512 Fine Furniture & Works of Art

Wednesday, 31st January 2018 33 Broughton Place Edinburgh

Fine Furniture & Works of Art

Fine Furniture & Works of Art

Fine Furniture & Works of Art Wednesday, 31st January, 2018 at 10am Sale Number LT512

Including z

Viewing Times Saturday, 27th January 12 noon - 4pm Sunday, 28th January 12 noon - 4pm Monday, 29th January 10am - 5pm Tuesday 30th January 10am - 5pm Morning of sale from 9am

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 324 (detail)

Inside Front Cover Lot 567 (detail)

Inside Back Cover Lot 609 (detail)

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Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought at auction beore we will be delighted to advise you.

Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website.

Please note that all fist time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare detailed condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

25% up to £100,000/20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale).

Additional VAT † VAT at the standard rate payable at the standard rate on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/ bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www. defra.gov.uk/ahvla-en/ importsexports/cites

Fine Furniture & Works of Art

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot or just want to find out more about the auction process.

Douglas Girton

John Mackie

Theodora Burrell

Furniture, Clocks & Works of Art

Furniture

Ceramics & Glass

douglas.girton@lyonandturnbull.com

john.mackie@lyonandturnbull.com

theo.burrell@lyonandturnbull.com

Gavin Strang

Carly Shearer

Olivia Ross

Rugs & Carpets

Pictures

Department Administrator

gavin.strang@lyonandturnbull.com

carly.shearer@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull Saleroom

York Place tram stop

Waverley Station, Princes Street

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Order Order of Sale of Sale Wednesday, Wednesday, 31st January, 31th2018 January, 2018 at 10am at 10am 1-49

Select Contents of a Scottish Country House

50-76

British Furniture & Works of Art: Part I

77-100

Pictures: Part I

101-234

British Furniture & Works of Art: Part II

235-253

Pictures: Part II

254-270

Items from a Northumbrian Country House

271-352

British Furniture & Works of Art: Part III

353-372

Pictures: Part III

373-441

British Furniture & Works of Art: Part IV

442-484

Winter Sports: European Travel Posters

485-548

Continental Furniture & Works of Art: Part I

549-568

A Private Collection of Clocks

569-593

Continental Furniture & Works of Art: Part II

594-608

Pictures: Part IV

609-621

Asian Furniture & Works of Art

622-671

Rugs & Carpets

672-681

Garden Furniture & Works of Art

Lot 568

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1 PAIR OF REGENCY EBONISED, PAINTED AND GILT SIDE CHAIRS EARLY 19TH CENTURY the curved back rails painted with flower heads and anthemia over curved caned seats, raised tapered and facetted curved legs (2) 48cm wide, 86cm high, 41cm deep

£300-500

2 QUEEN ANNE SEAWEED MARQUETRY LONGCASE CLOCK, ROBERT PIKE, LONDON EARLY 18TH CENTURY the moulded cornice above an 11-inch brass dial with silvered Roman chapter and pierced brass spandrels, subsidiary seconds dial and date aperture, signed ‘Robt Rike/ London’ above a trunk with a long door centred by a lenticle, on a plinth base; the eight-day twin fusee movement striking a bell; inlaid throughout with strapwork and scrolling foliate marquetry 46cm wide, 216cm high, 23.5cm deep

£4,000-6,000

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3 LARGE CHINESE EUROPEAN SUBJECT REVERSE PAINTING ON GLASS QING DYNASTY, 18TH/19TH CENTURY painted using Western-style aerial perspective with European figures in a landscape with an inlet between steep mountains, the foreground with young couples and attendants, the mid-ground with a cavalier on horseback crossing a stone bridge, the sea with ships sailing into and out of port, the shoreline bordered with European architecture 88cm high, 120cm wide (overall) Note: For a similar European subject ‘port’ painting, see Sotheby’s sale in their Hong Kong rooms on 7th October 2015, lot 3008.

£1,000-1,500

4Y REGENCY ROSEWOOD CROSSBANDED WORK TABLE EARLY 19TH CENTURY the rounded rectangular top with drop sides above three long drawers, the bottom drawer with a double front, raised on ring turned and tapered legs ending in brass caps and castors 75cm wide (open), 74cm high, 41cm deep

£400-600

5 GEORGIAN OAK MULE CHEST 18TH CENTURY the hinged top above a moulded panel front, over two short and a long moulded panel drawer, raised on stile feet 122cm wide, 110cm high, 60cm deep

£300-500

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6 GEORGE IV SPECIMEN MARBLE AND MAHOGANY CENTRE TABLE EARLY 19TH CENTURY the octagonal top inset with a fan motif comprising various marble sections in a black slate border, raised on a tapered octagonal column with bead moulded panels, on a conforming base with flattened scroll feet 79cm diameter, 76cm high

£1,500-2,500

7 GEORGE III STYLE MAHOGANY FRAMED SOFA 19TH CENTURY the serpentine padded back and enclosed sloping arms above a long loose cushion seat, raised on moulded square straight legs with brass castors, in coral pink and green foliate upholstery 190cm long, 94cm high, 64cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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8 LATE GEORGE III INLAID MAHOGANY CARD TABLE LATE 18TH CENTURY the divided hinged top with shell medallion and chevron inlay, opening to a green baize playing surface, above a long frieze drawer, raised on square tapered legs 46m wide (closed), 91cm wide (open), 72cm high, 46cm deep

£300-500

9 GEORGE III MAHOGANY TRIPOD TEA TABLE 18TH CENTURY the circular tilt top on a spiral carved and turned baluster column support, raised on cabriole legs ending in pointed pad feet 90.5cm wide, 71cm high, 89.5cm deep

£400-600

10Y WILLIAM IV ROSEWOOD CANTERBURY 19TH CENTURY with three divisions with turned spindles and X form rails, above a base drawer, raised on turned and tapered legs ending in brass caps and castors 60cm wide, 50cm high, 48cm deep

£400-600

11 LATE GEORGE III INLAID MAHOGANY URN STAND 18TH CENTURY the square tray top with a wavy gallery above a cup slide, raised on square tapered legs headed by fan medallions and ending in spade feet, joined by an X stretcher 28cm wide, 70cm high, 28cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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12 TRANSVAAL GOVERNMENT BRASS IMPERIAL HALF BUSHEL MEASURE DATED 1889 of large circular form with twin handles, engraved IMPERIAL HALF BUSHEL/ GOVT. OF THE TRANSVAAL/ 1889 54cm wide

£800-1,200

13 REGENCY MAHOGANY BERGÈRE EARLY 19TH CENTURY the sunflower carved top rail above a rectangular caned back and seat flanked by caned arms terminating in baluster supports, raised on reeded and turned tapered legs, 57cm wide, 98cm high, 47cm deep; together with an EDWARDIAN MAHOGANY BERGÈRE, with a caned rectangular back and arms above a needlework cushion seat, raised on square tapered legs, 58cm wide, 93cm high, 58cm deep (2) £300-500

14 GEORGE III SATINWOOD FOLD-OVER TEA TABLE LATE 18TH CENTURY of small size, the rectangular crossbanded top opening on double gatelegs, above a long frieze drawer raised on square tapered legs 60cm wide, 75cm high, 30cm deep (closed)

£400-600

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15 ISABEL NAFTEL (BRITISH 1832-1912) PORTRAIT OF A GIRL signed and dated 1867, pencil and watercolour, oval 32cm x 24.5cm (12.5in x 9.5in) and a pencil and watercolour study of a child by the same hand (2)

£400-600

16 19TH CENTURY BRITISH SCHOOL PORTRAIT OF A SPANIEL oil on canvas, unframed 76cm x 99cm (29.75in x 38.75in)

£700-900

17 PART SET OF ENGLISH IRONSTONE PLATTERS AND MEAT DRAINERS 19TH CENTURY blue and white transferprinted with an exotic bird pattern, marked STONE CHINA NO.2, comprising two meat platters, 53cm and 49cm wide; two platters, 53.5cm and 49cm wide; and two meat drainers, 38cm and 37cm wide (6)

18 TWO SAGE GREEN JASPERWARE CHEESE DOMES LATE 19TH CENTURY each with a rope-twist knop handle and a circular stand; the first with lily-of-thevalley, ferns, and fruiting vines, impressed W and marked 423; the second with lions’ masks holding fruiting vine swags, the cover marked W and 425, the base marked 423 (2)

20 DERBY PORCELAIN THREEPIECE GARNITURE EARLY 19TH CENTURY comprising one large urn and a pair of smaller urns, of campana form with scrolled twin handles, the everted necks above reserves painted with flower sprays against a blue and gilt ground, raised on square bases, red painted marks (3)

24cm high

19Y GROUP OF SIX GEORGIAN TORTOISESHELL AND HARDSTONE SNUFF BOXES 18TH/ EARLY 19TH CENTURY comprising two hardstone examples, one of rectangular form, 8cm wide; the other oval, 7.5cm wide; and four rectangular tortoiseshell and horn boxes, the largest with mother-of-pearl inlay, largest, 10.5cm wide, smallest 7cm wide (6)

£200-300

£200-300

£200-300

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Large 29.5cm high; pair, 22.5cm high

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21 SET OF SIXTEEN WILLIAM IV MAHOGANY DINING CHAIRS 19TH CENTURY comprising fourteen side chairs and a pair of armchairs, the curved back rails carved with lotus flowers and flower heads above pierced and foliate carved splats flanked by reeded pilaster side rails, over blue leather padded drop-in seats set in reeded seat rails, raised on ring turned and tapered reeded legs (16) armchair 59cm wide, 87cm high, 44cm deep

£3,000-5,000

22 GEORGE IV MAHOGANY TWIN PEDESTAL DINING TABLE EARLY 19TH CENTURY, WITH ALTERATIONS the rounded rectangular top with a moulded edge and one leaf extension, raised on tapered squared column supports with carved palmettes and quadriform bases, raised on carved paw feet with recessed brass castors 282cm long, 70cm high, 143cm deep

£3,000-5,000

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23 OSLER-TYPE GLASS AND GILT METAL SIX LIGHT CHANDELIER 19TH CENTURY with prism swags above six scrolling candle arms and three tiers of prism drops, terminating in a facetted ball pendant finial, fitted for electricity 115cm high, 68cm diameter

£600-800

24 REGENCY MAHOGANY TEA POY EARLY 19TH CENTURY of sarcophagus form with a hinged top opening to an interior fitted with mahogany tea caddies and a tin lidded compartment, the sides outlined with bead moulding, raised on a tapered square support and quadriform base with hipped reeded scroll legs on brass castors 51cm wide, 84cm high, 38cm deep

£400-600

25 GEORGE III INLAID MAHOGANY SERPENTINE SIDEBOARD LATE 18TH CENTURY the serpentine top over a central drawer and a recess with a shaped apron with fan medallion inlay, flanked by banks of one short and one deep drawer, raised on square tapered legs 176cm wide, 96cm high, 72cm deep

£500-800

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26Y THREE GEORGIAN TEA CADDIES 18TH/ EARLY 19TH CENTURY comprising a penwork example of sarcophagus form decorated with Classical scenes, opening to a twin-lidded interior, 24cm wide; and two single tea caddies of cubic form, one with a parquetry top and lidded interior; the other with a cavetto moulded lid; both 11.5cm wide (3) £300-400

27Y EARLY VICTORIAN ROSEWOOD FRAMED SOFA MID 19TH CENTURY the low button-upholstered curved back and enclosed arms above a long padded seat, with a scroll carved frame raised on scrolled feet with brass castors, in green tartan upholstery 192cm long, 71cm high, 54cm deep

£400-600

28 CHINESE CARPET EARLY 20TH CENTURY the plain cream field with central blue foliate and geometric medallion, foliate spandrels, within cream branch, bat and geometric border 570cm x 370cm

£300-500

29 CONTINENTAL OAK TRESTLE TABLE 19TH CENTURY in the Renaissance style, the rectangular top over two short frieze drawers carved with putti, dogs and beasts, raised on lyre-form end supports with trestle bases joined by a wavy X form stretcher, on brass casters 144cm wide, 88cm high, 68cm

30 GROUP OF MOUNTED HORNS AND ANTLERS 20TH CENTURY on wood wall mounts with partial skulls; comprising a set of Asian water buffalo horns, 91cm wide (tip to tip); and two sets of stag antlers, one with a painted mount ‘MARH 1986/ LOCHRANZA’, 50.5cm and 37.5cm wide (tip to tip) (3)

deep

£250-350

£300-500

31 OAK STEEL BANDED SILVER CHEST EARLY 19TH CENTURY of cubic form with a slightly domed lid, with three locks, steel straps and handles; opening to a void interior 82cm wide, 55cm high, 53cm deep

£200-300

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32Y TWO CASES OF TAXIDERMY DUCKS 19TH CENTURY full mounts raised on ‘rockwork’, in painted glazed cases, comprising a pair of Eurasian wigeons, case 74cm wide, 46cm high, 23cm deep; and a single female Gadwall duck, case 48cm wide, 41cm high, 20cm deep (2) £150-250

33Y TWO CASES OF TAXIDERMY GOLDENEYE DUCKS 19TH/ EARLY 20TH CENTURY full mounts raised on ‘rockwork’, in painted glazed cases; comprising a male and female; and two females (2) cases 74cm wide, 46cm high, 23cm deep

£200-300

34Y TWO CASES OF TAXIDERMY DUCKS 19TH/ EARLY 20TH CENTURY full mounts raised on ‘rockwork’, in painted glazed cases; comprising a pair of goosanders, case 79cm wide, 49cm high, 22cm deep; and a pair of tufted ducks, case 74cm wide, 46cm high, 23cm deep (2) £200-300

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35Y TWO CASES OF TAXIDERMY DUCKS 19TH/ EARLY 20TH CENTURY full mounts raised on ‘rockwork’, in painted glazed cases; comprising a pair of mallards, case 79cm wide, 49cm high, 22cm deep; and a pair of shovelers, with label dated November 1901, case 74cm wide, 46cm high, 23cm deep (2) £200-300

36Y TWO CASES OF TAXIDERMY DUCKS 19TH/ EARLY 20TH CENTURY full mounts raised on ‘rockwork’, in painted glazed cases; comprising a pair of pochards, case 76cm wide, 49cm high, 25cm deep; and three teals (two males, one female), case 77cm wide, 49cm high, 25cm deep (2)

37Y TWO CASES OF TAXIDERMY SEABIRDS 19TH/ EARLY 20TH CENTURY full mounts raised on ‘rockwork’, in painted glazed cases; comprising a cormorant and a shag, case 92cm wide, 74cm high, 30cm deep; and two red-throated divers, with winter plumage, case 91cm wide, 74cm high, 30cm deep (2)

£250-350

£300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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38Y CASED PAIR OF TAXIDERMY GOLDEN EAGLES 19TH/ EARLY 20TH CENTURY comprising two full mounts, in a naturalistic setting case 117cm wide, 87cm high, 35cm deep

£600-800

39Y CASED PAIR OF TAXIDERMY WATER VOLES 19TH CENTURY full mounts raised on ‘rockwork’ and glass ‘water’, in a painted glazed case case 38cm wide, 33cm high, 18cm deep

£250-350

40Y CASED TAXIDERMY FEMALE RED GROUSE 19TH CENTURY full mount raised on groundwork, in a painted glazed case case 36cm wide, 38cm high, 20cm deep

£150-250

41 COLLECTION OF MAGIC LANTERN SLIDES 19TH CENTURY comprising various slipper slides, lever slides, chromatrope pulley and rackwork slides, in an associated/matched box (qty) £250-350

42 COLLECTION OF MAGIC LANTERN SLIDES 19TH CENTURY comprising four labelled boxes of long/panorama slides, a further small box of slides and various loose slides, including botanical sliders, historical scenes and figures (qty) £200-300

43 TWO FRAMED GROUPS OF PLASTER INTAGLIOS 19TH CENTURY comprising twenty in total, of varying sizes, depicting Classical figures, mounted in oval shadow box frames (2) frames 28 x 23cm

44 SET OF FOUR GEORGE III MAHOGANY SIDE CHAIRS LATE 18TH CENTURY the shield shaped backs with pierced splats above needlework seats, raised on moulded square tapered legs joined by stretchers (4)

£200-300

54cm wide, 95cm high, 45cm deep

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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45 SPANISH (MEXICAN) PATINATED BRONZE CANNON CIRCA 1790 the left trunnion engraved COBRE DE MEXICO (copper from Mexico), the breech engraved with a cypher and surmounted by a crown, on a modern sea service carriage 3.25 inch bore, 83cm long

£2,000-3,000

46 BRONZE STAG MODERN the stylised figure standing on all fours 94cm long, 110cm high

£300-500

47 SET OF REGENCY MAHOGANY HANGING SHELVES EARLY 19TH CENTURY with four shelves raised and divided by turned spindle supports 47cm wide, 84cm high, 17cm deep

£250-350

48 THREE FRAMED NEEDLEWORK SAMPLERS 18TH AND 19TH CENTURY the first by Jane Gaby, dated 1784, with a quotation above Adam & Eve and the Tree of Knowledge of Good and Evil, 30.5 x 20.5cm; the second by Elizabeth Hutton, Miss Goss’s School, Teignmouth, dated 1824, with two alphabets and a number series, 30 x 21cm; and a miniature example worked in red, with three alphabets and a number series, with initials AB, AW and EB, 12 x 9cm (3)

49 SIR JOSEPH EDGAR BOEHM R.A. (AUSTRIAN 1834-1890) PLASTER MAQUETTE OF DR. EDWARD CHARLES CHEPMELL, DATED 1862 modelled standing against a column, inscribed TO HIS MOST EXCELLENT FRIEND DR CHEPMELL AS A SMALL SIGN OF HIS ESTEEM AND GRATITUDE/ J. E. BOEHM/ PARIS 1862 MAY

£300-500

homeopathic treatments and was active in the foundation of the London

47.5cm high Note: Dr. Edward Charles Chepmell (1820-1885) was an early practioner of Homeopathic Hospital in 1851.

£200-300

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British Furniture & Works of Art: Part I

50 CHARLES I OAK INLAID PANEL CHEST MID 17TH CENTURY the hinged top above a foliate carved frieze and triple panel front with foliate carved architectural niches with inlaid geometric knots, raised on stile feet 152cm wide, 79cm high, 61cm deep

£600-800

51 OAK REFECTORY TABLE 17TH CENTURY WITH ALTERATIONS the two board top with cleated ends above a frieze carved with stylised flower motifs, raised on foliate carved cup and cover legs joined by peripheral stretchers 205cm long, 82cm high, 86cm deep

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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52 LEATHER COSTREL 17TH/ 18TH CENTURY the open spout flanked by two holes for a strap handle, above the ovoid stitched leather body 21cm wide, 24cm high

£300-500

53 FINE CAST-IRON SUIT OF ARMOUR 19TH CENTURY of articulated construction, the figure standing with a halberd, on an octagonal base 181cm high

£1,000-1,500

54 FIVE ENGLISH MEDIEVAL FLOOR TILES LATE 14TH/ EARLY 15TH CENTURY of square form, four with a lion rampant within decorative borders, the fifth with a fleur-de-lis, in modern oak frames, one with a printed label verso (5) largest 14.5cm squared (excluding frame)

£300-500

British Furniture & Works of Art: Part I

55 RARE SMALL CHARLES II OAK GATELEG TABLE CIRCA 1685 the oval top with drop leaf sides raised on bobbin and spiral turned supports on a trestle base joined by a flat stretcher 74.5cm long, 64cm high, 85.5cm wide (open)

£2,000-3,000

56 CARVED AND POLYCHROMED COAT OF ARMS 18TH/EARLY 19TH CENTURY the shield shaped field with a chevron and three herons, enclosed by red and green carved acanthus leaves and surmounted by a helmet and heron’s head 80cm high, 60cm wide

£400-600

57 OAK STANDING LIVERY CUPBOARD 17TH CENTURY the rectangular top above a frieze carved with dragons and flowerheads, above a central cupboard door and angled side panels, over a base raised and divided by cup and cover columns with ionic capitals, raised on short block feet 134cm wide, 125cm high, 51cm deep

£400-600

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58 SIX OAK BACK STOOLS 17TH CENTURY AND LATER with panelled or arched backs above solid seats and turned and blocked legs joined by stretchers (6) largest 45cm wide, 97cm high, 31cm deep

£500-700

59 CHARLES II OAK TABLE MID 17TH CENTURY the rectangular top over a shaped frieze carved with geometric motifs, a stylised owl and lion, and centred by a drop finial with panel later inscribed ‘TF/ 1654/ HW’, on baluster legs joined by peripheral stretchers 110cm wide, 74cm high, 93cm deep

£300-400

60 OAK COFFER EARLY 18TH CENTURY AND LATER with a chip-carved arcaded front inscribed REBECKA HANSEN/ ANNO 1714, on a chip-carved plinth base with a scalloped apron, the interior fitted with a candle box 161cm wide, 79cm high, 71cm deep

£1,000-1,500

British Furniture & Works of Art: Part I

61 OAK MASTERS ARMCHAIR 17TH CENTURY the serpentine crest rail above a panel back flanked by side rails with applied mouldings, above a box seat and downswept scroll arms, raised on turned legs joined by stretchers 61cm wide, 133cm high, 44cm deep

£800-1,200

62 WILLIAM AND MARY OAK AND WALNUT CHEST OF DRAWERS LATE 17TH CENTURY in two parts; the rectangular top with a moulded edge above four long moulded panel drawers, raised on later bun feet 93cm wide, 89cm high, 63cm deep

£700-1,000

63 OAK LIVERY CUPBOARD 17TH CENTURY AND LATER the lozenge carved centre panel enclosed by two fielded panel doors with single fielded panelled door below 141cm wide, 128cm high, 60cm deep

£700-1,000

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64 OAK STANDING LIVERY CUPBOARD EARLY 17TH CENTURY the hinged top with a moulded edge above two short frieze drawers, carved with lunettes and stylised foliate motifs, on turned supports and an undertier and base, raised on stile feet 131cm wide, 110cm high, 47cm deep

£1,000-1,500

65 OAK WAINSCOT ARMCHAIR 17TH CENTURY the arched cresting carved with flower motifs above a panel back carved with a flowering urn, over a plank seat flanked by downward scrolled arms, raised on turned legs joined by peripheral stretchers 54cm wide, 105cm high, 39cm deep

£800-1,200

66 WILLIAM AND MARY OAK CHEST OF DRAWERS 17TH CENTURY the rectangular top with a moulded edge above four long panel moulded drawers, on later bun feet

67 SMALL OAK COFFER 17TH CENTURY the hinged top above a fluted frieze and double panel front with lozenge detail, raised on stile feet

94cm wide, 88cm high, 55cm deep

£250-350

£400-600

92cm wide, 50cm high, 45cm deep

British Furniture & Works of Art: Part I

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68 PAIR OF WILLIAM AND MARY STYLE WALNUT HALL CHAIRS 19TH CENTURY the arched scroll carved and pierced crestings above oval caned panels flanked by ring turned rails, above square caned seats raised on turned baluster legs joined by turned stretchers and ending in Braganza feet (2) 46cm wide, 133cm high, 39cm deep

£700-1,000

69 WILLIAM AND MARY OAK CANDLESTAND 17TH CENTURY the octagonal top with a moulded edge above a spiral carved and turned support, raised on squared scroll legs 36cm wide, 66cm high, 35cm deep

£700-1,000

70 WILLIAM AND MARY OAK DAY BED LATE 17TH CENTURY the shell carved backrest with a caned panel flanked by spiral carved posts, above a long seat raised on spiral turned legs joined by stretchers 174cm long, 83cm high, 56cm deep Provenance: Purchased 1971, John Bell, Aberdeen

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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71 EBONY-VENEERED REPEATING BRACKET CLOCK, THOMAS WARDEN, LONDON LATE 17TH CENTURY the cushion moulded top with a brass carrying handle and acorn corner finials above a moulded cornice and a 6.5 inch square dial with Roman number chapter ring, date aperture, Strike/Silent lever, and pierced brass spandrels; the eight-day two-train fusee movement with a verge escapement and bob pendulum, striking a bell with hour repeat; the part glazed sides with pierced gilt metal frets, the foliate engraved backplate signed in a reserve ‘Tho: Warden/ LONDON’, raised on brass ball feet 24cm wide (handle up), 38cm high, 17cm deep

£3,000-5,000

72 WILLIAM AND MARY MULBERRY CABINET ON STAND 17TH CENTURY the moulded cornice above a pair of glazed and mullioned doors opening to shelves above a base drawer; the separate stand raised on spiral carved legs with scrolled corner brackets and joined by a curved X stretcher centred by a flower head carved medallion 73cm wide, 194cm high, 34cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part I

29

73 JAPANESE LACQUER CABINET ON STAND LATE 18TH CENTURY, THE STAND 19TH CENTURY of cubic form, with a pair of doors decorated in gilt with figures and temples, mounted with brass hinges and escutcheons, within trellis borders, opening to an arrangement of drawers with figures, pavilions, birds and flowers; the later stand profusely carved with scrolling acanthus, flower heads and C scrolls, the frieze centred by a pair of putti 111cm wide, 170cm high, 62cm deep

ÂŁ3,000-4,000

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74 GEORGE I WALNUT DRESSING TABLE 19TH CENTURY the feather and crossbanded quarterveneered top with a moulded edge above three frieze drawers and a shaped apron, raised on cabriole legs ending in pad feet 110cm wide, 75cm high, 64cm deep

£400-600

75 GEORGE I STYLE WALNUT FOLD-OVER CARD TABLE LATE 19TH CENTURY the cross and feather banded top with rounded outset corners opening to a green baize surface with guinea wells, above a shaped frieze raised on shell carved cabriole legs ending in carved claw and ball feet 91cm wide, 76cm high, 47cm deep (closed), 93cm (open)

£800-1,200

76 GEORGE I WALNUT LOWBOY EARLY 18TH CENTURY the quarter veneered and crossbanded top above a long drawer over three short drawers arranged around an arched recess, raised on cabriole legs ending in pad feet 68cm wide, 72cm high, 45cm deep

£1,500-2,000

Pictures: Part I 77 FOLLOWER OF NICOLAES BERCHEM (DUTCH 1621-1683) PEASANTS AND ANIMALS ON A QUAYSIDE, BEACHED WARSHIPS BEYOND oil on metal panel 34cm x 42cm (13.5in x 16.5in)

£500-700

78 19TH CENTURY BRITISH SCHOOL COUNTRY LANDSCAPE WITH A WINDMILL oil on canvas 49.5cm x 60cm (19.5in x 23.5in)

£500-700

79 FOLLOWER OF SEBASTIAN PETHER MOONLIT SCENE oil on canvas 62cm x 74.5cm (24.5in x 29.5in)

£300-500

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80 WILLIAM PERRING HOLLYER (BRITISH 1834-1922) HIGHLAND CATTLE WATERING signed, oil on canvas 47cm x 67.5cm (18.5in x 26.5in)

81 19TH CENTURY BRITISH SCHOOL ARTHUR J. RAIT ON “OLD GRANNY” indistinctly signed and dated ‘1845,’ inscribed handwritten label verso, oil on canvas

£400-600

63.5cm x 83.5cm (25in x 33in)

£800-1,000

82 J**W**MORRIS (BRITISH 19TH/20TH CENTURY) SHEEP GRAZING ON A ROCKY OUTCROP signed and dated 1881, oil on canvas

83 ROBERT HARRINGTON (BRITISH 1800-1882) HORSE IN A STABLE signed and dated 1836, oil on canvas

61cm x 91cm (24in x 36in)

44.5cm x 60cm (17.5in x 23.75in)

£400-600

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Pictures: Part I

84 JOHN SYME R.S.A. (SCOTTISH 1795-1861) MR TAIT oil on canvas

85 JOHN SYME R.S.A. (SCOTTISH 1795-1861) PORTRAIT OF ISABELLA TAIT oil on canvas

75cm x 62cm (29.5in x 24.5in)

75cm x 62.5cm (29.5in x 24.5in)

Note: Handwritten label affixed verso: William Tait

Note: Handwritten label affixed verso: Mrs James Tait, Isabella -

Eldest son of James Tait of Glenorse, Born 1793, Born 1864,

daughter of William Bertram of Lawfield, Channelkirk, Berwickshire

Buried St. Cuthbert’s Churchyard, Edinburgh, Bachelor,

and his wife Catherine Dewar, Born 1761 (?), Died 1848, Buried St.

Publisher and Proprietor of Tait’s Magazine

Cuthbert’s Churchyard, Edinburgh, Married 1792 - James Tait of

£300-500

Glencorse, Mother of Mrs Adam Black

33

£300-500

86 AFTER JOSEPH WRIGHT OF DERBY TWO BOYS AND A BLADDER oil on canvas

87 JAMES DRUMMOND R.S.A. (SCOTTISH 1816-1877) THE HARPER OF GLENCOE signed with monogram, oil on canvas

89cm x 69cm (35in x 27.25in)

26cm x 21cm (10.25in x 8.25in)

£400-600

£300-500

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88 ATTRIBUTED TO SAMUEL PROUT (BRITISH 1783-1852) VENETIAN SCENES ink and wash, heightened with white 26.5cm x 36.5cm (10.5in x 14.25in), and a further drawing by the same hand ‘Flemish Scene’ (2)

£300-500

89 GROUP OF THREE GEORGIAN PORTRAITS EARLY 19TH CENTURY of oval form, pastel, depicting two men and an elderly lady in profile, in glazed giltwood frames (3) 33 x 26cm

£300-500

90 MANNER OF WILLAM CALLOW CANONGATE TOLBOOTH watercolour 46.5cm x 31.5cm (18.25in x 12.5in)

£300-500

Pictures: Part I

91 FOLLOWER OF FREDERICK GOODALL R.A. (BRITISH 1822-1904) OVERFLOW OF THE NILE bears monogram and date 1895, oil on board 26cm x 44.5cm (10.25in x 17.5in)

£1,000-1,500

92 JAMES KAY R.S.A., R.S.W. (SCOTTISH 1858-1942) BATTLE OF TRAFALGAR signed and dated 97, watercolour 47cm x 58cm (18.5in x 22.75in)

£600-800

93 ALFRED DE BREANSKI (BRITISH 1852-1928) HIGHLAND LANDSCAPE signed, oil on canvas 60cm x 89.5cm (23.5in x 35.25in)

£1,000-1,500

94 ALEXANDER BROWNLIE DOCHARTY (SCOTTISH 1862-1940) BEACHED ROWING BOATS, FIFE signed and dated ‘96, oil on board 25.5cm x 36cm (10in x 14in)

£300-500

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95 BERNARD DE HOOG (DUTCH 1867-1943) INTERIOR WITH MOTHER SEWING signed, oil on canvas 49cm x 39cm (19.25in x 15.5in)

£1,000-1,500

96 CONSTANT JOSEPH BROCHART (FRENCH 1816-1889) THE HOUR OF RENDEZVOUS inscribed handwritten labels verso, pastel 66cm x 55.5cm (26in x 21.75in)

£400-600

97 HENRY JOHN DOBSON R.S.W. (SCOTTISH 1858-1929) MOTHER WITH HER CHILDREN IN THE KITCHEN signed, oil on canvas 28cm x 37.5cm (11in x 14.75in)

£500-700

Pictures: Part I

98 19TH CENTURY EUROPEAN SCHOOL THE BURGOMASTER’S DAUGHTER oil on panel 23cm x 17cm (9in x 6.75in)

£400-600

99 FOLLOWER OF HENRY RAEBURN PORTRAIT OF GENERAL CAMPBELL oil on board 48cm x 36cm (19in x 14in)

£400-600

100 19TH CENTURY BRITISH SCHOOL TOASTMASTER oil on canvas 24cm x 16.5cm (9.5in x 6.5in)

£300-500

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British Furniture & Works of Art: Part II

101 GEORGE III OAK GATELEG TABLE LATE 18TH CENTURY the oval top above a single drawer with a dummy drawer opposing, raised on turned and blocked legs joined by stretchers 169cm long (open), 76cm high, 143cm wide

£600-800

102 GEORGE II OAK CHEST OF DRAWERS MID 18TH CENTURY the rectangular top with a moulded edge over two short and three long graduated drawers, on bracket feet 103cm wide, 96cm high, 57cm deep

£1,000-1,500

103 GEORGIAN OAK REFECTORY TABLE 18TH CENTURY the five board cleated top above a scroll carved frieze, raised on ball turned and tapered legs joined by peripheral stretchers 207cm long, 77cm high, 87cm deep

£500-800

British Furniture & Works of Art: Part II

39

104 ELM STICK-BACK WINDSOR ARMCHAIR LATE 18TH CENTURY the top rail above a central pierced splat and spindle back, with a curved arm rail, over a shaped seat raised on turned legs joined by an H stretcher 53.5cm wide, 107cm high, 65cm deep

£1,200-1,800

105 ELM COMB-BACK ARMCHAIR EARLY 19TH CENTURY the shaped top rail above a spindle back and curved arm rail, over a shaped seat, raised on turned legs joined by an H stretcher 55cm wide, 93cm high, 40cm deep

£800-1,200

106 GEORGE III OAK DRESSER 18TH CENTURY the moulded cornice over three closed shelves; the base with three short drawers and a pierced apron, raised on turned legs joined by an undertier 173cm wide, 205cm high, 39cm deep

£800-1,200

107 PAIR OF TOLEWARE TEA CANISTERS 19TH CENTURY, LATER DECORATION with domed lids above shouldered bodies, one marked TEA 2, the other TEA 3, with red and gilt decoration on a green ground (2) 45cm high

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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108 SET OF SIX LANCASHIRE LADDERBACK CHAIRS 19TH CENTURY comprising a pair of armchairs and four side chairs, with woven rush seats, on straight legs joined by stretchers ending in raised pad feet (6) armchair 53cm wide, 111cm high, 41cm deep

£600-800

109 LARGE SALT-GLAZED POTTERY MEAL BARREL 19TH CENTURY realistically moulded, in brown glaze, with a later fitted wood cover 46cm diameter, 64cm high

£300-500

110 GEORGE III OAK WELSH DRESSER LATE 18TH CENTURY the plate rack with a moulded cornice above two closed back shelves, the base with two drawers over two panelled doors, raised on short block feet 145cm wide, 186cm high, 54cm deep

£800-1,200

111 SMALL DUTCH POLYCHROME BARREL EARLY 19TH CENTURY polychrome painted with flowering trees against a yellow ground 48cm high, 30cm diameter

£250-350

112 PAINTED TRADE SIGN, EAST SUSSEX EARLY 20TH CENTURY of canted rectangular form, inscribed F. GROOMBRIDGE./ DAIRY MAN/ MARK CROSS., on a yellow ground 41.5cm high, 71cm wide

£150-250

British Furniture & Works of Art: Part II

113 RARE PAIR OF LANCASHIRE OAK AND RUSH STOOLS EARLY 19TH CENTURY the woven rush seats raised on turned baluster legs joined by turned stretchers and ending in pad and ball feet (2) 46cm wide, 46cm high, 35cm deep

£600-800

114 GEORGE III OAK AND WALNUT DOUBLE CHEST OF DRAWERS 18TH CENTURY the rectangular top with a moulded edge over two banks of four graduated short drawers, flanked by reeded quarter columns with brass cappings, on shaped bracket feet 152cm wide, 92cm high, 56cm deep

£800-1,200

115 ASSEMBLED SET OF EIGHT ELM AND YEW WINDSOR ARMCHAIRS, ATTRIBUTED TO ROBERT PRIOR OF UXBRIDGE EARLY 19TH CENTURY the arched back rails and pierced splats centred by roundels, above shaped seats raised on turned legs joined by stretchers (8) 56cm wide, 103.5cm high, 43cm deep Note: At least three members of the Prior family worked as chair makers. The chairs in this lot have been attributed to Robert Prior, as he appears to be the only member of the family to use underarm splats that mirror the pattern of the back splats.

Several chairs of this design have also been found to bear the stamp, Robert Prior, Maker, Uxbridge.

£3,000-5,000

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116 SET OF SEVEN LANCASHIRE SPINDLE BACK CHAIRS EARLY 19TH CENTURY comprising an armchair and six side chairs, the backs with double rows of spindles above rush seats, on straight legs joined by stretchers (7) 51cm wide, 101cm high, 38cm deep

£600-800

117 GEORGE II BURR WALNUT AND OAK LONGCASE CLOCK BY B. BRANDRETH, MIDDLEWICH 18TH CENTURY the projecting straight cornice above a blind fret carved frieze and 8in. silvered dial with Roman and Arabic chapter, subsidiary seconds dial and date aperture, above a crossbanded trunk door and plinth base; the eight-day movement striking a bell 196cm high

£400-600

118 GEORGIAN OAK DRESSER, LANCASHIRE 18TH/ EARLY 19TH CENTURY the moulded cornice above an arrangement of seven drawers and a pair of cupboard doors, flanked by fluted canted corners, on ogee bracket feet 204cm wide, 95cm high, 53cm deep

£600-800

British Furniture & Works of Art: Part II

119 GEORGE II STYLE WALNUT LOWBOY LATE 19TH CENTURY the quarter veneered and crossbanded top, over a long and two short drawers and shaped apron, raised on shell carved cabriole legs ending in pad feet 74cm wide, 79cm high, 45cm deep

£400-600

120 GEORGE II STYLE WALNUT AND PAINTED MIRROR 19TH CENTURY the arched scroll cut frame with a carved plume cresting above a panel painted with a floral still life, over a rectangular mirror plate in a moulded gilt slip 149cm high, 47cm wide

£400-600

121 GEORGE I WALNUT DRESSING MIRROR EARLY 18TH CENTURY the moulded arched frame enclosing a bevelled mirror plate, the base with three drawers above a long drawer, raised on square ogee bracket feet 77.5cm high

£200-300

122 GEORGE II WALNUT BACHELOR’S CHEST MID 18TH CENTURY the crossbanded fold-over top with a moulded edge over four long drawers with feather banding, raised on bracket feet 74cm wide, 79cm high, 33cm deep

£1,500-2,500

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123 GEORGIAN STYLE BRASS HALL LANTERN 19TH CENTURY the scrolling corona with bell flower trails, above an hexagonal glazed panel body with rope twist supports, ending in a foliate drop finial 88cm high, 49cm diameter

£800-1,200

124 PAIR OF JAPANNED WALL SCONCES 19TH CENTURY the shaped back panels decorated with figures below trees in the Chinese taste, each issuing a single brass sconce (2) 42.5cm high

£300-500

125 PAIR OF GEORGIAN REVERSE PRINTS ON GLASS 18TH CENTURY titled ‘AUTUMN’ and ‘WINTER’, depicting portraits of young ladies, in period ebonised frames (2) 35.5cm x 25cm and 36cm x 25cm

£600-800

126 GEORGE I JAPANNED BUREAU EARLY 18TH CENTURY the top with a slant front depicting figures and temples in a rocky landscape, opening to an interior with pigeon holes and drawers, above two long drawers; the separate stand with a pierced frieze, raised on cabriole legs ending in pad feet 69cm wide, 106cm high, 42cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part II

127 CHINESE WALLPAPER FOUR PANEL FLOOR SCREEN LATE 18TH/ EARLY 19TH CENTURY hand painted depicting exotic birds and butterflies in an aviary, with further birds perched amongst flowering peony, dogwood and prunus 280cm wide, 221cm high overall

£1,000-1,500

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128 GEORGE II GILTWOOD MIRROR MID 18TH CENTURY the rectangular mirror plate in a frame with C-scrolls, flower garlands and surmounted by a double arched pierced cresting 108cm high, 68cm wide

£1,000-1,500

129 GEORGE III MAHOGANY TORCHERE 18TH CENTURY the circular top with a moulded gallery, on a baluster turned column terminating in cabriole legs with pad feet 33cm diameter, 101cm high

£800-1,200

130 PAIR OF GEORGE II WALNUT SIDE CHAIRS 18TH CENTURY the pierced and foliate carved interlaced splats above dropin seats with needlework covers, raised on cabriole legs ending in claw and ball feet, the frames stamped with a coronet and initial ‘D’ and old paper inventory labels (2) 58cm wide, 99cm high, 41cm deep Provenance: The Countess of Dysart, Sotheby’s, Stobo Castle, April 1972.

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part II

131 PAIR OF GEORGE II STYLE UPHOLSTERED SIDE CHAIRS EARLY 20TH CENTURY the rounded rectangular padded backs above wide square padded seats, raised on shell-carved cabriole legs ending in pad feet, the rear legs stamped 4195 (2) 67cm wide, 108cm high, 49cm deep

£800-1,200

132 GEORGE III MAHOGANY TRIPOD TABLE 18TH CENTURY the circular dished top with a moulded rim, on a baluster turned column with stiff leaf carved cabriole legs ending in pad feet 53cm diameter, 64cm high

£500-700

133 GEORGE II RED WALNUT FOLD-OVER CONCERTINA ACTION CARD TABLE, PROBABY IRISH MID 18TH CENTURY the top with outset rounded corners and a ribbon carved edge, opening to a green baize lined surface with guinea wells, above a reeded frieze raised on acanthus carved straight tapered legs ending in pad feet 79cm wide, 74cm high, 40cm deep (closed)

£1,500-2,500

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134 LATE GEORGE II MAHOGANY ARMCHAIR MID 18TH CENTURY the serpentine acanthus carved top rail above a pierced splat, over a drop-in red leather seat flanked by S-curved arms with scroll carved terminals, raised on square straight legs joined by H stretchers 67cm wide, 91cm high, 46cm deep

£600-800

135 LATE GEORGE II MAHOGANY CHEST OF DRAWERS MID 18TH CENTURY of small size, the rectangular top with a moulded edge over two short and three long graduated drawers, raised on ogee bracket feet 80cm wide, 81cm high, 50cm deep

£700-1,000

136 GEORGE II MAHOGANY LOW BOY 18TH CENTURY the rounded rectangular top with a moulded edge, above three frieze drawers and an arched apron, raised on cabriole legs ending in pointed pad feet 77cm wide, 70cm high, 46cm deep

£700-1,000

British Furniture & Works of Art: Part II

49

137 GEORGE III STYLE GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the shaped mirror plate in a frame with C scrolls, acanthus, and flower heads, surmounted by a pavilion with rocaille 89cm high, 136cm wide

£2,000-3,000

138 PAIR OF GEORGE II STYLE MAHOGANY MARBLE TOPPED SIDE TABLES MODERN the veined pink marble rectangular tops above ribbon and flower head moulded friezes, raised on acanthus carved cabriole legs ending in acanthus carved scroll feet (2) 128cm wide, 85cm high, 59cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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139 SET OF TWELVE GEORGE III MAHOGANY DINING CHAIRS 18TH CENTURY comprising a carver, ten side chairs, and an associated side chair; the serpentine top rails above pierced and carved vasiform splats, over padded square seats, raised on chamfered square legs joined by stretchers (12) Armchair 68cm wide, 97cm high, 47cm deep Provenance: Craufurdland Castle, Fenwick

£2,000-3,000

140 GEORGE II MAHOGANY DEMILUNE CARD TABLE MID 18TH CENTURY the hinged top opening to a red baize playing surface with guinea wells, enclosing a well with apertures for inkwells and pen tray, raised on cabriole legs with pad feet 77cm wide, 73cm high, 38cm deep

£600-800

141 GEORGE II MAHOGANY BUREAU BOOKCASE EARLY 18TH CENTURY the arched moulded cornice above a pair of conforming mirrored doors opening to a shelved interior; the associated base with a slant front opening to pigeon holes and drawers, over four long graduated drawers, on bracket feet 113cm wide, 215cm high, 60cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part II 51

142 FINE GEORGE II MAHOGANY LONGCASE CLOCK, MILES WEDRED (WETHERHEAD), KIRKBY LONSDALE, THE CASE ATTRIBUTED TO GILLOWS MID 18TH CENTURY the moulded swan neck pediment with carved rosettes above the 12in. arched brass and silvered dial with engraved star-spangled revolving moon phases above a Roman chapter ring with Arabic minute markings enclosing a partly matted centre dial engraved ‘Tempus Fugit’ and subsidiary seconds dial and date aperture; above a long trunk with quarter columns enclosing a panelled full length door with finely carved fanned and leafy mask to the top; the canted base on bold ogee moulded feet; the eight-day movement with finely turned and finned baluster pillars, smooth barrels and hourly rack striking on a large bell 58cm wide, 237cm high, 26cm deep Note: Clock cases of this type are discussed by Susan Stewart in her two volume ‘GILLOWS of Lancaster and London’, pgs 388-413, plate 479. For details on Miles Wetherhead, see ‘Clockmakers of Northern England’ by Brian Loomes pgs 278/9.

£5,000-8,000

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143 SET OF FOUR ENGLISH CARVED, GILT AND GESSO WALL APPLIQUÉS LATE 19TH/ EARLY 20TH CENTURY the ribbon-tied wreath and trophy back panels issuing two outscrolling arms with bud-form sconces (4) 67cm high

£800-1,200

144 GEORGE II MAHOGANY FOLD-OVER CARD TABLE 18TH CENTURY the rounded rectangular fold-over top opening on a gateleg to a green baize playing surface, above a pair of short frieze drawers, raised on lappet carved straight cabriole legs ending in pad feet 89cm wide, 71cm high, 43cm deep (closed)

£300-500

145 GEORGIAN MAHOGANY CHEST ON CHEST 18TH CENTURY, WITH ALTERATIONS of small size, the dentil moulded cornice above a blind fret carved frieze over two short and three long graduated drawers flanked by blind fret carved angles; the lower part with a brushing slide and three further long graduated drawers, on bracket feet 83cm wide, 176cm high, 53cm deep

£3,000-5,000

British Furniture & Works of Art: Part II

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146 GEORGIAN MAHOGANY CHEST ON CHEST 18TH CENTURY, WITH ALTERATIONS of small size, the dentil moulded cornice above a blind fret carved frieze over two short and three long graduated drawers flanked by blind fret carved angles; the lower part with a brushing slide and three further long graduated drawers, on bracket feet; of similar design to the preceding lot 82cm wide, 185cm high, 54cm deep

£3,000-5,000

147 GEORGE III STYLE MAHOGANY SOFA LATE 19TH CENTURY the serpentine back and high scroll arms above a padded serpentine seat, raised on carved cabriole legs ending in scroll toes, in blue and gold velvet upholstery 167cm wide, 97cm high, 65cm deep

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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148 GEORGE III SMALL MAHOGANY SIDEBOARD 18TH CENTURY the crossbanded rectangular top above three drawers and an arched recess, raised on turned and tapered legs 117cm wide, 94cm high, 48cm deep

£400-600

149 GEORGE III MAHOGANY BREAKFRONT BOOKCASE 18TH CENTURY the broken arch pediment over a moulded cornice above astragal glazed doors opening to shelves; the lower part with panel doors opening to shelves, raised on a plinth base 192cm wide, 271cm high, 63cm deep

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part II

150 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS, POSSIBLY SCOTTISH LATE 19TH CENTURY including two carvers, in the Hepplewhite style, the cartouche shaped backs with pierced splats carved with Prince of Wales plumes and shells, over wide serpentine padded seats covered in red leather, raised on flower carved cabriole legs ending in acanthus carved scroll feet (8) 64cm wide, 94.5cm high, 56cm deep

£2,000-3,000

151 LARGE GEORGIAN STYLE MAHOGANY AND SATINWOOD CHEVAL MIRROR LATE 19TH CENTURY the swan neck pediment with three urn finials above a rectangular bevelled mirror plate, on arched trestle supports with brass castors 79cm wide, 232cm high, 60cm deep

£800-1,200

152 GEORGE III MAHOGANY DISPLAY CABINET ON STAND 18TH CENTURY the plain moulded cornice above a pair of astragal glazed doors opening to shelves, on a separate stand with two short frieze drawers, raised on square tapered legs ending in spade feet 110cm wide, 149cm high, 43cm deep

£1,500-2,500

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153 GEORGE III MAHOGANY BRASS BOUND CELLARETTE 18TH CENTURY hinged octagonal top opening to a fitted interior; the sides with three brass bands and loop handles; the separate stand with moulded square legs and shaped brackets, ending in castors 44m wide, 70cm high, 44cm deep

£800-1,200

154 EARLY GEORGE III STYLE MAHOGANY SOFA 20TH CENTURY the high arched and serpentine padded back and scroll arms with foliate carved facings, above a triple loose cushion seat, raised on eight moulded straight square legs joined by stretchers; in cream striped upholstery 250cm wide, 108cm high, 77cm deep

£1,500-2,500

155 SET OF THREE GEORGIAN STYLE BRASS FIRE TOOLS 19TH CENTURY comprising: a shovel, 60.5cm long; a poker, 61cm long; and a pair of tongs, 61.5cm long; with urn handles (3) £200-300

156 SET OF THREE GEORGIAN STYLE BRASS AND STEEL FIRE IRONS 19TH CENTURY comprising a shovel, 73.5cm long; a poker, 71cm long; and a pair of tongs, 70cm long; with acanthus cast rococo brass handles (3)

157 GEORGIAN STYLE BRASS, CAST IRON AND STEEL FIRE GRATE 20TH CENTURY with an arched fireback and pierced apron, on square tapered legs surmounted by urns; fitted for electricity

158 GEORGE III STYLE MAHOGANY LONG STOOL the long drop-in padded seat raised on moulded straight legs with pierced brackets and joined by stretchers

70cm wide, 72cm high, 34cm deep

42cm deep

£200-300

£250-350

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

102cm wide, 50cm high,

Fine Furniture & Works of Art

159 FINE EARLY GEORGE III MAHOGANY TRIPOD KETTLE STAND MID 18TH CENTURY the shaped and moulded piecrust top on a turned and fluted tapered column carved at the base with ribbon wrapped flower heads, raised on acanthus carved cabriole legs ending in rocaille carved pointed pad feet 52cm high; top 32.2 x 29.8cm

£5,000-7,000

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160 GEORGE III MAHOGANY BIRDCAGE TRIPOD TABLE 18TH CENTURY the circular tilt top on a birdcage and ring turned column support, on tripod cabriole legs ending in slipper feet 92cm wide, 70cm high, 91cm deep

£800-1,200

161 GEORGE III MAHOGANY CHEST ON CHEST 18TH CENTURY the key moulded cornice above a fluted frieze over two short and three long drawers; the lower part with three further long drawers, raised on bracket feet 114cm wide, 190cm high, 56cm deep

£800-1,200

British Furniture & Works of Art: Part II

59

162 GEORGE III MAHOGANY OVAL WINE COOLER 18TH CENTURY the brass-banded hinged oval top opening to a lead lined divided interior, the oval body with brass loop handles, raised on integral square tapered legs ending in brass caps and castors 52cm wide, 70cm high, 40cm deep

£800-1,200

163 GEORGE III STYLE MAHOGANY PIE-CRUST TRIPOD TABLE 19TH CENTURY the shaped circular top on a turned baluster column, raised on acanthus carved cabriole legs ending in claw and ball feet 42cm diameter, 63cm high

£500-700

164 IRISH CARVED MAHOGANY WING ARMCHAIR LATE 19TH CENTURY the foliate carved arched crest rail above a padded back and enclosed arms ending in carved lions’ masks, above a square padded seat in rouge plush upholstery, over a shell and foliate carved apron and raised on cabriole legs carved with Green Man masks and ending in claw feet 88cm wide, 122cm high, 68cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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165 RARE CHINESE EXPORT PADOUK ARMCHAIR MID 18TH CENTURY the triple arched crest rail above a pierced splat carved with palmettes, above a wide drop-in padded seat flanked by shepherd’s crook arms, raised on shellcarved cabriole legs ending in claw and ball feet 66cm wide, 107cm high, 50cm deep

£2,000-3,000

166 GEORGE III MAHOGANY TRIPOD READING TABLE 18TH CENTURY the ratchet adjusted hinged extending rectangular top on a tapered ring turned column support, raised on cabriole legs ending in slipper feet, the underside with an old shipping label 66cm wide, 73cm high, 45cm deep

£500-700

167 PAIR OF GEORGIAN STYLE MAHOGANY TRAY TOP SIDE TABLES,

BY ARTHUR BRETT, NORWICH MODERN the rectangular tray tops above frieze drawers, raised on chamfered straight legs joined by galleried undertiers, with trade label ‘Arthur Brett & Sons, Norwich England’ (2) 51cm wide, 62cm high, 61cm deep

£800-1,200

168 WORCESTER BLUE AND WHITE ‘PINECONE’ PATTERN CHESTNUT BASKET AND STAND 18TH CENTURY of serpentine outline, the pierced cover, basketform body, and stand with applied twigs and flowerheads, with underglaze crescent marks stand 28.5cm wide Note: for a similar example of a Worcester basket, of the same form, see the Victorian and Albert Museum.

£200-300

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169 GROUP OF ENGLISH BLUE AND WHITE PORCELAIN 18TH CENTURY variously marked, some with underglaze crescent marks; comprising a covered jug, a tea caddy and cover, a tea bowl, and a slop bowl, all in the ‘Mansfield’ pattern; a tea bowl, four saucers, and a jar with matched cover, all in the ‘Three Flowers’ pattern; and a pair of bowls, depicting flowers and butterflies, unmarked (12) £400-600

170 GROUP OF ENGLISH BLUE AND WHITE ‘PINECONE’ PATTERN DISHES 18TH CENTURY all with underglaze crescent marks, comprising two strawberry dishes with matching underplates, with barbed rims; and a small dish; together with a WORCESTER STYLE TEA CANISTER AND COVER, also in the ‘Pinecone’ pattern, with underglaze marks BC (6) £300-500

171 GROUP OF ENGLISH BLUE AND WHITE TEA BOWLS, BOWLS AND SAUCERS 18TH CENTURY with underglaze crescent marks; comprising four tea bowls, two deeper bowls, and three saucers, all in the ‘Fence’ pattern, of various sizes (one tea bowl with rubbed mark); a pair of ‘Gillyflower’ pattern saucers; and a tea bowl with Chinese figures and vases; together with a CHINESE PORCELAIN TEA BOWL, with buildings in a landscape (13) £300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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172 THREE GEORGIAN ENGRAVED WINE GLASSES 18TH/ EARLY 19TH CENTURY with facet cut stems, comprising an example with chrysanthemum and bees, 15cm high; and a pair of glasses, each with a rose and bee, 11.5cm high (3) £300-500

173 FOUR GEORGIAN TWIST-STEM WINE GLASSES 18TH/ EARLY 19TH CENTURY comprising two double-series opaque twist-stem examples, one with a dimpled bowl, the other a fluted bowl, 15cm and 14cm high; and two air twist-stem glasses, 15.5cm and 14cm high (4) £400-600

174 COLLECTION OF OPAQUE TWIST-STEM WINE GLASSES LATE 19TH/ 20TH CENTURY comprising two sets of three glasses with trumpet bowls; one set engraved, with white and red twist stems, 16.5cm high; the other with double series twist-stems, 15cm high; and a further glass with an ogee bowl, and a double series twist-stem, 15cm high (7) £300-500

175 FIVE GEORGIAN OPAQUE TWIST-STEM WINE GLASSES 18TH/ EARLY 19TH CENTURY each with an ogee shaped bowl above a double series opaque twist stem, on a conical foot (5) largest 15cm high

£300-500

British Furniture & Works of Art: Part II

176 SIX GEORGIAN OPAQUE TWIST-STEM WINE GLASSES 18TH/ EARLY 19TH CENTURY comprising a single series twist-stem glass, and five double series twist-stem glasses, with round funnel and ogee bowls, on conical feet (6) largest 15.5cm high

£300-500

177 COMMEMORATION WINE GLASS, KING WILLIAM/ BATTLE OF THE BOYNE ENGRAVING LATE 19TH CENTURY, GLASS POSSIBLY EARLIER the conical bowl engraved with King William on horseback, with inscription THE GLORIOUS MEMORY OF KING WILLIAM/ NO SURRENDER/ BOYNE 1ST JULY 1690/ T.C.S.C, on a knopped stem and folded foot 15.5cm high Note: It is thought that this glass marks the bicentenary of the Battle of the Boyne, and was engraved by Franz Tieze (1842-1932) whose initials are inscribed on the bowl. He was a Bohemian-born engraver who worked in the flint glass factory of the Pugh Brothers in Dublin from 1865 to 1910, although he also engraved 18th century wine glasses.

£200-300

179 GROUP OF GEORGIAN, REGENCY AND VICTORIAN CUT GLASSWARE 19TH CENTURY comprising an Irish double-ogee footed bowl with a scalloped rim, 20cm high; a footed bowl with strawberry-cut body, 19.5cm high; a pair of urn-form salts, 9cm high; a small footed bowl with shaped rim, 10.5cm high; two ring-neck decanters and stoppers, 30.5cm high and 26cm high; and a cut-glass jug, with ribbed neck, 18cm high (8) £300-500

178 FOUR GEORGIAN WINE GLASSES 18TH/ EARLY 19TH CENTURY comprising a glass with an ogee bowl, facet cut stem and conical foot, 15cm high; and three plain glasses, with conical/trumpet bowls, one on a knopped stem, 12.5cm, 12cm and 11cm high (4) £150-250

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180 GEORGE III MAHOGANY CROSSBANDED DEMILUNE CARD TABLE LATE 18TH CENTURY the crossbanded top opening on double gatelegs to a green baize lined playing surface, raised on square tapered legs outlined with stringing and ending in spade feet 96cm wide, 72cm high, 43cm deep (closed)

£800-1,200

181 GEORGIAN MAHOGANY PLATE AND PEAT BUCKETS 18TH/ EARLY 19TH CENTURY each with brass bale handles and banding (2) Plate bucket 39cm high, (handle down); peat bucket 40cm high (handle down)

£500-700

182 GEORGIAN STYLE TIERED SIDE TABLE INCORPORTING 18TH CENTURY PARTS the superstructure with a pierced brass gallery raised on turned columns above a rectangular crossbanded top, on square tapered legs joined by an undertier 87cm wide, 101cm high, 43cm deep

£300-500

183 GEORGE II MAHOGANY BACHELOR’S CHEST OF DRAWERS MID 18TH CENTURY of small size, the rectangular top with an inverted moulded edge above a brushing slide and four long graduated drawers, on bracket feet 79cm wide, 76cm high, 46cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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184 SMALL LATE GEORGE III MAHOGANY CHAMBER TABLE BY GILLOWS OF LANCASTER EARLY 19TH CENTURY the rounded rectangular top with a moulded edge and recessed pen tray and hinged cover, above a long frieze drawer, raised on turned and tapered legs ending in brass caps and castors, signed in pencil to drawer 74cm wide, 72cm high, 53cm deep

£2,000-3,000

185 GEORGE III MAHOGANY TRIPOD TABLE 18TH CENTURY the rounded rectangular tilt top with a reeded edge above a turned baluster support, raised on outswept legs ending in ceramic castors 70cm wide, 71cm high, 49cm deep

£600-800

186 PAIR OF GEORGIAN STYLE LEATHER WING ARMCHAIRS MODERN in button upholstered brown leather with brass nail trimming and loose cushion seats, raised on square straight legs joined by stretchers (2) 80cm wide, 112cm high, 56cm deep

£2,000-3,000

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187 GEORGE III STYLE MAHOGANY SERPENTINE CHEST OF DRAWERS 20TH CENTURY the serpentine top with a moulded edge above four graduated long drawers with ebony stringing and ivorine escutcheons, raised on bracket feet 102cm wide, 90cm high, 54cm deep

£400-600

188 GEORGIAN STYLE MAHOGANY WALL BRACKET, BY GILL & REIGATE, LONDON EARLY 20TH CENTURY of facetted ogee form with a carved foliate pendant finial, stamped on the rear edge 72cm wide, 42cm high, 38cm deep

£400-600

189 LATE GEORGE III MAHOGANY BOOKCASE CABINET LATE 18TH CENTURY the dentil moulded cornice above a pair of astragal glazed doors opening to shelves; the undercabinet with a pair of panel doors with ebony stringing, above a shaped base and bracket feet 122cm wide, 221cm high, 38cm deep

£600-800

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190 GEORGE III MAHOGANY SERPENTINE SIDEBOARD 18TH CENTURY the serpentine top above a central drawer and arched recess flanked by a deep drawer on one side and short drawers on the other, raised on square tapered legs ending in spade feet 143cm wide, 92cm high, 68cm deep

£600-800

191 LATE GEORGE III MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the rounded rectangular tilt top with a reeded edge, on a turned baluster support and four reeded cabriole legs ending in brass paw caps and castors 157cm long, 75cm high, 122cm deep

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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192 GEORGE III MAHOGANY OVAL WINE COOLER 18TH CENTURY the staved sides with brass loop handles and enclosing a metal liner, raised on an integral stand with square tapered legs with brass castors 60cm wide, 62cm high, 45cm deep

£600-800

193 GEORGIAN STYLE WINGBACK ARMCHAIR 19TH CENTURY the serpentine crest rail above a padded back and deep wings, over a loose cushion seat, raised on straight legs with brass castors; in green upholstery 78cm wide, 113cm high, 52cm deep

£400-600

194 GEORGE III MAHOGANY CHEST OF DRAWERS MID 18TH CENTURY of small size, the rectangular top with a moulded edge above an adjustable brushing slide/writing slope and four long graduated drawers, on bracket feet 84cm wide, 89cm high, 47cm deep

£800-1,200

British Furniture & Works of Art: Part II

195 SMALL GEORGE III MAHOGANY AND INLAID BOX CELLARETTE 19TH CENTURY of cubic form, the hinged rectangular top opening to a sectioned interior, the top and front panels with inlaid circular veneers, raised on turned and tapered legs ending in brass caps 36cm wide, 58cm high, 36cm deep

£800-1,200

196 ’BRONZED’ PLASTER BUST OF JOHN LOCKE, AFTER JOHN CHEERE LATE 18TH CENTURY the sitter wearing an open collar shirt and looking slightly to the left, on a socle base 57cm high Provenance: The Lord and Lady Sutherland of Houndwood Collection Note: Portrait busts of noteworthy men became popular in England in the mid-18th century, inspired by William Kent’s 1731 design for Queen Charlotte’s Grotto in Richmond. A philosopher and physician, John Locke (1632-1704) was one of the most influential figures of the Enlightenment. Depicted in an open collar shirt with unruly hair, this rendition of Locke is reminiscent of Rysbrack’s bust at Welbeck Abbey, mainly because both derive from Kneller’s portrait of 1698, and the later engraving by Vertue from 1713. A similar bust attributed to Cheere is in the collection of the V&A, A.84-1921; for a related bronzed terracotta bust of Locke, see Christies, Paris, 15 June 2016, lot 28

£800-1,200

197 LATE GEORGE III MAHOGANY BUREAU BOOKCASE LATE 18TH CENTURY the double curved pediment centred by a carved finial above a dentil and arcaded frieze, over a pair of astragal gazed doors opening to shelves, the lower part with a slant front opening to an interior fitted with drawers and pigeon holes, with sliding compartments covered with leather book spines, over four graduated long drawers, raised on shaped bracket feet 97cm wide, 234cm high, 55cm deep

£2,000-3,000

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198 PAIR OF DERBY PORCELAIN FIGURES CIRCA 1800 modelled as a kilted man holding a coin, 29.5cm high; and a lady carrying a basket of flowers 25.5cm high; with polychrome and gilt decoration, both inscribed No. 378 (2) £700-1,000

199 PAIR OF CARVED GILTWOOD BOOKENDS 18TH/ 19TH CENTURY carved as the busts of Roman soldiers with plumed helmets, raised on weighted square bases (2) 18cm high

£300-500

200Y REGENCY TORTOISESHELL TEA CADDY EARLY 19TH CENTURY of rectangular form with white metal inlay, opening to two lidded compartments within ivory borders 18cm wide, 11cm high, 10cm deep

£300-500

201 PAIR OF PAINTED COMPOSITE FAUX MALACHITE OBELISKS of typical form, with pointed tapered columns above stepped plinth bases, with gilt highlights (2) 46cm high

£300-500

202 PAIR OF SHELL CAMEOS 19TH CENTURY of circular form, depicting men in profile, with inscriptions, ‘BLASIVS.DE.PAT.HIEROSOL.RELI. MILES’, and ‘GUALTERIUS.DE.PAT. IO.F.ALPH.REG.AD.MART.V.PONT. LEG’, 4.5cm diam; together with an oval GLASS PASTE CAMEO of Pittacus of Mytilene, in the manner of James Tassie 7.5cm high (3) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

203 LATE GEORGIAN MINIATURE MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY the top with burr wood veneers above four graduated drawers, raised on shaped bracket feet 32cm wide, 31.5cm high, 19.5cm deep

£200-300

British Furniture & Works of Art: Part II

204Y SMALL GEORGIAN BURR ELM TEA CADDY LATE 18TH/ EARLY 19TH CENTURY the pitched lid inlaid with the coat of arms for the Coke family, opening to a single covered compartment and glass bowl, raised on ivory/bone feet 17cm wide, 15cm high, 11.5cm deep

£500-700

205 GEORGIAN SHAGREEN DECANTER BOX 18TH CENTURY the canted rectangular box fitted with brass mounts and key, opening to a red velvet-lined interior fitted with six cut-glass decanters and stoppers, a wine funnel and a wine glass 26cm wide, 20cm high, 18cm deep

£1,000-1,500

206 REGENCY PENWORK WORKBOX EARLY 19TH CENTURY of sarcophagus form with carved ivory loop handles, decorated with figures within scrolling foliage and vines, opening to a compartmented interior, raised on fluted ivory feet, with a handwritten label to the underside Y

29cm wide, 11cm high, 21.5cm deep

£800-1,200

207 SMALL GEORGIAN SHAGREEN FRUIT KNIFE BOX LATE 18TH/ EARLY 19TH CENTURY with brass mounts and handle, the sloped front opening to a velvet-lined fitted interior, all raised on four brass feet 12cm wide, 19.5cm high, 10cm deep

£600-800

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208 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS LATE 18TH CENTURY the serpentine top with boxwood banding over four long graduated drawers raised on shaped bracket feet 117cm wide, 97cm high, 66cm deep

£500-700

209 GEORGE III MAHOGANY AND EBONY SERPENTINE SERVING TABLE LATE 18TH CENTURY the serpentine top with a moulded edge above a frieze with inlaid ebony fluting, raised on moulded square tapered legs ending in carved toupie feet 171cm wide, 88cm high, 70cm deep

£1,500-2,500

210 GEORGE III MAHOGANY BOW FRONT SIDE CABINET 18TH CENTURY the shaped bow front top with a reeded edge above four graduated drawers flanked by curved doors, raised on bracket feet, bearing an ivorine trade label ‘Kerrs/ Furnishers/ Edinburgh’ 118cm wide, 78cm high, 35cm deep

£400-600

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211 GEORGE III MAHOGANY BUTLER’S TRAY ON LATER STAND LATE 18TH CENTURY AND LATER the deep sides with brass brackets and handles, on a later turned stand with ring turned supports tray 46cm wide, 13cm high, 61cm deep; overall 95cm high

£1,000-1,500

212 LATE GEORGE III WALNUT AND MAHOGANY BUREAU BOOKCASE LATE 19TH CENTURY of large size, the swan neck pediment above a moulded frieze and pair of astragal glazed doors opening to shelves; the base with a slant front opening to an arrangement of drawers and pigeon holes and a baize writing surface, over four long drawers raised on bracket feet 142cm wide, 244cm high, 55cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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213 LATE GEORGE III INLAID MAHOGANY DEMILUNE FOLD-OVER TEA TABLE LATE 18TH CENTURY the featherbanded top opening on a gateleg, above a frieze outlined with further featherbanding, raised on square tapered legs headed by shell motif medallions 91cm wide, 76cm high, 45cm deep (closed)

£300-400

214 GEORGIAN MAHOGANY COMMODE CHEST EARLY 19TH CENTURY the shaped rectangular top with projecting forecorners above a cupboard door disguised as drawers, flanked by reeded columns, raised on turned feet 65cm wide, 73cm high, 45cm deep

£400-600

215 LATE GEORGE III STYLE MAHOGANY BOOKCASE CABINET LATE 19TH CENTURY the dentil moulded cornice above a frieze marked with urn medallions, over a pair of astragal glazed doors opening to shelves; the associated base with a pair of crossbanded panel doors, raised on short splayed feet 117cm wide, 201cm high, 51cm deep

£600-800

British Furniture & Works of Art: Part II

216 PAIR OF SCOTTISH GEORGE III MAHOGANY OPEN ARMCHAIRS 18TH CENTURY the square padded backs above curved seats and open part-padded arms, raised on curved and reeded legs joined by stretchers, in pale blue damask upholstery (2) 63cm wide, 93cm high, 50cm deep

£800-1,200

217 GEORGE III MAHOGANY LONGCASE CLOCK, BY HENRY REDPATH, EDINBURGH 18TH CENTURY the moulded swan neck pediment above an arched engraved silvered brass dial, with Strike/Silent dial over Roman and Arabic chapters, with subsidiary seconds dial and date aperture, the arched shaped trunk door flanked by reeded quarter columns, on a plinth base 47cm wide, 213cm high, 24cm deep

£500-700

218 GEORGE III STYLE MAHOGANY SERPENTINE CHEST OF DRAWERS LATE 19TH CENTURY the serpentine crossbanded top above a brushing slide and four graduated drawers, with a shaped apron and bracket feet 105cm wide, 92cm high, 54cm deep

£700-1,000

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219 PAIR OF LATE GEORGE III IRISH MAHOGANY CORNER ETAGERES EARLY 19TH CENTURY the bowfront tops over deep friezes with dummy drawers, above conforming undertiers with central drawers flanked by dummy drawers, raised and divided by turned supports and legs (2) 81cm wide, 71cm high, 51cm deep

£300-400

220 GEORGE III MAHOGANY CHILD’S HIGH CHAIR LATE 19TH CENTURY in the Hepplewhite style, the chair with a shield shaped back, drop-in seat and curved arms, on square tapered legs joined by stretchers and an adjustable footrest; the separate stand with straight legs overall 40cm wide, 95cm high, 48m deep

£400-600

221 SATINWOOD, MAHOGANY AND KINGWOOD DEMILUNE DISPLAY CABINET 19TH CENTURY the demilune top with fan inlay above a crossbanded frieze and central glazed door and side panels, opening to a green plush lined interior, with a shaped apron and raised on square tapered legs ending in spade feet 90cm wide, 124cm high, 45cm deep

£800-1,200

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222 PAIR OF EDWARDIAN PAINTED WATERFALL BOOKCASES EARLY 20TH CENTURY with three graduated shelves above a cupboard door and base drawer, raised on square tapered legs ending in spade feet, painted with oval ribbon-tied reserves with floral bouquets and scenes of playing children on a yellow ground (2) 52cm wide, 153cm high, 26cm deep

£1,500-2,500

223Y DOUBLE MANUAL POLYCHROMED HARPSICHORD LATE 19TH/ EARLY 20TH CENTURY with ebony major and ivory minor keys, the yellow painted case decorated with neoclassical motifs, the interior painted with a scene of an 18th century musical fete, on reeded tapered legs 209cm long, 93cm high, 96cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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224 GEORGE III MAHOGANY AND SATINWOOD DEMILUNE CARD TABLE, IN THE MANNER OF INCE AND MAYHEW LATE 18TH CENTURY the fold-over crossbanded top opening on double gatelegs to a green baize playing surface, above a deep frieze raised on tapered legs ending in turned feet and headed by carved oval medallions 114cm wide, 74cm high, 57cm deep (closed)

£1,200-1,800

225 SCOTTISH GEORGE III MAHOGANY STICK BAROMETER, J. DELLA TORE, PERTH 18TH/ EARLY 19TH CENTURY with an arched pediment above the silver vernier signed J. DELLA TORRE/ PERTH/ WARRANTED, with ebony banding and a circular cistern cover 95cm high

£300-500

226 GEORGE III MAHOGANY WRITING TABLE 18TH CENTURY the rounded rectangular top with a reeded edge and a gilt tooled green leather insert, above pairs of short frieze drawers to one long side and dummy drawers to the others, raised on reeded tapered legs ending in brass caps and castors 127cm wide, 75cm high, 68cm deep

£2,500-3,500

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227 LATE GEORGE III MAHOGANY INLAID WORK TABLE LATE 18TH CENTURY the hinged octagonal top above a frieze with dummy drawers, raised on square tapered legs with moulded legs outlined with stringing 52cm wide, 74cm high, 42cm deep

£300-500

228 FINE GEORGE III STYLE INLAID SATINWOOD AND MAHOGANY DEMILUNE FOLD-OVER CARD TABLE 19TH CENTURY the top inlaid with fan motifs and radiating veneers inlaid with bell flowers and ribbon-tied floral swags, opening to a green baize lined surface, above a deep frieze with further ribbon-tied swags, raised on square tapered legs with bellflower trails and ending on spade feet, bearing brass trade label ‘S&H JEWELL/ 29,30, & 31/LITTLE QUEEN ST/ HOLBORN. W.C.’ 91cm wide, 78cm high, 46cm deep (closed)

£2,500-3,000

229 GEORGE III MAHOGANY AND LEATHER BEDSTEPS LATE 18TH CENTURY with two steps, covered in green gilt tooled leather, raised on ring turned and tapered legs, stamped C.M.& W. in two places 44cm wide, 48cm high, 51cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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230Y EXHIBITION QUALITY ROSEWOOD, SATINWOOD, MAHOGANY, MARQUETRY EBONISED AND POLYCHROMED BREAKFRONT BOOKCASE LATE 19TH CENTURY in the Sheraton taste, the dentil moulded breakfront cornice above a frieze inlaid with fluting and flower heads, above four astragal glazed doors inlaid with husk trails, opening to shelves, the base with a pair of oval panel doors centred by roundels painted en grisaille with classical busts, flanked by doors inlaid with ribbon tied garlands and urns on a plinth base 187cm wide, 233cm high, 47cm deep

£13,000-18,000

Fine Furniture & Works of Art

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The following group of portrait miniatures depict sitters all related by either birth or marriage, and are linked to the Isherwood family. Peter and Mary Mackenzie (nee Read), of Grove House in Middlesex and Harmony Hall in Jamaica, depicted in the pair of portraits were the parents of Dorothy Parker Bellairs (c.1794-1857), who married Henry Bellairs (c.1790-1872), later Rector of Bedworth. Dorothy and Henry’s daughter was Mary Ellen Bradshaw Isherwood (c.1820-1897) of Marple Hall and Wybersley Hall.

Peter and Mary Mackenzie were also the parents of Mary Stevens Mackenzie who married John Byng (1772-1860), the 1st Earl of Strafford in 1804. Byng was a British Army officer and politician, and his time on the field included fighting in the Battle of Waterloo. In 1831 he was elected a Whig Member of Parliament for Poole, Dorset.

231Y JAMES NIXON (BRITISH 1741-1812) PORTRAIT MINIATURES OF PETER AND MARY MACKENZIE each watercolour on ivory, in glazed giltwood frames, with handwritten notes and information (2) 9.5cm x 8.5cm

£1,500-2,500

232Y CIRCLE OF GEORGE CHINNERY (BRITISH 1774-1852) PORTRAIT MINIATURE OF JOHN BYNG, EARL OF STRAFFORD watercolour on ivory, in a glazed ebonised frame, with handwritten labels verso ‘This is a miniature of field marshal John. Byng. 1st Earl of Strafford 1772-1870/ The Great Great Uncle of Mr. RG Isherwood.

Wybersley Hall. Disley (Ches). Formely of Marple Hall’ 10cm x 8cm

£800-1,200

233Y CIRCLE OF ALEXANDER GALLAWAY PORTRAIT MINIATURE OF HENRY BELLAIRS watercolour and bodycolour on ivory, in a glazed giltwood frame, with handwritten label to verso ‘This picture of Henry Bellairs was painted A.D 1811, when he was a Lieutenant in the 15th Royal Hussars & when he was 21 years old’ 9.5cm x 7.5cm

£500-700

234Y JAMES LEAKEY (BRITISH 1775-1866) PORTRAIT MINIATURE OF DOROTHY PARKER BELLAIRS oil on ivory, in a glazed giltwood frame, with handwritten label verso ‘This miniature of Dorothy Parker Bellairs, was painted at Exeter A.D 1814 when she was 21 years old by Leeky (sic), the only painter of his day who executed miniatures in oil’ 8cm x 6.5cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Pictures: Part II 235 JAMES STUART PARK (SCOTTISH 1862-1933) STILL-LIFE signed, oil on canvas, oval 49.5cm x 39cm (19.5in x 15.5in)

£600-800

236 19TH CENTURY SCHOOL PORTRAIT OF A WOMAN oil on canvas 70cm x 56cm (27.5in x 22in)

£300-500

237 LOUISE ELLEN PERMAN (SCOTTISH 1854-1921) STILL-LIFE signed, oil on canvas 39cm x 59.5cm (15.5in x 23.5in)

£500-700

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238 [§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) THE VISITOR AND MR PARSNIP signed, sanguine 20cm x 31cm (8in x 12in)

239 [§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) CLATTER AND WHIRL, GRANADA signed, extensively inscribed on label verso, drypoint on french paper, unframed

Provenance: Frost & Reed D.8715

21.5cm x 36cm (8.5in x 14in)

£400-600

Literature: Harold J. L. Wright, Catalogue Raisonné, 1957, No. 57.

£400-600

242 [§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) GLEAMING SANDS signed and numbered X, etching, unframed

22cm x 15cm (8.5in x 6in)

241 [§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) THE SHRIMPER signed and inscribed ‘A’, unique artist’s trial proof, drypoint

£300-500

24cm x 12.5cm (9.5in x 5in)

£250-400

240 [§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) MISS ROSSINA DUMPLINGTON signed with initials, sanguine

£250-400

34cm x 22cm (13.25in x 8.5in)

Pictures: Part II

85

21cm x 38cm (8.25in x 15in) and two other etchings by the same hand

244 [§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) HIAWATHA signed with initials, inscribed and dated 30.9.64, pencil, unframed

‘Roast Chestnuts and Sweet Potatoes’ and ‘A Spanish Showman’s Family’ (3)

27cm x 19cm (10.5in x 7.5in) and another

£300-500

drawing by the same hand ‘Lalla Rookh’ (2)

243 [§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) SADDLERY OF THE DORDOGNE signed and numbered XXV, etching, unframed

£400-600

86

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245 JOHN HENDERSON (SCOTTISH 1860-1924) A RIVER LANDSCAPE, AYRSHIRE signed, oil on canvas 46cm x 76cm (18in x 30in)

£600-800

246 ROBERT BUCHAN NISBET R.S.A., H.R.S.W., R.B.A., R.W.S., R.I. (SCOTTISH 1857-1942) ST. ANDREWS FROM THE COAST signed and dated ‘92, watercolour 16cm x 28cm (6.25in x 11in)

£300-500

247 JAMES CASSIE R.S.A., R.S.W. (SCOTTISH 1819-1879) THE RIVER DEE signed with monogram and dated 1860, oil on canvas 27.5cm x 35cm (10.75in x 13.75in)

£500-700

Pictures: Part II

248 JAMES CRAWFORD THOM (AMERICAN 1835-1898) DUCKS ON A RIVERBANK signed, oil on panel 36.5cm x 74cm (14.5in x 29in)

£400-600

249 JAMES TAYLOR BROWN (SCOTTISH 1868-1923) LOOKING DOWN THE COAST signed, oil on panel 16cm x 22cm (6.25in x 8.75in)

£300-500

250 20TH CENTURY DUTCH SCHOOL PASTORAL LANDSCAPE indistinctly signed, oil on canvas 58.5cm x 78.5cm (23in x 31in)

£500-800

87

88

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251 FOLLOWER OF SIR EDWIN LANDSEER HIGHLAND HUNTING oil on board 19.5cm x 25cm (7.75in x 9.75in)

£400-600

252 SAMUEL EDMONSTON R.S.A. (SCOTTISH 1825-1904) PORTRAIT OF A DESPERADO signed, oil on board 29cm x 22.5cm (11.5in x 9in)

£300-500

253 [§] ROBERT EADIE R.S.W. (SCOTTISH 1877-1954) BANNOCKBURN - 1314 oil on board 80.5cm x 110.5cm (31.75in x 43.5in) and two accompanying prints relating to the Declaration of Scottish Independence (3)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Items from a Northumbrian Country House 254 LATE GEORGE III MAHOGANY LONGCASE CLOCK, DALTON TICKLE, NEWCASTLE EARLY 19TH CENTURY the square moulded hood above an arched painted Arabic number dial with two subsidiary dials and a boss painted with a young lady and a birdcage, above an arched trunk door and plinth base, the eight-day movement striking a bell 51cm wide, 213cm high, 24cm deep

£500-800

255 LATE GEORGE III MAHOGANY SECRETAIRE BOOKCASE LATE 18TH CENTURY the broken arch dentil moulded pediment above a pair of astragal glazed doors opening to shelves; the lower part with a secretaire drawer opening to drawers and pigeon holes, above three long drawers, raised on bracket feet 121cm wide, 263cm high, 57cm deep

£1,000-1,500

90

Lyon & Turnbull

256Y EARLY VICTORIAN ROSEWOOD CENTRE TABLE MID 18TH CENTURY the circular top with a moulded rim over a wavy frieze, raised on a carved baluster support with three outswept scroll carved legs ending in brass castors 132cm diameter, 73cm high

£600-900

257 SMALL GEORGE III MAHOGANY BOX DESK 18TH CENTURY the hinged crossbanded top opening to a fitted interior with a writing slope, above base drawers to both ends, raised on square tapered legs 87cm wide, 71cm high, 50cm deep

£300-500

258 GEORGE II MAHOGANY WING ARMCHAIR 18TH CENTURY the back with a straight crest rail and pronounced wings leading to outscrolling arms, above a wide padded seat, raised on palmette carved cabriole legs ending in foliate carved trifid feet, in salmon pink damask upholstery 90cm wide, 115cm high, 52cm deep

£1,000-1,500

259 BAROQUE STYLE CARVED OAK HALL TABLE 19TH CENTURY the rectangular top with a moulded edge above a foliate carved frieze, the ends with sliding extensions, raised on spiral carved legs joined by an H stretcher and ending on carved block feet 184cm wide, 76cm high, 65cm

260 VICTORIAN MAHOGANY OCTAGONAL CENTRE TABLE LATE 19TH CENTURY with a moulded edge, raised on slightly splayed turned legs united by an undertier, on castors 91cm wide, 71.5cm high, 91cm deep

£200-300

261 GROUP OF CERAMIC WINE BIN LABELS 19TH CENTURY comprising eight small examples, variously impressed WEDGWOOD/ PHW/ FARROW AND JACKSON/ LONDON/ T, 14cm wide; and nine larger labels, unmarked, 15.5cm wide (17) £300-500

deep (266cm wide extended)

£200-300

262 SPODE COPELAND PORCELAIN PART DESSERT SERVICE EARLY 20TH CENTURY comprising three shaped square dishes, 21.5cm wide; and nine plates, 23cm diameter; all with gilt floral motifs on a blue ground, with flowers and butterflies, with printed maker’s and retailer’s marks for T.GOODE & CO, some with impressed and red painted marks c1827 (12) £150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Items from a Northumbrian Country House

91

263 SET OF THREE DUTCH DELFT BLUE AND WHITE CHARGERS 18TH CENTURY centrally decorated with flower vases within broad bands of stylised flowers, 35cm diam.; together with a further DUTCH DELFT BLUE AND WHITE CHARGER, depicting a fence and flowers, 34cm diam. (4) £400-600

264 PAIR OF DUTCH DELFT ‘KRAAK’ CHARGERS, BY DE METAALE POT 18TH CENTURY in blue and white with central floral motifs enclosed by graduated reserved bands with flowers and diaper patterns, painted marks (2) 34.5cm diameter Note: For other examples of these dishes made by De Metaale Pot under Lambertus van Eenhoorn, see the Philadelphia Museum of Art, which has two chargers with this pattern in their collection.

£300-500

265 ROYAL CROWN DERBY PORCELAIN PART DESSERT SERVICE LATE 19TH CENTURY comprising two scalloped serving dishes, 25cm wide; and six plates, 22.5cm diam.; all decorated in the Imari palette, with impressed and printed maker’s marks, some with red painted marks; together with a MATCHED PORCELAIN SERVING DISH, also in the Imari pattern, 20cm wide (9) £150-250

266 GROUP OF PORCELAIN AND STAFFORDSHIRE FIGURES 19TH CENTURY comprising a pair of Chelsea style figures of Roman warriors, with gilt anchor marks, 22.5cm and 21cm high; a large German figure group of an 18th century man painting a portrait of a lady, with blue marks, 33.5cm high; and a Staffordshire figure group of a man playing a horn and a seated lady, 20.5cm high (4) £250-350

92

Lyon & Turnbull

267 ENGLISH PORCELAIN PART FRUIT SERVICE MID-19TH CENTURY comprising a large footed comport 19cm high; two small footed comports 12cm high; three low comports, 6cm high; and nine plates, 22.5cm diameter; each painted with a central scene of fruit on a green ground with scrolling gilt highlights, variously marked 6595 in red and black (15) £700-1,000

268 COPELAND PORCELAIN PART DESSERT SERVICE 19TH CENTURY comprising four rectangular footed dishes, 31cm long; four footed circular dishes, 24cm diameter; and eighteen plates, 23cm diameter; all with central gilt floral motif within a painted floral band on a yellow ground, with scrolling gilt borders, with green printed maker’s marks and some with painted number 8336 (26) £200-300

269 VICTORIAN PORCELAIN PART FRUIT SERVICE 19TH CENTURY comprising a large twin-handled pierced comport, 19cm high; a shaped oval serving dish, 30cm wide; four circular shaped serving dishes, 26cm diameter; and eleven plates, 22.5cm diameter; each centrally decorated with transferprinted and painted peonies and foliage with gilt highlights (17) £150-250

270 ENGLISH PORCELAIN BOUGH POT TABLE GARNITURE EARLY 19TH CENTURY comprising a bough pot and pair of covered vases; the pot of demilune form with three necks with a reserve painted with a flower spray on a trellis ground; the matching covered vases with gilt lion finials above waisted necks (3) Bulb pot 23.5cm wide, 20cm high; urns 23.4cm high

£800-1,200

British Furniture & Works of Art: Part III 271 REGENCY STYLE MAHOGANY SOFA TABLE EARLY 20TH CENTURY the rounded rectangular top with a moulded edge and drop ends above two short frieze drawers with dummy drawers opposing, raised on squared end supports joined by a turned stretcher on reeded splay legs with brass caps and castors 92cm wide (down) 148cm wide (up), 71cm high, 62cm deep

£300-500

272 SCOTTISH REGENCY MAHOGANY FOLD-OVER TEA TABLE EARLY 19TH CENTURY the rounded rectangular top above a deep bead moulded frieze with a central panel, on a turned baluster support with acanthus carved scrolled legs ending in brass hairy paw caps and castors 91cm wide, 79cm high, 45cm deep (closed)

£250-350

273Y REGENCY ROSEWOOD AND BRASS INLAID LOW BREAKFRONT SIDE CABINET EARLY 19TH CENTURY the mirrored superstructure with a brass gallery above a central cupboard with brass inlaid doors and grille inserts lined with yellow silk, flanked by conforming side cabinets, opening to shelves, on a plinth base 254cm long, 128cm high, 43cm deep

£1,000-1,500

94

Lyon & Turnbull

274 REGENCY STYLE MAHOGANY CANTERBURY EARLY 20TH CENTURY with three divisions above a base drawer, raised on turned and tapered legs ending in brass caps and castors 46cm wide, 53cm high, 33cm deep

£500-700

275 REGENCY MAHOGANY DRUM TABLE EARLY 19TH CENTURY of small size, the oval top with a brown leather insert above four frieze drawers, raised on a reeded column with four reeded outswept legs ending in brass paw feet with castors 79cm wide, 71cm high, 57cm deep

£1,000-1,500

276 REGENCY MAHOGANY FOLDING DUMBWAITER, BY GILLOWS EARLY 19TH CENTURY the three graduated rounded rectangular tiers with reeded edges, on tapering reeded and turned supports and raised on four outswept reeded legs with brass caps and castors 71cm wide, 115cm high, 64cm deep

£2,000-3,000

British Furniture & Works of Art: Part III

95

277 REGENCY STYLE GILT OVERMANTEL MIRROR MODERN the bevelled rectangular mirror plate in a moulded frame with ball mounted frieze and flanked by fluted Corinthian pilasters 83cm high, 134cm wide

£200-300

278 PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY the leaf carved shaped backs with C scrolls and a painted armorial crest, above a moulded seat and reeded seat rails, raised on reeded sabre legs (2) 39cm wide, 86cm high, 36cm deep

£800-1,200

279Y REGENCY ROSEWOOD MARBLE TOP SIDE CABINET EARLY 19TH CENTURY the veined white marble top with outset rounded corners above a long frieze drawer and a pair of glazed doors opening to a shelved interior, flanked by reeded column angles, raised on turned toupie feet 94cm wide, 83cm high, 38cm deep Note: For a similar pair of cabinets with brass grille inserts to the doors, see Christies, Fine English Furniture, 21 June 1990, lot 113

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

96

Lyon & Turnbull

280 REGENCY JAPANNED TABLE CABINET EARLY 19TH CENTURY of rectangular form with a door opening to drawers decorated with buildings and flowers, raised on four block feet, 21.5cm wide, 28.5cm high, 22.5cm deep

£600-800

281 PAIR OF REGENCY GILT BRONZE LAMPS EARLY 19TH CENTURY with urn-form nozzles above tapered columns and domed feet, decorated with engine-turned bands, with grey silk pleated shades; converted from candlesticks (2) 27.5cm high (excluding fittings)

£800-1,200

282Y REGENCY ROSEWOOD RECTANGULAR OCCASIONAL TABLE EARLY 19TH CENTURY the rounded rectangular top above a tapered column with lotus carving, on a quadriform base with bun feet 51cm wide, 74cm high, 39cm deep

£400-600

283 REGENCY MAHOGANY AND EBONY FOLD-OVER CARD TABLE EARLY 19TH CENTURTY opening to a green baize playing surface, raised on a tapered square pedestal and four scroll legs ending in brass paw feet and castors 91cm wide, 76cm high, 45cm deep (closed)

£400-600

British Furniture & Works of Art: Part III

97

284 REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice above a trellis patterned frieze over a rectangular mirror plate flanked by reeded Corinthian columns 140cm high, 175cm wide

£400-600

285 SCOTTISH REGENCY INLAID MAHOGANY STAGEBACK SIDEBOARD EARLY 19TH CENTURY the superstructure with two sliding doors above a projecting bowfront top with three frieze drawers flanked by deep drawers, raised on square tapered legs ending in spade feet 220cm wide, 106cm high, 88cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

98

Lyon & Turnbull

286 PAIR OF REGENCY PATINATED BRONZE TABLE LAMPS EARLY 19TH CENTURY with petal-form drip trays above figures of swans on tapered columns, raised on circular feet and square bases, marked M&P; converted from candlesticks (2) 31cm high (excluding fittings)

£300-400

287 LATE REGENCY MAHOGANY READING TABLE EARLY 19TH CENTURY the rectangular top with two ratchet adjusted book rests, on a pivoting and adjustable baluster column with a shaped base, raised on turned legs with porcelain castors 84cm wide, 78cm high, 51cm deep

£300-400

288 PAIR OF REGENCY GILT AND PATINATED BRONZE LAMPS EARLY 19TH CENTURY the nozzles above tapered reeded columns and gilt acanthus leaves, raised on triform bases with lion’s paw feet, with silk shades; converted from candlesticks (2) 31cm high (excluding fittings)

£800-1,200

289 REGENCY MAHOGANY BOWFRONT DRESSING TABLE EARLY 19TH CENTURY the outset bowfront top with a moulded edge above four drawers arranged around an arched recess, raised on turned and tapered legs ending in brass caps and castors 90cm wide, 79cm high, 48cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part III

290 REGENCY MAHOGANY SMALL BUFFET, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a moulded edge, raised on turned and tapered reeded legs ending on brass caps and castors and joined by a shaped undertier with a three quarter gallery 96cm wide, 75cm high, 52cm deep

£800-1,200

291 PAIR OF UNUSUAL GEORGE IV OAK ARMORIAL HALL CHAIRS EARLY 19TH CENTURY the shaped tapered splats surmounted by roundels painted with armorials, above circular seats, raised on tapered legs joined by H stretchers (2) 36cm wide, 98cm high, 36cm deep

£500-700

292 REGENCY ROSEWOOD LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top with a black leather writing insert, above three short frieze drawers with three drawers opposing, raised on turned and tapered legs ending in brass caps and castors 158cm wide, 78cm high, 117cm deep Provenance: ‘Keith Skeel: The Private Collection’, Loudham Hall, Suffolk, Lyon & Turnbull, June 2007, lot 1413

£1,000-1,500

99

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293 REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded inverted breakfront cornice over a frieze with foliate scrolls above a rectangular mirror plate flanked by shell carved columns 86cm high, 154cm wide

£600-800

294 REGENCY MAHOGANY HUNT TABLE EARLY 19TH CENTURY of semi-circular form with a removable centre section and drop flaps to the rear, raised on turned and tapered legs ending in brass caps and castors 153cm wide, 74cm high, 75cm deep

£500-800

295 REGENCY MAHOGANY MARBLE TOPPED SIDE CABINET EARLY 19TH CENTURY the D-shaped green marble top above a pair of doors with brass grille inserts lined with ivory patterned silk and opening to shelves, flanked by reeded corners, on a plinth base 107cm wide, 89cm high, 32cm deep

£1,500-2,500

British Furniture & Works of Art: Part III

101

296 LATE REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice above a trellis moulded cushion frame centred by a carved shell motif and marked at the corners with foliate patera 84cm high, 171cm wide

£400-600

297 REGENCY MAHOGANY PEMBROKE TABLE, BY GILLOWS OF LANCASTER EARLY 19TH CENTURY the rounded rectangular top above frieze drawers to both ends, raised on a turned baluster support with four hipped and reeded sabre legs ending in foliate cast brass caps and castors, the drawers stamped ‘GILLOWS LANCASTER’ 99cm long, 73cm high, 113cm deep

£800-1,200

298 REGENCY STYLE MAHOGANY TWIN PEDESTAL DINING TABLE 19TH CENTURY the rounded rectangular top with a moulded edge raised on turned and facetted column supports raised on leaf carved hipped sabre legs ending in brass caps and castors 182cm long, 70cm high, 107cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

102

Lyon & Turnbull

299 REGENCY GILT OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice with ball mounts above a divided frieze with dancing ladies flanked by urns, above a triple mirror plate flanked and divided by flattened pilasters 85cm high, 130cm wide

£400-600

300 REGENCY LEATHER AND BRASS BOUND TRUNK EARLY 19TH CENTURY covered in brown hide with nail head trim, the top centred with the monogram J.C., with twin locks and handles to the sides, opening to a void interior 153cm wide, 50cm high, 53cm deep

£300-500

301 REGENCY MAHOGANY OCTAGONAL DINING TABLE 19TH CENTURY WITH ALTERATIONS comprising a drop leaf centre section and two angled ends, raised on square straight legs 262cm long, 77cm high, 122cm wide

£300-500

302Y REGENCY ROSEWOOD PEDESTAL TABLE EARLY 19TH CENTURY the circular top on a tapered facetted column and triform base with bun feet 65cm diameter, 69cm high

303Y REGENCY TORTOISESHELL AND MOTHER-OF PEARL INLAID TEA CADDY EARLY 19TH CENTURY of sarcophagus form, with floral inlay, opening to a void interior, raised on ivory ball feet

305 PRATTWARE WALL PLAQUE OF QUEEN CAROLINE EARLY 19TH CENTURY the circular plaque moulded in relief depicting Queen Caroline in profile wearing a feathered hat, flanked by the initials Q and C

12.5cm deep

304 REGENCY REVERSE SILHOUETTE PAINTING ON GLASS EARLY 19TH CENTURY the rectangular glass plate with a profile portrait of a seated lady in an interior, in a mahogany frame with indistinct handwritten label to verso

£200-300

19.5cm wide, 15.5cm high,

£150-250

29.5cm x 22cm

£150-250

£200-300

14.5cm diameter

British Furniture & Works of Art: Part III

306 ELIZABETH COBBOLD (BRITISH 1764-1824) TWO PAPER-CUT PICTURES, EARLY 19TH CENTURY with handwritten verses, on pink paper grounds, in glazed ebonised frames; the first depicting a snail on leaves below a tree, 19cm x 24cm; the second a soldier in uniform on horseback, 19cm x 23.5cm (2) £500-700

103

Note: Elizabeth Cobbold was a woman who could quite

bivalve shell was named after her. In 1812 she founded a

easily inhabit a Jane Austen novel; strong of character,

charity to provide clothing to poor children, and in 1820

independent by nature, smart, talented, resourceful,

she started a charitable bazaar.

and philanthropic, she was a fascinating woman fully

Every year in Ipswich she and her husband hosted a

engaged in life in the early part of the 19th century.

Valentine’s Day ball for which she created individual

She published her first group of poems at nineteen,

cut paper valentines for unmarried guests. These she

followed by others. At the age of twenty-six she married

inscribed with her own verse on topics related to love

a man thirty-four years her elder, who sadly died less

and matchmaking, some for men and others for ladies.

than a year into the marriage. During this time she wrote

These sentiments proved to be so popular that in 1814

her first novel, juggling her domestic duties with an

she published a volume of her designs and verse under

active work and social life.

the title ‘Cliff Valentines’, Cliff being the name of her

Her second husband, a wealthy brewer in Ipswich, was

house in Ipswich.

twenty years her senior and a widower with a brood

That these small bits of paper survive after two hundred

of fifteen children. The success of the marriage was

years is remarkable, but testament to how they must

evidenced by the seven additional children Elizabeth

have been cherished and kept by their recipients. They

had with him. She also had a keen interest in science,

offer a remarkable window into life in the Regency

particularly the study of shells, corresponding with

period, and one can’t help imagining the excitement in

leading specialists in the field. So astute were her

receiving one at Cobbold’s Valentine’s Day ball at Cliff

observations and enthusiasm for the subject, a fossil

House.

307 PAIR OF REGENCY PORTRAIT MINIATURES EARLY 19TH CENTURY oval, watercolour on card, depicting three-quarter profiles of a Lieutenant-colonel of the British Light Dragoons (possibly 13th), and a lady, in glazed giltwood frames (2) 12.5cm x 10cm

£300-500

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308Y CASED MARINE IVORY MODEL OF A MERCHANT SHIP 19TH CENTURY complete with three masts, rigging, life-boats, compass, and a painted wood hull, on a painted ‘sea’, in a four-glass case 75cm wide, 49.5cm high, 31cm deep

£600-800

309Y STAINED MAHOGANY OCTANT EARLY 19TH CENTURY with ivory scale and name plaque (rubbed), and horizon glasses with interchangeable coloured filters 48cm long, 42cm radius

£400-600

310Y BRASS AND IVORY THREE DRAW TELESCOPE,

BY G. & C. DIXEY, LONDON EARLY 19TH CENTURY inscribed G & C. DIXEY,/ LATE FRASER/ 3, NEW BOND STRT. LONDON,/ OPTICIANS TO THE KING. extended 16cm long Note: George and Charles Dixey were twin brothers, recorded as working at 3 New Bond Street from 1825 to 1838. Their partnership lasted until George’s death in 1838.

£200-300

311 CASED MODEL OF A SHIP-RIGGED SAILING SHIP 19TH CENTURY the three-masted ship titled ‘SELMA’, complete with rigging, lifeboats, figures, and a Swedish flag, with two smaller boats, on a painted papier-mache sea, in a glazed pine case case 77cm wide, 57cm high, 24.5cm deep

£400-600

British Furniture & Works of Art: Part III

105

312 SINGLE DRAW BRASS TELESCOPE, SIGNED CRICHTON, LONDON 19TH CENTURY engraved CRICHTON./ 112 LEADENHALL STREET,/ LONDON, with a lens cap, on a foldaway brass tripod base 101cm long

£500-700

313 VICTORIAN TERRESTRIAL TABLE GLOBE, BY NEWTON & SON, LONDON 19TH CENTURY with maker’s marks for NEWTON & SON/ CANCERY LANE & 3 FLEET ST. TEMPLE BAR, raised on a turned fruitwood column and tripod base 38cm high

£600-800

314 BRASS AND PAINTED METAL TELESCOPE,

BY S. & B. SOLOMONS, LONDON 20TH CENTURY on a cast-iron foldaway tripod base, with various eyepieces, in a fitted box with maker’s label and instructions tube length 106.5cm long

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

106

Lyon & Turnbull

315 FINE GEORGE IV OAK MIRROR, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the swan neck pediment above an arched bevelled mirror plate, flanked by reeded cluster columns with open volute capitals, on a moulded plinth base with stylised scroll basket pendant finials 126cm high, 87cm wide

£700-1,000

316 ANGLO-INDIAN PADOUK CENTRE TABLE MID 19TH CENTURY the circular top with a foliate carved edge and frieze, raised on a lotus and leaf carved column support with a carved quadriform base with bun feet and ceramic castors 78cm wide, 78cm high, 75cm deep

£1,500-2,500

317Y ANGLO-INDIAN ROSEWOOD SIDE CABINET EARLY 19TH CENTURY the rectangular top with a gadrooned edge above a pair of carved doors centred by leaf carved roundels, raised on bold carved paw feet; the interior with shelves 154cm wide, 107cm high, 47cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part III

318Y WILLIAM IV ROSEWOOD LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top above a pair of frieze drawers with dummy drawers opposing, raised on reeded and lotus carved end columns and trestle supports with scroll feet with brass castors 112cm wide, 72cm high, 66cm deep

£800-1,200

319 LARGE WILLIAM IV MAHOGANY CELLARETTE EARLY 19TH CENTURY of sarcophagus form, the hinged cover with a foliate carved knop, opening to a lead lined interior, on a moulded base with ceramic castors, a draining tap to the back 85cm wide, 62cm high, 56cm deep

£500-700

320Y GEORGE IV ROSEWOOD CHIFFONIER EARLY 19TH CENTURY the superstructure with an arch pediment centred by a carved laurel wreath and single shelf raised on scrolled brackets; above two short frieze drawers over a pair of doors lined with gold silk and flanked by fluted pilasters, raised on squat bun feet 122cm wide, 136cm high, 47cm deep Provenance: The Constantine Collection, Lyon & Turnbull, October 2007, lot 661

£600-800

107

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321 WILLIAM IV MAHOGANY TRIPLE PEDESTAL DINING TABLE 19TH CENTURY the rounded rectangular top with a moulded edge, raised on lotus carved supports and quadriform bases with bun feet and recessed brass castors 348cm long, 70cm high, 148cm deep

£1,000-1,500

322 SPODE BLUE AND WHITE TRANSFER PRINTED BREAKFAST SET EARLY 19TH CENTURY comprising four crescent-shaped dishes and a central divided circular dish, in the Tiber/Rome pattern, with maker’s marks, in a mahogany lazy Susan with twin brass handles overall 54cm wide

£500-700

323 WILLIAM IV MAHOGANY SOFA EARLY 19TH CENTURY the low back with a foliate scroll and foliate carved crest rail and high scrolled arms above a long seat, raised on lotus carved legs ending in brass caps and castors; in cream silk patterned upholstery 220cm wide, 106cm high, 56cm deep

£500-700

British Furniture & Works of Art: Part III

109

324 SIR JOHN ROBERT STEELL R.S.A. (SCOTTISH 1804-1891) WHITE MARBLE BUST OF A YOUNG MAN the subject with long tousled hair and beard, on a socle base, signed JN. STEELL. SCULPT./ 1853.

65cm high

£1,500-2,500

325 SIR JOHN ROBERT STEEL, R.S.A. (SCOTTISH 1804-1891) WHITE MARBLE BUST OF WILLIAM SMALL chest length, draped in robes, on a socle foot, inscribed on the back ‘BUST OF WILLIAM SMALL ESQ. DUNDEE. SCUPTURED. AND/ PRESENTED.

BY JOHN STEELL. R.S.A. AS AN EXPRESSION OF THE/ GREAT REGARD AND ESTEEM HE RETAINS FOR ITS SUBJECT’ and dated ‘31 MARCH 1864’.

73cm high

£1,500-2,500

326Y ROSEWOOD OCCASIONAL TABLE 19TH CENTURY the rounded rectangular top on a spiral carved column support, on a shaped quadriform base with leaf carved outswept legs ending in brass hairy paw caps and castors 91cm wide, 63cm high, 45cm deep

£250-350

327 COPELAND AND GARRETT PORCELAIN PART DESSERT SERVICE 19TH CENTURY comprising a footed comport, 20cm high; two footed dishes, 24.5cm diam.; and twelve dessert plates, 24cm diam.; all painted with birds, floral swags and scenes of courting couples within gilt scroll cartouches, with green printed marks and some with painted number 6202 (15) £250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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328Y FINE VICTORIAN ROSEWOOD AND TUNBRIDGEWARE FOLD-OVER GAMES TABLE, ATTRIBUTED TO EDMUND NYE MID 19TH CENTURY the rectangular crossbanded top inlaid with a games board and geometric motifs, opening to a green baize playing surface, above a frieze with Tunbridge marquetry banding, raised on turned and tapered twin supports on a rectangular base raised on scrolled sabre legs ending in brass claw caps and castors 91cm wide, 74cm high, 46cm deep (closed) Note: Edmund Nye worked in Tunbridge Wells from 1809 until his death in 1863. He was renowned for the high quality of his work, earning royal patronage from 1836 and exhibiting at the Great Exhibition of 1851.

£1,000-1,500

329Y FINE EARLY VICTORIAN ROSEWOOD, SATINWOOD AND MAHOGANY PARQUETRY CENTRE TABLE MID 19TH CENTURY the octagonal tilt top centred by a fan medallion and radiating ‘tumbling block’ veneer panels, above a similarly inlaid frieze marked with turned drop finials, on a carved and turned baluster support raised on scrolling cabriole legs ending ceramic castors 80cm diameter, 77cm high

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part III

330 WHITE MARBLE BUST OF ADAM BLACK (1784-1874) 19TH CENTURY chest length bust, on a square socle inscribed to the front with the subject’s name, and on the back ‘PRESENTED BY J.T.G.C./ TO THE/ PHILOSOPHICAL INSTITUTION’ 70cm high Note: Adam Black (1784-1874) was an Edinburgh-born politician and publisher. His company, A. & C. Black, famously published the 7th, 8th and 9th versions of the Encyclopædia Britannica. As an important figure within the Scottish capital, Black was twice Lord Provost of Edinburgh and represented the city at parliament as a Liberal politician between 1856 and 1865. It is thought he lived at 30 Broughton Place, a townhouse next door to Lyon & Turnbull’s current premises in Edinburgh at no. 33.

£600-800

331 EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE MID 19TH CENTURY the rounded rectangular top with a foliate carved banded edge, raised on swag and leaf carved baluster legs ending in pierced brass castors, with three leaf extensions and a Joseph Fitter Patented winding mechanism 359cm long, 77cm high, 135cm deep

£2,000-3,000

332 VICTORIAN MAHOGANY FRAMED CHAISE LONGUE MID 19TH CENTURY the serpentine padded back and scroll arms above a long padded seat, raised on short turned legs ending in brass caps and castors, in blue cotton print upholstery 205cm long, 82cm high, 57cm deep

£400-600

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333 LARGE VICTORIAN CARVED GILTWOOD MIRROR 19TH CENTURY in the rococo taste, the oval bevelled mirror plate in a frame pierced and carved with C scrolls and oak leaves and surmounted by an oak leaf and acorn filled urn 125cm high, 97cm wide

£1,500-2,500

334 EARLY VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK, BY ROGERS, KIDDERMINSTER MID 19TH CENTURY the swan neck pediment above an arched painted dial with Arabic numbers and subsidiary dials, the arch painted with a hunting scene and the spandrels with figures emblematic of the continents, the hood with ring turned half mouldings above a short arched trunk door flanked by further turned columns, on a plinth base and ogee bracket feet, the eight-day movement striking a bell 58cm wide, 236cm high, 26cm deep

£300-500

335 PAIR OF BURR WOOD AND EBONISED OCTAGONAL PEDESTAL TABLES the octagonal tops with ebonised moulded edges, on facetted column supports with triform bases, raised on carved and ebonised paw feet (2) 48cm diameter, 74cm high

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part III

336 VICTORIAN POLLARD OAK DAVENPORT MID 19TH CENTURY the hinged slant top with a leather insert opening to a fitted interior above opposed panel doors, one enclosing flush drawers, the other shelves 58cm wide, 82cm high, 59cm deep

£400-600

337 VICTORIAN POLLARD OAK WELLINGTON SECRETAIRE CHEST 19TH CENTURY of typical form, the projecting moulded cornice over graduating drawers, the second and third drawers fitted as a secretaire with a satin birch interior, raised on a plinth base 76cm wide, 130cm high, 47cm deep

£2,000-3,000

338 VICTORIAN WALNUT FRAMED STOOL 19TH CENTURY the rectangular top covered in modern grey plush buttoned upholstery, over a shaped frieze and raised on short cabriole legs ending in pad feet with porcelain castors 96cm wide, 44cm high, 73cm deep

£400-600

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339 VICTORIAN BURR WALNUT AND EBONISED FOLD-OVER CARD TABLE 19TH CENTURY the pivoting fold-over top opening to a black baize line playing surface, raised on fluted columns and trestle bases joined by a fluted stretcher, on scroll feet and porcelain castors 92cm wide, 76cm high, 46cm deep, 92cm (open)

£800-1,200

340 VICTORIAN WALNUT FRAMED LEATHER UPHOLSTERED STOOL 19TH CENTURY the square padded seat in green/brown buttoned leather, raised on acanthus carved cabriole legs ending in scroll toes 58cm wide, 40cm high, 58cm deep

£300-500

341 VICTORIAN LEATHER UPHOLSTERED CHESTERFIELD SOFA 19TH CENTURY the low back and scroll arms in brown button-upholstered leather, with nail head trim, raised on turned legs with brass caps and ceramic castors 218cm long, 81cm high, 67cm deep

£3,000-5,000

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342 VICTORIAN WALNUT AND MARQUETRY CENTRE TABLE 19TH CENTURY the shaped oval top inlaid with floral bands and a flowering basket above a shaped frieze with a short drawer, raised on square cabriole legs with gilt metal mounts 107cm wide, 71cm high, 63cm deep

£600-800

343 EARLY VICTORIAN OCTAGONAL LIBRARY TABLE 19TH CENTURY the octagonal top with a moulded edge and green leather insert above four real and four dummy drawers, on a facetted column and quadriform base with faceted bun feet with recessed brass castors 118cm diameter, 78cm high

£800-1,200

344 EARLY VICTORIAN MAHOGANY BOWFRONT CHEST OF DRAWERS MID 19TH CENTURY the caddy top over a line inlaid frieze above four graduated drawers and a shaped apron, raised on splay feet 91cm wide, 97cm high, 49.5cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

116

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345 VICTORIAN WALNUT AND MARQUETRY GAMES TABLE 19TH CENTURY the quarter veneered fold-over top opening to inlaid game boards, above an arrangement of drawers, raised on turned legs with trestle bases joined by a turned stretcher and ending on porcelain castors 61cm wide, 74cm high, 40cm deep (closed)

£500-700

346Y SCOTTISH ROSEWOOD BRASS INLAID WALL CLOCK, R. MILLER, LEITH 19TH CENTURY the white enamelled dial with Roman numerals, signed R. MILLER/ LEITH, in a rosewood case with scrolling foliate brass inlay 38.5cm diameter

£300-500

347 SET OF EIGHT SCOTTISH OAK DINING CHAIRS BY JOHN TAYLOR & SON, EDINBURGH 19TH CENTURY with plain curved back rails above padded seats, on tapered baluster legs, makers stamp to the seat rails (8) 46cm wide, 88cm high, 42cm deep

£300-500

British Furniture & Works of Art: Part III

348 PAIR OF VICTORIAN MAHOGANY FRAMED ARMCHAIRS MID 19TH CENTURY the spoon backs above padded seats in button upholstered red leather, on cabriole legs with brass castors (2) 110cm wide, 79cm high, 58cm deep

£400-600

349Y VICTORIAN INLAID MAPLE STICK BAROMETER MID 19TH CENTURY inscribed WARRANTED LONDON, with an ivory knop handle and inlaid case, below a thermometer, with an old paper label (torn) for DUBLIN 90cm high

£300-500

350 VICTORIAN MAHOGANY CAMPAIGN CHEST OF DRAWERS 19TH CENTURY in two parts, the top with two short drawers and a long drawer; the base with two further long drawers, all with brass rebate handles, raised on bun feet 99cm wide, 112cm high, 54cm deep

£500-700

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351Y EARLY VICTORIAN ROSEWOOD CANTERBURY MID 19TH CENTURY with three division with cruciform dividers with laurel wreath carved ends, above a single base drawer, raised on turned legs with porcelain castors 50cm wide, 57cm high, 55cm deep

£600-800

352 LARGE VICTORIAN MAHOGANY PARTNER’S DESK 19TH CENTURY the rectangular top with a black tooled leather writing insert, above a long frieze drawer flanked by short frieze drawers, the same opposing, raised on banks of three short drawers with cupboards opposing, on plinth bases with castors 182cm wide, 76cm high, 121cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Pictures: Part III 353 [§] JAMES MCINTOSH PATRICK R.S.A., R.O.I., R.G.I. (SCOTTISH 1907-1998) CASTLE SINCLAIR GIRNIGOE signed, watercolour 51.5cm x 40cm (20.25in x 15.5in)

£1,000-1,500

354 [§] JAMES MCINTOSH PATRICK R.S.A., R.O.I., R.G.I. (SCOTTISH 1907-1998) HIGHLAND LANDSCAPE signed, watercolour 51cm x 38.5cm (20in x 15.25in)

£700-900

355 IVAN SCOROFF (19TH/20TH CENTURY EUROPEAN) WINTER LANDSCAPE signed, oil on canvas 54cm x 79cm (21in x 31in)

£400-600

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356 JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HERDING SHEEP signed, watercolour

357 [§] SIR WILLIAM GEORGE GILLIES C.B.E., R.A., R.S.A., R.S.W., D.LITT. (SCOTTISH 1898-1973) GALA WATER signed, pencil and watercolour

35cm x 47.5cm (13.5in x 18.75in)

25.5cm x 34cm (10in x 13.25in)

£500-700

Exhibited: Aitken Dott & Son, W.G. Gillies Exhibition 1968, Ex. Cat.

£500-700

358 [§] GEORGE HOUSTON R.S.A., R.S.W. (SCOTTISH 1869-1947) MUNNOCH RESERVOIR signed and dated ‘97, watercolour

359 WILLIAM TATTON WINTER (BRITISH 1852-1928) ON THE RIVER BANK signed, watercolour

16cm x 23.5cm (6.25in x 9.25in)

23cm x 32cm (9in x 12.5in)

£300-500

£300-500

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360 ATTRIBUTED TO JOSEPH CRAWHALL THE ARRIVAL inscribed in pencil ‘The Arrival,’ pencil and watercolour 12cm x 19.5cm (4.75in x 7.75in) and another ‘Departure of the Caravan’ (2)

£600-800

361 [§] GEORGE MELVIN RENNIE (SCOTTISH 1874-1953) HIGHLAND LANDSCAPE signed, oil on canvas

362 [§] JAMES MCINTOSH PATRICK R.S.A., R.O.I., R.G.I. (SCOTTISH 1907-1998) TIDAL BASIN, DUNDEE HARBOUR, 1930 signed and inscribed with title, pencil

36cm x 51cm (14in x 20in)

17cm x 25cm (6.75in x 10in)

£400-600

Exhibited: The Fine Art Society, February 1980

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

122

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363 [§] SIR WILLIAM GEORGE GILLIES C.B.E., L.L.D., R.A., R.S.A., P.R.S.W. (SCOTTISH 1898-1973) ROSEBERY RESERVOIR signed and dated 1948, watercolour 38cm x 56cm (15in x 22in)

£600-800

364 [§] RONALD OSSORY DUNLOP (IRISH 1894-1973) DREAMY LANDSCAPE signed, oil on canvas 39.5cm x 49.5cm (15.5in x 19.5in)

£500-700

365 [§] JOHN RANKINE BARCLAY (SCOTTISH 1884-1962) A SUMMER’S DAY signed and dated ‘19, oil on board 22cm x 30cm (8.75in x 11.75in)

£600-800

Pictures: Part III

366 PATRICK DOWNIE R.S.W. (SCOTTISH 1854-1945) A SUMMER BREEZE signed, watercolour 49cm x 67.5cm (19.25in x 26.5in)

£800-1,200

367 [§] GEORGE MELVIN RENNIE (SCOTTISH 1874-1953) THE CAIRNGORMS FROM GLEN CLUNIE signed, oil on canvas 39.5cm x 60cm (15.5in x 23.5in)

£600-800

368 JOSEPH MILNE (SCOTTISH 1857-1911) SHIPPING OFF ST. ANDREWS signed, oil on canvas 31cm x 46cm (12in x 18in)

£800-1,200

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369 [§] KATE WYLIE (SCOTTISH 1877-1941) STILL-LIFE OF PINK AND BLUE FLOWERS signed, oil on canvasboard 29cm x 24cm (11.5in x 9.5in)

£300-500

370 [§] KATE WYLIE (SCOTTISH 1877-1941) STILL-LIFE OF MIXED FLOWERS signed, oil on canvasboard 28.5cm x 23.5cm (11.25in x 9.25in)

£300-500

371 ROBERT HOPE R.S.A. (SCOTTISH 1869-1936) STILL-LIFE: VASE OF FLOWERS signed, oil on canvas 72cm x 62.5cm (28.25in x 24.5in)

£1,000-1,500

372 [§] JULES RENÉ HERVÉ (FRENCH 1887-1981) SCÈNE DE FAMILLE signed, signed and indistinctly dated verso, oil on canvas 19.5cm x 24.5cm (7.75in x 9.75in)

£600-800

British Furniture & Works of Art: Part IV 373 VICTORIAN MAHOGANY BREAKFRONT BOOKCASE 19TH CENTURY the moulded cornice above glazed doors opening to shelves; the lower part with four panel doors, raised on a plinth base 259cm long, 234cm high, 49cm deep

£700-1,000

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374 FOUR VICTORIAN PAPIER-MACHE SNUFF BOXES 19TH CENTURY of circular form, each with printed and painted scenes with various inscriptions, including ‘Justice’ and ‘Sporting a Toe’; one with a scene after Robert Seymour, and an example depicting a man on horseback (4) largest 9cm diameter

£400-600

375 VICTORIAN ENGRAVED GILT BRASS STRUT CLOCK, IN THE MANNER OF THOMAS COLE 19TH CENTURY the decorative pierced frame enclosing an engraved silvered dial with Roman numerals, with an easel support 13cm high

£400-600

376 EARLY VICTORIAN CARVED MAHOGANY BIJOUTERIE BOX MID 19TH CENTURY in the rococo taste, the lid carved with a sleeping putto on a basket of flowers, opening to a voide baizelined interior, raised on acanthus carved lion’s paw feet

378 PAIR OF SMALL VICTORIAN OIL LAMPS 19TH CENTURY converted from knopped brass candlesticks, with cranberry glass reservoirs below opaque glass shades (2)

14cm high, 15.5cm wide

£150-250

46cm high

£200-300

380 VICTORIAN BRASS INKSTAND 19TH CENTURY the oval cover with a figure of a recumbent wolf hound, revealing a fitted interior with space for inkwells, engraved PRESENTED BY SELINA VISCOUNTESS MILTON./ TO T. LANGLEY BEARDSALL/ JUNE. 1854., raised on four lion monopodia 26cm wide

£250-350

377 SUITE OF TWELVE VICTORIAN CUT-GLASS RUMMERS 19TH CENTURY with thumb-cut bands above fluted bowls, on cut stems and stepped circular feet (12) 14cm high

£250-350

379 NEAR PAIR OF VICTORIAN NOVELTY DESK CLIPS DATE 1879 with silvered-brass hinged horseshoe clips on oak bases, with Victorian lozenge marks for 26 July 1879, one marked *. ASPREY/ 166. BOND ST. (2) 15cm long, 13cm wide

£150-250

381 SCOTTISH VICTORIAN OAK WALL CLOCK, BRYSONS, EDINBURGH 19TH CENTURY with a carved ribbon-tied floral surmount, enclosing an enamelled dial with Roman numerals, signed BRYSONS./ EDINBURGH, with a Christie’s label for Panmure House, The Property of The Earl of Dalhousie, 19-20 July 1993, lot 909/2 case 47cm diam., 57cm high

£250-350

British Furniture & Works of Art: Part IV

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382 PAIR OF PATINATED AND GILT BRONZE LAMPS LATE 19TH CENTURY of urn form with a band of dancing satyrs and bacchantes, on circular moulded slate bases, with hexagonal silk shades; fitted for electricity (2) 47cm high (excluding fitting)

£1,200-1,800

383 LARGE ENGLISH EBONISED AND BRASS MOUNTED CHIMING BRACKET CLOCK 19TH CENTURY with flame finials above a domed top and an engraved silvered dial with Roman numerals, with three subsidiary dials for CHIME/SILENT, SLOW/FAST, and CHIME ON FOUR GONGS/CHIME ON EIGHT BELLS, flanked by figureheads to each front corner, raised on scrolled feet 73cm high

£800-1,200

384 WILLIAM BIRNIE RHIND R.S.A. (SCOTTISH, 1853-1933) MARBLE BUST OF JAMES BAIRD OF ELIE, DATED 1906 inscribed, W.JAMES BAIRD/ ELIE/ EXECUTED BY/ BIRNIE RHIND/ 1906 64cm high

£1,500-2,500 Note: Edinburgh born sculptor William Birnie Rhind (1853-1933), was well known for his war memorials and other public commissions, and produced a large number of pieces during his prolific career. He trained under his father, John Rhind, before attending the School of Design and then the RSA. His work includes important architectural pieces such as the Boer War Memorials in Edinburgh and the statue of Science on Kelvingrove Art Gallery and Museum. Other public works can be found in England, Canada and Australia. He was elected ARSA in 1893, and RSA in 1905, where he exhibited regularly.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

128

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385 GOOD VICTORIAN AMARANTH, KINGWOOD, PARQUETRY AND MARQUETRY FOLD-OVER GAMES TABLE LATE 19TH CENTURY the top centred by an oval floral marquetry reserve against a parquetry ground enclosed by banded borders marked at the corners, opening to a green baize playing surface, over a diaper pattern frieze, raised on fluted tapered legs ending in toupie feet; the whole outlined with gilt metal mounts 86cm wide, 74cm high, 44cm deep, 88cm (open)

£2,000-3,000

386 VICTORIAN MAHOGANY CHIMING BRACKET CLOCK

BY WINTERHALDER AND HOFMEIER 19TH CENTURY the scrolled pediment above a silvered Roman numeral dial and subsidiary ‘CHIME/SILENT’ and ‘SLOW/FAST’ dials, the dial signed JAMES RAMSAY/ DUNDEE; the eight-day movement striking two gongs and stamped W&H SCH 4 29cm wide, 41cm high, 20.5cm deep

£300-500

387 VICTORIAN INLAID WALNUT INLAID SIDE CABINET 19TH CENTURY the rectangular top with an ebonised moulded edge, above a glazed door opening to shelves on a plinth base 74cm wide, 93cm high, 29cm deep

£250-350

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388 VICTORIAN WALNUT AND MARQUETRY CENTRE TABLE 19TH CENTURY the shaped oval top centred by a musical trophy with a band of floral marquetry, birds and strapwork, above a single frieze drawer, raised on square cabriole legs with figural mounts 131cm wide, 77cm high, 82cm deep

£2,500-3,500

389 VICTORIAN INLAID WALNUT SIDE CABINET 19TH CENTURY the serpentine top above a central door flanked by glazed doors opening to shelves, on a shaped plinth base, with gilt metal mounts 192cm wide, 112cm high, 45cm deep

£800-1,200

390 VICTORIAN LEATHER AND COW-HIDE ARMCHAIR LATE 19TH CENTURY WITH ALTERATIONS the padded back and deep seat covered in brown leather, the open arms in cowhide, raised on turned legs 74cm wide, 83cm high, 56cm deep

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

130

Lyon & Turnbull

391Y PAIR OF SMALL ROSEWOOD BEDSIDE CABINETS PART 19TH CENTURY, MADE UP the moulded rectangular tops above open recesses and panel doors, raised on bun feet (2) 34cm wide, 63cm high, 28cm deep

£500-700

392 PAIR OF VICTORIAN MAHOGANY JARDINIERES LATE 19TH CENTURY in the form of fluted column bases, with ebonised interiors (2) 35cm diameter, 39cm high

£500-700

393 VICTORIAN INLAID MAHOGANY DESK, BY EDWARD AND ROBERTS LATE 19TH CENTURY in the Sheraton style, the rectangular top over a central frieze drawer and arched recess, flanked by banks of three short drawers with bellflower garlands, raised on square tapered legs ending in brass caps and castors, the drawer stamped 122cm wide, 77cm high, 60cm deep

£300-500

394 VICTORIAN LEATHER COVERED TRUNK LATE 19TH CENTURY the domed hinged top opening to a void interior, the exterior covered in brown leather with metal straps and handles 77cm wide, 73cm high, 58cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part IV

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395 GROUP OF THREE VICTORIAN BRASS PARAFFIN LAMPS 19TH CENTURY two with acid etched shades, all with pink-tinted opaque glass reservoirs, two on brass columns with black pottery bases, the other raised on a moulded brass base, largest 71cm high (including shade) (3) £300-500

396 PAIR OF VICTORIAN BRASS WALL LIGHTS 19TH CENTURY with floral cast circular backplates surmounted by heron finials, the outscrolling arms with cranberry and opaque glass shades, fitted for electricity (2) 36cm long

£500-700

397 GROUP OF FOUR VICTORIAN BRASS PARAFFIN LAMPS 19TH CENTURY two with etched cranberry fluted shades, one with an acid etched pink globular shade, the other with an acid etched pink-tinted fluted shade, all with cranberry glass reservoirs, two raised on brass and pottery bases, two with brass baluster supports, largest 63.5cm high (including shade) (4) £400-600

398 GROUP OF FOUR VICTORIAN BRASS PARAFFIN LAMPS 19TH CENTURY two with acid etched globular shades, two with acid etched green fluted shades, one with brass reservoir, another with painted glass reservoir, two with green glass reservoirs, three raised on brass Corinthian columns, the other on a plain column, two wired for electricity, largest 91cm high (including shade) (4) £400-600

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399 VICTORIAN MARQUETRY AND GILT METAL MOUNTED FOLD-OVER CARD TABLE 19TH CENTURY the shaped rectangular top banded in gilt metal and opening to a green baize lined playing surface, above a shaped frieze with a long drawer, raised on squared cabriole legs with gilt metal mounts and ending in sabots, inlaid throughout with floral marquetry 92cm wide, 76cm high, 46cm deep (closed)

£2,500-3,500

400 PAIR OF VICTORIAN MAHOGANY BEDSIDE CABINETS 19TH CENTURY WITH ALTERATIONS the square tops over frieze drawers and arched moulded panel doors, on plinth bases (2) 44cm wide, 88cm high, 38cm deep

£500-700

401 VICTORIAN BUTTON UPHOLSTERED SOFA MID 19TH CENTURY the low back and scroll arms above a long padded seat, covered in wine-red plush upholstery, raised on turned mahogany legs with ceramic castors 219cm long, 61cm high, 54cm deep

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part IV

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402 PAIR OF BRASS PENDANT CEILING LIGHTS 20TH CENTURY the cloche form centres with laurel banding, issuing three scrolled arms with electrified uprights and flame finials (2) 45cm diameter, 22cm high

£300-500

403 LATE VICTORIAN OAK BEDROOM SUITE BY MAPLE & CO, LONDON CIRCA 1900 comprising a WARDROBE, with carved panels and two mirrored doors (includes two keys), 209cm wide, 245cm high, 61cm deep; a WASHSTAND, with tiled splash back and marble top, 123cm wide, 132cm high, 58cm deep; a DRESSING TABLE, with side mirrors, 213cm wide (including mirrors), 187.5cm high, 63cm deep; and a BEDSIDE CABINET, 39cm wide, 84cm high, 40cm deep, with applied and stamped maker’s marks (4) £1,500-2,500

134

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404 VICTORIAN LARGE CUT CRYSTAL PARAFFIN LAMP BASE MID-19TH CENTURY with a gilt bronze Corinthian capital above the tapered facet-cut column with a base knop, raised on a starburst cut circular foot 63cm high, foot 22cm diameter

£2,000-3,000

405Y VICTORIAN COROMANDEL AND IVORY DRESSING BOX ON STAND 19TH CENTURY the rectangular box with ivory banded borders, opening to a fitted interior above a single sliding drawer with glass bottles and various ivory accessories, raised on a stand with a brushing slide and arched X stretcher 83cm high overall; box 30.5cm wide, 18.5cm high, 24.5cm deep

£400-600

406 SCOTTISH SILVER MOUNTED CARVED FRUITWOOD PRESENTATION CUP LATE 19TH CENTURY the deep bowl carved with a double-headed serpent and leaves, mounted with an engraved armorial and fitted with silver bosses, with a silver ring to the well inscribed NONE BUT THE BRAVE DESERVE THE FAIR, the handle bearing a silver collar inscribed LOVAT SCOUTS, with maker’s marks for Ferguson & MacBean, Inverness 39.5cm across (including handle)

£800-1,200 Note: The Lovat Scouts, formed in 1899-1900 were mainly recruited from estate workers, ghillies and gamekeepers from the Highlands. The two companies were initially involved in the Boer war in order to supply intelligence about the Boers, and stalking in the Highlands proved to be excellent ‘training’. After The Boer War, further companies were raised and proved to be a vital part of the Army in WW1 and WW2. It was disbanded in 1946.

This bowl could be taken as an odd variation on a quaich but being much larger and single handed was probably part of the regimental silver. Ferguson and MacBean the silversmiths from Inverness probably supplied the bowl and mounts for one of the officers, presumably whose crest and initials are on the front.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part IV

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407 LATE VICTORIAN WALNUT TUB ARMCHAIR BY HOWARD & SONS CIRCA 1890 covered in a later striped velvet fabric, on turned front legs, the castors stamped ‘Howard & Sons, London’ 70cm wide, 60cm high, 50cm deep

£400-600

408 VICTORIAN EBONISED AND BONE ETAGERE BY HOWARD & SONS LATE 19TH CENTURY with two tiers with three quarter galleries with bone spindles, raised on turned legs ending in brass castors, the top tier with a long drawer stamped on the interior ‘HOWARD & SONS BERNERS STREET’ 66cm wide, 79cm high, 46cm deep

£2,500-3,500

409 VICTORIAN MAHOGANY AND COROMANDEL SMALL SIDE CABINET 19TH CENTURY the upper tier with a brass gallery, above a mirrored back and lobed supports, the undercabinet with a foliate carved door and moulded base raised on carved lobed feet 49cm wide, 125cm high, 36cm deep

410 VICTORIAN COROMANDEL DRESSING CASE, ASPREY, LONDON LATE 19TH CENTURY the hinged lid inlaid with the name LILLIAN, opening to a fitted interior with silver and glass bottles and boxes hallmarked 1872, with an inscribed brass plaque ASPREY, MAKER/ 165, BOND ST., LONDON, above a single base drawer

£250-350

30.5cm wide, 20cm high, 23cm deep

£200-300

411 VICTORIAN PAINTED OPALINE GLASS VASE 19TH CENTURY with an everted rim and rounded body, painted with scrolling passion flowers and buds, with gilt borders 39.5cm high

£200-300

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412Y VICTORIAN IVORY CARVING SET 19TH CENTURY the ivory handles carved as a bearded gentleman and a lady, mounted with steel fittings, the knife marked VR/ JOSEPH RODGERS & SONS/ CUTLERS TO HER MAJESTY, in original leather case knife 41cm long overall

£400-600

413Y EDWARDIAN INLAID ROSEWOOD AND EBONISED MUSIC CABINET EARLY 20TH CENTURY with a part glazed door opening to shelves, raised on turned legs 57cm wide, 110cm high, 38cm deep

£300-500

414 LEATHER UPHOLSTERED CHESTERFIELD SOFA MODERN in brown button-upholstered leather, the low back and scroll arms above a two cushion seat, with brass nail head trim, on turned mahogany legs 238cm long, 73cm high, 59cm deep

£1,500-2,500

British Furniture & Works of Art: Part IV

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415 VICTORIAN CAST IRON STICK STAND 19TH CENTURY the sectioned top between foliate cast side panels above a twin tray base 93cm wide, 69cm high, 29cm deep

£400-600

416 ART NOUVEAU OAK DINING SUITE LATE 19TH CENTURY comprising a set of twelve chairs and an extending dining table; the chairs with shaped and padded backs carved with stylised flower motifs between capped uprights, over stuffover seats, in red leather upholstery, raised on square baluster legs with porcelain castors; two chairs of slightly taller profile; the table with canted corners above a moulded frieze, raised on square baluster legs (13) Chairs: 47cm wide, 114cm high, 44cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

138

Lyon & Turnbull

417Y ARRAU TURTLE SHELL (SOUTH AMERICAN RIVER TURTLE) (PODOCNEMIS EXPANSA) 69.5cm high, 56.5cm wide

£500-700

418Y TAXIDERMY AFRICAN GREY PARROT (PSITTACUS ERITHACUS) LATE 19TH CENTURY full mount, perched on a branch with dried flowers and foliage, on an ebonised base in a glass dome 36.5cm high overall

419Y TAXIDERMY GANNET CHICK/GUGA LATE 19TH CENTURY full mount, on an ebonised base in a glass dome, with a label ‘PRESERVED

BY SMALL & SON/ 38 GEORGE STREET, EDINBURGH, STUFFERS TO THE UNIVERSITY MUSEUM.’

£250-350

37cm high overall

£200-300

420 PITCAIRN ISLAND CARVED WOOD FIGURE OF A FLYING FISH 20TH CENTURY inscribed ‘GREETINGS FROM PITCAIRN ISLAND/ MADE BY REYNOLD WARREN’, raised on a turned support and stamped wooden base

421 20 BORE BOXLOCK EJECTOR SIDEBY-SIDE SHOTGUN, BY PARKER HALE with a straight hand walnut wellfigured stock and chequered grip 27 inch/ 69cm barrels Please note the buyer of this lot requires a valid shotgun certificate or current RFD

£300-500

34cm long, 20cm high

£200-300

422Y TWO SETS OF MOUNTED ANTELOPE HORNS LATE 19TH/ EARLY 20TH CENTURY each on an oak shield, with partial skull piece; the first with shield inscribed SOMALI GERENUK/ H.W. SETON KARR. 1893, shield 39cm high; the second inscribed AMERICAN PRONGHORN ANTELOPE./ WYOMING./ H.W. SETON KARR., shield 26cm high (2) £250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

British Furniture & Works of Art: Part IV

423 EDWARDIAN LEATHER WINGBACK ARMCHAIR EARLY 20TH CENTURY The shaped top and winged sides over a buttoned back, with nail head decorated scroll arms, raised on short cabriole legs 89cm wide, 107cm high, 49cm deep

£700-1,000

424Y JOHN LEECH (BRITISH 1817-1864) GROUP OF TWELVE COLOURED LITHOGRAPHS depicting various hunting scenes, with inscriptions, facsimile signatures, some marked as published by Thomas Agnew & Sons, London & Liverpool, January 2nd 1865, of various sizes, in rosewood frames (12) largest 63 x 84cm

£600-800

425 LARGE EDWARDIAN BRASS AND LEATHER CLUB FENDER EARLY 20TH CENTURY the wine-red and button-upholstered leather seat pads raised on brass rails and a moulded brass base Exterior 183cm wide, interior 134cm wide, 55cm high, 105cm deep

£1,000-1,500

139

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426 EDWARDIAN UPHOLSTERED ARMCHAIR EARLY 20TH CENTURY with a cushioned back, loose cushion seat and scrolled arms on turned legs with brass castors, in mauve plush upholstery 83cm wide, 93cm high, 55cm deep

£300-500

427 EDWARDIAN MAHOGANY CHIMING LONGCASE CLOCK EARLY 20TH CENTURY the swan neck pediment with flaming urn finials above an arched brass dial with silvered Arabic chapters and subsidiary dials ‘Chime/Silent’ and ‘Westminster Chimes on Eight Bells’, the trunk with a fan carved glazed door flanked by spiral carved columns, on a panel plinth base with further spiral carving and raised on carved paw feet; the eight-day movement chiming on eight bells 50cm wide, 260cm high, 32cm deep

£2,000-3,000

428 EDWARDIAN MAHOGANY AND INLAID BIJOUTERIE CABINET EARLY 20TH CENTURY the breakfront top with a moulded cornice over bevelled glass front and sides; the base with a hinged and glazed top and sides, raised on square tapering legs joined by an X stretcher, terminating in spade feet 76cm wide, 135cm high, 45cm deep

£800-1,200

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429 WHYTOCK & REID TWO SEAT SOFA MODERN the double hump sectioned back above a loose cushion seat, in blue and cream pattern upholstery, raised on square tapered legs ending in brass caps and castors; the rear leg stamped 5/291 158cm long, 93cm high, 62cm deep

£300-500

430 ARTS & CRAFTS OAK CREDENZA, IN THE MANNER OF SIR ROBERT LORIMER EARLY 20TH CENTURY the breakfront top above arcaded open shelves with rosette carving, raised on block feet 170cm wide, 102cm high, 64cm deep

£700-900

431 WHYTOCK & REID ‘PARKER’ SOFA 20TH CENTURY the triple arched back above a loose cushion seat and sloping scrolled arms, in WR monogram ticking, with a floral slipcover, raised on mahogany square tapered legs with brass castors; the cushion marked no. 1489 NS 3/161 187cm long, 86cm high, 66cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

142

Lyon & Turnbull

432 FRENCH LEATHER AND BRASS STUD STICK STAND EARLY 20TH CENTURY the front panels with sectional geometric brass medallions 49cm wide, 74cm high, 22cm deep

£300-500

433 LARGE EDWARDIAN LEATHER UPHOLSTERED CLUB FENDER EARLY 20TH CENTURY the red leather padded top with brass stud trim, raised on spiral rails and a moulded base Exterior 169cm wide, interior 122cm wide, 65cm high, 91cm deep

£600-800

434 PAIR OF GILT BRASS WALL APPLIQUES EARLY 20TH CENTURY the shaped backs with bevelled-cut mirrors, each issuing two outscrolling sconces, indistinctly marked (2) 34.5cm high

£300-500

435 MAHOGANY WASTE PAPER BASKET, BY WARING & GILLOW EARLY 20TH CENTURY with slatted open sides fitted with brass lion’s heads united by ball swags, raised on three brass ball feet, marked WARING & GILLOW LD., MANCHESTER and with the numbers 124 & 1676 27cm high, 24.5cm diameter

436 FRENCH BRASS CARRIAGE CLOCK LATE 19TH/ EARLY 20TH CENTURY the bevelled glass case enclosing a white enamelled dial marked PARIS with Roman numerals and retailer’s marks for HAMILTON & INCHES, with a subsidiary dial, the movement striking a bell

£150-250

18cm high (handle up)

£150-250

437 LARGE PAINTED STEAMER TRUNK EARLY 20TH CENTURY dark blue panels with black metal straps and brass corners and locks, with various travel and shipping labels 102cm wide, 62cm high, 57cm deep

£150-250

Fine Furniture & Works of Art

438 EDWARDIAN POND YACHT EARLY 20TH CENTURY with cotton sails, with an ivorine plaque marked AILSA YACHT/ MADE IN SCOTLAND, raised on a stained wood stand

143

439 SPALDING CRAN WOOD BRASSIE CLEEK IRON LATE 19TH CENTURY with a wooden insert to the face and two screws to the back of the head, with a hickory shaft, 104.5cm high overall; together with an IRON CLEEK, 19th century, with heavy hosel with deep nicking where it attaches at the shaft, original grip, 99cm high overall (2)

71cm high (on stand), 65cm wide

£200-300

£200-300

440 BLACKSMITH-MADE HEAVY PUTTER EARLY 19TH CENTURY with heavy 5inch hosel, with deep nicking where it attaches at the hickory shaft, with original grip 92.5cm high overall

£300-500

441 FRENCH MALE DISPLAY MANNEQUIN LATE 19TH/ EARLY 20TH CENTURY the hip length torso covered in gold velvet and brown linen, with articulated hardwood arms, stamped twice, ‘E. Gerard/ Rue de Robert/ Paris’ 75cm high

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

144

Lyon & Turnbull

Winter Sports: European Travel Posters 442 * WILLY TRAPP (1905-1984) KANDERSTEG lithograph, 1947, condition A-; backed on japan 102cm x 64cm (40in x 25in)

£800-1,200

443 ALEX WALTER DIGGELMANN (1902-1987) LAPELLA lithograph, 1940, condition A; not backed 102cm x 64cm (40in x 25in)

£1,200-1,800

444 AMSTUTZ & HERDEG BERNER OBERLAND lithograph, 1943, condition A; not backed 102cm x 64cm (40in x 25in)

£800-1,200

Winter Sports: European Travel Posters

445 ALEX WALTER DIGGELMANN (1902-1987) CHATEAU D’OEX lithograph, 1933, condition A; not backed

446 ALEX WALTER DIGGELMANN (1902-1987) CHATEAU D’OEX lithograph, condition A; not backed

102cm x 64cm (40in x 25in)

102cm x 64cm (40in x 25in)

£3,000-5,000

£3,000-5,000

145

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

146

Lyon & Turnbull

447 * HANS THÖNI (1906-1980) SKIRENNEN, WENGEN lithograph in colours, 1938, condition A-; not backed 102cm x 64cm (40in x 25in)

£800-1,200

448 ALFRED WIDMER OSTSCHWEIZ. SKIRENNEN ST. GALLEN, 1939 lithograph, 1939 condition A; not backed 102cm x 64cm (40in x 25in)

£1,000-1,500

449 A. BAUMANN WENGEN offset lithograph, 1958, condition A; not backed 102cm x 64cm (40in x 25in)

£600-800

450 ERICH HERMES (1881–1971) L’INVERNO IN SVIZZERA lithograph, condition A-; backed on linen 100cm x 63cm (39.5in x 24.5in)

£7,000-9,000

Winter Sports: European Travel Posters

147

148

Lyon & Turnbull

Winter Sports: European Travel Posters

451 WERNER WEISKÖNIG (1907-1982) DAVOS offset lithograph, 1936, condition A; not backed

454 * ROBERT S. GESSNER (1908-1982) DAVOS PARSENN lithograph, 1946, condition A-; not backed

102cm x 64cm (40in x 25in)

102cm x 64cm (40in x 25in)

£1,500-2,000

£800-1,200

452 ARNOLD BOSSHARD (1898-1974) DAVOS lithograph, condition B+; backed on linen

455 P.U. MOB lithograph, condition A-; not backed

102cm x 64cm (40in x 25in)

102cm x 64cm (40in x 25in)

£1,000-1,500

£600-800

453 ALBERT BORER (B.1910) DAVOS lithograph, condition B+; backed on linen

456 MARTIN PEIKERT (1901-1975) SCHWEIZ. SKIRENNEN UNTERWASSER lithograph, 1939, condition A; not backed

102cm x 64cm (40in x 25in)

100cm x 70cm (39.5in x 27.5in)

£800-1,200

£5,000-7,000

149

150

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457 * HUGO LAUBI (1888-1959) AROSA lithograph, 1938, condition A; backed on japan 102cm x 64cm (40in x 25in)

£1,800-2,200

458 * FRANCO BARBERIS (1905-1992) KLOSTERS lithograph in colours, 1949, condition A-; backed on japan 102cm x 64cm (40in x 25in)

£1,200-1,800

459 MARTIN PEIKERT (1901-1975) PONTRESINA lithograph, 1959 condition A; not backed 102cm x 64cm (40in x 25in)

£1,000-1,500

Winter Sports: European Travel Posters

460 * FREDI PLETSCHER WINTER SPORTS, FLY THERE BY SWISSAIR silkscreen, 1953, condition A; not backed 102cm x 64cm (40in x 25in)

£800-1,200

461 DICK BRUNA (1927-2017) MIFFY, PAMPERS lithograph, 1963, condition A; not backed 61cm x 39cm (24in x 15.5in)

£800-1,200

462 * EUGEN BACHMANN SKI SUISSE lithograph in colours, 1960, condition A; not backed 102cm x 64cm (40in x 25in)

£1,000-1,500

151

152

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Winter Sports: European Travel Posters

153

463 ALEX WALTER DIGGELMANN (1902-1987) WINTERSPORT IN DER SCHWEIZ lithograph in colours, 1931, not backed

465 ANONYMOUS SCHWAGALP lithograph, 1936, condition A; not backed

467 HANS FALK (1918-2002) SUNNY SPORTS IN SWITZERLAND lithograph in colours, 1957, not backed

102cm x 64cm (40in x 25in)

102cm x 64cm (40in x 25in)

102cm x 64cm (40in x 25in)

£1,000-1,500

£800-1,200

464 HARALD DAMSLETH SPLITKEIN lithograph, 1939, condition A; not backed

466 SPORT & GENERAL - BOBSLEIGH WINTERSPORT IN DER SCHWEIZ offset lithograph, condition A; not backed

468 HANS LOOSER (1897-1984) TOGGENBURG lithograph, 1932 condition A-; not backed

127cm x 90cm (50in x 35.5in)

75cm x 49cm (29.5in x 19.5in)

127cm x 90cm (50in x 35.5in)

£1,000-1,500

£1,000-1,500

£1,000-1,500

£1,000-1,500

469 * STAUFFER SWITZERLAND, THE TOURIST’S PARADISE lithograph, 1930, condition A-; backed on japan 102cm x 64cm (40in x 25in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

154

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470 ANONYMOUS OLYMPISCHE WINTERSPIELE lithograph, 1928, condition A; backed on linen 102cm x 64cm (40in x 25in)

£1,500-2,000

471 * EDMUND WELF (1915-1993) LES PLAISIRS DE L’HIVER lithograph, 1945, condition A; not backed 102cm x 64cm (40in x 25in)

£1,000-1,500

472 ARNOLD BOSSHARD (1898-1974) LENZERHEIDE lithograph, 1944, condition A; not backed 127cm x 90cm (50in x 35.5in)

£1,000-1,500

Winter Sports: European Travel Posters

473 ANONYMOUS AUSTRIA offset lithograph, condition A; not backed 95cm x 64cm (37.5in x 25in)

£600-800

474 W. HOFMANN AUTRICHE lithograph, 1947, condition A-; backed on linen 102cm x 64cm (40in x 25in)

£800-1,200

475 WAGNER ARLBERG, AUSTRIA lithograph, condition A-; backed on linen 102cm x 64cm (40in x 25in)

£800-1,200

155

156

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476 KNUT YRAN (1920-1998) NORGE offset lithograph, 1951, condition A-; backed on linen 99cm x 63cm (39in x 24.5in)

£2,000-3,000

477 ROGER SOUBIE (1898-1984) ROUTE DES PYRÉNÉES lithograph, 1925, condition A-; backed on linen 105cm x 74cm (41.5in x 29in)

£600-800

478 VECOUX WINTER SPORTS IN FRANCE lithograph in colours, 1947, not backed 102cm x 64cm (40in x 25in)

£800-1,200

Winter Sports: European Travel Posters

479 GEORGES S. DORIVAL (1879-1968) VERS LE MONT-BLANC lithograph, 1928, condition A; backed on linen 104cm x 75cm (41in x 29.5in)

£1,800-2,200

480 GEORGES S. DORIVAL (1879-1968) VERS LE MONT BLANC lithograph, 1928, condition A; backed on linen 104cm x 75cm (41in x 29.5in)

£1,800-2,200

481 GEORGES S. DORIVAL (1879-1968) VERS LE MONT-BLANC lithograph, 1928, condition A; backed on linen 104cm x 75cm (41in x 29.5in)

£1,800-2,200

157

158

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482 ROGER BRODERS (1883-1953) LE MONT-BLANC, CHAMONIX lithograph, c.1924, condition A-; backed on linen 108cm x 77cm (42.5in x 30in)

£2,000-3,000

483 ROGER BRODERS (1993-1953) COMBLOUX lithograph, 1925, condition A-; backed on linen, framed 108cm x 77cm (42.5in x 30in)

£1,500-2,000

484 ROGER BRODERS (1883-1953) PASSY MONT-BLANC lithograph, 1932 condition A-; backed on linen 101cm x 63cm (40in x 25.5in)

£1,000-1,500

Fine Furniture & Works of Art

159

Continental Furniture & Works of Art: Part I

160

Lyon & Turnbull

485 ITALIAN CARVED AND POLYCHROMED WOOD FIGURE OF A CHERUB LATE 18TH CENTURY the winged figure with one arm raised, with original polychrome decoration 56cm high

£600-800

486 CONTINENTAL WALNUT HALL TABLE 17TH CENTURY the cleated plank top raised on turned baluster supports with trestle bases joined by a stretcher 169cm long, 75cm high, 76cm deep

£1,000-1,500

487 CARVED WALNUT AND OAK SIDE CABINET 19TH CENTURY INCORPORATING 16TH/ 17TH CENTURY PARTS the carved pediment over a tiered back with carved Green Man panels flanked by figural supports, above three carved panel cupboard doors, the central panel with an armorial; the base with a fall front fitted with a carved triple panel front depicting figures flanked by caryatids, raised on carved paw feet 183cm wide, 203cm high, 54cm deep Provenance: The Lord and Lady Sutherland of Houndwood Collection

£800-1,200

Continental Furniture & Works of Art: Part I

161

488 FRENCH ARMORIAL LEATHER UPHOLSTERED CAQUETEUSE LATE 19TH CENTURY the padded back with lobed finials above a wide seat and curved arms covered in brown leather embossed with armorials, on turned legs joined by moulded peripheral stretchers on bun feet 67cm wide, 118cm high, 67cm deep

£400-600

489 PAIR OF WROUGHT IRON TORCHERES each with a central stiff and two scrolling candle arms, on tapered square and spiral standards raised on S scroll legs, electrified (2) 194cm high

£300-500

490 FLEMISH WALNUT HALL TABLE PART 17TH CENTURY the two board cleated top above a moulded panel frieze with a central drawer, raised on turned legs joined by peripheral stretchers and ending on ball feet; the underside with an ivorine trade label ‘Muirhead & Moffat & Co. Antiques Glasgow’ 161cm long, 84cm high, 75cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

162

Lyon & Turnbull

491 BRASS GLOBE HALL LANTERN 20TH CENTURY the glazed panel sides with a central pierced band, enclosing a three light pendant, electrified 82cm high, 53cm wide

£400-600

492 ITALIAN WALNUT OCTAGONAL CENTRE TABLE 19TH CENTURY the octagonal top with a moulded edge on four turned column supports and scroll carved trestle bases 149cm diameter, 74cm high

£800-1,200

493 EXCEPTIONALLY LARGE OAK REFECTORY TABLE MODERN in the 17th century style, the rectangular five board top raised on six turned baluster supports ending in trestle bases and joined by straight stretchers 458cm long, 76cm high, 121cm deep

£2,500-3,500

Continental Furniture & Works of Art: Part I

163

494 FLEMISH MOTHER-OF-PEARL AND GILTWOOD CRUCIFIX 19TH CENTURY the giltwood frame enclosing carved panels of mother-ofpearl, depicting Christ below the inscription INRI, flanked by roundels, with green and red staining, with paper labels verso 58cm high

£300-500

496 LARGE PAINTED AND PARCEL GILT GOTHIC STYLE PIER MIRROR the pierced arch pediment flanked by Gothic spire finials, above an arched mirror plate flanked by pilasters 253cm high, 78cm wide

£400-600

495Y AUSTRIAN SILVER-GILT MOUNTED IVORY CUP AND COVER LATE 19TH CENTURY carved in relief depicting two pairs of embracing couples accompanied by putti, the cover carved with further putti and a bud finial, on a domed oval base and silver-gilt foot chased and engraved with masks and foliate scrolls, with Vienna hallmark and initials CK 36cm high

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

164

Lyon & Turnbull

497 CONTINENTAL ENAMEL AND BRASS CRUCIFIX, PROBABLY LIMOGES 19TH CENTURY the engraved brass cross with an enamel figure of Christ below a scroll marked INRI and above a skull and crossbones 23.5cm high

£200-300

498 LIMOGES ENAMEL PLAQUE 19TH CENTURY the rectangular plaque depicting a medieval scene of a lady and two men baking bread, a heraldic device of an antelope centred at the top, in a giltwood frame 15cm x 13cm

£500-700

499 EASTERN EUROPEAN CLOISONNE ENAMEL MONSTRANCE, POSSIBLY RUSSIAN EARLY 19TH CENTURY enamelled in green, blue, yellow, and white, with a central reliquary depicting the Annunciation amongst roundels of the four Evangelists, the opposing side fitted with a carved boxwood panel of Christ and the twelve apostles with roundels of the Evangelists’ symbols, raised on a stepped domed base, in a red leather case with green velvet interior 33cm high

£1,000-1,500

Continental Furniture & Works of Art: Part I

165

500 DUTCH STYLE SILVERED BRASS EIGHT BRANCH CHANDELIER EARLY 20TH CENTURY the engraved central baluster stem ending in a berry pendant finial and issuing eight scrolling candle arms with candle sconces and drip pans, electrified 68cm high, 88cm diameter

£400-600

501 PAIR OF BRONZE FIRE IRONS 19TH CENTURY in the Dutch baroque style, the acorn finials above facetted cup and cover tops on hexagonal columns (2) 60cm long, 57cm high

£200-300

502 FOUR GREEN GLASS APOTHECARY JARS 19TH CENTURY of shouldered form with metal covers, each with a painted label on a gilt ground, marked TR: LUPULI., TR: SCILLAE., TR: HYOSCYA:, and TR: CINCH:CO: (4) 36cm high

£500-700

503 SMALL TABLE TOP APOTHECARY CABINET 19TH CENTURY with two short and three long graduated drawers painted with Latin inscriptions 61cm wide, 40cm high, 19cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

166

Lyon & Turnbull

504 DUTCH MARQUETRY TWO PANEL MIRRORED FLOOR SCREEN 19TH CENTURY each panel with a rectangular mirror plate in a floral marquetry frame surmounted by a moulded broken arch pediment and urn finial, raised on stepped supports with tapered square legs 107cm wide, 172cm high, 32cm deep

£600-800

505 CONTINENTAL CARVED LIMED WOOD TORCHERE 18TH CENTURY the fluted baluster column carved with floral garlands, ending in acanthus carved legs with paw feet 165cm high

£500-700

506 DUTCH MAHOGANY SERPENTINE BOMBE CYLINDER DESK EARLY 19TH CENTURY the superstructure with a tambour front opening to pigeon holes; above a cylinder front enclosing an arrangement of short drawers and pigeon holes and a green leather writing slide, over three short and two long serpentine drawers, and a shaped apron, raised on shaped bracket feet 118cm wide, 146cm high, 59cm deep Provenance: Contents of a Belgravia Apartment

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Continental Furniture & Works of Art: Part I

167

507 DUTCH BRASS SIX LIGHT CHANDELIER 18TH/19TH CENTURY the baluster stem issuing six scrolling arms with candle nozzles and wide drip pans, converted to electricity 62cm high, 89cm diameter

£1,000-1,500

508Y DUTCH ROSEWOOD AND MARQUETRY CYLINDER BUREAU EARLY 19TH CENTURY the cylinder front inlaid with a flowering basket and birds with mother-of-pearl, opening to an arrangement of drawers and pigeon holes and a slide out writing surface, above a shaped frieze drawer raised on square cabriole legs, with floral marquetry throughout 92cm wide, 104cm high, 49cm deep

£600-800

509 DUTCH WALNUT AND MARQUETRY BUREAU BOOKCASE 19TH CENTURY in three parts, the associated top with an arched moulded cornice above a glazed mullioned door opening to shelves above a slat front opening to an arrangement of drawers and pigeon holes; the base with three long serpentine drawers raised on bracket feet, with all over floral and bird marquetry 98cm wide, 223cm high, 51cm deep

£1,500-2,500

168

Lyon & Turnbull

510 CONTINENTAL CARVED OAK AND NEEDLEWORK ARMCHAIR 19TH CENTURY the back with a serpentine crest rail above a wide padded seat flanked by scrolling foliate carved open arms, raised on scroll legs joined by wavy stretchers, in gros and petit point needlework depicting flowers and figures 60cm wide, 113cm high, 53cm deep

£600-800

511 LOUIS XV PROVINCIAL OAK TABLE 18TH CENTURY with an arc en arbalette rectangular top and frieze, raised on cabriole legs ending on hoof feet 129cm long, 74 cm high, 91cm deep

£300-500

512 FRENCH PROVINCIAL OAK DRESSER 18TH CENTURY the moulded cornice above a ribbon carved frieze over eight closed shelves flanked by narrow cupboards; the lower part with four short frieze drawers over four shaped panel doors and a serpentine apron, raised on short cabriole legs with scroll toes 232cm wide, 223cm high, 56cm deep

£3,000-5,000

Continental Furniture & Works of Art: Part I

169

513 FRENCH GILT BRONZE AND MARBLE THREE-PIECE CLOCK GARNITURE 19TH CENTURY comprising a mantel clock depicting a classical female with a cherub, above a white enamelled dial with Arabic numerals, on a white marble base, the movement striking on a bell, raised on toupie feet, 33.5cm high; and an associated pair of gilt bronze flowering urns, raised on reeded column plinth bases, 49.5cm high (3) £800-1,200

514 PAIR OF FRENCH GILT AND PATINATED BRONZE CHENETS LATE 19TH/ EARLY 20TH CENTURY surmounted by youths with arms outstretched, on scrolled leafy supports with flaming torches and reeded bases, one marked 2218 (2) 35cm long, 26cm high

£300-500

515 FRENCH BARBEDIENNE BRONZE URN, AFTER CLODION 19TH CENTURY converted to a lamp, with twin-mask form handles above the shouldered body, decorated with scenes of the Sacrifice of Venus, raised on a socle foot signed F. BARBEDIENNE and square base on paw feet, with a shade 38cm high (excluding fittings)

£300-500

516 FRENCH GILT METAL AND WHITE MARBLE THREE-PIECE CLOCK GARNITURE 19TH CENTURY the clock surmounted by a figure representative of The Arts, with a white enamelled dial with Roman numerals, on a shaped marble base with toupie feet, the movement striking a bell, indistinctly stamped, 36cm high; together with a pair of four-light candelabra, raised on tripod bases with lion’s paw feet and marble plinths, 47cm high (3) £500-800

170

Lyon & Turnbull

517 CONTINENTAL TWELVE LIGHT BIRDCAGE CHANDELIER LATE 19TH/ EARLY 20TH CENTURY the gilt metal openwork frame hung with prism drops, lustres and pendant facet cut balls 114cm high, 66cm diameter

£800-1,200

518 FRENCH KINGWOOD AND PARQUETRY BUREAU LATE 19TH CENTURY the gilt metal banded rectangular top with a red leather insert over a central drawer with a relief gilt metal mount depicting Amphitrite and Poseidon accompanied by tritons, flanked by banks of two short drawers, with dummy drawers opposing, raised on square tapered legs ending in sabots 111cm wide, 79cm high, 56cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Fine Furniture & Works of Art

519 PAIR OF IMPRESSIVE ITALIAN WHITE MARBLE AND ORMOLU TORCHERES 19TH CENTURY with a central stiff and four scrolling ormolu arms in the form of fruiting cornucopia, ending in drip pans and candle nozzles, on tapering baluster columns carved with female masks and drapery swags, acanthus, doubleheaded eagles, rams’ and lions’ masks on a tripartite base with hairy paw feet (2) 217cm high Provenance: This lot was formerly used to complement paintings displayed at the National Galleries of Scotland

£8,000-12,000

171

172

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520 NEAR PAIR OF LOUIS XVI STYLE MAHOGANY BRASS BANDED OCCASIONAL TABLES EARLY 20TH CENTURY the rectangular tops with brass banding above single frieze drawers, raised on fluted tapered legs ending in brass feet (2) One 61cm wide, 74cm high, 41cm deep; the other 61cm wide, 72cm high, 41cm deep

£400-600

521 LOUIS XVI STYLE BEECHWOOD FIVE PIECE SALON SUITE LATE 19TH CENTURY comprising a canape, a pair of fauteuils, and a pair of side chairs, with carved flower and ribbon tied frames, on fluted tapered legs (5) Canape 126cm wide, 99cm high, 60cm deep; fauteuil 59cm wide, 95cm high, 50cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Continental Furniture & Works of Art: Part I

522 CONTINENTAL CARVED OAK AND NEEDLEWORK ARMCHAIR 19TH CENTURY the back with a serpentine crest rail above a wide padded seat flanked by scrolling foliate carved open arms, raised on scroll legs joined by wavy stretchers, in gros and petit point needlework depicting flowers and exotic birds 60cm wide, 110cm high, 53cm deep

£600-800

523 FRENCH TRANSITIONAL STYLE KINGWOOD AND THUYA MARBLE TOPPED COMMODE EARLY 20TH CENTURY the shaped mottled brown marble top above two long drawers, raised on square cabriole legs with gilt metal mounts 104cm wide, 86cm high, 52cm deep

£400-600

524 FRENCH KINGWOOD, PARQUETRY AND VERNIS MARTIN SECRETAIRE LATE 19TH CENTURY the inset rouge marble top above a fall front painted with a view of two courting couples, opening to an interior fitted with pigeon holes and drawers and a plush lined writing surface, over a long frieze drawer, raised on square cabriole legs with gilt metal mounts throughout 63cm wide, 132cm high, 39cm deep

£2,500-3,500

173

174

Lyon & Turnbull

525 CONTINENTAL SEVEN LIGHT GILT METAL PENDANT LIGHT EARLY 20TH CENTURY the central shaft terminating in a cut and etched glass shade enclosed by six outswept branches with laurel leaves and terminating in frosted glass flower bud shades, fitted for electricity 90cm high, 45cm wide

£300-500

526 ROCOCO STYLE PAINTED AND PARCEL GILT CONSOLE TABLE AND MIRROR MODERN the shaped mirror plate in a pierced and carved rococo frame with foliate cresting; the console table with a serpentine black marble top, the base carved with C scrolls and flowers and joined by a shaped X stretcher Mirror 167cm high; table 128cm wide, 82cm high, 53cm deep

£500-700

527 FRENCH BEECH FRAMED BERGÈRE EARLY 20TH CENTURY in the Louis XVI style, the double walled caned back and sides in a foliate carved frame, above a wide seat, raised on stop-fluted tapered legs 70cm wide, 100cm high, 57cm deep

£300-500

Continental Furniture & Works of Art: Part I

175

528 PAIR OF FRENCH WALNUT BERGÈRE ARMCHAIRS CIRCA 1900 with carved rococos style frames with caned panels and loose cushion seats, raised on cabriole legs(2) 72cm wide, 91cm high, 58cm deep

£400-600

529 VENETIAN PIER MIRROR EARLY 20TH CENTURY the rectangular mirror plate within margin plates etched with flower heads and wheat stalks 163cm high, 69cm wide

£800-1,200

530 FRENCH EMPIRE STYLE MAHOGANY MARBLE TOP BOUILLOTTE TABLE EARLY 20TH CENTURY the inset circular green marble top above a frieze with classical mounts, raised on square tapered legs with Egyptian bust capitals, on a shaped quadriform base raised on foliate brass feet 52cm diameter, 73cm high

£400-600

531 FRENCH WALNUT FRAMED FAUTEUIL 19TH CENTURY the cartouche shaped back with a shell carved cresting, above a wide padded seat and part padded arms, raised on floral carved cabriole legs, in green and rose cut velvet upholstery 63cm wide, 96cm high, 56cm deep

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

176

Lyon & Turnbull

532 FRENCH GILT BRONZE THREE-PIECE CLOCK GARNITURE LATE 19TH CENTURY the cylinder case with a flaming urn finial above white enamelled Roman numbers flanked by mask handles, on a rococo style base and shaped rectangular plinth, the eight day movement striking a bell (3) Clock 44.5cm high; candelabra 51.5cm high

£800-1,200

533 PAIR OF FRENCH GILT AND PATINATED BRONZE FIGURAL CANDELABRA 19TH CENTURY with three outscrolling arms with flowering roses, raised by putti on white marble plinth bases, mounted with flower swags on toupie feet, wired for electricity (2) 60cm high (including fittings)

£400-600

534 PAIR OF FRENCH GILT BRASS MOUNTED CRYSTAL URNS 19TH CENTURY with twin-form mask handles above cut crystal bowls, raised on circular bases with engine-turned bands and sphinx-form feet (2) 22.5cm high

£500-700

535 FRENCH PORCELAIN AND GILT BRASS THREE-PIECE CLOCK GARNITURE LATE 19TH/ EARLY 20TH CENTURY the clock surmounted by a bacchanalian putto, above three painted porcelain panels, the dial marked R. STEWART/ PARIS, flanked by female figures, on paw feet, the movement striking a gong; together with a pair of matching cylindrical porcelain covered urns painted with women carrying water, on square gilt bases (2) Clock 34.5cm high; urns 30cm high

£1,000-1,500

Continental Furniture & Works of Art: Part I

177

536 PAIR OF LOUIS XVI STYLE GILT BRONZE AND MARBLE URNS 19TH CENTURY each with a reeded rounded marble body hung with vine swags, above an entwined snake eating grapes, all raised on three curved legs surmounted by masks and terminating in hoof feet, on a marble plinth base, converted to lamps, with pleated cream shades (2) 45cm high (excluding fittings)

£1,500-2,000

537 PAIR OF FRENCH GILT BRONZE MOUNTED MARBLE URNS 19TH CENTURY converted to table lamps, the rouge marble bodies mounted with goat masks united by flower swags, on socle feet and canted square bases (2) 30cm high (excluding fittings)

£300-500

538 LARGE FRENCH PATINATED AND GILT BRONZE MANTEL CLOCK, JAPY FRÈRES, PARIS 19TH CENTURY the gilt dial with enamelled chapters with Roman numerals, surmounted by a seated figure riding an elephant with trunk raised, on an elaborate rococo scrolled and pierced base with shells, the eight-day movement striking a bell, stamped JAPY FRÈRES and E.P. LÉPOSÉ/ 5564 54cm high, 42cm wide

£2,000-3,000

539 PAIR OF FRENCH PATINATED AND GILT BRONZE FIGURAL CANDELABRA 19TH CENTURY each with six sconces on leafy arms with applied lilies and flowerheads, held aloft by a seated putto, on a rococo base decorated with flower swags on toupie and scrolled feet, with pleated cream shades, wired for electricity (2) 70cm high (excluding fittings)

£1,500-2,000

178

Lyon & Turnbull

540 NEAR PAIR OF LARGE CARL THIEME PORCELAIN COVERED URNS LATE 19TH CENTURY in the Meissen style, the covers with crowned putti finials and an armorial, above shouldered bodies with busts of the Bourbon children and reserves painted with scenes of romantic couples, on fluted bases with applied flowers, underglaze blue marks (2) 63cm and 62cm high

£400-600

541 SAMSON PORCELAIN BOAT-FORM INKSTAND 19TH CENTURY in the Dresden style, with a putto figurehead and fish-tail stern, the deck fitted with a covered compartment, two pen holders and a stopper, painted with flowers and gilt highlights, blue marks 27cm long, 20.5cm high

£250-350

542 LARGE MEISSEN FIGURE OF A PARROT 19TH CENTURY perched upon a tree trunk base, decorated in orange, blue and green, underglaze blue crossed swords marks 34.5cm high

£300-500

543 PAIR OF SAMSON ARMORIAL PORCELAIN VASES 19TH CENTURY converted to table lamps, each of baluster form with twin handles, decorated with an armorial amongst flowers and foliage, raised on a carved hardwood stand (2) 34cm high (excluding fittings)

544 ROYAL VIENNA STYLE PORCELAIN POT POURRI VASE AND COVER 19TH CENTURY the pierced domed cover above a liner and painted bowl signed BURER, raised on three curved legs terminating in paw feet on a circular base, with green and gilt highlights, with blue beehive mark and marked MALICIEUSE

£250-350

43cm high

£400-600

Continental Furniture & Works of Art: Part I

545 DRESDEN PORCELAIN CENTRE TABLE EARLY 20TH CENTURY the circular top with a central panel enclosed by thirteen smaller panels, decorated with scenes of ladies and gentlemen in 18th century dress engaged in various pursuits in landscapes, in a gilt metal and gilt wood frame, above a frieze of similarly decorated porcelain panels, raised on four baluster and tapered legs with applied flowers ending in scroll feet and joined by a shaped X stretcher surmounted by a putto 77cm diameter, 77cm high

ÂŁ3,000-5,000

179

180

Lyon & Turnbull

546 PAIR OF FRENCH BARBEDIENNE BRONZE URNS, AFTER CLODION 19TH CENTURY with twin-mask form handles above the shouldered bodies, decorated with scenes of the Sacrifice of Venus, raised on fluted red marble plinth bases and toupie feet, converted to lamps, with cream shades (2) 44cm high (excluding fittings)

£1,200-1,800

547 FRENCH GILT BRONZE AND MARBLE THREE-PIECE CLOCK GARNITURE 19TH CENTURY the clock surmounted by a flowering urn, with grey marble panels and dial with Roman numerals and applied motifs, raised on scrolled, paw and toupie feet, the eight day movement striking a bell; with a pair of matching four-light candelabra, of urn form with goat masks, on square marble bases (3) Clock 41cm high; candelabra 42.5cm high

£400-600

548 GROUP OF SIXTEEN EUROPEAN COSTUME STUDIES LATE 18TH/ EARLY 19TH CENTURY hand-coloured engravings with inscriptions, including twelve Austrian engravings depicting soldiers, Cossacks and a chaplain, one marked T. Mollo, with pencil annotations; a ‘Peasant of Tirol’ and a ‘Noble Hungarian’, both marked Jos. Schaffer; a ‘Peasant of Flipovan’, marked T. Mollo; and an example marked ‘Orden des Horas’, marked J. Adam; all mounted in a scrap book, unframed (16) Largest 31 x 25cm Note: By repute, this scrapbook belonged to either Maria Graham (1785-1842), the travel writer, children’s author and botanist, or to Thomas Graham of Balgowan (Lord Lynedoch) (1748-1843) the Scottish aristocrat, politician and British Army officer, and then by family descent.

£300-500

A Private Collection of Clocks

181

A Private Collection of Clocks

549 FRENCH GILT METAL MANTEL CLOCK BY ANTONY BAILLY, LYON 19TH CENTURY the circular white enamel Arabic number dial painted with flower garlands, in a three glass and gilt metal case with a trophy surmount, on a white marble base with gilt foliate toupie feet; the eight-day movement striking a bell and signed H&F Paris serial no. 2137.

550 FRENCH EMPIRE GILT AND PATINATED METAL MANTEL CLOCK EARLY 19TH CENTURY the circular flower cast dial with a Roman number chapter, set in an arched case in the form of a wall with a lion’s mask fountainhead with a glass rod for water, set amongst bulrushes, on a rectangular plinth base raised on foliate bracket feet; the eight-day movement striking a bell

Approx. 35cm high

£1,200-1,800

£300-500

22cm wide, 37cm high, 12.5cm deep

551 FRENCH GILT BRONZE MANTEL CLOCK, RETAILED BY MAPLE & CO. CIRCA 1900 the white enamel dial with Roman and Arabic chapters, signed MAPLE Co./ PARIS’ in a waisted Rococo case on scroll feet; the eight-day movement striking a bell and stamped 5296 with Vincent et Cie Medaille D’Argent/ 1855 stamp 25cm high

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

182

Lyon & Turnbull

552 DRESDEN PORCELAIN FLOWER ENCRUSTED MANTEL CLOCK LATE 19TH CENTURY the circular white enamel dial with Roman and Arabic chapters, in a flower encrusted rococo style porcelain case mounted with four putti emblematic of the Seasons, underglaze blue crowned D mark; the eight-day Lenzkirch movement striking a bell 46cm high

£800-1,200

553 SÈVRES BISCUIT PORCELAIN MANTEL TIMEPIECE, PIERRE LENOIR, PARIS 19TH CENTURY the white enamel Arabic number dial set in a biscuit porcelain case modelled as a young lady tending a basket of birds on a stone wall, incised marks, on an oval base with toupie feet 26cm high, 19cm wide

£300-500

554 FRENCH BISQUE MANTEL CLOCK, NIDERVILLER AND SUSSE FRÈRES 19TH CENTURY the signed circular dial with a Roman chapter in a cylinder case flanked by figures of Aphrodite and Anchises, on a plinth base moulded with panels depicting putti, masks and trophies, inscribed on the back No. 154 and NIDERVILLER; the eight-day movement striking a bell and stamped 669 and ‘SUSSE FRES/ A PARIS’ 46cm high

£700-1,000

555 FRENCH ‘ARTIST’S PALETTE’ PORCELAIN CLOCK 19TH CENTURY painted with a dial and an 18th century lady playing a spinet and gentleman attending, the movement stamped No. 19567; with a separate gilt metal easel 45cm high

£150-250

A Private Collection of Clocks

183

556 FRENCH PINK GROUND PORCELAIN AND GILT BRONZE MANTEL CLOCK, JAPY FRÈRES ET CIE 19TH CENTURY the circular dial with a Roman chapter ring and painted with birds, in an architectural gilt bronze case surmounted by an urn with a berry finial and mounted with porcelain plaques and porcelain corner columns, on a shaped base raised on toupie feet; the eight-day movement striking a bell and stamped 6545 with Japie Frères Medaille D’Honneur stamp 30cm wide, 45cm high, 15cm deep

£800-1,200

557 FRENCH PORCELAIN AND GILT METAL MANTEL CLOCK 19TH CENTURY the rectangular porcelain front panel painted with a Roman numeral dial and scene after Boucher, in an architectural gilt metal case with corner columns and surmounted by an acorn finial, the eight-day movement striking a gong, the movement stamped Richard & Cie and stamped no. 1866 52 35cm high

£300-500

558 FRENCH GILT METAL AND PORCELAIN MANTEL CLOCK 19TH CENTURY the circular mauve and pink ground porcelain dial with Roman numbers, in an architectural case with a painted panel of an 18th century couple in an interior, flanked by porcelain columns and surmounted by a matching urn, on a stepped base raised on toupie feet; the eight-day movement stamped 7504 and CH Les MT and striking a bell 30cm wide, 42cm high, 11cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

184

Lyon & Turnbull

559 FRENCH GILT BRONZE AND PORCELAIN THREE PIECE CLOCK GARNITURE, RAINGO FRÈRES, PARIS 19TH CENTURY the signed circular porcelain dial with a Roman chapter ring and raised ‘jewel’ decoration, in an arched case with porcelain panels decorated in the Sevres style and surmounted by an urn, raised on toupie feet, the eight-day movement no. 1988 and striking a bell; the matching candelabra with four scrolling candle arms on square plinth bases and toupie feet (3) Clock 19cm wide, 40cm high, 10cm deep

£1,200-1,800

560 FRENCH EMPIRE GILT METAL MANTEL CLOCK, BLANC FILS, PALAIS ROYAL EARLY 19TH CENTURY the signed white enamel Arabic number dial in a column case in the form of a bookcase with two children reading, on an oval plinth base mounted with floral garlands, raised on bun feet; the eight-day movement striking a bell 28cm wide, 45cm high, 18cm deep

£1,000-1,500

561 FRENCH GILT BRONZE AND MARBLE THREE PIECE CLOCK GARNITURE, SAMUEL MARTI, PARIS LATE 19TH/20TH CENTURY the circular white enamel Arabic number dial signed ‘BLACK STARR & FROST’/ NEW YORK’ in a cylinder case flanked by figure of Venus and Cupid, on a white marble base raised on toupie feet; the eight-day movement stamped 477 and ‘Medaille D’or/ Samuel Marti/ Paris’ and striking a bell; together with a pair of associated twin branch candelabra in the form of a torch (3) Clock 27cm wide, 31cm high, 12cm deep

£1,000-1,500

A Private Collection of Clocks

185

562 FRENCH EMPIRE GILT METAL MANTEL CLOCK 19TH CENTURY the circular white enamel dial with Roman numeral chapter in a cylinder case surmounted by a figure of a naiad, on an oval base with mask mounts and a relief panel, raised on toupie feet; the eight-day movement striking a bell 43cm high

£2,000-3,000

563 FRENCH ROMAN REVIVAL GILT BRONZE, SLATE, MARBLE AND PORCELAIN MANTEL CLOCK 19TH CENTURY the black slate dial with gilt Roman numerals and a rouge marble centre, flanked and supported by enamelled terms, on a rectangular base set with a porcelain plaque painted with a scene of Chronos being pulled by putti, on short bun feet; the eight-day movement striking a bell, indistinctly stamped ‘***RSANT F**/ PARIS 35.5cm wide, 54cm high, 16cm deep

£1,000-1,500

564 FRENCH GILT METAL MANTEL CLOCK, DUPONT, PARIS 19TH CENTURY the signed circular gilt dial with Roman numbers set in a rockwork case surmounted by figures of a Malabar man and consort, on a bombe base with Chinoiserie details, the eight-day movement striking a bell 36cm wide, 46cm high, 11cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

186

Lyon & Turnbull

565 FRENCH LARGE EBONISED, GILT BRONZE AND BRASS INLAID BRACKET CLOCK 19TH CENTURY the circular dial with white enamel Roman number panel dial with Arabic minutes markers, set in a waisted glazed rococo case with foliate brass inlay and mounted with gilt bronze depicting Leda and the Swan, surmounted by a pierced foliate gilt bronze finial and raised on foliate scroll feet; the eight-day movement striking a gong and stamped no. 35835 36cm wide, 95cm high, 19cm deep

£2,000-3,000

566 FRENCH GILT METAL MANTEL CLOCK, CHARLES LUMINEAU, PARIS 19TH CENTURY the signed circular white enamel dial with Arabic number and painted with floral garlands, in an arched case applied with acanthus scrolls and laurel swags and marked at the corners with rams’ masks and berry finials, surmounted with an urn, on a quadriform base raised on toupie feet with pinecone finials; the eight-day movement striking a bell and stamped 3830 25cm wide, 52cm high, 16cm deep

£700-1,000

A Private Collection of Clocks

187

567 LARGE ARNOLD & DENT GILT BRONZE MANTEL CLOCK CIRCA 1835 the signed circular engine-turned dial with a Roman number chapter and subsidiary ‘FAST/ SLOW’ dial, set in a waisted rococo style case with acanthus scrolls, floral garlands, and a classical mask, surmounted by the figures of Chronos and Ananke; the movement inscribed ‘Arnold & Dent London/ 524’ 61.5cm high Note: The partnership of Edward J. Dent and John Roger Arnold began in 1830 and lasted ten years. The firm specialised in chronometers and precise clocks and other instruments, and counted amongst their clientele prestigious civic, maritime and scientific organisations. Both Dent and Arnold were prominent clockmakers in London in their own rights prior to the partnership, with a history of important commissions and innovations between them. Dent started trading in 1814, fulfilling important commissions for the Standard Clock at the Royal Observatory, Greenwich and the Great Clock for the Houses of Parliament, known as ‘Big Ben’.

In 1830 he supplied a marine chronometer to the Beagle, used during Darwin’s voyage while researching ‘Origin of the Species’. Arnold served as apprentice to his father, a noted 18th century horologist, and to Abraham Louis Breguet, eventually taking over his father’s business in 1799.

In 1817 he became Master of the Worshipful Company of Clockmakers. Clocks produced during the decade long union of Arnold and Dent are of extremely high quality.

£4,000-6,000

568 GILT AND PATINATED BRONZE AND ROUGE MARBLE MANTEL CLOCK, PROSPER ROUSSEL, PARIS 19TH CENTURY the signed white enamel dial painted with flower garlands and an Arabic chapter, in a four glass case with a torch and garland trophy cresting, accompanied by a standing putto, on a rouge marble base with gilt metal mounts, raised on toupie feet, the eight-day movement stamped 17403 and striking a bell 14cm deep, 44cm high, 28cm wide

£1,000-1,500

188

Lyon & Turnbull

Continental Furniture & Works of Art: Part II 569 SWISS WALNUT, MARQUETRY AND PENWORK TRIPOD TABLE LATE 19TH CENTURY the shaped oval tilt top decorated with chamois, on a carved support and scrolled legs carved with flower bouquets 79cm wide, 77cm high, 58cm deep

£400-600

570 TWO BLACK FOREST FIGURES OF STAGS LATE 19TH/ EARLY 20TH CENTURY comprising a mature stag with twelve-point antlers, 36cm high; and a younger stag with six-point antlers marked 1931 OCT., 24.5cm high; on naturalistic form bases (2)

571 TWO VICTORIAN TREEN ‘OWL’ INKWELLS 19TH CENTURY the first, depicting a standing figure of an owl, hinged at the neck, 14.5cm high; the second, carved as an owl in a boot, opening to a glass inkwell, 9.5cm high (2)

£800-1,200

£150-250

572Y SWISS ROSEWOOD AND GRAINPAINTED MUSIC BOX LATE 19TH/ EARLY 20TH CENTURY the inlaid and ebonised case opening to a brass cylinder playing ten airs, stamped 40999 and 13, with a tune card, stencilled marked 40999 to the underside

573 PAIR OF BOHEMIAN OVERLAID BLUE GLASS LUSTRES MID-19TH CENTURY with central removable sconces above deep drip trays and lustres, raised on baluster columns and circular feet, decorated with flowers on a white cut to blue ground (2)

49.5cm wide

27.5cm high

£300-500

£200-300

Continental Furniture & Works of Art: Part II

189

574 CAESAR PHILIPP (GERMAN 1859-1930) PIPER AND GEESE bronze, golden brown patina, signed PHILIPP on the oval base, raised on a green marble plinth 24.5cm high

£300-500

575 FRENCH BRONZE FIGURE OF MARY MAGDALENE LATE 19TH/ EARLY 20TH CENTURY brown patina, the kneeling figure holding a cross, on a rock-form base, unsigned 37cm high

£300-500

576 AUSTRIAN BRONZE FIGURE OF A LIZARD LATE 19TH/ EARLY 20TH CENTURY with dark brown patina, mounted on a natural rock base 16cm wide

£600-800

577 LARGE CONTINENTAL BRONZE FIGURE OF A TURK LATE 19TH/ EARLY 20TH CENTURY depicting running with a stick/cane in one hand, a feathered bag, and a flintlock rifle strapped to his back, on a stepped base 71cm high approx.

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

190

Lyon & Turnbull

578 FRENCH AMBOYNA AND EBONISED ETAGERE/ WRITING TABLE, MAISON GIROUX, PARIS 19TH CENTURY the pivoting hinged top with a leather insert and bookrest, above a slide with drawer opposing, raised on turned and tapered legs joined by two undertiers 40cm wide, 76cm high, 35cm deep

£800-1,200

579 FRENCH LOUIS PHILIPPE MAHOGANY SEMAINIER 19TH CENTURY the rectangular stepped top above a frieze drawer over six further drawers, the top three flanked by turned pilasters, on a plinth base with bracket feet 102cm wide, 153cm high, 50cm deep

£500-700

580 LOUIS PHILLIPE STYLE MAHOGANY FRAMED SETTEE 19TH CENTURY the acanthus carved serpentine toprail over a padded back and seat, with scrolled acanthus carved enclosed arms, raised on fluted tapered baluster legs, in red and gold foliate upholstery 179cm wide, 120cm high, 54cm deep

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Continental Furniture & Works of Art: Part II

191

581 CONTINENTAL MICROMOSAIC, CHAMPLEVÉ AND BRONZE INKSTAND 19TH CENTURY with a cloisonne urn inkwell flanked by bacchanalian putti above a demilune shaped micromosaic platform depicting scenes of Rome, on toupie feet 24.5cm wide, 13cm high

£400-600

582 FRENCH ‘PALAIS ROYALE’ CUT GLASS CASKET 19TH CENTURY of cubic form, with fluted and cut-square sides with gilt metal mounts, opening to a void interior, with a key 9.5cm wide, 15.5cm high, 10cm deep

£200-300

583 FRENCH GILT BRONZE AND BANDED ONYX BOWL 19TH CENTURY the deep bowl mounted on a French Japonism base raised on four scrolled mask feet 25cm diameter, 22cm high

£300-500

584 PAIR OF FRENCH CHAMPLEVÉ AND ONYX URNS LATE 19TH/ EARLY 20TH CENTURY each with scrolled floral handles flanking an everted neck and shouldered body, raised on a serpentine base and gilt feet, converted to lamps, with pleated cream shades (2) 36cm high (excluding fittings)

£400-600

192

Lyon & Turnbull

585 PIERRE-JULES MÊNE (FRENCH, 1810-1879) TWO FOXES bronze, dark brown patina, signed J MENE to the oval base 18cm wide overall

£350-450

586 ROSA BONHEUR (FRENCH, 1822-1899) BRAYING COW bronze, mid-brown patina, signed ROSA B to the oval base 15.5cm high

£600-800

587 ROSA BONHEUR (FRENCH, 1822-1899) THREE BRONZE FIGURES OF SHEEP all with mid-brown patina, signed ROSA B and stamped PEYROL to the bases, comprising a grazing sheep, 15cm high; a recumbent sheep, base 22cm wide; and a recumbent ram, base 22.5cm wide (3) £800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Continental Furniture & Works of Art: Part II

588 ISIDORE JULES BONHEUR (FRENCH, 1827-1901) PRIZE BULL bronze, mid-brown patina, signed I. BONHEUR, raised on an oval marble base 39cm high overall

£1,500-2,500

589 ANTOINE-LOUIS BARYE (FRENCH, 1795-1875) PREYING PANTHER bronze, mid-brown patina, signed BARYE to the base 23cm long 11cm high

£400-600

590 ISIDORE JULES BONHEUR (FRENCH, 1827-1901) THREE SMALL BRONZE FIGURES all with mid-brown patina, signed I. BONHEUR to bases, comprising a stallion, 8cm high; a bull, 7.5cm high; and a match holder, modelled as a duck looking into a bucket, stamped PEYROL, 7cm high (3) £800-1,200

193

194

Lyon & Turnbull

591 NINE NEAPOLITAN SCHOOL GOUACHES 19TH CENTURY depicting various Italian scenes and figures, including landscapes, classical ruins, coastal views of Naples and the eruption of Mount Vesuvius, in ebonised frames (9) largest 20 x 30cm

£1,200-1,800

592 SMALL FRENCH OPALINE GLASS CASKET LATE 19TH/ EARLY 20TH CENTURY of oval form, the hinged lid opening to a void interior, above gilt metal loop handles and base 10.5cm wide, 9cm high

£200-300

593 BACCARAT GLASS PAPERWEIGHT DATED 1973 with twelve canes depicting the astrological signs, one marked 1973 B, amongst green and white flowerheads, with acid etched marks for BACCARAT/ FRANCE and dated 1973 7cm high

£150-250

Pictures: Part IV

594 WILLIAM WALLS R.S.A., R.S.W. (SCOTTISH 1860-1942) KINTAIL PONIES signed, oil on canvas 45cm x 65.5cm (17.75in x 25.75in)

£800-1,200

595 JOSEPH DENOVAN ADAM R.S.A., R.S.W. (SCOTTISH 1842-1896) PORTRAIT OF A BULL signed and dated 1885, oil on canvas 105cm x 65cm (41.25in x 25.5in)

£400-600

196

Lyon & Turnbull

596 HENRI ARDEN (BELGIAN 1858-1917) L’ALLÉE VERTE À BRUXELLES signed, oil on canvas 28cm x 44cm (11in x 17.5in)

£300-500

597 DUNCAN CAMERON (SCOTTISH 1837-1916) PEAT MOSS, NEAR LOCH VENNACHAR signed, signed, inscribed and dated 1875 verso, oil on canvas 51cm x 76cm (20in x 30in)

£500-700

598 JOHN CAMPBELL MITCHELL R.S.A. (SCOTTISH 1862-1922) TURNHOUSE signed, inscribed verso, oil on canvas

599 JAMES WHITELAW HAMILTON R.S.A., R.S.W. (SCOTTISH 1860-1932) NEAR CRIANLARICH - 1920 signed, oil on board

31cm x 36cm (12in x 14in)

26cm x 34cm (10.25in x 13.5in)

£500-700

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Pictures: Part IV

600 [§] WILLIAM MILLER FRAZER R.S.A. (SCOTTISH 1864-1961) WEST COAST SEASCAPE signed, oil on board 23cm x 34cm (9in x 13.25in)

£500-700

601 SIR JAMES LAWTON WINGATE P.R.S.A. (1864-1924) SUNSET OVER THE COAST signed, oil on canvas 25.5cm x 36cm (10in x 14in)

£400-600

602 P. J. WEIR (19TH CENTURY SCOTTISH) SHIPPING IN LEITH ROADS, STORM APPROACHING signed and dated 1892, signed and inscribed on label on reverse, watercolour heightened with white 16.5c x 21.5cm (6.5in x 8.5in)

£300-500

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603 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) BOAT IN ST. MONAN’S HARBOUR signed, oil on canvas 21.5cm x 29cm (8.5in x 11.5in) and an accompanying watercolour (2)

£400-600

604 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) STREET IN ST. MONAN’S signed, oil on canvas 21.5cm x 14cm (8.5in x 5.5in) and a companion, a pair (2)

£400-600

605 LORD DAVID DOUGLAS HAMILTON (SCOTTISH 1912-1944) PORTRAIT OF REV JAMES ROSSIE BROWN signed and inscribed, oil on canvas 24.5cm x 29cm (9.75in x 11.5in) Note: Lord David Douglas Hamilton was squadron leader of 603 (City of Edinburgh) squadron from 1941-1942 and Rev James Rossie Brown was the squadron chaplain. The 603 squadron shot down the first German plane in an air attack over Scotland in October 1939.

£300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Pictures: Part IV

606 ROBERT MCGREGOR R.S.A. (SCOTTISH 1847-1922) A BRETON WOMAN signed, oil on canvas 44.5cm x 29.5cm (17.5in x 11.5in) Provenance: Fine Art Society - April 1978

£600-800

607 20TH CENTRY BRITISH SCHOOL PORTRAIT OF A LADY oil on canvas 89.5cm x 69.5cm (35in x 27.25in)

£300-500

608 SIR JAMES GUTHRIE R.S.A., R.S.W. (SCOTTISH 1859-1930) PORTRAIT OF STODDART WALKER oil on canvas 51.5cm x 36.5cm (20.25in x 14.5in)

£600-800

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Lyon & Turnbull

Asian Furniture & Works of Art 609 TWO PERSIAN QAJAR GILT METAL AND STONE INSET GHALIAN CUPS 19TH CENTURY each of everted form; the first with two scrolled bands enclosing diagonal rows of gemstones (possibly foilbacked rubies) and enamelled fruiting vines, 6.3cm high, 8.5cm diameter (widest point); the second inset allover with graduated pieces of turquoise, 6.4cm high, 8.8cm diameter (widest point) (2) £800-1,200

610 PERSIAN QAJAR LARGE POLYCHROME GLAZED TILE 19TH CENTURY of rectangular form, depicting hunters on horseback in low relief 36.5cm x 32cm

£500-800

611 FINE NEPALESE KUKRI EARLY 20TH CENTURY the grip profusely inlaid with silver flowerheads, with a lion mask pommel, the traditional curved blade decorated on one side with foliage, in original black leather scabbard, with two miniature bi-knives, decorated en-suite blade 11inches/ 28cm long

£300-500

612Y ANGLO-INDIAN SANDALWOOD WORKBOX LATE 19TH/ EARLY 20TH CENTURY of rectangular form, carved with flowers within ivory banded borders, opening to a fitted interior with a lift-out tray comprising covered compartments and accessories 34cm wide, 13cm high, 25cm deep

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Asian Furniture & Works of Art

201

613 ANGLO-COLONIAL TEAK MARBLE TOP CONSOLE TABLE 19TH CENTURY the rectangular white marble top with a moulded edge over a foliate carved and pierced frieze, raised on acanthus carved cabriole legs headed by lions’ masks and ending on scrolled feet, with a pierced X stretcher surmounted by a carved cow’s head 137cm wide, 82cm high, 62cm deep

£800-1,200

614 BURMESE CARVED HARDWOOD TABLE 19TH CENTURY the circular top carved with birds, dogs, mythical beasts and pavilions enclosed by a pierced foliate carved everted edge, raised on dragon carved quadripartite pedestal support and base 65cm diameter, 75cm high

£400-600

615 BURMESE CARVED HARDWOOD FOUR PANEL SCREEN LATE 19TH CENTURY with four graduated panels pierced and carved with birds and fruiting vines and surmounted by arched cresting 220cm wide, 211cm high

£400-600

202

Lyon & Turnbull

616 CHINESE BLANC DE CHINE FIGURE OF GUANYIN 20TH CENTURY modelled standing holding a lotus flower, raised on a lotus-form base and wood plinth, with a lamp conversion and fringed shade 41cm high (excluding fittings and shade)

£250-350

617Y TWO LARGE JAPANESE SHIBAYAMA PANELS LATE 19TH/ EARLY 20TH CENTURY of rectangular form, each depicting a pheasant perched upon prunus branches worked in stained ivory on a red ground, within a carved ebonised frame (2) 73cm x 39cm

£200-300

618 CHINESE EXPORT LEATHER COVERED CAMPHOR WOOD CHEST ON STAND LATE 18TH CENTURY in red leather painted with bands of flowers within stud trim and metal banded edges, on a later stand 81cm wide, 62cm high, 42cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Asian Furniture & Works of Art

203

619 TWO SYRIAN MOTHER-OF-PEARL INLAID HARDWOOD ARMCHAIRS of typical form inlaid and carved with foliate and geometric motifs, one with stylised text (2) 66cm wide, 104cm high, 30cm deep

£300-500

620 INDIAN CARVED HARDWOOD OCCASIONAL TABLE EARLY 20TH CENTURY the circular top carved in relief with a foliate border around a brass inlaid centre, raised on an octagonal base with foliate pierced and carved sides 53cm diameter, 56cm high

£200-300

621 LARGE CEYLONESE SATINWOOD HALL TABLE EARLY 20TH CENTURY the long shaped serpentine top above a shaped frieze centred by elephants’ masks to all sides, raised on foliate carved cabriole legs ending in carved stylised animal mask and ball feet, joined by a shaped undertier; bearing an ivorine trade label ‘H. DON CAROLIS & SONS estd. 1860/ CABINET MAKERS AND COMPLETE HOUSE FURNISHERS,/ COLOMBO.’ 238cm long, 87cm high, 83cm deep

£800-1,200

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Lyon & Turnbull

Rugs & Carpets 622 KASHAN ‘MOHTASHAM’ CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with red and light brown medallion, indigo and cream spandrels, within cream foliate vase, tree and bird border 310cm x 237cm

£1,200-1,800

623 KIRMAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with pink and blue medallion, similar spandrels, within cream palmette and foliate vine border 482cm x 335cm

£300-500

624 KASHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the red field with cream and red medallion, within shaped polychrome foliate border 374cm x 240cm

£400-600

206

Lyon & Turnbull

625 TABRIZ ‘HADJI JALILI’ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the olive field with cream medallion, similar spandrels, allover herati pattern, within rust red palmette, rosette and vine border 348cm x 281cm

£1,000-1,500

626 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the blue field with red medallion, cream spandrels, within yellow palmette, rosette and vine border 312cm x 211cm

£500-700

627 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the cream field with allover palmette and foliate lattice pattern, within cream palmette and foliate vine border

628 ZIEGLER STYLE CARPET MODERN the golden cream field with red foliate vine pattern, within similar border

316cm x 222cm

288cm x 222cm

£700-900

£250-350

Rugs & Carpets

207

629 ZIEGLER CARPET SULTANABAD, WEST PERSIA, LATE 19TH CENTURY the slate blue field with allover palmette pattern, within red palmette and foliate vine border 385cm x 378cm

£1,000-1,500

630 CAUCASIAN SOUMAC CARPET LATE 19TH CENTURY the faded light brown field with three indigo main medallions flanked by smaller similar, within narrow brown zig zag border 400cm x 247cm

£300-500

631 TEKKE CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with four columns of eighteen guls, within red octagon and serrated pole border, serrated lozenge elem panels 330cm x 222cm

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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632 AGRA CARPET NORTH INDIA, LATE 19TH/ EARLY 20TH CENTURY the abrash pale green field with three columns of three pink and cream medallions, within abrash red border 495cm x 368cm

£8,000-12,000

633 USHAK STYLE CARPET POSSIBLY INDIAN, LATE 19TH/EARLY 20TH CENTURY the cream field with allover stylised foliate lattice pattern, within cream rosette and vine border 333cm x 238cm

£1,000-1,500

Rugs & Carpets

634 KAZAK CARPET SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the field with brown and red panels containing hooked medallions, between ivory bird-on-pole bands, within orange stylised vine border 262cm x 137cm

£400-600

635 LARGE BESHIR CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown patterned field with small cream circle medallion, yellow circle medallions to corners, within polychrome serrated square border 686cm x 314cm

£400-600

636 MESHED CARPET EAST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the red field with indigo and pink medallion, indigo and brown spandrels, within narrow cream palmette and vine border 418cm x 262cm

£400-600

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637 ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream field with red medallion, blue and brown spandrels, within red palmette and arabesque vine border 367cm x 245cm

£1,000-1,500

638 AFGHAN CARPET 20TH CENTURY the red field with three columns of five and a half guls, within narrow red zig zag border 370cm x 246cm

£400-600

639 MAHAL CARPET 20TH CENTURY the red field with cream medallion, within cream floral vine border 402cm x 296cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Rugs & Carpets

640 LARGE ZIEGLER CARPET SULTANABAD, WEST PERSIA, LATE 19TH CENTURY the indigo field with allover palmette, saz leaf and vine pattern, within rust brown rosette and vine border 700cm x 400cm Provenance: Contents of a Northumbrian Country House

£3,000-5,000

641 KHORASSAN CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover foliate vine pattern, within indigo foliate and arabesque vine border 492cm x 230cm

£300-500

642 ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream field with red and indigo medallion, within red palmette and arabesque vine border 560cm x 352cm

£2,000-3,000

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643 EUROPEAN CARPET 20TH CENTURY of classical Persian pattern, the red field with allover palmette and foliate pattern, within pistachio palmette and foliate vine border 330cm x 250cm

£600-800

644 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the cream field with pink and olive medallion, olive spandrels, within pink rosette and vine border 503cm x 368cm

£300-500

645 EUROPEAN CARPET LATE 19TH/EARLY 20TH CENTURY of Savonnerie style, the plain pistachio field with small floral medallion, scrolling foliate ends, within plain pink border 450cm x 360cm

£800-1,200

646 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with blue and polychrome medallion, yellow and green spandrels, within blue palmette and foliate border 385cm x 304cm

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Rugs & Carpets

647 EUROPEAN CARPET LATE 19TH/EARLY 20TH CENTURY of classical Ushak medallion pattern, the red field with indigo and red cusped medallion, green spandrels, within indigo stylised foliate border 402cm x 306cm

£1,000-1,500

648 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and cream medallion, vases to corners, within indigo floral vine border 441cm x 329cm

£500-700

649 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the blue field with cream and pink medallion, cream and camel spandrels, within pink palmette and vine border

650 SPANISH CARPET PROBABLY MADRID, DATED 1954 the cream field with allover indigo palmette and foliate lattice pattern, within cream zig zag border, inscribed ‘MD’

365cm x 281cm

347cm x 323cm

£250-350

£800-1,200

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651 SENNEH RUG WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the indigo field with large cream and indigo medallion, allover herati pattern, within red turtle palmette and vine border 188cm x 135cm

£600-800

652 SHIRVAN RUG EAST CAUCASUS, DATED 1911 the indigo field with two red lozenge medallions and smaller green star medallions, within narrow hooked X border 210cm x 135cm

£400-600

653 TABRIZ RUG NORTHWEST PERSIA, EARLY 20TH CENTURY the cream field with allover pattern of animals and birds amidst foliate blooms, within similar border 210cm x 140cm

£500-700

Rugs & Carpets

215

654 SAROUK FEREGHAN RUG WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the cream field with allover stylised vine lattice pattern, within dark brown/indigo rosette and vine border 200cm x 126cm

£800-1,200

655 SAROUK FEREGHAN RUG WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the indigo field with allover palmette, rosette and foliate lattice pattern, within red rosette and vine border 202cm x 144cm

£400-600

656 BAKHTIARI RUG WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with cream and indigo medallion, blue spandrels, within red stylised vine border

657 KAZAK STYLE RUG MODERN the abrash green field with five red and cream medallions, figures and animals to the field, within cream wine glass and serrated leaf border

192cm x 138cm

194cm x 156cm

£200-300

£200-300

658 SHIRAZ RUG SOUTH PERSIA, EARLY 20TH CENTURY the red field with allover lozenge pattern, blue spandrels, within multiple borders; and a CAUCASIAN RUG, the olive field with three red and black hooked medallions, within light brown border (2) 221cm x 153cm and 187cm x 134cm

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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Lyon & Turnbull

659 KAZAK RUG SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the indigo field with three red and blue rectangular medallions, within narrow cream geometric border 214cm x 141cm

£400-600

660 LAVAR KIRMAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with cream medallion flanked by cream half medallions to all sides, within raspberry red palmette and vine border 205cm x 147cm

£600-800

661 PAIR OF KASHAN RUGS CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY each with indigo field with floral vase pattern, boteh to the corners, within indigo palmette and foliate borders (2) approximately 210cm x 144cm

£400-600

Rugs & Carpets

217

662 KASHAN PART SILK PRAYER RUG CENTRAL PERSIA, EARLY 20TH CENTURY the cream field with pictorial medallion, red spandrels, vase and peacocks below, within blue palmette and floral vine border 200cm x 132cm

£600-800

663 KASHAN PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red mihrab with foliate vase flanked by trees to one end, ivory spandrels to the other, within red palmette and foliate vine border 190cm x 135cm

£400-600

664 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the plain red field with indigo and cream medallion, similar spandrels, within indigo rosette and arabesque vine border

665 TEKKE RUG AND BAGFACE TURKMENISTAN, EARLY 20TH CENTURY the rug with four columns of seven guls, within starburst border; the bagface with six guls, flower elem panel (2)

666 KAZAK PRAYER RUG SOUTH CAUCASUS, DATED AH 1333 (1916 AD) the red field with cream square medallion, line spandrel to one end, within polychrome geometric border

140cm x 123cm and

206cm x 120cm

78cm x 158cm

214cm x 135cm

£200-300

£200-300

£250-350

667 YOMUT ASMALYK AND BELOUCH BAG TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the asmalyk with ivory field with allover serrated lozenge pattern; the bag with indigo panels with stepped medallions (2) 77cm x 110cm and 40cm x 95cm

£200-300

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Lyon & Turnbull

668 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover stylised foliate columns, within narrow rust stylised rosette and vine border 680cm x 125cm

£500-700

669 GHIORDES PRAYER RUG WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the slate blue mihrab with brown patterned spandrels and columns, within polychrome patterned border 164cm x 117cm

£300-500

670 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover boteh pattern, within narrow green lozenge and vine border

671 NORTHWEST PERSIAN RUNNER EARLY 20TH CENTURY the indigo field with large herati pattern, pink spandrels, within blue stylised foliate border

425cm x 97cm

300cm x 104cm

£200-300

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

Garden Furniture & Works of Art 672 LARGE TERRACOTTA FIGURE OF BACCHUS LATE 19TH CENTURY the standing figure holding a goblet with a leopard skin draped around his waist 149cm high

£1,000-1,500

673 CARVED SANDSTONE URN AND PEDESTAL 18TH CENTURY the urn and cover with drapery swags and a band of putti on a fluted socle; the tapered square column on a separate plinth base Urn 62cm high; pedestal 112cm high

£1,200-1,800

674 PAIR OF SCOTTISH CARVED LIMESTONE LIONS 17TH/18TH CENTURY each recumbent figure on a plinth base (2) 95cm long, 59cm high approx.

£3,000-5,000

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Lyon & Turnbull

675 PAIR OF SCOTTISH GLAZED STONEWARE MODELS OF RECUMBENT LIONS BY R. BROWN & SON, FERGUSLIE FIRECLAY WORKS, PAISLEY SECOND HALF 19TH CENTURY in a mustard yellow glaze, on rectangular plinth bases, impressed oval maker’s marks ‘R. BROWN & SON/ FERGUSLIE/ PAISLEY’ (2) 40cm wide, 80cm high, 106cm long

£800-1,200

676 RARE VICTORIAN GREY GRANITE DOG KENNEL 19TH CENTURY with a peaked roof and straight sides, on a slab base 66cm wide, 65cm high, 45cm deep

£800-1,200

677 LARGE TEAK GARDEN BENCH MODERN the double section back above a long slat seat and scroll arms, raised on square straight legs 244cm long, 99cm high, 49cm deep

£300-500

Garden Furniture & Works of Art

221

678 BRONZE AND POURED STONE SUNDIAL the dial with concentric bands for hours, months and weather markings, mounted on a poured stone pedestal of spiral form Sundial 10 in. diameter; overall 97cm high, 37cm diameter

£400-600

679 COMPOSITION STONE GARDEN FIGURE AND PEDESTAL MODERN modelled as a draped putto holding a bird and a cornucopia; on a separate square moulded pedestal base 170cm high overall

£300-500

680 ITALIAN WHITE MARBLE URN of campana form, on a ring turned socle and square base 68cm high, 60cm diameter

£600-800

681 PAIR OF SCOTTISH LARGE CAST IRON LIONS, CARRON FOUNDRY, FALKIRK 19TH CENTURY standing on all fours (2) 112cm long, 75cm high

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section of this catalogue on page 2

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Guide to Bidding & Payment Registration

Droit de Suite

Payment

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities.

This service is available entirely at our discretion and at the bidder’s risk.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence.

All bids must be received an hour before the sale. This service is entirely at the bidder’s risk.

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

On the internet A fully-illustrated catalogue is available on our website.

Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding (powered by Invaluable) is also available, accessible either through our website or at www. invaluable.com. Please note that an additional 3% premium is charged by Invaluable for this live online service.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards.

Online Card Payments We no longer accept card payments by phone.

Please use our online payment service (provided by Cardstream/Credorax).

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request.

Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Cash Cash payments can be made at the accounts desk during or after a sale.

Cash payments limited to £5,000.

Conditions of Sale SELLERS 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon & Turnbull and the Seller; “Lot” means each Item offered for sale by Lyon & Turnbull; “Lower Estimate” means the low estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon & Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it.

“Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd

The singular includes the plural and vice versa as appropriate.

2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past.

4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30.

Online Listing: £10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process.

When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement.

(c) that you have provided Lyon & Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and

(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

(d) Unless the Seller advises Lyon & Turnbull in writing to the contrary on delivery of the item to Lyon & Turnbull, there are no restrictions on Lyon & Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

1(a) You are entitled to place, prior to the auction, a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. A lot will be sold without reserve unless a reserve has been agreed.

3. PREPARATION FOR SALE (a) Lyon & Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) Lyon & Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon & Turnbull is a genuinely held opinion only.

It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon & Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing.

(b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon & Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon & Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. (e) We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the hammer price been the reserve.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon & Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon & Turnbull and ceasing on the earliest date of;

(iii) 6 months from the date of delivery to Lyon & Turnbull for items still in the possession of Lyon & Turnbull but not consigned for sale (unless part of a longterm storage agreement). (b) Lyon & Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon & Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower.

This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be re-offered at a future sale.

Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon & Turnbull are not liable for any items (whether it be selling price or loss & damage) when transferred.

(2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon & Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is any doubt as to the lot’s authenticity or attribution; or

(i) when risk passes to the Buyer of the lot following its sale;

(ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or

(ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or

(iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or

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(iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon & Turnbull took delivery of it.

relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

(d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER (a) Lyon & Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon & Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. Lyon & Turnbull will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf Lyon & Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon & Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds.

Payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in

not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

14. THIRD PARTY LIABILITY

18. DATA PROTECTION

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay

by Lyon & Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

16. RECISSION OF SALES Lyon & Turnbull may rescind the sale where it reasonably believes that the lot falls within the terms as defined by Lyon & Turnbull’s Authenticity Guarantee (see Buyer’s conditions), in this event Lyon & Turnbull shall send the Seller notice of such rescission. The Seller agrees to return to Lyon & Turnbull the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred

by Lyon & Turnbull. Lyon & Turnbull will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith Lyon & Turnbull’s control.

17. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

BUYERS The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “Lot” means each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon &

Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. AGENCY Lyon & Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon & Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with Lyon & Turnbull, you should complete the High Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if Lyon & Turnbull has confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale.

The Deposit required will be 10% of the lower estimate. Upon pre-registration, you should pay the deposit or such other sum as determined by Lyon & Turnbull dependant on circumstances, by way of bank transfer or credit card(s) acceptable to Lyon & Turnbull. Please note that Lyon & Turnbull does not accept payment from third parties and this also applies to agents.

If you are not successful in any bid and do not owe Lyon & Turnbull any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by Lyon & Turnbull. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final.

We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers.

Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder.

This applies to saleroom, telephone and

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Lyon & Turnbull has the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (f) The right to refuse any bid is also reserved. (g) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (h) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

Live online bidding is subject to an additional 3% premium (charged by the live bidding service provider Invaluable).

This additional premium is subject to VAT at the appropriate rate as above.

6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added

Tax on the hammer price is imposed by law on all items affixed with a dagger (†).

This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above.

7. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art.

Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer.

Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards.

expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

(b) Please note that we do not accept cash payments over £5,000.

(d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof;

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.

(e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale;

9. TITLE AND COLLECTION OF PURCHASES

(f) to retain that or any other lot sold to you until you pay the total amount due;

(1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(2) You shall at your own risk and

(h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.

11. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion.

We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given.

Please note that photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavor to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon & Turnbull and the Buyer.

The Condition Reports do not affect the Seller’s obligations in any way.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance.

Estimates may be subject to change and are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions

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and estimates are prepared in advance of the sale and may be subject to change.

Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally.

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvlaen/imports-exports/cites

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations).

Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon & Turnbull provide no guarantee as to the originality of any wood/material contained within the item.

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

These notices and terms will also form part of our terms and conditions of sales.

12. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any NAMED item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings NOR in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text NOR in respect of Defects mentioned in the catalogue, or at the time of sale, NOR in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations.

Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon & Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that Lyon & Turnbull cannot guarantee a watch

13. CITES

Lyon & Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

16. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon & Turnbull should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by Lyon & Turnbull shall be deemed a waiver or release of

any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

17. AUTHENTICITY GUARANTEE Lyon & Turnbull guarantees that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written salesroom notes or announcements.

Lyon & Turnbull makes no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event Lyon & Turnbull in its reasonable opinion deems that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser.

This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in Lyon &Turnbull’s reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify Lyon & Turnbull in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to Lyon & Turnbull’s registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

Lyon & Turnbull has discretion to waive any of the above requirements.

Lyon & Turnbull may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to Lyon & Turnbull and the original purchaser of the lot. Lyon & Turnbull shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon & Turnbull’s services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon & Turnbull will not give out personal information except as may be required by law.

If you would like further information on Lyon & Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

19. FORCE MAJEURE Lyon & Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

20. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115