Asian Art | 22nd March 2016 | 10am by Lyon & Turnbull

LYON & TURNBULL AUCTIONEERS EDINBURGH ASIAN ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

22ND MARCH, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Tuesday, 22nd March, 2016 33 Broughton Place Edinburgh EH1 3RR

Asian Art

Asian Art Tuesday, 22nd March, 2016 at 11am Sale Number LT457

Viewing Times Sunday, 20th March 12 noon - 4pm Monday, 21st March 10am - 5pm Morning of sale from 9am

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ10

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Catalogue descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

ADDITIONAL INFORMATION FOR BUYERS 竞拍须知

Agents acting on behalf of other parties must provide identification documents for yourself and the other party, together with a signed letter of authorisation.

LANGUAGE 语言 Please note that all transactions will be in £GBP and all printed material/ correspondence will be in English. Some basic translation assistance may be available.

代表买家参与竞拍的代理人必须提供其本人和买家的身份证明文件，此外，还需提供一封买家签名的授权信。

请注意所有的交易都会通过英镑进行，所有的印刷资料、往来信件也都使用英语。我们可向买家提供基本的翻译协助。 BUYERS PREMIUM 买家佣金 The buyer shall pay the hammer price together with the premium thereon 25% up to £50,000 / 20% thereafter VAT will be charged on the premium at the rate imposed by law. 买家需支付拍卖落槌价和佣金，佣金比率如下： 50000英镑之内（含50000英镑）的拍品佣金为25% / 50000英镑以上的拍品佣金为 20% 佣金的增值税将根据法律规定的税率收取。 VAT 增值税 The symbol† by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price. 拍品编号旁的符号†表示买家需支付拍卖落槌价的增值税，依照法律规定的税率。 The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and VAT is payable by the purchaser at a rate of 5% on the hammer price. 拍品编号旁的符号*表示该拍品来源欧盟以外的地区，临时进口英国交易，成交后，买家需支付5%拍卖落槌价的增值税。 VAT REFUNDS 增值税退还 VAT will only be refunded once proof of export out of the EU has been received. 只有在拍品离开欧盟的证明文件提交之后，才能退还增值税。 HMRC form VAT 407 (available at the cash desk) must be completed by the buyer, Lyon & Turnbull cashier and authorised by UK Customs at the point of export. Upon receipt of authorised paperwork VAT will be refunded to the card provided. 买家、礼昂腾博出纳必须填写英国税务局的VAT407b表格（该表格可以在收银处获取），这一表格需在拍品输出时得到英国海关批准。在收到批准文件后，增值税才会被退还到买家提供的银行账户内。 Lots must be exported within 3 months of purchase. Valid export documents must be returned within the stipulated time frame. 拍品必须在拍卖结束后的三个月内出境。有效的出关文件必须在协议规定的时间内返还至拍卖行。 REGISTRATION 登记参与竞拍 Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

We encourage new clients to register at least 48 hours in advance of the sale to allow sufficient time to process the information 我们鼓励新客户至少在拍卖前48个小时进行注册，以便您的信息可以被及时处理。

HIGH VALUE BIDDING 高价值拍品竞拍  indicates lots on which the High Value pre-registration procedure will be required prior to the sale. 

符号表示该拍品的竞拍需要在拍卖会前进行专门的“高价值拍品登记”。

Unless otherwise agreed, you will be permitted to bid on High Value lots only if Lyon & Turnbull has conﬁrmed payment of deposit and completion of the High Value lot pre-registration procedure. The deposit required will be 10% of the lower estimate. This also applies to bidding on a number of lots where the total cumulative amount exceeds £30,000. 在没有特殊协约的情况下，您只有在支付押金和参加“高价值拍品登记”，并获得我公司的确认之后，才有权竞拍这些拍品。押金数量为低估价的10%。此外，如果您想竞拍的多件拍品总价值超过3万英镑，您也同样需要缴纳低估价总额10%的押金。 For more information see our Conditions of Sale or contact Lyon & Turnbull’s oﬃce manager. 欲获取更详细的信息，请参考我们的竞拍须知，或联系我公司总部。 BIDDING & PAYMENT 竞拍和付款 For information on bidding options see our “Guide to Bidding & Payment” at the back of the catalogue 关于竞拍方式，请参考拍卖图录结尾的“竞拍和付款说明”部分 COLLECTION 取货与付运事宜 It is the buyer’s responsibility to ascertain collection procedures. Please see the rear of the catalogue or our website for additional information with regards recommended carriers. 买家有责任确保拍品的成功交付。请查询拍卖图录最后一页或者网站上推荐的有关货运公司的附加信息。 CONDITION 品相 Please note that damage and/ or restoration is indicated in the catalogue at our discretion. Where there is no mention of damage and/ or restoration this should not be taken to mean there is none. It is the buyer’s responsibility to ensure that the condition of their lots is to their satisfaction. 请注意我们已经酌情在拍卖图录中指出了拍品的损坏或者修复信息。如果没有提到拍品的损坏或者修复信息，这也并不意味拍品没有瑕疵或曾被修复过。买家有责任确保拍品的品相是否达到买家本人的期待值。

请注意所有首次参与礼昂腾博拍卖会的竞拍者都需要提供以下材料以便进行注册：

If potential buyers are unable to inspect the lots in person our specialists are happy to prepare condition reports on individual lots. These are for guidance only, there are not warranties and all lots are sold “as found”.

• 1 – Government issued photo ID (Passport/ Driving licence)

如果感兴趣的买家无法亲自检验拍品，我们的专家可以为买家准备每件拍品的品相报告。这些报告只为参考，并非拍品的保证书，所有拍品均以现况出售。

• 1 – 由政府机关签发的身份证件（护照或驾照）

• 2 – 地址证明（水电煤账单或者银行对账单）

Please note that due to logistics and storage restrictions we are unable to begin the condition report process until all items have been set up in our main saleroom. All condition reports will be issued in a timely fashion in the few days prior to sale day.

You may present these documents in person or, alternatively, fax or email copies to us.

请注意由于物流和储藏条件的限制，我们只有在所有拍品在主销售厅摆设好之后才能开始制作品相报告。所有的品相报告将适时在拍卖日前几天发放。

• 2 – Proof of address (utility bill/ bank statement)

您可以亲自将这些信息递交给我们，也可以把信息通过传真或邮件的形式发送给我们。 We may, at our discretion, also ask you to provide a bank reference and/ or deposit. 我们可能根据情况要求您提供银行开具的证明信或者交付押金。

CITES 条款 Please be aware that lots marked with a Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit www.gov.uk/cites-imports-and-exports 请注意标有Y记号的拍品在运往欧盟以外地区时可能受到CITES条款的约束。欲了解更多信息，请查询www.gov.uk/cites-imports-and-exports

4 Lyon & Turnbull

Asian Chronology NEOLITHIC CULTURES Cishan-Peiligang Central Yangshao Gansu Yangshao Hamadu Daxi Majlabang Dawenkou Songze Hongshan Llanzhu Longshan Qijia

IMPERIAL CHINA (continued) c. 6500-5000 BC c. 5000-3000 BC c. 3000-1500 BC c. 5000-3000 BC c. 5000-3000 BC c. 5000-3500 BC c. 4300-2500 BC c. 4000-2500 BC c. 3800-2700 BC c. 3300-2250 BC c. 3000-1700 BC c. 2250-1900 BC

EARLY DYNASTIES Shang WesternZhou Eastern Zhou Spring & Autumn Warring States

c. 1500-1050 BC 1010-771 BC 770-475 BC 475-221 BC

IMPERIAL CHINA Qin 221-207 BC Han Western Han 206 BC-AD 9 Xin AD 9-25 Eastern Han AD 25-220 Three Kingdoms Shu (Han) 221-253 Wei 220-265 Wu 222-280 Southern Dynasties (Six Dynasties) Western Jin 253-316 Eastern Jin 317-420 Liu Song 420-479 Southern Qi 479-502 Liang 502-557 Chen 557-589 Northern Dynasties Northern Wei 380-535 Eastern Wei 534-550 Western Wei 535-557 Northern Qi 550-577 Northern Zhou 557-581

Sui Tang Five Dynasties Liao Song Northern Song Southern Song Jin Yuan Ming Hongwu Jianwen Yongle Hongxi Xuande Zhengtong Jingtai Lianshun Chenghua Hongzhi Zhengde Jiajing Longqing Wanli Taichang Tianqi Chongzhen Qing Shunzhi Kangxi Yongzheng Qianlong Jaiqing Daoguang Xianfeng Tongzhi Guangxu Xuantong

589-618 618-906 907-960 907-1125 960-1126 1127-1279 1115-1234 1279-1368 1368-1308 1399-1402 1403-1424 1425 1426-1435 1436-1449 1450-1456 1457-1464 1465-1487 1488-1505 1506-1521 1522-1566 1567-1572 1573-1620 1620 1621-1627 1628-1644 1644-1661 1662-1722 1723-1735 1736-1795 1796-1820 1821-1850 1851-1861 1862-1874 1875-1908 1909-1911

REPUBLICAN CHINA Republic Peopleâ&#x20AC;&#x2122;s Republic

1912-1949 1949-

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you; whether you are looking for something in particular for your home or collection; require more detailed information about the history or current condition of a lot or just want to ďŹ nd out more about the auction process.

Lee Young

Ling Zhu

Danielle Beilby

Anna Westin

Head of Department lee.young@lyonandturnbull.com

Specialist ling.zhu@lyonandturnbull.com

Department Administrator danielle.beilby@lyonandturnbull.com

Consultant Specialist anna.westin@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; ďŹ ve minutes walk from the saleroom

York Place Tram Stop

Waverley Station

Order of Sale Tuesday, 22nd March, 2016 at 11am

1-81 Furniture & Works of Art 82-122 Metalwares 123-159 Glass & SnuďŹ&#x20AC; Bottles 160-277 Ceramics 278-316 Jade & Hardstones 317-356 Paintings & Works on Paper 357-475 Japanese, Korean & South-East Asian Works of Art

Front Cover Lot 20 (detail)

Inside Front Cover Lot 91 (detail)

Inside Back Cover Lot 357 (detail)

Lot 21

Furniture & Works of Art

5 4

1 HC96/1 HARDWOOD STAND QING DYNASTY, 19TH CENTURY the marble inset top over a scroll carved frieze, raised on turned supports, ending in claw and ball feet 42cm wide, 82cm high, 31cm deep £300-400

2 SV117/60 THREE MARBLE INSET HARDWOOD STANDS 20TH CENTURY two of hexalobed form with an openwork apron carved overall with ﬂowers and foliage, the cabriole legs terminating in paw form feet, the third of hexagonal form, the legs shaped as bamboo stems adorned with dragon heads (3) tallest 91.5cm high £300-500

3 HC437/173 LACQUER STAND the circular top inset with a cloisonné panel depicting birds amongst blossoming branches 38cm wide, 53cm high £100-200

4 HD621/1 EXPORT BLACK LACQUER AND GILT STAND LATE QING DYNASTY the shaped dish top decorated with a mountainous landscape view, above a pierced shaped frieze, on six scroll supports ending in a platform base 91cm high, 59cm wide, 45cm deep £1,200-1,800

5 HD614/9 PAIR OF HONGMU ARMCHAIRS

6 HD378/10 HUANGHUALI ALTAR CABINET

9 HD378/5 POLYCHROME LACQUER LOW TABLE

QING DYNASTY the rectangular top with scroll ends over three drawers and two cupboard doors, on stile feet (2)

REPUBLIC PERIOD the rectangular top decorated with a waterbird amongst foliage, on square leg

138cm wide, 92cm high, 46cm deep

£300-500

£2,000-3,000

7 HD378/9 PAIR OF RED LACQUER STOOLS REPUBLIC PERIOD of open barrel form, decorated with blossoming foliage 26cm diam, 44cm high £200-400

LATE QING DYNASTY the low backs with centrally pierced roundels and relief carved decoration, above padded seats, raised on square legs with scroll feet (2)

8 HD378/7 ELM LACQUER ALTAR TABLE

79cm high, 59cm wide

143cm wide, 87cm high, 37cm deep

£1,200-1,800

£300-500

LATE MING DYNASTY of rectangular form

180cm wide, 49cm high, 60cm deep

10 HD378/4 SMALL HONGMU TABLE STAND REPUBLIC PERIOD the rectangular tray top on square legs with scroll feet, bearing Charlotte Horstmann label 46cm wide, 10cm high, 30cm deep £200-300

11 HD378/3 HONGMU KANG TABLE QING DYNASTY, 19TH CENTURY the scroll end supports carved with bat motifs 92cm wide, 33cm high, 45cm deep £400-600

8 Lyon & Turnbull

12 HD364/8 FUJIAN RED, BLACK AND GOLD LACQUER CABINET

13 HD364/7 HONGMU CABINET QING DYNASTY the ﬁelded panel doors enclosing shelves and drawers above two further drawers and a fall front apron, on stile feet

LATE QING DYNASTY the four panelled doors decorated with port scenes and courtiers, the stand with two further small doors, raised on stile feet 104cm wide, 173cm high, 47cm deep £800-1,200

14 HD364/6 WALNUT ALTAR TABLE GANSU PROVINCE, 19TH CENTURY the rectangular top with scroll ends, above a geometric carved frieze, on pierced end supports

108cm wide, 184cm high, 61cm deep

263cm wide, 89cm high, 38cm deep

£1,000-1,500

£1,500-2,500

15 HD364/4 WALNUT ALTAR COFFER, LIANERCHU GANSU PROVINCE, 18TH / 19TH CENTURY the rectangular top above one drawer, raised on shaped stile feet 76cm wide, 50cm high, 44cm deep £600-900

16 HD364/2 WALNUT ALTAR COFFER, LIANERCHU GANSU PROVINCE, 18TH / 19TH CENTURY the rectangular top above one frieze drawer, on shaped stile feet 88cm high, 99cm wide, 56cm deep £600-900

Asian Art 9

17 HD364/1 SET OF FOUR HONGMU STOOLS WITH HUANGHUALI SEAT PANELS LATE QING DYNASTY the rectangular panelled seats above a frieze carved with dragon motifs, on square legs with scroll feet (4) 54cm wide, 51cm high, 33cm deep £800-1,200

18 HD378/1 ELM DAY BED QING DYNASTY, 18TH/19TH CENTURY the cleated rectangular top with a rattan seat on square scroll supports

158cm wide, 40cm high, 98cm deep £400-600

19 HD378/2 ELM DAY BED

24 HD320/4 PAIR OF HONGMU AND BURRWOOD STOOLS

QING DYNASTY the rectangular top with a rattan seat supported on four scroll legs

LATE QING DYNASTY the oval tops inset with ﬁelded burrwood panels, on shaped legs ending in claw and ball feet (2)

150cm wide, 45cm high, 90cm deep

42cm wide, 49cm high, 35cm deep

£400-600

£300-500

20 HD378/6 PAIR OF SQUARE HUANGHUALI, HONGMU AND MOTHER OF PEARL INLAID TABLES

25 SV484/77 HONGMU LOW TABLE, KANG ZHUO

MID QING DYANSTY the square tops with quarter inset marble above a shaped frieze and square supports, inlaid throughout with foliage, bats and symbolic motifs (2) 76cm wide, 77cm high £3,000-5,000 See front cover illustration

21 HD320/9 HUANGHUALI LANTERN STAND

LATE 19TH/EARLY 20TH CENTURY with pierced apron on legs strengthened by two cross stretchers, terminating in scrolled feet 92cm long £300-500

26 HB828/1E TWO CARVED HARDWOOD TABLES LATE QING DYNASTY each with inset marble rectangular tops, over foliate carved frieze, raised on turned supports ending in claw and ball feet (2)

LATE QING DYNASTY the adjustable stand raised on twin pierced scroll end supports

42cm wide, 79cm high

39cm wide,147cm high

27 HB828/1D THREE CARVED HARDWOOD LOW STANDS

£300-500 See illustration on page 6

22 HD364/3 PAIR OF STOOLS WITH HONGMU SEAT PANELS LATE QING DYNASTY with panelled rectangular seats and square supports (2) 53cm wide, 51cm high, 34cm deep £400-600

23 HD320/8 HONGMU KANG TABLE QING DYNASTY the rectangular top above four frieze drawers, on stile feet 92cm wide, 33cm high, 32cm deep £300-500

£300-500

LATE QING DYNASTY each with marble inset top (3) largest 41cm wide, 41cm high £150-250

28 HB828/1C LARGE CARVED HARDWOOD STAND LATE QING DYNASTY the shaped circular top with an inset marble panel, over a foliate carved pierced frieze, on cabriole legs, joined by an under tier 54cm wide, 81cm high £250-350

29 HB828/1B CARVED HARDWOOD STAND LATE QING DYNASTY the hexagonal top with a bead edge and inset marble, above a foliate carved open frieze, on scroll legs, 26cm wide, 92cm high; together with a smaller circular example, 31cm diam, 81cm high (2) £200-300

30 HB828/1A TWO CARVED HARDWOOD STANDS LATE QING DYNASTY one with a hexagonal top, the other circular, both with inset marbles, foliate carved frieze and scroll legs (2) 31cm diam, 61cm high £150-250

31 HB828/1 PAIR OF CARVED HARDWOOD GRADUATED STANDS LATE QING DYNASTY each with inset marble top above open foliate carved frieze on scroll legs with claw and ball feet (2) largest 30cm diam, 62cm high £150-250

32 HB825/3 LARGE HARDWOOD JARDINIÈRE STAND LATE QING DYNASTY the circular top with an inset marble and above a pierced foliate carved frieze, raised on leaf carved scroll legs; together with a smaller example (2) 28cm diam, 91cm high £300-500

33 HB768/1 SLOPING-SIDE LACQUERED WOOD CABINET MING DYNASTY, 17TH CENTURY with two doors enclosing shelves and drawers 217cm high, 102cm wide, 57cm deep Provenance: Property of a British Noble Family

£1,000-1,500

10 Lyon & Turnbull

34 HB379/1 PAIR OF HORSESHOE BACK FOLDING CHAIRS each of mixed wood, with curved cross rail attached to pierced and carved back splats, above woven rope seats, on X form supports with brass inlaid foot rest (2) 106cm high, 69cm wide £200-300

35 HA462/20 RED LACQUER CABINET QING DYNASTY, 19TH CENTURY the hinged lid decorated with Buddhist lions and ribbons, the sides with ﬁgures, pagoda, exotic birds and auspicious items, raised on a shaped plinth base 84cm wide, 66cm wide, 56cm deep £1,000-2,000

36 HD364/9 PAIR OF HONGMU AND ASH CABINETS LATE QING DYNASTY the ﬁelded panel doors enclosing shelves and a single drawer, above an apron each ﬁtted with a further single drawer, on stile feet (2) 110cm wide, 180cm high, 60cm deep £2,000-3,000

37 HB975/2 PAIR OF ELM ‘OFFICIAL’S HAT’ CHAIRS LATE QING DYNASTY with pierced carved backs, solid seats and square legs (2)

38 HD320/2 COLLECTION OF HARDWOOD AND BRASS STANDS AND PLATE HOLDERS

39 HC945/2 CARVED AND POLYCHROME FOUR PANEL FLOOR SCREEN

121cm high, 59cm wide, 47cm deep

comprising stands of varying sizes with woodcut and brass details (qty)

QING DYNASTY, 18TH/19TH CENTURY each panel with a carved cresting over two panels, the larger upper panels painted with a continuous scene of court ﬁgures and attendants in a garden landscape on a red ground, the smaller lower panels with mythical beasts, on a moulded base

£600-1,000

largest 42cm long £400-600

224cm wide, 198cm high £800-1,200

40 HD378/8 BLACK LACQUER SIX FOLD SCREEN REPUBLIC PERIOD each fold decorated in silver and gilt with boys and courtiers engaged in various pursuits, the lower panels with calligraphic script each fold, 51cm wide, 228cm high £300-500

41 HD4/3 HARDWOOD SCREEN WITH PORCELAIN PLAQUES LATE QING / EARLY REPUBLIC PERIOD each fold inset with two porcelain panels painted with mountainous landscape views each fold 28cm wide, 97cm high, each panel 12cm wide, 19cm high, approx £800-1,200

Asian Art 11

47 HD336/1 CARVED OLIVE PIT ‘PLEASURE BOAT’ IN THE STYLE OF ZHAN GUSHENG, LATE QING DYNASTY/REPUBLIC PERIOD skilfully carved with figures engaged in different activities, a pair of windows opening on both sides, the bottom inscribed with the First Rhapsody of the Red Cliff (Qian Chi Bi Fu) in running script 4.5cm long £800-1,200

42 HB649/46 FOUR JADE INLAID LACQUERED PANELS

45 HB379/2 PAIR OF PAINTED AND GILT WOOD BUDDHIST LIONS

LATE QING DYNASTY each panel nicely carved and inlaid with blossoming branches of chrysanthemum, prunus or peony issuing from vases, surrounded by auspicious symbols including a ruyi sceptre and a pair of goldﬁshes, bearing inscriptions of four-character Chinese idioms (4)

LATE QING DYNASTY, 19TH CENTURY each carved with ferocious expression, one beast seated with one forepaw resting on a brocade ball, the other with paw resting on a cub, both with ﬁnely carved mane and an ornate collar, supported on a wooden rectangular stand carved with ﬂoral relief (2)

each panel 122cm high, 41cm wide

£300-500

Provenance: Private Collection, Scottish Borders

£200-300

43 HB570/20 LARGE BLUE AND WHITE PORCELAIN AND WOOD TABLE SCREEN

89cm high (including stand)

46 HD456/1 CHAOZHOU GILT-LACQUERED CARVED WOOD PANEL

DATED 1893 the circular porcelain plaque depicting two ﬁshermen on their way home, dated guisi year, corresponding to 1893, set into a wood frame with stand inlaid with mother of pearl

QING DYNASTY, 19TH CENTURY ﬁnely carved and pierced in high relief with a scene from the Romance of the Three Kingdoms depicting a continuous array of warriors on horseback, arranged in three tiers and all set among pine trees and pavilions, the ﬁgure of Zhuge Liang seated at the centre of the top tier observing the combat

57.5cm high (including stand)

63.5cm high

£400-600

Provenance: An important private English collection.

44 SV813/6 LACQUERED WOOD CARVED HORSE

£800-1,200

48 HD298/1 PAIR OF BAMBOO CARVED INCENSE HOLDERS QING DYNASTY, 18TH/19TH CENTURY of slender cylindrical form, carved and pierced in high relief with the Seven Sages of the Bamboo Grove, four seated in peaceful conversation and three gathered at the Go game, all set amongst a landscape of pine and bamboo, the patina of a red-brown tone (2) 28.5cm high £400-600

49 SV813/34 HINGED HARDWOOD BOX WITH INSET SILVER PANELS CIRCA 1900 of simple rectangular shape, inset with ﬁve silver panels engraved with dragon, bamboo and prunus, all surrounded by wood borders carved with ﬂowers on scrolling stems, the interior lined in velvet 21.2cm long £300-500

20TH CENTURY shown with front leg extended striding forward on a rectangular base with head lowered and turned to the left, carved in relief with trappings including a saddle, saddle cloth and a chest strap with tassels 57cm long £200-300

12 Lyon & Turnbull

58 HC792/2 CANTON EMBROIDERED SILK PANEL QING DYNASTY, 19TH CENTURY finely embroidered on a cream ground with a basket of flowers in the centre, framed by a border of bouquets, butterflies and birds 136cm wide, 125cm high £150-250

59 HD187/15 SILK PANEL WITH RANK INSIGNIA MOUNTED IN A FLOOR SCREEN QING DYNASTY, 19TH CENTURY cut from the back of a robe, the upper half embroidered with an egret standing for the sixth-rank civil official, surrounded by eight different species of birds symbolizing further ranks of the civil hierarchy, all above a pair of dragons flanking two flaming balls above turbulent waves

87cm high

50 HB379/5 HARDWOOD CARVED BRUSH WASHER carved on one side with a pair of bats with outstretched wings, their mouths holding a banner incised with an auspicious phrase 23cm long £150-250

51 HB824/18 TWO TIBETAN SILVER-MOUNTED WOOD BOWLS, JHA-PHOR 19TH CENTURY with curving sides and ﬂaring rims, the silver mountings around the footrim with repoussé decoration; together with a THAI SILVER CIGAR BOX (3) largest 17.5cm long £200-300

52 HB904/220 CARVED BAMBOO PAGE TURNER LATE QING DYNASTY carved with an immortal 52cm long £100-200

53 HD462/13 BAMBOO CARVED THREE-TIER FOOD BASKET 20TH CENTURY of oval section, one side carved with fruiting ﬁngered citron, the other with a landscape below sprays of peach and pomegranate, the wood of a warm reddish brown tone 23.5cm high £100-200

54 HD115/23 EXPORT MOTHER-OF-PEARL INLAID WOOD CROSS POSSIBLY MACAU, 18TH/19TH CENTURY inlaid with engraved mother-of-pearl to depict fruiting vines, ﬂowers, foliage and Christian symbols, the centre inlaid with a lotus ﬂower on a grail and the ends with foliate scrolls 47cm high £200-300

£300-500

60 HD378/11 TWO MACHINE-WOVEN SILK BROCADE PANELS DU JINSHENG SILK FACTORY, 20TH CENTURY one depicting ﬁgures travelling through the mountains of Sichuan Province on gallery roads built from wooden planks, the other depicting two mandarin ducks under bamboo and roses after a painting by Shen Quan, framed and glazed (2)

55Y HD115/22 EXPORT IVORY AND SILVER MOUNTED WALKING CANE

taller one 109cm high (excluding frame)

LATE QING DYNASTY/REPUBLIC PERIOD the ivory handle realistically carved as a seated lady holding a fan, the silver ferrule decorated in relief with two scenes of scholars at leisure ﬂanking a central coat of arms

61 SV705/130 PAIR OF EMBROIDERED SILK ‘BOGU TU’ PANELS

89cm long £100-200

56 HD115/21 EMBROIDERED DARK BLUE GROUND INFORMAL ROBE with centre front opening and side vents, embroidered in various shades of giltwrapped threads with roundels containing auspicious symbols, the front and back applied with a rank badge 129cm wide £200-300

57 HC96/2 CANTON EMBROIDERED SILK PANEL CIRCA 1900 embroidered on a beige ground with birds amongst trees and ﬂowers including peacocks perched upon rocks beside peonies and below pine trees, framed and glazed 36cm diam (excluding frame) £200-300

£200-300

QING DYNASTY, 19TH CENTURY ﬁnely worked with various antique objects including vases, books and an incense burner, each panel inscribed with a poem and embroidered with two seals of the artist, framed and glazed (2) 38cm high, 36cm wide (excluding frame) £1,000-1,500

62 HB825/8 GROUP OF THREE EMBROIDERED SILK PANELS 20TH CENTURY the first embroidered with a dragon coiled around a shou character, framed by flowering wisteria vines, the second depicting a pair of peacocks among flowers and butterflies, the third embroidered with a spray of lotus flowers (3) largest 119cm wide £300-500

Asian Art 13

68 HD92/3 MOTHER OF PEARL GAMING COUNTERS MADE FOR THE MELVILLE FAMILY QING DYNASTY, 19TH CENTURY comprising 156 assorted counters carved in various shapes, eight of which engraved with the Melville family’s coat of arms with the latin motto ‘denique coelum’ (heaven at last), on a low relief landscape ground and within a reticulated border, some further counters carved with Chinese scholars and laymen engaged in various pursuits largest 6.8cm long £300-500

69Y HD799/4 CARVED CANTON IVORY CARD CASE LATE QING DYNASTY, 19TH CENTURY of rectangular shape with a shield shaped panel to one side carved in relief with ﬂowers on scrolling stems, the other side carved with a vase-shaped cartouche depicting scholars and attendants in a garden

63 HD462/18 TWO-PANEL HARDWOOD SCREEN INSET WITH RANK BADGES

66Y HD92/1 COLLECTION OF CANTON IVORY

11.2cm high £150-250

114cm high

LATE 19TH CENTURY comprising; a boxed ivory chess set with puzzle ball stems, box 27cm x 21.5cm; a carved ivory paper knife with silver mounted handle, 26cm long; a square ivory puzzle box, carved on one side with a scholar demonstrating calligraphy under a pine tree, 5.3cm wide (3)

£150-250

£200-300

18.8cm long

64 HC437/113 GROUP OF THREE RUGS

67Y HD92/2 CANTON IVORY SET OF DRAUGHTS AND PAIR OF DICE SHAKERS

71Y SV813/43A CANTON CARVED IVORY BRISÉ FAN

CIRCA 1900 each depicting a long tailed bird facing up towards the sun, possibly a pheasant representing the ninth rank, on a blue embroidered ground with clouds and auspicious symbols

20TH CENTURY the ﬁrst depicting three Chinese children learning the alphabet, the second woven with three pairs of confronting dragons within a leiwen border, the third woven with a Chinese famille rose vase depicting a lady in a garden (3) longest 49cm long Provenance: Private Collection, Surrey

70Y HD764/23 CANTON CARVED IVORY BRISÉ FAN LATE 19TH/EARLY 20TH CENTURY carved with a continuous scene of scholars engaged in various leisurely activities in a landscape with pavilions, bamboo and pine £150-250

LATE QING DYNASTY carved in high relief with ﬁgures at various leisurely pursuits in a garden landscape, in original ﬁtted box bearing the trade label of ‘Luenchun, Mother of Pear, Ivory and Tortoiseshell Carver’

QING DYNASTY, 19TH CENTURY carved on a dense ground of ﬂowers and foliage with medallions containing landscape depictions with pagodas, pavilions and ﬁgures, the central shield-shaped cartouche bearing the initials ‘I.A.’

Dice shaker 7cm high

26.5cm long

£200-300

£300-500

65 HD764/7 TWO CARVED BUFFALO HORN LIBATION CUPS the ﬁrst carved around the exterior with a continuous landscape inhabited by three scholars and a boy amid pine trees and bamboo, the openwork handle in the form of a gnarled pine trunk reaching over the rim of the vessel, the second carved in the shape of a leaf with kuilong dragons climbing up the side and coiling around the rim (2) larger one 19cm long £300-500

14 Lyon & Turnbull

72Y SV665/19 IVORY PUZZLE BALL ON STAND QING DYNASTY, CIRCA 1900 the concentric balls carved and pierced with various geometric patterns within an outer case elaborately carved with ﬁgures in pavilions and under pine trees, the stand carved with six ladies gathered around a table with a jewellery chest on top, on a circular base carved and pierced with ﬂowers 26.5cm high £250-350

73Y SV533/62 PAIR OF MOTHER-OF-PEARL CARVED SHELLS LATE QING DYNASTY, 19TH CENTURY each intricately carved and pierced with a pair of dragons chasing a flaming ball amid dense clouds, on pierced wood stands with prunus decorations, 15cm wide; together with a CANTON IVORY CARVED PUZZLE BALL AND STAND, the ball carved to the exterior with conjoined dragons, the stand carved with peony flowers and the cylindrical base with birds and flowers, 31cm high (3)

£200-300

74Y SV484/79 CARVED IVORY WRIST REST

76Y HB904/324 TWO IVORY CARVINGS

QING DYNASTY, 18TH/19TH CENTURY of typical form with curving sides, the decoration in high relief to the underside depicting a village scene with houses amongst pine trees and people engaged in various activities, the top carved in low relief depicting the Eight Immortals crossing the sea

QING DYNASTY a round miniature plaque deeply carved with a scholar resting under a tree with two attendants; a miniature bamboo-shaped wristrest carved with a bat on the convex front and a cicada on the convex reverse (2)

35cm long

£250-300

Provenance: A Private Glaswegian Collection Note: The scene of the Eight Immortals crossing the sea is based on a Ming work by an anonymous writer which tells the story of the Eight Immortals’ journey to the Conference of the Magical Peach. On the way, they encounter an ocean, but instead of crossing with the help of the clouds, they decide to each exercise their unique power. The Chinese proverb “The Eight Immortals cross the sea, each reveals its divine power” refers to this tale and suggests that it is wise to utilise the skills and expertise of each member of a group in order to achieve a common goal.

£350-450

75Y HB709/1 IVORY CARVINGS OF AN EMPEROR AND EMPRESS EARLY 20TH CENTURY each seated on an elaborate throne, the emperor wearing a dragon robe and holding the beads of his necklace in his right hand, the empress dressed in a phoenix robe and holding a ruyi scepter in her left hand, the bases bearing an apocryphal Qianlong mark (2) £600-800

largest 6cm high

77Y HB904/323 TWO IVORY BELT BUCKLES 19TH CENTURY of triangular shape, each deeply carved with a deer and a bird amid intricate ﬂoral lattice patterns, signed Pian to the bottom (2)

79Y HB904/338 FIVE IVORY ‘MONKEY WITH YOUNG’ TOGGLES QING DYNASTY each depicting a seated monkey protectively holding its young between its arms, two with wood stand (5) largest 4cm high £500-700

80 HB904/339 ELEVEN BRONZE, BRASS, WOOD AND HARDSTONE MONKEY TOGGLES

4.5cm wide

QING DYNASTY depicting seated monkeys with chin supported on the raised arms, four of bronze, three of brass, four of hardstone, some with wood stand (11)

£200-300

largest 5.2cm high £200-400

78Y HB904/322 IVORY ‘DRAGON AND CARP’ BELT BUCKLE 19TH CENTURY deeply carved with two dragons and a carp emerging from the turbulent waters of the sea

81Y HB824/18A TRAVELLING SET OF A KNIFE AND A PAIR OF IVORY CHOPSTICKS

5cm wide

LATE 19TH/EARLY 20TH CENTURY contained in a silver mounted red-lacquered wood case

£300-500

39cm long £150-250

Metalwares 82 HB514/2 CLOISONNÉ ENAMEL TRIPOD CENSER QIANLONG MARK of ﬂattened globular form with two upright handles, the body decorated throughout with lotus ﬂowerheads amongst scrolling leaves on turquoise ground and ruyi heads decoration along the shoulder, four-character Qianlong mark to the underside 9.5cm high Provenance: The Gauhar Collection

£800-1,200

83 HB514/3 CLOISONNÉ ENAMEL DOUBLE-GOURDSHAPED BOX AND COVER the top decorated with a central lotus flower and two auspicious symbols, surrounded by two bats amongst scrolling flowerheads, the underside similarly decorated with two large lotus flowers amongst scrolling leaves and a central four-character Kangxi mark, all on pale turquoise ground 13cm long Provenance: The Gauhar Collection

£800-1,200

84 HB514/4 PAIR OF CLOISONNÉ ENAMEL BUFFALO-FORM VESSELS the two animals realistically modelled standing foursquare with their heads turned to the side, decorated throughout with scrolling leaves on blue ground, each carrying three small vessels on their back, the squareshaped vessel with apocryphal four-character Qianlong mark to the side, on later rectangular stands (2) 18.5cm high Provenance: The Gauhar Collection

£800-1,200

85 HD190/35 CLOISONNÉ ENAMEL MELON-FORM BOX AND COVER 20TH CENTURY the box and cover forming an eight-lobed melon surmounted with leafy tendrils bearing a further smaller melon, enamelled in bright green and blue 16cm long £150-250

86 HD190/36 PAIR OF CLOISONNÉ CENSERS IN THE FORM OF DUCKS the animals in a recumbent position with their heads turned backwards, their bodies decorated with polychrome archaic motifs on turquoise ground, the wings pierced and one lifting to reveal an aperture (2) 16cm long £150-250

87 HD764/18 PAIR OF CLOISONNÉ BOWLS painted in coloured enamels with a pair of five-clawed dragons flanking a flaming ball, on a black ground with dense clouds, between a ruyi-border encircling the mouth and a wave band around the foot, the interior and base enamelled blue, on pierced wood stands (2) 10.7cm diam £150-250

88 HD799/1 PAIR OF CLOISONNÉ BALUSTER VASES EARLY 20TH CENTURY the bodies decorated on a geometrical ground with birds and butterﬂies amongst blossoming prunus, peony and chrysanthemum branches, later mounted as lamps (2) 47.5cm high (excluding lamp ﬁttings) Provenance: Private Collection, Edinburgh. Acquired in France.

£800-1,200

89 HC944/3 PAIR OF CLOISONNÉ ENAMEL BALUSTER VASES the body decorated with four circular panels containing longevity symbols including deer, cranes and pine trees, reserved on a green ground with lotus ﬂowers issuing scrolling tendrils, the neck similarly decorated with further lotus ﬂowers (2) 30.5cm high £600-800

90 HD799/6 CLOISONNÉ ENAMEL BRUSH WASHER 20TH CENTURY the interior decorated with a dragon writhing around a central ﬂaming pearl, the exterior similarly decorated with dragons and a pearl, all against a black enamelled ground with dense ruyi-cloud pattern 25cm diam £200-300

91 SV117/59 LARGE BRONZE ARCHAISTIC TWOHANDLED VASE QING DYNASTY, 19TH CENTURY the body cast in low relief with two bands of confronting and addorsed kui dragons reserved against a dense leiwen ground, below a band of six cicada lappets enclosing confronting kui dragons forming a taotie mask, the neck ﬂanked by a pair of kui dragons 48cm high £300-500 See detail illustration on inside front cover

92 HC913/1 MING-STYLE BRONZE CENSER QING DYNASTY of squat baluster form with chilong form handles, their tails scrolling across the body, on a ﬂared foot, Xuande mark to base 25cm wide, 14cm high, 16cm deep £300-500

93 HB904/205 BRONZE CENSER XUANDE SIX CHARACTER MARK BUT LATER the lobed side with applied decoration and a pierced cover 11cm wide £200-400

16 Lyon & Turnbull

101 HB825/21 GOLD-SPLASHED BRONZE TRIPOD CENSER XUANDE MARK BUT LATER the compressed body raised on three conical supports, with a pair of loop handles rising from the rim, the exterior ﬂecked with splashes of gold, the base with an apocryphal mark within a rectangle 12.5cm diam £200-300

102 HB379/7 LARGE BRONZE CAULDRON

QING DYNASTY, 19TH CENTURY of compressed circular form with two scrolling handles issuing from the everted rim and suspending a pair of mock ruyi shaped rings 68cm wide (including handles)

94 HD176/1 BRONZE CENSER AND COVER

98 HD764/9 TWO SMALL BRONZE CENSERS

QING DYNASTY, 18TH CENTURY of bombé shape, raised on a slightly splayed short circular foot, the shoulder applied with two loop handles, the silver-inlaid pierced wood cover surmounted by an agate lingzhi ﬁnial, apocryphal six-character Xuande mark to the base, 10cm diam; together with a BLUE AND WHITE PORCELAIN CENSER AND COVER, 12cm diam, with ﬁtted wood box (2)

LATE QING DYNASTY/REPUBLIC PERIOD, 19TH/20TH CENTURY one of bombé form, with elaborately pierced cover and two elephant head handles, the base with four-character seal mark reading ‘ya tang qing wan’, the other of compressed globular form, ﬂanked by two kuilong dragons cast in high relief, the base with four-character Wu Yanzuo mark (2)

Provenance: Private Japanese Collection

larger one 12cm diam

£8,000-12,000

95 HD176/11 BRONZE TRIPOD INCENSE BURNER KANGXI PERIOD the compressed globular body with two loop handles rising at a slight angle from the rim to the waisted neck, supported on three feet, sixcharacter Xuande mark to the base 12.5cm diam £800-1,200

£400-600

99 HD121/2 ARCHAISTIC BRONZE TRIPOD INCENSE BURNER, DING QING DYNASTY the cylindrical body with three vertical notched ﬂanges, the rim surmounted by two arch handles attached on the lipped rim, the exterior decorated in key-fret pattern featuring a raised dragon wearing a taotie mask 23cm high

96 HD94/2 POLISHED BRONZE TRIPOD CENSER

£200-300

QING DYNASTY, 18TH CENTURY the compressed globular body raised on three conical legs, the rim applied with two outswept loop handles, apocryphal sixcharacter Xuande mark to the base

100 HD396/2 LARGE BRONZE TRIPOD CENSER AND WOOD COVER

12.3cm high £400-600

97 HD783/2 BRONZE TRIPOD CENSER AND COVER the flattened circular body with twin handles in the form of a flowering prunus branch, the cover similarly formed as a branch bearing multiple prunus flowers, raised on tripod legs

£300-500

103 HD115/13 MING STYLE BRONZE FIGURE OF QILIN QING DYNASTY the mythical beast modelled with its head turned to the side, the face cast with ﬁerce expression with bulging eyes and roaring mouth 9.5cm wide £100-200

104 HB904/217 BRONZE AND TURQUOISE INLAID BELT HOOK IN THE SHAPE OF A DRAGON modelled as a dragon, 20cm long; together with two further GILT BRONZE BELT HOOKS, WARRING STATES PERIOD; and a further HAN DYNASTY example, 11cm long (4) £1,500-2,500

105 HB904/430 ARCHAISTIC BRONZE PENDANT cast in openwork depicting a horned deity with arms raised to tame a pair of leopardshaped mythical beasts 12.5cm high £150-250

QING DYNASTY, 18TH/19TH CENTURY the bulbous body incised with two taotie masks against a dense leiwen ground, the shoulder ﬂanked by a pair of elephant head handles suspending rings, the pierced wood cover surmounted by a ﬁnial carved with a miniature tripod censer 38cm high (including cover) £400-600

12.5cm high £150-250

104

Asian Art 17

110 HC439/27 GILT-BRONZE FIGURE OF BUDDHA SHAKYAMUNI the ﬁgure cast seated in vajrasana on a lotus base, both hands resting on his lap supporting the alms-bowl, wearing a cloak draped over the left shoulder, his face with serene expression, curled hairdress and ushnisha topped by a lotus bud 16cm high £800-1,200

111 HC439/26 GILT BRONZE FIGURE OF SHAKYAMUNI BUDDHA the figure modelled seated in dhyanasana on a double lotus base, the robe draped over his shoulder and with floral motif along the hem, the head and domed ushnisha covered with tight curls and surmounted by an ovoid jewel, flanked by a pair of long pendulous ears cut with vertical slots, with both hands in vitarka mudra lifted in front of the chest 22cm high £1,200-1,800

112 HB904/215 PATINATED AND GILT BRONZE FIGURE OF A LUOHAN

106

QING DYNASTY, 19TH CENTURY the standing ﬁgure wearing a robe and holding a wooden staﬀ 24cm high £400-700

106 HC866/22 BRONZE DRAGON GROUP modelled as the ferocious coiled dragon clutching a pearl amongst clouds 107cm high £2,000-3,000

107 HB904/426F SMALL BRONZE MIRROR cast in high relief with a central tortoise boss and two phoenix birds, 8cm diam; together with THREE FURTHER BRONZE MIRRORS, MING STYLE, in the archaic style (4) £200-400

108 HB904/426 IRON MIRROR of circular form, cast with a central square decorated with archaistic motifs and raised nodes, surrounded by a band of continuous scrolling motif 19cm diam

110

£300-500

109 HA463/18 TWO BRONZE MIRRORS the first octalobed, the reverse decorated in high relief with the mythological moon hare under an osmanthus tree, the second in the shape of a lotus flower, the reverse decorated with four immortals, with fitted box inscribed with a poem by Dong Gao (2) largest 12cm diam Note: The cover of the box bears the trade label of M.F.Langweil, Paris.

£600-800

111

18 Lyon & Turnbull

113 HB870/21 GROUP OF THREE BRONZE FIGURES comprising; a seated boy holding a toy; a pair of ﬁgurines, each carrying a bag, the base marked with jiazi year (3) largest 7.5cm high Provenance: Private English Collection.

£150-250

114 HB379/6 SINO-TIBETAN BRONZE SEATED BUDDHA seated in dhyanasana with right hand held in shuni mudra and left hand in dhyana mudra, dressed in loosely draped robes with incised and chased decorations of auspicious objects, the face with a serene expression and downcast eyes, the head with a domed ushnisha 39cm high £200-300

116 HC439/24 BRONZE AND VERDIGRIS FIGURE OF SHAKYAMUNI BUDDHA the ﬁgure modelled seated in dhyanasana on a double lotus base and draped in a loose robe, the serene face with downcast eyes, the ears with pendulous lobes pierced with vertical slots, with tightly curled hair, the right hand bent with palm down before the right knee in bhumisparsamudra, the gesture of touching the earth, and the left in dhyanamudra, the gesture of meditation

116

25.5cm high £2,500-3,500

117 HD115/3 CANTON ENAMEL BOX AND COVER QING DYNASTY, 19TH CENTURY decorated in bright colours to the exterior with ﬂowers and double-gourds borne on leafy scrolls reserved on a yellow ground, the interior enamelled white 1.5cm diam

115 HC439/23 SMALL TIBETAN BRONZE FIGURE OF A LAMA seated in dhyanasana on a beaded doublelotus base, wearing an elaborate robe decorated with incised ﬂoral, leaf and cloud patterns, the left hand in vitarka mudra, the right hand resting on the lap and holding a Tibetan sutra and a rosary 10cm high £300-500

£100-150

118 HD121/4 CANTON ENAMEL RECTANGULAR BOX AND COVER QING DYNASTY, 18TH CENTURY the graduated cover decorated in polychrome enamels with a rectangular panel depicting blossoming peonies and chrysanthemum, further shaped cartouches to the sides with similar decoration

120 HD190/32 YELLOW GROUND CANTON ENAMEL RECTANGULAR BOX AND COVER QING DYNASTY, 19TH CENTURY painted in bright enamels of the famille rose palette with ﬂower heads and leafy scrolls upon the yellow ground, the interior and the base ﬁnished in green enamel

11.5cm wide

15.3cm long

£150-250

£100-150

119 HD190/33 CANTON ENAMEL CIRCULAR BOX AND COVER

121 HD190/29 CANTON ENAMEL CIRCULAR BOX AND COVER

QING DYNASTY, 19TH CENTURY the cover painted with ﬁgures within a landscape of mountains and river, surrounded by a continuous frieze of ﬂowers borne on leafy scrolls, the sides of the box similarly decorated with shaped panels containing landscape scenes

QING DYNASTY, 19TH CENTURY the box painted in the central medallion with three court ladies in a garden, the box decorated with two lobed cartouches with landscapes, surrounded by ﬂoral scrolls on a yellow ground 8cm high

11cm diam

£150-250

£150-200

122 HD190/28 CANTON ENAMEL PLAQUE QING DYNASTY, 19TH CENTURY of rectangular form, depicting an array of colourful birds including phoenix, cranes, and Mandarin ducks within a lush mountainous landscape, framed 35cm wide (excluding frame)

115

£100-200

Glass & Snuff Bottles 123 HD190/7 FAUX HARDSTONE PEKING GLASS VASE of baluster form, the mottled burgundy ground with brown highlights to imitate hardstone 20cm high £150-250

124 HD761/1 PAIR OF RED OVERLAY PEKING GLASS VASES of baluster form, the red overlay decoration in mirror image depicting men toiling in ﬁelds set amongst a mountainous landscape beneath pine tree (2) 25.5cm high £200-300

125 HD761/4 VERMILLION MONOCHROME PEKING GLASS YUHUCHUN VASE the elegant pear-shaped body rising to a tall waisted neck and a ﬂared lipped mouth, supported on a low splayed foot 26cm high £200-300

126 HD776/1 COBALT BLUE PEKING GLASS SAUCER of simple circular shape with a slightly everted rim, raised on a short footring, incised fourcharacter Qianlong mark within a square to the underside 15.3cm diam £1,000-1,500

127 HD364/5 SET OF THREE REVERSE GLASS PAINTED PANELS 20TH CENTURY the ﬁrst painted with heron among lotus, the second with pheasant among peony, the third with peacock among chrysanthemum (3)

Note: Please note some of the snuﬀ bottles, even if not marked with a Y, may contain ivory spoons, in which case they may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/importsexports/cites

128 HD452/1 GROUP OF THREE SNUFF BOTTLES QING DYNASTY, 19TH CENTURY the shadow agate bottle of ﬂattened pear shape on a short foot, a pair of mock animal mask and ring handles carved to the shoulder; the white jade bottle carved in the shape of a rabbit; the green jade bottle of ﬂattened ovoid shape (3)

126

largest 7cm high £200-300

129 HD297/1 YELLOW JADE CARVED ‘FINGERED CITRON’ SNUFF BOTTLE QING DYNASTY, 19TH CENTURY the suspended fruit well carved in relief with a thin leafy fruiting stem to the shoulder and upper body, the stone of soft amber coloured hue 7.5cm long £150-250

130Y HB904/112 WHITE JADE MELON FORM SNUFF BOTTLE QING DYNASTY, 18TH/19TH CENTURY carved as a melon, enveloped with leafy tendrils and a single butterﬂy at the base, coral stopper 5cm high (excluding stopper)

131 HD190/108 WHITE AGATE SNUFF BOTTLE 19TH/20TH CENTURY of rounded rectangular shape and raised on a short oval foot, one side incised and gilt with a poem, the reverse side with natural russet inclusions, Xing You Heng Tang mark to the base 7.8cm high £200-300

132Y HD190/107 BAMBOO-INLAID WOOD SNUFF BOTTLE 19TH/20TH CENTURY of ﬂattened round form and raised on a short oval foot, inlaid on both sides with a circular bamboo panel incised with a grasshopper, jadeite stopper 7.5cm high £200-300

£1,200-2,000

105cm high, 26cm wide (excluding frame) £400-600

129

128 130

20 Lyon & Turnbull

133Y HD190/105 HAIR CRYSTAL SNUFF BOTTLE 20TH CENTURY of rounded rectangular and slightly tapering form, carved in shallow relief with a carp and incised on the reverse side with a shrimp amongst algae 7cm high £120-150

134Y HD190/103 ‘GOLD STONE’ GLASS SNUFF BOTTLE 19TH/20TH CENTURY of double-gourd form with the mid-section encircled by a loose ring, the stopper shaped as a mouse with its long tail curled around the body 7cm high

140

138 HD190/89 PUDDING STONE SNUFF BOTTLE QING DYNASTY, 19TH CENTURY of tapering ovoid shape, the stone of a mottled russet tone

146

143 HB904/10 FIVE AGATE SNUFF BOTTLES

135Y HD190/98 ‘BIRDS AND FLOWERS’ GLASS SNUFF BOTTLE

6.8cm high

one large bottle of red hue with taotie masks, one bottle with ﬁsherman and boat, one ovoid bottle with tree in relief, one bottle with mask handles, one plain (5)

£100-150

tallest 6.5cm

20TH CENTURY of ﬂattened globular form and rising to a short circular neck, decorated with birds, bamboo and peony blooms, ‘Gu Yue Xuan’ mark to the base

139 HB904/1 THREE MOSS AGATE SNUFF BOTTLES

£80-120

6.5cm high £200-300

136 HD190/97 FAMILLE ROSE ENAMELLED SNUFF BOTTLE 19TH/20TH CENTURY of ﬂattened rounded shape, decorated on both sides with shaped panels containing a young scholar surrounded by three boys holding lotus and ruyi symbols, apocryphal Qianlong mark to the base 5cm high £100-150

137Y HD190/93 FAMILLE ROSE ‘EROTIC SUBJECT’ SNUFF BOTTLE LATE QING DYNASTY/REPUBLIC PERIOD decorated in shallow relief with an amorous couple in a garden, the reverse inscribed with a poem, sealed Jia Yue, apocryphal Qianlong mark to the base 8cm high £200-300

£400-600

one large rectangular bottle, one ovoid bottle and a red cylindrical bottle (3) tallest 7cm £500-600

140 HB904/5 TWO AMBER SNUFF BOTTLES QING DYNASTY, 19TH CENTURY one ovoid bottle with carved decoration of mythological animals, the other of plain rounded form (2) tallest 6.7cm £1,500-2,500

141 HB904/7 TWO SNUFF BOTTLES one of pebble shape with sprays of lilies with dark brown and black inclusions, and a white hardstone bottle with mythological animal and cash (2) £400-600

142 HB904/8 THREE SNUFF BOTTLES one jade bottle with camel and water buﬀalo, one white hardstone bottle with bat medallion and inscription, and one of plain ovoid form (3) tallest 6.5cm £300-500

144Y HB904/14 TWO SNUFF BOTTLES 19TH CENTURY comprising; an agate snuﬀ bottle carved with monkeys and Tibetan/Mongolian silver gilt mounts and a Mongolian silver bottle decorated with masks with inlay of coral, turquoise, and lapis, the stopper ﬁxed with a chain (2) tallest 9cm £600-800

145 HB904/15 FAMILLE ROSE PORCELAIN RETICULATED ROTATING SNUFF BOTTLE REPUBLIC PERIOD finely painted with a pair of birds in a flowering tree, the reverse signed Xu Ying accompanied by a poem, flanked by reticulated panels of gilt plum blossom, with Guangxu mark in iron red 7.2cm high £500-600

146 HD190/99 POLYCHROME OVERLAY PEKING GLASS SNUFF BOTTLE 19TH/20TH CENTURY of pear-shape and overlaid on both sides with a carp amongst ﬂowering lotus stems contained in a realistically carved basket, apocryphal Qianlong mark to the base 7cm high £300-500

Asian Art 21

147 HB904/16 FAMILLE ROSE PORCELAIN SNUFF BOTTLE

155Y HD190/102 BLACK AND WHITE OVERLAY PEKING GLASS SNUFF BOTTLE

REPUBLIC PERIOD of baluster form, with a pink ground with gilt bats and precious items, with two ﬁnely painted reserves of birds in a landscape, reverse inscribed with a poem and base with Qianlong seal mark

19TH/20TH CENTURY of ﬂattened tapering form with a tall slender neck, the body decorated with scholars and their attendants amongst a continuous landscape with rocks, pine and pavilions 8cm high

7.4cm high (including stopper)

£200-300

£400-600

148 HB904/17 REVOLVING PORCELAIN IRON RED SNUFF BOTTLE REPUBLIC PERIOD decorated with gilt bats and internally with deer decoration, Guangxu four character mark 7.2cm high (including stopper) £200-400

149 HB904/21 SPINACH JADE SNUFF BOTTLE

156

152 HB904/28 FOUR ROCK CRYSTAL SNUFF BOTTLES QING DYNASTY comprising; one bottle of double fruit form, another of lotus bud form, and two others of oval pomegranate form with relief branches and leaves; together with a glass snuﬀ bottle carved with a boy riding a buﬀalo (5)

of rounded oval form, with carved decoration of a figure in a boat, the other side with a figure fishing

tallest 7cm

6.5cm high

153 HB904/29 FOUR ROCK CRYSTAL SNUFF BOTTLES

150 HB904/22 FIVE HARDSTONE SNUFF BOTTLES

comprising; one bottle of plain ovoid form carved with birds and plumblossom, one bottle carved with a mythological beast beneath a plantain tree, another bottle with bird and pine decoration, and one bottle carved with a crane and a peony tree, two of rutile type (4)

QING DYNASTY comprising; three amethyst snuﬀ bottles; one of gourd shape, one in the form of a Buddhist lion, and one decorated with a chilong dragon in relief, and two opal bottles; one formed as a miniature vase and cover, the other ovalshaped with ﬁsh and lotus decoration (5)

£600-800

6.5cm high £500-600

tallest 8cm £500-600

154 HB904/30 SIX SNUFF BOTTLES

151 HB904/26 TWO ROCK CRYSTAL SNUFF BOTTLES

QING DYNASTY comprising; four rock crystal bottles, two of finger citrus form with rutiles, one in the shape of a monkey, one of elongated ovoid form with carved dragon decoration; a quartz bottle in the shape of a frog resting on a lotus leaf amongst two lotus flowers; and an inside painted glass snuff bottle (6)

QING DYNASTY comprising; one bottle of oval form with basketweave decoration, the other of melon form with a smaller melon and a squirrel attached to one side (2) tallest 7.5cm £500-600

tallest 10.5cm £400-600

156 HB904/31 CLEAR AMBER GLASS SNUFF BOTTLE QIANLONG MARK AND MOST LIKELY OF THE PERIOD of rounded oval form, carved with ﬂowers issuing from rocks, Qianlong four-character mark to the base 6cm high £800-1,200

157 HB904/35 YELLOW-GLAZED DOUBLE GOURD PORCELAIN SNUFF BOTTLE SIGNED WANG JIEMEI moulded with large peonies and butterﬂies and tied with ribbons to the sides, signed to underside 7cm high £1,200-1,500

158 HB904/49 THREE SNUFF BOTTLES OF ORGANIC MATERIAL comprising two ﬂoral cinnabar lacquer carved bottles, and a mother of pearl bottle (3) tallest 6.5cm £400-700

159 HD190/96 AGATE SNUFF BOTTLE 19TH/20TH CENTURY of tapering cylindrical form, carved all around with lotus petals in half-relief, the stone of a pale grey tone with natural brown inclusions 7cm high £150-250

Ceramics 160 HD190/51 POTTERY MODEL OF A DOG

169 HD781/1 CELADON ‘KINUTA’ MALLET VASE

POSSIBLY HAN DYNASTY depicted standing foursquare, the body green glazed

the cylindrical body rising to a canted shoulder and to a neck with everted lip, ﬂanked by a pair of dragon-ﬁsh-handles with incised details, covered overall with an even sea-green glaze except the footrim

12.5cm high £100-150

17.5cm high £800-1,200

161 HD190/49 CIZHOU EARTHENWARE JOSS STICK HOLDER IN THE FORM OF A HORSE

170 HD115/1 TEADUST GLAZED LANTERN VASE

the horse depicted standing foursquare with mane and saddle freely painted in dark brown

of ovoid form supported on a short foot and rising to a short waisted neck, set at the shoulder with a pair of animal masks with mock ring handles, covered overall in an olivegreen glaze, apocryphal six-character Qianlong mark to the base

18.5cm long £100-150

162 HB514/1 SANCAI POTTERY FIGURE OF A CAMEL

30cm high

TANG DYNASTY realistically modelled standing foursquare on a rectangular base, the neck arched, its back covered in rich green and ochre glaze and with a large pack moulded on each side as masks atop a saddle cloth amongst the two bumps

£200-400

169

39cm high Provenance: Sotheby Parke Bernet, Los Angeles, 30th October to 2nd November 1978, lot 1427. The Gauhar Collection.

£2,000-3,000

163 HB514/14 JIANYAO TEABOWL SONG DYNASTY the body covered in rich black glaze stopping short of the foot, with dark brown rim 11cm diam Provenance: The Gauhar Collection

£150-250

164 HB514/15 JIANYAO HARE’S FUR TEABOWL SONG DYNASTY the flared sides covered in rich dark brown glaze finely streaked with russet ‘hare’s fur’ markings flowing from the russet band below the rim, the foot unglazed 12cm diam Provenance: The Gauhar Collection

£150-250

165 HD344/1 YUAN-STYLE COPPER RED GLAZED YUHUCHUN VASE QING DYNASTY of pear form with a ﬂared neck and raised on a short foot, freely painted with a stylized leaf band at the neck and sprays of vine along the sides in a underglaze copper red with tiny patches of green, the base incised with four characters reading ‘Wang Gong Fu Yong’ (for the use of the House of Wang) 26.5cm high £200-300

166 HD176/4 PURPLE-SPLASHED JUN-TYPE TRIPOD CENSER AND COVER QING DYNASTY the globular body with short neck and everted rim, applied with two handles and supported on three short legs, covered with a thick lavender-blue glaze splashed with three purple blushes, with pierced wood cover and stand 13cm high (excluding stand) £1,500-2,500

167 HD193/4 CELADON GLAZED BRUSH WASHER QIANLONG MARK BUT 19TH CENTURY of circular shape, the exterior carved with sprays of pomegranate, peach and ﬁngered citron against a geometrical ground, below a band of ruyi-heads, six-character apocryphal seal mark to the base 26.5cm diam £200-300

168 HD121/1 CELADON ‘TWIN FISH’ CHARGER YUAN/MING DYNASTY the large dish with low relief cavetto ﬂuting mould rising to a barbed everted rim, the central roundel with two ﬁsh swimming in opposite directions encircled by a swirling vine band 31cm diam £300-400

171 HD187/20 TURQUOISE-GLAZED CARVED ‘SU WU’ VASE AFTER WANG BINGRONG the body carved in relief with the legendary statesman Su Wu tending sheep during his captivity, set in a winter landscape with deciduous trees and distant mountains, the shoulder inscribed with a poem, the base bearing four-character seal of the artist 46cm high £500-800

172 HD176/3 SMALL GREEN-ENAMELLED DOUBLEGOURD VASE QING DYNASTY, 18TH/19TH CENTURY with bulbous lower body, the smaller upper body tapering to a narrow neck, the exterior covered in a glaze of soft apple-green colour ending slightly short of the unglazed foot 9cm high Provenance: Private Japanese Collection

£1,000-1,200

173 HC439/11 BLANC-DE-CHINE FIGURE OF GUANYIN 20TH CENTURY shown seated with right hand resting on her raised knee, the left hand holding a scroll, dressed in voluminous robes and wearing a cowl above her head 23.5cm high £400-600

Asian Art 23

177 HD190/25 BLUE GLAZED PORCELAIN BOWL AND COVER

183 HB904/400 TWO MONOCHROME PORCELAIN VASES

GUANGXU MARK of globular form with upswept handles, the body decorated with moulded archaistic patterns, ﬂowers and leaves on a keyfret diaper background, six character Guangxu mark to the underside in underglaze blue

REPUBLIC PERIOD one of double gourd-form with ﬂared rim, the body covered in pale yellow glaze and with moulded peony decoration; the other Qingbaiglazed with globular body and elongated neck (2)

17cm high

tallest 18cm high

£150-250

£200-400

178 HB904/245 CLAIR-DE-LUNE ‘DRAGON AND FISH’ VASE

184 HD499/1 GREEN CRACKLE-GLAZE HEXAGONAL VASE, HU

YONGZHENG SIX CHARACTER BUT LATER the baluster sides carved with a dragon and a ﬁsh amongst clouds and the ocean

of compressed hexagonal section, the body with a prominent shoulder rising to a waisted neck with a slightly ﬂared rim with a pair of tubular handles, apocryphal ‘Bian Jing Guan Yao’ mark to the base

25cm high £300-500

179 HB904/244 RARE SNOWFLAKE GREEN-GLAZED GARLIC MOUTH VASE 179

KANGXI SIX CHARACTER MARK the baluster sides and slender neck with a speckled lime-green glaze 30cm high £1,500-2,500

174 HD462/6 POWDER BLUE GLAZED ‘DRAGON’ JARDINIÈRE QING DYNASTY, 19TH CENTURY the large globular body tapering gently to an unglazed foot and rising to an everted rim, the exterior incised with a pair of writhing dragons chasing a ﬂaming ball 31.5cm high

180 HB904/240 PALE BLUE CELADON DOUBLE GOURD VASE

18cm high £150-250

185 HC439/33 SMALL FAUX BOIS VASE QIANLONG MARK BUT LATER of cylindrical scroll-like form, with a ribbon tied to the front, inscribed with a line of poem, apocryphal four-character seal mark to the base 9cm high £200-300

QING DYNASTY, 18TH CENTURY the well potted sides in a light greenish blue glaze 23cm high £1,500-2,500

£300-500

175 HC806/2 DING-TYPE INCISED BOWL SONG DYNASTY the curved sides rising to a slightly ﬂared rim, freely carved to the centre of the interior with a waterweed pattern, covered with a pale blue glaze, 16cm diam; together with a CELADON STONEWARE BOWL, 14.5cm diam (2) Provenance: Private Scottish Collection

£300-500

176 HC253/1 LARGE LANGYAO BALUSTER VASE QING DYNASTY, 19TH CENTURY covered with a glaze of deep strawberry-red colour falling in a thick line above the foot and thinning to a pale tone below the white rim, the interior partly covered with a mottled glaze also thinning at the rim

181 HB904/238 PAIR OF SANG DE BOEUF GLAZED BOWLS the sides in a rich brownish red glaze (2) 12cm diam £600-1,000

182 HB904/413 SMALL YELLOW-GLAZED MOULDED ‘DRAGON’ DISH QING DYNASTY, 19TH CENTURY of circular form, a moulded ﬁve-clawed dragon chasing the ﬂaming pearl decorating the interior 11cm diam £200-400

56cm high £500-800

180

24 Lyon & Turnbull

186 LT2015/38 GILT DECORATED CORAL RED-GLAZED VASE, YUHUCHUNPING

194 HD361/5 TWO YIXING TEAPOTS 20TH CENTURY the ﬁrst of globular form, the handle, spout and ﬁnial of the lid shaped as a branch, the second of compressed globular form, the sides of the body inscribed with a poem, the base bearing the artist’s seal and the signature of the manufacturing supervisor Chang Hong (2)

GUANGXU MARK BUT LATER the sides decorated in gilt with phoenix and blossoming branches, inscribed with a poem and bearing a two-character seal reading ‘Jia Li’ 22cm high £500-800

largest 12.5cm wide £200-300

187 HD761/6 FLAMBÉ GLAZED VASE, TIANQIUPING

195 HD783/1 GROUP OF FOUR SHIWAN POTTERY VESSELS IN THE SHAPE OF THREELEGGED MONEY TOADS

QING DYNASTY potted with a globular body rising to a tall cylindrical neck, covered in a characteristically thick and bright purple glaze with turquoise streaks around the neck, the foot unglazed exposing the biscuit body, the base covered with a caramel-brown wash 41cm high

covered all over apart from the base in a mixed green and grey glaze with eyes highlighted in brown, two seated while the other two on all fours (4)

£2,500-3,500

tallest 16cm high £300-500

188 HD190/55 OVAL BRUSH WASHER 187

of peachbloom glaze with brown and white patches, a chilong dragon clambering around the longer side with face peering over the rim 13cm long £100-150

189 HB514/21 FLAMBÉ-GLAZED BRUSH WASHER QING DYNASTY, 18TH/19TH CENTURY of compressed circular form, the exterior and interior glazed with shades of copper red and lavender, raised on a circular foot 10cm diam Provenance: The Gauhar Collection

£200-400

190 HC984/2 YIXING STONEWARE ‘HUNDRED-FRUIT’ TEAPOT AND COVER LATE QING DYNASTY/REPUBLIC PERIOD shaped as a pomegranate with a water-caltrop handle and a lotus-root spout, the cover in the form of an upturned shiitake mushroom, the body decorated with fruits and nuts, 12cm wide; together with a YIXING STONEWARE ‘PUMPKIN’ TEAPOT with ten lobed sides, with stems of vines issuing from the loop handle and the spout, 17cm wide (2) largest 17cm wide Provenance: Private Scottish Collection, purchased in Japan in the early 20th century and thence by descent

£150-250

191 HC253/8 TWO YIXING TEAPOTS QING DYNASTY, 19TH/20TH CENTURY the first with a chilong-shaped handle and a dragon spout, the exterior decorated with two groups of dragons chasing a flaming pearl, 12.5cm high; the second painted with prunus and peony, the spout, handle and finial enamelled green, 9.5cm high, the base of both pots impressed with the artist’s seal (2) £100-150

192 HC253/7 TWO YIXING TEAPOTS 20TH CENTURY one carved with bamboo issuing from the side of the spout, signed Wu Jiyun; the other moulded as a cluster of bamboo, the cover with a duck ﬁnial, signed Jiang Yuxi, the stoneware of a dark brown coﬀee tone (2)

196 HD104/39 SET OF EIGHT FRAMED PORCELAIN TILES LATE QING DYNASTY/REPUBLIC PERIOD of square shape, painted with famous ﬁgures from Chinese history and ﬁction including Di Qing, Shi Guangyuan and Lu Zhishen (8) 12.3cm high (excluding frame) £300-400

197 HC439/13 BLUE AND WHITE ‘FLORAL SCROLL’ DISH of circular form, the central panel depicting an elaborate bouquet of lotus flowers and pods held together by a flowing ribbon, the sides with further flowerheads amongst scrolling leaves, the rim with a border of stylised swirls, the reverse with the same pattern repeated on the foot ring and with further flowerheads and scrolling leaves to the sides, with keyfret border to the rim, Yongzheng six-character mark within double ring to the base 30cm diam £600-800

largest 10cm high £100-150

198 HC439/21 BLUE AND WHITE SAUCER

193 SV655/27 GREEN GLAZED STONEWARE GINGER JAR AND COVER

of circular form, the central reserve depicting a lotus ﬂower between two stylised phoenix and amongst scrolling leaves, all within a double ring and with further double ring to the rim, the reverse with similar decoration to the sides, Qianlong seal mark to the base

LATE QING DYNASTY, 19TH/20TH CENTURY of hexagonal-faceted form, decorated in shallow relief with landscape, ﬁgures and poem with panels below stylized bats in gilt, with wood cover and stand 16cm high £150-250

19cm diam £500-800

Asian Art 25

199 HD764/11 GROUP OF BLUE AND WHITE WARES 19TH/20TH CENTURY comprising; a circular box and cover; a pair of baluster vases; a cylindrical incense holder with Tibetan inscriptions; two hexagonal sweetmeat dishes with lobed sides, one painted with a river landscape, the other with bamboo and ﬂowers; a saucer (7) tallest 14.5cm high £150-250

200 HD176/10 BLUE AND WHITE ‘KINGFISHER’ JARLET QING DYNASTY, 18TH/19TH CENTURY the globular pot ﬁnely painted around the sides in underglaze blue with a pair of kingﬁshers perched upon rockwork in a garden with prunus and plantain, all beneath a lingzhi-band at the neck 4cm high £600-800

201 HD121/5 BLUE AND WHITE TRANSITIONAL EWER LATE MING DYNASTY of globular form with slightly ﬂared lip, ear shaped handle and upright spout attached to slender neck on raised ridge by scroll strut, the body decorated with sprawling chrysanthemum ﬂowers with depiction of a bird and insects 18cm high £200-300

202 HC439/19 SMALL BLUE AND WHITE ‘DRAGON’ SAUCER of circular form, the central panel depicting a ﬁve-clawed dragon chasing the ﬂaming pearl amongst clouds within a double ring, the sides with large ruyi shaped clouds, the reverse decorated with further clouds above crashing waves, six-character Yongzheng mark within double ring to the base 12cm diam £300-500

203 HC439/18 BLUE AND WHITE BARBED RIM DISH with barbed rim and moulded sides to resemble petals, painted to the centre with grapes amongst scrolling vine leaves within a floral-shaped panel of double lines, all within a double ring, with floral sprays around the sides and a band of floral scrolls along the rim, the reverse with ruyi-shaped flowerheads and an unglazed foot 22.5cm diam £400-600

206

204 HC438/1 EIGHT BLUE AND WHITE SAUCERS KANGXI PERIOD AND LATER all of circular form, with various decorative features, including boys at play, phoenix, crab and peonies (8) largest 14cm diam £300-500

205 SV117A/14 BLUE AND WHITE SQUARE SECTION JAR AND COVER QING DYNASTY, 19TH CENTURY the body decorated with scenes of two boys at play and of a boy with a female dignitary, below bands of ﬂower sprays surrounding the shoulder and the neck, the cover surmounted by a Buddhist lion ﬁnial

208 HD462/1 PAIR OF BLUE AND WHITE SLEEVE VASES QING DYNASTY, 19TH CENTURY of cylindrical form tapering slightly towards the unglazed foot and rising to a short waisted neck with everted rim, painted in varying tones of underglaze blue with Zhongkui seated on a stag, accompanied by a demon carrying his sword, all between bands of incised ﬂowers issuing scrolling tendrils and below a border of pendent plantain leaves (2) 30cm high £500-800

23cm high £150-250

206 HD489/1 BLUE AND WHITE BOX AND COVER WANLI MARK BUT LATER of rectangular form with indented corners and resting on a short foot, the cover pierced and painted in the centre with a pair of dragons in pursuit of the ﬂaming pearl, the sides of the box and cover painted with further pairs of confronting dragons, the base inscribed in underglaze blue with an apocryphal sixcharacter mark within a double rectangle 26cm long £800-1,200

207 HD462/9 BLUE AND WHITE KANGXI STYLE BRUSH POT, BI TONG LATE QING DYNASTY, 19TH CENTURY of simple cylindrical form, painted in underglaze blue with groups of scholars engaged in astronomical observation, the base bearing an artemisia leaf mark 15.5cm high £150-250

208

26 Lyon & Turnbull

209 SV547/152 BLUE AND WHITE BOWL QING DYNASTY, 18TH CENTURY decorated to the interior with a diaper border around the rim, to the exterior with a ﬁgure walking cross a bridge in a mountainous landscape, 19cm high; together with a BLUE AND WHITE TEA BOWL, decorated with similar diaper border to the interior and to the exterior with a ﬁgure sailing toward a temple on an otherwise wild island, 11cm diam; and a BLUE AND WHITE SAUCER of similar design, 17.5cm diam (3) Note: All items in this lot bear Christie’s Nanking cargo sale labels: the larger bowl, lot 2723; the tea bowl, lot 3670; and the saucer, lot 2670.

£500-800

210 SV547/151 BLUE AND WHITE BOX AND COVER KANGXI MARK AND OF THE PERIOD of circular form, depicting an old man and boy standing by a pine tree, six-character Kangxi mark in underglaze blue to the underside 4.5cm diam £100-150

211 HB514/10 PAIR OF BLUE-GLAZED ‘WATER MARGIN FIGURES’ DISHES QING DYNASTY, 19TH CENTURY one decorated with the ‘Faceless’ Jiao Ting, the other with the ‘Resourceful Star’ Wu Yong within a medallion to the interior, the exterior glazed blue, six-character Xuande mark to the base (2) 17.7cm diam Provenance: The Gauhar Collection

£500-700

212 FB649/41 BLUE AND WHITE LOBED-RIM CHARGER KANGXI PERIOD painted to the interior with a central roundel enclosing a large lotus ﬂowerhead, surrounded by two bands of lappet-shaped cartouches with further ﬂoral sprays 38cm diam £200-300

213 HC255/3 FOUR BLUE AND WHITE ‘DRAGON’ DISHES KANGXI PERIOD of circular form, decorated to the interior with central coiling four-clawed dragon chasing the ﬂaming pearl within double ring, the rim with wave and prunus decoration, the reverse with some of the Eight Precious Things (Babao), one with jue mark, the others with apocryphal Chenghua mark within double ring (4) largest 16cm diam Provenance: Private Scottish collection

£500-700

217

214 HC253/5 SMALL EXPORT BLUE AND WHITE TUREEN, COVER AND STAND QIANLONG PERIOD of oval form moulded with shallow lobes conforming to the barbed rim of the cover and the deep walls of the tureen, the body decorated with floral compositions with a central peony amongst branches, a narrow diaper band surrounding the flared foot, the handles in the shape of branches, the cover with peach-shaped handle and decorated with blossoming branches and the rim bordered with flowers, grass and cash, the same patterns repeated on the stand 14cm diam £200-300

215 HC255/2 GROUP OF BLUE AND WHITE WARES QING DYNASTY, 18TH CENTURY comprising; a sand shaker, the circular rounded pierced top and foot with ﬂoral design, the waisted middle decorated with scrolls, books and other auspicious symbols, 6.5cm high; a small children’s mug, painted on all sides with a landscape, 6.5cm high; a circular saucer with prunus decoration on blue ground, 11.5cm diam; and a pair of rectangular dishes painted with central lotus ﬂower surrounded by chrysanthemums, peonies, and other blossoms amongst scrolling leaves, 13cm wide (5) Provenance: Private Scottish collection The sand shaker formerly with Solveig & Anita Gray, bears label.

£150-250

216 HC253/13 THREE EXPORT BLUE AND WHITE DISHES QING DYNASTY, LATE 18TH CENTURY painted in the style of Maria Sybille Merian, imitating her design of a central iris and anemone within a stylised scrolling border with gilt highlights (3) largest 26cm diam £100-200

217 HC253/6 PAIR OF EXPORT BLUE AND WHITE ‘BURGHLEY HOUSE’ TUREENS AND COVERS QIANLONG PERIOD, CIRCA 1745 of circular form with interlaced handles, the sides decorated with a view over Burghley House amongst a lush landscape with trees and birds in ﬂight, the covers with a scroll band below a spearhead border encircling the peach ﬁnial (2) 17.5cm diam Literature: Howard & Ayers, ‘China for the West’, p.261

£1,000-1,500

218 HB956/26 BLUE AND WHITE FOOTED DISH QIANLONG MARK BUT LATER shallow on a slightly ﬂaring foot with a straight rim, painted with a central double vajra, wave medallion, and the bajixiang, the eight Buddhist emblems, the reverse with a keyfret border and stylised lotus petal panels encircling the foot, the base with apocryphal six-character seal mark in underglaze blue 20.7cm diam £200-300

219 HB956/18 BLUE AND WHITE ‘PHOENIX’ TRIPOD WASHER DAOGUANG MARK BUT POSSIBLY EARLY 20TH CENTURY supported on three feet in the form of a recumbent ram, the interior painted in shades of cobalt blue with a phoenix with outstretched wings and curled tails, below a band of auspicious symbols borne on ribbons, four-character mark to the underside 20cm diam £150-250

220 HB956/10 BLUE AND WHITE MEIPING VASE QIANLONG MARK BUT LATER painted in vivid tones of blue on the exterior with lotus ﬂowers borne on leafy scrolls, all between a band of ruyi-heads around the mouth and upright leaves encircling the foot, apocryphal six-character mark to the base 32cm high Provenance: Private Collection, Edinburgh.

£300-500

Asian Art 27

221 HB956/9 NEAR PAIR OF LARGE SWATOW BLUE AND WHITE JARS QING DYNASTY, 19TH CENTURY one painted with a single writhing, the other with two dragons around the round bulbous body, the shoulder applied with four loop handles and a spout encircling the short neck (2) 34cm high Provenance: Private Collection, Edinburgh.

£500-800

222 HB904/421 BLUE AND WHITE DISH XUANDE STYLE, RECENT MANUFACTURE of round form with ﬂared sides, glazed in blue to the exterior, to the interior decorated with ducks swimming in a pond amongst lotus and lily pads, the sides with peonies amongst branches, lingzhi fungus mark to the base 25.5cm diam £200-300

223 FB649/42 LARGE IMARI DISH QING DYNASTY, 18TH/19TH CENTURY decorated in the central reserve with two large peonies and leaves, the rounded sides with further red enamelled peonies within a thick border of blue enamelled scrolling leafy branches, the reverse with plum blossoms

228

226 HD190/26 GILT-DECORATED BLUE AND WHITE WASHER

228 HD795/2 PAIR OF FAMILLE ROSE ‘HUNDRED BOYS’ JARS AND HARDWOOD COVERS

XIANFENG MARK AND OF THE PERIOD of tapering quatrefoil lobed form, the exterior decorated with large lotus ﬂowerheads borne on scrolling tendrils below a diaper border, six-character mark in a recessed square to the base

QING DYNASTY, 19TH CENTURY of ovoid shape, each finely enamelled around the exterior with a lively scene of the celebration of Duanwu festival, with small boys performing the dragon dance, paddling the dragon boat and setting off fire crackers, further boys attending a Mandarin watching the festivities from a temple (2)

9.5cm wide £200-300

33.5cm high

36cm diam £150-250

224 HB891/13 LARGE IMARI ‘PHOENIX’ CHARGER QING DYNASTY, 19TH CENTURY decorated with a phoenix to the centre, surrounded by fan-shaped reserves depicting birds in the shade of a pine tree, lobed reserves with dragons, and other shaped reserves with diaper decoration, scrolling leaves, and ﬂowerheads, the reverse with further ﬂoral decoration 45cm diam

227 LT2016/3 FAMILLE ROSE FISH BOWL AND MARBLE TOP STAND QING DYNASTY, 19TH CENTURY the bowl of deep U shape decorated to the interior and exterior with carp; the low hardwood stand with a lobed top with pink marble insert, raised on cabriole legs headed by dragon masks and ending on claw and ball feet Bowl 36.5cm diam, 31cm high; Stand 39cm wide, 42cm high £800-1,200

£300-500

229 HD771/15 FAMILLE ROSE NEST OF TEN ‘WU SHUANG PU’ BOWLS XIANFENG MARK AND OF THE PERIOD the exterior enamelled with famous historical ﬁgures from Wu Shuang Pu, inscribed with their names and poems celebrating their lives, the innermost miniature bowl painted with the poet Li Bai in the interior, the base of the largest bowl bearing a six-character seal mark in iron-red, on wood stand largest 10.3cm diam

£100-150

£1,000-1,500

225 SV655/43 PAIR OF CRACKLEWARE VASES LATE QING DYNASTY, CIRCA 1900 the body painted in underglaze blue with warriors ﬁghting on horseback between two unglazed brown bands carved in low relief with grapevine and waves, the neck painted with an array of weapons and applied with two prunus branch handles, the base bearing an apocryphal incised Chenghua mark (2) 35cm high £200-300

229

28 Lyon & Turnbull

230 HC508/2 FAMILLE ROSE JAR AND COVER QING DYNASTY, 19TH CENTURY the globular body decorated with alternating phoenix and dragon roundels above a lotus ﬂower and scrolling branches design, the foot with cloud border, the shoulder with ruyishaped reserves and diaper collar around the neck, the neck with further lotus and scrolling branches decoration, the cover with similar design and bulbous ﬁnial 41cm high £250-350

231 HD176/8 FAMILLE ROSE ABSTINENCE PLAQUE, ZHAI JIE PAI QING DYNASTY, 19TH CENTURY of quatrefoil shape with a central elliptical panel to each side, one side inscribed ‘zhai jie’ (abstinence) in relief and the other in Manchu script, surrounded by a faux-bois glaze between gilt borders 5.6cm high £2,000-3,000

232 HD176/5 PAIR OF FAMILLE ROSE ‘PEACH’ BOWLS GUANGXU MARK AND OF THE PERIOD each ﬁnely potted with gently rounded sides rising from a low foot, the interior painted with ﬁve ripe peaches borne on a leafy branch, beside three iron-red bats forming together with the two further bats on the exterior the Wu Fu (Five Luck), six-character mark to the base (2) 15.8cm diam Provenance: Private Japanese Collection

£2,400-3,400

233 HC70/2 FAMILLE ROSE PLAQUE DEPICTING LIU HAI REPUBLIC PERIOD the God of Wealth dressed in a blue robe and carrying a yellow double-gourd shaped bottle, teasing the three-legged toad perched on his back 37 x 25cm (excluding frame) £300-500

234 HC70/1 PAIR OF FAMILLE ROSE BEAKER VASES LATE QING DYNASTY each ﬁnely enamelled around the exterior with a cockerel and a pair of peacocks perched on rockwork in a garden with blossoming plants and further birds (2)

235

235 HD489/2 FAMILLE ROSE RECTANGULAR JARDINIÈRE

238 SV705/79 FAMILLE ROSE FISH BOWL

SHENDETANG ZHI MARK BUT LATER the exterior enamelled with a myriad of goldﬁshes among waterweeds, with incised and gilt details, apocryphal four-character mark in iron red to the base

QING DYNASTY, 19TH CENTURY of typical form, the exterior painted with two sprays of peonies issuing from rocks, the everted lip decorated with auspicious symbols on ribbons 40.5cm diam £400-600

31cm long £300-500

239 HB514/22 FAMILLE ROSE BOWL

236 HD462/19 TWO FAMILLE ROSE PLAQUES 20TH CENTURY one painted with a spray of peony issuing from rocks, the other with a bird perched upon a lotus stem, bearing pseudo signature of Liu Yuqin (2) larger one 24cm high

QING DYNASTY the exterior polychrome enamelled with multiple gourds, a pair of swallows and a pair of butterﬂies, four-character signature to the base, with wood box 10.8cm diam Provenance: The Gauhar Collection

£150-250

£100-200

237 HD462/2 PAIR OF FAMILLE ROSE MEIPING VASES AND COVERS QING DYNASTY, 19TH CENTURY each painted with scenes of a scholar, boys and female attendants around tables and engaged in animated interactions, the cover similarly decorated with pairs of ﬁgures in conversation, surmounted by a dog ﬁnial, with gilt highlights (2) 37.5cm high £400-600

29cm high £300-500

240

240 HA242/1 PAIR OF FAMILLE ROSE BOWLS GUANGXU MARK AND OF THE PERIOD the flared sides painted with a floral composition centred by a chrysanthemum on one side and a butterfly on the other, sixcharacter mark in iron red to the underside (2) 12cm diam £1,500-2,500

Asian Art 29

241 HC260/2 FAMILLE ROSE ‘CICADA AND WILLOW’ PLAQUE ATTRIBUTED TO LI MINGLIANG, DATED 1948 depicting a cicada with meticulously painted details perched on a branch of willow, titled, inscribed, dated autumn, wuzi year (1948), signed and with one seal of the artist 32cm high, 19.5cm wide (excluding frame) Provenance: Private English Collection

£800-1,200

242 HC260/1 FAMILLE ROSE ‘LOTUS AND HERON’ PLAQUE AFTER CHENG YITING (1895-1948), DATED 1936 of near square form, painted with two herons wading in water below blooming lotus ﬂowers and lush foliage, inscribed, signed and with two seals of the artist, dated bingzi year (1936), wood frame 39cm high Provenance: Private English Collection

£4,000-6,000

242

243 HC253/16 LARGE FAMILLE ROSE ‘PEACH’ VASE, TIANQIUPING 20TH CENTURY of bottle form, the globular body decorated with nine fruiting peaches and ﬂowering blossoms issuing from sinuous branches, apocryphal Yongzheng seal mark to underside 55cm high £1,000-1,200

244 HC214/1 SET OF FOUR FAMILLE ROSE PLAQUES ATTRIBUTED TO WANG SHAOTANG, 20TH CENTURY the first depicting He Jing with a boy holding a branch of flowering prunus, with seal of Wang Di, the second Su Shi being presented with different ink stones by his attendant, with seal of Wang Di, the third a courtesan warding off fireflies with her fan, with seals of Wang Shaotang, the fourth a dancing lady holding a peacock feather, with seal of Wang Shaotang (4) 19cm high, 12.5cm wide (excluding frame) £2,000-3,000

244

30 Lyon & Turnbull

250 SV655/45 PAIR OF FAMILLE ROSE IRON-RED GROUND WALL VASES QING DYNASTY, 18TH/19TH CENTURY each ﬂattened baluster body brightly enamelled in a Mandarin palette with a shaped panel enclosing a Chinese family on a terrace, framed by relief of grapevine and all reserved on an iron-red ground (2) 22cm high £150-250

251 HD417/1 ROSE MANDARIN BASIN

245

QING DYNASTY, 19TH CENTURY the centre of the interior painted with a Mandarin and three female attendants on a terrace with rocks and plantain, encircled by a myriad of butterﬂies among ﬂoral sprays, the everted gilt rim similarly decorated

245 HC427/1 PAIR OF EXPORT ‘MANDARIN PALETTE’ PUNCH BOWLS QING DYNASTY, 18TH CENTURY the exterior decorated with shaped panels depicting a Mandarin family and attendants gathered on garden terraces, reserved on an iron-red geometric ground with ﬂoral sprigs, the interior with a pomegranate shaped panel enclosing a lady and her attendant (2)

249 SV655/44 CANTON FAMILLE ROSE SLEEVE VASE QING DYNASTY, 19TH CENTURY of typical trumpet form, rising to a ﬂared neck, painted with panels of ladies at leisure with attendants on a veranda; together with a CANTON FAMILLE ROSE OCTOGONAL-SHAPED JUG; a PAIR OF BLUE AND WHITE TEACUPS AND SAUCERS (6)

34cm diam £800-1,200

252 HD462/4 NEAR PAIR OF CANTON FAMILLE ROSE BOTTLE VASES

Provenance: Private London Collection

QING DYNASTY, 19TH CENTURY the globular body decorated with two large panels depicting scenes of a Mandarin family at leisure, alternating with two further panels containing birds and ﬂowers, the slender neck adorned with similarly decorated panels, with later added covers and wood stands (2)

£3,000-5,000

40cm high

35cm diam

246 HC427/17 FAMILLE ROSE HEXAGONAL HAT STAND

largest 30cm high £150-250

£600-800

LATE QING DYNASTY, 19TH/20TH CENTURY the sides decorated in relief with various emblematic objects of the ‘Hundred Antiques’ entwined with ribbons, among ﬂowers and fruits, with quatrefoil apertures to the body 25cm high £200-300

247 HB379/3 CANTON FAMILLE ROSE PUNCH BOWL QING DYNASTY, 19TH CENTURY painted on both sides in the typical palette with panels containing scenes of a Mandarin at home with his retinue, alternating with panels of ﬂowers and birds 39.8cm diam £300-500

248 HB904/248 GOOD EXPORT TANKARD LATE 18TH CENTURY the slightly baluster body painted in polychrome colours with courtiers and blossoming branches, bearing a More & Co, New York, label 15.5cm high £200-400

252

Asian Art 31

260 LT2015/26 SIX EXPORT PLATES QING DYNASTY comprising; three famille rose plates, painted with ﬂowers, 18th century, largest 23.2cm diam; one armorial plate, 18th century, 24cm diam; one French armorial plate, 23cm diam; and one damaged eggshell en grisaille plate of landscape design, Yongzheng period, 21cm diam (6) £300-500

253

261 HD117/1 FAMILLE ROSE RETICULATED MILLE FLEUR HEXAGONAL LANTERN

253 HD484/3 FAMILLE ROSE ‘MANDARIN PALETTE’ PUNCH BOWL

256 HD764/10 GROUP OF FAMILLE ROSE AND BLUE AND WHITE DISHES

QING DYNASTY, 18TH CENTURY the exterior decorated with four panels depicting scenes from the leisurely life of a Mandarin family, reserved on an iron-red and gilt Y-pattern ground, the centre of the interior with a similar roundel below an elaborate border

19TH/20TH CENTURY comprising; a pair of famille rose plates painted with a lady and her female attendant in a garden; a famille rose plate painted with a spray of peony blossoms; a famille rose ‘mandarin palette’ dish; a blue and white dish painted with ﬁve coiling dragons (5)

41.5cm diam

largest 23.3cm diam

Provenance: Private Collection, Edinburgh.

£150-250

£300-500

257 HD764/20 FAMILLE JAUNE ENAMELLED BOWL

254 HC864/2 GROUP OF EXPORT PORCELAIN WARES QING DYNASTY, 18TH CENTURY comprising; TWO FAMILLE ROSE EXPORT MILK JUGS, one jug enamelled on the rounded body with a bouquet of flowers, the other with a couple riding on horseback with an attendant holding a banner; TWO BLUE AND WHITE teacups and THREE BLUE AND WHITE saucers, each with foliate rim and painted with a boy riding a water buffalo and flying a kite in a landscape setting; together with a ‘MANDARIN’ TEACUP decorated with two panels of figures at leisure in a garden (8) largest 11cm high Provenance: Private Scottish Collection

£200-300

255 HD121/6 OCTAGONAL ‘MANDARIN PALETTE’ FAMILLE ROSE TUREEN AND STAND QING DYNASTY, 18TH CENTURY the exterior enamelled with cartouches enclosing a scene of a lady at leisure with her female attendants, all on an aubergine diaper ground, the vessel ﬂanked with iron-red boar’s head handles, the cover and the stand similarly decorated; together with TWO FAMILLE ROSE BOWLS (3) tureen 19cm wide £200-300

GUANGXU MARK BUT LATER the exterior painted with four roundels containing the auspicious phrase Wan Shou Wu Jiang, 12.3cm diam; together with a COPPER-RED DECORATED BEEHIVE WATER POT, the exterior painted with three coiling dragons, apocryphal Kangxi mark to the base, 10cm diam; a LEAF-SHAPED PORCELAIN WASHER, 13.2cm long (3) £150-250

258 HD771/16 THREE FAMILLE ROSE TANKARDS QING DYNASTY, 18TH/19TH CENTURY the first two painted in the ‘mandarin palette’, one with a large panel of wealthy ladies in a garden, reserved against a geometric ground, the handle moulded as a dragon, the other with figures by the lake, with moulded bamboo handle, the third painted with large peony flowers (3) tallest 15.4cm high £200-300

259 HD771/19 COLLECTION OF CANTON FAMILLE ROSE PORCELAIN CIRCA 1900 comprising; two tea pots and covers; a tea caddy with domed cover; a nest of ﬁve tea caddies and covers; a nest of four tea caddies and three covers; a tea cup; a bowl; three plates; a square tray; a lidded tureen with strainer (qty) largest 22.5cm wide £250-350

QING DYNASTY, 19TH CENTURY each side decorated with a pierced panel with a central medallion of young boys at play in a garden, all against a dense ground with chrysanthemum, lotus, peony and hibiscus flowers, apocryphal six-character Qianlong mark to the underside of the stand 40cm high (including stand) Provenance: From the Estate of Frank Roy Dorrington and Lillian Grace Dorrington. Note: Roy Dorrington was employed by the Foreign and Commonwealth Office for almost thirty years. Between 1920 and 1938 he was based for periods of time at the British High Commission in Canberra, Australia. He was sent to Hong Kong for periods between 1925-1927 when it was suffering considerable political upheaval, and it was during this period that he acquired and was given gifts of Chinese Ceramics which now form part of the surviving collection.

£500-800

262 HC992/10 FAMILLE VERTE ‘CHRYSANTHEMUM’ DISH QING DYNASTY, 19TH CENTURY decorated with a central roundel containing a large chrysanthemum bloom and surrounded by phoenix and peony sprays 28.5cm diam £100-200

263 LT2015/18 FAMILLE VERTE BRUSH POT of cylindrical form, decorated with gentlemen round a table drinking wine and tea and studying a scroll, three women playing instruments nearby, in a rocky landscape with willow and plantain tree, with wood stand 16cm high £400-600

32 Lyon & Turnbull

264 HD799/5 IMARI TEA SET QING DYNASTY, 18TH/19TH CENTURY comprising; a tea pot and cover, painted with two cockerels among peony blooms, 12cm high; seven tea cups and nine saucers, with lobed sides and painted with carp, crayﬁsh and crab, the base bearing an auspicious ‘Ji’ character in underglaze blue, cup 5cm high, saucer 12.7cm diam; together with an IMARI SOUP TUREEN AND COVER, 19.5cm diam (qty) £800-1,200

265 HD799/3 FAMILLE VERTE ‘SANXING’ DISH KANGXI MARK BUT 19TH CENTURY the centre painted with a large roundel containing the Sanxing deities Fu, Lu and Shou with two boys under a pine tree, reserved against a large Fu character, the underside with an apocryphal four-character mark within a double-ring

264

29.3cm diam £200-300

266 HC84/3 WUCAI BALUSTER JAR decorated with two phoenix and two qilin among large peony ﬂowers issuing from scrolling leafy tendrils 22.5cm high £400-600

267 HD761/2 FAMILLE VERTE ‘BOYS AT PLAY’ VASE of baluster shape with canted shoulders and waisted neck and flared rim, the body painted with two groups of boys at play in a garden, one lighting fireworks while the other playing hide-and-seek, the neck painted with two chrysanthemum flowers on scrolling tendrils 34.5cm high £300-500

268 SV705/98 FAMILLE VERTE VASE KANGXI MARK BUT 20TH CENTURY the cylindrical body painted with peacocks perched upon rocks issuing branches of bamboo, peony and prunus, below bands of plantain lappets encircling the neck and petal lappets around the foot, apocryphal sixcharacter mark to the base 19.5cm high £300-500

269 HB904/236 WUCAI ‘DRAGON AND PHOENIX’ BOWL GUANGXU MARK BUT LATER the sides ﬁnely enamelled with two pairs of opposing dragons and phoenix, within a band of stylised ruyi motifs and auspicious items 14.5cm diam £1,200-1,500

270 HC427/15 FAMILLE VERTE FOLIATE RIM CHARGER KANGXI PERIOD the interior ﬁnely enamelled to the centre with a pheasant on a rocky outcropping issuing sprays of peonies, surrounded by a band of twelve panels each containing further ﬂowers, Kangxi provincial kiln mark to the base within double squares 36cm diam Provenance: Private London Collection, purchased from Grosvenor House Antique Fair circa 1960.

£2,000-3,000

271 HB956/23 WUCAI DOUBLE-GOURD ‘DRAGON’ VASE QING DYNASTY, 19TH CENTURY the lower bulb decorated in green, red, yellow and underglaze-blue with four pairs of kuilong ﬂanking sprays of large chrysanthemum bloom, below a band of further large chrysanthemum ﬂowers on scrolling foliage, the upper bulb similarly painted with pairs of kuilong and chrysanthemum sprays 44cm £300-500

272 HB904/336 FAMILLE VERTE BEAKER VASE, GU QING DYNASTY covered with floral scroll motifs, the centre reserves depicting red and blue dragons and the lower panel depicting a bird and flower scene, now fitted as a lamp 22cm high £200-400

Asian Art 33

273 HB904/259 PAIR OF WUCAI ‘DRAGON AND PHOENIX’ BALUSTER VASES WANLI SIX CHARACTER MARKS BUT 18TH/19TH CENTURY the well potted sides finely painted with a four clawed dragon chasing a flaming pearl and a long tailed phoenix bird, amongst leafy scrolls, within archaic scroll and stiff leaf bands (2)

273

20.5cm high Provenance: Ex museum collection.

£4,000-6,500

274 HC804/20 LARGE OVAL SHALLOW JARDINIÈRE AND STAND QING DYNASTY, 19TH CENTURY glazed green and red, the centre of the interior decorated with a large shou character, the rim encircled by a key-fret border on both sides, on a wood stand with four cabriole legs and wheels 62.5cm long Provenance: Private English Collection

£1,000-1,500

275 HA56/1 PAIR OF YELLOW GROUND BOWLS REPUBLIC PERIOD the slightly flared bowls painted with flower head motif against a sgraffito decorated yellow ground, apocryphal Qianlong six character marks (2) 9cm diam £300-500

276 HD771/17 POLYCHROME ENAMELLED PORCELAIN FIGURE OF GUANYIN EARLY 20TH CENTURY standing on a tall lotus plinth with a pearl in her right hand, the left hand held in harina mudra, wearing brightly enamelled robes with geometric and cloud patterns 23.5cm high £200-300

277 HD795/5 EXCEPTIONALLY LARGE ‘HUNDRED HORSES’ VASE 274

MID-20TH CENTURY of rouleau shape, superbly painted in vivid enamels with a herd of horses galloping, grazing and resting in a landscape with lush grass and ﬂowering trees, against a backdrop of high mountains with waterfalls 159cm high £400-600

Jade & Hardstones

278 279

278 HB904/125 WHITE JADE RAMS GROUP

282 HD115/15 PALE GREEN JADE PENDANT

QING DYNASTY ﬁnely carved as a ram and young nestled together

QING DYNASTY, 18TH/19TH CENTURY of rectangular form, one side carved with two boys under a pine tree, the other side with a poem, framed by a pair of confronting kui dragons

7.3cm long £1,000-1,200

279 HB904/118 THREE WHITE JADE CARVINGS QING DYNASTY, 18TH/19TH CENTURY comprising; a ﬁsh and lotus group with russet inclusions, a double bird and lotus group with russet lotus leaf, and a duck clasping a lingzhi branch in its mouth, resting on a lotus leaf (3) longest 7cm £1,200-1,500

one side with cross-hatched pattern and circular recessed bullets, the reverse plain 15cm diam £500-700

281 HD176/7 FINELY CARVED WHITE JADE ‘DRAGON’ WASHER QIANLONG MARK AND OF THE PERIOD of rectangular section rising to straight everted sides and raised on a short foot, carved on the shorter sides with two dragons clambering up the side and peering over the rim, incised four-character mark to the base, the stone of celadon-white colour 7.5cm wide £12,000-18,000 See illustration opposite

four of rectangular shape, carved with a central fu character, a crane or Guan Yu, the ﬁfth in the shape of seated Xuanzang, the sixth carved as a recumbent ram (6)

5.7cm high

largest 4.4cm wide

Provenance: Private Collection, Edinburgh

£100-150

£150-250

287 HD764/13 GROUP OF THREE HARDSTONE CARVED PENDANTS

283 HD115/5 JADE ARCHER’S RING QING DYNASTY, 18TH/19TH CENTURY of cylindrical form, the stone of a pale celadon tone with red-purple inclusions 3.2cm diam

280 HB904/136 ARCHAIC GLASS BI DISC

286 HD764/12 GROUP OF SIX HARDSTONE CARVED PENDANTS

Provenance: Private Collection, Edinburgh

the ﬁrst carved with twin carp ﬂanking a good luck banner, the second carved and pierced with a central Shou character between two coiling dragons and above a bat with outstretched wings, the third carved and pierced as a single writhing dragon (3) largest 5.5cm diam

£100-150

£150-250

284 HD764/19 GROUP OF NINE HARDSTONE CARVINGS

288 HD764/14 THREE HARDSTONE CARVINGS

comprising a libation cup, a brush washer, a gold fish, a water buffalo, Shoulao, a Buddhist lion, a snuff bottle and a pair of tea bowls (9) largest 14cm long £300-400

20TH CENTURY the ﬁrst a serpentine carving of He Xiangu holding a lotus ﬂower, the second a soapstone carving of a female deity, the third a black hardstone carving of a mythical beast (3) largest 15.5cm high £150-250

285 HD764/17 HARDSTONE CARVING OF SEATED GREEN TARA the deity seated in dhyanasana with hands in dhyana mudra holding an alms bowl, the broad face with downcast eyes and serene expression 9cm high £100-150

289 HD764/15 SINGLE-STRAND JADE NECKLACE composed of graduated 12mm jade beads, 82cm long; together with TWO GLASS NECKLACES, 36cm and 41cm long (3) Note: The jade beads have not been tested to determine colour enhancement.

£200-300

Asian Art 35

281

36 Lyon & Turnbull

290 SPINACH-GREEN JADE CARVED FIGURE OF A WATER BUFFALO QING DYNASTY, 19TH CENTURY carved from a massive boulder, the animal naturalistically carved recumbent with legs tucked beneath the muscular body and tail ﬂicked to one side, the head turned sideward with a spray of corn in its mouth, the stone of rich green colour, with some celadon mottling 18.5cm long Provenance: Formerly in a private European collection.

£15,000-25,000

Asian Art 37

291 WHITE AND RUSSET JADE CARVED PLAQUE carved and pierced in archaic style to depict a dragon and a phoenix writhing amongst scrolling clouds, the stone of a mottled tone with brown-red inclusions 9cm high Provenance: Formerly in a private European collection.

£5,000-7,500

292 CARVED SHOUSHAN TIANHUANG ‘BUDDHIST LION’ SEAL ZHAO ZHICHEN (1781-1852), EARLY 19TH CENTURY of square section, surmounted by a ﬁnely carved recumbent lion with head turned backwards, the seal face inscribed with a nine-character poem in seal script, the stone of a warm honey-amber tone, incised Ci Xian (the studio name of Zhao Zhichen) to one side 2.4cm wide £6,000-9,000

293 TWO CARVED AGATE PENDANTS one of russet colour in the shape of a gourd with a large leaf and scrolling branches, the other of black and grey colour carved as two cats crawling over a round-shaped hollowed rock (2) largest 6cm long Provenance: From the Estate of Frank Roy Dorrington and Lillian Grace Dorrington.

£1,000-1,500

38 Lyon & Turnbull

294 MAGNIFICENT CELADON JADE CARVED FIGURE OF A FISHERMAN REPUBLIC PERIOD the bearded ﬁgure well carved wearing a straw hat and a long straw cloak, holding a hand net in the left hand, a huge carp in the right which he is trying to squeeze into the basket, the stone of a pale-green tone with areas of russet inclusions 21.5cm high Provenance: Formerly in a private European collection.

£15,000-25,000

Asian Art 39

300 296

295 HD764/8 COLLECTION OF SEVEN HARDSTONE BANGLES each of simple circular form, some with natural inclusions, the tone varying from greyish green to dark spinach green (7) largest 8.2cm diam Note: The jade beads have not been tested to determine colour enhancement.

£300-500

296 HB649/50 BAI FU RONG STONE CARVED ‘BIXIE’ SEAL CARVED BY ZOU MENGCHAN (1905-1982), DATED 1940 of square section, surmounted by a finely carved recumbent bixie with its head powerfully turned sidewards, its horns and tail realistically rendered, the seal face carved in positive seal script with a five-character inscription reading ‘Cheng Liyue Zhen Cang,’ signed Mengchan to one side, dated first month of gengchen year (1940), with fitted box

301

298 HD193/3 PAIR OF MOTTLED CELADON JADE PARROTS each bird perched on a branch with its head turned to one side, the tail feathers extending to the base and the wings naturalistically incised in ﬁne detail, each with wooden stand (2) 21cm high (excluding base)

301 HB904/152 YELLOW JADE BRUSH WASHER QING DYNASTY of oblong form, the interior ﬁnely carved in relief with a ruyi and blossoming stem 14cm wide £3,000-5,000

302 HB904/106 TWO JADE PENDANTS

£200-300

299 HB904/135 FOUR HARDSTONE CARVINGS comprising; a light green horse, a recumbent dark green Buddhist lion with a vase and cover on its back and two celadon green Buddhist lions (4)

POSSIBLY MING DYNASTY one carved as a mythological animal with a band around his waist pierced for hanging and a caparisoned elephant also pierced for hanging (2) longest 6cm £1,200-1,500

tallest 20cm £200-300

303 HB904/107 GROUP OF THREE JADES

300 HB904/150 FINE CARVED WHITE JADE BANGLE

POSSIBLY MING DYNASTY comprising; a celadon jade brush washer with brown and russet highlights formed as a double horned three legged toad clutching a string of cash in its mouth, a recumbent horse pendant with dark brown mane and forelegs and a honey coloured mythological animal carved as a seal (3)

QING DYNASTY ﬁnely carved with nine Buddhist lions, within archaic scroll bands

6.7cm high

9.5cm wide

Note: The box with a slip of paper reading ‘Preciously secured by Challinor’.

£2,500-3,500

largest 7.5cm long £400-600

Provenance: Private Collection, Scottish Borders.

£300-500

297 HD462/15 HARDSTONE CARVED FIGURE OF SEATED BUDDHA

304 HB904/109 THREE JADE CARVINGS POSSIBLY MING DYNASTY comprising; two mythological recumbent deer-like creatures, one with paws the other with hooves, and a recumbent dog clasping a cloth in its mouth, its tail curled over its haunches, with visible ribs (3)

seated in dhyanasana on a double lotus plinth before a ﬂaming mandorla, the hands holding a pearl, the stone of mottled grey and black tone with patches of russet stain, the reverse incised with an apocryphal Zhenyuan period mark £150-250

longest 7cm £1,500-2,500

304

40 Lyon & Turnbull

305 HB904/116 WHITE JADE RECTANGULAR PENDANT QING DYNASTY ﬁnely carved with a scene of two ﬁgures in a landscape with pine and scholar’s rock on a terrace, framed by archaic style border, the reverse with a poem and bearing Zi Gang signature, pierced for hanging 5.5cm long

311 HB904/126 THREE BLACK AND WHITE JADE CARVINGS 19TH/20TH CENTURY comprising; a black and white jade carving of two ﬁgures, a white jade boy and lotus bud and a black jade bead with seal (3) longest 7.5cm £300-500

£2,500-4,000

306 HB904/117 WHITE JADE POMEGRANATE PENDANT QING DYNASTY, 19TH CENTURY ﬁnely modelled as an elongated fruit draped in leaves and tendrils, one side with a bird peeking round the side, the other with two insects 5.3cm long £1,500-2,500

307 HB904/119 WHITE JADE CUP MING DYNASTY carved with a single chilong dragon and loop handle, with a design of leiwen within reserves 4.6cm high £300-500

308 HB904/121 TWO SHOUSHAN STONE SEALS 20TH CENTURY one carved with a pagoda in a rocky landscape, accompanied by an inscription on one side, the other side inscribed with a love poem in seal script, signed Han Mo Ju Shi and dated 1923, the seal mark Jing Bing Yi and another of brownish tone, carved with pine and cranes in a rocky moon landscape (2) 9.9cm high £400-600

309 HB904/123 FIVE JADE CARVINGS MING DYNASTY AND LATER comprising; a brown jade bear on its back rubbing an eye, a recumbent light brown jade cat, a light brown jade recumbent mythological single horned animal, a further light brown jade mythological beast and a light brown jade pony and monkey (5)

312 HB904/105 JADE FIGURE OF A CAT POSSIBLY MING DYNASTY lying on his side with his paws tucked beneath him, his tail curling around his haunches 6.2cm long

305

£600-800

313 HB870/17 CARVED OLIVE PIT ‘PLEASURE BOAT’ ZHAN GUSHENG, DATED 1894 skilfully carved with ﬁgures gathered in groups on the boat, some looking out of the windows, others dining, the top open to reveal six diners round a table, the bottom inscribed in regular script with the poem Su Shi’s Night Travel to the Red Cliﬀ, signed Gusheng, dated the eighth month of jiawu year (1894), 4.3cm long; together with a COMPRESSED AMBER FIGURE OF A GOLDFISH and a HARDSTONE CARVED MINIATURE TRIPOD CENSER AND COVER (3) Provenance: Private English Collection.

£1,000-1,200

314 HB824/14 TIBETAN CEREMONIAL HARDSTONE CUP WITH SILVER STAND AND COVER 19TH CENTURY the cup of green and grey tones with darker inclusions, sitting on a cylindrical base with eight lobed petals, the cover rising in three cylindrical tiers to a splayed lotus finial, decorated with four cartouches of animal figures and Buddhist auspicious symbols, the silver intricately chased and repoussé all over in delicate floral and key fret patterns

315 HB956/11 HARDSTONE CARVED VASE AND COVER each side carved in low relief with a spray of lotus ﬂowers, the body ﬂanked by a pair of stylized kuilong handles suspending loose rings, repeated on the neck, on wood stand 21cm high (excluding stand) £200-300

316 HB904/134 DUAN INKSTONE QING DYNASTY, 18TH CENTURY of rectangular form with rounded corners, decorated with a plain scroll at the top, with accompanying inkstick (2) 13.5cm long £200-300

15cm High £300-500

longest 7cm £800-1,200

310 HB904/124 THREE JADE CARVINGS MING DYNASTY AND LATER comprising; a 17th century celadon and russet jade single horned mythological beast lying on his side, a celadon jade chick emerging from an egg holding a branch in his beak with lighter inclusions, and a celadon cat like creature nibbling its foot (3) longest 7cm £600-1,000

313

Paintings & Works on Paper 317 HD187/17 AFTER ZHAO MENGFU (1254-1332) PORTRAIT OF SU SHI hanging scroll, ink and colour on silk, inscribed, signed and with one seal of the artist, further inscribed with a poem, signed and with seal of Chen Jiru

319 HB891/4 ATTRIBUTED TO ZHA SHIBIAO (1615-1698) LANDSCAPE hanging scroll, ink on silk, inscribed, signed and with two seals of the artist, dated spring, jiaxu year (1694)

82.5cm high, 33.5cm wide

183cm high, 44cm wide

£200-300

£500-800

318 HC772/6 AFTER WANG DUO (1592-1652)

320 HB891/8 WEN QIANGUANG (MING DYNASTY)

20TH CENTURY calligraphy in cursive script, inscribed and signed, with two seals of the artist

CALLIGRAPHY IN RUNNING SCRIPT fan leaf, ink on gold paper, imitating the style of Sheng Jiao Xu Stele, inscribed and signed, with one seal of the artist, mounted and framed

134cm high, 38cm wide (excluding mounting) Provenance: Private Collection, Edinburgh

£150-250

54cm wide £1,200-1,800

321 SV655/82 AFTER GU JIANLONG (1606-1687) FIGURES IN LANDSCAPE hanging scroll, ink and colour on silk, inscribed, signed and with two seals of the artist, dated guiwei year 113cm high, 29cm wide £200-300

324 HB914/2 LIN CHAOJUN LEGENDS OF IMMORTALS ink and colour on silk, depicting diﬀerent Chinese immortals and their legends, including the Eight Immortals, the Four Hermits of Shang Mountain and the Reuniﬁcation of Niulang and Zhinü on the Magpie Bridge, signed, dated and framed (7) largest 43cm high, 28cm wide Note: The reverse of all seven paintings bears the label of “Experienced Picture Liners Atken Dottson, Carvers & Gilders, 26 So. Castle St. Edinburgh, May 1842” and an inscription explaining the depicted story in English

£400-600

325 HD320/5 COLLECTION OF CHINESE AND JAPANESE SCROLLS comprising; a woodblock printed hand scroll of myths concerning the origin of the islands of Japan; a pair of Japanese school paintings of ﬂowers, unsigned; a pair of Japanese calligraphy with tegata; three Chinese landscape paintings, signed Liu Qi; a Chinese paper-mounted silk folding fan; together with further scrolls (qty) largest 85cm high, 67cm wide £200-300

322 FB649/35 ATTRIBUTED TO WANG JIAN (1598-1677) LANDSCAPE AFTER ZHAO MENGFU hanging scroll, ink and colour on paper, inscribed, signed and with one seal of the artist, dated the ﬁfth month of wushen year (1668), further inscribed by Jin Chen (18781926) relating the story that he exchanged a painting by Emperor Huizong of Song for this painting with Guo Shiwu (1867-1940) in bingchen year (1916), with two collector’s seals 156cm high, 63cm wide Provenance: Private Scottish Collection

£1,000-1,500

323 HD810/3 ATTRIBUTED TO WU GUXIANG (1848-1903) THE VOYAGE HOME ink on paper, titled, signed, with one seal of the artist, framed and glazed 105cm high, 43.5cm wide £300-500

322

323

42 Lyon & Turnbull

329

330

326 HD320/7 ANONYMOUS MANDARIN DUCKS AND FLOWERS hanging scroll, ink and colour on silk, unsigned 108cm high, 127cm wide £300-500

327 HD115/8 GROUP OF TEN ALBUM LEAVES POSSIBLY LATE QING DYNASTY painted with animals and famous historical ﬁgures including Zhou Gong Qie and Dong Fang Shuo, three of the leaves painted on both sides, the leaf depicting a chicken family with two seals of the artist reading Guo Chao (10) largest 40.5cm high, 28cm wide £100-150

328 HD107/2 CHEN YUPU (b.1946) ORCHID, 1979 hanging scroll, mounted, ink and colour on paper, inscribed and signed, with two seals of the artist, dated summer, jiwei year (1979) 78cm high, 45cm wide Note: The cylindrical wood bar bears a ‘Zhong Xin C.A.C’ label Provenance: Private Scottish Collection

£300-400

331 329 HD810/2 FEI CHENGWU (1914-2001)

330 HD810/4 CHINESE SCHOOL

PORTRAIT OF MARGARET MOODIE ink on paper, with dedication to Margaret Moodie, dated April, 1957, signed Fei Chengwu in Edinburgh, with one seal of the artist, framed and glazed

SPRING PLOUGH, 1992 ink on paper, titled, dated renshen year (1992), with two seals of the artist, framed and glazed

38cm high, 27.5cm wide (excluding frame)

£200-300

Note: Fei Chengwu was a pupil of Xu Beihong. He came to Great Britain in 1947 on a British Council scholarship to further pursue studies of art. Here he gave up Western style of painting for the traditional Chinese style, met his future wife, Zhang Qianying, also a painter, and settled in London. Margaret Moodie is the daughter of the acclaimed Scottish artist Donald Moodie (1892-1963). Fei most likely befriended Moodie and portrayed his daughter during one of his visits to Edinburgh. Provenance: Private Collection, Edinburgh.

£400-600

66cm high, 66.8cm wide (excluding frame)

331 HB891/9 FEI CHENGWU (b. 1914) PEKINGESE ink and colour on paper, signed, with one seal of the artist, inscribed to the reverse “Fei’s gift to Zhang Qianying, 1995”, framed 29.5cm high, 38.5cm wide (excluding frame) £1,000-1,500

Asian Art 43

332 HD251/1 ZHANG QIANYING (1913-2003)

333 HB891/17 ZHOU JUELIANG (1916-1992)

BIRDS ON MAGNOLIA ink and colour on paper, signed and with one seal of the artist, dated spring, wuzi year (1948), framed and glazed

CALLIGRAPHY IN REGULAR SCRIPT, 1978 album leaf, with one seal of the artist, dated the eleventh month of wuwu year (1978)

78cm high, 52.5cm wide (excluding frame)

41.5cm high, 33cm wide

Provenance: Private Scottish Collection, purchased in ‘An Exhibition of Paintings by Four Living Chinese Artists’, Barrow’s Stores, Corporation Street, Birmingham, 16-28 January 1950. Accompanied by exhibition catalogue.

£600-800

Provenance: The Collection of Eddie Tseng En Po (19151989)

£100-200

334 HB891/16 XIE SHOUKANG (1897-1973) BAMBOO ink on paper, signed and with three seals of the artist, dedicated to Tseng En Po 60.5cm high, 30cm wide Provenance: The Collection of Eddie Tseng En Po (19151989)

£100-200

335 HB891/14 FENG HANSHU (1908-?) LANDSCAPE Ink and colour on paper, inscribed by He Shuxiang (politician of the Kuomintang party), with one seal of the painter, two seals of the calligrapher, dated layue (last year of the Chinese lunar calendar), yimao year (1975), dedicated to Tseng En Po to congratulate him on moving into a new home

332

49cm high, 91cm wide (excluding frame) Provenance: The Collection of Eddie Tseng En Po (1915-1989)

£1,500-2,500

335

44 Lyon & Turnbull

336 HB891/1 WEI JINGMENG (1907-1982) CALLIGRAPHY IN RUNNING SCRIPT, 1974 handscroll, ink on paper, Li Bai’s poem Jiang Jin Jiu (Wine Will Be Served), signed, with one seal of the artist, dated winter, jiayin year (1974), dedicated to Tseng En Po who travelled to Taipei during his 59th birthday and met the calligrapher, mounted 23.5cm high, 89cm wide Provenance: The Collection of Eddie Tseng En Po (1915-1989)

£200-300

337 HB891/11 WEI JINGMENG (1907-1982) CALLIGRAPHY IN CURSIVE SCRIPT ink on red paper, signed and with one seal of the artist, dedicated to Tseng En Po 145cm high, 47.5cm wide Provenance: The Collection of Eddie Tseng En Po (1915- 1989)

£150-250

338

338 HB891/10 TAO SHOUBO (1902-1997) BLOOMING PRUNUS ink on paper, signed and with three seals of the artist, dated to the sixth month, summer, of dingwei year (1967), dedicated to Tseng En Po, mounted and framed 33cm high, 52cm wide (excluding frame) Provenance: The Collection of Eddie Tseng En Po (1915-1989)

£400-600

339 HB891/20 HE SIKE THOUSAND CHARACTER CLASSIC, 1982 calligraphy in cursive script, ink on paper, inscribed, signed and with two seals of the artist, dedicated to Tseng En Po and his wife 44cm high, 116cm wide Provenance: The Collection of Eddie Tseng En Po (1915-1989)

£100-200

340 HB891/6 GU QINGYAO (1896-1978) BAMBOO AND ORCHID ink on paper, signed and with three seals of the artist, dated the seventh month of gengxu year (1970), mounted and framed, 53cm high, 34cm wide (excluding frame); together with BAMBOO, hanging scroll, ink on paper, signed and with three seals of the artist, dated jiyou year (1969), 67cm high, 33.5cm wide (2) Provenance: The Collection of Eddie Tseng En Po (1915-1989)

£300-400

341 HB891/3 FANG XIANG

344 HD766/1 LI MO (b. 1969)

CALLIGRAPHY AND PAINTING the calligraphy in running script, ink on paper, with one collector’s seal; the painting depicting a scholar reading a book in a landscape, ink and colour on paper, signed and with one seal of the artist, dedicated to Fang Yin (the wife of Tseng En Po) (2)

VILLAGE ON A CANAL ink and colour on paper, titled, inscribed, signed, with one seal of the artist

each 36.5cm high, 25.5cm wide Provenance: The Collection of Eddie Tseng En Po (1915-1989)

£100-150

342 HB891/18 FANG XIANG GIRLS UNDER PEACH TREES ink and colour on paper, titled, inscribed and with one seal of the artist, dated 1996, mounted and framed 38.5cm high, 44.8cm wide (excluding frame) Provenance: The Collection of Eddie Tseng En Po (1915-1989)

£100-150

343 HD766/2 LI MO (B. 1969) LANDSCAPE WITH COTTAGES, 1997 ink and colour on paper, titled, signed, with one seal of the artist, dated dingchou year (1997) 67.3cm high, 135cm wide £300-500

67.8cm high, 135cm wide £300-500

345 HD764/22 AFTER QI BAISHI (1864-1957) MONKEY WITH PEACH hanging scroll, ink and colour on paper, dated the ﬁfth month of jiaxu year, signed, with two seals of the artist 95cm high, 33cm wide £200-300

346 HD764/21 SET OF FOUR PAINTINGS OF CHINESE BEAUTIES YANG JIANJIN (UNKNOWN ARTIST) depicting beauties in gardens with willow, prunus, parasol trees and plantain, ink and colour on silk, each signed, dated, with one seal of the artist (4) 60cm high, 22.8cm wide £150-250

Asian Art 45

354 HD320/6 COLLECTION OF REFERENCE CATALOGUES comprising a variety of catalogues from previous Sotheby’s, Christie’s and Bonhams’ Chinese and Japanese art sales (qty) £200-300

355 HB891/22 LANDSCAPES, ORCHID, BAMBOO AND FLOWER PAINTINGS BY MADAME CHIANG KAI-SHEK National Palace Museum, Taipei, 1979; together with ORCHID PAINTINGS BY MADAME CHIANG KAI-SHEK, Central Monthly, Taipei, 1971; THE ESSENCE OF CHINESE CALLIGRAPHY SINCE SHANG DYNASTY, 2 Volumes, AntiCommunist Corporation, Taipei, 1969; a collection of reference catalogues including Memorial Catalogue of Paintings by Zhang Shanzhi, Modern China Publishing, Taipei,1982 and Four Monks of the Late Ming, National Museum of History, Taipei, 1978 (qty)

347

Provenance: The Collection of Eddie Tseng En Po (1915-1989)

347 HD316/1 ATTRIBUTED TO YOUQUA (ACTIVE CIRCA 1840-1870) CHINESE DOMESTIC SCENE oil on canvas, framed and glazed, depicting a Chinese family in traditional attire at the dining table 44.5cm high, 58.5cm wide (excluding frame) Note: The reverse of the frame bears the label of “Aitken Dottson, Carvers & Gilders, 26 So. Castle St. Edinburgh”

350 HC510/1 ANCESTOR PORTRAIT

£150-250

QING DYNASTY ink and colour on paper, depicting four deceased members of the Family Lu from Hu Feng dressed in ornate robes, inscribed with their names and dates of birth and death, framed and glazed

356 HD132/1 ALBUM OF PHOTOGRAPHS OF DOWAGER EMPRESS CIXI

158cm high, 92cm wide £200-300

15cm high, 10cm wide

£400-600

351 FB649/37 ANCESTOR PORTRAIT

348 HC772/5 THANGKA OF SHAKYAMUNI BUDDHA

QING DYNASTY, 19TH CENTURY ink and colour on silk, depicting a female dressed in a sumptuous red robe decorated with ﬁve dragons

18TH/19TH CENTURY distemper on cloth, the Buddha depicted in dhyanasana, his left hand holding an alms bowl and his right hand displaying the bhumisparsa mudra, surrounded by arhats, Tsongkhapa, the green and the white Tara 58cm high, 43cm wide (excluding mounting) Provenance: Private Collection, Edinburgh

£400-600

349 HD764/4 GROUP OF EIGHT PAINTINGS OF LANDSCAPES, BIRDS AND FLOWERS VARIOUS ARTISTS, 20TH CENTURY ink and colour on paper, each signed, with one seal of the artist, framed and glazed (8) largest 36cm high, 15.8cm wide £150-250

LATE QING DYNASTY comprising ten photographs of the Empress at diﬀerent ages and in a variety of settings, including one showing her in a sedan-chair carried by male attendants £100-150

130cm high, 69cm wide £150-250

352Y HD488/1 COLLECTION OF SEVENTY-ONE WOODBLOCK PRINTS BY QI BAISHI A.O. BEIJING, RONG BAO ZHAI, 1955 two volumes of woodblock prints as loose leaves, ink and colour on paper, in a clothbound slipcase, each volume and the slipcase with a title slip reading ‘Beijing Rong Bao Zhai New Edition of Selected Painting Series, written by the 91-year-old man Baishi’ each leaf 31.5cm high, 19.4cm wide £1,000-1,500

353 FB649/49 COLLECTION OF SIX BANKNOTES REPUBLIC PERIOD comprising; three ten yuan notes, 1936; a ten customs gold unites, 1930; a ﬁve customs gold unites, 1930; a one hundred yuan, 1941 (6) largest 19.2cm long £200-300

352 (part lot)

Japanese, Korean & South-East Asian Works of Art 357Y SV677/13 STAINED SOFTWOOD AND SHIBAYAMA DISPLAY CABINET EARLY 20TH CENTURY carved with bamboo, chrysanthemums, prunus and birds, with an arrangement of open shelves, pierced panels and compartments with mother of pearl and ivory mounted doors depicting birds, insects and ﬂowers 133cm wide, 206cm high, 34cm deep £300-500 See detail illustration on inside back cover

358 HB649/25 ROOTWOOD CARVING OF A SAGE 19TH CENTURY the bearded figure carved wearing flowing robes and holding a staff with two hands, standing on gnarled branches 92cm high Provenance: Private Collection, Scottish Borders

£50-150

359 HC258/1 LACQUER BOX AND COVER of simple rectangular shape with metal hinges, the cover and the front side each decorated with a cherry bloom, the lacquer sprinkled with ﬁnely ground mother-of-pearl 39cm long £300-500 Y

360 HD483/1 TWO RECTANGULAR LACQUER BOXES AND COVERS MEIJI PERIOD the ﬁrst decorated with a black eagle on a perch, the second with a dragonﬂy on a pomegranate branch; together with a THREECASE MOTHER-OF-PEARL AND CORAL INLAID INRO (3)

362 HB904/334 GILT-LACQUERED MINIATURE HANDLE MEIJI PERIOD delicately carved in relief with a pavilion, houses, a boat and the sea on the sides and the top 4.7cm long £200-300

363 HB904/331 GILT-LACQUERED FOUR-CASE INRO 19TH CENTURY decorated with multiple auspicious Chinese characters, the interior of nashiji 8.6cm long £150-200

364 HC984/3 SIX EMBROIDERED TEXTILE PANELS 19TH/20TH CENTURY boldly embroidered on a black silk ground with birds, ﬂowers and dense leafy foliage (6) largest 125cm high, 52.5cm wide £300-500

365 HC134/6 EMBROIDERED SILK PANEL

368Y HD144/17 IVORY OKIMONO OF A VEGETABLE PEDDLER MEIJI PERIOD holding a large gourd and surrounded by baskets of vegetables, 14cm high; together with an IVORY NETSUKE OF TWO MUSICIANS performing with a fan and a drum, signed Gyokko, 5cm high; an IVORY NETSUKE OF A MONKEY, signed Souchin, 5cm high; a CHINESE IVORY PUZZLE BOWL, 2.8cm diam (4) £800-1,200

369Y SV117A/34 PAIR OF IVORY SHIBAYAMA INLAID WHIST MARKERS MEIJI PERIOD each typically inlaid with mother of pearl, horn and coloured hardstones with a spray of ﬂower in the centre, ﬂanked by insects and birds (2) 9cm high £150-250

370Y SV610/3 CARVED IVORY OKIMONO OF A FARMER WITH RADISH

MEIJI PERIOD embroidered on a beige ground with birds in ﬂight above a pond, a third bird wading in water beside lilies, framed and glazed

MEIJI PERIOD depicting a farmer kneeling on the ground, his back bending under the weight of two giant human-sized radishes, signed Kyofune to the underside

114cm high, 38.5cm wide (excluding frame)

8cm high

£150-250

£300-500

366Y HD799/2 CARVED IVORY OKIMONO FIGURAL GROUP

371Y HB870/22 IVORY AND SHIBAYAMA-INLAID OKIMONO OF A NURSING MOTHER

SIGNED MUNEHARU, MEIJI PERIOD depicting an elderly man and his son, the dog at their foot looking playfully up towards the boy holding a biscuit in his one hand and a braided rattan ring in the other

MEIJI PERIOD the mother reclining with her head propped up on her elbow, nursing her baby whose hands reach out for her face, 17cm long; together with an IVORY CARVED CRAYFISH, 21cm long (2)

largest 11.8cm long

10cm high

£200-300

£600-1,000

Provenance: Private English Collection.

361 HB870/6 TWO INRO AND A SET OF TOSOGU

367Y HD149/4 IVORY OKIMONO OF MICE

£200-300

19TH CENTURY a gold lacquer four-case inro signed ‘Shokosai’ on nashiji ground in gold relief, attached to it a wood netsuke of two go players opposite a go board; a three-case cloisonné inro decorated with stylized ﬂoral scrolls; two signed kozuka; a fuchi (5)

12cm long

largest 8cm high £500-800

MEIJI PERIOD realistically carved as a nest of mice crawling on a fragment of wooden log £200-300

372Y HB870/19 GROUP OF THREE IVORY NETSUKE AND OKIMONO MEIJI PERIOD comprising; an okimono of a seated carpenter at work, signed Seizan to the underside of the base; an okimono of a furniture vendor, signed Gyokuzan; a netsuke of a basket maker (3) tallest 9.5cm high Provenance: Private English Collection.

£400-600

Asian Art 47

368

370 366

372

48 Lyon & Turnbull

382 HD190/149 WOOD NETSUKE OF QUAILS PECKING MILLET

373Y HB870/20 THREE-CASE IVORY INRO MEIJI PERIOD incised on the one side with two female nudes bathing, the other side with a bird perched on a cherry branch; together with an IVORY MANJU NETSUKE, carved with a ﬁsherman; an IVORY AND METAL KAGAMIBUTA NETSUKE, decorated with a bird perched on the stem of a lotus leaf (3)

SIGNED ITTAN, 19TH CENTURY depicting two quails with elaborately carved plumage pecking sprays of millet, signed to the back of one quail 4.8cm high £150-250

largest 7.7cm high

383 HD190/151 LACQUER NETSUKE

Provenance: Private English Collection.

MEIJI PERIOD carved as a standing child wearing an elaborate gilt and black lacquered robe with cloud pattern, tied at the waist with a red ribbon holding a small pouch to the boy’s back, and carrying two vases on a small tray decorated with scrolling motif

£300-500

374Y HB870/15 GROUP OF EIGHT IVORY NETSUKE AND OKIMONO MEIJI PERIOD comprising; a netsuke of Daikoku seated in his treasure bag, holding the lucky mallet; an okimono of a vegetable peddler; a netsuke of a man carrying his wife on his back; an okimono of a ﬁsherman catching crabs; a netsuke of an actor holding a Noh mask; a netsuke of a lady holding a food basket; a netsuke of a storyteller holding a fan; a nestuke of Gamma Sennin and the toad (8)

383

£2,500-3,500

377Y HB904/320 TWO IVORY NETSUKE 19TH CENTURY one depicting a recumbent water buﬀalo, the other three mussels attached to a rock (2)

largest 10.8cm high

largest 4.5cm wide

Provenance: Private English Collection.

£150-250

£300-500

378Y HB904/314 TWO IVORY NETSUKE

375Y HB870/16 GROUP OF EIGHT IVORY NETSUKE OF ANIMALS MEIJI PERIOD comprising; an owl, signed Shozan; a puppy, signed Kyozan; an octopus catching a ﬁsh; a galloping horse, signed Yoshihide; a monkey watching a snail at the foot of a bamboo stem; a boy carrying an enormous hay bale; a galloping deer; a wild boar, signed Gyokuseki (8)

5.5cm high

19TH/20TH CENTURY one depicting a dog with mouth open to bark, the other a cat with ﬁnely incised mane, both signed (2) largest 4.2cm high £150-250

384 HB870/18 GROUP OF SIX WOOD CARVED NETSUKE MEIJI PERIOD comprising; a clam-shell form anabori netsuke, carved to the interior with a traditional Japanese house, signed Masanori; an elderly fruit vendor, signed Ryugetsu; a ﬁsherman, signd Kyokushuu; a lady in her bath, signed Meizan; a monkey playing with its young, signed Masatsugu; a monkey on a bamboo pole, signed Gyokuseki (6) tallest 7cm high Provenance: Private English Collection.

£300-500

379Y HB904/310 THREE IVORY NETSUKE

385 HB904/303 THREE CARVED WOOD NOH MASK NETSUKE

Provenance: Private English Collection.

19TH/20TH CENTURY depicting a bat with outspread wings, a frog climbing upon a cabbage and a sea lion with its head turned towards the back (3)

19TH/20TH CENTURY including the mask of a Deigan, a Hannya and a Hotei, signed on the reverse (3) 5cm long

£300-500

largest 5.5cm long

£150-250

largest 10cm long

£200-300

376Y HB870/14 GROUP OF SEVEN IVORY NETSUKE MEIJI PERIOD comprising; two boys learning to write; Fukurokuju holding a double-gourd bottle; a ﬁgural group depicting the assistant of a rice seller pouring rice into a basket; Fukurokuju with a boy holding a peach, signed Masayuki; two bookkeepers, one holding an abacus, the other the ledger, signed Gyokushi; a man and a rat; a mountain, elaborately carved with bamboo, pine and a waterfall, with scholars gathered outside pavilions, signed Ryumin (7) largest 5.6cm long Provenance: Private English Collection.

£300-500

380Y HB904/304 FIVE IVORY NOH MASK NETSUKE 19TH CENTURY including the mask of a Hyottoko, a Kokushikijo, a Hannya, a Shishi-guchi and a three-faced mask, the last one signed Mitsuyuki (5) largest 4.5cm £200-300

381Y HB904/301 IVORY NETSUKE OF AN ACTOR 18TH/19TH CENTURY depicting an actor wearing a mask and holding a fan, his eyes darkened, with himotoshis at the rear 4.5cm high £100-150

386 HC944/2 PAIR OF CLOISONNÉ ENAMEL VASES MEIJI PERIOD heavily cast, the exterior decorated with two large shaped panels, one enclosing kingﬁshers and sparrows among lotus and bamboo, the other depicting vases of blooming chrysanthemum and peony, all reserved on a turquoise ground with stylized ﬂowers and insects (2) 31cm high £400-600

Asian Art 49

393 HD193/6 PAIR OF CLOISONNÉ ENAMEL VASES AND COVERS

387 HC944/1 CLOISONNÉ ENAMEL WALL PLATE MEIJI PERIOD decorated in polychrome enamels on a turquoise ground with a pair of pheasants under a blossoming cherry tree, the wide rim band with stylized ﬂoral motif

MEIJI PERIOD of globular form with domed cover, the rounded sides decorated with large reserves with turquoise ground depicting birds in ﬂight amongst peonies on one side, on the other with an eagle perched on blossoming branches, all on a background of birds and butterﬂies amongst clouds and scrolling branches (2)

33cm diam £200-300

388 HC939/3 RED ENAMEL CLOISONNÉ VASE

31cm high

SIGNED SUZUKI, 20TH CENTURY of oviform with ﬂared neck, delicately enamelled with a spray of pink and orange roses, reserved against a red lustrous ground decorated with bamboo leaves

£500-800

394 HD193/5 PAIR OF GINBARI CLOISONNÉ ENAMEL VASES

21.5cm high £200-300

389 389 HD144/16 GINBARI CLOISONNÉ ENAMEL VASE WORKSHOP OF HOYASHI KODENJI (18311915), LATE 19TH CENTURY of short baluster form, decorated in translucent and coloured enamels depicting three carp amongst water weeds against a nanako ground, with silvered copper mounts, Kodenji studio mark to base 19cm high £800-1,200

390 HC253/10 CLOISONNÉ ENAMEL VASE MEIJI PERIOD of rectangular section, the globular body decorated with dragons on a background of turquoise clouds, each panel with border of further polychrome clouds, with mask handles in the shape of mythological creatures

MEIJI PERIOD each decorated in coloured enamels with a bird ﬂying towards a leafy stem of ﬂowering peony, on a translucent red-brown ginbari ground (2) 16cm high £150-250

392 SV117A/20 PAIR OF CLOISONNÉ ENAMEL VASES

395 HD190/111 CLOISONNÉ ENAMEL VASE

MEIJI PERIOD each of ﬂattened baluster form, decorated in coloured enamels with panels of ﬂowers and foliage, reserved against a geometric ground, with later wood stands (2)

MEIJI PERIOD decorated in polychrome enamels with lappetshaped reserves of dragon and phoenix on a ground in muted base colours of brown, ochre and deep blue with chakinseki highlights

36cm high

18.5cm high

Provenance: The Alexander Ritchie Collection.

£200-300

45.5cm high £300-500

391 SV117A/23 TWO PAIRS OF CLOISONNÉ ENAMEL MINIATURE BALUSTER VASES MEIJI PERIOD the ﬁrst pair decorated with wisteria and orchid on a deep purple ground, the second pair of square section and tall slender form, decorated on a lemon yellow ground with sprays of chrysanthemum and poppy (4) largest 12.5cm high £300-500

393

50 Lyon & Turnbull

396 HD190/109 CLOISONNÉ ENAMEL VASE MEIJI PERIOD ﬁnely decorated with a blossoming prunus branch on pale yellow ground 18cm high £100-150

397 HD190/110 PAIR OF CLOISONNÉ ENAMEL VASES MEIJI PERIOD decorated with large white and pink peonies hanging from leafy branches, on a dark green ground (2)

399

18cm high £150-250

398 SV117A/27 PAIR OF SMALL CLOISONNÉ ENAMEL BOTTLE VASES IN THE CHINESE STYLE (2) MEIJI PERIOD the bulbous body enamelled with large lotus blossoms borne on scrolling tendrils, below bands of ruyi-heads, cherry blooms and plantain leaves encircling the shoulder, the neck decorated with peony and cherry ﬂowers (2) 16cm high £150-250

399 SV117A/25 GROUP OF THREE CLOISONNÉ ENAMEL ARTICLES MEIJI PERIOD comprising; a globular koro and cover, set on three short feet, decorated on a purple ground with white flowers on scrolling stems, 11.5cm high; a small teapot and cover, decorated with butterflies and flowers, 7cm high; a rectangular box and cover, 11cm long (3)

402 HB956/21 PAIR OF BRONZE VASES MEIJI PERIOD the globular body with long cylindrical neck and stepped foot and mouth decorated in relief with an eagle attacking a crane in ﬂight amongst clouds, the neck with rectangular reserves with stylised double phoenix amongst clouds, the elaborate handles cast as a squirrel eating grapes oﬀ a vine branch (2) 42.5cm high

£300-500

£200-300

400 HB828/7 PAIR OF CLOISONNÉ ENAMEL TURQUOISE GROUND VASES

403 HD476/5 GILT-BRONZE MIXED METAL VASE

MEIJI PERIOD of ovoid form with everted rim, decorated in polychrome enamels with birds and butterflies in flight amongst peony, rose and chrysanthemum flowers (2) 21.5cm high

MEIJI PERIOD of octalobed section, raised on a short splayed foot and rising to a tall slender neck, the body decorated with peacocks with tail open to form a ring 17.5cm high £300-500

£200-300

401 HB828/6 CLOISONNÉ ENAMEL JARDINIÈRE MEIJI PERIOD of tapering bulbous shape, decorated with overlapping roundels containing rose, cherry, wisteria and ivy ﬂowers, all against a coﬀeebrown ground with dense spiral pattern 25.5cm high £200-300

404 HC253/12 PAIR OF BRONZE VASES MEIJI PERIOD the globular body cast in high relief with three minogame emerging from swirling waves, the cylindrical tall neck also cast in relief with two coiling dragons on a background of incised clouds, the rim with keyfret border, the tripod globular stand with a border of pointed leaves (2) 37.5cm high £200-300

405 HD720/1 BRONZE VASE MEIJI PERIOD of baluster form, cast in relief with a ﬁerce dragon coiled around the tall neck, the body decorated in high relief with panels enclosing birds and ﬂowers on a leiwen ground 30cm high

403

£200-300

Asian Art 51

406 HB649/51 BRONZE ANIMALIER GROUP OF A LION ATTACKING A TIGER SIGNED SEIYA, MEIJI PERIOD both beasts with mouth open in expression of ﬁerce roaring, the lion with two forepaws upon the back of the tiger, the belly of the tiger bearing a seal reading Seiya saku, on carved wood stand 45cm wide £200-300

407 SV117/2 ‘DRAGON AND PHOENIX’ BRONZE VASE MEIJI PERIOD heavily cast in relief with a dragon and a phoenix in ﬂight amid stylized ruyi-clouds and above turbulent waves of the sea, all between lotus lappets and key-fret bands encircling the neck and the foot 39cm high £300-500

408 SV117/55 BRONZE BALUSTER VASE MEIJI PERIOD the body decorated in relief with a fourclawed dragon with ferocious expression and upturned tail, signed to the base 43cm high £300-500

411 SV117/68 OCTAGONAL CAST BRONZE JARDINIÈRE MEIJI PERIOD heavily cast with twin phoenix handles, raised on four feet in the shape of a lion head, each side decorated with a framed panel containing a Kanji in relief 49cm wide

409 HD764/16 BRONZE WALL HANGING PLATE

414 HD396/3 LARGE BRONZE JARDINIÈRE MEIJI PERIOD the oviform vessel decorated in high relief with a pair of three-clawed dragons chasing each other above waves, below a lappet band encircling the mouth 48cm diam £400-600

£250-350

415Y HB904/329 MIXED-METAL FUCHI-KASHIRA SET

cast in the shape of a lotus leaf with edges curling up to envelop a bee perched in its interior

412 HD187/19 BRONZE ‘DRAGON’ VASE MOUNTED AS LAMP

22cm wide

MEIJI PERIOD of bottle form standing on a splayed foot, the tall slender neck entwined with a dragon, the stand and the mouth with ruyi shaped decorations

MEIJI PERIOD exquisitely inlaid in iroe takazogan with children playing under cherry blossom trees, decorated with leaf-shaped ivory relief; together with NINE FUCHIS, with incised dragon ornaments or inlaid in iroe takayogan with ﬂowers (10)

45cm high (excluding lamp ﬁttings)

largest 3.8cm long

£200-300

£500-700

413 HC886/1 BAMBOO DINNER GONG

416 HB904/328 FINE MIXED-METAL BELT BUCKLES

£100-150

410 HC938/64 LARGE BRONZE JARDINIÈRE MEIJI PERIOD decorated in high relief with a pair of writhing dragons whose heads rise to become the handles, the waisted neck incised with cranes in ﬂight above waves 60cm wide (including handles) £250-350

LATE 19TH CENTURY with a hammered bronze gong 73cm high, 115cm deep £250-350

MEIJI PERIOD the steel body decorated in relief with a man and a woman, inset with gilt-metal, silver and copper; together with TWO KOMAI STYLE BROOCHES and a SQUARE BRONZE PENDANT, incised ‘Beatrice’ on the reverse (4) largest 5.1cm long £500-700

52 Lyon & Turnbull

417 HB904/325 SILVER-INLAID BRONZE PIPE

419 HD761/5 KUTANI VASE IN THE STYLE OF AOKI MOKUBEI

SIGNED RYUBUNDO, 19TH CENTURY decorated with ﬂoral scrolls and a butterﬂy pattern in silver inlay, signed on the reverse of the stem

18TH/19TH CENTURY the globular body rising to a slightly waisted neck, painted on a red ochre ground with two large panels, one depicting a pair of mythical lion dogs amongst further animals in a garden, the other portraying the arrival of immortals on a white elephant and on a phoenix, the base bearing an illegible mark

19cm wide £200-300

418 HC945/37 KATANA with cord bound white ray skin grip with large menuki in the form of a gilt metal triple lotus ﬂower head on each side, the tsuba pierced with a series of apertures and decorated with cast ﬂower heads sides, ferrule and pommel with single edge, single hole unsigned tang curved blade with length of the blade, in plain painted scabbard and with scabbard knot

19.5cm high £200-300

27.5 inch (70cm) blade £200-250

420 SV117A/21 COBALT GROUND HEXAGONAL FACETED SATSUMA VASE KINKOZAN MARK, MEIJI PERIOD decorated with two large panels, one depicting peonies and bamboo growing by a winding river, the other three courtesans under blossoming cherry, the base impressed with Kinkozan zo, 30.5cm high; together with a COBALT GROUND SATSUMA KORO, with twin handles and set on three short feet, similarly decorated with ﬂowers and courtesans in two shaped panels, impressed Kinkozan mark to the base, 8.5cm high (2) £250-350

422 HD187/21 COLLECTION OF BLUE AND WHITE DISHES comprising; five double-gourd shaped Nabeshima dishes, raised on a short foot with typical comb design, each painted with figures in a boat sailing towards a willow tree; four oval shaped dishes with indented sides, each painted with a figure crossing a bridge; four circular dishes, painted with fingered citron (qty) largest 20.8cm long

421 SV117A/22 MINIATURE SATSUMA FLOWER BASKET KANZAN MARK, MEIJI PERIOD decorated on the one side with four courtesans seated in an interior and on the other with four boys at play, impressed Kanzan mark, 8.5cm high; together with a MINIATURE SATSUMA PLATE, similarly decorated with four-courtesans, impressed Kanzan mark to the underside, 11cm diam (2) £200-300

£400-600

423 HC939/4 TWO SATSUMA FOLIATE-RIMMED BOWLS 20TH CENTURY finely decorated in enamels and gilt, the interior decorated with chickens, various flowers and trees on the bank of a mountainside lake, the exterior with further flowers and trees (2) 30cm diam Provenance: Private Scottish Collection

£150-250

Asian Art 53

424 HD803/1 SATSUMA VASE MEIJI PERIOD the squat body rising to a slender waisted neck and a ﬂared rim, applied with a pair of elephant handles, the sides decorated with medallions and quatrefoil shaped cartouches containing Kannon and Rakan 17cm high £150-250

425 425 HD795/3 FUKAGAWA FISH BOWL

426 HD187/24 KAKIEMON STYLE OCTAGONAL BOWL

20TH CENTURY of deep tapered form, the interior painted with swan geese ﬂying over and ducks perched amongst chrysanthemums and roses, the exterior decorated with a school of koi in a river surrounded by lush bamboo, the base with a fukagawa mark

each side painted with an immortal with attribute on a red-glazed ground, the interior decorated with a roundel containing a mythical beast, 21.5cm wide; together with a STONEWARE ‘HUNDRED BOYS’ BOWL, 20.8cm diam (2) £400-600

39.5cm diam £300-400

427 HD187/23 GROUP OF STONEWARE ARTICLES 19TH CENTURY comprising; a square sectioned crackle-glaze vase, painted with landscape panels; a pear shaped vase; a rhombus shaped box and cover, decorated with panels depicting mythical creatures (3) tallest 24cm high £300-500

428 HD187/22 GROUP OF FOUR NABESHIMA DISHES each supported on a combed foot rim, painted in underglaze-blue and overglaze enamels with ﬂowers in fan-shaped panels and cloud, wave and cash pattern, the reverse painted with cash borne on ribbons (4) largest 20.7cm diam £400-600

54 Lyon & Turnbull

429 430

429 HD187/12 PAIR OF NABESHIMA FOOTED DISHES

432 HC575/1 IMARI PUNCH BOWL

19TH CENTURY raised on a high foot with typical comb motif, painted with maple leaves to the interior, the everted rim decorated with ﬂowers and scrolling tendrils (2)

MEIJI PERIOD the body curving to a scalloped rim, decorated to the interior with a central lobed medallion depicting a geisha in a seaside pavilion and to the exterior with three reserves each depicting a geisha with her attendant, the underside bearing a six-character apocryphal Chenghua mark (taimin seika nensei)

£300-500

430 HD144/15 PAIR OF SATSUMA VASES

435 HC437/82 KUTANI PORCELAIN OKIMONO OF A KARAKO ON AN OX 20TH CENTURY the boy dressed in a green robe with red and gilt decorations, seated upon a recumbent ox with its head turned to the left and its legs drawn in for compactness 23cm long

37cm diam

Provenance: Private Collection, Surrey

SIGNED YABU MEIZAN, MEIJI PERIOD decorated in polychrome enamels and gilt on a crackled cream ground with branches of momiji (red maple), artist’s seal to the base (2)

£150-250

£250-350

433 HD839/102 LARGE IMARI HALL VASE AND COVER

16cm high

LATE 19TH CENTURY the faceted baluster body painted in the typical palette of underglaze blue, overglaze iron red and gilt with panels of dragons, phoenix, shishi lions and stylized ﬂowers, the cover surmounted by a shishi lion ﬁnial

436 HC437/47 SATSUMA VASE ON LION

£800-1,200

431 HC866/5 PAIR OF IMARI BALUSTER VASES EDO PERIOD of ovoid form, the body decorated with four large shaped panels depicting a pair of shishi lions at play or a pair of stylized phoenixes in ﬂight, shoulder with lappets enclosing waves and a trellis pattern (2) 39cm high

66cm high

SIGNED HODADA, MEIJI PERIOD the small ovoid vase painted in gilt and coloured enamels with two panels depicting ladies at leisure, supported on the back of a karashishi (Chinese lion), the underside with a Shimazu family crest and the signature of the artist

£400-600

18.5cm high

434 HC437/105 SATSUMA TRIPOD CENSER AND COVER, KORO

Provenance: Private Collection, Surrey

£400-600

SIGNED HODODA, MEIJI PERIOD of compressed globular form, the exterior painted in polychrome enamels and gilt with two large panels, one depicting ladies gathered in an interior with a view to a river landscape, the other monks in conversation with laymen, the underside with signature of the artist and Shimazu family crest

£300-500

12cm diam Provenance: Private Collection, Surrey

£200-300

434

436

Asian Art 55

437 HD462/14 TWO STONEWARE VASES one of square section with broad shoulders and a thin short neck, decorated in ochre and gilt with chrysanthemum ﬂowers on a greenglazed ground, the other of globular shape, decorated with peonies and shield shaped panels (2) taller one 27cm high £200-300

438 HD370/4 LEAF-SHAPED IMARI DISH 442

MEIJI PERIOD the interior painted in the typical palette with two fans and a myriad of ﬂowers on leafy stems 27cm long £100-200

439 HD361/2 IMARI VASE 20TH CENTURY decorated in typical coloured enamels with two large lobed panels, one containing scholars gathered under a pine tree, the other a phoenix perched upon a ﬂowering branch, reserved against a bright red ground with dragons and further smaller fan-shaped panels 32cm high £100-150

440 HD361/1 PAIR OF PORCELAIN ‘DRAGON’ VASES 20TH CENTURY painted in bright enamels with two confronting dragons ﬂying among a dense ground of stylized clouds, all between bands of ﬂoral lappets encircling the neck and the foot (2) 27cm high £200-300

441 HD301/11 SET OF TWELVE IMARI DISHES SIGNED SHIOMODO TIKUBA, MEIJI PERIOD the interior decorated in typical red, blue and gold with various auspicious symbols including a fan, a kodansu and a ﬂower basket, the exterior painted in underglaze blue with further ﬂowers, six-character mark to the underside (12)

443

443 HD187/36 TWO KUTANI DISHES

444 HD187/35 KINRANDE LOBED OCTAGONAL DISH

one painted with a deity with a tiger and a dragon in a landscape, the other with an oriole perched upon a peony branch, both with Kutani mark to the underside; together with an ARITA BLUE AND WHITE TRAY and a WHITE GLAZED FLORIFORM BOWL (4)

the centre of the interior painted in iron red and gilt with a coiling dragon amid clouds, surrounded by eight petal shaped sides decorated with varying geometric patterns, iron red hand painted Kutani mark to the base

largest 24.3cm diam

£400-600

£300-500

24.5cm diam £300-500

442 HD187/37 SATSUMA PUNCH BOWL MEIJI PERIOD the interior enamelled in a mainly earthy green palette on a cream crackle-glaze ground with a phoenix contained in a central medallion, surrounded by bands of ﬂowers on scrolling leafy stems, the exterior enamelled with two dragons in pursuit of the ﬂaming pearl 36.8cm diam £500-800

444

22cm wide

56 Lyon & Turnbull

445 HD187/34 THREE POLYCHROME ENAMELLED FLORIFORM DISHES 19TH CENTURY the lobed sides decorated to the interior with ﬂowers borne on scrolling stems, the centre painted with a spray of magnolia, 18.3cm diam; together with a BLUE AND WHITE FLUTED BOWL, 9.7cm diam (4) £300-500

446 HD187/33 COLLECTION OF SIX PLATES AND CHARGERS MEIJI PERIOD comprising; an imari charger with two buﬀalos under a peachtree; two ko-kutani style chargers, painted with scholars in a landscape, fuku mark to the base; one kutani charger, painted with a pair of mandarin ducks in a ﬂoriform panel; a kutani dish painted with various Daimyo and Shogun, signed Eiraku to the underside; a kutani dish painted with a lady on the veranda of a lakefront house (6) largest 37.5cm diam £400-600

447 HB891/12 LARGE IMARI CHARGER MEIJI PERIOD decorated to the centre with a composition of flowerheads and leaves, surrounded by scenes of Immortals, birds perched on blossoming branches, and scrolling and diaper patterns, the border with peonies, chrysanthemums and butterflies amongst scrolling leaves, the reverse with further floral decoration

449 HC437/18 MASSIVE RELIEF-MOULDED SATSUMA VASE IN THE STYLE OF RYOKUZAN, EARLY 20TH CENTURY of ovoid shape with a short waisted neck, decorated in bright enamels and gilt with an immortal’s journey on horseback across mountain and ocean, a warrior ﬁgure paving his way by subduing a ﬁerce dragon emerging from the turbulent waves of the sea, Kokaen mark to the base, with gilt tripod stand 79cm (excluding stand) Provenance: Private Collection, Surrey

£3,000-5,000

55.5cm diam £150-250

448 HB514/7 IMARI ‘BLACK SHIP’ BOWL 19TH CENTURY decorated in the typical palette, the central roundel enclosing a black ship at sea, surrounded by four pairs of standing Dutchmen amongst two smaller panels enclosing a similar ship and two faux coats-ofarms, all on ﬂoral diaper pattern ground, decorated to the exterior with two rectangular panels depicting further ships and two round panels depicting a man and boy, all connected by scrolling peonies and leaves, the base with auspicious Shou character 38cm diam Provenance: The Gauhar Collection Note: For similar examples see Christie’s sale in their Amsterdam rooms, 20th November 2002, lot 93, and Bonhams sale in their London rooms, 15th May 2014, lot 490.

£200-300

450 HD187/32 KUTANI REVIVAL CENSER AND COVER 19TH CENTURY the exterior painted in green, aubergine and brown enamels with lotus ﬂowers and scrolling tendrils, the shoulder decorated with a pierced gallery of overlapping rings, fuku mark to the base 26cm high (excluding stand) £400-600

Asian Art 57

451 HB956/12 SATSUMA VASE of tall ovoid shape, decorated in various coloured enamels and gilt with groups of ﬁgures including a Buddhist rakan surrounded by civil and military oﬃcials, all set in a garden landscape with view towards distant mountains 45.5cm high

452 HD187/31 PAIR OF KUTANI DOUBLE-GOURD VASES AND COVERS glazed green and red with yellow and white highlights, painted with chrysanthemum ﬂowers within lappet shaped panels (2) 39cm high £300-500

£300-500

453 HD187/30 SETO STONEWARE PEAR-SHAPED VASE 19TH CENTURY the bulbous body tapering to a short neck with a lipped rim, decorated on a brown crackle glazed ground with a rakan beside mythical creatures including kappa and akkorokamui 33cm high £400-600

454 HD187/29 SETO STONEWARE CHARGER enamelled on a cream crackle-glazed ground with a scene of frogs drawing water from a well using a rope pump, the rim decorated with various geometric patterns in shallow relief 36cm diam £400-600

455 HD187/28 GROUP OF FOUR VASES comprising; a green and yellow glazed Awaji ovoid vase with twin scroll handles; a greenglazed stoneware vase; a green-glazed baluster vase with dragon handles; an Arita stoneware jar, with lug handles to the shoulder (4) largest 40cm high £300-500

58 Lyon & Turnbull

456 HD187/27 KO-KUTANI STYLE BOTTLE VASE painted in green, aubergine and red enamels on a cream crackle-glaze ground with ﬁgures in a landscape with mountains, water and pavilions, fuku mark to the base; together with a GARLIC MOUTH VASE, painted with a pair of Buddhist lions; a HEXAGONAL BOTTLE VASE, decorated with landscape panels; a QUATREFOIL-RIMMED WASHER (4)

457 HD187/26 GROUP OF FIVE STONEWARE DISHES AND TRAYS comprising; a Ko-Kutani style oval shaped dish, Kutani mark to the underside; a KoKutani style square tray with cut corners, painted with three black-naped orioles perched on a cherry branch; a rectangular tray; a circular dish painted with a rakan; a green-glazed oblong tray raised on four conical feet (5)

largest 31cm diam £300-500

largest 26cm long £300-500

458 HD187/25 PAIR OF KUTANI BALUSTER VASES MEIJI PERIOD the bulbous body adorned with two large roundels, one depicting a ceremonial gathering of immortals and Chinese civil oﬃcials, the other a bird perched upon a spray of roses, the base bearing a fuku mark (2) 37cm high £400-600

459 HD187/38 GROUP OF THREE BOWLS comprising; a footed Banko Yaki stoneware bowl, painted with two maple leaves to the interior and chrysanthemum and orchid ﬂowers to the exterior, banko mark to the underside; a kutani bowl; a hexagonal redglazed bowl (3) largest 14.5cm diam £200-300

Asian Art 59

465

464 HD764/3 UTAGAWA KUNISADA (1786-1865) NO.13 FROM THE SERIES MAGIC LANTERN SLIDES OF THAT ROMANTIC PURPLE FIGURE woodblock print, ink and colour on paper; together with MIZUNO TOSHIKATA (18661908), MOON VIEWING, woodblock print, ink and colour on paper; WATANABE SHOTEI (1851-1918), COCKEREL AND HEN, print, ink and colour on paper; TWO DRAWINGS OF SOUTHEAST ASIAN LIFE (5)

460

460 FB97/1 ATTRIBUTED TO TOSA MITSUOKI (1617-1691)

462 HC794/1 SIX UKIYO-E WOODBLOCK PRINTS

BIRDS AND FLOWERS hanging scrolls, ink and colour on paper, each with a nine-character seal of the artist reading Tosa sakon shokan Mitsuoki (2)

AFTER UTAGAWA KUNISADA (1786-1865) OR UTAGAWA YOSHIHARU (1828-1888) depicting geishas in a garden and in an interior, four signed ‘Kochoro Toyokuni” (Utagawa Kunisada), two signed Yoshiharu (6)

106cm high, 41cm wide

35cm high, 24cm wide

£1,500-2,500

£100-150

461 HC824/2 MIZUNO TOSHIKATA (1866-1908)

463 HC772/4 HIROSHI YOSHIDA (1876–1950)

STREET GIRLS & CATCHING FIREFLIES woodblock prints from the series Sanjuroku i kurabe (The Thirty-six Beauties Compared) (2)

BUDDHIST TEMPLE AT OMURO, 1940 woodblock print in horizontal ôban format, sealed Hiroshi, pencil signed Hiroshi Yoshida, with a jizuri seal, dated Showa 10 (1935)

31.5cm high, 21cm wide (excluding frame) Provenance: Private Collection, Edinburgh

£100-200

largest 25.2cm high, 35.8cm wide (excluding frame) £200-300

465 HD370/5 ANDO HIROSHIGE (1797-1858) IZUMI PROVINCE: TAKASHI BEACH (IZUMI, TAKASHI NO HAMA), 1853 No. 4 from the series Famous Places in the Sixty-odd Provinces (Rokujûyoshû meisho zue), vertical ôban, ink and colour on paper, signed Hiroshige hitsu, with three censor’s seals Mera, Watanabe and Ox 7 36.1cm high, 24.4cm wide

Provenance: Private Collection, Edinburgh

Provenance: Private Scottish Collection. Purchased in 1997 from Mercury Gallery, London, during the exhibition “ANDO HIROSHIGE (1797-1858) UKIYO-E: Pictures of the Floating World.” Gallery label and exhibition ﬂyer verso. Accompanied by exhibition catalogue.

£200-300

£300-500

24.7cm high, 37.5cm wide (excluding frame)

60 Lyon & Turnbull

470

466 HD320/3 ATTRIBUTED TO KITAGAWA UTAMARO (1753-1806)

469 HB914/1 ATTRIBUTED TO UTAGAWA HIROSHIGE (1797-1858)

TWO COLOUR WOODBLOCK PRINTS the ﬁrst Ohisa of Takashima Teashop, inscription by Toka Tadamasa, published by Tsutaya Juzaburo, the second Couple with a Standing Screen, published by Moriya Jihei; together with AFTER UTAGAWA KUNISADA I (1786-1864), COLOUR WOODBLOCK PRINT FROM THE SERIES ‘FOUR ELEGANT THINGS FOR YOUNG LADIES’ (3)

THE LANDING OF THE SEVEN-RI FERRY AT ATSUTA STATION, MIYA no. 42 from the series ‘Pictures of the Famous Places on the Fifty-three Stations’, depicting men and women gathered under a torii on the shore against the backdrop of the sea bustling with boat traﬃc, framed

largest 38cm x 25cm (excluding frame) £200-300

467 HB891/5 JAPANESE SCHOOL TIGER hanging scroll, ink and colour on silk, signed and with two seals of the artist 125cm high, 50cm wide £400-600

468 HB649/43 PAIR OF WATERCOLOURS S. HODO, MID 19TH CENTURY watercolour on paper, realistically painted depicting an elderly Japanese couple, the woman sweeping the ground, the man standing with walking cane, framed and glazed (2) 45.5cm high, 14cm wide (excluding frame) Provenance: Private Collection, Scottish Borders

£100-150

34cm high, 22cm wide Note: The reverse bearing the label of ‘Tokyo M. Nakazawa, Block Prints, Scrolls, Curios, OPP Imperial Hotel’ Provenance: Private Scottish Collection

£200-300

470 HD828/1 SIX-PANEL FOLDING SCREEN, BYOBU MEIJI PERIOD ink and colour on gold paper ground, painted with a pair of birds wading in shallow water amongst chrysanthemums, peonies and irises 172cm high, 376cm wide £500-800

471 HB904/429 COLLECTION OF NETSUKE MAGAZINES mostly comprising Netsuke Kenkyakai and The International Netsuke Collectors Society editions; together with one volume Netsuke by F. M. Jonas (qty) £200-400

472 HD792/1 MUNAKATA JAPANESE PRINTS A COLLECTION OF HANGA BY SHIKO MUNAKATA published by Shoichi Noma Kodansha, Tokyo, 1970, no. 1628 of limited edition of 3000, purple silk binding, in cloth box £300-500

473 HC806/1 THREE KOREAN STONEWARE JARLETS JOSEON DYNASTY one covered in an olive-green crackled glaze, one applied with celadon glaze and carved with ﬂoral pattern (3) largest 6cm diam Provenance: Private English Collection

£150-250

474 HD374/10 GROUP OF SIX SHAN LACQUERED WOOD FIGURES comprising; four seated ﬁgures of Buddha on plinths, with traces of gilt; two gilt standing ﬁgures of Buddhist acolytes (6) tallest 27.5cm high £200-300

475Y HB904/335 IVORY TUSK CARVING 19TH CENTURY carved with a dancing Shiva ﬂanked by snakes, below him a winged mythical dragon head 19.8cm high £200-300

END OF SALE

Conditions of Sale SELLERS 1. DEFINITIONS

3. PREPARATION FOR SALE

In these Conditions of Sale (Sellers):

(a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

“Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing 4. TERMS OF SALE

“Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds;

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

“Proposed Sale” means the intended sale through which the items will be sold on

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

“Purchase Price” is the Hammer Price and applicable Buyer‘s Premium;

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot.

“Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or by private treaty). “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. The lot will be sold without reserve unless a reserve has been agreed. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the hammer price been the reserve. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &

Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred. (2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer.

(c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

14. THIRD PARTY LIABILITY

16. AGENCY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

15. GENERAL

17. DATA PROTECTION

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

13. SALE BY PRIVATE TREATY

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer's sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over €15,000 (euros). (2) Any payments by you to us may be applied by us

towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot. 10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

(e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Guide to Bidding & Payment Payment

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to €15,000 (euros).

© Lyon & Turnbull Ltd. 2016. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

LYON & TURNBULL AUCTIONEERS EDINBURGH ASIAN ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

22ND MARCH, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Tuesday, 22nd March, 2016 33 Broughton Place Edinburgh EH1 3RR

Asian Art