Decorative Arts: Design since 1860 | 3rd April 2019 by Lyon & Turnbull

Decorative Arts: Design since 1860 A

Wednesday, 3rd April 2019 33 Broughton Place Edinburgh

Decorative Arts: Design since 1860

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

B Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 Wednesday, 3rd April, 2019 at 11am Sale Number LT554

Location Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR

Viewing Sunday, 31st March 12 noon - 4pm Monday, 1st April 10am - 5pm Tuesday, 2nd April 10am - 5pm Morning of sale from 9am

Enquiries Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 400 (detail)

Inside Front & Back Covers Lot 192 (detail)

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Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

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All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

25% up to £100,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

1–G overnment issued photo ID (Passport/ Driving licence) 2–P roof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www.defra.gov. uk/ahvla-en/ imports-exports/cites

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Decorative Arts: Design since 1860 3

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

John Mackie Decorative Arts & Design john.mackie@lyonandturnbull.com

Theodora Burrell Decorative Arts & Design theo.burrell@lyonandturnbull.com

Olivia Ross Junior Specialist & Administration olivia.ross@lyonandturnbull.com

Philip Smith Decorative Arts & Design philip.smith@lyonandturnbull.com

How to find us in Edinburgh Lyon & Turnbull

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1 ALEXANDER MUNRO (1825–1871) TERRACOTTA PORTRAIT OF DANTE signed with artist’s monogram AM, set within a painted terracotta plaque, decorated with applied stars 31.5cm diameter overall

£150-250

2 ENGLISH SCHOOL GOTHIC REVIVAL OAK HALLSTAND, CIRCA 1890 the chamfered frame with pierced cresting and central mirror surrounded by hat pegs, the base with tile splashback and single drawer flanked by stick stands and raised on ring-turned legs 127cm wide, 241cm high, 48cm deep

£600-800

3 MANNER OF WILLIAM BURGES PAIR WROUGHT IRON FIREDOGS, CIRCA 1880 each with beast head terminals on square supports with cabriole legs and pad feet (2) 30cm wide, 81cm high, 45cm deep

£400-600

4 ENGLISH SCHOOL GOTHIC REVIVAL OAK LIBRARY TABLE, CIRCA 1880 the rectangular top above two drawers raised on chamfered supports with shaped brackets, linked by a pierced stretcher 138cm wide, 69cm high, 76cm deep

£400-600

Decorative Arts: Design since 1860 5

5 ENGLISH SCHOOL, IN THE MANNER OF HART, SON, PEARD AND CO. PAIR OF GOTHIC REVIVAL BRASS AND WROUGHT IRON STANDING CANDELABRA, CIRCA 1865 each with four curved branches and fifth central branch, raised above a spirally-reeded column, on a base with three shaped bracket supports linked by a ring stretcher (2) 203cm high, 48cm diameter

£500-800

6 ATRRIBUTED TO E. W. PUGIN FOR JOHN HARDMAN & CO. GOTHIC REVIVAL SILVER AND ENAMEL BEAKER, BIRMINGHAM 1866 with gilt interior, bearing inscription AND HE SHOWED ME A PURE RIVER OF WATER OF THE CLEAR AS CRYSTAL, with an applied central band of Gothic tendrils and four enamelled cartouches, one depicting the Virgin teaching the Christ child to read, with maker’s marks and hallmarks for Birmingham 1866, weight 8.29ozt approx. 10cm high

£1,500-2,000

7 AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) SET OF FIVE GOTHIC REVIVAL OAK DINING CHAIRS, CIRCA 1850 each with chamfered decoration, the top and mid-rail with carved rosettes above upholstered seat and raised on square chamfered legs linked by stretcher, 48cm wide, 89cm high, 44cm deep; and ANOTHER SIMILAR CHAIR with upholstered back panel, 43cm wide, 89cm high, 38cm deep (6) £500-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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8 ATTRIBUTED TO ROBERT TURNBULL BAYNE FOR HEATON & BUTLER ROMANESQUE STYLE STAINED GLASS PANEL, CIRCA 1860 depicting the figures of Christ kneeling with his disciples in the Garden of Gethsemane, later framed 128cm x 63cm Literature: Waters, William ‘Angels & Icons: Pre-Raphaelite Stained Glass 1850-1870’, pp. 68-69 illus. Note: Robert Turnbull Bayne (1837-1915) first designed stained glass for Clayton & Bell before joining Heaton & Butler. He entered the partnership in 1862 to create Heaton, Butler & Bayne.

£300-500

9 E. W. PUGIN (1834-1875) AFTER DESIGNS BY A.W.N. PUGIN (1812-1852) ’AGNUS DEI’ ENCAUSTIC TILE PANEL, CIRCA 1876 manufactured by Robert Minton Taylor, comprising nine tiles, with inscriptions AGNUS DEI enclosing an octagram depicting The Lamb of God, in a later painted frame Overall 46cm squared; per tile 15.5cm squared

£400-600

10 GILLOW & CO. GOTHIC REVIVAL WALNUT CENTRE TABLE, CIRCA 1880 the octagonal moulded top raised on ring-turned supports on an inlaid cross support with brass castors, stamped maker’s marks and serial number 137cm diameter, 75cm high

£1,000-1,500

ENGLISH SCHOOL

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852)

GOTHIC REVIVAL STYLE

SET OF FOUR GOTHIC REVIVAL BRASS CANDLESTICKS, CIRCA 1880 each with broad drip tray on cluster column with further drip tray below raised on tripod base (4)

SET OF SIX GOTHIC REVIVAL OAK DINING CHAIRS, CIRCA 1850 each with chamfered decoration, the upholstered back and seat on square legs linked by stretchers (6)

MASSIVE STAINED BEECH WALL MIRROR, MODERN with carved leaf decoration enclosing a mirrored plate

47cm wide, 90cm high, 44cm deep

180cm diameter

21cm high

£500-800

£300-500

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 7

14 BRUCE JAMES TALBERT (1838-1881) FOR HART, SON, PEARD & CO. GOTHIC REVIVAL BRASS MANTEL CLOCK, CIRCA 1870 the twin train movement striking a bell inscribed GV/ 1507, the triangular brass case mounted with an agate set finial above three flower roundels set with coloured glass cabochons, the whole raised on shaped square feet 21.5cm wide, 27cm high

£2,000-3,000

Literature: Charlotte Gere, Charlotte & Michael Whiteway, Michael, ‘19th Century Design from Pugin to Mackintosh’, W&N 1993, p. 118 where a similar example is illustrated. Note: Talbert trained as an architect before becoming one of the leading exponents of the Reformed Gothic style. This clock, designed circa 1871, was illustrated in ‘The Illustrated Catalogue of Gothic & other Artistic Domestic Furniture, Fittings, Decorations, Upholstery & Metal work’, published by Cox & Sons in 1872.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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15 ATTRIBUTED TO JOHN MOYR SMITH (1839-1912) PAIR OF GOTHIC REVIVAL OAK AND EBONISED LOW CHAIRS, CIRCA 1870 each with chamfered carved finials on incised ebonised uprights and side rails, above the lobed open seat back and chamfered seat, all raised on incised ebonised turned and knopped legs on squat bun feet (2) 53cm wide, 85cm high, 48cm deep

£500-800

16 JOHN POLLARD SEDDON (1827-1906) FOR FULHAM POTTERY LARGE STONEWARE JARDINIÈRE, CIRCA 1880 carved in relief with stylised flower and foliage panels 21.5cm high, 30cm diameter Literature: ‘Victorian and Edwardian Decorative Art: The Handley Read Collection’, Royal Academy, p. 67 catalogue D.39 where a comparable jardinière is illustrated.

£500-700

17 MANNER OF AUGUSTUS WELBY NORTHMORE PUGIN GOTHIC REVIVAL OAK TALL CHAIR, CIRCA 1860 the carved and pierced cresting above two linen-fold panels, with solid moulded seat above chamfered legs with corresponding stretchers 55cm wide, 148cm high, 42cm deep

£300-500

18 ATTRIBUTED TO CHARLES BEVAN GOTHIC REVIVAL OAK FOLDOVER CARD TABLE, CIRCA 1870 the hinged rectangular top with carved lappet border enclosing a baize-lined interior naised on four ring-turned legs on an inlaid cruciform base with castors 91cm wide, 73cm high, 45cm deep

£700-1,000

19 W. GODWIN, LUGWARDINE, HEREFORD GROUP OF TWELVE GOTHIC REVIVAL 6 INCH ENCAUSTIC TILES, CIRCA 1860 comprising two sets of four tiles each, the first with a central flowerhead issuing stylised leaves; the second with a central rosette enclosed by eight petals; together with two further tiles with four leafy roundels each, in different colour ways; and two further tiles with four flowerhead roundels each, also in different colour ways; variously marked (12) Each tile 15cm squared

£80-120

Decorative Arts: Design since 1860 9

20 ENGLISH SCHOOL ’HE LEADETH ME...’ STAINED, LEADED AND PAINTED GLASS PANEL, CIRCA 1930 bears commemorative inscription to base panel and with the legend HE LEADETH ME BESIDE THE STILL WATERS, the panel in three sections, unframed 121cm x 206cm high

£1,500-2,500

21 BARNARD & SONS LTD SILVER EWER AND TWO MATCHING GOBLETS, DATED 1873 each with chased foliate friezes, hallmarked London 1873 (3) Ewer 34.5cm high; goblet 15.5cm high

£1,000-1,500

22 AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) SET OF SIX GOTHIC REVIVAL OAK DINING CHAIRS, CIRCA 1850 each with chamfered decoration, the upholstered back and seat on square legs linked by stretchers (6) 45cm wide, 87cm high, 43cm deep

£500-800

JAMES A. SWAN

ARTS & CRAFTS COMPANY LTD.

GROUP OF THREE ARCHITECTURAL DRAWINGS, CIRCA 1900 pencil on paper laid down on card, to include CLOTH HALL, YPRES, signed, inscribed and dated J.A. SWAN ‘95, 45cm x 28.5cm; CATHEDRAL.TOURNAI. VIEW FROM SOUTH TRANSEPT, signed, inscribed and dated JAMES A. SWAN 1900, 53.5cm x 37cm; and CATHEDRAL.TOURNAI. WEST FRONT, signed and inscribed J. A. SWAN, 50.5cm x 36cm (3)

PROPOSED DECORATION OF SANCTUARY: ST. JOSEPH’S CHURCH HAVANT pencil and watercolour, bears inscription lower right BENEDICT. ARTS & CRAFTS COY. LTD./ 7 PATERNOSTER ROW. LONDON. E.C.

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

41cm x 60cm

£200-400

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25 EDITH HOLMAN HUNT (1846-1931) AFTER WILLIAM HOLMAN HUNT 11 PONTE VECCHIO, FIRENZE, DATED 1924 watercolour, inscribed to mount, framed, inscribed verso **Y ***** HOLMAN HUNT/A PARTING GIFT/ OCT 7-1923/PONTE VECCHIO FLO**/BY W HOLMAN-***/1867/IN S KENSING***/MUSEUM etc. 25.5cm x 54cm Provenance: Given by the artist to her son Hilary Holman Hunt (1879-1949) on 7 October 1923.

£1,000-1,500

Note: This watercolour was copied by Holman Hunt’s second wife Edith in 1922 at the age of 74 and given by her to her son Hilary on her 75th Birthday before they both travelled to Jerusalem for the dedication ceremony of a public seat in honour of William Holman Hunt. Her son then travelled onto Burma to act as Chief Engineer.

26 ATTRIBUTED TO FERDINAND BARBEDIENNE (1810-1892) AESTHETIC MOVEMENT EBONISED FOUR-FOLD TABLE SCREEN, CIRCA 1880 each fold with moulded frame, enclosing cast copper and brass panels depicting allegorical figures of the seasons within flowering foliate borders each fold: 43cm x 30cm

£300-400

27 PRE-RAPHAELITE SCHOOL PORTRAIT OF A LADY watercolour with gum arabic, framed 28cm x 24cm

£400-600

28 ATTRIBUTED TO JOHN MOYR SMITH FOR COX & SON EBONISED SIDEBOARD CABINET, CIRCA 1870 the rectangular top above two central drawers with painted panels within amboyna band and flanked by two further panelled doors with drawers above 180cm wide, 106cm high, 56cm deep

£400-600

Decorative Arts: Design since 1860 11

29 THOMAS JECKYLL (1827-1881) FOR BARNARD, BISHOP & BARNARD AESTHETIC MOVEMENT BRASS WALL MIRROR, CIRCA 1876 the oval frame cast in low relief with geometric motif and overlapping scale decoration, unmarked 50cm x 37cm

£2,000-3,000

Note: This sconce is a mirrored version of a sconce first registered at the Patent Office on October 2, 1875 (BT 43/39 no.294900). The design shows two alternative versions for the border; a simple scalloped edge if the design was to be executed in wrought iron and a more intricate cloud and shell design if the design was produced in cast metal, which the few surviving examples invariably are, as in the case of the present lot. The version in the V&A (M.9-2013) shows a central oval panel was decorated with a pair of swallows and plum tree branches in relief. Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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30 ENGLISH SCHOOL FRAMED AESTHETIC MOVEMENT CERAMIC PLAQUE, CIRCA 1980 painted with the portrait of a gentleman against a patterned ground, within incised and ebonised period frame, painted marks verso 5735/ DOUGLASS CERAMIC PORTRAIT/ CHEAPSIDE & AT PICCADILLY/ 5853, and with artist’s monogram EMCB Frame 60.5cm x 60cm; roundel 28cm diam.

£300-500

31 JOHN GRINSELL & SONS EDWARDIAN SILVER MOUNTED CLARET JUG, BIRMINGHAM 1907 the ovoid body with tapered neck and applied silver mounts with T-shaped handle and hinged lid, stamped maker’s marks J.G.& S, hallmarked Birmingham 1907 20cm high

£300-500

32 HUKIN & HEATH, LONDON TWO VICTORIAN SILVER PLATE AND GLASS CLARET JUGS, CIRCA 1880 one of facetted ovoid form with plated lidded mounts, stamped marks H&H/ RD. NO. 493781, 19.5cm high; the other of bottle form with plated lidded mounts and handle, stamped maker’s marks H&H, 24cm high (2) £300-500

33 MANNER OF BRUCE TALBERT FOR GILLOW AND CO. AESTHETIC MOVEMENT MAHOGANY CENTRE TABLE, CIRCA 1880 the octagonal top on turned supports linked by stretchers and a spindle gallery, raised on castors 98.5cm wide, 75cm high

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 13

34 ENGLISH SCHOOL SET OF FOUR PAINTED, STAINED AND LEADED GLASS PANELS, CIRCA 1890 each painted within figures representing the Seasons (4) each 27.5cm x 26.5cm

£300-500

35 ENGLISH SCHOOL, MANNER OF JOHN MOYR SMITH AESTHETIC MOVEMENT GLAZED DOOR, CIRCA 1880 v with acid-etched glass panel depicting a figure pouring water within foliate borders and set in a later painted panelled door with fittings Glazed panel 105.5cm x 60.5cm, door 218cm x 90cm

£400-600

36 HOWARD & SONS, LONDON OAK PARQUETRY INLAID CENTRE TABLE, CIRCA 1880 the octagonal moulded top raised on facetted legs linked by shaped and moulded stretchers, stamped to the top underside HOWARD & SONS/ BERNERS STREET with traces of original trade label 96cm diameter, 71cm high

£1,500-2,000

37 ENGLISH SCHOOL AESTHETIC MOVEMENT BRASS FENDER, CIRCA 1880 of rectilinear outline with a knopped rail above a hammered frieze pierced with flowerheads 108cm wide, 37cm high, 34cm deep

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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38 AUBREY BEARDSLEY (1872-1898) BOOKPLATE FOR JOHN HENRY ASHWORTH printed, depicting a figure in costume on stage, printed signature AUBREY BEARDSLEY, framed 12cm x 9.5cm

£200-300

39 MANNER OF EDWARD WILLIAM GODWIN AESTHETIC MOVEMENT CENTRE TABLE, CIRCA 1890 red lacquered finish with gilt and ebonised enhancements, the octagonal top raised on turned, reeded and blocked legs linked by an undertier 61cm diameter, 73cm high

£200-300

40 ENGLISH SCHOOL, IN THE MANNER OF EDWARD WILLIAM GODWIN AESTHETIC MOVEMENT MAHOGANY CANTERBURY, CIRCA 1890 with three spindle-filled dividers, brass carrying handle, and raised on shaped tapering legs with stylised claw and ball feet, linked by a lower tier 43cm wide, 59cm high, 37cm deep

£200-300

41 MANNER OF EDWARD WILLIAM GODWIN NEAR PAIR OF MAHOGANY ANGLO-GREEK OCCASIONAL TABLES, CIRCA 1890 each with square tops raised above turned and blocked legs supporting a lower tier with spindle gallery (2) 42cm diameter, 68cm high and 41cm diameter, 68cm high

£200-300

JOHN MOYR SMITH (1839-1912)

HANNAH BARLOW (1851-1916) FOR DOULTON & CO., LAMBETH

W.T. COPELAND & SONS

MINTON TILED PLANTER, CIRCA 1890 the cast metal frame inset with four 6 inch tiles from the ‘Idylls of the Kings’ series, including VIVIEN, ELAINE, GUINEVERE, and ETARRE, printed in brown with blue backgrounds

STONEWARE BISCUIT BARREL & COVER, DATED 1879 sgraffito decorated with a continuous frieze of goats, impressed factory marks, 1879, HBB and J0, 56, with Mappin Bros. electroplated cover and mounts, bud finial and swing handle

20cm high, 20cm wide

15cm high

£200-300

£250-400

GROUP OF FIVE AESTHETIC MOVEMENT TILES, CIRCA 1880 each depicting the daily occupations of a frog, impressed factory marks, some restorations (5) 15cm square

£200-300

Decorative Arts: Design since 1860 15

45 W. T. COPELAND & SONS GROUP OF FIFTEEN ‘MEDIEVAL OCCUPATIONS’ 6 INCH TILES, CIRCA 1880 each depicting a figure in medieval dress playing a musical instrument or engaged in a work task, impressed maker’s marks COPELAND (15) approx. 15cm square

£800-1,200

46 FRED MILLER FOR HOWELL & JAMES, LONDON AESTHETIC MOVEMENT CERAMIC MANTEL CLOCK, DATED 1880 the twin train movement with circular dial painted with a sunflower motif within case decorated in blue on white with anthemia and garden flowers, painted inscription under base PAINTED FOR/ HOWELL, JAMES & CO/ BY/ FRED MILLER/ LONDON 1880 27cm high

£300-500

48Y

ENGLISH SCHOOL

MANNER OF E. W. GODWIN

BENHAM & FROUD, LONDON

AESTHETIC MOVEMENT OAK LIBRARY CABINET, CIRCA 1900 with hinged latticed cover above spindle gallery and panelled sides enclosing a void, inscribed to the front TO KNOW THAT WHICH BEFORE US LIES IN DAILY LIFE IS THE PRIME WISDOM/ MILTON and carved to the sides with initials JB, above two drawers on square reeded legs linked by a lower tier

AESTHETIC MOVEMENT EBONISED GAMES TABLE, CIRCA 1880 the square top with an ebony and ivory inlaid games board and counters above a lower tier supported on ring turned legs with spindle gallery 45cm square, 52cm high

AESTHETIC MOVEMENT GILT METAL DESK CANDELABRA, CIRCA 1880 the square column with ebonised handle supporting two adjustable candle arms with cast shell shaped drip trays, the whole raised on a domed base embossed with fruiting foliage, stamped maker’s marks

£400-600

30cm wide, 46.5cm high

£300-500

69cm wide, 119cm high, 49cm deep

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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50 MANNER OF EDWARD WILLIAM GODWIN AESTHETIC MOVEMENT MAHOGANY OCCASIONAL TABLE, CIRCA 1880 the octagonal top on six ring-turned supports linked by a lower galleried tier and raised on splayed tapering legs 52.5cm diameter, 69cm high Note: The elegant splayed legs of this table along with the valanced apron under the top and the latticed gallery to the lower tier are all characteristic of Godwin’s furniture designs.

£300-500

51 ATTRIBUTED TO SHRIGLEY & HUNT, LANCASTER AESTHETIC MOVEMENT TILED PANEL, CIRCA 1880 the arched panel painted with an urn issuing lilies within a rosette border and enclosed within mahogany frame, bears collection label BEAULAH COLL. CAT. NO. 1313 panel 161cm x 46cm, with frame 174cm x 59cm Provenance: The G.K. Beaulah Collection of Tiles, sold Bonhams, Knightsbridge, January 25th 1995, lot 251.

£500-800

52 MANNER OF ALEXANDER ‘GREEK’ THOMSON AESTHETIC MOVEMENT GREEK REVIVAL MAHOGANY TOILET MIRROR, CIRCA 1865 the oval moulded frame with mirrored plate, supported by anthemion carved uprights with Greek key carved decoration, on a shaped base with lappet carved frieze on bracket feet 77cm wide, 94.5cm high, 38cm deep

£400-600

53 ATTRIBUTED TO GEORGE FAULKNER ARMITAGE AESTHETIC MOVEMENT MAHOGANY OVERMANTEL, CIRCA 1890 the moulded cornice with panelled frieze carved with foliage above an arrangement of open shelves centred by a mirror 112cm wide, 99cm high, 24cm deep

£300-400

Decorative Arts: Design since 1860 17

54 ENGLISH SCHOOL AESTHETIC MOVEMENT EBONISED OVERMANTEL, CIRCA 1880 with gilt incised decoration, the walnut spindle filled gallery above bevelled mirrored plate flanked by painted panels after Albert Moore, above an arrangement of open shelves with mirrored back 180.5cm wide, 162cm high, 23cm deep

£600-800

55 AUGUSTUS BOUVIER (1827-1881) PUNISHMENT, 1875 pencil, ink and bodycolour, signed and dated lower right AUG. BOUVIER 1875, framed, 51cm x 29cm; and another companion ‘ADMONISHMENT’, signed and dated AUG BOUVIER 1875 upper right, framed 51cm x 30cm (2) £300-500

56 ENGLISH SCHOOL THREE-FOLD MAHOGANY FRAMED DRAUGHT SCREEN, CIRCA 1890 each fold with two opposed fabric panels, fitted to one side with a 19th century woven fabric in the manner of Christopher Dresser and to the reverse with a 19th century silk damask each fold 167.5cm x 61cm

£400-600

57 JOHN MOYR SMITH (1839-1912) FOR MINTONS FIVE ‘AESOP’S FABLES’ 6 INCH TILES, CIRCA 1880 THE LION AND THE RAT; THE WOLF AND THE CRANE; THE TORTOISE WHICH WISHED TO LEARN TO FLY; KING LOG AND KING STORK; and THE FOX AND THE GOAT IN THE WELL, each with moulded maker’s marks MINTON CHINA WORKS (5) £100-150 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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58 ENGLISH SCHOOL GOTHIC REVIVAL OAK PLANTER, CIRCA 1890 inset to each side with Maw & Co. panelled tiles in blue on white, and raised on elaborate stand with four ring-turned columns and quadruped base 35cm square, 92cm high

£300-500

59 MANNER OF EDWARD WILLIAM GODWIN EBONISED ANGLO-GREEK OCCASIONAL TABLE, CIRCA 1890 with square top raised above turned and blocked legs supporting a lower tier with spindle gallery 41cm wide, 68cm high

£150-250

60 MANNER OF EDWARD WILLIAM GODWIN MAHOGANY ANGLO-GREEK OCCASIONAL TABLE, CIRCA 1890 with square top raised above turned and blocked legs supporting a lower tier with spindle gallery 43cm wide, 66cm high

£150-250

61 MANNER OF SELWYN IMAGE AESTHETIC MOVEMENT EMBROIDERED FOUR-FOLD SCREEN, CIRCA 1880 each fold depicting a Classical female figure and bearing inscriptions MUSIC; DRAMA; SONG; POETRY; MUSIC; MELPOMENE; BUTERPE; ERATO; APOLLO FIPICEN each panel 71cm x 24cm; with frame 93cm x 32cm

£300-500

Decorative Arts: Design since 1860 19

62 CHRISTOPHER DRESSER (1834–1904, ATTRIBUTED DESIGNER) FOR ELKINGTON & CO. (ATTRIBUTED MAKER) RARE CONICAL BRONZE AND GILT BRASS SUGAR BOWL, CIRCA 1870 the bowl decorated with cast foliate and anthemion bands, raised on applied tripod feet with loop handles, unmarked 7.5cm high Literature: Morley, Christopher ‘Dresser’s Decorative Designs’ 2010, p. 201, p. 213, pl. 414 illus. Halen, Widar ‘Christopher Dresser: a pioneer of Modern Design’, Phaidon 1990, p. 25 pl. 14 illus., pp. 145-6

£3,000-5,000

Note: This bowl demonstrates the familiar characteristics of Dresser’s famous electroplated conical bowl produced for Elkingtons in circa 1885. Dresser had however been associated with the firm since 1865 supplying designs and advising the firm on casting and decorating techniques and historical ornament. In his review of the Paris Exhibition of 1867 Dresser much admired the Japanese bronze teapots that he found there. He commented that “Bronze through its very nature cannot become a cheap material; yet it might be used by us more largely than it is, and might with much advantage replace silver to a great extent. ...if judiciously managed, the bronze service would be more beautiful than any burnished silver service could be”.

Dresser’s sketchbooks contain drawings of “sugar basins of bronze” with beads on the sides and angular legs and that “fulfil his demand for steadiness and functionalism”. Although he states in 1867 that he has “been unable to induce even one manufacturer to prepare a trial set” it seems likely that in his advisory capacity at Elkingtons he was later able to have induced them to produce this vessel, perhaps part of a tea set, albeit in very limited or trial quantities.

63 CHRISTOPHER DRESSER (1834-1904) FOR LINTHORPE ART POTTERY EARTHENWARE ‘URCHIN’ VESSEL, CIRCA 1880 covered in a streaky green and brown glaze, impressed maker’s marks LINTHORPE/ C. DRESSER 17.5cm high

£400-600

64 CHRISTOPHER DRESSER (1834-1904) FOR LINTHORPE ART POTTERY TWIN-HANDLED PERUVIAN VESSEL, CIRCA 1880 with incised swirl decoration, covered in a streaky green and brown glaze, impressed maker’s marks C. DRESSER 20cm high

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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65 CHRISTOPHER DRESSER (1834-1904) FOR ELKINGTON & CO. A SILVER-PLATED FOUR-PIECE CRUET SET, CIRCA 1880 the quatrefoil frame with central angular handle on four cylindrical supports, fitted with cut glass bottles for oil, vinegar, pepper & mustard, stamped marks ELKINGTON & CO. 17219 14cm high Literature: Christopher Dresser Metalwork, The Andrew McIntosh Patrick Collection, Lyon & Turnbull, 19 April 2005, lot 15, for a matching cruet set

£600-800

66 CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH, LONDON SILVER-PLATED DOUBLE BON-BON DISH, CIRCA 1880 on four tapering splayed supports with twin circular dishes and central ring handle, stamped marks H&H/ 2523 27.8cm wide

£700-900

67 CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH SILVER PLATE TUREEN, COVER AND LADLE, CIRCA 1880 the TUREEN with deep bowl set on three tapering feet, with two cylindrical ebonised wood handles, the cover with turned ebonised wood finial, bears maker’s marks to base H&H/ 2123 with registration mark for July 1880, 31cm across the handles, 21cm high; the LADLE with deep bowl and cylindrical, slightly tapering ebonised wood handle, 33cm long (2) £5,000-7,000

Literature: Lyons, Harry, ‘Christopher Dresser: The People’s Designer 1834-1904’, England, 2005, p. 202, pl. 388 Whiteway, Michael ‘Christopher Dresser 1834-1904’, Skira Editore S.p.A., 2001, pl. 79 Whiteway, Michael (ed.) ‘Christopher Dresser: A Design Revolution’, V&A 2004, pl. 186 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 21

68 GEORGE WASHINGTON JACK (1855-1931) FOR MORRIS & CO. ARTS & CRAFTS MAHOGANY OCCASIONAL TABLE, CIRCA 1895 the shaped and moulded circular top raised on slightly curved legs with leaf carving and linked by stretchers centred with a carved sunflower, stamped maker’s marks MORRIS & CO./ 449 OXFORD ST/ W/ 1035 76cm diameter, 69cm high Literature: J. Andrews, John ‘Arts & Crafts Furniture’, Woodbridge, 2004 p. 54, fig. 52 (similar example illustrated). Cooper, Jeremy ‘Victorian & Edwardian Furniture & Interiors’, London, 1987, p. 173, fig. 450 (similar example illustrated).

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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69 WILLIAM MORRIS (1834-1896) FOR MORRIS & CO. ’APPLE TREE’ EMBROIDERED SILKWORK PANEL, CIRCA 1880 within later frame, glazed 58cm x 58cm

£400-600

70 CHRISTOPHER DRESSER (1834-1904) FOR BENHAM & FROUD, LONDON AESTHETIC MOVEMENT COPPER AND MIXED METAL TRAY, CIRCA 1875 of oval form with frilled galley, with flowering foliate field centred by a cartouche with engraved initials BL 48cm wide Literature: Halen, Widar ‘Christopher Dresser: a pioneer of Modern Design’, Phaidon 1993, p.170, plate 192 where a similar tray to the current lot is illustrated.

£200-300

71 ATTRIBUTED TO MORRIS & COMPANY PAIR OF MAHOGANY ‘HAMPTON COURT’ ARMCHAIRS, CIRCA 1920 each with rush seats, 62cm wide, 100cm high, 45cm deep; and a SIDE CHAIR, with upholstered seat, 47cm wide, 92cm high, 39cm deep (3) £200-300

MANNER OF MORRIS & COMPANY

MANNER OF CHRISTOPHER DRESSER FOR ELKINGTON & CO.

MANNER OF CHRISTOPHER DRESSER

SILVER-PLATED HOT WATER JUG, CIRCA 1880 of tapered cylindrical form, C scroll handle, hinged lid with button finial, stamped to underside ELKINGTON & CO/ PATENT/ 24605

AESTHETIC MOVEMENT CAST IRON STICK STAND, CIRCA 1880 cast with stylised foliage with support for sticks and drip tray below

79cm diameter, 75cm high, 36cm deep

19cm high

45cm wide, 66cm high, 15cm deep

£200-300

£250-400

£200-300

ARTS & CRAFTS MAHOGANY CENTRE TABLE, CIRCA 1890 the shaped circular top raised above an ogee apron of splayed ring-turned legs linked by stretchers

Decorative Arts: Design since 1860 23

75 HENRY HOLIDAY (1839-1927) STUDY OF A GIRL pencil and coloured crayon, framed, 14.3cm x 16cm; and PORTRAIT OF A LADY by the same hand, pencil, unsigned, framed, 14.5cm x 16cm (2) £600-800

76 GEORGE WASHINGTON JACK (1855-1931) FOR MORRIS & CO. RARE ARTS & CRAFTS INLAID MAHOGANY SIDEBOARD, CIRCA 1890 inlaid with stringing and chequer banding, the rear superstructure with a three-quarter rear shelf surmounted by turned finials above turned spindle supports and a lower open shelf, the mounted shaped top above a frieze drawer flanked by fielded panel drawers on tapering square legs joined by a shaped stretcher 217cm wide, 160cm high, 78cm deep

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 25

77 ALPHONSE LEGROS (1847-1911) TORSO patinated plaster, raised on a painted plinth base, signed A. LEGROS 53.5cm high overall

£800-1,200

78 [§] KARIN JONZEN (1914-1998) RECLINING NUDE terracotta, signed K. JONZEN 15.5cm wide

£500-700

79 [§] ULI NIMPTSCH (1897-1977) SEATED NUDE, EARLY 20TH CENTURY bronze, dark-brown patina, unsigned 17cm high

£500-800

80 FRANCIS DERWENT WOOD (1871-1926) RECLINING NUDE bronze, dark-brown patina, raised on a green marble base, signed in bronze F. DERWENT WOOD 41cm long, 19.5cm high (excluding base)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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81 EDWARD STOTT (1859-1918) MOTHER AND CHILD pastel, signed with initials upper right E.S., framed 16.5cm x 14.5cm

£400-600

82 ALFRED STEVENS (1823-1906) TWO STUDIES FOR THE CHIMNEYPIECE AT DORCHESTER HOUSE, CIRCA 1864 each depicting a classical nude figure, ink and pencil, framed (2) 13cm and 10cm diameter Note: Dorchester House was a mansion in Park Lane, London, built in 1853 by Robert Stayner Holford. It was demolished in 1929 to make way for the present Dorchester Hotel. One of its most celebrated features was the chimneypiece in the dining room sculpted by Alfred Stevens.

£200-300

83 ALFRED STEVENS (1817-1875) PAIR OF PAINTED PLASTER CARYATID FIGURES, 1870S modelled as female nudes, raised on ebonised square bases, 26cm high; and also a PAINTED PLASTER FIGURE OF JAEL, 23.5cm high (3) Note: These figures are studies for the right- and left-hand figures on the Dorchester House mantelpiece completed in 1873. Steven’s decorations for the dining-room at Dorchester House, London was one of his greatest achievements for which he made countless drawings inspired by the Italian High Renaissance style, and in particular the work of Michelangelo.

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 27

84 SELWYN IMAGE (1849-1930) ’IUSTITIA’, 1908 pencil, ink and watercolour, signed with initials and dated bottom right corner S. I./ 08, framed 25.5cm x 10cm

£400-600

85 KELMSCOTT PRESS FRAMED WOODCUT PRINT FROM THE KELMSCOTT CHAUCER, 1896 comprising an excerpt from Geoffrey Chaucer’s ‘Romaunt of the Rose’, designed by William Morris and Edward Burne-Jones, engraved by W. H. Hooper, framed 40cm x 27.5cm

£100-200

86 SELWYN IMAGE (1849-1930) ARTS & CRAFTS EMBROIDERED PANEL, CIRCA 1900 worked in coloured silks on a cream silk ground, with birds perched amongst hibiscus flowers, framed 62.5cm square

£300-500

87 ATTRIBUTED TO SELWYN IMAGE TWO DESIGNS FOR TILES, CIRCA 1890 pencil and watercolour, framed (2) 32.5cm x 33cm; and 19cm x 27.5cm

£150-250

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88 SIR WILLIAM HAMO THORNYCROFT (1850-1925) ’THE MOWER’, DATED 1881 bronze, dark-brown patina, signed H.T. 1884 20.2cm high Note: This cast is taken from the sketch model for Hamo Thornycroft’s life-size figure of The Mower exhibited in plaster at the Royal Academy in 1884, and in bronze at the Grosvenor Gallery in 1888 and the Royal Academy in 1894. ’This noble, simple and truthful work’ (The Sculptor, 1898) was inspired by a stanza from Matthew Arnold’s poem ‘A Mower’ - “A Mower, who, as the tiny swell of our boat passing heaved the river grass, stood with suspended scythe to see us pass.”

£800-1,200

89 SIR WILLIAM HAMO THORNYCROFT (1850-1925) ’GRAY’S ELEGY’ BRONZE RELIEF PLAQUE, CIRCA 1881 mounted on wood, indistinctly signed 10cm x 23cm £600-800

90 [§] GILBERT BAYES (1872-1953) ’THE GOAL’, ELECTROTYPE PANEL, 1892 signed with initials GB, within oak frame 12.5cm x 63cm Literature: Atterbury, Paul and Irvine, Louise ‘Gilbert Bayes: Sculptor 1872-1953’, Richard Dennis 1998, pp.95-6 Note: Exhibited at the Royal Academy in 1892

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 29

91 SIR ALFRED GILBERT (1854-1934) ’VICTORY’ silvered bronze, raised above an onyx sphere spacer on patinated bronze plinth base 18cm high Provenance: The Fine Art Society, London Literature: Dorment, Richard ‘Alfred Gilbert: Sculptor and Goldsmith’, Royal Academy of Arts, London, 1986, p.129

£1,500-2,000

Note: After joining the Royal Academy in 1873 and studying at the École des Beaux-Arts in Paris, Alfred Gilbert went on to become one of the most influential sculptors of his generation and a leading figure in the New English Sculpture movement. ‘Victory’ was cast in 1887 and her dramatic pose, carefully balancing above an orb, encapsulates the New Sculpture preference to convey narrative through dynamic compositions. Whilst originally produced to surmount the orb held by the monarch in his ‘Jubilee Memorial to Queen Victoria’ at Winchester (1887), many reductions of this figure were subsequently made and Gilbert presented them to many of his friends, including John Singer Sargent and Seymour Lucas. Once described as “the Benvenuto Cellini of this age” by President of the Royal Academy Frederic, Lord Leighton, Gilbert’s continual acclaim is a testament to his virtuoso skill as a bronze founder and goldsmith.

92 G. G. ADAMS AFTER WILLIAM ETTY CUPID AND PSYCHE ELECTROTYPE ROUNDEL published by The Art Union of London 1872, framed, inscribed W. ETTY R.A./ G. G. ADAMS SC/ ART UNION OF LONDON 1872 26cm diameter

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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93 ATTRIBUTED TO THOMAS WEBB & SONS PAIR OF CAMEO GLASS SCENT BOTTLES, CIRCA 1887 the lemon glass ovoid bodies overlaid in layers of peach and white and acid etched with flowering foliage and each with engraved silver stoppers by Sampson Mordan & Co., hallmarked London, 1887 (2) 11cm high

£800-1,200

94 ATTRIBUTED TO THOMAS WEBB & SONS STOURBRIDGE RED CAMEO GLASS SCENT BOTTLE, CIRCA 1886 of tapered form, decorated in cut white with a fern frond, mounted with a hinged silver collar and cap hallmarked London 1886 13cm long

£300-500

95 ATTRIBUTED TO THOMAS WEBB & SONS A STOURBRIDGE CITRON GREEN CAMEO GLASS BALUSTER VASE, CIRCA 1890 decorated in cut white with pansies, narcissus, and cherry blossoms, unsigned 21cm high

£600-800

96 ATTRIBUTED TO THOMAS WEBB & SONS A STOURBRIDGE RED CAMEO GLASS BOTTLE VASE, CIRCA 1890 decorated with cut white fruiting branches and a band of stylised flower heads, unsigned 30cm high

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 31

97 ROBERT PHYSICK (1816-1882) MARBLE BUST OF A GIRL, DATED 1874 the figure in profile with long flowing hair, raised on a turned socle, signed and dated ROBT. PHYSICK SCULP. 1874 64cm high

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 33

98 GEORGE JAMES FRAMPTON (1860-1928) PAIR OF PATINATED LEAD MAQUETTES design maquettes for the finials on the parapet of Queen Mary’s Doll House, in classical dress with turned treen urns, on painted wood plinth bases (2) 26cm and 25.5cm high Literature and Exhibited: Adrian J. Tilbrook & Fischer Fine Art Limited, Truth, Beauty and Design: Victorian, Edwardian and Later Decorative Art, An Exhibition at Fischer Fine Art Limited, 15 May-27 June 1986 (London). Christies, London ‘Decorative Arts for 1880 to the Present Day’, 13th July 1988, Lot 352 Note: These maquettes were designed as finials for the parapet of Queen Mary’s Dolls House, designed by Edwin Lutyens (1869-1944) in the early 1920s and currently housed in the Royal Collection at Windsor Castle.

£800-1,200

99 GEORGE JAMES FRAMPTON (1860-1928) ’ENID THE FAIR’, PATINATED PLASTER BUST signed and dated GEO. F 1912, with personal dedication TO MY FRIENDS MR & MRS OKEY and entitled “ENID THE FAIR” 54cm high Literature: Read, B. & Barnes, J. ‘Pre-Raphaelite Sculpture’, London, 1991, no. 11, p. 101.

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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100 JAMES PITTENDRIGH MACGILLIVRAY (1856-1938) ”THE WIFE OF FLANDERS”, 1915 bronze, signed, dated and inscribed in the bronze MACGILLIVRAY 1915/ “THE WIFE OF FLANDERS”/ “YOU HAVE LOST YOUR SPURS” 32cm high Note: This sculpture was inspired by the poem of the same title by G.K. Chesterton.

£800-1,200

101 W.A.S. BENSON (1854-1924) BRASS EXTENDING STANDARD LAMP, CIRCA 1900 the knopped column support raised on quadruped base linked by stretchers and mounted with an orb weight, converted to electricity, later pleated silk shade 33cm wide, 157cm high Literature: Hamerton, Ian (ed.) ‘W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design’, China, 2005, Appendix 1B, p. 259, pl. 19 where similar versions of this lamp are illustrated

£500-800

102 MANNER OF WALTER GILBERT FOR BROMSGROVE GUILD PATINATED BRONZE DOOR KNOCKER, CIRCA 1890 the mount cast with the figure of a putto playing a flute with flanking goats heads, the hinged knocker cast with ribbon-tied flowering foliage 21cm tall, 16cm wide

£300-500

103 ENGLISH SCHOOL ARTS AND CRAFTS ELLIPTICAL ENAMEL PLAQUE, CIRCA 1900 depicting the Paschal lamb, framed 19.5cm x 11.5cm (excluding frame)

£200-300

Decorative Arts: Design since 1860 35

104 JAMES & WILLIAM DEAKIN SILVER & WATCOMBE POTTERY TEA CADDY, CHESTER 1904 the cylindrical body pierced with a band of Art Nouveau sinuous budding foliage, with Watcombe, Torquay green-glazed pottery liner and pull-off cover, with maker’s mark JD WD, hallmarked Chester, 1904, Rd. Design No. 430555 10.5 cm. high

£200-300

105 FREDERIC JAMES SHIELDS (1833-1911) ARTS & CRAFTS ENAMEL PLAQUE, CIRCA 1890 of circular convex form, depicting mermaids on rocks, with a galleon in the distance, signed with artist’s monogram, in a copper frame 11cm diameter

£2,000-3,000

106 G. L. CONNELL LTD, LONDON PAIR OF ARTS & CRAFTS SILVERPLATED CANDLESTICKS, CIRCA 1910 each broad dished drip trays above rope twist columns decorated on a planished ground on spreading bases, with maker’s marks CONNELL/ 83 CHEAPSIDE, 26cm high (2) £200-300

107 ALBERT EDWARD JONES (1878-1954) ARTS & CRAFTS SILVER AND ENAMEL DISH, BIRMINGHAM 1911-12 of deep circular bowl centred with a silver enamelled plaque depicting a sun against a stylised tree bearing fruit, with inscription AS THE/ SUN COLORS/ FLOWERS SO ART/ COLORS LIFE, hallmarked Birmingham 1911-12 24cm diameter

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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108

110

W.H. HASELER LTD.

ART NOUVEAU SILVER PENDANT, HALLMARKED 1905 of shaped triangular form set with mother-ofpearl roundels, amethyst drop, with chain spacers, stamped W.H.H., hallmarked Birmingham 1905

ART NOUVEAU SILVER AND ENAMEL PENDANT, HALLMARKED 1904 the shield form pendant cast with stylised plant forms and set with coloured enamels, with fine link chain, stamped maker’s marks WHH, hallmarked Birmingham 1904

4.3cm long

£200-300

109 ENGLISH SCHOOL ARTS & CRAFTS MEDIEVALIST ENAMEL RING, EARLY 20TH CENTURY with circular enamel panel, painted in gilt with central rosette, the shanks with applied leaves and garnet cabochons

3cm long

£400-600

Ring size: O

£250-350

111 OMAR RAMSDEN (1873–1939) ARTS & CRAFTS SILVER SERVING SPOON, LONDON 1928 with planished bowl and stem, cast to the terminal with flowering rose and entwined briars, stamped maker’s marks OR/ OMAR RAMSDEN ME FECIT, hallmarked London 1928, 181g

112

26cm long

LIBERTY & CO., LONDON

£250-350

ARTS & CRAFTS SILVER SERVING SPOON, BIRMINGHAM 1936 with planished bowl and wrought stem, with wrythen twist and leafy terminal, stamped maker’s marks L&Co, hallmarked Birmingham 1936, 81g 19.5cm long

£200-400

113

114

WILLIAM BIRCH, HIGH WYCOMBE

ENGLISH SCHOOL

ARTS & CRAFTS OAK ARMCHAIR, CIRCA 1920 the broad back above open arms and rush seat, raised on reeded and turned tapered legs linked by stretchers

ARTS & CRAFTS EMBROIDERED PANEL, CIRCA 1920 worked in coloured silks on a linen ground with a girl in a garden setting, framed

64cm wide, 103cm high, 50cm deep

44cm x 40cm

£200-300

£300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 37

115 CASSANDIA ANNIE WALKER (1875-1957) FOR DELLA ROBBIA POTTERY, BIRKENHEAD PROMOTIONAL TILE PANEL, DATED 1894/ 8 comprising two tiles, depicting a sailing ships at sea and bearing inscription DELLA ROBBIA POTTERY/ BIRKENHEAD 1894, incised factory marks verso C. A. WALKER/ 1898, within oak frame 9.5cm x 29.5cm

£1,000-1,500

116 EMILY MARGARET WOOD AND EDWARD TURRI FOR DELLA ROBBIA POTTERY, BIRKENHEAD TIN GLAZED PANEL, CIRCA 1890 depicting a winged cherub on a pale blue ground, incised marks EW/ T/ 576/ 578/ 423 22cm x 30cm

£300-500

117 FRANK LYNN JENKINS (1870-1927) AND GERALD MOIRA (1867-1959) ARTS & CRAFTS PAINTED PLASTER MURAL, CIRCA 1900 painted in gilt and colours and sculpted in relief with a country toad marked with a cross and bearing the inscription SONNET BY CHRISTINA ROSETTI, later frame 75.5cm x 107cm

£800-1,200 Note: Frank Lynn Jenkins inherited his father’s marble merchant business H.T. Jenkins and Son, and developed it into a business of international standing involved in the execution of work such as Thomas Brock’s Queen Victoria Memorial in the Mall, the Whitehall Cenotaph and William Goscombe John’s monument to the Marquis of Salisbury in Westminster Abbey, among many other prestigious commissions. With the painter and a fellow student, Gerald E. Moira he developed an innovative style of painted, low relief, plaster panels employed in a commission they won from the restaurateur Joe Lyons to decorate the entrance to the Trocadero Restaurant, Shaftsbury Avenue. This was followed by other similar schemes at the Throgmorton Restaurant, the Hotel Metropole, Folkestone, the Passmore Edwards Library, Shoreditch and a library in a private house in Beverley, North Yorkshire from where the present lot was sited.

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118 ARTHUR GEORGE WALKER (1861-1939) FLORENCE NIGHTINGALE bronze, medium brown patina, the subject depicting full length and holding an oil lamp, on a square base with inscribed artist’s monogram 46cm high

£1,500-2,000

119 ENGLISH SCHOOL ARTS & CRAFTS CARVED MAHOGANY FRAME, CIRCA 1910 the moulded cornice above carved panel of fruiting vines, enclosing a print of ‘The Light of the World’ after Holman Hunt, the base with corresponding carved decoration and bearing the inscription THE LIGHT OF THE WORLD 79cm x 49cm

£250-350

120 ATTRIBUTED TO THE ARTIFICERS’ GUILD PAIR OF ARTS & CRAFTS BRASS CANDLESTICKS, CIRCA 1900 each with rope twist decoration, the broad dished drip trays above square knopped column and spreading base (2) 34cm high

£200-300

121

122

ENGLISH SCHOOL

ARTS & CRAFTS INLAID OAK WALL CLOCK, CIRCA 1900 the square canted dial with applied numerals reserved on a slatted back board with motherof-pearl inlay 75cm high

ARTS & CRAFTS CARVED OAK WALL PLAQUE, CIRCA 1900 craved in the form of a scroll, bearing inscription SLEEP SWEETLY IN THIS QUIET ROOM/ O THOU WHOE’ER THOU ART/ AND LET NO MOURNFUL YESTERDAYS/ DISTURB THY PEACEFUL HEART/ NOR LET TOMORROW MAR THY REST/ NIGH DREAMS OF COMING ILL/ THY MAKER IS THY CHANGELESS FRIEND/ HIS LOVE SURROUNDING THEE STILL/ FORGET THYSELF AND ALL THE WORLD/ PUT OUT EACH GARISH LIGHT/ THE STARS ARE SHINING OVERHEAD/ SLEEP SWEETLY THEN/ GOODNIGHT

£200-300

65cm wide, 77cm high

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

123 ENGLISH SCHOOL ARTS & CRAFTS COPPER-FRAMED HALL LANTERN, CIRCA 1910 with stained, faceted and leaded glass panel shades 36cm high, 18cm diameter

£350-450

124 W.A.S. BENSON (1854-1924) BRASS AND COPPER TABLE LAMP, CIRCA 1890 converted to electricity from an oil lamp, with hemispherical reservoir above reeded column on a domed base 34cm high (excluding fittings), 63cm high (with shade) Literature: Hamerton, Ian (ed.) ‘W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design’, China, 2005, Appendix 1A, p. 248, pl. 3 where the design for this lamp is illustrated (no. 72)

£300-500

125 MINTONS LTD RARE SECESSIONIST CHARGER, CIRCA 1910 decorated in tube line with a band of stylised leaves reserved on a turquoise ground, printed and impressed maker’s marks MINTONS LTD/ NO. 6/ MINTONS 38cm diameter

£1,000-1,500

126 ATTRIBUTED TO LIBERTY & CO., LONDON MAHOGANY OCCASIONAL TABLE, CIRCA 1910 the hexagonal top raised above turned and blocked legs linked by stretchers 60cm diameter, 70cm high

£300-400

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127 ENGLISH SCHOOL ARTS & CRAFTS DOUBLE CORONA BRASS ELECTROLIER, CIRCA 1910 with two graduated rings, decorated with scrolling foliate motifs and supporting scrolling branches 160cm high, 70cm diameter

£1,000-1,500

128 ENGLISH SCHOOL ARTS & CRAFTS OAK REVOLVING BOOKCASE, CIRCA 1910 with sides carved with fruiting vines supporting three shelves with brass supporting column on a base 58cm wide, 104cm high, 35cm deep

£300-500

129 MARY ANAIS CARAMAN FOR THE ROYAL SCHOOL OF NEEDLEWORK EMBROIDERED APPLIQUÉ PANEL, DATED 1929 designed as flowering and fruiting roses, shamrocks and thistles, worked in coloured threads on a green and unbleached linen ground, framed, bears certificate verso for the Royal School of Needlework 49cm square

£400-600

130 ENGLISH SCHOOL, MANNER OF THOMAS ELSLEY ARTS & CRAFTS BRASS FENDER, CIRCA 1900 of rectilinear form decorated with pierced strapwork panels on a beaten ground with riveted angles 118cm wide, 13.5cm high, 28cm deep

£300-500

Decorative Arts: Design since 1860 41

131 WILLIAM DE MORGAN (1839-1917) ’FISH STREAM’ 6 INCH FOUR-TILE PANEL, CIRCA 1880-90 depicting carps swimming in a river, within green and white spacer border, modern frame (4) each tile 15cm square

£1,000-1,500

132 WILLIAM DE MORGAN (1839-1917) FRAMED BLUE AND WHITE TILE, CIRCA 1890 depicting a galleon in full sail, Sands End period, framed 14.9cm square

£200-300

133 WILLIAM DE MORGAN (1839-1917) TWO MERTON ABBEY PERIOD 6 INCH TILES, CIRCA 1885 decorated with a green glaze, impressed marks for Merton Abbey (2) 15.5cm x 15cm approx.

£200-300

134

135

136

FREDERICK HOLLYER (1838-1933) AFTER GEORGE FREDERICK WATTS

PHOEBE STABLER (1879-1955)

ENGLISH SCHOOL

TWO FRAMED MONOCHROMATIC PRINTS, CIRCA 1890 comprising LOVE AND DEATH, 52cm x 24.5cm; and LOVE AND LIFE, 52cm x 24.5cm, each with artist’s copyright stamp (2)

ASHTEAD POTTERS ART DECO ‘MADONNA & CHILD’ CIRCA 1925 impressed PHOEBE STABLER to the base and with printed ASHTEAD POTTERS mark, painted model number M34 and painter’s reference

ARTS & CRAFTS WALL MIRROR, CIRCA 1920 the rectangular frame painted in gilt and colours with scenes from the Trojan wars, enclosing a bevelled plate

£100-200

23cm high

127cm x 85cm

£200-300

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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137 ENGLISH SCHOOL ARTS & CRAFTS COPPER WALL MIRROR, CIRCA 1910 of rectangular form, repoussé-decorated with stylised flowers and leafy entrelacs, enclosing the bevelled mirror plate 74cm x 45.5cm

£400-600

138 ENGLISH SCHOOL TWO ARTS & CRAFTS COPPER LETTER PLATES, CIRCA 1900 each of shaped outline with repoussé decoration, the first depicting two opposing peacocks and stylised plants forms, with hinged rectangular aperture inscribed LETTERS, 14cm x 27.5cm; the other depicting two opposing galleons in full sail, with rectangular aperture, 12cm x 32cm (2) £200-300

139 JAMES GIBBONS LTD., WOLVERHAMPTON TEN PAIRS OF ARTS & CRAFTS BRONZE DOOR HANDLES, CIRCA 1900 each with moulded lever handle, one with simple square backplate, the other with latch mechanism, includes 10 latch plates and 10 steel spindles, cast maker’s marks GIBBONS/ W-HAMPTON 0.935 (40) larger backplates 8.2cm x 8cm

£300-500

140 L. MARCIA BURDEKIN FRAMED ARTS & CRAFTS EMBROIDERY, CIRCA 1900 worked in coloured silks, depicting a standing female holding a rose, bearing inscription THE BIRD OF TIME HAS BUT A LITTLE WAY TO FLY AND LO! THE BIRD IS ON THE WING, in period oak frame 28cm x 18.5cm Note: Miss L. Marcia Budekin was a prolific embroiderer who taught for forty years at York Art School. Her work can be found on the walls of and she also worked on an embroidery which was presented to King George V and Queen Mary on the silver wedding anniversary in 1918. In 1954, Burdekin won a silver plaque at the International Handicraft exhibition at Olympia.

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 43

141 ATTRIBUTED TO ALEXANDER MORTON AND CO. ARTS & CRAFTS DONEGAL CARPET, CIRCA 1900 the red field with ‘Turkey style’ palmette and vine pattern, within indigo palmette and vine border 453cm x 373cm

£1,500-2,500

142 ATTRIBUTED TO ALEXANDER MORTON CO. ARTS & CRAFTS DONEGAL CARPET, CIRCA 1900 with Ushak design, the cream field with rosette, palmette and vine pattern, within blue palmette and vine border 265cm x 283cm

£400-600

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143 WILLIAM DE MORGAN (1839-1917) LARGE RUBY LUSTRE VASE, CIRCA 1900 decorated with spiral bands of lions and lionesses in an exotic landscape, decorated under the base with a web design with spider and flies 47cm high Literature: Greenwood, Martin ‘The Designs of William de Morgan’, Richard Dennis 2007, p. 227, pl. 179 where a ruby lustre vase of the same shape is illustrated.

£4,000-6,000

144 FRED PASSENGER FOR WILLIAM DE MORGAN LUSTRE EARTHENWARE BOWL, LATE 19TH/ EARLY 20TH CENTURY in blue and green glazes, the interior decorated with repeating images of a bird, enclosing a griffin to the well, with stylised foliage to the exterior, painted initials ‘F.P’ 22cm diameter, 12cm high

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 45

145 [§] RICHARD LOUIS GARBE (1876-1957) AN ELEGY bronze, dark-brown patina, marked to base RICHARD GARBE 1906, on a greygreen marble plinth Overall 66.5cm high; bronze 58.5cm high Provenance: With The Fine Art Society, London Literature: Bowman, Robert, ‘Sir Alfred Gilbert & The New Sculpture: British Sculpture 1850-1930’, The Fine Arts Society, London, p. 31 Note: A prolific sculptor of the late nineteenth and early twentieth century, Richard Garbe initially learned his craft under the apprenticeship of his father, a carver of luxury ivory and tortoiseshell goods. Garbe’s emotive and often dramatic compositions take inspiration from the New Sculpture movement which aimed to convey a renewed sense of dynamism and physical realism, somewhat removed from the more stylised representations of neo-classical sculpture. Recognised for his versatility in working with ivory, bronze, clay and plaster, Garbe gained much praise for his work and was elected into the Royal Academy in 1929 after several nominations from contemporaries such as Frampton, Thornycroft and John Goscombe.

£8,000-12,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

46 Lyon & Turnbull

146 PHILIP SPEAKMAN WEBB (1831-1915) FOR JAMES POWELL & SONS SET OF TEN OLIVE GREEN DRINKING GLASSES, CIRCA 1870 each of swollen trumpet form with rope twist stem on a spreading circular foot (10) 12.7cm high Note: These glasses were probably designed by Philip Webb for sale in the Morris & co. shop.

£400-600

147 CHARLES FRANCIS ANNESLEY VOYSEY (1857-1941) FOR PILKINGTON TILE & POTTERY CO. ’FISH & LEAF’ TILE PANEL, CIRCA 1902 covered in a green glaze, within an oak frame each tile, 15.6cm square

£300-500

148 MANNER OF CHARLES ROBERT ASHBEE ARTS & CRAFTS COVERED COPPER CHALICE, CIRCA 1900 of lobed hexagonal form on a knopped stem and conforming spreading foot, the cover with cabochon tiger’s eye handle raised on four supports 28cm high

£800-1,200

149 JAMES POWELL & SONS GROUP OF GLASSWARE, CIRCA 1900 comprising TWO DECANTERS, each of tapering baluster form, the necks with applied frill decoration, 18.5cm high; THREE GLASS GOBLETS, each with ovoid bowls above broad tapering stems with applied floret roundels, raised on spreading circular feet, tallest 17.5cm high; together with TWO GREEN DRINKING GLASSES, of similar form and decoration, raised on ribbed spreading bases 12cm high (7) £300-500

Decorative Arts: Design since 1860 47

150 CHARLES ROBERT ASHBEE (1863-1942) FOR THE GUILD OF HANDICRAFT SILVER-PLATED MUFFIN DISH & COVER, CIRCA 1900 with planished surface, the tapered cover with openwork finial of five silver wirework tendrils supporting a lapis lazuli bead, the bowl with beaded band 23cm diameter Literature: A similar muffin dish designed by Ashbee was sold, Lyon & Turnbull, 25/10/2017, lot 51

£800-1,200

151 CHARLES ROBERT ASHBEE (1863-1942) FOR SHREVE, CRUMP & LOW CO. ARTS & CRAFTS STERLING SILVER TWINHANDLED BOWL, CIRCA 1910 the circular planished bowl with green glass liner, with applied twin loop handles set to the shoulders with Jade cabochon stones, bears stamped retailer’s marks to base SHREVE, CRUMP & LOW CO/ STERLING

Note: Similar bowls by Ashbee also made by Shreve, Crump & Low can be found in the collections of the Metropolitan Museum of Art, New York; the Art Institute of Chicago and the Dallas Museum of Art.

27cm wide

£1,500-2,000

152 ATTRIBUTED TO CHARLES ROBERT ASHBEE FOR THE GUILD OF HANDICRAFTS WHITE METAL MUFFIN DISH AND COVER, CIRCA 1900 with planished surface, the tapered domed cover with openwork, set with red cabochon, the bowl with beaded band 24cm diameter

£600-800

153

154

GROUP OF CERAMIC AND GLASS WARES, EARLY 20TH CENTURY

[§] NORAH CRESWICK (1883-1976)

including TWO MINTONS SECESSIONIST CANDLESTICKS, each with maker’s marks, 17cm high; a GLASS VASE, 32cm high; a ROYAL DOULTON STONEWARE VASE, 13cm high; and a BELGIAN ART POTTRY JUG, 26cm high (5) £100-200

SET OF SIX ARTS & CRAFTS SILVER COFFEE SPOONS, EDINBURGH 1944 each terminal set with a coloured cabochon stone within rope-twist scroll, bears maker’s marks NC, hallmarked Edinburgh 1944 (6) 9.4cm long

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

48 Lyon & Turnbull

155 AFTER SIR EDWARD COLEY BURNE-JONES TWO MONOCHROMATIC PRINTS comprising HOPE, printed by The Art Programme Co. Ltd., 146 Strand, published by Curtis & Cameron, Boston, 57.5cm x 19cm; and KING COPHETUA & THE BEGGAR MAID., published by S. Hildesheimer & Co. Ltd., London & Manchester, No. 1233, 57.5cm x 27cm, both framed (2) £300-500

156 ENGLISH SCHOOL

157 W.A.S. BENSON (1854-1924) SET OF THREE BRASS FIRE IRONS & STAND, CIRCA 1900 comprising POKER; COAL TONGS; ASH SHOVEL and matching STAND (4) stand, 73cm high

ARTS & CRAFTS BRASS AND COPPER EXTENDING STANDARD LAMP, CIRCA 1900 converted to electricity, the leafy reservoir above turned column with four applied brackets and corresponding leaf decoration raised on quadruped base, later pleated silk shade 49cm wide, 144cm high

£400-600

158 FOLK ART STEEL FIRESCREEN, EARLY 20TH CENTURY the three-fold screen with hinged side panels pierced and repoussé-decorated with birds in branches 140cm wide, 89cm high

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 49

159 ENGLISH SCHOOL LARGE ARTS & CRAFTS COPPER-FRAMED MIRROR, CIRCA 1900 of rectangular form, the hammered ground embossed with scallop shells and swimming carps at the corners, bearing inscription THE SEA HATH ITS PEARLS 88.5cm x 77.5cm

£700-900

160 W.A.S. BENSON (1854-1924) ARTS & CRAFTS BRASS AND COPPER TABLE LAMP, CIRCA 1900 the central column with three scrolled brackets on tripod support with pad feet, later pleated silk shade 47cm high Literature: Hamerton, Ian (ed.) ‘W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design’, China, 2005, Appendix 1B, p. 259, pl. 20 where the design for this lamp is illustrated

£400-600

161 SCOTTISH SCHOOL ARTS & CRAFTS SILK AND WOOD EMBROIDERED PANEL, DATED 1897 depicting the Arms of the City of Edinburgh, finely executed in coloured threads, with motto and legend, bears artists initials HD and dated 1897, bears exhibition labels verso dated November 14th 1897, within glazed mahogany frame 65cm x 50cm

£300-500

162

163

164

ENGLISH SCHOOL

ARTS & CRAFTS COPPER WIND CHIMES, CIRCA 1900 with hanging chain, the frilled canopy suspending chimes with striker, stamped maker’s marks HALLS/ PATENT

ARTS & CRAFTS EXTENDING BRASS STANDARD LAMP, CIRCA 1910 the knopped column on scrolled base

65cm high

GOTHIC REVIVAL BRASS TABLE LAMP, CIRCA 1890 the base with pierced decoration, enclosing an associated opaque green glass reservoir, converted to electricity, and fitted with a modern printed linen shade

£200-300

49cm high

48cm wide, 125cm high

£200-300

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

50 Lyon & Turnbull

165 ATTRIBUTED TO AMY SANDHEIM (FL. 1915-1939) ARTS & CRAFTS SILVER AND ROSE QUARTZ PENDANT, CIRCA 1920 the shaped ovoid quartz with applied silver casting decorated with stylised fruiting foliage, with fine link chain, stamped SILVER 5cm long

£200-300

166 MURRLE BENNETT & CO. ARTS & CRAFTS SILVER PENDANT, CIRCA 1900 the pierced and articulated pendant with planished finish set with a facetted amethyst stone and pearl drop, with link chain, stamped maker’s marks MBCo./ 950 4.5cm long

£400-600

167 [§] SIBYL DUNLOP (1889-1968) ARTS & CRAFTS SILVER AND GEM SET BROOCH, LONDON 1965 of oval outline, the scrolling openwork set with cut coloured stones and central cabochon, stamped maker’s marks SD/ S. DUNLOP, hallmarked London 1965 3.5cm wide

£500-800

168 ENGLISH SCHOOL TWO CELTIC REVIVAL PENNANULAR BROOCHES, EARLY 20TH CENTURY one of Celtic inspiration, attributed to Gwendoline Whicker, with applied wirework set with garnets, 4.8cm wide; the other attributed to Maud Eastman, set with cut and cabochon stones, 7cm wide (including pin) (2) £200-300

169 ATTRIBUTED TO RHODA WAGER GOLD AND OPAL SET BROOCH, EARLY 20TH CENTURY the oval opal cabochon enclosed within openwork frame set with embossed leaves, stamped mark to clasp 9CT 5.8cm wide

£200-300

Decorative Arts: Design since 1860 51

170 ATTRIBUTED TO RHODA WAGER ARTS & CRAFTS WHITE METAL AND OPAL SET BROOCH, CIRCA 1920 of oval form, with openwork band of embossed leaves centred by an opal, the whole set within fitted Tadema Gallery leather box with stand 5cm wide

£400-600

171 ATTRIBUTED TO THE ARTIFICER’S GUILD THREE ARTS & CRAFTS RINGS, EARLY 20TH CENTURY each with leafy openwork decoration, one set with a turquoise cabochon, ring size J; one set with a Jade cabochon, ring size N; and the other with a facetted amethyst stone, ring size N (3) £300-500

172 ATTRIBUTED TO DORRIE NOSSITER PAIR OF ARTS & CRAFTS GARNET-SET CLIPS, EARLY 20TH CENTURY each of quadrant form, with scrolled openwork, set with facetted garnets and pearls (2) each 4.2cm wide

£250-350

173

174

175

JAMES FENTON

A. E. JONES (1878-1954)

CHILD & CHILD, LONDON

ART NOUVEAU SILVER CONDIMENT SET, BIRMINGHAM, 1907 comprising a vase-shaped pepper pot; a mustard pot with heart-shaped finials; a matching pair of salt cellars with sinuous scrolling wirework handles; and three spoons, in fitted case retailed by Leo Simmons, Johannesburg, maker’s marks JF, hallmarked Birmingham, 1907

SILVER-PLATED CASKET, CIRCA 1910 with hammered finish and elaborate brass hinges, the interior lined in wood with divider, the whole raised on brass bun feet

ENAMELLED MAYFLY BROOCH, CIRCA 1900 decorated with blue and green enamels, stamped sunflower maker’s marks CC

17cm wide, 6cm high, 10cm deep

4cm wide

£150-250

£300-400

10cm. height of pepper pot

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

52 Lyon & Turnbull

176 GORDON FORSYTH (1879-1952) FOR PILKINGTON’S TILE & POTTERY CO. LARGE LANCASTRIAN LUSTRE VASE & COVER, CIRCA 1907 decorated with a landscape frieze of animals, birds and cypress trees, impressed maker’s mark and artist’s cypher to base, applied exhibition label under cover 44cm high Provenance: Richard Dennis ‘Pilkington’s Royal Lancastrian Pottery Exhibition’, 1980, no. 319 Literature: Cross, Anthony ‘Pilkington’s Royal Lancastrian Pottery and Tiles’, Richard Dennis, 1980, page 35, plate XX11 where this example is illustrated.

£2,000-3,000

177 W.A.S. BENSON (1854-1924) ARTS & CRAFTS BRASS AND COPPER TABLE LAMP, CIRCA 1900 the central column with three scrolled brackets and dished spacer on curved quadruped support with pad feet, stamped maker’s marks under foot BENSON 52cm high Literature: Hamerton, Ian (ed.) ‘W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design’, China, 2005, Appendix 1B, p. 259, pl. 18 where a similar version of this lamp is illustrated

£800-1,200

178

179

PILKINGTON`S TILE & POTTERY CO.

ENGLISH SCHOOL

TWO LANCASTRIAN LUSTRE TILES, CIRCA 1910 each moulded in low relief with a band of meandering foliage, in copper lustre on a blue ground centred with a shield, one with fleurde-lis the other with initials HS, one with impressed P to reverse (2)

ARTS & CRAFTS CARVED OAK MANTEL CLOCK, CIRCA 1900 the circular dial with twin train movement striking a bell, within a rectangular section case, carved with budding flowers and foliage, the movement stamped RC/ 1416

15.5cm. square

55cm wide, 24cm high

£150-250

£200-300

Decorative Arts: Design since 1860 53

180 GORDON FORSYTH (1879-1952) FOR PILKINGTON’S TILE & POTTERY CO. MONUMENTAL LANCASTRIAN LUSTRE PUNCH BOWL, DATED 1907 decorated to the interior with a bacchanalian procession within and band of fruiting vines and bearing inscription to rim GOD OF YOUTH LET THIS DAY HERE ENTER WITHOUT CARE OR FEAR, impressed maker’s marks and date, painted artist’s cypher, bears applied exhibition label 50.5cm diameter

£1,500-2,000 Provenance: Richard Dennis ‘Pilkington’s Royal Lancastrian Pottery Exhibition’, 1980, no. 324 Literature: Cross, Anthony ‘Pilkington’s Royal Lancastrian Pottery and Tiles’, Richard Dennis, 1980, page 51, plate 60 where this example is illustrated.

181 W.A.S. BENSON (1854-1924) AND GEORGE HEYWOOD MAUNOIR SUMNER (1853–1940) BRASS AND COPPER TABLE LAMP, CIRCA 1890 converted to electricity from an oil lamp, with hemispherical reservoir pierces and repoussé-decorated with flower sprigs above turned and knopped column on a corresponding repousse-decorated domed base, later pleated red silk shade 38cm high (to fitting), 64cm high (with shade) Literature: Hamerton, Ian (ed.) ‘W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design’, China, 2005, Appendix 1A, p. 248, pl. 3 where a similar design for this lamp is illustrated (no. 72)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

54 Lyon & Turnbull

182 W.A.S. BENSON (1854-1924) ARTS & CRAFTS BRASS AND FROSTED GLASS HANGING LIGHT, CIRCA 1900 with shaped conical shade supported by cast openwork ring support, later hanging chains 30.5cm diameter, 20.5cm high

£400-600

183 W.A.S. BENSON (1854-1924) ARTS & CRAFTS BRASS AND COPPER CHANDELIER, CIRCA 1910 with cylindrical corona supporting six scrolling brackets suspending openwork fittings for lights with later Vaseline glass shades, with flowerhead ceiling rose fitting 72cm diameter, 79cm high

£2,000-3,000

184 ENGLISH SCHOOL CELTIC REVIVAL OAK STANDING DESK AND DRAWERS, CIRCA 1900 the sloping hinged fall enclosing a void, above seven drawers with carved panels and applied copper alloy handles 50cm wide, 144cm high, 32cm deep

£300-400

185 ENGLISH SCHOOL, MANNER OF MORRIS & CO. TWO ARTS & CRAFTS STAINED, PAINTED AND LEADED GLASS LUNETTES, CIRCA 1890 decorated with thistles and poppies within painted metal frames (2) 31cm x 57cm

£400-600

186

186A

ATTRIBUTED TO W.A.S. BENSON

ENGLISH SCHOOL

ARTS & CRAFTS BRASS TABLE LAMP, CIRCA 1890 with adjustable frilled and moulded Vaseline glass shade (associated), on curved support raised on a heart shaped foot, stamped BENSON wired for electricity

ARTS & CRAFTS WROUGHT IRON AND COPPER EXTENDING STANDARD LAMP, CIRCA 1910 with openwork reservoir holder on column with applied spiral band and with copper knop, raised on scrolled base

30cm high (excluding fittings)

41cm wide, 156cm high

£300-500

£300-400

Decorative Arts: Design since 1860 55

187 ATTRIBUTED TO THE BOMBAY ART FURNITURE COMPANY ANGLO-INDIAN CANED ARMCHAIR, CIRCA 1880 the sloping back with caned panel and spindle galleries above a caned seat and open arms raised on square section legs with castors 58cm wide, 81.5cm high, 82cm deep

£300-500

188 BOMBAY SCHOOL OF ART WONDERLAND ART POTTERY WALL CHARGER, CIRCA 1880 painted with a central panel of a monkey riding a lion and eating a fish, enclosed by a frieze of processional figures, painted maker’s marks verso

Note: This charger was made at the Bombay School of Art, whose ceramic productions were traded under the name of Wonderland Art Pottery under the direction of George Wilkins Terry, who had been appointed as its first drawing master in 1857. The pottery flourished from the mid-1870s until about 1890, but limped on after Terry’s retirement at that time into the early years of the 20th century. Early wares were influenced by those manufactured in Sind as Terry set up his workshop with a Sindhi craftsman called Nur Muhammad. Soon, however, much of the decoration came to be influenced by the cave paintings at Ajanta, and were copied by the Schools students over a period lasting from 1872-1885. The ceramic students also adapted Ajanta motifs, as here, in an attempt by the School to encourage traditions of Indian art rather than European ones. Liberty imported some of the Wonderland wares to sell in its Regent Street shop in London

46.5cm diameter

£300-500

189 ARTHUR W. SIMPSON (1857-1922), KENDAL ARTS & CRAFTS OAK HALL SETTLE, CIRCA 1920 the panelled back carved to the top rail with inscription GOD’S PROVIDENCE IS MINE INHERITANCE, above open arms and solid seat on turned and blocked legs linked by stretchers 127cm wide, 101cm high, 35cm deep

£1,500-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

56 Lyon & Turnbull

190 W.A.S. BENSON (1854-1924) SILVER PLATED TEAPOT, CIRCA 1890 the circular body with upright short tapering octagonal spout, detachable cover with ebonised baluster finial and wicker-bound scroll handle, stamped maker’s mark BENSON, rd. Design No. 398954 13.5 cm. high

£200-300

191 W.A.S. BENSON (1854-1924) ARTS & CRAFTS BRASS AND COPPER EXTENDING TABLE LAMP, CIRCA 1900 the central adjustable column with three scrolled brackets on leaf-cast quadruped support with pad feet, stamped maker’s marks under foot BENSON 78cm high extended Literature: Hamerton, Ian (ed.) ‘W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design’, China, 2005, Appendix 1B, p. 259, pl. 16 where the design for this lamp is illustrated

£800-1,200

192 MANNER OF MORRIS & COMPANY PAIR OF ARTS & CRAFTS STAINED, LEADED AND PAINTED GLASS PANELS, CIRCA 1890 depicting ‘Autumn’ and ‘Summer’ (2) each panel 33cm x 19.5cm

£250-350

193 W. B. SIMPSON & SONS SET OF FIVE HANDPAINTED 6 INCH TILES, CIRCA 1885 each depicting a musician in medieval dress, all within silk mount and gilt frame (5) each tile 15cm square

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 57

194 GEORGE TINWORTH (1843-1913) FOR DOULTON & CO. ’THE ARRIVAL OF THE WISE MEN’ TERRACOTTA RELIEF PLAQUE framed, incised inscription THE ARRIVAL OF THE WISE MEN, with artist’s monogram GT 20.4cm x 20.4cm

£300-500

195 PHILIP WILLIAM BURNE-JONES (1861-1926) ON THE DOVER ROAD, 1896 watercolour, signed with initials and dated lower left, framed 29cm x 40cm

£400-600

196 ROYAL DOULTON STONEWARE VASE, CIRCA 1920 with tube-line decoration of flowering foliage, impressed maker’s marks under base, ROYAL DOULTON/ 8315 36cm high

£150-250

197 BIRMINGHAM SCHOOL ARTS & CRAFTS PENWORK MIRROR, CIRCA 1900 the square mirror plate within a shaped panelled frame, depicting medieval figures within chequered borders, bearing inscriptions VOLATE IRREVOCIBLE TEMPUS 52cm x 63.5cm

£300-500

58 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 59

198 SHAPLAND & PETTER, BARNSTAPLE ARTS & CRAFTS OAK WALL CABINET, CIRCA 1900 the projecting moulded cornice above twin doors with inset patinated copper panels and decorative hinges, the lock stamped S, impressed serial number to reverse R921/ 139 45cm wide, 50cm high, 17cm deep Literature: See Bennett, D. ‘Shapland & Petter Ltd of Barnstaple: Arts and Crafts Furniture’ 2005, p. 74, pl. 5.12 where this cabinet is illustrated

£500-800

199 SHAPLAND & PETTER, BARNSTAPLE ARTS & CRAFTS OAK DRAWING ROOM CABINET, CIRCA 1900 with twin pedestals, each with projecting corners above stained and leaded glazed door, enclosing semi-bowed top with ledge back, inlaid with polychrome enamel panel above single drawer and two corresponding inlaid doors, stamped maker’s mark R2161 163.5cm wide, 130.5cm high, 59cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

60 Lyon & Turnbull

200 ATTRIBUTED TO WILLIAM SHIRREFFS PORTRAIT BUST OF DAVID GAULD, CIRCA 1896 bronze, dark brown patina, raised on a green marble pedestal, unsigned 56.5cm high overall; bronze 36cm high Provenance: David Gauld His daughter, Marie Gauld Dunn Note: William Shirreffs was born in Aberdeenshire and moved to Glasgow in 1870 to study sculpture under William Mossman Junior at Glasgow School of Art. He produced many public statues and architectural carvings and portrait busts and exhibited at the RGIFA, the RA and at the 1888 International Exhibition in Kelvingrove Park, Glasgow. In the 1880s he was assistant to James Pittendrigh MacGillivray in the making of his Monument to William Ewart Gladstone in Atholl Crescent, Edinburgh.

£800-1,200

201 HAMO THORNYCROFT (1850-1925) BRONZE SCULPTURE OF JOHN BRIGHT, DATED 1891 signed to the base HAMO THORNYCROFT/ 1891, with inscription JOHN BRIGHT/ PUBLISHED BY ARTHUR LESLIE COLLIE/ 39 OLD BOND STREET LONDON/ SEPT 10TH 1891, with separate red marble base 35cm high, base 13cm high Note: John Bright (1811-1889) was a Quaker and Liberal Statesman and was Member of Parliament for Durham. Together with Richard Cobden he formed the Anti-Corn Law League and was regarded as one of the greatest orators of his generation. He is famous for coining the phrase “The mother of parliaments” in a speech at Birmingham on 18 January 1865. It was a reference to England and his actual words were: “England is the mother of parliaments”

£800-1,200

202 BENJAMIN CRESWICK (1853–1946) BUST OF JOHN RUSKIN, DATED 1877 painted plaster maquette, inscribed to verso B. CRESWICK/ AD 1877, 33cm high; together with a SMALL TERRACOTTA FIGURE, modelled as a seated literary gentleman, indistinctly signed, 19.5cm high; and a BRONZE BUST OF FREDERICK LORD LEIGHTON, after Sir Thomas Brock, on a matched socle base, bust 16cm high (3) £400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 61

203 WILLIAM ARTHUR BREAKSPEARE (1856-1914) ’SNOW’ oil on panel, signed and inscribed with initials lower left WAB/ SNOW, framed 17.5cm x 29cm

£500-800

204 THÉOPHILE-ALEXANDRE STEINLEN (1859-1923) SEATED CAT bronze, dark-brown patina, raised on a wooden base, signed in bronze STEINLEN, with stamped mark CIRE PERDUE/ A. HÉBRARD 11.5cm high (excluding base)

£800-1,200

205 SYMBOLIST SCHOOL TAMING THE SPHINX, CIRCA 1900 bronze, dark-brown patina, raised on a wooden base 24cm high (excluding base)

£300-500

206 MANNER OF W.A.S. BENSON PAIR OF AESTHETIC MOVEMENT BRASS & COPPER CANDLESTICKS, CIRCA 1900 the shaped octagonal drip trays above two columns will open scrollwork and applied leaves, above further wavy drip trays, raised on scrolling feet (2) 29cm high

£200-300

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207 SHAPLAND & PETTER, BARNSTAPLE ARTS & CRAFTS OAK WALL CABINET, CIRCA 1900 the projecting cornice above glazed door overlaid with patinated copper entwined budding foliate motifs, the sides with pierced twin hearts, the lock stamped S&P/ B 52cm wide, 51cm high, 22cm deep Literature: Bennett, Daryl ‘Shapland & Petter of Barnstaple’, Museum of Barnstaple & North Devon, 2005, p. 76, pl. 5.17, illustrated

£400-600

208 BATH CABINETMAKERS ART NOUVEAU INLAID MAHOGANY SECRETAIRE CABINET, CIRCA 1900 the projecting cornice above two astragal glazed doors, two inlaid drawers, and a sloping fall, profusely inlaid with marquetry in copper and specimen woods, opening to reveal a birch-lined interior fitted with drawers, letter rack and leather writing surface, the whole raised on square tapered legs linked by an undertier 164.5cm wide, 198cm high, 51cm deep Literature: Art Journal Magazine, Paris 1900 edition, page 134 illus. Note: This cabinet relates to a suite of furniture from the firm which won the gold medal at the Paris Exhibition in 1900

£2,000-3,000

Decorative Arts: Design since 1860 63

209 VIVIAN FORBES (1891–1937) CLASSICAL FIGURE WITH LYRE, 1937 pen and ink and gouache and watercolour, signed with initials and dated 1937 33cm x 23cm

£200-300

210 AFTER FREDERIC, LORD LEIGHTON ’THE SLUGGARD’, CIRCA 1890 bronze, dark brown patina 20.5cm high Note: The bronze editions of this renowned sculpture by Leighton were produced by Arthur Leslie Collie and cast by J. W. Singer & Sons. The unusually small reduction of the figure appears to date from around 1890.

£600-800

211 [§] SIR WILLIAM GOSCOMBE JOHN (1860-1952) ’BOY AT PLAY’, EARLY 20TH CENTURY patinated plaster, signed to the base W. GOSCOMBE JOHN 47cm high

£400-600

Note: At the age of fourteen, John entered the Bute Workshops, working on the decoration of Cardiff Castle. In 1881 he joined the London studio of the sculptor Thomas Nicholls. In 1889 he gained the Royal Academy Gold Medal and a Travelling Studentship. His travels ended in Paris, where he was much influenced by Auguste Rodin (18401917). He set up his first London studio in 1891, and quickly established his reputation. Boy at Play reveals the influence of both Jules Dalou (1838-1902) and of Alfred Gilbert (1853-1934).

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

64 Lyon & Turnbull

212 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. FLORIANWARE ‘GREEN AND GOLD’ TWIN-HANDLED VASE, CIRCA 1903 of trumpet form, decorated with stylised flowerheads and scrolling foliage on a green ground, painted green signature and printed maker’s marks, painted mark M. 2025 (handles restored) 22cm high

£500-800

213 LIBERTY & CO., LONDON ANGLO-MORESQUE MAHOGANY OCCASIONAL TABLE, CIRCA 1900 the square top with bracket supports above arcaded frieze on turned legs linked by a lower tier 45cm diameter, 66cm high

£200-300

214 LIBERTY & CO., LONDON ANGLO-MORESQUE MAHOGANY OCCASIONAL TABLE, CIRCA 1890 the hexagonal top above alternate fretwork panels and pull-down doors on turned legs 57cm diameter, 70cm high

£300-400

215 ENGLISH SCHOOL ARTS & CRAFTS BRASS WALL MIRROR, CIRCA 1920 of arched rectangular outline set with turquoise enamel roundels 59cm x 62cm

£400-600

216 ENGLISH SCHOOL ARTS & CRAFTS MAHOGANY OCCASIONAL TABLE, CIRCA 1910 the hexagonal top above square legs with wavy spindle infill linked by a lower tier, 57cm diameter, 72cm high; and a MAHOGANY STOOL, with angular brackets and later close-nailed upholstery, 64cm across, 56cm high, 41cm deep (2) £200-300

Decorative Arts: Design since 1860 65

217 MINTON, HOLLINS & CO. PAIR OF MOULDED ‘PERSIAN’ TILES, CIRCA 1880 each within contemporary frame (2) 19cm square

£150-250

218 CLÉMENT MASSIER (1844-1917) CLOISONNÉ ENAMEL TERRACOTTA VASE, DATED 1887 of bottle form with squat ovoid body, decorated with repeating stylised foliate friezes in coloured enamels and gilt highlights, signed CLEMENT MASSIER/ GOLFE-JUAN/ 1887 54.5cm high

£500-700

219 BRODERICK W. BROWNE FRAMED DESIGNS FOR STAINED GLASS, CIRCA 1920 painted prints, faintly inscribed to one panel lower right BRODERICK W. BROWNE, framed (2) 72cm x 83cm

£300-500

220 ATTRIBUTED TO LIBERTY & CO., LONDON NEAR PAIR OF MAHOGANY ANGLOMORESQUE OCCASIONAL TABLES, CIRCA 1900 each with octagonal top above arcaded frieze on turned legs linked by a lower tier (2) 44cm wide, 67cm high and 45cm wide, 67cm high

£300-500

221 ATTRIBUTED TO LIBERTY & CO., LONDON NEAR PAIR OF OAK ANGLO-MORESQUE OCCASIONAL TABLES, CIRCA 1900 each with octagonal top above arcaded frieze on turned legs linked by a lower tier (2) 48cm wide, 72cm high and 48cm wide, 71cm high

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

66 Lyon & Turnbull

222 JESSIE M. KING (1875-1949) FOR LIBERTY & CO., LONDON PLATINUM, MOONSTONE AND DIAMOND SET NECKLACE, CIRCA 1900 comprised of five graduated pendant drops with moonstone cabochons enclosed with diamond-set openwork tendrils with original link chain, contained within fitted Liberty & Co. leather box with printed label LIBERTY/ LONDON PARIS/ BY SPECIAL APPOINTMENT 40.5cm long including chain Literature: Arwas, Victor ‘Art Nouveau in Britain from Mackintosh to Liberty: The Birth of a Style’, Andreas Papadakis 2000, p.184, where this necklace is illustrated.

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 67

223 JESSIE M. KING (1875-1949) FOR LIBERTY AND CO., LONDON WHITE METAL AND ENAMEL PENDANT, CIRCA 1900 set with a turquoise cabochon and a pearl drop, enclosed by a circle of enamelled leaves 2.5cm diameter

£300-500

224 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ’CYMRIC’ SILVER AND ENAMEL BUCKLE, HALLMARKED 1905 formed of two sections, each cast with open knotwork above a blue and green enamel panel, stamped maker’s marks L&CO./ CYMRIC, hallmarked Birmingham 1905 8cm wide Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 268

£800-1,200

225 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ’CYMRIC’ SILVER AND ENAMEL BUCKLE, HALLMARKED 1904 formed of two sections, each cast with sinuous budding foliate motifs on a blue and green enamelled ground, maker’s mark L&CO/ CYMRIC/ hallmarked Birmingham 1904 8cm wide

£500-800

226 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1900 each with a bullet shaped nozzle and broad drip tray on three shaped supports and a wide circular base cast with stylised plant forms, with stamped maker’s marks MADE IN ENGLAND/ ‘TUDRIC’/ 0223/ GOLKETS (2) 23cm high Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 221

£400-600

227 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ’TUDRIC’ THREE PIECE PEWTER TEA SERVICE & TRAY, CIRCA 1900 comprising a TEAPOT, 10cm high; a MILK JUG, 7cm high; a SUGAR BOWL, 6.5cm high; and a SERVING TRAY, 48cm wide, each cast with stylised plant forms, stamped maker’s marks MADE IN ENGLAND/ ENGLISH PEWTER/ 0231/ RD 420290 (4) £300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

68 Lyon & Turnbull

228 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF CYMRIC ‘CONISTER’ CANDLESTICKS, BIRMINGHAM CIRCA 1905 each with later removable waved drip trays above candle sockets with applied stylised plant forms the stems tapering to the broad spreading base with planished finish, both bear makers marks L&Co, one with incuse number 21, hallmarked Birmingham 1905 (one with rubbed date mark, post 1900 and probably 1905) (2) 25cm high Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 216

£6,000-8,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 69

229 MURRLE BENNETT & CO. ART NOUVEAU SILVER AND ENAMEL PENDANT, CIRCA 1900 designed as a stylised tree of life, with oval drop pendant below and with fine link chain with corresponding enamel spacers, stamped maker’s marks MBCo/ 950 5.5cm long

£400-600

230 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ART NOUVEAU SILVER AND ENAMEL BROOCH, CIRCA 1900 made by William H. Haseler, the beaten silver decorated with coloured enamels, stamped marks W.H.H./ SILVER 2.8cm high Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 265

£800-1,200

231 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON SILVER AND ENAMEL BROOCH, CIRCA 1900 the beaten silver cast with stylised plant forms with coloured enamels, stamped marks L&CO./ SILVER 3.5cm long Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 260

£300-500

232 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ART NOUVEAU SILVER AND ENAMEL BROOCH, CIRCA 1900 model 1309, made by William H. Haseler, the beaten silver decorated with coloured enamels, stamped marks W.H.H./ SILVER 2.8cm high Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 267

£800-1,200

233 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON SILVER & ENAMEL SPOON, BIRMINGHAM 1909 with oval bowl and openwork asymmetric Celtic knotwork finial highlighted in blue/green enamel, maker’s mark L & Co. hallmarked Birmingham, 1909, in original leather fitted case stamped in gilt LIBERTY & CO. REGENT STREET LONDON 13cm long Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 213, where a similar spoon is illustrated

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

70 Lyon & Turnbull

234 LIBERTY & CO., LONDON ARTS & CRAFTS PATINATED COPPER WALL MIRROR, CIRCA 1900 of oval outline, set with heart-shaped Ruskin ceramic panels, bears maker’s label verso LIBERTY & CO./ LONDON 60cm x 86cm

£800-1,200

235 CHARLES S. GREEN & CO. LTD. MATCHED PAIR OF ART NOUVEAU SILVER FRAMES, CIRCA 1905 each of tapered outline, embossed with a girl gathering pears, a child by her side, refurbished oak backs and strut supports, stamped maker’s marks CSG &CO, hallmarked Birmingham 1905 and 1910 (2) 24.5cm x 20cm

£600-800

236 LIBERTY & CO., LONDON ARTS & CRAFTS OAK CABINET, CIRCA 1920 the projecting cornice above two doors with reliefcarved panels above three drawers on bracket feet 104cm wide, 137cm high, 55cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 71

237 DAVID VEASEY (TRAMP) DESIGN FOR A ROSE BOWL, CIRCA 1900 pen, ink and watercolour, bear inscription DESIGN FOR A ROSE BOWL IN REPOUSSÉ SILVER etc., signed lower right “TRAMP”, framed, 26cm x 50cm; together with a SILVERPLATED ROSE BOWL OF THE SAME DESIGN, ATTRIBUTED TO DAVID VEASEY, with stylised roses and butterflies, above the inscription GATHER ROSES WHILE YE MAY OLD TIME IS FAST A FLYING, and engraved FINE ARTS/ 1906, 24cm diameter; 10.5cm high (2)

238

£800-1,200

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON RARE SILVER SIFTER LADLE, BIRMINGHAM 1908 the circular bowl with concentric pierced design and lightly hammered openwork foliate motif to the terminal, stamped maker’s marks L&Co, hallmarked Birmingham 1908 14.5cm long Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 215, where a spoon with matching finial is illustrated. This rare sifter ladle appears to be the only example recorded to date.

£400-600

239 LIBERTY & CO., LONDON PAIR OF ‘CYMRIC’ SERVING SPOONS, BIRMINGHAM 1902 each with ovoid bowl, tapering fluted stem and spirally fluted nail-shaped finial, each with stamped maker’s marks L&Co, hallmarked Birmingham 1902, within original leather fitted case stamped in gilt LIBERTY & CO. LTD. REGENT STREET LONDON (2) 18.5cm long

£300-500

240 MOORCROFT POTTERY AND SHREVE & CO. ’CLAREMONT’ PATTERN SILVER OVERLAID TEAPOT, CIRCA 1905 of flattened ovoid form, with an overlaid cover finial, handle and spout, the top surface inset with silver prunus flowers, painted marks W. MOORCROFT/ SHREVE & COMPANY/ SAN FRANCISCO, printed RD. NO. 420081, impressed 722 W 15.5cm high

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

72 Lyon & Turnbull

241 ENGLISH SCHOOL ARTS & CRAFTS PATINATED COPPER MANTEL CLOCK, EARLY 20TH CENTURY the moulded dial within a domed projecting cornice above a tapering square section base, with moulded inscription TEMPUS FUGIT 18cm wide, 24cm high

£300-500

242 FREDERICK ALFRED RHEAD (1856–1933) FIGURE OF A YOUNG WOMAN watercolour study, signed in pencil F. A. RHEAD, framed 56.5cm x 38.5cm

£400-600

243 LIBERTY & CO., LONDON ARTS & CRAFTS OAK BOOKCASE CABINET, CIRCA 1900 the projecting cornice above applied motto CHOOSE AN AUTHOR AS YOU CHOOSE A FRIEND, and three doors with copper hinges and glazed and leaded panels, the whole with cupboard doors and open shelves below 137cm wide, 202cm high, 40cm deep

£500-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 73

244 MURRLE BENNETT & CO. ART NOUVEAU SILVER AND ENAMEL PENDANT, CIRCA 1900 designed as a stylised plant forms with whiplash foliage and set with turquoise and orange enamels, with corresponding enamel spacers and drop, with fine link chain, stamped maker’s marks MBCo./ 950 4.5cm long

£400-600

245 LIBERTY & CO., LONDON ’TUDRIC’ PEWTER AND ENAMEL MANTEL CLOCK, CIRCA 1900 the dial set with turquoise enamel within tapered case embossed and chased with a stylised galleon, stamped maker’s mark TUDRIC PEWTER 0558 12cm high

£500-700

246 ATTRIBUTED TO LIBERTY & CO., LONDON ART NOUVEAU INLAID MAHOGANY ÉTAGÈRE, CIRCA 1900 with square tapered supports enclosing three tiers and with curved carrying handle, mother-of-pearl and marquetry inlay, 31cm wide, 81cm high, 31cm deep; and an ART NOUVEAU MAHOGANY AND INLAID OCCASIONAL TABLE, the square inlaid top above panelled apron on square legs linked by a lower tier (2) 52cm wide, 68cm high

£300-500

247 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ’TUDRIC’ PEWTER INKWELL, CIRCA 1900 cast with whiplash tendrils, stamped TUDRIC 0404 22.5cm wide

£150-250

248

249

ENGLISH SCHOOL

KNOX, ARCHIBALD & MORRISON, SOPHIA

ARTS & CRAFTS COPPER COAL BOX & COVER, CIRCA 1900 with beaten finish, decorated to the front with stylised plant form and hearts, the sides with applied iron handles, the interior fitted with liner

MANX FAIRY TALES, PUBLISHED 1929

58cm wide

£150-250

second edition, published Peel: L. Morrison,

£100-150

74 Lyon & Turnbull

250 LIBERTY & CO., LONDON BOXED SET OF SIX SILVER AND ENAMEL TEASPOONS, 1933 with stylised green and blue enamel handles tapering to silver spoons, with maker’s marks L&Co, hallmarked Birmingham 1933, in original silk-lined box with maker’s printed label 9.5cm long

£400-600

251 ATTRIBUTED TO DAVID VEASEY FOR LIBERTY & CO., LONDON ’TUDRIC’ PEWTER AND ENAMEL MANTEL CLOCK, CIRCA 1900 the dial set with green enamel within tapered case cast with tree design, stamped maker’s mark 0371 23cm high

£800-1,200

252 CHARLES ROBINSON (1870-1937) SPRING pencil, watercolour and bodycolour, signed in pencil CHARLES ROBINSON, framed, 30cm x 13cm; and ANONYMOUS - ‘DIANA OF THE CROSSWAYS’ pen, ink and watercolour, framed, 8cm x 5cm (2) £400-600

253 ENGLISH SCHOOL TWO ARTS & CRAFTS OCCASIONAL TABLES, EARLY 20TH CENTURY comprising an OAK TABLE, with hexagonal top above ring-turned legs linked by stretchers and vase stand, 68cm diameter, 72cm high; and a MAHOGANY TABLE, the circular dished top raised on turned legs linked by stretchers and vase stand, 60cm diameter, 68cm high (2) £200-300

Decorative Arts: Design since 1860 75

254 ATTRIBUTED TO MURRLE BENNETT & CO. ART NOUVEAU GOLD AND OPALSET NECKLACE, CIRCA 1910 comprising five graduated links, each worked with openwork whiplash tendrils and set with an oval opal cabochon, unmarked and with later chain, boxed links, 12cm wide

£1,000-1,500

255 NEWLYN SCHOOL ART NOUVEAU ENAMEL PENDANT, CIRCA 1900 the shaped ovoid pendant in green enamels cast within entwined whiplash tendrils, with fine link chain, stamped marks NEWLYN/ ENAMEL 4.7cm long

£600-800

256 HORACE MINNS (MAKER) FOR THE ARTIFICERS’ GUILD (ATTRIBUTED) ARTS & CRAFTS GEM-SET BROOCH, CIRCA 1900 of pentagonal form, decorated with fruiting foliage, centred with a blue labradorite stone, stamped maker’s marks MINNS 3.2cm wide Note: Horace Minns appears in numerous exhibition catalogues up to 1926 executing the work of Edward Spencer and the Artificers’ Guild.

£400-600

257 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ’TUDRIC’ PEWTER FLAGON, CIRCA 1900 of tapering form with domed hinged lid and cane covered handle, the body cast with stylised plant forms and four applied coloured enamel roundels, stamped maker’s marks TUDRIC/ 0304/3/ RD 427011 31cm high Literature: Martin, Stephen ‘Archibald Knox’, ArtMedia 2001, p. 191

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

76 Lyon & Turnbull

258 COTSWOLDS SCHOOL ARTS & CRAFTS OAK OCCASIONAL TABLE, CIRCA 1920 the square top on corresponding square column with quadruped tapered feet 44.5cm squared x 61cm high

£200-300

259 GORDON RUSSELL (1892-1980) ARTS & CRAFTS OAK OCCASIONAL TABLE, EARLY 20TH CENTURY the square top above single drawer on facetted legs linked by stretchers 51cm wide, 88cm high, 44cm deep

£200-300

260 BERNARD OSMOND COTSWOLD SCHOOL WALNUT CABINET ON STAND, CIRCA 1930 with twin panelled doors, opening to reveal a lined interior with arrangement of shelves and a single drawer, the whole raised on a stand with square legs linked by stretchers 55cm wide, 101cm high, 26cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 77

261 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. TWO MINIATURE VASES, CIRCA 1910 one of tapering form decorated with blue Pansies, 7.5cm high; the other of baluster form decorated with blue Violets, 7cm high both with printed factory marks and painted initials WM; and a MOORCROFT POTTERY MINIATURE BOTTLE VASE in the pomegranate pattern, signed in green to base, 9.5cm high (3) £800-1,200

262 MOORCROFT POTTERY ’PANSIES’ BALUSTER VASE, DATED 1914 with everted rim, decorated on an olive and cream ground, impressed factory mark MOORCROFT/ BURSLEM/ 1914, painted signature W. MOORCROFT 21cm high

£300-500

263 MOORCROFT POTTERY GROUP OF THREE VASES, EARLY 20TH CENTURY comprising a ‘PANSIES’ BOTTLE VASE, impressed factory marks and painted signature W. MOORCROFT, 21cm high; a MOORCROFT ‘PANSIES’ SMALL BOWL, of baluster form, impressed factory marks, 7cm high; and a PERSIAN BOTTLE VASE, of squat baluster form, decorated with reserves of flowers on a blue ground, impressed factory marks MOORCROFT/ BURSLEM / ENGLAND, painted signature W. MOORCROFT, 26cm high (3) £400-600

78 Lyon & Turnbull

264 STANLEY WEBB DAVIES (1894–1978) ARTS & CRAFTS INLAID OAK CHAIR, DATED 1930 with latticed back inlaid with chequer banding above interlaced suede drop-in seat on square legs linked by stretchers, carved maker’s marks to seat rail SWD/ 1930/ 43cm wide, 96cm high, 45cm deep

£600-800

Note: Stanley Webb Davies originally served his apprenticeship with Arthur Romney Green in Hampshire in 1920. In 1923 he set up on his own in Windermere, Cumbria where he built Gatesbield, his workshop and house. He continued to design and make furniture there until 1960.

265 ERNEST SMITH (1876-1967) ARTS & CRAFTS MAHOGANY CABINET, CIRCA 1930 the upper section with twin glazed doors enclosing adjustable shelves raised above a stand with two drawers, each fitted with coromandel wood cup handles, above square legs linked by stepped stretchers 61cm wide, 126cm high, 43cm deep Note: Ernest Smith, along with Harry Davoll and Peter Waals, was employed as a cabinetmaker by Ernest Gimson and Ernest Barnsley when they opened their workshop in Cirencester in 1900.

£800-1,200

266 COTSWOLDS SCHOOL GROUP OF SIX ARTS & CRAFTS OAK LADDERBACK CHAIRS, EARLY 20TH CENTURY comprising FOUR SIDE CHAIRS, 47cm wide, 98cm high, 41cm deep; and a PAIR OF MATCHING ARMCHAIRS, each with cord-upholstered seats (6) £500-800

267 ENGLISH SCHOOL ARTS & CRAFTS CARVED FIGURE OF A SQUIRREL, 20TH CENTURY incised rabbit signature to base 20.5cm high

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 79

268 ATTRIBUTED TO JOHN PEARSON ARTS & CRAFTS COPPER WALL MIRROR, CIRCA 1900 of rectangular outline, with repoussé decoration depicting two opposing peacocks and stylised plant forms 38cm x 48.5cm

£800-1,200

269 JOHN PEARSON (FL. 1885-1910) ARTS & CRAFTS EARTHENWARE BOWL, CIRCA 1890 painted with a stylised dragon in metallic paint on a blue, black and gilt ground, the reverse painted with a further dragon within a leafy border, bears artist’s monogram 26cm diameter

£300-500

270 JOHN PEARSON (FL. 1885-1910) ARTS & CRAFTS COPPER WALL CHARGER, CIRCA 1890 depicting a repoussé-decorated mythical bird, incised initials to the reverse JP 35.5cm diameter

£150-250

271 JOHN PEARSON (FL. 1885-1910) ARTS & CRAFTS PORCELAIN SERVING PLATE, CIRCA 1890 of shaped rectangular form, painted with an Arts & Crafts interior living room with fireplace, the reverse painted with a family of crows nesting on a tree, bears artist’s monogram 38cm wide

£400-600

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272 ARTHUR W. SIMPSON OF KENDAL (1857-1922) ARTS & CRAFTS OAK OCCASIONAL TABLE, CIRCA 1895 the rectangular top raised above four writhen twist column supports on curved crossed supports 107cm wide, 73cm high, 74cm deep Literature: Wright, Hugh ‘The Beautiful Furniture of The Simpsons of Kendal’, Bookcase 2011, p.32 where a table of similar design appears in an advertising illustration for 1894.

£800-1,200

273 ENGLISH SCHOOL ARTS & CRAFTS CARVED OAK MIRROR, EARLY 20TH CENTURY the rectangular bevelled mirror plate in a gilt slip and wide frame with corner blocks carved throughout with fruiting vine scrolls and flower heads 68cm high, 91cm wide

£200-300

274

275

HEAL & SONS

ATTRIBUTED TO ARTHUR SIMPSON, KENDAL

OAK COMPACTUM, CIRCA 1925 with central panelled door above five graduated drawers, flanked by two further doors and with two further drawers below, bracket feet

ARTS & CRAFTS OAK FIRESCREEN, CIRCA 1920 the frame carved in relief with fruiting vines, enclosing a fine needlework panel depicting a still life of pheasants

142cm wide, 181cm high, 55cm deep

78cm wide, 89cm high, 23cm deep

£400-600

£300-500

Decorative Arts: Design since 1860 81

276 JOHN PEARSON (FL. 1885-1910) ARTS & CRAFTS POTTERY BOWL, CIRCA 1890 of deep circular form, painted in blue and black with mythical beasts amongst stylised foliage, the reverse painted in green with bands of waves, bears artist’s monogram 26cm diameter

£250-350

277 JOHN PEARSON (1859-1930) ARTS & CRAFTS FOUR-TILE PANEL, CIRCA 1900 each tile decorated with a fantastic beast on a leafy ground, contained within a copper frame each tile 8cm square

£150-250

278 HEAL & SON PAIR OF OAK ‘LETCHWORTH’ LADDERBACK CHAIRS, CIRCA 1930 each with slatted backs on rush seat and square legs linked by stretchers (2) 45cm wide, 110cm high

£200-300

279 HEAL AND SON LTD, LONDON ARTS & CRAFTS OAK CENTRE TABLE, CIRCA 1920 the circular quarter-sawn top, raised on square legs and linked by a cross stretcher 121cm diameter, 72.5cm high

£800-1,200

280

281

282

MANNER OF HEAL & SON

ATTRIBUTED TO JAN EISENLOEFFEL

ART NOUVEAU

ART DECO MAHOGANY DISPLAY CABINET, CIRCA 1930 the arched top with twin astragalglazed doors above two flameveneered doors on square legs

BRASS OIL LAMP, CIRCA 1910 the reservoir supported in a strap-work frame column and base decorated with pierced motifs, wired for electricity

CARVED GILTWOOD MIRROR, CIRCA 1900 of rectangular form, carved with stylised scrolling motifs

51cm high (including fitting)

£200-300

78cm wide, 194cm high, 30cm deep

£100-200

76cm x 65cm

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

82 Lyon & Turnbull

283 MARK MARSHALL (1843-1919) FOR ROYAL DOULTON ART NOUVEAU STONEWARE VASE, EARLY 20TH CENTURY with coloured glazes and wax resist decoration of stylised foliate motifs on a green ground, impressed maker’s marks and incised initials MVM/ EP 50cm high

£500-800

284 FLORRIE JONES FOR ROYAL DOULTON PAIR OF STONEWARE JARDINIÈRES, EARLY 20TH CENTURY decorated with a single foliate band on blue grounds, each with impressed factory marks and serial numbers 8168, incised initials FJ (2) 21.5cm high

£150-250

285 MINTON’S CHINA WORKS PAINTED CERAMIC TILE, CIRCA 1880 impressed marks MINTON’S CHINA WORKS/ STOKEON-TRENT 41cm x 21cm

£150-250

286 HEAL & SON, LONDON OAK CENTRE TABLE, CIRCA 1930 the circular top raised on turned tapering legs with pad feet, linked by cross stretchers 122cm diameter, 76cm high

£600-800

287 HEAL & SON, LONDON

288

OAK REFECTORY TABLE, CIRCA 1920 the rectangular planked top on rectangular section supports, and spreading bases linked by stretcher, bears maker’s label

HEAL & SON, LONDON

168cm long, 75cm high, 75cm wide

£200-300

OAK REFECTORY TABLE, CIRCA 1920 the rectangular planked top on rectangular section supports, and spreading bases linked by stretcher 168cm long, 75cm high, 75cm wide

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 83

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

84 Lyon & Turnbull

289 HEINRICH LEVINGER, PFORZHEIM SILVER AND PLIQUE-À-JOUR ENAMEL BROOCH, CIRCA 1910 the central green hardstone flanked by stylised trees with enamelled leaves, stamped maker’s marks HL/ DEPOSÉ/ 900 4cm wide

£200-300

290Y ERHARD & SÖHNE ROSEWOOD AND GILT BRASS INLAID JEWELLERY CASKET, CIRCA 1900 of rectangular form with domes hinged lid, inlaid with reserves of fruiting vines and leaves, opening to a velvet-lined interior with removable compartment, the whole raised on bracket feet, stamped maker’s marks and serial number 251 16cm wide, 11.5cm high

£200-300

291 JOSEPH MARIA OLBRICH (1867-1908) PAIR OF JUGENDSTIL PATINATED PEWTER CANDLESTICKS, CIRCA 1900 each issuing two nozzles, raised on a stylised stem with scrolls terminating in a spreading base (2) 35.5cm high

£200-300

292 SZANDRIK, ALSÓ-HÁMO ART DECO SILVER PLATED COFFEE SERVICE, CIRCA 1920 comprising a COFFEE POT, 17cm high; a MILK JUG, 11cm high; SIX COFFEE CUPS, with opaque glass liners, 5cm high; and a TWIN-HANDLED TRAY, 60.5cm wide; of panelled form with ebonised handles, stamped maker’s marks (9) £200-300

293 AMSTERDAM SCHOOL WALNUT AND MACASSAR EBONY ARMCHAIR, CIRCA 1925 the upholstered back and seat enclosed by solid panelled arms on rectangular moulded legs with toupie feet, linked by stretchers 58.5cm wide, 94cm high, 56cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 85

294 MANNER OF HAGENAUER PAIR OF CARVED WOOD FIGURES, MID 20TH CENTURY in profile, carved as a man dexter and woman sinister (2) 33.5cm high

£200-300

295 JOSEPH MARIA OLBRICH (1867-1908) FOR EDUARD HUECK, LÜDENSCHEID LARGE PEWTER PITCHER, CIRCA 1901 model no. 1830, tapering form embellished small stylised motifs, single handle and beaded panels, raised artists monogram, and maker’s marks SILBERZINN/ 1830/ E. HUECK 39.5cm high

£300-500

296 KOCH, H.A. MODERNE STICKEREIEN: SERIE II an illustrated book of embroidery designs including Jessie Newbery, Jessie M. King etc. £300-500

297 WALTER BUHE (1882–1958) POSTER: VEREINIGTE WERKSTÄTTEN FÜR KUNST IM HANDWERK, CIRCA 1905 publisher Robert Müller, Potsdam, framed 72cm x 47.5cm Note: The painter, graphic artist and lithographer Walter Buhe studied at the Kunstgewerbemuseum Berlin. He was a professor at the Staatliche Akademie für Graphische Künste und Buchgewerbe in Leipzig from 1920-1945.

£200-300

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298 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) FOR THOMAS WEBB & SONS PAIR OF JUGENDSTIL ELECTROPLATED CANDELABRA, CIRCA 1900 each with a central petal-form sconce above three outscrolling sconces, raised by figural stems cast as ladies, with plaques MADE IN GERMANY/FOR THOS. WEBB & SONS/ MELBOURNE (2) 48.5cm high

£1,500-2,000

299 CONTINENTAL SCHOOL ART NOUVEAU CARVED GILTWOOD OVAL MIRROR, DATED 1910 carved with stylised scrolling foliage 83cm x 58cm

£300-500

300 EDMOND LACHENAL (1855-1948) ART NOUVEAU VASE, CIRCA 1900 the pinched mouth above a tapered ovoid body with trefoil cut-outs to the shoulder, decorated with a matt green two-tone glaze enclosing ombre blue glazed panels with twining trefoil leaf motifs, signed LACHENAL with incised marks 22cm high

£800-1,200

Decorative Arts: Design since 1860 87

301 ATTRIBUTED TO GOLDSCHEIDER MONUMENTAL ART NOUVEAU BRONZED FIGURAL LAMP, CIRCA 1900 the base cast as a pair of lovers holding aloft a Loetz iridescent glass shade 119cm high

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

88 Lyon & Turnbull

302 FRIEDRICH GOLDSCHEIDER (1845-1897) PAIR OF PATINATED TERRACOTTA BUSTS, LATE 19TH CENTURY depicting a North African couple in traditional dress, F. GOLDSCHEIDER/ VERVIELFÄLTIGUNG/ VORBEHALTEN (20 33cm high

£400-600

303 HUGH WALLIS (FL.1895-1935) ’A MOONLIT WALK’ pastel, signed lower left HUGH WALLIS, framed 28cm x 32cm

£200-300

304 RICHARD RIEMERSCHMID (1868-1957) FOR DEUTSCHE WERKSTÄTTEN HELLERAU PAIR OF OAK FRAMED DINING CHAIRS, CIRCA 1902 each with shaped top rails with pierced handles above drop-in seats bearing original fabric by Riemerschmid, and raised on square legs with in-turned feet (2) 44cm wide, 82cm high, 43cm deep

£300-500

305 RICHARD RIEMERSCHMID (1868-1957) FOR DEUTSCHE WERKSTÄTTEN HELLERAU PAIR OF OAK FRAMED DINING CHAIRS, CIRCA 1902 each with shaped and pierced top rails above upholstered panel seats and square tapering legs (2) 43cm wide, 90cm high, 38cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 89

306 FRENCH SCHOOL ART NOUVEAU PLIQUE-À-JOUR ENAMEL BROOCH, CIRCA 1900 in the form of a fairy with spreading wings, stamped marks DEPOSÉ 900 4.5cm wide

£400-600

307 DAUM, NANCY ART NOUVEAU CAMEO GLASS VASE, CIRCA 1900 of square section, the mottled orange body overlaid and acid-etched with a landscape scene, enamelled signature mark DAUM/ NANCY with Cross of Lorraine, bears retailers label under base H. BIANCHI/ TUNIS 9.5cm high

£400-600

308 FRENCH SCHOOL ART NOUVEAU GLASS AND ENAMELLED PERFUME BOTTLE, CIRCA 1910 the facetted green glass body mounted with patinated metal and enamelled mounts worked as flowering plants, embellished with cut stones, with corresponding facetted stopper

309 GALLÉ CAMEO GLASS BOTTLE VASE, CIRCA 1910 the frosted glass body overlaid in sepia glass and acid-etched with a design of chrysanthemums, cameo signature mark to body GALLÉ

14cm high

£200-300

22cm high

£200-300

310 ENGLISH SCHOOL PAIR OF ART NOUVEAU WALNUT SIDE CHAIRS, CIRCA 1890 in a stylised Hepplewhite manner, each with an inlaid high open back, the frame forming a stylised heart with scroll cresting and flowerhead roundel, above upholstered seat and slender legs united by stretchers (2) 44.5cm wide, 120cm high, 40cm deep

£400-600

90 Lyon & Turnbull

311 ENGLISH SCHOOL PAIR OF ART NOUVEAU ‘JACK IN THE PULPIT’ OPALESCENT GLASS VASES, CIRCA 1900 with ruby rims and ribbed tapering bodies (2) 29cm high

£200-300

312 AMERICAN SCHOOL SET OF FOUR ART NOUVEAU PENDANT LIGHTS, CIRCA 1910 each with iridescent lustre glass shades and brass pierced mounts (4) 13cm diameter, 17cm high

£600-800

313 BURMANTOFTS FAIENCE POTTERY, LEEDS GREEN GLAZED JARDINIÈRE AND STAND, CIRCA 1900 model 2276, decorated with a band of leaves and vines in relief, impressed factory marks BURMANTOFTS/ FAIENCE/ 2276/ ENGLAND 102.5cm high overall

£200-300

314 SCOTTISH SCHOOL SET OF EIGHT ART NOUVEAU INLAID MAHOGANY DINING CHAIRS, CIRCA 1910 each with brander backs and marquetry-inlaid top rails above drop-in seats and square tapered legs linked by stretchers, each bears label for GEORGE LAIRD & SON, GLASGOW (8) 45cm wide, 97cm high, 37cm deep

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 91

315 [§] NORMAN WILKINSON (1878-1971) THE SECRET GARDEN, 1908 watercolour, signed and dated lower right NORMAN WILKINSON OF FOUR OAKS/ 1908, framed 45cm x 28cm Provenance: Collection of Walford Graham Robertson

£500-800 Note: Original watercolour illustrations for ‘The Romaunt of the Rose’ by Geoffrey Chaucer which Wilkinson illustrated with Keith Henderson and which was first published in 1908 for the Florence Press by Chatto and Windus, London.

316 [§] NORMAN WILKINSON (1878-1971) THE TARGET watercolour, signed and dated lower right NORMAN WILKINSON OF FOUR OAKS/ 1908, framed 28cm x 26.5cm

£400-600

317

318

319

GABRIEL ARGY-ROUSSEAU (1885-1953)

LALIQUE, FRANCE

’BAGATELLE’ PATTERN CLEAR AND FROSTED GLASS VASE, DESIGNED 1939, MODERN moulded with birds perched in foliage, script etched maker’s marks LALIQUE/ FRANCE

FROSTED GLASS FIGURE OF A CROUCHING CAT, POST 1945 with etched maker’s mark LALIQUE/ FRANCE (indistinct)

17cm high

£300-500

PÂTE DE VERRE GLASS PAPERWEIGHT, CIRCA 1920 of cube form, moulded with moths, moulded maker’s marks G. ARGYROUSSEAU (cracked) 19.5cm high

23cm long

£200-300

£150-250

320

321

322

LOETZ, AUSTRIA

LALIQUE, FRANCE

RENÉ LALIQUE (1860-1945)

’TITANIA’ IRIDESCENT GLASS BOWL, CIRCA 1910 the ruby glass body with iridescent inclusions on three sphere feet, 21cm diameter; a LOETZ STYLE IRIDESCENT GLASS VASE, CIRCA 1900, the lemon glass body applied with swirling iridescence, 12cm high; and a MICHAEL POWOLNY LOETZ GLASS BOWL, CIRCA 1920, the blue glass with three tapered and applied feet, 23.5cm diameter (3)

CLEAR AND FROSTED GLASS VASE, POST 1945 moulded with a band of fruiting foliage, script-etched maker’s mark LALIQUE, 15cm high; and a LALIQUE FROSTED GLASS BOWL, moulded with entrelac decoration, etched maker’s marks, 10cm diameter; and a R. LALIQUE ‘FONTAINEBLEAU’ PATTERN VASE, with original blue staining (damaged), etched maker’s marks, 17cm high (3)

’HOUBIGANT’ OPALESCENT GLASS POWDER BOX AND COVER, CIRCA 1928 moulded marks to cover R. LALIQUE, 13.5cm diameter; and TWO SABINO OPALESCENT PAPER WEIGHTS, one of a squirrel, 7.5cm high, the other of a butterfly, 7.2cm high, both with moulded maker’s marks SABINO (3)

£200-300

92 Lyon & Turnbull

323 SABINO, FRANCE CLEAR AND FROSTED GLASS PLAFONNIER, CIRCA 1925 of shallow cylindrical form, moulded in relief with stylised flowering foliage, with original hanging ropes, moulded marks SABINO/ 4651/ PARIS/ DEPOSE 48cm diameter

£500-800

324 RENÉ LALIQUE (1860-1945) ’LAPIN’ TOPAZ GLASS SEAL, CIRCA 1925 script-etched maker’s mark R. LALIQUE 5.5cm high

£200-300

325 SABINO, PARIS TWO GLASS VASES, CIRCA 1925 comprising an OPALESCENT GLASS VASE, moulded with limpets and seaweed, etched and moulded marks, SABINO/ FRANCE, 19.5cm high; and a FROSTED RUBY GLASS VASE, moulded with flowering foliage, etched maker’s marks SABINO/ FRANCE, 14cm high (2) £200-300

326 ERNEST-BAPTISTE LEVEILLE (1841-1913) ART NOUVEAU GLASS VASE, CIRCA 1900 the interior moulded with foliage, the clear glass body with ruby and white inclusions applied with gilt leafy fronds 18cm high

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 93

327 RENÉ LALIQUE (1860-1945) FOR COTY ’AMBRE ANTIQUE’ FROSTED GLASS PERFUME BOTTLE AND STOPPER, CIRCA 1910 with traced of original sepia staining, moulded maker’s mark to base R. LALIQUE 15.5cm high

£400-600

328 RENÉ LALIQUE (1860-1945) ’BOUTONS D’OR’ CLEAR, FROSTED AND OPALESCENT GLASS VASE, INTRODUCED 1933 of tapered form with moulded band of flowers, stencil etched mark R. LALIQUE/ FRANCE 14.5cm high

£400-600

329 RENÉ LALIQUE (1860-1945) ’CEYLAN’ CLEAR, FROSTED AND OPALESCENT GLASS VASE, INTRODUCED 1924 moulded with a frieze of budgerigars, traces of original blue staining, wheel and script-etched maker’s marks R. LALIQUE/ FRANCE/ NO. 905, ground rim 24cm high

£600-800

330 RENÉ LALIQUE (1860-1945) ’LILAS’ FROSTED GLASS VASE, INTRODUCED 1930 of tapered form moulded with leaves, wheel-etched mark R. LALIQUE/ FRANCE 23.7cm high

£600-800

331 RENÉ LALIQUE (1860-1945) ’LIBELLULES’, OPALESCENT GLASS BOWL AND COVER, INTRODUCED 1921 the cover moulded with three dragonflies, the cover with etched signature R. LALIQUE FRANCE 17cm diameter

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

94 Lyon & Turnbull

332 KOCH, ALEXANDER - GEORG FUCHS - F.H. NEWBERY L’EXPOSITION INTERNATIONALE DES ARTS DÉCORATIFS MODERNES A TURIN 1902 Darmstadt, 1902. 4to, 4 plates, 3 in colour, paper-covered boards gilt, covers rebacked onto cloth, ex-library copy £300-500

333 BUERCK, PAUL & ERNST ZIMMERMANN ORNAMENT 1902 PAUL BUERCK Cologne/Darmstadt: Hauskunstverlag Otto Schulze, [1902]. Folio, loose plates contained in original case, ex-library copy £120-180

334 GEORGES DE FEURE (1868-1943) POSTER: ‘THERMES LIEGOIS - CASINO’, 1898 lithograph, printed marks IMP. BOURGERIE & CIE. FAUBG. ST. DENIS, PARIS, framed 79cm x 59cm

£1,000-1,500

Decorative Arts: Design since 1860 95

335 GEORGES DE FEURE (1868-1943) POSTER: ‘PARIS - ALMANACH’, 1896 lithograph, printed signature lower left DE FEURE, framed 79cm x 59.5cm Note: The Almanach was a guide to Paris published by Ed. Sagot. This is a rare version of the design before the addition of sales and printer's text.

£1,000-1,500

336 PIERRE BONNARD (1867-1947) POSTER: LIRE DANS LE FIGAROLE NOUVEAU ROMAN D’ABEL HERMANT printed signature BONNARD, marked lower right IMP. CHAIX. RUE BERGERE, 20, PARIS, 03, framed 60cm x 41cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

96 Lyon & Turnbull

337 MORRIS, WILLIAM A COLLECTION OF LECTURES An Address Delivered by William Morris at the Distribution of Prizes to Students of the Birmingham Municipal School of Art..., 1898; Art and the Beauty of the Earth, 1899; Some Hints on Pattern Designing, 1899; Architecture and History, 1900; Art and its Producers, and The Arts & Crafts of Today, 1901; all 8vo, London: Longmans & Co., Chiswick Press editions in original blue boards; and 6 other works by various authors, 5 of which are published by the Hammersmith Publishing Society at the Chiswick Press (11) £300-400

338 MORRIS, WILLIAM A DREAM, BEING A ROMANCE Sheffield: The School of Art Press, March 1908. 16mo, number 14 of 20 copies, original green quarter morocco over Japanese vellum gilt £300-500

339 JONES, OWEN, ILLUMINATOR GRAY’S ELEGY [London: Day & Son, 1846] 8vo, original embossed calf being Leake’s patented relievo binding £100-200

340 ASHBEE, C.R. CRAFTSMANSHIP IN COMPETITIVE INDUSTRY [Essex House Press, 1908] 8vo, original quarter cloth, inscribed to free-endpaper: “W. Sales in memory of C.R. Ashbee, 23. May ‘42” £200-300

Decorative Arts: Design since 1860 97

341 SANGORSKI, F. AND SUTCLIFFE, C. SIGNED COPY OF RUBAIYAT OF OMAR KHAYYMAN vellum bound with gilt highlights, the cover depicting a peacock, translated into English by Edward Fitzgerald, number 193 of 550 copies, signed F. SANGORSKI/ C. SUTCLIFFE £800-1,200

342 ROSSETTI, DANTE GABRIEL & CHRISTINA ROSSETTI THE GERM London: Aylott & Jones, January 1850. 8vo, issue number 1 only, one folding plate, modern blue half crushed morocco gilt Note: Known as the Pre-Raphaelite journal, The Germ was established by the Pre-Raphaelite group as a vehicle to circulate their art and ideas.

£300-400

343 THE STUDIO AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART BOUND MAGAZINES London: Offices of The Studio, 1894-1904., volumes 3-30, with plates, some lithographed, with uniform green cloth gilt, with stylised gilt tooled foliate pattern on spines, together with MODERN PEN DRAWINGS: EUROPEAN AND AMERICAN, edited by Charles Holme, Offices of ‘The Studio’, London, Paris, New York, MCMI, No. 238/300, in tooled vellum (29) £400-600

344 THE STUDIO AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART BOUND MAGAZINES, VOLS. I & II London: Offices of The Studio, 1893 and 1894, with plates, some lithographed, green cloth, the tooled covers designed by C.F.A. Voysey, with gilt inscribed spines (2) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

98 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 99

345 FRANK LLOYD WRIGHT INTEREST KEUFFE & ESSER, NEW YORK CAST IRON ARCHITECT’S EASEL, CIRCA 1880 manufactured by Peabody of Providence R.I. circa 1875/85, painted cast iron and pine wood, bears later brass labels inscribed THE EASEL/ OF/ FRANK/ LLOYD/ WRIGHT/ NR. 1898 and TO ERNST WASMUTH BERLIN/ IN REMEMBRANCE OF KIND MEMORY/ AND WARM APPRECIATION OF...../ PAST WORK...................FRANK LLOYD WRIGHT. TALIESIN/ JUNE 1925 and with faint inscription to the board FRANK LLOYD WRIGHT/ AUSGEFÜHRTE BAUTEN UND ENTWÜRFE/ BERLIN/ FUR/ ERNST WASMUTH approx. 103cm high, 66cm wide, 67cm deep Provenance: Dr Ernst Wasmuth, Berlin The Westfair Estate, Malibu

£3,000-5,000

Note: In October 1909 Frank Lloyd Wright left America for Europe, in part to experience European art and architecture, and also to promote the publication of a folio of his work the following year. The folio, entitled ‘Ausgeführte Bauten Und Entwürfe von Frank Lloyd Wright’ contained plans and perspectives of buildings from 1893-1909, and was published by the Berlin publisher Ernst Wasmuth. The folio was the first publication of Wright’s work to appear anywhere in the world, including the United States and its publication had significant influence on the early modernist architects in Europe including Peter Behrens, Le Corbusier and Walter Gropius. The current lot, an American made easel of late 19th century manufacture, is thought to have belonged to Wright at the time of his European visit and was presented to his publisher Ernst Wasmuth as an appreciation. A faint inscription on the pine board, and a brass plaque mark the presentation and a further plaque on the reverse bears an inventory number and the inscription ‘The Easel of Frank Lloyd Wright’. In 1932 Wasmuth is thought to have lent his easel to the Werkbundsiedlung in Vienna. The Werkbundsiedlung was an exhibition involving thirty famed architects from Austria, Europe and America such as Richard Neutra, Adolf Loos, Margarete Schütte-Lihotzky, Otto Niedermoser, Ernst A. Plischke and Gerrit Rietveld, who completed 70 fully furnished houses for the exhibition, before they were made available for sale to potential residents. In the 1940s the easel was passed to Dr Hans Herzfeld for a post-war exhibition at the Kärntnerstrasse in Vienna. Until the mid-1980s it was in the possession of The Westfair Estate in Malibu, a Savings and Loan company who had been buying architectural memorabilia from Europe for display. When the Estate and its holdings were sold, the easel was returned to Europe.

Left: Frank Lloyd Wright and students at Taliesin East in 1937 using similar tables to the present lot. Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

100 Lyon & Turnbull

346 ATTRIBUTED TO ERNEST ARCHIBALD TAYLOR SUITE OF GLASGOW STYLE STAINED GLASS WINDOWS, CIRCA 1900 each forming a landscape scene with red-roofed cottages (lengths 102cm; 70.5cm (2); 56cm (2)) (5) total length 355cm, 41cm high

£600-800

347 GLASGOW SCHOOL ART NOUVEAU OAK ARMCHAIR, CIRCA 1900 the upholstered panelled back with pierced top rail above spindlefilled arms and drop-in upholstered seat, raised on square tapered legs 54cm wide, 108cm high, 42cm deep

£300-500

348 ATTRIBUTED TO E.A. TAYLOR FOR WYLIE & LOCHHEAD, GLASGOW ARTS & CRAFTS OAK SETTEE, CIRCA 1900 the curved back and arms above pierced splats and dropin seat raised on square tapered legs linked by stretchers 152cm wide, 69cm high, 52cm deep

£500-700

Decorative Arts: Design since 1860 101

349 ENGLISH SCHOOL ARTS AND CRAFTS COPPER MANTEL CLOCK, CIRCA 1900 the circular dial with inscription J. B. **ASLEY/ LUDGATE HILL, the domed and projecting cornice above a tapered rectangular case pierced with stylised Glasgow Style roses 24.5cm wide, 16cm high

£600-800

350 JESSIE M. KING (1875-1949) ALBUM COVER: ALBUM VON DRESDEN UND SACHSISCHE SCHWEIZ, 1899 laid on a book board, coloured, signed JESSIE M. KING/ INVT. ET. DEL:, framed £200-300

351 JESSIE M. KING (1875-1949) ALBUM COVER: WERKE-ALTER-MEISTER laid on a book board, coloured, signed and dated JESSY M. KING/ 1902, framed £200-300

352 [§] JESSIE M. KING (1875-1949) BOOKPLATES FOR ‘CHARLES D. EDWARDS’ AND ‘VERA HOLME’ monochromatic prints, the first with inscriptions VERA L. HOLME/ O FREEDOM BEAUTIFUL BEYOND COMPARE THY KINGDOM IS ESTABLISHED, 14.5cm x 10cm; the second with inscriptions CHARLES D. EDWARDS/ THAT MAN’S UNWISE WILLE SEARCHE FOR ILLE AND MAYE PREVENT IT SETTINGE STILLE, on a bound book board, 14cm x 10cm; both signed JESSIE M. KING and framed (2) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

102 Lyon & Turnbull

353 [§] JESSIE M. KING (1875-1949) THE ROSE TREE pen and ink on vellum, signed lower left JESSIE M. KING and inscribed upper left THE ROSE TREE 20cm x 17cm (8in x 6.75in)

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 103

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

104 Lyon & Turnbull

354 SCOTTISH SCHOOL, MANNER OF PETER WYLIE DAVIDSON ARTS & CRAFTS BRASS WALL CLOCK, CIRCA 1900 the rectangular dial repoussé-decorated with a galleon in full sail, with corresponding pendulum bob set and brass weights dial 42cm x 26cm

£300-500

355 AFTER MARGARET GILMOUR GLASGOW SCHOOL BRASS WALL MIRROR, CIRCA 1900 of kidney-shaped outline, the frame repoussé-decorated with opposed peacocks 33.5cm x 62cm

£400-600

356 ALEXANDER RITCHIE (1856-1941) IONA CELTIC REVIVAL BRASS TRAY, EARLY 20TH CENTURY of oval form richly embossed with a band of entwined foliated scrolls, the curved openwork handles with further foliate decoration 58.5cm wide overall Literature: MacArthur, E. Mairi, ‘Iona Celtic Art’, page 37, plate 7d, for illustration of a tray with matching border

£200-300

357 GEORGE WALTON (1867-1933) GLASGOW STYLE OAK EXTENDING CENTRE TABLE, CIRCA 1900 of hexagonal form when closed, and octagonal when opened, the plain top raised on chamfered legs, with one additional leaf closed 110cm long, 75cm high, 130cm deep. open 163.5cm long Literature: Karen Moon, ‘George Walton; Designer and Architect’, pub. Oxford 1993, p. 82, pl. 106 Note: A version of this table can be seen in a contemporary photograph of the Kodak showroom, designed by Walton circa 1900.

£800-1,200

Decorative Arts: Design since 1860 105

358 [§] PETER WYLIE DAVIDSON (1870-1963) CELTIC REVIVAL SILVER COMMEMORATIVE PLAQUE, CIRCA 1945 the repoussé-decorated panel set with clear cabochon stones and mounted on an oak strut frame, inscribed GLASGOW CATHOLIC YOUTH FESTIVAL/ DONATED BY MARGARET MCGINTY, signed and inscribed lower right SOLID SILVER/ P. WYLIE DAVIDSON panel 46.5cm x 32cm, frame 56cm x 41.5cm

£500-800

359 GEORGE HENRY WALTON (1867-1933) PAIR OF ‘ABINGWOOD’ OAK ARMCHAIRS, CIRCA 1900 each with broad open arms and tapered splats with heart-shape piercings, above rush seats on square tapering legs linked by stretchers (2) 69cm wide, 81cm high, 46cm deep Literature: Moon, Karen ‘George Walton: Designer & Architect’, pub. Oxford 1993, pp.47-56, illus. plates 55 and 64.

£2,000-3,000

Note: Chairs of this design were supplied by George Walton to the Billiard Room of Miss Cranston’s Buchanan Street Tearooms in 1896. By this time he was running a successful decorating business, Walton & Co., and had originally designed and supplied chairs of this type to Rowntree’s Cafe in Scarborough in 1895. The chair designs for the cafe were based on the French caquetoire style, popular in Scotland in the 17th century. The flattened curved arms and elongated tapering backs are considered some of the most distinctive of Walton’s designs.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

106 Lyon & Turnbull

361 ATTRIBUTED TO PETER WYLIE DAVIDSON

360 CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON’S TEAROOMS, GLASGOW SILVER-PLATED PRESERVE SPOON, CIRCA 1900 with oval bowl and long handle with trefoil finial, stamped to the reverse MISS CRANSTON’S

ARTS & CRAFTS BRASS WALL CLOCK, CIRCA 1900 the eight-day movement with shaped dial repousse-decorated with inscription TIME/ TIDE and with characteristic band of swallows and a longboat in full sail case 39cm wide, 43cm high, 20cm deep

£400-600

15.4cm long

£200-300

362 CHARLES RENNIE MACKINTOSH (1868-1928) FOR THE GLASGOW SCHOOL OF ART STAINED PINE AND OAK EASEL, CIRCA 1910 of tapering outline, with adjustable picture stand 192cm high, 82cm wide, 64cm deep Literature: Billcliffe, Roger, 'Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs', Moffatt 2009, pp. 258-9, 1910.10 illus.

£1,000-1,500

363 CHRISTOPHER DRESSER (1834-1904) FOR JAMES COUPER & SONS, GLASGOW ’CLUTHA’ GLASS VASE, CIRCA 1900 retailed by Liberty & Co. London, of tapering form with everted rim, the green glass with trailing milky inclusions and bubbles, acid-etched mark with Liberty’s Lotus flower trademark and inscribed: CLUTHA DESIGNED BY C.D. REGISTERED 8cm high Literature: Halén, Widar ‘Christopher Dresser: a pioneer of modern design’ London 1990, p.174, fig. 194 where a similar vase is illustrated

£300-500

364 CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON’S TEAROOMS, GLASGOW RARE SILVER-PLATED DESSERT SPOON, CIRCA 1900 with oval bowl and trefoil finial, stamped to the reverse MISS CRANSTON’S 18.5cm long Literature: Rudoe, Judy, ‘Decorative Arts 1850-1950, A Catalogue of the British Museum Collection’, page 211, plate 66 for illustration of a matching dessert spoon. Howarth, Thomas, ‘Charles Rennie Mackintosh and the Modern Movement’, London, 1952, pl. 51 A matching set of eight spoons was sold, Lyon & Turnbull, 07/09/2012, lot 54

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 107

365 SCOTTISH SCHOOL ARTS & CRAFTS COPPER WALL MIRROR, CIRCA 1910 the rectangular frame repoussé-decorated with stylised plant forms and enclosing a bevelled plate 51cm x 44cm

£200-300

366 GLASGOW SCHOOL OF ART ARCHIVE OF STUDENT DESIGNS, CIRCA 1900 to include watercolour and gouache designs for stained glass panels, textiles and wallpapers, several with labels and several framed (approx. 35 pieces) £400-600

367 ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW GLASGOW STYLE MAHOGANY WARDROBE & DRESSING TABLE, CIRCA 1900 with mother-of-pearl inlays and pierced hearts, the white metal handles with ‘split heart’ motifs, comprising a WARDROBE, 165cm wide, 203cm high, 59cm deep; a DRESSING TABLE, 115cm wide, 152cm high, 50cm deep; and a PAIR OF SIDE CHAIRS, 41cm wide, 96cm high, 33cm deep (4) £800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

108 Lyon & Turnbull

368 GLASGOW SCHOOL ARTS & CRAFTS BRASS JARDINIÈRE, CIRCA 1900 repoussé-decorated to four sides with stylised trees and to two sides with pairs of owls 29cm wide, 24.5cm high

£400-600

369 [§] JESSIE M. KING (1875-1949) SEVEN HAPPY DAYS: A SERIES OF DRAWINGS BY JESSIE M. KING..., 1913 With Quotations from John Davidson & Others, Christmas Supplement to The Studio, MCMXIII (1913), loose plates, comprising 15 illustrations, some in colour £200-300

370 [§] JESSIE M. KING (1875-1949) BOOK COVER DESIGN AND ENDPAPERS comprising a print design for a bookcover with title/inscription FAIRY TALES BY HANS C. ANDERSEN, 36.5cm x 28.5cm overall; and endpapers, coloured print, 24.5cm x 37.5cm; both signed JESSIE M. KING, both mounted (2) £200-300

371 GLASGOW SCHOOL ARTS & CRAFTS MAHOGANY AND BRASS-INSET COFFER, CIRCA 1900 the rectangular hinged top enclosing interior with removable liner, and inset to three sides with brass panels, repoussédecorated with stylised plant forms 65cm wide, 42cm high, 38cm deep

£700-900

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 109

372 [§] JESSIE M. KING (1875-1949) ”WHEN CHILDER PLAYS..” watercolour with pen and ink, circa 1907, framed and glazed 37cm x 105cm

£4,000-6,000

373 JESSIE M. KING (1875-1949) ”MUMMY’S BEDTIME STORY BOOK” BY “MARION” London: Cecil Palmer, [1929]. 4to, original pictorial boards £250-350

374 JESSIE M. KING (1875-1949) L’HABITATION FORCEE BY RUDYARD KIPLING, 1921 Traduction de Louis Fabulet et Robert D’Humieres, pub. Editions Rene Kieffer, Paris, 1921, 28 hand-coloured pochoir illustrations, original cream wrapper, upper cover with hand-coloured pochoir design, 4to. Limited edition, 115/500 copies. £400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

375 JAMES CROMAR WATT (1862-1940) ARTS & CRAFTS WHITE METAL AND ENAMELLED PENDANT, CIRCA 1920 worked as a pair of angel’s wings and centred by an oval blister pearl, with suspending chain having circular enamel spacer pendant 4.8cm long

£800-1,200

376 JAMES CROMAR WATT (1862-1940) ARTS & CRAFTS GOLD, ENAMEL AND LAPIS LAZULI PENDANT, CIRCA 1920 the pendant of hear shape outline, with opposed serpent decoration set with central lapis lazuli stone and with seed pearl and lapis drops, the whole suspended from a single chain with lapis and pearl spacers 9cm long (pendant 4.5cm long)

£2,000-3,000

377

378

379

ATTRIBUTED TO MARGARET GILMOUR

SCOTTISH SCHOOL

WYLIE & LOCHHEAD, GLASGOW

ARTS & CRAFTS BRASS FENDER, CIRCA 1900 repoussé-decorated with Celtic knot motifs on a beaten ground, 140cm wide, 7cm high, 43cm deep; and a GLASGOW SCHOOL BRASS MIRROR, 92cm wide (2)

OAK OPEN BOOKCASE, CIRCA 1920 with three open shelves on bracket feet, bears maker’s label

CELTIC REVIVAL BRASS TRAY, CIRCA 1910 of triangular form, with repoussé-decorated Celtic knotwork decoration 23cm wide

£200-300

97cm wide, 132cm high, 27cm deep

£150-250

£200-300

380

381

382

GLASGOW SCHOOL

TALWIN MORRIS (1865-1911)

ARTS & CRAFTS EMBROIDERED TABLE CLOTH, CIRCA 1910 worked in coloured silks with stylised foliage on an unbleached linen ground, 52cm square; also a TEA COSY COVER, worked in coloured threads to both sides with stylised plant forms, lace trim, 32cm x 27cm (2)

GLASGOW STYLE ART NOUVEAU BOOKCASE CIRCA 1900 the moulded top above three open shelves with four embossed copper panels depicting stylised plant forms, the whole raised on a plinth

SCOTTISH SCHOOL, IN THE MANNER OF JAMES SALMON

45.5cm wide, 73.5cm high, 15.5cm deep

24cm high

£150-250

£300-400

£250-350

PATINATED COPPER JARDINIÈRE, CIRCA 1900 repoussé-decorated with two kneeling monks lighting a candle in a tree, on a hammered ground

Decorative Arts: Design since 1860 111

383 [§] DOUGLAS STRACHAN (DESIGNER 1875-1950) & JAMES CROMAR WATT (MAKER 1862-1940) ARTS & CRAFTS SILVER, ENAMEL AND MOTHER OF PEARL PENDANT, CIRCA 1920 worked as the Virgin and Child, flanked by angels, with pearl-set drop, the bail suspending an opal stone with twin suspending chains set with seed pearl spacers, fitted within original box 8.5cm long Provenance: Douglas Strachan By family descent

£3,000-5,000

Note: James Cromar Watt trained as an architect, later teaching himself metalworking and enamelling, inspired by contemporary artists such as Alexander Fisher and Phoebe Anna Traquair. By 1896 he had resigned his associateship to concentrate exclusively on work in precious metals, developing particular skills in the ancient techniques of gold granulation and translucent foiled enamelling. His work was exhibited at Turin in 1902 and was extensively illustrated in the ‘Art Journal’ from that year. He was also a keen botanist, traveller and collector. Although many of his pieces are influenced by his extensive travels and resulting collections of objects he also collaborated with other artists. One of those was his friend Douglas Strachan, one of Scotland’s foremost stained glass artists, and the designer of the present lot. Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

112 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 113

384 BELGIAN SCHOOL ART DECO WROUGHT STEEL PLAQUE, CIRCA 1930 depicting a scorpion within circular band 68cm diameter

£300-500

385 M. OFFNER ART DECO COPPER FLOOR LIGHT, CIRCA 1925 with silver and brass geometric design, the turned shade on knopped column and spreading base with corresponding decoration, bears signature to base M. OFFNER 29sm wide, 168cm high

£600-800

386 ATELIER DE GLATIGNY, FRANCE ART DECO VASE, CIRCA 1900 mottled grey and blue glazed stoneware vase, with gilt bronze mounts, signed GLATIGNY to the base 31cm high, 34cm wide

£1,000-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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387 [§] RAOUL DUFY (1877-1953) FOR BIANCHINI-FÉRIER ORIGINAL FABRIC DESIGN, DATED 1917 pen and ink, collage, inscribed in pencil 1 NOIR PLOMBINE/ 1 NOIR MAT FOND/ 51586/ RENTIR LE MARDI 26 SEPT 1917/ NO 1878 60cm x 44.5cm Provenance: ‘Two Centuries of Design: The Bianchini-Férier Collection’ Christies, London, 25-27th July 2001 Note: Dufy was a painter who had exhibited with the Fauves and first began to design textiles for Paul Poiret in 1911. From 1912 until 1930 he designed woven and printed textiles for the silk manufacturers BianchiniFérier. He created a range of lively fabrics in bright colours, many of which were bought by leading couturiers such as Lanvin, Patou and Poiret.

£500-700

388 LOUIS LOURIOUX (1874-1930) ART DECO STONEWARE VASE, 1920S decorated with panels of flowers, printed maker’s marks L. LOURIOUX 20cm high

£300-500

389 ITALIAN SCHOOL MODERNIST CEILING OR WALL LIGHT, 1940S with brass mounts and slightly concave frosted glass shade with lattice moulded decoration 71cm long

£300-500

390 J. CLARET ART DECO TERRACOTTA FIGURE GROUP, CIRCA 1926 depicting a mother and child on a plinth base, incised signature to base J. CLARET/ 1926 42cm x 50cm

£200-300

Decorative Arts: Design since 1860 115

391 [§] PIERRE BRISSAUD (1885 – 1964) PARIS IN SPRING watercolour, signed lower left PIERRE BRISSAUD 26cm x 13.5cm

£300-500

392 *THIELMANS ART DECO SEATED FIGURE, CIRCA 1930 patinated plaster, impressed signature verso THIELMANS 116cm high

£800-1,200

393 FRENCH SCHOOL ART DECO SILVERED BRONZE FIGURE GROUP, CIRCA 1930 cast as a naked figure of a girl, raised on a marble plinth and with gilded urn of flowers 50cm long

£500-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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394Y FERDINAND PREISS (1882-1943) PATINATED BRONZE AND IVORY FIGURE, CIRCA 1925 cast as a girl in a headscarf, raised on a marble cube base, etched signature mark to base F. PREISS 14cm high

£400-600

395Y CHARLES ELOY BAILLY (1830-1895) BRONZE AND IVORY FIRGURE, CIRCA 1925 raised on a stepped marble plinth, signed in the bronze C. BAILLY 22cm high

£200-300

396Y DEMÉTRE H. CHIPARUS (1886-1947) ’LITTLE CLOWN’ GILT BRONZE AND IVORY FIGURE, CIRCA 1920 raised on a tapered onyx plinth, signed in the bronze H. CHIPARUS, and with foundry mark ETLING - PARIS

397

23cm high

CONTINENTAL SCHOOL

£800-1,200

ART DECO WROUGHT IRON AND GLASS SERVING TRAY, CIRCA 1930 with elaborate gallery of trailing vines 56cm wide

£200-300

Decorative Arts: Design since 1860 117

398 ENGLISH SCHOOL TWO ART DECO SILVERED WALL MASKS, CIRCA 1920 one depicting the head of a man, bears signature A. FLINN and dated 1920, 24cm long; the other cast as the head of a girl with wavy hair, 27cm long (2) £400-600

399 FRENCH SCHOOL ART DECO TERRACOTTA FIGURE GROUP, CIRCA 1930 modelled as a pair of opposed doves, raised on a later stand 70cm wide, 50cm high (including stand), 23cm deep

£300-500

400 [§] RAOUL DUFY (1877-1953) FOR BIANCHINI-FÉRIER ORIGINAL TEXTILE DESIGN, CIRCA 1917 pen and ink, marked in pencil 52343/ BOCDUU ENLEVAGE/ 52343/ NO. 2143/ CARTON 22 50cm x 64cm Provenance: ‘Two Centuries of Design: The Bianchini-Férier Collection’ Christies, London, 25-27th July 2001

£400-600

401 FRENCH SCHOOL PAIR OF ART DECO STYLE LEATHER ARMCHAIRS AND STOOLS each covered in white leather with coromandel wood veneered bases (4) armchairs 66cm wide, 74cm high, 55cm deep, stools 40cm wide, 34cm high, 39cm deep

£1,500-2,500

402 [§] RAOUL DUFY (1877-1953) FOR BIANCHINI-FÉRIER TWO ORIGINAL TEXTILE DESIGNS gouache and watercolour, each mounted in a single frame (2) 22cm x 16cm each Provenance: ‘Two Centuries of Design: The Bianchini-Férier Collection’ Christies, London, 25-27th July 2001

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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403 FRENCH SCHOOL PAIR OF ART DECO MAHOGANY SIDE CABINETS, CIRCA 1930 each with inset marble top raised above twin doors, each with applied silvered metal appliqués depicting stylised antelopes and raised on shaped bracket feet (2) 90cm wide, 110cm high, 32cm deep

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 119

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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404 GEORGES DE FEURE (1868-1943) FOR MAISON DE L’ART NOUVEAU, PARIS ART NOUVEAU CERAMIC PANELLED VASE, CIRCA 1902 manufactured by Gérard, Dufraisseix et Abbot, moulded in low relief with butterflies, stylised flowers and tendrils, printed monograms GDF/ ANB/ LEUCONOE/ 537 24.5cm high Provenance: Jane, Lady Abdy

£800-1,200

405 THERESIENTHAL SET OF SIX ART NOUVEAU HOCK GLASSES, CIRCA 1905 each painted in gilt and coloured enamels with stylised flower heads (6) 21.5cm high

£400-600

406 ENGLISH SCHOOL ARTS & CRAFTS SILVER-PLATED WALL MIRROR, CIRCA 1920 of shaped rectangular outline, embossed with panels of fruiting foliage, mounted on an ebonised backplate 35cm x 28cm

£200-300

407 EUGENE GRASSET (1841-1917) POSTER: ‘L’EVENTAIL’, CIRCA 1900 framed lithograph, printed signature bottom left corner GRASSET (reversed), printed publishers mark IMPRIMERIES CHAIX & G. DE MALHERBE, EDITEURS- 1900 128cm x 85cm

£400-600

Decorative Arts: Design since 1860 121

408 PATRIZ HUBER (1878-1902) (DESIGNER) AND THEODOR FAHRNER (1859-1919) (MAKER) JUGENDSTIL SILVER BUCKLE, IMPORTED 1906 formed of two sections, cast with stylised plant forms, set with green cabochons, stamped maker’s monograms to the reverse, with import marks for Murrle Bennett & Co, import hallmarks for London 1906 7cm wide

£800-1,200

409 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) SET OF SIX JUGENDSTIL SILVER-PLATED TEA GLASSES, CIRCA 1900 the engraved glass liners with leaves and berries, in pierced holders depicting a repeating profile of a woman amongst curved line borders, variously marked (6) 10cm high

£200-300

410 RIESSNER, STELLMACHER & KESSEL ‘AMPHORA’ EARTHENWARE PITCHER, CIRCA 1900 of ovoid form, moulded and painted with a butterfly reserved on a web design and set with cabochon stones, impressed maker’s mark 17cm high

£300-500

411 LOETZ, AUSTRIA ’TITANIA’ IRIDESCENT GLASS VASE, CIRCA 1910 the ruby glass body with pulled silver iridescent frieze and bubble inclusions 19.5cm high

£600-800

412

413

J. & L. LOBMEYR, VIENNA

CONTINENTAL SCHOOL

ENAMELLED IRIDESCENT GLASS VASE AND FRAME, CIRCA 1880 of tapered bulbous form with twin handles, decorated with a foliate frieze to rim in gilt and white enamel, within a scrolling wrought iron frame

ART NOUVEAU IRIDESCENT GLASS INKWELL, CIRCA 1900 of squat form, the glass body with papillon iridescence, the brass lid decorated with stylised plant forms, stamped registration numbers DEP/ 10885/ DRGM 168180/ DRP/ 145366/ DEP 12753

vase 40cm high; with frame 55cm high

10cm diameter

£150-250

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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414 SIR ROBERT LORIMER (1864-1929) TWO ARTS & CRAFTS OAK SINGLE BEDS, CIRCA 1910 both made by Scott Morton or Whytock & Reid with carved detail by W. & A. Clow, each having arched headboard, supported by facetted and turned uprights, oak side rails and footboards and sprung bases, one headboard carved in relief with the Virgin & Child, 139cm high, 86cm wide, 197cm long, the other carved with an angel holding a coat of arms, 86cm wide, 197cm long, 116cm high (2) Provenance: Sir Robert Lorimer, 54 Melville Street, Edinburgh Gibliston, Fife thence by direct descent until recently at Kellie Castle, Fife (on loan) Note: These beds were designed by Sir Robert Lorimer for his son and daughter Hew and Daphne Lorimer.

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 123

415 JOHN MONCRIEFF LTD., PERTH MONART ‘PAISLEY PATTERN’ GLASS VASE, CIRCA 1930 of ovoid form overlaid with swirls in silver, red and blue on a green body 25.5cm high

£800-1,200

416 JOHN MONCRIEFF LTD., PERTH MONART ‘PAISLEY PATTERN’ GLASS BOWL, CIRCA 1930 overlaid with swirls in green and white on a blue ground 30.5cm diameter

£500-800

417 SIR ROBERT LORIMER (1864-1929) ARTS & CRAFTS FUMED OAK CENTRE TABLE, CIRCA 1920 the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports 86cm diameter, 78cm high

£4,000-6,000

418 SCOTTISH SCHOOL SET OF WROUGHT IRON FIRE IRONS, LATE 20TH CENTURY comprising POKER; COAL TONGS and ASH SHOVEL, all supported on a stand (4) stand 59cm high

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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419 SIR ROBERT LORIMER (1864-1929) AND STUDIO DRAWINGS AND ARCHITECTURAL PLANS FOR THE IMPROVEMENTS AT GIBLISTON, FIFE, CIRCA 1915 including VARIOUS PLANS OF THE HOUSE, dated August 1916; PLANS FOR THE GARDENER’S TOOL HOUSE, May 1918; NORTH; SOUTH; EAST ELEVATIONS; LONGITUDINAL SECTION; CROSS SECTION and ROOF PLAN, dated November 1919; SCULLERY PLATE RACK, March 1921; DOOR & WINDOW DETAILS, February 1920; DINING ROOM LAYOUT, MOULDING DETAILS and several other plans and drawings (qty) Provenance: Sir Robert Lorimer, 54 Melville Street, Edinburgh Gibliston, Fife thence by direct descent until recently at Kellie Castle, Fife (on loan) Note: Built circa 1820, Gibliston House near Colinsburgh, Fife was purchased by the Arts & Crafts architect and designer Sir Robert Lorimer in 1916. Lorimer undertook various extensions to north and to west of the house and on the estate from 1916 - 1929.

£1,000-1,500

420 ATTRIBUTED TO SIR ROBERT LORIMER

Provenance:

SET OF THIRTEEN ARTS & CRAFTS OAK DINING CHAIRS, CIRCA 1900 each with tapered backs with pierced vaseshaped splats and drop-in seats raised on square tapered legs linked by stretchers (13)

Sir Robert Lorimer

48cm wide, 94cm high

£2,000-3,000

John Henry Lorimer RSA Astronomical Society of Edinburgh Kellie Castle., Fife (until recently on loan) Note: These thirteen oak chairs were part of the bequest made to the Society by the well-known Scottish painter, John Henry Lorimer (1856-1936). Lorimer was a keen amateur astronomer and served as a Vice President of the Society. Following his death on November 4th 1936, he bequeathed the majority of his estate to the Society including these chairs. The Society had them displayed at their premises on Calton Hill until 2008 after which they were displayed at Kellie Castle, Fife, the family home of Robert and Henry Lorimer

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 125

421 SIR ROBERT LORIMER (1864-1929) AND STUDIO DRAWINGS OF FURNITURE AND ARCHITECTURAL DETAILS, 1892 including OLD DOOR AT FALKLAND, dated 11/7/92 and verso on the same sheet FALKLAND GABLE CROW STEPS, 22cm x 18cm; INNERGELLIE, dated 10/92, 17cm x 22cm; and a sheet of furniture drawings FROM DICTIONNAIRE RAISONNÉ MOBILIER DU FRANCAIS PAR VIOLLET-LE-DUC, dated 19/11/92, 43cm x 33cm (3) Provenance: Sir Robert Lorimer, 54 Melville Street, Edinburgh Gibliston, Fife thence by direct descent until recently at Kellie Castle, Fife (on loan)

£300-500

422 ENGLISH SCHOOL PAIR OF ART DECO WROUGHT IRON GATES, CIRCA 1933 each of rectangular outline and openwork field of geometric design (2) each gate 237cm x 71cm Note: These gates were made for Regis House, a site developed by the well-known property developer Rudolph Palumbo in 1933. Regis House was a ground-breaking office building occupying the prestigious corner site next to Wren’s “Monument” on the approaches to London Bridge. The exterior, lobbies and stairwells were lavishly decorated with polished iron and bronze details framed with Portoro marble pilasters. In the early 1990’s the building was demolished under the orders of Lord Palumbo, Rudolph Palumbo’s son.

£1,500-2,500

423 GEORGE BAIN (1881-1968) FOR QUAYLE & TRANTER LTD., KIDDERMINSTER CELTIC ‘HUNTING’ CARPET, CIRCA 1948 the machine woven ivory field with central red octagonal Celtic knotwork medallion surrounded by huntsmen with dogs, deer, boar and horses within red and polychrome strapwork border 270cm x 360cm

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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424 ROGER FRY (1866-1934) FOR OMEGA WORKSHOPS PAIR OF PAINTED DINING CHAIRS, CIRCA 1913 painted in pale grey, the arched toprail pierced with nine roundels above caned seat, back and arms on square legs, bear maker's marks (2) 45cm wide, 109cm high, 41cm deep Provenance: Lady Dorothy Wellesley, Penns-in-the-Rocks Literature: The Studio, August 1930, pp. 142/3 Anscombe, Isabelle ‘Omega and After: Bloomsbury and the Decorative Arts’, London, 1981, pp. 134/5, fig. 39

£4,000-6,000

Note: Duncan Grant and Vanessa Bell carried on their decorative work through the twenties, developing and in many ways drawing on their earlier Omega experience. The Omega Workshops, which had been set up to execute the group’s designs had been closed in 1919 but the Omega spirit continued to flourish. The chairs in the current lot were part of a 1929 project by the Omega Interior Design Company for the dining room at Penns-in-the-Rocks, home of Lady Dorothy Wellesley. Grant later recalled it as ‘the best thing we did’ and the commission was well-received and featured in the Studio magazine of 1930. It was there described to be an ‘effect...of iridescence’, with six large painted panels alternating with rectangles of colour amidst tones of pale grey and green.

425 MANNER OF BLOOMSBURY SCHOOL FLATWEAVE ZODIAC RUG, CIRCA 1930 worked in coloured wools with a roundel depicting Castor and Pollux flanked by the symbol for Gemini and enclosed within floral and foliate border 248cm x 122cm

£400-600

Decorative Arts: Design since 1860 127

426 LOUIS WAIN (1860-1939) FOR MAX EMANUEL & CO. CERAMIC PIG SPILL VASE, CIRCA 1914 painted in colours, signed on the body LOUIS WAIN, with printed maker’s marks and moulded registration mark 12cm high

£300-500

427 LOUIS WAIN (1860-1939) FOR MAX EMANUEL & CO. CERAMIC CAT SPILL VASE, CIRCA 1914 painted in colours, signed on the body LOUIS WAIN, with printed maker’s marks and registration mark RD NO 638317, printed mark MADE IN ENGLAND 13cm high

£300-500

428 CLARICE CLIFF (1899-1972) FOR NEWPORT POTTERY EARLY ‘ARCHAIC’ VASE, SHAPE 374, CIRCA 1930 the everted neck tapering to a cylindrical body, decorated in colours with stylised foliate forms (restoration), with printed and painted maker’s marks and incised 375 25cm high

£300-500

429 GERALD SUMMERS (1899-1967) DINNER WAGON, DESIGNED 1935 stained birchwood plywood 66cm wide, 71cm high, 40cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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430 COMPTON POTTERS’ ART GUILD POTTERY FIGURE OF ST. MICHAEL, CIRCA 1920 painted in tempera, impressed seal mark, 22.5cm high; and a COMPTON POTTERY FIGURE OF ST. GEORGE, painted in tempera, 22cm high (2) £300-500

431 COMPTON POTTERS’ ART GUILD FIGURAL POTTERY WALL PLAQUE, CIRCA 1920 moulded as the Virgin Mary, painted in tempera on plaster 33.5cm long

£200-300

432 COMPTON POTTERS’ ART GUILD OVAL POTTERY WALL PLAQUE OF THE NATIVITY painted in tempera, impressed maker’s marks 22cm x 19cm

£300-500

433 COMPTON POTTERS’ ART GUILD POTTERY WALL PLAQUE OF THE MADONNA AND CHILD painted in tempera on plaster, impressed seal mark, 18.5cm x 13cm; and a COMPTON POTTERY WALL PLAQUE OF ST. FRANCIS, painted in tempera on plaster, impressed seal mark, 16.5xm x 11cm (2)

434 COMPTON POTTERS’ ART GUILD STANDING POTTERY FIGURE OF THE VIRGIN AND CHILD, painted tempera on plaster, impressed seal mark and initial H 32cm high

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£200-300

Decorative Arts: Design since 1860 129

435 COMPTON POTTERS’ ART GUILD PAIR OF POTTERY BOOKENDS, CIRCA 1920 each depicting a knight on horseback against a fleurde-lis background, painted in tempera,19cm high (2) £300-500

436 COMPTON POTTERS’ ART GUILD TWO POTTERY WALL PLAQUES OF A LADY WITH ROSES AND THE SPIRIT OF THE LILY painted in tempera on plaster, one with impressed marks COMPTON POTTERY GUILDFORD (2) 18cm x 12cm and 17cm x 11.5cm

£300-500

437 COMPTON POTTERS’ ART GUILD POTTERY FIGURE OF ST. MICHAEL, CIRCA 1920 painted in tempera, impressed maker’s marks 30cm high

£400-600

438 COMPTON POTTERS’ ART GUILD LARGE POTTERY PLAQUE OF A GIRL IN AN APPLE TREE painted in tempera, impressed maker’s marks COMPTON POTTERY GUILDFORD 30.5cm x 18.5cm

£200-300

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CHARLES VYSE (1882-1971) Charles Vyse was an early pioneer of British studio pottery, experimenting with high-fired stoneware vessels based on medieval Chinese prototypes and producing technically highly accomplished wares throughout the 1930’s. He began his career as an apprentice modeller and designer at Doulton in Burslem at the age of fourteen, and was trained by Charles Noke. After a spell at the Royal College of Art he produced designs for Doulton in the in the interwar period, for example the figure ‘Darling’. Vyse is however best-known for the moulded and hand-decorated pieces produced by a studio pottery at Cheyne Walk in Chelsea, which he started in 1919 with his wife Nell. Here they produced figurines based on ordinary people seen around London, many represented in the collection offered here.

Decorative Arts: Design since 1860 131

439 CHARLES VYSE (1882-1971) ’BARNET FAIR’, A CHELSEA POTTERY FIGURE, 1920S incised maker’s marks C. VYSE/ CHELSEA 26cm high

£3,000-5,000

440 CHARLES VYSE (1882-1971) ‘THE CINNERARIA BOY’, A CHELSEA POTTERY FIGURE, DATED 1925 painted maker’s marks under base CV/ CHELSEA/ 1925 27cm high

£1,200-1,800

441 CHARLES VYSE (1882-1971)

442

’THE PICCADILLY ROSE WOMAN’, A CHELSEA POTTERY FIGURE, 1920S incised maker’s marks to base CHARLES VYSE/ CHELSEA

CHARLES VYSE (1882-1971)

22.5cm high

’A BIT OF OLD CHELSEA’, A CHELSEA POTTERY FIGURE, 1920S incised maker’s markvs to base CHARLES VYSE/ CHELSEA

£1,000-1,500

27cm high

£500-700

443 SELOUS ’LA GRANDMÈRE NO. 1’, A POTTERY FIGURE, EARLY 20TH CENTURY painted maker’s marks LA GRANDMÈRE / NO. 1/ SELOUS, 16cm high; and a POTTERY FIGURE GROUP, depicting a mother and child, incised artist’s initials to base C*K*C*, 19cm high (2) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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444 CHARLES VYSE (1882-1971) ’THE TULIP WOMAN’, A CHELSEA POTTERY FIGURE, DATED 1921 painted maker’s marks under base CV/ CHELSEA/ 1921 27cm high

£700-900

445 CHARLES VYSE (1882-1971) ’THE SHAWL’, A CHELSEA POTTERY FIGURE, DATED 1926 painted maker’s marks under base CV/ CHELSEA/ 1926 27cm high

£800-1,200

446 CHARLES VYSE (1882-1971) ’THE BALLOON WOMAN’, A CHELSEA POTTERY FIGURE, DATED 1921 painted maker’s marks under base CV/ CHELSEA/ 1921 23cm high

£800-1,200

447 CHARLES VYSE (1882-1971) ’THE LAVENDER GIRL’, A CHELSEA POTTERY FIGURE, DATED 1922 painted maker’s marks under base CV/ CHELSEA/ 1922 23cm high

£400-600

448 CHARLES VYSE (1882-1971) ’SATURDAY NIGHT’, A CHELSEA POTTERY FIGURE, DATED 1927 painted maker’s marks under base CV/ CHELSEA/ 1927 25cm high

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 133

449 ENGLISH SCHOOL ART DECO WALNUT AND INLAID FLOOR LAMP, CIRCA 1930 the shade with canted angles above square tapered column with striped inlay on spreading base with bun feet 38cm wide, 190cm high

£300-500

450 ENGLISH SCHOOL ART DECO PATINATED SPELTER TABLE LAMP, CIRCA 1925 cast as a girl, holding aloft a frosted glass shade and raised on a geometric marble and onyx plinth 46cm high

£200-300

451 ENGLISH SCHOOL ARTS & CRAFTS COPPER & GLASS FLOORLIGHT, CIRCA 1910 of cylindrical form with pierced and embossed frame, depicting stylised plant forms and enclosing amber glass shades (converted) 51cm wide, 77cm high

£400-600

452 ENGLISH SCHOOL OVERPAINTED AND EMBROIDERED ARMCHAIR, CIRCA 1930 the back and seat upholstered with embroidered panels within a greenpainted frame with open arms 58cm wide, 95cm high, 45cm deep

£150-250

453 HARRY SIMEON (1896-1936) FOR DOULTON, LAMBETH, LONDON LARGE CIRCULAR WALL CHARGER depicting a colourful landscape with cypress trees, impressed mark for PINDER BOURNE & HOPE, painted mark 1003/ H.S. DOULTON/ LAMBETH/ LONDON/ AT/ FJ, restored 48.5cm diameter

£100-200

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454

455

456

457

458

459

460

462

463

Decorative Arts: Design since 1860 135

454 KENNETH STEEL (1906-1973) KYLE OF LOCHALSH, SKYE lithograph in colours, c.1950, condition B+; not backed 102cm x 64cm (40in x 25in)

£200-300

455 NORMAN WILKINSON (1878-1971) KYLES OF BUTE, SCOTLAND lithograph, c.1950, condition B-; not backed, together with ‘Clyde Coast and Loch Lomond’ and ‘Museums of British Transport’ (3) 102cm x 64cm (40in x 25in)

£200-300

456 JACK MERRIOTT (1901-1968) NEIDPATH CASTLE, THE RIVER TWEED lithograph in colours, c.1950, condition B+; not backed 102cm x 64cm (40in x 25in)

£200-300

457 CLAUDE BUCKLE (1905–1973) LINLITHGOW PALACE lithograph, c.1950, condition B+; not backed 102cm x 64cm (41in x 25in)

£200-300

458

461

KENNETH STEEL (1906 – 1970)

ROBERT MOYES ADAM (1885-1967)

CENTRAL HIGHLANDS, SCHIEHALLION, LOCH RANNOCH lithograph, c.1950, condition B+; not backed

SCOTLAND, BEN NEVIS offset lithograph, c.1940, condition A-; not backed

102cm x 64cm (40in x 25in)

£200-300

459

462

KENNETH STEEL (1906-1973)

ANONYMOUS

EILEAN DONAN CASTLE, LOCH DUICH- WESTERN HIGHLANDS lithograph in colours, c.1950, condition B+; not backed

SCOTLAND BY LMS, LOCH MAREE AND BEN SLIOCH offset lithograph, condition B+; backed on linen

102cm x 64cm (40in x 25in)

£200-300

460

463

BERRY

ROBERT MOYES ADAM (1885-1967)

EDINBURGH lithograph, 1951, condition A-; not backed

SCOTLAND, THE HIGHLANDS, LOCH NEVIS offset lithograph, c.1940, condition A-; backed on linen

102cm x 64cm (40in x 25in)

76cm x 51cm (30in x 20in)

£200-300

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

136 Lyon & Turnbull

464 ALASDAIR MACFARLANE (1902–1960) MAID OF THE LOCH ON LOCH LOMOND lithograph, c.1950, condition B+; not backed 102cm x 127cm (40in x 50in)

£400-600

465 MACDONALD (MAX) GILL (1884-1947) A MAP OF SCOTLAND lithograph, 1929, issued by the Empire Marketing Board, condition A-; not backed 40 x 60 in. (102 x 152 cm.)

£2,000-3,000

466 LANCE CATTERMOLE (1898 - 1992) EDINBURGH, PRINCES STREET lithograph, c.1950, condition B+; not backed 102cm x 127cm (40in x 50in)

£400-600

Decorative Arts: Design since 1860 137

467 ROBERT BARTLETT SCOTLAND BY THE NIGHT SCOTSMAN lithograph, 1932, condition A-; backed on linen 102cm x 127cm (40in x 50in)

£12,000-14,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

138 Lyon & Turnbull

Betty Joel set up her furniture making business in 1918 with her husband David Joel and initially has their workshops in factory at Hayling Island where these pieces would have been made. The firm rented a showroom at 177 Sloane Street in London. Such was the popularity of Joel’s designs that by 1929 the factory moved to bigger premises at Portsmouth. Many of England’s social and corporate elite commissioned her to design interiors and furniture for their homes and offices. The original receipt for these pieces, dated October 14th 1926, states that 10% was added to the price for making up the pieces in ‘Andoman Padouk’.

468 BETTY JOEL (1894-1985) FOR TOKEN FURNITURE PAIR OF ANDOMAN PADOUK WOOD TABLE LAMPS, CIRCA 1926 each with tall tapered columns on a moulded square base, one bears handwritten and printed maker’s label TOKEN HANDMADE FURNITURE/ REGD. TRADE MARK/ BETTY JOEL/ J.W. BALDWIN/ 1926 (2) 29cm high

£150-250

469 BETTY JOEL (1894-1985) FOR TOKEN FURNITURE ANDOMAN PADOUK WOOD BEDSIDE CABINET, DATED 1926 the rounded square top with inset glass preserve above two panelled doors enclosing a glass shelf above an open shelf and two further panelled doors, the hole raised on square supports with rounded angles, bears hand-written and printed maker’s label TOKEN HANDMADE FURNITURE/ REGD. TRADE MARK/ BETTY JOEL/ 1926/ HOPKINS 47.5cm wide, 82cm high, 31cm deep Note: Hopkins was Joel's workshop foreman and her most trusted cabinetmaker.

£300-400

470 BETTY JOEL (1894-1985) FOR TOKEN FURNITURE ANDOMAN PADOUK WOOD WARDROBE, DATED 1926 with cedar wood lining, the single panelled door and panelled sides enclosing an interior with hanging space and shoe rack, the whole raised on a plinth, bears handwritten and printed maker’s label TOKEN HANDMADE FURNITURE/ REGD. TRADE MARK/ BETTY JOEL/ J.W. BALDWIN/ W. SCOTT/ 1926 76cm wide, 189.5cm high, 57.5cm deep

471 BETTY JOEL (1894-1985) FOR TOKEN FURNITURE

£300-500

472

ANDOMAN PADOUK WOOD DRESSING TABLE, CIRCA 1926 the top with inset glass preserve below a tall mirror with bevelled plate and light, the base with two short over one long drawer raised on tapered legs

BETTY JOEL (1894-1985) FOR TOKEN FURNITURE

121cm wide, 186cm high, 48cm deep

65cm wide, 42cm high, 65.5cm deep

£300-500

£200-300

473

474

BETTY JOEL (1894-1985) FOR TOKEN FURNITURE

PAIR OF SATIN BIRCH TABLE LAMPS, CIRCA 1926 each with tall tapered columns on a moulded square base (2)

ANDOMAN PADOUK WOOD CHEST OF DRAWERS, CIRCA 1926 the top with inset glass preserve above two short over three graduated drawers raised on a plinth

29cm high

88cm wide, 94cm high, 48cm deep

£150-250

£300-500

ANDOMAN PADOUK WOOD OCCASIONAL LOW TABLE, DATED 1926 the square moulded top with rounded angles raised on corresponding moulded legs

Decorative Arts: Design since 1860 139

475 [§] CHARLES S. HIGGINS (PIC) (1893-1980) ’AU PETIT GALOP’ watercolour and bodycolour on paper, signed, inscribed and dated verso PIC/ DEC. 1934. /”AU PETIT GALOP” and with galley; label THE MODERN ART GALLERY/ 12, BAKER STREET/ LONDON W.I. 12cm x 18cm Note: Charles Higgins or ‘Pic’ was a regular exhibitor at The Modern Gallery in Baker Street. The gallery had been set up by the artist, author and legendary Bohemian Jack Bilbo. Bilbo had been born in Berlin in 1907 but was forced to leave Germany having campaigned against the Nazis and eventually settled in London in 1936. After internment on the Isle of Man in 1939 he returned to London and founded the Modern Art Gallery in 1941 where he showed works by Picasso and Schwitters alongside lesserknown artist such as Higgins.

£400-600

476 DAISY MAKEIG JONES (1881-1945) FOR WEDGWOOD ’FIRBOLGS’ FAIRYLAND LUSTRE VASE, CIRCA 1925 printed and painted maker’s marks to base, no Z5200 10.7cm high

£250-350

477 BETTY JOEL (1894-1985) FOR TOKEN FURNITURE ANDOMAN PADOUK WOOD CHEST OF DRAWERS, DATED 1926 the top with inset glass preserve above two short over three graduated drawers raised on tapering legs, bears hand-written and printed maker’s label to rear of top drawer TOKEN HANDMADE FURNITURE/ REGD. TRADE MARK/ BETTY JOEL/ C.W. KEMP/W. R. HAMILTON/ 1926 75.5cm wide, 97cm high, 45.5cm deep

£500-700

478 BETTY JOEL (1894-1985) FOR TOKEN FURNITURE ANDOMAN PADOUK WOOD SIDEBOARD, DATED 1926 the top with inset glass preserve above three central drawers and a ‘secret drawer, flanked by panelled doors, each enclosing a glass shelf, the whole raised on tapering legs, bears hand-written and printed maker’s label to rear of top drawer TOKEN HANDMADE FURNITURE/ REGD. TRADE MARK/ BETTY JOEL/ W. ALDER/W. HAMILTON/ 1926 136cm wide, 80cm high, 49.5cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

140 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 141

479 SALLY TUFFIN (B. 1938) FOR DENNIS CHINA WORKS TAPERING CYLINDRICAL VASE, after a design by William Morris, depicting a female in a walled garden, bearing inscription, IMAGO THE/ BES/ BABYLIONS REGINAE MAH/ RIS, impressed factory marks and painted marks AFTER WM/ VMW/ NO. 10 24cm high

£200-400

480 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) OAK SIDE CHAIR, CIRCA 1930 the back with close-nailed leather panel above solid panel seat on turned, facetted and blocked legs linked by stretchers, carved mouse signature 44cm wide, 92cm high, 36cm deep

£400-600

481 MOTHMAN

482 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) OAK CORNER CABINET, CIRCA 1950 with single door having inset leaded glass panels, flanked by corresponding glazed panels above a single panelled door, iron fittings, inset carved mouse signature 74cm wide, 189cm high, 49cm deep

£1,200-1,800

483 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) OAK OPEN BOOKCASE, CIRCA 1950 with panel back, fitted with three shelves, carved mouse signature 84cm wide, 122cm high, 27cm deep

£800-1,200

ARTS & CRAFTS OAK OCCASIONAL TABLE, CIRCA 1930 the thick octagonal top raised on cruciform tapered column and crossed base, carved moth signature 54cm diameter, 57cm high

£600-800

142 Lyon & Turnbull

484 SALLY TUFFIN (B. 1938) FOR DENNIS CHINA WORKS TWO ‘TOUCAN’ CERAMIC VASES, DATED 2000 the tall shouldered vase decorated with three toucans perching on a branch, on a gradated teal ground, impressed factory marks and painted marks S.T./ DES/ TB/ NO. 21, 33cm high; the squat ovoid vase of identical decoration, impressed factory marks and painted marks S.T./ DES/ TB/ NO. 46, 16.5cm high; and a SMALL PLATE, decorated with a single toucan, printed factory marks and painted marks S.T. DES/ TP/ NO. 23, 16cm diameter (3) £300-500

485 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) OAK CHEESE BOARD, CIRCA 1930 oval outline, with carved mouse signature 36cm long

£200-300

486 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) LARGE OAK BOWL, CIRCA 1930 of circular form with central carved mouse signature 29.5cm diameter

£200-300

487 ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955) EARLY BURR OAK DISHED TOP STOOL, CIRCA 1930 the rectangular concave seat on facetted baluster turned legs linked by stretchers, carved mouse signature 40cm wide, 37cm high, 27.5cm deep

£700-1,000

488 SALLY TUFFIN (B. 1938) FOR DENNIS CHINA WORKS ’DAFFODIL’ CERAMIC VASE, DATED 1996 of ovoid form, decorated with a frieze if daffodils on a yellow ground, impressed factory marks and painted marks S.T.DES/ ***/ NO. 1 27.5cm high

£150-250

489

490

SALLY TUFFIN (B. 1938) FOR DENNIS CHINA WORKS

’THE EARLY BIRD’ CERAMIC SHOULDER VASE, DATED 2001 decorated with three thrushes on a green leafy ground, with repeating inscription THE EARLY BIRD CATCHES THE WORM, impressed factory and date marks, painted marks S.T. DES/ VMW/ NO.1/3

’SUNFLOWER’ CERAMIC CHARGER, 1990S depicting a sunflower head on a teal ground, impressed factory marks and painted marks S.T. DES/ VMW/ NO.9

32cm high

£150-250

31cm diameter

Decorative Arts: Design since 1860 143

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

144 Lyon & Turnbull

491 [§] EMIL FILLA (1882-1953) CUBIST PORTRAIT, DATED 1913 bronze, cast in high relief, dark brown patina, raised on a Perspex plinth base, signed E. FILLA 1913/ G 1’E 2/ 34cm high overall, bronze 31cm high

£400-600

492 ITALIAN SCHOOL BRASS FRAMED WALL MIRROR, CIRCA 1950 of tapering outline with canted angles 91cm x 59cm

£400-600

493 FRENCH SCHOOL BRASS ADJUSTABLE DESK LAMP, CIRCA 1950 with twin adjustable arms each with conical parchment shades raised on a dished base 35cm high

£300-500

494 MAURIZIO TEMPESTINI (1908-1960)

495

SEAT OF EIGHT WALNUT DINING CHAIRS, 1940S comprising six side chairs and two carver chairs, each with drop-in seats re-upholstered in leather (6)

DAVID MARSHALL-DISENOS

side chair 45cm wide, 93cm high, 43cm deep, carver chair 60cm wide, 92cm high, 50cm deep

TWO ‘SEVILLA’ MIXED METAL CANDLESTICKS each of freeform, bears printed maker’s mark under base (2)

£1,000-2,000

28cm high and 21.5cm high

£150-250

Decorative Arts: Design since 1860 145

496 [§] LIVIO SEGUSO (B. 1930) ’MAIKUS’: FREEFORM GLASS SCULPTURE clear glass raised on a smoked glass cylinder, bears etched marks LIVIO SEGUSO/ MAIKUS 47cm high

£150-250

497 TONY MORRIS FOR POOLE POTTERY STUDIO TWENTY-FOUR TILE PANEL, CIRCA 1970 depicting a shoal of brightly coloured fish reserved on a black ground, later mounted and framed, printed factory marks and painted artist’s marks to reverse 40cm x 60cm not including mount and frame

£600-800

498 CARL AUBÖCK (1900-1957) MODEL 3808 BRASS FRAMED MAGAZINE RACK, 1950S with slung leather panel 26.5cm wide, 51cm high

£200-300

499 ITALIAN SCHOOL PAIR OF BRASS TABLE LAMPS, CIRCA 1970 each of cylindrical form with applied spiked leaf forms, black shades (2) with shades 106cm high, without shades 81cm high

£800-1,200

500 MODERNIST SCHOOL PAIR OF BRASS-FRAMED OCCASIONAL TABLES, MODERN each with glass tops, the square section frame with concave stretchers (2) 55cm wide, 49cm high

£300-400 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

146 Lyon & Turnbull

501 AFTER MARCEL BREUER BIRCH CHAISE LONGUE, CIRCA 1970 with wool-upholstered seat with open arms raised on curved supports 61cm wide, 82cm high, 120cm long

£300-500

502 GERT NYSTRÖM FOR FAGERHULT, SWEDEN ’ARK 69’ PENDANT LIGHT, CIRCA 1969 brass with opaque glass cylindrical shades 61cm diameter, 109cm high

£400-600

503 ALVAR AALTO (1898-1976) FOR FINMAR TWO BIRCH PLYWOOD NESTING STOOLS, CIRCA 1950 each with painted seats, bear maker’s labels (2) 70cm diameter, 56cm high; 38cm diameter, 44cm high

£250-350

504 THONET PAIR OF BENTWOOD ROOM DIVIDERS, MID 20TH CENTURY of rounded rectangular outline enclosing arrangement of open shelves (2) each 90cm wide, 229cm high, 33cm deep at base

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 147

505

506

GEORG JENSEN (1866-1935)

STERLING SILVER NECKLACE, POST 1945 with blue labradorite pendant drop, stamped marks GEORG JENSEN 830/ DENMARK/ 54 6.5cm long

STERLING SILVER BROOCH cast as a bunch of grapes, stamped maker’s marks GEORG JENSEN/ 925 S/ 217/ B

£400-600

7cm long

£100-200

507 GEORG JENSEN (1866-1935) STERLING SILVER TRINKET BOX, POST 1945 the cover embossed as a moulded rose set with cabochon stones, with mirrored interior, stamped maker’s marks GJ925S/ 143/ GEORG JENSEN/ IMPORTE DANEMARK/ DENMARK SILVER 3.9cm diameter

£100-200

508 GEORG JENSEN (1866-1935) STERLING SILVER BRACELET, CIRCA 1930 with alternating links of doves and scrolling foliage set with lapiz lazuli cabochons, stamped maker’s marks GEORG JENSEN/ 830/ DENMARK/ 14, 19.5cm long; and a GEORG JENSEN STERLING SILVER BROOCH, designed as a dove amongst scrolling foliage, stamped maker’s marks 925/ STERLING DENMARK/ 111, 3cm long (2) £300-500

509 GEORG JENSEN (1866-1935) STERLING SILVER NECKLACE, 1930S moulded with alternating links of leaves and berries, set with twelve blue spectrolite cabochon stones, stamped maker’s marks GEORG JENSEN/ GJ/ 925/ STERLING DENMARK/ 1 37.5cm long Literature: Drucker, Janet ‘Georg Jensen: a Tradition of Splendid Silver’, Hong Kong 1997, pp.90 and 171.

511 GEORG JENSEN (1866-1935)

£500-800

STERLING SILVER NECKLACE, POST 1945 decorated with tulip links, GEORG JENSEN/ 925 S/ DENMARK/ 100B

STERLING SILVER BRACELET, CIRCA 1930 set with green chrysoprase cabochon stones, stamped maker’s marks 925/ STERLING DENMARK/ GEORG JENSEN / 53

38cm long

18cm long

£300-500

£200-300

510 GEORG JENSEN (1866-1935)

148 Lyon & Turnbull

514 ARNO MALINOWSKI (18991976) FOR GEORG JENSEN

512

513

ARNO MALINOWSKI (1899 - 1976) FOR GEORG JENSEN

ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN

STERLING SILVER PENDANT, CIRCA 1930 designed with two leaping dolphins, within a square frame, with link chain, stamped maker’s marks GJ/ 925/ STERLING DENMARK/ 94, 4cm wide; and a STERLING SILVER BROOCH, designed as two leaping dolphins within a square frame, with link chain, stamped maker’s marks GEORG JENSEN/ DENMARK/ 251, 4cm wide (2)

STERLING SILVER BROOCH, POST 1945 designed with a cockerel within a square frame, stamped maker’s marks GEORG JENSEN/ STERLING DENMARK/ 276, 3.7cm square; and a STERLING SILVER PENDANT, with the same design, with link chain, stamped maker’s marks GEORG JENSEN/ STERLING DENMARK/ 96, 3.7cm square (2)

£300-500

STERLING SILVER PENDANT, POST 1945 designed as a songbird within a heart, with link chain, stamped maker’s marks GEORG JENSEN/ 925/ STERLING DENMARK/ 97, 4cm long; and a GEORG JENSEN & WENDELSTERLING SILVER BROOCH, CIRCA 1940, opposing butterflies , stamped maker’s marks GEORG JENSEN & WENDEL/ STERLING/ DENMARK 283, 5.5cm diameter (2) £300-400

515 HARALD NIELSEN (1892-1977) FOR GEORG JENSEN 18 CARAT GOLD BROOCH, CIRCA 1964 designed as two leaping dolphins, stamped maker’s marks GEORG JENSEN/ 750 18K/ 1317, with import marks for London, 1965 4cm long

£300-400

516 ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING SILVER BROOCH, CIRCA 1935 designed with a kneeling deer amongst stylised flowers, within an oval frame, with hanging chain, stamped maker’s marks GEORG JENSEN/ 925/ STERLING DENMARK/ 256 4.4cm wide

£150-250

517 ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING SILVER BROOCH, CIRCA 1940 depicting a bird on a fern frond, stamped marks GEORG JENSEN/ STERLING/ DENMARK/ 309; 5cm wide; and another STERLING SILVER BROOCH, CIRCA 1950, depicting a dolphin and bullrushes, stamped marks GEORG JENSEN/ 925S/ DENMARK/ 257; 4cm wide (2) £300-400

518 ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING SILVER BROOCH, POST 1945 designed with opposed birds and barley head, within a square frame, stamped maker’s marks GEORG JENSEN/ STERLING DENMARK/ 250 3.6cm across

£150-250

Decorative Arts: Design since 1860 149

519 VIVIANNA TORUN BÜLOW-HÜBE (1927-2004) FOR GEORG JENSEN STERLING SILVER `DEW DROP` NECKLACE, CIRCA 1970 the concave moulded collar with rock crystal pendant drop, stamped twice with maker’s marks 925 S/ DENMARK/ GEORG JENSEN/ 311C/ TORUN length of pendant 8cm long, diameter 15cm Note: Vivianna Torun Bulow-Hube was one of the pre-eminent Scandinavian jewellery designers of her generation. Torun designed `anti-status jewellery` out of twisted silver with crystals and stones to be worn, rather than `locked up` in bank safes. In 1960 she was awarded a gold medal at the Milan Triennial and also won the American Lunning Prize for design. In 1992 she was awarded the Prince Eugen medal by King Carl XVI of Sweden for outstanding artistic achievement. Many celebrities wore her jewellery in the 1950s and 1960s including Billie Holiday, Ingrid Bergman and Brigitte Bardot and customers included Pablo Picasso and Duke Ellington.

£800-1,200

520Y GEORG JENSEN (1866-1935) STERLING SILVER THREE-PIECE COFFEE SERVICE, CIRCA 1940 comprising; a COFFEE POT with a rosewood handle, 23cm high; a MILK JUG, 11cm high; and a COVERED SUGAR BOWL, 11.5cm high, each with stamped maker’s marks GEORG JENSEN INC./ U.S.A. L.P./ STERLING 130 (3) £1,500-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

521 Spare Lot

150 Lyon & Turnbull

522 NILS THORSSON (1898-1975) FOR ROYAL COPENHAGEN GROUP OF GLAZED BACA FAIENCE VESSELS, CIRCA 1960 including a PAIR OF VASES, 27cm high; TWO COVERED BOXES, 12.5cm and 7.5cm high; a VASE, 17cm high and a FLASK, 13cm high, each with printed and painted maker’s marks (6) £200-300

523 KAI KRISTIANSEN (B. 1929) TEAK ‘TROJA’ ARMCHAIR, CIRCA 1960 with curved arms and back and with vinyl panel seat 60cm wide, 72cm high, 44cm deep

£300-500

524 NIELS O. MØLLER (1920-1982) FOR GUDME MOBELFABRIK TEAK DINING TABLE, CIRCA 1960 the circular top raised on tapering legs, bears maker's stamp under top 122cm diameter, 72cm high

£400-600

525 STOUBY, DENMARK LEATHER-UPHOLSTERED SOFA, MID 20TH CENTURY upholstered in black leather with loose cushions raised of square wood legs, maker’s marks under cushions 140cm wide, 73cm high, 50cm deep

£400-600

526 POUL HUNDEVAD (1917-2011) FOR VAMDRUP, DENMARK TEAK PH 41 ‘GULDHØJ’ STOOL, 1960S with leather slung seat 49cm wide, 39cm high, 37cm deep

£400-600

527

528

529

HADELAND GLASSVERK, NORWAY

EMIL WEIDLICH FOR ELME GLASBRUK

HERMES, PARIS

BLUE GLASS SERVING TRAY, 20TH CENTURY etched maker’s mark HADELAND Y010, 35cm diameter; together with an ITALIAN GLASS ICE BUCKET, of tapering cylindrical form with broad wavy rim, 27.5cm diameter (2) £100-200

ETCHED GLASS VASE, CIRCA 1940 of tapering faceted form, etched with the figure of a mother and child, etched maker’s marks

LEATHER AND BRASS-MOUNTED BOTTLE CARRIER, MID 20TH CENTURY with three compartments for bottles and carrying handle, gilt makers marks HERMES/ PARIS

13cm high

42cm high

£80-120

£200-300

Decorative Arts: Design since 1860 151

530 HANS WEGNER (1914-2007) FOR FDB MØBLER, DENMARK J16 ROCKING CHAIR, DESIGNED 1944 black painted finish 62cm wide, 105cm high, 47cm deep

£200-300

531 JOHANNES FOERSOM (B. 1947) AND PETER HIORT-LORENZEN (B. 1943) FOR ERIK JOGENSEN PAIR OF MODEL EJ-80 SWIVEL CHAIRS, CIRCA 1992 leather upholstery with metal arms and base, bears maker’s label (2) 72cm high, 90cm high, 53cm deep

£600-800

532 PUNT MOBLES, VALENCIA OCCASIONAL TABLE, MODERN walnut and oak, bears maker’s label PUNT MOBLES/ VALENCIA/ SPAIN 130cm long, 45cm high, 60cm deep

£150-250

533 AMERICAN SCHOOL LARGE MID-CENTURY TEAK DINING TABLE, CIRCA 1950 the top of elliptical form raised on turned legs with brass sabots, and linked by stretchers 321cm long, 77cm high, 137cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

152 Lyon & Turnbull

534 [§] MERLYN EVANS (1910-1973) CORN GHOST, 1957 aquatint, signed, dated and inscribed in pencil 13/50/ CORN GHOST/ EVANS, framed 68cm x 49cm

£300-500

535 LINLEY WALNUT LIFE-SIZED HEIGHT CHART, CONTEMPORARY with Sycamore gradations and inlaid blackboard for notations of height 200cm high, 37cm wide

£800-1,200

536 LINLEY SET OF THREE WALNUT ‘KUBIKOS’ CANDLE STICKS, CONTEMPORARY of tall cuboid form with acrylic midsections, the nozzles stamped LINLEY (3) 30cm high

£250-350

HP602-1 LINLEY INLAID SYCAMORE DINING TABLE, CIRCA 1995 the rectagular inlaid top raised on tapering legs 200cm long, 76cm high, 95cm deep

£1,000-1,500

537 ROBERT MATTHEW SLATE AND STEEL WORK TABLE, CIRCA 1965 the rectangular top raised on a steel frame with slatted wood undertier 113cm wide, 83cm high, 54cm deep

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 153

538 ENGLISH SCHOOL STAINED, LEADED AND PAINTED GLASS PANEL, 1950S depicting a lady seated on a red stool 37cm x 18cm

£200-300

539 [§] EDWARD BAWDEN (1903-1989) ’DAY AND NIGHT’ PRINTED FASHION PANEL hand-printed woodcut on textile, signed initials EB, framed 59cm x 110cm Literature: Russell, James 'Edward Bawden' Dulwich Picture Gallery retrospective May-September 2018 pp.7071 where the study for this textile panel is illustrated.

£400-600

Note: Sir Basil Spence was one of the leading British architects of the 20th century, whose monumental or ‘brutalist’ style came to define modern architecture in Britain. Noted commissions include designs for several exhibitions including the Sea and Ships Pavilion for the Festival of Britain (1951), Sussex University (1962), Glasgow Airport (1966), and Coventry Cathedral (1954-1962), for which he received a knighthood. In 1947 Neil Morris of manufacturers Morris of Glasgow asked Spence to collaborate on a range of plywood furniture he was working on, which was to include his Bambi chair and celebrated Cloud table. The result was the Allegro dining suite, which was awarded a diploma by the Council of Industrial Design in January 1949. In March of the same year it was exhibited at the Glasgow Today and Tomorrow, where it was commended, and an example of the armchair was commissioned by the Museum of Modern Art, New York for their collection. In September 1949 it was displayed at the Morris stand, also designed by Spence, at the Scottish Industries Exhibition. In 1951 another single armchair was commissioned for the collection of the Victoria & Albert Museum in London (V&A CIRC.183-1951).

540 SIR BASIL SPENCE (1907-1976) FOR H. MORRIS & CO., GLASGOW RARE ‘ALLEGRO’ ARMCHAIR, DESIGNED 1947-1948 laminated wood, with drop-in seat, later covered, bears maker’s label MORRIS MADE/ GUARANTEED TRADE MARK/ GLASGOW 54cm wide, 86cm high, 50cm deep Literature: Studio Yearbook of Decorative Art, 1949, p. VIII (advertised) ’Austerity to Affluence: British Art & Design 1945-1962’, The Fine Art Society, London, 1997, p. 14 and p. 22, cat. no. F27 (an example of chair illustrated) Long, Philip and Thomas, Jane (Edit.) ‘Basil Spence’, Architect National Galleries of Scotland in Association with RCAHMS, Edinburgh 2008, p. 52 and p. 54, fig 55 illus.

£2,000-3,000

541

542

PIEFF FURNITURE

ROBIN DAY (1915-2010) FOR HILLE, LONDON

PAIR OF ‘ELEGANZA’ BAR STOOLS, CIRCA 1970 chromium plated frames, each with upholstered backs and seats, bear maker’s labels (2)

UNIT ‘D’ AGBA BOOKCASE, CIRCA 1952 of rectangular outline with open shelves and sliding glazed doors, raised on turned and tapering legs, applied maker’s label HILLE OF LONDON

46cm wide, 85cm high, 38cm deep

137cm wide, 76cm high, 30cm deep

£100-150

£200-300

154 Lyon & Turnbull

543 BRIAN ROBB (1913-1979): CURWEN PRESS SOUTHEND PIER, 1956 lithographic print, signed and dated in pencil lower right, framed, 46.5cm x 72cm; and RONALD A. GLENDENING ‘CYCLE RACING’, lithographic print, also published by The Curwen Press, signed lower right, framed, 47cm x 72.5cm (2) £200-300

544 EDWARD ARDIZZONE (1900-1979): CURWEN PRESS THE FATTEST WOMAN IN THE WORLD lithographic print, published by The Curwen Press, signed lower right, framed 47cm x 72.5cm

£150-250

545 [§] NADIA BENOIS (1896-1974) THE WOMEN OF BOULOGNE pen, ink and wash, signed and inscribed lower left THE WOMEN OF BOULOGNE/ N. BENOIS, framed 16cm x 24.5cm

£100-200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 155

546 [§] OLIVER MESSEL (1904-1978) GILT METAL CEILING LIGHT, CIRCA 1960 of sunburst form with matching ceiling rose 43.5cm diameter, 24cm high

£300-500

547 MICHAEL BANG (1942-2013) FOR HOLMEGAARD TWO ‘ASYMMETRISK’ GLASS TABLE LAMPS, MODERN each of freeform with banded decoration, later shades, bear maker’s label (2) 30cm high, 24cm high

£300-500

548 LINLEY INLAID SYCAMORE DINING TABLE, CIRCA 1995 the rectangular inlaid top raised on tapering legs 200cm long, 76cm high, 95cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

156 Lyon & Turnbull

549 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) POTTERY FIGURAL BUST OF KING CHARLES II, 1950S impressed maker’s mark 33.5cm high

£400-600

550 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) POTTERY FIGURE GROUP OF ADAM AND EVE, 1950S moulded marks (indistinct) 19cm high

£200-300

551 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) POTTERY FIGURE OF A GOLFER, 1950S impressed maker’s marks (damages), 39cm high; and a FIGURE OF A POLICEMAN, impressed maker’s marks, 33cm high (2) £300-500

552 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) GROUP OF POTTERY SALT AND PEPPER POTS, 1950S comprising two tall pepper pots and one tall salt pot, impressed factory marks, 16.5cm high; two unglazed pots, impressed factory marks,16cm high; and one small pepper pot, impressed factory marks, 9.5cm high, each decorated with abstract forms in green and blue (6) £200-300

553 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) POTTERY FIGURE GROUP OF THREE MUSICIANS, 1950S impressed maker’s marks 29cm wide, 22.5cm high

£150-250

554 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) SET OF FOUR POTTERY MUGS, 1950S decorated with a series of classical columns in sketch form, impressed maker’s marks, 9cm high; and a LARGE POTTERY MUG, of similar decoration, unmarked, 12cm high; together with a POTTERY COFFEE CUP, with chequer decoration, painted marks, 9cm high (6) £150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 157

555 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) POTTERY FIGURE OF A LION, DATED 1953 with painted cypher for Elizabeth II Regina, dated 1953, impressed mark, 23.5cm long; together with a PAIR OF POTTERY FIGURES OF BEARS, moulded factory marks (indistinct), 15.5cm long (3) £200-300

556 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) PAIR OF POTTERY DOGS, 1950S impressed maker’s marks, 14cm high; and an OWL, impressed maker’s marks, 8cm high; a HEDGEHOG, impressed mark (indistinct), 6.5cm long; and a SQUIRREL, impressed mark (indistinct), 7cm high (5) £150-250

557 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) LARGE POTTERY FIGURE OF A COW, 1950S unmarked, 29cm long; and a PAIR OF BULLS, impressed maker’s marks, 19.5cm long (3) £200-300

558 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) POTTERY FIGURE OF A MERMAID, 1950S incised marks MADE IN ENGLAND, 10cm high; together with a PAIR OF BUDDHISTIC LIONS, impressed factory marks, 10cm high; and a PAIR OF SMALL DRAGONS, impressed maker’s marks, 7.5cm high (5) £200-300

559 RICHARD PARKINSON (1927-1985) AND SUSAN PARKINSON (1925-2012) GROUP OF POTTERY BIRDS, 1950S comprising a HEN, 25cm high; a COCKEREL, 31.5cm high; a CURLEW, 16cm high; a TWO SMALL CURLEWS, one unglazed, 9cm high; and TWO SONGBIRDS, 7.5cm high and 5cm high, variously marked (7) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

158 Lyon & Turnbull

560 [§] SCOTTIE WILSON (1888-1972) PAINTED PLATE, CIRCA 1960 painted in colours with stylised trees and birds on a deep green ground, signed SCOTTIE, mounted and framed plate diameter, 25cm

£300-500

561 [§] SCOTTIE WILSON (1888-1972) PAINTED PLATE, CIRCA 1960 of oval form, painted in black and white on a celadon ground with stylised trees and birds, signed SCOTTIE 36cm diameter

£200-300

562 [§] SCOTTIE WILSON (1888-1972) FOUR BUTTERFLY STUDIES gouache, each signed SCOTTIE, framed (4) 14cm x 17cm and 9cm x 12cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 159

563 [§] SCOTTIE WILSON (1888-1972) THREE PAINTED PLATES, CIRCA 1960 each painted in colours with stylised trees and birds on a black ground, signed SCOTTIE, mounted and framed (3) plate diameter, 17cm

£400-600

564

565

[§] SCOTTIE WILSON (1888-1972)

PAINTED PLATE, CIRCA 1960 painted in colours with stylised trees and birds on a deep green ground, signed SCOTTIE, mounted and framed

PAINTED PLATE, CIRCA 1960 painted in colours with stylised trees and birds on a deep red ground, signed SCOTTIE, mounted and framed

plate diameter, 25cm

£300-500

£200-300

160 Lyon & Turnbull

566 [§] JOHN MAKEPEACE (B. 1939) EARLY OCCASIONAL TABLE, CIRCA 1970 the white painted frame with glass top 64cm square, 35cm high

£200-300

567 [§] ASHLEY CARTWRIGHT PAIR OF ASH LINEN FOLD OCCASIONAL TABLES, 1990S each of abstracted linenfold design (2) 80cm wide, 51cm high, 51cm deep

£300-500

568 [§] EDWARD TEASDALE (B. 1945) RECLAIMED WOOD CHEST, CIRCA 2000 of rectangular lidded form, with planked panels on block feet 120cm long, 66cm high, 52cm deep

£300-500

569 [§] MARTIN RAYNER (SCOTTISH 1947-2004) BOAT SCULPTURE carved and painted wood 122cm long, 100cm high, 33cm deep

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 161

570 [§] BARBARA RAE (B. 1943) CIRCULAR CHARGER, DATED 2000 painted with a horned animal, decorated to the reverse with a turtle and with maker’s mark RAE/ 00 40cm diameter

£200-300

571 [§] JOHN MAKEPEACE (B. 1939) BURR ELM ‘DAFFODIL’ MIRROR, CIRCA 1990 with circular frame on a stem with spreading base 21 cm diameter, 52cm high

£300-500

572 [§] DESMOND (DES) RYAN BURR ELM WALL MIRROR, CIRCA 1990 of rectangular outline with double sphere mirrored plate 51cm x 36cm

£150-200

Note: Desmond Ryan trained as a furniture designer, but is best known for his small-scale woodwork, including clocks, boxes, mirrors and vases. He creates precise geometric shapes using a mixture of traditional techniques and modern machine tools. The combination of British and tropical hardwoods is typical of his work.

573 [§] DAVID COLWELL (B. 1944) OAK CENTRE TABLE & TWO CHAIRS, CIRCA 1990 the table with circular top raised above crossed turned legs, 122cm diameter, 71cm high; the chairs with arched backs and single splats, 43cm wide, 82cm high, 35cm deep (3) £300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

162 Lyon & Turnbull

574 [§] MARK POWELL SILVER ‘DRAGON’ NECKLACE, EDINBURGH 1994 of articulated scale shaped link design, with stamped maker’s marks MAP, hallmarked Edinburgh 1994 41cm long

£200-300

575 [§] STEPHEN CLUTTERBUCK (B. 1932) FLAT FIGURE II, 1993 IV/VIII, signed, titled, numbered and dated 26.5cm high (including base) (10.5in high)

£150-250

576 [§] PETER HAYES (B. 1947) ’OBELISK’ RED BROWN CERAMIC FORM incised maker’s mark under base 34.5cm high

£300-400

577 [§] JULES TATTERSALL (B. 1955) THREE WOODEN VESSELS, LATE 20TH CENTURY each with textured finish, comprising an OVOID VASE, indistinct maker’s marks under base, 19cm high; and TWO TALL VESSELS, 35.5cm and 46cm high (3) £150-250

578 [§] CHRIS KEENAN (B. 1960)

579

580

CELADON-GLAZED BEAKER impressed seal, 10.5cm high; a Pouring Vessel by SULEYMAN SABA, 15.5cm diameter; two Bottle Vases by EDWARD THOMPSON, 11cm and 13.5cm high; and a celadon and Raku glazed Bowl, 15cm diameter (5)

ATTRIBUTED TO AKIKO HIRAI

[§] JOHN MAKEPEACE (B. 1939)

STONEWARE VESSEL indistinct seal mark to base 13cm high

PAIR OF TABLE LAMPS, CIRCA 1990 each of square section fitted with later shades (2)

£100-200

9cm wide, 45cm high

£150-250

£200-300

Decorative Arts: Design since 1860 163

581 [§] ANGELA MELLOR (CONTEMPORARY) NINE VESSELS each of freeform shape, bone china, incised artist’s marks (9) larges 26.5cm diameter

£300-500

582 [§] CLIVE BOWEN (B. 1943) SIX STONEWARE VESSELS, LATE 20TH CENTURY each with slip decoration, comprising TWO STORAGE JARS & COVERS, largest 25cm high; and FOUR JUGS, largest 20cm high (6) £200-300

583

584

[§] CLIVE BOWEN (B. 1943)

[§] IAN GODFREY (1942-1992)

THREE STONEWARE VESSELS, LATE 20TH CENTURY each with slip decoration, comprising a MOONFLASK, 28cm high; a SERVING DISH, 35.5cm diameter; and a BOWL, 26.5cm diameter (3)

STONEWARE SHALLOW BOWL with a pierced rim and ribbed well, raised on a short foot, covered in a celadon-coloured glaze

£150-250

25cm diameter

£80-120 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

164 Lyon & Turnbull

585 [§] CATHERINE BEETHAM (CONTEMPORARY) TWISTED VESSEL press moulded with rolled slips, initialled maker’s mark 32.5cm high

£100-200

586 [§] FRED BAIER (B. 1949) PAIR OF HIGH BACK CHAIRS, CIRCA 1990 each with upholstered back and seat raised on black lacquered legs (2) 51cm wide, 112cm high, 45cm deep

£300-500

587

588

589

[§] PAULINE SOLVEN (CONTEMPORARY)

[§] DAVID TAYLOR (CONTEMPORARY)

[§] JOHN CREED (B. 1939)

THREE GLASS VESSELS including a FUSED GLASS BOWL, 22cm diameter; a CIRCULAR DISH, 30.5cm diameter; and a CYLINDRICAL BOWL, 13cm diameter, each with etched maker’s marks; also a GLASS DISH BY JANE BRUCE, 22cm diameter, etched maker’s marks (4)

TWO IRIDESCENT GLASS VESSELS including a DECANTER & STOPPER, 32cm high; and a BOWL, 22cm diameter, each with etched maker’s marks (2)

PAIR OF WROUGHT IRON BOOKENDS, CONTEMPORARY each of S-shaped form, stamped with maker’s marks CREED (2)

£200-300

14cm wide, 27cm high, 8cm deep

£150-200

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Decorative Arts: Design since 1860 165

590 [§] RALPH BALL FOR STUDIO BALL ’TENSION’ WALL SHELVES, 1990S glass, steel and steel wire 420cm wide, 250cm high, 29cm deep Please note this lot will not be assembled for view due to its size. Note: Graduating from the Royal College of Art in 1980 Ralph Ball has produced both one-off commissions and mass-manufactured products. In the early 1980s, at Foster and Partners, Architects, London, Ball designed signature furniture for the Renault Building (Swindon UK) and for HSBC’s corporate headquarters in Hong Kong. The ‘Renault Furniture’ established the benchmark for the Foster ‘Nomos’ office system. In 1988 he was appointed Professor and Chair of Industrial Design at the University of Washington USA, returning to the UK in 1993 to take up academic roles at the Royal College of Art and subsequently at Central Saint Martins.

£300-500

591 [§] DAVID FIELD OAK CENTRE TABLE, CIRCA 1990 the circular top raised on three plank supports 123cm diameter, 73cm high

£300-500

END OF SALE Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

166 Lyon & Turnbull

CONTEMPORARY & POST WAR ART AUCTION 17 APRIL 2019 IN EDINBURGH AT 11AM

Charlotte Riordan | 0131 557 8844 charlotte.riordan@lyonandturnbull.com

[ยง] JOHN BYRNE (SCOTTISH B.1940) SELF PORTRAIT (PAISLEY)

Decorative Arts: Design since 1860 167

BAMUN BOWL CAMEROON, 19TH CENTURY

AFRICAN & OCEANIC ART & ANTIQUITIES AUCTION 01 MAY 2019 IN EDINBURGH AT 11AM

Alex Tweedy | 0131 557 8844 alex.tweedy@lyonandturnbull.com Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

168 Lyon & Turnbull

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate. 2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers for identification to prevent fraud, underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate. Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us. Please note that we do not accept payment from third parties and this also applies to agents. If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final. We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers. Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids. We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts

to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot. 7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on

1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000. (2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied. 10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in

Decorative Arts: Design since 1860 169

making full payment for the lot. 11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied. 12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that

photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot. (2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item. (7) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must

make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such. 15. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event Lyon and Turnbull in its reasonable opinion deems that the conditions of the authenticity

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guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser. This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller; “Lot” means each Item offered for sale by Lyon and Turnbull;

“Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import

history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds. 3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing. 4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement. (3) Illustrations: The cost of any illustrations will be borne by the

Decorative Arts: Design since 1860 171

Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue. (4) Storage: Of the Lots after the sale, where applicable. 6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice they may be disposed of as we see fit, which may involve their sale by public

auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the

Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested). 13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held

unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission. The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control. The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction. 17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply. 18.6

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Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

1 – Government issued photo ID (Passport/Driving licence)

and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk. On the internet with L&T Live A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available. Access through our website or download the live bidding app L&T Live, this service is offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax). You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

19.2

Decorative Arts: Design since 1860 A

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

B Lyon & Turnbull

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115