Decorative Arts: Design Since 1860 | 11th November 2015

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LYON & TURNBULL AUCTIONEERS EDINBURGH

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DECORATIVE ARTS and 19TH & 20TH CENTURY PICTURES 11TH & 12TH NOVEMBER, 2015

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 11th November, 2015 and Thursday, 12th November, 2015 33 Broughton Place Edinburgh

Decorative Arts: Design since 1860 including 19th & 20th Century Pictures

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Decorative Arts: Design since 1860 Wednesday, 11th November, 2015 at 11am Sale Number LT446

19th & 20th Century Pictures Thursday, 12th November, 2015 at 11am Sale Number LT446A

Viewing Times Sunday, 8th November 12 noon - 4pm Monday, 9th November 10am - 5pm Tuesday, 10th November 10am - 5pm Wednesday, 11th November 10am - 5pm Thursday 12th November strictly by appointment only

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration

Catalogue descriptions

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit.

Import/Export

Removal of Purchases

Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Further information on Collection & Shipment, including professional packers and shippers known to us, can be found at the back of the catalogue or on our website.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you; whether you are looking for something in particular for your home or collection; require more detailed information about the history or current condition of a lot or just want to ďŹ nd out more about the auction process.

John Mackie

Theodora Burrell

Carly Shearer

Charlotte Riordan

Decorative Arts & Design john.mackie@lyonandturnbull.com

Decorative Arts & Design theo.burrell@lyonandturnbull.com

19th & 20th Century Paintings carly.shearer@lyonandturnbull.com

19th & 20th Century Paintings charlotte.riordan@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; ďŹ ve minutes walk from the saleroom

York Place Tram Stop

Waverley Station

Order of Sale Wednesday, 11th November, 2015 at 11am 1-40 41-144

Glass Ceramics

145-238A A Private Collection: Property of a Gentleman 239-266

Furniture: Part I

267- 351

Jewellery, Silver &â&#x20AC;&#x2C6;Metalwares

352-387

Furniture: Part II

388-400

Lighting

401-420

Sculpture

421-429

Textiles &â&#x20AC;&#x2C6;Carpets

430-466

Pictures & Works on Paper

467-517

Furniture: Part III Furniture from The Paramount Bar lots 494-507 Index to Artists on page 185

Thursday, 12th November, 2015 at 11am 551-760

19th & 20th Century Paintings Index to Artists on page 185

Front Cover Lot 245 (detail) Inside Front Cover Lot 461 (detail) Inside Back Cover Lot 461 (detail)

Lot 126

Glass 1 HD165/1 CHRISTOPHER DRESSER (1834-1904) FOR JAMES COUPER & SONS, GLASGOW ‘CLUTHA’ GLASS VASE, CIRCA 1880 of bulbous form with tall neck, the amber glass with trailing milky and aventurine inclusions 19.3cm high £500-700

2 HD177/7 CHRISTOPHER DRESSER (1834-1904) FOR JAMES COUPER & SONS, GLASGOW ‘CLUTHA’ GLASS VASE, CIRCA 1880 of tapering twisted form with broad rim, the green glass body with milky inclusions 42cm high Literature: Halén, Widar ‘Christopher Dresser: a pioneer of modern design’ London 1990, pp. 174 and 175, ﬁgs. 194 and 195 where similar vases are illustrated.

£1,000-1,500

3 HD177/6 MANNER OF HANNAH WALTON PAINTED GLASS AND LEADED PANEL, CIRCA 1900 of square form, with coloured glass panels enclosing a painted roundel depicting a female figure with flowers 62cm squared Literature: Burkhauser, Jude (edit.) ‘Glasgow Girls’, Edinburgh 1993, p.47, fig. 44 where a similar female figure by Walton is illustrated.

£400-600

4 HD602/13 ARTS & CRAFTS LEADED AND PAINTED GLASS PANEL CIRCA 1890 depicting an angel, within a gilt frame 34cm x 19cm £150-250

6 Lyon & Turnbull

5 HC700/1 ÉMILE GALLÉ (1846-1904) CAMEO GLASS VASE AND COVER, CIRCA 1900 the egg-shaped body overlaid with amethyst glass and acid etched with a design of clematis, cameo mark GALLÉ 12cm high £1,200-1,800

6 HC700/2 ÉMILE GALLÉ (1846-1904) CAMEO GLASS VASE, CIRCA 1900 the yellow glass body overlaid with ruby glass and acid etched with a design of cyclamen, cameo mark GALLÉ 9.8cm high £800-1,200

7 HC700/3 ÉMILE GALLÉ (1846-1904) CAMEO GLASS VASE, CIRCA 1900 the ovoid yellow glass body with cylindrical neck and everted rim, overlaid with amethyst glass and acid etched with a design of ﬂowering branches, cameo mark GALLÉ 8.5m high £800-1,200

8 HC700/4 ÉMILE GALLÉ (1846-1904) CAMEO GLASS COUPE VASE, CIRCA 1900 the ovoid yellow glass body with applied foot, overlaid with amethyst glass and acid etched with a design of aquilegia, cameo mark GALLÉ 7m high, 9cm diameter £800-1,200

9 HD165/2 CAMEO GLASS AND SILVER MOUNTED PERFUME BOTTLE CIRCA 1883 of cylindrical form, the yellow glass body overlaid with white glass and acid etched and carved with ﬂowering plants, maker’s mark SM, hallmarked London 1883 6.5cm long £200-300

10 HD91/70B LOETZ, AUSTRIA

11 HC695/10 MANNER OF LOETZ

12 HD6/1 DAUM, NANCY

‘RICHARD’ CAMEO GLASS VASE, 1920s of ovoid form, the yellow glass body overlaid in red and black and acid etched with a landscape with house, lake and trees, bears cameo signature RICHARD 25,5cm high

PAIR OF FROSTED AMBER GLASS VASES, CIRCA 1910 each of baluster form, with applied jewelled strapwork (2) 17.5cm high £150-250

CAMEO GLASS PERFUME BOTTLE ATOMISER, CIRCA 1900 of tall tapering form, acid etched and coloured with a design of orchids, with metal mount (atomiser element lacking), cameo mark DAUM/ NANCY, with Cross of Lorraine 20cm high £200-300

Note: ‘Richard’ was the mark used on acid etched cameo glass made by Loetz after 1918.

£100-200

Decorative Arts: Design since 1860 7

13 HC700/7 G. ARGY-ROUSSEAU (1885-1953) PATE DE VERRE PAPERWEIGHT, CIRCA 1900 with blue and green colouring, moulded with moths, moulded signature G-ARGY-ROUSSEAU (REDUCED) 5cm high, 4.5cm across £600-800

14 HC700/5 DAUM, NANCY CAMEO AND PAINTED GLASS POSY VASE, CIRCA 1900 the swollen cylindrical amethyst and pale yellow glass body, acid etched and painted in coloured enamels with a design of fruiting ivy, cameo mark DAUM/ NANCY, with Cross of Lorraine 12cm high £1,000-1,500

15 HC700/6 DAUM, NANCY CAMEO GLASS AND PAINTED GLASS POSY VASE, CIRCA 1900 the ovoid yellow glass body with inverted lobed rim, acid etched and painted in pink and sepia enamels with a design of trees in a river landscape, painted mark under base DAUM/ NANCY, with Cross of Lorraine mark 7cm high, 9cm diameter £1,200-1,800

17 HD45/1 RENÉ LALIQUE (1860-1945) ‘GREGOIRE’ CLEAR GLASS PERFUME BOTTLE AND STOPPER, DESIGNED 1927 of lobed ovoid form with beaded decoration, moulded mark R. LALIQUE 9.5cm high £150-250

16 HC866/15 RENÉ LALIQUE (1860-1945) ‘PAON’ CLEAR AND FROSTED GLASS POWDER BOX & COVER, DESIGNED 1910 the cover moulded with the design of a peacock on a branch, the sides moulded with leafy branches, script etched mark R. LALIQUE/ FRANCE/ NO. 1 12cm diameter, 5cm high £1,200-1,800

18 HC866/14 RENÉ LALIQUE (1860-1945) ‘OLERON’ FROSTED AND OPALESCENT GLASS VASE, DESIGNED 1927 of ovoid form moulded with ﬁsh, indistinct script etched mark R. LALIQUE/ FRANCE/ NO. 1008 9cm high £600-800

19 HC700/10 RENÉ LALIQUE (1860-1945) ‘PERCHE’ CLEAR AND FROSTED GLASS CAR MASCOT, DESIGNED 1929 enhanced with original blue staining, stencil etched mark R. LALIQUE/ FRANCE 15.5cm across, 10cm high £600-800

8 Lyon & Turnbull

20 HD50/1 RENÉ LALIQUE (1860-1945) ‘SAINT-VINCENT’ CLEAR AND FROSTED GLASS PLAFONNIER, DESIGNED 1926 of semi-hemispherical form, moulded with bands of fruiting vines, moulded mark R. LALIQUE, wheel etched mark FRANCE 34.5cm diameter, 16cm high £1,500-2,000

21 HC700/8 RENÉ LALIQUE (1860-1945) ‘ACACIA’ GREEN AND FROSTED GLASS VASE, DESIGNED 1921 the elongated ovoid body moulded with bands of leaves, etched script mark R. LALIQUE 21cm high £2,000-2,500

22 HC700/9 RENÉ LALIQUE (1860-1945) ‘MOSAIC’ PATTERN TOPAZ GLASS VASE, DESIGNED 1927 of tapering cylindrical form, moulded with an allover leaf design, moulded mark R. LALIQUE 13cm high £1,200-1,400

23 HC866/11 RENÉ LALIQUE (1860-1945) SET OF ELEVEN ‘COQUILLES’ OPALESCENT GLASS PLATES, DESIGNED 1931 each with wheel etched marks, R. LALIQUE/ FRANCE, and with script etched mark No. 3012 (11) 16.5cm diameter £1,000-1,500

24 HD120/1 CRISTAL LALIQUE

26 HB546/3 CRISTAL LALIQUE

28 HC866/13 BREVES LALIQUE GALLERIES, LONDON

PAIR OF CLEAR AND FROSTED GLASS PARTRIDGE FIGURES, POST 1945 each with script etched mark LALIQUE/ FRANCE (2) 17.5cm and 13cm high £200-300

‘ARIANE’ FROSTED GLASS FIGURE, LATE 20TH CENTURY the ﬁgure moulded as entwined doves, etched marks LALIQUE/ FRANCE, 22cm high; and a CRISTAL LALIQUE VASE, clear and frosted glass, etched marks LALIQUE/ FRANCE, 13cm high (2) £200-300

“THE ART OF RENÉ LALIQUE”, ILLUSTRATED CATALOGUE, CIRCA 1928 and enclosing an additional supplement of Lalique Lights and mascots and loose leaves of the stock held £150-250

27 HB546/2 CRISTAL LALIQUE

LARGE FROSTED AND CLEAR BLUE GLASS VASE, 1930s of elongated ovoid form, moulded with ribbed prunts, etched mark SABINO/ FRANCE, shallow chips to top rim 30cm high £150-200

25 HC865/2 CRISTAL LALIQUE ‘PERCHE’ CLEAR AND FROSTED GLASS CAR MASCOT, DESIGNED 1929 etched mark LALIQUE/ FRANCE 15.5cm across, 10cm high £150-250

AMBER GLASS RHINO FIGURE, LATE 20TH CENTURY within ﬁtted box, engraved mark LALIQUE/ FRANCE 13cm high, 29cm long £150-250

29 HC866/10 SABINO, FRANCE

Decorative Arts: Design since 1860 9

30 HC82/1 SABINO, FRANCE

31 HD120/2 SEVRES, FRANCE

PAIR OF CLEAR AND FROSTED GLASS PLAFONNIERS, CIRCA 1925 each of shallow cylindrical form, moulded in relief with stylised ﬂowering foliage, one with original hanging ropes, moulded marks SABINO/ 4651/ PARIS/ DEPOSE (2) 48cm diameter £500-700

CLEAR GLASS BUST OF A DEER, 20TH CENTURY with stencil etched mark SEVRES/ FRANCE 29cm high £150-250

32 HD91/16A ART NOUVEAU PEWTER MOUNTED TWIN-HANDLED GLASS VASE CIRCA 1900 of compressed baluster form, with iridescent green glass body and cast foliate mounts, 19cm high; an ART NOUVEAU METAL MOUNTED GLASS VASE, of tall bottle form, the green glass body with elaborate whiplash foliate mounts, 29cm high; an ART NOUVEAU IRIDESCENT GLASS VASE, with frilled rim and trailed decoration, 24cm high; and an ART NOUVEAU IRIDESCENT GLASS VASE, with applied spiral handle, painted in gilt and white enamel with a ﬂower and ribbon motif, 21cm high (4) £300-500

33 HD91/83A STOURBRIDGE ART NOUVEAU GLASS VASE

35 HD6/6 KEITH MURRAY (1892-1981) FOR STEVENS & WILLIAMS

37 HD6/11 YSART BROTHERS GLASS, PERTH

CIRCA 1900 of globular form with broad rim, and green and blue ‘peacock’ trailed inclusions, 21.5cm diameter; and a PAIR OF CONTINENTAL ART NOUVEAU GLASS VASES, each cased vase with iridescent surface and with applied trailing green glass decoration, 22cm high (3) £120-180

‘BRIERLEY’ GLASS DECANTER & STOPPER, CIRCA 1935 the tapering clear glass body with black glass stopper and foot, stencil etched mark 38cm high £120-180

‘VASART’ PINK GLASS TABLE LAMP, CIRCA 1950 the tall mushroom shade with footed bulbous base 36cm high £200-300

34 HD158/2 WEBB CORBETT ART DECO ETCHED GLASS VASE CIRCA 1935 of ovoid form, moulded with a waved surface and etched with swimming ﬁsh, stencil etched mark WEBB CORBETT/ MADE IN ENGLAND 17cm high £150-250

36 HD6/4 YSART BROTHERS GLASS, PERTH TWO ‘VASART’ GLASS PLAFONNIER SHADES, CIRCA 1950 each of domed form with ﬂaring rims, one with a swirling blue and purple design, the other with a swirling white, amber and yellow design, with hanging shades (one shade with small crack) (2) 25.5cm diameter £400-600

38 HB624/3 MANNER OF SCHNEIDER ART NOUVEAU IRIDESCENT GLASS VASE, CIRCA 1920 of shouldered tapering form, the textured amber glass with bronze iridescence within leaf-cast anodised copper frame, stamped to base 2690 44.5cm high £200-300

39 HD91/15A ORREFORS, SWEDEN HEAVY CUT GLASS BOWL, LATE 20TH CENTURY etches mark to base, ORREFORS/ FA/ 1730/ 3, 24cm diameter; a SMOKED GLASS BOTTLE VASE, with clear glass trailed decoration, etched maker’s marks, 21cm high; a BLUE GLASS HAND SCULPTURE, 19cm high; and a FULHAM POTTERY COMMEMORATIVE MUG, designed by John Piper, boxed, 12.5cm high (4) £100-200

40 HD6/7 JOHN MONCRIEFF LTD., PERTH TWO ‘MONART’ UB VI+ GLASS BOWLS, CIRCA 1930 each of circular form with broad ﬂared rim, one with pink and pale blue mottled design, the other with a yellow and orange design, paper labels (one torn) (2) 26.5cm diameter £200-300

Ceramics 41 HA464/1 WEMYSS WARE RARE DRUMMOND FLOWER POT, CIRCA 1900 of hexagonal section, decorated to each side with a spray of daisies, aquilegia, bluebells, dog roses, clover, and forget-me-nots, and each painted with a ribbon and the inscriptions INNOCENCE., RESOLUTION., SUBMISSION., SIMPLICITY., THINK OF ME., and TRUE LOVE., impressed marks R.H.&S./ WEMYSS WARE, printed retailer’s mark 22.5cm diameter, 21cm high £800-1,200

42 HD157/1 WEMYSS WARE ‘STRAWBERRIES’ GORDON DESSERT PLATE, EARLY 20TH CENTURY decorated by Edwin Sandland on a black ground, painted and impressed marks WEMYSS 20.5cm diameter £300-500

43 HD157/2 WEMYSS WARE ‘WHITE BROOM’ TEA CUP AND SAUCER, CIRCA 1900 decorated by David Grinton, painted and impressed marks WEMYSS (2) saucer, 12.3cm diameter, cup, 5.2cm high £300-500

44 HD157/3 WEMYSS WARE

45 HD157/5 WEMYSS WARE SMALL ‘CHERRIES’ MILK JUG, EARLY 20TH CENTURY painted mark WEMYSS 5.2cm high £150-250

SMALL ‘APPLES’ LOVING CUP, EARLY 20TH CENTURY impressed mark WEMYSS WARE/ R.H.&S., printed retailer’s mark 10cm high £300-500

Decorative Arts: Design since 1860 11

46 HD157/4 WEMYSS WARE ‘STAG AND HIND’ TEA CUP, CIRCA 1900 bears printed retailer’s mark 6cm high £350-450

46A HC992/8 HILDA BURN SCOTTISH POTTERY FOOTED BOWL, DATED 1923 decorated to the exterior with running animals and to the interior with the inscription COME WHAT MAY, TIME AND THE HOUR RUN THROUGH THE ROUGHEST DAY., signed and dated with monogram to base 21.5cm diameter £150-250

47 HC702/11 JESSIE MARION KING (1875-1949) EARTHENWARE JUG, EARLY 20TH CENTURY painted with sprigs of ﬂowers, painted marks JMK, with green gate and rabbit marks 7.2cm high £200-300

48 HD186/1 JESSIE MARION KING (1875-1949) SHOULDERED VASE, CIRCA 1920 decorated with Egyptianesque motifs, signed with initials JMK and with rabbit and shamrock mark 21cm high £400-600

49 HD51/12 MAK’ MERRY POTTERY, EAST LOTHIAN GROUP OF TEAWARES, CIRCA 1930 comprising two teacups, a sugar bowl, an eggcup, a milk jug, a toast rack and a quaich, all decorated with apples on a green ground; and a teapot and cover, two tea cups, a sugar bowl, and a milk jug, all with painted maker’s marks MAK’ MERRY (12) £200-300

12 Lyon & Turnbull

50 HD91/19A FLORENCE E. BARLOW FOR DOULTON, LAMBETH LARGE STONEWARE VASE, CIRCA 1900 incised and glazed with panels of sparrows perching on teasels, on a textured ground, impressed marks DOULTON/ LAMBETH, incised monogram FEB/ 634 36cm high £300-400

51 HD91/85A GEORGE TINWORTH (1843-1913) FOR DOULTON, LAMBETH PAIR OF STONEWARE VASES, CIRCA 1890 each of tapering form with everted rim, incised and impressed with scrolling foliage on a tube-lined ground, incised monogram to the body TG, impressed maker’s marks (2) 25cm high £150-250

52 HD91/11A MATILDA S. ADAMS FOR DOULTON, LAMBETH PAIR OF FAIENCE BALUSTER VASES, CIRCA 1880 each decorated with panels of ﬂowering yellow dahlias, faint impressed marks on one base DOULTON LAMBETH, with painted initials MSA/ 863 (2) 26cm high £300-500

53 HD12/8 ROYAL DOULTON LARGE ‘ARABIAN NIGHTS’ PATTERN JARDINIERE, CIRCA 1910 decorated with ﬁgures in a landscape and inscribed ARABIAN NIGHTS/ ALI BABA, printed maker’s marks 25cm diameter, 21.5cm high £200-300

Decorative Arts: Design since 1860 13

54 HC628/1 DELLA ROBBIA POTTERY, BIRKENHEAD SQUAT BALUSTER VASE, CIRCA 1900 decorated by Charles Collis and Hannah Jones, with ﬂowering foliage, incised and painted maker’s marks to base, crack to rim 28cm high £300-400

55 SV646/13 DELLA ROBBIA POTTERY, BIRKENHEAD LARGE ART NOUVEAU TWIN-HANDLED VASE, CIRCA 1900 decorated by Gertrude Russell and ‘ELL’, of cylindrical form painted with elongated plant forms in green, yellow and blue on a white ground, the body with applied mask handles, incised maker’s marks, painted monogram marks 37cm high £1,000-1,500

56 HD91/106A DELLA ROBBIA POTTERY, BIRKENHEAD POTTERY BOTTLE VASE, DATED 1899 incised and decorated with a frieze of peacocks, incised marks to base DR/ XIIIA/ and monogram LD 37.5cm high £300-500

14 Lyon & Turnbull

57 HD91/36A JOHN PEARSON (ﬂ. 1885-1910) CIRCULAR EARTHENWARE WALL PLATE, CIRCA 1890 painted in blue and black on a gilt ground with a fruiting tree ﬂanked by shields and serpents, the reverse painted with an owl on a branch within a waved border, bears artist’s monogram 29cm diameter £250-350

58 HD91/68A LEONARD KING FOR BURMANTOFTS POTTERY, LEEDS PAIR OF FAIENCE BOTTLE VASES, 1880s in the Persian style, each with bulbous bodies and tall narrow necks, painted with panels of ﬂowers, impressed maker’s marks, one with painted marks L.K/ PRO/ J.M (2) 25.3cm high £1,000-1,500

59 HD91/146 BURMANTOFTS POTTERY, LEEDS PAIR OF FAIENCE ALLEGORICAL FIGURES, 1880s each modelled as a standing putto, one encircled with a garland of ﬂowers, the other with a garland of drapery, each covered in a blanc de chine glaze, impressed marks BURMANTOFTS/ FAIENCE/ ENGLAND (2) 43cm and 45cm high £400-600

60 HC865/3 BURMANTOFTS POTTERY, LEEDS SQUAT BALUSTER FAIENCE VASE, 1880s of tapered shouldered form, tubelined with swimming ﬁsh and painted in colours, impressed marks to base BURMANTOFTS/ FAIENCE/ 2123/ ENGLAND/ 11 and with painted mark COL. NO. 80/ 2, the rim with later silver mount by Adrian Hope, hallmarked 32cm high £300-500

Decorative Arts: Design since 1860 15

61 HD91/75A BURMANTOFTS POTTERY, LEEDS COLLECTION OF WARES, LATE 19TH CENTURY comprising; a TWIN-HANDLED BOTTLE VASE, covered in a green/brown glaze, with frilled rim, impressed marks 194, 25cm high; a TWIN HANDLED VASE, covered in a red glaze, chip to rim, impressed marks 1819, 25cm high; a SINGLE HANDLED JUG, with streaked green glaze, impressed marks 1817, painted marks COL no. 2, 27cm high; TWO BOTTLE VASES, green and brown glazes, impressed marks 1535 and 1530, 25 and 27cm high; and a BRETBY BALUSTER VASE, 19.5cm high (6) £300-500

62 HD91/76C BURMANTOFTS POTTERY, LEEDS GLAZED FAIENCE FIGURE OF A SEATED APE, LATE 19TH CENTURY the ﬁgure glazed in turquoise on a naturalistic oval base, impressed marks BURMANTOFTS/ FAIENCE/ 752, 15cm high; a BURMANTOFTS FAIENCE VASE, covered in a turquoise glaze and decorated with an impressed cracked ice design, impressed marks BURMANTOFTS/ FAIENCE/ 1397, hairline crack, 42.5cm high; a BURMANTOFTS SHOULDERED VASE, covered in streaked rust and turquoise glazes, impressed maker’s marks BURMANTOFTS 110, 22cm high; and a MIDDLETONS POTTERY VASE, moulded with owl masks and covered in a mustard yellow glaze, impressed mark NIDDLETON/ LEEDS/ ENGLAND, No. 22, 28cm high (4) £300-500

63 HD91/24 LEEDS FIRECLAY COMPANY STONEWARE JARDINIERE ON STAND, CIRCA 1900 the ovoid bowl with entrelac decoration, raised on a swollen ﬂuted column with square plinth base, the whole covered in a treacle glaze 35cm diameter, 84cm high £200-300

16 Lyon & Turnbull

64 HC916/3 CHRISTOPHER DRESSER (1834-1904) FOR MINTON, HOLLINS & CO. TWO WALL TILES, CIRCA 1880 one decorated with snowdrops, 15cm square; one decorated with angular ﬂowers, 17.5cm square; and a R. MINTON TAYLOR & CO. TILE, with arched panels of stylised plant forms, 18cm square, all with moulded maker’s marks (3) £200-300

65 HC916/2 AESTHETIC MOVEMENT GROUP OF FIVE MINTON’S WALL TILES, CIRCA 1880 to include: a Minton’s blue and white tile, in the Japanese taste, decorated with a crane in a landscape, 20.5cm square; a Minton’s blank, decorated with an eagle ﬁghting a snake, 22cm square; a Minton’s tile decorated with an allover daisy design, 15cm square; a Minton’s tile, decorated with oranges and orange blossom, 15cm square; and a Minton’s tile, decorated in the manner of Kate Greenaway, with a child in a garden, 15cm square, moulded maker’s marks (5) £200-300

66 HD6/3 MINTON, HOLLINS & CO. AESTHETIC MOVEMENT HEXAGONAL TILE, CIRCA 1880 printed and painted with a mother and child picking apples in a walled garden, moulded maker’s marks 16.7cm across £150-250

67 HD6/8 MINTON’S LTD. ‘AS YOU LIKE IT’ FRAMED TILE PANEL, LATE 19TH CENTURY painted with a jester and maid and bearing inscription “AS YOU LIKE IT”, moulded maker’s marks 20cm square £150-250

Decorative Arts: Design since 1860 17

68 HD91/32F JOHN MOYR SMITH (1839-1912) FOR MINTONS LTD. SIXTEEN DUST PRESSED TILES, 1870s comprising: SIX TENNYSON’S IDYLLS OF THE KING SERIES TILES, comprising Enid, Vivien, Gareth, Excalibur, Geraint and Morte D’Arthur, with maker’s marks; TWO SHAKESPEARE SERIES TILES, comprising Romeo and Juliet, and Troilus and Cressida, with maker’s marks; a BLUE & WHITE SHAKESPEARE TILE, Much Ado About Nothing, with maker’s marks; TWO OLD TESTAMENT SERIES TILES, comprising Joseph Before King Pharaoh and Eli and Samuel; and FIVE ROMANS SERIES TILES, comprising St Augustine, Edward the Martyr, Lilla Saving Edwin, Boadicea and Harold’s Oath to William (cracked), with maker’s marks (16) each approx. 15cm squared £300-500

69 HD91/112B AESTHETIC MOVEMENT GROUP OF PRINTED, DUST-PRESSED AND PAINTED TILES, LATE 19TH CENTURY comprising eighteen examples, including an example designed by W.S. Coleman for Minton’s, a W. T. Copeland & Sons ‘Medieval Occupations’ tile (cracked), and a Wedgwood & Sons Blue Months ‘December’ tile; together with a GROUP OF GOTHIC ENCAUSTIC TILES, comprising six examples, including Godwins tiles (two chipped), a Minton’s example and two by Mintons, Hollins & Co.; and a MINTONS BLANK TILE (25) largest 20.5cm squared £200-300

70 HB217/18 WILLIAM DE MORGAN (1839-1917) SET OF FOUR ‘ROSE AND TRELLIS’ PATTERN TILES, CIRCA 1872 each painted on red clay biscuit tiles from Patent Architectural Pottery Co., Poole, Dorset (4) 15cm square £400-600

71 HB217/19 WILLIAM DE MORGAN (1839-1917) SET OF FOUR ‘ROSE AND TRELLIS’ PATTERN TILES, CIRCA 1872 each painted on red clay biscuit tiles from Patent Architectural Pottery Co., Poole, Dorset (4) 15cm square £400-600

18 Lyon & Turnbull

72 HC45/1 WILLIAM DE MORGAN (1839-1917) GROUP OF TWENTY ‘BEDFORD PARK’ TILES, CHELSEA PERIOD, 1870s each painted with alternating panels of daisy and foliage sprays in shades of green, blue and yellow, all attached to two ﬁreplace panels (24) each 15cm square Literature: Catleugh, Jon ‘William De Morgan Tiles’, Trefoil Books, page 62 colour plate VI for a comparable example.

£1,000-1,500

73 HD91/101C GROUP OF ART NOUVEAU TUBELINED, PAINTED AND PRINTED TILES CIRCA 1900 comprising eleven examples, including a set of four, and a set of two; together with a GROUP OF VICTORIAN PRINTED AND PAINTED TILES, LATE 19TH CENTURY, comprising sixteen examples, including a set of six, a Minton’s blue and white transfer scene of Kenilworth Castle, a printed tile depicting swans, and a blue and white Chinoiserie tile marked Minton, Hollins & Co; and TWO MODERN PAINTED TILES (29) each approx. 15cm squared; one modern tile 9 x 10cm £200-300

74 HD91/32A WILLIAM DE MORGAN (1839-1917) CHELSEA PERIOD WALL TILE, 1870s painted with two carnations, impressed mark W. DE MORGAN, 15.5cm square; a WILLIAM DE MORGAN EARLY FULHAM WALL TILE, moulded with ﬂowers and birds, ruby lustre glazes, impressed maker’s mark, 15cm square; and a WILLIAM DE MORGAN SAND’S END WALL TILE, moulded with two lions and glazed in green, impressed Sands End mark, 15.2cm square (3) £200-300

Decorative Arts: Design since 1860 19

75 HB580/2 MINTON’S LTD. LARGE ‘SECESSIONIST’ JARDINIERE, CIRCA 1900 decorated with stylised lilies, impressed factory marks 32cm high £200-300

76 HB580/4 MINTON’S LTD. LARGE ‘SECESSIONIST’ STICK STAND, CIRCA 1900 of cylindrical form, decorated with poppies, printed and impressed maker’s marks 57cm high £300-500

77 HC643/1 MANNER OF ALFRED AND LOUISE POWELL LARGE EARTHENWARE WALL CHARGER, CIRCA 1920 painted in colours and pink lustre with a pattern of radiating ﬂowers within a border of leaves, unmarked 42cm diameter £400-600

78 HD91/25C RUSKIN POTTERY LUSTRE BALUSTER VASE, CIRCA 1920 with brilliant orange glaze, impressed mark RUSKIN/ ENGLAND, 27cm high; a C.H. BRANNUM VASE, dated 1888, painted with a ﬂoral design, 25cm high; a MINTON SECESSIONIST BOWL, printed marks MINTONS LTD/ NO. 32, 22cm diameter; a DOULTON SIMULATED LEATHER VASE, with silver mounts, hallmarked London 1889, impressed and incised marks,17cm high; and a DOULTON STONEWARE VASE, dated 1881, impressed and incised marks, 19.5cm high (5) £300-500

79 HC916/4 CHRISTOPHER DRESSER (1834-1904) FOR MINTON’S LTD. THREE ‘JAPANESE CRANE’ PATTERN KIDNEY SHAPED DISHES, CIRCA 1880 blue printed on white, each with printed maker’s marks, 23.5cm across; and another MINTONS PLATE, possibly also designed by Christopher Dresser, 19.5cm diameter (4) £150-250

20 Lyon & Turnbull

80 HD91/65A LIBERTY & CO., LONDON TWIN-HANDLED POTTERY VASE, CIRCA 1910 painted with an allover ﬂoral design, painted marks under base LIBERTY/ LONDON, 27cm high; a LIBERTY & CO POTTERY JUG, decorated with a swimming ﬁsh, impressed marks LIBERTY/ LONDON/ BRITISH MADE, 21cm high; a LARGE BARUM POTTERY JUG, covered in a yellow glaze, impressed marks, 20.5cm high; and a PAIR OF BARON POTTERY GREEN GLAZED VASES, each with incised marks BARONS/ BARNSTAPLE, 16cm high (5) £300-500

81 HD91/104C C.H. BRANNAM AND SONS, DEVON SHOULDERED POTTERY VASE, DATED 1891 sgraffito decorated with fish, incised marks C.H. BRANNAM/ BARUM/ 1891/ WB41, 24.5cm high; a ROYAL DEVON ART POTTERY VASE, sgraffito decorated with an abstract foliate design, incised mark ALEX LAUDER/ BARUM/ 4/12/1891, 24cm high; a C.H. BRANNUM OWL JUG, glazed in blue, impressed maker’s marks, 20cm high; a C.H. BRANNUM TULIP VASE, with incised floral decoration, incised marks C.H. BRANNUM/ BARUM/ 1909/ RD. NO. 44561 with monogram, 16cm high; and TWO C.H. BRANNUM GRIFFIN CANDLESTICKS, incised maker’s marks, 16cm high (6) £300-500

82 HD91/104A A. WILEMAN & CO FOLEY ‘FAIENCE’ GLOBULAR VASE, CIRCA 1900 of compressed double gourd form, covered in streaked and textured orange, yellow, green and brown glazes, printed maker’s marks, 16cm high; a DOULTON BURSLEM JARDINIERE, on four tapered supports linked by a domed platform, painted and printed with irises, impressed and printed maker’s marks, 29cm high; and a WEDGWOOD MARSDEN ART WARE VASE, painted with allover ﬂowering foliage, indistinctly marked, 20.5cm high (3) £120-140

22 Lyon & Turnbull

83 HA390/1 WILLIAM MOORCROFT MACINTYRE ‘FLORIAN WARE’ TWIN HANDLED FOOTED BOWL, CIRCA 1900 decorated with ﬂowers and with gilt embellishment, printed marks, signed W. MOORCROFT 23.5cm across £250-350

84 HD91/35B WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE CO. LTD. BALUSTER VASE, CIRCA 1910 decorated with roses and daﬀodils on an ivory ground with gilt highlights, stamped maker’s marks, painted no. M2862W, impressed 45 and signed in green W. MOORCROFT 19.5cm high £200-300

87 HD91/69A MOORCROFT POTTERY ‘POMEGRANATE’ PATTERN SQUAT SHAPED VASE, DATED 1918 with impressed maker’s marks MOORCROFT BURSLEM, signed in green W. MOORCROFT 11cm high £150-250

85 HD91/37E WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE CO. LTD.

86 HD91/37D WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE CO. LTD.

‘FLORIAN WARE’ PATTERN BOTTLE VASE, CIRCA 1910 decorated with panels depicting iris on a blue ground, with stamped maker’s marks, painted mark, and inscribed W.M./ DES. 20.5cm high £200-300

‘FLORIAN WARE’ BALUSTER VASE, CIRCA 1900 decorated with yellow tulips and lilies on a blue ground, with stamped maker’s marks, signed in green W. MOORCROFT/ DES. 21.5cm high £250-350

88 HD91/8B MOORCROFT POTTERY

89 HC844/2 MOORCROFT POTTERY

PAIR OF ‘POMEGRANATE’ PATTERN BALUSTER VASES, 1930s with impressed maker’s marks MOORCROFT BURSLEM, signed in green W. MOORCROFT (2) 17.5cm high £150-250

‘POMEGRANATE’ PATTERN VASE, 1930s impressed maker’s marks, signed in blue W. MOORCROFT 20.5cm high £150-250

Decorative Arts: Design since 1860 23

90 HD91/161 MOORCROFT POTTERY LARGE ‘POMEGRANATE’ PATTERN SHOULDERED VASE, 1930s with impressed maker’s marks MOORCROFT BURSLEM, signed in green W. MOORCROFT 26cm high £300-400

91 HD91/160 MOORCROFT POTTERY LARGE ‘POMEGRANATE’ PATTERN SQUAT SHOULDERED VASE, 1940s with impressed facsimile signature and mark POTTER TO H.M. THE QUEEN, signed in blue W. MOORCROFT 27cm high £500-700

92 HD91/75E MOORCROFT POTTERY ‘POMEGRANATE’ PATTERN FLATTENED OVOID VASE, 1930s with impressed maker’s marks, signed in green W. MOORCROFT 15cm high £250-350

93 HC249/2 MOORCROFT POTTERY

95 HD91/23D MOORCROFT POTTERY

97 HD91/18D MOORCROFT POTTERY

‘CLEMATIS’ PATTERN FOOTED VASE, 1930s impressed facsimile signature, initialled in blue 15cm high £100-150

‘POMEGRANATE’ PATTERN BALUSTER VASE, 1930s impressed maker’s marks MOORCROFT BURSLEM, signed in green W. MOORCROFT 21cm high £200-300

‘POMEGRANATE’ PATTERN VASE, 1930s with impressed maker’s marks MOORCROFT BURSLEM, signed in green W. MOORCROFT 18cm high £150-250

94 HD91/37A MOORCROFT POTTERY ‘CLAREMONT’ PATTERN TWIN HANDLED VASE, 1930s with impressed maker’s marks MOORCROFT BURSLEM, signed in green W. MOORCROFT 18cm high £250-350

96 HD91/23A MOORCROFT POTTERY ‘POMEGRANATE’ PATTERN BALUSTER VASE, 1930s impressed maker’s marks, signed in green W. MOORCROFT, 17.5cm high; together with MOORCROFT POTTERY FOR LIBERTY & CO., PAIR OF ‘POMEGRANATE’ FLARED VASES, each with a pewter mount impressed maker’s marks TUDRIC/ MOORCROFT/ 01310, 16.5cm high, one with rim crack (3) £200-300

98 HD91/23C MOORCROFT POTTERY ‘POMEGRANATE’ PATTERN BOWL, 1930s with impressed maker’s marks, signed in blue W. MOORCROFT, 24cm diameter; together with a MOORCROFT POTTERY, ‘PANSY’ PATTERN TWIN HANDLED FOOTED BOWL, 1930S, with impressed maker’s marks MOORCROFT BURSLEM, signed in green W. MOORCROFT, with rim crack, 28.5cm across, 15.5cm high (2) £250-350

24 Lyon & Turnbull

99 HD12/9 MOORCROFT POTTERY PAIR OF ‘POPPIES’ BOTTLE VASES, 1920s each decorated with a band of poppies on a mottled green ground, impressed makers marks, signed in blue W. MOORCROFT (2) 21.2cm high £1,500-2,000

100 HD91/148 MOORCROFT POTTERY LARGE SELF-COLOURED VASE, 1940s with facsimile signature and mark POTTER TO H.M. THE QUEEN, signed in green W. MOORCROFT 29cm high £200-300

101 HD91/7A MOORCROFT POTTERY

102 HD91/7B MOORCROFT POTTERY

LARGE ‘POMEGRANATE’ PATTERN SHOULDERED VASE, 1930s with impressed maker’s marks, signed in green W. MOORCROFT 32.5cm high £250-350

‘POMEGRANATE’ PATTERN SHOULDERED VASE, CIRCA 1950 with impressed maker’s marks, initialled in blue W.M., 18.5cm high; together with a MOORCROFT POTTERY, ‘POMEGRANATE’ TAPERED VASE, CIRCA 1950, with impressed maker’s marks, initialled in green W.M., 19cm high (2) £200-300

103 HD91/8A MOORCROFT POTTERY

104 HD91/23B MOORCROFT POTTERY

‘HIBISCUS’ PATTERN LARGE BALUSTER VASE, 1940s with impressed facsimile signature and mark POTTER TO H.M. THE QUEEN, initialled in blue W.M. 32.5cm high £250-350

PAIR OF ‘POMEGRANATE’ PATTERN BALUSTER VASES, CIRCA 1950 impressed maker’s marks, initialled in green W.M., 16cm high; together with a PAIR OF ‘POMEGRANATE’ PATTERN OVOID VASES, CIRCA 1950, impressed maker’s marks, initialled in green W.M., 12cm high (4) £300-400

Decorative Arts: Design since 1860 25

105 SV211/4 MOORCROFT POTTERY LARGE ‘LEAF AND BERRY’ PATTERN CIRCULAR BOWL, 1940s impressed facsimile signature mark, initialled WM 32.5cm diameter £200-300

106 HD91/91A MOORCROFT POTTERY FOUR VASES, CIRCA 2010 comprising: an OVOID VASE, decorated with daﬀodils, with impressed maker’s marks, painted marks, signed N. SLANEY, 21cm high; TAPERED VASE, decorated with snowdrops and wheat sheaths, impressed maker’s marks, painted marks, signed VICKY LOVATT, 18.5cm high; a SMALL OVOID VASE, decorated with pears, impressed maker’s marks, painted marks, signed SIAN LEEPER, 13.5cm high; and a SMALL TAPERED VASE, decorated with pears, impressed maker’s marks, painted marks, signed E. BOSSONS, 13.5cm (4) £250-350

107 HD91/37F MOORCROFT POTTERY

108 HD118/1 MOORCROFT POTTERY

110 HD118/3 MOORCROFT POTTERY

FOUR VASES, 1930s-1950s comprising: an ‘ORCHIDS’ PATTERN SQUAT SHAPED VASE, impressed maker’s marks, 10cm high; an ‘ORCHIDS’ PATTERN SMALL BALUSTER VASE, facsimile signature, 10cm high; a ‘HIBISCUS’ PATTERN BOTTLE VASE, impressed maker’s marks, signed in green and a paper label, 27cm high; and an ‘ANEMONE’ PATTERN BALUSTER VASE, impressed maker’s marks and initialled in blue, 14.5cm high (4) £200-300

THREE ‘ANEMONE’ PATTERN WARES, 1950s comprising: a SMALL GINGER JAR AND COVER, impressed maker’s marks, paper label and initialled in green, 15cm high; a SMALL OVOID VASE, with paper label, 10cm high; and a SMALL OVOID VASE, with impressed maker’s marks and a paper label, 10cm high (3) £200-300

GROUP OF ‘HIBISCUS’ PATTERN WARES, 1950s AND 60s comprising: a TAPERED VASE, impressed maker’s marks, a paper label and initialled in green W.M., 17.5cm high; a COVERED JAR, impressed maker’s marks and a paper label, 15cm diameter; a TRAY, impressed maker’s marks, 20cm wide; and a SMALL JARDINIERE, impressed maker’s marks and initialled in blue W.M., 13cm high (4) £200-300

109 HD118/2 MOORCROFT POTTERY TWO ‘ORCHID’ PATTERN VASES, 1950s AND 60s each on a yellow ground, comprising: a LARGE FLUTED VASE, with impressed maker’s marks and initialled W.M. in green, 22.5cm high; and a TAPERED VASE, with impressed marks and a paper label, 17.5cm high (2) £150-250

26 Lyon & Turnbull

111 HD12/10 DAISY MAKEIG-JONES (1881–1945) FOR WEDGWOOD ‘FAIRYLAND LUSTRE’ IMPERIAL BOWL, CIRCA 1925 ‘Jumping Faun’ and ‘Woodland Elves III’ patterns, decorated inside and out with fairies on a multi-coloured ground, printed maker’s mark 25.5cm diameter, 11cm high £2,000-3,000

112 HD12/5 DAISY MAKEIG-JONES (1881–1945) FOR WEDGWOOD ‘FAIRYLAND LUSTRE’ OCTAGONAL BOWL, CIRCA 1925 ‘Castle on a Road’ and ‘Bird in a Hoop’ patterns, decorated inside and out with fairies on a multi-coloured ground, printed maker’s mark, Z5125 25.5cm diameter, 11cm high £800-1,200

113 HD12/6 DAISY MAKEIG-JONES (1881–1945) FOR WEDGWOOD TWO BLACK ‘FAIRYLAND LUSTRE’ BOWLS, CIRCA 1925 a York cup, 10cm diameter; and a Marston bowl, 9.8cm diameter, each decorated with ‘Leapfrogging Elves’ pattern, decorated inside and out with fairies on a multi-coloured ground, printed maker’s marks Z4968D (hairline to Marston bowl) (2) £350-450

Decorative Arts: Design since 1860 27

114 HD91/58A ARNOLD MACHIN (1911-1999) FOR WEDGWOOD POTTERY FIGURE OF ‘FERDINAND THE BULL’, 1950s painted with ﬂoral decoration, marked under left forefoot WEDGWOOD, BARLASTON, ENGLAND/ CKH 6408. M 31.5cm long £200-300

115 HC865/4 ERIC RAVILIOUS (1903-1942) FOR WEDGWOOD LIMITED EDITION ‘BOAT RACE’ BOWL, CIRCA 1975 based on the original design of 1938, number 14 from an edition of 200, printed marks and accompanied by the original certiﬁcate of authenticity, within original box (2) 31cm diameter, 14cm high £800-1,200

116 HD91/57C ALFRED POWELL (1865-1960) FOR WEDGWOOD ‘RHODIAN’ PATTERN FOOTED VASE, CIRCA 1925 painted with scrolling ﬂowers and foliage in shades of blue, green purple and silver lustre, impressed factory mark WEDGWOOD and painted mark M5516 23cm high £150-250

117 HC865/1 ERIC RAVILIOUS (1903-1942) FOR WEDGWOOD

118 HC992/7 JOHN SKEAPING (1901-1980) FOR WEDGWOOD

ELIZABETH II 1953 CORONATION MUG the black transfer decoration with yellow and pink colourway, printed maker’s marks 10cm high £200-300

‘DUICKER’ EARTHENWARE FIGURE, CIRCA 1930 raised on an ebonised plinth, indistinct maker’s marks 24cm high £150-250

28 Lyon & Turnbull

119 HD119/1 SUSIE COOPER (1902-1995) FOR A. E. GRAY & CO. LTD ‘CUBIST’ COFFEE SERVICE, CIRCA 1930 painted with brightly coloured abstract design, comprising coffee pot and cover, milk-jug and sugar basin, six coffee cans and saucers, printed and painted maker’s marks; also SIX ENAMELLED COFFEE SPOONS, in a matching design (21) coffee pot, 21cm high £1,200-1,800

120 HC47/1 CARLTON WARE LARGE ‘TUBELINED FLOWER’ PATTERN WALL PLATE, CIRCA 1935 of circular form, printed and painted maker’s marks No. 3495 40cm diameter £200-300

121 HD6/2 CHARLES NOKE (1858-1941) FOR ROYAL DOULTON ‘A JESTER’ CERAMIC FIGURE, CIRCA 1920 painted marks to base “A JESTER”/ C.J. NOKE SC./ POTTED BY DOULTON & CO., H.N.71, printed maker’s mark (damages) 23.5cm high £300-500

122 HD6/10 CARLTON WARE ‘MANDARINS CHATTING’ JUG, CIRCA 1932 of bulbous form, printed and painted in gilt and coloured enamels, printed and painted maker’s marks 3653 17.5cm high £250-350

123 HD6/9 CARLTON WARE ‘PERSIAN GARDEN’ PATTERN VASE, CIRCA 1930 of bulbous form, printed and painted in gilt and coloured enamels, printed and painted maker’s marks 3893, 24cm high; and a CARLTON WARE ‘LEAF’ PATTERN VASE, of bulbous form, printed and painted in gilt and coloured enamels, printed and painted maker’s marks 3857, 26cm high (2) £250-350

124 HB543/13 CARLTON WARE PAIR OF ‘SCIMITAR’ PATTERN COVERED VASES, CIRCA 1932-5 each of swollen cylindrical form, printed and painted marks, no. 3651 (damages) (2) 19cm high £200-300

125 HD34/7 CHARLOTTE RHEAD (1885-1947) FOR CROWN DUCAL LARGE EARTHENWARE VASE, CIRCA 1930 decorated in gilt and coloured enamels with dragons on a pale green ground, painted artists mark C. RHEAD, printed and moulded maker’s marks 31.5cm high £200-300

Decorative Arts: Design since 1860 29

126 HD91/59A CHARLES VYSE (1882-1971) ‘CLUB ROW SUNDAY MORNING’, A RARE CHELSEA POTTERY FIGURE, CIRCA 1937 modelled as a man in a striped suit, his dog by his side and holding two puppies in his hands, wooden plinth base, incised mark to side C. VYSE/ CHELSEA 33cm high including plinth £1,000-1,500

127 HD91/61A CHARLES VYSE (1882-1971) ‘AUTUMN LEAVES’, A CHELSEA POTTERY FIGURE, DATED 1929 modelled as a woman in a paisley shawl, with a basket of ﬂowers by her side, raised on an ebonised wooden plinth, incised marks to the side C. VYSE/ CHELSEA/ 1929 24cm high including plinth £500-800

128 HD91/59B CHARLES VYSE (1882-1971) ‘THE BALLOON WOMAN’, A CHELSEA POTTERY FIGURE, DATED 1921 modelled as a woman in a striped dress, with an armful of balloons, painted marks under base CV/ CHELSEA/ 1021 22.5cm high £500-800

30 Lyon & Turnbull

129 HD91/18A CHARLES VYSE (1882-1971) STONEWARE VASE, DATED 1935 of tapering form, painted with swimming ﬁsh on a pale grey ground, incised marks to base VYSE/ 1935 26.5cm high £200-300

130 HD91/147 CHARLES VYSE (1882-1971) LARGE STONEWARE VASE, DATED 1936 of ovoid form, decorated with abstracted arches forms, incised marks to base VYSE/ 1936 23.5cm high £250-350

131 HD91/138 BARBARA CASS (1921-1992) LARGE STUDIO POTTERY VASE, 1950s of ovoid form, covered in streaked glazes, painted mark to base BC/ YORK 31.5cm high £80-120

132 HD91/18B CHARLES VYSE (1882-1971)

133 HD91/30B CHARLES VYSE (1882-1971)

STONEWARE BOWL, CIRCA 1935 decorated to the interior with a band of incised ﬂowering foliage, incised marks to base CHARLES VYSE/ CHELSEA, 18cm diameter; and a CHARLES VYSE STONEWARE BOTTLE VASE, with ribbed decoration, incised marks to base C.V/ 1933, 18cm high (2) £200-300

STONEWARE VASE, DATED 1934 of compressed ovoid form, decorated with a chevron design, incised marks under base CV/ 1934 11cm high £100-200

134 HC938/56 MORAR POTTERY FOR THE HIGHLAND HOME INDUSTRIES GROUP OF FIFTY-EIGHT STONEWARE WALL TILES, 1950s each painted with birds and plant forms, impressed seal marks MP (58) between 10.5cm and 10cm square £400-600 See illustration opposite

32 Lyon & Turnbull

135 SHOJI HAMADA (1894-1978)

STONEWARE SLAB VASE, 1960s resist decorated with checked design under tenmoku 25.5cm high £1,000-1,500

136 SHOJI HAMADA (1894-1978)

STONEWARE SLAB VASE, 1960s resist decorated with ﬁnger wipe design under tenmoku 25cm high £1,500-2,000

Decorative Arts: Design since 1860 33

137 HD11/1 PABLO PICASSO (1881-1973) FOR MADOURA POTTERY, VALLAURIS

‘COLOMBE SUR LIT DE PAILLE’, 1949 painted and glazed white earthenware dish, executed in an edition of 300, painted marks on reverse CR/ MADOURA/ D’APRES PICASSO, impressed maker’s mark 38cm across £3,000-5,000

138§ HC992/5 CRAIG MITCHELL (b. 1967)

CERAMIC SCULPTURE, CIRCA 1998 glazed earthenware 50cm high £300-500

139 HB588/5 RUPERT SPIRA (B. 1960)

GROUP OF STUDIO WARES, LATE 20TH CENTURY comprising two coﬀee cans and saucers, glazed in white with lemon yellow interiors; and a shallow bowl, covered with a high-ﬁred red glaze, 27.5cm diameter, all bear seal mark RS (5) £200-300

140 HD91/155 LARGE BELGIAN ART NOUVEAU POTTERY VASE

CIRCA 1900 of bottle form, incised with a frieze of stylised ﬂowering roses, unmarked 49cm high £100-200

34 Lyon & Turnbull

141 HC849/2 PIERO FORNASETTI (1913-1988)

GROUP OF SEVEN ‘LE OCEANIDI’ PLATES, CIRCA 1950 comprising various lithographically printed female faces in seashells, maker’s marks, nos. 2,4,6,7,8,10 and 12 (7) 21cm diameter £700-900

142 HD51/13 CARL MARTIN-HANSEN (1877-1941 FOR ROYAL COPENHAGEN

‘SAMSØ WOMAN’ PORCELAIN FIGURE, EARLY 20TH CENTURY the female ﬁgure in traditional costume, leaning on her rake, impressed inscription to plinth SAMSØ, painted and printed maker’s marks under base 12219/ SAMSØ/ A. HX/ DENMARK 32cm high £400-600

143 HC992/6 IAN MCWHINNIE (b. 1952)

‘THE PERFORMANCE’, CERAMIC DISH, CIRCA 2005 signed on the base IAN MCWHINNIE, 32.5cm across; and a PAIR OF RAKU WALL PLAQUES BY DAVE COHEN, each moulded with an apple, with sgraﬃto decorated leaves on a black ground, signed and dated on each base D COHEN/ N.B./ ‘95, 29cm diameter (3) £200-300

144 HD161/5 BERTE JESSEN (KOEHLE) FOR ROYAL COPENHAGEN

ALUMINA ‘FA JANCE’ CANDLE SCONCE, CIRCA 1960 brightly decorated with ﬂowering foliage, bears maker’s marks, No.455/3245, painted initials 31cm high £80-120

A Private Collection: Property of a Gentleman

36 Lyon & Turnbull

145 HD58/6 LATE 19TH CENTURY BRITISH SCHOOL PORTRAIT OF A GIRL IN A HOODED CLOAK WITH LILIES Gouache 29cm x 21cm (11.5in x 8.25in) £300-500

147 HD58/8 19TH CENTURY BRITISH SCHOOL

146 HD58/1 20TH CENTURY BRITISH SCHOOL

PORTRAIT OF WOMAN IN A MOUNTAINOUS LANDSCAPE Gouache on board 16.5cm x 12cm (6.5in x 4.75in) £300-500

PORTRAIT OF A WOMAN WITH AUBURN HAIR Indistinctly inscribed and dated 1897, oil on panel 32cm x 25cm (12.5in x 9.75in) £500-700

148§ HD58/83 RODRIGO MOYNIHAN (BRITISH 1910-1991) PORTRAIT OF A GIRL WEARING A GARNET NECKLACE Signed and dated 1949, oil on canvas 50cm x 39cm (19.75in x 15.5in) £1,000-1,500

Decorative Arts: Design since 1860 37

149 HD58/4 EDWARD COLEY BURNE-JONES (BRITISH 1833-1898)

150§ HD58/9 MARJORIE QUENNELL (d. 1972)

STUDY OF A MALE NUDE - POSSIBLY FOR ‘BLIND LOVE’ Charcoal 26cm x 20cm (10.25in x 8in)

PORTRAIT OF THE YOUNG PETER COURTNEY QUENNELL (AUTHOR AND CRITIC) Signed twice, inscribed with sitter’s name and dated 1912, watercolour 47cm x 33cm (18.5in x 13in)

Provenance: Julian Hartnoll Gallery, London

Exhibited: Cheltenham Literary Festival, Faces and Places, 1982

£1,000-1,500

Note: Marjorie Quennell was an illustrator, notable commissions including the illustrations for her husband ‘C. H B.’s’ book ‘Everyday Things in England’. The portrait is of her son, Peter.

£500-700

151 HD58/10 ROBERT ANNING BELL (BRITISH 1863-1933)

FIGURES ON A CASTLE TERRACE Signed and dated ‘09, oil on canvas, roundel 39cm diameter (15.25in diameter) Note: Artist and designer Robert Anning Bell was a member of the British Arts and Crafts Movement. Particularly well known as a book designer and illustrator, Bell additionally created mosaics for Westminster Cathedral and frequently exhibited his paintings in the Royal Academy, the New English Art Club and the Royal Society of Painters in Watercolours. The artist also held a succession of signiﬁcant academic posts beginning at the Liverpool University School of Architecture before progressing to chief of design at the Glasgow School of Art from 1911, and ultimately professor of design at the Royal College of Art from 1918 to 1924.

£1,000-1,500

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152 HD58/3 PHILIP WILSON STEER (BRITISH 1860-1942)

WESTERN HEIGHTS, DOVER Signed and dated 1930, watercolour 23.5cm x 33.5cm (9.25in x 13.25in) £500-700

153 HD58/5 THOMAS MATTHEWS ROOKE (BRITISH 1842-1942)

STUDY OF A MALE NUDE Pencil and bodycolour on buﬀ-coloured paper 13cm x 28cm (5in x 11in) Provenance: Campbell Wilson

£400-600

154 HD58/12 SIR JAMES DROMGOLE LINTON (BRITISH 1840-1916)

A SCENE FROM GIL BLAS Signed with initials and dated ‘78, inscribed with title old label verso, watercolour 20cm x 32cm (8in x 12.5in) £400-600

155 HD58/11 EMMA SANDYS (BRITISH 1834-1877)

PORTRAIT OF MARGUERITE INCE AGED SIX Signed with monogram and inscribed with title, pastel 30cm x 24.5cm (11.7in x 9.75in) £800-1,200

Decorative Arts: Design since 1860 39

156§ HD58/90 AUSTIN OSMAN SPARE (BRITISH 1888-1956)

HEAD OF A WOMAN Signed AOS lower left, watercolour, body colour and pencil 30.5cm x 26cm (12in x 10.25in) Note: Austin Osmond Spare (1886-1956) an artist, draughtsman, publisher and one of the most interesting and obscure ﬁgures to have come out of the Edwardian art scene. Spare, one of the youngest artists to exhibit at the Royal Academy exhibition in London reached his ‘golden age’ early in life where he received much hype and media attention. Attributed at the time as ‘Britain’s ﬁrst’ surrealist and

retrospectively as producing some of the first examples of pop art, he attracted the attention of many of London’s avant-garde intellectuals. As an artist he is remarkable for his array of work with etchings, pastels, drawings, publishing with text and image, painting and developing his own style of portraiture which he coined ‘siderealism.’ Producing a number of publishing’s and drawings much of his work became clearly defined in the occult and magical realms and had become somewhat of an enfant terrible in the west-end. His work and legacy can still see its influence in the development of chaos magic and western esoteric thought, Spare today derives a vast interest in his work from both art lovers and the occult alike.

£1,500-2,000

157§ HD58/85 AUSTIN OSMAN SPARE (BRITISH 1888-1956)

FIGURES IN A DREAM-LIKE LANDSCAPE Watercolour and pencil 24cm x 15cm (9.5in x 6in) £1,000-1,500

158§ HD58/15 BRADA STANLEY-CREEK (BRITISH 1909-1952)

DIANA THE HUNTRESS Watercolour 35cm x 47cm (13.75in x 18.5in) £500-700

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159 HD57/4 ARTS & CRAFTS BRASS, COPPER AND ENAMEL MANTEL CLOCK

CIRCA 1900 with repoussé decorated circular dial, the tapered case with applied planished copper brackets and inset turquoise cabochons 32cm high £300-500

160 HD57/10 LIBERTY & CO., LONDON

BRASS WALL MIRROR, CIRCA 1920 of oval outline, the planished frame set with circular Ruskin cabochons, bears maker’s label 53cm x 63cm £300-500

161 HD57/26 ARTS & CRAFTS COPPER BOX AND COVER

CIRCA 1900 of circular form, the cover set with three Ruskin roundels, the whole repoussé decorated with stylised dragon panels, hoop feet, 16cm diameter, 12cm high; together with a JEWELLERY BOX, with a repoussé decorated metal lid set with cabochons, 23cm wide; a COPPER AND RUSKIN SET INKWELL, 9cm high; a COPPER AND RUSKIN SET CYLIDRICAL BOX AND COVER, 13cm high; and a COPPER AND RUSKIN SET COAL BIN AND COVER (some damages), 52.5cm high (including handle) (5) £200-300

Decorative Arts: Design since 1860 41

162 HD57/14 JAMES DIXON & SONS, SHEFFIELD

PAIR OF SILVER CANDLESTICKS, EARLY 20TH CENTURY each with circular dished drip trays above square tapering columns and spreading bases with riveted decoration, hallmarked Sheﬃeld 1909 and 1916 (2) 23cm high £800-1,200

163 HD57/31 ALEXANDER KELLOCK BROWN (1849-1922)

PLASTER PANEL OF A WINGED ANGEL, LATE 19TH CENTURY signed in the plaster upper right, framed 68cm x 25cm £250-350

164 HD57/7 TWO ARTS & CRAFTS POTTERY FIGURE GROUPS

CIRCA 1910 one depicting opposed nude male and female ﬁgures, 26cm high; the other depicting a Landworker, 31cm high, each on wooden plinth (2) £150-250

165 HD57/27 WILLIAM HUTTON & SONS

ARTS & CRAFTS PEWTER TRAY, CIRCA 1900 of oval outline with twin handles, each set with Ruskin roundels, 60cm across, a MATCHING MILK JUG AND SUGAR BOWL, 10cm high and 13cm high, and a BALUSTER SHAPED VASE, 16.5cm high, stamped marks; also a LIBERTY & CO. TUDRIC FOUR PIECE TEA SERVICE, comprising a HOT WATER JUG, 17cm high; a TEAPOT, 12cm high; a MILK JUG, 7cm high; a SUGAR BOWL, 7cm diameter; and a PAIR OF SUGAR TONGS, stamped marks 01075 (9) £200-300

166 HD57/19 ROYAL DOULTON

TWO GLAZED STONEWARE JARDINIÈRES, EARLY 20TH CENTURY incised and impressed maker’s marks (2) 19cm and 17cm high £100-200

167 HD57/13 ARTS & CRAFTS ILLUMINATED PAGE

CIRCA 1900 within mother-of-pearl inlaid frame, illustrating a religious tract, 24cm x 20cm; and ‘LOVE IN A MIST’, A PAGE FROM ‘THE FLOWER BOOK’ AFTER BURNE JONES, 23cm X 19cm (2) £150-250

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168 HD58/16 FOLLOWER OF EDWARD MATTHEW HALE (BRITISH 1852-1924) FIGURES IN A LANDSCAPE Oil on canvas 44cm x 29cm (17.25in x 11.5in) £300-500

169 HD58/17 GEORGE HENRY EDWARDS (BRITISH 1859-1918) THE SPIRIT OF THE MARSH Signed and dated ‘96, watercolour, 44cm x 16cm (17.25in x 6.25in); and ANDROMEDA CHAINED TO THE ROCKS, signed, watercolour and bodycolour, 40cm x 15cm (15.75in x 6in), a pair (2) Provenance: The Maas Gallery, London

£600-800

170§ HD58/32 REGINALD F. HALLWARD (BRITISH 1858-1948) NUDE STUDY Charcoal 15cm x 8cm (6in x 3in) £600-800

171 HD58/22 GEORGE PRICE BOYCE (BRITISH 1826-1897)

ANDUZE, FRANCE Watercolour 37cm x 33cm (14.5in x 13in) £1,200-1,800

Decorative Arts: Design since 1860 43

172 HD58/36 ARTHUR JOSEPH GASKIN (BRITISH 1862-1928) JOSCELYNE READING Signed with initials, inscribed with sitter’s name and dated 1916, pencil 22cm x 16cm (10in x 7in)

173 HD58/40 EDWARD R. TAYLOR (BRITISH 1838-1912) PORTRAIT OF A FAIR-HAIRED GIRL Watercolour 37cm x 27cm (14.5in x 10.5in) £300-500

Provenance: Campbell Wilson, Brighton, 2004

£500-700

174 HD58/45 SAMUEL PEPYS COCKERELL (BRITISH 1753-1827) CLISSON, 1910 Watercolour 16 x 13cm (6.25 x 5in)

Note: Cockerell was an architect, best known for designing Sezincote House, Gloucestershire, for his elder brother of Sir Charles Cockerell, 1st Baronet. The uniquely Orientalizing features inspired the Brighton Pavilion. He was the great-great nephew of the diarist Samuel Pepys.

£300-500

175 HD58/46 EDWARD MATTHEW HALE (BRITISH 1852-1924) YOUTHS RELAXING Oil on canvas 22cm x 14cm (8.5in x 5.5in) £1,000-1,500

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176§ HD58/44 REGINALD F. HALLWARD (BRITISH 1858-1948)

STUDY OF A MALE NUDE WITH SWORD Indistinct inscription bottom left, charcoal 20cm x 12cm (8in x 4.75in) £300-500

177§ HD58/55 BERNARD SLEIGH (BRITISH 1872-1954) FINDETH A LITTLE CHILD Pen and ink 22cm x 14cm (8.5in x 5.5in) Provenance: Christie’s South Kensington Julian Hartnoll Gallery, London

£1,000-1,500

178 HD58/51 WINIFRED ANNE RYMER (BRITISH ﬂ. 1929-1936) NUDE STUDY Pencil 28cm x 19cm (11in x 7.5in) £250-350

179§ HD58/33 F.G. DOWELL (BRITISH 20TH CENTURY) DESIGN FOR A PROPOSED BUILDING IN BRIGHTON Signed and dated ‘49, watercolour 29cm x 39cm (11.5in x 15.25in) £250-350

Decorative Arts: Design since 1860 45

180 HD58/50 HENRY ALBERT PAYNE (BRITISH 1868-1940)

STUDY FOR THE CANTERBURY TALES Watercolour 30cm x 38cm (11.75in x 15in) Provenance: The Fine Art Society, London

£500-700

181 HD58/89 ROBERT ANNING BELL (BRITISH 1863-1933) CINDERELLA Signed, oil on canvas 72cm x 87cm (28in x 34in) £600-800

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182 HD57/36 ARTS & CRAFTS COPPER FRAMED WALL MIRROR

CIRCA 1910 planished ﬁnish, repoussé decorated with a pierced roundel of opposed ﬁsh against a green enamelled ground 49cm x 34cm £200-300

183 HD57/50 LIBERTY & CO., LONDON

ARTS & CRAFTS COPPER WALL MIRROR, CIRCA 1900 with planished ﬁnish and riveted decoration to the seams, inset with bronzed roundel of Dante, bears inscription DANTE, bears maker’s label 79cm x 30.5cm £400-600

184 HD57/57 PAIR OF ARTS & CRAFTS COPPER WALL SCONCES CIRCA 1910 each repoussé decorated with stylised foliage, and with galleried nozzles, and hanging snuﬀers below, 19.4cm wide, 34cm high; together with an ASSOCIATED PAIR OF WICK TRIMMERS (3) £400-600

185 HD57/63 AUSTRIAN COLD PAINTED BRONZE LAMP CIRCA 1900 cast as an Arabic woman in exotic dress, with palm tree shade on naturalistic base 31cm high £300-500

Decorative Arts: Design since 1860 47

186 HD57/62 LIBERTY & CO., LONDON

PEWTER, COPPER AND ABALONE MANTEL CLOCK, CIRCA 1900 the shaped copper dial embossed with Roman chapters, enclosed by a shaped case inlaid with oval abalone panels 25cm high £2,000-3,000

187 HD57/53 ARTS & CRAFTS SILVER BOWL

CIRCA 1910 with embossed entrelac band set with chalcedony cabochons and raised on bracket supports, bears maker’s marks, hallmarked London 1910 18cm diameter £400-600

188 HD57/68 KARL KARLSSON, LONDON

EDWARDIAN SILVER AND ENAMEL BOX, CIRCA 1903 with turquoise enamel panel to the lid and applied inlaid catch, the whole raised on bracket feet (cracks to enamel), hallmarked London 1903 20cm wide, 7.5cm high, 12cm deep £500-700

189 HD57/41 JAMES DIXON & SONS, SHEFFIELD

SILVER THREE BRANCH CANDELABRUM, CIRCA 1906 the three angular branches with circular dished drip trays above square tapering column and spreading base with riveted decoration, hallmarked Sheﬃeld 1906 23cm high £800-1,200

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190 HD57/69 GUILD OF HANDICRAFT LTD

SILVER AND ENAMEL BOX set with enamelled landscape panel to the lid, hallmarked London 1903 (damage to enamel) 16cm wide, 4.5cm high, 9cm deep £500-700

191 HD57/70 GEORGE NATHAN & RIDLEY HAYES

ARTS & CRAFTS ENAMELLED SILVER BOX, CIRCA 1912 decorated with an enamelled panel depicting a peacock, hallmarked Chester 1912 11cm diameter, 4cm high £300-500

192 HD57/71 ARTS & CRAFTS ENAMELLED SILVER BOX

CIRCA 1910 decorated to the cover with an enamelled panel, of swimming ﬁsh, hallmarked Sheﬃeld 1910, maker’s mark W.T. 7cm diameter, 3cm high £200-300

193 HD57/72 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER AND ENAMEL VASE, CIRCA 1907 of cylindrical tapering form, with enamelled Celtic panel, hallmarked Birmingham 1907, maker’s marks CYMRIC/ L&Co 13cm high £1,000-1,500

194 HD57/76 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER CREAM JUG, CIRCA 1904 with scrolling handle and broad elliptical body, hallmarked Birmingham 1904, maker’s marks CYMRIC/ L&Co 8.5cm high £600-800

195 HD57/78 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

EDWARD VII ‘CYMRIC’ SILVER COMMEMORATIVE SPOON, CIRCA 1901 with cast Celtic decoration and cast inscription to the bowl AC/ER VII, hallmarked Birmingham 1901, maker’s marks CYMRIC/ L&Co 12cm long £400-600

Decorative Arts: Design since 1860 49

196 HD57/79 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘CYMRIC’’ SILVER AND ENAMEL COMPACT, CIRCA 1904 of circular form, with Celtic enamelled panel to the hinged lid, hallmarked Birmingham 1904, maker’s marks CYMRIC/ L&Co 7.5cm diameter £300-500

197 HD57/80 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER AND ENAMEL BOTTLE HOLDER, CIRCA 1906 of cylindrical form with opposed enamelled Celtic knotwork bands, hallmarked Birmingham 1906, maker’s marks L&Co 5cm diameter, 8.5cm high £1,000-1,500

198 HD57/89 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER AND ENAMEL TRUMPET SHAPED FOOTED VASE, CIRCA 1906 decorated with trailing and fruiting foliage, indistinct hallmarks for Birmingham 1906; 19cm high; together with an ARTS & CRAFTS SILVER AND ENAMEL CANDLESTICK, 15cm high (2) £800-1,200

199 HD57/91 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER AND ENAMEL BOX AND COVER, CIRCA 1904 inset to the cover with enamelled Celtic knot, maker’s mark L&C/ CYMRIC, hallmarked Birmingham 1904, 6cm diameter, 4cm high; together with an ARCHIBALD KNOX (1864-1933), FOR LIBERTY & CO., LONDON SILVER AND ENAMEL PILL BOX, CIRCA 1905, set with shagreen enamel Celtic boss, maker’s mark L&C/ CYMRIC, hallmarked Birmingham 1904, 5cm diameter (2) £600-800

200 HD57/93 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER AND ENAMEL CANDLESTICK, CIRCA 1907 with a cylindrical nozzle, set with enamelled roundels, with broad dished drip tray, maker’s mark L&Co, hallmarked Birmingham 1907 10.5cm diameter £300-400

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201 HD57/83 LIBERTY & CO., LONDON

‘CYMRIC’ SILVER AND ENAMEL MOUNTED PRESERVE POT AND MATCHED SPOON, CIRCA 1912 each decorated with enamelled Celtic motifs, with globular glass body, hallmarked Birmingham 1908, spoon hallmarked 1912 (2) 12cm high £300-400

202 HD57/81 LIBERTY & CO., LONDON

‘CYMRIC’ SILVER INKWELL, CIRCA 1900 of cylindrical form set with turquoise cabochons, with domed cover and glass liner above dished base, hallmarked Birmingham, maker’s marks CYMRIC/ L&Co 8.6cm diameter, 6cm high £400-600

203 HD57/87 OLIVER BAKER (ATTRIBUTED) FOR LIBERTY & CO., LONDON

‘CYMRIC’ ARTS & CRAFTS SILVER LOVING CUP, CIRCA 1900 with planished ﬁnish, decorated with inset cabochon stones and with four lug handles, hallmarked Birmingham 1900, maker’s marks CYMRIC/ L&Co 9.5cm diameter, 7.5cm high £300-500

204 HD57/86 LIBERTY & CO., LONDON ARTS & CRAFTS

‘CYMRIC’ SILVER SUGAR SIFTER, CIRCA 1904 of tapering footed form, embellished with inset turquoise cabochon, hallmarked Birmingham 1904, 15cm high; together with a LIBERTY & CO., LONDON, SILVER AND ENAMEL MOUNTED GLASS BOTTLE, designed by Archibald Knox, the cylindrical green glass bottle with silver cover, set with Celtic enamelled roundel, hallmarked Birmingham 1904, 6cm high, both with maker’s marks CYMRIC/ L&Co; and TWO LEVI & SALAMAN SILVER MOUNTED CRUETS, hallmarked Birmingham 1912, 6.3cm and 4.8cm high (4) £400-600

205 HD57/73 LIBERTY & CO., LONDON

‘CYMRIC’ SILVER BOX AND COVER, CIRCA 1903 of cylindrical form, the cover with turned knop, the sides decorated with inset turquoise cabochons, hallmarked Birmingham 1903, maker’s marks CYMRIC/ L&Co 8cm diameter, 9cm high £400-600

206 HD57/88 LIBERTY & CO., LONDON ARTS & CRAFTS

‘CYMRIC’ SILVER AND ENAMEL BOWL, CIRCA 1902 the planished surface with enamelled band, hallmarked Birmingham 1902, 10.5cm diameter; together with a LIBERTY & CO., LONDON SILVER AND ENAMEL BOX AND COVER, CIRCA 1901, of circular form, with bullseye design enamelled cover, hallmarked Birmingham 1901, maker’s marks CYMRIC/ L&Co, 11.4cm diameter, 7.5cm high; and a LIBERTY & CO., LONDON SILVER TRAY, with planished surface, hallmarked Birmingham 1917, 28cm across (3) £700-900

Decorative Arts: Design since 1860 51

207 HD57/85 OMAR RAMSDEN AND ALWYN CARR

SILVER CIGAR BOX, CIRCA 1911 the planished surface repousse decorated to the cover with Art Nouveau entwined tendrils, bears inscription under base OMAR RAMSDEN ET ALWYN CARR ME FECERUNT, hallmarked London 1911 18cm wide, 5cm high, 9cm deep £1,500-2,000

208 HD57/90 G L CONNELL LTD, LONDON

ARTS & CRAFTS SILVER CHAMBERSTICK, CIRCA 1901 the whole decorated with pierced foliate decoration, hallmarked London 1901, 18cm across; together with a G. L. CONNELL LTD. SILVER MOUNTED TWIN-HANDLED GLASS VASE, with presentation inscription to the foot, hallmarked London 1901, 19cm high; and a G. L. CONNELL LTD., LONDON ARTS & CRAFTS SILVER BOX, with strapwork hinges and elaborate cast brackets to the angles, hallmarked London 1902, 11cm wide, 6cm high, 8.5cm deep (3) £600-800

209 HD57/77 CHRISTOPHER DRESSER (1834-1904) FOR HEATH & MIDDLETON

SILVER TEAPOT, CIRCA 1886 of tapered cylindrical form, with rush covered handle, hallmarked London 1886 14cm high £300-500

210 HD57/51 ROWLEY GALLERY, LONDON

‘THE OLD FARM’, MARQUETRY WALL MIRROR, CIRCA 1920 with carved and moulded frame enclosing a mirrored plate and with marquetry landscape panel below 79cm x 26cm £150-250

211 HD57/65 MANNER OF SIR EDWARD POYNTER ARTS & CRAFTS PENWORK PANEL, LATE 19TH CENTURY depicting a Classical woman in an orchard within a marquetry frame 51cm x 29cm £150-250

212 HD57/29 ARTS & CRAFTS BRASS WALL MIRROR

CIRCA 1910 with oval bevelled plate within rectangular frame, repoussé decorated with exotic birds amongst foliage, 44cm x 34cm; together with a SMALL PATINATED COPPER WALL MIRROR, EARLY 20TH CENTURY, of circular outline, repoussé decorated with trailing ivy, 22cm diameter; a PEWTER WALL MIRROR, CIRCA 1920, of octagonal outline, with allover stylised abstract repoussé design enclosing a circular bevelled plate, 34cm diameter; and a SMALL PATINATED METAL MIRROR, the scrolled sides enclosing an oval bevelled plate, 30 x 23.5cm (4) £150-250

213 HD57/67 ARTS & CRAFTS WALL MOUNTED COPPER MATCH HOLDER

CIRCA 1910 repoussé decorated with stylised plant forms, 14cm wide, 25cm high; together with a PAIR OF COPPER AND BRASS CANDLESTICKS, in the manner of Benson, 19cm high; a PAIR OF ARTS & CRAFTS COPPER CANDLESTICKS, CIRCA 1900, of pierced tapering form, with brass side handles, 17cm high; an ARTS & CRAFTS REPOUSSE COPPER PHOTOGRAPH FRAME, 20cm square; and SMALL ARTS & CRAFTS COPPER MANTEL TIMEPIECE, CIRCA 1910, with chased decoration and initials to the top edge, 11cm high (7) £200-300

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214 HD58/53 JOSEPH EDWARD SOUTHALL (BRITISH 1861-1944) HEAD STUDY Pencil 18cm x 13cm (7in x 5in) £400-600

215 HD58/58 JAMES DROMGOLE LINTON (BRITISH 1840-1916) ‘MUSIC THAT ON THE SPIRIT LIES, GENTLER ON TIRED EYELIDS ON TIRED EYES’ Watercolour 37cm x 39cm (14.5in x 15.25in) Provenance: The Maas Gallery, London Note: Titled after the Tennyson poem ‘The Lotus Eaters’

£500-700

216 HD58/65 JEAN ACHILLE BÉNOUVILLE (FRENCH 1815-1891)

CLASSICAL FIGURE IN DRAPERIES No. 117, studio stamped, pencil 30cm x 22cm (11.75in x 8.75in) Provenance: Julian Hartnoll Gallery, London

£500-700

217 HD58/62 ROSE M. FRASER (SCOTTISH ﬂ. 1908-1916) HEAVENLY SLEEP Signed, watercolour 17.5cm x 22.5cm (9in x 7in) £400-600

Decorative Arts: Design since 1860 53

218 HD58/66 EDITH MARTINEAU (BRITISH 1842-1909)

A YOUNG GIRL WEARING A HEADSCARF Signed with monogram and dated 1869, watercolour 30cm x 27cm (11.75in x 10.5in) £1,500-2,500

220 HD58/73 MINNIE ASPREY (BRITISH 19TH CENTURY)

ORIENTAL FIGURE GAZING FROM A WINDOW Signed and dated 1911, watercolour 93cm x 28cm (36.5in x 11in) £500-700

221 HD58/77 GEORGE LAWRENCE BULLEID (BRITISH 1858-1933)

HEAD STUDY OF A GIRL IN A FLORAL HEADDRESS Watercolour 12.5cm x 12.5cm (5in x 5in) £800-1,200

219 HD58/70 FOLLOWER OF GEORGE FREDERICK WATTS (BRITISH 1817-1904) LAMENT Oil on canvas 28cm x 25cm (15in x 9.75in) £400-600

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222 HD58/80 JOHN MELHUISH STRUDWICK (BRITISH 1849-1937)

STUDY FOR A GIRL IN A GREEN DRESS IN A SYMPHONY Pencil 19.5 x 14cm Provenance: The Albert Dawson Collection J.S. Maas & Co. Ltd., London New Gallery, 1903

223 HD58/91 FREDERICK (FRED) MORGAN (BRITISH 1856-1927) HEAD OF A BOY Charcoal study 34 x 25cm (13.25 x 9.75in) £600-800

£500-700

224§ HD58/88 RONALD OSSORY DUNLOP (IRISH 1894-1973)

PORTRAIT OF A DARK-HAIRED WOMAN Oil on canvas 37 x 31cm (14.5 x 12.25in) £400-600

225 HD58/86 LORD FREDERIC LEIGHTON (BRITISH 1830-1896)

VINES NEAR BELLOSGRANDE Inscribed with title and dated September ‘56, bears Fine Art Society stamp, pencil 15 x 9cm (6 x 3.5in) £400-600

Decorative Arts: Design since 1860 55

SIMEON SOLOMON (1840-1905) was born in London to an artistic Jewish family and attended the Royal Academy Schools for arts. Solomon became a known figure in the pre-Raphaelite movement and painted many pictures influenced by Biblical and Jewish themes. It was after his introduction to Algernon Charles Swinburne around 1865 that he became influenced by Classicism which became his dominant style. It is in this style that Solomon was able to symbolically express himself and composed many pictures of languorous, aesthetic youths. His work became known in America after being featured in Frederick Hollyer’s photographic album ‘Portraits of any person of Note’ in 1866. Today he is also recognised for his prose poetry, ‘A Vision of Love Revealed in Sleep’, considered a landmark in gay literature. Although Solomon faced many personal struggles later in life, his work has remained sought after and is included in the collections of The National Portrait Gallery, London; Tate Britain, London; The Art Institute of Chicago; The Museum of Fine Art, Boston; Harvard Art Museum and numerous institutions worldwide.

226 HD58/71 SIMEON SOLOMON (BRITISH 1840-1905)

STUDY OF A WOMEN’S HEAD IN PROFILE Watercolour 24cm x 16cm (9.5in x 6.5in) Provenance: Collection of Rachel Simmons, nee Solomon (ﬁrst cousin to the artist); thence by descent through the family The Maas Gallery, London

£2,000-3,000

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227 HD58/72 SIMEON SOLOMON (BRITISH 1840-1905)

HEAD OF AN ANGEL Initialled S.S. and dated 1900, pencil 15cm x 22cm (6in x 8.75in) Provenance: Abbott and Holder.

£1,000-1,500

228 HD58/68 SIMEON SOLOMON (BRITISH 1840-1905)

ATTHIS Signed with monogram and dated 1909, inscribed with title, pencil 35cm x 25cm (13.75in x 9.75in) Provenance: The Piccadilly Gallery

£800-1,200

Decorative Arts: Design since 1860 57

229 HD57/97 MARY SETON WATTS (1849-1938) FOR COMPTON POTTERY

FIGURE OF ST MICHAEL, CIRCA 1900 impressed mark (broken and repaired), 22cm high; and ANOTHER COMPTON POTTERY FIGURE, impressed mark, 20cm high; and a WALL PLAQUE, CIRCA 1900, depicting St Francis, impressed mark ,18cm x 12cm (3) £300-500

230 HD57/107 CHARLES NOKE FOR DOULTON & CO. EARTHENWARE CHARGER, CIRCA 1880 impressed factory mark, signed NOKE 39cm diameter

Provenance: ‘John Jesse: The Pursuit of Style’, Sotheby’s London, 22 February 2006, Lot 31

£400-600

231 HD57/103 CARL KRALL, LONDON

ARTS & CRAFTS JEWELLED SILVER GILT GOBLET AND COVER, CIRCA 1917 set with cut stones and cabochons and further decorated with leafy chasing, bears inscription under foot IN MEM. STR. HENRIETTA MARIA/ STR. ETHELRED/ E.A. HOUBLON/ E.J. FORBES/ KATE CROWE/ R.I.P./ A.D. 1917, hallmarked London 1917, 14cm high; contained within a copper canopy, with domed top supported on columns, chased decoration set with cut stones, 32cm high (2) £400-600

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232 HD57/84 W. H. HASELER, BIRMINGHAM

SILVER DRESSING TABLE SET, CIRCA 1906 comprising a HAIR BRUSH, 25cm long; and TWO CLOTHES BRUSHES, 17.8cm long, each with Celtic knot repoussé decoration and inset turquoise cabochons, hallmarked Birmingham 1906; together with a LIBERTY & CO. LONDON, SILVER CLOTHES BRUSH, inset with a turquoise cabochon, rubbed hallmarks, 18cm long (4) £500-700

233 HD57/16 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

SILVER AND ENAMEL DRESSING TABLE SET comprising TWO HAIR BRUSHES, 24 and 26cm long; TWO CLOTHES BRUSHES, 16cm long; a BOX AND COVER, with glass body, 11cm long; a COMB, 20cm long; and a HAND MIRROR, 27cm long, each inlaid with Celtic knotwork in turquoise enamels, Birmingham hallmarks (7) £800-1,200

234 HD57/99 ARTS & CRAFTS CLOISONNÉ ENAMEL ECUMENICAL DEVOTIONAL PANEL

EARLY 20TH CENTURY depicting Christ on the cross, with Buddha at the foot of the cross in a landscape, enclosed by Buddhist and Christian iconography, in a giltwood frame 58cm x 42cm £200-300

235 HD57/101 M. RESTELLI

ARTS & CRAFTS WHITE METAL DEVOTIONAL PANEL boxed, repoussé decorated with stylised ﬁgure, inscribed, signed 20cm x 10cm £80-120

236 HD57/111 ARTS & CRAFTS REPOUSSÉ WALL PLAQUE

CIRCA 1910 mounted on an oak board and bearing inscription PIPES OF PAN, 37cm x 31cm; together with a COPPER REPOUSSÉ WALL PLAQUE, bearing the inscription HEAVEN SEND YOU MANY, in an oak frame, 31 x 30.5cm; and TWO LARGE BRASS CHARGERS, with repoussé decoration, 52cm diameter (4) £150-250

237 HD57/110 ART NOUVEAU PATINATED METAL MANTEL CLOCK

CIRCA 1900 decorated with a female ﬁgure and ﬂowers in relief, enclosing an enamelled dial with foliate detail, the stamped French movement striking on a bell 30.5cm high £200-300

238 HD57/112 ARTS & CRAFTS OAK THREE-FOLD SCREEN

CIRCA 1910 each panelled fold with painted poppy decoration, 150cm x 169cm; and an ARTS & CRAFTS LEATHER-COVERED FOUR-FOLD DRAUGHT SCREEN, each fold with embossed panel, 189cm x 176cm (2) £200-300

238A HD58/92 GEORGE WEAKE

PLANT STUDY, CIRCA 1900 bronze plaque, cast in low relief, signed in the bronze GEO. WEAKE, within an oak frame 17.5cm x 16.5cm £200-300

Furniture: Part I 239 HC956/8 KIMBEL AND CABUS, NEW YORK

AESTHETIC MOVEMENT EBONISED CHERRY SIDE CABINET, CIRCA 1875 with elaborate brass hinges, the ebonised surface incised and gilded, the spindle gallery above and arrangement of four panelled doors and open shelves, the panels painted with birds, plants and animals, the whole raised on side supports linked by a platform 109cm wide, 155cm high, 40cm deep Note: A corner chair by Kimbel and Cabus, held in the Brooklyn Museum, shows the same characteristics as this cabinet (Accession no. 1992.9).

£1,000-1,500

240 HD602/9 ATTRIBUTED TO R.W. WINFIELD & CO., BIRMINGHAM IRON ROCKING CHAIR FRAME, CIRCA 1850 curved tube metal 58cm wide, 120cm high, 87cm deep

Note: This design was produced by R.W. Winﬁeld & Co. of Birmingham. Winﬁeld & Co. exhibited a model of this chair at the Great Exhibition of 1851 and the London International Exhibition of 1862. For a similar example see Victoria and Albert Museum, London, museum no. CIRC.20-1961.

£300-500

241 HD161/3 AESTHETIC MOVEMENT OAK WALL CABINET

CIRCA 1880 with spindle gallery above open shelves and with two doors below centred by a tiled panel 62cm wide, 62cm high, 14cm deep £150-250

242 HC886/3 LARGE GOTHIC REVIVAL PITCH PINE CLUB FENDER

LATE 19TH CENTURY with upholstered seat above canted uprights with bracket supports 249cm wide, 50cm high, 95cm deep £400-600

60 Lyon & Turnbull

243 FH65/3 CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON’S WILLOW TEAROOMS EBONISED OAK ‘LADDER BACK’ CHAIR, CIRCA 1903 the high back with thirteen gently bowed horizontal splats, the seat tapering towards the front, raised on square section legs joined by five cylindrical stretchers, with later oak-framed drop-in seat and rushing 104.5cm high, 44.5cm wide, 38.3cm deep Provenance: Miss Cranston’s Willow Street Tea Rooms, Glasgow, Scotland Private Collection, London Literature: Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs’, Moffatt 2009, pp 150165, illus. 1908.8 and in situ at 1903 C; D; E; F; J; H & I Note: Mackintosh had produced versions of the traditional ladderback chair before, first for David Gauld in 1893 and then as a bedroom chair at Windyhill in 1901. This understated and deceptively simple design of 1903, for Miss Cranston’s new Willow Tearooms in Sauchiehall Street, is his most successful treatment of this vernacular form. The dark wood against by the pale walls and tablecloths of the tearoom interiors accentuating the striking lines of this, one of Mackintosh’s most recognisable chairs.

£10,000-15,000

Decorative Arts: Design since 1860 61

244 HC839/1 KOLOMAN MOSER (1868-1918) FOR PORTOIS & FIX, VIENNA

PALISANDER WOOD SIDEBOARD, CIRCA 1905 veneered and inlaid, the canted upper section with bevelled glazed doors above a panelled back, the lower section with a pull-out slide above a pair of cupboard doors enclosing three sliding trays, the legs with bronze sabots, bears ivorine maker‘s label PORTOIS & FIX, WIEN III, UNGARGASSE 59-61 170cm wide, 179cm high, 65cm deep

Literature: Fenz, Werner ‘Koloman Moser’, Vienna, 1984, p.159, ﬁg. 66 where a similar example is illustrated. Note: Portois & Fix were early manufacturers of designs by the secession artists including Otto Wagner, Josef Hoﬀmann and, as in this example, Koloman Moser.

£10,000-15,000

62 Lyon & Turnbull

245 HC50/3 OTTO WAGNER (1841-1918) FOR JACOB & JOSEF KOHN STAINED BENTWOOD ARMCHAIR, NO. 721, CIRCA 1902 the back pierced with circular apertures, curved arms and moulded seat on square tapered legs with hoop stretcher 59cm wide, 83cm high, 45cm deep £800-1,200

246 HD91/66 AFTER CHARLES RENNIE MACKINTOSH

PAIR OF MARSH, JONES, CRIBB & CO. MAHOGANY ‘ARGYLE’ TYPE CHAIRS, CIRCA 1900 each with oval inlaid top rails above tall slatted backs and drop-in seats raised on square legs linked by stretchers, bears maker’s labels MARSH, JONES, CRIBB & CO./ KENDELL & CO. (2) 49cm wide, 11cm high, 41cm deep Literature: Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs’, Moffatt 2009, pp 61-62 Note: Billcliffe alludes to “six smaller variants” of the high backed Argyle Street tea Room chair, designed by Mackintosh for Miss Cranston in 1898, two of which bear the Marsh, Jones Cribb & Co. label. Billcliffe goes on to suggest that as the firm only existed from 1897-1904 it is likely that that they had seen the larger chairs, either in Glasgow or at the Arts & Crafts Exhibition in 1899, and amended the design to this smaller version. In this unusual mahogany variant the firm has added marquetry inlay to the oval top rails instead of the original cut out motif.

£500-700

247 HD177/8 MANNER OF MORRIS & CO.

MAHOGANY CENTRE TABLE the shaped circular top with serpentine outline, raised on six turned legs united by stretchers and an undertier 60 x 69cm £300-500

248 HD34/3 ARTS & CRAFTS MAHOGANY CENTRE TABLE

CIRCA 1900 in the manner of Morris & Co., the tiled top with moulded edge above baluster turned legs linked by waved stretchers 80cm diameter, 66cm high £200-300

249 HD91/111 ART NOUVEAU MAHOGANY & MARQUETRY INLAID ARMCHAIR

CIRCA 1900 with profusely inlaid splat back above open arms and upholstered panel seat, square tapered legs 56cm wide, 103cm high, 48cm deep £150-200

Decorative Arts: Design since 1860 63

250 HD91/1 SHAPLAND & PETTER, BARNSTAPLE

ART NOUVEAU MAHOGANY WRITING DESK, CIRCA 1900 the superstructure with glazed and leaded panel, with marquetry inlay and leaded glass panel, enclosed by open shelves, a writing surface and a single drawer below, ﬂanked by profusely inlaid and pierced uprights joined by shaped stretchers 109cm wide, 112cm high, 54cm deep £800-1,200

251 HD91/64 LEONARD WYBURD (1865-1958) FOR LIBERTY & CO., LONDON PAIR OF MAHOGANY AND MOTHER-OF-PEARL INLAID SIDE CHAIRS, CIRCA 1900 each with inlaid top rails above tall slatted backs and upholstered panel seats raised on square tapered legs linked by stretchers, bears maker’s labels (2) 43cm wide, 104cm high, 37cm deep £400-600

253 HC840/6 SET OF FOUR ART NOUVEAU MAHOGANY AND INLAID SIDE CHAIRS CIRCA 1900 each with curved top rails and inlaid splats raised above upholstered seats on cabriole legs (4) 46cm wide, 94cm high, 41cm deep £250-400

254 HD91/55 ART NOUVEAU MAHOGANY AND MARQUETRY INLAID ARMCHAIR

CIRCA 1900 probably Liberty & Co., the pierced back with close nailed upholstered panel, above open arms and upholstered seat, square legs linked by stretchers 61cm wide, 122cm high, 45cm deep £200-300

252 HD91/65 LEONARD WYBURD (1865-1958) FOR LIBERTY & CO., LONDON MAHOGANY AND MOTHER-OF-PEARL INLAID OCCASIONAL TABLE, CIRCA 1900 the inlaid shaped rectangular top raised on square supports linked by stretchers and with slatted side panels 67cm wide, 67cm high, 38cm deep £300-500

255 HC820/1 WYLIE & LOCHHEAD, GLASGOW

ARTS & CRAFTS OAK TUB CHAIR, CIRCA 1900 the curved top rail and arms with pierces central splat and slatted sides, above an upholstered drop-in seat on square tapered legs linked by stretchers 58cm wide, 74cm high, 43cm deep £200-300

64 Lyon & Turnbull

256 HB75/5 ART NOUVEAU MAHOGANY INLAID DISPLAY CABINET

CIRCA 1910 the pierced surmount above a single glazed door with peacock feather fret decoration enclosing a shelved interior and enclosed by open shelves with mirrored backs and with two cupboard doors below, the whole raised on square tapered legs 142cm wide, 213cm high, 41cm deep £600-800

257 HB816/1 A. GARDNER AND SON, GLASGOW

ART NOUVEAU MAHOGANY AND MARQUETRY INLAID CABINET, CIRCA 1910 the canted superstructure with two glazed doors with stylised bud astragals, ﬂanked by doors with marquetry landscape panels, and supported on twin columns, the base with central corresponding inlaid door with ﬂanking glazed doors, galleried platform stretcher, bears label A GARDNER AND SON, CABINET MAKERS, GLASGOW 162cm wide, 198cm high, 44cm deep £400-600

258 HC845/1 ART NOUVEAU MAHOGANY AND MARQUETRY INLAID DISPLAY CABINET CIRCA 1900 with swan-neck pediment and three stepped doors enclosing shelves, each profusely inlaid with ﬂowering foliage and raised on tall slender supports linked by a platform 143cm wide, 212cm high, 40cm deep £500-700

Decorative Arts: Design since 1860 65

259 HC840/2 ART NOUVEAU MAHOGANY AND MARQUETRY INLAID WING ARMCHAIR CIRCA 1900 with shaped spindle gallery on turned legs 60cm wide, 111cm high, 48cm deep £300-500

260 HD91/105 SHAPLAND & PETTER, BARNSTAPLE

ARTS & CRAFTS MAHOGANY LADY’S WRITING DESK, CIRCA 1900 the pierced superstructure with open shelves and two doors with embossed copper panels, above a fold-out fall with drawer below, raised on square tapering legs 82cm wide, 143cm high, 39cm deep £300-500

261 HC382/7 SHAPLAND & PETTER, BARNSTAPLE

ARTS & CRAFTS MAHOGANY AND COPPER MOUNTED WALL CABINET, CIRCA 1900 with open shelf backed with an embossed copper frieze bearing inscription SUBLIME TOBACCO! WHICH FROM EAST TO WEST/ CHEERS THE TAR’S LABOURS OR THE TURKMAN’S REST, above two panelled doors inset with embossed copper panels 91cm wide, 64cm high, 27cm deep Literature: Bennett, Daryl, ‘Shapland & Petter Ltd. of Barnstaple’, 2005, p.60, pl.4.35.

£400-600

262 HB818/1 HEAL & SON, LONDON

SINGLE MAHOGANY FOUR POSTER BED, CIRCA 1910 with arched canopy above tapering columns and broad head and foot boards, bears maker’s label 105cm wide, 194cm high, 204cm long £300-500

263 HC738/1 SET OF SIX ART NOUVEAU OAK DINING CHAIRS CIRCA 1910 each with carved top rails above upholstered panel and carved splat, raised above upholstered panel seats and square tapered legs linked by stretchers (6) 46cm wide, 115cm high, 38cm deep £300-500

66 Lyon & Turnbull

264 HD91/2 SHAPLAND & PETTER, BARNSTAPLE

OAK AND MARQUETRY INLAID SIDE CABINET, CIRCA 1900 with marquetry inlay and decorative steel hinges and handles, the central section with an arrangement of two doors, open shelves and three drawers, ﬂanked by angled doors, the whole raised on block feet, bears Marsh, Jones & Cribb retailer’s label 165cm wide, 182cm high, 50cm deep £400-600

265 HD91/122 SHAPLAND & PETTER, BARNSTAPLE

OAK AND MARQUETRY INLAID HALL TABLE, CIRCA 1900 the castellated upstand with open shelf and inlaid back above a bowed top with two drawers below on square tapered supports linked by stretchers 112cm wide, 127cm high, 41cm deep Literature: Bennett, Daryl, ‘Shapland & Petter Ltd. of Barnstaple’, 2005, p.29, pl.3.12.

£500-700

266 HD595/1 WYLIE & LOCHHEAD, GLASGOW

ARTS & CRAFTS OAK WARDROBE, CIRCA 1910 with twin doors, each with tongue and groove panelling, and elaborate metal hinges above two drawers on a plinth, bears ivorine maker’s label 154cm wide, 202cm high, 54cm deep £500-800

Jewellery, Silver & Metalwares 267 HD163/1 BERTHOLD LÖFFLER (1874-1960) FOR WIENER WERKSTATTE WHITE METAL LOCKET, CIRCA 1908 decorated with a putto riding a robin, stamped WIENER WERKSTATTE and bearing artist’s monogram 3cm high £400-600

268 HC941/4 GEORG JENSEN (1866-1935)

STERLING PENDANT, CIRCA 1920 of openwork double leaf form set with three turquoise, on ﬁne neck chain, stamped GEORG JENSEN/ GJ/ 830S/ 65/ STERLING 5cm high £1,000-1,500

269 HC941/5 GEORG JENSEN (1866-1935) AND HARALD NIELSEN (1892-1977)

‘MOONLIGHT BLOSSOM’ STERLING AND MOONSTONE SET NECKLACE, MID 20TH CENTURY alternately mounted with foliate links and moonstone cabochons, stamped marks GEORG JENSEN/ 925S/ DENMARK/ 15 48cm long £800-1,200

270 HC941/2 ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING BIRD BROOCH, CIRCA 1940 stamped marks GEORG JENSEN/ STERLING/ DENMARK/ 309 5cm across £200-300

272 HC941/3 ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING DOLPHIN BROOCH, CIRCA 1950 stamped marks GEORG JENSEN/ 925S/ DENMARK/ 257 4cm tall £200-300

271 HD105/1 REGITZE OVERGAARD (b. 1946) FOR GEORG JENSEN

‘REGITZE’ STERLING BRACELET, LATE 20TH CENTURY comprised of linked hoops and discs, stamped marks GEORG JENSEN/ 825S/ 454 19cm long £500-800

68 Lyon & Turnbull

273 HD105/2 HENNING KOPPEL (1918-1981) FOR GEORG JENSEN ‘SPLASH’ SILVER NECKLACE AND EARRINGS SET, LATE 20TH CENTURY comprised of freeform links, with corresponding earrings, stamped marks GEORG JENSEN/ 825S/ 88B, earrings stamped GJ/ 825S (3) necklace, 42cm long, earrings 1.5cm across £800-1,200

274 HD105/3 REGITZE OVERGAARD (b. 1946) FOR GEORG JENSEN

‘INFINITY’ SILVER TORQUE NECKLACE, LATE 20TH CENTURY comprised of four entwined bands, stamped marks GJ/ 925S/ 555 13cm across £250-400

275 HD105/4 REGITZE OVERGAARD (b. 1946) FOR GEORG JENSEN

‘SPHERE’ STERLING NECKLACE AND BRACELET SET, LATE 20TH CENTURY comprised of hooped links with sphere insets, stamped marks GEORG JENSEN/ 925S (2) necklace, 42cm long, bracelet, 19cm long £300-500

276 HD105/7 GEORG JENSEN

WHITE GOLD AND DIAMOND SET ‘FUSION’ RING, LATE 20TH CENTURY comprised of three 54 NK/ GJLd/ GEORG JENSEN/ 750/ DENMARK/ London hallmarks 1.5cm diameter £800-1,200

Decorative Arts: Design since 1860 69

277 HC702/12 JESSIE MARION KING (1875-1949) FOR LIBERTY & CO., LONDON

SILVER AND ENAMEL PENDANT, CIRCA 1905 worked as stylised ﬂowerheads on a textured enamel ground, stamped marks L&Co/ SILVER 4.5cm long £800-1,200

278 HD105/10 REGITZE OVERGAARD (b. 1946) FOR GEORG JENSEN ‘SPIRIT’ SILVER AND GLASS BEADED NECKLACE AND EARRING SET, LATE 20TH CENTURY comprised of glass orbs set in silver and linked by a ﬁne chain, with corresponding orb earrings, stamped marks GJ 925S (3) necklace, 92cm long £300-500

279 HC702/8 SCOTTISH WHITE METAL AND MALACHITE SET BROOCH EARLY 20TH CENTURY the eight pointed foliate cast mount set with cabochons, enclosing a large malachite stone 7.2cm across £200-300

280 HD105/5 GEORG JENSEN

‘HERITAGE’ SILVER NECKLACE AND EARRINGS SET, LATE 20TH CENTURY comprising a 1994 year pendant, and matching earrings, each with foliate design with silver cabochons, GEORG JENSEN/ 925 S/ DENMARK/ 1994 (3) each approx. 1.5cm high £150-250

281 HD105/6 ART NOUVEAU 9 CARAT GOLD BROOCH

CIRCA 1900 tapered outline of whiplash foliage set with a cut blue stone with plique-a-jour enamel drop below, stamped marks 3.5cm across £150-250

282 GEORG JENSEN

PAIR OF ‘ARCHIVE’ SILVER EARRINGS, LATE 20TH CENTURY 5.5cm long; also a GEORG JENSEN ‘ARIA’ PENDANT’, 5.5cm long; and a GEORG JENSEN SILVER BANGLE, 6.2cm across, all with stamped maker’s marks (4) £250-350

282A HB709/16 HENNING KOPPEL (1918-1991) FOR GEORG JENSEN ABSTRACT STERLING ‘SPLASH’ BROOCH, MID 20TH CENTURY bears maker’s marks, numbered 322 4.3cm across £150-200

282B HA671/63Q DUCHESS OF SUTHERLAND CRIPPLES’ GUILD

TWO ARTS & CRAFTS SILVERED VESSELS, CIRCA 1905 comprising a circular bowl, repousse decorated with a ﬂoral band, 31.5cm diameter; and a twin-handled footed bowl, with a chased band of fruiting vines, 21cm across, both with stamped maker’s marks (3) £150-250

70 Lyon & Turnbull

283 HA482/22 ART DECO WHITE METAL THREE PIECE TEA SERVICE CIRCA 1930 each of ovoid form, comprising a teapot and cover, with hardwood handle, 14cm high; a tea caddy and cover, the underside of the cover cast with the depiction of a Chinaman, 10cm high; and a milk jug and cover, with hardwood handle, 8cm high (3) £600-800

284Y HD12/7 EDWARD & SONS, GLASGOW

ART DECO SILVER CHAFING DISH AND COVER, CIRCA 1936 of oval form, the domed cover with applied ivory handle, the base with decorated rim, stamped maker’s mark EDWARD/ GLASGOW, hallmarked Glasgow 1936 29.5cm long £400-600

285 HD51/4 JAMES DIXON & SONS, SHEFFIELD

PAIR OF SILVER CANDLESTICKS, CIRCA 1928 each with circular dished drip trays above square tapering columns and spreading bases with riveted decoration, each hallmarked Sheﬃeld 1928 (2) 22cm high £800-1,200

286 HD170/3 CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH

SILVER PLATE TOAST RACK, CIRCA 1881 with rectangular base and ten dividing rods, central T- bar handle, stamped marks, DESIGNED BY DR. C. DRESSER/ H&H/ 1987, registration mark for 1881 11cm long, 13cm high £1,000-1,500

287 HD91/74F WMF (WURTTEMBERGISCHE METALLWAREN FABRIK)

ART NOUVEAU SILVER PLATE CARD TRAY, CIRCA 1900 of shaped circular outline, cast with an Art Nouveau maiden with ﬂowers in her ﬂowing hair and with applied whiplash tendril handle, rubbed factory marks, cast mark 232, 27cm across; also a WMF PEWTER INKWELL, of lozenge outline, the hinged cover with glass liner, stamped and cast marks WMF/ EP/ 85, 18cm across (2) £200-300

288 HD91/20E WMF (WURTTEMBERGISCHE METALLWAREN FABRIK)

ART NOUVEAU SILVER PLATED BASKET, CIRCA 1900 the pierced basket with applied foot, cast with waterlilies, with hinged handle cast and pierced with fruiting foliage, enclosing a cut glass liner, with shaped rim, stamped maker’s marks WMF/ EP 24cm across £150-250

Decorative Arts: Design since 1860 71

289 HD91/108A WMF (WURTTEMBERGISCHE METALLWAREN FABRIK)

PAIR OF ART NOUVEAU SILVER PLATE VASES, CIRCA 1900 each modelled as a boy fishing with a mermaid watching on one and a merman on the other holding a fish, further embellished with fish and aquatic foliage, each with stamped maker’s marks WMF (2) 28.5cm high £600-800

290 HD165/5 ALEXANDER RITCHIE (1856-1941)

CASED SET OF SIX SCOTTISH PROVINCIAL SILVER COFFEE SPOONS, CIRCA 1913 of traditional Nunnery form with decorative stems and small pointed bowls, in original ﬁtted case, stamped maker’s mark AR/ IONA, hallmarked Birmingham 1913 (6) each 7.5cm long £600-800

291 HD165/4 ALEXANDER RITCHIE (1856-1941)

SCOTTISH PROVINCIAL SILVER BELT BUCKLE, CIRCA 1926 comprised of two sections, each cast and pierced with a foliate design, stamped marks IONA/ AR, hallmarked Glasgow 1926 11cm wide, 5cm high Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003, p. 71 illus.

292 HD165/3 ALEXANDER RITCHIE (1856-1941)

TWO SCOTTISH PROVINCIAL SILVER NAPKIN RINGS, 1930s each ring cast with entwined Celtic beasts and knotwork, one with stamped marks A.R. IONA/ ICA, hallmarked Birmingham 1934, 4.5cm diameter; the other stamped AR and hallmarked Glasgow 1933, 4.9cm diameter (2) £300-500

£500-700

293 HC916/1 MANNER OF CHRISTOPHER DRESSER WALKER & HALL ELECTROPLATED SUGAR BASIN AND SPOON, LATE 19TH CENTURY formed in the shape of a coal scuttle, with applied ebonised wood handle, the spoon with reciprocal handle, stamped maker’s marks No. 52017 12cm high, 15cm long £200-300

294 HD158/1 ART NOUVEAU SILVER PHOTOGRAPH FRAME

CIRCA 1904 of rectangular form, decorated with sinuous ﬂowering plants on a textured ground, hallmarked Chester 1904, 18cm x 14cm; also an ART NOUVEAU STYLE SILVER PHOTO FRAME, with ﬂowering foliate decoration, hallmarked Birmingham 1998, 20cm x 26cm (2) £300-400

295 HC762/2 CHARLES S. GREEN, BIRMINGHAM

EDWARDIAN SILVER-FRONTED PHOTOGRAPH FRAME, CIRCA 1904 die-stamped to one side with a girl feeding birds from a basket, the other side with a seated child at the foot of a tree whose branches hung with pears spread across top of frame, wood easel back, hallmarked Birmingham 1905 25cm x 19cm £300-500

72 Lyon & Turnbull

296 HB520/1 JOHAN ROHDE (1856-1935) FOR GEORG JENSEN

LARGE SILVER CENTREPIECE BOWL, DESIGNED CIRCA 1916 with lightly hammered surface, the circular bowl with everted rim raised on scrolling foliate supports with central ﬂoral ﬁnial, the whole raised on a circular stepped base, stamped maker’s marks under base DESSIN/ 925.S/ DENMARK/ STERLING/ 196 28.5cm diameter, 20cm high £2,500-3,000

297 HD178/1 GEORG JENSEN (1866-1935)

PAIR OF ‘GRAPES’ PATTERN CANDLESTICKS, NO. 263A, DESIGNED CIRCA 1918 each with spiral twisted stem embellished with pendant grapes, on a circular base, stamped marks GEORG JENSEN/ DENMARK/ STERLING/ 263A (2) 15.2cm high £3,000-5,000

298 HD178/2 HARALD NIELSEN (1941-2015) FOR GEORG JENSEN

SET OF EIGHT SILVER GOBLETS, NO. 532A, DESIGNED 1928 each with lightly hammered surfaces, openwork bead and tendril stems on spreading bases, bases with stamped marks GEORG JENSEN/ HN/ DENMARK/ STERLING/ 532A (8) 12.5cm high £2,000-3,000

299 HB518/2 HARALD NIELSEN (1941-2015) FOR GEORG JENSEN

TWO 'PYRAMID' PATTERN THREE-PIECE CONDIMENT SETS, 1920s/ 30s each of spherical form, comprising two each of salts, 4.5cm high; peppers, 4.5cm high; and lidded mustard pots with glass liners, 6.5cm high, the mustard pots with import marks for 1938 and 1928, stamped marks GJ/ Ld/ 632/ 925S/ STERLING/ DENMARK, combined weight: 11.5oz (6) £1,000-1,500

Decorative Arts: Design since 1860 73

300 HD166/2 ARCHIBALD KNOX (18641933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER & ENAMEL CORONATION SPOON, 1901 the enamelled ovoid bowl with cast Celtic knotwork and inscription ANNO/ CORON:/ ER VII, the stem with pierced and cast reciprocal design, stamped maker’s marks L&Co/ CYMRIC, hallmarked Birmingham 1901 16cm long £1,200-1,800

301 HD166/1 ARCHIBALD KNOX (18641933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER & ENAMEL CORONATION SPOON, 1901 the pointed ovoid bowl with cast Celtic knotwork and crown, and with inscription AC/ ER VII, the stem with pierced and cast reciprocal design, stamped maker’s marks L&Co/ CYMRIC, hallmarked Birmingham 1901 12.3cm long £1,000-1,500

302 HD166/4 ARCHIBALD KNOX (18641933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER CORONATION SPOON, 1901 the ovoid bowl with cast and pierced Celtic knotwork and crown, and with inscription AC/ ER VII, the stem with reciprocal pierced and cast design, stamped maker’s marks L&Co/ CYMRIC, hallmarked Birmingham 1901 16.5cm long £400-600

303 HD166/3 ARCHIBALD KNOX (18641933) FOR LIBERTY & CO., LONDON

‘CYMRIC’ SILVER & ENAMEL CORONATION SPOON, 1901 the enamelled ovoid bowl with cast inscription AC/ 1902/ ER VII, the reeded and tapered stem with textured knot, stamped maker’s marks L&Co/ CYMRIC, hallmarked Birmingham 1901 11cm long £800-1,200

304 HD91/95D ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1900 each with tapered columns and three bracket supports raised on a spreading base cast with stylised plant forms, stamped maker’s marks TUDRIC 0221 (2) 14.5cm high £250-400

305 HD91/95E ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER CHAMBER CANDLESTICK, CIRCA 1905 of circular outline, the candle sconce with removable nozzle, the tray cast with stylised seeds and plant tendrils, and set with two turquoise enamel roundels, stamped marks TUDRIC/ 0523 19cm across £200-300

74 Lyon & Turnbull

306 HD91/95A ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905 each with bullet shaped nozzles and broad drip trays on three shaped supports on a wide circular base cast with stylised plant forms, each with stamped maker’s marks TUDRIC/ O223 (2) 23cm high £400-600

307 HD91/95B ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905 with hammered ﬁnish, each with bullet shaped nozzles and broad drip trays on three shaped supports on a wide circular base cast with stylised plant forms, each with stamped maker’s marks TUDRIC PEWTER/ O223 (2) 23cm high £400-600

308 HD91/3A ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER CANDELABRA, CIRCA 1905 each twin-branch with removable sconces supported on column with openwork leaves and berries, the pierced base embellished with variegated leaves, stamped 5/ 0530 with registration marks for 1905 (2) 28cm high £1,000-1,500

Decorative Arts: Design since 1860 75

309 HD91/74D ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘TUDRIC’ HAMMERED PEWTER VASE, CIRCA 1905 of cylindrical tapered form, with three angular scrolled bracket supports, stamped marks ENGLISH PEWTER 0227 23cm high £150-250

310 HD91/74B ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ TUDRIC PEWTER VASES, CIRCA 1900 each of tapering form with an embossed band of ivy leaves above stylised handles on a circular base, glass liners lacking, impressed marks ENGLIAH PEWTER/ 0957 (2) 21.5cm high £200-300

311 HD91/68B ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER BULLET-SHAPED VASES, CIRCA 1905 each cast with stylised plant forms and raised on three angular brackets, stamped marks ENGLISH PEWTER/ 0226 (2) 19cm high £200-300

312 HD91/68C ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905 each with detachable sconces, cast with Celtic knots, stamped marks ENGLISH PEWTER/ 08 (2) 15.5cm high £400-600

313 HD91/68E ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER INKWELL, CIRCA 1905 the well with hinged cover enclosing the glass liner, the tray of oval shape cast with whiplash stylised plant forms, stamped marks ENGLISH PEWTER/ 0404 23cm across £150-250

314 HD91/68D ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘TUDRIC’ PEWTER AND ENAMEL INKWELL, CIRCA 1905 the well with hinged cover (liner lacking), the tray of oval shape cast with whiplash stylised plant forms and set with blue enamel panels, stamped marks TUDRIC/ 0404 23cm across £250-350

76 Lyon & Turnbull

315 HD91/62A ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON AND JAMES COUPER & SONS, GLASGOW

‘TUDRIC’ PEWTER AND ‘CLUTHA’ GLASS COUPE, CIRCA 1903 the shaped bowl with aventurine and white swirls, the foliate cast pierced support on three ﬁnned legs, stamped marks ENGLISH PEWTER/ 0276 20cm diameter, 16cm high £1,000-1,500

316 HD91/38A ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER AND ENAMEL CIRCULAR DISHES, CIRCA 1905 each with serrated rims, enclosing cast stylised whiplash foliage and centred with a triangular turquoise enamelled panel, stamped marks TUDRIC/ 044 (damages to one enamel panel) (2) 26cm diameter £400-600

317 HD91/39C ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ TWIN-HANDLED PEWTER VASES, CIRCA 1900 each with ovoid bowls, cast with conjoined oval panels and raised on a moulded stem with spreading base, applied whiplash foliate handles, stamped marks TUDRIC 029 (2) 25cm high £300-500

318 HD91/21A ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘TUDRIC’ BULLET-SHAPED VASE, CIRCA 1905 decorated with a cast frieze of stylised plant forms, on three angular brackets, stamped marks ENGLISH PEWTER/ 0927/ MADE IN ENGLAND 28.5cm high £250-350

Decorative Arts: Design since 1860 77

319 HD91/21B ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘TUDRIC’ PEWTER TWIN-HANDLED BOWL, CIRCA 1903 cast to the sides with a frieze of stylised plant forms, and raised on bracket feet, stamped marks TUDRIC/ 0229, registration mark for 1903 29cm across £300-500

320 HD91/21C ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905 the circular sconces raised on four shaped columns and a moulded open square base, stamped marks TUDRIC 0222 (2) 10cm high £300-500

321 HD91/3C ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘TUDRIC’ PEWTER CANDLESTICK GARNITURE, CIRCA 1905 comprising a PAIR OF CANDLESTICKS, each with bullet shaped nozzles and broad drip trays on three shaped supports on a wide circular base cast with stylised plant forms, 23cm high; and a SINGLE TALL CANDLESTICK, of the same design, 30cm high, each with stamped maker’s marks TUDRIC/ O223 (3) £600-800

322 HC941/1 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON

‘TUDRIC’ PEWTER AND ENAMEL CLOCK, CIRCA 1902 the circular copper and enamel dial with single train Lenzkirch movement, within domed case with cast stylised plant decoration and applied enamel roundels, stamped marks TUDRIC/ 0370 20.5cm high Literature: Martin, Stephen A. ‘Archibald Knox’, London, 2001, p. 239

£3,000-4,000

78 Lyon & Turnbull

323 HD91/74E DAVID VEAZEY FOR LIBERTY & CO. LONDON

‘TUDRIC’ PEWTER TWIN-HANDLED ROSE BOWL, CIRCA 1900 decorated with stylised plant forms around the body and bearing inscription THE MUSK OF THE ROSE IS BLOWN AND THE WOODBINE SPICES ARE WAFTED ABROAD, stamped marks TUDRIC/ 011 31cm across £250-350

324 HD91/74A DAVID VEAZEY FOR LIBERTY & CO., LONDON

‘TUDRIC’ PEWTER TWIN-HANDLED TANKARD, CIRCA 1900 cast with a frieze of Honesty and bearing inscription FOR OLD TIMES SAKE, stamped marks, TUDRIC 010 20cm high £250-350

325 HD91/97A OLIVER BAKER FOR LIBERTY & CO., LONDON

LARGE ‘TUDRIC’ PEWTER BOWL, CIRCA 1900 of hammered circular form, with ﬁve shaped brackets, formed as stylised plant uprights which terminate in pad feet, stamped marks ENGLISH PEWTER/ MADE BY LIBERTY & CO/ 01029, 28cm diameter; and another LARGE ‘TUDRIC’ PEWTER BOWL, designed by Oliver Baker, the hammered bowl with four shaped brackets on trefoil pad feet, stamped marks TUDRIC PEWTER/ 067, 34cn diameter (2) £300-500

326 HD91/95C LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1900 each with cast serrated drip trays above tapered columns and leaf-cast circular bases, stamped marks ENGLISH PEWTER 023, 14cm high; and a PAIR OF ARTS & CRAFTS HAMMERED PEWTER CANDLESTICKS, stamped maker’s marks, 17cm high (4) £200-300

327 HD91/3B LIBERTY & CO., LONDON

PAIR OF ‘TUDRIC’ POLISHED PEWTER CANDLESTICKS, CIRCA 1900 each of stylised 17th century design, with turned stems set with four projecting curved vertical brackets, on a circular spreading foot, stamped marks TUDRIC PEWTER/ O1228, 26cm high; also a TUDRIC PEWTER TANKARD, stamped marks TUDRIC 066, 11cm high; a LIBERTY & CO PEWTER VASE, cast with plant forms and pierced to the sides (glass liner lacking), stamped marks ENGLISH PEWTER/ 01040, 13.5cm high; and a KESWICK SCHOOL OF INDUSTRIAL ARTS POLISHED PEWTER TRAY, stamped marks, 30.5 x 20.5cm (5) £300-500

328 HD91/9A DAVID VEAZEY FOR LIBERTY & CO., LONDON

‘TUDRIC’ PEWTER TWIN-HANDLED TANKARD, CIRCA 1900 cast with a frieze of Honesty and bearing inscription FOR OLD TIMES SAKE, stamped marks, TUDRIC 010 20cm high £150-250

329 HD91/106B CONTINENTAL ART NOUVEAU PEWTER MOUNTED DECANTER AND STOPPER

CIRCA 1900 the ribbed green glass body of slender tapering form, with pewter mounts, cast with whiplash foliage, 39cm high; also a CONTINENTAL ART NOUVEAU PEWTER MOUNTED GLASS VASE, the ribbed green glass body with frilled rim, the mounts cast as ﬂowering foliage, stamped maker’s marks 1630, 28.5cm high (2) £200-300

330 HD91/179 MANNER OF JOSEPH MARIA OLBRICH

ART NOUVEAU TWIN-BRANCH CANDELABRUM, CIRCA 1900 cast with stylised plant forms, unmarked, 26.5cm high; an ORIVIT PEWTER MOUNTED CERAMIC VASE, of bottle form, the red-glazed vase painted with green tendrils, the mounts cast with fruiting boughs, stamped marks “ORIVIT”/ 2506, 16cm high; and an ANDRE VILLIEN PEWTER BEAKER, of tapered form, cast to the base with lily pads, signed to the body A. VILLIEN, stamped maker’s marks, 17cm high (3) £200-300

Decorative Arts & Design 79

331 HD91/142 FIVEMILETOWN, COUNTY TYRONE

ARTS & CRAFTS BRASS FENDER, CIRCA 1895 pierced and repousse decorated to three sides with panels of opposed squirrels with acorn branches 146cm wide, 31cm high, 47cm deep

332 HD91/27 JOHN PEARSON (FL. 1885-1910)

COPPER CANDLE SCONCE, DATED 1896 repoussé decorated with stylised ﬂowering foliage, the ovoid back plate above twin candle arms with candle nozzles, chased makers marks J.P./ 1896 39cm high £500-700

333 HD91/180 KESWICK SCHOOL OF INDUSTRIAL ARTS

COPPER FRAMED WALL MIRROR, CIRCA 1900 of octagonal form, repousse decorated with ﬂowering roses and enclosing a mirrored plate, stamped marks KSIA 68cm diameter £300-500

334 HD161/6 ARTS & CRAFTS COPPER WALL SCONCE CIRCA 1900 of oval outline, repousse decorated with a band of foliate motifs, hearts and spheres, with two candle arms 48cm x 46cm £150-250

335 HD34/10 HUGH WALLIS (1871-1943)

INLAID COPPER TWIN HANDLED VASE, CIRCA 1910 the hammered ground, inlaid with a silvered band of fruiting bands, stamped monogram HW 26cm high £150-250

Literature: Larmour, Patrick ‘The Arts & Crafts Movement in Ireland’, p. 42 where a similar example is illustrated.

£800-1,200

80 Lyon & Turnbull

336 HD177/2 RICHARD LLEWELLYN RATHBONE (1864-1939)

LARGE BRASS CANDLESTICK, 1896 with a large drip tray above the cylindrical stem and domed base embellished with raised bosses, marked RATHBONE 107 1896 18cm high, 17cm diameter Literature: A similar candlestick is illustrated in the article ‘A Worker in Metal’, The Artist, vol. 17 (January-June 1896, page 134)

£400-600

337 HD177/3 ALBERT EDWARD JONES (1878-1954)

PAIR OF COPPER CANDLESTICKS, CIRCA 1905 each with a waisted sconce and circular drip tray above a slender column and slightly domed foot, monogrammed (2) 30.5 cm high £300-500

338 HC938/78 LARGE ARTS & CRAFTS COPPER JUG

CIRCA 1900 of squat baluster form, with hammered ﬁnish, boldly repousse decorated with abstracted organic forms 35cm high £300-500

339 HD170/4 CHRISTOPHER DRESSER (1834-1904) FOR KENRICK & SONS

CAST IRON TRIVET, CIRCA 1890 of tapered outline with handle and three legs, the surface cast with a foliate design, cast marks KENRICK & SO*/ NO8/ Rd15032 23cm long £200-300

340 HD186/2 GLASGOW STYLE BRASS CHARGER

CIRCA 1900 of circular form, repousse decorated with a band of Celtic knotwork 49cm diameter £200-300

341 HD38/1] FOUR ARTS & CRAFTS COPPER CHARGERS

LATE 19TH/ EARLY 20TH CENTURY comprising a BIRMINGHAM GUILD CHARGER, stamped with fruiting buds, stamped maker’s marks THE BIRMINGHAM GUILD LTD./ ENGLAND, 37.5cm diameter; a KESWICH SCHOOL OF INDUSTRIAL ARTS CHARGER, repousse decorated with fruiting boughs, stamped marks KSIA, 43cm diameter; an ALMS DISH, in the 16th century manner, 46cm diameter; and a SMALL CHARGER, repousse decorated with a foliate design, 32.5cm diameter (4) £250-350

342 HD91/21 LIBERTY & CO., LONDON

BRASS FRAMED OVAL WALL MIRROR, CIRCA 1900 of oval outline set with four Ruskin cabochons, bears ivorine label LIBERTY/ LONDON 60cm wide, 52cm high £300-500

343 HC777/1 ATTRIBUTED TO MARGARET GILMOUR

ARTS & CRAFTS BRASS BLOTTER, CIRCA 1900 repousse decorated to the angles with panels depicting fuchsia blossoms 45cm x 29.5cm £200-300

Decorative Arts: Design since 1860 81

344 HD177/5 ALEXANDER RITCHIE (1856-1941)

REPOUSSÉ DECORATED BRASS BOX AND COVER, CIRCA 1920 of rectangular form, the hinged cover decorated with a sword, running dogs and griﬃns amongst knotwork 18.5 cm wide Literature: MacArthur, E. Mairi ‘Iona Celtic Art’, Iona 2003, p.25, plate 2a where a similar example is illustrated.

£250-350

345 HD91/158 ATTRIBUTED TO PETER WYLIE DAVIDSON

BRASS WALL CLOCK, CIRCA 1910 the dial with scrolled edges, repoussé decorated with chapter ring and panel depicting a galleon in full sail, and a ﬂock of swallows in ﬂight, bears the inscription TIME & TIDE dial 38cm wide, 48cm high £250-400

346 HB217/5 GLASGOW STYLE BRASS WALL SCONCE CIRCA 1900 of circular outline with applied single candle arm and repoussé decoration depicting a band of butterﬂies 44cm diameter £300-500

347 HD186/3 GLASGOW STYLE BRASS WALL SCONCE CIRCA 1900 of circular outline, repousse decorated with the ﬁgure of a moth amongst bluebells, with twin candle arms 41cm wide, 47cm high £300-500

82 Lyon & Turnbull

348 HB624/5 MENNEVILLE, FRANCE

LARGE ART DECO CLOCK, CIRCA 1930 the rectangular dial on a stepped marble and slate case surmounted by the patinated spelter ﬁgure 63.5cm long, 32cm high, 20.5cm deep £300-500

349 HB633/65 JAEGER LE COULTRE, GENEVA

AQUARIUM TIMEPIECE, MODEL NO.352. 1960s the clear Perspex case mounted with an aquarium scene on a black back on lacquered brass mounts, the chapter ring with baton markers to an exposed and jewelled movement, original box 20cm high £600-800

350 SV533/66 JAEGER LE COULTRE, GENEVA

SWISS GILT-BRASS ‘ATMOS’ CLOCK, 1960s the circular dial with applied gilt chapters and gilt hands, the movement of typical form signed LE COULTRE 23.5cm high £300-500

351 HD34/9 ARTS & CRAFTS COPPER AND BRASS DESK TIMEPIECE CIRCA 1910 the single train movement within spherical case with cast numerals within easel frame with pierced fret and copper backplate 24cm high £200-300

Furniture: Part II

352 HD91/74 AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON

OAK AND INLAID BEDROOM SUITE, CIRCA 1900 comprising a WARDROBE, with projecting cornice above a central section of two doors and ﬁve drawers, ﬂanked by four further doors, chequer inlaid and with stylised marquetry decoration, 223cm wide, 195cm high, 54cm deep; a DRESSING CHEST, with central arched mirror enclosed by an arrangement of eleven drawers, 137cm wide, 202cm high, 56cm deep; and a TALLBOY, with two panelled doors with corresponding inlay, above four drawers on a plinth, 65cm wide, 109cm high, 52cm deep (3) £1,000-2,000

353 HD602/4 ATTRIBUTED TO SIR ROBERT LORIMER OAK LOG BIN, CIRCA 1910 of tapered form, with exposed joints to the angles and with pierced carrying handles 50cm wide, 44cm high, 47cm deep £250-350

354 HD34/2 MORRIS & CO.

PAIR OF ‘SUSSEX’ ARMCHAIRS, CIRCA 1900 each with spindle ﬁlled backs above open arms and rush seats, the turned legs linked by stretchers (2) 55cm wide, 90cm high, 45cm deep £250-350

355 HD91/70 ARTS & CRAFTS

PAIR OF SUSSEX-TYPE BEECH OPEN ARMCHAIRS each with four waved and pierced back rails, with a rush seat above turned legs united by stretchers (2) 53cm wide, 99cm high, 44cm deep £200-300

84 Lyon & Turnbull

356 HD177/1 ARTHUR SIMPSON (1857-1922) OF KENDAL

PAIR OF MAHOGANY AND INLAID CHAIRS, CIRCA 1900 each with four shaped splats inlaid with heart motifs, above a green leather seat and tapered legs, united by stretchers (2) 43cm wide, 99cm high, 43cm deep Literature: Wright, Hugh ‘The Beautiful Furniture of the Simpsons of Kendal’ Carlisle 2011, p. 81 illus. where a similar example is illustrated.

£400-600

357 HB217/7 E. G. PUNNETT FOR WILLIAM BIRCH LTD, HIGH WYCOMBE

ARTS & CRAFTS OAK HIGH BACKED ARMCHAIR, CIRCA 1901 the serpentine top rail with pewter inlay above tall slated back and curved open arms, the shaped seat on square tapering lags linked by stretchers 52cm wide, 117cm high, 42cm deep £800-1,200

358 HB217/6 E. G. PUNNETT FOR WILLIAM BIRCH LTD, HIGH WYCOMBE ARTS & CRAFTS OAK HIGH BACKED ARMCHAIR, CIRCA 1901 the oval pewter inlaid top rail, above tall slatted back and moulded seat, the tapered square lags linked by stretchers 64cm wide, 131cm high, 44cm deep £800-1,200

359 HD602/10 HEALS & SON, LONDON

OAK SIDE CHAIR, CIRCA 1920 with arched top rail with corresponding lattice back and drop-in seat, the whole raised on square legs linked by stretchers 48cm wide, 97cm high, 40cm deep £150-250

360 HD602/3 ERNEST ARCHIBALD TAYLOR (1874-1951)

OAK SIDE CHAIR, CIRCA 1900 the tall back with pierced top rail and central splat, raised above rushed seat on tapered legs linked by stretchers 41cm wide, 106cm high, 38cm deep £300-500

Decorative Arts: Design since 1860 85

361 HA857/1 SCOTTISH ARTS & CRAFTS

OAK-FRAMED EMBROIDERED FIRE SURROUND, CIRCA 1900 of rectangular outline with projecting dentil cornice and rectangular frame enclosing a crewelwork wool panel worked with ﬂowering foliage on a cream ground and surrounding aperture for a ﬁreplace 119cm wide £500-700

362 HA952/1 ATTRIBUTED TO ARTHUR SIMPSON OF KENDAL

COPPER BOUND OAK PLANTER, CIRCA 1900 of square tapering form, the serpentine rim above pierced pine cone and foliate carved motifs to each side, raised on crossed strut supports 52cm wide, 56cm high £300-400

363 HD91/50 GEORGE JACK (1855-1931) FOR MORRIS & CO.

MAHOGANY FRAMED ‘SAVILLE’ ARMCHAIR, CIRCA 1900 the shaped back and seat upholstered in a green damask fabric, with scrolling and spindle-ﬁlled outswept arms raised on shaped legs 66cm wide, 94cm high, 53cm deep Literature: Hamerton, Ian ‘W.A.S. Benson’, Woodbridge 2005, p.35, plate 11 Note: A similar ‘Saville’ armchair with turned legs can be found in the entrance hall of Standen, Sussex.

£300-500

364 HD91/107 THREE ARTS & CRAFTS SUSSEX-TYPE LADDERBACK OPEN ARMCHAIRS

CIRCA 1900 comprising two ebonised chairs, one with ﬁve curved rails, 54cm wide, 74cm high, 40cm deep; the other with a curved back rail united by spindles, 52cm wide, 92cm high, 46cm deep; and an oak chair, with a spindle-ﬁlled back, 56cm wide, 92cm high, 46cm deep; all with rush seats (3) £200-300

86 Lyon & Turnbull

365 HD34/1 WILLIAM BIRCH, HIGH WYCOMBE

SET OF SIX OAK DINING CHAIRS, CIRCA 1900 each with broad backs with turned and reeded uprights above rush seats on corresponding turned legs linked by stretchers (6) 43cm wide, 100cm high, 40cm deep £400-600

366 HD91/76 ARTS & CRAFTS MAHOGANY DESK

CIRCA 1900 with leather writing surface enclosed by hinged compartments and backed by a spindle gallery with central photograph frame, raised above two drawers on square supports linked by stretchers 98cm wide, 109cm high, 53cm deep £300-500

367 HC955/1 ARTS & CRAFTS MAHOGANY ‘MORRIS’ ARMCHAIR CIRCA 1910 with an adjustable reclining back, the back and seat with loose cushions, the broad arms with spindle-ﬁlled panels, raised on square section legs 85cm x 105cm x 50cm £700-900

368 HC690/5 ARTS & CRAFTS MAHOGANY WARDROBE

CIRCA 1900 with central mirrored door ﬂanked by two panel doors with marquetry inlay above three drawers on tapered legs, brass ring handles with mother-ofpearl inlay 212cm wide, 213cm high, 60cm deep £400-600

369 HB589/1 LIBERTY & CO., LONDON

ARTS & CRAFTS OAK ARMCHAIR, CIRCA 1900 the leather upholstered top rail, above pierced splats and moulded seat, the square tapering legs linked by stretchers 68cm wide, 106cm high, 42cm deep £200-300

Decorative Arts: Design since 1860 87

370 HD91/83 ARTS & CRAFTS OAK BUREAU BOOKCASE

CIRCA 1900 with projecting cornice and pierced heart frieze, above single leaded and glazed door and open shelves with hinged fall below, enclosing a ﬁtted interior with two drawers below raised on bracket feet 118cm wide, 211cm high, 37cm deep £500-700

371 HD91/6 ARTS & CRAFTS MAHOGANY WRITING DESK

372 HB622/1 SMALL ARTS & CRAFTS LEATHER COVERED & BRASS MOUNTED TABLE CABINET CIRCA 1900 with twin doors tooled with stylised plant forms, the decorative brass hinges with ﬂower and foliate designs 44cm wide, 46cm high, 28cm deep £200-300

373 HC50/2 ARTS & CRAFTS MAHOGANY OCCASIONAL TABLE

EARLY 20TH CENTURY probably Shapland & Petter, the rectangular green-tiled top raised on square tapered supports joined by a lower tier with slide-out shelf 51cm wide, 64cm high, 51cm deep £200-300

CIRCA 1900 probably Maples, with folding writing surface, the superstructure with arrangement of cupboards and drawers above a single drawer and open shelf below 69cm wide, 136cm high, 41cm deep £200-300

88 Lyon & Turnbull

374 HD91/121 ARTS & CRAFTS OAK BUREAU BOOKCASE

CIRCA 1900 with twin glazed and leaded doors ﬂanked by decorative pierced brackets and above a sloping fall with arrangement of drawers and shelves below 108cm wide, 184cm high, 51cm deep £300-500

375 SV533/27 MANNER OF PHILIP WEBB

ARTS & CRAFTS MAHOGANY RECLINING ARMCHAIR, LATE 19TH CENTURY the adjustable back with loose cushion above curved spindle-ﬁlled arms enclosing loose seat cushion, the whole raised on square front supports, brass caps and castors 61cm wide, 94cnm high, 40cm deep £800-1,200

376 HD596/1 ARTS & CRAFTS OAK DRESSING TABLE

378 HD91/116 LIBERTY & CO., LONDON

377 HD602/6 ARTS & CRAFTS OAK LIBRARY TABLE

379 HD91/9 ARTS & CRAFTS OAK BUREAU

CIRCA 1900 with rectangular mirror ﬂanked by slatted upright supports above a stepped top and arrangement of ﬁve drawers, bears retailer’s label 112cm wide, 154cm high, 54cm deep £400-600

CIRCA 1920 the rectangular top above square legs linked by a lower tier with dividers 63cm wide, 73cm high, 55cm deep £200-300

ARTS & CRAFTS OAK BUREAU BOOKCASE, CIRCA 1910 with central sloping fall above single drawer and two panelled doors, ﬂanked by open bookshelves 143cm wide, 119cm high, 41cm deep £200-300

CIRCA 1900 with sloping fall enclosing a ﬁtted interior, with open shelves below and with pierced decoration 84cm wide, 112cm high, 35cm deep £150-250

380 HD91/16 ARTS & CRAFTS OAK BUREAU

CIRCA 1900 with sloping fall enclosing a ﬁtted interior, with open shelves above and below and with pierced stylised plant form decoration 169cm wide, 130cm high, 35cm deep £200-300

381 HD91/95 LIBERTY & CO., LONDON

ARTS & CRAFTS OAK SIDE CABINET, CIRCA 1910 with pierced upstand and stepped top above an open shelf and single glazed door, the pierced sides with glass backed cut-out plant motifs, enclosing bookshelves 85cm wide, 139cm high, 38cm deep £200-300

Decorative Arts: Design since 1860 89

382 HB371/2 EDWARD BARNSLEY (1900-1987)

WALNUT CHEST OF DRAWERS, DESIGNED 1982 with boxwood stringing, with two short over three long graduated drawers 85cm wide, 92cm high, 53cm deep Note: inscription under one drawer “This chest of drawers was designed by Edward Barnsley - 1982- for Christopher H.C. Edwards - and made in the Froxﬁeld Workshop by Oskar Dawson / Edward Barnsley 1983”

£1,200-1,800

383 HD594/2 TIM STEAD (1952-2000)

PINE DINING TABLE, LATE 20TH CENTURY with shaped rectangular top on twin column supports linked by a stretcher 182m long, 76m high, 73m deep £800-1,200

384 HB371/4 EDWARD BARNSLEY (1900-1987) WALNUT SIDEBOARD, LATE 20TH CENTURY of bowed form with boxwood stringing and ledge back, with three drawers, two ﬁtted for cutlery, above a bowed stretcher and square moulded legs, stamped to drawer BARNSLEY 168.5cm wide, 89cm high. 52cm deep £1,200-1,800

90 Lyon & Turnbull

385 HD594/1 TIM STEAD (1952-2000)

ELMWOOD SETTEE, LATE 20TH CENTURY the broad planked back and arms above a woven seat base raised on planked supports 176cm wide, 112cm high, 53cm deep £1,000-1,500

386 HC837/1 TIM STEAD (1952-2000)

PINE DINING TABLE AND FOUR MAHOGANY CHAIRS, LATE 20TH CENTURY the table with shaped rectangular top on twin column supports linked by a stretcher, 193cm long, 78cm high, 77cm deep; and FOUR DINING CHAIRS, each with splat backs above moulded seats on shaped square legs linked by stretchers, 41cm wide, 106cm high, 38cm deep (5) £1,200-1,800

387 HC837/2 TIM STEAD (1952-2000)

PINE AND MIXED WOOD INLAID COFFEE TABLE, LATE 20TH CENTURY the rectangular top with abstract inlay raised on square legs 90cm long, 56cm high, 49cm deep £200-300

Lighting 388 HD177/4 W.A.S. BENSON (1854-1924) AND JAMES POWELL & SONS

PAIR OF BRASS AND GLASS HANGING LIGHTS, CIRCA 1890 each with an open frame comprising of with three suspensions, ﬁtted with a frosted glass shade by James Powell & Sons, wired for electricity (2) 42cm high approx. £1,500-2,000

389 HC762/1 ART NOUVEAU PATINATED SPELTER ELECTROLIER

CIRCA 1900 cast as a naked winged nymph, holding aloft three leafy branches, each terminating in light ﬁttings, hanging chain and leafy ceiling rose 36cm high (excluding hanging chain), 57cm long £500-700

390 HD91/169 ART NOUVEAU GILT METAL TABLE LAMP

CIRCA 1900 cast with whiplash leafy tendrils and central ﬂowerhead on spreading openwork base, 38cm high; and another ART NOUVEAU BRASS TABLE LAMP, the textured mushroom shade set with amber glass ‘stones’, the openwork base cast with ﬂowering whiplash foliage, 40cm high (2) £300-500

391 HD91/25D ART NOUVEAU BRASS STANDARD LAMP

CIRCA 1900 the central brass column with whiplash foliate brackets and scrolling tripod base, paw feet 49cm diameter, 127cm high £200-300

392 HD68/7 ARTS & CRAFTS STEEL EXTENDING WALL LIGHT

CIRCA 1910 with two frosted shades set within tapered baskets supported by scrolling brackets and a hinged arm with wall plate 84cm long, (fully extended), 18cm high Provenance: Dunecht House, Aberdeenshire

£200-300

393 HD59/1 ARTS & CRAFTS LEADED GLASS AND SHELL INLAID PLAFONNIER

EARLY 20TH CENTURY with circular silvered collar holding a stained and leaded glass shade inlaid with shells 40cm diameter, 22cm high £250-350

92 Lyon & Turnbull

394 HC839/4 JEAN PERZEL (1892-1986)

PAIR OF ART DECO PATINATED BRASS WALL APPLIQUES, CIRCA 1930 each with a frosted glass outer shade and dished uplighter above a graduated segmented glass support, each signed J. PERZEL (2) each 23cm high, 55cm wide £3,000-5,000

395 HC839/7 PAIR OF ART DECO FROSTED GLASS WALL APPLIQUES

CIRCA 1930 with chromium plated mounts, the shades with ribbed surface (2) 14cm wide, 78cm high £1,000-1,500

396 SV405/22 MANNER OF POUL HENNINGSEN

ARTICHOKE STYLE PENDANT LIGHT FITTING of ovoid form comprised of overlapping ‘leaves’ 50cm wide, 50cm high £100-200

397 HD10/1 VICO MAGISTRETTI (1920-2006) FOR O-LUCE, ITALY ATOLLO’ TABLE LAMP, DESIGNED 1977 white lacquered metal 68cm high £200-300

398 HD10/2 VICO MAGISTRETTI (1920-2006) FOR O-LUCE, ITALY ATOLLO’ TABLE LAMP, DESIGNED 1977 black lacquered metal 68cm high £200-300

399 HC902/27 TWO SMOKED GLASS AND CHROME CEILING LIGHTS

1970s each of ovoid form with multiple glass ﬂoret shades and chromium supports (2) 51cm wide, 60cm high £300-500

400 HB481/1 POUL HENNINGSEN (1894-1967) FOR LOUIS POULSEN, DENMARK

LARGE PAIR OF ‘CHARLOTTENBORG’ PH-6 1/2 LIGHTS, 1960s each of concentric ﬁnned design, enamelled metal (2) 66cm diameter, 50.75cm high £600-800

Sculpture 401 HD12/1 FRANZ BERGMANN (1861–1936)

COLD-PAINTED BRONZE ORIENTAL FIGURE GROUP, CIRCA 1910 cast as four Arabic boys, seated and standing on a palm tree and raised on a naturalistic base, cast maker’s marks 4888 19cm high, 25cm across approx. £1,200-1,800

402 HD12/4 BRUNO ZACH (1891-1935)

COLD-PAINTED BRONZE FIGURE, CIRCA 1920 cast as a girl, wearing gloves, a fringed skirt and gartered stockings, raised on a stepped oval marble plinth, signed in the bronze B. ZACH 39cm total height £1,000-1,500

403 HD12/2 FRANZ BERGMANN (1861–1936)

COLD-PAINTED BRONZE FIGURE, CIRCA 1910 cast as an Arabic man, with walking cane, stamped maker’s marks to robe of ﬁgure £400-600

404§ HC938/83 LENA BÖRJESON (1879-1976)

‘THE CHANGELING’ Bronze, signed in the bronze LENA BÖRJESON 31.5cm high £500-800

405 HD602/5 ART NOUVEAU PLASTER BUST

CIRCA 1900 modelled as a young woman with ﬂowing hair 42cm high, 30cm wide £200-300

406 HD50/2 EMMANUEL FREMIET (1824-1910)

BRONZE FIGURE OF A CAT FEEDING ITS KITTENS signed in the bronze E. FREMIET 19cm across £150-250

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407§ HD163/2 EDOUARD-MARCEL SANDOZ (1881-1971)

‘LAPIN BIJOU’ BRONZE FIGURE signed in the bronze ED. M. SANDOZ/ SUSSE FRES EDTES PARIS 5.6cm long £400-600

408§ SV547/163 SIRIO TOFANARI (ITALIAN, 1886-1969) OWL FIGURE Bronze, signed in the bronze £300-500

409 SV547/159 RICCARDO SCARPA (1905-?)

OWL FIGURE Bronze, signed in the bronze, edition number 2/4, cm high; and SALLY ARNUP (B. 1930) DUCKLING, bronze ﬁgure, signed in the bronze, edition number VII/X, 10.5cm high (2) £150-250

410§ SV547/158 IRÉNÉE ROCHARD (FRENCH 1906-1984)

‘ARAMIS’ BRONZE FIGURE Bronze, signed in the bronze I. ROCHARD and inscribed to the base ARAMIS, 14cm long; BRONZE FIGURE OF A HARE, 9cm across; and a BRONZE FIGURE OF A FROG, 12cm long, each signed in the bronze I. ROCHARD (3) £300-500

411 HC886/4 A.E. LEJEUNE (AEL)

‘BONZO DOG’, THE TELCOTE PUP CAR MASCOT OR HOOD ORNAMENT, CIRCA 1925 nickel plated on brass, on brass mount and later turned wood base, moulded mark BONZO to the left leg, makers mark COPYRIGHT/ AEL 9cm high, total height, 14cm £200-300

412§ SV547/153A BENNO SCHOTZ (1891-1984)

‘JOHNY’ Bronze bust, signed in the bronze BENNO SCHOTZ, raised on a stepped hardwood plinth total height, 27cm Provenance: William J. Macaulay Collection Exhibited: Aitken Dott & Son, Edinburgh, Jan-Feb 1979, Cat. No. 60

£300-500

413§ HA795/9 BENNO SCHOTZ (1891-1984)

JAMES KEIR HARDIE Plaster maquette with bronzed patination, unsigned 60cm high Note: James Keir Hardie (1856-1915) was one of the main founders of the Labour party. Benno Schotz was commissioned to produce a bust of Hardie, which was to stand in front of the council house in Old Cumnock. Later casts were ordered for his constituency in Wales, one for the House of Commons and one for Glasgow. Schotz then decided to conceive a small maquette for a statue of Keir Hardie which was put forward as a memorial to him in 1957 and sent to the Labour conference for approval. However, the maquette was rejected, because according to Schotz ‘I gave Keir Hardie big hands, clumsy shoes, an old suit, all the things that made him look a worker.’

£600-800

Decorative Arts: Design since 1860 95

414§ HC874/1 TIM STEAD (1952-2000)

‘FATHOM’ WOOD SCULPTURE, 1998 signed and dated verso TIM STEAD/ “FATHOM”/ 1998 215cm long, 49cm wide £300-500

415§ HC956/10 THOMAS WHALEN (1903-1975) MANGER carved stone 43cm wide, 104cm high,14.5cm deep £300-500

416§ HC865/5 JENEPHER WENDY ROSS (b. 1937) FLOWERHEAD Phosphate bronze, raised on a wooden plinth base 58cm high without plinth, 76cm total height

Provenance: Commissioned for the Glasgow Garden Festival, 1988

£300-500

416A HC772/3 JULIUS PAUL SCHMIDT-FELLING (GERMAN 1895-1930)

YOUNG GIRL WITH RAKE Inscribed with signature, bronze brown patina raised on a polished base 24cm (9.5in) (including base) £300-500

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417 HC938/79 MAURICE PICAUD (PICO) (1900-1977)

GILDED PLASTER RELIEF PANEL, CIRCA 1929 moulded as a dancer, within an oak frame, the brass plaque inscribed M. PICO 64cm x 63cm Note: The present lot is a smaller version of the panels created by Pico in 1929 for the facade of the FoliesBergère in Paris. Dancer Lila Nikolska posed for the sculpture.

£1,500-2,000

418§ SV547/99 WILLIAM A. HEPWORTH (1934-2014)

THREE BRONZE FIGURES, LATE 20TH CENTURY KESTREL ON A BRANCH, bronze, unsigned, 22cm high; FIGURE OF A DOVE, bronze, signed in the bronze W.A. HEPWORTH, 17cm high; STANDING HARE, bronze, signed in the bronze W.A. HEPWORTH and dated 1980, 18cm high (3) Note: Known for his wildlife bronzes and establishing the Alyth Art Foundry, Bill Hepworth was commissioned to produce public sculptures throughout Scotland including the J.D Fergusson Torso De Femme and the Queen Mother Memorial gates at Balhousie Castle for The Black Watch.

£400-600

419§ SV547/171 WILLIAM A. HEPWORTH (1934-2014)

SQUIRREL ON A BRANCH, LATE 20TH CENTURY Bronze, signed W.A. HEPWORTH, and dated 1989, 29cm high; EAGLE ON A BRANCH, bronze, signed in the bronze W.A. HEPWORTH 3/25, 20cm high; and STANDING HERON, bronze, signed in the bronze W.A. HEPWORTH, 22cm high (3) £300-500

420§ SV547/99A WILLIAM A. HEPWORTH (1934-2014) ‘LUCIUS’, BRONZE FIGURE OF A HORSE, LATE 20TH CENTURY signed in the bronze W.A. HEPWORTH, and dated 1987, 1/3 27cm high, 35cm long £200-300

Textiles & Carpets 421 HD36/1 LARGE GLASGOW STYLE ART NOUVEAU SILKWORK EMBROIDERY

ATRRIBUTED TO MARY HOGG, CIRCA 1910 the panel depicting two maidens in a garden bower of wisteria, roses and fuchsias, the whole enclosed within stained oak frame, bears embroidered initials MTH 55cm x 94cm Literature: MacFarlane, Fiona C., and Arthur, Elizabeth F. ‘Glasgow School of Art Embroidery 18941920’, Glasgow Museums 1980, page 14

£1,500-2,000

422 HC417/1 NANCY NICHOLSON (1899-1977) AND GEOFFREY TAYLOR (PHIBBS) (1900-1956)

‘BLACK BIRD’, TWO PAIRS OF CURTAINS, DESIGNED 1931 hand block printed on cotton, lined and interlined with pleated pelmets and tie backs in the same material (10) each curtain, 284cm x 156cm Literature: Moore, Helena, ‘The Nicholsons: A Story of Four People and their Designs’, York City Art Gallery, 1988, p.45 illus.

422A HC792/1 MANNER OF PHOEBE ANNA TRAQUAIR

ARTS & CRAFTS NEEDLEWORK TRIPTYCH PANEL, CIRCA 1900 worked in gilt and coloured threads with the central panel of an angel, ﬂanked by two further panels depicting angels, the whole within oak frame with gilded slip central panel, 45cm x 37cm, outer panels, 45cm x 33.5cm £300-500

Note: Nancy Nicholson was the only daughter of the artists Sir William Nicholson and Mabel Pryde. She had three brothers, sculptor Ben Nicholson, architect Christopher Nicholson and Anthony, who was killed in action in 1918 in the First World War. In 1929, after the break-up of her marriage to Robert Graves, Nicholson opened Poulk Prints in Wiltshire, producing hand printed fabrics along with her then partner, the Irish poet Geoﬀrey Taylor. She moved her business into Motcomb Street, London in the 1940s and chose to maintain the business on a small scale, being staunchly protective of her designs, and refusing to sell to large businesses such as Peter Jones.

£400-600

423 HD177/9 WILLIAM MORRIS (1834-1896) FOR MORRIS & CO.

‘BIRD’ PATTERN WOVEN WOOLLEN DOUBLE CLOTH PANEL, DESIGNED 1878 contained within an ebonised glazed frame 95 x 77cm (frame) £200-300

424 HD602/7 ARTS & CRAFTS EMBROIDERED PANEL

CIRCA 1920 worked in coloured threads with courtly musicians on an unbleached linen ground 59cm high, 40cm wide £150-250

425 HC892/3 COLLECTION OF FRENCH FABRIC SAMPLES

1920s-1960s comprising: J. CLAUDE FRERES & CIE., PARIS, 13 VOLUMES, 1953; J. CLAUDE FRERES & CIE., PARIS, 9 VOLUMES, 1930S; TEXTILES-PARIS-ECHOS, 8 VOLUMES, 1953; TEXTILES-PARISECHOS, 1 VOLUME, NOV. 1963; CLAUDE JUBIN, LYON, 2 VOLUMES, 1930S; SOCIÉTÉ DE FOURNITURES INDUSTRIELLES & COMMERCIALES, LYON, 8 VOLUMES; and a VARIETY OF FURTHER SAMPLES, contained in folders and albums; together with a copy of JACQUES DOURDIN, TEXTILES ARTIFICIELS (qty) £300-500

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426 HC956/9 GEORGE BAIN (1881-1968) FOR QUAYLE & TRANTER LTD., KIDDERMINSTER

CELTIC ‘HUNTING’ CARPET, CIRCA 1948 the machine woven ivory ﬁeld with central red octagonal Celtic knotwork medallion surrounded by huntsmen with dogs, deer, boar and horses within red and polychrome strapwork border 270cm x 380cm £1,500-2,000

427 HD558/1 ART DECO STYLE WOOL CARPET MID 20TH CENTURY woven in pastel shades with a central panel of ﬂowers 450 x 365cm £300-500

428 HC702/1 GEORGE BAIN (1881-1968) FOR QUAYLE & TRANTER LTD., KIDDERMINSTER

SMALL CELTIC ‘HUNTING’ WOOL RUG, CIRCA 1948 the machine woven ivory ﬁeld with central red octagonal Celtic knotwork medallion surrounded by huntsmen with dogs, deer, boar and horses within red and polychrome strapwork border 192cm x 121cm £800-1,200

429 HD161/4 ARTS & CRAFTS DONEGAL RUG

CIRCA 1920 woven in pastel colours with a traditional foliate pattern within serrated border 175cm x 89cm £150-200

Pictures & Works on Paper 430 HD91/86 ALPHONSE MUCHA (1860-1939) FOR F. CHAMPENOIS, PARIS

‘REVERIE’, VINTAGE LITHOGRAPH POSTER, CIRCA 1900 printed in coloured inks, bears inscription F. CHAMPENOIS/ PARIS 65cm x 49cm £400-600

431 HD602/8 JEAN COCTEAU (1889-1963)

LE TESTAMENT D’ORPHÉE, CIRCA 1960 published by Bedos & Cei. Imp., Paris, framed lithograph 66cm x 48cm £200-300

432 HB882/4 GOLFING INTEREST

ART NOUVEAU ILLUSTRATION, CIRCA 1900 pen and ink, signed with initials AB, within carved and overpainted Art Nouveau frame 44cm x 33cm £300-500

433 HB545/32 JACK MERRIOTT (1901-1968)

‘THE WEST HIGHLAND LINE’, ORIGINAL POSTER CIRCA 1959 printed for BR(SR) by Staﬀord & Co Ltd, framed and glazed 102 x 127cm £300-500

434 HD50/4 AUGUSTE LEDOUX (1816-1869)

COURTLY SCENE watercolour, bodycolour and gilt, enclosed within elaborate cast brass and jewelled frame, signed and dated lower right AUG.LEDOUX 1842 15.5cm x 7.5cm £200-300

435 HD67/14 WASSILY KANDINSKY (1866-1944)

‘DER SCHLEIER’, ‘KLÄNGE’ SUITE WOODCUT, CIRCA 1913 monogrammed to lower right, in a glazed frame, with labels to verso, no. 23/300 16.5 x 4cm (excluding frame) £150-250

436§ HD67/15 CLARE LEIGHTON (1898-1989)

TWO WOODCUT PRINTS comprising: ‘January - Lambing’ from ‘The Farmer’s Year’ series, 1933, 21 x 27cm; and a smaller example depicting rolling hills, signed in pencil to lower right, 4.5 x 6cm (2) £150-250

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437 HC938/55A CHARLES ALTAMONT DOYLE (1832-1893)

TEMPTATION pen, ink and watercolour signed lower right C DOYLE 20.5cm x 16.5cm £400-600

438 HC938/55B CHARLES ALTAMONT DOYLE (1832-1893)

TRAIN OF DREAMS pen, ink and watercolour, inscribed verso BY CHARLES ALTAMONT DOYLE 15cm x 32cm £600-800

439 HC938/55C CHARLES ALTAMONT DOYLE (1832-1893)

AT THE SHORE EDGE pen, ink and watercolour, inscribed verso C.A. DOYLE/ 1883 9cm x 36cm £400-600

440§ HC509/1 ELIZABETH MARY WATT (1886-1954) FOXGLOVE FAIRIES ink and watercolour, signed lower right ELIZABETH MARY WATT 30.5cm x 20cm £300-500

441 HC58/1 WILLIAM MCWHANNEL PETRIE (BRITISH 1870-1937)

A GODDESS OF THE WOODS inscribed with signature, pastel on grey paper 77.5cm x 109cm (30.5in x 43in) £400-600

Decorative Arts: Design since 1860 101

442 HD65/5 LOUIS WILLIAM WAIN (1860-1939) CAT WITH EYE PATCH ink and watercolour, signed lower left LOUIS WAIN 18cm x 14cm £300-500

443 HC723/2 LOUIS WILLIAM WAIN (1860-1939) ‘WISH YOU WERE HERE’ pen, ink, watercolour and bodycolour, signed lower left LOUIS WAIN and inscribed 37cm x 27cm £400-600

444 HC723/1 LOUIS WILLIAM WAIN (1860-1939)

‘A BIT OF SLUMMING’ pen, ink and watercolour, signed lower left LOUIS WAIN, and inscribed 25cm x 35cm £400-600

445 HC723/3 LOUIS WILLIAM WAIN (1860-1939)

‘THE AMBUSH’ pen, ink and watercolour, signed lower left LOUIS WAIN and inscribed 25cm x 35cm £200-300

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446 HC978/2 ROSAMUND PLOWRIGHT

SCENES FROM THE LIFE OF THE BLESSED VIRGIN, TRIPTYCH tempera, inscribed on artist’s label on reverse EGG TEMPERA/ NO.1/ TRIPTYCH/ ROSAMUND M J PLOWRIGHT (MRS R MACLENNAN) 31.5 x 52cm, centre panel and 31.6 x 24.3cm, side panels Exhibited: London, Royal Academy, Summer Exhibition, 1939, no. 758

£300-500

447 HA489/1 HAMILTON AND CLARISSA (H. & C.) CONDON

EIGHT THEATRICAL COSTUME DESIGNS, CIRCA 1930s ink and watercolour, one inscribed BALLET/ LE MIROIR CONTRAIRE/ LE REFLET DE LA SERVANTE, signed; two inscribed REVUE/ POULTRY NUMBER, unsigned; two inscribed AIDA/ AMONASTRO and AMNERIS, unsigned; two inscribed BALLET/ THE SNOW QUEEN/ ICE DEMONS and SNOW SPRITES, signed; and one inscribed BALLET/ DIVERTISEMENTS 1817/ PAS DEAU, signed (8) each approx. 45cm x 36cm £400-600

448§ HB675/1 KEITH HENDERSON O.B.E., R.S.W., R.W.S., R.O.I. (SCOTTISH 1882-1983) MYKONOS Signed, coloured pencil on paper 25cm x 30cm (10in x 11.75in) £200-300

449§ HB675/2 KEITH HENDERSON O.B.E., R.S.W., R.W.S., R.O.I. (SCOTTISH 1882-1983) LYKABETTOS Signed, coloured pencil on paper 27cm x 37cm (10.5in x 14.75in) £200-300

Decorative Arts: Design since 1860 103

450 HC667/2 JESSIE KEPPIE (1868-1934)

THE ROAD TO THE FARM watercolour, signed lower left JESSIE KEPPIE 25cm x 36cm £400-600

452§ HB278/35 ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951)

HOUSES BY THE SEA, GALLOWAY charcoal and watercolour, unsigned 22cm x 16.5cm Provenance: Forrest McKay, Edinburgh

451§ HB278/36 ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951)

£250-350

ST NINIAN’S CHAPEL, ISLE OF WHITHORN charcoal and watercolour, signed in pencil lower right E.A. TAYLOR 23cm x 31cm Provenance: Forrest McKay, Edinburgh

£250-350

453§ HB278/37 ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) WHITE COTTAGES charcoal and crayon, unsigned 16cm x 20cm Provenance: St Andrews Fine Art

£150-250

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SIR FRANK CHARLES MEARS (1880-1953) was a Scottish based architect and planner, known for his advocacy for a new style of town and city planning brought around by the paradigm shift experienced by the ﬁeld at the beginning of the 20th century. Mears trained under architects Hippolyte Blanc and Robert Weir Schultz, before beginning work with Sir Patrick Geddes, a relationship which would continue throughout Mears career. In 1910 Mears took premises on Hannover street Edinburgh, and began practicing in his own right. His informal partnership with Patrick Geddes led Mears to know Geddes’s daughter Norah, a landscape architect, whom he later married. Norah and Frank went on to collaborate on various projects, such as the Hebrew University in Jerusalem, the Einstein Institute and the Wolfson Library, as well as several projects closer to home, including the National monument on Calton hill and the Edinburgh National Zoological Park Post-war, Mears’ practice became increasingly focused on town planning, being commissioned to work on various areas of Scotland, and consulting on the planning of Dublin, Kingston and Jerusalem. Later in life Mears took on a more academic role, working as President of the ARSE and running a town planning course at the Edinburgh college of art, before his death in New Zealand in 1953, after which the practice was run by new partners Robert Naismith and H A Rendel-Govan.

454 HC701/20 SIR FRANK MEARS AND PARTNERS (1910-2015)

‘AERO’ DESIGN FOR A LARGE CITY HOTEL an architectural watercolour inscribed and dated R.I.B.A. 1907, 76cm x 54cm; together with a watercolour depicting a HOUSE AT MILTON ROAD WEST, inscribed F.C.MEARS, 31.5cm x 46cm; two framed watercolour elevations of bridges, FORT AUGUSTUS BRIDGE, INVERNESS-SHIRE, inscribed F.C. MEARS, 1933, 45cm x 60cm and INVERMORISTON BRIDGE, INVERNESS-SHIRE, inscribed F.C. MEARS, 1933, 44.5cm x 60cm; and a watercolour panel of OICH BRIDGE, inscribed MEARS & CARUS WILSON, APRIL 20TH 1930, 35.5cm x 71.5cm (5) £200-300

Decorative Arts: Design since 1860 105

455 HC701/14 SIR FRANK MEARS AND PARTNERS (1910-2015)

ROYAL SCOTS REGIMENT MONUMENT, PRINCES STREET GARDENS, EDINBURGH a FRAMED ARCHITECTURAL WATERCOLOUR, signed and dated R.J. NAISMITH PINX ‘50, 37cm x 84cm, : together with an ARCHITECTURAL WATERCOLOUR OF THE SCOTTISH NATIONAL MEMORIAL AS A VIA SACRE, inscribed F.C. MEARS ARCHITECT, 1919, 69.5cm x 53cm; and SIX PHOTOGRAPHS OF THE MONUMENT, framed as one, 90cm x 51cm: and a TRACE PLAN FOR A COMMEMORATIVE STONE at the Scottish National Memorial, 70cm x 128cm; also SIXTEEN TECHNICAL DRAWINGS, inscribed GEORGE D. DUNCAN (20) £200-300

456 HC701/7 SIR FRANK MEARS AND PARTNERS (1910-2015)

VIEW OF EDINBURGH watercolour panel, inscribed F.C.MEARS and C.D. CARUS WILSON, DEC. 1929, 38.5cm x 78.5cm; a watercolour SKETCH FROM THE CANONGATE, inscribed R. TRAQUAIR/ F.C. MEARS, 1911, 55cm x 65cm; TWO ARCHITECTURAL WATERCOLOURS, depicting a planned housing development in Wester Hailes, one signed and dated R.J. NAISMITH 1969, 63cm x 101cm; the other T.S. JAMIESON 1969, 51cm x 91.5cm; another unsigned WATERCOLOUR OF WESTER HAILES, 62cm x 78cm; together with a WATERCOLOUR PROPOSAL BOARD depicting a planned headquarters for the Distilling Company Ltd, Edinburgh, inscribed T.S. JAMIESON 1969, 51cm x 95cm and a card storyboard (7) £200-300

457 HC701/21 SIR FRANK MEARS AND PARTNERS (1910-2015)

CLOCK TOWER AT PENICUIK a framed architectural watercolour, signed and dated R.J. NAISMITH, ‘56, 51cm x 26cm; a watercolour sketch of the RECONSTRUCTION OF BAKER STREET/ ROYAL BOROUGH OF STIRLING, inscribed J.W. HILLS 1940, 42cm x 56.5cm; another WATERCOLOUR, of the same scheme, dated 1943, 45cm x 79cm; a watercolour of THE LAUNDRY AT WINTON HOUSE, 36.5cm x 29.5cm; a watercolour of MAXTON COURT, DALKEITH, inscribed R.J. NAISMITH, MARCH 1953, 43cm x 76.5cm; and a LARGE QUANTITY OF BLUEPRINTS, PLANS AND DRAWINGS, pertaining to developments in Elgin, Clydebank, Peebles etc (qty.) £200-300

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458 HD602/11 G. DAVY, AND OTHERS

ARCHITECTURAL PORTFOLIO, 1930s AND 40s pencil and watercolour, comprising twenty-five examples, including one framed, ‘A Monument to Lord Byron’, a design for ‘Leeds General Infirmary’, designs for schools, offices and swimming baths (25) £200-300

459§ HC667/3 PAMELA SCOTT (WILKIE) (b. 1937)

460§ HC938/17 GEOFFREY ROPER (b. 1942)

FOUR FOLD REVERSABLE SCREEN, LATE 20TH CENTURY oil on canvas, painted to each side with female nude studies after Tamara de Lempika and others 259cm wide, 167cm high £2,000-3,000

‘JOURNEY’, A BOUND SEQUENCE OF 20 PRINTS, DATED 1971 each mounted on paper, signed and dated in pencil P. SCOTT and dated 1971, limited edition 13/45 smallest, 7cm x 38cm, largest, 27cm x 40cm £200-300

Decorative Arts: Design since 1860 107

461 HD559/37 DRESSER, CHRISTOPHER

STUDIES IN DESIGN London: Cassell, Petter & Galpin, [1874-76]. Folio, lithographed title, & 60 lithographed plates, all but 3 coloured, each with caption on facing page, contemporary half calf, worn, occasional light spotting £700-1,000

462 HC938/81 MATET, M. M.

463 HC938/82 DESHAIRS, LÉON

INTÉRIEURS EN COULEURS. EXPOSITION DES ARTS DÉCORATIFS. PARIS 1925. Paris: Éditions Albert Lévy, 1926. Folio. 50 colour plates including Chareau oﬃce-library; bedroom, living rooms and dining room, Ruhlmann; bedroom and boudoir, etc. 33cm x 25cm; also Modern French Decorative Art: A Collection of Examples etc. Volumes 1 and 2, introduction by Léon Deshairs, published Architectural Press/Albert Levy, 1926 (3) £300-500

464 HD161/1 THE YELLOW BOOK: AN ILLUSTRATED QUARTERLY

1894-1897 13 vols, 4to, original printed boards, illus. by Aubrey Beardsley and other artists, published by Elkin Mathews & John Lane (13) £200-300

465 HD161/2 JESSIE MARION KING (1875-1949) (ILLUS.)

‘THE BOOK OF BRIDGES’ published by Gowans & Gray, London and Glasgow, 1911 £100-200

TAPIS MODERNES 18 (of 40) sheets, nos 2,3,8,16, 18, 23, 24, 26, 27, 28 (2), 29 (2), 31, 36, 37, 39, and 40 containing colour stencils of Art Deco rug designs by such artists as Boberman, Benedictus, Marcoussis, Picasso, Lurçat, Gontcharova, Léger and others, coloured by Saudé after watercolours, on lettered mounts. Folio, marked EXEMPLAIRE NO. 698, with three other loose Art Deco designs Sheets measure 38cm x 27.5cm £300-500

466 HB705/1 THE STUDIO MAGAZINE various cloth bindings, to include volumes 11;13; 19; 22; 27; 29 (2); 31 (2); 33; 36; 38; 42; 44; 46; 47; 48; 52; 55; 57 (2); 62; 73; 75; 76; 90; 92; also International Studio Magazine, volume 83; International Studio Magazines September 1906 and October 1913 and June 1921; a Studio Magazine, April 1903; and a Studio Magazine publication LES HABITATIONS VILLAGEOISES EN ANGLETERRE, by Sydney R. Jones, 1912 (33) Note: Sold with all faults and omissions, not subject to return

£200-300

Furniture: Part III 467 HC839/15 BARBRA STREISAND INTEREST

KRAKAUER ART DECO WALNUT VENEERED BABY GRAND PIANO with highly polished veneers raised on U supports, serial no. 08085133, 144cm wide, 99cm high, 162cm deep; along with the MATCHING PIANO STOOL (2) Provenance: The Collection of Barbra Streisand Sold Christie’s, New York, Barbra Streisand Collection, Part II, March 4, 1994, Lot 356

£3,000-5,000

468 HD543/1 MANNER OF ALVAR AALTO

PAIR OF ART DECO UPHOLSTERED EASY CHAIRS, CIRCA 1930 each with bentwood arms curving around to form platform supports and enclosing upholstered back and seat (2) 67cm wide, 78cm high, 79cm deep £600-800

Decorative Arts: Design since 1860 109

469 HC839/3 JULES LELEU (1883 –1961)

ART DECO BURR WALNUT ARMOIRE, 1930s with three doors, enclosing a fully veneered and ﬁtted interior of drawers and shelves, the angles embellished with shaped ﬁns with brass cappings, the whole raised on brass capped outswept bracket feet 210cm wide, 170cm high, 53cm deep £1,500-2,000

470 HC839/2 MANNER OF ÉMILE-JACQUES RUHLMANN

FRENCH ART DECO HARDWOOD AND INLAID BUREAU, EARLY 20TH CENTURY the sloping fall inlaid with a panel of stylised ﬂowers, enclosing a ﬁtted interior with a shelf above three short drawers, with three frieze drawers, on ebonised supports 84cm wide, 109cm high, 47cm deep £2,500-3,500

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471 HC839/12 ART DECO MAHOGANY DINING ROOM SUITE

EARLY 20TH CENTURY comprising a SET OF SIX CHAIRS, each with horizontally ﬂuted backs above drop-in seats and square tapered legs, 45cm wide, 86cm high, 43cm deep; a DINING TABLE, with rectangular section supports, 164cm long, 76cm high, 106cm deep; a SIDEBOARD, with rectangular marble top above four central drawers ﬂanked by cupboards on a plinth; a SMALL SIDE TABLE, with single drawer, 51cm wide, 81cm high, 34cm deep; and a DISPLAY CABINET, with marble top over a single door enclosing shelves with a mirrored back, above two drawers on a platform base, 93cm wide, 136cm high, 48cm deep (10) £2,000-3,000

Decorative Arts: Design since 1860 111

472 HC839/21 PAIR OF ART DECO WALNUT OCCASIONAL SIDE CABINETS CIRCA 1930 each with rectangular tops above single doors with shallow ﬂuting and inlaid panel and with open shelves adjacent, the whole supported by square uprights and raised on a plinth (2) 81cm wide, 60cm high, 36cm deep £2,000-3,000

473 HC839/11 HARRY & LOU EPSTEIN, LONDON

ART DECO WALNUT COCKTAIL CABINET, CIRCA 1930 the fluted, bow fronted centre section with two doors, opening to reveal a mirrored and illuminated fitted interior with drop leaf door below enclosing a further mirrored interior and mirrored slide out tray, flanked by two further doors fitted with shelves, the whole raised on a u-shaped base with scroll top sides 141cm wide, 158cm high, 49cm deep £2,000-3,000

474 HD602/1 ART DECO STAINED WALNUT DINING ROOM SUITE

CIRCA 1930 comprising a SIDEBOARD, of stepped form with arrangement of three drawers and four doors, 186cm wide, 99cm high, 46cm deep; s SET OF SIX CHAIRS, each with ‘cloud’ backs, drop-in seats and square legs linked by stretchers, 45cm wide, 96cm high, 37cm deep; and a DINING TABLE, with rounded rectangular top above two corresponding supports, 155cm long, 76cm high, 94cm wide (8) £500-800

112 Lyon & Turnbull

475 HD542/1 ERIK JORGENSEN, DENMARK

LEATHER UPHOLSTERED THREE PIECE LOUNGE SUITE, 1970s comprising a three seat sofa and two matching armchairs, bears maker’s label ERIK JORGENSEN/ 5700 SVENDBORG/ MADE IN DENMARK (3) sofa 184cm wide, 66cm high, 55cm deep £800-1,200

476 HC742/5 GRETE JALK (1920–2006) FOR C.A. FRANCE & SON

MODEL 118 TEAK FRAMED SOFA, 1960s with upholstered back and seat cushion, bears maker’s labels 205cm wide, 75cm high, 48cm deep £300-500

477 HC742/4 GRETE JALK (1920–2006) FOR C.A. FRANCE & SON

PAIR OF MODEL 118 TEAK FRAMED ARMCHAIRS, 1960s with upholstered back and seat cushion, bears maker’s labels (2) 74cm wide, 73cm high, 56cm deep £200-300

479 HD554/2 OLE WANSCHER (1903-1985) FOR FRANCE & SON TEAK ‘SENATOR’ ARMCHAIR, NO. 166, DESIGNED 1951 with red leather back and seat cushion, bears maker’s label 69cm wide, 71cm high, 57cm deep £400-600

480 SV405/39 DANISH ROSEWOOD SIDEBOARD

478 HC742/2 GRETE JALK (1920–2006) FOR C.A. FRANCE & SON MODEL 118 TEAK FRAMED ARMCHAIR, 1960s with upholstered back and seat cushion, bears maker’s label 74cm wide, 73cm high, 56cm deep £100-200

MID 20TH CENTURY with three sliding drawers on rectangular section supports 181cm wide, 77cm high, 46cm deep £200-300

481 SV405/47 ARNE JACOBSEN (19021971) FOR FRITZ HANSEN

MODEL 3600 DINING TABLE, DESIGNED 1950s the circular top with metal base 120cm diameter, 69cm high £200-300

Decorative Arts: Design since 1860 113

482 HC742/1 ROBERT HERITAGE (b. 1927) FOR ARCHIE SHINE

TEAK EXTENDING DINING TABLE, CIRCA 1950 the rectangular top with rounded angles, raised on tapering legs with stretchers, 182cm long (closed), 244cm long (extended, 73cm high, 88cm deep; also a SET OF EIGHT ‘AUSTINSUITE’ TEAK DINING CHAIRS, each with slatted backs and upholstered seats, 48cm wide, 80cm high, 45cm deep (9) £500-800

484 SV405/11 WESTNOFA, NORWAY

TWO LEATHER UPHOLSTERED ARMACHIRS AND MATCHING OTTOMAN, LATE 20TH CENTURY each with bentwood frames (3) large chair, 103cm high, small chair 84cm high £400-600

485 HD554/1 PETER HVIDT (1916–1986) AND ORLA MØLGAARD-NIELSEN (1907-1993) FOR FRANCE & SONS, DENMARK TEAK COFFEE TABLE, 1960s the rounded rectangular top on turned tapering legs, bears maker’s label 152cm long, 41cm high, 50cm deep £150-250

483 HC742/3 ROBERT HERITAGE (b. 1927) FOR ARCHIE SHINE

TEAK AND ROSEWOOD ‘HAMILTON’ SIDEBOARD, DESIGNED 1958 with four ribbed drawers ﬂanked by two cupboards to one side and raised on turned and tapered legs 230cm wide, 77cm high, 51cm deep £500-800

486 HD554/3 IB KOFOD-LARSEN (1921-2003) FOR CHRISTIAN LINNEBERG

TEAK EXTENDING DINING TABLE, CIRCA 1960 the rectangular top above a shadow gap raised on tapered legs with rounded angles 166cm long (closed), 268cm long (extended), 72cm high, 91cm deep £200-300

487 HD554/4 SOLA MØBELFABRIKK, NORWAY

ROSEWOOD CORNER COCKTAIL CABINET, 1960s with two side doors, the centre section revolving to reveal a mirrored cabinet 103cm wide, 77cm high, 67cm deep £250-400

488 SV405/25 HARRY BERTOIA (1915-1978)

SET OF SIX DINING CHAIRS, DESIGNED 1952 each with white coated metal in a lattice construction, four with black vinyl seat pads (6) 54cm wide, 97cm high, 40cm deep £100-150

489 HD37/1 HARRY BERTOIA (1915-1978)

PAIR OF ‘DIAMOND’ CHAIRS, DESIGNED 1958 each with chrome plated lattice construction, with white vinyl upholstered covers (2) 86cm wide, 78cm high, 69cm deep £200-300

114 Lyon & Turnbull

490 HC956/1 CHARLES EAMES (1907-1978) AND RAY EAMES (1912-1988) 670 LOUNGE CHAIR, DESIGNED 1956 aluminium and rosewood with white leather upholstery, bears maker’s label 79cm x 85cm x 53cm £300-400

491 HC953/1 WARREN PLATNER (1919-2006) FOR KNOLL

PAIR OF ARMCHAIRS, DESIGNED 1966 cream leather upholstery and chrome-plated steel (2) 71cm x 74cm x 48cm £500-700

492 HD42/1 EERO SAARINEN (1910-1961) FOR KNOLL STUDIO

PAIR OF ‘TULIP’ SIDE TABLES, DESIGNED 1956 each with veined marble circular tops of tapered stems with spreading bases, bears maker’s marks (2) 42cm diameter, 52cm high £400-600

493 SV405/12 CHROME AND LEATHER-UPHOLSTERED ARMCHAIR 1970s with slung leather seat and back, and leather covered curved arms on a tubular chromed frame 69cm x 70cm x 50cm £100-200

Furniture from The Paramount Bar

116 Lyon & Turnbull

Opened in 2008 the Paramount bar, restaurant and club, was situated on three floors at the top floor of Centre Point, the iconic and controversial London skyscraper at the end of Oxford Street in London. The club interiors, a blend 60s retro and futurism, are articulated through the use of hard-edged materials like concrete, stone and steel, and were designed by Design Research Studio with renowned Industrial designer Tom Dixon as the Creative Director. Bespoke furniture alongside vintage pieces were chosen to reflect the modernism of the building, designed by R. Seifert and Partners between 1961 and 1966. Originally Centre Point was built as speculative office space, however the 398-foot tower stood empty from its completion until 1975. Dixon commented that the project was “a dream job...a building so iconic and so mysterious that has been argued and discussed and reviled and now celebrated and we get an

494§ HD547/9 TOM DIXON (b. 1959)

ZINC BAR FRONT, CONTEMPORARY comprised of ten faceted panels each panel 102cm long, 99cm high Note: Exclusive commission for the Paramount Bar, Centre Point, London, 2008

£400-600

opportunity to design a space that all Londoners know, but almost none have visited.” Visitors to the bar and restaurant were greeted on the ground floor with its original 1960s monochrome terrazzo flooring and a Barbara Hepworth inspired copper reception desk designed for the space. Guests were then whisked up to the 31st floor events space, with its 10 meter-long zinc bar facing the west side (and, of course, London sunsets). One level up, on the 32nd floor, was the main hub of the members’ club, featuring a bespoke Tom Dixon copper bar, dining and lounging areas, separated by a sculptural steel screen. The Viewing Gallery on the 33rd floor is the summit of the building was the members’ Champagne and Cocktail Bar, which curled around the circumference, the floor to ceiling glazing offering a remarkable 360 degree view of the city below.

Decorative Arts: Design since 1860 117

495§ HD547/8 TOM DIXON (b. 1959)

497§ HD547/8B TOM DIXON (b. 1959)

496§ HD547/8C TOM DIXON (b. 1959)

498§ HD547/8A TOM DIXON (b. 1959)

NINE TUNNEL DOWNLIGHTS, CONTEMPORARY brushed aluminium, with pink coloured interiors (9) 46cm high, 20cm diameter £200-300

499§ HD547/3 TOM DIXON (b. 1959)

COPPER HOSTESS PODIUM, CONTEMPORARY faceted rectangular outline 70cm wide, 110cm high, 38cm deep Note: Exclusive commission for the Paramount Bar, Centre Point, London, 2008

£300-500

NINE TUNNEL DOWNLIGHTS, CONTEMPORARY brushed aluminium, with pink coloured interiors (9) 46cm high, 20cm diameter £200-300

118 Lyon & Turnbull

500§ HD547/7 TOM DIXON (b. 1959)

STEEL ROOM DIVIDER, CONTEMPORARY comprised of shaped and patinated vertical panels, joined with brass bolts 196cm high, approx.1227cm long Note: Exclusive commission for the Paramount Bar, Centre Point, London, 2008

£1,000-1,500

501§ HD547/2 TOM DIXON (b. 1959)

COPPER RECEPTION BAR, CONTEMPORARY with bowed front, enclosing ﬁtted interior 338cm wide, 108cm high, 200cm deep Note: Exclusive commission for the Paramount Bar, Centre Point, London, 2008

£1,000-1,500

Decorative Arts: Design since 1860 119

502 HD547/6 CHARLES EAMES (1907-1978) AND EERO SAARINEN (1910-1961) FOR VITRA

FOUR ‘ORGANIC’ ARMCHAIRS, DESIGNED 1940 each with laminated seat shell and polyurethane upholstery raised on ash legs, stained black (4) 76cm wide, 84cm high, 45cm deep £400-600

503 HD547/4 VERNER PANTON (1926-1998) FOR VITRA

FOUR ‘CONE’ CHAIRS, DESIGNED 1958 wool upholstered covers, on a steel frame (4) each 59cm wide, 81cm high, 47cm deep £400-600

504 HD547/4A VERNER PANTON (1926-1998) FOR VITRA

FOUR ‘CONE’ CHAIRS, DESIGNED 1958 wool upholstered covers, on a steel frame (4) each 59cm wide, 81cm high, 47cm deep £400-600

505 HD547/4B VERNER PANTON (1926-1998) FOR VITRA FOUR ‘CONE’ CHAIRS, DESIGNED 1958 wool upholstered covers, on a steel frame (4) each 59cm wide, 81cm high, 47cm deep £400-600

506 HD547/4C VERNER PANTON (1926-1998) FOR VITRA FOUR ‘CONE’ CHAIRS, DESIGNED 1958 wool upholstered covers, on a steel frame (4) each 59cm wide, 81cm high, 47cm deep £400-600

507 HD547/4D VERNER PANTON (1926-1998) FOR VITRA THREE ‘CONE’ CHAIRS, DESIGNED 1958 wool upholstered covers, on a steel frame (3) each 59cm wide, 81cm high, 47cm deep £300-500

Other Properties 508 HD97/1 DAVID LINLEY FURNITURE

‘ASTON’ LEATHER ARMCHAIR AND MATCHING FOOTSTOOL cream leather with a walnut frame (2) chair, 98cm wide, 69cm high, 70cm deep; stool 54 x 36cm £600-800

509 SV405/38 MART STAM (1899-1986)

SET OF SIX MODERN LEATHER AND CHROME CANTILEVER ARMCHAIRS, DESIGNED 1926 each with full leather back and seat (6) 68cm wide, 78cm high, 48cm deep £200-300

510 HD547/1 PLYWOOD AND STEEL DINING TABLE 511 SV405/10 DE SEDE, SWITZERLAND

THREE PIECE LEATHER UPHOLSTERED LOUNGE SUITE, LATE 20TH CENTURY comprising a sofa and two armchairs, bears maker’s label ORIGINAL DESIGN OF DE SEDE/ MADE IN SWITZERLAND (3) sofa, 173cm wide, 71cm wide, 55cm deep £300-500

CONTEMPORARY made from airplane wings 241cm wide, 74cm high, 100cm deep £400-600

Decorative Arts: Design since 1860 121

512 SV405/38A ARNE JACOBSEN (1902-1971) FOR FRITZ HANSEN

D438 SHAKER BASE TABLE, DESIGNED 1968 with rectangular rosewood top raised on a metal base, the rectangular top raised on rectangular section supports linked by a stretcher 183cm long, 71cm high, 92cm deep £200-300

513 HD541/1 SET OF EIGHT DANISH TEAK DINING CHAIRS

MID 20TH CENTURY each with broad top rails above cord seats on turned legs, 53cm wide, 79cm high, 44cm deep; and a SET OF FOUR DANISH TEAK AND MAHOGANY DINING CHAIRS, each with cord seats, 47.5cm wide, 73.5cm high, 43.5cm deep (12) £300-500

514 HD602/2 ROBERT MATTHEW

SLATE AND STEEL WORK TABLE, CIRCA 1965 the rectangular top raised on a steel frame with slatted wood undertier 113cm wide, 83cm high, 54cm deep Provenance: Sir Robert Matthew and by family descent Note: Stuart Russell Matthew and his brother Robert Matthew began Keith Ingram furniture in Rose Street, Edinburgh in 1963, with Stuart designing the shop and Robert the prototype furniture, of which the present lot is an example.

£300-500

515 HD39/1 PAIR OF CONTEMPORARY CHROME AND LEATHER UPHOLSTERED EASY CHAIRS

LATE 20TH CENTURY each with curved arm supports enclosing a leather slung seat and back (2) £300-500

516 SV405/17 MERROW ASSOCIATES

ROSEWOOD AND CHROME COFFEE TABLE, 1970s the rectangular glass top on chrome supports linked by a rosewood platform 122cm long, 40cm high, 56cm deep £100-150

517 SV405/23 BANG & OLUFSEN, DENMARK

GROUP OF AUDIO-VISUAL EQUIPMENT to include; a stereo system, with CD and tape player, a Beolab amp, a Beomaster tuner, a Beogram deck, Wharfedale loudspeakers and a Bang & Olufsen TV £250-350

518-550 No lots

19th & 20th Century Pictures Thursday, 12th November, 2015 at 11am Sale Number LT446A

551 HB671/5 DONALD MAXWELL (BRITISH 1877–1936) NATIVE BOATS ON THE HOOGLEY Signed, inscribed with title and message verso, pencil and watercolour on buﬀ paper 17cm x 39cm (6.75in x 15.25in)

£300-500

552 HC71/2 EDWARD RICHARDSON (BRITISH 1810–1874) MORNING AT THE CANAL Watercolour 25cm x 62.5cm (9.75in x 24.5in)

£300-500

553§ HB143/1 FELICE GIORDANO (ITALIAN 1880–1964) NAPLES FROM MERGELLINA Signed, inscribed on a label verso, oil on canvas 51cm x 122cm (24in x 48in)

£1,200-1,400

124 Lyon & Turnbull

554 HA678/1 ROBERT MCGREGOR R.S.A. (BRITISH 1848–1922) THE POTATO HARVEST Signed, oil on canvas laid on board

555 HC23/1 ALEX FRASER R.S.A. (SCOTTISH 1899–1828) THE SEVEN SISTERS, BEN CRUACHAN Signed, oil on canvas

28.5cm x 39cm (11.25in x 15.5in)

£800-1,200

33.5cm x 54cm (13.25in x 21.25in)

£800-1,200

556 SV547/64 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) WASHING DAY Signed, oil on board

557 HB704/3 ROBERT GEMMEL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) THE FAGGOT GATHERERS Signed, oil on canvas

12cm x 17cm (4.75in x 6.75in)

26cm x 34cm (10.5in x 13.25in)

£500-800

£700-1,000

19th & 20th Century Paintings 125

558 HA81/1 WILLIAM BEATTIE BROWN R.S.A. (SCOTTISH 1831–1909) A WATERFALL IN GLENFALLOCH Signed and dated 1863, oil on canvas

559 SV547/20 JAMES FAED JUNIOR (SCOTTISH 1856–1920) AN EXTENSIVE RIVER LANDSCAPE WITH ANGLER Signed, watercolour

37cm x 53.3cm (14.5in x 21in)

26cm x 40cm (10.25in x 15.75in)

Note: This painting was exhibited in the R.S.A. in 1864.

£300-500

£500-700

560 SV547/76 JOSEPH HENDERSON (SCOTTISH 1832–1908) LOCH-SIDE Signed and dated 1876, oil on canvas 24cm x 34cm (9.5in x 13.5in)

£300-500

561 HB671/4 JAMES COUTTS MICHIE A.R.S.A. (SCOTTISH 1859–1919) BY THE RIVER Signed, oil on canvas 24.5cm x 39.5cm (9.75in x 15.5in)

£600-800

126 Lyon & Turnbull

562 SV312/14 ATTRIBUTED TO HORATIO MCCULLOCH (SCOTTISH 1805–1867) ERSKINE FERRY Oil on canvas

563 HC793/3 19TH CENTURY CONTINENTAL SCHOOL ‘TABLE BAY’, CAPE OF GOOD HOPE Indistinctly signed and inscribed, oil on panel

29.5cm x 42cm (11.5in x 16.5in)

£300-500

11.5cm x 19cm (4.5in x 7.5in)

£300-500

564 HC793/2 JAN VAN COUVER (DUTCH 1836–1909) ZWOLLE, HOLLAND Signed, inscribed with title and initials verso, oil on canvas

565 SV547/72 JAMES MACMASTER R.S.W., R.B.A. (SCOTTISH 1856–1913) AFTER A WINTER GALE Signed and titled, watercolour

19cm x 27cm (7.5in x 10.75in)

12cm x 17.5cm (4.75in x 6.75in)

£500-700

£300-500

19th & 20th Century Paintings 127

566 HC707/12 19TH CENTURY CONTINENTAL SCHOOL HARBOUR LANDSCAPE Indistinctly signed, oil on canvas 29.5cm x 52cm (11.5in x 20.5in)

£250-350

567 SV547/71 JOHN CAMPBELL MITCHELL R.S.A. (SCOTTISH 1862–1922) SCOTTISH LANDSCAPE Signed and dated 1919, oil on board 19cm x 35cm (7.5in x 13.75in)

£400-600

568 HB708/13 19TH CENTURY SCOTTISH SCHOOL ROUGH SEAS Indistinctly signed and dated ‘1837,’ oil on canvas 26cm x 49.5cm (10.5in x 19.5in)

£300-500

128 Lyon & Turnbull

569 SV547/82 DAVID FULTON R.S.W. (SCOTTISH 1848–1930) ANGLER IN THE GLADE Signed, oil on canvas 17.5cm x 24.5cm (6.75in x 9.5in)

£300-500 570 No lot

572§ SV547/41 WILLIAM MILLER FRAZER R.S.A. (SCOTTISH 1864–1961) LANDSCAPE WITH POND AND BUILDINGS Signed, titled and dated ‘1896’ verso, oil on board 26cm x 21.5cm (10.5in x 8.5in)

and a further two works by the same hand (3) £600-900

571§ SV547/91 WILLIAM MILLER FRAZER R.S.A. (SCOTTISH 1864–1961) INARVYMILK, SCONE Signed, oil on canvasboard 23.5cm x 32cm (8.25in x 13.25in)

£300-500

19th & 20th Century Paintings 129

573 HB671/9 ALFRED FOWLER PATTEN R.B.A. (BRITISH 1829–1888) STILL-LIFE OF ROSES Signed with monogram and dated ‘78, watercolour 30cm x 56.5cm (12in x 22in)

£500-700

574 HC823/1 KATE WYLIE (SCOTTISH 1877–1941) VASE OF FLOWERS Signed, oil on canvas 44cm x 58cm (17.25in x 23in)

£800-1,200

575 FA223/12 STUART PARK (BRITISH 1862–1933) ROSES Signed, oil on board 58.5cm x 64cm (23in x 25.25in)

£700-1,000

130 Lyon & Turnbull

576 HA543/4 ANDERS ZORN (SWEDISH 1860–1920) EN DALKARL (LAVARD ANDERS), 1916 Signed to margin, etching 17.5cm x 12.5cm (7in x 5in)

£400-600

577§ HB856/4 GERALD LESLIE BROCKHURST (BRITISH 1890–1978) HEAD OF A WOMAN Signed in plate and in pencil to margin, etching 13cm x 9.5cm (5in x 3.5in)

£400-600

578 HB856/5 ANDERS ZORN (SWEDISH 1860–1920) THE LETTER Initialled and dated ‘1913’ in plate, signed in pencil to margin, etching

579§ HB856/6 JOSEPH SIMPSON (BRITISH 1879–1979) THE MANTILLA Signed and numbered 27/75 in pencil to margin, etching

19cm x 13.5cm (7.5in x 5.25in)

19.5cm x 14cm (7.75in x 5.5in)

£500-700

£300-500

19th & 20th Century Paintings 131

580 HB278/39 WILLIAM STRANG R.A., R.P.E. (SCOTTISH 1859–1921) SOCIALISTS Signed and dated ‘91 in plate, signed in pencil to margin, etching 26.5cm x 31.5cm (10.5in x 12.25in)

£400-600

581 HB278/45 WILLIAM STRANG R.A. (SCOTTISH 1859–1921) THE VILLAGE FIDDLER, 1883 Signed in pencil to margin, etching 17cm x 23cm (6.75in x 9in)

and two further prints by the same hand, including ‘Portrait of Dr. Balfour’ (3) Note: Featured in ‘William Strang: Catalogue of his etched works’ by Lawrence Binyon: The Village Fiddler - No. 17, Portrait of Dr. Balfour - No. 111

£400-600

582 HB737/3 WILLIAM WALCOTT R.E. (BRITISH 1874–1943) ANTONY IN EGYPT (NUMBER TWO) Signed in pencil to margin, inscribed with title verso, etching 54cm x 53cm (21.25in x 21in)

£300-500

132 Lyon & Turnbull

583§ HB671/10 SIR MUIRHEAD BONE (SCOTTISH 1876–1953) STUDY FOR THE APSE, LYON CATHEDRAL, SPAIN (1ST PLATE) Signed in pencil to margin, etching

583A HD67/21 20TH CENTURY BRITISH SCHOOL TEA PARTY Etching

39.5cm x 24cm (15.5in x 9.5in)

£200-300

17cm x 11cm (6.75in x 4.25in)

£600-800

584§ HB856/11 JOHN COPELY (BRITISH 1875–1950) NATIVITY, 1914 Signed in plate, inscribed with title and edition number ‘5/25’ in pencil to margin, lithograph

585 HB278/44 WILLIAM STRANG R.A. (SCOTTISH 1859–1921) THE WORSHIPPERS, 1890 Signed and dated in plate and in pencil to margin, drypoint

38.5cm x 34cm (15.25in x 13.5in) unframed

20cm x 15cm (8in x 6in)

and a further three by the same hand, ‘The Sick King,’ ‘The Scribes Disputing with Jesus,’ ‘Madonna Lavatrice’ (4)

and a further two prints by the same hand including ‘The Goatherd’ (3)

£400-600

Note: Featured in ‘William Strang: Catalogue of his etched works’ by Lawrence Binyon: The Worshippers - No. 155, The Goatherd - No. 451

£400-600

19th & 20th Century Paintings 133

586§ HB278/9 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S., R.S.W., R.E. (SCOTTISH 1865–1945) BOTHWELL CASTLE Signed with initials, pen and ink 16cm x 13cm (6.25 x 5in)

£300-500

587 HB737/4 WILLIAM WALCOTT R.E. (BRITISH 1874–1943) L’ARC DE TRIOMPHE, PARIS, 1917 Signed with initials in pencil to margin, inscribed with title, date and edition number ‘65’ verso, etching 58cm x 46.5cm (22.75in x 18.25in)

£300-500

588 HB737/5 WILLIAM WALCOTT R.E. (BRITISH 1874–1943) ANTONY IN EGYPT (NUMBER ONE) (A VISIT TO CLEOPATRA), 1913 Signed in pencil to margin, inscribed with title, date and edition number ‘50’ verso, etching 54.5cm x 46cm (21.5in x 18in) (excluding margins)

£300-500

134 Lyon & Turnbull

589 HA678/2 ROBERT MCGREGOR R.S.A. (BRITISH 1848–1922) FIELD WORKERS BY A COUNTRY STREAM Signed, oil on canvas

590 HB882/3 JAMES CAMPBELL NOBLE R.S.A. (SCOTTISH 1845–1913) GOLF CLUB LINKS - NAIRN Signed, inscribed verso, oil on canvas

33.5cm x 48cm (13.25in x 19in)

49.5cm x 59cm (19.5in x 23.5in)

£700-900

591 HB217/15 ALEXANDER BROWNLIE DOCHARTY (SCOTTISH 1862–1940) COTTAGE SCENE Signed, oil on canvas

592§ HC249/1 MARY ARMOUR L.L.D. (SCOTTISH 1902–2000) THE BLACK GAP, DONEGAL Signed and dated ‘64, pastel

49cm x 65cm (19.25in x 25.5in)

£300-500

£600-800

26cm x 39cm (10.25in x 15.25in)

19th & 20th Century Paintings 135

593 HC006/1 NORMAN MCLEOD MACDOUGALL (BRITISH 1849–1937) PICKING FLOWERS BY A COUNTRY LANE Signed, oil on canvas

594 HC502/3 ROBERT COWAN ROBERTSON (BRITISH 1863–1910) REFLECTIONS BY THE WATERSIDE Signed with initials, oil on canvas

33cm x 47.5cm (13in x 18.75in)

45cm x 57cm (17.75in x 22.5in)

£500-700

£400-600

595 SV547/125 DAVID FULTON R.S.W. (SCOTTISH 1848–1930) AFTER THE STORM, DUNURE Signed, inscribed verso, oil on canvas

596 HC772/2 EDWARD ROWORTH (SOUTH AFRICAN 1880–1964) COTTAGE IN THE WOODS Signed, oil on board

24cm x 34cm (9.5in x 13.5in)

£300-500

55.5cm x 74cm (22in x 29in)

£600-800

136 Lyon & Turnbull

597§ HC25/15 HELEN TURNER (SCOTLAND b. 1937) THE BECALMED Signed, oil on canvas

598§ HC722/1 VALERIE FRASER R.S.W. (SCOTTISH b. 1933) BLUE MORNING Signed, oil on board

30cm x 40cm (11.75in x 15.75in)

42cm x 57.5cm (16.5in x 22.5in)

£400-600

£300-500

599§ HC25/8 JAMES ORR (SCOTTISH b. 1937) SNOW AT CRAIGIE Signed, oil on board

600§ HC25/11 JAMES ORR (SCOTTISH b. 1937) WINTER BEACH Signed, oil on board

29cm x 34cm (11.5in x 13.5in)

48.5cm x 54cm (19in x 21.25in)

£300-500

£400-600

19th & 20th Century Paintings 137

601 HC694/1 JAN FREDERIK SCHUTZ (DUTCH 1817–1888) MARITIME SCENE Signed, oil on panel 31cm x 45.5cm (12.2in x 18in)

£800-1,200

602§ HC631/1 A.A. MOORE (BRITISH 20TH CENTURY) FOOT OF THE HILLS Signed and dated ‘62, oil on board 27cm x 37.5cm (10.5in x 14.75in)

£300-500

603§ HC772/1 GORDON L. DAVIES A.R.C.A. (BRITISH 1926–2007) SANTA MARIA NUOVA, CORTONA Signed and indistinctly dated, inscribed with title verso, oil on board 35.5cm x 53cm (14in x 20.75in)

£400-600

138 Lyon & Turnbull

604§ SV514/6 JOHN HOUSTON O.B.E., R.S.A., R.S.W. (SCOTTISH 1930–2008) WINTER SUN Signed, watercolour

605§ HB621/2 WILLIAM BIRNIE R.S.W., R.G.I. (SCOTTISH 1929–2006) RIVER AT THE VILLAGE EDGE Signed and dated ‘66, oil on board

18cm x 27cm (7in x 10.75in)

58.5cm x 88.5cm (23in x 35in)

£400-600

£600-800

606§ HB943/1 WILLIAM ARMOUR R.S.A., R.S.W. (SCOTTISH 1903–1979) POLLARD TREE, PAN AND NYMPH Signed, pastel

607§ SV514/5 BRENDA MARK (BRITISH 1922–1960) ASSISI Signed, pencil and watercolour

36cm x 52.5cm (14.25in x 20.75in)

£300-500

Exhibited: Royal Scottish Academy, 1974

£300-500

30.5cm x 35cm (12in x 14in)

19th & 20th Century Paintings 139

608 HB671/11 20TH CENTURY SCOTTISH SCHOOL STILL-LIFE WITH GRAPES Oil on canvas 62.5cm x 76.5cm (24.5in x 30in)

£400-600

609§ HC773/1 ROD CARMICHAEL (BRITISH 1931–2008) THE TEMPLE Signed and dated ‘59, oil on canvas 62cm x 49cm (24.5in x 19.25in)

£500-700

610§ SV514/4 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926–1998) KITE AND FIREWORKS Signed, inscribed with title verso, oil on board 16cm x 17cm (6.25in x 6.75in)

£300-500

140 Lyon & Turnbull

611§ HC548/2 MARDI BARRIE R.S.W. (SCOTTISH 1931–2004) WATER GATE Signed, oil on canvas 85cm x 75cm (33.5in x 29.5in)

£400-600 612§ HB950/1 JAMES D. ROBERTSON M.B.E. (SCOTTISH 1931–2010) WINTER LOCH, 2001 Signed, gouache 39cm x 45cm (15.5in x 17.75in)

and another by the same hand ‘Estuary’ (2) £500-700

613§ HC548/1 MARDI BARRIE R.S.W. (SCOTTISH 1931–2004) LANDSCAPE IN GREEN Signed, oil on canvas 74.5cm x 99.5cm (29.25in x 39.25in)

£300-500

19th & 20th Century Paintings 141

614§ HB89/2 KIRSTY WITHER (SCOTTISH b. 1968) SEE OUT TO SEA Signed and dated ‘99, inscribed verso, oil on canvas 19cm x 19cm (7.5in x 7.5in)

£300-500

615§ HB974/3 IRENE HALLIDAY R.S.W. (SCOTTISH b. 1931) WINTER LANDSCAPE 3 Signed, artist’s label with title verso, watercolour 59.5cm x 59.5cm (23.5in x 23.5in)

£300-500

616§ HB89/1 KIRSTY WITHER (SCOTTISH b. 1968) ORANGE STRIPE Signed and dated ‘98,’ inscribed verso, oil on canvas 19cm x 19cm (7.5in x 7.5in)

£300-500

142 Lyon & Turnbull

617§ HB856/1 WILLIAM NICHOLSON (BRITISH 1872–1949) PERSIMMON Colour lithograph, and a further three lithographs by the same hand: ‘Russell Sage;’ ‘M. Auguste Rodin;’ ‘Mr. J.M. Barrie.’ 18cm x 19cm (7in x 7.5in), unframed

and a further three unframed prints (4) £300-500

618§ HB856/14 WILLIAM NICHOLSON (BRITISH 1872–1949) E IS FOR EARL Colour lithograph, and a further three lithographs by the same hand: ‘Miriam;’ ‘The Kaiser;’ ‘H.M. Queen Alexandra.’ 30.5cm x 23cm (12in x 9in) (unframed)

and a further three unframed prints (4) £300-500

619§ HB856/16 WILLIAM NICHOLSON (BRITISH 1872–1949) SADA YACCO Colour lithograph, and a further three lithographs by the same hand: ‘Henrik Ibsen;’ ‘Rt. Hon. Joseph Chamberlain;’ ‘Lord Kitchener.’ 26cm x 24.5cm (10.25in x 9.75in) (unframed)

and a further three unframed prints (4) £300-500

19th & 20th Century Paintings 143

620 HB856/13 ANDERS ZORN (SWEDISH 1860–1920) ANNA, YOUNG GIRL FROM MORA Signed in pencil to margin, dated 1903 in plate, etching 18.5cm x 13.5cm (7.25in x 5.25in) unframed

and another by the same hand ‘SelfPortrait in a Wolfskin’ (2) £300-500

621§ HB856/15 WILLIAM NICHOLSON (BRITISH 1872–1949) ELEONORA DUSE Colour lithograph, and a further three lithographs by the same hand: ‘Sir Henry Hawkins;’ ‘President Roosevelt;’ ‘Pope Leo XIII.’ 30.5cm x 27.5cm (12in x 10.75in) (unframed)

and a further three unframed prints (4) £300-500

622§ HD67/11 AUGUSTUS JOHN O.M., R.A. (WELSH 1878–1961) NUDE Signed in pencil to margin, etching 18cm x 16cm (7in x 6.25in)

and a further etching by the same hand (2) £500-700

144 Lyon & Turnbull

623 HB714/1 20TH CENTURY CONTINENTAL SCHOOL ENTERING THE BIG TOP Indistinctly inscribed (Handds?) and numbered 6/25 in pencil to plate, woodcut 25cm x 31cm (9.75in x 11.5in)

£200-300

624§ HB278/10 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S., R.S.W., R.E. (SCOTTISH 1865–1945) PAPS OF GLENCOE Signed and inscribed with title in pencil to margin, etching 11cm x 13.5cm (4.25in x 5.25in)

and a further etching by the same hand, unframed (2) £300-500

625§ HB845/10 SIR WILLIAM MACTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903–1981) ROOF TOPS ABOVE A TOWN Inscribed ‘Studio no. 246’ verso, charcoal 21cm x 36cm (8.25in x 14.25in)

and another by the same hand (2) £400-600

19th & 20th Century Paintings 145

626 HD67/10 ARTHUR BRISCOE R.E., R.I. (BRITISH 1873–1943) TEN KNOTS Signed and inscribed with title in plate, signed and numbered 65/75 in pencil to margin, etching 27cm x 36.5cm (10.5in x 14.5in)

£300-500

627 HD67/13 THEODORE RUSSELL (FRENCH 1847–1926) ACROSS THE LAKE Signed in plate, etching 35.5cm x 22.5cm (14in x 9in)

£500-700

628§ HD67/18 DAME LAURA KNIGHT R.A., R.W.S. (BRITISH 1877–1970) TRIO GYMNASTIQUE Signed in pencil to margin, etching 38cm x 26.5cm (15in x 10.5in) (unframed)

and a further etching by the same hand (2) £500-700

629§ HD67/12 KATE CAMERON R.S.W. (SCOTTISH 1874–1965) BUTTERFLIES ON DANDELION Signed in plate and in pencil to margin, etching

630§ HD67/20 SIR WILLIAM ROTHENSTEIN (BRITISH 1872–1945) PORTRAIT OF A MAN Signed and dated ‘97, inscribed with personal message, pencil

38.5cm x 14cm (15.25in x 5.25in)

30.5cm x 24cm (12in x 9.5in)

and two further ﬂower study etchings by the same hand (3)

£300-500

146 Lyon & Turnbull

631 SV547/89 ARCHIBALD KAY R.S.A., R.S.W. (SCOTTISH 1860–1935) FEEDING THE CHICKENS, EARLY MORNING Signed, oil on board

632 HC564/1 ANDREW BROWNLIE DOCHARTY (SCOTTISH 1862–1940) A QUIET VILLAGE SCENE Signed, oil on canvas

18cm x 23.5cm (7.25in x 9.25in)

33.5cm x 49cm (13.25in x 19.25in)

£300-500

£700-1,000

633 SV547/124 THOMAS LUNY (BRITISH 1759–1837) BEACH LANDING AT SUNSET Signed, oil on canvas

634 HB333/1 LUDWIG SCHELL (GERMAN 1833–1912) HONIGSEE Signed, titled label verso, oil on panel

17cm x 22.5cm (6.75in x 8.75in)

20cm x 25.5cm (8in x 10in)

£400-600

£500-700

19th & 20th Century Paintings 147

635 HA671/65 JOHN VARLEY (BRITISH 1778–1842) LANDSCAPE WITH LAKE Signed, watercolour 10cm x 14.5cm (4in x 5.75in)

£300-500

636 HB467/1 WILLIAM BRADLEY LAMOND R.B.A. (SCOTTISH 1857–1924) DUCKS ON A RIVER BANK Signed, oil on canvas 36cm x 46cm (14in x 18in)

£500-800

637 HC915/1 JAMES HALL CRANSTOUN (SCOTTISH 1821–1907) DUNBLANE CATHEDRAL Signed and dated 1892, oil on canvas

638§ HC25/2 PATRICK DOWNIE (SCOTTISH 1854–1945) CATTLE AND STREAM Signed, oil on board

60cm x 91cm (23.5in x 35.5in)

£300-500

£700-900

17cm x 24cm (6.75in x 9.5in)

148 Lyon & Turnbull

639 SV547/119 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) THE YOUNG MARINER Signed, oil on canvas 25.5cm x 36cm (10in x 14in)

£1,000-1,500

640 SV547/29 THOMAS FAED R.A., A.R.S.A. (SCOTTISH 1826–1900) AFTER A DAY’S HUNTING Oil on panel 23.5cm x 29cm (9.5in x 11.5in)

£500-700

641 HC695/11 ATTRIBUTED TO THOMAS LUNY (BRITISH 1759–1837) COASTAL SCENE Oil on board 18.5cm x 23.5cm (7.5in x 9.5in)

£300-500

19th & 20th Century Paintings 149

642 HA671/20 18TH CENTURY ENGLISH SCHOOL THE WINDMILL BY THE RIVER Oil on panel 31cm x 54cm (12.5in x 21.25in)

£300-500

643 HA671/21 19TH CENTURY ENGLISH SCHOOL GOING TO CHURCH Oil on panel 30.5cm x 48.5cm (12in x 19in)

£300-500

644 HA671/37 NORWICH SCHOOL COUNTRY LANDSCAPE Oil on canvas 39cm x 60cm (15.5in x 23.5in)

£300-500

150 Lyon & Turnbull

645 SV547/137 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) A CHILD’S PRAYER Signed, oil on canvas 36cm x 25.5cm (14in x 10in)

£1,000-1,500

646 HB894/1 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) THE CANARY Signed, oil on board 17cm x 11cm (6.75in x 4.5in)

£1,000-1,500

19th & 20th Century Paintings 151

647 HD16/4 ROBERT SANDERSON (BRITISH 1848–1908) THE STREET PERFORMER Oil on board 34cm x 24cm (13.5in x 9.5in)

£300-500

648 HB872/1 WILLIAM SHAYER (BRITISH 1787–1879) THE COTTAGE DOOR Signed, oil on canvas 99.5cm x 81.5cm (39in x 32in)

£600-800

649 HC868/1 ALEXANDER LEGGETT (SCOTTISH 1828–1884) AFTER MANY YEARS Signed, oil on canvas 73.5cm x 62cm (29in x 24.5in)

£800-1,200

152 Lyon & Turnbull

650 HC755/1 JOHN W. MORRIS (SCOTTISH 1865–1924) HIGHLAND COWS, LOCH-SIDE Signed, oil on canvas 39cm x 59.5cm (15.5in x 23.5in)

£500-700

651 HA81/2 JOHN BUCKNELL RUSSELL (BRITISH c. 1819–1893) DEAD GAME IN A LANDSCAPE Signed and dated 1866, oil on canvas 58.5cm x 75.5cm (23in x 24.75in)

£700-1,000

652 HC905/1 19TH CENTURY BRITISH SCHOOL SPANIELS Oil on board 41.5cm x 48cm (16.25in x 18.75in)

£300-500

19th & 20th Century Paintings 153

653 HB278/29 SIR GEORGE REID P.R.S.A., H.R.S.W., L.L.D. (SCOTTISH 1841–1913) SMAYLHOLM TOWER, ROXBURGHSHIRE Inscribed with title and poem ‘Smaylholm’ verso, oil on canvas laid on board 39.5cm x 29cm (15.5in x 11.5in) Exhibited: The Fine Art Society, February 1986

£400-600

654 HC884/1 19TH CENTURY EUROPEAN SCHOOL CLASSICAL LANDSCAPE WITH RUINS AND TRAVELLERS Oil on canvas 87cm x 107cm (34.25in x 42.25in)

£800-1,200

154 Lyon & Turnbull

655 HA81/3 BRITISH SCHOOL PORTRAIT OF A GENTLEMAN IN A FULL-BOTTOMED WIG, SAID TO BE SIR JOHN CAMPBELL Oil on canvas

656 HA943/9 MANNER OF JAN VAN BIJLERT HALF-LENGTH PORTRAIT OF A GENTLEMAN IN AN EXPANSIVE WHITE COLLAR Oil panel

74cm x 61.5cm (29.25in x 24.25in), oval

59cm x 48cm (23in x 18.75in)

£1,000-1,500

657 HB959/1 19TH CENTURY SCOTTISH SCHOOL PORTRAIT OF A YOUNG MILITARY GENTLEMAN Oil on canvas

658 HC607/1 MANNER OF PAUL VAN SOMER ELIZABETH STUART, QUEEN OF BOHEMIA Oil on canvas

90cm x 69.5cm (35.5in x 27.25in)

59cm x 50cm (23.5in x 19.75in)

£800-1,200

19th & 20th Century Paintings 155

660 HA818/1 AFTER MATTHEW WILLIAM PETERS (BRITISH 1742–1814) PORTRAIT OF A LADY IN A LACE BONNET WITH WHITE MUFFLER Oil on canvasl

659 HB859/6 MANNER OF SIR WILLIAM BEECHEY MILITARY PORTRAIT Oil on canvas 124.5cm x 99.5cm (49in x 39.25in)

£800-1,200

75cm x 63.5cm (29.5in x 25in) oval, unframed

£300-500

661 HC659/1 CIRCLE OF CHARLES JERVAS HALF LENGTH PORTRAIT OF A GENTLEMAN IN GREY COAT AND LACE JABOT Feigned oval, oil on canvas

662 SV547/10 SCOTTISH SCHOOL HALF-PORTRAIT LADY IN ARMOUR Oil on board

71cm x 61cm (28in x 24in)

£500-700

£600-800

29cm x 29cm (11.25in x 11.25in), circular

156 Lyon & Turnbull

20.5cm x 16.5cm (8in x 6in)

664 HB278/22 HENRY WRIGHT KERR R.S.A., R.S.W. (SCOTTISH 1857–1936) OLD WIFE Signed, signed and titled verso, watercolour

£700-900

44.5cm x 35.5cm (17.5in x 14in)

663 HB737/1 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) TARIE WILL Signed with initials, oil on canvas

£600-800

665 HA671/63C 19TH CENTURY SCOTTISH SCHOOL PORTRAIT OF REVD. WILLIAM TRAIL L.L.D., AGED 85 Gouache on ivory

666 HB737/2 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) TOURIE WILL Signed with initials, oil on canvas

16.5cm x 13cm (6.5in x 5in), oval

20.5cm x 15.5cm (8in x 6in)

£300-500

£700-900

19th & 20th Century Paintings 157

667 HB586/2 N. LABOUCHERE (19TH/20TH CENTURY CONTINENTAL SCHOOL) PORTRAIT OF A LADY Signed, pastel and charcoal on buﬀ paper

668 HC940/2 ROBERT LITTLE R.W.S. (SCOTTISH 1854–1944) SUMMERTIME Signed with initials, pastel

48cm x 33cm (19in x 13in)

38.5cm x 28cm (15in x 11in)

£300-500

669 HC553/1 FOLLOWER OF DANIEL MACLISE PORTRAIT OF A LADY Pencil 44cm x 36cm (17.25in x 14in), oval

£600-800

670§ HC42/1 ALEXANDER GRAHAM MUNRO R.S.W. (SCOTTISH 1903–1985) PORTRAIT OF A GIRL, RISSANI Signed, titled and dated 1950, conte crayon on paper 44cm x 29cm (17.25in x 11.5in)

and another by the same hand (2) £400-600

158 Lyon & Turnbull

671§ HC619/1 GERTRUDE HERMES O.B.E., R.A. (BRITISH 1901–1983) AVOCETS Signed, titled, numbered 28/35 and editioned ‘2nd Edition 1952’ in pencil to margin, colour woodcut 37cm x 37cm (14.5in x 14.5in) (circular)

£300-500

672 HC649/1 GEORGE LESLIE HUNTER (SCOTTISH 1877–1931) CERES Pencil, ink and watercolour 11cm x 18.5cm (4.5in x 7.25in)

£400-600

673§ HC519/1 PETER HOWSON O.B.E. (SCOTTISH b. 1958) OLD STAVANGER Signed and inscribed, pastel, pencil and charcoal on paper 24cm x 17cm (9.25in x 6.75in)

£300-500

19th & 20th Century Paintings 159

674§ HB602/5 HARRY MORE GORDON (SCOTTISH CONTEMPORARY) FALLING LEAVES WITH A DANDELION AND A PARROT Signed, inscribed with title and dated ‘Sept. 9 2009’, watercolour 25cm x 35cm (9.75in 13.75in)

£200-300

675§ HB621/14 ROSEMARY BEATON (SCOTTISH b. 1963) CLYDE VALLEY STOMPERS Signed, titled and dated ‘87, pastel on paper 27.5cm x 40cm (10.75in x 15.5in)

£200-300

676 HB268/2 HENRY VALENTINE MILLER (AMERICAN 1891–1980) UNTITLED Signed and dated 10/47, ink and watercolour on paper 28cm x 38.5cm (11in x 15.25in)

£400-600

160 Lyon & Turnbull

677§ HB865/1 KEITH DUNKLEY R.B.A., R.W.S. (BRITISH b. 1942) RIVERSIDE TERRACES Signed, inscribed and dated ‘97 verso, oil on board

678§ HC25/5 HELEN M. TURNER (SCOTTISH CONTEMPORARY) THE DRESSING TABLE Signed, oil on canvas 64cm x 69.5cm (25.25in x 27.25in)

£400-600

61cm x 61cm (24in x 24in)

£800-1,000

679§ HB735/1 DOUGLAS DAVIES R.S.W. (SCOTTISH b. 1946) RED POPPIES Signed, mixed media

680§ HC940/4 PETER MCNIVEN (BRITISH b. 1952) ST. LUNAIRE Signed and inscribed with title and date ‘93 verso, oil on canvas

54.5cm x 57cm (21.5in x 22.5in)

38.5cm x 43.5cm (15in x 17in)

£300-500

£400-600

19th & 20th Century Paintings 161

681§ HB845/4 PAT DOUTHWAITE (SCOTTISH 1939–2002) STRANGE CREATURE Chalk on paper 58cm x 81cm (23in x 32in)

£400-600

682§ HB845/2 PAT DOUTHWAITE (SCOTTISH 1934–2002) ORIENTAL BAMBOO Signed and dated ‘87, charcoal and pastel on paper 100cm x 70cm (39.5in x 27.5in)

£300-500

683§ HA795/4 JACK KNOX (BRITISH b. 1936) WHEATSHEAF AND BROWN JUG Signed, oil on canvas laid on board 24cm x 34cm (9.5in x 13.5in)

£200-300

162 Lyon & Turnbull

684§ HC869/3 ELSPETH HARRIGAN (SCOTTISH 1938–1999) YELLOW LILIES Signed, watercolour

685§ HC555/1 IAN MASTIN (BRITISH b. 1949) FRUIT AND SEED Signed, acrylic on board

55.5cm x 45cm (21.75in x 17.75in)

25cm x 19.5cm (9.75in x 7.75in)

£200-300

£400-600

686§ HC978/1 BARBARA BALMER (SCOTTISH b. 1929) FLOWERS AND SUNBEAMS Signed, inscribed with title verso, pencil and watercolour 44cm x 34cm (17.25in x 13.5in)

£300-500

687 HD75/1 STUART PARK (BRITISH 1862–1933) GERANIUMS Signed, oil on canvas 49.5cm x 38.5cm (19.5in x 15in)

£800-1,200

19th & 20th Century Paintings 163

688§ HC834/12 DANNY FERGUSON (SCOTTISH 1925–1993) VIOLINIST Oil on board 49.5cm x 39cm (19.5in x 15.25in)

£300-500

689§ HB848/18 DEBRA MANIFOLD (BRITISH 1961–2002) CAFE SCENE Signed, oil on canvas 75.5cm x 53cm (29.25in x 21in)

£300-500

690 HB856/3 HILDA GOLDBERG HAUNTED FIGURE Signed, acrylic 59cm x 44.5cm (23.5in x 17.5in)

£300-500

164 Lyon & Turnbull

691§ HC649/3 WILHELMINA BARNS–GRAHAM C.B.E. (BRITISH 1924–2004) PORTHMEOR II Signed and dated 1975, signed and inscribed with date and title verso, mixed media on paper 49cm x 57cm (19.25in x 22.5in)

£700-900

692§ HB439/1 DAVID MCLURE (SCOTTISH 1926–1998) FISHING BOATS AT LOW TIDE Signed, oil on canvas 30cm x 39cm (11.75in x 15.25in)

£1,000-1,500

19th & 20th Century Paintings 165

693§ HB894/3 ALBERTO MORROCCO R.S.A., R.S.W., R.P., R.G.I., L.L.D. (SCOTTISH 1917–1998) HEAD OF A CLOWN Signed, inscribed verso, oil on board 22cm x 14cm (8.75in x 5.5in)

£1,500-2,000

693A HB602/2 CLAIRE E. ROBERTS MYTHICAL CREATURES Signed and marked ‘A/P’ and ‘3/4’, woodcut 91cm x 61cm (35.75in x 24in) (unframed)

plus 6 further unframed works including: signed M.L. Smyth oil on card, signed Richard Demarco lithograph, signed Moira Maitland watercolour, signed Jack Knox lithograph, signed Marj lithograph and signed Jack Knox mixed media on paper (7) £500-700

166 Lyon & Turnbull

694 HB585/1 JULIAN ALDER WEIR (AMERICAN 1852–1919) COASTAL SUNRISE Watercolour 14.5cm x 21.5cm (5.5in x 8.5in)

£400-600

695 HC779/1 JAMES HAMILTON MACKENZIE (BRITISH 1875–1926) NAIROBI, 1916 Signed and dated, pencil and watercolour 17cm x 25cm (6.75in x 10in)

£400-600

696 HC823/3 GEORGE F. NICHOLLS (BRITISH 1885–1937) THE FORTH BRIDGE Signed and inscribed with title, pencil and watercolour

697 HC978/3 JAMES KAY R.S.A., R.S.W. (SCOTTISH 1858–1942) STREET STALL Signed and indistinctly dated, pastel

24.5cm x 34cm (9.75in x 13.5in)

24cm x 34m (9.5in x 13.5in)

£400-600

£500-700

19th & 20th Century Paintings 167

24cm x 34cm (9.5in x 13.5in)

699§ HD65/2 FRANK MASON R.B.A., R.I., R.S.M.A. (BRITISH 1875–1965) SAMUEL PLIMSOLL Signed, inscribed with title verso, pencil and watercolour

£300-500

37cm x 53cm (14.5in x 21in)

698 HB217/17 ROBERT CLOUSTON YOUNG R.S.W. (SCOTTISH 1860–1929) THE SAILING BOAT Signed, watercolour

£400-600

700§ HB868/1 PATRICK DOWNIE (SCOTTISH 1854–1945) AN OLD CLYDE CLIPPER Signed and inscribed with title verso, watercolour on paper laid on board

701§ HD65/1 FRANK MASON R.B.A., R.I., R.S.M.A. (BRITISH 1875–1965) ROUGH SEAS Signed, oil on canvas

29cm x 42cm (11.5in x 16.5in)

39cm x 49.5cm (15.25in x 19.25in)

£400-600

£600-800

168 Lyon & Turnbull

702 HB589/3 JOSEPH FARQUHARSON (SCOTTISH 1846–1935) HAYSTACKS Oil on board

703§ HC502/1 ALICK RIDDELL STURROCK R.S.A. (SCOTTISH 1885–1953) TREES BY A POND Signed, oil on canvas laid on board

22cm x 12cm (8.5in x 4.75in)

36.5cm x 28cm (14.25in x 11in)

£300-500

£400-600

704 HC502/2 ALEXANDER YOUNG (BRITISH 1865–1923) UNLOADING TODAY’S CATCH Signed, oil on canvas 57.5cm x 42cm (22.5in x 16.5in)

£400-600

705§ HC649/5 WILLIAM MILLER FRAZER R.S.A. (SCOTTISH 1864–1961) ST. IVES, HUNTS Signed, oil on canvas 34.5cm x 26.5cm (13.5in x 10.5in) Exhibited: The Fine Art Society, July 1973

£500-700

19th & 20th Century Paintings 169

706 HB856/7 KENNETH MACLEAY R.S.A., R.S.W. (SCOTTISH 1802–1878) FLORA MACDONALD Signed and dated 1874, watercolour

707§ HB856/2 DOROTHY JOHNSTONE (BRITISH 1892–1980) PORTRAIT OF A SOLDIER Signed and dated 1916, indistinctly inscribed ‘To . . .,’ oil on canvas laid on board

24cm x 18cm (9.5in x 7.25in)

49.5cm x 39.5cm (19.5in x 15.5in)

£300-500

£400-600

708§ SV547/108 ROBERT EADIE R.S.W. (BRITISH 1877–1954) SMALL GIRL READING Signed, pencil and watercolour

709 HD511/2 MANNER OF GERRIT DOU THE SCRIBE IN AN INTERIOR Oil on panel

29cm x 20cm (11.5in x 8in)

25cm x 20cm (10in x 8in)

£300-500

170 Lyon & Turnbull

710 SV547/103 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936) ON THE ZUYDER ZEE Signed, oil on panel 25.5cm x 18cm (10in x 7in)

£2,000-3,000

711§ HB220/1 THOMAS BONAR LYON (BRITISH 1873–1955) DUNURE CASTLE Signed, oil on board 29cm x 36.5cm (11.5in x 14.5in)

£1,000-1,500

19th & 20th Century Paintings 171

712§ HB974/1 IRENE HALLIDAY R.S.W. (SCOTTISH b. 1931) BIRCH TREES, HIGH BRACKEN Signed, artist’s label with title verso, watercolour 46cm x 73.5cm (18in x 29in)

£300-500

713 HD65/3 WILLEM STEELINK (DUTCH 1856–1928) HERDING SHEEP Signed, watercolour 63cm x 95.5cm (24.25in x 37.5in)

£500-700

714§ HC677/1 ROBERT MACAULAY STEVENSON (SCOTTISH 1854–1952) MOONLIT LANDSCAPE Indistinctly signed, oil on board 63.5cm x 98.5cm (25in x 38.75in)

£600-800

172 Lyon & Turnbull

715 HC003/1 ROBERT MCGOWN COVENTRY R.S.W. (BRITISH 1855–1914) FISHING OFF THE ROCKS Signed, oil on canvas 29cm x 49.5cm (11.5in x 19.5in)

£1,000-1,500

716 HC851/1 WILLIAM MARSHALL BROWN R.S.A., R.S.W. (SCOTTISH 1863–1936) SEASCAPE Signed, oil on canvas 19cm x 29.5cm (7.5in x 11.75in)

£400-600

717 HC25/3 JAMES KAY R.S.A., R.S.W. (SCOTTISH 1858–1942) SNOW ON A WEST COAST MONUMENT Signed, oil on canvas 29cm x 45.5cm (11.5in x 19.5in)

£500-800

19th & 20th Century Paintings 173

718 SV547/83 19TH CENTURY ENGLISH SCHOOL CALABRIA Oil on board 18.5cm x 47cm (7.25in x 18.5in)

£300-500

719 HC009/1 ARTHUR MACDONALD (SCOTTISH 20TH CENTURY) HARBOUR SCENE Signed, oil on canvas 49cm x 59cm (19.25in x 23.25in)

£600-800

720 SV547/95 HENRY MORLEY (SCOTTISH 1868–1937) TIMBERYARD IN THE SNOW, EDINBURGH Signed, oil on board 13.5cm x 23cm (5.25in x 9in)

£300-500

174 Lyon & Turnbull

721§ HA678/3 ADAM BRUCE THOMSON O.B.E., R.S.A., P.P.R.S.W. (BRITISH 1885–1976) EILEAN DONAN CASTLE Signed, watercolour

722§ HB217/16 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S., R.E. (SCOTTISH 1865–1945) THE DARK HILL Signed, pencil and pastel

35.5cm x 45cm (14in x 17.75in)

24.5cm x 24cm (9.75in x 9.5in)

£300-500

723§ HB704/1 FRANK WATSON WOOD (SCOTTISH 1862–1953) COLLINGWOOD Signed, inscribed and dated 1920, watercolour

724 HB704/2 TOM SCOTT R.S.A., R.S.W. (SCOTTISH 1854–1927) BASS ROCK Signed, watercolour

10cm x 22cm (4in x 8.75in)

£300-500

and another by the same hand (2) £300-500

17cm x 25cm (6.25in x 9.75in)

19th & 20th Century Paintings 175

35.5cm x 57.5cm (14in x 22.75in)

726 HB671/15 JOHN R. TODD (SCOTTISH CONTEMPORARY) SAILING SHIPS CRESTING THE WAVE Signed and dated ‘86, oil on board

£400-600

36cm x 50cm (14in x 19.5in)

725 SV547/17 19TH CENTURY DUTCH SCHOOL ROWING OUT Indistinctly signed, watercolour

£300-500

727§ HC649/2 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S., R.E. (SCOTTISH 1865–1945) SUNDOWN Signed with initials, signed and inscribed with title verso, pen and ink and watercolour 13cm x 17.5cm (5in x 7in)

£400-600

728 SV547/175 SAM BOUGH R.S.A. (SCOTTISH 1822–1878) GREY HARBOUR Signed, watercolour 24cm x 32cm (9.5in x 12.5in)

£300-500

176 Lyon & Turnbull

729 HB894/2 BEATRICE HOW (SCOTTISH 1867–1932) MATERNITÉ Signed, oil on canvas

730 HC793/1 JAMES LITTLE (BRITISH 1875–1910) PARIS STREET SCENE Signed, watercolour

71cm x 58cm (28in x 23in)

61cm x 42cm (24in x 16.5in)

£1,000-1,500

£300-500

731§ SV547/27 MURRAY TOD (SCOTTISH 1909–1974) DEMOLITION SALE Signed and dated 1970, pen and watercolour

732§ HC758/1 VIOLA M. PATERSON (SCOTTISH 1899–1981) A NORTH ITALIAN HILL TOWN Oil on canvas

38cm x 26cm (14.75in x 10.25in)

63cm x 52.5cm (24.75in x 20.75in)

£300-500

£600-800

19th & 20th Century Paintings 177

45cm x 30cm (17.75in x 11.75in)

734§ HB741/1 JACK FIRTH R.S.W. (SCOTTISH 1917–2010) MOSAIC TERRACE AT ANTIBES Signed, inscribed verso, pencil and watercolour

£400-600

44cm x 35cm (17.25in x 13.75in)

733§ ROBERT COLQUHOUN (SCOTTISH 1914-1962) ABSTRACTED FIGURES Signed and dated ‘59 in pencil, watercolour

£300-500

735§ HB940/1 PIERO SANSALVADORE (ITALIAN 1892–1955) WINTER SUN Signed, inscribed verso, oil on board

736§ HB621/13 EMILIO COIA (SCOTTISH 1911–1997) JEKYLL AND HYDE Pencil and pastel

23.5cm x 18cm (9.25in x 7in)

34.5cm x 24cm (13.5in x 9.5in)

£300-500

178 Lyon & Turnbull

737§ HC25/13 MICHAEL D’AQUILAR (BRITISH 1924–2011) LE COUP DE VENT Signed, signed and inscribed with title verso, oil on canvasboard 49cm x 74cm (19.25in x 29in)

£400-600

738 HB671/1 20TH CENTURY SCOTTISH SCHOOL LANDSCAPE Indistinctly signed and dated ‘75, oil on canvas 40cm x 74cm (15.5in x 29.25in)

£400-600

739§ HC722/3 JAMES WATT R.G.I. (SCOTTISH b. 1931) LUNDERSTON BAY TO ARRAN Signed, oil on canvas 39cm x 90cm (15.25in x 35.5in)

£400-600

740§ HB708/12 ALISTAIR W. THOMSON (SCOTTISH CONTEMPORARY) JURA Signed, oil on canvas 22cm x 52cm (8.75cm x 20.5in)

£300-500

19th & 20th Century Paintings 179

741§ SV547/67 MURRAY TOD (SCOTTISH 1909–1974) WOMEN’S LIB Signed and dated 1972, pen and watercolour

742 HC791/1 CHARLES HODGE MACKIE R.S.A., R.S.W. (BRITISH 1862–1920) BLUEBELL WOOD Colour woodblock print

37cm x 53cm (14.5in x 20.75in)

22cm x 26.5cm (8.75in x 10.5in)

£300-500

743§ HB974/2 IRENE HALLIDAY R.S.W. (SCOTTISH b. 1931) TWO GONDOLAS, RIVA DEGLI SCHIAVONI Signed, inscribed with title verso, watercolour

744 HC786/2 BOLESLAW BUYKO (POLISH 1876–1940) CASTEL SAINT ANGELO, ROME Signed, pencil and watercolour

31cm x 54.5cm (12.25in x 21.25in)

£400-600

£300-500

34cm x 50cm (13.5in x 19.75in)

180 Lyon & Turnbull

745 HC60/1 CHARLES THOMAS BALE (BRITISH 19TH CENTURY) STILL-LIFE Signed, oil on canvas 34.5cm x 44cm (13.5in x 17.25in)

£400-600

746 SV547/97 STUART PARK (SCOTTISH 1862–1933) RED AND WHITE ARRANGEMENT Signed, oil on canvas 49cm x 39cm (19.25in x 15.5in)

£600-800

747 HC36/1 CARL WERNER (GERMAN 19TH CENTURY) STILL-LIFE WITH FRUIT Signed, oil on canvas 22cm x 29.5cm (8.5in x 11.5in)

and another, a pair (2) £400-600

19th & 20th Century Paintings 181

748§ HB737/6 SIR MUIRHEAD BONE (SCOTTISH 1876–1953) BROOMIELAW BRIDGE Signed and inscribed with title, pencil and ink on paper 12.5cm x 17.5cm (5in x 7in)

and a book, ‘Glasgow in 1901’ (2) £600-800

749§ SV564/1 PAUL MAZE (BRITISH/FRENCH 1887–1979) A ROW OF SOLDIERS Signed, watercolour 10cm x 34cm (4in x 13.5in)

and another by the same hand (2) £250-350

750 HC71/1 JAMES GILES (SCOTTISH 1801-1870) RUINS OF AN OLD BRIDGE AT AVIGNON Signed, oil on board 16cm x 34cm (6.25in x 13.5in) £500-700

182 Lyon & Turnbull

751§ SV547/104 ROBERT EADIE R.S.W. (BRITISH 1877–1954) BY THE WATER Signed, pencil and watercolour 23.5cm x 35.5cm (9.25in x 13.75in)

£300-500

752 HC23/2 WILLIAM BEATTIE BROWN R.S.A. (SCOTTISH 1831–1909) DORNOCH MOORS Signed and dated 1884, watercolour 13.5cm x 24.5cm (5.25in x 9.75in)

£400-600

753 SV547/183 19TH CENTURY FRENCH SCHOOL GATHERING TOGETHER Signed with monogram, watercolour 26cm x 35cm (10.5in x 13.75in)

and another by the same hand, a pair (2) £300-500

19th & 20th Century Paintings 183

754§ HB278/34 ALICK RIDDELL STURROCK R.S.A. (SCOTTISH 1885–1953) WILLOWS NEAR MELROSE Signed, oil on board

755§ HC823/2 GEORGE HOUSTON R.S.A., R.I., R.S.W. (SCOTTISH 1869–1947) LOCH FYNESIDE Signed, coloured pastel on buﬀ paper

30.5cm x 41cm (12in x 16in)

32cm x 37cm (12.5in x 14.5in)

Exhibited: Aitken Dott & Son, A.R. Sturrock Memorial Exhibition 1953

£400-600

756§ HC907/1 ALEXANDER S. BURNS (SCOTTISH 1911–1987) STORMY EVENING, MEARNS, UPLAND Signed, watercolour

757 HC798/1 ROBERT HOPE (BRITISH 1869–1936) COTTAGE BY THE TREES Signed, oil on canvas

56cm x 76cm (22in x 30in)

49cm x 39cm (19.25in x 15.25in)

£300-500

£600-800

184 Lyon & Turnbull

758§ HB845/11 SAM AINSLEY (SCOTTISH CONTEMPORARY) UNTITLED Screenprint 58cm x 55cm (23in x 21.5in)

and a further print by the same artist (2) £300-500

759§ HC669/4 FRANCIS CONVERY (SCOTTISH CONTEMPORARY) STILL-LIFE CLASS Signed and inscribed verso, oil on canvasboard 85cm x 100cm (33.5in x 39.5in)

£500-700

760§ HC859/1 JAMES HAWKINS (BRITISH b. 1954) BURNSIDE Signed, inscribed with title, date 1994 and artists’ name and address verso, acrylic on canvas 45.5cm x 37cm (18in x 14.5in)

£500-700 END OF SALE

Index Ainsley, S., 758 Armour, M., 592 Armour, W., 606 Asprey, M., 220 Bale, C.T., 745 Balmer, B., 686 Barns-Graham, W., 691 Barrie, M., 611, 613 Beaton, R., 675 Beechey, Sir W., manner of, 659 Bell, R.A., 151, 181 BĂŠnouville, J.A., 216 Birnie, W., 605 Bone, Sir M., 583, 748 Bough, S., 728 Boyce, G.P., 171 Briscoe, A., 626 British School, 145, 146, 147, 583A, 652, 655 Brockhurst, G.L., 577 Brown, W.B., 558, 639, 752 Brown, W.M., 716 Bulleid, G.L., 221 Burne-Jones, E.C., 149 Burns, A.S., 756 Buyko, B., 744 Cameron, K., 629 Cameron, Sir D.Y., 586, 624, 722, 727 Carmichael, R., 609 Cockerell, S.P., 174 Coia, E., 736 Colquhoun, R., 733 Condon, H. & C., 447 Continental School, 563, 566, 623 Convery, F., 759 Copely, J., 584 Coventry, R.M., 715 Cranstoun, J.H., 637 D'Aquilar, M., 737 Davies, D., 679 Davies, G.L., 603 Docharty, A.B., 591, 632 Dou, G., manner of, 709 Douthwaite, P., 681, 682 Dowell, F.G., 179 Downie, P., 638, 700 Doyle, C.A., 437, 438, 439 Dunkley, K., 677 Dunlop, R.O., 224 Dutch School, 725 Eadie, R., 708, 751 Edwards, G.H., 169 English School, 642, 643, 718 European School, 654

Faed, J. Jnr., 559 Faed, T., 640 Farquharson, J., 702 Ferguson, D., 688 Firth, J., 734 Fraser, A., 555 Fraser, R.M., 217 Fraser, V., 598 Frazer, W.M., 571, 572, 705 French School, 753 Fulton, D., 569, 595 Gaskin, A.J., 172 Giles, J., 750 Giordano, F., 553 Goldberg, H., 690 Gordon, H.M., 674 Hale, E.M., follower of, 168 Hale, R.M., 175 Halliday, I., 615, 712, 743 Hallward, R.F., 170, 176 Harrigsn, E., 684 Hawkins, J., 760 Henderson, J., 560 Henderson, K., 448, 449 Hermes, G., 671 Hope, R., 757 Houston, G., 755 Houston, J., 604 How, B., 729 Howson, P., 673 Hunter, G.L., 672 Hutchison, R.G., 556, 557, 639, 645, 646, 663, 666, 710 Jervas, C., circle of, 661 John, A., 622 Johnstone, D., 707 Kay, A., 631 Kay, J., 697, 717 Keppie, J., 450 Kerr, H.W., 664 Knight, Dame L., 628 Knox, J., 683 Labouchere, N., 667 Lamond, W.B., 636 Leggett, A., 649 Leighton, Lord F., 225 Linton, J.D., 215 Linton, Sir J.R., 154 Little, J., 730 Little, R., 668 Luny, T., 633 Luny, T., attributed to, 641 Lyon, T.B., 711

Macdonald, A., 719 Macdougall, N.M., 593 Mackenzie, J.H., 695 Mackie, C.H., 742 Macleay, K., 706 Maclise, D., follower of, 669 Macmaster, J., 565 Mactaggart, Sir W., 625 Manifold, D., 689 Mark, B., 607 Martineau, E., 218 Mason, F., 699, 701 Mastin, I., 685 Maxwell, D., 551 Maze, P., 749 McClure, D., 610, 692 McCulloch, H., attributed to, 562 McGregor, R., 554, 589 McNiven, P., 680 Michie, J.C., 561 Miller, H.V., 676 Mitchell, J.C., 567 Moore, A.A., 602 Morgan, F., 223 Morley, H., 720 Morris, J.W., 650 Morrocco, A., 693 Moynihan, R., 148 Munro, A.G., 670

Sanderson, R., 647 Sandys, E., 155 Sansalvadore, P., 735 Schell, L., 634 Schutz, J.F., 601 Scott, T., 724 Scottish School, 568, 608, 657, 662, 665, 738 Shayer, W., 648 Simpson, J., 579 Sleigh, B., 177 Solomon, S., 226, 227, 228 Southall, J.E., 214 Spare, O.S., 156, 157 Stanley-Creek, B., 158 Steelink, W., 713 Steer, P.W., 152 Stevenson, R.M., 714 Strang, W., 580, 581, 585 Strudwick, J.M., 222 Sturrock, A.R. 703, 754

Nicholls, G.F., 696 Nicholson, W., 617, 618, 621 Noble, J.C., 590 Norwich School, 644

van Bijlert, J., manner of, 656 van Couver, J., 564 van Somer, P., manner of, 658 Varley, J., 635

Orr, J., 599, 600

Wain, L.W., 442-445 Walcott, W., 582, 587, 588 Watt, E.M., 440 Watt, J., 739 Watts, G.F., follower of, 219 Weir, J.A., 694 Werner, C., 747 Wither, K., 614, 616 Wood, F.W., 723 Wylie, K., 574

Park, S., 575, 687, 746 Paterson, V.M., 732 Patten, A.F., 573 Payne, H.A., 180 Peters, M.W., after, 660 Petrie, W.M., 441 Plowright, R., 446

Taylor, E.A., 451, 452, 453 Taylor, E.R., 173 Thomson, A.B., 721 Thomson, A.W., 740 Tod, M., 731, 741 Todd, J.R., 726 Turner, H., 597, 678

Quennell, M., 150 Reid, Sir G., 653 Richardson, E., 552 Roberts, C.E., 693A Robertson, J.D., 612 Robertson, R.C., 594 Rooke, T.M., 153 Rothenstein, Sir W., 630 Roworth, E., 596 Russell, J.B., 651 Russell, T., 627 Rymer, W.A., 178

Young, A., 704 Young, R.C., 698 Zorn, A., 576, 578, 620

186 Lyon & Turnbull

Glossary of Cataloguing Terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration. Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to... In our opinion probably a work by the artist in whole or in part. Studio of ... / Workshop of ... In our opinion a work executed in the studio or workshop of the artist, possible under his supervision Circle of ... In our opinion a work of the period of the artist and showing his influence. Follower of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but not necessarily by a pupil. Manner of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but of a later date After ... In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist. Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. Dimensions are given height before width.

Scottish Paintings & Sculpture Thursday, 10th December, 2015

GEORGE JAMESONE (SCOTTISH c. 1589-1644) HEAD AND SHOULDER PORTRAIT OF MALCOLM III OF SCOTLAND Inscribed twice 'Milcolumbus Canmore Anno 1057,' and numbered no.80' oil on canvas

ÂŁ20,000-30,000

Enquiries Nick Curnow +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

Conditions of Sale SELLERS 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on “Purchase Price” is the Hammer Price and applicable Buyer‘s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. 3. PREPARATION FOR SALE (a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion.

the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

(c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised from time to time.

8. UNSOLD ITEMS

(d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing 4. TERMS OF SALE

(1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred.

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

(2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

9. LOT WITHDRAWAL

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon & Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during

If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer

to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

15. GENERAL

17. DATA PROTECTION

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

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(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

13. SALE BY PRIVATE TREATY

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

14. THIRD PARTY LIABILITY

16. AGENCY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer's sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over €15,000 (euros). (2) Any payments by you to us may be applied by us

towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot. 10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

(e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Guide to Bidding & Payment

Payment

Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to €15,000 (euros).

Collection & Shipping

Transport & Couriers Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Local Deliveries

Furniture & Larger Items

Arrangements for Sold Lots

A&S Pert Removals Tel. +44 (0)7876 343520.

Constantine Fine Art Logistics Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 enquiries@constantinemoving.com

All bought items will be held free of charge for 7 days following the sale..

New Leaf Removals Tel: +44 (0)7999 926261 info@newleafremovals.co.uk Thistle Removals Tel: +44 (0)7836 774712 thistleremovals@hotmail.co.uk

Smaller Items & Pictures Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 edinburgh@mbescotland.com Book online at www.mbe.co.uk/the_auction_room

A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 office@avmt.co.uk Aardvark Art Services Ltd Birks Farm, Ballam Road Lytham, Lancashire FY8 4NL Tel: +44 (0)1253 794673 Fax: +44 (0)1253 730580 info@aardvarkartservices.com

© Lyon & Turnbull Ltd. 2015. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

Thereafter lots will be removed to storage and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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LYON & TURNBULL AUCTIONEERS EDINBURGH

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

DECORATIVE ARTS and 19TH & 20TH CENTURY PICTURES 11TH & 12TH NOVEMBER, 2015

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 11th November, 2015 and Thursday, 12th November, 2015 33 Broughton Place Edinburgh

Decorative Arts: Design since 1860 including 19th & 20th Century Pictures

Decorative Arts: Design Since 1860 | 11th November 2015 | 11am