Fine Furniture & Works of Art | 6th July 2016 | 10am by Lyon & Turnbull

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LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

6TH JULY, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 6th July, 2016 33 Broughton Place, Edinburgh

Fine Furniture & Works of Art

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Fine Furniture & Works of Art Including Collection of a Titled Gentleman Select Contents of Capton House, Somerset Select contents of Fasnadarach, A Scottish Country House, Royal Deeside The Collection of the late Countess of Lanesborough, previously at Swithland Hall, Leicestershire The Collection of the late Mrs Aldyth Cadoux Items from a Scottish Borders country house Items from a Scottish private collection Items from a Perthshire country house Items from various owners - previously Hamilton Palace; Saxon Court, Buxted East Sussex; Groombridge Place

Wednesday, 6th July, 2016 at 10am Sale Number LT468

Viewing Times Saturday, 2nd July 12 noon - 4pm Sunday, 3rd July 12 noon - 4pm Monday, 4th July 10am - 5pm Tuesday, 5th July 10am - 5pm Morning of sale from 9am

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Catalogue descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team is on hand to assist you, whether you are looking for something special for your home or collection, require more detailed information about the history or condition of a lot, or just want to ďŹ nd out more about the auction process

Douglas Girton

John Mackie

Theodora Burrell

Furniture, Clocks & Works of Art douglas.girton@lyonandturnbull.com

Furniture john.mackie@lyonandturnbull.com

Ceramics & Glass theo.burrell@lyonandturnbull.com

Gavin Strang

Carly Shearer

Hannah Willetts

Rugs & Carpets gavin.strang@lyonandturnbull.com

Pictures carly.shearer@lyonandturnbull.com

Department Adminstrator hannah.willetts@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; ďŹ ve minutes walk from the saleroom

York Place Tram Stop

Waverley Station

Order of Sale Wednesday, 6th July, 2016 at 10am 1-102 British Furniture & Works of Art: Part I 103-113 Arms & Armour 114-131 Pictures: Part I 132-149 Collection of a Titled Gentleman 150-193 British Furniture & Works of Art: Part II 194-214 Select Contents of Capton House Somerset 215-238 British Furniture & Works of Art: Part III 239-263 Pictures: Part II 264-315 British Furniture & Works of Art: Part IV 316-318 Taxidermy 319-390 Select contents of Fasnadarach, A Scottish Country House, Royal Deeside 391-402 Garden Furniture 403-485 Continental Furniture & Works of Art: Part I 486-502 Pictures: Part III 503-529 The Collection of the late Countess of Lanesborough 530-545 Continental Furniture & Works of Art: Part II 546-556 Asian & Indian Furniture & Works of Art 557-600 The Collection of the late Mrs Aldyth Cadoux 601-629 Oriental Rugs & Carpets

Front Cover Lot 468 (detail) Inside Front Cover Lot 149 (detail) Inside Back Cover Lot 14 (detail)

Lot 148

British Furniture & Works of Art: Part I 1 HE52/37 CHARLES II OAK COURT CUPBOARD MID 17TH CENTURY with a foliate scroll carved frieze above a pair of panel doors ﬂanked by turned columns, the lower part carved with arch and ﬂower details and a pair of panel doors, raised on stile feet 164cm wide, 130cm high, 51cm deep £800-1,200

2 SV730/125 CHARLES II OAK JOINT STOOL 17TH CENTURY the rectangular plank top with a thumb nail moulded edge above a barb inlay seat rail, raised on turned baluster legs joined by peripheral stretchers 46cm wide, 47cm high, 26cm deep £200-300

3 SV117A/6 WILLIAM AND MARY OAK CHEST OF DRAWERS LATE 17TH CENTURY the moulded rectangular top over three long moulded double panel drawers with applied moulded detail, raised on squat bun feet 89cm wide, 86cm high, 52cm deep £400-600

4 HE1/1 ASSEMBLED SET OF SIX WILLIAM AND MARY WALNUT UPHOLSTERED DINING CHAIRS LATE 17TH CENTURY comprising a set of four backstools with padded backs and seats on block and spiral turned legs joined by spiral H form stretchers; and a pair of high back chairs of a similar design with ring and block turned legs and H stretchers, in green upholstery (6) the four 48cm wide, 95cm high, 43cm deep; pair 56cm wide, 110cm high, 44cm deep Provenance: Sotheby’s, Collection of The late Stanley J. Seeger and Christopher Cone, March 2014

£400-600

6 Lyon & Turnbull

5 HD379/5 CHARLES I OAK COURT CUPBOARD MID 17TH CENTURY WITH ALTERATIONS the upper part with a moulded cornice above a scroll and ﬂowerhead carved frieze with initials IBK and dated 1646, above panel doors; the lower part with a pair of carved panel doors raised on turned supports joined by an undertier 175cm wide, 128cm high, 54cm deep £800-1,200

6 HE40/1 MATCHED SET OF TEN WILLIAM AND MARY WALNUT HALL CHAIRS 17TH CENTURY AND LATER each with a pierced arched crestrail and turned stiles ﬂanking a carved and pierced splat with caned panel and seat, raised on scrolling legs joined by a carved and pierced stretcher; together with a pair of matching armchairs of later date (10) 47cm wide, 127cm high, 39cm deep approx £600-800

7 HE52/15 WILLIAM AND MARY OYSTER VERNEERED LACE BOX LATE 17TH CENTURY the hinged top with a moulded edge and circular line inlay, opening to an interior lined with marbled paper and ﬁtted for stationery, on a moulded base raised on ﬂattened bun feet 54cm wide, 13cm high, 41cm deep £400-600

British Furniture & Works of Art: Part I 7

8 SV730/148 QUEEN ANNE WALNUT CHEST ON STAND EARLY 18TH CENTURY the moulded cornice above a cushion moulded frieze, over a pair of feather banded short drawers, a long drawer, a further pair of short and a ﬁnal long drawer; the stand with a long drawer ﬂanked by deep short drawers, over a shaped apron, raised on spiral carved legs joined by a wavy stretcher and ending on bun feet 112cm wide, 169cm high, 61cm deep £1,200-1,800

9 SV730/82 QUEEN ANNE WALNUT MIRROR EARLY 18TH CENTURY the shaped rectangular mirror plate in a conforming moulded frame 88cm high, 47cm wide £300-500

10 SV730/112 QUEEN ANNE STYLE WALNUT, YEW, AND POLLARD OAK DRESSING TABLE EARLY 20TH the top with specimen wood veneer panels and a moulded edge over an arrangement of long and short drawers around an arched apron, raised on shell carved cabriole legs ending in triﬁd feet 107cm wide, 77cm high, 61cm deep £500-700

8 Lyon & Turnbull

11 HE52/4 GEORGE I JAPANNED CABINET ON STAND EARLY 18TH CENTURY; THE STAND LATER of cubic form, decorated in raised gilt japanning with landscape views and garden scenes, opening to an arrangement of drawers and compartments; the later stand with cabriole legs ending in pad feet 69cm wide, 139cm high, 56cm deep £3,000-4,000

12 SV730/200 GEORGE II GILTWOOD MIRROR CIRCA 1730 the rounded rectangular mirror plate in a giltwood and gesso moulded frame surmounted by a swan neck pediment centred by a shell motif 92cm high, 50cm wide £300-500

13 HE59/18 GEORGE I WALNUT CROSSBANDED CHEST ON STAND EARLY 18TH CENTURY the hinged caddy top opening to a void interior, with brass handles to the sides, the separate stand with a pair of short drawers, raised on short square legs 118cm wide, 88cm high, 58cm deep £2,000-3,000

British Furniture & Works of Art: Part I 9

14Y HD388/10 RARE WALNUT CASE SPINET BY CAWTON ASTON AND THOMAS BARTON, LONDON CIRCA 1710 the mirrored nameboard above the four and a half octave keyboard with thirty three ebony natural keys with embossed paper facings, and twenty two ivory accidentals, signed on the wrest plank 'Cawton Aston & Thomas Barton Londini Fecerunt' on a turned fruitwood stand keyboard 75cm long; overall 163cm long, 87cm Provenance: Scottish private collection Note: This early 18th century spinet is a rare survivor from the short-lived partnership of Cawton Aston and Thomas Barton. While spinets made individually by both makers are extant, although in very small numbers, there are currently no spinets bearing the names of both makers known to exist. An example previously cited in the collection of the Museum of Fine Arts, Boston, in published research on the subject, has not proven to be the case. Cawton Aston (active 1693-1733) was the seventh and ﬁnal apprentice to the instrument maker John Player (1636-1707), and the only apprentice to set up his own

business. There are only two known surviving spinets by Aston, one in a private collection in England, the other in the collection of Colonial Williamsburg in Virgina. A third spinet, bearing the initials ‘CA’ and attributed to the maker, which bears similarities to Player made spinets, is in the collection of Finchcocks Musical Museum, Kent. Thomas Barton (b.1685) was apprenticed to Stephen Keene (b.1639) in 1699 and entered into the Joiners Company in 1706. For some reason he didn’t go into partnership with Keene after completing his apprenticeship, but appears he began a partnership with Cawton Aston at that time. It is supposed that the two joined up after the death of Player in 1707 and worked together for approximately seven years. Independently made spinets by both makers begin to appear after 1714, so it is with some certainty that the present lot can be dated to this period as the collaboration was going for such a short period. This is supported by the fact of the scarcity of surviving instruments made during that period. In any event there is no doubt that the partnership would have been a leading competitor to Keene as the foremost instrument makers of the early Georgian period. Literature: Boalch, D., Makers of the Harpsichord and Clavichord 1440-1840, 3rd ed., Oxford University Press, 1995 Mole, G., The English Spinet with Particular Reference to the Schools of Keene and Hitchcock (Doctoral dissertation, University of Edinburgh, 2009)

£8,000-12,000

10 Lyon & Turnbull

15 HE450/10 GEORGE II STYLE MAHOGANY WING ARMCHAIR LATE 19TH CENTURY the rectangular padded back and stuff over seat flanked by pronounced scrolled wings and arms, raised on carved cabriole legs ending in triffid feet, in apricot damask upholstery 91cm wide, 114cm high, 86cm deep £1,200-1,800

16 HE59/4 GEORGE II MAHOGANY GATELEG FOLDOVER TEA TABLE MID 18TH CENTURY the foldover rectangular top with outset square corners, above a concave frieze, raised on cabriole legs carved at the knees with acanthus and oval bosses and ending in claw and ball feet 79.5cm wide, 74cm high, 39.5cm deep (closed) 79cm (open) £1,200-1,800

17 HD388/19 GEORGE II SMALL WALNUT BUREAU BOOKCASE CIRCA 1730 the moulded broken arch pediment above a pair of doors with arched moulded mirror plates opening to shelves; the lower part with a slant front opening to drawers and pigeon holes, above four graduated drawers, raised on bracket feet 67cm wide, 207cm high, 49cm deep Provenance: Scottish private collection

£1,500-2,500

British Furniture & Works of Art: Part I 11

18 SV730/65 GEORGE II STYLE YEW WOOD LIBRARY ARMCHAIR CIRCA 1830 the shield shaped back and curved shepherd’s crook arms above a circular drop in seat, raised on cabriole legs carved with shells and acanthus and ending in claw and ball feet 62cm wide, 92cm high, 48cm deep £600-900

19 HE450/11 GEORGE II STYLE MAHOGANY FOLDOVER CARD TABLE BY GILLOWS OF LANCASTER LATE 19TH CENTURY the foldover top with outset rounded corners, opening to a brown baize lined playing surface, above a single frieze drawer, raised on C scroll carved cabriole legs ending in raised pad feet; the drawer stamped ‘GILLOWS, LANCASTER’ 81cm wide, 70cm high, 42cm deep (closed) £700-900

20 HE59/15 PAIR OF GEORGE II STYLE WALNUT ARMCHAIRS EARLY 20TH CENTURY the padded arched backs above scrolling shepherd’s crook arms, over stuﬀ over seats, raised on cabriole legs carved at the knees with shells and ending in carved claw and ball feet, in cream upholstery (2) 65cm wide, 100cm high, 48cm deep £1,200-1,800

12 Lyon & Turnbull

21 HE245/2 SIX PIECES OF WORCESTER ‘BLUE SCALE’ PORCELAIN MID-LATE 18TH CENTURY comprising a shaped dish, 30cm wide, and a pair of small shouldered vases, 15.5cm high, all decorated with ﬂowers, blue seal marks; a slop bowl, 15cm diam., and a sparrow beak jug, 12cm high, decorated with exotic birds, blue seal marks; and a ‘Jabberwocky’ pattern leaf form dish, 26cm long (6) £400-600

22 SV794/20 CHELSEA PORCELAIN LEAF FORM DISH MID 18TH CENTURY painted with a central spray of ﬂowers below the twig form handle, with red anchor mark 20cm long £200-300

23 HD213/12 CHELSEA PORCELAIN MUG, ATTRIBUTED TO THE ATELIER OF JAMES GILES MID 18TH CENTURY of waisted form, decorated with four polychrome exotic birds below a gilt rim, with gold anchor mark, 11.5cm high; together with WORCESTER BLUE AND WHITE PORCELAIN PICKLE DISH, CIRCA 1755, the moulded shell form dish decorated in ‘Two Peony Rock Bird’ pattern, with an underglaze blue V mark, 7.5cm long (2) £250-350

24 SV730/116 GEORGE III MAHOGANY TRIPOD TABLE 18TH CENTURY AND LATER the hexagonal top with a moulded edge and notched corners, on a ﬁxed ﬂuted tapered column and raised on scrolling leaf carved legs ending in scrolled toes 60cm diameter, 72cm high £500-700

British Furniture & Works of Art: Part I 13

25 HE59/17 PAIR OF IRISH GEORGE II STYLE WALNUT SIDE CHAIRS LATE 19TH CENTURY the shaped tall backs with inset upholstered pads, over bow front drop in seats, in natural linen upholstery, over a plain seat rail and raised on shell and C scrolled cabriole legs ending in carved hoof feet (2) 54cm wide, 98cm high, 40cm deep £700-900

26 HE52/14 GEORGE II WALNUT AND PARCEL GILT MIRROR MID 18TH CENTURY the rectangular mirror plate in a shaped and moulded frame with leaf garlands, surmounted by a swan neck pediment centred by a ho ho bird 139cm high, 73cm wide £800-1,200

27 HE46/3 GEORGE III SMALL MAHOGANY CARVED CHEST ON CHEST 18TH CENTURY the moulded cornice above a pair of short drawers and three graduated long drawers outlined with bead moulding and ﬂanked by chevron carved quarter columns; the lower part with two short drawers and two further long graduated drawers, raised on shaped bracket feet 117cm wide, 161cm high, 56cm deep £1,500-2,500

14 Lyon & Turnbull

28 HE450/14 SET OF SIX GEORGE III MAHOGANY DINING CHAIRS 18TH CENTURY the serpentine top rails above pierced vasiform splats, over drop-in seats in ﬂoral needlework upholstery, raised on moulded straight square legs joined by peripheral stretchers (6) 53cm, 96cm high, 39cm deep £1,500-2,500

29 HE44/1 GEORGE III MAHOGANY BRASS BANDED WINE COOLER ON STAND 18TH CENTURY the hinged oval top opening to a lead lined interior, with brass loop handles to the sides; the separate base with short straight square legs ending in brass castors 55cm wide, 55cm high, 41cm deep £700-1,000

30 HE315/1 GEORGIAN MAHOGANY TILT TOP TABLE 18TH CENTURY the circular tilt top above a turned tapered column raised on cabriole legs ending in pad feet 84cm diameter, 70cm high £300-500

British Furniture & Works of Art: Part I 15

31 SV892/2 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK BY HENDERSON, MUSSELBURGH 18TH CENTURY the swan neck pediment above an arched engraved brass dial with Roman and Arabic chapters, a subsidiary seconds dial and date aperture, above a moulded trunk door ﬂanked by ﬂuted quarter columns, on a plinth base; the eight day movement striking a bell 47cm wide, 225cm high, 25cm deep £700-1,000

32 HE54/2 GEORGE III MAHOGANY LIBRARY CABINET ON STAND 18TH CENTURY with two doors opening to drawers and central recess; the stand with straight square legs 101cm wide, 109cm high, 33cm deep £400-600

16 Lyon & Turnbull

33 HE198/1 GEORGE III MAHOGANY HALL TABLE 18TH CENTURY the long rectangular top over a wide fretwork carved frieze and moulded band, raised on square straight legs ending in block feet 159.5cm long, 80cm high, 59cm deep £1,000-1,500

34 HE56/2 CHIPPENDALE STYLE GILTWOOD TRIPLE PLATE OVERMANTEL MIRROR 19TH CENTURY the rectangular mirror plate in a giltwood frame carved with ho ho birds, acanthus and C scrolls, grotto work, and a pagoda with a hanging bell 87cm high, 140cm wide £2,000-3,000

35 HA461/2 GOOD GEORGE III MAHOGANY COMMODE IN THE MANNER OF WRIGHT AND ELWICK 18TH CENTURY the moulded top over a part bow front with three central drawers flanked by cupboard doors, brass handles to the sides, raised on moulded square tapered legs ending in brass castors 109cm wide, 89cm high, 59cm deep Note: Wright and Elwick were the leading Yorkshire cabinet-making firm of the third quarter of the 18th century. From their workshop in Wakefield, Richard Wright and Edward Elwick advertised themselves on their trade card as Ùpholders from London....selling Cabinet work of ye Newest Fashion, Together with all sorts of Household Furniture’. They were subscribers to Chippendale`s ‘The Gentleman and CabinetMaker`s Director’, 1754, and would have been familiar with current London fashion. They supplied furniture to the leading families of Yorkshire, including the Earl of Strafford at Wentworth, Sir Rowland Winn at Nostell Priory, the Duke of Norfolk at Worksop Manor, Viscount Irwin at Temple Newsam House and the Marquess of Rockingham at Wentworth Woodhouse.

£3,000-5,000

British Furniture & Works of Art: Part I 17

36 HE60/4 GOOD IRISH GEORGE III PINE AND MARBLE TOP SIDE TABLE 18TH CENTURY the rectangular verde antico marble slab top above a scroll shaped frieze carved with a foliate scrolls, palmettes, ﬂower heads and oak branches against a diaper ground, raised on acanthus and scroll carved legs ending in carved paw feet 137cm wide, 84cm high, 53.5cm deep Provenance: ex Saxon Court, Buxted, East Sussex

£7,000-10,000

18 Lyon & Turnbull

37 HE56/1 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top over a pair of short and three long drawers, raised on bracket feet 82cm wide, 83cm high, 47cm deep Provenance: Perthshire country house

£300-500

38 HD978/1 GEORGE III MAHOGANY AND SATINWOOD HEXAGONAL WINE COOLER 18TH CENTURY the hinged hexagonal top above satinwood banded tapered sides, on a separate stand raised on square tapered legs ending in spade feet 39cm wide, 73cm high, 39cm deep £300-500

39 HE54/1 GEORGE III MAHOGANY SERVING TABLE 18TH CENTURY the rectangular top with a moulded edge over a plain frieze, raised on square tapered and ﬂuted legs ending in block feet 184cm wide, 91cm high, 81cm deep £800-1,200

British Furniture & Works of Art: Part I 19

40 HA461/1 FINE GEORGE III MAHOGANY SERVING TABLE LATE 18TH CENTURY the rectangular top above a moulded frieze centred with a panel carved with an urn and foliate scrolls and ďŹ&#x201A;ower heads, above a band of ribbon carved moulding, raised on square tapered legs headed by carved urn capitals and ending in roundel carved moulded feet; bearing an ivorine Frank Partridge trade label 206cm long, 88cm high, 72cm deep ÂŁ6,000-9,000

20 Lyon & Turnbull

41 HD621/12 GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the circular dished top with a reeded edge, above a baluster column support, raised on facetted cabriole legs ending in pointed pad feet 40cm diameter, 58cm high £1,200-1,800

42 HD621/3 LATE GEORGE III MAHOGANY AND SATINWOOD BREAKFAST TABLE LATE 18TH CENTURY the rounded rectangular crossbanded top with line inlay and a moulded edge, over a turned baluster column raised on four reeded outswept legs ending in brass caps and castors 103cm wide, 70cm high, 81cm deep £800-1,200

43 HE60/2 GEORGE III MAHOGANY MARBLE TOP SIDE TABLE 18TH CENTURY the later rectangular breche violette marble top above a plain frieze centred by a carved shell motif, raised on bold acanthus carved cabriole legs ending in claw and ball feet 109cm wide, 80cm high, 63.5cm deep Provenance: ex Groombridge Place. This table is thought to have been one of a pair.

£2,000-3,000

British Furniture & Works of Art: Part I 21

44 HD450/1 GEORGE III MAHOGANY SECRETAIRE CABINET 18TH CENTURY the dentil moulded cornice above a pair of moulded panel doors marked at the corners with carved ﬂower heads; the lower part with a secretaire drawer ﬁtted with drawers and pigeon holes, over a pair of moulded doors, opening to sliding trays, on a plinth base 129cm wide, 212cm high, 60cm deep £500-700

45 HE52/1 GEORGE III MAHOGANY CONCAVE SIDE TABLE BY GILLOWS OF LANCASTER 18TH CENTURY the concave front top with rounded corners above a long frieze drawer stamped ‘GILLOWS / LANCASTER’, raised on square tapered legs 88cm wide, 79cm high, 46cm deep £600-800

22 Lyon & Turnbull

47 HE48/7 RARE GEORGE III MAHOGANY QUADRUPLE FOLD TEA AND GAMES TABLE

46 HD441/1 SET OF EIGHT ‘CHIPPENDALE’ STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY comprising six side chairs and a pair of armchairs, with acanthus carved crest rails above pierced interlaced splats and wide stuﬀ over seats in ﬂoral striped upholstery, raised on acanthus carved cabriole legs ending in claw and ball feet (8) 61cm wide, 95cm high, 43cm deep £500-800

MID 18TH CENTURY the foldover rectangular top with moulded edge, opening to a tea table, the next opening to a green baize lined playing surface with playing wells, the third opening to an inlaid chess and backgammon board with detachable hinged frame, above a line inlaid frieze raised on square tapered and reeded legs ending in brass caps and castors 77cm wide, 76cm high, 40cm deep (closed) £3,000-5,000

British Furniture & Works of Art: Part I 23

48 SV584/4 CHIPPENDALE STYLE MAHOGANY AND GILT BRONZE MOUNTED BUREAU BOOKCASE LATE 19TH CENTURY the moulded swan neck pediment centred by a ball ﬁnial, above a shaped mirror inset door opening to shelves, over a long drawer; the lower part of bombe outline with three long drawers, the top drawer ﬁtted with a writing slope and compartments, raised on splayed legs with gilt bronze mounted feet 86cm wide, 199cm high, 46cm deep £800-1,200

49 HE48/2 GEORGE III STYLE POLYCHROMED AND PARCEL GILT PIER TABLE 20TH CENTURY the demilune top painted with a urns and classical motifs, above a deep ﬂuted frieze marked by rosettes, raised on turned and leaf carved tapered legs 156cm wide, 93cm high, 66cm deep £700-1,000

24 Lyon & Turnbull

50 HE48/1 PAIR OF IRISH GEORGE III STYLE MAHOGANY SIDE TABLES, IN THE MANNER OF JAMES HICKS OF DUBLIN 20TH CENTURY the rectangular tops over leaf moulded friezes centred by a large carved shell motifs with scrolling acanthus, raised on acanthus carved cabriole legs ending in carved hairy paw feet (2) 107cm wide, 85cm high, 57cm deep £2,000-3,000

51 HD388/1 GEORGE III GILTWOOD MIRROR 18TH CENTURY the shaped rectangular mirror plate in an openwork frame with C scrolls, fruiting vines and ﬂowers with a foliate cresting 114cm high, 65cm wide Provenance: Scottish private collection

£600-800

52 HE60/1 IRISH GEORGE III MAHOGANY SILVER TABLE 18TH CENTURY the dished rectangular top above a scroll shaped apron carved with a shell motif and acanthus, raised on cabriole legs carved with acanthus and ending in paw feet 80cm wide, 74cm high, 53cm deep £1,500-2,500

British Furniture & Works of Art: Part I 25

53 HE46/26 GEORGIAN MAHOGANY BUREAU BOOKCASE 18TH/ 19TH CENTURY the dentil moulded cornice above a blind fret carved frieze and pair of doors with shaped glazed panels opening to shelves; the lower part with a slant front opening to an interior ﬁtted with drawers and pigeon holes, over four graduated long drawers, raised on carved ogee bracket feet 101cm wide, 227cm high, 57cm deep £700-1,000

54 HE46/15 FINE GEORGE III SATINWOOD, KINGWOOD AND FRUITWOOD INLAY POUDREUSE BY VILE AND COBB CIRCA 1760 the hinged divided serpentine top inlaid with ﬂoral sprays in oval reserves and bellﬂower garlands, opening to a ratchet adjusted mirror and covered wells, raised on slender square cabriole legs 65cm wide, 78cm high, 54cm deep £2,000-3,000

26 Lyon & Turnbull

55 HC456/11 GEORGE III TABLE RED JAPANNED BRACKET CLOCK BY JAMES CHATER, LONDON CIRCA 1760 the four pillar twin fusee bell striking movement with ﬁne foliate scroll engraved backplate, the 7 inch brass dial with STRIKE/SILENT selection dial, calendar aperture and shaped signature plate engraved JAMES CHATER/ LONDON, within applied silvered Roman numeral chapter ring, within an inverted bell-top case, with red japanned ﬁnish painted in gilt, with brass carrying handle above front door with raised mouldings, the sides with circular over concave-topped rectangular glazed apertures, on moulded base with bracket feet 47cm high (excluding handle) £1,500-2,500

56 HB828/3 GEORGE III MAHOGANY SIDE CABINET CIRCA 1770 the superstructure with a pierced brass gallery above a tambour front opening to an arrangement of drawers and pigeon holes; the lower part with a long frieze drawer above a pair of moulded cupboard doors opening to sliding trays, raised on shaped bracket feet with recessed brass castors 93cm wide, 110cm high, 48cm deep £600-800

57 HE52/38 GEORGIAN MAHOGANY BOOK TRAY 19TH CENTURY each fold-down end with a cut out handle 58.5cm long £200-300

British Furniture & Works of Art: Part I 27

58 HC456/8 GEORGE III FRUITWOOD PEAR-SHAPED TEA CADDY LATE 18TH CENTURY with a stem ﬁnial and metal escutcheon, opening to a void interior 17cm high £800-1,200

59 HE468/3 PAIR OF SILVERED BRONZE CANDLESTICKS, AFTER THOMAS ABBOT 19TH CENTURY each with a crane with a crown on its neck, and a foliate cast candle nozzle, on a rock-form base (2) 39.5cm and 38.5cm high £400-600

60 HE59/24 PAIR OF GEORGE III MAHOGANY KNIFE BOXES LATE 18TH CENTURY each with satinwood crossbanding and boxwood line inlay, the sloping hinged lids enclosing a later interior ﬁtted for decanters, each box with three glass decanters, the arc-en-arbelette fronts with silvered mounts (2) 24cm wide, 41cm high, 32cm deep £1,500-2,000

28 Lyon & Turnbull

61 HD388/15 PAIR OF CHELESEA STYLE PORCELAIN CANDLESTICKS 19TH CENTURY modelled with a gentleman holding a song bird, and a lady with an apron full of ﬂowers, each against bocage and raised on a rococo style stand, with gilt anchor mark (2) 29cm and 28.5cm high Provenance: Scottish private collection

£300-500

62 HE245/4 TWO PAIRS OF DERBY PORCELAIN FIGURE GROUPS 19TH CENTURY comprising a pair of candelabra, modelled with musicians against bocage ﬂanked by two outscrolling candle arms, one incised No. 280, 21.5cm high; and a pair of ﬁgures holding birds against bocage and a tree stump, 23cm high (4) £400-600

63 HD901/6 GROUP OF SEVEN GEORGIAN GLASSES LATE 18TH CENTURY comprising a PAIR OF ALE GLASSES, with spirally ribbed bowls, 12.5cm high; FOUR GLASSES, each with spirally ribbed bowls, 13.5cm high approx.; and a TALLER SINGLE GLASS, with etched decoration to the rim, 16.5cm high (7) £150-250

64 HD388/7 GEORGE III MAHOGANY CHEESE COASTER LATE 18TH CENTURY of typical form, with twin turned handles and lobed brass bosses 41cm wide Provenance: Scottish private collection

£150-250

British Furniture & Works of Art: Part I 29

65 HD439/1 GEORGE III OAK HOUSEKEEPER’S CUPBOARD 18TH CENTURY the deep moulded cornice above a pair of moulded panel doors divided by a matching moulded panel and flanked by fluted corner columns, opening to a shelved interior; the separate base with three banks of short drawers flanked by further fluted corner columns, raised on ogee bracket feet 197cm wide, 208cm high, 64cm deep Provenance: By repute, Hamilton Palace

£600-800

66 SV730/71 GEORGE III OAK AND MAHOGANY DRESSER BASE 18TH CENTURY the long top with a moulded edge over three deep frieze drawers above a scrolled apron, raised on straight square hipped legs ending in pointed pad feet 213cm long, 86cm high, 48cm deep £1,000-1,500

30 Lyon & Turnbull

67 HD388/4 ENGLISH OAK LONGCASE CLOCK, BOYFIELD, MELTON LATE 18TH CENTURY the straight moulded cornice above a silvered brass dial with Roman numbers and with a calendar aperture, ﬂanked by columns, above a moulded trunk door on a moulded panel plinth base; the movement striking a bell 45cm wide, 193cm high, 25cm deep Provenance: Scottish private collection

£300-500

68 HE46/8 AMERICAN RED WALNUT LOWBOY 18TH CENTURY the rectangular top with a moulded edge and notched forecorners, above three short frieze drawers and a scrolling apron, raised on cabriole legs ending in pointed pad feet 85cm wide, 72cm high, 49cm deep £400-600

69 HE250/14 PAIR OF PROVINCIAL GEORGE III ASH SIDE CHAIRS 18TH CENTURY the serpentine top rails above a pierced vasiform splat, over plank seats with a moulded edge, raised on square straight legs joined by peripheral stretchers (2) 48cm wide, 96cm high, 36cm deep Provenance: Perthshire country house

£200-300

British Furniture & Works of Art: Part I 31

70Y HE450/15 LATE GEORGE III MAHOGANY AND SATINWOOD INLAY LADY’S WRITING/WORK TABLE

LATE 18TH CENTURY the superstructure with two short and a single long drawer with ivory knobs; the lower part with a long frieze drawer ﬁtted with a writing slope and pen trays, above a sliding green silk lined work box, raised on slender tapered legs ending in brass caps and castors 51cm wide, 103cm high, 40cm deep £600-800

71 HE450/12 PAIR OF GEORGE III MAHOGANY ARMCHAIRS

LATE 18TH CENTURY the arched backs with three foliate carved and ﬂute spindles over caned bow front seats and downswept arms with leaf carved , raised on leaf carved slender turned and tapered legs ending in tapered feet (2) 58cm wide, 81cm high, 47cm deep £1,200-1,800

72 SV892/3 GEORGE III MAHOGANY CORNER WASHSTAND

18TH CENTURY the hinged top opening to reveal a basin recess, above a tambour door and short drawer ﬂanked by dummy drawers, raised on outswept square legs joined by a shaped stretcher 62cm wide, 82cm high, 44cm deep £400-600

32 Lyon & Turnbull

73 HD443/2 SET OF TEN ‘CHIPPENDALE’ STYLE MAHOGANY DINING CHAIRS

20TH CENTURY comprising eight side chairs and a pair of armchairs, the serpentine foliate carved top rails above pierced and foliate carved interlaced splats, over drop in seats in blue upholstery and a shaped apron, raised on acanthus carved cabriole legs ending in claw and ball feet (10) 55cm wide, 96cm high, 42cm deep £1,000-1,500

74 HE450/9 LATE GEORGE III MAHOGANY CHEST OF DRAWERS, ATTRIBUTED TO GILLOWS LATE 18TH / EARLY 19TH CENTURY the rectangular top with rounded outset corners, over three long drawers ﬂanked by reeded columns, raised on tall turned and tapered legs 103cm wide, 91cm high, 46cm deep £1,500-2,000

75 HE61/7 SET OF FOUR GEORGIAN STYLE MAHOGANY NESTING TABLES

EARLY 20TH CENTURY the moulded rectangular tops raised on slender ring turned legs ending on curved trestle legs joined by a straight stretchers (4) 49.5cm wide, 75cm high, 32cm deep £700-1,000

British Furniture & Works of Art: Part I 33

76 HE450/2 GOOD GEORGE III FIGURED MAHOGANY BREAKFRONT BOOKCASE 18TH CENTURY the dentil moulded breakfront cornice above four astragal glazed doors with arched mullions, opening to shelves; the lower part with four moulded panel cupboard doors, raised on shaped bracket feet 274cm wide, 231cm high, 48cm deep £5,000-8,000

77 HE250/1 GEORGIAN MAHOGANY BUTLER’S TRAY AND STAND

19TH CENTURY of typical form with cut out handles to the long sides; with a folding x form stand 65cm wide, 82cm high, 48cm deep £300-400

78 HE55/1 GEORGIAN STYLE STRIPPED MAHOGANY OVERMANTEL MIRROR

EARLY 20TH CENTURY inverted breakfront cornice above frieze with husk swags, above rectangular mirror plate divided by moulding and ﬂanked by columns 83cm high, 153cm wide £300-400

34 Lyon & Turnbull

79 SV730/105 SET OF SIX LATE GEORGE III STAINED ASH AND BURRWOOD DINING CHAIRS

LATE 18TH / EARLY 19TH CENTURY comprising a pair of armchairs and four side chairs, the top rails with a burrwood panel outlined in barber pole stringing above a pair of horizontal splats with ball spacers, over drop in seats and raised on square tapered legs joined by peripheral stretchers; together with a GEORGE III MAHOGANY ARMCHAIR, of a similar design (7) 47cm wide, 86cm high, 37cm deep £500-700

80 HE61/5 PAIR OF GEORGIAN STYLE MAHOGANY BEDSIDE CABINETS the moulded rectangular tops above banks of four short moulded drawers, on plinth bases (2) 38cm wide, 74cm high, 37cm deep £1,000-1,500

British Furniture & Works of Art: Part I 35

81 HE37/4 GEORGE III MAHOGANY BUREAU BOOKCASE

18TH CENTURY AND LATER the broken arch pediment centred by an urn ﬁnial, above a dentil moulded frieze and pair of astragal glaze doors opening to shelves; the lower part with a slant front opening to a ﬁtted interior, over four long drawers, raised on bracket feet 103cm wide, 238cm high, 51cm high £400-600

82Y HE61/4 LATE GEORGE III MAHOGANY WASHSTAND IN THE MANNER OF GILLOWS OF LANCASTER

LATE 18TH / EARLY 19TH CENTURY the rectangular top with a three quarter gallery with scroll shaped ends, above two long drawers with ivory keyholes, raised on turned and tapered legs 60cm wide, 74cm high, 36.5cm deep £800-1,200

36 Lyon & Turnbull

83 HE61/9 SET OF FOUR MAHOGANY COCKPEN ARMCHAIRS

EARLY 20TH CENTURY the square lattice backs above wide curved seats and scroll arms, in salmon pink upholstery, raised on reeded legs joined by stretchers (4) 58cm wide, 87cm high, 43cm deep £2,000-3,000

84 HE59/23 LATE GEORGE III MAHOGANY CHEST OF DRAWERS

LATE 18TH CENTURY the rectangular top with canted fore corners above a pair of short drawers and three long graduated drawers, ﬂanked by canted angles with boxwood stringing, raised on hipped shaped bracket feet 104cm wide, 87cm high, 49cm deep £800-1,200

85 HE61/1 GEORGE III STYLE LEATHER UPHOLSTERED WING ARMCHAIR

EARLY 20TH CENTURY with a serpentine top back rail above a button upholstered back and loose cushion seat and scroll arms, in wine red leather with brass nail head trimming, raised on straight legs joined by stretchers 78cm wide, 110cm high, 55cm deep £700-1,000

British Furniture & Works of Art: Part I 37

86 HE250/5 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top over a pair of short drawers and three long graduated drawers, raised on shaped bracket feet 93cm wide, 91cm high, 51cm deep £300-500

87 HE52/25 PAIR OF LATE GEORGE III MAHOGANY FOLDOVER TABLES LATE 18TH / EARLY 19TH CENTURY the D shaped crossbanded tops with boxwood stringing, opening on double gatelegs, above friezes with further stringing, raised on slender reeded and tapered legs (2) 90cm wide, 73cm high, 45cm deep £1,500-2,000

88 HE59/6 GEORGE III MAHOGANY BRASS BANDED OCTAGONAL WINE COOLER ON STAND

18TH CENTURY the hinged hexagonal top opening to a brass lined interior, above conforming tapered sides with three brass bands and loop handles to the sides; the separate stand with four slender moulded square tapered legs with brass castors 47cm diameter, 70cm high £600-800

38 Lyon & Turnbull

89 HE52/46 PAIR OF GEORGE III MAHOGANY KNIFE BOXES

LATE 18TH CENTURY each with chequer banding and boxwood line inlay, the sloping hinged lids enclosing void interiors, the arc-enarbelette fronts with silvered mounts and brass handles to the sides (2) 23cm wide, 40cm high, 34cm deep £500-700

90 HD893/1 LATE GEORGE III MAHOGANY AND SATINWOOD BANDED SIDEBOARD

LATE 18TH CENTURY the bowfront crossbanded top above a central drawer and arched recess drawer ﬂanked by two short drawers and a deep drawer, raised on square tapered legs with line inlay and ending in spade feet 165cm wide, 89cm high, 59cm high £600-800

91 HE52/42 GEORGE III MAHOGANY CHEST OF DRAWERS

18TH CENTURY the rectangular top over a pair of short drawers and three long drawers, ﬂanked by canted angles with blind fret carving, raised on ogee bracket feet 99cm wide, 90cm high, 48cm deep £400-600

British Furniture & Works of Art: Part I 39

92 FG280/9 GEORGE III STYLE SATINWOOD CELLARETTE

LATE 19TH CENTURY of sarcophagus form with brass lion mask handles, raised on turned tapered legs ending in brass caps and castors 61cm wide, 58cm high, 42cm deep £400-600

93 HE54/4 GEORGIAN MAHOGANY TALL CHEST OF DRAWERS

19TH CENTURY the moulded cornice over six short drawers, on a plinth base 71cm wide, 174cm high, 56cm deep £400-600

94 HE52/26 TWO PAIRS OF GEORGIAN MAHOGANY BED POSTS LATE 18TH / EARLY 19TH CENTURY one pair with ﬂuted columns on baluster turned bases, 217cm high; the other pair with reeded tapered columns above wheat and leaf carved ﬂuted baluster bases, 216cm high (4) £400-600

40 Lyon & Turnbull

95 HD621/6 FINE LATE GEORGE III GILTWOOD SOFA FRAME

CIRCA 1800 the crest rail carved with dolphins and shell motifs, above straight arms carved with palm leaves and ending in ball hand rests, the frame with anthemions, rose heads, and bell ﬂowers, raised on tapered leaf carved supports in the form of torches ending in ﬂattened ball feet 179cm long, 106cm high, 60cm deep £2,000-3,000

96 HE450/7 LATE GEORGE III MAHOGANY AND SATINWOOD SERPENTINE COMMODE LATE 18TH CENTURY the serpentine top over a pair of cupboard doors with boxwood stringing, the angles with satinwood banding, opening to an interior ﬁtted with two sliding trays and a drawer, above a shaped apron and raised on slender outswept legs 114cm wide, 91cm high, 61cm deep £2,000-3,000

British Furniture & Works of Art: Part I 41

97 HD433/2 GEORGE III MAHOGANY BUREAU BOOKCASE

18TH CENTURY the dentil moulded cornice above a blind fret carved frieze and pair of astragal glazed doors opening to shelves; the associated lower part with a slant front opening to an arrangement of drawers and pigeon holes and a centre mirrored door compartment, over four graduated long drawers raised on scroll carved bracket feet 99cm wide, 205cm high, 53cm deep £700-900

98 HE468/7 LATE GEORGIAN MAHOGANY CANTERBURY

MID 19TH CENTURY with four divisions with ﬂat baluster sides and dividers, above a long base drawer, raised on turned legs ending on brass caps and castors 56cm wide, 55cm high, 38cm deep £300-500

99 HE307/1 GEORGE III MAHOGANY COMMODE BEDSTEPS

EARLY 19TH CENTURY with three leather lined steps, the centre step with a pull out drawer ﬁtted with a covered ceramic chamber pot, the top step ﬁtted with a cupboard door, raised on turned legs with brass caps and castors 93cm wide 101cm high, 45cm deep £800-1,200

42 Lyon & Turnbull

100 HE468/5 GEORGE III GREEN LEATHER UPHOLSTERED WING ARMCHAIR

LATE 18TH CENTURY with a serpentine top rail and scroll arms above a loose cushion seat, in olive green leather upholstery with brass nail head trim, raised on square legs joined by peripheral stretchers and ending on brass castors 89cm wide, 115cm high, 51cm deep £2,000-3,000

101 SV730/123 GEORGIAN STYLE POLYCHROME PAINTED MAHOGANY FOLDOVER CARD TABLE

LATE 19TH CENTURY the foldover demilune top painted with a musical putto, ﬂoral swags and laurel bands, opening on double gatelegs to a green baize lined surface, the frieze painted with further swags and raised on square tapered legs painted with classical portrait proﬁles and husk trails, ending in spade feet 91cm wide, 73cm high, 45cm deep closed, 90cm deep open £500-700

102 HE468/6 GEORGE III MAHOGANY AND LEATHER GOUT STOOL 18TH CENTURY the green leather upholstered ratchet adjusted top over a mahogany frame raised on turned legs with brass castors 53cm long, 44cm high, 31cm deep £200-300

Arms & Armour 103 HE180/1 CONTINENTAL SPORTING CROSSBOW

CIRCA 1700, WITH SOME LATER ELEMENTS the tiller and stock inlaid with panels of engraved stag horn, depicting knights and mythological beasts, engraved iron trigger guard, iron bow and stirrup, with a sliding patch box for bolts 92cm long, 67cm wide £300-500

104 HE180/3 SPANISH BLUNDERBUSS, STAMPED DOMINGO MAS OF RIPOLL

CIRCA 1730 with miquelet lock, outside main spring and ring top jaw screw, two stage barrel octagonal at the breech, and struck with the maker’s mark B/ MAS, flared ringed muzzle, engraved brass trigger guard with a basket of flowers finial, full walnut stock with chequered folding butt operated by a brass button barrel 23inches long/ 59.5cm long £1,500-2,500

106 HE180/2 FLINTLOCK MUSKETOON, BY INNES OF EDINBURGH

CIRCA 1770 with a flat stepped engraved lock, signed F. INNES within a rococo cartouche, the two stage barrel octagonal for three-quarters of the length with a flared muzzle, with Birmingham proof marks, engraved brass butt plate, pierced and engraved side plate, and with an acorn finial to the brass trigger guard, full walnut stock and replacement brass-tipped ramrod barrel 16.5inches long/ 42cm long £1,500-2,500

105 HE333/1B FLINTLOCK TURN-OFF CANNON BARREL POCKET PISTOL, SIGNED J. JACKSON

CIRCA 1730 plain walnut stock, with brass furniture and early form of round trigger, the lock signed J. JACKSON barrel 3.5inches long/ 9cm long £400-600

44 Lyon & Turnbull

107 HE180/4 PERCUSSION BLUNDERBUSS

CIRCA 1780 later converted to percussion ignition, two stage barrel, octagonal at the breech and ﬂared at the muzzle, with a captive and springloaded bayonet operated by a catch at the breech, walnut full stock and chequered butt with Irish registration mark, plain brass furniture with acorn ﬁnial, replacement iron tipped ramrod barrel 14inches long/ 36cm long £600-800

108 HE333/1A FLINTLOCK BLUNDERBUSS

CIRCA 1790 with plain iron lock struck with a gun maker’s view mark, the ﬂared round barrel engraved LONDON and struck with tower private proof marks, engraved barrel tang, brass trigger guard with engraved pineapple ﬁnial, brass butt plate with engraved tang, walnut full stock and iron ramrod barrel 12inches long/ 31cm long £400-600

109 HE333/1E FLINTLOCK TRAVELLING PISTOL, SIGNED GEORGE THOMSON

CIRCA 1800 engraved stepped lock signed GEORGE THOMSON, octagonal damascus barrel engraved LONDON on the top flat, walnut full stock with chequered butt, iron furniture, trigger guard with pineapple finial, plain escutcheon and white metal barrel bolt escutcheons, replacement ramrod, barrel 6inches long/ 16cm long; together with a FLINTLOCK POCKET PISTOL, SIGNED SMITH, signed to the stepped lock, with sliding safety, short octagonal barrel engraved LONDON with Irish registration marks, plain walnut full stock, engraved iron trigger guard with a pineapple finial, and replacement ramrod, barrel 3inches long/ 8cm long (2) £200-300

110 HE333/1D FLINTLOCK TRAVELLING PISTOL

CIRCA 1800 the engraved lock signed HAMILTON, the plain round barrel struck with Birmingham proof marks signed LONDON at the breech, engraved tang, engraved brass trigger guard with pineapple ﬁnial, plain brass escutcheon, plain walnut full stock, and with original horn ripped ram rod barrel 4.5inches long/ 11cm long £150-250

Arms & Armour 45

111 HE333/1C DAMASCUS DOUBLE BARREL TURNOFF PERCUSSION POCKET PISTOL CIRCA 1830 with highly ﬁgured walnut butt with blank white metal escutcheon, with an engraved action and trigger guard barrels 3inches long/ 8cm long £300-500

112 HD901/8 .12 BORE SINGLE BARREL PERCUSSION SHOTGUN, IN THE MANNER OF JOSEPH HARKHAM

CIRCA 1840S the lock engraved with a pointer, the top rib engraved EDINBURGH, with a scroll engraved barrel tang, plain oval escutcheon, an engraved trigger guard and butt capped tang, half walnut stock with horn tipped fore-end and original brass tipped ram rod, barrel 32inches long/ 81cm long; together with a LABURNUM HEPTAGONAL POWDER FLASK, with reeded ringed grip and turned wooden stopper, decorated with brass studs (2) £400-600

113 SV794/24 ENGRAVED POWDER HORN, POSSIBLY SCANDINAVIAN POSSIBLY 18TH CENTURY of flattened form fitted with metal mounts, engraved with stylised birds and flowerheads 19cm long £250-350

Pictures: Part I 114 HE134/1 18TH CENTURY SCOTTISH SCHOOL

PAIR OF PORTRAITS, OF ‘A LADY’ AND ‘A GENTLEMAN’ oil on canvas 75.5cm x 61.5cm (29.75in x 24in), a pair (2) £300-500

115 HC11/2 FRENCH CARAVAGGESQUE SCHOOL THE YOUNG SCRIBE oil on canvas 71cm x 61cm (28in x 24in) £300-500

116 HE134/1A 18TH CENTURY SCOTTISH SCHOOL PORTRAIT OF A WOMAN oil on canvas 75cm x 62cm (29.5in x 24.25in) £300-500

117 SV888/1 19TH CENTURY SCOTTISH SCHOOL

DINNERTIME indistinctly signed and dated, oil on board 21cm x 16.5cm (8.25in x 6.5in) £200-300

Pictures: Part I 47

118 HC190/1 19TH CENTURY CONTINENTAL SCHOOL

A PAIR OF PAINTINGS - HORSES IN SNOW indistinctly signed and dated 1845, oil on canvas 30cm x 56cm (11.75in x 22in) a pair (2) £600-900

119 HE149/8 19TH CENTURY EUROPEAN SCHOOL ORONTES - ABERDEEN inscribed with title, oil on canvas 49cm x 74cm (19.25in x 29in)

Note: Launched in February 1881, Orontes was the last ship built by Walter Hood & Co. ‘The Orontes was more of a deadweight carrier than a clipper. After a plodding life with no very startling adventures, she was run into and sunk on 23 October 1903’ - Lubbock ‘The Colonial Clippers’

£300-500

120 HE194/3 MANNER OF GEORGE MORLAND FEEDING THE SHEEP IN WINTER oil on canvas 45cm x 65cm (17.75in x 25.5in) £500-800

48 Lyon & Turnbull

121 SV547/137 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) A CHILD’S PRAYER signed, oil on canvas 36cm x 25.5cm (14in x 10in) £400-600

123 HE290/29 JOHN ROBERTSON REID R.I. (SCOTTISH 1851-1926) BLOWING BUBBLES signed and dated ‘74, oil on canvas 49cm x 75cm (19in x 29.5in) £300-500

122 HD966/1 19TH CENTURY SCOTTISH SCHOOL PORTRAIT OF A LADY oil on canvas 64cm x 25cm (14.5in x 11.5in) £300-500

124§ § HE131/1 JOHN MILNE PURVIS (SCOTTISH 1885-1961) PORTRAIT OF A LADY IN A SHAWL signed, oil on board 34cm x 25cm (13.25in x 9.75in) £800-1,200

Pictures: Part I 49

125 SV864/5 HENRY DEACON HILLIER (BRITISH 1858-1930)

126 SV864/7 JOSEPH MILNE (SCOTTISH 1861-1911)

127 HD466/7 MANNER OF CHARLOTTE NASMYTH

128 HC196/1 JOHN MILNE DONALD (SCOTTISH 1819-1866)

EVENING ON GLEN COE signed, inscribed with title verso, oil on canvas 30cm x 44.5cm (11.75in x 17.5in) £300-500

ANGLING IN THE MOUNTAINS signed ‘Nasmyth’ and dated 1851, oil on canvas 45cm x 61cm (17.75in x 24in) £600-800

CATTLE IN HIGHLAND LANDSCAPE signed and dated 1903, oil on board 31cm x 45cm (12in x 17.75in) £250-350

OVERLOOKING THE STREAM signed and dated ‘59, oil on canvas 40cm x 60cm (15.75in x 23.5in) £1,000-1,500

50 Lyon & Turnbull

129 HE148/4 ATTRIBUTED TO ERWIN EICHINGER

PAIR OF PORTRAITS OF MEN, DRINKING AND SMOKING signed, oil on board 20.5cm x 15cm (8in x 6in), a pair (2) £500-700

130 HC821/1 AFTER W. SIMPSON, ENGRAVED BY J. HORSBURGH

PRINCE CHARLES EDWARD READING A DESPATCH FROM SIR JOHN COPE engraving 40.5cm x 32.5cm (16in x 13in) £150-250

131 SV0244/4 18TH CENTURY ENGLISH SCHOOL PAIR OF HALF-LENGTH PORTRAITS GENTLEMAN IN A WHITE WAISTCOAT AND A LADY pencil, pastel and watercolour, oval 21cm x 16.5cm (8.25in x 6.5in) a pair (2) £300-500

Collection of a Titled Gentleman 132 HD448/19 GEORGE II OAK AND WALNUT LOWBOY

CIRCA 1740 the rectangular crossbanded top over a long frieze drawer above a moulded arched apron, raised on cabriole legs ending in pad feet 60cm wide, 68cm high, 38cm deep £600-800

133 HD448/1 REGENCY MAHOGANY DRAUGHTSMAN’S TABLE

EARLY 19TH CENTURY the rising hinged rectangular top with a ratchet adjustment and moulded bookrest, raised on tapered square supports joined by a turned stretcher and ending on short sabre legs ending in brass caps and castors 82cm wide, 81cm high, 58cm deep £1,000-1,500

134 HD448/9 REGENCY SATINWOOD ARMCHAIR

EARLY 19TH CENTURY the square padded back above sloped partpadded arms and square stuﬀ over seat, raised on turned and tapered legs 62cm wide, 92cm high, 49cm deep £300-400

52 Lyon & Turnbull

135 HD448/2 PAIR OF REGENCY MAHOGANY ARMCHAIRS

CIRCA 1820 the leaf and scroll carved top rails above reeded and scroll carved horizontal splats and scrolled arms, over drop in seats in pale yellow upholstery, raised on sabre legs (2) 53cm wide, 88cm high, 40cm deep £300-500

136 HD448/4 REGENCY MAHOGANY WORK TABLE

EARLY 19TH CENTURY the rectangular top outlined with ebonised stringing above a frieze drawer to one end, dummy drawers to the other sides, above a sliding blue silk work box, raised on slendered turned legs ending in brass caps and castors 48cm wide, 70cm high, 37cm deep £400-600

137 HD448/3 GEORGE III BRASS BANDED MAHOGANY WINE COOLER

18TH CENTURY the octagonal hinged top opening to a tin lined and compartmented interior, over a slightly tapered body with lion mask handles to the sides, on an integral stand with four square tapered legs joined by a x stretcher 46cm wide, 66cm high, 47cm deep £700-1,000

138 HD448/7 FOUR FRAMED MUGHAL ILLUMINATED BOOK PAGES

17TH / 18TH CENTURY the first depicting a maharaja sitting on a swing chair with four female attendants, 17 x 14cm; the second depicting a rani seated in a garden with Shiva beneath a white temple, 14 x 30cm; the third a text page with a floral meander border, 27 x 18.5cm; the final a double sided page depicting a horse and attendant, 10 x 11cm; all mounted and framed (4) £300-500

Collection of a Titled Gentleman 53

139 HD448/5 GEORGE III MAHOGANY OCCASIONAL TABLE

LATE 18TH CENTURY the oval top above a single frieze drawer outlined with ebonised stringing, raised on square tapered legs ending in spade feet 59cm wide, 74cm high, 43.5cm deep £400-600

140 HD448/13 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in an ebonised slip and bead moulded frame, with a ho ho bird cresting and a foliate pendant 120cm wide, 69cm high £800-1,200

141 HD448/11 REGENCY MAHOGANY BUTLER’S TRAY ON STAND

19TH CENTURY, THE STAND LATER the oval tray top with folding sides and cut out handles; the later stand with chamfered straight legs 73cm long, 65cm high, 46cm deep £300-500

142 HD448/17 GEORGE III ROSEWOOD KNEEHOLE DESK

18TH CENTURY the rectangular top over a long frieze drawer and a kneehole recess door opening to shelves, ﬂanked by banks of three short drawers, raised on bracket feet 91cm wide, 78cm high, 50cm deep £1,500-2,500

54 Lyon & Turnbull

143 HD448/18 SET OF SEVEN REGENCY ROSEWOOD GRAIN PAINTED AND BRASS MOUNTED DINING CHAIRS

EARLY 19TH CENTURY with reeded and turned top rails above scrolled horizontal splats centred by a brass medallion, over caned seats with loose cushions, raised on sabre legs (7) 45cm wide, 85cm high, 38cm deep £1,000-1,500

144 HD448/20 PAIR OF WALNUT BEDSIDE COMMODES

ONE EARLY 19TH CENTURY, THE OTHER 20TH CENTURY the rectangular tops with three quarter galleries above a recess with tambour door and apron drawer, raised on square tapered legs (2) 47cm wide, 65cm high, 27cm deep £400-600

145 HD448/14 TEN GLASS WALKING STICKS AND CANES

19TH CENTURY comprising an amethyst coloured stem cane, 107.5cm; a cane with a knop handle, ﬁlled with coloured sugar beads, 102cm; a double red twist cane, 95cm; a red, blue and white opaque twist cane, 94.5cm; two green glass wrythen form canes, 92cm and 125cm; a blue twist cane, 98.5cm; a green tinted glass cane, ﬁnely twisted, 106cm; a red and white opaque twist example, 90cm; and a green glass corkscrew twist cane, 95.5cm (10) £1,000-1,500

Collection of a Titled Gentleman 55

146 HD448/12 CARVED PINE FIGURE OF AN EAGLE

EARLY 19TH CENTURY with its wings spread and talons clutched to rockwork 39cm wide, 32cm high £250-350

147 HD448/10 FRENCH BRONZE FIGURE OF ‘VENUS AFTER THE BATH’, AFTER GIAMBOLOGNA

MID 18TH CENTURY, FROM A 16TH CENTURY MODEL dark brown patina, the ﬁgure kneeling on her right knee, on a rocky ground and square base, raised on a leaf tip case gilt bronze plinth 31.5cm high Note: Giambologna made a variety of models depicting ‘Venus After The Bath’ including a standing version, as in the example held at The Wallace Collection, and another with her arms raised, as seen at the Victoria & Albert Museum. Antonio Susini, who worked in Giambologna’s studio also made various copies of this subject. Increasingly popular from the mid 18th century, this French cast model was produced sometime in the third quarter of that century.

£1,000-1,500

148 HD448/10A FRENCH BRONZE FIGURE OF A BOY PLAYING A TRIANGLE

18TH CENTURY, FROM A 17TH CENTURY ITALIAN MODEL dark brown patina, the ﬁgure on one knee playing the triangle raised in his left hand, on a square base mounted on a foliate cast gilt bronze plinth 33cm high Note: This ﬁgure is very similar to one contained within the Wallace Collection, which houses a set of four putti playing musical instruments, all raised on gilt bronze plinths, almost identical to this one. The models appear to have originated from Rome, and are thought to be the work of Francois Duquesnoy and Alessandro Algardi. However, those contained within the Wallace Collection, and others sold since, have always be thought to be French made.

£1,000-1,500

56 Lyon & Turnbull

149 HD448/8 FINE GEORGE III SATINWOOD, HAREWOOD, TULIPWOOD, SYCAMORE AND KINGWOOD MARQUETRY COMMODE CIRCA 1790 the serpentine and crossbanded top centred by an oval reserve inlaid with twining vines and ribbon, over three long graduated drawers centred by graduated oval reserves encircled with palm frond inlay, with further husk garlands hanging from the banded inlay and wrapping around the later handles, the serpentine sides with further ribbon tied oval reserves, raised on splay legs 107cm wide, 88cm high, 58cm deep Provenance: Property of a titled gentleman Note:

This elegant serpentine commode, with its playful garlands of bellflowers that encircle the handles, its sinuous ribbon and palm inlay, and its wellchosen use of exotic and contrasting veneers, achieves a harmonious and pleasing effect, and is a testament to the finest cabinet-makers working at the last part of the 18th century. The commode bears some similarities to an earlier satinwood and inlay commode in a bedroom at Dumfries House, Ayrshire, most notably in the use of graduated ellipses centred on each of the drawers. The Dumfries commode is attributed to the London cabinet-making firm Mayhew & Ince, who supplied furniture during a later stage of decoration commissioned by the 6th Earl of Dumfries following his marriage in 1771. The present commode, which dates about twenty years later, has a lighter, more feminine feel, which was in keeping with the fashion of the day, as seen in Thomas Sheraton’s The Cabinet Maker’s & Upholsterer’s Drawing Book, from 1791. Parallels can also be drawn to furniture made by the Dublin cabinet-maker William Moore, who worked in the London workrooms of Mayhew & Ince from the mid 1760s before setting up his own firm in Dublin, being well established there from 1777. Noted for his fine inlay work in the neo-classical style, his furniture is known for its variety and fine execution. It is interesting to note that the handles, which are later, but occupy the same spaces as the originals, are of a design popular on late 18th century Irish furniture, and are known to have been used on other pieces by Moore. There is also evidence of previous mounts to the angles which are now lacking, another sign of the quality of the commode. The history of the commode provides few clues to its origins beyond the late 19th century. Inherited by the present owner from his grandmother, it has been in the same family for over one hundred and twenty years, however its life before that is unclear. There is some family history indicating it may have originally come from Hopetoun House, West Lothian, however while it is a tantalising proposition, to date it cannot be confirmed.

£10,000-15,000

British Furniture & Works of Art: Part II 150 HC485/1 PAIR OF REGENCY PATINATED AND GILT BRONZE LAMPS

EARLY 19TH CENTURY, WITH LATER FITTINGS converted from candlesticks, each with a leaf cast nozzle and drip tray, above the spreading column and triform lion paw base and plinth, with pleated silk shades (2) 29cm high (excluding ﬁttings) £600-800

151Y HE323/1 EARLY VICTORIAN TORTOISESHELL TEA CADDY

EARLY-MID 19TH CENTURY with a pagoda form hinged top above an ogee moulded body, opening to reveal two lidded compartments, raised on squat bun feet 25.5cm wide, 19cm high, 16cm deep £500-700

152 SV730/120 GROUP OF EIGHT PORTRAIT MINIATURES

EARLY 19TH CENTURY seven depicting proﬁle portraits of ladies or gentlemen, and another three-quarter portrait of a military oﬃcer, each in a giltmetal mounted black frame (8) each approx. 6.5cm x 5.5cm £500-700

153 HE45/1 LARGE REGENCY AND EBONY MAHOGANY DRESSING MIRROR

EARLY 19TH CENTURY the shaped rectangular mirror plate in a conforming frame with ebony stringing and marked at the corners with anthemion, between reeded supports, the bow front base with three drawers, raised on ebonised ball feet 78cm wide, 76cm high, 29cm deep £200-300

154 SV730/154 ROSEWOOD BANJO BAROMETER

EARLY 19TH CENTURY with silvered Dry/ Damp dial, thermometer, convex mirror, pressure scale and level with inscription WARRENTED CORRECT 94cm high £300-500

British Furniture & Works of Art: Part II 59

155 HE450/13 FINE ROSEWOOD TRAY TOP PEDESTAL TABLE BY GILLOWS OF LANCASTER

EARLY 19TH CENTURY the rectangular top with a scroll carved gallery, on a turned, part-ﬂuted and foliate carved column with bead mouldings, ending on a triform base raised on acanthus carved feet 56cm wide, 78cm high, 46cm deep £3,000-4,000

156 HE450/18 REGENCY STYLE MAHOGANY AND BRASS ETAGERE

LATE 19TH CENTURY the rectangular top and conforming undertier raised and divided by brass uprights 38cm wide, 57cm high, 32cm deep £800-1,200

157 HE33/1 SET OF SIX REGENCY ROSEWOOD AND MAHOGANY DINING CHAIRS

EARLY 19TH CENTURY the scroll carved top rail above a pierced horizontal splat carved with palmettes, over caned seats with loose pads, raised on tapered reeded legs (6) 45cm wide, 86cm high, 38cm deep £600-800

60 Lyon & Turnbull

158 HE46/1 FINE REGENCY MAHOGANY DINING TABLE IN THE MANNER OF GILLOWS CIRCA 1820 comprising a pair of D ends and a drop leaf centre with gateleg supports, the rounded rectangular top with a reeded edge, above a deep moulded frieze raised on turned, reeded and tapered legs with brass castors 329cm long, 75cm high, 127cm deep £4,000-6,000

159 HE48/5 SET OF TWELVE SCOTTISH REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising ten side chairs and a pair of armchairs, the curved bar backs above a curved and arched horizontal splat above drop in padded seats covered in ﬂame stitch needlework upholstery, above moulded seat rails, raised on turned and tapered facetted legs (12) 49cm wide, 88cm high, 42cm deep £2,500-3,500

British Furniture & Works of Art: Part II 61

160 HE61/6 SMALL REGENCY ROSEWOOD AND EBONY LOW BOOKCASE

EARLY 19TH CENTURY the rectangular top above a pair of glazed doors ﬂanked by square columns with carved lotus capitals, on a plinth base 88cm wide, 97cm high, 39cm deep £1,500-2,500

161 HE450/3 PAIR OF REGENCY MAHOGANY HALL CHAIRS, ATTRIBUTED TO GILLOWS

EARLY 19TH CENTURY the moulded backs centred by a polychromed heraldic crests ﬂanked by half turned and ﬂuted columns, over a rectangular seats raised on turned and tapered legs (2) 48cm wide, 89cm high, 43cm deep £1,500-2,000

162 HE61/3 REGENCY STYLE ROSEWOOD AND BRASS ETAGERE

LATE 19TH / EARLY 20TH CENTURY the three quarter pierced brass gallery over three serpentine tiers raised and divided by brass columns, ending on brass castors 66cm wide, 95cm high, 30cm deep £700-1,000

62 Lyon & Turnbull

163 HE250/15 PAIR OF CREAM PAINTED SIDE CHAIRS AND TABLE

19TH CENTURY the chairs with rush seats and faux bamboo frames painted with foliate scrolls; the table with two short frieze drawers, raised on turned and tapered legs (3) chairs 43cm wide, 81cm high, 39cm deep; table 92cm wide, 78cm high, 53cm deep £300-500

164 HE450/17 REGENCY SIMULATED COROMANDEL WATERFALL BOOKCASE

EARLY 19TH CENTURY with two graduated closed back shelves above a frieze drawer and open bookcase with a ﬁxed shelf, decorated with gilt ﬂoral and scrolling motifs, raised on turned tapered feet 61cm wide, 127cm high, 29cm deep £1,000-1,500

165 HE52/11 PAIR OF REGENCY GRAIN PAINTED X-FRAME STOOLS

EARLY 19TH CENTURY the square padded seats raised on curved and foliate carved x form supports joined by turned stretchers, in green trellis pattern upholstery with green tassel trimming (2) 55cm wide, 45cm high, 55cm deep £800-1,200

British Furniture & Works of Art: Part II 63

166 HE60/3 REGENCY MAHOGANY CELLARETTE

EARLY 19TH CENTURY of sarcophagus form, the hinged panelled cover opening to a divided interior, the front panel with moulded pilasters and a central roundel, raised on reeded lotus pod feet with recessed brass castors 51cm wide, 54cm high, 37cm deep £500-700

167 HE59/19 REGENCY MAHOGANY SIDE CABINET

EARLY 19TH CENTURY the rectangular top over a frieze marked at the corners with carved roundels, above a pair of panel cupboard doors, opening to shelves, on a plinth base 127cm wide, 87cm high, 30cm deep £500-700

168 HE59/8 REGENCY MAHOGANY CANTERBURY

EARLY 19TH CENTURY the four division top with slat spindle sides, over a long base drawer, raised on turned and tapered legs ending in brass caps and castors 46cm wide, 48cm high, 33cm deep £500-700

64 Lyon & Turnbull

169Y HE468/4 REGENCY TORTOISESHELL AND BRASS INLAID DESK STAND EARLY 19TH CENTURY the ﬁtted top with a lidded compartment and handle, ﬂanked by two glass inkwells, above twin pen trays and a drawer with mother-ofpearl inlay, raised on shell-form scroll feet 27cm wide, 17.5cm high, 22.5cm deep £300-500

170Y HE52/6 ENGLISH SCHOOL, MINIATURE PORTRAIT OF A YOUNG LADY

EARLY 19TH CENTURY rectangular on ivory, the sitter with brown hair in ringlets and a coral bead headpiece with matching earrings, a pale pink shawl around her shoulders, seated in a landscape with a basket of ﬂowers resting in her lap; in an ormolu frame cast with leaf tips and foliate scrolls ivory 12cm high, 10cm wide; overall 21.5cm high, 16cm wide £200-300

171Y HC229/3 GROUP OF SIX PORTRAIT MINIATURES

EARLY 19TH CENTURY on ivory, comprising a pair of portraits depicting Captain John Hay, and his wife Mary Hay, 5.8cm x 4.5cm; a portrait of William Thorburn, attributed to Jane (Hay) Thorburn, 9cm x 6cm; two portraits of the same female sitter, 6.5cm x 4.5cm; attributed to Jane Hay; and a portrait of a lady with a dove, 8cm x 6.5cm (6) £300-500

British Furniture & Works of Art: Part II 65

172 HE52/27 REGENCY GILTWOOD TRIPLE OVERMANTEL MIRROR

EARLY 19TH CENTURY the inverted leaf moulded inverted breakfront cornice above a frieze with bold carved oak leaves and acorns centred by an eagle, over a rectangular mirror plate divided by an ebonised slip, ﬂanked by spiral columns 72cm high, 131cm wide, £400-600

173 HE52/41 REGENCY WHITE MARBLE BUST OF A GENTLEMAN EARLY 19TH CENTURY the sitter presented as a Roman scholar, raised on a ﬁve section white marble column with an hexagonal base, unsigned bust, 72cm high; column 105cm high £2,000-3,000

174 HE60/5 PAIR OF LARGE IRISH REGENCY MAHOGANY BRASS BANDED PEAT BUCKETS

19TH CENTURY of tapered form, with carved triple reeded tops over spiral carved sides, each with a carved square panel depicting an antelope, with twin brass bands and shell cast handles to the sides (2) 51cm diameter, 67cm high Provenance: Robert Thomas Carew, Esq., Ballinamona Park, County Waterford thence by family descent Note: According to family history, these peat buckets, carved with Carew armorials, were a gift from Frances Boyse Carew to her husband on the occasion of their twenty-ﬁfth wedding anniversary. Another likely source is that they were commissioned upon the marriage of their son and heir, Thomas Carew, in 1807. They remained in the family until the 1990s when they came into the possession of the current owner.

£8,000-12,000

66 Lyon & Turnbull

175 HE59/5 SET OF FOUR REGENCY MAHOGANY NESTING TABLES

EARLY 19TH CENTURY the rectangular tops raised on slender block and ring turned tapered legs, on trestle supports (4) 47cm wide, 72cm high, 31cm deep £500-700

176 HE52/40 REGENCY ROSEWOOD MARBLE TOP CHIFFONIER

EARLY 19TH CENTURY the superstructure with a mirror back and ebonised spindle gallery raised on reeded columns, above a white marble top and frieze drawer, over a pair of glazed doors ﬂanked by columns and opening to shelves, raised on carved paw feet 107cm wide, 133cm high, 44cm deep £300-400

177 HE450/8 REGENCY ROSEWOOD FOLDOVER CARD TABLE

EARLY 19TH CENTURY the foldover D shaped top opening to a green baize lined playing surface, over a bead moulded frieze, on trestle end supports joined by a turned stretcher, raised on scroll feet, with gilt metal mounts 91cm wide, 74cm high, 44.5cm deep £1,200-1,800

British Furniture & Works of Art: Part II 67

178 HE52/22 REGENCY ROSEWOOD CROSSBANDED SOFA TABLE

EARLY 19TH CENTURY the crossbanded rectangular top with rounded drop ends, with one real and one dummy drawer to each side, raised on baluster turned end supports and outscrolled legs ending in carved paw feet, with brass castors 154cm wide (open), 73cm high, 69cm deep £400-600

179 HE52/20 REGENCY MAHOGANY BEDSIDE CUPBOARD ATTRIBUTED TO GILLOWS OF LANCASTER

19TH CENTURY the gallery top over a cupboard door, raised on turned and tapered legs; together with a GILLOWS SMALL MAHOGANY UPHOLSTERED STOOL, 19th century, the rectangular padded seat covered in needlework upholstery, raised on turned and tapered legs (2) cupboard 38cm wide, 87cm high, 33cm deep; stool 33cm wide, 51cm high, 28cm deep £400-600

180 FG280/8 REGENCY MAHOGANY AND EBONY SIDEBOARD

EARLY 19TH CENTURY of inverted breakfront outline, the shaped stageback above three frieze drawers, ﬂanked by deep drawers, outlined with ebony stringing and raised on ring turned tapering legs 218cm wide, 114cm high, 71cm deep £600-800

68 Lyon & Turnbull

181 HD499/6 REGENCY STYLE GILT BRASS AND CUT GLASS HALL LANTERN

20TH CENTURY the cut glass bell-shaped bowl with a knop ﬁnial, in an open frame with acanthus mounts, ﬁtted for electricity 95cm high approx. (excluding chain) £400-600

182 HD388/6 REGENCY ROSEWOOD WORK TABLE

EARLY 19TH CENTURY the rectangular top over three frieze drawers and a sliding pink silk lined work box, on a facetted column and quadriform base raised on bun feet 55cm wide, 76cm high, 48cm deep Provenance: Scottish private collection

£400-600

183 HD621/10 REGENCY MAHOGANY FRAMED SOFA

EARLY 19TH CENTURY the padded back with a serpentine back rail centred by a carved shell and acanthus, over a long stuﬀ over seat ﬂanked by high scrolling arms with acanthus carved mahogany facings, above a plain apron and raised on acanthus carved legs with carved paw feet 252cm long, 104cm high, 64cm deep £800-1,200

British Furniture & Works of Art: Part II 69

185 HD443/1 REGENCY MAHOGANY AND EBONY PEDESTAL SIDEBOARD 184 HD388/3 SET OF ELEVEN SCOTTISH MAHOGANY DINING CHAIRS EARLY 19TH CENTURY, PROBABLY EDINBURGH comprising ten side chairs and an armchair, the padded scroll backs above curved brackets and stuff over seats, above fluted seat rails and raised on square tapered fluted legs headed by patera; nine chairs in cream diaper pattern upholstery, two in green, and one in rose (11) 49cm wide, 88cm high, 40cm deep Provenance: Scottish private collection

£700-1,000

EARLY 19TH CENTURY the arched back above a bow front centre tier with three short frieze drawers, ﬂanked by pedestal ends with squared tops with drawers, above moulded panel doors ﬂanked by spiral carved columns raised on short sabre legs 186cm wide, 116cm high, 49cm deep £700-1,000

70 Lyon & Turnbull

186Y HD388/2 REGENCY MAHOGANY AND BRASS INLAID SIDEBOARD

EARLY 19TH CENTURY the gallery back centred by a convex mirror and flanked by compartments with lift off covers with ivory finials and swing outdoors, above a breakfront top over a pair of short frieze drawers flanked by a deep cupboard and a drawer fitted as a cellarette, raised on square tapered legs with moulded collars 245cm long, 146cm high, 71cm deep Provenance: Scottish private collection Note: The present sideboard relates to designs in Thomas Sheridan’s ‘Cabinet-Maker and Upholster’s Drawing-Book’ first published in 1802

£2,000-3,000

187 HE46/9 REGENCY GILTWOOD TRIPLE OVERMANTEL MIRROR 19TH CENTURY the inverted breakfront cornice above a frieze centred by an oval panel with children at play and ﬂower garlands, above three bevelled mirror plates ﬂanked by leaf capped Ionic columns 76cm high, 166cm wide £600-800

British Furniture & Works of Art: Part II 71

188 HD320/1 PAINTED CHINOISERIE PANEL

LATE 19TH CENTURY the large cartouche shaped panel decorated with Chinese ﬁgures seated in a garden playing go, against a pale blue ground within a gilt moulded border 108cm high, 122cm wide £400-600

189 HE469/1 SET OF SIX CHINESE EXPORT PORCELAIN ARMORIAL PLATES

LATE 18TH CENTURY each painted to the rim blue on white with ﬂoral and foliate motifs, centred with a cypher bearing inscription PLURA CONSILIO QUAM VI and centred with arms painted in coloured enamels, highlighted in gilt (6) 22.8cm diameter Note: Each bears the arms of Ochterlony impaling Hart

£4,000-6,000

72 Lyon & Turnbull

190Y HC456/6 ANGLO-INDIAN HARDWOOD AND IVORY ETUI

19TH CENTURY of urn form, the ivory banded cover ﬁtted with a beadwork pin cushion, above an acanthus carved body, ﬁtted with sewing accessories, on a stepped square base 20cm high £300-500

191 HC456/9 PAIR OF REGENCY PATINATED AND GILT BRONZE CANDLESTICKS

EARLY 19TH CENTURY each with a ﬁgure of a robed Chinese gentleman holding a scrolling candle arm and foliate cast nozzle, on a domed engine-turned base (2) 20.5cm high £400-600

192Y SV730/109 REGENCY TORTOISESHELL TEA CADDY EARLY 19TH CENTURY of bombe sarcophagus form, opening to two covered tea wells with ivory knop handles, raised on white metal ball feet 15cm wide, 14.5cm high, 10.5cm deep £300-500

193 HC485/3 PAIR OF REGENCY GILT BRONZE LAMPS

EARLY 19TH CENTURY, THE FITTINGS LATER converted from candlesticks, with urn-form nozzles above tapered columns and domed foot with engine turned bands, with cream silk pleated shades (2) 28cm high (excluding ﬁttings) £600-800

Select Contents of Capton House, Somerset Capton House near Taunton, Somerset, the former residence of Professor William Morris Ballantyne, is a Grade II listed property, with 17th century origins. It’s considerable age is supported by the fact that the house is mentioned in the Domesday Book. Situated at the edge of Capton, a small hamlet within open farmland, Capton House stands between the Quantock and Brendon Hills. The select contents being oﬀered here comprise 18th and 19th century furniture spanning the Georgian, Regency and Victorian periods, and reveal a small yet eclectic mix of British made items over the centuries. Highlights include a pair of ﬁne Regency rosewood bookcases (lot 203), a rosewood bracket clock by Grayhurst & Harvey of London (lot 201) and a provincial mahogany ‘drunkard’s chair’ (lot 196), so named for its low wide seat, ready to accommodate an unsteady occupant.

194 HC390/2 GEORGE I WALNUT CROSSBANDED CHEST ON CHEST

EARLY 18TH CENTURY the moulded cornice with canted corners over three short and three long drawers with cross and feather banding ﬂanked by ﬂuted angles; the lower part with a brushing slide over three long graduated drawers, raised on bracket feet 106cm wide, 180cm high, 56cm deep £2,000-3,000

74 Lyon & Turnbull

195 HC390/3 GEORGE III MAHOGANY FOLDOVER TEA TABLE

18TH CENTURY the foldover rectangular top with a moulded edge, over a blind fret carved frieze, raised on square straight legs with pierced and carved corner brackets 87cm wide, 72cm high, 43cm deep (closed) £400-600

196 HC390/24 GEORGE III MAHOGANY ‘DRUNKARD’S’ CHAIR 18TH CENTURY the low back with a pierced and shaped top rail over turned spindles, above a button upholstered padded seat and straight scrolled arms, raised on straight legs joined by peripheral stretchers 69cm wide, 85cm high, 58cm deep £300-500

197 HC390/19 GEORGE III MAHOGANY CONCERTINA ACTION FOLDOVER CARD TABLE

18TH CENTURY the rectangular foldover top with a moulded edge, opening to a green baize line playing surface, above a plain frieze, raised on straight chamfered legs with C scroll carved brackets 91cm wide, 76cm high, 45cm deep (closed) £400-600

Select Contents of Capton House, Somerset 75

198 HC390/7 GEORGE III MAHOGANY LIBRARY TABLE

18TH CENTURY the hinged and divided top with brown leather writing inserts, each ratchet adjustable half with a removable book support rail, over three frieze drawers with the same opposing, the sides with small drawers, raised on part ring-turned tapered legs ending in brass caps and oﬀset castors 145cm wide, 75cm high, 117cm deep £2,000-3,000

199 HC390/12 REGENCY MAHOGANY LIBRARY ARMCHAIR

EARLY 19TH CENTURY of gondola form, upholstered in slate grey leather, with leaf carved scrolling hand terminals, raised on turned and tapered legs ending in oﬀset brass castors 58cm wide, 92cm high, 51cm deep £600-800

200 HC390/15 REGENCY MAHOGANY CHEVAL MIRROR

EARLY 19TH CENTURY the oval mirror plate in a rectangular quarter veneered frame between ring turned uprights with ball ﬁnials and mounted with adjustable brass candle arms, raised on trestle supports with reeded outswept legs ending in lion paw cast caps and brass castors 81cm wide, 167cm high £600-800

76 Lyon & Turnbull

201 HC390/21 GOOD REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK AND BRACKET, BY GRAYHURST & HARVEY CO., LONDON

EARLY 19TH CENTURY the arched pediment top with a gilt metal pineapple ﬁnial above a circular white enamel Roman number dial with two winding holes and signed by the maker, with a gilt metal mask cast with acorns, set in a rectangular case with brass handles to the sides, the signed eight day movement with anchor escapement and striking on a bell, raised on gilt metal gadrooned feet and separate brass inlaid mahogany bracket clock 42.5cm high, bracket 22.5cm high £3,000-5,000

202 HC390/4 REGENCY GILTWOOD AND EBONISED OVERMANTEL MIRROR

EARLY 19TH CENTURY the inverted breakfront cornice with ball moulding above a scrolling foliate, anthemion and palmette carved frieze, over a rectangular mirror plate ﬂanked by spiral carved columns 77cm high, 137cm wide £300-500

Select Contents of Capton House, Somerset 77

203 HC390/6 GOOD PAIR OF REGENCY ROSEWOOD AND GILT METAL MOUNTED BOOKCASES

EARLY 19TH CENTURY the straight cornices over pale blue silk backed open bookcase with three adjustable shelves lined with brass bead moulding; the lower parts with dummy frieze drawers over pairs of doors lined in matching pale blue pleated silk, opening to further adjustable shelves, on plinth bases; with foliate gilt bronze mounts and outlined with brass bead mouldings (2) 90cm wide, 210cm high, 25cm deep ÂŁ4,000-6,000

78 Lyon & Turnbull

204 HC390/26 REGENCY MAHOGANY AND BRASS INLAID WINDOW SEAT

EARLY 19TH CENTURY the high scroll arms with reeded facings and foliate brass inlay, above a stuﬀ over seat and reeded seat rail centred by foliate brass inlay, raised on outswept legs with foliate cast caps and brass castors 140cm long 70cm high, 43cm deep £600-800

205 HC390/1 REGENCY MAHOGANY SOFA

EARLY 19TH CENTURY the low square back and enclosed arms above a triple cushion seat, within a reeded frame, raised on short reeded tapered legs; in pale green patterned upholstery 178cm long, 88cm high, 62cm deep £800-1,200

206 HC390/5 GEORGE III MAHOGANY TALL CHEST OF DRAWERS

18TH CENTURY of small size, the moulded top over four long graduated drawers, above a pair of moulded cupboard doors, raised on bracket feet 74cm wide, 114cm high, 48cm deep £400-600

207 HC390/14 SMALL GEORGE III MAHOGANY SIDE TABLE

18TH CENTURY the rectangular top over a long frieze drawer, raised on square tapered legs 99cm wide, 76cm high, 52cm deep £200-300

Select Contents of Capton House, Somerset 79

208 HC390/11 SET OF SIX GEORGE I OAK SIDE CHAIRS

EARLY 18TH CENTURY the tall backs with vasiform splats above panel seats, raised on block and turned legs joined by stretchers (6) 45cm wide, 108cm high, 33cm deep £400-600

209 HC390/10 CHARLES II STYLE OAK REFECTORY TABLE

LATE 19TH CENTURY the cleated triple board top above a plain frieze, raised on cup and cover carved baluster legs joined by a peripheral stretcher 214cm long, 76cm high, 81cm deep £600-800

80 Lyon & Turnbull

210 HC390/20 GEORGIAN STYLE OAK DRESSER

EARLY 20TH CENTURY the moulded corned over a closed back and three shelves; the lower part with an arrangement of seven short drawers, above a shaped apron raised on square supports joined by and undertier 138cm wide, 193cm high, 51cm deep £400-600

211 HC390/9 GEORGE III OAK DRESSER BASE

18TH CENTURY the rectangular top with a moulded edge over three moulded frieze drawers, above a pair of panel cupboard doors divided by a moulded panel, raised on bracket feet 157cm wide, 83cm high, 48cm deep £1,000-1,500

Select Contents of Capton House, Somerset 81

212 HC390/23 VICTORIAN PINE DRESSER

LATE 19TH CENTURY the straight cornice above three leaded glass glazed doors opening to shelves; the lower part with a pair of panelled cupboard doors 172cm wide, 202cm high, 51cm deep £400-600

213 HC390/13 VICTORIAN WALNUT ARMCHAIR

19TH CENTURY the arched backs and scroll arms over a stuﬀ over seat, raised on cabriole legs with scrolled toes, the frame carved with C and foliate scrolls 69cm wide, 89cm high, 50cm deep £200-300

214 HC390/27 VICTORIAN PINE SCULLERY TABLE

LATE 19TH CENTURY the rounded rectangular top with a frieze drawer to one end, raised on square tapered legs 153cm wide, 77cm high, 90cm deep £300-500

British Furniture & Works of Art: Part III 215 HA461/4 GEORGE IV ROSEWOOD WRITING TABLE

EARLY 19TH CENTURY the rectangular top with a maroon leather writing surface, over a pair of short frieze drawers, raised on turned and tapered legs ending in brass caps and castors 107cm wide, 74cm high, 81cm deep £400-600

216 HE468/2 AMERICAN FEDERAL MAHOGANY, EGLOMISE AND BRASS MOUNTED BANJO CLOCK, BY SIMON WILLARD, BOSTON

EARLY 19TH CENTURY the pediment with a turned mahogany ﬁnial above the silvered circular Roman number dial signed ‘SIMON WILLARD’, above a waist and base with eglomise glass panels, and ending in a carved ball pendant ﬁnial 107cm high approx. £1,500-2,500

217 HE322/1 WILLIAM IV MAHOGANY CHILD’S HIGH CHAIR EARLY 19TH CENTURY the chair of gondola form with scroll handles and turned safety bar and footrest; raised on a square base with splayed legs ending in porcelain castors 46cm wide, 96cm high, 48cm deep £300-500

218 HE450/4 GEORGE IV MAHOGANY SIDE CABINET

EARLY 19TH CENTURY the rectangular top over a pair of glazed doors opening to a shelved interior, ﬂanked by foliate carved scrolling volutes and raised on carved paw feet 94cm wide, 89cm high, 35cm deep £800-1,200

British Furniture & Works of Art: Part III 83

219 HE51/1 LARGE GEORGE IV GILTWOOD AND GESSO OVERMANTEL MIRROR

EARLY 19TH CENTURY the rectangular mirror plate in a leaf moulded frame marked at the corners with lotus, scrolls, and palmettes 132cm high, 204cm wide £1,000-1,500

220 HE59/21 GEORGE IV ROSEWOOD LOW OPEN BOOKCASE

EARLY 19TH CENTURY the long rectangular top with a three quarter gallery, above divided open shelves ﬂanked by acanthus carved ﬂattened pilasters, over four short deep drawers on a plinth base 204cm wide, 127cm high, 34cm deep £2,000-3,000

84 Lyon & Turnbull

221 HD433/1 GEORGE IV MAHOGANY LONGCASE CLOCK

EARLY 19TH CENTURY the arched swan neck pediment over an arched painted dial with moon phase, the white enamel dial with Roman and Arabic numbers, in a line inlaid case with a Gothic ogee arch door, on a plinth base with shape bracket feet, the eight day movement striking a bell 57cm wide, 229cm high, 25cm deep £400-600

222 HE37/3 SCOTTISH MAHOGANY LONGCASE CLOCK, W SPARK, ABERDEEN

EARLY 19TH CENTURY the swan neck pediment above an arched painted dial with a circular reserve painted with a ship, ﬂanked by smaller ships, above a Roman number dial with subsidiary seconds and calendar dials, the arch banded door ﬂanked by reeded corner columns, on a plinth base with short bracket feet, the eight day movement striking a bell 47cm wide, 224cm high, 22cm deep £500-700

British Furniture & Works of Art: Part III 85

223 HE250/7 GEORGE IV MAHOGANY LINEN PRESS

EARLY 19TH CENTURY the gadrooned cornice above a pair of moulded panel doors open to four sliding trays; the lower part with two short over two long drawers, raised on turned feet 129cm wide, 211cm high, 62cm deep Provenance: Perthshire country house

£600-800

224 HE170/3 GEORGE IV ANGLO-INDIAN ROSEWOOD CELLARETTE

19TH CENTURY of sarcophagus form, the hinged top with reeded and gadrooned panel above bead moulded panel sides, raised on bun feet 64cm wide, 58cm high, 49cm deep £500-800

86 Lyon & Turnbull

225 HE51/2 GEORGE IV GILT OVERMANTEL MIRROR

EARLY 19TH CENTURY the inverted leaf moulded breakfront cornice above a rectangular mirror plate in an ebonised slip and framed by ring turned spindles 86cm high, 154cm wide £800-1,200

226 HE61/10 WILLIAM IV MAHOGANY TRIPOD TABLE

EARLY 19TH CENTURY the rounded rectangular top with a reeded edge above a turned baluster support, raised on reeded scroll legs ending in ball feet 63cm wide, 73cm high, 53cm deep £700-1,000

227 HD621/20 GEORGE IV ROSEWOOD MARBLE TOPPED CREDENZA

EARLY 19TH CENTURY of breakfront outline, the white marble top above three frieze drawers and a pair of cream silk lined doors with brass grille inserts, ﬂanked by foliate capped columns and further doors similarly ﬁtted, on a plinth base 158cm wide, 91cm high, 54cm deep £1,000-1,500

British Furniture & Works of Art: Part III 87

228 HD621/23 WILLIAM IV ROSEWOOD CHIFFONNIER

CIRCA 1830 the high mirror back with a pierced and carved gallery raised on scroll supports, over a pair of glazed doors ﬂanked by further glazed doors divided by scrolled volutes, opening to a shelved interior and raised on a plinth base 184cm wide, 138cm high, 46cm deep £1,200-1,800

229 HE52/29 WILLIAM IV MAHOGANY CONSOLE TABLE EARLY 19TH CENTURY the rectangular top above a bead and cushion moulded frieze, supported on columns with palmette carved capitals and joined by a concave undertier, on a rectangular base with bead moulding and raised on bun feet 96cm wide, 88cm high, 56cm deep £400-600

230 HB817/22 WILLIAM IV MAHOGANY EASEL

EARLY 19TH CENTURY with scroll carved uprights, centred by a carved palmette 45cm wide, 180cm high £300-500

231 HE346/2 THREE SCOTTISH NEEDLEWORK SAMPLERS

EARLY/MID 19TH CENTURY the first worked by Marion Ballantyne, dated 22nd July 1839, Edinburgh, with a biblical quotation flanked by flowers, an alphabet, and animals, 42 x 32cm; the second with a biblical quotation, an alphabet, and a tree and house, 36 x 29cm; the third with an alphabet above floral motifs within a leafy border, 39 x 29cm, all framed (3) £200-300

88 Lyon & Turnbull

232 HE46/12 GEORGE IV GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR

19TH CENTURY the moulded cornice with dentil detail above a frieze with scrolling foliage and ﬂoral bouquets, above three bevelled mirror plates ﬂanked by ribbon tied reeded columns 86cm high, 134cm wide £600-800

233 HE59/3 WILLIAM IV WALNUT AND SPECIMEN WOOD PARQUETRY TRIPOD TABLE

MID 19TH CENTURY the circular top with a moulded edge and inlaid with a radiating pattern of exotic hardwoods, on a trumpet form, facetted and lotus carved column raised on acanthus and scroll carved cabriole legs ending in shell and scroll carved toes 63cm diameter, 76cm high £1,200-1,800

234 HE57/1 REGENCY MAHOGANY CELLARETTE

EARLY 19TH CENTURY of sarcophagus form, with a leaf tip carved and hinged cover over panel sides, raised on carved paw feet 73cm wide, 54cm high, 53cm deep £500-700

British Furniture & Works of Art: Part III 89

235 HE54/6 PAIR OF PATINATED AND GILT BRONZE LAMPS 19TH CENTURY each of twin-handled vase form with a ﬂared neck, the baluster body with decorative leaf and foliate cast mounts, raised on a circular foot, converted to electricity (2) overall 51cm high £300-500

236 HC225/1 SET OF THREE STEEL FIRE IRONS

EARLY 19TH CENTURY each with a knop ﬁnial and stem, comprising a shovel, 79cm long; a pair of tongs, 73.5cm long; and a poker, 75cm long (3) £200-300

237 HE46/25 NEAR PAIR OF STEEL FIREPANS

19TH CENTURY one rectangular, the other with tapering, with pierced grille fronts (2) One 65cm wide, 14cm high, 38cm deep; the other 67cm wide, 14cm high, 38cm deep £300-400

238 HE45/6 VICTORIAN CARRARA MARBLE FENDER 19TH CENTURY the sectional moulded rails marked at the corners with canted blocks 125cm wide, 41cm deep £200-300

Pictures: Part II

239 HD466/2 ALEXANDER KELLOCK BROWN R.S.A., R.S.W., R.I. (SCOTTISH 1849-1922)

240 HE192/1 SIR JAMES LAWTON WINGATE R.S.A. (SCOTTISH 1864-1924)

241 HE160/1 KEELEY HALSWELLE (SCOTTISH 1832-1891)

242 HD374/14 WILLIAM FREDERICK WITHERINGTON R.A. (BRITISH 1785-1865)

WORKING BY THE SEA signed with initials, oil on canvas 49cm x 59.5cm (19.5in x 23.75in) £300-500

THE TOP OF THE HILL - DANBURG oil on canvas 38cm x 56.5cm (15in x 22.25in) £400-600

MACHRIE BAY, TWILIGHT signed, oil on canvas 34cm x 49.5cm (13.5in x 19.5in) £500-700

AUTUMN LANDSCAPE signed, oil on canvas 18.5cm x 24cm (7.5in x 9.5in) £400-600

Pictures: Part II 91

243 HE359/1 ANDREW BLACK R.S.W. (SCOTTISH 1850-1916)

244 HC564/2 JAMES CAMPBELL NOBLE R.S.A. (SCOTTISH 1846-1913)

245 SV0244/33 WILLIAM PAGE ATKINSON WELLS (SCOTTISH 1872-1923)

246 HE165/1 WILLIAM DARLING MCKAY R.S.A. (SCOTTISH 1844-1924)

SAILING BY A STEAMER signed, oil on canvas 59.5cm x 90cm (23.5in x 35.5in) £1,000-1,500

GATHERING THE HARVEST signed, oil on canvas 30cm x 40cm (12in x 16in) £500-800

A BUSY DUTCH ESTUARY WITH BARGES signed, oil on canvas 71cm x 91cm (28in x 36in) £800-1,200

NEAR ABERLADY signed with initials, oil on canvas laid on board 25.5cm x 34.5cm (10in x 13.5in) £600-800

92 Lyon & Turnbull

247 HB650/26 AFTER PIERRE-AUGUSTE RENOIR (FRENCH 1841-1919)

248§ § SV854/3 ROBERT RUSSELL MACNEE (SCOTTISH 1880-1952)

249 HE160/3 ROBERT WEIR ALLAN R.S.A., R.S.W., R.W.S. (SCOTTISH 1851-1942)

250 SV547/103 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 18601936)

251 HD466/9 JAMES CAMPBELL NOBLE R.S.A. (SCOTTISH 1846-1913)

252 HE163/1 JAMES PATERSON R.S.A., R.S.W. (SCOTTISH 1854-1932)

GIRLS AT THE PIANO oil on canvas 115cm x 89cm (45.25in x 35in) £300-500

ON THE ZUYDER ZEE signed, oil on panel 25.5cm x 18cm (10in x 7in) £600-800

FEEDING THE HENS signed and indistinctly dated, oil on canvas 57cm x 42cm (22.5in x 16.5in) £600-800

BY THE HARBOUR signed and dated 1872, oil on canvas 67cm x 45cm (26.5in x 17.75in) £800-1,200

ST. ANDREWS signed, watercolour 33cm x 23cm (13in x 9in) £500-700

GAPS MILL signed and inscribed with title, watercolour 31.5cm x 23.5cm (12.5in x 9.25in) £600-800

Pictures: Part II 93

253 HD946/8 KATE WYLIE (SCOTTISH 1877-1941)

254 HD946/9 KATE WYLIE (SCOTTISH 1877-1941)

255§ HD946/6 LENA ALEXANDER (SCOTTISH 1899-1983)

256 SV854/1 STUART PARK (SCOTTISH 1862-1933)

BOWL OF PINK ROSES signed, oil on canvas 34.5cm x 44.5cm (13.5in x 17.5in) £400-600

ROSES AND LILIES signed, inscribed with title old exhibition label verso, pastel 49cm x 59cm (19in x 23in) Exhibited: Royal Scottish Academy Exhibition 1966

£400-600

POLYANTHUS signed, inscribed with title old label verso, oil on canvas laid on board 32.5cm x 30cm (12.75in x 11.75in) £500-700

A STILL-LIFE OF ROSES signed, oil on canvas, oval 38cm x 48.5cm (15in x 19in) £600-800

94 Lyon & Turnbull

257 SV864/25 WALLER HUGH PATON R.S.A., R.S.W. (SCOTTISH 1828-1895)

DRAWING THE NETS signed and dated 1837, inscribed with title label verso, watercolour, arched top 21cm x 44.5cm (8.25in x 17.5in) and another ‘Walking home by Moonlight’ (2) £500-700

259 HD93/1 MANNER OF JAMES PATERSON 258 SV864/24 CHARLES FREDERICK BUCKLEY (BRITISH 1812-1869) PAIR OF HIGHLAND SCENES WITH CATTLE AND FIGURES signed and dated 1854, watercolour 25.5cm x 37cm (10in x 14.5in) a pair (2) £300-500

TWILIGHT VIEW signed ‘James Paterson,’ watercolour 42cm x 51.5cm (16.5in x 20.25in) £300-500

Pictures: Part II 95

260 HE318/1 JOSEPH MORRIS HENDERSON R.S.A. (SCOTTISH 1864-1936)

261 HE346/1 JOHN SYDNEY STEEL (SCOTTISH 1863-1932)

262§ § HE131/2 ROBERT RUSSELL MACNEE (SCOTTISH 1880-1952)

263 HE208/1 DAVID ARCHIBALD REID R.S.W. (SCOTTISH 1844-1908)

BY THE COAST signed, oil on canvas 44.5cm x 67cm (17.5in x 26.5in) £500-700

THATCHED COTTAGES ON A LANE signed and dated ‘89, oil on canvas laid on board 23cm x 33cm (9in x 13in) £250-350

DEER FEEDING oil on board 23.5cm x 36cm (9.75in x 11.75in) £300-500

VILLAGE SCENE oil on canvas laid on board 26cm x 36cm (10.25in x 14.25in) £400-600

British Furniture & Works of Art: Part IV

264 HE46/6 PAIR OF ENGRAVED PRINTS OF SPORTING INTEREST 19TH CENTURY the ﬁrst after William and Henry Barraud, ‘The Meet at Badminton’; the second after Francis Grant, ‘The Meeting of Her Majesty’s Hounds on Ascot Heath’, in maple frames (2) sight size 51.5cm x 79cm £300-400

265 HD621/2 IRISH MAHOGANY, ROSEWOOD AND FRUITWOOD MARQUETRY CENTRE TABLE 19TH CENTURY the circular top profusely inlaid with stylised ﬂower heads, garlands, and banded inlay within a carved gadrooned border, above a frieze carved with drapery swags and pendant ﬂowers; on a foliate carved baluster column on C and foliate scrolled legs on brass castors 109cm diameter, 79cm high £3,000-4,000

British Furniture & Works of Art: Part IV 97

266 HE44/2 VICTORIAN MAHOGANY AND BIRCH ASTRONOMER’S CHAIR

19TH CENTURY the reclined back and low seat on trestle leg supports, the leg bearing a pressed metal label ‘W. CALLAGHAN, 23A NEW BOND STREET, REGISTERED JANUARY 15 1872’ 34cm wide, 75cm high, 39cm deep Provenance: Private collection, purchased Christie’s, 27 September 2007, lot 305

Note: William Callaghan was an optician working in London in the second half of the 19th century who specialised in telescopes, barometers and other scientiﬁc instruments. It is thought these chairs were produced to be used with Callaghan’s telescopes. There is some speculation that the label refers to the patent registration of designs for school furniture, rather than the registration of the design for this model. Whether the company made the furniture they designed is unknown. It is possible that production was sub-contracted, given the specialised technicalities of steam-bending wood. Another example bearing a Callaghan trade label, but with a patent registration date of 1873, is in the collection of the Victorian and Albert Museum.

£800-1,200

267 SV888/7 FRENCH ORRERY, IN THE MANNER OF CHARLES-FRANCOIS DELAMARCHE EARLY 19TH CENTURY the central gilded globe within radiating printed paper-covered rings, raised on an ebonised stand 52cm high £400-600

268 SV888/6 FRENCH ARMILLARY SPHERE, IN THE MANNER OF CHARLES-FRANCOIS DELAMARCHE

EARLY 19TH CENTURY the central terrestrial globe with two brass arms for sun and moon discs, printed papercovered horizon ring, raised on an ebonised stand 49cm high £400-600

269 SV888/5 FRENCH CELESTIAL GLOBE, IN THE MANNER OF CHARLES-FRANCOIS DELAMARCHE

19TH CENTURY the central printed paper-covered globe raised on an ebonised stand, 52cm high; also a later TERRESTIAL GLOBE, 19cm diameter (2) £400-600

98 Lyon & Turnbull

270 HE450/5 PAIR OF EARLY VICTORIAN MAHOGANY ETAGERES

MID 19TH CENTURY each with three shaped rectangular tiers raised and divided by slender turned uprights, ending on brass castors (2) 38cm wide, 80cm high, 32cm deep £1,200-1,800

271 HE326/1 EARLY VICTORIAN MAHOGANY LEATHER UPHOLSTERED READING ARMCHAIR

MID 19TH CENTURY the horseshoe shaped back and arms above a wide serpentine stuﬀ over seat in distressed button tufted red leather, raised on cabriole legs with porcelain castors 75cm wide, 76cm high, 51cm deep £300-500

272 HD388/14 VICTORIAN WALNUT CANTERBURY

MID 19TH CENTURY of oval form with four divisions and baluster spindle sides, above a single base drawer, raised on turned legs 59cm wide, 44cm high, 42cm deep Provenance: Scottish private collection

£400-600

British Furniture & Works of Art: Part IV 99

273 HE250/12 VICTORIAN OAK HALL TABLE AND PAIR OF HALL CHAIRS

MID 19TH CENTURY the table with a back board with a vacant cartouche, above a foliate carved frieze, raised on bold cabriole legs raised on ball feet; the chairs with gothic arch pierced backs painted with cartouche bearing a coronet and letter ‘A’, raised on bobbin turned legs (3) table 132cm wide, 103cm high, 47cm deep; chair 44cm wide, 87cm high, 33cm deep Provenance: Perthshire country house

£500-700

274 HE466/7 EARLY VICTORIAN MAHOGANY BUTTON BACK ARMCHAIR

MID 19TH CENTURY the high spoon back and enclosed scroll arms over a deep seat, the arm facing and cabriole legs carved with acanthus and C scrolls, ending on porcelain castors; in cream patterned silk 70cm wide, 102cm high, 56cm deep £400-600

100 Lyon & Turnbull

275 HA461/3 EARLY VICTORIAN MAHOGANY PEDESTAL DESK

MID 19TH CENTURY the moulded rectangular top with a black leather writing insert above three frieze drawers and three dummy drawers opposing, raised on banks of three short drawers, on plinth bases 153cm wide, 78cm high, 82cm deep £2,000-3,000

276 HE59/10 EARLY VICTORIAN MAHOGANY BOWFRONT CHEST OF DRAWERS

MID 19TH CENTURY the bowfront top over two short and two long drawers, above a shaped apron and raised on splayed feet 91cm wide, 88cm high, 50cm deep £500-700

277Y SV730/126 VICTORIAN KINGWOOD, ROSEWOOD, BRASS, TORTOISESHELL AND MOTHER-OF-PEARL INLAID POUDREUSE BY EDWARDS & ROBERTS 19TH CENTURY the bi-sected hinged top opening to a pair of covered wells, above a long apron drawer, raised on cabriole legs, stamped twice ‘EDWARDS & ROBERTS / WARDOUR ST LONDON’ 53cm wide, 73cm high, 42cm deep £500-700

British Furniture & Works of Art: Part IV 101

278 HD806/2 SET OF TWENTY EARLY VICTORIAN SCOTTISH MAHOGANY DINING CHAIRS

MID 19TH CENTURY comprising eighteen side chairs and the curved top rails carved with foliate scrolls with reeded supports and splats, above red faux leather seats, twelve with button tufting, the others plain, raised on ring turned and tapered legs, one armchair of slightly larger size (20) side chair 50cm wide, 88cm high, 45cm deep; armchair 59cm wide, 98cm high, 56cm deep £3,000-5,000

102 Lyon & Turnbull

279 SV907/1 VICTORIAN MAHOGANY LIBRARY BOOKCASE

19TH CENTURY the moulded cornice above a three glazed doors opening to shelves; the lower part with three moulded panel doors, raised on a moulded plinth base 206cm wide, 232cm high, 40cm deep £1,500-2,500

280 HE59/2 LATE VICTORIAN SATINWOOD, KINGWOOD AND INLAY PEMBROKE TABLE

LATE 19TH CENTURY in the Sheraton style, the crossbanded oval top with drop sides and centred by an oval reserve with a ﬂower head medallion, above a frieze drawer to one end, raised on square tapered legs with pierced brackets 99cm wide (open), 72cm high, 85cm deep £600-800

British Furniture & Works of Art: Part IV 103

281 HE250/3 VICTORIAN DROP-END CHAISE LONGUE

19TH CENTURY in button tufted blue upholstery, raised on turned mahogany legs ending in porcelain castors 170cm long, 89cm high, 78cm deep Provenance: Perthshire country house

£300-500

282 HE59/13 EARLY VICTORIAN MAHOGANY AND MARBLE TOP CHIFFONIER

EARLY 19TH CENTURY the superstructure with a pierced brass gallery, the upper tier on gilt metal foliate cast supports, above a marble top over a pair of cupboard doors ﬂanked by reeded and acanthus carved pilasters, raised on turned round feet 99cm wide, 123cm high, 41cm deep £500-700

283 HE450/1 VICTORIAN MAHOGANY, ROSEWOOD AND SATIN BIRCH GAMES TABLE

MID 19TH CENTURY the crossbanded square tilt top inlaid with a games board above an ogee moulded frieze with a single drawer and two candle slides, on a facetted bulbous column and lobed carved base raised on three scroll feet 68cm wide, 74cm high, 68cm deep £800-1,200

104 Lyon & Turnbull

284 SV705/128 LIBERTY & CO., LONDON

MAHOGANY ‘THEBES’ STOOL, CIRCA 1900 the dished upholstered seat raised on horizontally ﬂuted turned legs with baluster outline, linked by a spindle ﬁlled gallery 44cm square, 38cm high £400-600

285 HE54/5 VICTORIAN POLLARD OAK AND EBONY CENTRE TABLE IN THE MANNER OF LAMB OF MANCHESTER 19TH CENTURY the octagonal top with a moulded edge with ebony banding, above a deep frieze with two opposing drawers, raised on ring turned and bead moulded column supports and cruciform base with porcelain castors 109cm wide, 73cm high £400-600

286 HE450/6 GOOD VICTORIAN MAHOGANY AND EBONISED SIDE CABINET BY LAMB OF MANCHESTER

19TH CENTURY the superstructure with a pierced brass gallery over four drawers, the lower part of inverted breakfront outline with a pair of panelled cupboard doors opening to three adjustable shelves, the whole applied with ebonised mouldings and roundels, on a conforming plinth base; the locks stamped ‘LAMB / MANCHESTER’ 132cm wide, 130cm high, 63.5cm deep £1,500-2,000

British Furniture & Works of Art: Part IV 105

287 HE59/1 VICTORIAN BROWN LEATHER UPHOLSTERED CHESTERFIELD LATE 19TH CENTURY the low back, scrolled arms and seat in button upholstered brown leather with brass nail trimming, raised on turned round feet with brass castors 252cm long, 84cm high, 66cm deep £3,000-4,000

288 HD995/18 EARLY VICTORIAN WALNUT AND SPECIMEN HARDSTONE CENTRE TABLE

MID 19TH CENTURY, THE TOP MODERN the circular top inlaid with radiating fan veneers of various hardstones and marbles, on a Gothic style scroll and arched quadriform base centred by an urn ﬁnial and ending on carved paw feet, stamped ‘Strahan & Co’ 92cm diameter, 69cm high Provenance: Ravensby Hall, Angus, Scotland

Note: Robert Strahan & Company were founded in 1776, operating from Chancery Lane in Dublin. The success of the company during the following decades resulted in two new workshops opening in 1815 and again later in 1845. Strahan displayed work at Dublin‘s great industrial exhibition of 1853 and produced furniture for some of Ireland’s greatest country houses, including Doneraile Court, Co. Cork and Lisnavagh House, Co. Carlow. Their designs tended to be fairly understated during the earlier years, but focused on the more ornate in the 19th century, as was popular during the Victorian period. They continued to trade under the family name until 1969.

£1,000-1,500

106 Lyon & Turnbull

289 HD879/5 VICTORIAN BURR WALNUT AND WALNUT GILT METAL MOUNTED SIDE CABINET

LATE 19TH CENTURY the rectangular top above a glazed door opening to a silk lined shelved interior, raised on a plinth base, with gilt metal mounts throughout 78cm wide, 108cm high, 33cm deep £500-700

290 HD621/8 PAIR OF VICTORIAN CARVED OAK ARMORIAL HALL CHAIRS 19TH CENTURY the padded square backs surmounted with large cartouches carved with stags and a coronet above an armorial, over stuﬀover seats raised on carved an ﬂuted tapered legs ending in porcelain castors (2) 55cm wide, 106cm high, 47cm deep

Note: The arms are those of Skeﬃngton, the Viscounts Massereene and Ferrard. The chairs were probably commissioned as part of a suite by John Skeﬃngton (1812-1863) for their former seat of Clotworthy House in County Antrim.

£300-500

291 HE46/27 STEEL BANDED HARDWOOD SILVER CHEST

19TH CENTURY the hinged cover with steel straps and handle, opening to a void interior, with further steel straps to the corners and front, the sides with carrying handles 96cm wide, 64cm high, 61cm deep £300-400

British Furniture & Works of Art: Part IV 107

292 HE48/3 PAIR OF VICTORIAN AESTHETIC PERIOD WALNUT DAVENPORTS

LATE 19TH CENTURY the hinged tops revealing rising stationery racks, above drawers ﬁtted with leather lined hinged writing slopes, above ﬂoral carved four panel fronts with four drawers to the sides and four dummy drawers opposing, raised on porcelain castors (2) 57cm wide, 96cm high, 54cm deep £800-1,200

293 HD388/20 VICTORIAN EBONISED AND UPHOLSTERED PRIE DIEU

19TH CENTURY the T shaped padded back and stuﬀ over seat upholstered in button tufted pink ﬂoral silk, raised on ebonised and parcel gilt legs 51cm wide, 78cm high, 45cm deep Provenance: Scottish private collection

£200-300

294 HE250/6 VICTORIAN MAHOGANY FENDER STOOL

19TH CENTURY the long padded top in ﬂoral needlework upholstery, raised on short cabriole legs 122cm long, 23cm high, 28cm deep £250-350

108 Lyon & Turnbull

295 HC169/6 EDWARDIAN ‘ADAM’ STYLE MAHOGANY PEDESTAL SIDEBOARD EARLY 20TH CENTURY the inverted breakfront top above three frieze drawers carved with key motif, drapery swags and centred by a classical mask, raised on pedestals with acanthus carved scroll volutes and moulded cupboard doors, on moulded plinth bases; the left cupboard ﬁtted with a cellarette drawer 224cm long, 99cm high, 71cm deep £600-800

296 HE46/5 PAIR OF EDWARDIAN LEATHER UPHOLSTERED CLUB ARMCHAIRS

EARLY 20TH CENTURY the scrolled button upholstered backs and scrolled arms above deep loose cushion seats, in brown leather, raised on waisted mahogany feet with ceramic castors (2) 86cm wide, 93cm high, 62cm deep £2,000-3,000

British Furniture & Works of Art: Part IV 109

297 HD388/9 EDWARDIAN MAHOGANY JARDINIERE

EARLY 20TH CENTURY the oval lift-oﬀ cover opening to a void interior containing lift-out tole liner, raised on shaped cabriole legs with gilt bronze mounts and joined by a reniform undertier, the legs ending in foliate cast gilt bronze sabots 58cm wide, 77cm high, 46cm deep Provenance: Scottish private collection

£300-500

298 HE46/4 EDWARDIAN GEORGIAN STYE MAHOGANY SERPENTINE COMMODE BY DRUCE & CO.

EARLY 20TH CENTURY the serpentine top with a reel moulded edge above three serpentine long drawers ﬂanked by C and foliate carved corner columns, raised on acanthus carved bracket feet with castors; the top drawer with a brass Druce & Co trade label 139cm wide, 86cm high, 64cm deep £600-800

299 HE250/10 EDWARDIAN THREE SEAT SOFA EARLY 20TH CENTURY the padded triple seat back above a loose cushion seat, and wide scroll arms, on bun feet; covered in a wine red damask with a yellow and cream ﬂoral slipcover 182cm long, 86cm high, 61cm deep Provenance: Perthshire country house

£300-400

110 Lyon & Turnbull

300 HE250/11 UPHOLSTERED EASY ARMCHAIR

MODERN padded low back and scroll arms above a deep loose cushion seat, in coral ﬂoral upholster, on brass castors 86cm wide, 79cm high, 64cm deep Provenance: Perthshire country house

£250-350

301 HE250/8 WHYTOCK & REID TWO SEAT SOFA

MID 20TH CENTURY the low loose cushion back above a loose cushion seat and low arms, on mahogany shaped pad feet; in yellow check upholstery 135cm long, 83cm high, 49cm deep Provenance: Perthshire country house

£400-600

302 HE59/16 VICTORIAN MINIATURE MAHOGANY BOOKCASE CABINET

MID 19TH CENTURY the straight moulded cornice above a pair of glazed doors opening to a ﬁtted shelf, the lower section with a pair of panelled doors, on a plinth base 36cm wide, 60cm high, 21.5cm deep £500-700

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303 HE187/1 CARVED LIGNUM VITAE BOX OF SHAKESPEARE INTEREST

19TH CENTURY the circular turned cover with a central proﬁle portrait of Shakespeare, above a stepped spreading body, the cover interior with a pressed roundel 1794/ A CALENDAR/ etc. 8.5cm high, 13cm diameter £250-350

304 HE54/7 VICTORIAN GILT METAL AND CUT GLASS TABLE LAMP

CIRCA 1860 converted from an oil lamp, with a tapered pale blue and white overlay glass column with cast mounts of fruiting vines 50cm high £150-250

305 HD343/2 VICTORIAN SILVER MOUNTED LEATHER STATIONERY BOX AND BLOTTER

19TH CENTURY each with a central embossed silver panel depicting a musical party, within pierced scroll borders, indistinct hallmark for Birmingham (2) Tidy 18.5cm high; blotter 29cm x 22cm £300-500

112 Lyon & Turnbull

306 SV774/9 GROUP OF SIX ROYAL WORCESTER PORCELAIN VASES

LATE 19TH AND EARLY 20TH CENTURY comprising three vases of various form, decorated with pheasants and signed JAS STINTON, largest 11.5cm high; two vases of various form, painted with fruit and signed K. BLAKE, largest 14.5cm high; and a small frilled rim vase with fruit signed ROBERTS, 8.5cm high, all with printed maker’s marks (6) £300-400

307 HE145/3 ENGLISH PORCELAIN PART TEA AND COFFEE SERVICE

MID 19TH CENTURY each piece painted with ﬂower sprigs and sprays amongst decorative gilt borders, some with painted number 966, comprising: a teapot and cover; a sugar bowl and cover; a slop bowl; a milk jug; a stand; two cake plates; ten tea cups; eleven coﬀee cups; and twelve saucers (qty) £300-500

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308 HE52/2 PAIR OF LARGE STAFFORDSHIRE ‘JAPAN’ PATTERN COVERED VASES

19TH CENTURY the moulded domed covers with pineapple finials above baluster bodies with wide flared mouths and flattened pierced handles to the sides, decorated in the Imari palette with gilt details, unmarked (2) 101cm high £800-1,200

309 HE481/1 LATE GEORGE III SATINWOOD AND INLAY DECANTER BOX

EARLY 19TH CENTURY of rectangular outline, quarter veneered and inset with shell marquetry paterae, enclosing six glass decanters and stoppers each painted in gilt with scrolling foliage and ﬁtted with two corresponding glasses 25cm wide, 23cm high, 17cm deep £300-500

310 HB650/185 EDWIN ROSCOE MULLINS (ENGLISH 1849-1907)

THE LOVE TOKEN painted plaster, signed and dated, raised on an oval base and wood plinth 66cm high £400-600

114 Lyon & Turnbull

311 HE39/1 LARGE EDWARDIAN MAHOGANY AND SATINWOOD DISPLAY CABINET

EARLY 20TH CENTURY of breakfront outline, with a central glazed door and laurel wreath inlay panel, ﬂanked by further glazed panels with musical trophy musical panels, above a shaped apron and raised on short outswept legs 188cm wide, 183cm high, 40cm deep £800-1,200

312 SV730/111 EDWARDIAN PAINTED SATINWOOD TRAY EARLY 20TH CENTURY of kidney shape, with a serpentine rim and twin handles, painted with a basket of ﬂowers within scrolls 66cm wide £300-400

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313 HE46/24 PAIR OF EDWARDIAN SATINWOOD AND INLAY ARMCHAIRS

EARLY 20TH CENTURY the oval backs pierced and carved and with Prince of Wales plumes and swags, above down scrolled arms and suede upholstered serpentine seats, raised on lotus carved and ﬂuted tapered legs (2) 61cm wide, 99cm high, 47cm deep £600-800

314 HE450/16 LATE VICTORIAN SATINWOOD AND MAHOGANY INLAID BIJOUTERIE TABLE LATE 19TH CENTURY the hinged glazed top inlaid with laurel garlands, above glazed panel sides, raised on slender square tapered legs with trailing husk inlay, ending in brass caps and castors 61cm wide, 76cm high, 46cm deep £1,500-2,500

315 HE52/33 EDWARDIAN SATINWOOD AND EBONY CARLTON HOUSE DESK EARLY 20TH CENTURY the pierced brass gallery above an arrangement of drawers, doors and pigeon holes and a leather writing insert, above three frieze drawers, raised on square tapered legs ending in brass caps and castors 120cm wide, 102cm high, 63cm deep £800-1,200

Taxidermy

316 HE53/1 LARGE TAXIDERMY CARIBOU SHOULDER MOUNT (RANGIFER TARANDUS)

LATE 20TH CENTURY Rowland Ward record class, right antler sixteen points, 137cm long; left antler eighteen points, 142cm long greatest span 141.5cm wide, tip to tip 125.5cm wide Note: Acquired from the collection of the late Jürgen Jösch. Jösch was a keen hunter and author of natural history and game books. He regularly makes a mention in Rowland Ward’s Records of Big Game with some of the largest trophies ever record. Although of German descent he lived most recently in East Sussex, until his death in March this year. This lot is featured in Rowland Ward, Records of Big Game, p. 152. The entry reads ‘King Salmon, AK, USA 1975).

£700-1,000

Taxidermy 117

317 HE52/17 TAXIDERMY EURASIAN EAGLE OWL AND DOME

LATE 19TH CENTURY, AND LATER naturally posed on a fence post, in a glass dome with ebonised round base owl 41cm high; overall 75cm high £400-600

318 HE46/7 VICTORIAN CASED TAXIDERMY DIORAMA OF WATERFOWL

19TH CENTURY comprising a snipe, a mallard duck, a teal, a wigeon and a pair of sandpipers, mounted on rocks with vegetation, in an ebonised glazed corner case 90cm wide, 113cm high, 49cm deep £400-600

Select contents of Fasnadarach, A Scottish Country House, Royal Deeside Perched dramatically in an elevated position on the south bank of the River Dee, Fasnadarach is a commanding Grade II listed Victorian country house. Completed in 1874, it was built as the fishing lodge for the Glen Tanar Estate, and designed by George Truefitt who designed many of the estate buildings. The house eschews the Scots Baronial taste, and is instead a meandering confection of gables, overhanging eaves, and chimneys. Fasnadarach was commissioned by Sir William Cunliffe Brooks, father-in-law of the 11th Marquis of Huntly, who married Sir William’s daughter in 1869. The house is designed to give full appreciation to its setting, with the series of reception rooms on the ground floor, and bedrooms on the first, that offer views up and down the Dee and on to the Cairngorms. The most recent owners, who are only the third family to call Fasnadarach home, filled it with an eclectic mix of British and European furniture, ceramics, and works of art, all displayed in the elegant surroundings. They are offered for sale with the hope they will go to new homes where they will be appreciated by a new generation of collectors.

319 HD999/82 BLACK FOREST CARVED BEAR AND CUB COAT STAND

LATE 19TH / EARLY 20TH CENTURY depicting a bear cub sitting on top of a tree, the mother bear at the base, with a recess for walking sticks 192cm high £1,000-2,000

320 HD999/62 LARGE EARLY VICTORIAN ROSEWOOD AND MOTHER-OF-PEARL INLAID WALL CLOCK

19TH CENTURY the circular enamel dial with Roman numbers with one winding hole, in a cornforming case inlaid with mother-of-pearl over a scrolled base with an oval pendulum lenticle; with a single train fusee movement 59cm tall £400-600

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321 HD999/30A GOTHIC CARVED OAK STOOL

19TH CENTURY OR EARLIER converted from the capitals of two opposed pilasters, each carved with leafy motifs and surmounted by an upholstered woolwork seat 30cm wide, 25cm high, 22cm deep £300-500

322 HD999/33 VICTORIAN CARVED WALNUT NOVELTY TRIPOD TABLE

19TH CENTURY the rectangular top ﬁxed on a tapered hexagonal tapered column supported on cabriole legs carved a the hips with satry masks and ending in a hoof foot 64cm wide, 75cm high, 45cm deep £300-500

323 HD999/40 VICTORIAN ROSEWOOD AND MOTHEROF-PEARL INLAID WHEEL BAROMETER, BY CHADBURN BROS, SHEFFIELD 19TH CENTURY with steel Dry/ Damp dial, thermometer, pressure scale and level, engraved maker’s mark 114cm high £300-500

120 Lyon & Turnbull

324 HD999/39 GROUP OF VICTORIAN TAXIDERMY HEAD MOUNTS

19TH CENTURY comprising two fallow deer, a springbok, a roe deer, a Dorcas gazelle and a domestic ram (6) £300-500

325 HD999/84 VICTORIAN CASED TAXIDERMY CAT AND RED SQUIRREL

LATE 19TH CENTURY the seated black cat a full mount with glass eyes, in a painted glazed case, overall 42cm wide, 50cm high, 22.5cm deep; the red squirrel a full mount with glass eyes, in a naturalistic diorama and painted glazed case, overall 30cm wide, 28cm high, 11.5cm deep (2) £300-500

326Y HD999/12A GERMAN WALNUT TARGET CROSSBOW

LATE 18TH CENTURY carved and brass inlaid foliate decoration to the cheek piece and the side of the tiller, inlaid with ivory and with shaped trigger guard 68cm long, 54cm wide £250-350

327Y HD999/23 FRENCH BOULLE MARQUETRY JARDINIERE

19TH CENTURY of shaped oval form with twin handles and applied ﬁgural mounts, with a lift-out liner, raised on rococo style gilt brass feet 39cm wide, 20.5cm high £200-300

328 HD999/105 CONTINENTAL SCHOOL

MA JOLICA JARDINIERE AND STAND, LATE 19TH CENTURY moulded with an allover design of urns and opposed beasts in a ﬂowering foliate ground, impressed marks 689, 91cm high; a WEDGWOOD JARDINIERE, with allover leafy design (cracked), impressed marks WEDGWOOD, 29cm high; and an ASSOCIATED STAND, moulded as a ﬂuted column, 74cm high (4) £250-350

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329 HD999/30 GEORGE III GREEN JAPANNED LONGCASE CLOCK, RICHARD STONEHOUSE, WHITBY

18TH CENTURY the arched pediment with ball ﬁnials above an arched silvered brass dial with Roman and Arabic chapters, with a subsidiary Strike/Silent dial and seconds dial, and a date aperture, above an arched and moulded trunk door, on a plinth base, decorated throughout with Chinese temples, gardens and ﬁgures; the eight day movement striking a bell 47cm wide, 219cm high, 25cm deep £1,000-1,500

330 HD999/83 MID VICTORIAN PLASTER FIGURE OF A BOY MID 19TH CENTURY the reclining draped ﬁgure holding a shell in his right hand to his ear, on an oval base, unsigned 79cm long, 66cm high £400-600

122 Lyon & Turnbull

331Y HD999/21 LOUIS XIV STYLE BOULLE MARQUETRY FOLDOVER CARD TABLE 19TH CENTURY the pivoting serpentine foldover top opening to a green baize playing surface, above a shaped apron centred by a gilt bronze mask mount, raised on square cabriole legs, the whole outlined with gilt metal mounts 90cm wide, 75cm high, 46cm deep £1,000-1,500

332 HD999/12 LOUIS XVI STYLE KINGWOOD AND ACA JOU MARBLE TOP BOUILLOTE TABLE 20TH CENTURY the reniform veined white marble top with a pierced brass gallery, above a single frieze drawer, raised on slender square tapered legs with gilt metal mounts 51.5cm wide, 74cm high, 29.5cm deep £300-500

333 HD999/1 PAIR OF VICTORIAN GILTWOOD AND GESSO GIRONDOLE MIRRORS

MID 19TH CENTURY the oval mirror plates in frames with laurel bands and surmounted by fern and foxglove cresting, issuing three curved candle arms, both bearing paper trade labels for ‘ANDREW VACANI / Carver, Gilder Looking Glass & Picture Frame Manufacturer / 26 Southampton Row, HIGH HOLBORN’ (2) 98cm high, 54cm wide £1,000-1,500

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334 HD999/22 FRENCH GILT BRONZE MANTEL CLOCK 19TH CENTURY the waisted case covered with grapevines and enclosing a white enamelled dial with Roman numerals, signed FABRIQUE DE PARIS/ WILSON & GANDAR/ 392 STRAND, raised on four lion paw feet 18.5cm wide, 30.5cm high £300-500

335 HD999/63C AFTER JEAN-LOUIS GRÉGOIRE (1840-1890)

EUTERPE bronze, dark brown/black patina, modelled as a classical young lady, seated, signed J. GREGOIRE 68cm high £600-800

336 HD999/27 VICTORIAN PIETRA DURA, SILVERED AND GILT BRASS TABLE CASKET

19TH CENTURY of octagonal form, the hinged cover inset with an oval ﬂoral pietra dura panel and strapwork mounts, above rope twist borders and an engraved lock plate, opening to a void velvet-lined interior 25cm wide, 10.5cm high, 15.5cm deep £300-500

337 HD999/51 PAIR OF FRENCH COLD PAINTED SPELTER FIGURAL CANDLESTICKS

LATE 19TH/ EARLY 20TH CENTURY modelled as a man and woman in Eastern costume, their raised arms supporting the candle nozzles, raised on a hexagonal form base (2) 38.5cm high £200-300

338 HD999/15 FOUR MOTHER-OF-PEARL TABLE ITEMS

19TH AND 20TH CENTURY comprising a shell-form etui, opening to reveal various white metal accessories, some associated, 13cm wide; a German miniature timepiece, 10cm high (handle up); and two card cases, with engraved and guilloche decoration, largest 11cm long (4) £150-250

339 HD999/16 EARLY VICTORIAN RED LEATHER TABLE CASKET 19TH CENTURY in the Egyptian Revival style, with patinated brass mounts and a door opening to three drawers ﬁtted with plaques inscribed ‘GOLD/ SILVER/ NOTES’ 18cm high, 13.5cm wide, 11.5cm deep £200-300

124 Lyon & Turnbull

340 HD999/6 SEVRES STYLE PORCELAIN PARFUM BOX 19TH CENTURY the domed cover opening to reveal a ﬁtted interior with four glass bottles, contained within an oval base raised on gilt metal feet, decorated with children and adults playing games, on a celeste blue ground 19cm wide, 12.5cm high £300-500

342 HD999/3 PAIR OF GILT METAL MOUNTED SEVRES CACHE POTS

19TH CENTURY each with a ﬂared rim, painted body and gilt metal base, decorated with panels depicting lovers and ﬂowers on a blue celeste ground with gilt highlights (2) 21.5cm high, 24cm diameter £400-600

343 HD999/50 MEISSEN PORCELAIN FIGURE OF A PARROT

19TH CENTURY modelled perched on a tree stump and decorated in polychrome enamels, with blue crossed swords mark, incised and impressed marks 41cm high £300-500

344 HD999/74 FRENCH MUSICAL SINGING BIRDS AUTOMATON

19TH CENTURY with two birds perched in a wirework cage on a square canted giltwood gesso base 49cm high £300-500

341 HD999/63 SEVRES STYLE PORCELAIN AND GILT METAL MOUNTED BOX

LATE 19TH CENTURY of canted rectangular form, the hinged lid decorated with a hunter and a lady above painted panels depicting landscape scenes, on a blue ground with gilt highlights, lined void interior, with faux blue maker’s marks 21.5cm wide, 10cm high, 17.5cm deep £200-300

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345 HD999/14 VICTORIAN MOTHER-OF-PEARL AND ABALONE TEA CADDY

19TH CENTURY of sarcophagus form, the hinged lid opening to two covered tea wells, raised on squat bun feet 20cm wide, 15cm high, 12cm deep £300-500

346Y HD999/20 LOUIS XIV STYLE BOULLE MARQUETRY MANTEL CLOCK 19TH CENTURY the urn ﬁnial above a waisted case ﬁtted with gilt metal mounts, enclosing a white enamel dial with Roman numerals, the movement stamped W. OPPENHEIM/ LONDRES-PARIS/ 3753, striking on a bell 36cm high, 19cm wide £400-600

347 HD999/10A FRENCH GILT BRASS CARRIAGE CLOCK, ATTRIBUTED TO PAUL GARNIER, PARIS 19TH CENTURY the four glass corniche case with a front sliding panel, enclosing an engine turned dial with Roman numerals, the eight day striking movement with a ‘Chaﬀ-Cutter’ escapement, signed GUYERDET AINE PARIS, the back of the dial stamped ‘P. G. Breveté 14.5cm high (handle up) £400-600

348 HD999/10 FRENCH GILT BRASS REPEATING CARRIAGE CLOCK, BY FRANCOIS ARSENE MARGAINE

LATE 19TH/ EARLY 20TH CENTURY the four glass ‘jewelled’ case with inset paste stones, enclosing a white enamel dial with Roman numerals, with twin train movement striking on a gong stamped AM 20cm high (handle up) £300-500

126 Lyon & Turnbull

349 HD999/19 TWO VENETIAN CARVED FRUITWOOD BLACKAMOOR TRIPOD TABLES

LATE 19TH / EARLY 20TH CENTURY of similar design, one slightly larger than the other, with shaped circular tops raised on serpentine supports carved as a boy wearing a turban and holding grapes, on shell and scroll carved legs (2) largest 39cm wide 91cm high £500-700

350 HD999/11 VENETIAN POLYCHROMED AND GILT CARVED WOOD BLACKAMOOR TORCHERE

LATE 19TH / EARLY 20TH CENTURY the standing ﬁgure wearing a turban and earrings, a nine branch candelabra balanced on his head, on a rococo style pedestal base, electriﬁed 212cm high £1,000-1,500

351 HD999/63D VICTORIAN PAPIER MACHE PEDESTAL TABLE AND PAIR OF SIDE CHAIRS

19TH CENTURY the chairs with spoon backs and caned seats, painted and inlaid with mother of pearl and abalone with gilt details, bearing pressed metal plaques ‘BETTERIDGE & CO / MAKERS / BIRMINGHAM’; the table with a shaped oval tilt top similarly decorated on a baluster support and lobed dome foot table 58cm wide, 69cm high, 72cm deep; chairs 46cm wide, 89cm high, 41cm deep £600-800

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352 HD999/124 ALBERT JOSEPH PENOT (FRENCH 1862-1930)

SEATED LADY WITH A FAN signed, oil on canvas 98cm x 63cm (38.5in x 24.75in) £800-1,200

353 HD999/44C 19TH CENTURY BRITISH SCHOOL FAMILY AT HOME oil on canvas 63cm x 54.5cm (24.75in x 21.5in) £600-800

128 Lyon & Turnbull

354 HD999/130 HENRY JOHN DOBSON R.S.W. (SCOTTISH 1858-1929)

355 HD999/134 R. HUDSON JNR (19TH CENTURY BRITISH)

356 HD999/135 19TH CENTURY BRITISH SCHOOL

357 HD999/136 J. BOURNE (19TH CENTURY EUROPEAN)

WOMAN KNITTING signed, watercolour 34cm x 44cm (13.5in x 17.5in) £400-600

PASTORAL SCENE oil on panel, indistinct inscription on label verso 20cm x 26.5cm (8in x 10.25in) £250-350

BUILDING A BONFIRE signed, oil on board 24cm x 34.5cm (9.5in x 13.5in) £300-500

STILL-LIFE OF FRUIT AND FLOWERS signed and dated 1867, oil on board 46.5cm x 58cm (18.25in x 22.75in) £250-350

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358 HD999/126 19TH CENTURY SCOTTISH SCHOOL

FISHING WITH GRANDFATHER signed with initials ‘J.L.M.’ and dated 1894, oil on canvas 39cm x 59cm (15.25in x 23.5in) £400-600

359 HD999/127 GEORGE SMITH R.S.A. (SCOTTISH 1870-1934)

THE HAY WAGON signed, oil on canvas laid on board 24cm x 29cm (9.5in x 11.5in) £400-600

360 HD999/128 GEORGE SMITH R.S.A. (SCOTTISH 1870-1934)

FEEDING DUCKS signed, oil on canvas laid on board 24cm x 29cm (9.5in x 11.5in) £400-600

130 Lyon & Turnbull

361 HD999/24 ENGLISH PAINTED PORCELAIN PLAQUE LATE 19TH/ EARLY 20TH CENTURY depicting Rievaulx Abbey, Yorkshire, with ﬁgures to the foreground, in a later frame 18.5 x 23.5cm £400-600

362 HD999/68 WORCESTER PART DESSERT SERVICE

LATE 19TH CENTURY with ‘jewelled’ embellishments, comprising twelve plates; four low tazzae; and one tall tazza, each painted with a central panel of woodland ﬂowers and foliage within a pink border enamelled with polychrome meandering ﬂowering foliage, impressed makers marks (17) Tall tazza, 23.5cm diameter, 19.5cm high £600-800

363 HD999/106 VICTORIAN OAK BANJO BAROMETER 19TH CENTURY with thermometer and pressure dial, in a carved case 90cm high £250-350

364 HD999/75A VICTORIAN CARVED GILTWOOD WALL BRACKET 19TH CENTURY the rectangular shaped shelf on ornate leaf carved supports 44cm wide, 48cm high, 21cm deep £200-300

365 HD999/47A VICTORIAN BRASS ‘LICHFIELD CATHEDRAL’ CLOCK

19TH CENTURY with Roman chapters, the eight day movement striking on a gong, raised on an oval plinth and white marble base overall 48cm high £250-350

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366 HD999/7 GROUP OF ROYAL WORCESTER BLUSH IVORY PORCELAIN

LATE 19TH/ EARLY 20TH CENTURY with maker’s marks, various date codes, comprising: a ﬂared vase signed JAS STINTON, 18.5cm high, and a small dish by the same artist, 11.5cm wide; a small jug, 10.5cm high; a pair of small jugs, 15cm high; a further jug, 15.5cm high; two leaf moulded dishes, 24.5cm wide; two pot pourri vases and covers, 16.5cm and 13cm high; a pair of small bottle form vases, 16cm high; a twin handled vase, with applied gilt decoration, 18cm high; a small leaf form dish, 11.5cm wide; a small rounded vase, 7cm high; and a pair of ﬁgural tree form pots, 14.5cm high (17) £400-600

367 HD999/64 GEORGE III STYLE MAHOGANY INLAID CUTLERY STAND

LATE 19TH CENTURY the top ﬁtted with two covered hinged compartments and a cut out carrying handle, raised on tapered square legs ending in castors 36cm wide, 89cm high, 56cm deep £300-500

368 HD999/38 MCVITIE & PRICE’S LITHOGRAPHIC BRASS ADVERTISING SIGN

LATE 19TH/ EARLY 20TH CENTURY of oval form, depicting a small child with a digestive biscuit in his hand, ﬂanked by royal warrant marks and MCVITIE & PRICE’S DIGESTIVE BISCUITS 57cm high, 49.5cm wide £200-300

132 Lyon & Turnbull

369 HD999/72 GEORGE I OAK THIRTY HOUR LONGCASE CLOCK, BY RICHARD MIDGLEY, HALIFAX

EARLY 18TH CENTURY the moulded cornice above an engraved brass dial with Roman numbers, the arched trunk door over a plinth base; the movement striking a bell 48cm wide, 207cm high, 27cm deep £500-700

370 HD999/87 GEORGIAN YEW AND ELM COMB-BACK WINDSOR ARMCHAIR

THAMES VALLEY, LATE 18TH CENTURY the scrolling top rail over a vasiform splat and V shape brace, with bow arms above a shaped seat, raised on cabriole legs joined by an H stretcher 65cm wide, 95cm high, 43cm deep £400-600

371 HD999/44B MINIATURE ELM WINDSOR ARMCHAIR 19TH CENTURY the hoop back and spindle back above U shaped arms, above a shaped seat raised on baluster turned legs 37cm wide, 65cm high, 25cm deep £150-250

372 HD999/87A THREE YEW AND ELM DOUBLE BOW-BACK WINDSOR ARMCHAIRS

LATE 18TH / EARLY 19TH CENTURY the low arched backs about pierced splats and arms, over shaped seats, raised on baluster turned legs joined by crinoline stretchers (3) largest 61cm wide, 91cm high, 37cm deep £800-1,200

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373 HD999/89 TWO VICTORIAN EARTHENWARE MILK PAILS 19TH CENTURY the conical body with transfer printed ﬂoral designs, one with brass hinged lid, marked ‘Dairy Outﬁt Co. Ltd, Kings Cross London, The Adaptable Patent 1897’ (2) 37cm diameter, 27cm high £400-600

374 HD999/89A PAIR OF HEUBACH BISQUE FIGURES OF BASEBALL PLAYERS LATE 19TH CENTURY one in a blue striped uniform holding a ball, the other in a red striped uniform with a bat, raised on naturalistic style bases, with impressed maker’s marks (2) 40cm high £400-600

375 HD999/70 GERMAN PORCELAIN PLAQUE, OF ‘THE PENITENT MAGDALENE’

LATE 19TH/ EARLY 20TH CENTURY of rectangular form, depicting a recumbent Mary reading a book propped upon a skull, in a glazed giltwood frame plaque 21.5 x 15cm £300-500

376 HD999/9 TWO GERMAN SOFT PASTE PORCELAIN TOBACCO JARS 19TH CENTURY the ﬁrst modelled as a jester playing instruments seated a large drum, 22cm high; the second, a child reading seated in an armchair, 22.5cm high, both with incised marks; together with a JACOB PETIT SOFT PASTE PORCELAIN FIGURE, of a boy holding a hat with birds inside, 20.5cm high; and a JACOB PETIT SOFT PASTE PORCELAIN SCENT BOTTLE, the openwork stopper above a lady leaning out of a window, with a gentleman opposing, on a blue ground, 29.5cm high (4) £300-500

134 Lyon & Turnbull

377 HD999/76 BURMESE CARVED HARDWOOD EASEL

19TH CENTURY carved all over with dragons, mythical beasts, and ﬁgures with a high pierced and carved cresting 51cm wide, 181cm high £300-500

378 HD999/28 CHINESE HARDWOOD ‘TWISTED VINE’ STAND 19TH CENTURY the circular top above a twisted frieze and ﬁves legs united by an open undertier 51cm high, 27cm diameter £400-600

379 HD999/51B PAIR OF CHINESE COMPOSITION AND CLOTH CHARACTER DOLLS

EARLY 20TH CENTURY modelled as an elderly gentleman and lady in traditional peasant dress, with painted heads and arms, wood feet and bases (2) female 37.5cm high, male 35cm high £150-250

380 HD999/8 PAIR OF JAPANESE CLOISONNE VASES

LATE 19TH/ EARLY 20TH CENTURY of shouldered form with narrow ﬂared necks, decorated with ﬂowers and foliage on a cobalt ground (2) 24cm high £200-300

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381 HD999/73 FRENCH ROCOCO GILTWOOD LIT D’ALCOVE

MID 19TH CENTURY the upholstered head and footboards in pale blue silk, in a gilt frame with exuberant C scrolls, acanthus, ﬂower heads, and rocaille, the side rails centred by vacant cartouches, raised on short scroll legs ending in scroll toes, inscribed ‘P Noel / Gilder 1845’ 212cm long, 128cm high, 131cm deep £700-1,000

382 HD999/75 VICTORIAN ROSEWOOD UPHOLSTERED OTTOMAN

383 HD999/104 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK

19TH CENTURY the circular painted porcelain Roman number diial set in a gilt bronze case surmounted by a putto and flaming urn finials; the case mounted with aporcelain plaque depicting bacchanalian putti flanked by gilt bronze caryatids, stamped P. H. MOUREY 69 to the back of the case 39.5cm high, 19cm wide £400-600

19TH CENTURY the hinged padded seat cover opening to a void interior, above concave sides raised on acanthus carved scroll feet, in pale blue silk upholstery 104cm wide, 50cm high, 47cm deep £400-600

136 Lyon & Turnbull

384 HD999/69 GEORGE III STYLE GILTWOOD AND GESSO OVERMANTEL MIRROR

19TH CENTURY the oval bevelled mirror plate in and egg and dart moulded frame with an urn and bellﬂower garland cresting, the base with scrolling foliage 107cm wide, 101cm high £600-800

385 HD999/54 EDWARDIAN MAHOGANY AND SATINWOOD DISPLAY CABINET

EARLY 19TH CENTURY the moulded arched cornice above an astragal glazed door and concave glazed side panels opening to shelves, raised on square tapered legs joined by a conforming undertier 110cm wide, 189cm high, 40cm deep £400-600

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386 HD999/78 EARLY VICTORIAN ‘GOTHIC’ STYLE MAHOGANY CRADLE ON STAND

MID 19TH CENTURY with caned sides and arched hood, on a turned trestle stand with twin stretchers and ﬁnials 101cm wide, 128cm high, 45cm deep £400-600

387Y HD999/24A THREE PORTRAIT MINIATURES

EARLY 19TH CENTURY on ivory, comprising a portrait of a Regency gentleman, 10.5 x 8.5cm, and a young Regency lady, 10.5 x 8.5cm, in gilt metal frames stamped WW verso; and an early Victorian lady, 8 x 6cm, in a giltwood frame (3) £300-500

388 HD999/77 FRENCH PAINTED FAIENCE PANEL

19TH CENTURY of convex oval form, decorated with two lovers and a dog by a fountain, titled FONTAINE DE L’AMOUR 39cm long, 25cm wide £250-350

389 HD999/24B CONTINENTAL SCHOOL PORCELAIN PLAQUE 19TH CENTURY depicting a battleﬁeld scene, the panel mounted within a gilt frame 21cm x 17cm £250-350

390 HD999/66 VICTORIAN WALNUT AND BEADWORK PARLOUR CHAIR 19TH CENTURY the foliate carved spoon back and padded seat in ﬂoral beadwork upholstery, raised on cabriole legs with porcelain castors 55cm wide, 92cm high, 45cm deep £250-350

Garden Furniture

391 HD999/117 PAIR OF WHITE PAINTED CAST IRON URNS of campana form, with gadrooned rims over scrolling leaf cast bodies with loop handles with mask terminals, raised on a socle base and square foot (2) 46cm wide, 62cm high, Provenance: Fasnadarach, Royal Deeside

£250-350

392 HD999/118 SET OF FOUR WHITE PAINTED CAST IRON URNS of campana form with palmette cast rims over plain part lobed bodies, raised on socle bases on a square foot (4) 50cm diameter, 70cm high Provenance: Fasnadarach, Royal Deeside

£400-600

Select Contents of Fasnadarach 139

393 HD999/120A CARVED STONE FIGURE OF A WOMAN

LATE 19TH CENTURY the cloaked ﬁgure leaning against a post, holding a wreath in her left hand, on a square base 103cm high Provenance: Fasnadarach, Royal Deeside

£300-500

394 HD999/122 COMPOSITION STONE FIGURE OF A CLASSICAL MAIDEN the draped standing ﬁgure holding a ewer and cup, on a circular base 165cm high Provenance: Fasnadarach, Royal Deeside

£500-700

395 HD999/123A GROUP OF STONE TROUGHS AND MILLSTONES comprising four carved stone troughs of various sizes, 53cm - 56cm wide; and two millstones, 50cm and 43cm diameter Provenance: Fasnadarach, Royal Deeside

£300-500

140 Lyon & Turnbull

396 HD999/123 VICTORIAN PAINTED CAST IRON GARDEN BENCH

19TH CENTURY the sides cast with ﬂower heads and a central roundel with thistles, roses shamrocks, with slat back and seat, with registration no. 72957 166cm long, 87cm high Provenance: Fasnadarach, Royal Deeside

£300-500

397 HD999/118A SET OF FOUR WHITE PAINTED CAST IRON URNS of compana form with beaded rims over part lobed bodies cast with ﬂoral swags hung from masks, raised on socle bases on a square foot (4) 44cm diameter, 60cm high Provenance: Fasnadarach, Royal Deeside

£400-600

Garden Furniture 141

398 HE52/5 EARLY VICTORIAN CARVED STONE GOTHIC REVIVAL SUNDIAL

DATED 1837 the bronze sundial plate inscribed with the hours, latitude 53, and directional markers, mounted on a hexagonal column carved with quatrefoil and gothic arch panels divided by columns 55cm diameter, 122cm high £1,000-1,500

399 HE250/13 PAINTED CAST IRON ‘SPORTING DOG’ BOOT SCRAPER shown in proﬁle, mounted in a concrete base ﬁgure 53cm wide, 47cm high Provenance: Perthshire country house

£300-500

400 HE8/1 PAIR OF CARVED WHITE MARBLE JARDINIERES MODERN carved as lotus blossoms (2) 51cm diameter, 39cm high £300-500

142 Lyon & Turnbull

401 HE250/16 IMPRESSIVE CREAM PAINTED GARDEN ARBOUR SEAT

MODERN the arched lead covered roof above a lattice frieze and side panels, with an enclosed panel back and seat ﬁtted with loose cushions in blue upholstery. raised on ﬂuted square columns; with a pair of blue and cream striped curtains and blue striped throw cushions 208cm wide, 259cm high, 93cm deep Provenance: Perthshire country house

£700-1,000

402 HE250/17 VICTORIAN WHITE PAINTED CAST IRON GARDEN BENCH the ends cast with grape vines, with double slat back and seat 183cm long, 80cm high Provenance: Perthshire country house

£200-300

Continental Furniture & Works of Art: Part I

144 Lyon & Turnbull

403 HD890/16 PAIR OF ITALIAN RENAISSANCE REVIVAL CARVED WALNUT BEDS AND BEDSIDE CABINETS, ENSUITE EARLY 20TH CENTURY the headboards surmounted by broken arch pediments centred by carved putti, above panels carved with urns, foliate scrolls and guilloche mouldings, the footboards similarly carved, raised on ﬂattened bun feet; together with a pair of matching bedside cabinets with marble tops, the back panels ﬁtted with a small shelf (4) beds 214cm long, 208cm high, 90cm wide; cabinets 49cm wide 156cm high, 51cm deep £800-1,200

404 HD388/18 LARGE CONTINENTAL TERRACOTTA JAR

20TH CENTURY of ovoid form with a moulded mouth and large strap handles, the shoulders with moulded coat of arms and a coronet 60cm high Provenance: Scottish private collection

£200-300

Continental Furniture & Works of Art: Part I 145

405Y SV705/32 ITALIAN WALNUT, FRUITWOOD, MARQUETRY AND IVORY INLAID TABLE 19TH CENTURY the rectangular top inlaid with C scrolls, ﬂowers, and foliate scrolls, enclosing a central cartouche depicting Mary with the infant Christ and John the Baptist, above a long frieze drawer, raised on spiral carved legs joined by curved x form stretchers, on bun feet 99cm wide, 79cm high, 65cm deep £1,000-1,500

406Y HE50/2 ITALIAN EBONY AND IVORY INLAID CABINET ON STAND

19TH CENTURY the moulded cornice above a pair of doors inlaid with flower filled urns and foliate scrolls, opening to a void interior, the base with a sliding panel inlaid with putti, over a long frieze drawer and raised on turned and fluted legs joined by a shaped x form stretcher and bun feet 83cm wide, 154cm high, 55cm deep £500-700

407 HB825/7 AFTER DESIDERIO DA SETTIGNANO, THE YOUNG JOHN THE BAPTIST

LATE 19TH CENTURY bronze, dark brown patina, proﬁle portrait signed lower right, in a walnut inlaid frame 56 x 32.5cm overall £200-300

146 Lyon & Turnbull

408 HE46/14 FRENCH RENAISSANCE STYLE WALNUT CABINET

19TH CENTUY in the Henry II manner, the moulded cornice above a pair of cupboard doors carved with portrait profile roundels, with pierced metal mounts, above a pair of short drawers, raised on flattened square supports above an open recess, carved all over with scrolls, roundels and grotesques, on a carved moulded plinth and flattened bun feet 111cm wide, 141cm high, 50cm deep £1,000-1,500

409 HE41/1 FLEMISH BAROQUE WALNUT CABINET ON STAND 17TH CENTURY the projecting moulded cornice above a pair of deep moulded panel doors, opening to shelves; the conforming stand with two short frieze drawers raised on spiral turned and lobed bun legs joined by a curved x form stretcher, on bun feet 182cm wide, 210cm high, 74cm deep £3,000-5,000

Continental Furniture & Works of Art: Part I 147

410 HE250/9 NORTHERN EUROPEAN CREAM PAINTED AND PARCEL GILT PINE CABINET ON STAND

17TH CENTURY, THE STAND LATER the plain top over an arrangement of ripple moulded panel drawers and sliding compartments; the later stand with bobbin turned legs joined by an undertier 125cm wide, 154cm high, 44cm deep £600-800

411 HE52/47 FLEMISH CARVED OAK ARMOIRE

LATE 17TH CENTURY the projecting cornice over a frieze carved with amorini, above a pair of triple panel doors carved with masks and foliate scrolls, the base with a pair of short drawers, raised on stile feet 147cm wide, 210cm high, 63cm deep £600-800

148 Lyon & Turnbull

412 HA467/4 ITALIAN MAIOLICA CHARGER

19TH CENTURY decorated in polychrome glazes, depicting a central scene of St Martin as a Roman soldier dividing his cloak with a beggar, within a border of putti and ﬂower swags 43.5cm diameter £300-500

413 HA467/3 PAIR OF LARGE CONTINENTAL MAIOLICA EWERS

LATE 19TH CENTURY each with a griﬃn form handle above the shaped body decorated with Aurora, with mythical ﬁgures, cherub and a chariot in a cloudscape (2) 65.5cm high £600-800

414 SV888/18 TWO NEAPOLITAN CRECHE FIGURES

EARLY 19TH CENTURY comprising a gentleman and lady, each with a painted terracotta head and composition body, in period costume, distressed (2) 17.5 and 18.5cm high £250-350

415 HE187/2 EASTERN ORTHODOX HAGIOGRAPHICAL ICON OF SAINT AGATHA OF SICILY

18TH CENTURY the panel with a central image of the saint holding a palm and cross, encircled by ten small panels depicting scenes of her life and martyrdom, on a gilt ground 34.5cm high, 28cm wide £200-300

Continental Furniture & Works of Art: Part I 149

416 HE52/35 FINE PAIR OF ITALIAN CARRARA MARBLE FIGURES OF LIONS

EARLY 19TH CENTURY each recumbent ﬁgure on a rectangular moulded plinth (2) lions 50cm long; overall 60cm long, 46cm high £2,000-3,000

417 HE52/8 CARVED STATUARY MARBLE CARTOUCHE

18TH CENTURY centred by a mask of a classical youth against a shell and C scroll carved back plate 35cm high, 28.5cm wide £600-800

418 HE52/36 ITALIAN STATUARY MARBLE FIGURE OF A BOY, SIGNED P BARRANTI 19TH CENTURY depicting a boy tearing a page from a primer; signed ‘P Barranti Fecit / Firenze’; on a green serpentine marble column ﬁgure 85cm high; pedestal 109cm high £800-1,200

150 Lyon & Turnbull

419 HD640/7 SOUTH GERMAN WALNUT AND FRUITWOOD PARQUETRY SERPENTINE COMMODE

18TH CENTURY the serpentine moulded top above two long serpentine drawers over a ﬂoral carved apron raised on cabriole legs carved with foliate bosses and ending in raised scroll toes 106cm wide, 84cm high, 64cm deep £1,000-1,500

420 HD728/1 DUTCH MAHOGANY STICK BAROMETER, BY FELIX FRANZI, AMSTERDAM

LATE 18TH CENTURY the carved pediment surmounting the silvered plates ﬁtted with a mercury ﬁlled tube and engraved with mermaids and shells, signed FX. FRANZI/ AMSTELDAM, above a serpentine apron and turned knops 120cm high approx. £1,000-1,500

421 HD380/3 LARGE DUTCH COLONIAL WALNUT AND BRASS BOUND CHEST

18TH CENTURY with a hinged cover and bold pierced brass corner brackets, escutcheon and side carrying handles 152cm wide, 66cm high, 64cm deep £300-500

Continental Furniture & Works of Art: Part I 151

422 SV705/30 DUTCH MARQUETRY BOOKCASE CABIINET

19TH CENTURY the arched moulded cornice above an astragal glazed door opening to shelves; the lower part with a pair of cupboard doors with urn, bird, and ﬂoral marquetry, raised on shaped block feet 92cm wide, 211cm high, 34cm deep £800-1,200

423 HE48/4 SET OF EIGHT DUTCH WALNUT AND MARQUETRY DINING CHAIRS

19TH CENTURY comprising six side chairs and a pair of armchairs, the high arched backs above vasiform splats with bird and ﬂowering urn marquetry, above serpentine drop in seats in green velvet upholstery, raised on acanthus carved cabriole legs ending in carved claw and paw feet (8) 54cm wide, 113cm high, 41cm deep £2,000-3,000

152 Lyon & Turnbull

424 HE50/1 DUTCH WALNUT AND MARQUETRY CABINET ON CHEST

EARLY 19TH CENTURY the arched moulded cornice over a pair of moulded doors with marquetry depicting ﬂowering urns and birds, opening to an shelved interior with short drawers; the lower part with two short over two long drawers, raised on bracket feet, with ﬂoral marquetry throughout 159cm wide, 233cm high, 49cm deep £3,000-4,000

425 HE35/1 DUTCH WALNUT AND MARQUETRY BUREAU

EARLY 19TH CENTURY the serpentine slant front inlaid with a hunting scene and floral marquetry, opening to an interior fitted with drawers and pigeon holes, above a long frieze drawer and shaped apron, raised on square cabriole legs with further floral marquetry 87cm wide, 105cm high, 41cm deep £1,500-2,500

Continental Furniture & Works of Art: Part I 153

426Y HD213/6 FLEMISH TORTOISESHELL, EBONY, ROSEWOOD AND EBONISED CABINET ON STAND

17TH CENTURY, THE STAND 19TH CENTURY the ripple moulded cornice above an arrangement of small drawers around a central door opening to a green baize lined interior with further drawers, above a long drawer to the base; the stand with a long drawer and raised on spiral carved ebonised legs joined by an H stretcher and ending on bun feet 79cm wide, 154cm high, 49cm deep £2,000-3,000

427 HE52/13 THREE PAINTED AND PARCEL GILT WOOD AND GESSO CANDLESTICKS OF MASONIC INTEREST

EARLY 19TH CENTURY each depicting a diﬀerent order of classical column, Tuscan, Ionic and Corinthian; with brass candle nozzles and raised on square stepped bases painted with faux marble and Masonic symbols (3) 72cm high £300-400

428Y HE46/23 FLEMISH RED TORTOISESHELL AND METAL MOUNTED TABLE CASKET

ANTWERP, LATE 17TH/ EARLY 18TH CENTURY the domed cover ﬁtted with engraved plaques and lock plates, opening to reveal a mirror above the void interior, raised on ball feet 26cm wide, 14cm high, 18.5cm deep £600-800

154 Lyon & Turnbull

429Y HB650/275 RUSSIAN ARCHANGEL WALRUS IVORY AND BONE CASKET

KHOLMOGORY, ARCHANGELSK PROVINCE, 19TH CENTURY the rectangular box with pierced fretwork panels and carved veneers with red and green stained engraved borders 23cm wide, 11cm high, 16cm deep £400-600

430Y SV888/2 CONTINENTAL CARVED IVORY FIGURE OF A SAINT

18TH CENTURY probably Saint Anthony, the robed ﬁgure standing with a book in one hand, with later gilt highlights, head lacking, with an associated hardwood stand ﬁgure 21.5cm high £250-350

431Y SV759/33 FRENCH CARVED IVORY TANKARD

19TH CENTURY in the Baroque style, the sides carved in relief with putti amongst scroll and shell motifs and plaques inscribed AR and 1697, with a horn inset base 13cm high £300-500

432Y HE52/16 FRENCH IVORY AND BONE MIRROR

DIEPPE, 19TH CENTURY the oval bevelled mirror plate in a shaped frame covered with ivory ‘leaves’ and mounted with carved ﬂags, swags, dolphins and a military trophy; bearing an ivory banner inscribed ‘SGOTORVM’; mounted on a conforming red velvet covered backplate 84cm high, 51cm wide £600-800

Continental Furniture & Works of Art: Part I 155

433 HE61/2 FRENCH RESTAURATION STYLE GILT AND PATINATED BRONZE TWELVE LIGHT CHANDELIER

19TH CENTURY the palmette cast ceiling pan over an pointed circular body with a gilt foliate corona, issuing twelve foliate scroll cast arms with gilt bronze nozzles and drip pans, with a foliate gilt bronze pendant ﬁnial; suspended on palmette and foliate cast chains, electriﬁed 79cm diameter approx £3,000-4,000

434Y HC169/3 FRENCH BOULLE MARQUETRY TABLE CASKET 19TH CENTURY the hinged waisted cover above a pair of doors, opening to a void interior, with gilt metal mounts and raised on scrolled gilt metal feet 32cm wide, 19.5cm high, 25cm deep £300-500

435 HE466/6 REGENCE STYLE WHITE PAINTED AND GILT BENCH

MODERN the long rectangular padded seat upholstered in blue silk damask, above a wide seat rail with ﬂuted mouldings, raised on acanthus and scroll carved cabriole legs ending in scrolled toes 154cm long, 52cm high, 45cm deep £400-600

156 Lyon & Turnbull

436 HE199/1 DUTCH BAROQUE STYLE SIX LIGHT SILVERED METAL CHANDELIER

EARLY 20TH CENTURY with scrolling arms centred by a knopped column with putti masks, ﬁtted for electricity 50cm high, 61cm diameter £300-500

437 SV730/113 PAIR OF LOUIS XVI STYLE BEECH FRAMED ARMCHAIRS

19TH CENTURY the arched padded backs with foliate cresting above part padded arms and a loose cushion seat, upholstered in grey silk ﬂoral upholstery, raised on cabriole legs (2) 63cm wide, 89cm high, 46cm deep £1,200-1,800

438 HE329/2 LOUIS IV STYLE ROSEWOOD AND GILT BRONZE MOUNTED BUREAU PLAT

LATE 19TH CENTURY the gilt metal banded shaped rectangular top with a black leather writing surface above a pair of frieze drawers centred by a gilt bronze mask of Bacchus, raised on cabriole legs, with gilt bronze mounts 110cm wide, 78cm high, 62cm deep £700-1,000

Continental Furniture & Works of Art: Part I 157

439 HE142/1 FRENCH GILT BRONZE MANTEL CLOCK, BY JEAN-BAPTISTE ALBERT BAILLON

18TH CENTURY the circular white enamel dial with Roman and Arabic chapters, in a cylindre case surmounted by a bird, raised on a ﬁgure of a cow on an open work naturalistic base cast with a sheep and snail, the watch movement with a verge escapement and gut fusee, signed ALBERT BAILLON/ A PARIS 23.5cm high £5,000-7,000

440 HB500/587 LOUIS XV KINGWOOD AND MARQUETRY DRESSING TABLE

MID 18TH CENTURY the shaped rectangular top with a leather insert and three quarter brass gallery, over an arrangement of drawers and a kneehole, raised on cabriole legs with gilt metal sabots, with ﬂoral marquetry throughout 82cm wide, 74cm high, 46cm deep Provenance: Torridon House, Home of The Earls of Lovelace.

£800-1,200

158 Lyon & Turnbull

441 HC169/5 LOUIS XV STYLE KINGWOOD AND GILT BRONZE MOUNTED BUREAU PLAT, IN THE MANNER OF CHARLES CRESSENT

EARLY 20TH CENTURY the shaped rectangular top with a black leather writing surface, banded in leaf cast moulding with shell motifs at the corners, above three short frieze drawers outlined in gilt bronze, with three dummy drawers opposing, raised on square cabriole legs headed by female terms and ending in scroll and leaf cast sabots 177cm wide, 180cm high, 96cm deep £1,000-1,500

442 HC169/8 FRENCH MAHOGANY AND GILT BRONZE MOUNTED ARMCHAIR

20TH CENTURY the cartouche shaped back and wide serpentine seat in upholstered in black leather, the open arms with leather pads, raised on square cabriole legs ending in gilt bronze lion paw sabots 66cm wide, 99cm high, 50cm deep £400-600

Continental Furniture & Works of Art: Part I 159

443 HE48/6 LOUIS XV STYLE KINGWOOD MOUNTED BONHEUR DU JOUR

20TH CENTURY the superstructure with a pierced gilt metal gallery over a pair of doors mounted with later ﬂoral tole panels; the lower part with a pair of short shaped frieze drawers raised on square cabriole legs, the whole outlined with gilt metal mounts 100cm wide, 140cm high, 49cm deep £600-800

444 SV794/40 FRENCH GILT BRASS CARRIAGE CLOCK

LATE 19TH/ EARLY 20TH CENTURY with a four glass corniche case enclosing a silvered dial with Arabic numerals ﬂanked by pillars, the movement stamped MADE IN FRANCE, with a leather case 15cm high (handle up) £200-300

445 HC229/2 FRENCH GILT BRASS CARRIAGE CLOCK

LATE 19TH/ EARLY 20TH CENTURY the four glass case enclosing a white enamel dial with Roman numerals, the back plate stamped FRANCE/ MADE IN FRANCE, in an original leather case 17cm high (handle up) £200-300

160 Lyon & Turnbull

446 HE37/1 PAIR OF FRENCH WROUGHT IRON WALL APPLIQUES

18TH CENTURY each with a shaped foliate and ﬂowerhead pierced back panel enclosing a carved oak ﬁgure of an angel on a giltwood plinth and supporting twin gilt painted candle arms (2) 59cm high, 36cm wide £600-800

448 HD643/3 FRENCH WALNUT OPEN ARMCHAIR

EARLY 20TH CENTURY in the Louis XIV style, the high arched back and padded open arms above a stuﬀ over seat and shell and acanthus carved seat rail, raised on cabriole legs joined by a wavy x form stretcher 69cm wide, 109cm high, 56cm deep £250-350

447 HE46/28 FRENCH BRONZE FIGURE OF A YOUNG LADY 19TH CENTURY light brown patina with gilt highlights, the standing robed ﬁgure drinking from a shell, whilst leaning against a fountain 36.5cm high £250-350

Continental Furniture & Works of Art: Part I 161

449 HE52/21 FINE BRETON CARVED FRUITWOOD ARMOIRE

18TH CENTURY the foliate carved cornice over triple panel doors carved with scrolls, foliate bands and cartouches, enclosed by guilloche carved mouldings, on a foliate carved plinth raised on bun feet 139cm wide, 182cm high, 69cm deep £1,000-1,500

450 HE466/4 PAIR OF FRENCH PROVINCIAL WALNUT ARMCHAIRS

19TH CENTURY the tall padded backs with serpentine crests over a wide padded seat and part padded arms carved with acanthus, above a foliate carved and shaped apron, raised on cabriole legs ending in carved hoof feet and joined by shaped H form stretchers, in pink toile upholstery (2) 66cm wide, 122cm high, 46cm deep £800-1,200

162 Lyon & Turnbull

451 HE46/18 PAIR OF FRENCH BRONZE FIGURES OF PUTTI EMBLEMATIC OF THE SEASONS 19TH CENTURY dark brown patina, the ﬁrst representing Summer, holding a sickle and pole laden with fruit; the other representing Autumn with wheat sheaves over his shoulder, raised on a Sienna marble bases (2) 22cm and 21cm high £400-600

452 HE46/17 PAIR OF FRENCH BRONZE FIGURES OF PHILOSOPHERS 453 HE46/19 AFTER CLAUDIUS MARIOTON (FRENCH 1844-1919)

ANTOINE PIERRE AUBERT (FRENCH, 1853-1912) dark brown patina, signed ‘AUBERT’, on black marble moulded bases (2) 42cm high £500-700

19TH CENTURY bronze, light brown patina, modelled as a young woman holding a tambourine, signed MARIOTON at base, impressed 2813 43.5cm high £400-600

454Y SV424/6 SMALL FRENCH BOULLE MARQUETRY AND GILT METAL MANTEL CLOCK

EARLY 20TH CENTURY in the Louis XV style, the circular dial set with Roman number panels, in a waisted case with a gilt metal ﬂowering basket ﬁnial, raised on scroll feet; the movement striking a bell 30cm high £200-300

455 HE329/1 FRENCH BRONZE BUST OF MENELAUS 19TH CENTURY after the Antique, dark brown patina, raised on a socle foot and square base, with gilt highlights 26cm high £200-300

Continental Furniture & Works of Art: Part I 163

456 HC456/7 FRENCH FAIENCE TUREEN AND COVER

19TH CENTURY the shaped oval cover with a fish and mussel form finial handle, above the twin handled body raised on cabriole legs, painted with green flowers and foliage, painted marks/numbers 37cm wide, 21cm high £200-400

457 HD388/13 FRENCH FAIENCE CRUET SET, AFTER VEUVE PERRIN LATE 19TH CENTURY with two covered ewers in a pierced and shaped stand, decorated with ﬁgures amongst ﬂower sprays and sprigs, with painted VP marks stand 24cm wide Provenance: Scottish private collection

£200-300

458 HE414/5 ST CLOUD PORCELAIN TEA CUP AND SAUCER

18TH CENTURY the moulded cup and saucer decorated with polychrome ﬂowers, within gilt and blue borders, the saucer with underglaze blue maker’s marks cup 6.5cm high; saucer 12.5cm diameter £300-500

459 HC485/2 PAIR OF RESTAURATION GILT AND PATINATED BRONZE LAMPS

19TH CENTURY converted from candlesticks, with urn-form nozzles above an engine turned banded and reeded column, raised on a ﬂower-cast domed foot, with cream pleated silk shades (2) 29cm high (excluding ﬁttings) £600-800

164 Lyon & Turnbull

460 SV730/114 FRENCH GILTWOOD AND GILT METAL MOUNTED CLOCK GARNITURE

CIRCA 1900 comprising a clock with twin train movement and enamelled dial within a waisted case with applied mounts and painted decoration depicting ﬂowers and ﬁgures, the movement striking on a gong, stamped A1; and a pair of attendant candelabra, with three outscrolling arms (3) clock 51cm high; candelabra 31cm high £400-600

461 HE466/5 LOUIS XVI STYLE GILTWOOD AUBUSSON UPHOLSTERED SETTEE

MID 19TH CENTURY the low, slightly arched back carved with laurel garlands and rope twist moulding, above a long padded seat ﬂanked by part padded straight open arms with leaf carved terminals, raised on acanthus carved tapered legs, upholstered in pale green Aubusson with roses and laurel garlands 157cm wide, 103cm high, 59cm deep £1,500-2,500

462 HE52/28 FRENCH KINGWOOD, ZEBRAWOOD AND MARQUETRY BUREAU PLAT

LATE 19TH CENTURY the shaped rectangular crossbanded top with ﬂoral marquetry and brass banding, above a single frieze drawer, raised on square cabriole legs outlined with gilt bronze mounts and ending in sabots 98cm wide 77cm high 57cm deep £800-1,200

Continental Furniture & Works of Art: Part I 165

463 HE46/20 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK

LATE 19TH CENTURY the circular painted porcelain dial in a cylindre case surmounted by a flaming urn finial and flanked by ram’s head masks loop handles, above a waisted case mounted with porcelain panels depicting putti, and gilt metal scrolled brackets, raised on squat toupee feet, the movement signed T. A. SIMPSON & CIE. PARIS, striking on a bell 22cm wide, 35cm high £300-400

464 HE46/21 FRENCH LOUIS XIV STYLE GILT METAL MANTEL CLOCK

19TH CENTURY the circular enamel cartouche dial in a cylinder case surmounted by a ﬂaming urn and ﬂanked by lion mask loop handles, raised on foliate scrolls and a pierced grille, on a shaped rectangular base raised on square feet, the eight day movement striking a bell 27cm wide, 46cm high, 13.5cm deep £800-1,200

465 HE46/29 FRENCH GILT BRONZE AND MARBLE MANTEL CLOCK

LATE 19TH CENTURY the white enamel dial with Arabic numbers, in a cylinder case mounted with the gilt bronze ﬁgures of Venus and Cupid, on a white marble column and shaped rectangular plinth with inset gilt bronze mounts, raised on foliate cast toupie feet; the eight day movement striking a bell 27cm wide, 34cm high, 12cm deep £600-800

166 Lyon & Turnbull

466 HE468/1 FRENCH CHAMPLEVE ENAMEL AND ONYX MANTEL CLOCK LATE 19TH/ EARLY 20TH CENTURY the four glass oval case with an onyx top with a champleve roundel above a gilt dial with Arabic numbers and a mercury ﬁlled pendulum, on a conforming onyx base raised on toupie feet, the movement striking on a gong 36cm high, 22cm diameter £800-1,200

467 HE52/19 FRENCH CHAMPLEVE ENAMEL MOUNTED GREEN ONYX URN

LATE 19TH CENTURY the wide shallow bowl mounted with a lobed champleve enamel rim and angled openwork foliate cast gilt metal handles, on a champleve enamel stem and spreading circular foot with an onyx base 34cm wide, 23.5cm high, 23cm deep £300-400

468 HE306/1 FRENCH EMPIRE GILT BRONZE MANTEL CLOCK, BY TARAULT, PARIS

EARLY 19TH CENTURY the circular white enamel Roman number dial signed TARAULT À PARIS/ FAUB. ST HONORÉ/ NO. 24, set in a rectangular case surmounted by a torch and laurel wreath, the ﬁgure of a youth with a lyre standing beside, above a rectangular base with applied roundels, raised on squat bun feet, the movement striking on a bell, stamped ST/ 1034 35cm wide, 52.5cm high £700-1,000

Continental Furniture & Works of Art: Part I 167

469 HE59/9 LOUIS XVI STYLE CREAM PAINTED SETTEE

EARLY 20TH CENTURY the shield shaped back above outswept part padded arms and a stuff over seat, the frame carved with fluting, gadrooning and guilloche moulded bands, raised on waisted, spiral fluted legs ending in toupie feet; in natural Belgian linen upholstery 125cm long, 95cm high, 54cm deep £800-1,200

470 HE52/39 SMALL FRENCH MAHOGANY AND MARBLE SECRETAIRE CABINET, BY L. GUEUNIERES JEUNE

LATE 19TH CENTURY the breche marble top with a pierced brass gallery above a fall front opening to an interior ﬁtted for writing, over a compartmented long drawer and a pair of cupboard doors concealing four further long drawers, raised on short cabriole legs, with gilt metal mounts throughout; stamped ‘L. GUEUNIERES JEUNE / EBENISTE’ 72cm wide, 109cm high, 33cm deep £400-600

471 HE61/11 PAIR OF SWEDISH GUSTAVIAN PAINTED STOOLS

EARLY 19TH CENTURY the curved side rails united by turned stretchers over curved seats covered in grey striped upholstery (2) 58.5cm wide, 56cm high, 34.5cm deep £800-1,200

168 Lyon & Turnbull

472 HE61/8 PAIR OF FRENCH STYLE WALNUT PARCEL GILT BEDSIDE TABLES

20TH CENTURY each with a tray top with a scroll shaped gallery above a carved frieze drawer and a recess, raised on slender cabriole legs ending in scrolled toes (2) 35cm wide, 66.5cm high, 24cm deep £700-1,000

473 HE59/14 PAIR OF FRENCH CARVED WALNUT FAUTEUILS

19TH CENTURY in the Louis XV style, the cartouched shaped padded backs in a scrolling foliate and palmette carved frame, over part padded scrolling arms and a wide stuﬀover seat over a palmette and scroll carved seat rails, raised on foliate carved cabriole legs ending in foliate carved scrolled toes, in cream patterned upholstery (2) 68cm wide, 101cm high, 55cm deep £800-1,200

474 HE46/2 FRENCH MAHOGANY AND VERNIS MARTIN MARBLE TOP VITRINE CABINET LATE 19TH CENTURY the breakfront breche marble top above a frieze with scrolling foliate gilt bronze mounts, above a central glazed door ﬂanked by glazed panels and sides opening to green velvet lined shelves, above Vernis Martin panels depicting courting couples, raised on cabriole legs 120cm wide, 140cm high, 37cm deep £1,200-1,800

Continental Furniture & Works of Art: Part I 169

475 SV794/17 FRENCH KINGWOOD AND GILT BRONZE MOUNTED VITRINE CABINET

LATE 19TH CENTURY the stepped and bombe moulded top above a serpentine glazed door ﬂanked by glazed side panels, opening to green velvet lined shelved and a mirror back, raised on straight cabriole legs ending in gilt bronze sabots, the whole outlined in gilt bronze 122cm wide, 179cm high, 37cm deep £1,500-2,500

476 HE46/16 PAIR OF FRENCH GILT BRONZE AND SLATE FIGURAL CANDELABRA, AFTER JEAN LOUIS GREGOIRE LATE 19TH CENTURY each modelled as a standing classical maiden holding aloft a six branch candelabra, signed ‘L Gregoire’, on a square moulded and stepped polished black slate base raised on scroll feet (2) 99.5cm high £800-1,200

477 HE52/32 SMALL FRENCH GILT BRONZE AND MARBLE MANTEL CLOCK

LATE 19TH CENTURY the white enamel dial with Arabic numbers and raised gilt beaded decoration, in a cylinder case surmounted by a flower filled vase and floral garlands, on a shaped oval white marble base with gilt metal mounts and a central roundel, on gilt metal tapered feet 17cm wide, 28cm high, 7cm deep £200-300

170 Lyon & Turnbull

478 HD621/14 CHARLES X ROSEWOOD AND INLAY MARBLE TOPPED SIDE CABINET

EARLY 19TH CENTRY the mottled grey marble top with a reeded edge above a pair of frieze drawers above a pair of cupboard doors with vine wreath inlay, on a plinth base, the whole outlined in line inlay and marked at the corners with further foliate inlay 146cm long, 97cm high, 65cm deep £1,500-2,500

479 HE55/2 FRENCH EMPIRE STYLE BRASS AND PATINATED METAL FIRE FENDER

LATE 19TH / EARLY 20TH CENTURY with a grille set centre ﬂanked by sphynxes sitting on raised rectangular plinths 155cm long £300-500

480 HE54/3 SCANDINAVIAN PAINTED KNEEHOLE DESK

18TH CENTURY the rectangular top with canted corners over a long frieze drawer and kneehole recess, ﬂanked by banks of three short drawers, in red paint with cream and gilt details, raised on tapered legs 105cm wide, 76cm high, 60cm deep £400-600

Continental Furniture & Works of Art: Part I 171

481 HE245/3 SCANDINAVIAN STYLE SIX-BRANCH CHANDELIER

20TH CENTURY the brass frame with riviere cut glass drops supporting branches with blue glass drip trays, ﬁtted for electricity 79cm high, 53cm diameter £400-600

482 HE245/3A PAIR OF SCANDINAVIAN STYLE GLASS CANDELABRA

20TH CENTURY with brass frame with riviere cut glass drops and a blue glass stem, supporting a pierced ring hung with faceted drops and supporting two candle nozzles, on marble plinth bases (2) 42cm high £300-500

483 HE245/3B SET OF FOUR SCANDINAVIAN STYLE WALL LIGHTS

20TH CENTURY each with three graduated tiers of hanging faceted drops above a demi-lune support with twin sconces, wired for electricity (4) 25cm wide, 42cm high £250-350

484 HE37/2 PAIR OF CONTINENTAL GILT METAL WALL APPLIQUES

20TH CENTURY the backplate formed as ribbon tied roses and leaf with two arch curved tulip sconces, wired for electricity (2) width: 40cm, height: 40cm £200-300

485 HE52/18 PAIR OF ROCOCO STYLE CARVED WALNUT LAMP BASES

LATE 19TH CENTURY each baluster stem carved with acanthus and foliate scrolls, on a circular base raised on three scroll feet, mounted with a gilt brass armature and light ﬁtting (2) overall 51cm high £200-300

Pictures: Part III

486 SV746/54 ATTRIBUTED TO JOHN RUSKIN

487§ HD950/1 ALBERT GORDON THOMAS R.S.W. (SCOTTISH 1893-1970)

488 HD946/10 JAMES GARDEN LAING R.S.W. (SCOTTISH 1852-1915)

489 HD946/7 JOHN SMELLIE (SCOTTISH d. 1925)

LAKE DISTRICT VIEW watercolour, with annotated pencil sketch verso 12cm x 17cm (4.75in x 6.5in) £400-600

QUAYSIDE, PARIS signed, watercolour 22cm x 27.5cm (8.5in x 10.75in) £400-600

LOCH LOMOND signed, watercolour 48cm x 60cm (19in x 23.5in) £400-600

MARKET DAY signed, pencil and watercolour 23.5cm x 30cm (9.25in x 11.75in) £300-500

Pictures: Part III

490 HE163/4 JOHN MUNNOCH (SCOTTISH d.1915)

THE GREAT CHURCH AT VEERE, NETHERLANDS, 1914 signed, oil on canvas laid on board 24cm x 33.5cm (9.5in x 13in) £600-800

492§ HE302/3 PETER COKER (SCOTTISH 1926-2004) NATURE STUDY signed, watercolour 38.5cm x 49cm (15.25in x 19.25in) £700-900

491§ SV854/2 GEORGE HOUSTON R.S.A., R.I., R.S.W. (SCOTTISH 1869-1947) LOCH MAREE signed, oil on canvas 68cm x 88cm (26.5in x 34.5in) £1,700-1,900

493 HE163/3 JOHN MUNNOCH (SCOTTISH d.1915) THE YELLOW SAIL signed, oil on linen laid on board 24cm x 33.5cm (9.5in x 13in) £700-900

173

174 Lyon & Turnbull

494§ HE163/2 SIR WILLIAM RUSSELL FLINT R.A., R.S.W., R.W.S. (SCOTTISH 1880-1969)

BOOK PLATE DESIGN - WOMAN WITH AN HOURGLASS inscribed with personal message from artist in pencil, ink impression 19cm x 16cm (7.5in x 6.25in)

495§ SV794/9 VICTORIA CROWE O.B.E. (SCOTTISH b. 1946) CHURCH INTERIOR signed, mixed media 19cm x 19cm (7.5in x 7.5in) £250-350

496 HD691/3 ANDERS ZORN (SWEDISH 1860-1920) THE MASTER-SMITH signed in pencil to margin, dated ‘1907’ in plate, etching 22cm x 15.5cm (8.75in x 6.25in) £300-500

Note: Possible design for Flint’s book ‘Breakfast in Perigord.’

£500-700

497§ HE406/6 KATE CAMERON R.S.W. (SCOTTISH 1874-1965)

BEREGONIUM pencil and watercolour, label verso indicates that there is an inscription on the reverse 16cm x 31cm (6.25in x 12in) Exhibited: Calton Gallery, Edinburgh, Christmas Exhibition 1984.

£500-800

498 HE437/1 AUGUSTUS OSBORNE LAMPLOUGH (BRITISH 1877-1930) EDGE OF THE DESERT signed, watercolour 23cm x 32cm (9in x 12.5in) £400-600

Pictures: Part III 175

499§ SV794/29 SIR WILLIAM GEORGE GILLIES C.B.E., R.A., R.S.A., R.S.W. (SCOTTISH 1898-1973)

500 HE160/2 JAMES KAY R.S.A., R.S.W. (SCOTTISH 1858-1942)

501§ HE352/4 SIR MUIRHEAD BONE H.R.S.A., H.R.W.S., H.A.R.I.B.A., H.R.E., L.L.B., D.LITT. (SCOTTISH 1876-1953)

502 HE336/1 LAURA J. LOUDON (SCOTTISH 1871-1945)

STUDY OF TREES, 1942 signed, inscribed with title verso, ink and wash on paper laid down 18cm x 22.5cm (7in x 8.75in) £200-300

SANTIAGO signed and titled, mixed media 17cm x 24cm (6.75in x 9.5in) £300-500

THEATRE INTERIOR, GLASGOW signed, mixed media 25cm x 35cm (9.75in x 13.75in) £600-800

STILL-LIFE WITH FLOWERS signed and dated 1922, oil on canvas 60cm x 75cm (23.5in x 29.5in) £400-600

The Collection of the late Countess of Lanesborough Previously at Swithland Hall, Leicestershire 503 SV623/1 FRENCH KINGWOOD, PORCELAIN AND GILT METAL MOUNTED BUREAU DE DAME MID 19TH CENTURY the three quarter pierced gallery top and shaped fall front enclosing a ﬁtted interior and a well, mounted with three Sevres style oval plaques enamelled with ﬂowers and putti, raised on cabriole legs headed by female masks, bearing a plaque inscribed ‘Alph. Giroux a Paris’ 65cm wide, 86cm high, 39cm deep £1,200-1,800

504Y SV623/5 THREE PORTRAIT MINIATURES, ATTRIBUTED TO JOHN SMART (1742-1811)

18TH CENTURY previously jewellery clasps, each on ivory and of oval form depicting a gentleman in red, and two ladies, two signed with initials J. S. and dated 1775, mounted in an ebonised frame 31mm x 27mm (each); frame 14 x 12cm £500-700

505 SV623/6 FIVE PORTRAIT MINIATURES

LATE 18TH / EARLY 19TH CENTURY on ivory, comprising a portrait of a lady, the frame inscribed verso MISS A FREEMANTLE/ AFTERWARDS/ MRS BISHOP, 8cm x 6.5cm; a portrait of a lady in a white dress, 9cm x 6.5cm; a portrait of a lady in a blue dress, 8.5cm x 6.5cm; and two oval portraits, one a lady, the other a young girl, 6.5 x 5cm, each framed and glazed (5) £600-800

The Collection of the late Countess of Lanesborough 177

506 SV623/8 SEVRES OUTSIDE DECORATED PORCELAIN PART TEA SERVICE PORCELAIN LATE 18TH CENTURY, DECORATION 19TH CENTURY decorated with landscape reserves on a celeste blue ground with gilt highlights, comprising a teapot, a sugar bowl and cover, a milk jug; and six teacups and saucers, inscribed with blue ‘Sevres’ with blue interlaced L marks (15) £700-900

508 SV623/9 PAIR OF DERBY PORCELAIN COVERED CUPS ON STANDS 507 SV623/10 BERLIN PORCELAIN CABARET COFFEE SERVICE

CIRCA 1880 painted with farm animals in a landscape, within gilt and blue-painted bands; comprising a coﬀee pot and cover, 14.5cm high; a milk jug and cover, 9.5cm high; a sugar bowl and cover, 8.5cm high; two cups and two saucers; and a two handled tray, 30cm wide, blue sceptre marks (8) £400-600

EARLY 19TH CENTURY each with a domed cover with knop ﬁnial, above twin twist handles, with a saucer dish stand, decorated with ﬂowers sprigs and sprays, with red painted maker’s marks (2) 21cm high £250-400

178 Lyon & Turnbull

509Y SV623/11 COLLECTION OF EUROPEAN FANS

19TH AND 20TH CENTURY of various size and materials, including lace, net, silk and painted lithographs on paper examples; and further painted gauze examples depicting ﬁgures, birds and ﬂowers, with mother-of-pearl and ivory sticks, some contained within boxes (17) £500-800

510 SV623/12 ENAMEL PLAQUE OF COLIN FITZGERALD, AFTER BENJAMIN WEST

19TH CENTURY on copper, of canted rectangular form, depicting a young man with a spear, in a giltwood frame 12.5 x 9.5cm Note: This plaque is a detail of West’s 1786 painting ‘Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald’ (‘The Death of the Stag’) in the collection of the National Gallery of Scotland, Acc. No. NG 2448. The subject is Colin Fitzgerald, the ﬁrst chieftain of the Clan McKenzie, who according to legend, saved the life of the Scottish King, Alexander III when he was attacked by a stag while hunting.

£150-250

511 SV623/20 PAIR OF MEISSEN ‘COALBROOKDALE’ PORCELAIN VASES each of campana form, decorated with painted applied flowers and gilt highlights, with blue crossed sword marks, 12cm high; together with a PAIR OF PORCELAIN ‘COALBROOKDALE’ VASES, each with a flared neck and flattened body, decorated with applied flowers and gilt highlights, with Victorian lozenge mark, 24.5cm high; and a PAIR OF CARL THIEME PORCELAIN SALTS, modelled with a gentleman and lady, each leaning over the open salt decorated with applied and painted flowers, with maker’s marks, 16.5cm long (6) £250-350

512 SV623/21 DERBY PORCELAIN FIGURE GROUP, ‘TWO VIRGINS AWAKENING CUPID’

EARLY 19TH CENTURY modelled with two females in classical robes standing over a sleeping Cupid, raised on a naturalistic style base, decorated in polychrome enamels, with incised marks 32cm high £250-350

The Collection of the late Countess of Lanesborough 179

513 SV623/15 DERBY PORCELAIN ORNITHOLOGICAL PART TEA AND COFFEE SERVICE

EARLY-MID 19TH CENTURY each decorated with roundels depicting birds perched on branches, on a lime green ground with gilt highlights, comprising: seven tea cups; ten coﬀee cups; eleven saucers; a covered sugar bowl; a slop bowl; and two plates (qty) £400-600

514 SV623/19 MEISSEN PORCELAIN ‘INDIAN PINK’ CABARET SERVICE

19TH CENTURY comprising a pair of cups and saucers, a teapot and cover, a sugar bowl and cover, a milk jug, two egg cups and a two handle tray, blue crossed swords mark (9) Tray: 45cm across £500-700

180 Lyon & Turnbull

515 SV623/3 MEISSEN PORCELAIN SAUCER DISH

19TH CENTURY decorated with panel cartouches depicting ﬁgures within architectural landscapes, on a puce scaled ground with gilt highlights, blue crossed swords mark 19.5cm diameter £150-250

516 SV623/22 MEISSEN PORCELAIN FIGURE OF COUNT BRÜHL’S TAILOR

19TH CENTURY the ﬁgure riding a goat, carrying a basket of kids with shears in his hand, with blue crossed swords mark and impressed 171 24.5cm high £300-500

517 SV623/23 THREE MEISSEN PORCELAIN FIGURES

LATE 19TH CENTURY with blue crossed swords marks and incised marks, comprising: a ﬁgure modelled as a girl holding a dog on her lap as it looks in a mirror, raised on a circular plinth, 14cm high; and a near pair of ﬁgures, modelled as a girl and boy feeding ducks and hens, 12.5cm and 11.5cm high (3) £200-300

518 SV623/35 PAIR OF JACOB PETIT PORCELAIN CORNUCOPIA VASES

19TH CENTURY ornately modelled with ﬂuted bodies terminating in acanthus scrolls and raised on a rococo style base, decorated with ﬂower sprays and birds on a green ground with gilt highlights, one with blue J.P. marks 28.5cm high £250-400

The Collection of the late Countess of Lanesborough 181

519 SV623/17 EDWARDIAN SATINWOOD VITRINE

EARLY 20TH CENTURY with a glazed domed top over a square glazed door and sides, the fame painted with ﬂower sprays and trailing bell ﬂowers, on a mirrored lined base, raised on square tapered legs ending in block feet 51cm wide, 139cm high, 53cm deep £1,200-1,800

520 SV623/37 FRENCH TULIPWOOD PORCELAIN MOUNTED GUERIDON

MID 19TH CENTURY the circular top inset with a Sevres style porcelain panel decorated with ﬂower spray reserves against a blue ground, the edge banded with a gilt metal mount, on a facetted baluster column raised on scroll legs 60cm diameter, 73cm high £1,000-1,500

521 SV623/46 FRENCH MAHOGANY AND ONYX TOP BOUILLOTTE TABLE

LATE 19TH CENTURY the circular white onyx top with a pierced gilt brass gallery, over a plain frieze and raised on square tapering legs, joined by a shaped undertier 41cm diameter, 67cm high £300-500

182 Lyon & Turnbull

522 SV623/50 AFTER THE ANTIQUE, MARBLE FIGURE OF THE DYING GAUL 19TH CENTURY in verde antico marble, on a rectangular base 32cm wide £400-600

523 SV623/85 PAIR OF GILTWOOD TORCHERES the trumpet form circular tops with beaded edges, on ﬂuted tapered columns, raised on leaf carved scrolling tripod legs (2) 124cm high £300-500

524 SV623/86 VICTORIAN SIMULATED ROSEWOOD JARDINIERE STAND

19TH CENTURY the dished octagonal top with a metal liner, raised on a leaf carved baluster support with scroll carved cabriole legs ending leaf carved toes with brass castors 53cm wide, 72cm high £300-500

525 SV623/53 WILLIAM IV ROSEWOOD WHATNOT

EARLY 19TH CENTURY with a rectangular upper tier over a base with a single drawer, on turned legs ending in brass caps and castors 49cm wide, 66cm high, 38cm deep £150-250

The Collection of the late Countess of Lanesborough 183

526 SV623/100 MINIATURE MAHOGANY WELLINGTON CHEST 19TH CENTURY of typical form with six drawers, on a plinth base 42cm wide, 57cm high, 27cm deep £300-500

527 SV623/129 SIR ROBERT SMIRKE (BRITISH 1780-1867)

A PAIR: ‘RELAXING IN THE GARDEN’ AND ‘AN ITALIANATE LANDSCAPE’ inscribed verso, oil on panel 9cm x 6cm (3.5in x 2.25in) a pair (2) £300-500

528 SV623/134 EARLY VICTORIAN CAST IRON HALL STAND AND WALKING STICKS

19TH CENTURY the central column with two tiers of anthemion cast arms, above a rectangular drip pan; together with a collection of walking sticks and canes, of various lengths, the handles in diﬀerent materials, some with silver knops (qty) £300-500

529 SV623/48 EARLY VICTORIAN MAHOGANY TRIPOD TABLE

19TH CENTURY the circular crossbanded top on a spiral carved columns support raised on scroll carved cabriole legs ending in raised scroll toes 60cm diameter, 72cm high £200-300

Continental Furniture & Works of Art: Part II 530 HE352/1 MEISSEN PORCELAIN PART FRUIT SERVICE

19TH CENTURY each painted with ﬂoral sprays, with blue crossed swords mark, comprising: a basket form twin handled bowl, with lobed rim and applied ﬂowers, 31cm wide; and twelve plates, 23cm diameter (13) £400-600

531 HC437/79 THREE MEISSEN PORCELAIN FIGURES

20TH CENTURY comprising a figure of a young man playing a recorder with a drum over his arm, 15cm high; a figure of a young man playing a fiddle, 13cm high; and the figure of a child in exotic dress, 12cm high; all with underglaze blue crossed swords and incised marks (3) Provenance: Private Collection, Surrey

£350-450

532 SV818/4 HANS STOLTENBERG LERCHE (GERMAN, 1887-1920)

BUST OF A LADY bronze, dark brown patina, with indistinct signature and impressed foundry mark 42.5cm high £150-250

Continental Furniture & Works of Art: Part II 185

533 HE46/22 BERNHARD JOHANNES KARL BUTZKE (GERMAN 1876-1952)

‘VER SACRUM’ bronze, dark brown patina, modelled a warrior leaning on his sword embracing a young woman, the base signed B. BUTZKE/ O6 and inscribed ‘VER SACRUM’ 60m high £600-800

534 HE52/10 PAIR OF CAST IRON WARWICK VASES, PROBABLY BERLIN 19TH CENTURY of typical form, painted black, raised on square moulded plinth bases (2) 35cm wide, 40cm high £600-800

535 HE52/30 PATINATED SPELTER FIGURAL LAMP AFTER VICTOR HEINRICH SEIFERT, AND ASSOCIATED PEDESTAL

19TH CENTURY the ﬁgure modelled as a blacksmith standing beside an anvil, his right arm raised holding a torch, signed V. Seifert, and inscribed ‘LE TRAVAIL’; the associated ebonised wood stand of tapered square form on a plinth base ﬁgure 108cm high, overall; pedestal 101cm high £300-400

186 Lyon & Turnbull

536 HB828/8 ATTRIBUTED TO MOSER, KARLSBAD

PAIR OF TURQUOISE GLASS VASES, EARLY 20TH CENTURY each of faceted cylindrical form with everted rim, decorated with a band of acid-etched Classical female ﬁgures, highlighted in gilt (2) 14cm high £200-300

537 HE245/1 PART SUITE OF MOSER STYLE CUT DRINKING GLASSES

20TH CENTURY each with a gilt band to the ﬂared rim, above a cut glass bowl, hexagonal knop and foot, comprising: eight champagne ﬂutes, 20cm high; eight large wine glasses, 17cm high; and eight smaller wine glasses, 15.5cm high (24) £400-600

538 SV774/19 AUSTRIAN COLD PAINTED BRONZE FIGURE OF A NATIVE AMERICAN 20TH CENTURY modelled on a rearing horse, on an onyx plinth base, unsigned 27cm high £400-600

Continental Furniture & Works of Art: Part II 187

539 HE52/43 AUSTRIAN ANTLER MOUNTED OAK MIRROR

LATE 19TH CENTURY the bevelled rectangular mirror plate in an oak frame mounted with various antlers and boars’ tusks 80cm high, 97cm high £300-400

540 HD437/1 GERMAN MAHOGANY AND LEATHER UPHOLSTERED WING ARMCHAIR, AFTER A DESIGN BY KARL FRIEDRICH SCHINKEL

CIRCA 1835 the padded back and part padded arms over a stuﬀ over seat in black leather, raised on arched legs 70cm wide, 104cm high, 54cm deep £800-1,200

541 HD341/1 ITALIAN GIOCATTOLI MODEL LOCOMOTIVE, ‘CARDINI TUNNEL’

1920S gruppo 690, the tin plate locomotive numbered 69017, with a cardboard tunnel titled TUNNEL CARDINI locomotive 22cm long £300-500

188 Lyon & Turnbull

542 HD926/12 LARGE BLACK FOREST CARVED BEAR MIRROR LATE 19TH CENTURY the large rectangular bevelled mirror plate within a frame carved as logs and surmounted by a relief carved ﬁgure of a bear in proﬁle 240cm high, 116cm wide £3,000-5,000

543 HD490/1 ATTRIBUTED TO OTTO KAINZ

THREE PIECE PATINATED BRONZE DESK SET, EARLY 20TH CENTURY comprising a pen tray and covered inkwell, 38.5cm wide; a letter rack, 16.5cm wide; and an ink blotter, 17cm wide; mounted with bears and bear cubs (3) £400-600

Continental Furniture & Works of Art: Part II 189

544 HD388/8 RARE MUSICAL AUTOMATON ‘THE HARPIST’, BY GUSTAV VICHY

CIRCA 1870 with painted and leather composition body and glass eyes, the nodding head and moving arms with articulated fingers, dressed in silk clothes, beads and gilt metal accessories 88.5cm high Provenance: Scottish private collection Note: Gustave Vichy was born in 1839 to a Parisian watch and clock maker Antoine Michel who, along with his wife, set up the Vichy company in 1862 with the aim of building and selling clocks, mechanical objects and toys. In 1866, Gustave took over the company and dedicated his time almost entirely to developing automata while his wife, a seamstress, dressed the figures. The Vichy company became part of a group of family businesses that thrived in Paris between 1860 and 1910 and known as the “Golden Age of Automata”. Gustave had great success producing advertising automata and one of his models won the Grand Prix at the Great Exhibition of 1900, the only award given to automata or mechanical toys. His son Henry gradually took control of the firm, incorporating Lioret phonograph mechanisms into some automaton models, which were advertised as being able to sing, speak and play musical instruments.

£3,000-5,000

545 HE167/1 GERMAN DANCING CAT AUTOMATON

CIRCA 1900 lithographic prints mounted on card, depicting a cat playing the ﬁddle and kittens dancing, in a simulated rosewood shadowbox case, stamped MUSTER GUSCHÜTZT/ PATENT case 35 x 27cm £200-300

Asian & Indian Furniture & Works of Art

546 HB650/216 CHINESE CANTON FAMILLE ROSE VASE AND COVER 19TH CENTURY of double gourd form, decorated with opposing panels of figures, birds, butterflies and flowers, on a green, pink and gilt ground, with a hardwood stand 68cm high £400-600

548 HC229/1 PAIR OF CHINESE EXPORT PORCELAIN FIGURAL CANDLESTICKS 547 HE466/3 PAIR OF CHINESE RED LACQUER AND GILT LOW ARMCHAIRS

LATE 19TH / EARLY 20TH CENTURY the slightly curved square backs centred by a pierced panel carved with bats and a shou symbol, above a padded seat ﬂanked by squared arms carved with further shou symbols, above a carved openwork apron and raised on short square legs (2) 55cm wide, 73cm high, 50cm deep £300-500

19TH CENTURY each modelled as a female ﬁgure in a polychrome robe, one with a lotus form sconce (2) 29cm high £200-300

Asian & Indian Furniture & Works of Art 191

549 HE59/22 PAIR OF CHINESE CARVED HARDWOOD SIDE CHAIRS LATE 19TH CENTURY the arched crest rails carved with bats between round uprights with urn ﬁnials, over openwork splats, above a bow front panel seat, raised on square cabriole legs joined by stretchers (2) 39cm wide, 96cm high, 40cm deep £500-700

550 HE46/13 CHINESE HARDWOOD THREE DRAWER ALTAR COFFER 19TH CENTURY the long top with scrolled ends over pierced brackets carved with foliate scrolls and chilong, above three short drawers and a central pair of doors, over a shaped apron and raised on stile feet 223wide, 91cm high, 51cm deep £1,500-2,000

192 Lyon & Turnbull

551Y HE59/7 JAPANESE CARVED SOFTWOOD AND SHIBAYAMA DISPLAY CABINET

LATE 19TH / EARLY 20TH CENTURY the foliate carved cornice above an arrangement of sliding doors, compartments and open recesses, the doors with ivory, abalone and mother-of-pearl inlay depicting ﬁgures, birds, and ﬂowers, on a scroll carved base 154cm wide, 204cm high, 37cm deep £2,500-3,500

Asian & Indian Furniture & Works of Art 193

552Y SV864/20B FRAMED GROUP OF INDIAN SCHOOL MINIATURES

19TH CENTURY comprising ﬁve oval scenes on ivory depicting the Taj Mahal, the Moti Masjid, the Qutub Minar, the Golden Temple and the Diwan-iKhas, with and small four portrait miniatures, in a glazed giltwood frame, with handwritten name places to verso frame 25 x 27cm £300-500

553Y SV864/20A FRAMED INDIAN SCHOOL MINIATURE

19TH CENTURY of oval form, on ivory, depicting the interior of the Diwan-i-Khas, in a glazed giltwood frame miniature 10 x 13.5cm; frame 20.5 x 25cm £300-500

554 HE325/1 MUGHAL MINIATURE GEMSET ALABASTER CUP

18TH/ 19TH CENTURY with stylised ﬂoral motifs and borders in gold wire framing emeralds, rubies, sapphires, diamonds and pearls, raised on a velvet stand 4cm high £1,000-1,500

555 SV746/8 INDIAN SCHOOL, 19TH CENTURY GIRL WITH A BUFFALO watercolour on paper, framed 56cm x 44cm £200-400

556 HE482/1 QA JAR POTTERY COVERED VASE

LATE 19TH CENTURY the domed cover and baluster body decorated in blue and white with ﬁgures, buildings with stylised motifs 32.5cm high £400-600

The Collection of the late Mrs Aldyth Cadoux (1927-2015) Aldyth and Theo Cadoux moved to Gayfield Square, in Edinburgh’s New Town, in 1955 when Dr Cadoux was appointed to the Classics Department of the University of Edinburgh. Mrs Cadoux was an only child and her father, who had spent time in Serbia and had friends in Belgrade, was perhaps responsible for sparking an early interest in what was later to become her passion for Slavic languages, travel and textiles, the lots sold here reflect their travels throughout Russia, Eastern Europe and the Middle East. Mrs Cadoux was well known and welcomed by the staff of the Hermitage Museum, where she became lifelong friends with the museum director himself. Textiles were one of her main interests in life – she was an accomplished embroiderer, with expertise in church embroidery and gold thread work. She had extensive knowledge of fabrics, especially ancient fabrics, which she developed during her annual trips to the Middle East. Here she would advise on the age and type of cloth that was extracted from the tombs in Egypt. The following lots (557-600) are representative of the breadth and scope of the collection, and include samples of Eastern European and Middle Eastern textiles, specialist reference materials and works of art.

557 SV753/45 REGENCY ROSEWOOD WORK TABLE EARLY 19TH CENTURY the rounded rectangular top above a long drawer and green silk lined sliding work box, on a facetted column and shaped quadriform base raised on bun feet 86cm wide, 74cm high, 42cm deep £200-300

196 Lyon & Turnbull

558Y SV753/181 REGENCY TORTOISESHELL TEA CADDY EARLY 19TH CENTURY of bombe sarcophagus form, with an inset white metal plaque to cover, opening to reveal two covered tea wells, raised on ball feet 16.5cm wide, 15.5cm high, 11cm deep £200-300

559Y SV753/6 REGENCY SATINWOOD AND EBONISED STICK BAROMETER CIRCA 1800 with ivory vernier scale and thermometer, within a bowed case and having turned brass reservoir 96cm high £300-500

560 SV753/98 TWO VICTORIAN MILLINER’S WOOD HAT STRETCHERS 19TH CENTURY each with an adjustable iron handle, raised on a rectangular base with ivorine plaque (2) 32cm high, 32cm long £150-250

561 SV753/111 CHILD’S YEW AND ELM WINDSOR ARMCHAIR

562 SV753/12 VICTORIAN MAHOGANY MINIATURE CHEST OF DRAWERS

19TH CENTURY the arched back with a pierced vasiform splat and spindles above a moulded seat, raised on baluster turned and tapered legs linked by a hoop stretcher 36.5cm wide, 66cm high, approx. 38cm deep £150-250

19TH CENTURY with two short drawers over three long drawers, raised on splayed feet 50cm high, 43cm wide, 19cm deep £150-250

The Collection of the late Mrs Aldyth Cadoux 197

563 SV753/71 RUSSIAN MOTHER OF GOD ICON WITH SILVER OKLAD ST PETERSBURG, 1873 the Madonna with her right hand raised to her face, the infant Christ in her lap holding a scroll; the oklad with an embossed border, stamped 84, the maker’s mark rubbed 14cm wide, 17cm high £200-300

564 SV753/58 RENÉ LALIQUE (1860-1945) FOR D’ORSAY PARFUMEUR, PARIS ‘DEUX SIRENES’ FROSTED AND OPALESCENT GLASS POWDER BOX, CIRCA 1921 with card base, printed on base POUDRE MERVEILLEUSE/ AU PARFUM D’ORSAY/ NATURALLE/ D’ORSAY PARFUMEUR/ PARIS, the glass with moulded marks D’ORSAY/ R. LALIQUE 8.5cm diameter, 3cm high £400-600

565 SV753/24 JESSIE JONES FOR PILKINGTON’S TILE AND POTTERY CO. LTD. LUSTRE BOWL, DATED 1907 decorated with frieze of tulips, impressed maker’s marks and painted artist’s monogram, 7cm diameter; and a PILKINGTON’S ROYAL LANCASTRIAN DISH, green glaze, impressed maker’s marks, 12.5cm diameter (2) £100-200

566 SV753/81 ROWLEY GALLERY MARQUETRY MIRROR 1920S/30S the rectangular mirror plate in a walnut frame with an inlaid marquetry scene, bearing a Rowley Label verso 90cm x 33cm £150-250

198 Lyon & Turnbull

567 SV753/62 PERSIAN BRASS COVERED EWER 19TH CENTURY the hinged domed cover above a ﬂattened bottle-form body, with a scroll curved handle and straight spout, engraved all over with foliate motifs 28cm high £150-250

568 SV753/61 QA JAR POTTERY VASE 19TH CENTURY of baluster form, decorated with oval ﬁgural reserves, amongst foliage 28cm high £150-250

569 SV753/55 FRAMED TURKISH IZNIK-STYLE TWO TILE PANEL 19TH CENTURY with stylised blue ﬂowers with red highlights in relief, within an ebonised frame, frame 47 x 24.5cm; together with TWO TURKISH TILES, each with stylised motifs in polychrome enamels, 15cm squared (3) £300-500

570 SV753/54 FRAMED TURKISH IZNIK-STYLE SIX TILE PANEL 19TH CENTURY each tile decorated with foliage on a white ground, within an ebonised frame each tile 15cm square £500-700

The Collection of the late Mrs Aldyth Cadoux 199

571 SV753/126Y Islamic, Indian and Middle Eastern textiles and folk art, a quantity including Hillenbrand, Robert. Persian painting from the Mongols to the Qajars. London: Tauris, 2000. 4to, dustjacket; Roth, H. Ling Ancient Egyptian and Greek looms. Halifax: County Borough of Halifax, April 1913; Titley, Norah M. Persian miniature painting. London, [n.d.] 4to, dust-jacket; Baker, Patricia L. Islamic textiles. London, 1995. 4to, dust-jacket; Taylor, Roderick Ottoman embroidery. London, 1993. 4to, dust-jacket; and a quantity of others (quantity) £300-500

572 SV753/74I De Farcy, M. Louis La broderie de XIe siècle jusqu’a nos jours. Angers: Belhomme..., 1890. 3 volumes, elephant folios, 145 plates, original portfolio folders contained inside modern green book boxes, spines weak and detached; Camerino, J.G. Les points de Venise. Paris: Librarire des Arts Décoratifs, [n.d.] Folio, 37 plates (of 40, numbers 21, 24 and 29 lacking), original portfolio folder, ties broken; Prévot, Gabriel, illustrator Stores guipures & broderies d’art rideaux & brisesbise dans le style moderne. Plauen: Christian Stoll, [n.d.] Folio, 18 (of 20) plates, original portfolio folder, ties broken (5) £200-300

573 SV753/74F Three important textile works, comprising Christie, A.G.I English medieval embroidery. Oxford: the Clarendon Press, 1938. Folio, 159 pages of plates, including 2 coloured, original cloth, dust-jacket with some tears and repairs; Symonds, Mary & Louisa Preece Needlework through the ages... London: Hodder & Stoughton Ltd., 1928. 4to, original quarter vellum gilt with blue banding over green cloth covers; Seligman, G. Saville & Talbot Hughes Domestic needlework. London: Country Life, [1926] Folio, number 16 of a limited edition of 500 copies, original red cloth gilt, Castlecraig Library bookplate (3) £250-350

574 SV753/74E Sewing journals, including Weldon & Co. Weldon’s practical needlework, volumes 1-17 (1885-1901) in original red cloth; and volume 33; Mrs Leech’s fancy work basket, volumes 1-10 (1885-1894) in green half calf; also volumes 28 and 34; Le guide-Sajou, 1851-1852 and 1855, both defective (28) £200-300

200 Lyon & Turnbull

575 SV753/74J Manuscript knitting instructions, and embroidery patterns 27 manuscript pp. of knitting instructions, each c.16 x 10cm, and a further 27 pp., each c.12 x 9.5cm, with the date Jan. 6th 1852 to ﬁnal page, contained in a small memorandum book, with a few small samples; Embroidery Patterns bound notebook containing 82 leaves of patterns in black ink, with a few pages of poetry dated from the 1820s; another bound notebook with many leaves of designs in brown ink and pencil (3) £250-350

576 SV753/74C Toys, a small quantity of books including Douglass, Winsome. Toys for your delight. London, 1959; Opie, Iona and Robert and Alderson, Brian. The treasures of childhood. New York, 1989; Hutchings, Margaret. Modern soft toy making. London, 1959; [Idem] The book of the teddy bear. London, 1964; Phillips Auctioneers. Dolls, teddy bears, samplers, European and Oriental textiles and costume, 24th February 2001; and several others (quantity) £100-150

577 SV753/126V Lace, a small quantity including Levey, Santina M. Lace, a history. London: Victoria and Albert Museum, 1983. Folio, dustjacket, signed by the author; [Anon.] A short history of honiton lace. London: J. Pitcher and Co., [n.d.] 16mo; Palliser, Mrs Bury. A history of lace. London, 1875. 8vo; and a small collection of others (quantity) £100-150

The Collection of the late Mrs Aldyth Cadoux 201

578 SV753/126G Jones, Owen The grammar of ornament. London: Day and Son, [1868?]. Small folio format, 110 plates (of 112) only, modern red half morocco gilt £150-200

579 SV753/126C Clothes making Instructions for cutting out apparel for the poor. London: J. Walter [erased] [replaced in manuscript with] sold at the Parliament Oﬃce..., 1789. 8vo, 10 (of 13) folding plates, original boards with title in manuscript to upper cover £200-300

580 SV753/74B Fashion and costume, a quantity including Ackermann, R. The repository of arts, literature, commerce, manufactures and politics. London: volumes for 1812, 1817 and 1818 (volumes 7, second series 3, second series 4 and second series 5 only), 8vo, several hand-coloured plates; Hatzimichali, Angeliki. The Greek folk costume. [N.p., n.d.] 2 volumes, 4to, dust-jackets, slipcases; Veleva [sp.], Maria. Bulgarian national attire (costumes), 1950; Pekary, Istvan. Costumes Hongrois. Budapest: [n.d.], 8vo, hand-coloured plates (facsimile); Costumes par gorse: 12mo, a collection of hand-coloured plates, defective; 4 manuscript volumes of dressmaking instructions; and others (quantity) £200-400

581 SV753/74 Quilting, a small collection including

582 SV753/126Z Silk, a quantity including

Saﬀord, Carleton L. and Bishop, Robert. America’s quilts and coverlets. New York, 1972; Hake, Elizabeth. English quilting old and new. London, 1937. Signed by the author; Finley, Ruth E. Old patchwork quilts and the women who made them. Philadelphia and London, 1929. 8vo, fourth impression; Webster, Marie D. Quilts, their story and how to make them. New York, [n.d.]; Colby, Averil. Patchwork. London, 1964; and several others (quantity) £100-150

Schober, Joseph. Silk and the silk industry. London: Constable & Co., 1930. 8vo, original cloth, dust-jacket; The British Colour Council. Spring and summer silk card, 1937; Feltwell, John. The story of silk, 1990. 8vo, dust-jacket; Warner, Frank. The silk industry. London: Drane’s, [n.d.] 8vo; Wardle, Thomas. Handbook of the collection of the wild silks of India in the Indian section of the South Kensington Museum… London, 1881; Cole, Alan. Ornament in European silks. London, 1899; and a small number of others (quantity) £100-150

583 SV753/74A Knitting and wool, a small collection including Henson’s history of the framework knitters. Wiltshire, 1970; Jenkins, D.T. and Ponting, K.G. The British wool textile industry 17701914; Rutt, Richard. A history of hand knitting. London, 1987. 8vo, signed and inscribed by the author; Toulmin, Camilla. The little Berlin-wool worker… London, 1844. 12mo, original cloth; and a selection of others (quantity) £100-150

202 Lyon & Turnbull

584 SV753/126W Needlework and embroidery, a large quantity including Illustrated catalogue of English embroidery. London: Burlington Fine Arts Club, 1905. Folio, original cloth; Barber, Mary. Some drawings of ancient embroidery. London: Henry Southeran, 1880. Folio, original cloth; De Dillmont, Therese. Encyclopaedia of needlework, [n.d.] 8vo, original cloth; Fryer, Jane Eayre. The Mary Frances sewing book… London: [n.d.]. 8vo, original cloth; Caulﬁeld, S.F.A. and Saward, Blanche, C. The dictionary of needlework. London: A.W. Cowan, [n.d.] 6 volumes, second edition, 4to, original red cloth; and a large quantity of others (quantity) £500-700

585 SV753/126 Russian, Greek and Eastern European textiles and folk art, a large quantity including Russki kostum, 1890-1917. Moscow, 1972. 4to, dustjacket; Folk art in Rumania. Bucharest, 1953. 4to, dustjacket; Yeﬁmova, L. and Belogorskaya, R. Russian embroidery and lace. Moscow, 982. 4to, slip-case; The arts of ancient Georgia. London: Thames and Hudson, 1979. 4to, dust-jacket; Hofer, Tamas and Fel, ed. Hungarian folk art, 1979. 4to, dust-jacket; Henri, Ernst Broderies Russes, Tartares, Arméniennes. Paris, [n.d.] 2 copies, original boards; [Idem] Ornaments de perles des peuples Finnois & Sibériens. Paris, [n.d.], original boards; and a large collection of others, many in Russian (quantity) £200-400

586 SV753/74D A collection of works on textile history and other subjects, including

587 SV753/126X Tapestry and weaving, a small quantity including

Reilly, Valerie Paisley patterns, a design sourcebook. London, 1989. Folio, dust-jacket; Parry, Linda William Morris and the arts & crafts movement... London, 1989. Folio, dustjacket; Lubell, Cecil, editor Textile collections of the world. London, 1976. 3 volumes [United States and Canada; United Kingdom and Ireland; France] 4to, dust-jackets; Jenkins, David The Cambridge history of western textiles. Cambridge, 2003. 2 volumes, 8vo, dust-jackets, slipcase; The textile industries. Gresham Publishing Co., [n.d.] 2 volumes, 8vo, original cloth; Sansone, Antonio The printing of cotton fabrics... Manchester, 1887. 8vo, original maroon cloth gilt; and a quantity of others (quantity) £200-300

Forman, W. and B. and Blazkova, J. Les tapisseries. Prague: Artia, 1957. Folio; Wilson, David M. The Bayeux tapestry. London: Thames and Hudson, 1985. Folio; Candee, Helen Churchill. The tapestry book. London, 913. 8vo; Simpson, L.E. and Weir, M. The weaver’s craft. London, 1952; Cole, Alan S. Cantor lectures on the arts of tapestry-making and embroidery. London: Society for the encouragement of arts, manufacturers, and commerce, 1886; Collingwood, Peter. The techniques of tablet weaving. London, 1982. 4to, dust-jacket, signed by the author and tipped-in ALS from the author; and others (quantity) £100-150

The Collection of the late Mrs Aldyth Cadoux 203

588 SV753/123A GROUP OF BOSNIAN COSTUME comprising ﬁve small waistcoats; and a small jacket; with gilt thread embroidered decoration (6) £250-350

589 SV753/123B QUANTITY OF EASTERN EUROPEAN COSTUME

591 SV753/122 QUANTITY OF VICTORIAN AND EDWARDIAN WHITE WORK

593 SV753/127 QUANTITY OF EUROPEAN AND INDIAN TEXTILES

comprising a Turkoman coat and a Turkoman robe, with embroidered detail; four wool and embroidered waistcoats; two velvet waistcoats; a Croatian embroidered peasant outﬁt, with a skirt, apron, belt and blouson; and a small quantity of gilt embroidered pieces (qty) £200-300

19TH AND EARLY 20TH CENTURY comprising various women’s and children’s clothing, embroidered lace and net (qty) £200-300

including: a selection of beadwork accessories, purses and pelmets; a group of shawls, including a French/Paisley example and a Chinese Canton silk shawl; an Indian silk sari; and a quantity of further costume and textiles; together with a PAIR OF FRAMED INDIAN PICTURES, 20th century, depicting ﬁgures within script borders, 27.5 x 15.5cm (qty) £250-350

590 SV753/124 QUANTITY OF TURKISH AND EASTERN EUROPEAN EMBROIDERED TOWELS of various shape and size (qty) £150-250

592 SV753/123 QUANTITY OF EASTERN EUROPEAN COSTUME AND ACCESSORIES including Bosnian caps; embroidered bags; a collection of Russian, Serbian and Bosnian costume and textiles; and a pair of Turkish wood sandals/shoes (qty) £200-300

204 Lyon & Turnbull

594 SV753/30 SUSANI POSSIBLY URA TUBE, UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the cream field in four joined sections woven with dense purple floral pattern, unfinished to one end 203cm x 127cm £400-600

595 SV753/31 TWO SUSANI PANELS BUKHARA, UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY both with cream grounds, one in two joined sections woven with two columns of three rosette medallions; the other with three medallions (2) 170cm x 58cm and 115cm x 44cm £250-350

596 SV753/35 SUSANI PANEL POSSIBLY TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the purple ﬁeld woven with three lemon and black rosette medallions, within lemon vine border 207cm x 67cm £250-350

597 SV753/33 SUSANI PRAYER ARCH UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the plain cream ﬁeld in ﬁve joined sections, within woven blue rosette lattice border and spandrels 225cm x 150cm £300-500

The Collection of the late Mrs Aldyth Cadoux 205

598 SV753/32 SUSANI POSSIBLY LAKAI, UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the purple ﬁeld woven with circular and star medallion, within similar medallion and boteh border 152cm x 119cm £400-600

599 SV753/34 SUSANI TASHKENT, UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the cream ﬁeld in three joined sections, woven with six purple rosette medallions and brown vine pattern, within cream rosette and foliate border 262cm x 215cm £800-1,200

600 SV753/109 ANATOLIAN KELIM LATE 19TH/EARLY 20TH CENTURY the brown ﬁeld with allover polychrome lozenge pattern, within ivory hooked lozenge border, in two joined sections 245cm x 180cm £400-600

Oriental Rugs & Carpets 601 HE47/10 MESHED CARPET EAST PERSIA, LATE 20TH CENTURY the burgundy ﬁeld with indigo and camel medallion, similar spandrels, within indigo border 380cm x 298cm £600-800

602 HE47/9 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the ﬁeld with allover square foliate lattice pattern, within burgundy border 377cm x 361cm £800-1,200

208 Lyon & Turnbull

603 HD389/1 DONEGAL CARPET IRELAND, LATE 19TH/EARLY 20TH CENTURY of Persian style, the olive green ﬁeld with mauve medallion, within lemon border 580cm x 436cm £600-800

604 HE47/6 MESHKIN RUNNER

605 HE47/7 SERAB RUNNER

606 HE49/2 NORTHWEST PERSIAN RUG

NORTHWEST PERSIA, LATE 20TH CENTURY the plain red ﬁeld with ﬁve indigo medallions, within pink and camel double border 370cm x 135cm £300-500

NORTHWEST PERSIA, LATE 20TH CENTURY the rose ﬁeld with ﬁve red and cream medallions, within cream and red double border 323cm x 107cm £300-500

20TH CENTURY the red ﬁeld with indigo medallion, cream and red spandrels, within indigo border 208cm x 150cm £200-300

Oriental Rugs & Carpets 209

607 HE34/10 QASHQAI STYLE PRAYER RUG SOUTHWEST PERSIA, LATE 20TH CENTURY the ivory ﬁeld with allover foliate pattern, red mihrab surround, within narrow indigo border 204cm x 123cm £400-600

608 HE47/8 MOUD CARPET EAST PERSIA, LATE 20TH CENTURY the cream ﬁeld with slate blue and red medallion, brown spandrels, within red border 286cm x 202cm £400-600

609 HE480/1 QUM SILK RUG CENTRAL PERSIA, LATE 20TH CENTURY the indigo ﬁeld with hunting pattern of men on horseback chasing animals, within light brown border, inscription to one end 116cm x 76cm £500-700

210 Lyon & Turnbull

610 HE49/1 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the red ﬁeld with large indigo and ivory medallion, ivory and red spandrels, within indigo border 358cm x 280cm £500-700

611 HE58/2 BAKHTIARI CARPET WEST PERSIA, MID/LATE 20TH CENTURY the ﬁeld with allover foliate lozenge lattice pattern, within ivory border 400cm x 320cm £600-800

Oriental Rugs & Carpets 211

612 HE58/1 ZIEGLER CARPET SULTANABAD, WEST PERSIA, LATE 19TH CENTURY the indigo ﬁeld with allover shaped medallions and foliate pattern, within rust red border 474cm x 366cm £2,000-3,000

212 Lyon & Turnbull

613 HE34/9 LORI RUNNER

614 HE34/12 NORTHWEST PERSIAN RUNNER

615 HE47/3 SERABEND RUNNER

WEST PERSIA, LATE 20TH CENTURY the indigo ﬁeld with allover octagon pattern, within cream, red and striped triple border 485cm x 97cm £500-700

20TH CENTURY the indigo ﬁeld with allover herati pattern, within red border 500cm x 92cm £600-800

WEST PERSIA, LATE 20TH CENTURY the red ﬁeld with allover boteh pattern, within cream border 642cm x 80cm £500-700

Oriental Rugs & Carpets 213

616 HD998/1 AFSHAR RUG SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY the abrash dark indigo ﬁeld with central red lozenge ﬂanked by two foliate vases, within triple red and cream vine borders 184cm x 156cm £400-600

617 HE34/8 QUM RUG CENTRAL PERSIA, MID 20TH CENTURY the cream ﬁeld with allover foliate and bird pattern, within similar blue border 219cm x 144cm £400-600

618 HE34/11 KIRMAN CARPET SOUTHEAST PERSIA, EARLY 20TH CENTURY the cream ﬁeld with indigo medallion, raspberry spandrels, within cream foliate border 316cm x 210cm £500-700

214 Lyon & Turnbull

619 HE45/3 PAIR OF MALAYER RUNNERS

620 HE47/1 SERAB RUNNER

NORTHWEST PERSIA, 20TH CENTURY each with indigo ﬁeld with allover stylised foliate pattern, within indigo border (2) 420cm x 92cm and 410cm x 92cm £600-800

NORTHWEST PERSIA, LATE 20TH CENTURY the red ﬁeld with seven green and red medallions, within cream border 435cm x 105cm £400-600

Oriental Rugs & Carpets 215

621 HE34/2 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brown ﬁeld with indigo medallion, ivory and indigo spandrels, within brown border 394cm x 278cm £2,000-3,000

622 HE45/4 TABRIZ RUG

623 HE47/2 BIDJAR CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY the plain orange ﬁeld with indigo and olive medallion, indigo spandrels, within indigo border; and a WEST PERSIAN RUG, the abrash camel ﬁeld with pink medallion, within camel border (2) 190cm x 117cm and 196cm x 136cm £250-350

NORTHWEST PERSIA, LATE 20TH CENTURY the red ﬁeld with allover herati pattern, within indigo border 215cm x 192cm £300-500

216 Lyon & Turnbull

624 HE47/5 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the red ﬁeld with indigo and cream medallion, similar spandrels, within indigo border 352cm x 250cm £450-650

625 HE47/4 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream ﬁeld with indigo and cream medallion, similar spandrels, within indigo border 408cm x 294cm £800-1,000

Oriental Rugs & Carpets 217

626 HE45/2 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the rose pink ﬁeld with light blue medallion, camel spandrels, within light blue border 614cm x 385cm £800-1,200

627 HE34/6 SAROUK CARPET WEST PERSIA, MID/LATE 20TH CENTURY the red ﬁeld with allover foliate vine and palmette pattern, within cream border 304cm x 217cm £700-1,000

218 Lyon & Turnbull

628 HE34/5 MAHAL CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the abrash tomato red ﬁeld with allover stylised rosette and vine lattice pattern, within indigo border 435cm x 305cm £3,000-4,000

629 HE34/13 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the indigo ﬁeld with allover herati pattern, within red border 479cm x 341cm £3,000-4,000 END OF SALE

Scottish Silver & Applied Arts Wednesday, 17th August, 2016

WEMYSS WARE TABBY CAT CIRCA 1900 Â£3,000-5,000

Enquiries John Mackie +44 (0)131 557 8844 john.mackie@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

Contemporary & Post-War Art Thursday, 18th August, 2016

ERIC HOLT (BRITISH 1944-1997) EPSOM DOWN Signed and dated '75, tempera on board 67cm x 48cm (26.25in x 19in) ÂŁ2,000-3,000

Enquiries Charlotte Riordan +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

Conditions of Sale SELLERS 1. DEFINITIONS

3. PREPARATION FOR SALE

In these Conditions of Sale (Sellers):

(a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

“Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing 4. TERMS OF SALE

“Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds;

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

“Proposed Sale” means the intended sale through which the items will be sold on

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

“Purchase Price” is the Hammer Price and applicable Buyer‘s Premium;

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot.

“Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or by private treaty). “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. The lot will be sold without reserve unless a reserve has been agreed. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the hammer price been the reserve. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &

Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred. (2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer.

(c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

14. THIRD PARTY LIABILITY

16. AGENCY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

15. GENERAL

17. DATA PROTECTION

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

13. SALE BY PRIVATE TREATY

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer's sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over €15,000 (euros). (2) Any payments by you to us may be applied by us

towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot. 10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

(e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Guide to Bidding & Payment Payment

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to €15,000 (euros).

© Lyon & Turnbull Ltd. 2016. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

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LYON & TURNBULL AUCTIONEERS EDINBURGH FINE FURNITURE & WORKS OF ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

6TH JULY, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 6th July, 2016 33 Broughton Place, Edinburgh

Fine Furniture & Works of Art