Five Centuries: Furniture, Paintings & Works of Art from 1600 | Auction 27 February 2019

Wednesday, 27th February 2019 33 Broughton Place Edinburgh

2 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries:

Furniture, Paintings & Works of Art Wednesday, 27th February, 2019 at 10am Sale Number LT550

Including Select items from Hatton Castle, Aberdeenshire The Late Michael Buckingham Collection of Glass An English Collection of Works of Art The Rossdhu House Dining Table A Gentleman’s Collection of French Faïence Lighting from Yester House, East Lothian

Location Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR

Viewing Saturday, 23rd February 12 noon - 4pm Sunday, 24th February 12 noon - 4pm Monday, 25th February 10am - 5pm Tuesday, 26th February 10am - 5pm Morning of sale from 9am

Enquiries Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: £15

Front Cover Lot 498 (detail)

Inside Front Cover Lot 65 (detail)

Inside Back Cover Lot 319 (detail)

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Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

25% up to £100,000/20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all fist time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1–G overnment issued photo ID (Passport/ Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www. defra.gov.uk/ahvla-en/ imports-exports/ cites 19.1

Five Centuries: Furniture, Paintings & Works of Art

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Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Gavin Strang

Furniture, Clocks & Works of Art

Paintings

Ceramics & Glass

Rugs & Carpets

douglas.girton@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

theo.burrell@lyonandturnbull.com

gavin.strang@lyonandturnbull.com

Carly Shearer

Jamie Russell

Olivia Ross

Kerstin Schaeffer

Paintings

Cataloguer

Department Administrator

Sale Administrator

carly.shearer@lyonandturnbull.com

jamie.russell@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

kerstin.schaeffer@lyonandturnbull.com

Lyon & Turnbull

York Place Tram Stop Waverley Station, Princes Street

4 Lyon & Turnbull

Order of Sale Wednesday, 27th February, 2019 at 10am

1-123

British Furniture & Works of Art: Part I

124-151

The Late Michael Buckingham Collection of Glass

152-182

Property from Hatton Castle, Aberdeenshire

183-192

Paintings: Part I

193-299

British Furniture & Works of Art: Part II

300-324

Paintings: Part II

325-369

British Furniture & Works of Art: Part III

370-387

Natural History & Taxidermy

388-434

An English Collection of Works of Art

435-490

Continental Furniture & Works of Art: Part I

491-505

A Gentleman’s Collection of French Faïence

506-540

Continental Furniture & Works of Art: Part II

541-555

Asian Furniture & Works of Art

556-598

Rugs & Carpets

599-604 Garden

Lot 424

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British Furniture & Works of Art: Part I

1 NEEDLEWORK PANEL OF SUSANNA AND THE ELDERS LATE 17TH CENTURY worked in silk petit point and silver metallic threads, depicting Susanna seated at the edge of a pool, with two men grabbing her from behind, in the distance garden maze, fountain, city wall, lion and elephant, framed 28cm x 40cm

£1,500-2,500

2 JACOBEAN WALNUT CHEST OF DRAWERS 17TH CENTURY the top with a moulded edge above three moulded and fielded panel long drawers, flanked and divided by turned baluster facings, raised on waisted square feet 115cm wide, 95cm high, 61cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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3 CHARLES II STUMPWORK AND EMBROIDERED PANEL 17TH CENTURY depicting a portrait roundel of Charles II holding a staff with a palace in the distance, the windows filled with mica, within a stumpwork wreath flanked by a large stylised rose and tulip, in a moulded oak frame 14.5cm high, 37cm wide (sight size)

£800-1,200

4 CARVED OAK ROOF BEAM 16TH/17TH CENTURY the terminal carved with a man’s head 131cm high

£600-800

5 CHARLES II OAK AND MARQUETRY CHEST LATE 17TH CENTURY the four panel top above a roundel carved frieze and four panel front with stylised flowering tree marquetry, raised on stile feet 140cm wide, 70cm high, 59cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

6 GEORGE I WALNUT SIDE TABLE EARLY 18TH CENTURY the quarter veneered top with chevron banding above a long frieze drawer, raised on cabriole legs ending in pad feet 78cm wide, 72cm high, 51cm deep

£1,000-1,500

7 GEORGE II WALNUT BUREAU 18TH CENTURY the crossbanded slant front opening to an interior fitted with pigeon holes, drawers, and a central door, above four graduated long drawers with stringing, raised on bracket feet 96cm wide, 101cm high, 49cm deep

£400-600

8 GEORGE II WALNUT, OAK AND INLAY CHEST ON CHEST 18TH CENTURY the moulded cornice over three short and three long graduated drawers with feather banding, flanked by fluted angles; the lower section with two further short and three long drawers, raised on bracket feet 107cm wide, 190cm high, 57cm deep Provenance: From the estate of the late Dr. Nicholas Phillipson.

£2,000-3,000

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9 GEORGE I/II WALNUT LOWBOY 18TH CENTURY the crossbanded moulded rectangular top above a shallow central drawer flanked by deep short drawers over a shaped apron raised on moulded cabriole legs and pad feet 95cm wide, 72cm high, 63cm deep

£600-800

10 GEORGE II WALNUT WING ARMCHAIR MID 18TH CENTURY the straight back above a loose cushion seat with outscrolled arms, on shell-carved cabriole legs with pointed pad feet, covered in hessian with nail head trim 95cm wide, 114cm high, 55cm deep

£700-900

11 QUEEN ANNE WALNUT AND INLAY CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded top with line inlay above two short and three long graduated drawers with further line inlay, raised on bun feet 95cm wide, 90cm high, 54cm deep

£2,000-3,000

12 GEORGE II WALNUT LOWBOY SECOND QUARTER 18TH CENTURY the crossbanded top with a moulded edge above a long frieze drawer flanked by short drawers over a shaped apron, raised on acanthus carved cabriole legs ending in pad feet 76cm wide, 70cm high, 52cm deep

£300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

13 EARLY GEORGIAN PETIT POINT NEEDLEWORK PANEL EARLY 18TH CENTURY of rectangular form, depicting a shepherd and shepherdess in exotic dress seated beneath a tree with a bird, in a walnut frame 70cm x 51.5cm

ÂŁ600-800

14 GEORGE I WALNUT BUREAU BOOKCASE CIRCA 1720 the moulded arched cornice mounted with turned finials and centred by a bevelled mirror panel, over a pair of moulded arched doors with bevelled mirror plates opening to an arrangement of shelves and pigeon holes, above a pair of candle slides; the lower part with a slant front opening to an interior fitted with small drawers and pigeon holes, over four long graduated drawers and raised on bracket feet 104cm wide, 248cm high, 60cm deep

ÂŁ4,000-6,000

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15 GEORGIAN STYLE WALNUT TRUMEAU 19TH CENTURY, THE PAINTING 18TH CENTURY with an Italianate landscape after John Wootton flanked by margin plates, above three bevelled mirror plates in a walnut cushion frame with foliate carved brackets Painting 91cm high, 114cm wide; overall 148cm high, 167cm wide

£1,500-2,500

16 GEORGE III MAHOGANY TRIPOD TEA TABLE 18TH CENTURY the circular tilt top with a gallery rail, on a birdcage and spiral carved baluster support, the tripod base carved with flower heads and acanthus, ending in pointed pad feet 54cm diameter, 77cm high

£600-800

17 GEORGE III MAHOGANY DROP LEAF TABLE 18TH CENTURY the oval top above a plain frieze, raised on straight legs ending in ball and claw feet 50cm wide (144cm extended), 69cm high, 107cm deep

£600-800

18 GEORGE III MAHOGANY ‘CHIPPENDALE’ CHEST OF DRAWERS CIRCA 1770 the moulded rectangular top above two short and three graduated long drawers with original brasses, raised on bracket feet 95cm wide, 88cm high, 54cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

19 GEORGE II STYLE GILTWOOD MIRROR 19TH CENTURY the rectangular mirror plate in a moulded frame with acanthus scroll and shell cresting 97cm high, 56cm wide

£300-400

20 GEORGE II BLACK JAPANNED LONGCASE CLOCK, JOSEPH FULLFORD, LONDON 2ND QUARTER 18TH CENTURY the caddy top hood with blind fret carving above a square brass dial with silvered chapter ring with Roman and Arabic number, subsidiary seconds dial and date aperture, signed ‘Jos. Fullford/ London’, with pierced brass spandrels, above a trunk door decorated with Chinoiserie and a central lenticle, on a stepped plinth base; the eight day movement striking a bell 51cm wide, 225cm high, 23cm deep

£500-700

21 GEORGE III MAHOGANY OCTAGONAL BIRDCAGE TRIPOD TABLE 18TH CENTURY the octagonal top with a stringing and a moulded edge, above a birdcage and spiral carved baluster support, on foliate carved cabriole legs ending in claw and ball feet with brass castors 79cm diameter, 74cm high

£1,800-2,200

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22 GEORGE III ‘CHINESE CHIPPENDALE’ MAHOGANY GAMES TABLE 18TH CENTURY the moulded rectangular fold-over top opening to a green baize surface, above a blind fretwork frieze raised on chamfered legs with foliate blocks and spiral moulding to the corners 91cm wide, 74cm high, 44cm deep

£800-1,200

23 EARLY GEORGE III MAHOGANY BOOKCASE CABINET, IN THE MANNER OF THOMAS CHIPPENDALE MID 18TH CENTURY the pierced broken swan neck pediment above astragal glazed doors opening to adjustable shelves; the projecting base with a shallow drawer fitted with pen and ink compartments, over three graduated long drawers, raised on ogee bracket feet 123cm wide, 220cm high, 47cm deep

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

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24 LATE GEORGE II MAHOGANY ‘CHINESE CHIPPENDALE’ FOLD-OVER CARD TABLE MID 18TH CENTURY the rectangular top with a ribbon and flowerhead carved edge, opening with a concertina action to a green baize playing surface, the hinges stamped H. TIBATS, above a fluted frieze centred by a carved fan medallion, raised on blind fret carved square straight legs with pierced brackets 81cm wide, 71cm high, 40cm deep (closed)

£1,500-2,500

25 GEORGIAN STYLE MAHOGANY TRIPOD TEA TABLE 19TH CENTURY the lobed tilt top with a gallery rail, on a spiral carved baluster column and acanthus carved legs ending in claw feet 69cm diameter, 75cm high

£400-600

26 LATE GEORGE II MAHOGANY CHINA DISPLAY CABINET MID 18TH CENTURY the egg and dart moulded cornice above a pair of glazed doors outlined with egg and dart moulding, opening to shaped adjustable shelves, raised on bracket feet 113cm wide, 183cm high, 47cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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27 PAIR OF GEORGE III MAHOGANY HALL CHAIRS 18TH CENTURY of sgabello form, the shield shaped backs above scrolled seats, raised on vasiform supports with moulded roundels (2) 50cm wide, 101cm high, 39cm deep

£1,500-2,000

28 PAIR OF GEORGE II STYLE MAHOGANY MARBLE TOP SIDE TABLES, IN THE MANNER OF HICKS OF DUBLIN MODERN the veined grey marble tops above bead moulded friezes centred by large carved shells and acanthus, raised on acanthus carved cabriole legs ending in hairy paw feet (2) 107cm wide, 86cm high, 57cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

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29 GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE, AFTER A DESIGN BY THOMAS CHIPPENDALE MID 18TH CENTURY the broken arch pediment above a dentil moulded cornice over a pair of astragal glazed doors flanked by further doors, all fitted for adjustable shelves, now lacking; the projecting breakfront base with a pair of panel doors flanked by further panel doors opening to adjustable shelves, on a plinth base 289cm long, 266cm high, 62cm deep

£6,000-8,000 Note: This bookcase’s design is based on plans for a library bookcase in Chippendale’s ‘Director’, most notably in the shape of the astragal glazing, broken arch pediment, and low waist.

Originally published as plate LXVII in the 1754 and 1755 editions, it was later changed to plate XCIII for the edition published in 1762.

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30 GILTWOOD OVAL OVERMANTEL MIRROR LATE 19TH CENTURY the central mirror plate enclosed by margin plates in a moulded frame marked with flowerheads 88cm high, 123cm wide

£300-400

31 GEORGIAN MAHOGANY TRIPOD TABLE LATE 18TH CENTURY the circular tilt top on a turned support raised on cabriole legs ending in pad feet 66cm diameter, 72cm high

£500-700

32 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY the serpentine top over four long graduated drawers, raised on shaped bracket feet 123cm wide, 99cm high, 58cm deep

£600-800

33 GEORGE III STYLE MAHOGANY WINGBACK ARMCHAIR 19TH CENTURY the shaped toprail and deep wings over scrolled arms and a loose cushion seat, raised on moulded square legs joined by an H stretcher, covered in blue patterned upholstery 79cm wide, 120cm high, 59cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

34 EARLY GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS MID 18TH CENTURY the top with a moulded edge above a brushing slide and four graduated long drawers, raised on bracket feet 91cm wide, 87cm high, 57cm deep

£2,000-3,000

35 GEORGIAN MAHOGANY STOOL MID 18TH CENTURY the rectangular drop-in pad seat covered in blue and green needlework, raised on flower carved cabriole legs ending in trifid feet 51cm wide, 43cm high, 37cm deep

£700-1,000

36 PAIR OF GEORGIAN STYLE BARREL-BACK LEATHER ARMCHAIRS 20TH CENTURY the button-upholstered backs and scroll arms above loose cushion seats, in brown leather with nail head trim, raised on square tapered legs (2) 82cm wide, 110cm high, 55cm deep

£3,000-4,000

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37 GEORGE III MAHOGANY SERPENTINE CARD TABLE 18TH CENTURY serpentine fold-over top opening to a green baize interior surface, over a frieze drawer with brass handles, raised on fluted faceted legs with pierced brackets, on brass castors 102cm wide, 76cm high, 50cm deep (101cm deep open) Provenance: Ballymenoch House, Cardross, Argyll & Bute

£300-500

38 THREE GEORGE II UPHOLSTERED SIDE CHAIRS EARLY 18TH CENTURY the rectangular backs and wide seats in pale blue floral upholstery, raised on cabriole legs ending in pad feet (3) 58cm wide, 96cm high, 47cm deep

£400-600

39 GEORGE III MAHOGANY CHEST OF DRAWERS, LANCASHIRE 18TH CENTURY the top with a moulded edge above two short and three long graduated drawers flanked by quarter columns, raised on ogee bracket feet 109cm wide, 78cm high, 51cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

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40 FRANCIS WHEATLEY (1747-1801), SET OF THIRTEEN ‘CRIES OF LONDON’ 19TH CENTURY stipple engravings, by various engravers, published by Colnaghi & Co, in glazed ebonised frame (13) 43cm x 33cm

£400-600

41 GEORGIAN FRUITWOOD CORNER CUPBOARD 18TH CENTURY the moulded cornice above a dentil moulded and fluted frieze, over a pair of recessed panel doors opening to a painted shelved interior, above a fluted moulded band and further pair of drawers 110cm wide, 203cm high, 50cm deep

£1,500-2,500

42 GEORGE III MAHOGANY BIRDCAGE TEA TABLE 18TH CENTURY the dished circular top above a birdcage and turned baluster support raised on a tripod base ending in pad feet 89cm wide, 69cm high, 88cm deep

£500-800

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43Y LATE GEORGE III MINIATURE MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY the inlaid banded top above two short and three long graduated drawers, with ivory handles, all raised on turned toupie feet 43cm wide, 47cm high, 39cm deep

£600-800

44 CHINESE EXPORT LACQUER MINIATURE BUREAU BOOKCASE 18TH CENTURY the swan neck pediment centred by a shell finial above a pair of moulded doors enclosing an arrangement of short and long drawers; the lower part with a slant front with writing surface, enclosing six small drawers and pigeon holes, with a further long deep drawer to the base, raised on bracket feet, decorated with gilt temples, pavilions and foliage on a black ground 37cm wide, 73cm high, 26cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

45 LARGE GEORGIAN OPAQUE-TWIST STEM CAPTAIN’S GLASS CIRCA 1760 with large tapered bowl, above a short double series opaque-twist stem and conical foot 35.5cm high

£1,000-1,500

46 LARGE GEORGIAN OPAQUE-TWIST STEM CAPTAIN’S GLASS CIRCA 1760 with large tapered bowl, above a short double series opaque-twist stem and conical foot 35cm high

£1,000-1,500

47Y GEORGIAN IVORY AND TORTOISESHELL TEA CADDY LATE 18TH CENTURY of decahedron form with a ball finial, above a white metal shield-shaped plaque and mother-of-pearl inlay, opening to a void interior 10.5cm wide, 12cm high, 7cm deep

£300-500

48 GEORGE III PAPER SCROLL TEA CADDY 18TH/ EARLY 19TH CENTURY of octagonal form, the mahogany frame enclosing gilded paper scrolls forming flowers and foliage, opening to a void interior 15.5cm wide, 11.5cm high, 11cm deep

£400-600

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49 PAIR OF NEOCLASSICAL GILT BRONZE WALL APPLIQUES 19TH CENTURY the foliate backplates with flaming urn finials and harebell trails, issuing two scrolling candle branches with stiff leaf cast nozzles, foundry stamp ‘JD’ in several places on reverse (2) 61cm high Provenance: Ex Yester House, Gifford, East Lothian

£300-500

50 GEORGIAN FRUITWOOD LOWBOY 18TH CENTURY the moulded rectangular top above a long drawer and shaped apron flanked by short drawers, raised on square legs 74cm wide, 73cm high, 48cm deep

£600-800

51 GEORGE III MAHOGANY CHEST OF DRAWERS THIRD QUARTER 18TH CENTURY the top with a moulded edge above a pair of short and three long graduated drawers with brass handles, raised on bracket feet 90cm wide, 92cm high, 51cm deep

£1,800-2,200

52 GEORGE III STYLE MAHOGANY WINGBACK ARMCHAIR 19TH CENTURY the straight back and deep wings over scrolled arms and a loose cushion seat, raised on square legs joined by stretchers, in green patterned upholstery 87cm wide, 116cm high, 52cm deep

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

53 LATE GEORGE III MAHOGANY ‘FRENCH HEPPLEWHITE’ ARMCHAIR 18TH CENTURY the cartouche shaped back and outscrolled padded open arms above a wide serpentine seat covered in yellow floral needlework, raised on moulded cabriole legs 67cm wide, 90cm high, 50cm deep

£300-400

54 LATE GEORGE III SATINWOOD BOMBE COMMODE 18TH CENTURY the rectangular top with boxwood stringing, above three long bombe drawers above a shaped apron, the handles to the sides, raised on slightly splayed legs, all outlined with stringing 110cm wide, 74cm high, 56cm deep

£1,000-1,500

55 GEORGE III MAHOGANY FRAMED SOFA 18TH CENTURY the upholstered arched back and enclosed arms over a cushioned seat, raised on eight cabriole legs, the front legs with scrolled toes, covered in cream damask upholstery 186cm wide, 101cm high, 67cm deep

£600-800

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56 SMALL GEORGIAN OAK REFECTORY TABLE 18TH CENTURY the four-board top with cleated ends above a frieze drawer to one end, raised on square legs joined by an H stretcher 136cm long, 78cm high, 87cm deep

£800-1,200

57 GEORGIAN OAK AND MAHOGANY DRESSER 18TH CENTURY the moulded cornice above a scrolled frieze and two open shelves flanked by inlaid supports; the base with a crossbanded top over three crossbanded short drawers and corresponding scrolled apron, raised on cabriole legs 209cm wide, 187cm high, 53cm deep

£800-1,200

British Furniture & Works of Art: Part I

58 REGENCY TOLEWARE LANTERN 19TH CENTURY the shaped hood above a glazed front and sides enclosing a circular mirror reflector, painted yellow 44cm wide, 81cm high, 29cm deep

£500-700

59 PAIR OF SCOTTISH PEWTER COMMUNION FLAGONS MID-LATE 18TH CENTURY of typical form, with lobed thumb pieces to the hinged lids, each with engraved inscription BELONGING TO THE ASSOCIATE SESSION AT BURNTISLAND/ MR. RICHD. JERMENT MINR., with Edinburgh touch marks to interiors (2) 27.5cm high

£300-500

60 SET OF SEVEN LARGE SCOTTISH PEWTER COMMUNION CHALICES, BY WILLIAM SCOTT LATE 18TH/ EARLY 19TH CENTURY with slightly everted rims above deep bowls, raised on knopped stems and conical feet, marked W. SCOTT (7) 25cm high

£300-500

61 GEORGIAN OAK DRESSER BASE 18TH CENTURY the top with a moulded edge over three short drawers, raised on reduced cabriole legs 212cm long, 82cm high, 47cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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62 SET OF FOURTEEN LATE GEORGIAN MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the bead moulded top rails marked at the corners with carved sunflower roundels and trailing husks, above carved and pierced anthemion splats, over wide stuffover serpentine seats covered in pale cream trellis pattern upholstery, raised on fluted square tapered legs ending in spade feet and joined by stretchers, comprising twelve side chairs and a pair of armchairs (14) Armchair 63cm wide, 98cm high, 51cm deep

ÂŁ5,000-7,000

British Furniture & Works of Art: Part I

63 PAIR OF GEORGE III MAHOGANY AND SATINWOOD PEDESTAL CUPBOARDS LATE 18TH CENTURY the square tops with moulded edges above frieze drawers with later floral swag decoration, over cupboard doors with oval panel inlay opening to shelves, on plinth bases (2) 49cm wide, 98cm high, 47cm deep

£800-1,200

64 GEORGE III BOWFRONT MAHOGANY SIDEBOARD IN THE MANNER OF THOMAS SHEARER 18TH CENTURY with a central frieze drawer above an arched recess flanked by a deep drawer and cupboard door, raised on tapered legs ending in spade feet 229cm wide, 95cm high, 89cm deep

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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65 LATE GEORGIAN MAHOGANY FIVE PEDESTAL DINING TABLE CIRCA 1820, ONE PEDESTAL REBUILT AND LATER the rounded rectangular top with a moulded edge, each tilt-top section on a tapered pedestal, the quadruped bases with slightly hipped outswept legs ending in brass caps and castors, with four leaf inserts Extended 672cm long, 74cm high, 160cm deep

ÂŁ20,000-30,000

Rossdhu House, image courtesy of Historic Environment Scotland

Note: With spectacular views spanning the shores of Loch Lomond, Rossdhu House is a three-storey classical country house commissioined by the 26th Laird, Sir James Colquhoun in 1772 and further expanded by his son, the 27th Laird, also James Calquhoun. The Palladian style building, now grade A listed, was designed by an unknown architect, although there are some house records to indicate it may have been a Mr. Thomas Brown, while Sir John Clerk of Penicuik is known to have been consulted. Built from a combination of honey and pink coloured sandstone ashlar, the house is characteristic of Scottish architecture from the eighteenth and early nineteenth centuries and the interest in the Classical orders. It features many elements which draw upon the symmetry and proportion of the architecture of ancient Greece and Rome, including an elevated entrance featuring a striking portico framed with a series of Tuscan columns. The original central core of the house is flanked by two wings added in the 1810s, which included an enlarged dining room where the present dining table was located.

The house and policies remained in the Calquhoun family until the 1980s when it was sold and developed, becoming the home of the exclusive Loch Lomond Golf Club which it remains.

British Furniture & Works of Art: Part I

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66 PAIR OF NEOCLASSICAL GILTWOOD WALL SCONCES 19TH CENTURY each openwork oval backplate enclosed by a laurel wreath with a carved eagle cresting, issuing three outscrolled candle arms (2) 95cm high Provenance: Yester House, Gifford, East Lothian

£400-600

67 LATE GEORGE III MAHOGANY OVAL PEMBROKE TABLE LATE 18TH CENTURY the crossbanded top with a moulded edge above a frieze drawer to one end and dummy drawer opposing, raised on square tapered legs ending in brass caps and castors 64cm long, 70cm high, 39cm deep (87cm open)

£400-600

68 LATE GEORGE III MAHOGANY CELLARETTE EARLY 19TH CENTURY of sarcophagus form, opening to reveal a compartmented interior, on a moulded plinth base with brass castors 72cm wide, 53cm high, 49cm deep

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

69 SET OF SIX LATE GEORGE III MAHOGANY ARMCHAIRS LATE 18TH CENTURY in the Hepplewhite style, the shield shaped backs carved with wheat sheaves, with pierced splats and scrolled arms, above wide stuffover seats raised on channel moulded square tapered legs joined by H stretchers (6) 60cm wide, 94cm high, 48cm deep

£500-700

70 LATE GEORGIAN MAHOGANY DEMILUNE SERVING TABLE EARLY 19TH CENTURY the top with chequer banding above a frieze with line inlay, raised on square tapered legs ending in spade feet and united by a shaped undertier 136cm wide, 83cm high, 75cm deep

£600-800

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71 LATE GEORGE III MAHOGANY BOWFRONT SIDE TABLE LATE 18TH CENTURY the boxwood strung top above two pairs of short drawers, raised on square tapered legs, bearing a Norman Adams trade label 88cm wide, 87cm high, 57cm deep

£700-1,000

72 GEORGE III MAHOGANY LINEN PRESS 18TH CENTURY the moulded cornice above a pair of panel doors opening to reveal four sliding trays; the base with two short and two long graduated long drawers, above a shaped apron and splay feet 126cm wide, 218cm high, 62cm deep

£500-800

73 GEORGIAN STYLE SETTEE LATE 19TH CENTURY of small size, the low square back and padded seat flanked by enclosed square arms, raised on ring turned tapered legs, covered in cream foliate fabric 117cm wide, 82cm high, 49cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

74Y GEORGE III SATINWOOD AND ROSEWOOD INLAID SERPENTINE CARD TABLE LATE 18TH CENTURY the crossbanded fold-over top centred by a laurel wreath oval reserve with an urn, opening to a green baize playing surface, above a frieze with an urn filled panel, raised on square tapered legs with ball feet and headed by patera 99cm wide, 74cm high, 49cm deep

£1,000-1,500

75 PAIR OF GEORGE III MAHOGANY KNIFE BOXES 18TH/ EARLY 19TH CENTURY the sloped tops with arc-en-arbelette fronts and white metal fittings, opening to fitted interiors with chequer banding (2) 22cm wide, 36cm high, 27cm deep

£500-700

76 GEORGE III MAHOGANY CELLARETTE ON STAND 18TH CENTURY the moulded rectangular top opening to reveal a compartmented interior, with brass handles to the sides, the stand with square legs ending in block feet 44cm wide, 59cm high, 31cm deep

£1,000-1,500

77Y LATE GEORGE III SATINWOOD, WALNUT AND ROSEWOOD CARD TABLE 18TH CENTURY the canted rectangular fold-over top with baize liner above a satinwood and ebony strung frieze, raised on square tapering legs and spade feet 90cm wide, 74cm high, 44cm deep

£300-500

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78 PAIR OF GEORGIAN MAHOGANY WALL SHELVES 19TH CENTURY with three long shelves united by pierced quatrefoil open fretwork sides (2) 62.5cm wide, 54.5cm high, 17cm deep

£400-600

79 FOUR GILT METAL WALL LIGHTS 20TH CENTURY with scrolled supports fitted with leaves and cut glass droplets, issuing two candle arms, wired for electricity (4) 46cm high, 31cm wide approx.

£200-300

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82

GEORGIAN STYLE BRASS HALL LANTERN

PAIR OF NEOCLASSICAL BRASS WALL SCONCES

SMALL NEOCLASSICAL BRASS HALL LANTERN

EARLY 20TH CENTURY with scroll brackets above the reeded frame with acorn drop finials, the centre rod with four lights

EARLY 20TH CENTURY each backplate in the form of a tasselled sash issuing two scrolling rope-twist branches with drip trays and nozzles (2)

EARLY 20TH CENTURY the circular brass frame mounted with anthemion and rope swags, enclosing a four-light central rod

70cm high

Provenance: Yester House, Gifford, East Lothian

74cm high, 38cm diameter Note: there are four glass panels with this lantern however the fastening strips have been removed and will need to be re-instated to install the glass.

£250-350

Provenance: Yester House, Gifford, East Lothian

55cm high

£250-350

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

35

83 LARGE GILT BRASS DOOR KNOB SET 19TH CENTURY cast with leaves and berries, the circular weighted knobs with large corresponding door plates Knobs 14cm diam.; door plates 25cm diam.

£200-300

84 DERBY PORCELAIN FIGURE GROUP LATE 18TH CENTURY modelled as a young man seated against a balustrade, with a dove on his knee and a dog seated at his feet, on a rococo scroll base with applied flowers, with two arms for candle sockets, now lacking 23cm high

£300-500

85 GEORGIAN BURR WALNUT TEA CADDY 18TH CENTURY the moulded crossbanded top with a brass handle, opening to two iron caddies flanking a void compartment, with a key 28.5cm wide, 15.5cm high, 16cm deep

£300-500

86 PAIR OF GEORGIAN MAHOGANY KNIFE BOXES LATE 18TH/ EARLY 19TH CENTURY the sloped fronts with ebony line borders and fan paterae, above silvered brass fittings, opening to later-lined void interiors, with keys (2) 22.5cm wide, 35cm high, 33.5cm deep

£2,000-3,000

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87 WORCESTER PORCELAIN PART TEA AND COFFEE SERVICE LATE 18TH CENTURY the moulded pieces decorated with gilt and dark blue flower sprigs and borders, variously marked with underglaze crescents in blue, comprising: a teapot, cover and stand, a sugar bowl and cover, a milk jug, a slop bowl, a plate, eight tea cups, eight coffee cups and eight saucers (30) £300-500

88 LATE GEORGE III MAHOGANY INLAID DEMILUNE CARD TABLE LATE 18TH CENTURY the top with boxwood stringing opening to a baize playing surface, above a plain frieze, raised on square tapered legs ending in brass caps and castors 85cm wide, 74cm high, 42cm deep

£400-600

89Y LATE GEORGE III MAHOGANY AND ROSEWOOD BREAKFAST TABLE LATE 18TH CENTURY the rounded rectangular crossbanded tilt top, above a ring turned column support and four reeded outswept legs ending in brass caps and castors 115cm wide, 72cm high, 163.5cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

90 SET OF TWELVE GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY the shield-shaped backs with pierced baluster splats carved with Prince of Wales plumes, over stuffover seats covered in red plush and raised on square tapered legs joined by stretchers, comprising ten side chairs and a pair of armchairs (12) Armchair 56cm wide, 94cm high, 42cm deep

£800-1,200

91Y LATE GEORGE III SATINWOOD, ROSEWOOD AND MAHOGANY INLAID SERVING TABLE LATE 18TH CENTURY the breakfront bow front above a frieze with urn and garland swag marquetry, raised on square tapered legs 188cm wide, 83cm high, 68cm deep Provenance: Ex Glassingall House, Dunblane

£1,000-1,500

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British Furniture & Works of Art: Part I

92 FINE AND LARGE GEORGE III MAHOGANY BREAKFRONT BOOKCASE LATE 18TH CENTURY the moulded breakfront cornice above three central astragal glazed doors, flanked by further pairs of astragal glazed doors, all enclosing shelves, the low waisted base with a central set of four short drawers over two banks of two long drawers, flanked by moulded panel doors on a plinth base 455cm long, 273cm high, 40cm deep

£12,000-18,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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93 GEORGE III MAHOGANY COLLECTOR’S CABINET ON STAND 18TH CENTURY the moulded rectangular top above an inlaid frieze and panel doors opening to an arrangement of drawers, over a blind fret apron raised on fluted square tapered legs ending in square feet 74cm wide, 136cm high, 42cm deep

£1,500-2,500

94 REGENCY MAHOGANY DRUM LIBRARY TABLE 19TH CENTURY the circular top with a green leather insert, above four short and four dummy drawers, on a turned support and outswept reeded legs ending in brass caps and castors 115cm diameter, 76cm high

£800-1,200

95 GEORGIAN STYLE RED LEATHER WING ARMCHAIR 20TH CENTURY the serpentine back with deep wings and scroll arms above a stuffover seat, covered in wine-red leather outlined with nail head trim, raised on square legs joined by an H stretcher 85cm wide, 114cm high, 56cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

96 LATE GEORGE III MAHOGANY WHATNOT 18TH CENTURY with four tiers with three quarter galleries raised and divided on square supports, the lower tier fitted with a drawer, the legs with brass caps and castors 46cm wide, 131cm high, 46cm deep

£600-800

97 LATE GEORGE III SATINWOOD BOOKCASE LATE 18TH/ EARLY 19TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to adjustable shelves; the base with a pair of moulded doors opening to shelves, on a plinth base 144cm wide, 226cm high, 39cm deep

£1,500-2,500

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98 PAIR OF GEORGE III MAHOGANY KNIFE BOXES 18TH/ EARLY 19TH CENTURY the sloped tops with bowed breakfronts and contrasting banding, opening to fitted interiors (2) 20cm wide, 38cm high, 25cm deep

£400-600

99 SET OF SIX ‘HEPPLEWHITE’ MAHOGANY DINING CHAIRS 19TH CENTURY the shield-shaped backs with pierced and carved ‘Prince of Wales’ plumes, over black leather upholstered seats with nail head trim, raised on square tapered legs joined by H stretchers (6) 53cm wide, 94cm high, 43cm deep

£600-800

100 GEORGE III MAHOGANY DEMI-LUNE SIDEBOARD LATE 18TH CENTURY the shaped top with boxwood stringing above a central drawer flanked by short drawers and cupboards, raised on square tapered legs ending in spade feet 182cm wide, 93cm high, 81cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

101 GEORGE III MAHOGANY FRAMED GAINSBOROUGH ARMCHAIR 18TH CENTURY the back with a serpentine crest rail above a wide serpentine front seat flanked by padded arms on downswept supports, raised on channel moulded square legs joined by stretchers; covered in blue and green striped fabric 73cm wide, 99cm high, 58cm deep

£1,000-1,500

102 LATE GEORGE III SATINWOOD, MAHOGANY AND FIDDLEBACK MAHOGANY BOOKCASE LATE 19TH CENTURY of neat size, the gothic arch moulded cornice above a pair of astragal glazed and crossbanded doors opening to three adjustable shelves; the projecting base with a pair of short drawers above a pair of cupboard doors with crossbanded oval reserve inlay, opening to an adjustable shelf, on a plinth base 88cm wide, 207cm high, 41cm deep

£1,500-2,500

103 LATE GEORGE III BOWFRONT MAHOGANY SERVING TABLE LATE 18TH CENTURY the crossbanded top above three short frieze drawers with stringing, raised on square tapered legs 131cm wide, 84cm high, 62cm deep

£1,200-1,800

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104 GILT METAL AND CUT GLASS CHANDELIER EARLY 20TH CENTURY the gilt metal feather corona above cut glass beaded swags and gilt metal ring issuing five candle arms, above a lower tier hung with prisms 65cm high

£300-500

105 LATE GEORGE III MAHOGANY AND EBONY LADY’S WRITING TABLE LATE 18TH CENTURY the superstructure with a three-quarter gallery and central fall front with a leather-lined writing surface flanked by doors opening to pigeon holes and drawers; the base with reeded edge over a long frieze drawer, raised on square tapered legs 77cm wide, 111cm high, 47cm deep

£600-800

106 GEORGE III LIBRARY ARMCHAIR LATE 18TH CENTURY the square back and wide seat flanked by padded arms, on square legs joined by H stretchers, in pale yellow upholstery 70cm wide, 97cm high, 55cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part I

107 LARGE NEOCLASSICAL STYLE BRASS HALL LANTERN EARLY 19TH CENTURY the leaf-clasped scrolled supports above a pentagonal body with bevelled oval glass panels in laurel cast frames and surmounted by flowerfilled urns, enclosing a central shaft with five candle holders, above leafy scroll brackets and berry pendant finial, not wired for electricity 138cm high, 56cm diameter Provenance: Yester House, Gifford, East Lothian

£1,500-2,500

108 LATE GEORGE III MAHOGANY FRAMED SOFA LATE 18TH CENTURY the slightly arched padded back above a stuffover seat flanked by enclosed arms, raised on turned and fluted legs, in yellow damask upholstery 206cm wide, 96cm high, 54cm deep

£700-1,000

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109 PAIR OF SHERATON STYLE MAHOGANY, SATINWOOD AND INLAY SIDE CABINETS EARLY 20TH CENTURY the crossbanded tops above central long frieze drawers and pairs of doors inlaid with laurel garlands, urns and swags outlined with penwork, flanked by further concave cupboard doors, raised on turned legs (2) 122cm wide, 80cm high, 46cm deep

£800-1,200

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111

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PAIR OF LATE GEORGE III TABLE TOP FRUITWOOD CANDLE STANDS

GEORGE III MAHOGANY TRIPOD WORKBOX

GEORGE III MAHOGANY CORNER WASHSTAND

32cm high, 15cm diameter

EARLY 19TH CENTURY the canted rectangular top opening to reveal the interior with two shelves, raised on a turned baluster support and umbrella tripod base

£250-350

53cm wide, 83cm high, 34cm deep

18TH CENTURY the galleried hinged top opening to reveal a central bowl and two glasses, over three dummy drawers, a pair of cupboard doors and three further dummy drawers, raised on outswept legs united by an undertier

UNUSUAL GEORGIAN CROSS BANDED MAHOGANY TEA CADDY

EARLY 19TH CENTURY with moulded dished tops raised on tapered columns and domed circular bases (2)

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

18TH/ EARLY 19TH CENTURY of rectangular form with a loop handle, above twin doors opening to two pull-out caddies flanking a later moulded glass bowl, with an ivory knop handle to interior, all raised on squat ball feet, with a key

57cm wide, 85cm high, 42cm deep

32cm wide, 18.5cm high, 16cm deep

£200-400

£150-250

British Furniture & Works of Art: Part I

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114 GEORGIAN PRATTWARE TEAPOT LATE 18TH/ EARLY 19TH CENTURY moulded and painted with flowers with a serpent finial handle, 15.5cm high; together with a PRATTWARE TEA CADDY (cover lacking), moulded with Chinese figures, 14cm high; in typical ochre, green, blue and brown glazes (2) £300-500

115 W. PHELPS (BRITISH, ACTIVE C.1784-1791) TWO FRAMED SILHOUETTES, DATED 1792 on plaster, of oval form, depicting gentlemen in painted and gilded outfits, with handwritten inscriptions verso

BY W. PHELPS/ 1792, in glazed giltwood frames (2) 8.5cm high approx.

£400-600

116 GEORGIAN ‘ROYAL SUFFERERS’ PRATTWARE JUG AND FLASK LATE 18TH/ EARLY 19TH CENTURY each depicting the French Royal family to one side and the Duke of York to the other; jug 15cm high, flask 12.5cm high; in typical ochre, green, blue and brown glazes (2) £400-600

117 GROUP OF ENGLISH PORCELAIN TEA, COFFEE AND TABLE WARES 18TH CENTURY comprising a Liverpool ‘Pilgrim Shell’ pattern saucer, 15cm diam.; a Worcester ‘Chrysanthemum’ pattern tea caddy, marked, 12.5cm high; a sparrow-beak jug, 9cm high; a cup and saucer, decorated with Newhall’s ‘Boy and Butterfly’ pattern, marked; a Worcester ‘Jabberwocky’ pattern cup, marked; a ‘Conjurer’ pattern cup; three cups painted with flowers, one or two possibly Liverpool; two cups painted in the Chinese style with figures; and a Worcester cup with diaper patterns and flowerheads in the Japanese taste, faux marks (13) £300-500

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118 STAINED ELM AND ASH COMB-BACK CHILD’S ARMCHAIR EARLY 19TH CENTURY the shaped top rail above a spindle back and U shaped arms over a shaped seat raised on splayed legs 49cm wide, 67cm high, 31cm deep

£400-600

119 SCOTTISH GEORGIAN OAK LONGCASE CLOCK, ALEXANDER DICKIE, EDINBURGH 18TH CENTURY the broken swan neck pediment with a brass finial, above a fret carved frieze, the arched silvered dial with Roman chapter with subsidiary seconds dial and date aperture, the foliate engraved arch with a Strike/Silent, above a shaped arch trunk door and plinth base, the eight-day movement striking a bell 50cm wide, 218cm high, 24cm deep

£500-700

120 GEORGIAN OAK DRESSER 18TH CENTURY the moulded cornice above three open plate shelves; the base with three short drawers over a central moulded panel flanked by matching moulded panel doors, raised on shaped bracket feet 180cm wide, 211cm high, 53cm deep

£500-800

British Furniture & Works of Art: Part I

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121 SET OF SIX YEW AND ELM WINDSOR ARMCHAIRS 19TH CENTURY the low backs with pierced splats and U-shaped arms above shaped seats, raised on turned legs with crinoline stretchers (6) 58cm wide, 92cm high, 48cm deep

£3,000-5,000

122 OAK AND BURR OAK DRAW LEAF DINING TABLE EARLY 20TH CENTURY the oval top with two leaf inserts, above a channel moulded frieze, raised on baluster turned legs joined by an X stretcher 264cm long (extended), 76cm high, 120cm wide

£1,500-2,500

123 LARGE FRUITWOOD BOWL 19TH CENTURY with carved bands to the exterior 57.5cm diameter

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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The Late Michael Buckingham Collection of Glass

124 GROUP OF THREE GEORGIAN WINE GLASSES MID-18TH CENTURY each with plain flared trumpet-form bowls, two raised on plain stems and one on a teared stem, all on conical feet (3) 21cm and 17.5cm high

£300-500

125 THREE GEORGIAN TWIST STEM WINE GLASSES MID-18TH CENTURY all with flared trumpet or bell bowls, comprising an example raised on a tapered double mercury twist stem and flat foot, 17.5cm high; a wine glass with a baluster air twist stem and conical foot, 17cm high; and a taller glass, of similar design, 19cm high (3) £400-600

126 GROUP OF THREE GEORGIAN WINE GLASSES MID-18TH CENTURY each with plain flared trumpet-form bowls, including a large example with a teared stem and folded foot, a similar smaller example, and a glass on a plain stem with conical foot (3) 24.5cm and 17.5cm high

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

The Late Michael Buckingham Collection of Glass

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127 FIVE GEORGIAN WINE GLASSES EARLY-MID 18TH CENTURY comprising a bell bowled glass with a teared knopped stem and domed foot, 15.5cm high; a further bell bowled glass on a plain stem and folded foot, 16.5cm high; a final bell bowled glass on teared stem and folded foot, 15cm high; a flared bowl glass on teared knopped stem and folded foot,16cm high; and a small glass with a folded foot, possibly soda glass, 12cm high (5) £1,000-1,500

128 LARGE BOHEMIAN ENGRAVED TUMBLER CIRCA 1725-50 of slightly tapering form, wheel-engraved with four panels depicting two men offering wine glasses to one another below the inscription VIVAT, domestic buildings, a bird and pierced heart, within flower heads and fronds 16cm high

£500-700

129 GROUP OF THREE GEORGIAN GLASS FLUTES MID-18TH CENTURY comprising two wine flutes with tapered bowls raised on double-series opaque-twist stems and conical feet, 18.5cm and 19cm high; and a wine/ ale glass with an elongated flared bowl, raised on a double-knopped air-twist stem and conical foot, 23cm high (3) £600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

52 Lyon & Turnbull

130 GROUP OF FOUR GEORGIAN ENGRAVED WINE GLASSES MID-18TH CENTURY comprising a double-series opaque twist-stem glass, the rounded bowl engraved with a bird and flowers, 14cm high; a glass with a fluted bowl, engraved with a border of cross-hatched lozenges, on a folded foot, 14.5cm high; and two smaller glasses, each engraved with a bird and flowers, 11.5cm and 10cm high (4) £400-600

131 PAIR OF GEORGIAN OPAQUE TWIST STEMMED WINE GOBLETS CIRCA 1760 with large trumpet bowls, raised on double series opaque twist stems and conical feet (2) 17.5cm high

£250-350

132 LARGE GROUP OF BARREL BOWLED GLASS RUMMERS LATE 18TH/ EARLY 19TH CENTURY comprising sixteen examples, of varying sizes, some with annular or cushion knops to stems, including one with engraved initials W+P, largest 16cm high; together with a SMALL GLASS RUMMER, with ogee cup bowl and cushion knopped stem, 9cm high; a BELL BOWLED GLASS RUMMER, also with a cushion knopped stem, 13.5cm high; and a LARGE OVOID BOWLED GLASS RUMMER, on a plain stem, 15.5cm high (19) £400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

The Late Michael Buckingham Collection of Glass

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133 SET OF SIX OPAQUE TWIST WINE GLASSES CIRCA 1760 with ogee pointed bowls, raised on double series opaque twist stems with swollen cushion knops, all on conical feet (6) 16cm high

£800-1,200

134 LARGE GROUP OF GLASS RUMMERS LATE 18TH/ EARLY 19TH CENTURY of various sizes, comprising eleven ogee bowled rummers, two bucket bowled rummers, ten rounded bowled rummers, and three pub rummers (26) Largest 14cm high

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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135 FOUR GEORGIAN ENGRAVED WINE GLASSES MID-18TH CENTURY comprising a wine goblet with an ogee bowl engraved with a bird and fruiting vine, on a double series opaque twist stem, 17.5cm high; and three glasses on plain stems with folded feet, one with a moulded bowl, variously engraved with fruiting vines and roses, 17cm and 15cm high (4) £400-600

136 LARGE GROUP OF ALE GLASSES AND WINE FLUTES 18TH AND 19TH CENTURY comprising fourteen ale glasses, of various sizes, four with knopped stems, one with a fluted well, largest 14.5cm high; and four wine flutes, including a pair with knopped stems, a further knopped stemmed glass, and a large wine flute with vestigial stem, largest 20cm high; together with TWO GLASS TUMBLERS, 11.5cm high (20) £500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

The Late Michael Buckingham Collection of Glass

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137 THREE GEORGIAN WINE GLASSES MID-18TH CENTURY all with round funnel bowls and slightly conical feet, comprising a multiple series air twist stemmed glass, 16.5cm high; an example with a double series air twist stem, 15cm high; and a glass with an incised twist stem, 17.5cm high (3) £400-600

138 GEORGIAN ENGRAVED TWIST STEM WINE GLASS CIRCA 1750 with a round funnelled bowl engraved with fruiting vines, raised on an air twist stem with an applied moulded knop and a conical foot 16.5cm high

£200-300

139 SET OF SIX GEORGIAN FACET CUT WINE GLASSES CIRCA 1770-80 with ovoid bowls with basal facet-cutting, raised on corresponding facet-cut stems and conical feet cut with ovals (6) 16.5cm high

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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140 GEORGIAN ENGRAVED TWIST STEM CORDIAL GLASS CIRCA 1750 the flared bowl wheel-engraved with a band of berries and leaves, raised on a mercury twist stem and conical foot 17cm high

£400-600

141 FOUR GEORGIAN TWIST STEM WINE GLASSES MID-18TH CENTURY comprising a bell bowled glass with a mixed metal twist stem, 18.5cm high; an ogee bowled glass, a bucket bowled glass and a round funnel bowled glass with moulding, all on single series opaque twist stems, 16cm and 15cm high; together with a DUTCH MIXED METAL TWIST STEM WINE GLASS, 19th century, with a bell-shaped bowl, 16cm high (5) £500-700

142 LARGE GROUP OF GLASS RUMMERS LATE 18TH/ EARLY 19TH CENTURY of slightly varying size and shape, the majority with large ogee bowls including one engraved J. BERRY, three with knopped stems, the remaining with cylindrical plain stems and flat feet (18) Largest 15cm high

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

The Late Michael Buckingham Collection of Glass

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143 TWO DUTCH FAÇON DE VENISE ‘PIPE-STEM’ TOASTING GLASSES 17TH CENTURY with flared trumpet-form bowls, raised on fragile slender stems and flat circular feet (2) 25cm and 30cm high

£1,200-1,800

144 PAIR OF DUTCH FAÇON DE VENISE ‘PIPE-STEM’ TOASTING GLASSES 17TH CENTURY with flared trumpet-form bowls, raised on fragile slender stems and flat circular feet (2) 23cm high

£1,000-1,500

145 SET OF SIX VICTORIAN GREEN WINE GLASSES MID-19TH CENTURY with conical bowls above annular and rounded shoulder knops on plain stems and flat feet, 13/12.5cm high; together with FOUR SMALL REGENCY GREEN GLASS RUMMERS, with barrelled bowls on blade knop stems and flat feet, 11.5/11cm high (10) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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146 PAIR OF GEORGIAN AIR TWIST STEMMED WINE GLASSES CIRCA 1750 with rounded funnel bowls raised on doubled knopped air twist stems and conical feet (2) 15.5cm high

£400-600

147 TWO GEORGIAN ENGRAVED WINE GLASSES MID-18TH CENTURY comprising a glass with an ogee bowl engraved with flowers, raised on a double-series opaque twist stem and circular foot, 14.5cm high; and a trumpetbowled glass engraved with a band of flowers, on a teared stem and domed foot, 17.5cm high (2) £300-500

148 SEVEN GEORGIAN ETCHED ALE GLASSES 18TH CENTURY with flared bowls engraved with barley and hops, five with acorn/shoulder knops to their plain stems and two with annulated knopped stems, all on conical feet (7) Largest 13cm high

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

The Late Michael Buckingham Collection of Glass

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149 FOUR GEORGIAN WINE FLUTES/ALE GLASSES 18TH CENTURY comprising a large ale glass with a drawn trumpet bowl and teared stem, 22cm high; an example with a round funnel bowl and facet cut stem, 16cm high; a conical bowled glass on a true baluster stem, 17cm high; and a round funnelled bowled glass with a plain stem and folded foot, 16.5cm high; together with a DUTCH SODA METAL ALE GLASS, circa 1770, raised on a double series opaque twist stem, 20cm high (5) £500-700

150 THREE GEORGIAN OPAQUE TWIST STEM WINE GLASSES MID-18TH CENTURY all raised on double series opaque twist stems, comprising a bucket bowled goblet, 16.5cm high; a wine glass with a waisted ogee bowl, 15.5cm high; and a round funnelled bowled glass with rib moulding, 14cm high (3) £300-500

151 SIX GEORGIAN ETCHED ALE GLASSES 18TH CENTURY with flared bowls engraved with barley and hops, five on plain stems and one on an annulated knopped stem and conical feet (6) Largest 15.5cm high

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Property from Hatton Castle, Aberdeenshire

Hatton Castle is a category A listed building located near Turriff in Aberdeenshire, on the lower side of Hatton Hill. Alexander Garden Duff of Hatton bought the deteriorating Place of Balquholly from the Mowat family in 1709, and a series of rebuilding and improvements continued through the 18th century, with principal building of the new Hatton Lodge starting in 1745 by the Second Alexander Duff of Hatton. In the early 19th century the 8th Laird of Hatton, Garden Duff, commissioned a new house to be built incorporating elements from the

earlier buildings, with an aim to unify the house in a designed landscape.

The completed Hatton Castle included a three-storey castellated edifice featuring rounded towers at each corner, with corbelled parapets and a central gothic door decorated by shafted columns. The landscape and gardens were recognised for their beauty in their own right by commentators in the nineteenth-century, and to this day the gardens contribute greatly to the estate’s charm.

152 EARLY GEORGIAN OAK DRESSER BASE EARLY 18TH CENTURY the top with a moulded edge over two fielded panel drawers, raised on shaped baluster fore legs and later square rear legs 176cm wide, 80cm high, 45cm deep

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Property from Hatton Castle, Aberdeenshire

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153 GEORGE III MAHOGANY AND NEEDLEWORK POLESCREEN 18TH CENTURY the square screen with a needlework flowering urn panel with flame stitch borders, on a turned support raised on a tripod base with pad feet 61cm wide, 57cm high, 41cm deep

£300-500

154 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JAMES PATERSON, BANFF LATE 18TH CENTURY the broken arch pediment above a brass dial with silvered chapter ring with Roman and Arabic numbers, subsidiary seconds dial and date aperture, the arch boss inscribed ‘Ja Paterson/ Bannff, above an arched trunk door and plinth with short bracket feet, the eight-day movement striking a bell 55cm wide, 211cm high, 28cm deep

£700-900

155 GEORGE III MAHOGANY OCTAGONAL CELLARETTE ON STAND 18TH CENTURY the octagonal top opening to a lead-lined compartmented interior, raised on square tapering legs and brass castors united by turned X stretchers 56cm wide, 82cm high, 54cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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156 GEORGE III STYLE MAHOGANY TRAY-TOP TEA TABLE LATE 19TH CENTURY the octagonal tilt top with a fretwork gallery, on a fluted and turned baluster support, raised on three stiff-leaf carved legs ending in ball and claw feet 80cm wide, 74cm high

£300-500

157 LATE REGENCY MAHOGANY LINEN PRESS EARLY 19TH CENTURY the pagoda pediment above a pair of panel doors, enclosing five sliding trays; the base with a beaded frieze and panel doors enclosing an adjustable shelf, flanked by turned and reeded corner columns and pad feet 146cm wide, 232cm high, 61cm deep

£500-700

Property from Hatton Castle, Aberdeenshire

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158 REGENCY MAHOGANY UPHOLSTERED ARMCHAIR EARLY 19TH CENTURY the square back and sloping enclosed sides with mahogany facings, above a loose cushion seat, raised on turned and tapered reeded legs ending in ceramic castors 75cm wide, 105cm high, 55cm deep

£600-800

159 GEORGE III MAHOGANY NEEDLEWORK POLESCREEN 18TH CENTURY the rectangular floral needlework panel on a turned support and tripod base with pad feet 61cm wide, 57cm high, 41cm deep

£200-300

160 REGENCY SMALL MAHOGANY PEDESTAL SIDEBOARD EARLY 19TH CENTURY the moulded top above a central bead moulded deep drawer above a shelved recess, flanked by banks of five graduated short drawers, raised on turned feet 121cm wide, 91cm high, 41cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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161 SET OF SIX GILTWOOD AND GESSO NEOCLASSICAL WALL APPLIQUES 19TH CENTURY the ribbon-tied backs with rams’ heads and bellflower trails, and issuing pairs of leafy upscrolled candle branches with urn sconces, electrified (6) £1,500-2,500

162 REGENCY MAHOGANY PEDESTAL SIDEBOARD EARLY 19TH CENTURY the inverted concave breakfront top above a frieze drawer flanked by panel doors, the left side opening to two drawers, the other fitted as a cellarette, raised on four turned and reeded legs with paw feet 231cm wide, 98cm high, 88cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Property from Hatton Castle, Aberdeenshire

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163 ITALIAN PATINATED BRONZE FIGURE OF WINGED VICTORY LATE 19TH CENTURY dark patina, raised on a bronze ball above a square marble plinth Overall 71.5cm high

£400-600

164 AFTER GIAMBOLOGNA, MERCURY 19TH CENTURY bronze, dark brown patina, raised on an onyx plinth base 65.5cm high overall

£400-600

165 AFTER RANCOULET, PAIR OF BRONZE WINGED FIGURES 19TH CENTURY dark brown patina, one holding a broken arrow, the other with a bow, raised on leafy fronds and signed to the bronze RANCOULET, on onyx socle bases (2) 38cm and 34cm high

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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166 VICTORIAN MAHOGANY PIETRA DURA TOPPED OCCASIONAL TABLE 19TH CENTURY the circular top with leaf and berry hardstone inlay over a blind fret carved frieze, raised on turned leg, joined by a shaped undertier and ending in scrolled feet 59cm wide, 80cm high

£400-600

167 PAIR OF VICTORIAN WALNUT FRAMED BUTTON UPHOLSTERED ARMCHAIRS 19TH CENTURY the moulded buttoned backs above outscrolling arms and serpentine cushioned seats, raised on moulded cabriole legs and castors (2) 76cm wide, 106cm high, 54cm deep

£500-700

168 OAK AND BRASS BOUND CAMPAIGN SECRETAIRE CHEST 19TH CENTURY the rectangular top over two short drawers, a long drawer, and a secretaire drawer; over two further graduated long drawers, raised on turned feet 99cm wide, 117cm high, 50cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Property from Hatton Castle, Aberdeenshire

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169 PAIR OF VICTORIAN CUT GLASS THREE BRANCH BASKET CHANDELIERS, ATTRIBUTED TO OSLER 19TH CENTURY the coronas hung with prisms and swag bodies, issuing three curved candle arms with drip trays and lustres, previously fitted for gas, now electrified; together with a PAIR OF WALL SCONCES, en suite, with two scrolling branches with drip trays hung with lustres (4) 98cm high, 65cm diameter

£2,000-3,000

170Y FRENCH EMPIRE STYLE ROSEWOOD BRASS MOUNTED DESK 19TH CENTURY the rectangular top with tooled leather writing surface above a central frieze drawer flanked by two short drawers, with dummy drawers opposing, raised on fluted turned legs ending in brass feet 100cm wide, 72cm high, 60cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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171 THREE OBJETS DE VERTU 19TH CENTURY comprising a painted silk fan depicting figures and landscapes with cartouches, with painted bone sticks, 31.5cm long; a lava cameo brooch, depicting a gentleman in profile in high relief, 4.5cm high; and a small mixed metal Irish crescent brooch, with harp and shamrock motif, stamped JOHNSON DUBLIN, 3cm wide approx. (3) £200-300

172 TWO VICTORIAN WOVEN HAIR BRACELETS 19TH CENTURY the first made up of various interlocking strands enclosing a daguerreotype photograph of a gentleman within a gilt metal frame; the second, a blonde example with engraved gilt clasp and pendants enclosing woven hair; together with a PAIR OF GILT METAL MESH CUFF BRACELETS, with filigree roundels (4)

173Y PARTIAL NARWHAL TUSK (MONODON MONOCEROS), LATE 19TH/ EARLY 20TH CENTURY consisting of the base and midsection of the shaft

Note: One of the pair of cuff bracelets in the present lot is visible as worn by the sitter in the portrait of Jessie Duff, lot 176.

121cm long Note: Sold in compliance with CITES regulations, with (nontransferable) Transaction Specific Certificate no. 576982/01

£200-300

£500-700

174Y

175

GROUP OF BOXES AND VINAIGRETTES

TWO F.H. JAQUES ‘THE WIMBLEDON’ PARTIAL CROQUET SETS

EARLY 19TH CENTURY comprising a small circular tortoiseshell box, inlaid with gilt bands and flowers, 4.5cm diam.; a rectangular tortoiseshell snuff box, inlaid with white metal shields, 6cm wide; and two vinaigrettes, the first silver, engraved to imitate an envelope, hallmarked, and the second with an agate lid, both 3.5cm wide (4) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

EARLY 20TH CENTURY each in a wood case, containing an assortment of mallets, wickets, posts and balls (2) £250-350

Property from Hatton Castle, Aberdeenshire

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176 FOLLOWER OF SIR FRANCIS GRANT THREE-QUARTER LENGTH PORTRAIT OF JESSIE DUFF HOLDING A ROSE Signed with a monogram and dated 1839, oil on canvas 130cm x 105cm (50in x 40in) Note: Jessie Duff was the daughter of Garden Duff of Hatton and the Hon. Louisa Dunbar. She was born in 1806, married Alexander Morison in 1836 (he died in 1874) and had no children, she died in 1883.

The sitter in this portrait is wearing one of the cuff bracelets included in lot 172.

£3,000-5,000

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177 ATTRIBUTED TO SIR WILLIAM BEECHEY HALF-LENGTH PORTRAIT OF COLONEL ALEXANDER DUFF Oil on canvas 76cm x 63cm (30in x 25in) Exhibited: Aberdeen Art Gallery Festival Exhibition, Paintings from N.E. Homes

£700-900

178 CIRCLE OF SIR JOHN MEDINA HALF-LENGTH PORTRAIT OF ADAM URQUHART WITH LACE JABOT Oil on canvas, oval 76cm x 63cm (30in x 25in)

£1,200-1,800

179 MANNER OF TILLY KETTLE HALF-LENGTH PORTRAIT OF ADMIRAL ROBERT DUFF OF FETTERESSO Oil on canvas 91cm x 76cm (36in x 30in)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Property from Hatton Castle, Aberdeenshire

180 18TH CENTURY SCOTTISH SCHOOL HALF-LENGTH PORTRAIT OF JAMES DUFF OF BANFF Oil on canvas 91cm x 76cm (36in x 30in)

£500-700

181 19TH CENTURY SCOTTISH SCHOOL HALF-LENGTH PORTRAIT OF ROBERT GEORGE DUFF OF WELLINGTON LODGE, HYDE (1817-1890) Oil on canvas 92cm x 74cm (36in x 29in)

£1,500-2,500

182 18TH CENTURY BRITISH SCHOOL HALF-LENGTH PORTRAIT OF CHARLES HAY OF HANNES Oil on canvas 77cm x 68cm (30.25in x 26.75in)

£400-600

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Paintings: Part I

183 18TH CENTURY FLEMISH SCHOOL A CLASSICAL LANDSCAPE WITH FIGURES AND ANIMALS ON A PATH Oil on canvas 100cm x 130cm (39.25in x 51in)

£4,000-6,000

184 PHILIP REINAGLE R.A. (BRITISH 1749-1833) A WOODED RIVER LANDSCAPE WITH FORD Signed, oil on panel 25.5cm x 46cm (10in x 18in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part I

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185 MANNER OF FRANZ XAVER PETTER A STILL LIFE OF ASSORTED FLOWERS IN A VASE WITH MIXED FRUIT ON A LEDGE Oil on canvas 53cm x 46cm (21in x 18in) and a companion, a pair (2)

£4,000-6,000

186 AFTER JAN VAN OS A STILL LIFE OF ASSORTED FLOWERS IN A BASKET Oil on canvas 58cm x 49.5cm (22.75in x 19.25in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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187 FOLLOWER OF DAVID TENIERS FIGURES CONVERSING ON A PATH, CASTLE RUINS BEYOND Oil on panel 14cm x 20cm (5.5in x 8in)

£1,500-2,000

188 17TH CENTURY ITALIAN SCHOOL FIGURES ON A RIVERBANK, A TOWN IN THE DISTANCE Oil on canvas 64cm x 81cm (25in x 31.75in)

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part I

189 BARTHOLOMEUS VAN BASSEN (DUTCH 1590-1652) FIGURES IN A CHURCH INTERIOR Signed and dated 1627, oil on panel 31.5cm x 41cm (12.25in x 16in)

£6,000-8,000

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190 AFTER JOSEPH MALLORD WILLIAM TURNER SUN RISING THROUGH VAPOUR Oil on canvas 124cm x 176cm (49in x 69.5in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part I

191 J. C. NEWTON (19TH CENTURY SCOTTISH) FISHERROW, MUSSELBURGH Pencil and watercolour 61cm x 74cm (24in x 29in) Provenance: Christie’s, Fine Oil Paintings & Watercolours, Edinburgh, 26 November 1998 Exhibited: Calton Gallery, Edinburgh, 2001

£1,000-1,500

192 GEORGE GREGORY (BRITISH 1849-1938) SHIPPING OFF THE ENGLISH COAST, SUNSET Signed and dated 1877, oil on canvas 44cm x 81cm (17.5in x 32in)

£800-1,200

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British Furniture & Works of Art: Part II

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

79

193 LATE REGENCY SPECIMEN MARBLE TABLE TOP EARLY 19TH CENTURY the octagonal black marble top inlaid with multiple marble and hardstone specimens with a games board enclosed by a ribbon banding 68cm diameter

£2,500-3,000

194 PAIR OF REGENCY PARCEL GILT AND PAINTED STANDARD LAMPS 19TH CENTURY the acanthus moulded capitals above fluted columns carved with masks and foliate moulding, the quadriform bases with griffons and anthemion, later electrified (2) 180cm high

£500-700

195 TWO REGENCY BAMBOO ‘BRIGHTON PAVILION’ LAMP TABLES 19TH CENTURY with painted hexagonal tops, one with two short drawers and two undertiers, the other with a single drawer and undertier, on splayed feet (2) 40cm wide, 76cm high, 36cm deep approx.

£1,500-2,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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196 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in an ebonised slip and moulded frame with ball mounts 72cm diameter

£300-400

197 REGENCY MAHOGANY TWO TIER DUMBWAITER, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with two rotating dished tiers divided by a reeded and ring turned baluster, raised on hipped and reeded sabre legs ending in brass caps and castors 56cm diameter, 80cm high

£1,200-1,800

198 REGENCY MAHOGANY BOWFRONT SIDE TABLE, ATTRIBUTED TO GILLOWS 19TH CENTURY with a brass gallery and outset rounded forecorners above a pair of short frieze drawers, raised on slender turned and reeded legs 91.5cm wide, 80cm high, 49cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section onOther page fees 2 apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

199Y REGENCY ROSEWOOD AND BRASS INLAID CARD TABLE EARLY 19TH CENTURY the D shaped fold-over top with brass line and star inlay, opening to a green baize playing surface, above a frieze with further inlay, on a ring turned baluster column and circular base with sabre legs outlined with brass and marked with star inlay, ending in brass paw caps and castors 91.5cm wide, 73cm high, 45cm deep

£700-1,000

200 PAIR OF REGENCY STYLE OXBLOOD LEATHER ARMCHAIRS MID 20TH CENTURY the low square button upholstered back and sloped enclosed arms above loose cushion seats, outlined with brass nail head trim, raised on square tapered legs (2) 74cm wide, 84cm high, 58cm deep

£800-1,200

201 VICTORIAN BRASS FENDER 19TH CENTURY with a knopped gallery above a grille insert and bead embossed borders 188cm wide, 42cm high, 33cm deep

£500-700

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202 CUT GLASS BASKET CHANDELIER 19TH CENTURY the corona hung with prism drops above a basket frame hung prism and crystal swags 75cm high Provenance: Yester House, Gifford, East Lothian

£300-500

203Y LATE REGENCY ROSEWOOD LAMP TABLE EARLY 19TH CENTURY the circular top above a bead moulded frieze, on a tapered column carved with lotus, on a triform base with disc feet 50cm diameter, 73cm high

£800-1,200

204 LATE REGENCY MAHOGANY PEMBROKE TABLE, MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a frieze drawer to one end, raised on turned and reeded legs ending in brass caps and castors 91cm long, 74cm high, 53cm deep (101cm open)

£300-500

205 REGENCY BOWFRONT MAHOGANY SERVING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the top with a panel back above a long frieze drawer flanked by short drawers with boxwood stringing and lion mask handles, raised on turned and reeded tapered legs 167cm wide, 107cm high, 73cm deep

£800-1,200

British Furniture & Works of Art: Part II

206 SET OF TEN REGENCY DINING CHAIRS EARLY 19TH CENTURY the scroll backs carved with acroteria above bead moulded spars, the pad seats raised on sabre legs (10) 48cm wide, 85cm high, 42cm deep

£1,000-1,500

207 REGENCY MAHOGANY METAMORPHIC DINING TABLE 19TH CENTURY the fold-over top opening with a scissor action with two leaf inserts, raised on turned and reeded tapered legs headed by carved patera and ending in brass caps and castors 264cm long, 72cm high, 121cm wide; 64cm deep (closed)

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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208 REGENCY YEWWOOD WORK TABLE EARLY 19TH CENTURY the rounded rectangular top with a bead moulded edge above a single frieze drawer, on a slender ring turned baluster support and quadriform base with ball mounts, the outscrolled legs on ball feet 52cm wide, 74cm high, 35cm deep

£300-400

209Y REGENCY ROSEWOOD BRASS INLAID CONSOLE TABLE EARLY 19TH CENTURY the two tier superstructure with brass galleries and supports and S-scroll brackets; the base with a brass inlaid frieze and acanthus carved S scroll supports on a plinth base raised on foliate carved feet 120cm wide, 140cm high, 60cm deep

£600-800

210 REGENCY MAHOGANY CENTRE TABLE EARLY 19TH CENTURY the figured circular tilt top above a plain frieze, over an acanthus carved column and scrolled supports ending on a triform base raised on carved lion paw feet 130cm diameter, 71cm high

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page Other 2 fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

211 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS, BY GILLOWS 19TH CENTURY the bar backs carved with palmette scrolls above dropin padded seats, raised on spiral and ring turned legs; comprising six side chairs and a pair of armchairs, one chair stamped J. HARTNETT 4/87, two stamped J. H. 5/87 (8) Armchair 56cm wide, 86cm high, 46cm deep

£3,000-4,000

212 LATE REGENCY MAHOGANY EXTENDING DINING TABLE, ATTRIBUTED TO GILLOWS 19TH CENTURY the rounded rectangular top with a gadrooned edge, above bead moulded frieze panels, raised on turned and reeded legs with brass castors; opening with a telescopic action with two leaf extensions, but will extend to accommodate two further leaves 272cm long, 74cm high, 152cm deep; 400cm fully extended

£2,000-3,000

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213 REGENCY MAHOGANY MELON-FORM TEA CADDY EARLY 19TH CENTURY the rounded top and body with boxwood line inlay and twin lion mask handles, opening to two covered compartments, raised on gilt ball feet, with a key 22cm wide, 16cm high, 12.5cm deep

£300-500

214Y REGENCY TORTOISESHELL TEA CADDY EARLY 19TH CENTURY of rectangular form with a breakfront outline, opening to a divided interior with ivory banded borders, on a splayed base with squat bun feet 19.5cm wide, 12.5cm high, 12.5cm deep

£400-600

215Y REGENCY ROSEWOOD TEA CADDY EARLY 19TH CENTURY of sarcaphogus form with twin brass loop handles and boxwood inlay, opening to two covered compartments with ivory handles, raised on cast brass paw feet 21cm wide, 18cm high, 13cm deep

£300-500

216 REGENCY INLAID MAHOGANY TEA CADDY EARLY 19TH CENTURY of rectangular form, with inlaid borders enclosing lion mask handles, opening to two lidded compartments flanking a cut-glass bowl, raised on brass paw feet 32.5cm wide, 17.5cm high, 21cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

217 REGENCY MAHOGANY BRACKET CLOCK, EVILL, BATH EARLY 19TH CENTURY the pitched pediment surmounted by a gilt metal urn, all above twin handles flanking a cream dial with Roman numerals and rubbed inscription EVILL/ BATH, with reeded floral spandrels on a brass mounted plinth base, the engraved back plate also signed, striking a bell 33cm wide, 51cm high, 17cm deep

£800-1,200

218Y REGENCY TABLETOP ROSEWOOD BOOK STAND EARLY 19TH CENTURY the divided top with mother-of-pearl inlay and turned spindle gallery, above a single drawer, on squat bun feet 38cm wide, 23.5cm high, 28cm deep

£500-700

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219 SMALL MAHOGANY ROUND-DIAL WALL CLOCK 19TH CENTURY the white enamelled dial with Roman numerals and signed D. BARNETT & SON, LONDON., with an eight day fusee movement and anchor escapement 28.5cm diameter

£800-1,200

220 PAIR OF REGENCY GILT BRONZE TABLE LAMPS EARLY 19TH CENTURY previously candlesticks, with baluster-form nozzles, tapered columns and spread circular feet, with engine-turned bands, with pleated shades (2) 28cm high (excluding fittings and shade)

£600-800

221 REGENCY BRONZE BOUILLOTTE LAMP EARLY 19TH CENTURY with adjustable twin toleware shades with impressed mark MILLER & SONS, 179 PICCADILLY, above the adjustable outscrolling sconces, on a circular bronze base 50cm high

£300-500

222 PAIR OF VICTORIAN BRASS DOG DOOR STOPS 19TH CENTURY cast as opposing setters in profile, mounted on cast iron bases (2) 22cm wide, 32cm high

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

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223Y REGENCY ROSEWOOD BRASS INLAID CARD TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top opening to a red baize playing surface above a brass inlaid frieze, raised on a lotus carved baluster support and sabre legs ending in brass caps and castors 94cm wide, 75cm high, 47cm deep

£800-1,200

224 FINE GEORGE IV POLLARD OAK AND EBONISED PEDESTAL PARTNER’S DESK EARLY 19TH CENTURY the rectangular top with a gilt tooled red leather writing surface and ebonised moulded edge, above three short frieze drawers with ebonised moulding, and three further frieze drawers opposing, raised on twin pedestals with brass grille insert doors backed with red silk, opening to banks of short drawers, with cupboards opposing, on plinth bases with brass castors, the locks stamped COMYN CHING & CO 176cm wide, 77cm high, 109cm deep

£3,000-5,000

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225 PAIR OF IRISH REGENCY MAHOGANY ARMCHAIRS EARLY 19TH CENTURY the reeded bar backs above pad seats flanked by scroll arms carved with rams’ head terminals, raised on sabre legs ending in hoof feet (2) 50cm wide, 82cm high, 41cm deep

£600-800

226Y REGENCY ROSEWOOD WINE TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the circular top with a gadrooned edge above a moulded frieze, on an acanthus carved baluster support and triform base raised on scroll feet 53cm diameter, 76cm high

£600-800

227 REGENCY STYLE MAHOGANY TEA TABLE 19TH CENTURY the rectangular fold-over top with a bead moulded edge, raised on scroll supports carved with rosettes, on a quadriform base with hipped sabre reeded legs with brass caps and castors 92cm wide, 74cm high, 46cm deep

£300-500

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229

230

REGENCY BRONZE MOUNTED ROSEWOOD DESK STAND

REGENCY MAHOGANY AND SPECIMEN WOOD TEA CADDY

REGENCY MAHOGANY TEA CADDY

EARLY 19TH CENTURY with a central handle flanked by later silver inkwells, hallmarked Birmingham 1906, and pen trays, above a bronze acanthus border and a single drawer with ivory handle, raised on paw feet

EARLY 19TH CENTURY of rectangular form with boxwood inlay, opening to a fitted interior with two covered caddies flanking a glass bowl, the lids and interior with parquetry inlay in specimen woods, raised on squat bun feet, with a key

32cm wide, 15cm high, 23.5cm deep

30.5cm wide, 16.5cm high, 16cm deep

£200-300

£200-300

EARLY 19TH CENTURY of sarcophagus form, with a shell patera to the lid above twin loop handles, opening to a fitted interior with two lidded caddies flanking a blue glass bowl, raised on brass ball and claw feet, with a key 31cm wide, 19.5cm high, 16.5cm deep

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

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231 PAIR OF ‘POLLYANNA’ TUB ARMCHAIRS BY KINGCOME MODERN the curved backs and scrolled arms over down and feather cushion seats, raised on turned mahogany forelegs with castors, covered in aqua Colefax & Fowler ‘Bennet’ fabric with contrast piping (2) 77cm wide, 90cm high, 60cm deep

£1,200-1,800

232 REGENCY BIRCH, WALNUT AND FRUITWOOD OCCASIONAL TABLE 19TH CENTURY the circular top inlaid with a star motif within a scallop and dot border, on a turned baluster support raised on flattened scrolled legs 46cm diameter, 76cm high

£700-1,000

233 REGENCY MAHOGANY AND SATINWOOD STAGEBACK SIDEBOARD EARLY 19TH CENTURY the breakfront superstructure above a breakfront top with three frieze drawers flanked by deep drawers, raised on turned reeded legs and bun feet 260cm wide, 118cm high, 78cm deep

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

92 Lyon & Turnbull

234Y REGENCY STYLE ROSEWOOD CARD TABLE 19TH CENTURY the D shaped fold-over top with a bead moulded edge, opening to a green baize playing surface, raised on scroll supports with carved rosettes, on a quadriform base with hipped sabre legs ending in foliate cast brass caps and castors 92cm wide, 74cm high, 46cm deep

£500-700

235 SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the reeded toprails above curved X form backs centred by carved flowerheads, over stuffover seats covered in red flower needlework, raised on turned and tapered reeded legs (6) 49cm wide, 86cm high, 42cm deep

£600-800

236Y REGENCY ROSEWOOD BRASS INLAID SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop leaf ends with crossbanding and brass line and bellflower inlay, above a pair of short frieze drawers with dummy drawers opposing, raised on a concave tapered square column and quadriform base with hipped sabre legs ending in hairy paw brass caps and castors 153cm wide, 94cm wide (leaves down), 74cm high, 68cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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237 IRISH REGENCY MAHOGANY BRASS INLAID BOWFRONT CHEST OF DRAWERS 19TH CENTURY the brass inlaid frieze over two short and three long drawers flanked by spiral carved quarter columns, raised on turned and ebonised ball feet 118cm wide, 120cm high, 51cm deep

£800-1,200

238 REGENCY GILTWOOD MIRROR EARLY 19TH CENTURY the inverted breakfront cornice with ball mounts above a shell mounted frieze, over a rectangular mirror plate in an ebonised slip flanked by anthemion clasped pilasters on ball spacers 86cm high, 127cm wide

£400-600

239 REGENCY MAHOGANY SERVING TABLE EARLY 19TH CENTURY the broken D-shaped top above a pair of short frieze drawers flanked by reeded corner block panels, raised on ring turned and reeded tapered legs 103cm wide, 82cm high, 69cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

94 Lyon & Turnbull

240 GILT FRAMED OVERMANTEL MIRROR LATE 18TH/ EARLY 19TH CENTURY the rectangular mirror plate in a reeded and leaf moulded frame 120cm high, 77cm wide

£300-400

241 REGENCY TWIN PEDESTAL MAHOGANY DINING TABLE 19TH CENTURY WITH ALTERATIONS with one leaf extension, the associated rounded rectangular top with a reeded edge, on ring turned pedestals and reeded outswept legs ending in hairy paw brass caps and castors 177cm wide, 73cm high, 104m deep

£500-700

242 REGENCY ESTATE MADE STAINED PINE BOOKCASE EARLY 19TH CENTURY the straight moulded cornice above three glazed and mullioned doors; the base with three cupboard doors with square moulded panels with traces of original red and ochre staining, on a plinth base 262cm long, 197cm high, 32cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

243 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising six side chairs and two armchairs, with shaped toprails over horizontal splats between reeded scrolled rails, above stuffover seats raised on reeded sabre legs (8) Armchair 56cm wide, 84cm high, 48cm deep; Sidechair 49cm wide, 81cm high, 42cm deep

£800-1,200

244 LARGE REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in an ebonised slip and column moulded frame 103cm high, 157cm wide

£500-700

245Y REGENCY MAHOGANY AND ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the rectangular tilt top with canted corners, raised on a turned column and four outswept reeded legs ending in brass caps and castors 153cm wide, 72cm high, 121cm deep

£800-1,200

95

96 Lyon & Turnbull

246 REGENCY GILT AND GESSO OVERMANTLE TRIPTYCH MIRROR EARLY 19TH CENTURY the inverted breakfront cornice with ball mounts above a frieze depicting Apollo in a chariot pulled by lions, above bevelled mirror plates flanked by Corinthian columns 90cm high, 149cm wide

£300-500

247 PAIR OF SMALL REGENCY MAHOGANY FOOTSTOOLS 19TH CENTURY, AND LATER the button upholstered rectangular padded tops with nail head trim, raised on reeded and turned legs (2) 35cm wide, 38cm high, 27cm deep

£1,800-2,200

248

249

250

251

CHINESE EXPORT PAPIER MACHE TRAY ON STAND

CHINESE EXPORT BLUE AND WHITE PART TEA SERVICE

19TH CENTURY the separate tray of shaped oval form, the rim decorated with gilt Chinese dragons on a black ground, with a corresponding ebonised stand ending in pad feet (2)

LATE 18TH/ EARLY 19TH CENTURY depicting pagodas and figures in landscapes, with gilt rims, comprising a teapot, 16.5cm high; four tea bowls, 7.5cm diam.; two small saucers, 11.5cm diam.; a larger saucer, 15.5cm diam.; and a plate, 20cm diam.; together with a similar CHINESE EXPORT BLUE AND WHITE PORCELAIN TEA CADDY, with matched lid, 14.5cm high (10)

REGENCY WHITE PAINTED AND GILT TRIPTYCH OVERMANTEL MIRROR

REGENCY MAHOGANY WHATNOT

EARLY 19TH CENTURY the moulded cornice with ball mounts above a frieze depicting Apollo in a chariot pulled by lions, above three bevelled mirror plates flanked by columns

19TH CENTURY with five tiers raised and divided by turned supports, ending in brass caps and castors

89cm high, 128cm wide

£250-350

Tray 44.5cm wide; stand 43cm wide, 46cm high

£150-250

Provenance: From the estate of the late Dr. Nicholas Phillipson.

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£200-300

41cm wide, 86cm high, 35cm deep

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252Y REGENCY ROSEWOOD CARD TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top with a baize interior, above a moulded frieze and canted square support on a shaped base and scroll feet 91cm wide, 76cm high, 45cm deep

£400-600

253 LATE REGENCY MAHOGANY AND FRUITWOOD PIER MIRROR EARLY 19TH CENTURY the moulded cornice above a wide panel frame with a rectangular mirror plate in a bead moulded slip 178cm high, 74cm wide

£400-600

254 REGENCY MAHOGANY SECRETAIRE CABINET EARLY 19TH CENTURY of neat size, the moulded top over a long frieze secretaire drawer fitted with a green leather writing surface, pigeon holes and drawers with ivory knobs, above a pair of doors with brass grille insert doors lined with pleated yellow silk, opening to shelved interior, raised on turned feet 94cm wide, 89cm high, 36cm deep

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

98 Lyon & Turnbull

255Y GOOD PAIR OF GEORGE IV ROSEWOOD FIRE SCREENS EARLY 19TH CENTURY each two part frame finely carved with C and foliate scrolls enclosing a needlework panel and glazed lower section, raised on scroll trestle supports with brass castors (2) 54cm wide, 104cm high, 53cm deep

£2,000-3,000

256 REGENCY MAHOGANY DUMBWAITER EARLY 19TH CENTURY with two circular dished tiers on turned and reeded baluster supports, raised on hipped and reeded sabre legs with brass caps 62cm wide, 90cm high

£300-500

257 REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with a reeded edge and drop ends, above a pair of frieze drawers over lyre shaped supports and outswept reeded sabre legs united by a turned stretcher and ending in brass caps and castors 110cm wide (159cm extended), 74cm high, 71cm deep

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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258 PAIR OF REGENCY MAHOGANY OCCASIONAL TABLES 19TH CENTURY WITH ALTERATIONS the octagonal tops with moulded edges above turned baluster supports, on triform bases raised on turned bun feet (2) 38cm wide, 62cm high, 33cm deep

£2,000-3,000

259 PAIR OF MAHOGANY BEDSIDE CHESTS OF DRAWERS LATE 19TH CENTURY, WITH ADAPTATIONS the moulded square tops with a three quarter gallery, above banks of four graduated short drawers with wood knobs, on plinth bases (2) 47cm wide, 81cm high, 46cm deep

£1,200-1,800

260 TEAK CAMPAIGN CHEST OF DRAWERS 19TH CENTURY in two parts, the upper section with two short and a long drawer, the base with two further long drawers, raised on turned legs, with recessed brass handles, strapwork and carrying handles 91cm wide, 93cm high, 44cm deep

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Other Guide’ fees section apply in onaddition page 2 to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

100 Lyon & Turnbull

261 LATE REGENCY MAHOGANY HALL BENCH EARLY 19TH CENTURY the long seat with roll ends above a plain frieze raised on turned legs 108cm wide, 52cm high, 30cm deep

£800-1,200

262 PAIR OF GEORGE IV MAHOGANY PEDESTAL CABINETS EARLY 19TH CENTURY the square tops above panel doors opening to shelved interiors, the moulded bases raised on scroll carved bracket feet (2) 52cm wide, 88cm high, 54cm deep

£800-1,200

263Y GEORGE IV ROSEWOOD LIBRARY TABLE 19TH CENTURY the rounded rectangular top above two frieze drawers, on tapered end supports joined by a turned stretcher and raised on scrolling trestle feet 121cm wide, 72cm high, 60cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page Other 2 fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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264 SET OF SIX WILLIAM IV MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the bar backs carved with lotus and bellflowers above stuffover seats and moulded seat rails, raised on turned and hexagonal tapered legs (6) 55cm wide, 87cm high, 41cm deep

£300-500

265Y WILLIAM IV ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular top with a serpentine edge, on a triform tapered column and base with scrolled brackets, raised on scroll carved feet 147cm diameter, 70cm high

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

102 Lyon & Turnbull

266 WILLIAM IV MAHOGANY LIBRARY ARMCHAIR 19TH CENTURY the low square button upholstered back above a stuffover seat and enclosed padded arms with mahogany facings, raised on turned and tapered legs ending in brass caps and castors; in yellow silk upholstery 70cm wide, 95cm high, 56cm deep

£600-800

267 GEORGE IV SMALL MAPLE LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top above a plain frieze raised on tapering end supports and an arched stretcher, raised on trestle bases with pad feet 92cm wide, 71cm high, 45cm deep

£400-600

268 PAIR OF MAHOGANY BEDSIDE CHESTS OF DRAWERS LATE 19TH CENTURY, WITH ALTERATIONS the rounded rectangular top with moulded edges above banks of four graduated short drawers with wood knobs, on plinth bases (2) 42.5cm wide, 74cm high, 43cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

269 WILLIAM IV MAHOGANY CHEVAL MIRROR EARLY 19TH CENTURY the large rectangular mirror plate in a moulded frame with foliate scroll cresting, flanked by columnar supports with lotus finials, on scroll trestle legs with brass castors and a turned stretcher rail 97cm wide, 164cm high, 65cm deep

£800-1,200

270 GEORGE IV MAHOGANY DRUMHEAD LONGCASE CLOCK EARLY 19TH CENTURY the gold enamelled dial with Roman number chapter ring and subsidiary seconds and date dials, against a foliate scroll filled ground, in a moulded hood above a tapered case with panel door flanked by quarter columns, on a crossbanded plinth with short bracket feet, the eight day movement striking a bell 46cm wide, 203cm high, 23cm deep

£600-800

271Y WILLIAM IV ROSEWOOD DAVENPORT 19TH CENTURY the sliding top with a shaped gallery fabric lined writing surface opening to reveal four small drawers, with a pen drawer to the side; the base with four long graduated drawers, raised on reeded bun feet with recessed castors 61cm wide, 92cm high, 58cm deep

£500-700

103

104 Lyon & Turnbull

272 CHINESE EXPORT LACQUER WORK TABLE 19TH CENTURY the rectangular moulded top inlaid with motherof-pearl birds and cherry trees, opening to a fitted interior above a drawer and slide, on a separate base with turned supports and trestle legs united by a turned stretcher 80cm wide, 77cm high, 53cm deep

£300-500

273 PAIR BLACK LACQUER AND PARCEL GILT LOW TABLES MODERN the rounded rectangular tray tops with gilt acanthus borders, raised on ebonised faux bamboo legs joined by X stretchers (2) 80cm wide, 46cm high, 60cm deep

£500-700

274 PAIR OF EARLY VICTORIAN MAHOGANY ARMCHAIRS MID 19TH CENTURY the spoon shaped button upholstered backs with carved wreath cresting above low enclosed arms with carved scrolled facings and wide serpentine seats, raised on reeded baluster legs with wood castors, covered in blue foliate upholstery (2) 67cm wide, 114cm high, 42cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

275 SET OF MAHOGANY, SATINWOOD AND PARQUETRY QUARTETTO TABLES LATE 19TH CENTURY the crossbanded and line inlaid parquetry tops with moulded edges, raised on slender ring turned legs joined by curved stretchers and ending on trestle feet (4) 50cm wide, 66cm high, 34cm deep

£1,000-1,500

276 SCOTTISH VICTORIAN MAHOGANY LONGCASE REGULATOR, FERGUSON MACBEAN, INVERNESS MID 19TH CENTURY in a mahogany case with glazed sides and mirror back, the circular silvered dial with Arabic number minutes chapter and subsidiary hours and seconds dials, with a mercury bob pendulum, on a plinth base with a mirror panel front 50cm wide, 192cm high, 29cm deep

£2,000-3,000

277Y MATCHED PAIR OF WILLIAM IV ROSEWOOD ETAGERES 19TH CENTURY each with three rounded square tiers, raised and divided by turned baluster supports, on turned legs with brass caps and castors (2) 38cm wide, 75cm high, 32cm deep

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

105

106 Lyon & Turnbull

278 LARGE AND IMPRESSIVE GOTHIC REVIVAL CHIMING CLOCK BY BENJAMIN LEWIS VULLIAMY, LONDON CIRCA 1840 the fire-gilt brass architectural case with a gable surmounted by scrolling foliate cresting, the sloping sides with simulated slate tiles, above a leaf cast frieze mounted below with five red glass cabochons, enclosing trefoil reserves mounted with roundels painted with views of Greenwich, including Flamstead House, Greenwich Hospital and Queen’s House, and an oblique view of Greenwich Hospital with ships on the Thames, above a triple arch silvered dial with a Roman number chapter and subsidiary Strike/Silent, seconds, and 8 Bells [Westminster]/Cambridge chimes dials, signed above the XII ‘’VULLIAMY/ LONDON’, flanked by pairs of plain Corinthian columns with further columns to the rear corners, on a deep plinth; the triple fusee movement striking a bell and chiming on eight bells, the backplate signed above the pendulum clamp ‘VULLIAMY/LONDON’; on a modern oak stand with Gothic pointed arches flanked by columns. clock 60cm wide, 114cm high, 40.5cm deep; with stand 206cm high Note: Benjamin Lewis Vulliamy (1780-1854), third generation of the renowned 18th and 19th century Vulliamy clock making family, was Clockmaker of the Crown and elected Master of the Worshipful Company of Clockmakers five times, more than any other member. He studied horology from an early age, eventually taking over the family business in 1811 from his father Benjamin.

In addition to being a skilled craftsman, Vulliamy was known for his refined taste and extensive knowledge of art, literature, and architecture.

This monumental clock, with its imposing case in the Gothic taste, represents the very best work produced by the Vulliamy workshop during the 1840s. Undoubtedly a special commission, the scale of the clock, and the quality of the workmanship, indicate it was intended for an important client and location. The Gothic influences incorporated in the case, with its architectural form, details, and embellishments, is characteristic of Gothic Revival design, expounded by Auguste Pugin and his son Augustus Welby Pugin, architect and designer of the interiors of the new Palace of Westminster.

The clock’s history is unfortunately unclear. The movement, though clearly signed Vulliamy, is not numbered, an omission that makes dating the piece difficult. The Vulliamy Archive, at the British Horological Institute, contains incomplete records from the firm, and offers few insights into the potential original owner. Some tantalising clues can be taken from the three painted roundels depicting landmarks in Greenwich, which could indicate a private commission with links to the Royal Hospital, or a governmental commission, as Vulliamy supplied an increasing number of public funded works in the 1840s and 50s. By repute, the clock was removed from a private house in Greenwich for safekeeping in 1939, eventually finding its way into the possession of a judge whose family referred to it as the ‘Pugin Clock’, more a statement on its design than on any substantive connection with Pugin. It then passed into another private collection where it has remained for the past fifteen years.

£40,000-50,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

108 Lyon & Turnbull

279 EARLY VICTORIAN WALNUT KIDNEYSHAPED WRITING TABLE MID 19TH CENTURY the reniform top with a moulded edge and pierced brass gallery, raised on carved baluster supports and scrolling trestle bases with ceramic castors and joined by a turned stretcher 121cm wide, 78cm high, 56cm deep

£1,200-1,800

280 EARLY VICTORIAN MAHOGANY DRUMHEAD LONGCASE CLOCK, WILLIAM SMITH, LONDON MID 19TH CENTURY the circular silvered brass dial with Roman and Arabic numbers, and one winding hole, above a bow front trunk door and moulded plinth base, with a non-striking movement 45cm wide, 188cm high, 27cm deep

£800-1,200

281Y GROUP OF THREE REGENCY AND VICTORIAN CARD CASES 19TH CENTURY comprising a tortoiseshell, ivory and abalone example, 9.5cm x 7cm; an ivory piqué decorated case depicting flower sprays, 9.5cm x 7cm; and an ivory card case with carved monogram, 11.5cm x 7.5cm (3) £250-350

282 EARLY VICTORIAN WALNUT WHATNOT 19TH CENTURY the three quarter shaped gallery top above four further rectangular tiers raised and divided by turned baluster supports, on turned legs 67cm wide, 144cm high, 30cm deep

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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283 SET OF TWELVE VICTORIAN MAHOGANY FRAMED SIDE CHAIRS 19TH CENTURY with upholstered cartouche shaped padded backs over padded seats, raised on moulded cabriole legs, the forelegs with castors; in cream foliate upholstery (12) 50cm wide, 96cm high, 45cm deep

£800-1,200

284 EARLY VICTORIAN WALNUT LIBRARY TABLE MID 19TH CENTURY the shaped rectangular top with a green leather inserts and moulded edge above a plain frieze and moulded apron with opposing drawers, raised on leaf carved cabriole legs ending in scrolled toes 173cm wide, 80cm high, 94cm deep

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

110 Lyon & Turnbull

285 SPODE BLUE AND WHITE INDIAN SPORTING SERIES ASHET ’DOOREAHS LEADING OUT DOGS’ PATTERN, EARLY 19TH CENTURY impressed SPODE/ 1 and with printed inscription verso DOOREAHS LEADING OUT DOGS., 36.5cm wide; together with an ENGLISH BLUE AND WHITE INDIAN SPORTING SERIES STRAINER, ‘Shooting at the Edge of a Jungle’ pattern, impressed 13, 28cm wide (2) £500-700

286 ASHWORTH BROTHERS IRONSTONE ‘YEDO’ PATTERN PART DINNER SERVICE SECOND HALF 19TH CENTURY decorated in transfer-printed cobalt with a fence amongst blossoming flowers, with gilt highlights, variously marked with impressed maker’s marks and numbers, gilt numbers and printed marks, comprising eight graduated platters; a meat platter; three vegetable tureens and covers; one vegetable cover (tureen lacking); a sauce tureen, cover and stand; a further saucer stand and cover (tureen lacking); 18 soup plates; 35 dinner plates; 18 lunch plates; and 17 side plates (qty) £400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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287 EARLY VICTORIAN AMBOYNA, MAHOGANY, EBONISED AND BRASS MOUNTED WORK TABLE 19TH CENTURY the shaped oval top opening to mirror and void interior above baluster turned supports and two further tiers with brass banding, raised on turned legs 51cm wide, 89cm high, 32cm deep

£300-500

288 VICTORIAN EBONISED AND PARCEL GILT SPECIMEN MARBLE OCCASIONAL TABLE MID 19TH CENTURY the circular top inlaid with various marbles and hardstones in a sunflower pattern within a green marble border, above a gilt moulded frieze and baluster column and triform platform with outswept legs 59cm diameter, 77cm high

£400-600

289 EARLY VICTORIAN MAHOGANY MARBLE TOP SIDE TABLE MID 19TH CENTURY the rectangular black marble top above a cavetto moulded frieze, raised on lobed and acanthus carved baluster legs 168cm wide, 76cm high, 71cm deep

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

112 Lyon & Turnbull

290 VICTORIAN WALNUT WORK TABLE 19TH CENTURY the shaped oval top opening to reveal a hinged writing slope, above a frieze drawer and sliding bag frame, on carved baluster legs and scroll trestle legs with ceramic castors 62cm wide, 70cm high, 45cm deep

£300-500

291Y VICTORIAN BURR WALNUT, ROSEWOOD AND INLAID SIDE CABINET 19TH CENTURY the banded and line inlaid top above a frieze with bellflower inlay, over a pair of glazed doors outlined in brass and opening to shelves lined with red velvet, on a plinth base 91cm wide, 103cm high, 39cm deep

£1,500-2,500

292 VICTORIAN WALNUT DROP LEAF TABLE MID 19TH CENTURY the rounded rectangular top with drop leaf ends, above a frieze drawer, raised on turned and tapered fluted legs, joined by an X stretcher, with brass castors 76cm wide, 76cm high, 76cm deep

£400-600

293

294

VICTORIAN WHITE PAINTED CHAISE LONGUE

VICTORIAN WALNUT FRAMED DOUBLE CHAIRBACK SETTEE

19TH CENTURY the arched buttoned back and scrolling foliate carved arms above a long serpentine seat, raised on moulded cabriole legs

19TH CENTURY the double buttoned back flanking bobbin turned supports over a shaped seat raised on turned legs with ceramic castors

178cm wide, 83cm high, 75cm deep

185cm wide, 90cm high, 54cm deep

£250-350

£250-350

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295 VICTORIAN WALNUT, MAHOGANY, EBONISED AND MARQUETRY DISPLAY CABINET LATE 19TH CENTURY the rectangular top above a pair of glazed doors and side panels, opening to a mirror back interior with shelf, flanked by corner columns, on shaped bracket feet 126cm wide, 107cm high, 57cm deep

£3,000-5,000

296 LARGE VICTORIAN JACOBEAN REVIVAL WALNUT SIDEBOARD 19TH CENTURY the gallery back above an inverted breakfront top with a moulded edge, above three free drawers, over a central arched recess flanked by panel moulded cupboard doors flanked and divided by fluted pilasters with acanthus carved scroll capitals, on a moulded plinth base; the patent lever locks stamped G. HARLEY & CO./ MAKER/ W. HAMPTON 219cm wide, 110cm high, 81cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

114 Lyon & Turnbull

297 VICTORIAN WALNUT FRAMED SOFA 19TH CENTURY the curved back and scrolled arms upholstered in green plush, raised on floral scroll carved cabriole legs with brass castors 155cm wide, 87cm high, 60cm deep

£300-500

298Y VICTORIAN ROSEWOOD FRAMED CENTRE STOOL MID 19TH CENTURY the button upholstered rectangular top above foliate and C scroll carved frame with cabriole legs with ceramic castors; covered in pale celadon green fabric 120cm wide, 45cm high, 57cm deep

£800-1,200

299Y EARLY VICTORIAN ROSEWOOD, PARCEL GILT MARBLE TOP OPEN BOOKCASE MID 19TH CENTURY the serpentine white marble top with a moulded edge, above central shelves flanked by shelves and divided by giltwood and gesso moulded uprights, on a shaped plinth base 130cm wide, 94cm high, 38cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part II

115

Paintings: Part II

300 [§] EUGÈNE GALIEN-LALOUE (FRENCH 1854-1951) PLACE DE LA BASTILLE Signed, watercolour, unframed 19cm x 31cm (7.5in x 12.25in) Note: Noé Willer has seen photographs of this painting, and confirmed its attribution.

£3,000-5,000

301 GUSTAVO SIMONI (ITALIAN 1846-1926) CHARGING CAVALIERS Signed and dated 1914, oil on canvas 45.5cm x 61cm (18in x 24in) Note: For a similar example, see SGL Enchères - Saint-Germain-en-Laye, France, 22 March 2009.

£4,000-6,000

116 Lyon & Turnbull

302 SIR THOMAS LAWRENCE (BRITISH 1769-1830) A SKETCH FROM NATURE, SAID TO BE INES FLETCHER Signed and inscribed, pencil 18.5cm x 15.5cm (7.25in x 6.25in) Provenance: From the estate of the late Dr. Nicholas Phillipson. He purchased this sketch in 1955.

£1,000-1,500

303 JAMES ABBOTT MCNEIL WHISTLER (AMERICAN 1834-1903) BIBI LALOUETTE Etching with drypoint, signed and dated 1859 in plate, Kennedy 51 II. 22.5cm x 15cm (8in x 6in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part II

117

304 CHARLES MERYON (FRENCH 1821-1868) LE PONT-AU-CHANGE Etching, probably 5th state of twelve, inscribed with artist’s and printer’s details in plate 15.5cm x 33cm (6in x 13in)

£800-1,200

305 JAMES WATTERSTON HERALD (SCOTTISH 1859-1914) SEASCAPE Signed and dated ‘90, pencil and watercolour 23cm x 35.5cm (9in x 14in)

£800-1,200

306 SAMUEL PALMER (BRITISH 1805-1881) THE LONELY TOWER Etching, state 7, inscribed in ink to margin ‘No.1 of 8 Proofs taken by M.R.L. Ca. . ey (?) after Macbeth Raeburn’s renovation of plate previously scored

by Martin Hardie, Sir Frank Short & F.L. Griggs’ and dated ‘24.VI.49’ 20.5cm x 27cm (8in x 10.5in)

£600-800

118 Lyon & Turnbull

307 17TH CENTURY BRITISH SCHOOL PORTRAIT OF A LADY Inscribed, oil on board 14.5cm x 12cm (5.75in x 4.75in) Provenance: From the estate of the late Dr. Nicholas Phillipson. He purchased this painting in 1955.

£700-900

308 ATTRIBUTED TO SIR FRANCIS GRANT THREE QUARTER LENGTH PORTRAIT OF A YOUNG LADY IN WHITE Oil on canvas 38cm x 31cm (15in x 12in)

£600-800

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119

309 FOLLOWER OF DAVID MARTIN HALF LENGTH PORTRAIT OF A GENTLEMAN IN AN EMBROIDERED JACKET AND WAISTCOAT Oil on canvas 71cm x 53.5cm (28in x 21in)

£500-700

310 19TH CENTURY SCOTTISH SCHOOL PONY IN A STABLE INTERIOR Oil on canvas 62cm x 50cm (24.5in x 19.75in) Provenance: Hatton Castle, Aberdeenshire

£300-500

311 ENGLISH SCHOOL C.1840 A CONVERSATION PIECE Oil on canvas, laid down 100cm x 125cm (39.5in x 49.5in)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

120 Lyon & Turnbull

312 19TH CENTURY BRITISH SCHOOL THE SEAL HUNT Watercolour 13cm x 18cm (5in x 7in) Note: There is an extensive inscription included in the back of the frame on the nature and history of seal hunting: ‘Seal catching is art to which all the Greenlanders aspires, they are trained to it from their infancy and by it they maintain their families . . . ‘

£300-500

313 ARCHIBALD THORBURN (SCOTTISH 1860-1935) MAGPIE ON A BRANCH Signed and dated ‘Dec. 31, 1908,’ ink and watercolour 17cm x 12.5cm (6.75in x 5in)

£500-800

314 [§] ANNA RYCHTER-MAY (GERMAN 1864-1955) JERUSALEM Signed and inscribed, watercolour 31cm x 20cm (12.25in x 8in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings: Part II

121

315 PERCY FRENCH (IRISH 1854-1920) SUNRISE OVER THE WATER Signed and dated 1918, watercolour 17cm x 24.5cm (6.75in x 24.5in) and two further signed watercolours by the same hand (3)

£3,000-5,000

122 Lyon & Turnbull

316 JAN VORLYK (DUTCH 1846-1894) CATTLE WATERING IN A DUTCH RIVER LANDSCAPE Signed, watercolour 52cm x 34cm (20.5in x 13.5in)

£500-700

317 FOLLOWER OF ROBERT HERDMAN A FERN GATHERER Oil on canvas 72.5cm x 59.5cm (28.5in x 23.5in)

£800-1,200

Paintings: Part II

123

318 MORTIMER LUDDINGTON MENPES (BRITISH 1855-1936) CATTLE OUTSIDE AN INDIAN FRUIT STALL Signed, pen and ink and watercolour 32cm x 41cm (12.5in x 16in)

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

124 Lyon & Turnbull

319 AFTER OTTO MARSEUS VAN SCHRIECK STILL-LIFE OF FRUIT AND FLOWERS Oil on canvas 91.5cm x 71cm (36in x 28in)

£800-1,200

320 [§] EDGARD MAXENCE (FRENCH 1871-1954) RECUEILLEMENT Signed, oil on panel 32cm x 23cm (12.5in x 9in)

£800-1,200

Paintings: Part II

125

321 JOHN ROBERTSON REID R.B.A., R.O.I., R.I. (SCOTTISH 1851-1926) THE OLD SHOWMAN Signed and dated 1895, oil on canvas 81.5cm x 122cm (32in x 48in)

£2,000-3,000

322 19TH/20TH CENTURY CARVED GILT FRAME WITH STYLISED PINE CONE AND LEAF DECORATION 262cm x 173cm; interior 233cm x 140cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

126 Lyon & Turnbull

323 JOHN EMMS (BRITISH 1844-1912) STUDY OF A HOUND Signed and dated 76, oil on board, unframed 23cm x 35.5cm (9in x 14in)

£1,000-1,500

324 AFTER SIR EDWIN LANDSEER MONARCH OF THE GLEN Oil on canvas 137cm x 132cm (54in x 52in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III

127

British Furniture & Works of Art: Part III

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

128 Lyon & Turnbull

325 SET OF TEN AESTHETIC PERIOD OAK DINING CHAIRS BY JOHN TAYLOR & SON, EDINBURGH LATE 19TH CENTURY upholstered in oxblood leather, the square padded backs in channel moulded frames with foliate scroll carved top rails centred by flower heads, the stuffover seats raised on turned and reeded tapered legs with ceramic castors, maker’s stamps on the seatrails (10) 47cm wide, 90cm high, 45cm deep

£500-700

326 VICTORIAN OAK EXTENDING DINING TABLE 19TH CENTURY the rectangular top with a moulded edge and canted corners, opening with a winder to accommodate three leaf extensions, raised on turned and reeded baluster legs ending in ceramic castors 304cm long, 76cm high, 130cm deep

£600-800

Other fees apply in addition to the hammer price, please see Other the ‘Buyer’s fees apply Guide’ in addition sectionto onthe page hammer 2 price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III

129

327 LARGE VICTORIAN OTTOMAN LATE 19TH CENTURY the hinged padded top opening to a lined interior, on a walnut framed base with disc feet, covered in floral print fabric 148cm long, 54cm high, 71cm deep

£800-1,200

328 LATE VICTORIAN MAHOGANY INLAID DISPLAY CABINET, BY EDWARDS & ROBERTS LATE 19TH CENTURY the moulded bowfront cornice above a pair of doors above an arched recess with two drawers below, flanked by glazed panels and bowfront doors enclosing glass shelves, raised on square tapered legs ending in spade feet; the whole inlaid with urns, garlands, swags and trails 168cm wide, 184cm high, 42cm deep

£800-1,200

130 Lyon & Turnbull

329 VICTORIAN OAK AND BRASS MOUNTED HALL STAND,

BY JAMES SHOOLBRED & CO. 19TH CENTURY comprising a centre section with a single drawer and brass gallery, flanked by twin bowed umbrella stands with brass galleries, rails and finials, stamped three times with Registration marks 102cm wide, 101cm high, 35cm deep

£600-800

330 VICTORIAN TAMBOUR FRONT FILING CABINET LATE 19TH CENTURY the moulded cornice above a tambour front opening to an arrangement of sixteen short drawers with labels, on a plinth base 62cm wide, 115cm high, 50cm deep

£600-800

331 VICTORIAN OAK BIJOUTERIE TABLE 19TH CENTURY the glazed rectangular top with a moulded edge and outset round corners, above glazed side panels, one a door, raised on turned and tapered legs ending in ceramic castors and joined by a turned H stretcher 140cm wide, 83cm high, 75cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III

131

332 VICTORIAN MAHOGANY BARRISTER’S CABINET LATE 19TH CENTURY the three-gallery top above a pair of arched glazed doors with gilt lettering ‘BARRISTERS CHAMBERS and LINCOLN’S INN LONDON; the projecting undercabinet with a pair of ogee moulded drawers over a pair of panel doors labelled in gilt for legal documents, raised on bracket feet 107cm wide, 165cm high, 46cm deep

£800-1,200

333 EDWARDIAN OAK BRASS-BANDED STICK STAND EARLY 19TH CENTURY of cylindrical form with three brass bands and lion mask handles, on a moulded base 32cm diameter, 63cm high

£300-400

334 PAIR OF VICTORIAN LEATHER BUTTON BACK TUB CHAIRS LATE 19TH CENTURY of cubic form, in black button-upholstered leather, raised on square tapering legs on castors (2) 93cm wide, 72cm high, 53cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

132 Lyon & Turnbull

335Y MAHOGANY CASED TWO DAY MARINE CHRONOMETER, HERON & SON, GREENOCK 19TH CENTURY the silvered Roman numeral dial with subsidiary seconds and wind dials, signed, mounted in a brass gimbal with a winder in a three part mahogany case with a glazed panel and brass handles, the front with an ivory plaque Case 16cm wide, 17cm high, 16cm deep

£2,500-4,000

336 SMALL EDWARDIAN PHILIIPS 6-INCH TERRESTIAL TABLE GLOBE EARLY 20TH CENTURY with maker’s label, on a turned ebonised column and stand 30cm high

£300-500

337 EDWARDIAN PHILIIPS 9-INCH TERRESTIAL TABLE GLOBE EARLY 20TH CENTURY with maker’s label, on a turned ebonised column and stand 42cm high

£300-500

338 LARGE BRASS PERPETUAL CALENDAR LATE 19TH/ EARLY 20TH CENTURY with four octagonal brass knobs and apertures for the month and date 24cm wide, 30.5cm high, 7cm deep

£500-700

British Furniture & Works of Art: Part III

133

339Y CARVED IVORY FIGURE OF A ROYAL INNISKILLING FUSILIER LATE 19TH/ EARLY 20TH CENTURY carved as a standing, kilted fusilier playing the bagpipes, raised on a stepped ebonised base with ivory plaque INNISKILING and castle badge Overall 18cm high, figure 13cm high

£300-500

340 VICTORIAN MAHOGANY COAT STAND LATE 19TH CENTURY comprising three halberds with a triform undertier umbrella stand and drip tray 210cm high

£800-1,200

341 INFANTRY OFFICER’S SWORD, PATTERN 1895 the brass hilt with crowned royal VR cypher above the grip covered in worn dogfish skin bound with a triple twist of brass wire, with single edged etched blade and steel scabbard; together with an INFANTRY OFFICER’S DRESS SWORD, PATTERN 1822, the Gothic hilted sword with a crowned royal ER VII cypher above the grip covered in black dogfish skin bound with a double twist of silver wire, with original leather sword knot and single edged etched blade, in a leather field service scabbard (2) Blades 32 inches

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

134 Lyon & Turnbull

342 EDWARDIAN WALNUT PEDESTAL DESK EARLY 20TH CENTURY of inverted serpentine outline, the moulded top above a long frieze drawer and open kneehole, flanked by banks of five short drawers, on plinth bases 137cm wide, 74cm high, 62cm deep

£600-800

343 EDWARDIAN CHIPPENDALE STYLE MAHOGANY LONG STOOL EARLY 20TH CENTURY the long padded seat covered in floral brocade above a shaped and carved seat rail, raised on shell carved cabriole legs ending in hairy paw feet 126cm wide, 45cm high, 42cm deep

£300-400

344 GEORGIAN STYLE MAHOGANY LOW BOOKCASE 20TH CENTURY the top with a gallery back above a blind fret carved frieze, over two pairs of astragal glazed doors opening to adjustable shelves, raised on shell carved cabriole legs ending in claw and ball feet 179cm wide, 124cm high, 33cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III

135

345 IRISH ADAMS STYLE MAHOGANY DISPLAY CABINET LATE 19TH CENTURY the swan neck pediment carved with laurel swags above a swag carved frieze and pair of astragal glazed doors opening to glass shelves, with further swag carving to the base, raised on cabriole legs ending in ball and claw feet 113cm wide, 221cm high, 42cm deep

£1,200-1,800

346 GEORGIAN STYLE MAHOGANY DESK EARLY 20TH CENTURY the shaped rectangular top with a tooled leather writing surface above a central frieze drawer flanked by banks of four short drawers with scroll carved angles leading to scrolled feet 151cm wide, 77cm high, 94cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

136 Lyon & Turnbull

347 PAIR OF BRASS AND GLASS WALL SCONCES EARLY 20TH CENTURY the brass scrolling three branch frame hung with prism drops and glass drip pans and nozzles, electrified (2) 50cm high Provenance: Yester House, Gifford, East Lothian

£300-500

348 EDWARDIAN PAINTED SATINWOOD VITRINE EARLY 20TH CENTURY of rectangular form with an arched top, the frame painted with flower sprays and trailing bell flowers, on a mirrored base, raised on square tapered legs ending in block feet 51cm wide, 139cm high, 53cm deep Provenance: The late Countess of Lanesborough Previously at Swithland Hall, Leicestershire

£600-800

349 EDWARDIAN SATINWOOD AND POLYCHROMED THREE-FOLD SCREEN EARLY 20TH CENTURY each part-glazed panel painted with floral garlands, swags and oval portraits of Georgian beauties, the lower panels with pleated yellow silk 138cm wide, 78cm high

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part III

137

350 EDWARDIAN STAINWOOD PAINTED BIJOUTERIE TABLE EARLY 20TH CENTURY the oval hinged and glazed top painted with ribbon and flowers above glazed sides and silk lined interior, on square tapered legs joined by curved X-form stretchers and an oval platform, ending on spade feet 71cm wide, 71cm high, 48cm deep

£1,000-1,500

351 LARGE SATIN BIRCH AND BIRD’S EYE MAPLE ART DECO HABERDASHERY CABINET EARLY 20TH CENTURY the stepped cornice above an arrangement of eight compartments with glazed hinged covers with gilt letter labels, with mirrormounted side panels, on a plinth base, the reverse with a printed label ‘E. Pollard & Co. Ltd. Store-Fitters/ CLERKENWELL, LONDON. EC1’ with ink inscription ‘Gamages/ West End’ 147cm wide, 214cm high, 66cm deep Note: Gamages department store was located at 116-128 Holborn, London. Founded in 1878

by Arthur Walter Gamage, it became well known for its extensive toy department, and large department devoted to bicycles and motorcycles, as well as being the official supplier of the Boy Scouts. Changes in shopping habits and store mergers eventually led to its closure in 1972.

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

138 Lyon & Turnbull

352 PAIR OF VICTORIAN OVERPAINTED BRONZE WALL SCONCES 19TH CENTURY the backplates centred by bulldogs’ heads issuing three scrolling branches and goat’s mask pendant finials, later wired for electricity (2) 28cm high Provenance: Yester House, Gifford, East Lothian

£300-500

353 MINTON ‘ANEMONE’ PATTERN PART DINNER SERVICE MID 19TH CENTURY decorated in blue and white with scrolling anemone flowers, printed pattern name, impressed marks BB/ NEW STONE, comprising three large platters; two meat drainers; two vegetable tureens and covers; three further covers (tureens lacking); two small stands/underplates; two plates, 23cm diam.; and 28 dinner plates, 26cm diam. (qty) £600-800

354

355

356

357Y

COPELAND AND GARRETT IRONSTONE FOOTBATH

VICTORIAN PAINTED PAPIER MACHE BOOK REST

WEDGWOOD CRESTED CREAMWARE PART DINNER SERVICE

VICTORIAN MOTHER-OFPEARL TEA CADDY

19TH CENTURY the two arched hinged ends painted with recumbent dogs, with a slide-out mechanism

LATE 18TH CENTURY/ EARLY 19TH CENTURY with painted fan and leaf borders enclosing two crests with mottos FOR KNIGHT AND REASON, and OVER FORK OVER (possibly for the Cunninghams), impressed maker’s marks, comprising twelve dinner plates, 25cm diam.; nine soup plates, 25cm diam.; and four luncheon plates, 23.5cm diam. (25)

19TH CENTURY of rectangular form with slightly bowed front, opening to two covered compartments flanked by ivory borders, raised on a splayed base and brass ball feet

MID 19TH CENTURY of shaped oval form with twin handles, decorated with pink bands within dark red borders, with printed and impressed maker’s mark and painted number 7081 50cm wide approx.

£150-250

33cm long (closed), 54.5cm long (open)

£200-300

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

20cm wide, 12.5cm high, 12.5cm deep

£250-350

British Furniture & Works of Art: Part III

139

358 BRASS AND GLASS BIRDCAGE CEILING LIGHT 20TH CENTURY, MADE UP of typical domed form, enclosing four outscrolling arms above a further four outscrolling arms fitting with cut-glass swags and droplets, wired for electricity 70cm high Provenance: Yester House, Gifford, East Lothian

£300-500

359 EDWARDIAN MAHOGANY FOLIO CABINET EARLY 20TH CENTURY the moulded top above twelve open shelves 63cm wide, 108cm high, 34cm deep

£500-700

360 SET OF FOURTEEN SCOTTISH GEORGIAN STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY comprising twelve side chairs and a pair of armchairs, with shaped toprails above pierced splats and drop-in pad seats covered in green leather, raised on square legs joined by stretchers, eight examples stamped EDINBURGH to the seat rails (14) 47cm wide, 98cm high, 40cm deep

£1,500-2,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

140 Lyon & Turnbull

361 LARGE WROUGHT IRON AND COLOURED GLASS OPTOMETRIST’S TRADE SIGN 19TH CENTURY in the form of a pince-nez, with a large blue lens and a large red lens, in a gilt and black painted iron frame 93cm wide, 54.5cm high

£1,000-1,500

362Y ROSEWOOD APOTHECARY DISPLAY CABINET LATE 19TH/ EARLY 20TH CENTURY the moulded cornice above a glazed door enclosing four shelves, with gilt lettering OPPENHEIMER’S/ PHARMACEUTICAL PREPARATIONS/ THE ONLY GOLD MEDAL/ AT THE INTERNATIONAL CONGRESS OF MEDCINE/ WERE AWARDED/ HELD IN ROME, 1894 and alternatively PALATINOIDS and BIPALATINOIDS 51cm wide, 92cm high, 20cm deep

£400-600

363 NOVELTY STEEL PRINTER’S BLOCK COFFEE TABLE MODERN the circular top fitted with an assortment of wood printer’s blocks in various typefaces and sizes, in a steel frame with square straight legs 124cm diameter, 46cm high

£800-1,200

364 NOVELTY POMMEL HORSE STOOL EARLY 20TH CENTURY with a leather pad raised on short splay legs 115cm wide, 54cm high, 38cm deep

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Note: the letters spell out words relating to the real estate and property market

British Furniture & Works of Art: Part III

365 DR SCHOLL ADVERTISING DISPLAY CASE, FOR THE FRENCH MARKET MID 20TH CENTURY the glazed case enclosing various Dr Scholl aids for the feet, including a bunion reducer, toe flex and massage cream, with French inscriptions, with Scholl Mfg. Co. label to verso 29cm wide, 42.5cm high, 12cm deep

£300-500

366 CASED ADVERTISING DISPLAY OF BRITISH THOMSON-HOUSTON LIGHTBULBS, FILAMENTS AND COMPONENTS EARLY 20TH CENTURY the specimens mounted in a blue velvet lined glazed case and labelled ‘MAZDA GASFILLED LAMPS/ COMPONENT PARTS’ 70cm wide, 56cm high, 20cm deep

£300-500

141

142 Lyon & Turnbull

367 THREE PITCAIRN ISLAND CARVED TREEN FISH 20TH CENTURY comprising an example with a glass eye, inscribed SOUVENIR FROM PITCAIRN ISLAND/ MADE BY WALLACE WARREN, 38cm long; a shark, with a large horizontal pectoral fin, inscribed PITCAIRN ISLAND/ MADE BY CHRISTY WARREN, 54cm long; and a fish raised on a turned column and stand, inscribed SOUVENIR FROM PITCAIRN, 34cm long (3) £400-600

368 TWO PITCAIRN ISLAND TREEN CARVINGS 20TH CENTURY comprising a small fish raised on a stand and inscribed PITCAIRN ISLAND, 27cm long; and a pencil rack, with holes for five pencils, inscribed SOUVENIR FROM PITCAIRN ISLAND/ MADE FOR A PENCIL RACK/ BY IVAN CHRISTIAN, 20cm long (2) £150-250

369 OMERSA LEATHER RHINO STOOL, RETAILED BY LIBERTY & CO. 1930S covered in brown cowhide 110cm long, 41cm high

£1,200-1,800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Natural History & Science

Natural History & Science

370 SIX CASED WAX MODELS OF HUMAN GESTATION CIRCA 1930 in moulded ebonised glazed case frames, with descriptive French labels, and labels for the Deutsches Hygiene Museum, Dresden Largest case 34cm wide, 46cm high, 17cm deep Provenance: Ex. Deutsches Hygiene Museum, Dresden

£1,500-2,500

371Y MALE HIPPO SKULL with teeth and some tusks 44cm wide, 57cm high, 66cm deep

£600-800

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144 Lyon & Turnbull

372Y SET OF WOODLAND CARIBOU ANTLERS mounted to a partial stripped skull piece 83cm wide point to point

£600-800

373Y SET OF EUROPEAN RED DEER STAG ANTLERS with fifteen points, mounted to a stripped skull 100cm wide point to point

£600-800

374Y SET OF BARREN GROUND CARIBOU ANTLERS mounted to a stripped skull 115cm wide point to point

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Natural History & Science

375 FRAMED AUSTRALIAN SUPERB LYREBIRD TAIL FEATHER DISPLAY 19TH CENTURY mounted against a painted blue ombre ground, in a glazed ebonised frame with moulded gilt slip 65cm x 39.5cm

£400-600

376Y TAXIDERMY REINDEER HEAD EARLY 20TH CENTURY head mount with inset glass eyes, mounted on an oak plaque fitted with four hoof hooks 104cm wide

£500-800

377Y CARVED MARINE IVORY AND BONE WALKING CANE 19TH CENTURY the octagonal ivory pommel tapering to cut and inset bands above the bone shaft with hatched and twist carving 90.5cm long

£500-700

378 MOUNTED COMPOSITION SALMON TROPHY, ROWLAND WARD, LONDON the fully painted composition model mounted on an oak backboard with a fly and two plaques listing weight, size and location of catch, and one for ROWLAND WARD LTD./ LONDON Salmon 126cm long

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

145

146 Lyon & Turnbull

379Y TAXIDERMY PANGOLIN full mount, with claws 54cm long

£600-800

380Y EDWARDIAN CASED TAXIDERMY ALBINO MOLE EARLY 20TH CENTURY full mount, perched on a ‘mole hill’ in an ebonised glazed case, with partial label to verso for W. K. Petherick, Bird & Animal Preserver, Taunton, 31cm wide, 25.5cm high, 14.5cm deep; together with a CASED TAXIDERMY LONG-HAIRED GUINEA PIG, full mount, in a painted glazed case, 47.5cm wide, 27.5cm high, 14.5cm deep (2) £250-350

381Y CASED TAXIDERMY BADGER full mount with inset glass eyes, on a naturalistic style ground, with plaque MILBOURNE HALL, MARCH 1910, WEIGHT 19LBS, in a glazed faux bamboo case Case 84cm wide, 72cm high, 42cm deep

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Natural History & Science

147

382Y CASED MOUNTED KOALA SKULL (PHASCOLARCTOS CINEREUS), DATED 1876 mounted on a wood shield backplate, above the inscribed plaques PHASCOLARCTOS CINEREUS/ NEW HOLLAND/ 1876/ KOALA, on an oak stand, under a glass dome raised on a plush-lined base Overall 25cm wide approx.; 42cm high

£300-500

383Y TAXIDERMY (DUCK BILLED) PLATYPUS (ORNITHORHYNCHUS ANATINUS) full mount, 56.5cm long; together with a FRAMED ENGRAVING, ‘DUCK-BILLED PLATYPUS’, by James Heath from ‘General Zoology of Systematic Natural History’ by George Shaw, inscribed 1800 FEBY. PUBLISHED BY G. KEARSLEY. FLEET STREET./ HEATH SCULP. 11cm x 18cm (2) £700-1,000

384Y CASED TAXIDERMY MALE RED FOREST DUIKER ANTELOPE (CEPHALOPHUS NATALENSIS) full mount with inset glass eyes and horns, on a naturalistic style base, in a glazed painted case Case 76cm wide, 58cm high, 30cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

148 Lyon & Turnbull

385Y CASED TAXIDERMY POLAR BEAR CUB (URSUS MARITIMUS) full mount with glass inset eyes, raised on a faux snow ground, in a glazed ebonised case 76cm wide, 55cm high, 35cm deep

£2,500-3,500

386Y TAXIDERMY HEAD AND NECK MOUNT OF A RETICULATED GIRAFFE (GIRAFFA CAMELOPARDALIS RETICULATA) with inset glass eyes 198cm high

£3,000-5,000

387Y CASED TAXIDERMY COLOMBIAN WOOLLY MONKEY (LAGOTHRIX LUGENS) full mount with inset glass eyes, raised on tree branches, in a glazed ebonised case Case 79cm wide, 57cm high, 28cm deep

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

An English Collection of Works of Art

149

An English Collection of Works of Art

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

150 Lyon & Turnbull

388 CONTINENTAL GILT BRONZE FIGURE OF THE MADONNA CIRCA 1550 depicted with arms spread and raised on a rock-form base 18cm high Provenance: Ex. R. E. Summerfield Collection, Bruton Knowles

£400-600

389 ITALIAN WHITE MARBLE AND PORPHYRY ROUNDEL OF THE MADONNA AND CHILD 18TH/ EARLY 19TH CENTURY carved in high relief, 29cm diameter; together with a SMALL CARVED WHITE MARBLE ROUNDEL, depicting the Madonna in high relief, facing right, 14cm diameter (2) £500-700

390 GROUP OF THREE RELIGIOUS WARES comprising an Italian gilt bronze plaque of St. John the Baptist, 14.5cm x 10cm; and a small bronze portrait medallion of Christ, 10cm diameter; together with a CONTINENTAL SMALL BOXWOOD FIGURE OF THE MADONNA AND CHILD, crown lacking, 10cm high (3) £400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

An English Collection of Works of Art

391 CIRCLE OF ALESSANDRO ALGARDI ROMAN MARBLE PLAQUE, LATE 17TH/ EARLY 18TH CENTURY oval, carved in relief depicting the Madonna bearing a cross, in a giltwood frame 23cm high

£2,000-3,000

392 ITALIAN GILT BRASS CRUCIFIX EARLY 16TH CENTURY the central figure of Christ enclosed by four quatrefoil terminals depicting the tetremorph/four evangelists 37cm high, 27.5cm wide

£700-1,000

393 CONTINENTAL BRONZE FIGURE OF SAINT ANTHONY OF EGYPT 19TH CENTURY dark brown patina, on a square base 23.5cm high

£300-500

394

395

ITALIAN WHITE MARBLE PLAQUE OF ADAM AND EVE

WHITE MARBLE PLAQUE OF THE MADONNA AND CHILD

DATED 1912 carved in low relief, depicting the angel Raphael appearing to Adam and Eve in the Garden of Eden, indistinctly signed and dated 1912, in a moulded oak frame

19TH CENTURY in the Italian Renaissance style, the arched panel carved in low relief

27.5cm x 23.5cm

71.5cm high, 39cm wide

£250-350

£250-350

151

152 Lyon & Turnbull

396 SMALL ITALIAN POLYCHROME MAIOLICA PLATE, WORKSHOP OF CARLO GIUSEPPE RAMPINI, PAVIA LATE 17TH/ EARLY 18TH CENTURY painted by Siro Antonio Africa and/or Siro Domenico Africa (1688-1710), depicting the interior of a classical building with an urn and statue, painted marks verso 11cm diameter

£300-500

397 GROUP OF FOUR ITALIAN MAIOLICA DRUG JARS (ALBARELLI) 18TH CENTURY of dumb-bell form, comprising a small pair and a larger example, ensuite, all with inscriptions enclosed by polychrome floral borders, 18.5cm and 14cm high; and a further example painted with blue and white foliage, 18cm high (4) £300-500

398 TWO ITALIAN POLYCHROME MAIOLICA DISHES 17TH CENTURY comprising a footed dish, Deruta, with wavy rim, painted with birds and cherub masks, 24cm diam.; and a moulded dish, possibly Urbino and Patanazzi workshop, painted with an allegorical scene of hunters with forks representing the months, with reduced rim and foot, 26cm diam.; (2) £600-800

An English Collection of Works of Art

399 ITALIAN POLYCHROME MAIOLICA PLATE, POSSIBLY PAVIA LATE 17TH/ EARLY 18TH CENTURY with flattened rim, painted with two classical figures, one a soldier, in a mountainous landscape, with handwritten label verso 24.5cm diameter

£800-1,200

400 SMALL ITALIAN POLYCHROME MAIOLICA PLATE, MONTELUPO CIRCA 1620-40 with large flattened rim, painted with a recumbent putto within a landscape 21cm diameter

£500-700

401 ITALIAN POLYCHROME MAIOLICA WET DRUG JAR, POSSIBLY MAESTRO DOMENICO, VENICE 16TH CENTURY of typical form with short spout and strap handle, with opposing portrait roundels of a Turkish man and a soldier, within scrolling foliage and flowers in orange, yellow, green and white glazes on a blue ground 19.5cm high

£600-800

402 TWO ITALIAN POLYCHROME MAIOLICA PLATES LATE 19TH/ EARLY 20TH CENTURY comprising a larger example painted depicting the Judgement of Midas, in a riverscape, initialled TM, 24.5cm diam.; and a smaller example, possibly Abruzzo, depicting a seated man presenting a treat to a dog, in a ruin landscape, 15cm diam. (2) £250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

153

154 Lyon & Turnbull

403 BAROQUE BEADWORK PANEL OF THE VISITATION OF THE MAGI 17TH/ EARLY 18TH CENTURY worked in raised polychrome beads, dated 1674 and with a crest, in original carved giltwood frame 43.5cm x 58.5cm

£800-1,200

404 FLORENTINE GILTWOOD MIRROR 19TH CENTURY carved in high relief with scrolling foliage acanthus leaves, enclosing a rectangular mirror plate 54cm high, 47.5cm wide

£300-500

405 FRENCH OR ITALIAN BRONZE BUST OF LUCIUS VERUS, AFTER THE ANTIQUE 19TH CENTURY with dark brown patina, incised to the squared base LUCIUSE 26cm high

£200-300

406 FLORENTINE GILTWOOD MIRROR 19TH CENTURY the rectangular mirror plate in a frame pierced and carved with acanthus and S scrolls 96cm high, 70cm wide

£600-800

An English Collection of Works of Art

155

407 MALINES CARVED ALABASTER PLAQUE 17TH CENTURY in high relief, depicting three seated men in cloaks and hats sharing a meal 15.5cm high, 24cm wide

£400-600

408 VICTORIAN WALNUT-FRAMED STOOL LATE 19TH CENTURY in the William and Mary style, the laterupholstered seat above turned and blocked legs linked by corresponding stretchers 59cm wide, 50cm high, 55cm deep

£300-500

409 PAIR OF DUTCH BRASS CANDLESTICKS 18TH/ EARLY 19TH CENTURY with pierced shallow circular drip trays above knopped columns raised on corresponding pierced circular stepped feet (2) 41cm high

£300-500

410 GROUP OF CONTINENTAL DELFTWARE AND FAÏENCE 18TH AND 19TH CENTURY comprising a blue and white footed tazza depicting the Holy family, 30cm diam.; a polychrome vase and cover, decorated with flowers, 28cm high; two tulip-form blue and white vases, depicting Asian figures, 30.5cm and 28cm high; a small baluster vase painted with a portrait of a man with initials W F, 15cm high; and a small polychrome vase and cover, depicting a lady in a garden, 19.5cm high (6) £400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

156 Lyon & Turnbull

411 PERSIAN QAJAR BALUSTER VASE 19TH CENTURY decorated with hunters with dogs chasing deer, amongst flowering foliage with birds, with a later drilled metal base, 34cm high; together with an IZNIK STYLE TILE, of square form depicting a central pierced quatrefoil, in blue turquoise green and puce glaze, 23cm x 22.5cm (2) £300-500

412 THREE INLAID OTTOMAN OCCASIONAL TABLES LATE 19TH CENTURY each with mother-of-pearl inlay, the square parquetry tops above panels inlaid with Arabic script on plank supports, further inlaid with chequer banding and foliate marquetry (3) Largest 46cm wide, 62cm high, 46cm deep

£400-600

413 LARGE PLASTER RELIEF CAST OF THE PARTHENON FRIEZE 19TH CENTURY After Pheidias, depicting young men on horseback, North XLII 121cm x 103cm

£200-300 Other Other fees fees apply apply in addition in addition to the to the hammer hammer price, price, please please seesee thethe ‘Buyer’s ‘Buyer’s Guide’ Guide’ section section onon page page 2 2

An English Collection of Works of Art

414 TWO CONTINENTAL BRONZE LIFE MASKS 19TH CENTURY the first of Beethoven, after Franz Klein, on a socle base, 32.5cm high; the other of Johann Wolfgang von Goethe, after Carl Gottlieb Weisser, on a green veined marble socle base, 35.5cm high (2) £500-700

415 EDWARD WILLIAM WYON (1811–1885) ST MICHAEL OVERCOMING SATAN, DATED 1842 bronze, dark-brown patina, bearing inscription EXECUTED BY/ E. W. WYON/ FROM THE ORIGINAL BY/ FLAXMAN/ FOR THE ART UNION OF LONDON/ 1842 50.5cm high

£700-1,000

416 WILLIAM CHALLEN BEATTIE (SCOTTISH, C1802-1867) BOUDICA dark brown patina, signed C. BEATTIE SCP., with foundry mark ELKINGTON & CO. FOUNDERS 84cm high

£700-1,000

417 CHRISTOPHE FRATIN (FRENCH, 1801-1864) BRONZE FIGURE GROUP OF A BULL AND CALF dark-brown patina, on an oval base signed FRATIN 23.5cm high

£800-1,200

157

158 Lyon & Turnbull

418 VICTORIAN CARVED, PAINTED AND PARCEL GILT OTTOMAN KAVUKLUK OR TURBAN STAND LATE 18TH/ EARLY 19TH CENTURY with a single shaped stand supported by a backplate carved and moulded with husk swags and flowering foliage 37cm wide, 97cm high, 33cm deep

£300-500

419 VICTORIAN MAHOGANY FOLIO STAND EARLY 19TH CENTURY with a pair of slatted and hinged supports, each on a ratchet, with turned stretchers, on metal castors 57cm wide, 98cm high

£400-600

420 VICTORIAN UPHOLSTERED OTTOMAN LATE 19TH CENTURY of waisted rectangular outline with a hinged lid, covered in a later striped fabric and raised on castors 91cm wide, 50cm high, 53cm deep

£250-350

421 EDWARDIAN FUMED OAK FENDER CIRCA 1910 with later upholstered seats, raised above a gallery of spiral turned spindles on a moulded plinth 153cm wide, 50cm high, 45cm deep

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

An English Collection of Works of Art

159

422 OF GARNET WOLSELEY (1ST VISCOUNT WOLSELEY) INTEREST FRAMED PIECE OF MUMMY CLOTH, DATED 1882 in a giltwood and shadow box frame, the section of cloth fixed above the handwritten inscription ‘This piece of cloth was taken from inside the mummy of the pharoh [sic] who was Moses’ friend and protector. It was given to me by the curator of the British Museum by order of the Khedive, October 1882, Cairo’, and signed Wolseley General Shadowbox frame 21cm x 18.5cm

£400-600

423 FRENCH BRONZE BUST OF MR. PUNCH 19TH CENTURY with dark brown patina, raised on a circular socle base 21cm high

£300-500

424 BERLIN IRONWORK FIGURE OF SIR WALTER SCOTT EARLY-MID 19TH CENTURY after a similar model by Johann Carl Wilhelm Kratzenberg, the standing figure holding scrolls and leaning on a tartan draped tree stump, on a slate base 22.5cm high

£500-700

425 ENGLISH GILT BRASS BEEHIVE SEWING BOX 19TH CENTURY in the form of a bee skep, with a hinged lid and twist loop handle, the sides mounted with two honeybees with polished agate and stone bodies, raised on a branch-form stand, with impressed marks HOWELL JAMES & CO/ REGENT ST. LONDON 23cm wide, 23cm high, 22cm deep

£600-800

160 Lyon & Turnbull

426 ALPHONSE LEGROS (1837-1911) BRONZE PORTRAIT MEDALLION, LORD ALFRED TENNYSON dark brown patina, in profile, with inscription ALFRED TENNYSON, with an exhibition label for the City of Birmingham Museum and Art Gallery, 1913 stating the lender as L. A. LEGROS, ESQ. 9cm diameter Note: As the exhibition label states, this medallion was Legros’ own copy.

£300-500

427 ALPHONSE LEGROS (1837-1911) FOUR BRONZE PORTRAIT MEDALLIONS all with dark brown patina, in profile, the first with inscription ORLANDO MARTORELLI MDCCCLXXXI, 12cm diam.; the second with inscription PIERRE GREGOIRE, 10.5cm diam.; the third with inscription DON JUAN HEREDIA, 10cm diam.; and the last with inscription ANTONIO ESCOVEDO, 9cm diam. (4) £400-600

428 ALPHONSE LEGROS (1837-1911) TWO BRONZE PORTRAIT MEDALLIONS, GEORGE FREDERIC WATTS & CHARLES RICKETTS the first of George Frederic Watts, gilded, in profile, 8.5cm diameter; the second, of Charles Ricketts, with brown patina, in profile, with inscription CR/ M.D.CCC.XCVII, the reverse depicting a man chopping a tree, 6cm diameter (2) £400-600

429 ALBERT TOFT (1862-1949) BRONZE PORTRAIT MEDALLION, SIR HENRY IRVING, DATED 1887 signed and dated ‘87, 25cm diameter; together with a BRONZE PORTRAIT PLAQUE BY WILHELM FRASS (1886-1968), depicting Dr. Hans Richter, dated 1914, inscribed DR HANS RICHTER, signed and dated W. FRASS/ 1914, and with monogram, 14.5cm high; a PLASTER ROUNDEL OF JOHN KEATS, with artist’s monogram and dated IXIII, in a glazed giltwood frame, 15.5cm diam. approx.; a BRONZE PORTRAIT ROUNDEL ATTRIBUTED TO THOMAS STIRLING LEE (1857-1916), depicting the profile of a woman, possible Mrs Rodney Fennessy, 17.5cm across; and a BRONZE PLAQUE BY ALEXANDRE CHARPENTIER (1856-1909),’Maternite’, with artist’s monogram, 23cm x 15.5cm (5) £400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

An English Collection of Works of Art

430 JEAN-LOUIS GREGOIRE (FRENCH, 1840-1890) L’ALSACE, DATED 1872 terracotta, bust of a French woman with a tear on her cheek, commemorating the annexation of Alsace, incised date plaque 1871, signed 44cm high

£400-600

431 LARGE PAINTED PLASTER PROFILE OF A GENTLEMAN EARLY 19TH CENTURY the circular portrait in high relief, in a glazed walnut case with gilt border, unsigned Case 61.5cm squared

£250-350

432 FRENCH TERRACOTTA FIGURE GROUP LATE 19TH CENTURY modelled as two seated putti holding wheat sheaves, emblematic of Autumn, on a naturalistic circular base 36cm high

£500-700

433

434

GROUP OF REGENCY, VICTORIAN AND LATER GLASS VESSELS

GROUP OF CUT GLASS FLUTES

19TH AND 20TH CENTURY comprising a Regency cut-glass jug with strawberry-cut panels, 16cm high; a set of six Victorian rummers with wheelengraved fruiting vines, 12.5cm high; and a pair of wrythen glass decanters and stoppers, 21.5cm high (9) £250-350

19TH CENTURY all with thumb-cut bands to the lower bowls, comprising a set of six tall flutes with triple-knop stems, 22cm high; a set of eight flutes with annular knops, 16.5cm high; and a set of ten flutes with knops to the stem bases, 17cm high (24) £250-350

161

162 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

163

Continental Furniture & Works of Art: Part I 435 LARGE PAINTED AND PARCEL GILT WOOD AND TOLE CHANDELIER the turned baluster central column with three graduated tiers mounted with turned candle holders, painted green, with a turned knop pendant finial and arched supports 101cm wide, 167cm high

£800-1,200

436 PAIR OF SPANISH OAK AND LEATHER ARMCHAIRS EARLY 18TH CENTURY with tooled leather backs and seats and turned finials, flanked by scrolled open arms and raised on scrolled front legs joined by carved stretchers (2) 58cm wide, 121cm high, 38cm deep

£600-800

437 SPANISH CHESTNUT BOARD CHEST 17TH CENTURY the hinged rectangular top over a front with twin gothic arch and floral carved panels, with iron ring handles to the sides, raised on a shaped plinth base 158cm wide, 62cm high, 47cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

164 Lyon & Turnbull

438 AFTER LEONARDO DA VINCI AND ANDREA DEL VEROCCHIO THE ANNUNCIATION gouache and watercolour on paper; in a gilt and painted architectural frame 57cm x 123.5cm

£600-800

439 SIX SMALL HISPANOMORESQUE LUSTRE BOWLS 17TH CENTURY decorated in copper/ruby lustre, comprising three depicting birds, two decorated with flowering fronds, and one with a stylised plant, all within line bands and with pierced holes to rims (6) 18.5cm diameter approx.

£300-500

440 FRENCH RENAISSANCE STYLE WALNUT SIDE CABINET LATE 19TH CENTURY WITH EARLIER ELEMENTS the rectangular top with a foliate moulded edge above a cupboard door carved with gryphons and a Romayne portrait profile, flanked by carved pilasters with leafy Ionic capitals, on an inverted breakfront base 95cm wide, 91cm high, 57.5cm deep Provenance: Purchased in these rooms, The Lingholm Collection, October 2013, lot 4.

£400-600

441 ITALIAN WALNUT ARMCHAIR 18TH CENTURY the wide double slat back and ring turned arms above a plank seat, raised on block and ball turned legs united by a turned H stretcher 64cm wide, 91cm high, 38cm deep

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part I

165

442 FLEMISH VERDURE TAPESTRY LOW COUNTRIES, LATE 17TH CENTURY woven with two birds by a river amidst trees, with a building in the background, within a brown scrolling foliate border 269cm x 269cm

£2,500-3,500

443 DUTCH OAK DEED/ DOCUMENTS BOX 18TH CENTURY of rectangular form, with brass clasp and iron hinges, opening to a void interior 81cm wide, 15cm high, 38cm deep

£300-500

166 Lyon & Turnbull

444 LARGE TOLE HALL LANTERN 20TH CENTURY the large open corona above an hexagonal tapered lantern with frosted glass panels and pointed pendant finial 98cm high Provenance: Yester House, Gifford, East Lothian

£400-600

445 VENETIAN POLYCHROME CARVED BLACKAMOOR WALL BRACKET 20TH CENTURY with a serpentine platform, above a figure suspended by carved fabric swags 39cm high, platform 42cm wide, 26cm deep

£300-500

446 ROMAN REVIVAL PATINATED BRONZE AND BRASS BRAZIER

BY GIORGIO SOMMER LATE 19TH CENTURY the oval pan supported on tripod cabriole legs with winged lion mask capitals and ending in paw feet on a triform base, signed FOND SOMMER 46cm diameter, 63cm high Note: Giorgio Sommer was born in Germany in 1834, and moved to Naples in 1857 where he set up a photographic studio. He was involved in various artistic enterprises and established a foundry that produced copies of classical statues and archaeological finds for tourists on the Grand Tour.

£400-600

447 VENETIAN MIRROR EARLY 20TH CENTURY the octagonal mirror plate within floral etched margin plates and a scrolled cresting 117cm high, 66cm wide

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part I

167

448 PAIR OF POLYCHROME, GILT AND SILVERED BLACKAMOOR FIGURES FIRST HALF 19TH CENTURY the carved wood and gesso figures standing in contrapposto wearing silvered turbans and gilt jackets and sarongs tied with tasselled sashes, each holding a gilt urn form platform, on painted faux marble octagonal gilt bases with cartouches Figures 136cm high; bases 46cm high

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

168 Lyon & Turnbull

449 PAIR OF FLEMISH HIGH-BACK OAK SIDE CHAIRS 19TH CENTURY with moulded rectangular upholstered backs and seats, in later green silk damask by Watts of Westminster, raised on block and turned legs united by stretchers (2) 46.5cm wide, 111cm high, 41cm deep Provenance: Lucy Johnson Antiques, Bedfordshire and the Cotswolds

£300-500

450 PAIR OF ITALIAN WALNUT AND FRUITWOOD MARQUETRY DEMILUNE SIDE TABLES LATE 17TH CENTURY the tops inlaid with leaf scrolls bands, each raised on baluster supports with flowerhead inlay, joined by stretchers and ending in bun feet; when joined the tables form a centre table with concentric bands enclosing a central roundel 102cm wide, 74cm high, 49cm deep

£600-800

451 NORTH ITALIAN WALNUT, EBONISED AND FRUITWOOD MARQUETRY COMMODE LATE 17TH CENTURY of inverted breakfront outline, the concave moulded superstructure with an arrangement of short drawers; the base of conforming outline with four long moulded drawers with scrolling foliate inlay, raised on pierced and shaped bracket feet 138cm wide, 135cm high, 57cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part I

169

452 PAIR OF SILVERED METAL SIX BRANCH CHANDELIERS EARLY 20TH CENTURY in the Dutch baroque style, the central baluster shaped stem with putti masks and a bud drop finial, issuing scrolled branches with cream silk shades, electrified (2) 70cm high, 69cm diameter

£400-600

453 PAIR OF BAROQUE STYLE SILVERED BRASS MIRRORED WALL SCONCES LATE 19TH CENTURY of cartouche outline, surmounted by shells, C-scrolls and flowering urns, above shaped mirror plates issuing three outscrolling sconces (2) 59.5cm high, 41.5cm wide

£400-600

454 VENETIAN MIRROR 19TH CENTURY the octagonal mirror plate within flower etched margin plates and a C scroll and foliate cresting 110cm high, 73cm wide

£400-600

455

456Y

COLLECTION OF HARDSTONE EGGS

PAIR OF FRENCH GREEN BOULLE TAZZAS

of varying sizes, including marble, onyx and quartz examples, one painted with the figure of a Chinese lady, some unpolished (38)

19TH CENTURY the dished tops on baluster stems all raised on ogee square bases with brass mounts, decorated with green boulle panels (2)

£200-300

19.5cm high

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

170 Lyon & Turnbull

457 PAIR OF FRENCH REGENCE STYLE GILT AND PATINATED BRONZE CANDELABRA, HENRI VIAN LATE 19TH CENTURY modelled as kneeling putti entwined within three acanthus leaf form candle arms, one with a cornucopia, on square bases with egg and dart borders, signed H. VIAN (2) 45.5cm high, 32cm wide approx.

£600-800

458 SET OF THREE GILT BRONZE WALL LIGHTS LATE 19TH CENTURY with three outscrolling arms above a large mask with pleated beard flanked by scrolls, wired for electricity (3) 44cm high approx. (excluding fittings), 47cm wide

£500-700

459 CONTINENTAL MICROMOSAIC AND GILT BRONZE TABLE CASKET 19TH CENTURY of rectangular form with a plush-lined void interior, decorated with panels of black, blue, green and yellow mosaics, enclosed within a beaded frame raised on cabriole acanthus legs 19cm wide, 10cm high, 13cm deep

£300-400

460 AFTER GUILLAUME COUSTOU PAIR OF MARLY HORSE FIGURE GROUPS, 19TH CENTURY bronze, dark brown/black patina, signed ‘COUSTOU’ (2) 28cm high, 27cm long

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part I

171

461 GROUP OF FRENCH CHAMPLEVÉ WARES 19TH CENTURY comprising an onyx and gilt metal censor, with enamelled bands and raised on dolphin-form feet, 13cm high; a pair of onyx vases, with flared enamelled necks and corresponding bases, 16cm high; and a shaped rectangular enamelled tray, with a central floral reserve within scrolls and foliate borders, 26cm x 21cm (4) £300-400

462 LOUIS XV STYLE GILT BRONZE AND PORCELAIN THREE PIECE CLOCK GARNITURE, JAPY FRERES & CIE LATE 19TH CENTURY the clock with a porcelain urn surmounting C-scrolls and shells, above the porcelain dial with Arabic numerals and a further panel signed DUPUY, on a scrolled base with pine cone finials, the signed movement striking a gong, 50cm high; together with a pair of ensuite five light candelabra, all on gilt wood stands, 55cm high (3) £600-800

463 PAIR OF WHEEL-ENGRAVED ARMORIAL DRINKING GLASSES CIRCA 1860/70 with deep bowls wheel-engraved with the armorial and motto of Louis XIV of France depicting an arm emerging from clouds holding the sun and inscription ‘NEC PLURIBUS IMPAR’, above slim facet-cut stems and star cut feet (2) 15.5cm high

£400-600

464 FRENCH GILT BRASS FIGURAL FENDER 19TH CENTURY the corner blocks mounted with reclining musical putti, the front panel pierced with foliate scrolls 170cm long, 33cm high, 49cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

172 Lyon & Turnbull

465 VICTORIAN GILTWOOD OVERMANTEL MIRROR 19TH CENTURY in the Rococo style, the shaped arched mirror plate with pierced C scroll and foliate carved frame 170cm wide, 125cm high

£500-700

466 SET OF FOUR FRENCH GILT BRONZE WALL LIGHTS LATE 19TH CENTURY each with one upscrolling and two downscrolling arms, above the cartouche wall mount decorated with shells and acanthus leaves enclosing a putti mask, wired for electricity (4) 36cm-40cm high (excluding fittings)

£400-600

467 FRENCH KINGWOOD, PARQUETRY, AND GILT METAL MOUNTED WORK TABLE 19TH CENTURY the shaped rectangular hinged top outlined in gilt metal and opening to a baize lined interior, raised on cabriole legs ending in sabots 49cm wide, 74cm high, 37cm deep

£400-600

468 GROUP OF FRENCH GILT BRONZE WARES 19TH/ EARLY 20TH CENTURY comprising two tazzas, the first with a dished insert depicting a cherub, 18.5cm diam., the second with pierced anthemion handles enclosing a classical figure in profile, 25cm wide; a green glass box and cover with gilt bronze floral and border mounts, 11.5cm diam.; and a figural vase inscribed LA PEUR/ BOUDET BOULEVARD DES CAPUCINE 13 PARIS, 16.5cm high (4) £200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part I

173

469 SET OF FOUR LOUIS XIV STYLE GILT BRONZE WALL LIGHTS 19TH CENTURY the leafy backplates centred by large female masks emblematic of Flora, issuing three double C scroll candle arms ending in foliate cast drip pans and nozzles, now wired for electricity (4) 56cm high Provenance: Yester House, Gifford, East Lothian

£1,000-1,500

470 FRENCH KINGWOOD, WALNUT AND FRUITWOOD MARBLE TOP COMMODE LATE 19TH CENTURY in the Louis XV style, the serpentine black marble top above three long drawers with line inlay, above a shaped apron and raised on splay feet, with foliate gilt metal mounts 107cm wide, 90cm high, 55cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

174 Lyon & Turnbull

471 FLORENTINE CARVED GILTWOOD AND GESSO OVERMANTEL MIRROR 19TH CENTURY the rectangular bevelled mirror plate within a foliate scroll and urn moulded frame 108cm high, 148cm wide

£500-700

472 PAIR OF FRENCH REGENCE STYLE WALNUT ARMCHAIRS 19TH CENTURY, THE NEEDLEWORK 18TH CENTURY the rectangular padded backs covered in gros and petit point needlework depicting the Judgement of Paris and another mythological scene, over wide seats flanked by leaf carved scrolling arms, raised on carved square tapered legs joined by arched H stretchers (2) 67cm wide, 121cm high, 55cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part I

175

473 FINE FRENCH KINGWOOD, PURPLEWOOD, BOIS SATINE AND MARQUETRY SECRETAIRE A ABATTANT 19TH CENTURY in the Louis XV style, the superstructure with a pair of glazed doors opening to shelves flanked by gilt bronze terms to the angles, above a pair of short drawers; the base with a folding blue leather writing surface, above a long frieze drawer, raised on square cabriole legs with gilt metal mounts throughout 82cm wide, 138cm high, 54cm deep

£3,000-4,000

474 FRENCH KINGWOOD AND AMARANTH PARQUETRY MARBLE TOP COMMODE 19TH CENTURY in the Louis XV style, the serpentine rouge marble top with a moulded edge, above two long serpentine drawers with foliate scroll handles and escutcheons, raised on tall square cabriole legs outlined with gilt metal mounts ending in sabots 119cm wide, 86cm high, 58cm deep

£3,000-4,000

176 Lyon & Turnbull

475 PAIR OF FRENCH WALNUT ARMCHAIRS 19TH CENTURY the cartouche shaped backs and part padded arms above wide seats, raised on cabriole legs, covered in cream upholstery (2) 58cm wide, 85cm high, 43cm deep

£300-500

476 DUTCH MAHOGANY AND FRUITWOOD INLAID SERPENTINE COMMODE 18TH CENTURY the top with a moulded edge above three long drawers outlined with scrolling inlay, serpentine quarter veneered sides and a shaped apron, raised on bracket feet 135cm wide, 87cm high, 64cm deep

£1,500-2,500

477 FRENCH FIVE PIECE STAINED BEECH SALON SUITE 19TH CENTURY in the Louis XVI style, comprising a settee and four armchairs with ribbon and acanthus carved frames, in cream, red and blue checked upholstery, raised on fluted tapered legs (5) Settee 119cm wide, 91cm high, 51cm deep; Chair 61cm wide, 88cm high, 43cm deep

£400-600 Other fees apply in addition to the hammer price, please see Other the ‘Buyer’s fees apply Guide’ in addition sectionto onthe page hammer 2 price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part I

177

478 LARGE STEEL AND GLASS BIRDCAGE SIX BRANCH CHANDELIER 19TH CENTURY of open design mounted with stars and flower heads and hung with prism drops, enclosing a central facetted finial and pendant, electrified 133cm high, 112cm diameter Provenance: Yester House, Gifford, East Lothian

£600-800

479 PAIR OF ITALIAN PLASTER FIGURES OF ADONIS AND THE LYCIAN APOLLO, AFTER THE ANTIQUE LATE 18TH CENTURY the near life-size figures painted white on rectangular bases, with modern wood plinths 157cm high, Adonis 161cm high Note: The present lot comes from the country estate of the earl Galvani’s family in Spilamberto (near Modena). This noble family belongs to the ducal court of Modena and Reggio. The figures were placed in the atrium of the mansion which was built at the end of the 18th century.

£5,000-7,000

480 GROUP OF POLISHED AGATE WARES comprising a white metal mounted box and cover, with chamfered concave corners, 9cm wide; an oval orange agate dish, 15cm wide; and a small octagonal bowl, 7cm wide (3) £200-300

178 Lyon & Turnbull

481 PAIR OF BRONZE FIGURE GROUPS EMBLEMATIC OF SUMMER AND AUTUMN 19TH CENTURY dark brown patina, each modelled with a pair of putti, one holding a rake, the other a scythe, with reclining companions holding torches, on oval bases and veined marble plinths (2) 20cm high

£300-400

482 PAIR OF FRENCH GILT BRONZE CANDELABRA, IN THE MANNER OF HENRY DASSON 19TH CENTURY modelled as draped classical women holding flowering branches aloft issuing twin candle nozzles, raised on acanthus cast circular bases with white marble plinths and toupie feet (2) 47cm high

£600-800

483 PAIR OF LARGE FRENCH BRONZE FIGURES OF CUPID AND PSYCHE, AFTER DENISE DELAVIGNE LATE 19TH CENTURY dark brown/black patina, signed indistinctly DELAVIGNE, raised on black marble square plinth bases (2) 61cm and 59cm high overall

£800-1,200

484 LARGE FRENCH GILT BRONZE AND PORCELAIN MANTEL CLOCK, JAPY FRERES 19TH CENTURY surmounted by a seated putti above trailing foliage, the gros bleu urn with goat mask handles flanking the white enamelled dial with Roman numerals, raised on a breakfront gilt bronze base with cherubs and a flower swag above ball feet, the movement signed 60cm high, 48cm wide

£600-800

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485 NEO-CLASSICAL BRASS FIVE BRANCH CHANDELIER EARLY 20TH CENTURY the central column with a draped urn above part reeded baluster, the base issuing five scrolling candle arms with sunflower oval patera, electrified 65cm high, 75cm diameter

£300-500

486 THREE CARVED AND MOULDED GILTWOOD PELMETS 19TH CENTURY the largest with a central fleur de lis and floral cresting, 191cm long; the next with foliate, C scroll and laurel cresting, 173cm long; and the third with an auricular and foliate cresting, 170cm long (3)

487 GROUP OF SILK PASSEMENTERIE CURTAIN TIE BACKS

191cm wide, 48cm deep

£1,000-1,500

in gold and bronze coloured silks, terminating in large tassels, comprising four shorter tie backs, 207cm long approx. (measurements excluding tassels), and three longer tie backs, 600cm long approx. (7) £200-300

488 SWEDISH GILTWOOD WINDOW SEAT LATE 18TH CENTURY the scrolling foliate moulded sides above a cushioned seat over a moulded shaped frieze raised on moulded paw feet 152cm wide, 78cm high, 40cm deep

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

180 Lyon & Turnbull

489 LARGE CONTINENTAL GILTWOOD SUNBURST MIRROR 19TH CENTURY the circular mirror plate within a frame mounted with radiating clustered rays and wavy beams 96cm diameter

£2,000-3,000

490 LOUIS XVI STYLE PAINTED SOFA EN CABRIOLE LATE 19TH CENTURY the white painted frame carved with entrelac and leaf tips with a carved trophy cresting, above a loose cushion seat, raised on tapered leaf carved and fluted legs with wood castors, in blue and cream striped upholstery 217cm wide, 111cm high, 64cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’Other section fees onapply page 2in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Gentleman’s Collection of French Faïence

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A Gentleman’s Collection of French Faïence 491 SIX FRENCH MONOCHROME FAÏENCE PLATES, ATTRIBUTED TO MOUSTIERS 18TH CENTURY with waved rims, comprising three in green and one in orange enamel, depicting central figures within floral borders, including two with matching decoration (6) Largest 25.5cm diameter

£500-700

492 SIX FRENCH BLUE AND WHITE FAÏENCE PLATES 18TH CENTURY of slightly varying sizes, with foliate borders enclosing central scenes of birds, including eagles and herons, two attributed to Moustiers (6) Largest 24.5cm diameter

£250-350

493 SEVEN FRENCH FAÏENCE PLATES, ATTRIBUTED TO LES ISLETTES LATE 18TH/ EARLY 19TH CENTURY of various sizes and including two small plates, one with blue maker’s mark, with lobed rims with fruit and flower sprays, enclosing polychrome figures of Chinese figures engaged in various pursuits, including fishing, holding fans, dancing and smoking pipes (7) Largest 25cm diameter, smallest 12cm diameter

£300-500

494 SIX GREEN GLAZED FRENCH FAÏENCE PLATES 18TH/ EARLY 19TH CENTURY with waved rims enclosing Chinese figures engaged in various pursuits, within floral borders and line bands, some with X form mark to undersides, one attributed to Bordeaux (6) Largest 24cm diameter

£300-500

182 Lyon & Turnbull

495 FIVE POLYCHROME FRENCH FAÏENCE PLATES 18TH CENTURY comprising a waved plate with a central recumbent figure; a shallow dish in blue, red and yellow enamels; a circular dish with underglaze blue and overglaze painting; and two lobed dishes depicting Chinese figures (5) Largest 25cm diameter

£300-500

496 FOUR FRENCH FAÏENCE PLATES, ATTRIBUTED TO LES ISLETTES LATE 18TH/ EARLY 19TH CENTURY of various sizes, including a near pair, and one with inscription verso, with lobed rims with flower sprays and insects, enclosing polychrome figures of Chinese figures engaged in various pursuits, including fishing, pipe smoking and archery (4) Largest 25cm diameter

£200-300

497 SIX FRENCH FAÏENCE PLATES, ATTRIBUTED TO LES ISLETTES EARLY 19TH CENTURY of various sizes, with pink pulled glazed rims enclosing polychrome figures of Chinese men engaged in various pursuits (6) Largest 24cm diameter

£250-350

498 FIVE FRENCH POLYCHROME FAÏENCE PLATES 18TH CENTURY in yellow, puce, green, blue and orange enamels, centrally decorated with Chinese figures, comprising an octagonal plate attributed to Toulouse; a plate with a wavy rim; a pair of plates with garland borders; and a further plate (5) Largest 23.5cm diameter

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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499 FIVE FRENCH BLUE AND WHITE FAÏENCE PLATES 18TH CENTURY of various sizes, decorated with borders of foliage enclosing central Chinese figures engaged in various pursuits (5) Largest 24cm diameter

£200-300

500 FIVE FRENCH FAÏENCE PLATES, ATTRIBUTED TO LES ISLETTES LATE 18TH/ EARLY 19TH CENTURY of various sizes, one with blue maker’s mark, with lobed rims enclosing polychrome figures of Chinese men engaged in various pursuits including fishing, punting and pipe smoking (5) Largest 25cm diameter

£200-300

501 SEVEN FRENCH FAÏENCE PLATES, ATTRIBUTED TO LES ISLETTES EARLY 19TH CENTURY of various sizes, with lobed rims decorated with flower sprigs, enclosing polychrome figures of Chinese men engaged in various pursuits including pipe smoking (7) Largest 23.5cm diameter

£300-500

502 FIVE MONOCHROME FRENCH FAÏENCE PLATES 18TH CENTURY comprising a large green enamel example depicting a European lady, 29.5cm diameter; and four orange enamelled plates, with waved rims enclosing central Chinese and European figures, including two with matching borders, largest 23cm diameter (5) £300-500

184 Lyon & Turnbull

503 FRENCH FAÏENCE POLYCHROME CHARGER, ATTRIBUTED TO SAINT AMAND 18TH CENTURY painted with a Chinese boy playing skittles, in yellow, manganese, blue and green glazes, underglaze A and partial handwritten label verso, 36.5cm diameter; together with a FRENCH VEUVE PERRIN FAÏENCE BOX AND COVER, of ovoid form, the hinged lid decorated with a Chinese man and green hatched borders, marked VP, 16cm diameter (2) £200-300

504 TWO PIECES OF BLUE AND WHITE DELFTWARE 18TH CENTURY comprising a charger densely decorated with birds, a dog, and rabbit amongst strawberries and floral sprays; and an octagonal baluster vase decorated in the Chinese style Charger 44cm diameter; vase 35cm high

£250-350

505 THREE MONOCHROME FRENCH FAÏENCE PLATTERS 18TH CENTURY of shaped oval form with lobed rims, comprising an orange enamel example depicting a man and a bird within floral borders, underglaze cross mark, possibly Moustiers, 33cm wide; one in green enamel depicting a Chinese man with a parasol, 36cm wide; and a blue enamel example simply painted with flowers and fronds, 36.5cm wide (3) £300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

185

Continental Furniture & Works of Art: Part II 506 THREE DELFTWARE CHARGERS 18TH/ EARLY 19TH CENTURY comprising a polychrome example decorated with a riverscape with trees and a building; a blue and white charger, depicting the same scene; and a further blue and white example, decorated with a figure in a landscape (3) 34cm diameter

£250-350

507 FRENCH GILT METAL AND PORCELAIN THREE PIECE CLOCK GARNITURE, BRUNFAUT 19TH CENTURY comprising a large clock surmounted by an urn finial, above gilt metal swags and porcelain dial, raised on a corresponding base with acanthus leaves and toupie feet, marked BRUNFAUT, striking a bell, 52cm high; together with a pair of urns in glass domes, the domed tops above masks issuing swags and painted porcelain bodies, raised on square form bases with toupie feet, 35.5cm high, domes 48.5cm high (3) £800-1,200

186 Lyon & Turnbull

508 SET OF FOUR NEOCLASSICAL STYLE GILT METAL WALL SCONCES 19TH CENTURY each backplate in the form of a tasselled sash issuing a pair of scrolling rope-twist candle arms with drip trays and nozzles, electrified (4) 70cm high Provenance: Yester House, Gifford, East Lothian

£600-800

509 ITALIAN NEOCLASSICAL WALNUT, FRUITWOOD AND MARQUETRY TEA TABLE 19TH CENTURY the rectangular pivoting fold-over top with a central marquetry roundel, opening to quarter veneered surface centred by a marquetry roundel, over a crossbanded frieze, raised on square tapered legs capped by foliate inlaid corner blocks 92cm wide, 80cm high, 46cm deep

£400-600

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510 CONTINENTAL GILTWOOD SUNBURST MIRROR 19TH CENTURY the convex mirror plate enclosed by a moulded border issuing two tiers of carved rays of varying lengths 84cm diameter approx.; mirror plate 18.5cm diam.

£700-1,000

511 PAIR OF RESTAURATION PATINATED AND GILDED BRONZE TABLE LAMPS EARLY 19TH CENTURY converted from candlesticks, the engine turned drip trays and ogee nozzles above reeded tapered columns and corresponding circular bases with acanthus leaves, with pleated shades (2) 29.5cm high (excluding fittings and shades)

£800-1,200

512 FRENCH LOUIS XVI STYLE KINGWOOD PARQUETRY AND BRASS MOUNTED TABLE LATE 19TH CENTURY the rectangular crossbanded top with trellis parquetry with a three quarter brass gallery, above a single frieze drawer, raised on square tapered legs joined by a concave brass banded undertier, ending on toupie feet 60cm wide 78cm high, 38cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’Other section fees onapply pagein 2 addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

188 Lyon & Turnbull

513 FRENCH GILT BRASS ENGRAVED REPEATING CARRIAGE CLOCK LATE 19TH CENTURY the Gorge case enclosing an engraved mask and a white enamelled dial with Roman numerals, striking a gong and numbered 2813, with an original leather travel case with matching number 19cm high (handle up)

£600-800

514 ITALIAN GILT METAL AND PORCELAIN THREE PIECE CLOCK GARNITURE, LANCINI MODERN the clock surmounted by an urn above the cream enamelled dial with Arabic numerals, flanked by columns above a porcelain panel signed LANCINI, 41cm high; with two urns ensuite, with loop handles about panels of lovers, on a gilt base with paw feet, 31.5cm high (3) £250-450

515 TWO FRENCH GILT BRASS REPEATING CARRIAGE CLOCKS LATE 19TH/ EARLY 20TH CENTURY each corniche case enclosing a white enamel Roman numeral dial, with gong strike movement; one signed with retailer W. ANGUS & SON/ PARIS, the other with rubbed signature; together with an associated leather travel case 18cm high (handle up)

£500-700

516

517

FRENCH TOLEWARE TEA CADDY

GERMAN EMPIRE GILDED AND ENAMEL VASE

EARLY 19TH CENTURY with a concave top and shaped squared body decorated with gilt foliage on a black ground, opening to a void interior, raised on ball feet, 12cm wide, 11.5cm high, 9cm deep

LATE 19TH/ EARLY 20TH CENTURY the cylindrical neck spreading to a prunt-covered base, with a gilt Reichsadler/German coat of arms (1888-1918) amongst enamelled dots

£200-300

33cm high

£200-300

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189

518 PAIR OF ENAMELLED OPALINE GLASS VASES, ATTRIBUTED TO THE ATELIER OF JEAN-FRANÇOIS ROBERT 1845-1855 with flared necks above shouldered bodies and tapering to circular feet, each polychrome enamelled with three birds perched on flowering and fruiting branches and vines, within turquoise arabesque borders with gilt highlights (2) 34.5cm high

£5,000-7,000

Note: Jean-François Robert (1778-c. 1855) was a skilled decorator at the Sèvres Porcelain Company, from 1806/7 until 1843. He worked for various important patrons of his day including Elisa Bacciocchi, Grand Duchess of Tuscany and sister of Napoleon, and for the Duke and Duchess of Berry.

His work with glass was also significant, when in 1837/8 he patented a new technique for painting colours and gold onto the surface of glass objects.

At this time he left the porcelain company and set up his own workshop at Sèvres to pursue the art of decorating glass vessels and windows. He was the principal decorator of opaline glass of this type. Such was his skill, that all the major glass manufacturers commissioned his work including Baccarat and Saint Louis. He retired in 1855 at the age of 73.

Major museums such as the Victoria & Albert Museum, and the Corning Museum of Glass have similar pieces attributed to Jean-François Robert within their collections.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

190 Lyon & Turnbull

519 SPANISH SILVER ARTICULATED MODEL OF A LANGOUSTINE 20TH CENTURY with dark glass eyes, articulated claws, legs and tail, hallmarked 30cm long

£500-700

520 SPANISH SILVER ARTICULATED MODEL OF A SWORDFISH 20TH CENTURY with red glass eyes, the tail articulated, with a pentagram hallmark 47.5cm long approx.

£500-700

521 SPANISH SILVER ARTICULATED MODEL OF A FISH 20TH CENTURY with green glass eyes, the tail articulated, with a pentagram hallmark 42cm long

£500-700

522

523

FRENCH OLIVEWOOD MARQUETRY BOX

RUSSIAN BONE VENEERED TABLE CASKET

19TH CENTURY of rectangular form, inlaid with specimen wood pansies and scrolls enclosing a roundel of a bird and marked NICE, opening to a fitted interior, with a key

PROBABLY ARKANGEL, 19TH CENTURY with upper and lower hinged compartments, veneered with carved panels of stylised foliate bands, and with red and green stained incised decoration, on bracket feet

27cm wide, 5.5cm high, 16.5cm deep

23cm wide, 17cm high, 15.5cm deep

£150-250

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part II

191

524 FRENCH AMBOYNA, EBONISED, PORCELAIN AND GILT METAL MOUNTED SIDE CABINET 19TH CENTURY the breakfront top with a brass galleried central section with an open mirrored recess, flanked by doors with three quarter brass galleries over panels centred by Sevres style porcelain plaques depicting French beauties against a blue celeste ground, the corners mounted with gilt metal figures of Shakespeare and Milton; the lower section with a moulded brass edge over three frieze drawers mounted with rinceau and further porcelain plaques, above two tiers and mirrored back flanked by fluted tapered supports, raised on toupie feet 122cm wide, 149cm high, 55cm deep

ÂŁ3,000-5,000

192 Lyon & Turnbull

525Y FRENCH CARVED IVORY CARICATURE FIGURE OF AN OFFICER 19TH CENTURY the rotund figure wearing a bicorn hat and standing with one hand resting on his stomach, raised on a turned socle plinth base Overall 19.5cm high, figure 14cm high

£250-350

526 PAIR OF FRENCH EMPIRE GILT AND PATINATED BRONZE CANDELABRA EARLY 19TH CENTURY modelled as putti holding twin candle sconces, raised on columns with engine-turned flowerheads and square bases (2) 36.5cm high

£400-600

527 FRENCH GILT BRONZE FIGURAL MANTEL CLOCK 19TH CENTURY surmounted by a seated lady in classical dress leaning on a column capital with a lyre at her feet, above the gilt dial with Roman numerals, signed L. S. MALLET HR. DE MGR. LE DUC D’ORLÈANS, above the inscription LE MOMENT OU JE PARLE EST DEJA LOIN DE MOI, with an acanthus cast border and rectangular set feet, striking a bell, in a matched glass dome Clock 39cm wide, 47cm high; dome 57.5cm high

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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193

Note: This striking use of marquetry was executed in a style exclusive to the luxury Parisian firm Maison Alphonse Giroux. Founded in 1799 by Francis Simon Alphonse Giroux, the establishment began as a shop on Rue du Coq Saint-Honoré dealing in artist supplies, but later progressed to the manufacturing of luxury furniture and goods in the early nineteenth century. The firm was taken over by Ferdinand Duvinage in 1867 who developed the marquetry technique for which the company became famous. On his death in 1874, his widow Madame Rosalie Duvinage became the sole owner.

528 FRENCH MARQUETRY AND GILTMETAL TABLE BY MAISON GIROUX CIRCA 1880 the circular top inlaid with hardwoods depicting a cockerel, dragonfly and flowering trees, against an ivory ground, signed ‘FD Bte’ for Ferdinand Duvinage, in a leaf cast frame raised on a fluted column with a vasiform base and stiff leaf cast tripod legs ending in toupie feet 53cm diameter, 73cm high

£7,000-10,000

Described as ‘a mosaic combined with metal partitioning for artistic objects and furnishing’, the innovative approach to marquetry, seen on this table, was patented by Rosalie in 1877. The patent can be clearly recognised on Maison Giroux pieces by the monogram ‘FD/Bte’ which was discreetly engraved onto the surfaces of their products.

Using ivory as a background, an intricate combination of both traditional wood marquetry and copper or bronze threads are positioned onto the item to create the maker’s desired pattern or image. Influenced by Chinese and Japanese art, birds decorated amongst flowering foliage are common motifs adopted by the firm. After exhibiting at the Exposition Universelle in 1878, this particular approach to marquetry furniture quickly became the most distinguishable style that the Maison Giroux firm ever produced.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

194 Lyon & Turnbull

529 PAIR OF FRENCH EMPIRE STYLE GILT BRONZE WALL SCONCES 19TH CENTURY with arrow formed uprights centred by mask roundels of Selene, issuing two outscrolling arms with circular drip trays, converted and wired for electricity (2) 62cm high

£400-600

530 PAIR OF FRENCH EMPIRE GILT BRONZE CANDELABRA 19TH CENTURY with central sconces enclosed by three outscrolling arms, raised on reeded tapered columns on triform bases with scrolls and lion masks, with paw feet (2) 52cm high

£300-500

531 PAIR OF GREY PAINTED GUSTAVIAN ARMCHAIRS EARLY 19TH CENTURY the padded square scroll backs and outswept part-padded arms above wide stuffover seats, raised on turned tapered legs (2) 60cm wide, 86cm high, 46cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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195

532 ADRIEN ÉTIENNE GAUDEZ (1845-1902) ’LE DEVOIR’ bronze, dark brown patina, signed A. GAUDEZ, with an inscribed plaque LE DEVOIR/ PAR A. GAUDEZ/ HORS CONCOURS 58.5cm high

£600-800

533 FRENCH BRONZE FIGURE OF A GRENADIER 19TH CENTURY dark brown patina, raised on a naturalistic square form base 44.5cm high

£300-400

534 FRENCH EMPIRE STYLE GILT METAL AND MARBLE GUERIDON LATE 19TH/ EARLY 20TH CENTURY the circular veined black marble top in a gadrooned frame raised on winged female terms and a central urn, ending in lions’ paw feet 71cm diameter, 78cm high

£1,800-2,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

196 Lyon & Turnbull

535 FRANZ XAVER BERGMANN (1861–1936) BRONZE DOG INKWELL, LATE 19TH/ EARLY 20TH CENTURY cast as a dog with a satchel in its mouth, carrying four pups, the hinged head opening to a void ink well, inscribed NAM-GREB 12cm high

£300-500

536 FRANZ XAVER BERGMANN (1861–1936) COLD PAINTED BRONZE FIGURE OF A BIRD, LATE 19TH/ EARLY 20TH CENTURY with wings raised, maker’s mark to underside, raised on a rocky base Overall 32cm high, bronze 19cm high approx.

£2,000-3,000

537 AUSTRIAN TERRACOTTA FIGURE OF A JACK RUSSELL TERRIER LATE 19TH/ EARLY 20TH CENTURY realistically modelled, with inset glass eyes and a brown collar 37.5cm high

£700-1,000

538 BOHEMIAN BRASS, GILTWOOD, CLEAR AND AMBER GLASS PENDANT LIGHT EARLY 20TH CENTURY the openwork frame hung with glass bead strands, flowerheads and amber glass drops and enclosing a giltwood finial 60cm high Provenance: Yester House, Gifford, East Lothian

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Continental Furniture & Works of Art: Part II

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539 LARGE GERMAN WALNUT CHIMING BRACKET CLOCK, R. M. SCHNECKENBURGER CIRCA 1880 the domed top surmounted by an urn and four flame finials, above a gilded plate with silvered chapter ring with Roman numerals and two subsidiary dials, raised on a stepped moulded base and gilt brass paw feet, the three-train movement marked RSM and striking gongs 62.5cm high, 43cm wide

£1,500-2,500

540 LOUIS VUITTON TRUNK EARLY 20TH CENTURY covered in black leather with black leather straps and stamped brass hardware, the linen lined interior with a divided lift-out tray and paper label with serial number 8100137; personalised initials H.D.C to the sides 87cm wide, 33cm high, 51cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

198 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

199

Asian Furniture & Works of Art

541Y INDO-PORTUGUESE TORTOISESHELL, EBONY, AND IVORY TABLE CABINET 17TH CENTURY of rectangular form outlined with ebony moulding enclosing tortoiseshell panels backed with painted gold leaf scenes of European figures, animals and birds; the dropfront with a mother-of-pearl escutcheon opening to three short drawers above one long drawer outlined with ivory banding with further scenes of Europeans and Indian servants, raised on turned bun feet 33.5cm wide, 21cm high, 19cm deep

£3,000-5,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

200 Lyon & Turnbull

542 FINE PAIR OF OTTOMAN FLINTLOCK HOLSTER PISTOLS EARLY 19TH CENTURY with walnut full stocks with applied gilt metal mounts, carved wood foliate scroll decoration and large pommels with wire bindings, with dummy ram rods, the flat engraved banana shaped locks with iron trigger guards with acanthus leaf finials, with pierced side plates (2) Barrels 15.25 inches long/38.5cm long

£2,000-3,000

543Y INDIAN VIZAGAPATAM IVORY AND BONE INLAID MIRROR LATE 19TH CENTURY carved with the profiles of birds above boteh spandrels flanking two doors enclosing a rectangular mirror plate, above scrolling leafy fronds, inlaid allover with foliage and leaves 62.5cm high, 50.5cm wide

£300-500

544 INDIAN ROSEWOOD BRASS AND COPPER INLAID MIRROR 20TH CENTURY 58cm high, 48cm wide

£400-600

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545 INDIAN CARVED HARDWOOD LINTEL 18TH/ EARLY 19TH CENTURY profusely carved with stylised flowers, leafy scrolls, and drapery panels, 78cm wide, 42cm high, 25cm deep; together with an INDIAN CARVED PILASTER, pierced and carved with stylised birds, fruit and leaves, 74cm high (2) £250-350

546Y ANGLO-INDIAN ROSEWOOD CENTRE TABLE 19TH CENTURY the circular top with moulded rim over a pierced frieze carved with lotus and palmettes, raised on a lotus and foliate carved baluster column and quadriform carved base on lotus carved bun feet 154cm wide, 76cm high, 152cm deep

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

202 Lyon & Turnbull

547 INDIAN CARVED HARDWOOD TABLE LATE 19TH CENTURY the revolving circular top carved with scrolling foliage, on a tripod base carved as stylised crocodiles 56cm diameter, 73cm high

£200-300

548 ANGLO-INDIAN BRASS, GLASS AND EBONY COFFEE TABLE, RETAILED BY HARRODS CIRCA 1930S the separate dished brass banded glass tray top on a spiral carved base frame joined by a cross stretcher 112cm diameter, 48cm high

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Other fees Guide’ apply section in addition on page to2the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Asian Furniture & Works of Art

549 PAIR OF ANGLO-INDIAN EBONY FOUR-POST SINGLE BEDS 19TH CENTURY with spiral carved spindle headboards and corner posts with turned finials, raised on turned legs, with platform bases (2) 194cm long, 220cm high, 95cm wide

£2,000-3,000

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204 Lyon & Turnbull

550 INDIAN MUGHAL-STYLE MARBLE WATERSLIDE (CHADAR) the rectangular panel carved with lotus pods, fish, and turtles on a scaled field between chevron banding 150cm high, 66cm wide Note: Traditionally designed for inclusion in formal water gardens of Mughal India, the chadar was positioned on an incline between an upper and lower pool, allowing water to run down its textured surface, creating ripples and the babble of a stream.

£800-1,200

551 INDIAN MUGHAL-STYLE MARBLE AND HARDSTONE INLAID HORSE standing four square with a braided mane, foliate carved saddle pad and hardstone inlaid bridle, on a rectangular plinth 110cm long, 107cm high, 34cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Other Guide’ feessection apply inon addition page 2 to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Asian Furniture & Works of Art

553 PAIR OF CHINESE NORTHERN ELM (YUMU) HORSESHOE BACK ARMCHAIRS 19TH CENTURY the crest rail ending in scroll hand grips, above back splats carved with a foliate reserve above woven cane seats, raised on straight legs with shaped arch aprons and joined by peripheral stretchers (2) 84cm wide, 105cm high, 58cm deep

£800-1,200

554 LARGE JAPANESE IMARI BOTTLE VASE AND CARVED HARDWOOD STAND 19TH CENTURY the vase decorated with lappet panels and reserves depicting cranes and the five friends of winter, with gilt highlights; the stand carved in relief with birds and flowers on cabriole legs Vase 91cm high, 45cm diameter; 77cm high, 53cm diameter

£400-600

555 CHINESE BLACK LACQUER AND HARDSTONE INLAID CABINET 19TH CENTURY of rectangular form with a pair of doors, inlaid with various carved hardstones depicting figures in gardens with temples, raised on square feet 88cm wide, 140cm high, 39cm deep

£800-1,200

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206 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets

207

Rugs & Carpets 556 JOSHAGAN CARPET CENTRAL PERSIA, EARLY/MID 20TH CENTURY the red field with two ivory lozenge medallions, indigo spandrels, within brown stylised palmette and vine border 380cm x 266cm

£500-700

557 KIRMAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the raspberry field with indigo and pink medallion, blue, pink and cream spandrels, within indigo palmette and arabesque vine border 447cm x 347cm

£700-900

558 KASHAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and ivory medallion, similar spandrels, within indigo palmette and vine border 414cm x 323cm

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

208 Lyon & Turnbull

559 KASHAN CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the cream field with red and indigo medallion, similar spandrels, within red palmette and vine border 405cm x 308cm

£2,000-3,000

560 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover palmette and vine pattern, within red palmette and arabesque vine border 326cm x 221cm

£2,000-3,000

561

562

563

ISFAHAN CARPET

KARAKALPAK CARPET

AFSHAR CARPET

CENTRAL PERSIA, MODERN the red field with small cream lattice medallion, cream foliate oval surround, within indigo palmette and vine border

UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the rust red field with two columns of five guls, within rust red stepped lozenge border

SOUTH PERSIA, MID 20TH CENTURY the indigo field with three red lozenge medallions, within multiple borders

365cm x 276cm

330cm x 172cm

£250-350

£250-350

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

260cm x 150cm

Rugs & Carpets

564 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within brown palmette and vine border 403cm x 295cm

£500-700

565 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the blue field with indigo and red medallion, within indigo palmette and vine border 355cm x 260cm

£400-600

566 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the royal blue field with allover palmette and vine pattern, within purple palmette and vine border, Benlian style star signature to one corner 400cmz x 286cm

£1,800-2,400

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210 Lyon & Turnbull

567 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with large indigo, blue and red medallion, green and ivory spandrels, within indigo turtle palmette and vine border 368cm x 266cm

£1,500-2,500

568 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brick red field with indigo and pink medallion, ivory, pink and green spandrels, within abrash blue turtle palmette and vine border 410cm x 304cm

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets

569 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with indigo and red medallion, ivory and red spandrels, within indigo rosette and vine border 354cm x 263cm

£400-600

570 HERIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the dark red field with indigo and red medallion, indigo and ivory spandrels, within indigo rosette and vine border 392cm x 282cm

£500-700

571 NORTH WEST PERSIAN CARPET LATE 19TH/EARLY 20TH CENTURY the indigo field with allover stylised palmette and vine pattern, within ivory turtle palmette and vine border 550cm x 350cm Provenance: Hatton Castle, Aberdeenshire

£2,000-3,000

211

212 Lyon & Turnbull

572 SAROUK CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with allover foliate pattern, within red palmette and vine border 376cm x 264cm

£500-700

573 MAHAL CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with indigo lozenge medallion, red spandrels, within red stylised vine border 300cm x 210cm

£800-1,200

574 ZIEGLER STYLE CARPET LATE 20TH CENTURY the pale blue field with allover stylised palmette and foliate pattern, within pale pink palmette border 555cm x 400cm

£700-1,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets

575 BAKHTIARI CARPET WEST PERSIA, MID 20TH CENTURY the red field with small ivory and indigo medallion, similar spandrels, within indigo palmette and vine border 544cm x 350cm

£500-700

576 LARGE BAKHTIARI CARPET WEST PERSIA, EARLY 20TH CENTURY the brick red field with ivory and salmon pink medallion, indigo spandrels, within ivory palmette and vine border 612cm x 433cm

£1,500-2,500

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214 Lyon & Turnbull

577 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the burgundy field with three columns of eight guls, within red starburst border 341cm x 222cm

£400-600

578 USHAK STYLE CARPET 20TH CENTURY of classical design, the patterned red field with indigo and red medallion, green spandrels, within indigo stylised foliate border 402cm x 306cm

£600-800

579 SAMARKAND CARPET EAST TURKESTAN, MID 20TH CENTURY the brown field with floral tables and vases pattern, within polychrome hooked border 272cm x 150cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets

580 BESHIR CARPET TURKMENISTAN, EARLY/MID 20TH CENTURY the red field with zig zag pattern and four polychrome joined medallions, within narrow yellow rosette border 279cm x 169cm

£300-500

581 SENNEH RUG WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover boteh pattern, within red rosette and vine border 190cm x 130cm

£200-300

582 SENNEH RUG WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with red and indigo medallion, indigo spandrels, within red turtle palmette and vine border 195cm x 137cm

£500-700

215

216 Lyon & Turnbull

583 ISFAHAN PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream mihrab with birds in trees and animals flanking a foliate urn, raspberry spandrels, within cream foliate border 210cm x 140cm

£600-800

584 ISFAHAN PART SILK PRAYER RUG CENTRAL PERSIA, LATE 20TH CENTURY the light blue mihrab with red medallion, brown spandrels, within red palmette and arabesque vine border 158cm x 109cm

£400-600

585 PAIR OF ISFAHAN PRAYER RUGS CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY each with cream field with floral twin handled red vase, cream arabesque spandrels, within red palmette and foliate vine border (2) each 209cm x 146cm

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Rugs & Carpets

586 PERSIAN STYLE SILK RUG MODERN the dark indigo field with allover lozenge lattice pattern, rust brown medallion, cream lattice spandrels, within rust foliate lattice border 186cm x 123cm

£300-500

587 NAIN PART SILK RUG CENTRAL PERSIA, LATE 20TH CENTURY the blue field with cream medallion, arabesque palmette spandrels, within cream palmette and vine border 194cm x 113cm

£500-700

588 KASHAN PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with red floral vase flanked by two trees, water below, indigo floral spandrels, within red floral border 218cm x 139cm

£400-600

589 TABRIZ RUG NORTHWEST PERSIA, MID 20TH CENTURY the indigo field with red and cream medallion, cream spandrels, within red palmette and vine border 201cm x 138cm

£200-300

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218 Lyon & Turnbull

590 HEREKE SILK RUG WEST ANATOLIA, LATE 20TH CENTURY the indigo field with allover floral and foliate pattern, within red rosette, palmette and arabesque vine border, signature to one end 156cm x 94cm

£500-700

591 SHIRVAN RUNNER EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the polychrome field with five lesghi star medallions, within ivory harshang border 328cm x 151cm

£500-700

592 GHIORDES RUG WEST ANATOLIA, 19TH CENTURY the cream field with green lozenge medallion, green spandrels, within cream and green zig zag border 160cm x 106cm

£500-700

Rugs & Carpets

593 KAZAK RUNNER SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the rust brown field with six green, ivory and indigo medallions, within ivory harshang border 338cm x 92cm

£400-600

594 KYRGYZ RUNNER KYRGYZSTAN, LATE 19TH/ EARLY 20TH CENTURY the red field with allover indigo flowerhead lattice pattern, within indigo stylised border 302cm x 136cm

£300-500

595 KYRGYZ RUNNER KYRGYZSTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with allover red and indigo hooked lozenge lattice pattern, within brown stepped lozenge border 310cm x 163cm

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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220 Lyon & Turnbull

596 LONG HERIZ RUNNER NORTHWEST PERSIA, MODERN the red field with multiple indigo, ivory and green medallions, within narrow indigo stylised vine border 815cm x 80cm

£1,000-1,500

597 MALAYER RUNNER WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover boteh pattern, within ivory stylised vine border 410cm x 110cm

£400-600

598 SERAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the patterned camel field with three cream medallions, similar spandrels, within brown stylised vine and skittle borders 380cm x 106cm Provenance: Hatton Castle, Aberdeenshire

£300-500

221

Garden

599 PAIR OF REGENCY STYLE PAINTED IRON GARDEN CHAIRS EARLY 20TH CENTURY the strapwork frames with X backs and downscrolled arms above slat seats, on slightly outset legs joined by H stretchers, painted white (2) 51cm wide, 90cm high, 47cm deep

£600-800

600 SANDSTONE COLUMN AND SUNDIAL 19TH CENTURY, THE DIAL LATER the octagonal dial inscribed with directions and mounted with a double arch superstructure, on a three section octagonal carved sandstone baluster column and domed base 118cm high total; dial 36cm diameter

£200-400

601 EARLY VICTORIAN SLATE HORIZONTAL SUNDIAL, RICHARD MELVILLE, GLASGOW DATED 1848 of square form, with a central gnomon and eight subsidiary dials, with maker’s marks RICARDUS MEVILLE/ FECIT GLASGOW/ 1848, with name J. PATERSON/ BAINGLE COTTAGE, in a modern pine frame 42cm x 39cm

£200-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

222 Lyon & Turnbull

602 COLLECTION OF SCOTTISH GRANITE CURLING STONES 18TH CENTURY AND 19TH CENTURY comprising six examples, some with partial iron handles (6) largest 26cm x 22cm

£300-500

603 VICTORIAN PAINTED DOG OR GOAT CART 19TH CENTURY the carriage with an upholstered seat supported on two pairs of wheels 91cm long, 59cm high, 60cm deep

£300-500

604 PAIR OF SCOTTISH FIRECLAY GARDEN URNS 19TH CENTURY of campana form with leaf moulded sides and lobed bases, on fluted socles and square bases (2) 115cm high, 74cm wide

£800-1,200

END OF SALE Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Furniture, Paintings & Works of Art

DESIGN

SINCE 1860

223

AUCTION 03 APRIL IN EDINBURGH DECORATIVE ARTS: DESIGN SINCE 1860

OPEN FOR CONSIGNMENTS

For a valuation or to discuss selling works, please contact John Mackie on 0131 557 8844 or email john.mackie@lyonandturnbull.com Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

224 Lyon & Turnbull

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale

by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate.

2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers for identification to prevent fraud, underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate.

Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us.

Please note that we do not accept payment from third parties and this also applies to agents.

If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final.

We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers.

Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids.

We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts

to contact them to enable them to participate in bidding by telephone.

We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot.

7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above.

8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on

1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000.

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.

10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in

Five Centuries: Furniture, Paintings & Works of Art

making full payment for the lot.

11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.

12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that

photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

(7) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must

make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

These notices and terms will also form part of our terms and conditions of sales.

13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally.

14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such.

15. SALE BY PRIVATE TREATY

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(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event Lyon and Turnbull in its reasonable opinion deems that the conditions of the authenticity

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guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser.

This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller; “Lot” means each Item offered for sale

by Lyon and Turnbull;

“Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it.

“Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import

history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds.

3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing.

4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30.

Online Listing: £10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense.

We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement.

(3) Illustrations: The cost of any illustrations will be borne by the

Five Centuries: Furniture, Paintings & Works of Art

Seller , unless agreed otherwise prior.

The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue.

(4) Storage: Of the Lots after the sale, where applicable.

6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice they may be disposed of as we see fit, which may involve their sale by public

auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us.

(2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the

Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale.

Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held

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unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission.

The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control.

The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction.

17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller.

We do not act for Buyers in this role and does not give advice to Buyers.

When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

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Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website.

Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received.

Payment may be made by the following methods:

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated.

In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid.

Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards.

Online Card Payments We no longer accept card payments by phone.

Please use our online payment service (provided by Cardstream/Credorax).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods.

Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

19.1

2 Lyon & Turnbull

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115