Fine Furniture & Works of Art | 24th June 2015 | 10am by Lyon & Turnbull

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LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

24TH JUNE, 2015

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 24th June, 2015 33 Broughton Place, Edinburgh

Fine Furniture & Works of Art

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Fine Furniture & Works of Arts Including

Contents of a Scottish Borders Country House

Selected contents of Dollerie House, Perthshire

Wednesday, 24th June, 2015 at 10am Sale Number LT439

Viewing Times

Sunday, 21st June 12 noon - 4pm Monday, 22nd June 10am - 5pm Tuesday, 23rd June 10am - 5pm Morning of Sale from 9am

Enquiries

Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

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Buyer’s Guide

This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges

The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale).

Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence)

2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment

For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Further information on Collection & Shipment, including professional packers and shippers known to us, can be found at the back of the catalogue or on our website.

Catalogue descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Import/Export

Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

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Meet the Specialists

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team is on hand to assist you, whether you are looking for something special for your home or collection, require more detailed information about the history or condition of a lot, or just want to ďŹ nd out more about the auction process

Douglas Girton

Furniture, Clocks & Works of Art douglas.girton@lyonandturnbull.com

John Mackie

Ceramics & Glass john.mackie@lyonandturnbull.com

Theodora Burrell

Ceramics & Glass theo.burrell@lyonandturnbull.com

Gavin Strang

Rugs & Carpets gavin.strang@lyonandturnbull.com

How to Find Us in Edinburgh

T S

Lyon & Turnbull Saleroom

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; ďŹ ve minutes walk from the saleroom York Place Tram Stop Waverley Station

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Order of Sale Wednesday, 24th June, 2015 at 10am

1-145 Contents of a Scottish Borders Country House

146-215 Continental Furniture & Works of Art

216-503 Furniture & Works of Art including

Selected Contents of Dollerie House, Perthshire 343-364

504-515 Asian, Indian & Islamic Works of Art 516-537 Oriental Rugs & Carpets

Front Cover Lot 145 (detail)

Inside Front Cover Lot 297 (detail)

Inside Back Cover Lot 400 (detail)

Lot 19

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Contents of a Scottish Borders Country House The following collection of furniture, porcelain, sculpture, clocks and works of art represents a style and taste grounded in the ‘Belle Époque’, the period in French history covering the late 19th century through to the beginning of the 20th. Coming to sale from a mansion house in the Scottish Borders, this group of items represents a time when interiors were ﬁlled with art and artefacts that came from all across the globe. An item’s worth was judged by its beauty rather than its usefulness, and a collection by its scope rather than the merits of one or two pieces. In this collection sensuous French marble and bronze ﬁgures sit beside exotic Middle Eastern intarsia, while delicate German porcelain is contrasted by early Spanish earthenware, creating a rich kaleidescope of colour, form, and material.

Highlights from the collection include a ﬁne quality 19th century Louis XIV style boulle marquetry commode, lot 40; a marble ﬁgure of a dreamy young woman by the renowned French sculptor Hippolyte Francois Moreau, lot 27; and lot 145, a remarkable 3rd century AD Roman mosaic of a leaping deer. Also included are no less than twenty-two clocks, mostly French and late 19th century, but the stand-out lot is an early 18th century Queen Anne marquetry long case by Joseph Saer of London, lot 112. While this collection draws its content from around the world, with a particular eye to France, Scottish works of art are also represented. An impressive white marble bust by John Evan Thomas (1810-1873), lot 121, depicting arguably the most famous Scotsman of the 19th century, Sir Walter Scott, is of particular interest.

1 HB650/172 ALBERT-ERNEST CARRIER-BELLEUSE (1824-1887)

DANSEURS NAPOLITAIN bronze, light brown/green patina, one ﬁgure with a tambourine, the other a lute, on signed circular bases, ‘A.CARRIER’ (2) 26cm high and 28cm high £1,000-1,500

2 HB650/230 FRENCH GILT AND SILVERED METAL THREE PIECE CLOCK GARNITURE

19TH CENTURY the clock with an urn ﬁnial above painted porcelain dial with Arabic numbers in a case with painted porcelain plaques with foliate reserves and elephant mask handles, the eight day movement striking on a bell, on a gilt wood and velvet base, 32cm high, base 25.5cm wide; the matching porcelain urns with metal mounts, on circular bases, 26.5cm high (3) £1,500-2,500

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3 HB650/145 LOUIS XV STYLE ROSEWOOD AND MARQUETRY MANTEL CLOCK

19TH CENTURY the scrolled foliate gilt metal ﬁnial above a waisted case with a white enamel dial with Arabic and Roman chapters, with gilt mounts and terminating in scrolled feet, the eight day movement striking on a gong 16.5cm wide, 30cm high £400-600

4 HB650/151 FRENCH CLOISONNÉ AND PORCELAIN MOUNTED MANTEL CLOCK

19TH CENTURY the painted porcelain urn finial and cloisonné pediment above a gilt brass glazed case with figural porcelain panels flanking the cream enamel dial with Arabic numerals, the eight day movement striking on a gong 22.5cm wide, 38cm high £2,000-3,000

5 HB650/88 FRENCH WALNUT AND NEEDLEWORK UPHOLSTERED ARMCHAIR 18TH/19TH CENTURY in the Louis XIV style, the arched back and seat in needlework upholstery depicting a huntsman, dogs and a stag, on scrolled legs united by a wavy X form stretcher 70cm wide, 115cm high, 52cm deep £400-600

6 HB650/168 PAIR OF FRENCH PINK MARBLE AND ORMOLU LAMPS

19TH CENTURY converted from candelabra, each with a footed baluster form marble base mounted with gilt bronze entwined snake handles and laurel leaf mounts, on a chamfered square ormolu base, with a shade (2) 47.5cm high (excluding ﬁttings) £2,500-3,500

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Fine Furniture & Works of Art 7 7 HB650/147 FRENCH GILT BRASS MANTEL CLOCK

LATE 19TH/ EARLY 20TH CENTURY the arched pediment above the four glass case with a white enamel dial with Roman numerals and mercury ﬁlled pendulum, raised on a stepped moulded base, the movement striking on a gong 21cm wide, 33.5cm high £400-600

8 HB650/90 FRENCH BEECH AND TAPESTRY UPHOLSTERED ARMCHAIR

19TH CENTURY in the Louis XIV style, the arched back and seat covered in verdure tapestry depicting a bird by a bridge, with scrolled arms and legs, united by a wavy X-form stretcher 70cm wide, 136cm high, 72cm deep £300-500

9Y HB650/146 LOUIS XV STYLE BOULLE MARQUETRY MANTEL CLOCK

19TH CENTURY the foliate gilt metal ﬁnial above a waisted case and gilt metal dial with Roman enamel chapters and a glazed panel, with gilt bronze mounts terminating in scrolled feet, the eight day movement striking on a bell 19.5cm wide, 34cm high

£600-800

10 HB650/148 FRENCH BRASS MANTEL CLOCK

LATE 19TH CENTURY the pineapple gilt metal ﬁnial above a domed ﬂuted pediment and mask spandrels, the square case with a white enamelled dial with Arabic numerals, raised on stepped bracket feet, the eight day movement striking on a gong 19.5cm wide, 36.5cm high £200-300

11 HB650/311 FRENCH MARBLE MANTEL CLOCK

19TH CENTURY the arched pink and grey veined white marble case with a brass dial with Roman numeral chapter, on a moulded plinth base, the eight day movement striking on a gong 27cm wide, 32cm high, 14.5cm deep £100-150

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8 Lyon & Turnbull 12 HB650/141 FRENCH MARQUETRY AND EBONISED PORTICO MANTEL CLOCK

19TH CENTURY the serpentine pediment above a white enamel dial within a gilt metal frame and pendulum, ﬂanked by spiral columns, raised on an inlaid base and squat block feet, the movement striking on a bell 24.5cm wide, 49cm high £300-500

13 HB650/200 PAIR OF FRENCH NEEDLEWORK UPHOLSTERED BEECH ARMCHAIRS

LATE 19TH CENTURY each with allover foliate pattern upholstery and scrolled arms, on ﬂuted turned legs united by an H form stretchers (2) 66cm wide, 112cm high, 63cm deep £500-700

14 HB650/166 LOUIS XV WALNUT FRAMED SETTEE

18TH CENTURY covered in gold foliate fabric, the carved scrolled top rail and enclosed downswept arms with part pads, above a triple cushion seat raised on cabriole legs 198cm wide, 104cm high, 85cm deep £3,000-5,000

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Fine Furniture & Works of Art 9 15 HB650/66 17TH CENTURY ITALIAN SCHOOL THE FLIGHT INTO EGYPT Signed, oil on canvas

46cm x 38cm (18in x 15in) £300-500

16 HB650/65 17TH CENTURY ITALIAN SCHOOL

MOSES TURNING AARON’S STAFF INTO A SERPENT oil on canvas, and another ‘MOSES TRANSFORMING HIS ROD INTO A SERPENT BEFORE THE PHAROAH’ (2) 90cm x 148cm (35in x 58.25in) £1,000-1,500

17 HB650/52A AFTER CLAUDE LORRAIN (FRENCH C.1600-1682) UNLOADING THE CATCH mezzotint by Richard Erlam

25cm x 34cm (10in x 13.25in), and ﬁve other decorative prints (6) £100-200

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10 Lyon & Turnbull 18 HB650/83 ITALIAN WHITE MARBLE BUST OF VENUS ITALICA AFTER CANOVA

19TH CENTURY with her head turned, raised on a dark marble socle base 51cm high £600-800

19Y HB650/167 LOUIS XV STYLE BOULLE MARQUETRY BRACKET CLOCK AND BRACKET

LATE 19TH CENTURY the scrolled foliate gilt metal pediment above a waisted case with further gilt metal mounts, terminating in scrolled paw feet, the gilt dial with enamelled Roman numbers, signed ‘Bertout, Borronger Mer’, the movement striking on a gong; with a matching bracket, of ogee form with gilt metal mounts (2) overall 110cm high £3,000-5,000

20 HB650/163 LOUIS XV STYLE BLANC DE CHINE MANTEL CLOCK

19TH CENTURY the rococo style case with applied ﬂower sprigs, enclosing a white enamelled dial with Roman numerals, the movement striking on a gong 27.5cm wide, 40cm high £400-600

21 HB650/42 VAN LOO

STUDY OF GIRL WITH ROSE oil on canvas

61cm x 49cm (24in x 19.25in) £800-1,200

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Fine Furniture & Works of Art 11 22 HB650/309 LOUIS XV STYLE SERPENTINE AND BOMBE KINGWOOD AND FRUITWOOD MARQUETRY MARBLE TOPPED COMMODE

19TH CENTURY the serpentine marble top with a moulded edge over three ﬂoral marquetry inlaid long drawers above a shaped apron, on tapered slightly outswept legs, with foliate cast gilt metal mounts 101cm wide, 90cm high, 48cm high £1,000-1,500

23 HB650/226 LOUIS XV STYLE KINGWOOD AND GILT BRONZE MOUNTED STOOL

19TH CENTURY the circular needlework upholstered top over a frieze with recessed panels divided by gilt bronze rosettes and centred by foliate mounts, raised on ﬂuted tapered circular legs terminating on gilt bronze foliate cast feet 40cm diameter, 50cm high £300-500

24 HB650/285 FRENCH GILTWOOD UPHOLSTERED BERGERE

19TH CENTURY covered in a copper coloured foliate fabric, the foliate and strap carved square back and scrolled arms on turned ﬂuted legs 69cm wide, 99cm high, 62cm deep £300-500

25 HB650/282 PAIR OF LOUIS XVI STYLE BEECH UPHOLSTERED FAUTEUILS

19TH CENTURY each with blue velour foliate fabric, the square back and scrolled arms raised on ﬂuted turned tapering legs (2) 59cm wide, 93cm high, 53cm deep £200-300

26 HB650/205 BRONZED SPELTER FIGURAL LAMP, AFTER MOREAU

LATE 19TH CENTURY cast as a classical maiden with a lyre resting upon a half column, on a circular base and wood plinth, labelled LA MUSIQUE LYRIQUE, PAR MOREAU, with a shade 71cm high £150-250

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27 HIPPOLYTE FRANCOIS MOREAU (1832-1927)

LE REVE white marble, carved as a seated semi-nude female in ﬂowing garments, signed HIP. MOREAU/ 8È FAISE/ DE SCULPTURE/ L’ART /18, on a turning chamfered square base 75cm high

Note: For a comparable ﬁgure of the same subject in marble, see Cannes-Encheres, Cannes, April 2013, lot 148; and another example in bronze, Christies, New York, Sale 1979, lot 193

£8,000-12,000

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Fine Furniture & Works of Art 13 28 HB650/133 EMMANUEL VILLANIS (1858-1914)

ALDA AND MIGNON bronze, each bust with light brown/green patina, one signed VILLANIS, the other E. VILLANIS (2) 12.5cm high £300-500

29 HB650/95 FRENCH BRONZE FIGURE GROUP

19TH CENTURY dark brown patina, modelled as a seated young woman and putto clasping wheat sheaves, on a naturalistic base and polished slate plinth overall 41cm wide, 34cm high £400-600

30 HB650/283 LOUIS XV STYLE LACQUER AND GILT BRONZE MOUNTED INKSTAND

LATE 19TH CENTURY the shaped rectangular stand decorated with ﬁshermen and trees, surmounted by two inkwells modelled as tied sacks and with squirrel ﬁnials, raised on openwork bracket feet 31cm wide

£700-1,000

31 HB650/278 BRONZED SPELTER FIGURE OF A SETTER, AFTER MOIGNIEUX

LATE 19TH CENTURY with a pheasant in its mouth, on a naturalistic cast oval base, signed * MOIGNIEUX, 38cm long, 29.5cm high; together with a PAINTED SPELTER FIGURE OF A PHEASANT, on a naturalistic base, 30.5cm wide, 19.5cm high (2) £150-250

32 HB650/194 ALIX MARQUET (FRENCH 1875-1939)

SUZANNE AU BAIN, DATED 1925 painted plaster, modelled as a semi-nude maiden, on an ogee circular base, signed Alex Marquet and dated 1925; with an associated painted wood plinth (2) ﬁgure 73cm high £200-300

33 HB650/86A FRENCH PATINATED METAL AND MARBLE MANTEL CLOCK

EARLY 20TH CENTURY the urn shaped ﬁnial above the cream enamelled dial marked MADE IN FRANCE, on a classical marble column ﬂanked by Venus and Cupid, raised on a stepped marble base and four gilded feet, 32.5cm wide, 45cm high; together with a PAIR OF VICTORIAN BRONZED SPELTER MARLY HORSE FIGURES, 33cm wide (3) £300-400

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34 HB650/252 PAIR OF CONTINENTAL GILTWOOD AND GESSO OVERMANTEL MIRRORS

19TH CENTURY each with a canted rectangular mirror plate, in a moulded frame with scrolled acanthus to the corners (2) 136cm wide, 116cm high £1,500-2,500

35Y HB650/281 FRENCH BOULLE MARQUETRY LIBRARY DESK AND BOOKCASE, EN SUITE

LATE 19TH CENTURY of breakfront outline, comprising a central kneehole desk with gilt metal gallery and open shelf ﬂanked by two banks of three stage drawers, the frieze with three shallow drawers above panelled cupboard doors between two bookcase cabinets each with a pair of astragal glazed doors enclosing leather fringed shelves, on plinth base, the whole with female mask and foliate cast gilt metal mounts 367cm wide, 104cm high, 72cm deep £2,000-3,000

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36Y HB650/150 FRENCH EBONISED AND INLAID PORTICO CLOCK, SIGNED LAINE A PARIS

37 HB650/92 FRENCH WHITE PAINTED PLASTER CLOCK GARNITURE

19TH CENTURY the serpentine pediment, waisted case and rectangular base with boulle and mother-of-pearl inlay, ﬂanking the signed white enamel dial with Roman numerals and gilt metal cast pendulum, the movement striking on a bell

19TH CENTURY the clock of rectangular outline with applied ﬂowers and garland, ﬂanking the gilt metal Roman numeral dial, raised on four squat bun feet, the moment striking on a bell; the urn vases with waved rims and applied acanthus leaf decoration, on square plinth bases, signed to undersides LE GORI CRO. J. O. (3)

£300-500

38 HB650/143 FRENCH CHAMPLEVÉ ENAMEL AND GILT METAL MANTEL CLOCK

39 HB650/144 FRENCH GILT BRASS AND PORCELAIN MANTEL CLOCK

25cm wide, 47.5cm high

LATE 19TH/ EARLY 20TH CENTURY the neo-classical urn above the gilt dial with Arabic numerals, ﬂanked by enamel panels and columns with acanthus capitals, on a stepped base with toupie feet, the movement striking on a gong 20.5cm wide, 39cm high

£600-800

clock: 30.5cm high; urns: 28.5cm high

19TH CENTURY the gilt metal urn finial with applied floral garlands, above the painted figural dial and panels, flanked by scrolled spandrels and raised on a gadrooned base with six cast feet, the movement striking on a bell 27cm wide, 36.5cm high £600-800

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40Y HB650/170 FINE LOUIS XIV STYLE BOULLE MARQUETRY, EBONY AND EBONISED COMMODE

CIRCA 1860 with brass mounts throughout, the top with rounded corners and inlaid with anthemion, arabesques, foliate scrollwork, cornucopia and central ﬁgures of acrobats, musicians and exotic birds and animals, the sides with similar inlay, above three serpentine drawers and three applied gilt metal female masks, raised on short leafy gilt metal feet 135cm wide, 89cm high, 66cm deep £8,000-12,000

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18 Lyon & Turnbull 41 HB650/13 19TH CENTURY CONTINENTAL SCHOOL GIRL WITH BROCADE DRESS oil on canvas, the sitter in 17th century dress 77cm x 62cm (30.25in x 24.5in) £600-800

42 HB650/11 L. MICHALOFF

LADY WITH FRUIT signed, oval, oil on canvas

92cm x 73cm (36.25in x 28.75in) £800-1,200

43 HB650/12 ATTRIBUTED TO BARON HEINRICH VON ANGELI (AUSTRIAN 1840-1925)

LIEUTENANT COLONEL ST. CLAIR WILKINS oil on canvas 127cm x 101cm (50in x 39.75in) £800-1,200

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44 HB650/260 VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR

MID 19TH CENTURY in the Rococo style with three arched shaped mirror plates, in a moulded frame with C scrolls, acanthus leaves and rococo style decoration 156cm wide, 130cm high £300-500

45 HB650/174 VICTORIAN INLAID AND GILT BRASS MOUNTED WALNUT CREDENZA MID 19TH CENTURY of serpentine form, with a shaped top above the inlaid door between cast mask mounts, ﬂanked by shaped glazed doors, on a plinth base 194cm wide, 109cm high, 44cm deep £500-700

46 § HB650/74A R. BLACK (CONTEMPORARY SCOTTISH)

SCOTT'S VIEW, BEMERSYDE Signed, oil on canvas

30.5cm x 61cm (12in x 24in), unframed £200-300

47 HB650/110 VICTORIAN BRONZED SPELTER FIGURAL FLOOR LAMP

19TH CENTURY as a Renaissance soldier in armoured uniform and headdress, with one arm raised holding a glass shade moulded as a ﬂaming torch, on a socle plinth base 133cm high £250-350

48 HB650/115 PAIR OF VICTORIAN STYLE BRASS LAMPS

MODERN each with cast scrolled elements above the fluted column and circular chamfered base with applied spandrels, with a tole shade, overall 146cm high (including shade); 111.5cm high (excluding fittings); together with a VICTORIAN GILT BRASS WALL LIGHT, cast as a winged merman clasping a torch in both hands and fitted with a cranberry coloured glass shade, 44cm high, 23cm deep (3) £250-350

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49 HB650/109 FRENCH BRONZED SPELTER FIGURAL FLOOR LAMP

19TH CENTURY modelled as a classical maiden with her arm raised holding a glass shade moulded as a ﬂaming torch, raised on a circular plinth with acanthus scroll supports 165cm high £400-600

50 HB650/180 ITALIAN MARBLE BUST OF THE VIRGIN MARY

19TH CENTURY carved with a shawl covering the head and shoulders, on a dark green marble socle base 50cm high £300-500

51 HB650/173 CARVED WHITE MARBLE FIGURE

LATE 19TH CENTURY carved as a semi-nude maiden resting on a half column with carved foliage, on a ogee circular base 85cm high

£1,500-2,500

52 HB650/86 PAIR OF VICTORIAN PATINATED METAL CANDELABRA 19TH CENTURY each with four outscrolling arms above the urn formed column, raised on a rococo style base modelled with fruit, on four paw feet (2) 77cm high £200-300

53 HB650/106 PAIR OF GILTWOOD AND METAL LAMPS

LATE 19TH / EARLY 20TH CENTURY converted from candlesticks, each giltwood column mounted with ﬂared gilt metal wheat sheaves, on a gadrooned circular base, with pleated shades (2) overall 91cm high £200-300

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54 HB650/284 VICTORIAN WALNUT LEATHER INSET PARTNER’S DESK

LATE 19TH CENTURY the moulded rectangular leather inset top above three frieze drawers and three opposing, raised on twin pedestals with three drawers to each side, on plinth bases with castors 160cm wide, 78cm high, 120cm deep £1,500-2,500

55 HB650/258 LATE VICTORIAN EBONISED AND NEEDLEWORK THREE FOLD SCREEN LATE 19TH CENTURY each panel with a galleried top above a needlework panels depicting Orientalist portraits ﬂanked by Egyptianesque style columns, on turned and scrolled feet

Each panel 48cm wide, 165cm high £500-700

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22 Lyon & Turnbull 56 HB650/159 VICTORIAN WALNUT ETAGERE CANTERBURY

19TH CENTURY the inlaid rounded rectangular top with a pierced three quarter gallery, over the three division base with pierced sides and frieze drawer, on turned legs with ceramic castors 61cm wide, 98cm high, 43cm deep £500-800

57 HB650/154 VICTORIAN WALNUT WORK/GAMES TABLE

19TH CENTURY the pivoting foldover top opening to chequer and backgammon boards, over a ﬁtted frieze drawer and basket, on turned supports and downswept legs united by a stretcher, with ceramic castors 69cm wide, 73cm high, 40cm deep £300-500

58 HB650/248 PAIR OF VICTORIAN BUTTON UPHOLSTERED WALNUT ARMCHAIRS AND FOOTSTOOL

CIRCA 1850 each chair with a shaped back, arms and seat, covered in cream foliate fabric, on reeded baluster legs, 70cm wide, 101cm high, 78cm deep; the stool with matching fabric and frame, 50cm wide, 31cm high (3) £800-1,200

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Fine Furniture & Works of Art 23 59 HB650/233 VICTORIAN AMBOYNA, EBONISED AND PORCELAIN MOUNTED CABINET 19TH CENTURY the stepped superstructure with pierced gilt metal galleries, with an arched recess ﬂanked by cupboard doors, above the rectangular top and frieze drawer over two mirror backed undertiers, on turned legs with ceramic castors 121cm wide, 150cm high, 57cm deep £3,000-5,000

60Y HB650/242 ITALIAN WALNUT MARQUETRY CABINET

19TH CENTURY the rectangular top over a single frieze drawer and moulded panel door, inlaid with stained fruitwood, ivory, abalone and mother-of-pearl depicting putti, the outer panels with ﬁgural brass and conforming inlay, the interior with graduated drawers, on a plinth base 83cm wide, 111cm high, 48cm deep £2,000-3,000

61 HB650/130 VICTORIAN GILTWOOD FRAMED OVERMANTEL MIRROR

19TH CENTURY the arched mirror plate in a carved giltwood frame with a moulded edge 134cm wide, 157.5cm high £200-300

62 HB650/158 VICTORIAN ROSEWOOD OCCASIONAL TABLE

19TH CENTURY the moulded rectangular top above a frieze drawer, raised on turned supports ending with foliate moulded trestle legs, united by a turned stretcher 54cm wide, 72cm high, 38cm deep £250-350

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24 Lyon & Turnbull 63 HB650/198 LATE REGENCY PAINTED PLASTER FIGURAL TORCHERE, IN THE MANNER OF HUMPRHEY HOPPER

EARLY 19TH CENTURY modelled as draped classical maiden with one arm outstretched, raised on ogee square base 134cm high £500-700

64 HB650/273 PAIR OF BRONZED METAL LAMPS

modelled as candelabra, each with four scrolled candle arms above square ﬂuted columns, on four scrolled feet, with tole shades (2) 78cm high £300-500

65 HB650/138 UPHOLSTERED WALNUT TUB ARMCHAIR

EARLY 20TH CENTURY the shaped back, arms and seat covered in light blue fabric, on short cabriole legs 70cm wide, 75cm high, 78cm deep £150-250

66 HB650/222 UPHOLSTERED AND GLAZED FOUR FOLD SCREEN

MODERN each panel with a red velvet frame, the scrolled graduated top above a glazed panel and ﬂowerbud and foliage textile panels panels: 51cm wide; at tallest 179cm high

£200-300

67 HB650/269 VICTORIAN PAINTED NEEDLEWORK UPHOLSTERED NURSING CHAIR

19TH CENTURY the cartouche shaped back and seat covered in ﬂoral needlework with an oval reserve, with a gilt and painted frame and raised on cabriole legs 58cm wide, 97cm high, 54cm deep £150-250

68 HB650/274 PAIR OF VICTORIAN PORCELAIN TOPPED OCCASIONAL TABLES

19TH CENTURY each with a square top inset with painted pink plaques above galleried undertiers, on splayed turned legs united by an X form stretcher (2) 44cm wide, 73cm high £150-250

69 HB650/286 VICTORIAN UPHOLSTERED NURSING CHAIR

19TH CENTURY with cream foliate fabric, on turned legs and ceramic castors, 52cm wide, 84cm high, 70cm deep; together with a NEEDLEWORK UPHOLSTERED LOW CHAIR, 69cm wide, 67cm high, 74cm deep (2) £200-300

70 HB650/289 VICTORIAN UPHOLSTERED DAY BED

19TH CENTURY covered in red foliate fabric with a tasselled fringe, with a button upholstered arched end with scrolled arms, on ebonised legs with wood castors 198cm long, 98cm high, 89cm deep £150-250

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71 HB650/185 EDWIN ROSCOE MULLINS (ENGLISH 1849-1907)

THE LOVE TOKEN painted plaster, signed and dated, raised on an oval base and wood plinth 66cm high £500-800

72 HB650/262 VICTORIAN ISLAMIC STYLE GILT BRONZE CLOCK GARNITURE

LATE 19TH CENTURY the silvered Roman numeral dial with a striking 8-day movement stamped A*B/ 4844/ 11/ 6, in a square case with domed turret and spires, ﬂanked by a pair of gilt metal twin handled urns (3) clock: 18cm wide, 34cm high; urns: 23.5cm high £700-1,000

73 HB650/272 VICTORIAN OAK AND PATINATED METAL CORNER BRACKET

19TH CENTURY the bow front shelf above a cherub head mount on a scrolled wall mount and ﬁnial pediment 39cm wide, 37cm high

£100-200

74 HB650/193 PAIR OF PAINTED CAST IRON GARDEN TABLES

each cast with a pierced circular top on three scrolled legs with dolphin head feet; together with a PAINTED CAST IRON PLANTER, of campana form, 42cm diameter, 80cm high (3) table 39cm diameter, 75cm high £150-250

75 HB650/186 PAIR OF PAINTED POTTERY LAMPS

MODERN of baluster form with scrolled handles to the shoulders, with polychrome foliate decoration and shades (2) 58cm high £200-300

76 HB650/214 VICTORIAN BERLIN WOOL AND BEADWORK PICTURE

77 HB650/165 PAIR OF VICTORIAN STYLE METAL AND RESIN UPLIGHTERS

MODERN each gilt and black painted column with foliate and swag decoration, on a stepped square base (2) 45cm wide, 193cm high £200-300

78 HB650/206 TWO VICTORIAN GILTWOOD WALL MIRRORS

19TH CENTURY depicting ﬂowers in relief, in a giltwood glazed frame; together with a FLORAL WATERCOLOUR, in a ribbon moulded frame (2)

19TH CENTURY the ﬁrst with a ﬂuted frame; the other with foliate carved cresting and lattice frame (2)

£100-150

£150-250

58cm high and 49cm high

60cm high and 72cm high

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26 Lyon & Turnbull 79 HB650/280 LATE VICTORIAN GILT METAL AND PIETRA DURA MOUNTED ALBUM

19TH CENTURY the foliate engraved cover inset with ﬁve oval panels depicting shells and ﬂowers 22cm wide, 20cm high £300-500

80 HB650/26 AFTER PIERRE-AUGUSTE RENOIR (FRENCH 1841-1919) GIRLS AT THE PIANO oil on canvas

115cm x 89cm (45.25in x 35in) £400-600

81 HB650/296A SET OF TEN FRENCH WHITE ENAMELLED KITCHEN STORAGE JARS

of various sizes, each with a handle and lid, inscribed, tallest 23cm high; together with a GROUP OF TEN VARIOUS CLEAR GLASS PHARMACEUTICAL JARS, tallest 26cm high (20) £150-250

82 HB650/297 HERIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY the red ﬁeld with blue and ivory medallion, red and ivory spandrels, within indigo turtle palmette and vine border between bands 275 x 199cm £150-250

83 HB650/66A TWO REPRODUCTION PRINTS OF NAPLES, AFTER ANTOINE-ALEXANDREJOSEPH-CARDON

VEDUTA DI PONTE NUOVO and VEDUTA DI CHIAIA, framed (2) 107cm x 65cm £100-200

84 HB650/247 PAIR OF BRASS AND GLASS LAMPS

86 HB650/210 PAIR OF BRONZED METAL LAMPS

£250-350

£150-250

19TH CENTURY converted from candlesticks, each with a Corinthian capital above a spiral glass column and gilt brass stepped base, with a pleated cream shade, 52cm high (excluding ﬁttings); together with a BRASS TABLE LAMP, of ﬂuted column form, on a black painted and gilt square wood base, with a shade, 70cm high (3)

85 HB650/279 LATE VICTORIAN BRASS LECTERN

LATE 19TH CENTURY the pierced reading slope with a roundel bearing initials ‘IHR’, on a knopped column and base inscribed ‘Presented to Scotby Church in loving memory of R.H.Clutterbuck Esq. of Durran Hill House by his widow, August 1893’, on paw feet 50cm wide approx., 138cm high £200-300

MODERN each as a Corinthian column on a stepped base, with a modern shade, 45.5cm high (excluding fittings); together with a CUT GLASS AND GILT METAL MOUNTED LAMP, of column form, on a fluted base and cut glass foot, raised on a three lobed square feet, with a toleware shade, 53cm high (excluding fittings) (3)

87 HB650/187 FRENCH WHITE PAINTED PLASTER COLUMN

the octagonal top stamped ‘MARCEVILE & BERNIER, CASTELNAUDARY, AUDE’ above the foliate capital and cylindrical column, on an octagonal base 35cm wide, 99cm high £100-200

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88 HB650/241 ITALIAN ‘SCAGLIOLA’ PAINTED MARBLE TABLE TOP, ‘AURORA AND THE HOURS’ AFTER GUIDO RENI

19TH CENTURY the rectangular top with a central scene within a black and gilt border of classical motifs, raised on a modern black metal supports table top: 125 x 70cm; stand: 128cm wide, 63cm high, 72cm deep £2,000-3,000

89 HB650/238 ITALIAN PIETRA DURA OCTAGONAL TABLE 19TH CENTURY the octagonal black slate top inlaid with various hardstones depicting poppies, raised on an ebonised turned support with x-form base 56cm diameter, 65cm high £700-1,000

90 HB650/195 SPECIMEN MARBLE TOP PEDESTAL TABLE 19TH / 20TH CENTURY the black marble top inset with various radiating hardstone panels, raised on a reeded and stiﬀ leaf carved column and square base 68cm diameter, 78cm high £800-1,200

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28 Lyon & Turnbull 91 HB650/59 DANIEL PASMORE (BRITISH 1815-1893)

SCENE FROM WOODSTOCK - SIR HENRY LEE AND HIS DAUGHTER signed, oil on canvas 34cm x 44cm (13.5in x 17.25in) £300-500

92 HB650/37 19TH CENTURY ENGLISH SCHOOL

STUDY OF TWO SISTERS READING A BOOK oil on canvas 75cm x 63cm (29.5in x 24.75in) £400-600

93 HB650/16 D.W. GILL

STILL-LIFE OF FLOWERS ON A GRASSY BANK oil on canvas, circular 35cm x 35cm (13.75in x 13.75in) £400-600

94 HB650/36 G. A. PUMFREY (19TH CENTURY EUROPEAN SCHOOL)

95 HB650/35 19TH CENTURY EUROPEAN SCHOOL

61cm x 51cm (24in x 20in)

51cm x 61cm (20in x 24in)

A STILL-LIFE OF FLOWERS IN A NICHE signed, oil on canvas £200-300

MIXED FLOWERS ON A STONE LEDGE signed with initials ‘J.B.’ and dated 1883, oil on canvas £200-300

96 HB650/42A 19TH CENTURY ENGLISH SCHOOL

HALF-LENGTH PORTRAIT OF A YOUNG WOMAN watercolour; together with TWO FURTHER WATERCOLOURS, one a portait of a boy, the other a heraldic device (3) 25.5cm x 20cm (10in x 8in) £250-350

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97 HB650/304 COALBROOKDALE STYLE PAINTED CAST IRON BENCH

the curved back with oak leaf casting above the slatted wood seat and straight arms terminating in dog’s head ﬁnials, raised on scrolled legs and paw feet 146cm wide, 95cm high, 70cm deep £300-500

98 HB650/197 LARGE DOULTON PAINTED STONEWARE URN ON PEDESTAL

19TH CENTURY the urn with a laurel wreath rim above moulded acanthus leaves and ﬂared foot, raised on a spreading square base with an egg and dart moulded border, stamped marks 68cm diameter, 126cm high £300-500

99 HB650/288 REGENCY MAHOGANY CHEVAL MIRROR

EARLY 19TH CENTURY the curved rectangular mirror plate ﬂanked by baluster turned supports with acorn ﬁnials, on downswept sabre legs and brass castors 83cm wide, 160cm high, 58cm deep £200-300

100 HB650/270 GEORGIAN STYLE PAINTED UPHOLSTERED LONG STOOL

the overall patterned velour covered seat above the cream painted scalloped carved apron and cabriole legs 120cm wide, 48cm high, 40cm deep £150-250

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30 Lyon & Turnbull 101 HB650/268 PAINTED PORCELAIN PLAQUE, SIGNED ETHEL MASON LATE 19TH CENTURY depicting scene from Taming of the Shrew, of porcelain form, painted with ﬁgures and a musician, signed and dated ETHEL MASON/ 3/10/96, incised 23-35 to verso, in a giltwood frame 22 x 33.5cm (excluding frame) £300-500

102 HB650/160 MOORCROFT POTTERY TABLE LAMP MODERN of baluster form, with painted ﬂoral decoration, raised on a plinth base, with a pleated shade vase: 42cm high £300-500

103 HB650/102 VICTORIAN COALPORT PART DESSERT SERVICE

CIRCA 1850 each centrally painted with a ﬂoral or fruit spray within a reticulated blue and gilt border, comprising sixteen plates and ﬁve graduated comports, one plate with a registration mark for 1849, some with indistinct impressed marks (21) plates: 24.5cm diameter £800-1,200

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Fine Furniture & Works of Art 31 104 HB650/217 CHINESE CANTON FAMILLE ROSE PORCELAIN VASE AND COVER

19TH CENTURY of baluster form, decorated with mandarins and attendants in a garden setting within butterﬂy and rose painted borders with gilt highlights; with an associated marble topped hardwood stand, raised on cabriole legs united by a star formed stretcher (2) vase and cover: 65cm high £400-600

105 HB650/216 CHINESE CANTON FAMILLE ROSE VASE AND COVER

19TH CENTURY of double gourd form, decorated with opposing panels of figures, birds, butterflies and flowers, on a green, pink and gilt ground, with a hardwood stand 68cm high £600-900

106 HB650/189 TWO CHINESE PORCELAIN FISH BOWLS MODERN the ﬁrst of typical form with an everted rim, decorated with peaches, bats, prunus, on a yellow ground, raised on a hardwood stand; the other, painted with ﬁgures amongst trees and clouds and an inscription, raised on a hardwood stand (2) largest 56cm diameter £80-120

107 HB650/121 TWO SILVERPLATED SALVERS

19TH CENTURY the ﬁrst, with a shaped gadrooned rim and etched shield within scrolling foliage, on four scrolled feet, 57cm diameter; the second, with foliate cast rim and etched scroll detail, on three scrolled feet, 30cm diameter (2) £150-250

108 HB650/111 PAIR OF GEORGIAN STYLE SILVERPLATED CANDELABRA

110 HB650/98 LATE VICTORIAN SILVER PARAFFIN LAMP

£200-300

overall 73.5cm high

each with a central candle holder above four outscrolling arms, on a tapered column with gadrooned bands and base, 68cm high; together with a MATCHING PAIR OF CANDLESTICKS, 34cm high (4)

109 HB650/100 PAIR OF SILVERPLATED PARAFFIN LAMPS

EARLY 20TH CENTURY each with a cut crystal ovoid reservoir, above a cast Corinthian column on a stepped base, with a modern shade, overall 78cm high; together with an EDINBURGH CRYSTAL DECANTER AND TUMBLER SET, comprising of a decanter and stopper and six glasses, marked EDINBURGH CRYSTAL, on a ﬁtted demi-lune tray, tray: 48cm wide; decanter: 31cm high (3) £250-350

LONDON 1899 the cut glass squared reservoir, above a silver Corinthian cast column and spreading square base, decorated with urns within a gadrooned border £200-300

111 HB650/136 SET OF BRASS FIRE IRONS AND A COPPER COAL SCUTTLE

19TH CENTURY comprising a set of tongs, a poker, and a shovel, with ball ﬁnials; and a bucket shaped coal scuttle with a bale handle (4) shovel 71cm long £150-250

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112 HB650/93 QUEEN ANNE MARQUETRY LONGCASE CLOCK BY JOSEPH SAER, LONDON

EARLY 18TH CENTURY the caddy top hood above a moulded cornice and blind fretwork frieze flanked by spiral turned half columns, the square brass dial with a silver chapter ring and cast spandrels inscribed ‘Jos Saer, Porpoole Lane, London’, with subsidiary seconds dial and day and date apertures, the trunk with a rectangular cushion moulded door and glazed lenticle, above a base with a plinth, the whole profusely inlaid with flowering urn marquetry, the five pillar twin-train movement with an anchor escapement and striking on a bell 54cm wide, 236cm high, 27cm deep £7,000-10,000

113 HB650/140 WILLIAM & MARY MARQUETRY LONGCASE CLOCK BY EVAN HERBERT, LONDON

LATE 17TH CENTURY the hood with a straight moulded cornice and fabric banded pierced frieze above a glazed door enclosing a brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, above a trunk door with foliate marquetry and lenticle, on a plinth base with further marquetry, the eight day movement striking a bell 42cm wide, 209cm high, 25cm deep £4,000-6,000

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114 HB650/105 EARLY VICTORIAN MAHOGANY LONGCASE CLOCK BY J.C. ELLIOTT, LEEDS

19TH CENTURY the hood with a swan neck pediment above a glazed door and painted arched dial depicting a church, with Roman numeral chapter ring and subsidiary date and calendar dials, with a triple pointed trunk door and circular panelled plinth base, raised on bracket feet, the eight day movement striking a bell 70cm wide, 252cm high, 29cm deep £400-600

115Y HB650/120 BANDED MAHOGANY BANJO BAROMETER

EARLY 19TH CENTURY of typical form with an ivory mounted broken swan neck pediment above the hydrometer, thermometer and barometer dials, with a spirit level 98cm high £200-300

116 HB650/112 GERMAN BEECH AND WALNUT MANTEL CLOCK BY WINTERHALDER & HOFFMEIER

LATE 19TH CENTURY the arched pediment above the silvered and gilt dial with Roman numerals, ﬂanked by Doric columns, with simulated brick carved elements and a stepped base, the movement stamped W & H / SCH / 2 and striking on two gongs 41cm high £300-500

117 HB650/117 LENZKIRCH GERMAN BEECH MANTEL CLOCK

19TH CENTURY the stepped top above the silvered dial with Roman numerals and applied gilt metal mounts and handles, on a stepped shaped rectangular base, the movement stamped ‘LENZKIRCH/ A.U.G.’, striking on a gong 32.5cm high £150-250

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118 HB650/161 REGENCY ROSEWOOD BRASS INLAID SOFA TABLE

EARLY 19TH CENTURY the rounded rectangular top with hinged twin ﬂaps, above two frieze drawers, on a squared column and chamfered base with scroll feet and brass castors 96cm wide (not extended), 71cm high, 66cm deep £500-800

119 HB650/237 COLLECTION OF PLASTER INTAGLIOS OF THE PARTHENON FRIEZE 19TH CENTURY after John Henning the Elder, some framed, the remainder in a case (qty) Each approx. 23cm wide, 6cm high £400-600

120 HB650/201 NEAR PAIR OF LARGE COPELAND AND COPELAND & GARRETT PARIAN URNS CIRCA 1850 the relief moulded sides depicting a continuous frieze of classical ﬁgures, on leaf moulded circular foot, one impressed ‘Copeland’, 58cm high; the other impressed ‘Copeland & Garrett’, 64cm high (2) £800-1,200

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121 JOHN EVAN THOMAS (BRITISH 1810-1873)

SIR WALTER SCOTT ﬁne white marble bust, signed and dated, after the model by Sir Francis Legatt Chantrey 75cm high

Note: This white marble bust of Scott, after a model by the renowned portrait sculptor Francis Legatt Chantrey (1781-1841) is famed for its likeness of the author as well as capturing a sense of his character. The original model by Chantrey was executed after requesting a sitting with Scott in 1820. Dissatisﬁed with his original clay composition, the sculptor reportedly took a wire to the neck and re-positioned the head in its current place, facing to the left. A plaster cast of the bust was exhibited at the Royal Academy in 1821 and the marble version was completed in 1822. In 1828 it was presented to Scott by the artist and now resides in the library at Abbotsford. A second version by Chantrey was commissioned by the Duke of Wellington in 1821 and completed in 1826. It is now located in the collection at Stratﬁeld Saye, the Duke of Wellington’s estate on the Hampshire/Berkshire border. A third revised version, started in 1828 and known as the ‘Peel’ bust, is now in the Philadelphia Museum of Art. John Evan Thomas started his apprenticeship in Chantrey’s studio in 1824 at the age of fourteen and would certainly have been there while both the ‘Abbotsford’ and ‘Wellington’ busts were being carved and it is likely that Thomas has some hand in their creation.

£6,000-9,000

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122Y HB650/275 RUSSIAN ARCHANGEL WALRUS IVORY AND BONE CASKET

KHOLMOGORY, ARCHANGELSK PROVINCE, 19TH CENTURY the rectangular box with pierced fretwork panels and carved veneers with red and green stained engraved borders 23cm wide, 11cm high, 16cm deep £600-800

123 § HB650/188 LAURENCE BRODERICK (BRITISH 1935)

LEAPING SALMON MAQUETTE, BRONZE with graduated blue/green patina, the curved form imitating a leaping salmon, with incised scales and ﬁns, on a polished black marble base, signed and inscribed 10/10 61cm high

£1,500-2,500

124 HB650/264 AUSTRIAN COLD PAINTED BRONZE BY FRANZ BERGMANN (1861-1936) EARLY 20TH CENTURY modelled as a bust of a Moor, raised on a stepped onyx base, with Bergmann amphora mark and impressed GESCH base 31.5cm wide; 32cm high (including base) £1,000-1,500

125 HB650/116 PAIR OF BOHEMIAN WHITE OVER GREEN ENAMELLED GLASS GOBLETS

19TH CENTURY of slightly ﬂared form, with painted portraits reserves of maidens and foliate reserves, with gilt details (2) 18cm high £500-700

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126 HB650/227 LARGE VIENNA PORCELAIN CHARGER

LATE 19TH / EARLY 20TH CENTURY the central rectangular reserve after a painting by Angelica Kaufmann depicting Psyche before Venus in her temple, identiﬁed on the reverse, with a gilt decorated panel border, blue beehive mark 49.5cm diameter £2,000-3,000

127 HB650/228 LARGE VIENNA PORCELAIN CHARGER

LATE 19TH / EARLY 20TH CENTURY the central rectangular reserve painted with a scene of semi-nude and draped beauties in a garden after Angelica Kaufmann, identiﬁed on the reverse, within a sectioned border with foliate scroll raised gilt decoration, blue beehive mark 49cm diameter £2,000-3,000

129 HB650/231 PAIR OF VIENNA PORCELAIN COVERED URNS ON STANDS

128 HB650/91 PAIR OF VIENNA PORCELAIN EWERS ON STANDS

19TH CENTURY each with a high scrolled handle and ﬂuted neck, the ovoid body painted with ﬁgural reserves on a turquoise ground with puce and gilt enamels, on a square plinth base, with blue beehive marks (2) 59cm high overall £1,500-2,500

LATE 19TH CENTURY each of baluster form with twin angled handles, the sides painted with classical ﬁgural reserves on a purple, green and pink ground with gilt highlights, raised on a square plinth base, with blue beehive marks (2) 27cm high £600-800

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130 HB650/103 MEISSEN PORCELAIN FRAMED STRUT CLOCK

19TH CENTURY the oval frame with ﬂowering trails and surmounted by a putti, with blue crossed swords mark, enclosing an engraved silvered Roman numeral dial inscribed ‘J.W. Benson/ 25 Old Bond St/ London’, with a gilt metal easel back 34cm high, 26cm wide £1,000-1,500

131 HB650/149 GOOD MEISSEN PORCELAIN PINK COVERED VASE

19TH CENTURY the domed lid surmounted by a putto, the baluster body with twin Egyptian mask handles united in high relief with berried laurel leaf swags, painted with two cartouche shaped panels depicting classical ﬁgures against a gilt enriched pink and green ground, raised on a socle foot, blue crossed sword marks 48cm high

£3,000-5,000

132 HB650/169 MEISSEN PORCELAIN DISH, AFTER THE ‘SWAN’ SERVICE LATE 19TH CENTURY of lobed oval form with oyster shell modelled handles and shell-like moulding, painted with swans, heron and ﬁsh in low relief on a white ground with gilt highlights 54cm wide £400-600

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Fine Furniture & Works of Art 39 133 HB650/232 MEISSEN PORCELAIN FIGURE OF A NYMPH

LATE 19TH CENTURY modelled as a draped semi-nude woman, raised on a naturalistical base, blue crossed swords mark, incised, stamped and painted marks 41.5cm high £700-1,000

134 HB650/250 MEISSEN PORCELAIN FIGURE GROUP OF EUROPA AND THE BULL

19TH CENTURY modelled as three semi-nude maidens, one sitting upon a bull, with applied foliage on a rococo style base with gilt highlights, blue crossed swords marks, painted and incised numbers 20cm wide, 22cm high £600-800

135 HB650/96 PAIR OF CAPODIMONTE PORCELAIN COVERED URNS

19TH CENTURY each with a flame finial and domed cover, above a baluster shaped body moulded in low relief with classical figures, with twin fish-mask handles and gilt highlights, blue crowned N mark (2) 23cm high £300-500

136 HB650/251 CAPODIMONTE PORCELAIN FIGURE GROUP

19TH CENTURY depicting the Rape of Proserpina, decorated in polychrome enamels, on a shaped and gilt base, blue crowned N mark 24cm wide, 24cm high £300-500

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137 HB650/259 MIDDLE EASTERN MOTHER-OF-PEARL INLAID CORNER ARMCHAIR LATE 19TH CENTURY the shaped back with lozenge pattern and a solid seat with similar decoration, above a shaped apron and legs 82cm wide, 79cm high, 55cm deep £300-500

138 HB650/265 MIDDLE EASTERN INLAID OCCASIONAL TABLE LATE 19TH CENTURY the octagonal top centred by a star motif, above arched shaped aprons and straight legs, with mother-of-pearl inlay 46cm diam, 62cm high £300-500

139 HB650/266 MIDDLE EASTERN INLAID CORNER ARMCHAIR

LATE 19TH CENTURY the shaped back with lozenge pattern and a solid seat with similar decoration, above the shaped frieze and legs 82cm wide, 79cm high, 55cm deep £300-500

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140 HB650/263 TURKISH GLAZED EARTHENWARE RAM FORM RHYTON

141 HB650/261 TURKISH GLAZED EARTHENWARE RAM-FORM RHYTON

modelled with oversized horns, the tail as a handle, with ﬁnger pulled ‘wool’ body, in dark brown glaze

modelled with large curving horns, its tail forming a handle and covered with extruded clay ‘wool’, in dark brown glaze

£500-700

20cm wide, 20cm high

23cm long, 20cm high

142 HB650/80 HISPANO MORESQUE LUSTRE DISH

VALENCIA (MANISES), MID 16TH CENTURY in brown lustre and blue glaze, centrally painted with a stylised flower head enclosed by bands of stylised palmettes and pine cones, against a ground filled with interlaced wheat ears, leaves and flower heads; the reverse roughly executed with stylised ferns and whorls centred by a stylised flower head 41cm diameter £800-1,200

143 HB650/79 HISPANO-MORESQUE LUSTRE DISH

SEVILLE (TRIANA), EARLY 16TH CENTURY in dark brown lustre and blue glaze, centrally painted with a star and dot motif with a band of hatched leaves, dots and scrolls, the broad rim with ﬂattened leaves and stylised ﬂowers on alternating grounds with stalks and wheat, with a pierced hanging hole; the reverse with a radiating band 39.5cm diameter £1,500-2,500

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144 HB650/202 ROMAN MOSAIC OF A PEACOCK

LATE 3RD CENTURY AD, POSSIBLY ANATOLIAN of circular outline, with curved bands enclosing the circular reserve depicting a peacock in full display with fanned tail feathers 133cm diameter

Provenance: David Aaron, June 2011. Previously in the private collection of Mr Khabbazi, acquired in the 1970s.

ÂŁ6,000-9,000

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145 HB650/203 LARGE ROMAN MOSAIC OF A DEER

2ND/3RD CENTURY AD, POSSIBLY ANATOLIAN of rectangular outline, depicting a leaping deer against a cream ground with stylised plants 153cm x 175cm

Provenance: David Aaron, June 2011. Previously in a private Japanese collection, acquired in 1994.

ÂŁ20,000-30,000

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Continental Furniture & Works of Art 146 HB732/2 LOUIS XIV STYLE GILTWOOD CHAISE D’OREILLE

EARLY 20TH CENTURY the carved rest rail above a padded back and ears continuing to part padded enclosed arms, above a loose cushion seat, raised on carved cabriole legs 69cm wide, 109cm high, 63cm deep £400-600

147 HC527/11 FRENCH LOUIS XIV STYLE KINGWOOD AND GILTMETAL MOUNTED PLANTER

19TH CENTURY of serpentine ovoid section set with celeste blue and polychrome Sevres style panels and enclosing a removable tole liner 49cm across, 24cm high, 31cm deep £300-400

148 HB633/63 PAIR OF LOUIS XIV STYLE MARBLE AND GILT BRONZE MOUNTED SNAKE HANDLE URNS AND COVERS

19TH CENTURY the ovoid pale grey and pink veined marble bodies mounted with double entwined snake handles and ribbon tied ﬂoral swags, with domed marble covers with acorn ﬁnials, on leaf cast gilt bronze socles and square marble bases (2) 55.5cm high

£1,500-2,500

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149 HB633/54 PAIR OF GILT BRONZE LAMPS

20TH CENTURY converted from paraﬃn lamps, each with gilt basket support above the spreading column cast with fruit, rococo scrolls and swags, terminating in a tripod base (2) 64.5cm high (excluding electrical ﬁttings) £800-1,200

150Y HA340/2 LOUIS XV TORTOISESHELL AND BRONZE MOUNTED BRACKET CLOCK, SIGNED THIOUT L’AINÉ, PARIS

18TH CENTURY the waisted case with foliate and ﬁgural mounts, raised on four scrolled mask feet, with a glazed door opening to the enamel Roman numeral cartouches dial, the movement signed THIOUT L’AINÉ, PARIS 41cm high

Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer’s sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvlaen/imports-exports/cites/

£600-800

151 HB633/69 FRENCH GILT AND PATINATED METAL ‘MARLY HORSE’ MANTEL CLOCK

19TH CENTURY the gilt and patinated bronze ﬁgure group above a rectangular plinth base with a silvered Roman number dial with two winding holes, on a leaf tip cast plinth raised on scrolling foliate feet, the 8 day movement striking a bell 26cm wide, 51cm high, 12.5cm deep £800-1,200

152 HB498/2 PAIR OF FRENCH GILT BRONZE CANDLESTICKS

19TH CENTURY each of rococo C scrolled form, with a removable sconce above a cockerel head, spread wings and single claw, on a scrolled acanthus leaf cast base (2) 23.5cm high £500-700

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153 HA675/3 FRENCH LÉVY FRÈRES ORMOLU AND PORCELAIN MOUNTED MANTEL CLOCK

19TH CENTURY the fruiting urn above a signed white enamelled dial, ﬂanked by mythical winged creatures and ﬂower swags, above painted porcelain mounts and a rococo scrolled base, the stamped and signed movement striking on a bell, all raised on a carved gilt wood base overall 35cm high, base 38cm wide £800-1,200

154 HB732/1 LOUIS XV STYLE KINGWOOD AND AMARANTH PARQUETRY AND MARBLE TOP TABLE A ECRIRE

19TH CENTURY the reniform veined grey marble top with a pierced brass gallery, over a frieze drawer ﬁtted with a writing slope, raised on cabriole legs joined by a conforming undertier 48cm wide, 73cm high, 31cm deep £300-500

155 HB886/6 PAIR OF LOUIS XV STYLE WALNUT NEEDLEWORK UPHOLSTERED FAUTEUILS

19TH CENTURY the shaped oval padded backs with foliate scroll cresting above part padded scroll arms and wide serpentine seats and foliate scroll carved seat rails, raised on cabriole legs ending in raised scroll toes, in pale green ﬂoral needlework upholstery (2) 69cm wide, 99cm high, 53cm deep £1,500-2,500

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156 HA675/1 LOUIS XV STYLE AMARANTH AND VERNIS MARTIN BUREAU

LATE 19TH / EARLY 20TH CENTURY the three quarter brass gallery top above three short drawers and a cylinder top painted with a scene of a pastoral scene with a courting couple, opening to an interior ﬁtted with compartments and drawers and plush lined writing surface, over a long frieze drawer, raised on square cabriole legs, with gilt metal mounts throughout 92cm wide, 106cm high, 55cm deep £500-800

157 HA675/2 LOUIS XV STYLE MAHOGANY AND VERNIS MARTIN VITRINE CABINET

EARLY 20TH CENTURY the moulded cornice above a glazed serpentine door and curved side panels with painted panels below, opening to red velvet lined shelved interior, on squared cabriole legs, all outlined with gilt metal mounts 85cm wide, 162cm high, 39cm deep £800-1,200

158 HC527/6 FRENCH GILTMETAL AND PORCELAIN MOUNTED MANTEL CLOCK

19TH CENTURY with Sevres style celeste blue and polychrome dial mounted in elaborate cast case with corresponding decorative panel 37cm high £200-300

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Fine Furniture & Works of Art 49 159 HB510/18 FRENCH GILTWOOD THREE FOLD SCREEN

with three shaped glazed panels above three ﬂoral and ribbon pattern silk panels, within a moulded parcel gilt frame 144cm wide, 186cm high £300-500

160 HB633/9 LOUIS XV STYLE KINGWOOD AND GILT BRONZE MOUNTED TABLE

19TH CENTURY the shaped circular quarter-veneered top with a brass banded edge, above a serpentine frieze, raised on cabriole legs joined by a conforming undertier, with gilt bronze mounts throughout 44.5cm diameter, 73cm high £800-1,200

161 HB633/37 LOUIS XV STYLE KINGWOOD AND MARQUETRY TAMBOUR FRONT COMMODE

19TH CENTURY the shaped rectangular gilt metal banded top above a pair of tambour doors, the sides with ﬂoral marquetry, raised on splay feet, with bronze mounts 116cm wide, 86cm high, 44cm deep £1,500-2,500

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50 Lyon & Turnbull 162 HB886/10 LOUIS XV STYLE BIRDCAGE SIXTEEN LIGHT CHANDELIER

20TH CENTURY the openwork gilt metal frame issuing two tiers of eight scrolling candle arms hung with crystal drops and a bal pendant, electriﬁed 117cm high, 64cm diameter £3,000-4,000

163 HB233/17 PAIR OF PINK AND YELLOW MARBLE DORIC COLUMN PEDESTALS 19TH CENTURY the square white veined marble tops over plain columns on moulded square bases (2) 111cm high £700-900

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164 HB633/64 FRENCH GILT AND PATINATED BRONZE AND MARBLE MANTEL CLOCK

19TH CENTURY with a standing ﬁgure of a putto holding a cockerel beside a truncated squared column set with a white enamel Arabic numeral dial painted with ﬂoral garlands, signed ‘Ch Gautier / Bordeaux’; on a yellow marble base raised on foliate cast gilt metal feet; the 8 day movement striking on a bell 26cm wide, 40cm high, 15cm deep £1,500-2,500

165 SV509/2 LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY DISPLAY CABINET

EARLY 20TH CENTURY the arched cornice above a serpentine glazed door and sides opening to shelves and a damask fabric lined back, above a ﬂoral marquetry panel, raised on splayed legs, outlined with gilt metal mounts throughout 98cm wide, 183cm high, 42cm deep £1,000-1,500

166 HB633/50 FRENCH WHITE MARBLE AND GILT BRONZE MINIATURE CLOCK GARNITURE

19TH CENTURY surmounted by a putto and a dove, above an Arabic numeral white enamel dial, raised on foliate cast toupie feet; with an associated pair of white marble and gilt bronze mounted candlesticks of square column form raised on toupie feet (3) clock 22cm high £800-1,200

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168 HB570/7 PAIR OF PARIS PORCELAIN POTPOURRI VASES 167 HB570/6 AFTER ÉMILE-CORIOLAN-HIPPOLYTE GUILLEMIN

TWO SILVERED BRONZE FIGURES OF CAVALIERS realistically modelled, signed to oval bases ELE. GUILLEMEN. and stamped with foundry mark L.M.* (2)

19TH CENTURY of square section form with everted pierced rims, painted with landscape reserves on a gilt ground and raised on paw feet, with indistinct gilt marks, the covers lacking (2) 13.5cm high £300-500

Tallest 22.5cm high £800-1,200

169 HC527/2 PAIR OF SEVRES STYLE PORCELAIN URNS AND COVERS

19TH CENTURY of oviform with oval reserves painted with ﬁgural and landscape scenes on a pink ground with gilt and ‘jewelled’ details on a spiral ﬂuted circular foot, pseudo Sevres marks to base and cover (2) 23cm high £600-800

170 HB855/1 SEVRES PORCELAIN MILK JUG (POT A LAIT A TROIS PIEDS)

THE PORCELAIN 18TH CENTURY, THE DECORATION PROBABLY 19TH CENTURY painted all over with pink roses within gilt laurel wreaths, raised on three branch form legs, interlaced blue L mark with decorators initials P Y 12cm high £300-500

171 HB461/1 FRENCH PORCELAIN MANTEL CLOCK

LATE 19TH CENTURY of arched form with a silvered dial and moulded acanthus leaf border above the bracket base, painted with ﬂowers and birds with gilt highlights, the movement striking on a bell and signed NO. 1852/ LEROY & FILS/ HGERS. DU ROI A PARIS A.P. 36cm high £400-600

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172 HB633/15 LOUIS XVI STYLE PARQUETRY, MARQUETRY AND GILT BRONZE MOUNTED SECRETAIRE A ABBATANT

20TH CENTURY the three quarter pierced brass gallery above a waisted frieze, over a fall front with a ﬂoral marquetry central panel beneath gilt bronze swags, over an apron drawer with button release centred by an oval gilt bronze plaque depicting Cupid, raised on slender cabriole legs ending in sabots 55cm wide, 145cm high, 38cm deep £2,500-3,500

173 HC527/17 LOUIS XVI STYLE MAHOGANY AND GILT METAL MOUNTED VITRINE

LATE 19TH CENTURY the rectangular top with a bevelled glass panel above a glazed door and sides, opening to a glass shelf and red velvet lined interior, raised on slender square cabriole legs, the whole outlined with gilt metal mounts 44cm wide, 81cm high, 36cm deep £600-800

174 HB694/3 LOUIS XVI STYLE GILTWOOD BERGERE

19TH CENTURY with a guilloche moulded frame with bead and reel detail, in distressed blue silk upholstery, raised on ﬂuted tapered legs 68cm wide, 91cm high, 50cm deep £300-400

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175 HB633/60 LARGE FRENCH GILT AND PATINATED METAL PORTICO CLOCK

19TH CENTURY the arched pediment above an ogee moulded frieze raised on four reeded columns with gilt metal foliate capitals and bases; with a silvered Roman numeral dial within a folate bezel with rosettes; on a rounded rectangular base raise on ﬂattened lobed bun feet; with an eight day striking movement, the bell lacking; the movement stamped ‘B.P. & F.’ and ‘Medaille d’Or / Pons / 1827’ 32cm wide, 64cm high, 19cm £1,500-2,500

176 HC527/16 EMPIRE STYLE MAHOGANY AND GILT BRONZE MOUNTED BUREAU A CYLINDRE

LATE 19TH CENTURY the slate top over three short drawers above a cylindre top opening to an interior ﬁtted with drawers and pigeon holes and a sliding leather writing surface, over a central frieze drawer ﬂanked by banks of two short drawers, raised on square tapered legs ending in brass caps 122cm wide, 120cm high, 58cm deep £800-1,200

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177 HA675/4 PAIR OF FRENCH GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS EARLY 20TH CENTURY each with a putto supporting a gilt candle nozzle and foliate drip tray, on a circular marble base with gilt beading and acanthus cast base (2) 27cm high £300-500

178 HB633/62 ITALIAN CARRARA MARBLE FIGURE OF VENUS 19TH CENTURY after the Antique 77cm high

£800-1,200

179 HB633/45 PAIR OF CONTINENTAL BRONZE FIGURES OF MARS AND MINERVA

LATE 19TH CENTURY dark brown patina, each standing ﬁgure wearing a plumed helmet and holding a shield, on canted square bases raised on scroll feet (2) 28cm high £600-800

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180 HC527/1 PAIR OF FRENCH BRASS NEOCLASSICAL LAMP BASES

19TH CENTURY with later ﬁttings for electricity, each of baluster form with applied mask handles and seated ﬁgures, raised on a turned socle base (2) 51cm high £400-600

181 HC527/4 FRENCH EMPIRE GILT METAL BOUILLOTTE LAMP

EARLY 19TH CENTURY with circular dish and columnar stem issuing three foliate-cast candlearms, with adjustable black tole shade and leaf cast ﬁnial with arrow adjustment and stylised bow bracket supports 88cm high

£800-1,200

182 HD549/7 PAIR OF FRENCH GILT BRONZE LAMPS AFTER THE MODEL BY JEAN-DEMOSTHENE DUGOURC

EARLY 20TH CENTURY each with a stiff leaf cast stem modelled with four female herms and surmounted by an urn form nozzle fitted with a frosted glass shade and cover with pinecone finial, on an acanthus cast spreading circular foot, modified for electricity (2) 56cm high

£1,000-2,000

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Fine Furniture & Works of Art 57 183 HB633/49 FRENCH COBALT GLASS PERFUME STAND

19TH CENTURY the hinged globular cobalt glass case with gilt stars and a spring release, opening to reveal four square glass scent bottles with brass caps ﬁtted with views of Paris, on a scroll base and white marble circular foot 24cm high £700-900

184 HB633/75 EUGENE MARIOTON (FRENCH 1857-1922)

VICTORIOUS ARCHER bronze, dark brown patina, modelled as a young man with arms raised with a bow and quiver on his back, signed ‘Eug Marioton’, on a rectangular rouge marble plinth with a presentation inscription 67.5cm high overall £1,200-1,800

185 HB633/42 FRENCH BRONZE BACCHIC FIGURE GROUP, AFTER CLODION

19TH CENTURY dark brown patina, modelled as a satyress seated on a rock with a faun, signed ‘Clodion’, on a black marble oval base 32cm high

£1,200-1,800

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186 HB633/43 FRENCH BRONZE BACCHIC FIGURE GROUP

LATE 19TH CENTURY dark brown patina, modelled as a female bacchante holding a putto on her shoulder while a pair of fauns play with a leopard, on a naturalistic circular base and moulded black marble stand 38cm high

£1,200-1,800

187 HB633/46 AFTER ANTOINE LOUIS BARYE, BRONZE FIGURE OF A PHEASANT

LATE 19TH CENTURY medium brown patina, realistically modelled, on an oval base signed ‘A. BARYE’ 16cm long £300-500

188 HC527/24 FRENCH BRONZE FIGURE, AFTER MATHURIN MOREAU

LATE 19TH CENTURY cast as a young woman in diaphanous robes, signed in the bronze MOREAU/ MATH 65cm high £400-600

189 HC527/3 FRENCH ONYX AND GILT METAL MOUNTED CLOCK GARNITURE

CIRCA 1900 the painted ceramic dial in an oblong case with cast mounts and urn surmount raised on a plinth, 42.5cm high; and two matching onyx candlesticks, 27cm high (3) £200-300

190 HC527/5 FRENCH BRONZE BUST

19TH CENTURY modelled as a Classical maiden, her elaborate headdress with gilt embellishments, on a slender patinated metal column stand 36cm high £250-350

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191 HC527/7 FRENCH GILTMETAL AND MARBLE MANTEL CLOCK

19TH CENTURY the circular enamelled dial in a cylindrical case with cast fruiting foliate mounts, the base set with a painted roundel 28cm high £300-400

192 HC527/8 FRENCH GILT METAL FIGURAL MANTEL CLOCK, MODELLED AFTER JEAN JULES SALMSON 19TH CENTURY the circular enamelled dial indistinctly inscribed READ & SONS, surmounted by the ﬁgure of a seated lady and attendant ﬁgure of Cupid, signed on the base SALMSON 42cm high £600-800

193Y HB633/24 NAPOLEON III EBONISED AND BOULLE MARQUETRY CHEST 19TH CENTURY in premiere partie red tortoiseshell marquetry, the domed top opening to a void interior, raised on short cabriole legs with brass castors 61cm wide, 58cm high, 38.5cm deep £1,000-1,500

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194Y HB633/55 FLEMISH RED TORTOISESHELL, FRUITWOOD, EBONY AND IVORY TABLE CABINET

19TH CENTURY with a geometric panel inlaid hinged top opening to a compartmented interior, the hinged fall front opening to an arrangement of seven drawers around a mirrored recess with a parquetry ﬂoor and gilt Doric columns 41cm wide, 29cm high, 30.5cm deep £2,500-3,500

195 HB633/56 CONTINENTAL GILT METAL, ONYX AND HARDSTONE MOUNTED TAZZA 19TH CENTURY in the Renaissance style, the dished metal top mounted with agate cabochon mounts and later handles, above a white onyx body and square base raised on gilt metal paw feet 28cm high, 30cm diameter £300-500

196 HB570/24 ITALIAN FAIENCE FOOTED DISH, POSSIBLY TURIN

LATE 17TH / 18TH CENTURY of circular lobed form with pierced sides, decorated with an underglaze blue dog amongst foliage within a blue stylised band 25cm diam £400-600

197 HB633/68 PAIR OF PATINATED BRONZE AND MARBLE CANDELABRA

19TH CENTURY in the Renaissance style, each with four scrolling and one stiﬀ candle arms, on an urn form stem and waisted black marble base (2) 63cm high £250-350

198 HA671/25 ITALIAN GILTWOOD AND GESSO ALTAR CANDLESTICK

18TH CENTURY with knopped stem and tripod base, now wired for electricity 84cm high £200-300

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199 HB633/36 VENETIAN GREEN PAINTED AND PARCEL GILT OPEN BOOKCASE

19TH CENTURY the rectangular top with a concave moulded frieze with carved foliate scrolls above a three open shelves ﬂanked by canted Ionic half columns, on a conforming plinth base raised on carved paw feet 71cm wide, 96.5cm high, 37cm deep £800-1,200

200 HB633/7 SMALL ITALIAN WALNUT, FRUITWOOD AND MARQUETRY CASSONE

17TH / 18TH CENTURY of sarcophagus form, the hinged moulded top above a front panel inlaid with scrolling foliage, over a leaf moulded base, raised on boldly carved outset lion paw feet, with iron loop handles 68cm wide, 38cm high, 34cm deep £1,000-1,500

201 HB584/5 PAIR OF LARGE FRENCH FAIENCE FIGURES OF RECUMBENT LIONS

LATE 18TH / EARLY 19TH CENTURY, POSSIBLY LUNEVILLE each painted in shades of blue, raised on a rectangular plinth (2) 48cm wide, 37cm high, 22cm deep £1,500-2,000

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Fine Furniture & Works of Art 63 202 HB633/67 BRONZE RENAISSANCE STYLE TAZZA

19TH CENTURY the circular dished top with a relief cast strapwork band and central boss, raised on four gryphon supports on a concave square base 33cm wide, 15cm high £400-600

203 HB633/53 BRONZE BUST OF A CHILD, AFTER DESIDERIO SETTIGNANO

19TH CENTURY medium brown patina, on an oval pink breche marble base bust 14cm high; 17cm high overall £300-500

204 HB633/47 PAIR OF BRONZE BUSTS OF INFANTS, AFTER FRANZ XAVER MESSERSCHMIDT

19TH CENTURY medium brown patina, one modelled as a laughing child, the other crying, on antico verde marble socles and square bases, both bearing Victor Paillard foundry stamps (2) 19cm high £600-800

205 HB644/7 ITALIAN BRONZE FIGURE OF THE FAUN WITH KID, AFTER THE ANTIQUE LATE 19TH CENTURY dark brown patina, raised on a rectangular green marble base Figure 43cm high; 48.5cm high overall

Note: After the Roman copy of a Greek original, discovered in Rome in 1675. It is now in the collection of the Prado.

£800-1,200

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64 Lyon & Turnbull 206 HB633/52 PAIR OF CONTINENTAL GILT BRONZE CANDELABRA

19TH CENTURY each scrolling and ﬂower-cast stem issuing a pair of scrolling candle arms with ﬂower form and clasped leaf candle nozzles, and a central stem with lily blossoms, on a shaped triform base (2) 57cm high

£800-1,200

207 HB633/16 NORTH ITALIAN WALNUT AND PENWORK AND MARQUETRY SERPENTINE BOMBE COMMODE

19TH CENTURY the serpentine moulded top over three long drawers, raised on splayed legs, with allover scrolling foliate, ﬂoral and ﬁgural marquetry and gilt metal mounts 76cm wide, 88cm high, 41cm deep £1,000-1,500

208 HB230/1 PAIR OF FRENCH GILT BRONZE MOUNTED SLATE URNS

19TH CENTURY each with a ring turned slate campana body with applied scrolling leaf cast hope centred by lion masks and twin scroll handles, ﬁtted with a bronze liner, on acanthus socle and stepped square base, with brass feet (2) 34cm wide, 28cm high £800-1,200

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209 HB633/41 TWO PAIRS OF CONTINENTAL GILT METAL CANDELABRA

19TH CENTURY one pair with urns issuing seven scrolling candle arms and ﬂower heads, on triform bases; the other pair with urns issuing seven scrolling candle arms, wheat and grape clusters (4) 104cm high £500-700

210 HB886/4 DUTCH ROSEWOOD, WALNUT AND MARQUETRY BUREAU

LATE 19TH CENTURY the bombe slant front opening to an interior ﬁtted with drawers and pigeon holes, above a long frieze drawer and serpentine apron, raised on cabriole legs, profusely inlaid all over with ﬂowering urns, birds and cornucopia marquetry 92cm wide, 104cm high, 44cm deep £3,000-4,000

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66 Lyon & Turnbull 211 HB644/6D EASTERN ORTHODOX ICON OF ST GEORGE 19TH CENTURY the central image of the saint ﬂanked by saints on a gold ground with a red border 35cm x 30cm £300-500

212 HB644/6B RUSSIAN ICON OF SAINT NICHOLAS THE MIRACLE WORKER

19TH CENTURY the saint wearing a crown and richly decorated vestments, ﬂanked by Christ and his Mother, with a polychrome and gilt border simulating cloisonné enamel 31cm x 26.5cm £400-600

213 HB644/6A RUSSIAN ANASTASIS ICON

19TH CENTURY the central panel depicting Christ’s descent into Hell and Resurrection, surrounded by twelve liturgical feasts within a border of geometric bands interspersed with text panels, on a gold ground 26.5cm x 22cm £300-500

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Fine Furniture & Works of Art 67 214 HB644/6C LARGE RUSSIAN ICONOSTASIS

18TH / 19TH CENTURY the central panel depicting Christ’s descent into Hell and Resurrection, surrounded by twelve smaller panels depicting important liturgical feast days, within a stylised foliate and geometric border interspersed with text panels 51cm x 40cm £700-1,000

215 HB644/6 LARGE RUSSIAN ICON OF CHRIST PANTOCRATOR

LATE 19TH CENTURY Christ wearing a pink tunic and blue cloak, against a gilt ground with stylised ﬂoral and geometric motifs 45cm x 34cm £400-600

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Furniture & Works of Art

216 SV484/4 CARVED OAK PANEL

217Y HB859/1 PAIR OF EMBROIDERED STUMPWORK PANELS

17TH CENTURY each depicting a ﬁgural biblical scene with a camel, lion and birds in a garden setting, reserved on a silk ground and enclosed within a tortoiseshell frame (2)

17TH CENTURY the rectangular panel carved with an architectural niche with a ﬁgure of the child Christ holding an orb, his other hand raised in blessing, bearing initials ‘IFR’; the reverse with handwritten label ‘Old Tudor Carving (Elizabethan) / in (Cloven) Oak / Carvers Signature IRR or IEB? / From Lord Haddington Collection / Cheshire / Warren Wrexham 5.2.1921 W.M’ 19cm wide, 38cm high £150-250

37.5cm high, 17cm wide £800-1,200

218 HD555/1 PAIR OF LARGE GOTHIC REVIVAL TAPESTRY UPHOLSTERED ARMCHAIRS

19TH CENTURY each with a carved and pierced arched crest rail above a padded back and wide seat upholstered in tapestry depicting a young man and woman against a milleﬁore ground, with bobbin turned straight arms and a gothic arch seat rail, raised on bobbin turned legs joined by a cross stretcher (2) 80cm wide, 156cm high, 65cm deep £1,500-2,500

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219 HD551/1 OAK, WALNUT AND MARQUETRY LIVERY CUPBOARD

EARLY 17TH CENTURY AND LATER the moulded straight cornice over a long frieze drawer with floral marquetry panels centred by a carved mask, above an arched cupboard door and angled side panels with further floral marquetry, flanked by ebonised column clusters to the corners; the lower part with along drawer over a scroll carved apron, raised on square column supports headed by carved female terms, on a plinth base with a panel back centred by a floral marquetry panel 125cm wide, 161cm high, 46cm deep £2,000-3,000

220 HB926/1 CONTINENTAL WALNUT OPEN ARMCHAIR

19TH CENTURY in the 17th century style, the high rectangular back above a wide seat ﬂanked by scrolling arms, raised on carved open work scroll legs joined by an arched scroll stretcher 73cm wide, 131cm high, 49cm deep £400-600

221 HA482/13 CONTINENTAL OAK AND INLAY ARMORIAL PLAQUE

18TH CENTURY of arched rectangular form, the panel inlaid with a central armorial ﬂanked by two clipper ships 81cm wide, 46cm high £700-900

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222 HB504/5 PAIR WILLIAM & MARY STYLE MAHOGANY ARMCHAIRS

LATE 19TH CENTURY of small size, the square upright backs and padded seats in striped faded apricot striped plush upholstery, with scroll arms and legs joined by a shaped H-form stretcher (2) 50cm wide, 96cm high, 38cm deep £300-500

223 SV614/5 WILLIAM & MARY WALNUT CUSHION FRAMED MIRROR LATE 17TH CENTURY the rectangular mirror plate in a wide moulded frame 75cm high, 61cm wide £300-500

224 HB886/9 DUTCH WALNUT AND MAHOGANY DEMILUNE CARD TABLE

18TH CENTURY the foldover crossbanded top opening to a baize lined playing surface above a deep frieze, raised on scroll carved square cabriole legs ending in foliate carved triﬁd feet 91cm wide, 78cm high, 45cm deep (closed) £1,500-2,500

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225 HB372/36 QUEEN ANNE OAK BUREAU BOOKCASE

EARLY 18TH CENTURY the double arched moulded cornice above a pair of shaped panel doors, opening to shelves; the associated lower part with a slant front opening to an arrangement of drawers and pigeon holes, over three graduated drawers, raised on bracket feet 101cm wide, 213cm high, 60cm deep Provenance: Auchendinny House, Midlothian

£700-1,000

226 HB233/87 GEORGE I WALNUT KNEEHOLE DRESSING TABLE

EARLY 18TH CENTURY the quarter veneered and crossbanded moulded top over a long frieze drawer, above a central recessed cupboard door, ﬂanked by banks of three drawers, raised on shaped bracket feet 86cm wide, 79cm high, 47cm deep £800-1,200

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227 HA671/40 GEORGE I WALNUT CROSSBANDED SECRETAIRE CHEST ON CHEST

CIRCA 1720 the moulded cornice over three short drawers, over three long graduated drawers; the lower part with a drawer with a fall front opening to an interior ﬁtted for writing, over two further long drawers, raised on bracket feet 107cm wide, 188cm high, 55cm deep £1,000-1,500

228 HB633/33 GEORGE II WALNUT AND CROSSBANDED CHEST ON CHEST

CIRCA 1730 in two parts; the moulded cornice above three short drawers and three long graduated chequer and crossbanded drawers between ﬂuted canted corners; the lower part with a brushing slide over three further long drawers, raised on shaped bracket feet 105cm wide, 195cm high, 56cm deep £2,500-3,500

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229 HB591/4 GEORGE II GILT AND GESSO MIRROR

18TH CENTURY the shaped rectangular mirror plate beneath a scroll carved and moulded cresting centred by a shell motif, the base moulded with acanthus scroll and mounted with candle arm brackets 106cm high, 51cm wide ÂŁ1,000-1,500

230 HB694/2 GEORGE II CARVED AND PAINTED FIRE SURROUND

MID 18TH CENTURY the breakfront cornice with egg and dart moulding above a frieze centred by a carved mask and acanthus, the sides with boldly carved volute scrolls headed by cherub masks 212cm wide, 153cm high, 45cm deep; interior opening 122cm wide, 109cm high

Note: By repute removed from Eigg Lodge, a twelve bedroom Italianate villa built as a Hebridean retreat by shipping magnate Sir Walter Runciman, 1st Baron Runciman in the 1920s. Designed by Robert Mauchlen, the Grade B listed house was only intermittently inhabited throughout the 20th century and gradually fell into disrepair from neglect.

ÂŁ5,000-7,000

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Fine Furniture & Works of Art 75 231 SV614/2 GEORGE II OAK DRESSER BASE

MID 18TH CENTURY the rectangular top over three short above a panel ﬂanked by cupboard doors, on a moulded base and stile feet 152cm wide, 84cm high, 47cm deep £400-600

232 HB538/6 YEW AND ELM LOW BACK WINDSOR ARMCHAIR

EARLY 19TH CENTURY the arched back with a pierced central splat and spindles above a shaped seat, raised on turned legs joined by a crinoline stretcher 90cm wide, 57cm high, 39cm deep £300-500

233 HB374/2 GEORGE III OAK PANEL CHEST

18TH CENTURY the hinged top over a four panel front raised on stile feet 148cm wide, 81cm high, 56cm deep £300-500

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76 Lyon & Turnbull 234 HB539/2 DELFT BLUE AND WHITE FLOWER BRICK

18TH CENTURY of rectangular form with pierced holes, decorated with a ﬁgure, foliage and exotic birds, bearing a JONATHAN HORNE ANTIQUES trade label 16cm wide, 8.5cm high, 6.5cm deep £300-500

235 HB692/2 TWO PAIRS OF DUTCH DELFT MODELS OF COWS LATE 18TH/ EARLY 19TH CENTURY one pair with polychrome decoration, 18cm high; the other blue on white, 17cm high (damages) (4) £400-600

236 HB570/8 NEAR PAIR OF DELFT FIGURES OF COWS

18TH CENTURY each painted with blue and white stylised foliage, raised on a canted square base, with painted monogram mark to underside (2) largest 20cm wide £400-600

237 SV509/19B GROUP OF DUTCH DELFT WALL TILES 19TH CENTURY blue on white, comprising twenty three depicting ﬁgures playing games and sport, 13.5cm square; and three depicting river scenes, 12.5cm square (26) £200-300

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Fine Furniture & Works of Art 77 238 SV509/50 GEORGE III MAHOGANY CHEST ON CHEST

18TH CENTURY the dentil moulded cornice above a blind fret carved frieze and two short and three long graduated drawers ﬂanked by ﬂuted angles; the lower part with a brushing slide over three further long graduated drawers, raised on ogee bracket feet 112cm wide, 189cm high, 58cm deep £800-1,200

239 HD546/5 GEORGE III MAHOGANY BIRDCAGE TRIPOD TEA TABLE

18TH CENTURY the circular dished top on a birdcage and carved baluster support, raised on cabriole legs with scrolled details and ending in pad feet 89cm wide, 72cm deep £500-800

240 HD544/2 GEORGE III MAHOGANY TRAY TOP TEA TABLE 18TH CENTURY the rectangular top with a pieced gallery and raised on square straight legs with pierced corner brackets and ending in spade feet 67cm wide, 85cm high, 48cm deep £300-500

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78 Lyon & Turnbull 241 HC527/20 GEORGE III MAHOGANY KETTLE STAND 18TH CENTURY the shaped square top above a serpentine frieze, raised on slender square tapered legs carved with trailing husks ending in brass caps and castors 34cm wide, 67cm high £300-400

242 HB436/6 GEORGE III MAHOGANY SLANT FRONT BUREAU

18TH CENTURY the slant front opening to an interior ﬁtted with a baize lined writing surface, and an arrangement of drawers, pigeon holes, and a mirrored door ﬂanked by half columns with secret compartments, above four long graduated drawer raised on ogee bracket feet 113cm wide, 111cm high, 54cm deep £500-700

243 HB633/11 GEORGE III GILTWOOD ARMCHAIR

18TH CENTURY the shaped padded back with a flower carved cresting over a wide serpentine seat flanked by part-padded arms, above a serpentine seat rail raised on moulded cabriole legs ending in scrolled toes, in floral brocade upholstery 59cm wide, 90cm high, 49cm deep £800-1,200

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244 HB633/38 GOOD GEORGE III MAHOGANY BOOKCASE CABINET

CIRCA 1760 the pierced broken swan neck pediment above a pierced fret frieze, over a pair of astragal glazed doors opening to a cream silk lined interior; the lower part with long frieze drawer ďŹ tted with a brushing slide over a compartmented interior, above a pair of cupboard doors, raised on shaped bracket feet 129cm wide, 256cm high, 63cm deep ÂŁ8,000-12,000

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80 Lyon & Turnbull 245 SV509/37E FOUR GEORGIAN WINE GLASSES

18TH / 19TH CENTURY the ﬁrst with a double-ogee bowl and an opaque twist stem, 16cm high; the second with a ﬂared bowl and a double opaque twist stem, 15.5cm high; the third with an air twist stem, 16cm high; and the fourth with an etched bowl and facet cut stem, 13.5cm high (4) £250-350

246 SV509/37 SET OF SIX TWIST STEM WINE GLASSES 18TH CENTURY each with a ﬂuted bowl above the twist stem and conical foot (6) 17cm high £300-500

247 HB504/4 GEORGE III MAHOGANY AND BRASS BOUND WINE COOLER

18TH CENTURY of oval staved form with brass bands and lion mask ring handles raised on square legs ending in brass caps and castors, with a removable tin liner 70cm wide, 50cm high, 47.5cm deep £600-800

248 HB436/11 GEORGE III MAHOGANY CHEST OF DRAWERS

18TH CENTURY the rectangular moulded top over three short drawers and three further long drawers, raised on shaped bracket feet 107cm wide, 99cm high, 56cm deep £400-600

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249 HC527/18 GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the octagonal crossbanded top raised on a slender turned baluster column, raised on curved legs ending in spade feet, bearing a Frank Partridge ivorine trade label 41cm diameter, 72cm high £300-400

250 HB436/9 GEORGE III OAK BACHELOR’S CHEST OF DRAWERS

18TH CENTURY the rectangular moulded top over a frieze drawer ﬁtted with a baize lined brushing slide and two secret drawers, ﬂanked by narrow pen drawers, over two short and two long drawers, raised on ogee bracket feet 87cm wide, 78cm high, 44cm deep £400-600

251 HB436/3 SET OF TEN GEORGE III STYLE MAHOGANY DINING CHAIRS

EARLY 20TH CENTURY comprising two armchairs and eight side chairs, the serpentine foliate carved and pierced ladderbacks above stuﬀ over seats upholstered in pale pink fabric, raised on square straight legs joined by stretchers (10) Armchair 56cm wide, 101cm high, 48cm deep; side chair 54cm wide, 96cm high, 45cm deep £600-800

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82 Lyon & Turnbull 252 HB371/9 GEORGE III STYLE MAHOGANY DRESSING TABLE

LATE 19TH CENTURY the serpentine top over a long frieze drawer above an arched kneehole, ﬂanked by short drawers, raised on square tapered legs 92cm wide, 78cm high, 51cm deep £400-600

253 HB371/6 GEORGE III MAHOGANY BRASS BOUND WINE COOLER ON STAND 18TH CENTURY of staved oval form with brass ring handles, the separate stand with four chamfered square legs ending on brass castors, with a removable tin liner 59cm long, 56cm high, 40cm deep £600-800

254 HB233/15 GEORGE III MAHOGANY ARCHITECT’S TABLE

18TH CENTURY the hinged rectangular top with a ratchet adjustment above later candle slides and a sliding front section opening to reveal a baize lined surface and writing slope over a compartmented interior and swing out pen tray, raised on straight square chamfered legs with recessed brass castors 97cm wide, 76cm high, 62cm deep £600-800

255 HB233/86 GEORGE III ‘CHINESE CHIPPENDALE’ MAHOGANY KETTLE STAND

CIRCA 1760 the square tray top above a deep frieze with blind fret carving and a candle slide, raised on square straight legs with further blind fret carving and pierced corner brackets, joined by a pierced X-form stretcher 37cm wide, 72cm high, 37cm deep £800-1,200

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256 HC544/1 STAFFORDSHIRE POTTERY FIGURE OF A RABBIT modelled as a seated rabbit eating lettuce, on a brown painted oval shaped base 9.5cm high

Provenance: believed to have been purchased from Oliver Sutton, London

£300-500

257 HC544/2 BILSTON ENAMEL BONBONNIERE

MID/ LATE 18TH CENTURY modelled as a recumbent goldﬁnch, with a gilt brass mount and hinge supporting the enamel cover decorated with a ﬂower sprig 4.5cm long, 5cm high £300-500

258 HB591/2 LARGE ENGLISH ENAMEL SNUFF BOX

LATE 18TH/ EARLY 19TH CENTURY of lobed oval form, the hinged lid painted with a scene of Old London Bridge, after Samuel Scott, above ﬂoral sprigs and sprays, with painted mark XK to underside 13.5cm wide £300-500

259 HA715/2 FINE BATTERSEA OVAL PRINTED ENAMEL PLAQUE

CIRCA 1750-60 transfer printed in grey depicting a young romantic couple by a spring, 5cm x 4cm; together with a BIRMINGHAM ENAMEL OVAL PLAQUE, MID 18TH CENTURY, painted with a young woman with pearls in her hair, 5.5cm x 4.5cm (2) £500-700

260 HB372/25 GERMAN PORCELAIN TEAPOT, PROBABLY GOTHA

LATE 18TH CENTURY painted with birds to each side, within laurel leaf and gilt borders, underglaze blue mark R to underside 11cm high

Provenance: Auchendinny House, Midlothian

£200-300

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261 HB886/5 FINE GEORGE III FIGURED MAHOGANY SERPENTINE CHEST OF DRAWERS

CIRCA 1760 of small proportion, the serpentine top with a moulded edge over a brushing slide with a dark blue velvet lining, above four graduated serpentine cockbeaded drawers with entwined vine brass loop handles with ribbon-tied ﬂowerhead backplates, on a moulded base and raised on shaped bracket feet 91cm wide, 84cm high, 58cm deep £6,000-8,000

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262 HB882/2 FLINTLOCK ‘LONGLAND’ PATTERN BROWN BESS MUSKET

DATED 1744 the banana shaped lock signed JORDAN, GR, surmounted by a royal crown and struck with the Board of Ordinance mark of an arrow, with a brass trigger guard and ramrod pipes, with iron sling-swivels and a 42 inch barrel, with a walnut full stock, brass butt and side plate, and a replaced ramrod 42 inch barrel £1,500-2,000

263 HB882/1 FLINTLOCK ‘LONGLAND’ PATTERN BROWN BESS MUSKET

DATED 1757 the straight lock signed EDGE, GR, surmounted by a royal crown and struck with the Board of Ordinance mark of an arrow, with a brass trigger guard and ramrod pipes, with iron sling-swivels and a 42 inch barrel, with a walnut full stock, brass butt and side plate, with armoury no. B19 to the butt cap tang, and a replaced ramrod 42 inch barrel £1,500-2,000

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264 HB694/1 GEORGE III PAINTED PINE AND GESSO FIRE SURROUND, EX WESTFIELD HOUSE, WEST LOTHIAN

18TH CENTURY the inverted breakfront cornice above a frieze centred by a panel depicting a fox and hounds, ﬂanked by thistles and urns, the pilasters as reeded columns with acanthus capitals 222cm wide, 172cm high, 21.5cm deep; Inside opening 155.5cm wide, 131cm high

Note: Westfield House is a Georgian B listed country house situated in West Lothian, Scotland, originally dating from 1760, with later symmetrical wings added in 1820. It is thought the house was built for John West of Westfield (originally Dyke), and was later acquired by John Kier in 1825, then Dr. Robert Young in 1864. Young famously discovered the method for extracting paraffin oil from coal. The fire surround is likely to have been located in one of the main reception rooms at Westfield House before its removal some years ago following renovation.

£4,000-6,000

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265 HB233/11 GEORGE III MAHOGANY CHEST ON CHEST

18TH CENTURY in two parts; the moulded cornice above a key and blind fret carved frieze over three short drawers and three long drawers ﬂanked by ﬂuted angles; the lower part with a brushing slide and three further long drawers, on bracket feet 114cm wide, 188cm high, 60cm deep £1,200-1,800

266 HD530/1 SET OF EIGHT GEORGE III STAINED ASH DINING CHAIRS LATE 18TH CENTURY in the Sheraton style, the square backs with a shell vasiform pieced splat carved with Prince of Wales plumes, over square stuﬀ over seats raised on tapered square legs joined by stretchers (8) 50cm wide, 86cm high, 38cm deep £700-900

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267 HD511/1 GEORGE III MAHOGANY LONGCASE CLOCK BY RICHARD CLARK, LONDON

18TH CENTURY the arched cornice above an arched dial with a silvered Roman numeral chapter ring, subsidiary seconds dial, Strike/Silent dial, and date aperture, flanked by brass inlaid stop fluted columns, above an arched trunk door flanked by further long brass inlaid stop fluted columns, on a moulded plinth base with bracket feet 52cm wide, 237cm high £1,500-2,500

268 SV509/4 GEORGE III MAHOGANY SERPENTINE DRESSING CHEST

18TH CENTURY the serpentine set back top over an open recess above two long drawers outlined with ebony and fruitwood, raised on bracket feet 112cm wide, 87cm high, 34cm deep £500-700

269 SV614/1 GEORGIAN SERPENTINE MAHOGANY CHEST ON CHEST

LATE 18TH CENTURY AND LATER in two parts; the upper section converted to a linen press, the doors opening to later sliding trays; the lower part with three graduated serpentine long drawers, raised on splayed feet 107cm wide, 173cm high, 54cm deep £400-600

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270 HB633/35 LATE GEORGE III MAHOGANY AND SATINWOOD SECRETAIRE BOOKCASE

CIRCA 1800 the dentil moulded cornice above a pair of astragal glazed doors opening to shelves; the lower part with a fall front drawer ﬁtted with pigeon holes and a green leather writing surface; the lower part with an arrangement of nine short drawers, raised on splayed feet 116cm wide, 197cm high, 62cm deep £3,000-5,000

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271 HC527/19 SET OF SEVEN GEORGE III MAHOGANY DINING CHAIRS 18TH CENTURY comprising an armchair and six side chairs, the shaped crest rails over pierced interlaced splats and drop- in seats covered in gold and yellow striped upholstery, raised on square straight legs joined by stretchers (7) 55cm wide, 97cm high, 43cm deep £1,500-2,000

272 HB633/34 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS

CIRCA 1770 the moulded serpentine top over four graduated cockbeaded drawers with boxwood stringing, above a shaped apron and raised on bracket feet 113cm wide, 85cm high, 57cm deep £3,000-4,000

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92 Lyon & Turnbull 273 HB539/6 GROUP OF FIVE OPAQUE TWIST STEM WINE GLASSES

18TH CENTURY comprising: a double twist example with a gilt decorated bowl; a glass with an etched bowl; two double twist stem glasses, one with an everted rim; and an example with an ogee bowl and knopped stem (5) Tallest 16.5cm high; smallest 14.5cm high £200-300

274 HB538/1A TWO ENGRAVED TWIST STEM WINE GLASSES

18TH CENTURY each glass with a ﬂuted bowl etched with fruiting vine, one with a double opaque twist stem, 17.5cm high; the other, with an air twist stem, 15cm high (2) £250-350

275 SV614/4 SET OF TEN LATE GEORGIAN CUT GLASS RUMMERS

EARLY 19TH CENTURY each splayed bowl cut with diamond motifs within graduated bands above the ﬂuted base, raised on a knopped stem and circular foot (10) 16.5cm high £400-600

276 HB539/4 GROUP OF FOUR AIRTWIST STEM GLASSES

18TH CENTURY comprising: a knopped stem example with a fluted bowl; a glass with a dimpled bowl; a glass with a flared stem and fluted bowl; and a further air twist example (4) Tallest 17cm high; smallest 15.5cm high £150-250

277 HB538/1 COLLECTION OF STEMWARE AND CUT GLASS

18TH AND 19TH CENTURY comprising of: a sweetmeat glass, with a cut ogee bowl and waved rim; two rummers, one with a knopped stem; an engraved wine glass with a facet cut stem; a ﬂuted drinking glass; a small toasting glass; and a strawberry cut glass ﬁngerbowl (7) Tallest 16.5cm high; smallest 10.5cm high £250-350

278 HB539/7 COLLECTION OF TOASTING AND DRINKING GLASSES

18TH AND 19TH CENTURY comprising: a masonic toasting glass, etched with symbols to the bowl; a glass with an etched bowl and facet cut stem; a plain stemmed glass with an etched bowl; and three knopped stem glasses with ﬂuted bowls (6) Tallest 14.5cm high; smallest 9cm high £250-350

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Fine Furniture & Works of Art 93 279 HB633/22 FINE GEORGE III MAHOGANY, FRUITWOOD AND INLAID PEMBROKE TABLE

LATE 18TH CENTURY the oval top with drop leaf sides, inlaid with a fan medallion, urns, and ribbon-tied husk garlands, above a frieze drawer to one end, raised on square tapered legs with further husk trails and ending in brass caps and castors 90cm wide, 71cm high, 108cm wide (open) £1,500-2,500

280 HB633/4 GEORGE III SATINWOOD, MAHOGANY AND AMARANTH CHEVERET

LATE 18TH CENTURY the removable bookstand over a foldover writing surface, above a single frieze drawer, with outset rounded corners, raised on slender tapered inlaid legs with turned spade feet 62cm wide, 100cm high, 34cm deep £1,500-2,500

281 HB633/3 GEORGE III ROSEWOOD TRIPOD KETTLE STAND ATTRIBUTED TO GILLOWS OF LANCASTER

18TH CENTURY the shaped rectangular dished top with a bead moulded edge, on a carved baluster and triple column support, raised on a leaf carved cabriole legs 35cm wide 74cm high, 26cm deep £2,500-3,500

282 HB633/8 PAIR OF GEORGE III SATINWOOD AND MAHOGANY INLAID URN STANDS

LATE 18TH CENTURY the octagonal galleried tops inlaid with ﬂower head motifs above a frieze inlaid with swags and a candle slide, raised on slender square tapered legs joined by shaped X-form stretchers (2) 31cm diameter, 80cm high £1,200-1,800

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283 HB633/2 SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS

18TH CENTURY in the Hepplewhite style, comprising a pair of armchairs and six side chairs, the shield backs with a pierced vasiform splat, over a drop in padded seat, raised on square tapered legs joined by peripheral stretchers (8) 52cm wide, 96cm high, 41cm deep

284 HB886/8 GEORGE III STYLE MAHOGANY FRAMED SOFA

LATE 19TH CENTURY in the Hepplewhite style, the enclosed curved serpentine back and arms above a loose cushion seat, upholstered in claret silk damask, raised on square tapered legs headed by satinwood fan medallions and carved with husk trails and ending on waisted block feet 178cm wide, 93cm high, 70cm deep £3,000-4,000

£1,200-1,800

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Fine Furniture & Works of Art 95 285 HB233/9 GEORGE III MAHOGANY FOUR TIER WHATNOT

18TH CENTURY the ratchet adjustable hinged top with a book rest and ﬁtted with a candle slide, above three further tiers with three-quarter galleries, the lower tier with an apron drawer, raised on straight legs with brass caps and castors 47cm wide, 118cm high, 42cm deep £400-600

286 HB233/3 PAIR OF LATE GEORGE III MAHOGANY AND INLAY SIDE CABINETS

EARLY 19TH CENTURY AND LATER the rectangular cove moulded tops over frieze drawers, above panel cupboard doors, on plinth bases, previously the ends of a pedestal sideboard 53cm wide, 119cm high, 56cm deep £500-700

287 HB233/61 LATE GEORGE III MAHOGANY WRITING TABLE EARLY 19TH CENTURY the rounded rectangular top with a later yellow faux leather writing surface, above a pair of short frieze drawers, raised on turned and reeded legs ending in brass caps and castors 132cm wide, 74cm high, 85cm deep £300-500

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96 Lyon & Turnbull 288 HB713/1 SCOTTISH GEORGE III MAHOGANY AND INLAY LONGCASE CLOCK, BY JAMES COWAN, EDINBURGH 18TH CENTURY the broken swan neck pediment with blind fret panels above an arched brass dial with Roman and Arabic chapter, date aperture, the circular boss inscribed ‘James Cowan / Edinburgh’, the eight day movement striking a bell, above a long trunk door inlaid with an urn, on a plinth base with a further urn inlay 48cm wide, 217cm high, 24cm deep £1,000-1,500

289 HB436/13 PAIR OF GEORGIAN BRASS CANDLESTICKS

each with a square sconce on a plain column and splayed square foot (2) 26.5cm high £150-250

290 HB686/3 PAIR OF FLINTLOCK DUELLING PISTOLS

CIRCA 1780 the bolted locks signed THOMAS, the octagonal barrels signed LONDON on the top ﬂat, London gun makers’ view and proof marks, engraved barrel tangs, steel engraved furniture with unusual acanthus ﬁnials to the trigger guards, set triggers, walnut full stocks with slab-sided chequered grips, original horn-tipped ramrods (2) 14 inches overall; 36cm overall £600-800

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291 HB633/27 EARLY REGENCY GREEN PAINTED CANTERBURY CIRCA 1810 the three division top painted with ﬂoral bouquets, above an apron drawer painted with classical ﬁgures, on turned legs with brass castors 46cm wide, 58cm high, 38cm deep £800-1,200

292 HC567/1 CHINESE EXPORT PORCELAIN PUNCH BOWL

19TH CENTURY decorated with ﬁgures, ﬂowers and scrolled gilt panels 28.5cm diameter £250-350

293Y SV614/3 THREE REGENCY PORTRAIT MINIATURES

EARLY 19TH CENTURY on ivory, depicting a young infantry oﬃcer with blonde hair, 7.2cm high; a young woman with blonde hair wearing a white dress, 7.2cm high; and a young man wearing a white cravat with a blue sapphire tie pin, 7cm high; all in gilt brass frames; together with TWO EARLY 20TH CENTURY PORTRAIT MINIATURES, on ivory, comprising an oval portrait of a woman wearing a white lace shawl, and a rectangular portrait of a boy in a striped jacket (5) £400-600

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98 Lyon & Turnbull 294 HB886/11 REGENCY STYLE GILT METAL TWELVE LIGHT CHANDELIER 19TH CENTURY the foliate corona hung with prism swags above four graduated tiers hung with prism drops, the foliate pierced top tier issuing twelve scrolling candle arms with urn-form candle holders above prism hung pierced trays; now partially ﬁtted for electricity 103cm high, 80cm diameter £3,000-4,000

295 HC527/9 REGENCY GILTWOOD GIRONDOLE CONVEX MIRROR

EARLY 19TH CENTURY the circular convex mirror plate in a reeded back slip and ball mounted moulded frame, with a waisted pedestal ﬁnial with carved gilt and ebonised eagle, the mirror ﬂanked by a pair of scrolling candle arms hung with prism drops 56cm wide, 92cm high £800-1,200

296 HB375/16 REGENCY ROSEWOOD BREAKFAST TABLE

EARLY 19TH CENTURY the circular tilt top over a plain frieze, raised on a reeded and lotus carved baluster column support, on a tripartite base raised on acanthus carved scroll feet 132cm diameter, 71cm high £500-700

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297 HB633/25 PAIR OF REGENCY CARVED GESSO AND GILTWOOD GROTTO SEATS

EARLY 19TH CENTURY each carved as a dolphin supporting a shell-form seat with its tail, on a painted faux marble moulded plinth base (2) 49cm wide, 45cm high, 38cm deep £3,000-4,000

298 HD520/27 SCOTTISH REGENCY GREEN LEATHER ARMCHAIR

EARLY 19TH CENTURY the arched padded back, enclosed arms and serpentine seat in green leather upholstery, raised on square tapered legs joined by stretchers, bearing an old paper label to the inside rear seat rail inscribed ‘Walter Biggar, Esq./ 15 Claremont Crescent / Edinburgh’ 63cm wide, 98cm high, 44cm deep

Note: Walter Biggar was born in Edinburgh in 1787 and moved to Banff in 1821 where he married Anne Duff, daughter of an old Banffshire family. He is credited with founding the herring trade in the Baltic where his business knowledge and experience helped establish an industry that became the most significant source of wealth in north Scotland in the 19th century. An ornate Gothic style fountain was erected in Low Street, Banff in 1878 in recognition of his and his wife’s accomplishments.

£600-800

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100 Lyon & Turnbull 299 HB633/30 SMALL REGENCY MAHOGANY DAVENPORT

EARLY 19TH CENTURY with a pierced brass gallery and hinged writing slope with a tan leather writing surface, opening to a void interior, with a lateral ink drawer and slide, above four graduated drawers with four dummy drawers opposing, on turned feet with brass caps and castors 52cm wide, 83cm high, 42.5cm deep £800-1,200

300 HB633/26 REGENCY ROSEWOOD BOOK STAND

CIRCA 1820 the galleried book supports with scroll ends over a single drawer 39cm wide, 22cm high, 29cm deep £1,000-1,500

301 HB582/1 REGENCY GILT AND GESSO CONVEX MIRROR EARLY 19TH CENTURY the circular convex mirror plate in an ebonised slip and moulded frame with a carved eagle cresting 104cm high, 64cm wide £300-500

302 HB436/4 REGENCY MAHOGANY DROP LEAF WORK TABLE

EARLY 19TH CENTURY the rounded rectangular top with drop leaf sides above two short drawers, dummy drawers opposing, raised on slender ring turned legs 70cm wide, 72cm high, 49cm deep (open) £250-350

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Fine Furniture & Works of Art 101 303 HB436/8 REGENCY GILT AND GESSO TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the breakfront cornice with applied balls over a frieze panel depicting classical lovers and attendants on a pale green ground, above three bevelled glass mirror plates, ﬂanked by reeded Corinthian half columns 91cm high, 148cm wide, £500-700

304 HB376/2 REGENCY MAHOGANY AND BRASS INLAID FOLDOVER TEA TABLE

EARLY 20TH CENTURY the foldover and pivoting D-shape top above a wide frieze centred by a brass inlaid panel depicting an eagle ﬂanked by corner panels inlaid with brass foliate motifs, on a turned support and four foliate carved reeded outswept legs ending in brass paw feet with castors 91cm wide, 71cm high, 46cm deep (closed) £500-700

305 HC526/1 SET OF FOUR REGENCY STYLE MAHOGANY BRASS BOUND AND INLAID NESTING TABLES

LATE 19TH CENTURY with rectangular tops, the largest table centred by a brass urn and foliate inlay within further bands of brass inlay, raised on slender ring turned legs on trestle supports and a wide stretcher rail (4) 57cm wide, 74cm high, 36cm deep £600-800

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306 HB233/46 REGENCY MAHOGANY THREE TIER DROP LEAF DUMB WAITER EARLY 19TH CENTURY with three circular tiers with drop leaf sides, raised and divided by a central plain turned column, on a tripod base ending in brass paw caps and castors 59cm diameter, 102cm high £300-500

307 HB233/41 REGENCY ROSEWOOD CROSSBANDED SOFA TABLE

EARLY 19TH CENTURY the rounded rectangular top with drop ends above an inverted breakfront frieze with a central long drawer, raised on a pair of turned baluster column supports on a quatreform base with outswept legs ending in brass caps and castors 147cm wide, 70.5cm high, 62cm deep £600-800

308 HB886/7 REGENCY MAHOGANY BUTLER’S TRAY TOP TABLE

EARLY 19TH CENTURY, THE STAND LATER the rectangular tray top with gallery sides and cut-out handles, on a later stand with straight chamfered legs and scrolled corner brackets, the legs joined by a H-form stretcher 69cm wide, 56cm high, 54cm deep £700-1,000

309 HB886/3 REGENCY SCUMBLED AND PARCEL GILT MAHOGANY SIDE CHAIR

CIRCA 1815 the curved and padded back rest over a horizontal carved gesso and gilt splat above a square pad seat, in later needlework upholstery, raised on turned and reeded tapered legs headed by patera and ending on large brass castors 53cm wide, 91cm high, 46cm deep £1,200-1,800

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310 HB732/5 REGENCY GILTWOOD AND GESSO OVERMANTEL MIRROR

EARLY 19TH CENTURY the bevelled mirror plate within a moulded frame with bead and husk swags, the frieze centred by a gesso plaque depicting putti emblematic of Arts and Science, beneath a Key moulded cornice 95cm high, 144cm wide £400-600

311 HB859/2 REGENCY MAHOGANY AND BRASS BOOT STAND BY GILLOWS OF LANCASTER

EARLY 19TH CENTURY of typical form with space for four pairs of boots, with a brass carrying handle, the top rail stamped ‘GILLOWS LANCASTER’ in two places 46cm wide, 112cm high, 35cm deep £600-800

312 HB8/1 PAIR OF REGENCY MAHOGANY BEDSIDE TABLES

EARLY 19TH CENTURY the square tops with a raised bookshelf enclosed back with a wavy gallery rail, above a single frieze drawer, raised on square straight legs joined by an undertier and ending on brass caps and castors (2) 45.5cm wide, 107cm high, 36cm deep £1,500-2,500

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104 Lyon & Turnbull 313 HB732/4 LATE REGENCY ROSEWOOD LIBRARY TABLE CIRCA 1820 the rounded rectangular top over a frieze ﬁtted with two short drawers, raised on squared trestle end supports joined by a straight stretcher, on turned scroll feet 122cm wide, 73cm high, 70cm deep £400-600

314 HB633/13 REGENCY ROSEWOOD WORK TABLE IN THE MANNER OF GILLOWS OF LANCASTER

MID 19TH CENTURY the ratchet adjustable leather lined writing surface ﬂanked by drop leaf extensions with pen drawers, one ﬁtted with two glass inkpots, above a pair of long drawers over a silk lined sliding work bag, raised on reeded legs ending in brass caps and castors 71cm wide, 74cm high, 44cm deep £1,200-1,800

315 HC527/23 GILLOWS STYLE MAHOGANY DRESSING TABLE 19TH CENTURY the three quarter gallery top over a central frieze drawer ﬂanked by banks of two short drawers, raised on turned and tapered reeded legs 109cm wide, 82cm high, 53cm deep £400-600

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316 HB633/66 LATE REGENCY LARGE MAHOGANY AND BRASS INLAID CHIMING BRACKET CLOCK

19TH CENTURY the ogee arched pediment with a brass acorn finial, above an arched cream enamel dial with a Roman numeral hours chapter and subsidiary seconds and Strike/Silent dials, flanked by canted corners with gilt metal Egyptian terms surmounted by pyramidal corner finials with further gilt metal acorn mounts, on a moulded plinth base with outset canted corners raised on brass ball feet, the eight day quarter striking and chiming movement with a bell strike and playing on eight bells 97cm high, 48cm wide, 25cm deep £5,000-7,000

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317 HB633/1 SET OF TWELVE REGENCY ROSEWOOD AND BRASS INLAID DINING CHAIRS CIRCA 1815 comprising a pair of armchairs and ten side chairs, the spiral carved top rails above scrolling open work horizontal splats centred by a foliate brass inlaid panel, over padded seats and raised on sabre legs (12) Armchair 51cm wide, 84cm high, 44cm deep; sidechair 44cm wide 84cm high, 40cm deep ÂŁ5,000-7,000

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318 HB695/1 FINE REGENCY PATENT TELESCOPIC EXTENDING DINING TABLE BY THOMAS BUTLER, LONDON

CIRCA 1810 the rounded rectangular top with four leaf extensions, raised on twelve reeded tapered legs ending in brass caps and castors, the interior legs set back, bearing an engraved brass maker’s plaque ‘BUTLER’S PATENT NO 13 & 14 / CATHERINE ST. STRAND / LONDON’ 425cm long, 73cm high, 153cm wide; 502cm long fully extended

Note: Thomas Butler specialised in the production of patent furniture, notably extending dining tables and bedsteads. Butler established his business in 1787, brieﬂy employing Thomas Morgan and Joseph Sanders before they set up their own business in 1801 and became his greatest rivals. He traded from 1802-14 at 13 and 14 Catherine Street.

£10,000-15,000

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108 Lyon & Turnbull 319 HD546/4 SCOTTISH REGENCY MAHOGANY, ROSEWOOD AND AMBOYNA FOLDOVER TEA TABLE ATTRIBUTED TO JAMES MEIN OF KELSO

EARLY 19TH CENTURY the pivoting foldover D-shape crossbanded top with a beaded edge above a deep frieze with bird’s eye maple panels, raised on a turned column support on a leaf carved quatreform base and outswept legs ending in brass paw caps and castors 97cm wide, 76cm high, 49cm deep (closed)

Note: the Mein family furniture making ﬁrm operated in Kelso from 1784 until 1851. The principal maker and patriarch James Mein died in 1830 and the business passed to his nephew, also called James, who ran the company until its bankruptcy in 1851. Known for producing furniture of high quality, they counted among their clients the 5th and 6th Dukes of Roxburghe for Floors Castle, and the Earl of Haddington for Mellerstain.

£800-1,200

320 HD546/3 SCOTTISH LATE REGENCY MAHOGANY WINE COOLER IN THE MANNER OF JAMES MEIN, KELSO

EARLY 19TH CENTURY of sarcophagus form with a reeded hinged cover with a lobed central handle, the panel sides outlined with bead moulding and raised on carved paw feet with later ceramic castors, the interior with a partial lead lined interior 80cm wide, 70cm high, 57cm deep £1,200-1,800

321 HB732/3 PAIR OF TOLE TABLE LAMPS

20TH CENTURY each with cylindrical shades and column bases with square plinths, overpainted in red with gilt decoration (2) 76cm high £300-400

322 HB715/2 FOUR SHOE SNUFF BOXES

EARLY 19TH CENTURY two with sliding lids and brass pin decoration, 11 and 9cm long; and two with Japanned decoration, 8cm long; together with TWO PAINTED PAPIER MACHE BOXES, each painted with a ﬁgural scene, 7 and 9cm diameter; and a PAINTED PAPIER MACHE AND LEATHER SPECTACLE CASE, painted with a hunting scene, 14cm long (7) £300-500

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Fine Furniture & Works of Art 109 323 HB633/29 REGENCY TEAK CAMPAIGN SECRETAIRE CHEST OF DRAWERS EARLY 19TH CENTURY the top drawer with a fall front and ﬁtted with drawers and pigeon holes, over two short and two further long drawers, on turned feet 90cm wide, 105cm high, 50cm deep £1,500-2,500

324 HD544/1 LATE REGENCY MAHOGANY CHEVAL MIRROR

EARLY 19TH CENTURY the rectangular mirror plate between turned uprights, raised on outswept legs joined by turned stretchers and ending in brass caps and castors 78cm wide, 162cm high, 60cm deep £300-500

325 HD533/2 LATE REGENCY MAHOGANY UPHOLSTERED SOFA

19TH CENTURY the shaped padded back and high scroll arms in plain cream upholstery, with foliate carved facings and seat rail, raised on lotus carved legs 205cm long, 83cm high, 53cm deep £500-700

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326 HB377/12 LARGE VICTORIAN MAHOGANY BARREL ORGAN LONGCASE CLOCK

MID 19TH CENTURY the straight moulded cornice above a painted rectangular dial depicting a town scene and country house above a Roman numeral chapter with two winding holes above a wide case with an ogee arch door ﬂanked by half columns, on a plinth base, the eight day movement striking on a gong, the wood key frame with two banks of wood pipes, the musical action playing on two interchangeable 16in. barrel cylinders 75cm wide, 270cm high, 46cm deep £1,000-1,500

327 HC527/25 GEORGE IV OAK PEDESTAL TABLE

CIRCA 1825 the moulded rectangular top above a reeded and leaf carved baluster column support on a shaped quadriform base raised on squat lobed feet 51cm wide, 73cm high, 39cm deep £300-400

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112 Lyon & Turnbull

328 HB374/6 GEORGE IV ROSEWOOD AND PARCEL GILT LOW BOOKCASE

CIRCA 1825 the inverted breakfront moulded top above a pair of glazed doors ﬂanked by further glazed doors with foliate gilt mouldings, on a conforming plinth base 189cm wide, 92cm high, 49cm deep £1,000-1,500

329 SV509/23 GEORGE IV SMALL ROSEWOOD TABLE

CIRCA 1830 the cartouche shaped top raised on a ﬂattened carved baluster support on a quatreform base raised on turned feet 56cm wide, 50cm high, 47cm deep £300-500

330 HB633/59 WILLIAM IV GOTHIC REVIVAL ROSEWOOD, INLAY AND PARCEL GILT CHIMING BRACKET CLOCK

CIRCA 1835 the arched moulded case with a gadrooned pediment and spire ﬁnial, above a circular cream enamel dial with Roman number hours chapter inscribed ‘J. MacGregor / Charterhouse Square / London’, above a diaper panel inlay panel ﬂanked by corner cluster columns surmounted by further Gothic spires, on a shaped plinth base raised on lobed bun feet, the eight day double fusee movement with hour gong strike and quarter chimes on eight bells 42cm wide, 23cm deep, 66cm high £1,000-1,500

331 HC526/2 WILLIAM IV ROSEWOOD FOOTSTOOL

CIRCA 1835 the square top with a needlework upholstered padded seat in a moulded seat rail, raised on curved X-form legs joined by a turned stretcher 55cm wide, 43cm high £250-350

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332 HB730/1 SCOTTISH GEORGE IV DRUM HEAD MAHOGANY LONGCASE CLOCK, BY RITCHIE & SON, EDINBURGH

CIRCA 1830 the circular cream painted dial with Roman chapter ring and subsidiary seconds and date dials, the eight day movement striking a bell, above a tapered case with a bow front door on a moulded plinth base raised bracket feet 46cm wide, 205cm high, 22cm deep £2,000-3,000

333 HB633/6 GEORGE IV MAHOGANY WORK TABLE WITH BEADWORD PANEL TOP

CIRCA 1825 the rounded rectangular hinged top with a bead moulded edge with an inset beadwork panel depicting a ﬂowering urn, opening to a void interior, raised on a plain turned column support on a quatreform base with scroll feet 66cm wide, 77cm high, 51cm deep £1,000-1,500

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334 HB771/1 LARGE WILLIAM IV MAHOGANY LIBRARY TABLE CIRCA 1835 the rectangular top with a black leather insert above a moulded frieze ﬁtted with drawers to each side, raised on reeded and leaf carved tapering legs 198cm wide, 77cm high, 131cm deep £800-1,200

335 HB373/2 GEORGE IV ROSEWOOD PEDESTAL TABLE

CIRCA 1825 the circular top with a foliate carved edge, raised on a turned and reeded waisted column support on a triform base with turned bun feet 78cm diameter, 75cm high £300-500

336 HD545/1 WILLIAM IV MAHOGANY WARDROBE

CIRCA 1835 the inverted breakfront moulded cornice above a pair of panel cupboard doors opening to hanging space and two sliding trays, on a conforming plinth base raised on ﬂattened bun feet 138cm wide, 190cm high, 71cm deep £500-700

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Fine Furniture & Works of Art 115 337 HA482/38 THREE TOLE PAINTED TEA BINS

19TH CENTURY each with a rectangular black painted and parcel gilt numbered canister with a hinged walnut sloped cover, each bearing an oval trade label ‘Parnall & Sons Ltd / Manufacturers / Complete Shop Fitters / For All Trades / Narrow Wine St Bristol’ (3) 46cm wide, 84cm high, 42cm deep £1,200-1,800

338Y HB307/1 ENGLISH TORTOISESHELL TEA CADDY

339 HB633/44 THREE BRISTOL BLUE GLASS DECANTERS

EARLY 19TH CENTURY comprising a pair of mallet form, one labelled in gilt ‘Brandy’, the other, ‘Hollands’ with stoppers, 23cm high; and a similar mallet form example labelled in gilt ‘Rum’ with associated stopper, 26cm high (3)

EARLY 19TH CENTURY of sarcophagus form with an ogee lid and bombe shaped base, opening to reveal a void interior with ivory borders 14.5cm high, 19cm wide, 12cm deep £250-350

£300-400

340 HB233/22 PAIR OF LEEDS CREAMWARE BASKETS AND STANDS

19TH CENTURY each with pierced latticed form with gilt embellishments, baskets 23cm across; and a PAIR OF STAFFORDSHIRE CANARY YELLOW AND SILVER LUSTRE JUGS, 19th Century, 12cm high (4) £200-300

341 HB372/26 GROUP OF ‘PSEUDO TOBACCO LEAF’ PATTERN CHINESE EXPORT WARES

CIRCA 1785 comprising a sauce boat, 21cm across; a small ashet, 28cm across and two octagonal dishes, 16cm across, each decorated with coloured enamels and gilt embellishments (damages) (4) Provenance: Auchendinny House, Midlothian

£250-350

342 HB372/33 LARGE DERBY PORCELAIN CUP

EARLY 19TH CENTURY with a gilt band and handle above painted pink and yellow roses, with red painted mark to underside 13cm high

Provenance: Auchendinny House, Midlothian

£200-300

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Selected Contents from Dollerie House Dollerie House, a Grade B listed mansion situated on a 113 acre estate in Perthshire, was the home of the of the Murray family from 1554 to 2014. Once part of a much larger estate, the present house was built about 1780 and remodelled in 1867 and has remained virtually unchanged since that time. A much earlier tower house existed nearby but was pulled down and the stone repurposed when the new house was built in the 18th century. A stone tablet dated 1741 taken from the original house and laid in the west wall bears the inscription “in humane life thers nothing stedfast stands youth riches glorie fades deaths sure att hand” and the initials AM for Anthony Murray. Tellingly, an Anthony Murray of Dollerie joined Prince Charles Edward Stuart and the Jacobite cause and is believed to have died at Culloden as there is no record of him after that date.

343 HB373/31 SET OF SIX GEORGIAN MAHOGANY AND NEEDLEWORK OPEN ARMCHAIRS

LATE 18TH / EARLY 19TH CENTURY the curved oval backs above wide serpentine seats and part padded arms, upholstered in striped ﬂoral needlework upholstery, raised on square tapered legs (6) 60cm wide, 93cm high, 47cm deep £800-1,200

344 HB373/54 WILLIAM IV MAHOGANY PEDESTAL TABLE EARLY 19TH CENTURY the octagonal top with a gadrooned edge, on a square tapered column support raised on a quadripartite base with scroll feet and porcelain castors 69cm diameter, 75cm high £300-400

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Fine Furniture & Works of Art 117 345 HB373/24 REGENCY ROSEWOOD FOLDOVER CARD TABLE

EARLY 19TH CENTURY the pivoting foldover D-shaped top raised on a squared column support on a shaped quatreform base with bead moulding and lobed feet with brass castors 91cm wide, 73cm high, 45cm deep (closed) £300-500

346 HB373/22 GEORGE IV MAHOGANY TEAPOY

CIRCA 1825 the hinge top of sarcophagus form opening to reveal two covered removable tea caddies and an associated glass waste bowl, raised on a reeded baluster leaf-carved support and square base, on scroll carved feet with brass castors 47cm wide, 86cm high, 37cm deep £300-500

347 HB373/26 SCOTTISH REGENCY MAHOGANY, EBONISED AND BRASS INLAID STAGEBACK SIDEBOARD

EARLY 19TH CENTURY the superstructure with two sliding doors above a shaped top over two short frieze drawers ﬂanked by two deep drawers, one ﬁtted as a cellarette, raised on tapering faux bamboo legs ending in turned ball feet 229cm wide, 114cm high, 72cm deep £800-1,200

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118 Lyon & Turnbull 348 HB373/212 ATTRIBUTED TO JOHN HOPPNER (BRITISH 1758-1810) PORTRAIT OF SIR PATRICK MURRAY OF OCHTERTYRE oil on canvas, waist length three quarter portrait, the sitter wearing a white neck scarf and dark coat 29.5in x 24.5in (74cm x 62cm)

Note: Bears old label verso, indistinctly inscribed ‘Sir Peter . . . , Painted by Hoppner, 1805.’ Sir Patrick Murray (1771-1837) of Ochtertyre in Perthshire was a Member of Parliament for Edinburgh between 1806 and 1812, and held the title of Baron of the Court of Exchequer in 1820. Often referred to as ‘Sir Peter’, Murray succeeded his father in December 1800, following his marriage to Lady Mary Anne Hope (1773-1838) in 1794. She was daughter of 2nd Earl of Hopetoun, and together Murray and his wife had eight children. The portrait was presented to ‘Sir Peter’s’ daughter, Georgina Murray (18051877) of Ochtertyre, wife of Anthony Murray (1802-1884), 10th of Dollerie, by her sister Mary (d. 1886). Since it was gifted, the picture has hung at Dollerie House.

£800-1,200

349 HB373/18 ATTRIBUTED TO GEORGE WATSON (SCOTTISH 1767-1837) PORTRAIT OF MRS MARGARET BOWER Oil on canvas, 75 x 62cm (29.5 x 24.5in); together with a PORTRAIT OF ALEXANDER BOWER OF KINCALDRUM, oil on canvas, 75 x 62cm (29.5 x 24.5in) (2)

Note: Alexander Bower of Kincaldrum was the son of a Jacobite, who was arrested and jailed in Perth, where he died in the 1740s. Bower was, as a result of his family’s political persuasion, taken as a young child to France where he was raised before returning to Kincaldrum. After he came back to his native land, he married Margaret Graham of Fintry. Margaret Bower, nee. Graham, was the daughter of Margaret Murray of Ochtertyre. Her daughter, Helen Bower married Anthony Murray, 9th of Dollerie in 1801. As a result, Margaret spent the last years of her life at Dollerie House. Both portraits have hung, since their execution, at Dollerie House, until now.

£1,000-1,500

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350 HB373/236 EARLY VICTORIAN MAHOGANY COMPENDIUM WARDROBE MID 19TH CENTURY the centre section with an arched pediment over six long graduated drawers, ﬂanked by tall arched panel cupboard doors opening to hanging space, on a plinth base 266cm wide, 208cm high, 62cm deep £500-700

351 HB373/261 PAIR OF VICTORIAN CARVED WOOD WALL BRACKETS

LATE 19TH CENTURY each carved as an eagle supporting a foliate carved squared platforms (2) 45cm wide, 58cm high, 24cm deep £250-350

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352 HB373/233 VICTORIAN MAHOGANY FRAMED HALF TESTER BED 19TH CENTURY the moulded half tester cornice above an arched headboard upholstered in cream thistle pattern fabric; the arched mahogany footboard with a moulded oval panel and foliate carved scrolls, raised on scroll feet with brass castors 215cm long, 239cm high, 177cm wide £600-800

353 HB373/12 VICTORIAN WALNUT, KINGWOOD AND INLAID BONHEUR DU JOUR

19TH CENTURY the superstructure with a mirrored door above a drawer, ﬂanked by banks of three drawers, over a serpentine top with a green leather writing insert, over a long frieze drawers, raised on square cabriole legs with gilt metal mounts, with a George Myles & Co., Crieﬀ retailer’s label 110cm wide, 124cm high, 62cm deep £500-700

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354 HB373/262 EARLY VICTORIAN MAHOGANY FRAMED SOFA

CIRCA 1860 the button upholstered straight back and scrolled arms over a padded seat in deep crimson plush upholstery, the arms with rosette carved mahogany facings, raised on short carved and turned tapered legs with porcelain castors 197cm wide, 83cm high, 56cm deep £500-700

355 HB373/29 EARLY VICTORIAN ROSEWOOD OCTAGONAL CENTRE TABLE

CIRCA 1840 with a moulded edge and frieze raised on a tripartite column support and triform base with scrolled volutes and turned bun feet 130cm diameter, 75cm high £500-700

356 HB373/260 VICTORIAN WALNUT AND BRASS POST BOX OF MILITARY INTEREST

19TH CENTURY the hinged cover mounted with an artillery shell casing and a brass plaque inscribed ‘THIS SHELL WAS FIRED BY THE AFGHANS / AGAINST THE BRITISH / AT THE BATTLE OF THE PEIWAR KOTAL - 1879’ 45cm wide, 41cm high, 28cm deep £250-350

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122 Lyon & Turnbull 357 HB373/230 GERMAN WALNUT SERPENTINE FOLDOVER CARD TABLE

19TH CENTURY the pivoting foldover quarter veneered top opening to a recessed green baize playing surface, above a frieze carved with a shell motif and ﬂower garlands, raised on cabriole legs ending in foliate carved feet 86.5cm wide, 74cm high, 46cm deep (closed) £300-400

358 HB373/262B ITALIAN MARBLE RELIEF PORTRAIT OF MA JOR MURRAY

19TH CENTURY the oval white marble panel carved with a three quarter proﬁle of an oﬃcer, signed ‘A Passani’, in an ebonised moulded frame Marble 63cm high, 48cm wide £300-500

359 HB373/220 LOUIS XIV STYLE GILTWOOD AND GESSO MIRROR

19TH CENTURY the arched mirror plate within a frame moulded with foliate scrolls and an open scrollwork cresting centred by a shell motif 126cm high, 72cm wide £400-600

360 FG583/1 FRENCH EMPIRE GILT AND PATINATED BRONZE MANTEL CLOCK EARLY 19TH CENTURY the circular gilt metal and Roman numeral dial surmounted by a swan’s head and wings and ﬂanked by fruit ﬁlled cornucopias, above a dolphin and shell cast support and stepped gilt and patinated metal base, the back plate inscribed ‘JADIN A PARIS’ 30cm high

£1,200-1,800

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361 HB373/45 EARLY VICTORIAN ROSEWOOD FRAMED SOFA

CIRCA 1840 the low straight back and enclosed high scroll arms in salmon pink striped plush fabric, the arms with scroll carved rosewood facings, above a moulded seat rail raised on short turned tapered legs ending in brass caps and castors 190cm wide, 68cm high, 58cm deep £400-600

362Y HB373/219 NAPOLEON III BOULLE MARQUETRY AND EBONISED SERPENTINE FOLDOVER CARD TABLE 19TH CENTURY in premier partie red tortoiseshell, the top opening to reveal a green baize playing surface, above a serpentine frieze centred by classical gilt bronze mask, raised on cabriole legs, with gilt metal mounts throughout 90cm wide, 77cm high, 44cm deep (closed) £500-700

Please note that lot 364 requires the purchaser to have a valid UK Firearms certiﬁcate or RFD.

363 HB373/262D UNDERLEVER BREECH LOADING PIN FIRE SHOTGUN, BY JOSEPH LANG, LONDON

LATE 19TH CENTURY .15 bore, signed to the top rib on the browned Damascus barrels JOSEPH LANG, 22 COCKSPUR STREET, LONDON, with a well-ﬁgured walnut stock, the back actioned locks signed JOSEPH LANG, with engraved cartouches; together with a SINGLE BARREL HAMMER ACTION SMALL BORE ROOK RIFLE, BY J. MCNAUGHTON, EDINBURGH, with side lever action, blued octagonal barrel, folding leaf sights, matted top ride and chequered fore-end with a horn tip, with a walnut stock, chequered pistol grip and corroded butt cap (2) £400-500

364 HB373/262E BSA SINGLE BARREL .410 SHOTGUN

serial no. 016153, with a plain light coloured stock, a blue single barrel and sliding top safety; together with a SINGLE BARREL .22 BOLT ACTION MAGAZINE RIFLE, with a telescopic sight, serial no. 1467; and an AUSTRIAN SINGLE BARREL .22 BOLT ACTION MAGAZINE RIFLE, BY VOERE, serial no. 245639, with a Nikko Sterling four by 32 telescopic sight (3) £250-350

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Other Properties 365 HA941/1 RARE EARLY VICTORIAN CAST IRON DUELLING TARGET

CIRCA 1840 the curved plate cast in the form of a standing gentleman holding a pistol and a target hole in the chest and a hole for a cigarette 33cm wide, 173cm high £7,000-10,000

366 HB577/7 PERCUSSION TRAVELLING PISTOL

CIRCA 1840 the back-action lock signed THOMPSON, the riﬂed octagonal barrel with platinum line at the breech, silver tipped foresight, and captive swivel ramrod, with a walnut full stock and chequered butt, with a white metal spurred trigger guard, set trigger and black silver escutcheon 8.5inches long; 21cm long £250-350

367 HA482/1 STORAGE BARREL

LATE 19TH / EARLY 20TH CENTURY of oval staved form with brass straps and carrying handles 58cm wide, 71cm high, 43cm deep £500-800

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368 HA482/39 UNUSUAL EARLY VICTORIAN ROSEWOOD PEDESTAL DESK AND BOOKCASE MID 19TH CENTURY the rectangular top with a green leather insert writing surface above an arched kneehole recess ﬂanked by banks of four graduated drawers with ivorine numbers, the reverse ﬁtted as an open bookcase with adjustable shelves, on a plinth base 73cm wide, 30cm high, 24cm deep £1,200-1,800

369 HB633/10 EARLY VICTORIAN BURR WALNUT WORK TABLE

MID 19TH CENTURY the rounded rectangular top with a green leather surface, above a long frieze drawer, raised on end twin column supports joined by a book trough, on trestle legs 55cm wide, 61cm high, 33cm deep £500-700

370 HC545/1 EARY VICTORIAN MAHOGANY AND SATIN BIRCH SECRETAIRE CHEST

EARLY 19TH CENTURY the shaped rectangular top with a reeded edge above a pair of dummy drawer fronts opening to an interior ﬁtted with an arrangement of drawers and pigeon holes and a sliding hinged writing surface, over three further graduated long drawers with brass ring handles, raised on turned tapered feet 126cm wide, 124cm high, 57cm deep £500-700

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371 HB374/8 EARLY VICTORIAN GILTWOOD PIER MIRROR

MID 19TH CENTURY the upright arched mirror plate within a moulded frame surmounted by a shell motif and foliate scrolls 196cm high, 89cm wide £400-600

372 HB726/1 ENGLISH JAPANNED AND PAINTED STEEL STRONGBOX 19TH CENTURY of rectangular form, decorated in gilt with ﬁgures in a garden amongst pavilions and tall buildings 10cm high, 25cm wide,18.5cm deep £300-500

373 HA673/26 EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE

MID 19TH CENTURY the circular top over a plain frieze above a facetted baluster column support, on a circular base raised on scroll feet with brass castors 136cm diameter, 74cm high £500-700

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374 HB636/1 VICTORIAN GILTWOOD PIER MIRROR

19TH CENTURY in the Baroque style, the rectangular mirror plate within mirror margin plates, within a foliate moulded frame marked at the corners with foliate scroll and ﬂower heads 124cm high, 104cm wide £600-800

375 HB233/5 VICTORIAN PAPIER MACHE TEA TRAY 19TH CENTURY the serpentine rim with gilded decoration enclosing a painted panel of ﬁgures in a landscape with a town in the background 68cm across £300-500

376 SV254/40A VICTORIAN BURR WALNUT, TULIPWOOD MARQUETRY CENTRE TABLE

LATE 19TH CENTURY the serpentine shaped oval top with ﬂoral marquetry inlay, raised on cabriole legs with gilt metal mounts throughout 85cm wide, 74cm high, 54cm deep

Provenance: The Estate of the late Countess of Lanesborough, previously at Swithland Hall, Leicestershire.

£500-700

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377 SV254/107 COALPORT PART DESSERT SERVICE

19TH CENTURY painted with birds and ﬂower sprays within gilt scroll cartouches, against a cobalt ground, comprising a pair of fruit coolers, a pair of covered sauce dishes and stands, six shell-shaped dishes, four square dishes; four oval dishes, a footed centre dish, and eighteen dessert plates, with gilt details, some with green printed mark (qty) cooler 26cm high; plate 22cm diameter

Provenance: The Estate of the late Countess of Lanesborough, previously at Swithland Hall, Leicestershire.

£1,200-1,800

378 HA482/44 VICTORIAN EBONY AND SATINWOOD INLAID MAHOGANY TEA CADDY of sarcophagus form, decorated with oval inlaid reserves and triangular inset borders, with a later handle, opening to reveal three ﬁtted compartments, all raised on ogee bracket feet 32cm wide, 19.5cm high, 16.5cm deep £600-800

379 HA674/7 TWO VICTORIAN HARDSTONE AND GILT METAL TABLE CASKETS

LATE 19TH CENTURY both of rectangular form, the larger with heliotrope panel sides and ball feet, with a shaped lozenge escutcheon and key, 15.5cm wide, 7.5cm high, 10cm deep; the smaller with agate panels and ball feet, 14cm wide, 6cm high, 8.5cm deep (2) £200-300

380 HA674/25 VICTORIAN PAPIER MACHE SERVING TRAY BY JENNENS & BETTRIDGE

MID 19TH CENTURY the gilded serpentine rim enclosing a painted panel depicting a 17th century interior scene, stamped maker’s mark JENNENS & BETTRIDGE/ BIRMM & LONDON 64cm across £200-300

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Fine Furniture & Works of Art 129 381 HD544/3 GEORGE III STYLE MAHOGANY PEDESTAL DESK

LATE 19TH CENTURY the rectangular top with a blue leather writing insert over a central frieze drawer ﬂanked by short drawers, raised on banks of three graduated drawers, raised on shaped bracket feet 122cm wide, 74cm high, 60cm deep £500-700

382 HB633/48 VICTORIAN WALNUT FOUR GLASS BRACKET CLOCK BY JOHN WALKER

LATE 19TH CENTURY the stepped moulded cornice above a Roman number silvered dial with foliate engraved spandrels, with maker’s inscription ‘JNo WALKER / 230 REGENT ST & 77 CORNHILL / LONDON / 7194’, the brass back plate similarly engraved, on an ogee moulded plinth base, with a single fusee movement 32cm high, 24cm wide, 16.5cm deep £2,000-3,000

383 HC512/1 CROWN DERBY PART DESSERT SERVICE

DATE MARK FOR 1885 each piece decorated in the imari palette, with impressed mark DERBY, red maker’s marks and date codes, comprising of: two square dishes; two shell shaped dishes; two oval dishes; and twelve plates (18) £600-800

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384 HD544/7 VICTORIAN BUTTON-BACK UPHOLSTERED ARMCHAIR

MID 19TH CENTURY the curved back and arms with button-tufted upholstery, above a wide seat, raised on turned mahogany legs ending in brass caps and castors, in dusty rose plush fabric 74cm wide, 96cm high, 55cm deep £250-350

385 HB633/32 VICTORIAN MAHOGANY AND SATINWOOD INLAID BUREAU

19TH CENTURY in the Sheraton style, the slant front with a recessed panel centred by an oval fan medallion inlay, opening to an interior ﬁtted with pigeon holes, drawers, a pair of glass inkwells, and a green leather writing surface, above two short and three long crossbanded drawers, raised on ogee bracket feet 102cm wide, 109cm high, 55cm deep £1,000-1,500

386 HB374/10 SCOTTISH ROSEWOOD, SATINWOOD AND MAHOGANY BOWFRONT CHEST OF DRAWERS

387 HD544/6 HOWARD & SONS STYLE EASY ARMCHAIR

124cm wide, 119cm high, 58cm deep

74cm wide, 85cm high, 64cm deep

MID 19TH CENTURY the shaped bow front and crossbanded top above spiral moulded frieze over two short and four long graduated drawers ﬂanked by half columns, raised on short turned feet £400-600

LATE 19TH CENTURY the button upholstered square back and downswept enclosed scroll arms, raised on tapered square mahogany legs ending in brass caps and castors, in original pale green fabric, with a later rose slip cover and cushion £300-500

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Fine Furniture & Works of Art 131 388 HB633/18 VICTORIAN WALNUT WELLINGTON CHEST 19TH CENTURY the square top over a plain frieze, above seven graduated drawers with hinged side panels, on a plinth base 61cm wide, 123cm high, 40cm deep £1,500-2,500

389 HB510/8 VICTORIAN WALNUT BREAKFAST TABLE

19TH CENTURY the oval top with a reeded edge, on a turned baluster column support raised on carved cabriole tripod legs with acanthus carved feet with brass castors 143cm wide, 75cm high, 115cm deep £600-800

390 HB436/7 VICTORIAN GILTWOOD OVERMANTEL MIRROR

19TH CENTURY the arched mirror plate with a bead and foliate garland moulded frame with acanthus scrolls, ﬂower heads and C scrolls 124cm high, 166cm wide £400-600

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391Y HB633/23 ETRUSCAN REVIVAL EBONISED WOOD AND AMBOYNA INLAID CABINET BY H. OGDEN, MANCHESTER

CIRCA 1870 with ivory and parcel gilt embellishments, the back with a central mirror and inlaid panels with column pacers, above a corresponding base with a central mirror back door enclosed by two doors with carved hardwood panels, on a plinth base, stamped ‘H. OGDEN/ MANCHESTER’ 179cm wide, 165cm high, 48cm deep £3,000-5,000

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134 Lyon & Turnbull 392 HB436/5 VICTORIAN MAHOGANY WELLINGTON CHEST 19TH CENTURY of small size, the rectangular top above seven graduated drawers with leaf carved locking side panels, on a plinth base 52cm wide, 104cm high, 35cm deep £400-600

393 HA676/1 VICTORIAN ROSEWOOD AND MAHOGANY MARQUETRY SECRETAIRE DISPLAY CABINET

LATE 19TH CENTURY in the Sheraton style, the broken swan neck pediment above a pair of astragal glazed doors opening to shelves; the lower part of serpentine outline with three drawers, the centre drawer ﬁtted for writing, raised on square tapered legs, inlaid throughout with foliate swag and garland marquetry 117cm wide, 203cm high, 57cm deep £1,000-1,500

394 HB372/14 ROYAL WORCESTER FIGURE, MODELLED BY JAMES HADLEY

395 SV509/1F PAIR OF STEVENSON & HANCOCK DERBY PORCELAIN FIGURE GROUPS

40.5cm high

£350-450

DATED 1874 modelled as a Japanese gentleman ﬂanked by a vase and stand, on a shaped base, decorated in puce, green and gold enamels, stamped and printed marks Provenance: Auchendinny House, Midlothian

£200-300

19TH CENTURY depicting the Welsh tailor and his wife riding goats, 13.5cm high; together with a STEVENSON & HANCOCK DERBY FIGURE OF BILLY WATERS, 9.5cm high (3)

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Fine Furniture & Works of Art 135 396 HA482/43 VICTORIAN PAINTED SATINWOOD WALL MOUNTED KEY CABINET 19TH CENTURY of rectangular form, the glazed hinged door opening to eight hooks with keys, with a printed label STONELEIGH ABBEY/ HOUSE KEEPER’S FLAT/ KENILWORTH and a further newspaper clipping 57cm high, 47cm wide £400-600

397 HA482/42 VICTORIAN PAINTED BURR ASH TEA CADDY

of rectangular form, painted on all sides with ﬂower sprays and ribbon swags, opening to reveal two lidded compartments and an associated cut glass mixing bowl, with a Bramah lock 33cm wide, 17.5cm high, 17cm deep £500-700

398 HA482/41 VICTORIAN COROMANDEL SCENT BOX of rectangular form, the hinged double doors opening to reveal a silk lined and mirrorbacked interior with four cut glass scent bottles and stoppers, with a Bramah lock closed 18.5cm wide, 24.5cm high, 18.5cm deep £800-1,200

399 HA482/36 VICTORIAN PAINTED OAK AND BRASS MOUNTED LETTER BOX the sloped hinged front painted with images of dogs above a single drawer, ﬁtted with brass mounts, opening to reveal a ﬁtted interior and hinged domed top 33.5cm wide, 38cm high, 30cm deep £500-800

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136 Lyon & Turnbull 400 HB730/2 PAIR OF LARGE VICTORIAN PATINATED CAST IRON FIGURAL TORCHERES

LATE 19TH CENTURY three-quarter life size, dark brown/black patina, modelled as a pair of Renaissance page boys holding torcheres, with frosted glass ‘ﬂame’ shades, on circular bases, ﬁtted for electricity (2)

Figure 1: 143cm high, 193cm high overall; ﬁgure 2: 150cm high, 196cm high overall £1,000-1,500

Page 136

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401 HB633/82 TWO VICTORIAN BRASS MOUNTED DRESSING TABLE BOXES

MID 19TH CENTURY the ﬁrst by Asprey, of burr walnut with a deep purple velvet and Morrocan leather interior with a lift out tray, the contents lacking, stamped ‘Asprey Maker / 166 Bond St / 22 Albemarle St’, the locks stamped ‘S. Mordan & Co. London’, 30cm wide, 18cm high, 23.5cm deep’; the second by A&L Moses, of calamander with navy blue velvet and Moroccan leather interior with a lift-out tray, the contents lacking, stamped ‘A&L Moses / 26 The Hard / Portsea’; 27.5cm wide, 13cm high, 18cm deep (2) £500-700

402 HB633/81 THREE VICTORIAN POST/STATIONERY BOXES

19TH CENTURY comprising a brass mounted rosewood post box with a birch interior, 20.5cm wide, 15.5cm high, 11cm deep; a brass mounted burr walnut post box with a paper lined interior, 23cm wide, 12cm high, 11.5cm deep; and a brass mounted walnut dome top stationery box with a cream and blue silk lined compartmented interior, 23cm wide, 16.5cm high, 11cm deep (3) £500-700

404Y HB686/5 HUNTING DIRK 403Y HB633/79 FOUR SMALL TORTOISESHELL BOXES

19TH CENTURY comprising an oval box with floral pique work in silver and gold, 8.3cm long; a tortoiseshell and ivory casket with an oval picture of Parliament on the cover, 6.5cm wide; a horn snuff box with an ivory, tortoiseshell and horn raised geometric cover, 7cm wide; and another rectangular horn snuff box with an ivory and tortoiseshell parquetry cover, 8cm wide (3) £300-500

19TH CENTURY with single edged spear point blade, ivory grip, the pommel surmounted by a recumbent greyhound on a raised acanthus base, above the cast fox mask ferrule, all with metal mounts, in black leather sheath 11inches long; 28cm long £200-300

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405 HB633/78 VICTORIAN COROMANDEL HUMIDOR

19TH CENTURY the top with three hinged covers with chamfered edges, the centre cover with a recessed brass handle bearing monogram HAC, opening to a compartmented cedar lined interior 32.5cm wide, 12cm high, 22cm deep £300-500

406Y HB633/73 VICTORIAN TORTOISESHELL AND MOTHER-OFPEARL AND ABALONE INLAID TEA CADDY

MID 19TH CENTURY of sarcophagus form with a bow front, the front inlaid depicting birds of paradise and foliate scrolls, opening to a two division interior, raised on brass ball feet 20.5cm wide, 14cm high, 13.5cm deep £700-900

407 HB633/72 VICTORIAN WHITE MARBLE BUST AND PEDESTAL

19TH CENTURY carved as a classical young woman with a ribbon band in her hair, unsigned; on a socle; the slender column pedestal with a square top and base (2) Bust 50cm high; pedestal 106cm high £1,500-2,500

408 HB633/70 VICTORIAN WALNUT WRITING SLOPE

MID 19TH CENTURY with a hinged top opening to an interior ﬁtted for stationery and writing, the ogee moulded slant front opening to a black leather writing surface above a void interior, with a drawer to the side, bearing an engraved brass presentation plaque inscribed ‘Gulielmo K. Maccrorie, A.M. / Coll: S. Petri. ap. Radley Socio / SUI GRATISSIMI / 1858’, with a handwritten letter signed by his pupils 43cm wide, 23cm high, 37cm deep £800-1,200

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Fine Furniture & Works of Art 139 409 HB633/57 VICTORIAN ROSEWOOD BRASS INLAID DRESSING CASE WITH SILVER FITTINGS BY W. LUND

LONDON, 1838 the rectangular case with brass line inlay opening to a wine red velvet lined interior with a lift out tray and ﬁtted with silver mounted glass jars and containers, bearing maker’s stamps ‘W. Lund Maker 24 Fleet St London” and no.17240 29cm wide, 17.5cm high, 21cm deep £500-700

410Y HB633/51 VICTORIAN TORTOISESHELL JEWELLERY CASKET 19TH CENTURY converted from a tea caddy, of sarcophagus form, the ogee sides with pewter banding, the hinged cover opening to reveal a later velvet lined interior with a lift-out tray 19cm wide, 15cm high, 12cm deep £600-800

411 HA482/26 VICTORIAN PAPIER MACHE BOX AND COVER

of square form, the interior with five conforming boxes and covers, decorated with gilt and enamelled flowers and figures in landscape settings 27cm wide, 6.5cm high, 27cm deep £500-700

412 HA482/24 VICTORIAN LACQUERED BRONZE LETTER RACK

the graduated partitions of serpentine outline creating three divisions, with a blue enamel monogram to the front and back 23.5cm wide, 20.5cm high, 11.5cm deep £250-350

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140 Lyon & Turnbull 413 HA482/23 VICTORIAN SILVERED BRASS NOVELTY CRUET SET

modelled as a cockerel and two hens with registration marks, on a cast wheeled platform with a tree-form handle, with an associated silver salt spoon, hallmarked Birmingham 1896 platform 19.5cm wide; cockerel 12.5cm high £700-900

414Y HA482/21 VICTORIAN SILVER MOUNTED TORTOISESHELL TWO PIECE DESK SET

DATED 1913 each leather bound with scrolled and gadrooned silver mounts, hallmarked Chester 1913, comprising of: a domed silk lined letter box, 23.5cm high; and a matching blotter, 31 x 26cm (2) £1,200-1,800

415Y HA482/35 LATE VICTORIAN OAK AND SILVER PLATED WATER JUG

the carved oak body with silver plated bands, handle, mask cast spout and ivory mounted lid, with an enamelled liner 25.5cm high £300-400

416Y HA482/19 VICTORIAN WALNUT INLAID TEA CADDY

of octagonal form with concave sides, the ebony inlaid lid ﬁtted with a metal plaque inscribed MRS. FLORA STIRRET, 1875, opening to reveal a ﬂap-down recess and two lidded compartments, all raised on squat bun feet 26.5cm wide, 14cm high 19cm deep

£300-500

417Y HA482/18 VICTORIAN INLAID SATINWOOD JEWELLERY BOX, OF MASONIC INTEREST the hinged lid with ivory and ebony inlaid motifs, symbols and panels, opening to reveal a lift-out tray and void interior 23cm wide, 8cm high, 14cm deep £300-400

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418Y HA482/15 VICTORIAN AGATE AND BRASS MOUNTED WALNUT GAMES COMPENDIUM

19TH CENTURY of square form, with agate cabochons and gilt brass mounts, opening to reveal a ﬁtted leather interior with a lift-out tray with ivory counters and components, cards and die, with an inscribed plaque MARY HICK/ BATH 18.5cm wide, 10cm high, 19cm deep £400-600

419 HA482/5 VICTORIAN MAHOGANY LETTER BOX

19TH CENTURY of rectangular form, ﬁtted with a brass plaque inscribed COURRIER above the banded glazed door, opening to a void interior 28cm wide, 38cm high, 20.5cm deep £200-300

420 HA482/20 VICTORIAN BRASS MOUNTED COROMANDEL LETTER BOX of arched sarcophagus form, mounted with brass plaques inscribed ‘Answered’ and ‘Unanswered’, opening to reveal a ﬁtted interior 23cm wide, 16cm high, 11.5cm deep £250-350

421 HA482/4 VICTORIAN WALNUT HUMIDOR

19TH CENTURY with brass carrying handles, the hinged doors opening to three sandalwood lined drawers, with a Bramah lock 34cm wide, 31.5cm high, 23.5cm deep

£300-400

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142 Lyon & Turnbull

422 HB504/8 VICTORIAN TOY STABLE

19TH CENTURY pine and painted wood, the sloping roof enclosing two stalls with overpainted dapple grey models of horses on wheels, with an associated shed (4) 52cm wide, 31cm high, 28cm deep £200-300

423 HB693/1 GOOD JUMEAU PALE BISQUE HEAD DOLL

LATE 19TH CENTURY with ﬁxed blue glass paperweight eyes, sweeping painted lashes, feathered eyebrows, open lips showing upper row of teeth, pierced ears, unmarked; cork pate with long blonde stitched hair; on jointed composition body, the lower back stamped BEBE JUMEAU Diplome d’Honneur 54cm (21in), dressed in chemise, petticoat, dress and bonnet with later socks and shoes, bears red arm band with BEBE JUMEAU in gold lettering Note: Please note that the chair is not included in the lot

£1,500-2,000

424 HB472/1 BLACK MUSICAL AUTOMATON, ATTRIBUTED TO GUSTAVE VICHY, PARIS

CIRCA 1890 the composition ﬁgure with glass eyes, modelled as a banjo player dressed in a silk cap, shirt, jacket and striped trousers, with a mechanical turning head and strumming arm, seated upon a giltwood stool covered in plush tasselled fabric, concealing the musical movement 60cm high; stool: 16cm wide £2,000-3,000

425 HA482/2 AESTHETIC PERIOD BENTWOOD STICK STAND

CIRCA 1880 with stick and ball sides with brass ring mounts and a hammered brass drip tray, on ball feet with ball ﬁnials to the corners 24cm wide, 70cm high, 24cm deep £300-500

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Fine Furniture & Works of Art 143 426 HB376/3 AESTHETIC MOVEMENT EBONISED AND BURR WOOD CENTRE TABLE

CIRCA 1880 the octagonal top with burr wood banded inlay above a frieze mounted with gilt decorated bosses, raised on tapered and turned supports joined by arched stretchers with a urn ﬁnial centre, on outswept legs with block feet and castors 114cm diameter, 73cm high £400-600

427 HB376/1 VICTORIAN EBONISED, BURR WALNUT, JASPERWARE AND GILT METAL MOUNTED CREDENZA

LATE 19TH CENTURY the shape rectangular top above an inlaid frieze over a central cupboard door centred by a green jasperware plaque with a classical woman, ﬂanked by glazed doors opening to shelves, the doors divided by ﬂuted columns on a plinth base, on turned feet 176cm wide, 108cm high, 43cm deep £600-800

428Y HB376/4 SET OF FOUR VICTORIAN EBONISED, PARCEL GILT, IVORY INLAID AND GILT METAL MOUNTED PARLOUR CHAIRS

CIRCA 1870 with shield shaped backs above stuﬀ over seats raised on tapered and turned legs with ivory line inlay (4) 45cm wide, 88cm high, 43cm deep £500-700

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144 Lyon & Turnbull 429 HA482/3 VICTORIAN BURR WALNUT AND SATIN BIRCH TABLE CABINET

19TH CENTURY the moulded inverted breakfront top above a pair of Gothic arched glazed doors opening to an arrangement of drawers with recessed brass handles, decorated with numbers and ﬁling labels, on a conforming plinth base 48cm wide, 61cm high, 32cm deep £800-1,200

430 HB674/1 FRENCH GILT BRASS REPEATER CARRIAGE CLOCK

19TH CENTURY the four glass case with a white enamel dial and brass mask, ﬂanked by Corinthian columns, the movement striking on a gong, stamped E.M. & Co., in a red leather case 16cm high (handle up) £400-600

431 SV484/25 FRENCH GILT BRASS REPEATER CARRIAGE CLOCK

19TH CENTURY the four-glass case with a white enamel dial and Roman numerals, indistinctly signed, the movement striking on a bell 14cm high (excluding handle) £250-350

432 SV509/37F BOHEMIAN STYLE CUT GLASS VASE

20TH CENTURY of hexagonal form, the clear cut glass depicting a frosted scene of a stag and doe in a woodland landscape 13.5cm high £200-300

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Fine Furniture & Works of Art 145 433 HB633/58 BOHEMIAN WHITE OVER RED GLASS DECANTERS AND STAND

19TH CENTURY comprising three decanters of facetted mallet shape with a pointed ball stopper, decorated with gilt leaves and fruiting vines, in a triform silver plated stand with a gadrooned border and central handle decanter 36cm high; stand 46cm high £1,000-1,500

434 HB477/1 BOHEMIAN ENAMELLED GLASS VASE

19TH CENTURY the ﬂared lobed bowl raised on a splayed circular base, with white and gilt decoration on a green glass ground 33cm high £200-300

435 HB606/2 SET OF FOUR ROYAL COPENHAGEN ‘FLORA DANCIA’ 200TH JUBILEE EDITION PLATES

1990 each painted with a botanical specimen representing one the four seasons, within a gilded and pink enamelled border, with printed inscriptions and maker’s marks, painted shaped number 20/ 3550, contained within a wooden presentation box (4) 22cm diameter £800-1,200

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146 Lyon & Turnbull 436 HB905/2 PAIR OF GERMAN LUDWIGSBURG STYLE PORCELAIN VASES

20TH CENTURY each of flattened baluster form with an everted neck, in the Chinese export style, modelled with Qilin handles and painted with figures and flowers, with underglaze blue mark (2) 29cm high £300-500

437 HC527/10 CONTINENTAL SCHOOL TERRACOTTA FIGURE LATE 19TH CENTURY modelled as a Chinese man in traditional costume, carrying two baskets, polychrome decoration, impressed marks to rear G&S/ 3854 56cm high £300-400

438 HB633/74 ITALIAN NEAPOLITAN WHITE MARBLE FIGURE AND PEDESTAL 19TH CENTURY carved as a barefoot newsboy shouting while holding a paper in his right hand, unsigned; on a ﬂuted column with an acanthus carved capital and a stiﬀ leaf carved base Figure 84cm high; pedestal 91cm high £2,500-3,500

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Fine Furniture & Works of Art 147 439 HB719/2 FIRENZE PAINTED PORCELAIN PLAQUE ‘ZINA’, AFTER GASTON CASIMIR ST PIERRE

CIRCA 1900 printed makers marks and cypher FIRENZE, painted mark ZINA NACH SAINTPIERRE, within giltwood Florentine frame

17.5cm x 12.5cm £500-700

440 HB719/1 GERMAN PAINTED GLASS PANEL OF SPANISH LADY

LATE 19TH / EARLY 20TH CENTURY the rectangular panel painted with a waist length portrait of a dark haired beauty, in a hardwood frame Panel 28.5cm high, 21cm wide; 31.5cm high, 24.5cm wide £300-500

441 SV509/1E JACOB PETIT FLOWER ENCRUSTED PORCELAIN VASE

19TH CENTURY the bottle shaped body with twin handles and a waved rim, modelled in relief with scrolling ﬂowers and shells on a gilded white ground, with underglazed blue and incised marks 30cm high £200-300

442 HB556/1 VIENNA PORCELAIN PLATE

19TH CENTURY painted with a portrait of Countess Harcourt, within a cobalt border with gilt and white jewelled highlights, blue beehive mark and inscription ‘Honble Countess Harcourt’ verso 24.5cm diameter £250-350

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443 HA482/28 TWO AUSTRIAN COLD PAINTED BRONZES

LATE 19TH CENTURY the ﬁrst, a vesta, cast as a terrier pulling open an accordion, with a hinged lid opening to reveal a striker, 11cm wide; the second, cast as a cat upon a set table, 5.5cm high (2) £300-400

444 HA482/29 AUSTRIAN COLD PAINTED BRONZE VESTA

LATE 19TH CENTURY cast as a cat upon a hinged barrel confronted by a terrier, opening to reveal a gilt metal interior 15cm wide overall £500-700

445 HB615/1 SWISS MUSIC BOX

19TH CENTURY playing ten airs, the movement stamped 2201, in a rosewood case inlaid with a bird amongst foliage case 63.5cm wide, 17cm high, 24cm deep £800-1,200

446 HB633/12 PAIR OF SWISS WALNUT, MARQUETRY AND PENWORK HALL CHAIRS 19TH CENTURY the pierced and carved tall backs centred by oval panels depicting Tyrolean ﬁgures, above serpentine carved seats with further animal and ﬁgure inlay within fruiting vine borders, on carved cabriole legs (2) 44cm wide, 99cm high, 33cm deep £700-1,000

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448 HB372/30 PAIR OF MEISSEN PORCELAIN SALTS

19TH CENTURY each moulded as a shell and painted in gilt and coloured enamels with lovers in a landscape, painted crossed sword marks (2)

447 HB732/6 PAIR OF MEISSEN STYLE PORCELAIN BOTTLE VASES

11cm across

LATE 19TH/ 20TH CENTURY each painted with opposed panels of lovers in a landscape, reserved on a yellow ground and embellished with gilt decoration, painted crossed sword marks (2)

Provenance: Auchendinny House, Midlothian

£250-350

25cm high £250-350

449 HB538/2 MEISSEN PORCELAIN CUP AND SAUCER

19TH CENTURY the cup painted with panels depicting Dresden from the south west, Meissen and a view of the Elbe, the saucer painted with views of Meissen, Dresden and The Riverside Palace, Pillnitz, reserved on a blue ground with gilt embellishments, painted crossed sword marks (2) £150-250

450 SV509/1A MEISSEN PORCELAIN FIGURAL SWEETMEAT DISH

LATE 19TH / EARLY 20TH CENTURY modelled as a boy and girl holding a basket over their heads, on a pierced circular base, blue crossed swords mark and inscribed 863 and press number 72 19cm high £250-350

451 SV509/1B MEISSEN PORCELAIN FIGURE GROUP ‘LIBERTY AND MATRIMONY’

20TH CENTURY modelled as a young man with an urn while two young woman attempt to cage a love bird, on a circular base, blue crossed swords mark and incised F94 22cm high £400-600

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452 SV509/1D THREE MEISSEN PORCELAIN FIGURES

20TH CENTURY comprising a figure of a young man in exotic dress playing a tambourine, after the model by Freiderich Elias Meyer, blue crossed swords mark and incised 1788, stamped ‘Foreign’, 21cm high; a figure of a boy with a basket of grapes, blue crossed swords mark, 13.5cm high; and a figure of a Batavian fisherwoman, blue crossed swords mark and incised 2620, 13cm high (3) £400-600

453 SV509/1N MEISSEN PORCELAIN FIGURE OF HARLEQUIN

20TH CENTURY the laughing ﬁgure modelled with a tankard raised in his left hand and his plumed hat held in his right, on a brocaille base, blue crossed swords mark and incised 3025 25cm high £500-700

454 SV509/1C MEISSEN PORCELAIN SEVEN PIECE MONKEY ORCHESTRA

20TH CENTURY comprising a conductor with his music stand, a lady harpist, a drummer, a guitarist, a lady playing a hurdy gurdy, and a triangle player, all with blue crossed swords marks and incised mould numbers, stamped ‘Foreign’ (7) Conductor 19cm high; others 12cm 15.5cm high £800-1,200

455 SV509/19A GERMAN PORCELAIN INK STAND, POSSIBLY BY HELENA WOLFSOHN, DRESDEN

19TH CENTURY the oval dish ﬁtted with two barrel shaped covered inkstands, decorated with coastal reserves within decorative enamel and gilt borders depicting ﬁgures, ships and foliage, each piece with faux Augustus Rex marks dish: 28cm wide £400-600

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Fine Furniture & Works of Art 151 456 HB539/1 TWO EDWARDIAN MAHOGANY ‘COCKPEN’ ARMCHAIRS EARLY 20TH CENTURY of typical form, one with a drop-in foliate needlework seat, the other with a stuﬀover seat (2) 51cm wide, 87cm high, 45cm deep approx £400-600

457 HC527/21 EDWARDIAN ADAM REVIVAL MAHOGANY PEDESTAL SIDEBOARD

EARLY 20TH CENTURY the D shaped centre section with a brass rail and two carved frieze drawers, ﬂanked by side cabinets carved with husk garlands, acanthus, masks and classical ﬁgures, raised on carved paw feet

229cm wide, 127cm high, 60cm deep £600-800

458 HB374/11 PAIR OF NEOCLASSICAL STYLE OVAL PAINTED MIRRORS MID 20TH CENTURY the bevelled oval mirror plates in moulded frames with bead and leaf-tips bands (2) 90cm high, 65cm wide £500-700

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459 HB504/7 SPODE ‘ASIATIC PHEASANT’ PART DINNER SERVICE

LATE 19TH CENTURY retailed by T. Goode & Co, comprising a tureen and cover, sauce tureen and underplate, eight platters of various size, thirty seven dinner plates, ten large soup plates, four smaller soup plates, and six crescent shaped side plates, green printed stamp and impressed marks (qty) Dinner plate 25cm diameter; tureen 35cm long £300-500

460 HB886/1 PAIR OF SMALL GEORGIAN STYLE MAHOGANY AND INLAID BOOK STANDS 20TH CENTURY each with a pierced brass gallery over two open shelves with trailing bellﬂower inlay, raised on cabriole legs with carved paw and ball feet (2) 52cm wide, 102cm high, 23cm deep £1,000-1,500

461 HB562/5 PAIR OF WILLIAM & MARY STYLE WALNUT ARMCHAIRS

EARLY 20TH CENTURY with arched padded backs and seats in blue upholstery with brass nail head decoration, with scrolled open arms, raised on scrolled legs joined by arched scroll carved stretchers (2) 61cm wide, 112cm high, 47cm deep £400-600

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462 HB510/17 LATE VICTORIAN OAK BREAKFRONT BOOKCASE

LATE 19TH CENTURY the dentil moulded breakfront cornice above a pair of astragal glazed doors opening to shelves, above a two short frieze drawers and pair of panel cupboard doors, ﬂanked by open shelves over further panel cupboard doors, on a conforming plinth base 351cm wide, 229cm high, 58cm deep £700-1,000

463 HB233/4 PAIR OF GEORGE III STYLE MAHOGANY URN SHAPED KNIFE BOXES

CIRCA 1900 each with pull up covers enclosing ﬁtted interiors and decorated with bands of boxwood stringing, raised on a square plinth with ogee bracket feet (2) 63cm high

£800-1,200

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464 HD555/2 PAIR OF IRISH GEORGE III STYLE MAHOGANY SIDE TABLES BY HICKS, DUBLIN

EARLY 20TH CENTURY the rectangular moulded tops above a deep frieze centred by a robustly carved shell ﬂanked by acanthus, raised on acanthus carved cabriole legs ending in bold hairy paw feet, each bearing ‘Hicks Dublin’ brass label to reverse (2) 108cm wide, 85cm high, 59cm deep £2,000-3,000

465 HD544/5 EDWARDIAN REGENCY STYLE MAHOGANY AND WALUT INLAID SIDEBOARD

EARLY 20TH CENTURY the shaped rectangular top with a brass gallery rail marked with anthemion, above two short central drawers and two long drawers, ﬂanked by bow front cupboard doors, raised on leaf carved reeded legs 183cm wide, 139cm high, 67cm deep £600-800

466 HD534/1 KNOLE SOFA BY LIBERTY & CO.

MODERN of typical form with three loose cushion seats, upholstered in salmon and pink ﬂoral brocade Liberty & Co. fabric, with a matching deep tassel trim 190cm wide, 101cm high, 63cm deep £800-1,200

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467 HD533/3 WALNUT, PARCEL GILT AND MIRROR TOP CONSOLE TABLE BY JONATHAN CHARLES

MODERN the long rectangular top inset with a mirrored glass panel, above a reeded frieze with four short drawers raised on faux bamboo legs joined by interlaced stretchers 132cm wide, 84cm high, 34cm deep £400-600

468 HD533/1 SHERATON STYLE MAHOGANY AND CANED SETTEE

MODERN the double seat back and high arms with fan shaped caned panels, above a loose cushion seat in lavender upholstery, raised on turned and tapered legs ending in brass caps and castors 137cm wide, 88cm high, 61cm deep £300-500

469 HB633/39 EDWARDIAN MAHOGANY, SATINWOOD INLAID HEXAGONAL CENTRE TABLE

EARLY 20TH CENTURY the hexagonal top with a banded border inlaid with masks and foliate scrolls, raised on eight slender legs joined by a shaped undertier and ending on curved feet 82cm diameter 74cm high £800-1,200

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470 HB886/2 LATE VICTORIAN SATINWOOD SIDE CABINET

CIRCA 1880 of small size, the bow front crossbanded top over a long drawer ﬂanked by two short drawers, over a central sliding tambour door opening to a shelved interior, all outlined in ebonised stringing, raised on splayed feet 101cm wide, 81cm high, 38cm deep £3,000-4,000

471 HB633/77 PAIR OF BRASS AND GLASS NEOCLASSICAL STYLE LAMPS EARLY 20TH CENTURY each with a faceted glass column and square glass base with leaf cast brass mounts, issuing four scrolling candle branches and a central lamp fitting; one with flame finial (2) Candelabra 64cm high; 97cm high overall £500-700

472Y HA482/11 EDWARDIAN SATINWOOD, TORTOISESHELL, SILVER AND ABALONE INLAID BIJOUTERIE TABLE

EARLY 20TH CENTURY the oval hinged tortoiseshell top inlaid with a ﬂowering basket and foliate swags, opening to a cream velvet lined interior, raised on slender squared legs with splayed feet and joined by a shaped undertier 38cm wide, 70cm high, 25cm deep £1,500-2,000

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473 HC526/3 EDWARDIAN SATINWOOD AND KINGWOOD PEDESTAL EARLY 20TH CENTURY the square moulded projecting top above a dentil moulded frieze over a tapered square column and stepped moulded base 32cm wide, 120cm high, 32cm deep

£300-500

474 HD524/1 EDWARDIAN SHERATON STYLE MAHOGANY AND INLAID SOFA

EARLY 20TH CENTURY the curved back and sloping arms above a upholstered seat in blue/green pattern upholstery, raised on square tapered legs ending in spade feet with brass castors, the frame inlaid with laurel garlands, urns, and husk trails 139cm wide, 89cm high, 58cm deep £400-600

475 HB633/21 EDWARDIAN PAINTED SATINWOOD KIDNEY SHAPED DESK

EARLY 20TH CENTURY the reniform top with a brown leather writing insert within a floral painted border, above a central frieze drawer flanked by banks of two short drawers, decorated throughout with floral garlands and bouquets, raised on leaf carved tapered legs ending in castors, the drawer with a Druce & Co brass label; together with a painted satinwood side chair painted with flowers (2) desk: 137cm wide, 74cm high, 81cm deep

£1,500-2,500

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158 Lyon & Turnbull 476 HB233/73 EDWARDIAN PAINTED SATINWOOD SIDE TABLE

EARLY 20TH CENTURY the rectangular top painted with an oval reserve depicting putti amongst clouds within a ﬂoral garland border, above a pair of short frieze drawers raised on square tapered legs ending in spade feet 107cm wide, 78cm high, 60.5cm deep £500-700

477 HB633/14 EDWARDIAN SATINWOOD, ROSEWOOD, INLAY AND PENWORK SECRETAIRE BOOKCASE

EARLY 20TH CENTURY the broken swan neck pediment above a pair of astragal glazed doors opening to shelves; the lower part with a drawer with a fall front and ﬁtted with pigeon holes and drawers with a green leather writing surface, above three further long drawers, above a shaped apron and raised on splayed feet 77cm wide, 205cm high, 43cm deep £2,000-3,000

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Fine Furniture & Works of Art 159 478 HB375/7 EDWARDIAN ROSEWOOD LADY’S DESK

EARLY 20TH CENTURY the mirror back ﬂanked by short drawers, above a green leather writing surface over two short frieze drawers, raised on square tapered legs ending in porcelain castors 89cm wide, 107cm high, 47cm deep £300-500

479 HA828/1 PALE BLUE AND RED PAINTED OAK CABINET

20TH CENTURY the frieze painted with the motto ‘VINCIT VERITAS’ above a pair of bevelled glazed doors with lower painted armorial panels, the divided interior with adjustable shelves, the corners with reeded moulded, on a plinth base 130cm wide, 210cm high, 43cm deep £500-700

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160 Lyon & Turnbull 480 HA482/34 PAIR OF SILVER CLOISONNE CANDLESTICKS DATED 1906 each with a foliate cast drip tray and matching square foot, the enamelled column depicting iris and gerbera, hallmarked Birmingham 1906, makers marks for W. Hutton & Sons Ltd. (2) 16cm high £600-900

481 HA482/33 SILVER PLATED NOVELTY INKWELL, OF EQUESTRIAN INTEREST

cast as two mounted riders by a ﬁeld gate, on a naturalist base forming a pen tray and two tree stump ink wells, liners lacking

482 HA482/30 NOVELTY POLISHED BRASS INKWELL/VESTA

28.5cm wide £400-600

cast as a cat in a boot, the hinged lid opening to reveal an ink well, above the toe fashioned as a drawer and striker, 17cm long; together with a GILT CAST IRON LETTER RACK, with two divisions, cast with deer hunted by dogs, on four scroll feet, marked B&H/ 3549/ 7030, 23.5cm wide (2) £400-600

483Y HA482/32 EDWARDIAN SILVER MOUNTED SHAGREEN CIGAR BOX

DATED 1905 of rectangular form with ivory border banding and silver mounts, hallmarked Birmingham 1905, makers marks for L. Smith, with a void sandalwood lined interior 24.5cm wide, 7.5cm high, 17cm deep £600-900

484 HA482/31 NOVELTY SILVER PLATED AND COLD PAINTED BRONZE OAK DESK STAND the shaped oak platform fitted with a cold painted bronze terrier flanked by bucket formed vestas, fitted with three plated horseshoes, all raised on three spur feet 33cm wide, 31.5cm high £350-450

485 HA482/40 LARGE PAIR OF VICTORIAN CUT GLASS COVERED VASES each with a large knop ﬁnial above the deepcut glass domed cover, bowl and splayed foot (2) 53.5cm high

£1,000-1,500

486 HA482/25 AMERICAN GLASS AND SILVER OVERLAID GLASS DECANTER AND STOPPER

the ﬂared stopper above the overlaid bottle with SCOTCH in silver to one side and a monogrammed cartouche to the other, the collar with initials R.C.G., indistinctly marked STERLING 31.5cm high £200-300

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Fine Furniture & Works of Art 161 487 HB958/2 ‘FULLER’ CALCULATOR BY W.F. STANLEY & CO.

EARLY 20TH CENTURY with Bakelite handle and bracket, stamped Stanley Trade Mark, housed within a bespoke timber case of rectangular form with green felt lined supports, the box lid interior bearing the label Stanley, Everything For The Engineer, Architect And Surveyor In Field And Drawing Oﬃce, W F Stanley & Co Ltd, London 43.5cm long £150-250

488 HA482/14 LEATHER TRAVELLING CASE BY HARRODS

EARLY 20TH CENTURY in tan leather with printed maker’s marks, opening to reveal a partially ﬁtted interior with brushes and silver lidded glass containers, hallmarked London, 1934 66cm wide, 39cm long, 18.5cm deep £300-500

489 HA482/7 LARGE SILVER PLATED TROPHY

the knopped ﬁnial and gadrooned cover, above shaped squared twin handles ﬂanking the body inscribed THE CAMPBELL CHALLENGE CUP, on a circular gadrooned foot 53cm high £150-250

490 HA482/6 EDWARDIAN INLAID OAK CIGAR CABINET

EARLY 19TH CENTURY of rectangular form with an inlaid surface and twin brass handles, the glazed doors opening to reveal eight ﬁtted drawers with cedar linings, on a plinth base 41cm wide, 42.5cm high £500-700

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162 Lyon & Turnbull

491Y HA482/27 CROCODILE SKIN MOUNTED DESK SET, BY ASPREY, LONDON DATE 1927 with maker’s marks ASPREY/ LONDON, comprising of: a tray and blotter; a pair of book ends; and a glass ﬁtted pen tray, with two silver mounted inkwells, hallmarked London 1927 (5) £700-900

492Y HA653/6 TWO GREEN TURTLE SHELLS

(CHELONIA MYDAS), EARLY 20TH CENTURY each of natural form, polished, 77cm long, 61cm wide; and 39.5cm long, 32.5cm wide (2) Note: Sold in compliance with CITES regulations, with (nontransferable) Transaction Speciﬁc Certiﬁcate nos. 534755/01 and 534755/02.

£400-600

493 HB377/45 LARGE COCO DE MER

(LODOICEA MALDIVICA) of typical form, with a polished patina 34cm long £500-700

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Fine Furniture & Works of Art 163 494 HD549/6 FRAMED FAIRGROUND DISTORTION MIRROR OR RIGOLARIUM EARLY 20TH CENTURY the undulating upright mirror plate in an ebonised frame 66cm wide, 156cm high £2,000-3,000

495 HD549/5 FRAMED FAIRGROUND DISTORTION MIRROR OR RIGOLARIUM EARLY 20TH CENTURY the upright bowed glass mirror plate in an ebonised frame 64cm wide, 182cm high £2,000-3,000

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164 Lyon & Turnbull

496 HD531/2 SYMPHONION UPRIGHT MUSIC BOX WITH DISCS

LATE 19TH CENTURY serial no. 499015, in a walnut and oak case, with fourteen 54cm (21.25in) discs 71cm wide, 106cm high, 41.5cm deep £2,000-3,000

497 HD531/1 POLYPHON UPRIGHT MUSIC BOX AND DISCS LATE 19TH CENTURY serial no. 26028, in a walnut case and base, with eighty ﬁve 62.5cm (24.5in) discs 83cm wide, 196cm high, 52cm deep £8,000-12,000

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166 Lyon & Turnbull

498 HD549/4 PAIR OF SCOTTISH ‘GARNKIRK’ FIRECLAY URNS AND STAND

MID 19TH CENTURY of low campana form moulded with fruiting vines and stiﬀ leaves, on separate square pedestal plinth bases moulded with laurel wreaths and acanthus on moulded bases (2) 62cm diameter, 126cm high, overall

£800-1,200

499 HD549/2 LARGE SCOTTISH FIRE-CLAY WARWICK VASE AND STAND BY J & M CRAIG, KILMARNOCK

MID 19TH CENTURY the low campana form urn with entwined branch handles and moulded with relief masks, on a squared plinth base moulded with rams’ masks, seraphim, and relief proﬁle portraits of Robert Burns 100cm wide, 114cm high £2,000-3,000

500 HA482/8 GEORGE III TWIN HANDLED LEAD URN LATE 18TH/ 19TH CENTURY cast with scrolling cartouches and husk swags 40cm across £200-300

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Fine Furniture & Works of Art 167 501 HD549/3 LARGE SCOTTISH FIRE-CLAY URN AND PEDESTAL BY LINDSAY & ANDERSON MID 19TH CENTURY in three parts; the urn of low lobed campana form, on a reeded socle and square plinth base moulded with lions’ masks 102cm diameter, 145cm high £1,500-2,500

502 HD549/1 SET OF FOUR SCOTTISH ‘GARNKIRK’ FIRE CLAY LOTUS-FORM CHIMNEY POTS MID 19TH CENTURY of tall upright form with leaf clasped hexagonal bases (4) 108cm high

£1,000-1,500

503 HB600/1 PAIR OF LARGE VICTORIAN PAINTED CAST IRON PEDESTALS

LATE 19TH CENTURY the moulded square tops above sides cast in relief with masks and putti, with spiral carved corners, on acanthus and ivy cast plinth base (2) 63cm wide, 102cm high, 63cm deep £800-1,200

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Asian, Indian & Islamic Works of Art 504 HB633/19 TWO CARVED HONGMU ARMCHAIRS QING DYNASTY, 19TH CENTURY both with ornately carved openwork backs and sold seats, raised on square legs (2) 100cm high, 66cm wide, 47cm deep £1,500-2,500

505 HC527/22 CHINESE HONGMU KANG TABLE

19TH CENTURY the recessed cleated panel top over scroll ends carved with fruiting trees 96cm wide, 33cm high, 43cm deep £300-400

506 HA674/22 CHINESE EXPORT LACQUER GAMES BOARD

19TH CENTURY of hinged rectangular form, the lacquered surface overlaid with gilt-painted ﬁgural and foliate decorations 49.5cm across £150-250

507 HB510/12 CHINESE CARVED HARDWOOD MARBLE TOP STAND

LATE 19TH CENTURY the hexagonal top with a bead moulded edge above a pierced and carved frieze raised on slender carved cabriole legs joined by a triform stretcher 33cm diameter, 92cm high £150-250

508 HB584/3 PAIR OF CHINESE BROWN LACQUER AND GILT OCCASIONAL TABLES

19TH / EARLY 20TH CENTURY each with a square top decorated with carp amongst waves, above pierced friezes raised on slender cabriole legs united by stretchers, decorated with gilt scroll and chrysanthemums (2) 35cm wide, 51cm high, 35cm deep £200-300

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170 Lyon & Turnbull 509 HB510/2 BURMESE CARVED PADOUK PEDESTAL TABLE

EARLY 20TH CENTURY the hexagonal top carved with scrolling foliate bands, animals, birds and ﬁgures, on a bird carved pedestal and circular base carved with serpents 60cm diam, 78cm high £300-500

510 HB510/11 SYRIAN CARVED HARDWOOD X-FORM ARMCHAIR

19TH CENTURY with mother of pear inlay; together with an INDIAN CARVED HARDWOOD AND BRASS TABLE, with pierced sides and an embossed and pierced tray top, 78cm diameter, 60cm high (2) 58cm wide, 105cm high, 32cm deep £300-500

511 HB510/9 CEYLONESE CARVED ROSEWOOD CENTRE TABLE

LATE 19TH / EARLY 20TH CENTURY the circular top with a ﬂower carved band above a pierced and carved downturned edge, on a foliate carved column and triform base carved with ﬂowers and mythical beasts 132cm diameter, 72cm high £600-800

512 HB510/10 CEYLONESE CARVED HARDWOOD LOW CHAIR

LATE 19TH CENTURY the high pierced foliate carved back above a drop in caned seat, raised on short carved scroll legs 56cm wide, 113cm high, 55cm deep £300-500

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Fine Furniture & Works of Art 171 513 HC509/2 THREE FRAMED MUGHAL PAINTINGS

comprising a pair of portraits on ivory depicting Mumtaz Mahal and Shah Jahan, 9.5cm x 6cm each; a painting on paper depicting a Mughal ruler and companion with a huqqa seated in a garden with fountains, signed lower right, 23cm x 16cm, excluding borders; and a painting on paper after Bichitr, ‘Garden Gathering with a Prince in a Green Jama’, 22cm x 16cm excluding border (3) £400-600

514Y HB218/7 GROUP OF EIGHT COMPANY SCHOOL MINIATURE PORTRAITS

LATE 19TH CENTURY each oval ivory panel painted with a portrait of a Mughal ruler, probably Akbar, and three other images of Nawabs and four consorts Each 2.5cm high £250-350

515Y HB710/2 INDIAN CARVED IVORY TABLE BOX

19TH CENTURY of rectangular form, carved in low relief with stylised ﬂowers and foliage, with metal mounts and hinges, the interior void 13.5cm wide, 5cm high, 8.5cm deep £300-500

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Oriental Rugs & Carpets 516 SV211/3 ZEIGLER STYLE CARPET

MODERN the abrash blue ﬁeld with stylised palmette and vine pattern, within cream tree and foliate border between bands 311cm x 248cm £300-500

517 HB436/19 HERIZ STYLE CARPET

MODERN the narrow red ﬁeld with palmette and vine pattern, within wide dark indigo turtle palmette and vine pattern border 370cm x 250cm £300-500

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174 Lyon & Turnbull 518 HB976/1 FINE HEREKE SILK AND METAL THREAD PRAYER RUG WEST ANATOLIA, MID 20TH CENTURY the red mihrab with slate grey cartouche medallion, cream spandrels, within silver border with slate grey text cartouche panels between bands 145cm x 104cm £1,500-2,500

519 HC528/1 SERAB RUNNER

NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream ﬁeld with three red and indigo lozenge medallions, within cream stylised vine border with plain camel outer border 516cm x 104cm £250-350

520 HB436/16 NORTHWEST PERSIAN RUNNER

EARLY 20TH CENTURY the golden ﬁeld with allover herati pattern, within indigo vine border 300cm x 76cm £150-250

521 HB371/12 FEREGHAN RUNNER

WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the abrash indigo ﬁeld with allover herati pattern, within cream rosette and vine border between bands 440cm x 114cm £250-350

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Fine Furniture & Works of Art 175

522 HD512/5 KARABAGH RUNNER

523 HD512/4 NORTHWEST PERSIAN RUNNER

356cm x 105cm

515cm x 107cm

SOUTH CAUCASUS, EARLY 20TH CENTURY the dark indigo ﬁeld with two large red lozenge medallions between smaller shaped medallions, within narrow red border £800-1,200

524 HD512/3 GENDJE RUNNER

EARLY 20TH CENTURY the indigo ﬁeld with allover herati pattern, within red stylised palmette and vine border between bands

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the ﬁeld with polychrome stripe pattern, within cream hooked border with outer band

£1,000-1,500

278cm x 92cm

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176 Lyon & Turnbull 525 HD525/1 KASHAN RUG

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream ﬁeld with indigo and red medallion, blue spandrels and allover foliate lattice pattern, within red palmette and arabesque vine border between bands 208cm x 144cm £600-800

526 HB436/17 CHELABERD RUG

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red ﬁeld with two ivory, green and indigo sunburst medallions, within indigo harshang border between bands 218cm x 129cm £300-500

527 HB770/3 SHAHSAVAN KELIM

NORTHWEST PERSIA, 20TH CENTURY the ﬁeld with seven rows of polychrome hexagonal medallions, between stripe bands 272cm x 190cm £300-500

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Fine Furniture & Works of Art 177 528 HD526/1 LARGE KIRMAN CARPET

SOUTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream ﬁeld with allover polychrome foliate and boteh cartouche lattice pattern, within cream tree and foliate border between bands (cut, reduced) 593cm x 415cm £500-700

529 HC597/1 TABRIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY the rust ﬁeld with allover foliate vine pattern, within yellow ﬂoral border between bands 492cm x 347cm £300-500

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178 Lyon & Turnbull

530 HD550/1 MOGHAN RUNNER

SOUTH CAUCASUS, EARLY 20TH CENTURY the red ﬁeld with nine polychrome octagonal medallions, within dark brown stepped lozenge border between bands 270cm x 113cm £400-600

531 HD526/2 BAKSHAISH KELLEH

NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel ﬁeld with allover geometric foliate lattice pattern, within light red lozenge border between bands 320cm x 145cm £400-600

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Fine Furniture & Works of Art 179 532 SV93A/60 LARGE USHAK CARPET

WEST ANATOLIA, LATE 19TH/ EARLY 20TH CENTURY the red ﬁeld with allover stylised vine and cypress tree pattern, cream spandrels, within purple-blue palmette and vine border between bands 710cm x 467cm

Provenance: Mullanhead House, Balfron. Previously Parkhall House, Balfron.

£1,500-2,500

533 HB436/18 SOUTH CAUCASIAN KELLEH

534 HB770/1 NORTHWEST PERSIAN RUNNER

302cm x 127cm

390cm x 125cm

EARLY 20TH CENTURY of Kazak style, the ﬁeld with four red, indigo and cream octagonal medallions, within dark indigo foliate border £200-300

LATE 19TH/EARLY 20TH CENTURY the abrash red ﬁeld with ﬁve dark brown and ivory lozenge medallions, within narrow ivory stylised vine border between bands £200-300

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180 Lyon & Turnbull 535 HB770/2 TABRIZ CARPET

LATE 20TH CENTURY the black ﬁeld with light polychrome medallions suspending pendants, similar spandrels, within black turtle palmette and vine border between bands 492cm x 344cm £2,500-3,500

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Fine Furniture & Works of Art 181 536 HB770/6 ISFAHAN CARPET

CENTRAL PERSIA, LATE 20TH CENTURY the cream ﬁeld with allover scrolling vine and palmette pattern, within red vine and palmette border between bands 576cm x 403cm £3,000-5,000

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182 Lyon & Turnbull 537 HB770/5 LARGE BAKHTIARI CARPET

NORTHWEST PERSIA, LATE 20TH CENTURY the red ﬁeld with blue and red medallion, similar spandrels, within ivory stylised palmette and vine border between bands 648cm x 429cm £3,000-5,000

END OF SALE

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Silver & Jewellery including Watches Wednesday, 22nd July, 2015

HB906/1 ROLEX - A gentleman's stainless steel wrist watch Sea Dweller, Ref; 116660 ÂŁ3,000-5,000

Enquiries Trevor Kyle +44 (0)131 557 8844 trevor.kyle@lyonandturnbull.com Ruth Davis +44 (0)131 557 8844 ruth.davis@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

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We understand that your collection is worth more than the sum of its parts.

Collections sell better as collections. That belief is at the heart of our approach to auctioneering. Over the course of our long history, we have seen this borne out time and time again: from the contents of grand homes to corporate collections, from contemporary art to Chinese snuff bottles; there is little we have not handled and sold well. Each collection is unique and often has an emotional connection to the owners who create or inherit them. Our team work closely with our clients to provide a carefully tailored approach to the sale of their collections. Personal, passionate and professional - we deliver outstanding results.

Paul Roberts

Gavin Strang

+44 (0)131 557 8844

paul.roberts@lyonandturnbull.com

gavin.strang@lyonandturnbull.com

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Scottish Silver & Applied Arts Wednesday, 12th August, 2015 An Invitation to Consign to Auction Entries are invited for this specialist sale, featuring three centuries of works designed, crafted and loved in Scotland and includes: Scottish Silver, Wemyss Ware and Scottish Pottery, Works of Art, Decorative Arts, Arms & Armour, Furniture and Textiles

RARE AND LARGE PRESTONPANS POTTERY CEREMONIAL PUNCH BOWL BEARING THE ARMS OF GEORGE MACKENZIE, 3RD EARL OF CROMARTIE

18TH CENTURY

Provenance: Dollerie House, Perthshire

ÂŁ2,000-3,000

We are accepting consignments until 01 July, 2015 Colin Fraser | Scottish Silver & Accessories +44 (0)131 557 8844 | colin.fraser@lyonandturnbull.com John Mackie | Scottish Works of Art & Furniture +44 (0)131 557 8844 | john.mackie@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

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Directory Board of Directors

Specialist Departments

Chairman Sir Angus Grossart

Pictures, Watercolours & Prints Nick Curnow Charlotte Riordan Carly Shearer Andrew Colvin (consultant)

Vice Chairmen Paul Roberts Nick Curnow Managing Director Gavin Strang International Director Lee Young

Furniture, Clocks & Works of Art Douglas Girton John Mackie Theo Burrell

Directors Campbell Armour Trevor Kyle John Mackie Mhairi McFadden

Asian Works of Art Lee Young Anna Westin (consultant) Sara Pierdominici Ling Zhu

Associate Director Alex Dove

Rugs & Carpets Gavin Strang

Locations

33 Broughton Place Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

info@lyonandturnbull.com

182 Bath Street Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

I www.lyonandturnbull.com

Jewellery, Silver, Coins & Medals Trevor Kyle Ruth Davis Colin Fraser Decorative Arts: Design from 1860 John Mackie Theo Burrell European Ceramics & Glass Douglas Girton John Mackie Theo Burrell Rare Books, Maps, Manuscripts & Photographs Simon Vickers Cathy Marsden Arms & Armour Colin Fraser John Batty (consultant)

78 Pall Mall London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

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Valuations Department

Administration

Lyon & Turnbull are one of the leading specialist valuation companies in the UK. In Scotland, we specialise in Inheritance Tax, Capital Gains Tax and other tax planning valuations.

Finance Director Mhairi McFadden

valuations@lyonandturnbull.com Client Services Glasgow & the West Linda Robinson

Edinburgh & the East Tessa Robson Eleanor Welsh

Insurance & beyond Scotland Insurance valuations and other types of valuation in the rest of the UK and internationally are looked after by our partner valuations company, Pall Mall Art Advisors. Pall Mall Art Advisors Tel: +44 (0)845 882 2794 enquiries@pallmallartadvisors.com

Office Manager Laura Henderson Accounts Eileen Welsh Sarah Laing

Administration Edinburgh Kim Aitchison Eleanor Welsh Jennifer Somerville Glasgow Linda Robinson James McNaught Saleroom Staff Sydney Drew David Robertson Scott Mitchell David Fiddes Valerie Kyle

London & Southern England Representatives Ian Peter MacDonald Tel: +44 (0)20 7930 9115 ianpeter.macdonald@lyonandturnbull.com

Lee Young Mobile: +44 (0)7825 426555 lee.young@lyonandturnbull.com

Emily Johnston Mobile: +44 (0)7741 247225 emily.johnston@lyonandturnbull.com

Press & Public Relations Philip Gregory Marketing Alex Dove Matt McKenzie Grace Browne Photography Alex Robson

Business Development

Paul Roberts Ian Peter MacDonald Lindsey Michie James McNaught Iain Gale John Sibbald John Thomson Tessa Thomson Lady Middleton

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Conditions of Sale

SELLERS

1. DEFINITIONS

In these Conditions of Sale (Sellers):

“Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate;

“Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent;

“Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT;

“Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull;

“Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds;

“Proposed Sale” means the intended sale through which the items will be sold on “Purchase Price” is the Hammer Price and applicable Buyer‘s Premium;

“Reserve” means the lowest price below which an item cannot be sold;

“Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller;

“Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller

“Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:-

(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past.

(c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. 3. PREPARATION FOR SALE

(a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion.

the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

(d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing

(1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred.

(c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised from time to time.

4. TERMS OF SALE

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement.

(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES

(a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve.

(b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement.

(d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies.

(e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. 7. LOSS & DAMAGE WARRANTY

(a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale;

(ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon & Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT.

8. UNSOLD ITEMS

(2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL

If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate.

(b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if:

(i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or

(iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or

(iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST.

The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER

(a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer.

(b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer

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to enforce payment of the amount due to the Seller.

(e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS

Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested). 13. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 14. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as

BUYERS

The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS

In these Conditions of Sale (Buyers):

"Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate;

"Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull;

"Purchase Price" is the Hammer Price and applicable Buyer's Premium;

"Reserve" means the lowest price below which an item cannot be sold;

"Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer

“Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

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required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

15. GENERAL

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 16. AGENCY

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

(d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved.

(f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

(g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS

Bidding increments shall be at the Auctioneer's sole discretion. 5. THE PURCHASE PRICE

For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with

17. DATA PROTECTION

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE

This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 8. PAYMENT

(1) Within 7 days of a lot being sold you will:

(a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards.

(c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over €15,000 (euros). (2) Any payments by you to us may be applied by us

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towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES

(1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot. 10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract;

(b) to rescind the contract for sale of that lot and/or any other lots sold by us to you;

(c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof;

(e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due;

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION

(1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

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(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

14. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty.

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 12. BOOKS, CLOCKS & WATCHES

(1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 13. CITES

Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 17. DATA PROTECTION

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE

Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

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Guide to Bidding & Payment Registration

2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

Bidding

At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex.

Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to €15,000 (euros).

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Collection & Shipping Transport & Couriers

Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Local Deliveries

A&S Pert Removals Tel. +44 (0)7876 343520.

New Leaf Removals Tel: +44 (0)7999 926261 info@newleafremovals.co.uk

Thistle Removals Tel: +44 (0)7836 774712 thistleremovals@hotmail.co.uk

Smaller Items & Pictures

Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 edinburgh@mbescotland.com

Book online at www.mbe.co.uk/the_auction_room

Furniture & Larger Items

Constantine Fine Art Logistics Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 office@avmt.co.uk

Aardvark Art Services Ltd Birks Farm, Ballam Road Lytham, Lancashire FY8 4NL Tel: +44 (0)1253 794673 Fax: +44 (0)1253 730580 info@aardvarkartservices.com

© Lyon & Turnbull Ltd. 2015. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

Arrangements for Sold Lots All bought items will be held free of charge for 7 days following the sale.. Thereafter lots will be removed to storage and a charge incurred. Administration fee: £20 + VAT

Storage charges per lot per day are: Large Items £5 inc. insurance + VAT

Small Items £2.50 inc. insurance + VAT

It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

24TH JUNE, 2015

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 24th June, 2015 33 Broughton Place, Edinburgh

Fine Furniture & Works of Art