Contemporary & Post-War Art | 16th March 2016 | 11am by Lyon & Turnbull

LYON & TURNBULL AUCTIONEERS EDINBURGH CONTEMPORARY & POST-WAR ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

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16TH MARCH, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 16th March, 2016 33 Broughton Place Edinburgh EH1 3RR

Contemporary & Post-War Art

Contemporary & Post-War Art Wednesday, 16th March, 2016 at 11am Sale Number LT458

Viewing Times Sunday, 13th March 12 noon - 4pm Monday, 14th March 10am - 5pm Tuesday, 15th March 10am - 5pm Morning of sale strictly by appointment only

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 168 (detail)

Inside Front Cover Lot 127 (detail)

Inside Back Cover Lot 170 (detail)

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Catalogue descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ iimports-exports/cites

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you; whether you are looking for something in particular for your home or collection; require more detailed information about the history or current condition of a lot or just want to ďŹ nd out more about the auction process.

Charlotte Riordan

Nick Curnow

Carly Shearer

charlotte.riordan@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

carly.shearer@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

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4 Lyon & Turnbull

1§ HD78/7 JOHN G. BOYD R.G.I. (SCOTTISH 1940-2001) STILL LIFE WITH OIL LANTERN Signed, oil on canvas 62cm x 72cm (24.5in x 28.25in)

£800-1,200

2§ HD497/1 MARION DRUMMOND (SCOTTISH b. 1958) MARTINMAS Signed, oil on board 60cm x 89cm (23.5in x 35in)

£1,000-1,500

3§ HD78/9 ALISTAIR GRANT (SCOTTISH 1925-1997) MOONLIT INTERIOR Signed, oil on canvas 49cm x 59cm (19.25in x 23.25in)

£500-700

Contemporary & Post-War Art 5

4§ HD78/3 ERNEST BURNETT HOOD (SCOTTISH 1932-1988) BOATS AT LOW TIDE Signed, oil on canvas 34cm x 45cm (13.5in x 17.75in)

£500-700

5§ HD78/6 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) BASS ROCK, DUSK Signed and inscribed with title and numbered 12/35 in pencil to margin, colour lithograph 65cm x 81cm (25.5in x 32in)

£400-600

6§ HD772/1 NAEL HANNA (IRAQI/SCOTTISH b. 1959) HORIZON OVER THE NORTH SEA Signed, oil on canvas

7§ SV0244/11 MARDIE BARRIE R.S.W. (SCOTTISH 1931-2004) BLUE ESTUARY Signed, oil on board

30cm x 40cm (11.75in x 15.75in)

33cm x 40cm (9in x 16in)

£500-700

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8§ HD370/12 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) SKETCH FOR BLACK STUDIO Oil on board 18.5cm x 23cm (7.25in x 9in) Exhibited: Aitken Dott, Edinburgh, Festival Exhibition, 1969

£400-600

9§ HD370/13 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) SKETCH FOR MEN WITH NETS Signed, oil on board 27cm x 36cm (10.5in x 14in)

£500-700

10§ HD370/17 DENIS PEPLOE R.S.A. (SCOTTISH 1914-1993) MOON OVER CORNFIELD Signed, signed and inscribed with title artist’s label verso, oil on board 26cm x 34cm (10.25in x 13.5in)

£800-1,200

Contemporary & Post-War Art 7

11§ FD693/103 BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007) NIGHT ON THE FLOW Signed, gouache

12§ HD468/3 JACK KNOX R.S.A., R.G.I., R.S.W. (SCOTTISH 1936-2015) 6 RUE DES BARDONS Signed, dated 1990 verso, pastel

25cm x 35cm (9.75in x 13.75in)

25.5cm x 35.5cm (10in x 14in)

Provenance: From the Estate of the Late Mr Cyril Gerber

Provenance: The Fleming-Wyfold Art Foundation (676)

£200-300

£400-600

13§ HD778/9 SIR WILLIAM GEORGE GILLIES C.B.E., A.R.A., R.S.A., R.S.W. (SCOTTISH 1898-1973) THE BORDERS Signed, watercolour

14§ HC869/2 MARDI BARRIE R.S.W. (SCOTTISH b. 1931) STILL LIFE WITH JUG Signed, oil on canvas 63cm x 75cm (24.75in x 29.5in)

25cm x 31cm (10in x 12in)

£300-500

£600-800

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PETER HOWSON Widely renowned for his ability to effectively convey raw emotion, and his unique figurative style, Peter Howson’s works are instantly recognisable. Howson studied at the Glasgow School of Art in the 1970s and quickly gained recognition throughout the art world with a series of commissions and exhibitions. In 1993, Howson was appointed by the Imperial War Museum to the position of British Official War Artist during the Bosnian Civil War. Howson himself has described this time in Bosnia as being ‘wrought with difficulty’, as he struggled to convey the horror of what he witnessed in his works and make them resonate with a British audience.

15§ HC140/3 PETER HOWSON (SCOTTISH b. 1958) BOAR HUNT, 1994 Signed and dated ‘94, pastel on paper 52cm x 78cm (20.5in x 30.75in) Exhibited: Flowers East, London

£2,000-3,000

Included in this sale are Howson works from this Bosnian period previously exhibited by Flowers Gallery in London. ‘Mascotte’, ‘Wham Baam Maam 3!’, and ‘Boar Hunt’, were all completed in 1994 using pastel on paper. As is typical of Howson, the main focus within these works is upon the human subjects depicted, indeed, the only use of warm colour by the artist in these works is to highlight the subject’s faces. Not only does this limited use of colour serve to contrast with the cool, blue toned paper and instantly draw the viewer’s eyes to the human

subjects, it serves to highlight a difference between the individuals’ wretched surroundings, and the subjects themselves. Other subject matter included in these works serve to convey further the predominant feeling of wartime melancholy, particularly the inclusion of ammunitions, decapitated boar’s heads, and skulls and crossed bones. Howson was widely praised for his work as Official War Artist, and all three of these works for sale are typical examples of his work from this formative and defining period of his career.

Contemporary & Post-War Art 9

16§ HC140/1 PETER HOWSON (SCOTTISH b. 1958) WHAM BAAM MAAM 3! Signed and dated ‘94, pastel on paper 78cm x 52cm (30.5in x 20.5in) Exhibited: Flowers East, London

£2,000-3,000

17§ HC140/2 PETER HOWSON (SCOTTISH b. 1958) MASCOTTE 1 Signed and dated ‘94, pastel on paper 50cm x 65cm (19.75in x 25.5in) Exhibited: Flowers East, London

£2,000-3,000

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18§ HD789/2 JAMES FULLARTON (SCOTTISH b. 1946) A TUSCAN VILLAGE Signed, oil on paper

19§ HD778/1 GEORGE DONALD R.S.A., R.S.W. (SCOTTISH b. 1943) MOONDOOR, SUZHOU Mixed media and collage

29cm x 39.5cm (11.5in x 15.5in)

48cm x 55cm (19in x 21.5in)

£300-500

£400-600

20§ HD67/22 GEOFF UGLOW (BRITISH CONTEMPORARY) PARK CIRCUS, GLASGOW Oil on board

21§ HD789/1 ANN ORAM R.S.W. (SCOTTISH b. 1956) UNTITLED Signed, oil on canvas

44cm x 52cm (17.25in x 20.5in)

58cm x 79cm (22.75in x 31in)

and a further print by the same hand (2)

£600-800

£400-600

Contemporary & Post-War Art 11

22§ HB644/1 SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) THE GEOMETRIC FENCE Signed and dated 1989 on the backboard 61cm x 61cm (24in x 24in) Provenance: Browse & Darby London 1989

£2,000-3,000

23§ HB644/2 SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) FIGURES AT A TABLE Signed and dated 1987, oil on canvas 71cm x 80cm (28in x 32in)

£3,000-5,000

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24§ HB845/7 PAT DOUTHWAITE (SCOTTISH 1934-2002) STRIPPER COCKEREL Signed, titled and dated ‘90, charcoal and pastel on paper 82cm x 58cm (32.25in x 23in)

£400-600

25§ HB845/3 PAT DOUTHWAITE (SCOTTISH 1934-2002) CHRIST FIGURE Signed and dated ‘87, red chalk on paper 84cm x 59.5cm (33in x 23.25in)

£300-500

26§ HB845/12 PAT DOUTHWAITE (SCOTTISH 1934-2002) PET CAT Signed and dated ‘88, pastel 100cm x 70cm (39.5in x 27.5in)

£600-800

Contemporary & Post-War Art 13

27§ HD800/3 IVOR ABRAHAMS R.A. (BRITISH b. 1935) UNTITLED A/P, signed and numbered XIX/XX in pencil to margin, photolithograph

28§ HD800/2 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) ANASAZI HUNTER Signed, inscribed with title and numbered XIII/XX in pencil to margin, etching

50cm x 65cm (19.75in x 25.5in)

Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£300-500

29§ HD800/1 SANDRA BLOW R.A. (BRITISH 1925-2006) UNTITLED A/P, signed and dated 2000 and numbered XII/XX in pencil to margin, screenprint

30§ HD800/4 RICHARD DEACON C.B.E. (WELSH b. 1949) UNTITLED From an edition of 100, photographic screenprint

50cm x 65cm (19.75in x 25.5in) Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£300-500

50cm x 64cm (19.75in x 25.25in) Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£250-350

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31§ HD377/1 ALEXANDER MOFFAT (SCOTTISH b. 1943) PICNIC Signed and dated 1963, signed and dated verso, oil on board 122cm x 183cm (48in x 72in) Note: From a series of six panels Moﬀat produced as an art student in 1963, famously exhibited to the public on the railings of Castle Terrace. The artist holds the ﬁrst in the series in his collection and another is in the collection of Edinburgh College of Art.

£3,000-5,000

32§ HD138/1 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2005) EAST COAST HARBOUR Signed, oil on canvas, unframed 100cm x 120cm (39.5in x 47.25in)

£3,000-5,000

Contemporary & Post-War Art 15

33§ HD252/4 DAVID MICHIE O.B.E., R.G.I. (SCOTTISH 1928-2015) ON THE BEACH AT GOLFEJUAN Signed, oil on canvasboard 24cm x 29cm (9.5in x 11.5in) Exhibited: The Scottish Gallery, Edinburgh, November 1980

£400-600

34§ HD252/2 DAVID MICHIE O.B.E., R.G.I. (SCOTTISH 1928-2015) COWS BY THE LEADERWATER, 1981 Signed, oil on canvasboard 19cm x 24cm (7.5in x 9.5in)

£300-500

35§ HD252/3 DAVID MICHIE O.B.E., R.G.I. (SCOTTISH 1928-2015) NESTING TERN Signed, oil on canvas 49.5cm x 60cm (19.5in x 23.5in)

£600-800

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JOCK MCFADYEN McFadyen’s work has had a series of different focus points: moving from the witty conjectures he made in Art College, to the population of London East End waifs and strays of the 1980s before he started to produce less figurative work in the 1990s as the urban landscape became his predominant subject. Throughout his career, as well as exhibiting prolifically, McFadyen has been involved in a wide range of interesting commissions and collaborations. This began with his appointment as Artist in Residence at the National Gallery in London in 1981, which was the catalyst of his move to observed working, of which the East End waifs and strays were the result. In the early 1990s he was commissioned by the Imperial War Museum to record events around the dismantling of the

Berlin Wall before working on the set and costumes for ballet performances at the Royal Opera House. McFayen has claimed that his painterly influences include Sickert, Whistler and Lowry but for the most part he finds his inspiration in 1970s realist film and contemporary novels and music rather than art. As a result he has worked in collaboration with a range of writers including Iain Sinclair, Howard Jacobson and Will Self. In 2005, he took his collaborative efforts a step further by founding The Grey Gallery, with his wife, the musician Susie Honeyman. It

36§ HD814/3 JOCK MCFADYEN R.A. (SCOTTISH b. 1950) SHELTER Signed and dated ‘91, gouache 76cm x 58cm (30in x 23in)

£1,000-1,500

is a nomadic entity which works with artists, writers and musicians on a project basis, with the intention of working across disciplines and outside of existing frameworks established by dealers and curators. McFadyen’s talent has been consistently recognised and celebrated, through his highproﬁle commissions as well as with the inclusion of his work in 30 public collections, as well as private collections worldwide. He was elected a Royal Academician in 2012, conﬁrming his place within the British artistic establishment.

Contemporary & Post-War Art 17

37§ HD814/5 JOCK MCFADYEN R.A. (SCOTTISH b. 1950) BOOTH, BERLIN, 1991 Signed, inscribed with title and date, gouache 75cm x 56cm (29.5in x 22in)

£1,000-1,500

38§ HD814/4 JOCK MCFADYEN R.A. (SCOTTISH b. 1950) CRAMOND 2 Signed, dated ‘92 and inscribed with title in pencil to margin, numbered 27/30, etching 48cm x 41cm (19in x 16in)

£300-500

39§ HD814/6 JOCK MCFADYEN R.A. (SCOTTISH b. 1950) OFFSTAGE, 1990 Gouache 75cm x 56cm (29.5in x 22in)

£1,000-1,500

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40§ SV0244/20 SIR ROBIN PHILIPSON, R.A., P.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) GARDEN IN FRANCE Pen and ink

41§ FD693/181 BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007) EQUIDISTANT Signed, inscribed with title and dated ‘December 1964’ verso, mixed media on paper

36cm x 41cm (14in x 16in)

62cm x 49cm (24.5in x 19.25in)

£300-500

Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

42§ FD693/177 MICHAEL AYRTON (BRITISH 1921-1975) PAROS - JUNE 1975 A/P, signed and inscribed with title in pencil to margin, aquatint 30cm x 25cm (11.75in x 10.75in) (plate only) Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

43§ FD693/173 BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007) IN THE DEPTH OF WINTER Signed, watercolour 10cm x 10cm (4in x 4in) Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

Contemporary & Post-War Art 19

44§ FD693/159 PETER HOWSON (SCOTTISH b. 1958) WALKING HOME Signed, oil on card 56cm x 43cm (22in x 17in) Provenance: From the Estate of the Late Mr Cyril Gerber

£1,200-1,800

45§ FD693/115 PETER THOMSON (SCOTTISH b. 1962) TATTOO, 1996 Signed and inscribed with title frame verso, oil on board 41cm x 48cm (16in x 19in) Provenance: From the Estate of the Late Mr Cyril Gerber

£300-500

46§ FD693/224 PETER HOWSON (SCOTTISH b. 1958) FIGURE Signed, pastel 29cm x 21cm (11.5in x 8.25in) Provenance: From the Estate of the Late Mr Cyril Gerber

£400-600

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47§ HB826/6 JOAN MIRÓ (SPANISH 1893-1983) COMPOSITION, 1973 (LILURE) Signed and inscribed ‘H.C.’ in pencil to margin, unique etching, aquatint and carborundum 35cm x 43cm (13.75in x 17in)

£600-800

48§ HB826/7 JOAN MIRÓ (SPANISH 1893-1983) MONTROIG 2 Signed in pencil and numbered VIII/XX, colour lithograph 76cm x 57cm (30in x 20.5in)

£1,500-2,000

Contemporary & Post-War Art 21

49§ HD826/1 LÉONARD TSUGOUHARU FOUJITA (JAPANESE/ FRENCH 1886-1968) HOUSE OF FOUJITA Signed and dated 1932, titled upper centre in Japanese, gouache, watercolour and pencil on buﬀ coloured sketchbook pages laid down on board 69cm x 79cm (27in x 31in) Provenance: Shinobu Suzuki, Japan (gift from artist). By descent from the above Exhibited: Pola Museum of Art, Hakone September 2002 - June 2004, no. 134 Galerie Tamènaga, Tokyo

£10,000-15,000

In Japan, the country of his birth, Foujita is one the most famous artists. Yet his career was formed in the West, in Montparnasse, Paris during the early decades of the twentieth century. At his peak he was more successful than his good friend Picasso, and was a formative inﬂuence on his studio mate Modigliani. Fame and wealth came swiftly and within a dozen years of his arrival in Paris he had received the Legion of Honor, as well as the Belgian Order of Léopold I. That his name does not inspire the same level of recognition as his peers is in part due to this high level of early success. His work was and remains keenly collected and as such few of our national

institutions hold a signiﬁcant body of his work, meaning that apart from brief appearances on the open market, he remains somewhat elusive to gallerygoers. Foujita’s work was as idiosyncratic as the man himself. The archetypical bohemian, he adopted a distinctive aesthetic; a helmet of hair inspired by Egyptian sculpture, earrings, Grecian robes and round rimmed glasses. He had a tattoo of a wristwatch and on occasion could be seen wearing a lampshade as a hat. Yet, all of this was pulled oﬀ with a minimalist, sophisticated panache. His personality and style, both highly original and carefully considered, was

reﬂected in his work. An advocate of line over colour, Foujita employed the delicacy and simplicity of traditional Japanese artistic methods to create meticulous, delicate interpretations of his studio, the alleys of Montparnasse and his muses - both female and feline! The quirky work oﬀered here for sale consists of gently observed caricatures and cartoonish sketches, and is a charming insight into this fascinating artist’s world. It was executed in 1932, the year Foujita was to leave Paris for new adventures in South America where he mounted exhibitions of his work that were met with wild success.

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50§ HD827/2 ERIC HOLT (BRITISH 1944-1997) PARSNIP GATHERING Signed and dated ‘80, egg tempera on panel 32cm x 26cm (12.5in x 10.25in)

£800-1,200

51§ HD827/1 ERIC HOLT (BRITISH 1944-1997) LEGION Signed and dated 1974, signed and inscribed with title and dated verso, egg tempera on panel 51cm x 38cm (20in x 15in) Exhibited: April/May 1977, The Piccadilly Gallery, London

£1,000-1,500

Contemporary & Post-War Art 23

52§ HD481/1 LEON MORROCCO R.S.A. (SCOTTISH b. 1942) EATING SPAGHETTI, NAPLES Signed, oil on board 20cm x 22cm (8in x 8.75in)

£800-1,200

53§ HD491/1 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) MAYO CLIFFS, 2002 Signed and inscribed with title, mixed media on paper 29cm x 29cm (11.5in x 11.5in)

£800-1,200

54§ HD481/2 LEON MORROCCO R.S.A. (SCOTTISH b. 1942) FISH SUPPER, ROME Signed and dated ‘06, oil on board 20cm x 20cm (8in x 8in)

£800-1,200

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55§ SV0244/27 DAVID DONALDSON R.S.A., L.L.D. (SCOTTISH 1916-1996) FIGURE OF A BUTTERFLY Signed, oil on canvas 24cm x 24cm (9.5in x 9.5in)

£600-800

56§ HD472/1 DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1931) ROMAN CATS Signed and numbered 7/20 in pencil to margin, inscribed with title in plate, stamped margin bottom right, etching 22cm x 23cm (8.5in x 9in)

£300-500

57§ HD472/2 ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1931) STUDY OF CATS Signed and numbered 15/20 in pencil to margin, etching

58§ SV0244/17 EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) STUDY FOR THE ACCADEMIA BRIDGE, VENICE Signed, oil on board

35cm x 37cm (13.75in x 14.5in)

£700-1,000

£300-500

29cm x 39cm (11.5in x 15.5in)

Contemporary & Post-War Art 25

59§ HD168/1 ETHEL WALKER (SCOTTISH b. 1941) MISTY BLUE LOCH ARD Signed, oil on board 76cm x 79cm (30in x 31in)

£1,000-1,500

60§ HD168/2 ETHEL WALKER (SCOTTISH b. 1941) LOCH SIDE AT CORRIENESSAN Signed, oil on board 65cm x 55cm (25.5in x 21.5in)

£800-1,200

61§ HD168/3 ETHEL WALKER (SCOTTISH b. 1941) MISTY GLEN Signed, oil on board 33cm x 44cm (13in x 17.25in)

£500-700

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62§ HD113/1 CRAIG MULHOLLAND (SCOTTISH CONTEMPORARY) AFTER CHARDIN - LE SOUFFLEUR DE BULLES DE SAVON Oil on board

63§ HD113/2 CRAIG MULHOLLAND (SCOTTISH CONTEMPORARY) AFTER EDUOARD MANET - LES BULLES DE SAVON Oil on board

25cm x 25cm (9.75in x 9.75in)

Exhibited: Duncan Miller Fine Arts, London

£600-800

64§ HD149/2 JOHN BYRNE (SCOTTISH b. 1940) FIGURE WITH OWL ON SHOULDER - C.1968-72 Signed, oil and collage on canvas 90cm x 90cm (35.5in x 35.5in) Note: The artist has dated this painting for us to the period 1968-72. The owl on the ﬁgure's right hand shoulder was inspired by Antoni Clavé, a Catalan artist who he admired. The work uses many of Byrne's recurring motifs, including the "still-life or moon section" above the left hand shoulder, designed to tip the picture plane and very common in his practice at this time. The scumbly paint surface texture is also typical of this period.

£4,000-6,000

Contemporary & Post-War Art 27

65§ HD697/1 DAVID BOWIE (BRITISH 1947-2016) DHEAD Signed with initials and dated '97 verso, acrylic and computer collage on canvas 26cm x 20.5cm (10.25in x 8in) Exhibited: ‘ARTAID ‘98’, selling exhibition at the City Art Centre, Edinburgh

£3,000-5,000

Few have so successfully managed to embody the word ‘artist’ as wholly or uniquely as the polymathic David Bowie. Best known of course as a singer/songwriter, Bowie’s entire career was spent actively blurring the lines between the art forms of music, performance and design; the visual playing as big a part as the aural. Famously modest, the extent of Bowie’s skill as a painter and passion for collecting is little known amongst the general public. He, like so many of the influential bands that formed in the late 1960s and early 1970s, was a product of an art school education. As well as practising art, he also read widely on the subject, even becoming well-regarded as a critic in the 1990s. His own personal collection features many Modern British artists including Ben Nicholson, Stanley Spencer, David Bomberg, Frank Auerbach, Patrick Caulfield and Peter Lanyon, as well as Damien Hirst and Scottish artist Peter Howson. He was particularly drawn to figuration in all of its 20th century guises, and his own art is largely formed of abstracted head studies. His style references some of the bizarreness and esotericism of 1930s era German Expressionist art, unsurprising given the dark

and atmospheric impact that the city of Berlin had on his musical output. Though painting and art was a huge part of Bowie’s life, his work is extremely scarce to market, and Lyon & Turnbull are excited to oﬀer this selfportrait by the artistic legend, its title ‘DHEAD’ being eerily prescient given the timing of its arrival at auction. The art work was philanthropically donated by Bowie to a large

fund-raising exhibition called ‘ARTAID ‘98’, held at the City Art Centre in Edinburgh in that year. Here his work was hung alongside artists including Craigie Aitchison, Howard Hodgkin, Gilbert and George and Ken Currie. Bowie, perhaps aware that his legacy as a musical genius was likely to forever overshadow his output as a visual artist (or for that matter, as an actor), he

seldom exhibited his artwork and his last solo show was in the 1990s. Examples of his Berlin-era portraiture were featured in the 2013 blockbuster exhibition ‘David Bowie Is’ at the Victoria and Albert Museum in London, where they received critical acclaim in their own right.

28 Lyon & Turnbull

66§ HD778/6 HENRY FRASER (SCOTTISH CONTEMPORARY) PIECE OFFERING (EGG MAYONNAISE) Signed with initials and dated ‘06, signed and date and inscribed with title verso, acrylic on canvas 40cm x 30cm (15.75in x 11.75in)

and a smaller work, ‘The Yellow Cardinal’, by the same hand (2) £300-500

67§ SV0244/35 JOSEPH URIE (SCOTTISH b. 1947) BIRDMAN Signed, inscribed and dated 1990 verso, oil on paper 72cm x 48cm (28.25in x 19in)

£1,200-1,400

68§ HD807/1 ALEX POLLARD (BRITISH b. 1977) CLOWN - 2007 Oil on canvas 76cm x 71cm (30in x 28in) Note: A graduate of the Glasgow School of Art and a longterm resident of the city, Pollard represented Scotland at the Venice Biennale in 2005 and since then has shown his work in Europe, USA and Australia. This includes his contribution to the Santorini Biennale in 2012 and in his participation in ‘The Irregular Correct – New Art from Glasgow’ at the Freemantle Art Centre in Australia, 2012. He is now currently a practice based PhD candidate at Goldsmiths College, London.

£500-700

Contemporary & Post-War Art 29

69§ HD495/1 PETER HOWSON (SCOTTISH b. 1958) NIGHT SHOUT Signed, pastel 29cm x 23cm (11.5in x 9in)

£500-700

70§ HD495/3 HEATHER NEVAY (SCOTTISH b. 1965) THE FINAL KISS Oil on canvas laid on board, oval 25cm x 19.5cm (9.75in x 7.75in)

£600-800

71§ HD495/2 PETER HOWSON (SCOTTISH b. 1958) FIGURE WITH CHURCH SPIRE Signed, pastel 30cm x 22cm (11.75in x 8.75in)

£500-700

30 Lyon & Turnbull

72§ HC61/1 JIM LAMBIE (SCOTTISH b. 1964) UNTITLED (SID VICIOUS) Oil on canvas collaged on paper 46cm x 30cm (18in x 12in)

£5,000-7,000

The Scottish contemporary art scene is thriving, a fact long recognised on the international stage. Glasgow was recently named one of the top five centres for contemporary art worldwide and has contributed no less than six winners to the prestigious Turner Prize and countless nominees. In acknowledgment, the city hosted the 2015 awards. Edinburgh remains the country’s commercial centre and is of course also home to the world’s largest arts festival which takes place in August. ‘The New Glasgow Boys’ Peter Howson, Steven Campbell and Ken Currie claimed the spotlight in the 1980s and were swiftly taken up by London and New York-based collectors. In the 1990s, the likes of Douglas Gordon, David Shrigley and Christine Borland influenced much of the artistic dialogue in the UK. This was largely off the back of the success of Glasgow School of Arts innovative and highly regarded Environmental Art course, the focus of which is to create art for a public - be it urban or rural - environment, as opposed to a traditional institutional space. Turner prize nominated artist James ‘Jim’ Lambie is one of the stalwarts of the burgeoning Scottish art scene and a Glasgow man born and

bred. His work, perhaps more so than any of his contemporaries, encapsulates the best features of the Scottish art scene; it is inclusive, unpretentious, pleasurable and energetic. He revels in the sensory and emotional impact of his artworks as opposed to playing intellectual games, and this makes his work populist (in the very best sense of the word) and accessible to all.

The piece represented here for sale is emblematic of one of Lambie’s core themes: his love of music and his interest in conveying what he sees as the symbiotic relationship between both artistic mediums. Collage and embellishment play a recurrent role in his practise and he takes pleasure in exposing the mechanics of his process to his audience. The work is part of a series which juxtaposes images of famous

rock stars with anachronistic, finely painted floral motifs in oils. Here we see them figuratively blossoming out of the mouth of Sid Vicious, the ill-fated punk musician of the Sex Pistols. Iconoclastic but light-hearted; it is a thing of beauty, black humour and a sincere homage to a rock ’n’ roll idol.

Contemporary & Post-War Art 31

73§ HC707/1 PETER MCLAREN (SCOTTISH b. 1964) ROTOR Mixed media on paper 33.5cm x 52cm (13.25in x 20.5in)

£600-800

74§ HD223/1 SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) CAR Plaster, signed and dated 1997 on base 20cm x 8cm x 9cm (8in x 3.25in x 3.5in)

£500-800

75§ HD491/5 SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) THE PUZZLE OF FEMALE PLEASURE No. 739 from the ‘General Dynamic F.U.N.’ portfolio (1965-70), 31/350, screenprint 25cm x 38cm (9.75in x 15in)

£150-250

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76§ HD723/1 PATRICK HERON (BRITISH 1920-1999) FROM ‘THE BRUSHWORK SERIES’ NO. 3, 1998–9 From an edition of 38, colour etching, published by Paragon Press 45cm x 60cm (17.75in x 23.5in)

£400-600

77§ HD800/11 SIR TERRY FROST R.A. (BRITISH 1915-2003) UNTITLED (CORNISH SUN) Signed and numbered XIX/XX in pencil to margin, screenprint 64cm x 50cm (25.25in x 19.75in) Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£300-500

78§ HD723/2 PATRICK HERON (BRITISH 1920-1999) FROM ‘THE BRUSHWORK SERIES’ NO. 2, 1998–9 From an edition of 38, colour etching, published by Paragon Press 45cm x 60cm (17.75in x 23.5in)

£400-600

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79§ HD138/4 WILLIAM GEAR R.A., F.R.S.A. (SCOTTISH 1915-1997) HEAD GROUP Signed and dated ‘47 in plate, signed and numbered 11/200 in pencil to margin, lithograph, unframed 28cm x 44cm (11in x 17.5in)

£150-250

80§ HB860/1 JOSEPH BEUYS (GERMAN 1921-1986) HONEY IS FLOWING, 1974 Signed, silkscreen on pvc, from a limited edition, pub. Staeck 10.5cm x 15cm (4.25in x 6in)

£500-700

81§ HD465/3 WILLIAM GEAR R.A., F.R.S.A. (SCOTTISH 1815-1997) BOATS ON A BEACH, 1947 Signed and numbered 11/200 in pencil to margin, lithograph 50cm x 72cm (19.75in x 28.25in)

£400-600

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82§ HD138/7 DAVID HOCKNEY O.M., C.H., R.A. (BRITISH b. 1937) THE CHURCH TOWER AND CLOCK Signed and numbered 43/100 in pencil to margin, from ‘Illustrations for Six Fairy Tales for the Brothers Grimm’, published by Petersburg Press,1969 45cm x 39cm (17.75in x 15.25in)

£600-800

83§ HD138/2 VICTOR PASMORE C.H., C.B.E. (BRITISH 1908-1998) POINTS OF CONTACT VARIATIONS II Signed with initials and dated ‘72 in pencil to margin, numbered 14/60, from the set of seven printed by Kelpra Studios and published by Marlborough Gallery, screenprint 74cm x 51cm (29in x 20in)

£500-700

84§ HD138/5 BEN NICHOLSON O.M. (BRITISH 1894-1982) TURKISH SUNDIAL AND TREE Signed and dated ‘67 in pencil to margin, numbered 29/50, stamped, etching 64cm x 54cm (25.25in x 21.25in)

£1,400-1,800

Contemporary & Post-War Art 35

85§ HD124/1 JAMES CUMMING R.S.A., R.S.W. (SCOTTISH 1922-1996) SLOT FOCUS (GRID) Signed, oil on board 57cm x 56cm (22.5in x 22in)

£400-600

86§ HD788/23 ALISTAIR GRANT R.B.A., R.S.A., F.R.C.A. (BRITISH 1925-1997) BROWN DAY, LE TOUQUET Signed and inscribed with title verso, oil on canvas 30cm x 41cm (12in x 16in)

£600-800

87§ HC869/1 JAMES CUMMING R.S.A., R.S.W. (SCOTTISH 1922-1996) POINT OF CONTACT Signed, oil on board 57cm x 56cm (22.5in x 22in)

£600-900

36 Lyon & Turnbull

88§ HB826/8 SEAN SCULLY (IRISH b. 1945) WALL OF LIGHT - DEEP RED Signed, inscribed with title and dated 2.16.05, watercolour 76cm x 56cm (30in x 22in) Exhibited: The Ingleby Gallery, Edinburgh

£15,000-20,000

One of Ireland’s best known and most inﬂuential artists, throughout the course of his career the Dublin-born Scully has achieved phenomenal success and international recognition. His work can be found in world-class collections including The Metropolitan Museum of Art, New York, The Guggenheim, New York, The Smithsonian, Washington D.C., and Tate Modern, London to name but a few. Though he took up residence in New York in the early 1970s, his appeal has not diminished in Ireland and the British Isles and over the years Scully has seen himself nominated for the prestigious Turner Prize on two separate occasions, 1989 and 1993. Best described as a Modernist painter, Scully’s

relationship with the U.S.A. can assist our reading of his work, connected as it is to the legacy of Abstract Expressionism. His trademark stripes, squares and rectangles meet and intercept; their relationship to one another conveying a sense of movement. The tonal harmonising and interplay of colour and form engages our emotions, their meditative quality evocative of the work of the great Mark Rothko. Subtle and reﬂective,

Scully’s works speak to their viewers with a quiet, nuanced power. While he layers his oils densely, his watercolours, like the example we are pleased to oﬀer here for sale, have a more elusive, ephemeral quality. The colours interact; gently drifting forward and simultaneously recessing, quietly intense and coolly calm. Scully’s work is absorbing and symphonic in its simplicity.

Contemporary & Post-War Art 37

38 Lyon & Turnbull

89§ HD788/26 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) ‘P’ - FROM ‘THE ALPHABET BOOK’ unique, signed to mount, gelatin print 40cm x 30cm (15.75in x 11.75in) Note: Original one-oﬀ gelatin silver print by Ian Hamilton Finlay, photographer David Paterson, circa 1975-76, plates later reduced and printed as pages in the ‘A Boy’s Alphabet Book’ published 1976. The models for the boats illustrated were made at Little Sparta in Finlay’s workshop and are part of a larger number of similar models made for the same purpose.

£500-700

90§ HD463/2 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) POEM/PRINT NO. 11 (WITH JOHN FURNIVAL) Printed by Wild Hawthorn Press April 1969, screenprint 49cm x 70cm (19.25in x 27.5in)

£400-600

91§ HD788/27 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) ‘I’ - FROM ‘THE ALPHABET BOOK’ unique, signed to mount, gelatin print 40cm x 30cm (15.75in x 11.75in) Note: Original one-oﬀ gelatin silver print by Ian Hamilton Finlay, photographer David Paterson, circa 1975-76, plates later reduced and printed as pages in the ‘A Boy’s Alphabet Book’ published 1976. The models for the boats illustrated were made at Little Sparta in Finlay’s workshop and are part of a larger number of similar models made for the same purpose.

£500-700

Contemporary & Post-War Art 39

92§ HC561/2 GEORGE RALSTON WYLLIE (SCOTTISH 1921-2012) 'ARRY overpainted wrought iron sculpture, welded inscription to the ﬂag ARRY 208cm long, 200cm high £2,000-3,000

93§ HD463/1 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) EVENING/SAIL 1st edition, 1970, screenprint 71cm x 20cm (28in x 8in)

£600-800 94§ HD463/3 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) PENNY BROWNS With Ian Gardner, published by Wild Hawthorn Press c.1980, print 11cm x 26cm (4.5in x 10.25in)

£100-150

40 Lyon & Turnbull

96§ HD814/2 PAUL RICHARDS (BRITISH b. 1949) RAINBOW TROUT Signed and dated ‘93, watercolour 95§ HD814/1 HENRY KONDRACKI (SCOTTISH b. 1953) DODO Signed, watercolour and gouache

30cm x 50cm (11.75in x 14.75in)

£300-500

40cm x 30cm (15.75in x 12in)

£250-350

98§ HD432/2 ANN ORAM R.S.W. (SCOTTISH b. 1956) FLOWERS Signed and dated ‘86, watercolour

97§ FD693/184 BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007) CONTINUUM, NO.6 Signed, signed and inscribed with title and dated 1963 verso, mixed media on paper

72cm x 51cm (28.5in x 20in)

37cm x 49cm (14.5in x 19.25in)

£500-800

Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

Contemporary & Post-War Art 41

99§ HD500/1 DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1931) BLACK CAT STILL LIFE Signed and dated 1976, watercolour 57cm x 77cm (22.5in x 30.5in)

£4,000-6,000

100§ HD719/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) BASS ROCK, EVENING Signed, inscribed with title and dated 1995-6 stretcher verso, oil on canvas 40cm x 102cm (16in x 40in)

£2,000-3,000

42 Lyon & Turnbull

101§ HD78/8 GEORGE DEVLIN (SCOTTISH b. 1937) TOWARDS BALVICAR Signed, oil on canvas 66cm x 66cm (26in x 26in)

£1,000-1,500

102§ SV0244/2 JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH b. 1932) SKY WITH WIND Signed, oil on board 50cm x 75cm (20in x 30in)

£800-1,200

103§ HD473/6 SIR WILLIAM MCTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903-1981) WINTER WOODLAND Signed, oil on board 28cm x 33cm (11in x 13in) Provenance: Sir William MacTaggart Studio Sale, Christies, Edinburgh No.11

£1,000-1,500

Contemporary & Post-War Art 43

104§ HD493/1 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) WHITE BIRD AND PIANO Signed and dated ‘81, mixed media on paper (elements of lithography, watercolour and collage) 47cm x 54cm (18in x 21.25in) Provenance: From the artist’s estate

£700-900

105§ SV0244/22 JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH b. 1932) MARCH AND TREES Signed, oil on panel 30cm x 40cm (12in x 16in)

£800-1,200

106§ HD493/2 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) FLORENCE Mixed media on paper 47cm x 66cm (18.5in x 26in) Provenance: From the artist’s estate

£600-800

44 Lyon & Turnbull

107§ HC215/1 ETHEL WALKER (SCOTTISH b. 1941) STILL LIFE OF ANEMONES, 1994 Signed, oil on board 58cm x 51cm (23in x 20in)

£2,000-3,000

108§ HC437/177 GERALD JARMAN (BRITISH b. 1930) SHROPSHIRE LANDSCAPE Signed, oil on canvas 105cm x 116cm (41.5in x 45.75in) Provenance: Private Collection, Surrey

£2,000-3,000

Contemporary & Post-War Art 45

109§ SV0244/3 DAVID MCCLURE R.S.A., R.S.W., R.G.I. (SCOTTISH 1926-1998) STILL LIFE OF DRIED FLOWERS Signed, inscribed and dated 1961, oil on board 34cm x 22cm (13.5in x 8.5in)

£700-1,000

110§ HC940/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) STILL LIFE WITH POPPY Signed, oil on canvas 60cm x 50cm (23.75in x 19.75in)

£1,500-2,000 111§ HD468/1 DAVID MCLEOD MARTIN R.S.W., R.G.I., S.S.A. (SCOTTISH b. 1922) THREE ROSES Signed, oil on board 24cm x 16.5cm (9.5in x 6.5in) Exhibited: The Torrance Gallery, Edinburgh The Wallington Gallery, Corbridge

£600-800

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112§ HC25/1 JAMES FULLARTON (SCOTTISH b. 1946) YACHTS Signed, oil on canvas

113§ HD252/5 CHRISTINE WOODSIDE R.S.W., R.G.I. (SCOTTISH b. 1946) HILLY LANDSCAPE Signed and dated ‘82, oil on canvas 71cm x 91cm (28in x 35.75in)

£300-500

59cm x 64cm (23.25in x 25.25in)

£2,000-3,000

114§ HD252/1 JAMES MORRISON R.S.A., R.S.W. (SCOTTISH b. 1932) LANDSCAPE, ANGUS Signed and dated 1977, oil on board

115§ HD716/1 JACK MORROCCO (SCOTTISH b. 1953) SHADED CAFE, CASSIS - 2006 Signed, oil on canvas

75cm x 102cm (29.5in x 40in)

39cm x 39cm (15.5in x 15.5in)

£2,000-3,000

£1,000-1,500

Contemporary & Post-War Art 47

116§ HD78/5 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) RAISED BEACHES, COLONSAY Signed, signed and inscribed with title artist’s label verso, oil on canvas 75cm x 83cm (29.5in x 32.75in)

£5,000-7,000

117§ HD331/1 ETHEL WALKER (SCOTTISH b. 1941) GLEN ROSA Signed, oil on board 120cm x 120cm (47.5in x 47.5in) Exhibited: The Thackeray Gallery, 2005, London

£3,000-5,000

48 Lyon & Turnbull

118§ HD353/1 SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) UNTITLED Signed, oil on canvas 51cm x 61cm (20in x 24in)

£3,000-5,000

119§ HD353/2 HAMISH LAWRIE (SCOTTISH 1919-1987) THE SPIRES Signed, mixed media on paper 55cm x 44cm (21.5in x 17.25in)

£300-500 120§ HD360/9 SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) ODALISQUE Signed, inscribed with title old artist’s label verso, oil on canvas 16cm x 34cm (6.25in x 13.25in)

£500-700

Contemporary & Post-War Art 49

121 HD778/3 SIDNEY NOLAN O.M., A.C. (AUSTRALIAN 1917-1992) AFRICAN LANDSCAPE WITH ELEPHANT AND ANTELOPE Signed, ripolin and enamel on composition board 62cm x 49cm (24.5in x 19.25in)

£4,000-6,000

‘Art was always a means to me of getting in contact with another world . . . you could never see that other world and were never told about it, but art seemed to always be kind of touching it’ Sidney Nolan is Australia’s most honoured and internationally acclaimed modern painter. He was a major ﬁgure in the modernist movement and is considered to have shaped contemporary Australian art, through his involvement with the Angry Penguins; a collection of painters who sought to modernise the creative scene and challenge existing traditions. Nolan ﬁrst attracted attention for his series of paintings inspired by the life of the outlaw Ned Kelly, which remain a key group of works in the Australian art oeuvre. Nolan became a full-time painter at 21, after attending art night classes. For the most part, he found traditional art schooling dull and preferred to follow his own nose at the local library, as a voracious reader. In his youth, he lived and worked within the vibrant artistic community in Melbourne and was supported and encouraged by patrons and publicists, Sunday and John Reed, whose house became a focus of many artistic circles.

Travel became a hugely important part of Nolan’s life and work. He travelled throughout Australia, revelling in the rugged and extreme beauty of the interior, which was to remain an inspiration throughout his career and a place to which he always returned to marvel. A move to London in 1951, facilitated wide travel

throughout Europe, before a travelling scholarship took him to America at the end of that decade. He also travelled to China, Africa and Antarctica in his lifetime. ‘African Landscape with Elephant and Antelope’ was inspired by one such travel experience to the African continent and the animals he encountered there. In

keeping with Nolan’s spirit of experimentation, it was painted using ripolin, a branded fast-drying, ﬂuid commercial enamel paint. In this case, the striking colour and distinctive texture convey the extreme heat and light of the African landscape - the elephant and antelope’s natural habitat.

50 Lyon & Turnbull

122§ HC991/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) BEFORE THE STORM, AUDIERNE Signed and dated 1961, watercolour 49cm x 76cm (19.25in x 30in)

£800-1,200

123§ HD78/1 JAMES DOWNIE ROBERTSON R.S.A., R.S.W. (SCOTTISH 1931-2010) ABSTRACT WINTER LANDSCAPE Signed, oil on canvas 115cm x 145cm (45.25in x 57in)

£1,000-1,500

Contemporary & Post-War Art 51

124§ FD693/193 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) THE OLD MAN AND THE SEA Signed, titled, charcoal and watercolour 77cm x 56cm (30.25in x 22in) Provenance: From the Estate of the Late Mr Cyril Gerber

£1,200-1,800

125§ HD788/12 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2003) PORTRAIT SKETCH Signed, inscribed ‘Phillip Rawson, a dear friend’ and dated ‘85, graphite on paper 73cm x 54cm (28.75in x 21.25in)

£300-500 126§ HC751/1 SOPHIE RYDER (BRITISH b. 1963) THE MINOTAUR AND THE HARE, SITTING Signed and dated ‘92, acrylic and collage 115cm x 84cm (41.25in x 33in)

£1,500-2,500

52 Lyon & Turnbull

127§ HD704/1 SIR ROBIN PHILIPSON R.A., P.R.S.A, R.S.W., R.G.I. (SCOTTISH 1916-1992) CATHEDRAL INTERIOR Signed verso, inscribed with title and dated 1963 on artist’s label verso, oil on board 74cm x 74cm (29in x 29in)

£8,000-12,000

Contemporary & Post-War Art 53

128§ HD696/1 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) FIGURES ON THE SHORE Signed, oil on board 68cm x 90cm (26.75in x 35.5in)

£1,500-2,500

129§ HD711/1 LEON MORROCCO R.S.A. (SCOTTISH b. 1942) TWO FIGURE WITH NETS Signed, inscribed with title verso, oil on board 70cm x 73cm (27.5in x 28.75in)

£3,000-5,000

54 Lyon & Turnbull

130§ HD464/1 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) AUTUMN LIGHTS, TORLOISK OAKS, MULL Signed, signed and inscribed with title and dated 2007 verso, oil on canvas 22cm x 22cm (8.5in x 8.5in)

£800-1,200

131§ HD464/2 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) BIG OAK, TORLOISK, MULL Signed, signed and dated 2007 and inscribed with title verso, oil on canvas 21cm x 22cm (8.25in x 8.5in)

£800-1,200

132§ HD464/4 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) TWO BIG PEAT STACKS, KYLES SCALPAY Signed, signed and dated 2009 and inscribed with title verso, oil on canvas 39cm x 39cm (15.5in x 15.5in)

£2,000-3,000

Contemporary & Post-War Art 55

133§ HB845/6 PAT DOUTHWAITE (SCOTTISH 1934-2002) INSECT ON A TWIG Signed and dated ‘87, charcoal and chalk on paper 100cm x 70cm (39.25in x 27.5in)

£400-600

134§ HD778/8 PAT DOUTHWAITE (SCOTTISH 1934-2002) TIGER PUSS Inscribed with title, watercolour on irregular edged sketchbook paper 28cm x 19cm (11in x 7.5in)

£500-700

135§ HD149/1 PAT DOUTHWAITE (SCOTTISH 1934-2002) STRIPEY CLOAK Signed and dated ‘89, pastel 42cm x 29cm (16.5in x 11.5in)

£600-800

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136§ HD788/18 PETER HOWSON (SCOTTISH b. 1958) OLD MAN Signed and inscribed with title and dated ‘90 in pencil to margin, numbered 18/56, etching

137§ HD788/22 JOCK MCFADYEN R.A. (SCOTTISH b. 1950) SPAZO Signed and inscribed with title in pencil to margin, numbered 3/15, colour lithograph

55cm x 46cm (27.75in x 18in)

75cm x 56cm (29.5in x 22in) (including margins)

£300-500

138§ HD788/21 JOCK MCFADYEN R.A. (SCOTTISH b. 1950) BOSS From ‘The Canal Series’, signed and inscribed with title in pencil to margin, numbered 8/15, colour lithograph

53cm x 45cm (20.75in x 17.75in)

57cm x 47cm (22.5in x 18.5in)

£300-500

139§ HD788/17 PETER HOWSON (SCOTTISH b. 1958) CENTURION Signed and inscribed with title and dated ‘90 in pencil to margin, numbered 13/50, etching

Contemporary & Post-War Art 57

140§ HD800/5 BRENDAN NEILAND (BRITISH b. 1941) UNTITLED Signed and dated XIX/XX, screenprint 51cm x 64cm (20in x 25.25in) Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£300-500

141§ HD800/6 TOM PHILLIPS C.B.E., R.A. (BRITISH b. 1937) MOMENT MUSICALE Signed, inscribed with title, A/P, numbered XIII/XX in pencil to margin, etching 50cm x 64cm (19.75in x 25.25in) Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£300-500

142§ HD800/7 DAVID MACH (SOTTISH b. 1956) UNTITLED (VOLCANIC CROWD), 2000 A/P, signed and numbered XIX/XX in pencil to margin, screenprint

143§ HD800/8 ALBERT IRVIN O.B.E. (BRITISH 1922-2015) OVAL IV A/P, signed and dated 2000, inscribed with title and numbered XIX/XX in pencil to margin

50cm x 65cm (19.75in x 25.5in)

50cm x 64cm (19.75in x 25.25in)

Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£200-300

£500-700

58 Lyon & Turnbull

We are delighted to oﬀer a collection of prints that were produced for the exhibition ‘Fourteen Big Prints’, organised by Bernard Jacobson and held in his gallery in 1972. Jacobson had decided to invite a variety of contemporary artists who he had known for a long time, and whose work he thought would look good on a large scale. His intention was that the exhibition would draw a new audience to contemporary art, in the hope that ‘perhaps one day the general public will realise that art didn’t in fact end with Van Gogh.’ The catalogue included comments and correspondence from each of the artists or their peers on their artistic process and included works.

Eduardo Paolozzi (J.G. Ballard on Eduardo Paolozzi, 1971) ‘I think the biggest need of the painter or writer today is information. I’d love to have a tickertape machine in my study constantly churning out material: abstracts from scientiﬁc journals, the latest Hollywood gossip, the passenger list of a 707 that crashed in the Andes, the colour mixes of a new automobile varnish. In fact, Eduardo and I in our diﬀerent ways are already gathering this kind of information, but we are using the clumsiest possible tool to do it: our own hands and eyes’ ‘It’s always struck me that Eduardo’s studio is lavishly equipped with photographic and recording equipment of various kinds. He spends a large part of his time on information collection and sorting’ 144 HD788/4 SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) WHO’S AFRAID OF SUGARPINK AND LIME-GREEN? Signed and dated 1971 in pencil to margin, numbered 2/100, screenprint, printed by Advance Graphic, London, 1971 152cm x 110cm (60in x 43in)

£600-800

Contemporary & Post-War Art 59

Peter Blake ‘This print is the most recent in a long line of pictures using post-cards as an image, and often making some sort of comment on “reality.” ‘A glimpse at the usually private world of the artists studio.’ 145§ HD788/2 PETER BLAKE C.B.E., R.A. (BRITISH b. 1932) STUDIO TACK-BOARD A/P, signed in pencil, oﬀset lithograph, from an edition of 100 with 15 A/Ps, published by Curwen Press, London, 1972 96cm x 135cm (37.75in x 53in)

£600-800

Ludwig Sander (Sander’s correspondence with Jacobson, focused on his main hobby when not painting – the garden) ‘The fruits of Kate’s gardening in the small intensively cultivated plot are beautiful’ (Kate was the artist’s wife). 146 HD788/5 LUDWIG SANDER (AMERICAN 1906-1975) MOHICAN Signed in pencil to margin and numbered 5/100, screenprint, Advanced Graphics, London, 1972 106.5cm x 158.75cm (42in x 62.5in)

£800-1,200

60 Lyon & Turnbull

Robyn Denny ‘In the production of a print there need be no gap between the idea and its realisation – there is no . . . physical presence of the artist, it is almost untouched by human hand, and yet may remain both intimate and intense’ 147§ HD788/3 ROBYN DENNY (BRITISH 1930-2014) DREAM A/P, signed and dated ‘72 in pencil, edition of 10, screenprint 101.5cm x 152.5cm (40in x 60in)

£800-1,200

Peter Stroud ‘Working regularly in the print medium has allowed me both to extend my working method and to move into new areas of art more quickly. Many of my prints have become points of departure for the development of a painting or a series of paintings . . . ‘With this large print, the problem was essentially diﬀerent – one of the transformation of a painterly concept into a non-painterly medium with reduced size.’ 148§ HD788/6 PETER STROUD (BRITISH 1921-2012) LARGE BLUE CROSS-OVER 1972, edition of 100 with 15 A/P’s, printed by Advance Graphics, London, screenprint 110.5cm x 110.5cm (43.5in x 43.5in)

£600-800

Contemporary & Post-War Art 61

149§ HD370/8 ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) MAGIC PICTURE Signed and dated ‘77 in pencil, numbered 157/500, lithograph 56cm x 77cm (22in x 30.25in)

£300-500

150§ HD788/20 ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) CELTIC DREAMBOAT II Signed and dated ‘65 in pencil to margin, numbered 69/75, lithograph 57cm x 47cm (22.5in x 18.5in)

£400-600

151§ HD491/3 ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) BIRD THROUGH WALL Signed and numbered 87/90 in pencil to margin, from the ‘Penwith Portfolio’, published Curwen Press 1973, lithograph 53cm x 72cm (21in x 28.5in)

£500-700

62 Lyon & Turnbull

152§ HD788/9 PETER STROUD (BRITISH 1921-2012) THE CLIFFORD SUITE Comprising six parts, all O/P, signed and dated ‘72 in pencil to margin, screenprint 37cm x 42cm (14.5in x 16.5in) (6)

£400-600

153§ HD788/13 MICHALE HALE (BRITISH b. 1934) BROWN, BLACK AND SILVER A/P, signed and inscribed with title and dated ‘78 in pencil to margin, screenprint 62cm x 48cm (24.5in x 19in)

and another print by the same hand (2) £400-600

Contemporary & Post-War Art 63

154§ HD465/1 SIR HOWARD HODGKIN C.B.E. (BRITISH b. 1932) ICE Signed with initials and dated 2013 in plate, numbered 201/350, screenprint 75cm x 59cm (29.5in x 23.25in)

£2,000-3,000

155§ HD40/1 ELSPETH LAMB (SCOTTISH CONTEMPORARY) ANCHINAE Signed and inscribed with title in pencil, screenprint on two sheets of paper conjoined 121cm x 184cm (47.5in x 72.5in)

£300-500

156 HD786/2 CLARE WARDMAN (BRITISH CONTEMPORARY) SEEKER 5 Signed and inscribed with title and dated ‘96/7 verso, oil on canvas 29cm x 24cm (11.5in x 9.5in)

£300-500

64 Lyon & Turnbull

157§ HD138/3 SIR EDUARDO PAOLOZZI K.B.E., R.A., R.S.A. (SCOTTISH 1924-2005) UNTITLED Signed and dated 1974 in pencil to margin, numbered 89/100, screenprint, unframed 80cm x 59cm (31.5in x 23in)

£200-300

158§ HD788/1 BRUCE MCLEAN (SCOTTISH b. 1944) ABSTRACT Signed and dated 1986 in pencil, serigraph 105cm x 74cm (41.25in x 29in)

£400-600

159§ HD788/8 PATRICK CAULFIELD C.B.E., R.A. (BRITISH 1936-2005) FOR JOHN CONSTABLE 1976, edition of 100, screenprint 100cm x 76cm (39.5in x 30in)

£800-1,200

Contemporary & Post-War Art 65

160§ HD491/6 MARGARET HUNTER (SCOTTISH b. 1948) IDEA 6 Signed and dated ‘95, mixed media on paper 25cm x 19cm (9.75in x 7.5in)

£200-300

161§ HD491/2 HENRY MOORE O.M., C.H., F.B.A. (BRITISH 1898-1986) THREE RECLINING FIGURES - 1973 Signed and numbered 47/75 in pencil to margin, lithograph 65cm x 50cm (25.5in x 19.75in)

£500-700

162§ HD808/1 SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) UNTITLED (MICKEY MOUSE) Signed and dated ‘November 1968’, felt tip on paper 33cm x 24cm (13in x 9.5in)

£500-700

163§ HD800/9 ALLEN JONES R.A. (BRITISH b. 1937) UNTITLED A/P, signed and dated 2000 and numbered XIX/XX in pencil to margin, lithograph 65cm x 50cm (25.5in x 19.75in) Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£400-600

66 Lyon & Turnbull

164§ HD788/25 PAUL NEAGU (BRITISH/ ROMANIAN 1938-2004) A SELECTION OF VARIOUS ITEMS BY AND RELATED TO THE ARTIST Including ‘From ‘Blind’s Bite’ Into ‘Horizontal Rain’, Towards ‘Gradually Going Tornado’, signed and inscribed ‘C/O GAG’ in pencil and dated 1975, numbered 9/30, bears ‘Generative Art Group’ stamp, hand-coloured lithograph, unframed (80cm x 60cm); untitled etching from The Stoneman Print Collection, signed and dated 1977 in pencil to margin and numbered 13/30, unframed; Poster for ‘Nine Catalytic Stations’, a 20th anniversary exhibition of Neagu at the Demarco Gallery, 1988, signed and dated in pencil, unframed; an original design study for ‘Hyphen’, signed and inscribed with title and dated 1989, pencil, unframed; various Neagu related pieces of ephemera including two exhibition cards and two original photographs of the artist interacting with his sculpture (qty) £2,000-3,000

165§ HD790/1 OSVALDO MARISCOTTI (ARGENTINIAN/AMERICAN b. 1949) BOOK OF COLOUR 1, 2014 Signed, oil and enamel on wooden panel 62cm x 46cm (24.5in x 18in) closed / 62cm x 92cm (24.5in x 36.25in) open Provenance: A gift from the artist to the present owner Exhibited: Venice Biennale and also at the Galata Museo del Mare in Genoa as part of a group exhibition.

£600-800

Contemporary & Post-War Art 67

166 HD788/10 LUDWIG SANDER (AMERICAN 1906-1975) UNTITLED Signed and numbered 7/90 in pencil to margin, screenprint 65cm x 59cm (22.5in x 23.25in)

and a further print by the same hand (2) 167 HD788/11 LUDWIG SANDER (AMERICAN 1906-1975) UNTITLED Signed and numbered 2/90 in pencil to margin, screenprint 65cm x 60cm (25.5in x 23.5in)

and a further print by the same hand (2) £400-600

£400-600

68 Lyon & Turnbull

168§ HD788/16 GERALD LAING (BRITISH 1936-2011) DECELERATION I Signed and inscribed with title and dated 1968 in pencil to margin, numbered 37/150, studio stamped, screenprint 58cm x 56cm (23in x 22in)

£400-600

169§ HC819/4 WILLIAM GEAR (SCOTTISH 1915-1997) UNTITLED, 1967 Signed and dated ‘67, mixed media 31.5cm x 52.5cm (15.5in x 20.5in)

£800-1,200

170§ HD788/24 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SEA POPPY TWO Published by Wild Hawthorn Press, 1965, screenprint 33cm x 30cm (13in x 12in)

£500-700

Contemporary & Post-War Art 69

171§ HC819/2 WILLIAM GEAR (SCOTTISH 1915-1997) UNTITLED 1967 Signed and dated ‘67, mixed media 38cm x 52.5cm (15.5in x 22in)

£800-1,200

172§ HD788/19 JOHN MCLEAN (SCOTTISH b. 1939) CIRCULAR FORMS Signed and numbered 26/27 in pencil to margin, screenprint 51cm x 46cm (20in x 18in)

and another print by the same artist (2) £400-600

173§ SV0244/14 ROBERT TURNBULL HAIG SMITH (SCOTTISH 20TH CENTURY) FISH LADDER Mixed media 45cm x 33cm (17.75in x 13in)

£200-400

70 Lyon & Turnbull

174 HD474/1 DONALD MANSON (SCOTTISH CONTEMPORARY) BRAMBLES AND BOATS Signed, acrylic on canvas 38cm x 49cm (15in x 19.25in)

£300-500

175 HD474/2 DONALD MANSON (SCOTTISH CONTEMPORARY) STILL LIFE WITH MIDNIGHT SNOW Signed, acrylic on canvas 96.5cm x 66cm (38in x 26in) £700-900

176 HD474/2 DONALD MANSON (SCOTTISH CONTEMPORARY) WINDFALLS Signed, acrylic on canvas 70cm x 110cm (27.5in x 43.25in)

£600-800

Contemporary & Post-War Art 71

177§ HD432/5 CHRISTINE MCARTHUR R.S.W., R.G.I. (SCOTTISH b. 1953) SHIRLEY POPPIES, STRAWBERRIES AND GOLDEN PEAR Signed, mixed media 88cm x 100cm (34.5in x 39.5in)

£1,500-2,500

178§ HD432/4 CHRISTINE MCARTHUR R.S.W., R.G.I. (SCOTTISH b. 1953) TIGER LILIES AND PEARS Signed, mixed media 88cm x 100cm (34.5in x 39.5in)

£1,500-2,500

72 Lyon & Turnbull

179 HD815/1 PETER MCLAREN (SCOTTISH b. 1964) SKIPI GEO, ORKNEY Signed and dated 2014 and inscribed with title verso, oil on board 122cm x 167cm (48in x 65.5in)

ÂŁ6,000-8,000

Contemporary & Post-War Art 73

180§ HD813/1 PERPETUA POPE (SCOTTISH 1916-2013) FIELD TRACK Signed, oil on canvas 76cm x 59cm (30in x 23.5in)

£800-1,200

181§ HC131/1 PERPETUA POPE (SCOTTISH 1916-2013) CRASHING WAVES Signed, oil on canvas 50cm x 68cm (19.5in x 26.75in)

£700-900

182§ HD813/3 PERPETUA POPE (SCOTTISH 1916-2013) FIELD Signed, oil on canvas 76cm x 61cm (30in x 24in)

£600-800

74 Lyon & Turnbull

183§ HD785/1 ANNE REDPATH O.B.E., A.R.A., R.S.A. (SCOTTISH 1895-1965) WINDSOR FLOWERS Signed in margin and numbered 10/75, stamped, lithograph, unframed

184§ HD432/3 CAROLINE MCNAIRN (SCOTTISH 1955-2010) BORDER LANDSCAPE II Pastel

37cm x 54cm (14.5in x 21.25in)

Exhibited: 369 Gallery, Edinburgh, November 1984 The Scottish Gallery, Edinburgh

£300-500

51cm x 76cm (20in x 30in)

£400-600

185§ HD468/2 JAMES DOWNIE ROBERTSON M.B.E., R.S.A., R.S.W., R.G.I., P.A.I. (SCOTTISH 1931-2010) CARRUTHMUIR WOOD Signed, gouache

186§ HD370/10 JOHN MINTON (BRITISH 1917-1957) THE STREET Signed and dated 1946 in pencil, lithograph

42.5cm x 52.5cm (16.75in x 20.27in)

£120-180

Exhibited: The New Academy Gallery, London William Hardie Gallery, Glasgow

£400-600

22cm x 27cm (8.75in x 10.5in)

Contemporary & Post-War Art 75

187 HD482/1 GEMMA DOLBEAR (SCOTTISH CONTEMPORARY) THROUGH THE WINDOW: PERSPECTIVE Signed, mixed media on canvas 179cm x 163.5cm (70.25in x 64.5in)

£500-700

188 HD482/2 GEMMA DOLBEAR (SCOTTISH CONTEMPORARY) UNDER THE ARCH Signed, mixed media on canvas 181x116cm (71.5in x 47.75in)

£400-600

76 Lyon & Turnbull

189§ HB823/3 ANN ORAM R.S.W. (SCOTTISH b. 1956) NARROW STREET IN VEJER Signed and dated ‘88, oil on board 66cm x 47cm (26in x 18.5in)

£600-800

190§ HB823/4 ADAM BRUCE THOMPSON O.B.E., R.S.A., P.R.S.W. (SCOTTISH 1885-1976) WINTER TWILIGHT Signed, tempera 50cm x 61cm (19.75in x 24in) Exhibited: The Scottish Gallery, ‘Summer Exhibition, July 1996’, Edinburgh

£1,000-1,500

191§ HD432/1 ANN ORAM R.S.W. (SCOTTISH b. 1956) YORK MINSTER Signed and dated ‘86, mixed media on paper 76cm x 50cm (30in x 20in)

£500-800

Contemporary & Post-War Art 77

192§ FD693/236 JEAN LESLIE (SCOTTISH ﬂ. 1954-1978) SEA MINE Signed, oil on board 59cm x 104cm (23.25in x 41in) Provenance: From the Estate of the Late Mr Cyril Gerber

193§ SV0244/6 EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) TRAGHETTO Signed and dated ‘83, inscribed verso, watercolour 27cm x 37cm (10.5in x 14.5in)

£300-500

194§ HD800/10 NORMAN ACKROYD C.B.E., R.A. (BRITISH b. 1938) BLACKSOD BAY Signed, dated ‘00, inscribed with title and numbered 100/100 in pencil to margin, etching 50cm x 65cm (19.75in x 25.5in) Note: From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians. London, 2000

£300-500

195§ HD813/2 PERPETUA POPE (SCOTTISH 1916-2013) PRIMROSE BANK Signed, oil on canvas 36cm x 46cm (14in x 18in)

£500-700

78 Lyon & Turnbull

196§ HD78/2 GEORGE DEVLIN (SCOTTISH b. 1937) TRIO OF SUNSET VIEWS Signed, watercolour Largest measures 32cm x 26cm (12.5in x 10.25in) (3)

£600-800

197§ FD693/233 IAN MCKENZIE SMITH O.B.E., R.S.A., P.R.S.W. (SCOTTISH b. 1935) MORNING HARBOUR Signed and inscribed with title frame verso, oil on canvas 90cm x 92cm (35.5in x 36.25in) Provenance: From the Estate of the Late Mr Cyril Gerber

£300-500

Contemporary & Post-War Art 79

198§ HD788/14 WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) STILL LIFE OF WILD FLOWERS Signed and dated LXXIX, watercolour on buﬀ paper 38cm x 27cm (15in x 10.5in)

£700-900

199§ HD778/5 MOYNA FLANNIGAN (SCOTTISH b. 1963) ICE CREAM PARLOUR Signed and inscribed with title and dated ‘87 verso, oil on canvas 44cm x 33cm (17.25in x 13in)

£800-1,200

80 Lyon & Turnbull

200ยง HD829/1 ELISABETH FRINK C.H., D.B.E., R.A. (BRITISH 1930-1933) RECLINING HORSE 1975, from an edition of 25, handwoven tapestry 178cm x 251.5cm (70in x 99in)

ยฃ3,000-5,000

Contemporary & Post-War Art 81

201ยง HD829/2 WILLIAM SCOTT (BRITISH 1913-1989) STILL LIFE WITH ORANGE NOTES 1980, from an edition of 25, handwoven tapestry 152.5cm x 175cm (60in x 69in)

ยฃ3,000-5,000

82 Lyon & Turnbull

202§ HD829/3 PETER BLAKE C.B.E., R.A. (BRITISH b. 1932) I LOVE YOU 1982, from an edition of 30, handwoven tapestry 201cm x 175cm (79in x 69in)

£3,000-5,000

203§ HD138/6 IAN DAVENPORT (BRITISH b. 1966) NINE ARCH SERIES Printed 2005 in an edition of 30, screenprint on Somerset paper 26cm x 26cm (10in x 10in)

£500-700

Contemporary & Post-War Art 83

204 HC139/1 ROBERT MOTHERWELL (AMERICAN 1915-1991) OCTAVIO PAZ SUITE H/C, signed with initials in pencil, from an edition of 50 with 7 A/Ps and 4 H/Cs, lithograph 45cm x 37cm (17.75in x 14.5in)

£1,500-1,800

205§ HD159/1 SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) UNTITLED Signed, ink and watercolour 27cm x 13cm (10.5in x 5in)

£500-700

206§ HD826/2 MARINO MARINI (ITALIAN 1901-1980) RITRATTO DI MARINA Signed, conté, pencil and ink on paper 28cm x 19cm (11in x 7.5in) Provenance: Fondazione Marino Marini, Pistoia, No. 712 Americo Molinar Gallery, No. 121 Odon Wagner Gallery, Toronto, No. 10114

£2,000-3,000

84 Lyon & Turnbull

207 HD786/1 IAIN ROBERTSON (BRITISH CONTEMPORARY) ANCIENT SIGNS Signed and inscribed with title and dated 1996 verso, oil on canvas 76cm x 38cm (30in x 15in)

£400-600

208§ HD468/4 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) NIGHT SKY OVER THE BASS ROCK Signed and inscribed with title in pencil to margin, numbered 57/100, screenprint 25cm x 36.5cm (9.75in x 14.25in)

£300-500

209§ HD788/15 AINSLIE YULE (SCOTTISH CONTEMPORARY) COLLAGE Signed and inscribed with title and dated 1980, mixed media 57cm x 80cm (22.5in x 31.5in)

£300-500

Contemporary & Post-War Art 85

210§ HD756/1 PETER HOWSON (SCOTTISH b. 1958) THE FIST Signed, pastel 62cm x 47cm (24.5in x 18.5in)

£1,500-2,000

211§ HD465/2 DONALD HAMILTON FRASER R.A. (BRITISH 1929-2009) FLOWERS, 1995 A.P. from an edition of 175, signed in pencil to margin, screenprint 65cm x 56cm (25.5in x 22in)

£400-600

212§ HD491/4 EILEEN COOPER R.A. (BRITISH b. 1953) TEA TIME Proof, signed and dated 2004 in pencil, screenprint 57cm x 76cm (22in x 30in)

£250-350

86 Lyon & Turnbull

213 FD693/160 BALRA J KHANNA (INDIA b. 1940) ABSTRACT Signed and inscribed ‘For Cyril and Betty, London 5.2.1970’ verso, mixed media on canvas 77cm x 76cm (30in x 30.25in)

and another smaller work by the same hand (2) Provenance: From the Estate of the Late Mr Cyril Gerber

£1,500-2,500

214§ HD793/1 BARBARA “BABS” REDPATH (SCOTTISH b. 1924) TORCH Signed and inscribed with title artist’s label verso, oil on board 60cm x 105cm (23.5in x 41.5in)

£400-600

Contemporary & Post-War Art 87

215§ HD722/2 ADRIAN WISZNIEWSKI A.R.S.A. (SCOTTISH b. 1958) GIRL WITH A FLUTE Signed and dated ‘83, pastel 39cm x 53cm (15.5in x 21in)

£600-800

216 HD690/1 ROBERT SILVERS (AMERICAN b. 1968) L’ECOLE DE FONTAINEBLEAU 1996, from an edition of 6, photomosaic on aluminium 81cm x 116cm (32in x 145.5in)

£2,000-3,000

88 Lyon & Turnbull

217§ HD64/1 EDWARD KAY (BRITISH b. 1980) THINKING FIGURE 2005, oil on board, unframed 45cm x 35cm (17.75in x 13.75in)

£1,000-1,500

218§ HD722/1 EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) THREE NUDES Signed, dated 1967 stretcher verso, oil on canvas with abstract oil sketch verso 92cm x 71cm (36.5in x 28in)

£1,000-1,500

Contemporary & Post-War Art 89

219§ HD788/7 FRED CRAYK (SCOTTISH b. 1952) MISERY Signed and dated ‘91, mixed media on paper 95cm x 138cm (37.5in x 54.25in)

£400-600

220§ HD778/4 HENRY KONDRACKI (SCOTTISH b. 1953) AUTUMN WIND, EDINBURGH, 1994 Signed in plate, edition of 40, etching 38cm x 57cm (15in x 22.5in) Exhibited: Flowers East, London

£200-300

221§ FD693/228 JAMES MORRISON R.S.A., R.S.W. (SCOTTISH b. 1932) LANDSCAPE, ANGUS Signed, oil on board 17cm x 20cm (6.75in x 8in) Provenance: From the Estate of the Late Mr Cyril Gerber

£100-150

90 Lyon & Turnbull

222ยง HD78/4 DONALD MANSON (SCOTTISH b. 1948) STILL LIFE WITH SPOTTY TABLECLOTH Signed, oil on board 104cm x 91cm (41in x 35in)

ยฃ600-800 END OF SALE

Index Abrahams, I., 27 Ackroyd, N., 194 Ayrton, M., 42 Barrie, M., 7, 14 Bellany, J., 32, 124, 125 Beuys, J., 80 Blackadder, Dame E., 56, 57, 99 Blake, P., 145., 202 Blow, S., 29 Bowie, D., 65 Boyd, J.G., 1 Byrne, J., 64 Caulﬁeld, P., 159 Cooper, E., 212 Crayk, F., 219 Crosbie, W., 198 Cumming, J., 85, 87 Cunningham, J., 116 Davenport, I., 203 Davidson, D., 55 Davie, A. 149, 150, 151 Deacon, R., 30 Denny, R., 147 Devlin, G., 101, 196 Dolbear, G., 187, 188 Donald, G., 19 Douthwaite, P., 24, 25, 26, 133, 134, 135 Drummond, M., 2 Finlay, I., 89, 90, 91, 93, 94, 170 Flannigan, M., 199 Fraser, D.H., 211 Fraser, H., 66 Frink, E., 200 Frost, Sir T., 77

Fullarton, J., 18, 112 Gear, W., 79, 81, 169, 171 Gillies, Sir W.G., 13 Grant, A., 3, 86 Haig, E., 58, 193, 218 Hale, M., 153 Hanna, N., 6 Heron, P., 76, 78 Hockney, D., 82 Hodgkin, Sir H., 154 Holt, E., 50, 51 Hood, E.B., 4 Houston, J., 5, 100, 110, 122, 208 Howson, P., 15, 16, 17, 44, 46, 69, 71, 136, 139, 210 Hunter, M., 160 Irvin, A., 143 Jarman, G., 108 Jones, A., 163 Kay, E., 217 Khanna, B., 213 Knox, J., 12 Kondracki, H., 95, 220

Mariscotti, O., 165 Martin, D.M., 111 McArthur, C., 177, 178 McClure, D., 8, 9, 104, 106, 109 McFadyen, J., 36-39, 137, 138 McLaren, P., 73, 179 McLean, B., 158 McLean, J., 172 McNairn, C., 184 McTaggart, Sir W., 103 Michie, D., 33, 34, 35, 128 Minton, J., 186 Miró, J., 47, 48 Moﬀat, A., 31 Moore, H., 161 Morrison, J., 102, 105, 114, 221 Morrison, J.L., 130, 131, 132 Morrocco, J., 115 Morrocco, L., 52, 54, 129 Motherwell, R., 204 Mulholland, C., 62, 63 Neagu, P., 164 Neiland, B., 140 Nevay, H., 70 Nicholson, B., 84 Nolan, S., 121

Rae, B., 28, 53 Redpath, A., 183 Redpath, B. "Babs", 214 Richards, P., 96 Robertson, I., 207 Robertson, J.D., 123, 185 Ryder, S., 126 Sander, L., 146, 166, 167 Scott, W., 201 Scully, S., 88 Silvers, R., 216 Smith, I.M., 197 Smith, R.T.H., 173 Stroud, P., 148, 152 Thompson, A.B., 190 Thomson, P., 45 Tsugouharu, L., 49 Uglow, G., 20 Urie, J., 67 Walker, E., 59, 60, 61, 107, 117 Wardman, C., 156 Wiszniewski, A., 215 Woodside, C., 113 Wyllie, G., 92 Yule, A., 209

Laing, G., 168 Lamb, E., 155 Lambie, J., 72 Lawrie, H., 119 Leslie, J., 192 Low, B., 11, 41, 43, 97 Mach, D., 142 Manson, D., 174, 175, 176, 222 Marini, M., 206

Oram, A., 21, 98, 189, 191 Paolozzi, E., 74, 75, 144, 157, 162 Pasmore, V., 83 Peploe, D., 10 Philipson, Sir R., 22, 23, 40, 118, 120, 127, 205 Phillips, T., 141 Pollard, A., 68 Pope, P., 180, 181, 182, 195

Glossary of Cataloguing Terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration. Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to... In our opinion probably a work by the artist in whole or in part. Studio of ... / Workshop of ... In our opinion a work executed in the studio or workshop of the artist, possible under his supervision Circle of ... In our opinion a work of the period of the artist and showing his influence. Follower of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but not necessarily by a pupil. Manner of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but of a later date After ... In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist. Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. Dimensions are given height before width.

Conditions of Sale SELLERS 1. DEFINITIONS

3. PREPARATION FOR SALE

In these Conditions of Sale (Sellers):

(a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

“Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing 4. TERMS OF SALE

“Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds;

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

“Proposed Sale” means the intended sale through which the items will be sold on

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

“Purchase Price” is the Hammer Price and applicable Buyer‘s Premium;

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot.

“Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or by private treaty). “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. The lot will be sold without reserve unless a reserve has been agreed. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the hammer price been the reserve. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &

Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred. (2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer.

(c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

14. THIRD PARTY LIABILITY

16. AGENCY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

15. GENERAL

17. DATA PROTECTION

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

13. SALE BY PRIVATE TREATY

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer's sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over €15,000 (euros). (2) Any payments by you to us may be applied by us

towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot. 10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

(e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Guide to Bidding & Payment Payment

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to €15,000 (euros).

© Lyon & Turnbull Ltd. 2016. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

LYON & TURNBULL AUCTIONEERS EDINBURGH CONTEMPORARY & POST-WAR ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

16TH MARCH, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 16th March, 2016 33 Broughton Place Edinburgh EH1 3RR

Contemporary & Post-War Art