWO YOUNG WOMEN Signed, oil on board 60cm x 50cm (23.5in x 19.75in)

£1,000-1,500

41§ FF996/3 GEOFFREY SQUIRE (SCOTTISH 1923-2012) AUTUMN FLOWERS Signed, oil on board 39cm x 33cm (15.5in x 13in)

£500-700

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LY O N & T U R N B U L L Contemporary and Post-War Art

42§ FF996/4 GEOFFREY SQUIRE (SCOTTISH 1923-2012) MISTY MORNING Signed, watercolour 26cm x 63cm (10in x 25in)

and another by the same hand (2) £400-600

43§ FG986/8 ANTHONY EYTON R.A. (BRITISH b. 1923) WATERLOO BRIDGE TOWARDS ST PAULS Pastel on paper 47cm x 58.5cm (18.5in x 23in)

£200-300

44§ WILFRID DE GLEHN R.A. (BRITISH 1870-1951) Signed, watercolour, bodycolour and pencil 39.5cm x 51cm (15.5in x 20in)

£300-500

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LY O N & T U R N B U L L Contemporary and Post-War Art

45§ FG986/10 JUAN STOLL (fl.1936-40) FITZROY SQUARE Signed and dated 1936, oil on canvas 71cm x 91.5cm (28in x 36in)

£600-800

46§ FG986/9 SUSAN RYDER R.P., N.E.A.C. (BRITISH b. 1945) BARLEY FIELDS AT WALSHAM-LE-WILLOWS Signed, oil on canvas 59cm x 71cm (23in x 28in)

£600-800

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LY O N & T U R N B U L L Contemporary and Post-War Art

Well-known Edinburgh artist David Michie has served as a Trustee for the The Scottish International Education Trust from 2004 until 2013 and as an enthusiast for the Trust’s work he has, most generously, offered the proceeds of the sale of this work as a donation to SIET. This donation will spearhead a fundraising initiative which will enable the Trust to expand its support for talented Scottish individuals.

The Scottish International Education Trust (SIET) (charity number SC009207) was set up in 1971 on the initiative of Sean Connery who donated

47 FF982/1 DAVID MICHIE R.S.A, R.S.W., P.S.S.A. (SCOTTISH b. 1928) LADIES MANTLE, HOLLYHOCKS AND COSMOS Signed, oil on canvas 91cm x 127cm (36in x 50in)

ÂŁ3,000-5,000

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his fee for his role in the Bond film Diamonds Are Forever as core funding for the Trust, along with a significant contribution from fellow Scot, Jackie Stewart.

The Trust has two broad aims: to give financial help at a critical stage in their development to Scots men and women who have shown ability and promise, and who wish to take their studies or professional training further in circumstances where public funds are not available; and to support projects which the Trust considers will contribute to the cultural, social or economic well being

of Scotland, or the improvement of the Scottish environment.

The Trust normally makes grants to individual students who apply directly to the Trust, with a wide range of aspirations and in a variety of circumstances. The grants are generally for postgraduate level study and may support, for example, study at a dance academy in New York, advanced study in the clarinet at a conservatoire in Paris, film studies, opera singing, historical research, law, engineering, and more.

The common factor is that they are excelling in their field

and have opportunities available to them, where a grant from SIET would contribute significantly to their ability to pursue these.

The Trustees are Scots who have distinguished themselves in careers covering a wide range of activities including industry, education, sport, and the arts.

For further information on the work of the Trust please visit http://www.scotinted.org.uk

LY O N & T U R N B U L L Contemporary and Post-War Art

48§ FG939/1 JOHN HOUSTON O.B.E., R.S.A. (SCOTTISH 1930-2008) CORNFIELDS, EAST LOTHIAN Signed, inscribed with title stretcher verso, oil on canvas 30cm x 40cm (12in x 16in)

£1,500-2,000

49§ FG936/3 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) A DESERTED STREET SCENE Signed with initials, signed canvas verso, oil on canvas 28cm x 38cm (11in x 15in)

£1,000-1,500

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LY O N & T U R N B U L L Contemporary and Post-War Art

PHILIP REEVES

This small exhibition of works for sale is above all celebratory. The devotees of Philip Reeves’ work have long recognised his consistently fresh, developing work and worth. Collectors have become addicted – and they never tire of his prints, paintings, collages and reliefs once given a place on their walls. These works need to be lived with; they divulge their surprises and subtleties with slow-release, persistent magic.

This display of Reeves’ works for sale here at Lyon & Turnbull is also designed to generate some financial support for a proposed new book about Philip Reeves. It is puzzling that no book about him has yet been commissioned given his standing within the Scottish art world and enduring popularity among collectors.

Reeves has long been championed by galleries such as the Fine Art Society, Cyril

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Gerber Fine Art, the Open Eye Gallery, The Mercury Gallery and the Hughson Gallery.

They and institutional public galleries including the Hunterian Art Gallery in Glasgow and the Talbot Rice in Edinburgh have striven to make known how special and profound his expressive, sophisticated take on abstraction is. Several critics have pointed out that if this highly original artist had been working in Europe, and exhibited there as much as he has consistently been in Scotland, he would be a household name and/or a national hero by now.

Nonetheless, Reeves remains one of Scotland’s most influential practising artists.

His significant contribution as founder member of the Edinburgh Printmakers and Glasgow Print Studios in the 1970s continues to stimulate internationally acclaimed art activity in this country today and his work holds a place in

Photographed by Andy Philipson, livewireimage.com

‘Philip Reeves operates at the junction of perceived and reconstructed reality’ unattributed – found jotted on the back of a brown envelope by Joan Hughson.

Philip Reeves

Scotland’s National Collection.

Philip Reeves deserves a book – and so does the art public.

We are grateful to Joan Hughson, Christopher Andreae and Philip Reeves for their assistance in assembling the notes for this section.

LY O N & T U R N B U L L Contemporary and Post-War Art

50 FG977/8 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) STAFFIN COAST Signed, ink, gouache, collage 110cm x 75cm (43in x 29.5in) Note: Staffin and Staffin island are on the far north east coast of Skye, about 18 miles north of Portree. The road through Staffin hugs the coast, and while driving there Reeves stopped to record the landscape in a series of drawings. This finished work, made in his studio, emphasises the verticality of cliff and rock-face in this part of Skye.

£800-1,200

51 FG977/7 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) LOWER ELEVATION Signed, ink, gouache, collage 71cm x 66cm (28in x 26in) Note: This simple and elegant work is about the descent via steps to the interior of a building.

£700-900

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LY O N & T U R N B U L L Contemporary and Post-War Art

52 FG977/14 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) NORTHEAST TIDE Signed, ink, gouache, collage 41cm x 56cm (16in x 22in) Note: When Reeves first came to Glasgow (in 1954), people told him how wonderful the north west of Scotland was for painting. So he deliberately headed up the east coast. Its landscape appealed greatly and resulted in many prints and paintings. He found the redness of the earth, rocks and cliffs fascinatingly different from the chalk-white strata he knew in southern England where he was born and brought up.

ÂŁ400-600

53 FG977/5 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) BEACH Signed, etching, edition 9/14 59cm x 85cm (23in x 33.5in) Note: The foreground features steps leading down to the beach where three ladies are sunbathing. The inspiration for this strangely surreal print came from a beach in Northumbria.

ÂŁ250-350

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LY O N & T U R N B U L L Contemporary and Post-War Art

54 FG977/3 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) WINTER PLOT Signed, ink, gouache, collage 70cm x 147cm (27.5in x 58in) Note: In several works, Reeves has given black, white and grey a seasonal reference. The Cyril Gerber Gallery, Glasgow, has invited favourite artists to contribute works to occasional exhibitions designed to celebrate allotment plots. Reeves has here divided the surface of his collage into a strongly abstract, rectangular ground plan. Plots in winter are generally rather monochrome before the ice melts and fresh seeds are sown.

ÂŁ1,200-1,800

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LY O N & T U R N B U L L Contemporary and Post-War Art

55 FG977/13 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) MALL Signed, ink, gouache, collage 76.5cm x 55cm (30in x 21.5in) Note: The appearance of shopping malls is forever changing as shops replace shops or windows are redesigned. In this work the viewer might be looking past a foreground of vertical collaged elements like colourful hoardings, banners or columns, to rough, unfinished architectural spaces. These hoardings identify and yet at the same time hide the emerging structures beyond them.

£400-600

56 FG977/10 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) REGENCY RESTORATION Signed, ink, gouache, collage 100cm x 75.5cm (39.5in x 30in) Note: Architecture in its many forms is a source of perennial interest to Reeves. As a child and young man in Cheltenham, Gloucestershire, he was well aware of regency buildings.

Here a section of wall which is under repair is exposed and isolated.

The image’s climbing composition carries musical undertones. Music for Reeves, as it moves him, does not only convey sound, but also allows for potently abstract images to emerge.

£800-1,200

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57 FG977/11 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) COAST LINE Signed, ink, gouache, collage 51cm x 81cm (20in x 32in) Note: The white horizontal band across the centre of this painting suggests the tide.

A man-made structure on the right, a rigid rectangular shape, might be a vertical bulwark against the force of the sea. The strength of this work lies above all in its powerful abstract structure.

£700-900

58 FG977/6 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) MODERN INTERIOR Signed, ink, gouache, collage 58cm x 103cm (23in x 40.5in) Note: Balance – and imbalance – of shape and colour make for an image that is both structurally fixed and dynamically free. As he does in this work, Reeves habitually breaks out of the confines of the conventionally rectangular format of paintings. He is also fascinated by “modernity”, in this case making a visual virtue out of a severely designed modern sofa that may or may not be comfortable to sit on, but is meant to look good regardless.

£800-1,200

33

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59 FG977/9 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) VENETIAN MIRROR Signed, etching, edition 6/8 70cm x 47cm (27.5in x 18.5in) Note: Reeves was born a twin. The two boys were not exactly mirror images of each other and furthermore, they led very different lives, with different interests. This so-called “mirror” – a simple but strong abstract image – if divided vertically, would present a balanced but not a precisely identical likeness.

£300-500

60 FG977/4 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) SHORE OBJECTS Signed, etching edition 7/10 57cm x 60cm (22.5in x 23.5in) Note: Always attracted by unusual shapes or forms, Reeves convincingly integrates the man-made with the natural in this print. A seemingly random scattering of washed up “Shore Objects” has apparently settled on the pebbles – until the next tide sweeps in. In both his prints and his paintings Reeves is a persistently inventive user of “found objects.” He is in his element when contriving collages incorporating such abandoned fragments.

£250-350

34

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61 FG977/12 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) EBB Etching,artist’s proof (unique copy) 39.5cm x 71cm (15.5in x 28in) Note: This strongly structured, surging print focuses like some of Reeves’ earlier etchings on the motion of the retreating tide.

£200-300

62 FG977/15 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) THE CORRIDOR Signed, ink, gouache, collage 16cm x 75.5cm (6.5in x 29.5in) Note: The viewer of this long painting might, in the mind’s eye, walk along this painterly “corridor” registering its changes of rich colour, shape and form as he goes.

£400-600

35

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63 FG977/1 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) ENTRANCE Signed, ink, gouache, collage 102cm x 130cm (40in x 51in) Note: This work was prompted by the entrance to a museum in Istanbul, where a classical sculpture of a female nude seemed to Philip to be in unusual contrast to the more expected clothing of women that is the cultural norm in Turkey. His nude, not much more than a halfhidden contour, might also be read as a vase or amphora.

ÂŁ1,000-1,500

36

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64 FG977/2 PHILIP REEVES R.S.A., P.P.R.S.W., A.R.C.A. (SCOTTISH b. 1931) STREET FURNITURE Signed, ink, gouache, collage 79cm x 174cm (31in x 78.5in) Note: This work, an impressive procession of verticals, is inspired by colourful hoardings and fencing Reeves has seen along city streets when shops or building sites are partly hidden by such screens from interested passers-by.

ÂŁ1,500-2,500

37

LY O N & T U R N B U L L Contemporary and Post-War Art

65§ FG936/2 LEON MORROCCO A.R.S.A. (SCOTTISH b. 1942) SUNBATHER, ANTIBES Signed and dated ‘02, oil on board 30cm x 30cm (12in x 12in)

£1,500-2,500

66§ FG936/1 LEON MORROCCO A.R.S.A. (SCOTTISH b. 1942) BEACH SHOWER Signed and dated ‘05, oil on board 20cm x 20cm (8in x 8in)

£1,200-1,800

38

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67§ FE355/5 ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (SCOTTISH 1917-1998) DONKEYS, ANTICOLI Signed and inscribed ‘Corrado’, watercolour 70cm x 54cm (27.5in x 21.25in)

£800-1,200

67A§ DAVID MICHIE R.S.A., R.G.I. (SCOTTISH b. 1928) CORMORANTS ON A ROCK Signed and dated '73, oil on canvas 36cm x 51cm (14in x 20in)

£600-800

39

LY O N & T U R N B U L L Contemporary and Post-War Art

68§ FG722/1 SCOTTIE WILSON (SCOTTISH 1889-1972) ORGANIC FORM Signed, mixed media on paper 22cm x 19cm (8.5in x 7.5in)

£400-600

69§ FG48/3 GEORGES ROUAULT (FRENCH 1871-1958) CRISTAL DE ROCHE Etching and aquatint 31cm x 20cm (12.25in x 8in)

£300-500

70§ FF997/2 JEAN DUBUFFET (FRENCH 1901-1985) PERSONNAGE 11 Signed in plate, lithograph 30cm x 23cm (12in x 9in)

£400-600

40

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71§ FG988/10 SIR EDUARDO PAOLOZZI R.A., H.R.S.A. (SCOTTISH 1924-2005) ENIGMA FOR ALAN TURIN Signed and dated 1999 and inscribed with title in pencil to margin, numbered 44/100, screenprint 76cm x 56cm (30in x 22in)

£200-300

72§ FG946/1 GERALD LAING (SCOTTISH 1936-2011) STARLET Signed, screenprint 88cm x 58.5cm (34.5in x 23in)

£700-1,000

41

LY O N & T U R N B U L L Contemporary and Post-War Art

73ยง FG990/2 CRAIG MULHOLLAND (SCOTTISH b. 1969) LIFE CLASS Inscribed with title verso, oil on canvas 119cm x 118cm (47in x 46.5in)

ยฃ4,000-6,000

42

LY O N & T U R N B U L L Contemporary and Post-War Art

74ยง FG990/1 CRAIG MULHOLLAND (SCOTTISH b. 1969) LIFE ROOM Inscribed with title verso, oil on canvas 119cm x 118cm (47in x 46.5in)

ยฃ4,000-6,000

43

LY O N & T U R N B U L L Contemporary and Post-War Art

75§ FG989/2A ROB AND NICK CARTER (BRITISH CONTEMPORARY) UNTITLED 9 Original cibachrome print and gloss paint 50cm x 50cm (19.5in x 19.5in)

£600-800

76§ FG989/2 ROB AND NICK CARTER (BRITISH CONTEMPORARY) UNTITLED 8 Original cibachrome print with gloss paint 50cm x 50cm (19.5in x 19.5in)

£600-800

44

LY O N & T U R N B U L L Contemporary and Post-War Art

77§ FG989/11 MARY WEBB (BRITISH b. 1939) SPRING COLOUR STUDY 14 1994 Signed and inscribed on the stretcher verso, oil on canvas 183cm x 183cm (72in x 72in) Note: Webb’s work is abstract and striking. In this piece she uses bold coloured rectangles spread across the canvas. Webb has the sensibility of a landscapist, much of her work produced as reflections on her travels, naming her works after the places that inspired them.

£700-900

78§ FG989/9 MARY WEBB (BRITISH b. 1939) SPRING COLOUR STUDY IV 2001 Signed and inscribed verso, oil on canvas 111cm x 111cm (43.5in x 43.5in)

£600-800

45

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79 FG989/14 KEVIN FINKLEA (AMERICAN b. 1958) DRIFT SERIES 2002-3, inscribed with titles verso, acrylic on canvas (6) Of varying sizes, the largest of which 28cm x 36 (11in x 14in) Note: Each work is given the title of a different anti-depressant.

ÂŁ200-300

46

LY O N & T U R N B U L L Contemporary and Post-War Art

80§ FG988/5 CLAIRE HARRIGAN R.S.W. (SCOTTISH b. 1964) CALM SEA Signed, mixed media 60cm x 94cm (24in x 37in)

£400-600

81§ FG988/9 CHRIS BUSHE R.S.W. (SCOTTISH b. 1958) ANCIENT SETTLEMENT Oil on canvas 90cm x 93cm (35.5in x 34.5in)

£400-600

47

LY O N & T U R N B U L L Contemporary and Post-War Art

82§ FG687/1 SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) THRENODY, DESPAIR Signed and dated ‘68, watercolour 88cm x 59cm (34.5in x 23.25in) Exhibited: Aitken Dott, ‘Festival Exhibition’’, no.

2, 1970; The Royal Scottish Academy, no.447, 1970; The Royal Scottish Society of Painters in Watercolour, no. 39, 1970

£3,000-5,000

83§ FG672/1 DAVID MCCLURE R.S.A., R.S.W (SCOTTISH 1926-1998) STILL LIFE FLOWERS AND COCK Signed, inscribed on a label verso, oil on board 30.5cm x 23cm (12in x 9in)

£1,000-1,500

48

LY O N & T U R N B U L L Contemporary and Post-War Art

84§ FG950/3 CAROLINE MCNAIRN (SCOTTISH 1955-2010) WOODS IN AUTUMN Watercolour 25cm x 35cm (9.75in x 13.75in)

£400-600

85§ FG950/2 CAROLINE MCNAIRN (SCOTTISH 1955-2010) ABSTRACT WITH TREES Watercolour 25cm x 35cm (9.75in x 13.75in)

£400-600

49

LY O N & T U R N B U L L Contemporary and Post-War Art

86§ FF828/3 JOHN HOUSTON O.B.E., R.S.A. (SCOTTISH 1930-2008) ELIZABETH BLACKADDER AT THE COAST Signed and dated 1986, watercolour 132cm x 79cm (52in x 31in)

£900-1,200

87§ FF828/1 GEORGE DEVLIN (SCOTTISH b. 1937) STORM II 1969, gouache and watercolour 76cm x 51cm (30in x 20in) Exhibited: The Scottish Gallery, 1969, cat.27

£300-500

50

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88ยง FG950/1 JOHN HOUSTON O.B.E., R.S.A. (SCOTTISH 1930-2008) SUNSET OVER FIFE C.1968-72 Signed, oil on canvas 92cm x 92cm (36in x 36in)

ยฃ3,000-5,000

51

LY O N & T U R N B U L L Contemporary and Post-War Art

89§ FG465/1 ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) STILL LIFE OF DAISIES Signed, oil on canvas 90cm x 70cm (35in x 27.5in)

£1,500-2,500

90§ FG940/1 ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) STILL LIFE OF FLOWERS IN A CHINA JUG Signed, oil on board 35cm x 26cm (13.75in x 10.25in)

£1,000-1,500

52

LY O N & T U R N B U L L Contemporary and Post-War Art

91ยง FG672/5 DAVID MCCLURE R.S.A., R.S.W (SCOTTISH 1926-1998) THE YELLOW SHAWL 11 Signed, signed and inscribed verso, oil on canvas 51cm x 61cm (20in x 24in)

ยฃ3,000-5,000

53

LY O N & T U R N B U L L Contemporary and Post-War Art

92§ FH62/1 SARAH MCLAREN (SCOTTISH CONTEMPORARY) SELF-PORTRAIT Watercolour 74cm x 58cm (29in x 23in)

£500-700

93§ FH62/2 SARAH MCLAREN (SCOTTISH CONTEMPORARY) BORDER LANDSCAPE Watercolour 96cm x 71cm (37.5in x 28in)

£600-800

54

LY O N & T U R N B U L L Contemporary and Post-War Art

94ยง FH68/1 PETER MCLAREN (SCOTTISH b. 1964) STILL LIFE WITH YELLOW AND BLACK BOWL AND RED AND PINK POPPIES Signed and inscribed with title verso, oil on board 89cm x 105cm (35in x 41in)

ยฃ4,000-6,000

55

LY O N & T U R N B U L L Contemporary and Post-War Art

95§ FF824/1 ANNE REDPATH O.B.E., A.R.A., R.S.A. (SCOTTISH 1895-1965) STILL LIFE WITH HEN Colour lithograph 47cm x 67cm (18.5in x 26.5in)

£250-350

96§ FF871/11 STEFAN KNAPP (BRITISH 1921-1996) ABSTRACT COMPOSITION Signed, enamel on steel 56cm x 56cm (22in x 22in)

£600-800

97§ FF871/8 CARLO ROSSI R.S.W., R.G.I. (SCOTTISH 1921-2010) BARGA, TUSCANY Signed and indistinctly dated ‘70(?), ink and wash 27cm x 37cm (10.5in x 13.5in)

£400-600

56

LY O N & T U R N B U L L Contemporary and Post-War Art

98§ FG471/45B JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) CHILDREN IN THE DUNES Signed, oil on canvas 62cm x 76cm (24.5in x 30in)

£1,000-1,500

99§ FG471/45A JOHN CUNNINGHAM (SCOTTISH 1926-1998) THE SUMMER MEADOW Signed, oil on canvas 62cm x 74cm (24.5in x 29in)

£1,000-1,500

57

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100 FF430/2 MANNER OF DENIS MITCHELL MODERNIST FORM Brass 18cm x 43cm (7in x 17in)

£500-700

101 FF72/26 CAST BRONZE ABSTRACT SCULPTURE MOTHER & CHILD Bronze 30cm x 10cm (12in x 4in) (excluding base)

£400-600

102§ FF625/1 GEORGE WYLLIE M.B.E., R.S.A., R.G.I. (SCOTTISH 1921-2012) A DAY DOWN A GOLDMINE Inscribed ‘To Margaret from ADDAGM, ICA ‘86, with love George Wyllie’, gold-painted brick with leather handle 10.5cm x 22cm (4in x 8.75in) not including handle

£400-600

58

LY O N & T U R N B U L L Contemporary and Post-War Art

103§ FF809/3 WILLIAM GEAR (SCOTTISH 1915-1997) STRUCTURE WITH YELLOW Signed, inscribed and dated ‘71 verso, oil on canvas 152.5cm x 101.5cm (60in x 40in) Exhibited: Royal Academy, London 1972

£5,000-7,000

59

LY O N & T U R N B U L L Contemporary and Post-War Art

104§ FF809/1 WILLIAM GEAR (SCOTTISH 1915-1997) UNTITLED Signed and dated ‘59, mixed media 65cm x 97cm (26in x 38in)

£1,000-1,500

105§ FG491/4 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) RAIN IN ETTRICK Signed verso and dated ‘19, oil on canvas, unframed 71cm x 91cm (28in x 35.5in)

£2,000-3,000

60

LY O N & T U R N B U L L Contemporary and Post-War Art

106§ FF871/10 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) HIS LAND Signed with monogram, watercolour 74cm x 54cm (29in x 21in)

£300-500

107§ FF871/2 WILLIAM JOHNSTONE O.B.E. (BRITISH 1897-1981) HEAD STUDY - HOPE SCOTT Oil on canvasboard 65cm x 54cm (25.5in x 21.25in) Provenance: The artist’s family Note: Hope Scott was one of Johnstone’s muses.

£600-800

61

LY O N & T U R N B U L L Contemporary and Post-War Art

108§ FG987/3 MICHAEL ROTHENSTEIN (BRITISH 1908-1993) SEAGULLS AND SUN Signed in pencil to margin, screenprint 33cm x 50cm (13in x 19.5in)

£250-350

109§ FF247/1 BRUCE MCLEAN (SCOTTISH b. 1944) GUCCI HEAD Signed, acrylic on paper 53cm x 61cm (21in x 24in) Exhibited: The Scottish Gallery, ‘Festival Exhibition’, no. 41, 1986.

£700-900

62

LY O N & T U R N B U L L Contemporary and Post-War Art

110§ FG989/13 SIR TERRY FROST R.A. (BRITISH 1915-2003) TIMBERAINE I (TRIPTYCH) 2001 Inscribed verso, woodcut Overall size: 100cm x 150cm (39.5in x 59in) (3) Note: From the paper attached to the artwork: This piece is from the Timberaine series that consist of 10 different woodcuts. The idea behind this series came from one of Frost’s large stripe paintings, and was inspired by tree trunks in a forest. Working in woodcut allowed Frost to accomplish the quality and clarity of design he envisioned, in contrast to his painting, where the edges of the stripes were inevitably softer. In this technique Frost used three separate woodcuts to make up the pieces.

£2,000-3,000

63

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111ยง FG989/16 SIR TERRY FROST R.A. (BRITISH 1915-2003) TIMBERAINE G (TRYPTICH) 2001 Inscribed verso, woodcut Overall size: 100cm x 150cm (39.5in x 59in) (3)

ยฃ2,000-3,000

64

LY O N & T U R N B U L L Contemporary and Post-War Art

112 FG989/4 CONTEMPORARY BRITISH SCHOOL GEOMETRIC FORMS BLUE AND WHITE Indistinctly signed and dated ‘99, numbered 9/25, screenprint 57cm x 76cm (22.5in x 30in)

and another by the same hand (2) £300-500

113§ FG989/15 MATHEW SANT (CONTEMPORARY BRITISH) LIQUID FRUITS Signed, titled and numbered 1/1, unique multi-layered giclee print 87cm x 125cm (34in x 49in)

and another by the same hand (2) £300-500

65

LY O N & T U R N B U L L Contemporary and Post-War Art

114§ FG994/1 MILES ALRIDGE (BRITISH b. 1964) VENUS SMILES #5 Edition 2/6, original lambda print 102cm x 152cm (40in x 60in)

£2,000-3,000

115 FG984/2 SUNDAY B. MORNING CLASSIC MARILYN Portfolio of 10 colour silkscreen, stamped on verso ‘Sunday B. Morning’, with certification from Sunday B. Morning 91cm x 91cm (36in x 36in)

£800-1,200

66

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116 FG984/3 SUNDAY B. MORNING CAMPBELLS SOUP Portfolio of 10 colour silkscreen, stamped verso “Sunday B. Morning”, with certification from Sunday B. Morning 91cm x 91cm (36in x 36in)

£800-1,200

117 FG984/1 SUNDAY B. MORNING DIAMOND DUST MARILYN Silkscreen print with diamond dust, part of a limited edition, stamped verso “Published by Sunday B. Morning”, with certification from Sunday B. Morning 91cm x 91cm (36in x 36in)

£1,000-1,500

67

LY O N & T U R N B U L L Contemporary and Post-War Art

118§ FG989/1 FRANK BEANLAND (BRITISH b. 1936) UNTITLED WITH BLUE Acrylic on newsprint 113cm x 138cm (44.5in x 54in) Note: Beanland’s deceptively simple abstract works are influenced by nature, his surroundings and experience. Most recently he has discovered what he regards as a new and exciting way of making pictures - the use of acrylics on newspaper. What results is abstract works on top of each other with complementary colours and interwoven patterns.

£800-1,200

119§ FG989/12 ANTHONY FROST (BRITISH b. 1951) MASCARA SNAKE VII Signed and dated ‘09, unique screenprint with woodblock 99cm x 129cm (39in x 51in) Note: Noted for his abstract works consisting of brightly-coloured prints and collages, Anthony Frost’s work has always been inspired by music.

This work is from the Mascara Snake series which borrows the title from 1960s music band.

£400-600

68

LY O N & T U R N B U L L Contemporary and Post-War Art

120§ FG988/4 PETER BOURNE R.S.W. (SCOTTISH b. 1931) LEMON Signed, oil on board 44cm x 47cm (17in x 18.5in)

£250-350

121§ FG929/2 ROBYN DENNY (BRITISH b. 1930) SIX MINIATURES, 1975 Published for PSA Supplies Division by Editions Alecto Ltd, coloured screenprint 71cm x 95cm (28in x 37.5in)

£180-220

69

LY O N & T U R N B U L L Contemporary and Post-War Art

122§ FG989/6 SANDRA BLOW R.A. (BRITISH 1925-2006) FOUR SQUARE Signed and inscribed with title in pencil to margin, numbered 9/120, silkscreen 90cm x 90cm (35.5in x 35.5in) Note: A pioneer of the British post-war abstract movement Sandra Blow’s work started in the radical atmosphere of the pre-Arte Povera movement under the influence of Alberto Burri who became her lover in 1947. Electing the painted canvas as her media of expression, she remained loyal to the language of abstraction throughout her career.

£500-700

123§ FG989/7 IAN DAVENPORT (BRITISH b. 1966) NINE ARCHES SERIES Signed, dated 2005 and numbered 6/30 verso, screenprint on somerset paper 27cm x 27cm (10.5in x 10.5in)

and a further eight works by the same hand (9) £600-800

70

LY O N & T U R N B U L L Contemporary and Post-War Art

124ยง FG989/3 DUNCAN COOK (BRITISH CONTEMPORARY) RELATIVE POSITIONS SERIES Lambda print 49cm x 66cm (23in x 26in)

and four further works by the same hand (5) ยฃ600-800

71

LY O N & T U R N B U L L Contemporary and Post-War Art

125§ FF871/13 GILLIAN AYRES C.B.E., R.A. (BRITISH b. 1930) ABSTRACT ON A WHITE GROUND Signed and dated ‘70 verso, enamel on metal 30cm x 30cm (12in x 12in)

£800-1,200

126§ FF984/2 HOWARD HODGKIN (BRITISH b. 1932) ALEXANDER STREET, 1978 Numbered 10/90 in pencil, aquatint 34cm x 61cm (13.5in x 24in)

£800-1,200

72

LY O N & T U R N B U L L Contemporary and Post-War Art

127ยง FG989/5 SARAH MORRIS (BRITISH b. 1967) FREEMONT STREET EXPERIENCE 2000 Numbered 27/35 verso, silkscreen 59cm x 59cm (23in x 23in)

and another by the same hand (2) ยฃ700-900

73

LY O N & T U R N B U L L Contemporary and Post-War Art

128§ FG979/3 FIONNA CARLISLE (SCOTTISH b. 1954) THE PINK SUN HAT Signed and dated ‘87, watercolour and acrylic on paper 20cm x 23cm (8in x 9in)

£200-300

129§ FG985/2 ERIC HOLT (BRITISH b. 1944-?)

THE BATHERS Signed and dated ‘78, egg tempera on panel 11cm x 9cm (4.25in x 3.5in) Exhibited: The Piccadilly Gallery, 1987

£600-800

74

LY O N & T U R N B U L L Contemporary and Post-War Art

130ยง FG985/1 ERIC HOLT (BRITISH b. 1944-?)

OEDIPUS AND THE FATES Signed and dated 1988-9, egg tempera on panel 103cm x 70cm (40.5in x 27.5in) Exhibited: The Royal Academy Summer Exhibition, 1990, no. 1

ยฃ2,000-3,000

75

LY O N & T U R N B U L L Contemporary and Post-War Art

131§ FG988/11 LOUIS MCNALLY (SCOTTISH b. 1963) WEST END STILL LIFE Signed, oil on panel 59cm x 82cm (23in x 32in)

£400-600

132§ FH67/2 ALLY THOMPSON (SCOTTISH CONTEMPORARY) AUTUMN EVENING, OVER RESERVOIR, MILNGAVIE Signed, signed and inscribed with title and dated ‘94 verso, pastel 51cm x 72cm (20in x 28.25in)

£250-350

76

LY O N & T U R N B U L L Contemporary and Post-War Art

133§ FH67/1 ALLY THOMSON (SCOTTISH CONTEMPORARY) BARN WITH OUTHOUSE IN THE EVENING SUN Signed, signed and inscribed with title verso, oil on canvas 76cm x 50cm (30in x 19.75in)

£300-500

134§ FH61/1 PETER COLLINS (SCOTTISH b. 1935) MOON FLOWER Signed with initials and dated ‘59, mixed media 126cm x 70cm (49.5in x 27.5in)

£600-800

77

LY O N & T U R N B U L L Contemporary and Post-War Art

135§ FG979/4 HENRY MOORE O.M., C.H. (BRITISH 1898-1986) MOTHER AND CHILD XXII, 1983 Signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.’s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published

by Raymond Spencer Company Ltd for the Henry Moore Foundation 22cm x 17.5cm (8.75in x 7in) (plate size)

£400-600

136§ FH73/1 IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1990) GETHSEMANE, 1931 Signed and inscribed ‘Artist’s proof, 2nd edition, 1990’ in pencil to margin, engraving 34cm x 44cm (13.25in x 17.25in) (plate size)

£600-800

78

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137§ FH73/3 WILL MACLEAN M.B.E., R.S.A., R.S.W. (SCOTTISH b. 1941) STRATHNAVER Artist’s proof, signed, inscribed with title and dated ‘93 in pencil to margin, stamped, etching 49cm x 32cm (19.25in x 12.5in) (plate size)

£300-500

138§ FF984/7 KEN CURRIE (SCOTTISH b. 1960) REMBRANDT’S CARCASS Signed, dated ‘91 and inscribed with title in pencil to margin, numbered 30/40, etching 41cm x 30cm (16in x 12in)

£200-300

79

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139§ FH73/2 ADRIAN WISZNIEWSKI A.R.S.A. (SCOTTISH b. 1958) JOAN OF ARC Stamped, signed and dated ‘81 in pencil, pastel 59cm x 42cm (23.25in x 16.5in)

£300-500

140§ FF997/1 MARC CHAGALL (RUSSIAN-FRENCH 1887-1985) VISION DE PARIS Signed in plate, lithograph 35cm x 27cm (13.5in x 10.5in)

£400-600

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141§ FF984/6 JOHN BYRNE (SCOTTISH b. 1940) DON’T LOOK BACK Signed, inscribed with title, dated ‘92 and numbered 6/20 in pencil to margin, etching 10.5cm x 13cm (4in x 5in) (plate size)

£250-350

142§ FG722/3 DANNY FERGUSSON (SCOTTISH 1925-1993) GLASGOW URCHIN AND GRAFFITI Oil on board 35cm x 42cm (13.75in x 16.5in)

£500-700

81

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143§ FF584/51 LEON MORROCCO R.S.A. (SCOTTISH b. 1942) FRUIT AND FLOWERS ON A STRIPED CLOTH Signed and dated 1992, pastel 109cm x 76cm (43in x 30in)

£2,000-3,000

144§ FF576/5 BET LOW (SCOTTISH 1924-2007) DAUGHTER AND DOLL Signed, ink 43.5cm x 26cm (17in x 10in)

£300-500

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145§ FG696/1 GEORGE BIRRELL (SCOTTISH CONTEMPORARY) BLUE LANDSCAPE Signed and dated ‘79, gouache and watercolour 24cm x 23cm (9.5in x 9in)

£600-800

146§ FG696/2 GEORGE BIRRELL (SCOTTISH CONTEMPORARY) FIFE HOUSES, EVENING Signed and dated ‘79, watercolour 24cm x 23cm (9.5in x 9in)

£500-700

147§ FG988/1 GEORGE BIRRELL (SCOTTISH CONTEMPORARY) EIGHT A.M. Signed, mixed media 36cm x 38cm (14in x 15in)

£300-500

83

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148§ FF629/1 JOHN LOWRIE MORRISON (JOLOMO) (SCOTTISH b. 1948) WHITE GERBERAS Signed, signed and inscribed with title and dated 2004 verso, oil on canvas 40cm x 40cm (15.75in x 15.75in)

£800-1,200

149§ FG574/13 JOHN HOUSTON R.S.A., R.S.W., S.S.A (SCOTTISH 1930-2008) POPPIES, WHITE, PINK AND RED Signed, signed, inscribed with title and dated 1987 stretcher verso, oil on canvas 39cm x 44cm (15in x 17.25in)

£1,500-2,500

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150ยง FG771/1 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) THE PIANOFORTE Signed, oil on board 30cm x 31cm (12in x 12.25in)

ยฃ2,000-3,000

85

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151§ FF988/3 DOUGLAS THOMSON (SCOTTISH CONTEMPORARY) GODOT Signed, signed and inscribed with title verso, oil on board 39.5cm x 29cm (15.5in x 11.5in)

£300-500

152§ FG722/2 JOHN G. BOYD (SCOTTISH 1940-2001) STUDY OF A STUDENT YASMINE Signed, oil on paper 25cm x 19cm (9.75in x 7.5in)

£300-500

153§ FF616/2 DOUGLAS THOMSON (SCOTTISH b. 1955) PHILOSOPHER Signed, signed and inscribed with title verso, oil on canvas board 32cm x 28cm (12.5in x 11in)

£400-600

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154ยง FG500/3 JOHN G BOYD R.P., R.G.I (SCOTTISH 1940-2001) GETHSEMANE Signed, oil on canvas 91cm x 91cm (36in x 36in)

ยฃ2,000-3,000

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155§ FG911/1 JAMES FULLARTON (SCOTTISH b. 1946) STILL LIFE WITH PINKS Signed, oil on canvas 61cm x 66cm (24in x 26in)

£2,000-3,000

156§ FG941/3 DONALD MANSON (SCOTTISH CONTEMPORARY) STILL LIFE WITH PANSIES AND TULIPS Signed, oil on board 59cm x 59cm (23in x 23in)

£400-600

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157§ FF871/4 JACK SIMCOCK (BRITISH b. 1929) FROM WOOD STREET, MOW COP Signed and dated ‘72, oil on board 20.5cm x 36cm (10in x 14in)

£400-600

158§ FF476/1 JAMES HAWKINS (SCOTTISH CONTEMPORARY) TWISTED TREES ABOVE LOCH LURGAINN Signed, and inscribed and dated 1998 stretcher verso, acrylic on canvas 110cm x 152cm (60in x 43in)

£3,000-5,000

159§ FF871/5 JACK SIMCOCK (BRITISH b. 1929) FIGURES IN A DARK LANE Signed and dated ‘65, oil on board 33cm x 51cm (13in x 20in)

£400-600

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160§ FG473/56 MARDI BARRIE R.S.W. (SCOTTISH b. 1931) ACROSS TWO LAKES Watercolour 37.5cm x 74cm (14.75in x 29in) Exhibited: Aitken Dott and Son, Christmas Exhibition, 1969.

£250-350

161§ FG943/1 BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007) SUBMERGED Signed, signed and inscribed verso, oil on board 34cm x 44cm (13.5in x 17.25in)

£600-800

162§ FF737/3 DONALD MORISON BUYERS R.S.W. (SCOTTISH 1930-2003) UNTITLED Signed and dated ‘68, oil on board 76cm x 152.5cm (30in x 60in)

£600-800

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163 FG920/1 JON SCHUELER (AMERICAN 1916-1992) WINTER SERIES, 2 Signed and inscribed stretcher verso, oil on canvas 70cm x 61cm (27.5in x 24in)

£800-1,200

164§ FG939/2 EARL HAIG O.B.E., A.R.S.A. (SCOTTISH 1918-2009) FALLEN SUNFLOWERS Signed, oil on canvas 41cm x 56cm (16in x 22in) Exhibited: The Scottish Gallery, May 2003.

£800-1,200

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165§ FG672/4 ELIZABETH VIOLET BLACKADDER D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT. (SCOTTISH b. 1931) SLEEPING CAT Signed and dated 1981, mixed media 28cm x 36cm (11in x 14in)

£2,000-3,000

166§ FG672/6 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) MALLORCAN WINDOW 1 Signed, inscribed verso, mixed media 35.5cm x 48cm (14in x 19in)

£500-700

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167§ FF871/9 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) NUDE WITH NORWEGIAN CHURCH Oil on board, label of authentication from the artist’s estate verso 65cm x 45cm (25.5in x 17.5in) Note: Appeared in the artist’s Memorial Exhibition at the Scottish Gallery in March 2000 (cat.26)

£3,000-5,000

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168§ FG986/4 TOM COATES P.P.R.B.A., R.W.S., R.P., R.O.I. (BRITISH b. 1941) LOCAL FLOWER SHOW Signed with initials, oil on canvas 100cm x 76cm (39.5in x 30in)

£600-800

169§ FG480/1 NORMAN EDGAR R.G.I. (SCOTTISH b. 1948) AUTUMN STILL LIFE Signed, oil on canvas 103cm x 98cm (40.5in x 38.5in)

£1,500-2,500

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170§ FB791/16 JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH 1942–2013) SHIP IN HARBOUR Signd, oil on canvas 91cm x 123cm (36in x 48.5in)

£2,000-3,000

95

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171§ FG909/1 IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1994) LANDSCAPE WITH HILLS AND HOUSES Signed and dated ‘51, watercolour 49cm x 69cm (19in x 27in)

£300-500

172§ FF871/7 ADAM BRUCE THOMSON O.B.E., R.S.A., P.R.S.W. (SCOTTISH 1885-1976) DRYBURGH ABBEY Signed, watercolour 35cm x 32cm (14in x 13in) Exhibited: The Scottish Gallery, Centenary Exhibition, Jan-Feb 1985.

£400-600

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173§ FG941/2 DONALD MANSON (SCOTTISH b. 1948) MOULES Signed, oil on panel 74cm x 120cm (29in x 47in)

£600-800

174§ FG642/1 JOHN PIPER C.A. (BRITISH 1903-1992) RUINED CHAPEL, ISLE OF MULL, 1975 Artist’s proof, signed in pencil to margin, colour screenprint 69cm x 86cm (27in x 34in)

£600-800

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175§ FG989/10 BERNARD COHEN (BRITISH b. 1933) ABOUT NOW VI Signed and dated 2006, numbered 3/30, lithograph 54cm x 68cm (21in x 27in)

£300-500

176§ FG979/2 CAROLINE MCNAIRN (SCOTTISH 1955-2010) NEAR THE BRIDGE Signed, oil on canvas 34cm x 34cm (13.5in x 13.5in)

£500-700

177§ FG988/6 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) KANOO Inscribed with title and numbered 70/90, screenprint 57cm x 76cm (22.5in x 30in)

£400-600

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178§ FG938/1 RALPH STEADMAN (BRITISH b. 1936) WILLIAM BURROUGHS Numbered 4/20, signed in pencil to margin, colour screenprint 28cm x 20cm (11in x 8in) (plate size)

£500-700

179§ FF978/1 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) HERE’S LUCK! Signed, watercolour and ink 20cm x 14.5cm (8in x 5.75in)

£200-300

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180§ FF997/3 ALLEN JONES (BRITISH b. 1937) EXHIBITION POSTER FOR: LITHOGRAPHS, EDITIONS ELECTO, LONDON, NOVEMBER 1964 Signed in pencil and inscribed ‘64’, lithographic poster 112cm x 62cm (44in x 24.5in)

£150-250

181§ FG529/8 MARK SEVERIN (1906-1987) WINGED FIGURE Watercolour and gouache 50cm x 34cm Note: Mark Severin was one of the most outstanding engravers of his generation, specialising in fine miniature work, including postage stamps and book illustrations and worked for The Golden Cockerel Press. He made close to five hundred bookplates, of which a great number are on erotic subjects and was also active as an advertisement designer in Great Britain, producing poster designs for Imperial Airways and the London Underground.

£600-800

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182§ FG992/5 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) INTERIOR/INTERIEUR: HOMAGE TO VUILLARD Signed and numbered 173/300 to presentation folio, pub. Wild Hawthorn Press, print, unframed 28cm x 28.5cm (11in x 11.25in)

and a further signed, limited edition print by Finlay, ‘Sea Shells’ (2) £300-500

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183§ FG992/6 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) HOMAGE TO MALEVICH Signed and numbered 224/300 to presenation folio, pub. Wild Hawthorn Press, print, unframed 28cm x 28.5cm (11in x 11.25in)

and a further signed, limited edition print by Finlay, ‘Sea Shells’ (2) £300-500

184§ FG992/2 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SEAMS Print, unframed 43.5cm x 56cm (17.25in x 22in)

and a further print by Finlay, ‘La Belle Hollandaise’ (2) £500-700

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185§ FG992/3 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SAILING BARGE: REDWING Signed and numbered 157/300 to presentation folio, pub. Wild Hawthorn Press, print, unframed 31.5cm x 30cm (12.5in x 11.75in)

and another signed limited edition print by Finlay, ‘At the Field’s Edge’ (2) £400-600

186§ FG992/4 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) TRANSFORMABLE LINE SEGMENTS: HOMAGE TO AGAM Signed and numbered 60/150 to presentation folio, pub. Wild Hawthorn Press, print, unframed 38cm x 26cm (15in x 10.25in)

and a further signed, limited edition print by Finlay, ‘ Glossary’ (2) £400-600

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187§ FG992/1 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SUMMER SALES

By Ian Hamilton Finlay and designer Jim Nicholson, published by the Wild Hawthorn Press, print, unframed 59cm x 45cm (23.25in x 17.75in)

and two further prints by Finlay, ‘Lullaby’ and ‘After Bernini’ (3) £500-700

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188§ FH80/1 PAUL REID (SCOTTISH b. 1979) THESEUS AND THE MINOTAUR Signed, mixed media 64cm x 80cm (25in x 31.5in)

£1,000-1,500

189§ FF985/1 ALISON WATT (SCOTTISH b. 1965) DARK LIGHT I Signed in pencil to margin, inscribed ‘I’ and numbered 26/30, two colour lithograph and screenprint 57cm x 55cm (22.5in x 21.5in)

£600-800

105

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190§ FF984/4 CALLUM INNES (SCOTTISH b. 1962) UNTITLED (GREEN) Numbered 17/01 in pencil, watercolour 49cm x 64cm (19in x 25in)

£1,000-1,500

191§ FF984/3 CALLUM INNES (SCOTTISH b. 1962) UNTITLED (MAROON) Numbered 2/01 in pencil, watercolour 49cm x 64cm (19in x 25in)

£1,000-1,500

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192§ FF984/1 ALISON WATT (SCOTTISH b. 1965) OBLIQUE, 2004 Oil on canvas 40.25cm x 40.25cm (16in x 16in)

£5,000-7,000

One of Scotland’s most distinguished contemporary artists, Alison Watt was born in Greenock and attended Glasgow School of Art from 1983 to 1988 where she developed her long life interest in the figurative subject. While still a student, she came to public attention in 1987 when she won the prestigious National Portrait Gallery’s annual award and as a result was commissioned the portrait of the Queen Mother. During the 1990s Watt became famous for her

dryly painted human figures and self-portraits which she often depicted in bright decorative interiors.

In 1997 her career reached a turning point with the exhibition Fold (Fruitmarket Gallery, Edinburgh) a series of works in which fabric folds are painted alongside the human figures in a manner that is much inspired by the 19th century painter Jean Auguste Dominique Ingres.

Fascinated by the sensuous nature of Ingres’s sumptuous materials, Watt started

looking at fabric as a more powerful way to represent the human figure.

By the time of her next major exhibition, Shift, in 2000 at the Scottish Gallery of Modern Art the figurative subject was entirely substituted by meticulously painted folds which came to define Watt’s distinctive style. Lingering towards abstraction, these canvases yet carry a physical presence that is stronger than ever. The elegantly draped white fabrics create a movement of shadows and

dark spots that reminds of a sculpture. The heavy folds, at the same time sensuous and mysterious, hiding and showing, empty and full, very powerfully suggest the presence of a figure or rather its absence.

In the past 20 years Alison Watt has continued to study the infinite expressions of fabric folds. Her work has been widely exhibited in Great Britain and abroad. The work presented in this sale is an expression of her very particular style.

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STEPHEN CONROY Stephen Conroy is one of the most significant artists to have emerged from the Glasgow School of Art in the last thirty years. Within two years of completing his under and post graduate degrees in the late 1980s he began to garner international acclaim and his work now features in numerous private collections, as well as significant public institutions including The Contemporary Art Society, London; Frissiras Museum,

Athens; The Metropolitan Museum of Art, New York; National Portrait Gallery, London; Scottish National Gallery of Modern Art, Edinburgh and the Scottish National Portrait Gallery, Edinburgh.

Conroy’s work sits in the British figurative tradition, inheriting the mantle from twentieth century artists such as Francis Bacon, one of his greatest and most obvious influences. Unlike Bacon

Conroy does not distort his imagery, though they share the tendency to isolate the (usually male) subject outwith a naturalistic backdrop; the effect being to focus all of the intensity of our attention on the depiction of character and form. This is enhanced by the realism and assertive boldness of Conroy’s draughtsmanship.

In this sale we are pleased to present two excellent examples of his technique.

193§ FG717/2 STEPHEN CONROY (SCOTTISH b. 1964) FIGURE STUDY Signed and dated 1987 verso, oil on paper 68cm x 48cm (26.75in x 19in)

£2,000-3,000

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Even in these playful preparatory sketches we find ourselves fully engaged in the psychology Conroy seeks to convey of his subjects.

LY O N & T U R N B U L L Contemporary and Post-War Art

194ยง FG717/1 STEPHEN CONROY (SCOTTISH b. 1964) THE ESCAPIST Signed and inscribed with title and dated 1992 verso, gouache on paper 74cm x 53cm (29in x 21in)

ยฃ3,000-5,000

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195ยง FG714/1 CALLUM INNES (SCOTTISH b. 1962) UNTITLED, 2009, NO. 60 Signed and dated stretcher verso, oil on linen, unframed 64cm x 62cm (25.25in x 24.5in)

ยฃ10,000-15,000

END OF SALE

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Index Aldridge, M., 114 Ayres, G., 125

Edgar, N., 169 Eyton, A., 43

Barrie, M., 160 Beanland, F., 118 Bellany, J., 11, 12, 13, 49, 170 Birrell, G., 145, 146, 147 Blackadder, E.V., 165 Blow, S., 122 Bourne, P., 120 Boyd, J., 25, 26, 27 Boyd, J.G., 152, 154 British School, 112 Bushe, C., 18, 81 Buyers, D.M., 162 Byrne, J., 141

Fergusson, D., 142 Finklea, K., 79 Finlay, I.H., 182-187 Firth, J., 10 Fleming, I., 136, 171 Frink, E., 31 Frost, A., 119 Frost, Sir T., 110, 111 Fullarton, J., 1, 155

Carlisle, F., 128 Carter, R. and N., 75, 76 Chagall, M., 140 Coates, T., 168 Cohen, B., 175 Collins, N., 38 Collins, P., 134 Conroy, S., 193, 194 Cook, D., 124 Cunningham, J., 98, 99, 179 Currie, K., 138 Davenport, I., 123 de Glehn, W., 44 Denny, R., 121 Devlin, G., 87 Douthwaite, P., 32, 33 Dubuffet, J., 70

Gage, E., 9 Gear, W., 103, 104 Gottlieb, H., 6 Goudie, A., 89, 90 Haig, E., 164 Harrigan, C., 80 Hawkins, J., 158 Hepworth, B., 30 Hodgkin. H., 126 Holt, E., 129, 130 Houston, J., 28, 29, 48, 86, 88, 149

la Dell, E., 5 Laing, G., 72 Low, B., 144, 161 Maclaurin, R., 2 Maclean, W., 137 Macqueen, C., 17 Mactaggart, Sir W., 36, 37 Manson, D., 156, 173 McClure, D., 83, 91, 150, 166, 167 McLaren, P., 94 McLaren, S., 92, 93 McLean, B., 109 McNairn, C., 84, 85, 176 McNally, L., 131 Michie, D., 47, 67A Mitchell, D., manner of, 100 Moore, Sir H., 135 Morning, S.B., 115, 116, 117 Morris, S., 127 Morrison, J.L., 148 Morrocco, A., 67 Morrocco, L., 65, 66, 143 Mulholland, C., 73, 74

Rossi, C., 97 Rothenstein, M., 108 Rouault, G., 69 Ryder, S., 46 Sant, M., 113 Schueler, J., 163 Severin, M., 181 Simcock, 157, 159 Squire, G., 39-42 Steadman, R., 178 Stoll, J., 45 Thompson, A., 132, 133 Thomson, A.B., 172 Thomson, D., 34, 35, 151, 153 Walker, E., 19-22 Watt, A., 189, 192 Webb, M., 77, 78 Wilson, S., 68 Wiszniewski, A., 139 Wyllie, G., 102

O'Donoghue, H., 14, 15, 16 Innes, C., 190, 191, 195 Johnstone, W., 105, 106, 107 Jones, A., 180 Knapp, S., 96 Knox, J., 7, 8 Knubley, A., 23, 24

Paolozzi, Sir E., 71 Philipson, Sir R., 3, 4, 82 Piper, J., 174 Rae, B., 177 Redpath, A., 95 Reeves, P., 50-64 Reid, P., 188

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Glossary of Cataloguing Terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to...

In our opinion probably a work by the artist in whole or in part.

Studio of ... / Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date After ...

In our opinion a copy (of any date) of a work of the artist.

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Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

British & European Paintings Wednesday, 30th April, 2014 33 Broughton Place, Edinburgh EH1 3RR

GIOVANNI JEAN SCHRANZ (MALTESE 1794-1882) A BRITISH FRIGATE AT ANCHOR IN VALETTA HARBOUR Oil on canvas

FURTHER ENTRIES ARE INVITED

45cm x 67cm (17.75in x 26.25in)

ÂŁ10,000-15,000

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

Emily Johnston Tel: +44 (0)20 7930 9115 emily.johnston@lyonandturnbull.com

Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

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This rare collection of world famous American and European painters from Corot and Boudin to Benson and Hassam has been in private hands and unseen for nearly 100 years.

Alasdair Nichol 267.414.1211 anichol@freemansauction.com

JEAN BAPTISTE CAMILLE COROT (french 1796-1875) "GARDEN GATE" Signed 'Corot' bottom left, with partial label verso oil on canvas 13 x 18 1/4 in. (33 x 46.4cm) $60,000-80,000 (detail)

www.freemansauction.com

Fine Scottish Paintings & Sculpture Thursday, 22nd May, 2014 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Emily Johnston Tel: +44 (0)20 7930 9115 emily.johnston@lyonandturnbull.com Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

FURTHER ENTRIES ARE INVITED FRANCIS HENRY NEWBERY R.W.A., A.R.C.A. (SCOTTISH 1855-1946) DAYDREAMING Signed, oil on canvas 108cm x 76cm (42.5in x 30in)

ÂŁ15,000-20,000

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33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

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STANDARD TERMS & CONDITIONS OF SALE Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

6. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006.

We are required to collect a royalty payment for all qualifying works of art.

Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyers premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros),charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

7. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us.

We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

8. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or

your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 10. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

11. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

12. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

14. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

15. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold.

Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

(3) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the vendor, at the agreed reserve price or above, for up to 48 hours after the original auction.

16. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to

carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

17. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 18. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

9 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

22. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. Scottish law applies to the interpretation of these Conditions.

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Bidder No

Bidding Form Sale/customer details

Telephone bid

Commission bid

Edinburgh Saleroom

Sale Title

33 Broughton Place Edinburgh EH1 3RR

Sale Date

Telephone 0131 557 8844

Sale No.

Title

Initials

Fax 0131 557 8668

Client No

email: info@lyonandturnbull.com

if known

Surname

www.lyonandturnbull.com

Address

I understand that if any of my bids are successful, the total price payable will be the amount of the final bid, plus a buyer’s premium calculated at 25% up to £25,000 then 20% thereafter.

Postcode Telephone

Telephone 2

VAT will be charged on the premium.

The premium and VAT is payable by all purchasers.

E-mail May we email you in future regarding similar sales?

YES

NO

How did you hear about this sale?

Lots in the catalogue marked † are subject to VAT at the standard rate on the hammer price. The symbol * by a Accompanying 1.Government-issued photo ID 2. Proof of address lot number indicates that the lot has Documents: (Passport / Driving License / National ID card) (Utility Bill / Bank Statement / Letter from Tax Authority) been temporarily imported from We may, at our discretion, ask you to provide a bank reference and/or a deposit as a condition of authorising you to bid outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price and the buyer’s Lot No. Description £ Sterling limit Excl. Premium & VAT (Commission bid only) premium.

Have you registered to bid with Lyon & Turnbull before?

YES

NO (if No please provide the following:)

No VAT is payable on the hammer price or premium for books bought at auction.

Lots in the catalogue marked § are subject to Droit de Suite or Artist’s Resale Right. Please ask us for details or see our conditions of sale.

Where there are identical bids for a lot, the first received will be executed.

Please make certain that your bids are submitted at least one hour before the start of the sale.

We will do our utmost to ensure all commission and telephone bids are executed, however this can not be guaranteed and is a service offered at the bidders risk.

I request Lyon & Turnbull, without legal obligation of any kind on its part, to bid on the above up to the prices listed. I understand that if any of my bids are successful, the total price payable will be the amount of the final bid, plus a buyer’s premium calculated at 25% up to £25,000 then 20% thereafter. VAT will be charged on the premium.

I confirm that I accept and will bid in accordance with the terms and conditions of sale as printed in the catalogue, detailed on the Lyon & Turnbull website or available for inspection in the saleroom, subject to any amendment announced or published by Lyon & Turnbull prior to the fall of the hammer.

Bidding Form - version 14.1 Client Signature OFFICE USE ONLY

D at e Received by:

Time:

Photo ID:

Proof of address:

Date:

Bidder No: Bank ref/deposit:

TANGIBLE WEALTH MANAGEMENT

VALUATIONS

ART ADVISORY

Valuations completed for: Insurance Inheritance Tax Purposes Private Treaty Sales Auction

Our collection management services include sourcing goods through auction & private sales, ensuring you are buying the best works at the best price.

PRIVATE SALES

GLOBAL REACH

With our detailed knowledge of collectors worldwide, we can find a buyer for your art quickly and discretely.

With offices in the UK and USA, we are able to ensure global cover with our team of specialists in all areas of the market

Contact us: UK head office 78 Pall Mall, London SW1Y 5ES +44 (0)845 882 2794 valuations@pallmallartadvisors.com

US head office 503 W. Lancaster Avenue, Wayne, PA 19087 +1 610 254 8400 info@pallmallartadvisors.com

Also in Edinburgh and Chester

Also in San Francisco and opening our New York office on 26.02.2014 www.pallmallartadvisors.com

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Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

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Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

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Packing and Shipping Please note that we do not pack or ship items.

The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

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Local Deliveries Local deliveries can be arranged by A&S Pert Removals.

Telephone 07876 343520.

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Lyon & Turnbull saleroom

St Andrew Square

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Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274