Contemporary & Post-War Art inc Vintage Ski Posters | Auction 22 Jan 2019 in Edinburgh by Lyon & Turnbull

Tuesday, 22nd January 2019 33 Broughton Place Edinburgh

Contemporary & Post-War Art including Vintage Ski Posters

2 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

Contemporary & Post-War Art including Vintage Ski Posters Tuesday, 22nd January, 2019 at 11am Sale Number LT547

Viewing Saturday, 19th January 12 noon - 4pm Sunday, 20th January 12 noon - 4pm Monday, 21st January 10am - 5pm Day of sale by appointment only

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Front Cover Lot 86 (detail)

Inside Front Cover Lot 1 (detail)

Inside Back Cover Lot 35 (detail)

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Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £100,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale).

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Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

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Contemporary & Post-War Art

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Charlotte Riordan Head of Sale

Nick Curnow Head of Paintings

Philip Smith Specialist

Carly Shearer Specialist

charlotte.riordan@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

philip.smith@lyonandturnbull.com

carly.shearer@lyonandturnbull.com

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1 [§] HENRY MOORE O.M., C.H., F.B.A. (BRITISH 1898-1986) SEATED FIGURE IV: REVERSE LIGHTING S/P, signed in pencil and dated 1974, bears Curwen Studio stamp, lithograph, unframed 49cm x 43cm (19.25in x 17in)

£700-900

2 [§] HENRY MOORE O.M., C.H., F.B.A. (BRITISH 1898-1986) TWO HEADS S/P, signed in pencil, bears Curwen Studio stamp, lithograph, unframed 41.5cm x 44.5cm (16.25in x 17.5in)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

3 [§] SIR WILLIAM GEORGE GILLIES C.B.E., R.A., R.S.A., P.R.S.W., L.L.D. (SCOTTISH 1896-1973) AUTUMN LANDSCAPE, TEMPLE Signed, inscribed with title and dated 1944 Aitken Dott label verso, oil on canvas 34cm x 70cm (13.25in x 27.5in) Provenance: Collection of Brian Montgomery Exhibited: Mercury Gallery, Edinburgh, 1978, where purchased by the present owner

£3,000-5,000

4 [§] JAMES CUMMING R.S.A., R.S.W. (SCOTTISH 1922-1996) SOLDIERS, SEATED Signed verso, oil on canvas 50cm x 75cm (19.75in x 29.5in)

£400-600

5 [§] WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) ABSTRACT Signed and inscribed ‘No. 23’ verso, oil on canvas 40cm x 50cm (15.75in x 19.5in)

£1,000-1,500

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6 [§] SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) THE DECANTER Signed, oil on board 46cm x 57cm (18in x 22.5in) Exhibited: Aitken Dott, Edinburgh, 1954; Carnegie Dunfermline Trust, 1970

£2,000-3,000

7 [§] ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) DECANTERS 1976-7, signed, oil on canvas 68cm x 72cm (26.75in x 28.25in) Exhibited: Aitken Dott, Edinburgh

£3,000-5,000

Contemporary & Post-War Art

8 [§] GEORG EHRLICH A.R.A. (AUSTRIAN 1897-1966) NUDE FIGURES Signed, pencil on paper 33.5cm x 23.5cm (13.25in x 9.25in)

£500-700

9 [§] JOHN G. BOYD R.G.I. (SCOTTISH 1940-2001) BOY WITH DOVE Oil on canvas laid on board 30.5cm x 35.5cm (12in x 14in)

£500-700

10 [§] STEWART CARMICHAEL (SCOTTISH 1867-1950) RECLINING NUDE - BLUE Signed with monogram, watercolour, unframed 25cm x 47cm (10in x 18.5in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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11 [§] ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) WOMAN DANCING FOR A CROWD Signed, pastel 24.5cm x 29.5cm (9.75in x 11.75in)

£300-500

12 [§] ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) SALOME DANCING Signed, charcoal on cardboard 33cm x 30.5cm (13in x 12in)

£300-500

13 [§] ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) I WILL BRING YOU FLOWERS Signed, gouache 41.5cm x 40.5cm (16.25in x 16in)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

14 [§] SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (SCOTTISH 1916-1992) COCKEREL, 1977 Signed verso, oil on board 15cm x 18cm (6in x 7in)

£800-1,200

15 [§] JAMES CUMMING R.S.A., R.S.W. (SCOTTISH 1922-1996) UNTITLED ABSTRACT Signed, oil on canvas 59cm x 74cm (23.25in x 29in)

£800-1,200

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16 [§] IAIN MACNAB P.R.O.I., R.E. (SCOTTISH 1890-1967) SUMMER BOUQUET Signed, oil on canvas 60cm x 50cm (23.5in x 19.75in)

£300-500

17 [§] STEWART CARMICHAEL (SCOTTISH 1867-1950) PAIR OF FIGURES Signed with monogram, watercolour 35cm x 22cm (13.75in x 8.75in)

£300-500

18 [§] IAIN MACNAB P.R.O.I., R.E. (SCOTTISH 1890-1967) SUMMER GARDEN Signed, oil on canvas 60cm x 49cm (23.5in x 19.25in) Exhibited: City of Bradford Gallery, 1952, no. 552

£300-400

Contemporary & Post-War Art

19 [§] IAIN MACNAB P.R.O.I., R.E. (SCOTTISH 1890-1967) A BRETON VILLAGE Signed, watercolour 38cm x 27cm (15in x 10.5in) Exhibited: Kelvin Gallery, Glasgow

£300-500

20 [§] IAIN MACNAB P.R.O.I., R.E. (SCOTTISH 1890-1967) DRYING SAILS, LAKE GARDA Signed and inscribed with title in pencil to margin, wood engraving 24cm x 20.5cm (9.5in x 8in) and three further wood engravings by the same artist, ‘Picking Pyrethrum in the Aberdares, Kenya’, ‘The Brave Bull’ and a third untitled work (4)

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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21 [§] PATRICK HAYMAN (BRITISH 1915-1988) GIRL AT TABLE Signed, signed and inscribed with title and dated 1953 verso, oil on paper 29cm x 23cm (11.5in x 9in)

£400-600

22 [§] STANLEY WILLIAM HAYTER (BRITISH 1901-1988) LA RAIE - 1958 E.A., inscribed with title and dated 1.4.58 in pencil to margin, colour etching and scorper 33cm x 40cm (13in x 15.75in)

£200-400

23 [§] BET LOW A.R.S.A, R.S.W. (SCOTTISH 1924-2007) FROM ‘THE JOURNEY’ SERIES - 1964 Signed, watercolour 48cm x 61cm (19in x 24in)

£500-700

Contemporary & Post-War Art

24 [§] JAMES DOWNIE ROBERTSON R.S.A., R.S.W., R.G.I. (SCOTTISH 1931-2011) SHRUBS AND SNOW Signed and dated ‘72, pastel 23cm x 31cm (9in x 12.25in)

£300-500

25 SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) THE FOREST POOL Signed, watercolour 56cm x 90cm (22in x 35.5in) Exhibited:Royal Scottish Society of Painters in Watercolour

£1,000-1,500

26 [§] ANTHONY GROSS R.A. (BRITISH 1905-1984) FIGURES ON A STREET Signed and dated 1976, ink and wash 21.5cm x 30cm (8.5in x 11.75in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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27 [§] JOHN G. BOYD R.G.I. (SCOTTISH 1940-2001) STILL LIFE WITH COFFEE GRINDER Signed, oil on canvas 50cm x 50cm (19.5in x 19.5in)

£2,500-3,500

28 [§] GORDON BRYCE R.S.A., R.S.W. (SCOTTISH B.1943) KITCHEN TABLE Signed, signed and inscribed verso, oil on board 59cm x 74cm (23.25in x 29.25in)

£700-900

Contemporary & Post-War Art

29 [§] SANDY MURPHY R.S.W., R.G.I. (SCOTTISH B.1956) ABSTRACT LANDSCAPE IN GREENS, ORANGES AND PURPLES Signed, oil on canvas 84cm x 94cm (33in x 37in)

£600-800

30 [§] JAMES DOWNIE ROBERTSON R.S.A., R.S.W., R.G.I. (SCOTTISH 1931-2011) DUNES Signed, gouache 63cm x 73cm (24.75in x 28.75in)

£700-900

31 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) BOUNDARY, ALTANDHU Signed, mixed media on board 41cm x 43cm (16in x 16.75in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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32 IAIN ROBERTSON (BRITISH B.1955) TRIBAL NO. 3 Signed and inscribed with title and dated 1997 verso, oil on canvas 152cm x 60.5cm (59.75in x 24in)

£1,000-1,500 Note: Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999 before relocating to St Ives, Cornwall in 1999. He has retained Studio 7 at Porthmeor Studios in St Ives, since 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include: Contemporary Abstract Printmaking with artists Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris, Iain Robertson at Clifford Chance Canary Wharf, London, (2017); British Abstract, 108 Fine Art, Harrogate (2015); Abstract Critical Newcomers Award (selector), Kings Place Gallery, London, (2012); Art Now Cornwall, TATE St Ives, (2007); PASKE, Galerie Moderne Silkeborg, Denmark, including artists Karel Appel, Georg Baselitz, Asger Jorn, Per Kirkeby, (1996-2005); NEW WORK, Galerie Moderne Silkeborg, Denmark, solo (1995), NEW WORK Talbot Rice Gallery University of Edinburgh, solo, (1992). Works are held in private and public collections including Standard Life, Lothian Road Edinburgh, The University of Edinburgh and The City Arts Centre, Edinburgh.

33 IAIN ROBERTSON (BRITISH B.1955) AUTUMN FORMS Signed, inscribed with title and dated 1997 verso, oil on canvas 61cm x 46cm (24in x 18in)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

34 [§] SALVADOR DALI (SPANISH 1904-1989) PURGATORY 29: THE MEETING OF DANTE AND BEATRICE Signed and numbered 63/100 in pencil, watermark to margin, from the ‘Divine Comedy’ series, published 1960, wood engraving 28cm x 21.5cm (11in x 8.5in)

£300-500

35 [§] SALVADOR DALI (SPANISH 1904-1989) CHRIST OF ST. JOHN ON THE CROSS Signed and numbered 63/150, bronze with gold patina, on a marble base 39cm x 16cm x 16cm ( 15.25in x 6.25in x 6.25in) (including base) Provenance: Purchased in Spain c.1979; thence by descent to the present owner

£2,000-3,000

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The Collection of the late Dr. Nicholas Phillipson (1937-2018) Dr Nicholas Phillipson is best known as the leading historian on the topic of the Scottish Enlightenment and its wider European context. Phillipson played a crucial role in establishing the field on firm foundations, his invaluable contribution to the topic marking him as one of the best known historians of Scotland in the world. He was educated at Aberdeen Grammar School and read history at Trinity College, Cambridge, where he took his PhD. He joined the University of Edinburgh in 1967, remaining there as lecturer, senior lecturer and reader in history until retiring in 2004, when he was appointed honorary research fellow. He published books on different aspects of the Scottish enlightenment and the Age of Improvement, while his first major biography, of David Hume, was published in 1989 and reissued in 2011. He marked the 400th anniversary of the University of Edinburgh in 1983 with a quizzical book entitled Universities, Society and the Future. He also held a number of visiting positions at Princeton University, Yale University, the Folger Institute in Washington DC, and LMU Munich.

His best known work, the culmination of many years of intensive research, was his definitive text on the famous Scots economist; Adam Smith: An Enlightened Life (2010). The biography was of unprecedented depth and touched on new ground. It was joint winner of the Saltire Society’s Scottish research book of the year, and was extremely well received, with Oliver Kamm in The Times referring to it as “a remarkable and often brilliant intellectual biography”. Although Phillipson met Margaret Thatcher and was impressed by her interest in Smith’s theories of lower taxes, smaller government and freer markets, his natural milieu was the centre-left ground of the Tony Blair/Gordon Brown days. Brown, who represented the Kirkcaldy constituency where Smith once lived, consulted Phillipson about his recent book, My Life, Our Times (2017), and was in touch in the days before his death. Lyon & Turnbull have the privilege of presenting a selection of artworks from Dr. Phillipson’s collection to the market. His friends knew him as an exceedingly keen mind - cosmopolitan and sophisticated, and his art collection is an elegant physical representation of these attributes and of his refreshingly catholic, indeed enlightened, tastes. He was a generous patron of the arts, and an early supporter of the careers of many now well recognised talents, including Callum Innes, a fine example of whose work is represented here for sale.

Contemporary & Post-War Art

36 [§] ROBERT COLQUHOUN (SCOTTISH 1914-1962) WOMAN Signed and dated ‘62, pencil 25cm x 20cm (9.75in x 8in)

£1,000-1,500

37 HENRI GAUDIER-BRZESKA (FRENCH 1891-1915) COALMAN Charcoal, with a further sketch in pen and ink verso, possibly a self-portrait 25cm x 19cm (9.75in x 7.5in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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38 [§] PETER HOWSON (SCOTTISH B.1958) BY THE WALL Signed and dated ‘80, mixed media on paper 48cm x 33cm (19in x 13in)

£600-800

39 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) THE KISS Signed and inscribed with pencil and numbered 15/50, etching 28cm x 30cm (11in x 12in)

£150-250

40 [§] PETER HOWSON (SCOTTISH B.1958) FIGURES Signed, gouache on paper 29.5cm x 21cm (11.5in x 8.25in)

£300-500

Contemporary & Post-War Art

41 [§] ANTONI TÀPIES (SPANISH 1923-2012) COMPOSITION (G691) Signed and dated 2/100 in pencil, lithograph 64cm x 49cm (25in x 19.25in)

£600-800

42 [§] ANTONI CLAVÉ SANMARTIN (SPANISH 1913–2005) POINT VERT, 1972 Signed, colour etching and carborundum 64cm x 49cm (25in x 19.25in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Francis Davison Davison was born in 1919, one of four children adopted by George and Joan Davison, millionaires by way of the Eastman Kodak Company. His childhood was initially spent in Cannes, until he was sent over to England in 1932 to attend St George’s boarding school in Essex, where he met Patrick Heron, who was to become a lifelong friend. Rather than following Heron to the Slade after graduation in the early 1930s, Davison entered the sphere of social care. The friends were united again as conscientious objectors during the Second World War.

Around this time he and Mellis moved to a farm in Suffolk. Davison discarded his oil painting practise and it was at this stage that he began to create the experimental, abstracted collages for which he is now best known. The works, as with the two shown here, are always assembled from torn, as opposed to cut, components. They are assembled via a system of dense and complex layering and, at this early stage, were composed in an interesting, muted palette informed by the Suffolk countryside, though he would later adopt an increasingly bright tonal range.

In the mid-1940s, Davison joined Heron at the artist colony of St Ives. Here Davison met and later married the artist Margaret Mellis. The couple moved to Davison’s family chateau in Cap d’Antibes and it was here that he began to paint in earnest.

Recognition came eventually in the late 1970s and, in 1979, Davison was included by William Packer in his British Art Show, which toured the UK. 1983 saw a solo evhibition of his work at the Hayward Gallery, London. Since his death in 1984, there have been four solo shows at the Redfern, including a retrospective in 1986, for which Heron wrote the catalogue essay. In 1989 Davison was included in the Arts Council’s touring show, The Experience of Painting. In 2007, he was the subject of a well-received retrospective at Kettle’s Yard, Cambridge.

Davison was unsuccessful in finding London representation for his oils during this period, though his work was shown alongside Oskar Kokoschka, Merlyn Evans, and Prunella Clough in the Spring Exhibition at St George’s Gallery, 1950.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

43 [§] FRANCIS DAVISON (BRITISH 1919-1984) ABSTRACT: BROWN AND YELLOW Mixed media collage 77cm x 102cm (30.25in x 40in) Provenance: Purchased by Dr. Phillipson in 1971

£3,000-5,000

44 [§] FRANCIS DAVISON (BRITISH 1919-1984) UNTITLED (ABSTRACT) Mixed media collage 69cm x 70cm (27in x 27.5in) Provenance: Purchased by Dr. Phillipson in 1971

£3,000-5,000

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45 [§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017) QUAY 1983, signed, mixed media and collage 27cm x 38cm (10.5in x 15in)

£250-350

46 [§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017) LANDMARK Signed, mixed media and collage 26cm x 39cm (10.25in x 15.25in)

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

47 [§] HOCK-AUN TEH (MALAYSIAN/SCOTTISH CONTEMPORARY) COMPOSITION IN BLACK & GREY Signed, gouache on paper 114cm x 97cm (45in x 38in)

£700-900

48 [§] SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) ABSTRACT IN PINK & BLUE Signed and dated ‘70, watercolour 74cm x 59cm (29in x 23.25in)

£1,000-1,500

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49 [§] PIERRE CÉLICE (FRENCH B.1932) LES SAVIS DE L’ATELIER Signed and dated ‘68 in pencil, numbered 61/75, lithograph 50cm x 66cm (19.75in x 26in) Provenance: Purchased by Dr. Phillipson in 1969

£300-500

50 [§] GEORGE CHAPMAN (BRITISH 1908-1993) THE BRIDGE (RHONDA, SOUTH WALES) Signed and numbered 5/50, etching and aquatint 76cm x 63cm (30in x 24.25in) and another print by the same hand (2) Provenance: Purchased by Dr. Phillipson in 1963

£200-300

51 [§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) UNTITLED FROM ‘MOONSTRIP EMPIRE NEWS’ PORTFOLIO Screenprint 37cm x 24cm (14.5in x 9.5in) and a second screenprint from the same portfolio (2)

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Callum Innes Callum Innes is one of Britain’s foremost contemporary painters. Born in Edinburgh in 1962, he studied at Gray’s School of Art in Aberdeen, before completing his studies in Edinburgh College of Art in the mid-1980s. Though his very early style was figurative, soon after graduation he transitioned into the field of abstraction, an area of painting to which he has made a significant, globally recognised contribution. By as early as 1992, Innes had had two major exhibitions in public galleries; at the ICA, London, and the Scottish National Gallery of Modern Art, Edinburgh. In 1995 he was shortlisted for the Turner Prize which, went on to be won by Damien Hirst that year. In 1998 Innes won the NatWest Art Prize and in 2002 he won the Jerwood Painting Prize and the Artisti Invitati Al Premio Internazionale. He has had numerous solo shows around the world, and his work features in major museum collections including Tate, London, and the Guggenheim, New York. Innes work is instantly recognisable. His singular, alchemical approach to painting elevates the deliberate simplicity of his choice of materials; oils, turpentine, shellac. His paintings are often described as both painting and ‘un-painting’, due to the fact his work is concerned with the tenuous balance between the application of paint and its removal.

This work, a beautiful example from his Identified Forms series of the early 1990s, is a perfect illustration of the tension he creates between simplicity and complexity, as well as his ability to capture a moment of flux. Though his canvases are meticulous in their appearance, his work is very much concerned with a sense of physicality. From the broad, sensuous horizontal brushstrokes that smooth across the canvas, to the vertical striations of turpentine which blaze down, falling and fading through the paint’s surface. Many of Innes’ abstracts are concerned with the vertical form. They have been interpreted as a cipher for the human figure that once occupied his very early work, but now form an anchor which heightens our awareness of the intent of his brushwork and the recession of textures. In Identified Forms, the effect of the turpentine is one of luminosity, and the contrast of tone and surface further clarifies and heightens the intense darkness of the oil backdrop. The forms’ existence also allows the viewer to project on to them. Here they appear to rise like flares in a dark sky, comet tails trailing behind; the oil paint unable to resist the irresistible, molten path of the corrosive turpentine.

Contemporary & Post-War Art

52 [§] CALLUM INNES (SCOTTISH B.1962) UNTITLED (IDENTIFIED FORMS) Oil on canvas 106cm x 100cm (41.75in x 39.5in) accompanied by three hardback books on the artist

£10,000-15,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Other Properties 53 [§] WILHELMINA BARNS-GRAHAM (SCOTTISH 1912-2004) ORANGE AND RED ON PINK Signed and dated 1960-91 in pencil, numbered 11/70, screenprint 76.5cm x 48.75cm (30in x 19in)

£600-800

54 [§] JOHN HOYLAND R.A. (BRITISH 1934-2011) SNOWBIRD Signed and dated ‘90, number 27/100, screenprint 82cm x 66cm (32.25in x 26in)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

55 [§] CALLUM INNES (SCOTTISH B.1962) FROM MEMORY Signed and dated ‘06 in pencil, numbered 32/60, etching 47cm x 37cm 18.5in x 14.5in) (full sheet)

£400-600

56 [§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) FROM THE ARTIST’S SKETCHBOOK Pencil 25.5cm x 18cm (10in x 7in), and a second work by the same hand (2) Provenance: The estate of artist

£600-800

57 [§] DAVID NASH O.B.E., R.A. (BRITISH B.1945) CRACK AND WARP - ‘09 Signed, dated ‘09 and inscribed with title, charcoal 49cm x 60cm (19.25in x 23.5in)

£800-1,200

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58 [§] GERALD LAING (BRITISH 1936-2011) PRINT Signed, inscribed, dated and numbered ‘London 1965’ 22/46, painted stainless steel 42.5cm (16.75in) long

£600-800

59 [§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) CROCODILE Plaster maquette 7.5cm x 22cm x 9cm (3in x 8.5in x 3.5in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

60 [§] ALBERT IRVIN O.B.E., R.A., (BRITISH 1922-2015) SIMONE II Signed and dated ‘92 and inscribed with title in pencil, numbered 218/275, screenprint 21cm x 31.75cm (8.25in x 12.5in)

£400-600

61 [§] WILHELMINA BARNS-GRAHAM (SCOTTISH 1912-2004) EARTH I Signed and dated 2002, numbered 13/70, screenprint 58cm x 76cm (22.75in x 30in)

£500-700

62 [§] BRUCE MCLEAN (SCOTTISH B.1944) RECENT ACQUISITIONS Signed in pencil to margin, numbered 15/300, screenprint 14.5cm x 21.5cm (5.75in x 8.5in)

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

34 Lyon & Turnbull

63 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) THE OWL Signed, oil on canvas 68cm x 48cm (26.75in x 19in) Provenance: Purchased directly from the artist at his home in Barga, Italy

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

64 [ยง] PAT DOUTHWAITE (SCOTTISH 1939-2002) GIRL IN A BLACK DRESS Signed and dated 1969, oil and collage on board 120cm x 90cm (47.25in x 35.5in)

ยฃ4,000-6,000

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65 [§] DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) AQUARIUM FISH C.1970, signed, oil on canvas 46cm x 64cm (18in x 25in)

£1,000-1,500

66 [§] DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) DAMSEL FLIES Signed, oil on canvas 34cm x 44cm (13.5in x 17.25in)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

67 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) AMY JOHNSON THE AVIATRIX, SMOKING Pastel 60cm x 44cm (23.5in x 17.25in)

£1,000-1,500

68 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) BIRD WOMAN Signed and dated ‘72, pastel 64cm x 46cm (25in x 18in)

£600-800

69 [§] BREON O’CASEY (BRITISH 1928-2011) NUDE B.A.T. proof, signed and dated ‘93 in pencil to margin, etching, unframed 38cm x 28.5cm (15in x 11.25in)

£400-600

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70 [§] MARY GALLAGHER (SCOTTISH B.1953) MACKISH MOUNTAIN Signed, signed verso, oil on canvas 80cm x 77cm (31in x 30in)

£300-500

71 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) EVENING LIGHT, RED ROOFS, ISLE OF IONA Signed and dated ‘99, signed and inscribed with title verso, oil on board 40cm x 39cm (15.75in x 15.5in)

£1,500-2,000

72 [§] MARY GALLAGHER (SCOTTISH B.1953) GOING HOME Signed, oil on canvas 74.5cm x 89cm (29.25in x 35.25in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

73 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) BOATS IN AN EAST COAST HARBOUR Signed, oil on canvas 90cm x 120cm (35.5in x 47.25in)

£5,000-7,000

74 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) UNTITLED Signed, watercolour and pencil 37cm x 27cm (14.5in x 10.5in)

£1,000-1,500

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75 [§] SIR WILLIAM MACTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903-1981) STATUES OF SAINTS Studio stamp ref. 262, graphite 28cm x 41cm (11in x 16in)

£400-600

76 [§] JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) BEFORE THE STORM Signed and inscribed with title in pencil to margin, numbered 4/50, etching, unframed 53cm x 66cm (21in x 26in)

£300-500

77 [§] SIR WILLIAM MACTAGGART P.R.S.A., R.S.W. (SCOTTISH 1903-1981) HOUSE THROUGH THE TREES Studio stamp ref. 262, conté 24cm x 36cm (9.5in x 14in)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

78 [§] ETHEL WALKER (SCOTTISH B.1941) POPPIES IN A SILVER JUG Signed, gouache 75cm x 62cm (29.5in x 24.5in)

£3,000-5,000

79 [§] ETHEL WALKER (SCOTTISH B.1941) CHINOISERIE Signed, oil on board 45cm x 42cm (17.75in x 16.5in)

£1,000-1,500

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80 [§] JACK MORROCCO (SCOTTISH B.1953) STILL LIFE WITH APPLES AND A RED CLOTH Signed, oil on canvas 50cm x 61cm (19.75in x 24in)

£3,000-5,000

81 [§] JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) LOBSTER 1997, signed, oil on canvas 39cm x 76cm (15.5in x 30in)

£2,000-3,000

Contemporary & Post-War Art

82 [§] JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) IRISH BIRDCAGE Signed, oil on canvas 44cm x 39cm (17.25in x 15.25in)

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

44 Lyon & Turnbull

83 [§] MARY FEDDEN (BRITISH 1915–2012) BASKET OF LEMONS, 1971 S/P, signed in pencil, lithograph, unframed 77.5cm x 57cm (30.5in x 22.5in)

£400-600

84 [§] ALISON WILDING R.A. (BRITISH B.1948) STARLING 2 Signed in pencil and numbered 32/50, lithograph, unframed 38cm x 44cm (15in x 17.25in)

£200-300

85 [§] THOMAS A. CLARK (SCOTTISH B.1944) THE HIDDEN PLACE 2010, edition 100, screenprint 110cm x 75cm (43.25in x 29.5in)

£250-350

Contemporary & Post-War Art

86 BERT STERN (AMERICAN 1929-2013) MARILYN IN A BLACK DRESS, 1962 A later print with accompanying signed certificate of authenticity dated 2010, signed monogram and inscribed ‘Marilyn’ and numbered 5/6, signed with monogram verso and studio stamped, digital pigment print 65cm x 61cm (25.5in x 24in)

£4,000-6,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Harry Callahan Harry Callahan was an influential figure in the canon of great American photographers of the 20th century. Born in Detroit, Michigan, he was self-taught in the art form, eventually leaving his job at Chrysler to pursue it fulltime. By 1946 he was invited to teach photography at the Institute of Design in Chicago by László MoholyNagy. He moved to Rhode Island in 1961 to establish a photography program at the Rhode Island School of Design, teaching there until his retirement in 1977. His method of working consisted of a diligent routine; every morning he would traverse his local neighbourhood taking photographs, and every afternoon he would produce proof prints of the best negatives the day had produced. Despite this, he was meticulous about what he produced for public consumption; ultimately producing less than half a dozen final images a year. The two works offered here for sale are representative of two of his key areas of visual interest. ‘Detroit’ is demonstrative of his

fascination with the urban environments he inhabited, as well as perhaps connecting to his roots at Chrysler and early studies as an engineer. It is also an example of his interest in experimental photographic forms, including multiple exposures and, as here, blurring. The second work depicts his most important and heavily featured sitter: his wife Eleanor. She frequently modelled for him in various settings, and here we find her reclining, nude, in a heavily vegetated, almost Rousseau-esque environment. Callahan is considered one of the few innovators in modern American photography, and his pioneering work in the medium and contribution to education has assured his legacy amongst subsequent generations of photographers and collectors alike. Today, Callahan’s works are held in the collections of The Museum of Modern Art in New York, the Smithsonian American Art Museum in Washington, D.C., and the Art Institute of Chicago, among others.

Contemporary & Post-War Art

HARRY CALLAHAN (AMERICAN 1912-1999)

DETROIT 1943, signed, signed verso, gelatin silver print

ELEANOR, PORT HURON 1954, signed, gelatin silver print, unframed

28cm x 35.5cm (11in x 14in) (to edges of paper), 24cm x 32.5cm (image only)

25.5cm x 20cm (10in x 8in) (to edges of paper), 18cm x 17.5cm (image only)

£4,000-6,000

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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89 RICHARD PRINCE (AMERICAN B.1949) COWBOY (FROM THE ‘COWBOYS AND GIRLFRIENDS’ PORTFOLIO), 1992 Signed with initials verso, from an edition of 26, C-print, unframed

Richard Prince The New York Times has described the contemporary American artist Richard Prince, as ‘one of the most revered artists of his generation.’ His work has met with huge critical acclaim and popular success but as with all of the most successful contemporary artists, Prince’s work has courted some controversy. His breakthrough series Cowboys was created using a technique of re-photography; with the artist selecting existing imagery that appealed to him and re-photographing it, sometimes cropping out promotional text or adjusting and cropping the composition before presenting the new photograph in a fine art context. The original series, and ensuing explorations of other distinctly American groups and subcultures, including bikers and their girlfriends, launched Prince’s career. Yet, on occasion, ethical and legal disputes have arisen from photographers who feel their work has been unfairly used and profited upon by the artist. With re-photography, the artist’s eye and his process of selection becomes the aesthetic action and Prince himself has described his process as similar to beach-combing or going into the studio and ‘bumping into things.’ This sense of sifting through huge volumes of imagery and ideas to select a very specific few is a particular skill and way of working that the artist developed whilst working at Time Life’s cutting service, where he also gained a deep familiarity with advertising imagery. As an artistic practice, Prince started using rephotography in 1977, and at that time then disowned all his previous artistic work.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Image size: 40cm x 58cm (15.75in x 22.75in), sheet size: 51.5cm x 61cm (20.25in x 24in)

£20,000-30,000

All artistic choices and processes are important, yet it seems especially valid to explore the meanings and suggestions of Prince’s selected imagery, as it is the selection rather than any creation that is his artistic labour. Cowboys was his breakthrough series, and the cowboy, in particular, is a distinctly American fantasy view of masculinity. By selecting them as his subject, Prince at once celebrates the fantasy and icon, while also exposing its unreality, particularly as many of his cowboy images are taken from Marlborough advertising campaigns, where the original images were taken by photographers hired by the company to create such fantasy imagery, and often featured posed models rather than real men living this lifestyle. Girlfriends offers a similar fantasy; associated with biker gangs, these women have shaken off expected social standards to find their own freedom in lifestyle and expression. They are real women but are often presented within an almost soft-porn aesthetic. Prince continues to be captivated with similar themes and techniques, and more recently he has turned his attention to social media, spending hours sifting through the profusion of media online before re-photographing and captioning Instagram photographs, playing around with a blurring and then distinction between selfies, selfportraits and portraiture. Time will tell whether these 21st century images will endure and captivate as much as the Cowboys and Girlfriends imagery has.

Contemporary & Post-War Art

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90 RICHARD PRINCE (AMERICAN B.1949) GIRLFRIEND (FROM THE ‘COWBOYS AND GIRLFRIENDS’ PORTFOLIO) Vintage Ektachrome print, from an edition of 26, initialed verso, unframed 51cm x 61cm (20in x 24in)

£1,000-1,500

91 ROBERT LONGO (AMERICAN B.1953) GUN (.38 SPECIAL) Signed and dated ‘94, edition W/P, 20, monoprint, silkscreen and ink on paper 76cm x 81cm (30in x 32in)

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

92 [§] CALUM COLVIN O.B.E., R.S.A. (SCOTTISH B.1961) HEROES I 1986, cibachrome print 98cm x 77cm (38.5in x 30.5in)

£600-800

93 [§] CALUM COLVIN O.B.E., R.S.A. (SCOTTISH B.1961) HEROES II 1986, cibachrome print 98cm x 77cm (38.5in x 30.5in)

£600-800

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94 [§] JACK MORROCCO (SCOTTISH B.1953) BOULES, LA PLACE, ST PAUL DE VENCE Signed, oil on canvas 40cm x 40cm (16in x 16in)

£2,000-3,000

95 [§] JOHN BROWN (SCOTTISH B.1945) FRUIT BARROWS, MARRAKECH Signed, signed and inscribed with title verso, mixed media and collage on board 25cm x 25cm (10in x 10in)

£300-500

96 [§] JOHN MACKIE (SCOTTISH B.1953) THE STREET CAFE Signed and dated 2001, pastel 24cm x 30cm (9.5in x 11.75in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

97 [§] JOCK MCINNES R.G.I. (SCOTTISH B.1943) SEAGULLS’ SALUTE Oil and gesso on board 74cm x 89cm (29in x 35in)

£2,000-3,000

98 [§] ARCHIE FORREST (SCOTTISH .1950) BEACH, PORTUGAL Signed, signed and inscribed with title verso, oil on canvas 38cm x 49cm (15in x 19.25in)

£2,000-3,000

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99 [§] MARY DAVIDSON (SCOTTISH B.1955) INTERIOR WITH POPPIES Signed, oil on board 60cm x 60cm (24in x 24in)

£600-800

100 [§] JAMES MORRISON R.S.A., R.S.W. (SCOTTISH B.1932) ANGUS LANDSCAPE Signed and dated ‘89, oil on board 46cm x 59cm (18in x 23.25in)

£2,000-3,000

101 [§] ETHEL WALKER (SCOTTISH B.1941) DAFFODILS WITH COFFEE CUPS Signed, oil on board 32cm x 47cm (12.5in x 18.5in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

102 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) AUTUMN EVENING, ISLE OF ISLAY Signed and dated 2000, signed and dated and inscribed with title verso, oil on board 60cm x 59cm (23.5in x 23.5in)

£2,000-3,000

103 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) PUFFER ON THE CRINAN CANAL Signed and dated ‘99, signed and dated and inscribed with title verso, oil on board 59cm x 58cm (23in x 22.75in)

£2,000-3,000

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104 [§] PETER HOWSON (SCOTTISH B.1958) WALKING HOME Signed, oil on paper 55cm x 42cm (21.5in x 16.5in) Exhibited: Cyril Gerber, Glasgow

£1,200-1,800

105 [§] KEVIN SINNOTT (WELSH B.1947) SISTERS 1997, signed with initials, oil on linen 110cm x 144cm (43.25in x 56.5in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

106 [§] NEIL MACPHERSON R.S.A., R.G.I. (SCOTTISH CONTEMPORARY) STUDY FOR ‘CORN GROWERS’ Signed, oil on paper 65cm x 36cm (25.5in x 14.25in)

£400-600

107 [§] NEIL MACPHERSON R.S.A., R.G.I. (SCOTTISH CONTEMPORARY) THE MARINER Signed, oil on paper 82cm x 72cm (32.25in x 28.25in)

£1,000-1,500

108 [§] PETER THOMSON (SCOTTISH B.1962) BREATHE Oil on board 127cm x 101cm (50in x 40in)

£700-1,000

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109 [§] HELEN FLOCKHART (SCOTTISH B.1963) COWMAN Oil on board 16cm x 23cm (6.25in x 9in)

£400-600

110 [§] PETER THOMSON (SCOTTISH B.1962) RELUCTANT GARDENER Signed and dated 2013, oil on board 14cm x 20cm (5.5in x 8in)

£300-500

111 [§] NAEL HANNA (IRAQI/SCOTTISH B. 1959) SUMMER SKY, EAST COAST, SCOTLAND Signed, oil on board 15cm x 25cm (6in x 9.75in)

£500-700

Contemporary & Post-War Art

112 [§] CRAIG MULHOLLAND (SCOTTISH B.1969) NUDE WITH KNIFE Signed and dated 1995/6 verso, oil on canvas 244cm x 183cm (96in x 72in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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113 [§] ANN ORAM R.S.W. (SCOTTISH B.1956) BOTANICS Gouache and ink on paper 30cm x 50cm (11.75in x 19.75in)

£300-500

114 [§] LEON MORROCCO A.R.S.A. (SCOTTISH B.1942) SUN CANOPY, 1978 Signed and dated, pastel 26cm x 29cm (10.25in x 11.5in)

£800-1,200

115 [§] ANN ORAM R.S.W. (SCOTTISH B.1956) MEDITERRANEAN Signed and dated ‘86, watercolour and ink on paper 33cm x 46cm (13in x 18in)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

116 [§] GLEN SCOULLER (SCOTTISH B.1950) MEETING PLACE, LA GAUDE Signed, oil on canvas 122cm x 122cm (48in x 48in)

£4,000-6,000

117 [§] LEON MORROCCO A.R.S.A. (SCOTTISH B.1942) STILL LIFE WITH TOWEL ON THE PATIO Signed and dated ‘95, oil on board 56cm x 61cm (22in x 24in)

£2,000-3,000

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118 [§] RICHARD GILBERT (BRITISH CONTEMPORARY) WABASH STUDY NO. 9 Signed and dated ‘89, oil on board 25cm x 18cm (9.75in x 7in)

£300-500

119 [§] PETER NARDINI (SCOTTISH CONTEMPORARY) BEACH LADY Signed, acrylic 43cm x 38cm (17in x 15in)

£400-600

120 [§] NAEL HANNA (IRAQI/SCOTTISH B. 1959) EAST COAST BREAKERS Signed, oil on canvas 75cm x 120cm (29.5in x 47.25in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

121 [§] JAMES FULLARTON (SCOTTISH B.1946) ANEMONIES Signed, oil on canvasboard 23cm x 33cm (9in x 13in)

£600-800

122 [§] JAMES FULLARTON (SCOTTISH B.1946) TULIPS Signed, oil on canvasboard 23cm x 33cm (9in x 13in)

£600-800

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123 [§] MARDI BARRIE R.S.W. (SCOTTISH 1931-2004) CAMP SITE Signed, oil on board 32cm x 48cm (12.5in x 19in) Exhibited: No.53, ‘Mardi Barrie Exhibition’, 1968, Aitken Dott, Edinburgh

£400-600

124 [§] JAMES DOWNIE ROBERTSON R.S.A., R.S.W., R.G.I. (SCOTTISH 1931-2011) EVENING LANDSCAPE Signed, gouache 32.5cm x 32cm (12.75in x 12.5in)

£300-500

125 [§] ALASTAIR FLATTELY (SCOTTISH 1922-2009) FORESTER’S HOUSES, GLENBERVIE Signed, oil on canvas 76cm x 101cm ( 30in x 39.75in) Provenance: ‘Alastair Flattely Festival Exhibition’ 2003, Lyon & Turnbull

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

126 [§] MATTHEW DRAPER (BRITISH B.1973) GLISTEN (CALTON HILL SERIES, NO.10) Signed and dated 2007, pastel 96cm x 143cm (37.75in x 56.25in)

£1,000-1,500

127 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) OVERBERG Artist’s proof, signed, screenprint 110cm x 146cm (43.25in x 57.5in)

£800-1,200

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128 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) WHEEL NO.1 Signed and inscribed with title and dated ‘Nov ‘68’ board verso, oil on board 26cm x 31cm (10.25in x 12.25in) Exhibited: Gimpel Fils, London, 1969

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

129 [§] HOWARD HODGKIN C.H., C.B.E. (BRITISH 1932-2017) ALEXANDER STREET Signed and dated ‘78 and numbered 9/90, lithograph in colours with hand colouring in watercolour and gouache on Arches paper 34cm x 61cm (13.5in x 24in)

£600-800

130 [§] JOHN MCLEAN (SCOTTISH B.1939) MOON GYTE Signed and dated 2000, acrylic on paper 75cm x 56cm (29.5in x 22in)

£500-700

131 [§] PAUL INSECT (BRITISH B.1971) NO WHITE Signed and inscribed ‘To David, NY 2012’ verso, acrylic on canvas 61cm x 90cm (24in x 35.5in)

£1,500-2,500

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132 [§] MANUEL MARÍN (SPANISH 1942–2007) UNTITLED WITH RED AND BLUE (TABLE-TOP MOBILE) Signed with impressed mark to base, polychrome steel mobile sculpture 37cm high x 51cm long (14.5in x 20in)

£1,500-2,500

133 [§] ANDY SCOTT (SCOTTISH B.1964) THE KELPIES Signed and numbered 6/50, bronze approx. 20cm x 14cm x 8cm (8in x 5.5in x 3.25in), a pair (2)

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

134 [§] MAURO CORDA (FRENCH B.1960) PETIT MEROU Edition of 8, nickel plated bronze Installation: 161cm x 150cm x 76cm (63.5in x 59in x 30in), Fish: 50cm x 99cm x 24cm (19.75in x 39in x 9.5in)

£6,000-8,000

Mauro Corda Mauro Corda is a contemporary French sculptor. Born into a family tradition of Italian stonecutting, the scene was set for his own artistic preoccupation with three-dimensional form. Corda trained at the Ecole des Beaux-Arts, and continues to live and work in Paris. His work has been exhibited internationally, and he has received honours including the scholarship of the Casa Velasquez, Madrid between 1985-7 and becoming a Knight of the French Order of Arts and Letters in 2010. As an artist, Corda is engaged in the capturing of living forms, both human and animal, in a wide range of materials. His depiction of human figures has a classical basis but always with a contemporary angle, usually in their unusual and striking contortionist poses – bodies operating at the very extremes of flexibility and strength. There is also a contemporary angle to his varied and dramatic use of patinas. Corda is particularly interested in how different surface

colours, textures and finishes can change the emotion of a piece, sometimes even rendering the same figure in opposing textures to demonstrate the difference finish can make to our viewing experience. In Petit Merou, Corda has turned his attention to a marine form. The merou (grouper) is sensitively rendered, but on a surprisingly large scale, and this sense of drama is extended in its presentation. A high-shine silver patina achieved by applying nickel plate to the bronze catches the eye, while the specific installation case allows the sculpture to be suspended within the space and surrounded by strings of silver beads, breaking up the surface of the sculpture and adding a sense of movement as though our merou is drifting through shoals of small fish and creatures deep underwater, elusive and always just out of reach. The result is a striking juxtaposition of seriousness and humour, very much in keeping with Corda’s oeuvre.

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135 [§] IAN HAMILTON FINLAY (SCOTTISH 1925-2006) & RICHARD DEMARCO: THE LITTLE SEAMSTRESS c.1970, screenprint 50cm x 61.5cm (19.75in x 24.25in)

£400-600

136 [§] BET LOW A.R.S.A, R.S.W. (SCOTTISH 1924-2007) ”IMPRINTED” - 1961 Signed and dated ‘61, watercolour and gouache 25.5cm x 45cm (10in x 17.75in) Exhibited: One Man Exhibition, ‘57 Gallery, Edinburgh One Man Exhibition, London, 1962

£400-600

137 [§] JOHN BRATBY R.A. (BRITISH 1928-1992) COW IN A SHED Signed (obscured by mount), watercolour and pencil 40cm x 49cm (15.75in x 19.25in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

138 [§] STEPHEN MANGAN (SCOTTISH B.1964) BEACH III: CONVERSATION Signed and dated ‘99, oil on canvas 44cm x 33cm (17.25in x 13in)

£800-1,200

139 [§] STEPHEN MANGAN (SCOTTISH B.1964) COFFEE STAGE Oil on canvas laid down 63.5cm x 63cm (25in x 24.75in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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140 [§] GORDON MITCHELL R.S.A., R.S.W., R.G.I. (SCOTTISH B.1952) WINDY CITY Signed, oil on canvas 91cm x 120cm (35.75in x 47.25in)

£2,500-4,000

141 [§] DAVID MCLEOD MARTIN R.S.W. (SCOTTISH 1922-2018) THE SMALL FRENCH JUG Signed, signed and dated 2001 verso, oil on canvas 90cm x 76cm (35.5in x 30in)

£2,000-3,000

Contemporary & Post-War Art

142 [§] HENRY KORDA (BRITISH B.1957) SWIMMING Signed and dated ‘91, oil on canvas 92cm x 128cm (36.25in x 50.5in)

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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143 [§] ANN ORAM R.S.W. (SCOTTISH B.1956) SPRING FLOWERS I Signed and dated ‘85, watercolour and ink 59cm x 46cm (23.25in x 18in)

£500-700

144 DONALD MANSON (SCOTTISH B.1948) LILIES AND APPLES BY THE ROAD TO AN AUTUMN LANDSCAPE Signed, oil on canvas 40cm x 30cm (15.75in x 11.75in)

£400-600

145 DONALD MANSON (SCOTTISH B.1948) SUMMER REFLECTIONS Signed, oil on canvas 101cm x 76cm (39.75in x 30in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

146 [§] LEO MCDOWELL (BRITISH 1936-2001) SPRING TIME IN TUSCANY Signed, mixed media 38cm x 46cm (15in x 18in)

£400-600

147 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) FIRENZE 4 Signed and inscribed with title, monoprint 70cm x 57cm (30in x 22.5in)

£600-800

148 [§] LEO MCDOWELL (BRITISH 1936-2001) PALESTRINA, ROMAN RUIN Signed, mixed media and collage 47cm x 47cm (18.5in x 18.5in)

£600-800

76 Lyon & Turnbull

149 [§] MARDI BARRIE R.S.W. (SCOTTISH 1931-2004) ENGLISH GARDEN Oil on board 43cm x 41cm (17in x 16in) Exhibited: Aitken Dott 1968, Edinburgh

£400-600

150 [§] SANDY MURPHY R.S.W., R.G.I. (SCOTTISH B.1956) REFLECTIONS, WHITE ROSES 1997, signed, oil on board 36cm x 37cm (14in x 14.5in)

£400-600

151 [§] SANDY MURPHY R.S.W., R.G.I. (SCOTTISH B.1956) STILL LIFE OF FRUIT Oil on board 28cm x 32cm (11in x 12.5in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

152 [§] BARBARA BALMER A.R.S.A., R.S.W. (SCOTTISH 1929-2017) RAVINE Signed, oil on board 99.5cm x 120cm (39.25in x 47.25in) Exhibited: Royal Scottish Academy, 2001 - where awarded the William J. Macaulay/Scottish Gallery Prize.

£1,000-1,500

153 [§] ETHEL WALKER (SCOTTISH B.1941) CINNERARIA Signed, oil on board 54cm x 62cm (21.25in x 24.5in)

£2,000-3,000

78 Lyon & Turnbull

154 [§] JOHN D. EDWARDS (BRITISH B.1952) DAWN ROOM Signed and dated 1989, signed and dated and inscribed with title verso, oil on canvas 30cm x 25.5cm (12in x 10in)

£150-250

155 [§] DAVID BOWIE (BRITISH 1947-2016) STAR Signed and dated ‘98 in pencil to margin and numbered 169/175, emobossed with title ‘Star’to margin, photolithograph, unframed 57cm x 39.5cm (22.5in x 15.5in) including margin

£600-800

156 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) WOMAN AND FISH Signed, watercolour 38cm x 28cm (15in x 11in)

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

157 [§] ALEXANDER MILLAR (SCOTTISH B.1960) BALLOONS Signed, signed verso, oil on canvas 76cm x 59cm (30in x 23.25in)

£2,000-3,000

158 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) HARVEST MOON AND HAYSTACKS, ISLE OF JURA Signed and dated 2000, oil on board 76cm x 75cm (30in x 29.5in)

£3,000-5,000

80 Lyon & Turnbull

159 R. B. KITAJ (AMERICAN 1932-2007) PRISONNIERS SOVIETIQUES (1941) Signed and dated 1964 in pencil to margin, artist’s proof, colour screenprint 56cm x 88.5cm (22in x 34.75in)

£500-700

160 [§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017) STAVE Signed and inscribed with title in pencil, numbered 2/10, aquatint 60cm x 79cm (23.5in x 31in)

£500-700

161 [§] GRAEME TODD (SCOTTISH B.1962) MORE LIKE SHACKS THAN HOUSES Signed and inscribed with title in pencil to margin, numbered 3/16, screenprint, unframed 42cm x 58cm (16.5in x 22.75in)

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

162 [ยง] BRUCE MCLEAN (SCOTTISH B.1944) HORIZONTAL DAWN & VERTICAL DUSK Both signed and numbered 13/60 in pencil, handfinished screenprints, with accompanying certificates, unframed Both 154cm x 117cm (60.5in x 46in)

ยฃ2,000-3,000

82 Lyon & Turnbull

163 VUSI KHUMALO (SOUTH AFRICAN B.1951) SONNABO (INFORMAL SETTLEMENT) Signed and dated ‘99, mixed media on board

Vusi Khumalo

150cm x 117cm (59in x 46in) (at widest point)

Vusi Khumalo is a contemporary artist born in 1951 in the small town of Balfour North, South Africa. Throughout his life, he took up art courses in South Africa, Tanzania and Zambia. He was awarded a oneyear scholarship at Konstfack Art School in Sweden in 1994, a degree which paved the way for future exhibitions and collaborations.

What clearly distinguishes Sonnabo, Informal Settlement (1999) is its trapezium-shaped board that heightens perspective by bringing forward the foreground in a physically enlarged format, while condensing both the background and vanishing point into a narrower space at the top of the board. Although Khumalo is well-renowned for his exquisite talent of rendering perspective and creating emotionally charged imagery, the overall visual effect of this collage is particularly imposing through its unusual shape which allows for the artwork’s message to protrude into the viewer’s reality

Intrinsically connected to the burgeoning “squatter” communities that live in the suburbs of South Africa’s major cities, Khumalo’s oeuvre is impactful and moving. Sonnabo, Informal Settlement (1999) is a truthful representation of indigenous communities that live in ‘informal settlements’, bearing stories of apartheid, displacement and hardship. His present work can be regarded as a visual ethnographic account built up from a mixed-media collage on board that brings together locally collected materials, such as discarded tins and cans, stones, clothes and wood in order to recreate the original atmosphere of the setting. The ‘informal settlement’ is, therefore, rendered realistically not only through the compositional subject matter but also through the selected assemblage of everyday objects with which the artist is more than familiar, himself having lived in a shack.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£1,500-2,500

Contemporary & Post-War Art

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

84 Lyon & Turnbull

164 [§] CAROLINE MCNAIRN (SCOTTISH 1955-2010) GARDEN AT NIGHT Signed, oil on canvas 61cm x 44cm (24in x 17.25in)

£1,000-1,500

165 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) WOMAN BLOWING IN THE WIND 1991, signed, signed verso, oil on canvas 60cm x 37cm (23.5in x 14.5in)

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

166 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) BRAIDS Signed and dated ‘90, charcoal 73cm x 51cm (28.75in x 20in)

£400-600

167 [§] PETER HOWSON (SCOTTISH B.1958) DOSSER - GREEN COAT Signed, pastel 60cm x 45cm (23.5in x 17.75in)

£1,500-2,500

168 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) RED STOCKINGS Signed and dated ‘84, pastel 73cm x 52cm (28.75in x 20.5in)

£400-600

86 Lyon & Turnbull

169 [§] VICTOR BONATO (GERMAN B.1934) GLASS MIRROR DEFORMATION: S-KX-69 Signed and dated August 1970 verso, concave glass sheet, silver-plated in an original metal frame 48cm x 48cm (19in x 19n)

£600-800

170 [§] BANKSY (BRITISH B.1974) THE WALLED OFF HOTEL , 2017 Digital print and concrete relief 22cm x 22cm (8.75in x 8.75in) Note: The relief element is an original piece of the separation wall that divides Israel and Palestine, which is sprayed with graffiti. The Walled Off Hotel is an independent leisure facility set up by Banksy. It overlooks the separation wall. Accompanied by original invoice.

£800-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

171 YAYOI KUSAMA (JAPANESE B.1929) PAIR OF PUMPKINS - 2013 Printed signature to the underside, painted cast resin multiples, both contained in the original paper covered boxes, published by Benesse Holdings, Inc., Naoshima, Japan. Both (4in x 3.5in x 3.5in) (2)

£600-800

172 JONAS WOOD (AMERICAN B.1977) LARGE SHELF STILL LIFE Offset lithograph printed in colours, 2017, on wove, stamped with the artist’s name, title, date and exhibition verso, from an edition of unknown size, this poster is published on the occasion of ‘Shio Kusaka & Jonas Wood’ exhibition by Voorlinden Museum, Netherlands, the full sheet printed to the edges, unframed 59.5cm x 59.5cm (23/5in x 23.5in)

£400-600

88 Lyon & Turnbull

173 SWOON (AMERICAN B.1977) ARGENTINA 2007, signed and numbered 92/95, etching and screenprint 58cm x 55cm (22.75in x 21.5in)

£300-500

174 [§] FELIM EGAN (IRISH B.1952) LANDLINE, 1991 Signed and inscribed with title in pencil to margin, numbered 17/32, lithograph 67cm x 50.5cm (26.25in x 20in)

£150-250

175 [§] KEITH MCINTYRE (SCOTTISH B.1959) THE PRIZE Signed and dated ‘87 in pencil, numbered 23/32, lithograph 56.5cm x 76cm (22.25in x 30in) and a further lithograph by the same artist ‘Theft of a Myth’ (2)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

176 [§] WILLIAM CROZIER (IRISH 1920-2011) UNTITLED, 1990 Signed, oil on canvas, unframed 21cm x 19.5cm (8.25in x 7.75in)

£1,500-2,500

177 [§] JAMES CUMMING R.S.A., R.S.W. (SCOTTISH 1922-1996) ABSTRACT Signed, oil on canvas 70cm x 89cm (27.5in x 35in)

£600-800

90 Lyon & Turnbull

178 [§] WILL MCLEAN M.B.E., R.S.A., R.S.W. (SCOTTISH B.1941) BLACK CROSSING V Mixed media relief on canvasboard 15.5cm x 17cm (6in x 6.75in)

£400-600

179 [§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) CAREY GRANT AS A WAR BRIDE FROM ‘MOONSTRIP EMPIRE NEWS’ PORTFOLIO Screenprint 38.5cm x 25cm (15.25in x 9.75in) and a further unframed print ‘ABC of Z’ from the same folio (2)

£250-350

Contemporary & Post-War Art

180 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) OPUS 0.743 - TOOTHBRUSH NO.6 May 1973, oil on canvas 76cm x 101.5cm (30in x 40in) Provenance: The artist; Private Collection, Portgual Exhibited: ‘Alan Davie: Paintings 1973, A Series of Small Oils’, Gimpel Fils, London, March 5th - March 30th 1974, Gimpel & Weitzenhoffer, New York, April 2nd - April 27th 1974, Gimpel & Hanover, Zurich, May 31st - July 6th 1974, cat. no 37 (reproduced in black and white); Barrow River Arts Festival, County Carlow, Ireland, 2014; ‘Alan Davie: The Seventies’, Gimpel Fils, London, 2016-2017

£8,000-12,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

92 Lyon & Turnbull

181 [§] STEPHEN CONROY (SCOTTISH B.1964) HEAD Signed, pencil 28cm x 19cm (11in x 7.5in)

£1,000-1,500

182 [§] KEN CURRIE (SCOTTISH B.1960) UNION ORGANISER Signed and inscribed with title in pencil to margin, numbered 16/20, lithograph, unframed 76cm x 56cm (30in x 22in)

£300-500

Contemporary & Post-War Art

183 [§] PETER HOWSON (SCOTTISH B.1958) ZEBULLIN III Signed and dated ‘09, pastel 60cm x 45cm (23.5in x 17.75in)

£1,500-2,000

184 [§] TIM GUSTARD (BRITISH CONTEMPORARY) EMPTY BINS, BARNARD CASTLE Signed and dated ‘92, oil on paper 30cm x 10.5cm (12in x 4in)

£500-700

185 [§] PETER HOWSON (SCOTTISH B.1958) LOST IN THOUGHT Signed, oil on canvas 38cm x 30cm (15in x 12in) Exhibited: Thompson Gallery, London

£3,000-5,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

94 Lyon & Turnbull

186 [§] ADRIAN WISZNIEWSKI A.R.S.A. (SCOTTISH 1958) DESIGN FOR POSTER FOR ‘GLASGOW PRINT STUDIO AT THE BARBICAN’ Signed and dated 1992 in pencil and numbered 22/100, lithograph, unframed 76cm x 56cm (30in x 22in)

£150-250

187 [§] ADRIAN WISZNIEWSKI A.R.S.A. (SCOTTISH 1958) BOY IN BLUE SHIRT Signed with initials and dated ‘10, gouache on gesso panel 25cm x 20cm (9.75in x 8in) Exhibited: Cyril Gerber Fine Arts, Glasgow

£600-800

188 [§] PAULA REGO D.B.E., R.A. (PORTUGUESE B.1935) OLD MOTHER GOOSE (FROM ‘THE NURSERY RHYMES’ PORTFOLIO) 1989, signed and numbered 20/50 in pencil to margin, etching and aquatint 51cm x 37cm ( 20in x 14.5in) (including margin)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

189 [§] PAUL REID (SCOTTISH B.1979) AFTER THE HUNT Signed, charcoal on board 40cm x 48cm (15.75in x 19in) Exhibited: ‘Paul Reid: Mythologies’, Scottish Gallery, Edinburgh, 2013

£1,000-1,500

190 [§] NORMAN KIRKHAM R.G.I. (SCOTTISH B.1936) A DISAGREEMENT Signed and dated 2003, oil on canvas 60cm x 100cm (24in x 39.5in)

£1,000-1,500

96 Lyon & Turnbull

191 [§] JAMES DOWNIE ROBERTSON R.S.A., R.S.W., R.G.I. (SCOTTISH 1931-2011) INTRUDER Signed, oil on paper 80cm x 112cm (31.5in x 44in)

£1,000-1,500

192 [§] ELSPETH LAMB R.S.A. (SCOTTISH B.1951) NEVER TRY AND KNOCK ON ROTTEN WOOD Unique, signed and inscribed with title and dated ‘86 in pencil, lithograph 76cm x 110cm (30in x 43.25in) and a further lithograph by the same artist, ‘Crossing the Water’ (2)

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

193 [§] VICTORIA CROWE O.B.E., R.S.A., R.S.W. (SCOTTISH B.1946) UNTITLED Mixed media and collage 78cm x 105cm (30.75in x 41.25in)

£1,500-2,000

194 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) ALMONDS, BUBION Signed, mixed media on paper 15.5.cm x 15.5cm (6in x 6in)

£1,000-1,500

98 Lyon & Turnbull

195 [§] PAULA REGO D.B.E., R.A. (PORTUGUESE B.1935) THE SCHOOL ROOM (FROM ‘JANE EYRE’) S/P, signed in pencil, lithograph, unframed 62cm x 90cm (24.5in x 35.5in)

£700-1,000

196 [§] HENRY MOORE O.M., C.H., F.B.A. (BRITISH 1898-1986) FIGURES IN AN INDUSTRIAL LANDSCAPE , 1975 S/P, signed and inscribed with title in pencil, bears Curwen Studio stamp, unframed 50cm x 40cm (19.75in x 15.75in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

197 [§] LAURENCE STEPHEN LOWRY R.A., R.B.A. (BRITISH 1887-1976) A NORTHERN TOWN - 1967 Signed and dated 1967 in plate, signed in pencil and numbered 23/75 to margin, offset lithograph 48cm x 61cm (19in x 24in)

£1,500-2,000

198 [§] LAURENCE STEPHEN LOWRY R.A., R.B.A. (BRITISH 1887-1976) MRS SWINDELLS’ PICTURE Signed and dated 1967 in image, signed in pencil to margin, embossed with studio stamp to margin, offset colour lithograph 43cm x 32cm (17in x 12.5in)

£1,000-1,500

100 Lyon & Turnbull

199 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) STILL LIFE WITH CHINESE DOLL AND TEAPOT Signed, oil on canvas 121cm x 121cm (47.5in x 47.5in)

£6,000-8,000

Contemporary & Post-War Art

101

VINTAGE SKI POSTERS

200

201

ALFRED WIDMER

WERNER WEISKÖNIG (1907–1982)

OSTSCHWEIZ. SKIRENNEN ST. GALLEN Lithograph, 1939 condition A; not backed

DAVOS Offset lithograph, 1936, condition A; not backed

102cm x 64 cm (40in x 25in)

102cm x 64cm (40in x 25in)

£1,000-1,500

£1,500-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

102 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

202 WALTER KOCH (1875-1915) DAVOS Lithograph, 1915, condition B; backed on linen 105cm x 74cm (41.5in x 29in)

£2,500-3,500

203 WALTER KOCH (1875-1915) DAVOS Lithograph, 1911, condition A-; backed on linen 105cm x 74cm (41.5in x 29in)

£3,000-5,000

103

104 Lyon & Turnbull

204 ALBERT STEINER (1877-1965) WINTERSPORT IN DER SCHWEIZ Lithograph, condition B+; not backed 74cm x 49cm (40in x 25in)

£1,000-1,500

205 F SIMMEN SCHWEIZ Lithograph, 1925, condition A-; not backed 100cm x 65cm (40in x 25in)

£600-800

206 AMSTUTZ & HERDEG BERNESE OBERLAND Lithograph, 1944, condition B+; not backed 102cm x 64cm (40in x 25in)

£700-900

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

207 ANONYMOUS ZERMATT Offset lithograph, 1960, condition A; not backed 102cm x 64cm (40in x 25in)

£800-1,200

208 WEHRLI (PHOTO) SCHWEIZ, DAS MATTERHORN Lithograph, 1924, condition A-; not backed 99cm x 64cm (39in x 25in)

£1,200-1,800

209 A PERREN-BARBERINI (PHOTO) ZERMATT Offset lithograph, 1954, condition A-; not backed 102cm x 64cm (40in x 25in)

£800-1,200

105

106 Lyon & Turnbull

210

211

PIERRE MICHEL (1924-2009)

MARTIN PEIKERT (1901-1975)

BARCELONETTE BY MICHEL Lithograph, 1928, condition A-; backed on linen

SCHWEIZ. SKIRENNEN UNTERWASSER Lithograph, 1939, condition A; not backed

108cm x 79cm (42.5in x 31in)

100cm x 70cm (39.5in x 27.5in)

£2,000-3,000

£5,000-7,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

212

213

EDWARD STEIFEL (1875-1968)

J CHARMOZ

KLOSTERS Lithograph, 1926 condition A; backed on linen

IT’S POWDER IN KLOSTERS Offset lithograph, 1957, condition A-; backed on linen

100cm x 64cm (39.5in x 25in)

98cm x 69cm (38.5in x 27in)

£4,000-6,000

£1,500-2,000

107

108 Lyon & Turnbull

Contemporary & Post-War Art

109

214

217

219

ANONYMOUS

VECOUX

LOTHAR RUBELT (1901-1990) (PHOTO)

VORARLBERG, AUSTRIA Lithograph, c.1950, condition A-; backed on linen

SAVOIE Lithograph, 1946 condition A; backed on linen

COME FOR WINTER SPORTS TO AUSTRIA Condition B+

84cm x 56cm (33in x 22in)

98cm x 60cm (38.5in x 24in)

£500-700

£300-500

£400-600

215

218

220

ANONYMOUS

JULES CHERET (1836-1932)

ANONYMOUS

NO NOX Offset lithograph, 1941, condition A-; backed on linen

PALAIS DE GLACE Lithograph, 1890, condition B+; backed on linen

105cm x 69cm (41.5in x 27in)

122cm x 86cm (48in x 34in)

ALPINE WORLD SKI CHAMPIONSHIPS, BADGASTEIN, AUSTRIA Lithograph, 1958, condition A-; backed on linen

£300-500

£2,000-3,000

85cm x 57cm (33.5in x 22.5in)

97cm x 59 cm (38in x 23in)

£200-400

216 ROGER BRODERS (1883-1953) JURA.ENVIRONS DE PONTARLIER Lithograph, 1930, condition A-; backed on linen 100cm x 62cm (39.5in x 24.5in)

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

110 Lyon & Turnbull

221 HANS LOOSER (1897–1984) TOGGENBURG Lithograph, 1932 condition A-; not backed 127cm x 90 cm (50in x 35.5in)

£1,000-1,500

222 PIERRE MONNERAT (1917-) QUI DIT SKI, DIT SUISSE Lithograph, 1954, condition B+; backed on linen 100cm x 64cm (39.5in x 25in)

£400-600

223 GONGARO JEAN VALLESE, SUIZZERA Lithograph, 1951, condition A; not backed 102cm x 64cm (40in x 25in)

£1,000-1,500

Contemporary & Post-War Art

111

224 EDMUND WELF (1915-1993) LES PLAISIRS DE L’HIVER Lithograph, 1945, condition A; not backed 102cm x 64cm (40in x 25in)

£800-1,200

225 HANS FALK (1918–2002) SUNNY SPORTS IN SWITZERLAND Lithograph, 1957, condition A; not backed 102cm x 64cm (40in x 25in)

£600-800

226 ALOIS CARIGIET (1902-1985) LES GRISONS SUISSE Lithograph, 1937, condition A-; backed on linen 127cm x 92cm (50in x 36in)

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

112 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

227 ALOIS CARIGIET (1902-1985) HOLIDAYS IN SWITZERLAND Lithograph, 1937, condition B+; backed on japan 102cm x 64cm (40in x 25in)

£1,000-1,500

228

229

FRANZ GYGAX (1915-1987)

PETER KUNZ (1921-1986)

LENZERHEIDE, VALBELLA Condition B+/A-; backed on linen 102cm x 65cm (40in x 25.5in)

IMMER AUF DERHOHE MIT WINTERFERIEN, SWITZERLAND Lithograph, 1967, condition A-; not backed

£500-700

127cm x 90cm (50in x 35.5in) £400-600

113

114 Lyon & Turnbull

Index BALMER, B., 152 BANKSY , 170 BARNS-GRAHAM, W., 53, 61 BARRIE, M., 123, 149 BELLANY, J., 39, 63, 73, 74, 156, 165, 199 BONATO, V., 169 BOWIE, D., 155 BOYD, J. G., 9, 27 BRATBY, J., 137 BROWN, J., 95 BRYCE, G., 28 CALLAHAN, H., 87, 88 CARMICHAEL, S., 10, 17 CELICE, P., 49 CHAPMAN, G., 50 CLARK, T. A., 85 CLAVÉ-SANMARTIN, A., 42 COLQUHOUN, R., 36 COLVIN, C., 92, 93 CONROY, S., 181 CORDA, M., 134 CROWE, V., 193 CROZIER, W., 176 CUMMING, J., 4, 15, 177 CUNNINGHAM, J., 81, 82 CURRIE, K., 182 DALI, S., 34, 35 DAVIDSON, M., 99 DAVIE, A., 128, 180

Glossary

DAVISON, F., 43, 44 DOUTHWAITE, P., 64, 67, 68, 166, 168 DRAPER, M. 126 EDWARDS, JOHN D., 154 EGAN, FELIM, 174 EHLRICH, G., 8 FEDDEN, M., 83 FINLAY, I. H., 135 FLATTELY, A., 125 FLOCKHART, H., 109 FORREST, A., 98 FULLARTON, J., 121, 122 GALLAGHER, M., 70, 72 GAUDIER-BRZESKA, H., 37 GILBERT, R., 118 GILLIES, SIR W. G., 3 GOUDIE, A., 7, 11, 12, 13 GROSS, A., 26 GUSTARD, T., 184 HANNA, N., 111, 120 HAYMAN, P., 21 HAYTER, S. W., 22 HODGKIN, H., 129 HOUSTON, J., 76 HOWSON, P., 38, 40, 104, 167, 183, 185 HOYLAND, J. 54 INNES, C., 52, 55 INSECT, P., 131 IRVIN, A., 60 JOHNSTONE, W., 5

KHUMALO, V., 163 KIRKHAM, N., 190 KITAJ, R. B., 159 KORDA, H., 142 KUSAMA, Y., 171 LAING, G., 58 LAMB, E., 192 LONGO, R., 91 LOW, B., 23, 136 LOWRY, L. S., 197, 198 MACKIE, J., 96 MACLEAN, W., 178 MACNAB, I., 16, 18, 19, 20 MACPHERSON, N., 106, 107 MACTAGGART, SIR W., 75, 77 MANGAN, S., 138, 139 MANSON, D., 144, 145 MARIN, M., 132 MARTIN, D. M., 141 MCDOWELL, L., 146, 148 MCINNES, J., 97 MCINTYRE, K., 175 MCLEAN, B., 62, 162 MCLEAN, J., 130 MCNAIRN, C., 164 MICHIE, D., 65, 66 MILLAR, A., 157 MITCHELL, G., 140 MOORE, H.., 1, 2, 196 MORRISON, J., 100 MORRISON, J. L., 71, 102, 103, 158

MORROCCO, J., 80, 94 MORROCCO, L., 114, 117 MULHOLLAND, C., 112 MURPHY, S., 29, 150, 151 NARDINI, P., 119 NASH, D., 57 O’CASEY, B., 69 ORAM, A., 113, 115, 143 PAOLOZZI, SIR E., 51, 56, 59, 179 PHILIPSON, SIR R., 6, 14, 25, 48 PRINCE, R., 89, 90 RAE, B., 31, 127, 147, 194 REEVES, P., 45, 46, 160 REGO, P., 188, 195 REID, P., 189 ROBERTSON, I., 32, 33 ROBERTSON, J. D., 24, 30, 124, 191 SCOTT, A., 133 SCOULLER, G., 116 SINNOTT, K., 105 STERN, B., 86 SWOON, 173 TAPIES, A., 41 TEH, H-A., 47 THOMSON, P., 108, 110 TODD, G., 161 WALKER, E., 78, 79, 101, 153 WILDING, A., 84 WISZNIEWSKI, A., 187 WOOD, J., 172

The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration. Buyers are recommended to to inspect the property themselves. Written condition reports are usually available on request. Dimensions are given height before width.

Names or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist

Circle of… In our opinion work of the period of the artist and showing their influence

Attributed to… In our opinion probably a work by the artist in whole or in part

Follower of… In our opinion a work executed in the artist’s style, but not necessarily by a pupil

Studio of… / Workshop of… In our opinion a work executed in the studio or workshop of the artist, possibly under their supervision

Manner of… In our opinion a work executed in the artist’s style but of a later date

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Signed… / Dated… / Inscribed… / In our opinion the work has been signed/ dated/inscribed by the artist Bears Signature… / Date… / Inscription… / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist

Contemporary & Post-War Art

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A NEW AUCTION OF MODERN ART, SCULPTURE, DESIGN & CERAMICS

2 7 M A RC H 2 0 1 9 I N LO N D O N NOW OPEN FOR ENTRIES For more information contact Philip Smith: 0207 930 9115 philip.smith@lyonandturnbull.com

PABLO PICASSO (SPANISH 1881-1973) FEMME DANS UN FAUTEUIL ET GUITARISTE (B. 917; BA. 1232) 25/50, signed and numbered, linocut 53cm x 63cm (22in x 24.8in)

£8,000-12,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate. 2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers for identification to prevent fraud, underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate. Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us. Please note that we do not accept payment from third parties and this also applies to agents. If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final. We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers. Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids. We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts

to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot. 7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on

1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000. (2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied. 10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in

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making full payment for the lot. 11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied. 12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that

photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot. (2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item. (7) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must

make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such.

15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event Lyon and Turnbull in its reasonable opinion deems that

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the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser. This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation,

loss of profits or interest. 19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller;

“Lot” means each Item offered for sale by Lyon and Turnbull; “Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning

its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds. 3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing. 4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement.

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(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue. (4) Storage: Of the Lots after the sale, where applicable. 6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice

they may be disposed of as we see fit, which may involve their sale by public auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of

the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested). 13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission. The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control. The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction. 17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply. 18.6

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Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available: • L&T Live Access through our website or download the live bidding app L&T Live, service offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax). You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

• Invaluable Access through invaluable.com. Invaluable charge an additional 5% for their service. • The-Saleroom Access through The-Saleroom.com. The-Saleroom charge an additional 4.95% for their service.

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2 Lyon & Turnbull

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115