Decorative Arts | 16th April 2014

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LYON & TURNBULL AUCTIONEERS EDINBURGH

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 9629

DECORATIVE ARTS 16TH APRIL 2014

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Decorative Arts Design from 1860 Wednesday, 16th April, 2014 33 Broughton Place Edinburgh

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Waverley Station Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

St Andrew Square

Lyon & Turnbull saleroom

Local Deliveries Local deliveries can be arranged by A&S Pert Removals.

Telephone 07876 343520.

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

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Decorative Arts Design from 1860 Wednesday, 16th April, 2014 11am Sale Number LT405

Viewing Sunday, 13th April, 2014 12 noon - 4pm Monday, 14th April, 2014 10am - 5pm Tuesday, 15th April, 2014 10am - 5pm Morning of Sale from 9am Specialist John Mackie john.mackie@lyonandturnbull.com +44 (0)131 557 8844

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

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LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you.

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price.

The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price.

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the

hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

All royalty charges are paid to the appropriate collecting organisation and no handling costs or additional fees are retained by the auctioneer.

Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations.

Bidding Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement) You may present these documents in person or, alternatively, fax or email copies to us. We may, at our option, also ask you to provide a bank reference and/ or deposit.

At the Sale Potential buyers must register and collect a bidding number before the sale begins, and show that number if successful in purchasing a lot.

Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately.

If you have not been successful please leave the number at the Registration or Reception desks.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service entirely at the bidder’s risk.

By telephone Bids submitted by telephone must be confirmed in writing.

Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We

recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. All bid requests must be received an hour before the sale.

Methods of Payment Goods purchased will not be released until we have received full payment.

Bank Transfer Please find details in any email invoice we issue or upon request from our accounts department.

Cash Cash payments can be made at the accounts desk during or after a sale.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex..

Online Payments We no longer accept card payments by phone, please use our online payment service (powered by Worldpay). You will find a link to this service in any email invoice issue or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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LY O N & T U R N B U L L Decorative Arts

1 FF909/2 LOETZ SILVER OVERLAID GLASS VASE, CIRCA 1900 of tapering trumpet form with inverted rim, in translucent rose coloured glass decorated with iridescent purple, blue and green stretched oil spot motifs against a gold ground, overlaid with sinuous foliate motifs, painted marks to base 3/781/H789 20cm high

£1,500-2,000

2 FF909/3 LOETZ GLASS BOTTLE VASE, CIRCA 1900 with tall tapering neck, in translucent pale blue/green coloured glass decorated with waved iridescent bands in gold 20.3cm high

£800-1,200

3 FH415/3 ATTRIBUTED TO MICHAEL POWOLNY FOR LOETZ ‘TITANIA’ GLASS VASE, CIRCA 1920 the rose glass covered with silvered green iridescent decoration, the whole raised on ball feet

4 FH415/8 ATTRIBUTED TO LOETZ CAMEO GLASS VASE, CIRCA 1910 of shouldered bottle form, the green glass body acid etched with a floral and foliate design, and embellished with gilt and enamel

16.5cm high

21cm high

£800-1,200

£400-600

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LY O N & T U R N B U L L Decorative Arts

5 FG882/1 CRISTALLERIE D’ÉMILE GALLÉ CLEAR GLASS AND ENAMEL JUG, CIRCA 1890 of ovoid form, painted in gilt and coloured enamels with flowering sprigs and insects in a landscape, painted marks CRISTALLERIE/ D’ÉMILE GALLÉ/ NANCY/ MODELE ET DECOR DÉPOSÉS 12cm high

£800-1,200

6 FH204/5 HANNAH MOORE WALTON (1863-1940) TWO PAINTED GLASS BOWLS, CIRCA 1910 one decorated with swimming fish, the other with crayfish, each with painted monogram HW (2) 12cm diameter

£300-400

7 FG947/4 MANNER OF JOSEF HOFFMANN CLEAR GLASS VASE, EARLY 20TH CENTURY of tulip flower form, with corresponding base, etched mark WW 20.5cm high

£150-200

8 FH51/4 ART NOUVEAU ENAMELLED GLASS PERFUME BOTTLE, CIRCA 1900 of tapered form with silvered stopper and removable base, the green textured glass body acid etched with poppies and painted in coloured enamels

9 FG719/1A JOHN MONCRIEFF LTD., PERTH ‘MONART’ GLASS VASE, CIRCA 1930 of swollen cylindrical form with broad rim and with blue, green, pink and aventurine inclusions

14.5cm long

£150-250

£200-300

22.5cm high

10 FH464/1 D’ARGENTAL, FRANCE ‘LE PARISIEN’ GILTMETAL MOUNTED CAMEO GLASS PERFUME ATOMISER, CIRCA 1910 of cylindrical form, amber glass overlaid with ruby glass and acid etched with a landscape, cameo signature D’ARGENTAL, the mounts stamped LE PARISIEN/ BTE. S.G.D.G./ MADE IN FRANCE 11.5cm high

£300-500

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LY O N & T U R N B U L L Decorative Arts

11 FH411/10 RENÉ LALIQUE (1860-1945) ‘SPIRALES’ FROSTED OPALESCENT GLASS VASE, DESIGNED 1930 No. 1060, of tapering cylindrical form moulded with spiral bosses, stencil etched mark R. LALIQUE/ FRANCE 16.2cm high

£1,000-1,500

12 FG879/17 GEORGE WALTON (1867-1933) FOR JAMES COUPER & SONS, GLASGOW LARGE ‘CLUTHA’ GLASS VASE, CIRCA 1900 of cylindrical tapering form with broad rim, the green glass body with milky trailing inclusions 40cm high Literature: Moon, Karen ‘George Walton: Designer and Architect’, pub. Oxford 1993, plate 144

£1,500-2,000

13 FH52/4 RENÉ LALIQUE (1860-1945) ‘CHICORÈE’, CLEAR, FROSTED AND OPALESCENT GLASS BOWL, DESIGNED 1932 of circular form, moulded with a frieze of leaves, moulded mark R. LALIQUE, script etched mark FRANCE/ NO. 3213

14 FG433/35 RENÉ LALIQUE (1860-1945) ‘SOUCIS’ OPALESCENT GLASS VASE, DESIGNED 1932 the body moulded with flowers, traces of original blue staining, script etched mark R. LALIQUE/ FRANCE, crack to foot rim

15 FH24/2 LALIQUE, FRANCE ‘OEILLETS’, CLEAR GLASS SERVING DISH, POST 1945 (DESIGNED 1932) of circular form, moulded with a frieze of carnations, script etched mark LALIQUE/ FRANCE

24cm diameter

18cm high

£150-200

£250-400

£300-400

36cm diameter

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LY O N & T U R N B U L L Decorative Arts

16 FH52/5 RENÉ LALIQUE (1860-1945) ‘ACTINIA’, CLEAR, FROSTED AND OPALESCENT GLASS BOWL, DESIGNED 1933 of circular form, moulded with waved fronds, stencil etched mark R. LALIQUE/ FRANCE 20.5cm high

£200-300

17 FH60/8 RENÉ LALIQUE (1860-1945) ‘LIÈVRES’, CLEAR, FROSTED AND OPALESCENT GLASS VASE, DESIGNED 1923 of ovoid form with cylindrical tapered neck, moulded with a frieze of running hares, within foliate bands, moulded mark R. LALIQUE 16cm high

£500-700

16cm high

19 FH52/3 LALIQUE ‘ELIZABETH’, CLEAR AND FROSTED GLASS COUPE, POST 1945 moulded with perching birds on a stem with square plinth, moulded mark LALIQUE/ FRANCE

£100-200

13.5cm high

18 FH52/2 LALIQUE ‘ÉPIS’, CLEAR AND FROSTED GLASS VASE, POST 1945 (DESIGNED 1931) moulded with barley, script etched mark LALIQUE/ FRANCE

£100-200

20 FG433/45 LALIQUE, FRANCE SET OF 6 FROSTED AND CLEAR GLASS SALAD PLATES, POST 1945 each moulded with thistle heads, script etched marks LALIQUE/ FRANCE, 20cm across; together with a LALIQUE FROSTED GLASS ASHTRAY, moulded with leaves, script etched mark LALIQUE/ FRANCE, 21cm across (7) £100-200

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LY O N & T U R N B U L L Decorative Arts

21 FH415/1 ATTRIBUTED TO NAPOLEONE MARTINUZZI FOR ZECCHINE MARTINUZZI ‘NERRO E ROSSO’ GLASS VASE, CIRCA 1928 of ovoid form with twin handles 21.5cm wide, 15.5cm high Literature: Olnick, Nancy and Spanu, Giorgio ‘Venetian Glass from the Nancy Olnick & Giorgio Spanu Collection’, 200, p.

45

£800-1,200

22 FH415/6 ATTRIBUTED TO CAPPELLIN FOR VENINI, MURANO SET OF WINE GLASSES, CIRCA 1930 each of pale green and mauve glass with wrythen twist baluster stems and comprising nine large and nine smaller glasses (18) large, 18.5cm high, smaller 17.5cm high

£600-800

23 FH421/3 ATTRIBUTED TO VENINI, MURANO TWIN-HANDLED GLASS VASE, EARLY 20TH CENTURY the pale green body of baluster form with spreading foot and twin handles with aventurine inclusions

24 FH415/2 MANNER OF VITTORIO ZECCHIN FOR VENINI, MURANO SHOULDERED RUBY GLASS VASE, CIRCA 1950 of lobed form with applied pulled bands to the base with aventurine inclusions

32cm high

29.5cm high

£150-250

Literature: Olnick, Nancy and Spanu, Giorgio ‘Venetian Glass from the Nancy Olnick & Giorgio Spanu Collection’, 200, p. 39

£400-600

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LY O N & T U R N B U L L Decorative Arts

25 FH415/10 ALESSANDRO PIANON (1931-1964) FOR VATRERIA VISTOSI ‘PULCINO’ BIRD BLOWN GLASS SCULPTURE CIRCA 1960 blown orange glass with textured surface, applied glass eyes and later applied legs 24cm high

£800-1,200

26 FH24/1 VERLYS, FRANCE LARGE FROSTED AND SMOKED GLASS VASE, CIRCA 1930 of shouldered ovoid form moulded with exotic birds, script etched mark VERLYS/ FRANCE

28 FH415/11 ATTRIBUTED TO LEERDAM CIRCULAR GLASS BOWL, CIRCA 1930 of flaring form, decorated with a crackled pattern, unsigned 24cm diameter

£300-500

27cm high

£150-200 27 FH415/9 ART NOUVEAU CASED GLASS VASE, CIRCA 1910 of shouldered tapering form, with fused glass frieze depicting flowering plants 23cm high

£400-600

29 FH52/1 WHITEFRIARS TAPERING GLASS VASE, CIRCA 1950 21cm high; another WHITEFRIARS GLASS VASE PROBABLY DESIGNED BY GEOFFREY BAXTER, with bubble inclusions, 27cm high; and a SMOKED GLASS VASE, 27cm high (3) £150-200

30 FH52/6 SCANDINAVIAN GLASS HOLMEGAARD, ORREFORS & IITTALA, 20TH CENTURY to include a HOLMEGAARD ‘AUTUMN’ GLASS PLAQUE, etched marks 38cm diameter; an ORREFORS CLEAR GLASS SERVING BOWL, etched marks, 22cm diameter; an ORREFORS CLEAR GLASS DECANTER & STOPPER, etched marks, 24.5cm high; and an IITTALA CLEAR GLASS BOWL, etched marks, 22cm diameter (4)

£150-250

£300-500 31 FH415/7 ATTRIBUTED TO J. & L. LOBMEYR FOOTED GLASS AND ENAMEL TUMBLER, CIRCA 1880 of tapered form, with interlaced foliate design in gilt and red enamel

33 FH52/12 STUDIO GLASS THREE FREEFORM GLASS BEAKERS, LATE 20TH CENTURY each with polychrome and gilt, 13 and 14cm high; and a BLUE/GREEN GLASS SERVING DISH, etched marks, 20cm diameter (4)

12cm high

£100-200

£300-400

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32 FH52/8 CONTEMPORARY GLASS comprising a SMOKED GLASS DECANTER & STOPPER, 35cm high; a SQUARE SECTION SMOKED GLASS VASE, 30.5cm high; a WALTHER PRESSED GLASS VASE, 22cm high; a SWEDISH OPAQUE GLASS VASE decorated with a feather design, 22.5cm high; and a CLEAR GLASS BOWL, 13cm across; and a BLUE BEAKER VASE, 14cm high

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LY O N & T U R N B U L L Decorative Arts

34 FH431/1 WEMYSS WARE RARE ‘HYBRID POPPIES’ KENMORE VASE, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S., printed retailer’s mark, restoration 37cm high Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, ‘Wemyss Ware: A Decorative Scottish Pottery’, Edinburgh: Scottish Academic Press, 1986, p.105, fig.205, where a similar example is illustrated.

£800-1,200

35 FH431/2 WEMYSS WARE SMALL ‘TULIPS’ BASKET, CIRCA 1900 with rope twist handle, impressed mark WEMYSS, printed retailer’s mark 20.5cm across

£300-500

36 FH431/3 WEMYSS WARE ‘PURPLE PLUMS’ MUFFIN DISH & COVER, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S. 23cm diameter

£250-350

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LY O N & T U R N B U L L Decorative Arts

37 FH431/4 WEMYSS WARE CIRCULAR BUTTON, CIRCA 1900 decorated with a shamrock leaf within a black band, impressed mark WEMYSS 3.3cm diameter

£700-900

38 FH431/9 WEMYSS WARE ‘CABBAGE ROSES’ HAT PIN, CIRCA 1900 decorated with cabbage roses and foliage on a black ground, with steel pin, impressed mark WEMYSS 4.2cm diameter

£300-500

39 FH431/5 WEMYSS WARE CIRCULAR BUTTON, CIRCA 1900 decorated with three cabbage roses and foliage within a turquoise band, impressed mark WEMYSS 3.3cm diameter

£700-900

40 FH431/8 WEMYSS WARE ‘FUCHSIA’ SOAP DISH, LINER & COVER, CIRCA 1900 impressed mark WEMYSS 14cm diameter Exhibited: London, Thomas Goode & Co. ‘Wemyss Ware’, November December 1987

£250-400

41 FH412/3 WEYMSS WARE LARGE ‘ORANGES’ PRESERVE JAR & COVER, CIRCA 1900 impressed factory mark WEMYSS WARE/ R.H.&S., 16cm high; also a WEYMSS WARE ‘BEES & HIVE’ PRESERVE JAR & COVER, CIRCA 1900, painted mark WEMYSS, 12cm high (2) £200-300

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42 FF731/3 WEMYSS WARE ‘CABBAGE ROSES’ COMB TRAY, EARLY 20TH CENTURY printed retailer’s mark, impressed mark WEMYSS, 25cm across; together with a ‘CABBAGE ROSES’ BREAD PLATE, decorated by Edwin Sandland, painted mark WEMYSS/ T. GOODE & CO; a ‘CANTERBURY BELLS’ JUG, EARLY 20TH CENTURY

impressed mark WEMYSS, 15cm high; a SMALL ‘SHAMROCKS’ FRILLED VASE, impressed mark WEMYSS WARE, 8.5cm high; and a ‘CHRYSANTHEMUMS’ OVOID GINGER JAR, decorated by Edwin Sandland on a black ground, painted marks WEMYSS/ 9X, hairlines,10cm high (5) £150-250

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LY O N & T U R N B U L L Decorative Arts

43 FH431/7 WEMYSS WARE ‘CABBAGE ROSES’ MATCHBOX HOLDER, CIRCA 1900 bears inscription DRESSING ROOM, bears printed retailer’s mark 7.7cm across

£300-400

44 FH431/6 WEMYSS WARE ‘DOG ROSES’ CIRCULAR NAPKIN RING, EARLY 20TH CENTURY unmarked 4.7cm diameter

£300-400

45 FH431/10 WEMYSS WARE RARE TEA CUP, CIRCA 1900 decorated with three hinds in a landscape, bears printed retailer’s mark, restoration to rim 6.2cm high Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, ‘Wemyss Ware: A Decorative Scottish Pottery’, Edinburgh: Scottish Academic Press, 1986, p.61

£300-500

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LY O N & T U R N B U L L Decorative Arts

46 FH168/1 A.W.N. PUGIN (1812-1852) FOR MINTON & CO. GROUP OF TWENTY-TWO ENCAUSTIC TILES, CIRCA 1850 each with pattern of four roundels containing perched birds, impressed marks MINTON & CO./ PATENT/ STOKE UPON TRENT (22) each 15.2cm square

£250-350

47 FH421/15 A.W.N. PUGIN (1812-1852) FOR MINTON & CO. PAIR OF FRAMED EARTHENWARE TILES, CIRCA 1850 each with tin glaze and bearing Gothic lettering within a cusped border, moulded marks verso MINTON,/ HOLLINS/ & CO./ NO. 2 (2) each 15cm square

£300-500

48 FH421/2 CHRISTOPHER DRESSER (1834-1904) FOR GEORGE JONES ‘KUMASSIE’ EARTHENWARE JUG, CIRCA 1874 of tapering cylindrical form, the matt green body with gilt and polychrome glazed handle moulded as a dragon, and with moulded bat to the spout, bears registration mark

49 FH421/33 ATTRIBUTED TO CHRISTOPHER DRESSER FOR AULT POTTERY EARTHENWARE AMPHORA ON STAND, 1890s the vase of tapering cylindrical form, decorated with stylised plant form, within wrought iron frame 80cm high

£100-200

14cm high Literature: Morley, Christopher ‘Dresser’s Decorative Design’ 2010, p. 135, Fig. 221 where a similar example is illustrated.

£150-250

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50 No lot

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LY O N & T U R N B U L L Decorative Arts

51 FH146/1 GEORGE TINWORTH (1843-1914) FOR DOULTON & CO., LAMBETH ‘AGES OF MAN’, RARE STONEWARE CLOCK, DATED 1880 of circular form with scrolling base, the circular silvered dial enclosed by case with frieze modelled with allegorical scenes of The Ages of Man, and signed on the frieze with monogram TG, impressed factory marks and impressed date 1880 24cm wide, 27cm high

£5,000-7,000

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LY O N & T U R N B U L L Decorative Arts

52 FG773/1 MINTON MAJOLICA MONKEY GARDEN SEAT DATE CYPHER FOR 1867 modelled as a crouching monkey holding a coconut with a blue tasselled cushion on its head, on a woven mat canted square base, impressed cipher and uppercase MINTON marks, mould number 589 45cm high Literature: Jones, J. ‘Minton’, 1993, p.148 where an example is illustrated.

£5,000-7,000

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LY O N & T U R N B U L L Decorative Arts

53 FH302/1 BURMANTOFTS FAIENCE LARGE TWIN-HANDLED VASE, CIRCA 1900 of baluster form, incised and tubelined with peacocks on a flowering peony tree, impressed factory marks, BURMANTOFTS / FAIENCE/ 2121 and painted mark COLN. NO. 108 51.5cm high

£800-1,200

54 FH421/16 ATTRIBUTED TO CHRISTOPHER DRESSER FOR MINTON & CO. PAIR OF TILED JARDINIÈRES, CIRCA 1880 each with brass mounted ebonised wood frames and removable tin liners, enclosing moulded and painted tiled sides of latticed design, moulded marks verso MINTON/ HOLLINS/ STOKEON-TRENT (2)

55 FH424/1 MINTON SECCESSIONIST LARGE JARDINIÈRE, 1915 of tapering cylindrical form with foliate decoration on a turquoise ground, printed MINTONS LTD/ RD. NO. 616446 36cm diameter

£250-350

56 FH424/2 MINTON SECCESSIONIST TWO JARDINIÈRES, CIRCA 1915 of tapering cylindrical form with foliate decoration, one on a turquoise and the other on a ruby red ground, printed marks MINTONS LTD/ RD. NO. 616446 (2)

57 EZ542/1 EGYPTIAN REVIVAL GLAZED EARTHENWARE LAMP BASE, CIRCA 1880 in the manner of Christopher Dresser, of baluster form, decorated with foliate bands on a pink ground, traces of retailer’s label, indistinct impressed mark

25cm diameter

40.5cm high

£250-350

£200-300

each 26cm wide, 32cm high

£250-400

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LY O N & T U R N B U L L Decorative Arts

58 FF908/1 MARTIN BROTHERS STONEWARE CHARACTER JUG, CIRCA 1910 each side decorated with a grinning face, incised marks to base R.W. MARTIN & BROS/ LONDON & SOUTHALL, restored handle 17cm high

£1,200-1,800 Verso

59 FF908/2 MARTIN BROTHERS STONEWARE CHARACTER JUG, 1920s decorated by Clement Martin with a grinning face to each side, incised marks R.W. MARTIN/ LONDON & SOUTHALL/ B. 37, crack to spout

Verso

17.5cm high Literature: Haslam, Malcolm ‘The Martin Brothers Potters’, Richard Dennis 1978 Note: Five years after the death of Robert Wallace Martin in 1923, his son, Clement Martin, entered into partnership with H Butterfield and, for some years, produced pieces based on original models and unglazed and unfired pieces left over from the original firm.

£800-1,200

60 FH29/1 MARTIN BROTHERS TWO STONEWARE JUGS, CIRCA 1878 each of tapering cylindrical form with salt glaze, one with ribbed bands and flying bird motif in blue on a buff ground, incised marks R.W. MARTIN/ SOUTHALL, 23.2cm high; the other with band of foliate motifs, incised marks R.W. MARTIN/ SOUTHALL, impressed marks to body R.W.MARTIN/ POTTERY/ SOUTHALL, 22cm high (2) £300-500

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61 FH53/1 MARTIN BROTHERS STONEWARE VASE, DATED 1899 of shouldered tapering form, incised and enamelled with flowering branches, incised marks MARTIN BROS/ LONDON & SOUTHALL/ 9-1899 25cm high

£800-1,200

62 FH53/2 MARTIN BROTHERS STONEWARE VASE, DATED 1886 of shouldered tapering form, incised and painted with flowering roses, incised marks R.W. MARTIN & BROS/ LONDON & SOUTHALL/ 51886 21cm high

£800-1,200

63 FH411/9 JOHN PEARSON (fl. 1885-1910) LARGE EARTHENWARE BOWL, CIRCA 1900 of circular flared form, painted with panels of birds in entwined foliage on a gilt ground, painted monogram JP to base 26cm diameter

£300-500

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64 FH411/1 RICHARD JOYCE FOR PILKINGTON’S ROYAL LANCASTRIAN LUSTRE VASE, CIRCA 1920 decorated with panels of knights and foot soldiers within foliate and floral bands, impressed factory marks, painted artist’s monogram 24cm high

£1,000-1,500

65 FH411/2 WILLIAM S. MYCOCK FOR PILKINGTON’S LUSTRE VASE, DATED 1907 decorated with a latticed foliate design on a green ground, impressed factory marks, painted artist’s monogram 19cm high

£600-800

66 FH411/4 GORDON FORSYTH FOR PILKINGTON’S LUSTRE VASE, DATED 1913 of shouldered ovoid form, decorated with a frieze of lions rampant on a rose ground, impressed factory marks, painted artist’s monogram and date symbol 14.5cm high

£400-600

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67 FH411/5 GLADYS RODGERS FOR PILKINGTON’S ROYAL LANCASTRIAN LUSTRE VASE, CIRCA 1920 of shouldered ovoid form, decorated with a frieze of scrolling foliage and flowerheads on a mottled red ground, impressed factory marks, painted artist’s monogram 12cm high

£400-600

68 FH411/6 WILLIAM S. MYCOCK FOR PILKINGTON’S ROYAL LANCASTRIAN LUSTRE BOTTLE VASE, DATED 1924 decorated with a foliate design on a blue ground, impressed factory marks, painted artist’s monogram and date 15cm high

£300-500

69 FH411/7 GLADYS RODGERS FOR PILKINGTON’S ROYAL LANCASTRIAN TWO LUSTRE BOWLS, CIRCA 1920 one decorated with a chevron design on a rose ground, impressed factory marks, painted artist’s monogram, 14cm across; the other decorated with simple interlaced bands, painted artist’s monogram, 10cm diameter (2) £300-400

70 FH411/8 DOROTHY DACRE FOR PILKINGTON’S LUSTRE VASE, DATED 1908 decorated with a foliate design on a green ground, impressed factory marks, painted artist’s monogram 9.8cm across

£200-300

71 FH411/3 PILKINGTON’S ROYAL LANCASTRIAN FOUR VESSELS, EARLY 20TH CENTURY including a SQUAT BALUSTER VASE, covered in orange glazes, No. 3278, 21cm high; a CIRCULAR BOWL, in similar glazes, No. 2213, 23cm diameter (chip to rim); a TWIN HANDLED BOWL, covered in streaked turquoise glaze, 12cm high; and a GOURD SHAPED VASE, in similar glazes, 10.5cm high, each with impressed marks (4)

72 FG947/3 WILLIAM S. MYCOCK (18721950) FOR PILKINGTON’S ROYAL LANCASTRIAN VASE, CIRCA 1920 of ovoid form, with all over foliate design in shades of blue and green, impressed factory marks, bears painted artist’s monogram 11.5cm high

£200-300

19cm high

£200-300

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73 FH147/1 CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN TWINHANDLED ‘LOTUS’ JUG, CIRCA 1930 of baluster form, printed ‘Fantasque’ mark 29.5cm high

£500-700

74 FH147/2 CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) PATTERN SINGLE-HANDLED ‘LOTUS’ JUG, CIRCA 1930 of baluster form, printed ‘Bizarre’ marks 29.5cm high

£800-1,200

75 FH147/2A CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) PATTERN SINGLE-HANDLED ‘ATHENS’ JUG, CIRCA 1930 of octagonal faceted form, printed ‘Bizarre’ marks 21cm high

£300-500

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76 FH147/3 CLARICE CLIFF (1899-1972) ‘PASTEL AUTUMN’ (‘BALLOON TREES’) PATTERN FLOWER VASE, CIRCA 1930 of tapered square form with stepped handles, shape 515, printed ‘Bizarre’ marks 12cm high

£300-500

77 FH147/3A CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) PATTERN FLOWER VASE, CIRCA 1930 of tapered form with bulbous base, shape 187/1, printed ‘Bizarre’ marks 22cm high

£300-400

78 FH147/3B CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) PATTERN FLOWER VASE, CIRCA 1930 of swollen cylindrical form, shape 264, printed ‘Bizarre’ marks 20.5cm high

£300-500

79 FH147/3D CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) PATTERN PLATE AND BOWL, CIRCA 1930 the plate of ‘Leda’ form, 22.5cm across; the bowl of conical form with cruciform base, 11.5cm across, each with printed marks (2) £200-300

24

80 FH412/2 CLARICE CLIFF (1899-1972) ‘RUDYARD HONOLULU’ PATTERN CLOG VASE, CIRCA 1930 printed ‘Bizarre’ mark 14cm long

£200-300

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81 FH147/4 CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN VASE, CIRCA 1930 of lozenge outline with everted rim, printed ‘Fantasque’ mark 20cm high

£400-600

82 FH147/4A CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN VASE, CIRCA 1930 of faceted outline with inverted rim, shape 365, printed ‘Fantasque’ mark 20.5cm high

£300-500

83 FH147/1A CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN ‘ATHENS’ JUG, CIRCA 1930 of faceted form, printed ‘Fantasque’ mark, 18cm high; another CLARICE CLIFF ‘MELON’ (‘PICASSO FRUIT’) PATTERN JUG, CIRCA 1930, printed ‘Fantasque’ mark, 16cm high; and a CLARICE CLIFF ‘CROCUS’ PATTERN ‘ATHENS’ JUG, CIRCA 1930, printed ‘Bizarre’ mark, 20cm high (crack) (3)

84 FH147/3C CLARICE CLIFF (1899-1972) ‘GREEN AUTUMN’ (‘BALLOON TREES’) SERVING TRAY, CIRCA 1930 of rounded rectangular form, unmarked, 33cm across; a CLARICE CLIFF ‘MELON’ (‘PICASSO FRUIT’) PATTERN PLATE, CIRCA 1930, 23cm across ‘MELON’ (‘PICASSO FRUIT’) PATTERN PLATE, CIRCA 1930, 25cm across, each with printed ‘Fantasque’ marks (3)

85 FH147/6B CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN PRESERVE JAR & COVER, CIRCA 1930 of cylindrical form, printed ‘Fantasque’ mark, 9cm high; and TWO CLARICE CLIFF ‘MELON’ (‘PICASSO FRUIT’) PATTERN CANDLESTICKS, CIRCA 1930, each with printed ‘Fantasque’ mark, 7.5cm and 5cm high (3) £250-400

£200-300

£200-300

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86 FH147/4B CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN BISCUIT BARREL & COVER, CIRCA 1930 of cylindrical form, with cane handle, printed ‘Fantasque’ mark 16.5cm high

£300-400

87 FH147/4C CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN VASE, CIRCA 1930 of tapered form with flared rim, printed ‘Fantasque’ mark 20.5cm high

£250-400

88 FH147/4D CLARICE CLIFF (1899-1972) ‘MELON’ (‘PICASSO FRUIT’) PATTERN VASE, CIRCA 1930 of shouldered tapering form, printed ‘Fantasque’ mark 21.5cm high

£250-400

89 FH147/4E CLARICE CLIFF (1899-1972) PAIR OF ‘MELON’ (‘PICASSO FRUIT’) PATTERN FLOWER VASES, CIRCA 1930 each of trumpet form, printed ‘Fantasque’ marks (one with repaired chip) (2)

90 FH147/6A CLARICE CLIFF (1899-1972) PAIR OF ‘MELON’ (‘PICASSO FRUIT’) PATTERN EGG CUPS, CIRCA 1930 red colourway, each with printed ‘Fantasque’ mark (2)

15.5cm high

£200-300

£150-200

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91 FH412/1 CLARICE CLIFF (1899-1972) ‘BLUE CHINTZ’ ELLIPTICAL BOWL, CIRCA 1930 shape No 275, with applied ‘fin’ handles, printed ‘Bizarre’ mark 32.5cm long

£300-500

92 FH147/5 CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) SARDINE DISH & COVER, CIRCA 1930 of rectangular form, with moulded ‘sardine’ handle, printed ‘Bizarre’ marks 13cm across

£400-600

93 FH147/6 CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) PATTERN PRESERVE JAR & COVER, CIRCA 1930 of cylindrical form, printed ‘Bizarre’ marks 9cm high

£200-300

94 FH147/5A CLARICE CLIFF (1899-1972) ‘BLUE AUTUMN’ (‘BALLOON TREES’) PATTERN HONEY POT & COVER, CIRCA 1930 of ribbed dome form, printed ‘Bizarre’ marks 7.5cm high

£200-300

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95 FH186/1 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. MINIATURE ‘ALHAMBRA’ PATTERN TWIN HANDLED VASE, CIRCA 1900 of squat ovoid form, decorated in blue and salmon pink with gilt embellishment, printed mark 5.8cm high

£800-1,200 96 FH222/3 MOORCROFT POTTERY SMALL ‘POMEGRANATES’ PATTERN FLOWER VASE, DATED 1914 the decoration reserved on a mottled green ground, impressed marks MOORCROFT/ BURSLEM, painted marks W, MOORCROFT/ 1914 13cm high

£300-500

97 FH58/1 MOORCROFT POTTERY FOR LIBERTY & CO., LONDON ‘POMEGRANATES’ PATTERN CIRCULAR WALL CHARGER, CIRCA 1914 decorated with a frieze of pomegranates around a central domed boss and enclosed by a broad rim, printed mark MADE FOR LIBERTY & CO., signed in green W. MOORCROFT 29.5cm diameter

£800-1,200 98 FH222/2 MOORCROFT POTTERY ‘ANEMONES’ PATTERN JARDINIÈRE, CIRCA 1940 decorated on a dark blue ground, impressed marks MOORCROFT/ MADE IN ENGLAND, initialled in blue 10.5cm high

£200-300

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99 ER861/6 DAISY MAKEIG JONES (1881-1945) FOR WEDGWOOD ‘FAIRYLAND LUSTRE’ OCTAGONAL PUNCH BOWL, 1920s printed and painted in gilt and coloured enamels with ‘Dana - Castle on a Road’ pattern, printed and painted marks to base, ‘Z5125’, restoration to base 22.5cm across

£300-500

100 FH229/3 CHARLES NOKE (1858-1941) FOR ROYAL DOULTON LARGE EARTHENWARE ‘IZAAC WALTON’ LOVING CUP, CIRCA 1905 with printed figural decoration and inscription to the rim, impressed mark to base DOULTON’S, hairlines

102 FH54/8 CARLTON WARE ‘PARADISE BIRD & TREE PATTERN’ VASE, CIRCA 1930 of baluster form, decorated in gilt and coloured enamels on an orange ground, painted and printed factory marks, pattern no. 3154

28cm high

£200-300

24.5cm high

£250-350 101 FH434/2 PERCY METCALFE (18951970) FOR ASHSTEAD POTTERY MODEL M2 ‘LION OF INDUSTRY’ FIGURE, CIRCA 1925 covered in an orange glaze 18cm high

£100-200

103 SV114/31 ERIC RAVILIOUS (1903-1942) FOR WEDGWOOD 1952 CORONATION MUG, PRODUCED 1953 printed factory marks, 10.5cm high; and a RICHARD GUYATT (1914-2007) WEDGWOOD CORONATION MUG, PRODUCED 1953, printed factory marks, 10.5cm high (2) £200-300

104§ FH53/3 KATIE HORSMAN (1911-1998) STONEWARE CAT FIGURE, CIRCA 1970 with applied glass eyes, the textured body covered in a lustre glaze 30cm high Note: Katie Horsman taught ceramics at Edinburgh College of Art for 33 years, inspiring a generation of potters including Hella Young, Doug Davies and Dave Cohen.

£400-600 105 FH54/6 TROIKA EARTHENWARE VASE, CIRCA 1970 of square section incised with totem motifs, painted mark TROIKA/ ENGLAND, with monogram MM 31cm high

106 FH54/7 TROIKA EARTHENWARE VASE, CIRCA 1970 of square section incised with totem motifs, painted mark TROIKA/ ENGLAND, with monogram AP 22cm high

£150-250 107 FG947/2 REINHOLD MERKELBACH SALTGLAZED STONEWARE CANDLE HOLDER, CIRCA 1910 the domed body with cylindrical neck and applied handle, decorated with panels of abstracted leaf design, printed factory marks No. 4262 12cm high

£200-300

£300-400

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108 FH434/1 HANS CHRISTIANSEN (1866-1945) FOR VILLEROY & BOCH ‘DIE NACHT’ METTLACH JUGENDSTIL VASE, CIRCA 1900 moulded with a maiden in a field of poppies against a night sky, impressed factory marks VB/ METTLACH/ 2424 25.5cm high

£500-800

109 FH60/9 KURT WENDLER (1893-1980) FOR ROSENTHAL, SELB PORCELAIN GINGER JAR AND COVER, DESIGNED 1920 of ovoid form, painted in gilt and coloured enamels with an exotic ape in a landscape, reserved on a white ground, printed factory marks 20cm high

£500-700

110 FH412/9 BONN ART NOUVEAU EARTHENWARE UMBRELLA STAND, CIRCA 1900 painted with water lilies on a rust ground, printed factory marks 56cm high

£200-300

111 FF956/4 CANTAGALLI POTTERY EARTHENWARE GOBLET, LATE 19TH CENTURY the lobed bowl on corresponding spreading base, painted in ruby lustre with all over zig-zag banding and with a fish to the bowl, painted cockerel mark 17cm high

£200-300

30

112 FF913/3 EMIL THOMASSON ‘THE FAWN’, A PAIR OF BOOKENDS, CIRCA 1900 each covered in a crackle glaze, signed E. THOMASSON (2) 16.5cm high

£150-250

113 FH412/8 LIMOGES PAIR OF NOVELTY PORCELAIN CRUETS, CIRCA 1930 modelled as Pierrot and Pierrette, painted marks to body ELTE, printed marks LIMOGES/ FRANCE (2) 8.5cm high

£120-180

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114 FH60/2 ELENA KÖNIG SCAVINI (ATTRIBUTED) FOR CERAMICHE LENCI FIGURAL DISH, CIRCA 1930 modelled as a naked girl riding on the back of a fish and raised on circular dished tray, moulded maker’s mark to body ICNEL (Lenci) 44.5cm high, 37cm diameter

£4,000-6,000 31

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115 FG424/11 ALEXANDER RITCHIE (1856-1941) WOODEN LETTER OPENER, CIRCA 1910 of elliptical form, carved in bas relief with the figure of a warrior, with cruciform handle 36cm long Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003, p. 47, Fig No. 12a, where a similar example is illustrated

£250-400

116 FB789/17 ALEXANDER RITCHIE (1856-1941) SILVER VESTA CASE, 1910 of rectangular form with chased design of galleon and stylised leaves, the hinged cover with simple thumb piece and with serrated striker to base, stamped maker’s marks AR/ IONA, hallmarked Chester 1910, 24.5g 4.4cm high

£600-800

117 FF575/35 ALEXANDER RITCHIE (1856-1941) SILVER AND ENAMEL PENDANT, CIRCA 1910 of lozenge outline, depicting a Viking style ship on a green enamelled background, in a stylised beaded border, marked to rear AR IONA; together with three other Celtic style brooches (4) Length of pendant: 37mm

£200-300

118 FH189/1 HAMILTON & INCHES, EDINBURGH A SUITE OF THREE ARTS & CRAFTS SILVER DISHES, 1911 comprising a pair of comports of circular outline, with planished detail to the bowl raised on three curved tapering legs from a circular planished domed foot, 6.5cm high; together with a matching sugar bowl, of similar planished detail, raised on four curved tapering legs, 12.5cm across, each hallmarked Edinburgh 1911, combined weight 10.16oz (3) £200-300

32

119 FH189/2 CHARLES EDWARDS, LONDON AN ARTS & CRAFTS SILVER SUGAR BOWL, 1906 of circular outline with planished detail to body, with three angular stylised foliate handles, on three simple feet, hallmarked London 1906, 6oz 13cm across

£120-180

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120 FH23/3 THE (NEWCASTLE) HANDICRAFTS COMPANY SILVER MOUNTED COROMANDEL WOOD BOX, CIRCA 1900 of rectangular form with pierced foliate hinges, escutcheon and locking clasp, each set with a lapis lazuli cabochon, the wood carved in bas relief with a corresponding foliate frieze, hallmarked Birmingham 1900, bears maker’s marks 32cm wide, 11cm high, 13.5cm deep Literature: Peart, Tony and Moat, Neil ‘The Lost Art-Workers of Tyneside - Richard George Hatton and The (Newcastle) Handicrafts Company’, Journal of the Decorative Arts Society, no 17 (1993) Note: The Handicrafts Company of Newcastle was born out of the Art Department of The Durham College of Science, Newcastle upon Tyne whose Art Committee responded to the question as to ‘whether or not designers needed practical experience of the materials for which they were designing.’ Charles William Mitchell succeeded his father Dr Charles Mitchell as Chairman of the Art Committee in 1896. As a young man he had trained as an artist in Paris and had exhibited at the Royal Academy and Grosvenor Gallery between 1876 and 1889. From 1884 he was an early member of the Art Workers Guild.

During the 1880s the pressure of work in his father’s shipbuilding business forced him to give up these pursuits however it did not prevent him from remaining at the centre of Newcastle’s artistic circle and a major patron of the arts in the city.

When elected as Chairman in 1886 the headmaster of the school was Richard George Hatton, a decorative artist and designer, and the two men shared a friendship and a shared goal in promoting and supporting the arts. They also both acknowledged the ‘gulf that existed between the manufacture of ‘Art

Wares’ in an art school environment, and the reality, denied students, of having to make a living from the sale of their productions in the wider community’. As a result in 1899 at C.W. Mitchell’s expense the Handicrafts Company was formed at 37 Orchard Street, Newcastle upon Tyne, under Hatton’s supervision and with the aim ‘to facilitate the exercise of the ‘Lesser Arts’ and to assist students who wish to earn a livelihood by their practice’.

Other fine examples from this period include two silver and enamel presentation caskets hallmarked for 1903 and 1906 now in the V&A and Aberdeen Art Gallery & Museums collections.

Mitchell died suddenly in 1903 but it was fortunate for the Company that

he had made financial provision for a further three years. At the time of his death he had also been patron to a project of refurbishments at Walker Parish Church for which the Company was to provide all the sanctuary fittings, all designed by Hatton. Hatton returned to teaching full time at the College in 1906 but continued to supply designs for the Company. The company continued until 1912 from whence it ceased to exist in all but name and was only legally dissolved in 1932.

£800-1,200

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121 FH56/2 CHARLES ROBERT ASHBEE (1863-1942) FOR THE GUILD OF HANDICRAFTS PAIR OF SILVER SALTS AND SPOONS, CIRCA 1900 each with blue glass liners, within circular frames with spiral stylised pierced leaf supports on tapering and spreading bases, stamped maker’s marks G/OF/H/LTD, hallmarked London 1900, together with the MATCHING SPOONS, unmarked (4) salts, 8cm diameter; spoons, 7.5cm long

£800-1,200 122 FH204/1 CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON’S TWO ELECTROPLATED PRESERVE SPOONS, CIRCA 1900 each with circular bowls and slender tapering stems with trefoil terminals, one with cast mark MISS CRANSTON’S, the other with maker’s marks (2) 15.3cm long

£400-600

123 FH204/2 CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON’S SINGLE ELECTROPLATED PRESERVE SPOON, CIRCA 1900 with circular bowl and slender tapering stem with trefoil terminal, cast mark MISS CRANSTON’S 15.3cm long

£200-300

124 FH412/5 CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH ELECTROPLATED CRUET SET, CIRCA 1880 the base with four conjoined bowls containing cut glass cruets, stamped marks H&H/ 2239

125 FH421/4 MANNER OF CHRISTOPHER DRESSER ELECTROPLATED TEA SERVICE, CIRCA 1880 made by Walker & Hall and comprising a TEAPOT & COVER; a MILK JUG; and a SUGAR BOWL, each with stamped maker’s marks 53367A (3)

14cm across

teapot, 11cm high, 20cm across

£150-200

£100-200

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126 FH420/2 ALFRED DUNHILL, LONDON UNIQUE SAMPLE SILVER MOUNTED ‘AQUARIUM’ COMPACT, 1952 of circular form, the cover depicting a waterlily flower and four lily pads in shades of pink, yellow and green on a green painted ground, nickel thumb piece, interior cover inset with a mirror, the underside of base with a painted area, hallmarked London 1952 7.5cm diameter

£1,500-2,000

127 FH420/4 WALSER WALD AND CO. FINE ART DECO SILVER AND ENAMEL CIGARETTE CASE, CIRCA 1930 of large proportions, with black and red geometric enamel pattern to the front with craquelure white enamel, the inside with a decorative pierced stay, stamped WALSER WALD to the inside, with original Walser Wald presentation box 15cm long

£2,000-3,000

128 SV85/30 DAVID MELLOR (1930-2009) TWO PIECE ‘PRIDE’ SILVER TEA SERVICE, DATED 1959 comprising teapot and hot water pot, each of plain slight baluster form with short spouts and leather covered C scroll handles, with pull off lids and wooden finials, hallmarked Sheffield 1959, maker’s marks of Walker & Hall (2)

129 FG879/22 GOLFING INTEREST 1930’S ENAMELLED CIGARETTE CASE in the manner of DUNHILL, LONDON, the hinged lid inlaid with the figures of a golfer and caddy on the course, the interior fitted for cigarettes

130 FH412/6 JEAN E. PUIFORCAT, PARIS SILVERED GOLF CUP, DATED 1936 of tapered footed form, with inscription GOLF DE ST GERMAIN 1936, bears maker’s marks JEAN E. PUIFORCAT

11cm x 8.5cm

4cm high

£250-400

£150-200

131 FH412/7 ASPREY, LONDON NOVELTY ELECTROPLATED NUTCRACKER, CIRCA 1930 cast as a parrot, stamped marks ASPREY/ RD. NO. 598487 15cm long

£120-180

hot water pot 16cm high, combined weight 61oz

£250-300

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132 FH228/6 WMF (WÜRTTEMBERGISCHE METALLWARENFABRIK) PAIR OF ELECTROPLATE CANDLESTICKS, CIRCA 1900 each with tapering stems with pierced whiplash foliate panels, stamped marks (2) 27.5cm high

£600-800

133 FH54/1 ATTRIBUTED TO WMF (WÜRTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATED DRESSING MIRROR, CIRCA 1900 cast as the figure of an Art Nouveau maiden, supporting a later circular mirror and raised on a dished base 34cm high

£1,200-1,800

134 FH54/2 ATTRIBUTED TO WMF (WÜRTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATED FIGURAL BON BON DISH, CIRCA 1900 cast as an Art Nouveau maiden with divided dish base 20cm high

£800-1,200

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135 FH420/3 MANNER OF MAISON ODIOT PAIR OF FRENCH ART DECO SILVER FIVE BRANCH CANDELABRA, 1920s each with heavy stepped circular foot, hexagonal column and four angular branches (2) 34cm diameter, 26cm high

ÂŁ8,000-12,000

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136* FH409/3 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ABALONE INLAID CLOCK, CIRCA 1902 embossed chapter with stylised Roman numerals, with single train Lenzkirch movement, the cruciform case inset with abalone shell roundels, and with corresponding roundels to the hands, the whole raised on a spreading plinth, stamped maker’s marks TUDRIC/097 36.5cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 235

£6,000-8,000

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137* FH409/4 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL MANTEL CLOCK, CIRCA 1902 with circular turquoise enamel dial, and with single train Lenzkirch movement, the case of shaped tapered form, set with three enamel roundels, stamped maker’s marks TURDRI/0252/MADE IN ENGLAND 17.3cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001 p. 239

£3,000-5,000

138 FF254/3 DAVID VEASEY FOR LIBERTY & CO., LONDON ‘TUDRIC’ POLISHED PEWTER MANTEL CLOCK, CIRCA 1905 the single train movement with circular turquoise enamel dial, the case of shaped tapered form, cast with stylised plant motifs, on spreading rectangular plinth, impressed marks 0385 20cm high

£3,000-4,000

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139 FH23/1 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL CLOCK, CIRCA 1902 the circular copper and enamel dial with single train Lenzkirch movement, within hammered case with applied enamelled panel, stamped marks TUDRIC/ 0629 18.5cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 233

£2,000-3,000

140 FF254/2 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF ‘TUDRIC’ PEWTER & ENAMEL CANDELABRA, CIRCA 1902 each twin-branch with removable sconces supported on columns with openwork leaves and berries, the pierced base embellished with variegated blue enamelled leaves, stamped 0530 and ENGLISH PEWTER 0530 (2) 28cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 217

£5,000-7,000

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141* FH409/1 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘CYMRIC’ SILVER AND ENAMEL VASE, 1902 of cylindrical form with everted rim, the body cast and chased with Celtic knot decoration and set with panels in graduated rainbow enamels, the whole on spreading base with corresponding decoration, stamped maker’s marks CYMRIC/ L&CO, hallmarked Birmingham 1902 22cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 184

£8,000-12,000

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142 FF254/1 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON TUDRIC’ POLISHED PEWTER, COPPER AND ENAMEL CLOCK, CIRCA 1902 the circular copper dial set with red and blue enamel chapters with gilt numerals, with single train Lenzkirch movement, enclosed within a circular case cast with stylised foliage on a scrolling base, stamped marks ENGLISH PEWTER/ MADE BY/ LIBERTY & CO/ 0366 17.5cm wide, 20.5cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 238 for a similar example

£8,000-12,000

143 FH23/2 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ARTS & CRAFTS SILVER AND ENAMEL NAPKIN RING, 1908 with enamel Celtic knotwork motifs, hallmarked Birmingham 1908, maker’s marks of William H. Haseler 5cm diameter

£300-500

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144* FH409/6 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL CLOCK, CIRCA 1902 the circular copper and enamel dial with single train Lenzkirch movement, within domed case with cast stylised plant decoration and applied enamel roundels, stamped marks TUDRIC/ 0370 20.5cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 239

£3,000-4,000

145 FH60/1 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON LARGE ‘TUDRIC’ BULLET SHAPE PEWTER & ENAMEL VASE, CIRCA 1900 cast with stylised entwined foliage on three strut supports, stamped marks ENGLISH PEWTER/ MADE IN ENGLAND/ 0927 29.5cm high

£500-700

146 FH228/4 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PETER AND ENAMEL STRUT CLOCK, CIRCA 1901 the cast frame set with enamelled buds enclosing a circular dial, stamped marks “TUDRIC” 0482 MADE IN ENGLAND 10.3cm square Literature: Tilbrook, Adrian J. ‘The Designs of Archibald Knox for Liberty & Co’, London 1976, p.106, Fig. No. 87

£400-600 44

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147* FH409/7 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL BOWL, CIRCA 1905 embossed with a stylised flower and leaf design, set with turquoise enamel panels, with green glass liner, stamped maker’s marks ENGLISH PEWTER/ 0194 17.5cm diameter

£400-600

148* FH409/5 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL BISCUIT BOX AND COVER, CIRCA 1901 the box of cylindrical form cast with a frieze of stylised plant designs set with turquoise enamels, stamped maker’s marks TUDRIC/0193/3/MADE IN ENGLAND

149 FH23/5 LIBERTY & CO., LONDON PEWTER AND ENAMEL PHOTOGRAPH FRAME, CIRCA 1900 of tall rectangular outline, the hammered frame set to the angles with turquoise enamel heart-shaped motifs, ebonised wood easel backing 28cm x 12.5cm

£200-300

11cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 245

£300-500

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150 FH082/2 MARION HENDERSON WILSON (1869-1956) CIRCULAR BRASS CHARGER, CIRCA 1910 repoussé decorated with a central panel depicting a galleon at sea in full sail, within broad rim with circular roundels, bears initials MHW 53cm diameter

£600-800

151 FH082/3 MARGARET GILMOUR (1860-1942) BRASS DESK SET, CIRCA 1910 comprising a BLOTTER, 47cm x 30.5cm; an INKWELL, 10.2cm across; and a PEN TRAY, 23.5cm across, each repoussé decorated with Celtic knot decoration, inkwell bears monogram MG (3) £600-800

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152 FH17/1 A.W.N. PUGIN (1812-1852) FOR JOHN HARDMAN & CO. CAST BRASS GRILLE, CIRCA 1850 cast and pierced with Gothic tracery and foliate motifs 53cm high x 25cm wide Literature: Riding, Christine and Jacqueline ‘Palace of Westminster’, pub.

London 2000, page 125 for similar example.

Note: These grilles were designed by Pugin to protect the glass on the doors of the new Palace of Westminster, for which he designed the interiors from 1844.

£300-400

153 FH228/5 C. CAGNY ART NOUVEAU BRONZED STRUT MIRROR, CIRCA 1900 the shaped bevelled plated enclosed by cast frame moulded with waterlilies, bears cast signature C. CAGNY 39cm high

£300-500

154 FG972/1 CELTIC REVIVAL COPPER AND ENAMEL BROOCH, EARLY 20TH CENTURY of penannular form with applied scrollwork decoration 8cm across

155 FD196/48 AFTER ALFRED JEAN FORETAY ART NOUVEAU BRONZED SPELTER VASE, CIRCA 1900 the shouldered body cast with two maidens fishing, signature to body

£150-250

26.5cm high

£150-250

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156 FH56/3 KESWICK SCHOOL OF INDUSTRIAL ARTS COPPER CHARGER, DATED 1912-13 repoussé decorated with a central panel of a galleon in full sail enclosed by a broad rim decorated with flowering foliage, stamped mark verso KSIA/ KESWICK/ H521 57cm diameter Literature: Bruce, Ian ‘The Loving Eye and Skilful Hand’, Wigton 2001, p. 143 Note: From November 1905 the alphabet was used to prefix a job number, making it possible to date this charger to 1912-13.

£800-1,200

157 FH56/5 CHARLES FRANCIS ANNESLEY VOYSEY (1857-1941) FOR JESSON, BIRKETT & CO. BRASS INKWELL, CIRCA 1898 of square tapering outline, the domed and hinged cover enclosing aperture for well (lacking), applied heart-shaped plaques, stamped maker’s marks 14.5cm square

£400-600

158 FH421/13 ARTS & CRAFTS COPPER LETTER RACK, CIRCA 1890 of rectangular section, repoussé decorated with birds and flowers 22cm wide, 14cm high, 8cm deep

£150-250

159 FH23/4 COTSWOLD SCHOOL ARTS & CRAFTS HAND-FORGED COPPER COMPANION SET, CIRCA 1900 comprising a shovel; coal tongs; brush and poker, each with boldly scrolled loop handles on corresponding stand stand, 58cm high

£200-300

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160 FH421/31 CLEMENT HEATON (1861-1940) COPPER CLOISONNÉ ENAMEL RECTANGULAR PLAQUE, DATED 1898 depicting a maiden in profile bust length within a landscape, within an oak frame, stamped mark to base N134B/ CLEMENT HEATON/ ET CO./ NEUCHATEL/ 1898 45cm x 35.5cm

£600-800

161 FH421/34 ATTRIBUTED TO CHRISTOPHER DRESSER BRASS FENDER, CIRCA 1880 of rectilinear outline, with floral pierced and stamped gallery 130cm wide, 16cm high, 31cm deep

£300-500

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162 FH421/18 WILLIAM ARTHUR SMITH BENSON (1854-1924) PAIR OF COPPER AND BRASS CANDLESTICKS, CIRCA 1900 each with leafy drip pans and corresponding tripod bases (2) 26.5cm high

£300-400

163 FF913/1 ARTS & CRAFTS GROUP OF DOOR PLATES, CIRCA 1890 one silvered, with scrolled outline with applied handle, 64cm tall; one in anodised copper of similar design with applied handle 59cm tall; and the third in brass with repoussé bud design and corresponding applied handle, 59.5cm tall (3) £400-600

164 FG883/2 ARTS & CRAFTS PAIR OF WROUGHT IRON AND COPPER MOUNTED FIRE DOGS, CIRCA 1900 with associated wrought iron grate, the dogs with embossed copper leafy capitals and open spiral knops on curved feet, 73cm high, 51cm long; the basket with scrolled decoration, 72cm at the widest point, 29cm deep (3) £300-500

50

165 FH421/30 WILLIAM ARTHUR SMITH BENSON (1854-1924) CAST IRON, STEEL AND COPPER PLATE WARMER, CIRCA 1900 with loop handle and two decorative pierced tiers enclosed by a copper cowl, stamped marks 54cm high, 28cm high

£200-300

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166 FH421/37 WILLIAM ARTHUR SMITH BENSON (1854-1924) BRASS AND COPPER ELECTROLIER, CIRCA 1900 with leafy ceiling rose and three scrolling branches, each suspending corresponding leafy light fittings with original Vaseline glass shades 60cm high, 36cm diameter

£2,000-3,000

167 FF909/4 BIRMINGHAM GUILD OF HANDICRAFT PAIR OF BRASS AND COPPER TABLE/ WALL LIGHTS, CIRCA 1898 model no. 44, each with domed ogee shades with beaten finish to the interior, above adjustable columns on quadruped base, stamped maker’s mark B.G.H. (2) 45cm high

£3,000-5,000

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168 FH54/4 WALTHAM & CO., LONDON EDWARDIAN BRONZE TABLE LAMP, CIRCA 1910 the domed Vaseline glass shade within rivetted cage, on adjustable scroll support with mask terminal raised on turned column with wrought and moulded brackets, the plinth base pierced and cast with masks and foliage, chased maker’s marks to base WALTHAM & CO./ WESTMINSTER 90cm high (fully extended)

£2,000-3,000

169 FH421/40 WILLIAM ARTHUR SMITH BENSON (1854-1924) SILVERED TABLE LAMP, CIRCA 1900 period conversion from an oil lamp with original silk shade, the ovoid reservoir on turned column and square base, stamped marks 27.5cm high

£300-400

52

170 FH421/41 ARTS & CRAFTS BRASS WALL LIGHT, CIRCA 1900 with scrolled back plate and two scrolling branches, each suspending a glazed lantern 36cm wide, 47cm high

£300-400

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171 FH55/1 DUTCH SCHOOL BRONZED ART DECO CEILING LIGHT, CIRCA 1930 the shade of faceted tapering form set with painted glass panels, hung with silken ropes from an illuminated corresponding rose 60cm diameter, 122cm high (approx.)

£800-1,200

172 FG879/21 ARTS & CRAFTS BRASS CEILING LIGHT, CIRCA 1900 with three fittings, suspended from a circular support linked by three curved brackets

174 FF913/2 ARTS & CRAFTS STAINED AND LEADED GLASS LANTERN, CIRCA 1900 of hexagonal section with geometric patterned design

38cm diameter

173 FH421/5 RENAISSANCE REVIVAL BRASS TABLE LAMP, LATE 19TH CENTURY with twin branches centred on a baluster turned column with mask boss, raised on a turned base

£200-300

50cm high

£250-400

£150-250

30cm diameter, 26cm tall

175 FH35/1 ART DECO FROSTED GLASS ELECTROLIER, CIRCA 1930 with silvered mounts, the central ovoid glass shade with geometric decoration supporting three smaller corresponding drop shades, the whole with triple column support and cast geometric ceiling rose, shade with moulded mark HAGUE 82cm tall

£300-500

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176 FH414/2 GENET ET MICHON SET OF THREE ART DECO BRONZE WALL LIGHTS, CIRCA 1930 each with verdigris and gilded patination and comprising a central two branch fitting, 36cm wide, 38cm tall; and a pair of two branch companions, 25cm wide, 20.5cm tall, each stamped with maker’s mark GM 2048 (3) £3,000-5,000

177 FH414/4 JEAN BESNARD (1889-1958) CERAMIC LAMP, CIRCA 1930 of ovoid form with white “crispé” glaze, incised marks to base JB body, 11cm high

£300-500

54

178 FG662/1 HARVEY GUZZINI, ITALY WHITE PLASTIC FLOOR LAMP, 1970s 48cm high; and NINE HARVEY GUZZINI WHITE PLASTIC PENDANT SHADES, each 38cm diameter (10)

179 FH414/1 MATHIEU MATÉGOT (19102001) FOR ARLUS PAIR OF DOUBLE WALL LIGHTS, MODEL 1284, CIRCA 1950 brass and painted metal, each with perforated shades (2)

180 SV2/16A STAINED AND LEADED GLASS PLAFONNIER, CIRCA 1930 of demi ovoid form, the stained glass panels depicting flowering plants, includes hanging chains

£200-300

45cm high, 38cm wide

31.5cm diameter

£300-500

£200-300

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181 FH54/3 FRANZ BERGMAN (1861-1936) LARGE METAMORPHIC COLDPAINTED EROTIC BRONZE FIGURE, CIRCA 1910 set with cut glass ‘jewels’ and cast as a dancing girl, the hinged skirt lifting to reveal her naked figure, impressed Bergman mark, signed ‘Nam Greb’ total height 35cm

£5,000-8,000

With skirt lifted

41cm high

183 FG947/1 SCANDINAVIAN SCHOOL MOTHER AND CHILD, EARLY 20TH CENTURY Bronze, raised on a turned marble plinth, apparently unmarked

£1,800-2,200

20cm high

182 FH421/14 PHOEBE STABLER (1879-1955) ‘SHY’, CIRCA 1910 Bronze figure, modelled and cast as a nude girl sitting on a plinth decorated with an array of garlands, signed in the bronze PHOEBE STABLER

£120-180

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184 FH60/11 LUCE ART DECO BRONZE AND IVORY FIGURE, CIRCA 1920 cast as a dancing girl, in floral skirt with silvered overlay, the whole raised on a stepped onyx plinth, signed to the base LUCE 39cm high

£600-800

185 FH60/5 JOSEF LORENZL (1892-1950) SILVERED BRONZE FIGURE, CIRCA 1925 cast as a naked girl, holding aloft a disc, raised on an ovoid black slate and green onyx plinth, signed in the bronze LORENZL 19cm high

£500-800

186 FH60/4 JOSEF LORENZL (1892-1950) SILVERED BRONZE FIGURE, CIRCA 1925 cast as a naked running girl, raised on a turned onyx base, signed in the bronze RENZ/ KG 3350/ B/27 27cm high

£500-600

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187 FH60/6 MANNER OF JOSEF LORENZL BRONZE FIGURE, CIRCA 1925 cast as a naked girl, with arms upstretched, raised on an onyx base 28cm high

£500-800

188 FH408/1 JOSEF LORENZL (1892-1950) BRONZE FIGURE, CIRCA 1925 cast as a naked girl, holding aloft a doll, raised on a turned onyx base with spreading bronze plinth, signed in the bronze LORENZL/ MADE IN AUSTRIA/ 304 39cm high

£600-800

189 FH60/7 JOE DESCOMPS (1869-1950) IVORY FIGURE, CIRCA 1925 carved as a naked girl holding a shift, raised on a tapered marble plinth, signed on the base JOE DESCOMPS

190 FF998/2 CONTINENTAL SCHOOL CARVED ALABASTER FIGURE, CIRCA 1910 depicting a child at her needlework

15.5cm high

28cm high

£600-800

£300-500

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191 FH408/2 MANNER OF FERDINAND PREISS CARVED IVORY AND ONYX FIGURAL TRAY, CIRCA 1925 the figure carved as a seated girl, holding a bird and raised on an onyx plinth with dished tray base 9cm high

£400-600

192 FH165/1 FERDINAND PREISS (1882-1943) ‘PIERETTE’, BRONZE AND CARVED IVORY FIGURE, CIRCA 1925 the figure wearing a coloured conical hat, raised on a faceted slate base, signed in the bronze F. PREISS 18.5cm high Literature: Catley, Bryan ‘Art Deco and other Figures’, Woodbridge, 2003, p. 284 for a similar example

£800-1,200

193 FH435/3 HAGENAUER, AUSTRIA TWO BRONZE FIGURES, CIRCA 1920 one an ACCORDIONIST, 4cm high; and a RABBIT, 5cm high; also TWO HAGENAUER STYLE FIGURES, of tennis players, 8.5cm high (4)

194 FH28/1 CHARLES ROBINSON SYKES (1875-1950) FOR ROLLS ROYCE LIMITED ‘THE SPIRIT OF ECSTASY’ CHROMIUM PLATED CAR MASCOT, CIRCA 1935 kneeling version, mounted on a hub cap

£150-250

10cm high Note: This kneeling version of the famous mascot was devised for the Phantom III in January 1934 and continued to be produced by the firm until 1955.

£200-300

58

195 FH421/39 GLASGOW STYLE PAIR STAINED AND LEADED GLASS PANELS, CIRCA 1900 each depicting entwined flowering roses, within later frames (2)

196 FG765/1 GLASGOW STYLE STAINED AND LEADED GLASS PANEL, CIRCA 1900 depicting stylised flowering rose plants

66cm x 48cm

£250-400

£200-300

133cm x 98cm

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197 FH421/28 COTSWOLD SCHOOL EBONISED AND INLAID TABLE CANDLESTICKS, CIRCA 1900 each with broad drip pans on a turned column with faceted spacer, inlaid with engraved mother of pearl florets and raised on a corresponding faceted base (2) 33cm high

£300-400

198 SV85/36 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) PAIR OF OAK CANDLESTICKS, CIRCA 1940 each of faceted tapering form with square leaf-carved bases, carved mouse signature, 20cm high; also an OAK CHEESE BOARD, of oval outline, with carved mouse signature to the handle, 37cm long (3) £300-400

199 FH415/5 EUROPEAN SCHOOL ABSTRACT FORM, DATED 1941 carved oak, bears carved initials GD and dated ‘41 47cm high

£300-500

200 FH56/1 ZENITH FOR HEAL & SON, LONDON MAHOGANY WALL CLOCK, CIRCA 1932 of convex circular form with gilt chapters and having 18 day Zenith Swiss movement, Rd no. 687088, maker’s marks verso

201 FG883/3 ARTS & CRAFTS PAIR OF POKERWORK STAINED WOOD PANELS, CIRCA 1920 painted with coloured enamels, one depicting a fisherman with mermaids; the other a shepherd with putti (2)

34cm diameter

panels 24cm x 75cm

£400-600

£100-200

202 FG879/19 ART DECO IVORY & SHAGREEN DRESSING TABLE SET, CIRCA 1930 comprising a pair of hair brushes; a pair of clothes brushes; and a hand mirror (5) £150-200

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203 FH60/10 HARRODS LTD., LONDON CHROMIUM AND GLASS ART DECO PHOTOGRAPH FRAME, CIRCA 1930 of curved rectangular outline, the central frame enclosed by blue glass rods held by chromium plated curved brackets, stamped maker’s mark HARRODS/ MADE IN ENGLAND 22cm x 28cm

£400-600

204 FH420/1 PAUL EVANS (1931-1987) WALNUT AND BRASS ICE BUCKET OF ARCHITECTURAL FORM, CIRCA 1970 the bucket enclosed within a burl walnut and brass classical ‘building’, the hinged top opening to reveal the bucket 35cm high, 34cm square Note: Evans was born in Pennsylvania in 1931. Having studied sculpture, metalwork and silver at the Cranbrook Institute of Art he exhibited at the Museum of Contemporary Art in New York in 1957. In 1964 he became Director of the furniture manufacturer Directional, and continued designing furniture, sculpture and metalwork until his death aged 56. He is regarded today as one of the foremost American designers of the 1960s and 1970s, and his works sell consistently well at auction and at shows either side of the Atlantic.

£2,000-3,000

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205 FH227/1 JAMES WRIGHT R.S.W. (CIRCA 1885-1947) ‘SAINT MARGARET OF SCOTLAND’ watercolour and bodycolour, bears inscription top right SAINT MARGARET OF SCOTLAND, signed lower right JAS. WRIGHT RSW 22cm x 18cm

£300-500 206 FF902/3 PRE-RAPHAELITE SCHOOL PORTRAIT OF A LADY pastel roundel 35cm diameter

£200-300 207 FG878/1 MABEL ROYDS (1874-1941) ‘GRAPES’ Oil on board, bears label verso 25cm x 34cm

£400-600 208 FG878/2 *BURNSIDE ‘PADDLE STEAMER DESIGNED AT CLYDEBANK NAVAL ARCHITECTURE CLASS’ pen, ink and wash technical drawing, bears label dated 1898 106.5cm x 69cm and a companion by the same hand ‘Turn Screw Steamer for Cannel Service/ Rigging Plan’, dated 1897 27cm x 61cm (2) £200-300

209 FG963/5 EDITH A. IBBS A COLLECTION OF ILLUSTRATIONS, EARLY 20TH CENTURY Including sheets of Illuminations for The Studio Magazine; The British Museum etc. and including ‘Early Stamped Bookbindings in the British Museum’ published in 1922 with some of the original illuminations (qty.)

212 FG987/14 EDWARD BAWDEN (19031989) FOR CURWEN PRESS ‘NODE’ WALLPAPER SAMPLE, DESIGNED 1933 framed and glazed 85cm x 54cm Provenance: The Fine Art Society, London

£150-200

£150-250

213 FH100/1 JESSIE MARION KING (1875-1949) (ILLUS.) ‘THE BOOK OF BRIDGES’ published by Gowans & Gray, London and Glasgow, 1911, bears pen and ink inscription by the artist TO TWO “CAT LOVERS”/ FROM ANOTHER”/ INCLUDING A WEE DOG AWAS ME E.A.T./ PARIS MAY 22ND 1922/ “CAFE DOME BOULEVARD/ MONTPARNASSE”/ JESSIE M. KING with flower illustration £300-400

210 FH183/1 AFTER HENRI DE TOULOUSE-LAUTREC (1864-1901) ‘LES VIEUX MESSIEURS’ lithograph, on wove paper, 1894, the first song sheet edition with text, printed and published by Paul Dupont, Paris 27cm x 17cm Provenance: The Folio Society 1963

£300-500 211 FH183/2 AFTER HENRI DE TOULOUSE-LAUTREC (1864-1901) ‘EROS VANNÉ’ lithograph, on wove paper, c.1894, the first song sheet edition with text, printed and published by Paul Dupont, Paris 27cm x 17cm

£300-500

210

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214 FH410/4 WORLD WAR ONE POSTERS, 1914-1918 including AN APPEAL TO YOU, by Roberts & Leete Ltd., 98cm x 63.5cm; FILL UP THE RANKS!/ PILE UP THE MUNITIONS!, by Chorley & Pickersgill Ltd, 99cm x 126cm; WAR LOAN, 76.5cm x 50cm; REMEMBER BELGIUM/ ENLIST TODAY, 100.5cm x 74.3cm; IF THE CAP FITS/ JOIN THE ARMY TODAY, 74.6cm x 51cm; LADS YOU’RE WANTED/ GO AND HELP, 15cm x 76cm; WHAT WILL YOUR ANSWER BE / ENLIST NOW; etc (qty) £500-700

215 FH410/2 FRANK NEWBOULD (1887-1951) ‘A NEW ZEALAND DAIRY FARM’, POSTER St. Michael’s Press Ltd., West Norwood 50.5cm x 76cm

£200-300

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216 FH410/3 STANISLAUS S. LONGLEY (1894-1966) FOUR POSTERS FOR THE UNDERGROUND, 1933 ON WITH THE DANCE; TAKE THE AIR; SHOP IN TOWN; AND SO TO CHURCH, lithograph, 1933, printed by Balding and Mansell, London (4) each 50.8cm x 31.5cm

£200-300

217 FH410/1 ADVERTISING POSTERS, 1930S AND LATER including MACFARLANE LANG’S ENSIGN ASSORTED BISCUITS, 48.5cm x 36.6cm; MACFARLANE LANG’S SCOTCH SHORTBREAD, 45.3cm x 30.6cm; MACFARLANE LANG’S CHOCOLATE BISCUITS, 53.3cm x 39cm; DEXTER WEATHERPROOFS, 28.5cm x 58.5cm; ORANGE MARMALADE, 49.9cm x 36.7cm; TRYST LIPSTICK, 75cm x 49cm; HENDAWICK UNDERWEAR, 46.7cm x 34cm, and assorted other advertising and packaging (qty) £300-500

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218 FG813/1 CHARLES FRANCIS ANNESLEY VOYSEY (1857–1941) ‘THE DONNEMARA’ DONEGAL CARPET, CIRCA 1900 the field with all over stylised foliate pattern in red, green and yellow, within similar border (worn condition).

452cm x 386cm Literature: Haslam, Malcolm ‘Arts & Crafts Carpets’, London 1991, pp. 89-145

£300-500

219 FF975/2 MORRIS & CO. EMROIDERED SILK PANEL, CIRCA 1890 worked in coloured silks with a floral and foliate design, within oak frame 53.5cm square

£300-500 220 FH226/1 ARTS & CRAFTS EMBROIDERED ROUNDEL, CIRCA 1910 worked in coloured silks and gold thread with a galleon in full sail, framed and glazed

221 FH421/17 SILVER STUDIOS WOVEN MERCERISED COTTON PANEL, CIRCA 1900 with repeating poppy design, appliqued with four roundels, each woven with allegories of the seasons after designs by ALPHONSE MUCHA, within braided border

222 FH421/9 FROM AN ILLUSTRATION BY WALTER CRANE EMBROIDERED PANEL, CIRCA 1900 depicting a maiden in a bower, worked in pale cream and gold coloured silks on a linen ground

41cm x 73cm

£150-250

63.5cm x 37.5cm

£300-500 223 FF975/1 READICUT WOOL RUNNER, CIRCA 1950 cream lozenge design on a red ground

22cm diameter

291cm long, 96cm wide

£150-200

£100-200

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224 FH421/10 FROM AN ILLUSTRATION BY WALTER CRANE EMBROIDERED PANEL, CIRCA 1900 worked in coloured threads on a silk ground and bearing inscription SWEET HYACINTHS THEIR BELLS DID RING/ TO SWELL THE MUSIC OF THE SPRING, bears initials J.R.J. 18cm x 14.5cm

£200-300

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225 FH38/32 ARTS & CRAFTS MATCHED SET OF 12 GOTHIC REVIVAL PITCH PINE DINING CHAIRS, CIRCA 1880 including two carvers, each with pegged joints, the top rails with trefoil piercing above tongue and groove backs on solid seats and cross framed legs linked by stretchers (12) Provenance: By repute from Cobh Cathedral, County Cork, Ireland

£2,000-3,000

226 FG836/1 HOWARD & SONS, LONDON PARQUETRY INLAID OAK CENTRE TABLE, CIRCA 1880 the inlaid top with moulded edge raised on square chamfered legs linked by shaped stretchers, stamped marks HOWARD & SONS, BERNERS ST, also with Howard & Sons label 97cm diameter, 72cm high

£800-1,200

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227 FH421/19 GOTHIC REVIVAL PAIR OF PAINTED GILT PARLOUR CHAIRS, CIRCA 1860 each with trefoil pierced top rails above upholstered seats on turned legs united by stretchers (2) 45cm wide, 70cm high

£400-600

228 FG879/13 EGYPTIAN REVIVAL BEECH SIDE CHAIR, CIRCA 1910 with slatted sloping back and caned seat above square legs linked by stretchers £300-400

229 FG879/7 GOTHIC REVIVAL SET OF SIX OAK FRAMED DINING CHAIRS, CIRCA 1880 each with castellated top rails and upholstered backs and seats, raised on turned and blocked legs linked by stretchers (6)

230 FG879/9 BRUCE TALBERT (1838-1881) SET OF FOUR EBONISED AND GILDED SIDE CHAIRS, CIRCA 1870 each with upholstered panel and spindle galleried backs on stuffover seats on ring turned tapered legs linked by stretchers (4)

231 FH421/20 MANNER OF E. W. GODWIN MAHOGANY OCCASIONAL TABLE, CIRCA 1880 the circular top above curved supports with lion mask capitals and lower tier, raised on tapering legs with paw feet

£400-600

Literature: See Talbert, Bruce J ‘Fashionable Furniture: A Collection of Three Hundred and Fifty Original Designs Representing Cabinet Work, Upholstery and Decoration’ Robson & Sons 1881, where the design for these chairs is illustrated.

£300-500

£300-500

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76cm diameter, 73cm high

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232 FH421/1 THOMAS JECKYLL (1827–1881) FOR BARNARD, BISHOP AND BARNARD CAST IRON FIRE SURROUND, CIRCA 1880 cast with Japanese Mon patterning on a latticed ground 84cm wide, 91.5cm high

£400-600

233 FH421/36 ATTRIBUTED TO LIBERTY & CO., LONDON ANGLO-MOORESQUE EBONISED OCCASIONAL TABLE, CIRCA 1880 the octagonal top raised above an elaborate pierced frieze enclosing an undertier, on square tapering legs 68cm across, 66cm high

£300-500

234 FH421/24 AESTHETIC MOVEMENT EBONISED BEECH WALL CABINET, CIRCA 1870 with open shelf and three panelled doors each stencil decorated with sunflowers, birds and flowering plants, above spindle galleries 81cm wide, 75cm high, 22.5cm deep

£200-300

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235 FH421/12 ATTRIBUTED TO DANTE GABRIEL ROSSETTI FOR MORRIS & CO. PAIR OF ‘ROSSETTI’ EBONISED SIDE CHAIRS, CIRCA 1870 each with waisted spindle backs on circular rushed seats and ring turned legs linked by stretchers (2) £250-350

236 FH421/8 WILLIAM MORRIS (1834–1896) FOR MORRIS & COMPANY ‘FLOWERPOT’ EMBROIDERED FIRESCREEN, CIRCA 1890 the mahogany frame centred by an embroidered panel of an urn issuing flowers, frame with baluster turned uprights, scroll carved top rail, and latticed panel below, stamped maker’s marks 70cm wide, 123.5cm high Literature: Parry, Linda ‘William Morris Textiles’, 1983, p.20 Fig. A where the design for the textile panel is illustrated.

£800-1,200

237 FH421/26 AESTHETIC MOVEMENT PAINTED CORNER CABINET, CIRCA 1880 the spindle galleried top above incised scrolled decoration and twin doors, each painted with domestic still life design 66cm wide, 105.5cm high, 35.5cm deep

£250-400

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238 FH421/25 AESTHETIC MOVEMENT OAK COAT RACK, CIRCA 1880 with central mirrored plate and incised decorations 121cm wide, 61cm high

239 FH421/35 ANGLO-EGYPTIAN STYLE CAST IRON STICK STAND, CIRCA 1880 in the manner of Christopher Dresser, cast with foliate back on base with drip tray

£250-350

71cm high

£150-250

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240 FG879/10 ATTRIBUTED TO JOSEF HOFFMANN FOR J. & J. KOHN, VIENNA PAIR OF SECESSIONIST EBONISED TUB CHAIRS, CIRCA 1900 later overpainted, each with fabric upholstery and bentwood frames, each bears printed maker’s marks (2) £400-600

241 FG879/16 CONTINENTAL SCHOOL JUGENDSTIL MAHOGANY WALL CABINET, CIRCA 1900 with open shelf above twin glazed doors, the whole with decorative pierced and blind pierced brackets 94cm wide, 64cm high, 36cm deep

£200-300

242 FH51/5 SECESSIONIST STYLE MAHOGANY ARMCHAIR, CIRCA 1930 of tub form with curved back and arms formed of horizontal slats with spacers, the drop in seat raised on corresponding legs 57cm wide, 79cm high, 52cm deep

£400-600

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243 FH413/4 ART NOUVEAU MAHOGANY PARLOUR SEAT AND DRAUGHT SCREEN, CIRCA 1890 in two sections joined by a hinge, each with upholstered panel seat and stained and leaded glass panels above with rail for a curtain, raised above a spindle filled frieze

244 FF909/1 SHAPLAND & PETTER, BARNSTAPLE ART NOUVEAU MAHOGANY AND MARQUETRY INLAID MUSIC CABINET, CIRCA 1900 with silvered hinges and side handles, the three quarter gallery above two inlaid doors enclosing shelves for music, the undertier with pierced gallery, the whole on square tapered legs

each section 63cm wide, 180cm

£1,500-2,000

56.5cm wide, 121cm high, 35cm deep

high, 51.5cm deep

£300-500

245 FG643/1 ART NOUVEAU MAHOGANY AND MARQUETRY INLAID ARMCHAIR, CIRCA 1910 with upholstered panels to the back, seat and inside arms with boxwood strung front supports with finial surmounts and rear bracket supports £400-600

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246 FG851/1 ART NOUVEAU MAHOGANY FRAMED SOFA, CIRCA 1900 with tall back and arms and later green upholstery, with original embroidered frieze, the whole raised on square tapered legs 135cm wide, 113cm high, 68cm deep

£400-600

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247 FG878/3 ATTRIBUTED TO J.S. HENRY, LONDON MAHOGANY AND MARQUETRY INLAID ARMCHAIR, CIRCA 1900 the upholstered panel back with top rail inlaid with three marquetry roses, above curved open arms and upholstered seat on turned front legs with toupie feet £500-700

248 FH23/7 SHAPLAND & PETTER, BARNSTAPLE MAHOGANY AND MARQUETRY INLAID WALL CABINET, CIRCA 1900 further inlaid with mother of pearl, with single door enclosed by open shelves and two drawers, lock stamped S&P/ B 70.5cm wide, 76.5cm high, 19cm deep

£250-350

249 FH413/2 SHAPLAND & PETTER, BARNSTAPLE ART NOUVEAU MAHOGANY AND MARQUETRY INLAID REVOLVING BOOKCASE, CIRCA 1900 the shaped square top above open shelves to each side with further inlaid panels, the whole raised on a cruciform base

250 FG835/1 ART NOUVEAU MAHOGANY AND MARQUETRY INLAID DISPLAY CABINET, CIRCA 1910 with single ovoid door flanked by galleried shelves and drawers above an arcaded frieze on square tapered legs

54.5cm wide, 82cm high

122cm wide, 177.5cm high, 35cm deep

£2,000-3,000

£200-300

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251 FF770/1 WORKSHOP OF ROBERT ‘MOUSEMAN’ THOMPSON OAK DINING SUITE, CIRCA 1955 comprising a REFECTORY TABLE, with rectangular top on faceted baluster supports linked by a stretcher, 151cm long, 73cm high, 85cm wide; and a SET OF SIX CHAIRS, each with solid panel backs above leather close nailed upholstered seats on faced baluster front legs linked by stretchers, each piece carved with mouse signature (7) Note: Purchased from the firm by the present owners in October 1955.

£3,000-5,000

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252 FG876/1 ATTRIBUTED TO LEONARD WYBURD FOR LIBERTY & CO., LONDON ARTS & CRAFTS OAK SIDEBOARD, CIRCA 1899 with decorative beaten ‘Flemish’ hinges, the moulded cornice above two shuttered doors, the shutters opening to reveal leaded glass doors above tongue and groove backplate, the rectangular top above two drawers and with two corresponding tongue and groove panel doors below, bracket feet 153cm wide, 209cm high, 68cm deep Literature: Bennett, Daryl ‘Liberty’s Furniture 1875-1915’, Woodbridge 2012, pp. 186-189 and illus. p. 189, Fig 5.74 Note: Wyburd was leading the design department at the time this sideboard was made. The interesting shuttered cupboards and ‘Flemish’ hinges are characteristic of a range of furniture made by the firm at this time and illustrated in periodicals of the period. The Art Journal of 1897 published a critique of a similar piece to the current lot and praised its ‘curious Flemish hinges and fittings of hammered iron, and its oddly shuttered cupboards for china’.

£2,000-3,000

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253 FH421/21 LIBERTY & CO., LONDON MAHOGANY SIDE CABINET, CIRCA 1900 the panelled back with open shelves above twin glazed doors with bull’s eye panes, raised on turned legs with lower platform shelf, bears ivorine maker’s label LIBERTY & CO./ LONDON 133.5cm wide, 130cm high, 43.5cm deep

£500-800

254 FH421/6 LIBERTY STYLE STAINED BEECH ‘THEBES’ STOOL, CIRCA 1910 the square upholstered top on ring turned legs linked by spindle-filled stretchers 45cm square, 43cm high

£200-300

255 FG883/1 HEAL & SON, LONDON PAIR OF MAHOGANY BEDS, CIRCA 1920 each with carved lattice panels to the head and foot boards, raised on turned legs, iron rails, each bears ivorine maker’s labels (2) each 196cm long, 93cm wide, 134cm high

£300-500

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256 SV85/1 ARTS AND CRAFTS OAK GLAZED CABINET AND UNDERCABINET, CIRCA 1910 the moulded cornice above astragal and lead glazed doors enclosing adjustable shelves, flanked by square uprights, over the base with two frieze drawers above glazed and panel doors, raised on square pad feet 122cm wide, 205cm high, 45cm deep

£500-800

257 FF974/1 ARTS & CRAFTS OAK LONGCASE CLOCK, CIRCA 1920 the brass dial repoussé decorated with birds in a landscape and bearing inscription THE BIRD OF TIME HATH BUT A LITTLE WAY TO FLY/ AND LO THE BIRD IS ON THE WING, the plain case with glazed door revealing brass weights and pendulum

258 FH56/4 KESWICK SCHOOL OF INDUSTRIAL ART BRASS TRAY ON STAND, CIRCA 1920 the circular brass tray chased with a band of flowering roses, stamped mark KSIA, raised on an oak folding stand by ARTHUR SIMPSON OF KENDAL 63.5cm diameter, 63cm high

£300-500

231cm high

£400-600

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259 FG882/2 MANNER OF L. AND J. G. STICKLEY AMERICAN ARTS & CRAFTS OAK LIBRARY TABLE, EARLY 20TH CENTURY the rectangular top with stepped edge above two drawers with copper drop handles and backplates, raised on square supports with slatted sides, linked by stretchers with exposed tenons 125cm wide, 75.5cm high, 79cm deep

£1,800-2,200

260 FH401/1 ARTS & CRAFTS OAK FIRE SURROUND, CIRCA 1910 the projecting semi-bowed mantel above pewter panels and open shelf, the copper insert with riveted decoration, fitted with hooks, and with domed cowl external, 149.5cm wide, 133cm high; internal, 106cm wide, 96.5cm high

£400-600

261 FH421/23 AMSTERDAM SCHOOL OAK FRAMED FIRESCREEN, DATED 1915 with central painted panel depicting two Birds of Paradise on a floral ground, the frame with chip carving on a scrolling base, signed J. KERSTJENS/ 15

262 FG879/2 GORDON RUSSELL LTD. OAK REFECTORY TABLE, CIRCA 1930 the rectangular top with chamfered edge raised on ends with twin square supports linked by a stretcher

263 FG479/1 MANNER OF WALTER CAVE PAIR OF OAK ARMCHAIRS, CIRCA 1900 each with spindle filled backs and moulded solid seats on square legs linked by stretchers (2)

152cm long, 73.5cm high,

£200-300

63cm wide, 81cm high

£600-800

£150-200

76

86.5cm deep

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264 FH421/11 ATTRIBUTED TO TALWIN MORRIS STAINED MAHOGANY DRESSER, CIRCA 1900 the stage back with moulded cornice and two plate shelves, above a rectangular top and open shelves with pierced heart-shaped frieze, centred by two drawers with cupboards below, each with shallow carving, the whole on a platform base 152.5cm wide, 217cm high, 59.5cm deep

£2,000-3,000

265 FH83/1 CHARLES RENNIE MACKINTOSH (1868-1928) BEECH HIGH STOOL, CIRCA 1894 the circular seat raised above three turned legs linked by stretchers 32.5cm diameter, 69cm high Literature: Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs’, Moffatt 2009, page 32, illus. D1894-96.1 Note: Made for Queen Margaret Medical College, Glasgow, the treatment of the stretchers appear to echo those of the domino table designed by Mackintosh in 1898 for the Argyle Street Tea Rooms.

£800-1,200

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266 FG30/5 ATTRIBUTED TO CHARLES RENNIE MACKINTOSH SMOKING ROOM TABLE, CIRCA 1903 the circular planked top, raised above a plain frieze and four plank supports, pierced with squares and linked by double crossed stretchers 65cm diameter, 71.5cm high Literature: Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs’, Moffatt 2009, page 165, fig.

1903.39, where an example is illustrated.

Note: Francis Smith is thought to have quoted for two tables of this design for the Smoking Room of the Willow Tearooms in September 1903. The form and construction is similar to a larger single table commissioned for the Billiards Room at the same time (Billcliffe fig. 1903.37), and which is now in the collection of Glasgow School of Art. Although none of these tables appear in contemporary photographs, Billcliffe believes their more robust construction gives them an affinity with the other furniture made for the Billiards Room at the same time.

£3,000-5,000

267 FG879/14 JESSIE M. KING INTEREST PAINTED TRAY, CIRCA 1910 possibly decorated by Jessie M. King, the galleried tray overpainted in green and black with chequer motifs to the angles, raised above hinged supports, bears paper label THE GREENGATE/ KIRKCUDBRIGHT/ SCOTLAND 60.5cm wide, 21cm high (unfolded), 43.5cm deep

£200-300

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268 FG879/5 ATTRIBUTED TO GEORGE WALTON OAK FRAMED SIDE CHAIR, CIRCA 1900 with upholstered back and triangular seat raised on turned and blocked front legs linked by stretchers £200-300

269 FG879/11 JOHN EDNIE (1876-1934) FOR WYLIE & LOCHHEAD, GLASGOW PAIR OF OAK SIDE CHAIRS, CIRCA 1900 the tapering backs with central pierced splat above upholstered panel seat above arches apron on square legs linked by stretchers (2)

270 FG879/12 ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW OAK SIDE CHAIR, CIRCA 1900 the tall back with heart-shape cut-out to the top rail, above original rush seat on square tapered legs linked by stretchers, stamped serial no.

35121

£300-500

£250-400

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271 FG879/6 MANNER OF GEORGE WALTON OAK ARMCHAIR, CIRCA 1900 with curved arms and solid back with exposed ebonised dowels, above drop-in seat on square tapered legs linked by stretchers £300-500

272 FG879/1 ATTRIBUTED TO JOHN EDNIE FOR WYLIE & LOCHHEAD, GLASGOW OAK COAT AND STICK STAND, CIRCA 1903 with central square section support and four pierced dividers for sticks, each with drip trays below 190.5cm high, 38cm wide Note: This coat and stick stand demonstrates similarities in design and construction to a series of tables made for a new billiards room commissioned by John Wylie of Wylie & Lochhead for his home at 26 Huntly Gardens, Glasgow in 1903.

£1,500-2,000

273 FG879/8 AFTER CHARLES RENNIE MACKINTOSH PAIR OF OAK SIDE CHAIRS, 1920s each with serpentine top rails with cut-out handles above slatted backs and drop-in seats on square legs linked by stretchers (2) 48cm wide, 99cm high, 42cm deep Literature: Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs’, Moffatt 2009, page 63, illus. 1898.45 Note: A design based on the chair designed by Mackintosh for the Argyle Street tearooms in 1898, thought to have been made as replacements to the original chairs in the 1920s.

£600-800

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274 FH401/2 STANLEY WEBB DAVIES (1894–1978) ASH KITCHEN TABLE, 1920s the rectangular top with rounded angles above two through drawers with plain fronts on double square section chamfered supports to each end, linked by a stretcher with exposed tenons 135.5cm long, 77cm high, 74cm deep Provenance: Stanley Webb Davies, Gatesbield, Windermere John Smyth Antiques, Kendal Private Collection Note: After university Stanley Davies joined the family mill business, but decided to further his talent for woodworking with an apprenticeship under the acclaimed Cotswold School designer Romney Green.

In 1923, Davies started his own Arts & Crafts furniture company in Cumbria, building a house and workshop near Windermere, which he called “Gatesbield”, meaning a shelter for small animals.

Most of his furniture was made here, and the manufacturing process adhered strictly to Arts & Crafts principals. Characteristic features of his tables include rounded angles and exposed tenons, as in the current example which he made for his own use in the kitchen at Gatesbield.

£1,000-1,500

275 FG879/3 SIR ROBERT MATTHEW (1906–1975) PAINTED COFFEE TABLE, 1960s the rectangular ply top with curved supports, painted in white

275A FG879/4 SIR ROBERT MATTHEW (1906–1975) PAINTED COFFEE TABLE, 1960s the rectangular ply top with curved supports, painted in black

126.5m long, 36.5cm high,

161cm long, 39cm high,

276 FH421/27 AMSTERDAM SCHOOL OAK CENTRE TABLE, CIRCA 1900 the rectangular top with marble inset above a bone inlaid frieze and square tapered supports linked by stretchers

50.5cm deep

68.5cm deep

99cm long, 73cm high, 59.5cm wide

£150-250

£150-250

£300-500

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277 FH413/3 ARTHUR SIMPSON OF KENDAL (1857-1922) OAK MAGAZINE RACK, EARLY 20TH CENTURY with tapering ends and later rope support 67cm long, 56cm high, 26.5cm wide

£200-300

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278 FH413/1 ARTHUR SIMPSON OF KENDAL (1857-1922) SET OF EIGHT WALNUT DINING CHAIRS, CIRCA 1915 including two carvers, each with paperscroll top rails and twin pierced and moulded splats, above drop-in seats on square tapered and chamfered legs (8) £2,500-3,000

279 FH421/22 R. A. LISTER & CO. LTD., DURSLEY COTSWOLD SCHOOL EBONISED PLANTER, CIRCA 1910 of rectangular section, with zinc liner, two roundels painted with stylised flowers, bears maker’s label R. A.LISTER & CO. LTD/ MAKERS/ DURSLEY ENGLAND 92cm long, 51cm high,

280 FH421/29 COTSWOLDS SCHOOL OAK STOOL, CIRCA 1910 the dished seat with upholstered panel and chamfered frame raised on faceted supports 54cm wide, 51cm high, 37cm deep

£150-200

281 FH421/38 ATTRIBUTED TO ARTHUR SIMPSON OF KENDAL OAK RECLINING ARMCHAIR, CIRCA 1910 the adjustable back with central splat carved with a Celtic knot above open arms and drop in seat, raised on square section legs linked by stretchers 71cm wide, 109cm high, 79.5cm deep

£300-500

43.5cm deep

£300-500

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282 FG882/3 VENETIAN GLASS WALL MIRROR, 1950s of rectangular outline, the central pane enclosed by eight smaller mirrored panes, etched with figures including Thor and Zeus, and decorated with twisted glass borders and applied rosettes 84cm x 73cm

£500-700

283 FH414/3 GILBERT POILLERAT (1902-1988) PAIR OF WROUGHT IRON CONSOLES, CIRCA 1940 each of elaborate scrolling form, with verdigris and gilt patination (2) 20cm widest, 47cm tall Literature: Baudot, F. ‘Gilbert Poillerat Maitre Ferronnier’, Farignano 1992, pp.

75-76, 91 and 223 Note: A similar console was sold by Tajan, ‘Arts Décoratifs du 17e siècle à nos jours’, Paris, Thursday September 24, 2009 lot 258

£2,000-3,000

284 FH414/5 MANNER OF RAYMOND SUBES PAIR OF WROUGHT IRON ANDIRONS, CIRCA 1930 each with scroll decoration (2) 36.5cm long, 35cm tall Note: A similar pair were sold at Sotheby’s Olympia ‘Decorative Arts & Design’, 1st June 2005, lot 296.

£400-600

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285 FG881/2 ART DECO BIRD’S EYE MAPLE AND WALNUT VENEERED SIDE TABLE, CIRCA 1930 the rectangular cross banded top above a single frieze drawer, raised on tapering rectangular section supports with stepped plinths 91cm wide, 74.5cm high, 50.5cm deep

£300-400

286 LT2014/17 ART DECO STYLE PAIR OF CALAMANDER OCCASIONAL TABLES, MODERN each with rectangular top on square supports linked by an undertier (2) 80cm wide, 63cm high, 60cm deep

£500-800

287 FG433/25 ART DECO NEST OF BURR MAPLE OCCASIONAL TABLES, CIRCA 1930 the shaped circular crossbanded top above rectangular cross supports enclosing four smaller tables of triangular section (5)

288 FG433/27 ART DECO BURR MAPLE CENTRE TABLE, CIRCA 1930 the canted rectangular top with etched glass preserve above a stepped frieze on a corresponding column base

289 FG881/1 ART DECO WALNUT TALLBOY, CIRCA 1930 with four drawers raised on a plinth 67cm wide, 95cm high, 42.5cm deep

£200-300

89cm wide, 77cm high, 66cm deep

£200-300

75cm diameter, 54cm high, small tables 32cm across, 50cm high

£200-300

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290 FF971/1 HANS WEGNER (1914-2007) FOR FRITZ HANSEN, DENMARK TEAK DINING TABLE SET, CIRCA 1960 model FH-4103, comprising a CIRCULAR DINING TABLE, 120cm diameter, 71cm high; and FOUR MATCHING CHAIRS, bears printed maker`s marks (5) £500-700

291 FG877/3 DANISH DESIGN ROSEWOOD FREESTANDING DESK, CIRCA 1960 the rectangular dished top above two banks of three drawers and open shelves to the reverse, raised on square tapering legs 134cm wide, 72cm high, 75cm deep

£700-900

292 FF705/3 KURT ØSTERVIG (1912-1986) FOR JASON MÖBELFABRIK ROSEWOOD ELLIPTICAL GATELEG TABLE, 1960s the oval top with exposed joints and drop down leaves, raised on a stained mahogany frame with six ‘V’ shaped gate leg supports 130cm wide, 72cm high, 72.5cm deep (closed)

£2,000-3,000

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293 FG760/8 PIERO FORNASETTI (1913-1988) ‘STRUMENTI MUSICALE’ THREE FOLD LACQUER SCREEN, CIRCA 1955 decorated to each side, lacquered and lithographic transfer over wood board on castors each leaf, 50cm wide, 129.5cm high Provenance: Collection of Francis Menotti, Yester House, Gifford Literature: Mauries, Patrick. ‘Fornasetti: Designer of Dreams’, London, 1991, p.166 (variant illustrated)

£2,000-3,000

294 FG760/9 PIERO FORNASETTI (1913-1988) UMBRELLA STAND, CIRCA 1950 brass, lacquered and lithographic transfer of hats on a stand over board, printed marks FORNASETTI/ MILANO/ MADE IN ITALY 56.5cm high, 26cm diameter Provenance: Collection of Francis Menotti, Yester House, Gifford

£200-300

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295 FG877/1 EERO SAARINEN (1910-1961) FOR KNOLL STUDIO SET OF SIX ‘TULIP’ CHAIRS, DESIGNED 1958 aluminium and fibreglass with upholstered cushions, each bears maker’s label (6) 50.5cm wide, 81.5cm high, 54cm deep

£1,800-2,200

296 FG877/2 AUPING, HOLLAND ‘CLEOPATRA’ DAY BED, DESIGNED 1953 coated steel with upholstered cushion, bears maker’s label 196cm long, 35cm high, 95cm wide

£700-900

END OF SALE

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Scottish Applied Arts Wednesday, 13th August, 2014 33 Broughton Place, Edinburgh EH1 3RR

CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON'S WILLOW TEAROOMS PAIR OF EBONISED OAK 'LADDER BACK' CHAIRS, CIRCA 1903

Enquiries John Mackie Tel: +44 (0)20 7930 9115 john.mackie@lyonandturnbull.com

FURTHER ENTRIES ARE INVITED

w w w. lyo n a n d t u r n b u l l . co m

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STANDARD TERMS & CONDITIONS OF SALE Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

6. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006.

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We are required to collect a royalty payment for all qualifying works of art.

Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyers premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros),charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

7. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us.

We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

8. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or

your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 10. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

11. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

12. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

14. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

15. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold.

Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

(3) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the vendor, at the agreed reserve price or above, for up to 48 hours after the original auction.

16. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to

carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

17. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 18. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

9 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

22. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. Scottish law applies to the interpretation of these Conditions.

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Waverley Station Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

St Andrew Square

Lyon & Turnbull saleroom

Local Deliveries Local deliveries can be arranged by A&S Pert Removals.

Telephone 07876 343520.

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

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LYON & TURNBULL AUCTIONEERS EDINBURGH

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 9629

DECORATIVE ARTS 16TH APRIL 2014

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Decorative Arts Design from 1860 Wednesday, 16th April, 2014 33 Broughton Place Edinburgh