Fine Furniture & Works of Art | 14/01/2015

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LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

14TH JANUARY, 2015

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Fine Furniture & Works of Art Wednesday, 14th January, 2015 33 Broughton Place Edinburgh

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Waverley Station Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

St Andrew Square

T

York Place Tram Station

Lyon & Turnbull saleroom

Local Deliveries A&S Pert Removals.

Tel. +44 (0)7876 343520.

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk New Leaf Removals Tel: +44 (0)7999 926261 Email: info@newleafremovals.co.uk Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Aardvark Art Services Ltd Birks Farm, Ballam Road Lytham, Lancashire FY8 4NL Tel: +44 (0)1253 794673 Fax: +44 (0)1253 730580 Email: info@aardvarkartservices.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

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Fine Furniture & Works of Art Wednesday, 14th January, 2015 at 11am

Sale Number LT427

Viewing Sunday, 11th January 12 noon - 4pm Monday, 12th January 10am - 5pm Tuesday, 13th January 10am - 5pm Morning of sale from 9am

Specialists Douglas Girton douglas.girton@lyonandturnbull.com Theo Burrell theo.burrell@lyonandturnbull.com

Catalogue: £15 BUYER’S PREMIUM 25% up to £50,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artist’s resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

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LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you.

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon.

25% up to £50,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price.

The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price.

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

All royalty charges are paid to the appropriate collecting organisation and no handling costs or additional fees are retained by the auctioneer.

Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarize themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country.

It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

CITES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites/ Bidding Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement) You may present these documents in person or, alternatively, fax or email copies to us. We may, at our option, also ask you to provide a bank reference and/ or deposit.

At the Sale Potential buyers must register and collect a bidding number before the sale begins, and show that number if successful in purchasing a lot.

Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately.

If you have not been successful please leave the number at the Registration or Reception desks.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service entirely at the bidder’s risk.

By telephone Bids submitted by telephone must be confirmed in writing.

Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. All bid requests must be received an hour before the sale.

Methods of Payment Goods purchased will not be released until we have received full payment.

Bank Transfer Please find details in any email invoice we issue or upon request from our accounts department.

Cash Cash payments can be made at the accounts desk during or after a sale.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex..

Online Payments We no longer accept card payments by phone, please use our online payment service (powered by Credorax). You will find a link to this service in any email invoice issue or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

Wednesday, 14th January, 2015 at 11am 1-60

Collection of Lady Lanesborough

61-77

Property from a Highland Estate

78-343

British Furniture & Works of Art 155-161 A Private Collection of Clocks

344-414

Continental Furniture & Works of Art

415-442

Asian, Indian & Middle Eastern Works of Art

443-463

Rugs & Carpets

464-473

Natural History

474-486

Walking Sticks & Canes

487-502

Arms & Militaria and Sporting Guns 492-500 The Alan Brown Collection of Sporting Guns

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarize themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country.

It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

IMPORT OF IVORY INTO THE USA Please note that there are now revised rules with regards the import of ivory and items containing ivory into the USA – as the situation currently stands it is not possible to import any items containing ivory into the USA.

CONDITION REPORTS Please note that damage and/or restoration is indicated in the catalogue at our discretion. We are pleased to provide condition reports on all lots for those who cannot view in person.

ONLINE CATALOGUE For colour illustrations of all lots in this sale please consult our website at www.lyonandturnbull.com TELEPHONE BIDDING Please note that all absentee and telephone bid requests must be received an hour before the sale.

SHOTGUN CERTIFICATES Please note that lots 492-499 and 501 requires the purchaser to have a valid firearm certificate or RFD, and/or a shotgun certificate.

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The Collection of Lady Lanesborough previously at Swithland Hall, Leicestershire The present Swithland Hall was built for George John Danvers-Butler, later 5th Earl of Lanesborough.

Designed by the architect James Pennethorne, it was occupied by 1834, and finished by 1852. The house is built of stuccoed and painted granite and slate rubble and brick, with Swithland slate roofs concealed by a parapet. The house replaced an earlier house on the estate and T.R. Potter records in his History and Antiquities of Charnwood Forest of 1842: “The residence of the owners of Swithland was, till the present generation, situated near the Church.

It was a considerable pile, but so surrounded on all sides, even in front, by stables, dovecotes and high walls, and so close to the public road, that the present proprietor has judiciously pulled it down, and erected on a higher ground a mansion more suited to the taste of the age.”

The Earl of Lanesborough was a title in the Peerage of Ireland. It was created in 1756 for Humphrey Butler, 2nd Viscount Lanesborough. The Butler family descended from Theophilus Butler, who represented County Cavan and Belturbet in the Irish House of Commons. In 1715 Theophilus Butler was raised to the Peerage of Ireland as Baron Newtown-Butler, of the County of Fermanagh, and was succeeded by his brother, Brinsley, who became the second Baron. In 1728 Brinsley was created Viscount Lanesborough in the Peerage of Ireland and was, in turn, succeeded by his son, Humphrey, the aforementioned second Viscount, who was elevated to the earldom in 1728.

The first Earl was succeeded by his son, Brinsley, who became the second Earl and represented County Cavan in the Irish House of Commons. His grandson George, the fifth Earl, sat in the British House of

Swithland Hall, Leicestershire, The Country Seats of the Noblemen and Gentlemen of Great Britain, 1866, page 268

Lords as an Irish Representative Peer from 1849 to 1866. The latter was succeeded by his nephew, the sixth Earl. He served as Lord-Lieutenant of Cavan from 1876 to 1900 and was an Irish Representative Peer from 1870 to 1905. He was succeeded by his son, the seventh Earl. He was an Irish Representative Peer from 1913 to 1929. On his death the titles passed to his younger brother, the eighth Earl. The titles became extinct on the death of the latter’s eldest son, the ninth Earl, in 1998.

Denis Anthony Brian Butler, the 9th Earl of Lanesborough took on the 3,000 acre estate, Swithland Hall in 1950. As well as the estate the earl inherited crippling death duties. These forced him to sell Swithland Hall, and many of the contents were sold at auction in 1978. The family title now survives mainly in the name of the Lanesborough Hotel off Hyde Park Corner, London, on the site of St George’s Hospital, itself based on the family home of the Irish Viscount Lanesborough which was sold in 1733.

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

1 SV254/12 PAIR OF LOUIS XVI GREY PAINTED AND PARCEL GILT FAUTEUILS 19TH CENTURY with rectangular padded backs and bowed seats, the moulded frames carved with ribbon twist on fluted tapering legs (2) 65cm wide, 94cm high, 54cm deep

£1,000-1,500

2 SV254/153 DUTCH SATINWOOD AND MAHOGANY CENTRE TABLE LATE 18TH CENTURY the oval chequer banded top centred by a floral marquetry panel above a frieze drawer, raised on fluted square tapering legs 105cm wide, 76cm high, 70cm deep

£800-1,200

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

3 SV254/52 GOOD GEORGE III GILTWOOD OPEN ARMCHAIR IN THE MANNER OF THOMAS CHIPPENDALE CIRCA 1760 the oval back and wide serpentine seat in floral needlework upholstery, flanked by part padded scroll arms, the frame carved with entrelac and a fluted seat rail, raised on cabriole legs headed by anthemion and carved with swags and ending on in-scrolled toes 65cm wide, 94cm high, 50cm deep Note: This armchair relates to a number of unprovenanced suites of seat furniture which derive from documented patterns produced by Chippendale. For a comparative example, see Christopher Gilbert, ‘The Life and Work of Thomas Chippendale’, p.108, pl 183

£4,000-6,000

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

4 SV254/129 GEORGE III MAHOGANY AND ROSEWOOD FOLDOVER CARD TABLE 18TH CENTURY the demilune foldover top opening to a green baize playing surface, raised on square tapering legs with line inlay ending in spade feet 90cm wide, 73cm high, 45cm deep (closed)

£250-350

5 SV254/131B GEORGE III MAHOGANY PIECRUST TRIPOD TABLE 18TH CENTURY the dished serpentine tilt top on a baluster turned column raised on cabriole legs ending in pointed pad feet 55cm wide, 68cm high, 55cm deep

£400-600

6 SV254/83A GEORGE III MAHOGANY AND BRASS MOUNTED TRIPOD TABLE EARLY 19TH CENTURY the circular dished top on a tapered fluted column raised on scrolled legs ending in brass casters 61.5cm diameter, 71cm high

£300-500

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

7 SV254/15 CHARLES II OAK CHEST 17TH CENTURY the quadruple panel hinged top above a foliate scroll carved frieze and panel front carved with geometric lozenges and scrolling foliage, raised on stile feet 156cm wide, 77cm high, 61cm deep

£600-800

8 SV254/310 CAST IRON FIRE BACK 18TH CENTURY the arched panel cast with a figure of Britannia and a rampant lion under the motto ‘PRO PATRIA’ 61cm wide, 84cm high

£300-500

9 SV254/151 GEORGE III MAHOGANY PEMBROKE TABLE 18TH CENTURY the rectangular top with drop leaf sides with angled corners, above a frieze drawer and a dummy drawer opposing, raised on square tapered legs ending in brass caps and casters

10 SV254/175A LATE GEORGE III MAHOGANY WORK TABLE EARLY 19TH CENTURY the hinged crossbanded top opening to baize lined writing slope, above two short and one long drawer, raised on line inlaid square tapered legs ending on brass caps and casters

90cm wide, 70cm high, 116cm deep

51cm wide, 70.5cm high, 50cm deep

£300-500

£300-400

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

11 SV254/49 PAIR OF GEORGE III GREY PAINTED AND PARCEL GILT OPEN ARMCHAIRS CIRCA 1780 the curved oval backs above wide shaped seats with fluted seat rails and flanked by part padded scrolling arms, raised on square tapered legs with bead moulding and headed by paterae and ending on block feet (2) 62cm wide, 92cm high, 48cm deep

£700-900

12 SV254/33 PAIR OF GEORGE III SATINWOOD AND CALAMANDER FOLDOVER CARD TABLES LATE 18TH CENTURY the D-shaped tops opening to red baize lined playing surfaces on double gatelegs, above an inlaid frieze, raised on square tapered legs with further inlay (2) 93cm wide, 74cm high, 45cm deep

£2,000-3,000

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

13 SV254/140 FRENCH BRONZE FIGURE GROUP EARLY 19TH CENTURY medium brown patina, depicting a young girl seated on a goat feeding it grapes, on a rectangular ebonised wood base 14cm wide, 14.5cm high

£400-600

Drawing of a ewer by Enea Vico, 1533

14 SV254/139 PAIR OF RENAISSANCE STYLE BRONZE EWERS AFTER NICOLAS DELAUNAY, BASED ON DESIGNS BY ENEA VICO ONE 18TH CENTURY, THE OTHER 19TH CENTURY with gadrooned spouts and panther handles, the tapering bodies cast with masks, portrait roundels and entrelac, on domed leaf cast and reeded circular bases (2)

Note: This ewer is directly inspired by a silver-gilt ewer made by Delaunay in 1696-97 for the private altar service of Cardinal Louis-Joseph de Montmorency-Laval. The unusual form of the handle, modelled as a standing panther, first appears Enea Vico's studies of antique vases, published in Italy in 1533.

£1,000-1,500

32.5cm high

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

15Y SV254/175F GILT METAL MOUNTED TORTOISESHELL PATCH BOX 19TH CENTURY of circular form, with allover ozier designs, 7.5cm diameter; together with a HORN PATCH BOX, inset with a faceted citrine, and a glass base, 6.5cm diameter (2) £120-180

16 SV254/142 PAIR OF EMPIRE BRONZE PERFUME BURNERS EARLY 19TH CENTURY the pierced domed covers with foliate gilt metal covers (2) 11cm high

£150-250

17 SV254/113 PAIR OF AUSTRIAN NOVELTY PATINATED AND GILT BRONZE CANDLESTICKS 19TH CENTURY each in the form of a crouching frog with one arm on a dumbbell, holding a nozzle with the other (2) 13cm high

£250-350

18Y SV254/31 FRENCH GILT METAL AND HARDSTONE MOUNTED DESK SET 19TH CENTURY in the Renaissance Revival style, the pen rest mounted with malachite, lapis lazuli, and carnelian, 11.5cm wide; and an inkwell with a carved coral mask finial quatrefoil body 9.5cm high (2) £200-400

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

19 SV254/111 REGENCY MAHOGANY SOFA TABLE CIRCA 1815 the rounded rectangular top with drop ends, over two short frieze drawers and two dummy drawers opposing, raised on fluted squared column supports on outswept legs ending in brass caps and casters 152cm wide, 72cm high, 62cm deep

£600-800

20 SV254/157 REGENCY MAHOGANY CHEVAL MIRROR CIRCA 1815 the rectangular mirror plate in a plain frame with reeded and foliate carved supports joined by stretchers and raised on reeded splayed legs ending in hairy paw brass caps and casters 81cm wide, 184cm high, 78cm deep

£800-1,200

21 SV254/101 REGENCY MAHOGANY DUMBWAITER CIRCA 1820 with two dished and graduated circular tiers on a baluster turned support raised on scrolled outswept reeded legs with brass casters 62cm diameter, 92cm high

£600-800

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

Henry Bone (1755-1834) The son of a cabinet maker and carver, Henry Bone (17551834) was born in Cornwall in 1755. Appointed Enamel Painter to George III, the Prince of Wales (later George IV), and William IV, and a Royal Academy Member, he became famous for the skill and scale of his works, his copies after oil paintings gaining him the reputation as the ‘Prince of Enamellers’.

Starting as an apprentice at the Plymouth Porcelain Works, he moved on to the Bristol China Works in 1772. Over the following six years Bone developed his talent, dedicating himself to china decoration and artistic studies. Upon the closure of the Bristol China Works in 1779, he moved to London and found employment decorating fans and watches before his first Royal Academy Exhibition in 1781. Following the exposure he gained from these exhibitions he decided to focus solely on enamel painting, a regular feature at the Royal Academy. He exhibited A Muse and Cupid in 1789, at the time the largest enamel painting ever executed. He later went on to surpass himself in 1811 with his most famous piece, a work after Titian’s Bacchus and Ariadne. Previous work in enamel had only been a few inches across, featuring in miniatures and jewellery. At the time the process involved bonding the enamel paint onto a metal sheet, usually copper, through a firing process. The firing would often last for several hours but as the colours would fuse at different temperatures, there was a risk that certain paints may crack and buckle while others were still setting. To reduce the risk of deformation artists would only enamel onto small pieces. Bone experimented with the firing process as well as with his enamel paint formulas and developed enamel paints that would fuse reliably within a narrow heat range and true to colour, enabling him to produce such large, high quality works.

Henry Bone’s stature had grown so much that he received 4,000 visitors while exhibiting Bacchus and Adrianne at his house in Berners Street, eventually selling it for the large sum on 2200 guineas. It is now in the collection of the Cleveland

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Museum of Art, who purchased it at auction in 2013 for £313,875. His next great projects included a series of eightyfive historical portraits of figures from the time of Elizabeth I, a series of Civil War cavaliers, and also a series of portraits of members of the Russell family. While the Elizabethan portraits were not a financial success for Bone they are considered among his greatest works.

The following four portraits are prime examples of Bone’s prowess, skill and attention to detail. The portrait of Elizabeth Carey, later Lady Berkeley, is a cool study of Elizabethan composure, wealth and status. Bone’s original pencil grid sketch for this portrait (shown on the accompanying page) in the collection of the National Portrait Gallery illustrates his meticulous precision; while the extravagant portrait of a man wearing a white ostrich plume hat, originally believed to be Robert Dudley, Earl of Leicester but now identified as possibly King Christian IV of Denmark or Edward Somerset, 4th Earl of Worcester, displays all the confidence and swagger of a gentleman at the top of his social and political world. Bone’s annotated grid sketch for this large and fantastic portrait, a copy of an original at Knole House, survives and is also in the collection of National Portrait Gallery and shown here.

Suffering from failing eyesight and poor health, Bone offered to sell his collection of enamels to the nation but it was declined.

After his death in 1834, it was dispersed and sold at auction by Christie’s in 1836. It is believed these four came into the collection of the 5th Earl of Lanesborough, who was furnishing Swithland Hall at this time. It is a rarity to have four of Henry Bone’s remarkable portraits available at one time and from one source.

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LY O N & T U R N B U L L

Fine Furniture & Works of Art

22 SV254/28 HENRY BONE, R.A. (BRITISH, 1755-1834) AFTER HANS HOLBEIN SIR THOMAS SMYTHE enamel on copper, three quarter length portrait, the subject in black robes and cap and a fur stole, his right hand resting on a globe, in a gilt and gesso frame, signed on the slip ‘ENAMEL H. BONE’, paper exhibition label to the reverse 17.5cm x 13cm Note: Sir Thomas Smythe (c. 1558-1625) was an English merchant and politician. He was the first governor of the East India Trading Company and was elected a member of Parliament in 1614 and 1622. Bone’s portrait of Smythe is after a painting once at Hill Hall, Essex.

£3,000-5,000

23 SV254/27 HENRY BONE, R.A. (BRITISH, 1755-1834) AFTER CORNELIUS JONSON SIR WALTER RALEIGH enamel on copper, three quarter length portrait, the subject wearing a black cut silk doublet with a high lace collar and cuffs, a gold braid belt and sword, his right hand resting on a globe, signed and dated, in a gilt and gesso frame, paper exhibition label to reverse 17.5cm x 13cm

£3,000-5,000

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Fine Furniture & Works of Art

24 SV254/26 HENRY BONE, R.A. (BRITISH, 1755-1834) ELIZABETH CAREY, DAUGHTER OF LORD HUNSDON, AFTERWARDS LADY BERKELEY enamel on copper, three quarter length portrait, in a black velvet dress with lace ruff collar and double strand pearl choker, and wearing a long triple strand gold chain, garnet and seed pearl necklace, in a gilt gesso frame, inscribed on the slip ‘ENAMEL H BONE, R.A.’, paper exhibition label to the reverse 18cm x 13.75cm Note: Elizabeth Carey (1576-1635) was the only child of George Carey, 2nd Baron Hunsdon and Elizabeth Spencer. She was a courtier and patroness of the Arts, and the dedicatee of works by Thomas Nashe.

She married Sir Thomas Berkeley in 1596, aged 19, and after his death in 1611 remarried Sir Thomas Chamberland in 1622. Bone’s portrait is after the original at Berkeley Castle.

£4,000-6,000

Original pencil drawing for transfer by Henry Bone, dated 1825, National Portrait Gallery, NPG D17152

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Fine Furniture & Works of Art

25 SV254/25 HENRY BONE, R.A. (BRITISH, 1755-1834) POSSIBLY KING CHRISTIAN IV OF DENMARK, OR HENRY SOMERSET, 1ST MARQUESS OF WORCESTER enamel on copper, three quarter length portrait standing by a table with a red cloth, the subject with a gold hoop earring, wearing a white satin doublet with lace collar and cuffs, a black cloak over his right shoulder, and black jewelled hat with white ostrich feathers, the Order of the Garter hanging on a blue satin ribbon around his neck and a sword at his waist, holding gloves in his right hand, signed, in a gilt and gesso frame 20cm x 16.5cm

£4,000-6,000

Note: The subject of this flamboyant portrait of a Jacobean gentleman remains a bit of a mystery.

Copied from the original oil painting at Knole House by Bone in the early 19th century, it was believed at that time to be of Robert Dudley, 1st Earl of Leicester. The handwritten label on the reverse, as well as those on the preparatory grid drawing now in the National Portrait Gallery of the same subject, indicate this. The original Knole oil portrait was attributed to Frederico Zucchero, a 16th century Italian Mannerist painter, who was commissioned by Dudley to paint portraits of himself and Elizabeth I. This attribution is now considered incorrect and the painter of the Knole portrait is currently listed as ‘unknown’ as is the identity of the subject.

Subsequent research now finds two other likely sitters for the portrait. The first is King Christian IV of Denmark, the other is Henry Somerset, 1st Marquess of Worcester. Both have portraits consistent with the Knole portrait but with some minor differences, in particular the fullness of the beard and the Cross of St George medal. It is a common occurrence that attributions from the 18th and 19th century have been changed or amended as more thorough research and comparisons with known portraits become available. Although Robert Dudley would have been a compelling subject for Henry Bone’s series of Elizabethan portraits, it is unlikely this portrait, magnificent as it is, can firmly be said to be him.

Original pencil drawing for transfer by Henry Bone, dated January 1818. National Portrait Gallery, NPG D17117

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26 SV254/135 NEOCLASSICAL GILT AND EBONISED OVERMANTEL MIRROR MID 19TH CENTURY the arched cresting centred by a portrait medallion over a rectangular mirror plate within a fluted frame carved with rosettes 137cm wide, 224cm high

£1,000-2,000

27 SV254/137 FRENCH DIRECTOIRE MAHOGANY, SATINWOOD AND BRASS BANDED COMMODE 19TH CENTURY the later rectangular top over two short and four graduated long brass lined drawers on a plinth base 132cm wide, 109cm high, 56cm deep

£700-900

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28 SV254/30 VIENNESE ENAMEL AND GILT METAL MOUNTED EBONISED TABLE CABINET 19TH CENTURY the stepped top surmounted with a satyr riding a lion, with two cupboard doors enclosing three drawers above a long drawer, mounted allover with enamel panels depicting mythological scenes, on bracket feet 28cm wide, 35cm high, 19cm deep

£3,000-5,000

29 SV254/85 MEISSEN FIGURAL AND GILT BRONZE MOUNTED MANTEL CLOCK EARLY 19TH CENTURY depicting Cupid placing a laurel wreath on Mars’ head who kneels on a stack of shields, beside a pillar set with a white enamel clock dial with Roman and Arabic numerals inscribed ‘ROMILLY / A PARIS’, a portrait roundel of Caesar at its base, on a rococo scroll gilt bronze base, underglaze blue crossed swords mark 28cm wide, 26cm high

£800-1,200

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30 SV254/69 MEISSEN FIGURE OF THE COURT JESTER HOFNARR FROHLICH 19TH CENTURY formerly with a nodding head now fixed, after the model by J.J. Kandler, the figure wearing yellow pantaloons with braces and a black jacket with white ruff at the neck, on an oval rococo base with applied flowers, small blue crossed swords mark, incised no. 134, and pressnumber 35 19cm high

£300-500

31 SV254/65 TWO MEISSEN FIGURES OF CHILDREN DRESSED AS ADULTS EARLY 19TH CENTURY the boy seated in a chair and reading a book, the girl seated and holding a shell, on rococo scroll bases, underglaze blue crossed swords marks and incised C28 (2) 13cm high

£300-400

32 SV254/9 FRENCH PORCELAIN THERMOMETER BY LOUCHET, PARIS 19TH CENTURY the oval plaque painted with flowers and mounted with a mercury filled tube and with gauges in Reaumur and Fahrenheit scales, within an openwork scrolling metal frame with a fox mask and a stag and hounds mounted on a red plush board 22cm high excluding back board

£250-350

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33 SV254/28A BERLIN PORCELAIN PLAQUE OF COUNTESS POTOCKA 19TH CENTURY in a Florentine giltwood frame, with a German trade label to the reverse 23cm high, 15.5cm wide

£800-1,200

34 SV254/28B BERLIN PORCELAIN PLAQUE OF PHILIPPINE WESLER 19TH CENTURY in a Florentine giltwood frame, with a German trade label to the reverse 23cm high,15.5cm wide

£800-1,200

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35 SV254/40 WILLIAM IV GILTWOOD OVERMANTEL MIRROR CIRCA 1830 in the Rococo style with a rectangular plate, the broad frame carved with foliate scrolls, shells and cabochons 180cm wide, 137cm high

£1,000-1,500

36 SV254/98 SET OF TWELVE WILLIAM IV MAHOGANY DINING CHAIRS CIRCA 1835 with curved top rails on moulded supports, the stuff over seats upholstered in faux leather canvas, raised on turned and octagonal tapered legs (12) 48cm wide, 87cm high, 43cm deep

£1,500-2,500

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37 SV254/100 WILLIAM IV ROSEWOOD LIBRARY TABLE CIRCA 1835 the rounded rectangular top above a long frieze drawer, on quadruple column supports joined by a turned stretcher on arched bar feet raised on brass casters 127cm wide, 73cm high, 68cm deep

£500-700

38 SV254/99 SUITE OF FOUR WILLIAM IV MAHOGANY SIDE CHAIRS CIRCA 1835 two with curved button upholstered backs and loose cushion seats in faux leather canvas, raised on turned tapering legs, and two with caned backs and seats with loose button upholstered seats in similar upholstery, raised on turned and tapered legs (4) 51cm wide, 87cm high, 44cm deep

£800-1,200

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39 SV254/50 EDWARDIAN SATINWOOD VITRINE CABINET EARLY 20TH CENTURY the arched case with a glazed door and sides with a mirror lined base, raised on square tapered legs 47.5cm wide, 134cm high, 46cm deep

£1,000-1,500

40 SV254/11 EDWARDIAN SATINWOOD AND INLAY VITRINE TABLE EARLY 20TH CENTURY with hinged glazed top and sides inlaid with scrolled lines, raised on square tapering legs ending in spade feet and joined by curved X-form stretchers 62cm wide, 74cm high, 43cm deep

£300-500

41 SV254/185D MICHELE DE VITO (ITALIAN, 19TH CENTURY) EARLY 19TH CENTURY collection of thirty-nine gouache and watercolour illustrations on paper, including Neapolitan religious figures, costume studies, street scenes and copies of Pompeii frescoes, some signed and inscribed (39) largest 46cm x 36cm

£800-1,200

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42 SV254/107 COALPORT PART DESSERT SERVICE 19TH CENTURY painted with birds and flower sprays within gilt scroll cartouches, against a cobalt ground, comprising a pair of fruit coolers, a pair of covered sauce dishes and stands, six shell-shaped dishes, four square dishes; four oval dishes, a footed centre dish, and eighteen dessert plates, with gilt details, some with green printed mark (qty) cooler 26cm high; plate 22cm diameter

£2,000-3,000 43 SV254/38 ROCOCO REVIVAL PAINTED AND PARCEL GILT NEEDLEWORK UPHOLSTERED STOOL CIRCA 1830 the serpentine shape floral needlework upholstered seat on a grey painted and gilt frame carved with rocaille, C-scrolls, flower heads, raised on cabriole legs ending in scrolled toes 58cm wide, 43cm high, 51cm deep

£800-1,200

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44 SV254/106B PAIR OF SEVRES BISQUE BUSTS OF MARIE ANTOINETTE AND LOUIS XVI LATE 19TH CENTURY raised on blue columns bearing royal monograms and highlighted with gilding, blue interlaced L marks (2) 34cm high and 29cm high

£250-400

45 SV254/106 SEVRES BISQUE FIGURE OF L’AMOUR MENACANT, AFTER ETIENNE-MAURICE FALCONET 19TH CENTURY on a separate shaped circular base inscribed ‘Qui Que tu sois, voice ton maitre il lest, le fut, ou le doit etre’, blue interlaced Ls mark 30cm high

£300-500

46 SV254/10 FRENCH ORMOLU MUSICAL CLOCK 19TH CENTURY the circular white enamel dial with Roman and Arabic number in a drum case flanked by oak leaves and surmounted by a putto, the rectangular base with figures of Henry IV of France and the Duc de Sully, the eight day movement striking a bell and signed ‘De Pasquier Paris’; the base concealing a musical movement, raised on paw feet 51cm wide, 54cm high, 23cm deep

£2,000-3,000

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47 SV254/116 FRENCH WALL CLOCK 19TH CENTURY the circular white enamel dial with Roman numerals and signed ‘E. Verge a Dinon’, the case and pendulum of embossed metal with emblematic trophies 170cm high

£500-800

48 SV254/92D PAIR OF LOUIS XVI STYLE GILT BRONZE WALL LIGHTS 19TH CENTURY in the form of a torch with an urn finial and issuing three scrolling candle arms, fitted for electricity (2) 47cm high

£300-500

49 SV254/92E SET OF FOUR LOUIS XV STYLE GILT BRONZE WALL LIGHTS 19TH CENTURY the serpentine foliate backplate issuing a two scrolling foliate candle arms, impressed 5476 and N170, fitted for electricity (4) 50cm high

£600-800

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50 SV254/125 MINIATURE MAHOGANY CHEST OF DRAWERS AND GAMING PIECES 19TH CENTURY the rectangular top over three long drawers with bone escutcheons and fruitwood stringing; the drawers filled with various gaming pieces including a group of Chinese Export mother of pearl counters, and a quantity of bone and ebony dominoes (qty) chest 32cm wide, 26cm high, 15cm deep

£200-300

51 SV254/92G GEORGE IV MAHOGANY TEA CADDY CIRCA 1825 of sarcophagus form, the cover carved with flowers and a beaded border, opening to an interior fitted with three covered wells, above a bead moulded base on bracket feet 32cm wide, 20cm high, 20cm deep

£150-250

52Y SV254/108 SEVEN VICTORIAN PAGE TURNERS MOSTLY 19TH CENTURY various dates, makers and materials; including four ivory examples, two with silver handles; a silver inlaid tortoiseshell example; a carved wood Japanese example; and a pokerwork example (7) largest 41cm long

£300-400

53 SV254/34 GILTWOOD STANDARD LAMP 19TH CENTURY the spiral and reeded column on a circular base 185cm high

£150-250

54 SV254/185E COLLECTION OF CHINESE EXPORT PAINTINGS ON RICE/PITH PAPER 19TH CENTURY depicting figures, flowers, birds and animals, contained in two albums, with a further framed example (qty) £150-250

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55 SV254/164 VICTORIAN ROSEWOOD WHATNOT MID 19TH CENTURY with three serpentine tiers raised and divided by turned supports, on brass casters 45cm wide, 83cm high, 33cm deep

£400-600

56 SV254/169 TWO SIMILAR VICTORIAN MAHOGANY MARBLE TOP POT CUPBOARDS 19TH CENTURY each with an inset marble top above a cylindrical body with a door, on octagonal base (2) One: 37.5cm diameter, 75cm high; the other 36.5cm diameter, 72cm high

£400-600

57 SV254/163 WILLIAM & MARY STYLE OAK STOOL 19TH CENTURY the square padded seat covered in needlework upholstery, raised on spiral turned legs joined by an X-form stretcher 41cm wide, 40cm high, 41cm deep

£250-350

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58 SV254/54 VICTORIAN GILTWOOD MIRRORED FLOOR SCREEN 19TH CENTURY comprised of two panels of rococo design with mirror glazed panels divided by scrolled bars, the bases carved with baskets of flowers 106cm wide, 174cm high

£600-900

59 SV254/113A GEORGE IV GILTWOOD OVERMANTEL MIRROR CIRCA 1825 the egg and dart moulded cornice over an acanthus moulded frieze and rectangular plate flanked by triple cluster columns with palm capitals 147cm wide, 124cm high

£300-500

60 SV254/40A VICTORIAN BURR WALNUT, TULIPWOOD MARQUETRY CENTRE TABLE LATE 19TH CENTURY the serpentine shaped oval top with floral marquetry inlay, raised on cabriole legs with gilt metal mounts throughout 85cm wide, 74cm high, 54cm deep

£800-1,200

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Property of a Highland Estate

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61 HA146/18A MATCHED PAIR OF GEORGE III MAHOGANY FRAME WINDOW SEATS 18TH CENTURY each with a serpentine padded seat raised on acanthus carved cabriole legs ending in scrolled toes; one in needlework upholstery the other in pale green velvet (2) 98cm long, 42cm high, 43cm deep

£1,000-2,000

62 HA146/4 GEORGE III MAHOGANY OPEN ARMCHAIR CIRCA 1760 the foliate carved serpentine crest rail over a pierced and carved splat above a drop in seat with needlework upholstery, flanked by scrolling arms and raised on chamfered straight legs joined by peripheral stretchers 67cm wide, 96.5cm high, 48cm deep

£800-1,200

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63 HA146/26 GEORGE III MAHOGANY AND BRASS BOUND HEXAGONAL CELLARETTE CIRCA 1770 the moulded hinged top with brass handles, raised on square legs with fretwork brackets and ending on brass casters 44cm wide, 79cm high, 44cm deep

£1,200-1,800

64 HA146/66 MATCHED PAIR OF GEORGE III STYLE PAINTED SATINWOOD AND CANED OPEN ARMCHAIRS ONE 18TH CENTURY, THE OTHER LATER with shield backs with pierced splats above caned seats raised on square tapered legs ending in spade feet; bearing Frank Partridge ivorine trade plaque (2) 61cm wide, 93cm high, 45cm deep

£400-600

65 HA146/8 GEORGE III MAHOGANY FOLDOVER GAMES TABLE CIRCA 1760 the foldover top opening to a baize lined playing surface and counter wells above a plain frieze and carved apron, raised on acanthus carved cabriole legs and ball and claw feet, bearing old Frank Partridge trade label 92cm wide, 74cm high, 45cm deep

£1,500-2,500

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66 HA146/14 LEONARD JARVIS LIMITED EDITION TOBY JUG MID 20TH CENTURY modelled as Sir Winston Churchill in the Ralph Wood style, signed L. JARVIS, NO. 24, with the inscription THE RT. HON. WINSTON S. CHURCHILL O.M., C.H., F.R.S., M.P. 18.5cm high

£300-500

67 HA146/17 ENGLISH SLIPWARE LOVING CUP LATE 19TH CENTURY in yellow and brown glazes, bearing the inscription ‘THE BEST IS NOT TO GOOD FOR YOU’ and the date 1675 under the rim above a band of stylised flowers, with old paper labels to the base 13cm high, 17cm diameter

£300-500

68 HA146/6 PAIR OF VENETIAN MIXED METAL CANDLESTICKS 19TH CENTURY in brass with white metal roundels, each with a knopped vasiform stem on a domed base, engraved allover with panels depicting gods, warriors and scrolling foliage, signed FILIPPINI GIUSEPPE IN VENEZIA (2) 26cm high

£400-600

69 HA146/20 GEORGE III MAHOGANY BUTLER’S TRAY 18TH CENTURY of staved oval form with twin handles, bound with two brass bands 59cm wide

£500-700

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70 HA146/12A GROUP OF TWELVE ASTBURY-WHIELDON TYPE ORCHESTRA FIGURES POSSIBLY 18TH CENTURY, AND LATER including musicians playing violins, pipes and castanets, all with labels A.C.J. WALL COLLECTION, and four with labels for FRANK PATRIDGE & SONS LTD. (12) largest 16.5cm high

£1,500-2,500

72 HA146/13A RALPH WOOD TYPE FIGURE OF A FINCH 18TH CENTURY modelled perched on a tree stump in brown, blue and green glaze

71 HA146/12B GROUP OF FIVE ASTBURY-WHIELDON TYPE ORCHESTRA FIGURES POSSIBLY 18TH CENTURY, AND LATER including four musicians and a seated figure reading a book, all with labels A.C.J. WALL COLLECTION (5) largest 16cm high

£600-800

7.5cm high

£500-700

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73 HA146/19 SCOTTISH GEORGE III MAHOGANY AND INLAID LONGCASE CLOCK BY DALLAWAY & SON, EDINBURGH 18TH CENTURY the high swan neck pediment above an arched brass dial with a boss inscribed with the maker’s name, above a Roman numeral chapter with subsidiary seconds and calendar dials, flanked columns with gilt metal Corinthian capitals, above a trunk door inlaid with a fan medallion and flanked by brass mounted quarter columns, on a plinth base raised on bracket feet 49cm wide, 229cm high, 25cm deep

£1,500-2,500

74 HA146/13 FINE GEORGE III MAHOGANY KETTLE STAND CIRCA 1760 the circular top with a gallery rail on fluted and acanthus carved C-scroll supports raised on a cabriole legs carved with acanthus and ending in scrolled toes, bearing a Frank Partridge ivorine trade plaque and BADA paper exhibition label dated 1932 24cm diameter; 76cm high

£4,000-6,000

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75 HA146/1 GEORGE III MAHOGANY BUREAU BOOKCASE MID 18TH CENTURY the straight cornice with a husk-carved frieze, above a pair of panelled doors with carved perimeter mouldings; the lower part with a fall-front opening to an interior fitted with foliate-carved drawers and pigeon holes arranged around a shell-carved door, above three frieze drawers over three further long graduated drawers, with carved ogee bracket feet 130cm wide Note: This bookcase is closely related to a set of four bookcases probably made

by Thomas Chippendale for Sir Rowland Winn’s London House in St. James’s Square, circa 1766 and now at Nostell Priory. See Christopher Gilbert ‘The Life and Work of Thomas Chippendale’, p. 41, pl 65.

£3,000-5,000

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76 HA146/16A GOOD GEORGE II MAHOGANY BREAKFRONT BOOKCASE IN THE MANNER OF VILE AND COBB CIRCA 1755 of shallow breakfront outline, the broken arch pediment above a pair of doors with arched glazed panels and foliate carved corner mouldings opening to shelves, flanked by further set back glazed doors; the lower part with a central cupboard door with oval mouldings marked at the sides with acanthus carving, flanked by cupboard doors carved with ribbon tied fruit and foliate trails, raised on shaped bracket feet 166cm wide, 250cm high, 40cm deep Provenance: Collection of B. Coppinger Prichard Literature: Featured in The Dictionary of English Furniture, vol. I, Antique Collectors’ Club, Woodbridge, p.84 Note: The partnership of Messrs. Vile & Cobb was first listed in the London Directory in 1750 and continued with great success until 1765 when William Vile retired with John Cobb continuing to trade until 1778. William Vile is considered the principle cabinet maker of the two, while John Cobb was listed as an upholsterer. This arrangement was rather typical of the period for furniture makers. They are considered to be Thomas Chippendale’s greatest rivals and their work of the period is arguably some of the finest English made furniture produced in the mid 18th century. Favoured by George III and Queen Charlotte, a great deal of their work was by Royal commission.

Although no published designs exist for the firm and they did not mark their furniture, known pieces produced by Vile & Cobb provide a visual guide to the characteristics they typically employed. Straddling the divide between the heavy architectural style of Palladianism as executed by William Kent in the 1730s and 40s and the lighter and more feminine Rococo style of Thomas Chippendale gaining popularity in the 1750s, Vile and Cobb produced furniture of the highest quality. A signature motif employed by Vile is the carved acanthus clad oval or circular moulding found on door panels, often flanked by further carved details like pendant fruit swags as seen on the present bookcase. A bookcase of similar proportion and outline illustrated in Anthony Coleridge, ‘Chippendale Furniture’, pl 33, and described ‘in the style of Vile’ is nearly identical to the present bookcase with the addition of more elaborate carved mouldings to the pediment and mullions.

The present bookcase appears in Ralph Edwards ‘The Shorter Dictionary of English Furniture’, pg 53, pl 9 (see illustration) with no attribution or mention in the text with the exception of the caption accompanying the illustration stating it comes from the Coppinger Prichard Collection. It is believed the bookcase was purchased by the present owner’s family from Frank Partridge & Son from whom they purchased much of the furniture in the collection.

£20,000-30,000

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77 HA146/21 GOOD GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE CIRCA 1760 with a Greek key straight cornice over a blind fret carved frieze and four Gothic astragal glazed doors, the projecting breakfront base with four ‘plum pudding’ panelled doors, on a plinth base; with a carved flame finial, detached 287cm wide, 242cm high, 60cm deep; finial 33cm high Note: See Thomas Chippendale’s ‘The Gentleman and Cabinetmakers Director’, 1753 pl.

LXXI, for a design for a library bookcase which relates directly to this lot. The execution of the ‘Gothic’ astragal glazed doors on the upper bookcase and general outline of the lower cupboards closely follow Chippendale’s design, albeit with simplified moulded doors on the base. While the complete pediment and cornice is lacking on the present bookcase, it most likely would have had a broken arch pediment centred by the finial which still accompanies it, as seen on other designs in the ‘Director’.

£6,000-8,000

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Other Properties

78 HA597/3 CHARLES I CARVED OAK PANEL CHAIR 17TH CENTURY AND LATER the arched panel back above a plank seat raised on baluster turned front legs joined by three quarter peripheral stretchers 59cm wide, 122cm high, 35cm deep

£300-500

79 HA597/1 SMALL OAK SETTLE 17TH CENTURY AND LATER the triple panel back above slope arms and a hinged panel box seat, raised on short bracket feet 97cm wide, 99cm high, 55cm deep

£300-500

80 HA976/1 PAIR OF ITALIAN WALNUT STOOLS EARLY 17TH CENTURY the panel seats with a carved moulded edge over a deep frieze with notch carved moulding, raised on scrolled supports (2) 43cm wide, 53cm high, 32cm deep

£500-700

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81 HA659/6 PAIR OF LARGE OAK TORCHERES 19TH CENTURY the carved writhen columns on cruciform bases, converted to electricity (2) 84cm wide, 223cm high Provenance: Lord and Lady Rochdale

£1,500-2,500

82 HA847/6 BAROQUE STYLE MAHOGANY AND COPPER MIRROR 19TH CENTURY the rectangular bevelled mirror plate enclosed by bevelled margin plates within a foliate embossed copper and moulded frame 118cm wide, 96cm high

£400-600

83 HA659/5 SOUTH GERMAN PINE, WALNUT, ELM, MAPLE, EBONY AND FRUITWOOD MARQUETRY AND PARQUETRY CABINET ON STAND, AFTER DESIGNS BY LORENZ STOER LATE 16TH CENTURY, THE STAND LATER the rectangular cabinet fitted with an arrangement of moulded drawers and cupboard doors inlaid with town views, metal handles to the sides; the later stand with an long frieze drawer, raised on fluted inlaid legs joined by an undertier and ending on bun feet 91cm wide, 131cm high, 39cm deep

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Provenance: Lord and Lady Rochdale Note: Lorenz Stoer’s influential book ‘Geometria et Perspectiva’, first published in 1567. The textless book included eleven wood block prints of studies of artificial ruins filled with geometric solids and was subtitled ‘Herein are a few ruined buildings, useful to cabinetmakers working in inlaid wood, and for the special pleasure of many other amateurs, arranged and presented by Lorenz Stoer, painter and citizen of Augsburg’. Originally the cabinet would have had a fall front opening to reveal the elaborate inlay on the interior drawer fronts. For a comparable cabinet, see the Metropolitan Museum of Art, 25.135.112.

£4,000-6,000 See illustration opposite

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84 HA659/14 WILLIAM & MARY WALNUT TABLE CABINET LATE 17TH CENTURY the moulded top over a pair of moulded panel doors opening to an arrangement of drawers, raised on ogee bracket feet 45cm wide, 41cm high, 29cm deep Provenance: Lord and Lady Rochdale

£400-600

85 HA539/5 PAIR OF CHARLES II STYLE OAK XFRAME ARMCHAIRS 19TH CENTURY the padded backs, seats and arms in dark red upholstery, on curved X-form supports centred by a carved rosette (2) 66cm wide, 87cm high, 50cm deep

£400-600

86 HD504/1 WILLIAM & MARY WALNUT AND INLAY CHEST OF DRAWERS LATE 17TH CENTURY the rectangular top over four long drawers with line inlay, raised on bun feet 76.5cm wide, 87cm high, 54cm deep

£800-1,200

87 HA800/151 QUEEN ANNE OAK TOILET MIRROR EARLY 18TH CENTURY the shaped mirror plate in a moulded frame above a fall front opening to drawers and pigeon holes, above three long serpentine drawers, raised on bracket feet 37cm wide, 83cm high, 20cm deep Provenance: Selected contents from Denston Hall, Suffolk

£250-350

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88 HD502/1 VICTORIAN OAK GOTHIC REVIVAL REFECTORY TABLE 19TH CENTURY the rectangular three plank top over a moulded edge, raised on arched supports on trestle legs joined by a cross stretcher 213cm long, 78cm high, 77cm deep

£600-800

89 SV388/8 SET OF SIX STAINED ASH LADDERBACK CHAIRS 19TH CENTURY comprising four side and two armchairs of typical form with shaped splats over rush seats raised on turned legs with stretchers, on raised pad feet (6) 50cm wide, 99cm high, 37cm deep

£600-800

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90 HA659/11 WILLIAM & MARY WALNUT AND MARQUETRY CABINET ON CHEST LATE 17TH CENTURY the moulded cornice above a cushion moulded frieze drawer over a pair of cupboard doors covered in floral marquetry and opening to an arrangement of drawers, secret compartments and pigeon holes around a central cupboard door; the lower part with two short over two long graduated drawers 109cm wide, 169cm high, 52cm deep Provenance: Lord and Lady Rochdale

£2,000-3,000

91 HA663/1 PAIR OF WILLIAM & MARY WALNUT AND CANED HIGH BACK SIDE CHAIRS LATE 17TH CENTURY the pierced foliate carved cresting above a caned panels and needlework upholstered seat, raised on scrolled cabriole legs ending in hoof feet (2) 51cm wide, 127cm high, 40m deep

£1,500-2,500

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92 HB68/3 GEORGE I OAK CHEST ON STAND 18TH CENTURY the moulded cornice over two short and three long graduated drawers; the separate stand with a brushing slide and three short drawers above a shaped apron, raised on baluster turned legs joined by a wavy peripheral stretcher raised on squat bun feet 113cm wide, 177cm high, 59cm high

£1,500-2,000

93 HD504/2 GEORGE III OAK PANEL COFFER 18TH CENTURY the hinged top over a triple panel front raised on stile feet 120cm wide, 54cm high, 48cm deep

£250-350

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94 HB68/2 WELSH OAK TRIDARN CUPBOARD EARLY 18TH CENTURY the moulded cornice above an open space with display shelf over three arched panel cupboard doors; the lower part with three frieze drawers above a pair of arched panel cupboard doors, raised on stile feet 146cm wide, 207cm high, 56cm deep

ÂŁ800-1,200

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95 HA358/3 GEORGE III OAK AND MAHOGANY BANDED DRESSER 18TH CENTURY the inverted breakfront cornice above a serpentine frieze and open shelves flanked by shelves and cupboard doors; the lower par with a pair of cupboard doors flanked by banks of two short drawers, above a serpentine apron, raised on short cabriole legs ending in carved claw feet 169cm wide, 202cm high, 46cm deep

ÂŁ1,000-1,500

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96 SV388/1 GEORGE I WALNUT CHEST ON CHEST EARLY 18TH CENTURY the moulded cornice with canted angles, above three short drawers and three long graduated drawers flanked by fluted angles; the lower part with two short over a long drawer, all with line inlay, raised on cabriole legs ending on pad feet 90cm wide, 162cm high, 50cm deep

£1,000-1,500

97 SV388/2 GEORGE I WALNUT CROSSBANDED BUREAU EARLY 18TH CENTURY the slant featherbanded front opening to an arrangement of drawers and pigeon holes and a sliding drawer compartment, over two short and two graduated drawers raised on bun feet 80cm wide, 98cm high, 49cm deep

£1,000-1,500

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98 HB136/172 GEORGE I STYLE GILTWOOD STOOL 19TH CENTURY with a needlework seat, on cabriole legs with ball and claw feet 53cm wide, 42cm high, 37cm deep

£300-500

99 HA715/4 CHRISTIAN FRIEDERICH ZINCKE (ANGLOGERMAN 1683/84-1767) enamel on copper, oval portrait of a pretty young woman, her upswept brown hair fixed with a pearl and feather adornment, wearing a white gold embroidered bodice with a pearl closure and a blue cloak with ermine trimming, in a gilt metal frame 4.8cm x 4cm

£1,500-2,000

100 HA715/3 CHRISTIAN FRIEDERICH ZINCKE (ANGLOGERMAN, 1683/84-1767) enamel on copper, oval portrait of a handsome young man with brown hair tied with a black ribbon, wearing a blue jacket with gold braid trim, grey waistcoat and white cravat, in a gilt metal frame 4.8cm x 4cm

£1,500-2,000

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101 HB136/148 GEORGE II WALNUT CHEST ON CHEST MID 18TH CENTURY the moulded cornice above three short over three long featherbanded graduated drawers, flanked by fluted canted angles; the lower part with two short over two long featherbanded graduated drawers flanked by similar angles, on ogee bracket feet 112cm wide, 184cm high, 56cm deep

£2,000-3,000

102 HB66/7 IRISH GEORGE II MAHOGANY TEA TABLE MID 18TH CENTURY the dished rectangular top over a scrolling frieze centred by a carved shell. raised on cabriole legs ending in foliate carved trifid feet 78cm wide, 71cm high, 51cm deep

£2,000-3,000

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103 HA800/96 GEORGE II JAPANNED LONGCASE CLOCK BY JOHN STOKES, ST. IVES 18TH CENTURY with 8 day movement, the arched dial with silvered ring inscribed ‘Tempus Fugit’ and ‘No 656’, containing a silvered rocking figure of Chronos, the silvered chapter ring with subsidiary seconds dial and calendar aperture, in a black japanned case with Chinoiserie decoration 235cm high Provenance: Selected contents from Denston Hall, Suffolk

£1,500-2,500

104 HA896/6 GEORGE II MAHOGANY TILT TOP WINE TABLE CIRCA 1750 the dished circular tilt top on a baluster turned column raised on cabriole legs ending in pad feet 44cm wide, 73cm high, 43cm deep

£400-600

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105 FH361/2 GEORGE III MAHOGANY CELLARETTE 18TH CENTURY the hinged sloping top with canted corners, the front divided by stop-fluted half columns, with brass handles and raised on brass casters 61cm wide, 54cm high, 37cm deep

£400-600

106 HA321B/3 GEORGE III MAHOGANY CORNER CABINET 18TH CENTURY the arched moulded cornice above a pair of panelled doors opening to shelves, and a fitted drawer; the lower part with a pair of doors opening to shelves, on a plinth base 115cm wide, 220cm high, 95cm deep

£400-600

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107 SV370/1 AMERICAN CHIPPENDALE MAHOGANY CADDY TOP CHEST OF DRAWERS CIRCA 1780 the rectangular top over a pair of short and three long graduated drawers, raised on bracket feet 91cm wide, 86cm high, 52cm deep

£800-1,200

108 SV408/66 LATE GEORGE III MAHOGANY AND SATINWOOD BUREAU BOOKCASE LATE 18TH CENTURY the straight cornice above a wide frieze inlaid with fan motif above a pair of astragal glazed doors opening to shelves; the lower part with a slant front opening to a baize lined writing surface and an arrangement of pigeon holes and drawers, above four graduated long drawers raised on bracket feet 122cm wide, 224cm high, 59cm deep

£800-1,200

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109 HA548/1 GEORGE III MAHOGANY CHEST OF DRAWERS MID 18TH CENTURY the rectangular top with a moulded edge above three short drawers and three long drawers, raised on ogee bracket feet 110cm wide, 102cm high, 54cm deep

£400-600

110 HA800/3 GEORGE III HEXAGONAL MAHOGANY AND BRASS BOUND CELLARETTE 18TH CENTURY fitted with a lead-lined interior and raised on reeded square tapered legs with brass casters 61cm wide, 47cm high Provenance: Selected contents from Denston Hall, Suffolk

£400-600

111 HA847/3 GEORGE III MAHOGANY BOWFRONT SIDEBOARD 18TH CENTURY the bowfront top above a central frieze drawer and arched recess drawer, flanked by a pair of deep drawers, raised on tapered collared legs 156cm wide, 93cm high, 63cm deep

£400-600

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112 HA800/80 LARGE GEORGE III MAHOGANY BOOKCASE 18TH CENTURY, ADAPTED the later swan neck pediment above a plain frieze and twin astragal glazed doors opening to adjustable shelves, on a later stand raised on carved ball and claw feet 193cm wide, 273cm high, 44cm deep Provenance: Selected contents from Denston Hall, Suffolk

£800-1,200

113 HA576/5 GEORGE III STYLE MAHOGANY SERPENTINE COMMODE the serpentine top with a moulded edge over two short and two long drawers flanked by blind fret carved canted corners, raised on shaped bracket feet 118cm wide, 87cm high, 68cm deep

£800-1,200

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114 HA800/112 FOUR PAIRS OF GEORGE III MAHOGANY SIDE CHAIRS CIRCA 1760 all with shaped top rails and interlaced vase shape splats, some with carved details; three pairs with drop in seats, one pair with stuff over seats, raised on square chamfered legs united by H-shaped stretchers; together with two other single GEORGE III MAHOGANY SIDE CHAIRS (10) 54cm wide, 94cm high, 43cm deep (various) Provenance: Selected contents from Denston Hall, Suffolk

£800-1,200

115 HA847/2 GEORGE III STYLE MAHOGANY DINING TABLE 19TH CENTURY AND LATER comprising of a pair of D ends on pedestal supports raised on tripod legs with brass caps and caster, and a gateleg drop leaf centre section raised on square tapered legs 415cm long, 75cm high, 147cm deep

£800-1,200

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116 HA539/7 GEORGE III MAHOGANY LINEN PRESS LATE 18TH CENTURY the moulded cornice above a pair of moulded panel doors opening to sliding trays; the lower part with three long graduated drawers, raised on splayed feet 123cm wide, 189cm high, 53cm deep

117 HA800/156 GEORGE III MAHOGANY AND INLAY BAROMETER 18TH CENTURY the pierced cresting over a glazed door opening to a printed paper gauge signed ‘Braithwaite’ and thermometer tube, above a long squared trunk and octagonal cistern cover inlaid with a shell motif 101cm high Provenance: Selected contents from Denston Hall, Suffolk

£300-500

£600-800

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118 HA847/1 LARGE GEORGE III MAHOGANY LIBRARY BOOKCASE LATE 18TH CENTURY AND LATER the moulded cornice over a pair of astragal glazed doors open to a fabric lined interior with shelves, above five short base drawers; the associated lower part with two pairs of moulded cupboard doors opening to sliding trays, on bracket feet

119 HA927/2 GEORGE III STAINED MAHOGANY LONGCASE CLOCK

BY CHARLES GRETTON, LONDON 18TH CENTURY the high swan neck pediment above a dentil and blind fret carved frieze over a square brass dial inscribed ‘Chas Gretton London’ with silver chapter with Roman numerals and a subsidiary seconds dial, date aperture and pierced brass spandrels, flanked by fluted columns with gilt metal Corinthian capitals, above an arched trunk door and plinth base raised on turned bun feet

184cm wide, 276cm high, 48cm deep

49cm wide, 215cm high, 28cm deep

£700-1,000

£1,000-1,500

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120 HA847/4 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY comprising six side chairs and a pair of armchairs in the Chippendale taste with pierced and carved splats above leather stuff over seats, raised on acanthus carved cabriole legs ending on claw and ball feet (8) 52cm wide, 97cm high, 43cm wide

£800-1,200

121 HA898/2 GEORGE III SMALL BOWFRONT MAHOGANY SIDEBOARD LATE 18TH CENTURY the bowfront top above a central frieze drawer and arched recess, flanked by cupboard doors, raised on square tapered legs 146cm wide, 92cm high, 88cm deep

£500-700

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122 HA847/7 GEORGE III STYLE MAHOGANY BREAKFRONT BOOKCASE 19TH CENTURY the plain cornice above a pair of astragal glazed doors flanked by further doors opening to shelves, the lower part with moulded panel doors, raised on shaped bracket feet 208cm wide, 236cm high, 48cm deep

ÂŁ800-1,200

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123 HA896/8 GEORGE III STYLE MAHOGANY SERVING TABLE LATE 19TH CENTURY the serpentine top with a brass gallery rail above three short frieze drawers, raised on square tapered legs ending in spade feet 135cm wide, 114cm high, 60cm deep

£500-800

124 HA896/1 LATE GEORGE III MAHOGANY DRUM LIBRARY TABLE CIRCA 1800 the circular top with a green leather inset writing surface, above four real and four dummy drawers, on a tapered column raised on four curved downswept legs ending in brass caps and casters 105cm diameter, 74cm high

£800-1,200

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125 HA597/6 SET OF EIGHT GEORGE III STYLE OAK DINING CHAIRS 19TH CENTURY comprising eight side chairs with shield shaped backs with pierced splats above stuff over seats, raised on square tapered legs joined by stretchers (8) 50cm wide, 96cm high, 41cm deep

£400-600

126 HA977/1 GEORGE III STYLE MAHOGANY BACHELOR’S CHEST OF DRAWERS 18TH CENTURY AND LATER the foldover top with a green leather writing surface over two short and three long graduated drawers, raised on bracket feet 67cm wide, 82cm high, 41cm deep

£800-1,200

127 HA980/1 GEORGE III MAHOGANY BIRDCAGE TRIPOD TABLE MID 18TH CENTURY the circular tilt top above a birdcage, on a baluster turned column raised on cabriole legs ending in pad feet 79cm wide, 71cm high, 78cm deep

£400-600

128 SV408/77 GEORGE III DEMILUNE MAHOGANY AND ROSEWOOD FOLDOVER GAMES TABLE 18TH CENTURY the crossbanded top opening to a baize lined playing surface above a satinwood inlaid frieze, raised on square tapered legs ending on spade feet 90cm wide, 73cm high, 44cm deep

£250-400

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129 HD501/1 GEORGE III MAHOGANY BOOKCASE 18TH CENTURY AND LATER the moulded fluted cornice above a pair of astragal glazed doors opening to shelves, over a pair of moulded cupboard doors on a plinth base 150cm wide, 218cm high, 52cm deep

£1,000-1,500

130 HA927/3 GEORGE III MAHOGANY AND BRASS BOUND CELLARETTE CIRCA 1760 the octagonal hinged top opening to a later fitted interior raised on square tapered legs ending in brass caps and casters, with brass lion mask loop handles 52cm wide, 61cm high, 40cm deep

£600-800

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131 HA539/3 GEORGE III STYLE MAHOGANY SERVING TABLE 19TH CENTURY the rectangular top over a fluted frieze centred by a carved paterae and raised on square tapered legs headed by further paterae and ending in spade feet 152cm wide, 81cm high, 59cm deep

£800-1,200

132 HA800/152 MAHOGANY BUTLER’S TRAY AND STAND 19TH CENTURY, THE STAND LATER of typical form with cut out handles 67cm wide, 87cm high, 52cm deep Provenance: Selected contents from Denston Hall, Suffolk

£300-500

133 HB68/7 PAK TONG AND STEEL FIRE GRATE 19TH CENTURY the arched steel fire crate above a pierced pac tong apron centred by an eagle, raised on scroll supports with urn finials 52cm wide, 60cm high, 33cm deep

£600-800

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134 HB120/1 SET OF TWELVE ‘MONTHS OF THE YEAR’ MEZZOTINTS AFTER WILLIAM HAMILTON, R.A. EARLY 20TH CENTURY from a series of stipple engraved prints by W.J. Allingham, in giltwood and gesso frames (12) 33cm x 28cm sight size

£600-800

135 HB76/1 GEORGE III MAHOGANY AND BRASS PLATE BUCKET LATE 18TH CENTURY of typical form with slat slides and a brass bound top with swing handle, now fitted with a brass liner 31cm diameter, 29.5cm high

£800-1,200

136 HB76/6 GEORGIAN MAHOGANY AND SATINWOOD TEA CADDY of rectangular form, inlaid with satinwood borders and paterae reserves, opening to reveal three lidded compartments 24cm wide

£250-350

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137 HB136/157 PAIR OF GEORGE III GILT BRONZE AND FELDSPAR CASSOLETTES IN THE MANNER OF MATTHEW BOULTON 18TH CENTURY each with a flaming finial cover and two handles hung with swags, on a turned and fluted spreading column and square plinth base (2) 19cm high

£1,500-2,500

138 HA715/2A BIRMINGHAM ENAMEL OVAL PLAQUE MID 18TH CENTURY painted with a young woman with pearls in her hair 5.5cm x 4.5cm

£300-500

139 HA715/2 FINE BATTERSEA OVAL PRINTED ENAMEL PLAQUE CIRCA 1750-60 transfer printed in grey depicting a young romantic couple by a spring 5cm x 4cm

£500-700

140Y FB789/47 JOHN BOGLE (SCOTTISH, 1746-1803) MINIATURE PORTRAIT OF A YOUNG LADY, LATE 18TH CENTURY signed, painted on ivory, in a gilt metal frame inset to verso with a red tortoiseshell border and a painted porcelain plaque 10.5cm high, 9cm wide (excluding frame)

£600-800

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141 HA604/46 ENGLISH DELFT BLUE AND WHITE FLOWER BRICK 18TH CENTURY of rectangular form with pierced holes to the top, decorated with flowers and foliage 11cm wide

£200-300

142 HA845/12A BOW PLATE CIRCA 1770 with a serpentine rim, the centre painted with a cobalt blue eight-point star with two birds sitting in branches with scattered butterflies and insects, red anchor and dagger mark; with paper collection label ‘Basford Collection / 170’ 20cm diameter

£200-300

143 HA845/12B BOW WHITE GLAZED FIGURE OF A NUN CIRCA 1750 the standing figure reading from a book, on a domed circular base 17cm high

£350-250

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144 HA546/1 GEORGE III SATINWOOD AND KINGWOOD CROSSBANDED CHEVAL MIRROR LATE 18TH CENTURY the arched pierced pediment above a sliding rectangular bevelled mirror plate, between squared uprights surmounted by brass urn finials and with associated brass candle arms, on a trestle base joined by a galleried undertier, raised on brass caps and casters 94cm wide, 166cm high, 76cm deep

£1,500-2,500

145 HA597/20 GEORGE III MAHOGANY SECRETAIRE CHEST EARLY 19TH CENTURY the rectangular top over a fall front drawers opening to an interior fitted with drawers and pigeon holes, above a pair of cupboard doors raised on splay feet 123cm wide, 106cm wide, 60cm deep

£300-500

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146 HA551/1 GOOD GEORGE III SATINWOOD DISPLAY CABINET LATE 18TH CENTURY the arched moulded cornice with corner finials above a pair of oval glazed doors opening to a cream silk lined interior with glass shelves; the lower part with two short over two long drawers raised on splay feet 123cm wide, 221cm high, 58cm deep

ÂŁ3,000-5,000

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147 HA659/18 LATE GEORGE III MAHOGANY AND INLAY CHEST OF DRAWERS LATE 18TH CENTURY the cushion moulded top over a chequer inlay panel frieze, above two short and three long graduated drawers flanked by cluster columns corners, raised on scroll bracket feet 134cm wide, 125cm high, 55cm deep Provenance: Lord and Lady Rochdale

£400-600

148 HA847/8 GEORGE III MAHOGANY AND INLAID FOLDOVER TEA TABLE LATE 18TH CENTURY the D-shaped foldover top above a long frieze drawer, raised on slender square tapered legs ending in spade feet 92cm wide, 73cm high, 44cm deep

£400-600

149 HA896/11 GEORGE III MAHOGANY SERPENTINE SIDEBOARD 18TH CENTURY the shaped top over a centre drawer and arched recess flanked by cupboard doors, raised on square tapered legs ending in spade feet 184cm wide, 92cm high, 65cm deep

£400-600

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150 HA898/1 GEORGE III MAHOGANY BOOKCASE ON CHEST 18TH CENTURY the straight moulded cornice above a pair of astragal glazed doors opening to shelves; the associate lower part with two short over three long drawers raised on splay feet 107cm wide, 211cm high, 50cm deep

£400-600

151 HA800/47 GEORGE III MAHOGANY AND SATINWOOD INLAY HANGING CORNER CUPBOARD LATE 18TH CENTURY the moulded cornice over a frieze inlaid with shell and fan motifs, above a pair of panelled doors, flanked by inlaid ‘fluted’ canted corners 96cm high, 84cm wide Provenance: Selected contents from Denston Hall, Suffolk

£250-350

152 HA800/160 LATE GEORGE III MAHOGANY PEDESTAL DESK EARLY 19TH CENTURY the rectangular top with a green leather writing surface and moulded edge over three frieze drawers, raised on banks of three short drawers on a plinth base, the same opposing 150cm wide, 77cm high, 105cm deep Provenance: Selected contents from Denston Hall, Suffolk

£1,500-2,500

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153 HA800/155 PAIR OF GOOD VICTORIAN NEOCLASSICAL GILTWOOD MIRRORS 19TH CENTURY the rectangular mirror plates enclosed by margin plates and a bead moulded frame surmounted by a flower filled basket issuing trailing floral garlands (2) 79cm wide, 168cm high Provenance: Selected contents from Denston Hall, Suffolk

£1,000-1,500

154 HD506/4 NEOCLASSICAL PAINTED MARBLE TOPPED TORCHERE 19TH CENTURY the circular grey marble top over a frieze mounted with gilt metal entrelac raised on square fluted and tapered legs headed by brass lions’ mask handles, joined by a shaped undertier and raised on gilt paw feet 32cm diameter, 102cm high

£800-1,200

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A Private Collection of Clocks

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155Y HB127/5 WILLIAM IV TORTOISESHELL AND GILT METAL MANTEL TIMPIECE BY DWERRIHOUSE, OGSTON & BELL, LONDON CIRCA 1835 the eight day movement in a drum case with a brass Roman numeral dial signed by the maker, raised on a rectangular plinth with gilt metal flowerhead and foliate mounts, on gilt metal ball feet, the backplate engraved ‘Dwerrihouse, Ogston & Bell, London’ 26cm high, 20cm wide, 10cm deep

£2,500-3,500

156 HB127/6 FRENCH BRASS, ONYX AND FOUR GLASS MANTEL CLOCK LATE 19TH CENTURY the cream enamel dial with Arabic number and decorated with floral swags, in a four glass case with a stepped onyx and brass banded top and base, the eight day movement striking a bell 18cm wide, 33cm high, 13cm deep

£300-500

157 HB127/4 VICTORIAN GILT BRASS STRUT CLOCK IN THE MANNER OF THOMAS COLE, LONDON MID 19TH CENTURY the arched silvered dial with Roman numeral chapter ring and blued steel fleur-de-lys hands against an engraved floral a foliate ground, within a foliate engraved brass case with pivotting leg support and folding handle, the dial engraved with retailer ‘E. & E. Emanuel / Portsea’ 10cm wide, 12cm high

£2,500-3,500

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158 HB127/7 FRENCH BRASS AND FOUR GLASS MANTEL CLOCK 19TH CENTURY the white enamel dial with Roman numerals, the eight day movement striking on a bell, with a mercury filled pendulum 15cm wide, 26cm high, 13.5cm deep

£300-500

159 HB127/3 GEORGE III MAHOGANY LONGCASE CLOCK BY WILLIAM NICHOLSON, WHITEHAVEN 18TH CENTURY the swan neck pediment over an arched brass dial with a moon phase dial and subsidiary seconds and date dials above a silvered brass Roman number chapter with a seconds dial and date aperture pierced spandrels flanked by fluted columns; above a blind fret carved frieze and shaped trunk door flanked by stop fluted quarter columns, on a moulded plinth base with ogee bracket feet 49cm wide, 228cm high, 23cm deep

£2,000-3,000

160 HB127/2 ROSEWOOD CASED MARINE CHRONOMETER NO. 1636

BY JOHN POOLE, LONDON MID 19TH CENTURY the silvered brass dial with Roman numeral chapter and subsidiary up/down and seconds dials, inscribed ‘John Poole / Maker To The Admiralty, / London No. 1636’ ; the case with brass bound corners, and bearing a ivory plaque inscribed ‘John Poole / 1 Upper East Smithfield / and Commercial Road’ dial 11.5cm diameter; case 17cm wide, 18.5cm high, 17cm deep

£2,000-3,000

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161 HB127/1 GEORGE III MAHOGANY BRACKET CLOCK

BY THOMAS WAGSTAFFE CIRCA 1760 the bell top case with brass urn finials above a silvered dial with Roman and Arabic numerals and a Strike/Silent subsidiary dial and dater aperture, signed ‘Thos Wagstaffe / London’, with pierced brass spandrels and side frets, raised on brass ogee bracket feet; the eight day movement striking a bell 31cm wide, 61cm high, 19cm deep

£5,000-7,000

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Other Vendors

162 HA667/1 MAHOGANY LONG CASE REGULATOR BY DENT 19TH CENTURY no. 58844, the silvered dial with large minutes chapter and subsidiary seconds and hours dials, inscribed ‘DENT / CLOCKMAKER TO THE KING’ and ‘61 STRAND & 4, ROYAL EXCHANGE LONDON’; in a plain case with a moulded pediment and glazed trunk door, on a plinth base 49cm wide, 187cm high, 28cm deep

£8,000-12,000

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164 HA974/9 PAIR OF ANGLO-CHINESE HARDWOOD ARMCHAIRS 18TH CENTURY with serpentine carved top rail carved with Chinese shou symbols and dragons above central splats carved with the coat of arms of the Blood family and motto ‘Honor Virtutis Praemium’ over a drop in padded seat raised on square tapered legs (2) 55cm wide, 97cm high, 42cm deep Note: The Latin inscription “Honor Virtutis Praemium” translates as Honor is the reward for virtue and forms part of the Blood family coat of arms. An ancestor of the Blood family was Colonel Thomas Blood (1618 - 24 August 1680) an Anglo-Irish officer and selfstyled colonel best known for his attempt to steal the Crown Jewels of England from the Tower of London in 1671.

£3,000-5,000 163 HA998/5 REGENCY MAHOGANY, EBONY AND GILT BRONZE MOUNTED CALENDAR TABLE CLOCK

BY VULLIAMY, LONDON CIRCA 1820 the circular silvered Roman numeral dial with calendar day/date chapters and inscribed ‘Vulliamy / London’, in a gilt metal circular bezel cast as a serpent biting its tail, in a rectangular rosewood case with ebony banding and a gilt metal cast eagle mount, on an ebony plinth base; the back plate engraved ‘Vulliamy / London’ 13cm wide, 20cm high, 10cm deep Provenance: Formerly the property of Francis John Carruthers J.P. (1868-1945), and thence by family descent.

£10,000-15,000 See illustration opposite

165 HA896/16 REGENCY MAHOGANY AND EBONY CHEVAL MIRROR CIRCA 1815 the rectangular mirror plate in a conforming frame between turned supports joined by turned cross stretchers and raised on outswept trestle supports with brass caps and casters 80cm wide, 170cm high, 61cm deep

£400-600

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166 HB68/9 REGENCY ROSEWOOD AND SATINWOOD CROSSBANDED FOLDOVER CARD TABLE CIRCA 1815 the D-shape foldover top opening to a red baize lined playing surface, raised on line inlaid square tapered legs ending in collared feet with brass caps and casters 91cm wide, 73cm high, 45cm deep

£400-600

167 HA706/1 GOOD REGENCY MAHOGANY FALL FRONT SECRETAIRE ATTRIBUTED TO GILLOWS CIRCA 1815 the three quarter gallery top above a fall front frieze drawer opening to pigeon holes, the moulded panel fall front opening to an arrangement of drawers and pigeon holes, above a long drawer stamped with initials ‘TN’ and pair of cupboard doors, raised on a plinth base 104cm wide, 149cm high, 44.5cm deep

£2,000-3,000

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168 HD506/1 FINE REGENCY MAHOGANY ARCHITECT’S DESK

BY GILLOWS OF LANCASTER CIRCA 1815 the double ratcheted metamorphic rectangular top with a brown leather inset surface above a central long drawer flanked by banks of two short drawers, raised on turned and reeded tapered legs ending in brass caps and casters 137cm wide, 76cm high, 70cm deep

£5,000-7,000

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169 HA800/153 REGENCY GILTWOOD AND GESSO CONVEX MIRROR CIRCA 1815 the convex mirror plate within a black slip and leaftip and bead moulded frame with an ebonised eagle surmount and ram’s head drop finial 51cm wide, 82cm high Provenance: Selected contents from Denston Hall, Suffolk

£400-600

170 HA660/1 REGENCY MAHOGANY WATERFALL BOOKCASE CIRCA 1815 with four open graduated shelves over a pair of moulded doors raised on splay feet 78cm wide, 164cm high, 38cm deep

£800-1,200

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171 HA706/17 FINE REGENCY GILTWOOD AND PAINTED DAYBED CIRCA 1815 the long rectangular padded seat and high scroll ends upholstered in blue velvet, the ends carved with gilt lions’ head finials, raised on foliate carved cabriole legs ending in lion paw feet 208cm long, 69cm high, 69cm deep Note: The present daybed relates directly to an illustration for a daybed with carved lions’ head terminals to the four corners in Ackermann’s Repository of Arts. Ackermann’s design is distinct in that although the daybed is designed to be freestanding, the pair of heads on the back side sit slightly forward compared to the pair on the nearer side. This subtle shift in placement permits the daybed to be flush and all four lions’ heads to be visible if it is placed against a wall.

£2,500-3,500

172 FC765/206 PAIR OF VENETIAN BRASS ‘HIPPOCAMP’ GONDOLA OARLOCKS EARLY 19TH CENTURY the flattened figures on waisted bases and rectangular marble plinths (2) 34cm wide, 36cm high

£300-500

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173 SV333/193 REGENCY BLUE JOHN SALT EARLY 19TH CENTURY the shallow bowl with a lipped rim, raised on a polished Ashford Black Marble stem and square base 9cm diameter, 9.5cm high

£500-700

174 HA413/1 PAIR OF REGENCY PATINATED AND GILT METAL LAMPS 19TH CENTURY each converted from a candlestick, with a cast acanthus leaf sconce and drip tray above the baluster column and corresponding base, raised on lions’ paw tripod legs on a plinth base, with a pleated cream silk shade (2) 28cm high (excluding fittings)

£600-800

175 HA551/2 PAIR OF REGENCY SILKWORK PICTURES CIRCA 1815 each oval panel depicting an allegorical female representing Spring and Autumn, within foliate borders, framed and glazed (2) 39.5 x 34cm (excluding frame)

£250-350

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John Steell, R.S.A.- Alexander and Bucephalus The son of an Edinburgh sculptor, Sir John Robert Steell(1804-1891) worked at the top of his profession, creating sculptures destined to be landmarks of his native city. A member of the Royal Scottish Academy and appointed sculptor to Queen Victoria, there is little Steell failed to achieve in his career.

His statue of Sir Walter Scott for the Scott Monument on Prince’s Street, was the first marble statue ever commissioned in Scotland from a native artist.

Beginning in his father’s shop age fourteen, he went on to study at the Edinburgh Life Academy and soon began independent sculptural projects. After travelling to study in Rome in 1829 he was overwhelmed with commissions on his return, mainly from wealthy residents requiring busts.

Having established his reputation, he began work on

one of his finest and most famous sculpture, Alexander Taming Bucephalus.

Commissioned by the North British Fire and Insurance Company, the piece was first carved in wood and displayed in London. This brought him the attention of not only a wider public but also influential patrons, and though he received numerous requests to stay in London, he was resolute about returning to Edinburgh. He was conscious of his responsibility to develop Scotland’s artistic character and his foundry was the first in Scotland to introduce artistic casting.

defining moments in Alexander the Great’s life. The legend tells of how an untamable horse was presented to King Phillip, Alexander’s father. After the king refused the beast, a twelve year old Alexander claimed that he could tame the horse. He took the reins and spoke softly to it, turning him to face the sun as he

realized Buchephalus was afraid of his own shadow.

Through a lack of finances the statue’s journey from inception to realization would take over fifty years and Steel would only live for eight years after the large version was finally cast in 1883. The huge bronze was presented to the city of Edinburgh in 1884 and originally resided in St. Andrew Square until it was moved to the City Chambers in 1916. This reduction would have been cast as part of a group in Steell’s workshop, probably in 1833.

The sculpture’s subject is taken from one of the early

176 HA789/1 SIR JOHN STEELL, RSA (SCOTTISH, 1804-1891) ALEXANDER TRAINING BUCEPHALUS, 19TH CENTURY bronze, inscribed JN. STEELL SCULPT EDINBR. 1833 51cm high

£1,000-1,500

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177 HA800/163 PAIR OF SILVERED BRASS NEOCLASSICAL TABLE LAMPS 19TH CENTURY the central urn with a flame finial and issuing three scroll arms, above a further urn with rams’ masks, raised on a stepped circular base cast with swags and leaf tips, weighted and converted to electricity (2) 68cm high Provenance: Selected contents from Denston Hall, Suffolk

£600-800

178 HA800/165 GROUP OF FIVE REGENCY STYLE BRASS HALL LANTERNS 20TH CENTURY comprising a pair of hexagonal brass framed and glazed lanterns with scrolling supports mounted with anthemions, 52cm high; a smaller example, en suite, 43cm high; and two further brass framed lanterns with five serpentine glazed panels, 56cm high and 50cm high (5)

Three of five illustrated

Provenance: Selected contents from Denston Hall, Suffolk

£500-700

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179 HA800/143 REGENCY GILTWOOD TRIPLE OVERMANTEL MIRROR CIRCA 1815 the breakfront cornice above a bead moulded frieze with laurel swags, over a divided rectangular mirror plate flanked by triple cluster columns with palmette capitals 183cm wide, 86cm high Provenance: Selected contents from Denston Hall, Suffolk

£300-500

180 SV347/30 REGENCY ROSEWOOD SOFA TABLE CIRCA 1815 the rounded rectangular top with drop sides over a pair of short frieze drawers with dummy drawers opposing, raised on squared end supports ending in downswept legs terminating in brass caps and casters

181 HA128/1 REGENCY MAHOGANY WHATNOT CIRCA 1815 the square top with turned urn corner finials over two further tiers and an open recess compartment, raised on straight circular legs ending in brass caps and casters 48cm wide, 126cm high, 48cm deep

£500-700

146cm wide, 72cm high, 71cm deep

£400-600

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182 HA983/1 SET OF REGENCY SPECIMEN WOOD NEST OF TABLES

BY GILLOWS OF LANCASTER CIRCA 1815 each with a rectangular top, one in burr walnut, one in rosewood, one in birch and one with a chessboard, crossbanded variously in birch, thuya and rosewood on rosewood turned baluster spindle legs joined by stretchers, the smallest with a bowed undertier (4) largest 68cm wide, 82cm high, 32cm deep

ÂŁ8,000-12,000

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183 HA896/10 REGENCY MAHOGANY BOTTLE TRAY EARLY 19TH CENTURY of rectangular form with two covered compartments to one end 43cm long

£300-500

184 HA544/6 PAIR OF GEORGIAN STYLE ETCHED GLASS BELL LANTERNS 19TH CENTURY each etched with grapes and pendant leaves, with brass collars, chains and a three light fitting, under a domed glass cover (2) 39cm high (excluding fittings)

£500-700

185 HA544/6A TWO GEORGIAN STYLE ETCHED GLASS BELL LANTERNS 19TH CENTURY each etched with grapes and pendant leaves, with brass collars, chains, and a three light fitting; one with a domed glass cover (2) One 33cm high; the other 26cm high (not including fittings)

£300-500

186 HA665/80 LATE REGENCY BRASS INLAID MAHOGANY TEA CADDY of sarcophagus form with lion mask and loop handles, the hinged lid with a fluted band, opening to reveal a void interior, on four lion paw feet, 37cm wide; together with a GEORGIAN BANDED MAHOGANY TEA CADDY, of rectangular form with brass mounts, opening to reveal three brass mounted containers, 20cm wide (2) £200-300

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187 HB76/21 REGENCY PENWORK BOX 19TH CENTURY of rectangular form with a canted lid opening to reveal a void interior, with allover decoration depicting Japanese figures within foliate borders, on four brass ball feet 28.5cm wide

£400-600

188 HB68/11 SCOTTISH REGENCY GILT BRONZE AND CUT GLASS CEILING LIGHT CIRCA 1820 the shallow frosted glass dish with a thistle and rose cast pierced corona and a large thistle drop finial 49cm diameter

£1,000-1,500

189 HB76/20 REGENCY ROSEWOOD AND BRASS INLAID WRITING SLOPE CIRCA 1820 the rectangular case inlaid and banded in brass, opening to brown leather writing slip, brass candleholders and compartments 46cm wide, 18cm high, 26.5cm deep

£600-800

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190 HA666/1 LARGE REGENCY GILTWOOD CONVEX MIRROR CIRCA 1815 the circular mirror plate in a black reeded slip and moulded frame mounted with balls, surmounted by a carved giltwood eagle cresting with foliate scrolls 87cm wide, 132cm high

£2,000-3,000

191 HA927/4 FINE SCOTTISH REGENCY MAHOGANY BAROMETER, BY A. ADIE, EDINBURGH EARLY 19TH CENTURY with a signed silvered vernier scale, the bow fronted case with reeded domed pagoda top and urn finial, corresponding bulbous base with lotus leaf pendant

192 HB66/5 ‘GRAND TOUR’ PATINATED BRONZE BRAZIER, AFTER THE ANTIQUE 19TH CENTURY the dished top raised on three heron supports on a tripod base centred by a classical male figure on an urn and ending on paw feet

103cm high

20cm diameter, 70cm high

£1,500-2,500

£300-500

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193 HA896/9 GOOD REGENCY SCISSOR ACTION MAHOGANY DINING TABLE CIRCA 1815 with four leaf extensions, the rounded rectangular top with drop leaf ends raised on spiral and leaf carved legs 369cm long extended, 76cm high, 131cm deep

ÂŁ6,000-8,000

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194 HA983/2 RARE PAIR OF GEORGE IV ROSEWOOD ROCOCO REVIVAL SIDE CHAIRS BY GILLOWS & CO. CIRCA 1825 the serpentine acanthus carved toprails with scrolled acanthus carved ears, above a button upholstered waisted back in wide reeded and bead moulded frames over a stuff over seat, all in pale blue silk floral upholstery, with acanthus carved seat rails, raised on turned and carved urn and baluster forelegs headed by beaded corner blocks and ending on lobed bun feet, the rear legs carved with laurel to the inner facings and ending on scrolled toes raised on lobed bun feet; one chair stamped ‘H.LEE’ (2) 50cm wide, 91cm high, 47cm deep Note: This pair of chairs were most likely part of drawing room suite of furniture made for a ‘G. Bamford’ between 1815-1835. The plan was prepared by Gillows & Co. of Oxford Street incorporating the new taste for the exuberant Rococo style that was gaining in popularity. A drawing of the suite showing a sofa, armchair and stool is in the Lancaster City Museums. One of the chairs in the present lot bears the stamp of ‘H. LEE’. for Henry Lee of Ogle Mews, London, who was a journeyman chair maker for Gillows and was probably commissioned to make the whole suite.

Between 1813 to 1840 the main focus of Gillows business became the Oxford Street, London premises, where designs for very richly carved seat furniture with extravagant neo-rococo decoration became the fashion and it was at this time that Oxford Street received such prestigious commissions as the magnificent twelve armchairs for Lord Fitzwilliam’s Whistle-jacket Room at Wentworth Woodhouse in Yorkshire and the giltwood suite of seat furniture for the Red Drawing Room at Tatton Park, Cheshire.

£5,000-8,000

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195 HD506/5 REGENCY ROSEWOOD MARBLE TOPPED CREDENZA CIRCA 1815 the breakfront white marble top above a long frieze drawer and a pair of moulded doors with green velvet lining, flanked by cupboard doors with metal grille inserts raised on carved giltwood hairy paw feet 108cm wide, 106cm high, 28cm deep

£3,000-4,000

196 HA597/13 PAIR OF REGENCY ROSEWOOD FOLDOVER CARD TABLES CIRCA 1820 each rounded rectangular foldover top opening to a green baize lined playing surface, over a scroll carved apron, on a tapered facetted column support and shaped quatreform base, raised on sabre legs ending in foliate cast brass caps and casters (2) 92cm wide, 72cm high, 90cm deep (open)

£1,000-1,500

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197 HA983/3 FINE REGENCY MAHOGANY CANTERBURY BY GILLOWS OF LANCASTER CIRCA 1820 the two section top with a cut out central handle and corner finials above lobed baluster spindles and a single long base drawer with bead moulding, raised on lobed bun feet and brass caps and casters 63cm wide, 58cm high, 41cm deep

£2,500-3,500

198 HA551/5 GOOD REGENCY MAHOGANY, EBONY AND BRASS MOUNTED SIDEBOARD CIRCA 1820 the breakfront stage back with a brass gallery above breakfront brass banded top, over a central short drawer and arched recess drawer flanked by cupboard doors with brass lion mask handles, one fitted as a cellaret, raised on lobed and reeded tapered legs ending on brass lion paw feet 184cm wide, 131cm high, 69cm deep

£2,000-3,000

199 HB75/6 REGENCY MAHOGANY AND UPHOLSTERED STOOL CIRCA 1820 the padded square top covered in floral needlework upholstery and blue velvet, raised on reeded and turned tapering legs

200 HA539/4 REGENCY X-FRAME HALL SEAT CIRCA 1820 the curved panel seat raised on x form supports joined by stretchers 55cm wide, 72cm high, 39cm deep

£200-300

38cm wide, 41cm high, 35cm deep

£250-350

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201 FD739/10 REGENCY MAHOGANY BREAKFRONT BOOKCASE CIRCA 1820 the moulded cornice above a pair of doors flanked by further doors all with brass grille inserts backed by pale yellow silk; the lower part with three cupboard doors, on a plinth base 151cm wide, 212cm high, 48cm deep

£1,000-1,500

202 HA971/3 WILLIAM IV ROSEWOOD CANTERBURY CIRCA 1835 the X form dividers centre by carved laurel wreaths, above a frieze drawer, and tulip carved legs, with brass caps and casters 52cm wide, 54cm high, 36cm deep Note: The design for this canterbury was taken from J.C. Loudon’s ‘Furniture Designs from the Encyclopedia of Cottage, Farmhouse and Villa Furniture’, 1833, p.1070, fig.1966

£300-500 98

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203 HA551/4 REGENCY MAHOGANY CROSSBANDED EXTENDING DINING TABLE CIRCA 1815 the rounded rectangular top with five locking leaf extensions and a reeded edge, raised on inset reeded tapered legs ending in brass caps and casters 362cm long, 74cm high, 157cm wide

£2,000-3,000

204 HA983/4 GOOD REGENCY MAHOGANY CHEVAL MIRROR

BY GILLOWS OF LANCASTER CIRCA 1820 the rectangular mirror plate in a conforming frame with carved cresting between spiral carved uprights mounted with brass adjustable candle arms, raised on scroll carved trestle supports joined by a turned stretcher and ending on carved lion paw feet with casters 83cm wide, 168cm high, 64cm deep

£2,000-3,000

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205 HA539/6 SCOTTISH REGENCY MAHOGANY FOLDOVER TEA TABLE ATTRIBUTED TO WILLIAM TROTTER CIRCA 1820 the well figured rectangular top with a bead moulded edge over a beaded frieze, raised on scroll supports with flower head terminals, on a quadriform base with reeded scroll legs ending in brass caps and casters 92cm wide, 74cm high, 46cm deep

£500-700

206 HA974/1 REGENCY ROSEWOOD AND BRASS INLAID TRIPOD TABLE ATTRIBUTED TO GILLOWS CIRCA 1820 the rectangular top on a turned and fluted support raised on a triform base and moulded scrolling feet with brass casters 67cm wide, 77cm high, 44cm deep

£1,200-1,800

207 HA395/1 REGENCY ROSEWOOD SOFA TABLE CIRCA 1820 the long rounded rectangular top with drop ends above a pair of frieze drawers, with curved bracket supports and squared end columns raised on outswept legs ending on casters 189cm wide, 70cm high, 61cm deep

£500-700

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208 HA974/8 PAIR OF REGENCY FAUX BAMBOO CANED ARMCHAIRS CIRCA 1820 with spindle backs and curved downswept arms over caned seats, raised on round legs joined by stretchers (2) 113cm wide, 109cm high, 17.5cm deep

£500-700

209 HA971/4 REGENCY ROSEWOOD CHIFFONIER CIRCA 1820 the three-quarter gallery superstructure above a pair of short drawers over latticework cupboard doors, raised on bracket feet 92cm wide, 112cm high, 28cm deep

£700-1,000

210 HA798/1 REGENCY MAHOGANY CELLARETTE CIRCA 1820 of sarcophagus form, with a brass loop handle to the front, raised on carved paw feet 62cm wide, 52cm high, 40cm deep

£700-1,000

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211 LT2014/27 PAIR OF FINE ROSEWOOD AND SPECIMEN MARBLE ETAGERES 19TH CENTURY each with a three quarter brass gallery and white marble rectangular top over a grey veined marble open shelf and a faux marble painted recess and a cupboard door with a brass grille insert backed with faded red silk, raised on square legs joined by a further veined grey marble undertier raised on tapered feet, the whole outlined in gilt metal beading (2) 38cm wide, 102cm high, 27cm deep Provenance: The estate of Diana, Countess of Albemarle Note: Possibly supplied to Quidenham Hall, Norfolk, in 1820 when the interiors were redone under the supervision of the architect and designer Charles Heathcote Tatham (1742-1842) on direction of the 4th Earl of Albemarle.

ÂŁ8,000-12,000

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212 SV377/4 WILLIAM IV ROSEWOOD BRASS MOUNTED SIDE CABINET CIRCA 1835 of inverted breakfront outline, the long top over a pair of silk lined arched panel doors flanked by further cupboard doors, all with brass mouldings, on a conforming plinth base 216cm wide, 99cm high, 41.5cm deep

£1,000-1,500

213 HA597/10 GEORGE IV ROSEWOOD AND UPHOLSTERED SOFA CIRCA 1825 the low scroll back and arms above a stuff over seat with foliate and scroll carved facings, raised on short lobed and turned feet, in pale pink upholstery 236cm long, 85cm high, 72cm deep

£600-900

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214Y HA859/9 SCOTTISH TORTOISESHELL AND PAINTED SNUFF BOX AND COVER 19TH CENTURY of circular form, the cover inset with panel finely painted with figures in a pastoral landscape with a castle in the distance, within a gilt brass border

215 HA859/10 WHITE METAL MASONIC SNUFF BOX 19TH CENTURY the shaped arched box engraved allover with Masonic symbols and inscription WILLIAM HUNTER, the sliding cover with elaborate locking mechanism and sharp pin deterrent button

9.5cm diameter

£200-300

4.3cm wide

Provenance: Anton’s Hill, Berwickshire

£200-300 216Y HB76/25 REGENCY PAINTED AND BANDED MAHOGANY TEA CADDY CIRCA 1820 of sarcophagus form, with an ivory escutcheon, painted with flower swags and a brass flower basket plaque to the lid, opening to reveal two lidded wells and a glass mixing bowl, raised on bun feet 28cm wide

£350-450 217Y HB76/27 REGENCY PAINTED JEWELLERY BOX 19TH CENTURY of canted rectangular form with an ivory escutcheon, decorated with a scene of a church within foliate borders, the interior with a re-lined lift-out tray, on four squat bun feet 26.5cm wide

£300-500

218 HB76/33 MAHOGANY CASED SIX VOLUME SET LEATHER BOUND BIBLE, ANNOTATED BY THOMAS SCOTT LONDON, 1825 the mahogany cabinet with two doors, containing six brown leather and gilt embossed volumes, descended in the Burrows family, with handwritten birth, death and marriage notations to the inside cover, volume I 40cm wide, 33cm high, 24.5cm deep

£150-250 104

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219 HA579/1 GEORGE IV MAHOGANY AND EBONY INLAY BOOKCASE CABINET CIRCA 1825 the moulded cornice over a pair of glazed doors opening to shelves, above a long drawer and a pair of moulded cupboard doors flanked by reeded and spiral carved pilasters, raised on carved paw feet 121cm wide, 234cm high, 55cm deep

£1,000-1,500

220 SV152/20 GEORGE IV MAHOGANY CELLARETTE CIRCA 1825 of sarcophagus form with knop handles to the sides, opening to a lined interior, raised on squat turned feet with casters 58cm wide, 45cm high, 42cm deep

£700-1,000

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221 HA138/3 GEORGE IV ROSEWOOD CREDENZA CIRCA 1825 the pediment back panel above two graduated tiers raised on S scroll supports, over a pair of cupboard doors with Doric pilaster panel fronts, on a moulded plinth base 112cm wide, 160cm high, 43cm deep

£400-600

222 HA516/2 WILLIAM IV MAHOGANY EXTENDING DINING TABLE CIRCA 1835 with three leaf inserts, the rounded rectangular top with a moulded edge raised on turned and lobed baluster legs ending in brass caps and casters 305cm long, 70cm high, 120cm deep

£700-900

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223 HA800/145 PARIANWARE BUST OF A GENTLEMAN 19TH CENTURY unmarked, raised on a turned wood pedestal; together with a TUNBRIDGWARE DESK STAND, 29cm wide; and a TREEN WASSAIL CUP AND COVER, 25cm high (3) 44cm high overall (including pedestal) Provenance: Selected contents from Denston Hall, Suffolk

£300-500 224 HA143/27 BRONZE BUST OF A YOUNG MAN 19TH CENTURY possibly Percy Bysshe-Shelley, medium brown patina, on a square socle base 28cm high

£200-300

225Y HA329/2 ENGLISH SCHOOL, PORTRAIT MINIATURE OF SUSAN EUPHEMIA DOUGLAS-HAMILTON (NEE BECKFORD), DUCHESS OF HAMILTON (1786-1859) 19TH CENTURY on ivory, signed indistinctly signed ‘****viro Pizzetto’, in a giltwood frame with a handwritten label to verso 11.5cm high, 8.5cm wide (excluding frame) Note: Susan Douglas-Hamilton (1786-1859) (née Beckford) was the wife of the Alexander Douglas-Hamilton, the 10th Duke of Hamilton, following their marriage in 1810. She was the daughter of the novelist William Beckford. She had two children, William Hamilton, the 11th Duke of Hamilton and a daughter, Lady Susan Hamilton.

£400-600

226 HB57/1 YARD OF PORT GLASS, ASSOCIATED TO ETON COLLEGE 19TH CENTURY of typical form with a bulbous reservoir leading to a fluted opening, tied with a faded pale blue silk ribbon

227 HB76/19 SET OF FOUR VICTORIAN CUT GLASS CANDLESTICKS 19TH CENTURY each with an everted rim above the knopped and cut stem, on a large circular foot (4)

91.5cm long

30.5cm high

£200-300

£400-600

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228 HA597/17 WILLIAM IV GILTWOOD OVERMANTEL MIRROR CIRCA 1835 the rectangular mirror plate in a black reeded slip and moulded gilt and gesso frame with a moulded cornice 154cm wide, 80cm high

£300-500

229 HA597/18 WILLIAM IV EBONISED AND UPHOLSTERED ADJUSTABLE DAY BED CIRCA 1835 with an open back and high button tufted arms, above a loose cushion seat with two bolsters, one end extending, in an ebonised frame raised on reeded tapered bulbous feet; in light blue and cream floral upholstery 161cm long, 83cm high, 71cm deep; 191cm long extended

£300-500

230 HA658/2 WILLIAM IV ROSEWOOD BREAKFAST TABLE CIRCA 1835 the circular tilt top raised on a carved support with lobed collar, on a lotus form base raised on lion paw feet with brass casters 125cm diameter, 71cm high

£700-900

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231 HA539/2 EARLY VICTORIAN MAHOGANY WASHSTAND 19TH CENTURY the shape top with a three quarter gallery, raised on turned and tapered legs ending in brass caps and casters 138cm wide, 84cm high, 69cm deep

£400-600

232 HA598/8 WILLIAM IV ROSEWOOD WARDROBE CIRCA 1835 the plain cornice above a pair of cupboard doors with bead and reel moulding, opening to an interior with drawers and hanging space, on a plinth base 142cm wide, 197cm high, 65cm deep

£300-500

233 HA974/7 WILLIAM IV MAHOGANY AND LEATHER LIBRARY ARMCHAIR CIRCA 1835 the button upholstered dark brown leather back continuing to enclosed scroll arms and stuff over seat with mahogany facings, raised on lotus carved tapered legs ending in brass caps and casters 78cm wide, 100cm high, 46cm deep

£2,000-3,000

234 HA847/5 WILLIAM IV ROSEWOOD CENTRE TABLE CIRCA 1835 the circular top above a moulded frieze, on a fluted and acanthus carved baluster support on a triform base raised on flattened bun feet 126cm diameter, 73cm high

£400-600

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235 HA764/1 SAILOR’S WOOLWORK PICTURE MID 19TH CENTURY depicting a three masted ship flying a British red ensign, in an oak shadow box frame 60.35cm wide, 48cm high

£300-500

236 HB106/2 LARGE CASED MODEL OF THE CLIPPER SHIP ‘ARIEL’ 20TH CENTURY finely modelled and executed in mahogany, beech and bamboo, in a modern glazed case Ship: 166cm long; case 194cm wide, 137cm high, 66cm deep Note: One of the most famous of the China trade clipper ships, the Ariel came a close second in the 1866 Tea Race from Foochow to London completing the journey in 99 days and docking only twenty minutes behind the winning ship, the Taeping. In 1872, on a journey bound for Australia, the Ariel was lost at sea with all hands.

Presumably the victim of a storm in the South Pacific seas, no wreckage was found.

£600-800

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237 HB68/1 LARGE SHIPBUILDER’S HALF MODEL OF THE S.S. BRENDA CIRCA 1918 painted black to the waterline and pink below, with a four blade propeller, bilge keels and accommodation ladder slung overside, with plated metal fittings and details including anchor, cable and windlass, cargo winches, ventilators, open bridge with wheel and binnacle, in a period mirror back mahogany display case with an ivorine builder’s plaque for Craig, Taylor & Co. Stockton on Tees 246cm long, 84cm high, 28cm deep Note: The SS Brenda was a 397 ton steam cargo ship of 397 tons measuring 325 Feet and originally launched in 1918 as the SS Maindy Dene for Maindy Shipping Co Ltd. (Jenkins, Richards & Evans, Cardiff). She was sold to Frederick Dawson Ltd. Newcastle in 1922 and renamed Lady Brenda. In 1934 she was sold to the Russian Merchant Navy and renamed the SS Sukona.

She was torpedoed and sunk by German aircraft on September 13th 1942 en route to Northern Russia.

£2,000-3,000

238 HB76/46 EARLY VICTORIAN OAK AND BRASS BOUND RUM BARREL EARLY 19TH CENTURY the oval hinged top mounted with substantial brass fittings above a conforming staved oval body with five brass straps 74cm wide, 83cm high, 47cm deep

£1,000-1,500

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239 HA590/2 EARLY VICTORIAN MAHOGANY AND LEATHER UPHOLSTERED CHESTERFIELD BY MACKENZIE & MITCHELL, EDINBURGH CIRCA 1840 of typical form with a low back and scroll arms with brown leather button upholstery, raised on lobed and turned legs ending in brass caps and ceramic casters; the hessian stamped ‘MACKENZIE & MITCHELL / MANUFACTURERS / EDINBURGH’ 209cm wide, 77cm, 60cm deep

£1,000-1,500

240 HA590/1 PAIR OF EARLY VICTORIAN MAHOGANY AND LEATHER UPHOLSTERED OPEN ARMCHAIRS BY MACKENZIE & MITCHELL, EDINBURGH CIRCA 1840 the button upholstered square backs and seats and padded arms covered in brown leather, raised on lobed and tapered legs headed by foliate carved blocks and ending on ceramic casters; both stamped on the hessian ‘MACKENZIE & MITCHELL / MANUFACTURERS / EDINBURGH’ (2) 66cm wide, 92cm high, 51cm deep

£800-1,200

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241 HA590/3 SET OF EIGHT EARLY VICTORIAN MAHOGANY AND LEATHER UPHOLSTERED SIDE CHAIRS BY MACKENZIE & MITCHELL, EDINBURGH CIRCA 1840 the padded button upholstered backs and seats covered in brown leather, raised on lobed and fluted tapered legs ending in brass caps and ceramic casters, one stamped on the hessian ‘MACKENZIE & MITCHELL/ MANUFACTURERS/ EDINBURGH’ (8) 49cm wide, 89cm high, 49cm deep

£1,000-1,500

242 HA539/1 VICTORIAN WALNUT BREAKFAST TABLE 19TH CENTURY the oval quarter veneered tilt top with a moulded edge over a plain frieze, on a leaf carved column raised on acanthus carved cabriole legs ending in scrolled feet on porcelain casters 136cm wide, 73cm high, 100cm deep

£1,000-1,500

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243 HA510/2 VICTORIAN MAHOGANY SECRETAIRE BOOKCASE MID 19TH CENTURY the moulded cornice above astragal glazed doors opening to shelves; over a fall front long drawer with a fitted interior above a pair of panel doors, raised on bun feet 122cm wide, 237cm high, 55cm deep

£500-700

244 HA597/12 VICTORIAN AMBOYNA AND EBONISED AND PARCEL GILT TRIPOD BOOKSTAND CIRCA 1880 the circular top over a triform lower tier with spindle rails, raised on a turned support raised on outswept legs 49cm wide, 73cm high

£300-500

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245 HA518/1 VICTORIAN PINK VEINED MARBLE FIRE SURROUND 19TH CENTURY the shaped mantel with a moulded edge over a serpentine frieze flanked by moulded side panels 112cm wide, 103cm high, 35cm deep; opening 76cm wide, 88cm high

£600-800

246 HA544/1 GOOD VICTORIAN GILTWOOD AND GESSO OVERMANTEL GIRANDOLE MIRROR 19TH CENTURY the oval mirror plate surmounted by a pair of doves, ribbons and floral spray cresting, within a guilloche moulded frame flanked by scrolling foliate candle arms and display shelf, above a trellis base 152cm wide, 167cm high

£1,000-1,500

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247 HA597/9 VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate within a moulded frame with acanthus cresting 152cm wide, 108cm high

£400-600

248 SV202/8 EARLY VICTORIAN ROSEWOOD LIBRARY TABLE CIRCA 1840 the shaped rectangular top over a single frieze drawer, raised on scrolling X-form end supports ending on scroll carved feet and porcelain casters and joined by a scrolling foliate carved stretcher 139cm long, 78cm high, 78cm deep

£600-900

249 HA544/5 HOWARD AND SONS ‘BRIDGEWATER’ ARMCHAIR LATE 19TH CENTURY the button tufted low back and scroll arms above a loose cushion seat, on turned legs with brass casters, the rear leg stamped ‘HOWARD & SONS LTD BERNERS STREET’ 13226 267, in modern burgundy pattern upholstery 74cm wide, 74cm high, 68cm deep approx.

£600-800

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250 HA597/16 VICTORIAN MAHOGANY ETAGERE 19TH CENTURY with three mirror backed tiers above two shaped shelves, raised and divided by open spiral turned and baluster supports, on turned feet 71cm wide, 151cm high, 33cm deep

£300-500

251 HA827/4 VICTORIAN SCOTTISH CARVED OAK TRIPOD TABLE 19TH CENTURY the circular top with a scroll moulded edge above a deep frieze carved with thistles, flower heads and scrolling leaves, on a carved column with C-scroll brackets and raised on acanthus carved cabriole legs 60cm diameter, 65cm high

£250-350

252 HA597/8 VICTORIAN BUTTON UPHOLSTERED CHESTERFIELD 19TH CENTURY of typical form with a drop down end, in aubergine velvet upholstery, raised on turned legs 208cm long 70cm high, 86cm deep

£400-600

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253Y HA730/16 VICTORIAN COROMANDEL AND BRASS MOUNTED GAMES COMPENDIUM 19TH CENTURY of domed rectangular form with a brass monogram to the hinged lid, opening to reveal a fitted leather interior and games board, with an inscribed retailer’s plaque H. RODRIGUES/ 42 PICCADILLY, with carved ivory dice, chess pieces, draughts and domino counters, including stained examples, and a sycamore dice shaker 32cm wide, 10cm high, 21.5cm deep

£600-800

254Y HA659/24 VICTORIAN BOULLE DESK STAND the hinged lids decorated with inlaid brass scrolling foliage and a plaque with initials MC, opening to reveal a fitted mahogany interior and leather writing slope 34.5cm wide Provenance: Lord and Lady Rochdale

£250-350

255 HA551/8 VICTORIAN WALNUT AND EBONISED DECANTER BOX 19TH CENTURY the hinged lid and sides with oval bevelled glass panels, opening to a gilt frame holding four decanters etched with stags and with rococo cartouches, with blue glass faceted stoppers and sixteen matching liqueur glasses, on a moulded base 37cm wide, 28cm high, 28cm deep

£400-600

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256 HA730/35 VICTORIAN OAK STATIONERY CABINET 19TH CENTURY of rectangular form, with a fall front writing slope, fitted with a hinged stationery rack lined with leather pen holders and with two small drawers to the side, one with glass inkwell, another three small drawers and various other compartments above, with brass lock and handles 38cm wide, 37cm high, 25cm deep

£250-350

257 HB76/18 VICTORIAN MINIATURE INLAID WALNUT TILT TOP TABLE the circular inlaid top depicting an exotic bird perched on a bowl of fruit and flowers, raised on a carved tripod base 23cm high, 29cm diameter

£500-700

258 HB76/17 VICTORIAN WALNUT AND BRASS MOUNTED WRITING SLOPE, BY GEORGE BETJEMANN & SONS, LONDON the hinged covers with decorative brass mounts, opening to reveal a coromandel interior fitted with a leather slope, glass inkwells and covered compartments, the lock signed G. BETJEMANN & SONS/ LONDON 35.5cm wide, 11cm high, 25cm deep

£600-800

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Harriet Hosmer - Puck on a Toadstool Harriet Hosmer (1830-1908) was arguably the leading female sculptor of the 19th century. Throughout her career she battled against the myth that sculpture was physically beyond women’s capabilities.

Coming from a privileged background outside Boston, Massachussets, she studied anatomy with her physician father before moving to Rome aged nineteen to continue her training under the Welsh sculptor John Gibson. While in Rome she associated with a group of ex-pat artists and writers including Nathaniel Hawthorne, Thackeray, George Eliot and George Sand. Hosmer’s privilege enabled her to overcome female restrictions to a certain extent, her family was wealthy enough to support her through her studies and she attended respected schools making valuable connections that would lead to beneficial patrons. It was financial security that allowed her to choose her own subjects and ultimately her skill as a sculptor that won her recognition.

She became known for her untraditional depictions of female subjects and was considered at the time an “emancipated female” as she undertook everyday activities unaccompanied.

Critics resorted to highlighting her unfeminine childhood in which she ran, swam and rowed to explain her “masculine” ambitions. Many of her works explored female figures in either captive or desperate situations at the hands of men. Often choosing classical tales, she would depict moments of despair, such as her Medusa (1854) at the moment she loses her beauty to become a monster, or her Oenone (1855) as she is left by her husband Paris. The most famous sculpture in this vein is her masterpiece, Zenobia. Queen Zenobia ruled Palmrya until it was sacked by the Roman Emperor Aurelian and she was taken prisoner. Hosmer studied various literary and historical works for her portrayal, all written by men, describing Zenobia as defeated and weighed down with jewels and unable to walk. Hosmer’s Zenobia refuses to conform to this historical account, she stands defiant as a prisoner with less jewellery and the only chains on her wrists being manacles. The figure is stoic, head held high, carrying her restraints and exuding authority in a situation to be overcome rather than defeated by.

The fine figure of Puck on a Toadstool demonstrates Hosmer’s talent for capturing the spirit of her subject. Literary themes

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Harriet Hosmer with her sculpture of Thomas Hart Benton (1782-1858), circa 1860.

were very popular in the 19th century and Hosmer chose the mischievous fairy from Shakespeare’s A Midsummer Night’s Dream. Executed at a time when her finances were running low, the figure was immediately successful, being purchased by the Prince of Wales and the Crown Princess of Germany who, upon seeing the work, remarked, “Oh, Miss Hosmer, you have such talent for toes!” The commercial success of Puck on a Toadstool enabled the sculptor freedom to explore other subjects. “I have another order for Puck; he has already brought me his weight in silver.” Harriet Hosmer, in Cornelia Crow Carr, ed., Harriet Hosmer: Letters and Memories, 1913.

In 1858, two years after creating Puck, Hosmer created a companion piece to the work, this time borrowing from folklore with her treatment of Will-o-the-Wisp which didn’t achieve the same level of popularity as Puck on a Toadstool.

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259 HA358/5 HARRIET HOSMER (AMERICAN 18301908) PUCK ON A TOADSTOOL, CIRCA 1856 white marble, signed ‘HARRIET HOSMER FECIT ROMAE’; on a scagliola Sienna marble square plinth 79cm high; pedestal 93cm high

£10,000-15,000

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260 MONUMENTAL VICTORIAN GILWOOD AND GESSO OVERMANTEL MIRROR 19TH CENTURY in the rococo style, the shaped rectangular plate within a frame with C-scrolls and flower heads, and surmounted with acanthus cresting 206cm wide, 297cm high

ÂŁ1,000-1,500

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261 HA663/2 PAIR OF VICTORIAN GILTWOOD AND GESSO MIRRORS 19TH CENTURY the shaped and divided mirror plate within an elaborate giltwood and gesso frame carved with C-scrolls, acanthus, flowerheads, trailing bellflowers and rockwork (2) 162cm high, 89cm wide,

£1,500-2,500

262 HA927/1 GEORGE III STYLE MAHOGANY CROSSBANDED SIDEBOARD LATE 19TH CENTURY the serpentine ledge back with a brass gallery rail above serpentine base with a central frieze drawer over an arched recess flanked by further drawers and cupboard doors, raised on square tapered legs ending in spade feet 186cm wide, 142cm high, 69cm deep

£800-1,200

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263 HA598/30 ENGLISH PORCELAIN PART DESSERT SERVICE 19TH CENTURY comprising a pair of footed sauce tureens, a pair of oval dishes, a pair of square dishes, a pair of shaped circular dishes, and seventeen cake plates, all decorated with floral reserves within cobalt and gilt borders, red/black pattern no. 611 (qty) cake plate 21.5cm wide; tureen 22cm wide

£500-800

264 HA597/14 VICTORIAN PAINTED WOOD DOLL’S HOUSE MID 19TH CENTURY modelled as a brick house with a peaked roof and double chimney stacks, the front with four windows opening to a four room interior, raised on turned legs 67cm wide, 99cm high, 38cm deep

£300-500

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265 HB76/4 VICTORIAN WALNUT AND BRASS MOUNTED TABLE TOP STATIONERY STAND 19TH CENTURY the hinged slant front opening to an arrangement of compartments, trays and perpetual calendar apertures, over a single base drawer 33cm wide, 32cm high, 26cm deep

£600-800

266Y HA659/35 ASPREY ALLIGATOR SKIN JEWELLERY CASE CIRCA 1900 the interior with a rising tray, all lined with brown velvet, with gilt embossed ‘Asprey London’ and registration number 36cm wide, 13.5cm Provenance: Lord and Lady Rochdale

£200-300

267 HB76/9 VICTORIAN COROMANDEL AND BRASS STATIONERY BOX 19TH CENTURY the domed cover with elaborate brass strap hinges opening to a compartmented interior above a single base drawer, with further strap bands to the corners and brass loop handles to the sides 26cm wide, 24cm high, 17cm deep

£400-600

268Y HB76/5 VICTORIAN NOVELTY OLIVEWOOD ELEPHANT TRAVELLING INKSTAND 19TH CENTURY with ivory tusks and fitted with a pen, hinged at the body and opening to reveal a white metal inkpot 15.5cm wide

£400-600

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269 HA961/1 NEAR PAIR OF LITHYALIN GLASS URNS 19TH CENTURY each facet cut, with an everted rim above the bell shaped bowl and knopped stem, on a plain circular foot (2) 26.5cm and 25.5cm high

£400-600

270 HA862/9 VICTORIAN GILT METAL ‘CATHEDRAL’ MANTEL CLOCK MID 19TH CENTURY in the form of a Gothic cathedral with a bell tower and crocketted spires, on a stepped base, the eight day movement striking a bell 18cm wide, 47.5cm high, 11.5cm deep

£600-800

271 HA666/4 MATCHED PAIR OF BRISTOL BLUE GLASS DECANTERS 19TH CENTURY each of compressed bottle form, engraved with thistles, roses and shamrocks, associated cork stoppers (2) 20.5cm high

£300-400

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272 HB52/1 VICTORIAN GILTWOOD AND GESSO MIRROR 19TH CENTURY in the George III style, the oval mirror plate in a moulded giltwood and gesso frame surmounted by an urn with laurel leaf trailing garlands and a foliate drop finial 58cm wide, 123cm high

£400-600

273 HA659/10 VICTORIAN GILTWOOD MIRROR 19TH CENTURY the rectangular bevelled mirror plate within a cushion moulded frame with entrelac and marked at the corners with acanthus 87cm wide, 89cm high Provenance: Lord and Lady Rochdale

£300-500

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274 HA896/7 VICTORIAN BEECH AND UPHOLSTERED SIDECHAIR 19TH CENTURY the padded balloon back with scroll carved cresting centred by a cartouche, above a padded seat, raised on short cabriole legs with brass casters; in floral needlework upholstery 50cm wide, 119cm high, 44cm deep

£400-600

275 HA973/1 VICTORIAN GILTWOOD AND GESSO MIRROR MID 19TH CENTURY in the Rococo style, the bevelled oval mirror plate within a leaf moulded frame with Cscroll and foliate scroll cresting 84cm wide, 134cm high

£600-800

276 HB75/1 VICTORIAN LARGE WALNUT FRAMED FOOTSTOOL 19TH CENTURY the padded rectangular top in blue velvet upholstery, the frame carved with thistles and raised on short cabriole legs ending on porcelain casters 116cm long, 45cm high, 73cm deep

£600-800

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277 HA971/6 VICTORIAN MAHOGANY CHIFFONIER MID 19TH CENTURY the scroll carved cresting over shelf raised on turned supports above a pair of arched moulded doors, on a plinth base 97cm wide, 155cm high, 40cm deep

£400-600

278 HB68/5 VICTORIAN SATINWOOD WORK TABLE 19TH CENTURY in the George III style, the serpentine rectangular top over a frieze drawer and sliding silk lined work drawer, raised on gilt metal mounted square cabriole legs 58cm wide, 73cm high, 42cm deep

£400-600

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279 HB68/6 EARLY VICTORIAN GILTWOOD GIRANDOLE MIRROR 19TH CENTURY the oval mirror plate within a leaf tip and laurel wreath banded frame with ribbon tied floral cresting and issuing four scrolling candle arms 81cm wide, 122cm high

£600-800

280 HD506/2 VICTORIAN WALNUT AND INLAID WHATNOT 19TH CENTURY the three quarter pierced brass gallery above two tiers raised on turned and fluted tapered columns over a single base drawer on lobed feet with brass casters 56cm wide, 109cm high, 37cm deep

£1,500-2,500

281 HB68/8 VICTORIAN WALNUT AND BRASS MOUNTED REVOLVING BOOKSTAND 19TH CENTURY the circular top over a four section lower tier with brass galleries raised on a turned column with triform base and flattened turned feet 56cm wide, 68cm high, 56cm deep

£300-500

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282Y HB76/10 EARLY VICTORIAN MAHOGANY AND BRASS MOUNTED DRAUGHTSMAN’S BOX MID 19TH CENTURY the rectangular box with brass banded corners and vacant cartouche on the cover; the interior with removable trays fitted with a variety of draughtsman’s tools made of wood, bone, steel and ivory by various makers 45cm wide, 11cm high, 19.5cm deep

£700-900

283 HB76/14 SET OF VICTORIAN GRADUATED HORN BEAKERS comprising of twelve polished beakers, each with a glass base, contained within a leather travelling case embossed with the initials H.L. largest 9.5cm diameter

£600-800

284 HB76/16 VICTORIAN PAPIER MACHE WRITING SLOPE the hinged domed cover and slope painted with dogs within gilded borders, opening to reveal a replaced green leather skiver, fitted compartments, and two glass inkwells 37.5cm wide

£500-700

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285 HB92/1 AMERCIAN CAST IRON MECHANICAL BANK BY SHEPARD HARDWARD CO., ‘STUMP SPEAKER’ PATENTED 8 JUNE 1886 modelled as a man on his stump stand, with a mechanism to move the articulated jaw, a mechanical arm and a carpet bag opening to receive the coin, marked PAT. JUNE 8 1886 25cm high

£300-500

286 HB76/29 VICTORIAN COROMANDEL, BRASS AND JASPERWARE MOUNTED PERFUME CASKET LATE 19TH CENTURY the domed lid inset with a jasperware plaque and brass rope-twist mounts, opening to reveal three cut glass perfume bottles 18.5cm wide, 11cm high, 8.5cm deep

£400-600

287 SV252/206 VICTORIAN COROMANDEL DRESSING BOX 19TH CENTURY of rectangular form with a gilt brass plaque, opening to reveal a velvet lined interior fitted with silver topped glass jars and boxes, hallmarked London 1873, above a drawer fitted for jewellery 30.5cm wide

£400-600

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288 HB76/32 TWO VICTORIAN OLIVE WOOD AND BRASS MOUNTED FRAMES 19TH CENTURY the first modelled as a fence gate with brass large hinges on an easel support opening to an arrangement of eight individual frames, 18cm wide, 29cm high; the other modelled as a book with strapwork binding hinges opening to a pair of frames, 14cm wide, 17cm high (2) £300-500

289 HB75/4 VICTORIAN MAHOGANY AND BRASS COAT STAND 19TH CENTURY the tapered centre column with two tiers of upturned arms surmounted by a cross arm for hats, with a circular brass umbrella stand and raised on a tripod base 194cm high

£400-600

290 HB76/26 VICTORIAN OAK AND BRASS MOUNTED JEWELLERY CHEST LATE 19TH CENTURY the inverted breakfront top over an arched glazed door flanked by fluted columns with brass Corinthian capitals and bases, opening to three lined drawers, on a plinth base 28cm wide, 30cm high, 20cm deep

£400-600

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291 HB136/159 VICTORIAN WALNUT, MARQUETRY AND GILT METAL MOUNTED KIDNEY SHAPED WRITING TABLE 19TH CENTURY the leather inset moulded shaped top with inlaid scrolling banding, above a frieze drawer and gilt metal ball moulding, on carved square baluster and fluted column triple end supports, joined by a fluted turned stretcher, on downswept legs with acanthus carved scrolled feet fitted with brass casters 122cm wide, 76cm high, 58cm deep

£3,000-5,000

292 HA896/2 ORKNEY ASH AND RUSH ARMCHAIR 19TH CENTURY of traditional form, with a drop in frame seat and scroll end arms

293 SV408/51 ORKNEY ASH AND RUSH ARMCHAIR EARLY 20TH CENTURY of typical form, with straight legs and arms

53cm wide, 105cm high, 42cm deep

£250-400

£400-600

134

53cm wide, 110cm high, 41cm deep

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294 HA597/4 SET OF NINE VICTORIAN OAK FRAMED WILLIAM & MARY STYLE DINING CHAIRS 19TH CENTURY comprising a pair of armchairs and seven side chairs with foliate carved cresting above padded backs flanked by bobbin turned sided rails, above stuff over seats raised on block and bobbin turned legs ending on casters, the armchairs with part padded arms ending in carved dragon head terminals (9) 49cm wide, 107cm high, 42cm deep

£500-800

295 HB75/3 VICTORIAN RENAISSANCE REVIVAL CARVED OAK SETTLE 19TH CENTURY carved allover with gryphons, masks and winged grotesques within scrolling foliage 139cm wide, 148cm high, 48cm deep

£400-600

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296 HA597/15 VICTORIAN ‘AESTHETIC’ PERIOD GILTWOOD AND PAINTED OVERMANTEL MIRROR CIRCA 1870 the rectangular bevelled mirror plate surmounted by painted panels simulating mosaics depicting fruiting branches and urns, flanked by further bevelled mirror plates and display shelves 155cm wide, 162cm high

£400-600

297 HA544/5A EDWARDIAN UPHOLSTERED ARMCHAIR EARLY 20TH CENTURY with a wide low back and scroll arms over a loose cushion seat raised on turned forelegs with brass casters, in sage green lined velvet with tassel trimming 81cm wide, 80cm high, 75cm deep

£400-600

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298 SV274/27 TWO ROYAL WORCESTER VASES DATED 1908, SHAPE 294 including a covered vase, signed A.C. Lewis, painted with pink roses, shape 294, dated 1908, 33cm high; together with a HADLEY’S WORCESTER POT POURRI VASE, shape 241, painted with flowers, 19.5cm high (2)

299 SV333/95 PAIR OF GEORGE JONES MAJOLICA OYSTER DISHES DATE MARK FOR 1874 each with a central oyster shell-shaped reservoir above the lobed dish moulded with seaweed on a blue ground, with an impressed Victorian lozenge mark and the initials GJ (2)

£200-300

£300-500

300 SV274/35 GROUP OF ROYAL WORCESTER BLUSH IVORY PORCELAIN LATE 19TH / EARLY 20TH CENTURY all painted with flowers, comprising a basket-weave bowl, shape G441, date mark 1904, 23cm wide; a potpourri vase, shape 1313, dated 1892, 20cm high; and two globular bud vases, shape 1039, date mark 1892 and 1910,11cm and 10cm high (4)

301 SV274/34 GROUP OF ROYAL WORCESTER PORCELAIN all with maker’s marks, comprising of: a signed Hadley figural comport, dated 1884 with impressed lozenge mark, 21cm high; a vase with basket-weave moulding and gilt highlights, indistinctly marked, 20cm high; a gilt and cream candlestick, dated 1893, shape 1088, 12cm high; together with a ROYAL CHINA WORKS POT POURRI BOWL AND COVER, with maker’s marks, 7.5cm high (4)

£300-500

20cm wide

£250-350

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302 HA800/158 GEORGE III STYLE MAHOGANY AND CROSSBANDED SERPENTINE SIDEBOARD 20TH CENTURY the serpentine top over a pair of central drawers flanked by cupboard doors, raised on square tapered legs ending in spade feet 151cm wide, 93cm high, 53.5cm deep Provenance: Selected contents from Denston Hall, Suffolk

£400-600

303 HA143/31 ANGLO-INDIAN HARDWOOD BERGERE SUITE EARLY 20TH CENTURY comprising a sofa and a pair of armchairs with padded backs and caned side panels above loose cushion seats, the frames carved with laurel garlands and raised on carved bun feet, in modern foliate tapestry upholstery (3) Sofa 183cm long, 75cm high, 72cm deep; armchair 80cm wide, 72cm high, 70cm deep

£800-1,200

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304 HA551/7 PAIR OF GEORGE III STYLE MAHOGANY, SATINWOOD AND KINGWOOD CROSSBANDED DEMILUNE TABLES MODERN the demilune tops over crossbanded frieze raised on square tapered legs with collared feet (2) 114cm wide, 82cm high, 48cm deep

£500-800

305 HB83/1 SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY comprising a pair of armchairs and four side chairs, with serpentine foliate carved top rails with scrolled ears above pierced and interlaced splats and drop in seats, raised on acanthus carved cabriole legs ending in claw and ball feet (6) 56cm wide, 96cm high, 45cm deep

£600-800

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306 HA971/5 VICTORIAN AESTHETIC PERIOD AMBOYNA AND EBONISED CREDENZA CIRCA 1880 the tiered superstructure with a spindle gallery and mirror back, above a pair of drawers and carved panel cupboard doors painted with birds and flowers, raised on turned feet 90cm wide, 150cm high, 36cm deep

£400-600

307 HB76/2 EARLY VICTORIAN OAK BASKET of square form, the lid carved to simulate wicker, with a slatted reeded frame surmounted by four brass finials, on brass caps and casters

308 HA800/146 CASED MAHOGANY BAROGRAPH,

BY NEGRETTI & ZAMBRA, LONDON EARLY 20TH CENTURY the hinged glazed case enclosing brass and white metal instruments, above a chart drawer

38cm high, 39cm wide, 32cm deep

Provenance: Selected contents from Denston Hall, Suffolk

£800-1,200

36cm wide

£200-300

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309 HA800/20 TWO BRONZE MAQUETTES LATE 19TH / EARLY 20TH CENTURY dark brown patina, the first a standing nude female holding a sphere, on a later wood base, 29cm high; the other a standing male nude holding a broom, 33cm high (2) Provenance: Selected contents from Denston Hall, Suffolk

£400-600

310 FH546/3E TWO ENGLISH GLASS PAPERWEIGHTS, POSSIBLY

BY H.G. RICHARDSON, STOURBRIDGE PROBABLY EARLY 20TH CENTURY each with concentric millefiori bands, including one with a paper label to the underside, DATE 1844-48/ MADE AT STOURBRIDGE FOR PARIS EXHIBITION (2) 8.5cm diameter and 9cm diameter

£200-300

311 HA659/20 COLLECTION OF THEATRE COSTUME STUDIES

BY PERCY MACQUOID (BRITISH 1852-1925) EARLY 20TH CENTURY watercolour and pencil on paper, comprising twenty-two individual designs, most labelled and signed depicting late 18th and early 19th century characters and costumes; nine double framed, four single framed, (13) largest 40cm x 25.5cm Provenance: Lord and Lady Rochdale

£800-1,200

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312 HA597/7 EDWARDIAN SATINWOOD AND INLAY TRIPOD BOOKSTAND EARLY 20TH CENTURY the circular top inlaid with floral medallions and swags, above an triform lower tier with trellis sides, raised on a tapered column and outswept square legs 46cm wide, 74cm high

£300-500

313 HA971/2 EDWARDIAN ROSEWOOD AND MARQUETRY MUSIC CABINET EARLY 20TH CENTURY the mirror back upper section over a door with upper panels inlaid with urns and classical motifs above a glazed lower panel, opening to shelves, on ceramic casters 58cm wide, 132cm high, 38cm deep

£500-700

314 HA980/2 EDWARDIAN SATINWOOD PAINTED OCCASIONAL TABLE CIRCA 1910 the oval galleried top with a shell medallion inlay above a frieze painted with floral swags, raised on square tapered legs ending in spade feet and joined by arched stretchers surmounted by an urn finial 42cm wide, 76cm high, 28.5cm deep

£400-600

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315 HA659/9 EDWARDIAN WALNUT FRAMED KNOLE SOFA EARLY 20TH CENTURY upholstered in green floral pattern silk, with drop down sides and a loose cushion seat outlined in tassel trimming 169cm long, 109cm high, 69cm deep Provenance: Lord and Lady Rochdale

£600-800

316 HB126/2 EDWARDIAN CARVED PINE FIRE SURROUND 19TH CENTURY the breakfront mantel above an entablature carved with fruit and scrolling foliage 141cm wide, 130cm high, 22cm deep; Interior opening 100cm wide, 100cm high

£400-600

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317Y HB284/3 GOLD MOUNTED TORTOISESHELL DESK SET, RETAILED BY ASPREY OF LONDON LONDON, 1912 comprising a pen tray with a cut glass inkwell, hallmark MBA, 19cm wide; and a matching blotter, marked ASPREY, LONDON, 27.5 x 21cm (2) £350-450

318Y HB284/2 TORTOISESHELL VENEERED AND IVORY BANDED CIGAR BOX EARLY 20TH CENTURY of rectangular form, the hinged lid opening to reveal a sandalwood interior, 19.5cm wide; together with a FAUX TORTOISESHELL INK STAND, with a pen tray, pen, and silver mounted cut glass ink well, hallmark CD, London, 1922, stand 26.5cm wide (2) £350-450

319Y HB284/1 SILVER MOUNTED TORTOISESHELL BOX, RETAILED BY ASPREY OF LONDON LONDON, 1912 of serpentine outline, raised on four ogee feet, bearing hallmark MBA inscribed ASPREY, LONDON 16cm wide

£250-350

320 HD506/8 NOVELTY TARTAN WARE INKSTAND EARLY 20TH CENTURY in the form of a canoe, with a cut glass inkwell and two covered compartments, the oars fitted for pen nibs, with painted inscriptions MACDUFF 23.5cm wide

£400-600

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321 HB76/13 CROSS BLACK LEATHER PICNIC CASE EARLY 20TH CENTURY the rectangular case embossed with monogram ‘C.S.B.’ and the Cross label, the interior fitted with a Stanley thermos, tin sandwich box, pair of transfer printed plates, and cutlery 39.5cm wide, 14.5cm high, 26.56cm deep

£300-500

322 HB68/4 PAIR OF VICTORIAN WHITE PAINTED CAST IRON URNS AND STANDS 19TH CENTURY of upright lotus form on a socle base, raised on a stepped foot and square plinth base (2) 85cm high

£400-600

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323 HA800/161 EDWARDIAN MAHOGANY LEATHER UPHOLSTERED DESK CHAIR EARLY 20TH CENTURY the horseshoe shaped back and arms above moulded columnar splats, over a circular stuff over seat, all in brown leather; raised on oak legs with brass casters 61cm wide, 90cm high, 50cm deep Provenance: Selected contents from Denston Hall, Suffolk

£300-500

324 HA658/3 WHYTOCK & REID MAHOGANY PEDESTAL DESK EARLY 20TH CENTURY the shaped top with a tooled leather writing surface above a central frieze drawer flanked by banks of five drawers and cupboards opposing, raised on ogee bracket feet 148cm wide, 77cm high, 87cm deep

£1,000-1,500

325 HD506/6 WHYTOCK & REID EASY ARMCHAIR 20TH CENTURY in original Whytock & Reid calico, the loose cushion back and seat flanked by low scrolled arms, raised on square tapered legs ending in brass caps and castors 75cm wide, 81cm high, 60cm deep

£600-800

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326 HA825/8 EDWARDIAN MAHOGANY DINING TABLE EARLY 20TH CENTURY comprising two D ends and a square centre table, the rounded rectangular top with a reeded edge, above a plain frieze, raised on square tapered legs ending in spade feet 261cm long, 77cm high, 132cm wide

£500-800

327 HA551/6 SET OF FOURTEEN UPHOLSTERED DINING CHAIRS MODERN the arched and button tufted backs above stuff over seats raised on stained square legs joined by stretchers; in burgundy and cream fine striped upholstery with tassel trimmings (14) 54cm wide, 102cm high, 45cm deep

£1,000-1,500

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328 HA974/6 PAIR OF MAHOGANY AND PAINTED BEDSIDE CABINETS the bowfront tops with a three quarter gallery over two drawers, raised on white painted trestle supports joined by a curved stretcher (2) 46cm wide, 68cm high, 25cm deep

£500-700

329 HB76/3 PAIR OF NOVELTY CARVED HARDWOOD FOOT STOOLS 20TH CENTURY each modelled as a turtle, with an upholstered leather back (2) 43cm long

£800-1,200

330 HA800/49 UPHOLSTERED OTTOMAN MODERN the scroll ends, hinged seat and sides covered in floral patterned fabric

331 HA800/167 TESSA CAMPBELL FRASER, F.R.B.S. (SCOTTISH, B.1967) HIGHLAND COW bronze, signed T.C.F. 8/9

166cm wide, 89cm high, 54cm deep

Provenance: Selected contents from Denston Hall, Suffolk

Provenance: Selected contents from Denston Hall, Suffolk

£200-300

148

23.5cm high, 37cm long

£200-300

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332 HB76/12 LOUIS VUITTON CALF’S LEATHER SUITCASE CIRCA 1925 the brown leather exterior initialled ‘L.V.’ to the brass closures, the interior bearing paper Louis Vuitton trade label and stamped no. 73291 66cm wide, 21.5cm high, 38cm deep

£1,000-1,500

333 HB76/45 LOUIS VUITTON STEAMER TRUNK EARLY 20TH CENTURY in LV monogram canvas with metal and beech wood straps, with various hotel and shipping labels, the lined interior with a paper ‘Louis Vuitton 1 Rue Scribe Paris, 149 New Bond Street London’ and serial number 155780 110cm long, 38cm high, 56cm deep

£4,000-6,000

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334 FF170/3 PAIR OF GILT BRONZE THREE LIGHT WALL APPLIQUES 20TH CENTURY each comprising three ribbon-tied torches, with moulded frosted ‘flame’ glass shades, wired for electricity (2) 58cm high overall

£800-1,200

335 HA738/1 BOWMORE BICENTENARY BOTTLE OF WHISKY 1979 distilled and bottled by Morrison’s Bowmore Distillery to commemorate their Bicentenary (1779-1979), single malt whisky, 75.7cl, bottle number G549, in a wooden presentation case with certificate and documentation; together with MACALLAN ‘ELEGANCIA’ 12 YEAR OLD BOTTLE OF WHISKY, distilled and bottled by The Macallan Distillers Ltd., single malt, 1 litre, 40% volume, in presentation box (2) £500-700

336 HA800/24 SET OF SIX GEORGE III STYLE MAHOGANY AND UPHOLSTERED SIDE CHAIRS MODERN with oval padded backs and stuffed over seats, raised on square tapered legs; upholstered in various fabrics (6)

337 HA800/157 UPHOLSTERED EASY ARMCHAIR MODERN the square cushion back over a loose cushion seat and scroll arms, in light blue upholstery with tassel trimming

53cm wide, 91cm high, 47cm deep

Provenance: Selected contents from Denston Hall, Suffolk

Provenance: Selected contents from Denston Hall, Suffolk

£200-300

150

93cm wide, 86cm high, 53cm deep

£300-500

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338 HA551/9 UPHOLSTERED AND SLIPCOVERED SOFA MODERN with a low straight loose cushion back and high arms, above a double loose cushion seat, in a beige slipcover with tassel trim over a green and cream print floral and bird upholstery 212cm long, 71cm high, 78cm deep

£400-600

339 HA658/1 LARGE TRIPLE SEAT KNOLE SOFA MODERN with an arched back and drop ends and loose cushion seat, covered in yellow damask upholstery 271cm long, 93cm high, 56cm deep

£600-800

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340 HA800/170 THREE PAIRS OF LINED AND INTERLINED CURTAINS AND PELMETS in printed linen with pink and yellow cabbage roses (6) Pelmet 221cm wide; each panel 322cm drop, 250cm wide Provenance: Selected contents from Denston Hall, Suffolk

£500-700 341 HA800/169 TWO PAIRS OF LINED AND INTERLINED CURTAINS in pink and rose chintz depicting flowering urns tied with swags (4) Pelmet 183cm wide; each panel 300cm drop, 170cm wide Provenance: Selected contents from Denston Hall, Suffolk

340

341

£300-500 342 HA800/168 FOUR PAIRS OF LINED AND INTERLINED CURTAINS AND PELMETS in gold and salmon damask (8) Pelmet 193cm wide; Each panel 292cm drop, 233cm wide Provenance: Selected contents from Denston Hall, Suffolk

£600-800 343 EZ774/47 FOUR PAIRS OF LINED CREAM SILK CURTAINS AND PELMETS Of recent manufacture with red foliate pattern borders (8) drop 320cm (126 in) approx.

Provenance: The Forbes Sale, Ex Battersea House,

£400-600

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342

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344 HA542/1 DUTCH CARVED OAK AND PARCEL GILT BOOKCASE CABINET MID 18TH CENTURY the heavily carved projecting cornice above a glazed door opening to serpentine shelves, over a pair of panel doors, raised on bun feet 112cm wide, 224cm high, 37cm deep

£700-1,000

345Y HA597/11 INDO-DUTCH CALAMANDER AND IVORY INLAY BRAZIER EARLY 18TH CENTURY the lobed tiers outlined with ivory stringing and raised on baluster tuned supports, the centre fitted with a brass hammered basin 80cm diameter, 27cm high

£400-600

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346 SV152/22 DUTCH WALNUT AND MARQUETRY DISPLAY CABINET 19TH CENTURY the arched moulded cornice centred with a foliate carved finial, above a glazed case opening to shelves, the lower part with a pair of cupboard doors, raised on turned feet 92cm wide, 220cm high, 42cm deep

£700-1,000

347 SV152/25 DUTCH MARQUETRY FOLDOVER CARD TABLE 19TH CENTURY the rectangular foldover top with an inlaid games board and trompe l’oeuil playing cards, raised on square tapered legs, with flowering urn and garland marquetry throughout; together with a DUTCH MARQUETRY SIDE CHAIR, 18th century, with a vasiform splat and drop in seat, raised on cabriole legs ending in hoof feet, 51cm wide, 112cm high, 39cm deep (2) 82cm wide, 79cm high, 40.5cm deep

£400-600

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348 SV93A/15 DUTCH BURR WALNUT LONGCASE CLOCK BY WILLIAM GIB, ROTTERDAM LATE 17TH / EARLY 18TH CENTURY the high caddy top above a hood with blind fret carved arched frieze and brass urn and eagle finials, the pierced arch brass dial with Roman and Arabic chapters, subsidiary seconds dial, date aperture and three winding holes, engraved WILLIAM GIB/ ROTTERDAM above the long trunk with an arched door with a star etched lenticle, on a plinth base raised on turned bun feet, the eight day movement striking on nine bells 46cm wide, 252cm high, 26cm deep Provenance: The Contents of Mullanhead House, Balfron

ÂŁ3,000-5,000

349 SV152/1 DUTCH MARQUETRY LONGCASE CLOCK 18TH CENTURY the dentil moulded cornice over a brass dial with silvered chapter ring with Arabic and Roman numbers, subsidiary seconds dial and date aperture, and pierced brass spandrels. flanked by three quarter columns with gilt metal Corinthian capitals, above a trunk with lenticle and brass cover depicting Time, with fan and floral marquetry throughout, raised on bun feet 49cm wide, 214cm high, 26cm deep

ÂŁ700-1,000

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350Y HA974/3 FLEMISH EBONY, TORTOISESHELL AND IVORY GILT METAL MOUNTED CABINET ON STAND 19TH CENTURY the rectangular cabinet with a central cupboard door opening to a mirrored recess resembling a miniature baroque interior, flanked by ebonised columns with gilt metal Corinthian columns and enclosed by an arrangement of small drawers with oval boss fronts; the stand with a brushing slide over a shaped apron with alternating drop finials and turned baluster legs joined by a shaped undertier 109cm wide, 154cm high, 45cm deep

ÂŁ7,000-9,000

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351 SV333/49 FRENCH LIMOGES ENAMEL AND GILT WOOD JEWEL CASKET 18TH CENTURY of sarcophagus form with carved pillars at each corner, the gilt wood frame inset with painted Limoges panels on copper, depicting urns, cornucopia and foliage, raised on four bun feet 17cm wide, 15.5cm high

£400-600

352 HA97/14 LARGE SAMSON PORCELAIN FIGURE GROUP 19TH CENTURY modelled with two allegorical figures of children representing Winter and Spring, on a rococo domed base, gilt anchor mark 26cm high

£300-500

353Y HB68/15 PAIR OF GERMAN CARVED IVORY ‘JEWELLED’ FIGURES LATE 18TH CENTURY carved as a boy in hunting attire with a quiver, 15.5cm high; and a girl in costume holding a flute, 15cm high, on ebonised bases (2) £800-1,200

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354 HA988/3 FRENCH GILT BRONZE MANTEL CLOCK, BY T. A. SIMPSON & CIE. 19TH CENTURY the white enamel dial with Roman and Arabic numbers inscribed ‘T.A. Simpson & Cie / A Paris’ in a cylinder case surmounted by a pair of putti with a dove, and on a foliate scroll cast base raised on leaf clad feet; the eight day movement striking on a bell 42cm wide, 33cm high

£1,000-1,500

355 HD506/7 JEAN-LOUIS GREGOIRE (FRENCH, 1840-1890) LOVE TAKING AIM bronze, dark brown patina, modelled as a pair of winged putti, one taking aim with a bow, signed ‘J. Gregoire’, on a circular Sienna marble moulded base 29cm high

£1,500-2,500

356 HA988/2 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK 19TH CENTURY the porcelain dial with Roman number reserves against a pink ground, in a foliate cast case surmounted by a pair of putti writing on a tablet and mounted with further Sevres style porcelain plaques; the eight day movement striking a bell 28cm wide, 33cm high

£500-700

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357 HB66/1 FRENCH CHINOISERIE THREE PIECE PORCELAIN CLOCK GARNITURE 19TH CENTURY the white enamel Arabic number dial set in an elaborate blue and white glazed porcelain case with dragons, and a cockerel surmount, on a gilt bronze base, the eight day movement striking a gong; the twin branch candelabra supported by blue and white porcelain fu lions on gilt bronze bases (3) Clock, 49cm high; candelabra, 46cm high

£1,500-2,500

358Y HB76/30 FRENCH ROSEWOOD, BRASS, PEWTER, IVORY AND ABALONE BOULLE MARQUETRY TEA CADDY 19TH CENTURY of slightly bombe form, the sides and cover richly inlaid with cartouches, strapwork, C and foliate scrolls, opening to a two covered tea wells

359 HB148/10 FRENCH (NEVERS) FAIENCE WALL BRACKET 19TH CENTURY of rococo style, painted with dancing figures, birds and floral sprays,

22cm wide, 11.5cm high, 11cm deep

31cm wide, 25cm high, 17cm deep

£500-700

£200-300

360 SV274/24 SEVRES STYLE GILT BRONZE MOUNTED POT POURRI VASE LATE 19TH/ EARLY 20TH CENTURY the domed cover above a pierced metal collar and body painted with reserves of romantic couples and landscapes, mounted with twin mask handles, on a socle base, blue interlaced L mark 31cm high

£200-300

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361 HD506/3 LOUIS XV STYLE KINGWOOD, MARBLE AND GILT BRONZE MOUNTED ETAGERE LATE 19TH CENTURY the rectangular breche marble brass banded top above four quarter veneered and crossbanded tiers, raised on square cabriole legs with gilt metal mounts 61cm wide, 105cm high, 49cm deep

£2,000-3,000

362 HB136/120 LOUIS XIV ON HORSEBACK, AFTER THE MODEL BY PIERRE CARTELLIER AND LOUIS-MESSIDON-LEBON PETTITOT 19TH CENTURY bronze, dark brown patina, on an ebonised wood plinth 58cm long, 75cm high total height

£3,000-5,000

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363 HB136/45 FINE FRENCH WALNUT, TULIPWOOD, INLAID AND GILT METAL MOUNTED OCCASIONAL TABLE LATE 19TH CENTURY in the Louis XV style, the cartouche shaped top with a figured walnut centre and floral scrolling marquetry and tulipwood crossbanded border, above a similarly decorated shaped frieze drawer, on cabriole legs with scroll cast mounts and sabots 81cm wide, 77cm high, 43cm deep

ÂŁ3,000-5,000

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364 HA552/1 LOUIS XV STYLE KINGWOOD AND VERNIS MARTIN DISPLAY CABINET LATE 19TH CENTURY the arched cornice over a glazed serpentine door and side panels opening to glass shelves, decorated with scene depicting a courting couple and landscape views, raised on cabriole legs; the whole outlined in gilt bronze 80cm wide, 198cm high, 34cm deep

£1,500-2,500

365 HA971/1 LOUIS XVI STYLE KINGWOOD, MAHOGANY AND MARQUETRY SIDE TABLE EARLY 20TH CENTURY the oval crossbanded top centred by a marquetry floral spray, raised on slender cabriole legs joined by an undertier, with gilt metal mounts throughout 56cm wide, 74cm high, 37cm deep

£300-500

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366 HB68/16 PAIR OF SEVRES GILT BRONZE MOUNTED BRULE-PARFUMS 19TH CENTURY decorated with reserved portraits of Louis XV and Marie Leszczynska with monogrammed reserves opposing, against a bleu celeste ground, with gilt bronze mounts (2) 19cm high

£400-600

367 SV274/22 GROUP OF FRENCH PORCELAIN 19TH / EARLY 20TH CENTURY comprising a Sevres navette shaped dish painted with a romantic couple against a blue ground, on a gilt metal base, printed marks, 28.5cm wide; and a pair of Sevresstyle covered urns, with pseudo blue marks, 17cm high; together with an ENGLISH PORCELAIN JARDINIÈRE, painted with floral reserves against a cobalt ground, 14.5cm high (4) £250-350

368 HA351/11 TWO FRENCH PORCELAIN BONBONNIERES 19TH CENTURY moulded as a mating cockerel and hen, after the Meissen model, one with a blue bird mark to the interior; together with a FRENCH ENAMEL SCENT BOTTLE in the form of a courgette with a dove cast gilt metal stopper, 9cm long (3) 9.5cm long

£250-350

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369 HA988/1 FRENCH GILT BRONZE AND ONYX THREE PIECE CLOCK GARNITURE 19TH CENTURY in the Louis XV style, the white enamel dial with Roman and Arabic numbers in a drum case with putti and a musical trophy cresting, on a shaped white onyx base, the eight day movement striking a bell; the candelabra with a putto supporting five urn and foliate candle branches (3) 31cm wide, 29cm high; candelabra 34cm high

£1,000-1,500

370 HB69/1 FRENCH TRANSITIONAL STYLE KINGWOOD AND AMARANTH PARQUETRY COMMODE 19TH CENTURY the breakfront black marble top above three long drawers with trellis and barber pole parquetry, raised on tapered legs 144cm wide, 83cm high, 66cm deep

£1,000-1,500

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371 HA551/3 FRENCH ONYX AND CHAMPLEVÉ ENAMEL CLOCK GARNITURE 19TH CENTURY the four glass case clock in a brass and onyx frame decorated with champlevé enamels, flanked by a pair of onyx and gilt metal mounted urns similarly enamelled (3) clock 43cm high; urn 30cm high

£800-1,200

372 HA413/2 PAIR OF RESTAURATION PATINATED AND GILT METAL LAMPS 19TH CENTURY each converted from a candlestick, with an urn shaped nozzle above the reeded column and circular foot with flowerhead decoration, with a pleated cream silk shade (2) 29.5cm high (excluding fittings)

£600-800

373 HB68/13 PAIR OF FRENCH ORMOLU FIGURAL CANDELABRA, PROBABLY BY HENRI PICCARD 19TH CENTURY the central leaf-cast column held by a winged putto and issuing five scrolling and one stiff central candle arms ending in leaf and berry cast candle nozzles, on a shaped square base (2) 55cm high

£1,500-2,000

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374 HB66/3 PAIR OF LARGE AND IMPRESSIVE SEVRES STYLE PORCELAIN COVERED VASES 19TH CENTURY each with a domed cover with pinecone finial, the baluster bodies painted with opposing reserves depicting a boar hunt, signed M Brouard, against a cobalt ground richly detailed with gilt, on a socle foot and square gilt bronze base cast with drapery swags (2) 92cm high

ÂŁ8,000-12,000

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375 HA800/28 AFTER MICHELANGELO, LARGE CARRARA MARBLE BUST OF DAVID MODERN 67cm high; together with a SCAGLIOLA SIENNA MARBLE PEDESTAL, LATE 19TH/ EARLY 20TH CENTURY, 91cm high (2) Provenance: Selected contents from Denston Hall, Suffolk

£1,000-1,500

376 HA896/5 THREE HANDCOLOURED ENGRAVINGS AFTER GIOVANNI BATTISTA FERRARI (ITALIAN 1584-1655) botanical studies of citrus fruit from ‘Hesperides Sive de Malorum Aureorum Cultura et Usu Libras Quatuor’, comprising pl. 321 Lumia Valentina; pl. 389 Avrantium Crisps Folio, and pl. 405 Avrantium Foetiferum, framed (3) 20.5cm wide, 31cm high sight size

£300-500 One of three

377 SV377/1 LOUIS XVI STYLE KINGWOOD AND MARQUETRY MARBLE TOPPED SIDE CABINET LATE 19TH CENTURY the breche marble top over a pair of frieze drawers and panel doors inlaid with marquetry, raised on taped legs 118cm wide, 104cm high, 44cm deep

£1,000-1,500

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378 HA413/4 PAIR OF FRENCH PATINATED AND GILDED BRONZE LAMPS 19TH CENTURY each converted from a vase, of twin-handled amphora form, with a parcel gilt frieze depicting classical nudes dancing with a faun, raised on a marble base, with a pleated cream silk shade (2) 49.5cm high (excluding fittings)

£1,000-1,500

379 HA746/1 SEVRES STYLES PORCELAIN AND GILT METAL MOUNTED COVERED URN 19TH CENTURY the domed cover with a berry finial above an ovoid body painted with two oval reserves depicting Napoleon on the battlefield, one signed ‘H. Deprez / Sevres’, against a cobalt body highlighted with gilt details and mounted with gilt metal handles, on a socle and square gilt metal base, the cover marked in red ‘M Imp le Sevres’ and ‘Tena’ 65cm high

£1,500-2,500

380 HA800/166 SET OF SIX GILT METAL WALL LIGHTS WITH TOLE SHADES MODERN the fruit and flower case backplate issuing two scrolling candle arms with leaf clad stems and red tole and gilt decorated shades (6) 64cm high Provenance: Selected contents from Denston Hall, Suffolk

£700-1,000

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381 HA413/3 PAIR OF FRENCH MODERATEUR PATINATED AND GILT METAL LAMPS ADAPTED, 19TH CENTURY AND LATER each converted from an oil lamp, of bottle form with ribbed and repeating spot decoration within bands, raised on a cast quadriform base, marked LAMPE AUREOLE CY PARIS CY, with a pleated cream silk shade (2) 41.5cm high (excluding fittings)

£800-1,200

382 HB68/12 PAIR OF FRENCH EMPIRE GILT METAL CANDELABRA EARLY 19TH CENTURY the slender tapered leaf-cast column supporting five scrolling and one stiff candle arms on a cylindrical base and square foot (2) 64cm high

£800-1,200

383 HA664/1 LOUIS XV STYLE KINGWOOD, MARQUETRY AND GILT METAL MOUNTED CENTRE TABLE 19TH CENTURY the serpentine oval top and shaped apron with floral marquetry inlay, above a frieze drawer and four cabriole legs with gilt metal mounts 130cm long, 76cm high, 70cm deep

£1,000-1,500

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384 HB68/10 FRENCH MAHOGANY MARBLE TOPPED PETITE SECRETAIRE A ABATTANT STAMPED ‘L. GUEUNIERES JEUNE / EBENISTE’ CIRCA 1880 the rouge marble top with a three quarter pierced brass gallery above a fall front opening to an arrangement of drawers and pigeon holes, over a long drawer fitted with a hinged green leather writing surface, above a pair of moulded cupboard doors opening to four further long drawers, raised on short cabriole legs with sabots, stamped twice on the back 72cm wide, 106cm high, 33cm deep

£800-1,200

385 HA597/19 DUTCH WALNUT AND FRUITWOOD MARQUETRY COMMODE CIRCA 1800 the rectangular top with a chequer banded edge over two short and three long drawers, with fine scrolling branch inlay throughout, raised on bracket feet 129cm wide, 106cm high, 59cm deep

£500-800

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386 HA896/20 CONTINENTAL WALNUT, BIRCH AND FRUITWOOD MARQUETRY NEOCLASSICAL COMMODE LATE 18TH CENTURY the rectangular top over four long drawers raised on turned feet, with trailing husks, scrolling foliate and flowering urn inlay throughout 128.5cm wide, 110cm high, 64cm deep

£1,000-1,500

387 HA145/6 BEIDERMEIER BURR WOOD AND UPHOLSTERED ARMCHAIR 19TH CENTURY the arched top rail and enclosed scroll arms in taupe plush upholstery, raised on square tapered legs 60cm wide, 90cm high, 48cm deep Provenance: Property of a Lady

£300-500

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388 HA896/15 FRENCH PROVINCIAL STAINED BEECH ARMOIRE 19TH CENTURY the moulded cornice above a pair of moulded panel doors opening to hanging space, and raised on short cabriole legs 130cm wide, 218cm high, 66cm deep

£400-600

389 HA982/1 FRENCH BRETON CARVED OAK BED LATE 19TH CENTURY the head and footboards with carved panels depicting rural figures in a country setting, with spindled details 146cm wide, 169cm high, 203cm long

£700-900

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390 HB68/14 VERNACIO VALMITJANA (SPAIN, 1830-1919) PEASANT GIRL WITH TAMBOURINE bronze, reddish brown patina, the figure leaning on a column with a tambourine in her left hand, signed on the base ‘Valmitjana’ 66cm high

£1,200-1,800

391 HA720/26 FRENCH GILT BRASS REPEATER CARRIAGE CLOCK 19TH CENTURY the four glass case with a white enamel dial and Roman numerals, the movement striking on a gong 18cm high (including handle)

£300-500

174

392 HA819/8 FRENCH GILT BRASS CARRIAGE CLOCK 19TH CENTURY the four glass case with fretwork decoration and reeded columns, enclosing a cream enamelled chapter ring with Arabic numerals, with an inscription to the top surface, contained within a leather travelling case

393 HB354/3 FRENCH TAXIDERMY BIRD MUSICAL AUTOMATON CIRCA 1870 the domed wirework cage enclosing two full mount birds, one which flaps its wings and the other which pecks the ground, with an old paper label to the underside

15cm high (including handle)

38cm high

£200-300

£500-700

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394 HB66/6 FINE AND LARGE FRENCH WHITE MARBLE AND FOUR GLASS CALENDAR MANTEL CLOCK WITH BAROMETER AND THERMOMETER 19TH CENTURY retailed by LISTER & SONS, NEWCASTLE, the works stamped ‘J.D.B.’ and No. 25797-24-8, the white enamel dial with black Roman numerals flanked by two temperature gauges in Fahrenheit and Reaumur scales, above a metallic barometer gauge, and a twelve month calendar dial with subsidiary day, date and moon phase dials, all set within an engraved brass mask; the movement striking a bell 33cm wide, 49cm high, 24cm deep

£10,000-15,000

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395 HA665/133 FRENCH GILT BRASS REPEATING CARRIAGE CLOCK 19TH CENTURY the white enamel dial with Roman numerals in an engraved scrolling foliate mask and gorge case, the eight day movement striking on a gong, no. 14331 9.5cm wide, 18cm high (handle up), 8.5cm deep

£600-800

396 HB66/2 FRENCH LARGE FOUR GLASS, BRASS AND MARBLE MANTEL CLOCK LATE 19TH CENTURY the white enamel dial with Roman numbers in a brass and four glass case with a veined marble top and base; the eight day movement striking on a gong 31cm wide, 53cm high, 20cm deep

£1,200-1,800

397 HB147/1 LARGE SITZENDORF PORCELAIN FIGURE GROUP 20TH CENTURY modelled as three ladies and two gentlemen toasting one another around a table, on a rococo style base, with underglaze blue mark 51cm wide

£400-600

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398Y HB76/11 FRENCH SILVER FITTED GREEN LEATHER VALISE BY KIRBY, BEAR & CO., PARIS 20TH CENTURY the rectangular case covered in dark green leather, the interior with a smaller removable green leather toiletry case fitted with an accoutrement of silver gilt bottles, brushes and ivory manicure accessories, French marks 49cm wide, 14.5cm high, 32cm deep

£1,000-1,500

399 HB76/8 FRENCH GILT AND PATINATED BRONZE MARBLE MOUNTED MANTEL CLOCK, OF EQUESTRIAN INTEREST 19TH CENTURY the rider and horse finial above the silvered and gilt dial, with acanthus leaf mounts and feet, the movement striking on a bell and stamped GUYERDET AINE, PARIS 45.5cm high, 31cm wide

£600-800

400 HB76/7 FRENCH SILVERED METAL NOVELTY MANTEL CLOCK, OF EQUESTRIAN INTEREST LATE 19TH CENTURY in the form of a horseshoe and bit, engraved presentation inscription ‘1898 / Prix des BOSQUETS / 2 me’ 19cm wide, 26cm high

£500-700

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401 HA330/9 TWO VIENNESE ENAMEL BOXES 19TH CENTURY decorated with reserves depicting Venus and Cupid accompanied by maidens within painted borders, with gilt metal mounts; one oval, the other circular (2) circular 10.5cm diameter; oval 11cm wide

£300-500

402 HA143/13 PAIR OF AUSTRIAN PAINTED AND GILT GLASS COVERED JARS LATE 19TH CENTURY / EARLY 20TH CENTURY the domed covers and finials above a lobed quadriform bodies decorated with flower-filled cartouches and gilt foliate scrolls, on a circular foot (2) 25.5cm high

£200-300 403 HB238/1 HEREND ‘ROTHSCHILD BIRD’ PATTERN PART COFFEE SERVICE 20TH CENTURY comprising a small coffeepot, small cream jug, leaf form dish, six demi-tasse cups and saucers, and a shaped oval tray; together with a small HEREND QUEEN VICTORIA PATTERN CREAM JUG, 7cm high (17) Coffeepot 15cm high; cup 6.8cm diameter; saucer 11.5cm diameter; tray 40cm long

£200-300

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404 HB76/23 AUSTRIAN COLD PAINTED BRONZE BULLDOG LATE 19TH/ EARLY 20TH CENTURY realistically cast, with white painted decoration and dark brown patina 14.5cm long

£500-600

405 HB76/22 AUSTRAIN COLD PAINTED BRONZE DOG LATE 19TH/ EARLY 20TH CENTURY realistically modelled as a recumbent collie dog next to a large bag, opening to reveal a void interior 11cm long

£350-450

406 SV408/69 AUSTRIAN COLD PAINTED BRONZE FIGURE OF A CAT LATE 19TH/ EARLY 20TH CENTURY cast carrying a shoulder yoke with two removable buckets 8.5cm high

£100-200

407 HB76/24 FRANZ XAVER BERGMAN (AUSTRIAN, 1861-1936) FEMALE BLACKBIRD, LATE 19TH/ EARLY 20TH CENTURY bronze, with dark patina, with maker’s/foundry marks 17cm long

£400-600

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408 HB3/19 RUSSIAN GILT BRONZE AND MALACHITE TAZZA 19TH CENTURY the malachite veneered dish top on a urn shaped column with winged male masks flanked by two writhing female figures, on a shaped circular base cast with further masks and female busts, signed 24cm diameter, 32cm high

£800-1,200

409 HA391/1 CONTINENTAL MAJOLICA COVERED COMPORT 19TH CENTURY the domed cover with a pinecone finial over a body moulded with grotesque masked and flanked by mermaid handles, on a stem and circular foot moulded with further masks and foliate scrolls, impressed clover leaf mark and mould 110 38cm wide, 41cm high

£800-1,200

410 HA604/43 WÜRTTEMBERGISCHE METALLWARENFABRIK (WMF) PLATED COMPORT LATE 19TH CENTURY the cut glass bowl above the classical maiden holding an engraved presentation plaque, raised on an ornate base with a putto, on four scrolled feet, marked WMF 59.5cm high

£500-800

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411 HA896/17 BIEDERMEIER BIRCH AND EBONISED CHEST OF DRAWERS CIRCA 1830 the rectangular moulded top over three long drawers inlaid with fan motifs and geometric panels, raised on slender splayed feet 108cm wide, 93cm high, 48cm deep

£1,000-1,500

412 HA518/2 EGYPTIAN REVIVAL BRONZE AND IRON FIRE GRATE EARLY 20TH CENTURY the squared fire basket flanked by obelisks 91cm wide, 56cm high, 37cm deep

£400-600

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413 HB76/31 BLACK FOREST CARVED MANTEL CLOCK EARLY 20TH CENTURY carved with a cockerel, hen and chick on the roof of a shed with a fox below, the dial with blue enamel Roman numerals, the eight day movement striking a bell; signed and dated 1918 to the door interior 35cm wide, 41cm high, 15cm deep

£800-1,200

414 HB76/28 BLACK FOREST CARVED ‘BEAR’ CIGAR BOX LATE 19TH CENTURY carved as a seated bear clutching bound sticks in one hand for the purpose of matches, and a further stick in the other hand 35cm high

£500-700

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415Y HA397/2 SOUTHEAST ASIA CARVED IVORY HAND MIRROR FRAME, POSSIBLY BURMESE 19TH CENTURY the oval back and handle finely carved in relief with elephants amongst trees 21cm long

£150-250

416Y FH443/1 CHINESE EXPORT CARVED AND STAINED IVORY CHESS SET AND BOARD 19TH CENTURY the red set carved as Chinese figures, the white set as Europeans, contained in an associated mahogany box; the chess board with ivory and ebony squares (qty) king 11cm high; pawn, 5cm high; board 49cm x 49cm Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer’s sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

£400-600

417Y HA397/3 GROUP OF CHINESE CARVED IVORY AND BONE PIECES 19TH CENTURY comprising: a cylindrical ivory counter box, 11cm high; a small ivory double gourd bottle, with a carved ivory ball to the interior, 5.5cm high; an oval shaped ivory pendant, 6.5cm long; a pierced ivory page turner, 24.5cm long; and a small bone fan, 19cm long (5) £200-300

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418Y SV347/9 CHINESE CANTON IVORY FAN 19TH CENTURY with twenty-nine pierced sticks depicting a central oval reserve and scrolling leaves and foliage 27cm long

£200-300

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419Y HA397/1 CHINESE CARVED IVORY CARD CASE 19TH CENTURY of rectangular form, carved with shaped lozenge reserves depicting figures, temples and trees within a carved foliate border 11cm high

£250-350

420 HB58/1 CHINESE CANTON FAMILLE ROSE PUNCH BOWL 19TH CENTURY of typical form, decorated to the interior and exterior with figural and foliate reserves with birds and butterflies 37cm diameter

£250-350

421 SV254/20 TWO CHINESE BLANC DE CHINE FIGURES OF GUANYIN QING DYNASTY, 19TH CENTURY the standing robed figures wearing a crown and head covering, the hair painted black, on a domed cloud base (2) 39.5cm high Provenance: Property of Lady Lanesborough.

£500-700

422Y HD506/9 CHINESE EXPORT CARVED AND STAINED IVORY CHESS SET AND DOME LATE 19TH CENTURY the red pieces carved as Chinese figures, the white pieces carved as Europeans, displayed in a three tier plush lined stand with glass dome (32) White king 11cm high; pawn 5.5cm high

£400-600

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423 HA800/148 PAIR OF LARGE CHINESE BLUE AND WHITE JARDINIERES ON STAND 20TH CENTURY decorated with coiling five clawed dragons chasing flaming pearls above waves, on stained hardwood scrolling openwork stands (2) 49cm diameter, 45cm high, with stand 67cm high Provenance: Selected contents from Denston Hall, Suffolk

£400-600

424 HB134/1 CHINESE BLUE AND WHITE GINGER JAR KANGXI MARKS, BUT LATER of typical ovoid form, decorated with a figure upon a mythical beast and attendants, with blue double ring marks, but later, with an associated hardwood cover 22cm high

£200-300

425Y HA659/23 CHINESE EXPORT LACQUERED WORKBOX 19TH CENTURY of canted rectangular form, decorated with gilt figures within foliate borders, the hinged lid opening to reveal a fitted lift-out tray above a single drawer, with ivory pieces, raised on four paw feet 35.5cm wide Provenance: Lord and Lady Rochdale

£300-500

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426 HA800/35 PAIR OF CHINESE FAMILLE ROSE JARDINIERES MODERN decorated with peacocks and chrysanthemums between ruyi border, with hardwood stands (2) 31cm diameter, 31cm high Provenance: Selected contents from Denston Hall, Suffolk

£250-350

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427 HA220/2 CHINESE RED LACQUER, CARVED AND GILT SEVEN PANEL FLOOR SCREEN LATE 19TH CENTURY each fold with carved and painted panels depicting bats, figures, shou symbols and exotic flowers 196cm long, 142cm high

£300-500

428 HA597/5 CHINESE FOUR PANEL LACQUER SCREEN 19TH CENTURY each fold with a silk panel above a carved and polychrome lacquer base depicting figures and dragons in a frame with lotus blossoms 199cm high, 244cm long

£400-600

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429 HB102/3 CHINESE BRASS, ABALONE AND MOTHER OF PEARL INLAID HARDWOOD BOX 19TH CENTURY of circular form, the cover inlaid with scenes of fishermen and rice farmers within a key border, opening to a compartmented tray above a void interior 9cm high, 22cm diameter

£300-500

430 HB68/17 CHINESE BLACK LACQUER AND GILT DOME TOP CHEST LATE 18TH / EARLY 19TH CENTURY decorated allover with landscape views with pavilions, temples and mountains, with engraved brass handles and lock plate, void interior 119cm long, 65cm high, 52cm deep

£1,500-2,000

431 HA862/10 PAIR OF COPPER AND MIXED METAL TIBETAN HORNS 19TH CENTURY of curved tapering form mounted with embossed silvered metal dragon masks (2) 44cm long

432 HB138/1 PAIR OF JAPANESE PATINATED BRONZE CENSERS each with a domed cover surmounted by a bird final, above an ovoid reservoir raised on a knopped column and circular foot, decorated with figural and landscape scenes (one A/F) (2)

433 SV152/13 JAPANESE KUTANI VASE LATE 19TH / EARLY 20TH CENTURY of tapered ovoid form decorated in the typical palette depicting samurai warriors between decorative borders, highlighted with gilt, twelve character mark

£200-300

55cm high

36.5cm high

£250-350

£200-300

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434 HB75/2 JAPANESE HARDWOOD DISPLAY CABINET EARLY 20TH CENTURY with an arrangement of cupboard doors, sliding compartments, drawers and galleried shelves, carved allover with eagles, geese, songbirds, chrysanthemums, and ho-ho birds, on a moulded base with scroll feet; the doors mounted with mixed metal handles 129cm wide, 169.5cm high, 42cm deep

£400-600

435 HA800/78 LARGE PAIR OF JAPANESE KUTANI VASES MEIJI PERIOD the flared necks and baluster sides decorated in low relief with panels depicting exotic birds amongst foliage, reserved against a black gilt enriched geometric ground, with later wooden stands (2) 94cm high (excluding stands) Provenance: Selected contents from Denston Hall, Suffolk

£1,000-2,000

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436Y HB354/6 INDIAN SANDALWOOD AND IVORY WORKBOX 19TH CENTURY of sarcophagus form, carved with exotic birds, animals and flowers with ivory banding, the interior with an arrangement of covered compartments and ivory fittings above a secret drawer 43cm wide

£300-500

437 HA598/2 LARGE ANGLO-INDIAN PADOUK, INLAY AND BRASS BOUND WORK BOX 19TH CENTURY the brass banded hinged lid centred by a mother-ofpearl star motif, opening to a compartmented interior fitted with a recessed well and secret compartments, with two external drawers and metal handles 56cm wide, 24cm high, 26cm deep

£300-500

438 HA949/1 BURMESE BRONZE FIGURE OF VISHNU cast with four arms, holding a chakra, a conch and playing the flute, raised on a square base 32.5cm high

£300-500

190

439Y HB381/1 IMPRESSIVE PAIR OF INDIAN IVORY VENEERED BOTTLE VASES PROBABLY MURSHIDABAD, EARLY 19TH CENTURY each with a slender neck with a stiff leaf carved and flared mouth and collar, above a spiral carved globular body of ivory panels, raised on a leaf carved socle foot, (2) 39cm high

Note: Murshidabad, the nawabi capital of Bengal, is a well known area for works made from ivory. Western influences were often incorporated into traditional Indian design and reflect the cultural synthesis that was popular amongst the British and Indian elite at that time.

Traditionally, vases of this shape would have been used as scented water sprinklers and could have been made of metal, glass, or pottery. This sumptuous pair, most likely were made as a display of wealth rather than any practical use.

£10,000-15,000 See illustration opposite

£10,000-15,000 See illustration opposite

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Fine Furniture & Works of Art

440 HA351/10 TWO IZNIK TILES 19TH CENTURY both decorated in blue and green glazes depicting foliate motifs (2) 20.5cm x 20.5cm

£400-600

441 LT2014/38 QAJAR LACQUERED PAPIER MACHE MIRROR CASE 18TH CENTURY the front and back panels decorated with Christian scenes of the Holy Family 16cm wide, 23cm high

£500-700

442 HA730/15 TWO SILVER MOUNTED KHATAM BOXES IRAN, 19TH CENTURY the rectangular boxes profusely inlaid with bands of star-shaped designs surrounding a central silver panel on the top decorated in relief with figures in various activities, with further silver panels on each side decorated with figures, animals and flowers, one box with Arabic inscription to the front within a silver panel (2) 21cm wide, 7.5cm high, 12cm deep

£600-800

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Rugs & Carpets

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Fine Furniture & Works of Art

443 HB135/1 TURKOMAN CARPET TURKMENISTAN, 20TH CENTURY the dark red field with three columns of eight Ersari style guls, within triple brown geometric borders between bands 398cm x 341cm

£400-600

445 HA995/1 CENTRAL PERSIAN CARPET POSSIBLY KIRMAN, LATE 20TH CENTURY the field with allover polychrome dense foliate lattice pattern, within rust rectangular cartouche border between camel bands 313cm x 211cm

£300-500

194

444 HB135/2 TURKOMAN CARPET TURKMENISTAN, 20TH CENTURY the dark red field with three columns of eight Ersari style guls, within reddish brown geometric border between ivory bands 364cm x 285cm

£400-600

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446 HA979/1 SHIRVAN RUG EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the ivory field with allover polychrome geometric foliate pattern, within multiple narrow borders 222cm x 132cm

£800-1,200

447 HA979/2 USHAK CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the plain red field with green star medallion, orange and pink spandrels, within green palmette and vine border with outer red band 366cm x 277cm

£1,000-1,500

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448 SV93A/60 LARGE USHAK CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover stylised vine and cypress tree pattern, cream spandrels, within purpleblue palmette and vine border between bands 710cm x 467cm Provenance: Mullanhead House, Balfron.

Previously Parkhall House, Balfron.

ÂŁ3,000-5,000

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449 HA981/1 USHAK CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with camel hexagonal medallion, cream and blue spandrels, within camel rosette and foliate border between blue and grey bands 338cm x 278cm

£300-500

450 HA896/21 SERABEND CARPET WEST PERSIA, LATE 20TH CENTURY the indigo field with allover small boteh pattern, within multiple narrow borders 495cm x 320cm

£300-500

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451 HA979/3 KAZAK RUG SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the field with four polychrome stepped hooked medallions on similar ground, within ivory wine glass and serrated leaf border with blue outer band 250cm x 124cm

£300-500

452 HA659/30 THREE TEKKE RUGS AND A BAGFACE TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY each with rust field with columns of guls, geometric borders and elem panels (4) 130cm x 115cm; 120cm x 106cm; 115cm x 73cm; 103cm x 100cm

453 HA975/2 KASHAN RUG CENTRAL PERSIA, 20TH CENTURY the cream field with faded rust medallion, flanked by birds in trees, blue spandrels, within faded rust foliate border between bands 217cm x 142cm

£300-500

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Provenance: Lord and Lady Rochdale

£300-500

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Fine Furniture & Works of Art

454 HB63/1 SILK KASHAN PRAYER RUG POSSIBLY ‘MOHTASHAM’, LATE 19TH/EARLY 20TH CENTURY the ivory field with dense foliate tree pattern, within brick red palmette, rosette and arabesque vine border between bands 202cm x 128cm

£1,500-2,500

455 HA981/2 ANATOLIAN KELLEH POSSIBLY SIVAS OR SPARTA, LATE 19TH/EARLY 20TH CENTURY of Kuba design, the indigo field with arrowhead palmette and foliate pattern, within camel geometric border between red and blue bands 372cm x 167cm

£300-500

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200

456 HA146/27 KURDISH RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with allover foliate boteh pattern, within cream serrated vine border between red bands

457 HA146/9 KUBA RUNNER EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the abrash indigo field with allover palmette and foliate pattern, within ivory foliate vine border between red bands

458 HA146/53 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the abrash indigo field with allover herati pattern, within red stylised vine border between blue bands

360cm x 96cm

815cm x 111cm

£200-300

£300-500

£600-900

570cm x 90cm

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459 HA800/127 LARGE MAHAL CARPET WEST PERSIA, EARLY 20TH CENTURY the red field with allover palmette and foliate vine pattern, within indigo palmette and foliate vine border between cream and red bands 632cm x 398cm Provenance: Selected contents from Denston Hall, Suffolk

ÂŁ1,500-2,500

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Fine Furniture & Works of Art

460 HA847/9 DONEGAL CARPET NORTHWEST IRELAND, LATE 19TH/EARLY 20TH CENTURY of Ushak design, the camel field with rosette, palmette and foliate pattern, within blue palmette, serrated leaf and vine border between red bands 505cm x 326cm

£700-1,000

461 HA146/78 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red medallion, light blue and red spandrels, within red palmette border between light blue bands 400cm x 274cm

£400-600

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462 HA146/69 KASHAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the ivory field with allover foliate tree pattern, interspersed with birds, animals and buildings, floral vase to base, within red animal and building cartouche border between blue and other bands 420cm x 272cm

ÂŁ1,200-1,800

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463 HA146/38 TABRIZ ‘HUNTING’ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brick red field with small blue medallion and allover pattern of animals amidst palmettes and scrolling foliate vine, within indigo palmette and vine border between cream and red bands 579cm x 403cm

£4,000-6,000

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Natural History

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Fine Furniture & Works of Art

464 HB354/5 RUBY IN ZOISITE LONGIDO, TANZANIA of natural form, raised on a black painted stand 10.5cm long Note: This lot comes with a note from Brian Jackson, the Principal Curator of Mineralogy at the National Museums of Scotland, detailing the origins and specifics of the ruby.

£250-350

465 HB354/2 CARVED NATURAL RUBY POSSIBLY FROM LONGIDO, TANZANIA of oval faceted form, carved to the crown with two leaves, raised on a black wooden stand 4cm long Note: This lot comes with a note from Brian Jackson, the Principal Curator of Mineralogy at the National Museums of Scotland, detailing the description, possible origins and general condition of the piece.

£250-350

466 HA851/3 LARGE POLISHED AMMONITE FOSSIL DEVONIAN, 350 MILLION YEARS OLD Goniatites species, from the Atlas Mountains, Morocco, contained within its own rock matrix 25cm wide, 21.5cm high

£150-250

467 HA851/1 LARGE AMMONITE FOSSIL MESOZOIC ERA, 112-125 MILLION YEARS OLD Middle Cretaceous Period, Aptian Stage, Genus Procheloniceras species, from Agadir, Morocco 27cm across

£150-250

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Fine Furniture & Works of Art

468 HB354/4 FOSSILISED MAMMOTH MOLAR AND PARTIAL JAW BONE 34cm long

£600-800

469 HA851/2 MOSASAUR PARTIAL JAW BONE FOSSIL UPPER CRETACEOUS, 80 MILLION YEARS OLD APPROX. from Oued Zem, Morocco, with five teeth 20cm across Note: The Mosasaur lived on almost every continent 75 - 85 million years ago during the Cretaceous period of the Mesozoic Era. Mosasaurs were the largest lizards ever to evolve with a length of almost 60 feet, with a long snake-like tail and flippered feet.

£200-300

470Y HB354/1 SOUTH PACIFIC CARVED SPERM WHALE UPPER SKULL carved with native hunters with spears, palm trees, a crocodile and other animals in low relief, mounted on a modern black stand 125cm high; 184cm high (including stand)

£1,500-2,500

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Fine Furniture & Works of Art

471 HB354/7 BLONDE COCO DE MER (LODOICEA MALDIVICA) of typical form, with a polished patina 30cm long

£300-500

472Y HA800/162 FEMALE WALRUS SKULL EARLY 20TH CENTURY 40cm long approx.

Provenance: Selected contents from Denston Hall, Suffolk

£150-250

473 HB354/8 AMERICAN WALRUS SKIN SUITCASE EARLY 20TH CENTURY with gilt brass mounts inscribed PRESENTED TO HUGH HOWAT BY THE EMPLOYEES/ HOLYOKE MACHINE COMPANY 1910, with a fitted silk lined interior 61cm wide

£200-300

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Walking Sticks & Canes

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Fine Furniture & Works of Art

477Y HB76/37 TWO NOVELTY CARVED DOG’S HEAD WALKING STICKS 19TH CENTURY the first with glass eyes and an ivory collar above an ash shaft, 97cm long; the second with his head tilted to the right and with glass eyes, 94cm long (2)

474 HA604/47 PORCELAIN AND GILT METAL MOUNTED WALKING STICK 19TH CENTURY the Malacca shaft surmounted with a porcelain neck decorated with an oval portrait reserve of an 18th century woman, the T-shaped and embossed metal handle indistinctly marked and bearing monogram ‘GMB’, 83cm long; together with a FRENCH ENAMEL ETUI CASE, late 18th century, with floral reserves against a pale blue ground, 9.5cm long (2)

£350-450

£300-500 475 HB76/44 NOVELTY CARVED CAT AUTOMATON HANDLE AND GOLD MOUNTED PARASOL LATE 19TH CENTURY the handle carved as a seated cat with moving head and tail when a button is pushed, above a gold collar and bamboo shaft with a taupe silk parasol

478 HB76/39 BAMBOO ‘HORSE MEASURE’ WALKING STICK 19TH CENTURY the burr wood knopped end sliding out to reveal a measure marked in meters and hands, in a bamboo shaft with silver metal ferrule

90cm long

£300-500

92cm long

£300-500

476 HB76/34 TWO NOVELTY CARVED WOOD WALKING STICKS AND A PARASOL 19TH CENTURY the first a folk art carved with a young woman’s head with flowers in her hair, 91cm long; the second carved with an eagle’s head handle, 94cm long; and the last a black silk parasol with a bamboo shaft and handle carved as a Chinese man holding a fan, 91cm long (3) 91cm long

£500-700 210

479 HB76/40 VICTORIAN SILVER MOUNTED HORN SWORDSTICK 19TH CENTURY the embossed silver pommel engraved with an armorial and the ‘Capt. Butler / Bletchingley / Surrey’ withdrawing a steel blade, in a Malacca shaft with silver gilt collar and ferrule 91cm long

£500-700

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Fine Furniture & Works of Art

480

481

482

484 FG586/56 GROUP OF THREE NOVELTY WALKING STICKS LATE 19TH / EARLY 20TH CENTURY comprising a stick in the form of a Sunday club, stamped ‘C. Anderson & Sons, St Andrews Scotland’, 87cm long; an antler and silver mounted stick with a bamboo shaft, 90cm long; and a folk art stick, the knopped end carved as an African man’s head, 97cm long (3) 480Y HB76/41 WHALEBONE WALKING STICK 19TH CENTURY the knopped pommel over a ring and spiral carved tapering shaft 91cm long

£1,000-1,500 481 HB76/42 UNUSUAL PIQUE AND HARDWOOD WALKING STICK OF CRIMEAN WAR INTEREST MID 19TH CENTURY the pommel and shaft inlaid with crowns, flower pots, stars, flowerheads and geometric motifs and the inscription ‘USE ME WHEN WANTED / HONOUR THE QUEEN / FEAR GOD / SEBASTOPOL SEPT 8TH 1855’

482Y HB76/43 RARE JADE MOUNTED CARVED WHALEBONE WALKING STICK 19TH CENTURY the flattened green jade pommel centred by a gilt metal rampant lion medallion, above a foliate and spiral carved shaft divided by pair of carved clasped hands, the end unscrewing to reveal a compass

£250-350

95cm long

£2,000-3,000 483 FE458/14 LARGE GROUP OF WALKING STICKS AND CANES various sizes, with taxidermy, horn and natural handles in a variety of woods (qty) £300-500

93cm long

£700-900

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Fine Furniture & Works of Art

485 FE458/13 GROUP OF EIGHT WALKING STICKS AND CANES LATE 19TH / EARLY 20TH CENTURY comprising an antler handle cane caved with a squirrel, with a gilt metal collar, 113cm long, a Chinese silver handle cane with a bamboo shaft, 82cm long; a silver handled cane with an ebonised shaft, 90cm long; an ebony cane with a white metal tip and collar, 90cm long; a horn handle cane carved with a thistle; a stick with a repoussé silver plated pommel depicting trout, 89cm long; a brass handled cane, 89cm long; and a stick with a resin pommel in the form of a grouse, 90cm long (8) £300-500

486 HB75/7 LARGE VICTORIAN OAK AND BRASS STICK STAND 19TH CENTURY comprised of three sections with brass dividers and metal drip trays, bearing ivorine trade label ‘W.S.Brown & Sons, 65 George St., Edinburgh’ 248cm long, 78cm high

£800-1,200

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Arms & Militaria and Sporting Guns

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Fine Furniture & Works of Art

487 HA998/6 ROYAL COMPANY OF ARCHER’S UNIFORM (QUEEN’S BODYGUARD FOR SCOTLAND) comprising of: a tunic with major’s badge of rank, a pair of trousers, with a sash, a Roman sword, and sword belt, cape and a leather cape sling, two bonnets, a pair of boots (size 6), and an evening tail coat with a velvet collar, with two eagle feathers, two arrows, contained in a military tin trunk with brass plaque engraved MAJOR F. J. CARRUTHERS OF DORMONT (qty) Note: This uniform belonged to Francis John Carruthers, J.P. (1868-1945), a man whose military career spanned his lifetime. He was Lieutenant-Colonel to the late Kings Own Scottish Borderers, which involved campaigns in Egypt in 1888 and in South Africa during 1900-02. He was also a Brigadier for the Royal Company of Archers, Queen’s Bodyguard for Scotland in 1900 and Deputy Assistant Director at the War Office, 1915-19. He then went on to become Brevet Lieutenant-Colonel in 1917 as well as Honorary Colonel 1931-1936, 5th Battalion before his appointment as H.M. Lieutenant in 1935 and C.B. in 1943.

£600-800

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Fine Furniture & Works of Art

488 HA859/1 GERMAN BEARING SWORD EARLY 17TH CENTURY with scroll crossguard, long wavy blade, with two projecting lugs, ball pommel, missing grip and leather binding forward of the crossbar overall 181cm long

£3,000-5,000

489 HA666/9 HIGHLAND REGIMENTAL OFFICER’S BROAD SWORD, FOR THE GORDON HIGHLANDERS CIRCA 1930 with a plated basket hilt, wooden grip covered in fish skin and bound with a double twist of silver wire, pasteboard liner covered with red velvet and with a maroon fringe, the etched blade with cipher for King George V and the regimental badge of the Gordon Highlanders, in a plated scabbard, with leather field service scabbard and outer travelling case length of blade 82cm

£500-600

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Fine Furniture & Works of Art

490 HA859/7 FLINTLOCK FOWLING PIECE CIRCA 1770 the rounded lock plate signed HUDSON, iron mounts, long two-stage barrel, full walnut stock (split and repaired at the hand), replacement ramrod barrel length 160cm

£400-600

491 HA859/4 PERCUSSION DOUBLE BARREL OFFICER’S PISTOL 19TH CENTURY with captive swivel ramrod, engraved iron furniture, engraved back action, locks, with a full walnut stock and chequered butt, with a plain silver escutcheon, in an oak fitted case, with accompanying accessories barrel length 25cm

£500-800

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The Alan Brown Collection of Sporting Guns Alan Brown was a family man, business owner and dog lover. His many interests included the study of ballistics and the use of rifles in target and game shooting.

It was Alan's wish that his firearms should be sold to allow others to continue his interests.

Please note that lots 492-499 and 501 requires the purchaser to have a valid firearm certificate or RFD, and/or a shotgun certificate.

492 FE458/2 .243 SAKO BOLT ACTION TARGET RIFLE serial number H0 4855, barrel of brushed alloy, stock of hardened rubber, with 8x46 SCHMIT & BENDER scope barrel length 68.5cm

£1,000-1,500

493 FE458/3 .22-250 HOWA BOLT ACTION, MODEL 1500 serial number B 161219, in brushed alloy, with rubberised stock, and with 8x56 KLASSIK telescopic sight, bi pod, with sound moderator barrel length 78cm (including sound moderator)

£400-600

494 FE458/1 .22/.410 STEPHENS COMBINATION RIFLE & SHOTGUN over and under serial number 2259397, with a moulded figured glass fibre stock, single trigger hammer action with selector, with LEUPOLD telescopic sight barrel length 61cm

£200-300

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Fine Furniture & Works of Art

495 FE458/4 .22 RUGAR MAGAZINE RIFLE serial number 23912342, with a short barrel carbine with a coated spiral barrel, brushed alloy action, curved clear plastic magazine, telescopic sight, bipod and leather rifle sling barrel length 50cm

£200-300

496 FE458/5 .22 ANSCHUTZ BOLT ACTION RIFLE serial number 3104204, with a wooden full stock with thumb hole grip, Legend Scope sound moderator and leather sling barrel length 62cm

£200-300

497 FE458/6 .12 BORE MOSSBERG PUMP-ACTION SHOTGUN serial number R 729719, with full camouflage stock action and fore end, with a sling barrel length 63.5cm

£100-200

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Fine Furniture & Works of Art

498 FE458/7 .12 BORE WINCHESTER OVER UNDER SHOTGUN chambered for 3 inch cartridges, serial number K456625, model 101 XTR, with pistol grip stock and raised ventilated rib, detachable chokes barrel length 68.5cm

£200-300

499 FE458/8 .12 BORE WINCHESTER PIGEON GRADE SIDE-BY-SIDE SINGLE TRIGGER BOX LOCK EJECTOR SHOTGUN chambered for 3 inch cartridges, serial number PWK001504, with pistol grip stock with plated action, barrel length 71cm; together with a MIDLAND GUN COMPANY 12 BORE BOX LOCK EJECTOR SHOT GUN, serial number 5204, chambered for 2 3/4 cartridges pistol grip stock, barrel length 76cm (2) £200-300

500 FE458/9 COLLECTION OF SHOOTING PARAPHERNALIA including: a leather cartridge bag, various gun slips, two rifle bipods, a telescopic sight, a Bushnell range finder, a pair of field glasses, and a variety of shooting related objects (qty) £100-200

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501 HA656/3 .12 BORE BOXLOCK EJECTOR SIDE BY SIDE SHOTGUN,

BY WHEATER, HULL, ENGLAND the walnut stock chequered at the hand, fore-end and butt, signed on the top rib, nitro proof, chambered for 3 ¼ inches, serial number 134204, barrel 71cm long; together with a 12 BORE BOXLOCK EJECTOR SIDE BY SIDE SPORTING SHOTGUN, BY WEBLEY AND SCOTT, serial number 127474, barrel 76cm long; a .22 BOLT ACTION SINGLE BARREL RIFLE, BY REMINGTON; and a 12 BORE SINGLE BARREL HAMMER GUN, BY MIDLAND GUN CO. (4) Provenance: The late Bill Hepworth collection of taxidermy Note: This lot requires the purchaser to have a valid UK firearm certificate or RFD and shotgun certificate.

£600-800

502 HB160/1 PRESENTATION FOUR PIECE GREENHEART SALMON FLY ROD MID 19TH CENTURY the butt cap engraved CHEVALIER/ BOWNESS & SON/ 12 & 14 BELL YARD/ TEMPLE BAR and with an engraved depiction of a salmon, the applied silver plaque engraved STIRLING FISHING CLUB PRIZE ROD/ FOR BEST FLY FISHING IN LOCHS/ WON ON LOCHARD 22ND MAY 1849/ BY WILLIAM FINLAY ESQR.; together with a GREENHEART ROD; and a SPLIT CANE ROD (3) £100-150 END OF SALE

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CONDITIONS OF SALE SELLERS 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale

by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on “Purchase Price” is the Hammer Price and applicable Buyer‘s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing

with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

3. PREPARATION FOR SALE (a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised from time to time.

(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale;

(d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing

(ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or

4. TERMS OF SALE

(c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30.

Online Listing: £10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense.

We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement.

(iii) 6 months from the date of delivery to Lyon & Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT.

8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be re-offered at a future sale.

Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate; or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear

any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred.

(2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller.

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Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer.

these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds.

Payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

have been received by the addressee 48 hours after posting.

only and disclaims any responsibility for default by Sellers or Buyers.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

17. DATA PROTECTION

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

15. GENERAL

16. AGENCY

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

Lyon & Turnbull acts as agent solely for and in the interests of the Seller.

We do not act for Buyers in this role and does not give advice to Buyers.

When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to

The Auctioneer normally acts as agent

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.

18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

behalf of the Seller of the lot.

1. DEFINITIONS

(a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid;

In these Conditions of Sale (Buyers): “Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “Lot” means each Item offered for sale

by Lyon & Turnbull; “Purchase Price” is theh ammer Price and applicable Buyer‘s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller.

We do not act for Buyers in this role and does not give advice to Buyers.

When Lyon & Turnbull make a statement about a lot it is doing so on

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The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THE BUYER

we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

(b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion.

4. INCREMENTS

(c) Once made, no bid may be withdrawn.

For each lot purchased a Buyer‘s Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer‘s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

(d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale

Bidding increments shall be at the Auctioneer’s sole discretion.

5. THE PURCHASE PRICE

Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above.

6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not

operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above.

7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above ¤1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

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More information on Droit de Suite is available at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over ¤15,000 (euros).

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.

9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

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(d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.

11. DESCRIPTIONS AND CONDITION (1) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale.

(5) Electrical Goods: are sold as

“works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

These notices and terms will also form part of our terms and conditions of sales.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply that the lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Bidders should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted.

These watches may not be shipped to the USA and can only be imported personally.

13. CITES

agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, or at, a sale.

16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.

Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvlaen/imports-exports/cites/

18. LAW AND JURISDICTION

14. SALE BY PRIVATE TREATY

(b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law

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Fine Furniture & Works of Art Wednesday, 22nd April 2015 33 Broughton Place, Edinburgh EH1 3RR

MASSIMILIANO SOLDANI-BENZI (ITALIAN, 1656-1740) GANYMEDE AND THE EAGLE Provenance: From the Collection of Lady Lanesborough.

Formerly at Swithland Hall, Leicestershire.

ÂŁ20,000-30,000)

Enquiries Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com

Theodora Burrell Tel: +44 (0)131 557 8844 theo.burrell@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

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Waverley Station Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

St Andrew Square

T

York Place Tram Station

Lyon & Turnbull saleroom

Local Deliveries A&S Pert Removals.

Tel. +44 (0)7876 343520.

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk New Leaf Removals Tel: +44 (0)7999 926261 Email: info@newleafremovals.co.uk Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Aardvark Art Services Ltd Birks Farm, Ballam Road Lytham, Lancashire FY8 4NL Tel: +44 (0)1253 794673 Fax: +44 (0)1253 730580 Email: info@aardvarkartservices.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

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LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

14TH JANUARY, 2015

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Fine Furniture & Works of Art Wednesday, 14th January, 2015 33 Broughton Place Edinburgh