Interiors | 29th March 2014

Sale 404 | Saturday 29th March 2014 | Affordable, Stylish & Unique

Sale 404

Paintings, Furniture, Rugs & Works of Art Saturday, 29th March, 2014 at 10am at 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Theo Burrell

theo.burrell@lyonandturnbull.com

Viewing Times Thursday, 27th March 10am - 7pm Friday, 28th March 10am - 5pm Saturday, 29th March from 9am

Charlotte Riordan

charlotte.riordan@lyonandturnbull.com

Buyer’s Guide Everything you need to know

Viewing

Bidding

In person To view all of the lots in this sale please note the public viewing times listed above. All viewable at 33 Broughton Place, Edinburgh.

There are four easy ways to bid at this sale, and all bids are (of course) confidential:

Online All lots are available to view online and each image can be enlarged for closer inspection. If you require additional images or would like a report on the condition of your lot(s) please contact us at info@lyonandturnbull.com Estimates All lots carry an estimated price band, listed in the catalogue, which indicates our opinion of value. The final price may be higher or lower than this band depending on demand. If there is a reserve on the lot then it cannot be sold below that price.

Reserves do not exceed the lower estimated price and may be lower.

© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

By absentee bid If you are unable to attend the auction we can bid on your behalf. Simply complete an absentee bid form and either hand it to a member of staff or fax to 0131 557 8668, no later than 1 hour before the sale. Please note that our bid department may contact you for further details.

The amount you enter on the form should be your maximum limit. We will bid up to that limit for you, and remember you may end up paying less than your limit, depending on other bidding on the day.

In person at the sale Simply register at reception today, or when you arrive at the saleroom. You may need to provide identification. Once you have registered you will be handed a numbered paddle to use in the saleroom. When the bidding begins on your lot raise your paddle to bid. When the bidding stops the auctioneer will bring down the gavel and read out your number if you have won the lot.

Payment By telephone If you would like to bid by telephone, our clerk will call you from the saleroom on the sale day, just before your lot(s) come up, and bid on your behalf live at the sale. You can register to bid on the telephone at reception today, or contact us no later than 1 hour before the sale on 0131 5578844 or via info@lyonandturnbull.com Please note that for telephone bidding it is assumed the bidder will be prepared to pay within the estimate or higher.

This service is entirely at our discretion and at the bidder’s risk.

Online at lyonandturnbull.com Many clients prefer bidding live online at our auctions. It’s easy to register with us online and you can watch the sale as it happens and place bids at your computer. These live auctions are run by Invaluable on our website, and they will charge you an additional 3% plus VAT for this service.

You can register to bid at any time before the sale; however we suggest you allow plenty of time to register to secure your bids.

You can pay by a number of methods - cash, credit or debit card or bank transfer.

You will be charged the hammer price plus a buyer’s premium of 25% up to £25,000 and 20% thereafter (premium subject to VAT). If there is a dagger (†), asterisk (*) or section mark (§) next to your lot number in the catalogue, your lot will be subject to VAT or Droit de Suite charges on the hammer price in addition to our standard buyer’s charges. See our Standard Terms & Conditions on the inside back cover for further details.

If you are not able to come in and see us to pay by credit or debit card please use our Online Payment service. You will find a link to this service in any email invoice we send you or you can visit the payments section of our website.

Please note that if you are paying by credit card we accept Mastercard and Visa only and there will be a 2% surcharge.

For further information on buying at Lyon & Turnbull please see our Standard Terms & Conditions of Sale and Collecting Your Purchases at the back of the catalogue.

Welcome to

Welcome to our spring Interiors sale! This month we bring you a varied selection of items, from a chest of drawers painted with Marilyn Monroe, to a collection of 20th century model cars!

We also have various private collections on sale this March, from Richardsons in Yorkshire (page 18), as well as the property of Francis Menotti, previous resident of Yester House, in East Lothian (page 33). Highlights of these collections include an extended ebonised and gilt dining table from Richardsons, and an antique marble fireplace once housed at Yester.

Included in our paintings section of the sale are an interesting private collection of Irish oils and watercolours too. Pictures comprise of landscape and coastal scenes by prolific painters such as Belfast born artists William Conor and Maurice Canning Wilks, as well as Fergus O’Ryan and Norman McCaig.

Turn to pages 46 and 47 for our ‘Showcase’ review of Royal Worcester Porcelain, which details the history and production of this famous English factory, illustrated by the selection of pieces we have available for sale this March.

This month our sale commences with our paintings section, before moving to our works of art, furniture and rugs and carpets. Unlike our last two Interiors auctions, this will be a single day sale, on Saturday 29th March, commencing at 10am. We will be on view during Thursday 27th and Friday 28th March, with free tea or coffee for anyone who registers. See the front of our catalogue for more information regarding our opening days and times.

We look forward to seeing you then!

Theodora Burrell Head of Interiors

Charlotte Riordan Picture Specialist

If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absentee bid with one of our staff members – ring us for details on 0131 557 8844.

Highlights from the Sale Private Collection of Irish Paintings This month our sale features a variety of 19th-20th century Irish oil and watercolour paintings, including the works of well-known exhibiting artists such as Fergus O’Ryan, Norman McCaig, Desmond Carrick and Clare Cryan.

Pictures comprise of landscapes, seascapes, and city scenes, where the influence of home and abroad is clearly visible in many of these impressionist-inspired works.

Highlights of the collection include an oil depicting bathers at the sea by James Le Jeune, Charles Joseph MCaughley’s fishermen, and a female portrait by William Conor.

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Property removed from Richardsons, Yorkshire Richardsons, a red brick house in an idyllic English country village, was for a number of years the home of Rupert Forbes Adam, grandson of Sir Oswald and Cynthia Mosley (nee Curzon). He was man interested in the arts and tended to be the ‘depository’ for family items from past relatives. This March we are proud to present various pieces from the Yorkshire property, including pictures, ceramics, European and Asian works of art and furniture. Highlights include an Anglo-Indian watercolour of an owl and a large aesthetic style ebonised dining table.

Page 18 Private Property of Francis Menotti Philadelphia-born Francis Menotti was both an actor and figure skater, having studied at the Goodman Theatre in Chicago and appearing in operas as a mime during the 1960s. He was also the president and artistic director of Festival dei Due Mondi, founded by his father Gian Carlo Menotti in 1958. In 1985, following his marriage to Malinda Fitler Murphy, the daughter of Mrs Nelson Rockefella, Francis was gifted Yester House in Gifford, as a celebratory present, where he lived until last year. It is with great pleasure, therefore, that Lyon & Turnbull present various pieces from this private collection, including an impressive marble fireplace and a continental giltwood and gesso mirror, both previously housed at Yester.

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Specialist’s Choice This month Sara Pierdominici from our Asian and Fine Antiques department chooses her favourite things from our March Interiors sale.

Staffordshire Hen Tureens Easter is coming up and this lot will be the perfect addition for your Easter Sunday table! They are colourful, but also functional, and therefore the perfect way in which to serve your vegetables and to decorate your home in an original manner. In this way, Lot 419 they demonstrate how antique pieces still have a popular place in the modern household too. As Staffordshire pieces, these tureens represent a long history of ceramic production, which began life in this prolific centre as early as the 17th century, reaching the peak of manufacture in the 19th century, when these examples were made. Hen tureens were popular in the Victorian period and these examples have survived in good condition. The hens modelled on their baskets with their eggs symbolises the upcoming Easter period, with links to both Christianity and the joys of spring. I therefore can’t imagine a better way to serve and enjoy the bountiful Easter Sunday meal than with these characterful tureens!

Carved elm tables by Ian Hunter, Linthill Studio One of my favourite pieces of furniture in the March Interiors sale is this uniquely carved wooden table. Ian Hunter, of Linthill Studio in the Scottish Borders, produces these works of art from traditional Scottish woods including sycamore, ash, elm and yew. I like the warm yet rugged look his tables have, and their unusual, natural shapes. The flower shaped tilt-top table (lot 341) is a great creative take on the traditional and antique model, and I think the additional frog shaped sections to the top surface of this dining table are great fun too. Indeed, animal carvings, sculptures, and paintings are a speciality of Ian’s, which he has arguably Lot 207 mastered with great skill. These are unique, individual pieces and I can just picture these tables in a country house, covered in delicious food and surrounded by friends and family.

My favourite painting in the sale is Desmond Carrick’s ‘Heat Shimmer on Burriana Beach, Nerja’, which depicts figures bathing and relaxing on the beach of the famous Costa del Sol, Spain. The artist is a most interesting figure, with an unusual and inspiring career, having worked in the Guinness brewery for many years while attending evening classes at the National College of Art before becoming a well-known and active member of the Royal Hiberian Academy. I love Carrick’s style in conveying the glimmering effect of the heat with brushstrokes in different shades of blue and red. I think this effect is most evident in the sea that shines in the summer sun. The bathers wear light and colourful robes and their white hats stand out against their tanned skin and slim figures. This seems to me the quintessential representation of summer, and is reminiscent of many past summers I have spent at home in the warm Italian sun.

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Lot 51

Longing for summer

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1§ FF569/3 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) THE WHITE HOUSE, DERVAIG, MULL Signed, pen, ink and watercolour 16cm x 24cm (6.25in x 9.5in) Exhibited: Fraser and Son, Dundee, Feb. 1989

£300-500 2 FF654/14 ARCHIBALD DAVID REID A.R.S.A, R.S.W., R.O.I (SCOTTISH 1844-1908) STILL LIFE OF PINK ROSES IN A VASE Signed and dated 1886, oil on canvas 50cm x 32cm (19.75in x 12.5in) £500-700 3§ FF976/5 ATTRIBUTED TO CHARLES BONE P.P.R.I., A.R.C.A. (BRITISH CONTEMPORARY) SNOW LANDSCAPE Oil on board 39cm x 130cm (15in x 51in) £300-500

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4§ FG665/1 ROWLAND HILDER O.B.E. (BRITISH 1905–1993) SUSSEX LANE IN WINTER Signed, watercolour and ink on textured paper 25cm x 34.5cm (9.75in x 13.5in) £600-900 5§ FG690/2 THOMAS BONAR LYON (SCOTTISH 1873-1955) PONT THE CHEVAL, BRUGES Signed with initials, oil on board 25cm x 35cm (10in x 15in) Provenance: The Glasgow Art Club

£800-1,200 6§ FG692/2 GEORG WOLF (GERMAN 1882-1962) GARDEN VIEW, POSSIBLY 'SCHLOSS ARRANCY IN DER PICARDIE' Signed and indistinctly inscribed, oil on canvas 53cm x 70cm (20.75in x 27.5in) £700-900

7§ FG700/1 IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1994) PORTRAIT OF THE ARTIST WILLY WILSON Signed and dated ‘46, oil on canvas 60cm x 49cm (23.5in x 19.25in) £1,000-1,500

10 FG919/1 DAVID FARQUHARSON A.R.A., A.R.S.A., R.S.W. (SCOTTISH 1840-1907) GLEN STRAE Signed and dated 1881, oil on board 20cm x 30cm (8in x 12in)

8 FG702/1 WALLER HUGH PATON R.S.A., R.S.W. (SCOTTISH 1828-1895) NORTH BERWICK, 15TH JULY 1876 Signed and inscribed, watercolour and bodycolour 19.5cm x 35.5cm (7.75in x 14in) £400-600

£400-600

9§ FG914/1 JAMES MCINTOSH PATRICK R.S.A., R.O.I., A.R.E., L.L.D. (SCOTTISH 1907-1998) THE MELON MARKET, CAPUA Watercolour 19cm x 40cm (7.5in x 15.75in) Exhibited: Robertson & Bruce Ltd., Dundee

£300-500

Exhibited: Bourne Fine Art, Edinburgh

11§ FG919/2 DAVID MACBETH SUTHERLAND R.S.A. (SCOTTISH 1883-1973) PLOCKTON - DUNCRAIG ON LOCH CARRON Signed and inscribed ‘Duncraig’, signed and inscribed verso, oil on board 24cm x 29.5cm (9.5in x 11.5in) £400-600 12§ FG920/3 EMILY PAYTON REID A.R.S.A. (SCOTTISH 1859-1945) FORTH ROAD BRIDGE FROM NORTH QUEENSFERRY Signed and inscribed with title, signed and inscribed label verso, watercolour 27cm x 38cm (10.5in x 15in) £300-500

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13 FG926/1 MACNEIL MCLEAY A.R.S.A. (SCOTTISH 1802-1878) FARM HOUSE AT COLINTON Signed and inscribed on label verso, oil on panel 16cm x 20cm (6in x 8in) £200-300 14 FG979/5 MANNER OF JOHN ‘JOCK’ WILSON R.S.A. (SCOTTISH 1774-1855) LANDSCAPE WITH TEMPLE RUINS AND FISHERMAN IN THE FOREGROUND Oil on canvas 29cm x 49cm (11.5in x 19.25in) £200-300 15§ FG988/3 SIR MUIRHEAD BONE H.R.S.A., R.E. (SCOTTISH 1876-1953) WATERLOO PLACE 1916 Signed in pencil to margin, etching 24cm x 29cm (9.5in x 11.5in) (plate size) £500-700

16 FH10/1 19TH CENTURY EUROPEAN SCHOOL PORTRAIT OF A BOY WITH DOG Oil on panel, oval 31cm x 25cm (12.25in x 9.75in) £300-500

19 FH97/1 ALFRED WILLIAM PARSONS R.A. (BRITISH 1847-1920) THE MOUNTAIN PATH Watercolour 25cm x 17cm (10in x 6.5in) £300-500

17§ FH70/1 FRANK WATSON WOOD (SCOTTISH 1862-1953) BATTLESHIP AT SUNSET Signed and dated 1918, watercolour and bodycolour 25cm x 73cm (9.75in x 28.75in) £400-600

20 LT2013/38 CHARLES ROWBOTHAM (BRITISH 1856-1921) ITALIAN COASTAL SCENE Signed, watercolour and bodycolour 22.5cm x 48cm (9in x 19in) £200-300

18§ FH70/2 FRANK WATSON WOOD (SCOTTISH 1862-1953) MOONLIGHT - ‘THE “LEON” AND THE “TIGER” Signed and dated 1918, inscribed with title verso, watercolour and bodycolour 26cm x 70cm (10.25in x 27.5in) £400-600

21 FE269/2 ROBERT ANNING BELL R.A., R.W.S., N.E.A.C. (SCOTTISH 1863-1933) WOMEN BY A FOUNTAIN Signed and dated ‘05, oil on panel 15cm x 18cm (6in x 7in) Provenance: Andrew McIntosh Patrick Exhibited: The Fine Art Society 2007, The Andrew McIntosh Patrick Collection no.16

22 FF225/1 HARRY MACGREGOR (SCOTTISH fl. 1894-1935) ROADSIDE CAMP Signed and dated 1910, oil on canvas 56cm x 74cm (22.5in x 29.5in) £400-600 23 FF685/8 JOHN BURR R.B.A., A.R.W.S. (SCOTTISH 1831-1893) THE GHOST Signed, signed and inscribed with title stretcher verso, oil on canvas 23cm x 28.5cm (9in x 11.75in) £400-600 24 FF718/1 ALEXANDER RUNCIMAN (SCOTTISH 1736-1785) A GENTLEMAN SEATED Pen and ink 17.5cm x 11cm (7in x 4.5in) £400-600

£600-800

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25 FF72/87 FOLLOWER OF JACOBUS HENRICUS MARIS WOODED LANDSCAPE WITH WINDMILL Oil on canvas 40cm x 50cm (16in x19.5in) Provenance: The Estate of Dr Renate Davis Deceased

£500-800 26 FF72/60 MANNER OF ADRIAEN VAN OSTADE PORTRAIT STUDY OF A LADY IN A WHITE CAP Oil on panel 24.5cm x 19.5cm (9.75in x 7.75in) Provenance: The Estate of Dr Renate Davis Deceased

£600-800 27 FF616/4 19TH CENTURY EUROPEAN SCHOOL TREES BY THE RIVER Indistinctly signed, oil on canvas 24.5cm x 39.5cm (9.75in x 15.5in) £400-600

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28 FF32/1 ROBERT HOPE R.S.A (SCOTTISH 1869-1936) THE VILLAGE GREEN Signed, oil on canvas 51cm x 61cm (20in x 24in) £600-800 29 FF828/2 FOLLOWER OF JOHN HOUSTON HARVEST LANDSCAPE Bears signature, oil on board 35.5cm x 51cm (14in x 20in) £300-500 30 FF867/1 ALEXANDER ROCHE R.S.A., R.P. (SCOTTISH 1861-1921) POLPERRO, CORNWALL Signed, oil on board 35.5cm x 43.5cm (14in x 17.25in) Exhibited: The Fine Art Society, Glasgow and Edinburgh, May-June 1982, ‘Thoughts of Spring’

£300-500

31§ FF871/14 SCOTTISH CONTEMPORARY APPROCHING RAIN, PAGHAM FLATS Signed ‘Barlow’ and inscribed with title verso, oil on canvas 50cm x 90cm (19.5in x 35.5in) £300-500 32§ FF871/15 ALEX CAMPBELL R.S.A., R.S.W., S.S.A., S.W.L.A. (SCOTTISH b. 1932) BARGES TIED UP Signed, watercolour and characoal 29cm x 36cm (11.5in x 14.25in) £300-500 33§ FF984/5 P. STANDER (SCOTTISH CONTEMPORARY) VIEW FROM CALTON HILL Artist’s proof, signed and dated ‘92 in pencil to margin, inscribed with title, etching 45cm x 28cm (17.5in x 11in) (plate size) £150-250

34§ FF984/8 MOIRA SCOTT (BRITISH B. 1959) UNTITLED Mixed media 51cm x 51cm (20in x 20in) £200-300 35§ FF653/5 JANET MCEWAN (SCOTTISH CONTEMPORARY) PINK KISS Granite on a bronze base 44cm x 44cm x 11cm (17in x 17in x 4.5in) (including base) £200-300 36§ FF569/2 ROBERT KELSEY (SCOTTISH b. 1949) SMALL CROFT, IONA Signed, oil on canvas 29cm x 29cm (11.5in x 11.5in) Provenance: Thompson’s Gallery, London

£300-500

37§ FF569/1 JAMES MCINTOSH PATRICK R.S.A., R.O.I., R.G.I. (SCOTTISH 1907-1998) AT WESTERLEYS Signed, signed and inscribed with title and dated 1990 label verso, watercolour 36cm x 53cm (14in x 21in)

40 FF72/92 ATTRIBUTED TO CESARE GENNARI PORTRAIT OF A GIRL Sanguine 16cm x 12.8cm (6.5in x 5in)

Exhibited: The Fine Art Society, Glasgow “The Guthrie Award”, June 1990

£400-600

£600-800 38 FF807/1 ATTRIBUTED TO JOHN WILLIAM WATERHOUSE (BRITISH 1979-1917) STUDY FOR A PORTRAIT Sanguine 29cm x 22cm (11.5in x 8.5in) £800-1,200 39§ FF72/81 ANDRE DERAIN (FRENCH 1880-1954) PRONE NUDE Stamped with the studio stamp, pencil 22cm x 28cm (8.5in zx 11in) Provenance: Sothebys, 9 December 1971, lot 44; The Estate of Dr Renate Davis Deceased

Provenance: The Estate of Dr Renate Davis Deceased Sotheby’s. 9 July 1958, lot1 53

41 FF72/98 ATTRIBUTED TO ADRIAN BROUWER THE HURDY GURDY PLAYER Sanguine 13.5cm x 8cm (5.25in x 3.25in) Provenance: The Estate of Dr Renate Davis Deceased

£300-500 42 FF814/1 MANNER OF ANTOINE BLANCHARD (FRENCH 1910-1988) VIEW OF NOTRE DAME, PARIS Oil on canvas 50cm x 61cm (19.5in x 24in) Provenance: Purchased from Harrods

£2,000-3,000

43§ FG604/1 HERMAN VEGER (DUTCH 1910-1983) AN EVENING AT VIERHOUTEN Signed, oil on canvas 59cm x 89cm (23.25in x 35.5in) £300-500 44 FG507/33 ATTRIBUTED TO JOHN GLOVER (BRITISH 1767-1849) PASTORAL Watercolour 75cm x 114cm (29.5in x 45in) £600-800 45 FG445/3 R. PERCY (19TH CENTURY BRITISH SCHOOL) HARVEST Signed, oil on canvas 35cm x 45cm (13.75in x 17.75in) £400-600 46 FG473/20 ARNOLD PRIESTMAN (BRITISH 1854-1925) SEA VIEW Signed and dated 87, oil on canvas 45.5cm x 86cm (18in x 34in) £400-600

47 FG637/1 J** WADDEL (18TH/19TH CENTURY SCOTTISH) THE ROYAL BOUNTY OF LEITH Signed and dated 1797, watercolour and pencil 34cm x 46cm (13.5in x 18in) £800-1,200 48 FG673/2 ALEX BURKE (19TH/20TH CENTURY SCOTTISH SCHOOL) WATER OF LEITH Signed and dated 1905, oil on canvas 44.5cm x 65cm (17.5in x 25.5in) £400-600 48A§ FF34/1 JAMES CUMMINGS R.S.A., R.S.W. (SCOTTISH 1922-1991) SCOTTISH FIGURES, 1960 Signed and dated 1960, acrylic on paper 74cm x 49cm (29in x 19.25in) £800-1,200

£300-500

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49§ SV60/23 FERGUS O’RYAN R.H.A. (IRISH 1911-1989) PARISIAN STREET SCENE Signed, oil on canvasboard 34cm x 45cm (13.5in x 17.5in) Note: Born in Limerick, Fergus O’Ryan was one of the major Irish artists of the 20th century. After studying at the Limerick School of Art he moved to Dublin where he attended the Dublin Metropolitan School of Art. In 1938 he first exhibited at the Royal Hibernian Academy and kept exhibiting there nearly every year until 1984, becaming a full RHA member in 1960. O’Ryan’s work is firmly rooted in Ireland, depicting its wild landscapes as well as its busy urban scenes and industrial settings. His style varies from impressionistic strokes to highly-finished details. Particularly noteworthy is his ability to evoke the transparency and reflective qualities of water using it as a feature of the foreground. The many holidays spent in France and Germany before the Second World War left a European taste to his work which could be seen in his market scenes.

£200-300

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50§ SV60/24 NORMAN J. MCCAIG (IRISH 1929-2001) HARVEST TIME Signed, signed and inscribed on stretcher, oil on canvas 46cm x 36cm (18in x 14in) Note: Born in Bangor, county Down, he came from an artistic background and was interested in painting from his school days. After studying at Belfast Collage of Art, he travelled to Paris to Academy of Art Vavin where he became good friends and exhibited in 1948 with fellow Irish Joseph Sefton, set designer for Edith Piaf. He is mostly known for his landscapes, seascapes and harbour scenes where he uses rich colours applied liberally to achieve an atmospheric and dramatic effect. He was also a very accomplished pianist and played in many of Belfast nightspots.

£300-500

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51§ SV60/25 DESMOND CARRICK R.H.A. (IRISH 1928-2012) HEAT SHIMMER ON BURRIANA BEACH, NERJA Signed, signed and inscribed with title verso, oil on canvasboard 40cm x 50cm (15.5in x 19.5in)

52§ SV60/26 JAMES LE JEUNE R.H.A. (CANADIAN/IRISH 1910-1983) BATHERS Signed, oil on canvasboard 35cm x 45cm (13.5in x 17.5in)

Note: Born in Dublin, for nearly thirty years Desmond Carrick worked in the laboratory of the Guinness brewery following his father’s footsteps. Despite this career he was able to pursue his passion for art through evening classes at the National College of Art. In 1951 he was commissioned to paint a mural in the Guinness visitors’ centre in St. James’ Gate and in the same year gathered recognition as a painter when he exhibited at the Royal Hibernian Academy for the first time. In 1968 he was elected full member of the RHA and became one of its most eminent and active members, serving as Secretary until 1982. A trip to Spain in the 1950s ignited a lifelong passion for light and colour which he reversed in his Irish and Spanish country scenes.

He worked with a wide varierty of media, including litography and stained glass, although he is best known for his oils and watercolours characterised by a strong impressionist style. His work is represented in private collections in the USA, Europe, Australia and New Zealand.

Note: Le Jeune was born in Canada to a French/English father, a musician, and an Irish mother. His great uncle was the English Victorian painter Henry Le Jeune. He grew up in Dinard, Brittany and later in Northampton in England.

During his artistic training he attended art schools in Paris, New York and London, mainly focusing on Architecture. When World War II broke out, he served in the British Army in Tunisia and Italy where he worked as an engineer with Bailey bridges and also did a lot of sketching and watercolours. Despite becoming an architect after the war, he never lost his passion for painting and in 1948 exhibited at the Royal Insititue of Oil Painters. From 1950 he settled in Ireland with his wife in County Wicklow first and then in Dublin where he stayed until his death. Deciding to paint full-time, in 1951 Le Jeune began exhibiting at the Royal Hibernian Academy where he became a regular exhibitor for the next 31 years and a full RHA member in 1973. During the 1960s, he opened another studio in New York and spent some years travelling between the two cities. He is best known for his portrait, landscapes and seascapes.

£400-600

£800-1,200 10

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53§ SV60/29 FERGUS O’RYAN R.H.A. (IRISH 1911-1989) WATERS EDGE, TORC MOUNTAIN, KILLARNEY Signed, signed and inscribed with title verso, oil on canvasboard 40cm x 56cm (16in x 22in) £400-600

54§ SV60/33 ANDA PATERSON R.S.W., R.G.I. (SCOTTISH B.1935) WAITING FOR GOD Mixed media 16cm x 56cm (6.5in x 22in) £200-300

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55§ SV60/35 LIAM TREACY (IRISH 1934-2004) WINTER LANDSCAPE, 1982 Signed, oil on canvasboard 30cm x 40cm (12in x 16in)

56§ SV60/36 CLARE CRYAN (IRISH b. 1936) WORKING IN THE FIELDS Signed, oil on canvas 42cm x 60cm (16.5in x 24in)

Note: Liam Treacy was born in Avoca, County Wicklow where he lived all his life. it was not until the 1950s that he started painting while confined to bed recovering from tubercolosis. During this time at the hospital he was introduced to the sculptor Yann Renard Goulet who taught him everything he knew about painting and drawing and about Claude Monet in particular, who was to influence Treacy’s work more than any other artist. By 1956 Treacy was painting en plen air around his beloved Wicklow county and started developing a distinctive impressionist style. His luminous work reflected the moods and colours of the constantly changing familiar Irish countryside. He exhibited for the first time in 1956 and soon many other shows followed in galleries across Ireland and abroad. Despite his success as a painter he never focused on a professional artistic career until 1978 when he decided to become a full time artist. Thoroughtout his life Treacy taught art in night-time classes in Arklow Community College, Abbey Community College, Wicklow and at Shelton Open Detention Centre where he held art classes for the prisoners until 1995.

Note: Born in Dublin, Clare Cryan studied painting at the National College of Art and the Belfast College of Art. Known as a visual artist, she is also one of the country’s most noted art teachers and many of her students have made significant contribution to Irish painting. In 1971, after 4 years as Master of the Preliminary School of the NCA she founded the Blue Door Studio in Ballsbridge. Inspired by the wild landscapes of Connemara, Cryan’s work is characterised by a brilliance of colour and a poetic sensibility which have resulted in many successful exhibitions in Ireland and abroad. Her paintings have been shown regularly in the Royal Hibernian Academy, the National Watercolour Society London and the Royal Institute of Painters in Watercolour as well as in galleries in Brussels, Paris, Antwerp and Luxembourg. In 1990 the then President of Ireland Patrick Hillery presented one of her pictures as a state gift to Queen Beatrix of the Netherlands.

£500-700

£250-400

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57§ SV60/57 NORMAN J. MCCAIG (IRISH 1929-2001) TRAWLERS AT DINGLE, KERRY Signed, oil on canvasboard 29cm x 40cm (11.5in x 16in) £300-500

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58§ SV60/42 CHARLES JOSEPH MCAULEY (IRISH 1910-1999) A GOOD DAY FOR FISHING Signed, Signed and inscribed with title and dated ‘79 verso, oil on canvas 36cm x 47.5cm (14in x 18.5in) Note: One of Ultster’s best known artists, for over 70 years Charles McAuley captured the lights, the colours and the people of his beloved Glens of Antrim, in Northern Ireland. Born in a rural village where farming was the main source of income, he nurtured a deep love for painting ever since he was a child. In 1919 at a local Feis he met the painter James Humbert Craig who recognised his talent and encouraged his artistic career. Despite a brief period of study at Belfast Art College and Glasgow College of Art, he was largely self-taught, his interests spanning from art to poetry, writing, classical and opera music. An exeptionally prolific artist, McAuley never sought public recognition. His life was conducted in the rather secluted pastoral environment of the Glens, where he painted the nature around him.

Rivers, glens, mountains and seascapes feature his oils and watercolours in a richness of tones and movements that became McAuley’s trademark. In these idyllic scenes people are depicted in their daily rural lives with humor and tenderness in an attempt at expressing the slow-paced life of the countryside. His work became known thorugh word of mouth rather than self-promotion. The fact that several of his paintings are now both in private and public collections is significative of how extraordinary and admired his art has become.

£500-800

60 SV60/49 ROBERT NOBLE R.A., R.S.A. (SCOTTISH 1857-1917) MENDING THE NETS Signed and dated 1880, oil on canvas 34cm x 24cm (13.5in x 9.5in) £300-500 61 SV60/50 GEORGE MANSON (SCOTTISH 1850-1876) GYPSY GIRL 1875 Signed with monogram and dated 75, watercolour and bodycolour 30cm x 23cm (12in x 9in) £250-400 59 SV60/47 HENRY WRIGHT KERR R.S.A., R.S.W. (SCOTTISH 1857-1936) SWEET PEAS, 1891 Signed and dated ‘91, watercolour 60cm x 40cm (23.5in x 16in) Exhibited: Aitken Dott & Son (The Scottish Gallery), Edinburgh, H. W. Kerr , R.S.A. Memorial Exhibition

£2,000-3,000

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62 SV60/52 MIKHAIL SERGEEVICH AGEEV (RUSSIAN b. 1918) SNOW SCENE Signed and dated 85, oil on canvas 39cm x 49cm (15.5in x 19in) £250-400

63§ SV60/55 LIAM TREACY (IRISH 1934-2004) HARBOUR SCENE Signed, oil on canvas 35cm x 45cm (13.5in x 15.5in) £300-500 64§ SV60/56 CHARLES J. MCAULEY (IRISH 1910-1999) MAN WITH COWS Signed, oil on canvas 34.5cm x 45cm (13.5in x 17.5in) £400-600 65 SV60/41 19TH CENTURY IRISH SCHOOL YOUNG GIRL WITH RED CAPE Oil on board 54cm x 39cm (21in x 15.5in) £300-500

66§ SV60/58 CHARLES J. MCAULEY (IRISH 1910-1999) OLD COUPLE PASSING TIME Signed, oil on canvas 34cm x 53cm (13.5in x 21in) £400-600

68§ SV60/74 NORMAN J. MCCAIG (IRISH 1929-2001) COUNTRY PATH IN AUTUMN Signed, oil on panel 40cm x 60cm (15.5in x 23.5in) £300-500

67 SV60/67 18TH CENTURY BRITISH SCHOOL A MINIATURE PORTRAIT OF FATHER GRAME, A CAPUCHIN FRIAR AT BOULOGNE Indistinctly inscribed verso ‘This picture of Father Grame, a Capuchin Fryare of a convent at Boulogne in France was painted by a Miss Seton....the Earl of Winton’s family who resided....’, oval 7cm x 5.5cm (2.75in x 2.25in) a further miniature accompanies this lot (2) £250-350

69 SV60/81 JOHN ROBERTSON REID R.B.A., R.O.I., R.I. (SCOTTISH 1851-1926) FISHING BOATS OFF POLPERRO, CORNWALL Signed and dated 1910, signed and inscribed with title label verso, watercolour 35cm x 52cm (14in x 20.5in) £300-500

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70 SV60/82 19TH CENTURY BRITISH SCHOOL MINIATURE OF A SEATED LADY IN A SUMMER DRESS Indistinctly signed and dated 1834, oil on ivory 11.5cm x 10cm (4.5in x 4in) £200-300

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71§ SV60/83 MAURICE CANNING WILKS A.R.H.A., R.U.A. (IRISH 1911-1984) ROUNDSTONE VILLAGE, CONNEMARA Signed, inscribed verso ‘Wishing you a very happy Chirstmas, Maurice’, watercolour and pencil 12.5cm x 18cm (5in x 7in) Note: A native of Belfast, Maurice Canning Wilks was one of Ireland’s most prolific landscape painters. His most flourishing period was between 1933 and 1940 when he held many exhibitions at the Royal Hibernian Academy in Dublin, as well as in Belfast, London, Boston, Montreal and Toronto. When only 19 he won the Dunville Scholarship which allowed him to study full time at the Belfast College of Art. After college, he moved to Cushenden, a village on the Antrim coast and became a professional fine artist. His paintings and watercolours typically feature the landscapes of the northern and western counties of Ireland, although he always had a special connection with the mountains, valleys and bog islands of Donegal and Connemara. This watercolour is a fine example of Wilks’ style and subject matter.

Loose fluid brushstrokes perfectly capture the romantic spirit of a bright sunny day in a rural village of Connemara.

£200-300 72 SV60/87 ROBERT NOBLE R.A., R.S.A. (SCOTTISH 1857-1917) ROAD BY THE SHORE Signed and dated, oil on board 22cm x 13cm (8.5in x 5in) £250-400

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73 SV60/88 JAMES ELDER CHRISTIE N.E.A.C. (SCOTTISH 1847-1914) CHILDREN AT THE WATER PUMP Signed, oil on canvas 24cm x 34.5cm (9.5in x 13.5in) £300-500 74 SV60/91 MILDRED ANNE BUTLER R.A., R.W.S. (IRISH 1858-1941) TWO HORSES HAY MAKING Signed, watercolour 27cm x 22cm (10.5in x 8.5in) Note: Born in Kilmurry, County Kilkenny, Mildred Anne Butler studied art in London at Westminster School of Art under Frank Calderon. A talented painter, she worked in oil and watercolour and became known for her landscapes, genre and animal subjects. After her studies she spent a period in Newlyn, Cornwall, where she came in touch with the artists from the Newlyn School. She was strongly influenced by their realist approach to paint, reminiscent of the Barbizon School in France. Her success came when she started exhibiting at the Royal Academy from 1889 to 1902. After this prolific period, she went back to her family home in Kilkenny where she spent the rest of her life painting the gardens, farmyards, plants, birds and animals of her beloved county. Her work now hangs in major galleries in Ireland and England.

£500-700

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76 FF499/74 THOMAS ALEXANDER FERGUSON GRAHAM H.R.S.A. (SCOTTISH 1840-1906) THE SHORE Signed, signed and inscribed label verso, oil on canvas 72cm x 134cm (28.25in x 52.75in) Note: Inscribed label verso ‘Surely, surely, slumber is more sweet than toil, the shore Than labour in the deep mid-ocean, wind and wave and oar; O, rest ye, brother mariners’, a line from Lord Alfred Tennyson’s poem ‘The Lotos-Eaters’

£600-800

77 75§ SV60/92 WILLIAM CONOR O.B.E., R.H.A., R.U.A., R.O.I. (IRISH 1881-1968) THE RED HAT Signed, pastel and pencil 20.5cm x 17.5cm (8in x 7in) Note: William Conor was born in Belfast, the son of a sheet metal worker. His origins strongly influenced his artistic life and inspired him many portraits of the working-class life in Ulster for which he is stil highly celebrated today.

When he was ten, his music teacher recognised his talent and helped him entering the Belfast College of Art. Immediately after school he worked as a commercial artist but was soon enlisted by the British government as an official war artist during the First World War. In 1920 Conor moved to London and there a flourishing period of his artistic career began. He met and became good friends with Sir John Lavery and Augustus John and started exhibiting at the Royal Academy. He was also the first Irish artist to gain membership to the Royal Institute of Oil Painters. He remained faithful to his favourite subject: the people and street life of the industrial Belfast, which he always depicted with a warm and sympathetic approach. Between 1918 and 1967 he exhibited nearly 200 works at the Royal Hibernian Academy of which he became full member in 1946. Further honours followed: the Order of the British Empire in 1952 and President of the Royal Ulster Academy in 1957.

More than 50 watercolours are held now in the permament collections of the Ulster Museum.

£1,500-2,500

78 FF922/5 CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK Signed and inscribed in plate, woodblock print 305cm x 35.5cm (12in x 14in) £300-500 79 FF988/4 KATE WYLIE (SCOTTISH 1877-1941) ANEMONES Signed, oil on canvas 35cm x 24cm (13.75in x 9.5in) Exhibited: T & R Annan & Sons Ltd., Glasgow, November 1959

£400-600

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77§ FF575/1 JESSIE M. MCGEEHAN (SCOTTISH 1872-c. 1962) SAILING THE BOAT Signed, pastel 49cm x 64cm (19in x 25in) £600-800

80 FF993/1 B. HAYES (19TH CENTURY BRITISH SCHOOL) ROUGH SEAS Indistinctly signed and dated ‘96, oil on canvas 44cm x 80cm (17.5in x 31.5in) £300-500

82§ FG604/2 MARGARET HISLOP R.S.A., R.B.A. (SCOTTISH 1894-1972) SQUARE DE VERT GALENT, PARIS Signed, oil on canvasboard 75.5cm x 54.5cm (29.5in x 21.5in)

81 FF998/1 THOMAS BROMLEY BLACKLOCK (SCOTTISH 1863-1903) A WATER STREAM IN THE WOODS Oil on canvas 39.5cm x 60cm (15.5in x 23.5in) £700-900

£300-500

Exhibited: Royal Scottish Academy, 1970

83 FG665/2 HARRY MACGREGOR (SCOTTISH fl. 1894-1935) A STREAM IN SPRINGTIME Signed and dated 1908, oil on canvas 50cm x 61cm (19.75in x 24in) £600-900

84 FG680/1 18TH CENTURY CONTINENTAL SCHOOL ICON WITH FLORAL STILL LIVES Oil on Copper 35cm x 24cm (13.75in x 9.5in) £500-700 85§ FF871/12 EDMUND BLAMPIED R.B.A., R.E. (BRITISH 1886-1966) THE BUTTERFLY Signed and numbered 15/100 in pencil to margin, signed and dated October 1928 in plate, etching 24cm x 20cm (9.5in x 8in) £700-900

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86 FG684/1 THOMAS MARJORIBANKS HAY R.S.W. (SCOTTISH 1862-1921) THE COMING STORM Signed, watercolour 22.5cm x 34cm (9in x 13.5in) £500-700 87 FG687/3 ROBERT HOPE R.S.A. (SCOTTISH 1869-1936) THE DALESMAN Oil on canvas 60cm x 49cm (23.5in x 19.25in) Exhibited: The Royal Scottish Academy, 1929, no. 158

£500-800 88§ FG690/1 ROBERT RUSSELL MCNEE (SCOTTISH 1880-1952) CHICKENS IN A FARMYARD Signed and dated ‘14, oil on canvas 35cm x 45cm (13.75in x 17.75in) £800-1,200

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89§ FG692/1 FREDERICK HALL (BRITISH 1860-1948) AN AUTUMN LANDSCAPE Signed ‘Fred Hall’, oil on canvasboard 24.5cm x 34.5cm (9.5in x 14.5in) £1,000-1,500 90 FG692/3 19TH CENTURY FRENCH SCHOOL PORTRAIT OF A YOUNG CHILD Indistinctly inscribed and dated 1859 (?), pastel, oval 54cm x 42cm (21in x 16.5in) £300-500 91§ FG720/1 FELIKS TOPOLSKI (POLISH 1907-1989) DAY AIR RAID, QUEEN ANNE’S GATE Signed and inscribed with title and dated 1941, pen and ink on paper laid on card, unframed 42cm x 53cm (16.in x 20.75in) £600-800

92 FG724/5 FRANZ GAUL (AUSTRIAN 1837-1906) L’AIGLON EN 1832 Signed and inscribed, watercolour and bodycolour 13.5cm x 8.5cm (5in x 7in) Note: L’Aiglon (the Eaglet, a young eagle) was the posthumous nickname that was given to Napoleon’s son, Napoleon II of France, Franz Duke of Reichstadt. It was later made popular by a play in six acts based on his life, L’Aiglon, written by Edmond Rostand in 1900 and performed by Sarah Bernhardt.

Dying of tubercolosis at the premature age of 21, Franz led a rather unfortunate life. The son of Napoleon I and his second wife, Archiduchess Marie Louise of Austria, he inherited by birth the titles of Prince Imperial, King of Rome and Prince of Parma.

However he never got the chance to actually rule France as the coalition partners that deafeated Napoleon refused to acknowledge his succession rights. Soon after his father abdicated in 1815, the four-year-old Franz was forced to abdicate himself and spent the rest of his short life in Austria with his mother. The Austrian artist Franz Gaul, known for political caricatures and humorous pictures of theatre actors, captured the young Emperor the year of his death.

93 FG683/1 18TH CENTURY BRITISH SCHOOL PORTRAIT OF DR. THOMAS GRAHAM PHYSICIAN OF GEORGE II Oil on canvas, oval 63cm x 46cm (25in x 18in) and another portrait by the same hand (2) £1,200-1,800 94 FG779/15 18TH CENTURY DUTCH SCHOOL A WOODED LANDSCAPE WITH OLD WOMAN RETURNING HOME Oil on panel 25.5cm x 28cm (10in x 11in) £300-500 95 FG766/4 HARRY SPENCE (SCOTTISH 1860-1928) RIVER THROUGH THE TREES Signed, oil on canvas 71cm x 90.5cm (28in x 35.5in) £800-1,200

£250-350

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96§ FG766/7 D. G. WOMACK (CONTEMPORARY SCOTTISH) STILL LIFE ‘CLABBY DUBHS’ Signed with initials, oil on canvasboard 48cm x 61cm (19in x 24in) £400-600

101 FG941/1 DONALD MANSON (SCOTTISH CONTEMPORARY) VIOLIN, ORCHID AND ORIENTAL POPPIES Signed, oil on canvas 101cm x 81cm (39.5in x 32in) £600-800

97§ FG776/2 DONALD FORBES (SCOTTISH CONTEMPORARY) STILL LIFE WITH LEMONS Signed, oil on canvas 54cm x 61cm (21in x 24.25in) £300-500

102§ FG943/2 FRED BOTTOMLEY (BRITISH 1883-1960) THE SLOOP INN Signed, oil on panel 33cm x 41cm (13in x 16in) £400-600

98§ SV57/39 OLIVER TROWELLS (BRITISH 20TH CENTURY) THE BEACH AT ST. ANDREWS WITH ST RULES TOWER AND CASTLE IN THE REAR Signed and dated ‘90, oil on board 125cm x 100cm (49in x 39.5in) and two further works by the same hand (3) £600-900

103§ FG965/7 LENA ALEXANDER (SCOTTISH 1899-1983) A STILL LIFE OF PINK AND YELLOW ROSES Signed, pastel on paper 51cm x 68.5cm (20in x 27in) £500-700

99 FG908/1 V. DE SALLES (20TH CENTURY CONTINENTAL SCHOOL) DECORATIVE STILL LIFE WITH PARROT AND MONKEY Signed, oil on canvas 95cm x 128cm (37.5in x 50.5in) £600-800 100 FG941/4 DONALD MANSON (SCOTTISH CONTEMPORARY) STILL LIFE WITH HEART SHAPED CROUTONS Signed, oil on board 58cm x 44cm (23in x 17in) £300-500

104 FG965/9 LOUISE PERMAN (SCOTTISH 1854-1921) A STILL LIFE OF YELLOW AND RED ROSES Signed, oil on canvas 46cm x 76cm (18in x 30in) £700-900 105 FH14/1 JOHAN OLDERT (SOUTH AFRICAN 1912-1984) TREES WITH COTTAGE Signed, oil on canvasboard 60cm x 90cm (23.5in x 35.5in) £500-700

106§ FH75/1 SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) WOODED LANDSCAPE WITH DISTANT CHURCH black crayon 20.5cm x 25.5cm (8in x 10in) and another by the same hand, a near pair (2) £400-600 107§ FF26/1 JOAN GILLESPIE (SCOTTISH b. 1954) THE PINK TOP Signed, oil on board 52cm x 57cm (20.5in x 22.5in) £500-700 108§ FE77/7 NAEL HANNA (IRAQI/SCOTTISH b. 1959) EAST HAVEN Signed, oil on canvas 76cm x 121cm (30in x 47.5in) Exhibited: Eduardo Alessandro Studios, Dundee, No.19

£2,000-3,000 109 SV123/23 HUGH MACKAY (SCOTTISH fl. 1902-1906) THE JETTY Signed, oil on canvas 46cm x 56cm (18in x 22in) £300-400 110 SV123/29 HUGH MACKAY (SCOTTISH fl. 1902-1906) ROAD TO THE COAST Signed, oil on canvas 46cm x 56cm (18in x 22in) £300-500

111 SV57/115 PETER GRAHAM R.A., A.R.S.A. (SCOTTISH 1836-1921) HIGHLAND PASTURES Signed and dated 1898, oil on canvas 60cm x 90cm (24in x 35.5in) £300-500 112 SV112/7 WILLEM ROELOFS (DUTCH 1822-1897) THE FISHERMAN Signed, watercolour 31cm x 48cm (12in x 19in) Provenance: Forbes Collection, 1914

£300-500 113§ FH154/1 SIR ROBIN PHILIPSON R.A., R.S.A., R.S.W. R.G.I. (SCOTTISH 1916-1992) FIGHTING COCKS Signed and numbered 12/50 in pencil to margin, embossed with blind stamp, colour lithograph 50.5cm x 75.5cm (19.75in x 29.75in) £250-350 114 FG681/1 WILLIAM HENRY HAMILTON TROOD (BRITISH 1848-1899) PORTRAIT OF PAMPA, ARGENTINA Signed and dated 1890, oil on canvas 46cm x 61cm (18in x 24in) Note: Pampa belonged to Robert Bontine Cunninghame Graham, the Scottish politician, writer, journalist and adventurer. He lived with Gauchos in Argentina for a time, where he remains something of a folk hero there to this day. This painting comes directly from Graham’s descendants.

£800-1,200

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115§ FG707/1 MARJORIE BAYLIS BARNARD (BRITISH 1870-1946) ONE YEAR OLD Signed and dated 1902, pastel 61cm x 51cm (24in x 20in) £300-500 116* FG701/5 19TH CENTURY CONTINENTAL SCHOOL THE GALLOP Indistinctly signed and dated 1845, oil on canvas 33cm x 63cm (13in x 24.75in) £600-800 117§ FG716/1 ANNA DICKSON R.S.W. (SCOTTISH 1873-1959) LOWTIDE Oil on canvas 29cm x 43.5cm (11.5in x 17in) £700-900 118 FG721/2 AUGUSTO LOVATTI (ITALIAN 1852-1921) BLOSSOMS, CAPRI Signed and inscribed ‘Capri’, watercolour 57cm x 35cm (22.5in x 13.75in) £700-900

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119 FG831/25 EMILY EYRES (BRITISH 19TH CENTURY) PORTRAIT OF CHARLES PETER FLEETWOOD-HESKELL, ATAT VI Signed and dated 1911, inscribed with title of sitter, oil on canvas 163cm x 119cm (64.25in x 46.75in) £500-800 120 FG965/14 ROBERT NOBLE R.S.A., P.S.S.A (SCOTTISH 1857-1917) HADDEN LOW ROAD Signed and dated 1878, inscribed verso, oil on canvas 35.5cm x 25.5cm (14in x 10in) £500-700 121 FG965/15 HENRY GARLAND (BRITISH c.1854-1890) NEAR INVERORAN, ARGYLESHIRE Signed, signed and inscribed verso, oil on canvas 31cm x 25.5cm (12in x 10in) £1,000-1,500

122§ FG971/1 CHARLES GUSTAV LOUIS PHILLIPS (BRITISH 1863-1944) MORNING CONSTITUTIONAL Signed and dated ‘93, oil on canvas 50cm x 74cm (19.75in x 29in) £500-700

125§ SV112/14 JOHN MURRAY THOMSON R.S.A., R.S.W., P.S.S.A. (BRITISH 1885-1974) MOTHER AND PUPPIES Signed, oil on canvas 44cm x 60cm (17.5in x 23.5in) £600-800

123 FG980/1 18TH CENTURY SCOTTISH SCHOOL PORTRAIT MINATURE OF MR ALEXANDER EDGAR Inscribed ‘A. Edgar’ verso, oval, possibly on ivory, mounted in an unmarked yellow metal 3.75cm x 3cm (1.5in x 1.25in) £150-250

126 SV112/12 WILLIAM GRANT STEVENSON A.R.S.A. (SCOTTISH 1849-1919) THE SHEPHERD Signed, oil on canvas 60cm x 90cm (23.5in x 35.5in) £300-500

124§ FH39/1 BARCLAY HENRY (SCOTTISH 1869-1946) A SPRING MORNING Signed and dated 1894, oil on canvas 52cm x 75cm (20.5in x 29.5in) £600-800

127§ FG631/1 JOHN HOUSTON O.B.E., R.S.A. (SCOTTISH 1930-2008) TEMPLE GARDEN WITH WATERFALL AND PAGODA Signed, inscribed with title and numbered 2/30, screenprint 56.5cm x 77.5cm (22.25in x 30.5in) £400-600

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Property removed from Richardsons, Yorkshire lots 128-158 128 FG327/37 19TH CENTURY ANGLO INDIAN SCHOOL STUDY OF AN OWL Watercolour and pencil 43cm x 31cm (17in x 12.25in) £800-1,200 129 FG327/38 19TH CENTURY ANGLO INDIAN SCHOOL STUDY OF A COBRA HEAD Watercolour 42.5cm x 31.5cm (16.75in x 12.25in) £400-700 130 FG327/167 AFTER MICHAELANGELO HEAD OF THE VIRGIN a moulded reproduction from MOMA in cold cast marble with resin, 34cm high; together with a FACSIMILINE PANEL, in fibreglass of P. Scipioni, 60cm x 39cm (2) £140-180

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131 FG327/2 PAIR OF EBONISED WALL BRACKETS CIRCA 1900 the shaped shelf with gilt detail to the moulded edge and supported by a gilt brass winged mythical beast with outstretched bat wings supporting the shelf (2) shelf width 32cm £200-300 132 FG327/14 BRONZE FIGURE OF A RABBIT 20TH CENTURY in a seated position, well modelled in bronze 17cm long £200-400 133 FG327/14A GROUP OF BRASS FIRE IRONS EARLY 20TH CENTURY of simple traditional turned form, comprising of a shovel, poker and a pair of tongs (3) overall length 68cm £120-180

134 FG327/18 ITALIAN CARVED AND GILT WOOD NICHE MID 19TH CENTURY of arched form, with a shell crested niche, supported by baluster columns and a shaped base, the central platform with a carved soapstone figure of Madonna and child, with traces of paint, possibly earlier than the niche 38cm high overall, figure 23cm £250-400 135 FG327/24 PAIR OF SMALL CHELSEA TUREENS AND COVERS each modelled as cos lettuces, the leaves forming scrolled handles, with red anchor marks to undersides (A/F) (2) 12cm high £300-400

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136 FG327/48 PARIS RUE THROUX PART DINNER SERVICE 19TH CENTURY each piece decorated with a white ground border of poppies and small blue flowers, with a gilt rim, comprising of: seven graduated oval ashettes, eleven dinner plates (A/F) qty) £150-250 137 FG327/51 GROUP OF CERAMIC FIGURES 19TH CENTURY to include: a pair of tall bisque porcelain figures; a pair of Parian busts on polished slate pedestals with marble inlay, stamped ‘Morris’; and four Staffordshire condiments, modelled as toby characters (8) 37cm high (tallest) £200-400

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138 FG327/51A STAFFORDSHIRE FIGURE OF BRITANNIA CIRCA 1850 the seated allegorical figure modelled with a helmet and shield, flanked by a lion, seated on a marbled rectangular plinth base 35cm high £120-180 139 FG327/78 TWO PAIRS OF VICTORIAN STAFFORDSHIRE LIONS 19TH CENTURY one pair moulded as recumbent lions on oval bases, the other pair as standing lions (4) 36cm long £250-400 140 FG327/73B CASED HAND PAINTED BRISE FAN LATE 19TH CENTURY the painted leaf depicting figures within a pastoral scene, the sticks and guards decorated in the chinoserie style 18.5cm long £150-250

141 FG327/73A TWO CASED PIQUE GAUZE FANS EARLY 20TH CENTURY the first, with a repeating diamond pattern to the leaf above inlaid ivory sticks and guard, 19.5cm long; the second, of similar style, with a scrolling foliage pattern to the leaf above gilt bone sticks and guard, 21cm long (2) £120-180 142 FG327/73C CASED BRUSSELS LACE AND MOTHER-OF-PEARL MOUNTED FAN SECOND HALF OF 19TH CENTURY the decorative lace leaf depicting flowers and scrolling foliage, with mother-of-pearl sticks and guard 25cm long £200-300

143 FG327/73D CASED PAINTED PIQUE GAUZE AND IVORY MOUNTED FAN LATE 18TH CENTURY the pique and spangled painted leaf decorated with figures in reserves amongst foliage and borders, with silver inlaid ivory sticks and guard 26cm long £150-250 144 FG327/169 ‘HOODED FIGURE’ CERAMIC BUST, BY AUSTIN SCULPTURE raised on a splayed base, with maker’s marks and manufacturer’s document 57cm high approx. £150-250 145 FG327/168 COLLECTION OF WOODEN AND PAINTED SPHERES comprising of: a small burr wood example, 43cm circumference; a sphere decorated with a blue/green painted marble effect, 50.5cm circumference; and larger example, with deep blue decoration, 52.5cm circumference (3) £150-250

146 FG327/165B COPTIC CROSS PENDANT 19TH CENTURY in white metal, with moulded and chased decoration, with a long braided hair neck piece Cross 19.5cm long £120-180 147 FG327/165A RIDING BOOTS AND STRETCHERS EARLY 20TH CENTURY polished black leather 27cm length of foot £100-200 148 FG327/165 PAIR OF IMARI SAUCER DISHES 19TH CENTURY each of circular form, decorated with large red, blue and gilt flowers, within a gilt rim (2) 36.5cm diam. £120-180

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149 FG327/27 KOREAN CELADON VASE POSSIBLY 18TH CENTURY of tapering form, stylised single seal mark to side, slight ribbed decoration, inventory number to the base 21cm high £250-400 150 FG327/25 WHITE JADE AND GILT BRONZE BELT HOOK 19TH CENTURY the white jade carved in high relief as a chilong, the gilt bronze mount with chilong head; together with a celadon jade belt buckle in two parts, carved in relief with phoenix among blossoms, the hook in the form of a chilong head; and two other jade carvings, two small jade bowls, one with carved seal mark to underside; and a circular jade box and cover, plain slight threaded borders (5) the belt hook 9.5cm long; the buckle 11cm long overall £400-600

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151 FG327/28 CHINESE CLOISONNE CRANE CENSER QING DYNASTY the figure standing on gilt bronze legs with claw feet, with a bronze open beak and wire tongue, the body in blue and turquoise enamel with removable wings cover 18cm high £300-500 152 FG327/127 SET OF TWELVE SILVER APOSTLE SPOONS LATE 19TH CENTURY marked with a crowned W to bowl, of traditional form with tapered stems and large bowls with cast apostle terminals (12) 20cm long, 26oz £250-350 153 FG327/52 SILVER PLATED SOUP TUREEN AND COVER 19TH CENTURY of oval form with scrolling moulded handles, and lift-off cover, raised on a short stem and an oval base 36cm across handles £150-200

154 FG327/39 SET OF EIGHT EBONISED DINING CHAIRS the turned top rail above a caned horizontal splat and seat, raised on turned legs, with gilt collars, some with stamped initials to stretchers (8) 47cm wide, 85cm high, 42cm deep £600-900 155 FG327/41 EBONISED AND GILT AESTHETIC STYLE DINING TABLE the central section with a pedestal base, with a single rectangular section and flanked by demi lune ends, all raised on slender circular tapering section legs with gilt ring detail 377cm wide, 77cm high, 113cm deep approx. £700-900 156 FG327/46 MARBLE TOPPED GILTWOOD AND EBONISED CONSOLE TABLE, BY ANTHONY REDMILE the rectangular top above an ivory frieze, raised on moulded legs with lion masks and paw feet 198cm wide, 78cm high, 48cm deep £600-1,000

157 FG327/55 PAIR OF FRENCH LOUIS XV STYLE PAINTED ARMCHAIRS the foliate carved top rail and cushioned back above outswept arms and a serpentine cushioned seat, raised on moulded cabriole legs and casters (2) 65cm wide, 101cm high, 52cm high £200-300 158 FG327/42 BRASS AND STEEL FIRE BASKET LATE 19TH CENTURY the shaped fire back and grate flanked by scrolling brass uprights, above a pierced foliate apron 72cm wide, 72cm high, 37cm deep £500-800

Forthcoming Sales Decorative Arts: Design since 1860 16th April, 2014 Enquiries: John Mackie john.mackie@lyonandturnbull.com Tel: 0131 557 8844

PIERO FORNASETTI (1913-1988) ‘STRUMENTI MUSICALE’ Double-sided screen, 1950s £2,000-3,000

Sales Calendar APRIL

JUNE

16

Decorative Arts & Design

04

Fine Asian Works of Art

30

British & Continental Paintings

25

Fine Antiques & Works of Art

MAY

JULY

07

Rare Books, Maps & Manuscripts

09

21

Select Jewellery

22

Scottish Paintings

Jewellery & Silver

21

160

162

164

170

159 FF553/49 EDWARDIAN PAINTED SATINWOOD OVAL OCCASIONAL TABLE the shaped top decorated with cherubs and portrait panels, with a floral border above a floral painted frieze, raised on square tapering legs and brass caps and casters 71cm wide, 50cm high, 75cm deep £250-350 160 FF553/70 GEORGE III MAHOGANY AND INLAY SERPENTINE SIDEBOARD of small proportion, the shaped crossbanded top above a central drawer, flanked by deep drawers, raised on square tapering legs and spade feet 107cm wide, 90cm high, 63cm deep £500-800

22

161 FF685/12 EDWARDIAN ROSEWOOD PARLOUR SUITE comprising of: a sofa, the cushioned back above inlaid horizontal splats, over a stuff over seat, raised on ring turned legs; an arm chair; a ladies chair; and two side chairs (5) sofa 132cm wide, 80cm high, 56cm deep £300-500 162 FB58/12 AFTER ANDY WARHOL, AN OVER PAINTED PINE CHEST PAINTED WITH MARYLIN MONROE the moulded top above two short and two graduated long drawers, raised on bun feet, painted blue with the image to the front 88cm wide, 86cm high, 41cm deep £300-500

163 FG802/15 LARGE OAK LIBRARY BOOKCASE the moulded cornice above glazed doors enclosing adjustable shelves, over moulded doors, raised on a plinth base 260cm wide, 303cm high, 54cm deep £2,000-3,000 164 FG831/4 VICTORIAN MAHOGANY EXTENDING DINING TABLE the moulded, rounded rectangular top above a plain frieze, raised on turned legs and ceramic casters 245cm wide, 74cm high, 119cm deep £700-1,000 165 FG846/5 GEORGIAN MAHOGANY AND EBONY STRUNG SIDE TABLE the cross banded rounded rectangular top above two frieze drawers, raised on turned reeded legs 113cm wide, 94cm high, 39cm deep £250-350

166 FH38/13 LEATHER ARMCHAIR the arched back above out scrolling arms and a loose cushioned seat, raised on square tapering legs, patched with vintage textiles 75cm wide, 83cm high, 55cm deep £600-800 167 SV85/1 ARTS AND CRAFTS STYLE OAK GLAZED CABINET AND UNDERCABINET the moulded cornice above astragal and lead glazed doors enclosing adjustable shelves, flanked by square uprights, over the base with two frieze drawers above glazed and panel doors, raised on square pad feet 122cm wide, 205cm high, 45cm deep £500-800

168 FG855/2 GEORGIAN MAHOGANY DEMI LUNE FOLD OVER CARD TABLE the moulded shaped top above a boxwood strung frieze, raised on square tapering legs 98cm wide, 73cm high, 48cm deep £200-300

171 FG801/4 MAHOGANY DRESSING TABLE 19TH CENTURY the three quarter galleried top above a frieze drawer, raised on turned legs 92cm wide, 89cm high, 55cm deep £150-250

169 FG846/9 GEORGIAN WALNUT TOILET MIRROR the shaped mirror plate on slanted supports, above three drawers 74cm high overall £200-300

172 FG779/2 VICTORIAN WALNUT WRITING TABLE the moulded rectangular top with an inset writing surface above two frieze drawers and two opposing dummy drawers, raised on turned fluted legs 163cm wide, 75cm high, 60cm deep £200-300

170 FG831/30 LARGE ROCKING HORSE covered with pelt to simulate a real horse, with a saddle, saddle bags and other accessories, raised on a turned wooden rocking base 206cm wide, 160cm high, 66cm deep £200-300

173 FG788/1 FRENCH OVER PAINTED ARMOIRE the moulded cornice and foliate carved pediment above mirrored doors, enclosing hanging space, over a shaped apron, raised on moulded cabriole legs 142cm wide, 250cm high, 53cm deep £600-800

174 FG842/13 TWEED UPHOLSTERED ARMCHAIR the scroll back above down swept arms and a cushioned seat, raised on turned legs and brass caps and casters 69cm wide, 80cm high, 55cm deep £300-400 175 SV57/25 EDWARDIAN OAK SIDEBOARD the moulded gallery above a moulded rectangular top and three frieze drawers, over three cupboard doors flanked by carved pilasters, raised on bun feet 213cm wide, 136cm high, 69cm deep £250-400 176 SV85/13 VICTORIAN MAHOGANY EXTENDING DINING TABLE the rounded rectangular top above a plain frieze, raised on turned and fluted legs and ceramic casters, including two leaf extensions 238cm wide, 74cm high, 116cm deep £700-1,200

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177 SV57/109 OAK FIRE SURROUND the moulded cornice above spiral turned supports and a moulded frieze, over moulded uprights 136cm wide, 170cm high, 21cm deep £100-200 178 SV112/19 PAIR OF GEORGE III MAHOGANY CHIPPENDALE PATTERN CHAIRS the moulded top rail above a pierced vertical splat and stuff over seat, raised on square moulded legs, united by stretchers (2) 58cm wide, 99cm high, 44cm deep £300-400 179 FH38/6 CHROME AND MAHOGANY ANGLE POISE STANDARD LAMP MODERN raised on a tripod base 45cm wide, 165cm high £400-600

23

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194

180 FG846/2 VICTORIAN WALNUT TWO DOOR WARDROBE the moulded cornice above panel doors enclosing drawers and hanging space, flanked by acanthus mouldings, raised on bun feet 156cm wide, 212cm high, 69cm deep £400-600 181 FG755/2 PAIR OF WALNUT TORCHERES, AND ANOTHER SIMILAR 19TH CENTURY the circular top above a turned and foliate moulded upright, raised on a circular foot (3) 32cm wide, 120cm high £300-400

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182 FG479/3 WILLIAM IV MAHOGANY EIGHT DAY LONGCASE CLOCK, BY J.HOOD, CUPAR, FIFE the painted arched dial with subsidiary second and date dials within the hood with a broken swan neck pediment and three brass finials, flanked by turned columns, over a shaped door, flanked by pilasters, raised on bracket feet 47cm wide, 224cm high, 25cm deep £200-300 183 FF969/2 SMALL GEORGE I STYLE WALNUT BUREAU EARLY 20TH CENTURY the cross banded fall flap enclosing a fitted interior above a frieze drawer, raised on moulded cabriole legs and scrolling feet 55cm wide, 93cm high, 45cm deep £300-500

190

184 FF72/66 SET OF SIX QUEEN ANNE STYLE WALNUT DINING CHAIRS the shaped top rail and vertical vase shaped splat, above a drop in pad seat, raised on moulded cabriole legs, united by stretchers (6) 51cm wide, 105cm high, 41cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£400-600 185 FB81/10 CHINESE STYLE RED LACQUER LOW TABLE the rectangular top above a recessed frieze and serpentine apron raised on cabriole legs decorated with ho ho birds and prunus 100cm wide, 38cm high, 49cm deep Provenance: The Douglas Franks Collection

£120-180

186 FC357/1 VICTORIAN RATTAN ARMCHAIR the foliate shaped openwork back and arms, on a caned seat, raised on tapering legs £120-180 187 FF553/50 EDWARDIAN FIVE PIECE PARLOUR SUITE the oval wheel back above a serpentine stuff over seat, raised on moulded turned legs, comprising of: four side chairs and an arm chair (5) 45cm wide, 95cm high, 40cm deep £300-500 188 FF553/53 EDWARDIAN SATINWOOD DISPLAY CABINET of inverted breakfront form, the moulded cornice above an astragal glazed door enclosing shelves, flanked by bowed, glazed panels, raised on square tapering legs 123cm wide, 175cm high, 43cm deep £500-800

180

189 FH38/5 ENGLISH IRON WINE RACK to hold 104 bottles 160cm wide, 131cm high, 25cm deep £500-700 190 SV123/4 MAHOGANY EIGHT DAY QUARTER CHIMING LONGCASE CLOCK 19TH CENTURY the arched painted dial with subsidiary second and date dials, within a dentil moulded hood with spiral columns, above a rectangular door flanked by moulded pilasters, raised on bracket feet 60cm wide, 215cm high, 31cm deep £300-500 191 SV60/66 EDWARDIAN MAHOGANY SIDE TABLE the scalloped top above three frieze drawers, raised on slender octagonal legs and brass caps and casters, united by cross stretchers 88cm wide, 83cm high, 46cm deep £200-300

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192 FG856/3 VICTORIAN HOWARD & SON STYLE OPEN ARMCHAIR 19TH CENTURY the arched back above outswept arms and a cushioned seat, raised on turned legs and ceramic casters 70cm wide, 83cm high, 55cm deep £300-500

195 FG723/1 EARLY GEORGIAN WALNUT CHEST ON CHEST the moulded cornice above four graduated long drawers, over the base with three graduated long drawers, raised on a later plinth base 111cm wide, 173cm high, 52cm deep £300-500

193 FG842/10 MARBLE TOP PEDESTAL TABLE the circular top above a turned support and triform base with a gadrooned gilt collar, raised on bun feet 49cm wide, 57cm high £500-700

196 FG600/42 LOUIS XV STYLE KINGWOOD AND MARQUETRY SIDE TABLE LATE 19TH CENTURY the squared top with four shaped drop down sides banded in brass and with floral marquetry throughout, raised on squared cabriole legs with gilt metal mounts and ending in sabots 88cm wide, 68cm high, 88cm wide £250-350

194 FG802/7 MAHOGANY BOW FRONT CHEST the shaped top above two short and three graduated long drawers, flanked by carved pilasters, raised on moulded turned legs 112cm wide, 116cm high, 57cm deep £500-800

195

197 FG330/21 GEORGE II STYLE SERVING TABLE the serpentine gadrooned top above two frieze drawers, raised on square tapering legs and paw feet 130cm wide, 93cm high, 64cm deep £300-500 198 FG330/21A GEORGE II STYLE SERVING TABLE the serpentine gadrooned top above two frieze drawers, raised on square tapering legs and paw feet 130cm wide, 93cm high, 64cm deep £300-500 199 FF701/1 VICTORIAN STYLE EXTENDING DINING TABLE the moulded rectangular top above a plain frieze, raised on turned fluted legs and ceramic casters, including two leaf extensions 306cm wide extended, 75cm high, 123cm deep £500-700

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25

200 FF858/1 TITO AGNOLI (B. 1931) FOR MATTEO GRASSI SET OF SIX LEATHER UPHOLSTERED METAL DINING CHAIRS, LATE 20TH CENTURY each with loose cushions (6) 62.5cm wide, 88.5cm high, 46cm deep £400-600 201 FG755/3 VERNACULAR OAK COFFER the hinged rectangular top enclosing a void interior, above a plain front with a metal hasp, raised on trestle legs 80cm wide, 50cm high, 34cm deep £250-350 202 FG848/1 GEORGIAN STYLE OAK TWIN PEDESTAL DESK the moulded rectangular top with a tooled leather writing surface, above a central drawer, flanked on either side by four graduated short drawers, raised on ogee bracket feet 153cm wide, 75cm high, 90cm deep £250-350

200

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26

203 FG477/55 MAHOGANY EIGHT DAY LONGCASE CLOCK EARLY 19TH CENTURY the painted arched dial with subsidiary second and date dials, within a hood with a gadrooned broken swan neck pediment above spiral turned columns, over an arched door, flanked by foliate moulded columns, raised on fluted feet 54cm wide, 223cm high, 23cm deep £500-800 204 FG478/4 OAK DRESSER AND PLATE RACK 17TH CENTURY STYLE the moulded pierced gallery above a cupboard door enclosing shelves, flanked by open shelves, over the base with a moulded rectangular top and three drawers, raised on cabriole legs 189cm wide, 192cm high, 45cm deep £400-600

205 FG590/4 VICTORIAN MAHOGANY EXTENDED DINING TABLE the moulded oval top above a plain frieze, raised on moulded baluster turned legs and ceramic casters, including two leaf extensions 244cm wide extended, 76cm high, 123cm deep £500-700 206 FG599/19 EIGHT PANEL LACQUER AND POLYCHROME FLOOR SCREEN depicting figures in courtyards and palace terraces against a gilt ground 368cm wide, 240cm high £400-600 207 FG785/1 SCOTTISH NATURALISTIC TWO TIER BURR ELM DINING TABLE, BY IAN FLEMING HUNTER MODERN the shaped top with lift out panels for fitted carvings of frogs, above three supports, over a lower tier, raised on trestle legs 202cm wide, 67cm high, 99cm deep £800-1,200

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208 FH38/8 LEATHER BUTTONED ARMCHAIR the scrolling back and arms above a cushioned seat raised on turned fluted legs, with brass casters stamped ‘Hindley’ 82cm wide, 98cm high, 63cm deep £1,000-1,500 209 SV123/37 SET OF EIGHT QUEEN ANNE STYLE CHAIRS 20TH CENTURY the shaped top rail above a vertical splat and drop in pad seat, raised on cabriole legs, including two open arm chairs (8) 55cm wide, 100cm high, 43cm deep £200-300

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210 FC357/2 PINE CARVED PENNY STOOL with gilt metal mounts and a plaque inscribed ‘Wee Mary’s no a fool she puts her pennys in the stool 1899’, 12cm high, 20cm wide; together with a WOODEN SPOOL HOLDER, papered with a picture of Sir Walter Scott on a tartan ground, 10cm diameter; a MAUCHLINEWARE BOX, showing Burns’ Monument, 8.5cm wide; and two VICTORIAN PHOTO ALBUMS, one with a burr wood binding, the other with a plush fabric binding (5) £100-200 211 FG653/2 TWO ETCHING PLATES the first, a silvered metal example, depicting Diana and Actaeon, 38.5 x 47cm; the second, made of copper, showing a bearded gentleman and the profile of a female, 20.5 x 28cm (2) £200-300

212 FD627A/1 W. WATSON & SONS MAHOGANY AND BRASS HALF PLATE CAMERA LATE 19TH/ EARLY 20TH CENTURY of typical form, with ivory maker’s plaque, with various lenses some signed ‘Ross’, in a leather case with paper maker’s label to interior, with various double dark slides; together with a MARION & CO. LTD. REFLEX CAMERA, with maker’s plaque, with various related equipment (qty) Note: This half plate camera belonged to the photographer Walter Price Jenkinson, who owned and worked in the Britannia Studios, where he inherited this piece, after purchasing the studio, in around 1948. As both a commercial and professional photographer, Jenkinson regularly used this camera until the late 1970s. He had previously exhibited in the British Photography Gallery in London in the 1950s.

£150-250

213 FG653/3 CARVED WOODBLOCK OF GEORGE AND THE DRAGON the ebonised wood depicting the knight upon horseback, with two carved holes/handles to the reverse 18.5cm high, 5cm deep approx. £100-150 214 FG482/3 COPELAND & GARRETT CERAMIC FOOTBATH of lobed oval form with twin handles, decorated with pink and red bands, with impressed and printed maker’s marks and the number ‘7081’ 50cm wide (including handles) £200-300 215 FH38/15 CAST IRON ROYAL COAT OF ARMS of typical form, modelled with the lion and unicorn surrounding a central armorial above the motto ‘Dieu et mon droit’, with gilt and polychrome decoration 45cm wide £300-400

216 FF553/63 ROYAL CROWN DERBY PART COFFEE SERVICE each piece painted in the imari palette, variously marked, comprising of: a twin-handled vase and cover; a set of six coffee cans and six saucers; a further set of seven coffee cans and seven saucers; a miniature loving cup; nine side plates; and a lobed dish; together with TWO MINIATURE STONE CHINA ASHETS, each painted in the imari palette, marked to undersides (qty) £200-300 217 SV36/73 COLLECTION OF CASED MOUNTED SPECIMENS comprising of 13 boxes, of various size, mounted with butterflies, insects, shells and flora specimens (13) £120-180

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218 FG480/11 GILT METAL HANGING LANTERN the foliate moulded frame with six glazed panels and three sconces 34cm wide, 80cm high £150-250 219 FF553/46 TWO GEORGE III TEA CADDIES the first a banded burr walnut example, with canted corners, the interior fitted with two covered compartments, 19cm wide; the second, an inlaid mahogany caddy, of rectangular form, the interior with two covered compartments, 19cm wide (2) £200-300 220 FF956/6 PAIR OF WHIELDON WARE ‘PHEASANT’ JARDINIÈRES each of ovoid baluster form, decorated with birds amongst peonies, with gilt highlights, maker’s marks and pattern name to undersides (2) 29cm high, 38cm diam. approx £200-300

28

221 FF584/40 PAIR OF BLUE AND WHITE ASHETS 19TH CENTURY each of canted rectangular form, depicting a man on horseback led by a groom in a classical landscape, impressed ‘16’ (2) 43cm wide Note: This pattern is sometimes referred to as ‘The Sundial’, see A.W.Coysh and R.K.Henrywood, ‘The Dictionary of Blue and White Printed Pottery 1780-1880, Volume II’, 2001, p.234.

£200-300 222 FC357/8 TWO WOODEN SHORTBREAD MOULDS each carved with fruit, with a handle, 13cm and 10cm; together with TWO WOODEN BUTTER PATS, 21cm long (longest); a WOODEN MALLET SHAPED MOULD, carved with figures, initials and animals, with a handle, 14cm high; and a SMALL WOODEN SPOON, carved with initials ‘H. F’, 14cm long (6) £80-120

223 FG930/1 TWO ROYAL VIENNA PLATES each hand painted piece with a decorative gilt rim, one depicting Paris, Venus and Helen, the other showing the the adoration of Venus, with maker’s marks and inscriptions to the undersides (2) 24.5cm diam. £200-300 224 FC357/3 TWO WOODEN CHESS BOARDS the first of fold-out square form, 34cm squared; the second of square form, 28cm squared; together with a TUNBRIDGE EASEL FRAME, inlaid with dragons and foliate borders, 15.5cm high; a LIDDED TREEN BOX, inlaid with the map of South America in various veneers, interior void, 10cm wide; a CIRCULAR TREEN BOX, claimed to be made from part of the House of Commons, interior void, 8cm diameter; and TWO GILTWOOD FRAMES, of various size and design, 46.5 x 37cm, and 78 x 61cm (7) £150-250

225 FF553/60 MINIATURE WOODEN BUREAU with a slant front enclosing a fitted interior, above three drawers, raised on cabriole legs, 25cm high; together with a MINIATURE SERPENTINE CHEST OF DRAWERS, with four graduated drawers flanked by reeded panels and raised on bracket feet, 19cm high (2) £200-300 226 FF553/75 CASED F124 SHIP MODEL the painted body complete with life boats, crew members and artillery, in a perspex and wooden case, 110cm long approx. (excluding case); together with a CASED SHIP MODEL, the painted wooden body complete with decks, rigging and life boats, in a perspex wooden case, 127cm long approx. (excluding case) (2) £100-150

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227 FF553/76 CASED OPEN TOP FERRARI MODEL the red plastic body with faux leather seats, the removable bonnet revealing the fitted engine, in a mirrored perspex case 52cm long approx (excluding case) £200-300 228 FF553/76A GROUP OF BOXED MODEL CARS to include: a Tri-ang electric 2.4 litre Jaguar, 23cm long (excluding box); a Polistil Ferrari B3 F.1, 16cm long (excluding box); and a Victory Models Morris Minor Saloon, 21cm long (excluding box) (3) £200-300 229 FF553/77 CASED FERRARI TESTAROSSA MODEL, BY POCHER RIVAROSSI the red painted metal body with a plastic interior and windows, marked ‘Pocher by Rivarossi, Made in Italy’ to underside, in a perpsex wooden case 55cm long approx (excluding case) £200-300

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230 FF553/78 BOXED MAJOR SEGRAVE’S GOLDEN ARROW MODEL CIRCA 1930S, POSSIBLY JAPANESE the gold and black painted metal body and wheels fitted with small plaques representing the Union Jack, with a winder 54cm long approx. (excluding box) £300-500 231 FF553/79 ALFA ROMEO ‘P.2’ MODEL RACING CAR, BY CIJ CIRCA 1920S the repainted red metal body variously decorated with the number ‘2’ and clover motifs, raised on four plastic wheels 53cm long approx £400-600

232 FF553/80 GERMAN TRACTION ENGINE MODEL CIRCA 1920S the green, red and blue painted body raised on three metal wheels, with marks to underside, 25.5cm long; together with a WILESCO HOBBY-TECHNIK D409 SHOWMAN’S ENGINE, boxed, 30cm long (excluding box) (2) £300-500 233 FF584/74 OAK CASED BAROGRAPH, BEARING PLAQUE FOR ROBERT BALLANTINE, GLASGOW of typical form, the bevelled glass cover lifting off to reveal brass instruments, above a chart drawer 37cm wide £200-300

234 FG482/5 SMALL JAEGER LE COULTRE CLOCK the glazed silvered case enclosing a silvered dial with Roman numerals and a brass and silvered movement, with maker’s marks to case 10cm high £200-300 235 FG669/1 FULL MOUNT TAXIDERMY LEOPARD modelled with glass eyes and an open mouth £500-700 236 FC357/9 WOODEN PAINTED DOLLS HOUSE with unglazed windows and six rooms, 59cm high, 62cm wide, 31cm deep; together with a COLLECTION OF DOLLS, of various age, shape and size (9) £100-200

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237 FF72/46 CONTINENTAL TERRACOTTA FIGURE OF A DANCING GIRL 18TH / EARLY 19TH CENTURY the standing figure in a flowing long gown, raised on a square base with paw feet 18cm high Provenance: The Estate of Dr. Renate Davis, Deceased

£200-300 238 FF97/1 COLLECTION OF FRAMED EMBROIDERED SILK PANELS all in giltwood frames, comprising of: two examples depicting flower sprays, one of oval form, with a paper label to reverse, the other of rectangular form; and an octangonal pole screen, depicting a central painted reserve of a female, surrounded by foliage (3) largest 37.5cm high £150-250

240

239 FF97/2 PAIR OF FRAMED PAINTED AND EMBROIDERED SILK PANELS each in a verre eglomise frame, one depicting a shepherd, the other a shepherdess, portrayed with sheep in a pastoral setting (2) 32cm high (excluding frames) £300-400 240 FF97/3 PAIR OF FRAMED EMBROIDERED SILK PANELS each of oval form, depicting profiles of female figures holding flowers and wheat sheaths, possibly two of the four seasons, in giltwood frames (2) 20cm high (excluding frames) £300-400 241 FC357/16 GROUP OF EMBROIDERED PANELS comprising of: a woolwork example, depicting flowers and animals, 69 x 54cm; a silkwork example, of similar design, 62 x 56cm; and a small needlework spot sampler, 45 x 21.5cm (3) £80-120

242 FF773/3 COLLECTION OF GLASS JELLY MOULDS comprising of sixteen clear glass examples, of various shape and size (16) £150-250 243 FF968/5 PART COPELAND DINNER SERVICE each piece decorated in an oriental style pattern, with red flowers, blue and green bands and a gilt pattern on rims, handles and details, variously marked Copeland, Stoke on Trent, England on underside, comprising of: 24 dinner plates; four ashets of different sizes; 12 saucers; 12 smaller plates; 12 soup dishes; two covered vegetables tureens; one covered sauce tureen on stand; and one sauce boat on stand (qty) £400-600

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244 FH38/26 FOUR FRENCH GREEN GLASS WINE CARBOYS 19TH CENTURY of typical pear shape, variously sized, with painted labels ‘Chardonnay’, ‘Chenin Blanc’, ‘Cabernet Franc’, and ‘Grenache’ (4) largest 39cm high £300-400 245 FH38/12 HANGING TAPESTRY PANEL of square form, depicting trees within a landscape setting, with hanging loops 192cm wide, 195cm high £500-700 246 FH38/24 PAIR OF GILT IRON WALL LIGHTS each flat column with circular decoration and an outscrolling sconce with a lobed drip tray, terminating in curved scrolls to each end (2) 55.5cm high £300-400

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247 FG922/3 CASED SEWING KIT the oval leather case opening to reveal various white metal implements; together with a SMALL LACQUERED BOX, painted with a gentleman and an inscription; and THREE HARDSTONE FIGURES, carved in the Inuit style (5) £120-180 248 SV57/101A SET OF CHROMED METAL FIRE IRONS each piece modelled with a scrolled serpent-like design, comprising of: a poker, a pair of tongs, a shovel and a brush; together with a PAIR OF CHROMED METAL FIRE DOGS; and various CAST IRON FIRE IRONS, including a shovel, a pair of tongs, and two pokers (qty) £200-300

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249 SV77/10 LEATHER CASED BRASS POSTING HORN, BY SWAINE & CO, LONDON the elongated tapered horn mounted with white metal mounts 121.5cm long £150-250 250 FH38/19 GROUP OF THREE FRENCH POTTERY CONFIT POTS UZES, PROVENCE, CIRCA 1840 of various sizes, each with a tapered ovoid body and twin handles, with ochre glaze to the upper section 29.5cm, 28cm and 26cm high £300-400 251 FC357/17 FOUR FRAMED ENGRAVINGS OF TOPOGRAPHICAL SCENES each of rectangular form, 23cm x 30cm; together with with a FRAMED ENGRAVING OF THE SOUTHSIDE OF THE CASTLE OF EDINBURGH, 32cm x 47cm (5) £150-250

252 FC357/14 SET OF MONOCHROME PORCELAIN CUPS AND SAUCERS variously decorated with transfer printed scenes of animals and buildings, with gilt borders and handles, comprising of: three cups, 5.5cm high; and three saucers, 14cm diam. (6) £100-200 253 FF956/7 AMETHYST GLASS EWER AND TWO BASINS each with moulded rippled bodies, comprising of: a ewer, 20.5cm high; and two footed bowls/basins, 22cm diam. and 38cm diam. (3) £200-300

254 FH38/29 GROUP OF THREE GERMAN LAVA VASES 1960S variously marked to the undersides with ‘W. Germany’, comprising of: a large orange cylindrical example with waved incised decoration, 53.5cm high; a red and black square shaped vase with a repeating circular pattern, 41cm high; and an orange baluster example with a decorative dark band, 38cm high (3) £150-250 255 FC357/11 PAIR OF CAST BRONZE ‘CRISSCROSS’ WALL LIGHTS, BY HANNAH WOODHOUSE each with a horizontal arm supporting the vertical upright, with maker’s mark and foundry mark, wired for electricity, with a dark grey shade (2) 24cm high approx. (excluding fittings and shade) £300-400

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256 FF965/1 SEYMCHAN part slice 94g Provenance: Lucy Cullen Collection Note: Seymchan (Magadanskaya obalst’, Russia) Pallasite (stony-iron) - found 1967 A beautiful pallasite originating from deep within an asteroid. The original mass of this meteorite was found in the bed of a stream flowing into the River Hekandue, a tributary of the Jasachnaja. Further expeditions to the area yielded more finds; some discoveries being true pallasites with their roughly 50:50 mix of olivine and iron, while others were comprised entirely of iron.

The Seymchan slice offered here is the pallasite type, revealing olivine (peridot) crystals surrounded by a web of iron. This exquisite specimen has been cut extremely thinly, maximising the surface area to weight ration. When backlit, this stunning meteorite gives the appearance of an extra-terrestrial stained glass window.

Approximate dimensions: 212 x 113mm

£800-1,200

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257 FF593/4 PAIR OF FRAMED PORTRAIT MINIATURES each painted on ivory, the first depicting a female in dress, with a paper label to the reverse ‘Wife of Captain Charles Guthrie’ etc., the second, depicting a uniformed gentleman, in carved gilt wood frames (2) £150-250 32

258 FG653/4 CARVED GRANITE SCULPTURE POSSIBLY RUSSIAN carved in the Cycladic style as a head and neck, with an incised mark to the underside 17cm high £300-500

259 FH38/20 GILT METAL ‘SUN BURST’ HANGING LIGHT the incised central roundel supporting various graduated waved spokes, wired for electricity 61cm wide £400-600

260 FH38/28 FRENCH ART DECO PAINTED PLASTER BUST, BY LUBÉ, PARIS modelled as a nude female, with maker’s marks to the chest 60cm high £120-180

Private Property of Francis Menotti lots 261-303 266

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261 FG768/8 IRISH MIRROR 19TH CENTURY the oval mirror plate within a moulded gilt and ebonised frame mounted with glass beads (distressed) 72cm wide, 57cm high £300-500 262 FG768/9 COLLECTION OF GLASS AND POTTERY WARES comprising of: a Copeland cream glazed curd pail, with printed and impressed marks, 57.5cm wide; a large tapered glass vase, 42cm high; a green glazed pottery bowl, 38cm diam.; and two blue and white pottery dishes, 41.5cm and 36cm diam. (5) £200-300

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263 FG768/45 SCRUBBED PINE TOPPED KITCHEN TABLE 19TH CENTURY the rectangular cleated top above a plain frieze, raised on square tapering legs 305cm wide, 78cm high, 92cm deep £800-1,200 264 FG768/55 FRENCH SINGING BIRD AUTOMATON LATE 19TH CENTURY the domed wirework cage containing a songbird with movement to the beak and tail, on a circular metal plinth base with gilt highlights, raised on three feet 27.5cm high £150-250

265 FG760/2 PLASTER BUST OF SHAKESPEARE, SIGNED ANTHONY O’NEIL, EDINBURGH, 1846 typically modelled, raised on a socle base, with signature to reverse 55cm high Note: Anthony O’Neil (c.1767/9-1849) was a figure maker, statuary and firework maker. The O’Neil family had operated in these lines of work for two or three generations. Census records show that Anthony lived in the Canongate area of Edinburgh, and worked until his death.

£200-300 266 FG760/3 ONYX AND QUARTZ OBELISK the tapered column surmounted by a ball finial, all raised on a naturalistic plinth and stepped base 59.5cm high £120-180

267 FG768/3 PAIR OF GREEN WICKERWORK TUB CHAIRS the woven back and down swept arms above a woven seat, raised on out swept legs united by stretchers (2) 58cm wide, 80cm high, 47cm deep £150-250 268 FG768/10 FOUR FOLD SCRAP WORK SCREEN the four arched foliate and figural panels, with chinese style panels to the back 252cm wide, 183cm high £100-200

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271 FG760/1A CHINESE PORCELAIN PART DINNER SERVICE each piece decorated with pink flowers and green leaves surrounded by blue and gold swags and a gold rim, variously marked ‘Hong Kong’ to underside, comprising of: 15 large ashets and five smaller ones; 25 dinner plates; 8 bowls of different sizes; 39 fish plates; and 23 soup dishes (qty) £200-300

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269 FG768/6 GEORGIAN LIBRARY CHAIR FRAME the scrolling back and cushioned seat flanked by down swept arms, raised on reeded sabre legs 65cm wide, 90cm high, 52cm deep £120-180

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270 FG760/1 CHINESE PORCELAIN PART DINNER SERVICE each piece decorated with pink and green motifs with flowers, variously marked ‘Hong Kong’ to underside, comprising of: 41 dinner plates; 15 soup dishes; 15 fish plates; 14 ashets; and 11 bowls of different sizes (qty) £200-300

272 FG760/1B CHINESE PORCELAIN PART DINNER SERVICE each piece decorated with swags of leaves and small red flowers within blue and gold swags, variously marked ‘Hong Kong’ to underside, comprising of: two large bowls; four large ashets; 27 dinner plates; 24 fish plates; six soup dishes (qty) £200-300

273 FG760/7 CONTINENTAL GILTWOOD AND GESSO MIRROR 18TH CENTURY the arched divided mirror plate within a mirrored border in a foliate scroll and flower carved frame surmounted by carved flowering basket cresting 124cm wide, 189cm high £800-1,200 274 FG768/49 PAIR OF OAK AND IRON BOUND DEED CHESTS 18TH CENTURY the rectangular top above a heavily hinged door opening to reveal drawers, with iron handles to the front and back (2) 77cm wide, 68cm high, 49cm deep £200-300

275 FG768/50 THREE OAK AND IRON BOUND DEED CHESTS 18TH CENTURY the rectangular top above a heavily hinged door enclosing drawers, with handles to the front and back (3) 77cm wide, 48cm high, 49cm deep £300-400 276 FG760/4 PAIR OF CANTGALLI CACHE POTS each of tapering from, decorated with winged creatures in yellows, ochres and blues, with painted marks to undersides, 13.5cm high; together with a pair of PAINTED POTTERY BIRD FIGURES, each perched on a naturalistic styled pottery base, 27cm high (4) £100-200

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277 FG760/5 REGENCY CUT GLASS CANDELABRA the central tapering column above four outscrolling arms with drip trays hung with cut glass prisms and droplets, raised on a stepped base 61cm high £150-250 278 FG768/1 PAIR OF GEORGIAN SIDE CHAIRS the arched cushioned back and stuff over seat, raised on square tapering legs united by stretchers (2) 55cm wide, 88cm high, 46cm deep £200-300 279 FG768/44 WHITE MARBLE FIREPLACE 19TH CENTURY the shaped rectangular mantle piece above a central plaque depicting classical figures, flanked on either side by fluted panels, raised on fluted uprights 193cm wide, 147cm high £800-1,200

280 FG760/15 GILTWOOD PRIE DIEU the padded back rail above moulded supports and a cushioned seat, raised on moulded legs 44cm wide, 61cm high, 42cm deep £100-200 281 FG760/16 OVER PAINTED CHILDS HIGH CHAIR 19TH CENTURY the shaped back and outswept arms above spindle supports and a solid seat, raised on turned legs, united by stretchers 40cm wide, 74cm high, 28cm deep £100-200

283 FG768/51 PAIR OF TOLE LAMP BASES each of slender baluster form with twin swan handles, all raised on a square plinth base, decorated with figures on a mustard ground, gas lamps converted for electricity (2) 61cm high (excluding most recent fitting) £100-200 284 FG768/56 ITALIAN GEODE AND METAL MOUNTED SCULPTURE modelled as a cat fish with inset cabochon eyes, the geode forming an open mouth, with white metal tail and fins, with retailer’s mark to underside ‘Gioielleria A. Trizio, Bari’ 30cm long approx. £150-250

282 FG768/2 JAPANNED FLOUR BIN the hinged wooden top above a metal rectangular body 54cm wide, 75cm high, 45cm deep £150-250

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285 FG768/41 WILLIAM IV MAHOGANY COMPACTUM the peaked pediment above three panel doors and five graduated long drawers, flanked by tall panel doors enclosing hanging space, raised on a plinth base 250cm wide, 196cm high, 63cm deep

287 FG768/37 COLLECTION OF TIN PLATE TOYS comprising of: a J. Chenin & Co. ‘Rollercoaster’; a Joseph Wagner ferris wheel; a Louis Marx ‘Honeymoon Express’; and various other American and European toys (qty) £120-180

290 FG768/4 FOUR MAHOGANY BIEDERMEIR CHAIRS the arched back and vase shaped vertical splat above a serpentine drop in pad seat, raised on sabre legs (4) 55cm wide, 87cm high, 45cm deep £300-400

Note: This compactum was previously the property of Lord Haddington and included in the sale of contents of Tyninghame House

288 FG768/40 BRASS CASED RELIQUARY of demi lune shape, the twin doors opening to reveal religious inscriptions and two out-folding candle sconces, 37cm high; together with an associated PAINTED WOODEN FIGURE, modelled as a boy in clothing, raised on a wooden base, 26.5cm high overall (2) £150-250

291 FG768/5 ROCOCCO STYLE GILT PINE BALLOON BACK CHAIR the moulded back with cushioned pad above a stuff over seat, raised on moulded cabriole legs 43cm wide, 89cm high, 38cm deep £150-250

£1,000-1,200 286 FG760/18 FLORAL UPHOLSTERED DUCHESSE BRISE the loose cushioned back and seat, flanked by out scrolling arms, raised on square tapering legs, with matching ottoman 67cm wide, 82cm high, 63cm deep £100-200

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289 FG768/43 PINE BUTCHERS TABLE the three plank rectangular top raised on square legs 209cm wide, 75cm high, 91cm deep £100-200

292 FG760/6 CARTIER TIMEPIECE of octangonal form, the signed white enamel dial with Roman numerals, within a speckled blue border, signed to reverse, 7.5cm high; together with TWO TIFFANY & CO. SCARAB BEETLE BOXES, one glazed green, the other yellow, maker’s marks, 9cm long (3) £120-180

293 FG760/20 ‘YESTER’ BLOTTER, INK STAND AND LETTER RACK the leather bound blotter with gilt inscription ‘YESTER’ to the front, with a mahogany and ebonised ink stand with cut glass vials, and a painted canvas covered letter rack; together with a DRINKING GLASS, enamelled with an armorial (4) £120-180 294 FG768/7 COLLECTION OF LARGE HARDWOOD STANDS comprising of four examples, of varying designs, the open frames with scrolled legs (4) 30cm high approx. £150-250

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301 295 FG768/64 COLLECTION OF CHINESE CERAMICS comprising of: a blue and white baluster vase and cover, with marks to underside, 37.5cm high; a pair of blue and white baluster vases (covers lacking), marks to undersides, 22cm high; a celadon bottle vase, 23cm high; and a celadon bowl, 15cm diam. (5) £200-300

297 FG768/61 SILVER LIMITED EDITION WINSTON CHURCHILL PLATE Birmingham 1974, of simple circular outline with an enamel portrait of Churchill to centre, number to reverse 520, 25.5cm diam, 13.2oz; together with a CASED SILVER SET OF SUGAR AND CREAM, Birmingham 1939; and a SILVER DRUM MUSTARD POT (4) £200-300

296 FG768/62 CHINESE SILVER PLATED PHOTO FRAME the frame of square form, decorated with dragons amongst bamboo in relief 19.5cm squared £120-180

298 FG768/35 TWO CONTINENTAL WHITE METAL HERALDIC PLAQUES unmarked, the central heartshaped shield with applied initials, surmounted by a flaming crest, each with open work, foliate and feather borders, one on velvet backing (2) 49cm and 46cm high £100-200

299 FG768/57 GROUP OF SMALL BOXES comprising of: a gilt metal and green enamelled example; a silver and gilt enamelled toothpick box; a blue and white cane glass box, shaped as a heart; a porcelain mounted white metal box; a lacquered wooden box and miniature ivory spoon; together with a PORCELAIN DALMATIAN SHAPED SEAL; and a PAINTED PORCELAIN CANE HANDLE (7) £200-300 300 FG768/59 COLLECTION OF MARY GREGORY STYLE GLASS WARE comprising of: a decanter and stopper, a bottle and stopper, and a jug, all with white decoration depicting children; and a tumbler and jug, painted with white and polychrome children; together with FOUR GLASS PERFUME BOTTLES, of various size and shape, including a Steuben example (9) £150-250

301 FG760/12 NEEDLEWORK RUNNER EARLY 20TH CENTURY the lemon yellow field with tulip sprays, within spiral twist border 448cm x 152cm £200-300 302 FG760/12A NEEDLEWORK CARPET EARLY 20TH CENTURY the cream field with allover rectangular floral lattice pattern, within plain yellow border 400cm x 253cm £200-300 303 FG760/14 ANATOLIAN KELIM RUG LATE 19TH/ EARLY 20TH CENTURY the purple field with three hooked polychrome motifs, within burgundy hooked lozenge border between bands 158cm x 130cm £120-180

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304 FG779/3 QASHQAI KELIM SOUTH PERSIA, 20TH CENTURY the field with allover polychrome horizontal bands with hooked lozenge pattern, within polychrome stepped border between bands 236cm x 153cm £150-250 305 FG852/4 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette and scrolling vine pattern, within similar cream border between bands 470cm x 300cm £1,400-1,800

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306 FG852/5 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the madder red field with allover palmette and vine pattern, within similar cream border between bands 430cm x 330cm £1,200-1,800

307 FG813/3 TURKISH CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with columns of palmettes and cruciform motifs, within grey rosette and branch border between bands 408cm x 366cm £300-500 308 FG831/10 TURKISH CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with columns of palmettes and cruciform motifs, within indigo rosette and branch border between bands 403cm x 280cm £200-300 309 FG831/31 TURKISH CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with columns of palmettes and cruciform motifs, within indigo rosette and branch border between bands 565cm x 366cm £500-800

310 FG802/2 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the brown field with red and ivory medallion, similar spandrels, within red palmette and cartouche border between bands 214cm x 140cm £300-500 311 FG802/4 HERIZ STYLE CARPET LATE 20TH CENTURY the cream field with blakc and pink medallion suspending pendants, pink and blue spandrels, within blakc turtle palmette, rosette and vine border between bands 340cm x 278cm £200-300

312 FG852/3 BAKHTIARI CARPET WEST PERSIA, EARLY 20TH CENTURY the dark indigo field with allover polychrome lozenge lattice pattern, within ivory palmette and vine border between bands 518cm x 353cm £1,500-2,500 313 FG855/4 BAKHTIARI CARPET WEST PERSIA, 20TH CENTURY the rust field with ivory medallion, indigo spandrels, within ivory palmette and vine border between bands 379cm x 322cm £400-600

314 YE2014/1 SOUTH CAUCASIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the dark brown field with six polychrome octagonal medallions and two cruciform motifs, other minor medallions, within light brown stylised vine border between bands 260cm x 128cm £200-300 315 FG837/1 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the field with allover polychrome rectangular lattice with animals, birds and trees, within red cartouche border between bands 408cm x 303cm £300-500

316 FG852/1 TEKKE CARPET TURKMENISTAN, EARLY 20TH CENTURY the brown field with five columns of twelve guls, within brown starburst border between bands 285cm x 207cm £200-300 317 FG852/2 INDIAN CARPET EARLY 20TH CENTURY the cream field with central cream medallion surrounded by stylised foliate motifs, within similar light green border between bands 482cm x 308cm £300-500 318 FG813/4 MILITARY INTEREST: QUEENS OWN CAMERON HIGHLANDERS RUG PROBABLY NORTHWEST PERSIA, EARLY 20TH CENTURY the plain red field with Cameronian insignia 186cm x 95cm £150-250

Fine Asian Works of Art 4th June, 2014

Enquiries: Lee Young lee.young@lyonandturnbull.com Tel: 0131 557 8844 Sara Pierdominici sara@lyonandturnbull.com Tel: 0131 557 8844

PAIR OF CHINESE CANTON FAMILLE ROSE COVERED BALUSTER URNS 19TH CENTURY £1,500-2,500

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319 FB81/11 CHINESE LACQUER FOUR FOLD SCREEN LATE 19TH CENTURY depicting ladies and boys in pavillions and gardens, the reverse with birds in trees within a border of flowering plants and scholar’s objects 200cm high, 164cm wide Provenance: The Douglas Franks Collection

£400-600 320 FC357/12 PAIR OF SMALL LIBERTY STYLE SIDE TABLES the square inlaid top with mother-of-pearl motifs, above a shaped apron and eight legs (2) 45.5cm high £150-250

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321 FE237/10 PAIR OF ROCOCO STYLE GILT UPHOLSTERED ARMCHAIRS the pierced foliate moulded top rail above a cushioned back and serpentine loose cushioned seat, flanked by outscrolling arms, over a pierced apron, raised on moulded legs (2) 86cm wide, 108cm high, 57cm deep £300-500 322 FF773/2 PINE KITCHEN CUPBOARD AND UNDERCABINET the moulded cornice above open shelves and four cupboard doors 178cm wide, 210cm high, 63cm deep £300-500

323 FF584/55 VICTORIAN WALNUT DAVENPORT the lidded stationery box top above a leather lined hinged writing slope, with four drawers to one side, with a scrolled base with ceramic castors 55cm wide, 78cm high, 54cm deep £200-300 324 FF970/1 GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, BY JOSEPH TAYLOR, PERTH the arched metal dial with subsidiary second dial and date aperture and applied spandrels, within the hood with a broken swan neck pediment above fluted columns, over a shaped door, flanked by fluted quarter pilasters, raised on a plinth base 46cm wide, 213cm high, 25cm deep £800-1,200 325 FG821/2 SET OF EIGHT MAHOGANY DINING CHAIRS SEVEN 20TH CENTURY AND ONE 18TH CENTURY of Scottish ribbon-back style in the manner of William Hamilton, the shaped top rail and pierced horizontal splats above a stuff over seat, raised on square tapering legs, united by stretchers (8) 54cm wide, 95cm high, 43cm deep Note: A set of dining chairs of this pattern were supplied to Penicuik House by William Hamilton in 1772.

£300-500

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326 FG590/11 VICTORIAN MAHOGANY EXTENDING DINING TABLE the moulded rectangular top above a plain frieze, raised on fluted baluster turned legs and brass caps and ceramic casters 297cm wide, extended, 72cm high, 135cm deep £600-800 327 FH38/10 LEATHER AND BRASS MOUNTED TRUNK SIDE TABLE of rectangular form with a brass lock and handles to either side 46cm wide, 57cm high, 40cm deep £500-700 328 SV57/110A VICTORIAN WALNUT WORK TABLE the circular inlaid top opening to reveal a fitted interior above a tapering octagonal support, raised on a moulded tripod base 46cm wide, 74cm high £150-200 329 SV123/26 GEORGIAN MAHOGANY AND EBONY STRUNG TAMBOUR BUREAU the tambour front lifting to reveal a fitted interior above two frieze drawers, raised on square tapering legs and spade feet 99cm wide, 102cm high, 59cm deep £400-600

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330 FG856/4 GEORGIAN STYLE MAHOGANY AND BOX STRUNG BOWFRONT SIDEBOARD the shaped top above a central drawer flanked by cupboards, raised on square tapering legs and spade feet 122cm wide, 93cm high, 54cm deep £300-500 331 FG832/1 GEORGIAN STYLE MAHOGANY BOWFRONT CHEST the moulded rectangular top above three graduated long drawers, raised on out swept bracket feet 91cm wide, 89cm high, 53cm deep £300-500

332 FE52/112 DUTCH OAK GOTHIC STYLE METAMORPHIC LIBRARY STEPS, STAMPED HORRIX, GRAVENHAGE SECOND HALF 19TH CENTURY the pierced back and outswept arms, above a cushioned seat and shaped apron, raised on turned legs 60cm wide, 65cm high, 30cm deep £250-400 333 No lot 334 FF584/14 DUTCH STYLE BRASS CHANDELIER the baluster column with five scrolled candle branches, above a large ball and ring finial, fitted for electricity 72cm wide, 78cm high £300-500

335 FF704/1 OAK DRESSER AND PLATE RACK 18TH CENTURY STYLE the moulded cornice above two shelves, over the base with three frieze drawers, raised on cabriole legs and pad feet 165cm wide, 181cm high, 53cm deep £300-500 336 FF968/1 GEORGE III OAK CHEST the moulded top above two short and three graduated long drawers, raised on bracket feet 95cm wide 92cm high, 52cm deep £200-300 337 FF858/2 POUL CADOVIOUS & BJØRN WIINBLAD FOR CADO CIRCULAR DINING TABLE, CIRCA 1970 with painted top by Susanne Fjeldsoe Mygge, on turned aluminium pedestal base, signed on the top MYGGE, bears maker’s label 118cm diameter, 70.5cm high £600-800

338 FG275/16 CHINESE RED STAINED AND GILT DISPLAY CABINET LATE QING / EARLY REPUBLIC in two pieces, the pierced and carved cresting over a glazed panel door opening to shelves; the lower part with drawers over tiered shelves, raised on stile feet 93cm wide, 186cm high, 34cm deep £250-350 339 FF976/14 VICTORIAN MAHOGANY WELLINGTON CHEST, STAMPED CHALMERS AND SCOTT, EDINBURGH the moulded rectangular top above seven graduated drawers, raised on a plinth base 66cm wide, 78cm high, 52cm deep £300-500

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340 FG673/1 EDWARDIAN STAINED WALNUT PARLOUR SUITE comprising of: a sofa and two chairs, the moulded top rail above a cushioned back and seat, flanked by down swept arms, raised on moulded cabriole legs (3) 126cm wide, 82cm high, 59cm deep £300-400 341 FG785/2 SCOTTISH NATURALISTIC BURR ELM TILT TOP TABLE, BY IAN FLEMING HUNTER MODERN the shaped top modelled as a flower, above a turned support, raised on a quadriform base 165cm wide, 70cm high £500-800 342 FF584/36 SMALL REGENCY MAHOGANY BOWFRONT SIDEBOARD the D-shaped top above a frieze drawer and two deep drawers flanking an arch, on reeded tapering legs with toupee feet 122cm wide, 90cm high, 61cm deep £800-1,200 42

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343 FF584/38 GEORGE III MAHOGANY DINING TABLE the drop leaf centre section flanked by demi lune ends, raised on square tapering legs and spade feet, including two leaf extensions 365cm wide extended, 75cm high, 115cm deep £700-1,000 344 FG472/9 VICTORIAN ROSEWOOD AND BRASS MOUNTED BREAKFRONT CREDENZA the moulded shaped top above an inlaid frieze and panel door, flanked by glazed doors enclosing shelves, raised on a plinth base 179cm wide, 102cm high, 34cm deep £350-550

345 FF969/4 FRENCH MARBLE TOP TABLE EARLY 19TH CENTURY STYLE the circular top above a turned support with further scrolling metal supports, above a triform base, raised on brass lion paw feet 60cm wide, 66cm high £200-300 346 FH38/2 ANTLER MOUNTED MIRROR the rectangular mirror plate within a mahogany frame mounted with various antlers 77cm wide, 97cm high £1,500-2,000 347 FG856/5 EARLY VICTORIAN MAHOGANY DUMBWAITER MID 19TH CENTURY the rounded rectangular top above two further tiers, with baluster turned supports, over a long drawer, raised on brass caps and casters 121cm wide, 118cm high, 50cm deep £300-500

348 SV57/151 VICTORIAN WALNUT AND EBONISED BRASS MOUNTED CREDENZA the shaped top above an inlaid frieze and door, flanked by bowed glazed doors enclosing shelves, raised on bun feet 153cm wide, 106cm high, 38cm deep £800-1,200 349 SV85/34 WILLIAM IV MAHOGANY EIGHT DAY LONGCASE CLOCK, BY KETTERING AND CO, EDINBURGH the arched painted dial with subsidiary second and date dials within the hood with a broken swan neck pediment surmounted by an eagle finial, above turned columns, over a shaped door flanked by half pilasters, raised on a plinth base 48cm wide, 210cm high, 24cm deep £500-700

350 SV104/3 SET OF REGENCY STYLE TABLET BACK DINING CHAIRS the shaped back above a horizontal splat and drop in pad seat, raised on turned legs (8) 50cm wide, 83cm high, 38cm deep £400-600 351 FG850/1 PAIR OF ARTS AND CRAFTS STYLE FAUX LEATHER ARMCHAIRS EARLY 20TH CENTURY the shaped back above a cushioned seat, flanked by down swept arms, raised on bun feet (2) 67cm wide, 70cm high, 60cm deep £800-1,200 352 FG830/1 OAK OPEN BOOKCASE AND UNDER CABINET the moulded cornice above adjustable shelves, over panel doors, raised on a plinth base 159cm wide, 231cm high, 47cm deep £300-500

353 FG756/1 OAK FARMHOUSE TABLE 19TH CENTURY the rounded rectangular top above three frieze drawers, raised on square tapering legs, united by stretchers 215cm wide, 86cm high, 84cm deep £400-600 354 FG482/1 GEORGIAN STYLE MAHOGANY TALL BOY the moulded cornice above seven graduated drawers, raised on bracket feet 74cm wide, 155cm high, 48cm deep £500-800 355 FG300/87 OAK PLATE RACK EARLY 19TH CENTURY AND LATER the breakfront moulded cornice above two shelves and two drawers, flanked by cupboard doors 157cm wide, 84cm high, 24cm deep £300-500

356 FF771/3 EDWARDIAN OAK FILING CHEST of rectangular form, with four banks of seven drawers 122cm wide, 115cm high, 22cm deep £300-500 357 FF970/6 CAVALIER COCA COLA VENDING MACHINE CIRCA 1958 of rectangular form with a narrow glass vending door, model number CS-72-B, serial number 321027 63cm wide, 144cm high, 45cm deep £300-400 358 FG482/2 WALNUT LOWBOY 18TH CENTURY STYLE the crossbanded top above two short and two deep drawers, raised on moulded cabriole legs 77cm wide, 74cm high, 45cm deep £200-300

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359 FF553/59 SATINWOOD AND PAINTED OCTAGONAL KETTLE STAND the floral painted top above a swag inlaid frieze, raised on square tapering legs united by stretchers 36cm wide, 70cm high £250-350 360 FF553/54 EDWARDIAN SATINWOOD FOLDOVER CARD TABLE the shaped top painted with swags and portrait panels above a foliate decorated frieze, raised on square tapering legs 91cm wide, 76cm high, 46cm deep £400-600 361 FF773/1 LARGE PINE KITCHEN CUPBOARD AND UNDERCABINET the moulded cornice above sliding doors and three frieze drawers, over three further sliding doors, raised on a plinth base 300cm wide, 250cm high, 60cm deep £600-800

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362 FG766/2 GEORGE IV MAHOGANY CHEVAL MIRROR CIRCA 1830 the rounded rectangular mirror plate in a conforming frame, raised between reeded scroll supports, on a trestle supports joined by lotus carved stretchers and raised on outswept legs with casters 87cm wide, 162cm high £600-800 363 FG854/1 MAHOGANY AND BRASS MOUNTED BONHEUR DE JOUR 19TH CENTURY with two raised marble topped superstructures each with pierced brass galleries and four drawers flanking a central mirror, above a slide and frieze drawers, raised on turned fluted legs and brass feet 82cm wide, 123cm high, 49cm deep £500-700

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364 FH38/9 OPEN FAUX BAMBOO SOFA with horizontal splats above a cane seat, flanked by down swept arms, raised on out swept legs, united by stretchers 160cm wide, 86cm high, 54cm deep £1,500-2,000 365 FH38/7 SET OF FIVE WICKER STOOLS the circular top above serpentine legs, united by stretchers (5) 34cm wide, 37cm high £250-350 366 FG842/8 VENETIAN STYLE MIRROR the shield shaped bevelled mirror plate within a mirrored engraved frame, surmounted by a foliate pediment 72cm wide, 140cm high £600-800

367 FG842/12 QUEEN ANNE STYLE JAPANNED DRESSING MIRROR the shaped mirror plate on tapered supports above a slant top enclosing a fitted interior and a drawer, with gilt and red lacquered decoration 80.5cm high overall £700-900 368 FG831/22 LARGE OAK FRAMED BILLIARDS TABLE, BY J. AND T. SCOTT, EDINBURGH with five slate sections, raised on turned legs, including score boards, cues and rack, balls, and framed games rules 388cm wide, 94cm high, 211 deep £500-800

369 FF584/44 JAPANNED AND RATTAN BERGERE SUITE EARLY 20TH CENTURY comprising of: a settee and two armchairs, each with loose cushions and a padded back, the frame decorated in the chinoiserie style, on gadrooned feet with castors (3) sofa 145cm wide, 80cm high, 60cm deep; chairs 67cm wide, 80cm high, 60cm deep £800-1,200 370 FF553/58 NEST OF PAINTED QUARTETTO TABLES each decorated with country scenes, the serpentine top above ring turned supports, raised on trestle legs, united by stretchers (4) 58cm wide, 72cm high, 42cm deep £300-500

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371 FF976/11 GEORGE III MAHOGANY BOWFRONT CHEST the shaped top above three short and three graduated long drawers, raised on splayed bracket feet 117cm wide, 99cm high, 57cm deep £300-500

373 FG779/7 SMALL OAK LOWBOY the moulded rectangular top above a central drawer, flanked by short deep drawers, raised on cabriole legs and square pad feet 74cm wide, 76cm high, 50cm deep £220-280

372 FG600/85 LOUIS XV STYLE PARQUETRY AND MARQUETRY SIDE TABLE 19TH CENTURY the shaped rectangular brass banded top centred by a floral marquetry spray, raised on slender cabriole legs with gilt metal mounts and ending in sabots, joined by a quarter veneered undertier outlined in brass 50cm wide, 74cm high, 39cm deep £300-500

374 FG678/1 PAIR OF CHINESE LACQUER TABLE CABINETS the black and red lacquer rectangular cabinets with two doors enclosing shelves, on scroll carved plinth bases (2) 44cm wide, 47cm high, 29cm deep £120-180 375 FG788/4 CARVED LIMED OAK CABINET the moulded cornice above an open shelf and a carved panel door, flanked by carved uprights, raised on a plinth base 80cm wide, 180cm high, 46cm deep £250-350

376 FG804/1 GEORGIAN STYLE ‘D’ END DINING TABLE 20TH CENTURY the rounded rectangular top with a gate leg centre section above a plain frieze, raised on square tapering legs and spade feet 270cm wide extended, 74cm high, 113cm deep £300-500

378 SV57/27 SET OF ELEVEN OAK DINING CHAIRS the moulded top rail above a shaped vertical splat with all over carved decoration in the French style with drop in serpentine seat, raised on cabriole legs and pad feet 50cm wide, 105cm high, 41cm deep £700-900

377 FG855/1 GEORGIAN III MAHOGANY EBONY AND BOX WOOD STRUNG WORK TABLE the hinged rectangular top opening to reveal a fitted interior, raised on square tapering legs 58cm wide, 74cm high, 44cm deep £200-300

379 SV60/59 GEORGIAN STYLE OCTAGONAL DUMB WAITER 20TH CENTURY the three graduated dished tiers on baluster turned fluted uprights, raised on out swept legs and brass lion paw feet and casters 60cm wide, 110cm high £250-400 380 FH38/4 LARGE WICKER BASKET of traditional oval form 76cm wide, 81cm high, 53cm deep £200-300

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Showcase: Royal Worcester Porcelain Lots 381 to 386 in this month’s sale are all pieces produced by the ceramics factory Royal Worcester Porcelain. Encompassing a range of dates and designs, these pieces are evocative of the company’s history, style and manufacture, and today, they continue to symbolise one of England’s longest running and best loved porcelain factories.

Originally founded in 1751, the Worcester Porcelain Company was set up by Dr John Hall, and quickly became England’s finest porcelain producer. The factory used a ‘soaprock’ recipe which prevented cracking

381 FG937/2 HADLEY’S ROYAL WORCESTER VASE, SIGNED J. W. SEDGLEY DATED 1907 the footed pear shaped body tapering to a slender neck, with moulded twin handles, decorated with pheasants and woodland scenes, with maker’s marks, painted numbers and the initial ‘H.’ to the underside 26.5cm high £300-500

under the thermal pressure of boiling water, unlike their rival porcelain manufacturers.

This development and increased excellence in the company’s wares did not go unnoticed, and in 1807 the factory was granted its royal warrant by George III and was later named Royal Worcester Porcelain in 1862.

The shapes and decorations used by Royal Worcester Porcelain were influenced by interior fashions of the period and foreign items imported through trade, with Japanese style and design playing a significant role. The factory produced heavily

382 FG937/3 ROYAL WORCESTER VASE DATED 1903 of footed baluster form tapering to a fluted neck and twin handles, decorated with thistles and daisies on a pale green ground, with maker’s marks and numbers to underside, shape 1839 26.5cm high £150-250

decorative and ornate pieces during the late 19th century, but accommodated for more demure tastes during the early 20th century as heavy, historical designs were abandoned throughout fashion, in favour of a more organic natural style.

Around 1900, the factory painters were permitted to sign their work for the first time. They were also encouraged to specialise and develop individual styles which allow us to recognise various artists’ work today. Harry Stinton, for example, regularly painted highland cattle, while James Stinton tended to portray game birds.

Artists took inspiration from the factory’s large resource library and mainly painted landscape, wildlife and still life subjects.

Today Royal Worcester is owned by Portmeirion Pottery Group, after the brand was purchased in 2009. The company had been merged in 1976 with Spode, but finally closed its doors, after 200 years of production, in November 2008.

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383 FG937/1 ROYAL WORCESTER IVORY VASE DATED 1888 the footed pear body tapering to a moulded neck and twin handles, decorated with green and embossed gilt ferns and reeds, with puce maker’s marks and numbers to underside, shape 1060 31cm high £200-300

384 SV57/112C ROYAL WORCESTER POT POURRI VASE, SIGNED H. STINTON DATED 1917 the pear shaped body with a green and gilt moulded border, above a painted scene depicting highland cattle, with marks to underside, shape 291/H 11.5cm high £300-500

385 SV57/112D NEAR PAIR OF ROYAL WORCESTER IVORY BLUSH VASES DATED 1894 each piece with twin gilt handles and moulded decoration to the pear shaped body, decorated with various flowers, marked to undersides, shape 1553 (2) 22.5cm high £200-300

386 SV57/112A NEAR PAIR OF ROYAL WORCESTER VASES DATED 1912/13 each of slender baluster form, painted with pink roses, marked to the underside, shape 2491, 14.5cm high; together with a ROYAL DOULTON VASE, of tall baluster form, painted with a hunting scene, signed, marked to underside, 23cm high (3) £150-250

387 FG937/4 GRAINGER’S WORCESTER POT POURRI VASE AND COVER, SIGNED JAS STINTON of ovoid part-reticulated form, raised on three scroll feet and a triangular base, decorated with pheasants and birds in flight, with pale blue and gilt highlights, with maker’s marks and shape number G/465 24cm high £200-300

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388 FC357/15 COLLECTION OF TREEN comprising of: a twin handled inlaid mahogany tray; a small oak shelf; two carved wooden spoons; a carved scoop; a plain scoop; and a cased pipe; together with a PAINTED WOODEN GERMAN MELODEON, marked ‘Lyra’ (8) £120-180 389 FF937/1 SMALL CHINESE WOVEN BAMBOO TRUNK 19TH CENTURY of domed sarcophagus form, with twin handles and metal bound fixtures 32.5cm high, 56cm wide, 39cm deep £150-250 390 FH38/27 BRASS ‘FOX’ DOOR STOP the weighted fox mask surmounted by a curved upright modelled as tail 42cm high £150-250

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392 SV2/31 MAHOGANY BANJO BAROMETER, BY ORTELLI & CO., CARLISLE 19TH CENTURY of typical form with inlaid reserves to the case, with a silvered thermometer plate above the signed barometer dial 101cm high £200-400

394 FH42/1 COLLECTION OF HORNBY AND TRI-ANG MODEL TRAINS AND TRACKS all boxed, comprising of: a Hornby O Gauge Tank Goods set No. 40; a Hornby O Gauge No. 1 Level Crossing; a Trin-ang OO Gauge Model Railroad; a Triang OO Gauge R. 155 Diesel switcher; a Tri-ang OO Gauge R.125 observation car; a Tri-ang OO Gauge R.25 Vista-Dome Coach; a quantity of Hornby O Gauge tracks, unboxed; a quantity of Tri-ang OO Gauge tracks, unboxed; and various other related items (qty) £150-250

393 FH38/14 LARGE TAXIDERMIED STAG’S HEAD the mounted head and neck, with glass inset eyes and six point antlers 103cm wide point to point, 109cm high £800-1,200

395 FF994/1 ROYAL CROWN DERBY PART TEA SERVICE each piece decorated in the imari palette, with maker’s marks, comprising of: 10 tea cups; 12 saucers; two cake plates; and 12 side plates (qty) £400-600

391 FH38/27A BRASS ‘FOX’ DOOR STOP the weighted fox mask surmounted by a curved upright modelled as tail 39cm high £150-250

396 FF222/1 CONTINENTAL PORCELAIN PART TEA SET comprising of: 13 cups, each painted with the crest for the Colonna family, and marked with stamp for Mansard, Paris, 10cm diam; and 14 saucers, 14cm diam; together with a further PORCELAIN PART TEA SET, BY RICHARD GINORI, each piece decorated with a gilt border, with maker’s marks, comprising of: 10 cups, 9.5cm diam; and 13 saucers, 13.5cm diam (qty) £150-250 397 FF869/2 ALBERT GUIBARA (AMERICAN, B.1944) GILT BRONZE TREE SCULPTURE with twin trunks and spreading roots, raised on a natural stone, with maker’s plaque 37cm high approx. £200-300

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398 FF869/3 ALBERT GUIBARA (AMERICAN, B.1944) GILT BRONZE TREE SCULPTURE with a twisted trunk and spreading roots, raised on a natural stone, with maker’s plaque 51cm high approx. £300-500 399 FH38/17 PAIR OF FRENCH GILT METAL WALL SCONCES, AFTER GILBERT POILLERAT each with a sunburst wall mount supporting two tapered columns with petal-like sconces, wired for electricity (2) 41cm high overall £700-900 400 FG823/1 PAIR OF LARGE WROUGHT IRON HALL LANTERNS 20TH CENTURY each of octagonal form with glazed panes beneath the open frame (2) 52cm wide, 110cm high, £300-500

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401 FG987/1 19TH CENTURY EUROPEAN SCHOOL DESIGN FOR A LUNETTE MURAL Watercolour on silk laid on board, arched top 27.5cm x 45cm (11in x 17.5in) £150-250 402 FH38/25 BOXED CROQUET SET with eight mallets and eight balls, as well as hoops and a hammer, the interior lid with a label ‘Jeu de Croquet’ box 103cm long £150-250

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403 FH78/1 GROUP OF CARVED GILTWOOD AND GESSO FRAMES comprising of: a large example, with a decorative moulded frame and stylised fleur de lis like reserves, 130 x 105cm; a smaller frame, with moulded shell motifs to each corner, 93.5 x 80.5cm; and a small example, with a decorative moulded border with a repeating foliate pattern, 63 x 50.5cm (3) £200-300

404 FH22/1 GROUP OF GILTWOOD FRAMES comprising of: two gesso examples, with decorative rectangular moulded frames, of varying size, 54 x 44cm, and 64.5 x 54cm; and a pair of oval shaped gilded wood frames, 47cm high (4) £150-250 405 FF584/40A TWO PORCELAIN FIGURES 19TH CENTURY both modelled as female figures, one holding a bird, the other cradling fish in her skirts, raised on moulded bases (2) 26cm and 22.5cm high £200-300 406 FF956/5 PAINTED OPAQUE GLASS VASE of baluster form with an everted rim, painted with a flower spray within gilt borders on a pink opaque glass ground 30cm high £200-300

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407 FF981/1 PART SUITE OF CUT CRYSTAL GLASSES AND DECANTERS each piece decorated with scrolling borders, comprising of: two decanters and stoppers; a spare stopper; three finger bowls; three plates; and 21 drinking glasses, of various sizes (qty) £300-500 408 FF553/47 VICTORIAN ROSEWOOD LAP DESK with decorative brass mounts, the hinged lid opening to reveal a velvet slope and fitted compartments 40.5cm wide, 12.5cm high, 24.5cm deep £120-180 409 FG779/6 SET OF THREE GRADUATED PAPIER MACHE TRAYS each of oval form, decorated with gilt borders on a black ground, largest 75.5cm wide; together with a GROUP OF EIGHT SMALL FRAMED PICTURES, including prints and silhouettes (11) £200-300

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410 FH38/30 CARVED IVORY HANDLED WALKING CANE modelled as a hound with inset glass eyes, above the silver collar and tapered wooden shaft 91cm long £300-400 411 FG842/15 CAST IRON STICK STAND 19TH CENTURY in the form of a kilted soldier, with a thistle moulded upright and a drip tray 53cm wide, 89cm high, 31cm deep £1,000-1,500 412 FF991/1 LAWN CHEMISE, BY REPUTE PREVIOUSLY THE PROPERTY OF QUEEN VICTORIA 19TH CENTURY edged in lace to the neck and short sleeves, with the cipher ‘VR 17’ 70cm wide at the chest £200-300

413 FF765/12 SMALL TABLE MUSIC BOX 19TH CENTURY of rectangular form, the ebonised case with an inlaid brass cartouche, the movement with a single barrel, single air, with a mirror to lid interior 12cm wide, barrel 7.5cm £140-180 414 FG482/4 ANGLO-INDIAN BRASS BOUND SANDALWOOD VANITY CASE of typical form with twin handles, the hinged lid opening to reveal fitted compartments and metal containers above a drawer, with a loose plaque inscribed ‘Richard Aspinall Esquire’ 31cm wide £300-400

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415 FG842/11 CARVED WOODEN ‘KIWI’ CLOCK modelled as a kiwi bird in high relief upon a carved log raised on four feet, housing a brass dial with Roman numerals and signed ‘Smiths, Made in Great Britain’ 31.5cm high, 26cm wide £500-700 416 FH38/31 GILT BRASS HALL LIGHT of glazed hexagonal form with a hinged pane, the moulded frame with six arms supporting the light fitting 59cm high approx. £400-600 417 FG779/8 COLLECTION OF TREEN ITEMS comprising of: a miniature snap top table, with a veneered surface, 22.5cm high; a carved mahogany cheese coaster, 42.5cm wide; and a cylindrical sectional spice box, 18cm high (3) £150-250

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418 FF981/2 PORCELAIN PART TEA AND COFFEE SERVICE each lobed piece decorated with floral reserves on a cobalt ground with gilt borders, comprising of: twelve tea cups; eight coffee cans; twelve saucers; a slop/sugar bowl; and two cake plates (qty) £300-500 419 FH94/1 GROUP OF THREE STAFFORDSHIRE HEN TUREENS AND COVERS 19TH CENTURY of various size, each cover modelled as a recumbent hen with eggs, upon a moulded base modelled as a basket, with polychrome decoration; together with a SMALL PORCELAIN HEN TUREEN AND COVER, and a SMALL MILK GLASS HEN TUREEN AND COVER, each of similar style (5) largest 29cm wide approx. £200-300

420 FH94/2 TWO AGATE WARE POTTERY HEN MONEY BANKS LATE 19TH CENTURY, POSSIBLY BY SEATON POTTERY, ABERDEEN each modelled as recumbent hens with open slits to their backs, raised on basket-like bases, with streaked glaze, 9.5cm high; together with a TREACLE GLAZE POTTERY HEN MONEY BANK, of similar design, 9cm high (3)

421 FG587/22 SPECIMEN MARBLE BUST OF THE EMPEROR HADRIAN AND PEDESTAL the chest length bust carved in various marble on an associated painted wood socle; on a stop fluted green marble sectional pedestal with an octagonal base Bust: 45cm high; pedestal: 110cm high £600-800

Note: Seaton Pottery was founded in 1868

by Thomas Gavin and James Ritchie.

During its first period, the pottery produced many redwares which they did not mark. They were known, however, for their agate wares, with chicken-shaped money banks being one of their most common shapes.

See Kelly, Henry E., Scottish Ceramics, 1999, pp.180-1.

422 FH38/16 PAINTED IRON SIGN, FOR CURTIS’S & HARVEYS SPORTING CARTRIDGES of rectangular form, painted with green letters on a cream ground ‘Curtis’s & Harvey’s Sporting Cartridges, Smokeless Diamond, “Amberite” & “Ruby.”’

46 x 30.5cm £200-300

£100-200

423 SV57/75 MODERN MAHOGANY CASED BAROGRAPH of typical form, the bevelled glass cover lifting off to reveal brass instruments, above a chart drawer 37cm wide £150-250 424 SV104/4 LARGE WOOLWORK PANEL of rectangular form, decorated with various birds and animals, within a foliate border, mounted to board 136 x 100cm approx. £150-250 425 FH38/18 GILT METAL ‘PINEAPPLE’ CHANDELIER the central column modelled as a pineapple surmounted by everted leaves, above five outscrolling arms and further leaves 56cm high, 59cm wide approx. £500-700

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426 FG932/1 VICTORIAN ROSEWOOD VANITY CASE of rectangular form, inlaid with mother-of-pearl motifs, the hinged lid opening to reveal fitted compartments with plated glass jars and boxes 30.5cm wide £150-250 427 FG766/10 RIDGWAY EARTHENWARE PART DINNER SERVICE each piece decorated with the ‘Italian flower garden’ pattern in monochrome dark brown, variously marked ‘JWR’ to the underside, comprising of: a large soup tureen and cover; a smaller vegetable tureen and cover; a sauce tureen and cover; a sauce boat on stand; two ashets of different sizes; 20 dinner plates; eight soup dishes; a meat drainer; and a tureen cover (qty) £400-600

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428 FG997/1 VICTORIAN WORCESTER SQUIRREL SPILL VASE modelled as a tree trunk with two vestibules, above the seated squirrel eating nuts or foliage, with maker’s marks, impressed ‘220’, and the Victorian lozenge to the underside 19cm high £200-300 429 SV2/15 GREEN GLASS WINE CARBOY EARLY 19TH CENTURY of ovoid form with a tapered neck, decorated with a reserve and initials 35.5cm high £150-250 430 FG779/4 GLASS JAR of cylindrical form, with a removable interior of waisted form 27cm high £100-200

431 FH38/22 SET OF FOUR GLASS AND BURNISHED METAL WALL LIGHTS each half domed smoked glass shade supported by a scrolled moulded frame with a foliate pediment (4) 37cm wide £400-600 432 FH38/23 CARVED GILT WOOD AND GESSO ‘SUN BURST’ MIRROR the convex mirror plate with a decorative slip frame supporting various graduated ‘rays’ 61cm wide £300-400 433 SV57/82A MAHOGANY STICK BAROMETER 19TH CENTURY of typical form, with both ivory barometer and thermometer plates 94cm high approx. £120-180

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434 SV57/103 COLLECTION OF MILITARY UNIFORMS AND MEMORABILIA to include: various hats, a helmet , clothing and jackets (qty) £150-250 435 FH38/21 PAIR OF CARVED OAK ANTLER MOUNTED WALL BRACKETS each with a rectangular platform supported by a carved column mounted with a pair of antlers (2) 49cm high approx. £250-350 436 FG855/3 ITALIAN METAL JARDINIERE STAND 20TH CENTURY the circular top above a pierced hexagonal upright, raised on a circular foot 28cm wide, 92cm high £200-300

431 (set of four)

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437 FG788/3 METAL AND GILTWOOD CURTAIN POLE the reeded columns supported by carved fixtures with decorative foliate bosses and shaped pediments 196cm wide £300-500 438 FG566/43 SMALL MIDDLE EASTERN COPPERED PANEL of rectangular form, embossed with a sacrificial scene and mythical creatures 10 x 7cm £200-300 439 FG566/7 SUTRA LECTION MANUSCRIPT the inscribed palm leaves enclosed between two painted wooden covers 60cm long £150-250

440 FG566/10 INDIAN CARVED HARDWOOD TABLE CABINET the galleried top surface over various doors, drawers and fitted compartments, carved with figures, birds and flowers 60cm wide, 40cm high, 24cm deep £300-500 441 FG566/16 COLLECTION OF MIDDLE EASTERN BRASS AND COPPER WARES of various shapes and sizes, with incised and embossed decoration, comprising of: three brass, and two copper bowls (5) largest 33.5cm diam £150-250 442 FG566/21 COLLECTION OF MIDDLE EASTERN COPPER AND BRASS WARES of various shapes and sizes, with embossed decoration depicting figures and scolling foliage, comprising of: a brass bowl with inset copper panels; a leaf-shaped copper candle sconce; and small two copper jars/vases (4) largest 9.5cm high £150-250

443 FG566/22 COLLECTION OF MIDDLE EASTERN BRASS AND COPPER WARES of various shapes and sizes, with incised and embossed decoration, comprising of: three brass bowls; three copper bowls; a crescent shaped plaque/dish; a covered pot; a lidded pot; and a small pierced vase (10) £150-250 444 FG566/32 COLLECTION OF ASSORTED PRAYER WHEELS comprising of six examples, all with prayer rolls, with embossed and incised decoration, comprising of: a silver example with inset blue cabochons; a brass and silver prayer wheel with closionne roundels; a copper and white metal example; and three copper and brass prayer wheels (6) £150-250 445 No lot

446 FG703/1 TWO FRAMED INDIAN PAINTINGS the first depicting a gathering of men around an outdoor temple, 80 x 52.5cm (excluding frame); the second showing a couple welcoming female attendants with offerings, 54.5 x 84cm (excluding frame) (2) £200-300 447 FG506/2 LARGE INDIAN PAINTING ON SILK depicting a female figure playing an instrument with three attendants/companions in an ornate garden with exotic birds, in a glazed gilt wood frame 112 x 81cm (excluding frame) £150-200 448 SV85/21 JAPANESE CLOISONNE TEAPOT AND COVER the pear shaped body surmounted by a domed cover, decorated with reserves depicting insects and birds on a dark foliate ground 15.5cm high £150-250

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449 FC357/13 LARGE FLOOR STANDING PINE ABACUS 19TH CENTURY with ten metal rods and painted counterballs, raised on a carved column and cast iron base marked ‘The Requisite Series, CW &Co, London’ 140cm high overall £120-180 450 FF553/56 EDWARDIAN SATINWOOD BOW FRONT CORNER CABINET the moulded cornice above glazed doors enclosing shelves, raised on square tapering out swept legs, united by an under tier 75cm wide, 175cm high, 47cm deep £300-500 451 FG586/7 OAK GATE LEG DINING TABLE 18TH CENTURY the oval drop flap top above block and turned legs, united by stretchers 144cm wide, 78cm high, 63cm deep £300-500

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452 FF553/69 SET OF EIGHT GEORGE III STYLE MAHOGANY SHIELD BACK DINING CHAIRS the serpentine top rail above a pierced, carved vertical splat, over a drop in pad seat, raised on moulded square tapering legs and spade feet (8) 52cm wide, 98cm high, 43cm deep £300-500 453 FH38/3 IRON FRAMED MIRROR the canted bevelled mirror plate within a foliate and floral mounted metal frame 77cm wide, 97cm high £400-600 454 SV57/47 GEORGIAN STYLE CORNER CABINET AND BASE the moulded cornice above an astragal glazed door enclosing shelves and a panel door, raised on a plinth base 80cm wide, 210cm high, 48cm deep £400-700

455 SV57/87 GEORGIAN STYLE MAHOGANY SERPENTINE CHEST 20TH CENTURY the shaped top above four graduated long drawers, flanked by blind fretted canted corners, raised on bracket feet 89cm wide, 81cm high, 51cm deep £200-300 456 FG856/1 MAPLE & CO. ROSEWOOD METAMORPHIC DRINKS CABINET EARLY 20TH CENTURY the hinged rectangular top opening to reveal a rising tantalus, raised on outswept square tapering legs united by an under tier 61cm wide, 77cm high, 36cm deep £300-500 457 FG788/2 FRENCH STYLE OVER PAINTED UPHOLSTERED HEADBOARD the shaped acanthus moulded frame upholstered in floral fabric 131cm wide, 146cm high £300-500

458 FG779/9 VERNACULAR OAK COFFER the hinged plank top enclosing a void interior above a plain front, raised on trestle feet 84cm wide, 54cm high, 54cm deep £300-400 459 FG779/11 GEORGIAN MAHOGANY SIDE TABLE the moulded rectangular top above a frieze drawer with an opposing dummy drawer, raised on bobbin turned legs and brass caps and casters 51cm wide, 73cm high, 40cm deep £150-250 460 FG801/2 OAK KITCHEN TABLE 20TH CENTURY the moulded rectangular top above two frieze drawers with two opposing, raised on bobbin turned legs 183cm wide, 81cm high, 105cm deep £250-400

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461 FG830/2 OAK ARTS AND CRAFTS STYLE BOOKCASE AND UNDER CABINET 19TH CENTURY the dentil moulded cornice above glazed doors enclosing adjustable shelves, over two frieze drawers and two cupboard doors, raised on bracket feet 135cm wide, 233cm high, 50cm deep £300-500

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462 FG801/1 GEORGIAN STYLE MAHOGANY TRIPLE PEDESTAL DINING TABLE 20TH CENTURY the rounded rectangular reeded top above turned supports and out swept reeded legs, raised on brass lion paw feet and casters, including two leaf extensions, and two further short leaves for a breakfast table conversion 468cm wide, 74cm high, 121cm deep £1,500-2,500

463 FG801/3 THREE OAK OPEN ARMCHAIRS the shaped top rail above a comb back and out swept arms, over a solid seat, raised on cabriole legs, united by stretchers (3) 53cm high, 89cm high, 46cm deep £150-250

464 FF701/3 HARLEQUIN SET OF FIFTEEN TABLET BACK DINING CHAIRS the shaped back above a horizontal splat and pad seat, raised on turned legs, including one open arm chair (15) 47cm wide, 87cm high, 40cm deep £800-1,200 465 FF771/2 MAHOGANY COAT STAND 19TH CENTURY with seven coat hooks, raised on a turned support and a tripod base 57cm wide, 195cm high £300-500 466 FG831/12 OAK LEAF DROP TABLE 17TH CENTURY the oval top above a drawer to one end, over block and turned legs united by peripheral stretchers, raised on pad feet 39cm wide, 72cm high, 106 cm deep £250-350

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467 FG776/1 LARGE VICTORIAN OAK PARTNER’S DESK the moulded top with an inset writing surface above three frieze drawers, over pedestals, each with three drawers and three opposing, raised on plinth bases 158cm wide, 80cm high, 112cm deep £700-900

470 FG846/8 VICTORIAN EBONISED EXERCISE CHAIR the cushioned head rest and fluted supports above a cushioned back and seat, flanked by cushioned arms, raised on turned fluted legs and ceramic casters 63cm wide, 91cm high, 52cm deep £250-350

468 FG842/14 HOLLOW TREE TRUNK STICK STAND of natural form with a void interior 63cm wide, 70cm high £500-700

471 FG834/1 VICTORIAN MAHOGANY INVERTED BREAKFRONT LOW BOOKCASE the moulded cornice above four glazed doors enclosing adjustable shelves, raised on a plinth base 259cm wide, 137cm high, 49cm deep £600-800

469 FG846/6 VICTORIAN MAHOGANY SWIVEL CHAIR the shaped back and out scrolling arms above a pierced vertical splat and solid seat, raised on outswept legs and ceramic casters 62cm wide, 87cm high, 48cm deep £120-180

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472 FG922/2 SMALL MAHOGANY SIDE TABLE the square top fitted with four metal corner plaques depicting thistles, above a single drawer and four tapered legs, 47.5cm high; together with a MINIATURE GILTWOOD BALLOON BACK CHAIR, with a carved open back, an upholstered seat, and cabriole legs, 44.5cm high (2) £150-250 473 FH38/11 DUTCH CHINOISERIE TABLE CIRCA 1790 the moulded rectangular top depicting dancing minstrels above a frieze drawer, raised on out swept square tapering legs 74cm wide, 69cm high, 59cm deep £800-1,200

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474 FF72/65 EARLY GEORGE III STYLE WALNUT AND CROSSBANDED TWIN PEDESTAL DINING TABLE the rounded rectangular top above turned supports, raised on cabriole legs 183cm wide, 78cm high, 91cm deep Provenance: The Estate of Dr. Renate Davis, Deceased

£500-700 475 FF584/75 GEORGE III MAHOGANY BOWFRONT HANGING CORNER CABINET the mouded cornice above two doors and a moulded base 106cm high £200-300

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476 FF584/37 OAK DRESSER 18TH CENTURY the plate rack with a moulded cornice above four shelves, the rectangular base with three frieze drawers over ring turned baluster columns and an undertier, on black feet 201cm wide, 240cm high, 44cm deep £2,500-3,500 477 FH38/1 IRON PUMP AND STONE TROUGH the pump with a serpentine handle, downswept spout and spiral moulded upright together with a roughly hewn trough pump 132cm high, trough 45cm wide, 64cm long £700-900 478 FG802/11 GEORGIAN MAHOGANY TOILET MIRROR the shaped mirror plate with a gitlwood slip frame, on tapered supports above three drawers 62.5cm high overall £200-300

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479 SV123/37A MAHOGANY TWIN PEDESTAL DINING TABLE 20TH CENTURY the moulded rectangular top above turned supports, raised on out swept legs 243cm wide, 76cm high, 104cm deep £200-300 480 SV2/43A MAHOGANY WINDOW SEAT 19TH CENTURY the rectangular top and turned ends above a plain frieze, raised on turned legs 112cm wide, 50cm high, 29cm deep £250-400 481 FG766/1 GEORGE III GILTWOOD MIRROR LATE 18TH CENTURY the shaped bevelled mirror plate within a moulded pierced frame 76cm wide, 84cm high £400-600

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470

482 FG600/24 OVER PAINTED PINE SOFA TABLE EARLY 19TH CENTURY the rectangular top above a foliate and floral frieze, raised on outswept legs and brass caps and casters 80cm wide, 70cm high, 53cm deep £300-500 483 FF584/48 GEORGE III MAHOGANY BUREAU the fall flap enclosing a fitted interior above four graduated long drawers, raised on bracket feet 99cm wide, 109cm high, 50cm deep £200-300

485 FG681/2 THE WALLACE OAK, A WALL HANGING CABINET 19TH CENTURY made from the wood of the Ellerslie Wallace oak and passed down through the family, the three quarter galleried top surmounted by a plaque, above two panel doors enclosing shelves 71cm wide, 71cm high, 20cm deep £300-500 486 FG846/9A GEORGIAN MAHOGANY TOILET MIRROR the shaped mirror plate on tapered supports, above three drawers 71.5cm high overall £200-300

484 FF968/3 ADAM STYLE MAHOGANY SIDE TABLE the breakfront top above a moulded frieze with a central swag, raised on fluted square tapering legs 101cm wide, 74cm high, 45cm deep £200-400

477

57

494

499

500

487 FG856/2 VICTORIAN WALNUT AND INLAY DAVENPORT the pierced three quarter gallery and enclosed pen and paper tray above a hinged writing slope, over turned pilasters and four drawers to the side with dummy drawers opposing, raised on ceramic casters 52cm wide, 82cm high, 53cm deep £300-500 488 FH69/1 MAHOGANY BUREAU BOOKCASE 19TH CENTURY AND LATER the broken swan neck pediment above astragal glazed doors enclosing adjustable shelves, over the fall flap enclosing a fitted interior, over four graduated long drawers, raised on bracket feet 109cm wide, 237cm high, 57cm deep £300-400

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491

489 FF767/1 ROSEWOOD AND INLAID BUREAU DE DAME 19TH CENTURY STYLE the pierced brass gallery above an inlaid fall flap enclosing a fitted interior, over a shaped frieze, raised on cabriole legs, ending in brass sabots 66cm wide, 91cm high, 45cm deep £500-800 490 FF771/1 REGENCY MAHOGANY PARTNERS DESK the moulded rectangular top with an inset writing surface above drawers to each side, raised on baluster turned legs and ceramic casters 134cm wide, 87cm high, 95cm deep £500-700

491 FG469/4 VICTORIAN ROSEWOOD DAVENPORT the three quarter brass gallery and hinged writing slope with inset skiver, enclosing a fitted interior, above four drawers and four opposing dummy drawers, raised on moulded cabriole legs and bun feet 57cm wide, 83cm high, 56cm deep £300-500 492 FG478/1 GEORGIAN OAK LONGCASE CLOCK the dentil moulded cornice above an arched brass dial with moon phase dial, Roman numerals and date aperture, over a shaped and inlaid door, raised on a plinth base 54cm wide, 220cm high, 25cm deep £600-800

493 FG779/12 MAHOGANY CHEST 19TH CENTURY the moulded rectangular top above two short and two graduated long drawers, flanked by reeded canted corners, raised on bracket feet 124cm wide, 90cm high, 51cm deep £140-180 494 FG821/4 VICTORIAN SCOTTISH ASH CHEST the moulded rectangular top above two short and two long drawers, raised on a plinth base 106cm wide, 85cm high, 51cm deep £200-300 495 FG831/18 SMALL OAK DROP LEAF TABLE 17TH CENTURY the oval top above turned legs, united by peripheral stretchers, raised on pad feet 30cm wide, 69cm high, 82cm deep £200-300

489

501

492

504

496

496 SV70/5 SMALL VICTORIAN OAK WELLINGTON CHEST the moulded rectangular top above nine drawers, raised on a plinth base 41cm wide, 72cm high, 26cm deep £200-300

499 SV2/5 GEORGIAN MAHOGANY SERPENTINE CHEST the shaped top above four graduated long drawers, raised on bracket feet 115cm wide, 101cm high, 61cm deep £300-500

502 FG821/3 GEORGE III OAK CHEST OF DRAWERS the moulded top above two short and three graduated long drawers, raised on bracket feet 104cm wide, 92cm high, 47cm deep £200-300

497 SV57/78 GEORGIAN STYLE MAHOGANY AND INLAID HANGING CORNER CUPBOARD the dentil moulded cornice above an inlaid frieze, over an astragal glazed door enclosing shelves 60cm wide, 77cm high, 38cm deep £150-250

500 SV123/11 GEORGIAN STYLE MAHOGANY TRIPTYCH MIRROR the three rectangular mirror plates within a gold slip and a fretwork frame surmounted by a ‘hoho’ bird 143cm wide, 64cm high £250-400

503 SV81/14 18TH CENTURY STYLE WALNUT LOWBOY 20TH CENTURY the cross banded moulded top above a central drawer, flanked by deep drawers, raised on moulded cabriole legs and pad feet 65cm wide, 73cm high, 42cm deep £120-150

498 SV57/26 LARGE OAK DINING TABLE the moulded rectangular top above a plain frieze, raised on square tapering legs and ceramic casters, including two leaf extensions 317cm wide extended, 76cm high, 135cm deep £600-900

501 FG842/9 MAHOGANY AND BRASS BOUND PEAT BUCKET of spiral reeded tapering cylindrical form with a brass liner 50cm wide, 66cm high £1,000-1,500

504 SV2/33 OAK REFECTORY TABLE EARLY 18TH CENTURY the three plank top above a slight line carved frieze, raised on slight tapering circular section legs, united by peripheral stretchers 233cm wide, 76cm high, 79cm deep £800-1,200

505 FG830/3 EDWARDIAN MAHOGANY EXTENDING DINING TABLE the canted rectangular top above a plain frieze, raised on square tapering legs and ceramic castors, including two leaf extensions 242cm wide extended, 77cm high, 120cm deep £300-500 506 FG479/2 GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, BY G. SUTHERLAND, ELGIN the painted arched dial with subsidiary second and date dials, within a hood with a broken swan neck pediment, flanked by turned columns, above a shaped door, flanked by reeded quarter pilasters, raised on bracket feet 46cm wide, 215cm high, 23cm deep £200-300 END OF SALE

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Board of Directors

Specialist Departments

Administration

Chairman Sir Angus Grossart

Pictures, Watercolours & Prints Nick Curnow Charlotte Riordan Emily Johnston (London)

Rugs & Carpets Gavin Strang

Operations Manager Alex Dove

Decorative Arts & Design John Mackie

Finance Manager Mhairi McFadden

Vice Chairman Paul Roberts Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Mhairi McFadden Gavin Strang Lee Young

Furniture, Clocks & Works of Art Douglas Girton Lee Young Sara Pierdominici

European & Asian Ceramics Douglas Girton Campbell Armour

Asian Works of Art Lee Young Anna Westin (consultant) Sara Pierdominici

Rare Books, Maps & Manuscripts Simon Vickers Cathy Marsden

Jewellery, Silver, Coins & Medals Colin Fraser Trevor Kyle Ruth Davis

Arms & Armour John Batty (consultant) Interiors Theo Burrell Charlotte Riordan David Fiddes

Accounts Flo Marshall Eileen Welsh Sarah Laing Administration Edinburgh Kim Aitchison Eleanor Welsh Jennifer Somerville Glasgow Linda Robinson James McNaught Saleroom Staff Sydney Drew David Robertson Scott Mitchell David Fiddes Valerie Kyle Press & Public Relations Philip Gregory Marketing Matt McKenzie

London and Southern England

Business Development

Ian Peter MacDonald Tel: +44 (0)20 7930 9115 ianpeter.macdonald@lyonandturnbull.com

Ian Peter MacDonald Lindsey Michie James McNaught John Sibbald John Thomson Tessa Thomson Lady Middleton

Lee Young Mobile: +44 (0)7825 426555 lee.young@lyonandturnbull.com Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

www.l y o n an dturnbull .co m 60

Index to Artists Ageev, M.S., 62 Alexander, L., 103 Anglo-Indian School, 128, 129

Fleming, I., 7 Forbes, D., 97 French School, 90

Barnard, M.B., 115 Bell, R.A., 21 Blacklock, T.B., 81 Blampied, E., 85 Blanchard, A., manner of, 42 Bone, C., attributed to, 3 Bone, Sir M., 15 Bottomley, F., 102 British School, 67, 70, 93 Brouwer, A., attributed to, 41 Burke, A., 48 Burr, J., 23 Butler, M.A., 74

Garland, H., 121 Gaul, F., 92 Gennari, C., attributed to, 40 Gillespie, J., 107 Glover, J., attributed to, 44 Graham, P., 111 Graham, T.A.F., 76

Campbell, A., 32 Carrick, D., 51 Christie, J.E., 73 Conor, W., 75 Continental School, 84, 116 Cryan, C., 56 Cummings, J., 48A de Salles, V., 99 Dertain, A., 39 Dickson, A., 117 Dutch School, 94 European School, 16, 27 Eyres, E., 119 Farquharson, D., 10

Hall, F., 89 Hanna, N., 108 Hayes, B., 80 Henry, B., 124 Hilder, R., 4 Hislop, M., 82 Hope, R., 28, 87 Houston, J., 127 Houston, J., follower of, 29 Irish School, 65 Kelsey R., 36 Kerr, H.W., 59 le Jeune, J., 52 Louis, C.G., 122 Lovatti, A., 118 Lyon, T.B., 5 Macbeth, D., 11 Macgregor, H., 22 Mackey, H., 109, 110

Mackie, C.H., 78 Mactaggart, Sir w., 106 Majoribanks, T., 86 Manson, D., 100, 101 Manson, G., 61 Maris, J.H., follower of, 25 McCaig, N.J., 50, 57, 68 McCauley, C.J., 58, 64, 66 McClure, D., 1 McEwamn, J., 35 McGeehan, J.M., 77 McGregor, H., 83 McLeay, M., 13 McNee, R.R., 88 Noble, R., 60, 72, 120 O’Ryan, F., 49, 53 Oldert, J., 105 Parsons, A.W., 19 Paterson, A., 54 Paton, W.H., 8 Patrick, J.M., 9, 37 Percy, R., 45 Perman, L., 104 Phiipson, Sir R., 113 Priestman, A., 46

Runciman, A., 24 Scott, M., 34 Scottish Contemporary, 31 Scottish School, 123 Spence, H,. 95 Stander, P 33 Stevenson, W.G., 126 Thomson, J.M., 125 Topolski, F., 91 Treacy, L., 55, 63 Trood, W.H.H., 114 Trowells, O., 98 van Ostade, A., manner of, 26 Veger, H., 43 Waddell, J., 47 Waterhouse, J.W., attributed to, 38 Wilks, M.C., 71 Wilson, J, manner of, 14 Wolfe, G., 6 Womack, D.G., 96 Wood, F.W., 17, 18 Wylie, K., 79

Reid, A.D., 2 Reid, E.P., 12 Reid, J.R., 69 Roche, A., 30 Roelops, W., 112 Rowbotham, C., 20

Glossary of cataloguing terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves.

Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to...

In our opinion probably a work by the artist in whole or in part.

Studio of .../Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date After ...

In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

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How to find Lyon & Turnbull S

Waverley Station

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Lyon & Turnbull saleroom

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St Andrew Square (bus station)

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Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom

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Collecting your purchases How to arrange collection and transport, plus everything else you might want to arrrange to make your new possessions fit your home perfectly.

Transport & Couriers Although we cannot pack or ship items, the following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Local Deliveries

Furniture and Larger Items

A&S Pert Removals

Constantine

Telephone 07876 343520

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk

New Leaf Removals Tel: +44 (0)7999 926261 Email: info@newleafremovals.co.uk

Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com

A Van Man Transport Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk

Further Afield For Smaller Items and Paintings

Pictures

Mailboxes Etc.

Gallery Support Group

Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Unit 4, 89 Manor Farm Road Wembley, London HA0 1BA Tel: +44 (0)20 3053 0753 Email: info@gallerysupportgroup.com

Storage of sold lots

Restoration

All bought items will be held free of charge at Lyon & Turnbull until the Friday following the sale.

To get your purchases home in perfect condition you may wish to employ the services of a restorer.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Restoration may not be as expensive as you think and Lyon & Turnbull are able to recommend restorers of Pictures, Frames, Ceramics, Furniture and Metalwork; Upholsterers and Framers.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT 62

Please call Theo Burrell for details on 0131 557 8844

Standard Terms & Conditions of Sale Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyers premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros),charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

7. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us.

We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

8. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract;

The buyer shall pay the hammer price together with a premium thereon.

(b) to rescind the sale of that lot and/or any other lots sold by us to you;

25% up to £25,000 / 20% thereafter.

(c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller;

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

6. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006.

We are required to collect a royalty payment for all qualifying works of art.

(d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose

conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 10. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

11. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

12. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

14. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

15. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold.

Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

(3) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the vendor, at the agreed reserve price or above, for up to 48 hours after the original auction.

16. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots

accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

17. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 18. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

19 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

22. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. Scottish law applies to the interpretation of these Conditions.

63

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274