Five Centuries: Furniture, Paintings & Works of Art since 1600 | Auction 14 May 2019 by Lyon & Turnbull

Tuesday, 14th May 2019 33 Broughton Place Edinburgh

Five Centuries:

Furniture, Paintings & Works of Art Tuesday, 14th May, 2019 at 10am Sale Number LT558

Location Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR

Viewing Saturday, 11th May 12 noon - 4pm Sunday, 12th May 12 noon - 4pm Monday, 13th May 10am - 5pm Morning of sale from 9am

Enquiries Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 216 (detail)

Inside Front Cover Lot 179 (detail)

Inside Back Cover Lot 325 (detail)

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Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £100,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all fist time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

1–G overnment issued photo ID (Passport/ Driving licence) 2–P roof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www. defra.gov.uk/ahvla-en/ imports-exports/ cites 19.1

Five Centuries

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Gavin Strang

Furniture, Clocks & Works of Art

Paintings

Ceramics & Glass

Rugs & Carpets

douglas.girton@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

theo.burrell@lyonandturnbull.com

gavin.strang@lyonandturnbull.com

Carly Shearer

Jamie Russell

Kerstin Schaeffer

Paintings

Cataloguer

Department Administrator

carly.shearer@lyonandturnbull.com

jamie.russell@lyonandturnbull.com

kerstin.schaeffer@lyonandturnbull.com

Lyon & Turnbull York Place Tram Stop Waverley Station, Princes Street

4 Lyon & Turnbull

Order of Sale

Tuesday, 14th May, 2019 at 10am

1-235 British Furniture & Works of Art: Part I Including A Private Collection of Glassware (Lots 87-96) 236-266 Paintings 267-406 British Furniture & Works of Art: Part II 407-522 Continental Furniture & Works of Art 523-528

Indian& Islamic Works of Art

529-568

Rugs & Carpets

569-594

Garden

Above Lot 511

Five Centuries

British Furniture & Works of Art: Part I

1 CHARLES I OAK CUPBOARD MID 17TH CENTURY WITH ALTERATIONS the flower head and lozenge carved cornice above a pair of angled panel doors divided by carved stylised flower panels, with a carved central pendant panel bearing date 1672, flanked by cup-and-cover columns; the projecting base with a further pair of knot-carved cupboard doors, raised on stile feet; together with a matching carved oak back panel with stylised flower motifs 190cm wide, 124cm high, 56cm deep

£1,000-1,500

2 CHARLES II OAK PANEL CHEST 17TH CENTURY the hinged top above a fielded twinpanel front, flanked by stop-fluted pilasters and raised on stile feet 159cm wide, 84cm high, 65cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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3 IRON RUSH LIGHT HOLDER 18TH CENTURY of hinged form, raised on a thick conical wood base 31cm high

£400-600

4 TWO IRON RUSHLIGHT HOLDERS 18TH CENTURY both raised on tripod bases, the larger, 53cm high; and the other smaller and hinged, 27.5cm high (2) £300-400

5 GEORGIAN OAK PANEL CHEST 18TH CENTURY the hinged top above a chamfered four-panel front, raised on stile feet 130cm wide, 75cm high, 56cm deep

£300-500

6 WILLIAM AND MARY OAK CHEST OF DRAWERS LATE 17TH CENTURY the rectangular top above four double panel moulded and graduated drawers, the side panels with diamond chip carving, on replaced pad feet 98cm wide, 83cm high, 59cm deep

£400-600

7 PAIR OF WILLIAM AND MARY OAK SIDE CHAIRS LATE 17TH CENTURY the curved top rails above baluster shaped splats and panel seats, raised on turned and block legs joined by peripheral stretchers (2) 46cm wide, 102cm high, 39cm deep

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

8 LARGE PAINTED AND PARCEL GILTWOOD AND TOLE CHANDELIER the turned baluster central column with three graduated tiers mounted with turned candle holders, painted green, with a turned knop pendant finial and arched supports 101cm wide, 167cm high

£500-700

9 PAIR OF WILLIAM AND MARY OAK SIDE CHAIRS 17TH CENTURY the tall backs with arch cresting pierced and carved with foliate and C scrolls, flowerheads, and leaf motifs, above stuffover seats raised on turned and block legs joined by foliate carved stretchers (2) 50cm wide, 128cm high, 39cm deep

£700-1,000

10 PAIR OF CAST IRON FIRE DOGS AND GRATE 19TH CENTURY the firedogs with rampant lions holding heraldic shields on octagonal bases; the rectangular enclosed grate with a baluster rail front Firedog 60cm high; grate 95cm wide; 122cm wide overall

£800-1,200

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11 QUEEN ANNE WALNUT MIRROR EARLY 18TH CENTURY the later rectangular mirror plate in a cushion moulded frame 63cm high, 55cm wide

£300-500

12 GEORGE II WALNUT CHEST-ON-CHEST 2ND QUARTER 18TH CENTURY the moulded cornice above a pair of short drawers and three long drawers; the base with three further drawers, all graduated with feather banding, on bracket feet 102cm wide, 180cm high, 52cm deep

£400-600

13 GEORGE I WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY, AND LATER the later quarter veneered and crossbanded top with featherbanding, above three short drawers and three further long graduated drawers, all outlined with featherbanding, on bracket feet 102cm wide, 92.5cm high, 54.5cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

14 PAIR OF GEORGE II MAHOGANY SIDE CHAIRS MID 18TH CENTURY the serpentine top rails with scroll carved ears above foliate carved and pierced interlaced splats and fluted side rails, the drop-in seats covered in later needlework, raised on cabriole legs with acanthus carved blocks and ending in pad feet (2) 58cm wide, 93.5cm high, 47cm deep

£300-400

15 GEORGE II MAHOGANY FOLD-OVER TEA TABLE 18TH CENTURY the hinged rectangular top above a long frieze drawer, raised on straight legs ending in pad feet 71cm wide, 73cm high, 33.5cm deep (closed)

£500-700

16 QUEEN ANNE WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded top with a moulded edge above two short and three long graduated drawers with boxwood stringing, raised on bun feet 96cm wide, 94cm high, 57.5cm deep

£1,200-1,800

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17 GEORGE II WALNUT WRITING TABLE 18TH CENTURY the rectangular top with a moulded edge above a slide and long frieze drawer, raised on chamfered square legs with arch corner brackets 66cm wide, 73cm high, 38cm deep

£500-700

18 GEORGIAN MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY, MADE UP the associated top with a fret moulded frieze above a pair of crossbanded doors with a single shelf interior; the base with a blind fret carved frieze and secretaire drawer over three further long graduated drawers, raised on ogee bracket feet 100cm wide, 198cm high, 50cm deep

£500-700

19 GEORGE I WALNUT AND YEW LOW BOY EARLY 18TH CENTURY the crossbanded top with a moulded edge above two short and three further short drawers, raised on cabriole legs ending in pad feet 104cm wide, 85cm high, 56cm deep

£800-1,200

20 GEORGE II WALNUT AND GILT MIRROR 18TH CENTURY the rectangular mirror plate in a gilt slip and shaped frame with foliate and C scroll gilt moulded cresting 79cm high, 43cm wide

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

21 LATE GEORGE II MAHOGANY WINE TABLE MID 18TH CENTURY the circular dished tilt top on a fluted and acanthus carved column support, on leaf carved legs ending in claw feet 53cm diameter, 70cm high

£1,200-1,800

22 PAIR OF GEORGE II STYLE WALNUT WING ARMCHAIRS EARLY 20TH CENTURY the rectangular backs and straight wings above loose cushion seats and outscrolled arms, raised on scroll carved cabriole legs ending in pad feet, covered in ecru fabric with contrast piping (2) 86cm wide, 114cm high, 57cm deep

£700-1,000

23 GEORGE II STYLE WALNUT SOFA EARLY 20TH CENTURY the hump back above a threecushion seat and outscrolled arms, raised on eight scrollcarved cabriole legs ending in pad feet, covered in ecru fabric outlined in contrast piping 186cm long, 91cm high, 63cm deep

£600-800

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24 LATE IRISH GEORGE II GILTWOOD MIRROR MID 18TH CENTURY the rectangular mirror plate in a carved openwork frame with C and leaf scrolls, flanked by flower-filled urns 143cm high, 83cm wide

£2,000-3,000

25 GEORGE II WALNUT, OAK AND INLAY CHEST-ON-CHEST 18TH CENTURY the moulded cornice over three short and three long graduated drawers with feather banding, flanked by fluted angles; the lower section with two further short and three long drawers, raised on bracket feet 107cm wide, 190cm high, 57cm deep Provenance: From the estate of the late Dr. Nicholas Phillipson.

£1,000-1,500

26 PAIR OF GEORGIAN REVIVAL WALNUT ARMCHAIRS LATE 19TH CENTURY the curved backs above serpentine stuff-over seats flanked by scroll arms with carved eagle head terminals; raised on cabriole legs ending in claw and ball feet; covered in natural linen outlined with piping (2) 62cm wide, 92cm high, 45cm deep

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

27 GEORGIAN OAK SIDE TABLE EARLY 18TH CENTURY the rectangular top with a moulded edge above a long frieze drawer, raised on slender turned baluster legs joined by peripheral stretchers 81cm wide, 72cm high, 55cm deep

£400-600

28 ASSEMBLED SET OF EIGHT LADDERBACK CHAIRS 19TH CENTURY comprising six side chairs and two armchairs, with shaped ladder backs above rush seats on turned legs joined by stretchers (8) Armchair 63cm wide, 103cm high, 45cm deep

£400-600

29 GEORGIAN OAK AND MAHOGANY DRESSER 18TH CENTURY the top with a moulded edge above three short drawers with mahogany crossbanding, raised on cabriole legs 199cm wide, 79cm high, 52cm deep

£400-600

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30 YEW AND ELM WINDSOR ARMCHAIR EARLY 19TH CENTURY the curved top rail above a pierced wheel splat and U-shaped arms with spindles over a shaped seat, raised on turned legs joined by H stretchers 65cm wide, 116cm high, 45cm deep

£500-700

31 GEORGE II OAK LOWBOY MID 18TH CENTURY the top with a moulded edge above three frieze drawers and a shaped apron, raised on straight legs ending in pad feet 89.5cm wide, 73cm high, 49cm deep

£600-800

32 TWO LARGE WICKER LOG BASKETS LATE 19TH CENTURY of tapered rectangular form (2) 89cm wide, 67cm high, 73cm deep

£400-600

33 MATCHED SET OF FOUR YEW AND ELM WINDSOR ARMCHAIRS EARLY 19TH CENTURY with hoop backs and pierced central splats, above U-shaped arms and shaped seats raised on turned legs with H stretchers (4) 70cm wide, 114cm high, 46cm deep

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

34 PAINTED BEER AND TOBACCO TRADE SIGN MID 19TH CENTURY in worn and faded red and yellow paint, the rectangular panel with a moulded frame, inscribed JANE, CLARKE./ LICENSED TO SELL BEER AND CIDER/ NOT TO BE CONSUMED ON THE PREMISES./ DEALER IN TOBACCO 42.5cm high, 155cm long

£800-1,200

PAIR OF HARDWOOD BUCKETS LATE 18TH CENTURY of rustic staved construction with lugs and swing iron handles and banding (2) 30.5cm diameter, 33cm high

£300-500

36 YELLOW PINE CRICKET TABLE MID 19TH CENTURY the circular top on chamfered legs joined by stretchers and a conforming undertier 62cm diameter, 75cm high

£400-600

37 GEORGIAN BLUE PAINTED PINE BOX SETTLE 18TH CENTURY the five panel back above a long seat with a centre hinged panel flanked by scrolled open arms, above a triple panel base raised on stile feet, with worn blue over black painted surface 165cm wide, 130cm high, 43cm deep

£800-1,200

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38 GEORGE II OAK DOUBLE CHAIRBACK SETTEE 2ND QUARTER 18TH CENTURY the shaped toprails over double vasiform splats, scroll arms and a green plush covered seat, raised on cabriole legs ending in pad feet 106cm wide, 95cm high, 37cm deep

£500-700

39 GEORGE III SMALL OAK CHEST OF DRAWERS LATE 18TH CENTURY the rectangular top with a moulded edge over two short drawer and three long graduated drawers, raised on shaped bracket feet 80cm wide, 82cm high, 48cm deep

£500-700

40 GEORGE II OAK DRESSER BASE 18TH CENTURY with three moulded short drawers, raised on baluster turned and block forelegs and straight rear legs 175cm wide, 79cm high, 51cm deep

£500-700

BRASS BANDED BARREL STICK STAND

TWO COPPER COAL SCUTTLES

GEORGIAN OAK CHILD’S SETTLE 19TH CENTURY with a spindle back over a plank seat and scroll arms, raised on turned baluster legs

37cm wide, 42cm high, 30cm deep

19TH CENTURY of helmet form with bale handles and brass fittings, 43cm and 41cm high (including handles); together with A SET OF MECHANICAL BELLOWS with iron turning wheel and brass fittings, 75.5cm long (3)

£200-300

19TH CENTURY of oval form with brass straps and a coat-of-arms

84cm wide, 66cm high, 35cm deep

£250-350

Five Centuries: British Furniture & Works of Art: Part I

44 GEORGIAN STYLE LIMED PINE MIRROR MODERN in the George II style, the pierced and carved shell and foliate cresting above a rectangular mirror plate in a frame carved with acanthus and C scrolls 151cm high, 104cm wide

£400-600

45 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JAMES CUTHBERT, PERTH MID 18TH CENTURY the arched cornice hood with three brass ball finials above an arched brass dial with a circular boss to the arch inscribed Tempus Fugit, above Roman and Arabic chapters, a subsidiary seconds dial, date aperture, and arched silvered maker’s name plate, flanked by corner columns, above an arched trunk door and plinth base, the eight day movement striking a bell 43cm wide, 235cm high, 24cm deep

£800-1,200

46 ANGLO-COLONIAL SABICU SIDE TABLE, POSSIBLY WEST INDIES 18TH CENTURY the slightly serpentine top with outset square forecorners, above a frieze drawer and shaped apron centred by a pierced foliate pendant scroll, raised on pronounced double C scroll legs ending in claw and ball feet 130cm wide, 80cm high, 63cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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47 WORCESTER BLUE AND WHITE BARREL TEAPOT MID 18TH CENTURY the flat cover with a rose finial, above the rounded body moulded with flower sprays within blue and white borders, underglaze blue crescent mark 10cm high

£300-500

48 SMALL STAFFORDSHIRE SALT-GLAZED COVERED TEAPOT CIRCA 1760-65 the flat cover with a twig form handle, above an ovoid body with twig-form spout and handle, polychrome painted with a fisherman in a riverscape 8.5cm high

£250-350

49 FOUR ENGLISH PORCELAIN BULLET-FORM COVERED TEAPOTS 18TH CENTURY all with rose modelled finials and domed covers, comprising two painted with flower sprigs and sprays, 16cm high and 14.5cm high; a Worcester example in underglaze blue, with polychrome and gilt flowers, underglaze blue crescent mark, 15cm high; and an example decorated with Chinese figures in a garden, 13.5cm high (4) £300-500

GEORGIAN ‘ROYAL SUFFERERS’ PRATTWARE JUG AND FLASK

TWO ENGLISH PORCELAIN LEAF-FORM DISHES

GROUP OF CHELSEA AND VIENNA PORCELAIN PLATES

LATE 18TH/ EARLY 19TH CENTURY each depicting the French Royal family to one side and the Duke of York to the other; jug 15cm high, flask 12.5cm high; in typical ochre, green, blue and brown glazes (2)

18TH CENTURY the first by Chelsea, decorated with fruiting vine leaves in low relief with a painted flower sprig to the centre, with iron red anchor mark, 25cm wide; and a Worcester example with polychrome decoration, with a flower sprig at the centre, unmarked, 23cm long (2)

18TH CENTURY all decorated with flower sprigs and sprays in polychrome enamels, comprising two Chelsea plates, with iron red anchor marks, 21cm and 15cm diam.; and a pair of Vienna plates, with underglaze blue beehive marks and painted nos. 30 and 39, 23cm and 22.5cm diam. (4)

£250-350

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£250-350

Five Centuries: British Furniture & Works of Art: Part I

53Y ATTRIBUTED TO GEORGE ENGLEHEART (1752-1829) PORTRAIT MINIATURE OF CHARLES PAXTON (1704-1788) watercolour on ivory, in a later yellow metal frame inset with nine old round-cut diamonds 3.5cm high Provenance: Ex. Sotheby’s, Bond Street, London, 30 May 1977, lot 63. Ex. Christie’s, March 1985, lot 298. Note: Charles Paxton was an American Loyalist, born in 1704 and was Customs Surveyor and Marshall of the Vice Admiralty Court in Boston, Massachusetts. The town of Paxton, Mass. was named for him in 1765. He was a life-long friend of Charles Townshend, the British Chancellor, and was appointed a Commissioner of the American Board of Customs, established in Boston in 1767. As a controversial tax official, he was often attacked by mobs and was hung in effigy on the Liberty Tree in Boston. His request for British soldiers to be sent to Boston is regarded as one of the earliest actions leading to the Boston Massacre in 1770 and Tea Party in 1773, eventually paving the way for the American Revolution. After being evacuated with fellow Loyalists from Boston in 1776, he settled in England and died there in 1788.

£1,000-1,500

54 DERBY BISQUE FIGURE GROUP, TWO BACCHANTES ADORNING PAN LATE 18TH CENTURY raised on a naturalistic ground with an ewer, tambourine and a thyrsus, incised No. 196 30cm high Note: An example of this model attributed to the modeller Pierre Stephan, after a design by Angelica Kauffmann, is in the Victoria & Albert Museum, London.

£500-700

55 DERBY PORCELAIN FIGURE GROUP LATE 18TH CENTURY modelled as a young man seated against a balustrade, with a dove on his knee and a dog seated at his feet, on a rococo scroll base with applied flowers, with two arms for candle sockets, now lacking 23cm high

£200-300

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56 NEAR PAIR OF GEORGE III BRASS BANDED MAHOGANY PEAT BUCKETS 18TH CENTURY of elliptical tapered form, with brass bale handles above five brass bands (2) 34cm and 32.5cm high (handles down)

£1,000-1,500

57 GEORGE III OAK BRASS BOUND OYSTER BUCKET 18TH CENTURY of oval form, with twin scrolled handles and carved serpentine rim, with three brass bands and a metal liner 41cm wide

£400-600

58 GEORGE III MAHOGANY TRIPOD TABLE 18TH CENTURY the circular dished snap top on a cannon barrel column with spiral carved knop, raised on acanthus carved legs ending in claw and ball feet 76cm diameter, 72cm high

£400-600

59 GEORGE III MAHOGANY LOWBOY 18TH CENTURY the rectangular top with a moulded edge above three frieze drawers and shaped apron, raised on chamfered square legs 77cm wide, 71cm high, 48cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

60 PAIR OF GEORGIAN STYLE CARVED GILTWOOD WALL BRACKETS CIRCA 1900 with bowed platforms above carved eagles, facing dexter and sinister, perched on C-scrolls and blossoming flowers (2) 41cm high

£1,000-1,500

61 GILTWOOD AND METAL ‘PINEAPPLE’ FIVE LIGHT CHANDELIER 20TH CENTURY the central giltwood pineapple with gilt metal leaves and issuing five scrolling candle arms, electrified 61cm high, 54cm diameter

£300-500

62 PAIR OF GEORGE III SATINWOOD BANDED KNIFE BOXES LATE 18TH CENTURY of serpentine outline, the sloped lids opening to fitted interiors, outlined with banding, raised on shaped bracket feet (2) 25.5cm wide, 41cm high, 29cm deep

£1,500-2,500

63 GEORGE III STEEL AND IRON FIRE BASKET, IN THE MANNER OF ROBERT ADAM 18TH CENTURY the square fireback above a curved bar grate and curved bead-moulded front with bosses and urn finials, over a pierced apron on tapered legs with urn finials 84cm wide, 80cm high, 42cm deep

£1,500-2,500

PAIR OF GEORGE III MAHOGANY KNIFE BOXES

GEORGE III MAHOGANY HANGING SHELVES

18TH/ EARLY 19TH CENTURY of bowed breakfront outline, the hinged sloped tops outlined with contrast banding, opening to fitted interiors (2)

LATE 18TH CENTURY the moulded cornice above three compartments and a plate rack

20cm wide, 38cm high, 25cm deep

£200-300

£250-350

65cm wide, 62cm high, 18cm deep

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66 GEORGE III MAHOGANY KETTLE STAND 18TH CENTURY the square top with a wavy gallery, above a plain frieze with a cup slide, raised on moulded straight legs joined by pierced X stretchers 28cm wide, 64cm high, 28cm deep

£500-700

67 GEORGE III GILTWOOD MIRROR 18TH CENTURY the inverted teardrop shaped mirror plate with a pierced foliate cresting centred by a bead draped urn, the pendant with a pair of flower-filled cornucopia 136cm high, 51cm wide

£300-400

68 GEORGE III JAPANNED BOWFRONT CORNER CUPBOARD 18TH CENTURY decorated with Chinese figures, flower-filled urns, cockerels and trellis pattern, opening to a green painted and shelved interior 59cm wide, 93.5cm high, 39

£300-500

69 GEORGIAN PAINTED AND JAPANNED PINE CHEST OF DRAWERS EARLY 19TH CENTURY, THE JAPANNING LATER the rectangular top with canted forecorners and a moulded edge, over two short and two long drawers decorated in the Chinese taste with birds, temples and gardens on a black ground, raised on bracket feet 100cm wide, 86cm high, 55cm deep

£800-1,200

70 GEORGIAN STYLE MAHOGANY ‘CHINESE CHIPPENDALE’ URN STAND 20TH CENTURY the square top with a pierced fretwork gallery above a pierced frieze, raised on triple cluster column legs joined by a X stretcher, on block feet 38cm wide, 73cm high, 38cm deep

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

71 CHINESE EXPORT SIDE TABLE 18TH CENTURY the top with a three-quarter moulded edge above a pierced key frieze and shaped apron, raised on cabriole legs ending in chamfered pad feet 79cm wide, 85cm high, 51cm deep

£1,500-2,500

72 GEORGE III MAHOGANY BREAKFRONT CHINA CASE, IN THE MANNER OF THOMAS CHIPPENDALE 18TH CENTURY the fretwork gallery centred by a pagoda above blind fret carved frieze, over a central astragal glazed door flanked by matching side doors all opening to adjustable shelves; the separate conforming stand with a fretwork apron raised on chamfered straight legs ending in block feet 133cm wide, 224cm high, 39cm deep Note: Thomas Chippendale published several designs for cabinet pieces intended for displaying objects, specifically collections of china, in The Gentleman and Cabinet-maker’s Director. Glazed upper sections could be Plate No. CV

£4,000-6,000

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73 GEORGIAN STYLE MAHOGANY WINE TABLE EARLY 20TH CENTURY the piecrust top above a fluted and acanthus carved baluster column, on acanthus carved cabriole legs ending in claw feet 35.5cm diameter, 57cm high

£300-500

74 GEORGE III MAHOGANY CHEST-ON-CHEST LATE 18TH CENTURY the dentil moulded cornice above a pair of short drawers and three graduated drawers, flanked by fluted angles; the lower part with a baize lined brushing slide over three further long drawers, raised on shaped bracket feet 112cm wide, 200cm high, 58cm deep

£500-800

75 SCOTTISH GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top with a moulded edge above three short drawers and three further long graduated drawers with original brass handles, raised on tall bracket feet 111cm wide, 91cm high, 54cm deep

£1,500-2,500

Note: This style of simple but well-made chest of drawers with three short over three long drawers is of a type known to have been made in Scotland, most likely originating with an Edinburgh cabinetmaker. They are collectively referred to being in the ‘Dumfries House Style’, as a number of chests of the same type were supplied to the house when it was furnished in the mid-18th century.

76 GEORGE III MAHOGANY DRESSING TABLE MID 18TH CENTURY the rectangular top with a moulded edge above a long frieze drawer with an arched apron drawer and recessed cupboard below, flanked by banks of three drawers, raised on shaped bracket feet 95cm wide, 84cm high, 51cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

77 GEORGE III MAHOGANY DUMBWAITER 18THE CENTURY with three circular dished graduated tiers, raised and divided by cannon barrel supports with spiral carved knops, on tripod legs ending in pointed pad feet with brass castors 62cm diameter, 108cm high

£800-1,200

78 SET OF TWELVE GEORGIAN STYLE MAHOGANY DINING CHAIRS LATE 19TH CENTURY comprising ten side chairs and a pair of armchairs, the serpentine crest rails above pierced and carved interlaced vasiform splats, over wide stuffover seats covered in brown leather with close nail trim, raised on channel moulded square straight legs with foliate carved corner blocks and ending in Marlborough feet; stamped with serial numbers to the seat rails (12) Armchair 67cm wide, 97cm high, 45cm deep

£2,000-3,000

79 GEORGE III MAHOGANY PEDESTAL DESK LATE 18TH CENTURY the top with a moulded edge and red tooled leather insert, above three frieze drawers with dummy drawers opposing, supported on banks of three short drawers with cupboards to the reverse, raised on shaped bracket feet 120cm wide, 77cm high, 74cm deep

£1,500-2,500

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80 GEORGE III PIECRUST TEA TABLE 18TH CENTURY the tilt top with a moulded piecrust edge, on a plain column support and tripod base with slipper feet 57cm wide, 71cm high, 56cm deep

£400-600

81 GEORGE III MAHOGANY LONGCASE CLOCK, WHEELER, LONDON 18TH CENTURY the hood with a pagoda top with pierced fret carving and brass finials, above an arched brass dial with maker’s inscription to the arch, Roman and Arabic chapters, subsidiary seconds dial and date aperture, flanked by brass mounted fluted columns, over an arch moulded trunk door and stepped plinth base, the eight day movement striking a bell 54cm wide, 239cm high, 26cm deep

£1,500-2,500

82 GEORGIAN STYLE MAHOGANY BOWFRONT KNEEHOLE DESK LATE 19TH CENTURY the crossbanded top with a brown leather insert, above three frieze drawers raised on banks of graduated short drawers, on shaped French bracket feet 108cm wide, 76cm high, 61cm deep

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

83 GEORGE III GILTWOOD MIRROR 18TH CENTURY the oval mirror plate in a giltwood frame with C and leaf scrolls enclosed by trailing garlands 80cm high, 51cm wide

£300-400

84 GEORGE III MAHOGANY ARMCHAIR, ATTRIBUTED TO WILLIAM GOMM MID 18TH CENTURY the serpentine top rail above a wide serpentine seat flanked by later scrolled arms, raised on bead and reel moulded square legs headed by foliate carving and joined by stretchers 56cm wide, 59cm high, 50cm deep

£800-1,200

85 GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the circular top on a slender ring turned baluster support, on tripod legs ending in pointed pad feet 36cm diameter, 72cm high

£800-1,200

86 EARLY GEORGE III MAHOGANY CHEST OF DRAWERS MID 18TH CENTURY the top with a moulded edge above a brushing slide and four long graduated drawers flanked by fluted angles, raised on ogee bracket feet 89cm wide, 83cm high, 48cm deep

£1,500-2,500

Note: The present lot relates directly to a suite of furniture supplied to Edward Leigh (1742-1786), 5th Baron Leigh of Stoneleigh, Stoneleigh Abbey, Kenilworth, Warwickshire in 1764. A bergere with matching stretchers and carved legs, and a Pembroke table most likely from the same suite sold Christie’s 22 November 2007, The Property of the Stoneleigh Chattels Settlement, lots 611 and 612.

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A PRIVATE COLLECTION OF GEORGIAN GLASS many of the pieces in the collection were purchased in 1971 from the Collection of G. S. Coats of Paisley, J. & R. Edmiston Auctioneers, Bath Street, Glasgow

87 MATCHED SET OF VICTORIAN GLASS RUMMERS 19TH CENTURY of slightly varying heights, all with bucket thumb-cut bowls, five raised on knopped stems and two with annulated stems (7) Largest 16.5cm high

£200-300

88 GROUP OF GEORGIAN GLASSES 18TH CENTURY comprising two firing glasses with flared bowls, largest 9cm high; and two dram or gin glasses, one with a flared bowl, the other with a bucket bowl and annular knop, both 10cm high; together with a VICTORIAN PENNY LICK GLASS, 7.5cm (5) £150-250

89 LARGE GROUP OF VICTORIAN RUMMERS 19TH CENTURY comprising eleven cut-glass examples, and nine plain glasses, including a small pub rummer and an example on a square foot (20) Largest 17.5cm high

£300-500

Five Centuries: British Furniture & Works of Art: Part I

90 TWO OVERSIZED GEORGIAN DRINKING GLASSES LATE 18TH/ EARLY 19TH CENTURY comprising a wine glass, with trumpet bowl and double-series opaque twist stem, 25cm high; and a bucket shaped glass on a swollen knopped stem, 22cm high (2) £400-600

91 THREE GEORGIAN WINE GLASSES 18TH CENTURY all with trumpet bowls, comprising a large example with a shaped air twist stem, 19cm high; a further example with a rounded base to the bowl and air twist stem, 18.5cm high; and an example with a teared stem, 16cm high (3) £300-500

92 FOUR DUTCH OPAQUE AND RED ENAMEL TWIST STEM WINE GLASSES 18TH CENTURY with bell-shaped bowls raised on doubleseries opaque and red twist enamel stems, on large flat feet (4) 16cm high

£300-500

93 FIVE GEORGIAN OPAQUE TWIST STEM WINE GLASSES 18TH CENTURY comprising four examples with round funnel bowls, one engraved with a flower, largest 15cm high; and a pantopped wine glass with a pointed bowl, 15.5cm high (5) £400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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94 FOUR GEORGIAN OPAQUE TWIST STEM WINE GLASSES 18TH CENTURY all with double series twist stems, comprising a pair with ogee bowls, 14.5cm high; a smaller example, also with an ogee bowl, 14cm high; and a rounded bowl glass with an everted rim and folded foot, 14cm high (4) £300-500

95 FOUR GEORGIAN OPAQUE TWIST STEM WINE GLASSES 18TH CENTURY comprising three trumpet-bowled glasses, one with a single knopped stem, and another with a double knopped stem, largest 16.5cm high; and a glass with an ogee pointed bowl, also on a single knopped stem, 16.5cm high (4) £300-500

96 THREE GEORGIAN ETCHED ALE GLASSES 18TH CENTURY all of varying heights with conical bowls, one raised on a double series opaque twist stem, largest 17cm high; and a further ALE GLASS, POSSIBLY DUTCH, also on a double series opaque twist stem, 18cm high (4) £250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

OTHER PROPERTIES 97 GROUP OF FOUR SMALL GEORGIAN AND REGENCY GLASSES 18TH AND EARLY 19TH CENTURY comprising a glass engraved with the Weaver’s Trust motto and coat of arms, initialled R.M.S. and dated 1815, 10.5cm high; two plain-bowled glasses with thick bases to the bowls, 11cm and 10cm high; and a rounded bowled glass with an annular knop, 9cm high (4) £200-300

98 FOUR GEORGIAN WINE GLASSES 18TH CENTURY comprising an example with an opaque twist stem and moulded bowl, 15cm high; a flared wine glass with an air twist stem, 16cm high; and two glasses with knopped stems, 15cm and 12cm high; together with a CONTINENTAL GILDED GREEN WINE GLASS, late 18th/early 19th century, the panelled bowl with traces of gilt swags, on a facet-cut stem, 14.5cm high (5) £300-500

99 TWO GEORGIAN ENGRAVED WINE GLASSES LATE 18TH/ EARLY 19TH CENTURY comprising an example with a splayed bowl engraved with flowers, raised on an opaque twist stem and conical foot, 14.5cm high; and a larger example, with a rounded bowl, also engraved with flowers, on a facet-cut stem and conical foot, 18.5cm high (2) £600-800

100 TWO REGENCY ENGRAVED GLASS RUMMERS EARLY 19TH CENTURY with flared bucket bowls, raised on short stems with annular knops on flat feet, the first an ale rummer, engraved with the initials RMA and barley and hops; the second depicting a windmill, thistles and roses, engraved R PICK (2) 14cm high

£250-350

101 GROUP OF THREE GEORGIAN OPAQUE TWIST STEMMED WINE GLASSES 18TH CENTURY comprising an ogee-pointed bowl glass engraved with a band of flowers, 14cm high; a glass with a bell-shaped bowl, later engraved with fruiting vines, on a doubleseries twist stem, 16.5cm high; and a trumpet-bowl glass, also on a double-series twist stem, 17cm high (3) £300-500

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102 SET OF FOUR GEORGIAN CUT-GLASS CANDLESTICKS LATE 18TH CENTURY with lobed nozzles raised on faceted stems with annular collar knops, terminating in domed faceted feet, with slight variations to the cut necks (4) 29cm high

£600-800

103 OVERSIZED CUT-GLASS DECANTER AND STOPPER 19TH CENTURY the pointed faceted stopper, above a slim panelled neck and shouldered body cut with a band of ovals, raised on a star-cut foot and ebonised plinth 68cm high (excluding plinth)

£300-500

104 GEORGIAN OVERSIZED FACETED GLASS RUMMER LATE 18TH CENTURY the thumb-cut rim above facet-cutting to the base of the exterior well, raised on a panelled stem and star-cut foot 29.5cm high

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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105 GEORGIAN MAHOGANY TRIPOD TABLE LATE 18TH CENTURY the circular tilt top on a turned support raised on cabriole legs ending in pointed pad feet 66cm diameter, 72cm high

£400-600

106 SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising six side chairs and a pair of armchairs in the Hepplewhite style, the serpentine toprails above pierced waisted splats and drop-in seats covered in floral moquette, raised on channel moulded straight legs joined by stretchers (8) Armchair 61cm wide, 98cm high, 41cm deep

£400-600

107 GEORGE III BOWFRONT MAHOGANY SIDEBOARD, IN THE MANNER OF THOMAS SHEARER 18TH CENTURY with a central frieze drawer above an arched recess flanked by a deep drawer and cupboard door, raised on tapered legs ending in spade feet 229cm wide, 95cm high, 89cm deep

£1,000-1,500

Five Centuries: British Furniture & Works of Art: Part I

108 GEORGE III MAHOGANY DROP-LEAF DUMBWAITER LATE 19TH CENTURY with two graduated circular tiers with a moulded edge and drop sides, raised on an outswept tripod base ending in brass caps and castors 64cm diameter, 92cm high

£600-800

109 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, ROBERT THOMSON, BONESS LATE 18TH CENTURY the straight moulded cornice above an arched brass dial flanked by blind fret corner panels, with a circular silvered brass boss to the arch with maker’s inscription over silvered brass Roman and Arabic number chapters, subsidiary seconds dial and date aperture, flanked by spiral carved columns, above a moulded trunk door with star motif inlay flanked by spiral quarter columns, on a plinth base with bracket feet, the eight day movement striking a bell 49cm wide, 201cm high, 26cm deep

£600-800

110 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS LATE 18TH CENTURY the top with a moulded edge above four long graduated drawers flanked by angles outlined with stringing, raised on shaped bracket feet 102cm wide, 87cm high, 58.5cm deep

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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111Y GEORGIAN IVORY AND HORN-BANDED TEA CADDY LATE 18TH CENTURY of decahedron form with a hinged lid and loop handle, the front panel with an oval inset miniature depicting lovers, opening to a void interior 11cm wide, 10.5cm high, 7cm deep

£1,000-1,500

112 GEORGE III BANDED MAHOGANY AND WHITE METAL MOUNTED TEA CADDY, DEPICTING THE SEIGE OF GIBRALTAR DATED 1782 the cavetto moulded hinged cover mounted with an engraved white metal handle and backplate engraved GIBRALTAR/ SEPR. 1782, above a lock escutcheon engraved with cannons and a ship; the interior with a cut-glass bowl and two lidded caddies 26cm wide, 15.5cm high, 13.5cm deep

£400-600

113Y GEORGIAN TORTOISESHELL AND IVORY-BANDED TEA CADDY LATE 18TH CENTURY of decahedron form, the sectional peaked cover with a white metal loop handle, above a white metal engraved oval plaque to the body, the void interior with a loose lid 13.5cm wide, 13.5cm high, 8.5cm deep

£1,000-1,500

114Y GEORGE III IVORY AND TORTOISESHELL-BANDED TEA CADDY LATE 18TH CENTURY of decahedron form with a loop handle, above a mother-of-pearl swag and inscribed white metal shield with monogram, the hinged lid opening to a void interior with loose lid 11cm wide, 10.5cm high, 7cm deep

£300-500

115Y TWO GEORGIAN BURRWOOD TEA CADDIES 18TH CENTURY of canted rectangular form with banding and ivory escutcheons, the smaller example opening to a divided interior, the large to a void interior, both later-lined (2) 19cm and 16cm wide

£250-350

Five Centuries: British Furniture & Works of Art: Part I

116 PAIR OF FINE GEORGE III MAHOGANY BANDED CUTLERY URNS LATE 18TH CENTURY each with a lift-up cover with urn finials opening to fitted interiors, on tapered bodies raised on short turned columns and a circular moulded foot and square plinth bases, the whole outlined with chequer banding and stringing (2) 68cm high

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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117Y GEORGE III ROSEWOOD AND SATINWOOD PEMBROKE TABLE LATE 18TH CENTURY the oval top with crossbanding above a frieze drawer, raised on inlaid square tapered legs ending in brass caps and castors 79cm long, 69cm high, 51cm wide (down)

£500-700

118 GEORGE III MAHOGANY BOOKCASE CABINET LATE 18TH CENTURY the dentil moulded cornice above a pair of glazed doors with Gothic arch astragals, enclosing adjustable shelves; the lower part with a pair of moulded doors marked at the corners with roundels, over a shaped apron with bracket feet 118cm wide, 238cm high, 58cm deep

£400-600

119 LATE GEORGE III WALNUT, GONCALO ALVES AND MARQUETRY LIBRARY TABLE LATE 18TH CENTURY, THE MARQUETRY 19TH CENTURY the rectangular top with a green leather insert, above a pair of crossbanded short frieze drawers, raised on square tapered legs, with floral and scrolling foliate marquetry throughout 144cm long, 76cm high, 84cm deep

£1,500-2,500

Five Centuries: British Furniture & Works of Art: Part I

120 GEORGE III MAHOGANY, HAREWOOD AND INLAID PEMBROKE TABLE 18TH CENTURY the oval crossbanded top with drop sides above a frieze drawer to one end, raised on square tapered legs headed by floral oval medallions and ending in brass caps and castors 78cm long, 72cm high, 48cm wide (down), 96cm wide (up)

£600-800

121 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three circular dished and graduated tiers, raised and divided by baluster supports, on an umbrella tripod base with brass castors 63cm diameter, 119cm high

£800-1,200

122 LATE GEORGIAN MAHOGANY CHAMBER TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a moulded edge and hinged compartment enclosing a pen tray and inkwell, above a long frieze drawer, raised on turned and tapered legs ending in brass caps and castors 76cm wide, 76.5cm high, 51cm deep

£300-500

123 SMALL GEORGIAN STYLE MAHOGANY SERPENTINE SIDEBOARD 19TH CENTURY the serpentine top above a central drawer flanked by cupboard doors, all with oval brass handles embossed with hunting scenes, raised on oblique tapered legs ending in spade feet 119cm wide, 87cm high, 57cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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124 GEORGE III MAHOGANY PEMBROKE TABLE 18TH CENTURY the near square top with D shaped drop sides, above a frieze drawer, raised on slender ring turned legs ending in later ceramic castors 59cm wide, 73cm high 54cm deep (down), 108cm (up)

£400-600

125 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three circular dished tiers, raised and divided by cannon barrel columns on a tripod base with pad feet and brass castors 58cm diameter, 103cm high

£400-600

126 LATE GEORGE III MAHOGANY INLAID DEMILUNE CARD TABLE LATE 18TH CENTURY the top with boxwood stringing opening to a baize playing surface, above a plain frieze, raised on square tapered legs ending in brass caps and castors 85cm wide, 74cm high, 42cm deep

£300-500

127 GEORGE III MAHOGANY MULE CHEST 18TH CENTURY the hinged top above two banks of four graduated drawers flanked by brass mounted quarter columns, raised on bracket feet 157cm wide, 120cm high, 55cm deep

£800-1,200

Five Centuries: British Furniture & Works of Art: Part I

128 GEORGE III GILTWOOD OVERMANTEL MIRROR LATE 18TH CENTURY the oval mirror plate enclosed by margin plates in a gadrooned, laurel and bead moulded frame 101cm high, 130cm wide

£800-1,200

129 FINE GEORGE III MAHOGANY PEDESTAL PARTNER’S DESK 18TH CENTURY the rectangular top with a moulded edge above three short frieze drawers with the same opposing, supported by banks of three drawers with the same on the reverse, resting on plinth bases 152cm wide, 82cm high, 91cm deep

£5,000-7,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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130 PAIR OF GEORGE III MAHOGANY, SATINWOOD AND PAINTED PEDESTAL CUPBOARDS LATE 18TH CENTURY the square moulded edge tops above frieze drawers with later painted floral swags, over cupboard doors centred by oval panels and opening to shelves, on plinth bases (2) 49cm wide, 98cm high, 47cm deep

£400-600

131 LATE GEORGE III MAHOGANY AND NEEDLEWORK POLE SCREEN LATE 18TH CENTURY the oval needlework panel depicting a young woman carving TANCRED into a tree, enclosed by an ivy band, on a tripod base 162cm high

£300-500

132 GEORGE III MAHOGANY WING ARMCHAIR 18TH CENTURY the curved arched back above a loose cushion seat, covered in cranberry twill upholstery outlined with contrast cord trim, raised on carved square straight legs with block feet with brass castors and joined by stretchers 91cm wide, 123cm high, 53cm deep

£600-800

133 GEORGE III MAHOGANY TAMBOUR TOP DESK 18TH CENTURY the tambour top opening to an interior with pigeon holes, drawers, and a sliding baize writing surface, over a long frieze drawer, raised on square tapered legs 92cm wide, 106cm high, 56cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

134 PAIR OF GEORGE III STYLE SIDE TABLES MODERN, INCORPORATING 18TH CENTURY TIMBER the rectangular tops with moulded edges above single long frieze drawers, raised on chamfered straight legs (2) 84cm wide, 71cm high, 43cm deep

£1,000-1,500

135 SET OF SIX GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY in the Hepplewhite style, the arched backs with pierced leaf carved splats over wide stuff-over seats, raised on square tapered legs joined by stretchers, the seats covered in distressed red velvet (6) 51cm wide, 91cm high, 43cm deep

£600-800

136 GEORGE III MAHOGANY SERPENTINE SIDEBOARD LATE 18TH CENTURY the serpentine top above a central drawer and shaped apron flanked by deep drawers, all outlined with banding and stringing, raised on channel moulded square tapered legs 159cm wide, 93cm high, 67cm deep

£1,500-2,500

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137 LATE GEORGE III MAHOGANY CELLARETTE EARLY 19TH CENTURY of sarcophagus form, opening to reveal a compartmented interior, on a moulded plinth base with brass castors 72cm wide, 53cm high, 49cm deep

£300-500

138 GEORGE III PAINTED MAHOGANY AND SATINWOOD CARD TABLE LATE 18TH CENTURY the D shaped fold-over top centrally decorated with a flower bouquet in a laurel banded oval reserve, the border painted with ribbon and garland motifs, opening to a green baize interior, raised on square tapered legs ending in spade feet 91cm wide, 74cm high, 45cm deep (closed)

£600-800

139 LATE GEORGE III MAHOGANY INLAID SERPENTINE STAGEBACK SIDEBOARD LATE 18TH CENTURY the superstructure and serpentine top above a central drawer flanked by a deep drawer and a pair of short drawers, all outlined with chevron banding, raised on square tapered legs with line inlay 213cm wide, 107cm high, 75cm deep Provenance: Ex. Arthur Lodge, Edinburgh

£1,500-2,500

Five Centuries: British Furniture & Works of Art: Part I

140 GEORGE III MAHOGANY URN STAND 18TH CENTURY the square top with a wavy gallery above a cup slide, raised on square slightly splayed legs 29cm wide, 65cm high

£500-700

141 GEORGIAN STYLE MAHOGANY INLAID BUREAU BOOKCASE LATE 19TH CENTURY the swan neck pediment above a pair of astragal glazed doors opening to shelves; the lower part with a slant front opening to an interior fitted for writing with pigeon holes and drawers, over four long graduated drawers, raised on bracket feet; inlaid throughout with foliate scrolls, harebell trails, laurel, flowerheads and anthemion 122cm wide, 263cm high, 63cm deep

£1,500-2,500

142 GEORGE III UPHOLSTERED SIDE CHAIR 18TH CENTURY the padded back with a serpentine toprail above a wide square seat, covered in pale yellow upholstery with close nail trim, raised on moulded straight legs joined by a pierced H stretcher 62cm wide, 98cm high, 44cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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143 PAIR OF GEORGIAN STYLE MAHOGANY BOOKCASES 19TH CENTURY the dentil moulded cornices above blind fret carved friezes and pairs of astragal glazed doors enclosing shelves, above further blind fret mouldings and a pair of panel cupboard doors below, on plinth bases; previously built-in with unfinished sides (2) 141cm wide, 232cm high, 44cm deep

£800-1,200

144

145

146

147

PAIR OF LATE GEORGE III MAHOGANY ARMCHAIRS

LATE 18TH CENTURY in the Hepplewhite style, the shield shaped backs carved with wheat sheaves, with pierced splats and scrolled arms, above wide stuffover seats raised on channel moulded square tapered legs joined by H stretchers (2) 60cm wide, 94cm high, 48cm deep

LATE 18TH CENTURY en suite with the preceding lot, in the Hepplewhite style, the shield shaped backs carved with wheat sheaves, with pierced splats and scrolled arms, above wide stuffover seats raised on channel moulded square tapered legs joined by H stretchers (2)

GEORGE III PAINTED MAHOGANY DEMI LUNE CARD TABLE

£250-350

60cm wide, 94cm high, 48cm deep

92.5cm wide, 75cm high, 46.5cm deep (closed)

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

LATE 18TH CENTURY the fold-over top opening to a blue baize playing surface, above a frieze painted with foliate scrolls and palmettes, raised on square tapered legs painted with laurel trails

Five Centuries: British Furniture & Works of Art: Part I

148 LATE GEORGE III MAHOGANY HALL SEAT LATE 19TH CENTURY the concave bar seat on square tapered legs joined by an H stretcher 46cm wide, 43cm high, 35.5cm deep

£400-600

149 PAIR OF GEORGIAN STYLE RED LEATHER WING ARMCHAIRS LATE 20TH CENTURY the wide backs and deep wings above buttoned cushion seats flanked by scrolled arms, outlined in close nail trim. raised on square legs joined by H stretchers and ending on brass castors (2) 80cm wide, 112cm high, 56cm deep

£1,200-1,800

150 LATE GEORGIAN MAHOGANY AND WALNUT CARLTON HOUSE DESK EARLY 19TH CENTURY the superstructure with a pierced gallery above an arrangement of pigeon holes, a cupboard door, and a leather writing insert, flanked by sloped hinged compartments above an arched kneehole and a pair of frieze drawers, raised on square tapered legs ending in brass caps and castors 107cm wide, 109cm high, 58cm deep

£600-800

151 GEORGIAN STYLE STEEL AND CAST IRON FIRE BASKET, BY THOMAS ELSLEY LATE 19TH CENTURY the arched fireback cast with an urn above a serpentine bar basket with urn finials, above a pierced and engraved apron flanked by square tapered legs with further urn finials 80cm wide, 74cm high, 38cm deep

£400-600

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152 LATE GEORGE III MAHOGANY BUTLER’S TRAY AND STAND EARLY 19TH CENTURY the oval tray with hinged sides with cut-out handles, on an associated folding X stand Tray 89cm wide, 72cm deep;

£500-700

153 LATE GEORGE III MAHOGANY AND HAREWOOD DEMILUNE FOLD-OVER GAMES TABLE 18TH CENTURY the crossbanded top opening to a green baize playing surface, above a plain frieze raised on square tapered legs with spade feet 91cm wide, 74cm high, 46cm deep

£400-600

154 LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the crossbanded top outlined with stringing above a brushing slide and four long graduated drawers, raised on French bracket feet 102cm wide, 89cm high, 58cm deep

£1,000-1,500

155 GEORGE III MAHOGANY SERPENTINE SIDEBOARD LATE 18TH CENTURY of neat size, the serpentine top above a central drawer and arch recess flanked by a cellarette drawer and a pair of short drawers, raised on fluted square tapered legs ending in spade feet 140cm wide, 87cm high, 63cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

156 LATE GEORGE III SATINWOOD, HAREWOOD AND MAHOGANY OCCASIONAL TABLE LATE 18TH CENTURY the oblong octagonal crossbanded top with radial veneers centred by a flower motif, above a crossbanded frieze with a single drawer, raised on plain supports over a conforming undertier, on square slightly splayed legs headed by fan inlay 64cm wide, 73cm high, 51cm deep

£1,200-1,800

157 GEORGE III MAHOGANY BUREAU BOOKCASE LATE 18TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to adjustable shelves; the lower part with a slant front opening to pigeon holes and drawers with a pair of panel doors below enclosing two sliding trays, raised on bracket feet 111cm wide, 230cm high, 55cm deep

£600-800

158 LATE GEORGE III MAHOGANY LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top with a black leather insert with embossed gilt key borders, above three short frieze drawers and dummy drawers to the other sides, raised on turned, reeded and tapered legs ending in brass caps and castors 138cm wide, 79cm high, 87cm deep

£2,000-3,000

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159 REGENCY EBONISED AND PARCEL GILT ARMCHAIR EARLY 19TH CENTURY the top rail gilt decorated with Greek key pattern above curved splats, over a caned seat flanked by deep scroll arms, raised on sabre legs 55cm wide, 83cm high, 47cm deep

£400-600

160 LATE REGENCY AMBOYNA AND EBONY WHATNOT BY GILLOWS 19TH CENTURY the rectangular top with brass beading above a single long drawer, above a central tier and base with a drawer, raised and divided by fluted supports, on turned legs, stamped GILLOWS & CO. and no. 3871 54cm wide, 94cm high, 38cm deep

£400-600

161Y REGENCY ROSEWOOD, EBONISED AND BRASS MOUNTED LOW BOOKCASE CABINET EARLY 19TH CENTURY the superstructure with a pierced brass gallery above three open compartments, the lower part with a pair of glazed doors flanked by glazed front and side panels, divided by scrolled volutes, opening to a plush lined shelved interior, raised on large gilt brass lion paw feet 143cm wide, 118cm high, 46cm deep

£2,000-3,000

Five Centuries: British Furniture & Works of Art: Part I

162 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a black slip and bead moulded frame marked with acanthus, with an eagle and acanthus cresting and shell pendant finial 150cm high, 79cm wide

£1,000-1,500

163Y REGENCY ROSEWOOD BRASS BANDED AND MOUNTED BONHEUR-DU-JOUR EARLY 19TH CENTURY the superstructure with a pierced brass gallery and brass grille back and side panels above a pair of short drawers; the lower part with a brass banded top and a long frieze drawer centred by foliate brass inlay, raised on tapered legs with brass mounts 82cm wide, 113cm high, 44cm deep

£5,000-7,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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164 REGENCY MAHOGANY CELLARETTE ON STAND EARLY 19TH CENTURY of sarcophagus form, opening to a three-compartment interior, raised on a turned support and reeded scroll legs ending in brass caps and castors 46.5cm wide, 87cm high, 39cm deep

£300-500

165 REGENCY SILK AND HAIR EMBROIDERED PICTURE EARLY 19TH CENTURY worked with black hair on an ivory silk ground depicting a moated tower house, in a modern giltwood frame, signed on reverse ‘Worked by Charlotte Lady Oakeley’ and initialled ‘A.M.’ 15cm x 20cm sight size

166Y

£300-400

REGENCY MAHOGANY AND ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the rectangular tilt top with canted corners, raised on a turned column and four outswept reeded legs ending in brass caps and castors 153cm wide, 72cm high, 121cm deep

£500-700

167 IRISH REGENCY MAHOGANY BRASS INLAID BOWFRONT CHEST OF DRAWERS 19TH CENTURY the brass inlaid frieze over two short and three long drawers flanked by spiral carved quarter columns, raised on turned and ebonised ball feet 118cm wide, 120cm high, 51cm deep

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

168 SET OF REGENCY PLUM PUDDING MAHOGANY QUARTETTO TABLES

169 SET OF SEVEN REGENCY STYLE MAHOGANY DINING CHAIRS LATE 19TH CENTURY comprising five side chairs and a pair of armchairs with reeded top rails above foliate scroll carved splats above drop-in seats, raised on sabre legs; together with an associated side chair (8) Armchair 57cm wide, 87cm high, 45cm deep

£600-800

170 REGENCY MAHOGANY, SATINWOOD AND INLAY STAGEBACK SIDEBOARD EARLY 19TH CENTURY the superstructure with four tambour doors above a broken bowfront top, over a central long drawer and recess with tambour door, flanked by short drawers over deep drawers, one fitted as a cellarette, raised on square tapered legs 207cm wide, 120cm high, 70cm deep

£1,500-2,500

EARLY 19TH CENTURY the rectangular tops with ebony moulding raised on ring turned supports joined by a curved stretcher and ending on trestle bases (4) 49.5cm wide, 69cm high, 34.5cm deep

£800-1,200

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171 REGENCY MAHOGANY UPHOLSTERED ARMCHAIR EARLY 19TH CENTURY the square back and downswept enclosed sides with mahogany facings, above a loose cushion seat, raised on turned and tapered reeded legs ending in ceramic castors 75cm wide, 105cm high, 55cm deep Provenance: Property from Hatton Castle, Aberdeenshire

£300-500

172 REGENY GILTWOOD TRIPTYCH OVERMANTEL MIRROR EARLY 19TH CENTURY the ball mounted and moulded cornice above an anthemion and palmette gesso moulded frieze, over three bevelled mirror plates flanked by columns 71cm high, 136cm deep

£300-500

173 REGENCY MAHOGANY PEDESTAL SIDEBOARD EARLY 19TH CENTURY the inverted concave breakfront top above a frieze drawer flanked by panel doors, the left side opening to two drawers, the other fitted as a cellarette, raised on four turned and reeded legs with paw feet 231cm wide, 98cm high, 88cm deep Provenance: Property from Hatton Castle, Aberdeenshire

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

174 REGENCY MAHOGANY AND PARCEL GILT MARBLE TOP CONSOLE TABLE EARLY 19TH CENTURY the rectangular yellow marble top above a gilt metal mounted and brass banded frieze, raised on bold acanthus carved volutes on a shaped plinth base with scroll feet 133cm wide, 86cm high, 45cm deep

£1,500-2,500

175 SET OF FOUR REGENCY EBONISED AND POLYCHROMED ARMCHAIRS EARLY 19TH CENTURY the square backs with pierced lattice backs above caned seats with yellow silk covered cushions, flanked by straight arms with lattice supports, raised on tapered legs, decorated with flower garlands and sprigs (4) 59cm wide, 87cm high, 48cm deep

£800-1,200

176Y REGENCY ROSEWOOD AND BRASS LOW BOOKCASE EARLY 19TH CENTURY the central section with fixed open shelves flanked by doors with brass grille inserts enclosing adjustable shelves, flanked and divided by columns with lotus carved capitals, on a plinth base 185cm long, 90cm high, 43cm deep

£800-1,200

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177 REGENCY TRIPLE PLATE GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice above a ball mounted frieze and triple mirror plates in reeded ebonised slips, flanked by triple cluster columns 71.5cm high, 155cm wide

£300-500

178 SET OF SIX REGENCY POLYCHROMED, GILT AND CANED ARMCHAIRS EARLY 19TH CENTURY the ebonised frames highlighted with white and red with gilt details, the back rails with panels painted with putti and scrollwork, above caned round seats with watered silk cushions flanked by curved arms, on legs with slightly outswept profiles (6) 47cm wide, 79cm high, 44cm deep

£2,500-3,500

Five Centuries: British Furniture & Works of Art: Part I

179 PAIR OF ‘BRIDGWATER HOUSE’ STYLE GILTWOOD, SCAGLIOLA PORPHYRY, AND PAINTED DOLPHIN CONSOLE TABLES LATE 19TH/ EARLY 20TH CENTURY the rectangular scagliola porphyry tops above egg-and-dart friezes, raised on three boldly carved dolphin supports resting on triform plinth bases painted with simulated porphyry (2) 156cm wide, 91cm high, 63cm deep

£8,000-12,000

Note: This pair of giltwood tables, with their distinctive entwined dolphin supports, are based on a suite of at least twelve tables designed by Charles Heathcote Tatham for Marsh & Tatham, and commissioned for George Granville Leveson-Gower, Marquess of Stafford and 1st Duke of Sutherland. Intended for the ‘New Gallery’ at Cleveland House in London, later called Bridgwater House, the suite of tables were designed to display marble slabs purchased in Italy in the 1750s by the Duke of Bridgwater. Furnishing the vast art gallery which housed paintings from the famed Orleans collection, the tables varied in size to accommodate the different marble slabs. The largest pair with pink granite tops remain in the collection of the Duke of Sutherland, while other examples can now be found in museums and collections around the world including the Fitzwilliam Museum in Cambridge and the Museum of Fine Arts in Boston.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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180 REGENCY MAHOGANY SIDE TABLE EARLY 19TH CENTURY the rectangular top with a moulded edge raised on ring-turned twin end supports and trestle bases joined by turned stretchers 91cm wide, 73.5cm high, 50.5cm deep

£300-400

181 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY of small size, with four tiers and a base drawer, raised on baluster turned supports with ball finials, ending on brass caps and castors 39cm wide, 129cm high, 38cm deep

£400-600

182 NEAR PAIR OF REGENCY MAHOGANY AND EBONISED BOWFRONT CHESTS OF DRAWERS, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY one slightly larger than the other, the crossbanded and line inlaid tops above a pair of short drawers and three long graduated drawers, outlined with stringing, above aprons with ebonises moulding, raised on splayed bracket feet (2) larger 108cm wide, 100cm high, 60cm deep; smaller 102cm wide, 93cm high, 59cm deep

£800-1,200

183

184

REGENCY MAHOGANY BEDSIDE COMMODE, BIDET AND DRESSING MIRROR, IN THE MANNER OF GILLOWS

REGENCY MAHOGANY SERVING TABLE

EARLY 19TH CENTURY en suite with the previous lot, all with line inlay, the dressing mirror with brass feet and finials (3)

EARLY 19TH CENTURY the broken D-shaped top above a pair of short frieze drawers flanked by reeded corner block panels, raised on ring-turned and reeded tapered legs

Commode 65cm x 72cm x 54cm; bidet 57cm x 49cm x 33cm; mirror 67cm x 67cm x 27cm

103cm wide, 82cm high, 69cm deep

£200-400

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

185 REGENCY MAHOGANY JARDINIERE TABLE EARLY 19TH CENTURY the rectangular top with a push-release panel revealing a metal lined tray, raised on ring-turned legs joined by stretcher rails and ending on trestle bases 51cm wide, 75cm, 35cm deep

£500-700

186 SET OF EIGHT REGENCY MAHOGANY AND SATINWOOD DINING CHAIRS EARLY 19TH CENTURY comprising six side chairs and a pair of armchairs, the bar backs with channel moulded key motifs above flowerhead and lyre pierced splats, over drop-in seats covered in green plush fabric, raised on turned and tapered legs joined by cross stretchers (8) Armchair 57cm wide, 87cm high, 43cm deep

£800-1,200

187 REGENCY MAHOGANY, KINGWOOD AND INLAID STAGEBACK SIDEBOARD EARLY 19TH CENTURY the superstructure with two tambour doors and inlaid with palmettes and a central anthemion, above a bowfront centre section with a frieze drawer, flanked by deep drawers, raised on carved and inlaid slender tapered legs 183cm wide, 112cm high, 61cm deep

£1,000-1,500

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188 REGENCY MAHOGANY FOLD-OVER TEA TABLE EARLY 19TH CENTURY the D shaped fold-over top with a reeded edge, above a frieze with a central moulded tablet, on a spiral carved column and scrolled legs ending in brass caps and castors 91cm wide, 75cm high, 45cm deep (closed)

£300-500

189 SET OF FOUR REGENCY MAHOGANY AND EBONY ARMCHAIRS EARLY 19TH CENTURY the bar backs with ebony inlay above wide stuffover seats covered in needlework upholstery, flanked by scrolled arms, raised on sabre legs (4) 57cm wide, 82cm high, 47cm deep

£800-1,200

190 REGENCY MAHOGANY STAGEBACK SIDEBOARD EARLY 19TH CENTURY the superstructure with two tambour doors above a broken bow front with three short frieze drawers and brass lion mask handles, flanked by cupboards, raised on tapered reeded legs 211cm wide, 114cm high, 62cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

191 REGENCY MAHOGANY REVOLVING BOOKCASE 19TH CENTURY, MADE UP the top with three graduated open tiers with dividers faced with carved book spines, on an associated triform base with carved paw feet Bookcase 58cm diameter, 152cm high overall, 95cm wide overall

£3,000-5,000

192 WILLIAM IV MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the oval tilt top with a gadrooned edge and bead moulded frieze, on a fluted column and outswept reeded legs ending in brass caps and castors 150cm long, 76cm high, 115cm deep

£400-600

193Y REGENCY ROSEWOOD, INLAY AND BRASS SIDE CABINET EARLY 20TH the crossbanded top with line inlay above a pair of short frieze drawers with sectional flowerhead brass handles, over a pair of doors with brass grille inserts enclosing shelves, flanked by turned and acanthus carved corner columns and raised on turned feet 149.5cm wide, 89cm high, 45cm deep

£2,000-3,000

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194Y REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop leaf ends above a pair of short frieze drawers with dummy drawers opposing, on tapered end supports and outwept legs ending in hairy paw brass caps and castors 152cm wide (up), 71cm high, 73cm deep

£600-800

195 REGENCY MAHOGANY EASEL EARLY 19TH CENTURY the centre support with a carved berry finial, with an adjustable support shelf 189cm high

£500-700

196 GEORGIAN STYLE MAHOGANY BREAKFAST TABLE EARLY 20TH CENTURY the moulded circular top over a ring turned support raised on foliate moulded sabre legs and brass paw caps and castors 131cm diameter, 73cm high

£500-700

Five Centuries: British Furniture & Works of Art: Part I

197Y REGENCY ROSEWOOD LAMP TABLE EARLY 19TH CENTURY the rounded rectangular top on a lotus carved column and tripartite base raised on disc feet 51cm wide, 74cm high, 40.5cm deep

£1,000-1,500

198Y WILLIAM IV ROSEWOOD LONG STOOL EARLY 19TH CENTURY the padded seat covered in kilim style fabric, on scrolled X frame supports centred by a roundel 111cm wide, 50cm high, 60cm deep

£400-600

199 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with six side chairs and a pair of armchairs, the bar backs above a foliate and shell carved splat, over drop-in needlework seats, raised on turned and reeded tapered legs (8) 54cm wide, 87cm high, 46cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

64 Lyon & Turnbull

200 PAIR BLACK LACQUER AND PARCEL GILT LOW TABLES MODERN the rounded rectangular tray tops with gilt acanthus borders, raised on ebonised faux bamboo legs joined by X stretchers (2) 80cm wide, 46cm high, 60cm deep

£400-600

201 UNUSUAL AMERICAN CAST IRON PARLOUR STOVE 19TH CENTURY in the form of a Greek portico, the side panel cast with maker’s name MORRISON & MANNINGS/ NONPAREIL PARLOR STOVE NO. 4/ GREEN ISLAND FURNACE TROY 90cm wide, 124cm high, 55cm deep

£400-600

202 REGENCY BRASS AND STEEL REGISTER GRATE EARLY 19TH CENTURY the steel panel frame outlined in brass with leafclasped half-columns marked at the corners with blocks; enclosing a bowfront fire basket above a conforming frieze with gryphons, anthemion and foliate scroll motifs 101.5cm wide, 95cm high, 32cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

203 REGENCY MAHOGANY TABLE CABINET EARLY 19TH CENTURY the scroll carved cornice above a pair of glazed doors with arched mullions, opening to a shelved interior, on flattened bun feet 69.5cm wide, 69.5cm high, 25cm deep

£300-500

204 REGENCY MAHOGANY AND EBONISED BOOKCASE CABINET EARLY 19TH CENTURY the moulded straight cornice above a frieze with ebonised line inlay, above a pair of glazed doors opening to shelves, flanked by spiral carved columns with foliate capitals; the lower part with a pair of dummy drawers over a pair of crossbanded panel doors flanked by further spiral columns, raised on foliate carved bun feet 124cm wide, 220cm high, 55cm deep

£1,000-1,500

205 REGENCY MAHOGANY, PARTRIDGEWOOD, AND STAINED FRUITWOOD BREAKFAST TABLE 19TH CENTURY the rounded rectangular tilt top with crossbandings, on a moulded square column support with diamond inlay and a quadripartite base raised on reeded scroll legs ending in palmette cast brass caps and castors 136cm wide, 72cm high, 90cm deep

£600-800

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206 GEORGE IV PICTORIAL NEEDLEWORK SAMPLER, BY SOPHIA ALLAN DATED 30 MAY, 1822 of rectangular form, worked in silk on linen, with an alphabet above figures, floral motifs and animals, the lower section depicting Adam and Eve and a religious verse, inscribed SOPHIA ALLAN WITH MISS WOOD/ BLUE GALE SCHOOL/ 30 MAY 1822, framed and glazed 44cm x 31.5cm

£250-350

207 BLUE JOHN AND BRONZE DESK WEIGHT 19TH CENTURY the patinated crown finial raised on a large tapered oval section of Blue John 18cm high

£800-1,200

208 PAIR OF REGENCY GILT BRONZE TABLE LAMPS EARLY 19TH CENTURY previously candlesticks, with baluster-form nozzles on tapered columns with engine-turned bands and circular bases, with pleated shades (2) 28cm high (excluding fittings and shade)

£400-600

209 REGENCY STYLE PAINTED AND PARCEL GILT STANDARD LAMP LATE 19TH CENTURY the fluted column with a stiff leaf capital and acanthus carved base, raised on tripod lion monopodia and triform base 158.5cm high excluding fitting

£200-300

Five Centuries: British Furniture & Works of Art: Part I

210 PAIR OF GILT AND PATINATED BRONZE SWAN CANDLESTICKS, DESIGNED BY WILLIAM BATEMAN II FOR RUNDELL, BRIDGE AND RUNDELL CIRCA 1830 with gilt leafy-rimmed nozzles raised on berry and leaf-form stems and triform bases, each mounted with three patinated bronze swans, on squat bun feet (2) 17cm high

£800-1,200

211 TWO GROUPS OF FRAMED GRAND TOUR PLASTER INTAGLIOS EARLY 19TH CENTURY mounted on plush grounds in giltwood moulded frames, the first with twenty-seven examples, the other with twenty-five (2) 55cm x 55cm overall

£400-600

212 PAIR OF REGENCY GILT AND PATINATED BRONZE TABLE LAMPS EARLY 19TH CENTURY previously candlesticks, with everted reeded nozzles, above tapered columns and lions’ paw tripod legs with leaf-frond mounts, on plinths, fitted for electricity, with pleated shades (2) 31.5cm high (excluding fittings and shades)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

68 Lyon & Turnbull

213Y GEORGE IV ROSEWOOD BRASS MOUNTED LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top with a brown leather writing surface and pierced brass gallery, over a pair of short frieze drawers with dummy drawers opposing, raised on turned and bead moulded baluster supports on trestle bases with disc feet and brass castors 102cm wide, 78cm high, 60cm deep

£2,000-3,000

214 GEORGE IV WALNUT AND SATIN BIRCH DAVENPORT EARLY 19TH CENTURY the hinged slant top with a brown leather surface opening to pigeon holes and drawers, the side with a pen drawer, candle slide, and cupboard door enclosing four drawers, on a plinth base with castors 59cm wide, 82cm high, 59m deep

£800-1,200

215Y REGENCY ROSEWOOD AND GONCALO ALVES BRASS MOUNTED BREAKFAST TABLE EARLY 19TH CENTURY the crossbanded top with feather banding and brass bead moulding, raised on a lotus carved support and tripod base ending in brass paw caps and castors 123cm diameter, 79.5cm high

£300-500

Five Centuries: British Furniture & Works of Art: Part I

216 PAIR OF GEORGE IV CARVED OAK HALL BENCHES, POSSIBLY GILLOWS EARLY 19TH CENTURY the leaf carved toprails above down-swept scroll arms and a long seat with moulded edge, the seat back with roundels to the reverse, raised on acanthus carved scroll trestle supports on plinth bases (2) 160cm wide, 98cm high, 49cm deep Provenance: Croxdale Hall, Durham By family repute, previously Sutton Place, Surrey

£5,000-8,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

70 Lyon & Turnbull

217 SCOTTISH REGENCY MAHOGANY BRACKET CLOCK, BY MACGREGOR, EDINBURGH EARLY 19TH CENTURY with a broken pediment and dentil moulded frieze, above a silvered dial with Roman numerals and marked MACGREGOR/ EDINBURGH, on a moulded rectangular base, the eight day movement striking a bell, with an anchor escapement 36.5cm wide, 45cm high

£500-700

218 REGENCY PENWORK TEA CADDY EARLY 19TH CENTURY sarcophagus form, the hinged lid decorated with Classical figures within a border of oak leaves, above a central Chinoiserie scene and landscape panels, opening to a compartmented interior and raised on brass ball feet 18.5cm wide, 14.5cm high, 11.5cm deep

£700-1,000

219 REGENCY MAHOGANY BLUE LEATHER LIBRARY STOOL EARLY 19TH CENTURY the rectangular seat with close nail head trim, raised on tapered legs ending in large brass caps and castors 80cm wide, 47cm high, 53cm deep

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

220 PAIR OF EARLY REGENCY MAHOGANY CANDLESTANDS EARLY 19TH CENTURY the octagonal tilt tops on spiral carved baluster supports and outswept reeded legs on ball feet (2) 39cm wide, 75cm high, 32cm deep

£800-1,200

221 PAIR OF WILLIAM IV MAHOGANY BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS the moulded tops over four graduated drawers with lobed knobs, on plinth bases (2) 36cm wide, 77cm high, 43cm deep

£1,200-1,800

222 REGENCY MAHOGANY WASHSTAND, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the high gallery back and sides above a rectangular top with two cut outs for basins, over a frieze with one dummy and one short drawer, raised on turned and reeded tapered legs 97cm wide, 105cm high, 57cm deep

£300-500

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223 REGENCY BURR OAK AND EBONISED TABLE CABINET EARLY 19TH CENTURY with a pair of recessed panel doors opening to pigeon holes and a drawer, raised on turned pad feet 49cm wide, 41cm high, 26cm deep

£500-700

224 RARE SMALL TEAK BRASS MOUNTED CAMPAIGN CHEST 2ND QUARTER 19TH CENTRY in two parts, with two short over three long drawers with recessed brass handles to the drawers and sides, on bracket feet; mounted with two oval brass plaques inscribed ‘Lt Gray/ 54th Regt’ and ‘Mr J.G. Paskel/ No. 55’ 76cm wide, 88cm high, 40cm deep

£2,000-3,000

225 LATE REGENCY PAINTED PINE CAMPAIGN CABINET EARLY 19TH CENTURY with a single chamfered panel door and iron handles to the sides, the interior with an arrangement of thirteen drawers with original paper labels and brass ring pulls, in original brown paint, the door with painted-over name CROOKSTON 48cm wide, 91cm high, 31cm deep

£700-900 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

226 SAILOR’S WOOLWORK PICTURE 19TH CENTURY of rectangular form, depicting a British Navy frigate rounding a fort, in a glazed ebonised frame 19.5cm x 39cm

£300-500

227 CARVED GILTWOOD FIGURAL SHIP’S LIGHT 19TH CENTURY the draped standing figure of a maiden with adjustable arms, on an associated ebonised plinth figure 134cm high

£800-1,200

228 SAILOR’S WOOLWORK PICTURE CIRCA 1860 of rectangular form, stitched with a central circular portrait of HMS Cornwallis enclosed by twelve allied flags with tufted wool flagpole finials, within a border of poppies, in a glazed frame 35cm x 52.5cm Note: HMS Cornwallis was the ship on which the Treaty of Nanking was signed, ending the first Opium War.

£300-500

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229 REGENCY MAHOGANY CASED BONE ALPHABET GAME EARLY 19TH CENTURY the slide-off lid opening to reveal a fitted interior with twenty-seven compartments labelled A-Z, with a further blank compartment, with bone counters labelled with the corresponding letters Case 28.5cm wide

£700-1,000

230 JAQUES SOLITAIRE BOARD GAME CIRCA 1858 the mahogany board with sixteen recesses and corresponding numbered white glazed pottery marbles, with Victorian design lozenge mark for 25th November,1858, impressed maker’s marks JAQUES LONDON Board 18cm diameter approx.

£200-300

231 SMALL POND YACHT LATE 19TH CENTURY with canvas sails and metal fittings, on a mahogany stand 70cm long, 102cm high

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

and pictures became a popular pastime from the 1840s, with the Isle of Wight’s multi-coloured sands providing an ideal medium. A centre for producing sand pictures was established at Newport, and various artists such as Edward Dore, his brother John of Arreton, and James Neat of Newport took to creating scenes with sand.

However, sand pictures had their origins in Japan, where formal designs in white sand on black lacquered surfaces were created. These were then introduced to Europe when travellers returned from the East. Rare surviving pictures from 18th century Britain were also created by Benjamin Zobel, whose scenes of exotic tigers and lions were fashioned using sand.

232Y FOUR VICTORIAN ISLE OF WIGHT SAND PICTURES / PAINTINGS 19TH CENTURY comprising Osbourne House, in a giltwood frame, with framer’s label verso, 8.5cm x 12cm; scenes of East Cowes Castle and Freshwater Cave, both with inscriptions to paper and in maple frames, 8.5cm x 12.5cm and 8cm x 12cm; and Shanklin Chine, in a rosewood frame, 8.5cm x 11cm (4) £300-500

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233 THREE VICTORIAN ISLE OF WIGHT SAND PICTURES / PAINTINGS 19TH CENTURY comprising a large scene of Shanklin Chine, 9.5cm x 13.5cm; a circular depiction of Arched Rock, 12cm diam.; and Osbourne House, attributed to Edward Dore, 6.5cm x 10.5cm, all in maple frames (3) £300-500

234 FIVE VICTORIAN ISLE OF WIGHT SAND PICTURES / PAINTINGS 19TH CENTURY comprising a large example of St. Cross Church, with inscription, in a maple frame, 11cm x 17cm; two scenes depicting The New Church, Newport and Niton Church, both by Edward Dore, inscribed, signed and dated 1836, in giltwood frames, 7cm x 9.5cm approx.; Brading Church, inscribed, unframed, 8.5cm x 12.5cm; and St. Thomas Church, also unframed, 7.5cm x 10cm (5) £300-500

235 GROUP OF VICTORIAN ISLE OF WIGHT SAND PICTURES / PAINTINGS 19TH CENTURY comprising a group of three, depicting Blackgang Chine, Alum Bay and the Needles, all in a maple frame, each image 3cm x 6cm; Chine Inn, 5cm x 7.5cm, and Carisbrooke Castle, 7cm x 9cm, both in maple frames; and three unframed examples: Carisbrooke Castle, inscribed and dated 1852, 7.5cm x 10.5cm; Little Jane’s Cottage, Brading, inscribed, 7.5cm x 11.5cm; and the coloured cliffs at Alum Bay, 7.5cm x 11cm (6) £300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings

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236 PHILIP VAN DYK (DUTCH 1680-1753) ELEGANT FIGURES ON A TERRACE WITH BOWL OF ASSORTED FRUIT Signed and dated 1728, oil on panel 38cm x 31.5cm (15in x 12.5in)

£2,000-3,000

237 AFTER WILLEM VAN MIERIS THE GAME COUNTER Oil on panel 46cm x 38cm (18in x 15in)

£1,000-1,500

Five Centuries: Paintings

238 ATTRIBUTED TO KAREL DUJARDIN THE SLEEPING FARM GIRL Oil on panel 24cm x 31cm (9.5in x 12in) Provenance: Mrs Coulthurst, Skipton Exhibited: Royal Yorkshire Jubilee Exhibition 1887

£2,000-4,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

80 Lyon & Turnbull

239 18TH/19TH CENTURY ITALIAN SCHOOL THE RIALTO BRIDGE FROM THE GRAND CANAL Oil on canvas 53cm x 78cm (20.75in x 30.75in) and a companion a pair another view of Venice (2)

£1,500-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

240 JAN FRANS VAN BLOEMEN CALLED IL HORIZONTE A CLASSICAL LANDSCAPE WITH SHEPHERDS AND HORSEMAN Oil on canvas 74cm x 63cm (29in x 24.75in) Provenance: Sir Horace and Lady Pinching, Le Chateau de la Tour de Peilz and thence by descent

Â£7,000-10,000

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241 MANNER OF GIUSEPPE ZAIS A CLASSICAL LANDSCAPE WITH FIGURES BY RUINS Oil on canvas 74cm x 99cm (29in x 39in)

£4,000-6,000

242 FOLLOWER OF NICOLAES MAES THREE QUARTER LENGTH PORTRAIT OF A LADY IN A RED DRESS Oil on canvas 68cm x 54.5cm (26.75in x 21.5in) Provenance: Leger Galleries Ltd London, 1967

£5,000-7,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

84 Lyon & Turnbull

243 CIRCLE OF MARY BEALE PORTRAIT OF A PHYSICIAN Oil on canvas 76cm x 63.5cm (30in x 25in)

£1,000-1,500

244 GIOVANNI DOMENICO PORTA (1722 - 1780) PORTRAIT OF POPE CLEMENT XIV Oil on copper, feigned oval 23 x 17.5cm (9in x 7in)

£1,000-1,500

Five Centuries: Paintings

245 ATTRIBUTED TO JOHN GLOVER DURHAM CATHEDRAL FROM THE RIVER Oil on canvas 63.5cm x 53.5cm (25in x 21in)

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

86 Lyon & Turnbull

246 ATTRIBUTED TO FRANZ ANTON VON SCHEIDEL (AUSTRIAN 1731-1801) LE CHEVAL Inscribed, watercolour 27.5cm x 38.5cm (11in x 15in)

£500-700

247 MANNER OF IGNAZ VON BORN SHELL STUDY Mixed media 18cm x 22cm (7in x 8.75in) and two others shell studies similar (3)

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

248 WILLIAM HENRY HUNT O.W.S. (BRITISH 1790-1864) GIRL READING A LETTER BY LAMPLIGHT Signed and dated 1827, watercolour and pencil 37cm x 26.5cm (14.5in x 10.5in) Provenance: Collection of Sir John Witt, his sale Sotheby’s 1987 bought for £24,000 Private Collection and thence by descent Exhibited: The Society of Painters in Watercolour, 1829, no.13 or no.214 Wolverhampton Art Gallery and Museum, 1989, William Henry Hunt 1790-1864, no.101 Literature: John Witt, William Henry Hunt 1982, no.548

£5,000-8,000

88 Lyon & Turnbull

249 ENGLISH SCHOOL C.1800 FULL LENGTH PORTRAIT OF A FIELD OFFICER IN THE BRITISH INFANTRY Oil on canvas 91cm x 71cm (36in x 28in)

£800-1,200

250 19TH CENTURY BRITISH SCHOOL A GROUP PORTRAIT OF JASPER RYLES AND FAMILY Oil on canvas 57cm x 47cm (22.5in x 18.5in)

£400-600

Five Centuries: Paintings

251 LIONEL CONSTABLE (BRITISH 1828-1887) THE WAY TO THE FARM Oil on canvas 41.5cm x 35.5cm (16in x 14in)

£2,000-3,000

Provenance: Sold by Clifford Constable to Leggatt’s Sir Michael Sadler by 1913 Spink & Son Ltd 1937 Grandfather of the present owner Exhibited: City of Leeds Art Gallery 1913, A loan exhibition of works by and after John Constable, no.108 Wildenstein 1937, John Constable his origins and influence, no.26 Tate Gallery, London 1982, Lionel Constable no.15 Literature: C.R.Leslie, Memoirs of the life of John Constable edited and enlarged by Andrew Shirley 1937 For the photograph showing the same farmhouse and poplar tree, please see Lionel Constable Exhibition Catalogue, Tate, 1982; pg. 107 (no. 60).

Note: This painting was long thought to be the work of John Constable, and was exhibited as such in exhibitions including A Centenary Memorial Exhibition of John Constable, R.A. his origins and influence at Mr Wildenstein’s Gallery in 1937. The current re-attribution to his youngest son, Lionel Constable, was only confirmed in 1982, when it was selected to be shown in an exhibition organised by Tate to promote Lionel’s work in its own right. The journey to this re-assessment had its beginnings in the preparation for John Constable’s bicentenary exhibition, staged by Tate in 1976. When sifting through large volumes of work to make the final shortlist for the exhibition, there were a selection of works, attributed to John, that didn’t seem to quite work within his oeuvre. Within the exhibition, this was navigated by the inclusion of a ‘friends and followers’ section, and more in-depth work was done in the period following. Lionel’s interest in photography helped this process along, as researchers were able to marry photographs with compositions, using details like levels of tree growth to confirm that they were from the same date. This documentary evidence allowed a group of works to be confidently

attributed to Lionel, and from this group an idea of his approach developed from which point a more stylistic assessment could be utilised on other works, and further attributions made by the curator’s considered eye. The Way to the Farm was able to be identified using documentary evidence, as there is a photograph by Lionel showing the same farmhouse and poplar tree, from the opposite side, and happily fits with a considered stylistic vassessment of Lionel’s distinctive yet modest character as a painter. There are stylistic similarities to his father, yet he paints more thinly and delicately, in lighter colour and generally favours a specific range of compositions. As an artist, he is an unusual figure, apparently committed to his art, he generated lots of work and exhibited as a professional at the Royal Academy, yet it was not his profession, and so he was able to give it up when he chose, meaning his career only lasted eight short years and ended in his mid-twenties. He seemed to lack interest in contemporary art trends, and instead appears to have taught himself to paint almost entirely through close study of his father’s early work.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

90 Lyon & Turnbull

252 REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST AND THE WOMAN OF SAMARIA, AMONG RUINS Etching, first state 12.2cm x 10.7cm (4.8in x 4.2in)

£500-800

253 ANDERS ZORN (SWEDISH 1860-1920) GOPSMOR COTTAGE Etching, signed in pencil 28.5cm x 19cm (11.25in x 7.5in)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

254 AUGUSTUS JULES BOUVIER (FRENCH 1827-1881) HEAD OF AN ITALIAN GIRL Signed and inscribed ‘Roma’, watercolour, oval 30cm x 25.5cm (11.75in x 10in)

£600-800

255 JAMES WATTERSTON HERALD (SCOTTISH 1859-1914) WINTER STREET SCENE Signed, watercolour 36cm x 26cm (14in x 10.25in)

£1,000-1,500

92 Lyon & Turnbull

256 MAJOR GENERAL ALEXANDER YOUNG SHORT (BRITISH 19TH CENTURY) SCENE AMONGST THE HILLS, MAHABALESHWAR Signed, signed with initials, inscribed and dated 1849 on the reverse, oil on canvas, unframed 69cm x 95cm (27in x 37.5in)

£1,000-1,500

257 SOPHUS JACOBSEN (NORWEGIAN 1833-1912) FISHING WITH NETS BY MOONLIGHT Signed, oil on canvas 51cm x 71cm (20in x 28in)

£1,000-1,500

Five Centuries: Paintings

258 SIR ALFRED EAST R.A., R.I., P.R.B.A., R.P.E. (BRITISH 1849-1913) CRAIL HARBOUR AT DUSK Signed and dated ‘88, oil on canvas 51cm x 91cm (20in x 36in)

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

94 Lyon & Turnbull

259 MARINUS ADRIANUS KOEKKOEK (DUTCH 1807-1868) SHEPHERD’S AND THEIR CATTLE ON A COUNTRY LANE, WITH DISTANT LANDSCAPE Signed and dated 1852, oil on panel 28cm x 37cm (11in x 14.5in)

£1,500-2,000

260 [§] FRANK HENRY MASON (BRITISH 1875-1965) ON THE CLYDE ESTUARY WITH THE CLOCH LIGHTHOUSE Signed, watercolour 21cm x 56cm (8in x 22in) and another by the same hand ‘Waverley Steamer on Loch Lomond’ (2)

£1,500-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

261 ERNEST GUSTAV GIRADOT (FRENCH 1840-1904) THE FIRST STEP IN ROMANCE Signed and dated 1866, inscribed with title and artist’s address on old label verso, oil on canvas 90cm x 70cm (35.5in x 27.5in)

£3,000-5,000

96 Lyon & Turnbull

262 PAUL THUMANN (GERMAN 1834-1908) OLGA Signed and dated 1874, oil on panel 46cm x 36cm (18in x 14in) Provenance: M.Newman Ltd., London

£600-800

263 ATTRIBUTED TO EMIRIA SOENASSA (INDONESIAN 1891-1964) PORTRAIT STUDY WITH HEADDRESS, HALMAHERA Signed and dated ‘Hari Tgl 1936’ (‘Day and Date 1936’), and inscribed ‘Halmahera’ (an island in Moluccas province), oil on board 91cm x 61cm (36in x 24in) We are grateful to the curator at the National Gallery of Indonesia for their assistance in cataloguing this lot. Note: Emiria Soenassa was an important figure in Indonesia’s early modern art history. She is considered one of the earliest women artists in Indonesia. Soenassa travelled around the Indonesian archipelago, painting and living with indigenous tribes, in the 1920s-1930s.

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

264 ROBERT GEMMELL HUTCHISON R.S.A., R.S.W., R.B.A., R.O.I. (SCOTTISH 1855-1936) THE DEAD CANARY Signed, oil on canvas 76cm x 51cm (30in x 20in)

£1,000-1,500

265 WILLIAM BRASSEY HOLE R.S.A., R.S.W., R.I. (SCOTTISH 1846-1917) A DAUGHTER TAKING HER LEAVE Signed and dated 1875, oil on canvas 138cm x 101cm (54.25in x 40in) Exhibited: Royal Academy 1875, no.13

£800-1,200

98 Lyon & Turnbull

266 FRANZ JOHNSTON A.R.C.A., O.S.A. (CANADIAN 1888-1949) BANFF, AL’TA Signed, oil on board 23cm x 33cm (9in x 13in)

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

British Furniture & Works of Art: Part II

100 Lyon & Turnbull

267 VICTORIAN MAHOGANY BOOKSTAND 19TH CENTURY the adjustable bookrest with brass clips, on a turned column support and circular base 31cm wide, 39cm high approx.

£300-400

268 TOBACCONIST’S SHOP DISPLAY PIPE LATE 19TH CENTURY of carved and turned wood 42cm long, 16cm high

£300-500

269 SET OF FOUR FRENCH BLUE GLASS PHARMACY BOTTLES AND COVERS LATE 19TH/ EARLY 20TH CENTURY the metal covers above short necks and cylindrical bodies, with gilded labels marked CINCH: COND:; ULMARIA; *RAD:ALTHOEAE H:; CORT: QUERN: (4) 26cm high

£500-700

270 VICTORIAN FULLER’S PATENT COLD STORAGE CHEST 19TH CENTURY the hinged top opening to a compartmented lined interior, the exterior with drain tap and metal trade plaque FULLER’S PATENT/ JERMYN ST. ST. JAMES LONDON, on bracket feet 89cm wide, 82cm high, 66cm deep Provenance: Ex Applecross House Note: William Fuller of Jermyn Street was listed as an ‘ice pail maker’ from the 1840s and patented and sold numerous apparatus important to the production, distribution and storage of ice cream.

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

271Y EARLY VICTORIAN MAHOGANY BALLOT BOX MID 19TH CENTURY with a moulded pediment above a reeded aperture and reeded corbel flanked by inlaid ivory YEA and NO markers and scrolled brackets, over a pair of small drawers with later painted and ivory YEA/NO, on a moulded plinth base with brass handles 42cm wide, 41cm high, 25cm deep

£1,000-1,500

272 PROVINCIAL FIDDLE ASH HEART-SHAPED OCCASIONAL TABLE 19TH CENTURY with two tiers, each with band moulding, raised and divided by square legs with splayed feet 33cm wide, 68cm high, 30cm deep

£400-600

273 EARLY VICTORIAN TEAK CHEST OF DRAWERS MID 19TH CENTURY of small size, the rectangular top with a reeded edge above four long graduated drawers with horn knobs and outlined with stringing, with brass handles to the sides, raised on turned feet 87cm wide, 82cm high, 45cm deep

£1,000-1,500

274 PROVINICAL GEORGE III MAHOGANY AND FRUITWOOD INLAID TRIPOD TABLE LATE 18TH CENTURY the rectangular tilt top inlaid with a central star motif and repeated at the corners, on a column with a spiral carved knop, with tripod base and pad feet 59.5cm wide, 71cm high, 54cm deep

£250-350

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102 Lyon & Turnbull

275 VICTORIAN BRASS BOUILLOTTE LAMP, BY MILLER & SONS, LONDON CIRCA 1860 with adjustable twin shades with impressed mark MILLER & SONS, 179 PICCADILLY, above adjustable outscrolling double sconce arms, on a domed circular base 48cm high

£300-400

276 VICTORIAN PAINTED COACH PANEL 19TH CENTURY the bowed panel painted with a crown enclosed by a banner inscribed ROYAL VICTORIA PATRIOTIC ASYLUM FOR BOYS against a black ground 40cm wide, 64cm high, 18.5cm deep

£400-600

Note: The Royal Patriotic Asylum for Boys, in Battersea, was founded in the late 1850s and funded by the Royal Patriotic fund. The school, and its companion school for girls, was established for children orphaned by the Crimean War. From 1883 the building has been the home of Emanuel School.

277 COLLECTION OF VICTORIAN POTTERY GLAZED BIN LABELS 19TH CENTURY comprising seven of arched form, two with Copeland & Garrett stamps, 13cm wide; and six of triangular form, one unglazed and blank, two stamped for Mintons, 14cm wide, variously labelled for Claret, Sherry, Madeira, Port, and Brandy (13) £600-800

278 LARGE GROUP OF VICTORIAN GLASS ‘DUMP’ PAPERWEIGHTS 19TH CENTURY comprising twenty-one examples of various size, four with interior glass bubbles, the remainder with interior flowers (21) Largest 14cm high

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

103

279 VICTORIAN OAK ‘GOTHIC’ ARMCHAIR MID 19TH CENTURY the back in the form of a pointed arch with tracery and crockets, above a plank seat flanked by downswept arms, on carved straight octagonal legs 59cm wide, 127cm high, 49cm deep

£300-500

280 GOTHIC REVIVAL CAST IRON HOB GRATE, IN THE MANNER OF A.W.N. PUGIN 19TH CENTURY the back panel cast with pointed arches, quatrefoils, tracery and crockets, above a fire basket flanked by architectural pointed arch panels 107cm wide, 98cm high, 37cm deep

£2,500-3,500

281 JACOBEAN REVIVAL OAK EXTENDING DINING TABLE MID 19TH CENTURY the rectangular top with canted corners and a moulded edge over a blind fret carved frieze raised on massive square section legs with blind fret moulding and headed by carved masks, on brass castors; with a wind-out mechanism and one leaf extension with matching blind fret frieze, and three further plain leaf extensions 365cm long, 74cm high, 142cm deep fully extended

£1,500-2,500

282 VICTORIAN JACOBEAN REVIVAL WALNUT SIDEBOARD 19TH CENTURY the gallery back above an inverted breakfront top with a moulded edge, above three frieze drawers, over a central arched recess flanked by panel moulded cupboard doors flanked and divided by fluted pilasters with acanthus carved scroll capitals, on a moulded plinth base; the patent lever locks stamped G. HARLEY & CO./ MAKER/ W. HAMPTON 219cm wide, 110cm high, 81cm deep

£400-600

104 Lyon & Turnbull

283 PAIR OF VICTORIAN BURR WALNUT AND INLAY BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS the rectangular tops above four graduated drawers all with boxwood stringing and foliate line inlay, on plinth bases (2) 40cm wide, 74cm high, 42cm deep

£1,200-1,800

284 VICTORIAN WALNUT, EBONY, OLIVEWOOD AND FRUITWOOD MARQUETRY PEDESTAL TABLE MID 19TH CENTURY the circular top inlaid with musical trophies and flowers, with an ebonised edge and wavy frieze, on a carved baluster support with flower carved cabriole legs with brass castors 79cm diameter, 76cm high

£300-500

285 VICTORIAN MAHOGANY WELLINGTON CHEST MID-19TH CENTURY the rectangular top above seven short drawers and a hinged locking panel, on a plinth base 61cm wide, 121cm high, 41cm deep

£600-800

286 VICTORIAN MAHOGANY FIREPLACE STOOL MID 18TH CENTURY the padded top covered in light brown plush upholstery, above a scroll carved seat rail raised on cabriole legs with scrolled toes and brass castors 122cm long, 41cm high, 43cm deep

£500-700

Five Centuries: British Furniture & Works of Art: Part II

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287 PAIR OF FINE VICTORIAN WALNUT AND KINGWOOD MARQUETRY GILT METAL MOUNTED PIER CABINETS, BY WILKINSON & SON 19TH CENTURY each top with moulded edge and rounded corners, above an arched frieze with flower marquetry and glazed door enclosing shelves and cream fabric lined interiors, flanked by rounded corners with gilt metal chutes, on plinth bases outlined with gilt metal moulding, the doors stamped WILKINSON & SON 8 OLD BOND STREET and serial number 7984 (2) 91cm wide, 107cm high, 40cm deep

£10,000-15,000

Note: Wilkinson & Son was first established in 1766 by Joshua Wilkinson at 7 Broker’s Row, Moorfields, London. They were not only cabinet makers, but looking glass and carpet sellers, as well as upholsterers. When Joshua died in 1790, the firm passed to his son William, and William’s cousin, Thomas. In 1808 William started to trade by himself, but in the 1820s brought his sons into the business and Wilkinson & Son was officially born. The company traded under this name, until William’s death in 1833. From 1855 the company moved to Bond Street, and furniture was stamped accordingly with this new address, where it traded until 1909. The company was renowned for being makers of quality furniture with fine inlay and gilt mounts, as demonstrated by the pier cabinets. They received many prestigious commissions, including a table for Lowther Castle, and furniture for the Goldsmith’s Hall in London.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

106 Lyon & Turnbull

288 PAIR OF EARLY VICTORIAN GILTWOOD MIRRORS MID 19TH CENTURY the oval mirror plates enclosed in ropetwist frames (2) 57cm high, 43cm wide

£600-800

289 VICTORIAN WALNUT FRAMED LONG STOOL MID 19TH CENTURY covered in Berlin needlework and raised on cabriole legs with ceramic castors 95cm wide, 43cm high, 48cm deep

£400-600

290 EARLY VICTORIAN ROCOCO REVIVAL GILTWOOD EASEL MID 19TH CENTURY with acanthus scroll and floral garland cresting, on S scroll legs with scroll toes 161cm long

£500-700

291 PAIR OF VICTORIAN WALNUT UPHOLSTERED ARMCHAIRS 19TH CENTURY the moulded buttoned backs above outscrolling arms and serpentine cushioned seats, raised on moulded cabriole legs and castors (2) 76cm wide, 106cm high, 54cm deep Provenance: Property from Hatton Castle, Aberdeenshire

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

107

292 LARGE VICTORIAN GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate in a rocaille frame with acanthus scroll brackets to the base 163cm high, 165cm wide

£600-800

293 EARLY VICTORIAN WALNUT LIBRARY TABLE MID 19TH CENTURY the shaped rectangular top with a green leather insert and moulded edge above a plain frieze and moulded apron with opposing drawers, raised on leaf carved cabriole legs ending in scrolled toes 173cm wide, 80cm high, 94cm deep

£400-600

294 EARLY VICTORIAN MAHOGANY FRAMED CHAISE LONGUE MID 19TH CENTURY with a scroll end and backrest covered in button upholstered green plush upholstery, above a long serpentine seat, raised on bead-moulded turned and tapered legs with brass castors 196cm long, 97m high, 57cm deep

£300-400

108 Lyon & Turnbull

295 PAIR OF VICTORIAN WALNUT BEDSIDE CHESTS 19TH CENTURY the tops with canted forecorners above four graduated drawers flanked by angles with carved roundels, on plinth bases (2) 44cm wide, 73cm high, 47cm deep

£700-1,000

296 VICTORIAN WALNUT CHEVAL MIRROR 19TH CENTURY the shaped rectangular mirror plate with scroll and flower cresting, with a curved mid-tier with a pierced gallery and short drawers, raised on curved supports and flower carved trestle bases with scroll toes and ceramic castors 170cm wide, 183cm high, 52cm deep

£500-700

297 EARLY VICTORIAN MAHOGANY FRAMED CHAISE LONGUE MID 19TH CENTURY the button upholstered spoon back above a long serpentine seat covered in faded claret plush upholstery, the frame carved with C scrolls, raised on cabriole legs with brass castors 178cm long, 83cm high, 61cm deep

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

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298 VICTORIAN MAHOGANY OCCASIONAL TABLE MID 19TH CENTURY the octagonal top with a moulded edge marked with carved foliate motifs, on a tulip shaped stem and triform support ending on a concave triform base with foliate carving and bun feet 46cm wide, 70cm high

£1,000-1,500

299 RARE VICTORIAN WALNUT PARLOR PIANO AND MUSIC CABINET, BY HENRY BROOKS & CO. MID 19TH CENTURY the superstructure with a carved and pierced scrolling gallery above a mirrored recess and scroll carved brackets, above a fivesection compartmented cabinet with pivoting arched panel doors opening to reveal painted tole music storage boxes in the form of books, labelled to the spines SACRED MUSIC, OVERTURES, WALTZES and SONGS; above a slide-out miniature keyboard with twenty five keys, signed ‘H. Brooks & Co./ Manufacturers/ London’; raised on scrolled and pierced side bracket supports and mirror back, ending on a plinth base with disc feet and castors 75cm wide, 155cm high, 45cm deep Provenance: Made for the Great Exhibition, London, 1851. This lot was taken to the Antiques Roadshow in 1979 for appraisal.

£3,000-5,000

Note: Henry (later named Herrburger) Brooks & Co. manufactured mechanisms for the highest quality pianos, and until 1998 they were the world’s oldest maker of piano actions, hammer heads and keyboards. The company was originally founded in 1810 by Henry Brooks and operated from 31 Lyme Street in Camden, London. Although primarily focused on making parts for musical instruments, they also patented actions used for raising seating, and piano stools bearing their maker’s marks are known. In 1920, Henry Brooks merged with Herrburger, previously Schwander, to form Herrburger Brooks.

110 Lyon & Turnbull

300 VICTORIAN SATIN BIRCH AND PARCEL GILT CHIFFONIER 19TH CENTURY the superstructure with two shelves and a pierced gallery, the lower part with four panel doors opening to drawers and shelves, on a plinth base 207cm wide, 157cm high, 50cm deep

£800-1,200

301 EARLY VICTORIAN PLUM PUDDING MAHOGANY EXTENDING DINING TABLE, BY J. KENDALL & CO. MID 19TH CENTURY the rounded rectangular top with a moulded edge raised on turned and fluted baluster legs ending in brass caps and castors stamped COPE & COLLINSON PATENT, with one leaf extension but extending further to accommodate three additional leaves (lacking), bearing a printed and inscribed paper trade label Kendell & Co./ No. 79746/ Workman’s Name Elliot Duffield 434cm fully extended, 237cm with leaf, 71cm high, 140cm deep

£800-1,200

Note: John Kendell & Co. were a Leeds based furniture maker whose quality was considered comparable to Gillows. They introduced a labelling system in the 1830s which included serial nos. and the workman’s name. Unfortunately records for the company do not appear to have survived to provide further information.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

302Y SIR WILLIAM CHARLES ROSS, R.A. (1794-1860) QUEEN VICTORIA WITH COCO, A GREY PARROT watercolour on ivory, the sitter shown three quarter length wearing her Honiton lace wedding dress, a grey parrot perched on her right hand, in a giltwood frame mounted in a later shadowbox frame 18.5cm wide, 12cm high sight size Provenance: By repute, William George Spencer Cavendish, 6th Duke of Devonshire Note: William Charles Ross was born to artist parents and became a preeminent miniature portraitist, studying under the Scottish miniaturist Andrew Robertson before establishing an elite clientele of his own, including members of the Royal Family and household, as well as other European royals. Ross was elected an associate of the Royal Academy in 1838, and in 1843 a royal academician, and was knighted on 1 June 1842. He first painted Queen Victoria in 1837, while the present picture dates from 1841, and in his lifetime completed over 2200 portraits. Victoria is shown here wearing her wedding dress which featured tiers of English Honiton lace, and set the standard for white wedding dresses still favoured by brides today. She holds her pet African grey parrot ‘Coco’, that was kept at Sandringham and taught to sing ‘God Save the Queen’, much to the monarch’s amusement.

£2,000-3,000

303 EARLY VICTORIAN FRAMED GROUP OF TWENTY-TWO SHELL CAMEOS MID 19TH CENTURY of various sizes, in gilt metal mounts, including a pair of drop-earrings, depicting Classical and mythological figures, including the Three Graces, Mercury, Cupid etc. all mounted on a plush ground in a glazed mahogany frame, with easel support 54.5cm x 45cm

£800-1,200

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112 Lyon & Turnbull

304 VICTORIAN MOTHER-OF-PEARL AND ABALONE SPECTACLES CASE 19TH CENTURY of oblong form, the central oval panel with a white metal plaque and brown aventurine, flanked by geometric panels, opening to a silk-lined interior; together with a pair of yellow metal pince-nez 16cm long

£300-500

305Y SCOTTISH ROSEWOOD, IVORY, MOTHER-OF-PEARL, ABALONE, AND BRASS INLAID STICK BAROMETER, GARDNER GLASGOW MID 19TH CENTURY the Gothic style architectural case inlaid with foliate scrolls, flowers and urns, with dual inscribed gauge plates and a thermometer tube to the body mounted on an ivory gauge with Fahrenheit and Recaumier measures; mercury filled 98cm high

£1,000-1,500

306Y ATTRIBUTED TO FLORIANO PIETROCOLA (1809-1899) PORTRAIT MINIATURE OF WILLIAM LOUTHER of oval form, watercolour on ivory, within a gilt slip frame and ebonised frame, with handwritten paper label verso 4.5cm high

£300-500

307 LARGE TUNBRIDGE WARE COVERED BOX 19TH CENTURY of rectangular form, the cover depicting a central scene of a castle, within floral and leafy borders, opening to a silk-lined void interior 27cm wide, 10.5cm high, 22cm deep

£200-300

308Y

309

TUNBRIDGE WARE ROSEWOOD TABLE CABINET

GROUP OF TUNBRIDGE WARE ITEMS

19TH CENTURY of rectangular form, the top panel inset with a view of a castellated building, above twin doors with floral medallions, opening to six graduated drawers

19TH CENTURY comprising two rectangular boxes and covers, one with diamond form design, with old paper label for T. BARTON, 23cm wide, the other with repeating cubes, 18cm wide; an octagonal box and cover, 15.5cm high; a folding bookstand, depicting a castle to one end and geometric design to the other, 30.5cm wide (closed); and a small cribbage board, 24cm wide (5)

30.5cm wide, 27cm high, 20cm deep

£200-300

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

113

310 PAIR OF VICTORIAN GILT LACQUERED AND PATINATED BRONZE TABLE LAMPS MID-19TH CENTURY converted from oil lamps, with everted leafycast tops above plain cylindrical columns, raised on moulded square bases, fitted for electricity, with pleated shades (2) 38cm high (excluding fittings and shades)

£800-1,200

311 VICTORIAN EGYPTIAN REVIVAL ANEROID BAROMETER 19TH CENTURY the circular dial in a cylinder case surmounted by a pharaoh’s head and flanked by sphinxes, on a red marble base and ebonised plinth, with presentation plaque PRESENTED BY A NUMBER OF MERCHANTS & TRADESMEN OF RATTRAY & BLAIRGOWRIE, TO COLONEL & MRS. OGILVY OF RANNAGULZION ON THE 25TH ANNIVERSARY OF THEIR MARRIAGE/ 24TH JANY. 1881 Base 18.5cm wide, barometer 18cm high

£250-350

312 VICTORIAN FOUR GLASS GENTLEMAN’S SATINWOOD LIBRARY CLOCK, BY SWINBURN, DURHAM MID-19TH CENTURY the squared case with bevelled glass panels to sides and top, flanking the silvered dial with Roman numerals, marked SWINBURN, DURHAM., above a presentation plaque inscribed LIEUT. CDR. T. L. HINMERS R.N.V.R/ 19401945 FROM H.M.H., all raised on squat bun feet, with a fusee movement 16.5cm wide, 24cm high, 13cm deep

£2,000-3,000 Note: John Swinburn is recorded in Watchmakers and Clockmakers of the World as working in Durham around 1851. The clock was likely made around 1850, before he took on George, probably his son, as a partner and started to sign their clocks as John & George Swinburn.

The plaque it bears is inscribed Lieut, Cdr. T. L. Hinmers R.N.V.R 1940-1945 from H.M.H., referring to Thomas Leslie Hinmers, born in Cheshire on 30 June 1905 to Edward Hinmers and Elizabeth Bayldon Hinmers. He was commissioned to the Royal Navy on 10 May 1941 and served throughout the war, which he survived.

114 Lyon & Turnbull

313 EDWARDIAN PAINTED AND PARCEL GILT SATINWOOD SIDE CABINET EARLY 20TH CENTURY the serpentine top with brass bead moulding and outset round corners above a frieze drawer over a cupboard door enclosing a pair of mirrored shelves, flanked by fluted columns, raised on fluted tapered legs 53cm wide, 99cm high, 41cm deep

£300-500

314 EDWARDIAN MAHOGANY, SATINWOOD AND MARQUETRY CHIMING LONGCASE CLOCK EARLY 20TH CENTURY the swan neck pediment above an arched brass dial with a silvered Arabic numeral chapter and subsidiary Chime/ Silent dial, above an arched trunk door with urn inlay, on a plinth base with a fan medallion inlay and raised on bracket feet; the eight day movement with a gong strike and playing on five chimes 55cm wide, 227cm high, 38cm

£600-800

315 WHYTOCK & REID THREE SEAT SOFA 20TH CENTURY the triple arched back above a loose cushion seat and low scroll arms, raised on square tapered legs ending in brass castors, in distressed terracotta upholstery, the seat cushions without covers 201cm long, 87cm high, 59cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

316 EDWARDIAN MAHOGANY AND SATINWOOD BIJOUTERIE TABLE EARLY 20TH CENTURY the hinged and glazed rectangular top above glazed sides, raised on square tapered legs joined by curved stretchers and an undertier 61cm wide, 72cm high, 42cm deep

£300-500

317 SATINWOOD INLAID OVAL OCCASIONAL TABLE AND TRAY LATE 19TH CENTURY, ADAPTED previously a two-tier table, the table top inlaid with a musical trophy within a scrolling foliate and crossbanded border, on inlaid square legs joined by curved X stretcher; the oval tray with brass handles and similarly inlaid (2) Table 89cm wide, 51cm high, 56cm deep

£300-500

318 LATE VICTORIAN POLYCHROMED SATINWOOD AND KINGWOOD BONHEUR DU JOUR LATE 19TH CENTURY the superstructure with a drawer and pair of cupboard doors around a recess, the doors painted with oval reserves of 18th century ladies, the lower part with a crossbanded top over three short frieze drawers, raised on square tapered legs painted with husk trails and ending in spade feet 90cm wide, 124cm high, 51cm deep

£3,000-5,000

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116 Lyon & Turnbull

319 VICTORIAN MAHOGANY AND JAPANESE EMBROIDERED SILK FLOOR SCREEN LATE 19TH CENTURY with four arched mahogany framed panels enclosing glazed embroidered silk panels depicting songbirds and flowers; the reverse lined with machined silk 212 wide, 175cm high overall

£300-500

320 EDWARDIAN MAHOGANY VITRINE EARLY 20TH CENTURY of cinquefoil outline, the ogee glazed panel top with a carved berry and acorn finial, above bowed panel sides enclosing three shaped glass shelves, raised on cabriole legs ending in carved claw feet; bearing an ivorine label E. POLLARD & CO. SPECIALISTS IN AIRTIGHT SHOW CASES/ 29, CLERKENWELL Rp. LONDON, E.C. 73cm diameter, 197cm high

£800-1,200

321 PAIR OF HOWARD & SONS STYLE TWO-SEAT SOFAS MODERN each with a double hump back and twin cushion seat, raised on square tapered mahogany legs with brass caps and castors, in terracotta upholstery (2) 162cm wide, 88cm high, 69cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

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322Y EDWARDIAN ROSEWOOD, MAHOGANY, MARQUETRY AND PENWORK STATIONERY BOX EARLY 20TH CENTURY the hinged and divided slant front decorated with ribbon tied swags and scrolls, opening to a compartmented interior and calendar date/year card inserts 30cm wide, 25cm high, 17cm deep

£300-500

323Y LARGE VICTORIAN WALNUT AND MAHOGANY STATIONERY BOX 19TH CENTURY the hinged divided slant front opening to an interior fitted with stationery compartments and date/calendar cards, a glass inkwell and a sand pot, and framed slate, above a pen tray and drawer bearing an ivory trade label PARTRIDGE & COZENS No1 CHANCERY LANE LONDON, the lock stamped BRAMAH PATENT 41cm wide, 37cm high, 32cm deep

£500-700

324 JOHN HENRY FOLEY R.A. (1818-1874), FOR ELKINGTON & CO. OLIVER GOLDSMITH bronze, dark brown patina, impressed marks ELKINGTON & CO FOUNDERS and inscribed J.H. FOLEY. R.A./ LONDON 51cm high

£600-800

325

326

LARGE VICTORIAN TOOLED-LEATHER BLOTTER

MAHOGANY DOUBLE STATIONERY RACK

19TH CENTURY with twin covers embossed and gilt with crests hung with tassels, within scrolling gilt foliate borders

EARLY 20TH CENTURY each side with an arrangement of graduated compartments, on a moulded base

43.5cm x 56cm

£250-350

£200-300

39cm wide, 22cm high, 26cm deep

118 Lyon & Turnbull

327 VICTORIAN MAHOGANY THREE TIER ETAGERE 19TH CENTURY the rectangular top with a cockbeaded edge above a long frieze drawer, over two conforming tiers raised and divided by turned baluster supports, on ceramic castors 102cm wide, 91cm high, 47cm deep

£500-700

328 VICTORIAN MAHOGANY FOLIO STAND MID 19TH CENTURY of typical form with ratchet adjustable sides on turned baluster supports and scrolled trestle bases ending in disc feet with castors 76cm wide, 110cnm high, 65cm deep

£800-1,200

329 PAIR OF VICTORIAN BLACK LEATHER ARMCHAIRS LATE 19TH CENTURY the button backs and seats flanked by straight padded arms, with close nail head trim, raised on turned mahogany legs with ceramic castors (2) 78cm wide, 99cm high, 59cm deep

£2,500-3,500

330 VICTORIAN EBONY, AMBOYNA AND BRASS MOUNTED SIDE CABINET 19TH CENTURY the top with outset square corners and outlined with amboyna banding, above a pair of arch glazed doors with gilt carved scrolling decoration, opening to shelves, raised on bun feet 130cm wide, 111cm high, 42cm deep

£300-500

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331 VICTORIAN NOVELTY PATINATED METAL OWL OIL LAMP, BY CRAIGHEAD AND KINTZ 19TH CENTURY the two-part owl base with glass eyes, enclosing a glass reservoir, the oil fitments with marks OSBERT HENDERSON/ GLASGOW, with a frosted blue-tinted glass shade acid etched with flowers 34cm high (excluding shade), 49.5cm high (including shade)

£400-600

332 VICTORIAN EBONISED PERPETUAL CALENDER TIMEPIECE 19TH CENTURY the glazed rectangular case enclosing a white enamelled dial with Roman numerals, above apertures for day of the week, date and month, with month duration and a French movement 31.5cm wide, 43cm high, 16cm deep

£400-600

333 LATE VICTORIAN EBONISED BRASS MOUNTED CHIMING BRACKET CLOCK LATE 19TH CENTURY the moulded arched case with flame finials above an arched brass dial with subsidiary CHIME/SILENT and WESTMINSTER CHIMES/ CHIMES ON EIGHT BELLS dials to the arch, over a silver Roman numeral chapter; the dial flanked by brass Corinthian columns and brass fret side panels and swing handles, raised on Rococo style scroll feet; the eight day quarterstrike movement chiming on eight bells and striking a gong 47cm high, 43cm wide, 26cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

120 Lyon & Turnbull

334 VICTORIAN SILVER MOUNTED ENGRAVED GLASS DECANTER THE MOUNTS BY JAMES CHARLES EDINGTON, LONDON, 1852 the scrolled handle with lever operating the hinged cover, above a pierced collar flanking a mask, fitted to a panelled neck terminating in a facet-cut bulbous body wheel-engraved with thistles, roses and fruiting vines, with Victorian design lozenge for 21 August, 1851 28.5cm high

£600-800

335 LARGE VICTORIAN CRYSTAL OIL LAMP 19TH CENTURY the cylindrical squat reservoir above the panelled octagonal column, swollen faceted base and star-cut foot 59.5cm high

£600-800

336 SET OF FIVE VICTORIAN ETCHED GLASS SPIRIT DECANTERS 19TH CENTURY of mallet form with flattened facetted stoppers, variously etched with fruiting vines and wheat and labelled SHERRY, BRANDY, S. WHISKY, CLOVES, AND HOLLANDS, with star cut bases (5) 31cm high

£300-500

337

338

SET OF FOURTEEN VICTORIAN GLASS CHAMPAGNE FLUTES

SET OF TEN REGENCY CHAMPAGNE FLUTES

19TH CENTURY with flared bowls, panel-cut to the bases, on short stems with annular knops and conical feet (14)

EARLY 19TH CENTURY with slightly everted rims above slender cylindrical bowls with elongated thumb-cutting, on shot knopped stems and flat feet (10)

17.5cm high approx.

17cm high

£200-300

£150-250

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339Y PAIR OF VICTORIAN SILVER-PLATE AND IVORY MECHANICAL WINE POURERS LATE 19TH CENTURY the winding mechanisms with ivory handles, raised on X supports in the form of branches with entwined grapevines and clusters, unmarked (2) 27cm high, 34cm long

£1,200-1,800

340 VICTORIAN BETJEMANS OAK AND BRASS THREE DECANTER TANTALUS AND HUMIDOR LATE 19TH CENTURY the locking swing brass handle above three square hobnail cut glass decanters and brass strapwork handles, over hinged sides compartments fitted with cedar-lined tobacco wells with sliding covers and brass match strikes; stamped BETJEMANS PATENT 44379 LONDON and THE TANTULUS, with retailer’s label ‘W.R. BULLEN/ Silversmiths/ 47-49 London St. Norwich’ 33cm wide, 41cm high, 26cm deep

£600-800

341 LARGE VICTORIAN SILVER-PLATE MIRRORED PLATEAU LATE 19TH/ EARLY 20TH CENTURY the circular mirror plate in a cavetto moulded silver-plate frame with applied grapevines and grape clusters; complete with an oak and baize lined panel insert and leather securing straps 62cm diameter

£700-1,000

342 CONTINENTAL ART DECO SILVER PLATED FOUR PIECE TEA/COFFEE SET EARLY 20TH CENTURY, POSSIBLY FRENCH comprising a coffeepot, teapot, sugar bowl and cover, and milk jug, of fluted globular form with bead detail and stylised foliate spouts, with turned hardwood handles, marked R.M with a star (4) Coffeepot 19.5cm high; teapot 16cm high

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

122 Lyon & Turnbull

343 EDWARDIAN MAHOGANY VITRINE EARLY 20TH CENTURY the hinged oval top above glazed sides, raised on square legs with outswept feet and joined by stretchers 59cm wide, 75cm high, 46cm deep

£300-500

344 SET OF POLYCHROMED AND GILT QUARTETTO TABLES LATE 19TH CENTURY the rectangular tops decorated with a floral bouquet within a flower garland band against a gilt ground, raised on ring turned and painted legs with curved stretchers and trestle bases (4) 49.5cm wide, 70cm high, 35cm deep

£700-1,000

345 PAIR OF VICTORIAN SATIN BIRCH BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS the rectangular tops with moulded edges above four graduated drawers, on plinth bases (2) 38cm wide, 73cm high, 36cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

346 SET OF EDWARDIAN SILVER POSTAL SCALES GEORGE BETJEMANN & SONS, LONDON, 1905 with rectangular scale platforms, with seven sets of hallmarks 15cm wide, 7cm high, 9cm deep

£700-1,000

347 AMERICAN SILVER ART NOUVEAU TABLE MIRROR DOMINICK & HAFF, CIRCA 1890 the mirror plate in a shaped frame embossed with poppies and leafy scrolls, stamped STERLING, with a velvet lined easel back 49cm high, 33cm wide

£500-700

348 TWO MATCHING CARVED WALNUT, HORN, AND SILVER PLATE MOUNTED BOWLS EARLY 20TH CENTURY in two sizes, the panelled wood bowls carved with flower heads and leaves, mounted with silver plated rims, horn handles, and shieldshaped cartouches, one with an engraved armorial, on circular silver plated bases, the larger with a Registration no.; with whiteglazed earthenware liners (2) Larger 39cm wide, 23cm high; smaller 37cm wide, 19cm high

£500-700

349 LATE VICTORIAN SILVER-PLATE MOUNTED HORN DINNER GONG LATE 19TH CENTURY the horns with silver-plate collars suspending a 25cm diameter silvered gong, mounted on a rectangular oak base with a vacant cartouche mount; together with an associated oak beater 51cm wide, 55cm high, 21cm deep overall

£500-700

123

124 Lyon & Turnbull

350 ROYAL WORCESTER TWIN-HANDLED VASE, SIGNED BY CHARLES BALDWYN DATE MARK 1899 with lobed everted rim on a baluster body painted with swans in flight against a blue ground with gilt highlights, signed C. BALDWYN, with twin angled handles, on a socle base, printed maker’s marks, registration no. 304839, shape no. 1959 26.5cm high

£2,500-3,500

351 BRETBY MAJOLICA CENTREPIECE JARDINIÈRE 1890S the flower-form jardinière moulded with flowers, supported on a separate central waisted green glazed stem and base with three swimming swans with open backs, both with impressed marks BRETBY/ ENGLAND, the base incised 2, the jardinière also impressed 1222E, RD 338766, incised 11 36cm high overall

£400-600

352 LARGE PAIR OF COALBROOKDALE STYLE PORCELAIN BOTTLE VASES 19TH CENTURY profusely decorated with applied flowerheads and leaves on a cobalt blue ground, with gilt highlights and domed covers, on matched hardwood stands (2) Vases 46.5cm high

£300-500

353

354

WEDGWOOD MAJOLICA PART DESSERT SERVICE

SPODE PORCELAIN PART TEA SERVICE

19TH CENTURY with pierced T-shaped rim borders in pink, blue and gold enamels, impressed maker’s marks WEDGWOOD/ PEARL/ AVS, comprising two comports raised on entwined dolphin columns; four short comports, on three scrolled feet each; eighteen plates; and a dolphin-form column, tazza top lacking (qty)

EARLY 19TH CENTURY decorated with cobalt bands with gilt foliage, variously marked with painted maker’s and pattern marks SPODE/ 2721, comprising two covered teapots and stands, with different finial handles; a milk jug; a covered sugar bowl; two slops bowls; three circular serving/cake plates; 15 tea cups; 10 coffee cups; and 17 saucers (qty)

£250-350

£200-300

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355 SET OF THREE VICTORIAN TOLE ‘BOOK’ FILING BOXES LATE 19TH CENTURY each with simulated red morocco covers and gilt spines with marbled page edges, marked ADMIRALTY NAVY DOCUMENTS and 1872, with various months (3) 8cm wide, 38.5 high, 28cm deep

£500-700

356 LEATHER, CORK, AND CANVAS MUNITIONS TRUNK EARLY 20TH CENTURY with leather straps and brass and copper hardware, embossed R.C.D./ II 1903 88cm wide, 35cm high, 29cm deep

£600-800

357 LEATHER, CORK, AND CANVAS MUNITIONS TRUNK EARLY 20TH CENTURY with leather straps and brass and copper hardware, stamped C.C.B and 1905 90cm wide, 36cm high, 30cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

126 Lyon & Turnbull

358Y SMALL CROCODILE SKIN GLADSTONE BAG EARLY 20TH CENTURY in brown crocodile skin, opening to a relined interior, stamped ‘J.C. VICKERY 179, 181 & 183 REGENT ST. W. and TO THEIR MAJESTIES THE KING AND QUEEN 35cm wide, 28cm high, 24cm deep

£400-600

359Y GENTLEMAN’S CROCODILE SKIN TRAVELLING CASE, DREW & SONS, LONDON LATE 19TH CENTURY the green stained crocodile skin with embossed initials M.P., opening to a fitted interior with ivory accessories and silver-mounted glass bottles, hallmarked London 1897, with maker’s label, in a fitted canvas cover 40cm wide, 18cm high, 30.5 deep

£250-350

360Y CROCODILE SKIN SUITCASE, THE GOLDSMITHS & SILVERSMITHS CO. LTD EARLY 20TH CENTURY with gilt metal hardware and gilt embossed maker’s name and address 12 REGENT STREET LONDON W. 61cm wide, 19cm high, 43cm deep

£600-800

361 VICTORIAN LEATHER SUITCASE ON STAND 19TH CENTURY, THE STAND LATER the case in brown leather with a blue linen lined interior, on a mahogany stand with turned and tapered legs 73cm wide, 66cm high, 46cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

127

362 FRENCH PIG-SKIN SUITCASE, BY MOYNAT, PARIS EARLY 20TH CENTURY in brown leather, opening to a linen-lined interior with leather straps and a dividing flap, with maker’s stamps and a key 60cm long approx.

£600-800

363 VICTORIAN LEATHER AND BRASS STUDDED TRUNK, W. INSALL & SONS, BRISTOL 19TH CENTURY with leather straps and carrying handles, the corners with large brass studs, with embossed and gilt monograms and embossed INSALL MAKER BRISTOL 83cm wide, 36cm high, 43cm deep

£800-1,200

364 PAIR VICTORIAN MAHOGANY LUGGAGE STANDS LATE 19TH CENTURY the slatted tops with chamfered edges raised on turned and tapered legs joined by double stretcher rails (2) 61cm wide, 43cm high, 41cm deep

£1,500-2,500

128 Lyon & Turnbull

365 LARGE VICTORIAN 17IN. TERRESTRIAL GLOBE, JOHN WYLD, LONDON DATED 1886 with twenty-four gores and maker’s cartouche A TERRESTIAL GLOBE COMPLETED FROM THE LATEST & MOST AUTHENTIC SOURCES INCLUDING ALL THE RECENT GEOGRAPHICAL DISCOVERIES/ PUBLISHED BY J. WYLD. 11 & 12 CHARING CROSS. LONDON./ JANY. 1ST 1886, with a horizon ring raised on reeded mahogany legs united by turned stretchers 68cm high approx.

£2,000-3,000

366 LARGE GERMAN 20IN. TERRESTIAL GLOBE, H. KIEPERT, BERLIN LATE 19TH/ EARLY 20TH CENTURY with twenty-four gores and maker’s inscription ERDGLOBUS/ bearbeitet/ von/ H. KIEPERT./ Lithogr.Druk u. Verlag/ D. REIMER (E. VOHSEN)/ Berlin/ Wilhelmstr 29, on an ebonised turned stand with brass support arm 100cm high

£1,200-1,800

367 WOOLWORK PICTURE OF HIDCOTE BOYCE LATE 19TH/ EARLY 20TH CENTURY of rectangular form, depicting thatched cottages with a characteristic Hidcote Manor Garden topiary bird, in a glazed maple frame, with ivorine label HIDCOTE, and inked to backing MISS G. LANE. LANCASTER HOUSE. LEAMINGTON SPA 34cm x 40.5cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

129

368 EDWARDIAN OAK FISHING TACKLE DISPLAY CABINET EARLY 20TH CENTURY the arched cornice above a pair of glazed doors enclosing shelves, with gilt lettering HARDY BROS/ BY ROYAL APPOINTMENT TO HM THE KING/ ANGLING SPECIALISTS/ ALNICK ENGLAND/ ANGLERS GUIDE/ CATALOGUE SUPPLIES/ SOLE AGENT/ 61, PALL MALL LONDON 96cm wide, 93cm high, 34cm deep

£800-1,200

369 HARDY BROS. LEATHER FLY-FISHING TACKLE CASE AND CONTENTS EARLY 20TH CENTURY the brown leather case embossed HARDY BROS/ ALNWICK/ & 61, PALL MALL/ LONDON, S.W. and owner’s name SYDNEY LODER; the baize lined interior with a tray over a divided compartment, containing a collection of thirteen various wood and metal non-Hardy reels, a leather fly case with a collection of flies, two gaff hooks, a Hardy hardwood and brass priest, a hanging scale, line dressing tins, and a copy of ‘Fly-Fishers Club 1884-1934’ (qty) Case 60cm wide, 26cm high, 36cm deep

£1,500-2,500

370 OAK JEWELLER’S DISPLAY CASE AND STORAGE CABINET EARLY 20TH CENTURY the hinged glazed vitrine top above an arrangement of numbered graduated drawers with recessed brass handles, on a plinth base; the front marked in gilt letters S.SMITH & SON LTD EST 1851/ 3 HOLBORN CIRCUS LONDON E.C.; the sides further lettered in gilt SECOND HAND WATCHES BOUGHT & SOLD and WATCHES & CLOCKS REPAIRED & SERVICED 95cm wide, 93cm high, 52cm deep

£2,500-3,500

130 Lyon & Turnbull

371 LARGE SET OF RED DEER ANTLERS (CERVUS ELAPHUS S.P.) with twenty-six points, mounted on a stag head skull 101cm wide

£600-800

372Y HALF MOUNT TAXIDERMY MALE ASIATIC LION, BY ROWLAND WARD CIRCA 1900 comprising the front section of torso, front legs and head, with inset glass eyes and claws, with an ivorine plaque for ROWLAND WARD LTD./ 167, PICCADILLY, W., originally in a case, now lacking 70cm long

£3,000-4,000

373Y FULL MOUNT TAXIDERMY BROWN BEAR LATE 19TH CENTURY standing upright on its rear legs grasping a tree branch and trunk frame, on an oval base, previously a stick stand Bear 156cm high, 192 high overall

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

374 FIBREGLASS MARLIN TROPHY MODERN 253cm long

£300-500

375Y LARGE VICTORIAN TAXIDERMY DIORAMA WITH BIRDS OF AUSTRALIA LATE 19TH CENTURY comprising twenty specimens including two sulphur-crested cockatoos, a yellow-tailed black cockatoo, eastern rosellas, a musk lorikeet, and a rainbow lorikeet, displayed against a painted pale blue ground, in a mahogany glazed case 111cm wide, 107cm high, 26cm deep

£3,000-4,000

376 VICTORIAN OAK AND DEER AND ELK ANTLER GUN RACK 19TH CENTURY the frame with ten gun recesses flanked by octagonal columns, with a stag antler cresting and mounts and raised on elk horn feet 124cm wide, 178cm high, 32cm deep

£700-900

131

132 Lyon & Turnbull

377 COLLECTION OF ROYAL CROWN DERBY PORCELAIN 20TH CENTURY in the Imari palette, pattern no. 1128, comprising a punch bowl, 29cm diam.; a pair of candlesticks, 26.5cm high; a pair of urns, 30cm high; a footed comport, 30cm diam.; a footed serving dish with twin-handles, 28.5cm wide; a small dish, 16cm wide; and a covered sugar bowl, 15cm wide, printed marks (9) £400-600

378 WEDGWOOD PART FRUIT SERVICE EARLY 20TH CENTURY transfer-printed and painted in polychrome enamels, depicting flowers and foliage, impressed maker’s marks and date codes, printed marks, and painted pattern marks G4210, comprising a footed tazza, 23.5cm diam.; two oval dishes, 25.5cm wide; two diamondshaped dishes, 26.5cm wide; and 12 plates, 20.5cm diam. (17) £400-600

379

380

DERBY CROWN PORCELAIN CO. PART DINNER SERVICE

VICTORIAN ENAMELLED OPAQUE BLUE GLASS AND BRASS OIL LAMP

LATE 19TH CENTURY in the Imari palette with gilt highlights, impressed and printed maker’s marks, painted pattern no. 495, comprising a covered soup tureen, 24cm high, and underplate, 41.5cm wide; a covered sauce tureen, 14.5cm high, and underplate, 23cm wide; a covered vegetable tureen, 14cm high; a meat platter, 55cm wide; an oval platter, 39cm wide; eight soup plates; 22 dinner plates; 10 lunch plates; and eight dessert plates (qty) Provenance: An English Collection of Works of Art

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

19TH CENTURY the slender baluster body with white enamel and gilt grapevines, with a Palmer & Co. Patent fitting and rococo style brass base, with a frosted and cutglass bell shade 89cm high

£300-400

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381 SET OF SIX MAHOGANY ‘COCKPEN’ DINING CHAIRS 20TH CENTURY comprising four side chairs and a pair of armchairs, of typical form with concave seats and close nail head trim (6) Armchair 61cm wide, 90cm high, 46cm deep

£2,000-3,000

382 QUEEN ANNE STYLE WALNUT JUPE ACTION EXTENDING DINING TABLE, BY GILLOWS & WARING EARLY 20TH CENTURY the shaped circular crossbanded top with a moulded edge, rotating and expanding to accommodate six leaves with white metal capped tips, above a shaped frieze raised on shell-carved cabriole legs ending in pad feet, stamped twice GILLOWS and serial no. 96643; with six large leaf inserts, and six small leaf inserts; together with a leaf carrier chest 137cm diameter, [160cm, 185cm], 77cm high

£4,000-6,000

134 Lyon & Turnbull

383 BRASS STICK STAND EARLY 20TH CENTURY with twelve divisions and square corner finials and drip pan insert 74cm wide, 66cm high, 28cm deep

£400-600

384 BRONZE AND GLASS DISPLAY CABINET 1920S the glazed door and angled sides enclosing adjustable glass shelves 86cm wide, 130cm high, 24cm deep

£1,000-1,500

385 EDWARDIAN BRASS AND LEATHER CLUB FENDER EARLY 20TH CENTURY the green leather button upholstered top raised on plain brass rails on a moulded base 148cm wide, 41cm high, 48cm deep; interior 123cm x 37cm

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

135

386 ARTS & CRAFTS OAK, MAHOGANY AND BIRCH INLAID PEMBROKE TABLE CIRCA 1880 the rectangular top with drop leaves and canted corners, above a frieze drawer with chevron inlay, a dummy drawer opposing, raised on turned and inlaid tapered legs ending in brass caps and castors 91cm wide, 74cm high, 47cm deep, 90cm deep (leaves up)

£300-500

387 SET OF SIX OAK ARTS AND CRAFTS DINING CHAIRS LATE 19TH CENTURY the tall slat backs with foliate carved top rails above padded seats, raised on square tapered legs joined by H stretchers (6) Armchair 61cm wide, 113cm high, 43cm deep

£600-800

388 THREE-SEAT HOWARD & SONS STYLE SOFA MODERN the three-section fixed cushion back above a three cushion seat and low scroll arms, in grey upholstery with nail head trim, raised on square tapered legs with brass caps and castors 202cm long, 89cm high, 67cm deep

£600-800

136 Lyon & Turnbull

389 PAIR OF UPHOLSTERED CORNER ARMCHAIRS MODERN the square padded backs above wide square seats and a single closed arm, covered in blue foliate fabric outlined with nail head trim, raised on ebonised tapered legs with brass castors (2) 85cm wide, 85cm high, 62cm deep

£600-800

390 PAIR OF UPHOLSTERED CORNER ARMCHAIRS MODERN ensuite with the preceding lot, the square padded backs above wide square seats and a single closed arm, covered in blue foliate fabric outlined with close nail trim, raised on ebonised tapered legs with brass castors (2) 85cm wide, 85cm high, 62cm deep

£600-800

391 PAIR OF CORNER SOFAS BY HOWARD CHAIRS LTD. MODERN the low L shaped backs with fixed bolster cushions above conforming deep loose cushion seats, raised on ebonised tapered legs with brass caps and castors (2) Each 188cm long, 81cm high, 133cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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392 LARGE BRASS MOUNTED OAK PILLAR POST BOX 1920S of square column form with moulded panel sides, the open top mounted with a brass cap enamelled POSTING BOX to all sides, above a panel door with a later brass inscribed plaque, on a plinth base with brass kickplates 57cm wide, 127cm high, 57cm deep

£2,000-3,000

393 LARGE ART DECO WALNUT PARQUETRY HABERDASHERY CABINET 1930S the step moulded cornice with zigzag parquetry above two sets of brass mounted glass sliding doors enclosing an arrangement of shallow and deep sliding trays all with black and gilt letter labels, over four deep short drawers, on a plinth base 154cm wide, 214cm high, 53cm deep

£3,000-4,000

138 Lyon & Turnbull

394Y SET OF CHINESE ROSEWOOD QUARTETTO TABLES EARLY 20TH CENTURY the rectangular inset panel moulded tops over pierced and carved friezes, on square legs joined by peripheral stretchers (4) 54cm wide, 68cm high, 33cm deep

£300-500

395 BLACK JAPANNED CARLTON HOUSE DESK AND CHAIR 20TH CENTURY the superstructure with an arrangement of short drawers, cupboard doors and sloped compartments, above three short frieze drawers, raised on square tapered legs with spade feet, decorated throughout with Chinese figures, pavilions, and dragons; the chair similarly decorated (2) Desk: 122cm wide, 101cm high, 16cm deep; Chair 98cm high

£400-600

396 SET OF CHINESE WALNUT AND BURRWOOD QUARTETTO TABLES EARLY 20TH CENTURY the panel tops over scroll carved and pierced aprons, on straight channel moulded legs joined by peripheral stretchers (4) Largest 46cm wide, 71cm high, 34cm deep

£300-500

397 ART DECO MAHOGANY AND GRAINED THREE PIECE BERGERE SUITE EARLY 20TH CENTURY comprising a settee and a pair of armchairs, the loose cushion caned back panels flanking a central pierced splat, above loose cushion seats flanked by matching angled open fret arms, raised on inverted spade feet (3) Settee 153cm wide 76cm high, 69cm deep; chair 65cm wide, 75cm high, 67cm deep

£500-700

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398 BRAZILIAN MONKEY PUZZLE WOOD AND BUTTERFLY WING TABLE EARLY 20TH CENTURY the circular top with a glazed surface with five views of Rio de Janeiro enclosed by butterfly wing bands, on a shaped pedestal support and circular base 58cm diameter, 71cm high

£400-600

399 LATE VICTORIAN MAHOGANY FRAMED THREE-PANEL FLOOR SCREEN LATE 19TH CENTURY each panel with a bevelled glass upper section with gadrooned arch moulding, above a fabric lined lower section enclosed by leaf and bead and reel moulding 168cm wide, 167cm high overall

£500-700

400 VICTORIAN STYLE MAHOGANY EXTENDING DINING TABLE LATE 20TH CENTURY the oval top with a moulded edge, opening with a windout mechanism, raised on turned and lobed baluster legs ending in brass caps and castors, with two leaf inserts 290cm long, 79cm high, 113cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

140 Lyon & Turnbull

401 LEATHER CAR TRUNK, OF VINTAGE MOTORING AND ROLLS ROYCE INTEREST 2ND QUARTER 20TH CENTURY in light brown leather with gilt metal hardware and original lined interior 85.5cm wide, 17.5cm high, 46cm deep

£400-600

402 LEATHER CASED SILVER SANDWICH BOX AND FLASK SET JAMES DIXON & SONS, SHEFFIELD, 1928 comprising a rectangular glass flask with a hinged silver cap and a silver sandwich box with silver gilt interior and ring handle, in a brown leather case with straps 15cm wide, 13cm high, 13cm deep

£400-600

403 DREW & SONS ‘EN ROUTE’ PICNIC SET, OF VINTAGE MOTORING INTEREST EARLY 20TH CENTURY comprising a chrome-plated sandwich box and a brass ‘Universal’ thermos, in a fitted leather travelling case 36cm long, 11cm high, 32cm wide overall

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

404 LARGE AND UNUSUAL PROPELLER BAROMETER EARLY 20TH CENTURY stamped serial nos. 190 hp Rolls Royce/ B2950 P2850/ DRP3032’ and B&C 6684/ and BRISTOL PROPELLER decal; with a white enamel dial 188cm high, 140cm wide

£800-1,200

405 CHROME TWIN ENGINE PLANE MODEL in the Art Deco style, raised on a waisted support and stepped lozenge shaped base 79cm wide, 38cm high, 59cm deep

£800-1,200

406 BRYANS ‘ELEVENSES’ FOUR SQUARE PENNY ARCADE GAME 1930S, THE BASE LATER the top section with four individual coin operated games in bright enamel decoration and cast metal frame, mounted on a later square base with cigarette holders to the corners and painted sides ‘FUN FAIR’ and ‘2p A Go!’ 76cm wide, 145cm high, 76cm deep

£2,500-3,500

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Continental Furniture & Works of Art 407 FRENCH CHESTNUT IRON MOUNTED CHEST 18TH CENTURY the hinged slightly bowed top with iron straps and hinges, opening to a void interior with a candle box, above a double arched panel front, raised on a shaped plinth base with a single drawer and carved foliate roundels 107cm wide, 72cm high, 68cm deep

£600-800

408 SPANISH WALNUT REFECTORY TABLE 17TH CENTURY the single board top above a foliate carved panelled frieze with two short drawers, raised on turned baluster legs headed by foliate carved blocks 199cm wide, 81.5cm high, 74cm deep

£800-1,200

409 PAIR OF FLEMISH WALNUT AND TOOLED LEATHER ARMCHAIRS 19TH CENTURY in 17th century style, the high arched backs and square seats covered in embossed leather with a heraldic shield, figures, birds, shell and foliate motifs outlined with brass bosses, flanked by acanthus carved scroll arms, raised on baluster and block turned legs joined by interlaced S scroll stretchers (2) 63cm wide, 153cm high, 52cm deep

£1,200-1,800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

144 Lyon & Turnbull

410 SET OF FOUR FRENCH BRASS PRICKET CANDLESTICKS MID 19TH CENTURY in two sizes, all in the French medieval style, with crenelated drip pans and knopped stems mounted with flower heads, on domed bases raised on paw feet (4) Larger 58cm high; smaller 54.5cm high

£400-600

411Y ITALIAN EBONISED AND IVORY INLAID SAVONAROLA CHAIR MID 19TH CENTURY of typical form, the backrest inlaid with a profile portrait of Girolamo Savonarola, gryphons, and foliate scrolls, the frame inlaid with diamond and flower motifs 68cm wide, 85cm high, 50cm deep

£500-700

412 ITALIAN RED PAINTED PINE CUPBOARD, PROBABLY TUSCANY 18TH CENTURY AND LATER the later moulded cornice above a single double panel door, on wide stile feet, the interior with shelves 129cm wide, 172cm high, 46cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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413 PAIR OF BAROQUE STYLE BRONZE AND STEEL ANDIRONS 19TH CENTURY with lobed mask finials above baluster columns with triform bases raised on scrolled iron feet (2) 88cm high

£300-500

414 CAROLEAN STYLE STEEL LOG BIN 19TH CENTURY with bar sides marked with facetted finials and a pair of open handles, raised on double scroll feet 77cm wide, 45cm high, 42cm deep

£400-600

415 PAIR OF WROUGHT IRON FIREDOGS AND BASKET 19TH CENTURY the firedogs with basket tops above twisted columns with ring handles, on tripod scroll feet; the fire basket with a bar front and curved ends and supports (3) Firedog 70cm high; basket 95cm wide; 110cm wide overall Provenance: Ex Baynard’s Park, Surrey

£700-1,000

416 WROUGHT IRON FENDER EARLY 20TH CENTURY the front and side panels with scrolling ironwork and flowerheads, the sides with scrolled tool rests 170cm wide, 44cm high, 38cm deep

£300-500

146 Lyon & Turnbull

417 ITALIAN POLYCHROME MAIOLICA PLATE, POSSIBLY PAVIA LATE 17TH/ EARLY 18TH CENTURY with flattened rim, painted with two classical figures, one a soldier, in a mountainous landscape, with handwritten label verso 24.5cm diameter Provenance: An English Collection of Works of Art

£500-700

418 GROUP OF CONTINENTAL TIN-GLAZED POTTERY 18TH CENTURY comprising a pair of Spanish maiolica albarelli of baluster shape, decorated with blue double-headed eagles beneath crowns, 22.5cm high approx.; and two blue and white Delftware chargers, one decorated with flowers, 31cm diam.; and a ‘Peacock’ pattern example, by De Klauw, underglaze marks, 31.5cm diam. (4) £500-700

419 GROUP OF SPANISH GLAZED ARISTA CEILING TILES (DE DOS POR TABLA) SEVILLE, 1525-1575 glazed in yellow/honey-brown, dark manganese-brown, blue and green, variously lustred, comprising three patterns made up of twelve tiles in an ebonised frame, and sixteen loose tiles, in various patterns (qty) Each tile 29.5cm x 12cm; frame 33cm x 88cm Provenance: By repute removed from the church of Santiago, Carmona, Seville in the late 19th century.

Note: It is thought that these ceiling tiles were some of 2,000 pieces uncovered behind existing decoration to the church ceiling in the late 19th century. The tiles were then removed, and auctioned or sold as they disseminated throughout Europe and made their way into important collections including the V&A, the Cluny Museum and even into the hands of the King of Portugal. Examples also exist in the National Museum of Scotland and the museum of Cologne. A similar grouping of Spanish arista tiles were sold by Lyon & Turnbull, September 2017, lots 407-412.

Literature: Antony Ray, Spanish Pottery 12481898 with a catalogue of the collection in the Victoria and Albert Museum, London 2000. Alfonso Pleguezuelo, Lozas y Azulejos de Triana - Colección Carranza, Seville 2011. Brigitte Klesse, Kunstgewerbemuseum der Stadt Köln - Majolika, Köln 1966.

£300-500

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420 CIRCLE OF ALESSANDRO ALGARDI ROMAN MARBLE PLAQUE, LATE 17TH/ EARLY 18TH CENTURY oval, carved in relief depicting the Madonna bearing a cross, in a giltwood frame 23cm high Provenance: An English Collection of Works of Art

£1,000-1,500

421 ITALIAN POLYCHROMED AND GILT DECORATED PASTIGLIA CASKET 19TH CENTURY in the 15th century style, decorated in relief with scenes from the life of Christ, including the raising of Lazarus and Christ and Mary Magdalene after the Resurrection 33cm wide, 27cm high, 17.5cm deep

£600-800

422 ITALIAN CARVED GILTWOOD MIRROR 18TH CENTURY the divided mirror plate within a scrolling giltwood frame with shaped margin plates, surmounted by mirrored cresting centred by a fruit-filled vase, acanthus and C scrolls 89cm high, 49cm wide

£600-800

423 PAIR OF ITALIAN BLUE PAINTED AND PARCEL GILT ARMCHAIRS 18TH CENTURY the cartouche shaped backs with padded insert panels above drop-in serpentine seats, flanked by scrolled arms, raised on cabriole legs ending in scrolled toes (2) 73cm 117cm high, 56cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

148 Lyon & Turnbull

424 WHITE MARBLE FIGURE OF AN ODALISQUE 19TH CENTURY carved as a crouching woman with a basket on her shoulder, on a circular base, unsigned 58cm high

£400-600

425 PAIR OF VENETIAN GILTWOOD ENGRAVED MIRRORS LATE 18TH CENTURY the cartouche shaped gilt foliate frames enclosing mirror plates engraved with figures emblematic of America and Asia (2) 73cm high, 50cm wide

£2,000-3,000

426

427

428

TWO CONTINENTAL BRONZE RELIEF PLAQUES

PAIR OF ITALIAN ALABASTER URNS

18TH/19TH CENTURY comprising an Italian gilt bronze plaque of St. John the Baptist, 14.5cm x 10cm; and a small bronze portrait medallion of Christ, 10cm diameter; together with a CONTINENTAL SMALL BOXWOOD FIGURE OF THE MADONNA AND CHILD, 10cm high (3)

LATE 19TH/ EARLY 20TH CENTURY of campana form with wavy rims and panelled bodies with twin handles, on socles with octagonal bases, drilled (2)

TWO VENETIAN GILDED AND ENAMEL GLASS GOBLETS

Provenance: An English Collection of Works of Art

EARLY 20TH CENTURY of moulded panelled form with twisted handles, raised on short knops and conical feet, the first decorated with fruiting vines with gilding, the second with gilt olive leaves tied by ribbons (2)

£250-350

23.5cm high

35cm high, 23cm wide/across

£250-350

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

429 DUTCH NICKEL SILVER TWELVE-LIGHT CHANDELIER EARLY 19TH CENTURY of traditional form, the central baluster stem fitted with six small and six larger outscrolling arms ending in drip pans and candle nozzles 77.5cm high

£800-1,200

430 DUTCH WALNUT DISPLAY CABINET 19TH CENTURY of small size, the arch moulded cornice above an astragal glazed door and side panels, opening to a shelved interior; the lower part of bombe outline with three graduated long drawers flanked by canted angles, above a shaped apron and carved paw feet 111cm wide, 194cm high, 45cm deep Note: This cabinet was brought from Germany during the Second World War by the present owner’s Jewish grandfather. A physicist who had once studied under Albert Einstein, he came to Britain to work for the secret service but was eventually placed in an internment camp on the Isle of Man. After the war he moved to Newcastle where he worked at the University. The cabinet was left to the present owner by his widow upon her death in 1998.

£1,500-2,500

431

432

PAIR OF DUTCH DECORATED JAPANESE EARTHENWARE VASES WITH GILT BRONZE MOUNTS

DUTCH BRASS BOUND MAHOGANY TRAY

17TH CENTURY WITH LATER MOUNTS AND DECORATION of bottle form, decorated with exotic birds, insects and flowers, the necks mounted with gilt bronze collars and covers with berry finials, unmarked (2) 37cm high

£200-300

18TH CENTURY of oval form with splayed twin handles and an everted rim, bound with two brass bands 66cm long

£200-300

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150 Lyon & Turnbull

433 PAIR OF BRASS BOUND OAK OYSTER BUCKETS 19TH CENTURY the shapely waisted buckets with everted rims, bound with two brass bands and raised on three brass paw feet each, with brass liners (2) 23cm high, 22.5cm diameter

£400-600

434 DUTCH WALNUT AND MARQUETRY SHAVING STAND 19TH CENTURY the circular mirror plate in a moulded frame and U-shaped supports, above a box drawer with turned towel rails on a column with internal ratchet mechanism and tripod base, all with floral marquetry 141cm high

£300-500

435 DUTCH LARGE COPPER AND BRASS LOG BIN 19TH CENTURY the sides with repousse and punched decoration of village scenes and acanthus leaves 62cm diameter, 53cm high

£300-400

436 DUTCH OAK AND FRUITWOOD PARQUETRY CHEST-ON-STAND EARLY 18TH CENTURY the domed top with geometric parquetry centred by a star motif, opening to a void interior, on an oak base with frieze drawer raised on ebonised baluster legs joined by curved X stretchers with an urn finial and ending on bun feet 69cm wide, 83cm high, 50cm deep

£700-900

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

437 PAIR OF DUTCH WALNUT, PARCEL GILT AND EMBROIDERED WALL SCONCES 18TH CENTURY the backplates surmounted with carved giltwood shells above needlework and woolwork reserves depicting a gentleman and a lady, flanked by carved giltwood scrolls and flower trails, above single outscrolling candle arms (2) 46.5cm high

£800-1,200

438 DUTCH SATINWOOD, WALNUT AND PEARWOOD MARQUETRY OVAL TABLE LATE 18TH CENTURY the oval quarter-veneered top centred by a fan motif and enclosed by a band of ribbon-tied bellflower garlands and gallery moulding, above a frieze with featherbanded panels and foliate motifs, raised on tapered square leg with brass ball feet 100cm wide, 78.5cm high, 73cm deep

£400-600

439 DUTCH MARQUETRY BOMBE CHEST OF DRAWERS 18TH CENTURY the shaped top with a moulded edge and flowering urn marquetry, above four long bombé drawers with flower and cornucopia marquetry, over a shaped and carved apron raised on hairy claw feet 96cm wide, 84cm high, 51cm deep

£800-1,200

151

152 Lyon & Turnbull

440Y FRENCH IVORY CASED MAGNETIC AZIMUTH DIPTYCH 17TH CENTURY the hinged casing with an equinoctial dial and polar dial to one side and a pewter disc depicting a perpetual calendar to the other, opening to a pewter lunar volvelle and a horizontal dial with a pewter elliptical hour scale, the ivory case engraved with poppies 7cm wide Note: for a very similar example see Stephen Lloyd, Ivory Diptych Sundials 1570-1750; Catalogue of the Collection of Historical Scientific Instruments, Harvard University (Harvard University, 1992), p. 131.

£600-800

441Y SCANDINAVIAN CARVED IVORY HANDLED KNIFE AND FORK SET LATE 18TH CENTURY carved with figures of recumbent lions above three figures of Justice, Hope and Courage and above the collars inscribed ID, with iron instruments, all contained in a tooled leather holder, also marked ID Knife 22.5cm long; fork 19.5cm long

442

£300-400

GERMAN IRON AND HORN KNIFE, FORK AND BODKIN SET LATE 18TH/ EARLY 19TH CENTURY the handles with engraved horn plaques, with script verso, the knife marked DIE SCHNEIDE/ MACHT FREÚDE, all contained in a leather pouch, knife 22cm long; together with a CARVED HORN SPOON, with similar decoration, the back depicting a lady and inscribed LIEBE, 19cm long (2) Provenance: The Blair Sale, Lyon & Turnbull, Edinburgh, 14 March 2012, part of lot 484.

£300-500

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443 CONTINENTAL SILVER-PLATE MOUNTED HORN CUP AND COVER 20TH CENTURY with a lobed cover with ball finial, and body mounted with a vacant cartouche and ending in a pierced quadripartite terminal, raised on a silver-plate base in the form of a gnome on a lobed circular foot, stamped W.M. and T/0 55cm high

£700-1,000

444 CONTINENTAL SILVER-PLATE AND GILT METAL MOUNTED HORN CUP LATE 19TH CENTURY the lobed cover with a classical maiden finial on a body with silver-plate collar and terminal, raised on a baluster support and circular foot, unmarked 59.5cm high

£500-700

445Y GERMAN RELIEF CARVED IVORY PLAQUE 18TH CENTURY depicting a Roman triumph procession with Emperor Marcus Aurelius in a chariot drawn by four horses, attended by soldiers, and a group of chained prisoners 15cm x 7.5cm

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

154 Lyon & Turnbull

446Y FRENCH GREEN BOULLE MARQUETRY BRACKET CLOCK 19TH CENTURY in the Louis XIV style, the arch top with a cockerel finial, above the glazed case and circular gilded dial with white enamel chapters with Roman numerals and a sun-burst pendulum bob, raised on paw feet with acanthus-cast corner mounts, the eight day movement striking a bell, stamped P.L TRE/ 9554 48cm high, 23.5cm wide

£700-1,000

447Y LOUIS XIV STYLE BRASS AND RED BOULLE MARQUETRY WRITING TABLE 19TH CENTURY the rectangular top with a leather insert writing surface above a spring release frieze drawer, in première and contre partie marquetry, raised on squared cabriole legs headed by satyr masks and ending in paw feet 84cm wide, 76cm high, 59cm deep

£1,000-1,500

448 PAIR OF FRENCH CARVED WALNUT ARMCHAIRS 19TH CENTURY the wide cartouche-shaped backs with floral carved and moulded frames, above wide serpentine seats flanked by part padded scrolling open arms, on cabriole legs; the outer upholstery removed (2) 79cm wide, 97cm high, 51cm deep

£1,200-1,800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

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449 FRENCH GILT OVERMANTEL MIRROR 19TH CENTURY in the Louis XIV style, the arched mirror plate in a beaded slip and shell and leaf moulded frame with C scroll and trophy cresting, with recumbent putti to the corners 146cm high, 97cm wide

£400-600

450 LOUIS XV WALNUT FRAMED SOFA MID 18TH CENTURY the floral carved and scrolled toprail above a padded back and triple cushion seat flanked by down-scrolling partpadded enclosed arms, upholstered in a yellow silk floral brocade and raised on eight cabriole legs 198cm wide, 104cm high, 85cm deep

£3,000-5,000

156 Lyon & Turnbull

451 DRESDEN PORCELAIN MIRROR EARLY 20TH CENTURY the shaped bevelled mirror plate in a bead moulded and flower encrusted frame with a cartouche at the base with a musical trophy reserve, the whole surmounted by a cartouche with a landscape reserve beneath a pair of embracing putti; mounted with a wood back panel with an easel stand 68cm high, 48cm wide

£800-1,200

452 MEISSEN PORCELAIN FIGURAL COMPORT LATE 19TH/ EARLY 20TH CENTURY the pierced basket applied with flowers, above a figural column with a semi-nude maiden emblematic of Autumn and a putti holding wheat sheaves, on a rococo style base with gilt highlights, with blue crossed swords marks, incised and painted numbers 47cm high

£1,500-2,500

453 MEISSEN BISQUE AND WHITE-GLAZED PORCELAIN CENTREPIECE 19TH CENTURY with leaf-modelled everted rim and a band of fruiting vines to the exterior of well, raised on a short stem and triform base with three seated bisque cherubs, on paw feet, with blue crossed swords marks 35cm diameter, 23.5cm high

£300-500

454

455

MEISSEN PORCELAIN FIGURE OF A BOLOGNESE SPANIEL

SMALL FRENCH ENAMEL SNUFF BOX

19TH CENTURY after the model by J. J. Kändler, with blue crossed swords marks, incised 2841 21.5cm high

£400-600

LATE 18TH/EARLY 19TH CENTURY of rectangular form with a domed cover, decorated with a panel in French ‘A. Monsieur ici est la Vraie poudre d’amitie’ on a feather-like ground with gilt bands, opening to a painted interior lid showing letters with the days of the week in German 8cm wide

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

456 PAIR OF SÈVRES STYLE PORCELAIN AND GILT BRONZE CANDELABRA 19TH CENTURY with central sconces above two outscrolling candle arms, raised on putti-formed columns in bright blue glazes with gilt highlights, above floral-painted squared bases fitted with floral swags (2) 47cm high

£800-1,200

457 LARGE KINGWOOD AND CUBE PARQUETRY BOX WITH GILT METAL MOUNTS LATE 19TH CENTURY in the Louis XV style, the hinged top and sides with green stained cube parquetry panels within banded borders, opening to a void interior, the interior cover with a mirror plate, outlined in foliate gilt metal mounts and raised on foliate scroll feet 53cm wide, 22.5cm high, 40cm deep

£800-1,200

458 FRENCH KINGWOOD, MARQUETRY AND BRASS BANDED TEA POY 19TH CENTURY in the Louis XV style, the hinged top with floral marquetry opening to a twin compartment interior, raised on squared cabriole legs joined by an undertier and ending in sabots 35cm wide, 72cm high, 22cm deep

£400-600

157

158 Lyon & Turnbull

459 FRENCH PORCELAIN AND GILT BRONZE MANTEL CLOCK 19TH CENTURY in the Louis XVI style, the porcelain Roman numeral dial painted with flower garlands, in a cylinder case with a porcelain urn finial and a bowfront base mounted with pairs of nesting lovebirds, raised on toupie feet, signed on the dial and movement ‘BRYSON & SONS/ Edinburgh’, the eight day movement striking a bell and numbered 32667 15-3 34cm long, 33cm high, 11cm deep

£400-600

460 LARGE CONTINENTAL GILTWOOD WALL BRACKET 19TH CENTURY the serpentine platform over a carved eagle and foliate scroll support 53cm wide, 35cm high, 27cm deep

£300-500

461 FRENCH GILT BRONZE ELEPHANT-FORM MANTEL CLOCK 19TH CENTURY the engine-turned Roman numeral dial in a cylinder case surmounted by a howdah and mythical creature, on an elephant’s back, raised on a white marble base, the movement striking a bell, indistinctly stamped DU*ON A PARIS/ 4074 34cm high, 22cm wide

£300-500

462 FRENCH EMPIRE STYLE THREE PIECE CLOCK GARNITURE 19TH CENTURY in gilt and patinated bronze, the lyreform case surmounted with the bust of Apollo, above a pierced dial with enamel Arabic numbers, on a rectangular Siena base mounted with cornucopia, the movement striking a bell; with a pair of bronze urns on Siena marble bases (3) Clock 49cm high, 18.5cm wide, 11.5cm deep

£400-600

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463 SET OF SIX GILTWOOD AND GESSO NEOCLASSICAL WALL APPLIQUES 19TH CENTURY the ribbon-tied backs with rams’ heads and bellflower trails, and issuing pairs of leafy up-scrolled candle branches with urn sconces, electrified (6) 62cm high Provenance: Property from Hatton Castle, Aberdeenshire

£800-1,200

464 PAIR OF GILTWOOD BERGERES, BY GILLOWS 19TH CENTURY in the Louis XVI style, the arched backs and enclosed arms above loose cushion seats, the frames carved with acanthus and ribbon, raised on stopfluted tapered legs, stamped GILLOWS on the seat frames (2) 66cm wide, 95cm high, 51cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

160 Lyon & Turnbull

465 GILT BRASS STRUT CLOCK BY LEROY & FILS, IN THE MANNER OF THOMAS COLE 19TH CENTURY the pierced oval frame enclosing a silvered Roman numeral dial in an engraved mask, on an easel back, inscribed LEROY & FILS/ PALAIS ROYAL/ 114 & 115 13cm high

£1,500-2,000

466 SMALL FRENCH GILT BRONZE AND WHITE MARBLE MANTEL CLOCK, BY ANTOINE THIOUT LATE 18TH CENTURY the arched top surmounted by a pair of doves, above twin spandrels flanking the white enamelled Arabic number dial, raised on a bow-front base and toupie feet, the backplate signed THIOUT L’AINÉ PARIS, with a silk suspension and striking a gong 23cm high, 18.5cm wide

£500-700

467 FRENCH TERRACOTTA FIGURE GROUP LATE 19TH CENTURY modelled as two seated putti holding wheat sheaves, emblematic of Autumn, on a naturalistic circular base 36cm high Provenance: An English Collection of Works of Art

£300-500

468 MINIATURE CONTINENTAL PORCELAIN MOUNTED WALNUT COMMODE LATE 19TH/ EARLY 20TH CENTURY the shaped rectangular crossbanded top above three inverted breakfront long drawers mounted with porcelain plaques painted with lovers, on bracket feet 34.5cm wide, 25.5cm high, 21cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

469 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK 19TH CENTURY in the Louis XVI style, surmounted by an urn-form finial above a porcelain Roman numeral dial, with a Sèvres style panel below painted with lovers, on a floral base and squared toupie feet, raised on a giltwood plinth, the eight-day movement striking a bell, stamped J.J.S./ 4472 39cm high, 24cm wide

£1,000-1,500

470 FRENCH PORCELAIN AND GILT BRONZE MANTEL CLOCK 19TH CENTURY of urn form with gilt bronze mask handles and cover with a bud finial, the baluster shaped porcelain body painted with classical maidens, ribbon-tied garlands and trophies, on an iridescent peach ground signed G. Poitivin(?), with a flower painted and gilt porcelain Roman numeral dial and corresponding socle and square base, the movement signed Made in France/ 2002/4 8 and striking a gong 53cm high

£800-1,200

471 FRENCH GILT BRONZE AND WHITE MARBLE MANTEL CLOCK, BY FOY A PARIS 19TH CENTURY surmounted by a seated figure of Clio holding a tablet inscribed ‘Plutarque’ , above the white enamelled dial with Roman numerals, signed FOY A PARIS, flanked by reeded pilasters on a rococo form base centred by an urn, on scrolled feet, the stamped movement striking a bell 38.5cm wide

£700-1,000

161

162 Lyon & Turnbull

472 TEN FRENCH STEEL ENGRAVINGS, AFTER CLAUDE-JOSEPH VERNET 18TH CENTURY of varying sizes, depicting harbour scenes, ships, and seascapes, various engravers and publishers, in ebonised and gilt frames (10) Largest 45cm x 61cm

£500-700

473 AFTER THE ANTIQUE, VENUS DE MILO 19TH CENTURY bronze, dark brown patina, on a circular Siena marble base, with plaque inscribed ‘VENUS DE MILO/ Reconstitue d’Apres/ Dumont-d’Urille & Trogoff’ Bronze 57cm high, 63cm overall

£500-800

474 PAIR OF FRENCH PATINATED SPELTER FIGURES EMBLEMATIC OF AFRICA AND AMERICA 19TH CENTURY dark brown/black patina, depicting an African man pointing to broken chains on his wrists, and a Native American man with arm raised in greeting, on circular bases with acanthus leaf casting (2) 54cm and 47cm high

£500-700

475

476

477

FRENCH BRONZE FIGURE OF A BOY

JEAN-LOUIS GREGOIRE (FRENCH, 1840-1890)

19TH CENTURY the figure holding his hat with his foot raised on a rock, the rectangular base with two tree stumps, unsigned, on a black marble plinth

L’ALSACE, DATED 1872 terracotta, bust of a French woman with a tear on her cheek, commemorating the annexation of Alsace, incised date plaque 1871, signed

PAIR OF WHITE PAINTED ALABASTER FIGURES OF CLASSICAL MAIDENS

Bronze 24cm wide, 30cm high

44cm high

19TH CENTURY allegorical of Spring and Summer, on square bases, unsigned (2)

£200-300

Provenance: An English Collection of Works of Art

41cm high

£250-350

£200-300

Five Centuries: Continental Furniture & Works of Art

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478 FRENCH DIRECTOIRE MAHOGANY, BRASS AND MARBLE WORK TABLE 19TH CENTURY the rectangular white marble top with a pierced brass gallery, above a long frieze drawer, raised on fluted legs joined by an undertier 64cm wide, 81.5cm high, 30cm deep

£400-600

479 PAIR OF EMPIRE STYLE MARBLE AND GILT METAL PEDESTALS 20TH CENTURY the square marble tops on gilt metal columns in the form of palm trees, on square marble plinth bases mounted with classical figures (2) 115cm high, 30cm wide

£500-700

480 FRENCH EMPIRE STYLE MAHOGANY GILT BRASS MOUNTED BED LATE 19TH CENTURY the headboard surmounted by a waisted arch pediment flanked by fluted columns with pineapple finials; with a matching footboard and rails, outlined in brass, raised on toupie feet, with a platform base covered in cotton ticking 170cm wide, 209cm long, 144cm high

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

164 Lyon & Turnbull

481 FRENCH PATINATED BRONZE AND MARBLE MANTEL CLOCK, SIGNED GUYON A LYON 19TH CENTURY surmounted by a bronze recumbent classical maiden reading a book, in a shaped white marble base set with a white enamelled dial with Roman and Arabic numerals, signed GUYON A LYON, the movement stamped PICKARD/ 827, striking a bell 43cm wide, 42cm high

£400-600

482 NAPOLEON III BRONZE AND MARBLE MANTEL CLOCK 19TH CENTURY the circular Roman numeral dial set in an architectural case surmounted by bronze figure of Clio, the muse of History, flanked by bronze caryatid figures on a moulded base, the eight-day movement striking a bell 34cm wide, 51cm high, 23cm deep

£600-800

483 ETIENNE HENRI DUMAIGE (FRENCH 1830-1888) RETOURS DES CHAMPS bronze figure group, dark brown patina, signed H. DUMAIGE on the square base 56cm high

£1,000-1,500

Five Centuries: Continental Furniture & Works of Art

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484 ISIDORE-JULES BONHEUR (FRENCH, 1827-1901) ARAB ON HORSEBACK bronze, medium brown patina, the bearded figure holding a rifle, on a circular base, signed ISIDORE. BONHEUR with PEYROL foundry stamp 29cm long, 29cm high

£3,000-4,000

485 HIPPOLYTE FRANCOIS MOREAU (FRENCH, 1832-1927) LE RÈVE white marble, depicting a seated seminude young woman, signed HIP. MOREAU/ 8È FAISE/ DE SCULPTURE/ L’ART /18, on a pivotting shaped square base 75cm high

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

166 Lyon & Turnbull

486Y FRENCH KINGWOOD AND ROSEWOOD PARQUETRY CHIFFONIÈRE 19TH CENTURY the quarter veneered top above three short drawers flanked by angles with gilt bronze chutes, raised on squared cabriole legs 42cm wide, 73cm high, 34cm deep

£250-350

487 PAIR OF RESTAURATION PATINATED AND GILDED BRONZE TABLE LAMPS EARLY 19TH CENTURY converted from candlesticks, the engine turned drip trays and ogee nozzles above reeded tapered columns and corresponding circular bases with acanthus leaves, with pleated shades (2) 29.5cm high (excluding fittings and shades)

£600-800

488 PAIR OF FRENCH KINGWOOD AND PURPLE WOOD SIDE CABINETS EARLY 20TH CENTURY the quarter-veneered tray tops above cupboard doors with leather book spine fronts, over a single drawer and further cupboard, raised on cabriole legs (2) 38cm wide, 76cm high, 30cm deep

£600-800

489

490

PAIR OF FRENCH NOVELTY TABLE LAMPS

SMALL SPANISH SILVER ARTICULATED MODEL OF A FISH

CIRCA 1920 the square columns clad in leather book spines, mounted on a book-form base, wired for electricity (2)

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

20TH CENTURY with green glass eyes, the tail articulated, with star touch marks

23.5cm high

13.5cm long

£200-300

£250-350

Five Centuries: Continental Furniture & Works of Art

491 ALFONS VAN BEARDEN, SR. (BELGIAN, 1854-1938) TERRACOTTA BUST OF A YOUNG WOMAN wearing a headscarf, looking dexter, signed on the shoulder ALF VAN BEURDEN, on an ebonised socle with brass name plate 68cm high overall

£300-400

492 FRENCH REVERSE PAINTING ON GLASS OF A LADY 19TH CENTURY the oval convex glass plate reverse painted with a dark-haired young woman en dèshabillé, in a fruit and flower moulded frame with ribbon tied cresting; inscribed verso ‘Paris Exhib 1851’ 45cm high; 72cm overall

£300-400

493 FOUR VERDIGRIS PATINATED BRONZE TABLE LAMPS 19TH CENTURY converted from candlesticks, with hexagonal-rimmed nozzles, above panelled and knopped stems, on circular feet and corresponding hexagonal bases, fitted for electricity, with cream pleated shades (4) 28cm high (excluding fittings and shades)

£800-1,200

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168 Lyon & Turnbull

494 LARGE CONTINENTAL GILTWOOD SUNBURST MIRROR 19TH CENTURY the circular mirror plate within a frame mounted with alternating radiating clustered rays and wavy beams 212cm high, 184cm wide

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

495 PROFESSOR ARISTIDE PETRILLI (ITALIAN, 1868-1930?) SAPPHO alabaster figure with gilt highlights, signed and inscribed to the base PROF A PITRILLI/ FIRENZE/ SAPHO 48.5cm high Note: Petrilli established his own studio at via Serragli, 152, in Florence. He specialised in romanticized figures of classical and historical themes, often celestial and ethereal maidens using coloured marbles or bronze or gilt highlights.

£500-700

496 ALPHONSE LEGROS (1837-1911) TWO BRONZE PORTRAIT MEDALLIONS, GEORGE FREDERIC WATTS & CHARLES RICKETTS the first of George Frederic Watts, gilded, in profile, 8.5cm diameter; the second, of Charles Ricketts, with brown patina, in profile, with inscription CR/ M.D.CCC.XCVII, the reverse depicting a man chopping a tree, 6cm diameter (2) Provenance: An English Collection of Works of Art

£600-800

497 CHRISTOPHE FRATIN (FRENCH, 1801-1864) BRONZE FIGURE GROUP OF A BULL AND CALF dark-brown patina, on an oval base signed FRATIN 23.5cm high Provenance: An English Collection of Works of Art

£500-700

169

170 Lyon & Turnbull

498 GERMAN SILVER MOUNTED ENGRAVED GLASS DECANTER 19TH CENTURY with pointed finial to the domed cover, the collar and spout with exotic birds, foliage and empty cartouches, above a spreading glass base wheel-engraved with repeating foliage and swags, marked 800M 31.5cm high

£250-350

499 GERMAN SILVER MOUNTED GLASS LEMONADE JUG AUGUST SCHLUTER, EARLY 20TH CENTURY of spreading panel form with a star cut base, mounted with an angular handle, wide silver collar and hinged cover with ball knop, marked 800 Aug. Schluter and nos. 63553 31cm high

£600-800

500 PAIR OF WHEEL-ENGRAVED ARMORIAL DRINKING GLASSES CIRCA 1860/70 with deep bowls wheel-engraved with the armorial and motto of Louis XIV of France depicting an arm emerging from clouds holding the sun and inscription ‘NEC PLURIBUS IMPAR’, above slim facet-cut stems and star cut feet (2) 15.5cm high

£250-350

501 SMALL GILT AND ENAMELLED AMETHYSTGLASS BEAKER, POSSIBLY MOSER 19TH CENTURY with twin handles above a gilded band of Classical figures and winged beasts pulling a chariot, within white enamelled dot borders 15cm wide (across handles)

£200-300

Five Centuries: Continental Furniture & Works of Art

171

502 ENAMELLED GREEN GLASS CASKET, PROBABLY MOSER 19TH CENTURY of rectangular form with gilt brass handles, the hinged lid marked with gilt 4, opening to a void interior, decorated with enamel branches, on open wirework ball feet, inscribed mark III 14.5cm wide, 13cm high

£300-500

503 MOSER ENAMELLED AMBERINA GLASS EWER LATE 19TH CENTURY of baluster form, the slightly lobed body graduated from red to yellow with a relief enamelled metal parrot and applied metal acorns, against a ground filled with enamel leaves and insects, with raised gilt tendrils, painted gilt marks to the base 2789/ D180 44cm high

£500-700

504 ENAMELLED GLASS GLOVE CASKET, ATTRIBUTED TO MOSER LATE 19TH/ EARLY 20TH CENTURY of shaped rectangular form, the amber glass sides and cover decorated in enamels with songbirds amongst scrolling foliage, raised on gilt brass wirework legs with ball feet, unmarked 33cm wide, 11.5cm high, 12cm deep

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

172 Lyon & Turnbull

505 PAIR OF ENAMELLED OPALINE GLASS VASES, ATTRIBUTED TO THE ATELIER OF JEAN-FRANÇOIS ROBERT 1845-1855 with flared necks above shouldered bodies and tapering to circular feet, each polychrome enamelled with three birds perched on flowering and fruiting branches and vines, within turquoise arabesque borders with gilt highlights (2) 34.5cm high Note: Jean-François Robert (1778-c. 1855) was a skilled decorator at the Sèvres Porcelain Company, from 1806/7 until 1843. He worked for various important patrons of his day including Elisa Bacciocchi, Grand Duchess of Tuscany and sister of Napoleon, and for the Duke and Duchess of Berry. His work with glass was also significant, when in 1837/8 he patented a new technique for painting colours and gold onto the surface of glass objects. At this time he left the porcelain company and set up his own workshop at Sèvres to pursue the art of decorating glass vessels and windows. He was the principal decorator of opaline glass of this type. Such was his skill, that all the major glass manufacturers commissioned his work including Baccarat and Saint Louis. He retired in 1855 at the age of 73. Major museums such as the Victoria & Albert Museum, and the Corning Museum of Glass have similar pieces attributed to Jean-François Robert within their collections.

£2,000-3,000

506 GROUP OF BOHEMIAN CRANBERRY GLASS WARES 19TH CENTURY comprising a white-overlaid and gilded tazza, with cylindrical bowl on a knopped stem and domed foot, 17cm high; a set of six foliate-gilded dishes, with lobed everted rims and star-cut feet, 23cm wide; and a set of six finger bowls, with gilt rim borders, 15cm diameter (13) £400-600

Five Centuries: Continental Furniture & Works of Art

173

507 GERMAN PORCELAIN PLAQUE, AFTER ANGELICA KAUFFMAN LADY ELIZABETH GREY IMPLORING EDWARD IV TO RESTORE HER HUSBAND’S LANDS in a gilt frame, inscribed title verso, otherwise unmarked Plaque 25cm x 33cm excluding frame

£800-1,200

508 LARGE SWISS GILT BRASS REPEATER CARRIAGE CLOCK MODERN the four bevelled glass case enclosing a white enamelled dial, with retailer’s mark ‘Hamilton& Inches, Edinburgh’ and inscribed SWISS MADE, the back plate with separate inscription, striking a gong 19cm high (handle up)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

174 Lyon & Turnbull

509 GERMAN WALNUT CHIMING BRACKET CLOCK 20TH CENTURY with gilt metal mounts, the arched top above the bevelled glass door enclosing a silvered chapter ring with Roman numerals, and a subsidiary dial for SLOW/ FAST, marked MADE IN GERMANY, flanked by female mask mounts, on a moulded base with scrolled feet, the back plate stamped ELITE/ 77846/ GERMANY 45cm high, 32cm wide

£800-1,200

510 PAIR OF CONTINENTAL BRASS OIL LAMP BASES 19TH CENTURY embossed with religious figures within pointed arch alcoves, the fitments marked KOSMOS BRENNER PATENT REFORM, raised on matched spelter bases cast with putti holding leafy-platforms, all on triform bases with scrolled feet (2) Overall 51.5cm high

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

511 BLACK FOREST NOVELTY LINDEN WOOD TOBACCO OR MATCH HOLDER CIRCA 1860 carved as a dog in Tyrolean dress and holding an Alps horn, with an open sack on his back, raised on a naturalistically carved oval base 21cm high

£800-1,200

512Y PAIR OF LARGE GERMAN CARVED IVORY FIGURES OF COBBLERS 19TH CENTURY both with large hats, overcoats and holding boots in their left hands, raised on carved oak plinth bases (2) 38.5cm and 38cm high overall

£800-1,200

513 PAIR OF BLACK FOREST CARVED SPILL VASES LATE 19TH/ EARLY 20TH CENTURY with open leafy tree-form holders, one with carved figures of a bull and cow, the other with two carved figures of cows, on naturalistic carved circular bases (2) 30cm high

£600-800

175

176 Lyon & Turnbull

514 PAIR OF AUSTRIAN COLD PAINTED BRONZE FIGURES OF STAGS EARLY 20TH CENTURY both realistically modelled standing four square, one in rut, unmarked (2) One 14cm long; the other 15cm long, both 14cm high

£800-1,200

515 AUSTRIAN COLD PAINTED BRONZE STAG PAPER CLIP EARLY 20TH CENTURY realistically modelled leaping over a fence, with spring-hinge mount on an oak backboard Stag 24cm long, 30.5cm long overall

£600-800

516 LARGE AUSTRIAN COLD PAINTED BRONZE FIGURE OF A GOLDEN PHEASANT EARLY 20TH CENTURY realistically modelled with polychrome decoration, unmarked 59cm long, 25.5cm high

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

517 LARGE AUSTRIAN COLD PAINTED BRONZE FIGURE OF A SETTER LATE 19TH/ EARLY 20TH CENTURY realistically modelled on point, in brown and white paint, unsigned 30cm long

£1,200-1,800

518 LARGE AUSTRIAN COLD PAINTED BRONZE FIGURE OF A HARE LATE 19TH/ EARLY 20TH CENTURY realistically modelled in full run, unmarked 24cm long

£1,200-1,800

519 AUSTRIAN TERRACOTTA FIGURE OF A PUG LATE 19TH/ EARLY 20TH CENTURY modelled standing, with inset glass eyes and a red collar 21.5cm high, 22cm long approx.

£600-800

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178 Lyon & Turnbull

520 PAIR OF ART DECO GILT WROUGHT IRON AND GLASS SCONCES IN THE MANNER OF MAISON BAGUÈS 2ND QUARTER 20TH CENTURY the backplates with scrolling gilt ironwork tendrils centred by silver-leaf backed glass urns and flower heads, each issuing two candle branches with facetted glass nozzles (2) 64cm high, 39cm wide

£700-1,000

521 CONTINENTAL ANIMALIER BRONZE FIGURE GROUP OF A HORSE AND DOG 20TH CENTURY mixed brown and gold patinas, modelled as a stallion with saddle and a small dog at its rear legs, on a rectangular base and black slate plinth, unsigned 26cm wide, 22cm high, 10cm deep overall

£300-500

522 ART DECO BURR WALNUT OCCASIONAL TABLE EARLY 20TH CENTURY the circular tray top raised on straight rounded legs, stamped ‘FABRIQUE EN TCHECO SLOVAQUIE 75cm diameter, 66cm high

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Indian & Islamic Works of Art

180 Lyon & Turnbull

523 TWO FRAMED GROUPS OF INDIAN PAINTINGS ON MICA EARLY 19TH CENTURY comprising eighteen mica panels variously painted with Indian tradesmen, birds, and scenes from a procession, most with inscribed labels (2) Sight size 20.5cm high x 40cm wide

£300-500

524 ANGLO-INDIAN EBONY, MARBLE, MALACHITE AND ABALONE JARDINIÈRE STAND 19TH CENTURY the circular white marble inset top inlaid with scrolling flower motifs, in a bead and ripple moulded frame, raised on a carved baluster support and quadripartite base with scrolled feet 31cm diameter, 77cm high

£600-800

525 OTTOMAN GILT BRASS OCCASIONAL TABLE 19TH CENTURY the octagonal top embossed with figures, animals, birds and minarets, the pierced and embossed sides similarly decorated 42.5cm wide, 49cm high

£400-600

526 MUGHAL COCONUT, BRASS AND WHITE METAL HOOKAH BASE 19TH CENTURY inlaid with stylised flowers and plant forms, the associated hardwood pipe with ring turning and white metal lattice inlay, on an iron tripod stand 83cm high

£100-200

Five Centuries: Indian & Islamic Works of Art

181

527Y ANGLO-INDIAN VIZAGAPATNAM ANTLER HORN MOUNTED WORKBOX MID 19TH CENTURY of rectangular form with a carved roundel to the pitched hinged lid, opening to a fitted sandalwood and ivory interior with a lift-out tray fitted with penwork compartments, all raised on carved squat bun feet, with a key 35cm wide, 17.5cm high, 26cm deep

£1,000-1,500

528Y ANGLO-INDIAN VIZAGAPATAM IVORY AND PENWORK WORKBOX LATE 18TH/ EARLY 19TH CENTURY of rectangular form, pen-worked with a scene of a turreted house flanked by trees, within a scrolling border of flowers, with corresponding panels depicting buildings to the base, opening to a void interior with two enclosed compartments 32cm wide, 8.5cm high, 23cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets 183

Rugs & Carpets

529 TABRIZ ‘HADJI JALILI’ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with allover palmette and foliate pattern, within camel rosette and cartouche border 400cm x 290cm

£3,000-4,000

530 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with red medallion, olive spandrels, within red cartouche and floral vine border 420cm x 302cm

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

184 Lyon & Turnbull

531 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within brown palmette and vine border 403cm x 295cm

£300-500

532 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the red field with indigo and cream medallion, light blue and camel spandrels, within cream palmette and foliate border 365cm x 230cm

£400-600

533 KIRMAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the raspberry field with indigo and pink medallion, blue, pink and cream spandrels, within indigo palmette and arabesque vine border 447cm x 347cm

£400-600

Five Centuries: Rugs & Carpets 185

534 QUM CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the cream field with allover palmette and vine pattern, within red palmette and vine border 335cm x 226cm

£2,000-3,000

535 KHORASSAN CARPET NORTHEAST PERSIA, EARLY 20TH CENTURY the cream field with raspberry medallion, indigo spandrels, within raspberry palmette and vine border 480cm x 360cm

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

186 Lyon & Turnbull

536 KILIM CARPET PERSIA, 20TH CENTURY the olive field with allover polychrome lozenge pattern, within cream rosette border 300cm x 208cm

£500-700

537 YOMUT CARPET TURKMENISTAN, MID 20TH CENTURY the brown field with allover lozenge gul pattern, within ivory serrated C hexagon border 333cm x 209cm

£300-500

538 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with three cream and blue medallions, geometric scroll spandrels, within multiple borders 432cm x 242cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets 187

539 ISFAHAN CARPET CENTRAL PERSIA, 20TH CENTURY the cream field with cusped medallion, within blue palmette and vine border 332cm x 209cm

£3,000-4,000

540 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with indigo and salmon pink medallion, ivory spandrels, within indigo rosette, palmette and vine border 355cm x 295cm

£1,500-2,500

541 KARAKALPAK CARPET UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the brownish red field with three columns of eight guls, within red pyramid border 415cm x 200cm

£300-500

188 Lyon & Turnbull

542 KARAKALPAK LONG CARPET UZBEKISTAN, LATE 19TH CENTURY the brownish red field with two columns of six guls, within polychrome ram’s head pyramid border 338cm x 160cm

£500-700

543 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of five guls, within red cruciform hexagon border 281cm x 253cm

£600-800

544 CHODOR CARPET TURKMENISTAN, EARLY 19TH CENTURY the brown field with four columns of fifteen guls, within ivory lozenge, linked hexagon and vine border, kilim ends 276cm x 201cm

£500-700

545

546

547

BELOUCH CARPET

KARAKALPAK CARPET

SHIRAZ CARPET

NORTHEAST PERSIA, EARLY 20TH CENTURY the dark burgundy field with column of five lozenge medallions, within narrow red star border

UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with two columns of five guls, within brown stepped lozenge border

SOUTH PERSIA, LATE 20TH CENTURY the red field with three joined blue and ivory medallions, indigo spandrels, within narrow ivory lozenge border

276cm x 158cm

292cm x 168cm

270cm x 174cm

£250-350

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets 189

548 AUBUSSON STYLE CARPET LATE 20TH CENTURY the patterned olive field with three columns of four shaped green medallions, within bottle green foliate vine border 363cm x 280cm

£1,000-1,500

549 ARTS AND CRAFTS STYLE CARPET EUROPE, 20TH CENTURY the cream field with allover brown and green leaf diagonal pattern, within similar narrow border 400cm x 300cm

£2,000-3,000

550 SAVONNERIE STYLE CARPET EUROPE, 20TH CENTURY the plain olive field with small floral medallion, within pink border 450cm x 360cm

£500-700

190 Lyon & Turnbull

551 BIDJAR PRAYER RUG WEST PERSIA, 20TH CENTURY the cream mihrab with birds in trees, blue spandrels, within olive palmette border 143cm x 102cm

£400-600

552 SAROUK FEREGHAN RUG WEST PERSIA, LATE 19TH CENTURY the cream field with red medallion centred by fighting lion and dragon, indigo spandrels, within light blue palmette and scrolling vine border 214cm x 126cm

£300-500

553 GHIORDES RUG WEST ANATOLIA, 19TH CENTURY the cream field with green lozenge medallion, green spandrels, within cream and green zig zag border 160cm x 106cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets 191

554 YOMUT ENGSI TURKMENISTAN, LATE 19TH CENTURY the brown field with cruciform pattern, within red serrated scroll and vine border, serrated elem panel 150cm x 120cm

£300-500

555 QUM RUG CENTRAL PERSIA, MID 20TH CENTURY the patterned cream field with allover floral tree pattern, within similar border 208cm x 138cm

£300-500

556 AGRA PRAYER RUG NORTH INDIA, EARLY 20TH CENTURY the red mihrab with cream spandrels, within olive stylised leaf and rosette border 209cm x 124cm

£300-500

192 Lyon & Turnbull

557 TEKKE RUG TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the purple field with two columns of ten guls, within multiple narrow borders 191cm x 118cm

£350-450

558 BAKHTIARI RUG WEST PERSIA, 20TH CENTURY the pink field with floral medallion, within brown floral cartouche border 260cm x 160cm

£400-600

559

560

561

KAYSERI METAL THREAD RUG

BELOUCH RUG

YOMUT ASMALYK

CENTRAL ANATOLIA, EARLY 20TH CENTURY the brown/silver field with allover animal pattern and central scrolled medallion, within similar rosette and saz leaf border

NORTHEAST PERSIA, EARLY 20TH CENTURY the field with three columns of fourteen guls in rectangles, within multiple narrow borders 217cm x 120cm

TURKMENISTAN, LATE 19TH CENTURY the ivory field with allover serrated lozenge lattice pattern, within ivory geometric border

185cm x 138cm

£200-300

113cm x 73cm

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£200-300

Five Centuries: Rugs & Carpets 193

562 SARAB RUNNER NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the camel field with three indigo and red lozenge medallions, within ivory serrated vine border 423cm x 94cm

£600-800

563 SARAB RUNNER NORTHWEST PERSIA, LATE 20TH CENTURY the camel field with two red stepped medallions, red end panels, within narrow camel serrated vine border 450cm x 120cm

£600-800

564 SARAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the patterned camel field with three cream medallions, similar spandrels, within brown stylised vine and skittle borders 380cm x 106cm Provenance: Hatton Castle, Aberdeenshire

£150-250

194 Lyon & Turnbull

565 USHAK RUNNER WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the camel field with column of cruciform motifs, within double blue and red stylised vine borders; and a loose section from same (2) 711cm x 136cm; 97cm x 136cm

£300-500

566 MALAYER RUNNER WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the abrash red field with elongated indigo medallion suspending pendants, within abrash brown stylised vine border 530cm x 107cm

£400-600

567 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover stylised boteh and vine pattern, within polychrome geometric border 309ccm x 112cm

£200-300

568 INDIAN BLOCK PRINTED COTTON TENT HANGING OR QANAT 19TH CENTURY in two joined sections with alternating red and cream floral mihrabs below band of figures 354cm x 98cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Garden

196 Lyon & Turnbull

569 PAIR OF VICTORIAN CAST IRON URNS AND STANDS LATE 19TH CENTURY of low campana form with everted rims and reeded sides, on separate tapered square pedestals cast with laurel wreaths (2) 44cm diameter, 81cm high overall

£300-500

570 PAIR OF VICTORIAN SMALL CAST IRON URNS AND STANDS LATE 19TH CENTURY of low campana form with egg and dart rims above lobed bodies, on square tapered bases (2) 54cm diameter, 85cm high

£300-400

571 SET OF EIGHT VICTORIAN CAST IRON CONSERVATORY CHAIRS LATE 19TH CENTURY with pierced balloon backs and circular seats, raised on foliate cast C scroll legs (8) 40cm wide, 83cm high, 37cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Garden 197

572 PAINTED METAL AND WROUGHT IRON ‘FOX’ WEATHER VANE LATE 19TH CENTURY/ EARLY 20TH CENTURY mounted with the white-painted figure of a fox on a standard with direction markers and twisted iron supports Fox 69cm long; overall 137cm high

£400-600

573 FINE PAIR OF PAINTED CAST IRON ‘MEDICI’ URNS 19TH CENTURY of campana form with relief cast friezes with classical figures and loop handles with mask terminals, on fluted bases and square plinths (2) 61cm diameter, 78cm high

£1,500-2,000

574 EARLY VICTORIAN CAST IRON BENCH 19TH CENTURY with quatrefoil pierced panel back and foliate scroll arms, raised on curved X form legs, unmarked 189cm long, 81cm high, 38cm deep

£1,500-2,500

198 Lyon & Turnbull

575 VICTORIAN CAST IRON STICK STAND 19TH CENTURY the backplate cast with a flowering urn and swan, above a shaped drip pan and tray 46.5cm wide, 73cm high, 25cm deep

£300-500

576 BRONZE AND IRON SIGNAL CANNON 19TH CENTURY the 14 inch, 3cm barrel mounted on a castiron four-wheel carriage 62cm long overall

£400-600

577 EARLY VICTORIAN WROUGHT IRON GARDEN BENCH EARLY 19TH CENTURY with scroll back and arms above a slat seat and an arched stretcher 125cm wide, 87cm high, 39cm deep Note: The present lot relates directly to an iron garden seat appearing in a trade advertisement for metal garden furniture published by John Porter of London in 1840

£600-800

578 ROMAN REVIVAL PATINATED BRONZE AND BRASS BRAZIER, AFTER GIORGIO SOMMER the oval pan supported on tripod cabriole legs with winged lion mask capitals and ending in paw feet on a triform base, signed FOND SOMMER 46cm diameter, 63cm high Note: Giorgio Sommer was born in Germany in 1834, and moved to Naples in 1857 where he set up a photographic studio. He was involved in various artistic enterprises and established a foundry that produced copies of classical statues and archaeological finds for tourists on the Grand Tour.

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Garden 199

579 PAIR OF LARGE VICTORIAN CAST IRON URNS AND STANDS LATE 19TH CENTURY of low campana form with egg and dart rims and lobed bodies, on square tapered bases, in two parts (2) 74cm diameter, 107cm high

£600-800

580 PAIR OF LARGE VICTORIAN CAST IRON GARDEN BENCHES SECOND HALF 19TH CENTURY with cast iron ends and a centre support cast with thistles, roses and shamrocks, with wood slat seats and backs, painted green with design registration no. 79257 for the year 1887 (2) 252cm long, 89cm high

£800-1,200

200 Lyon & Turnbull

581 THREE VICTORIAN LEAD GARDEN FIGURES 19TH CENTURY comprising a figure of a gnome seated on a naturalistic plinth, previously with a fishing rod, now lacking, illegible numbers verso, 55cm high; a frog, 14cm high; and a rabbit, 16cm high (3) £1,000-1,500

582 SCOTTISH SALTGLAZE EARTHENWARE ‘RUSTIC’ GARDEN SEAT PLANTER 19TH CENTURY in the form of a tree trunk with holes 82cm high

£200-300

583

584

585

EDWARDIAN WIREWORK PLANT STAND

COMPOSITION STONE GARDEN STATUE

EARLY 20TH CENTURY with two curved tiers; together with an EDWARDIAN CAST IRON TABLE with a pierced circular top on a spiral support, 52cm diameter, 61cm high (2)

modelled as a classical maiden with a ewer and libation cup, on a circular base

LARGE SCOTTISH FIRECLAY GARDEN URN, LINDSAY & ANDERSON DUNFERMLINE

124cm wide, 109cm high, 45cm deep

19TH CENTURY of low campana form, on a socle base, stamped LINDSAY & ANDERSON/ LILLIE HILL/ TERRACOTTA WORKS/ DUNFERMLINE

£200-300

77cm diameter, 77cm high

101cm high

£250-350

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Garden 201

586 DOLLAND BRONZE SUNDIAL AND STONE PEDESTAL 19TH CENTURY the sundial with a solid bronze armature, the plate inscribed ‘Dolland/ London’, on a waisted octagonal pedestal and separate base Sundial 30cm diameter; pedestal 83cm high

£800-1,200

587 BRONZE SUNDIAL AND SANDSTONE PEDESTAL 19TH CENTURY the dial with an S scroll support, on a separate hexagonal baluster carved stone pedestal on a hexagonal base Dial 30cm diameter, 133cm high

£400-600

588 CARVED STONE URN OR FONT 17TH CENTURY OR EARLIER of octagonal bell form, the sides carved with masks and scrolls, on a conforming socle and stepped stone base 108cm high

£600-800

202 Lyon & Turnbull

589 PAIR OF SCOTTISH FIRECLAY EGLINTON URNS AND STANDS, BY CRAIGS OF KILMARNOCK 19TH CENTURY of campana form, the leaf moulded rims above a frieze with relief moulded medieval figures and mythical beasts above a band of roses and flowerheads; the separate square based moulded with heraldic shields (2) 118cm high overall

£2,000-3,000

590

591

HADDONSTONE BIRDBATH, AFTER A DESIGN BY JAMES GIBBS

THREE HADDONSTONE ‘GOTHIC VASE’ JARDINIERES

of baluster form in three parts

comprising a pair with lancet panels, 49cm wide, 52cm high; and a larger example with quatrefoil panels, 56.5cm wide, 59cm high (3)

69cm diameter, 112cm high

£200-300

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Garden 203

592 PAIR OF HADDONSTONE ‘ELIZABETHAN’ JARDINIERES with lattice cast sides; together with a TERRACOTTA JARDINIERE of similar design, 55cm diameter, 52cm high (3) 65cm diameter, 48cm high

£400-600

593 HADDONSTONE ‘GOTHIC’ OBELISK in four parts, with pointed arch sides 185cm high

£300-400

594 HADDONSTONE LARGE ‘GOTHIC’ JARDINIERE AND BASE of octagonal form with quatrefoil panels, on a twotier sectional octagonal base 80cm wide, 66cm high; base 168cm wide, approx.

£400-600

END OF SALE

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate. 2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers for identification to prevent fraud, underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate. Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us. Please note that we do not accept payment from third parties and this also applies to agents. If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final. We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers. Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids. We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts

to contact them to enable them to participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot. 7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on

1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000. (2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied. 10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in

Five Centuries

making full payment for the lot. 11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied. 12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that

photographs/images provided may not be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot. (2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item. (7) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must

make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such.

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15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event Lyon and Turnbull in its reasonable opinion deems that

206 Lyon & Turnbull

the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser. This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation,

loss of profits or interest. 19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller;

“Lot” means each Item offered for sale by Lyon and Turnbull; “Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning

its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds. 3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing. 4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement.

Five Centuries

(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue. (4) Storage: Of the Lots after the sale, where applicable. 6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice

they may be disposed of as we see fit, which may involve their sale by public auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of

the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested). 13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue.

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(d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission. The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control. The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction. 17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply. 18.6

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Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

1 – Government issued photo ID (Passport/Driving licence)

and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax). You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon & Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

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33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115