Five Centuries: Furniture, Paintings & Works of Art from 1600

Wednesday, 14th November 2018 33 Broughton Place Edinburgh

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

B Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries:

Furniture, Paintings & Works of Art Wednesday, 14th November, 2018 at 10am Sale Number LT543

Location Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR

Viewing Saturday, 10th November 12 noon - 4pm Sunday, 11th October 12 noon - 4pm Monday, 12th October 10am - 5pm Tuesday, 13th October 10am - 5pm Morning of sale from 9am

Enquiries Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 425 (detail)

Inside Front Cover Lot 70 (detail)

Inside Back Cover Lot 511 (detail)

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Buyer's Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all fist time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only.

It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

25% up to £100,000/20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale).

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1–G overnment issued photo ID (Passport/ Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www.defra.gov. uk/ahvla-en/ imports-exports/cites

Five Centuries: Furniture, Paintings & Works of Art 3

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Gavin Strang

Furniture, Clocks & Works of Art

Paintings

Ceramics & Glass

Rugs & Carpets

douglas.girton@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

theo.burrell@lyonandturnbull.com

gavin.strang@lyonandturnbull.com

Carly Shearer

Jamie Russell

Olivia Ross

Paintings

Cataloguer

Department Administrator

carly.shearer@lyonandturnbull.com

jamie.russell@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

Lyon & Turnbull

York Place Tram Stop Waverley Station, Princes Street

4 Lyon & Turnbull

Order of Sale Wednesday, 14th November, 2018 at 10am 1-41

Select Items from Arthur Lodge, Edinburgh

42-89

British Furniture & Works of Art: Part I

90-116

Paintings: Part I

117-174

British Furniture & Works of Art: Part II

175-184 Select Items from Yester House, Gifford, East Lothian 185-241 British Furniture & Works of Art: Part III 242-257

Paintings: Part II

258-360 British Furniture & Works of Art: Part IV 361-383

A Private Collection of Russian Icons

384-463

Continental Furniture & Works of Art

464-477

Asian Furniture & Works of Art

478-508

A Private Collection of Turkoman Weavings

509-541

Rugs & Carpets

542-550

Garden

Left

Right

Lot 451

Arthur Lodge, Edinburgh.

Image courtesy of Chris Sutherland of SquareFoot

Select Items from Arthur Lodge, Edinburgh 5

Arthur Lodge, in the Blacket Conservation area of south Edinburgh, is a remarkable Grade A listed late Georgian villa dating from 1829. Built in the Greek Revival style with an atrium, carved classical details to the exterior stone work, and alcoves for sculpture and statues, as well as an Italian sunken garden, it is quite unique in comparison to its more traditional neighbours.

Direct references to Greek architecture are evident in the entrance way which is based on the monument of Thrasyllis on the Acropolis; and in the drawing room, where the ceiling echoes similarities to the gates of the Parthenon. Each room is different from the next; causing it to be referred to as 'the most theatrical house in Scotland.'

The property was reputedly designed by Glasgow-born architect, Thomas Hamilton (1784-1858), a prominent figure in the new Georgian designs of Edinburgh at the time. His repertoire includes the Burns Monument and Royal High School, both on Calton Hill, the Royal College of Physicians of Edinburgh, the Dean Orphan Hospital (now the Dean Gallery) and the George IV Bridge. He is credited as being one of the leading Greek Revivalists in Scotland of the time, and was very involved with the 'Edinburgh Improvement Act', as well as a founding member of the Royal Scottish Academy in 1826.

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Select Items from Arthur Lodge, Edinburgh Arthur Lodge itself has been the perfect setting for antique furniture and works of art, which has as much to show on the inside as it does outside: various rooms have been decorated with colourful murals and friezes, Norwegian oak panelling, Venetian embroidered velvet doors and Ionic columns. Similarly, it's history includes various interesting former residents from the Antarctic explorer and co-founder of the Scottish National Party, artist William Burn-Murdoch, to QC John Pinkerton and conservator Jack Howells. The latter bought the Lodge in the 1980s and undertook a large Neoclassical restoration project of the property, before it was purchased by the most recent former residents in 2002.

Lyon & Turnbull are pleased to include the select contents of Arthur Lodge in our autumnal sale, showcasing pieces from Georgian and Regency furniture to Victorian works of art, as well as Chinese ceramics and French bedroom furniture.

1 SCOTTISH LATE REGENCY MAHOGANY DRUMHEAD CLOCK, GEORGE BROWN, EDINBURGH EARLY 19TH CENTURY the circular silvered dial with Roman and Arabic chapters, with subsidiary seconds and calendar dials, signed ‘George Brown/ Edin/ burgh’, in an arched moulded hood with scroll cresting and brass orb finials, above a crossbanded shaped trunk door flanked by reeded quarter columns, on a plinth base with bracket feet; the eight day movement striking a bell 220cm high, 49cm wide, 25cm deep

£1,000-1,500

2 GEORGE III MAHOGANY AND FRUITWOOD INLAID FOLD-OVER CARD TABLE LATE 18TH CENTURY the line inlaid octagonal top opening on double gatelegs to a green baize playing surface, above a plain frieze raised square tapered legs, all outlined with stringing 100cm wide, 74cm high, 49.5cm deep

£400-600

Select Items from Arthur Lodge, Edinburgh 7

3 ITALIAN BRONZE FIGURE OF NARCISSUS, AFTER THE ANTIQUE LATE 19TH CENTURY verdigris patina, on a circular base signed ‘Chiurazzi/ Napoli’ 61cm high

£400-600

4Y GEORGE IV ROSEWOOD FOLD-OVER GAMES TABLE EARLY 19TH CENTURY the D top opening to a maroon baize playing surface, above a plain frieze centred by a bead moulded tablet, on a concave tapered column and quadriform base with scroll feet 91cm wide, 72cm high, 45cm deep (closed)

£300-500

5 PAIR OF GEORGE III STYLE ‘CHINESE CHIPPENDALE’ MAHOGANY URN STANDS MODERN the pierced gallery square tops above pierced friezes with cup slides, raised on cluster column legs joined by arched X-form stretchers and ending in tassel feet (2) 31cm wide, 68cm high, 31cm deep

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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6 REGENCY RED JAPANNED BOX-ON-STAND EARLY 19TH CENTURY the domed top opening to compartmented tray and void interior, on an integrated stand with square tapered legs joined by an X stretcher 38.5cm wide, 82cm high, 31cm deep

£300-500

7 GROUP OF SCOTTISH POTTERY CARPET BOWLS 19TH CENTURY of various sizes and colours, including two white examples, 7.5cm diameter; ten checked examples, largest 8cm diameter; one green and black banded example, 7cm diameter; and eight with sponged decoration, largest 8cm diameter (21) £400-600

8 SMALL EDWARDIAN DAPPLE GREY ROCKING HORSE EARLY 20TH CENTURY with glass eyes, horsehair mane and tail, and fitted with a leather saddle, bridle and reins, on a rocking trestle base Horse 80cm long

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Select Items from Arthur Lodge, Edinburgh 9

9 SMALL GEORGE III STYLE CADDY TOP BOWFRONT CHEST OF DRAWERS 20TH CENTURY the top with a moulded edge above four crossbanded drawers, raised on splayed bracket feet 55cm wide, 72cm high, 39cm deep

£300-500

10 PAINTED RESIN BUST OF THE APOLLO BELVEDERE MODERN painted to look like marble, with a matching fluted column and square base Bust 80cm high; column 111cm high

£300-500

11 LATE GEORGE III SATINWOOD BRASS INLAID SOFA TABLE EARLY 19TH CENTURY the crossbanded top above a pair of short frieze drawers, outlined with brass inlay, raised on flattened urn columns and outswept legs ending in brass caps and castors, with arched supports 159cm wide (open) 105cm long (closed), 74cm high, 59cm deep

£500-700

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12 ASSEMBLED FAMILLE ROSE CELADON-GROUND PART DINNER SERVICE 19TH CENTURY comprising four shaped oval dishes, 28cm long; two square dishes, 24cm wide; three plates, 24cm diameter; four plates 23cm diameter; twenty-four side plates, 19cm diameter; and ten saucer dishes, 15cm diameter; variously decorated with flowers, butterflies and exotic birds, some with blue seal marks (47) £300-500

13 GEORGE II STYLE MAHOGANY BIRDCAGE TRIPOD TEA TABLE 19TH CENTURY the piecrust top on a birdcage and baluster column with spiral carved base, raised on foliate carved legs ending in claw and ball feet 68cm high, 69cm diameter

£300-500

14 TWO VICTORIAN GILTWOOD SLIPPER CHAIRS 19TH CENTURY in the rococo style, the arched button-upholstered backs above serpentine seats, in giltwood moulded frames, one with foliate scroll cresting, on cabriole legs with scroll toes, in pale green plush upholstery (2) Taller 62cm wide, 104cm high, 50cm deep; other 54cm wide, 89cm high, 46cm deep

£300-500

Other fees apply Otherinfees addition apply to in the addition hammer to the price, hammer pleaseprice, see the please ‘Buyer’s see the Guide’ ‘Buyer’s section Guide’ on page section 2 on page 2

Select Items from Arthur Lodge, Edinburgh 11

15 LOUIS XVI STYLE GILTWOOD AND NEEDLEWORK FAUTEUIL 19TH CENTURY the square back with carved flower cresting, above part-padded arms with acanthus carved scrolled terminals and a wide seat, covered in gros and petit point needlework, raised on fluted tapered legs 70cm wide, 104cm high, 55cm deep

£300-500

16 VICTORIAN GILTWOOD NEEDLEWORK POLESCREEN MID 19TH CENTURY the circular needlework panel depicting an array of birds against a brown ground, in a rococo giltwood frame, raised on a foliate and C scroll carved cabriole base 157cm high, 70cm wide

£300-500

17 GEORGE III MAHOGANY DEMILUNE TABLE LATE 18TH CENTURY the crossbanded top with fan pattern stringing, above a plain frieze raised on square tapered legs, all outlined with further stringing 102cm wide, 78cm high, 50cm deep

£300-500

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18 GROUP OF REGENCY AND VICTORIAN CUT GLASS EARLY 19TH CENTURY comprising a large boat-shaped footed comport with lobed rim and thick square foot, 23.5cm high, 31.5cm wide; and two large ewers, with facetted handles and strawberry-cut bodies, 31cm high each (3) £250-350

19 GROUP OF REGENCY AND VICTORIAN GLASS RUMMERS 19TH CENTURY comprising three matching with plain pointed bowls and basal knops, three matching with bucket bowls and knopped stems, three various with plain bowls, and a Victorian stemmed celery holder (10) Largest 17cm high

£250-350

20 COLLECTION OF GEORGIAN AND REGENCY WINE GLASSES LATE 18TH/ EARLY 19TH CENTURY comprising a pink and air twist glass engraved with gilt flower swags, on a folded foot, 14cm high; three champagne flutes with stippled bowls, 15cm high; six assorted port glasses, all with knopped stems, two with folded feet, one wheel cut and one etched, the tallest 12cm high; a pair of facet cut wine glasses, 11.5cm high; and a pair of small glasses with etched vine decoration, 8cm high (14) £500-700

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MEISSEN PORCELAIN VASE

PAIR OF REGENCY PATINATED BRONZE CANDLESTICKS

20TH CENTURY of baluster form, painted with a spray of flowers, with blue crossed swords mark, painted and impressed marks

EARLY 19TH CENTURY with cast nozzles above cut-glass prisms, raised on knopped columns and tri-form bases with acanthus leaves and scrolls (2)

29.5cm high

31.5cm high

£250-350

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Select Items from Arthur Lodge, Edinburgh 13

23 GEORGE III MAHOGANY AND SATINWOOD DEMILUNE SIDE TABLE LATE 18TH CENTURY the crossbanded top with chequer banding above a plain frieze with chevron banding and marked by patera, raised on square tapered legs outlined with chequer banding and ending in brass caps and castors 106cm wide, 76cm high, 49.5cm deep

£400-600

24 SET OF TEN GEORGE III STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY comprising eight side chairs and a pair of armchairs, the shaped top rails above waisted pierced splats and drop-in seats, raised on square tapered legs joined by H stretchers (10) Side 53cm wide, 96cm high, 40cm deep

£1,000-1,500

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25 COLLECTION OF CHINESE EXPORT BLUE AND WHITE DINNER WARES 19TH CENTURY variously decorated with landscape scenes and flowers, comprising a tureen and cover, 30.5cm wide; thirteen graduated ashets, largest 40.5cm wide; a shallow octagonal dish, 34cm wide; and two chargers, 32cm diameter (17) £1,000-1,500

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27

28

COLLECTION OF CHINESE EXPORT BLUE AND WHITE PORCELAIN DINNER WARES

SANCAI GLAZED COMPOSITION MONKEY FIGURE GROUP

TWO CHINESE SHIWAN GLAZED POTTERY FIGURES

EARLY 20TH CENTURY depicting a large seated monkey with two smaller monkeys eating peaches, on a canted square base

LATE QING DYNASTY modelled as an imperial official and wife, in green, blue and ochre glazes on a grey/buff bisque body, oval bases (2)

35cm high

48cm and 45.5cm high

£300-500

£300-500

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30

31

TWO CHINESE EXPORT FAMILLE ROSE PUNCH BOWLS

TWO CHINESE BLUE AND WHITE WARES

GROUP OF CHINESE PORCELAIN TEAPOTS

19TH CENTURY variously decorated with landscape and floral scenes, comprising two octagonal plates, 21.5cm diameter; twelve circular plates, 23cm diameter; a soup dish, 22.5cm diameter; and two small circular dishes, 16cm diameter (17) £200-300

EARLY 19TH CENTURY the first decorated with flower sprays with a pink scale border and gilt details, with an associated hardwood stand, 29cm diameter; the second a Canton example decorated with butterflies, birds and fruit, with gilt details, 29.5cm diameter (2)

LATE QING DYNASTY comprising a tulip vase with five lobed wells, decorated with precious objects and prunus, 25cm high; and a sleeve vase similarly decorated, with a Kangxi four character mark, but later, 26cm high (2) £300-500

£250-350

32 PAIR OF GLAZED POTTERY BUDDISTIC LIONS LATE QING DYNASTY with applied scrolling ‘hair’ and polychrome glazes; together with a JAPANESE POTTERY FIGURE GROUP of a boy and a water buffalo, 28cm long (3) 19cm long, 18cm high

£200-300

MOST 19TH CENTURY comprising a Canton famille rose ‘Cadogan’ teapot; a Canton famille rose cylinder teapot; an ovoid Export teapot with flowers and pink scale decoration and a rattan handle; an Export cannonball teapot with flowers and red lattice decoration; a blue and white Export ovoid teapot with landscapes; a blue and white Export tapered cylinder teapot with landscapes; and a barrel-form blue and white teapot with iron red decoration; together with a JAPANESE BLUE AND WHITE TEAPOT with dragons and a rattan handle; and a JAPANESE TEAPOT of square section with flowers and script decoration (9) Largest 14cm high

£250-350

Select Items from Arthur Lodge, Edinburgh 15

33 GEORGE III MAHOGANY INLAID FOLD-OVER TEA TABLE LATE 18TH CENTURY the octagonal top opening on double gatelegs, above a single frieze drawer, raised on square tapered legs with collared feet, all outlined with stringing 101cm wide, 73cm high, 48cm deep (closed)

£300-500

34 VICTORIAN UPHOLSTERED WALNUT OTTOMAN 19TH CENTURY the padded hinged top above concave sides, raised on dished forefeet with brass castors 79cm wide, 47cm high, 42cm deep

£300-500

35 TWO EDWARDIAN UPHOLSTERED ARMCHAIRS EARLY 20TH CENTURY in matching blue stripe upholstery with braid trimming, the first a wing armchair with outscrolled arms and square tapered legs with ceramic castors, 108cm high; the other with a low back and outscrolled arms, on square tapered legs with brass castors, 70cm high (2) £300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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The State Bedroom, Arthur Lodge Image courtesy of Chris Sutherland of SquareFoot Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Select Items from Arthur Lodge, Edinburgh 17

36 FRENCH EMPIRE STYLE MAHOGANY AND GILT METAL MOUNTED LIT EN BATEAU 20TH CENTURY the panel head and footboards with roll tops, the front mounted with gilt metal stars, anthemion and female terms, with an associated set of silk drapery swags, four bolster cushions and a matching coverlet 167cm wide, 106cm high, 224cm deep

£600-800

37 FRENCH SECOND EMPIRE MAHOGANY, BRASS AND MOTHER-OF-PEARL DRESSING CHEST OF DRAWERS 19TH CENTURY the superstructure in the form of a portico with a rectangular mirror plate over a long drawer; the base with three drawers with integral arch moulding and mother-of-pearl handles, raised on bracket feet 100cm wide, 207cm high, 51cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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38 VICTORIAN OAK METAMORPHIC CHAIR/ LIBRARY STEPS MID 19TH CENTURY in the Gothic taste, the back in the form of a lancet window, the hinged seat opening to form a set of library steps 44cm wide, 89cm high, 34cm deep

£250-350

39 VICTORIAN WALNUT THREE-QUARTER TESTER BED MID 19TH CENTURY the moulded serpentine three-quarter tester with turned pendant finials and hanging rails, the arched footboard with moulded foliate carving and turned finials to the corner posts on wood casters, with pink and cream floral hangings; now fitted with metal converter rails and platform base 158m wide, 238cm high, 214cm long

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Select Items from Arthur Lodge, Edinburgh 19

40 VICTORIAN UPHOLSTERED ARMCHAIR 19TH CENTURY the sectioned back with arched top above low scroll arms and serpentine seat, raised on turned legs with ceramic castors, in cream and red stripe upholstery 68cm wide, 88cm high, 56cm deep

£300-500

41 LOUIS XV STYLE KINGWOOD, MARQUETRY GILT BRONZE MOUNTED ARMOIRE LATE 19TH CENTURY the shaped moulded breakfront cornice above a central mirror door enclosing hanging space flanked by twin panel doors with floral marquetry and enclosing shelves, over a shaped apron and splayed feet with foliate cast mounts, the whole outlined with gilt brass 204cm wide, 242cm high, 66cm deep

£1,000-1,500

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British Furniture & Works of Art: Part I 21

British Furniture & Works of Art: Part I

42 LEATHER DOME-TOP, STUD DECORATED AND METAL BANDED CHEST EARLY 18TH CENTURY the domed top opening to a void interior, the exterior with extensive stud decoration of scrolling foliage and flowers, with metal corner straps, lock and escutcheon 134cm wide, 67cm high, 70cm deep

£800-1,200

43 JACOBEAN CARVED OAK COURT CUPBOARD 17TH CENTURY the projecting gadroon moulded cornice raised on turned and carved cup and baluster supports and an open tier, above a fluted and trellis carved frieze, over a pair of fielded panel doors and angled side panels flanked by large carved baluster columns with Ionic capitals, raised on carved cup-and-cover supports and an open undertier, on bun feet 208cm wide, 217cm high, 79cm deep Provenance: Dunecht House, Aberdeenshire home of the late Lord Cowdray Balbithan House, Kintore, Aberdeenshire

£3,000-5,000

Left: Lot 47 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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44 OAK COFFER LATE 17TH CENTURY the hinged top above a triple panel front carved with stylised flowers, raised on stile feet 107cm wide, 61cm high, 53cm deep

£300-500

45 PAIR OF WROUGHT IRON PRICKET TORCHERES EARLY 20TH CENTURY the circular drip trays above a square knopped column, on arched tripod legs and pad feet (2) 181cm high

£600-800

46 OAK CENTRE TABLE 17TH CENTURY the cleated rectangular top above a chip carved frieze and wavy apron, raised on bobbin turned legs 104cm wide, 74cm high, 69cm deep

£400-600

British Furniture & Works of Art: Part I 23

47 AUBUSSON VERDURE TAPESTRY FRANCE, LATE 17TH/EARLY 18TH CENTURY woven with two birds amidst trees, with river and buildings in the background, within foliate border 279cm x 241cm

£3,000-5,000

48 CHARLES I BOARDED CHEST FIRST HALF 17TH CENTURY the rectangular top with iron strap hinges opening to a void interior, the front panel carved with arches 118cm wide, 54cm high, 40cm deep

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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49 VERDURE TAPESTRY PANEL 18TH CENTURY depicting an exotic bird, flowers and trees beside a lake, a castle in the distance, mounted in a carved mahogany frame by Whytock & Reid 71cm high, 135cm wide

£400-600

50 GEORGE II UPHOLSTERED OPEN ARMCHAIR EARLY 18TH CENTURY the tall padded back with an arched top rail above a wide square seat and scroll arms, raised on cabriole legs carved at the knees with cartouches and ending in foliate carved scroll feet 60cm wide, 114cm high, 44cm deep

£600-800

51 ENGLISH EMBROIDERED COIF LATE 17TH CENTURY WITH ALTERATIONS AND ADDITIONS decorated throughout with polychrome silkwork flowers against a linen ground with scroll work details and added bullion work borders, the red silk lining later; together with a wood head-form stand 20cm wide

£500-700

52 GEORGE II MAHOGANY DROPLEAF DINING TABLE MID-18TH CENTURY the oval top with deep drop leaf sides, above a serpentine moulded apron and raised on squared cabriole legs ending in pad feet 149cm long, 75cm high, 62cm wide (down), 178cm wide (open)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I 25

52A GEORGE III GILTWOOD MIRROR MID 18TH CENTURY in the Chippendale style, the shaped rectangular mirror plate in a pierced and carved frame with C and S scrolls, flower trails, and rocaille 120cm high, 67cm wide

£1,200-1,800

53 GEORGE II BLACK JAPANNED LONGCASE CLOCK, JOSEPH FULLFORD, LONDON 2ND QUARTER 18TH CENTURY the caddy top hood with blind fret carving above a square brass dial with silvered chapter ring with Roman and Arabic number, subsidiary seconds dial and date aperture, signed ‘Jos. Fullford/ London’, with pierced brass spandrels, above a trunk door decorated with Chinoiserie and a central lenticle, on a stepped plinth base; the eight day movement striking a bell 225cm high, 51cm wide, 23cm deep

£1,000-1,500

54 GEORGE II MAHOGANY LOWBOY 18TH CENTURY the rectangular top with a moulded edge above a long drawer and three short drawers arranged around a shaped kneehole, raised on shell-carved cabriole legs ending in pad feet 79.5cm wide, 74cm high, 50cm deep

£1,200-1,800

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55 GEORGIAN STYLE BRASS HALL LANTERN 20TH CENTURY of cylindrical form enclosing a central four light fitting suspended from four foliate cast scrolled supports, previously electrified 88cm high, 41cm diameter

£1,000-1,500

56 SET OF THREE GEORGIAN STYLE BRASS AND STEEL FIRE IRONS 19TH CENTURY with knopped brass handles and scrolling foliage, comprising a pierced shovel, 79cm long; a poker, 79.5cm long; and a pair of tongs, 80cm long (3) £300-500

57 GEORGIAN STYLE CAST IRON, STEEL AND BRASS FIRE BASKET LATE 19TH CENTURY the fireback with laurel garlands above a basket with two serpentine rails, above a brass pierced apron and squared tapered legs with urn finials 94cm wide, 79cm high, 45cm deep

£500-700

58 IRISH GEORGE II STYLE MAHOGANY GLAZED TRIPTYCH FIRE SCREEN 19TH CENTURY the shaped plate in a moulded frame with acanthus cresting, flanked by hinged and glazed side panels, raised on cabriole legs carved with lions masks and ending in hairy paw feet 120cm wide, 110cm high (open)

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section Other onfees pageapply 2 in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I 27

59 GEORGE II STYLE WALNUT AND PARCEL GILT GIRONDOLE MIRROR 19TH CENTURY the shaped rectangular bevelled mirror plate with a gilt slip in a conforming moulded frame with a broken swan neck cornice centred by an urn finial, with twin brass scrolling candle arms 127cm high, 64cm wide

£800-1,200

60 GEORGE I WALNUT BUREAU BOOKCASE EARLY 18TH CENTURY the moulded cornice above a single door with a bevelled mirror plate, opening to an interior with shelves, pigeon holes and drawers; the crossbanded slant front opening to further pigeon holes and drawers, over three graduated drawers, raised on bracket feet 64cm wide, 186cm high, 51cm deep

£2,000-3,000

61 GEORGIAN MAHOGANY DRESSING TABLE 18TH CENTURY the rectangular top with a moulded edge above two short drawers and a shaped kneehole flanked by deep drawers, raised on cabriole legs ending in claw and ball feet 106cm wide, 77cm high, 52cm deep

£300-500

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62 GEORGE III MAHOGANY WINE TABLE MID 18TH CENTURY the circular dished top with a moulded edge above a tapered column with gothic arch blind carving and ending in a shell clasped knop, raised on cabriole legs with acanthus and flowerhead carved knees and terminating in foliate carved pointed pad feet 27cm diameter, 62cm high

ÂŁ3,000-5,000

British Furniture & Works of Art: Part I 29

63 GEORGIAN STYLE WALNUT TRUMEAU 19TH CENTURY, THE PAINTING 18TH CENTURY with an Italianate landscape after John Wootton flanked by margin plates, above three bevelled mirror plates in a walnut cushion frame with foliate carved brackets Painting 91cm high, 114cm wide; overall 148cm high, 167cm wide

£3,000-5,000

64 EARLY GEORGE III MAHOGANY SERPENTINE CADDY-TOP CHEST OF DRAWERS MID 18TH CENTURY the moulded edge top above four long graduated and crossbanded drawers, the top drawer fitted with a baize ratchet adjusted writing slope and compartments, flanked by reeded angles and raised on shaped bracket feet 91cm wide, 79cm high, 53cm deep

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

30 Lyon & Turnbull

65 GEORGE II STYLE MAHOGANY AND LEATHER UPHOLSTERED STOOL 20TH CENTURY the rectangular seat in buttoned green leather with brass nail head details, raised on shell and scroll carved cabriole legs ending in hairy paw feet 105cm wide, 48cm high, 63cm deep

£800-1,200

66 LATE GEORGE II MAHOGANY TRIPOD TABLE MID 18TH CENTURY of large size, the circular tilt top on a tapered column support and tripod legs ending in paw feet 101cm diameter, 71cm high

£1,500-2,500

67 MATCHED SET OF SIX GEORGE III MAHOGANY DINING CHAIRS 19TH CENTURY comprising an armchair, four side chairs and another side chair of similar design, the serpentine top rails above pierced interlaced splats and drop-in seats, raised on square tapered legs with block feet (6) Side chair 55cm wide, 97cm high, 40cm deep

£500-700

68 GEORGIAN TILT-TOP MAHOGANY TABLE 18TH CENTURY the circular top on a baluster column and tripod base ending in pointed pad feet 72cm diameter, 73cm high

£250-350

British Furniture & Works of Art: Part I 31

69 FINE MAHOGANY AND GILT BRASS MOUNTED LONGCASE CLOCK FOR THE SPANISH MARKET, ROBERT AND PETER HIGGS, LONDON 18TH CENTURY the arch moulded hood above an arched brass dial with silvered Roman and Arabic chapter, subsidiary seconds dial and date aperture, signed ‘Roberto y Pedro Higgs/ Londres/, the arch with a TOCAR/SILENCIO dial, with brass spandrels to the corners and arch, the hood door with a gilt brass bezel and flanked by gilt brass reeded columns with brass capitals, above bridge top trunk door flanked by gilt brass reeded quarter columns, on a plinth base with a moulded panel flanked by further gilt brass reeded quarter columns, raised on ormolu foliate cast rococo style feet; the five pillar eight day movement striking on two bells 244cm high, 58cm wide, 29cm deep

£6,000-8,000

Note: The father and son partnership of Robert and Peter Higgs produced clocks of extremely high quality, evidenced by Peter being made master of The Worshipful Company of Clockmakers in 1767. They are recorded working from Sweetings Alley in London and had important customers in Spain, where they are known to have supplied clocks to the King. The present clock, made for the Spanish market, has ‘Tocar/Silencio’ in the arch for Strike/Silent as well as the Higgs’ names changed to ‘Roberto and Pedro’ rather than Anglicised Robert and Peter.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

32 Lyon & Turnbull

Gentlemen & Cabinet-Maker's Director Plate XLIV

Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director, published in three editions in 1754, 1755 and 1762, included designs for an important group of furniture referred to as ‘Commode tables’ or ‘French commodes’.

The first edition illustrated designs for six examples, which was subsequently expanded to fourteen for the edition of 1762. These are Chippendale’s interpretations of Louis XV furniture of the period, incorporating bombé forms with rich ornamental carving to replace the ormolu mounts favoured by the French.

Plate XLIV in the 1754 and 1755 editions (later Plate LXV in the revised 1762 edition) illustrates a ‘French Commode Table’ which is the basis for a celebrated commode made in the 1750s for Captain Townsend of Raynham Hall, Norfolk, now in the collection of the Philadelphia Museum of Art. While no firm evidence has been uncovered to link the commode to the Chippendale workshop, there was a strong family tradition that Chippendale supplied furniture to the house and other members of the Townsend family.

Chest of drawers after designs by Thomas Chippendale | Circa 17541757 | Philadelphia Museum of Art, Accession Number 1941-73-1

The Raynham Hall commode differs slightly from the Chippendale design, mainly in the serpentine outline of the top rather than a straight breakfront as shown in plate XLIV, and the introduction of a carved fruiting swag frieze and perpendiculars separating the drawer blocks.

The present lot, a near exact copy of the Raynham Hall commode, was made in the 19th century when there was renewed interest in Chippendale’s furniture and designs. The popularity of mid-18th century design saw the term ‘Chippendale’ used to describe any English Rococo furniture inspired by the Director. Possibly a centennial piece made to mark the hundredth anniversary of the first edtion of the Director, the present commode could only have been made by someone familiar with the Raynham Hall commode since it so closely resembles it, most notably in the differences from Chippendale’s original design.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I 33

70 LATE GEORGE II STYLE MAHOGANY SERPENTINE COMMODE AFTER A DESIGN BY THOMAS CHIPPENDALE MID 19TH CENTURY in the French taste, the serpentine top with an egg and dart edge above a frieze carved in relief with fruiting swags, above a central pair of drawers flanked by banks of short drawers, all with rope twist borders and ormolu handles; flanked and divided by trailing flower-garland pilasters, flanked by C scroll and rocaille carved angles, above a rocaille and C scroll carved apron, raised on C scroll moulded legs ending in scrolled toes on shaped pads, the locks stamped Cope & Collinson 136cm wide, 82cm high, 66cm deep

ÂŁ10,000-15,000

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71 GEORGIAN STYLE MAHOGANY UPHOLSTERED SIDE CHAIR 19TH CENTURY the square padded back above a wide seat, raised on acanthus carved facetted cabriole legs ending in pad feet, in yellow plush fabric 47cm wide, 93cm high, 45cm deep

£300-500

72 GEORGE III MAHOGANY PIE CRUST TRIPOD TEA TABLE 18TH CENTURY the piecrust tilt top on a fluted and acanthus carved baluster support raised on tripod legs carved with further acanthus and ending in leaf and scroll carved pad feet 74cm diameter, 71cm high

£600-800

73 GEORGE III MAHOGANY SERPENTINE CARD TABLE 18TH CENTURY serpentine foldover top opening to a green baize interior surface, over a frieze drawer with brass handles, raised on fluted faceted legs with pierced brackets, on brass castors 102cm wide, 76cm high, 50cm deep (101cm deep open) Provenance: Ballymenoch House, Cardross, Argyll & Bute

£600-800

74 GEORGE II MAHOGANY GATELEG TABLE 18TH CENTURY oval top with drop leaves over a plain frieze, raised on round tapered legs ending in pad feet 158cm wide, 74cm high, 40cm deep (165cm wide open)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I 35

75 GEORGE III MAHOGANY OCTAGONAL BIRDCAGE TRIPOD TABLE 18TH CENTURY the octagonal top with a stringing and a moulded edge, above a birdcage and spiral carved baluster support, on foliate carved cabriole legs ending in claw and ball feet with brass castors 79cm diameter, 74cm high

£2,500-3,500

76 PAIR OF GEORGE II STYLE GILTWOOD UPHOLSTERED ARMCHAIRS 20TH CENTURY the cartouche shaped backs in moulded frames carved with shell and leaf cresting, above wide serpentine seats and part padded arms with foliate carved terminals and supports, above leaf carved seat rails, raised on cabriole legs with scrolled toes, in blue floral upholstery (2) 80cm wide, 118cm high, 59cm deep

£700-1,000

77 LATE GEORGE II MAHOGANY ‘CHINESE CHIPPENDALE’ FOLD-OVER CARD TABLE MID 18TH CENTURY the rectangular top with a ribbon and flowerhead carved edge, opening with a concertina action to a green baize playing surface, the hinges stamped H. TIBATS, above a fluted frieze centred by a carved fan medallion, raised on blind fret carved square straight legs with pierced brackets 81cm wide, 71cm high, 40cm deep (closed)

£2,000-3,000

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78 GEORGE III MAHOGANY BREAKFAST TABLE 18TH CENTURY the rectangular top with two drop leaves above a frieze drawer, raised on offset square legs ending in moulded tassel feet with brass castors and joined by a shaped X stretcher 67cm wide, 71cm high, 88cm deep Provenance: Ballymenoch House, Cardross, Argyll & Bute

£300-500

79 GEORGE III MAHOGANY LONG STOOL/ LIBRARY STEPS 18TH CENTURY the drop-in seat raised on eight square tapered legs joined by stretchers that become ladder steps when turned on its end 89cm wide, 55cm high, 41cm deep

£800-1,200

80 GEORGE III MAHOGANY CONCERTINA-ACTION SERPENTINE CARD TABLE 18TH CENTURY the fold-over top opening to a green baize playing surface, above a plain frieze, raised on square chamfered legs ending in block feet, one hinge stamped ‘H TIBAT’ 89cm wide, 84cm high, 44cm deep (closed)

£1,000-1,500

British Furniture & Works of Art: Part I 37

81 PAIR OF GEORGE III MAHOGANY TORCHERES 18TH CENTURY the hexagonal tops with shaped galleries, above slender ring turned and swag and cabochon carved supports on tripod bases ending in slipper feet (2) 32.5cm wide, 112cm high

£2,000-3,000

82 EARLY GEORGE III MAHOGANY BOOKCASE CABINET MID 18TH CENTURY of neat size, the dentil moulded pediment above a pair of arch moulded panel doors opening to adjustable shelves; the base with three long graduated drawers, with a washed orange stain overall, raised on laminated bracket feet 102cm wide, 195cm high, 36cm deep

£2,000-3,000

83 PAIR OF LATE GEORGE II/ EARLY GEORGE III WHITE PAINTED SIDE CHAIRS MID 18TH CENTURY the scroll and foliate carved top rails above pierced and carved splats and button upholstered stuff-over seats covered in red leather, raised on C and acanthus carved cabriole legs ending in foliate carved pad feet (2) 58cm wide, 97cm high, 47cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

38 Lyon & Turnbull

84 GEORGE III MAHOGANY ‘CHINESE CHIPPENDALE’ DESK 18TH CENTURY the three quarter gallery above a gadrooned edge, over a long frieze drawer fitted with a green baize slide, the front and sides all with blind fret carving, raised on chamfered square straight legs with further blind fret carving and ending on block feet with recessed brass castors 75cm wide, 80cm high, 48cm deep

£3,000-5,000

85 EARLY GEORGE III MAHOGANY SERVING TABLE MID 18TH CENTURY the rectangular top above a blind fret carved frieze with a slide to one end, raised on fluted square legs with pierced brackets 167cm wide, 89cm high, 78cm deep

£3,000-5,000

86 GEORGE III STYLE MAHOGANY FRAME CAMEL BACK SOFA 20TH CENTURY the arched back and high scroll arms above a triple cushion seat, in yellow foliate damask upholstery, raised on square straight legs joined by stretchers 214cm long, 96cm high, 55cm deep

£1,000-1,500

British Furniture & Works of Art: Part I 39

87 EARLY GEORGE III MAHOGANY BOOKCASE CABINET, IN THE MANNER OF THOMAS CHIPPENDALE MID 18TH CENTURY the pierced broken swan neck pediment above astragal glazed doors opening to adjustable shelves; the projecting base with a shallow drawer fitted with pen and ink compartments, over three graduated long drawers, raised on ogee bracket feet 123cm wide, 220cm high, 47cm deep

£6,000-8,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

40 Lyon & Turnbull

88 EARLY GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS MID 18TH CENTURY of small size, the serpentine top with a moulded edge above a brushing slide and three short drawers, over three further long graduated serpentine drawers flanked by blind fret carved angles, on ogee block bracket feet with brass castors 88cm wide, 82cm high, 53cm deep

£3,000-5,000

89 LATE GEORGE II MAHOGANY CHINA DISPLAY CABINET MID 18TH CENTURY the egg and dart moulded cornice above a pair of glazed doors outlined with egg and dart moulding, opening to shaped adjustable shelves, raised on bracket feet 113cm wide, 183cm high, 47cm deep

£3,000-5,000

Paintings: Part I 41

Paintings: Part I

90 REMBRANDT VAN RIJN (DUTCH 1606-1669) WOMAN READING Etching, signed and dated in the plate 1634, third state of three, trimmed to the plate mark 12cm x 10cm (4.75in x 4in)

£5,000-7,000

91 THOMAS ROWLANDSON (BRITISH 1756-1827) PIGS AT A TROUGH Signed, ink and wash 11.5cm x 20cm (4.75in x 7.75in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

42 Lyon & Turnbull

92 EARLY 17TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF JAMES VI Inscribed ‘No.20 Jacobus VI,’ oil on panel 95cm x 73cm (37.5in x 28.75in)

£4,000-6,000

Paintings: Part I 43

93 16TH CENTURY ENGLISH SCHOOL THREE QUARTER LENGTH PORTRAIT OF A LADY HOLDING A SQUIRREL Inscribed ‘Elizabeth, daughter of Sir Henry Vernon of Haddon and wife of Sir Robert Corbet. Died 1513,’ oil on panel 110cm x 86cm (43.25in x 33.75in)

£5,000-7,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

44 Lyon & Turnbull

94 JOHN RILEY (BRITISH 1646-1691) PORTRAIT OF A LADY WITH PEARLS Oil on canvas, oval 74cm x 63.5cm (29in x 25in)

£2,000-3,000

95 ATTRIBUTED TO ENOCH SEEMAN THE YOUNGER (POLISH 1694-1744) SELF PORTRAIT Bears signature, oil on canvas, in a framed oval 76cm x 61cm (30in x 24in)

£2,000-3,000

Paintings: Part I 45

96 CIRCLE OF SIR PETER LELY HALF LENGTH PORTRAIT Oil on canvas 96.5cm x 84cm (38in x 33in)

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

46 Lyon & Turnbull

97 ATTRIBUTED TO DIRCK STOOP HUNTING PARTY ON THE OUTSKIRTS OF A WALLED TOWN Indistinctly signed, oil on panel, oval 30cm x 40cm (12in x 16in)

£3,000-5,000

98 MANNER OF JACOB DE HEUSCH A CLASSICAL LANDSCAPE WITH FIGURES BY A STREAM AND DISTANT TOWN Oil on canvas 114cm x 150cm (45in x 59in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part I 47

99 MANNER OF MICHAEL DAHL THREE QUARTER LENGTH PORTRAIT OF A YOUNG GIRL WITH A SPANIEL Oil on canvas 91cm x 73cm (36in x 28.75in)

£800-1,200

100 FOLLOWER OF MARINUS VAN REYMERSWAELE ST. JEROME Oil on panel 33cm x 24cm (13in x 9.5in)

£800-1,200

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101 ATTRIBUTED TO THOMAS WHITCOMBE STUDY OF A FRIGATE IN THREE POSITIONS Oil on canvas 84cm x 138cm (33in x 54.25in)

£5,000-7,000

Paintings: Part I 49

102 EDMOND PLUMIER (FLEMISH 1694-1733) THREE QUARTER LENGTH PORTRAIT OF A GENTLEMAN IN GREY Signed and dated 1726, oil on canvas 142cm x 101.5cm (56in x 40in) and a companion by the same hand ‘Gentleman in a breast-plate’ (2)

£4,000-6,000

50 Lyon & Turnbull

103 MANNER OF ALLAN RAMSAY HALF LENGTH PORTRAIT OF A GENTLEMAN IN GREY COAT AND BLUE WAISCOAT Feigned oval, oil on canvas 76cm x 61cm (30in x 24in)

£800-1,200

104 ALEXANDER NASMYTH (SCOTTISH 1758-1840) HALF LENGTH PORTRAIT OF MATTHEW POOLE Inscribed on the reverse ‘1779, re-lined 1880,’ oil on canvas, feigned oval 76cm x 63cm (30in x 25in) Note: The subject of the portrait, Mathew Poole, came from Lincolnshire and established a coffee house/hotel on Princes Street in Edinburgh, where he later became a burgess. His son, Richard, was a founding member of the Royal College of Physicians in Edinburgh.

£2,000-3,000

Paintings: Part I 51

105 AFTER JOSEPH MALLORD WILLIAM TURNER SUN RISING THROUGH VAPOUR Oil on canvas 124cm x 176cm (49in x 69.5in)

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

52 Lyon & Turnbull

106 MANNER OF GEORGE CUITT PROSPECT OF LISCOMBE HOUSE, BUCKS Oil on canvas 61cm x 91cm (24in x 36in)

£800-1,200

NOTE TO COME

107 19TH CENTURY NAÏVE ENGLISH SCHOOL THE OLD CHAIN PIER, BRIGHTON Oil on canvas 45cm x 66cm (17.75in x 26in)

£600-800 Note: The Brighton Chain Pier was built between 1822 and 1823. It measured 350 yards long and thirteen feet wide, and acted as a bridge between the cliff wall and four towers, being used as an embarkation point for cross-channel ships. Its position was, however, exposed to the elements and the coming of the railways and the more sheltered aspect of Newhaven port, spelt its demise in use. Neglect weakened the pier and it was declared unsafe in October 1896.

On 4 December 1896, a ‘terrific storm of wind, with some rain’ blew all day. At about 10.30pm, ‘suddenly, amid the roaring waves and the howling of the wind, the pier shivered convulsively from end to end; and in a few moments the entire structure had collapsed. Nothing remained standing but the vestiges of the first piles of timbers’. An eye-witness said that ‘the light at the pier-head remained until the last’. The next morning, all that remained was the broken first tower and some jagged piles jutting out of the sea. The chains had sunk right down onto the beach and sea bed.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part I 53

108 18TH CENTURY ENGLISH SCHOOL HALF LENGTH PORTRAIT OF THE 2ND MARQUIS OF ANGLESEY AS A BOY Oil on canvas 76cm x 63.5cm (30in x 25in)

£2,000-3,000

109 FOLLOWER OF ALLAN RAMSAY HALF LENGTH PORTRAIT OF FLORA MACDONALD Oil on canvas, unframed 76cm x 63.5cm (30in x 25in)

£2,000-3,000

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110 FOLLOWER OF JOHN GLOVER A WOODED LANDSCAPE WITH CATTLE AND FIGURES BY A LAKE Oil on canvas 71cm x 109cm (28in x 43in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part I 55

111 18TH CENTURY FRENCH SCHOOL PORTRAIT OF A LADY IN PINK Oil on canvas 70cm x 57cm (27.5in x 22.5in)

£1,500-2,000

112 19TH CENTURY NAÏVE ENGLISH SCHOOL FULL LENGTH PORTRAIT OF A CHILD WITH PET SPANIEL Oil on canvas 61cm x 51cm (24in x 20in)

£600-800

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113 19TH CENTURY ENGLISH SCHOOL FULL LENGTH PORTRAIT OF A YOUNG GIRL WITH WILD FLOWERS Oil on canvas 91cm x 71cm (36in x 28in)

£600-800

114 ANDRIES SHEERBOOM (DUTCH 1832-C.1880) QUEEN OF SCOTS LEAVING FORTHERINGHAY CASTLE Signed and dated 1860, oil on canvas 53cm x 43cm (20.75in x 17in)

£800-1,200

Paintings: Part I 57

115 MANNER OF PHILIP DE LOUTHERBOURG TROOPS DISEMBARKING FROM A BEACHED SLOOP Oil on canvas 31cm x 41cm ( 12in x 16in) and a companion a pair ‘Hulk on a beach’ (2)

£2,000-3,000

116 GEORGE SMITH OF CHICHESTER (BRITISH 1714-1776) WATER-MILL COVERED IN SNOW Oil on canvas 46cm x 56cm (18in x 22in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

58 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II 59

British Furniture & Works of Art: Part II

117 PAIR OF GEORGIAN STYLE LEATHER LIBRARY ARMCHAIRS MODERN in brown leather, the button-upholstered backs with serpentine crest rails above wide seats and padded open arms, raised on channel moulded legs joined by stretchers (2) 70cm wide, 100cm high, 54cm deep

£1,500-2,500

118 LATE GEORGE II MAHOGANY LINEN PRESS, AFTER A DESIGN BY THOMAS CHIPPENDALE MID 18TH CENTURY of low profile, the carved foliate moulded cornice above a pair of figured mahogany chamfered panel doors with egg and dart moulding, the interior converted to hanging space; the base with further carved mouldings and two short drawers over a long drawer, raised on large ogee bracket feet 132cm wide, 162cm high, 67cm deep

£2,500-3,500

Note: The present lot, with its low waisted profile and fielded panel doors relates to a ‘cloathes press’ illustrated in Thomas Chippendale’s Director, plate CXXIX. Chippendale’s design is simple and restrained, allowing for upgraded embellishments depending on the client’s wishes and budget. In this example the basic carcass has been enhanced with carved moulding and ogee feet.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

60 Lyon & Turnbull

119 GEORGE III MAHOGANY ESTATE CUPBOARD 18TH CENTURY the moulded cornice above a pair of panel doors opening to an interior fitted with divider, drawers, and pigeon holes; the projecting base with a further pair of panel doors opening to dividers and a pair of drawers raised on bracket feet 99cm wide, 202cm high, 43cm deep

£800-1,200

120 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN BAYNE, STIRLING 18TH CENTURY the swan neck blind fret pediment centred by a brass finial over an arched brass dial with Roman numeral chapter ring, with subsidiary seconds and calendar dials, signed ‘John Bayne, Stirling’, flanked by fluted columns, above a trunk door flanked by pilasters, on a plinth base raised on bracket feet, the eight day movement striking a bell 48cm wide, 232cm high, 27cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II 61

121 GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE, AFTER A DESIGN BY THOMAS CHIPPENDALE MID 18TH CENTURY the broken arch pediment above a dentil moulded cornice over a pair of astragal glazed doors flanked by further doors, all fitted for adjustable shelves, now lacking; the projecting breakfront base with a pair of panel doors flanked by further panel doors opening to adjustable shelves, on a plinth base 289cm long, 266cm high, 62cm deep

£8,000-12,000 Note: This bookcase’s design is based on plans for a librvary bookcase in Chippendale’s Director, most notably in the shape of the astragal glazing, broken arch pediment, and low waist. Originally published as plate LXVII in the 1754 and 1755 editions, it was later changed to plate XCIII for the edition published in 1762.

62 Lyon & Turnbull

122 EARLY GEORGE III MAHOGANY FOLD-OVER GAMES TABLE MID 18TH CENTURY the rectangular fold-over top opening to a green baize surface, opening on double gate legs, above a plain frieze raised on straight square moulded legs with foliate carved brackets 92cm wide, 73cm high, 45cm deep (closed)

£800-1,200

123 SET OF EIGHT PROVINCIAL GEORGIAN STAINED ASH DINING CHAIRS LATE 18TH CENTURY comprising a pair of armchairs and six side chairs, the serpentine top rails carved with shells, and leaf sprigs above a pierced splat carved with bellflower trails, above drop-in seats, raised on square legs joined by peripheral stretchers; seven seat pads covered in needlework covers (8) 51cm wide, 95cm high, 37cm deep

£600-800

British Furniture & Works of Art: Part II 63

124 PAIR OF GEORGE I STYLE GILTWOOD PIER MIRRORS 20TH CENTURY the divided shaped mirror plates with a bevelled edge and cut with flower motifs, in a giltwood frame surmounted by acanthus leaves and coronets cresting (2) 106cm high approx., 49cm wide

£600-800

125 GEORGE III MAHOGANY WINE TABLE MID 18TH CENTURY the circular dished top above a ring turned baluster support and scroll carved cabriole legs with pad feet 34cm diameter, 72cm high

£1,200-1,800

126 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY the crossbanded top above a brushing slide and four long graduated drawers flanked by fluted angles, raised on shaped square bracket feet with castors 110cm wide, 89cm high, 57cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

64 Lyon & Turnbull

127 GEORGE III MAHOGANY FOLD-OVER SERPENTINE TEA TABLE 18TH CENTURY the serpentine top with a moulded edge above a frieze with rope-twist moulding, raised on channel moulded square tapered legs ending in toupie feet 92cm wide, 73cm high, 45cm deep (closed)

£400-600

128 EARLY GEORGE III MAHOGANY PIECRUST BIRDCAGE TEA TABLE MID 18TH CENTURY the circular piecrust top on a birdcage and stop-fluted column and leaf-carved tripod legs ending in claw and ball feet 66cm diameter, 69cm high

£2,000-3,000

129 LATE GEORGIAN MAHOGANY METAMORPHIC TABLE/ LIBRARY STEPS 19TH CENTURY the hinged rectangular top opening to form a set of steps, on square legs with brass castors Table 47cm wide, 73cm high, 70cm deep; Steps 118cm high, 129cm long

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II 65

130 RARE PAIR OF GEORGE III MAHOGANY VITRINE CABINETS 18TH CENTURY in the form of obelisks, the reeded pediments above glazed three panel sides, one side hinged for use as a door, on a stepped square base simulating stonework, raised on block feet (2) 54cm wide, 130cm high, 52cm deep

£4,000-6,000

131 PAIR OF GEORGE III MAHOGANY AND SATINWOOD PEDESTAL CUPBOARDS LATE 18TH CENTURY the square tops with moulded edges above frieze drawers with later floral swag decoration, over cupboard doors with oval panel inlay opening to shelves, on plinth bases (2) 49cm wide, 98cm high, 47cm deep

£1,500-2,500

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132 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY comprising six side chairs and a pair of armchairs, the shaped toprails over pierced splats and drop in seats, raised on straight reeded tapered legs joined by stretchers (8) 53cm wide, 84cm high, 40cm deep Provenance: Ballymenoch House, Cardross, Argyll & Bute

£600-800

133 GEORGE III MAHOGANY BOWFRONT SIDEBOARD LATE 18TH CENTURY the bowfront top with rounded corners above a central crossbanded and line inlaid drawer and arched recess with a tambour door, flanked by deep drawers, raised on tapered ringturned legs 167cm wide, 90cm high, 65cm deep

£800-1,200

British Furniture & Works of Art: Part II 67

134 LATE GEORGE III MAHOGANY KETTLE STAND LATE 18TH CENTURY the oval top with a wavy gallery above frieze with a cup slide, raised on square tapered legs outlined with stringing 37cm wide, 67cm high, 29cm deep

£400-600

135Y GEORGE III MAHOGANY AND ROSEWOOD LONGCASE CLOCK, THOMAS GARNER, BIRMINGHAM LATE 19TH CENTURY the moulded inverted breakfront cornice with a fret carved frieze, above an arched brass dial with silvered chapter ring with Roman and Arabic chapters, the arch boss signed Tho. Garner/ Birmingham, subsidiary seconds dial and date aperture, flanked by Corinthian columns, the trunk with an ogee moulded crossbanded door, on a plinth base raised on bracket feet, the eight day movement striking a bell 225cm high, 54cm wide, 25cm deep

£800-1,200

136 LATE GEORGE III BOWFRONT MAHOGANY SERVING TABLE LATE 18TH CENTURY the crossbanded top above three short frieze drawers with stringing, raised on square tapered legs 131cm wide, 84cm high, 62cm deep

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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137Y GEORGE III MAHOGANY, KINGWOOD AND ROSEWOOD MARQUETRY PEMBROKE TABLE LATE 18TH CENTURY, THE MARQUETRY LATER the oval top with drop sides, centred by an oval medallion, with scrolling foliate marquetry, above a frieze drawer, raised on square tapered legs ending in brass caps and castors 77cm wide, 72cm high, 54cm wide (closed), 100cm wide (open)

£400-600

138 GEORGE III MAHOGANY WRITING DESK LATE 19TH CENTURY the rectangular top above a frieze drawer fitted with a writing slope, over a kneehole flanked by short drawers, raised on square tapered legs ending in brass caps and castors 87cm wide, 79cm high, 55cm deep

£300-500

139 LATE GEORGE III SATINWOOD, MAHOGANY AND FIDDLEBACK MAHOGANY BOOKCASE LATE 19TH CENTURY of neat size, the gothic arch moulded cornice above a pair of astragal glazed and crossbanded doors opening to three adjustable shelves; the projecting base with a pair of short drawers above a pair of cupboard doors with crossbanded oval reserve inlay, opening to an adjustable shelf, on a plinth base 88cm wide, 207cm high, 41cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II 69

140Y LATE GEORGE III SATONWOOD AND FOLD-OVER CARD TABLE LATE 18TH CENTURY the D-shaped top crossbanded with rosewood with ebony stringing, opening to a green baize surface, above a frieze and raised on square tapered legs all outlined with ebony stringing 91cm wide, 75cm high, 43cm deep (closed)

£800-1,200

141 LATE GEORGE III SATINWOOD BOOKCASE LATE 18TH/ EARLY 19TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to adjustable shelves; the base with a pair of moulded doors opening to shelves, on a plinth base 144cm wide, 226cm high, 39cm deep

£2,000-3,000

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142 SET OF TWELVE GEORGE III STYLE MAHOGANY CHAIRS 19TH CENTURY comprising ten side chairs and a pair of armchairs in the Hepplewhite style, the shield backs with pierced splats carved with wheat stalks, above serpentine stuff-over seats raised on channel moulded square tapered legs joined by H stretchers (12) Side chair 53cm wide, 94cm high 42cm deep

£1,000-1,500

143 GEORGE III STYLE MAHOGANY SERVING TABLE LATE 19TH CENTURY the crossbanded bowed breakfront top with a later gallery above three frieze drawers, raised on square tapered legs 180cm wide,105cm high, 70cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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144 PAIR OF LATE GEORGE III SATINWOOD, BRASS AND STRUNG URN STANDS LATE 18TH CENTURY the square tops with pierced brass galleries above cup slides, raised on slightly splayed square tapered legs (2) 28cm wide, 66cm high

£2,000-3,000

145 LATE GEORGE III SATINWOOD BOMBE COMMODE 18TH CENTURY the rectangular top with boxwood stringing, above three long bombe drawers above a shaped apron, the handles to the sides, raised on slightly splayed legs, all outlined with stringing 110cm wide, 74cm high, 56cm deep

£1,500-2,500

146 GEORGE III SMALL SATINWOOD AND MAHOGANY SIDEBOARD LATE 18TH CENTURY the rectangular banded top above three short banded drawers flanked and divided by carved harebell trails, over a fluted midsection with a pair of drawers above two further short banded drawers, raised on square tapered legs ending in stiff leaf carved terminals on block feet 107cm wide, 81cm high, 46cm deep

£800-1,200

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147 LATE GEORGE III SATINWOOD, EBONY, COROMANDEL AND BRASS INLAID DROP-LEAF TABLE EARLY 19TH CENTURY the oval top crossbanded and line inlay with ebony and brass diamond inlay, a frieze drawer to one end, raised on square tapered legs with brass caps 109cm long, 72cm high, 62cm wide (134cm wide open)

£1,000-1,500

148 GEORGE III MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY moulded cornice over a pair of glazed doors enclosing shelves; the lower section with a central secretaire drawer with two dummy drawer fronts, opening to a fitted interior, flanked by banks of two short drawers, above a pair of moulded doors enclosing sliding trays and two drawers, over a shaped apron and raised on splay feet 141cm wide, 241cm high, 64cm deep

£600-800

149 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top with a moulded edge, above two short and three long graduated drawers, on shaped bracket feet 98cm wide, 94cm high, 52cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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150 LATE GEORGE III MAHOGANY FOLD-OVER CARD TABLE EARLY 19TH CENTURY the D shaped top opening to a green baize playing surface, above a plain frieze with bead and reel moulding, raised on a lotus carved support and stiff leaf carved sabre legs ending in brass caps and castors 92cm wide, 75cm high, 46cm deep (closed)

£500-700

151 LATE GEORGE III MAHOGANY SECRETAIRE BOOKCASE LATE 18TH CENTURY the broken arch dentil moulded pediment above a pair of astragal glazed doors opening to shelves; the lower part with a secretaire drawer opening to drawers and pigeon holes, above three long drawers, raised on bracket feet 121cm wide, 263cm high, 57cm deep Provenance: Contents of a Northumbrian Country House

£500-700

152 LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS, POSSIBLY SCOTTISH EARLY 19TH CENTURY the bowfront top with a reeded edge and outset corners, above four graduated drawers flanked by fluted columns to the angles, above a shaped apron and raised on unusual fluted pointed pad feet carved with trailing heart motifs 97cm wide, 92cm high, 56.5cm deep

£1,500-2,500

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153 FRENCH THREE PIECE TOLEWARE GARNITURE EARLY 20TH CENTURY comprising a rectangular jardiniere, 24.5cm high, 30cm wide; and a pair of tapered square vases, 29cm high, raised on winged paw feet and plinth bases with craquelure red decoration (3) £600-800

154 GEORGE III TABLE-TOP 12-INCH TERRESTRIAL GLOBE, BY W & S JONES, LONDON DATED 1800 twelve printed gores, labelled ‘THE NEW TWELVE INCH/ BRITISH Terrestrial Globe/ REPRESENTING THE/ ACCURATE POSITIONS OF THE PRINCIPAL/ KNOWN PLACES OF THE EARTH,/ FROM THE DISCOVERIES OF/ CAPTAIN COOK/ AND SUBSEQUENT CIRCUMNAVIGATORS/ TO THE PRESENT PERIOD’, with a brass meridian ring, wood wedge, and horizon ring with calendar and zodiac markers, raised on a turned ebonised stand united by an x-form stretcher 4.8.5cm high overall

£1,000-1,500

155Y

156

157

LATE GEORGE III MAHOGANY AND BOXWOOD STRUNG DRESSING TABLE MIRROR

GEORGIAN MAHOGANY DECANTER BOX

PAIR OF GEORGIAN CUT GLASS CANDLESTICKS

LATE 18TH CENTURY the shield shaped mirror plate between scrolled uprights with ivory roundels, on a bowfront base with three drawers, raised on shaped bracket feet, all outlined with boxwood stringing

LATE 18TH CENTURY the domed top opening to a fitted interior, enclosing four square gilded glass decanters and stoppers

18TH CENTURY the cylindrical candle nozzle above triple-knopped facet cut stems and domed lobed feet (2)

52cm wide, 72cm high, 21cm deep

19cm wide, 23cm high, 19.5cm deep

21.5cm high

£250-350

£250-350

£200-300

British Furniture & Works of Art: Part II 75

158Y MINIATURE GEORGIAN TORTOISESHELL NECESSAIRE MID-LATE 18TH CENTURY of domed casket form with white metal mounts and shell-form feet, the interior with a mirror, glass ink and sand bottles, a rock crystal seal depicting Ceres, and a pen with four nibs, with an indistinct label to underside GIVEN TO ME BY LADY ROSEBERY 7.5cm wide, 5.5cm high (handle down), 5cm deep

£800-1,200

159 GROUP OF BLUE JOHN WARES comprising a small seal with knopped handle, 5.5cm high; two small egg-forms, 5cm long approx.; and a miniature bowl, 5.5cm diameter (4) £400-600

160Y MANNER OF RICHARD CROSSE PORTRAIT MINIATURE OF A GIRL, 18TH/ EARLY 19TH CENTURY watercolour on ivory, the sitter wearing a pink dress with flowers in her hair, in a gilt bracelet case frame 3.3cm long approx.

£400-600

161 DERBY PORCELAIN FIGURE GROUP LATE 18TH CENTURY modelled as a young man seated against a balustrade, with a dove on his knee and a dog seated at his feet, on a rococo scroll base with applied flowers, with two arms for candle sockets, now lacking 23cm high

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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162 GEORGE III MAHOGANY WORK TABLE 18TH CENTURY in the Hepplewhite style, the serpentine top above a leather lined writing slide, dummy drawer and sliding work box, a drawer to the side with a dummy drawer opposing, raised on slender cabriole legs 49cm wide, 72cm high, 38cm deep

£800-1,200

163Y LATE GEORGE III MAHOGANY AND ROSEWOOD BREAKFAST TABLE LATE 18TH CENTURY the rounded rectangular crossbanded tilt top, above a ring turned column support and four reeded outswept legs ending in brass caps and castors 115cm wide, 72cm high, 163.5cm deep

£800-1,200

164 GEORGE III MAHOGANY CROSSBANDED DEMILUNE PIER TABLE LATE 18TH CENTURY the demilune crossbanded top above a plain crossbanded frieze, raised on square tapered legs with boxwood stringing 152cm wide, 86cm high, 73cm deep

£800-1,200

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165 LATE GEORGE III OVAL GILTWOOD AND EBONISED MIRROR LATE 18TH CENTURY the oval mirror plate in a beadmoulded frame with conforming margin plates, with an eagle cresting 104cm high, 68cm wide

£800-1,200

166 GOOD GEORGE III SATINWOOD AND MARQUETRY CYLINDER DESK, IN THE MANNER OF INCE & MAYHEW LATE 19TH CENTURY the top with urn and swag inlay, above a cylinder front inlaid with foliate scrolls, cornucopia, husk swags, and a fan medallion, opening to an interior with pigeon holes, drawers and a sliding green leather writing surface with an adjustable writing slope, above a pair of short drawers with further husk swags, raised on square tapered legs ending in spade feet 92cm wide, 106cm high, 52cm deep

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

78 Lyon & Turnbull

167Y UNUSUAL GEORGE III SATINWOOD, ROSEWOOD AND EBONY GAMES TABLE 18TH CENTURY the square top with a gilt tooled green leather insert with two covered recesses for game pieces and two dummy panels, above a long frieze drawer to one side, the other sides with dummy drawers, on a baluster support and outswept legs ending in brass caps and castors 76cm wide, 72cm high, 73cm deep

£2,000-3,000

168 LATE GEORGE III MAHOGANY AND SATINWOOD CELLARETTE LATE 18TH CENTURY the octagonal top above satinwood banded sides with arched line inlay, opening to a compartmented interior, raised on bobbin turned tapered legs ending in brass caps and castors 52cm diameter, 59cm high

£400-600

169 SET OF EIGHT LATE GEORGE III SHERATON STYLE MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with channel moulded top rails above curved X-shaped splats and stuff-over seats in foliate upholstery, raised on square tapered legs with peripheral stretchers (8) 50cm wide, 87cm high, 42cm deep Provenance: Luffness House, West Lothian Balbithan House, Kintore, Aberdeenshire

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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170 FINE GEORGE III TULIPWOOD AND INLAY PEMBROKE TABLE 18TH CENTURY the shaped rectangular crossbanded top with a central oval reserve and quarter veneered spandrels with serpentine drop sides and chequer stringing, above a frieze drawer and a dummy drawer opposing, raised on square tapered legs with transverse veneers and ending on block feet and brass castors 76cm wide, 72cm high, 51cm deep (closed) 95cm (open)

£2,000-3,000

171 GEORGE III PAINTED SATINWOOD, MAHOGANY AND PEARWOOD DEMILUNE CONSOLE TABLE LATE 18TH CENTURY, THE DECORATION LATER of shallow profile, the crossbanded top with fan medallion inlay and painted with ivy and drapery swags, above frieze painted with ribbon tied flower garlands and raised on square tapered legs with further painted flower trails 130cm wide, 77cm high, 49cm deep

£3,000-5,000

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172 LATE GEORGE III HAREWOOD, KINGWOOD AND SATINWOOD PEMBROKE TABLE LATE 18TH CENTURY the shaped rectangular top with kingwood banding and a central oval reserve, above a drawer to one end, on square tapered legs with boxwood stringing ending in brass caps and castors 75cm long, 72cm high, 44cm wide (closed)

£1,000-1,500

173 GEORGE III MAHOGANY TALLBOY CHEST-ON-CHEST LATE 18TH CENTURY the dentil moulded cornice above two short and four long graduated drawers, flanked by angles outlined with stringing; the base with three further long drawers, raised on shaped bracket feet 110cm wide, 199cm high, 56cm deep

£600-800

174 GEORGE III MAHOGANY DEMILUNE SIDEBOARD LATE 18TH CENTURY the shaped top with boxwood stringing above a central drawer flanked by short drawers and cupboards, raised on square tapered legs ending in spade feet 182cm wide, 93cm high, 81cm deep

£1,500-2,000

Select Items from Yester House, Gifford, East Lothian 81

Select Items from Yester House, Gifford, East Lothian Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

82 Lyon & Turnbull

Yester House, former home of the Marquess of Tweeddale, sits on its estate at the edge of the pretty village of Gifford in East Lothian. The current house has its origins in the latter part of the 17th century, with significant expansions and changes in the early 18th century by Scotland’s pre-eminent architect William Adam.

After his death in 1748, further renovations were carried out by his son Robert, who created Yester’s magnificent Saloon on the first floor, arguably one of the great country house rooms in Scotland. Owned by the Tweeddales until the late 1960s, Yester House passed through other owners before being purchased by the Italian-American composer Gian Carlo Menotti in 1972.

Founder of the Spoleto Festival, Menotti was an advocate for encouraging new talent, and Yester House often was the setting for musical soirees of up-and-coming as well as established musicians. The house remained in the Menotti family until 2015 when it was acquired by the present owners who have now started a programme of sympathetic restoration of the house and estate, positioning it for a new life into the 21st century.

Previous page: Entrance Hall, Yester House, after the 1830 remodel by Robert Brown. The pair of Ionic columns date from the William Adam interior | Circa 1905 | Photograph courtesy of Historic Environment Scotland (Bedford Lemere and Company Collection)

175 IRISH GEORGE III STYLE MAHOGANY MARBLE TOP SIDE TABLE 19TH CENTURY the rectangular white marble top with a moulded edge, on a base with a plain moulded frieze, raised on acanthus carved cabriole legs ending in claw and ball feet 202cm wide, 83cm high, 100cm deep Note: This table appears in a photograph of the Entrance Hall taken in 1905 (shown on the preceding page) when the house was recorded by the architectural photographer Harry Bedford Lemere. The hall is festooned with the trappings and memorabilia of William Hay, the Tenth Marquess of Tweeddale, who served in India in the Bengal Civil Service from 18451862. Of particular interest is the elephant skull which sits under the table.

£3,000-5,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Select Items from Yester House, Gifford, East Lothian 83

176 NORTHERN EUROPEAN DEMI LUNE MARBLE TOP TABLE EARLY 19TH CENTURY the moulded grey veined marble top above a foliate moulded frieze raised on fluted square tapering legs and spade feet 139cm wide, 94cm high, 70cm deep

£800-1,200

177 REGENCY FAUX ROSEWOOD UPHOLSTERED ARMCHAIR EARLY 19TH CENTURY the square scrolled back and arms above a stuff-over seat and grain painted seat rail and turned and tapered legs, in pale yellow plush upholstery 72cm wide, 90cm high, 57cm deep

£400-600

178 IRISH GEORGE III STYLE MAHOGANY MARBLE TOPPED SIDE TABLE 19TH CENTURY the rectangular marble top with a moulded edge above a moulded frieze raised on acanthus carved claw and ball feet 184cm wide, 82cm high, 91cm deep

£2,000-3,000

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179 EARL VICTORIAN MAHOGANY UPHOLSTERED ARMCHAIR 19TH CENTURY the curved buttoned back above a deep shaped cushioned seat raised on moulded and fluted legs and ceramic castors 68cm wide, 70cm high, 58cm deep

£300-400

180 LARGE MAHOGANY THREE TIER DUMBWAITER 19TH CENTURY the graduated dished tiers raised on central turned supports and an outswept quadriform base with brass caps and castors 85cm wide, 128cm high

£500-700

181 PAIR OF GEORGIAN STYLE MAHOGANY DROP-LEAF DINING TABLES 19TH CENTURY the moulded rectangular tops raised on turned legs and pad feet (2) 164cm wide extended (57cm wide down), 74cm high, 121cm deep

£700-1,000

182

183

184

TWO MAHOGANY, GLASS AND BRASS FIRE SCREENS

PAIR OF PAINTED WOOD FINIALS

PAIR OF TOLE LAMPS

19TH CENTURY of urn form with reeded bodies on square bases, painted white (2)

EARLY 20TH CENTURY of baluster form with twin ram’s head handles, decorated and parcel gilt with classical figures, on square bases, previously wired for electricity (2)

the glazed rectangular screen with vertical and horizontal sliding glass panels, raised on brass trestle feet (2) 67cm wide, 109cm high, 40cm deep; 67cm wide, 111cm high, 45cm deep

£250-350

32cm wide, 92cm high

£200-300

40cm high (excluding fittings)

£250-350

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British Furniture & Works of Art: Part III

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185 PAIR OF LEATHER UPHOLSTERED TUB ARMCHAIRS 20TH CENTURY the low curved backs and arms above loose cushion seats, in brown button upholstered brown leather outlined with brass nail head details, raised on square tapered legs (2) 62cm wide, 80cm high, 56cm deep

£2,000-3,000

186 REGENCY FOLD-OVER MAHOGANY CARD TABLE EARLY 19TH CENTURY the rounded rectangular top opening to a red baize playing surface, above foliate carved and moulded frieze, raised on a squared tapered column and quadriform base raised on scroll carved feet with brass castors 92cm wide, 75cm high, 47cm deep

£300-500

187Y REGENCY ROSEWOOD BRASS MOUNTED OPEN BOOKCASE EARLY 19TH CENTURY the pediment gallery on a breakfront top, above a central shelf flanked by two further adjustable shelves, on a plinth base 191cm wide, 116cm high, 43cm deep

£1,500-2,500

British Furniture & Works of Art: Part III 87

188 REGENCY MAHOGANY REGULATOR, PERIGAL & DUTERRAU, LONDON EARLY 19TH CENTURY the low arched moulded cornice above a silvered dial with large Arabic minutes chapter and subsidiary hours and seconds dials, signed 'Perigal & Duterrau/ Bond Street/ London’, above a plain trunk with reed moulding and canted angles, on a moulded plinth base with bracket feet; the movement with a Harrison deadbeat escapement and maintaining power, the brass banded wood pendulum with a 7in. brass bob 202cm high, 49cm wide, 24cm deep

£4,000-6,000

Note: John Duterrau was granted a Royal warrant as a Watchmaker in Ordinary to George III in 1799, and Francis Perigal of New Bond Street was also watchmaker to King George III. They were in New Bond Street from 1802 to 1840. The Perigal clock and watchmakers were famous for their high quality products, exported across the world to places such as China, Jamaica and the Ottoman Empire.

The present regulator, housed in its fine flame mahogany case, has a movement of exceptional quality. Perigal & Duterrau had a close working relationship with Thwaites & Reed and this may well be a movement supplied by them. The case is also almost identical to a known Thwaites regulator, so it is a possibility this example was supplied by Thwaites to Perigal & Duterrau who retailed it.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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189 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in an reeded ebonised slip and a foliate moulded frame with an eagle cresting 80cm high, 57cm diameter

£300-500

190 PAIR OF REGENCY STYLE MAHOGANY BEDSIDE CABINETS 20TH CENTURY the square tray tops with shaped gallery rails and three cut-out hand holds, above crossbanded drawers, raised on slender turned and tapered legs joined by a cross stretcher and a dished undertier (2) 39cm wide, 79cm high, 39cm deep

£600-800

191 REGENCY MAHOGANY FOOTSTOOL IN THE MANNER OF THOMAS HOPE EARLY 19TH CENTURY the stuffover seat in striped cream and green silk, raised on sabre legs carved with anthemion 105cm long, 27cm high, 26cm deep

£400-600

192 SCOTTISH REGENCY MAHOGANY FOLD-OVER TEA TABLE, IN THE MANNER OF WILLIAM TROTTER EARLY 19TH CENTURY the rectangular crossbanded top above a bead moulded frieze, raised on a waisted square lotus-carved column, on a quadriform base raised on lobed bun feet with recessed brass castors 97cm wide, 76cm high, 48cm deep (closed)

£300-400

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193Y SET OF SIX IRISH REGENCY ROSEWOOD DINING CHAIRS BY STRAHAN, DUBLIN 19TH CENTURY the top rails carved with S scrolls and leaves above a foliate lyre form splat, above stuff over seats on moulded seat frames raised on lotus carved faceted tapered legs, stamped R STRAHAN on the seat rails (6) 49cm wide, 89cm high, 43cm deep

£1,000-1,500

194 REGENCY STYLE MAHOGANY AND SATINWOOD EXTENDING DINING TABLE LATE 19TH CENTURY the rounded rectangular top with satinwood crossbanding, on reeded tapered legs ending in brass caps and castors, with three leaf extensions and a later half leaf 286cm long, 73cm high, 128cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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195 REGENCY MAHOGANY FOLD-OVER CARD TABLE EARLY 19TH CENTURY the rounded rectangular top with a bead moulded edge, pivoting and opening to a playing surface, the baize lacking, on a spiral carved baluster and quadriform base raised on carved paw feet 98cm wide, 75cm high, 49cm deep (closed)

£500-700

196 SCOTTISH MAHOGANY LONGCASE CLOCK, JOHN RUSSELL, FALKIRK EARLY 19TH CENTURY the swan neck pediment above a brass arched dial with a silvered Roman numeral chapter and arch boss inscribed JNO. RUSSELL FALKIRK, and subsidiary seconds and calendar dials, above a shaped trunk door flanked by quarter columns, on a plinth base with bracket feet 219cm high Note: John Russell, born in 1745, was Watchmaker in Scotland to the Prince Regent.

£600-800

197 REGENCY EBONISED AND CANED SETTEE EARLY 19TH CENTURY the straight toprail over X backs, above a caned seat with a loose cushion and flanked by open downswept arms, raised on round tapered legs ending in brass caps and castors, with loose squab cushion and upholstery by Madeleine Castaing 134cm wide, 88cm high, 57cm deep Provenance: Ex Yester House, Gifford, East Lothian

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III 91

198Y FINE REGENCY ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the octagonal tilt top above a leaf carved frieze, on a square moulded column carved with anthemion, on a quadriform base raised on lotus carved paw feet with brass castors 117cm wide, 74cm high, 121cm deep

£2,500-3,500

199Y REGENCY ROSEWOOD, EBONISED, PARCEL-GILT, AND BRASS MOUNTED LOW BOOKCASE EARLY 19TH CENTURY the mirror backed superstructure with a pierced brass gallery and two tiers, raised on brass supports, the base of breakfront outline above a pair of doors with brass grille inserts flanked by open shelves, flanked and divided by ebonised and gilt pilasters with foliate capitals, raised on ball feet 196cm wide, 133cm high, 26cm deep

£4,000-6,000

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200 REGENCY GILTWOOD AND GESSO TRIPLE PLATE OVERMANTEL MIRROR EARLY 19TH CENTURY the inverted breakfront cornice with ball mounts above a frieze relief moulded with Apollo and his chariot in reserve flanked by lyres, above three bevelled mirror plates flanked by reeded pilasters with leafy capitals 96cm high, 147cm wide

£600-800

201 GEORGE IV MAHOGANY BOOKCASE, AFTER A DESIGN BY GEORGE SMITH EARLY 19TH CENTURY the inverted breakfront top above an egg and dart frieze and a central drawer flanked by bow front drawers, over a single shelf, flanked by silk panelled cupboard doors enclosing single drawers, over a foliate moulded apron, raised on scrolling feet 188cm wide, 95cm high, 54cm deep

£4,000-6,000

Note: George Smith (1786-1826) published three influential books on design in the first quarter of the 19th century. Smith’s A Collection of Designs for Household Furniture and Interior Decoration, published in 1808, A Collection of Ornamental Designs, after the Manner of the Antique, in 1812, and finally in 1826, The Cabinet-Maker’s and Upholsterer’s Guide.

This final publication included a design for a ‘Drawing Room Commode’, Plate VI, from which the present lot derives. Smith is considered one of the key designers of the Regency period, yet despite his prolificacy, actual pieces that relate directly to his designs are rare.

British Furniture & Works of Art: Part III 93

202 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a reeded ebonised slip and leaf clasped moulded frame surmounted by leaf scrolls, rockwork and a recumbent deer 122cm high, 76cm diameter

£1,000-1,500

203 GOOD REGENCY MAHOGANY TRIPOD TABLE, BY JAMES MEIN, KELSO EARLY 19TH CENTURY the rectangular top with a bead moulded edge, on a turned and tapered slender baluster column, raised on acanthus carved cabriole legs ending in scrolled toes, with partial trade label 56.5cm wide, 72cm high, 43.5cm deep

£1,000-1,500

204Y REGENCY ROSEWOOD GRAINED CHAISE LONGUE EARLY 19TH CENTURY the scroll back and single arm above a long rounded seat with a bolster cushion, raised on grain painted sabre legs carved with palmettes and C scrolls and ending in foliate brass caps and castors; in green and gold pattern upholstery 206cm long, 88cm high, 65cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

94 Lyon & Turnbull

205Y REGENCY MAHOGANY AND ROSEWOOD WORK TABLE ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the square crossbanded top with a moulded edge above two long drawers, one fitted with a compartmented tray, and a red silk covered work box, raised on turned and tapered reeded legs with brass caps and castors 49cm wide, 77cm high, 45cm deep

£400-600

206 WILLIAM IV MAHOGANY FOLD-OVER TEA TABLE EARLY 19TH CENTURY the crossbanded D top over an ebonised line inlaid frieze, on a spiral carved and reeded baluster support, the quadriform base raised on scrolled feet with brass castors 99cm wide, 77cm high, 49cm deep (closed)

£400-600

207 REGENCY SATIN BIRCH AND PATRIDGE WOOD LIBRARY TABLE,

BY THOMAS SEDDON EARLY 19TH CENTURY the rounded rectangular top with line inlay above a pair of short frieze drawers, raised on ring turned slender baluster supports on arched trestle bases ending in brass caps and castors and joined by a turned stretcher rail, the drawer stamped T. SEDDON/ LONDON 116cm wide, 73cm high, 61cm deep

£1,200-1,800

British Furniture & Works of Art: Part III 95

208 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising six side chairs and a pair of side chairs, the reeded top rails above pierced splats with ball spacers, above stuff-over seats in yellow plush covers, raised on turned and tapered legs (8) Side chair 51cm wide, 82cm high, 44cm deep

£1,200-1,800

209Y REGENCY ROSEWOOD, GILTWOOD, AND BRASS MARBLE TOPPED CONSOLE TABLE EARLY 19TH CENTURY the rectangular white marble top above a parcel gilt moulded and brass inlaid frieze, raised on turned baluster supports and plinth base, with a yellow silk back panel flanked by gilt columns with lotus carved bases 133cm wide, 95cm high, 41cm deep

£3,000-4,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

96 Lyon & Turnbull

210 PAIR OF GILT METAL HERON CANDLESTICKS, AFTER THOMAS ABBOTT 19TH CENTURY the candle sockets above herons holding fish, on rock-form bases, weighted (2) 38cm high

£200-300

211 SCOTTISH MAHOGANY STICK BAROMETER, JOHN KING, ABERDEEN EARLY 19TH CENTURY the arched pediment with a brass gauge inscribed JOHN KING/ ABERDEEN, above a long stem with a pierced cover and ending in a ball cistern 88cm high, 11cm wide

£400-600

212 PAIR OF REGENCY GILT AND PATINATED BRONZE TABLE LAMPS 19TH CENTURY of urn form, moulded with a frieze of scrolling foliate motifs, the handles with leopard heads, raised on ebonised bases, with pleated shades (2) 39cm high (excluding shades)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III 97

213 REGENCY POLLARD OAK TABLE CABINET 19TH CENTURY in the form of a Palladian villa, the moulded pediment with a fan carved frieze above arched panel doors flanked by flattened pilasters, opening to a single shelf interior, raised on bun feet 62.5cm wide, 56cm high, 21cm deep

£700-1,000

214 PAIR OF REGENCY PATINATED AND GILT BRONZE CANDLESTICKS 19TH CENTURY with everted nozzles above three classical heads and foliate drip trays, above tapered foliate columns ending in lion’s paw tripod legs, on triform black bases, with pleated shades (2) 32cm high

£800-1,200

215 LATE REGENCY BRASS BANDED MAHOGANY CAMPAIGN LAP DESK EARLY 19TH CENTURY of large size, fitted with a brown leather writing slope, inkwells and a compartmented tray covering a spring-release secret drawer interior, with ratchet adjusted supports and book rail, one side fitted with a drawer, banded in brass with recessed handles, the lock stamped TURNER’S PATENT 61cm wide, 26cm high, 36cm deep

£1,000-1,500

98 Lyon & Turnbull

216 SET OF FOUR REGENCY SILVER PLATED TABLE LAMPS 19TH CENTURY previously candlesticks, with acanthus leaf nozzles and everted drip trays, above tapered baluster columns with acanthus leaves, raised on scrolling tripod feet and triform bases (4) 42cm high (excluding shades)

£600-800

217

218

REGENCY GILTWOOD MIRROR

GROUP OF VICTORIAN AND LATER ENGRAVED GLASSWARE

EARLY 19TH CENTURY the rectangular mirror plate flanked by pilasters with leafy capitals and surmounted by a pierced acroterion

comprising a set of four drinking glasses depicting scenes of cock fighting, from ‘The Set To’ until ‘The Death’, 20cm high; a ewer with twisted handle and engraved leaves, 31.5cm high; a pair of decanters and stoppers for WHITE WINE and CLARET, 28cm high; and a ewer with a pair of matching glasses, decorated with birds and prunus, 27cm and 16cm high (10)

70cm high, 41cm wide

£200-300

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III 99

219 PAIR OF REGENCY PATINATED AND GILT BRONZE TABLE LAMPS EARLY 19TH CENTURY previously candlesticks, with everted nozzles and acanthus leaf drip trays above tapered columns and lion’s paw tripod legs, on triform black bases, with pleated shades (2) 31cm high (excluding fittings and shade)

£600-800

220 BLACK JAPANNED CHIMING BRACKET CLOCK, RETAILED BY HAMILTON & INCHES EARLY 20TH CENTURY with a brass handle and cushion top above an engraved square brass dial with a silvered Roman numeral chapter ring and retailer’s plaque, decorated with Chinese figures, birds and flowers highlighted with gilt details, the eight day movement with a platform lever escapement with a gong strike and chiming on four gongs 38.5cm high (handle up), 25cm wide

£600-800

221 PAIR OF REGENCY CELADON AND GILT BRONZE TABLE LAMPS 19TH CENTURY previously vases of baluster form, decorated with two moulded floral bands, raised on scrolling acanthus leaf bases, with octagonal shades (2) 39cm high (excluding fittings)

£1,000-1,500

100 Lyon & Turnbull

222Y REGENCY ROSEWOOD, SATINWOOD AND PARCEL-GILT WORK TABLE EARLY 19TH CENTURY the rounded rectangular top with drop sides, above a frieze drawer with a writing slope and a sliding work box, on a baluster support and reeded scroll legs ending in brass lion paw feet with castors 79cm wide (open), 77cm high, 41cm deep

£400-600

223 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY the square top above three further tray-top tiers, raised on baluster legs with brass caps and castors 53cm wide, 134cm high, 52cm deep

£500-700

224Y WILLIAM IV ROSEWOOD PEDESTAL TABLE 19TH CENTURY the circular top above a facetted baluster column, on a triform base with turned feet with recessed castors 59cm diameter, 72cm high

£500-700

225Y REGENCY ROSEWOOD AND PARCEL GILT MIRROR BACK CONSOLE TABLE EARLY 19TH CENTURY the rectangular top above a plain frieze, raised on foliate and lotus carved supports, on a plinth base and mirror back 95cm wide, 91cm high, 37cm deep

£800-1,200

British Furniture & Works of Art: Part III 101

226 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in an ebonised reeded slip and deep moulded frame with ball mounts, surmounted by an eagle cresting 106cm high, 83cm deep

£800-1,200

227Y PAIR OF WILLIAM IV ROSEWOOD ETAGERES 19TH CENTURY each with three rounded square tiers, raised and divided by turned baluster supports, on turned legs with brass caps and castors (2) 38cm wide, 75cm high, 32cm deep

£2,000-3,000

228Y REGENCY ROSEWOOD AND MARBLE TOPPED SIDE CABINET 19TH CENTURY the grey marble top with rounded corners and a moulded edge, above a long frieze drawer and a pair of pleated silk lined doors opening to an adjustable shelf, the corners with reeded tapered corner pilasters and toupie feet 122cm wide, 91cm high, 39cm deep

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

102 Lyon & Turnbull

229 GEORGE IV MAHOGANY BOW FRONT CHEST OF DRAWERS 19TH CENTURY the bowfront top with outset rounded corners and a reeded edge, above four long drawers flanked by reeded corner columns, raised on turned feet 127cm wide, 106cm high, 59cm deep

£400-600

230 SET OF EIGHT REGENCY STYLE MAHOGANY DINING CHAIRS LATE 19TH CENTURY comprising six side chairs and a pair of armchairs, the reeded top rails above panel moulded splats and drop in padded seats in mustard yellow upholstery, the reeded frames raised on sabre legs (8) Side chair 48cm wide, 86cm high, 41cm deep

£700-1,000

231 REGENCY WALNUT SCISSOR ACTION DINING TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top opening on a scissor action to hold three leaf inserts, raised on turned faceted legs 254cm long (leaves in), 52cm long (leaves out), 76cm high, 145cm deep

£800-1,200

British Furniture & Works of Art: Part III 103

232 FINE GEORGE IV POLLARD OAK AND EBONISED PEDESTAL PARTNER’S DESK EARLY 19TH CENTURY the rectangular top with a gilt tooled red leather writing surface and ebonised moulded edge, above three short frieze drawers with ebonised moulding, and three further frieze drawers opposing, raised on twin pedestals with brass grille insert doors backed with red silk, opening to banks of short drawers, with cupboards opposing, on plinth bases with brass castors, the locks stamped COMYN CHING & CO 176cm wide, 77cm high, 109cm deep

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

104 Lyon & Turnbull

233Y WILLIAM IV ROSEWOOD PEDESTAL TABLE 19TH CENTURY the circular top above a ring turned baluster column and shaped quadriform base raised on turned disc feet 49cm diameter, 74cm high

£500-700

234 SCOTTISH WILLIAM IV MAHOGANY PRESS CUPBOARD EARLY 19TH CENTURY the gadrooned cornice centred by a carved palmette, above a pair of panel doors flanked by spiral columns, the interior converted to hanging space; the base with two short over two long drawers, raised on large carved paw feet 138cm wide, 233cm high, 73cm deep

£600-800

235 PAIR OF LATE REGENCY MAHOGANY HALL CHAIRS BY HOLLAND & SONS EARLY 19TH CENURY the moulded cartouche shaped backs above moulded edge seats raised on reeded tapered legs, each stamped on the seat rail and initials TH 43cm wide, 92cm high, 36.5cm deep

£800-1,200

British Furniture & Works of Art: Part III 105

236 REGENCY MAHOGANY AND EBONY INLAY PEDESTAL TABLE EARLY 19TH CENTURY the rounded rectangular top with ebony scrolling line and foliate inlay, on a column support carved with reed bundles and quadriform base with carved paw feet 59cm wide, 74cm high, 42cm deep

£1,200-1,800

237Y WILLIAM IV ROSEWOOD FOLD-OVER CARD TABLE EARLY 19TH CENTURY the rounded rectangular top with a green baize insert, raised on turned baluster end supports and scrolled trestle legs with scrolled toes, 92cm wide, 71cm high, 51cm deep (closed)

£600-800

238 WILLIAM IV MAHOGANY AND CREAM LEATHER SOFA 19TH CENTURY the straight button upholstered back above a long stuff-over seat and straight arms with floral carved scrolled facings, above moulded seat rails raised on lotus carved legs with brass caps and castors stamped ‘COPE & COLLINSON PATENT’ 203cm long, 89cm high, 52cm deep

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

106 Lyon & Turnbull

239 PAIR OF GEORGE IV MAHOGANY PEDESTAL CABINETS EARLY 19TH CENTURY the square tops above panel doors opening to shelved interiors, the moulded bases raised on scroll carved bracket feet (2) 52cm wide, 88cm high, 54cm deep

£1,000-1,500

240 GEORGE IV MAHOGANY DRUMHEAD LONGCASE CLOCK EARLY 19TH CENTURY the gold enamelled dial with Roman number chapter ring and subsidiary seconds and date dials, against a foliate scroll filled ground, in a moulded hood above a tapered case with panel door flanked by quarter columns, on a crossbanded plinth with short bracket feet, the eight day movement striking a bell 203cm high, 46cm wide, 23cm deep

£1,000-1,500

241Y GEORGE IV ROSEWOOD AND MARQUETRY BREAKFAST TABLE EARLY 19TH CENTURY the circular top with a foliate inlaid and crossbanded border, the gadrooned edge above a bead moulded frieze, on a column support carved with stiff leaves, on a quadriform base with scroll and leaf carved sabre legs ending in foliate cast brass caps and castors 112cm diameter, 74cm high

£500-700

Paintings: Part II 107

Paintings: Part II

108 Lyon & Turnbull

242 SAM BOUGH R.S.A. (SCOTTISH 1822-1878) HARVEST-TIME Signed and dated 1868, oil on canvas 25.5cm x 35.5cm (10in x 14in)

£1,500-2,000

243 ARTHUR JOSEPH MEADOWS (BRITISH 1843-1907) THE FISHING FLEET AT DAWN Signed and dated 1873, oil on canvas 35.5cm x 61cm (14in x 24in)

£800-1,200

Paintings: Part II 109

244 [§] NORMAN WILKINSON (BRITISH 1979-1971) TITAN CRANE Signed and dated 1944, oil on canvas 83cm x 126cm (32.75in x 49.5in)

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

110 Lyon & Turnbull

245 [§] NORMAN WILKINSON (BRITISH 1878-1971) WHITE CLIFFS Signed, oil on canvas 76cm x 102cm (30in x 40in) Exhibited: Royal Academy, 1955

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part II 111

246 EDMUND THORNTON CRAWFORD R.S.A. (SCOTTISH 1806-1885) ON THE RIVER MAAS, DORDRECHT IN THE DISTANCE Signed, oil on canvas 51cm x 81cm (20in x 32in)

£2,000-3,000

247 JOHANNES HOLST (GERMAN 1880-1965) WAVES BREAKING ON A DESERTED ROCKY COAST Signed and dated 1945, oil on canvas 79cm x 119cm (31in x 47in)

£1,000-1,500

112 Lyon & Turnbull

248 HERMANN DAVID SALOMON CORRODI (ITALIAN 1844-1905) ON THE BALCONY Signed and inscribed ‘Roma,’ oil on canvas 51cm x 31cm (20in x 12in)

£3,000-5,000

Paintings: Part II 113

249 CHARLES H. E. OGILVIE (SCOTTISH FL.1903-1928) L’ÂGE DORÉ Signed, oil on board 183cm x 102cm (72cm x 40in)

£2,000-3,000

250 GEZA POLGARY (HUNGARIAN/AMERICAN 1862-1919) FULL LENGTH PORTRAIT OF A YOUNG WOMAN Signed and dated 1917, oil on canvas 138cm x 79cm (54.5in x 31in) Note: The sitter is believed to be Sylvia Kosse.

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

114 Lyon & Turnbull

251 JOHN EMMS (BRITISH 1844-1912) STUDY OF A HOUND Signed and dated '76, oil on board, unframed 23cm x 35.5cm (9in x 14in)

£2,000-3,000

252 ADOLPHE ALEXANDRE LESREL (FRENCH 1839-1929) A LOOK IN THE CHEST Signed and dated '73, oil on canvas 23.cm x 18cm (9.25in x 7in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part II 115

253 [ยง] ANTOINE BOUVARD (FRENCH 1870-1956) A VENETIAN CANAL SCENE WITH GONDOLA Signed, oil on canvas 38cm x 56cm (15in x 22in)

ยฃ3,000-5,000

116 Lyon & Turnbull

254 WILLIAM LISTER LISTER (AUSTRALIAN 1859-1943) THE BLUE MOUNTAINS Signed, watercolour 33cm x 99cm (13in x 39in)

£1,000-1,500

255 [§] JAMES MCBEY (SCOTTISH 1883-1959) BOSTON Signed, inscribed and dated 12 July 1930, pen and ink and watercolour 25cm x 42cm (9.75in x 16.5in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part II 117

256 CHARLES DAVID JONES BRYANT (AUSTRALIAN 1883-1937) LOOKING TOWARDS SYDNEY HEADS FROM THE NORTH OF THE CITY Signed and dated 1922, oil on board 31cm x 41cm (12in x 16in)

£1,500-2,500

118 Lyon & Turnbull

Elioth Gruner’s The Silver Light of Summer Morn One of the later figureheads pertaining to the Australian Impressionist movement, New Zealand-born artist Elioth Gruner (1882-1939) is distinguished as one of the country’s most innovative and poetic painters of light, whose work captured the imagination of many throughout the early 20th century. We are delighted to offer The Silver Light of Summer Morn, an assertion of Gruner’s artistic prominence, and a landmark of his evolving career.

Gruner moved to Australia at a young age, and in 1901 began selling paintings to Sydney’s Society of Artists, where his work gradually gained traction. It was not until 1923, however, that Gruner garnered much of his inspiration from his travels across Europe, where pioneers of European Modernism conjured a rethinking of his artistic technique. The paintings of Cézanne introduced him to a high-key palette, whilst those of Gauguin revealed the beauty of expressive brushstrokes and simplified forms. Upon his return to Australia, Gruner’s repertoire developed in accordance with his European counterparts – a simplification of subject matter, an increased attention to pattern, and a freer, wider sweep of the brush set him apart from his Australian equals.

The Silver Light of Summer Morn is a fine example of Gruner’s dedication to plein-air painting, in which we’re presented with his new, excited and liberal working of the brush. A vast turquoise sky extends across most of the composition, subsuming a mellow swathe of sand, and a delicate slither of seawater disappears into the bright horizon. Rougher topology in the distance smoothly tapers down to a low vanishing point, convening with the lighter tones of the water’s surface. We are not, however, the only admirers of this placid view. To the bottom right two women regard the calm waters with their backs to the viewer, one leisurely reclining beneath a pink parasol, the other standing. A deckchair endorses this site as one frequently revered by visitors, accentuated by more distant figures merrily testing the waters of the calm Pacific Ocean.

Nonetheless, we’re still drawn to the sprawling sky that dwarfs all the participants in this blissful scene – Gruner’s affirmation of the landscape as the most important facet of this masterful work. The atmosphere is palpable; long shadows allude to the early time of day – a raw light often favoured by Gruner. The painting evokes a certain ephemerality, as if the tide will soon rise, consuming the lowly swathe of sand; the seated woman will surely raise and fold her parasol, continuing with the nearby figure for an amble along the beach. The solitary deckchair will not remain on the sand forever, and the light will change as the day progresses.

It is this refreshing simplicity of elements – an impression of a calm Pacific morning – which marked Elioth Gruner as an artist of distinguished skill, worthy of receiving the Wynne Prize seven times across three decades of painting. The Silver Light of Summer Morn is a demonstration of nostalgia, and a celebration of local beauty. It references the theory of artist Max Meldrum who proposed tone as the most important element of any painting. Most importantly, however, is that Gruner painted the unpaintable: the element of light itself.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part II 119

257 ELIOTH GRUNER (AUSTRALIAN 1882-1939) THE SILVER LIGHT OF SUMMER MORN Signed, oil on canvas 41cm x 46cm (16in x 18in) Provenance: A gift to the current owner from Dr.Patricia Mackay who brought it back to Scotland from Australia c.1934/35. When in Australia Patricia Mackay spent time with her first cousin Angus MacIntyre who acquired, re-built and lived in Fairlight House, Manly from 1910-1939. Although there is no record of MacIntyre’s collection, Gruner was a regular visitor to Fairlight House.

£20,000-30,000

120 Lyon & Turnbull

British Furniture & Works of Art: Part IV

British Furniture & Works of Art: Part IV 121

258 VICTORIAN PAINTED WOOD AND WIRE BIRD CAGE LATE 19TH CENTURY in the form of a gabled house with windows, doors, and a balustrade terrace, polychrome painted in green, yellow and red 37cm wide, 48cm high, 27.5cm deep

£250-350

259 EARLY VICTORIAN GRAINED AND PAINTED CHEST OF DRAWERS, POSSIBLY SCOTTISH MID 19TH CENTURY the rectangular top with chamfered edge above two short and two long drawers, with brown grained and yellow paint, on turned feet 88cm wide, 79cm high, 41cm deep

£400-600

260 SMALL PAINTED WATERFALL BOOKCASE EARLY 19TH CENTURY the open shelves painted with trellis pattern against a yellow grown with green accents, above a single drawer and further shelves, on straight legs 58cm wide, 117cm high, 23cm deep

£800-1,200

122 Lyon & Turnbull

261 TWO PIECES OF ENGLISH AGATE WARE POTTERY 19TH/ EARLY 20TH CENTURY comprising a teapot and cover with double spout, with slip inscription MRS HOLDEN/ ACCRINGTON/ NOV 21 1905, 18.5cm high; and a miniature lambing chair, with slip date 1865, 18.5cm high (2) £400-600

262 EARLY VICTORIAN PATINATED COPPER WEATHER VANE MID 19TH CENTURY in the form of a banner, on a later iron stand 55cm high

£400-600

263 CORK MODEL OF A COUNTRY HOUSE, POSSIBLY SCOTTISH MID 19TH CENTURY in the form of a castellated twin-bay house fitted with glazed sash windows, double chimney stacks and an entrance block, in a glazed stained oak case 55cm wide, 55cm high, 29cm deep overall

£600-800

264 CHILD’S LAMBING ROCKING CHAIR

265 MINIATURE VICTORIAN MAHOGANY COLUMN CHEST OF DRAWERS MID 19TH CENTURY the inverted breakfront top above four long drawers flanked by columns, on a plinth base with ball feet 46cm wide, 56cm high, 36cm deep

£200-300

19TH CENTURY of diminutive proportions in the typical form 37cm wide, 62cm high, 26cm deep

£200-300

British Furniture & Works of Art: Part IV 123

266Y ATTRIBUTED TO AUGUSTE EDOUART (1789-1861) FRAMED SILHOUETTE PORTRAIT GROUP, 19TH CENTURY depicting a gentleman, lady and two children, with painted and gilt highlights, in a glazed rosewood frame 30cm x 37cm

£250-350

267 TWO GERMAN PAINTED PINE AND STRAW WORK NOAH’S ARKS MID 19TH CENTURY both covered with stained straw, the larger example with a lift-off top and carved bow, 54cm long, 38cm high, 15cm deep; the smaller example with a flat bottom and hinged door to one end, 38cm long, 18cm high, 13cm deep; with twenty assorted carved and painted bird and animal figures (qty) £1,500-2,500

268 PAIR OF TOLE AND FRUITWOOD TEA BINS 19TH CENTURY the hardwood tops with hinged covers, decorated with Chinese characters on gilt reserves (2) 54cm wide, 76cm high, 51cm deep

£1,200-1,800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

124 Lyon & Turnbull

269 PAIR OF EARLY VICTORIAN MAHOGANY CARD TABLES MID 19TH CENTURY the rounded rectangular fold-over tops above shaped friezes with C and scroll carved mouldings, opening to green baize playing surfaces, on facetted baluster supports and circular bases raised on carved paw feet with brass castors (2) 91cm wide, 75cm high, 45cm deep (closed)

£1,200-1,800

270 VICTORIAN MAHOGANY LONG BENCH 19TH CENTURY in the Neoclassical style, the long rectangular seat with roll top ends, raised on fluted square tapered legs headed by patera 127cm wide, 51cm high, 27cm deep Provenance: Ex Liverpool Council

£600-800

271 EARLY VICTORIAN MAHOGANY PEDESTAL SIDEBOARD MID 19TH CENTURY the straight moulded back panel above an inverted breakfront top, the frieze with three drawers with cylinder fronts carved with rosettes to the ends, over a central drawer and recess, flanked by panel cupboard doors with Doric pilasters on plinth bases 220cm wide, 120cm high, 62cm deep

£600-800

British Furniture & Works of Art: Part IV 125

272Y EARLY VICTORIAN ROSEWOOD CENTRE TABLE MID 19TH CENTURY the shaped oval tilt top with a moulded edge, on a baluster support with cabriole legs carved with C scrolls and cartouches, ending in scroll feet with brass castors 140cm long 76cm high, 118cm deep

£800-1,200

273 VICTORIAN SPECIMEN WOOD PARQUETRY TRIPOD TABLE MID 19TH CENTURY the circular tilt top inlaid with a central star motif and geometric bands in various hard and fruitwoods, on a fluted and foliate carved column and foliate carved scroll legs 62cm diameter, 75cm high

£500-700

274 LARGE EARLY VICTORIAN MAHOGANY MAP TABLE MID 19TH CENTURY the rounded rectangular top with a moulded edge and later Rexine work surface, above a plain frieze with large pendant drawers on one side, raised on bold foliate carved tapered baluster legs ending in brass caps and castors 250cm long, 81cm high, 159cm deep Note: This large table was used in the Glasgow offices of the colonial merchant house William Connal & Co. Initially involved in the West Indies sugar trade, the company later had a substantial interest in the trade of tea from China.

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

126 Lyon & Turnbull

275Y LARGE VICTORIAN ROSEWOOD FRAMED CENTRE STOOL MID 19TH CENTURY the rectangular drop-in seat covered in salmon-pink Aubusson needlework, in a frame carved with C scrolls and raised on shell-carved cabriole legs ending in scrolled toes with brass castors 107cm long, 46cm high, 58cm deep

£1,200-1,800

276Y VICTORIAN ROSEWOOD BREAKFAST TABLE MID 19TH CENTURY the circular tilt top above a plain frieze, on a leaf carved baluster support and scrolling tripod base with wood castors 125cm diameter, 74cm high

£400-600

277 IRISH MAHOGANY DISPLAY CABINET LATE 19TH/ EARLY 20TH CENTURY the shaped top with a rope twist moulded edge and outset forecorners, above a bevelled glass front panel and glazed hinged side panels opening to a single shelf interior, the angles carved with bold acanthus brackets, raised on hairy paw feet 170cm wide, 100cm high, 71cm deep

£1,000-1,500

British Furniture & Works of Art: Part IV 127

278 EARLY VICTORIAN MAHOGANY AND EBONY LONGCASE REGULATOR, JOHN STODDART, LONDON 2ND QUARTER 19TH CENTURY the arched hood above a reeded frieze and circular silvered engraved dial with large Arabic minutes chapter and subsidiary Roman hours and seconds dials, flanked by slight angles; the trunk with a glazed door flanked by canted angles on a crossbanded plinth base; the movement with a dead-beat escapement and Harrison’s maintaining power; with a wood rod pendulum with a heavy metal bob and a brass cased weight 196cm high, 44cm wide, 25cm deep

£4,000-6,000 Note: John Stoddard is recorded in ‘Watchmakers and Clockmakers of the World’ as working from around 1839 to at least 1844. In 1841 he appears in the census records working at 7 Lower Charles Street, Clerkenwell. The movement of this regulator is of fine quality having substantial shaped plates held together with six heavy pillars which are screwed on rather than pinned. The delicate wheelwork has five spokes throughout and a high pinion count while the minute hand is counterweighted behind the dial. Another unusual feature is the two rather than just the usual one click to the barrel, another testament to Stoddart’s skill.

279 LARGE MAHOGANY ARTIST’S EASEL MID 19TH CENTURY of typical form, on a trestle base with large wood castors 74cm wide, 209cm high, 72cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

128 Lyon & Turnbull

280 VICTORIAN CAST IRON LION AND UNICORN CIRCA 1860 probably part of the Royal Coat of Arms, with some traces of original paint (2) 74cm and 69.5cm wide

£600-800

281 VICTORIAN JACOBEAN REVIVAL OAK AND EBONISED BUFFET, IN THE MANNER OF RICHARD BRIDGENS 19TH CENTURY with three tiers raised and divided by turned and part-ebonised supports on flower-head carved blocks, the base with two drawers, raised on arched trestle bases with ceramic castors 126cm wide, 132cm high, 56cm deep

£1,200-1,800

282 LARGE VICTORIAN JACOBEAN REVIVAL WALNUT SIDEBOARD 19TH CENTURY the gallery back above an inverted breakfront top with a moulded edge, above three free drawers, over a central arched recess flanked by panel moulded cupboard doors flanked and divided by fluted pilasters with acanthus carved scroll capitals, on a moulded plinth base; the patent lever locks stamped G. HARLEY & CO./ MAKER/ W. HAMPTON 219cm wide, 110cm high, 81cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 129

283 PAIR OF VICTORIAN JACOBEAN REVIVAL EBONISED MAHOGANY HALL SEATS 19TH CENTURY of cerule form, the frames carved with key design, bosses, flower heads, and geometric motifs, the curved seats covered in red leather with nail head trim (2) 80cm wide, 70cm high, 47cm deep

£1,200-1,800

284 LARGE VICTORIAN PAINTED SLATE RELIGIOUS PANEL 19TH CENTURY in the Gothic taste, the large arch panel polychrome painted in Gothic script with the first six Commandments 154cm high, 89cm wide

£300-500

285 VICTORIAN GOTHIC REVIVAL OAK HALL STAND MID 19TH CENTURY the arched back panel pierced and carved with leaves, with ring turned coat rails with hanging pegs, above a rectangular mirror plate flanked by Gothic arches and foliate carved columns; the lower part with a glazed post box and drawer carved with fruiting vines, above linen fold carved panels flanked by inverted breakfront stick stands 160cm wide, 208cm high, 33cm deep

£600-800

130 Lyon & Turnbull

286 VICTORIAN WALNUT DESK 19TH CENTURY the pierced brass three quarter gallery above a superstructure and a shaped rectangular top with a leather writing insert, over three frieze drawers, raised on cabriole legs 94cm wide, 95cm high, 64cm deep

£300-500

287Y VICTORIAN ROSEWOOD FRAMED TÊTE-À-TÊTE LATE 19TH CENTURY comprising two opposing horseshoe shaped seats with spindle galleries and curved backrests, covered in green plush upholstery, raised on turned legs with ceramic castors 117cm wide, 76cm high, 47cm deep

288

£300-400

VICTORIAN OVAL WRITING TABLE BY HOWARD & SONS LATE 19TH CENTURY the superstructure with a brass gallery over drawers and recesses, above the oval top with a blue leather insert, above a long frieze drawer, the lock stamped ‘HOWARD & SONS/ LONDON’, raised on turned and spiral reeded tapered legs ending in brass castors and joined by a curved X stretcher; bearing a paper label ‘HOWARD & SONS,/ Cabinet Manufacturers,/ Decorators, 25,26,27, Berner’s Street, W’ and nos. 2337/2801 107cm wide, 95cm high, 75cm deep

£500-700

289 MAHOGANY, BRASS AND GLASS TABLE TOP DISPLAY CABINET LATE 19TH CENTURY the glazed arched top above an arched door and glazed side panels in a mahogany and brass frame, the hinged side panel opening to void interior 54cm wide, 94cm high, 46cm deep

£600-800

British Furniture & Works of Art: Part IV 131

290 RARE ITALIAN CASED BULLION AND GEM SCALES, DECKER & CIA. TORINO 19TH CENTURY for measuring bullion and gems, the hardwood travelling case fitted with brass and steel sets of scales, weights and accessories, the arm engraved STADERA A BILANCIA/ COMPARATIVA/ A RAPPORTO DIRETTO/ E DECKER TORINO Case 93cm wide, 23cm high, 38cm deep

£3,000-5,000

291 VICTORIAN TABLE TOP APOTHECARY CABINET LATE 19TH CENTURY with an arrangement of eleven drawers with painted glass labels and facetted glass knobs 91.5cm long, 51cm high, 22.5cm deep

£400-600

292 SALTER’S BRASS AND IRON FLOOR SCALES

293 MARK IV FIELD ARTILLARY BRASS TELESCOPE, RYLAND & SON, LONDON EARLY 20TH CENTURY three draw brass cylinder signed and dated 1916 and No. 447; with a leather sleeve case and cover and tripod base by W. OTTWAY & Co LTD, dated 1914

19TH CENTURY the circular brass dial inscribed CLASS III WEIGHING MACHINE/ 26 STONE by 1lb, above a tapered iron column and square platform 158cm high Provenance: Property from a Highland Estate

£400-600

56cm long

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

132 Lyon & Turnbull

294 VICTORIAN LEATHER CHESTERFIELD SOFA LATE 19TH CENTURY of typical form covered in black button-upholstered leather, on turned mahogany legs with ceramic castors 200cm long, 73cm high, seat 60cm deep

£1,200-1,800

295 LARGE OAK LIBRARY BOOKCASE EARLY 20TH CENTURY WITH ALTERATIONS the straight moulded cornice marked with three dentil moulded brackets above two open sections with fixed shelves; the base frieze with two book slides above two pairs of moulded panel doors flanked and divided by stop-fluted pilasters with foliate carved capitals, on a moulded plinth base 238cm wide, 264cm high, 51cm deep Provenance: Ex Belfast University

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 133

296 LARGE OAK BREAKFRONT LIBRARY BOOKCASE EARLY 20TH CENTURY WITH LATER ADAPTATIONS the later broken arch pediment above a moulded cornice and three breakfront open sections with fixed shelves; the base with a pair of moulded panel doors flanked by single panel doors, flanked and divided by stop-fluted pilasters, on a conforming plinth base 295cm wide, 284cm high, 49cm deep Provenance: Ex Belfast University

£700-1,000

297 WILLIAM YEOWARD ‘BABY PERCY’ UPHOLSTERED ARMCHAIR MODERN the low scroll back and arms above a loose cushion seat, on square legs ending in chrome castors, covered in channel patterned silk chenille and green velvet 71cm wide, 84cm high, 64cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

134 Lyon & Turnbull

298 LARGE VICTORIAN CAST IRON ROYAL COAT OF ARMS 19TH CENTURY with traces of original paint, with an iron hanging ring to the reverse 135cm wide, 89cm high

£3,000-5,000

299 VICTORIAN MAHOGANY AND LEATHER WELLINGTON CHEST LATE 19TH CENTURY the rectangular top above six short drawers with green leather fronts, on a plinth base 61cm wide, 122cm high, 38cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 135

300 LARGE PAINTED METAL STATION CLOCK 2ND QUARTER 20TH CENTURY the white glass dial with Arabic numbers signed GENTS OF LEICESTER, in a green painted metal case, the movement replaced Dial 60cm diameter; 74cm diameter overall, 20cm deep

£800-1,200

301 VICTORIAN AMBERG MAHOGANY FILING CABINET LATE 19TH CENTURY the later dentil moulded cornice above an arrangement of twelve short drawers above an arched recess; over a frieze labelled ‘AMBERG LETTER FILE AND INDEX CODE’, and fourteen further short drawers all with oval reserves containing letters of the alphabet or numbers one to twelve, on a plinth base 76cm wide, 211cm high, 39cm deep

£1,200-1,800

302 VICTORIAN MAHOGANY COLLECTOR’S CABINET 19TH CENTURY of cuboid form, fitted with fourteen shallow drawers with ebonised knobs, arranged in two banks 78cm wide, 68cm high, 35cm deep

£1,200-1,800

136 Lyon & Turnbull

303 CASED MODEL OF THE SAILING SHIP ‘BELLA’ 19TH CENTURY with three fully rigged masts, in a diorama case with mirrored side panels 91cm wide, 54cm high, 32cm deep

£300-500

304 CASED DIORAMA OF THE THREE MAST BARQUE ‘SNOWFLAKE’ LATE 19TH CENTURY modelled with full rigging and black painted hull with gilt trim, with two smaller two masted sailing ships on a painted sea, set in a mahogany shadow-box frame with painted sky and horizon Overall 91cm wide, 56cm high, 22cm deep

£300-500

305 VICTORIAN LEATHER TRUNK LATE 19TH CENTURY in brown embossed leather with brass studded details and fittings, with leather handles to the sides, opening to a void interior 80cm long, 44cm high, 44cm deep

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 137

306 DENT TWO-DAY MARINE CHRONOMETER, NO. 50907 LATE 19TH CENTURY the 3 1/2 inch silvered Roman numeral dial with subsidiary seconds and wind dials, in a brass gimbal and three part mahogany case with glass panel and paper label to the cover, with a white enamel plaque to the exterior; with an outer blue baize lined mahogany case with leather strap closure Interior case 18.5cm x 19cm x 20cm; Exterior case 30cm x 24cm x 25cm

£2,000-3,000

307Y BARRAUD TWO-DAY MARINE CHRONOMETER, NO. 2796 19TH CENTURY the 3 1/2in. silvered Roman numeral dial with subsidiary seconds and wind dials, mounted in a brass gimbal and three part mahogany case with a glazed panel and recessed brass handles, the front with a partial ivory plaque Case 18.5cm wide, 19cm high, 18.5cm deep

£1,500-2,500

308Y VICTORIAN TWO-DAY MARINE CHRONOMETER, THOMAS RUSSELL & SON, LONDON AND LIVERPOOL, NO. 2784 19TH CENTURY the 3 1/2in. the silvered Roman numeral dial with subsidiary dials and no. 2784, the double-hinged coromandel case with mother-of-pearl maker's plaque and no., engraved VR/ BY APPOINTMENT, with a winding key Case 18cm wide, 19cm high, 18cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

138 Lyon & Turnbull

309 EDWARDIAN MAHOGANY GLAZED TABLE TOP POST BOX LATE 19TH/ EARLY 20TH CENTURY the hinged lid above bevelled glass panel sides, two etched POST, on a spreading moulded base 59cm wide, 32cm high, 42.5cm deep

£1,500-2,500

310 MAHOGANY AND BRASS WALL MOUNTED PIGEON HOLES LATE 19TH/ EARLY 20TH CENTURY comprising twenty-one divisions, each with brass plaques marked with letters of the alphabet 44cm wide, 59.5cm high, 21cm deep

£500-700

311 VICTORIAN MAHOGANY PLAN CHEST 19TH CENTURY the rectangular top with a green leather insert and a moulded edge, above a swag carved and fluted frieze drawer, over nine long drawers with recessed brass handles and locking side panels, on a plinth base 154cm wide, 103cm high, 95cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 139

312 PAIR OF VICTORIAN COROMANDEL BRASS AND JASPERWARE MOUNTED CANDLESTICKS 19TH CENTURY the urn form candle nozzles above open double spiral columns and domed feet, mounted with blue Jasperware plaques and engraved gilt brass mounts (2) 25cm high

£400-600

313 VICTORIAN WALNUT, COROMANDEL, SATIN BIRCH AND BRASS MOUNTED WRITING SLOPE, G. BETJEMANN & SONS, LONDON 19TH CENTURY the grain-painted exterior with brass Gothic mounts and monogram EID, opening to a purple-velvet writing slope centred by an oval push-button plaque engraved ‘BETJEMANN’S PATENT/ No. 120’, releasing a pop-out satin birch stationery rack and compartments; with a fitted pen tray and glass inkwells with monogrammed gilt metal covers, the lock stamped G. BETJEMANN & SONS/ LONDON 37cm wide, 14cm high, 28cm deep

£1,000-1,500

314 GEORGE IV BRASS BANDED MAHOGANY WRITING SLOPE EARLY 19TH CENTURY the hinged top centred by a brass plaque engraved CHARLES THOMAS STONE/ C. STONE, opening to a red Morocco leather folio with pockets stamped with the days of the week, above a green baize-lined slope, covered compartments, and inkwells with silvered lids monogrammed FHC, the ratchet-adjusted lower section with a removable book support, the whole outlined with brass with recess brass handles to the sides; with Tompson Lever Patent lock 51cm wide, 17.5cm high, 27.5cm deep

£1,000-1,500

315

316

317

CONTINENTAL SILVER PLATED DRESSING MIRROR

MAHOGANY CASED BAROGRAPH, RETAILED BY HAMILTON & INCHES, EDINBURGH

PHILIPS 12 INCH TERRESTRIAL GLOBE

LATE 19TH/ EARLY 20TH CENTURY the bevelled glass case enclosing brass instruments marked RD NO. 428606/ HAMILTON & INCHES EDINBURGH., above a single chart drawer

EARLY 20TH CENTURY with twelve gores and makers cartouche ‘Principal Shipping Routes with distances in Nautical Miles/ Principal Transcontinental Railroads/ Principal Air Mail Routes/ LONDON/ GEOGRAPHICAL INSTITUTE/ GEORGE PHILIP & SON LTD 32 FLEET STREET’, on a turned mahogany support and triform base

50.5cm high, 49cm wide

36.5cm wide, 21.5cm high, 21.5cm deep

49cm high overall

£250-350

£200-300

£250-350

EARLY 20TH CENTURY the oval mirror plate between plain column uprights surmounted by eagle finials, each with a single candle sconce, on a shaped base with a single drawer and paw feet

140 Lyon & Turnbull

318 PAIR OF LARGE GILT AND ENAMELLED GLASS SPORTING TRADE SIGNS LATE 19TH CENTURY with recessed gilt letters against a black enamelled glass ground, the first GUNS AMMUNITION, and the other FISHING TACKLE, in mahogany frames (2) 236cm long, 27cm high

£800-1,200

319 VICTORIAN BRASS MOUNTED MAHOGANY GUN CASE, PURDEY & SONS, LONDON LATE 19TH CENTURY the rectangular case with a circular recessed brass handle and brass hook closures, opening to a partitioned green baize-lined interior, with paper trade label JAMES PURDEY & SONS 82.5cm wide, 7.5cm high, 24.5cm deep

£600-800

320 VICTORIAN BRASS MOUNTED LEATHER GUN BOX, JOHN DICKSON & SON, EDINBURGH 19TH CENTURY the rectangular case with twin straps and re-polished brass plaque, opening to a fitted interior with trade label JOHN DICKSON & SON/ 63 PRINCES STREET/ EDINBURGH 85.5cm wide, 9.5cm high, 34.5cm deep

£500-700

British Furniture & Works of Art: Part IV 141

321Y TAXIDERMY FOURTEEN POINT ‘IMPERIAL’ STAG’S HEAD 19TH CENTURY head and neck mount, with glass eyes 92cm wide

£600-800

322 VICTORIAN TAXIDERMY RED SQUIRREL DIORAMA 19TH CENTURY comprising four red squirrels mounted on a tree stump with acorns and greenery, in a glazed ebonised case with a painted back panel 53cm wide, 58cm high, 16cm deep

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

142 Lyon & Turnbull

323Y TWO VICTORIAN TAXIDERMY RHINO FEET NOVELTY BOXES 19TH CENTURY comprising a Black rhino tobacco box, opening to an oak-lined interior, 22cm wide, 20.5cm high; and a White rhino tea caddy, mounted with a brass collar, the hinged oak lid opening to a staved oaklined interior, 24cm wide, 16cm high (2) £400-600

324Y ZEBRA SKIN RUG on a black backing with trim 282cm long (from trim at neck to tip of tail)

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 143

325Y CASED TAXIDERMY PALLAS’S FISH EAGLE (HALIAEETUS LEUCORYPHUS), MID 20TH CENTURY the full specimen naturalistically mounted on a log in an oak glazed case Overall 81cm wide, 83cm high, 55cm deep Note: Sold in compliance with CITES regulations, with (nontransferable) Transaction Specific Certificate no. 544434/01

£1,500-2,500

326Y LARGE VICTORIAN TAXIDERMY ELEPHANT FOOT NOVELTY BOX 19TH CENTURY with circular wooden lid, opening to a lined wood interior 41cm wide, 490cm high

£400-600

327Y TAXIDERMY MOON BEAR SKIN RUG 19TH/20TH CENTURY with claws, on a maroon backing with trim 182cm (tail to nose) x 184cm (between paws)

£250-350

144 Lyon & Turnbull

328Y AUSTRO-HUNGARIAN SILVER MOUNTED BOAR’S TUSK CIGAR CUTTER LATE 19TH/ EARLY 20TH CENTURY the terminal in the form of a silver boar’s head inset with red glass cabochon eyes and with acorn leaf collar, maker’s stamp WB 19cm long

£700-1,000

329Y AUSTRIAN FIGURAL SILVER MOUNTED BOAR’S TUSK CIGAR CUTTER LATE 19TH/ EARLY 20TH CENTURY the terminal in the form of an eagle’s head with inset glass eyes, maker’s initials EG 22.5cm long

£1,500-2,500

330Y BURMESE WALRUS TUSK MOUNTED OAK TABLE GONG ON STAND 19TH CENTURY the circular brass gong suspended on two curved horns, mounted on a shaped oak stand, with a gong mallet, with stamped mark to gong 35cm wide, 35cm high

£200-300

331Y PARTIAL NARWHAL TUSK WALKING STICK (MONODON MONOCEROS) LATE 19TH CENTURY with a white metal cap with indistinct monogram, and a brass ferrule 90cm long overall Note: Sold in compliance with CITES regulations, with (non transferable) Transaction Specific Certificate no. 574035/01

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 145

332

333

334

LATE VICTORIAN SILVER CASED GOLIATH POCKET WATCH

CONTINENTAL ENAMELLED ‘ROULETTE WHEEL’ SILVER CIGARETTE CASE

EDWARDIAN SILVER CAPSTAN INKWELL AND DESK CLOCK

GOLDSMITHS & SILVERSMITHS CO., LONDON, 1898 the hinged silver case hallmarked with rubbed maker’s marks, opening to a velvet-lined interior and a clock in the form of a Goliath pocket watch with white enamel Roman numeral dial, with black leather backing and easel support

MID 20TH CENTURY the curved hinged lid enamelled with a roulette wheel, the interior silver-gilt, Norwegian stamped 800

BIRMINGHAM, 1909 the hinged lid fitted with a pocket watch with a white enamel Roman numeral dial and subsidiary seconds dial, maker’s stamp CC, probably Carrington & Co.

8cm x 8cm

13.5cm diameter

£400-600

£600-800

case 17cm x 14.5cm

£600-800

335

336

337

FRENCH SILVER MOUNTED GLASS INKWELL AND DESK CLOCK

LARGE LEATHER AND SILVERPLATED MOUNTED HIP FLASK, DREW & SONS, LONDON

LARGE SILVER CASED GOLIATH POCKET WATCH

LATE 19TH/ EARLY 20TH CENTURY of cushion-shaped rectangular form with a hobnail cut base and pen tray, mounted with a hinged silver lid fitted with a pocket watch with a white enamel Roman numeral dial, opening to an inkwell 14.5cm long, 9cm high, 10cm deep

EARLY 20TH CENTURY the glass flask with a partial brown leather cover and removable silverplated cup, with stamped maker’s mark DREW AND SONS/ MAKERS TO THE ROYAL FAMILY/ PICCADILLY CIRCUS

£700-1,000

12cm wide, 20.5cm high

£350-450

GOLDSMITHS & SILVERSMITH’S CO., LATE 19TH/ EARLY 20TH CENTURY the hinged silver case opening to a velvet-lined interior containing a Goliath pocket watch with a white enamel Roman numeral dial, backed in green leather with an easel stand Case 18.5cm x 16cm

£600-800

146 Lyon & Turnbull

338 VICTORIAN BRASS STUDDED LEATHER DOG’S COLLAR LATE 19TH CENTURY with engraved brass plaque V. SPARK/ 332. PARK. RD/ OLDHAM, and mounted with brass studs and hardware 13.5cm diam. approx.

£300-500

339Y J. JAQUES & SON ‘IN STATUS QUO’ PATENT LARGE TRAVELLING CHESS SET AND CASE LATE 19TH CENTURY the folding mahogany case with a hardwood games board fitted with natural and red stained ivory playing pieces, with a brass inset maker’s label; in a brown leather valise style case with monogram H.R.C. Board 42cm x 32cm

£600-800

340 MAHOGANY AND BRASS TABLE TOP SWITCHBACK SKITTLES GAME, BY BURROUGHES & WATTS LATE 19TH CENTURY the mahogany framed case with brass fittings, with eleven pins and two balls, manufacturer’s label to the interior 160cm long Note: Burroughes & Watts was founded in 1836 by William Burroughes in partnership with F. Watts. The firm would become one of the most famous of the English billiard table manufacturers. The Switchback Skittles appears in their 1889 price list, pages 71 and 72.

£1,200-1,800

British Furniture & Works of Art: Part IV 147

341Y ’SANDOWN’ TABLE-TOP HORSE RACING GAME, BY F. H. AYRES, LONDON EARLY 20TH CENTURY in a mahogany case with ivory maker’s labels and brass handles Overall 50cm x 50cm

£800-1,200

342 EDWARDIAN MAHOGANY HORSE-RACING BETTING GAME, BY W. THORNHILL, LTD. EARLY 20TH CENTURY the double hinged top opening to a green baize playing surface with a recessed roulette wheel with a coloured lithograph depicting race horses, the side panels with betting square with red leather labels, on an extending base with reeded and turned legs 173cm long, 86cm long (closed); 79cm high, 58cm deep

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

148 Lyon & Turnbull

343 LARGE PAIR OF COALBROOKDALE STYLE PORCELAIN BOTTLE VASES 19TH CENTURY profusely decorated with applied flowerheads and leaves on a cobalt blue ground, with gilt highlights and domed covers, on matched hardwood stands (2) Vases 46.5cm high

£300-500

344 SET OF TWENTY CUT GLASS RUMMERS MID 19TH CENTURY with rounded thumb-cut bowls, raised on baluster stems and conical feet (20) 14cm high

£300-500

(8 of 20 shown)

345 COLLECTION OF ROYAL CROWN DERBY PORCELAIN 20TH CENTURY in the Imari palette, pattern no. 1128, comprising a punch bowl, 29cm diam.; a pair of candlesticks, 26.5cm high; a pair of urns, 30cm high; a footed comport, 30cm diam.; a footed serving dish with twinhandles, 28.5cm wide; a small dish, 16cm wide; and a covered sugar bowl, 15cm wide, printed marks (9) £400-600

British Furniture & Works of Art: Part IV 149

346 PAIR OF GILT BRONZE AND GLASS WALL APPLIQUES, IN THE MANNER OF OSLER EARLY 20TH CENTURY with ribbon tied starburst backplates issuing twin scroll branches with foliate sconces, electrified (2) 61.5cm high, 31cm wide Provenance: Ex Yester House, Gifford, East Lothian

£500-700

347 PAIR OF LATE GEORGE III STYLE MAHOGANY WHEELBACK ARMCHAIRS LATE 19TH CENTURY the circular backs carved with palmettes and anthemion and centred by sunflower motifs, above curved stuff-over seats and downswept foliate carved arms, above fluted seat rails raised on stop fluted tapered legs, covered in green silk (2) 57cm wide, 88cm high, 46cm deep

£800-1,200

348 WHYTOCK & REID THREE SEAT SOFA 20TH CENTURY the triple arched back above a loose cushion seat and low scroll arms, raised on square tapered legs ending in brass castors, in terracotta upholstery 203cm long, 92cm high, 62cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

150 Lyon & Turnbull

349 PAIR OF EDWARDIAN PAINTED SATINWOOD ARMCHAIRS EARLY 20TH CENTURY the shield backs with pierced lyre splats, above wide cane filled seats flanked by downswept arms, raised on square tapered legs ending in spade feet joined by stretchers, painted with flower garland and trails (2) 61cm wide, 93cm high, 43cm deep

£500-700

350 EDWARDIAN STAINWOOD PAINTED BIJOUTERIE TABLE EARLY 20TH CENTURY the oval hinged and glazed top painted with ribbon and flowers above glazed sides and silk lined interior, on square tapered legs joined by curved X-form stretchers and an oval platform, ending on spade feet 71cm wide, 71cm high, 48cm deep

£1,200-1,800

351Y EDWARDIAN SATINWOOD AND MARQUETRY TRAVELLING DESK COMPENDIUM AND STAND EARLY 20TH CENTURY the upper part with a hinged top and fall front opening to reveal a compartmented interior with ivory writing implements, a white metal pocket watch, and leather bound ledgers, above a writing pad and enamel planner; the separate base with a deep frieze drawer flanked by open compartments, raised on straight square legs, the whole with ribbon tied bell flower garlands and trails 72cm wide, 117cm high, 35cm deep

£3,000-5,000

British Furniture & Works of Art: Part IV 151

352 FINE SATINWOOD AND PARCEL GILT DISPLAY CABINET BY MAPLE & CO. 20TH CENTURY in the Sheraton style, the raised centre section with a moulded cornice and pierced gallery, above an arched glazed door with gilt husk swags over astragal glazed panels, flanked by glazed side panels, opening to glass shelves and enclosed by ribbon-tied reeding, the base fluted moulding, flower heads and further ribbon-tied husk swags, raised on tapered reeded legs with acanthus leaf capitals 142cm wide, 221 high, 36cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

152 Lyon & Turnbull

353 STELLA ORCHESTRAL GRAND CONSOLE DISC MUSIC BOX AND CABINET LATE 19TH CENTURY model no. 268, the music box set in a mahogany case with carved swag and scroll details, the base with vertical partitions for storage, with forty-five 17 1/4in. discs, with ivorine retailer’s label JACOT & SON/ 38 UNION SQUARE/ NEW YORK 66cm wide, 92cm high, 50cm deep

£1,000-1,500

354 LATE VICTORIAN MAHOGANY AND SATIN BIRCH DENTIST’S CABINET, RUDKIN BROS LATE 19TH/ EARLY 20TH CENTURY the superstructure with a central cupboard fitted with an assortment of glass apothecary bottles, above two short and three long bowed drawers, flanked by cupboards and drawers; the lower part with and arrangement of drawers, cupboards and shelves, raised on square tapered legs with spade feet, with ivorine label RUDKIN BROS/ 4 PADDINGTON ST/ LONDON W 64cm wide, 175cm high, 64cm deep

£500-700

355 LARGE BRASS AND GLAZED DISPLAY CABINET EARLY 20TH CENTURY of cuboid form with glazed sides, one hinged, in a brass frame, bearing a manufacturer’s label ‘Harris & Sheldon Ltd, Birmingham’ 92cm wide, 167cm high, 61cm deep

£1,200-1,800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part IV 153

356 EDWARDIAN MAHOGANY AND NICKEL PLATED CAMPAIGN DESK EARLY 20TH CENTURY the hinged top opening to a rising stationery rack with pocket watch holder, calendar frame and paper clips, above a bank of seven short drawers and writing slide with oxblood leather, over a long frieze drawer, raised on square straight legs with slightly splayed feet and joined by arched stretchers; bearing an ivorine label ‘BEST LONDON MAKE’; together with an oxblood leather blotter 66cm wide, 83cm high, 44cm deep

£2,000-3,000

357 DRAKES MAHOGANY, OAK AND SILVER PLATED BEEF TROLLEY 20TH CENTURY the domed and perforated plated roll-top cover opening to a removable roast tray with hot water reservoir above a pair of warming burners, with large plated scroll handles to the sides, in a mahogany frame raised on square oak legs joined by a X stretcher and circular platform, on plated scroll feet with large castors Overall 105cm wide, 115cm high, 52cm deep

£7,000-10,000

154 Lyon & Turnbull

358 SET OF SEVEN GRADUATED BRASS AND CAST IRON SHOE MOULDS BY LACOSTE LATE 19TH/ EARLY 20TH CENTURY the three-section brass lasts numbered 16-28 on black cast iron stands with ratchet arms with wood handles, cast ‘LACOSTE’ to the bases (7) Tallest 36cm high

£1,000-1,500

359 EDWARDIAN LEATHER SHOE TRUNK EARLY 20TH CENTURY covered in brown leather, the hinged top with a leather handle, above a hinged front opening to a canvas lined interior with three shelved compartments 58cm wide, 105cm high, 35cm deep

£800-1,200

360 HOODED ORKNEY CHAIR MODERN of typical form with a woven jute seat and scroll arms 56cm wide, 136cm high, 43cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Russian Icons 155

A Private Collection of Russian Icons

156 Lyon & Turnbull

361 RUSSIAN ICON, PRESENTATION OF THE VIRGIN IN THE TEMPLE EARLY 19TH CENTURY in the Palekh manner, with saints Joachim and Ann looking on with a group of children, in a shallow recessed reserve and wide ochre border 31cm x 26.5cm

£1,000-1,500

362 RUSSIAN ICON OF SAINT NICHOLAS OF MYRA 18TH CENTURY polychrome painted with parcel-gilt, portrayed half-length holding the open Gospels, within a shallow recessed reserve with roundels containing the Mother of God and Christ, the margin with a standing saint to either side 35.5cm x 30.5cm

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Russian Icons 157

363 CRETAN ICON, SAINT DEMETRIOS WITH SAINT ANNE AND THE VIRGIN 16TH CENTURY polychrome painted and parcel gilt, depicting Saint Anne standing on the left holding the child Virgin, with Saint Demetrios on horseback to the right, originally part of a larger panel 33cm x 34.5cm

£6,000-9,000

364 GREEK SCHOOL ICON, THE HOLY FACE [MANDYLION] 18TH CENTURY ON EARLIER PANEL polychrome painted and parcel-silvered, the face of Christ on a draped crimson veil 27cm x 25.5cm

£1,000-2,000

158 Lyon & Turnbull

365 RUSSIAN ICON, THE DORMITION OF THE VIRGIN 18TH CENTURY polychrome painted with Christ in the upper centre holding the Virgin’s soul, above the prone figure of the Virgin attended by saints 30cm x 26cm

£400-700

366 RUSSIAN ICON OF SAINT NICHOLAS THE WONDER WORKER LATE 17TH/ EARLY 18TH CENTURY, CENTRAL RUSSIA polychrome painted, shown halflength holding the closed Gospels, in a slightly recessed rectangular reserve on an ochre ground 56cm x 45.5cm

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Russian Icons 159

367 RUSSIAN ICON, THE HOLY FACE [MANDYLION] HELD ALOFT BY THE ARCHANGELS MICHAEL AND GABRIEL LATE 18TH CENTURY, CENTRAL RUSSIA polychrome painted and parcel-gilt, the halo painted with ‘jewels’ with punched work against a ground painted with flower sprays, with the figures of the Archangels standing on clouds to either side, within blue borders 48cm x 37cm

£500-800

368 RUSSIAN ICON, THE DORMITION OF THE VIRGIN 17TH CENTURY, NORTH RUSSIA polychrome painted and parcel-gilt, the Virgin on her deathbed attended by the Apostles with Christ standing behind her holding a swaddled infant representing the soul of his mother, with a heavenly host above and side panels with further saints, mounted and framed 43.5cm x 34cm

£2,000-3,000

160 Lyon & Turnbull

369 RUSSIAN PROCESSIONAL ICON, CHRIST PANTOCRATOR LATE 18TH CENTURY polychrome painted and parcel-gilt, Christ shown half-length, within a slightly recessed rectangular reserve, with a pendant plaque inscribed ‘With this has the text of the Troparion, tone 8’; set in a modern ebonised panel 30.5cm x 25cm overall

£700-900

370 GREEK ICON, THE MOTHER OF GOD FOUNTAIN OF LIFE LATE 19TH CENTURY, ON EARLIER PANEL polychrome painted and parcel-gilt depicting the Mother of God half-length flanked by angels and rising from a font over a basin with fish flanked by further figures, 36cm x 26cm; together with a PAIR OF GREEK SCHOOL ICONS, 20th century on earlier panels, each with four saints, 44cm x 24cm approx. (3) £180-270

371 RUSSIAN PROVINCIAL SCHOOL ICON, SAINT MATTHEW LATE 19TH CENTURY ON EARLIER PANEL polychrome painted, depicted standing dressed in red and brown robes, a Bible in his right hand; together with a RUSSIAN ICON, THE MOTHER OF GOD, 18th Century, Mary shown half-length holding a scroll in her left hand, within a recessed panel, probably from a Deisis, 28.5cm x 24cm (2) 55cm x 31cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Russian Icons 161

372 CENTRAL RUSSIAN ICON, THE MOTHER OF GOD OF THE SIGN 18TH CENTURY polychrome painted and parcel gilt, the Virgin wearing robes with jewelled edges with her arms raised enclosing a roundel with Christ, the border with an reserve with Saint Adrian to the lower left, in a later ebonised frame in the Dutch 17th century style 79cm x 71cm wide; 98cm x 89cm overall

£4,000-6,000

162 Lyon & Turnbull

373 RUSSIAN ICON, SAINT ZOSIMA AND SAINT SAVVATI LATE 18TH CENTURY polychrome painted and parcel gilt, the saints depicted standing and holding parchment scrolls, regarding the figure of Christ on clouds in an arched reserved above, with the White Sea Monastery of Solovetsky in the distance 35.5cm x 30.5cm

£700-1,000

374 GREEK ICON, THE RAISING OF LAZARUS PROBABLY 17TH CENTURY polychrome painted and parcel gilt, depicting the figure of Lazarus standing in the entry to his tomb with Christ opposite, a group of three witnesses in attendance including the prostrate figures of Mary and Martha at Christ’s feet, in a later parcel gilt oak frame 38.5cm x 25cm; 51cm x 38cm overall

£1,500-2,500

375 NORTH RUSSIAN ICON, THE DEISIS AND THE TWELVE APOSTLES MID 18TH CENTURY polychrome painted, with Christ Enthroned depicted full length in the central reserve, the border with further reserves with the Apostles depicted half-length with stippled haloes 48.5cm x 36.5cm

£1,000-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Russian Icons 163

376 LARGE VITA ICON OF SAINT NICHOLAS 16TH CENTURY, CENTRAL RUSSIA the saint portrayed half-length carrying the inscribed Gospels in his left hand, flanked by reserves with Christ and the Virgin to the corners, and enclosed by eighteen border panels depicting scenes from his life, including: his Birth, Baptism, the Miraculous Cure of the Woman with a Withered Arm, the Saint at School, Ordination, Consecration as a Bishop, Driving the Devil from a Well, Appearing to Emperor Constantine in a Dream, Salvation of the Three Sailors, Staying the Execution of the Three Generals, Visiting three innocent Prisoners, the Return of Basil to his Parents, the Salvation of Demetrius from his Boat, the Rescue of a Man Swallowed by a Fish, the Exorcism of the Devil from a Sick Man, the Saint’s Death and Burial 99cm high, 81cm wide

ÂŁ15,000-20,000

164 Lyon & Turnbull

377 TWO RUSSIAN RELIEF CAST BRASS CRUCIFIXES LATE 18TH CENTURY of similar design, the figure of Christ flanked by saints and surmounted by the Mandylion, both recess-mounted in modern ebonised frames, 23cm high; together with a RELIEF CARVED ALABASTER PANEL depicting the Baptism of Christ, 31.5cm x 18cm; a CARVED AND PAINTED PANEL of a warrior saint on horseback, 15.5cm x 9cm; an EARLY CHRISTIAN CARVED WOOD SEAL, probably Greek, 9cm high; and an EARLY CHRISTIAN POTTERY OIL LAMP, 13cm long (6) £300-500

378 COLLECTION OF SIX RUSSIAN RELIEF CAST BRASS ICONS LATE 18TH/ EARLY 19TH CENTURY comprising an icon of Saint Antipii enclosed by eighteen roundels with saints, 14cm x 12cm; a blue and yellow infilled enamel icon of Saint Antipii with the Deisis above in roundels, 10.5cm x 9cm; an icon of the Mother of God of the Sign, 9.25cm x 5cm; an icon with blue enamel infill of The Resurrection, 6cm x 5.25cm; an icon of Saint Nicholas in a border of fruiting grapevines, 11cm x 10cm; and an icon depicting three standing saints with blue enamel infill, 6.5cm x 5.5cm; all recessed in modern ebonised frames (6) £400-700

379 RUSSIAN ENAMELLED BRASS PROCESSIONAL CRUCIFIX LATE 18TH CENTURY relief cast with the Corpus beneath God the Father flanked by angels, with black and white enamel infill, the reverse engraved with flora and foliage; set in a modern wood panel mount 37cm high, 19cm wide; 42cm x 25.5cm overall

£200-400

380 ART REFERENCE - MYLONAS, PROF. PAUL Athos - Forms in a sacred space. Athens, 1965. Foliom loose leaves in cloth foldover box, label chipped; Ansimov, A.J. [Our Lady of Vladimir]. Russia, 1928.

4to, Russian printing, tipped in plates, paper covers [bound with] Belaev, N.M. [Icon of our Lady Umilenie]. Russia, 1932. 4to, tipped in colour plates, original paper covers, bookplate, bound in later half morocco gilt; Amiranashvili, Shalva Medieval Georgian Enamels of Russia. New York, [no date]. 4to, colour plates, dustwrapper torn, bookplate; Logvin, H. Kiev’s Hagia Sophia. Kiev, 1971. 4to, dustwrapper, bookplate; and a quantity of other modern reference works all pertaining to Eastern Orthodox and other Christian iconography, including exhibition catalogues, etc. Sold not subject to return. (qty) £300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Selection from a larger group

A Private Collection of Russian Icons 165

381 EARLY CARVED OAK PANEL OF THE BEHEADING OF JOHN THE BAPTIST EARLY 17TH CENTURY carved in high relief depicting Salome presented with the head of the Saint with his body at her feet, in an architectural arch 31cm x 23cm

£600-800

382 ITALIAN CARVED, POLYCHROMED AND PARCEL GILT WOOD FIGURAL PANEL 16TH CENTURY possibly for an altarpiece, carved in high relief depicting a soldier saint, possibly Saint Longinus, heavily draped and holding a sword in his right hand and a Bible in his left. standing in an archway surmounted by a pair of cherubs holding cornucopia 85cm high, 30cm wide

£800-1,200

383 NEEDLEWORK PANEL, THE NATIVITY 17TH CENTURY the left half depicting Mary and the infant Christ attended by Joseph and two angels, the right half depicting an angel appearing to shepherds, backed on a linen and mounted on a stretcher 41cm high, 171cm long

£1,000-2,000

166 Lyon & Turnbull

Continental Furniture & Works of Art Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 167

384 LARGE ITALIAN CARVED AND STAINED FRUITWOOD FIGURE OF THE MADONNA AND CHILD LATE 16TH/ EARLY 17TH CENTURY the robed seated figure of the Virgin with the child Christ seated in her lap, on a modern octagonal pedestal base, faux-marble painted and gilt Figure group 116cm high; Pedestal 53cm high Note: By repute from the Antico Convento Di San Francesco, Bagnacavello, Emilia-Romagna, Italy

£4,000-6,000

385 FRENCH RENAISSANCE STYLE WALNUT SIDE CABINET LATE 19TH CENTURY WITH EARLIER ELEMENTS the rectangular top with a foliate moulded edge above a cupboard door carved with gryphons and a Romayne portrait profile, flanked by carved pilasters with leafy Ionic capitals, on an inverted breakfront base 95cm wide, 91cm high, 57.5cm deep Provenance: Purchased in these rooms, The Lingholm Collection, 22nd October 2013, lot 4

£600-800

168 Lyon & Turnbull

386 FRENCH CARVED LIMESTONE FIGURE OF THE MADONNA AND CHILD CIRCA 1760 the Virgin’s head lacking, the child Christ holding an orb, with traces of original paint 53cm high

£600-800

387 PAIR OF ITALIAN PATINATED BRONZE PRICKET CANDLESTICKS LATE 17TH CENTURY with deep drip trays raised on twisted and knopped columns, with triangular bases with ball and claw feet (2) 38cm high

£300-400

388 ANGLO-FLEMISH OAK, BONE AND MOTHER-OF-PEARL INLAID CHEST OF DRAWERS LATE 17TH CENTURY the moulded rectangular top above a long frieze drawer and deep drawer with a central octagonal panel flanked by arched panels inlaid with flowerheads and geometric motifs; the separate base with a pair of moulded doors with further octagonal inlaid panels opening to three long drawers, raised on stile feet 115cm wide, 118cm high, 58cm deep

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 169

389 FRENCH CARVED POLYCHROME FIGURE OF SAINT ANTHONY LATE 18TH CENTURY depicted standing with his arms open in supplication and holding the Scriptures in his left hand 38.5cm high

£400-600

390 POLYCHROMED AND CARVED LIMEWOOD FIGURE OF A CHILD 18TH CENTURY possibly Christ or John the Baptist, depicted standing, the arms lacking 49cm high

£600-800

391 CONTINENTAL FRUITWOOD AND MARQUETRY TABLE CABINET LATE 17TH/ EARLY 18TH CENTURY of cubic form, the exterior with geometric line inlay and flowerheads, the front panel with an arrangement of short moulded drawers and a central door enclosing further drawers, all with seaweed marquetry, raised on button feet 86cm wide, 47cm high, 32cm deep

£800-1,200

170 Lyon & Turnbull

392 PAIR OF DUTCH PAINTED LADDERBACK ARMCHAIRS EARLY 19TH CENTURY the backs splats painted with views of harbours and townscapes, between uprights with turned spindle finials, the frames painted with scrolling green sprigs and red flower buds, above woven rush seats, on straight legs joined by double stretchers (2) 58cm wide, 112cm high, 41cm deep

£1,500-2,500

393 DUTCH WALNUT AND FRUITWOOD MARQUETRY CORNER CABINET EARLY 19TH CENTURY the moulded cornice above a pair of moulded doors inlaid with drapery swags and urns; the separate base with a further pair of doors with similar marquetry inlay, flanked by fluted angles, raised on a square tapered legs 129cm wide, 205cm high, 59cm deep

£2,000-3,000

Continental Furniture & Works of Art 171

394 DUTCH WALNUT DOUBLE DOME BOMBÉ CABINET-ON-CHEST 18TH CENTURY the moulded double dome cornice above a pair of shaped crossbanded doors flanked by elongated S scroll moulding, opening to a shelved interior with drawers, above three short drawers; the base with a slide over four long bombé drawers above a shaped apron and bracket feet 129cm wide, 230cm, high, 61cm deep

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

172 Lyon & Turnbull

395 DUTCH MAHOGANY CONTRA BAROMETER, A. PAPPI, AMSTERDAM LATE 18TH/ EARLY 19TH CENTURY with twin mercury filled cisterns and an alcohol filled thermometer tube, on an engraved polished pewter gauge plate with a cartouche signed ‘A. Pappi/ fect. Amsterd.’, the mahogany case with an architectural pediment above a single glazed door with chevron banding, and turned pendant finials 106cm high, 25cm wide

£800-1,200

396 DUTCH PAINTED LEATHER FIRE BUCKET DATED 1851 of typical form with a strap handle, polychrome painted with two coats of arms, and an inscription and date 22cm diameter, 40cm high (handle up)

£500-700

397 ITALIAN BLACK LACQUER WORK BOX 18TH CENTURY the sloped cover with a central rectangular boss with an applied engraved printed figure of Fortune seated on clouds in an archway, opening to a paper lined interior with drawers, the sides with further bosses painted with building and townscapes, the whole outlined in ripple cut moulding, on bun feet 32cm wide, 17cm high, 25cm deep

£400-600

398 FRENCH LEATHER STORAGE BOX 19TH CENTURY of sarcophagus form with a domed top with single handle, covered in embossed brown leather with brass studs, opening to a paperlined void interior, raised on squat bun feet 38cm wide, 37cm high, 36cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 173

399 GERMAN WALNUT, BURRWOOD AND FRUITWOOD SERPENTINE PARQUETRY AND MARQUETRY COMMODE 18TH CENTURY the serpentine top with a moulded edge above two short and three long serpentine drawers, with shell and flower marquetry on trellis filled reserved panels, raised on slightly outswept feet 103cm wide, 84cm high, 70cm deep

£4,000-6,000

174 Lyon & Turnbull

400 PAIR OF FRENCH BRONZE BUSTS OF VOLTAIRE AND ROUSSEAU 19TH CENTURY dark brown patina, mounted on white marble columns and black slate square bases (2) 32cm high

£400-600

401 ITALIAN PIETRA DURA PANEL LATE 19TH CENTURY depicting a Venetian scene, in an ebony ripple cut deep moulded frame Panel 20cm x 26cm

£500-700

402 FRENCH GILT BRONZE FIGURAL MANTEL CLOCK, RETAILED BY THOMAS PEARCE & SON LATE 19TH CENTURY the white enamel Roman numeral dial signed THOS. PEARCE & SON/ 23 LUDGATE HILL, in a cylinder case flanked by a putto in exotic dress holding a bow and arrow with a tortoise at his feet, on a base with flowers and leaves, the stamped eight-day movement striking a bell, raised on a giltwood base Clock 35.5cm long

£400-600

403 FRENCH KINGWOOD, MARQUETRY, AND PORCELAIN MOUNTED JARDINIERE 19TH CENTURY of shaped serpentine form, with bronze mounts and handles, the body inlaid with scrolling foliage and Sèvres style panels, on ball feet, with a liner 39cm wide approx., 16cm high

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 175

404 PAIR OF NEOCLASSICAL GILT BRONZE WALL APPLIQUES 19TH CENTURY the foliate backplates with flaming urn finials and harebell trails, issuing two scrolling candle branches with stiff leaf cast nozzles, foundry stamp ‘JD’ in several places on reverse (2) 61cm high Provenance: Ex Yester House, Gifford, East Lothian

£400-600

405 FRENCH KINGWOOD, VERNIS MARTIN, AND GILT BRONZE MOUNTED VITRINE LATE 19TH CENTURY the top with a three quarter brass gallery above a glazed door and side panels, the door with an oval Vernis Martin panel, opening to a glass shelved interior and mirror back, on cabriole legs with gilt metal mounts 67cm wide, 159cm high, 38cm deep Provenance: Culverthorpe Hall, Lancashire

£800-1,200

406 ITALIAN NEOCLASSICAL WALNUT, FRUITWOOD AND MARQUETRY TEA TABLE 19TH CENTURY the rectangular pivoting fold-over top with a central marquetry roundel, opening to quarter veneered surface centred by a marquetry roundel, over a crossbanded frieze, raised on square tapered legs capped by foliate inlaid corner blocks 92cm wide, 80cm high, 46cm deep

£600-800

176 Lyon & Turnbull

407Y FRENCH KINGWOOD AND ROSEWOOD GILT BRONZE MOUNTED CARD TABLE

408

19TH CENTURY the shaped rectangular quarterveneered and gilt metal banded top opening to a recessed green baize playing surface, above a serpentine frieze raised on square cabriole legs ending in sabots

20TH CENTURY the backplates carved as ribbontied musical trophies, issuing twin scrolling branches with gilt metal leaves and ending in foliate sockets (3)

89cm wide, 74cm high, 45cm deep

SET OF THREE GILTWOOD AND GILT METAL APPLIQUES

75cm high

£500-700

£1,200-1,800

409 FRENCH FIVE PIECE STAINED BEECH SALON SUITE 19TH CENTURY in the Louis XVI style, comprising a settee and four armchairs with ribbon and acanthus carved frames, in cream, red and blue checked upholstery, raised on fluted tapered legs (5) Settee 119cm wide, 91cm high, 51cm deep; Chair 61cm wide, 88cm high, 43cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 177

410 SET OF FOUR LOUIS XV STYLE GILT METAL WALL APPLIQUES EARLY 20TH CENTURY the scrolling foliate backplates issuing two foliate candle branches ending in leafy sockets and bobeches, with cream silk shades (4) 35.5cm high

£400-600

411 FRENCH ACAJOU, BRASS AND GILT METAL MOUNTED VITRINE BY LAMPRE, PARIS LATE 19TH CENTURY the pierced brass gallery above a D-shaped white marble top over a glazed door flanked by curved glass side panels opening to a mirror-back glass-shelved interior; the base with a frieze drawer with lock stamped Theau SURRIER/ PARIS, raised on fluted supports and a conforming undertier with mirror back, raised on cabriole legs with gilt metal mounts; stamped on the reverse LAMPRE/ Fg HONORE/ PARIS 93cm wide, 159cm high, 34cm deep Provenance: Culverthorpe Hall, Lancashire

£1,500-2,000

412 PAIR OF GILT METAL MOUNTED MARBLE OBELISKS 19TH CENTURY in black veined marble, raised on plinth bases, with gilt metal Egyptian-style mounts (2) 43.5cm high

£200-300

413 PAIR OF LOUIS XVI STYLE WHITE PAINTED FAUTEUILS 19TH CENTURY the oval padded backs above wide seats flanked by partpadded open arms, raised on fluted tapered legs, in blue and cream stripe silk upholstery (2) 61cm wide, 90cm high, 45cm deep

£250-350

178 Lyon & Turnbull

414 THREE GERMAN PORCELAIN WARES 19TH CENTURY comprising a pair of Meissen chambersticks, decorated with song birds and insects, with cancelled blue crossed swords marks, 12cm diam.; and a small potpourri pot, painted with reserves of flowers on a yellow ground, blue crossed swords mark, 11.5cm high (3) £300-500

415 PAIR OF MEISSEN PORCELAIN FIGURES LATE 19TH CENTURY depicting a shepherd and shepherdess with a sheep and dog, on gilded rococo bases, blue crossed swords marks, painted, incised and stamped marks (2) 29cm and 27.5cm high

£300-500

416 LOUIS PHILIPPE GILT AND SILVERED PORTICO CLOCK EARLY-MID 19TH CENTURY the silvered Roman numeral dial in a cylinder case with foliate bezel, flanked by Corinthian columns and surmounted by a stepped pediment with recumbent deer finial, above a putto on a swing pendulum, raised on a rectangular base with further mounts, the eight day movement striking a bell 51cm high, 23cm wide

£500-700

417 MEISSEN PORCELAIN FIGURE GROUP, MODELLED BY OTTO JARL EARLY 20TH CENTURY modelled as two hounds on a rocky ground with foliage, signed JARL, with blue crossed swords mark, incised and impressed numbers 28cm long

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 179

418 GILT BRONZE BOOK-FORM DESK CLOCK FIRST HALF 20TH CENTURY the pierced hinged cover opening to a painted porcelain panel depicting medieval figures, signed H. BENOIT-GUBELIN, with a pierced gilt chapter ring, the spine engraved LIVRE D’HEURES, the movement cover marked 15 Jewels and serial no. 2845 13cm high

£500-700

419 PAIR OF FRENCH GILT METAL COVERED URNS 19TH CENTURY the covers with pinecone finials above fluted bodies mounted with ram’s masks, raised on three curved legs terminating in hoof feet, on white marble plinth bases (2) 37cm high

£300-400

420 FRENCH EMPIRE WHITE MARBLE AND GILT BRONZE PORTICO CLOCK 19TH CENTURY the brass Roman numeral dial in a cylinder case flanked by Doric columns and surmounted by a stepped pediment with gilt bronze mounts, above a large gridiron pendulum, on a rectangular base, the eight-day movement striking a bell 27.5cm wide, 50cm high, 14cm deep

£400-600

180 Lyon & Turnbull

421 PAIR OF FRENCH GILT BRONZE FIGURES OF A DOG AND CAT, AFTER MODELS BY JEAN-JACQUES CAFFIERI 19TH CENTURY mounted on oval verde antico marble bases with gilt feet (2) Dog 21cm high; Cat 19cm high; 20.2cm wide overall

£2,500-3,500

422Y FINE SMALL FRENCH ORMOLU, BRASS AND WHITE MARBLE GREAT WHEEL SKELETON TIMEPIECE LATE 18TH/ EARLY 19TH CENTURY with an inverted Y-shaped frame mounted on a marble plinth with canted angles, applied with ormolu relief panels and raised on toupie feet, the white enamel Roman numeral chapter ring with pierced ormolu hands and set in an ormolu garland bezel, the chain and fusee movement with a pinwheel escapement and silk suspension pendulum, in a glass dome with rosewood base 35cm high overall, clock 28.5cm high

£3,500-4,500

Note: This is one of a series of fine clocks made in the late 18th and early 19th century. Many of these Great Wheel clocks used fusees in the English manner.

Literature: Derek Roberts, Continental and American Skeleton Clocks , Pennsylvania, 1989, pp.73-75 F.B. Royer-Collard, Skeleton Clocks , London, 1969, p.66, fig.4-3.

423 LARGE FRENCH GILT BRONZE AND PORCELAIN MANTEL CLOCK, RETAILED BY AUBERT & KLAFTENBERGER, GENEVA 19TH CENTURY in the Rococo style, the white enamel Roman numeral dial signed AUBERT & KLAFTENBERGER/ GENEVE, in a cobalt blue and enamel decorated baluster body, surmounted by a gilt bronze Bacchic putto finial and mounted scroll handles, supported by a pair of gilt bronze merchildren on a shaped oval base with porcelain plaques, raised on toupie feet, the eight-day movement striking a bell 53.5cm high

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 181

424 FRENCH ORMOLU-MOUNTED MAHOGANY VITRINE BY FRANÇOIS LINKE LATE 19TH CENTURY of demilune outline in the Louis XVI Transitional style, the Breccia Capraia marble top above a frieze mounted with a Bacchic putto in a hammock flanked by satyr putti and fruiting vines, flanked on the outer corners by Greco-Roman female herms, one signed ‘F Linke’, above a central convex single door opening to a mirror-backed interior with glass shelves, the lower door with a central oval gilt bronze relief plaque depicting four putti at play within further mounts of vines, flowers, and scrolling foliage, raised on cabriole legs capped with floral mounts and ending in scroll and acanthus sabots 130cm wide, 148cm high, 41cm deep

£25,000-35,000

Note: The present lot directly relates to Index Number 1122 and 38 from François Linke's workshop . Bohemian-born Linke (1855-1946) is considered one of the most important ébénistes and bronziers of the Belle Epoque: a master of high quality and design. His work focused on French Royal furniture of the Ancien Régime, interpeting and adapting styles of Louis XV and XVI, often in collaboration with the sculptor Léon Messagé. He became very popular with the elite of Paris, where he had a shop in the Place Vendome from 1881. He exhibited at the Paris Universelles of 1878, 1889, and 1900, and was awarded with both a Gold Medal par Excellence as well as numerous important. An archive of Linke's business papers are still in existence in London and provide a fascinating and unique insight into his work.

182 Lyon & Turnbull

425 PAIR OF FRENCH REGENCE STYLE GILTWOOD WALL SCONCES 19TH CENTURY the pierced and carved backplates with palmettes and acanthus and female masks issuing twin scrolled candle arms with foliate carved nozzles (2) 54.5cm high

£800-1,200

426 VICTORIAN PAINTED AND PARCE-GILT EASEL 19TH CENTURY in the Rococo style, with a gilt foliate cresting and adjustable shelf 183cm high

£600-800

427 FRENCH KINGWOOD AND AMBOYNA MARQUETRY JARDINIÈRE 19TH CENTURY in the Louis XV style, the top with a pierced brass gallery and lift-off cover, above a shaped apron and raised on square cabriole legs with gilt bronze mounts and outlined with gilt metal 64cm wide, 78cm high, 45cm deep

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 183

428 PAIR OF ITALIAN PLASTER FIGURES OF ADONIS AND THE LYCIAN APOLLO, AFTER THE ANTIQUE LATE 18TH CENTURY the near life-size figures painted white on rectangular bases, with modern wood plinths 157cm high, Adonis 161cm high Note: The present lot come from the country estate of the Galvani family in Spilamberto (near Modena). This noble family belongs to the ducal court of Modena and Reggio. The figures were placed in the atrium of the villa which was built at the end of the 18th century.

£5,000-7,000

184 Lyon & Turnbull

429 LOUIS-GUILLAUME FULCONIS (FRENCH 1817-1873) LA FORTUNA bronze, medium brown patina, signed, on a circular Sienna marble and bronze relief pedestal base 69cm high overall

£500-700

430 ADOLF MÜLLER-CRENFELD (GERMAN, 1863-1934) LA SOURCE bronze, dark brown patina, signed on the base, on an octagonal green marble plinth 43cm high, 50cm high overall

£500-700

431

432

433

CARL THEODORE WEGENER (DANISH, 1862-1935)

KPM PORCELAIN PLAQUE OF A NEAPOLITAN BOY

ITALIAN GILT LEATHER STATIONARY BOX, BY GUILIO GIANNINI, FLORENCE

DANISH GUARDSMAN bronze, gold-brown patina, in full uniform with a rifle, bayonet and sabre, on a circular base stamped ‘L RASMUSSEN, KOBENHAVN’

19TH CENTURY oval, with impressed marks, in an embossed brass frame

39.5cm high

£200-300

LATE 19TH CENTURY embossed and gilt with rosettes amongst foliate borders, the hinged sloping lid opening to a fitted interior with three compartments, stamped makers marks

Plaque 13.5cm high; 28cm high overall

£250-350

21cm wide, 28cm high, 14.5cm deep

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 185

434Y ART DECO BRONZE AND IVORY FIGURE

BY PAUL PHILIPPE (FRENCH 1870-1930) LE GRAND ECART RESPECTUEUX (THE RESPECTFUL SPLITS), 1920S cold painted bronze, with carved ivory face and hands, signed in the bronze P. PHILIPPE, with Rosenthal and Maeder foundry mark, on a canted rectangular black veined marble base 21.5cm high, 28cm wide

£3,000-5,000

435 [§] UGO CIPRIANI (1887-1960) TERRACOTTA FIGURE GROUP, CIRCA 1930 modelled as two children with a fawn, on an elongated rectangular base signed U. CIPRIANI 70.5cm long, 35.5cm high

£300-500

186 Lyon & Turnbull

436 FRENCH ENGRAVED GILT BRASS CARRIAGE CLOCK THIRD QUARTER 19TH CENTURY the corniche case with an swing handle and engraved with foliate scrolls, set with a white enamel Roman numeral dial in an engraved brass mask, the bevelled glass sides enclosing the two-train eight-day movement with platform escapement, no. 914, with hour and half hour bell strike 15cm high handle up

£400-600

437 GERMAN PORCELAIN TWIN-HANDLED URN, BY FISCHER AND MIEG LATE 19TH CENTURY of baluster form with gilt dragon scroll handles, decorated in gilt in low relief with flowers and butterflies on a cobalt ground, raised on a silver glazed socle pedestal base, impressed maker’s monogram F&M 26cm high

£500-700

438 TWO BOHEMIAN CASED AND ACID-CAMEO GLASS VASES 19TH CENTURY of cylindrical form with flattened bases, depicting hunting scenes of men attacking a bear and a wild boar in blue (2) 21.5cm high

£300-500

439

440

441

FRENCH FOUR-GLASS BRASS MANTEL CLOCK

PAIR OF ART DECO INTAGLIO GLASS WALL LIGHTS

ROUGE MARBLE AND GILT BRONZE COLUMN LAMP

19TH CENTURY the circular white enamel Roman numeral dial in a bevelled glass and brass case, the eightday movement striking a bell and stamped ORDY/ 7176

EARLY 20TH CENTURY the shaped, bevel edge oval backplates with intaglio flowers and leaves, with nickel plated fittings issuing single candle arms with glass drip pans hung with leaves (2)

LATE 19TH CENTURY with a gilt bronze capital, raised on a stepped base, wired for electricity, with a pleated shade

27cm high, 17cm wide

31cm high

58.5cm high (including fittings, but excluding shade)

£250-350

£200-300

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 187

442 PAIR OF SMALL GEORGE II GILTWOOD MIRRORS 18TH CENTURY the later cartouche shaped mirror plates in openwork frames with C and foliate scrolls surmounted by flowerheads, with pendant Green Man masks previously fitted with candle arms (2) 70cm high approx.

£500-700

443 LOUIS XV STYLE KINGWOOD, GILT BRONZE MOUNTED MARBLE TOPPED COMMODE LATE 19TH CENTURY the serpentine veined marble top with a moulded edge, above a pair of quarter-veneered bombe drawers outlined with gilt bronze mounts with dragon head handles, the quarter-veneered bombe sides similarly on splayed legs with sabots and outlined in gilt metal 144cm wide, 89cm high, 66cm deep

£2,000-3,000

444 LOUIS XV STYLE PATINATED AND GILT BRONZE FENDER 19TH CENTURY the moulded fender centred by a shell motif flanked by C and acanthus and auricular scrolls mounted with patinated bronze putti 142cm long

£1,500-2,500

188 Lyon & Turnbull

445 TWO AUSTRIAN COLD PAINTED FIGURES OF DOGS LATE 19TH/ EARLY 20TH CENTURY one a bulldog, the other a Great Dane, apparently unmarked (2) 12cm and 10cm long

£200-300

446 FRANZ BERGMANN (AUSTRIAN 1838-1894) COLD PAINTED BRONZE COCKEREL realistically modelled and coloured with polychrome enamels, impressed amphora mark, 4263 and GESHUTZT 17cm high

£800-1,200

447 BERNARD BLOCH PAINTED TERRACOTTA BOXER LATE 19TH/ EARLY 20TH CENTURY modelled seated with a bandage tied around his head, impressed 4380/ BB 23.5cm high

£400-600

Continental Furniture & Works of Art 189

448 LARGE BLACK FOREST CARVED DEER FIGURE GROUP THIRD QUARTER 19TH CENTURY depicting a standing stag with a doe and fawn, on an oval shaped naturalistic-style base 55cm high

£1,500-2,500

449 BLACK FOREST CARVED BEAR STICK STAND LATE 19TH CENTURY the standing bear with glass eyes and an open mouth with painted teeth and tongue, on an oval base with rockwork feet 110cm high

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

190 Lyon & Turnbull

450 LARGE SUITE OF BACCARAT ‘HARCOURT’ CRYSTAL GLASSES 20TH CENTURY comprising six pink ‘Rhine’ wine glasses; six green ‘Rhine’ wine glasses; an ‘1841’ pitcher; two decanters and stoppers; 13 champagne coupes; 11 water glasses; 12 red wine glasses; 12 white wine glasses; 12 large liqueur glasses; 12 small liqueur glasses; 12 ‘1841’ tumblers; and twelve liquor cocktail glasses, with acid etched marks (qty) £3,000-5,000

451 MOSER ENAMELLED AMBERINA GLASS EWER LATE 19TH CENTURY of baluster form, the slightly lobed body gradated from red to yellow with a relief enamelled metal parrot and applied metal acorns, against a ground filled with enamel leaves and insects, with raised gilt tendrils, painted gilt marks to the base 2789/ D180 44cm high

£500-700

452 ENAMELLED GLASS GLOVE CASKET, ATTRIBUTED TO MOSER LATE 19TH/ EARLY 20TH CENTURY of shaped rectangular form, the amber glass sides and cover decorated in enamels with songbirds amongst scrolling foliage, raised on gilt brass wirework legs with ball feet, unmarked 33cm wide, 11.5cm high, 12cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 191

453 FRENCH LEATHER CABIN TRUNK, P. ROMAND, PARIS LATE 19TH CENTURY the brown leather exterior with brass studs, corner straps, and feet, opening to an interior lined with ticking and fitted with wood clothes hangers 61cm wide, 113cm high, 57cm deep

£1,200-1,800

454 MOYNAT CABIN TRUNK CIRCA 1920 with studded wood slats, brass locks and hinges, covered in travel stickers, opening to a void cotton-lined interior, with maker’s label 89cm long, 31cm high, 50.5cm deep

£1,200-1,800

455 LOUIS VUITTON FOOT LOCKER TRUNK EARLY 20TH CENTURY covered in signature monogram leather with embossed leather corners, stamped brass hardware and leather strap handles, the void linen lined interior with a paper label and serial no. 742807 81cm wide, 33cm high, 46.5cm deep

£7,000-10,000

456 LOUIS VUITTON STRIPED CANVAS COURIER TRUNK 19TH CENTURY covered in striped canvas with black metal straps, handles and brass hardware, the interior in ticking stripe with two full length trays and a half tray, the buckles stamped ‘Paris 1884’, with a paper label with serial no. 4766; with documents relating to the original owner 100cm wide, 69cm high, 59cm deep

£5,000-7,000

192 Lyon & Turnbull

457 LOUIS VUITTON LEATHER SUITCASE EARLY 20TH CENTURY covered in signature monogram leather, with stamped brasses and locks, opening to a void leather-lined interior, with original straps and fasteners, maker’s label and serial number 872592, with key 50.5cm wide, 37.5cm high, 17.5cm deep

£700-1,000

458 LOUIS VUITTON HAT BOX EARLY 20TH CENTURY covered in signature monogram canvas with embossed leather trim, brass studs, stamped brass hardware and leather handles, the void linen lined interior with paper label and faded serial no. [74?]3503, on metal castors, with personalised initials H.T. 76cm wide, 56cm high, 49cm deep

£7,000-10,000

459 LOUIS VUITTON COURIER CANVAS TRUNK EARLY 20TH CENTURY covered in monogram canvas with aluminium banding, with leather handles, the void interior with paper label LOUIS VUITTON/ PARIS 1 RUE SCRIBE/ LONDON 454 STRAND, and serial no. 105899 100cm wide, 51cm high, 51cm deep

£500-700

460 TWO LOUIS VUITTON LEATHER SUITCASES EARLY 20TH CENTURY covered in signature monogram leather, with embossed leather trim and stamped brass hardware, opening to void leather-lined interiors with straps and buckles (2) 80cm wide, 52cm high, 22cm deep; the other 70.5cm wide, 47cm high, 22cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art 193

461 LOUIS VUITTON LEATHER CABIN TRUNK EARLY 20TH CENTURY covered in signature monogram leather with embossed leather trim and wood rails, stamped brass hardware; the linen lined interior with paper label and serial no. 196453, with a rope handle to one end and old travel labels to the exterior 82cm long, 30cm high, 42cm deep

£8,000-12,000

462 LOUIS VUITTON LEATHER COURIER TRUNK EARLY 20TH CENTURY covered in monogram leather with embossed leather trim and wood rails with brass stud details, stamped brass hardware and leather handles; the linen lined interior with paper labels with serial no. 800920 and retailer label for John Wanamaker, New York and Philadelphia; the exterior with personalised monogram McC and various travel labels 90cm wide, 57cm high, 53cm deep

£7,000-10,000

463 LOUIS VUITTON BROWN LEATHER TRUNK 19TH CENTURY covered in brown leather with stamped brass hardware and leather handles, the interior fitted with two trays, one with leather compartments, with a large paper label and serial no. 30767; personalised initials ‘A. C.’ 81cm wide, 43cm high, 45cm deep

£6,000-8,000

194 Lyon & Turnbull

Asian Furniture & Works of Art

Asian Furniture & Works of Art 195

464 BURMESE CARVED HARDWOOD SIDE CABINET EARLY 20TH CENTURY with a pair of arched doors pierced and carved all over with foliate and floral motifs, birds and animals, on stylised lion trestle feet 66cm wide, 102cm high, 55cm deep

£700-1,000

465 ANGLO-INDIAN HARDWOOD LOW TABLE LATE 19TH CENTURY the foliate shaped square top carved in relief with large maple leaves and scrolling vines, the pierced side panels carved with further maple leaves and vines on a scaly ground, with label 76cm wide, 60cm high, 77cm deep

£600-800

466 ANGLO INDIAN MAHOGANY FOUR POST BED 19TH CENTURY AND LATER the later moulded tester frame raised on large spiral and leaf carved posts, fitted with a Heal’s ticking covered base and mattress with modern supports with castors 189cm wide, 243cm high, 260cm long

£800-1,200

Left: Lot 465 (detail)

196 Lyon & Turnbull

467 ’CAIRO WARE’ COPPER AND SILVER INLAID BRASS TRAY AND CHARGER 19TH/ EARLY 20TH CENTURY the tray with a central reserve depicting Moses and the bronze serpent, Nehushtan, delivering the Israelites from the plague of serpents, within a border of Arabic script, 41cm wide x 31.5cm; the charger with a central Arabic script knot within bands of stylised leaf and flower motifs and calligraphic reserves, 51cm diameter; together with a INDIAN KOFTGARI STEEL DISH, in the form of overlapping fig leaves inlaid with a repeating gold pattern of scrolling flowerheads, the underside with crosshatched silver inlay, 24cm wide (3) £400-600

468 FIVE INDIAN CARVED SANDALWOOD BOXES 19TH/ EARLY 20TH CENTURY all carved with allover patterns of scrolling vines and flowers, comprising a large rectangular box carved with an oval reserve of fruiting vines, 28cm wide; a box carved in with stylised flower heads and vines, 19.5cm wide; a box carved with stylised flowers and vines, 19cm wide; a cigarette box with three hinged compartments, 15.5cm wide; and another cigarette box with a lift-up cover and cigarette tray, 14cm wide (5) £400-600

469 INDIAN BRASS AND PADOUK WORK BOX 19TH CENTURY the hinged top and front panel covered in punch decorated brass, opening to a compartmented upper tier centred by a lift-out tray, with iron handles to the sides 59cm wide, 24cm high, 30cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Asian Furniture & Works of Art 197

470 INDIAN RELIEF CARVED WOOD LINTEL 18TH/ 19TH CETURY carved in deep relief depicting Shiva freeing Markandeya from the god of death, Yama, the remaining fields filled with a host of mythological figures 132cm long, 25cm high, 20cm deep

£1,000-1,500

471 CARVED MUGHAL DOOR 18TH CENTURY the chrysanthemum carved lintel above a pair of a four panel doors with metal straps and ring handles, the frame carved with foliate, scroll and geometric motifs 232cm high, 133cm wide

£2,500-3,500

472 TWO INDIAN CARVED HARDWOOD TABLE ITEMS LATE 19TH/ EARLY 20TH CENTURY the first a brass dinner gong punch decorated with the Taj Mahal, in a crescent shaped stand carved throughout with flowers, with wood striker, 30.5cm high; and box carved with buildings and tiger attacking an elephant, on foliate filled ground with animals and birds, 32cm wide (2) £200-300

198 Lyon & Turnbull

473 SIX LARGE TURKISH CARVED STONE CORBELS 18TH/ 19TH CENTURY carved with flowerhead roundels and foliate volutes (6) 15cm wide, 70cm high, 35cm deep

£600-800

474 FOUR INDIAN CARVED SANDSTONE JALI SCREENS 19TH CENTURY each panel pierced and carved with different designs incorporating flower heads, leaves, and geometric motifs (4) Largest 73cm wide, 76cm high

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Asian Furniture & Works of Art 199

475 LATE VICTORIAN ANGLO-INDIAN TEAK AND BRASS MOUNTED TRUNK LATE 19TH CENTURY the top with four wood slats with brass strap mounts, opening to an interior with a single tray, with a large brass lockplate and black leather strap handles, the lock stamped T.E. THOMSON/ CALCUTTA 91cm long, 40cm high, 56cm deep

£800-1,200

476 INDIAN MUGHAL-STYLE MARBLE WATERSLIDE (CHADAR) the rectangular panel carved with lotus pods, fish, and turtles on a scaled field between chevron banding 150cm high, 66cm wide Note: Traditionally designed for inclusion in formal water gardens of Mughal India, the chadar was positioned on an incline between an upper and lower pool, allowing water to run down its textured surface, creating ripples and the babble of a stream.

£1,500-2,500

477 INDIAN MUGHAL-STYLE MARBLE AND HARDSTONE INLAID HORSE standing four square with a braided mane, foliate carved saddle pad and hardstone inlaid bridle, on a rectangular plinth 110cm long, 107cm high, 34cm deep

£2,500-3,500

200 Lyon & Turnbull

A Private Collection of Turkoman Weavings

A Private Collection of Turkoman Weavings 201

478 KARAKALPAK LONG CARPET UZBEKISTAN, LATE 19TH CENTURY the brownish red field with two columns of six guls, within polychrome ram’s head pyramid border 338cm x 160cm

£600-800

479 KARAKALPAK CARPET UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the brownish red field with three columns of eight guls, within red pyramid border 415cm x 200cm

£600-800

480 KARAKALPAK CARPET UZBEKISTAN, LATE 19TH CENTURY the purplish red field with five columns of thirteen guls, within hooked pyramid border

Left:

256cm x 177cm

Lot 489 (detail)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

202 Lyon & Turnbull

481 BELOUCH CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with allover stylised rosette lattice pattern, within purple stylised foliate border 268cm x 145cm

£400-600

482 LAKAI FLATWEAVE LONG CARPET UZBEKISTAN, EARLY 20TH CENTURY the red field with three columns of ten guls, within narrow red hooked ‘h’ border, star elem panels 406cm x 140cm

£500-700

483 TEKKE CARPET TURKMENISTAN, LATE 19TH CENTURY the purplish red field with five columns of fourteen guls, within red octagon starburst border 283cm x 218cm

£700-1,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Turkoman Weavings 203

484 TEKKE CARPET TURKMENISTAN, MID/LATE 19TH CENTURY the light red field with four columns of twelve guls, within geometric border, kelim ends 287cm x 180cm

£1,200-1,800

485 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of five guls, within red cross and linked diamond border 271cm x 223cm

£600-800

204 Lyon & Turnbull

486 ERSARI CARPET TURKMENISTAN, LATE 19TH CENTURY the red field with three columns of six guls, within red linked diamond border 296cm x 242cm

£500-700

487 ERSARI KIZIL AYAK CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with five columns of fifteen guls, within narrow border, serrated elem panels, kelim ends 280cm x 173cm

£400-600

488 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with four columns of six guls, within red linked diamond border 347cm x 253cm

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Turkoman Weavings 205

489 ERSARI KIZIL AYAK CARPET TURKMENISTAN, MID 19TH CENTURY the red field with three columns of ten guls, within ivory hooked pyramid border 360cm x 225cm

£1,200-1,800

490 ERSARI KIZIL AYAK CARPET TURKMENISTAN, LATE 19TH CENTURY the red field with four columns of fourteen guls, within ivory hooked pyramid and vine border, kelim ends 366cm x 234cm

£1,000-1,500

491 ERSARI KIZIL AYAK CARPET TURKMENISTAN, MID 19TH CENTURY the red field with four columns of twelve guls, within ivory lozenge and hooked vine border 245cm x 198cm

£600-800

206 Lyon & Turnbull

492 CHODOR CARPET TURKMENISTAN, EARLY 19TH CENTURY the brown field with four columns of fifteen guls, within ivory lozenge, linked hexagon and vine border, kelim ends 276cm x 201cm

£1,000-1,500

493 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/ EARLY 20TH CENTURY the brown field with three cream and blue medallions, geometric scroll spandrels, within multiple borders 432cm x 242cm

£700-1,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Turkoman Weavings 207

494 YOMUT CARPET TURKMENISTAN, LATE 19TH CENTURY the brown field with allover serrated gul pattern, within ivory serrated scroll and linked hexagon border 395cm x 215cm

£700-1,000

495 YOMUT CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with allover gul pattern, within ivory hooked pyramid border, serrated lozenge elem panels 335cm x 210cm

£600-800

496 YOMUT ASMALYK TURKMENISTAN, LATE 19TH CENTURY the ivory field with allover serrated lozenge lattice pattern, within ivory geometric border 113cm x 73cm

£300-500

208 Lyon & Turnbull

497 PAIR OF YOMUT JUVALS TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY each with brown field with four columns of four guls, within ivory geometric border, plain elem panels, kelim backs (2) 115cm x 77cm

£300-500

498 YOMUT ENGSI TURKMENISTAN, LATE 19TH CENTURY the brown field with cruciform pattern, within red serrated scroll and vine border, serrated elem panel 150cm x 120cm

£300-500

499 ERSARI ENGSI TURKMENISTAN, LATE 19TH CENTURY the red field with allover indigo lozenge pattern, within Greek key border, flower elem panel 200cm x 137cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Turkoman Weavings 209

500 YOMUT ASMALYK TURKMENISTAN, LATE 19TH CENTURY the ivory field with allover lattice pattern, within indigo serrated lozenge border 113cm x 66cm

£300-500

501 TEKKE SALACHAK TURKMENISTAN, LATE 19TH CENTURY the field with three columns of geometric motifs between other bands, multiple borders 163cm x 132cm

£300-500

502 TEKKE ENGSI TURKMENISTAN, LATE 19TH CENTURY the red field with cruciform pattern, within red serrated border, floral and lozenge elem panel 160cm x 122cm

£400-600

210 Lyon & Turnbull

503 TWO ERSARI JUVALS TURKMENISTAN, LATE 19TH CENTURY each with red field, one with ikat style pattern, the other with patterned band design (2) 132cm x 84cm; 176cm x 121cm

£300-500

504 BELOUCH RUG NORTHEAST PERSIA, LATE 19TH CENTURY the brown field with three columns of twelve guls, within multiple borders 211cm x 110cm

£200-300

505 SALOR RUG TURKMENISTAN, LATE 19TH CENTURY the purple field with three columns of eight guls, within narrow geometric border, floral lozenge elem panels 185cm x 135cm

£400-600

506 TWO TEKKE RUGS TURKMENISTAN, LATE 19TH CENTURY each with red field, one with three columns of nine guls, the other with three columns of twelve guls, within red octagon starburst borders (2) 164cm x 120cm; 196cm x 120cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of Turkoman Weavings 211

507 KYRGYZ RUNNER KYRGYZSTAN, LATE 19TH/EARLY 20TH CENTURY the red field with allover hooked lozenge lattice pattern, within red stepped lozenge border 366cm x 177cm

£400-600

508 NORTHWEST PERSIAN RUNNER LATE 19TH CENTURY the indigo field with allover mina khani pattern, within indigo geometric arrowhead and vine border 376cm x 92cm

£500-700

212 Lyon & Turnbull

Rugs & Carpets 509 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the indigo field with red, cream and blue medallion, similar spandrels, within indigo palmette and arabesque vine border 390cm x 303cm

£600-800

510 KASHAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red and cream medallion, red and blue spandrels, within indigo palmette, rosette and vine border 404cm x 318cm

£800-1,200

511 IMPRESSIVE TEHRAN PICTORAL CARPET ABOLGHASEM ATIGHEHCHI WORKSHOP, 19TH CENTURY the field with scenes from the Shahnameh, including Solomon as ruler of the three worlds, Rostam and the dragon and others, with inner band of Shahs, main border with further narrative illustration, and outer band with animals 300cm x 172cm

Provenance: A. C. J. Wall and thence by descent to the present owners.

Note: A. C. J. Wall was a Birmingham industrialist who started collecting in the 1930s. His broad collection included paintings, ceramics, furniture and sculpture. He was a well-known patron of the arts, particularly in Birmingham. Much of his collection was sold by Christie’s in 1970, with many pieces being bought by leading museums.

£3,000-5,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets 213

214 Lyon & Turnbull

512 HERIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with indigo and red medallion, ivory spandrels, within indigo rosette, palmette and vine border 347cm x 252cm

£500-700

513 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with indigo, red and cream medallion, ivory, blue and red spandrels, within indigo turtle palmette and vine border 337cm x 260cm

£400-600

514 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with indigo, pink and blue medallion, cream and pink spandrels, within indigo rosette and vine border 395cm x 282cm

£700-1,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets 215

515 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brown field with allover herati pattern, within brown rosette and vine border 310cm x 233cm

£800-1,200

516 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the blue field with indigo and red medallion, within indigo palmette and vine border 355cm x 260cm

£600-800

517 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with indigo and cream medallion, within indigo palmette and arabesque vine border, signature to one end 400cm x 295cm

£400-600

216 Lyon & Turnbull

518 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with animals and birds amidst palmettes and foliate vine, within cream palmette and arabesque vine border, signature to one end 314cm x 195cm

£300-500

519 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the ivory field with allover palmette and foliate vine pattern, within similar border 388cm x 291cm

£400-600

520 TABRIZ CARPET MID 20TH CENTURY the red field with rosette medallion surrounded by palmettes and foliate vine, within cream palmette and vine border, signature to one end 390cm x 294cm

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets 217

521 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the ivory field with allover stylised foliate pattern, within indigo turtle palmette and vine border 343cm x 265cm

£1,800-2,400

522 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brick red field with indigo and pink medallion, ivory, pink and green spandrels, within indigo rosette and serrated vine border 370cm x 280cm

£1,000-1,500

523

524

525

PERSIAN PICTORAL MAT

HERIZ CARPET

HERIZ CARPET

DATED AH 1313 (1896 AD) the cream field with an ancient warrior, inscribed ‘GUERRIER FRANC’, within indigo foliate vine border

NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo, pink and light blue medallion, light blue, pink and green spandrels, within indigo palmette and vine border

NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with indigo medallion, ivory spandrels, within indigo palmette and vine border

279cm x 201cm

£300-500

78cm x 76cm

£200-300

£300-500

258cm x 179cm

218 Lyon & Turnbull

526 BAHKTIARI CARPET WEST PERSIA, MODERN the field with allover polychrome foliate square lattice pattern, within red palmette and foliate vine border 396cm x 305cm

£500-700

527 ISFAHAN PART SILK CARPET CENTRAL PERSIA, MODERN the ivory field with brown medallion, slate and grey spandrels, within beige palmette and foliate vine border 330cm x 207cm

£500-700

528

529

TEKKE CARPET

TEKKE CARPET

TURKMENISTAN, LATE 19TH CENTURY the brown field with five columns of fourteen guls, within brown octagon border

TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with four columns of eleven guls, within red octagon starburst border, serrated lozenge elem panels

282cm x 212cm

300cm x 196cm

£250-350

£250-350

530

531

PAIR OF TEKKE JUVALS

TWO TEKKE JUVALS

TURKMENISTAN, LATE 19TH CENTURY each with five columns of five guls, geometric squares border, serrated flower elem panels; AND ANOTHER, larger, with three columns of five guls, flower elem panel (3)

TURKMENISTAN, LATE 19TH CENTURY each with brown field with three columns of three guls, ivory geometric border, plain elem panels

120cm x 75cm; 175cm x 97cm

£250-350

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

118cm x 72cm; 123cm x 78cm

Rugs & Carpets 219

532 SAROUK CARPET WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the salmon pink field with allover floral vases and birds on branches pattern, within indigo palmette and foliate vine border 466cm x 322cm

£800-1,200

533 USHAK CARPET WEST ANATOLIA, LATE 19TH CENTURY the salmon pink field with shaped olive medallion, similar spandrels, within olive palmette and vine border 444cm x 336cm

£800-1,200

534 SHIRVAN RUG EAST CAUCASUS, LATE 19TH CENTURY the indigo field with stylised wing pattern surrounded by rosettes, within ivory hooked geometric border; AND A SAROUK FEREGHAN RUG, the red field with indigo medallion, ivory spandrels, within indigo palmette and vine border (2) 142cm x 114cm; 206cm x 117cm

£200-300

220 Lyon & Turnbull

535 SARAB KELLEH NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the lattice patterned camel field with indigo medallion, indigo spandrels, within ivory octagon and vine border 388cm x 163cm

£400-600

536 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the red field with indigo and cream medallion, light blue and camel spandrels, within cream palmette and foliate border 365cm x 230cm

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets 221

537 QUM SILK CARPET CENTRAL PERSIA, LATE 20TH CENTURY the ivory field with red and indigo medallion, light brown spandrels, within red cup and vase cartouche border, signature to one end 392cm x 292cm

£5,000-7,000

222 Lyon & Turnbull

538 SAROUK FEREGHAN RUG WEST PERSIA, LATE 19TH CENTURY the cream field with red medallion centred by fighting lion and dragon, indigo spandrels, within light blue palmette and scrolling vine border 214cm x 126cm

£300-500

539 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover herati pattern, within red palmette and vine border 565cm x 89cm

£400-600

540 TWO CENTRAL PERSIAN RUGS MID/LATE 20TH CENTURY the Kashan with cream field with beige and light blue medallion, similar spandrels, within beige palmette and arabesque vine border; the other part silk with grey field with cream and indigo medallion, within brown cartouche and vine border (2) 212cm x 142cm; 207cm x 140cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets 223

541 NORTH INDIAN CARPET LATE 19TH/EARLY 20TH CENTURY the field with allover polychrome arched lattice pattern, within indigo horse and rider border 500cm x 345cm

£600-800

224 Lyon & Turnbull

Garden 542 ANDREW CURRIE (1812-1891) STONE FIGURE OF THE VIRGIN, CIRCA 1840 the figure shown in prayer, her foot standing on a serpent, an apple in its mouth 103cm high Note: Andrew Currie was a prominent sculptor who is perhaps best known for producing the stone monument of King Robert the Bruce at Stirling Castle. After working as a mill-wright in the Scottish Borders for many years, Currie began sculpting in his mid-forties exhibiting at the Royal Scottish Academy from 1855 to 1877. This sculpture of the Virgin Mary was purchased in 1891

by George Paterson Sutherland, founder of one of Scotland’s foremost sculpting and masonry firms, George Sutherland and Sons. Other notable works

by Currie include the poet James Hogg at St. Mary’s Loch and the figures of Edie Ochiltree and Old Mortality on the Scott Monument in Edinburgh.

£400-600

543 CARVED STONE PEKINGESE EARLY 19TH CENTURY standing four square, on a rectangular base and square plinth 31cm wide, 65cm high, 29cm deep

£600-800

544 REGENCY WROUGHT IRON GARDEN BENCH 19TH CENTURY with scrolled back, arms and seat in iron strapwork, painted black 150cm wide

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ Other section feeson apply pagein2addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Garden 225

545 LARGE RED SANDSTONE FIGURE OF THE MADONNA AND CHILD 19TH CENTURY depicted life size, the standing figure of Mary wearing a crown and draped robes, holding the infant Christ in her right arm and an orb in her left, on an octagonal base 189cm high Note: by repute the figure was salvaged from a church in Liverpool destroyed during the Blitz.

£5,000-7,000

546 PAIR OF GARNKIRK FIRECLAY URNS ON STANDS 19TH CENTURY the leaf-cast bodies of campana form with lion mask handles, on plain socles raised on square moulded pedestal bases cast with laurel wreaths (2) 137cm high overall, 52cm diameter

£2,000-3,000

226 Lyon & Turnbull

Design for lot 547 as shown in the 1857 Garnkirk catalogue

547 PAIR OF GARNKIRK FIRECLAY PLANTERS 19TH CENTURY the everted rims with lotus leaves and flowers, above tapered bodies relief moulded with bulrushes and water plants, on flared bases (2) 63cm high, 52cm diameter

£2,000-3,000

548 BRONZE SUNDIAL BY F. COX, WITH ASSOCIATED CAST IRON COLUMN 19TH CENTURY the circular dial with a pierced armature, signed ‘F. Cox/ 100 Newgate St/ London/ 1845’; on a green painted cast iron fluted column with a pierced square pedestal base Dial 25cm diameter; Overall 122cm high

£600-800

Garden 227

549 TWO FRENCH PAINTED CAST IRON FIGURES OF VENUS,

BY ANDRE BARBEZAT, VAL D’OSNE 19TH CENTURY the first after the model by Falconet, the second after Christophe-Gabriel Allegrain, painted white (2) Tallest 83cm high

£2,000-3,000

550 PAIR OF SCOTTISH FIRECLAY URNS ON STANDS 19TH CENTURY the leaf-cast bodies of campana form with loop handles with mask terminals, on fluted socles raised on square moulded pedestal bases cast with oak leaves and acorns (2) 123cm high overall, 54cm diameter

£2,000-3,000

END OF SALE Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

228 Lyon & Turnbull

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale

by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate.

2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

3. B IDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the

registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate.

Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us.

Please note that we do not accept payment from third parties and this also applies to agents.

If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final.

We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers.

Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids.

We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone.

We do not accept liability for failure

to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot.

7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above.

8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be

charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000.

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.

10. T ITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

Five Centuries: Furniture, Paintings & Works of Art 229

11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.

12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not

be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

(7) Wine: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. On collection, you must provide positive proof of age should this be requested. Buyers of wines must make appropriate allowances for natural variations of ullages, conditions of corks and wine.

We can provide no guarantees as to how the wine may have been stored.

There is always a risk of cork failure and allowance by the buyer must be made. Wine is sold “as is” and quality of the wine is entirely at the risk of the Buyer and no warranties are given.

(8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

These notices and terms will also form part of our terms and conditions of sales.

13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally.

14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such.

15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event Lyon and Turnbull in its reasonable opinion deems that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable

230 Lyon & Turnbull

Buyer’s Premium paid for the lot by the original purchaser.

This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller; “Lot” means each Item offered for sale

by Lyon and Turnbull;

“Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it.

“Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import

history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds.

3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing.

4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30.

Online Listing: £10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense.

We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement.

(3) Illustrations: The cost of any illustrations will be borne by the

Five Centuries: Furniture, Paintings & Works of Art 231

Seller , unless agreed otherwise prior.

The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue.

(4) Storage: Of the Lots after the sale, where applicable.

6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice they may be disposed of as we see fit, which may involve their sale by public

auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us.

(2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the

Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale.

Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held

unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission.

The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control.

The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction.

17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller.

We do not act for Buyers in this role and does not give advice to Buyers.

When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

18.5

232 Lyon & Turnbull

Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website.

Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received.

Payment may be made by the following methods:

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated.

In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available: • L&T Live Access through our website or download the live bidding app L&T Live, service offered for no additional fee.

• Invaluable Access through invaluable.com.

Invaluable charge an additional 5% for their service.

• The-Saleroom Access through The-Saleroom.com.

The-Saleroom charge an additional 3% for their service.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards.

Online Card Payments We no longer accept card payments by phone.

Please use our online payment service (provided by Cardstream/Credorax).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods.

Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

Five Centuries: Furniture, Paintings & Works of Art A

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

B Lyon & Turnbull

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115