Fine Furniture & Works of Art | 5th July | 10am

LYON & TURNBULL AUCTIONEERS EDINBURGH

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115

FINE FURNITURE & WORKS OF ART 5TH JULY 2017

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 5th July, 2017 33 Broughton Place Edinburgh

Fine Furniture & Works of Art

Fine Furniture & Works of Art Wednesday, 5th July, 2017 at 10am Sale Number LT493

Including The Lord and Lady Sutherland of Houndwood Collection Property of an English Gentleman Collection of the late Donald MacKenzie A Private English Collection Scottish West Coast Collection Estate of the late Rachel Teggart

Viewing Times Saturday, 1st July 12–4pm Sunday, 2nd July 12–4pm Monday, 3rd July 10am–5pm Tuesday, 4th July 10am–5pm Morning of the sale from 9am

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: £15

Front Cover Lot 93 (detail) Inside Front Cover Lot 5 (detail) Inside Back Cover Lot 323 (detail)

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

25% up to £100,000/20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale).

Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

Registration

Catalogue descriptions

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team is on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot or just want to find out more about the auction process.

Douglas Girton

John Mackie

Theodora Burrell

Gavin Strang

Carly Shearer

Olivia Ross

Furniture, Clocks & Works of Art douglas.girton@lyonandturnbull.com

Rugs & Carpets gavin.strang@lyonandturnbull.com

Furniture john.mackie@lyonandturnbull.com

Pictures carly.shearer@lyonandturnbull.com

Ceramics & Glass theo.burrell@lyonandturnbull.com

Department Administrator olivia.ross@lyonandturnbull.com

How to Find Us in Edinburgh

Lyon & Turnbull Saleroom

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Parking Multi-storey car parking is available at Greenside Place, a five minute walk from the saleroom York Place Tram Stop Waverley Station

Order of Sale Wednesday, 5th July, 2017 at 10am 1-30

The Lord and Lady Sutherland of Houndwood Collection

31-73

British Furniture & Works of Art: Part I

74-88

Pictures: Part I

89-119

Property of an English Gentleman

120-177

British Furniture & Works of Art: Part II

178-194

A Private English Collection

195-207

A Scottish West Coast Collection

208-236

Pictures: Part II

237-303

British Furniture & Works of Art: Part III

304-329

Arms, Armour & Sporting

330-384

British Furniture & Works of Art: Part IV

385-402

Pictures: Part III

403-481

Continental Furniture & Works of Art

482-493

Pictures: Part IV

494-500

Taxidermy

501-513

Indian & Asian Furniture & Works of Art

514-545

Rugs & Carpets

546-561

Garden

Lot 460

The Lord and Lady Sutherland of Houndwood Collection Houndwood House, until recently the country home of Lord and Lady Sutherland, has its origins in a peel tower of the late 17th century.

The Sutherlands, who have lived at Houndwood for nearly thirty years, brought with them their collection of early oak and Georgian furniture when they arrived, and spent considerable time revitalising the extensive grounds and gardens. The collection, which befits a house with such a long history, includes a range of items dating from the early 16th through the 19th century, and an extensive group of garden furnishings.

Built on land which was once part of the Coldingham Priory Estates, the original peel tower at Houndwood was reputedly built by Alexander Home of Kimmerghame around 1573. This structure, absorbed by expansions and alterations over the course of the subsequent centuries, is still evident in the internal turnpike stair and vaulted basement of the present Houndwood House. Now category B listed, the house is likely built on the site of an earlier dwelling where Mary Queen of Scots is said to have stayed in 1555.

1 CONTINENTAL OAK AND NEEDLEWORK SIDE CHAIR

19TH CENTURY in the 17th century style, the hinged padded back between spiral carved uprights with mask finials, above a loose cushion seat raised on spiral carved legs joined ending in carved paw feet and joined by stretchers centred by a green man mask 54cm wide, 126cm high, 45cm deep £600-800

2 CHARLES II OAK BUREAU

17TH CENTURY AND LATER the carved back panel above a slant front opening to an arrangement of drawers, over a triple panel front carved with flowers, over an arched apron and raised on spiral turned legs joined by a turned stretcher and ending on ball feet 84cm wide, 126cm high, 50cm deep £800-1,200

6 Lyon & Turnbull 3 ITALIAN PAINTED AND PARCEL GILT PRIE-DIEU

19TH CENTURY the T shaped padded back in foliate needlework with a heraldic shield, flanked by carved foliate scrolls, above a padded seat raised on short cabriole legs carved with shell motifs 50cm wide, 97cm high, 42cm deep £400-600

4 CARVED WALNUT AND OAK SIDE CABINET

19TH CENTURY INCORPORATING 16TH/ 17TH CENTURY PARTS the carved pediment over a tiered back with carved Green Man panels flanked by figural supports, above three carved panel cupboard doors, the central panel with an armorial; the base with a fall front fitted with a carved triple panel front depicting figures flanked by caryatids, raised on carved paw feet 183cm wide, 203cm high, 54cm deep £3,000-5,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

The Lord and Lady Sutherland of Houndwood Collection 7

5 JACOBEAN CARVED OAK PANEL DOOR EARLY 16TH CENTURY the arch frame with twelve relief carved panels centred by portrait roundels of putti and historic figures, over three further panels with linen fold carving, mounted with scrolled iron hinges 89cm wide, 196cm high, 5cm deep £5,000-7,000

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6 CONTINENTAL CARVED WALNUT DESK

19TH CENTURY the rectangular top with a foliate carved edge and red leather insert, over a gadrooned frieze with three short drawers and dummy drawers opposing, raised on pedestal ends carved with lion masks and marked on the corners with columns, on large carved bun feet 177cm wide, 81cm high, 89cm deep £800-1,200

7Y WILIAM AND MARY CREAM JAPANNED AND PARCEL GILT SIDE CHAIR

LATE 17TH CENTURY the moulded arched top above an padded back flanked by tapered columns, above a stuff over seat raised on scrolled legs joined by an arched moulded front stretcher 58cm wide, 131cm high, 42cm deep £700-900

8 GOTHIC STYLE BRASS FLOOR CANDELABRUM

19TH CENTURY with three tiers with pierced galleries issuing thirty two scrolling candle arms, on a sectional column support and circular open base with three arched legs 164cm high, 73cm diameter £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

The Lord and Lady Sutherland of Houndwood Collection 9

9 FINE AND SMALL EARLY GEORGE III MAHOGANY SECRETAIRE CABINET

MID 18TH CENTURY the dentil moulded broken pediment above a pair of panel doors opening to an arrangement of pigeon holes, drawers and compartments, with brass handles to the sides; the base with a secretaire drawer with further pigeon holes and drawers around a central door, over a pair of panel doors opening to a shelved interior, with further brass handles to the sides, raised on ogee bracket feet 104cm wide, 202cm high, 45cm deep £4,000-6,000

10 Lyon & Turnbull

10 GEORGE IV MAHOGANY SOFA

EARLY 19TH CENTURY the low back with an acanthus and C scroll carved top rail above a long loose cushion seat, bolsters, and outscrolled arms with leaf carved facings, raised on turned legs ending in brass caps and castors, in camel plush upholstery 237cm wide, 98cm high, 55cm deep £600-800

11 LATE REGENCY MAHOGANY CUPBOARD 19TH CENTURY of small size, the moulded cornice above a pair of panel doors opening to shelves; the base with a concave long drawer over a pair of cupboard doors, on a plinth base 102cm wide, 202cm high, 40cm deep £800-1,200

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

The Lord and Lady Sutherland of Houndwood Collection 11

12 ’BRONZED’ PLASTER BUST OF JOHN LOCKE, AFTER JOHN CHEERE

LATE 18TH CENTURY the sitter wearing an open collar shirt and looking slightly to the left, on a socle 57cm high Note: Portrait busts of noteworthy men became popular in England in the mid 18th century, inspired

by William Kent’s 1731 design for Queen Charlotte’s Grotto in Richmond. A philosopher and physician, John Locke (1632-1704)

was one of the most influential figures of the Enlightenment.

Depicted in an open collar shirt with unruly hair, this rendition of Locke is reminiscent of Rysbrack’s bust at Welbeck Abbey, mainly because both derive from Kneller’s portrait of 1698, and the later engraving by Vertue from 1713. A similar bust attributed to Cheere is in the collection of the V&A, A.84-1921; for a related bronzed terracotta bust of Locke, see Christies, Paris, 15 June 2016, lot 28 £3,000-5,000

13 GROUP OF FRAMED PLASTER INTAGLIOS

19TH CENTURY comprising nineteen examples, of various sizes, mounted on a plush ground, in a hexagonal wood frame frame 51cm high, 44cm wide £300-500

14 PLASTER CAST OF THE PARTHENON FRIEZE, JOHN HENNING (ENGLISH 1771‑1851) 19TH CENTURY the single panel with six frieze bands depicting classical figures in relief, mounted in a period carved wood frame 185cm long overall £800-1,200

Note: The Parthenon frieze was famously brought to London by Lord Elgin in the early 1800s, and exhibited in his house on the corner of Park Lane and Piccadilly from 1808. It features Great Panathenaia, the festival in Athens in honour of the Goddess Athena, and is now on display to the public in the Acropolis Museum in the city. The Scottish sculptor, John Henning, was one of the first to see Elgin’s collection and following his visit created models of both the Parthenon and Phigaleian friezes, using carved slate moulds. It took twelve years to complete the reliefs, many of which were signed, as well as numbered and labelled according to the original location of the friezes.

12 Lyon & Turnbull

15 VICTORIAN MAHOGANY BOOKCASE CABINET LATE 19TH CENTURY the moulded cornice above a pair of glazed doors opening to shelves; the base with an ogee moulded frieze drawer over a pair of panel doors opening to further shelves and flanked by scroll and leaf brackets, on a plinth base, bearing an ivorine label ‘MANUFACTURED BY THE/ SCOTTISH CO‑OPERATIVE WHOLESALE SOCIETY LTD/ CABINET FACTORY/SHIELDHALL’ 133cm wide, 222cm high, 55cm deep £700-1,000

16 GEORGE III OAK CUPBOARD

18TH CENTURY the moulded cornice above a pair of arched chamferred panel doors opening to a void interior; the base with an arrangement of five short drawers, raised on stile feet 143cm wide, 188cm high, 62cm deep £700-900

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

The Lord and Lady Sutherland of Houndwood Collection 13 17 PINE DRESSER

19TH CENTURY the moulded cornice above an open back with two shelves; the base with a pair of deep drawers, on square straight legs and a plinth base 193cm wide, 244cm high, 55cm deep £600-800

18 LARGE PINE SETTLE

LATE 18TH /EARLY 19TH CENTURY the enclosed high curved back above a curved plank seat and scroll cut arms and side panels 204cm wide, 142cm high, 38cm deep £400-600

14 Lyon & Turnbull 19 PRIMITIVE PINE ‘BACON’ SETTLE LATE 18TH /EARLY 19TH CENTURY the enclosed curved back set with a series of iron hooks, above a plank seat and scroll cut arms

121cm wide, 168cm high, 56cm deep £500-700

20 PAINTED PINE ESTATE CUPBOARD 19TH CENTURY the moulded cornice above a pair of double panel doors opening to an arrangement of pigeon holes and compartments, on a plinth base 151cm wide, 223cm high, 48cm deep £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

The Lord and Lady Sutherland of Houndwood Collection 15 21 PAIR OF LARGE COMPOSITION STONE URNS AND STANDS

20TH CENTURY campana form, the sides with relief moulded continuous scenes of classical figures and masks, on square socle bases (2) 64cm diameter, 95cm high £300-500

22 COMPOSITION STONE FIGURE OF A WATER CARRIER

20TH CENTURY the standing figure of a classical young lady holding an urn on her shoulder, on a moulded square base 132cm high £300-500

23 TWO PAIRS OF WHITE PAINTED CAST IRON URNS AND STANDS 24 LARGE COMPOSITION AND CAST STONE COVERED URN AND STAND

20TH CENTURY the cover with pinecone finial above a body cast with anthemions and fruiting vines with foliate loop handles to the sides, on a square pedestal and base 68cm wide, 236cm high £400-600

LATE 19TH /EARLY 20TH CENTURY of campana form, the larger pair with plain and lobed bodies, the smaller pair with fluted bodies, on square tapered pedestals (4) Larger 58cm diameter, 109cm high; small 38cm diameter, 68cm high £300-500

16 Lyon & Turnbull 25 PAIR OF LARGE VICTORIAN WHITE PAINTED CAST IRON URNS AND STANDS

LATE 19TH CENTURY of campana form with lobed rims and relief cast sides with loop handles with masks, on square pedestal bases with laurel wreaths (2) 56cm diameter, 139cm high £400-600

26 PAIR OF LARGE GREEN PAINTED CAST IRON URNS

LATE 19TH /EARLY 20TH CENTURY of low campana form, with foliate scroll handles and deep lobed bodies, on square bases (2) 89cm wide, 64cm high £300-500

27 VICTORIAN WHITE PAINTED CAST IRON FOUNTAIN, ATTRIBUTED TO COALBROOKDALE

MID 19TH CENTURY the basin with a central figure of a putto holding a fish, on a triform base with dolphins, unmarked 64cm diameter, 118cm high £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

The Lord and Lady Sutherland of Houndwood Collection 17

28 TWO PAIRS OF WHITE PAINTED CAST IRON URNS AND STANDS

LATE 19TH /EARLY 20TH CENTURY of low campana form with foliate loop handles, raised on square tapered pedestal bases (4) First 60cm diameter, 79cm high; other 49cm diameter, 89cm high £500-700

29 FOUR STONE TROUGHS

of rough and irregular rectangular shape, of similar size (4) Each approximately 92cm long, 37cm wide, 20cm high £400-600

30 TWO STONE TROUGHS of rough and irregular rectangular shape (2)

Larger 100cm long, 51cm wide, 23cm high; smaller 92cm long, 37cm wide, 19cm high £250-350

British Furniture & Works of Art: Part I

31 WILLIAM AND MARY OAK CREDENCE TABLE

LATE 17TH CENTURY the hinged oval top opening on a gateleg, the front opening to a void interior, raised on a block and turned baluster legs joined by peripheral stretchers 90cm wide, 70cm high, 47cm deep, 88cm deep (open) £3,000-5,000

32 OAK REFECTORY TABLE

17TH CENTURY AND LATER the long plank top with cleated ends, above a scroll carved frieze and raised on lobed cup and cover legs joined by peripheral stretchers 77cm high, 277cm long, 85cm deep Provenance: Collection of the late Donald MacKenzie £800-1,200

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33 THREE SMALL OAK BACK STOOLS, PROBABLY SCOTTISH

17TH/EARLY 18TH CENTURY all with square open frame backs over plank seats, raised on block and turned legs joined

by H stretchers (3) largest 39cm wide, 83cm high, 26cm deep £300-500

34 CARVED OAK BIBLE BOX

17TH CENTURY the hinged top over a front panel carved with stylised foliate motifs 65cm wide, 20cm high, 35cm deep £400-600

35 ELM BOARD CHEST

LATE 17TH CENTURY the hinged top over a front panel carved with arched reserves and stylised plant motifs, the side panels with bracket feet 103cm long, 51cm high, 34cm deep £250-350

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part I 21 36 CHARLES II NEEDLEWORK PANEL

17TH CENTURY worked in silk and metallic threads on a silk ground, depicting a lady with a harp and a soldier flanked by male and female attendants, against a field filled with flowers, buildings, figures, a tree, a lion, a stag, a rose and a carnation, in an ebonised frame 32cm x 45cm £600-800

37 CARVED OAK BIBLE BOX

17TH CENTURY the sloping hinged cover with a chip carved edge, above a front panel carved with stylised flower motifs 63.5cm wide, 30.5cm high, 40.5cm deep £400-600

38 THREE OAK BACK STOOLS, PROBABLY SCOTTISH

17TH /EARLY 18TH CENTURY all with open frame backs and plank seats, on block and turned legs with H form stretchers (3) largest 46cm wide, 92cm high, 27cm deep £300-500

22 Lyon & Turnbull 39 RARE QUEEN ANNE BLACK JAPANNED TOILET MIRROR

EARLY 18TH CENTURY the shaped bevelled mirror plate in a cushion frame, above a sloped front base, opening to pigeon holes and drawers, over one long double concave base drawer, decorated with polychrome flowers on a black ground, raised on brass bun feet 86cm high, 46cm wide £800-1,200

40 QUEEN ANNE OAK TABLE BUREAU

LATE 17TH/EARLY 18TH CENTURY the open sloped front enclosing five pigeon holes above five short drawers with brass handles, all above a single long drawer, raised on ball feet 41cm wide, 31cm high, 24cm deep £300-500

41 QUEEN ANNE WALNUT TABLE CABINET

LATE 17TH/EARLY 18TH CENTURY of rectangular form, with a single banded door opening to a series of six graduated drawers with drop handles, with indistinctly stamped hinges, all raised on bun feet 38.5cm wide, 42cm high, 22cm deep £300-500

42 QUEEN ANNE WALNUT MIRROR

EARLY 18TH CENTURY the scroll broken pediment cresting above two bevelled mirror plates in a conforming cushion moulded frame 106cm high, 39cm wide £500-700

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part I 23

43 GOOD QUEEN ANNE WALNUT CHEST OF DRAWERS

EARLY 18TH CENTURY the quarter veneered and crossbanded top with a moulded edge over two short and three long graduated drawers with geometric line inlay throughout, on later bun feet 98cm wide, 85cm high, 61cm deep £3,000-4,000

44 QUEEN ANNE STYLE BURR WALNUT AND WALNUT FALL FRONT SECRETAIRE EARLY 20TH CENTURY the cushion moulded cornice above a fall front opening to an interior fitted for writing; the lower part with two short and two long drawers, on bracket feet 106cm wide, 168cm high, 48cm deep £800-1,200

24 Lyon & Turnbull 45 QUEEN ANNE WALNUT HANGING CORNER CABINET EARLY 18TH CENTURY the arched moulded cornice above a conforming moulded and crossbanded panel door opening to shelves 60cm wide, 105.5cm high, 43cm deep £2,000-3,000

46 GEORGE I/II WALNUT DRESSING MIRROR

CIRCA 1730 the peaked arched frame enclosing a bevelled mirror plate, above three graduated drawers and a long drawer, raised on square set ogee feet 77.5cm high £400-600

47 QUEEN ANNE WALNUT CHEST OF DRAWERS

EARLY 18TH CENTURY the quarter veneered featherbanded top over two short and three long featherbanded graduated drawers, raised on shaped bracket feet 101cm wide, 95cm high, 58cm deep £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part I 25

48 PAIR OF LEATHER UPHOLSTERED BARREL-BACK WING ARMCHAIRS

EARLY 20TH CENTURY the channel upholstered backs and deep wings above loose cushion seats and scroll arms, in brown leather outlined with brass nail trim, raised on carved Braganza feet with brass castors (2) 90cm wide, 109cm high, 65cm deep £2,500-3,500

49 GEORGE I STYLE OYSTER VENEERED AND PARCEL GILT CABINET ON STAND

EARLY 20TH CENTURY of cubic form, the oyster veneered doors opening to a single shelf interior, on a giltwood stand with a serpentine apron centred by a lion mask and raised on cabriole legs marked with exotic masks and ending in pad feet 80cm wide, 147cm high, 48cm deep £1,000-1,500

26 Lyon & Turnbull 50 GEORGE I OAK DRESSER BASE

EARLY 18TH CENTURY the rectangular top over a pair of moulded panel short frieze drawers, raised on baluster turned front legs joined by peripheral stretchers 192cm long, 81cm high, 58cm deep £400-600

51 GEORGE I OAK LOWBOY

EARLY 18TH CENTURY the rectangular top over three short frieze drawers with turned knobs and a shaped apron, raised on block and turned legs joined by peripheral stretchers 76cm wide, 72cm high, 50cm deep £800-1,200

52 GEORGE I STYLE OAK GATE LEG TABLE

LATE 19TH CENTURY the oval top with drop sides opening on gate legs, the baluster and block legs joined by peripheral stretchers 122cm long, 75cm high, 44cm deep, 135cm (open) £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part I 27

53 ASSEMBLED SET OF SIX YEW AND ELM WINDSOR ARMCHAIRS

19TH CENTURY well-matched with low hoop and spindle backs with pierced splats above shaped seats, raised on ring turned legs joined by crinoline stretchers (6) 61cm wide, 91cm high, 38cm deep (approximate) £3,000-5,000

54 GEORGE I ELM AND BURR WOOD CHEST OF DRAWERS

EARLY 18TH CENTURY the crossbanded top over two short and three long graduated crossbanded drawers with ebony stringing, raised on bracket feet 95cm wide, 101cm high, 51cm deep £600-800

28 Lyon & Turnbull

55 GOOD GEORGE II MAHOGANY TRIPOD TEA TABLE

MID 18TH CENTURY of large size, the circular tilt top on a baluster turned central column raised on tripod legs ending in pad feet 89cm wide, 71cm high, 88cm deep £1,500-2,500

56 GEORGE II MAHOGANY BUREAU BOOKCASE

18TH CENTURY the broken swan neck pediment centred by an urn above a pair of arched mirror panel doors opening to a fitted interior; the base with a slant front enclosing an arrangement of pigeon holes and drawers, over three shallow drawers, a pair of short drawers, and two long graduated drawers, on later bracket feet 111cm wide, 251cm high, 59cm deep £1,000-1,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part I 29

57 PAIR OF IRISH GEORGE II STYLE MAHOGANY SIDE TABLES

MODERN the rectangular white and grey veined reconstituted marble tops above friezes carved with acanthus and C scrolls and centred by shells, raised on acanthus carved cabriole legs ending in hairy paw feet (2) 108cm wide, 86cm high, 59cm deep £2,000-3,000

58 GEORGE II WALNUT TOILET MIRROR MID 18TH CENTURY the cushioned frame above a feather-banded sloped fall-front base and single drawer, opening to a fitted leather surface, pigeon holes and two drawers, with brass mounts, raised on shaped bracket feet 64.5cm high, 41cm wide £300-500

59 IRISH GEORGE II YEW WOOD KNEEHOLE DESK

MID 18TH CENTURY the rectangular top with a gadrooned edge over a long frieze drawer and recess with apron drawer and cupboard door, flanked by banks of three short drawers, with gadrooned base moulding and raised on ogee bracket feet 107cm wide, 84cm high, 58cm deep £1,500-2,500

30 Lyon & Turnbull 60 GEORGE II ANGLO-INDIAN ROSEWOOD PIECRUST TRIPOD TABLE

MID 18TH CENTURY the circular tilt top with a C scroll carved edge, on a birdcage and turned baluster column raised on acanthus carved cabriole legs ending in claw and ball feet 67cm diameter, 79cm high £2,000-3,000

61 GEORGE I STYLE MAHOGANY CARD TABLE

19TH CENTURY the shaped fold-over top with a green baize playing surface, above a single frieze drawer and foliate carved apron centred by a carved leaf, raised on acanthus and shell carved cabriole legs ending in claw and ball feet with sunken brass castors 192cm wide, 75cm high, 44cm deep (closed) £300-500

62 GEORGE II MAHOGANY KNEEHOLE DESK MID 18TH CENTURY the rectangular top with a moulded edge over a long frieze drawer and recess with an apron drawer and cupboard door, flanked by banks of three drawers, raised on ogee bracket feet 77cm wide, 79cm high, 48cm deep £1,500-2,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part I 31

63 IRISH GEORGE II MAHOGANY BUREAU BOOKCASE

EARLY 18TH CENTURY the moulded cornice above a pair of shaped cupboard doors inset with bevelled mirrors and moulded slips, opening to adjustable shelves and pigeon holes; the base with a slant front opening to a fitted interior over four long graduated drawers, raised on ogee bracket feet 99cm wide, 216cm high, 60cm deep £2,000-3,000

32 Lyon & Turnbull

64 NEEDLEWORK PANEL

LATE 18TH/EARLY 19TH CENTURY rectangular, worked in gros and petit point, depicting Abraham, Isaac and Sarah, within an architectural cartouche flanked by columns with twining vines and flowers, in a wood frame 88cm x 63.5cm £300-500

65 GEORGE II BURR WALNUT AND OAK LONGCASE CLOCK BY B. BRANDRETH, MIDDLEWICH

18TH CENTURY the projecting straight cornice above a blind fret carved frieze and 8in. silvered dial with Roman and Arabic chapter, subsidiary seconds dial and date aperture, above a crossbanded trunk door and plinth base; the eight day movement striking a bell 196cm high £400-600

66 GEORGE II MAHOGANY TRIPOD ARCHITECT’S TABLE

18TH CENTURY the rectangular top with a ratchet adjusted slope with a pop out book rest, on a square moulded column support and cabriole legs ending in pad feet with brass castors 79cm wide, 76cm high, 50cm deep £1,500-2,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part I 33

67 IRISH GEORGE II STYLE MAHOGANY ARMCHAIR

19TH CENTURY the arched padded back above serpentine arms ending in foliate carved hand holds, above a wide padded seat raised on foliate and C-scroll carved cabriole legs ending in carved claw and ball feet, in black and gold foliate upholstery 72cm wide, 102cm high, 52cm deep £300-500

68 LATE GEORGE II OAK CHEST ON CHEST

MID 18TH CENTURY the moulded cornice above a pair of short drawers and three long drawers flanked by reeded quarter columns; the lower part with three graduated long drawers, raised on ogee bracket feet 111cm wide, 177cm high, 58cm deep £1,200-1,800

34 Lyon & Turnbull

69 GEORGE III WING BACK ARMCHAIR 18TH CENTURY the serpentine crest rail above a loose cushion seat and scroll arms, raised on cabriole legs ending in pad feet 73cm wide, 107cm high, 54cm deep £600-800

70 LATE GEORGE II MAHOGANY READING TABLE

MID 18TH CENTURY the ratchet adjusted square top with a foliate carved moulded edge, above a pair of candle slides, on a fluted column raised on acanthus carved cabriole legs ending in carved pad feet 46cm wide, 81cm high, 40.5cm deep £800-1,200

71 GEORGE II STYLE MAHOGANY DUET STOOL

72 GEORGE II RED WALNUT DROP LEAF TABLE

73 GEORGE II MAHOGANY TOILET MIRROR

94cm long, 45cm high, 36cm deep

92m long, 73cm high, 34cm deep (closed), 96cm (open)

54.5cm high

£200-300

£200-300

EARLY 20TH CENTURY the long padded seat in floral petit point needlework, raised on shell carved cabriole legs ending in pad feet

MID 18TH CENTURY the oval top with drop leaf sides, raised on straight legs ending in pad feet

18TH CENTURY the shaped cushioned frame raised on a plain base fitted with three drawers, on ogee bracket feet £200-300

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part I 74 DUTCH SCHOOL

INTERIOR OF A CHURCH oil on board 54.5cm x 71cm (21.5in x 28in) £300-400

75 AFTER MARCUS GHEERAERTS ALEXANDER SETON, 1ST EARL OF DUNFERMLINE, LORD CHANCELLOR OF SCOTLAND oil on panel

54.5cm x 40cm (21.5in x 15.75in) £400-600

76 CIRCLE OF GEORGE MORLAND

RUSTICS SHELTERING UNDER A GREAT OAK oil on canvas 42cm x 57cm (16.5in x 22.25in) £400-600

36 Lyon & Turnbull

77 EUROPEAN SCHOOL

THREE SCENES OF COSSACKS oil on metal 35cm x 25cm (13.75in x 9.75in) (3) £400-600

78 FOLLOWER OF CHARLOTTE NASMYTH A COUNTRY LANE oil on canvas

32cm x 27cm (12.5in x 10.5in) £500-800

79 18TH CENTURY DUTCH SCHOOL

A PAIR OF SCENES OF PEASANTS IN THE FOREST oil on panel 10cm x 6cm (4in x 2.5in) (2) £500-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part I 37

80 FOLLOWER OF ALEXANDER NASMYTH A DISTANT VIEW OF EDINBURGH oil on canvas, oval 21cm x 30cm (8.25in x 11.75in)

81 JOHN RITCHIE (SCOTTISH FL.1855‑75)

THE MANAGER’S BENEFIT – THEATRE ROYAL, EDINBURGH signed and dated 1838, oil on board

£400-600

24.5cm x 34.5cm (9.75in x 13.5in)

82 FOLLOWER OF BARKER OF BATH

83 ATTRIBUTED TO PATRICK NASMYTH

CARD GAME oil on canvas

62cm x 75cm (24.5in x 29.5in) £500-700

£500-800

CATTLE IN A COUNTRY LANDSCAPE, WITH COTTAGES bears signature ‘P. Nasmyth,’ oil on canvas 50cm x 65cm (19.75in x 25.5in) £1,000-1,500

38 Lyon & Turnbull 84 JOHN FAED R.S.A. (SCOTTISH 1818‑1902)

BOY WITH GANNET inscribed with artist’s initials verso, oil on board, unframed 41cm x 32cm (16.25 x 12.5in) £800-1,200

85 JOHN COLLIER (BRITISH 1850‑1934)

THE RESCUE signed and dated 1875, oil on canvas 64cm x 115cm (25in x 45in) £1,000-1,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part I 39 86 GEORGE OGILVY REID R.S.A (SCOTTISH 1851‑1928) THE CHAIN BIBLE signed, oil on canvas

61cm x 46cm (24in x 18in) £400-600

87 AFTER THEODOOR ROMBOUTS THE CARD PLAYERS oil on canvas

63cm x 82cm (25in x 32.25in) £700-1,000

88 MANNER OF SIR HENRY RAEBURN

PAIR OF PORTRAITS – A LADY AND HER HUSBAND oil on canvas 91cm x 71cm (35.75in x 28in) (2) £800-1,200

Property of an English Gentleman 89 LEATHER UPHOLSTERED WALNUT ARMCHAIR

the rectangular back above straight open arms and wide seat, all in red button upholstered leather, raised on turned legs joined by a turned H stretcher 77cm wide, 119cm high, 57cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1255 £800-1,200

90 AFTER PIERRE JOSEPH CHARDIGNY

’RACINE’, 19TH CENTURY bronze bust, dark brown patina, inscribed RACINE and CHARDIGNY/1854, with indistinct oval foundry marks for Paris 23.5cm high Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 435 £200-300

91 GEORGE III MAHOGANY BRASS BANDED WINE COOLER

18TH CENTURY of tapered oval form with staved sides with four brass bands and brass bail handles, raised on waisted feet 79cm wide, 38cm high, 53cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1973 £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Property of an English Gentleman 41

92 IRISH REGENCY MAHOGANY AND EBONY BREAKFRONT BOOKCASE

EARLY 19TH CENTURY of small proportions with ebony line inlay throughout, the moulded cornice over a pair of astragal glazed doors, flanked by glazed doors with horizontal bars, all opening to adjustable shelves; the projecting lower section with four cupboard doors enclosing a tray and shelves, between reeded columns, on a reeded moulded base raised on reeded bracket feet, one door stamped ‘1083’ 224cm wide, 226cm high, 51cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 390 £6,000-8,000

42 Lyon & Turnbull

93 AFTER THE ANTIQUE, THE BORGHESE WARRIOR

bronze, dark brown/black patina, on a rectangular plinth base inscribed in Greek 56cm wide, 81cm high Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 693 £2,000-3,000

94 REGENCY ROSEWOOD LIBRARY TABLE

EARLY 19TH CENTURY the rounded rectangular top with a black leather writing insert, above three short frieze drawers and three drawers opposing, raised on turned and tapered legs ending in brass caps and castors 158cm wide, 78cm deep, 117cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1413 £3,000-5,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Property of an English Gentleman 43

95 GOOD GEORGE III MAHOGANY SERPENTINE COMMODE

CIRCA 1760 the shaped and moulded top over a brushing slide and four long graduated drawers, raised on shaped ogee bracket feet 95cm wide, 82cm high, 56cm deep Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 711 £5,000-7,000

44 Lyon & Turnbull 96 GEORGE III MAHOGANY LIBRARY ARMCHAIR 18TH CENTURY the back with a serpentine crest above a wide serpentine seat and open arms, on square legs joined by an H stretcher and ending in brass castors, in brown/green leather upholstery with brass nail head trim 68cm wide, 98cm high, 56cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1785 £700-1,000

97 PAINTED COAT OF ARMS ON PAPER

17TH CENTURY with polychrome and gilt decoration, depicting the motto MORS AUT VICTORIA LAETA, in commemoration of SIR WILLIAM DETHICK, KNT GARTER/DYED ANNO 1612/BURD AT THE CATHEDRAL CHURCH OF ST. PAUL, IN LONDON, in a gilt frame 17cm x 11.5cm Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, part of lot 216 £300-500

98 PAINTED COAT OF ARMS ON PAPER POSSIBLY 18TH CENTURY with polychrome and gilt decoration, in a gilt frame 14cm x 12.5cm Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, part of lot 216 £300-500

99 POLYCHROME AND GILT PAINTED COAT OF ARMS

19TH CENTURY on card, with motto DEUS REGIT ASTRA, in a carved wood frame, 20.5cm squared; together with a MACHINE EMBROIDERED COAT OF ARMS, for the London International Exhibition, 1862, signed S. Lotz, in a maple frame, 18 x 13.5cm (2) Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 401A £250-350

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Property of an English Gentleman 45 100 FINE PAIR OF REGENCY ROSEWOOD BRASS MOUNTED CARD TABLES

EARLY 19TH CENTURY the foldover tops above panelled and red moulded friezes with central ribbon tied gilt metal leaf mounted tablets, on reeded leaf carved and gadrooned stems, ending in quadriform bases with leaf scroll mounted sabre legs and brass hairy paw cappings and castors (2) 91.5cm wide, 74.5cm high, 45cm deep Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 201 £10,000-15,000

46 Lyon & Turnbull

101 REGENCY MAHOGANY PEDESTAL DINING TABLE

EARLY 19TH CENTURY the circular crossbanded tilt top with ebony banding and a wide reeded edge, on a turned baluster support and four splay reeded legs ending in acanthus cast caps and castors 182cm diameter, 75cm high Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 153 £6,000-8,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Property of an English Gentleman 47

102 SET OF EIGHT EARLY VICTORIAN MAHOGANY DINING CHAIRS

MID 19TH CENTURY the button upholstered backs above stuff over seats in dark bottle green velvet, on reeded seat rails and raised on turned and reeded tapered legs ending in brass caps and porcelain castors (8) 50cm wide, 94cm high, 37cm deep Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 151 £3,000-5,000

103 VICTORIAN CANVAS ARTILLARY CASE

19TH CENTURY of cylindrical form with a leather strap and handle, decorated with the Royal Coat of Arms 55cm high Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 497 £250-350

104 SILVER PLATED STANDARD LAMP

in the form of a reeded Corinthian column on a stepped square base with paw feet 163cm high Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1379 £300-500

105 AMERICAN SLATE AND ROUGE MARBLE MANTEL CLOCK, BY ANSONIA CLOCK COMPANY, NEW YORK

LATE 19TH CENTURY the drum case with a signed enamelled Roman numeral dial, above a relief patinated metal frieze of putti, over a glazed panel enclosing a mercury‑filled pendulum, flanked by fluted brass columns, on a shaped plinth base with further relief panels, the twin-train movement striking a gong, stamped maker’s marks 47cm high Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 409 £300-500

48 Lyon & Turnbull

106 LARGE PAIR OF DERBYSHIRE BLUE JOHN OBELISKS marble, slate and blue john plinth bases (2) 44cm high Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1083 £1,000-1,500

107 PAIR OF EMPIRE STYLE BRASS CANDELABRA

LATE 19TH/EARLY 20TH CENTURY the knopped and reeded tapered stems issuing a stiff and five scrolling candle arms with floral cast scrolls, terminating on triform lion’s paw bases and stepped plinths (2) 69cm high Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1037 £400-600

108 AFTER THE ANTIQUE

WRESTLERS serpentine marble, on a shaped oval base 67cm long, 60cm high Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1428 £1,000-1,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Property of an English Gentleman 49 109 REGENCY MAHOGANY AND BRASS CAMPAIGN FOUR POSTER BED BY MORGAN AND SANDERS, LONDON EARLY 19TH CENTURY with reeded and fluted front posts carved with wheat stalks, on short baluster legs with brass capped feet; the folding oak bed frame bearing an engraved brass trade plaque, ‘Patent/Morgan & Sanders Manufacturers/16&17 Catherine Street, Strand, London’; with a modern mattress and yellow and wine red hangings 169cm wide, 242cm high, 203cm long Provenance: The Duke of Sutherland The Constantine Collection, Lyon & Turnbull, October 2007, lot 549 £8,000-12,000

Morgan & Sanders trade advertisement, circa 1810

Note: Established in 1800, Thomas Morgan and Joseph Sanders’ cabinet making firm of was one of London’s most successful of the early nineteenth century. Specialists in metamorphic and campaign furniture, Morgan and Sanders innovative multi-functional designs were highly sought after by wealthy patrons, including several members of the Royal Family and Lord Nelson. They held numerous patents, and the skilled execution and craftsmanship of their furniture reinforced their standing. Today their pieces, especially the rare item bearing their nameplate, are particularly desirable.

Literature: An Identical Morgan & Sanders plaque can be seen on a folding chair bed, illustrated in C. Gilbert, ‘Pictorial Dictionary of Marked London Furniture, 1700 1840’, pg. 346‑347, figs, 668‑672.

50 Lyon & Turnbull

110 REGENCY GILTWOOD MIRROR

EARLY 19TH CENTURY the rectangular mirror plate surmounted by an ebonised eagle finial and flaming urns and flanked by reeded columns with palm capitals 118cm high, 57cm wide Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 567 £1,500-2,500

111 VICTORIAN MAHOGANY PEDESTAL 19TH CENTURY in the form of a fluted half column on a moulded circular base 36cm diameter, 84cm high Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1410 £500-700

112 VICTORIAN ROSEWOOD FOOTSTOOL

MID 19TH CENTURY the padded rectangular seat in wine red foliate upholstery, raised on acanthus carved cabriole legs ending in scroll toes 81cm wide, 45cm high, 53cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1422 £300-500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Property of an English Gentleman 51 113 LEATHER UPHOLSTERED HALL BENCH

20TH CENTURY the long button upholstered brown leather seat with foliate carved and turned side rails, raised on acanthus carved and fluted tapered legs 127cm wide, 53cm high, 47cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1069 £600-800

114 SPECIMEN MARBLE PEDESTAL 19TH CENTURY the square top on a cylindrical column and moulded square base 101cm high, 26cm wide £500-700

115 GEORGE IV ROSEWOOD CHIFFONIER

EARLY 19TH CENTURY the pediment top centred by a carved laurel wreath and single shelf raised on a scrolled bracket; above two short frieze drawers over a pair of doors lined with gold silk and flanked by fluted pilasters, raised on squat bun feet 122cm wide, 136cm high, 47cm deep Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 661 £1,500-2,500

52 Lyon & Turnbull 116 TWO VICTORIAN TERRACOTTA FIGURES OF SOLDIERS

19TH CENTURY each depicted in uniform with accessories, the first tamping his pipe, the other leaning with a hand on his hip, raised on square naturalistic bases (2) 36cm and 34.5cm high Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 596 £600-800

117Y PORTRAIT MINIATURE OF COLONEL CRICHTON OR CLEVELEY

CIRCA 1800 on ivory, of rectangular form, in a gilt metal mounted frame and velvet leather-lined case 13cm x 9.5cm approx. £600-800

118 TWO VICTORIAN PAINTED COATS OF ARMS

19TH CENTURY shield shape, with gilt, red and black decoration depicting boars to one shield, and dragons to the other (2) 22.5cm wide, 30.5cm high Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 362 £300-500

119 PAINTED COACH PANEL

19TH CENTURY of rectangular form, depicting the lion and unicorn flanking the quartered shield of Great Britain inscribed ‘QUIS SEPERABIT MDCCXXXIII’, in a carved giltwood frame 29cm x 36.5cm Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 421 £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 120 SET OF EIGHT GEORGIAN STYLE MAHOGANY DINING CHAIRS

EARLY 20TH CENTURY comprising six side chairs and a pair of armchairs in the Chippendale taste, the serpentine top rails above interlaced and pierced splats over drop-in leather upholstered serpentine seats, the frames outlined with gadrooned carving, raised on straight square legs (8) 58cm wide, 101cm high, 45cm deep £500-700

121 GOOD GEORGE III MAHOGANY OCTAGONAL TRIPOD TABLE

18TH CENTURY the octagonal top with a moulded edge and line inlay, on a birdcage and spiral carved baluster column raised on cabriole legs carved with grotto motifs and flowers, ending in carved claw and ball feet with brass castors 74cm diameter, 73cm high £2,000-3,000

122 IRISH GEORGE III MAHOGANY FOLD-OVER TEA TABLE

18TH CENTURY the rectangular fold-over top opening on double gatelegs, above a plain frieze centred by a carved shell and raised on acanthus carved cabriole legs ending in paw feet 89cm wide, 72cm high, 44cm deep £1,500-2,500

54 Lyon & Turnbull

123 GEORGE III FRUITWOOD LOW BOY

18TH CENTURY the rectangular top with a moulded edge over a long frieze drawers and a pair of short drawers and shaped apron, raised on square tapered legs 88cm wide, 72cm high, 47cm deep £300-400

124 GEORGE III MAHOGANY TRIPOD TABLE MID 18TH CENTURY the circular tilt top on a ring turned tapered column and tripod legs ending in pad feet 62.5cm diameter, 69cm high £400-600

125 GEORGE III STYLE MAHOGANY SERPENTINE PEDESTAL DESK

LATE 19TH/EARLY 20TH CENTURY in the Chippendale taste, the shaped rectangular top with a tooled and gilt green leather writing insert and gadrooned edge, above three serpentine frieze drawers, raised on banks of three short drawers flanked by blind fret carved angles, on a moulded plinth base 134cm wide, 79cm high, 84cm deep £2,000-3,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 55 126 GEORGE III STYLE MAHOGANY LIBRARY ARMCHAIR

EARLY 20TH CENTURY the serpentine top rail above a wide stuff‑over seat and padded scroll arms, the supports carved with acanthus scrolls, raised on straight moulded legs joined by an H stretcher 72cm wide, 94cm high, 55cm deep £400-600

127 PAIR OF GEORGE III STYLE MAHOGANY BEDSIDE CHESTS OF DRAWERS 19TH CENTURY the moulded rectangular tops over five short graduated drawers, on plinth bases (2) 50cm wide, 77cm high, 54cm deep £1,200-1,800

128 CHIPPENDALE STYLE MAHOGANY COMMODE

EARLY 20TH CENTURY the serpentine top with a carved edge, above a pair of doors with foliate scroll moulding opening to shelves, above a carved apron, raised on cartouche carved cabriole legs ending in leaf carved scroll feet 104cm wide, 99cm high, 54cm deep £800-1,200

56 Lyon & Turnbull

129 SET OF GEORGIAN STEEL AND BRASS FIRE IRONS 18TH CENTURY

comprising a poker, 75.6cm long; a pierced shovel, 78.5cm long; and a pair of tongs, 76cm long; with rococo scrolled and acanthus knopped brass handles; (3) £500-700

130 PAIR OF GEORGE III STYLE MAHOGANY TORCHERES BY EDWARDS AND ROBERTS

EARLY 20TH CENTURY the triform platform tops raised on triple supports with rams’ head capitals and joined by a galleried undertier, on acanthus carved cabriole legs joined by stretchers with an urn finial and ending in hoof feet, one bearing a label ‘EDWARDS & ROBERTS/ Upholstery Warehouses, 16,17, 18, 20, & 21 Wardour St/LONDON’ (2) 39cm wide, 123cm high £800-1,200

131 GEORGE III MAHOGANY LINEN PRESS

18TH CENTURY the moulded cornice above a pair of moulded panel cupboard doors opening to sliding trays; the base with two deep long drawers, on bracket feet 127cm wide, 182cm high, 64cm deep £800-1,200

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 57

132 SET OF TWELVE IRISH GEORGIAN STYLE MAHOGANY DINING CHAIRS BY R. STRAHAN, DUBLIN LATE 19TH CENTURY comprising ten side chairs and a pair of armchairs with serpentine top rails above carved and pierced interlaced splats, over leather upholstered seats raised on cabriole legs ending in pad feet, stamped R. STRAHAN, one with a paper trade label and another bearing pencil inscription ‘J + T Scott/10 George Street/Edinburgh/June 23 1896’ (12) 58cm wide, 95cm high, 47cm deep £2,500-3,500

133 GEORGE III MAHOGANY CHEST OF DRAWERS

18TH CENTURY the rectangular top with a moulded edge over four long graduated drawers, on ogee bracket feet; the top drawer fitted with a baize lined brushing slide and ratchet adjusted toilet mirror 94cm wide, 84cm high, 56cm deep £800-1,200

58 Lyon & Turnbull 134 PAIR OF GEORGE III ADAM STYLE MAHOGANY HALL CHAIRS

18TH CENTURY the oval backs with radiating fluted medallions above serpentine seats with circular recesses, raised on square tapered legs joined by H stretchers, inscribed ‘Radcliffe’ and with paper label ‘G H Corlers Depositories’ (2) 47cm wide, 96cm high, 40cm deep £1,500-2,500

135 PAIR OF GEORGE III STYLE SIDE CABINETS

19TH CENTURY, LATER ADAPTED the moulded square tops above single frieze drawers and moulded cupboard doors opening to shelves, with brass handles to the sides and plinth bases (2) 38cm wide, 91cm high, 38cm deep £1,200-1,800

136 GEORGE III MAHOGANY CHEST ON CHEST

18TH CENTURY the dentil moulded cornice above a pair of short drawers and three long drawers flanked by blind fret carved angles; the lower part with three further long graduated drawers, raised on bracket feet 102cm wide, 179cm high, 59cm deep £700-1,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 59 137 GEORGE III MAHOGANY TAVERN TIMEPIECE CLOCK, CHARLES FARRER, PONTEFRACT LATE 18TH CENTURY the single train movement with a circular silvered Roman numeral dial with calendar, moon phase and seconds apertures, inscribed CHARLES FARRER/ POMFRET, the hood with applied turned roundels above a tall trunk with reeded canted angles, on an ogee base 49cm wide, 164cm high, 23cm deep £2,000-3,000

138 GEORGE III MAHOGANY KETTLE STAND

18TH CENTURY the square top with a pierced gallery above a single pull-out slide, raised on moulded square tapered legs with pierced brackets and united by a curved and pierced X stretcher centre by an urn finial, the underside with an ivorine label ‘FRANK PARTRIDGE/WORKS OF ART/26, KING ST. ST. JAMES’S/AND/NEW YORK.’ 32cm wide, 74cm high, 32cm deep £700-1,000

139 GEORGE III MAHOGANY CHEST OF DRAWERS

18TH CENTURY the moulded top over a bushing slide and four graduated long drawers, raised on bracket feet 80cm wide, 80cm high, 50cm deep £300-500

60 Lyon & Turnbull 140 PAIR OF GEORGE III PAINTED HEPPLEWHITE ARMCHAIRS

LATE 18TH CENTURY the square open lattice backs above wide circular padded seats covered in pale yellow damask, raised on tapered legs, the frames painted throughout with flower trails and ribbon tied garlands (2) 51cm wide, 92cm high, 51cm deep £300-500

141 SMALL GEORGE III MAHOGANY BUREAU

18TH CENTURY the slant front enclosing a fitted interior, over four long drawers and raised on shaped bracket feet 67cm wide, 94cm high, 41cm deep £1,500-2,500

142 GEORGE III MAHOGANY AND INLAID LINEN PRESS

LATE 18TH CENTURY the moulded cornice above a pair of moulded doors with fan inlay and chequer banding, opening to a sliding tray and hanging space; the lower part with two short and two long drawers, on splay feet 124cm wide, 209cm high, 59cm deep £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 61 143 GEORGE III MAHOGANY SERPENTINE SIDEBOARD

18TH CENTURY of small size, the serpentine top over a central frieze drawer and arched apron flanked by deep drawers with double drawer fronts, on square straight legs ending in spade feet 131cm wide, 87cm high, 57cm deep £1,500-2,500

144 SCOTTISH OAK LONGCASE CLOCK

BY JOHN LUMSDEN, ABERDEEN

18TH CENTURY the arched cornice centred by a carved leaf motif, above an arched 10in brass dial with maker engraved boss Roman chapter and subsidiary seconds dial and date aperture, above a trunk door with shell inlay, on a plinth base with bracket feet; the 8 day movement striking a bell 213cm high £800-1,200

145 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS

18TH CENTURY the serpentine moulded top above four long graduated drawers with banded inlay, raised on shaped bracket feet 110cm wide, 95cm high, 58cm deep £2,000-3,000

62 Lyon & Turnbull 146 LATE GEORGE III MAHOGANY SECRETAIRE BOOKCASE

LATE 18TH CENTURY the leaf tip moulded cornice above a pair of astragal glazed doors opening to adjustable shelves; the projecting base with a secretaire drawer fitted with pigeon holes, drawers, and a leather insert, over three further long graduated drawers, raised on bracket feet 122cm wide, 245cm high, 60cm deep £2,000-3,000

147 GEORGE III MAHOGANY LONGCASE CLOCK, GRAVELL & TOLKIEN, LONDON 18TH CENTURY the domed moulded cornice with brass ball corner finials, above an arched silvered dial with Roman and Arabic number and calendar chapters, subsidiary Strike/Silent and seconds dials, flanked by stop fluted columns, above a long trunk with a moulded arched door, on a plinth base with a shaped apron 47cm wide, 221cm high, 24cm deep £700-1,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 63 148 LATE GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS EARLY 19TH CENTURY the serpentine top over four graduated long drawers and a shaped apron, raised on bracket feet 105cm wide, 101cm high, 59cm deep £700-900

149Y SAMUEL ANDREWS (IRISH, 1767-1807) PORTRAIT MINIATURE OF WILLIAM DODESWELL, THE ELDER watercolour en grisaille, bust length portrait of a gentleman, profile to the right, wearing a cravat and jacket, in an ebonised moulded oval frame with gilt slip 8.5cm x 7cm excluding frame Note: Samuel Andrews (1767-1807) was a miniature painter by profession and a follower of his contemporary, John Smart (1740-1811). The similarities in their work suggest that the two may have shared client commissions and both travelled to India for

150Y GEORGE III MAHOGANY CAMPAIGN LAP DESK CIRCA 1800 of rectangular form with twin carrying handles, the removable lid opening to a felt-lined writing surface with an adjustable ratchet, above two short and one long drawer, with ivory escutcheons 49cm wide, 25cm high, 39cm deep £500-700

their work. They had spent time in Calcutta during the late 1790s, where this picture of William Dodeswell is thought to have been executed. Andrews’ work appealed to popular tastes at the time; the neoclassical style of this portrait was both reflective of this, and a distinctive way in which he painted his subjects.

Please be aware that this lot contains material which may be subject to import/ export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer’s sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ ahvla-en/imports-exports/cites/ £400-600

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151 GEORGE III MAHOGANY SERPENTINE FOLD-OVER CARD TABLE

18TH CENTURY the crossbanded serpentine fold-over top above a fluted frieze, raised on slender square tapered legs with fan medallion inlay 92cm wide, 75cm high, 45cm deep £800-1,200

152 SCOTTISH GEORGE III OAK LONGCASE CLOCK,

BY ALEXANDER MILLAR, MONTROSE

18TH CENTURY the arched cornice with brass finials above an arched 10in brass dial with Roman and Arabic chapters, subsidiary Strike/Silent and seconds dials, and a date aperture, above a shaped trunk door and plinth base; the 8 day movement striking a bell 203cm high £600-800

153 LATE GEORGE III MAHOGANY, EBONISED AND SATIN BIRCH SECRETAIRE BOOKCASE

LATE 19TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to adjustable shelves; the lower part with a secretaire drawer fitted with drawers and pigeon holes, above three long graduated drawers, raised on splay feet 122cm wide, 242cm high, 52cm deep £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 65

154 PAIR OF GEORGE III STYLE MAHOGANY AND KINGWOOD DEMI LUNE SIDE TABLES

LATE 19TH/EARLY 20TH CENTURY the crossbanded tops over single frieze drawers, raised on square tapered legs with line inlay (2) 110cm wide, 82cm high, 50cm deep Provenance: Estate of the late Rachel Teggart £700-1,000

155 GEORGIAN STYLE MAHOGANY BREAKFRONT BOOKCASE EARLY 20TH CENTURY the dentil moulded breakfront cornice above astragal glazed doors opening to adjustable shelves; the conforming lower part with moulded cupboard doors on a plinth base 210cm wide, 202cm high, 61cm deep £1,500-2,500

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156 LATE GEORGE III MAHOGANY, KINGWOOD AND INLAY DEMILUNE PIER TABLE

LATE 19TH CENTURY the crossbanded top centrally inlaid with a flowering urn, above a frieze inlaid with swags and flowerheads, raised on slender line inlaid square tapered legs 135cm wide, 89cm high, 55cm deep £2,500-3,500

157 GEORGE III MAHOGANY BOW FRONT SIDE CABINET LATE 18TH CENTURY the shallow bowfront top over four dummy short frieze drawers, above a central pair of oval panel cupboard doors flanked by matching dummy doors, on a plinth base 154cm wide, 94cm high, 32cm deep £1,500-2,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 67

158Y GEORGE III SATINWOOD, MAHOGANY AND EBONY BONHEUR DE JOUR

LATE 18TH EARLY 19TH CENTURY the superstructure with a recess and two drawers flanked by cupboard doors with ivory knobs, one door opening to short drawers; the base with a fold-over green leather lined writing surface, above long frieze drawer, raised on square tapered legs 72cm wide, 108cm high, 40cm deep Provenance: By repute, formerly Scarisbrick Hall, Lancashire Purchased Spink & son, Ltd £1,500-2,500

159 LATE GEORGE III MAHOGANY AND INLAY SECRETAIRE BOOKCASE

LATE 18TH CENTURY the moulded cornice above a pair of astragal glazed doors with oak leaf and acorn inlay, opening to shelves; the base with a secretaire drawer fitted with pigeon holes and drawers and a baize work surface, over a pair of quarter veneered and oval panel cupboard doors, raised on splay feet 109cm wide, 235cm high, 52cm deep £2,000-3,000

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160 GEORGE III HEPPLEWHITE MAHOGANY SETTEE

LATE 18TH CENTURY the camelback and scrolling arms above a padded seat, raised on moulded square tapered legs terminating in castors, in pale cream and blue trellis pattern upholstery 163cm long, 89cm high, 69cm deep £2,000-3,000

161 GEORGE III STYLE SATINWOOD, MAHOGANY AND INLAY KETTLE STAND

EARLY 20TH CENTURY in the Sheraton style, the circular tray top inlaid with laurel garlands highlighted with penwork, raised on a slender tapered and reeded baluster column and umbrella tripod base 28cm wide, 61cm high, 28cm deep £500-700

162 TWO OAK AND COPPER BANDED STAVED CONTAINERS EARY 19TH CENTURY

comprising a small barrel, 31cm diameter, 47cm high; and a peat bucket with loop handles and a removable liner, 46cm diameter, 28cm high (2) £200-300

163 GEORGE III MAHOGANY BIRDCAGE TRIPOD TABLE

18TH/19TH CENTURY the later piecrust tray top above a birdcage and turned baluster support and tripod base with pad feet 75cm diameter, 72cm high £250-350

164 LATE GEORGE III MAHOGANY AND INLAY PEMBROKE TABLE

EARLY 19TH CENTURY the rounded rectangular top with a reeded edge, over a frieze drawer to one end, raised on line inlaid square tapered legs ending in brass caps and castors 84cm wide, 72cm high, 52cm deep (closed), 96cm (open) £200-300

165 GEORGE III MAHOGANY ‘DRUNKARD’S’ CHAIR

18TH CENTURY the low back with a pierced and shaped top rail over turned spindles, above a button upholstered padded seat and straight scrolled arms, raised on straight legs joined by peripheral stretchers 69cm wide, 85cm high, 58cm deep Provenance: Capton House, Somerset £200-300

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 69

166 LATE GEORGE III MAHOGANY SERPENTINE SERVING TABLE

LATE 18TH CENTURY the serpentine top with line and chequer banding, above a deep plain frieze, raised on square tapered legs 198cm long, 89cm high, 67cm deep £600-800

167 GEORGE III MAHOGANY BOOKCASE CABINET

LATE 18TH CENTURY the lancet moulded cornice above a pair of astragal glazed doors opening to adjustable shelves; the projecting base with a pair of moulded cupboard doors, raised on carved paw feet 136cm wide, 222cm high, 54cm deep £1,500-2,500

70 Lyon & Turnbull 168 GEORGE III MAHOGANY ARMCHAIR

18TH CENTURY the high arched padded back above a wide seat and padded scroll arms on curved supports, raised on square tapered legs joined by H stretchers, the rear legs with brass castors 73cm wide, 116cm high, 47cm deep £800-1,200

169 LATE GEORGE III MAHOGANY AND SATINWOOD DUMBWAITER

LATE 18TH CENTURY with two graduated crossbanded circular tiers with drop sides, raised and divided by a tapered ring turned column on a splayed tripod base ending in brass caps and castors 62cm diameter, 103cm high £400-600

170 GEORGE III MAHOGANY BOOKCASE CABINET 18TH CENTURY, LATER ADAPTED the dentil moulded cornice above a pair of astragal glazed doors opening to adjustable shelves, over a pair of moulded panel doors with a single shelf interior, on a plinth base 150cm wide, 220cm high, 53cm deep £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Fine Furniture & Works of Art: Part II 71 171 GEORGE III STYLE MAHOGANY, SATINWOOD AND MARQUETRY INLAID CHEST OF DRAWERS

LATE 19TH CENTURY in the Sheraton style, the top with a pierced brass gallery over an urn inlaid top, over a leather lined slide, above an arrangement of short drawers flanked by cupboard doors opening to further drawers, on bracket feet and castors 101cm wide, 90cm high, 52cm deep Provenance: Estate of the late Rachel Teggart £400-600

172 PAIR OF PAINTED PLASTER FIGURAL TORCHERES, IN THE MANNER OF HUMPHREY HOPPER

19TH CENTURY modelled as classical draped ladies, on later painted square wood plinths, stamped on the bases ‘L. BRUGIOTTI 4 & 99 LEATHER LANE/HOLBORN’ (2) Figure one 110cm high; figure two 119cm high; total 201cm and 211cm high Note: Louis or Luigi Brugiotti (c.1818-1888) was recorded as figure maker, or a plaster figure maker, working in London.

173 GEORGE III MAHOGANY AND INLAY ROLL TOP DESK

18TH CENTURY the pierced brass gallery over an inlaid musical trophy and tambour roll top enclosing an arrangement of drawers and pigeon holes, with a pull-out ratchet adjusted leather writing surface, above a pair of frieze drawers, raised on square tapered legs ending in brass caps and castors 109cm wide, 106cm high, 70cm deep £2,000-3,000

He produced busts, medical casts and decorative items, with known examples including a bust of the founder of St Bartholomew’s Hospital, Prior Rahere, as well as ‘bronzed’ figures and painted lamp bases. His company was enlisted in the 1870s and 1880s to make plaster casts of body parts to illustrate medical conditions as teaching props for Great Ormond Street Hospital. It appears that the Brugiottis were a family of figure makers, as Peter and Anthony Brugiotti were also registered as working either for the firm or as modellers during the mid-19th century. £600-800

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174 SET OF FIVE GEORGIAN STYLE BRASSED METAL WALL LIGHTS

19TH CENTURY each with an urn finial on a concave cartouche backplate, issuing three outscrolling candle arms with campana form nozzles (5)

175 LATE GEORGE III CARVED AND PAINTED FIRE SURROUND

33cm high

EARLY 19TH CENTURY the bead moulded mantel above a frieze with foliate scrolls, flowers, thistles and anchors, on fluted pilsaster jambs with stiff leaf capitals

£1,000-1,500

139cm high, 168cm wide; interior, 106cm high x 120cm wide £700-1,000

176 SET OF GEORGIAN STEEL AND BRASS FIRE IRONS 18TH CENTURY

comprising a poker, 77cm long; a pierced shovel, 77cm long; and a pair of tongs, 75.5cm long; with brass acanthus clasped waisted handles with knop finials (3) £400-600

177 GEORGE III MAHOGANY CHEST ON CHEST 19TH CENTURY the dentil moulded cornice above two short and three long drawers flanked by canted angles, the base with three further long graduated drawers, raised on shaped bracket feet 112cm wide, 189cm high, 56cm deep £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

A Private English Collection 178 GEORGE III MAHOGANY AND EBONY SIDEBOARD

18TH CENTURY the bow front top with ebony stringing over a central frieze drawer and shaped apron recess, flanked by deep drawers, raised on square tapered legs ending in spade feet 137cm wide, 90cm high, 64cm deep £500-700

179 GEORGE II MAHOGANY LOWBOY

MID 18TH CENTURY the rectangular top with a moulded edge above three short drawers and a shaped apron, raised on cabriole legs ending in pad feet 75cm wide, 71cm high, 50cm deep £500-700

180 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY the serpentine top with a moulded edge over four long graduated drawers flanked by stop‑fluted angles, raised on bracket feet 99cm wide, 86cm high, 59cm deep £1,000-1,500

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181 GEORGE II MAHOGANY LOWBOY

MID 18TH CENTURY the rectangular top with a moulded edge over three frieze drawers and a shaped apron, raised on straight chamferred legs 84cm wide, 71cm high, 50cm deep £600-800

182 TWO GEORGE III MAHOGANY TRAY TOP BEDSIDE COMMODES

18TH CENTURY both with cut out handles and tambour doors above pull-out sliding bases, raised on square legs (2) one: 50cm wide, 78cm high, 45cm deep; the other: 51cm wide, 79cm high, 43cm deep £400-600

183 GEORGE III MAHOGANY AND KINGWOOD SIDEBOARD

18TH CENTURY the crossbanded and breakfront bow top over a central drawer and arched recess with tambour doors, flanked by deep drawers with double drawer facings, raised on square tapered legs ending in spade feet 167cm wide, 92cm high, 65cm deep £500-700

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

A Private English Collection 75 184 GEORGE II MAHOGANY SIDE TABLE

EARLY 18TH CENTURY the rectangular top with a moulded edge over a long frieze drawer, raised on straight legs ending in pad feet 73cm wide, 71cm high, 44cm deep £400-700

185 MATCHED PAIR OF GEORGIAN STYLE MAHOGANY ARMCHAIRS

19TH CENTURY the low padded backs above loose cushion seats and open padded arms, raised on carved cabriole legs ending in scrolled toes, in beaded and gadrooned mahogany frames and green plush upholstery (2) 72cm wide, 64cm high, 88cm deep £1,000-1,500

186 REGENCY MAHOGANY AND EBONY SOFA TABLE

EARLY 19TH CENTURY the rounded rectangular top with drop ends above a pair of frieze drawer and dummy drawers opposing, raised on squared twin end supports joined by a turned stretcher and arched brackets, ending on splay trestle legs with brass caps and castors, outlined with ebony stringing 91cm wide, 150cm (open), 71cm high, 59cm deep £500-700

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187 VICTORIAN SATINWOOD, MAHOGANY AND PARCEL GILT KIDNEY SHAPED DESK

LATE 19TH CENTURY in the Sheraton taste, the crossbanded reni-form top with a green leather insert above a three frieze drawers, raised on banks of two short drawers, raised on tapered fluted legs with foliate capitals and ending in brass castors 122cm wide, 77cm high, 56cm deep £2,000-3,000

188 FRENCY EMPIRE STYLE BOUILLOTTE TABLE

19TH CENTURY the oval verde antico marble top with a pierced gallery, above three short drawers, raised on square outswept legs ending in foliate scroll sabots, with neoclassical gilt bronze mounts 47cm wide, 86cm high, 40cm deep £400-600

189 REGENCY MAHOGANY AND EBONY WASHSTAND

EARLY 19TH CENTURY the rectangular top over a single frieze drawer outlined with ebony stringing, raised on square tapered legs joined by a shaped undertier and ending on brass caps and castors 62cm wide, 77cm high, 50cm deep £250-350

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

A Private English Collection 77

190 SET OF EIGHT REGENCY ROSEWOOD AND BRASS INLAID DINING CHAIRS BY WILKINSON OF LUDGATE HILL

EARLY 19TH CENTURY the scroll backs with curved top rails and pierced splats inlaid with brass, over drop in cushion seats in modern yellow upholstery, raised on plain sabre legs, the frames stamped WILKINSON LUDGATE HILL, maker’s initials JM and model 2801 (8) 45cm wide, 84cm high, 40cm deep £2,000-3,000

191 REGENCY MAHOGANY AND EBONY SOFA TABLE

EARLY 19TH CENTURY the rounded rectangular top with drop ends over a pair of short frieze drawers, dummy drawers opposing, raised on turned twin column supports and curved trestle bases ending in brass paw caps and castors 106cm wide, 165cm (open), 74cm high, 69cm deep £400-600

Note: Joshua Wilkinson established a cabinet, upholstery, carpet and looking‑glass warehouse in 1766 in Moorfields. By 1790 the firm was being run by his second son, William, in partnership with his cousin Thomas Wilkinson. Their partnership ended in 1808 when William left to take over the old established firm of Quentin Kaye at 14 Ludgate Hill.

The company produced well-made pieces conforming to fashionable Regency design types and marked their furniture, usually with the impressed stamp `WILKINSON LUDGATE HILL’. From 1825 William was joined by his two sons, Williams Ascough and Charles, changing the name, and stamp, to Wilkinson & Sons, 14 Ludgate Hill. The firm continued to trade, under different names into the 20th century.

78 Lyon & Turnbull 192 EARLY VICTORIAN WALNUT ARMCHAIR MID 19TH CENTURY the curved balloon back above a stuffover seat and part padded open arms with scroll terminals, raised on flower and leaf carved cabriole legs ending in porcelain castors, in red velvet upholstery 65cm wide, 95cm high, 52cm deep £300-500

193 DUTCH WALNUT AND MARQUETRY CABINET

19TH CENTURY the stepped rounded rectangular top over an arched moulded panel door, on a plinth base with flat bun feet, the whole in flowering urn and flower marquetry 66cm wide, 86cm high, 46cm deep £600-800

194 LOUIS XV KINGWOOD AND AMARANTH MARQUETRY COMMODE 18TH CENTURY the moulded griotte marble top with canted corners above two long drawers, raised on square cabriole legs with gilt metal foliate sabots, with gilt metal mounts and floral marquetry throughout 80cm wide, 85cm high, 45cm deep £800-1,200

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

A Scottish West Coast Collection 195 SCOTTISH MAHOGANY MOONPHASE LONGCASE CLOCK BY GEORGE JAMIESON, HAMILTON

LATE 18TH CENTURY the swan neck pediment with an urn finial above an arched door, the 12in . brass dial with Roman and Arabic chapters, painted moon phase, and subsidiary seconds and calendar dials, above a pointed arch trunk door and moulded plinth raised on turned feet; the associated 8 day movement striking a bell 225cm high £300-500

196 SET OF REGENCY STYLE MAHOGANY AND CALAMANDER QUARTETTO TABLES

EARLY 20TH CENTURY the crossbanded rectangular tops with oval panel inlay, raised on ring turned slender supports on trestle supports joined by curved stretchers (4) 50cm wide, 70cm high, 35cm deep £300-500

197 REGENCY MAHOGANY CELLARETTE

EARLY 19TH CENTURY of sarcophagus form, the hinged cover with a gadrooned edge, opening to a tole lined interior, the tapered sides with bead moulding, raised on carved paw feet 67cm wide, 45cm high, 49cm deep £400-600

80 Lyon & Turnbull 198 SET OF TEN VICTORIAN MAHOGANY DINING CHAIRS

19TH CENTURY the button upholstered balloon backs and serpentine stuff over seats in red plush upholstery, raised on tapered reeded legs ending in porcelain castors (10) 47cm wide, 89cm high, 40cm deep £700-1,000

199 VICTORIAN GILTWOOD OVERMANTEL MIRROR

19TH CENTURY the inverted breakfront cornice above a frieze with ribbon‑tied garlands and rectangular bevelled mirror plate, flanked by twin fluted columns with acanthus capitals and further ribbon‑tied garland spandrels 99cm high, 163cm wide £500-700

200 EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE

MID 19TH CENTURY the oval top with a moulded edge and two leaf inserts, on turned and lobed baluster legs ending in brass castors 236cm long, 67cm high, 120cm deep £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

A Scottish West Coast Collection 81 201 SIX PIECES OF ROYAL WORCESTER PORCELAIN LATE 19TH‑20TH CENTURY

comprising a low ogee shaped vase decorated with flowers, 13cm high; a bottle vase with twin squared handles, 24.5cm high; a small ovoid vase with dolphin form handles, 13.5cm high; a pierced rim plate painted with dragonflies, 23.5cm diam.; a plate painted with asters, 23cm diam.; and a plate painted with flowers within a bleu celeste border, 23.5cm diam.; printed marks (6) £500-700

202 PAIR OF BOHEMIAN ENAMELLED CRANBERRY GLASS VASES

LATE 19TH CENTURY with everted necks tapering to ovoid bodies and raised on circular socle feet, with enamelled roundels of ladies, on a gilt floral and leafy ground (2) 26cm high £400-600

203 THREE PIECES OF ROYAL WORCESTER PORCELAIN EARLY‑MID 20TH CENTURY

comprising a moulded leaf bowl with a pierced rim, 23.5cm diam.; a tazza with a lobed rim, painted with birds signed JAS STINTON, 22cm diam.; and an ovoid vase painted with roses, on a stem with moulded dolphin masks, 15cm high; printed marks, (3) £300-500

82 Lyon & Turnbull

204 PAIR OF DRESDEN PORCELAIN FIGURAL CANDELABRA

20TH CENTURY each with a central stiff and three outscrolling candle arms, the tree form columns with applied flowers, one with a man carrying a cauldron, the other a lady with a sword belt, raised on rococo form bases, with faux crossed swords marks and impressed 13 (2) 52cm and 51cm high £400-600

205 VICTORIAN BLACK MARBLE AND BRONZE COLUMN 19TH CENTURY the square top above a fluted column with bronze Ionic capital and laurel wreath foot, on a stepped black marble base 26cm wide, 110cm high, 26cm deep £300-500

206 DRESDEN PORCELAIN CENTREPIECE

LATE 19TH/EARLY 20TH CENTURY the oval basket with pierced lattice panels and applied foliage, above a figural column support with Venus and Cupid flanked by three small integral dishes, on a rococo form base 52.5cm high £400-600

207 DRESDEN PORCELAIN CENTREPIECE

LATE 19TH/EARLY 20TH CENTURY the circular pierced basket with applied trailing roses, raised on a tree form column with a pair of lovers, a goat and a dog, with impressed and painted marks 53.5cm high £500-700

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part II 208 HENRY JOHN DOBSON R.S.W. (SCOTTISH 1858‑1929) A SCOTTISH HOMESTEAD signed, watercolour

42cm x 55cm (16.5in x 21.75in) £400-600

209 THOMAS RICHARD UNDERWOOD (BRITISH C.1772‑1836) A COTTAGE NEAR BUTTERMERE signed on reverse of old mount, pencil and watercolour 18cm x 25cm (7in x 10in) Provenance: E.H. Coles Bequest, 1954 A.P. Opeé by descent £400-600

210 HENRY JOHN DOBSON R.S.W. (SCOTTISH 1858‑1929) PEELING TATTIES signed, oil on canvas

44.5cm x 60cm (17.5in x 23.5in) £500-700

84 Lyon & Turnbull 211 WILLIAM BEATTIE BROWN R.S.A. (SCOTTISH 1831‑1909) ROCKY LANDSCAPE signed and dated 1886, oil on canvas 51cm x 76cm (20in x 30in) £700-1,000

212 [§] TOM ROBERTSON (SCOTTISH 1850‑1947)

ROWING ON THE LOCH signed and dated ‘07, oil on canvas 29cm x 44cm (11.5in x 17.25in) £300-500

213 JAMES FERRIER (SCOTTISH FL. 1843‑83)

HIGHLAND BURN, NEAR FILLANS signed and dated 1867, inscribed on label verso, watercolour 58cm x 87cm (22.75in x 34.25in) £500-700

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part II 85 214 ALEXANDER BROWNLIE DOCHARTY (SCOTTISH 1862‑1940) DORDRECHT signed, oil on canvas

28cm x 38cm (11in x 15in) £400-600

215 DAVID FARQUHARSON A.R.S.A., R.S.W., R.O.I, A.R.A. (SCOTTISH 1840‑1907) SUMMER signed, oil on canvas

24.5cm x 34.5cm (9.5in x 13.5in) £500-700

216 ROBERT NOBLE R.S.A. (SCOTTISH 1857‑1917)

LONE CATTLE IN THE GLADE signed, oil on board 35cm x 55cm (13.75in x 21.5in) £300-500

86 Lyon & Turnbull

217 WILLIAM BEATTIE BROWN R.S.A. (SCOTTISH 1831‑1909)

’DESERTED CASTLE’ AND ‘A QUIET LANE’ signed, oil on board 18cm x 24cm (7in x 9.5in) (2) £500-700

218 [§] TOM ROBERTSON (SCOTTISH 1850‑1947)

219 JAMES FAED JUNIOR (SCOTTISH 1856‑1920)

29cm x 44cm (11.5in x 17.25in)

33cm x 43.5cm (13in x 17in)

£300-500

£400-600

COTTAGE BY THE POOL oil on canvas

THE TIMBER MERCHANT’S YARD signed, oil on canvas

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part II 87

220 ROBERT GEMMELL HUTCHISON R.S.A., R.S.W. (SCOTTISH 1855‑1936) THE PET BIRD signed, oil on canvas

31cm x 22cm (12.25in x 8.75in)

221 19TH CENTURY SCOTTISH SCHOOL COLD NORTH WIND oil on board

25cm x 18cm (10in x 7in) £300-500

£1,500-2,500

222 JOHN PATRICK DOWNIE R.S.W. (SCOTTISH 1871‑1945) DAILY BREAD signed and dated 1913, oil on panel 31cm x 24cm (12.25in x 9.5in) £300-500

223 GEORGE ANDREW NASMYTH LANGLANDS R.S.W. (SCOTTISH 1865‑1939) TWO FIGURES BY A BURN, GALASHIELS signed and dated 1891, watercolour heightened with white 45cm x 29cm (17.75in x 11.5in) £400-600

88 Lyon & Turnbull 224 CARLETON GRANT (BRITISH FL.1885‑1899)

FEEDING THE HENS signed and dated 1885, watercolour 28cm x 43cm (11in x 17in) £250-400

225 ATTRIBUTED TO GEORGE GOODWIN KILBURNE (BRITISH 1839‑1924) A DAMSEL watercolour

26cm x 20.5cm (10.25in x 8in) £500-700

226 AUGUSTUS WALFORD WEEDON (BRITISH 1838‑1908) HIGHLAND CATTLE signed and dated 1895, watercolour 42cm x 68cm (16.5in x 26.75in) £300-500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part II 89 227 [§] JOHN MURRAY THOMSON R.S.A., R.S.W. (SCOTTISH 1885‑1974) LITTLE BILLEE signed, watercolour

31.5cm x 46.5cm (12.5in x 18.25in) £250-350

228 [§] ROBERT RUSSELL MACNEE (SCOTTISH 1880‑1952)

HEAVY HORSE AT WATERING TROUGH signed and dated 28, watercolour 29cm x 40cm (11.5in x 15.75in) £400-600

229 ROBERT TALBOT KELLY (BRITISH 1861‑1934)

GOATHERD ON THE BANKS OF THE NILE signed and dated 1908, watercolour 38cm x 54cm (15in x 21.25in) £400-600

90 Lyon & Turnbull

230 [§] ROBERT RUSSELL MACNEE (SCOTTISH 1880‑1952) A PAIR OF COUNTRY SCENES signed, watercolour

16.5cm x 25cm (6.5in x 10in) (2) £500-700

231 [§] REUBEN WARD BINKS (BRITISH 1880‑1950)

SPANIEL AND PHEASANT signed and dated ‘42, mixed media 41cm x 41cm (16in x 16in) £250-400

232 19TH CENTURY SCOTTISH SCHOOL

’BALMORAL CASTLE’ AND ‘VIEW OF BEN NEVIS’ pencil and watercolour 8cm x 12cm (3in x 4.75in) (2) £200-400

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part II 91

233 FREDERICK JOHN WIDGERY (BRITISH 1861‑1942)

234 [§] ROBERT PURVIS FLINT R.S.W.,R.W.S. (SCOTTISH 1883‑1947)

24.5cm x 34.5cm (9.75in x 13.5in)

25.5cm x 38cm (10in x 15in)

£300-500

Provenance: The Fine Art Society Ltd, 1976

QUIET SANDS signed, watercolour and gouache

SCHOONERS AT GRANTON signed, watercolour

£300-500

235 [§] WILLIAM HEATON COOPER R.A. (ENGLISH 1903‑1995) RYDAL HALL signed, watercolour

236 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860‑1936)

27cm x 38cm (10.5in x 15in)

ON THE COAST, CARNOUSTIE signed and inscribed, oil on board

£300-500

25.5cm x 35.5cm (10in x 14in) £500-700

British Furniture & Works of Art: Part III 237 REGENCY GILTWOOD TRIPLE OVERMANTEL MIRROR 19TH CENTURY the moulded cornice with ball mounts above a frieze depicting Apollo in a chariot pulled by lions, over triple bevelled mirror plates flanked by reeded columns with Corinthian capitals 91cm high, 149cm wide £800-1,200

238 REGENCY ROSEWOOD CANTERBURY

EARLY 19TH CENTURY with three quarter spindle gallery above a single base drawer, raised on turned legs with brass caps and castors 46cm wide, 53cm high, 35cm deep £500-800

239 REGENCY MAHOGANY AND EBONY LINEN PRESS

EARLY 19TH CENTURY the dentil moulded cornice above a pair of doors with ebony line inlay opening to sliding trays and a pair of short drawers; the base with a secretaire drawer fitted with pigeon holes and drawers, over three long drawers, raised on splay feet 136cm wide, 220cm high, 58cm deep £800-1,200

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 93 240 REGENCY ROSEWOOD AND BRASS INLAID MARBLE TOP SIDE CABINET

EARLY 19TH CENTURY the verde antico marble top above a frieze inlaid with cut brass panels, above a pair of doors with pleated cream silk panels, raised on ebonised turned feet 127cm wide, 91cm high, 32cm deep £600-900

241 REGENCY MAHOGANY BRASS INLAID CHEVAL MIRROR

EARLY 19TH CENTURY the rectangular mirror plate in a brass line inlaid frame between ring turned supports joined by spiral carved and turned stretchers, on reeded outswept legs ending in brass caps and castors 72cm wide, 167cm high, 70cm deep £300-500

242 REGENCY ROSEWOOD CHIFFONIER EARLY 19TH CENTURY the bead moulded open top with a single shelf and two short drawers, above a pair of frieze drawers over a pair of glazed doors backed with yellow silk, raised on ebonised turned feet 97cm wide, 148cm high, 40cm deep £1,000-1,500

94 Lyon & Turnbull 243 PAIR OF REGENCY MAHOGANY WATERFALL BOOKCASES EARLY 19TH CENTURY with six graduated open tiers with reeded moulded facings (2)

73cm wide, 163cm high, 32cm deep £1,500-2,500

244 REGENCY ROSEWOOD AND BRASS BANDED SOFA TABLE

EARLY 19TH CENTURY the crossbanded top outlined in beaded brass, above a pair of frieze drawers with brass line inlay, raised on four turned supports on a quadriform base with sabre legs ending in brass hairy paw caps and castors 90cm wide, 149cm wide (open), 71cm high, 67cm deep Provenance: Prince Karl Max Lichnowsty, German Ambassador to Britain, 1901-1914 £400-600

245 REGENCY MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY the rectangular top over four long graduated drawers, raised on shaped bracket feet 84cm wide, 92cm high, 48cm deep £300-400

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 95 246 TWO REGENCY/GEORGE IV MINIATURE CHEST OF DRAWERS

EARLY 19TH CENTURY comprising an oak example, with two short drawers over three long drawers, above a shaped apron and raised on stile feet, 43cm wide, 43cm high, 27cm deep; and a smaller mahogany chest, of similar design, raised on tapered feet, 37.5cm wide, 34cm high, 15.5cm deep (2) £300-500

247Y REGENCY PENWORK WORK BOX

EARLY 19TH CENTURY of rectangular form with twin-loop handles and an ivory escutcheon, with a classical scene to the lid on a floral ground, opening to five later fitted trays containing polished stones and specimens, raised on gilt metal scrolled feet 29cm wide, 16cm high, 22.5cm deep £300-400

248 PAIR OF REGENCY GILT AND PATINATED BRONZE LAMPS

EARLY 19TH CENTURY converted from candlesticks, with engine turned sconces and drip trays, above tapered reeded columns, terminating in gilt bases with decorative bands, with silk pleated shades (2) 29cm high £800-1,200

249 SCOTTISH REGENCY MAHOGANY BRACKET CLOCK, SIGNED BRYSON, EDINBURGH EARLY 19TH CENTURY the domed case enclosing a brass chapter ring with Roman numerals, signed BRYSON/EDIN.’R, above recessed brass quadrant mounts and a gadrooned base, raised on brass ball feet, the movement striking a bell 40.5cm high £400-600

96 Lyon & Turnbull 250 LARGE REGENCY AND ROSEWOOD MAHOGANY SOFA TABLE

EARLY 19TH CENTURY the crossbanded rounded rectangular top with drop ends and fruitwood banding, above a pair of short frieze drawers, and the same opposing, raised on twin turned end supports joined by twin turned stretcher rails, raised on reeded splay legs ending in brass caps and castors 174cm wide, 71cm high, 91cm deep £1,000-1,500

251 REGENCY MAHOGANY LINEN PRESS

EARLY 19TH CENTURY the projecting bead moulded cornice above a pair of bead moulded panel doors with ebony stringing, opening to sliding trays; on an associated base with three graduated long drawers, raised on bracket feet 134cm wide, 217cm high, 62cm deep £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 97

252 REGENCY PAINTED AND PARCEL GILT SATINWOOD TABLE

EARLY 19TH CENTURY the rounded rectangular top painted with four reserves depicting figures in pastoral settings, centred by a painted heraldic reserve of a hound with a coronet and CLINTON, above a frieze painted with foliate scrolls and a pair of short drawers, the same opposing, raised on a central lotus carved column support and four lappet clad scroll legs ending in acanthus carved feet, on brass castors, one leg bearing an ivorine label ‘M.A C.’ 137.5cm wide, 71cm high, 90cm deep £6,000-8,000

98 Lyon & Turnbull

253 REGENCY MAHOGANY, SATINWOOD, AND TULIPWOOD FOLD-OVER CARD TABLE

EARLY 19TH CENTURY the D shaped fold-over top opening on double gatelegs to a green baize lined playing surface, above a frieze with key inlay, raised on ring turned tapered legs 92cm wide, 71cm high, 45cm deep £500-700

254 SCOTTISH MAHOGANY LONGCASE CLOCK, BY JOHN DOBBIE, GLASGOW

EARLY 19TH CENTURY the swan neck pediment above a blind fret carved frieze and signed arched 10in brass dial with Roman and Arabic chapters, subsidiary seconds dial and date aperture, flanked by spiral carved columns, over a trunk door with fan inlay and plinth base with ball feet; the 8 day movement striking a bell 216cm high Provenance: Estate of the late Rachel Teggart £400-600

255 REGENCY MAHOGANY AND ROSEWOOD BOOKCASE CABINET

EARLY 19TH CENTURY the moulded cornice above a pair of rosewood lattice moulded astragal glazed doors opening to shelves; the base with a pair of moulded panel doors enclosing a shelved interior, on a plinth base 147cm wide, 227cm high, 40cm deep £1,200-1,800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 99

256 FINE REGENCY COROMANDEL AND KINGWOOD FOLD-OVER GAMES TABLE

EARLY 19TH CENTURY the rectangular fold-over top with canted forecorners, opening to a green baize playing surface, on a concave octagonal central column with flattened scroll brackets, raised on a quadriform base with sabre legs ending in brass lion paw caps and castors 91cm wide, 74cm high, 46cm deep (closed) £2,500-3,500

257 GOOD REGENCY ROSEWOOD DWARF BOOKCASE EARLY 19TH CENTURY of breakfront outline with three open shelved sections, with bead moulding and marked with carved flowerhead and acanthus volutes, on a conforming plinth base 184cm wide, 95cm high, 36cm deep £3,000-4,000

100 Lyon & Turnbull 258 REGENCY GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice with ball mounts above a frieze panel depicting Apollo in a chariot pulled by lions, over triple bevelled mirror plates, flanked by fluted columns with Corinthian capitals 90cm high, 140cm wide £700-1,000

259 SCOTTISH REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE

EARLY 19TH CENTURY the rounded rectangular crossbanded top with drop ends and brass line inlay, above a single frieze drawer, on a square column and quadriform base raised on sabre legs ending in brass caps and castors 150cm wide (open), 97cm (closed), 76cm high, 72cm deep Provenance: Estate of the late Rachel Teggart £400-600

260 REGENCY EBONISED AND PARCEL GILT SOFA

EARLY 19TH CENTURY the low straight back over high scroll arms and a loose cushion seat, raised on splayed legs ending in brass caps and castors, in green plush upholstery with two bolster cushions 227cm long, 78cm high, 70cm deep £800-1,200

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 101

261 PAIR OF REGENCY GILT AND PATINATED BRONZE LAMPS

EARLY 19TH CENTURY the nozzles above tapered reeded columns terminating in acanthus leaves, raised on triform bases with lion’s paw feet, with pleated silk shades; converted from candlesticks (2) 29cm high (excluding fittings) £800-1,200

262 CHAMBERLAIN’S WORCESTER POT POURRI VASE AND COVER

CIRCA 1810 the pierced lid with gilt knop finial above an ovoid body, raised on a triform base modelled with dolphins above shells, with feather and marble decoration, painted inscription CHAMBERLAINS WORCESTER/MANUFACTURERS TO THEIR ROYAL HIGHNESS THE PRINCE OF WALES AND DUKE OF CUMBERLAND 18cm high £400-600

263Y ATTRIBUTED TO J. SCOVELL, PORTRAIT MINIATURE OF A DRAGOON OFFICER

19TH CENTURY on ivory, of oval form, in a giltwood frame, with a handwritten label to verso (indistinct) 5cm high, frame 18cm x 16.5cm £300-500

264 TWO PAIRS OF REGENCY GILT AND PATINATED BRONZE CANDLESTICKS

EARLY 19TH CENTURY the first with urn form holders above fruiting collars and tapered reeded columns, terminating on triform bases with lion’s paws feet, 31cm high; the other as candelabra with pinecone finials above lyre form columns with putto masks and issuing twin outscrolling arms, on rouge marble bases, 31cm high (4) £500-700

102 Lyon & Turnbull 265 REGENCY GILTWOOD AND PAINTED OVERMANTEL MIRROR

19TH CENTURY the moulded cornice with ball mounts above a frieze depicting Love Disarmed, above triple bevelled mirror plates flanked by reeded Corinthian columns 91cm high, 149cm long £400-600

266 REGENCY ROSEWOOD WINE TABLE

EARLY 19TH CENTURY the circular top above a baluster turned central column and triform base on bun feet 48cm diameter, 71cm high £1,000-1,500

267 REGENCY STYLE ROSEWOOD AND BRASS INLAID SIDE CABINET

EARLY 20TH CENTURY the rectangular top over two short frieze drawers, with foliate scroll cut brass inlay, above a pair of panel cupboard doors centred by gilt metal masks of Apollo and flanked by further brass inlay, raised on turned feet 107cm wide, 93cm high, 33cm deep £1,200-1,800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 103

268 REGENCY MAHOGANY DRUM LIBRARY TABLE

EARLY 19TH CENTURY the circular top with a green leather writing insert above four real and four dummy frieze drawers, on a ring turned column support and four outswept reeded legs ending in brass caps and castors 106cm diameter, 71cm high £800-1,200

269 REGENCY ROSEWOOD DUET STAND EARLY 19TH CENTURY the ratchet adjustable twin music stands on a rising facetted baluster column and triform base with pad feet 43cm wide, 122cm high (approx) £400-600

270 SCOTTISH REGENCY MAHOGANY SERPENTINE CHEST OF DRAWERS

EARLY 19TH CENTURY, PROBABLY EDINBURGH the serpentine top over four long graduated drawers outlined with line inlay flanked by reeded columns, on turned legs 118cm wide, 103cm high, 55cm deep £600-800

104 Lyon & Turnbull

271 SET OF SATINWOOD, KINGWOOD AND EBONY QUARTETTO TABLES 19TH CENTURY the rectangular tops raised on slender ring-turned supports and arched trestle legs, joined by curved stretchers (4) 50cm wide, 68cm high, 35cm deep £1,500-2,500

272 LATE REGENCY MAHOGANY CELLARETTE

EARLY 19TH CENTURY the square hinged top opening to a compartmented interior, the moulded front panel above a single base drawer, with brass handles to the sides and raised on reeded legs 44cm wide, 56cm high, 44cm deep £1,200-1,800

273 LATE REGENCY MAHOGANY BOOKCASE CABINET EARLY 19TH CENTURY of small size, the moulded cornice over three adjustable shelves flanked by turned columns with lotus capitals; the base with a pair of crossbanded doors opening to a shelved interior, flanked by acanthus carved scrolling volutes, raised on turned feet 92cm wide, 190cm high, 40cm deep £1,500-2,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 105 274 PAIR OF REGENCY ROSEWOOD AND GILT METAL MOUNTED BOOKCASES

EARLY 19TH CENTURY the straight cornices over pale blue silk backed open bookcase with three adjustable shelves lined with brass bead moulding; the lower parts with dummy frieze drawers over pairs of doors lined in matching pale blue pleated silk, opening to further adjustable shelves, on plinth bases; with foliate gilt bronze mounts and outlined with brass bead mouldings (2) 90cm wide, 210cm high, 25cm deep Provenance: Capton House, Somerset £3,000-5,000

275 REGENCY MAHOGANY SOFA

EARLY 19TH CENTURY the low square back and enclosed arms above a triple cushion seat, within a reeded frame, raised on short reeded tapered legs; in pale green patterned upholstery 178cm long, 88cm high, 62cm deep Provenance: Capton House, Somerset £500-700

106 Lyon & Turnbull 276 SET OF SEVEN GEORGE IV MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the reeded panelled top rails and spiral carved splats over stuff over seats, raised on turned and reeded legs; together with a similar armchair with a drop-in seat (8) 48cm wide, 81cm high, 42cm deep £500-800

277 REGENCY GILTWOOD TRIPLE OVERMANTEL MIRROR

EARLY 19TH CENTURY the moulded cornice above triple mirror plates in a reeded ebonised slip; the giltwood frame with spiral carved and leaf capped columns marked at the corners with lions’ masks 72cm high, 146cm wide £600-800

278 LATE REGENCY MAHOGANY DRESSING TABLE

EARLY 19TH CENTURY the rectangular top with a reeded edge above a centre drawer and arched recess flanked by banks of two short drawers, with dummy drawers opposing, on turned and reeded legs headed by reeded corner blocks 112cm wide, 77.5cm high, 60cm deep £1,500-2,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 107 279 REGENCY GILTWOOD AND GESSO OVERMANTEL MIRROR

EARLY 19TH CENTURY the rectangular mirror plate enclosed on three sides by acanthus clad columns, the top centred by a shell motif 105cm high, 144cm wide £800-1,200

280 SCOTTISH DRUMHEAD LONGCASE CLOCK,

BY JOHN DONALD, GLASGOW

EARLY 19TH CENTURY the white painted dial in a drum head case with Roman numbers and subsidiary seconds and calendar dials, above a fluted column trunk and moulded panel hexagonal base raised on bun feet 198cm high £1,200-1,800

281 LATE REGENCY ROSEWOOD CENTRE TABLE IN THE MANNER OF WILLIAM TROTTER

EARLY 19TH CENTURY the rounded rectangular top with a bead moulded edge over two frieze drawers with Bramah locks, raised on an octagonal facetted column on a quadriform base with scroll and palmette carved feet with brass castors 110cm wide, 70cm high, 65cm deep £1,000-1,500

108 Lyon & Turnbull 282 GEORGE IV MAHOGANY LIBRARY TABLE

EARLY 19TH CENTURY the rounded rectangular top with a red leather insert, over long drawers to the ends and pairs of short dummy drawers to the sides, raised on turned and reeded legs ending in brass caps and castors 136cm long, 76cm high, 94cm deep £800-1,200

283 WILLIAM IV ROSEWOOD ARMCHAIR

EARLY 19TH CENTURY the curved button upholstered back above scroll arms and deep padded seat, the frame carved with foliate scrolls, raised on lotus carved legs 71cm wide, 95cm high, 49cm deep £300-500

284 PAIR OF WILLIAM IV MAHOGANY FOOT STOOLS

CIRCA 1840 with floral needlework upholstered seats with nail head trim, on turned legs (2) 35cm wide, 18cm high, 30cm deep £350-450

285 GEORGE IV WALNUT AND YEW DWARF BOOKCASE

EARLY 19TH CENTURY the breakfront white marble top over three shelved open sections flanked and divided by volute capped pilasters, on a conforming plinth base 184cm wide, 95cm high, 32cm deep £700-1,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 109

286Y AMERICAN SCRIMSHAW WHALE’S TOOTH

MID‑19TH CENTURY engraved to one side with the figure of Liberty depicted with the cap of Liberty and a star and spangled shield, the reverse engraved with a portrait of a lady with a riding whip, copied from an image displayed in Harper’s New Monthly Magazine, 1858, of a lady’s ‘Equestrian Costume’ 13cm high £400-600

Note: Scrimshaw artists of the 19th century regularly used both patriotic figures and images published in the popular press as sources for their work. It is thought that this depiction of Liberty was taken from the newspaper ‘Gleason’s Weekly Line-of-Battle Ship’, which featured this image of the goddess alongside Justice.

The portrayal of the lady to the other side was taken from Harper’s New Monthly Magazine; a common source used by whalemen during the 19th century.

Literary and political figures, as well as fashion-plates, were also regularly depicted on whale’s teeth.

287 GROUP OF ENGLISH AND IRISH GLASS

19TH CENTURY comprising a facetted mallet form decanter and stopper, 24cm high; a bottle form decanter and stopper, with three bands to the neck, 28.5cm high; an etched rummer depicting Sunderland Bridge, 14cm high; a commemorative rummer, etched GEORGE THE III/ DIED JAN.Y 29 1820, 12.5cm high; a cut glass rinser, 14.5cm across; and two small cut glass bottles and stoppers, 11.5cm and 10.5cm high (7) £400-600

289 GOURD LADLE

19TH CENTURY with a turned shaped wood handle, 36.5cm long; together with a CORSICAN GOURD FLASK, etched to one side with shepherds and goats, inscribed BERGERS CORSE/SOUVENIR D’AJACCIO, 19cm high approx. (2)

288Y WILLIAM IV AMBOYNA AND EBONY STICK BAROMETER BY ELLIOT BROS.

EARLY 19TH CENTURY with dual ivory gauges above a thermometer tube, above a circular reservoir signed ‘ELLIOT BROS/440 Strand London’ 93cm long £600-800

Provenance: Collection of the late Donald MacKenzie £150-250

290 PAIR OF FRUITWOOD PEWTER MOUNTED WINE COASTERS

EARLY 19TH CENTURY of circular outline, with pewter moulded rims enclosing engine-turned central plaques (2) 15cm diameter £150-250

291 NAILSEA GLASS CARBOY 19TH CENTURY the long tapered neck above an ovoid body, green with opaque spotting 26cm high £200-300

292 TWO NEEDLEWORK SAMPLERS

19TH CENTURY the first by Jane Kerr, 1838, with five alphabets, a number series, berries, and a house and dog and flowering trees, in a key border, framed, 44.5cm x 32cm; the second by Janet Kerr, with three alphabets, two number series, family names above a church and house, against of field with lions, birds, horse, baskets, initials and figures, and motto ‘THAT AWFUL/ MOVE WILL SOON/APPEAR SWIFT O/N THE WINGS OF/TIME IT FLIES/WHEN ALL THA/T PAINS OR PLEAS/ES HERE WILL VA/ NISH FROM OUR C/LOSING EYES’, framed 43.5cm x 44cm (2) Provenance: Estate of the late Rachel Teggart £200-300

110 Lyon & Turnbull 293 PAIR OF IRISH WILLIAM IV MAHOGANY CARD TABLES

19TH CENTURY the shaped rectangular fold-over tops opening to maroon baize lined playing surfaces, above serpentine friezes centred by carved shells, raised on twin lotus carved and spiral pierced column supports and quadriform bases with scrolled feet (2) 92cm wide, 78cm high, 50cm deep £1,000-1,500

294 WILLIAM IV ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top on a tapered octagonal column and triform base with carved paw feet 120cm diameter, 73cm high £300-500

295 IRISH LATE REGENCY MAHOGANY SECRETAIRE CHEST OF DRAWERS

EARLY 19TH CENTURY the superstructure with a recess flanked by small cupboard doors, over a projecting secretaire drawer fitted with pigeon holes and small drawers, over a pair of cupboard doors flanked by spiral carved and turned columns, raised on turned feet, the whole outlined in bead moulding 96cm wide, 137cm high, 45cm deep £1,000-1,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 111 296 WILLIAM IV GONCALO ALVES LIBRARY TABLE EARLY 19TH CENTURY the crossbanded rounded rectangular top raised on tapered end supports joined by a turned cross stretcher and ending in lotus and acanthus carved trestle legs with brass castors

153cm wide, 74cm high, 91cm deep £600-800

297 SET OF SIX WILLIAM IV GRAIN PAINTED MAHOGANY SIDE CHAIRS

EARLY 19TH CENTURY the shaped crest rails carved with foliate scrolls and palmettes, above a foliate carved stretcher and stuff over seats, raised on turned and reeded tapered legs, with simulated rosewood graining (6) 51cm wide, 86cm high, 47cm deep £600-800

298 WILLIAM IV ROSEWOOD FOLD-OVER TEA TABLE

EARLY 19TH CENTURY the rounded rectangular fold-over top above a frieze carved with lotus and foliate scrolls, on a lotus carved central column and circular base raised on carved lion paw feet with brass castors 92cm wide, 74cm high, 45cm deep (closed) £700-1,000

112 Lyon & Turnbull 299 WILLIAM IV ROSEWOOD ‘GOTHIC’ TRIPOD TABLE

EARLY 19TH CENTURY the shaped circular tilt top with a moulded wavy edge, on a reeded tapered column and crocketted scrolling flattened tripod legs 64cm diameter, 71cm high £800-1,200

300 PAIR OF WILLIAM IV MAHOGANY POLE SCREENS

EARLY 19TH CENTURY the rectangular frames enclosing watercolour landscape views of Scotland, on baluster columns with bud finials and turned circular bases with flattened bun feet (2) 121cm high £1,000-1,500

301 WILLIAM IV GOTHIC REVIVAL ROSEWOOD CHIFFONIER

EARLY 19TH CENTURY the superstructure with a single shelf over a pair of glazed doors with pointed arch astragals and opening to shelves, the whole outlined with line inlay, raised on turned feet 98cm wide, 126cm high, 30cm deep £1,200-1,800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part III 113 302 VICTORIAN GOTHIC REVIVAL ROSEWOOD REGULATOR TABLE CLOCK, BY CHARLES FRODSHAM, LONDON MID‑LATE 19TH CENTURY the plain arched case enclosing a silvered dial with a large minutes chapter, subsidiary seconds dial above an hour aperture, signed CHAS. FRODSHAM./ MAKER TO THE QUEEN./84 STRAND, LONDON., above a trefoil moulded base, all raised on squat gilt feet, with a fusee movement and original key signed FRODSHAM/LONDON 33.5cm wide, 46cm high £2,500-3,500

Note: Charles Frodsham (1810-1871) was one of the most significant and finest makers of clocks, watches and chronometers of the 19th century. He was born into a dynasty of horologists and was apprenticed to his father, William, at the age of 14. He started his own business in 1834, and expanded the company after purchasing John Roger Arnold’s business following Arnold’s death.

Frodsham’s company were well known for making some of the best carriage clocks during the 1800s, and during the latter part of the 19th century, for their time-precision regulator clocks.

This particular clock is unusual for being a table regulator; Frodsham’s were largely known for making floor‑standing regulators for observatory use, and wall clocks for domestic purposes.

303 VICTORIAN GOTHIC REVIVAL OAK PEDESTAL DESK

MID 19TH CENTURY of small size, the top with a tooled and gilt black leather writing surface over a central frieze drawer with Bramah locks, a dummy drawer opposing, flanked by banks of four short drawers with turned knob handles and plinth bases with castors 122cm wide, 76cm high, 69cm deep £2,000-3,000

Arms, Armour & Sporting

304 FLINTLOCK BOX-LOCK TURN OFF MINIATURE CANNON BARRELLED MUFF PISTOL CIRCA 1790 the action signed DUNDERDALE AND MABSON, with a walnut flat sided butt with a blank shield shaped escutcheon, folding trigger and safety slide, in an associated mahogany pistol case with facsimile trade card, with a powder flask and turnscrew with ebony handle 4.5 inches long £400-600

305 PAIR OF SMALL FLINTLOCK TRAVELING PISTOLS,

BY J. BARTON, LONDON

CIRCA 1810 the flat bolted locks and re‑browned barrels signed J BARTON, with silver fore-sights, engraved sighted barrel tangs with false breeches, rain proof pans, roller frizzen springs and walnut full stocks with chequered butts, each section of the chequering struck with a miniature quatrefoil, with iron trigger guards engraved with pineapple finials, and single ramrod pipes with replacement ramrods (2) 4 inch barrels, 8 inches overall £3,000-4,000

Note: Wogdon & Barton (founded by Robert Wogdon) was an 18th century firm of gunsmiths based in London. Robert Wogdon produced flintlock firearms from the 1760s, and was particularly well known for his high quality duelling pistols. The name Wogdon became synonymous with duelling, to the extent that duels in England were sometimes referred to as ‘a Wogdon affair’. Wogdon formed a partnership in 1794 with John Barton, after which their pistols were signed Wogdon and Barton. Wogdon retired in 1803 and died in 1813 aged 79 years and was buried with his wife Jane (died 1805, aged 69) in the chancel of St Bartholomew’s Church, located on the outskirts of Buntingford, Hertfordshire.

116 Lyon & Turnbull 306 TWO CONTINENTAL FLINTLOCK SERVICE MUSKETS

CIRCA 1800 the first 20 bore, with a round tapering barrel, struck at the breech with liege proof marks, walnut full stock with brass furniture, the stock struck with liege mark and inventory number 1436, with original iron ramrod and sling swivels, barrel 100cm long; the second, 16 bore, of similar form and design, with liege proof marks and inventory number 1436A, barrel 100cm long; together with a FLINTLOCK LARGE BORE WILD FOWLING GUN, circa 1760, with elm half stock and iron mounts, barrel 98cm long approx. (3) Provenance: Collection of the late Donald MacKenzie £4,000-6,000

307 DOUBLE-CASED 14 BORE DOUBLE BARREL PERCUSSION SPORTING GUN,

BY JOHN MANTON AND SON, LONDON

signed on the top rib of the browned Damascus barrels JOHN MANTON AND SON/6 DOVER STREET/PICCADILLY LONDON, with gunmaker’s view and proof marks and signed locks, with a figured walnut half stock and original ramrod, with accessories including two tin powder flasks, two leather shot flasks, a leather cased nipple wrench, a patch cutter, a bullet mould, a cap dispenser and a cleaning rod, enclosed in a two-tier brass mounted mahogany case with an engraved crest, on a later painted wood stand barrels 74cm long Note: John Manton was the most renowned of London gunmakers from the end of the 18th century until his death in 1834 he had no rival. £1,500-2,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Arms, Armour & Sporting 117

308 PAIR OF 20. BORE FLINTLOCK OFFICER’S PISTOLS,

BY W. KETLAND & CO., LONDON

CIRCA 1800 with flat engraved signed locks with rain proof pans and safety slides, engraved trigger guards with pineapple finials and engraved barrel tang, with re‑browned octagonal barrels engraved LONDON on the top flat, with gold touch hole and silver foresight, with barrel bolt escutcheons, the walnut chequered full stocks with the silver escutcheons, engraved ABJC, with a single ramrod pipe and original horn tipped ramrods, both with worms, in an associated brass bound fitted case, with a copper powder flask (2)

Note: W. Ketland was Thomas Ketland Sr’s eldest son. He was originally in partnership with his father, and William Walker, but petitioned to liquidate his part in the firm in 1800 with the partnership being dissolved the following year. He died in 1804 but the business carried on until at least 1831.

5 inch/13cm barrels £3,000-4,000

309 TWO CONTINENTAL BRASS MOUNTED FLINTLOCK SERVICE PISTOLS

EARLY 19TH CENTURY with walnut full stocks, brass butt caps with lanyard swivels, both with broken cocks (2) 27.5cm and 29cm long Provenance: Collection of the late Donald MacKenzie £300-500

118 Lyon & Turnbull

310 FINE PAIR OF LARGE 26-BORE SILVER MOUNTED DOUBLE BARREL FLINTLOCK HOLSTER PISTOLS BY ROBERT WOGDON, LONDON

CIRCA 1790 each with 12 inch long re-browned twist sighted double barrels engraved with a band of beadwork and gold line at the breech, with gold touch holes, engraved grooved tang, and flat bevelled bolted back-curved locks, with semi rain-proof pans, each signed ‘WOGDON’ and secured by one screw through the lock‑plate, with figured dark walnut half‑stocks and swelling flat‑sided butts with cast silver plaques of Minerva, engraved silver trigger‑guards with pineapple finials, silver shield escutcheons engraved with the crest of a Scottish boar’s head surmounted by the motto VIET VERTU TE (‘By strength and valour’) for Baird of Newbyth (by Haddington), with a single silver ramrod-pipe in the form of a double pineapple, silver barrel bolt escutcheons and silver-tipped replacement ramrods, in an original mahogany case with flush fitting brass D‑shaped handle engraved with a boar’s head crest, lined with light green baize with loading rods, later pistol flask with engraved crest, main spring cramp, turnscrews and bullet mould leather flint case (2) 12 inch/31cm barrels Note: General Sir David Baird (1757-1829) of Newbyth, Haddington was born in 1757, and joined the army in 1772 at the age of 15. He served in 73rd/71st Highlanders, during the end of the 18th century and purchased the rank of Lt. Colonel on a visit to London in 1789, during the period that these pistols were built. He returned to command his regiment in India the following year.

(General Sir David Baird Biography, chapter VI, page 73) We know from his biography that Captain Dalrymple wrote to David Baird at Newbyth to order horses to go, posthaste, to Horse Guards to purchase his new rank. To obtain his commission he required an agent and money. Agents in 1790 were based in Charing Cross and Whitehall (Horse Guards) a short walk from 2 Haymarket the premises of Robert Wogdon the renowned maker of precision duelling pistols. Wogdon was so well regarded that a stanza was written about him by an Irish volunteer that read: ‘Hail Wogdon patron of that leaden death’.

The silver mounts on these pistols are not hallmarked and the barrels bear no proof marks, which was a money-saving scheme adopted by Wogdon: if the pistols were bound for India he could save on the assay and proof fees by not submitting them.

Knowing he was returning to India, it is very likely Baird decided to arm himself with a pair of double barrelled pistols by this renowned maker.

By 1799 he had become a renowned Scottish soldier with the rank of Major General and led the attack on Tipu Sultan at Seringapatam. A full length portrait of David Baird by Sir David Wilkie hangs in the Scottish National Portrait Gallery in Edinburgh.

Literature: Hook, T. E., The Life of General, The Right Honourable Sir David Baird, Bart G.C.B. K.C. &c. &c. (R. Bentley, 1832, London); The National Gallery of Scotland, The Tiger and the Thistle: Tipu Sultan and the Scots in India 1760-1800 Exhibition Catalogue, 29 July-3 October 1999. £20,000-30,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Arms, Armour & Sporting 119

120 Lyon & Turnbull 311 ENGLISH 16. BORE SIDE‑BY‑SIDE SPORTING SIDE LOCK EJECTOR GAME GUN, BY COGSWELL & HARRISON

CIRCA 1947 Huntic Model, serial number 60503, with rose and scroll engraved case with hardened side plates, acanthus leaves engraved on the breech, with an assisted opening top lever and sliding safety, safe indicator in gold, blued trigger guard, top rib and locks, with blued 27.5 inch barrels and 2.5 inch chambers nitro, London gunmaker’s proof marks, engraved COGSWELL AND HARRISON/168 PICCADILLY/LONDON, with a well figured walnut straight hand stock and chequered grip with tear drops, blank white metal escutcheon, chequered fore-end with engraved mounts, in its original green baize lined fitted leather case with trade card, including some accessories 27.5 inch barrels, 13.5 inch stock Please note that the purchaser of this lot must have a valid shot gun certificate or current RFD. £2,000-3,000

312 SCOTTISH 12 BORE BOXLOCK EJECTOR SIDE‑BY‑SIDE SPORTING GUN, BY W. HURTON, GLASGOW

serial no. 2491, the plain lock engraved W.HURTON, with blued 28 inch barrels, the rib engraved W. HURTON/93 BUCHANAN ST./GLASGOW, with a walnut straight hand chequered stock and fore end, the escutcheon engraved JHC 2., with a sliding safety top lever 14.5inch stock, 28inch barrels Please note that the purchaser of this lot must have a valid shot gun certificate or current RFD. £300-500

313 12 BORE SIDE LOCK SIDE-BY-SIDE NON-EJECTOR SPORTING GUN, BY JOSEPH GREEN, LONDON

the top rib and locks engraved JOSEPH GREEN & SON/84 BOND STREET/ LONDON, with nitro proof Damascus barrels, 2.5 inch chambers, off center patent top lever, engraved side plates with cocking indicators, and a walnut straight hand chequered stock with rubber butt extension, with blued trigger guard, fore end with inset lever catch, with a leather leg of mutton case, a game bag and cartridge belt (4) 30 inches/70cm barrels Please note that the purchaser of this lot must have a valid shot gun certificate or current RFD. £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Arms, Armour & Sporting 121 314 PAIR OF SILVER MOUNTED FLINTLOCK HOLSTER PISTOLS, BY DANIEL MOORE, LONDON HALLMARKED LONDON 1774 each with brass locks and barrels signed MOORE, LONDON, struck with London gunmaker’s view and proof marks, and with DM makers mark at breech, with silver furniture in the rococo style and shell-form trigger guard finials, hallmarked London, 1774 with marks for John King, with polished walnut full stocks with spurred silver butt caps and grotesque mask finials, the silver ramrod pipes and side plates holding horn tipped ramrods, in a later fitted brass bound mahogany case, with a black leather powder flask stamped with initials on the brass mount, and further accessories (2) 18ins overall Note: Daniel Moore of 24 Fenchurch St, London was a supplier of firearms to the East India Company and later to the Board of Ordnance in 1780. In 1778 he offered to supply 400 muskets a month at £1-7s-6d.

Literature: Bailey, De Witt, British Board of Ordnance Small Arms Contractors, 1689-1840 (W. S. Curtis, 1999) £8,000-12,000

122 Lyon & Turnbull

315 ENGLISH SILVER HILTED SMALL SWORD

316 ENGLISH SILVER GILT PATTERN 1796 INFANTRY OFFICER’S SWORD

HALLMARKED 1765 struck on the arms of the hilt with London hallmarks for 1765, with maker’s mark for William Kinman, the hilt cast with trophies of arms and martial symbols, with a pierced ovoid pommel grip, flat silver ribbon and wire triangular tapering colichemarde blade with central fuller, in an original silver mounted calf leather scabbard, the top locket signed CROFT/LONDON

HALLMARKED 1794 struck with London hallmarks for 1794 and maker’s mark for Francis Turkle, the octagonal pommel double shell guard grip of silver wire above the double edged re-blued blade, engraved with the Royal Arms and motto for ‘My country and king’ 32 inch/81cm blade Provenance: From the contents of Restenneth Priory, Angus

33 inch/84cm blade Provenance: From the collection of R. A. Lee, Byfleet Manor, Sotheby’s, London, November 28 2002, Lot 242

£2,000-3,000

£1,800-2,200

317 SILVER HILTED HANGER

CIRCA 1780 with a cast silver lion’s head pommel and bone hilt bound with a triple twist of wire, above the recurved quillion struck with a rubbed hallmark, flanking an engraved quillion block, with a flat section single edge tapering blade, double edged six inches from the tip, in black leather scabbard with white metal locket and chape 21.5inches/55cm blade

318Y BRASS STIRRUP HILTED SPADROON CIRCA 1800 with a cast brass eagle’s head pommel, above the hand guard with a later sword knot and a round‑section fluted ivory grip, the loop guard with five balls terminating in the downturned wrist guard, with a double edge curved sabre blade struck at the ricasso with a star and the name ‘LOUTS’, in a brass mounted black leather scabbard, with two suspension rings 38ins /97cm blade £800-1,000

£800-1,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Arms, Armour & Sporting 123 319Y ROYAL NAVY MIDSHIPMAN’S DIRK

320 ROYAL NAVY DIRK

CIRCA 1780 the chequered ebony grip with a circular brass pommel and engraved brass escutcheon depicting a fouled anchor, above slightly downturned brass quillions with shell terminals, the double edged blade with short fullers, in a brass mounted leather sheath, the top locket with brass suspension ring and engraved lines, with matching chape

CIRCA 1790 with a brass pommel and fluted ivory grip, inset with a brass escutcheon depicting a fouled anchor, above recurved quillions, with a slender double edged diamond section blade, in original black leather sheath with brass locket, suspension ring and frog button line, with matching brass chape

17inches/43cm blade

18inches/46cm blade

£600-800

£600-800

321 TWO EUROPEAN NAVAL BOARDING CUTLASSES

CIRCA 1790 with blackened hilts and single edge straight blades with single fuller at back edge (one blade reversed in hilt); together with a SLENDER DOUBLE EDGED RAPIER BLADE, with an associated grip and guard; a DOUBLE EDGE BROAD SWORD BLADE, 17th century, with a spherical iron pommel; a LEATHER SCABBARD; a broken SWORD HILT; and TWO SPEAR TIPS (qty) Provenance: Collection of the late Donald MacKenzie £400-600

322 GERMAN STAG HORN MOUNTED STONE BOW EARLY 18TH CENTURY with iron tiller, the bow and retaining screw lacking, the short stock inlaid with fruit, flowers and foliage decoration, and with stag horn butt and top panel 67cm long Provenance: Collection of the late Donald MacKenzie £150-250

124 Lyon & Turnbull

323 IRON CARRONADE

CIRCA 1820 of 6 pounder type cast with the Royal Crown with a ringed chasuble for the retaining rope , on a wooden sea service carriage barrel 112cm long; bore opening 4in. diameter Provenance: Collection of the late Donald MacKenzie £2,000-3,000

324 ROYAL NAVY RESERVE OFFICER’S COCKED HAT

CIRCA 1900 in original box; together with TWO PAIRS OF EPAULETTES, in their original boxes; a NAVY SWORD BELT; and a FRAMED PHOTOGRAPH, of a high ranking officer, seated (5) £200-300

325 THE LIFE GUARDS: TROOPER’S FULL DRESS TUNIC, HELMET, BREAST AND BACK PLATES

the modern scarlet tunic with blue facings, embellished with gold lace and similar wrist panels, anodised aluminium buttons, gold bullion aiguilettes, and a white blancoed leather belt, with brass trimmed plated breast and back plates, the helmet with white horsehair plume and eight pointed star badge surmounted by the Royal crown with motto HONI SOITQUI MALY PENSE above St George and the Dragon, with a leather-lined brass chinstrap with rosette bosses, on a modern stand £1,500-2,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Arms, Armour & Sporting 125

326 ASIAN RECURVED LAMINATED AND LACQUERED HORSEMAN ARCHER’S BOW

CIRCA 1790 with traces of original decoration, with a group of twelve bamboo arrows (13) bow 93.5cm long; arrows 74cm long approx.

327 INDIAN IRON PIPE TOMAHAWK HEAD 23.5cm wide Provenance: Collection of the late Donald MacKenzie £400-500

Provenance: Collection of the late Donald MacKenzie £500-700

329 TWO PAIRS OF SNOWSHOES 328 TWO YEW WOOD BOWS

with horn string notches, one full length, 178cm long; the other short length, 136cm long; together with a GROUP OF SEVEN VARIOUS SPEARS, longest spear 206cm long; a TRIBAL EBONISED STAFF, with a knopped top, 130cm long; and two BAMBOO STICKS, 86cm long approx. (qty) Provenance: Collection of the late Donald MacKenzie £250-350

including a smaller pair, 95cm long approx.; and a larger pair, with original straps, 108.5cm long approx. (4) Provenance: Formerly at Glentrium and the Macpherson family, by descent Note: Duncan Macpherson of Glentrium left his family castle in Newtonmore, Scotland in the 1880s to prospect for gold in British Columbia and spent most of his working life in Canada and a time in Mexico. He returned to Scotland in later life and brought with him souvenirs of his travels. It is likely that these snowshoes entered the Macpherson family at this time, and have been handed down by descent since. £150-250

British Furniture & Works of Art: Part IV 330 VICTORIAN WALNUT LIBRARY TABLE

BY GILLOWS

MID 19TH CENTURY the rectangular top with a moulded edge above three short frieze drawers, the centre drawer stamped GILLOW, on turned and reeded tapered legs ending in brass caps and castors 116cm wide, 76cm high, 60cm deep £1,200-1,800

331 VICTORIAN MAHOGANY BOWFRONT CHEST OF DRAWERS

19TH CENTURY the bowfront top with a moulded edge above three short drawers over three long graduated drawers with line inlay, on shaped bracket feet 116cm wide, 98cm high, 60cm deep £400-600

332 VICTORIAN MAHOGANY LINEN PRESS

MID 19TH CENTURY the moulded cornice above a pair of panel doors opening to sliding trays and a pair of short drawers’ the lower part with four graduated drawers, on a plinth base 148cm wide, 215cm high, 65cm deep Provenance: Estate of the late Rachel Teggart £500-700

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part IV 127 333 EARLY VICTORIAN OAK LIBRARY TABLE

MID 19TH CENTURY the rounded rectangular top with a distressed leather writing surface, above three frieze drawers, with three further drawers opposing, raised on turned and tapered legs ending in brass caps and pierced castors 198cm long, 74cm high, 137cm deep £500-700

334 SMALL VICTORIAN MAHOGANY PEDESTAL DESK

MID 19TH CENTURY the rectangular top with a moulded edge and green leather insert, over three frieze drawers raised on banks of three short drawers on plinth bases with castors 107cm wide, 77cm deep, 71cm deep £700-1,000

335 EARLY VICTORIAN MAHOGANY LINEN PRESS

MID 19TH CENTURY the moulded cornice above a pair of panel cupboard doors enclosing sliding trays; the base with two short and two long drawers, raised on shaped bracket feet 124cm wide, 196cm high, 56cm deep £500-700

128 Lyon & Turnbull 336 VICTORIAN OAK WATERFALL BOOKCASE IN THE MANNER OF RICHARD BRIDGENS

19TH CENTURY the scrolled and pierced crest rail over four graduated shelves, outlined with ebonised bead decoration, raised on flattened bun feet 144cm wide, 177cm high, 33cm deep £600-800

337 VICTORIAN OAK FRAMED BRASS DINNER GONG

19TH CENTURY the beaten brass gong suspended in a ring turned arched frame on trestle legs joined by a turned stretcher 65cm wide, 96cm high; gong 43cm diameter £400-600

338 LARGE SET OF EIGHTEEN VICTORIAN OAK DINING CHAIRS

19TH CENTURY the padded scroll backs flanked by fluted columns above serpentine stuffover seats, raised on tapered, turned and fluted legs ending in porcelain castors; fourteen upholstered in green leather, two in green velvet, and two in pale grey faux leather (18) 40cm wide, 90cm high, 48cm deep Provenance: Collection of the late Donald MacKenzie £3,000-5,000 (Picture on opposite page)

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part IV 129

130 Lyon & Turnbull

340 VICTORIAN JASPERWARE AND BRASS MOUNTED COROMANDEL BOX

339 VICTORIAN BRASS MOUNTED COROMANDEL BOX

19TH CENTURY the domed hinged cover opening to a later interior fitted for stationery, with engraved brass mounts and jasperware roundels

19TH CENTURY the arched hinged cover opening to a void interior, with pierced brass mounts and lock plate, raised on ball feet

23cm wide, 16.5cm high, 13cm deep

24.5cm wide, 21cm high, 13.5cm deep

£500-700

£300-500

342Y VICTORIAN TORTOISESHELL ARTIST’S PAINT BOX

341 VICTORIAN SILVER PLATED BRASS STIRRUP CUP

19TH CENTURY of rectangular form with ivory line inlay, opening to a silk‑lined and fitted interior with a lift-out tray, palette and accessories

19TH CENTURY modelled as a roe deer head, on a brass collar 23cm high (chin to tip of antlers)

25.5cm wide, 9cm high, 19cm deep

£300-500

343 EARLY VICTORIAN TEAK CAMPAIGN CHEST

19TH CENTURY with a hinged top, bale handles to the sides, and turned feet 109cm wide, 64cm high, 56cm deep £250-350

£700-1,000

344 VICTORIAN GRAIN PAINTED WALNUT BRASS MOUNTED STATIONERY BOX

19TH CENTURY the hinged slant top mounted with a Derbyshire marble reserve depicting flowers, opening to a void interior with a silk-lined lid and retailiers label J & T. FORGIE/93 BUCHANAN ST./ GLASGOW, with a further paper label to the underside

345 VICTORIAN BRASS MOUNTED COROMANDEL BOX

19TH CENTURY the domed hinged cover opening to a void interior, with pierced brass mounts and handle, and a key 18.5cm wide, 13.5cm high, 10cm deep

346 THREE DERBYSHIRE MARBLE DESK ITEMS 19TH CENTURY all with flower inlay, comprising a small set of gilt brass postal scales with three weights, 17cm wide; a rectangular paperweight, 11.5 x 8cm; and a small lidded box, 11cm wide (3) £250-350

£250-350

24cm wide, 18.5cm high Provenance: Estate of the late Rachel Teggart £200-300

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part IV 131

347 VICTORIAN PAINTED WOOD SHIP HULL MODEL 19TH CENTURY painted green and black 160cm long £400-600

348 ERZGEBIRGE PAINTED WOOD MODEL TRAIN SET MID‑19TH CENTURY comprising six carriages on wheels, with passengers; nine trees, of various sizes; and a track (qty) £300-500

349Y THREE MINIATURE VICTORIAN MAHOGANY FURNITURE PIECES

19TH CENTURY comprising a sideboard with a scroll carved back and rexine covered top, 43.5cm wide, 49cm high; and two Scottish column chests fitted for jewellery, one 43.5cm wide, 52.5cm high, the other 49.5cm wide, 56cm high (3) £300-500

132 Lyon & Turnbull 350 VICTORIAN BURR WALNUT GAMES TABLE

19TH CENTURY the pivotting fold-over rounded rectangular top opening to a green baize playing surface, on pierced vasiform end supports joined by a turned stretcher and ending on scroll trestle feet with porcelain castors 92cm wide, 74cm high, 46cm deep £400-600

351 VICTORIAN MAHOGANY WELLINGTON CHEST

19TH CENTURY the square cornice over seven drawers on a moulded plinth base, the top drawer with a fall front and fitted with pigeon holes 62cm wide, 120cm high, 37cm deep Provenance: Estate of the late Rachel Teggart £400-600

352 VICTORIAN WALNUT BOOKCASE CABINET MID 19TH CENTURY the moulded cornice above arched glazed doors opening to adjustable shelves flanked by scroll carved brackets; the base with a pair of arched moulded panelled doors enclosing a shelved interior and flanked by further scroll brackets, on a plinth base 127cm wide, 229cm high, 56cm deep £2,000-3,000

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part IV 133

353 EARLY VICTORIAN BRASS GASOLIER COLUMN, BY CORNELIUS, PHILADELPHIA

19TH CENTURY, CONVERTED the leaf clasped hexagonal shaft mounted with three classical ladies, previously fitted for gas 174cm high £800-1,200

354 VICTORIAN CARVED AND PAINTED FIRE SURROUND

19TH CENTURY the leaf carved and moulded mantel above a deep convex frieze carved with oak leaves 151cm high, 155cm wide; interior 115cm high, 115cm wide £500-800

355 SET OF GEORGIAN STEEL AND BRASS FIRE IRONS

EARLY 19TH CENTURY comprising a poker, 74.5cm long; a pierced shovel, 74cm long; and a pair of tongs, 74.5cm long, with brass sprial handles and domed terminals, (3) £300-500

356 VICTORIAN BRASS CLUB FENDER LATE 19TH CENTURY the D shaped padded cushion top in light brown plush, above openwork scrolling brass supports 170cm wide, 64cm high, 47cm deep £2,000-3,000

134 Lyon & Turnbull 357 MAHOGANY REGULATOR BY ROBERT MILLAR, EDINBURGH

LATE 19TH CENTURY the arched pediment above a silvered dial with Arabic number Minutes chapter and subsidiary hours and seconds dials, above a glazed trunk door enclosing a mercury filled pendulum, on a plinth base 194cm high £3,000-5,000

358 EARLY VICTORIAN ROSEWOOD LOO TABLE

MID 19TH CENTURY the shaped oval tilt top above a serpentine apron, above a facetted baluster column raised on acanthus and floral carved cabriole legs ending in scroll feet, on porcelain castors 145cm wide, 72cm high, 105cm deep £800-1,200

359 LARGE VICTORIAN BUTTON UPHOLSTERED SOFA MID 19TH CENTURY the serpentine button tufted back above a deep seat and wide scroll arms, on mahogany turned legs with later porcelain castors, in pale yellow foliate pattern upholstery 246cm wide, 84cm high, 75cm deep £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part IV 135 360 PAIR OF EARLY VICTORIAN MAHOGANY HALL CHAIRS,

BY WYLIE & LOCKHEAD, GLASGOW

MID 19TH CENTURY the circular shield backs carved with stylized sunflowers, roundels and studs, above bow front seats raised on scroll legs carved with anthemions, stamped WYLIE & LOCKHEAD/ GLASGOW and 22157 (2) 45cm wide, 93cm high, 36cm deep £800-1,200

361 SET OF VICTORIAN EBONISED, PAINTED, AND ABALONE QUARTETTO TABLES

MID 19TH CENTURY the largest table with a shaped top painted with dogs in a polychrome and gilt border; the next with an abalone inlaid games board; the remaining tables painted with further dogs, on bobbin turned legs and trestle supports (4) 61cm wide, 72cm high, 41cm deep £800-1,200

362 VICTORIAN MAHOGANY AND BRASS STICK STAND BY JAMES SHOOLBRED & CO.

19TH CENTURY the panelled back with brass gallery, finials, feet, and a design registration lozenge, the base with drip pan 58cm wide, 99cm high, 26cm deep £1,200-1,800

363 EDWARDIAN MAHOGANY MASTER’S WING ARMCHAIR

BY JAMES SHOOLBRED & CO. EARLY 20TH CENTURY in the Chippendale style, the part upholstered back above C scroll carved splats, part padded arms, and a shaped panel seat, on cabriole legs, bearing a ivorine trade label ‘FROM JAS. SHOOLBRED & CO/TOTTENHAM COURT ROAD/LONDON, W.’ 62cm wide, 124cm high, 55cm deep £300-500

364 PAIR OF EDWARDIAN MAHOGANY METAMORPHIC LIBRARY STEPS EARLY 20TH CENTURY with three red leather lined steps

38cm wide, 71cm high, 30cm deep (closed) £250-350

136 Lyon & Turnbull

365 ROYAL WORCESTER PORCELAIN PART FRUIT SERVICE,

BY HARRY MARTIN DATED 1912

comprising two footed comports, 12cm high; two square dishes, 24cm wide; two oval dishes, 27cm wide; and ten plates, 22cm diameter; each painted with a central scene of fruit and signed H. MARTIN, on a cobalt blue ground with pink reserves and gilt highlights, with puce printed maker’s marks and variously painted W/8860 in red (16) £2,500-3,500

366 FREDERICK SCHENK FOR GEORGE JONES, PÂTE-SUR-PÂTE PORCELAIN VASE LATE 19TH CENTURY of flattened ovoid form with twin loop handles flanking the everted rim, above an oval reserve depicting a classical scene of a lady and putto fishing, signed SCHENK, with faint gilt shape number 5639A 15.5cm high £200-300

367 MAHOGANY CASED ‘STORMOGRAPH’ (RECORDING BAROMETER) BAROGRAPH, BY SHORT & MASON LTD., LONDON

FIRST HALF 20TH CENTURY in a glazed case, with brass instruments including a ‘Stormoguide’ forecast dial marked S&M/STORMOGRAPH, above a single drawer with manufacturer’s booklets and graph charts 37cm wide £400-600

368 ROYAL WORCESTER PORCELAIN PART DESSERT SERVICE

19TH CENTURY comprising four low comports, 24cm diam.; and six dessert plates, 23cm diam.; all painted with flowers within sepia printed borders and celeste blue bands, with maker’s marks and painted number 9522/F (10) Provenance: Estate of the late Rachel Teggart £150-250

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part IV 137 369 EDWARDIAN EASY ARMCHAIR

EARLY 20TH CENTURY the scroll padded back above a deep loose cushion seat and low scroll arms, raised on square tapered legs ending in porcelain castors; in red stripe cotton ticking upholstery 87cm wide, 85cm high, 71cm deep £800-1,200

370 EDWARDIAN EASY ARMCHAIR

EARLY 20TH CENTURY the low padded back above a deep seat and scroll arms, raised on square tapered legs, the rear leg stamped ‘S&S 245’ on brass castors; in red stripe cotton ticking upholstery 95cm wide, 90cm high, 72cm deep £800-1,200

371 EDWARDIAN PAINTED SATINWOOD TABLE

EARLY 20TH CENTURY the rounded rectangular top painted with a musical trophy and ribbon tied flower sprays, raised on slender square tapered legs painted with husk trails 67cm wide, 75cm high, 43cm deep £300-400

372 VICTORIAN PAINTED SATINWOOD WORK TABLE

LATE 19TH CENTURY the oval hinged top painted with putti and foliate scrolls, above a silk covered work box, raised on slender square tapered legs ending in spade feet 55cm wide, 74cm high, 40cm deep £300-400

138 Lyon & Turnbull

373 VICTORIAN MAHOGANY SEVEN PIECE PARLOUR SUITE

LATE 19TH CENTURY in the Georgian Revival taste, comprising a settee, pair of armchairs and four side chairs, with foliate carved and pierced backs above serpentine seats, on cabriole legs (7) Settee 122cm wide, 104cm high, 54cm deep; armchair 65cm wide, 101cm high, 51cm deep £400-600

374 EDWARDIAN MAHOGANY BOOK TROUGH

EARLY 20TH CENTURY with a five division trough raised on ring turned legs joined by a X-stretcher and ending in pad feet 93cm wide, 85cm high, 39cm deep £300-500

375 BLACK LACQUER CABINET ON STAND 20TH CENTURY of cubic form decorated in the Chinese taste with figures in a garden and temples, opening to a red lacquer and shelved interior, raised on cabriole legs ending in pad feet 77cm wide, 156cm high, 51cm deep £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

British Furniture & Works of Art: Part IV 139 376 AFTER FREDERIC REMINGTON (AMERICAN 1861-1909)

’THE CHEYENNE’ bronze with brown patina, the plinth inscribed FREDERIC REMINGTON 56cm wide, 52.5cm high £2,000-3,000

377 NOVELTY BRASS TABLE GONG, OF TENNIS INTEREST

LATE 19TH/EARLY 20TH CENTURY the gong suspended within a brass net, above a sprung tennis racket for holding papers and a ball-form inkwell, all fitted on an oak base; with an associated mallet base 25.5cm wide £400-600

378 PAIR OF GLAZED SEWER TILES 19TH CENTURY modelled as a recumbent lions with paws crossed, on chamfered rectangular bases (2) 20cm long £200-300

379 TWO WALKING STICKS

LATE 19TH CENTURY the first with a boxwood handle carved as Pierrot, on an ebonised shaft, 92cm long; the other with a white metal and niello handle in the Japanese taste, indistinct marks and initials, on a bamboo shaft, 92cm long (2) £200-300

380 SET OF LARGE BRASS SCALES, BY DOYLE AND SON, LONDON

LATE 19TH/EARLY 20TH CENTURY marked to the lever DOYLE & SON/ BOROUGH/LONDON, with a set of seven graduated stacking weights, raised on a mahogany base

381 SET OF FOUR ‘BRIDGE’ CHROMO-LITHOGRAPHS, BY G. LACKERAY

DATED 1904 each with a scene of a young lady playing bridge with three men, signed G. LACKERAY, titled ‘1. MAY I PLAY TO HEARTS?’, ‘2. I DOUBLE HEARTS’, ‘3.

CHICANE’, and ‘4. RUFFLING A BLACK SUIT’; published by the Fine Art Society in giltwood frames (4)

75.5cm high, base 60.5cm wide

49 x 60cm

£200-300

£700-1,000

140 Lyon & Turnbull

382 PAIR OF EDWARDIAN ROSEWOOD DEMILUNE SIDE TABLES EARLY 20TH CENTURY the demilune tops over plain friezes raised on square tapered leg (2) 122cm wide, 79cm high, 61cm deep £400-600

383 EDWARDIAN UPHOLSTERED EASY ARMCHAIR

EARLY 20TH CENTURY the low square back above a deep seat and straight arms, raised on turned legs with porcelain castors 79cm wide, 92cm high, 64cm deep £300-500

384 STEEL AND LEATHER UPHOLSTERED CLUB FENDER

the red leather button upholstered seat rail raised on twisted and straight supports, on an oak moulded base 180cm long, 51cm high, 47cm deep £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part III 385 [§] WILLIAM MERVYN GLASS R.S.A. (SCOTTISH 1885‑1965) THE BRIDGE signed, oil on board

45cm x 56.5cm (17.75in x 22.25in) £800-1,200

386 ROBERT HOPE R.S.A. (SCOTTISH 1869‑1936) AUTUMNAL LIGHT signed, oil on board

17cm x 24.5cm (6.5in x 9.75in) £300-500

387 WILLIAM MOUNCEY (SCOTTISH 1852‑1901) CATTLE RESTING signed, oil on canvas

45cm x 74.5cm (17.75in x 29.25in) £500-700

142 Lyon & Turnbull

388 JAMES RIDDEL R.S.W. (SCOTTISH 1857‑1928)

389 JOHN LAWSON (SCOTTISH 1868‑1909)

21cm x 31cm (8.25in x 12.25in)

40cm x 49.5cm (15.75in x 19.5in)

£400-600

£400-600

390 ROBERT HOPE R.S.A. (SCOTTISH 1869‑1936)

391 WILLIAM KENNEDY (SCOTTISH 1859‑1918)

23cm x 28.5cm (9in x 11.25in)

28cm x 35.5cm (11in x 14in)

£400-600

£400-600

BIRCH TREES signed with initials, oil on panel

CATTLE IN THE SUNSHINE signed, oil on board

A QUIET COTTAGE signed, oil on canvas

AUTUMN AFTERNOON signed, oil on board

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part III 143 392 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.S.W., R.W.S. (SCOTTISH 1865‑1945) ROOFTOPS signed and dated ’27, mixed media 23.5cm x 33.5cm (9.25in x 13.25in) £300-500

393 PATRICK WILLIAM ADAM R.S.A. (SCOTTISH 1854‑1929) INTERIOR OF ST. GILES signed and dated 1915, oil on canvas

110cm x 60cm (43.25in x 23.75in) and accompanying book ‘Interior Paintings’ of a limited print run, signed by the artist (2) £700-900

394 JAMES R. MILLER (SCOTTISH FL.1880‑1910)

A CONTINENTAL MARKETPLACE signed, watercolour 37cm x 27cm (14.5in x 10.5in) £300-500

144 Lyon & Turnbull

395 [§] ANDREW ARCHER GAMLEY R.S.W. (SCOTTISH 1869‑1949)

396 [§] WILLIAM WILSON R.S.A., R.S.W. (SCOTTISH 1905‑1972)

63cm x 76cm (24.75in x 30in)

55cm x 75cm (21.75in x 29.5in)

£500-700

£400-600

397 GEORGE GROSVENOR THOMAS R.S.W. (SCOTTISH 1856‑1923)

398 [§] GEORGE HOUSTON R.S.A., R.S.W., R.I. (SCOTTISH 1867‑1947)

25.5cm x 35.5cm (10in x 14in)

44.5cm x 60cm (17.5in x 23.5in)

£300-500

£1,000-1,500

GULLANE signed, oil on canvas

A RIVER LANDSCAPE AT DUSK signed, oil on canvas

VENICE inscribed ‘April ‘79,’ pencil and watercolour

COTTAGE BY LOCH FYNE signed, oil on canvas

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part III 145

399 SIR DAVID YOUNG CAMERON R.A., R.S.A., R.S.W., R.W.S. (SCOTTISH 1865‑1945)

400 [§] SIR MUIRHEAD BONE H.R.S.A., H.R.W.S., H.A.R.I.B.A.,H.R.E., L.L.B., D.LITT. (SCOTTISH 1876‑1953)

19cm x 33cm (7.5in x 13in)

26.5cm x 41cm (10.5in x 16in)

£500-700

Provenance: R. & D. Colnaghi and Co., Christie’s, London, 11 October 1973, lot 51.

LORNE signed and inscribed, pencil and watercolour

WINTER EVENING, WEST RUNTON, NORFOLK, C.1936 signed, pastel on coloured paper

£300-500

401 ROBERT HOPE R.S.A. (SCOTTISH 1869‑1936)

402 WILLIAM SNODGRASS-BRYCE (BRITISH 1866‑1944)

24.5cm x 34.5cm (9.5in x 13.5in)

30cm x 45cm (11.75in x 17.75in)

£400-600

£800-1,200

THE MEADOW, EAST LINTON signed, oil on board

ON THE WAVES signed, oil on canvas

Continental Furniture & Works of Art 403 CARVED LIMESTONE PANEL OF SAINT MARTIN OF TOURS

14TH/15TH CENTURY depicting St. Martin on horseback with his sword raised, handing his cut cloak to a beggar, carved with the initials S M, with a modern wall mounting bracket 35cm wide, 38cm high £1,000-1,500

Note: The depiction of St. Martin of Tours was a popular subject for religious devotional items during the medieval period, and surviving artworks show that this particular scene was regularly portrayed during the 14th and 15th centuries, in a variety of media. St. Martin was a French soldier in the fourth century, who in an act of kindness cut his cloak in two and handed a beggar a portion of it at the gates of Amiens. Examples of this scene exist in not only religious institutions throughout the world, such as a piece carved in pietra serena in Nova Scotia, but in important museums including the V&A and the Cleveland Museum of Art.

404 VICTORIAN ITALIAN SPECIMEN MARBLE TABLE

19TH CENTURY the rectangular top with marble geometric inlay set in an ebonised and gilt frame raised on twin fluted end supports and curved trestle legs with porcelain castors 97cm wide, 71cm high, 54cm deep £800-1,200

405 PAIR OF ITALIAN WALNUT ARMCHAIRS LATE 17TH CENTURY the tall rectangular backs and wide padded seats in gros point floral needlework, and flanked by scroll arms on turned baluster supports, raised on trestle legs joined by spiral carved stretchers (2) 69cm wide 133cm high, 66cm deep £600-800

148 Lyon & Turnbull 406 PAIR OF DUTCH WALNUT MARQUETRY CHAIRS

18TH CENTURY the shaped backs and splats above serpentine drop in seats, raised on shell carved cabriole legs ending in claw and ball feet, with floral marquetry throughout (2) 52cm wide, 109cm high, 40cm deep £400-600

407 BAROQUE STYLE BRASS AND EBONY MIRROR

19TH CENTURY in the 17th century style, the bevelled mirror plate in a pierced floral repousse brass and ripple cut ebony frame with mirror margin plates 67cm high, 58cm wide £400-600

408 DUTCH WALNUT MARQUETRY TABLE 18TH CENTURY the rectangular crossbanded top inlaid with a flowering urn and bird marquetry, over a long frieze drawer, raised on spiral carved legs joined by a shaped X form stretcher, on turned bun feet with countersunk wood castors 98cm wide, 75cm high, 66cm deep £1,000-1,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 149 409 DUTCH WALNUT, MARQUETRY AND BONE INLAID SIDE TABLE

EARLY 19TH CENTURY the serpentine top with flowering urn and bird marquetry, over a long frieze drawer and shaped apron, raised on cabriole legs ending in carved claw and ball feet, with further profuse floral marquetry throughout 74cm wide, 72cm high, 47.5cm deep £600-800

410 DUTCH WALNUT AND MARQUETRY BOMBE DISPLAY CABINET

EARLY 19TH CENTURY the arched moulded cornice centred by foliate carving, above a glazed door and side panels enclosing velvet lined shelves; the base of bombe outline with four long drawers flanked by canted scrolled angles, raised on ebonised carved paw feet, profusely inlaid with floral marquetry 104cm wide, 191cm high, 50cm deep £2,500-3,500

411 DUTCH BOW FRONT WALNUT AND MARQUETRY COMMODE

EARLY 19TH CENTURY the deep D shaped top over a pair of frieze drawers and opposing tambour doors, raised on square tapered legs, with floral marquetry throughout 78cm wide, 82cm high, 46cm deep £600-800

150 Lyon & Turnbull

412 MINIATURE DUTCH MARQUETRY TABLE PLATEAU

CIRCA 1880 the dished top raised on a spreading concave base with splayed feet, inlaid with flower sprigs and sprays 28.5cm high, 45cm diam. £500-700

413 CONTINENTAL OAK AND FRUITWOOD STRONGBOX EARLY 18TH CENTURY of rectangular form, with an iron combination locking mechanism and two keys, opening to a void interior, with one removable side panel revealing a hidden drawer, on squat bun feet 48cm wide, 41cm high, 35.5cm deep £300-500

414 DUTCH-COLONIAL BRASS MOUNTED HARDWOOD BOX

LATE 17TH CENTURY of rectangular form, with pierced brass mounts and stud decoration, opening to void interior, above a base drawer 25.5cm wide, 11.5cm high, 19.5cm deep £300-500

415 PAIR OF WROUGHT IRON AND PATINATED METAL HANGING LANTERNS 20TH CENTURY in the Gothic taste, the hexagonal glazed sides beneath a foliate domed top and leafy drop finials, electrified (2) 49cm high, 32cm wide £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 151 416 BAROQUE STYLE ROSEWOOD AND MARQUETRY WRITING TABLE 19TH CENTURY the rectangular top with a red leather writing insert, above a frieze with floral marquetry, raised on spiral carved legs joined by a wavy X form stretcher 85cm wide, 72cm high, 57cm deep £800-1,200

417 DUTCH OAK BUREAU BOOKCASE

18TH CENTURY the arched cornice above a pair of moulded panel doors opening to a compartmented interior, the lower part with a slant front opening to an interior fitted with drawers and a recess, above three long serpentine drawers, raised on acanthus carved legs ending in claw and ball feet 117cm wide, 245cm high, 66cm deep £800-1,200

152 Lyon & Turnbull 418Y FRENCH REGENCE GILT BRONZE MOUNTED BOULLE TORTOISESHELL BRACKET CLOCK BY CLOUZIER, PARIS EARLY 18TH CENTURY the dial with individual enamel hours chapter and engraved seconds chapter and blued steel hands over a signed enamel plaque CLOUZIER A PARIS, in a boulle marquetry case surmounted with a trumpeting angel, the door with the seated figure of muse.

85cm high Note: Jacques Clozier, maìtre in 1692 working at various addresses in Paris during the first half of the 18th century. £2,000-3,000

419 CONTINENTAL MAHOGANY,KINGWOOD, ROSEWOOD, BURR WOOD, AND BRASS MARQUETRY SECRETAIRE À ABATTANT

LATE 19TH CENTURY the stepped brass banded top above a frieze drawer and fall front enclosing drawers, pigeon holes and a writing surface, over four further short drawers flanked by fluted columns, raised on turned feet 76cm wide, 141cm high, 40cm deep £700-1,000

420Y LOUIS XVI STYLE TORTOISESHELL AND GILT BRASS MANTEL CLOCK

EARLY 20TH CENTURY the red tortoiseshell case with a pagoda top and outlined with gilt metal mounts, surmounted by urn finials above an arched door enclosing a brass dial with enamelled Roman numeral chapters, the ebonised rear door with a brass presentation plaque , the eight day movement striking a gong, raised on toupie feet 34cm high £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 153

421 SET OF FOUR FRENCH GILT BRONZE WALL LIGHTS

19TH CENTURY each of rococo leafy form, the foliate back plates issuing two out-scrolling arms with cast nozzles and drip trays (4) 43cm high Provenance: by repute ex. Rowallan Castle, Ayrshire £1,500-2,500

422 GERMAN WALNUT, MAHOGANY AND FRUITWOOD PARQUETRY CABINET ON CHEST

18TH CENTURY the serpentine arched cornice centred by a carved foliate motif, above a pair of serpentine doors enclosing a painted shelved interior over a foliate carved recess; the lower part with three serpentine long drawers, on ebonised bun feet 118cm wide, 195cm high, 63cm deep £2,500-3,500

154 Lyon & Turnbull

423 LOUIS XV STYLE KINGWOOD AND MARQUETRY BUREAU PLAT BY MAISON LEGER EARLY 20TH CENTURY the rectangular gilt metal banded top with a black leather insert, above three frieze drawers and three dummy drawers opposing, raised on square cabriole legs ending in foliate cast sabots, the whole outlined in gilt bronze the drawer stamped ‘M ON LEGER’ 153cm wide, 78cm high, 81cm deep £1,200-1,800

424 FRENCH LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY BONHEUR DU JOUR EARLY 20TH CENTURY of serpentine outline, the top with a pair of doors enclosing shelves and flanked by figural gilt bronze mounts; the base with a secretaire drawer with red leather slope, on square cabriole legs, the whole outlined with gilt bronze mounts and inlaid with floral marquetry 78cm wide, 133cm high, 46cm deep £3,500-4,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 155

425 FRENCH PROVINCIAL FRUITWOOD COMMODE LATE 18TH CENTURY the rectangular top over two long drawers with guilloche carving and centred by a tapered pilaster, the handles with enamel roundels depicting classical figures en grisaille, raised on square tapered legs 118cm wide, 78cm high, 59cm deep £600-800

426 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK 19TH CENTURY the circular painted porcelain Roman number dial set in a gilt bronze case surmounted by a putto and flaming urn finials; over a porcelain plaque depicting bacchanalian putti flanked by gilt bronze caryatids, the back stamped P. H. MOUREY 69 39.5cm high, 19cm wide £400-600

427 FRENCH KINGWOOD, MARQUETRY, AND VERNIS MARTIN BOMBE SECRETAIRE

LATE 19TH CENTURY the moulded rouge marble top above a bombe fall front with a Vernis Martin panel enclosing void interior and baize writing surface, above a long drawer, raised on square tapered cabriole legs joined by a brass banded undertier 63cm wide, 126cm high, 37cm deep £600-800

156 Lyon & Turnbull 428 ROCOCO STYLE GILTWOOD AND GESSO OVERMANTLE MIRROR

19TH CENTURY the bevelled mirror plate in a carved openwork frame carved with acanthus, C scrolls, and shell motifs 145cm high, 125cm wide £500-800

429 PAIR OF LARGE LOUIS XV STYLE GILT BRONZE WALL SCONCES

19TH CENTURY each of rococo form, the foliate scroll backplates issuing three outscrolling candle arms, with leafy cast nozzles and drip trays (2) 63cm high approx. £600-800

430 TWO LOUIS XV STYLE GILTWOOD ARMCHAIRS LATE 19TH CENTURY

comprising a fauteuil with a cartouche shaped back, part‑padded arms and a wide serpentine seat, raised on cabriole legs, 63cm wide, 90cm high, 48cm deep; and a Louis XV style bergere with a wide arched back over enclosed arms and a wide seat, on cabriole legs, 69cm wide, 96cm high, 54cm deep; both in fawn patterned upholstery (2) £300-500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 157 431 PAIR OF BRONZE MARLY HORSES, AFTER GUILLAUMINE COUSTOU

19TH CENTURY dark brown patina, raised on D-form black marble bases (2) 41cm high Provenance: Collection of the late Donald MacKenzie £400-600

432 THREE CONTINENTAL BRONZE FIGURES

19TH CENTURY comprising THE BORGHESE WARRIOR, after the antique, 20cm high; and a PAIR OF FRENCH BRONZE PUTTI, emblematic of Winter, unsigned, on square slate bases, 17.5cm high (3) £500-700

433 GROUP OF FOUR SMALL CONTINENTAL BRONZES

19TH CENTURY comprising AMAZON ON HORSEBACK ATTACHED BY TIGER

by August Karl Edouard Kiss (1802-1865), with Zimmerman, Hanau, foundry stamps, on the slate base, 19cm high; a LION OF ST. MARK on a white marble base, 17.5cm long; a figure of MINERVA, on a stepped slate base, 25cm high; and the POMPEIIAN KANTHAROS, after the antique, 15.5cm wide (4) £200-300

434 AFTER EDOUARD DROUOT

CONTRAT DE MARIAGE two bronze figures of Cupid, dark brown patina, each with a quiver of arrows and a bow, one holding two hearts, the other a chain and handcuffs with the Contrat De Marriage; signed DROUOT, on rouge marble bases (2) 33.5cm and 34cm high £300-500

158 Lyon & Turnbull

435 FRENCH SECOND EMPIRE GILTWOOD, PATINATED METAL AND PORCELAIN MOUNTED GUERIDON

LATE 19TH CENTURY the circular top with a central porcelain panel depicting Napoleon, signed ‘Seller’, enclosed in a wide border inset with twelve porcelain circular plaques depicting various Napoleonic officers, noble ladies and gentlemen, on tripod cabriole legs joined by scroll stretchers united by an urn finial 60cm diameter, 77cm high £2,500-3,500

436 FRENCH GREEN ONYX COLUMN WITH GILT METAL MOUNTS LATE 19TH CENTURY the square top on a tapered column with gilt metal capital and foot, on a stepped square plinth base raised on gilt metal claw feet 34cm wide, 111cm high, 34cm deep £300-500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 159 437 LOUIS XVI STYLE KINGWOOD, TULIPWOOD, AND MARQUETRY BONHEUR DU JOUR EARLY 20TH CENTURY of cubic form with canted corners, the fall front inlaid with a flower‑filled basket, opening to an interior fitted for writing, above a single drawer and raised on square tapered cabriole legs, with gilt metal mounts throughout 43cm wide, 111cm high, 32cm deep £300-500

438 PAIR OF LOUIS XVI GILT METAL CANDLESTICK LAMPS

LATE 18TH CENTURY the urn-form candle nozzles above tapered reeded columns on beaded circular bases, now mounted as lamps, with square grey pleated silk shades (2) 54cm high overall £400-600

439 FRENCH KINGWOOD AND VERNIS MARTIN DISPLAY CABINET

EARLY 20TH CENTURY the shaped breche marble top above a frieze with gilt metal rams’ masks, laurel garlands, and musical trophies, over a bevelled glass and Vernis Martin panel door and concave side panels, opening to a red velvet lined interior with glass shelves, raised on cabriole legs with hairy paw sabots 91cm wide, 143cm high, 36cm deep £1,000-1,500

160 Lyon & Turnbull 440 LOUIS XVI STYLE KINGWOOD AND AMARANTH PARQUETRY BRASS BANDED BIJOUTERIE TABLE

LATE 19TH CENTURY the hinged top enclosing a faded red plush lined interior, above a brass banded parquetry frieze, raised on square tapered legs ending in sabots 76cm wide, 76cm high, 44cm deep £1,200-1,800

441 FRENCH LOUIS XVI STYLE KINGWOOD AND GILT BRONZE MOUNTED VITRINE CABINET

LATE 19TH CENTURY the rouge marble top over a frieze centred by a gilt bronze relief of putti, above a bevelled glass door opening to glass shelves and a red velvet lined interior, raised on square cabriole legs with paw sabots 68cm wide, 143cm high, 39cm deep Provenance: Estate of the late Rachel Teggart £500-700

442 CONTINENTAL PAINTED LEATHER FOUR-FOLD SCREEN

19TH CENTURY decorated in the Chinese taste with figures in a garden with pavilions, within a border of flower painted panels Overall 184cm wide, 176cm high £300-500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 161 443 FRENCH LOUIS XVI STYLE GILTWOOD ARMCHAIR

20TH CENTURY with a curved back and enclosed part-padded arms over a loose cushion seat, the moulded giltwood frame with ram’s head terminals and leaf carved scrolls, raised on fluted tapered legs, in dark blue acanthus and shell striped fabric 71cm wide, 102cm high, 59cm deep £300-500

444 FRENCH KINGWOOD, PARQUETRY, AND VERNIS MARTIN SECRETAIRE À ABATTANT

LATE 19TH CENTURY the rouge marble top above a frieze drawer with rinceau gilt metal mounts, over a Vernis Martin fall front enclosing a fitted interior and leather writing surface, raised on square cabriole legs with gilt metal mounts and sabots 59cm wide, 127cm high, 40cm deep £600-800

445 FRENCH GILTWOOD AND PAINTED THREE PANEL FLOOR SCREEN

19TH CENTURY painted with flowering urns and figural reserves in the classical taste against a pale green ground, in a moulded giltwood frame 160cm high, 157cm wide, £600-800

162 Lyon & Turnbull

446 FRENCH EMPIRE STYLE MAHOGANY, SATINWOOD, EBONISED AND BRASS MOUNTED BUREAU PLAT

EARLY 20TH CENTURY the rectangular top with outset rounded corners and a red leather insert with ratchet adjusted reading slope, above a central drawer flanked by pairs of short drawers with dummy drawers opposing, raised on fluted tapered legs 160cm wide, 79cm high, 84cm deep £600-800

447 PAIR OF FRENCH ENAMELLED METAL MODERATOR LAMPS

19TH CENTURY the celadon coloured bodies of bottle form, with gilt brass mounts and bases, with splayed silk shades, fitted for electricity (2) 39.5cm high (excluding fittings) £800-1,200

448 FRENCH DIRECTOIRE MAHOGANY AND BRASS MOUNTED SECRETAIRE À ABBATTANT EARLY 19TH CENTURY the rectangular top with a long drawer over a fall front opening to an interior fitted for writing, above a pair of doors opening to a void interior with a pair of base drawers, flanked by fluted corner columns, raised on turned feet with brass caps and castors 94cm wide, 141cm high, 39cm deep £400-600

449 PAIR OF BLACK SLATE MODELS OF THE TEMPLE OF DIANA

19TH CENTURY the domed tops with pineapple finials, above gilt metal reeded pillars enclosing bronze busts of Diana, raised on circular stepped plinth bases (2) 28.5cm high £250-350

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 163 450 FRENCH RESTORATION MAHOGANY SLATE TOP COMMODE EARLY 19TH CENTURY the rectangular black slate top above a frieze drawer and three further long drawers with gilt metal mounts, on a plinth base with rounded feet 128cm wide, 88cm high, 58cm deep £500-700

451 FRENCH EMPIRE STYLE MAHOGANY, MARBLE AND PATINATED METAL GUERIDON LATE 19TH CENTURY the circular verde antico marble top with a pierced gallery, raised on double column supports joined by a triform undertier, raised on splay legs ending in cast paw feet 30cm diameter, 78cm high £300-400

452 NAPOLEON III STYLE EBONY, MOTHER OF PEARL, ABALONE AND MARQUETRY CREDENZA

MODERN of serpentine outline, with a central panel door with floral marquetry, flanked by curved glazed doors enclosing cream damask lined interiors, with profuse floral and bird marquetry and outlined in gilt metal, on a conforming base raised on turned feet 123cm wide, 113cm high, 43cm deep £800-1,200

453 FRENCH EMPIRE STYLE MAHOGANY AND MARBLE TOP BOUILLOTTE TABLE EARLY 20TH CENTURY the circular black marble top raised on three square tapered legs with gilt bronze mounts, on a triform base centred by a gilt metal urn finial 67.5cm diameter, 76cm high £250-350

164 Lyon & Turnbull 454 FRENCH GILT BRONZE AND MARBLE THREE PIECE CLOCK GARNITURE

19TH CENTURY comprising a mantel clock depicting a classical female with a cherub, above a white enamelled dial with Arabic numerals, on a white marble base, the movement striking on a bell, raised on toupie feet, 33.5cm high; and an associated pair of gilt bronze flowering urns, raised on reeded column plinth bases, 49.5cm high (3) £800-1,200

455 FRENCH GILT BRASS REPEATER CARRIAGE CLOCK

LATE 19TH/EARLY 20TH CENTURY the bevelled glass case enclosing silvered panels decorated with gilt flowers and foliage, with a gilt chapter ring and Roman numerals, the repeating movement impressed B and striking on a gong 17.5cm high (handle up) Provenance: Estate of the late Rachel Teggart £500-700

456 LARGE FRENCH SLATE GILT BRONZE MOUNTED MANTEL CLOCK

19TH CENTURY the rectangular case surmounted by a tazza finial above a circular gilt dial with Roman numerals, flanked by satyr mask corner mounts, raised on scrolled rococo feet, the movement striking on a bell and inscribed WEBSTER & SONS/PARIS, with impressed numbers and initials 55cm high £400-600

457 FRENCH ROSEWOOD AND INLAY DESK CLOCK

EARLY 20TH CENTURY the case with a carrying handle and inlaid with scrolling flowers and foliage, enclosing a white enamelled dial with Roman numerals, the timepiece movement stamped R & CO./MADE IN PARIS 22cm high (handle down) £250-350

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 165

458 [§] LOUIS ALBERT CARVIN (1875-1951)

BONNE GARDE bronze, medium brown patina, signed L. CARVIN and inscribed BONNE GARDE, on a rouge marble plinth 22cm wide, 25cm high £300-500

459 AFTER O. RUFFONY

JOAN OF ARC bronze, dark brown patina, unsigned, on a square green marble base 22.5cm high £300-500

460 ADRIANO CECIONI (ITALIAN, 1836-1886)

ENFANT AU COQ bronze, golden brown patina, modelled as a child crying and clutching a cockerel, signed ADRIANO CECIONI, with an engraved plaque 29.5cm high £800-1,200

166 Lyon & Turnbull 461 ITALIAN CARVED ALABASTER FIGURE, SIGNED A. LUCHINI

EARLY‑MID 20TH CENTURY modelled as a nude young woman, standing against a waterfall, signed A. LUCHINI 60cm high £500-700

462 PAIR OF LARGE BERLIN PORCELAIN VASES

MID‑19TH CENTURY of baluster form, painted on both sides with reserves of flowers within gilt borders on a yellow ground, underglaze sceptre marks, converted to lamps, (2) 40cm high (excluding fittings) £300-400

463 NAPOLEON III EBONISED AND BRASS MARQUETRY CREDENZA

LATE 19TH CENTURY the breakfront top above three glazed doors outlined with scrolling foliate brass inlay, enclosing a purple plush lined shelved interior, on turned feet 176cm wide, 119cm high, 42cm deep £800-1,200

464 FRENCH GILT BRASS REPEATER CARRIAGE CLOCK

LATE 19TH/EARLY 20TH CENTURY the plain case with bevelled glass sides enclosing a white enamelled dial with Roman numerals, the repeating movement striking a bell 16.5cm high (handle up) £200-300

465 TWO SMALL BRONZE FIGURES

LATE 19TH AND 20TH CENTURY comprising a figure of Diana, after the Antique, dark brown patina, signed F. BARBEDIENNE, 20.5cm high; and a figure of a paperboy, by Antoine Bofill, signed BOFILL and impressed BRONZE to the base, 20cm high (2) £200-300

466 PAIR OF FAIENCE FIGURAL WALL BRACKETS 19TH CENTURY each modelled with a plain platform above faun supports, with swags of fruit and flowers, in polychrome enamels, and marked H/39 (2) 30.5cm high £200-300

467 PAIR OF DRESDEN PORCELAIN COVERED VASES LATE 19TH CENTURY with knop finials and domed covers above the ovoid baluster bodies, decorated with bands of putti on green and puce ribbons, within gilt borders, with underglaze blue maker’s marks and indistinct incised numbers (2) 35cm high £200-300

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 167

468 ROYAL VIENNA PORCELAIN PART DESSERT SERVICE LATE 19TH/EARLY 20TH CENTURY

comprising two footed comports, 14cm high; four low comports, 8cm high; and twelve plates, 20cm diam.; each centrally painted with a reserve of a classically draped young lady, signed RIEMER, within cobalt borders highlighted with gilt details, with maker’s marks and inscriptions to the reverse (18) Provenance: Estate of the late Rachel Teggart £2,500-3,500

469 GROUP OF ROYAL VIENNA PORCELAIN LATE 19TH/EARLY 20TH CENTURY

comprising a vase, 24.5cm high; and two covered urns, 11.5 and 12.5cm high; decorated with a band of classical figures on a gilt ground, within cobalt and gilt borders, with maker’s marks (3) Provenance: Estate of the late Rachel Teggart £300-500

470 AUSTRIAN COLD PAINTED BRONZE FIGURE GROUP

LATE 19TH/EARLY 20TH CENTURY modelled as a horse drawn haycart with two figures, the hinged cart opening to a void silk-lined interior, on a green marble base base 22cm long £800-1,200

168 Lyon & Turnbull

471 NOVELTY BLACK FOREST CARVED CHEST

LATE 19TH CENTURY in the form of a rope-tied stack of logs 54cm wide, 42cm high, 45cm deep £200-300

472 GOOD BLACK FOREST BEAR BENCH

LATE 19TH CENTURY of small size, the carved plank seat supported by twin carved standing bears with glass eyes 80cm wide, 60cm high, 23cm deep £3,000-5,000

473 BLACK FOREST BEAR HALL STAND

LATE 19TH /EARLY 20TH CENTURY carved as a standing bear with glass eyes supporting a pine tree, with a bear cub in the branches holding a mirrored crescent moon 220cm high, 52cm wide £1,500-2,500

474 GROUP OF BLACK FOREST CARVED WALL MOUNTS

LATE 19TH/EARLY 20TH CENTURY comprising a coat rack surmounted by an eagle, 72.5cm wide; a corner bracket with a chamois head support, 34.5cm high; a corner bracket with a lion’s mask support, 45cm high; a bracket with a carved eagle support, 51.5cm high; and two small hunt trophies, one with a rabbit, the other with game birds, 25cm high (6)

475 THREE BLACK FOREST CARVED NOVELTY FIGURES

LATE 19TH/EARLY 20TH CENTURY comprising a hunter under a tree with a hound and stag, previously a candlestick, 36cm high; an owl perched on a branch, 21cm high; and a watch stand with a game bird, 18cm high (3) £200-300

£400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Continental Furniture & Works of Art 169

476 GROUP OF BOHEMIAN GLASS

LATE 19TH CENTURY comprising a pair of green enamelled glass flower vases of slender form with roundels depicting portraits of children within gilt borders, 29.5cm high; and a cut glass bowl with red flash roundels decorated with gilt floral sprays, amongst gilt floral sprigs and C‑scrolls, 23.5cm diam.; (3) Provenance: Estate of the late Rachel Teggart £300-400

477 GOLDSCHEIDER BUST OF HUSSAR

EARLY 19TH CENTURY the polychrome and gilt bust with stamped marks; together with a MAHOGANY SQUARE TAPERED PEDESTAL (2) Bust 64cm high; pedestal 115cm high £500-700

478 ENAMELLED RUBY GLASS CASKET, PROBABLY MOSER

19TH CENTURY of rectangular form with gilt brass handles, the hinged lid opening to a void interior and marked 12., decorated with enamel butterflies and peonies, on open wirework ball feet 14.5cm wide, 13.5cm high Provenance: Estate of the late Rachel Teggart £300-500

479 FIVE BAROQUE STYLE CARVED WOOD WALL MOUNTS

LATE 19TH/EARLY 20TH CENTURY comprising a serpentine shelf carved with leaf scrolls and birds’ heads, 80cm wide; two small wall brackets, carved with lion’s masks, 21cm and 17cm high; a carved plinth with a pair of putti playing instruments, 28cm wide, 25.5cm high; and a wall plaque in the Grinling Gibbons manner, in the form of a lambrequin with flowers and a winged mask, overall 32.5cm high (5) £300-500

480 BIEDERMEIER ROSEWOOD AND GRAIN PAINTED TRIPOD WORKTABLE

481 SWISS WALNUT AND MARQUETRY OCCASIONAL TABLE

51cm wide, 77cm high, 44cm deep

55cm wide, 68cm high, 55cm deep

£200-300

£200-300

19TH CENTURY the rectangular top centred by an inlaid star medallion, above a single frieze drawer, on a central baluster column and scroll tripod legs

19TH CENTURY the square top over a box drawer, raised on splayed turned legs joined by an undertier, with stylised foliate and architectural marquetry panels

Pictures: Part IV 482 ATTRIBUTED TO MATTHIJS MARIS DUTCH SHIPPING oil on board

14cm x 23.5cm (5.5in x 9.25in) £400-600

483 19TH CENTURY SCHOOL LANDSCAPE IN INDIA oil on canvas

27cm x 43cm (10.5in x 17in) £400-600

484 19TH CENTURY FRENCH SCHOOL A COUNTRY PROCESSION indistinctly signed, oil on canvas 39cm x 85cm (15.25in x 33.5in) £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part IV 171 485 ERNEST GUSTAVE GIRADOT (FRENCH 1840-1904) THE BILLET‑DOUX signed, oil on canvas

61cm x 51cm (24in x 20in) £2,000-3,000

486 19TH CONTINENTAL SCHOOL FLORAL STILL‑LIFE oil on canvas, laid down on board 100cm x 80cm (39.25in x 31.5in) £400-600

172 Lyon & Turnbull 487 19TH CENTURY FRENCH SCHOOL A CONVENTION OF CLERICS oil on panel

21cm x 29cm (8.25in x 11.5in) £200-400

488 ITALIAN LATE 19TH CENTURY SCHOOL THE CARDINAL’S PINCH OF SNUFF indistinctly signed, watercolour 36.5cm x 25cm (14.5in x 9.75in) £400-600

489 ATTRIBUTED TO EDWARD CHARLES BARNES SCENES OF COUNTRY GIRLS bears signature, oil on canvas

30cm x 40cm (12in x 15.75in) complete canvas size, framed as though two separate scenes £500-700

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Pictures: Part IV 173

490 EUGENE DELACROIX (FRENCH 1798‑1863)

491 JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903)

JUIVE D’ALGER signed and dated 1833 in the plate, published by Cadart & Luquet, etching

THE WINGED HAT, 1890 lithograph

24.5cm x 18.5cm (9.75in x 7.25in)

20cm x 15.5cm (8in x 6.25in)

£400-600

£250-400

492 JAMES JACQUES JOSEPH TISSOT (FRENCH 1836-1902) SUR L’HERBE 1880, etching

19.5cm x 26.5cm (7.75in x 10.5in), excluding margins £500-700

493 [§] ROBIN TANNER (BRITISH 1904‑1988)

THE OLD THORN signed and inscribed ‘fec. et imp.’ in pencil to margin, margins trimmed down and the sections of margin inscribed with title and date ‘October, 1983’ in separate pieces, etching 16cm x 20.5cm (6.25in x 8in) £300-500

Taxidermy 494Y TAXIDERMY TIGER SKIN

EARLY 20TH CENTURY with full head mount, inset glass eyes, open painted mouth and teeth, with later backing 277cm long approx. (nose to tip of tail) £500-700

495Y TAXIDERMY TIGER SKIN, POSSIBLY

BY ROWLAND WARD

CIRCA 1930S with full head mount, inset glass eyes, open painted mouth and teeth, with navy backing and crimson trim, stamped 10990/18 to underside, and pencil marked 10990 to underside of head 266cm long (nose to tip of tail) £800-1,200

496Y TAXIDERMY LEOPARD SKIN

CIRCA 1920S with claws, on a black backing with black trim 217cm long Note: This leopard skin was shot during the early 20th century by Andrew Robb who was a friend of James ‘Jim’ Corbett, the British-Indian hunter, turned conservationist. Robb hunted with Corbett during a time when he was commissioned to cull man-eating tigers in India.

He worked in Darjeeling as an engineer on a single gauge railway which his father helped pioneer, and left this skin to his family at the time of his death. £300-500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Taxidermy 175

497 TWO TAXIDERMY INDIAN BLACKBUCK HEAD MOUNTS LATE 19TH/EARLY 20TH CENTURY

each mounted to an oak shield with brass plaques, inscribed PRESENTED TO THE DEPOT 91ST. HIGHLANDERS BY MAJOR, W. GURNEY, with paper labels for William Hope, 44 George Street, Edinburgh, 75cm and 72cm long (tip of horns to noses); together with a TAXIDERMY IMPALA HEAD MOUNT, 19th century, also mounted on an oak shield, with paper label for James Gardner, Oxford Street, London, 66cm long (tip of horns to nose) (3) £300-500

498 DOMED TAXIDERMY BIRD DISPLAY

19TH CENTURY comprising ten full mounted birds, including two green parakeets, all mounted on branches amongst foliage, in a domed glazed case 58.5cm high £250-350

499 GROUP OF TAXIDERMY FOXES 20TH CENTURY

comprising three full mounted examples, two standing on log bases, 90cm and 63cm long approx.; and a recumbent specimen, 62cm wide; and two head mounts, on shield‑shaped wall plaques, one with a metal plaque inscribed STIG/DEC. 88, shields 27cm and 26.5cm high (5) £300-500

500 CASED TAXIDERMY BUZZARD on a tree stump with greenery and pinecones, in a glazed wood case, 48.5cm wide, 71.5cm high; together with a CASED PAIR OF TAXIDERMY SPARROW HAWKS, on rockwork against a painted backdrop, in a wall mounted glazed ebonised case 44.5cm wide, 49.5cm high (2) £300-500

Indian & Asian Furniture & Works of Art

501 PAIR OF CHINESE HARDWOOD SIDE TABLES

19TH CENTURY the panel tops above recessed friezes and shaped aprons, raised on square straight legs ending in shaped block feet and joined by arched stretchers (2) 98cm wide, 87cm high, 50cm deep £2,000-3,000

502 SMALL BRIGHTON PAVILION STYLE BAMBOO CHAIR 19TH CENTURY the openwork back with a scroll crest rail above a hexagonal caned seat and lattice frame base 47cm wide, 77cm high, 39cm deep £400-600

503 PAIR OF JAPANESE CLOISONNÉ LAMPS

504 PAIR OF JAPANESE BLUE AND WHITE COVERED VASES

87cm high overall (including shades)

48cm high

£600-800

£200-300

LATE 19TH CENTURY converted from vases and wired for electricity, with French gilt bronze mounts and bases, of shouldered form decorated with attendants carrying a small litter/kago on a pink ground, with cream shades (2)

19TH CENTURY with pointed knop handles and domed covers, above the baluster bodies, decorated with scrolling white glazed dragons in relief, on a floral ground with reserves of birds and trees (2)

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Indian & Asian Furniture & Works of Art 177

505Y RARE SET OF EIGHT EROTIC MUGHAL CARVED IVORY PLAQUES

EARLY 19TH CENTURY each rectangular panel carved in relief depicting scenes of couples or groups engaged in amorous pursuits; six examples with Mughal figures and two panels with European men engaged with Mughal ladies (8) 10cm x 7.5cm approx. £2,000-3,000

506 INDIAN CARVED AND STAINED WOOD CHESS SET

19TH CENTURY one side black, the other white, the kings carved as equestrian figures, the queens as caparisoned elephants, in a fitted hardwood box with sliding panel lids with handles; stamped ‘MADE BY/YUMJAO SANA RAJKUMAR/OF/ KEISAMTHONG LONGJAM LEIKAI/P.O. IMPAL MANIPUR, ASSAM.’ King 7cm high; Queen 8cm high £250-350

507Y ANGLO-INDIAN SANDALWOOD WORKBOX

508Y RARE MUGHAL DAGGER (KHANJAR)

25.5cm wide, 12cm high, 19cm deep

blade 20cm long

LATE 19TH/EARLY 20TH CENTURY of sarcophagus form, profusely carved with elephants and foliage within inlaid ivory borders, opening to a fitted interior with lidded compartments, accessories and a mirror

£250-350

CIRCA 1790 with a two piece slab sided ivory grip and shaped pommel, below the iron cord holder finial, the lower hilt with gilt floral decoration, above gilded chiseled rose decoration at the forte and the curved double edged watered blade with central raised rib and double fillers £400-600

178 Lyon & Turnbull 509Y VIZAGAPATAM IVORY GAMES BOX

19TH CENTURY the hinged box styled as two books, with a horn inlaid chess board surface, opening to a backgammon board and three removable lidded boxes decorated with fruiting vine borders, containing ivory and ebony games and chess pieces 42.5cm wide, 9.5cm high, 23.5cm deep £400-600

510 PAIR OF LARGE BURMESE CARVED HARDWOOD JOSS STICK HOLDERS

LATE 19TH CENTURY the dished tops raised on circular platforms, above knopped and domed columns, profusely pierced and carved with flowers, foliage and animals (2) 55cm high £800-1,200

511 ANGLO-INDIAN CARVED TOILET MIRROR

LATE 19TH CENTURY the pierced and leaf carved frame enclosing an oval mirror plate, with adjustable easel/ratchet support, above a canted base with a single drawer, raised on scrolled feet 32cm wide, 52.5cm high £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Indian & Asian Furniture & Works of Art 179

512 PAIR OF PATINATED AND POLISHED BRASS HANGING LANTERNS 20TH CENTURY in the Persian taste, the pierced domed tops above octagonal sides with frosted glass, electrified (2) 45cm wide, 76cm high £400-600

513 PAIR OF INDIAN BRASS FILIGREE DOORS

MODERN each with three foliate and scroll panels mounted on hardwood frames, the same to the reverse each 199cm high, 55cm wide excluding hinges £1,000-1,500

Rugs & Carpets 514 TURKISH SILK PRAYER RUG

LATE 20TH CENTURY the cream mihrab with light brown spandrels, within light brown stylised foliate border 125cm x 74cm £300-500

515 KAZAK RUG

SOUTH CAUCASUS, LATE 19TH/ EARLY 20TH CENTURY the slate blue field with three olive and red rectangular medallions, within ivory hatched border 266cm x 158cm £1,200-1,800

516 HEREKE CIRCULAR RUG

WEST ANATOLIA, LATE 19TH/ EARLY 20TH CENTURY the grey field with orange medallion surrounded by animals, within cream script border and outer orange zig zag border 140cm diameter Left: Lot 528 detail

£500-700

182 Lyon & Turnbull 517 TEKKE CARPET

TURKMENISTAN, LATE 19TH/ EARLY 20TH CENTURY the red field with four columns of fifteen guls, within red octagon border, ziz zag pattern elem panels 366cm x 218cm £800-1,200

518 HERIZ CARPET

NORTHWEST PERSIA, 20TH CENTURY the red field with indigo and ivory medallion, ivory and red spandrels, within indigo rosette and vine border 360cm x 280cm £300-500

519 TEKKE CARPET

TURKMENISTAN, LATE 19TH/ EARLY 20TH CENTURY the red field with four columns of seven guls. within ivory stepped cruciform border 220cm x 215cm £250-350

520 TWO TEKKE BAGFACES

TURKMENISTAN, LATE 19TH/ EARLY 20TH CENTURY each with red field with six columns of six guls, within red X motif border, flowerhead elem panels (2) each approximately 115cm x 80cm £200-300

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Rugs & Carpets 183

521 SERAPI CARPET

NORTHWEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the red field with pink and indigo medallion, cream and red spandrels, within indigo turtle palmette and vine border 544cm x 341cm £10,000-12,000

184 Lyon & Turnbull

522 TABRIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY the grey field with allover foliate vine and palmette pattern, within similar rust border, signature to one end 416cm x 300cm £3,000-4,000

523 NORTHWEST PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY the indigo field with allover polychrome boteh pattern, within ivory stylised vine border 515cm x 100cm £300-500

524 NORTHWEST PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY the indigo field with allover herati pattern, within red stylised foliate border 323cm x 125cm £250-350

525 TWO NORTHWEST PERSIAN RUNNERS

LATE 19TH/EARLY 20TH CENTURY one with red field with allover boteh pattern, within triple ivory and red stylised vine borders; the other with indigo field with seven polychrome shaped medallions, within camel stylised foliate border (2) 452cm x 97cm and 320cm x 86cm £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Rugs & Carpets 185 526 QUM RUG

CENTRAL PERSIA, 20TH CENTURY the field with alternating bands of cream and rust with foliate motifs, within cream foliate border 205cm x 140cm £1,000-1,500

527 CENTRAL PERSIAN PRAYER RUG

EARLY 20TH CENTURY the cream mihrab with brownish-red medallion, similar spandrels, within brownish-red palmette and vine border 220cm x 140cm £500-700

528 KASHAN SILK RUG

CENTRAL PERSIA, LATE 19TH/ EARLY 20TH CENTURY the green field with allover foliate and bird pattern, within red foliate and deer border 207cm x 132cm £500-700

186 Lyon & Turnbull 529 FEREGHAN CARPET

WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover foliate vine pattern, within brown stylised border 516cm x 447cm £500-700

530 KASHAN PART SILK CARPET

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with all over animal‑filled palmette and foliate pattern, within light blue palmette and vine border 327cm x 206cm £300-500

531 NORTHWEST PERSIAN CARPET

LATE 19TH/EARLY 20TH CENTURY the field with alternating indigo and pink bands of turtle palmette and vine, within similar dark brown border 255cm x 227cm £300-500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Rugs & Carpets 187

532 KIRMAN CARPET

CENTRAL PERSIA, LATE 19TH/ EARLY 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within red and cream cartouche border 397cm x 267cm £500-700

533 PERSIAN RESHT EMBROIDERED PANEL

19TH CENTURY the indigo field with red bird‑filled medallion, similar spandrels, within olive rosette and vine border 238cm x 140cm £300-500

188 Lyon & Turnbull 534 SAROUK CARPET

WEST PERSIA, EARLY 20TH CENTURY the red field with allover foliate vine pattern, within light brown palmette and vine border 296cm x 215cm £500-700

535 TABRIZ CARPET

536 QUM RUG

CENTRAL PERSIA, MODERN the cream field with indigo foliate medallion, within indigo bird and floral vine border

NORTHWEST PERSIA, MID 20TH CENTURY the plain red field with indigo medallion, similar spandrels, within indigo turtle palmette and vine border 338cm x 236cm £800-1,200

207cm x 139cm £400-600

537 ISFAHAN RUG

CENTRAL PERSIA, 20TH CENTURY the indigo field with cream medallion, similar spandrels, within light blue palmette and vine border 155cm x 105cm £400-600

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Rugs & Carpets 189

538 SARAB RUNNER

NORTHWEST PERSIA, EARLY 20TH CENTURY the cream field with three red lozenge medallions, within triple blue and red polychrome borders 270cm x 102cm £600-800

539 NORTHWEST PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY the indigo field with allover stylised herati pattern, within cream stylised botehand vine border 420cm x 120cm £1,000-1,500

540 NORTHWEST PERSIAN RUNNER

EARLY 20TH CENTURY the plain camel field with ten linked indigo hexagon medallions, within triple red and blue stylised vine borders 415cm x 99cm £800-1,200

541 BELOUCH CARPET

542 DONEGAL CARPET

332cm x 188cm

580cm x 436cm

£250-350

£500-700

EAST PERSIA, EARLY 20TH CENTURY the brown field with allover gul pattern, within brown lozenge border

IRELAND, LATE 19TH/EARLY 20TH CENTURY of Persian style, the olive green field with mauve medallion, within lemon border

190 Lyon & Turnbull 543 TURKISH CARPET

MODERN of Northwest Persian style, the cream field with small blue medallion and bold foliate pattern, within rust palmette and vine border 551cm x 492cm £1,000-1,500

544 SAROUK CARPET

WEST PERSIA, 20TH CENTURY the red field with cream medallion, cream spandrels, within indigo palmette and vine border 410cm x 322cm £1,000-1,500

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Rugs & Carpets 191

545 SPANISH CUENCA STYLE CARPET EARLY 20TH CENTURY the cream field with allover light green and pink foliate vine pattern, within similar border 446cm x 335cm £4,000-5,000

Garden 546 VICTORIAN GOTHIC STYLE WROUGHT AND CAST IRON GATE 19TH CENTURY the gate comprised of uprights and C scrolls; the posts with dentil moulded square tops above openwork sides cast with quatrefoils, tracery and pointed arches, painted green gate 98cm wide, 187cm high; gateposts 208cm high Provenance: Collection of the late Donald MacKenzie £700-1,000

547 GROUP OF SEVEN PAINTED CAST IRON ARCHITECTURAL FINIALS 19TH CENTURY of various shapes and sizes, all painted green (7) tallest 136cm high; smallest 46cm high Provenance: Collection of the late Donald MacKenzie £600-800

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Garden 193 548 PAIR OF SCOTTISH FIRECLAY LIONS, ATTRIBUTED TO GARNKIRK 19TH CENTURY the recumbent figures on rectangular plinths (2) 99cm long, 60cm high, 46cm deep Provenance: by repute ex. Glasgow Zoo £2,000-3,000

549 CAST METAL GARDEN BENCH 20TH CENTURY the black painted metal ends depicting lilies, with a wood slat back and seat

163cm long, 81cm high, 38cm deep £800-1,200

550 VICTORIAN COALBROOKDALE STYLE PAINTED CAST IRON BENCH LATE 19TH CENTURY the scrolling open work ends with dogs’ head terminals and serpents, with pierced cast iron slat back and seat, unmarked 187cm long, 74cm high, 38cm deep Provenance: Collection of the late Donald MacKenzie £1,200-1,800

194 Lyon & Turnbull

551 PAIR OF GLAZED FIRECLAY URNS AND STANDS

LATE 19TH/EARLY 20TH CENTURY of low campana form with lobed bodies and loop handles, the square pedestal bases moulded with foliate panels (2) 53cm wide, 101cm high overall £1,000-1,500

552 PAIR OF SCOTTISH GLAZED STONEWARE GARDEN URNS ON STAND LATE 19TH CENTURY of low campana form, raised on fluted columns on square bases, in green, brown and ochre glazes (2) 83cm diameter, 135cm high Provenance: Collection of the late Donald MacKenzie £600-800

553 LARGE WHITE PAINTED CAST IRON URN

LATE 19TH /EARLY 20TH CENTURY of campana form with a lobed rim, foliate scroll relief cast body, and loop handles with masks, on a square base

554 LARGE STONE GARDEN SPHERE LATE 18TH/EARLY 19TH CENTURY 63cm diameter Provenance: Collection of the late Donald MacKenzie £250-350

57cm diameter, 76cm high £200-300

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Garden 195

555 PAIR OF LEAD GARDEN URNS

EARLY 20TH CENTURY of deep U shape with rams’ mask handles, the sides cast in relief with foliate scrolls and scale pattern, each on a circular foot (2) 71cm wide, 72cm high Provenance: Purchased Christies, Fine English Furniture, 4 June 1998, lot 144 Glenburn Hall, Jedburgh Note: This pattern of vase featured in a 1930s trade catalogue of H. Crowther Ltd. (J. Davis, Antique Garden Ornament, Woodbridge, 1991, p. 367) £4,000-6,000

556 CARVED STONE FIGURE OF A HERMIT

18TH/EARLY 19TH CENTURY the bearded figure wearing a pointed hat, jacket and breeches, and playing a pipe, on a square plinth base 130cm high £500-700

557 CARVED STONE FIGURE OF CHRONOS

18TH/EARLY 19TH CENTURY previously the base for a sundial, the kneeling figure supporting a square platform with a circular recess and raised on a square plinth base 58cm wide, 98cm high, 58cm deep £600-800

196 Lyon & Turnbull 558 TWO STONE TROUGHS

of similar size and rectangular shape, with rough carved sides and edges (2) 90cm long, 32cm high, 51cm deep; the other 93cm long, 32cm high, 52cm deep Provenance: Collection of the late Donald MacKenzie £300-500

559 GROUP OF RED SANDSTONE ARCHITECTURAL BALUSTRADE COMPONENTS 19TH CENTURY comprising three full and three partial balusters (6) Tallest 86cm high Provenance: Collection of the late Donald MacKenzie £250-350

560 SCOTTISH STONE SUNDIAL BASE 18TH/EARLY 19TH CENTURY in three sections, the square tapered top above a cruciform mid-tier, raised on a part Doric column base 196cm high, 71cm wide Provenance: Collection of the late Donald MacKenzie £300-500

561 STONE SUNDIAL

18TH/EARLY 19TH CENTURY AND LATER the octagonal capital carved with hours markers and dated 1795, mounted with a later bronze dial and gnomon inscribed ‘A shadow round about my face/the sunny hours of day will trace’, on a fluted octagonal column and square tapered base 118cm high, 49cm diameter Provenance: Collection of the late Donald MacKenzie £800-1,200

END OF SALE

For details of fees payable in addition to the hammer price of each lot, please see the ‘Buyer’s Guide’ section of this catalogue on page 2.

Conditions of sale for sellers 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd or its authorised auctioneer, as appropriate; “Authenticity guarantee” is the obligation undertaken by Lyon & Turnbull to the buyer in respect of any forgery.

“Buyer“ is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a post‑auction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EH1 3RR registered in Scotland No. 191166 “Forgery” is an imitation intended by the maker or any other person to deceive as to (but not limited to); authorship, attribution, origin, authenticity, style, date, age, period, provenance, and/or culture, at the sale date had a value materially less than it would have had if the lot had not been such an imitation, and which is not stated to be such an imitation in any description of the lot. A lot will not be a forgery by way of any damage, restoration, and or modification work, (including repainting or over painting) on the lot, where that damage, restoration or modification work, does not substantially affect the identity of the lot as one conforming to the description of the lot.

“Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on “Purchase Price” is the Hammer Price and applicable Buyer‘s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “You”, “Your” means the Seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it; “Without Reserve” means where there is no minimum price at which a lot may be sold (whether at auction or by private treaty); “Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd; The singular includes the plural and vice versa as appropriate.

2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:‑ (a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

3. PREPARATION FOR SALE (a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing.

4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45).

Loss and damage warranty: 1.5% on value of lots sold.

Photography: min charge £30. Online Listing: £10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense.

We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement.

(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. RESERVES (a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. A lot will be sold without reserve unless a reserve has been agreed. (b) Firm reserves may be no greater than lower pre‑sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale; or (iii) 6 months from the date of delivery to Lyon & Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a longterm storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be re‑offered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred.

(2) Aftersales: We reserve the right to accept an after‑ auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON‑PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer. (c) If the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds, payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to

any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay‑out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives.

No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

16. RECISSION OF SALES Lyon & Turnbull may rescind the sale where it reasonably believes that the lot falls within the terms as defined by Lyon & Turnbull’s Authenticity Guarantee (see Buyer’s conditions), in this event Lyon & Turnbull shall send the Seller notice of such rescission. The Seller agrees to return to Lyon & Turnbull the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by Lyon & Turnbull. Lyon & Turnbull will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith Lyon & Turnbull’s control.

17. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this

role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on +44 (0)131 557 8844.

19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law. (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Conditions of sale for buyers The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “Lot” means each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre‑registration. After you have successfully registered as a bidder with Lyon and Turnbull, you should complete the High Value Lot pre‑registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if Lyon and Turnbull has confirmed your payment of deposit and your completion of the High Value Lot pre‑ registration before the sale. The Deposit required will be 10% of the lower estimate. Upon pre‑registration, you should pay the deposit or such other sum as determined

by Lyon and Turnbull dependant on circumstances, by way of bank transfer or credit card(s) acceptable to Lyon and Turnbull. Please note that Lyon and Turnbull does not accept payment from third parties and this also applies to agents.

If you are not successful in any bid and do not owe Lyon and Turnbull any debt, the deposit will be refunded to you by way of wire transfer or such other methods as

determined by Lyon and Turnbull. Please make sure that you provide your bank details in the pre‑registration form. The exchange rate provided to us by the bank on the date of exchange is final. We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers.

Upon successful pre‑registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids.

Lyon and Turnbull has the right to change the High Value Lot pre‑registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (f) The right to refuse any bid is also reserved. (g) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (h) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone.

We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable). This additional premium is subject to VAT at the appropriate rate as above.

6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added Tax on the hammer

price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above.

7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006.

We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium.

It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note there is a surcharge of 2% when using credit cards. (c) Please note that we do not accept cash payments over £5,000.

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.

9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges

for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.

11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer. The Condition Reports do not affect the Seller’s obligations in any way.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use

of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

12. BOOKS, CLOCKS & WATCHES (1) Books‑Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally.

13. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla‑en/imports‑exports/cites Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay‑out of the accommodation, safety and security arrangements.

Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

17. AUTHENTICITY GUARANTEE Lyon & Turnbull guarantees that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written salesroom notes or announcements. Lyon & Turnbull makes no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event Lyon &Turnbull in its reasonable opinion deems that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser.

This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in Lyon &Turnbull’s reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify Lyon & Turnbull in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to Lyon & Turnbull’s registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

Lyon & Turnbull has discretion to waive any of the above requirements. Lyon & Turnbull may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to Lyon & Turnbull and the original purchaser of the lot. Lyon & Turnbull shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

19. FORCE MAJEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock‑out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

20. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

Guide to Bidding & Payment Registration All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

Payment By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavor to undertake such bids to the best of our abilities.

This service is available entirely at our discretion and at the bidder’s risk.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence.

All bids must be received an hour before the sale. This service is entirely at the bidder’s risk.

On the internet A fully-illustrated catalogue is available on our website.

Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www.invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Please note there is a 2% surcharge on credit card payments.

Online Card Payments We no longer accept card payments by phone.

Please use our online payment service (provided by Cardstream/Credorax).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request.

Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Cash Cash payments can be made at the accounts desk during or after a sale.

Cash payments limited to £5,000.

© Lyon & Turnbull Ltd. 2017. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.

LYON & TURNBULL AUCTIONEERS EDINBURGH

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115

FINE FURNITURE & WORKS OF ART 5TH JULY 2017

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Wednesday, 5th July, 2017 33 Broughton Place Edinburgh

Fine Furniture & Works of Art