Contemporary & Post War Art | 18th March 2015

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LYON & TURNBULL AUCTIONEERS EDINBURGH

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

18TH MARCH, 2015

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

CONTEMPORARY & POST-WAR ART

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Contemporary & Post-War Art Wednesday, 18th March, 2015 33 Broughton Place Edinburgh

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Waverley Station Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

St Andrew Square

T

York Place Tram Station

Lyon & Turnbull saleroom

Local Deliveries A&S Pert Removals.

Tel. +44 (0)7876 343520.

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk New Leaf Removals Tel: +44 (0)7999 926261 Email: info@newleafremovals.co.uk Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Aardvark Art Services Ltd Birks Farm, Ballam Road Lytham, Lancashire FY8 4NL Tel: +44 (0)1253 794673 Fax: +44 (0)1253 730580 Email: info@aardvarkartservices.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

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Contemporary & Post-War Art Wednesday, 18th March, 2015 at 11am Sale Number LT431

Viewing Sunday, 15th March 12 noon - 4pm Monday, 16th March 10am - 7pm Tuesday, 17th March 10am - 5pm Morning of sale strictly by appointment only

Specialists Charlotte Riordan charlotte.riordan@lyonandturnbull.com Nick Curnow nick.curnow@lyonandturnbull.com Emily Johnston emily.johnston@lyonandturnbull.com Carly Shearer carly.shearer@lyonandturnbull.com

Catalogue: £10 BUYER’S PREMIUM 25% up to £50,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artist’s resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

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LY O N & T U R N B U L L Important information for buyers

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you.

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon.

25% up to £50,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price.

The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price.

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

All royalty charges are paid to the appropriate collecting organisation and no handling costs or additional fees are retained by the auctioneer.

Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally, when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarize themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country.

It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

CITES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites/ Bidding Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement) You may present these documents in person or, alternatively, fax or email copies to us. We may, at our option, also ask you to provide a bank reference and/ or deposit.

At the Sale Potential buyers must register and collect a bidding number before the sale begins, and show that number if successful in purchasing a lot.

Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately.

If you have not been successful please leave the number at the Registration or Reception desks.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service entirely at the bidder’s risk.

By telephone Bids submitted by telephone must be confirmed in writing.

Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. All bid requests must be received an hour before the sale.

Methods of Payment Goods purchased will not be released until we have received full payment.

Bank Transfer Please find details in any email invoice we issue or upon request from our accounts department.

Cash Cash payments can be made at the accounts desk during or after a sale.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex..

Online Payments We no longer accept card payments by phone, please use our online payment service (powered by Credorax). You will find a link to this service in any email invoice issue or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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LY O N & T U R N B U L L Contemporary & Post-War Art

1§ HA748/4 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) SUNSET AND ISLANDS Watercolour 12cm x 16cm (5in x 6.25in)

£600-800

2§ HB430/6 JAMES HAWKINS (BRITISH b. 1954) CONIVAL AND BEN MOR, ASSYNT 1992, signed, acrylic on paper 28cm x 41cm (11in x 19in)

£400-600

3§ HA710/22 SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) RECLINING NUDE Signed and dated 1986 verso, watercolour 11.5cm x 15.5cm (4.5in x 6in)

£800-1,200

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LY O N & T U R N B U L L Contemporary & Post-War Art

4§ HA748/1 LEON MORROCCO (SCOTTISH b. 1942) THE DIVING BOARD Signed and dated ‘74, pastel on paper 26.5cm x 26.5cm (10.5in x 10.5in)

£600-800

5§ HB196/2 ARCHIE FORREST (SCOTTISH b. 1950) MARIN MARINA, CALIFORNIA Signed, signed and inscribed with title and dated ‘85 verso, oil on canvas 24cm x 29cm (9.5in x 11.5in)

£1,500-2,000

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LY O N & T U R N B U L L Contemporary & Post-War Art

6§ HB328/2 JEANETTE LASSEN (SCOTTISH 20TH CENTURY) STEALING THE LIMELIGHT Signed, signed, titled and dated ‘1998’ verso, oil on canvas in original handpainted artist’s frame 72.5cm x 58.5cm (28.5in x 23in)

£400-600

7§ HB328/1 JEANETTE LASSEN (SCOTTISH 20TH CENTURY) HOLIDAY FOR ONE Signed and titled verso, oil on canvas in original handpainted artist’s frame 90.5cm x 70cm (35.5in x 27.5in)

£500-700

8§ HB328/3 JEANETTE LASSEN (SCOTTISH 20TH CENTURY) FLOWERS IN THE WINDOW Signed, titled and dated ‘2001’ verso, oil on canvas laid on board in original handpainted artist’s frame 65cm x 49cm (25.5in x 19.25in)

£300-500

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LY O N & T U R N B U L L Contemporary & Post-War Art

9§ HA796/1 DAVID MCCLURE R.S.A., R.S.W., R.G.I. (SCOTTISH 1926-1998) FISHING BOATS CARRADALE Signed, signed verso, pen and ink and watercolour 21cm x 37cm (8.5in x 14.5in)

£600-800

10 HB400/2 JON SCHUELER (AMERICAN 1916-1992) ROMASAIG (185) Signed with initials and dated ‘73 in pencil, watercolour 9.5cm x 12cm (3.75in x 4.75in) Exhibited: Ingleby Gallery, Edinburgh Festival 2000

£300-500

11§ HA321/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) TOWARDS THE ISLE OF MAY Signed and dated 1991, watercolour 28.5cm x 41cm (11.25in x 16in)

£500-700

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LY O N & T U R N B U L L Contemporary & Post-War Art

12§ HB441/4 JACK KNOX R.S.A. (SCOTTISH b. 1936) BEACH TENT (NORTH SEA) Signed ‘John Knox’, titled and dated 1977 verso, oil on canvas 59.5cm x 45cm (23.5in x 17.75in)

£600-800

13§ HA795/5 TOM SHANKS R.S.W., R.G.I. (SCOTTISH b. 1921) LOCH NESS Signed and dated ‘77, pen, ink and watercolour 28.5cm x 74cm (11.25in x 29in), unframed

£250-350

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LY O N & T U R N B U L L Contemporary & Post-War Art

14§ HA4/2 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) FISH WIVES Signed, oil on canvas 92cm x 90cm (36in x 35.5in)

£3,000-5,000

15§ HA793/1 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) CHRIST ON THE CROSS Signed, signed verso, painted and glazed ceramic tile 15cm x 15cm (6in x 6in)

£200-300 16§ HA793/2 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) SATYR IN A LANDSCAPE Watercolour glazed ceramic dish 33.5cm x 33.5cm (13in x 13in)

£300-500

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LY O N & T U R N B U L L Contemporary & Post-War Art

GEORGE WYLLIE Wyllie defined his works as “scul?ture,’ as he believed that the question mark was at the centre of everything. This idiosyncratic artist became a much-loved public figure in Glasgow and is remembered for his range of works based in and around the city. Permanent scul?tures Clydebank Clock and Monument to Maternity remain as everyday sights and markers of meaning for Glaswegians, lingering in the cultural heritage. While, two temporary public artworks Straw Locomotive (a full-size steam locomotive, made entirely from straw, suspended from the Finnieston Crane before being ceremonially burned) and Paper Boat (an 80-foot structure which sailed the Clyde, Thames and Hudson rivers as a memorial to the city’s ship-building heritage), captured local hearts and imagination through their striking symbolism of the decline of the city’s industrial heritage.

Born in Shettleston in 1921, Wyllie served in the Royal Navy and worked in the Post Office and as a customs and excise officer, later developing his creativity and learning welding at a college evening course before finally committing to his art full-time in 1979, when he was nearly in his sixties. He quickly gained a place in the Scottish art-world, creating definitive works, befriending cultural figures including Richard Demarco, Liz Lochhead and Joseph Beuys, and serving as president of the Society of Scottish Artists. This popularity was confirmed with his award of an MBE in 2005.

17§ HA795/7 GEORGE WYLLIE M.B.E. (SCOTTISH 1921-2012) SEAGULL Welded metal 33cm x 26cm x 10cm (13in x 10.25in x 4in)

£500-700

18§ HA795/6 GEORGE WYLLIE M.B.E. (SCOTTISH 1921-2012) MATINS AT ST. POP-UP’S Embossed with title, sculptural assemblage 25cm x 29cm x 17cm (9.75in x 11.5in x 6.75in)

£400-600

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19§ HA825/1 DAVID MCLEOD MARTIN R.S.W., R.G.I. (SCOTTISH b. 1922) JUG AND FLOWERS Signed, inscribed with title and dated ‘May 1989’ verso, oil on canvas 58cm x 48cm (23in x 19in)

£1,000-1,500

20§ HA852/1 LEON MORROCCO A.R.S.A. (SCOTTISH b. 1942) FIGURE, FRUIT AND SPANISH RUG Signed, inscribed with title and dated 1981 verso, pastel 150cm x 110cm (59in x 43.5in)

£1,500-2,500

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21ยง HB510/4 PETER MCLAREN (SCOTTISH CONTEMPORARY) THE CYCLIST Signed, oil on canvas 178cm x 196cm (70in x 77in) Provenance: Roy Miles, London, circa 1990.

ยฃ7,000-9,000

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LY O N & T U R N B U L L Contemporary & Post-War Art

EARL HAIG Throughout the course of the artist’s long life – Haig died in 2009 at the grand age of 91 – he quietly produced a body of artwork which is now recognised as a significant contribution to the 20th century Modern landscape tradition. He spent much of his life based at his family’s seat in the Scottish Borders, Bemersyde near Melrose, showing regularly with Edinburgh’s Scottish Gallery from the late 1940s. Painting excursions took him frequently to Venice, Italy and the Dolomites and these

locations feature prominently in his output.

His career as an artist was in many ways hard won. The son of Field Marshal Haig, the commander in chief of the British army during WW1, a somewhat sickly young Haig struggled with the large boots he felt had been left to fill upon his father’s death when he was 10 years old. In addition, his father’s tactics and reputation came under much scrutiny and criticism in the period immediately after the War, which weighed heavily on his son.

He eventually found an individual sense of purpose and identity through art though the revelation of his creative talent came about in a somewhat curious way, during his incarceration as a PoW in Italy and latterly Saxony for three years during WW2. Having begun to sketch and paint while confined, he went on to attend the Camberwell School of Art upon his return to Britain, studying under artists including William Johnstone and Victor Pasmore.

absorbed these surrounding influences, his work has a distinctive vision and subsequently a consistency which is unusual, particularly for an artist whose career spans such a long period.

Haig’s art speaks fluently of his great love for his natural surroundings and his fractured, reductive interpretation of the landscape combines cubist and expressionistic values to highly individual, idiosyncratic effect.

Though it is obvious he avidly

22§ HA946/1 EARL HAIG O.B.E., A.R.S.A. (SCOTTISH 1918-2009) AUTUMN LANDSCAPE Signed, oil on canvas 86.5cm x 112cm (34in x 44in)

£2,000-3,000

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23§ HB441/3 EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) LEADERFOOT Signed, oil on canvas 69cm x 110.5cm (27in x 43.5in)

£1,800-2,000

24§ HA825/2 DAVID MCLEOD MARTIN R.S.W., R.G.I. (SCOTTISH b. 1922) AYRSHIRE LANDSCAPE 1989 Signed and dated 1989, gouache 54cm x 69cm (21.25in x 27.25in)

£400-600

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25§ HB201/1 LILLIAN NEILSON (SCOTTISH 1938-1998) STILL LIFE WITH YELLOW FLOWERS Oil on board 29cm x 30cm (11.5in x 12in)

£1,000-1,500

26§ HB197/1 DONALD MANSON (SCOTTISH b. 1948) MEMORIES OF CHINA Signed, oil on canvas 69cm x 59cm (27in x 23.25in)

£400-600

27§ HB97/2 LILLIAN NEILSON (SCOTTISH 1939-1998) GREEN GARDEN Oil on canvas 66cm x 91cm (26in x 36in)

£800-1,200

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28§ HB325/1 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) SILVER CHALICE Signed, signed, inscribed and dated ‘93 verso, oil and collage on canvas laid on board 76cm x 63.5cm (30in x 25in)

£3,000-5,000

29§ HB48/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) TULIPS AND DAFFODILS Signed, oil on board 29cm x 12cm (11.5in x 4.75in)

£1,000-1,500

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30§ HB343/1 JAMES HOWIE (SCOTTISH 1931-2011) MOODY SKY Signed and dated 25.8.68 verso, oil on canvas 112.5cm x 127cm (44.25in x 50in)

£4,000-6,000

31§ HB341/1 DONALD MORISON BUYERS (SCOTTISH 1930-2003) STORMY SHORE Signed and dated ‘70, oil on board 61cm x 58cm (24in x 22.75in)

£500-700

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32§ HB430/4 JAMES HAWKINS (BRITISH b. 1954) LOCHAN BELOW BEINN DEARG MHOR 1994, acrylic on paper 41cm x 59cm (16in x 23.25in)

£600-800

33§ HB341/2 DONALD MORISON BUYERS (SCOTTISH 1930-2003) DUNES AND YELLOW SKY Inscribed with title verso, oil on board 44cm x 90cm (17.25in x 35.5in)

£500-700

34§ HB430/3 JAMES HAWKINS (BRITISH b. 1954) WINTER RIVERSIDE 1991, signed, acrylic on paper 41cm x 59cm (16in x 23.25in)

£600-800

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35§ FH287/4 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) EDINBURGH Signed, oil on canvas 100cm x 120cm (39.5in x 47.25in)

£2,000-3,000

36§ FH287/3 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) THE “CHRISTINA” AND “AVAIL” Signed, oil on canvas 122cm x 122cm (48in x 48in)

£3,000-5,000

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37§ HB503/1 ALEXANDER MOFFAT O.B.E., R.S.A. (BRITISH b. 1943) THE CONSTRUCTORS: FORTH ROAD BRIDGE (HOMAGE TO LEGER) Dated 1964 verso, oil on two connected boards 183cm x 183cm (72in x 72in) Note: This work was executed in 1964 whilst Moffat was still at Edinburgh College of Art. He and his good friend, artist John Bellany, both submitted a large scale artwork to a local competition and this piece was Moffat’s entry, though he cannot now recall who won! The work was directly inspired by French artist Fernand Leger’s ‘heroic’ paintings of workers. To young artists like Moffat, the new bridge was an iconic symbol of Modernity in Scotland.

The optimism reflected in paintings like this was to be short lived, however, as more austere times approached in the 1970s.

£5,000-7,000

Photograph of John Bellany and Peter Robson with Sandy Moffat’s painting The Constructors, February 1964

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38§ HB510/6 DOUGLAS THOMSON (SCOTTISH b. 1955) HEAD OF A MAN Signed, oil on canvas 150cm x 120cm (59in x 47.25in)

£500-700

39§ HB510/14 DOUGLAS THOMSON (SCOTTISH b. 1955) HEAD OF A MAN Oil on canvas 79cm x 62cm (31in x 24.5in)

£300-500

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40§ HA795/1 STEVEN CAMPBELL (SCOTTISH 1953-2007) A FISHERMAN IN A SCOTTISH LANDSCAPE Signed and dated 1994, inscribed verso, watercolour and pastel 18cm x 35cm (7in x 13.75in), unframed

£600-800

41§ HA795/3 JOSEF HERMAN (POLISH 1911-2000) WASH DAY Pencil, ink and wash 20cm x 25.5cm (8in x 10in), unframed

£400-600

42§ HA795/2 GEORGE DEVLIN R.S.W., R.G.I., F.R.S.A., R.B.A., R.O.I., A.R.W.S. (SCOTTISH 1937-2014) BEHIND THE HARBOUR WALL Signed, watercolour and mixed media on paper 58cm x 78cm (22.75in x 30.75in), unframed

£300-500

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LY O N & T U R N B U L L Contemporary & Post-War Art

ODINIGWE BENEDICT CHUKWUKADIBIA BONAVENTURE ENWONWU is recognised as one of Africa’s eminent artists of the 20th century and an important figure in Nigerian Modernist painting. Further, he is widely considered to have pioneered the appreciation of this movement in the period postcolonialization and has enjoyed international representation in cities including London, Lagos, Milan, New York, Washington D.C., and Boston.

His career has been both fascinating and at times exceptional. Enwonwu has, for example, had a bronze portrait commissioned directly by Queen Elizabeth II in 1956, and has undertaken a postgraduate in Anthropology from the University College London. Perhaps most fantastically of all, the Enwonwu crater on planet Mercury is named in his honour.

Though sometimes working in the medium of sculpture and often inspired by the landscape of his home country, his work is largely figurative and a favourite subject was the depiction of traditional dancers, using stylised forms to create a sense of movement and rhythm. The work shown here for sale is a typical example, executed shortly after he had finished his artistic training.

His studies were extensive; beginning under Kenneth C. Murray at Government Colleges, Ibadan and Umuahia, 1934–37. Enwonwu then went on to gain qualifications from Goldsmith College, London, in 1944, Ruskin College, Oxford, from 1944 to 1946 and ultimately the Slade School of Fine Arts, Oxford, 1946–48, from which he graduated with first-class honours.

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43 60877/1 BEN ENWONWU R.A. (NIGERIAN 1917-1994) TRIO OF DANCING FIGURES Signed and dated 1951, gouache 49.5cm x 12cm (19.25in x 4.75in) Provenance: Inherited by the current vendor from their uncle-in-law who was governor of education in Nigeria during the 50s until decolonisation. He is thought to have known Enwonwu personally during this period.

£3,000-5,000

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44§ HB450/1 DOUG COCKER A.R.S.A. (SCOTTISH b. 1945) THE PALE QUARTET Consisting of four parts, carved wood Each head approx.

38cm x 28cm x 19cm (15in x 11in x 7.5in) (4)

£1,000-1,500

45§ HB449/1 ROLF SZYMANSKI (GERMAN 1928-2003) KLEIN FIGUR NO.VII , SCHIFFS-LEIB 1975, edition of 100 20cm high (8in)

£500-700

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46§ HB196/3 JOHN BOYD (SCOTTISH b. 1937) STILL LIFE OF KITCHEN POTS Oil on canvas 51cm x 62cm (20in x 24.5in)

£1,500-2,500

47§ HB291/1 VICTORIA CROWE O.B.E., R.S.A. (BRITISH b. 1945) ANGELS Signed and dated ‘71, inscribed verso ‘For Dick glad you’ve found it in the the book, Victoria Crowe 2014,’ mixed media on board 54cm x 74cm (21.25in x 29in)

£800-1,200

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48§ HB441/5 VALERIE FRASER R.S.W. (SCOTTISH b. 1933) HARBOUR VIEW Oil on canvas 51cm x 65cm (20in x 25.5in)

£400-600

49§ SV369/8 GEMMA DOLBEAR (SCOTTISH CONTEMPORARY) LAUNDERETTE, EDINBURGH Signed verso, oil on canvas 132cm x 163cm (52in x 64in)

£300-500

50§ HB334/7 CRAWFURD ADAMSON (SCOTTISH b. 1953) SIESTA 1992, pastel on paper 86.5cm x 119.5cm (34in x 47in) Provenance: Purchased directly from the artist by the current vendor

£400-600

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51§ HB334/4 EILEEN LAWRENCE (SCOTTISH b. 1946) HEATHLAND WOODSMOKE Signed, inscribed with title and dated 2000, watercolour on paper 127cm x 7.5cm (30in x 3in)

£250-350

52§ HB334/3 FRED CRAYK (SCOTTISH CONTEMPORARY) BACK GARDEN, COMELY BANK 1978, oil on board 14.5cm x 16cm (5.75in x 6.25in) Exhibited: 369 Gallery, Edinburgh

£200-300

53§ HB335/1 ANN ORAM (BRITISH b. 1956) TARIJA. DARK EVENING. Signed, oil on canvas 73.5cm x 49cm (29in x 19.25in)

£1,000-1,500

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54§ HB197/2 DONALD MANSON (SCOTTISH b. 1948) VIOLIN AND VALENTINE Signed, oil on board 89cm x 49cm (35in x 19in)

£500-700

55§ HB336/2 WINIFRED MACKENZIE (SCOTTISH 1905-2001) STILL LIFE OF YELLOW FLOWERS ON A BLUE CLOTH Signed, oil on canvas 59.5cm x 44.5cm (23.5in x 17.5in)

£700-900

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56§ HB335/2 GEOFFREY SQUIRE A.R.S.A., R.S.W., R.G.I. (SCOTTISH 1923-2012) THE MODEL Signed, watercolour and mixed media on paper 38cm x 39cm (15in x 15.5in)

£500-700

57§ HB339/5 MICHAEL AYRTON (BRITISH 1921-1975) BALCONY Signed and dated ‘52, oil on canvas 37.5cm x 45.5cm (14.75in x 18in)

£2,000-3,000

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58§ HB462/1 DAME ELIZABETH BLACKADDER D.B.E., R.A., R.S.A. (SCOTTISH b. 1931) STILL LIFE WITH COFFEE POT Signed and dated 1970, watercolour and pencil 58cm x 78cm (22.75in x 30.75in)

£1,500-2,500

59§ HA76/1 DAME ELIZABETH BLACKADDER D.B.E., R.A., R.S.A. (SCOTTISH b. 1931) MEDITERRANEAN WOMAN Signed and dated 1961, oil pastel on board 20.5cm x 25.5cm (8in x 10in)

£1,000-1,500

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60§ HB400/1 IAIN ROBERTSON (SCOTTISH b. 1955) CELTIC SOUND Signed and inscribed with title and dated ‘95 verso, oil on canvas 61cm x 25cm ( 25in x 10in)

£400-600

61§ HB510/13 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) ABSTRACT Signed with monogram, watercolour 77cm x 57cm (30.5in x 22.5in)

£300-500

62§ HB339/4 ALAN DAVIE (SCOTTISH 1920-2014) UNTITLED Signed and dated ‘06.06’, gouache 29cm x 21cm (11.5in x 8.25in)

£800-1,200

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63§ SV369/16 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) FIELD CAMPAGNAC, DRYING Signed, mixed media 56cm x 75cm (22in x 29.5in)

£3,000-5,000

64§ HB510/15 L. JACK (CONTEMPORARY) RECLINING NUDE Signed, oil on canvas 153cm x 183cm (60.25in x 72in)

£300-500

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65§ HB510/3 PETER HOWSON O.B.E. (SCOTTISH b. 1958) FIGURE BY THE SEA Signed and dated ‘89, oil on canvas 244cm x 214cm (96.5in x 84.25in)

£20,000-30,000

Peter Howson’s distinctive characters and strong, figurative style are instantly recognisable. His depictions of a violent, working-class, predominantly masculine Glasgow world are favoured by celebrity collectors such as Madonna, Mick Jagger and David Bowie and have featured on a range of album covers for bands including The Beautiful South.

Howson trained at Glasgow School of Art, painting alongside other popular contemporary artists; Adrian Wiszniewski, Steven Campbell and Ken Currie. Recognised for his commitment to war painting through his role of British official war artist for the 1993 Bosnian Civil War for the Imperial War Museum and then official war painter at the Kosovo War for the London Times. The public recognition of Howson’s work was cemented on his appointment as Officer of the Order of the British Empire in 2009.

Figure by the Sea dates from 1987, relatively early in Howson’s career and before

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his key war painting assignments. The composition is dominated by the burly, boxer figure that recurs throughout his oeuvre but as opposed to later works here the figure is positioned in a rural sea-side location, highlighted in bright, colourful

tones. This location reappears in a range of largescale works in oil that Howson created in this year including The Sisters of Mercy and Flag of Despair. Still quintessentially Howson in its technique and character, the brighter, rural backdrop is a

welcome tonic to his predominantly gritty, urban locations and speaks of a very particular moment in his career.

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66§ HB139/1 PETER HOWSON O.B.E. (SCOTTISH b. 1958) STUDY FOR THE PENITENT PETER Signed, pastel on tinted paper 58.5cm x 44cm (23in x 17.25in)

£1,500-2,000

67§ HB196/1 PETER HOWSON (SCOTTISH b. 1958) BEFORE THE FIGHT Pastel 46cm x 30.5cm (18in x12in)

£800-1,200

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68§ HB385/1 PETER MCLAREN (SCOTTISH b. 1964) SUNSET CYCLIST Signed and inscribed with title verso, oil on board 122cm x 122cm (48in x 48in)

£5,000-7,000

69§ HB385/2 PETER MCLAREN (SCOTTISH b. 1964) ORKNEY LANDSCAPE Signed and inscribed with title and dated 2014 verso, oil on board 122cm x 135cm (48in x 53in)

£5,000-7,000

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70§ HB27/1 ADRIAN WISZNIEWSKI A.R.S.A. (SCOTTISH b. 1958) SCENE Oil on canvas 156cm x 193cm (61.5in x 76in)

£3,000-5,000

71§ HB510/5 JAMES COSGROVE (SCOTTISH b. 1939) MECHANISED HEAD Signed and dated ‘89, oil on canvas 120cm x 121cm (47.25in x 47.5in)

£300-500

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CALLUM INNES Callum Innes is an artist very much concerned with the process of painting and the physical properties of paint itself.

Born in Edinburgh in 1962 and trained at Gray’s School of Art, Aberdeen and the Edinburgh College of Art, he rose to prominence after having two major solo shows in public institutions in 1992; at the Institute of Contemporary Art, London and the Scottish National Gallery of Modern Art, Edinburgh before being shortlisted for the Turner Prize in 1995, which was subsequently won by Damien Hirst. He now exhibits internationally and his work features in public collections across the world, though his studio practice

remains in Edinburgh.

Following his art-school training, Innes was working in a figurative manner until a scholarship opportunity in Amsterdam in 1987-88 exposed him to the bold abstract work of artists such as Barnett Newman and Lucio Fontana. He quickly abandoned his figurative style and became focused on the pursuit of clarity in painting.

This radical break in his practice makes Self-Portrait of 1987, an abstract composition with a lingering figurative quality all the more rare and striking, positioned as it is on the cusp of breakthrough into the approach that would characterise his oeuvre for the following twenty years.

Innes is best known for his Exposed Paintings series, the striking, meditative works that are created by a refined process of addition and subtraction; adding layers of paint to the canvas that are then gradually stripped away using turpentine to leave only ghostly traces of pigment.

Innes thinks of these works as a process of unveiling, rather than having destructive connotations and has likened it to alchemy; the transformation of work-a-day materials into precious gold.

This deliberate and considered approach to technique is consistent in Innes’ practice, across a variety of series: Agitated Verticals, Resonance, Isolated Forms, and Monologue, all of

which he established between 1989-1992 and has continued working on, refining and evolving ever since. This deliberation and dedication also crosses over into the watercolour medium, where Innes uses various brushes and sponges to layer and remove washes of colour, with only hints of the fullstrength colour left lingering around the edges, as in Magenta/Charcoal of 2000. In the Identified Forms series, rather than strip the paint away using turpentine loaded brushes, rags or sponges, Innes flicked turpentine on to the not-quite-dry paint, allowing the solvent to drip down the surface, dissolving the paint and leaving only traces of pigment in its wake.

72§ HB426/2 CALLUM INNES (SCOTTISH b. 1962) MAGENTA / CHARCOAL BLACK Inscribed 11/00 in pencil, signed and dated 2000 verso, watercolour 50cm x 65cm (19.75in x 25.5in)

£1,000-1,500

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73ยง HB207/1 CALLUM INNES (SCOTTISH b. 1962) TWO IDENTIFIED FORMS Signed, dated 2007 and inscribed with title verso, oil on canvas 76cm x 71cm (30in x 28in)

ยฃ7,000-10,000

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74§ HB426/1 CALLUM INNES (SCOTTISH b. 1962) SELF PORTRAIT Signed, inscribed and dated ‘Aug ‘87’ verso, oil on canvas 208cm x 208cm (82in x 82in)

£3,000-5,000

75 HB426/3 JOHN BYRNE (SCOTTISH b. 1940) PARIS SELF-PORTRAIT Inscribed ‘Rue de St Andre des Arts, Paris,’ watercolour and pencil on paper 20cm x 14cm (8in x 5.5in)

£800-1,200

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76§ HA795/8 BENNO SCHOTZ R.S.A. (ESTONIAN/SCOTTISH 1891-1984) FIGURE OF A SHIP-WELDER Signature inscribed to base, cement fondue, on a wooden plinth 58cm x 28cm x 18cm (22.75in x 11in x 7in) (including plinth)

£800-1,200

77§ HB334/12 SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) MECHANISED HEAD 1990, plaster 43cm x 23cm x 26cm (17in x 9in x 10.25in) Provenance: Gifted directly by the artist from his studio to the current vendor

£2,000-3,000

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ANISH KAPOOR Born in Bombay (now Mumbai), India in 1954, Anish Kapoor has since the 1970s lived and worked in London, studying at Hornsey College of Art and Chelsea School of Art throughout that decade. His intensely distinctive sculptural works have made him a name across the creative and connoisseurial worlds, and it is no exaggeration to describe him as one of the most influential artists of our time.

Representing Britain at the XLIV Venice Biennale in 1990, Kapoor went on to win the Turner Prize in 1991, was awarded a C.B.E. in 2003 and a knighthood in 2013, for services to the visual arts. He has had solo shows in such institutions as the Royal Academy of Arts and the Turbine Hall at Tate Modern.

Kapoor’s simultaneous gravitas and popularity may be attributed to the instantaneous grasp his sculpture achieves over the viewer‘s mind and feelings; the work asks of you both engagement and astonishment, casting a spell on their audience on several levels, and they are often theatrical, as the word “audience” suggests.

Frequently executed at extremes of scale, Kapoor’s work is both a feat of engineering and of transmutation of form. He works in the most physical, tangible and earthly of materials – pigment, stainless steel, stone, resin and wax – yet his sculptures utilise understanding of what might be termed the physical

sciences through art to suggest, through the utterly physical, the unutterable, and eventually the metaphysical.

The concave (therefore also convex) disc, perhaps the sculptural form at which his work most comes to rest philosophically, is the model or epitome of these qualities.

The viewer is drawn to look into the strange bottomlessness of the reflective surface, absorbed by the work through its depth of pigmentation and the endlessly shape-shifting forms created within the low bowl. This mesmerising, dream-holding quality means that the viewer experiences and feels the work as opposed to merely observing it; the sculpture engages its viewer, or holder, at a suggestive and psychological, as well as a pleasing physical, level. This work is the product of the artist’s profound capacity to render in form his continuing conversation with the world that speaks about light and darkness, presence and absence, the solid and the intangible.

The work illustrated here for sale is one such classic disc form. Created as one of a small, exclusive limited edition run for the recipients of a prestigious arts award in the UK in 2011, it is one of the few examples in this series coloured in the blood-red pigment which is so important in Kapoor’s work.

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The domestic scale is also a highly unusual and desirable quality given the more familiar and all but “untameable”, vast proportions of Kapoor’s work.

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78ยง HA864/1 ANISH KAPOOR C.B.E., R.A. (INDIAN/BRITISH b. 1954) RED DISC Signed and dated 2011 verso, coated stainless steel 30cm (11.75in) diameter

ยฃ40,000-60,000

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79§ HB107/2 GERALD LAING (BRITISH 1936-2011) PRINT Signed, inscribed, dated and numbered ‘London 1965’ 22/46, painted stainless steel 42.5cm (16.75in) long

£1,000-1,500

80§ HB400/3 HADRIAN PIGOTT (BRITISH b. 1961) “BOY” Inscribed and dated 1995, soap in original ‘Rexona’ packaging 10cm x 6cm (4in x 2.5in)

Note: Hadrian Pigott was represented by Victoria Miro Gallery in the 1990s, showing extensively and making work that often looked at the excesses of consumer culture.

Examples of his soap sculptures were purchased by the Saatchi Gallery and his work featured in the Young British Artists V exhibition.

£400-600

81§ HB107/3 GEOFFREY CLARKE (BRITISH b. 1924) BROKEN FORM Aluminium 19cm x 10.5cm (7.5in x 4.25in)

£2,000-3,000

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82§ HB511/1 DAMIEN HIRST (BRITISH b. 1965) SKULL Signed and inscribed ‘For Lynn,’ pen on Crucible Theatre notepaper 21cm x 14.5cm (8.25in x 5.75in)

£1,000-1,500

83§ HB511/2 DAMIEN HIRST (BRITISH 1965) SHARK Signed and inscribed ‘For Lynn’, pen on Crucible Theatre notepaper 21cm x 14.5cm (8.25in x 5.75in)

£1,000-1,500

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84§ HB430/2 NAEL HANNA (IRAQI/SCOTTISH b. 1959) COASTAL SCENE IN GREY Signed, oil on canvas 46.5cm x 73cm (18.25in x 28.25in)

£1,000-1,500

85§ SV484/11 ALEXANDER GOUDIE (SCOTTISH 1933-2004) DAWN LOCTUDY Signed, oil on canvas 23.5cm x 54cm (9.25in x 21.25in)

£400-600

86§ HB439/1 DAVID MCLURE (SCOTTISH 1926-1998) FISHING BOATS AT LOW TIDE Signed, oil on canvas 30cm x 39cm (11.75in x 15.25in)

£2,000-3,000

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87§ HB190/1 DOUGLAS THOMSON (SCOTTISH b. 1955) BLACK DOOR, 2003 Signed, signed and inscribed with title verso, oil on canvas 90cm x 100cm (35.5in x 39.5in)

£400-600

88§ FE290/6 SIR ROBIN PHILIPSON R.A., R.S.A., R.S.W., R.G.I., D.LITT. (SCOTTISH 1916-1992) MARTYRDOM 1, 1967 Mixed media on canvas 46cm x 46cm (18in x 18in)

£1,000-1,500

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89§ HB48/4 CAROLINE MCNAIRN (SCOTTISH 1955-2010) PORTRAIT Signed, pastel and watercolour 33cm x 23cm (13in x 9in)

£400-600

90§ HA990/3 WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) PORTRAIT OF A WOMAN WITH A BLACK CAPE Signed and dated IXIV, oil on canvas 91§ HB190/2 DOUGLAS THOMSON (SCOTTISH b. 1955) THE PROUD MAN, 2000 Signed and inscribed with title verso, oil on canvas 69cm x 53cm (27in x 21in)

£250-350

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100cm x 74cm (39.25in x 29in)

£800-1,200

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92§ HB175/1 JAMES DOWNIE ROBERTSON R.S.A., R.S.W. (SCOTTISH 1931-2010) PLANT FORMS Signed and dated ‘73, oil on board 68cm x 107cm (26.75in x 42in)

£1,000-1,500

93§ HA825/4 JAMES FULLARTON (SCOTTISH b. 1946) PINK AND RED POPPIES Signed, oil on canvas 90cm x 105cm (35.5in x 41.25in)

£2,000-3,000

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94§ FG412/13 JAMES FULLARTON (SCOTTISH b. 1946) REFLECTIONS Signed, oil on canvas 51cm x 76cm (20in x 30in)

£700-900

95 HB342/3 DONALD MANSON (SCOTTISH CONTEMPORARY) ZEPHYR Signed, oil on canvas 59cm x 89.5cm (23.25in x 35.25in)

£500-700

96§ SV369/13 CLAIRE HARRIGAN R.S.W. (SCOTTISH b. 1964) CHERRY BLOSSOM AND CHINESE CLOTH Acrylic and oil pastel on paper 57cm x 77cm (22.5in x 30.25in)

£500-700

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97§ HB426/4 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) MORNING LIGHT, PITTENWEEM Signed, signed, titled and dated ‘2009’ verso, oil on canvas 14cm x 14cm (5.5in x 5.5in)

£500-700

98§ HB334/2 RAYMOND GILLESPIE (BRITISH CONTEMPORARY) WHITE SAIL Signed with initials and dated ‘91, acrylic on paper 31cm x 12.5cm (12.25in x 5in) Exhibited: Thomas Caldwell Gallery, Belfast

£150-250 99§ HB458/1 JAMES HAWKINS (BRITISH b. 1954) STAC POLAIDH Signed and dated ‘90, signed and inscribed with title verso, watercolour 22cm x 28cm (8.5in x 11in)

£300-500

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100§ HA825/3 DAVID GLUCK (BRITISH 1939-2007) STILL LIFE IN THE STUDIO Signed, watercolour 73cm x 102cm (28.75in x 40in)

£300-500

101§ HA795/4 JACK KNOX (BRITISH b. 1936) WHEATSHEAF AND BROWN JUG Signed, oil on canvas laid on board 24cm x 34cm (9.5in x 13.5in)

£400-600

102§ HA4/4 DAVID ABERCROMBIE DONALDSON R.S.A., R.P., L.L.D. (SCOTTISH 1916-1996) VILLAGE CHURCH Signed, oil on canvas 49cm x 49cm (19.25in x 19.25in)

£600-900

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103§ HB322/1 WILLIAM WILSON (BRITISH CONTEMPORARY) STAG Welded metal Approx. 180cm x 177cm x 77cm (71in x 69.5in x 30in)

£2,500-3,500

104§ HB440/1 JACK KNOX R.S.A. (SCOTTISH b. 1936) GROUSE WITH RED HEAD Signed, signed and dated ‘86 verso, oil on canvas 64cm x 64cm (25in x 25in)

£700-900

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105§ HA4/5 DAVID ROSS WARRILOW (SCOTTISH b. 1956) TURBO SHELL 1990, oil on board 26cm x 26cm (10in x 10in)

£400-600

106§ HA346/1 SUE BIAZOTTI (SCOTTISH CONTEMPORARY) ARDSKEENISH, ISLE OF COLONSAY Signed, oil on canvas 89cm x 120cm (35in x 47.25in)

£200-300

107§ HA4/6 DAVID ROSS WARRILOW (SCOTTISH b. 1956) NAUTILUS Signed verso, oil on board 25cm x 25cm (10in x 10in)

£400-600

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108§ HB430/1 ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (SCOTTISH 1917-1998) CAT UNDER THE TABLE Signed and dated ‘86, oil on canvas 36cm x 100cm (14in x 39.5in)

£3,000-5,000

109§ HB436/1 ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (SCOTTISH 1917-1998) THE ARTIST’S WIFE AND CHILD Signed and dated ‘62, charcoal 49cm x 35cm (19.25in x 13.75in)

£600-800

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110§ HB399/5 ANDREW HOOD (BRITISH b. 1964) HARVESTERS IN PROVENCE Signed, oil on board 31cm x 44cm (12.25in x 17.25in) Provenance: Directly from the artist

£300-500

111§ HB510/16 DOUGLAS THOMSON (SCOTTISH b. 1955) TRIO OF YOUTHS Signed, oil on canvas 105cm x 65cm (41.25in x 25.5in)

£300-500

112§ HB399/6 ANDREW HOOD (BRITISH b. 1964) A VIEW FROM MY HOTEL WINDOW, DELHI Signed, oil on board 34cm x 35cm (13.5in x 13.75in) Provenance: Directly from the artist

£300-500

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113§ HB473/1 GORDON MITCHELL R.S.A., R.S.W., R.G.I. (SCOTTISH 1952) ILLUSION Signed and dated ‘78, oil on canvas 99cm x 65cm (39in x 25.5in)

£1,500-2,500

114§ HB97/3 LILLIAN NEILSON (SCOTTISH 1938-1998) WEE FISHER Signed and dated (1970) and inscribed with title verso, oil on board.

29cm x 60cm (11.25in x 23.5in)

£500-700

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115§ HB503/2 JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) PORTRAIT OF GRAHAM MARTIN - ARCHITECT AND FRIEND Signed, inscribed with title and dated ‘83, pen and ink 85cm x 59cm (33.5in x 23.25in)

and a further two by the same hand (3) £2,000-3,000

116 HB342/2 DONALD MANSON (SCOTTISH CONTEMPORARY) CHOCOLATE CHERRY CAKE Signed, oil on canvas 58cm x 48.5cm (22.75in x 19in)

£500-700

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117§ FG412/15 ARCHIE FORREST (SCOTTISH 20TH CENTURY) BEDSIDE BOUQUET 1 Signed, oil on linen 51cm x 41cm (20in x 16in)

£800-1,200

118§ HB48/5 CAROLINE MCNAIRN (SCOTTISH 1955-2010) JAZZ FIGURES Oil on canvas, indistinctly signed 29cm x 29cm (11.5in x 11.5in)

and another, a pair (2) £1,000-1,500

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THE STEVEN CAMPBELL TRUST Lyon & Turnbull are pleased to be selling the following lots (119-126) on behalf of The Steven Campbell Trust.

The Trust was founded in 2009, gaining charitable status in 2010. The fundamental aim of the Trust is to seek to broaden creative thinking and creative output in individuals and communities of practice in a manner which reflects the innovative and imaginative works of Steven Campbell. Steven Campbell was one of the most influential artists of his time and his work made a significant and unique contribution, enhancing the international recognition and reputation of Scottish Art. The work of the Trust is cross-disciplinary involving formal and informal education at local, national and professional level supporting students, young creative artists, undergraduates and postgraduates covering education, training and research as well as the development of individual's capabilities, skills and understanding.

119§ HA554/11 STEVEN CAMPBELL (SCOTTISH 1952-2007) FIGURE IN THE WOODS Oil on wallpaper fragment 46cm x 48cm (18in x 19in)

ÂŁ1,500-2,000

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120§ HA554/3 JACK KNOX (BRITISH b. 1936) WELL Signed and indistinctly inscribed with title, mixed media and watercolour on paper 58cm x 77.5cm (22.75in x 30.5in)

£300-500

121§ HA554/13 ALEXANDER MOFFAT O.B.E., R.S.A. (BRITISH b. 1943) THE MINOTAUR Signed, signed and dated 2008, oil on canvas 121.5cm x 174cm (47.75in x 68.5in)

£1,500-2,500

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122§ HA554/9 SAM AINSLEY (SCOTTISH CONTEMPORARY) BRUISED AND TENDER LOVE Signed, titled and dated 2008 verso, collage and mixed media 14cm x 14cm (5.5in x 5.5in)

and another ‘Between Connection and Loss’, a pair (2) £200-300

123§ HA554/10 JOHN MACKECHNIE R.S.A. (SCOTTISH b. 1949) MOVING TARGET 1 Archival ink and acrylic on perspex 48cm x 48cm (19in x 19in) Exhibited: Panter and Hall, London

£200-300

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124ยง HA554/2 JOHN BYRNE (SCOTTISH b. 1940) DESSIE LOVES ?

Signed, oil on canvas, in a hand-painted frame 75cm x 60cm (29.5in x 23.5in)

ยฃ6,000-8,000

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125§ HA554/4 ALASDAIR GRAY (SCOTTISH b. 1934) DOMESTIC CONVERSATION Signed, numbered 12/90 and dated ‘01.01.2006’ to margin, silkscreen print 38cm x 49cm (15in x 19.25in)

£200-300

126 HA554/1 BRUCE MCLEAN (SCOTTISH b. 1944) WAITER WAITER THERE’S A GEORGE VANTONGERLOO IN MY BROWN WINDSOR 2010, photograph 99cm x 99cm (39in x 39in)

£2,000-3,000

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Prints & Multiples BRUCE MCLEAN Whilst many artists are content to establish an artistic territory and work within it, Bruce McLean has kept moving. Like many seminal artists, including his art school contemporaries Gilbert and George, McLean rebelled against what he saw as formal academicism propagated by the teaching of Anthony Caro and Phillip King during his time at St. Martin’s School of Art. It was this discontent with institutionalised art that provoked such an unusual artistic trajectory. Sculpture,

photography or complex performance art; McLean seems to skip freely across any categorisation. He was even in a band for a time, Nice Style, playing alongside the Kinks and Ian Drury in their 1970’s heyday. His practise has increasingly turned towards painting and printmaking; suitable vehicles for his parodies of the expressionistic style popular in the 1980s and suited to his somewhat punky aesthetic tendencies.

employs irreverent humour to tackle the pretensions of the art world and manages to confront wider social issues without being sanctimonious.

A typical instance was in 1972 when the artist was offered an exhibition at the Tate Gallery and McLean, in a perfect example of his satirical style, elected for a ‘retrospective’ lasting merely one day.

Influenced by the American Pop Art movement, McLean

127§ HB334/6 BRUCE MCLEAN (SCOTTISH b. 1944) WHITE WOMAN GREY MAN RED LINO, 1985 Signed and numbered 35/100 in pencil, screenprint with handcolouring 79.5cm x 96.5cm (31.25in x 38in) Exhibited: The Scottish Gallery, Edinburgh

£500-700

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128§ HB441/1 BRUCE MCLEAN (SCOTTISH b. 1944) HORIZONTAL DAWN Signed and numbered 9/60, hand-finished screenprint 153cm x 115.5cm (60.25in x 45.5in)

£2,000-3,000

129§ HB441/2 BRUCE MCLEAN (SCOTTISH b. 1944) VERTICAL DUSK Signed and numbered 9/60, hand-finished screenprint 153cm x 115.5cm (60.25in x 45.5in)

£2,000-3,000

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130§ HB399/7 BRUCE MACLEAN (SCOTTISH b. 1944) SPAGHETTLI ALLE VONGOLE TWICE Signed and dated 1995, inscribed with title and numbered 332/500 in pencil to margin, screenprint 59cm x 79cm (23.25in x 31in)

£600-800

131§ HB454/1 FRED DEAKIN (CONTEMPORARY BRITISH) GOING PLACES Signed, dated ‘96 and numbered 1/15 in pencil to margin, screenprint 62cm x 86cm (24.5in x 34in)

£300-500

132§ HA346/5 ASHLEY COOK (SCOTTISH CONTEMPORARY) RELAXING WITH YOUR PRINCE Signed numbered 2/7 and dated ‘87, mixed media 53.5cm x 79cm (21in x 31in)

£100-150

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133§ HB332/15 STEPHEN CONROY (SCOTTISH b. 1964) LIVING THE LIFE Signed, titled and numbered 6/10 in pencil to margin, etching 31.5cm x 24cm (12.5in x 9.5in)

£300-500

134§ HB332/2 STEPHEN CONROY (SCOTTISH b. 1964) WINDSCALE Signed, titled and numbered 1/10, etching 31.5cm x 23.5cm (12.15in x 9.25in)

135§ HB332/1 KEN CURRIE (SCOTTISH b. 1960) UNION ORGANISER Signed and dated 1987 in pencil to margin, numbered 10/20, lithograph 71cm x 51cm (28in x 20in)

£300-500

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£300-500

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136§ HB334/5 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) VENUS AND JARDINIERE, 1997 Signed and inscribed with title in pencil to margin, numbered 8/15, etching 29cm x 39.5cm (11.5in x 15.5in) Exhibited: The Scottish Gallery, Edinburgh

£400-600

137§ HB466/1 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) WHITE DOG WASH, 2000 Signed, inscribed with title and numbered 30/40, screenprint 92cm x 120cm (36in x 47in)

£800-1,200

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138§ HB332/4 KEITH MACINTYRE (BRITISH b. 1959) ANGEL MASK Signed, dated ‘91 and numbered 5/32 in pencil, colour lithograph 56cm x 76cm (22in x 30in)

and another by the same hand, a pair (2) £400-600

139§ HB286/1 IAN FLEMING (SCOTTISH 1906-1994) AND THEY GROW FAT Signed and numbered (7/20) to margin, inscribed ‘To Edward Gage, With thanks,’ etching 17cm x 22.5cm (6.25in x 9in)

£250-350

140§ HB463/2 GEORGES ROUAULT (FRENCH 1871-1958) AU PRESSOIR LE RAISIN FUT FOULE, FROM MISERERE Initialled and dated 1992 in plate, aquatint 40cm x 48.5cm (15.75in x 19in), unframed

£700-900

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141§ HB334/8 PAT DOUTHWAITE (SCOTTISH 1939-2002) KIMONO, 1987 Signed and numbered 5/20, hand coloured lithograph 76cm x 56.5cm (30in x 22.25in), unframed Exhibited: The Scottish Gallery, Edinburgh

£150-250

142§ HB447/1 GRAHAM SUTHERLAND O.M. (BRITISH 1903-1980) CHAUVE SOURIS From the ‘Bestiary Suite’ 1967, artist’s proof (inscribed ‘Epreuve l’artiste’) and signed in pencil to margin, colour lithograph 66cm x 50cm (26in x 19.75in)

£500-700

143§ HA796/3 EDWARD GAGE R.S.W. (SCOTTISH 1925-2000) QUEEN OF THE BIRDS Signed and numbered 9/38 to margin, colour lithograph 59.5cm x 44.5cm (23.5in x 17.5in)

£200-300

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ELSPETH LAMB Elspeth Lamb is an expert printmaker with a longstanding commitment to the development of printmaking through her diverse repertoire of silkscreen, collage, lithograph, screen-printing and papermaking. Lamb trained at the Glasgow School of Art, Manchester Metropolitan University and the Tamarind Institute of Lithography, University of New Mexico. She then spent twenty years teaching at Edinburgh College of Art, latterly as Head of the Printmaking Department, before ending all her academic teaching commitments in 1999 to focus

144§ SV369/12 ELSPETH LAMB R.S.A. (SCOTTISH CONTEMPORARY) TEMPE, TRIPYCH Indistinctly titled, screenprint 101cm x 251cm (39.75in x 98.75in)

£1,200-1,800

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on her freelance work as artist and educator. Since then she has organised and delivered printmaking and papermaking workshops across Scotland and undertaken residencies internationally.

Fairy tales, myths and the theme of enchantment are long-standing inspirations for Lamb. While a long-held fascination with Japanese culture was given the space to expand with a ten-week residency in Japan in 2000.

Once there she studied under master craftsmen to learn moku hanga, traditional woodcut printing using waterbased inks to create vivid

colours and transparencies.

She returned to Japan again in 2002 to undertake research for her successful book, Papermaking for Printmakers. Around the same time, Lamb also produced an artist’s book Nagasawa Cantrips. Cantrips is an old Scots word for magic, while Nagasawa is the rural area where she stayed, so literally Nagasawa Magic.

This title reveals the dual influences of the prints: incorporating traditional and modern printmaking techniques and referencing both Eastern and Western thinking on arts, alongside some of Lamb’s own favourite themes and emblems.

Lamb is an R.S.A. Academician, and an elected member of the Society of Scottish Artists and Royal Glasgow Institute. Her work is included in major international collections including the Japanese Consular Collection, The British Council and the Joan Miro Foundation Collection.

The five works offered here from private collections clearly demonstrate her modern approach and commitment to vibrant colour and texture.

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145§ SV369/5 ELSPETH LAMB R.S.A. (SCOTTISH CONTEMPORARY) THE BURIED MIRROR Signed and titled, screenprint 96cm x 76cm (37.75in x 30in)

£200-300

146§ HA346/3 ELPSETH LAMB R.S.A. (SCOTTISH CONTEMPORARY) 21: CHINESE SIGNS Signed and inscribed with title, screenprint on handmade paper 25cm x 30cm (9.75in x 11.75in) Exhibited: ‘Cornerstones,’ Compass Gallery Glasgow, May 1992.

£150-250 147§ SV369/7 ELSPETH LAMB R.S.A. (SCOTTISH CONTEMPORARY) ARIADNE Signed and inscribed with title and dated ‘90, screenprint and collage 135cm x 101cm (53in x 40in)

£300-500

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148§ SV369/2 ELSPETH LAMB (SCOTTISH CONTEMPORARY) DANAIDS 1 Signed and inscribed with title in pencil, monotype and collage 78cm x 107cm (30.75in x 42in)

£200-400

149§ HB332/3 PETER HOWSON O.B.E. (SCOTTISH b. 1958) THE BIG MATCH Signed, titled, dated ‘89 and numbered 6/30 in pencil to margin, lithograph 42cm x 56cm (16.5in x 22in)

£300-500

150§ HB334/1 WILLIAM GEAR R.A., F.R.S.A. (SCOTTISH 1915-1997) ORANGE AND BLACK ABSTRACT Signed and dated ‘49 in pencil to margin, numbered 17/25, colour lithograph 24.5cm x 38cm (9.5in x 15in) Exhibited: Belgrave Gallery, St Ives

£250-350

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151§ HB395/1 DAME ELIZABETH BLACKADDER D.B.E., R.A., R.S.A. (SCOTTISH b. 1931) VENICE CATS Signed, inscribed with title and marked p.p. in pencil to margin, studio stamped, etching 33cm x 36.5cm (13in x 14.5in) (including margins)

£300-500

152§ HB463/1 JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) CELTIC MAIDEN Signed, titled and numbered 78/80 in pencil to margin, etching aquatint 95.5cm x 75.5cm (37.5in x 29.5in), unframed

£250-350

153§ HB452/1 JANE CAREY (BRITISH CONTEMPORARY) TIMING IS RIGHT Signed, inscribed with title and numbered 4/10 in pencil to margin, etching 44cm x 39.5cm (17.25in x 15.5in)

£150-250

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154 HB449/2 RONALD BROOKS KITAJ (AMERICAN 1932-2007) BACON 1 Signed and dated 8/70 in pencil to margin, screenprint; ROGER BISSIERE (FRENCH 1886-1964), OCTOBRE, Signed, numbered 87/150 in pencil to margin, colour lithograph; KAREL APPEL (DUTCH 1921-2006), UNTITLED, Signed and numbered 136/200 in pencil to margin, screenprint; and another, indistinctly signed and numbered 49/60 in pencil to margin, screenprint, all unframed (4) ÂŁ1,000-1,500

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155§ HB334/11 JOCK MCFADYEN (SCOTTISH b. 1950) CRAMOND 11, 1992 Signed, inscribed with title, dated and numbered 3/30 in pencil to margin, etching 33cm x 26.5cm (13in x 10.5in), unframed Exhibited: William Jackson Gallery, London

£250-350

156§ HB334/10 JOCK MCFADYEN (SCOTTISH b. 1950) PUB STRIPPER, 1992 Signed, inscribed with title and numbered 10/35 in pencil, etching 76cm x 58cm (30in x 22.75in), unframed Exhibited: William Jackson Gallery, London

£250-350

157§ HB334/9 WILL MCLEAN M.B.E., R.S.A., R.S.W. (SCOTTISH b. 1941) SEA SHRINE 2000, mixed media and collage on paper 41cm x 27.5cm (16in x 10.75in), unframed

£300-500

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158§ HB329/4 ANTONI TAPIES (SPANISH b. 1923) UNTITLED (EYE) Signed and numbered 33/50 to margin, lithograph 75cm x 105.5cm (29.5in x 41.5in)

£400-600

159§ HB329/5 DAVID HOCKNEY (BRITISH b. 1937) THE SHOP WINDOW OF A TOBACCO STORE From ‘Illustrations for Fourteen Poems by C.P. Cavafy,’ etching with aquatint 36cm x 24cm (14.25in x 9.5in)

£150-250

160§ HB336/1 CHARMING BAKER (BRITISH b. 1964) WHAT A STRANGE AND BEAUTIFUL THING LIFE, 2010 Signed and inscribed AA to margin in pencil, numbered 35/95 and studio stamped, giclee print 58cm x 84cm (22.75in x 33in)

£800-1,200

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161§ HB399/2 GERALD LAING (BRITISH 1936-2011) THE KISS Signed, dated 2007, inscribed with title and numbered 76/90 in pencil to margin, screenprint 110cm x 94cm (39.5in x 37in) Exhibited: Sims Reed Gallery, Bury Street

£2,500-3,500

162§ HB399/3 GERALD LAING (BRITISH 1936-2011) DOMESTIC PERSPECTIVE, 2009 Signed, inscribed with title and dated in pencil to margin, artist proof and numbered 10/10 in roman numerals, screenprint 128cm x 68cm (50.5in x 26.75in) Exhibited: Sims Reed Gallery, Bury Street

£2,000-3,000

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163§ HB463/3 BERNARD BUFFET (FRENCH 1928-1999) THE MICROSCOPE Signed in plate, signed in pencil to margin and signed and dated ‘69 verso, lithograph 72.5cm x 56cm (28.5in x 22in), unframed

£300-500

165§ HB399/8 VINCENT POOLE (BRITISH CONTEMPORARY) SUMMER IN THE CITY Signed and numbered 1/19 in pen, printed with title, signed verso, digital print on perspex, mounted on aluminium 70cm x 39cm (27.5in x 15.25in) Provenance: Directly from the artist

£200-300

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164 HB454/2 JEFF KOONS (AMERICAN b. 1955) ART MAGAZINE ADS 1988-89 Signed, dated and numbered 33/80 in pencil to margin, colour lithograph 90cm x 70cm (35.5in x 27.5in) Note: Originally, part of portfolio of four colour lithographs Exhibited: Anthony d’Offay Gallery, London

£700-900

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166§ HB329/3 SIR EDUARDO PAOLOZZI (SCOTTISH 1924-2005) AGILE COIN GROSS DECISION LOGIC Signed, dated 1970 and numbered ‘40/100.’ From the Zero Energy Experimental Pile, Volume 1, Petersburg Press. Lithograph and screenprint on astrolux paper, laminated to clear acrylic.

84cm x 58cm (33in x 22.75in)

£400-600

167§ HB329/2 SIR EDUARDO PAOLOZZI (SCOTTISH 1924-2005) HOLLYWOOD WAX MUSEUM Signed, dated 1970 and numbered ‘40/100.’ From the Zero Energy Experimental Pile, Volume 1, Petersburg Press. Lithograph and screenprint on astrolux paper, laminated to clear acrylic 84cm x 58cm (33in x 22.75in)

£400-600

168§ HB329/1 SIR EDUARDO PAOLOZZI (SCOTTISH 1924-2005) HUMAN FATE AND WORLD POWERS Signed, dated 1970 and numbered ‘40/100.’ From the Zero Energy Experimental Pile, Volume 1, Petersburg Press. Lithograph and screenprint on astrolux paper, laminated to clear acrylic 84cm x 58cm (33in x 22.75in)

£400-600

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169§ HB399/4 ADAM NEATE (BRITISH 1977) TRIPTYCH WITH CHAIR Signed and dated 2007, numbered 26/50 in pencil to margin, studio stamped, screenprint 71cm x 155cm (28in x 61in)

£600-800

170 HB501/1 JULIAN SCHNABEL (AMERICAN b. 1951) MONTAUK Signed and dated 2001 in pencil, inscribed and numbered AP III/X, serigraph 70cm x 90cm (27.5in x 35.5in)

£2,000-3,000

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171§ HB399/1 IAN DAVENPORT (BRITISH b. 1966) ROYAL BLUE ETCHING, 2011 Signed and dated in pencil to margin, numbered 2/30, colour etching 83cm x 79cm (32.75in x 31in) Exhibited: Alan Cristea Gallery, Cork Street

£800-1,200

172§ HB441/6 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) AND EVEN AS SHE FLED I...

(IN COLLABORATION WITH JOHN NASH) 1987, lithograph and two further works by the same hand, ‘And Even as She Fled 2’ and ‘A proposal for a garden built on a slope’ (3) £400-600

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173§ HB441/9 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) DIE HEIMAT IST NICHT DAS LAND (IN COLLABORATION WITH ANDREW WHITTLE), 1995, Signed and numbered 8/75 in pencil to margin, screenprint 66cm x 84cm (26in x 34.5in)

£800-1,200

174§ HB441/8 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) A ROCK ROSE (COLLABORATION WITH RICHARD DEMARCO) 1971, screenprint 38cm x 55cm (15in x 21.5in)

£1,000-1,500

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175ยง HB441/7 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) EVENING/SAIL Screenprint 71cm x 20cm (28in x 8in)

ยฃ1,000-1,500

END OF SALE

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LY O N & T U R N B U L L Index Cataloguing Terms

Adamson, C., 50 Ainsley, S., 122 Ayrton, M., 57

Dolbear, G., 49 Donaldson, D.A., 102 Douthwaite, P., 141

Baker, C., 160 Bellany, J., 14, 15, 16, 33, 34, 115, 152 Biazotti, S., 106 Blackadder, Dame E., 58, 59, 151 Boyd, J., 46 Buffet, B., 163 Buyers, D.M., 31, 33 Byrne, J., 75, 124

Enwonwu, O.B.C.B., 43

Campbell, S., 40, 119 Carey J., 153 Clarke, G., 81 Cocker, D., 44 Conroy, S., 133, 134 Cook, A., 132 Cosgrove, J., 71 Crayk, F., 52 Crosbie, W., 90 Crowe, V., 47 Currie, K., 135 Davenport, I., 171 Davie, A., 62 Deakin, F., 131 Devlin, G., 42

Finlay, I.H., 172-175 Fleming, I., 139 Forrest, A., 5, 117 Fraser, V., 48 Fullarton, J., 93, 94 Gage, E., 143 Gear, W., 150 Gillespie, R., 98 Gluck, D., 100 Goudie, A., 85 Gray, A., 125 Haig, E., 22, 23 Hanna, N., 84 Harrigan, C., 96 Hawkins, J., 2, 32, 34, 99 Herman, J., 41 Hirst, D., 82, 83 Hockney, D., 159 Hood, A., 110, 112 Houston, J., 1, 11, 29 Howie, J., 30 Howson, P., 65, 66, 67, 149

The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist

Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Studio of ... / Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Attributed to...

In our opinion probably a work by the artist in whole or in part.

Innes, C., 72, 73, 74 Jack, L., 64 Johnstone, W., 61 Kapoor, A., 78 Kitaj, R.B., 154 Knox, J., 12, 101, 104, 120 Koons, J., 164 Laing, G., 79, 162, 163 Lamb, E., 144-148 Lassen, J., 6, 7, 8 Lawrence, E., 51 Macintyre, K., 138 Mackechnie, J., 123 Mackenzie, W., 55 Manson, D., 26, 54, 95, 116 Martin, D.M., 19, 24 McClean, W., 157 McClure, D., 9, 28, 86 McFadyen, J., 155, 156 McLaren, P., 21, 68, 69 McLean, B., 126-130 McNairn, C., 89, 118 Mitchell, G., 113 Moffat, A., 37, 121 Morrison, J.L., 97 Morrocco, A., 108, 109 Morrocco, L., 4, 20

Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date After ...

In our opinion a copy (of any date) of a work of the artist.

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Neate, A., 169 Neilson, L., 25, 27, 114 Oram, A., 53 Paolozzi, Sir E., 77, 166, 167, 168 Philipson, Sir R., 3, 88 Pigott, H., 80 Poole, V., 165 Rae, B., 63, 136, 137 Robertson, I., 60 Robertson, J.D., 92 Rouault, G., 140 Schnabel, J., 170 Schotz, B., 76 Schueler, J., 10 Shanks, T., 13 Squire, G., 56 Sutherland, G., 142 Symanski, R., 45 Tapies, W., 158 Thomson, D., 38, 39, 87, 91, 111 Warrilow, D.R., 105, 107 Wilson, W., 103 Wiszniewski, A., 70 Wyllie, G., 17, 18

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

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Modern & Contemporary Art This rare collection of world famous American and European featuring a Private Collection painters from Corot and Boudin to Benson and Hassam has been in private hands and unseen for nearly 100 years.

Auction 05/03/15 Anne Henry +1 267.414.1220 ahenry@freemansauction.com

ROY LICHTENSTEIN 1923-1997) JEAN BAPTISTE CAMILLE COROT Alasdair Nichol 267.414.1211 (american, “THE RIVER” (french 1796-1875) anichol@freemansauction.comfrom “landscape "GARDENseries” GATE" Signed 'Corot' of bottom 1985, from the edition 60 left, with partial label verso oiland on canvas Color lithograph, woodblock screenprint 13 x 18 1/4 in. (33 x 46.4cm) 40 x 55 1/2 in. (101.6 x 141cm) $60,000-80,000 $60,000-80,000 (detail) (£38,000-52,000) (detail)

Visit our website or call +1 267.414.1256 to purchase a catalogue.

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CONDITIONS OF SALE SELLERS 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale

by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on “Purchase Price” is the Hammer Price and applicable Buyer‘s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any

principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

3. PREPARATION FOR SALE (a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised from time to time.

illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale;

(d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing

(ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or

4. TERMS OF SALE

(c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower.

This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30.

Online Listing: £10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement.

(3) Illustrations: The cost of any

(iii) 6 months from the date of delivery to Lyon & Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT.

8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be re-offered at a future sale.

Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate; or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s

original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred.

(2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller.

Lyon & Turnbull will inform the Seller of any action which it contemplates taking 14/5

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against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds.

Payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

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(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

16. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.

18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS CONDITIONS OF SALE (Buyers) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein..

1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate.

only and disclaims any responsibility for default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion. (c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

(g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections.

The Auctioneer normally acts as agent

(h) Online Bidding: We will use reasonable

efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

4. INCREMENTS Bidding increments shall be at the Auctioneer's sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable).

This additional premium is subject to VAT at the appropriate rate as above.

6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the

European Union and do not fall within the reduced rate category outlined above.

7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006.

We are required to collect a royalty payment for all qualifying works of art.

Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot

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accept cash payments over ¤15,000 (euros).

purpose until the debt due is satisfied.satisfied.

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied..

11. DESCRIPTIONS AND CONDITION

9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any

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(1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given.

Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections.

Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot.

Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance.

Estimates may be subject to change and are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change.

Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(7) Special terms may be used in

catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations.

Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally.

13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ imports-exports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844..

The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller.

Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor.

18. FORCE MAJEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

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Waverley Station Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

St Andrew Square

T

York Place Tram Station

Lyon & Turnbull saleroom

Local Deliveries A&S Pert Removals.

Tel. +44 (0)7876 343520.

Thistle Removals Tel: +44 (0)7836 774712 Email: thistleremovals@hotmail.co.uk New Leaf Removals Tel: +44 (0)7999 926261 Email: info@newleafremovals.co.uk Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Smaller items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Aardvark Art Services Ltd Birks Farm, Ballam Road Lytham, Lancashire FY8 4NL Tel: +44 (0)1253 794673 Fax: +44 (0)1253 730580 Email: info@aardvarkartservices.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

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LYON & TURNBULL AUCTIONEERS EDINBURGH

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

18TH MARCH, 2015

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

CONTEMPORARY & POST-WAR ART

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Contemporary & Post-War Art Wednesday, 18th March, 2015 33 Broughton Place Edinburgh