The Contents of Farley Hall | 13th October 2016 | 11am by Lyon & Turnbull

FarleyHall - Cover.qxp_dec arts cover 21/09/2016 11:57 Page 1

LYON & TURNBULL AUCTIONEERS EDINBURGH CONTENTS OF FARLEY HALL, SURREY

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115

13TH OCTOBER, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Thursday, 13th October, 2016 33 Broughton Place, Edinburgh

Contents of Farley Hall, Surrey

FarleyHall - Cover.qxp_dec arts cover 21/09/2016 11:57 Page 2

The Contents of Farley Hall, Surrey Thursday, 13th October, 2016 at 11am Sale Number LT452

Viewing Times Saturday, 8th October 12 noon to 4pm Sunday, 9th October 12 noon - 4pm Monday, 10th October 10am - 5pm Tuesday, 11th October 10am - 7pm Sale Day from 9am

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 12 Inside Front Cover Farley Hall Inside Back Cover Lots 143 (detail)

Collections Paul Roberts Gavin Strang

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Catalogue descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot or just want to ďŹ nd out more about the auction process.

Douglas Girton

Theodora Burrell

Nick Curnow

Iain Gale

Furniture & Works of Art douglas.girton@lyonandturnbull.com

Ceramics & Glass theo.burrell@lyonandturnbull.com

Paintings nick.curnow@lyonandturnbull.com

Paintings iain.gale@lyonandturnbull.comC

John Mackie

Trevor Kyle

Hannah Willetts

Works of Art john.mackie@lyonandturnbull.com

Silver trevor.kyle@lyonandturnbull.com

Administrator ruth.davis@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; ďŹ ve minutes walk from the saleroom

York Place Tram Stop

Waverley Station

Frederick and Anne Cowley at Farley Hall The pretty and ancient rural hamlet of Farley Green is

died in 2013 however Anne has continued this

situated in the heart of the Surrey Hills Area of

association with the annual sponsorship of The Fred

Outstanding Natural Beauty, some six miles to the

Cowley MBE Memorial Summer Mile Stakes at Ascot in

south-east of Guildford. The area is well known for its

July.

history as one of the largest Romano-British settlements

Since Fred’s passing Anne has decided to move on from

in Surrey and has the site of a Roman villa on the

Farley Hall and the contents, bought over the years from

nearby heathland. Farley Hall, sits in the middle of the

auctions and galleries in the south east of England, are

hamlet, and has a history going back several centuries.

oﬀered here for sale. Comprising a ﬁne collection of

Originally occupied by bailiﬀs and tenant farmers under

17th to 19th century furniture and works of art and a

the Albury estate it was only sold into private ownership

wonderful group of 19th century British and European

in the early 20th century. The original medieval hall

paintings, it is hoped they will give as much pleasure to

house, has, over the years, been enlarged and today is a

their future owners as they have to Mr and Mrs Cowley.

beautiful and substantial country house. Since 1976 the Hall has belonged to Frederick Cowley. Frederick, or ‘Fred’ as he was known, was associated with business in the Guildford area since 1951 when he founded his electrical engineering company in an old barn in the back lanes of the town. He went on to grow the business and acquire several more. In the 1990s he met his second wife Anne, also in the electrical engineering business, and they married in 1999. In the same year Fred was awarded an MBE for services to the Electrical Engineering Industry, receiving his award for Her Majesty the Queen at Buckingham Palace. Together Fred and Anne continued to develop the business further and the company went on to become the foremost privately owned electrical manufacturer in the UK with most of the sales going to the middle and far east. As well as their business Fred and Anne shared a love for horse racing and owned several race horses. They enjoyed a long association with Ascot racecourse as Royal Enclosure members and race sponsors. Fred sadly

Lot 123

Opposite: Lot 95 (detail)

Entrance Hall 1 HA950/16 A DUTCH FLORAL MARQUETRY ARMCHAIR 18TH CENTURY the shaped back and solid vasiform splat above a yellow ﬂoral upholstery padded seat, raised on cabriole legs 54cm wide, 97cm high, 46cm deep £400-600

2 HA950/17 A GEORGE II WALNUT AND FEATHERBANDED LOWBOY SECOND QUARTER 18TH CENTURY the rectangular top over two short and one long drawer, raised on cabriole legs ending in pointed pad feet 78cm wide, 72cm high, 51cm deep £1,500-2,500

3 HA950/18 A STAINED FRUITWOOD SPINNING WHEEL 18TH CENTURY of typical castle form with turned spindles and ivory bead decoration 48cm wide, 99cm high, 33cm deep £200-300

4 HA950/19 A SATINWOOD AND CHEQUER STRUNG TABLE VITRINE LATE 19TH CENTURY in the Sheraton style, the glazed rectangular and serpentine top and sides enclosing a velvet lined interior, raised on square tapered legs united by X-frame stretchers 63cm wide, 75cm high, 41cm deep Provenance: Purchased Harrods, Knightsbridge, 1991

£800-1,200

10 Lyon & Turnbull

5 HA950/20 A GEORGE II WALNUT AND CROSSBANDED BUREAU 18TH CENTURY of small size, the sloping slant front opening to a ﬁtted interior, above two short and two long graduated drawers, raised on bracket feet 75cm wide, 95cm high, 45cm deep £1,500-2,500

6 HA950/21 A GEORGE II MAHOGANY PARCEL GILT FRET-CARVED MIRROR 18TH CENTURY the rectangular mirror plate within a scroll cut frame with a carved giltwood ho-ho bird cresting 73cm high, 44cm wide £300-500

7 HA950/22 A DUTCH WALNUT AND MARQUETRY FOLDOVER GAMES TABLE 18TH CENTURY of serpentine outline, the hinged top above two frieze drawers, raised on foliate carved cabriole legs ending in paw feet, with ﬂoral marquetry throughout 74cm wide, 71cm high, 70cm deep (open) £1,000-1,500

The Contents of Farley Hall, Surrey 11

8 A GEORGE II WALNUT SIDE TABLE MID 18TH CENTURY the rectangular crossbanded and featherbanded top above a single frieze drawer, raised on turned and outset squared cabriole legs united by an X form stretcher 58cm wide, 70cm high, 40cm deep ÂŁ3,000-5,000

12 Lyon & Turnbull

9 HA950/24 A GEORGE II WALNUT CROSSBANDED LOWBOY 18TH CENTURY the rectangular top over three featherbanded short drawers in an arched frieze and raised on cabriole legs ending in triﬁt feet 77cm wide, 70cm high, 50cm deep £2,000-3,000

10 HA950/25 A PAIR OF QUEEN ANNE STYLE UPHOLSTERED WING ARMCHAIRS CIRCA 1900 in ﬂoral needlework and green velvet with loose cushion seats, raised on bobbin turned legs united by stretchers (2) 75cm wide, 117cm high, 54cm deep £600-800

11 HA950/27 A QUEEN ANNE WALNUT AND UPHOLSTERED STOOL EARLY 18TH CENTURY the rectangular padded top in needlework upholstery, raised on carved cabriole legs united by pierced stretchers 51cm wide, 42cm high, 38cm deep £700-1,000

The Contents of Farley Hall, Surrey 13

12 A CHARLES I CARVED OAK ARMORIAL CREST 17TH CENTURY carved and pierced in high relief 57cm wide, 58cm high Note: A personâ&#x20AC;&#x2122;s coat of arms indicated their lineage and social standing. Carved armorial panels were thus made to be displayed prominently in aristocratic homes as a visible sign of their pedigree. Royal armorial panels, such as this one showing the arms of Charles I, were similarly used to display familial links or close friendship with the monarchy. They might be hung above doorways or used as the centrepiece of chimneypiece and state bed decorations. After the 1534 English Reformation, they were also made to go in churches, a practice which continued throughout the 17th century.

ÂŁ3,000-5,000

14 Lyon & Turnbull

13 HA950/28 A PAIR OF FRENCH GILT BRASS MIRRORS 19TH CENTURY the oval mirror plates within foliate cast and ribbon tied frames (2) 75cm wide, 88cm high £800-1,200

14 HA950/26 A DUTCH MAHOGANY OYSTER BUCKET 19TH CENTURY the slatted bowl top ﬁtted with a brass liner on a turned column and ringed circular platform base, raised on ball feet

15 HA950/35 AN ENGLISH MAHOGANY BANJO BAROMETER BY D. GRINOBLI, LONDON 19TH CENTURY of typical form with silvered brass dials and boxwood stringing

37cm diameter, 44cm high

32cm wide,107cm high

£300-500

The Contents of Farley Hall, Surrey 15

16 HA950/43 A GEORGE II WALNUT AND UPHOLSTERED SIDE CHAIR 18TH CENTURY the arched upholstered back and shaped stuﬀ over seat raised on cabriole legs united by stretchers and ending in pad feet, covered in a green silk upholstery 55cm wide, 99cm high, 45cm deep £700-1,000

17 HA950/41 A GEORGE III MAHOGANY AND SATINWOOD BANDED DEMILUNE CARD TABLE LATE 18TH CENTURY with ebony stringing, raised on square tapering legs ending in spade feet 97cm wide, 71cm high, 45cm deep (closed) £600-800

18 HA950/42 A QUEEN ANNE WALNUT CANDLE STAND EARLY 18TH CENTURY the circular top on an octagonal baluster tapering column raised on splayed tripod legs 31cm wide, 79cm high £1,000-1,500

16 Lyon & Turnbull

19 HA950/34 AN ENGLISH BRASS LANTERN CLOCK LATE 17TH CENTURY with a verge escapement, unsigned 16.5cm wide, 41cm high, 14.5cm deep Provenance: Purchased Raﬀerty Fine Antique Clocks, 1997

£1,000-1,500

20 HA950/37 A FRENCH MINIATURE BRASS CARRIAGE TIMEPIECE LATE 19TH CENTURY with a circular white enamel dial 8cm high £200-300

21 HA950/38 A FRENCH MINIATURE BRASS CARRIAGE TIMEPIECE LATE 19TH CENTURY with rectangular white dial 8cm high £150-250

22 HA950/48 A SET OF VICTORIAN POSTAL SCALES 19TH CENTURY of typical form with foliate engraved details, raised on a mahogany platform base 18cm wide £150-250

23 HA950/49 A COLLECTION OF BRASS AND COPPERWARE 19TH CENTURY AND LATER to include a GROUP OF HORSE BRASSES, mounted on leather straps, 47cm, 50cm and 60cm long; TWO COPPER HUNTING HORNS, 90cm and 130cm; TWO PESTLE AND MORTARS, 11cm and 12cm diameter; a PAIR OF CANDLESTICKS, 16cm high; a KETTLE ON STAND, 27cm high; a COFFEE POT, 22cm high; a JELLY MOULD, 10cm high, etc. (qty.) £200-300

The Contents of Farley Hall, Surrey 17

24 HA950/47 A REGENCY ROSEWOOD BRASSMOUNTED POST BOX EARLY 19TH CENTURY with lattice sides and a recessed brass handle and inscribed brass plaques, on squat bun feet 25cm wide, 12cm high, 16cm deep £300-500

25 HA950/52B A VICTORIAN SCOTTISH ROOTWOOD SNUFF BOX 19TH CENTURY the hinged cover decorated in penwork with a portrait of a man taking snuﬀ, entitled ‘The Last Pinch’, against a thistle ground 15cm wide, 14cm deep £500-800

26 HA950/242 A PAIR OF BRONZE AND GILT METAL MOUNTED TWIN-BRANCH CANDELABRA 19TH CENTURY each cast with the ﬁgure of a putto holding aloft twin scrolled branches on marble plinths (2) 31cm high £800-1,200

27 HA950/247 A COROMANDEL WOOD CARVED SCULPTURE CONTEMPORARY depicting a horse and foal, carved maker’s mark to base NTG/ NJANA TILEM GALLERY/ MAS-BALI, with incised artist’s signature 27cm high £200-300

Note: This snuﬀ box is entirely typical of the early type of Scottish box making, most popular during the 1820s. The primary product of the Scottish workshops at this time was hand-painted snuﬀboxes utilising the new ‘hidden hinge’ technique. As all the decoration was carefully drawn on by artisans these boxes were relatively time-consuming to produce. It was only the introduction of transfer printing centred around the town of Mauchline in Ayrshire during the 1840s that allowed makers to produce objects in large quantities, primarily for the tourist market.

18 Lyon & Turnbull

28 HA950/31 KASHAN RUG EARLY 20TH CENTURY the indigo ﬁeld with a central red medallion and all over foliate ornament within an ivory border 209cm x 136cm £300-500

29 HA950/32 KASHAN RUG EARLY 20TH CENTURY the powder blue ﬁeld with a central indigo medallion, having an all over foliate ornament, within a main ﬂoral border 199cm x 135cm £300-500

30 HA950/194 RUDOLF KAESBACH (GERMAN, 1873-1950) A GOOD DAY’S WORK bronze, dark brown patina 32cm long, 24cm high £2,000-3,000

The Contents of Farley Hall, Surrey 19

31 HA950/192 SYLVAIN KINSBURGER (FRENCH, 1855-1935) LORD WELLINGTON AND ADMIRAL NELSON pair of patinated spelter ﬁgures, dark brown patina, on a turned wood base (2) 40cm high £800-1,200

32 HA950/195 PAIR OF LARGE PATINATED SPELTER FIGURES OF CAVALIERS 19TH CENTURY bronzed patina, on circular bases inscribed ‘CINQ MARS’ and ‘DE THOU’ (2) 91cm high; the other 90cm high £1,200-1,800

20 Lyon & Turnbull

33 HA950/185 FRANÇOIS BRUNERY (ITALIAN, 1849-1926) LES JOUEURS DE JAQUET Signed, oil on canvas 50cm x 60cm (19.5in x 23.75in) Provenance: Purchased Fine Art of Oakham, 1997

£6,000-8,000

The Contents of Farley Hall, Surrey 21

34 HENRY GILLARD GLINDONI (BRITISH, 1852-1913) ‘1793’ A REVOLUTIONIST Signed and dated 1890, oil on canvas 40.5cm x 30.5cm (16in x 11.5in) and a companion a pair ‘The Turnkey’ (2) Provenance: Christie’s, London, Sale 4932, 5 March 1993, lot 144 Exhibited: London, Royal Society of British Artists, 1890, nos. 401 and 406

£1,500-2,500

22 Lyon & Turnbull

35 HA950/188 § MARGARET DOVASTON (BRITISH, 1884-1955) BACK FROM THE SOUTH SEAS Signed, oil on canvas 50cm x 68cm (19.75in x 26.75in) Provenance: The British Printing Corporation, Ltd.; Christie’s, 8 July 1966, lot 31 Frost & Reed Cooling Galleries, London Purchased Christie’s, London, Sale 4990, 11 June 1993, lot 243

£3,000-5,000

36 HA950/187 § MARGARET DOVASTON (BRITISH, 1884-1955) READING THE COMPOSITION Signed, inscribed verso and dated 21/4/47, oil on canvas 50.5cm x 68.5cm (20in x 27in) Provenance: The British Printing Corporation, Ltd.; Christie’s 8 July 1966, lot 32 Purchased Christie’s, London, sale 4990, 11 June 1993, lot 242

£3,000-5,000

The Contents of Farley Hall, Surrey 23

37 HA950/190 § EDGAR HUNT (BRITISH, 1876-1953) FARMYARD FRIENDS Signed and dated 1920, oil on canvas 56cm x 76cm (22in x 30in) Provenance: Purchased Fine Art of Oakham, 1996 Note: Edgar Hunt was born in Birmingham in 1876 into a family with a painting tradition; his uncle was the successful animal painter Walter Hunt (1861-1941). Edgar choose to focus his artistic attentions solely on the animals of the farmyard, depicting poultry, cattle, horses, donkeys and doves in romanticised scenes. His highly detailed technique meant he became the foremost painter of his generation in this particular, popular genre. Artworks like ‘Farmyard Friends’ held a great appeal for those living in the city, who maintained a particular fondness for the countryside, and wished to decorate their urban homes with its scenes. It is little surprise that Hunt found such success, and a group of wealthy collectors, in his hometown of Birmingham, the leading manufacturing city of the time.

£10,000-15,000

The Breakfast Room

38 HA950/6 A GOOD PAIR OF WILLIAM AND MARY CARVED WALNUT SIDE CHAIRS LATE 17TH CENTURY the foliate carved and pierced crest rails centred by urn finials above a carved and pierced splat flanked by fluted columns, over a stuff over seat in red damask upholstery, raised on square baluster legs joined by carved X form stretchers centred by urn finials and raised on ball feet (2) 51cm wide, 130cm high, 40cm deep Provenance: Avon Antiques, Bradford-on-Avon

£2,000-3,000

39 HA950/120D TWO WROUGHT IRON STANDING CANDELABRA MID 20TH CENTURY each with ﬁve drip trays on a triangular scrollwork support and tall column raised on scrollwork tripod base (2) 171cm and 154cm high £150-250

The Contents of Farley Hall, Surrey 25

40 HA950/199 19TH CENTURY ENGLISH SCHOOL THE ART OF CONVERSATION Oil on canvas 31cm x 25.5cm (12in x 10in) and a companion a pair ‘Too much drink’ (2) Provenance: Purchased Christie’s, London, Sale 4932, 5 March 1993, lot 125

£1,000-1,500

41 HA950/191 JOHN ARTHUR LOMAX (BRITISH, 1857-1923) THE VICTIM Signed, inscribed and dated on old label on the reverse ‘Academy 1902/ Catalogue no. (575)’, oil on panel 30cm x 46cm (12in x 18in) Provenance: Purchased Christie’s, London, Sale 4990, 11 June 1993, lot 244

£2,000-3,000

26 Lyon & Turnbull

42 HA950/1 AN ASSEMBLED JACOBEAN STYLE OAK DINING SUITE 20TH CENTURY to include A SIDEBOARD, the rectangular top over three short frieze drawers with cupboards below, carved with lions’ masks and foliate motifs, raised on block feet, 178cm wide, 86cm high, 54.5cm deep; A DRAW LEAF DINING TABLE, the plank top with draw leaf ends raised on baluster turned legs united by an X form stretcher, 226cm long, 73cm high, 83cm deep (extended); A SET OF FIVE LEATHER UPHOLSTERED DINING CHAIRS, comprising one armchair and four side chairs, each with arched padded backs and seats upholstered in brown leather, raised on turned legs; together with a similar side chair, 48cm wide, 97cm high, 37cm deep; A SMALL CUPBOARD, the rectangular top over a pair of foliate carved panel doors, raised on turned legs united by stretchers, 91cm wide, 55cm high, 54cm deep; and A CREDENCE TABLE, the shaped top above a ﬂuted frieze with a single drawer ﬂanked by canted angles, raised on turned legs united by stretchers, 84cm wide, 72cm high, 38cm deep (10) £1,000-1,500

The Contents of Farley Hall, Surrey 27

43 HA950/200 FRANÇOIS BRUNERY (ITALIAN, 1849-1926) A GOOD STORY Signed, oil on canvas 60cm x 49cm (23.5in x 19.25in) Provenance: Purchased Haynes Fine Art of Broadway, 1997

£5,000-7,000

28 Lyon & Turnbull

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44 HA950/198 GIOVANNI BATTISTA TORRIGLIA (ITALIAN, 1858-1937) AT THE SPINNING WHEEL Signed, oil on canvas 72cm x 107cm (28.25in x 42in) Note: Giovanni Battista Torriglia undertook advanced painting studies in Florence. During his time there, Torriglia was focussed on religious scenes and earned various commissions to create decorative schemes for the inside of several churches in nearby towns. From 1901, he re-located to Tuscany, and it was at this time that he started to move away from religious and historical painting and commence creating the romantic scenes of domestic, family life that he is now known for. ‘At the Spinning Wheel’ is a lovely example of Torriglia’s ability to create charming, family scenes, with strong characterisation and a clear narrative element. His precise attention to detail is clearly apparent in the busy scene, which clearly demonstrates the tenderness between three generations of the family and their shared joy in domestic activity.

£30,000-50,000

The Dining Room

45 HA950/8 A GOOD SET OF TWELVE CHINESE CHIPPENDALE STYLE PINE AND BEECH DINING CHAIRS, RETAILED BY CALLOW OF MOUNT STREET CIRCA 1930 comprising four armchairs and eight side chairs, the serpentine top rail with scroll carved ears above a pierced and carved interlaced splat and drop in seat, raised on blind fret carved square chamfered legs (12) 56cm wide, 97cm high, 44cm deep Provenance: Purchased Sotheby’s, Billingshurst, 17 September 1991, lot 276, “The Contents of West Marden Hall”, former home of John Frederick Lambton, 5th Earl of Durham Note: The Callow of Mount Street firm was originally founded in 1841 by Thomas Callow. The name went through a number of variations, changing to Thomas Callow & Son in 1852 and Oscar Callow in 1925, but consistently used its smart Mayfair address as an identifier. The firm appears to have made and sold a variety of objects, but specialised particularly in small silverware objects and riding equipment. They are listed in Charles Dickens Junior’s 1879 ‘Directory of London’ as the official Royal whipmakers.

£8,000-12,000

46 HA950/9 A GEORGE II STYLE PINE, BEECH, AND MAHOGANY INLAY CROSSBANDED TRIPLE PEDESTAL DINING TABLE, RETAILED BY CALLOWS OF MOUNT STREET CIRCA 1930 the long rectangular top with greek key inlaid border, raised on carved and ﬂuted pedestal supports on cruciform feet and united by a cross stretcher 304cm long, 75cm high, 92cm deep Provenance: Purchased Sotheby’s, Billingshurst, 17 September 1991, lot 275, “The Contents of West Marden Hall”, former home of John Frederick Lambton, 5th Earl of Durham

£2,000-3,000

The Contents of Farley Hall, Surrey 33

47 HA950/7 A LATE GEORGE III MAHOGANY PLATE AND CUTLERY STAND LATE 18TH CENTURY the compartmented top raised on a reeded support and outswept legs terminating in brass caps and castors 60cm wide, 78cm high, 30cm deep Provenance: Sotheby’s, London, 20 September, 1991, lot 131

£1,000-1,500

34 Lyon & Turnbull

48 HA950/10C A GEORGE III OAK GATE LEG TABLE 18TH CENTURY the oval top with drop down sides raised on baluster turned legs joined by peripheral stretchers 127cm wide, 75cm high, 92cm deep (open) £600-800

49 HA950/10 A GEORGE III OAK AND MAHOGANY BANDED DRESSER 18TH CENTURY the rectangular top over an arrangement of seven short drawers enclosing a central pair of cupboard doors, raised on ogee bracket feet 216cm long, 81cm high, 51cm deep Provenance: Harrods, Knightsbridge, 1991

£2,000-3,000

The Contents of Farley Hall, Surrey 35

50 HA950/13 A GOOD GEORGE III SATINWOOD, INLAY, CROSSBANDED AND CHEQUER STRUNG KNIFE BOX 18TH CENTURY of serpentine outline, the sloped hinged lid with shell motif inlay opening to an interior now ﬁtted for stationery, mounted with a silver escutcheon and armorial 23cm wide, 38cm high, 29cm deep £400-600

51 HA950/12 A FRENCH GILT METAL AND WHITE MARBLE CLOCK GARNITURE 19TH CENTURY The circular white painted dial supported by gilt metal putti on a shaped platform base, with a pair of candelabra with putti holding twin branch candle arms raised on white marble bases [3] 38cm high £600-800

52 HA950/14 A DUTCH MAHOGANY AND FLORAL MARQUETRY DECANTER BOX LATE 18TH CENTURY The curved hinged lid and sides in ﬂoral marquetry with birds, opening to an interior ﬁtted with six associated gilt decorated decanters 25cm wide, 26cm high, 17cm deep £500-800

The Contents of Farley Hall, Surrey 37

54 HA950/15 A GEORGE III STYLE MAHOGANY AND SILVER PLATE MOUNTED TRAY 19TH CENTURY of circular form with a pie crust edge, mounted with silver plated handles 52cm diameter £300-500

55 HA950/161 A GEORGE III MAHOGANY DUMB WAITER 18TH CENTURY with three graduated dished tiers, raised on a tripod base 59cm diameter, 103cm high £600-800

53 HA950/80 A HEREND ‘COUNTY APPONYI’ PART DINNER, TEA AND COFFEE SERVICE 20TH CENTURY for eight place settings, to include a large oval tureen and cover; two circular tureens and covers, one with a stand; a fish platter; a tazza; a sauce boat; a ladle; two platters; eight side plates; eight crescent dishes; eight dinner plates; eight soup dishes; eight luncheon plates; eight dessert dishes; a tea pot; a coffee pot; a milk jug; a cream jug; a covered sugar bowl; eight coffee cups and saucers; eight tea cups and saucers; and two cake/bread plates, with blue printed, painted and impressed marks; together with a GROUP OF HEREND PORCELAIN, including four baskets, an inkwell, and three covered dishes/boxes (qty) £2,000-3,000 See illustration opposite

38 Lyon & Turnbull

56 HA950/166 A SET OF THREE EDWARDIAN SILVER BONBON DISHES 1907 of boat shape form with ornate foliate pierced sides, hallmarked Sheﬃeld 1907 (3) largest 24cm wide, 632g Largest: 24cm wide £250-400

57 HA950/167 A PIERCED SILVER BASKET RICHARD MARTIN AND EBENEZER HALL, 1891 of lobed oval form with a swing handle and ornate pierced panelled sides, on a pierced domed foot, hallmarked London, 1891 32cm wide, 729g £600-900

58 HA950/168 A GEORGE III STYLE SILVER BASKET WILLIAM HUTTON & SONS LTD., 1913 of boat shape form with a reeded swing handle and rim, with a reticulated rim and domed foot, hallmarked Sheﬃeld 1913 36cm wide, 1110g £700-900

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59 HA950/170 AN EDWARDIAN SILVER CENTREPIECE BOWL MAPPIN & WEBB, 1913 in the Neoclassical style, the sides with satyr masks, raised on a socle foot with claw feet, hallmarked London 1913 21cm diameter, 1285g £400-600

60 HA950/169 A FINE SILVER MOUNTED CLARET JUG AUSTRO-HUNGARIAN, LATE 19TH CENTURY with a ﬂared spout and mask cast double cscroll handle over an etched tapered glass body and circular foot, inscribed 30 SEPTEMBER/ 1889/ PAUL VON KORN, stamped 84 34cm high £1,000-1,500

61 HA950/165 A PAIR OF SILVER WINE COASTERS ROBERT GARRARD, LONDON, 1978 with pierced sides (2) 15.5cm diameter £300-400

62 HA950/172 A SILVER WAITER ELKINGTON & CO., 1899 with a gadrooned edge and three shell cast scroll feet, hallmarked Birmingham 1899

63 HA950/171 A WILLIAM IV SILVER WAITER THOMAS BRADLEY & SONS, SHEFFIELD, 1933 with a pie crust edge and three scroll feet, hallmarked Sheﬃeld 1933

26cm diameter, 583g

16cm diameter, 201g

£200-250

£180-250

40 Lyon & Turnbull

64 HA950/175 A GEORGE III SILVER SALVER ROBERT REW, LONDON, 1767 with a shell and bead cast rim, raised on four claw and ball feet, engraved with an armorial crest under a stag’s head and motto ‘PRO ARIS ET FOCIS’ 35cm diameter, 1320g £700-900

65 HA950/173 A VICTORIAN SILVER BASKET JOHN EDWARDS, 1858 of boat shape form with a reeded swing handle and pierced sides, hallmarked London 1858 31cm wide, 991g £400-600

66 HA950/174 A GEORGE V RETICULATED SILVER BASKET JOSIAH WILLIAMS & CO, 1926 of shaped oval form, with ornate foliate scroll pierced sides, raised on four cast bracket feet, hallmarked London, 1926 31cm wide, 1020g £400-600

67 HA950/177 A WILLIAM IV SILVER SUGAR BOWL PAUL STORR, LONDON, 1836 the lobed sides with foliate engraved decoration and twin s-scroll handles, hallmarked London 1836 20.5cm wide, 488g £250-400

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68 HA950/208 LOUIS HAGHE (BRITISH, 1806-1885) ‘THE BRIGAND’ - THE TRIAL OF ARMAND VAN DER VELDE IN THE HALL OF JUSTICE IN BRUGES Signed and dated 1881, watercolour 76cm x 106cm (30in x 41.75in) Provenance: Purchased Sotheby’s London, 27 October 1992, Lot 1114

£1,000-1,500

69 HA950/211 STEPHEN LEWIN (BRITISH, 1890-1910) THE LAST GAME Signed and dated 1908, oil on canvas 61cm x 81cm (24in x 32in) Provenance: Purchased Christie’s, London, Sale 4932, 5 March 1993, lot 132 With Hare & Whitley, Scarborough

£2,000-3,000

42 Lyon & Turnbull

70 HA950/212 WILLIAM HENRY FISK (BRITISH, 1827-1884) TROUBLESOME DAYS, FIRE OF LONDON Signed, oil on canvas 86cm x 127cm (33.75in x 50in) Provenance: Purchased Christie's, London, Sale 4932, 5 March 1993, Lot 148

£2,000-3,000

71 HA950/210 JOHN SEYMOUR LUCAS (BRITISH, 1849-1923) THE CALL TO ARMS Signed and dated 1894, oil on canvas 64cm x 98cm (25.25in x 38.5in) Provenance: Purchased Christie's, London, Sale 4990, 11 June 1993, Lot 246

£3,000-5,000

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72 HA950/209 RICHARD CATON WOODVILLE JR. (BRITISH, 1856-1926) THE RETURN FROM BALACLAVA, THE GALLANT 600, 17/21ST LANCERS Signed and dated 1894, watercolour 50cm x 91cm (19.75in x 36in) Provenance: Purchased Fine Art of Oakham, 1996

Â£5,000-7,000

The Sitting Room 73 HA950/57 A FRENCH AMBOYNA AND BRASS MOUNTED DECANTER STAND 19TH CENTURY the hinged lid opening to an interior ﬁtted with gilt glass decanters and glassware 35cm wide, 27cm high, 24cm deep £500-800

74 HA950/54 A FRENCH BRASS AND CHAMPLEVE ENAMEL FOUR GLASS MANTEL CLOCK 19TH CENTURY the eight day striking movement with a white Arabic number dial set in a brass and glazed case decorated with foliate champlevé enamel 18cm wide, 34cm high, 14.5cm deep £800-1,200

75 HA950/55 A GOOD GEORGE III SATINWOOD AND CROSSBANDED TEA CADDY LATE 18TH CENTURY of rectangular form ﬁtted with two oval tea canisters and a cobalt blue glass bowl, the hinged lid ﬁtted with a sterling silver swing handle with rubbed hallmarks 30cm wide, 15cm high, 15cm deep £400-600

76 HA950/60 A COLLECTION OF COPPER AND BRASSWARE 19TH CENTURY AND LATER to include a CREAM PAIL, with swing handle, 38cm high; TWO HARVESTER MEASURES, 24cm and 27cm high; A SAMOVAR, of cylindrical form, 34cmhigh; A BED WARMER, 100cm long; TWIN HANDLED CHAFING DISH, 23cm across and a TWIN HANDLED POT, 39cm across (7) £200-300

77 HA950/58 A REUGE CYLINDRE MUSIC BOX MODERN playing ﬁfteen airs, in a mahogany case 39cm long £200-300

78 HA950/246 A PAIR OF ITALIAN CARVED WALNUT AND BRONZE BELLOWS 19TH CENTURY in the 16th century manner, deeply carved with winged ﬁgures, strapwork and scrolling foliage 77cm long £200-300

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79 HA950/61 A PAIR OF KPM PORCELAIN URNS AND COVERS 19TH CENTURY of ovoid shape, decorated with ﬁgures in garden landscapes and ﬂoral sprays, with gilt details, underglaze blue sceptre mark (2) 27cm high £400-600

80 HA950/65 A BOHEMIAN WHITE OVER BLUE GLASS VASE AND COVER 19TH CENTURY of tapered form, the pale blue glass body overlaid with white glass cut with panels and decorated in gilt and coloured enamels with foliate ornament 39cm high £250-350

81 HA950/236 A LALIQUE CLEAR AND FROSTED GLASS FIGURE POST 1945 moulded as a naked girl on a naturalistic base, etched maker’s mark LALIQUE/ FRANCE 23cm high £250-350

82 HA950/235 A PAINTED EARTHENWARE VASE BY ZSOLNAY, PECS LATE 20TH CENTURY of shouldered tapering form, painted in gilt and coloured enamels with panels of Persian designs, printed maker’s mark, painted inscription UNIQUE PIECE BY MISS E. FETON/ 871/ II/ 5999 41cm high £200-300

48 Lyon & Turnbull

83 HA950/62 A PAIR OF CONTINENTAL PORCELAIN FIGURES 19TH CENTURY modelled as a gentleman and companion, with a dog and lamb at their feet (2) 36cm high £400-600

84 HA950/64 A PAIR OF CONTINENTAL PORCELAIN FIGURES 19TH CENTURY modelled as a gentleman and companion holding ﬂoral bouquets (2) 44cm high £500-800

85 HA950/232 A GROUP OF FOUR ROYAL DOULTON FIGURES

86 HA950/233 A GROUP OF HEREND PORCELAIN ANIMAL FIGURES

87 HA950/234 A GROUP OF HEREND PORCELAIN ANIMAL FIGURES

MID 20TH CENTURY to include ‘Goose Girl’, HN559 (head broken and re-stuck), 21cm high; ‘Blue Beard’, HN2105, 27.5cm high; ‘Spring Flowers’, HN1809, 18.5cm high; and ‘Market Day’, HN1991, 19cm high (4)

20TH CENTURY to include three owls, 13cm high, 12cm high and 5cm high; a cockerel, 13.5cm high; two rabbits, 14cm high and 10cm high; a monkey, 7.5cm high; three guinea fowl, 15.5cm high and 7cm high; a long-tail pheasant, 22cm long; and three ducks, 10.5cm high, 12.5cm long and 7cm high (14)

20TH CENTURY to include a Chinese Lion, 26cm high; a large rabbit, 30cm high; a pelican, 21.5cm; a cockerel, 24cm high; a turkey, 12.5cm high; two pairs of rabbits, 14.5cm high; and two pheasants, 33cm long (9)

£300-500

£300-400

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88 A MEISSEN PORCELAIN FIGURE GROUP ‘CAPTURE OF THE TRITONS’ LATE 19TH CENTURY after the model by J.J. Kändler, blue crossed swords mark and incised C35 32cm high £1,000-1,500

50 Lyon & Turnbull

89 HA950/126 A GEORGE III MAHOGANY, BURR WOOD, FRUITWOOD AND MARQUETRY WORK TABLE 18TH CENTURY the serpentine top with a rising draught screen over a single frieze drawer, inlaid with ﬂoral marquetry, raised on slender square cabriole legs, 43.5cm wide, 77cm high, 35cm deep £1,000-1,500

90 HA950/128 A FINE GEORGE III SATINWOOD WORK TABLE LATE 18TH CENTURY the shaped cruciform top with a hinged cover and ﬁtted with short drawers, raised on a square tapered support ending on downswept square curved legs with ebony stringing, ending on brass caps and castors 44cm wide, 81cm high, 36cm deep Note: Work tables such as this became increasingly popular over the course of the 18th century. They had the stated purpose of storing women’s sewing items but in reality the designs were more focused aesthetic delicacy than practicality. This work table is particularly interesting due to the cruciform shape of the top; most other examples from this time are circular or square. However, such individual items are to be expected from a period when the variety in types and style of household furniture were expanding rapidly.

£3,000-5,000

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91 HA950/127 A GEORGE III MAHOGANY AND INLAID OVAL TRAY 18TH CENTURY, THE STAND LATER the oval tray with a serpentine rail and centred by a shell inlay, raised on a later stand with moulded splayed legs 77cm wide, 48cm high, 55cm deep £400-600

92 HA950/153 A GEORGE III MAHOGANY OPEN ARMCHAIR 18TH CENTURY in the French Hepplewhite style, the cartouche shaped back over part padded arms and a stuﬀ over seat, in pale green/grey silk upholstery, raised on shell and ﬂower carved cabriole legs ending in scrolled toes 60cm wide, 88cm high, 51cm deep Provenance: Purchased Christie’s, London, 1 April 1993, sale 4949, lot 14

£1,500-2,500

93 HA950/135 A GEORGE III PERIOD MAHOGANY TILT TOP TRIPOD TABLE 18TH CENTURY the dished top with a piecrust edge on a stop ﬂuted and acanthus carved column, raised on acanthus carved cabriole legs ending in claw and ball feet 49cm diameter, 62cm high, Provenance: Purchased Sotheby’s, 2 October 1992, lot 96

£700-1,000

52 Lyon & Turnbull

94 HA950/134 A GOOD GEORGE III MAHOGANY KETTLE STAND, POSSIBLY IRISH 18TH CENTURY the dished piecrust top with a double scrolled border, on a carved and turned knopped column raised on shell carved cabriole legs, ending in claw and ball feet 36cm diameter, 56cm high Provenance: Purchased Christie’s, London, 1 April, 1993, sale 4949, lot 177

£2,000-3,000

95 HA950/129 A GEORGE III MAHOGANY FRAMED SERPENTINE SOFA CIRCA 1770 in the French style, the padded serpentine back curving to enclosed moulded arms over a loose triple cushion seat, raised on leaf carved cabriole legs with foliate carved scroll toes, in pale peach upholstery 195cm wide Provenance: Purchased Sotheby’s, London, 20 September 1991, lot 105

£2,000-3,000

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96 HA950/131 A GOOD VICTORIAN WALNUT AND MARQUETRY BREAKFAST TABLE 19TH CENTURY the circular top inlaid with various stained and ﬁgured woods with cartouches depicting musical trophies, songbirds, and ﬂoral bouquets within bands of scrolling foliage and vines, raised on a carved pedestal support on a tripod base with foliate carved scroll legs with ceramic castors 135 diameter, 76cm high Provenance: Purchased Harrods, Knightsbridge, 1993

£4,000-6,000

54 Lyon & Turnbull

97 HA950/141 A VICTORIAN BURR WALNUT AND MARQUETRY JARDINIÈRE 19TH CENTURY the moulded rectangular top ﬁtted with a lift oﬀ cover opening to a void interior, over a serpentine frieze and raised on square cabriole legs 61cm wide, 74cm high, 39cm deep £300-500

98 HA950/145 A NEAR PAIR OF LOUIS XV STYLE WALNUT FRAMED BERGÈRE À OREILLES 19TH CENTURY the top rails carved with ﬂowers, swags and garlands above padded backs, enclosed arms and loose cushion seats in cream silk and ﬂoral upholstery, raised on shell carved cabriole legs ending in scroll toes (2) 70cm wide, 101cm high, 54cm deep £800-1,200

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99 HA950/133 A VICTORIAN WALNUT AND UPHOLSTERED THREE PIECE PARLOUR SUITE 19TH CENTURY comprising a settee, an open armchair, and a side chair; with button upholstered spoon backs above stuﬀ over seats in cream foliate fabric, raised on cabriole legs with ceramic castors (3) Settee 162cm wide, 101cm high, 56cm deep £3,000-5,000

100 HA950/132 A VICTORIAN WALNUT AND UPHOLSTERED LOW STOOL 19TH CENTURY the rectangular padded drop-in seat upholstered in cream foliate pattern fabric, within a walnut moulded frame raised on cabriole legs ending on ceramic castors 93cm wide, 43cm high, 53cm deep £600-800

56 Lyon & Turnbull

101 HA950/139 A FINE REGENCY PERIOD ROSEWOOD AND SATINWOOD DRUM LIBRARY TABLE, IN THE MANNER OF GEORGE SMITH CIRCA 1815 the circular top with satinwood crossbanding over a frieze with four real and four dummy drawers divided by gilt bronze ﬁgural mounts, on a square pedestal support and cruciform platform continuing to sabre legs ending in brass hairy pawcaps and castors 122cm diameter, 72cm high Provenance: Purchased Sotheby’s, London, 22 May 1992, lot 304 Note: The cruciform arrangement of the base and legs of this table are related to an engraving published by George Smith in ‘Designs for Household Furniture’ and reproduced by Edward T. Joy ‘Pictorial Dictionary of British Furniture Design’ p. 481

£6,000-8,000

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102 HA950/136 A GEORGE III MAHOGANY KETTLE STAND 18TH CENTURY the dished top with a piecrust edge, on an ﬂuted turned tapered column raised on acanthus carved cabriole legs ending in shell carved feet 31cm diameter, 55cm high £2,000-3,000

103 HA950/137 A QUEEN ANNE WALNUT AND UPHOLSTERD OPEN ARMCHAIR EARLY 18TH CENTURY the arched padded back over a stuﬀ over seat and shepherd’s crook arms raised on shell carved cabriole legs ending in pad feet, in green ﬂoral silk upholstery 90cm wide, 116cm high, 57cm deep £1,000-1,500

104 HA950/138 A GEORGE III MAHOGANY, SATINWOOD AND MARQUETRY INLAID WINE COOLER LATE 18TH CENTURY the oval satinwood banded top inlaid with berried leaves and opening to a lead lined compartmented interior; the conforming body inlaid with satinwood ﬂuting, foliate scrolls and drapery swags between ﬂuted pilasters, raised on square tapered legs ending in brass caps and castors 62cm wide, 57cm high, 47cm deep Provenance: Purchased Sotheby’s, London, 2 October 1992, lot 113

£1,000-1,500

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105 HA950/140 A PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS 18TH CENTURY in the French Hepplewhite style, with oval padded backs, part padded arms and bowed seat, above a channelled frame and ﬂuted frieze, raised on turned tapered and ﬂuted legs ending in leaf carved feet, in peach upholstery 59cm wide, 95cm high, 48cm deep Provenance: Purchased Christie’s, London, 25 February 1993, sale 4926, lot 106 Property of Sir Edgar and Lady Breck

£2,000-3,000

106 HA950/143 A GEORGE I WALNUT AND FEATHER BANDED KNEEHOLE DESK EARLY 18TH CENTURY the moulded rectangular top over a long frieze drawer and two banks of three short drawers around a recessed cupboard door, raised on bracket feet 83cm wide, 76cm high, 52.5cm deep £2,000-3,000

107 HA950/56 A GOOD VICTORIAN WALNUT AND BRASS BOUND GAMES COMPENDIUM 19TH CENTURY The hinged lid and front panels opening to an interior ﬁtted for chess, draughts and dominos 33cm wide, 18cm high, 20cm deep £800-1,200

60 Lyon & Turnbull

108 HA950/142 A WILLIAM AND MARY BEECH AND WALNUT STOOL LATE 17TH CENTURY with a loose cushion top raised on canted scroll legs with scroll carved front and back stretchers and a turned H-form stretcher 49cm wide, 46cm high, 37cm deep Provenance: Purchased Sotheby’s, London, 2 October 1992, lot 59

£1,000-1,500

109 HA950/146 A GEORGE II MAHOGANY KETTLE STAND CIRCA 1740 with a dished circular top on a turned baluster column raised on a tripod base ending in pad feet 30cm diameter, 55cm high £1,500-2,500

110 HA950/150 A WILLIAM AND MARY BURR WALNUT AND FEATHERBANDED CHEST OF DRAWERS LATE 17TH CENTURY the rectangular top with a moulded edge over two short and two long graduated drawers, raised on bun feet 96cm wide, 78cm high, 55cm deep £2,000-3,000

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111 HA950/201 FELIX SCHLESINGER (GERMAN, 1833-1910) FEEDING TIME Signed, oil on canvas 43cm x 58cm (17in x 22.75in) Provenance: Purchased Haynes Fine Art of Broadway, 2000 Note: Following his completion of art training at the Dusseldorf Academy, Felix Schlesinger worked in Paris and then Munich. Munich was an important location for the visual arts at this time and Schlesinger quickly became a member of the local school of artists, developing his work to adopt their characteristic naturalist style. His rustic, narrative genre scenes, such as ‘Feeding Time’ were particularly popular with the wealthy middle classes who appreciated the romanticised wholesome-ness of the scenes. Rabbits became a recurrent emblem in his work and this can be read in a variety of ways: as a realistic focus of the depicted working class, who regularly ate rabbit and bred them to sell on, but also as an acknowledgment to the history of art where they were included in 17th century still-lifes as an opportunity to show oﬀ painterly skill. The rabbit can also be recognised as a symbol of abundance, and alongside the ruddy cheeks and wholesome appearance of the barefoot children, add to the romanticised view of a rural lifestyle.

£8,000-12,000

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112 HA950/204 § KISS CSABA (HUNGARIAN, b. 1945) A CHESTNUT AND A GREY IN A STABLE WITH PUPPIES Signed with monogram, oil on panel 29cm x 40cm (11.5in x 15.75in) and a companion by the same hand (2) £400-600

113 HA950/202 § KISS CSABA (HUNGARIAN, b. 1945) A GREY BY A STABLE WITH A FARM LABOURER AND A DOG Signed with a monogram, oil on panel 28cm x 40cm (11in x 15.75in and a companion by the same hand (2) £1,000-1,500

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114 A FINE GEORGE III SATINWOOD SERPENTINE PEMBROKE TABLE 18TH CENTURY the crossbanded top with serpentine drop sides over one real and one opposing dummy drawer, raised on slender square tapering legs headed by fan inlay medallions and ending in brass toupie feet 81cm wide, 70cm high, 67cm deep Â£2,500-3,500

64 Lyon & Turnbull

115 HA950/151 A REGENCY ROSEWOOD TRIPOD TABLE CIRCA 1815 the rectangular top on a slender spiral turned column and downswept legs 38cm wide, 73cm high £300-500

116 HA950/147 A LOUIS XV PROVINCIAL WALNUT FAUTEUIL 18TH CENTURY the cartouche shaped and padded back above a stuﬀ over seat and scroll carved arms, raised on moulded cabriole scroll legs ending in scroll feet, in cream foliate upholstery 63cm wide 99cm high, 53cm deep Provenance: Purchased Sotheby’s, London, 2 October 1992, lot 114

£400-600

117 HA950/148 A GEORGE III SATINWOOD AND INLAID OVAL TEA TRAY ON STAND 18TH CENTURY, THE STAND LATER the oval tray with a serpentine gallery and centred by an inlaid cornucopia medallion, raised on a later stand with square splayed legs 75cm wide, 49cm high, 54cm deep £500-800

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118 HA950/144 A FINE GEORGE III ROSEWOOD AND KINGWOOD GAMES TABLE LATE 18TH CENTURY the reversible sliding top inlaid with a chess board and when removed revealing a recessed backgammon board, above one dummy and one real long drawers and drop D-ends, raised on slender square tapering legs headed by reeded panels and ending in brass caps and castors 84cm wide, 71cm high, 50cm deep Provenance: Purchased Witney Antiques, 1991

£3,000-5,000

119 HA950/149 A FINE REGENCY MAHOGANY AND SATINWOOD BANDED SOFA TABLE CIRCA 1815 the rounded rectangular top with drop down ends and a reeded edge, over three real frieze drawers and three opposing dummy drawers, raised on squared end supports on splayed legs with brass caps and castors 125cm wide, 76cm high, 60cm deep £2,000-3,000

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120 HA950/157 A QUEEN ANNE WALNUT FRAMED AND UPHOLSTERED WING ARMCHAIR EARLY 18TH CENTURY the arched back and squared wings continuing to scroll arms above a loose cushion seat, raised on shell carved cabriole legs with pointed feet, in peach foliate upholstery 90cm wide, 1116cm high, 57cm deep Â£4,000-6,000

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121 HA950/156 AN EARLY GEORGE III MAHOGANY TRIPOD KETTLE STAND MID 18TH CENTURY the circular dished top on a turned baluster column, raised on cabriole legs ending in pad feet 29cm diameter, 55cm high £1,500-2,500

122 HA950/158 A SET OF EDWARDIAN SATINWOOD QUARTETTO TABLES EARLY 20TH CENTURY each with rectangular top raised on slender ring turned legs and splay feet (4) 49.5cm wide, 68cm high, 35cm deep £800-1,200

123 HA950/206 HENRY ETIENNE DUMAIGE (FRENCH, 1830-1888) AVANT LE COMBAT GRENADIER DE 1792 & APRES LE COMBAT GRENADIER DE 1792 Bronze with brown patina, signed (2) 67cm high £2,000-3,000

68 Lyon & Turnbull

124 HA950/159 AN EARLY VICTORIAN ROSEWOOD AND NEEDLEWORK FIRESCREEN CIRCA 1840 the turned and carved frame containing a glazed panel ﬁtted with a woolwork and bead scene of two lovers embracing, raised on scroll carved supports terminating in countersunk castors 61cm wide, 120cm high Provenance: Purchased Harrods, Knightsbridge, 1992

£500-800

125 HA950/154 A VICTORIAN WALNUT UPHOLSTERED CHAISE LONGUE 19TH CENTURY in salmon pink buttoned fabric in a walnut frame carved with Cscrolls, raised on carved cabriole legs ending on brass castors 186cm wide, 87cm high, 58cm deep £500-800

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126 HA950/152 A VICTORIAN BURR WALNUT INLAID MUSIC CABINET 19TH CENTURY with a three quarter galleried top on ring turned supports above a mirror back panel, over two glazed doors opening to shelves with leather embossed labels for ‘Sacred’, ‘Songs’, ‘Dance’, and ‘Gen Music’, raised on turned legs with ceramic castors 66cm wide, 106cm high, 37cm deep £800-1,200

127 HA950/176 A VICTORIAN PERIOD AMBOYNA, EBONISED AND JAPSERWARE MOUNTED HANGING CORNER CABINET 19TH CENTURY the glazed door ﬂanked and surmounted by jasperware medallions 50cm wide, 66cm high, 30cm deep £400-600

128 HA950/130 AN EARLY VICTORIAN WALNUT CANTERBURY MID 19TH CENTURY with four divisions over an apron drawer and raised on turned tapered legs ending in brass castors 51cm wide, 52cm high, 36cm deep £700-1,000

The Study

129 HA950/71 A FLINTLOCK SINGLE BARRELLED SPORTING GUN CIRCA 1800 the half walnut stock with steel butt cap, with a two-stage barrel, octagonal at the breech, chequered grip, replaced engraved lock plate, engraved tang, and ﬁtted with original brass tipped ramrod barrel 30inches/77cm long £600-800

130 HA950/59 A FLINTLOCK MILITIA SERVICE MUSKET BY T. KETLAND AND CO CIRCA 1820 the walnut full stock with a brass butt cap, barrel engraved with 95, with private Tower Proof marks, the lock plate inscribed T. KETLAND & CO, with a coronet marked GR, ﬁtted with a steel ramrod barrel 39inches/99.5cm long £1,500-2,000

131 HA950/71A A PERCUSSION TOWER SERVICE PISTOL CIRCA 1830 with walnut full stock and brass furniture, Birmingham proof marks to the barrel, the lock plate engraved TOWER PROOF, with a captive swivel ramrod barrel 9inches/23.5cm long £200-300

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132 HA950/76 A REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with four divisions over two base drawers, raised on slender turned legs ending on brass caps and castors 49cm wide, 53cm high, 33cm deep £800-1,200

133 HA950/77 A REGENCY MAHOGANY TRIPOD TABLE EARLY 19TH CENTURY the rounded rectangular dished top on a ring turned baluster support raised on scrolled legs 51cm wide, 71cm high, 43cm deep. £500-800

134 HA950/78 A GEORGE III MAHOGANY TILT TOP TRIPOD TABLE 18TH CENTURY the plain circular top on a turned baluster support and squared cabriole legs ending in pad feet 63cm diameter, 68cm high £300-500

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135 HA950/215 AFTER FREDERIC REMINGTON

136 HA950/215A AFTER FREDERIC REMINGTON

BRONCO BUSTER Signed, bronze with brown patina

THE COWBOUY Signed, bronze with brown patina

56cm high

53cm high

£3,000-5,000

137 HA950/214A A PAIR OF FRENCH PATINATED AND GILT SPELTER FIGURES OF SOLDIERS 19TH CENTURY each ﬁgure holding a spear, raised on circular base (2) 84cm high £800-1,200

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138 HA950/74 A FRENCH WHITE MARBLE AND GILT METAL CLOCK GARNITURE 19TH CENTURY the white and ﬂoral painted enamel dial supporting an eight day striking movement, surmounted by cherubs; together with a pair of conforming twin light candlesticks [3] clock, 32cm high £800-1,200

139 HA950/75 A GILT METAL NOVELTY TIMEPIECE 19TH CENTURY the case modelled in the form of a gateway 28cm high £200-300

140 HA950/36 A FRENCH BRASS CARRIAGE CLOCK LATE 19TH CENTURY the plain gorge case with a white enamel dial signed ‘J W Benson’ 13cm high £250-350

141 HA950/69 A COLLECTION OF BRASS AND COPPERWARE 19TH CENTURY AND LATER including a LARGE CIRCULAR TRAY, with chased decoration and a frilled gallery, 85cm diameter; a BED WARMER, 91cm long; TWO PIERCED TRIVETS, 30cm and 36cm high; and a GOFFERING IRON STAND, on tripod base, 24cm (5) £200-300

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142 HA950/222 ADOLPHE ALEXANDRE LESREL (FRENCH, 1839-1935) FIGURES IN AN INTERIOR Signed and dated 1905, oil on panel 55cm x 66cm (21.5in x 26in) Provenance: Purchased Fine Art of Oakham, 1999

£8,000-12,000 ‘Figures in an Interior’ is a typical work by Lesrel. The balanced interior composition with a window out to the city sets the scene for the main focus of the picture, the group of figures, which allows the artist to demonstrate his talents in the highly detailed depiction of their luxurious clothing, accessories and accoutrements. From sumptuous silks and velvets swathed across the figures and the background to sparkling silver objects and weapons, even a collection of dead game to the far left, every element of the composition contributes to the feeling of richness and excess, a tribute to Lesrel’s skill and attention to detail. Lesrel developed his particular approach from the influence of Jean Louis Ernes Meissonier (1815-1891), who had embraced a new genre of history painting that responded to a widespread interest in romanticised views of the past. Meissonier was focussed on a highly-finished style and well-researched historical detail, and Lesrel followed in his footsteps, finding a strong market for his romantic historical scenes across England, France and the U.S.A. Scenes of musicians, such as ‘The Music Party’ (Lot 157) were a particular speciality of Lesrel’s, as the subject lent itself so perfectly to his technical ability to depict detail and lustre. Lesrel exhibited at the Salon regularly throughout his career, receiving an honourable mention in 1889. His work can be found in museums across the world including in the New York Public Library and the Musee de Beaux-Arts, France.

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143 HA950/214 ANDREA LANDINI (ITALIAN, 1847-1935) NE BOUGEONS PLUS Signed, oil on canvas 51cm x 61cm (20in x 24in) Provenance: Purchased Fine Art of Oakham, 1997

£12,000-18,000 Landini began his career as a portrait painter working within Florentine society, earning various commissions in response to his skill and reputation. In search of a more lucrative level of commission, Landini moved on to Rome and then Paris, where he focussed on, and ultimately became the leading artist within the genre of Cardinal painting. The popularity of the genre lay in its humorous send-up of the previously highly-respected, uncriticised sector of society and the suggestion in these paintings that they led an extremely lavish lifestyle, and were not quite as respectable as they might wish to appear. The genre became particularly commercially successful as a result of a new economic prosperity, and the simultaneous reduction in respect for the church across society more generally. The highly ﬁnished nature of Landini’s painting was particularly suited to the portrayal of such lavish and luxurious scenes, picking up the intricate details of their robes, furniture, silverware and objet d’art.

Upper Hall 144 HA950/164B A PEWTER AND BRASS CHANDELIER 19TH CENTURY converted to electricity, with six scrolling arms centred by the ﬁgure of a putto and supported by linked hanging chains 47cm diameter, 69cm high £300-500

145 HA950/162 A CHARLES II CARVED OAK COFFER 17TH CENTURY the hinged top over a triple panel front, inlaid with stylised Celtic knots, raised on stile feet 122cm wide, 60cm high, 45cm deep £400-600

146 HA950/164A A FRENCH OR NORTH ITALIAN CARVED WALNUT PANEL 17TH CENTURY with three relief carved panels depicting an armorial cartouche ﬂanked by reclining female nudes, within a briony leaf border 29cm x 134cm £800-1,200

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147 A GOOD GEORGE I WALNUT CADDY TOP CHEST OF DRAWERS EARLY 18TH CENTURY of small size, the moulded top over four long graduated drawers outlined with banding, raised on shaped bracket feet 53cm wide, 70cm high, 44cm deep Â£4,000-6,000

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148 HA950/163 A WILLIAM AND MARY STYLE WALNUT AND CROSSBANDED BUREAU ON STAND 19TH CENTURY raised on baluster turned legs with bun feet 84cm wide, 96cm high, 41cm deep £400-600

149 HA950/96D A VICTORIAN LOUIS XV STYLE WALNUT EASEL 19TH CENTURY with rocaille and C-scroll cresting 59cm wide, 178cm high £500-800

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150 HA950/216 ROBERT ALEXANDER HILLINGFORD (BRITISH, 1828-1904) ENTERING THE TOWER Signed with initials, oil on canvas 46cm x 66cm (18in x 26in) Provenance: Purchased Haynes Fine Art of Broadway, 1999

Â£3,000-5,000

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151 HA950/219 WILLEM LINNIG (BELGIAN, 1819-1885) DINING AT AN INN Signed and dated 1848, oil on canvas 63cm x 88cm (25in x 34.5in) Provenance: Purchased Sotheby’s London, 28 October 1992, Lot 31

£1,000-1,500

152 HA950/217 JOHN ARTHUR LOMAX (BRITISH, 1857-1923) THE PRISONER Signed lower right, oil on canvas 50cm x 76cm (20in x 30in) £1,500-2,500

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153 HA950/220 LATE 19TH CENTURY CONTINENTAL SCHOOL THE INTIMATE CONVERSATION Signed, oil on panel 38cm x 29cm (15in x 11.5in) £800-1,200

154 HA950/218 JOSEF WAGNER-HOHENBERG (GERMAN, 1870-1938) THE GOOD THINGS IN LIFE Signed, oil on canvas 50cm x 76cm (20in x 30in) £1,000-1,500

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155 HA950/221 § ANTOINE BOUVARD (FRENCH, 1870-1956) VENICE FROM THE LAGOON Signed, oil on canvas 64cm x 49cm (25in x 19.25in) Provenance: Purchased John Noott Fine Paintings, 1995

£3,000-5,000

156 HA950/224 ALCIDE SEGONI (ITALIAN, 1847-1894) THE CONNOISSEUR Signed, oil on canvas 95cm x 63cm (37.5in x 25in) Provenance: Purchased Sotheby’s London, 28 October 1992, Lot 74

£3,000-5,000

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157 HA950/213 ADOLPHE ALEXANDRE LESREL (FRENCH, 1839-1929) THE MUSIC PARTY Signed and dated 1907, oil on panel 58cm x 48cm (23in x 20.5in) Â£8,000-12,000

The Bedrooms 158 HA950/96C A GEORGE I WALNUT AND FEATHER BANDED KNEEHOLE DESK EARLY 18TH CENTURY the moulded top above one long frieze drawer and a recessed cupboard door ﬂanked by six further short drawers, raised on bracket feet 77cm wide, 79cm high, 49.5cm deep £2,000-3,000

159 HA950/96B A GEORGE III OAK AND CROSSBANDED LOWBOY MID 18TH CENTURY the moulded top over three frieze drawers and a shaped apron, raised on cabriole legs ending in pointed pad feet 107cm wide, 77cm high, 56cm deep £1,000-1,500

160 HA950/96A A FINE VICTORIAN ROSEWOOD AND INLAID ENVELOPE CARD TABLE 19TH CENTURY in the Louis XV style with gilt metal mounts, the fold open top enclosing a baize playing surface, above a single frieze drawer, raised on cabriole legs ending in sabots 60cm wide, 74cm high, 60cm deep £600-800

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161 HA950/94 A VICTORIAN MAHOGANY POT CUPBOARD 19TH CENTURY the circular moulded top with a marble insert, above ﬂuted sides concealing a door opening to reveal associated blue transfer printed pitcher, basin, chamber pot and soap dish, raised on an octagonal plinth base 37cm diameter, 79cm high £300-500

162 HA950/86 A GEORGE I WALNUT FEATHERBANDED CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded top over three short and three long graduated drawers, raised on bracket feet 94cm wide, 87cm high, 51cm deep £2,000-3,000

163 HA950/243 A CHINESE ‘100 HORSES’ REPUBLIC LAMP BASE EARLY 20TH CENTURY the famille rose bottle vase lamp, converted to a lamp with silk shade, the sides decorated with horses in a mountainous landscape 46cm high £200-300

164 HA950/239 A VICTORIAN WALNUT FRAMED LOW CHAIR 19TH CENTURY with button upholstered back and moulded frame with scrolled cresting 56cm wide, 91cm high, 45cm deep £150-250

165 HA950/237 A VICTORIAN OAK SIDE CHAIR MID 19TH CENTURY oF Carolean style, the back with baluster turned uprights and upholstered panel above a stuﬀover seat on tapering legs linked by stretchers 100cm high £150-250

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166 HA950/95 A QUEEN ANNE WALNUT TOILET MIRROR EARLY 18TH CENTURY the rounded rectangular mirror plate in a moulded frame between square uprights, on an ogee moulded base with a single drawer raised on shaped bracket feet 43cm wide, 58cm high, 18cm deep £300-500

167 HA950/84 A SMALL GEORGE III CADDY TOP CHEST OF DRAWERS 18TH CENTURY the caddy moulded top over a brushing slide and four long drawers, raised on bracket feet 60cm wide, 72cm high, 35cm deep £2,500-3,500

168 HA950/85 A SMALL CHARLES II OAK CHEST OF DRAWERS 17TH CENTURY with three mitre moulded long drawers, raised on stile feet 71cm wide, 70cm high, 48cm deep £1,000-1,500

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169 HA950/88 A WILLIAM AND MARY WALNUT AND UPHOLSTERED STOOL LATE 17TH CENTURY the padded square top in raised on baluster turned legs united by an X-form stretcher surmounted by a turned ﬁnial and ending on ball feet; in modern cream foliate upholstery 43cm wide, 46cm high, 40cm deep £500-800

170 HA950/87 A GEORGE I WALNUT CROSS BANDED LOWBOY EARLY 18TH CENTURY the moulded crossbanded top with notched corners above three frieze drawers and scrolling apron, raised on cabriole legs ending in pad feet 80cm wide, 70cm high, 50cm deep £1,500-2,500

171 HA950/89 A CHARLES II OAK CHEST OF DRAWERS 17TH CENTURY the rectangular top over three long mitremoulded drawers divided by bobbin turned moulding, raised on stile feet 90cm wide, 84cm high, 53cm deep £1,500-2,500

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172 HA950/90 A PAIR OF WILLIAM AND MARY WALNUT HIGH BACK SIDE CHAIRS 17TH CENTURY the pierced and foliate scroll carved backs surmounted by urn and acanthus cresting, over a stuﬀ over seat in cream and green damask upholstery and tassel trimming, raised on square tapering legs joined by carved stretchers and ending on ball feet (2) 50cm wide, 130cm high, 42cm deep £1,000-1,500

173 HA950/91 A WILLIAM AND MARY WALNUT AND MARQUETRY CHEST OF DRAWERS 17TH CENTURY the moulded top over two short and three long graduated drawers, with oval marquetry reserves depicting ﬂowers, scrolling foliage and exotic birds, raised on bun feet 95cm wide, 87cm high, 57m deep £2,000-3,000

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174 HA950/92 A GEORGE IV ROSEWOOD, MAHOGANY AND SATINWOOD DAVENPORT, ATTRIBUTED TO WILLIAM TROTTER OF EDINBURGH CIRCA 1815 with a brass three quarter gallery above an inset tooled green leather writing slope, opening to an interior ﬁtted with drawers and pigeon holes, over a bank of four drawers and raised on carved cabriole supports and ceramic castors 53cm wide, 90cm high, 54cm deep Provenance: Purchased Freshford House Antiques, 1999 Note: This davenport relates stylistically to a rosewood drum table supplied by Trotter to the Marquess of Tweeddale for Yester House in 1815

£700-1,000

175 HA950/93 A LOUIS XV PROVINCIAL WALNUT BIDET 18TH CENTURY the seat and back and top rail covered in brown leather, the removable seat cover revealing a blue and white ceramic insert, the frame with foliate carved decoration, raised on cabriole legs 30cm wide, 81cm high, 50cm deep £300-500

176 HA950/102 A CHARLES II OAK COFFER 17TH CENTURY the hinged top over a ﬂuted frieze and triple panel front carved with diamond motifs, raised on stile feet

177 HA950/111 A GEORGE III PERIOD MAHOGANY AND CHEVRON BANDED TOILET MIRROR

120cm wide, 54cm high, 53cm deep

LATE 18TH CENTURY the serpentine shaped base with three short drawers

£300-500

38.5cm wide, 55cm high, 20cm deep £200-300

178 HA950/241 AN EDWARDIAN MAHOGANY AND INLAID CORNER ARMCHAIR EARLY 20TH CENTURY 74cm high; and a MATCHING MAHOGANY AND INLAID ARMCHAIR, 106cm high (2) £200-300

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179 HA950/223 § KISS CSABA (HUNGARIAN, b. 1945) A GREY IN A STABLE Signed with monogram lower left, oil on panel 29cm x 39cm (11.5in x 15.25in) and a companion by the same hand, THE MEET (2) £1,000-1,500

180 HA950/105 A SMALL GEORGE I WALNUT AND CHEQUER BANDED CHEST OF DRAWERS EARLY 18TH CENTURY the moulded rectangular top over a brushing slide and four long graduated drawers, raised on bracket feet 71cm wide, 73cm high, 43cm deep £1,000-1,500

181 HA950/104 A GEORGE I WALNUT AND FEATHER BANDED CHEST OF DRAWERS EARLY 19TH CENTURY with four long graduated drawers, raised on bracket feet 79cm wide, 73cm high, 46cm deep £1,500-2,500

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182 HA950/113 A GEORGE I WALNUT FEATHERBANDED CHEST OF DRAWERS EARLY 18TH CENTURY the rectangular top with notch corners over two short and three long graduated drawers, raised on bracket feet 77cm wide, 80cm high, 47cm deep £2,000-3,000

183 HA950/101 A SMALL QUEEN ANNE WALNUT ARMCHAIR EARLY 18TH CENTURY the high arched and padded back over a curved stuﬀ over seat ﬂanked by outscrolling arms, raised on cabriole legs ending in pad feet 63cm wide, 93cm high, 41cm deep £800-1,200

184 HA950/103 A GEORGE I WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the moulded crossbanded top over four long graduated drawers, raised on bracket feet 81cm wide, 77cm high, 51cm deep £1,000-1,500

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185 HA950/164 A GEORGE III MAHOGANY AND SATINWOOD FOLDOVER TEA TABLE LATE 18TH CENTURY crossbanded D-shaped top with a reeded edge over a banded frieze, raised on slightly splayed square tapering legs 91cm wide, 71cm high, 43cm deep £400-600

186 HA950/100 A CHARLES II OAK CHEST OF DRAWERS 17TH CENTURY the rectangular top over a dentil moulded frieze and three long mitre-moulded drawers, raised on later bun feet 98cm wide, 95cm high, 55cm deep £1,000-1,500

187 HA950/109 A GEORGE I WALNUT CROSSBANDED BACHELOR’S CHEST OF DRAWERS EARLY 18TH CENTURY the foldover top over three long graduated drawers, raised on bracket feet 77cm wide, 78cm high, 36cm deep £1,000-1,500

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188 HA950/117 A GEORGE I WALNUT AND FEATHERBANDED CHEST OF DRAWERS EARLY 18TH CENTURY with two short and three long drawers, ﬂanked by ﬂuted quarter columns, on bracket feet 84cm wide, 77cm high, 42cm deep £1,500-2,500

189 HA950/112 A GEORGE III OAK AND CROSSBANDED LOWBOY 18TH CENTURY the moulded rectangular top over a long drawers and two short drawers arranged around an arched apron, raised on cabriole legs ending in pad feet 76cm wide, 68cm high, 48.5cm deep £800-1,200

190 HA950/114 A GERMAN WALNUT AND PARQUETRY COMMODE 18TH CENTURY the shaped serpentine top over three long drawers, raised on squat carved cabriole feet 123cm wide, 81cm high, 64cm deep £1,000-1,500

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191 HA950/115 A DUTCH BURR WALNUT BOMBE COMMODE 18TH CENTURY the shaped top over four long drawers and a scrolling apron, raised on later bun feet 84cm wide, 76cm high, 51cm deep £800-1,200

192 HA950/116 A DUTCH OAK BOMBE COMMODE 18TH CENTURY the shaped top over four long drawers above a serpentine apron, raised on carved claw and ball feet 90cm wide, 81cm high, 55cm deep £700-1,000

193 HA950/110 A VICTORIAN WALNUT AND UPHOLSTERED STOOL 19TH CENTURY raised on carved cabriole scroll legs 51cm wide, 40cm high, 40cm deep £300-400

The Garden

194 HA950/122A A PAIR OF VICTORIAN COALBROOKDALE ‘GRAPE AND SERPENT’ PATTERN CAST IRON GARDEN SEATS CIRCA 1870 the scroll side supports cast with dogs’ head arm facings, serpents and fruiting vines, with wood slats, painted white (2) 60cm wide, 75cm high, 59cm deep Note: Coalbrookdale is a village in the Severn Gorge, sometimes called the Ironbridge Gorge. This is due to the area’s importance in the development of iron smelting during the Industrial Revolution. The geographical history of the site made it the ideal place to produce high quality ironwork, for which many places in the area then became known. During the mid-nineteenth century Coalbrookdale became particularly noted for its decorative ironwork, most often seen in items such a garden furniture and gates. A famous example are the Coalbrookdale Gates of Hyde Park, made for the Great Exhibition of 1851.

£2,000-3,000

195 HA950/122C A LEAD CISTERN SPOUT 19TH CENTURY cast as a mask issuing a spout 26cm high £300-500

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196 HA950/122B A VICTORIAN COALBROOKDALE ‘OXFORD’ PATTERN CAST IRON GARDEN BENCH 19TH CENTURY the shaped back and arms cast with fruiting vines and rococo scrolls above a trellis openwork seat raised on scroll end supports, painted white 109cm wide, 88cm high, 56cm deep £800-1,200

197 HA950/120C A LARGE WOODEN TROUGH 20TH CENTURY of rounded rectangular section 86cm across, 49cm high, 70cm deep £300-500 END OF SALE

British & European Paintings Thursday, 24th November, 2016 HENDRIK REEKERS (DUTCH 1815-1954) A STILL LIFE OF SUMMER FLOWERS Signed and dated 1853, oil on panel 76cm x 59cm (30in x 23.25in) Â£70,000-90,000

Enquiries Iain Gale +44 (0131) 557 8844 iain.gale@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

We understand that your collection is worth more than the sum of its parts.

Collections sell better as collections. That belief is at the heart of our approach to auctioneering. Over the course of our long history, we have seen this borne out time and time again: from the contents of grand homes to corporate collections, from contemporary art to Chinese snuff bottles; there is little we have not handled and sold well.

EDINBURGH

Each collection is unique and often has an emotional connection to the owners who create or inherit them. Our team work closely with our clients to provide a carefully tailored approach to the sale of their collections.

For more information, or to discuss selling a collection at auction, please contact : Paul Roberts | Vice Chairman 0131 557 8844 | paul.roberts@lyonandturnbull.com Gavin Strang | Managing Director 0131 557 8844 | gavin.strang@lyonandturnbull.com

Personal, passionate and professional - we deliver outstanding results.

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www.lyonandturnbull.com

Conditions of Sale SELLERS 1. DEFINITIONS

3. PREPARATION FOR SALE

In these Conditions of Sale (Sellers):

(a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

“Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing 4. TERMS OF SALE

“Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds;

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

“Proposed Sale” means the intended sale through which the items will be sold on

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

“Purchase Price” is the Hammer Price and applicable Buyer‘s Premium;

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot.

“Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or by private treaty). “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. The lot will be sold without reserve unless a reserve has been agreed. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the hammer price been the reserve. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &

Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred. (2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer.

(c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

14. THIRD PARTY LIABILITY

16. AGENCY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

15. GENERAL

17. DATA PROTECTION

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

13. SALE BY PRIVATE TREATY

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions;

(f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS

applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

“You”, “Your” means the Buyer

Bidding increments shall be at the Auctioneer's sole discretion.

“Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd

5. THE PURCHASE PRICE

(1) Within 7 days of a lot being sold you will:

The singular includes the plural and vice versa as appropriate.

For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

(a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express.

2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion. (c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved.

Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This

8. PAYMENT

(b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that we cannot accept cash payments over £5,000. (2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(a) to proceed against you for damages for breach of contract;

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

(b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot. (2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way.

12. BOOKS, CLOCKS & WATCHES, DIAMONDS & GEMSTONES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. (3) Diamonds & Gemstones: Please note that diamonds and gemstones cannot be accurately graded and measured when mounted in jewellery. Unless it is stated in the catalogue and condition report that the item is accompanied by an independent report by a named gemmological laboratory, the information provided about the colour, clarity and size of a gemstone is the opinion of our department jewellery specialists. Please note in the event that Lyon and Turnbull has been given or has obtained certificates for any lot in the sale, Lyon and Turnbull nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any lots post sale. Diamonds and gemstones are not unmounted by the department, therefore any information provided in this instance is an approximate understanding of the quality of the gemstone under these limitations. Without an independent report the department are generally unable to give an opinion on any potential treatments a gem material has been subjected to. Many gemstones and diamonds have been subjected to a variety of treatments to enhance their appearance and unless stated buyers should presume gemstones/diamonds have been exposed to some sort of treatment. 13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ imports-

exports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such. 14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Guide to Bidding & Payment Payment

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to £5,000.

© Lyon & Turnbull Ltd. 2016. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

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LYON & TURNBULL AUCTIONEERS EDINBURGH CONTENTS OF FARLEY HALL, SURREY

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115

13TH OCTOBER, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Thursday, 13th October, 2016 33 Broughton Place, Edinburgh

Contents of Farley Hall, Surrey