Contemporary and Post War Art | 17th April 2019 by Lyon & Turnbull

Wednesday, 17th April 2019 33 Broughton Place Edinburgh

Contemporary & Post-War Art

2 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art Wednesday, 17th April, 2019 at 11am Sale Number LT555

Location Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR

Viewing Sunday, 14th April 12 noon - 4pm Monday, 15th April 10am - 5pm Tuesday, 16th April 10am - 5pm Morning of sale by appointment only

Enquiries Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 75 (detail)

Inside Front Cover Lot 155 (detail)

Inside Back Cover Lot 140 (detail)

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Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £100,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all fist time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

1–G overnment issued photo ID (Passport/ Driving licence) 2–P roof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www. defra.gov.uk/ahvla-en/ imports-exports/ cites 19.1

Contemporary & Post-War Art

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Charlotte Riordan Head of Sale

Nick Curnow Specialist

Carly Shearer Specialist

Juliette Behr Sale Administrator

charlotte.riordan@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

carly.shearer@lyonandturnbull.com

juliette.behr@lyonandturnbull.com

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1 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) O WHA’S THE BRIDE THAT CARRIES THE BUNCH O’ THISTLES BLINTERIN’ WHITE Signed, watercolour and pencil 77cm x 57cm (30in x 22.5in)

£800-1,200

2 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) CONVERSATION PIECE Signed with initials, watercolour 77cm x 57cm (30in x 22.5in)

£600-800

Contemporary & Post-War Art

3 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) ”WHY MUST SUMMER EVER END?” DAVY BRUBECK Signed and dated 2001, signed and dated and inscribed with title verso, oil on panel 34cm x 24cm (13.5in x 9.5in)

£600-800

4 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) MR HENRY DOOLEY Signed and dated ‘81, pastel 73cm x 54cm (28.75in x 21.25in)

£500-700

5 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) WOMAN IN EVENING COAT - 2001 Signed and dated verso, watercolour 27cm x 18cm (10.5in x 7in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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6 [§] TOM MACDONALD (SCOTTISH 1914-1985) BUSY STREET SCENE Signed with monogram, pastel 24cm x 34cm (9.5in x 13.5in)

£300-500

7 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) EAGLE IN THE CLOUDS, GREEN - 2000 Signed and inscribed with title in pencil to margin, monotype 68cm x 57cm (26.75in x 22.5in)

£300-500

8 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) ISLANDS TO THE WEST Mixed media on paper 12cm x 17cm (4.75in x 6.75in)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

9 [§] HUGH BUCHANAN (SCOTTISH B.1958) SMOKE IN ARCHWAY Signed and dated ‘90 in pencil, numbered 4/24, screenprint 58cm x 44cm (22.75in x 17.25in)

£400-600

10 [§] HUGH BUCHANAN (SCOTTISH B.1958) A CLASSICAL VIEW Signed and dated ‘97, oil on canvas laid on board 111cm x 81cm (43.75in x 31.75in)

£1,000-1,500

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11 [§] DONALD MANSON (SCOTTISH B.1948) STILL LIFE ON A SCOTS ISLE c.1988, signed, oil on board 116cm x 116cm (45.5in x 45.5in)

£1,000-1,500

12 [§] NORMAN KIRKHAM R.G.I. (SCOTTISH B.1936) STILL LIFE WITH SUNFLOWERS Signed, oil on canvas 88cm x 88cm (34.5in x 34.5in)

£1,500-2,500

Contemporary & Post-War Art

13 [§] PETER COLLIS R.H.A. (IRISH 1929-2012) THE SEA AND ROCKS AT KILLINEY Signed, oil on board 16cm x 22cm (6.25in x 8.75in)

£500-800

14 [§] ROBERT KELSEY (SCOTTISH B.1949) CLOUDS OVER LOCH LOMOND Signed, signed and inscribed with title stretcher verso, oil on canvas 38cm x 39cm (15in x 15.25in)

£600-800

15 [§] SHONA BARR (SCOTTISH B.1965) SUNSET, CULZEAN Signed, oil on board 56cm x 85cm (22in x 33.5in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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16 [§] HELEN WILSON R.S.W., R.G.I. (SCOTTISH B.1954) MARK, II Signed, oil on board 28cm x 33cm (11in x 13in)

£500-700

17 [§] HELEN WILSON R.S.W., R.G.I. (SCOTTISH B.1954) MALE DANCER Signed, oil on board 34.5cm x 10cm (13.5in x 4in)

£500-700

18 [§] HELEN WILSON R.S.W., R.G.I. (SCOTTISH B.1954) CABARET TORCH SONG Signed, oil on board 29cm x 24cm (11.5in x 9.5in) Exhibited: Thompson’s Gallery, London

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

19 [§] PETER HOWSON (SCOTTISH B.1958) TEMPTATION II Signed, pastel 46cm x 59cm (18in x 23.25in)

£800-1,200

20 [§] PETER HOWSON (SCOTTISH B.1958) TEMPTATION Pastel, signed 46cm x 59cm (18in x 23.25in)

£800-1,200

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21 [§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017) CHANIA: ECLIPSE Signed and inscribed with title in pencil to margin, numbered 57/150, coloured etching 28cm x 42cm (11in x 16.5in) (image size)

£300-500

22 [§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017) BEN GLASS FALLS 1 & 2 Both signed and inscribed with title in pencil to margin, ‘Falls 1’ numbered 2/12, ‘Falls 2’ numbered 5/12, coloured etching and aquatint Both 49cm x 39cm (19.25in x 15.25in) (2) Exhibited: Glasgow Print Studios

£500-700

Contemporary & Post-War Art

23 [§] JACK KNOX R.S.A. (SCOTTISH 1936-2015) FROM ‘THE BATTLE OF SAN ROMANO’ SERIES - C.1968 Signed, oil on canvas 80cm x 81cm (31.5in x 32in)

£1,500-2,500 Note: This work is from an important series in Knox’s career, influenced by his viewing of Uccello’s ‘Rout of San Romano’ at the National Gallery in 1968. He was highly impacted by the immense sense of activity expressed within in the painting. The result was a series of canvases where various symbolic objects and fragments are arranged on an expanse of white. The objects themselves came from templates, and even fragments of flotsam washed up on the beach near his home in Carnoustie. In his composition he elevates them from the mundane to the esoteric. Works from this series can be found in significant institutional collections throughout Scotland, including the Scottish National Gallery of Modern Art, the Royal Scottish Academy, Aberdeen Art Gallery and Museum, and the McManus Gallery in Dundee. Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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24 [§] FRED YATES (BRITISH 1922-2008) SNOWDONIA, WALKERS - C.1985 Oil on panel 15cm x 21cm (6in x 8.25in) Exhibited: John Martin Gallery, London

£300-500

25 [§] PETER HAIGH (BRITISH 1914-1994) SPIRIT STOVE & SAUCEPAN Signed, inscribed with title and dated June 1952 verso, oil on canvas 23cm x 52cm (9.25in x 20.5in)

£300-500

26 [§] FRED YATES (BRITISH 1922-2008) SNOWDONIA, SHEEP ON THE ROAD - C.1985 Oil on panel 15cm x 21cm (6in x 8.25in) Exhibited: John Martin Gallery, London

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

27 GENNADII GOGOLIUK (RUSSIAN B.1960) GIRL WITH RABBIT Signed and inscribed with title verso, oil on canvas 51cm x 41cm (20in x 16in)

£600-800

28 [§] GEOFFREY SQUIRE R.S.A., R.S.W., R.G.I. (SCOTTISH 1923-2012) ALLEGORY Signed, oil on board 28cm x 33cm (11in x 13in)

£500-700

29 [§] SHEILA MCINNES (SCOTTISH B.1963) LIVING ROOM Signed, oil on board 64cm x 90cm (25in x 35.5in)

£500-700

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30 [§] JOHN BROWN (SCOTTISH B.1945) SWEET PEA TRELLIS, EDINBURGH Signed, signed and inscribed with title and dated verso, mixed media on paper 24cm x 24cm (9.5in x 9.5in) Exhibited: The Scottish Gallery, Edinburgh

£500-700

31 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) WINTER EVENING LIGHT OVER KERRERA Signed, signed and dated 2006 and inscribed with title verso, oil on canvas 40cm x 40cm (15.75in x 15.75in)

£1,000-1,500

Contemporary & Post-War Art

32 [§] BRENDA LENAGHAN R.S.W. (SCOTTISH B.1941) GIRL AND GREYHOUND ON ARMCHAIR Signed, mixed media 30cm x 30cm (12in x 12in)

£400-600

33 [§] NORMAN EDGAR R.G.I. (SCOTTISH B. 1948) STILL LIFE WITH SPRING FLOWERS IN A VASE Signed, oil on canvas 90cm x 70cm (35.5in x 27.5in)

£700-1,000

34 [§] BRENDA LENAGHAN R.S.W. (SCOTTISH B.1941) CLOWN AND GIRL Signed, oil on board 59cm x 49cm (23.25in x 19.25in)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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35 [§] KIRSTY WITHER (BRITISH B.1968) STILL LIFE ON A RED GROUND Signed and dated 2004, oil on canvas 89cm x 58cm (35in x 22.75in)

£700-900

36 [§] KIRSTY WITHER (BRITISH B.1968) CAREFULLY PICKED CORNFLOWERS Signed and dated 2004, oil on canvas 89cm x 59cm (35in x 23.25in)

£700-900

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

37 [§] ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH B.1931) KIKKO Signed and dated 1988, pastel 38cm x 38cm (15in x 15in)

£2,000-3,000

38 [§] ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH B.1931) SLEEPING CAT Signed and dated ‘1984’, pencil, wash and pastel 13cm x 21cm (5in x 8.25in)

£1,000-1,500

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39 [§] JAMES COSGROVE R.S.W., R.G.I. (SCOTTISH B.1939) TWO CERAMIC TILES ‘TATTOOED WOMAN’ & ‘COMBED HEAD’ Each signed and inscribed with title and dated ‘88 verso, ceramic tile ‘Tattooed Woman’ 16.5cm x 16.5cm x 2cm (6.5in x 6.5in x 0.75in), ‘Combed Head’ 20cm x 19.5cm x 1.5cm (8in x 7.75in x 0.5in) Note: In 1988 various painters, including Cosgrove, were commissioned by the Compass Gallery, Glasgow to create works in ceramic, removing them from their traditional mediums and practice.

£250-350

40 [§] JAMES COSGROVE R.S.W., R.G.I. (SCOTTISH B.1939) TEMPTATION Signed and dated ‘86, watercolour 44cm x 58cm (17.25in x 22.75in)

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Modern Made

41 [§] CHRIS BUSHE R.S.W. (SCOTTISH B.1958) ARCHWAY, LINDOS - 1997 Signed and inscribed with title verso, acrylic and mixed media on board 32cm x 32cm (12.5in x 12.5in)

£500-700

42 [§] ANN ORAM R.S.W. (SCOTTISH B.1956) TUSCAN HILL TOWN Signed and dated ‘90, watercolour and gouache 54cm x 56cm (21.25in x 22in)

£300-500

43 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) RED ROOF, COLONSAY - 2015 Signed, signed and inscribed with title and dated verso, oil on canvas 40cm x 39cm (15.75in x 15.25in)

£1,500-2,500

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44 [ยง] ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH B.1931) STILL LIFE WITH TWO JUGS Signed and dated 1968, pencil, gouache and watercolour 74cm x 124cm (29in x 48.75in) Exhibited: The Royal Academy, 1968

ยฃ4,000-6,000

Contemporary & Post-War Art

45 [§] SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) COMPANIONS XXVII - 1984 Pastel on sandpaper 23cm x 28cm (9in x 11in) Exhibited: Beaux Arts, Bath

£2,000-3,000

46 [§] SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) TIME PASSED Watercolour 63.5cm x 98cm (25in x 38.5in) Provenance: Bruton Gallery, Somerset Everard Reed Gallery, Johannesburg

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

JOAN MIRÓ Lyon & Turnbull are delighted to present this small group of lithographic works by Spanish master Joan Miro within this auction. A distinctive and energetic talent, Miro pursued art from a young age, and moved to Paris to follow his inspirations in 1920, spending many years splitting his time between this artistic centre and his home country. Lithography was a key part of Miro’s later practice, and he created more than one thousand lithographic editions in his lifetime. The offered lithographs are characterised by their energy and simplicity, the juxtaposition of bold colour, strong line and clean, empty space. In his own words, his work was ‘conceived with fire in the soul but executed with clinical coolness’ and this so accurately encapsulates the on-going tension in his work between the free-flowing, intuitive stream of consciousness and the more careful deliberations of the engaged, considered mind. Strongly associated with the Surrealist movement, and one of the first proponents of the automatic drawing concept that became a key cornerstone of their ethos, Miro never officially joined the movement, so as to allow himself the freedom to experiment more widely. In this action, Andre Breton proclaimed him ‘the most surrealist of us all.’ Miro famously spoke of the ‘assassination of painting,’ and experimenting with other mediums, particularly lithography and ceramics, allowed him to constantly renew his approach to painting. The inherent simplicity of working on the lithographic stone also allowed him opportunities to strip art back, to really pressure the boundaries and concepts of composition and pictorial space.

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47 [§] JOAN MIRÓ (SPANISH 1893-1983) PLATE FROM ‘MARAVILLAS CON VARIACIONES EN EL JARDIN DE MIRO’ - 1975 Signed and numbered II/XV in pencil, lithograph, unframed 75cm x 53cm (29.5in x 20.75in)

£1,000-1,500

48 [§] JOAN MIRÓ (SPANISH 1893-1983) A L’ENCRE II - 1972 Unsigned edition, lithograph, unframed 36cm x 27cm (14in x 10.5in)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

49 [§] JOAN MIRÓ (SPANISH 1893-1983) XXE SIÈCLE, NO. 47 - 1976 Signed and numbered 51/75 in pencil, lithograph, unframed 45cm x 62.5cm (17.75in x 24.5in)

£1,200-1,800

50 [§] JOAN MIRÓ (SPANISH 1893-1983) PLATE 13 FROM ‘MIRO LITHOGRAPHS I’ - 1972 Signed and numbered XXII/LXXX in pencil, lithograph, unframed 44.5cm x 37cm (17.5in x 14.5in)

£1,000-1,500

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51 [§] JOAN MIRÓ (SPANISH 1893-1983) SCULPTURES II - 1974 Signed and numbered 17/100 in pencil, lithograph, unframed 51.5cm x 76cm (20.25in x 30in)

£1,000-1,500

52 [§] JOAN MIRÓ (SPANISH 1893-1983) JOAN MIRO UND KATALONIEN - 1970 Signed and numbered in pencil XVI/CLX, lithograph, unframed 50cm x 65.5cm (19.75in x 25.75in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

53 [§] MARC CHAGALL (RUSSIAN/FRENCH 1887-1985) DAVID - 1973 Signed and numbered 1/150 in pencil, lithograph, unframed 30.5cm x 24.5cm (12in x 9.5in)

£1,000-1,500

54 [§] PABLO PICASSO (SPANISH 1881-1973) PICADOR ET TAUREAU Red cermaic plaque, 1950, from the edition of 100, with the Empreinte Originale de Picasso pottery stamp verso 9cm x 8cm x 1cm (3.5in x 3.25in x 0.25in)

£800-1,200

55 ATTRIBUTED TO DORA MAAR (FRENCH 1907-1997) UNTITLED (WINDSWEPT LANDSCAPE) Signed, dated 1958 stretcher verso, oil on canvas 22cm x 28cm (8.5in x 11in) Note: Dora Maar was a French photographer, painter, and poet. She is perhaps best known for her provocative photomontages from the Surrealist period in Paris. Maar also famously had a nine year affair with Picasso, and it was after their relationship ended that her painting moved away from his Cubist influence, into the more expressionistic landscapes which, like the work offered here, characterised her late career. These works are considered among the best of her artistic output.

£1,000-1,500

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56 [§] FRANCIS DAVISON (BRITISH 1919-1984) UNTITLED (ABSTRACT) Mixed media collage 58cm x 55cm (22.75in x 21.5in)

£2,000-3,000

57 [§] JANE HARRIS (BRITISH B.1956) QUINZE CAROTTES, 1988 Watercolour 30cm x 30cm (11.75in x 11.75in)

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

58 [§] IAN HAMILTON FINLAY (SCOTTISH 1925-2006) TERROR & VIRTUE - C.1984 Edition of 43 (plus a number sold by the artist), cast bronze medal 5.25cm x 5.25cm (2in x 2in)

£500-700

59 [§] IAN HAMILTON FINLAY (SCOTTISH 1925-2006) AJAR From a later run of the 1967 original edition, screenprint 39cm x 38cm (15.25in x 15in)

£400-600

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60 [§] JOHN BYRNE (SCOTTISH B.1940) CERISE HEAD Signed and inscribed with title in pencil to margin, numbered 9/10, coloured etching 24cm x 14cm (9.5in x 5.5.in) including margins Exhibited: The Scottish Gallery, Edinburgh

£600-800

61 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) CONGER EEL WOMAN EATS P/P, signed and dated ‘77 in pencil, etching 32cm x 27cm (12.5in x 10.5in) including margins

£150-250

62 [§] ALISON WATT O.B.E., R.S.A. (SCOTTISH B.1965) NARCISSUS AP 5/10, signed and dated ‘97 in pencil, screenprint 63cm x 51cm (24.75in x 20in) Note: This print was commissioned by the Freud Museum, London as part of a portfolio of prints to celebrate the 10th anniversary of the museum

£400-600

Contemporary & Post-War Art

63 [§] CALLUM INNES (SCOTTISH B.1962) FROM MEMORY Signed and dated ‘06 in pencil, numbered 32/60, etching 47cm x 37cm (18.5in x 14.5in) (full sheet)

£250-350

64 JOAN MITCHELL (AMERICAN 1925-1992) ARBRES (BLACK & YELLOW) - 1991-1992 Signed and numbered 81/125 in pencil, lithograph, unframed 76cm x 56.5cm (30in x 22.25in)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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65 [§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) NEWTON AFTER BLAKE Plaster, in handmade bespoke wooden case 15cm x 21cm x 1.5cm (6in x 8.25in x 0.5in)

£1,000-1,500

66 [§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) DESIGNS FOR THE LONDON UNDERGROUND Inscribed ‘1st Nov ‘84’ within print, watercolour and gouache over a printed base 29.5cm x 42cm (11.5in x 16.5in)

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Modern Made

René Gruau’s illustrations were a favourite of the haute couture world and during his life-long career he collaborated with fashion houses such as Givenchy, Balenciaga, Lanvin, Schiaperelli and Dior. Born Count Renato Zavagli-Riccardelli in Rimini, Italy in 1909 his father was an Italian aristocrat and his mother, whose last name he adopted, was a French Socialite. He moved to Paris in 1924 and commenced his career as a fashion illustrator. In the 30s he began to sketch for Parisian magazines and newspapers such as Femina and Le Figaro and soon began working with high style magazines such as Marie-Claire and L’Officiel. In 1948 he moved to America. He contributed to Harper’s Bazaar and Vogue and became the exclusive artist for Flair magazine. His advertising campaigns for Moulin Rouge and Lido de Paris utilised an old-world aesthetic, celebrating the traditional poster-art graphics of Toulouse-Lautrec, Bonnard and the pre-1900 Parisian artists. He continued to work in advertising, designing the hugely influential cinema poster for Fellini’s La Dolce Vita in 1959 and working on campaigns for names such as Dior, Air France, Martini and Omega watches. He has been exhibited internationally at the Paris Musée du Costume (1989) and The Musée de la Publicite (1999).

67 [§] RENÉ GRUAU (FRENCH 1909-2004) WHITE DRESS WITH RED ROSE (LISA FONSSAGRIVES) Signed, pen and ink and watercolour 40.5cm x 28cm (16in x 11in) Provenance: Arpad Elfer (the first head of design BBC-TV)

£3,000-4,000

68 MANNER OF ALBERTO GIACOMETTI FIGURE AND CHILD 9/25, signed and numbered, bronze on marble base the bronze 65cm high (25.5in high)

£300-500

69 [§] ARCHIE FORREST (SCOTTISH B.1950) STANDING WOMAN (MAQUETTE) Bronze 21.5xm (8.5in) high

£300-500

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70 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) SETTING SAIL Signed, oil on canvas 30cm x 34cm (11.75in x 13.25in)

£1,000-1,500

71 [§] ROBERT MACLAURIN (SCOTTISH B.1961) IN THE MOUNTAINS - 1988 Signed and inscribed with title verso, oil on panel 30cm x 43cm (11.75in x 17in) and a further work by the artist, an etching ‘Before the Rain’ (2)

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

72 [§] VICTORIA CROWE O.B.E., R.S.A., R.S.W., A.R.W.S. (SCOTTISH B.1946) FIRST DRAWING, DUMFRIES HOUSE - 2015 Signed, acrylic and ink on handmade paper 31.5cm x 43cm (12.5in x 17in)

£1,000-1,500

73 [§] JOCK MCINNES R.G.I. (SCOTTISH B.1943) SEAGULLS’ SALUTE Oil and gesso on board 74cm x 89cm (29in x 35in)

£1,000-1,500

38 Lyon & Turnbull

74 [§] JOHN BYRNE (SCOTTISH B.1940) DARK SELF PORTRAIT (PAISLEY) Signed, oil on board 120cm x 90cm (47.25in x 35.5in)

£10,000-15,000

JOHN BYRNE John Byrne is widely regarded as one of the

As a young boy growing up in a deprived area of

greatest artistic talents that Scotland has

Paisley, he drew compulsively and excellently,

produced in the last century. He is one of those

following this natural trajectory to the Glasgow

rare cultural figures whose career frequently,

School of Art where - having startled his

and legitimately, attracts the descriptor

tutors with his immense, chameleonic skill - he

‘polymath’. Today renowned as a highly skilled

emerged as one of the leading talents of his

draughtsman, painter and muralist, for many

peer group. At the end of his time at the school,

years his great talent as a writer for theatre and

he won their most prestigious painting award;

the screen threatened to eclipse his artwork.

a travelling scholarship which enabled him to study the works of Masters like Giotto and

Byrne has long been recognised as one of

Cimabue first hand in Italy for a year.

Scotland’s best loved playwrights, with career highlights including the lauded Slab Boys trilogy

Portraiture, most specifically, self-portraiture,

which, having shaken up the genre on home

is a keystone underpinning much of the arc of

turf, went on to enjoy a Broadway run starring

Byrnes’ entire career. Over the years, and in

Kevin Bacon, Sean Penn and Val Kilmer. In the

large part thanks to his striking appearance

1980s, the BBC dramatised Byrne’s screenplay

and sense of style, it has served as a signature

Tutti Frutti, a series which famously launched

of sorts; with Teddy Boy hairstyle, aquiline

the talents of Robbie Coltrane and Emma

nose and the drooping, Edwardian moustache

Thompson. His profile has, on occasion, been

of Charles Rennie Mackintosh, a forebear and

raised for reasons other than his creative

fellow prodigious son of the Glasgow School of

talents, and his relationship with the actress

Art. Whatever the motivation and origin of his

Tilda Swinton was followed closely by the press.

compulsion towards the genre; whether simply a familiar ground on which to experiment with

Happily, in the last decade he has at last

technique, or a Rembrandt-like drive to record

become equally highly regarded for his artwork,

human nature and mortality, the self-portrait is

surprisingly late in the career of a man who

something for which Byrne became recognised

is, and has always been, an artist through and

and revered as early as his art school days.

through. His buoyant and rapidly burgeoning market both in the gallery setting and at auction

Lyon & Turnbull are delighted to present three

attests to this. His work appears in many of

fascinating examples of this most quintessential

the nation’s collections, including the Scottish

subject of Byrne’s in the April Contemporary

National Portrait Gallery and Kelvingrove Art

and Post War sale. The selection of works

Gallery. Other notable moments in career

showcases the diversity of his skill and

include his album cover designs for The Beatles,

ability to experiment with technique within

Gerry Rafferty and Billy Connolly.

mediums, maintaining all the while a sense of the idiosyncratic, the often tragi-comic, and of course that trademark effortless fluidity of skill.

Contemporary & Post-War Art

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

40 Lyon & Turnbull

75 [§] JOHN BYRNE (SCOTTISH B.1940) SELF PORTRAIT AND SCULPTURE Signed, watercolour and ink on paper 24cm x 19cm (9.5in x 7.5in) Exhibited: Cyril Gerber, Glasgow

£2,000-4,000

76 [§] JOHN BYRNE (SCOTTISH B.1940) DUTCH INTERIOR Signed, oil on board 56cm x 42cm (22in x 18in)

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

77 [§] JOHN BYRNE (SCOTTISH B.1940) DONALD AND BENOIT (FRONT COVER) - 2010 Signed, pencil and watercolour 41cm x 31cm (16in x 12.25in) Exhibited: Open Eye Gallery, Edinburgh Note: Donald and Benoit is a children’s book written and illustrated by Byrne and published by Universe Publishing in 2011, about the adventures of a young boy and his mischevious pet cat who live in a coastal fishing village in the North East of Scotland.

£3,000-5,000

78 [§] JOHN BYRNE (SCOTTISH B.1940) LET’S GO TO THE MOVIES, KIDDO! - 2009/10 Signed, pencil and watercolour 41cm x 31cm (16in x 12.25in) Exhibited: Open Eye Gallery, Edinburgh

£3,000-5,000

42 Lyon & Turnbull

79 [§] ALASDAIR GRAY (SCOTTISH B.1934) SET OF 4 LITHOGRAPHS FROM THE ‘LANARK’ SERIES Comprising ‘Cover’ (no.7/45); ‘Title Page’ (no. 5/45), ‘Book 2’ (no.7/45), and ‘Book 3’ (no. 4/45), all of which signed, titled and numbered out of 45 in pencil to margin, and dated ‘19.2.81’, lithographs, printed by Glasgow Print Studio in 1981, unframed with orginal mounts (4) each 63.5cm x 43cm (25in x 17in) (full sheet) except for ‘Cover’ which measures 44.5cm x 62cm (17.5in x 24.5in) Provenance: The Glasgow Print Studio; Private Collection, Scotland Note: The full set in this edition comprises 6 prints in total. A full version of this set is held in Tate, London. As far as we are aware, these are the first examples of the series to have appeared at auction. They largely remain in private and institutional collections.

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

44 Lyon & Turnbull

80 [§] PETER HOWSON (SCOTTISH B.1958) HERO Signed, oil on canvas, unframed 41cm x 32cm (16in x 12.5in) Exhibited: Open Eye Gallery, Edinburgh

£1,200-1,800

81 [§] PETER HOWSON (SCOTTISH B.1958) THE MISSION - 1995 Signed, oil on canvas 30cm x 22cm (11.75in x 8.5in) Exhibited: Cyril Gerber, Glasgow

£1,000-1,500

82 [§] PETER HOWSON (SCOTTISH B.1958) STRONG MEN Signed, oil on canvas 75cm x 89cm (29.5in x 35in)

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

83 [§] CRAIG MULHOLLAND (SCOTTISH B.1969) LIFE ROOM Inscribed with title verso, oil on canvas 119cm x 118cm (47in x 46.5in)

£2,000-3,000

84 [§] CRAIG MULHOLLAND (SCOTTISH B.1969) LIFE CLASS Inscribed with title verso, oil on canvas 119cm x 118cm (47in x 46.5in)

£2,000-3,000

46 Lyon & Turnbull

85 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) THE WAVERLEY AT TIGHNABRUAICH PIER Signed, signed and inscribed with title and dated 2003 verso, oil on canvas 60cm x 58cm (23.5in x 23in)

£2,000-3,000

86 [§] NORMAN KIRKHAM R.G.I. (SCOTTISH B.1936) STILL LIFE OF FLOWERS IN A BLUE AND WHITE VASE Signed, oil on canvas 56cm x 58.5cm (22in x 27in)

£1,200-1,800

Contemporary & Post-War Art

87 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) ROAD TO THE SEA Signed, oil on canvas 90cm x 90cm (35in x 35in)

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

48 Lyon & Turnbull

88 [§] JOHN G. BOYD R.G.I. (SCOTTISH 1940-2001) BOAT FIELD SLEEPER Signed, oil on canvas 58cm x 74cm (22.75in x 29in)

£2,000-3,000

89 [§] ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (SCOTTISH 1917-1998) MAN BY A FOUNTAIN C.1960 Signed, oil on board 28cm x 36.5cm (11in x 14in) Provenance: The Artist’s family; Private Collection, London

£4,000-6,000

Contemporary & Post-War Art

90 [§] NAEL HANNA (IRAQI/SCOTTISH B. 1959) CATTERLINE Signed, oil and mixed media on board 77cm x 108cm (30.25in x 43in)

£3,000-5,000

91 [§] NAEL HANNA (IRAQI/SCOTTISH B.1959) UNTITLED (COASTAL LANDSCAPE) Signed and dated ‘91, oil on canvasboard 82cm x 179cm (32.25in x 70.5in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

50 Lyon & Turnbull

92 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) UNTITLED A/P, signed and dated ‘84, numbered IX/X, lithograph 56cm x 77cm (22in x 30.25in)

£300-500

93 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) BLACK FIGURE Signed and dated ‘84, oil painted wooden relief 33cm x 33cm (13in x 13in)

£800-1,200

94 [§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) PEBBLEBANK Signed and inscribed with title in pencil , numbered IV/VIII, lithograph 60cm x 77cm (23.5in x 30.25in)

£1,000-1,500

Contemporary & Post-War Art

95 [§] JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) HARVEST LANDSCAPE - C.1961 Signed, oil on canvas 112cm x 102cm (44in x 40in) Exhibited: Scottish Gallery, Edinburgh

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

52 Lyon & Turnbull

96 [§] MICHAEL MCVEIGH (SCOTTISH B.1957) FISHING SCENE, 2016 Signed, oil on stencil paper 20.5cm x 28cm (8in x 11in) Exhibited: Scottish Gallery, Edinburgh

£400-600

97 [§] NORMAN KIRKHAM R.G.I. (SCOTTISH B.1936) ANEMONES Signed, oil on canvas 41cm x 31cm (16in x 12in)

£600-800

98 [§] DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) PEARS, JUG & VASE - 1956 Signed, gouache 32cm x 42cm (12.5in x 16.5in)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

99 [§] ETHEL WALKER (SCOTTISH B.1941) WHITE ROSES Signed, gouache and watercolour 45cm x 43cm (18.5in x 17in)

£2,000-3,000

100 [§] ETHEL WALKER (SCOTTISH B.1941) WINTER WINDOW Signed, gouache 60cm x 50cm (23.5in x 19.5in)

£2,000-3,000

54 Lyon & Turnbull

101 [§] ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH B.1931) ORCHIDACEAE DENDROBOUM (‘FIRE CORAL’) Signed and numbered 25/40 in pencil to margin, etching and aquatint 41cm x 35cm (16in x 13.75in) (including margins)

£400-600

102 [§] BRENDA LENAGHAN R.S.W. (SCOTTISH B.1941) STILL LIFE WITH INDIAN HORSE Signed and dated ‘81, oil on board 90cm x 90cm (35.5in x 35.5in)

£800-1,200

103 [§] IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1994) THISTLES IN THE SUN Signed and inscribed with title in pencil to margin, numbered 15/20, 2nd edition 1989, etching 49cm x 59cm (19.25in x 23.25in) (image size)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

104 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) MYSELF AS A BOY Signed and dated ‘95, pastel 52cm x 50cm (20.5in x 19.75in)

£1,000-1,500

105 [§] JOYCE CAIRNS R.S.A., R.S.W. (SCOTTISH B.1947) AFTERNOON TEA Signed, oil on board 20cm x 15cm (8in x 6in)

£400-600

56 Lyon & Turnbull

106 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) EAST COAST HARBOUR WITH FISHERMEN’S COTTAGES Signed, watercolour and pencil 57cm x 74cm (22.5in x 29in)

£2,000-3,000

107 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) THE ‘AILSA CRAIG’ AT HARBOUR Signed, watercolour 38cm x 57cm (15in x 22.5in)

£700-900

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

108 [§] JOHN G. BOYD R.G.I. (SCOTTISH 1940-2001) GROUP OF FIGURES IN A FIELD Signed, oil on board, unframed 20cm x 25cm (8in x 9.75in)

£600-800

109 [§] ANNE REDPATH O.B.E., A.R.A., R.S.A., R.S.W. (SCOTTISH 1895-1965) A CORSICAN VILLAGE Signed, lithograph 23.5 x 32cm (9.25 x 12.5in)

£400-600

110 [§] CHARLES FARRELL (SCOTTISH CONTEMPORARY) FISHING BOATS, EAST NEUK Signed, oil on board 43cm x 53cm (17in x 21in)

£400-600

58 Lyon & Turnbull

111 [§] DAVID DONALDSON R.S.A. (SCOTTISH 1916-1996) SELF PORTRAIT Signed, pastel on buff coloured paper 29cm x 27cm (11.5in x 10.5in)

£300-500

112 [§] JOHN LOWRIE MORRISON O.B.E. (SCOTTISH B. 1948) HARVEST MOON, MILL HOUSE Signed, signed and inscribed with title and dated 2003 verso, oil on canvas 29cm x 29cm (11.5in x 11.5in)

£800-1,200

113 [§] JOHN G. BOYD R.G.I. (SCOTTISH 1940-2001) THE ARTIST’S WIFE Signed and dated ‘70, oil on canvas 40cm x 35.5cm (15.75in x 14in) Exhibited: Panter & Hall, London

£400-600

Contemporary & Post-War Art

114 [§] ARCHIE FORREST (SCOTTISH B.1950) SUNSET AVENUE, SAUSALITO, MARIN COUNTY, C.A. Signed, signed and inscribed with title verso and dated 1985, oil on canvas 66cm x 66cm (26in x 26in)

£3,000-5,000

115 [§] JAMES FULLARTON (SCOTTISH B.1946) SALTCOATS Signed, oil on board 22cm x 27cm (8.5in x 10.5in)

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

60 Lyon & Turnbull

116 [§] ALEXANDRA GARDNER (SCOTTISH B.1945) GREEN VELVET DOLL Signed, inscribed with title verso, oil on canvas 130cm x 70cm (51in x 27.5in)

£3,000-5,000

117 [§] ALEXANDRA GARDNER (SCOTTISH B.1945) CHINA DOLL WITH PORCELAIN HANDS - 1994 Signed, signed and inscribed with title and dated stretcher verso, oil on canvas 50cm x 40cm (19.75in x 15.75in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Modern Made

118 [ยง] PETER HOWSON (SCOTTISH B.1958) DANCER Signed, oil on canvas 152cm x 91cm (60in x 36in)

ยฃ6,000-8,000

62 Lyon & Turnbull

119 [§] JENNIFER MCRAE R.S.A. (SCOTTISH B.1959) STRANGERS PERFECT (SUMMER DAYS) Signed and dated ‘01, oil on prepared board 99cm x 74cm (39in x 29.25in)

£5,000-7,000

Contemporary & Post-War Art

120 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) OPUS 0.699: WALLS FOR THE FISH Signed and inscribed with title and dated Jan ‘73 verso, oil on canvas 74.5cm x 100cm (29.25in x 39.5in) Exhibited: Gimpel Fils, London

£12,000-18,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

64 Lyon & Turnbull

121 [§] WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) NUDE, GREEN HAT Signed, oil on board 59cm x 39cm (23.25in x 15.25in)

£800-1,200

122† [§] SHERREE VALENTINE DAINES (BRITISH B.1959) FIELD OF DAISIES Signed with initials, oil on board 32cm x 29cm (12.5in x 11.5in)

£3,000-5,000

123 [§] JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) HERBEVILLE Signed, oil on canvas 33cm x 59cm (13.75in x 24in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

124 [§] WILLIAM BAILLIE C.B.E., P.R.S.A., P.R.S.W. (SCOTTISH 1923-2011) BOUQUET - 1995 Watercolour and inks 28cm x 45cm (11in x 17.75in)

£300-500

125 [§] GEORGE DEVLIN (SCOTTISH 1937-2014) CLOAKED FIGURE AND FISH BOWL Signed and dated ‘65 verso, oil on board 36cm x 28cm (14in x 11in)

£300-500

126 [§] JAMES HAWKINS (SCOTTISH B.1954) GRUDIE IN SPATE c.1991, signed, acrylic on paper 29cm x 42cm (11.5in x 16.5in)

£500-700

66 Lyon & Turnbull

127 [§] JOHN G. BOYD (SCOTTISH 1940-2001) LIMEKILNS Oil on board 20.5cm x 13.5cm (8in x 5.25in) Exhibited: Murray Gallery, Edinburgh, 1982

£300-500

128 [§] ALEKSANDER ZYW (POLISH/SCOTTISH 1905-1995) BEGINNING - 1979 Oil on canvasboard, in roundel form 33cm (13in) diameter

£500-700

129 JON SCHUELER (AMERICAN 1916-1992) LIGHT III - 1972 Signed and inscribed with title verso, oil on canvas 40cm x 35cm (15.75in x 13.75in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

130 [§] ALEKSANDER ZYW (POLISH/SCOTTISH 1905-1995) THE VASE OF FLOWERS Signed, oil on board 60cm x 45cm (23.5in x 17.75in)

£800-1,200

131 [§] ERLEND BROWN (BRITISH B.1947) ICEPLANT & MOON Signed and inscribed with title board verso, mixed media on board 24cm x 29cm (9.5in x 11.5in) and further work by the same artist, ‘Storm’ (2)

£400-600

68 Lyon & Turnbull

132 [§] JAMES MORRISON R.S.A., R.S.W. (SCOTTISH B.1932) HARVEST Oil on board 38cm x 45cm (15in x 17.75in) Exhibited: The Scottish Gallery, Christmas Exhibition, 1978.

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

133 [§] ACHILLE-ÉMILE OTHON FRIESZ (FRENCH 1879-1949) STILL LIFE WITH TULIPS AND DAISIES Signed with black studio stamp, oil on board 25.5cm x 32cm (10in x 12.5in) Provenance: From the estate of the artist Honfleur, France; Kaspar Gallery, Ontario; Private Collection Canada/Edinburgh Exhibited: Bears ‘Kaspar Gallery, Ontario’ label verso

£800-1,200

134 [§] ALBERT IRVIN O.B.E., R.A. (BRITISH 1922-2015) DRUID I Inscribed ‘Proof’, signed and dated ‘84 in pencil, screenprint 154cm x 126cm (60.5in x 49.5in)

£500-700

70 Lyon & Turnbull

135 [§] TERRY FROST R.A. (BRITISH 1915-2003) LAMENT FOR IGNACIO SANCHEZ MEJIOS FROM THE LORCA SUITE, 1989 (KEMP 98) Signed in pencil, etching and aquatint 55.5cm x 37.5cm (21.75in x 14.75in) (full sheet)

£300-500

136 [§] TERRY FROST R.A. (BRITISH 1915-2003) COLOUR ON THE SIDE, 1969 (KEMP 49) Signed, dated and numbered 42/75 in pencil to margin, on Rives wove paper 76.3cm x 56.2cm (30in x 22.25in) (image size)

£400-600

Contemporary & Post-War Art

137 [§] JOHN HOYLAND R.A. (BRITISH 1934-2011) YELLOWS - 1969 Signed and dated ‘69 in pencil, numbered 71/75, screenprint, unframed 70cm x 115cm (27.5in x 27.25in) Provenance: Private Collection, Chicago, where purchased by present owner

£500-700

138 [§] JOHN HOYLAND R.A. (BRITISH 1934-2011) VIEW A/P, signed and dated ‘79 in pencil to margin, intaglio print 91cm x 68cm (35.75in x 26.25in) including margins

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

72 Lyon & Turnbull

139 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) SECRET KEY FOR THE THREE TEMPLES, NO.2 Signed and inscribed with title verso, oil on board 21cm x 14cm (8.25in x 5.5in)

£2,000-3,000

140 [§] DAVID MACH (SCOTTISH B.1956) HELP THE BLIND Signed, mixed media collage 37cm x 55cm (14.5in x 21.5in)

£1,000-1,500

Contemporary & Post-War Art

141 [§] PAT DOUTHWAITE (SCOTTISH 1939-2002) FIGURE WITH GUN Signed and dated 1966, oil on board 91cm x 121cm (35.75in x 47.5in) Exhibited: Scottish Gallery, Edinburgh

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

74 Lyon & Turnbull

142

[§] NOT VITAL (SWISS B.1948) BEARS - 1980 Signed, oil and mixed media on paper 124cm x 93cm (48.75in x 36.5in)

£2,000-3,000

143 RAY CATTELL (CANADIAN B.1921) WIND MOVED GRASS PRINTS 1979, watercolour 77cm x 101.5cm (30in x 40in) Provenance: Bears ‘Galerie Moos, Toronto’ label verso, where purchased by the present owner

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

144 OTTO ROGERS (CANADIAN B.1935) SUMMER GREEN Signed and dated ‘66, oil on canvas 152cm x 152cm (59.75in x 59.75in)

£4,000-6,000

145 RITA LETENDRE (CANADIAN C.1928) SAUGEEN Signed and dated 1976, signed and inscribed with title and dated verso, acrylic on canvas 86.5cm x 122cm (34in x 48in) Provenance: Bears ‘Galerie Moos, Toronto’ label verso, where purchased by the present owner Note: Letendre is noted for her associations with the Automatistes group. Her work developed through several phases of abstraction, from abstract expressionism, to hardedged. Latterly she became renowned as a muralist.

£2,000-3,000

76 Lyon & Turnbull

146 [§] LUCEBERT (DUTCH 1924-1994) BIG BOY Signed and inscribed ‘Jávea VIII’ and dated ‘69, mixed media and collage on paper 34cm x 24cm (13.25in x 9.5in) Provenance: Bears ‘Galerie Moos, Toronto’ label verso, where purchased by the present owner Note: Lucebert was a Dutch artist who first became known as the poet of the COBRA movement. He was born in Amsterdam in 1924. He entered the Institute for Arts and Crafts in 1938 and took part in the first exhibition of the COBRA group at the Stedelijk Museum, Amsterdam in 1949.

£700-1,000

147 CLIFFORD MARACLE (CANADIAN 1945-1996) INDIAN WITH REFLECTING GLASSES Signed, inscribed with title verso, oil on canvas 77cm x 61cm (30.25in x 24in) Note: Maracle was from the Mohawk Nation, Ontario, and is recognised for his depictions of the plight of urban First Nation peoples in the 1970s. He was strongly opposed to the injustices and prejudices suffered by his people and this is evident in his work. Sometimes using and subverting traditional native imagery, Maracle forged a distinctive expressionistic style. His work was politicised and aimed to make his audience aware of the complex realities of these social issues. Nonetheless, his work is often permeated with humour, though his use of bright colours and bold imagery was also a comment on the banality of popular culture.

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

147 GERSHON ISKOWITZ (POLISH/CANADIAN 1921-1988) MIDNIGHT #2 Signed and inscribed with title and dated 1986 verso, oil on canvas 96.5cm x 84cm (38in x 33in) Provenance: Bears ‘Galerie Moos, Toronto’ label verso, where purchased by the present owner

£8,000-12,000

Note: Born in Poland in 1921, Iskowitz exhibited artistic tendencies from an early age, and was encouraged by his family. His uncle submitted his portfolio to the Warsaw Academy of Fine Art, but his plans were derailed by the Nazi invasion that same year. At the age of 18, in 1942, he was sent to Auschwitz, and two years on, to Buchenwald. He spent six years of his life in total in the prison camps, resourcefully scavenging drawing materials where ever he could, and sketching secretly late at night. After liberation, Iskowitz convalesced in a hospital in Munich, and went on to enrol at the Munich Academy of Art, also receiving personal tuition from the established Expressionist Austrian artist Oskar Kokoschka. In 1949 he emigrated to Canada, though his initial application was rejected on account of his having had a limp. He reapplied, sending a drawing he drew for the bureaucrat in immigration. Impressed, the immigration officer declared him a genius, and predicted a great future for him in Canada, approved his emigration application and said that Gershon would have special privileges on the voyage to his new home. He settled in Toronto and began carving a successful career as an artist. His work moved through several periods; initially figurative, narrative compositions inevitably haunted by his Holocaust experiences, into studies of the vast Canadian landscape, and finally, from 1967 when he began to examine the topography from the aerial vantage point of a helicopter, his work exploded into colourful, abstracted explorations in oil and watercolour variously described as action paintings, abstract-expressionism and minimalism. His mature style defied categorisation within the schools and movements of the time. In 1972 he represented Canada at the Venice Biennial. Two years later he was elected a member of the Royal Canadian Academy. In 1977 he was awarded a medal in honour of the Queen’s silver jubilee. He would go on to establish the Gershon Iskowitz Foundation and the Gershon Iskowitz Prize, in associated with the Canada Council for the Arts. His work is held in numerous private and institutional collections, as well as Canada’s National Collection.

78 Lyon & Turnbull

149 [§] RAINER GROSS (GERMAN B.1951) NO. 396 - LUXUS LIII (DISH II) Signed and inscribed with title and dated 1988 verso, oil on canvas 91.5cm x 91.5cm (36in x 36in) Provenance: Bears ‘Galerie Moos, Toronto’ label verso, where purchased by the present owner

£400-600

150 [§] ROGER FRANCOIS THÉPOT (FRENCH/CANADIAN B. 1925) SUR UN COTÉ Signed and inscribed with title and dated 1974 verso, acrylic and varnish on canvas 92cm x 79cm (36.25in x 31in)

£400-600

151 [§] VICTOR VASARELY (HUNGARIAN/FRENCH 1906-1997) FROM THE ‘LAPADAIRE SUITE’ 1966, edition of 150, seriagraph 72cm x 67cm (28.15in x 26.5in) Provenance: Bears ‘Galerie Moos, Toronto’ label verso, where purchased by the present owner

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

152 [§] BRIAN BRADSHAW (BRITISH/SOUTH AFRICAN B.1923) SEASCAPE WITH BOAT ON THE HORIZON Signed, oil on canvas 82cm x 84cm ( 32.25in x 33in)

£800-1,200

153 [§] BRIAN BRADSHAW (BRITISH/SOUTH AFRICAN B.1923) DOG, ROSE BUSH AND SUNFIELD Signed, signed and inscribed with title verso, oil on canvas 74cm x 100cm (29in x 39.5in)

£1,000-1,500

80 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

STEVE MCCURRY Philadelphia born artist Steve McCurry is one of the world’s leading contemporary travel photographers. His origins lie in photojournalism, having freelanced for some years for the local paper after graduation from Pennsylvania State University. He is best known for the famous image of the ‘Afghan Girl’ – one of the most iconic photographs to have appeared on the cover of National Geographic, since becoming widely used on Amnesty International brochures, posters, and calendars. Much of his travel consisted of politicised commissions such as this, and he has famously covered the Iran–Iraq War, Lebanon Civil War, the Cambodian Civil War, the Islamic insurgency in the Philippines, the Gulf War and the Afghan Civil War, as well as having been present at the collapse of the World Trade Center towers. However, his original passion for travel photography was ignited after a year living in India. His focus is almost invariably on the human subjects within his compositions, and it is for this sensitivity that he has become so sought out and renowned; the landscape or landmarks secondary to his exploration of the human condition. Works such as the examples offered here for sale demonstrate his deep fascination with and affection for the country of India, its people, and their way of life. McCurry describes his artistic motivation: “Most of my images are grounded in people. I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face. I try to convey what it is like to be that person, a person caught in a broader landscape, that you could call the human condition.”

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

82 Lyon & Turnbull

154 STEVE MCCURRY (AMERICAN B.1950) FISHERMEN, WELIGAMA, SOUTH COAST SRI LANKA - 1995 Signed and affixed with photographer’s label inscribed with title & date, and numbered on reverse of mount, from an edition of 90, digital C-type printed in 2016 51cm x 61cm (20in x 24in) paper mounted on aluminium Exhibited: Beetles & Huxley, London

£4,000-6,000

Contemporary & Post-War Art

155 STEVE MCCURRY (AMERICAN B.1950) TRAIN STATION AGRA, INDIA - 1983 Signed and affixed with photographer’s label inscribed with title & date, and numbered on reverse of mount, from an edition of 30, digital C-type printed in 2016 51cm x 61cm (20in x 24in) paper mounted on aluminium Exhibited: Beetles & Huxley, London

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

84 Lyon & Turnbull

156 [§] KIRSTEN KLEIN (DANISH B.1945) WASHING LINE, TRALEE Signed and inscribed in pencil to mount, mount bears artist’s stamp, photographic print 39cm x 29cm (15.25in x 11.5in), and a further photograph by the same artist (2)

£600-800

157 [§] ANDY GOLDSWORTHY O.B.E. (BRITISH B.1956) VALLEE DU BES CAIRNS, RESERVE GEOLOGIQUE DE HAUTE PROVENCE, 1999 Signed and numbered 5/500 in pencil, iris print 55cm x 114cm (21.5in x 45in)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

158 HARRY CALLAHAN (AMERICAN 1912-1999) DETROIT (1943) Signed, signed verso, gelatin silver print of a later date 28cm x 35.5cm (11in x 14in) (to edges of paper), 24cm x 32.5cm (image only)

£2,000-3,000

159 HARRY CALLAHAN (AMERICAN 1912-1999) ELEANOR, PORT HURON (1954) Signed, gelatin silver print of a later date, unframed 25.5cm x 20cm (10in x 8in) (to edges of paper), 18cm x 17.5cm (image only)

£800-1200

86 Lyon & Turnbull

160 [§] GIAN PAOLO BARBIERI (ITALIAN B.1938) 2 WORKS FROM ‘PORTFOLIO: TAHITI’ Signed and numbered 2/7 to accompanying certificate, gelatin print Both 104cm x 82cm (41in x 32.25in)

£2,000-3,000

Barbieri is one of Italy’s foremost fashion photographers. Self-taught, his career burgeoned in the 1960s, and he soon found his work published in the Italian, French and American Vogue magazine. He opened his own studio in Milan in 1964. Barbieri and the fashion designer Valentino are regarded as responsible for many innovations in modern fashion advertising campaigns. Notable models that Barbieri has photographed include Mirella Petteni, Jerry Hall, Veruschka, Monica Bellucci and Audrey Hepburn, and he has workved for fashion designers Armani, Versace, and Dolce & Gabbana. In the 1990s Barbieri became a focused his creative sensibility on travel photography, as represented by the works offered here for sale. An exhvibition of Barbieri’s travel work was curated by the English fashion photographer David Bailey, shown at the Victoria and Albert Museum in London and the Kunstforum in Vienna. 1968 he was awarded the Biancamano Prize as Best Italian Photographer and was named one of the 14 best international fashion photographers by the German magazine Stern in 1978.

Contemporary & Post-War Art

161 [§] DYLAN LISLE (SCOTTISH B.1978) PERSONAL HELICON Signed with monogram, signed and inscribed with title verso, oil on canvas 40cm x 38cm (15.75in x 15in)

£500-800

162 [§] MICHAEL LEONARD (BRITISH B.1933) MAN UNDRESSING - 1991 Signed, dated and numbered 39/45 in pencil to margin, lithograph 35cm x 39cm (13.75in x 15.25in)

£200-300

163 [§] SAM SKELTON (SCOTTISH B.1949) FLY BIRDIE FLY Signed, oil on canvas laid on board 28cm x 26.5cm (11in x 10.5in)

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

88 Lyon & Turnbull

164 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) WOMAN WITH LOAF Signed, oil on canvas 77cm x 57cm (30.25in x 22.5in) Provenance: Purchased directly from the artist at his home in Barga, Italy

£3,000-5,000

165 [§] ETHEL WALKER (SCOTTISH B.1941) STILL LIFE WITH POPPIES AND DOLLS Signed, oil on board 58cm x 93cm (23in x 36.5in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

166 [§] ROBERT KELSEY (SCOTTISH B.1949) THE ORANGE CLOTH Signed, signed and inscribed with title stretcher verso, oil on canvas 39cm x 38cm (15.25in x 15in) Exhibited: The Walker Galleries, North Yorkshire

£1,000-1,500

167 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) STILL LIFE WITH JUG AND HYDRANGEA Signed, oil on canvas 121cm x 90cm (47.5in x 35.5in) Provenance: Purchased directly from the artist at his home in Barga, Italy

£6,000-8,000

90 Lyon & Turnbull

GEORGE KEYT “These figures take on a strange expressive grandeur, and radiate an aura of intensely profound feeling:” Pablo Neruda on George Keyt George Keyt is Sri Lanka’s most celebrated and successful 20th Century artist. An eternal student, Keyt was both a poet and a painter, with a passionate interest in Buddhism. His distinctive visual approach combined pictorial innovations of the Modernist movements, particularly Cubism, with techniques and subject matter from South Asia, including Buddhist and Hindu mythologies. Throughout his life, he had a great love affair with India, the home of lots of this folklore, and a location to which he returned again and again for inspiration and renewal. Both works offered here demonstrate Keyt’s unique approach, across different mediums, characterised by simplified form and bold lines, with a flattened picture plane. His simplification and directness allows him to convey an eternal reserve of energy and emotion, drawing deeply to get to the heart of his cross-cultural fusion of styles and influences. Both works purchased from the artist’s studio in the 1980s. The vendor is a local who knew the artist personally and collected a number of his paintings; their collection also includes lots of work by other Sri Lankan artists, including the 1943 and 20s Groups. 168 GEORGE KEYT (SRI LANKAN 1901-1993) SOLITUDE Signed and dated ’81, acrylic on card, unframed 63.5cm x 38.5cm (25in x 15.25in)

£2,000-3,000

Contemporary & Post-War Art

Provenance: These two works were purchased in the 1980s, directly from the artist at his studio at Sirimalwatte on the outskirts of Kandy in Sri Lanka. The current owner knew the artist personally, and further, is closely related to Harold Peiris, a renowned Sri Lankan patron of the arts, who was very instrumental in forming the 1943 Group to which George Keyt and other major Sri Lankan Artists belonged. Peiris created a Trust and converted his house to a Contemporary Art Museum in Colombo.

169 GEORGE KEYT (SRI LANKAN 1901-1993) LOVERS Signed and dated ‘87, acrylic on canvas 69cm x 67.5cm (27in x 26.5in)

£7,000-10,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

92 Lyon & Turnbull

170 [§] HELEN KINCAID (BRITISH CONTEMPORARY) HOLE Oil on canvas 169cm x 212cm (66.5in x 83.5in)

£2,000-3,000

171 [§] CHARMING BAKER (BRITISH B.1964) LOVE IS NEVER THINKING IT MIGHT END BEFORE WE DO - 2011 Signed and numbered 216/250, embossed studio stamp, giclee print 53cm x 53cm (21in x 21in)

£500-700

472 [§] CHARMING BAKER (BRITISH B.1964) INTELLIGENCE IS NO MATCH FOR ADAPTABILITY - 2010 Signed and numbered 3/16 in pencil, emobossed studio stamp, giclee print 86cm x 101cm (34in x 39.75in) including margins

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

173 [§] ARMEN ELOYAN (ARMENIAN B.1966) UNTITLED (POPEYE RED BOOTS; POPEYE SERIES) - 2010 Oil on canvas with photographic collage element 79cm x 60cm (31in x 23.5in)

£3,000-5,000

174 LUC FULLER (AMERCIAN B.1989) UNTITLED (STANDING CLOCK PAINTING) - (RB-FULLL-0044) - 2014 Acrylic on canvas, stretched over coloured cotton fabric on artist designed wooden stretcher 122cm x 84cm (48in x 33in)

£2,000-3,000

94 Lyon & Turnbull

175 [§] CHARMING BAKER (BRITISH B.1964) LIVE EVERYDAY LIKE YOUR HAIR IS ON FIRE SIgned and numbered 1/35, premium print on board 103cm x 80cm (40.5in x 39.75in)

£3,000-5,000

176 [§] OLIVER CLEGG (BRITISH B.1980) DRAWING BOARD 3 - 2005 Oil and mixed media on artist’s board 90cm x 60cm (35.5in x 23.5in)

£1,500-2,000

Contemporary & Post-War Art

177 [§] DELTA (BORIS TELLEGEN) (DUTCH B.1968) ANN 008 PARICULATES NO.3 - 2008 Signed, paper, acrylics and gel 29.5cm x 27cm (11.5in x 10.5in)

£400-700

178 YOSHITOM NARA (JAPANESE B.1959) AOMORI DOGS (WHITE & BLUE) Set of two vinyl multiples, 2017, produced by Aomori Museum of Art, Japan, each housed within the original plastic packaging Each 19cm x 14cm (7.5in x 5.5.in)

£400-600

179 [§] DELTA (BORIS TELLEGEN) (DUTCH B.1968) STILL FROM “OVERGROWTH 3.1” Signed and inscribed with title verso, c-print, diasec mounted 29cm x 51cm (11.25in x 20in)

£500-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

96 Lyon & Turnbull

180 [§] FIONA RAE R.A. (BRITISH B.1963) BEWITCHED Stage proof, signed and inscribed with title, screenprint with applied glitter 83cm x 68cm (32.75in x 26.75in) (image size)

£600-800

181 JEFF BURTON (AMERICAN B.1963) UNTITLED - 2000 Signed and dated verso, numbered 58/300, c-print, diasec mounted 29.5cm x 43.8cm (11.5in x 17.25in)

£300-500

182 [§] ROY LICHTENSTEIN (AMERICAN 1923-1997) ”BRUSH STROKES” - 1967 Original serigraph printed for Lichtenstein’s exhibition at the Walker Gallery, Minneapolis & Pasadena Art Museum in 1967 63.5cm x 84cm (25in x 33in)

£200-400

Contemporary & Post-War Art

183 [§] GERALD LAING (BRITISH 1936-2011) DOMESTIC PERSPECTIVE - 2009 Signed and inscribed with title and dated in pencil to margin, numbered 21/90, screenprint 125cm x 67cm (49.25in x 26.5in)

£1,500-2,000

184 [§] STEPHEN MANGAN (SCOTTISH B.1964) SHADOWS Signed and dated ‘96, oil on canvas 74cm x 76cm (29in x 30in)

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

98 Lyon & Turnbull

185 [§] DAVID COOK (SCOTTISH B.1957) LANDSCAPE AT SUNSET Signed and indistinctly dated (‘91?), oil on board 64cm x 98cm (25.25in x 38.5in)

£600-800

186 [§] IAN MCKENZIE SMITH R.S.A., P.R.S.W. (SCOTTISH B.1935) ENSO Watercolour 53cm x 78cm (21in x 30.5in)

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

187 [§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017) CHORD Signed, inscribed with title and numbered 4/10 on print in pencil, colour etching 49cm x 71cm (19.25in x 28in)

£300-500

188 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) OPUS OG. 3479: SAY IT AGAIN - 1961 Signed and inscribed with title and dated ‘61, oil on brown paper 28cm x 59cm (11in x 23.25in) Exhibited: Gimpel Fils, London

£3,000-5,000

100 Lyon & Turnbull

189 [§] MARK HEARLD (BRITISH B.1974) SMALL HOLDING DOVECOT - 2016 Signed and dated, mixed media with collage on paper 56cm x 56cm (22in x 22in) Exhibited: Scottish Gallery, Edinburgh

£800-1,200

190 [§] RICHARD DEMARCO O.B.E., H.R.S.A., R.S.W. (SCOTTISH B.1930) FURLING SAIL BY MOONLIGHT - 1991 Signed and inscribed with title and dated in pencil to margin, screenprint 44cm x 30cm (17.25in x 11.75in) and another, a pair, ‘Unfurling Sail Towards the Gairloch’ (2)

£300-500

Contemporary & Post-War Art

101

191 [§] WILHELMINA BARNS-GRAHAM C.B.E., H.R.S.A., H.R.S.W. (SCOTTISH 1912-2004) MILLENIUM BLUE II Signed and dated 2000 in pencil, number 50/75, screenprint 24cm x 30cm (9.5in x 12in)

£600-800

192 [§] WILHELMINA BARNS-GRAHAM C.B.E., H.R.S.A., H.R.S.W. (SCOTTISH 1912-2004) MILLENIUM RED Signed and dated 2000 in pencil, number 32/75, screenprint 24cm x 30cm (9.5in x 12in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

102 Lyon & Turnbull

193 [§] ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH B.1931) FLOWER STUDY Signed and dated in pencil, watercolour 30cm x 19cm (11.75in x 7.5in)

£1,000-1,500

194 [§] MARION DRUMMOND (SCOTTISH B.1958) LITTLE WHITE JUG Signed, oil on canvas 40cm x 48cm (15.75in x 19in)

£600-800

195 [§] WALTER DOLPHYN (BELGIAN B.1963) GENTLEMAN DRIVERS? Signed with initials, oil on panel 9cm x 49cm (7.5in x 19.25in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

196 [§] JACK VETTRIANO (SCOTTISH B.1951) PORTRAIT OF ANDREW Signed, signed and inscribed ‘To Andrew, with best wishes, Jack Vettriano, October 1991’, oil on canvas 30cm x 24cm (11.75in x 9.5in)

£5,000-7,000

197 [§] KEVIN SINNOTT (WELSH B.1947) STUDY FOR ‘RUNNING AWAY’ - 1995 Signed with initials, inscribed with title verso, oil on panel 43cm x 29.5cm (17in x 11.5in) Exhibited: Martin Tinney Gallery, Cardiff

£500-700

103

104 Lyon & Turnbull

198 [§] MICHAEL AYRTON (BRITISH 1921-1975) PORTRAIT OF A YOUNG GIRL Signed and dated 24-6-52, pen, black ink & sepia wash drawing 36.5cm x 25.5cm (14.25in x 10in)

£600-800

199 [§] PETER HOWSON (SCOTTISH B.1958) UNTITLED Signed and dated 2012, mixed media on paper 40cm x 30cm (15.75in x 11.75in)

£1,000-1,500

200 [§] STEPHEN CONROY (SCOTTISH B.1964) HEAD Signed, pencil 28cm x 19cm (11in x 7.5in)

£700-900

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Contemporary & Post-War Art

201 [ยง] PETER HOWSON (SCOTTISH B.1958) UNTITLED Signed, oil on canvas 89cm x 67cm (35in x 26.5in)

ยฃ6,000-8,000

105

106 Lyon & Turnbull

Contemporary & Post-War Art

107

202 [§] STEVEN CAMPBELL (SCOTTISH 1953-2007) PORTRAIT OF ROBERT URQUHART TAKING THE R.U. NEUROTIC TEST - 1988 Oil on canvas 326cm x 180cm (128in x 71in) Exhibited: Marlborough Gallery, London Note: This work was singled out for discussion and described as “ a study in visual paranoia” by New York art critic Meyer Raphael Rubinstein in a review of the Marlborough exhibition in which the work first appeared.

£10,000-15,000

108 Lyon & Turnbull

203

204

[§] ALISON WATT O.B.E., R.S.A. (SCOTTISH B.1965)

[§] STEPHEN CONROY (SCOTTISH B.1964)

SMALL PORTRAIT - AUDREY, 1993 Signed, oil on canvasboard

PORTRAIT OF A YOUNG MAN - 1999 Signed verso, oil on board

26.5cm x 22cm (10.5in x 8.5in)

91.5cm x 61cm (36in x 24in)

Exhibited: Cyril Gerber, Glasgow

£7,000-10,000

£5,000-7,000

Contemporary & Post-War Art

109

110 Lyon & Turnbull

Index AYRTON, M.

198

BAKER, C.

171, 172, 175

BAILLIE, W.

124

BARBIERI, G. P.

160

BARNS-GRAHAM, W. 191, 192 BARR, S. BELLANY, J.

15 1, 2, 61, 70, 87, 106, 107, 164, 167

BLACKADDER, E. 37, 38, 44,

BRADSHAW, B.

122

INNES, C.

NARA, Y.

178

DAVIE, A.

120, 139, 188

IRVIN, A.

134

NOT VITAL

142

DAVISON, F.

ISKOWITZ, G.

147

ORAM, A.

KELSEY, R.

14, 166

OTHON FRIESZ, A.

133

KEYT, G.

168, 169

KINCAID, H.

170

PAOLOZZI, SIR E.

65, 66

KIRKHAM, N.

12, 86, 97

PHILIPSON, SIR R.

45, 46

KLEIN, K.

156

PICASSO, P.

KNOX, J.

DELTA (Boris Tellegen) 177, 179 DEMARCO, R.

190

DEVLIN, G.

125

DOLPHYN, W.

195

DONALDSON, D.

111

DOUTHWAITE, P.

3, 4, 5, 104, 141

DRUMMOND, M.

194

88, 108, 113, 127

EDGAR, N.

152-153

ELOYAN, A.

173

101, 193 BOYD, J. G.

DAINES, S. V.

BROWN, E. 131 BROWN, J. 30 BUCHANAN, H. 9, 10 BURTON, J. 181 BUSHE, C. 41 BYRNE, J. 60, 74-78 CAIRNS, J. 105 CALLAHAN, H. 158, 159 CAMPBELL, S. 202 CATTELL, R. 143 CHAGALL, M. 53 CLEGG, O. 176 COLLIS, P. 13 CONROY, S. 200, 204 COOK, D. 185

183

LENAGHAN, B.

32, 34, 102

LEONARD, M.

162

7, 8, 92, 93, 94,

RAE, F.

180

REDPATH, A.

109

REEVES, P.

21, 22, 187

ROGERS, O.

144

FARRELL, C.

110

LETENDRE, R.

145

FINLAY, I. H.

58, 59

LICHTENSTEIN, R.

182

SCHUELER, J.

129

FLEMING, I.

103

LISLE, D.

161

SINNOTT, K.

197

FORREST, A.

69, 114

LUCEBERT

146

SKELTON, S.

163

FROST, T.

135, 136

FULLARTON, J.

115

FULLER, L.

174

GARDNER, A.

116, 117

MAAR, D (Attributed to) 55 MACDONALD, T.

MACH, D.

140

MACLAURIN, R.

GIACOMETTI, A. (Manner of) 68

MANGAN, S.

184

GOGOLIUK, G.

MANSON, D.

GOLDSWORTHY, A. 157

MARACLE, C.

GRAY, A.

MCCLURE, D.

GROSS, R.

149

GRUAU, R.

COSGROVE, J. 39, 40

HAIGH, P.

CROWE, V. 72

HANNA, N.

90, 91

CUNNINGHAM, J. 123

HARRIS, J.

HAWKINS, J.

126

HEARLD, M.

189

HOUSTON, J.

Glossary

LAING, G.

RAE, B.

HOWSON, P.

19, 20, 80-82, 118, 199, 201

HOYLAND, J.

137, 138,

SMITH, I. MCKENZIE 186 SQUIRE, G. 28 THÉPOT, R. FRANCOIS 150 VASARELY, V.

151

VETTRIANO, J.

196

147

WALKER, E.

99, 100, 165

WATT, A.

62, 203

MCCURRY, S.

154, 155

WILSON, H.

16, 17, 18

MCINNES, J.

WITHER, K.

35, 36

MCINNES, S.

MCRAE, J.

119

YATES, F.

24, 26

MCVEIGH, M.

ZYW, A.

128, 130

MIRÓ, J.

47, 48-52

MITCHELL, J.

MORRISON, J.

132

MORRISON, J.L. 31, 43, 85, 112 MORROCCO, A.

MULHOLLAND, C.

83, 84

The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the coandition of the lot or the extent of any restoration. Buyers are recommended to to inspect the property themselves. Written condition reports are usually available on request. Dimensions are given height before width. Names or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist

Circle of… In our opinion work of the period of the artist and showing their influence

Attributed to… In our opinion probably a work by the artist in whole or in part

Follower of… In our opinion a work executed in the artist’s style, but not necessarily by a pupil

Studio of… / Workshop of… In our opinion a work executed in the studio or workshop of the artist, possibly under their supervision

Manner of… In our opinion a work executed in the artist’s style but of a later date

Signed… / Dated… / Inscribed… / In our opinion the work has been signed/ dated/inscribed by the artist Bears Signature… / Date… / Inscription… / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist

Contemporary & Post-War Art

111

BAMUN BOWL CAMEROON, 19TH CENTURY

AFRICAN & OCEANIC ART & ANTIQUITIES AUCTION 01 MAY 2019 IN EDINBURGH AT 11AM

Alex Tweedy | 0131 557 8844 alex.tweedy@lyonandturnbull.com Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

112 Lyon & Turnbull

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate. 2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers for identification to prevent fraud, underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate. Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us. Please note that we do not accept payment from third parties and this also applies to agents. If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final. We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers. Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids. We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts

to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot. 7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on

1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000. (2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied. 10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in

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making full payment for the lot. 11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied. 12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that

photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot. (2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item. (7) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must

make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such.

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15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event Lyon and Turnbull in its reasonable opinion deems that

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the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser. This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation,

loss of profits or interest. 19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller;

“Lot” means each Item offered for sale by Lyon and Turnbull; “Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning

its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds. 3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing. 4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement.

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(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue. (4) Storage: Of the Lots after the sale, where applicable. 6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice

they may be disposed of as we see fit, which may involve their sale by public auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of

the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested). 13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

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(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission. The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control. The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction. 17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply. 18.6

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Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

1 – Government issued photo ID (Passport/Driving licence)

and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax). You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon & Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

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2 Lyon & Turnbull

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115