Fine Furniture & Works of Art | Wednesday 27th January 2016

L&T Fine Furniture - cover.qxp_L&T MASTER COVER 22/12/2015 14:05 Page 1

LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

27TH JANUARY, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 27th January, 2016 33 Broughton Place, Edinburgh

Fine Furniture & Works of Art

L&T Fine Furniture - cover.qxp_L&T MASTER COVER 22/12/2015 14:05 Page 2

Fine Furniture & Works of Art Including A Private Collection, Surrey Select Items from a Scottish Highland Estate Items from Cairness House, Aberdeenshire American Furniture formerly in the Collection at Yester House, East Lothian Property of a Gentleman Property from a Scottish Deceased Estate

Wednesday, 27th January, 2016 at 10am Sale Number LT454

Viewing Times Saturday, 23rd January 12 noon - 4pm Sunday, 24th January 12 noon - 4pm Monday, 25th January 10am - 5pm Tuesday, 26th January 10am - 5pm Morning of sale from 9am

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Catalogue descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team is on hand to assist you, whether you are looking for something special for your home or collection, require more detailed information about the history or condition of a lot, or just want to ďŹ nd out more about the auction process

Douglas Girton

John Mackie

Theodora Burrell

Furniture, Clocks & Works of Art douglas.girton@lyonandturnbull.com

Furniture john.mackie@lyonandturnbull.com

Ceramics & Glass theo.burrell@lyonandturnbull.com

Gavin Strang

Carly Shearer

Hannah Willetts

Rugs & Carpets gavin.strang@lyonandturnbull.com

Pictures carly.shearer@lyonandturnbull.com

Department Adminstrator hannah.willetts@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; ďŹ ve minutes walk from the saleroom

York Place Tram Stop

Waverley Station

Order of Sale Wednesday, 27th January, 2016 at 10am

1-414 British Furniture, Pictures & Works ofâ&#x20AC;&#x2C6;Art 415-546 Continental Furniture, Pictures & Works of Art 547-569 Islamic, Indian & Asian Works of Art 570-608 Oriental Rugs & Carpets

Front Cover Lot 179 (detail)

Inside Front Cover Lot 270 (detail)

Inside Back Cover Lot 547 (detail)

Lot 503

British Furniture, Pictures & Works of Art 1 HD91/97 WILLIAM AND MARY WALNUT OYSTER VENEERED CHEST OF DRAWERS LATE 17TH CENTURY the moulded rectangular top with concentric circle line inlay over two short and three long graduated drawers, raised on turned bun feet 96cm wide, 90cm high, 58cm deep Provenance: Scottish deceased estate

£700-900

2 SV608/65 WILLIAM AND MARY OYSTER VENEERED CABINET ON STAND LATE 17TH CENTURY; THE STAND LATER the moulded cornice above a pair of oyster veneered doors opening to a shelved and compartmented interior; the later stand with two short drawers raised on tapered legs joined by curved stretchers, on bun feet 119cm wide, 155cm high, 48cm deep £2,000-3,000

3 HC437/27 SET OF SIX WALNUT CAROLEAN STYLE SIDE CHAIRS LATE 19TH / EARLY 20TH CENTURY with scroll carved and pierced crest rails above caned backs and upholstered stuﬀ over seats, raised on block and turned legs joined by an arched carved front rail and turned H-form stretchers (6) 47cm wide, 113cm high, 42cm deep Provenance: Private Collection, Surrey

£400-600

6 Lyon & Turnbull

4 HD100/36 ANGLO-DUTCH BRASS SIXTEEN LIGHT CHANDELIER 18TH CENTURY the baluster central stem issuing two tiers of eight scrolling candle arms ending in urn form candle nozzles and drip pans, and a tier of short scrolling arms terminating in ﬂower heads 74cm diameter, 72cm high Provenance: Scottish Highlands estate

£600-800

5 HC844/39 ANGLO-DUTCH WALNUT AND MARQUETRY CABINET LATE 17TH CENTURY the doors with arched marquetry panels depicting songbirds amongst ﬂowers, opening to a shelved interior 87cm wide, 65cm high, 38cm deep £500-700

6 HC844/4 ANGLO-DUTCH OAK AND MARQUETRY SPICE CABINET 18TH CENTURY the moulded cornice above a panel door with ﬂoral and architectural marquetry, opening to an arrangement of small drawers, raised on short bracket feet 50cm wide, 79cm high, 29cm deep £300-500

British Furniture, Pictures & Works of Art 7

7 HD614/3 WILLIAM AND MARY JAPANNED CHEST OF DRAWERS CIRCA 1690 the rectangular top with a reeded edge above two short and three long drawers, raised on large bun feet, the whole decorated with gardens, ﬁgures and ﬂowers, on a black ground with gilt details 103cm wide, 93cm high, 57cm deep £5,000-8,000

8 HA659/11 WILLIAM AND MARY WALNUT AND MARQUETRY CABINET ON CHEST LATE 17TH CENTURY the moulded cornice above a cushion moulded frieze drawer over a pair of cupboard doors covered in ﬂoral marquetry and opening to an arrangement of drawers, secret compartments and pigeon holes around a central cupboard door; the lower part with two short over two long graduated drawers 109cm wide, 169cm high, 52cm deep Provenance: Property of Lady Rochdale

£2,000-3,000

8 Lyon & Turnbull

9 SV608/15 QUEEN ANNE STYLE WALNUT LOW BOY 19TH CENTURY the quarter veneered top over three short frieze drawers above a shaped apron with drop ﬁnials, raised on turned baluster legs joined by a curved H stretcher centred by an urn ﬁnial, raised on turned bun feet 78cm wide, 76cm high, 51cm deep £300-500

10 HB513/2 WILLIAM AND MARY OYSTER VENEERED WALNUT CABINET ON STAND 17TH CENTURY AND LATER the moulded cornice above a pair of glazed doors, each with four panes; the stand with two short crossbanded frieze drawers, raised on spiral turned legs joined by a shaped peripheral stretcher 130cm wide, 160cm high, 40cm deep Provenance: Private London Residence

£2,000-3,000

11 HC898/1 FLEMISH VERDURE TAPESTRY PANEL LATE 17TH/ EARLY 18TH CENTURY, AND LATER of rectangular form, depicting a grape collector and his companion against a dense foliate ground, ﬂanked by ﬂower head borders, woven in green, blue, brown and yellow wool 131 x 110cm £1,000-1,500

British Furniture, Pictures & Works of Art 9

12 SV608/59 QUEEN ANNE WALNUT FEATHER BANDED CHEST ON STAND EARLY 18TH CENTURY in two parts; the moulded cornice over two short and three long drawers; the stand with a long frieze drawer, raised on baluster turned legs joined by a shaped peripheral stretcher, raised on bun feet 102cm wide, 160cm high, 58cm deep £1,000-1,500

13 HC11/6 PAIR OF GEORGE I WALNUT SIDE CHAIRS CIRCA 1720 the shaped top rails over a vasiform splat, above rounded drop-in seats covered in needlework upholstery, above plain seat rails raised on carved cabriole legs ending in pad feet (2) 53cm wide, 100cm high, 41cm deep £300-500

14 HC960/8 WILLIAM AND MARY WALNUT CHEST OF DRAWERS LATE 17TH CENTURY the crossbanded quarterveneered top above two short and three long graduated crossbanded drawers, raised on turned bun feet 97cm wide, 90cm high, 57cm deep £1,000-1,500

10 Lyon & Turnbull

15 HC11/8 TWO GEORGE II WALNUT SIDE CHAIRS CIRCA 1730 both with vasiform splats over rounded drop-in seats covered in similar ﬂoral needlework on a yellow ground, raised on shell carved cabriole legs ending in claw and ball feet, 53cm 91cm high, 39cm deep, the other 53cm wide, 98cm high, 39cm deep; together with a GEORGE I MAHOGANY SIDE CHAIR with a vasiform splat above a drop-in blue needlework seat , raised on cabriole legs ending in pad feet, 53cm wide, 98cm high, 38cm deep (3) £400-600

16 HD624/1 GEORGE I WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded top above two short and three long graduated drawers, raised on shaped bracket feet 97cm wide, 98cm high, 51cm deep £400-600

17 HD100/32 GEORGE I WALNUT AND ROSEWOOD CABINET ON CHEST EARLY 18TH CENTURY the top of cubic form with a pair of crossbanded doors, with opening to an arrangement of small drawers; the associated base with two short and two long drawers raised on bracket feet 98cm wide, 173cm high, 48cm deep Provenance: Scottish Highlands estate

£2,000-3,000

British Furniture, Pictures & Works of Art 11

18 HC844/38 GEORGE I WALNUT LOW BOY EARLY 18TH CENTURY the quarter veneered and crossbanded top over two long drawers, raised on cabriole legs ending in pad feet 78cm wide, 71cm high, 46cm deep £300-500

19 HD100/18 GEORGE I WALNUT BUREAU BOOKCASE EARLY 18TH CENTURY the arched and moulded cornice above a shaped glazed door opening to shelves; the lower part with a slant front opening to an interior ﬁtted with drawers and cubby holes and a black leather writing surface, over a long frieze drawer and two short above two further long drawers, raised on bracket feet 82cm wide, 220cm high, 55cm deep Provenance: Scottish Highlands estate

£1,000-1,500

20 HC955/2 GEORGE I WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded and moulded top with featherbanding above two short and three long drawers, raised on bracket feet 97cm wide, 90cm high, 57cm deep £400-600

12 Lyon & Turnbull

21 HD91/79 GEORGE II WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded top over three short crossbanded and line inlaid drawers over three long graduated drawers, raised on bracket feet 94cm wide, 91cm high, 52cm deep Provenance: Scottish deceased estate

£500-700

22 HD91/82 GEORGE II WALNUT CHEST ON STAND EARLY 18TH CENTURY the moulded cornice above three frieze drawers and three graduated long drawers; the stand with a moulded waist and three drawers around an arched apron, raised on square cabriole legs ending in square pad feet 107cm wide, 153cm high, 63cm deep Provenance: Scottish deceased estate

£500-700

23 HC943/2 ENGLISH OLIVE-GREEN GLASS ‘ONION’ BOTTLE DATED 1723 the narrow neck above a squat ovoid body, with an applied roundel bearing the inscription ‘DR. MARSHALL 1723’ 17cm high £300-500

24 HD91/32H AFTER WILLIAM HOGARTH MINIATURE PORTRAIT OF ALEXANDER POPE oval, gouache on copper, framed 7.5cm high x 5.7cm wide Provenance: Scottish deceased estate

£250-350

British Furniture, Pictures & Works of Art 13

25 HD91/69 MATCHED SET OF FOUR SOUTH YORKSHIRE CARVED OAK BACK STOOLS LATE 17TH CENTURY with arched carved crest rails and similar horizontal splats with turned finials and pendants flanked by scroll carved finials to the side rails, above plank seats, raised on block and bobbin turned legs joined by bobbin turned stretchers (4) 44cm wide, 101cm high, 44cm deep Provenance: Scottish deceased estate

£400-600

26 HD91/96 GEORGE II OAK CHEST ON STAND 18TH CENTURY the moulded cornice above a pair of short drawers and three long drawers; the stand with a plain moulded frieze raised on turned tapered legs joined by peripheral stretchers, on ball feet 95cm wide, 126cm high, 55cm deep Provenance: Scottish deceased estate

£500-700

27 HD91/99 PAIR OF SOUTH YORKSHIRE CARVED OAK ARMCHAIRS LATE 17TH CENTURY with double crescent arched back rails with turned ﬁnials and pendants and carved with scrolls, stylised plants, masks and ﬂower motifs, over plank seats and down-scrolled arms, raised on turned legs joined by bobbin turned and straight stretchers (2) 57cm wide, 110cm high, 38cm deep Provenance: Scottish deceased estate

£300-500

14 Lyon & Turnbull

28 HB824/23 GEORGE III OAK DRESSER 18TH CENTURY the moulded cornice above a scroll cut frieze over an arrangement of long and short shelves; the separate base with three moulded panel drawers and raised on square legs joined by an undertier, on stile feet 152cm wide, 196cm high, 45cm deep £700-1,000

29 HC437/77 ELM AND ASH WINDSOR ARMCHAIR 19TH CENTURY the hoop back with a central pierced splat above a shaped seat, raised on turned legs joined by a curved stretcher 59cm wide, 103cm high, 38cm deep Provenance: Private Collection, Surrey

£250-350

British Furniture, Pictures & Works of Art 15

30 HD91/72 FOUR ELM AND YEW WOOD WINDSOR ARMCHAIRS 19TH CENTURY the low hoop backs with pierced splats above shaped seats, raised on turned legs joined by curved stretchers (4) 53cm wide, 93cm high, 40cm deep (approx.) Provenance: Scottish deceased estate

£800-1,200

31 HD91/44 GEORGE II OAK SETTLE MID 18TH CENTURY the high padded back with oak wings and scroll arms above a plank seat, raised on straight cabriole legs ending in pad feet 187cm wide, 108cm high, 52cm high Provenance: Scottish deceased estate

£300-500

32 HD91/29D GEORGIAN ELM CHEST 18TH CENTURY the hinged single plank cover opening to void interior with a candle box, raised on tall bracket feet 113cm long, 60cm high, 38cm deep Provenance: Scottish deceased estate

£300-500

16 Lyon & Turnbull

33 HD91/49 FIVE ELM AND ASH WINDSOR ARMCHAIRS 18TH / 19TH CENTURY of various sizes, all with high hoop backs and pierced splats, over shaped seats, raised on turned legs joined by curved stretchers (5) Largest 58cm wide, 112cm high, 38cm deep Provenance: Scottish deceased estate

£1,000-1,500

34 HC515/1 GEORGE III OAK DRESSER 18TH CENTURY the moulded straight cornice above two long ﬁxed shelves and an enclosed back; the base with three short frieze drawers, raised on turned and tapered legs joined by an undertier 173cm wide, 191cm high, 44cm deep £600-800

British Furniture, Pictures & Works of Art 17

35 HC437/7 GEORGE II STYLE WINGBACK ARMCHAIR 20TH CENTURY the straight padded back and winged scrolling arms above a stuﬀ over seat, raised on shell carved cabriole legs ending in claw and ball feet, in terracotta silk damask upholstery 81cm wide, 117cm high, 57cm deep Provenance: Private Collection, Surrey

£500-700

36 HD99/18 GEORGE II MAHOGANY LOWBOY CIRCA 1740 the rectangular top with a moulded edge above three short drawers and a wavy apron, raised on cabriole legs ending in pad feet 74cm wide, 73cm high, 43cm deep £400-600

37 HD91/10 SMALL GEORGE II FOLDOVER MAHOGANY DEMILUNE TABLE CIRCA 1740 the foldover demilune top above a deep frieze and raised on straight cabriole legs ending in pad feet 59cm wide, 70cm high, 20cm deep, 40cm (open) Provenance: Scottish deceased estate

£300-500

38 HD620/2 GOOD GEORGE II MAHOGANY DROP LEAF TABLE 18TH CENTURY the oval top with drop leaf sides and raised on straight cabriole legs ending in pad feet 130cm long, 70cm high, 50cm deep (closed) 148cm wide (open) £1,000-1,500

18 Lyon & Turnbull

39 HD100/26 GEORGE II STYLE GILTWOOD AND GESSO MIRROR 19TH CENTURY the bevelled mirror plate surmounted by a broken arch pediment centred by Prince of Wales plumes, above a frieze with a classical female masks and drapery swags, the moulded frame with laurel garlands and a carved shell to the base 168cm high, 89cm wide, Provenance: Scottish Highlands estate

£1,000-1,500

40 HD623/3 LARGE GEORGE II STYLE PINE AND GESSO FIRE SURROUND 19TH CENTURY the moulded top over a central panel depicting bacchic putti ﬂanked by scrolling foliate panels, raised on bold volute supports with acanthus and trailing bell ﬂowers and capped by laurel wreaths 188cm wide, 134cm high, 44cm deep; interior opening 141cm wide, 106cm high £1,500-2,500

British Furniture, Pictures & Works of Art 19

41 SV526/101 GEORGE II STYLE MAHOGANY FRAMED OPEN ARMCHAIR EARLY 20TH CENTURY the serpentine crested back and padded open arms above a wide seat, the arm supports carved with ﬂower heads and foliate motifs, raised on acanthus carved cabriole legs ending in carved hairy paw feet, in pale green damask upholstery 74cm wide, 104cm high, 53cm deep Provenance: Property of a gentleman of title

£300-500

42 HD100/28 PAIR OF GEORGE II GILTWOOD AND GESSO MIRRORS MID 18TH CENTURY the shaped mirror plates in a giltwood and gesso rococo frame with ﬂower heads, scrolls, and a pierced shell cresting (2) 95cm x 54cm Provenance: Scottish Highlands estate

£1,000-1,500

43 HC957/2 GEORGE III MAHOGANY BUREAU CIRCA 1760 the slant front opening to an interior ﬁtted with pigeon holes, drawers, and secret compartments, above four long graduated drawers ﬂanked by carved quarter columns and raised on ogee bracket feet 113cm wide, 107cm high, 57cm deep £600-800

20 Lyon & Turnbull

44 HD30/1 RARE PAIR OF JACOBITE GLASS DECANTERS MID 18TH CENTURY each of tapered shouldered form with a slender neck, engraved with displayed rose head ﬂanked by open and closed buds and to the reverse with displayed chrysanthemum and buds, each with a faceted stopper (2) 25cm and 24.5cm high Note: The survival of Jacobite drinking glasses is well recorded and a great variety in style and design is encountered. The survival of decanters however is much rarer with less examples to compare. The few recorded seem to follow the same basic designs as the glasses, using the same iconography and symbolism which would have been apparent to the Jacobite supporters. It is not clear why the survival of decanters is quite scarce, but it is thought that the larger stature of them may have been too much of a show of support for the cause and harder to disguise to the non-Jacobite community. For a rare Jacobite portrait example see Lyon & Turnbull 'Jacobite, Stuart & Scottish Applied Arts', 13th May 2015, lot 56

£3,000-5,000

45 HD30/2 JACOBITE ENGRAVED AIRTWIST STEM WINE GLASS

46 HD30/10 JACOBITE ENGRAVED AIR TWIST WINE GLASS

MID/LATE 18TH CENTURY the funnel bowl ﬁnely engraved with displayed rose head ﬂanked by open and closed buds, with star and bee engraved to reverse, raised on a double knobbed air twist stem, the domed foot engraved REDEAT 16cm high £800-1,000

MID 18TH CENTURY the funnel bowl with engraved display of carnations, raised on a knopped air twist stem and a domed foot 14.75cm high £600-800

47 HD30/11 JACOBITE ENGRAVED TUMBLER MID/LATE 18TH CENTURY the slightly tapered body with engraved carnation, spray of ferns and a bird in ﬂight 11.5cm high £400-600

British Furniture, Pictures & Works of Art 21

48 HD30/12 JACOBITE ENGRAVED TUMBLER

49 HD30/13 JACOBITE ENGRAVED WINE GLASS

MID/LATE 18TH CENTURY the slightly tapered body with engraved closed bud ﬁnial and foliage, the reverse engraved with a spray of honeysuckle 12.5cm high £500-700

MID 18TH CENTURY the bucket bowl with engraved spray of honeysuckle and a bee, raised on a swollen knopped plain stem and circular foot with folded rim 14.5cm high £500-700

51 HD30/15 JACOBITE AIRTWIST WINE GLASS

52 HD30/3 ENAMELLED ALE GLASS

53 HD30/4 ROYAL ARMORIAL WINE GLASS

MID 18TH CENTURY the drawn trumpet bowl with engraved displayed rose head and buds with oak leaf and inscribed FIAT, above a slightly tapered air twist stem and domed circular foot 16.3cm high £800-1,000

MID 18TH CENTURY the deep tapered bowl with enamelled barley and hops, raised on a straight multi enamel twist stem and on a large spreading foot 18.5cm high £500-600

EARLY 18TH CENTURY the large funnel bowl ﬁnely engraved with full Royal armorial, raised on a multi knop stem the lower knop with twisted bubble inclusions, raised on a large domed spreading foot 18.5cm high £1,200-1,800

50 HD30/14 JACOBITE ENGRAVED WINE GLASS MID 18TH CENTURY the pan top bowl with engraved ﬂoral border of intertwined rose and bud, carnation, corn ﬂower and honeysuckle, raised on a swollen knopped air twist stem and circular foot 15.5cm high £800-1,000

22 Lyon & Turnbull

55 HD30/6 RARE MULTI COLOURED ENAMELLED TWIST WINE GLASS

54 HD30/5 RARE IRISH ‘BUSHMILLS’ DECANTER AND STOPPER LATE 18TH CENTURY of straight sided form with ribbed canted corners, engraved to front with whiskey still ﬂanked by shamrocks, inscribed above ‘The Bushmills Old Distillery’ and below ‘Co Antrim Ireland’, the upper neck with facetted shoulder and simple ﬂared rim, with moulded glass stopper 27cm high £400-600

57 HD30/8 FACETED AND ENGRAVED WINE GLASS CIRCA 1760 the funnel bowl etched in capitals ‘HODGE PODGE’ and the date ‘5 MAY 1752’ within laurel wreaths, on a facet cut stem and circular domed foot 17cm high

MID 18TH CENTURY with plain bell shaped bowl above a triple knopped stem, with white, red and green enamel twist within, raised on a spreading domed foot 16.5cm high £1,500-1,800

56 HD30/7 DUKE OF CUMBERLAND SPIRIT FLASK MID 18TH CENTURY of ﬂattened ovoid form with naively engraved portrait of the Duke of Cumberland within simple cartouche, above trophies of war and named above ‘Duke William for ever’ , the reverse engraved with mirrored monogram initials and 1750 in simple foliate border 18cm high Provenance: Ex. Iain Robertson Collection, Alnwick

£1,000-1,500

Note: This Glasgow club was founded in the 18th century and is still in existence. Records commenced on 5th May 1752 and Dr John Moore was a famous founding member. In its original form the club had a literary nature. They started out meeting monthly at seven but this was soon changed to ﬁve- ‘the dinner hour among the better classes’ - according to John Strang in his 1856 ‘ Glasgow and its clubs’ where a full thirty-two pages are devoted to the history of this club. He continues ‘with whist and conversation the evening passed till nine o’clock arrived’.

£800-1,200

58 HD30/9 NEWCASTLE ARMORIAL WINE GLASS 18TH CENTURY the large conical bowl with engraved Dutch armorial with supporters, above a multi knopped stem, the lower knop with air bubble decoration, raised on a slightly domed spreading foot 19cm high £800-1,200

British Furniture, Pictures & Works of Art 23

59 HD91/143 GEORGIAN NEEDLEWORK PANEL 18TH CENTURY of rectangular form, depicting a shepherdess and her ﬂock with two musicians, birds and a dog, within a foliate border, mounted on board but unframed 66.5 x 55cm Provenance: Scottish deceased estate

£150-250

60 HD91/100 GEORGE II WALNUT CHEST ON CHEST CIRCA 1730 the moulded cornice with canted corners over three short and three long crossbanded and featherbanded graduated drawers ﬂanked by canted ﬂuted angles; the lower section with three long graduated drawers, on bracket feet 106cm wide, 170cm high, 54cm deep Provenance: Scottish deceased estate

£600-800

61 HD91/75 GEORGE III MAHOGANY MULE CHEST 18TH CENTURY the hinged moulded top opening to a void interior, with brass handles to the sides; the separate stand with a shaped apron and raised on cabriole legs ending in facetted pad feet 135cm wide, 90cm high, 61cm Provenance: Scottish deceased estate

£400-600

24 Lyon & Turnbull

62 HD91/63I GROUP OF THREE ENGLSH PORCELAIN CREAM JUGS MID-LATE 18TH CENTURY comprising a Worcester blue and white example, of panelled form with rococo style moulding, blue crescent mark, 5cm high; a Worcester ‘Dolphin Ewer’, with a lamprey moulded handle, decorated in polychrome enamels, 8cm high; and a Derby blue and white ‘Dolphin Ewer’, 8cm high (3) Provenance: Scottish deceased estate

£400-600

63 HD91/63E WORCESTER PORCELAIN TEA AND COFFEE WARES MID-LATE 18TH CENTURY comprising a ‘Lord Henry Thynne’ pattern tea cup and saucer, with blue crescent marks; a ‘Jabberwocky’ pattern coﬀee cup and saucer; and a ‘’Hop Trellis’ pattern saucer dish (5) saucers 13.5cm diam. Provenance: Scottish deceased estate

£600-800

64 HD91/195 THREE WORCESTER PORCELAIN DISHES MID-LATE 18TH CENTURY comprising a shallow lobed dish painted with a ﬂower spray and swags within a cobalt border with gilt highlights, blue crescent mark, 19m diam.; a lozenge shaped dish decorated with exotic birds within a green border, 23.5cm wide; and a lattice formed basket with applied ﬂower head mouldings, in green enamels, 19cm wide (3) Provenance: Scottish deceased estate

£300-500

65 HD91/164 THREE ENGLISH PORCELAIN LEAF-FORM DISHES MID 18TH CENTURY comprising a Worcester ‘Cabbage Leaf’ sauce boat, 18.5cm long; a Worcester ‘Blind Earl’ pattern plate, 19.5cm diameter; and a Chelsea leaf form dish, puce anchor mark, 23cm long (3) Provenance: Scottish deceased estate

£700-1,000

66 HD91/63G GROUP OF WORCESTER PORCELAIN MID-LATE 18TH CENTURY comprising a transfer printed mug, depicting engravings of milkmaids by Robert Hancock, 8.5cm high; a bullet shaped teapot and cover, decorated with polychrome ﬂowers, 11.5cm high; and a ‘Queen Charlotte’ pattern slop bowl, blue crescent mark, 12cm diam. (3) Provenance: Scottish deceased estate

£300-500

British Furniture, Pictures & Works of Art 25

67 HC437/36 CHELSEA PORCELAIN FIGURE GROUP, ATTRIBUTED TO JOSEPH WILLEMS MID-LATE 18TH CENTURY modelled as two putti wrestling a large fish, in polychrome enamels, on a naturalistic base with applied flowers and foliage 22.5cm high Provenance: Private Collection, Surrey Note: The modelling of this figure group is attributed to Joseph Willems (Flemish, 1715-1766), who was held to be one of the most prominent makers working at Chelsea during the 18th century. Willems began his career at the company around 1748, establishing a new ‘factory style’ and successfully producing larger figures to compete with imports from other leading manufacturers such as Meissen. Variations on this particular group were produced by other porcelain companies throughout Europe in the second half of the 18th century. One of the possible inspirations being Jean-Baptiste Tuby’s fountain made for the Théâtre d’Eau at Versailles in 1672. Another example of this Chelsea group exists within the collection at the Victoria & Albert Museum dated c.1753-1754.

£2,000-3,000

68 HD91/63A TWO WORCESTER PORCELAIN PLATES, ATTRIBUTED TO THE ATELIER OF JAMES GILES CIRCA 1765-70 each with a scalloped gilt edged rim, painted with an exotic bird upon rocks accompanied by further birds perched on fruit trees (2) 21cm diameter Provenance: Scottish deceased estate

£1,500-2,500

26 Lyon & Turnbull

69 HB817/18 GEORGE III MAHOGANY KETTLE STAND CIRCA 1770 the shaped square top with a serpentine gallery above a conforming frieze with a pull up slide, raised on slender square legs joined by an X stretcher 28cm wide, 61cm high, 28cm deep £300-500

70 HD621/17 SET OF SIX CHIPPENDALE STYLE MAHOGANY DINING CHAIRS 19TH CENTURY the serpentine and foliate carved crest rail above a pierced and interlaced carved splat with anthemion detail, above a leather upholstered stuﬀover seat, raised on acanthus carved cabriole legs ending in claw and ball feet (6) 56cm wide, 97cm high, 42cm deep £1,500-2,500

71 HD620/7 EARLY GEORGE III MAHOGANY KETTLE STAND 18TH CENTURY the circular top with a gallery rail above a carved baluster column, raised on acanthus carved cabriole legs ending in claw and ball feet 31cm diameter, 60cm high £1,000-1,500

British Furniture, Pictures & Works of Art 27

72 HD621/4 FINE GEORGE III MAHOGANY SECRETAIRE BREAKFRONT BOOKCASE CIRCA 1770 the cornice with a fret carved gallery mounted with urn finials above a dentil moulded frieze, over a central pair of mirrored doors opening to shelves and small drawers, flanked by astragal glazed doors opening to further shelves; the lower part with a fall front secretaire drawer fitted with pigeon holes and drawers and a black leather writing surface, above a recess with three long graduated drawers and flanked by banks of two short drawers over moulded panel doors, on an inverted breakfront plinth base 53cm wide, 215cm high, 55cm deep £5,000-7,000

28 Lyon & Turnbull

73 HB824/11 GEORGE III MAHOGANY BIRDCAGE TRIPOD TABLE 18TH CENTURY the circular top above a birdcage on a tapered ring turned column, raised on cabriole legs ending in pad feet, on brass castors 84cm diameter, 70cm high £300-500

74 HD620/9 GEORGE III MAHOGANY BACHELOR’S CHEST OF DRAWERS 18TH CENTURY the moulded and line inlaid rectangular top over a red plush lined brushing slide over two short and three long graduated drawers, raised on shaped bracket feet 86cm wide, 88cm high, 45cm deep £1,200-1,800

75 HD621/19 SET OF FOUR GEORGE III CHIPPENDALE STYLE DINING CHAIRS 19TH CENTURY the serpentine foliate carved crest rails above pierced and interlaced ‘Gothic Arch’ splats, above black leather upholstered stuﬀ over serpentine seats raised on straight moulded legs joined by stretchers (4) 55cm wide, 97cm high, 44cm deep £700-900

76 HD619/7 GEORGE III MAHOGANY BIRDCAGE TRIPOD TEA TABLE 18TH CENTURY the dished circular top over a bird cage on a leaf carved baluster support, raised on foliate scroll carved cabriole legs ending in carved claw and ball feet 78cm diameter, 74cm high £1,000-1,500

British Furniture, Pictures & Works of Art 29

77 HD357/1 PAIR OF ENGLISH FLINTLOCK DUELING PISTOLS, BY ROBERT WOGDON, LONDON CIRCA 1770 with tapered browned rifled barrels engraved WOGDON/ CHARING CROSS LONDON on the top flat, gold lined touch holes, engraved barrel tangs and folding back leaf sights, false breeches, flat bevelled locks signed WOGDON, with sliding safety catches, set triggers, full walnut stocks with iron furniture with trigger guard with acorn finial, retaining much original colour, ovoid butt cap, blank silver escutcheon on side, engraved barrel bolt escutcheons and with engraved bands at muzzles with original horn tipped ram rods, in mahogany later fitted case with plain brass disc folding handle on top of case with a loading rod, lead balls and leather covered two-way powder flask (missing nozzle) with later BARTON trade card (2) 10 inch barrels, 15 inches overall (25cm barrels, 38cm overall) Note: Robert Wogdon, gun maker 1737-1813, was a renowned maker of duelling pistols. He tuned his barrels so that they were accurate at 12 paces and this caused many more deaths of duellists than had previously been the case. His fame for his duelling pistols was written as a stanza by an Irish volunteer -’Hail Wogdon patron of that leaden death’. His shop was at Number 2 Haymarket near Charring Cross London. He formed a partnership with John Barton in 1794.

£4,000-6,000

78 HC657/1 FLINTLOCK DOUBLE BARREL SMALL BORE SPORTING GUN, BY KETLAND & CO., LONDON CIRCA 1780 with two stage barrels octagonal at the breech and round to the muzzle, stamped with stub-twist, Birmingham proof marks, one gold-lined and one partly platinum touch hole, ﬂat stepped locks signed KETLAND & CO. and with roller frizzen springs, walnut half-stock with brass trigger guard in the French taste, with possibly original ramrod barrel 33in / 85cm long £800-1,000

30 Lyon & Turnbull

79 HD626/2 SET OF ELEVEN GEORGE III STYLE MAHOGANY DINING CHAIRS BY MAPLE & CO. LATE 19TH / EARLY 20TH CENTURY comprising ten side chairs and an armchair, with serpentine top rails above pierced interlaced splats, over green leather upholstered stuﬀover seats, raised on straight square moulded legs joined by H stretchers (11) 59cm wide, 93cm high, 46cm deep £2,000-3,000

80 HD624/4 GEORGE III MAHOGANY AND SATINWOOD LINEN PRESS LATE 18TH / EARLY 19TH CENTURY the moulded cornice above a pair of moulded and crossbanded doors opening to two sliding trays; the lower part with three long graduated drawers above a serpentine apron and raised on splayed feet 128cm wide, 212cm high, 58cm deep £500-700

British Furniture, Pictures & Works of Art 31

81 HB819/9 PAIR OF GEORGE III STYLE MAHOGANY SIDE CHAIRS 19TH CENTURY the serpentine top rails over a pierced splat with wheel and star motifs, above stuﬀ over serpentine seats, raised on moulded straight legs joined by H stretchers (2) 63cm wide, 89cm high, 49cm deep £300-500

82 HD162/10 GEORGE III MAHOGANY CORNER CABINET 18TH CENTURY the moulded cornice over a pair of arched panel doors, opening to a shelved interior with three base drawers, raised on bracket feet 97cm wide, 141cm high, 56cm deep £300-500

83 HC951/3 GEORGE III MAHOGANY TEA TABLE 18TH CENTURY the rectangular top with drop down sides, above a frieze drawer to one end, raised on column cluster legs with blind fret carved blocks and joined by a pierced X form stretcher, on brass casters 68cm long, 72cm high, 54cm wide, 100cm (open) £500-700

32 Lyon & Turnbull

84 HD621/18 SET OF SIX GEORGE III MAHOGANY DINING CHAIRS 18TH CENTURY the serpentine and carved top rails above a pierced and carved vasiform splats, over drop in seats raised on moulded straight legs joined by stretchers (6) 58cm wide, 99cm high, 46cm deep £1,000-1,500

85 HD100/21 GEORGE III MAHOGANY ARCHITECT’S TABLE 18TH CENTURY the ratchet adjustable hinged top over a pull out front with a baize lined slide over a ﬁtted interior, with lateral candle holders, raised on straight baluster turned legs ending in castors 90cm wide, 78cm high, 59cm deep Provenance: Scottish Highlands estate

£800-1,200

86 HD100/33 TWO GEORGE III STYLE MAHOGANY ARMCHAIRS EARLY 20TH CENTURY both with serpentine carved crest rails above pierced and interlaced splats, over stuﬀ over seats in green plush upholstery; one raised on blind fret carved straight square legs, the other on foliate carved cabriole legs ending in claw and ball feet (2) One 64cm wide, 97cm high, 50cm deep; the other 64cm wide, 97cm high, 52cm deep Provenance: Scottish Highlands estate

£300-500

British Furniture, Pictures & Works of Art 33

87 HC818/4 GEORGE III EBONISED BRACKET CLOCK BY JOHN ELLICOTT, LONDON

CIRCA 1770 with bell top, the 8-day bell-striking movement with ﬁve knopped pillars, gut fusees and verge escapement, the engraved back plate with makers mark ELLICOTT/ LONDON, the steel dial with Roman and Arabic numerals, engraved with maker’s mark ELLICOTT/ LONDON, and with strike/ silent to the upper left corner, the case with ebonised fruitwood veneers and brass mounts, having a brass carrying handle and glazed panels to the sides, the square door with brass bound circular glazed bevel, the whole raised on brass bracket feet 46cm high with handle raised £3,000-5,000

88 HC778/6 GEORGE III MAHOGANY BRASS BANDED WINE COOLER

18TH CENTURY the octagonal hinged top opening to a brass lined interior, over a conforming body raised on tapered square legs ending in brass caps and castors 44cm wide, 56cm high, 34cm deep £500-700

89 HC778/7 GEORGE III BRASS BOUND PEAT BUCKET

18TH CENTURY of oval form with brass straps and a loop handle 32cm wide, 33cm high, 26cm deep £400-600

34 Lyon & Turnbull

90 HC964/1 IMPORTANT GEORGE III WHITE STATUARY, SIENNA MARBLE AND JASPER CHIMNEYPIECE, ATTRIBUTED TO FRANCIS HARWOOD AFTER DESIGNS IN THE STYLE OF SIR HENRY CHEERE, CIRCA 1774 carved and moulded Carrara marble, inset with panels of Siena and Jasper marble 208cm wide, 160cm total height; interior 119cm wide, 112cm high Provenance: c.1830: John Scott (8th. Scott to be Laird of Gala), Old Gala House, Galashiels 1876: Installed in (New) Gala House, by David Bryce, the architect 1976: John Scott of Hollybush House, Galashiels (from whom purchased) Note: With its characteristic use of white statuary marble onto a Jasper marble ground, this chimneypiece relates to the work of the sculptor Sir Henry Cheere, and was possibly supplied by the sculptor Francis Harwood (fl.1748-1783) at the end of the 18th century. An almost identical chimneypiece exists in the first-floor small Drawing Room at Wedderburn Castle, Berwickshire and its attribution to Harwood is suggested by its construction, with the stretcher and shelf mouldings formed as a single piece of marble, typical of the Italian style of this period. It is known that Harwood worked as a ‘stone-cutter’ in Florence, and was a prolific maker of chimneypieces. He also became one of the major providers of sculpture for English aristocrats visiting Florence on the Grand Tour. Four pedestals made by Cheere of white and Sienna marble with Sicilian jasper panels, which bear similarities to the Wedderburn chimneypiece and the present lot, are in the collection of National Trust in the Music Room at West Wycombe Park, Buckinghamshire. (New) Gala House, Galashiels, was designed by the Edinburgh architect David Bryce in the Scottish Baronial style with building commencing in 1872. It is believed the chimneypiece was moved from the earlier (Old) Gala House which was extended and renovated in the 18th century. In the 20th century (New) Gala House was eventually abandoned and sat empty, falling into increased disrepair. It was demolished in 1987 and the chimneypiece most likely removed at that time.

£10,000-15,000

British Furniture, Pictures & Works of Art 35

36 Lyon & Turnbull

91 HB819/36 GEORGE III MAHOGANY CHEST ON CHEST

CIRCA 1770 the moulded cornice with canted corners over three short and three long graduated drawers ﬂanked by canted ﬂuted angles, the lower section with three long graduated drawers, on bracket feet 110cm wide, 183cm high, 58cm deep £600-800

92 HC963/1 GEORGE III MAHOGANY CHEST OF DRAWERS

CIRCA 1760 of small size, the moulded top with canted corners above a brushing slide and four graduated long drawers, ﬂanked by blind fret carved angles, raised on shaped bracket feet 79cm wide, 84cm high, 48cm deep £800-1,200

93 HC962/4 GEORGE III STYLE ADAM STYLE MAHOGANY CELLARETTE

19TH CENTURY the hinged oval top opening to a lead lined interior, the tapered oval sides carved with husk swags, rosettes, and satyr masks, with brass lion mask handles to the ends, raised on waisted block feet 76cm wide, 41cm high, 50cm deep £700-1,000

94 HC962/14A GEORGE III EMBROIDERED SILK PANEL

95 HC962/15A GEORGIAN EMBROIDERED SILK PANEL

of oval form, decorated with a central armorial and the inscription PLEBS SINE (L)EGE RUIT, within a border of swags and ﬂowers, in a glazed giltwood frame 36.5 x 31.5cm £200-300

of rectangular form, depicting the ‘Bohun swan’ amongst reeds and grasses, with an old paper label to verso, in a glazed giltwood frame 21 x 29cm £200-300

British Furniture, Pictures & Works of Art 37

96 HD96/1 FINE GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS

CIRCA 1760 the serpentine moulded top over four long cockbeaded drawers ﬂanked by blind fret carved angles, the top drawer ﬁtted with a sliding green leather lined writing surface opening to an arrangement of compartments and covered wells, raised on bracket feet 106cm wide, 83cm high, 55cm deep £4,000-6,000

97 HC960/9 IRISH GEORGE III MAHOGANY SIDE TABLE

CIRCA 1760 the rounded rectangular top a moulded carved edge above a deep frieze centred on the long sides by carved acanthus, raised on cabriole legs boldly carved with acanthus and ﬂower heads and ending in carved hairy paw feet 114cm wide, 77cm high, 76cm deep £3,000-5,000

38 Lyon & Turnbull

98 HC962/17 AMERICAN ‘CHIPPENDALE’ FIGURED MAPLE CHEST OF DRAWERS

LATE 18TH CENTURY, PROBABLY NEW ENGLAND the rectangular top over four long graduated drawers, raised on shaped bracket feet 96cm wide, 87cm high, 54cm deep Provenance: Ex Yester House, East Lothian, Scotland, former home of the Italian-American composer Gian Carlo Menotti

£400-600

99 HC962/16 AMERICAN ‘CHIPPENDALE’ FIGURED MAPLE CHEST OF DRAWERS

LATE 18TH CENTURY, PROBABLY NEW ENGLAND the moulded cornice above a pair of short drawers and four long graduated drawers, raised on shaped bracket feet 97cm wide, 117cm high, 46cm deep Provenance: Ex Yester House, East Lothian, Scotland, former home of the Italian-American composer Gian Carlo Menotti

£400-600

100 HC962/15 AMERICAN ‘CHIPPENDALE’ MAPLE SLANT FRONT BUREAU

LATE 18TH CENTURY, PROBABLY NEW ENGLAND the slant front opening to an interior ﬁtted for writing, over four long drawers raised on bracket feet 91.5cm wide, 105cm high, 52cm deep Provenance: Ex Yester House, East Lothian, Scotland, former home of the Italian-American composer Gian Carlo Menotti

£400-600

British Furniture, Pictures & Works of Art 39

101 HC962/14 AMERICAN ‘CHIPPENDALE’ FIGURED MAPLE CHEST ON STAND

LATE 18TH CENTURY, PROBABLY NEW ENGLAND the moulded cornice over a long drawer over three further long drawers, the stand with a long apron drawer made to appear as three drawers, the centre carved with a fan, raised on cabriole legs ending in pad feet 98cm wide, 164cm high, 50cm deep Provenance: Ex Yester House, East Lothian, Scotland, former home of the Italian-American composer Gian Carlo Menotti

£700-1,000

102 HD91/88 ‘THE MODERN UNIVERSAL BRITISH TRAVELLER’ GROUP OF SIXTEEN ENGRAVED PRINTS

CIRCA 1779 including views of Wentworth House; Chatsworth House; Castle Howard; Haddon Hall; the City and Cathedral of Worcester; the City of Gloucester; the Cathedral and City of Durham; the City of Ely; the Cathedral and City of Lincoln; Ludlow Castle; Norwich Castle; Church of St. Pancras; the Ruins of Glastonbury Abby; Stone-Henge; St. Michael’s Mount; and the Columns near Shags-Cave, framed; together with a HAND-COLOURED ENGRAVING OF THE MOON POND AND THE TEMPLE OF PIETY, STUDLEY PARK, 17cm x 28cm; and a HAND-COLOURED ENGRAVING ‘PASTIMES OF PRIMROSE HILL’ BY GEORGE CRUIKSHANKS, 19cm x 20.5cm (18) Provenance: Scottish deceased estate

£300-500

(four of eighteen illustrated)

40 Lyon & Turnbull

103 HD88/1 SET OF TWELVE 18TH CENTURY ENGRAVED PRINTS FROM A SET BY DIFFERENT ARTISTS

DON QUICHOTE TROMPE PAR SANCHO PREND UNE PAYSANNE POUR DULCINEE Pierre Aveline after Boucher, engraving; 12 engravings from a full set of 25 published in 1725 and re-printed as a set of 31 in 1746 (12) 33cm x 33.5cm (13in x 13.25in) and eleven further engravings from the same set (12) £500-700

(one of twelve illustrated) 104 HD88/3 AFTER VAN SHRIEK

STILL LIFE OF FRUIT AND FLOWERS Oil on canvas 86.5cm x 67cm (34in x 26.5in) £2,000-3,000

105 HD88/2 A. MAFFEI (EARLY 20TH CENTURY CONTINENTAL SCHOOL) FLORAL STILL LIFE Signed, oil on canvas, oval 96cm x 74cm (33.75in x 29in) £800-1,200

British Furniture, Pictures & Works of Art 41

106 HD91/130 EARLY 19TH CENTURY ENGLISH SCHOOL

107 HD91/128 18TH CENTURY BRITISH SCHOOL

Provenance: Scottish deceased estate

£250-350

£120-180

FULL LENGTH PORTRAIT OF A GENTLEMAN IN AN INTERIOR Oil on canvas 45cm x 36cm (17.75in x 14.25in)

108 HD162/5 19TH CENTURY BRITISH SCHOOL

PORTRAIT OF COLONEL ROGER MORRIS OF THE SECOND FOOT Oil on canvas 125cm x 88cm (49.25in x 34.5in) £1,000-1,500

THE MARRIAGE OF HENRY V Pencil, ink and bodycolour on buﬀ paper 63cm x 53cm (24.75in x 21in)

109 HD162/7 MANNER OF SIR WILLIAM BEECHEY

PORTRAIT OF ROGER MORRIS AS A CHILD WITH A DRUM Oil on canvas 90cm x 70cm (35.5in x 27.5in) £700-1,000

42 Lyon & Turnbull

110 HD86/2 19TH CENTURY FRENCH SCHOOL CHURCH INTERIOR Signed ‘Jules Rousseau’, oil on canvas 60cm x 50cm (23.5in x 19.75in) £300-500

112 HD162/6 17TH CENTURY FRENCH SCHOOL

HALF LENGTH PORTRAIT OF A LAWYER Dated 1664, feigned oval, oil on canvas 64cm x 44cm (25.25in x 17.25in) £400-600

111 HD162/17 FOLLOWER OF JAN VAN HUCHTENBURGH A CAVALRY SKIRMISH Oil on canvas 29cm x 24cm (11.5in x 9.5in) £800-1,200

113 HD162/3 19TH CENTURY DUTCH SCHOOL A STILL LIFE OF MIXED FLOWERS Oil on canvas 64cm x 48cm (21.25in x 19.75in) £600-900

British Furniture, Pictures & Works of Art 43

114 HC893/3 FOLLOWER OF ALEXANDER NASMYTH

A CAPRICCIO VIEW OF A RUIN ON A HILLSIDE Oil on board 18cm x 25cm (7in x 9.75in) £400-600

115 HD91/127 18TH CENTURY PROVINCIAL SCHOOL THE BANQUET Oil on canvas 80cm x 105cm (31.5in x 41.5in) Provenance: Scottish deceased estate

£800-1,200

116 HD162/16 19TH CENTURY CONTINENTAL SCHOOL FIGURES IN A CLASSICAL LANDSCAPE Oil on panel 42cm x 70cm (16.5in x 27.5in) £400-600

44 Lyon & Turnbull

117 HC962/22A 19TH CENTURY FLORENTINE SCHOOL

CUPID WITH HIS BOW AND ARROW Oil on canvas, in a good Florentine gilt frame 53cm x 41cm (20.75in x 16.25in) £600-800

118 HD162/19 CHARLES TOWNE (BRITISH 1763-1840) LUDLOW CASTLE Signed, oil on canvas 14.5cm x 19.5cm (5.75in x 7.75in) £300-500

119 HD91/131 MANNER OF VAN DYCK

PORTRAIT OF A YOUNG MAN IN A BLUE COAT Oil on canvas 64.5cm x 56cm (25.5in x 22in) Provenance: Scottish deceased estate

£250-350

British Furniture, Pictures & Works of Art 45

120 HC778/2 GEORGE III MAHOGANY CELLARETTE

18TH CENTURY of cubic form, the hinged moulded top opening to a compartmented interior, raised on square straight legs ending on leather castors 37cm wide, 71cm high, 30cm deep £300-500

121 HC778/3 GEORGE III MAHOGANY AND SATINWOOD BOWFRONT CHEST OF DRAWERS

CIRCA 1780 the crossbanded caddy top with barber pole line inlay and centred by a fan medallion, over a brushing slide and three long drawers with sway inlay and outlined in barber pole line inlay, above a shaped apron and raised on splay feet 84cm wide, 77cm high, 47cm deep £1,000-1,500

122 HC778/5 GEORGE III MAHOGANY CANTERBURY

EARLY 19TH CENTURY with four divisions over a single base drawer, raised on square tapered legs ending in brass caps and castors 43cm wide, 52cm high, 33cm deep £300-500

123 HC778/9 GEORGE III MAHOGANY CADDY TOP CHEST OF DRAWERS 18TH CENTURY of small size, the rectangular top with line inlay over four graduated and cockbeaded drawers, raised on splayed feet 71cm wide, 82cm high, 47cm deep £400-600

46 Lyon & Turnbull

124 HD100/1 GEORGE III MAHOGANY LINEN PRESS

18TH CENTURY the key moulded cornice above a pair of panel cupboard doors opening to hanging space; the lower part with two short drawers over a long drawer, raised on ogee bracket feet 133cm wide, 202cm high, 56cm deep Provenance: Scottish Highland estate

£500-700

125 FG280/9 GEORGE III STYLE SATINWOOD CELLARETTE

LATE 19TH CENTURY of sarcophagus form with brass lion mask handles, raised on turned tapered legs ending in brass caps and castors 61cm wide, 58cm high, 42cm deep £800-1,200

126 HD620/1 GEORGE III MAHOGANY AND BIRD’S EYE MAPLE BOWFRONT CHEST OF DRAWERS

18TH CENTURY the crossbanded bowfront top above two short and three long graduated drawers with embossed urn and laurel wreath brass handles, above a serpentine apron and raised on splayed legs 98cm wide, 97cm high, 58cm deep £800-1,200

British Furniture, Pictures & Works of Art 47

127 HC514/1 GEORGE III OAK ARCHITECT’S TABLE

18TH CENTURY the ratchet adjustable top above a sliding front panel opening to a ﬁtted interior, with two lateral candle holders; raised on chamfered square legs on casters 109cm wide, 88cm high, 63cm deep £500-700

128 HD318/1 GEORGE III MAHOGANY ‘GAINSBOROUGH’ ARMCHAIR

18TH CENTURY the square padded back and part-padded arms above a stuﬀ over seat upholstered in silk ﬂame stitch upholstery, raised on square straight legs joined by stretchers 72cm wide, 98cm high, 58cm deep £400-600

129 HD100/16 GEORGE III STYLE MAHOGANY PARTNER’S DESK

EARLY 20TH CENTURY the embossed green leather writing surface above three frieze drawers over banks of three graduated drawers, the reverse with three frieze drawers over cupboard doors disguised as three drawers, on plinth bases 185cm wide, 81cm high, 129cm deep Provenance: Scottish Highland estate

£1,500-2,500

48 Lyon & Turnbull

130 HD99/4 PAIR OF GEORGE III MAHOGANY AND MARQUETRY CORNER CABINETS

LATE 18TH CENTURY of bowfront outline, the tops and doors inlaid with urns, husk swags, oak boughs and wheat sheaves, raised on square tapered legs (2) 69cm wide, 90cm high, 46cm deep £600-800

131 SV608/71 PAIR OF GEORGE III UPHOLSTERED SIDE CHAIRS

CIRCA 1800 the oval padded and button-upholstered backs above rounded stuﬀ over seats in green velvet, raised on square moulded legs (2) 50cm wide, 93cm high, 44cm deep £300-500

132 SV693/4 LATE GEORGE III SATINWOOD SERPENTINE SIDEBOARD

CIRCA 1790 the serpentine top with radiating veneers, ebony stringing and a fan inlay, over a central frieze drawer ﬂanked by cupboard doors with further ebonised stringing and ﬂowering urn stained panel inlay, raised on square tapered legs 122cm long, 88cm high, 55cm deep £800-1,200

British Furniture, Pictures & Works of Art 49

133 SV608/50 PAIR OF GEORGE III MAHOGANY FOLDOVER DEMILUNE CARD TABLES

LATE 18TH CENTURY the demilune foldover and crossbanded tops opening on double gate legs to green baize lined playing surfaces, with a hidden drawer to the back, above a plain crossbanded frieze and raised on square tapered legs with line inlay (2) 97cm wide, 75cm high, 48cm deep (closed) £500-700

134 SV608/38 LATE GEORGE III MAHOGANY AND SATINWOOD SECRETAIRE BOOKCASE

LATE 18TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to shelves; the lower part with a secretaire drawer disguised as two drawers opening to a satinwood interior ﬁtted for writing, over three further long drawers, over a shaped apron and splayed feet 92cm wide, 222cm high, 52cm deep £600-800

135 HC960/4 GEORGE III MAHOGANY OCTAGONAL BRASS BANDED CELLARETTE

18TH CENTURY the hinged octagonal top opening to a void interior with a tin liner; the conforming sides with three brass bands and loop handles; the separate stand with square reeded legs 46cm wide, 71cm high £500-700

50 Lyon & Turnbull

136 SV547/110 GEORGE III MAHOGANY DRESSING TABLE EARLY 19TH CENTURY the divided hinged top opening to a ﬁtted interior, above two dummy short and a real long drawers, raised on square tapered legs ending in spade feet with castors 51cm wide, 72cm high, 37cm deep £300-500

137 HD614/7 PAIR OF PAINTED GEORGE III HEPPLEWHITE ARMCHAIRS

CIRCA 1780 the shield backs above wide stuff over seats flanked by part padded arms above a fluted seat rail and raised on slender cabriole legs, in pale green pattern silk damask (2) 59cm wide, 97cm high, 49cm deep £1,500-2,500

138 SV608/27 GEORGE III MAHOGANY SIDEBOARD

LATE 18TH CENTURY the moulded rectangular top over a long frieze drawer, above a central recessed cupboard ﬂanked by short drawers and cupboard doors, raised on bracket feet 154cm wide, 90cm high, 52cm deep £400-600

British Furniture, Pictures & Works of Art 51

139 HD98/1 GEORGE III MAHOGANY AND EBONY LIBRARY BOOKCASE

LATE 18TH CENTURY the moulded cornice with dentil and ebonised egg and bead moulding above four doors with astragal glazed panels, opening to shelves; the lower part with four raised panel doors with ebony banding on a plinth base 232cm long, 241cm high, 52cm deep ÂŁ5,000-7,000

52 Lyon & Turnbull

140 SV608/32 GEORGE III MAHOGANY AND SATINWOOD DEMILUNE COMMODE

18TH CENTURY the demilune top with fan inlay above a central door with oval satinwood panels, ﬂanked by side panels similarly inlaid, on a shaped apron and raised on short bracket feet 128cm wide, 91cm high, 49cm deep £700-900

141 HD621/3 LATE GEORGE III MAHOGANY AND SATINWOOD BREAKFAST TABLE

LATE 18TH CENTURY the rounded rectangular crossbanded top with line inlay and a moulded edge, over a turned baluster column raised on four reeded outswept legs ending in brass caps and castors 103cm wide, 70cm high, 81cm deep £1,500-2,500

142 HD621/12 GEORGE III MAHOGANY WINE TABLE

18TH CENTURY the circular dished top with a reeded edge, above a baluster column support, raised on facetted cabriole legs ending in pointed pad feet 40cm diameter, 58cm high £2,000-3,000

143 HD99/5 GEORGE III STYLE LIMED OAK MARBLE TOPPED SIDE TABLE

19TH CENTURY the rectangular white marble top above a ﬂuted frieze centred by an carved urn panel, raised on ﬂuted square tapered legs ending in spade feet 70cm wide, 75cm high, 42cm deep £400-600

British Furniture, Pictures & Works of Art 53

144 HD91/157 LARGE GROUP OF GEORGIAN AND REGENCY BRASS CANDLESTICKS

18TH / 19TH CENTURY various shapes and sizes; comprising ﬁve pairs and the remaining as singles (32) Tallest 30cm high Provenance: Scottish deceased estate

£300-500

145 HD103/2 LATE GEORGE III MAHOGANY AND EBONY INLAY SIDEBOARD

LATE 18TH CENTURY the shaped bow front above a central frieze drawer and an arched recess with a further drawer, ﬂanked by two short drawers and a deep drawer, raised on square tapered legs ending in spade feet 141cm wide, 92cm high, 71cm deep £600-800

146 HD621/16 SET OF EIGHT SHERATON MAHOGANY DINING CHAIRS

LATE 18TH CENTURY the shield shaped backs with pierced vasiform splats above wide stuﬀ over seats upholstered in green plush with brass nail head details and fringe, raised on square tapered legs joined by peripheral stretchers (8) 53cm wide, 93cm high, 41cm deep £2,000-3,000

54 Lyon & Turnbull

147 HD619/4 GOOD GEORGE III MAHOGANY AND PEARWOOD FOLDOVER TEA TABLE

LATE 18TH CENTURY the D shaped crossbanded top with ebony and barber pole line inlay, above a frieze with oval reserves, raised on slender square tapered legs outlined in boxwood and ending in collared feet 97cm wide, 73cm high, 47cm deep (closed), 94cm deep (open) £2,000-3,000

148 HD589/4 GOOD GEORGE III SATINWOOD AND ROSEWOOD CROSSBANDED PEMBROKE TABLE CIRCA 1790 the rounded rectangular top with drop sides, above a frieze drawer with lion mask brass handles, a dummy drawer opposing, raised on square tapered legs ending in leather castors 89cm wide, 73cm high, 68.5cm deep £600-900

149 HD91/8 LATE GEORGE III MAHOGANY FRAMED WING ARMCHAIR

EARLY 19TH CENTURY the serpentine back and wings over a stuﬀ over seat, raised on square straight legs joined by stretchers, in pale green silk damask upholstery 75cm wide, 114cm high, 48cm deep Provenance: Scottish deceased estate

£300-500

150 SV547/182 GEORGE III MAHOGANY AND INLAID STICK BAROMETER BY RANSLEY, SEVENOAKS

EARLY 19TH CENTURY the silvered indicator dial inscribed RANSLEY/ SEVENOAKS, above a column with chequer inlay supporting the mercury tube and the oval domed cistern cover, with central fan patera 98cm tall £300-500

British Furniture, Pictures & Works of Art 55

151 HD624/3 LATE GEORGE III SMALL MAHOGANY LINEN PRESS

LATE 18TH / EARLY 19TH CENTURY the dentil moulded cornice above a pair of cupboard doors opening to sliding trays; the lower part with two deep short and one long drawer, raised on bracket feet 117cm wide, 168cm high, 59cm deep £600-800

152 HD621/22 GEORGE III MAHOGANY BRASS MOUNTED HEPPLEWHITE TORCHERE

CIRCA 1780 the circular moulded top with a pierced brass gallery over a ring turned and part ﬂuted slender column, on a tripod base carved with coin medallions ending in blocks raised on tapered legs on ball feet 25cm diameter, 96cm high £1,000-2,000

153 HD624/2 GEORGE III MAHOGANY SIDEBOARD

18TH CENTURY WITH ALTERATIONS the rectangular top over three short frieze drawers ﬂanked by short drawers, raised on square tapered legs with line inlay and ending in spade feet 166cm wide, 84cm high, 60cm deep £600-800

56 Lyon & Turnbull

154 HC437/99 GEORGE III STYLE GILTWOOD AND GESSO MIRROR 19TH CENTURY the oval mirror plate in a moulded frame surmounted by scrolling foliate and urn cresting with pendant acanthus scrolls and bell ﬂower drop ﬁnial 163cm high, 86cm deep Provenance: Private Collection, Surrey

£1,200-1,800

155 HD623/2 LATE GEORGE III PINE AND GESSO FIRE SURROUND

EARLY 19TH CENTURY the inverted breakfront cornice above a central frieze panel with a classical urn ﬂanked by side panels with laurel leaves, raised on double triple cluster columns surmounted by classical maids 194cm wide, 145cm high, 17cm deep; interior opening 128cm wide, 116cm high £1,200-1,800

156 HC960/6 GEORGIAN BRASS AND MESH FIRE SCREEN

LATE 18TH CENTURY/ EARLY 19TH CENTURY of typical form with ball ﬁnials, 112cm wide, 39m high; together with a GEORGIAN PIERCED BRASS SERPENTINE SCREEN, 144cm long, 14cm high (2) £600-800

British Furniture, Pictures & Works of Art 57

157 HD621/6 FINE LATE GEORGE III GILTWOOD SOFA FRAME

CIRCA 1800 the crest rail carved with dolphins and shell motifs, above straight arms carved with palm leaves and ending in ball hand rests, the frame with anthemions, rose heads, and bell ﬂowers, raised on tapered leaf carved supports in the form of torches ending in ﬂattened ball feet 179cm long, 106cm high, 60cm deep £4,000-6,000

158 HD620/6 LATE GEORGE III TWIN PEDESTAL DINING TABLE

EARLY 19TH CENTURY AND LATER with one leaf insert, the rounded rectangular top with a reeded edge over later bases with turned and reeded baluster column supports raised on four reeded scroll legs ending in brass caps and castors 206cm long, 75cm high, 121cm deep £1,200-1,800

58 Lyon & Turnbull

159 HC842/1 LATE GEORGIAN MAHOGANY, FRUITWOOD INLAY, AND POLYCHROMED FOUR POSTER BED

LATE 18TH CENTURY the cove moulded pelmet centred by raised panels and painted with floral swags on a yellow ground, raised on slender tapered posts with faux fluted inlay, ending on square legs with block feet, with yellow floral print chintz hangings 208cm long, 228cm high, 158cm wide approx. £2,000-3,000

160 HD100/24 GEORGIAN STYLE MAHOGANY AND GILT MIRROR WITH 18TH CENTURY ELEMENTS the rectangular mirror plate in a mahogany frame with a foliate gilt slip, surmounted by an urn and scrolling foliate cresting with putti and trophies, with scrolling foliate pendant cresting 135cm high, 42m deep Provenance: Scottish Highland estate

£500-700

British Furniture, Pictures & Works of Art 59

161 HD100/11 THREE SMALL GEORGIAN GILTWOOD MIRRORS

LATE 18TH / EARLY 19TH CENTURY comprising a mirror surmounted with wheat sheaves and laurel branches and a small eglomise roundel, 84cm x 34cm; a mirror with an inverted breakfront cornice with applied balls above a divided mirror plate ﬂanked by columns, 58cm x 35cm; and a mirror with an inverted breakfront cornice above an eglomise panel and mirror plate ﬂanked by columns, 53cm x 30cm (3) Provenance: Scottish Highland estate

£400-600

162 HC962/11 GEORGE III LABURNUM SERPENTINE CHEST OF DRAWERS

LATE 18TH CENTURY the quarter veneered top over four graduated and crossbanded long drawers ﬂanked by blind fret carved angles, raised on ogee bracket feet 110cm wide, 101cm high, 62cm deep £600-800

163 HC962/12 GEORGE III MAHOGANY AND INLAID SERPENTINE SIDEBOARD

LATE 18TH CENTURY the serpentine top with barber pole line inlay, above a central frieze drawer ﬂanked by deep drawers, raised on square straight legs ending in spade feet 157cm wide, 92cm high, 75cm deep £400-600

60 Lyon & Turnbull

164 HC960/1 REGENCY FIGURED MAHOGANY BOOKCASE

CIRCA 1810 the moulded cornice above a pair of astragal glazed doors opening to shelves and ﬂanked by spiral carved pilasters; the lower part with a long drawer ﬁtted for writing above three long drawers, on turned feet 107cm wide, 223cm high, 53cm deep £1,000-1,500

165 HC957/1 LATE GEORGE III MAHOGANY BREAKFAST TABLE

EARLY 19TH CENTURY the rounded rectangular tilt top on a ring turned column and reeded outswept legs ending in brass paw feet and castors 139cm wide, 72cm high, 113cm deep £400-600

British Furniture, Pictures & Works of Art 61

166 SV608/55 PAIR OF EDWARDIAN MAHOGANY AND INLAID JARDINIÈRES

EARLY 20TH CENTURY each of panelled form, with satinwood banding and inlay, on a spread foot and square base with ogee bracket feet, with a later copper liner (2) 37cm and 36.5cm high £400-600

167 HB819/11 GEORGE III MAHOGANY DEMILUNE SIDE CABINET

LATE 18TH CENTURY the crossbanded demilune top above a central drawer and a pair of cupboard doors ﬂanked by further cupboard doors, raised on line inlaid square tapered legs ending in spade feet 122cm wide, 87cm high, 53cm deep £400-600

168 HD100/6 GEORGE III STYLE JAPANNED BUREAU

EARLY 20TH CENTURY of small size, the slant front opening to a red painted fitted interior, over three long graduated drawers, raised on bracket feet; decorated with Chinese figures, gardens and flowers 61cm wide, 99cm high, 37cm deep Provenance: Scottish Highland estate

£400-600

62 Lyon & Turnbull

169 HD91/80I GROUP OF FOUR GEORGIAN WINE GLASSES

18TH CENTURY comprising an example with a cut glass ogee bowl, twist stem and plain foot, 13.5cm; a glass with an everted rim and opaque double twist stem, 14cm high; an example engraved with ﬂowers and birds, 13.5cm high; and a small glass with a plain ﬂared bowl and opaque double twist stem, 12cm high (4) Provenance: Scottish deceased estate

£250-350

170 HD91/80A GROUP OF SIX GEORGIAN WINE GLASSES

18TH CENTURY comprising six examples, all with ﬂared bowls, some with tears to stems and four with folded feet (6) largest 16cm high Provenance: Scottish deceased estate

£300-500

171 HD91/90A GEORGE III GLASS CAKESTAND the plain tier with an raised lip, on a tapered moulded column with a ring banded base, above the domed folded foot, 30.5cm diameter, 19.5cm high; together with a SMALL GEORGE III GLASS TAZZA, of similar form, the plain tier supported by a ﬂuted moulding raised on a knopped stem, above the folded foot, 12.5cm diameter, 7cm high (2) Provenance: Scottish deceased estate

£150-250

172 HD91/47A LARGE GROUP OF GLASS RUMMERS AND STEMWARE

173 HD91/87A LARGE GROUP OF GLASS RUMMERS AND STEMWARE

Provenance: Scottish deceased estate

£300-500

18TH AND 19TH CENTURY comprising thirty-six examples of various shape and size, with ovoid and round funnel bowls, one with a knopped stem, another with a faceted stem (36)

18TH AND EARLY 19TH CENTURY comprising nineteen examples of various sizes, the majority with bucket shaped bowls and plain stems, also including some with ﬂared bowls and knopped blade stems (19)

174 HD91/50A GROUP OF GLASS RUMMERS

19TH CENTURY comprising fourteen examples of various shapes and sizes, including two with cut glass decoration and faceted bowls (14) largest 14.5cm high Provenance: Scottish deceased estate

£300-500

British Furniture, Pictures & Works of Art 63

175 HD91/84A GROUP OF GEORGIAN AND REGENCY GLASS ITEMS

18TH / EARLY 19TH CENTURIES comprising a leech bowl with a ﬂared folded foot, 22cm high; a smaller footed leech bowl, 18cm high; a lace maker’s oil lamp, 18cm high; a smoke dome, 30cm diameter; a ﬂower frog, 18cm diameter; and two footed jars with associated covers, one with a domed foot, the other with a folded foot, 33cm high; and four wasp traps of various sizes (11) Provenance: Scottish deceased estate

£600-800

176 HD91/45A GROUP OF GLASS JUGS AND TANKARDS

18TH AND 19TH CENTURY comprising nine examples of various shape and size, including two mid-18th century tankards, a small jug with a deep lobed body, an engraved example with the inscription G. ADAMS/ BORN SEPTR 2 1816, and a Mary Gregory style jug (9) largest 17.5cm high Provenance: Scottish deceased estate

£400-600

177 HD91/78A LARGE GROUP OF DRINKING GLASSES

178 HD91/49A GROUP OF STEMWARE

Provenance: Scottish deceased estate

£300-500

£200-300

18TH AND 19TH CENTURY comprising seventeen examples of various shapes and sizes, including a ﬁring glass, examples with knopped stems and one with an etched bowl (17) largest 12cm high

18TH AND 19TH CENTURY comprising seventeen examples, including some with wrythen moulded bowls, a jelly glass, three with etched bowls and two eye wash/bath glasses (17) largest 16.5cm high

64 Lyon & Turnbull

179 HD91/63H DERBY PORCELAIN BOTANICAL DISH, DECORATION ATTRIBUTED TO WILLIAM PEGG

CIRCA 1800 with shaped rim and moulded body, painted with a central design of a China Aster within gilt borders, with blue painted inscription LARGE DOUBLE CHINA ASTER and maker’s marks 392 22cm wide Provenance: Scottish deceased estate Note: William ‘Quaker’ Pegg (1775 - 1851) worked as an apprentice studying porcelain painting from the age of 10. In 1790 he started working for the Derby factory, where he initially spent ﬁve years, before leaving and returning. His second time with the company saw new developments in his work, and this botanical dish is an example of the level of skill as a decorator and oberserver of botanical specimens. This ‘Large Double China Aster’, is thought to have originated from a hand-coloured etching included in John Edward’s ‘A Collection of Flowers...’, which was originally published with 79 similar plates in January 1795. It is believed that Derby acquired a copy of this book in the mid 1790s, and it provided much inspiration for the factory’s painters. A similar painted dish, also made and decorated at Derby, is held within the collection at the Victoria & Albert Museum in London.

£1,500-2,500

180 HC437/20 CHELSEA-BOW PORCELAIN FIGURE

LATE 18TH CENTURY modelled as a figure draped in flowers holding a basket of fruit, before a brocage ground, raised on a rococo base, with red painted anchor and dagger marks, 17cm high; together with a PAIR OF DERBY STYLE PORCELAIN FIGURES, 19TH CENTURY, modelled as a male figure with a posy of flowers and a dog by his side, 22cm high; and a female figure with flower posies and a sheep, 21m high; with painted marks (3) Provenance: Private Collection, Surrey

£450-600

181 HC437/19 PAIR OF CHELSEA-BOW PORCELAIN CANDLESTICKS

LATE 18TH CENTURY each modelled with a ﬂuted sconce and pierced drip tray above a cherub reaching to a bird sitting amongst brocage, with a dog and a quiver of arrows by his side, on a rococo formed base with scrolled feet, with red painted dagger and arrow mark (2) 26.5 and 26cm high Provenance: Private Collection, Surrey

£700-1,000

182 HC844/18 ENGLISH DELFTWARE BLUE, WHITE AND MANGANESE PUNCH BOWL 18TH CENTURY decorated in the Chinese taste with temples, fences, rocks, ﬂowers, and song and water birds, on a high straight foot rim 30.5cm diameter, 13cm high £150-250

British Furniture, Pictures & Works of Art 65

183 HD100/15 PAIR OF REGENCY OAK HALL CHAIRS ATTRIBUTED TO GILLOWS

FIRST HALF 19TH CENTURY with shell carved backs, raised on reeded sabre legs, 41cm wide, 81cm high, 35cm deep; together with a REGENCY MAHOGANY HALL CHAIR with a cartouche shaped back painted with an heraldic device and raised on reeded and turned tapered legs, 39cm wide, 89cm high, 34cm deep (3) Provenance: Scottish Highland estate

£600-800

184 SV608/33 SCOTTISH REGENCY MAHOGANY WORK TABLE

EARLY 19TH CENTURY the rectangular top with drop sides, above two short drawers, raised on bobbin turned and tapered legs joined by an X stretcher and ending in brass caps and castors 54cm wide (closed) 94cm (open), 76cm high, 46cm deep £300-500

185 SV665/16 REGENCY MAHOGANY BOWFRONT STAGEBACK SIDEBOARD

EARLY 19TH CENTURY the raised back with sliding compartments over three frieze drawers ﬂanked by deep drawers, raised on reeded and tapered legs 227cm wide 114cm high, 80cm deep £800-1,200

186 SV608/80 SHERATON STYLE SATINWOOD TOILET MIRROR

19TH CENTURY the oval mirror plate set in a scrolled frame on scrolling strut supports 55cm wide, 70cm high £250-350

187 SV608/66 REGENCY ROSEWOOD TRIPOD TABLE EARLY 19TH CENTURY the rounded square top over a slender baluster support raised on bead and reel carved scroll legs ending on brass ball feet 49cm wide, 72cm high, 49cm deep £250-350

66 Lyon & Turnbull

188 HD91/115 REGENCY STAINED PINE BOOKCASE

EARLY 19TH CENTURY of low proﬁle, the straight moulded cornice above three glazed and mullioned doors, above three cupboard doors with square moulded panels, with remnants of original red and ochre stained surface, on a plinth base 262cm long, 197cm high, 32cm deep Provenance: Scottish deceased estate

£700-900

189 SV608/47 REGENCY MAHOGANY AND EBONY SOFA TABLE

EARLY 19TH CENTURY the rounded rectangular top with a moulded edge and drop leaf ends, above a long frieze drawer with a dummy drawer opposing, raised on a lyre shaped support and quatreform base raised on outswept legs ending in brass caps and castors 78cm wide (closed) 129cm (open), 77cm high, 62cm deep £400-600

British Furniture, Pictures & Works of Art 67

190 HD335/1 LARGE REGENCY STYLE GILT BRASS HALL LANTERN

20TH CENTURY of hexagonal form, with a open frame ﬁtted with glass panels enclosing six outscrolling arms 55cm wide (at widest point), 110cm high £400-600

191 HD91/118 LATE REGENCY MAHOGANY AND INLAY WATERFALL BOOKCASE

19TH CENTURY the swan neck pediment over three graduated open shelves, above a base with two cupboard doors with fabric panel inserts, raised on turned legs 103cm wide, 175cm high, 38cm deep Provenance: Scottish deceased estate

£700-900

192 HD620/10 REGENCY MAHOGANY BREAKFRONT SIDE CABINET

EARLY 19TH CENTURY the breakfront top over a pair of moulded panel doors ﬂanked by further moulded panel doors and separated by ﬂuted columns, raised on lobed and turned feet 155cm wide, 85cm high, 43cm deep £2,000-3,000

68 Lyon & Turnbull

193 HD100/19 CARVED GILTWOOD EAGLE LECTERN

EARLY 19TH CENTURY on a wrought metal stand with a triform base, bearing a paper label inscribed in Latin with English translation ‘Pray for the Soul of Master John Aynolph Rector of Hasley./ Prior and Cannons regular / St Sepulchre Warwick.’ 142cm high Provenance: Scottish Highland estate

£600-800

194 SV547/133 REGENCY MAHOGANY THREE TIER DUMBWAITER

EARLY 19TH CENTURY the three dished graduated tiers raised and divided by a reeded central column on downswept reeded legs ending in brass caps and castors 67cm diameter, 121cm high £400-600

195 HD620/3 LATE REGENCY LARGE MAHOGANY BUFFET

CIRCA 1820 with three tiers with three quarter galleries raised and divided by turned and tapered corner columns and ending on brass caps and oversized castors 137cm wide, 122cm high, 57cm deep £1,200-1,800

196 SV608/2 REGENCY MAHOGANY DROP LEAF WORK TABLE

EARLY 19TH CENTURY the rounded rectangular top with drop sides above two short drawers and shallow drawer with dummy drawers on the reverse, raised on ring turned and tapered legs ending in brass castors 51cm long, 72cm 38cm wide (closed); 77cm wide (open) £150-250

197 HD91/113 REGENCY MAHOGANY, WALNUT AND INLAID OCCASIONAL TABLE

EARLY 19TH CENTURY the shaped rectangular crossbanded top centred by an inlaid urn, on a spiral carved column ending on a quatreform base raised on brass paw feet 53cm wide, 57cm high, 38cm deep Provenance: Scottish deceased estate

£400-600

British Furniture, Pictures & Works of Art 69

198 HD626/1 GOOD IRISH REGENCY MAHOGANY SIDEBOARD

CIRCA 1820 the upper part with sliding compartments and raised ends; the lower part with three short frieze drawers ﬂanked by bow front side drawers, raised and divided by reeded and turned legs ending in carved lion paw feet on plinth pads 226cm long, 121cm high, 68cm deep £3,000-5,000

199 HD619/2 REGENCY MAHOGANY DINING TABLE

EARLY 19TH CENTURY the rounded rectangular top above a centre section with drop leaves and gate leg supports and a pair of D ends, above a plain deep frieze with ebony and boxwood line inlay, raised on slender turned and tapered legs ending in brass caps and castors 304cm long, 72cm high, 135cm deep £4,000-6,000

70 Lyon & Turnbull

200 HD335/2 GILT METAL TWELVE LIGHT CHANDELIER AND PAIR OF WALL LIGHTS

20TH CENTURY in the form of a wheat sheaths with four outscrolling arms above a further eight outscrolling arms, 83cm high, 65.5cm wide; the wall lights with a pair of curved candle arms, electriﬁed, 37.5cm high (3) £400-600

201 HD623/6 REGENCY GILTWOOD AND GESSO TRIPTYCH OVERMANTEL MIRROR

EARLY 19TH CENTURY the moulded cornice with applied balls above a frieze panel depicting dancing classical maidens, above a circular bevelled mirror plate ﬂanked by rectangular bevelled mirror plates, divided by Corinthian pilasters 92cm high, 142cm wide £1,200-1,800

202 HD621/14 CHARLES X ROSEWOOD AND INLAY MARBLE TOPPED SIDE CABINET

EARLY 19TH CENTRY the mottled grey marble top with a reeded edge above a pair of frieze drawers above a pair of cupboard doors with vine wreath inlay, on a plinth base, the whole outlined in line inlay and marked at the corners with further foliate inlay 146cm long, 97cm high, 65cm deep £2,500-3,500

British Furniture, Pictures & Works of Art 71

203 HD618/1 REGENCY OAK FRAMED AND BRASS MOUNTED CHAISE LONGUE

CIRCA 1815 the scroll back and high scroll end above a loose cushion seat with bolster, on a reeded frame on part reeded legs with brass cast lion paw feet, the rear legs ending in castors; in yellow and white stripe silk upholstery 207cm wide, 80cm high, 65cm deep £800-1,200

204 HD619/12 GOOD REGECY MAHOGANY AND BRASS INLAID FOLDOVER TEA TABLE EARLY 19TH CENTURY the D shaped crossbanded pivoting top on two turned baluster supports and rectangular brass inlaid base, raised on high scrolling legs with brass line inlay and ending in brass caps and castors 92cm wide, 74cm high, 45cm deep (closed), 90cm deep (open) £2,000-3,000

205 HC886/2 PAIR OF REGENCY STYLE MAHOGANY FOOTSTOOLS LATE 19TH CENTURY of serpentine outline upholstered in red velvet, with gilt metal mounts and raised on brass ball feet (2) 31cm wide, 22cm high, 40cm deep £300-500

72 Lyon & Turnbull

206 HD621/10 REGENCY MAHOGANY FRAMED SOFA

EARLY 19TH CENTURY the padded back with a serpentine back rail centred by a carved shell and acanthus, over a long stuﬀ over seat ﬂanked by high scrolling arms with acanthus carved mahogany facings, above a plain apron and raised on acanthus carved legs with carved paw feet 252cm long, 104cm high, 64cm deep £1,500-2,500

207 HD623/5 REGENCY GILTWOOD AND GESSO OVERMANTEL MIRROR

EARLY 19TH CENTURY the leaf moulded inverted breakfront cornice above a spiral carved and moulded frieze ﬂanked by shell motifs, above a single mirror plate with ebonised dividers, ﬂanked by spiral carved columns 69cm high, 132cm wide £800-1,200

208 HD162/9 SCOTTISH REGENCY MAHOGANY SIDEBOARD

CIRCA 1815 the arched back panel carved with roundels to the ends, above a rectangular top with a concave centre section, over a central frieze drawer above an open recess ﬂanked by cupboard doors with reeded scrolled volutes, on a plinth base 184cm wide, 103cm high, 65cm deep £1,000-1,500

British Furniture, Pictures & Works of Art 73

209 HD103/1 REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the rounded rectangular top over a ring turned and tapered column, on four leaf clasped and carved scrolling legs ending in brass caps and castors 139cm wide, 75cm high, 94cm deep £500-700

210 HC951/2 REGENCY ROSEWOOD, BRASS MOUNTED AND PARCEL GILT CREDENZA

EARLY 19TH CENTURY the mirror back superstructure with a pierced brass gallery above a deep frieze mounted with neoclassical gilt metal mounts, over a pair of moulded glazed doors lined with pale green silk opening to shelves, on a plinth base 94cm wide, 120cm high, 34cm deep £1,000-1,500

211 HD621/7 GOOD PAIR OF CHARLES X ROSEWOOD AND FRUITWOOD INLAID SIDE CHAIRS

EARLY 19TH CENTURY the curved back rails ﬁnely inlaid with scrolling foliate motifs and carved with anthemions and acanthus, above caned seats with yellow silk upholstered pads, raised on lobed and reeded tapered legs headed by foliate inlaid blocks and carved palmettes (2) 47cm wide, 86cm high, 40cm deep £500-700

74 Lyon & Turnbull

212 HC951/1 REGENCY ROSEWOOD AND BRASS MOUNTED SECRETAIRE CREDENZA

EARLY 19TH CENTURY the superstructure with two shelves, the top shelf with a mirror back, over a frieze drawer ﬁtted with compartments and a leather writing slope, above a pair of cupboard doors, on a plinth base 77cm wide, 124cm high, 42cm deep £1,000-1,500

213 HC962/3 LATE GEORGE III MAHOGANY AND EBONY BOOKCASE CABINET

LATE 18TH / EARLY 19TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to shelves; the lower part with a pair of panel cupboard doors with ebony moulding, on a plinth base 137cm wide, 258cm high, 47cm deep £800-1,200

214 HD91/43 REGENCY STYLE MAHOGANY AND BRASS INLAY DRUM LIBRARY TABLE

LATE 19TH CENTURY the circular top with radiating veneers above a frieze with four real and four dummy drawers, raised on a ring turned column on hipped sabre legs with brass inlay, ending in brass lions paw caps and castors 109cm diameter, 76cm high Provenance: Scottish deceased estate

£300-500

British Furniture, Pictures & Works of Art 75

215 HC949/1 REGENCY STYLE TWENTY FOUR LIGHT CHANDELIER

MODERN with two tiers of scrolling candle arms hung with prism strands and drops with a facetted ball pendant ﬁnial 100cm diameter, 110cm high approx. £1,000-1,500

216 HD100/34 LARGE REGENCY GILTWOOD AND GESSO PIER MIRROR

EARLY 19TH CENTURY the rectangular triple mirror plates in a moulded frame with scrolling ﬂoral garlands and husk trails borders 232cm high, 91cm wide Provenance: Scottish Highland estate

£600-800

217 HD621/5 REGENCY PEDESTAL PARTNER’S DESK

EARLY 19TH CENTURY the divided ratchet adjustable top with black leather inserts, above three frieze drawers over banks of three drawers, the opposing with three frieze drawers over cupboard doors, raised on turned feet 136cm wide, 81cm high, 92cm deep £2,500-3,500

76 Lyon & Turnbull

218 HC919/5 REGENCY MAHOGANY AND BRASS SIDEBOARD

19TH CENTURY the shaped bowfront top mounted with a brass gallery rail issuing a pair of scrolling candle arms, with a central frieze drawer above an arched opening, ﬂanked by curved cupboard doors, raised and divided by reeded and turned legs ending in brass caps and castors 205cm long, 155cm high, 82cm deep overall £1,000-1,500

219 HC778/8 REGENCY MAHOGANY AND ROSEWOOD SOFA TABLE

CIRCA 1820 the rounded rectangular crossbanded top with drop ends, over two frieze drawers and two opposing dummy drawers, on stiﬀ leaf carved trestle end supports joined by a turned stretcher with splayed reeded legs ending in brass caps and castors 92cm (closed), 150cm wide (open), 75cm high, 71cm deep £500-700

220 HC967/1 REGENCY MAHOGANY AND EBONY SIDE CABINET EARLY 19TH CENTURY the breakfront top with rounded outset corners above four cupboard doors lined with pleated red silk, ﬂanked and divided by reeded columns ending in carved paw feet 173cm wide, 78cm high, 40cm deep £2,000-3,000

British Furniture, Pictures & Works of Art 77

221 HC962/3A LARGE REGENCY BRONZE AND BRASS MOUNTED INKSTAND

CIRCA 1815 the rectangular base with ogee sides and twin pen recesses, surmounted by a pair of entwined scrolling and foliate cast candle arms, oval tray, and two cut glass square inkpots, the sides mounted with neoclassical style mounts and raised on bold acanthus case paw feet 40cm long 28cm high, 26cm deep £400-600

222 HA496/2 PAIR OF REGENCY PATINATED AND GILT BRONZE CANDLESTICKS

19TH CENTURY each acanthus cast sconce on a tapered column, raised on a triform base with lion mask fittings, with modern fittings a pleated shade (2) 28cm high (excluding fittings and shade) £600-800

223 HC818/1 REGENCY ROSEWOOD BRACKET TIMEPIECE BY LEWIS ABRAHAMS JUNIOR, LONDON

EARLY 19TH CENTURY the circular steel dial with Roman numerals, engraved with maker’s marks LEWIS ABRAHAMS JUNR./ ST. JAMES CITY, with single train fusee movement, enclosed within rectangular case inlaid to the front with brass foliate motifs and with arched cornice carved to the front with stylised gadrooning and a rosette, brass grilles to the sides 43.5cm high £500-700

224 HC830/1A CULPEPPER-TYPE MICROSCOPE, SIGNED WILLIAM HARRIS, LONDON

EARLY 19TH CENTURY of typical form, signed on the stage WILLIAM HARRIS & CO/ 50 HIGH HOLBORN LONDON/ & AT HAMBURGH, with rack and pinion focusing, unboxed 27cm high £300-500

225 HD91/99A NEOCLASSICAL GILT BRONZE AND BLACK SLATE URN MOUNTS

19TH CENTURY the triform base with gilt bronze scroll feet, acanthus and ﬂame ﬁnial components, and various moulded collars and cups base 24cm high Provenance: Scottish deceased estate

£200-300

78 Lyon & Turnbull

226 HD91/210 THREE ENGRAVED COPPER PRINTING PLATES OF VIEWS OF YARMOUTH BY ROBERT POLLARD, AFTER JOHN BUTCHER

CIRCA 1800 comprising ‘A North West View of the Quay of Great Yarmouth’; ‘A South East View of the Market Place of Great Yarmouth’; and ‘A North West View of the Jetty at Yarmouth’; together with three printed impressions of the same mounted on card (6) 44cm high, 70cm long Provenance: Scottish deceased estate

£400-600

227 HD244/1 LARGE PAINTED PLASTER RELIEF, AFTER JOHN FLAXMAN

LATE 19TH/EARLY 20TH CENTURY of square form, depicting Hermes carrying Pandora 72.5cm high x 81cm wide £300-500

228 HD91/73A GROUP OF ENGLISH PORCELAIN DINNER WARE

19TH CENTURY comprising a pair of Chamberlain’s Worcester shaped dishes centrally decorated with a boar within gilt and powder blue borders, painted marks, 20cm wide; together with a part dinner service, with painted reserves and ornate gilding on a cobalt ground, comprising: two sauce tureens, covers and stands, a lozenge shaped dish, and two dinner plates; a set of eight English porcelain plates painted with a central rose within cobalt borders decorated with foliate reserves and gilt highlights, seven marked 280S, 21cm diam.; and a small sauce tureen and cover decorated with ﬂowers, 22cm wide (qty) Provenance: Scottish deceased estate

£300-500

British Furniture, Pictures & Works of Art 79

229 HD91/52A THREE PAIRS OF ENGLISH PORCELAIN HOLLOW WARE

19TH CENTURY all painted with ﬂowers and foliage, comprising a pair of Derby pastille burners, each painted with ﬂowers and signed W.E.M (for W.E. Mosely), with red painted Stevenson and Hancock marks, 15cm high; a pair of campana urn formed vases, with scrolled twin handles, 17cm high; and a pair of Bloor Derby ewers, each with a frilled spout, with printed maker’s marks, 22cm high (6) Provenance: Scottish deceased estate

£250-350

230 HD91/145 PAIR OF DERBY PORCELAIN CAMPANA URNS EARLY 19TH CENTURY each of typical form with twin handles and raised on a square base, painted with ﬂowers in polychrome enamels ﬂanked by ornate gilt borders, with red painted mark (2) 32.5cm high Provenance: Scottish deceased estate

£300-500

231 HD91/86A SPODE PORCELAIN URN

EARLY 19TH CENTURY with a slender neck and ﬂared mouth above a baluster body painted with a ﬂoral still life reserve against a cobalt ground with gilt details, with upright loop handles and a socle foot on a square base, red ‘SPODE’ mark 28cm high Provenance: Scottish deceased estate

£200-300

232 HD91/167 NANTGARW PORCELAIN PLATE

CIRCA 1815 painted with rosehip ﬂowers and buds, within polychrome and gilt ﬂoral borders, stamped NANTGARW/ C.W. 21cm diameter Provenance: Scottish deceased estate

£400-600

80 Lyon & Turnbull

233 HC437/3 REGENCY MAHOGANY AND BIRCH WORK TABLE

CIRCA 1815 the rectangular top above two long drawers, and a sliding demilune compartment, raised on curved supports on a quadriform base with reeded C scroll legs 62cm wide 73cm high, 42cm deep Provenance: Private Collection, Surrey

£600-900

234 HC437/25 REGENCY ROSEWOOD AND BRASS INLAID CHIFFONIER

CIRCA 1815 with an upper section with a pierced brass gallery and raised on turned baluster supports, above a pair of Gothic arch panel doors opening to a shelved interior, with scrolling foliate brass inlay, raised on sabre legs with further brass inlay 71cm wide, 117cm high, 28cm deep Provenance: Private Collection, Surrey

£2,000-3,000

235 HC962/10 REGENCY GILTWOOD AND GESSO CONVEX MIRROR

EARLY 19TH CENTURY the convex mirror plate in a reeded ebonised slip and moulded frame with balls ornaments, surmounted by an eagle on a waisted pedestal and acanthus scrolls 120cm high, 66cm wide £800-1,200

British Furniture, Pictures & Works of Art 81

236 HC962/5 REGENCY MAHOGANY CAMPAIGN PHYSICIAN’S DESK WITH SWEDISH PORPHRY WORK SURFACE

EARLY 19TH CENTURY the superstructure with tambour doors opening to pigeon holes, above a lift oﬀ baize lined tray revealing a removable marble work surface, above three long drawers, raised on turned and tapered legs 59cm wide, 122cm high, 54cm deep £600-800

237 HC437/6 REGENCY MAHOGANY FOLDOVER CARD TABLE

238 HD532/2 REGENCY MAHOGANY WHATNOT

EARLY 19TH CENTURY with four tray tiers, raised and divided by turned supports, the bottom tier with a drawer, on turned legs with brass caps and castors 41cm wide, 154cm high, 40cm deep £400-600

CIRCA 1815 the rounded rectangular top with boxwood stringing and opening to a green baize lined playing surface, above a breakfront frieze with bead moulding, raised on a squared column support and quadriform base with sabre legs ending in brass lion caps and castors 91cm wide, 74cm high, 45cm deep (closed) 90cm (open) Provenance: Private Collection, Surrey

£800-1,200

239 HC427/10 REGENCY STYLE PAINTED, EBONISED AND GILT TRAYTOP TABLE 19TH CENTURY AND LATER the oval tray top painted with a circular reserve depicting classical ﬁgures, on an integrated modern ebonised and gilt decorated stand 63cm wide, 53cm high, 51cm deep £400-600

82 Lyon & Turnbull

240 HC958/1 SET OF SIX REGENCY ROSEWOOD DINING CHAIRS

19TH CENTURY the scroll and ﬂower carved top rails over reeded stiles and bobbin turned spindles, above caned seats raised on baluster turned and tapered legs. with cream and green checked pads (6) 44cm wide, 89cm high, 41cm deep £600-800

241 HB817/26 REGENCY MAHOGANY CANTERBURY

EARLY 19TH CENTURY with four divisions and turned spindles at the corners, with a base drawer, raised on turned feet ending on brass caps and castors 46cm wide, 50cm high, 37cm deep £300-500

242 HC956/4 REGENCY MAHOGANY AND EBONY BOWFRONT SERVING TABLE

EARLY 19TH CENTURY the bowfront top above three frieze drawers with ebony stringing, raised on slender reeded legs 199cm wide, 90cm high, 73cm deep £1,000-1,500

British Furniture, Pictures & Works of Art 83

243 HB819/61 REGENCY STYLE BLACK JAPANNED CHEVAL MIRROR

EARLY 20TH CENTURY the rectangular mirror plate in a japanned frame between squared supports with urn ﬁnials, raised on trestle supports ending in brass eagle claw caps and castors 74cm wide, 173cm high, 67cm deep £250-350

244 HB375/16 REGENCY ROSEWOOD BREAKFAST TABLE

EARLY 19TH CENTURY the circular tilt top over a plain frieze, raised on a reeded and lotus carved baluster column support, on a tripartite base raised on acanthus carved scroll feet 132cm diameter, 71cm high £500-700

245 FG280/8 REGENCY MAHOGANY AND EBONY SIDEBOARD

EARLY 19TH CENTURY of inverted breakfront outline, the shaped stageback above three frieze drawers, ﬂanked by deep drawers, outlined with ebony stringing and raised on ring turned tapering legs 218cm wide, 114cm high, 71cm deep £1,000-1,500

84 Lyon & Turnbull

246 HC964/3 FINE AND RARE REGENCY CAST IRON URN SHAPED FIRE BASKET

CIRCA 1815 of flattened pierced campana urn form in the late Baroque/early Rococo style, with stylised leafwork and a bold egg and tongue rim, the foliate cast loop handles with lion mask terminals, on a waisted socle and later square plinth base fitted with an ash drawer with adjustable air vents 68cm wide, 51cm high, 35cm deep Note: The present lot, with its bold urn design, relates to other fire grates of a similar urn form of the late Georgian and Regency period, however a definitive attribution is difficult. It is clearly referencing the neoclassical elements first advocated by Palladian architects, and later in the 18th century by Robert Adam, however the exuberance of the design also includes flourishes taken from the late Baroque period while lacking the more feminine feel and asymmetry of the Rococo.

£4,000-6,000

British Furniture, Pictures & Works of Art 85

247 HC962/9 LARGE REGENCY TRIPLE PLATE OVERMANTEL MIRROR

EARLY 19TH CENTURY the inverted breakfront cornice above a deep frieze centred by drapery swags and quill tips, above three bevelled mirror plates ﬂanked by and divided by column clusters, on bun feet 128cm high, 153cm wide £800-1,200

248 HC962/8 REGENCY GILTWOOD, GESSO AND EBONISED EGYPTIANESQUE TRIPLE PLATE OVERMANTEL MIRROR

EARLY 19TH CENTURY the inverted breakfront cornice with ball ornament detail above a lattice and swag decorated frieze, above three bevelled mirror plates ﬂanked by and divided by column clusters headed by ebonised Egyptian busts 84cm high, 144cm wide, £800-1,200

249 HC427/9 SMALL REGENCY ROSEWOOD AND PARQUETRY TRIPOD TABLE

EARLY 19TH CENTURY the octagonal top with a serpentine gallery and inlaid with various woods and mother of pear’, on a slender stop-reeded baluster support, on cabriole legs ending in slipper feet 39.5cm diameter, 72cm high £500-800

86 Lyon & Turnbull

250 HC964/4 GOOD REGENCY BRASS AND CAST IRON SARCOPHOGUS FORM FIRE GRATE, AFTER DESIGNS BY GEORGE BULLOCK EARLY 19TH CENTURY with anthemion cast back plate and brass mounted and outlined supports 97cm wide, 65cm high, 29cm deep

Note: The design of this fire grate is based upon an unsigned drawing by George Bullock at Tew Park, Great Tew, Oxfordshire and inscribed ‘Plan of Stove in Dining room and Oak Study’. The connection of Bullock to this design of grate was first suggested by C. Gilbert and A. WellsCole in the exhibition catalogue for The Fashionable Fire Place, Temple Newsam House, Leeds, 1985, p.30, cat. no. 22. Bullock most likely sought inspiration from A. Desgodetz, Les Edifices Antiques de Rome, published in Paris in 1682, which illustrates the Tomb of Agrippa in the Pantheon in Rome, upon which this design is based (see E. Harris, The Furniture of Robert Adam, London, 1963, fig. 112).

£2,000-3,000

251 HC964/2 REGENCY STEEL AND BRASS FENDER AFTER DESIGNS BY GEORGE BULLOCK

EARLY 19TH CENTURY cast with anthemions and palmettes with acanthus scrolls between polish steel borders 157cm wide £2,000-3,000

British Furniture, Pictures & Works of Art 87

252 HD619/3 GOOD REGENCY MAHOGANY DINING TABLE IN THE MANNER OF GILLOWS OF LANCASTER CIRCA 1820 comprised of two ends and a drop leaf centre section, the rounded rectangular top above a plain moulded frieze, raised on turned and reeded legs ending in brass caps and castors 313cm long, 73cm high, 140cm deep £7,000-9,000

253 HD621/20 GEORGE IV ROSEWOOD MARBLE TOPPED CREDENZA

EARLY 19TH CENTURY of breakfront outline, the white marble top above three frieze drawers and a pair of cream silk lined doors with brass grille inserts, ﬂanked by foliate capped columns and further doors similarly ﬁtted, on a plinth base 158cm wide, 91cm high, 54cm deep £1,500-2,500

88 Lyon & Turnbull

254 HD409/1 FINE REGENCY MAHOGANY, EBONY AND EBONISED SLATE TOP WRITING TABLE CIRCA 1815 the long rectangular top with slightly outset square corners and inset with a slate slab, above a long and two short frieze drawers ﬂanked by deep drawers, with dummy drawers opposing, raised on ﬂuted square tapered legs ending in bold carved lion paw feet 220cm long, 79cm high, 82.5cm deep Provenance: Stobo Castle, probably supplied to Sir James Montgomery Purchased Hylton Philipson, 1905 Acquired by the Countess of Dysart, 1938 Purchased Sotheby's, 10th & 11th April, 1972 Thence by descent

Note: Stobo Castle, in the Scottish Borders, was built in 1805 from designs by the Scottish architect James Elliot. It replaced the earlier Manor of Stobo which itself had replaced an even earlier Tower House. In 1767 the estate was sold to the Graham-Montgomery family who owned the property until 1905 when it was sold to the cricketer Hylton Philipson who extensively changed the gardens. This unusual writing table is impressive not only for its scale, but also for the use of the single large slate slab that covers the top surface. While slate surfaces are not uncommon on furniture of the period, it is the sheer size of the piece which makes the present lot so remarkable. It is believed the table was commissioned and installed soon after the new house was completed in 1811. It remained there through subsequent owners in the 20th century until the two day sale of the contents of the Castle in 1972 when it was acquired by Sir James Stirling. The table was on loan for many years to the National Trust for Scotland and was on display in the Trust’s previous premises on Charlotte Square, Edinburgh. A related smaller and much plainer table with a slate top is in the collection of the Metropolitan Museum of Art, New York.

£6,000-8,000

British Furniture, Pictures & Works of Art 89

90 Lyon & Turnbull

255 SV484/43 GEORGE IV MAHOGANY AND ROSEWOOD SOFA TABLE

EARLY 19TH CENTURY of small size, the crossbanded top with drop leaf ends with boxwood stringing, above two frieze drawers with two dummy drawers opposing, on a turned column support raised on reeded outswept legs ending in cast caps and castors 84cm wide (closed), 134cm wide (open), 75cm high, 55cm deep £400-600

256 HD100/30 MAHOGANY EASEL

19TH CENTURY the sliding adjustable back ﬁtted with a shelf and drawer, with a hinged support 71cm wide, 189cm high Provenance: Scottish Highland estate

£300-500

257 HD625/1 GEORGE IV MAHOGANY BOOKCASE CABINET

EARLY 19TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to shelves; the lower part with a pair of cupboard doors opening to shelves and drawers, raised on turned feet 130cm wide, 214cm high, 48cm deep £600-800

British Furniture, Pictures & Works of Art 91

258 HD621/23 WILLIAM IV ROSEWOOD CHIFFONNIER

CIRCA 1830 the high mirror back with a pierced and carved gallery raised on scroll supports, over a pair of glazed doors ﬂanked by further glazed doors divided by scrolled volutes, opening to a shelved interior and raised on a plinth base 184cm wide, 138cm high, 46cm deep £2,000-3,000

259 HC948/1 SCOTTISH MAHOGANY DRUMHEAD LONGCASE CLOCK

EARLY 19TH CENTURY the circular silvered dial with Roman numerals and subsidiary seconds and calendar dials, above a straight trunk with a moulded door ﬂanked by reeded corner columns, on a moulded plinth base raised on bracket feet, the eight day movement striking a bell 44cm wide, 216cm high, 23cm deep £800-1,200

260 HB817/21 GEORGE IV MAHOGANY WHEEL BAROMETER CLOCK, BY FRANCIS AMADIO & SONS, LONDON

EARLY 19TH CENTURY with a broken swan neck pediment above the hygrometer, thermometer, white enamel clock and barometer dials, signed F-AMADIO & SONS / ST. JOHN ST. T. ROAD, LONDON 98.5cm high £700-900

92 Lyon & Turnbull

261 SV608/56 LARGE REGENCY SATINWOOD TEA CADDY

EARLY 19TH CENTURY of waisted sarcophagus form, opening to reveal to ﬁtted compartments and a later glass mixing bowl, raised on four squat bun feet 37.5cm wide, 26cm high, 21cm deep £250-350

262 HB817/16 PAIR OF GILT BRONZE LIONS

263 HC962/13A REGENCY BRONZE AND MARBLE INKSTAND

19TH CENTURY each rampant ﬁgure with an open mouth and tail curled over its leg and back (2) 29cm high £300-500

CIRCA 1815 modelled as a hinged shell opening to ink and sand pots, supported on the back of a dolphin, on a square green/black veined marble stepped base 12cm high £200-300

264 HA496/1 PAIR OF GEORGE IV SILVERED BRASS CANDLESTICKS CIRCA 1820, WITH LATER FITTINGS converted to lamps, each with a drip tray above the waisted sconce and baluster column raised on a domed foot, cast in the rococo style, with modern ﬁttings and a pleated shade (2) 25.5cm high (excluding ﬁttings and shade) £500-700

British Furniture, Pictures & Works of Art 93

265 HC437/78 STAFFORDSHIRE PEARLWARE FIGURE OF CLEOPATRA

EARLY 19TH CENTURY in polychrome enamels, 31cm wide, 21.5cm high; together with a STAFFORDSHIRE ‘VICAR AND MOSES’ PULPIT FIGURE GROUP, 22cm high (2) Provenance: Private Collection, Surrey

£300-500

266 HC437/116 PAIR OF STAFFORDSHIRE FIGURE GROUPS, OF ‘GARIBALDI’ AND ‘NAPIER’ 19TH CENTURY each modelled in uniform with a sword, resting on a white horse, the naturalistic style base with inscriptions GARIBALDI and NAPIER (2) 22.5cm high Provenance: Private Collection, Surrey

£300-500

267 HD91/69B GROUP OF STAFFORDSHIRE WALTON AND WALTON TYPE FIGURES

EARLY 19TH CENTURY comprising a gardener and companion, 13cm high; a boy with a basket of ﬂowers emblematic of Spring, marked WALTON, 15cm; and a pair of pearlware recumbent sheep, 11cm high (5) Provenance: Scottish deceased estate

£250-350

94 Lyon & Turnbull

268 HC962/1 GEORGE IV ROSEWOOD CHAISE LONGUE

CIRCA 1830 high scroll end above a loose cushion seat with bolster over an apron carved with palmettes, raised on turned and reeded legs ending in brass castors, in rose, green and cream striped silk upholstery 193cm long, 86cm high, 67cm deep £800-1,200

269 HB827/1 GEORGE IV MAHOGANY LIBRARY TABLE

19TH CENTURY the rectangular top with notched corners and a black rexine inset writing surface, over a central slide and long frieze drawer ﬁtted with a writing slope and ﬂanked by short drawers, the same opposing, carved at the corners with lions masks, raised on reeded sabre legs ending brass caps and castors 154cm wide, 84cm high, 82cm deep £600-800

270 SV608/61 WILLIAM IV ROSEWOOD AND SATIN BIRCH GAMES/SIDE TABLE

CIRCA 1835 the removable circular top with an inlaid games board on one side, a white marble insert on the other, opening to a baize lined interior containing a collection of gaming pieces, the frieze with carved rosettes, on a turned and tapered column on a circular base raised on scroll feet 41cm diameter, 75cm high £400-600

271 HD294/1 MAHOGANY AND WALNUT STICK BAROMETER, SIGNED JOSEPH SOMALVICO, LONDON

EARLY 19TH CENTURY the broken triangular pediment and urn ﬁnial above the silvered plate inscribed JOSEPH SOMALVICO & CO./ NO. 81 LONDON, with a hemispherical cistern cover and a later glass tube 95cm high £400-600

British Furniture, Pictures & Works of Art 95

272 HD619/6 FINE GEORGE IV ROSEWOOD AND BRASS INLAID BREAKFAST TABLE

CIRCA 1825 the circular top inlaid with a band of oak leaves and acorns above a brass inlaid frieze, raised on a squared support and quadriform base with four scrolling legs inlaid with further brass inlay and ending in leaf cast caps and castors 121cm diameter, 71cm high ÂŁ7,000-9,000

96 Lyon & Turnbull

273 HC437/88 WILLIAM IV OAK SIDE CABINET

EARLY 19TH CENTURY the rectangular top with a foliate carved edge above a pair of frieze drawers, above a pair of raised panel cupboard doors with further foliate carved moulding, on a plinth base 122cm wide, 92cm high, 39cm deep Provenance: Private Collection, Surrey

£400-600

274 HD99/8 WILLIAM IV MAHOGANY WATERFALL BOOKCASE

CIRCA 1835 with three graduated shelves over a base with two short drawers, on turned legs with brass castors 100cm wide, 126cm high, 34cm deep £400-600

275 HC956/6 LARGE REGENCY MAHOGANY FRAMED SETTEE

CIRCA 1820 the straight padded back and seat ﬂanked by high scroll arms, in distressed brown boucle upholstery, the frame carved with palmettes, beads, rosettes and anthemions, raised on brass castors 236cm long, 94cm high, 80cm deep £800-1,200

British Furniture & Works of Art 97

276 HD532/1 PAIR OF WILLIAM IV MAHOGANY BUFFETS

19TH CENTURY the foliate carved pierced back rails above rectangular tops and two further tiers raised and divided by turned and lotus carved baluster columns, raised on lobed and turned feet with brass caps and castors (2) 150cm wide, 118cm high, 51cm deep £800-1,200

277 HD100/31 WILLIAM IV MAHOGANY WASHSTAND CIRCA 1830 the rectangular top with a three quarter gallery over two short frieze drawers, raised on turned and reeded tapered legs ending in large brass caps and castors 120cm wide, 87cm high, 67cm deep Provenance: Scottish Highland estate

£400-600

278 HD100/22 LARGE WILLIAM IV MAHOGANY LIBRARY TABLE

CIRCA 1835 the rounded rectangular top with a light brown leather writing insert above three frieze drawers and three opposing, raised on turned and reeded legs ending in brass caps and castors 182cm wide, 79cm high, 114cm deep Provenance: Scottish Highland estate

£800-1,200

98 Lyon & Turnbull

279 HC427/2 TWO ENGRAVED GLASS RUMMERS

19TH CENTURY each with a shaped ovoid bowl, knopped stem and plain foot, the first engraved with masonic symbols and figures flanked by columns, 16cm high; the second depicting the Battle of Trafalgar and Nelson, with inscriptions TRAFALGAR 1805/ ENGLAND EXPECTS THAT EVERY MAN THIS DAY WILL DO HIS DUTY, 15.5cm high (2) £200-300

280 HD91/60B ENGRAVED GLASS RUMMER

EARLY 19TH CENTURY the bucket shaped bowl depicting a view of Sunderland Bridge below a triangular border, raised on a blade knopped stem and plain foot 14cm high Provenance: Scottish deceased estate Note: For similar examples of this engraved decoration, see Engraved Glass from North East England 1800-1860, October 2013 (the Collection of the Late Ian Robertson of Alnwick).

£150-250

281 HD91/86B COLLECTION OF CUT GLASS CRUETS

EARLY/MID 19TH CENTURY comprising a pair of boat shaped salts with lemon squeezer bases, 8cm high; a pair of silver covered mustard pots, 13.5cm high; a pair of silver gilt covered scent bottles/cruets, 9cm high; a pair of bottles and stoppers with thumb cut detail, 14.5cm high; a further boat shaped salt, 8.5cm high; and a SHELL SHAPED SALT, with a facet cut stem, 5.5cm high (10) Provenance: Scottish deceased estate

£300-500

British Furniture & Works of Art 99

282 HD91/46A GROUP OF ENGLISH AND IRISH CUT GLASS

19TH CENTURY comprising a decanter and stopper with step cut neck; a further decanter and matched stopper with strawberry cut body; a covered dish and stand; a heavy cut glass water jug; a small jug; and a small decanter (6) largest 28cm high Provenance: Scottish deceased estate

£200-300

283 HD91/15B GROUP OF CLEAR AND COLOUR GLASSWARE

19TH AND 20TH CENTURY comprising an engraved twin handled goblet with the inscription A PRESENT FROM CHARLES WILD TO MARIA WOOD, 21cm high; a basket weave moulded green jug, with lozenge mark, 18.5cm high; a large stemmed goblet with a waisted bowl and domed foot, 27cm high; a Bristol blue jug, 18cm high; a pale green jug with a ribbed handle, 24.5cm high; a mallet shaped decanter, 19cm high; a green inkwell and stopper, 12.5cm high; and a moulded bottle with inscribed S. MAW. SON & THOMPSON, 19cm long (8) Provenance: Scottish deceased estate

£250-350

284 HD91/82A LARGE GROUP OF FACETED AND CUT GLASS STEMWARE

19TH CENTURY of various sizes and shapes, comprising eleven examples with thumb-cut circle detail; and sixteen facet cut drinking glasses (qty) largest 15.5cm high Provenance: Scottish deceased estate

£200-300

285 HD91/52B GROUP OF MATCHED DECANTERS AND STOPPERS 19TH CENTURY comprising seven plain decanters of various sizes, with various matched cut glass, tear drop and bullseye stoppers; and two cut glass examples, with matched teardrop stoppers (9) largest 30.5cm high Provenance: Scottish deceased estate

£150-250

286 HD91/48A GROUP OF MATCHED DECANTERS AND STOPPERS 19TH CENTURY comprising twelve examples of various shape and size, each with a ring neck collar, and eight with stoppers, some matched (12) largest 27cm high Provenance: Scottish deceased estate

£200-300

100 Lyon & Turnbull

287 HB817/4 ENGLISH PORCELAIN PART TEA AND COFFEE SERVICE

EARLY 19TH CENTURY painted with polychrome ﬂowers within gilt borders, comprising a teapot and cover; a sugar bowl and cover; a milk jug; a slop bowl; two cake plates; nine tea cups; seven coﬀee cans; and ten saucers; together with an ASSOCIATED PORCELAIN COFFEEPOT, with similar decoration (qty) £300-500

288 HD91/17B GROUP OF CHAMBERLAIN’S WORCESTER AND FLIGHT, BARR AND BARR PORCELAIN

EARLY 19TH CENTURY comprising a Chamberlain’s Worcester twin handled vase and cover painted with a crest above a Neo-classical scene inscribed BELISARIUS, with a label to underside, 22cm high; together with a Chamberlain’s Worcester inkwell modelled with a ﬁgure of a putto seated writing, with books and a vase, maker’s marks, 11cm wide; and a Flight, Barr and Barr pen tray, painted with a scene (inscribed to verso) of NEAR MATLOCK DERBYSHIRE, ﬂanked by gilt branches, maker’s marks, 21cm wide (3)

289 HC437/129 DERBY PORCELAIN FIGURE OF DAVID GARRICK AS RICHARD III 19TH CENTURY modelled leaning forward with arms open and a hat at his feet, on a naturalist style base, in polychrome enamels with gilt highlights, incised NO. 21 28.5cm high

Provenance: Scottish deceased estate

Provenance: Private Collection, Surrey

£400-600

£250-350

290 HC437/39 TWO ENGLISH POTTERY IMARI PATTERN POT POURRI URNS

19TH CENTURY in two sizes, with domed pierced covers above baluster bodies with moulded classical mask handles, decorated in the typical palette with gilt details, on a square foot, unmarked (2) One 27cm high; the other 25cm high Provenance: Private Collection, Surrey

£250-350

291 HD91/42A COALPORT FELTSPAR PART DESSERT SERVICE

19TH CENTURY painted with a ﬂower sprays within gilded grape moulded borders, comprising a comport; a shaped dish; and six plates, some with maker’s marks; together with a PAIR OF ENGLISH PORCELAIN SERVING DISHES, of similar design, marked 397; and an ENGLISH PART TEA SERVICE, comprising seven cups and six saucers, decorated with ﬂowers on a spotty gilt ground, marked 2009 (qty) Provenance: Scottish deceased estate

£250-350

292 HD91/54A ENGLISH PORCELAIN PART FRUIT SERVICE

19TH CENTURY painted with a central ﬂower within peach borders decorated with ﬂoral reserves and gilt highlights, painted mark 933, comprising four square dishes; three scalloped dishes; two oval dishes; and twelve plates; together with TWO PORCELAIN COFFEE CUPS, with similar decoration (23) Provenance: Scottish deceased estate

£300-500

British Furniture & Works of Art 101

293 SV665/6 MANNER OF JOHN “SPANISH” PHILLIP PORTRAIT OF A SPANISH SENORITA Pastel on buﬀ paper, oval 70cm x 51cm (27.5in x 20in) and another, a pair (2) £2,000-3,000

294 SV608/20 F. GOUPIL (19TH CENTURY CONTINENTAL SCHOOL)

FORTY SECOND HIGHLANDERS OF ALEXANDRIA, 1801 Signed, watercolour 31cm x 21.5cm (12.15in x 8.5in) and another ‘The Blackwatch’ by another hand (2) £200-400

295 HD245/2 19TH CENTURY SCOTTISH SCHOOL CRAIGMILLAR CASTLE Oil on canvas 44cm x 64cm (17.25in x 25.25in) £400-600

102 Lyon & Turnbull

296 HD100/12 19TH CENTURY DUTCH SCHOOL

BOATS, DORDRECHT Signed with initials ‘C.N.’, inscribed ‘Dordrecht’ and dated 1864, oil on canvas 24cm x 33.5cm (9.5in x 13.25in) Provenance: Scottish Highland estate

£400-600

297 SV312/14 ATTRIBUTED TO HORATIO MCCULLOCH R.S.A. (SCOTTISH 1805-1867) VIEW OF LOCH LOMOND Oil on canvas 63.5cm x 122cm (25in x 48in) £500-700

298 HD99/1 MANNER OF ALFRED DE BREANSKI SENIOR (BRITISH 1852-1928) CASTLE BY THE LOCH Signed ‘Alfred de Breanski,’ oil on canvas 49.5cm x 75cm (19.5in x 29.5in) £800-1,200

British Furniture & Works of Art 103

299 SV608/21 19TH CENTURY BRITISH SCHOOL

UNIFORM OF THE 42ND REGIMENT OF HIGHLANDERS Indistinctly signed ‘D. Willan Feest?’ and dated 1821, inscribed with title, pencil and watercolour 31cm x 24.5cm (12.25in x 9.5in) £200-400

300 HD67/19 19TH CENTURY BRITISH SCHOOL HALF-LENGTH PORTRAIT OF A GENTLEMAN IN A RED MILITARY JACKET Oil on canvas 74cm x 61cm (29in x 24in), and another portrait by the same hand (2) £600-800

301 HC999/15 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) PORTRAIT OF A YOUNG WOMAN IN A RED SHAWL Signed, watercolour 33.5cm x 24cm (13.25in x 9.5in) £800-1,200

104 Lyon & Turnbull

302 HD192/2 DAVID FARQUHARSON A.R.A., A.R.S.A., R.S.W., R.O.I. (SCOTTISH 1840-1907) MEADOW SCENE Oil on canvas 53.5cm x 87cm (21in x 34.5in)

303 HD306/2 JOHANNES FREDERICK SCHUTZ (DUTCH 1817-1888) CRESTING A WAVE Signed and dated ‘66, watercolour 25cm x 34cm (9.75in x 13.5in) £400-600

Note: There is an old label verso stating that this picture was exhibited at the Royal Academy in 1884 and subsequently in Paris

£500-700

304 HC44/1 HENRY JOHN LIVENS (BRITISH 1848-1943) STILL LIFE OF FRUIT Signed and dated 1879, oil on canvas 49cm x 60cm (19.25in x 23.5in) £500-700

305 HC843/1 HENRY CHARLES WOOLLETT (BRITISH c. 1826-1893)

ON THE DROVE ROAD Signed and dated 1873, oil on canvas 59cm x 110cm (23.25in x 43.25in) and another similar by the same hand (2) £800-1,200

British Furniture & Works of Art 105

306 HC843/2 19TH CENTURY CONTINENTAL SCHOOL PRIZED POSSESSIONS Oil on canvas 29.5cm x 35m (11.5in x 13.75in) £300-500

307 HB671/17 JOSSE IMPENS (BELGIAN 1840-1905) THE WORKER Signed, oil on card laid on board 36cm x 21cm (14.25in x 8.25in) £500-700

308 HC843/39A JOHANN HARTUNG (GERMAN/AUSTRIAN 1836-1918)

PLAYMATES Signed, oil on board 25cm x 19cm (10in x 7.5in) and another by the same hand, a pair (2) £1,000-1,500

106 Lyon & Turnbull

309 HD147/2 JAMES HARDY JNR (BRITISH 1832-1889) A GAME BIRD Signed, watercolour and bodycolour 10cm x 15cm (4in x 6in) £500-700

310 HD100/13A MARY HOLD (BRITISH 19TH CENTURY) PHEASANT IN A HIGHLAND LANDSCAPE Signed, oil on canvas 41cm x 51.5cm (16.25in x 20.25in) Provenance: Scottish Highland estate

£300-500

311 HD100/13 ABEL HOLD (BRITISH 1815-1891)

WOODCOCK IN A WINTER LANDSCAPE Signed and dated 1883, oil on canvas 34.5cm x 44.5cm (13.5in x 17.5in) and another, also a woodcock, by Thomas Hold (2) Provenance: Scottish Highland estate

£600-800

British Furniture & Works of Art 107

312 HD91/156 COLLECTION OF GEORGIAN AND VICTORIAN TRUNCHEONS

MOSTLY 19TH CENTURY various shapes and sizes, sixteen examples with polychrome decoration and insignias, the remaining of plain turned wood (20) Longest 48cm long; shortest 26cm long Provenance: Scottish deceased estate

£400-600

313 HD91/139 GROUP OF ENGLISH ‘WILLOW PATTERN’ TRANSFERWARE PLATTERS AND DRAINERS

19TH CENTURY various sizes and makers, comprising ﬁve oval platters and four drainer inserts, with diﬀerent borders; together with a LARGE ENGLISH BLUE AND WHITE TRANSFER WARE ALE JUG, 19th century, 29cm high; and a VICTORIAN BRAMPTON SALT GLAZE CISTERN, 34cm high (11) Provenance: Scottish deceased estate

(one of a group)

314 HD91/6A GROUP OF STAFFORDSHIRE FIGURES

£300-500

19TH CENTURY comprising a large figure of a man inscribed MOODY, modelled as a gentleman leaning on a pillar, 42.5cm high; a spill vase modelled as Red Riding Hood and a wolf, red X mark, 23cm high; three further spill vases, each modelled with lovers, one with a swimming bird, another with a bridge, 19cm high, 17.5cm high and 16cm high; a figure group modelled with lovers before entwined trees, 20cm high; a figure group, modelled with an actor, 25cm high; and a further figure group, modelled with a man looking out with a kneeling lady at his side, 25cm high; together with a PORCELAIN FIGURAL CANDLESTICK, 24.5cm high (9) Provenance: Scottish deceased estate

£250-350

108 Lyon & Turnbull

315 HC437/42 PAIR OF SCOTTISH SUBJECT PORCELAIN CANDLESTICKS

MID 19TH CENTURY each green rococo style column with a thistle form candle nozzle and a man and woman in Scottish dress with a musical instrument, on triform rococo scroll base (2) 25cm high Provenance: Private Collection, Surrey

£250-350

316 HC778/10 ENGRAVED GILT BRASS CARRIAGE CLOCK 19TH CENTURY enclosing a silvered engraved dial with Roman numerals, with a timepiece movement 11.5cm high (excluding handle) £200-300

317 HC962/29A EARLY VICTORIAN TOLE AND GILT BRASS LAMP BASE

19TH CENTURY with a cast mount above the painted column, raised on a gilt brass tripod base with leaf form and scrolled C motifs, converted to electricity 83cm high (including ﬁttings) £150-200

318 SV608/60 VICTORIAN SATIN BIRCH BOOK TRAY the galleried top with two turned handles above knopped spindles, raised of four squat bun feet 38.5cm wide, 19cm high, 26cm deep £200-300

319 SV608/48 VICTORIAN PAPIER MACHE TRAY TABLE BY ILLIDGE TRAY 19TH CENTURY; THE STAND LATER the rectangular tray with a deep edge and decorated with a pheasant and game birds, stamped ‘ILLIDGE / PAPER / WARRANTED’; on a later ebonised stand with an X stretcher 62cm wide, 50cm high, 45cm deep £150-250

British Furniture & Works of Art 109

320 HD91/87 LARGE ENGLISH NEEDLEWORK MEMORIAL SAMPLER

CIRCA 1835 worked in silk on linen, with a two column verse titled ‘LINES ON THE DEATH OF MY DEAR MOTHER WHO DIED JANUARY 16TH 1832’, above an apple tree with peacocks, flowers, and further songbirds, inscribed ‘TAMAR TAYLOR RILEY / WORK’, in a wide scrolling flower border, glazed and framed, 52cm high, 74cm wide; together with an ENGLISH NEEDLEWORK HOUSE SAMPLER, by Mary Copley, aged 13 and dated 1821, worked in silk and wool with a verse above a red house flanked by footmen, the ground filled with flowers, birds, baskets, a crown and trees and ‘Noah’s Ark’ in two places, glazed and framed, 56cm high, 53cm wide; and a VICTORIAN MEMORIAL SAMPLER, by Mary Dearden, aged 66 and dated 1874, worked in wool with a two column verse centred by a mounted photograph of the maker, above a flower-fille bowl flanked by baskets and birds and flowers, above a field filed with animals and a shepherd and shepherdess, within a strawberry vine border, glazed and framed, 49cm high, 46cm wide (3) Provenance: Scottish deceased estate Note: Tamar Taylor Riley, daughter of Joseph and Ruth Riley, is recorded being christened in Huddersfield in 1821.

£400-600

322Y HD91/191 SAMUEL LOVER (IRISH, 1797-1868)

PORTRAIT MINIATURE OF MRS YATES rectangular on ivory; the sitter with blonde hair and wearing a coral coloured gown, gold drop earring and necklace with pendant; sitting on a gilt chair with an blue velvet and ermine throw, signed upper left corner, in a gilt metal slip and gesso and giltwood frame; 10.5cm high, 8.5cm wide; together with a 19TH CENTURY PORTRAIT MINIATURE OF A YOUNG LADY with black hair wearing a dark gown, gold bracelet and ring and holding a book, on ivory, unsigned, in a gilt metal slip and red morocco leather case, 10cm high, 7.5cm wide (2) Provenance: Scottish deceased estate Note: An inscription on the back of the miniature identiﬁes the sitter as Mrs. Yates of Moone Abbey, Kildare, Ireland. Mrs Yates was the wife of Benedict A. Yates, Esq.

321 HD99/6 LATE VICTORIAN PAINTED MAHOGANY MINIATURE CHEST OF DRAWERS

LATE 19TH CENTURY the rectangular top over four long drawers painted with ﬂower garlands, foliate scrolls and ribbon tied laurel garlands, on bracket feet 32cm wide, 34cm high, 25cm deep £200-300

£300-500

110 Lyon & Turnbull

323 HD322/1 PAIR OF STAFFORDSHIRE JACKFIELD COCKERELS

19TH CENTURY each decorated with gilt highlights on a black lustre ground (2) 30cm high £300-500

324 HC427/16 DERBY PORCELAIN FIGURE OF DAVID GARRICK AS RICHARD III

19TH CENTURY modelled leaning forward with arms open and a hat at his feet, on a naturalist style base, in polychrome enamels with gilt highlights, incised NO. 21 28.5cm high £200-300

325 HD67/4 ASHWORTH IRONSTONE PART DINNER SERVICE

LATE 19TH CENTURY decorated in the Imari palette with a central ﬂower vase, with stamped marks ASHWORTH REAL IRONSTONE CHINA, and printed mark A. BROS./ REAL IRONSTONE CHINA, comprising a large soup tureen, cover and stand; a further open tureen; two vegetable tureens and covers; a sauce tureen, cover and stand; a large platter and three smaller platters; nineteen dinner plates; eight soup plates; and eleven luncheon plates (qty) £600-800

326 HD91/51A GROUP OF CREAMWARE POTTERY

LATE 18TH AND 19TH CENTURY comprising a pair of Leeds Pottery candlesticks, with colonnade sconces above a pierced column and waisted foot, impressed marks, 24.5cm high; together with a Wedgwood loving cup, impressed marks, 14cm high; and a further loving cup, with painted inscription ‘John Green 1798’, within foliate swags and borders, 13cm high; together with THREE CIRCULAR CREAM GLAZED BIN LABELS numbered 3, 16 and 18, 8.5cm diameter (7) Provenance: Scottish deceased estate

£200-300

British Furniture & Works of Art 111

327 SV677/37 EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE

MID 19TH CENTURY the circular top over a moulded frieze, raised on a leaf carved column and three foliate carved and scrolling legs ending in porcelain castors 140cm diameter, 70cm high £600-900

328 HD626/3 EARLY VICTORIAN UPHOLSTERED LIBRARY CHAIR

MID 19TH CENTURY the low button tufted back and enclosed arms above a rounded seat, raised on scroll cared cabriole legs ending on scrolled toes with ceramic castors, covered in reddish brown faux leather 76cm wide, 89cm high, 52cm deep £500-700

329 HD623/4 LARGE VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR 19TH CENTURY the rectangular mirror plate in a guilloche moulded frame surmounted by a carved cresting with a pair of love birds 194cm high, 156cm wide £1,000-1,500

112 Lyon & Turnbull

330 HC437/4 VICTORIAN WALNUT AND BRONZE DINNER GONG

19TH CENTURY the frieze carved with foliate scrolls and a shell motif, between reeded supports on a trestle base gong 49cm diam.; 68cm wide, 94cm high overall Provenance: Private Collection, Surrey

£300-500

331 HB824/7 IRISH KILLARNEY ARBUTUS, WALNUT AND MARQUETRY OCCASIONAL TABLE 19TH CENTURY the lobed hexagonal tilt top inlaid with a ﬂower garland band and centred by a star burst medallion, on a spiral carved column raised on scrolled acanthus carved legs 53cm diameter, 73cm high £300-500

332 HD13/1 SCOTTISH OAK STICK BAROMETER, SIGNED C. CROTCHIE, INVERNESS

19TH CENTURY with a broken triangular pediment and urn ﬁnial above the signed brass plate and hemispherical cistern cover 100cm high £400-600

333 HC437/56 VICTORIAN ROSEWOOD UPHOLSTERED STOOL 19TH CENTURY the square padded seat in rust and gold damask upholstery, raised on cabriole legs ending in scroll toes 50cm wide, 43cm high, 50cm deep Provenance: Private Collection, Surrey

£300-500

British Furniture & Works of Art 113

334 HC962/25A ENGLISH PORCELAIN AND GILT METAL MOUNTED EIGHT LIGHT CHANDELIER

19TH CENTURY the cast corona and four chains supporting eight outscrolling arms above a painted porcelain base decorated with polychrome ﬂower heads and moulded C scrolls, with a gilt metal drop pendant 79cm high, 78cm wide £400-600

335 HC437/101 VICTORIAN ROSEWOOD PIANO STOOL 19TH CENTURY the adjustable circular padded seat on a carved baluster column and scroll carved cabriole legs ending in scroll toes 30cm diameter, 54cm high Provenance: Private Collection, Surrey

336 HC956/7 EARLY VICTORIAN CHESTERFIELD SOFA MID 19TH CENTURY of typical form, in distressed blue cotton twill upholstery, on turned mahogany legs with porcelain castors 230cm wide, 80cm high, 110cm deep £400-600

£350-450

114 Lyon & Turnbull

337 HC962/7 LARGE VICTORIAN MAHOGANY BUTLER’S TRAY ON STAND

19TH CENTURY the oval tray with hinged sides with open hand holds, on a folding X-form stand 130cm wide, 81cm high, 99cm deep (sides down) £400-600

338 HC382/2 EARLY VICTORIAN MAHOGANY CAMPAIGN CABINET

19TH CENTURY of cubic form with a hinged centre opening to reveal an interior ﬁtted with pigeon holes, on turned legs with castors 75cm high, 117cm high, 55cm deep £800-1,200

339 HC437/111 VICTORIAN ROSEWOOD FOLDOVER CARD TABLE

MID 19TH CENTURY the pivoting foldover top with a moulded edge opening to a green baize lined playing surface and revealing a compartmented interior, raised on turned column supports and raised on scrolled legs joined by a ﬁnial and ending in porcelain castors 89cm wide, 72cm high, 46cm deep (closed ), 92cm deep (open) Provenance: Private Collection, Surrey

£400-600

British Furniture & Works of Art 115

340 HB824/16 VICTORIAN WALNUT, EBONISED, PORCELAIN AND GILT METAL MOUNTED CREDENZA

19TH CENTURY the shaped bow front above a central pair of doors mounted with oval porcelain Sevres style plaques, ﬂanked by mirror panels and further bow front glazed doors opening to shelves, all ﬂanked and divided by columns with gilt metal Corinthian capitals, on a conforming base raised on ebonised turned feet 183cm long, 105cm high, 42cm deep £1,000-1,500

341 HB531/111 EARLY VICTORIAN SATIN BIRCH FOUR POSTER BED

MID 19TH CENTURY the moulded cornice raised on bold octagonal ﬂuted columns and hung with burgundy cotton plush hangings, with a panel footboard raised on block feet 169cm wide, 241cm high, 209cm long Provenance: Cairness House, Aberdeenshire

£3,000-5,000

116 Lyon & Turnbull

342 HB531/110A LARGE EARLY VICTORIAN MAHOGANY LIBRARY BOOKCASE 19TH CENTURY the moulded cornice above three glazed doors ﬂanked and divided by half columns, opening to shelves; the lower part with arched mirror panel doors, on a plinth base 257cm wide, 278cm high, 60cm deep Provenance: Cairness House, Aberdeenshire

£2,000-3,000

343 HD619/1 VICTORIAN WALNUT FRAMED FOOTSTOOL

344 HD91/46 ARTS & CRAFTS STAINED BEECH AND ASH COMB BACK ARMCHAIR

19TH CENTURY the rectangular padded seat above a moulded seat rail raised on scroll carved cabriole legs ending in scrolled toes 93cm wide, 45cm high, 50cm deep £700-900

LATE 19TH / EARLY 20TH CENTURY the plain horse shoe shaped top rail over slender spindles above a large shaped circular seat ﬂanked by scrolled arms, raised on tapered splayed legs joined by an H stretcher 68cm wide, 110cm high, 59cm deep Provenance: Scottish deceased estate

£150-250

345 HB824/5 VICTORIAN BURR WALNUT ETAGERE CANTERBURY

19TH CENTURY the three quarter gallery top over a three division lower tier, above a base drawer, raised on turned legs ending in porcelain castors 56cm wide, 92m high, 40cm deep £400-600

British Furniture & Works of Art 117

346 HD621/2 IRISH MAHOGANY, ROSEWOOD AND FRUITWOOD MARQUETRY CENTRE TABLE

19TH CENTURY the circular top profusely inlaid with stylised ﬂower heads, garlands, and banded inlay within a carved gadrooned border, above a frieze carved with drapery swags and pendant ﬂowers; on a foliate carved baluster column on C and foliate scrolled legs on brass castors 109cm diameter, 79cm high £4,000-6,000

118 Lyon & Turnbull

347 HD619/9 IMPRESSIVE EARLY VICTORIAN WALNUT AND BURR WOOD VITRINE TABLE

CIRCA 1850 the oval top with hinged and glazed ends opening to blue silk lined wells, above a deep frieze with bands of carved leaf tip moulding, raised on squared supports carved with lotus on trestle supports joined by a turned stretcher, with brass castors 115cm wide, 76cm high, 86cm deep £3,000-4,000

348 HD619/10 LATE VICTORIAN PAINTED MAHOGANY SERPENTINE COMMODE

LATE 19TH CENTURY the serpentine top with a foliate carved edge above a pair of cupboard doors painted with flowering urns and flower garlands, opening to two sliding trays, the sides painted with exotic figures in gardens, over a foliate carved apron and raised on foliate carved square tapered legs 128cm wide, 94cm high, 59cm deep £3,000-4,000

British Furniture & Works of Art 119

349 HD621/8 PAIR OF VICTORIAN CARVED OAK ARMORIAL HALL CHAIRS 19TH CENTURY the padded square backs surmounted with large cartouches carved with stags and a coronet above an armourial, over stuﬀover seats raised on carved an ﬂuted tapered legs ending in porcelain castors (2) 55cm wide, 106cm high, 47cm deep £500-700

350 HA673/26 EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE

MID 19TH CENTURY the circular top over a plain frieze above a facetted baluster column support, on a circular base raised on scroll feet with brass castors 136cm diameter, 74cm high £500-700

351 HD67/5 MASON’S IRONSTONE PART DINNER SERVICE

MID 19TH CENTURY decorated in the Imari palette with scrolling foliage, with printed marks MASON’S PATENT IRONSTONE CHINA, comprising two tureens and covers; a further open tureen; six platters of various sizes; a meat drainer; thirty-six dinner plates; ten soup plates; six dessert plates; two small covers; and a small stand (qty) £300-500

120 Lyon & Turnbull

352 HD91/110 VICTORIAN BURR WALNUT LOO TABLE

MID 19TH CENTURY the quarter veneered oval top with a moulded edge, on a foliate carved column raised on foliate and scroll carved legs on brass castors 144cm wide, 73cm high, 109cm deep Provenance: Scottish deceased estate

£300-500

353 HD60/1 VICTORIAN RUBY GLASS AND GILT BRASS OIL LAMP

19TH CENTURY with a cut glass reservoir, raised on a Corinthian column with diamond carved detail and a stepped base, stamped RD. 308529, with modern ﬁttings 80cm high overall £300-500

354 HD626/5 VICTORIAN EBONISED AND PORCELAIN AND BRASS MOUNTED SIDE CABINET

LATE 19TH CENTURY the inverted breakfront top above a conforming frieze mounted with porcelain plaques over a central glazed door opening to a plush lined and shelved interior, ﬂanked by squared columns with gilt brass volutes and mounted with further porcelain plaques, on a plinth base outlined in gilt brass 88cm wide, 113cm high, 38cm deep £1,500-2,500

British Furniture & Works of Art 121

355 HD32/7 LARGE VICTORIAN OAK BREAKFRONT BOOKCASE 19TH CENTURY the projecting breakfront moulded cornice above ﬁve glazed doors opening to shelves, above moulded panel doors, ﬂanked by three glazed doors to the either side over further moulded panel doors, raised on a plinth base 471cm long, 238cm high, 72cm deep £1,500-2,000

356 HD91/26B VICTORIAN ENAMELLED GLASS VASE

19TH CENTURY the shouldered purple glass vase decorated with a female holding a lyre to one side and a raised scrolled motif to the other, 32cm high; together with a PÂTE SUR PÂTE VASE, converted to an oil lamp, of baluster form with patinated brass handles, ﬂanking a classical female on a green ground, raised on a shaped circular base, 43.5cm high overall (2) Provenance: Scottish deceased estate

£200-300

357 HD91/4A PAIR OF IRONSTONE CHINA JARDINIERES

LATE 19TH CENTURY each of flared form with twin mask handles, decorated in the Chinoiserie style with reserves depicting figures between floral bands, one with printed mark PATENT IRONSTONE CHINA (2) 24cm wide (at widest point), 19.5cm high Provenance: Scottish deceased estate

£150-250

358 SV608/52 SET OF VICTORIAN FIRE IRONS

19TH CENTURY each with an ornate brass handle and spiral twist stem, comprising a poker, 75cm long; a pair of tongs, 75cm long; and a shovel, 78cm long; together with a PAIR OF BRASS FIRE DOGS, each with a ball ﬁnial above knopped uprights united by ogee feet, 34.5cm high, 20cm deep (5) £150-250

122 Lyon & Turnbull

359 HD419/1 PAIR OF MA JOLICA COMPORTS

LATE 19TH CENTURY each shell formed bowl modelled with rope twists, clutched by a female ﬁgurehead to each side, raised on a naturalist style base, in polychrome enamels (2) 54cm wide, 30cm high £250-350

360 HD144/10 MINTON MA JOLICA TEAPOT AND COVER

LATE 19TH CENTURY with a snail ﬁnial above the monkey formed handle clutching reins around the cockerel formed spout, modelled with foliate roundels on a cobalt ground, raised on three splayed feet, impressed MINTON/ 624, with a year cypher 23cm wide, 15cm high £700-1,000

361 HC844/3A TWO MA JOLICA CHEESE DOMES AND STANDS

LATE 19TH/ EARLY 20TH CENTURY each dome typically modelled with leaves and ﬂoral sprays, one with a matching stand, the other with an associated stand, all decorated in green, brown and yellow glazes (4) 22cm high approx. £200-300

362 HC844/3B GROUP OF MA JOLICA AND GLAZED EARTHENWARE

LATE 19TH/ EARLY 20TH CENTURY comprising a large tyg with branch-form handles modelled with acorns and oak leaves, 18.5cm high; a large comport modelled with fruiting vines, 30cm diam., 25cm high; and two barrel shaped storage jar and covers, one labelled FLOUR, the other SUGAR, 30cm high (4) £200-300

363 HD91/5B TWO PIECES OF MA JOLICA

19TH CENTURY comprising a Minton comport modelled as a water sprite seated on a dolphin supporting a shell shaped dish, stamped MINTON and 1003, 18cm high; and a glazed earthenware tobacco barrel in the form of an ivy clad tower with a thatch roof, unmarked, 18cm high (2) Provenance: Scottish deceased estate

£150-250

British Furniture & Works of Art 123

364 HD619/11 PAIR OF AMUSING CARVED OAK FIGURES OF JESTERS

19TH CENTURY each in a traditional costume in a crouched position, on a moulded square base (2) 37cm high £700-900

365 HD619/8 VICTORIAN WALNUT AND EBONISED POST BOX

19TH CENTURY with a brass ﬂap inscribed ‘LETTERS’ above a door with an arched glazed panel, on a moulded base 25cm wide, 30cm high, 20cm deep £400-600

366 HC437/98 VICTORIAN WALNUT, OLIVEWOOD MINIATURE CHEST OF DRAWERS

19TH CENTURY with Tunbridgeware banding, the shaped rectangular top over four long drawers, ﬂanked by turned half columns, on a plinth base with squat bun feet 44cm wide, 49cm high, 19cm high Provenance: Private Collection, Surrey

£250-350

367Y HD621/9 ANTERIOR AFRICAN RHINO HORN RIDING CROP

19TH CENTURY of curved form with a scrolling handle, carved with a plain oval reserve above a white metal embossed collar 82.5cm long (full length of horn 99cm long) £1,500-2,500

124 Lyon & Turnbull

368 HD91/42B GROUP OF COMMEMORATIVE WARE, OF MINING INTEREST

LATE 19TH CENTURY comprising a teapot and cover, with transfer printed scenes and inscriptions OAKS COLLIERY SECOND EXPLOSION/ CAGE BLOWN INTO THE HEAD GEAR, 19.5cm high; and eight transfer printed plates, each with a border listing those lost in mining disasters on 24th December 1875 and 24th January 1876, four with lustre decoration, some with printed marks for J. Wardle & Co., Middlesbro. and Stoke and Trent, 21.5cm diam. (9) Provenance: Scottish deceased estate

£300-500

369 HD91/111A FRENCH PAINTED OPALINE GLASS PERFUME CASKET

19TH CENTURY the oval hinged box painted with ﬂower garlands and bouquets with gilt decorated borders, with scrolling brass loop handles and feet, opening to a pair of gilt decorated glass scent bottles 16cm wide, 13cm high, 11cm deep Provenance: Scottish deceased estate

£400-600

370 HC437/89 COALPORT PORCELAIN FLOWER ENCRUSTED MINIATURE TEAPOT 19TH CENTURY of lobed pear form with branch form handles and spout, the sides encrusted with ﬂowers and leaves, enhanced with gilt details 19cm high Provenance: Ex. Collection of Mrs Gary Cooper; Private Collection, Surrey

£250-350

British Furniture & Works of Art 125

371 HC437/110 VICTORIAN ROSEWOOD FRAMED BUTTON UPHOLSTERED SETTEE

19TH CENTURY with twin chairback ends with carved foliate scroll cresting, above a stuﬀ over seat, raised on cabriole legs, in cream patterned upholstery 177cm long, 107cm high, 56cm deep Provenance: Private Collection, Surrey

£700-1,000

372 HC437/108 VICTORIAN ROSEWOOD, MARQUETRY AND EBONISED ETAGERE 19TH CENTURY with three oval tiers with brass banding and ﬂoral marquetry panes, raised and divided by shaped ebonised legs 45cm wide, 79cm high, 34cm deep Provenance: Private Collection, Surrey

£250-350

373 HD621/15 PAIR OF VICTORIAN WALNUT FRAMED BUTTON BACK ARMCHAIRS 19TH CENTURY the high arched padded backs over stuﬀ over seats and low scroll arms, raised on turned and ﬂuted legs ending in brass caps and porcelain castors, in gold and yellow linen upholstery (2) 71cm wide, 99cm high, 53cm deep £700-900

126 Lyon & Turnbull

374 HC960/2 GOTHIC REVIVAL WALNUT CREDENZA

19TH CENTURY the moulded inverted breakfront credenza above a carved frieze and central glazed doors opening to shelves, ﬂanked by cupboard doors carved with gothic tracery, pinecones and roses. on a conforming basefvi 175cm wide, 91cm high, 47cm deep £1,500-2,500

375 HD91/39 EDWARDIAN MAPLE & CO. MAHOGANY, JASPERWARE MOUNTED AND INLAID DESK

EARLY 20TH CENTURY the U shaped superstructure with a pierced brass gallery and centred by a green jasperware panel and inlaid with ribbon tied swags, the sides with hinged compartments; over a black leather writing surface, above a central frieze drawer with a further jasperware plaque ﬂanked by short drawers, raised on foliate carved tapered legs ending in castors; stamped ‘Maple & Co. Ld’ 114cm wide, 92cm high, 61cm deep Provenance: Scottish deceased estate

£300-500

376 FG280/16 MAHOGANY TWIN PEDESTAL DESK

20TH CENTURY the moulded rectangular top with a brown inset writing surface over three frieze drawers, raised on twin pedestals with moulded cupboard doors on plinth bases 152cm wide, 80cm high, 96cm deep £500-600

British Furniture & Works of Art 127

377 HD626/6 VICTORIAN CARVED OAK LONGCASE CHIMING CLOCK BY THOMAS TURNER, LONDON

LATE 19TH CENTURY the silvered Roman numeral dial with three winding holes, subsidiary Seconds dials and Strike/Silent and Chiming levers, beneath an arched panel depicting Apollo in his chariot; the waisted case and hood elaborately carved with foliate scrolls and the motto ‘Tempus Vincit Omnia’ and ‘Time And Tide Wait For No Man’, on a plinth base; the eight day movement chiming on twelve bells and four gongs 57cm wide, 242cm high, 37cm deep £6,000-8,000

378 HD34/6 AESTHETIC MOVEMENT AMBOYNA, EBONISED AND PARCEL GILT OCTAGONAL CENTRE TABLE BY GILLOW & CO.

CIRCA 1870 the quarter veneered octagonal top over a reeded frieze with turned drop ﬁnials at the corners, raised on turned and carved baluster supports joined by a cruciform base with spindle galleries, raised on turned bun feet, stamped makers mark 12383 132cm diameter, 76cm high £600-800

128 Lyon & Turnbull

379 HD91/98A GROUP OF TINPLATE TOYS

LATE 19TH/ EARLY 20TH CENTURY to include a HESS CLOCKWORK MODEL, OF A DREADNOUGHT BATTLESHIP, grey and black with orange funnels (one lacking) and rotating gun turrets fore and aft, 21cm long, with SINGLE FOLLOWING GUNSHIP, 14cm long; AN OROBR (ATTRIB.) TINPLATE CLOCKWORK HANSOM CAB, 23cm long; A GUNTHERMANN (ATTRIB.) TINPLATE HORSE AND RIDER, 15cm long and A TINPLATE CAR (driver and roof lacking) 20cm long (5) Provenance: Scottish deceased estate

£300-500

380 HD91/98C GROUP OF TINPLATE TOYS AND OTHER EPHEMERA

LATE 19TH/ EARLY 20TH CENTURY to include a CRAWFORDS BISCUIT TIN, formed as a circus wagon with lions cage, printed mark to base WILLIAM CRAWFORD & SONS LTD BISCUIT MANUFACTURERS, 14cm long; a TINPLATE GYROSCOPE FIGURE, 8.5cm tall; a TINPLATE TUMBLING ACROBATS, 10.5cm tall; a TINPLATE HANSOM CAB AND TWO CARRIAGES, 7cm, 8cm and 5.5cm long; a GERMAN TINPLATE CLOCKWORK TRAM, double deck with driver, 17cm long; FIVE ‘BRITAINS’ LEAD HORSE FIGURES; a VICTORIAN MINIATURE GLOBE INKWELL, paper gauze, the 2 1/4” globe with laid paper globe segments, the lid opening to reveal two inkwell compartments; a VICTORIAN MAHOGANY CASED SET OF BONE ALPHABET LETTERS, the sliding lid of the box with label SPELLING ALPHABET, the box 11cm long; TWO BONE DESK SEALS, one with engraved calendar to the handle; and a STANHOPE IN THE FORM OF A CRICKET BAT, with glass spy-hole to the handle, 13.5cm long (17) Provenance: Scottish deceased estate

£300-500

381 SV677/24 VICTORIAN PENNYFARTHING 19TH CENTURY of typical form, painted black wheel 140cm diameter, 160cm high £300-500

British Furniture, Pictures & Works of Art 129

382 SV608/8 VICTORIAN PAINTED DOG CART

19TH CENTURY with a brown leather upholstered seat, painted with ﬂowers on a cream ground with green and red trim 125cm long, £250-350

383 HC848/1 EDWARDIAN ROCKING HORSE BY G. & J. LINES EARLY 20TH CENTURY with a dappled black on cream coat, horse hair mane and tail, glass eyes, leather saddle and mounted on green painted bow rockers horse 152cm long, 110cm high; 222cm long overall £400-600

384 HC962/13 EDWARDIAN MAHOGANY JOCKEY SCALES EARLY 20TH CENTURY the brown leather padded seat and scales on a rectangular base raised on square ﬂuted legs ending in spade feet 63cm wide, 67cm high, 42cm £500-800

130 Lyon & Turnbull

385 HC437/151 SET OF THREE PAINTED TOLE FLORAL WALL LIGHTS 20TH CENTURY each with a back plate comprising various polychrome ﬂowers and leafy boughs, and issuing a pair of scrolling candle arms with foliate form candle holders, electriﬁed (3) 49cm high Provenance: Private Collection, Surrey

£400-600

386 HD619/5 GEORGE II STYLE WALNUT JARDINIERE BY MORISON & CO, EDINBURGH

EARLY 20TH CENTURY the circular top with ﬂuted pilasters capped by foliate carved capitals, raised on straight cabriole legs ending in pad feet and carved with acanthus, stamped 38cm diameter, 77cm high £1,000-1,500

387 HC957/3 QUEEN ANNE STYLE WALNUT KIDNEY SHAPED DRESSING TABLE

EARLY 20TH CENTURY the crossbanded top above a central frieze drawer and shelved recess, ﬂanked by banks of two short drawers, raised on shell carved cabriole legs ending in pad feet 107cm wide, 77cm high, 47cm deep £250-350

388 HD100/40 LARGE MAHOGANY ESTATE CUPBOARD EARLY 20TH CENTURY comprising eighteen compartments with cupboard doors, on a plinth base 106cm wide, 212cm high, 40cm deep Provenance: Scottish Highland estate

£500-700

British Furniture, Pictures & Works of Art 131

389 HC887/1 OAK FRAMED ORKNEY CHAIR

MODERN of typical form with scrolled arms and a drop-in seat panel, stamped ‘D. M. KIRKNESS / KIRKWALL / ORKNEY / MADE IN SCOTLAND’ 65cm wide, 148cm high, 44cm deep £400-600

390 HC920/42 HAMILTON MAHOGANY CASED MARINE CHRONOMETER

20TH CENTURY the silvered dial with Arabic numerals signed HAMILTON/ LANCASTER, PA., USA, with subsidiary dials, numbered 4279 and dated 1941, with gilt brass ﬁttings, in original case with twin carrying handles, within a further oak case dial 12cm diameter; mahogany case 19.5cm cubed £1,500-2,000

391 HD67/1 OAK CASED BAROGRAPH, BY J. BROWN, GLASGOW

EARLY 19TH CENTURY of typical form, with a bevel glazed lift-oﬀ case, brass mechanism, maker’s ivorine label and a chart drawer 37cm wide £300-500

132 Lyon & Turnbull

392 HD593/3 SCALE MODEL MOTOR LAUNCH ‘INVERIE’ 20TH CENTURY on a wood stand 136cm long £500-700

393 HD593/2 LARGE POND YACHT MODEL ‘FLEETWING’

EARLY 20TH CENTURY with a black painted hull, inscribed mid-deck ‘FLEETWING / SMYC’ 156cm long, 226cm high Note: Lots 393 and 394 are marked with the initials of the St Monan’s Yacht Club The pond yacht model, the ‘Fleetwing’ was built in the 1930s by John (Ian) Morrison, who was serving his apprenticeship with local yacht-builders James N. Miller in St Monans. In 1940 he joined the Royal Navy where he worked as a shipwright/carpenter, before he left to continue his career as a builder of both model and ﬁshing boats in Scotland.

£300-500

394 HD593/1 POND YACHT MODEL ‘FREBELLE’

EARLY 20TH CENTURY with a painted red hull, the mid-deck inscribed ‘FREBELLE / S.M.Y.C.’, on a wood stand 133cm long, 221cm high Note: The pond yacht model, the ‘Frebelle’ was built in the 1930s by John (Ian) Morrison, who was serving his apprenticeship with local yacht-builders James N. Miller in St Monans. In 1940 he joined the Royal Navy where he worked as a shipwright/carpenter, before he left to continue his career as a builder of both model and ﬁshing boats in Scotland.

£250-350

British Furniture, Pictures & Works of Art 133

395 HD34/4 LEATHER TRAVELLING TRUNK

EARLY 20TH CENTURY the interior ﬁtted with a lift out tray, and a trade label for ‘A. BOSWELL / Portmanteau, Trunk and Bag Manufacturer / 8 South Hanover Street / Edinburgh’ with a handwritten tag for Maj W. F. Mackenzie, 28 Colinton Road, Edinburgh 86cm wide, 32cm high, 53cm deep £300-500

396 HD621/11 PAIR OF EDWARDIAN BLEACHED MAHOGANY LUGGAGE STANDS

EARLY 20TH CENTURY of typical form with slatted tops raised on straight legs with peripheral stretchers (2) 61cm wide, 46cm high, 41cm deep £500-700

397 HD100/23 LOUIS VUITTON LEATHER AND ASH STEAMER TRUNK

EARLY 20TH CENTURY of rectangular form, covered in monogram brown leather with leather straps, opening to a void interior, with paper trade label ‘Asnieres S/Seine / Louis Vuitton / Paris. 70 Champs-Elysees / NICE. 4, Jardin Public / LILLE 34, Rue Faidmerbe / LONDON. 149, New Bond St’ and serial number 734273 111cm long, 58cm high, 56cm deep Provenance: Scottish Highland estate

£1,500-2,500

398 HD34/5 FRENCH LEATHER AND ASH WARDROBE TRUNK BY MILLOT

LATE 19TH / EARLY 20TH CENTURY of rectangular form with a domed top and leather strap handles, the interior with a ﬂoral print lining and chrome hanging rails, bearing a trade label ‘R. Millot / Articles des Voyages / 10 Rues des Pyramides / Paris 1’ 110cm high, 54cm wide £1,000-1,500

134 Lyon & Turnbull

399 HC437/44 ROYAL CROWN DERBY IMARI PATTERN PART TEA SERVICE

20TH CENTURY with printed maker’s marks and pattern no. 2451, comprising thirteen tea cups; thirteen saucers; a slop bowl; a covered sugar bowl; a teapot and cover; two jugs; two lobed shallow dishes; twelve side plates; two cake plates; and a covered vase; together with a SPODE IMARI PATTERN FRUIT BOWL, with painted, printed and impressed marks, 29cm diam.; a SPODE IMARI PATTERN TEA CUP AND SAUCER, painted marks, saucer 16cm diam.; and a DERBY IMARI PATTERN SAUCE TUREEN AND COVER, with red painted marks, 17cm wide (qty) Provenance: Private Collection, Surrey

£1,000-1,500

401Y HC382/22 EDWARDIAN FITTED DRESSING CASE

400 HC104/1 THOMAS STUART BURNETT ARSA (1853-1888)

THOMAS CARLYLE bronze bas-relief portrait, signed, mounted on a wooden plaque with a paper label to verso 25cm x 21cm £300-500

CIRCA 1900 the textured leather case with brass ﬁttings, enclosing a moiré fabric lining ﬁtted with ivory topped glass bottles, ivory brushes and mirror, ivory comb, notebook, vesta, etc. 45.5cm wide, 20cm high, 33cm deep £250-350

British Furniture, Pictures & Works of Art 135

402 HC956/2 PAINTED CAST IRON MARBLE TOP GARDEN TABLE AND PAIR OF CHAIRS

EARLY 20TH CENTURY the circular white marble top on a tripod base cast with lion masks and paw feet; the chairs with pierced arched backs cast with acanthus, on scroll legs and feet (3) Table 90cm diameter, 71cm high; chairs 80cm high, 42cm wide £400-600

403 HD248/2 LARGE EDWARDIAN PAINTED WIREWORK BIRDCAGE

EARLY 20TH CENTURY in the form of a twin turreted house, painted white 100cm wide, 99cm high, 37cm deep £500-700

404 HC956/3 PAIR OF VICTORIAN PAINTED CAST IRON GARDEN BENCHES

19TH CENTURY the back sides and legs cast with ferns, with slat seats (2) 117cm long, 88cm high £800-1,200

136 Lyon & Turnbull

405 HC951/4 WHYTOCK & REID MAHOGANY LOW BOOKCASE

20TH CENTURY with three sections of adjustable shelves, on shaped feet, stamped ‘Whytock & Reid / Edinburgh’ 154cm wide, 98cm high, 30cm deep £400-600

406 HC951/5 WHYTOCK & REID UPHOLSTERED WING ARMCHAIR

20TH CENTURY the arched back and wings above a loose cushion seat, raised on square legs joined by an H stretcher, in verdure tapestry upholstery 83cm wide, 122cm high, 57cm deep £300-500

407 HC951/6 WHYTOCK & REID MAHOGANY STANDARD LAMP

20TH CENTURY the tapered column ending on a stepped circular base, with an ivory silk pleated shade 145cm high excluding ﬁtting £200-300

408 HC960/5 EDWARDIAN BRASS AND LEATHER UPHOLSTERED CLUB FENDER

EARLY 20TH CENTURY the frame cast with ﬂoral swags on a moulded base 135cm long (exterior), 78cm wide (interior), 52cm high, 37cm deep £700-1,000

British Furniture, Pictures & Works of Art 137

409 HD313/1 12 BORE DICKSON ROUND ACTION SPORTING EJECTOR SIDE-BY-SIDE SHOTGUN number 2 of a pair, the fine quality engraved action signed in a ribbon JOHN DICKSON & SON PATENT, the top lever inlaid with the number 2 and inscribed SAFE at the thumb catch, nitro proof re-browned Damascus twist barrels signed on the top rib JOHN DICKSON & SON, 63 PRINCES STREET EDINBURGH, with a fine figured walnut straight hand stock with chequered grip and forend, the gold escutcheon engraved with the crest of the Cranstoun family, contained in a compact leather traveling case with a Cogswell & Harrison trade card 29 inch barrels Provenance: One of a pair of shotguns made for Charles Joseph Edmondstoune Cranstoun BA, CB, DSO, KSG, TD, JP, Vice Lieutenant Lanarkshire. Note: This lot requires the purchaser to have a valid UK shotgun certificate or RFD.

£6,000-8,000

410 HD122/1 12 BORE SIDE BY SIDE SHOTGUN, BY J. PURDEY & SONS

CIRCA 1890 number three of a trio of guns, serial number 14728, the side lock ejector with rose and scroll engraved side plates with arrow cocking indicators, with a ﬁgured walnut straight hand stock and worn leather cheek piece with a rubber butt plate, in a leather ‘leg of mutton’ case 28 inch barrels Note: This lot requires the purchaser to have a valid UK shotgun certiﬁcate or RFD.

£1,000-1,500

138 Lyon & Turnbull

411 HD230/1 CASED TAXIDERMIED THREE-LEGGED MALLARD

LATE 19TH/ EARLY 20TH CENTURY the glass case enclosing a male mallard perched upon a rock, with a painted backdrop and label MACLEAY/ TAXIDERMIST/ INVERNESS 54.5cm wide, 55cm high, 22cm deep £500-700

412 HC939/7 VAN INGEN & VAN INGEN TIGER SKIN

LATE 1930S with glass eyes and an open mouth, backed on black felt and stamped VAN INGEN & VAN INGEN/ MYSORE, indistinctly marked in pencil to the underside 25573, with a paper label overall 257cm long £800-1,200

British Furniture, Pictures & Works of Art 139

413 HC939/6 VAN INGEN & VAN INGEN LEOPARD SKIN

LATE 1930S with glass eyes and an open mouth, backed on black felt and stamped VAN INGEN & VAN INGEN/ MYSORE, marked in pencil to the underside of the head 26122, with a paper label overall 189cm long £500-700

414 HC939/5 VAN INGEN & VAN INGEN BLACK PANTHER SKIN

LATE 1930S with glass eyes and an open mouth, backed on black felt and stamped VAN INGEN & VAN INGEN/ MYSORE and 20810, with a paper label overall 214cm long £800-1,200

Continental Furniture, Pictures & Works of Art 415 HC212/1 LARGE RUSSIAN ICON OF SAINT MATTHEW

19TH CENTURY the standing ﬁgure holding a scroll in his left hand, his right hand raised in blessing, beneath the ﬁgure of God in Heaven, against a landscape within a black border 65cm high, 46cm wide £700-900

416 HC212/2 EASTERN ORTHODOX ICON AND CARVED FRAME, THE MOTHER OF GOD OF AKHTYRSK

17TH / EARLY 18TH CENTURY the arched panel painted with a waist length portrait of the saint in three quarter profile praying beside a crucifix set on the summit of Golgotha, against a gilt ground and beneath a smaller panel depicting Christ, in a frame deeply carved with C scrolls, flower heads, and foliate scrolls with traces of white and polychrome decoration 48cm high, 39cm wide £800-1,200

417 HD91/190 RUSSIAN BONE VENEERED TABLE CASKET, PROBABLY ARKANGEL

19TH CENTURY the rectangular box and cover with pierced and carved panels with foliate motifs and swags, raised on bracket feet 24.5cm wide, 14cm high, 18cm deep Provenance: Scottish deceased estate

£500-700

418 HD91/199 FRENCH PRISONER-OF-WAR CARVED BONE DOMINO SET EARLY 19TH CENTURY the sliding cover etched and stained with a palm tree and pot with stylised ﬂowers, opening to reveal ﬁfty four playing pieces 25cm long, 8cm high, 9cm wide, Provenance: Scottish deceased estate

£150-250

142 Lyon & Turnbull

419 HD100/36A ANGLO-DUTCH BRASS EIGHT LIGHT CHANDELIER 18TH / EARLY 19TH CENTURY the baluster stem issuing eight scrolling candle branches ending in urn form candle nozzles and drip pans, and eight scrolling branches terminating in ﬂower heads 52cm diameter, 56cm high Provenance: Scottish Highland estate

£300-500

420 HC892/1 DUTCH BRASS CANDLESTICK

18TH CENTURY the conical sconce above a blade knop stem and lobed drip tray, raised on a spreading domed base 29.5cm high £300-500

421 HC63/4 SET OF THREE DUTCH MARQUETRY CHAIRS

19TH CENTURY comprising a pair of side chairs and an armchair, with vasiform splats with ﬂowering urn marquetry, above serpentine drop in seats covered in needlework upholstery, raised on cabriole legs (3) Armchair 63cm wide, 116cm high, 46m deep; side chair 52cm wide, 114cm high, 40cm deep £400-600

Continental Furniture, Pictures & Works of Art 143

422 HD100/25 PAIR OF DUTCH MARQUETRY SIDE CHAIRS

19TH CENTURY each with a vasiform splat with ﬂowering urn and bird marquetry, over a drop in loose seat upholstered in mustard yellow silk, on shell carved cabriole legs ending in pad feet and joined by shaped H form stretchers (2) 51cm wide, 114cm high, 41cm deep Provenance: Christies, sale 1002, lot 477; Scottish Highland estate

£400-600

423 HD100/20 DUTCH MARQUETRY FOLDOVER GAMES TABLE

18TH CENTURY the foldover top inlaid with ﬂowering urn and ﬂoral marquetry, opening to an inlaid playing surface with trompe l’oeil cards and gaming pieces, above a long frieze drawer and raised on slender cabriole legs ending in raised pointed pad feet 74cm wide, 76cm high, 37cm deep Provenance: Scottish Highland estate

£700-1,000

424 HC992/4 TWO PIECES OF FRENCH POLYCHROME FAIENCE

19TH CENTURY the first a pear shaped coffeepot with a scroll loop handle, pewter thumbpiece, decorated with a reserved scene depicting the discovery of Moses in the bulrushes against a flower filled ground, 18cm high; the other a Veuve Perrin shoe decorated with scene of a lady on a horse with a female attendant and flowers, marked VP, 15cm long (2) £200-300

425 HC992/3 GROUP OF DE DRIE KLOKKEN POLYCHROME DELTWARE

19TH CENTURY comprising a dish decorated with a seated female before a colonnade, within a foliate border, painted marks, 34.5cm diam; a pair of ﬂuted panelled vases, painted with church spires and houses, 20.5cm high, painted maker’s marks; together with a BLUE AND WHITE DEFLT VASE, of similar form, decorated with a basket of ﬂowers, painted marks, 22cm high (4) £250-350

144 Lyon & Turnbull

426 HD91/36B GROUP OF SEVEN DELFTWARE BLUE AND WHITE PLATES

18TH / EARLY 19TH CENTURY all decorated in the Chinese style with temples and pavilions in river and mountain landscapes (7) Sizes from 22cm - 26cm deep Provenance: Scottish deceased estate

£200-300

427 HD91/41A TWO DEFLT BLUE AND WHITE FLOWER BRICKS

18TH CENTURY the ﬁrst decorated on both sides with buildings and trees, 12.5cm wide; the other decorated on both sides with a man ﬁshing, 15cm wide (2) Provenance: Scottish deceased estate

428 HD91/33A GROUP OF TWELVE DELFTWARE DISHES

18TH / EARLY 19TH CENTURY all decorated in blue and white in the Chinese style with ﬂower and garden motifs, various borders (12) 23cm diameter approx. Provenance: Scottish deceased estate

£300-500

£200-300

Continental Furniture, Pictures & Works of Art 145

429 HD91/188 GROUP OF DELFTWARE BLUE AND WHITE TILES 18TH / 19TH CENTURY depicting various subjects including landscapes, fish, birds, flowers and figure studies; together with THREE BLANK WHITE DELFT TILES and a VICTORIAN BROWN TRANSFER PRINTED TILE (15) 13cm x 13cm approx. Provenance: Scottish deceased estate

£150-250

430 HD91/81A GROUP OF SEVEN BLUE AND WHITE DELFTWARE DISHES

18TH / EARLY 19TH CENTURY all in the Chinese taste, comprising a set of four dishes with a ﬁgure seated in an interior, with a dash border with ochre rim; a pair of dishes with a ﬁgure standing beside a fence; and Chinese scholar seated in a landscape (7) 19.5cm - 23cm diameter Provenance: Scottish deceased estate

£250-350

431 HD91/73B COLLECTION OF BLUE AND WHITE DELFTWARE

18TH CENTURY comprising a large vase in the form of a peacock , 41cm high; a punch bowl painted with a house, 22.5cm diam.; a small hexagonal tea caddy and cover painted with a coat of arms amongst foliage, signed, 11cm high; a baluster vase and cover decorated with lovers amongst foliate motifs, signed, 38cm high; a further two baluster vases, decorated with ﬂowers, one signed, 22.5cm and 17.5cm high; and a ewer with a pewter cover, decorated with ﬁgures, signed, 25cm high (7) Provenance: Scottish deceased estate

£500-700

146 Lyon & Turnbull

432 HD91/110A GROUP OF POLYCHROME FAIENCE DISHES

18TH / EARLY 19TH CENTURY comprising a polychrome dish with two woman and a wash tub; a dish with a central pastoral trophy, two dishes with ﬂoral sprays, a dish with a peacock, a dish with a Chinese mountain scene in a manganese ‘cracked ice’ border; and a lobed blue and white dish with a portrait of William III (7) 23cm diameter approx. Provenance: Scottish deceased estate

£300-500

433 HD91/89A FIVE DELFTWARE CHARGERS

18TH CENTURY comprising a polychrome example decorated with a Chinese bridge and temple, 36cm diam; a blue and white example decorated with a tree and peony, with painted marks, 35cm diam; another blue and white painted with wisteria and bird, painted marks, 34.5cm diam; a blue and white painted with a temple and river landscape, 42cm diam; and a blue and white example with stylised foliage, 35cm diam (5) Provenance: Scottish deceased estate

(three of ﬁve illustrated)

434 HD91/18C CANTAGALLI BLUE AND WHITE FAIENCE TULIP VASE, IN THE SAVONA STYLE

19TH CENTURY of double lobed form decorated with ﬂower sprays and architectural views, black cockerel mark 26cm high Provenance: Scottish deceased estate

£150-250

£400-600

435 HD370/2 CANTAGALLI FAIENCE VASE, IN THE SAVONA STYLE

19TH CENTURY of bulbous ogee form with scrolled snake formed handles terminating in masks, depicting a classical scene of a lady holding a mask ﬂanked by a cherub within a landscape setting, with painted cockerel mark 30cm high £200-300

Continental Furniture, Pictures & Works of Art 147

436 HC437/96 PAIR OF SMALL CONTINENTAL CARVED BOXWOOD FIGURES

19TH CENTURY carved as children clutching and eating fruit, raised on chamfered stepped bases (2) 9.5 and 10cm high Provenance: Private Collection, Surrey

£200-300

437Y SV665/17 GERMAN CARVED IVORY CANDLE SCREEN

LATE 19TH CENTURY the curved panel carved in high relief depicting hunters, hounds and a stag , with a stand carved with hounds’ heads, scrolled cartouches, acanthus, and shell motifs; in a blue velvet lined ﬁtted leather case 38cm high £2,000-3,000

438Y HC981/1 IVORY AND STEEL KNIFE AND FORK SET, POSSIBLY SCANDINAVIAN

18TH/ EARLY 19TH CENTURY each with a carved ivory handle depicting ﬁgures with an anchor and scales, surmounted by a lion ﬁnial, contained within a leather scabbard knife 22.5cm long £200-300

439 HC427/8 GROUP OF VENETIAN STEM AND GLASSWARE

LATE 19TH/ EARLY 20TH CENTURY comprising a pair of decanters and stoppers with nine matching liqueur glasses, decorated with applied gilt highlights on a pink glass ground; a set of six ruby liqueur glasses, decorated with raised enamel ﬂowers within gilt borders; and a set of four engraved liqueur glasses, each with a facet cut ogee green glass bowl (21) £300-500

148 Lyon & Turnbull

440 HC962/26A FRENCH BRONZE FIGURE ‘MILO OF CROTON’, AFTER THE ANTIQUE 19TH CENTURY dark brown patina, on a marble base 32cm high £400-600

441 HC962/8A LARGE FRENCH BRONZE FIGURE OF THE BORGHESE GLADIATOR, AFTER THE ANTIQUE 19TH CENTURY dark brown patina, on a rectangular base 49cm high £800-1,200

442 HC962/9A LARGE ITALIAN BRONZE FIGURE OF THE DYING GAUL, AFTER THE ANTIQUE 19TH CENTURY dark brown/black patina, on an oval base 56cm long, 29cm high £600-800

443 HC962/18A THE DANCING FAUN, AFTER THE ANTIQUE 19TH CENTURY bronze, dark brown patina, on a moulded rectangular Sienna marble base Figure 32cm high, 35cm high overall £400-600

Continental Furniture, Pictures & Works of Art 149

444 HC962/24A NEAPOLITAN BRONZE FIGURE OF NARCISSUS, AFTER THE ANTIQUE 19TH CENTURY dark brown patina, on a circular base 64cm high £600-800

445 HC962/19A THREE NEAPOLITAN BRONZE FIGURES, AFTER THE ANTIQUE 19TH CENTURY comprising a figure of the Callipygian Venus, on a circular base with Chiurazzi / Naples’ foundry mark, 27cm high; a figure of Mercury, 200cm high; and a figure of Narcissus, 14cm high (3) £200-300

447 HD57/40 AFTER GIAMBOLOGNA

MERCURY bronze, dark brown patina, raised on a spherical orb and turned marble column base 44cm high, total height, 61cm £1,000-1,500

446 HC866/9 ITALIAN BRONZE CHARIOTEER FIGURE GROUP

CIRCA 1900 cast as a Roman charioteer mounted on a chariot led by two rearing horses, the whole mounted on a black slate base with cast paw feet 35cm long, 27cm high £250-350

Continental Furniture, Pictures & Works of Art 151

448 HD614/2 FINE AND RARE PAIR OF ITALIAN WALNUT AND PASTIGLIA COMMODES

EARLY 18TH CENTURY the moulded tops with slightly projecting corners, each lambrequincarved frieze above three long drawers faced with panels of strapwork and shell motifs, the sides similarly decorated, on moulded bases with pierced bracket feet (2) 123cm wide, 93.5cm high, 61.5cm deep Provenance: By repute the Pallazzo Barberini, Rome Sotheby’s Fine Continental Furniture & Tapestries, Friday 23rd April 1982, Lot 72

Note: Pastiglia, or ‘pastework’, is low relief decoration traditionally made from rabbit-skin glue mixed with gypsum or chalk and white lead. Like its counterpart gesso, the paste could be moulded then painted or gilt, producing very ﬁne detail. Designs were taken from engravings based on biblical or mythological themes or textile patterns. During the late Renaissance the technique became popular in northern Italy as a form of surface decoration and was applied to cassone, chests and decorative panels. While a more economical technique than hand carving, it was nonetheless a luxury treatment and reserved for items of signiﬁcance. The Palazzo Barbarini is located on the Piazza Barberini in Rome and dates to the 17th century. The Barbarini family purchased the property from the Sforza family and set to building a spectacular Renaissance palace initially designed by Carlo Maderno, then Francesco Borromini, and completed by Gian Lorenz Bernini. The palazzo has the feel of a grand suburban villa with a semi-enclosed garden to the front where it overlooks the Piazza Barberini. Today the Palazzo Barbarini houses the Galleria Nazionale d’Arte Antica.

£15,000-25,000

152 Lyon & Turnbull

449 HC956/5 PAIR OF ITALIAN WALNUT ARMCHARS

17TH CENTURY the tall rectangular backs above stuﬀ over seats and bold scroll arms, in gross point needlework upholstery, raised on turned legs joined by spiral stretchers and ending on trestle supports terminating in scroll ends (2) 70cm wide, 135cm high, 48cm deep £1,500-2,000

450 HD620/4 REGENCE STYLE GILTWOOD MIRROR

LATE 19TH / EARLY 20TH CENTURY the shaped bevelled mirror plate in a gadrooned and bead moulded frame surmounted by a pierced acanthus scroll and palmette cresting 122cm high, 75cm wide £500-800

451 HC962/10A LARGE FRENCH BRONZE AND POLISHED SLATE URN, AFTER A MODEL BY CLAUDE BALLIN 19TH CENTURY of campana form with a bundled reed rim over a basketweave pattern neck, the body with ribbon tied circular reserves enclosing laurel wreaths, with loop handles surmounted by winged putti, on a gadrooned foot raised on a moulded polished black slate plinth base 39cm wide, 52cm high

Note: The present model is copied from a design by the Royal goldsmith Claude Ballin (1615-1678) and is after one of the thirteen diﬀerent pairs made by Duval between 1660 and 1680 for the Parterre Du Nord, Versailles. The urns were originally to be made in silver, but due to the ﬁnancial impact of the war in Flanders, they were later cast in bronze. Copies in bronze were also made for the Chateau de Bagatelle, for the Fourth Marquess of Hertford during the 19th century.

£400-600

Continental Furniture, Pictures & Works of Art 153

452 HC962/2 VICTORIAN SATINWOOD AND KINGWOOD PORCELAIN MOUNTED BONHEUR DU JOUR

LATE 19TH CENTURY the superstructure with an arched centre section above a door, ﬂanked by banks of three drawers, on a serpentine rectangular top over three frieze drawers, raised on square cabriole legs, outlined in gilt metal and mounted with oval Sevres style porcelain plaques 137cm wide, 129cm high, 76cm deep £3,000-4,000

453 HD326/1 FRENCH PORCELAIN MOUNTED GILT METAL MANTEL CLOCK

19TH CENTURY the circular porcelain dial with Roman numeral reserves and painted with putti against a bleu celeste ground, in a gilt metal rococo case hung with floral garlands and mounted with further porcelain plaques depicting Marie Antoinette, a musical couple, and floral sprays, surmounted by a figure of a child holding a basket of flowers, the eight day movement striking a bell; on a conforming moulded wood plinth clock 31cm wide, 40cm high £800-1,200

454 HC962/1A FINE PAIR OF SEVRES GILT METAL MOUNTED URNS

19TH CENTURY of tapered baluster form, decorated with reserves depicting lover’s trysts signed ‘Armand’, within richly embellished gilt and white enamel rococo borders, the reverse with landscape reserves, against a cobalt ground, mounted with upright scrolled handles with female masks, on a socle foot and canted square metal base, interlaced blue L marks (2) 62cm high £1,500-2,000

154 Lyon & Turnbull

455 HC437/102 LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY MARBLE TOPPED SIDE CABINET

20TH CENTURY the serpentine rouge marble top above a conforming frieze and serpentine door centred by a ﬂoral marquetry panel, over a shaped apron and raised on short splayed feet with gilt metal mounts 81cm wide, 109cm high, 40cm deep Provenance: Private Collection, Surrey

£1,500-2,500

456 HD100/8 FRENCH PAINTED AND GILT BRONZE MOUNTED SALON SUITE EARLY 20TH CENTURY in the Regence style, comprising ﬁve armchairs and a canape, the frames painted grey/green with blue/grey upholstery, with gilt bronze mounts to the crest and seat rails (6) Canape 159cm long, 106cm high, 64cm deep; chairs 70cm wide, 106cm high, 56cm deep Provenance: Scottish Highland estate

£1,000-1,500

Continental Furniture, Pictures & Works of Art 155

457 HC437/55 FRENCH KINGWOOD, AMARANTH, MARQUETRY AND PORCELAIN MOUNTED BONHEUR DU JOUR LATE 19TH CENTURY the superstructure with a central cupboard mounted with an oval porcelain plaque and ﬂanked by banks of short drawers, above a serpetine top with moulded edge above a long frieze drawer ﬁtted with a writing slope, raised on square cabriole legs with gilt metal mounts 94cm wide, 120cm high, 53cm deep Provenance: Private Collection, Surrey

£1,500-2,000

459 SV655/50 LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY BOMBE SECRETAIRE A ABATTANT

458 HC945/35 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK

19TH CENTURY the case engraved with scrolling foliage, enclosing three painted porcelain panels depicting figures fishing and birds amongst flowers, the incorporated dial with Roman numerals, with an eight day movement striking on a bell 21cm wide, 35cm high £500-700

EARLY 20TH CENTURY the moulded serpentine rouge marble top above a concave frieze, over a bombe shaped fall front opening to pigeon holes and drawers, over three further long drawers, raised on splayed legs, with ﬂoral marquetry throughout, bearing ‘Paterson, Smith & Innes Cabinetmakers Edinburgh’ trade label 66cm wide, 129cm high, 36cm deep £400-600

156 Lyon & Turnbull

460 HC437/69 LARGE FRENCH PORCELAIN AND BISQUE FIGURE OF A HUNTER

LATE 19TH CENTURY modelled as a young man in Renaissance dress, a crossbow across his back and a hound by his side, on a shaped plinth base, impressed marks; together with a FRENCH BISQUE FIGURE OF A LADY, late 19th century, in 18th century dress with a blue ribbon in her hair, unmarked 59.5cm high (2) 57cm high Provenance: Private Collection, Surrey

£800-1,200

461 HC437/130 LIMOGES ENAMEL VASE

19TH CENTURY of ﬂared baluster form with a spreading foot, decorated with a lady in 18th century costume within a landscape above gold and silver trellis work on a green enamel ground 20cm high Provenance: Private Collection, Surrey

£300-500

462 HC437/14 PARIS PORCELAIN MANTEL CLOCK

LATE 19TH CENTURY modelled with a pirate and anchor above the indistinctly signed white enamelled dial, the rococo style base in puce and blue enamels, decorated with painted ﬂowers and gilt highlights, the movement striking on a bell 39.5cm high Provenance: Private Collection, Surrey

£300-500

463 SV677/6 FRENCH PORCELAIN MOUNTED GILT BRONZE CLOCK GARNITURE

19TH CENTURY the clock surmounted by an urn finial above two columns flanking the painted dial and panels, the movement striking on a bell, 47cm high; together with two urns raised on ornate bases, painted with reserves of flowers and landscape settings, 39.5cm high; each raised on a gilt wood stand (3) £400-600

British Furniture, Pictures & Works of Art 157

464 HC962/27A PAIR OF FRENCH BRONZE FIGURES

EARLY 19TH CENTURY dark brown patina, modelled as a boy and girl (2) 20.5cm high, 21.5cm high £400-600

465 HC962/16A ADRIEN-ETIENNE GAUDEZ (FRENCH 1845-1902)

MOZART bronze, dark brown patina, signed ‘A Gaudez’, on a circular base with a cartouche with a presentation inscription ‘L’Orpheon Doullennais / a son directeur / 22 Novembre 1894’ 38cm high £300-400

466 HC962/12A PAIR OF FRENCH BRONZE MARLEY HORSE FIGURES, AFTER COUSTOU

19TH CENTURY medium brown patina, on naturalistic bases (2) 25cm high £200-300

467 HC962/7A FINE PAIR OF FRENCH GILT AND PATINATED BRONZE CANDELABRA AFTER CLODION

19TH CENTURY modelled as a bacchic girl and faun, each holding a pair of candle arms with urn form nozzles, raised on ﬂuted Sienna marble columns with a square base, signed ‘Clodion’ (2) 48cm high £1,500-2,000

158 Lyon & Turnbull

468 HD626/4 FRENCH KINGWOOD, AMARANTH, MARQUETRY AND GILT BRONZE MOUNTED BUFFET

19TH CENTURY in two parts; the upper part with a demilune white marble top with a pierced brass gallery over a frieze drawer, above a central cupboard door ﬂanked by curved shelved sides with brass galleries; the lower part with three frieze drawers above a central cupboard ﬂanked by curved side cupboards, raised on square tapered legs ending in sabots 90cm wide, 165cm high, 37cm deep £2,000-3,000

469 HC945/22 FRENCH SILVERED AND GILT METAL MANTEL CLOCK

19TH CENTURY surmounted by two gilt cherubs above the butterﬂy topped pendulum and enamelled chapters, ﬂanked by torches above a plinth base and cast bracket feet, the eight day movement striking on a bell, stamped P.D. 6479 16.5cm wide, 39cm high £400-600

470 FG280/11 LOUIS XV STYLE KINGWOOD AND BOIS SATINE PARQUETRY CENTRE TABLE

LATE 19TH CENTURY the circular top with a crossbanded border and foliate cast gilt metal banding. above a serpentine frieze and raised on cabriole legs with gilt metal mounts and ending in lion paw sabots 90cm diam., 77cm high £1,200-1,800

Continental Furniture, Pictures & Works of Art 159

471 HC962/4A FRENCH WHITE MARBLE AND GILT METAL CLOCK GARNITURE

LATE 19TH CENTURY the clock surmounted by an urn finial above a galleried tier and four columns, flanking an enamel dial hung with floral swags, all raised on a breakfront base, the movement striking on a bell, stamped 1182/72, 48cm high; together with a PAIR OF ASSOCIATED CANDELABRA, each with a central sconce and three outscrolling arms cast as scrolling roses, on an urn and mask base, tallest 46cm high (3) £800-1,200

472 HC962/6A PAIR OF GILT BRONZE AND SIENNA MARBLE CANDLESTICKS

19TH CENTURY in the neoclassical style, with acanthus and leaf tip cast candle nozzles above a tapered Sienna marble column and circular gilt bronze base raised on three paw feet (2) 30.5cm high £250-350

473 HC437/73 SEVRES STYLE PORCELAIN INKSTAND

LATE 19TH CENTURY the oval tray ﬁtted with double inkstands and a central reservoir, painted with puce ﬁgures of cherubs on a raised gilt and yellow trellis ground, with blue maker’s marks, but later 23cm wide Provenance: Private Collection, Surrey

£250-350

474 HC437/112 EMPIRE GILT BRONZE MANTEL CLOCK

EARLY 19TH CENTURY the urn finial above a white enamel dial with Roman numerals, flanked by stars, scrolls and female figures, the shaped base fitted with two sphinxes and raised on squat ball feet, with an eight day movement striking on a bell 17cm wide, 31.5cm high, 17cm deep Provenance: Private Collection, Surrey

£1,500-2,500

160 Lyon & Turnbull

475 HC962/20A AFTER GUILLAUME COUSTOU (1677-1746)

MARIE LECZINSKA, QUEEN OF FRANCE, AS JUNO, 19TH CENTURY bronze, dark brown/black patina, the standing ﬁgure draped in classical robes and being handed a crown and sceptre by a putto 52cm high £600-800

476 HC437/28 FRENCH PATINATED AND GILT BRONZE MANTEL CLOCK

19TH CENTURY the white enamel dial with Roman numbers in a cylinder case surmounted with a ﬁgure of a young woman leaning on a cushion, on a stepped plinth base with gilt bronze ﬂoral garland and foliate scroll mounts, the eight day movement striking a bell 36cm wide, 46cm high, 13cm high Provenance: Private Collection, Surrey

£800-1,200

477 HC960/3 LOUIS XVI STYLE KINGWOOD AND ROSEWOOD CROSSBANDED BONHEUR DU JOUR

19TH CENTURY the rectangular superstructure with a pierced brass gallery and ﬁtted with drawers and cupboard doors, over a foldover brown baize lined writing surface above a long frieze drawer, raised on square tapered legs 73cm wide, 105cm high, 49cm deep £800-1,200

Continental Furniture, Pictures & Works of Art 161

478 HB531/30 FRENCH EMPIRE MAHOGANY PIER MIRROR AND ASSOCIATED SIMULATED MARBLE TOPPED CONSOLE TABLE

19TH CENTURY the rectangular mirror plate beneath an inverted breakfront frieze and moulded cornice, ﬂanked by squared half columns, with gilt metal mounts, 122cm wide, 166cm high; the console table with a rectangular simulated grey marble top over a plain frieze and raised on squared tapering columns with gilt metal Egyptian head capitals and a mirror back, on a plinth base, 122cm wide (2) Mirror 115cm wide; Table 122cm wide Provenance: Cairness House, Aberdeenshire

£2,000-3,000

479 HC437/13 FRENCH EMPIRE ORMOLU CLOCK BY LE CLERC A BRUXELLES EARLY 19TH CENTURY the white enamel Roman numeral dial signed ‘Le Clerc / a Bruxelles’ in a rectangular pillar with a relief panel depicting shepherdesses and sheep, ﬂanked by a standing classical youth holding a scroll inscribed with a quotation from ‘Estelle’ by Jean-Pierre Claris de Florian, and a dog and pastoral attributes, on a rectangular plinth mounted with a further musical trophy, on acorn form feet; the eight day movement striking a bell 34cm wide, 42cm high, 10cm deep Provenance: Private Collection, Surrey

£1,000-1,500

162 Lyon & Turnbull

480 HB531/109 EMPIRE MAHOGANY LIT EN BATEAU IN THE MANNER OF S. JAMAR EARLY 19TH CENTURY with tall upright head and footboards, the columns with gilt metal capitals 113cm high, 216cm wide, 125cm deep Provenance: Cairness House, Aberdeenshire

£800-1,200

481 HB531/132 FRENCH EMPIRE MAHOGANY DRESSING TABLE IN THE MANNER OF JACOB

EARLY 19TH CENTURY the rectangular mirror plate ﬂanked by plain column supports above two short drawers; the lower part with a white marble insert top with a long frieze drawer over two further long drawers ﬂanked by columns, with gilt metal mounts throughout 113cm wide, 198cm high, 55cm deep Provenance: Cairness House, Aberdeenshire

£800-1,200

482 HC437/12 EMPIRE MAHOGANY AND GILT MIRROR

EARLY 19TH CENTURY the inverted breakfront cornice above a wide frieze mounted with gilt metal mounts, over a rectangular mirror plate in a gilt slip 84cm high, 55cm wide Provenance: Private Collection, Surrey

£400-600

Continental Furniture, Pictures & Works of Art 163

483 HC437/59 PAIR OF EMPIRE STYLE GILT METAL AND GLASS CEILING LIGHTS

20TH CENTURY the gilt metal coronas hung with tiers of glass drops and gilt metal pinecone pendant ﬁnials (2) 37cm diameter, 41cm high Provenance: Private Collection, Surrey

£800-1,200

(one of a pair)

484 HD620/8 DIRECTOIRE STYLE MAHOGANY AND BRASS BANDED DISPLAY CABINET

EARLY 20TH CENTURY the moulded top over a glazed door and side panels opening to a mirrored and shelved interior, raised on toupie feet 81cm wide, 148cm high, 35cm deep £1,200-1,800

485 HA496/3 PAIR OF RESTAURATION PATINATED AND GILT METAL CANDLESTICKS

19TH CENTURY converted to lamps, each with an urn shaped ‘fish-scale’ sconce, on a tapered reeded column and ornate cast foot, with modern fittings and a pleated shade (2) 27.5cm high (excluding fittings and shade) £600-800

486 HC957/17 PAIR OF GILT BRONZE FIGURAL WALL SCONCES

EARLY 20TH CENTURY in the Neoclassical style, each with a central torch-form back plate with a flaming urn finial and figure of a putti holding laurel garlands, issuing three scrolling candle arms and surmounted, electrified (2) 54cm high £250-350

487 HC437/48 PAIR OF CHARLES X GILT BRONZE AND GLASS FIGURAL TAZZAE 19TH CENTURY the stems modelled as water sprites holding aloft a shell supporting a lobed and scalloped edge heavy glass dish, on a leaf tip, scrolling foliate and beaded facetted circular base (2) 21cm diameter, 24cm high Provenance: Private Collection, Surrey

£800-1,200

164 Lyon & Turnbull

488 HC778/4 FRENCH GILT METAL MANTEL CLOCK

EARLY 20TH CENTURY the oval four glass case enclosing a white enamelled chapter ring with Roman numerals and a mercury ﬁlled pendulum, the movement striking on a bell 30.5cm high £250-350

489 HC962/5A FRENCH ONYX AND GILT BRONZE MOUNTED CLOCK GARNITURE 19TH CENTURY the clock with a large urn finial above the four glass case enclosing a cream enamelled dial and mercury filled pendulum, flanked by two columns and raised on an ogee base, the movement striking on a bell, 49cm high; together with a pair of matching candlesticks, 17.5cm high (3) £500-800

490 HD100/29 BIEDERMEIER MAHOGANY AND PARCEL GILT MARBLE TOPPED CENTRE TABLE

EARLY 19TH CENTURY; THE MARBLE LATER the veined tan dished marble top on three curved supports ending in gilt rams’ heads, on a triform base raised on bun feet 97cm diameter, 71cm deep Provenance: Scottish Highland estate

£800-1,200

491 HD100/27 RUSSIAN STAINED MAHOGANY BRASS MOUNTED COMMODE

19TH CENTURY the rectangular crossbanded top with brass banding and a brass moulded edge, over three brass mounted long drawers ﬂanked by green painted reeded corner columns, raised on square tapered legs with brass panels 112cm wide, 85cm high, 54cm deep Provenance: Scottish Highland estate

£500-700

Continental Furniture, Pictures & Works of Art 165

492 HC889/1 FRENCH INDUSTRIAL ‘WINDMILL’ CLOCK

LATE 19TH CENTURY the silvered and gilt brass case enclosing the movement, ﬁtted with later sails above the thermometer, barometer and clock dials, all raised on a black slate base 41.5cm high £1,500-2,500

493 HC962/21A FINE FRENCH POLISHED SLATE THERMOMETER/ BAROMETER AND CALENDAR MANTEL CLOCK

19TH CENTURY with three white enamel dials and a thermometer gauge in a shaped case with carved scrolls and a moulded plinth base; the upper dial with an exposed anchor escapement, Roman numbers and inscribed ‘W.C. Shaw / Paris’, the lower barometer dial and calendar dial with moon phase and subsidiary day and date dials, ﬂanking a rectangular thermometer gauge 47cm wide, 48cm high, 17cm deep £800-1,200

494Y HB817/15 VICTORIAN WALNUT AND OLIVEWOOD STATIONERY BOX

19TH CENTURY the sloped front with stepped carved detail, opening to reveal a ﬁtted interior with a letter rack, two cut glass inkwells and a writing slope with ivory accessories 26.5cm wide, 23.5cm high, 18cm deep £300-500

495 HC999/3 GERMAN BURR WALNUT AND GILT METAL MOUNTED BRACKET CLOCK

LATE 19TH / EARLY 20TH CENTURY the acanthus carved pediment fitted with four pineapple finials, above the silvered chapter ring and gilt dial, flanked by female masks, the dial striking on two gongs, signed LENZKIRCH 38.5cm high £400-600

166 Lyon & Turnbull

496 HC962/30A FRENCH ART INDUSTRIES BRONZE GROUP

MID 19TH CENTURY cast with various symbols to reﬂect the arts, industry and commerce, including an anchor, books, a medal and a globe inscribed EXP.TION UNIVERSELLE 1851, also inscribed to the base ATELIERS DESIR ET ARGUICHE, raised on an associated marble base base 67cm wide approx. £300-400

497 HB927/2 AFTER PIERRE JULES MENE (FRENCH, 1810-1879)

SETTER bronze, with dark patina, on a naturalistic style base 22cm wide, 14cm high £250-350

498 HC437/26 PAIR OF FRENCH JAPONISM EBONISED STANDS

CIRCA 1870 the circular moulded top with faded green velvet lining above a carved frieze and raised on straight cabriole legs outlined with gilt details and joined by a circular undertier, raised on carved paw feet (2) 32cm diameter, 85cm high Provenance: Private Collection, Surrey

£800-1,200

Continental Furniture, Pictures & Works of Art 167

499 HC437/46 PAIR OF PARIS PORCELAIN JARDINIERES

19TH CENTURY each of flattened oval form with twin handles, painted with floral reserves, flanked by cobalt leaves with gilt highlights (2) 39cm wide, 21.5cm high Provenance: Private Collection, Surrey

£300-400

500 HC437/67 PAIR OF SAMSON FIGURAL CANDLESTICKS

20TH CENTURY each modelled with a sconce and drip tray above a ﬁgure holding ﬂowers against brocage, raised on a rococo base, 26.5cm high; together with a EUROPEAN PORCELAIN FIGURE GROUP, modelled as Bacchus riding a donkey, with attendants and a maiden, 21cm wide, 20.5cm high (3) Provenance: Private Collection, Surrey

£450-650

501 HC437/64 LARGE PAIR OF CONTINENTAL PORCELAIN VASES

LATE 19TH/ EARLY 20TH CENTURY each with a ﬂared neck and pear shaped body with pierced twin handles, painted with a coastal scene on a burgundy ground with gilt highlights (2) 49cm high Provenance: Private Collection, Surrey

£300-400

502 HC437/119 LUDWIGSBURG PORCELAIN FIGURE GROUP

20TH CENTURY modelled as an early 19th century gentleman and companion, he holding a bouquet of ﬂowers, she lifting the hem of her dress, on an oval base with gilt details, blue mark 23cm wide, 38cm high Provenance: Private Collection, Surrey

£300-500

168 Lyon & Turnbull

503 HC962/17A AUSTRIAN COLD PAINTED TERRACOTTA FIGURE OF A PUG LATE 19TH/ EARLY 20TH CENTURY modelled seated, with glass eyes 31cm high £300-400

504 HD91/61B THREE MEISSEN MONKEY BAND FIGURES

LATE 19TH / EARLY 20TH CENTURY comprising a conductor, 17cm high; a woman playing a hurdy gurdy, 14cm high; and a man playing a horn, 15cm high; all decorated in blue and white with gilt highlights, blue crossed swords mark (3) Provenance: Items from a Scottish deceased estate

£250-350

505 HC437/79 THREE MEISSEN PORCELAIN FIGURES

20TH CENTURY comprising a figure of a young man playing a recorder with a drum over his arm, 15cm high; a figure of a young man playing a fiddle, 13cm high; and the figure of a child in exotic dress, 12cm high; all with underglaze blue crossed swords and incised marks (3) Provenance: Private Collection, Surrey

£350-450

506 HD12/3 AUSTRIAN COLD PAINTED BRONZE MODEL OF A MARABOU STORK

LATE 19TH/ EARLY 20TH CENTURY the stork standing, with her ﬁve chicks 9.3cm high £250-350

Continental Furniture, Pictures & Works of Art 169

507Y HC918/4 PAIR OF CONTINENTAL BRONZE FIGURES OF BULLS

CIRCA 1900 dark brown patina, each ﬁgure ﬁnely detailed and having applied ivory horns (2) 32cm long £300-500

508 HC772/3 JULIUS PAUL SCHMIDT-FELLING (GERMAN 1895-1930)

YOUNG GIRL WITH RAKE inscribed with signature, bronze brown patina raised on a polished base 24cm (9.5in) (including base) £200-300

509 HC962/11A LASZLO JANOS BESZEDES (HUNGARY 1874-1922)

FIGURE OF A SHEPHERD bronze, medium brown patina, modelled as a man wearing a hat and a long cloak, signed ‘Beszedes’, on a shaped rouge marble plinth ﬁgure 39cm high; 43cm high overall £400-600

510 HD91/86C PAIR OF BOHEMIAN WHITE TO CLEAR CUT GOBLETS

19TH CENTURY each painted with a ﬂoral garland around the rim with gilt details, on knopped stems and spreading feet (2) 16.5cm high Provenance: Items from a Scottish deceased estate

£150-250

511 HD91/32G BOHEMIAN CUT AND ENGRAVED GLASS BEAKER

EARLY 19TH CENTURY decorated with four arched engraved panels containing female ﬁgures representing the continents Asia, Africa, Europe and America, with later engraved identiﬁcation 11cm diameter; 13cm high Provenance: Items from a Scottish deceased estate

£250-350

170 Lyon & Turnbull

512 HC437/68 VIENNA PORCELAIN CABINET PLATE

EARLY 20TH CENTURY painted with a dark haired young woman holding an amphora ﬁlled with apple blossom, signed WAGNER, within a cobalt border with gilt highlights, with blue beehive mark and inscribed APFELBLÜTHEN 24.5cm diameter Provenance: Private Collection, Surrey

£500-700

513 HC437/49 VIENNA PORCELAIN CABINET PLATE

LATE 19TH CENTURY painted with Bacchus and Venus, signed L. KNOELLER, with a polychrome and gilt border, with blue beehive mark and painted title BACCHUS & VENUS 24.5cm diameter Provenance: Private Collection, Surrey

£300-400

514 HB663/1 LARGE CONTINENTAL PORCELAIN FIGURAL CLOCK

DRESDEN, CIRCA 1880 modelled as a ﬁgure of Flora leaning on a ﬂower encrusted pedestal, raised on a shaped plinth painted with landscape panels and terminating in paw feet, the circular dial with twin train movement 78cm high £2,000-3,000

515 HC437/40 PAIR OF GERMAN PORCELAIN BOTTLE VASES

LATE 19TH / EARLY 20TH CENTURY in the Meissen style, decorated with alternating panels of lovers and ﬂowers on a black ground with gilt borders, underglaze blue AR marks, 30.5cm high; together with a SEVRES STYLE PORCELAIN OVAL PLAQUE, painted with a shepherd and companion against a blue ground, unmarked, 22cm wide (3) Provenance: Private Collection, Surrey

£400-600

Continental Furniture, Pictures & Works of Art 171

516 SV780/3 JAMES PEEL (BRITISH 1811-1906) CART ON THE RIVER PATH Signed, oil on canvas 38cm x 64cm (15in x 25.25in) £700-900

518 HD360/59 SAM BOUGH R.S.A., R.S.W. (BRITISH 1822-1878)

LOCHSIDE VIEW Signed and dated 1861, watercolour 33cm x 53cm (13in x 21in) £500-700

517 HD360/61 ROBERT WEIR ALLAN R.S.A., R.S.W., R.W.S. (SCOTTISH 1851-1942) FISHERMAN’S COTTAGE Watercolour 35cm x 50cm (13.75in x 19.75in) £400-600

519 HD360/42 ANDREW BLACK R.S.W. (SCOTTISH 1850-1916) PROVIDER Signed, oil on canvas 63cm x 76cm (25in x 30in) £400-600

172 Lyon & Turnbull

520 § HD360/60 JAMES MCBEY (SCOTTISH 1883-1959)

CARMONA Signed, inscribed with title and dated ‘October 1932’, watercolour, pen and ink 36cm x 25cm (14in x 10in) £500-700

522 HD360/24 JOHN MACWHIRTER R.A., H.R.S.A., R.I., R.E. (SCOTTISH 1839-1911) THE VALLEY OF THE TUMMEL Signed, oil on canvas 72.5cm x 45.5cm (28.5in x 18in) £500-700

521 § HD360/33 HANS HANSEN R.S.W. (SCOTTISH 1853-1947) BUSY STREET VIEW Signed, watercolour 29cm x 19cm (11.5in x 7.5in) £500-700

523 § HD192/6 SPENCE SMITH R.S.A. (SCOTTISH 1880-1951) COPSE OF TREES Signed and indistinctly inscribed, oil on canvas 90cm x 69.5cm (35.5in x 27.25in) £800-1,200

Continental Furniture, Pictures & Works of Art 173

524 § HD360/29 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S., R.S.W., R.E. (SCOTTISH 1865-1945)

525 HD360/27 JAMES WATTERSTON HERALD (SCOTTISH 1859-1914)

526 HD360/21 JOSEPH HENDERSON R.S.W. (SCOTTISH 1832-1908)

527 HD360/2 WILLIAM DARLING MCKAY R.S.A. (SCOTTISH 1844-1924)

STRATHEARN, PERTHSHIRE Signed, inscribed with title, ink and wash 21.5cm x 35cm (8.5in x 14in) £400-600

THE SETTING SUN Signed, oil on canvas 29cm x 44cm (11.5in x 17.25in) £200-300

BY THE HARBOUR Watercolour 18.5cm x 32cm (7.25in x 12.5in) £400-600

CROSSING THE ESTUARY Signed with initials, oil on canvas 20cm x 31cm (8in x 12in) £400-600

174 Lyon & Turnbull

528 HD360/1 JAMES WHITELAW HAMILTON R.S.A., R.S.W. (SCOTTISH 1860-1932) PADDLING IN A STREAM Signed, oil on board 27cm x 35.5cm (10.5cm x 14in) £400-600

529 HD306/1 HECTOR CHALMERS (SCOTTISH 1848-1943) HERDING THE FLOCK Signed, oil on canvas 70cm x 90.5cm (27.5in x 35.5in) £600-800

(one of twelve illustrated) 530 HD91/135 ERNEST CROFTS (BRITISH 1847-1911)

FRENCH INFANTRY, FRANCO-PRUSSIAN WAR, 1870 Pencil and bodycolour on paper, each bears artist’s monogram stamp 30.5cm x 21.5cm (12in x 8.5in) and a further 11 drawings by the same hand (12) Provenance: Items from a Scottish deceased estate

£200-300

531 HC122/1 JAMES GARDEN LAING (SCOTTISH 1852-1915) ROWALLAN CASTLE Signed and inscribed with title, watercolour 48cm x 29cm (19in x 11.5in) £400-600

Continental Furniture, Pictures & Works of Art 175

532 HC85/2 ARCHIBALD KAY R.S.A., R.SW. (SCOTTISH 1860-1935)

AUTUMN ON THE DOCHART Signed, signed and inscribed with title old Thomas Annan label verso, oil on canvasboard 33.5cm x 44cm (13.25in x 17.25in) £500-700

534 § HD171/1 ANDREW LAW (SCOTTISH 1873-1967) PORTRAIT OF MRS FRENCH Signed, oil on canvas 86.5cm x 70cm (34in x 27.5in) £1,000-1,500

533 § HC778/12 GEORGE HOUSTON R.S.A., R.S.W. (SCOTTISH 1868-1947)

IONA Signed, inscribed with title and dated ‘98, oil on canvas 45cm x 60.5cm (17.75in x 23.75in) £600-900

535 HD162/15 JOHN SYER (BRITISH 1815-1885) TEMPLE CHURCH, BRISTOL Signed and dated, oil on canvas 52cm x 42cm (20.5in x 16.5in) £1,500-2,500

176 Lyon & Turnbull

536 HD192/7 WILLIAM PRATT (SCOTTISH 1855-1936) IN THE SHALLOWS Signed and dated 1910, oil on canvas 31cm x 46cm (12in x 18in) £700-900

537 HD101/1 GEORGE SMITH R.S.A. (SCOTTISH 1870-1934) HARVEST TIME Signed, oil on board 30cm x 38.5cm (11.75in x 15.25in) £500-700

538 HD112/1 ALEXANDER KENNETH BRODIE (SCOTTISH FL.1890S) A BRETON INTERIOR Oil on canvas 177cm x 144cm (69.5in x 56.5in) £1,200-1,800

Continental Furniture, Pictures & Works of Art 177

539 § HC995/1 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.S.W., R.W.S. (SCOTTISH 1865-1945)

540 HC988/1 WILLIAM BARCLAY (SCOTTISH 1850-1906)

541 HC778/20 JOHN MILNE DONALD (SCOTTISH 1819-1866)

542 HC778/14 ARTHUR GILBERT (BRITISH 1819-1895)

SCHIEHALLION Signed, inscribed with title, pencil and watercolour 20.5cm x 30.5cm (8in x 12in) £300-500

THE MOUTH OF THE KELVIN WITH GOVAN OLD CHURCH Signed, oil on board 13.5cm x 20cm (5.5in x 8in) £300-400

LINLITHGOW PALACE Signed with initials, oil on panel 11.5cm x 18.5cm (4.5in x 7.25in) £500-700

NIGHT ON THE COAST NEAR LYDSTOP, PEMBROKESHIRE Signed, oil on canvas 17.5cm x 24cm (7in x 9.5in) £400-600

178 Lyon & Turnbull

543 HC130/1 SIR GEORGE PIRIE P.R.S.A., R.S.A., H.R.S.W. (SCOTTISH 1866-1940) BY THE SHEPHERD’S FIRE Signed, oil on canvas 50cm x 59cm (19.75in x 23.25in) £1,000-1,500

545 § HD305/1 FRANK HENRY MASON (BRITISH 1875-1965) ROUGH SEAS Signed, gouache 48.5cm x 74cm (19.25in x 29in) £600-800

544 HC130/2 JAMES HAMILTON MACKENZIE A.R.S.A., A.R.E., R.S.W. (SCOTTISH 1875-1926) GRAZING BENEATH THE WIND VANE Signed, oil on canvas 45cm x 59cm (17.75in x 23.25in) £1,000-1,500

546 § HD32/2 STANLEY CURSITER R.S.A., R.S.W. (SCOTTISH 1887-1976)

PORTRAIT OF EUAN BARCLAY ROBERTSON ESQ. W.S. Signed, oil on canvas 100cm x 74cm (39.5in x 29in) £800-1,000

Islamic, Indian & Asian Works of Art

180 Lyon & Turnbull

547Y HD421/1 INDO-PORTUGUESE ROSEWOOD, IVORY AND MARQUETRY CABINET ON STAND

GOA, 18TH CENTURY; THE STAND LATER of cubic form, the top and sides with ﬂoral marquetry banding and line inlay, the fall front panel opening to reveal an arrangement of small drawers with ﬂoral marquetry fronts; the later stand with slender tapered square legs joined by a stretcher 60.5cm wide, 115.5cm high, 41.5cm deep £3,000-5,000

548Y HD65/6 FRAMED GROUP OF INDIAN SCHOOL MINIATURES

19TH CENTURY comprising thirteen miniatures on ivory depicting Indian buildings including the Taj Mahal and Qutab Minar, as well as a portrait, contained within a glazed frame with a handwritten label to verso PRESENTED BY THE MAHARA JAH HIRA SINGH OF THE PUNJAB ON THE 1ST JULY 1844 AT LAHORE TO LORD ELEENBOROUGH UPON HIS RETIREMENT FROM THE POST OF GOVERNOR-GENERAL frame 32 x 45.5cm £800-1,200

549 HD303/1 SOUTH INDIAN BRONZE BREASTPLATE (KAVACHAM) 19TH CENTURY with two scrolled leaves to each shoulder above the protruding breasts and stomach, with ornate repousse decoration 48cm wide (at widest point), 53cm high £1,200-1,800

Islamic, Indian & Asian Works of Art 181

550Y HD614/6 BLACK FOREST CARVED AND STAINED WALNUT AND IVORY SIX PIECE PARLOUR SUITE FOR THE INDIAN MARKET

LATE 19TH / EARLY 20TH CENTURY comprising a centre table, a settee, a pair of armchairs and a pair of side chairs, the backs pierced and carved with mulberry trees and leaves, elephants, above shaped plank seats, raised on elephant head and trunk supports mounted with ivory tusks and glass eyes (6) Table 128cm wide, 76cm high, 81cm deep; chair 46cm wide, 94cm high, 35cm; armchairs 67cm wide, 131cm high, 45cm deep ÂŁ15,000-25,000

Note: The Anglo-Indian style of this suite of furniture was adopted by Peter Abegglen in Brienz, Switzerland around 1900, to appeal to wealthy British Indian colonists travelling through Europe. Animals were popular models for carvers in Brienz and the School of Woodcarving even kept its own zoo in order that the craftsmen could adapt their choice of subject for the diverse range of tourists and customers. The Indian elephants carved on this suite are evident examples of this, appealing to wealthy maharajahs or Anglo-colonials passing through fashionable Brienz.

182 Lyon & Turnbull

551Y HC962/6 INDIAN HARDWOOD, EBONY AND IVORY INLAID OCTAGONAL TABLE

LATE 19TH / EARLY 20TH CENTURY inlaid with foliate and stylised tree motifs 50cm diameter, 51cm high £250-350

552 HC437/5 INDIAN CARVED ROSEWOOD JARDINIERE

19TH CENTURY the basket top pierced and carved with fruiting vines above an entwined branch column and raised on scrolling feet carved with further fruit and foliage 62cm wide, 89cm high Provenance: Private Collection, Surrey

£800-1,200

553 HD91/201 LARGE IZNIK POTTERY TILE

16TH / 17TH CENTURY the fragmented tile painted in cobalt blue, iron red, black and turquoise with barbed leaves, lotus, plum blossom and chrysanthemum, in a distressed ebonised frame, 33cm x 35cm; together with an IZNIK tile painted in cobalt blue, green, black and aubergine with barbed leaves and hyacinths, 22.5cm x 22.5cm (2) Provenance: Items from a Scottish deceased estate

£800-1,200

Islamic, Indian & Asian Works of Art 183

554 HC962/2A PAIR OF ISLAMIC BRASS MOSQUE LAMPS

19TH CENTURY with pierced columns and banded with Islamic text, on circular feet (2) 138cm high £600-800

555 HC892/2 NEAR PAIR OF OTTOMAN BRASS ‘TULIP’ CANDLESTICKS

TURKEY, 17TH/18TH CENTURY each with a tulip form sconce raised on a baluster stem above a deep drip tray and ﬂaring conical base (2) 29cm high £800-1,200

556Y HD230/2 ASIAN RHINO HORN HANDLED DAGGER

EARLY 19TH CENTURY the shaped handle with white metal ﬁnial above the brass collar with traces of an inscription/decoration, above the slightly curved corroded blade marked CUMIA. AGADIE, in a metal mounted iron scabbard, blade 21.5cm long; together with a BHARAL SHEEP HORN POWDER FLASK, of typical form, with a carved wood lid, 27.5cm long (from lid to tip) (2) £300-500

557 HD248/1 CARVED HARDWOOD TONGAN WAR OR CEREMONIAL CLUB

19TH CENTURY of tapered form with a pointed tip, carved with opposing geometric bands 89cm long £3,000-4,000

184 Lyon & Turnbull

558 HD100/5 BLACK JAPANNED AND GILT LOW TABLE

19TH CENTURY the rectangular top decorated with entwined dragons, ﬁgures, cranes and ﬂowers, raised on turned and block legs joined by block and turned peripheral stretchers 126cm long, 44cm high, 48cm deep Provenance: Scottish Highland estate

£300-500

559 HD100/4 CHINESE EXPORT BLACK LACQUER WORK TABLE

19TH CENTURY the rounded rectangular hinged top opening to a ﬁtted interior, raised on turned baluster legs on trestle supports joined by a turned stretcher and ending in shell and scroll carved gilt feet 63cm wide, 72cm high, 43cm deep Provenance: Scottish Highland estate

£250-350

560 HD621/13 CHINESE EXPORT BLACK LACQUER TILT TOP TRIPOD TABLE 19TH CENTURY the circular top with gilt reserved panels depicting Chinese court ﬁgures in interiors and gardens amongst clouds, ﬂowers, and ruyi heads, on a birdcage support raised on a baluster column and cabriole legs ending in stylised claw and ball feet 91cm diameter, 83cm high £1,000-1,500

Islamic, Indian & Asian Works of Art 185

561 HD100/3 CHINESE RED AND BLACK LACQUER CABINET

19TH CENTURY of upright cubic form, with a pair of cupboard doors opening to a void interior, raised on straight square legs, decorated with ﬁgures in lanscapes, gardens, and ﬂowers 120cm wide, 182cm high, 58cm deep Provenance: Scottish Highland estate

£600-800

562 HD617/1 ANGLO-CHINESE CARVED HONGMU PEDESTAL DESK

LATE 19TH / EARLY 20TH CENTURY the rounded rectangular top over three frieze drawers, raised on pedestal supports with cupboard doors opening to drawers, the side panels drawers, doors fronts and interiors, profusely carved in high relief with ﬂowers and foliage, and scenes of scholars and courtly ﬁgures in gardens, temples and pavilions, on a plinth base 168cm wide, 83cm high, 80cm deep £2,000-3,000

186 Lyon & Turnbull

563 HD617/2 CHINESE CARVED HONGMU ARMCHAIR

LATE 19TH CENTURY / EARLY 20TH CENTURY the arched back pierced and carved in high relief depicting a pair of phoenix, fu dogs and a central roundel with a ﬁgure in a garden, the arms carved as coiling dragons, above a square panel raised on dragon carved cabriole legs 68cm wide, 104cm high, 50cm deep £300-500

564Y HC382/1 ANGLO-CHINESE TEAK AND IVORY INLAID CAMPAIGN SECRETAIRE CHEST 19TH CENTURY in three parts, the set-back upper part with a shelved interior and silk lined doors; the middle part with a secretaire drawer ﬁtted with an arrangement of pigeon holes and drawers and a baize writing surface, over two short drawers; the lower part with two long drawers, all outlined with ivory inlay, raised on turned feet 96cm wide, 169cm high, 51cm deep £3,000-5,000

Islamic, Indian & Asian Works of Art 187

565 HD91/20A CHINESE FAMILLE ROSE PORCELAIN BOWL

566 HC962/23A PAIR OF CHINESE CRACKLE GLAZE VASES

Provenance: Items from a Scottish deceased estate

567 No lot

19TH CENTURY the shaped rim and panelled body decorated with ﬁgures playing games and instruments, within ornate borders depicting birds and foliage, 25.5cm wide; together with JAPANESE BLUE AND WHITE JARDINIERE; and a CHINESE BLUE AND WHITE COVERED GINGER JAR (3)

£250-350

19TH CENTURY converted to lamps, each rouleau shaped vase decorated with warriors in polychrome enamels between unglazed bands and kylin formed handles, raised on a hardwood base (2) 68.5cm high (from base to top of vase) £600-800

568 HD577/2 GROUP OF THREE CARVED WOOD TRIBAL FIGURES

20TH CENTURY comprising a standing figure with a mask face inset with cowrie shell eyes, 83,5cm high; a smaller figure carrying seed pods on his back, a bell at his waist, on a later stand, 35.5cm high; and a kneeling figure clasping two smaller figures above a carved mask, with inset cowrie shell headdress, 41cm high (3) £300-500

569 HD577/3 GROUP OF THREE CARVED WOOD TRIBAL MASKS

20TH CENTURY comprising a large ceremonial mask, possibly Cameroon, with carved open headdress and face, with a handwritten paper label, 50cm high; a further ceremonial mask, possibly Fang Ngil, Gabon, of elongated form with an open mouth, 58cm long; and a smaller ceremonial mask, possibly Jimini/Ligbi, carved with four open eye holes above curved horns, 36cm long (3) £300-500

Oriental Rugs & Carpets 570 HB824/6 KASHAN ‘MOHTASHAM’ RUG

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red ﬁeld with indigo and camel medallion, similar spandrels, within indigo palmette and vine border 202cm x 137cm £1,000-1,500

571 HC86/2 SILK TABRIZ RUG

NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red ﬁeld with cream medallion, similar spandrels, within red turtle palmette border 165cm x 125cm £250-350

572 HC86/1 KIRMAN RUG

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream ﬁeld with allover dense foliate and palmette pattern, within cream palmette and ﬂoral vine border 208cm x 135cm £250-350

573 HC86/3 KASHAN AND KIRMAN MATS

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the Kashan with indigo field with vase of flowers, red spandrels, within red border; the Kirman with cream field with allover floral pattern, within cream border (2) 102cm x 65cm and 87cm x 59cm £200-300

190 Lyon & Turnbull

574 HD100/39A SILK KASHAN RUG

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream ﬁeld with allover boteh pattern, within purple palmette and vine border 203cm x 131cm Provenance: Scottish Highland estate

£600-800

575 HD603/12 SAMARKAND CARPET

EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the red ﬁeld with pistachio elongated medallion, light blue spandrels, within brown ﬂoral border 300cm x 170cm £1,000-1,500

Oriental Rugs & Carpets 191

576 HD603/5 CAUCASIAN SOUMAC CARPET

LATE 19TH/EARLY 20TH CENTURY the rust ﬁeld with allover pattern of indigo lozenge medallions, within narrow dark brown zig zag border 465cm x 350cm £2,500-3,500

577 HD134/1 ANATOLIAN KELIM

EARLY 20TH CENTURY the ﬁeld with three polychrome hooked and serrated lozenge medallions, ivory sides, within red hooked border 313cm x 170cm £250-350

578 HC981/3 KARABAGH RUNNER

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the indigo ﬁeld with allover polychrome boteh pattern, within ivory stepped lozenge border 298cm x 108cm £200-300

579 HC917/34 NORTHWEST PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY the indigo ﬁeld with allover herati pattern, within red star border 382 x 109cm £250-350

192 Lyon & Turnbull

580 HC844/42 ZIEGLER STYLE CARPET

MODERN the ‘abrash’ light camel ﬁeld with allover palmette and foliate pattern, within rust red palmette and vine border 299cm x 241cm £300-500

581 HD616/2 ERSARI AND TEKKE BAGFACES

TURKMENISTAN, EARLY 20TH CENTURY both with geometric patterns in red, indigo and brown, the Tekke one with fringing (2) 142cm x 44cm and 140cm x 42cm £300-500

582 HD616/1 USHAK RUNNER

WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red ﬁeld with blue palmette and foliate pattern, within blue rosette and vine border 392cm x 120cm £300-500

Oriental Rugs & Carpets 193

583 HD603/3 KASHAN CARPET

CENTRAL PERSIA, MID 20TH CENTURY the cream ﬁeld with brown and orange foliate medallion, similar spandrels, within similar border 305cm x 193cm £1,000-1,500

584 HD627/1 NORTHWEST PERSIAN KELLEH

EARLY 20TH CENTURY the dark indigo ﬁeld with red lozenge medallion and similar half medallion sides, within ivory rosette and vine border 496cm x 203cm £2,000-3,000

194 Lyon & Turnbull

585 SV610/2 MESHED CARPET

EAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red ﬁeld with salmon pink and polychrome medallion, blue and pink spandrels, within indigo palmette and vine border, inscription to one end 376cm x 265cm £300-500

586 HC961/1 TABRIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY the cream ﬁeld with allover palmette and vine pattern, within pink palmette and vine border 396cm x 305cm £800-1,200

Oriental Rugs & Carpets 195

587 HD622/1 AGRA CARPET NORTH INDIA, LATE 19TH/EARLY 20TH CENTURY the cream ﬁeld with allover red palmette and foliate vine pattern, within similar cream border 398cm x 295cm £2,000-3,000

196 Lyon & Turnbull

588 HD100/38 ISFAHAN ‘HUNTING’ RUG CENTRAL PERSIA, POSSIBLY SEIRAFIAN, LATE 20TH CENTURY the cream ﬁeld with hunters on horseback chasing animals, within red animal border 222cm x 155cm Provenance: Scottish Highland estate

£1,000-1,500

589 HD100/37 SILK QUM CARPET CENTRAL PERSIA, SIGNED ‘DANESHVAR’, LATE 20TH CENTURY the cream ﬁeld with indigo and polychrome border, rust and olive spandrels, within indigo palmette and vine border, inscription cartouche to one end 408cm x 300cm Provenance: Scottish Highland estate

£1,500-2,500

Oriental Rugs & Carpets 197

590 HD100/39C SILK QUM PRAYER RUG CENTRAL PERSIA, LATE 20TH CENTURY the black ﬁeld with ﬂoral tree below medallion, brown spandrels, within light blue cartouche border 160cm x 107cm Provenance: Scottish Highland estate

£300-500

591 HD100/39B SILK HEREKE RUG WEST ANATOLIA, INSCRIBED ‘HEREKE’, LATE 20TH CENTURY the cream ﬁeld with eau de nil medallion, olive spandrels, within eau de nil palmette and vine border 188cm x 124cm Provenance: Scottish Highland estate

£800-1,200

592 HD100/39 SILK QUM RUG CENTRAL PERSIA, LATE 20TH CENTURY the cream ﬁeld with red circular medallion, red inner lobed border and outer cream palmette border 210cm x 136cm Provenance: Scottish Highland estate

£700-1,000

593 HD100/39D SILK TABRIZ RUNNER NORTHWEST PERSIA, LATE 20TH CENTURY the ﬁeld with allover polychrome square lattice pattern, within light brown foliate border; and a small silk runner, the light brown ﬁeld with cream medallion (2) 300cm x 77cm and 153cm x 50cm Provenance: Scottish Highland estate

£250-350

198 Lyon & Turnbull

594 HD614/10 LARGE BRITISH OR IRISH CARPET LATE 19TH/EARLY 20TH CENTURY the plain olive ﬁeld with cream foliate and strapwork border 1180cm x 487cm £1,200-1,800

Oriental Rugs & Carpets 199

595 HD614/8 LARGE AUBUSSON FLATWOVEN CARPET FRANCE, LATE 19TH CENTURY the burgundy ﬁeld with cream ﬂoral medallion, similar corner cartouches, within blue shaped border 654cm x 549cm £10,000-15,000

200 Lyon & Turnbull

596 HD745/1 ABADEH RUG WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the ivory ﬁeld with allover foliate vase pattern, within narrow indigo palmette and vine border 217cm x 150cm £300-500

597 HD745/2 KASHAN RUG CENTRAL PERSIA, MID 20TH CENTURY the cream ﬁeld with foliate medallion, similar spandrels, within cream foliate border 207cm x 136cm £400-600

598 HD745/3 BIDJAR CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo ﬁeld with large rose pink star medallion, blue spandrels, within red turtle palmette border 240cm x 136cm £1,000-1,500

Oriental Rugs & Carpets 201

599 HD745/4 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red ﬁeld with polychrome medallion, similar spandrels, within indigo palmette and vine border 316cm x 244cm £800-1,200

600 HD745/5 USHAK STYLE CARPET MODERN the yellow ﬁeld with allover palmette and vine pattern, within indigo palmette and vine border 284cm x 173cm £400-600

601 HD745/6 MESHKIN RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the abrash indigo ﬁeld with allover stylised foliate motif pattern, within ivory, brown and red striped border 353cm x 133cm £500-700

202 Lyon & Turnbull

602 HD745/7 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red ﬁeld with blue star medallion, similar spandrels, within indigo rosette and vine border 383cm x 290cm £2,000-3,000

603 HD745/9 AFGHAN CARPET 20TH CENTURY the red ﬁeld with allover Tekke gul pattern, within red serrated lozenge border 410cm x 234cm £800-1,200

Oriental Rugs & Carpets 203

604 HD745/10 KASHAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo ﬁeld with red and green medallion, red and blue spandrels, within red cartouche, palmette and vine border 378cm x 271cm £2,000-3,000

605 HD745/11 VERAMIN CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the rose pink ﬁeld with allover blue rosette lattice pattern, within blue turtle palmette border 295cm x 212cm £2,000-3,000

204 Lyon & Turnbull

606 HD745/8 ZIEGLER STYLE CARPET MODERN the green ﬁeld with palmette and foliate vine pattern, within red palmette and arabesque border 288cm x 210cm £400-600

607 HD630/1 SILK QUM RUG CENTRAL PERSIA, MODERN the cream ﬁeld with elongated black medallion, olive spandrels, within black palmette and vine border 167cm x 108cm £500-700

608 HD630/2 KASHAN RUG CENTRAL PERSIA, LATE 19TH/20TH CENTURY the indigo ﬁeld with cream medallion, red spandrels, within red arabesque vine border 212cm x 138cm £300-500 END OF SALE

Conditions of Sale SELLERS 1. DEFINITIONS

3. PREPARATION FOR SALE

In these Conditions of Sale (Sellers):

(a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

“Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing 4. TERMS OF SALE

“Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds;

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

“Proposed Sale” means the intended sale through which the items will be sold on

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

“Purchase Price” is the Hammer Price and applicable Buyer‘s Premium;

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot.

“Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or by private treaty). “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. The lot will be sold without reserve unless a reserve has been agreed. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the hammer price been the reserve. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &

Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred. (2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer.

(c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

14. THIRD PARTY LIABILITY

16. AGENCY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

15. GENERAL

17. DATA PROTECTION

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

13. SALE BY PRIVATE TREATY

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer's sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over €15,000 (euros). (2) Any payments by you to us may be applied by us

towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot. 10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

(e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Guide to Bidding & Payment Payment

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to €15,000 (euros).

© Lyon & Turnbull Ltd. 2016. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

L&T Fine Furniture - cover.qxp_L&T MASTER COVER 22/12/2015 14:05 Page 2

L&T Fine Furniture - cover.qxp_L&T MASTER COVER 22/12/2015 14:05 Page 1

LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

27TH JANUARY, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 27th January, 2016 33 Broughton Place, Edinburgh

Fine Furniture & Works of Art

Fine Furniture & Works of Art | Wednesday 27th January 2016 | 10am