Contemporary & Post-War Art | 18th August 2016 | 11am by Lyon & Turnbull

Contemporary Art - cover.qxp_L&T MASTER COVER 20/07/2016 09:53 Page 1

LYON & TURNBULL AUCTIONEERS EDINBURGH CONTEMPORARY & POST-WAR ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

18TH AUGUST, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Thursday, 18th August, 2016 33 Broughton Place Edinburgh EH1 3RR

Contemporary & Post-War Art

Contemporary Art - cover.qxp_L&T MASTER COVER 20/07/2016 09:53 Page 2

Contemporary & Post-War Art Thursday, 18th August, 2016 at 11am Sale Number LT474

Viewing Times Sunday, 14th August 12 noon - 4pm Monday, 15th August 10am - 5pm Tuesday, 16th August 10am - 5pm Wednesday, 17th August 10am - 5pm Morning of sale strictly by appointment only

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 78 (detail)

Inside Front Cover Lot 117 (detail)

Inside Back Cover Lot 61 (detail)

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £50,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Catalogue descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ iimports-exports/cites

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot or just want to ďŹ nd out more about the auction process.

Charlotte Riordan

Nick Curnow

Carly Shearer

Iain Gale

charlotte.riordan@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

carly.shearer@lyonandturnbull.com

iain.gale@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; ďŹ ve minutes walk from the saleroom

York Place Tram Stop

Waverley Station

4 Lyon & Turnbull

1§ HE183/3 GORDON BRYCE R.S.A., R.S.W. (SCOTTISH b. 1943) AFTER RAIN, KEPPOCH Initialled, oil on board 24cm x 33cm (9.5in x 13in) Exhibited: ‘Gordon Bryce, New Painting, 1998’, The Scottish Gallery, Edinburgh

£300-500

2§ HE183/7 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) SUNSET DIEPPE II Signed, oil on canvas 22cm x 34cm (8.75in x 13.5in) Exhibited: Aitken Dott, ‘Festival Exhibition, 1980’, Edinburgh

£600-800

3§ HE183/4 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) WINDY DAY, CARRISTON (NEAR THE STAR) Signed, signed and inscribed with title and dated 1982 verso, watercolour and gouache 19cm x 25cm (7.5in x 9.75in)

£400-600

Contemporary & Post-War Art 5

4§ SV196/43 JAMES FULLARTON (SCOTTISH b. 1946) IONA Signed, acrylic on canvasboard 24cm x 29cm (9.5in x 11.5in)

£500-700

5§ SV196/45 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) COLONSAY SEASHORE Signed, inscribed and titled artist’s label verso, oil on canvas 29cm x 59cm (11.5in x 23.5in)

£700-900

6§ SV196/61 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) SUTHERLAND SHORE Signed, signed verso, oil on board 26cm x 32cm (10.25in x 12.5in)

£500-700

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7§ HE586/2 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) THE KISS Signed, oil on board 59cm x 56cm (23.25in x 22in)

£3,000-5,000

8§ SV196/30 DAVID MCLEOD MARTIN R.S.W. (SCOTTISH b. 1922) STILL LIFE OF SPRING FLOWERS Signed, oil on canvas 74cm x 74cm (29in x 29in)

£600-900

Contemporary & Post-War Art 7

9§ SV196/47 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) WALK BY THE SEA, EVENING Signed and dated 1981, signed and inscribed with title and dated verso, gouache 13.5cm x 17.5cm (5.25in x 7in)

10§ HD922/11 CLAIRE HARRIGAN R.S.W. (SCOTTISH b. 1964) TIMOTHY HILL, ST KITTS, 1994 Signed, oil on pastel on paper 35cm x 43cm (13.75in x 17in)

£300-500

£500-700

54cm x 69cm (21.25in x 27in)

12§ HD922/9 ALFONS B. JASINSKI R.S.W. (SCOTTISH b. 1945) LITTLE LISA’S POLISH BIRDS Signed and dated ‘81, inscribed with title frame verso, watercolour

£400-600

37cm x 49cm (14.5in x 19.25in)

11§ HD922/15 CLAIRE HARRIGAN R.S.W. (SCOTTISH b. 1964) STILL LIFE WITH PINK JUG, 1997 Signed, mixed media

Exhibited: ‘New Paintings’, The Scottish Gallery, November 1986, cat. 13

£300-500

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13§ HE566/3 JOHN GARDINER CRAWFORD R.S.W. (SCOTTISH b. 1941) BOATHOUSE, 1984 Signed, watercolour 35.5cm x 53cm (13in x 21in) Exhibited: The Mall Galleries, London, 1985; The Scottish Gallery, Edinburgh, 1986

£500-700

14§ HE566/5 ROBERT HENDERSON BLYTH R.S.A., R.S.W. (SCOTTISH 1919-1970) FETTERCAIRN LANDSCAPE Signed, watercolour 57cm x 62cm (22.5in x 24.5in)

£600-800

15§ HE566/4 JOHN GARDINER CRAWFORD R.S.W. (SCOTTISH b. 1941) APRIL SHOWERS Signed, signed and inscribed with title and dated 1982 verso, watercolour 35cm x 54cm (13.75in x 21.25in)

£600-800

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16§ SV868/9 WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) HALF LENGTH SEATED PORTRAIT OF MRS HELENOR SCOTT Signed and indistinctly dated, oil on canvas 91cm x 70cm (25.75in x 23.5in)

£800-1,200

17§ SV868/5 BRENDA MARK R.S.W. (SCOTTISH 1922-1960) THE BIRD STALL Signed, oil on canvas 76cm x 63cm (30in x 24.75in)

£400-600

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18§ HE556/1 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) SUNSET CARSAIG, MULL Signed, signed and inscribed with title verso, oil on canvas 40cm x 39cm (15.75in x 15.5in)

£1,500-2,500

19§ HE556/2 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) BIG POPPIES Signed, signed and inscribed with title verso and dated 2010, oil on canvas 58cm x 58cm (23in x 23in)

£2,000-3,000

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20§ HE538/2 SIR WILLIAM GEORGE GILLIES C.B.E., R.A., R.S.A., R.S.W. (SCOTTISH 1898-1973) NEAR KENILWORTH, MIDLOTHIAN Signed, watercolour 25.5cm x 35.5cm (10in x 14in) Exhibited: Aitken Dott, Edinburgh, 1972; The Scottish Gallery, Edinburgh, 1986

£1,000-1,500

21§ HE586/4 SIR WILLIAM GEORGE GILLIES C.B.E., R.A., R.S.A., R.S.W. (SCOTTISH 1898-1973) LANDSCAPE BELOW STOW Signed, pencil and wash 25.5cm x 35.5cm (10in x 14in)

£600-800

22§ HE586/1 SIR WILLIAM GEORGE GILLIES C.B.E., R.A., R.S.A., R.S.W. (SCOTTISH 1898-1973) THE MOORFOOTS, EARLY SPRING Signed, watercolour pen and ink 25cm x 35cm (9.75in x 13.75in) Provenance: The Scottish Gallery, 1947

£1,000-1,500

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BET LOW Bet Low was a Scottish landscape and figurative painter whose career spanned the majority of the twentieth century. Her mystical and beguiling landscapes offer great insight into the career of this prolific artist. Born into impoverished conditions in Gourock, Low studied at the Glasgow School of Art during the Second World War before going on to study briefly under James Cowie at Hospitalfield House. Low had a great love of Scottish landscapes and they are a typical theme in her oeuvre – notably of Orkney

23§ HE390/1 BET LOW A.R.S.A, R.S.W., R.G.I. (SCOTTISH 1924-2007) LOW SUN Signed, watercolour 60cm x 48cm (23.5in x 19in) Exhibited: The Compass Gallery, 1970s

£1,000-1,500

where she spent numerous summers with her family in Hoy. By the 1960s her works moved further into abstraction, and she is best known for her works in this style. After her studies, Low cofounded the Clyde Group around J.D. Fergusson in 1942 – a group joined together by shared left-wing views and inﬂuences from contemporary art in continental Europe. With this group, Low co-organised Glasgow’s ﬁrst open air exhibition in 1956 at the

Botanical Gardens. In 1963, she went on to open the New Charing Cross Gallery in Glasgow with John Taylor and Cyril Gerber, which received great critical acclaim for encouraging contemporary art in Scotland. Throughout her career she exhibited widely - including a retrospective of her work in 1985 at the Third Eye Centre (now the Centre for Contemporary Arts), and her work is housed in numerous public and private collections.

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24§ SV196/67 BET LOW A.R.S.A., R.S.W., R.G.I (SCOTTISH 1924-2007) JURA AT SUNSET Signed, watercolour 16cm x 20cm (6.25in x 8in)

£400-600

25§ HD986/1 BET LOW A.R.S.A., R.S.W., R.G.I. (SCOTTISH 1924-2007) AFTER SUNSET Signed, watercolour 35cm x 25cm (13.75in x 9.75in) Exhibited: Compass Gallery, Christmas 1977

£500-700

26§ HE582/1 BET LOW A.R.S.A., R.S.W., R.G.I. (SCOTTISH 1924-2007) BEACH, ORKNEY Signed, watercolour and gouache 28cm x 41cm (11in x 16in)

£600-800

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27§ SV196/12 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) EYEMOUTH Signed, gouache and watercolour 22.5cm x 27cm (9in x 10.5in)

£300-500

28§ HE762/1 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) PORT SETON HARBOUR Signed, watercolour 56cm x 76cm (22in x 30in)

£800-1,200

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29§ HE670/3 IRENE LESLEY HOPE MAIN (SCOTTISH b. 1959) WEST COAST BEACH Signed, oil on board 44cm x 46cm (17.25in x 18in)

£500-700

30§ HE756/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) NIGHT SKY OVER THE BASS ROCK Signed and inscribed with title and numbered 88/100 in pencil to margin, lithograph 26cm x 38cm (10.25in x 15in)

£300-500

31§ HE670/2 IRENE LESLEY HOPE MAIN (SCOTTISH b. 1959) LIGHT COMES TO THE ISLAND OF IONA Signed, oil on board 44cm x 46cm (17.25in x 18in)

£500-700

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32§ HE290/27 PETER HOWSON O.B.E. (SCOTTISH b. 1958) NIGHT FIGHTER Signed, pastel 29cm x 21cm (11.5in x 8.25in)

£600-800

33§ HE382/4 PETER HOWSON O.B.E. (SCOTTISH b. 1958) UNTITLED (DEJECTION) Signed, pastel 65cm x 50cm (25.5in x 19.75in)

£2,000-3,000

34§ HE290/26 PETER HOWSON O.B.E. (SCOTTISH b. 1958) GUARDIAN Signed, pastel 29cm x 21cm (11.5in x 8.25in)

£500-700

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35§ HE382/2 PETER HOWSON O.B.E. (SCOTTISH b. 1958) PORTRAIT OF STEPHEN BERKOFF Signed, oil on canvas 91cm x 60cm (25.75in x 23.5in)

£6,000-8,000

This extraordinary portrait of one of the nation’s leading actor/directors and playwrights by Peter Howson is a true meeting of minds between artist and sitter. Howson emerged on the British art scene in the 1980s as one of the New Glasgow Boys, along with Ken Currie, Adrain Wisnisekski, and Steven Campbell. Berkoff, who began his distinguished acting career in the 1960s is probably best known for his roles as cinematic villains, in films from Rambo to James Bond, although in his writing and directing career he evinces a profound intellect and a capacity for outspokenness to match that of the painter. It comes as no surprise that Berkoff is an enthusiastic collector of Howson’s work. He wrote a monograph on the artist for his 2005 show at Flowers Gallery and in 2010 named his favourite painting (in an interview with The Independent) as Howson’s The Drummer (which he owns). A 20 minute film on Howson by Berkoff was premiered at Summerhall in Edinburgh in 2014, followed by a live conversation between artist and sitter in which, to Howson’s embarrassment, Berkoff hailed him as ‘the saviour of European art’. In a 2011 interview with Mark Fisher, Berkoff said of Howson: ‘There’s an intensity,

a compassion, a strong feeling, an identiﬁcation with the common man and also the poetic description of labour.’ In another interview Berkoﬀ compared Howson to Bosch and Caravaggio and speaking in the BBC Four documentary The Madness of Peter Howson he said: ‘Having Howson in my life has in some way given me a sense of what I can, what I care for even who I am. We

need artists like we need lightning rods on the roof of houses. They take the lightning of the world and hold it and then we look at them and we feel enriched and we feel this power without being struck by the lightning. It is the artist who is struck and burnt and scarred by the lightning.’

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36§ HD946/3 PAT DOUTHWAITE (SCOTTISH 1939-2002) GIRAFFE Signed and dated ‘89, pastel 82cm x 58cm (32.25in x 23in)

£400-500

37§ HD946/5 PAT DOUTHWAITE (SCOTTISH 1939-2002) NAKED FORM Signed and dated ‘90, charcoal 84cm x 59.5cm (33in x 23.5in)

£500-700

38§ HD946/4 PAT DOUTHWAITE (SCOTTISH 1939-2002) THE GOAT SACRIFICE Signed and dated ‘84, indistinctly inscribed with title, charcoal 64cm x 50cm (25.5in x 19.75in)

£400-600

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39§ HE350/5 JOHN MCLEAN (SCOTTISH b. 1939) BALGILLO Signed and inscribed with title and dated 2007 verso, acrylic on canvas, unframed 100cm x 50cm (39.25in x 19.25in)

£800-1,200

40§ HE350/6 JOHN MCLEAN (SCOTTISH b. 1939) LEAP Signed and inscribed with title and dated 2000 verso, acrylic on canvas 50cm x 70cm (19.75in x 27.5in)

£600-800

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41§ SV730/54 WILLIAM WILSON R.S.A., R.S.W. (SCOTTISH 1905-1972) MYKONOS Signed, watercolour 28cm x 46cm (11in x 18in)

£300-500

42§ HD388/26 RICHARD DEMARCO O.B.E., R.S.W. (SCOTTISH b. 1930) WELL, NORTH QUEENSFERRY, FIFE Signed and dated ‘85 and inscribed with title, watercolour and pencil 12.5cm x 18cm (5in x 7in)

£300-500

43§ HE583/10 MARY FEDDEN O.B.E. (BRITISH 1915-2012) OPPEDE LE VIEUX Signed and dated 72/150 in pencil to margin, lithograph 36cm x 43cm (14in x 17in)

£300-500

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44§ HD388/24 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) TRAVERTINE QUARRY, MORNING Signed and dated ‘89, watercolour and bodycolour 76cm x 103cm (30in x 40.5in)

£2,000-3,000

45§ SV730/26 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) TABLE IN A LANDSCAPE Signed, mixed media 17cm x 23cm (6.75in x 9in)

£300-400

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46§ HE350/3 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) WINTER MOON, KINTYRE Signed, inscribed with title and dated 2008 verso, oil on canvas 59cm x 59cm (23.25in x 23.25in)

£2,500-3,500

47§ HE350/4 JOHN LOWRIE MORRISON O.B.E. (SCOTTISH b. 1948) CROFT AT BEN MORE Signed, signed and inscribed with title and dated 2007 verso, oil on canvas 29cm x 29cm (11.5in x 11.5in)

£1,000-1,500

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In this important and monumental work in Philipson’s oeuvre, the artist addresses the theme of the Great War, rather than that in which he had served himself (WW2). In his typically expressive, almost abstracted technique, Philipson positions his central ﬁgure of a red-coated Napoleonic British General holding a map. On each side he shows a WWI deserter

bound to a post and shot by ﬁring squad. The colours recall the stained glass of the gothic cathedrals by which he was so often inspired, adding a further dimension to our interpretation of the subject’s narrative. This piece relates to his series of works in the early 1970s of Threnodies, or lamentations. The title appears at ﬁrst jarringly incongruous and dismissive of the serious

subject matter, but may refer to the famous (and darkly comic) Tommies’ song: “If the Sergeant steals your rum; Never mind! If the Sergeant steals your rum; Never mind! Though he's just a blinking sot, Let him have the bloody lot, If the Sergeant steals your rum, Never mind!”

48§ HE565/1 SIR ROBIN PHILIPSON P.R.S.A., R.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) NEVERMIND II 1965-84 Oil on canvas 91.5cm x 123cm (36in x 48.5in) Exhibited: ‘Festival Exhibition’, The Scottish Gallery, Edinburgh, 1965; Royal Scottish Academy, Edinburgh, 1985; ‘Robin Philipson Retrospective’, Edinburgh College of Art, Edinburgh, 1989, cat. 55; ‘Sir Robin Philipson’, The Scottish Gallery, Edinburgh, May 2012 Provenance: Private Collection, London Illustrated: Scottish War Art and Artists in the Twenieth Century’, Birlinn, Edinburgh, 2014, p.229

£10,000-15,000

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49§ HD827/5 ERIC HOLT (BRITISH 1944-1997) PIPE FITTERS Tempera on board 64cm x 50.5cm (25.5in x 20in) Exhibited:

Piccadilly Gallery, April/May 1977, London £1,000-1,500

50§ HD827/4 ERIC HOLT (BRITISH 1944-1997) EPSOM DOWNS Signed and dated ‘75, tempera on board 67cm x 48cm (26.25in x 19in)

£2,000-3,000

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51§ SV196/17 PERPETUA POPE (SCOTTISH 1916-2013) FARM BUILDINGS AND SPRING FLOWERS Signed, oil on canvas 59cm x 90cm (23.25in x 35.5in)

£600-800

52§ SV196/25 PERPETUA POPE (SCOTTISH 1916-2013) MOONLIT GARDEN Signed, oil on canvas 49cm x 39cm (19.25in x 15.25in)

£500-800

53§ SV196/12A JAMES FULLARTON (SCOTTISH b. 1946) EVENING SKY, BLAIRQUHAN Signed, oil on canvas 65cm x 74cm (25.5in x 29in)

£1,000-1,500

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54§ HE397/1 ALEXANDER GUY (SCOTTISH b. 1962) CHAIN SMOKING Signed and inscribed with title and dated 1986 verso, oil on canvas 142cm x 193cm (56in x 76in)

£600-800

55§ HE397/3 ALEXANDER GUY (SCOTTISH b. 1962) UNTITLED (PLANE DIVING) 1986 Pencil 31cm x 21cm (12.25in x 8.25in)

and a further two works by the same hand (3) £400-600

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56§ HE389/1 STEVEN CAMPBELL (SCOTTISH 1953-2007) THE HUNTER Watercolour and ink 99cm x 97cm (39in x 38in)

£1,000-1,500

57§ HE389/2 STEVEN CAMPBELL (SCOTTISH 1953-2007) STUDY FOR COTTAGE ORNE C. 1989-1990 Ink on paper 94cm x 96cm (37in x 37.75in)

£1,000-1,500 58 HE389/2 No Lot

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59§ HE583/7 RICHARD SMITH C.B.E. (BRITISH 1931-2016) WRITTEN ON THE WIND P.P. 2, signed and dated ‘97 in pencil to margin, etching and aquatint 57cm x 45cm (22.5in x 17.75in)

and another by the same artist ‘Writing in the Sand’ (2) £400-600

60§ HE356/1 BRUCE MCLEAN (SCOTTISH b. 1944) SWISS BANK 1989, signed in pencil to margin, screenprint 60cm x 75cm (23.5in x 29.5in)

£300-500

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61§ HE583/11 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) STAR / STEER 1966, with original copy of accompanying poem, screenprint, published by the Wild Hawthorn Press in an edition of approx. 400 57cm x 43.5cm (22.5in x 17in)

£500-700

Note: The accompanying copy of the description reads as follows: "Like many other works by Finlay, this poem takes its immediate area of reference from sea-faring. But far from being content with the vestigial representation of a natural scene, Finlay has succeeded in fusing two distinct interpretations or viewpoints in the serpentine structure of the poem. First there is the relationship of star to steersman. One particular star, singled out by its typographical reticence, displays itself up above-as if caught in the rigging of the ship. But there is also the overall structure of the poem, which suggests the winding course plotted by the steersman-seen from a star's eye view. The strength of the work comes from both of these images and from neither, since beyond the intricacies of the printed word and the metaphor of the ship at sea there is the intimation of our own course to be chosen, and our own star to steer by." Stephen Bann. Published and distributed by Tarasque Press, The Trent Book Shop, Trent Bridge, Nottingham.

62§ HE583/12 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) LAND/SEA - 1967 Made in collaboration with Herbert Rosenthal, screenprint, published by the Wild Hawthorn Press in an edition of approx. 400 43cm x 56cm (17in x 22in)

£400-600

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63§ HE084/1 GEORGE WYLLIE M.B.E., A.R.S.A, R.G.I. (SCOTTISH 1921- 2012) FIVE ASIDE Mixed media, six items (6) Tallest 115cm x 120cm x 55cm (45.25in x 47.25win x 21.75in) Note: This work was comissioned for the UEFA Euro ‘96 football competition and was displayed in various locations in Manchester that summer.

£5,000-7,000

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64§ HC240/1 ANDY SCOTT (SCOTTISH b. 1964) PANTHER galvanised steel 81.5cm x 245cm (32in x 96in) £4,000-6,000 Andy Scott is probably best known for creating ‘The Kelpies,’ in Falkirk, though many GlasgowEdinburgh commuters will also be familiar with his sculpture by the M8 motorway, ‘Heavy Horse.’ These two local landmarks and prominent works within his oeuvre demonstrate his love of animals, and respect, in particular, for the heavy graft of the working horses that were once instrumental to Scotland’s heavy industry. In the oﬀered work, Scott, a Glasgow School of Art graduate who has earned commissions for sites across the globe, turns his attention to rendering a more traditionally glamourous and elegant animal, the panther. He utilises his distinctive approach to manipulating galvanised steel on a more domestic scale, while maintaining the presence and structural transparency that he is known for.

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65§ HE343/4 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) YELLOW SPRITE Signed and dated ‘70, mixed media 64cm x 46cm (25.25in x 18in)

£1,000-1,500

66§ HE343/5 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) UNTITLED Signed and dated ‘61, mixed media on paper 79cm x 58cm (31in x 23in)

£1,000-1,500

67§ HE343/7 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) UNTITLED Signed and dated ‘69, mixed media 64cm x 49cm (25.25in x 19.25in)

£800-1,200

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HAMISH FULTON Hamish Fulton has been a prominent name in British art since the 1960s. In common with his peers Richard Long and Gilbert and George, Fulton’s practise can be described as part conceptual, part photographic, part sculptural. His own description, however, is ‘walking artist’. Fulton follows a ‘no trace’ ethic and, rather than collect material for display, his art consists of the act of walking itself, the journey he makes and the documentation and representation that follows. His work features in the collections of many major global art institutions, including Tate Britain and MoMA.

68§ HE583/1 HAMISH FULTON (BRITISH b. 1946) LOS VOLADORES DE PAPANTLA - MEXICO CITY, 1990 Signed and inscribed 'B.A.T.' in pencil, colour collotype 117cm x 105cm (46in x 41.5in) £600-800

69§ HE583/5 HAMISH FULTON (BRITISH b. 1946) THREE CONNECTING WALKS ONE COAST TO COAST ROUTE Signed and numbered 4/5 in pencil to margin, silkscreen print 76cm x 100cm (30in x 39.5in) including margin

£400-600

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70§ HE583/8 ROBYN DENNY (BRITISH 1930-2014) UNTITLED - FROM ‘THE HEAVENLY SUITE’ A.P., signed and dated ‘71 and numbered IX/XXX in pencil, screenprint 76cm x 73cm (30in x 28.75in)

£500-700

71§ HE583/9 ROBYN DENNY (BRITISH 1930-2014) UNTITLED - THREE WORKS FROM ‘NIGHT SUITE’ All signed and dated ‘72 and numbered 5/70, screenprint each 78cm x 60cm (30.75in x 23.5in)

£600-800

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72§ HE585/1 DAVID BOWIE (BRITISH 1947-2016) DHEAD LXII Signed and dated ‘97 verso, oil and computer collage on canvas 25cm x 21.5cm (10in x 8.25in) Exhibited: ARTAID, 1997 Provenance: Private Collection, UK

£3,000-5,000

73 HE309/2 R. B. KITA J (AMERICAN 1932-2007) FOR FEAR - 1967 Signed and numbered 56/70, screenprint 49.5cm x 82.5cm (19.5in x 32.5in)

£300-500

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FOUR BRITISH POP ARTISTS The Pop Art movement in Britain set the tone for the visual language of the Swinging Sixties. What was to become Pop, christened apparently by the art critic Lawrence Alloway, emerged from the hugely inﬂuential Independent Group which had evolved around the ICA in London in the mid 1950s. Among the chief players was the young Scots Italian artist, Eduardo Paolozzi, whose unique brand of sculpture, collage and printmaking derived its ingredients from the art inspired by Surrealism and fuelled by American popular culture and found objects which he had created in Paris in the years immediately after the Second World War. Paolozzi’s work over the coming half century until his death in 2005 would build on this theme with increasing ingenuity. Using industrial engineering and a diverse

74§* HE577/4† GERALD LAING (BRITISH 1936-2011) BRIGITTE BARDOT Signed and inscribed ‘B.B’, and dated 1968 in pencil, bearing artist’s studio stamp, screenprint, published by the artist, unframed 58.5cm x 89cm (23in x 35in)

£3,000-5,000

array of materials, he managed to create some of the most memorable and highly collectable works of 20th century British art, particularly in print and relief sculpture. Following on directly from Paolozzi’s groundbreaking work at the ICA, David Hockney and Joe Tilson broke on to the London art scene in 1961 in that year’s Young Contemporaries exhibition at the Whitechapel Gallery which also notably featured Allen Jones and RB Kitaj. Three years later, disillusioned by the British art establishment, Hockney moved to California where, resident for four years he began to work in acrylics, creating a series of paintings of swimming pools. Of these, the most famous, A Bigger Splash, brought him huge international recognition. During the 1960s and early seventies Hockney created a series of portraits focusing on

his friends and colleagues among whom were some of the most talented artist’s designers, scientists and intellectuals of the age. Among these his understated pencil portrait and lithograph of Felix Mann, typify his linear style at this moment. Almost contemporary with the Hockney is a work by Joe Tilson from 1968. Tilson’s early work had been in a realist style but quickly moved to abstraction and by the early 1960s had began to produce pieces in brightly coloured wood remininscent of childrens’ toys. Tilson’s screenprints often transform this imagery into a twodimensional format or provide a commentary to his oeuvre. If any images however conjure up the spirit of the era of British Pop Art, it is the screenprints of Gerald Laing who had studied at London’s St Martin’s College in 1963,

before moving to New York where he knew Warhol, Rosenquist and Lichtenstein, among others. Best known for his iconic Brigitte Bardot of 1968, Laing also produced a number of other instantly recognisable screenprints including Dragsters, Pendulum, Parachutes and the coquettish sexual energy of Baby Baby Wild Things. Laing carried on working up to his death in 2011, crossing over from a realist form of sculpture to re-embrace the essential directness and simplicity which had made his early work so hugely powerful.

Contemporary & Post-War Art 37

75§* HE577/1† GERALD LAING (BRITISH 1936-2011) PENDULUM (PARACHUTES) - 1968 All signed and inscribed with title and dated in pencil, bearing artist’s studio stamp, numbered 8/75, featuring; Pendulum, Pennon, First Sky Diver, Second Sky Diver, Third Sky Diver, Plunger; screenprints, published by the artist, unframed in an original folio 89cm x 58cm (35in x 23in) each

with variation between portrait and landscape format (5) £2,500-3,500

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76§ HE309/1 JOE TILSON R.A. (BRITISH b. 1928) NEW COLOURED FIRE FROM THE VAST STRANGE COUNTRY Dated ‘September 1968’ and inscribed ‘New coloured ﬁre from the vast strange country (and for those who wish to pick it) - the mystery ﬂower’, screenprint and collage on paper 100cm x 67cm (39.5in x 26.25in)

£400-600

77§ HE583/19 JOE TILSON R.A. (BRITISH b. 1928) JAN PALACH: SUICIDE BY FIRE Signed and dated 1969 in pencil, printed paper and 2 metal paperclips on screenprint on paper 66cm x 52cm (26in x 20.5in)

£300-500

Contemporary & Post-War Art 39

78§* HE577/3† GERALD LAING (BRITISH 1936-2011) BABY BABY WILD THINGS All signed and inscribed with title and dated in pencil, numbered 183/200, bearing artist’s studio stamp, featuring; Starlet, Stacy, Tracy, Sandra, Francine; screenprints, published by the artist, unframed in original folio 89cm x 58.5cm (35in x 23in) each

all portrait format (5) £6,000-8,000

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79§ HE604/1 SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) RELIEF IN GOLD Signed in relief, signed and numbered 30/50 label verso, moulded porcelain on a stepped ebonised base, produced by Rosenthal 43cm x 28cm (17in x 11in)

£2,000-3,000

80§ HE583/14 DAVID HOCKNEY O.M., C.H., R.A. (BRITISH b. 1937) PORTRAIT OF FELIX MANN 1969 Signed and numbered XIV/XXXV in pencil to plate, lithograph on japan paper, printed at Curwen Studios, London 74cm x 52cm (29in x 20.5in)

£600-900

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81§ HE583/18 JOE TILSON R.A. (BRITISH b. 1928) ALCHERA - 1970-74 Signed and dated 1975 and numbered 55/100 in pencil, inscribed ‘for John and Astrid with love’, screenprint 99cm x 69cm (39in x 27in)

£400-600

82§ HE583/15 GERALD LAING (BRITISH 1936-2011) COMPACT Signed and numbered 59/200 in pencil, screenprint in colours with diecut Mylar 61cm x 50cm (24in x 19.5in)

£400-600

83§ HE239/1 SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) MOZART - THE MAGIC FLUTE ACT II Signed, inscribed with title and dated ‘89 in pencil, screenprint 50cm x 39cm (19.75in x 15.5in)

£300-500

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84§* HE577/2† GERALD LAING (BRITISH 1936-2011) DRAGSTERS, 1968 All signed and inscribed with title and dated in pencil, bearing artist’s studio stamp, numbered variously in editions of 150, featuring; Deceleration I (no. 132/150), Deceleration II (no. 67/150), Swamp Rat IV (no. 133/150), CT Stokers (no. 133/150), AAD (no. 133/150); screenprints, published by the artist, unframed 89cm x 58cm (35in x 23in) each

with variation between portrait and landscape format (5) £1,000-1,500

Contemporary & Post-War Art 43

85§ HE583/16 PAUL NEAGU (ROMANIAN/ BRITISH 1938-2004) BLIND’S BITE Signed and inscribed ‘C/O GAG’ in pencil and dated 1975, numbered 14/30, bears ‘Generative Art Group’ stamp, hand-coloured lithograph, unframed 80cm x 60cm (31in x 23.5in)

£500-700

86§ HE571/5 SOPHIE ASTON (SCOTTISH CONTEMPORARY) NEW YORK, NEW YORK Signed and inscribed with title verso and dated ‘95, oil on board 40cm x 40cm (15.75in x 15.75in)

£250-350

87 HE583/17 PAUL NEAGU (ROMANIAN/ BRITISH 1938-2004) HAND COSMOS Signed and dated 1973 in pencil and numbered 86/100, screenprint, unframed 62cm x 47cm (24.5in x 18.5in)

£400-600

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88§ HE579/1 DONALD URQUHART (SCOTTISH b. 1959) FRAGMENTS Signed and dated 1989 verso, oil, gold leaf, collaged drawing and photography on paper 50cm x 44cm (19.75in x 17.25in)

£800-1,200

89§ HE579/3 KEN CURRIE (SCOTTISH b. 1960) KNOWLEDGE IS POWER Signed and dated ‘92 and inscribed with title in pencil to margin, numbered 2/40, etching 68cm x 50cm (26.75in x 19.75in) including margins

and another by the same hand ‘In Praise of Learning’ (2) £600-800

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90 HE517/1 KAIS SALMAN (SYRIAN b. 1976) UNTITLED Signed and dated 2015, signed and dated verso, mixed media on canvas 200cm x 100cm (79in x 39.5in)

£5,000-7,000 Born in Syria in 1976, Kais Salman currently lives and works in Beirut. Painting in an abstracted, expressive style in a limited palette, his practise is described as a satirical subversion of “the normalisation of greed,

91§ HE290/25 PETER HOWSON O.B.E. (SCOTTISH b. 1950) BOXER Signed, pastel 38cm x 21cm (11in x 8.25in)

£500-800

vanity, and ideological extremism that is rapidly deﬁning our era”, with topics including, “terrorism, consumerism, cosmetic surgery, religious fanaticism, imperialism, and the voyeurism of the digital age”. His paintings are currently housed in private collections throughout the Middle East, North Africa, and Europe. Solo and group exhibitions include the Alexandria Biennale (2014); Ayyam Gallery DIFC, Dubai (2014, 2010); Ayyam Gallery Beirut (2015, 2014, 2012); Ayyam Gallery Al Quoz, Dubai (2014, 2011, 2010); Damascus Museum of Modern Art (2009); The Park Avenue Armory, New York (2008); Carthage Festival for Coast Mediterranean Sea Artists, Tunisia (2005). In May 2010, a work from his Fashion Series appeared on the cover of the Wall Street Journal’s Weekend Edition magazine, a ﬁrst for an Arab artist.

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92§

HE299/1

BRUCE MCLEAN (SCOTTISH b. 1944) HORIZONTAL DAWN Signed and dated 19/60 in pencil, hand-ﬁnished screenprint 153cm x 115cm (60.25in x 45.25in) £600-800

93§

HE299/2

BRUCE MCLEAN (SCOTTISH b. 1944) VERTICAL DUSK Signed and dated 19/60 in pencil, hand-ﬁnished screenprint 153cm x 115cm (60.25in x 45.25in) £600-800

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94§ HE318/2 PETER HOWSON O.B.E. (SCOTTISH b. 1958) ‘MATELOT’ - SELF PORTRAIT Inscribed with title verso, mixed media on paper 38cm x 31cm (15in x 12.15in)

£500-700

95§ HE382/1 PETER HOWSON O.B.E. (SCOTTISH b. 1958) UNTITLED Signed, oil on canvas, unframed 92.5cm x 63.5cm (36.5in x 25in)

£5,000-7,000

96§ HE563/1 PETER HOWSON O.B.E. (SCOTTISH b. 1958) THE DOCKER Signed and dated 1985 verso, pastel 40cm x 31cm (15.75in x 12.25in) Provenance: The Compass Gallery, Glasgow; Private Collection, Edinburgh

£1,000-1,500

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97§ HE147/1 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) WESTERN BAY, CORK Signed and inscribed with title, mixed media on paper 29cm x 39cm (11.5in x 15.5in)

£2,000-3,000

98§ HE161/1 BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943) PAINTED DESERT NO.1 Signed, inscribed with title and numbered 11/40, screenprint 101cm x 73cm (39.75in x 28.75in)

£1,000-1,500

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99§ HE510/1 JACK VETTRIANO (SCOTTISH b. 1954) SPIDERS Signed, oil on canvas 50cm x 40cm (19.75in x 15.75in) Exhibited: Portland Gallery, June 2000

£25,000-30,000

Jack Vettriano is one of Britain’s most successful artists. His painting The Singing Butler broke the record for the most expensive painting sold by a Scottish artist at auction in 2004, and his retrospective at Kelvingrove Art Gallery in 2013 was the most successful exhibition in the gallery’s history. This painting is a

typical example of Vettriano’s work with the use of his most popular motif of a suggestive encounter between a man and a woman. The use of the zoomorphic assignation of spiders to represent a woman can also be found in other mature works of the artist, for example his celebrated painting Along Came A Spider of 2004, which is now in the

collection of Sir Alex Ferguson - one of Vettriano’s numerous celebrity collectors. This painting is also likely to be from around the same period, due to a similar composition and palette, and as most of his post-1999 works are set in interiors.

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100§ SV730/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (BRITISH 1930-2008) CLOUDS OVER BASS ROCK Signed and dated 1972, watercolour 32cm x 30cm (12.5in x 11.75in) £400-600

101§ SV196/62 JAMES FULLARTON (SCOTTISH b. 1946) BOATS AT LARGS MARINA Signed, oil on board 22cm x 38cm (8.75in x 15in) Exhibited: Macaulay Gallery, 1986

£400-600

102§ HE499/2 ETHEL WALKER (SCOTTISH b. 1941) DARK ROCKS 37cm x 38cm (14.5in x 15in) Exhibited: Macaulay Gallery, 1996

£800-1,200

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103§ SV196/16 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) FREESIAS Signed, signed and inscribed with title artist’s label verso, oil on canvas 40cm x 30cm (15.5in x 11in)

£200-300

104§ HE385/1 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) LIMOGES, FRUIT & FLOWERS Signed, oil on canvas 59cm x 53cm (23.25in x 21in)

£2,000-3,000

105§ SV196/22 ETHEL WALKER (SCOTTISH b. 1941) STILL LIFE POTTERY AND RED TULIPS Signed, oil on canvas 53cm x 44cm (21in x 17.25in)

£1,000-1,500

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106§ HE564/1 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) JAPANESE KITE AND FIREWORKS Signed and dated ‘78, signed and inscribed with title verso, oil on board 29cm x 63cm (11.5in x 24.75in)

£1,200-1,800

107§ HE571/2 JAMES CUMMING R.S.A., R.S.W. (SCOTTISH 1922-1996) A SHETLANDER’S POSSESSIONS Signed, oil on canvas 63.5cm x 91.5cm (25in x 36in) Provenance: The Robert A. Lillie Collection, cat. no. 581

£3,000-5,000

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108§ HE570/1 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) COLLISTON VILLAGE Signed, oil on board 50cm x 60cm (19.75in x 23.5in) Note: T. E. Lawrence (“Lawrence of Arabia”) lived in Colliston village for a period

£2,500-3,500

109§ HE566/2 JOHN GARDINER CRAWFORD R.S.W. (SCOTTISH b. 1941) WINTER Signed, signed and dated 1983 verso, acrylic on board 69cm x 101cm (27.25in x 40in) Exhibited: ‘The Royal Society of British Artists’, The Mall Galleries, London

£1,500-2,000

110§ HE571/1 SIR WILLIAM MACTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903-1981) BOATS AND WHITE HOUSE Signed, signed verso, oil on panel 26cm x 28cm (10.25in x 11in)

£3,000-5,000

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111§ HE571/4 JOHN MCCUTCHEON R.O.I. (SCOTTISH b. 1910-1995) A BUSY HARBOUR IN FRANCE Oil on canvasboard 42.5cm x 52.5cm (16.75in x 20.75in)

£400-600

112§ HD922/23 JAMES HARRIGAN (SCOTTISH b. 1937) THE VILLAGE SCHOOL Signed, watercolour 53cm x 71cm (21in x 28in)

£400-600

113§ HD922/32 TOM WATT (SCOTTISH b. 1951) BOULES PLAYERS Signed, acrylic on board 91cm x 99cm (36in x 39in)

£600-800

Contemporary & Post-War Art 55

114ยง HD815/3 PETER MCLAREN (SCOTTISH b. 1964) STILL LIFE WITH POPPIES AND YELLOW AND BLACK BOWL Signed and inscribed with title and dated 2014 verso, oil on board 90cm x 121cm (35.5in x 47.5in)

ยฃ5,000-7,000

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115§ HD388/21 JOHN HOUSTON (BRITISH 1930-2008) AFTER THE STORM, EAST LOTHIAN Signed, signed stretcher verso, inscribed with title and dated 1973-4 frame verso, oil on canvas 49.5cm x 49.5cm (19.5in x 19.5in)

£2,000-3,000

116§ HE780/2 KENNETH ROBERTS (SCOTTISH 1932-1995) FISHING HARBOUR Signed with initials and dated ‘69, oil on board 38cm x 38cm (15in x 15in)

£500-700

Contemporary & Post-War Art 57

A student of the Glasgow School of Art, Wallace continues to live and practise in the city, taking his inspiration from the surrounding environs. His work is described as interpreting “the surrealism of the everyday… at once recognisable and unsettling”. Whilst at the GSA, Wallace won the J.D. Kelly Award for

the most promising student in his year. He exhibits regularly at the Royal Scottish Academy. In 1999 the RSA presented him the Guthrie Award. In 2001 he won the Noble Grossart Painting Prize. His work was included in the major survey show of Scottish painting at the Fleming Collection gallery in London in 2009. Wallace exhibited in

the Royal Scottish Society of Painters in Watercolour’s annual show in 2015, where he was awarded two prizes, the House for an Art Lover Prize and the Walter Scott Prize.

117§ HE342/1 ALASDAIR WALLACE (SCOTTISH CONTEMPORARY) A FLITTING 2001, acrylic on canvas 137cm x 152cm (54in x 60in) Provenance: Rebecca Hossak Gallery, London

£3,000-5,000

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118§ HE516/2 GORDON BRYCE R.S.A., R.S.W. (SCOTTISH b. 1943) ESTUARY Oil on canvasboard

119§ HE756/2 PERPETUA POPE (SCOTTISH 1916-2013) COLL CHURCHYARD Signed, oil on canvas

34cm x 44cm (13.25in x 17.25in)

33cm x 44cm (13in x 17.25in)

£400-600

Exhibited: Aitken Dott, Edinburgh, 1978

£400-600

120§ SV868/7 DAVID DONALDSON R.S.A, R.G.I., R.P. (SCOTTISH 1916-1996) MAGNOLIAS Signed, oil on canvas

46cm x 61cm (18in x 24in)

49cm x 49cm (19.5in x 19.5in)

£300-500

£500-700

121§ HE764/1 JOHN MILLER (BRITISH 1931-2002) HILLSIDE HOUSE, WINTER Signed, oil on board

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122§ SV196/1 ANN ORAM R.S.W. (SCOTTISH b. 1956) ITALIAN STREET SCENE, AUTUMN Signed and dated ‘90, watercolour 53cm x 57cm (21in x 22.5in)

£500-700

123§ HD922/18 JAMES HARRIGAN (SCOTTISH b. 1937) HILL FARM Signed, watercolour 53cm x 70cm (21in x 27.5in) Exhibited: The Macaulay Gallery, 1989

£400-600

124§ HE240/1 DANNY FERGUSON R.S.W., R.G.I. (SCOTTISH 1925-1993) EVENING SHORE Signed, signed and dated verso, oil on canvas 50cm x 61cm (19.5in x 24in)

£500-700

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125§ HD388/25 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) SICILIAN DIPTYCH Signed, gouache 8.5cm x 18cm (3.25in x 7in)

£300-600

126§ HE214/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) WILD GARDEN Signed, oil on board 14cm x 22cm (5.5in x 8.5in) Exhibited: Aitken Dott, ‘Festival Exhibition, 1962’, Edinburgh

£1,000-1,500

127§ HD922/20 WILLIAM LITTLEJOHN R.S.A., R.S.W. (SCOTTISH 1929-2006) FISH IN A HARBOUR Signed and dated ‘06, watercolour and collage on paper 53cm x 93cm (21in x 36.5in) Exhibited: Royal Scottish Academy, 2006, cat. 26

£500-700

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128§ SV730/39 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) TWIN SISTERS ON THE RAMBLAS Signed, oil on canvas 34cm x 34cm (13.5in x 13.5in)

£500-700

129§ HE183/10 JACK KNOX R.S.A. (SCOTTISH 1936-2015) BASKET OF MUSHROOMS Signed, signed and dated 2009 verso, pastel on black paper 19cm x 26cm (7.5in x 10.25in)

£300-500

130§ HC234/3 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) SKITTLES Signed, oil on canvas 38cm x 51cm (15in x 20in)

£500-700

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ALEXANDER GOUDIE I have always lived through my art and in a sense to really taste life to the full I am obliged to put a line around it. Since early childhood this has been my lot, everything which excited my imagination had to be set down in pictorial terms, a magic world where a diﬀerent language helps explore and explain as well as heighten the experience of living.’ And so Alexander Goudie outlines his understanding of art, as an all-pervasive force that allowed him to fully engage in life and all that it had to oﬀer. It is no surprise, then, that Goudie painted across genres, found inspiration in music and literature as well as visual

131§ HC179/4 ALEXANDER GOUDIE R.P., R.G.I. (SCOTTISH 1933-2004) STILL LIFE OF HAM ON A SILVER PLATTER Signed, oil on canvas 81cm x 86cm (32in x 34in)

£2,500-3,500

experience, was keen to collaborate on projects in diﬀerent spheres, and remained a dedicated dandy. After training at Glasgow School of Art, he spent time travelling in Europe on a scholarship, where he encountered art that inspired him, as well as being to his taste, by artists like Rodin and Courbet. He liked to see, and attempt, mastery in painting but in a more conventional way; remaining uninspired by 20th century artistic movements, such as cubism or futurism. He has been described as ‘an oldfashioned painter,’ and for a man who felt that his job as an artist was ‘to simply to tell

a story in pictures and to speak with a clear voice,’ presumably this was a compliment. But for the artistic establishment at this time, that would be far from a positive affirmation of his approach, entirely aside from their thoughts on his technical abilities. It is thought that Goudie was first drawn to the still-life genre while on one of many recurring trips to Brittany, the homeland of his wife, where he was captivated by the abundance to be found on the kitchen table, from fruit, vegetables and flowers to poultry and still-to-be-skinned game. In the offered collection of still-life works,

Goudie’s ability to beautifully render a range of objects and textiles is apparent, creating a striking decorative effect, always grounded in painterly principles. As Sir Timothy Clifford, former DirectorGeneral of the National Galleries of Scotland eulogised, Goudie ‘had the skill and eye to describe, as almost no one else could, the sweating flanks of a carthorse, the toiling, foreshortened form of a Breton peasant, the sheen on silk velvet, or the glow on a pretty girl’s cheek.’

Contemporary & Post-War Art 63

132§ HC179/3 ALEXANDER GOUDIE R.P., R.G.I. (SCOTTISH 1933-2004) ROYAL OPERA HOUSE Signed, oil on canvas 133§ HC179/1 ALEXANDER GOUDIE R.P., R.G.I. (SCOTTISH 1933-2004) RAM’S SKULL Signed, oil on canvas 63.5cm x 89cm (25in x 35in)

£2,000-3,000

48cm x 86cm (19in x 34in)

£3,000-5,000

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134§ HE183/5 ETHEL WALKER (SCOTTISH b. 1941) WHITE LILIES Signed, dated December ‘86 verso, gouache 27.5cm x 28.5cm (10.75in x 11.25in)

£300-500

135§ HE516/1 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) LILY Signed, signed and inscribed with title artist’s label verso, oil on canvas 44cm x 33cm (17.25in x 13in)

£500-700

136§ HE183/8 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1980) ANEMONES Signed, signed and inscribed with title artist’s label verso, oil on board 24cm x 24cm (9.5in x 9.5in)

£500-700

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137§ HE356/3 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) HEAD OF A WOMAN Signed, conte, unframed 38cm x 29cm (15in x 11.5in)

£300-500

138§ HE343/3 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) DOUBLE PORTRAIT OF WILLIAM GEAR AND HIS WIFE Signed and dated ‘83 and inscribed ‘William Gear, Artist & Friend’ and ‘Lovely Charlotte’, pencil 66cm x 113cm (27in x 44.5in) (together) Provenance: From the Collection of William Gear

£600-800

139§ HE343/6 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) WOMAN OF THE NORTH Signed, inscribed verso ‘For Bill, Happy 80th Birthday, love John and Helen’, pen and ink wash on paper 34.5cm x 33.5cm (13.5in x 13.75in) Provenance: From the Collection of William Gear

£600-800

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140§ HE343/8 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) LANDSCAPE STUDY, LITTLEBOURNE Titled and dated ‘July 1953’ label verso, pastel and ink on paper 48cm x 38cm (19in x 15in)

and another similar by the same hand, ‘Tree Study, 1953’ (2) £600-800

141§ HE343/9 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) FRIEZE Signed, titled and dated ‘Oct ‘66’ verso, mixed media 20cm x 63cm (8in x 24.75in)

£800-1,200

142§ HE343/11 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) YELLOW JEST Signed and dated ‘85, mixed media on paper 35cm x 43cm (13.75in x 17in)

£600-800

Contemporary & Post-War Art 67

143§ HE343/2 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) UNTITLED Signed and dated ‘73, oil on canvas 117cm x 88cm (46in x 34.5in)

£4,000-6,000

68 Lyon & Turnbull

144§ HE772/1 PAUL REID (SCOTTISH b. 1975) CLASSICIAL HEAD STUDY Signed, pencil 28cm x 18cm (11in x 7in)

£300-500

145§ HE290/28 GRAHAM WILCOX (SCOTTISH b. 1970) YOUNG MAN Signed and inscribed with title verso, oil on canvas 38cm x 28cm (15in x 11in)

and another by the same hand, ‘Old Man’, a pair (2) £1,200-1,800

Contemporary & Post-War Art 69

146§ HE183/12 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) INDIAN SUMMER Signed, oil on board 31cm x 34cm (12.25in x 13.5in)

£400-600

147§ SV730/57 DAVID EVANS R.S.A., R.S.W. (SCOTTISH b. 1942) A CLOSE COMPANION Signed and inscribed with title artist’s label verso, oil on canvas 71cm x 87cm (28in x 34in)

£300-500

148§ HC234/1 CAROLINE MCNAIRN (SCOTTISH 1955-2010) ABSTRACT WITH TREE AND FIGURE Oil on canvas 35cm x 36cm (13.75in x 14in)

£400-600

70 Lyon & Turnbull

149§ HD992/1 JACK MORROCCO (SCOTTISH b. 1953) THE GRAND TOUR Signed and dated ‘94, oil on panel 120cm x 121cm (47in x 47.5in) Note: This work is an adaption of the Allan Ramsay portrait of Edward Hardie

£1,500-2,500

150§ HE560/1 VICTORIA CROWE O.B.E., R.S.A., R.S.W. (SCOTTISH b. 1946) CLASSICAL PROFILE Signed, screenprint with gold leaf 29cm x 50cm (11.5in x 19.75in)

£500-700

151§ HE136/5 LEON MORROCCO R.S.A. (SCOTTISH b. 1942) WAITING, ROME Signed and dated ‘06, inscribed with title verso, oil on board 19.5cm x 19.5cm (7.75in x 7.75in)

£500-700

Contemporary & Post-War Art 71

152§ HD922/33 JOAN RENTON R.S.W. (SCOTTISH b. 1935) STILL LIFE BY A WINDOW Signed, oil on canvas 109cm x 109cm (43in x 43in)

£400-600

153§ HD922/31 JOHN BROWN R.S.W. (SCOTTISH b. 1945) FLOWING FIELDS OF SAN CASCIANO DEI BAGNI Signed and inscribed with title and dated 2007 verso, mixed media on board 32cm x 48cm (81.5in x 122in) Exhibited: Duncan Miller Fine Art, London

£1,000-1,500

72 Lyon & Turnbull

154§ HD922/27 GEORGIE YOUNG (SCOTTISH CONTEMPORARY) RANNOCH MOON Signed, oil on board 74cm x 72cm (29in x 28.5in)

£500-700

155§ HE183/9 JACK KNOX R.S.A. (SCOTTISH 1936-2015) WHEATSHEAF Signed, signed and inscribed with title and dated ‘95 verso, oil on board 29.5cm x 24cm (11.5in x 9.5in)

£400-600

156§ HE586/3 JACK KNOX R.S.A. (SCOTTISH 1936-2015) BASKET OF CHERRIES Signed and inscribed with title and dated ‘74 verso, oil on panel 38cm x 46cm (15in x 18in)

£500-700

Contemporary & Post-War Art 73

157§ HE583/20 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) MOTHER AND CHILD Signed and numbered 39/50 in pencil, lithograph, printed by Curwen Press in 2004, unframed 74cm x 54.5cm (29in x 21.5in)

and three further unframed prints by the same hand (4) £600-800

158§ HE538/1 SIR WILLIAM MACTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903-1981) AMSTERDAM Signed and inscribed with title old artist’s label verso, oil on board 14cm x 21cm (5.5in x 8.25in)

£800-1,200

74 Lyon & Turnbull

159ยง HE503/1 JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) HELEN WITH ACCORDION C. 1971 Signed upper right, signed verso, oil on board 91cm x 121.5cm (36in x 48in)

ยฃ8,000-12,000

Contemporary & Post-War Art 75

160§ HE343/10 WILLIAM GEAR R.A., F.R.S.A., R.B.S.A. (SCOTTISH 1915-1997) UNTITLED Signed and dated ‘63, oil pastel on paper 51cm x 38cm (20in x 15in)

£700-900

161§ HE487/9 RACHEL WINDHAM (BRITISH CONTEMPORARY) THE GREEN HILL Signed, signed and dated '94 and inscribed with title verso, oil on canvasboard 60cm x 50cm (23.5in x 19.75in) £250-350

162§ HE487/10 RACHEL WINDHAM (BRITISH CONTEMPORARY) DARKENING NIGHT Signed, signed and dated '96 and inscribed with title verso, acrylic on board 49.5cm x 58.5cm (19.5in x 23in) £250-350

76 Lyon & Turnbull

163 HE583/2 LUDWIG SANDER (AMERICAN 1906-1975) MOHICAN Signed in pencil to margin and numbered 8/100, screenprint, Advanced Graphics, London, 1972 106.5cm x 158.75cm (42in x 62.5in)

£800-1,200

164§ HE583/6 PETER STROUD (BRITISH 1921-2012) UNTITLED Signed and dated ‘71 in pencil and numbered 23/125, screenprint 70cm x 86cm (27.5in x 34in)

and another by the same artist, a pair (2) £500-700

Contemporary & Post-War Art 77

HAROLD COHEN Cohen, a Londoner by birth, began his studies at the Slade School of Art, before heading to the United States as a visiting lecturer at the University of California, San Diego in 1968. Here he was given the rank of professor and stayed on for nearly three decades. It was in America that he began developing the software for which he is best known; AARON, a computer programme that produces art autonomously. This meeting of artiﬁcial intelligence and art brought his work much notoriety and acclaim, leading to many high proﬁle exhibitions, including at Tate, London. Cohen sadly passed away in April this year, but is remembered for his pioneering artworks.

165§ HE583/4 HAROLD COHEN (BRITISH 1928-2016) #050105 Signed and dated Jan '05 in pencil, inscribed with title and numbered 7/30, digital print by AARON, a computer program written by Harold Cohen 146cm x 118cm (57.5in x 46.5in) £800-1,000

166§ HE583/3 HAROLD COHEN (BRITISH 1928-2016) #050106 Signed and dated Jan '05 in pencil, inscribed with title and numbered 5/30, digital print by AARON, a computer program written by Harold Cohen 146cm x 118cm (57.5in x 46.5in) £800-1,000

78 Lyon & Turnbull

167 HE136/3 FRANK STELLA (AMERICAN b. 1936) NEW MADRID Signed and dated 1971 and numbered 54/100 in pencil, stamped bottom right corner, lithograph, from the Benjamin Moore Series 37cm x 54cm (14.5in x 21.25in)

£1,000-1,500

168 HE136/4 FRANK STELLA (AMERICAN b. 1936) LUIS MIGUEL DOMINGUIN Signed and dated ‘70 and numbered 1/75 in pencil to margin, stamped, lithograph, from the ‘Aluminium Series’, Pace Editions New York 41cm x 56cm (16in x 22in)

£1,000-1,500

Contemporary & Post-War Art 79

169§ HE136/2 PABLO PICASSO (SPANISH 1881-1973) MODELE ET GRANDE SCULPTURE DE DOS Signed in pencil to margin, 1933, from an edition of 260, with the Picasso watermark, from 'La Suite Vollard’, etching 31cm x 23cm (12.25in x 9in) sheet size 44.5cm x 33.7cm (17.5in x 13.125in)

£5,000-7,000

170§ HE136/1 BEN NICHOLSON O.M. (BRITISH 1894-1982) LONG HORIZONTAL, PATMOS Signed and dated ‘87, in pencil to margin, numbered 2/50 verso, editions Lafranca 21cm x 43cm (8.25in x 17in)

£1,200-1,800

80 Lyon & Turnbull

171§ HE571/3 TOM MACDONALD (SCOTTISH 1914-1985) LA TOILETTE Signed and inscribed with title and dated 1963 verso, oil on board 55cm x 37cm (21.5in x 14.5in)

£400-600

173§ HE583/13 HENRY CLIFFE (BRITISH 1919-1983) FROM ‘THE MUSIC SUITE’ Signed and dated ‘69 in pencil, and numbered 8/50, lithograph 78cm x 56cm (30.75in x 22in)

and a further lithograph from the same suite (2) £500-700

172§ HE356/2 AINSLEY YULE (SCOTTISH CONTEMPORARY) DRAWINGS FOR SCULPTURES Signed and dated 1977 and inscribed with title and numbered 2/30 in pencil to margin, lithograph, unframed 49cm x 70cm (19.25in x 27.5in)

£250-350

Contemporary & Post-War Art 81

174§ HE492/1 PHILIP MEAD (BRITISH b. 1948) THE WESTERN LANDS PERGAMON Signed, titled and dated 1992 verso, oil on board 111cm x 81cm (45.5in x 32in)

£500-700

175§ HE771/1 CAROLINE MCNAIRN (SCOTTISH 1955-2010) DREAM Signed, pastel, unframed 150cm x 214cm (59in x 84in)

£1,000-1,500

82 Lyon & Turnbull

176§ HC239/1 HAZEL NAGL R.S.W., R.G.I. (SCOTTISH b. 1953) STILL LIFE OF SUNFLOWERS Signed, watercolour and gouache 73.5cm x 76cm (29in x 30in)

£600-800

177§ HD922/28 IRENE HALLIDAY (SCOTTISH b. 1931) STILL LIFE - REX BEGONIA Signed, inscribed with title and dated ‘August ‘98’ label verso, gouache 61cm x 86cm (24in x 33.75in)

£400-600

178§ HD922/30 ANNE MENDELOW (SCOTTISH CONTEMPORARY) SUNSHINE Signed, acrylic on canvas 85cm x 85cm (33.5in x 33.5in)

£800-1,200

Contemporary & Post-War Art 83

179§ HE561/1 ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1931) FLOWERS AND RED ADMIRAL Signed and numbered 4/50 in pencil to margin, coloured etching 18cm x 34cm (7in x 13.5in)

£300-500

180§ HD922/25 DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) REGAL LILIES Signed, inscribed with title artist’s label verso, oil on canvas 90cm x 90cm (35.5in x 35.5in)

£1,000-1,500

181§ HE545/1 MARCEL SCHELLEKENS (DUTCH b. 1954) PAINTING ‘EN PLEIN AIR’ Signed and dated ‘93 and numbered 42/65 in pencil to margin, colour lithograph 64cm x 53cm (25in x 21in)

£200-300

84 Lyon & Turnbull

182§ HE375/2 JOHN BYRNE (SCOTTISH b. 1940) RABBIT Signed ‘Patrick’, gouache on paper 8cm x 12cm (3.5in x 4.75in)

£600-800

183§ SV0244/11 MARDIE BARRIE R.S.W. (SCOTTISH 1931-2004) BLUE ESTUARY Signed, oil on board 33cm x 40cm (9in x 16in)

£300-500

184§ HD922/26 JOHN BROWN R.S.W. (SCOTTISH b. 1945) STILL LIFE WITH BLUE AND WHITE CHINA Signed, oil on board 111cm x 152cm (43.75in x 60in) £1,500-2,500

Contemporary & Post-War Art 85

185§ HE670/1 IRENE LESLEY HOPE MAIN (SCOTTISH b. 1959) FRENCH STREET CAFE SCENE Signed, oil on board 30.5cm x 35.5cm (12in x 14in)

£400-600

186§ HE780/1 DOROTHY JOHNSTONE R.S.A. (SCOTTISH 1892-1980) FIELDS AND A COUNTRY TOWN Indistinctly signed and dated, oil on board, a still life of ﬂowers verso 43cm x 36cm (17in x 14in)

£600-800

187§ SV864/23 JAMES MORRISON R.S.A., R.S.W. (SCOTTISH b. 1932) LOCH TULLA II Signed and dated 1988, oil on gesso board 14cm x 24cm (5.5in x 9.5in)

£300-500

86 Lyon & Turnbull

188 HE778/1 OTAR IMERLISHVILI (GEORGIAN CONTEMPORARY) THE DINERS Signed with monogram, oil on canvas, with handmade frame 51cm x 36cm (20in x 18in) £600-800

189 HC234/2 FIONNA CARLISLE (SCOTTISH b. 1954) STILL LIFE WITH PINEAPPLE AND TULIPS Signed and dated ‘80, mixed media on paper 55cm x 75cm (21.5in x 29.5in)

£300-500

190 HE778/2 OTAR IMERLISHVILI (GEORGIAN CONTEMPORARY) BAND IN THE GARDEN Signed with monogram, oil on canvas 69cm x 89cm (27in x 35in) £800-1,200

Contemporary & Post-War Art 87

191ยง HD815/2 PETER MCLAREN (SCOTTISH b. 1964) SKIP GEO, ORKNEY Signed and dated 2001 and inscribed with title verso, oil on board 120cm x 165cm (47.25in x 65in)

ยฃ6,000-8,000

88 Lyon & Turnbull

192§ HD922/2 NORMAN EDGAR R.G.I. (SCOTTISH b. 1948) STILL LIFE WITH MARROW Signed, oil on canvas 72cm x 71cm (28.25in x 28in) £800-1,200

193§ HC264/1 TIM GUSTARD (BRITISH b. 1954) WATER AND WHISKY Signed, acrylic on card 23cm x 21cm (9in x 8.25in)

£400-600

194§ HD922/8 IRENE LESLEY MAIN (SCOTTISH b. 1959) RED AND BLUE Signed and dated 1990, mixed media on paper 57cm x 47cm (22.5in x 18.5in)

£400-600

Contemporary & Post-War Art 89

195§ SV0244/3 DAVID MCCLURE R.S.A., R.S.W., R.G.I. (SCOTTISH 1926-1998) STILL LIFE OF DRIED FLOWERS Signed, inscribed and dated 1961, oil on board 34cm x 22cm (13.5in x 8.5in)

£500-700

196§ HE214/2 DUNCAN SHANKS R.S.A., R.S.W. (SCOTTISH b. 1937) TABLE TOP Mixed media on paper £2,000-3,000

90 Lyon & Turnbull

197§ HE782/1 DONALD MANSON (SCOTTISH CONTEMPORARY) SUMMER TABLE Signed, acrylic on canvas 59cm x 59cm (23.25in x 23.25in) £400-600

198§ HE782/2 DONALD MANSON (SCOTTISH CONTEMPORARY) ECLIPSE Signed, acrylic on canvas 38cm x 38cm (15in x 15in) £300-500 END OF SALE

Index Aston, A., 86 Barrie, M. 183 Bellany, J., 27, 28, 137, 138, 139, 157, 159 Blackadder, E., 179 Blyth, R.H., 14 Bowie, D., 72 Brown, J. 153, 184 Bryce, G., 1, 118 Byrne, J., 182 Campbell, S., 56, 57 Carlisle, F., 189 CliďŹ&#x20AC;e, H., 173 Cohen, H., 165, 166 Crawford, J.G., 13, 15, 109 Crosbie, W., 16 Crowe, V., 150 Cumming, J., 107 Cunningham, J., 5, 103, 104, 136 Currie, K., 89 Demarco, R., 42 Denny, R., 70, 71 Donaldson, D., 120 Douthwaite, P., 36, 37, 38 Edgar, N., 192 Evans, D., 147 Fedden, M., 43 Ferguson, D., 124 Finlay, I.H., 61, 62 Fullarton, J., 4, 53, 101 Fulton, H., 68, 69 Gear, W., 65, 66, 67, 140-143, 160

Gillies, Sir W.G., 20, 21, 22 Goudie, A., 131-133 Gustard T., 193 Guy, A., 54, 55 Halliday, I., 177 Harrigan, C., 10, 11 Harrigan, J., 112, 123 Hockney, D., 80 Holt, E., 49, 50 Houston, J., 2, 3, 9, 30, 45, 100, 115, 116, 126 Howson, P., 32-35, 91, 94, 95, 96

Mead, P., 174 Mendelow, A., 178 Michie, D., 108, 128, 130, 135, 146, 180 Miller, J., 121 Morrison, J., 187 Morrison, J.L., 18, 19, 46, 47 Morrocco, J., 149 Morrocco, L., 151 Nagl, H., 176 Neagu P., 85, 87 Nicholson, B., 170 Oram, A., 122

Imerlishvili, O., 88, 190 Jasinski, A.B., 12 Johnstone, D., 186 Kitaj, R.B., 73 Knox, J., 129, 155, 156 Laing, G., 74, 75, 78, 82, 84 Littlejohn, W., 127 Low, B., 23-26 Macdonald, T., 171 Mactaggart, Sir W., 110, 158 Main, I.L.H., 29, 31, 185, 194 Manson, D., 197, 198 Mark, B., 17 Martin, D.M., 8 McClure, D., 6, 7, 106, 125, 195 McCutcheon, J., 111 McLaren, P., 114, 191 McLean, B., 60, 92, 93 McLean, J., 39, 40 McNairn, C., 148, 175

Paolozzi, Sir E., 79, 83 Philipson, Sir R., 48 Picasso, P., 169 Pope, P., 51, 52, 119 Rae, B., 44, 97, 98 Reid, P., 144 Renton, J., 152 Roberts, K., 116 Salman, K., 90 Sander, L., 163 Schellekens, M., 181 Scott, A., 64 Shanks, D., 196 Smith, R., 59 Stella, F., 167, 168 Stroud, P., 164 Tilson, J., 76, 77, 81 Urquhart, D. 88 Vettriano, J., 99

Walker, E., 102, 105, 134 Wallace, A., 117 Watt, T., 113 Wilcox, G., 145 Wilson, W., 41 Windham, R., 161, 162 Wyllie, G., 63 Young, G., 154 Yule, A., 172

Glossary of Cataloguing Terms The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration. Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist Attributed to... In our opinion probably a work by the artist in whole or in part. Studio of ... / Workshop of ... In our opinion a work executed in the studio or workshop of the artist, possible under their supervision Circle of ... In our opinion a work of the period of the artist and showing their influence. Follower of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but not necessarily by a pupil. Manner of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but of a later date After ... In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist. Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. Dimensions are given height before width.

Conditions of Sale SELLERS 1. DEFINITIONS

3. PREPARATION FOR SALE

In these Conditions of Sale (Sellers):

(a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale.

“Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166

(b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing 4. TERMS OF SALE

“Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds;

The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

“Proposed Sale” means the intended sale through which the items will be sold on

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)

“Purchase Price” is the Hammer Price and applicable Buyer‘s Premium;

(1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot.

“Reserve” means the lowest price below which an item cannot be sold; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or by private treaty). “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. The lot will be sold without reserve unless a reserve has been agreed. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the hammer price been the reserve. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &

Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred. (2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST. The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer.

(c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

14. THIRD PARTY LIABILITY

16. AGENCY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

15. GENERAL

17. DATA PROTECTION

(a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

(b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty.

(c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

13. SALE BY PRIVATE TREATY

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844. 18. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.. 1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; "Lot" means each Item offered for sale by Lyon & Turnbull; "Purchase Price" is the Hammer Price and applicable Buyer's Premium; "Reserve" means the lowest price below which an item cannot be sold; "Total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer's sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% is payable on the first £50,000 of the hammer price, 20% thereafter. VAT at the appropriate rate is charged on the Buyer's Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist's Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. We do not accept American Express. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that under The Money Laundering Regulations 2007 we cannot accept cash payments over €15,000 (euros). (2) Any payments by you to us may be applied by us

towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.. 9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot. 10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.satisfied. 11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to Nick Curnow at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with current safety regulation. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 13. CITES Please be aware that all lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/ Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

(e) These Conditions of Sale are not assignable by either party without the other's prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights.

17. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull's services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon & Turnbull of the Buyer’s name and contact details to the seller or the seller’s solicitor in the event of any dispute between Lyon & Turnbull and the Buyer and/or Lyon & Turnbull and the Seller. Lyon & Turnbull will give prior written notice of the release of any such details to the Seller of the Seller’s solicitor. 18. FORCE MA JEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

96 Lyon & Turnbull

Guide to Bidding & Payment Payment

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments and we do not accept Amex. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax. You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to €15,000 (euros).

© Lyon & Turnbull Ltd. 2016. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

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LYON & TURNBULL AUCTIONEERS EDINBURGH CONTEMPORARY & POST-WAR ART

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel. +44 (0)20 7930 9115 Fax. +44 (0)141 7930 7274

18TH AUGUST, 2016

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Thursday, 18th August, 2016 33 Broughton Place Edinburgh EH1 3RR

Contemporary & Post-War Art