Scottish Silver & Applies Arts; Whisky | 14th August 2019

Wednesday, 14th August 2019 33 Broughton Place Edinburgh

Scottish Silver & Applied Arts Including Whisky & Spirits

Scottish Silver & Applied Arts Wednesday, 14th August, 2019 at 10am Sale Number LT568

Whisky & Spirits Wednesday, 14th August, 2019 at 6pm Sale Number LT569

Location Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR

Viewing Sunday, 11th August 12 noon - 4pm Monday, 12th August 10am - 5pm Tuesday, 13th August 10am - 5pm Morning of sale from 9am

Enquiries Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 459

Inside Front Cover Lot 6 (detail)

Inside Back Cover Lot 166 (detail)

2 Lyon & Turnbull

Scottish Silver & Applied Arts: Buyer's Guide

Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

25% up to £100,000/20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http: // www. defra.gov.uk/ahvla-en/ importsexports/cites 19.2

Scottish Applied Arts 3

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

John Mackie Furniture, Ceramics & Works of Art

Olivia Ross Junior Specialist, Decorative Arts & Whisky

john.mackie@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

Colin T. Fraser Consultant: Silver, Jacobite Memorabilia, Arms & Armour

Kier Mulholland Junior Specialist, Jewellery & Silver

colin.fraser@lyonandturnbull.com

kier.mulholland@lyonandturnbull.com

Lyon & Turnbull

York Place Tram Stop Waverley Station, Princes Street

4 Lyon & Turnbull

Order of Sale Scottish Silver & Applied Arts Sale no. 568 Wednesday, 14th August 2019 at 10am 1-65

Furniture & Works of Art: Part I

66-189

Wemyss Ware & Scottish Pottery

190-204

Furniture & Works of Art: Part II

205-332

Provincial Silver

333-423

Hallmarked Silver

424-446 Jewellery 447-456

Boxes & Collectables

457-475 A Private Collection of Jacobite Works of Art 476-533 Jacobite Works of Art from other properties 534-584 Militaria, Arms & Armour and Highland Dress

Whisky & Spirits Sale no. 569 Wednesday, 14th August 2019 at 6pm 600-687

Whisky & Spirits

Scottish Applied Arts 5

Furniture & Works of Art Part I 1 A FINE GEORGE III SILVER-MOUNTED MAHOGANY KNIFE BOX 18TH/EARLY 19TH CENTURY the sloped top with arc-en-arbelette front central mounted panel opening to fitted interiors with chequer banding 27cm wide, 41cm high, 39cm deep

£800-1,200

2 A SCOTTISH GEORGE III MAHOGANY INLAID DEMILUNE TEA TABLE LATE 18TH CENTURY the banded top centred by an oak leaf and acorn medallion, above a line inlaid frieze with a central short drawer, raised on square tapered legs ending in spade feet 101cm wide, 73cm high, 47.5cm deep

£400-600

3 A SCOTTISH GEORGE III LABURNUM CHEST OF DRAWERS EARLY 19TH CENTURY the rectangular top above three drawers, each with faux double fronts, the whole raised on bracket feet 100cm wide, 126cm high, 44cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

6 Lyon & Turnbull

4 A SCOTTISH REGENCY MAHOGANY TOILET MIRROR CIRCA 1830 the rectangular frame with divided supports, mounted with brass adjustable candle sconces and raised on a platform base with beaded edge and turned feet 56cm wide, 63cm high, 32cm deep

£400-600

5 AN EARLY VICTORIAN MAHOGANY CASED LONGCASE CLOCK BY ROBERT WILKIE, CUPAR CIRCA 1840 the painted dial painted to the arch with a scene depicting Burns Mausoleum in Dumfries, inscribed BURNS MAUSOLEUM/ WILKIE CUPAR, the case with swan neck pediment 222cm high

£400-600

6 A SCOTTISH REGENCY MAHOGANY BUREAU BOOKCASE EARLY 19TH CENTURY the straight moulded cornice above a pair of astragal glazed doors enclosing adjustable shelves and centred by gilded verre églomisé thistle panels, the slant front opening to an interior with eon holes and drawers over four long graduated drawers, on bracket feet 126cm wide, 217cm high, 57cm deep Provenance: Estate of the late Mollie MacIntosh, Stoneyhill Cottage, Walkerburn.

£500-700

Scottish Applied Arts 7

7 ATTRIBUTED TO JOHN HEAVISIDE CLARK ’THE CITY OF EDINBURGH’ AND ‘THE CITY OF GLASGOW’ two coloured aquatint prints, published by Smith, Elder & Co., circa 1824, later framed and glazed (2) 42cm x 59cm and 46cm x 61cm

£200-300

8 A SCOTTISH EARLY VICTORIAN MAHOGANY HAT AND COAT STAND CIRCA 1840 the moulded central column with four graduated rows of turned pegs raised above a tin-lined drip tray on bracket feet 88cm wide, 196.5cm high, 29.5cm deep

£800-1,200

9 A SCOTTISH REGENCY PLUM PUDDING MAHOGANY BREAKFAST TABLE CIRCA 1830 the circular hinged top with carved gadrooned edge, raised on square tapered column with concave sides and leaf-carved and beaded collar, the whole on concave quadruped base with scroll feet 140cm diameter, 75cm high

£4,000-6,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

8 Lyon & Turnbull

10

11

A MINIATURE GLASS PORTRAIT MEDALLION

A PORTRAIT MEDALLION OF DAVID HUME, BY JAMES TASSIE

DATED 1790 inscribed under shoulder A. WAUGH M. A. 1790, framed

LATE 18TH CENTURY the white paste relief bust bearing impressed inscription DAVID HUME with signature mark ‘T’, reserved on an oval blue glass ground, later framed

3.2cm high

£200-300

10cm x 8cm

£300-500

12Y HERMAN (FL. C. 1820-1840) A PORTRAIT MINIATURE OF A SCOTTISH BOY AND GIRL, CIRCA 1840 each wearing a tartan sash, watercolour on ivory, signed to right hand edge HERMAN, 8cm x 6.2cm; and another PORTRAIT MINIATURE, of a young girl wearing a dress with tartan sash, watercolour on ivory, 5.5cm x 4cm (2) £200-300

13 AUGUSTE EDOUART (1789-1861) FRAMED SILHOUETTE PORTRAIT GROUP, DATED 1831 depicting Alexander Macaulay M. D., his family and their dog, with painted highlights, in a glazed bird’s eye maple frame, signed lower left AUG. EDOUART FECIT 1831, paper label verso 30cm x 37cm

£1,000-1,500 Note: A skilled portraitist who mastered the art of silhouette making, French-born Auguste Edouart initially began his career producing portraits from hair.

After resigning from his position in Napoleon’s army, Edouart travelled extensively around Europe and America where he developed his skill at free-hand paper cutting, producing life-like portraits in minutes. Edouart settled in Edinburgh for three years in 1829, producing around 5,000 silhouettes during this time. Much of his work features a number of profiles in large groups rather than individual sitters, illustrating his ability to represent a range of ages and social types. In this example, the complex composition depicts several generations, as well as the family’s servants and their pet dog, set within an elaborate interior.

Throughout his prolific career, Edouart’s reputation gained him many commissions from high profile individuals such as Victor Hugo and Sir Walter Scott.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 9

14 A PAIR OF BULLION WORK DECORATED SHOES EARLY 19TH CENTURY the uppers decorated with bold silver bullion work in a stylised scrolling floral pattern 23cm long

£250-350

15 A SCOTTISH REGENCY ENGRAVED GLASS DECANTER CIRCA 1790 of large mallet shape, with triple-ringed neck and moulded stopper, the body engraved with initials WMB within circular cartouche flanked by thistle and foliate motifs, the reverse engraved with a large threemasted ship, the lower section of body with moulded gadrooning 28cm high

£250-350

16 A SCOTTISH EMBROIDERED SAMPLER DATED 1817 with polychrome house and garden with peacocks and flowering plants, inscribed 3RD OF JUNE 1817/ JOHN HENDERSON/ WEAVER/ CUMBERNAULD 30.5cm x 35cm

£200-300

17 A SCOTTISH EMBROIDERED SAMPLER DATED 1839 with polychrome peacocks, flowering plants, alphabet etc. and inscribed JESSIE ORKNEY/ ROTHESAY/ 8TH OCT. 1839 41cm x 32cm

£200-300

10 Lyon & Turnbull

18 THE STORRAR COVERLET - A RARE EARLY 18TH CENTURY WOOLLEN DOUBLE CLOTH COVERLET DATED 1729 two colour wool double cloth, yellow green on a red ground, woven with allover repeat pattern of flowering foliage and opposed birds, with chequer borders, the date 1729 woven in a repeating strip to each end 168cm long, 128cm wide Please note a dye analysis is available on request.

£10,000-15,000

Exhibited: Falkland Palace, 1995 Literature: ‘Scotch Carpets in the Eighteenth and Early Nineteenth Centuries’ Textile History, 28 (2), 1997, 161-175. ’Kilmarnock Carpets in the American Colonies’ in Making for America, Transatlantic Craftsmanship: Scotland and the Americas in the Eighteenth and Nineteenth Centuries, Eds. Vanessa Habib, Jim Gray and Sheila Forbes, Society of Antiquaries of Scotland, 2013, 151- 169.

Note: The Storrar Coverlet, which has the date 1729 woven into the border, is thought to have been handed from generation to generation, from first daughter to first daughter and is a remarkable survivor of a once common domestic textile. It is a two-colour wool double cloth in red and yellow green and woven in one piece, composed of two layers of cloth which interchange with each other to create the pattern and to provide thickness and warmth. In a very coarse weave these flat weave double cloths were used on the floor and known as ‘Scotch Carpets’. They became hugely popular in the Scottish home, often highly coloured and patterned and exported to many parts of Europe and the Americas. Handloom weavers often made both coverlets and carpets, probably using the same repertoire of patterns for both. An advertisement in the Caledonian Mercury from the Dalkeith Carpet Manufactory in April 1763 describes “the very best Scots (sic) Carpets, both ingrained and common colours; also coverings of all kinds for the navy or hospital bed.” Throughout the 18th century many kinds of bed covers or quilts were made to grace this most important item of household furniture: from the finest embroidered oriental silks and Indian calicos; crewel work; embroidered blankets; and the more utilitarian overshot coverlet where coarse coloured woollen yarns were floated over a plain weave, often linen, base. ‘Carpet coverlids’ (coverlets) are sometimes mentioned in Scottish Inventories in lists of bedding and napery.

A weaver in Kilmarnock named John Murchland was awarded a Premium by the Board of Trustees for Fisheries, Manufactures and Improvements in 1736, for setting up a “Manufacture of Coverlets or Paislim Coverings for Floors which will ...Improve the Manufacture of Searges there, the Coarsest of the Wooll being very good for this ...” These more homely bed covers rarely survive and it is remarkable that The Storrar Coverlet is in such good condition with little sign of wear or fading. In Scandinavia, patterned coverlets woven in double cloth, often with one warp and weft

of linen and the second of wool were a prized part of family celebrations.

A curious feature of this coverlet is the incomplete repeat at both sides, although there are no raw edges. Perhaps the pattern for this piece had been originally designed for a larger woollen hanging. Although long in the Storrar family, the origin of the coverlet is unknown. Described as the Storrars of Orphat (Nether Urquhart, Cupar, Fife) the family was long associated with Fife. But the county itself had strong trading links with continental Europe and Scandinavia. Many Scottish merchants were based abroad dealing in both wool and linen cloth. Experts from Holland, France and England came to Scotland bringing new fashions and manufacturing techniques with them. In the century between the departure of James VI for London and the Union of 1707 there were opportunities for the development of wool manufacturing at home which were encouraged by Royal patronage and statute. Patterns of birds in a flowering tree or in a dovecot are often found on textiles, seen for example in several coverlets in the collections of the Nordiska museet in Stockholm, of a later date. Paired birds on The Storrar Coverlet suggest the marking of a betrothal or a birth in 1729. Family research records the marriage of Richard Storrar of Orphat to Margaret Paterson in 1787 and it may be that the coverlet came into the family through the previous generation.

Over a century later, commemorative Jacquard woven quilts and coverlets continued to feature birds, frequently emblematic birds such as eagles in the United States. In Scotland, The Storrar Coverlet reminds us of the skills of handloom weaving wool and worsted cloths which are now largely lost.

Yet it has survived despite state encouragement for the linen trade and the subsequent onslaught of the cotton industry.

Lyon & Turnbull thanks textiles historian Vanessa Habib for her help in cataloguing this lot.

Scottish Applied Arts 11

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 13

19Y A FINE SCOTTISH REGENCY ROSEWOOD AND SIMULATED ROSEWOOD BREAKFRONT BOOKCASE IN THE MANNER OF JAMES MEIN, KELSO, CIRCA 1820 the marble top with applied cast brass gallery, raised above base with arrangement of six adjustable shelves, each with beaded mouldings and reeded and lappet-carved pilaster mouldings, the whole on reeded spreading square feet 183cm wide, 101.5cm high, 46cm deep Note: James Mein was a member of a family of cabinetmakers working in Kelso until the closure of the firm through insolvency in 1854. Work from James Mein (uncle and nephew) was commissioned by the 5th and 6th Dukes of Roxburgh for Floors Castle, and by the Earls of Haddington.

£8,000-12,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

14 Lyon & Turnbull

20 A SCOTTISH REGENCY BURR WOOD TEA CADDY EARLY 19TH CENTURY of sarcophagus form, the cover with a bead moulded border, above an ogee shaped body, opening to a bird’s eye maple interior with a cut-glass bowl and two lidded caddies, all raised on squat bun feet 38.5cm wide, 21cm high, 22cm deep

£300-500

21 A SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK BY CHARLES SHEDDEN, PERTH MID-19TH CENTURY the circular painted dial inscribed CHAS. SHEDDEN/ PERTH, with twin train movement above baluster shaped trunk on panelled base with bracket feet 219cm high Note: Charles Shedden (1813 - 1871) was a clock and watchmaker active in Perth in the mid-19th century. He was a journeyman with Colin Croll, and worked in London with McCabe & Strachan, Royal Exchange, before returning to his native Perth.

£800-1,200

22 A SCOTTISH REGENCY MAHOGANY WINE COASTER

BY JAMES MEIN, KELSO CIRCA 1830 the turned and moulded coaster with baize insert edge raised on brass castors, bears stamped maker’s mark underneath MEIN/ KELSO/ 32126 24cm diameter, 4.3cm high

£700-900

23 AN EARLY VICTORIAN SCOTTISH OAK-FRAMED CENTRE STOOL CIRCA 1840 with later buttoned leather upholstery, close-nailed raised on turned, gadrooned and leaf-carved legs, brass caps and castors 128cm long, 42cm high, 57cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 15

24 A SCOTTISH VICTORIAN MAHOGANY AND NEEDLEWORK FIRESCREEN MID-19TH CENTURY the needlework panel depicting two boys in Scottish dress, probably Princes Albert Edward and Alfred, in a spiral carved frame on trestle feet 77cm wide, 135cm high, 49cm high

£300-500

25Y AN EARLY VICTORIAN SCOTTISH ROSEWOOD ÉTAGÈRE CIRCA 1830 with three tiers, each supported by barley-twist and blocked uprights above a single drawer on ring turned tapered legs 48.5cm wide, 148cm high, 48cm deep

£1,200-1,800

26 ATTRIBUTED TO WILLIAM TROTTER, EDINBURGH SCOTTISH REGENCY POLLARDED OAK BREAKFRONT BOOKCASE CABINET, CIRCA 1820 the central section with carved three-quarter gallery above single glazed door enclosing adjustable shelves, flanked by open shelves and raised on carved scroll feet 162cm wide, 115cm high, 55cm deep

£4,000-6,000

16 Lyon & Turnbull

27 AN ANTLER CHANDELIER CONTEMPORARY the entwined antlers supporting five brass sconces, each fitted with pheasant feather shades 100cm x 110cm

£300-500

28 AN ANTLER FRAMED OVAL MIRROR CONTEMPORARY the oval mirrored plate enclosed by entwined antler frame 95cm x 66cm

£400-600

29 A LARGE IMPERIAL STAG’S HEAD DATED 1915 mounted on an oak shield bearing inscription E.S. WILLS/ MEGGERNIE CASTLE “LOCHS”/ 1915 75cm wide, 110cm high, 63cm deep

£400-600

29A A BRONZE BUST OF ROBERT BURNS LATE 19TH CENTURY mid-brown patina, raised on a green marble base 16cm high (excluding base)

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Furniture, Paintings & Works of Art 17

30 CARVED ‘BLINDMAN’ TABLE SNUFF BOX 19TH CENTURY depicting Tam O’Shanter fleeing from a witch on his horse Meg, in high relief, the sides with recumbent goats and hounds 17cm wide

£300-500

31 ATTRIBUTED TO ALFRED PEARSE PERSEVERANCE Bears signature lower left A. PEARSE, watercolour 35.5cm x 28cm (14in x 11in)

£200-300

32 A SCOTTISH CARVED WOOD AND INLAID GAMES BOX EARLY 19TH CENTURY of rectangular form, canted corners, the top with bone inlaid cribbage scoring panels, central; sliding lid inlaid with various woods in a stylised thistle pattern, the sides with well carved geometric design, the interior with thirty carved bone dominoes 21.8cm long

£300-500

33 A SCOTTISH WHALE BONE SEAM RUBBER LATE 18TH/ EARLY 19TH CENTURY of conventional form, the handle with incised initials D McL, facetted knop, together with a large 18th/early 19th century large bodkin for nets, shaped terminal (2) Length (Rubber): 12cm, Bodkin: 29.5cm

£400-600

18 Lyon & Turnbull

34 WILLIAM SIMPSON (1823-1899) ’HIGHLANDER’ pencil and crayon on paper, inscribed lower right BY THE LATE WILLIAM SIMPSON R.S.A. framed, paper label verso 28cm x 19cm

£300-500

35

36

37

HISTORIC SCOTTISH TREEN

SIX HORN SNUFF BOXES

FIVE HORN SNUFF BOXES

to include a rectangular section of wood with handwritten label attached bearing inscription PART OF THE BEAM OF THE OLD ALLOWAY KIRK PRESENTED BY WM/ ARCHIBALD 1835, 21cm wide; together with a turned wooden snuff box with printed label to inside inscribed FROM TANTALLON CASTLE 1890, 9cm diameter (2)

LATE 18TH/ EARLY 19TH CENTURY five of rounded oblong form, including two fitted with white metal plaques marked W. D. & CO., largest 10cm wide; and a rounded rectangular example, with a horizontal hinged lid, 8cm wide approx. (6)

19TH CENTURY each of rounded oblong form, comprising four with horizontal hinged lids to top surfaces, largest 8cm wide; and an example with brass hinge and mount, 8cm long (5) £120-180

£120-180

Provenance: Blair Castle sale reference ***

£100-200

38

39

40

GROUP OF FOUR HORN AND ANTLER SNUFF BOXES

TWO SCOTTISH PROVINCIAL HORN SNUFF BOXES

EIGHT HINGED SNUFF BOXES

19TH CENTURY comprising two circular antler examples, with turned centres, 7cm and 5.5cm wide; and two horn boxes, of spreading oblong form with loop handles, 8cm and 6.5cm wide (4)

19TH CENTURY each of natural curved form with hinged lids, the tapered terminals with snuff measures built in, one with a brass mount of a stag’s head inscribed SCOTLAND (2)

19TH CENTURY comprising six burr wood examples, and a further plain wood box, all with horizontal hinged lids, some inset with mother-of-pearl, largest 12cm wide; and a small snuff box with a horn inset lid, 6cm wide (8)

£100-200

10.5cm high and 9cm high

£150-250

£100-200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 19

41 TWO SCOTTISH RAM’S HORN SNUFF MULLS 19TH CENTURY of natural curled form, the first with brass hinge and mounts, including a plaque inscribed GH, 12.5cm high; and a smaller example, with domed engraved white metal cover inset with a roundel of agate, the horn with a plaque inscribed L, 8.5cm high approx. (2) £200-300

42Y THREE SNUFF BOXES LATE 18TH/ 19TH CENTURY comprising a rounded rectangular papier-mâché example, inset with two agate reserves and gilt metal mounts, 9.5cm long; a white metal and mother-of-pearl inlaid tortoiseshell snuff box, 5.5cm wide; and a mother-of-pearl box, with white metal mounts, 6.5cm wide (3) £200-300

43 FOUR TURNED AND CARVED WOOD SNUFF BOXES 19TH CENTURY all of circular form, comprising an engine-turned snuff box, with repeating patterns and beaded rim, on a basket-weave like base, 6.5cm wide; a walnut box, carved with a stylised flower head in relief, 8cm diam.; a lignum vitae box, with stepped base, 8cm diam.; and a small burrwood box, 6cm diam. approx. (4) £220-280

44 A SCOTTISH RAM’S HORN SNUFF MULL CENTREPIECE CIRCA 1900 with detachable lidded mull, the horns with applied caps 52cm wide, 20cm high, 30cm deep

£700-900

45 FIVE HORN SNUFF BOXES 19TH CENTURY each of rectangular form, three with white metal plaques or mounts, and one inlaid with bone and contrasting horn banded borders (5) Largest 9.5cm wide

£120-180

20 Lyon & Turnbull

46 A MAUCHLINE TARTANWARE NECKLACE LATE 19TH CENTURY comprising eleven links on a later thread 49cm long

£150-250

47 A MAUCHLINE WARE PENWORK SNUFF BOX - OF CURLING INTEREST LATE 19TH CENTURY the lid with hand-painted scene of a curling match, the sides and base with penwork decoration of leaves and berries, opening to a void interior 13cm wide, 4cm high, 8cm deep

£400-600

48

49

A GROUP OF MAUCHLINE WARE

A GROUP OF MAUCHLINE TARTANWARE

LATE 19TH CENTURY comprising a SNUFF BOX, the lid depicting a portrait of a man, interior inscribed J. CHALMERS/ AUCHINLECK, 10cm wide; a TARTANWARE NEEDLE CASE, in Bonnie Prince Charlie tartan, the cover depicting Balmoral Castle, 10cm wide; and a TARTANWARE NEEDLE HOLDER, the lid depicting a pheasant, 6cm high (3)

LATE 19TH CENTURY comprising a SNUFF BOX, in Montgomery tartan, 9.5cm wide; a LETTER OPENER, in Bonnie Prince Charlie tartan, the handle depicting Holyrood castle, 24cm long; and a NEEDLE CASE, in Stuart tartan, the cover depicting a scene of Loch Katrine, 8.5cm long (3) £150-250

£150-250

50

51

A GROUP OF MAUCHLINE TARTANWARE

A GROUP OF TARTAN AND MAUCHLINE WARE

19TH CENTURY comprising a SNUFF BOX, in ‘Clanronald’, 7cm diam.; TWO NAPKIN RINGS, in ‘Macpherson’ and ‘Caledonia’, 5cm diam.; a SPOOL BOX, in ‘Caledonia’, 8cm diam.; a PIN CUSHION, in ‘Stuart’, 5cm diam.; a STAMP BOX, in ‘McDonald’, 4.5cm diam.; a NEEDLE CASE, in ‘Prince Charlie’, 8.5cm long; and a SNUFF BOX, 7cm wide; a PAGE TURNER, 23.5cm long; a CAULDRON, 5.5cm high; and a BEZIQUE, 9.5cm high; all in unidentified tartans (11)

19TH CENTURY comprising a LARGE TARTANWARE BOX, in ‘McDuff’, opening to a void interior, 20cm wide; a TARTANWARE BOOK, in unidentified tartan, enclosing ‘Souvenir of Scotland...’, T. Nelson and Sons, London etc., 1892, covers 20cm x 15cm; a MAUCHLINE WARE SNUFF BOX, with a scene of dogs chasing a rat and the inscription THERES MANY A SLIP BETWEEN THE CUP AND THE LIP, 8cm wide; and a PAINTED SNUFF BOX, depicting men fishing, 8.5cm wide (4)

£200-300

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 21

52 A MAUCHLINE TARTANWARE PHOTOGRAPH ALBUM CIRCA 1890 the boards in Stuart tartan with central oval panel to the front depicting a portrait of Mary, Queen of Scots, the interior with gilt-edged pages having blank apertures for photographs, tooled leather spine 30.5cm x 24cm

£300-500

53 A LARGE GROUP OF MAUCHLINE TARTANWARE LATE 19TH CENTURY comprising a GLOVE STRETCHER, in Sinclair tartan, 14cm long; a PIN CUSHION, in McLean tartan, 3.5cm long; another PIN CUSHION, in Gordon tartan, 3.5cm high; an OVAL NEEDLE BOX, in Gordon tartan, 5.5cm high; an EGG-SHAPED ETUI in Albert tartan, 7cm high; a PIN CUSHION BOX, in Stuart tartan, 5cm diameter; a TAPE MEASURE in Lorne tartan, 4.5cm high; a PATCH BOX, in Stuart tartan, the lid painted with a ploughing scene, 5cm diameter; a BROOCH, 7cm high; another BROOCH, in McPherson tartan with applied image of a Classical lady, 5cm high; an ADDRESS BOOK, 7.5cm long; a PEN KNIFE, 4cm long (6.5 with blade unfolded) ; and a WHISTLE, in Prince Charlie’s Stuart tartan, 7cm long (qty) Provenance: The Alex Wilson Collection

£300-500

54

55

A LARGE GROUP OF MAUCHLINE WARE

A LARGE GROUP OF MAUCHLINE WARE

19TH CENTURY comprising a LARGE TULIP-SHAPED VASE, 28cm high; TWO SMALL TULIP SHAPED VASES,18cm high; TWO CYLINDER VASES, 11cm high; a PAIR OF CYLINDER VASES, 9cm high; a TRINKET BOX, in the form of a cottage 11.5cm wide; a PUZZLE BOX, 14cm long; a LOW LOBED DISH, 23cm diameter; a MODEL WHEELBARROW, 18cm long; EIGHT TARTANWARE NAPKIN RINGS, in ‘McFarlane, ‘Stuart’, ‘Prince Charlie’, ‘McLean’ tartans, 5cm diameter; ELEVEN MAUCHLINE WARE NAPKIN RINGS, 5cm diameter; a PICTURE FRAME, mounted with a cold painted metal sprig of heather, 18.7cm x 11cm; together with a SCALLOPED FERN DISH, 23cm diameter (qty)

19TH CENTURY comprising a GROUP OF MINIATURE CAULDRONS AND COVERS, the largest with a printed image of Ballochmyle Bridge and a verse, 8cm high; a WALL MOUNTED MATCH HOLDER, 17cm high; a FOOTED SALT, 4cm high; and a SPOOL BOX, 6cm high; GLOVE STRETCHER, with transfer print, 25cm; a RECTANGULAR CARD BOX, 20.5cm long; another RECTANGULAR BOX, with portrait of Robert Burns on the lid, 9cm long; a GLOVE STRETCHER, 8cm long; a BOOK SHAPED BOX 12cm long; a PIN PLATE, 13cm long; a PAGE TURNER, featuring the name of W&A Smith Woodware, 35cm long; an EGG TIMER, bearing a mark from G.A. MacLeod in Oban, 8.5cm; a BOX 19.5cm long; a THIMBLE BOX, 5cm tall; a BOX, 8.5cm; a BOX, 10cm long; another BOX, 8.5cm long; a BOX with a transfer of Melrose Abbey on a sliding lid, 9.5cm; a box with a transfer of the Burns’ Cottage, 8.5cm long (qty)

Provenance: The Alex Wilson Collection

£300-500

Provenance: The Alex Wilson Collection

£200-300

22 Lyon & Turnbull

56 A GROUP OF MAUCHLINE TARTANWARE 19TH CENTURY comprising a RAZOR BOX in ‘MacBeth’ tartan containing two folding straight razors, 18cm long; TWO SHARPENERS with unidentified tartans, one with a sheath, 16.7cm and 16.3cm long; a PIN DISH, in Caledonia tartan, 8cm diameter; TWO BEZIQUE MARKERS, 7cm long and, 9cm long; a CRIBBAGE BOARD, 19.5cm long; a CHALK HOLDER, in Caledonia tartan, 6cm tall; a CHALK HOLDER in Caledonia tartan, 4.5cm tall; and a METAL PEN BOX, in tartan, bears maker’s mark E. KERR, 14.5cm long (qty) Provenance: The Alex Wilson Collection

£300-500

57

58

59

A LARGE GROUP OF MAUCHLINE WARE

A LARGE GROUP OF MAUCHLINE WARE

A LARGE GROUP OF MAUCHLINE WARE

19TH CENTURY comprising a CAULDRON, 6.5cm diameter; a PIN CUSHION in the form of a bucket, 5cm high; a THIMBLE HOLDER, in the form of a cooking pot, 9.5cm across (including handle); a RING BOX, 4cm long; a SMALL BOX, in the form of a bucket, 5cm tall; a CYLINDRICAL BOX, 7cm tall; a ‘PATTERNWARE RECTANGULAR BOX’, 11.5cm long; a NEEDLE HOLDER, in the shape of a book, 6cm long; a PIN CUSHION, 3.5cm diameter; a COTTON THREAD HOLDER, 8cm in diameter; a PIN DISH, 8cm; a FOLDING LETTER RACK, 19.5cm high; a THERMOMETER, 17cm high; an INKWELL, in the form of a horseshoe and jockey’s cap, 10.5cm long; a PICTURE FRAME, 16cm wide; a CARD HOLDER, 12.7cm high; a WATCH HOLDER, 11.5cm high; together with a STATIONERY RACK, with three shelves and a stamp drawer, 12cm high (qty)

19TH CENTURY comprising a PULLMAN RAIL CRIBBAGE BOX, bears maker’s label CLARK & CO., 16.5cm long; a CUP FOR DICE, with an exterior transfer panel detailing the Alloway Old Kirk; a DEMI-LUNE THREAD BOX, with a floral transfer print, bears makers label CLARK & CO., 12.5cm high; together with FOUR MAUCHLINE WARE ALBUMS, including a ‘LAND OF SCOTT CABINET ALBUM’, 8.5cm long; a smaller ‘THE LAND OF BURNS’ ALBUM, 12.5cm long; another small ‘THE LAND OF BURNS’ ALBUM, 2.3cm long; together with TWO PHOTOGRAPHIC MOUNTED BINDINGS, comprising a ‘SONGS OF SCOTLAND’ MUSICAL SONGBOOK, 26cm long; and a CARTES DES VISITES ALBUM, 16cm long; together with a BLACK LACQUER PHOTOGRAPHIC SEWING BOX, 33cm long, 6cm high, 19cm deep (qty)

Provenance: The Alex Wilson Collection

Provenance: The Alex Wilson Collection

£200-300

£200-300

19TH CENTURY comprising a THREAD HOLDER, 9.5cm diameter; an ETUI, containing a sewing kit, 10cm tall; a THIMBLE HOLDER, with lid featuring Burns’ Cottage, 4cm tall; an EGG CUP, 7cm tall; an EGG-SHAPED ETUI, 5.5cm long; a PIN CUSHION, 5cm tall; a CYLINDRICAL BOX, featuring an image transfer of the Burns’ Memorial in Kilmarnock, 7cm across; a BUCKET FORM BOX, 6cm tall; a PIN BOWL, 8.5cm diameter; a DOMED BOX, 10cm tall; a MINIATURE WHEELBARROW, 19cm long; a SHOE-FORM NEEDLE CASE, 14.5cm long; a RECTANGULAR NEEDLE CASE, 19cm long; a MINIATURE CANNON,14cm long; a COMMEMORATIVE JUBILEE FOLDING WALL SHELF BRACKET bearing the Royal coat-ofarms, 19.5cm high; a BEZIQUE MARKER, 7.5cm long; a MATCH BOX, 5cm long; another MATCH BOX, 5cm long; another MATCH BOX, 6.5cm; a MATCH BOX, 4cm high; a HINGED BOX, 9.5cm long; another BOX with a transfer print of Hawarden Castle, reportedly made with a tree ‘felled by The Right Hon W.E Gladstone’ with facsimile signature, 11cm tall; and a PIN CUSHION, 11cm long (qty) Provenance: The Alex Wilson Collection

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 23

60 A SCOTTISH VICTORIAN ADVERTISING PUB SIGN CIRCA 1890 the verre églomisé and mirrored glass panel bearing inscription WINES/ WM. YOUNGER & CO’S LTD., PALE ALE, marked to base J.G. PROUDFOOT, EDINBURGH, framed 79cm x 129cm, including frame

£700-900

61 A SCOTTISH CAST IRON STICK STAND CIRCA 1890 the backplate cast with the figure of William Wallace and inscribed WALLACE, with applied stick support with drip tray below 44cm wide, 76cm high, 21cm deep

£400-600

62

63

A COLLECTION OF TWELVE SCOTTISH GLAZED POTTERY CARPET BOWLS

A PAIR OF VICTORIAN AILSA CRAIG GRANITE CURLING STONES

CIRCA 1880 each of various checked, sponge-decorated and plain design (2)

CIRCA 1900 each with brass-mounted hardwood handles with tartan pads (2)

largest, 9.5cm diameter, 7.5cm diameter

28cm diameter, 19cm high

£300-500

£300-500

24 Lyon & Turnbull

64 GREEK REVIVAL PAINTED FIRECLAY CHIMNEY POT BY ALEXANDER ‘GREEK’ THOMSON CIRCA 1877 of cylindrical form incised and painted with Greek Revival anthemion and scrollwork banded decoration 40.5cm diameter, 110cm high Note: This chimney pot was designed by the eminent Glasgow architect Alexander ‘Greek’ Thomson (18171875) for Millbrae Crescent, Glasgow. Millbrae Crescent consists of an elegant row of two-storey terraced houses believed to have been designed by Thomson and Robert Turnbull and was completed in 1877. ‘Greek’ Thomson was so named because of his decision, in the mid-1850s, to adopt the Greek idiom as his only language of expression.

£800-1,200

65 DAVID WATSON STEVENSON (1842–1904) MARBLE BUST OF A GIRL (MARIA), DATED 1879 bears inscription verso D.W. STEVENSON A.R.S.A. SC./ EDIN. 1879; raised on an associated mahogany column plinth, with carved floral swag decoration, the fluted sides with husk-carved stop fluting (2) bust 56cm high; column 108cm high Note: Renowned for his portrait sculptures in bronze and marble, David Watson Stevenson is arguably most recognised for his bronze rendering of William Wallace, which can still be seen on the Wallace Monument in Stirling. His naturalistic depictions of figures such as Mary, Queen of Scots, James VI of Scotland and Robert Tannahill won him many accolades, shortly after his 8 year apprenticeship with sculptor William Brodie in the 1860s. Stevenson frequently exhibited at the Royal Academy in London and, by 1876, he was elected Associate at the Royal Scottish Academy.

£1,500-2,500

WemyssWare & Scottish Pottery

26 Lyon & Turnbull

66 A WEMYSS WARE INVALID CUP ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY printed retailer’s mark T. GOODE & CO. (restored handle) 11cm diameter

£200-300

67 A LARGE WEMYSS WARE TYG ’CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS, printed retailer’s mark 23.5cm high

£300-500

68 A WEMYSS WARE THREE-HANDLED MUG ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY painted and impressed mark WEMYSS 14cm high

£200-300

69

70

71

A GROUP OF WEMYSS WARE

A WEMYSS WARE SOAP DISH COVER AND LINER

THREE WEMYSS WARE MUGS

EARLY 20TH CENTURY comprising a LARGE ‘SWEET PEAS’ BEAKER VASE, 15cm high; a SCALLOP-SHAPED ‘CHERRIES’ SINGLE INKWELL, (restored cover), 22cm across; an ‘APPLES’ PRESERVE JAR AND COVER, (restoration), 11cm high; a ‘BRAMBLES’ PRESERVE JAR AND COVER, 11cm high; a GROUP OF THREE SMALL PLATES, various patterns, 14cm diameter; a ROBERT HERON & SON TEAPOT, 8cm high; and a SMALL SLOP BOWL, bearing inscription, SONACHAN/ IT’S A FAR CRY TO LOCH AWE., all variously marked (9)

’CHRYSANTHEMUMS’ PATTERN, CIRCA 1900 decorated by Edwin Sandland, painted and impressed maker’s marks WEMYSS 14.5cm diameter

£150-250

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

VARIOUS PATTERNS, EARLY 20TH CENTURY all with impressed marks WEMYSS, comprising TWO LARGE MUGS, in ‘CHERRIES’ and ‘DOG ROSES’ pattern, 14.5cm and 14cm high (‘Cherries’ with hairline to rim); and a SMALL ‘CHERRIES’ MUG, 9cm high (3) £200-300

Scottish Applied Arts 27

72 A PAIR OF WEMYSS WARE LADY EVA VASES ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY one decorated by Joe Nekola, each with painted mark WEMYSS, one with impressed mark WEMYSS, 16cm high; together with a MEDIUM LADY EVA VASE, possibly decorated by James Sharp, impressed and painted mark WEMYSS, 20cm high (3) £300-500

73 A WEMYSS WARE ‘STUART’ FLOWER POT ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS 24cm diameter

£300-500

74 A GROUP OF WEMYSS WARE ’CABBAGE ROSES’ AND ‘DOG ROSES’ PATTERNS, EARLY 20TH CENTURY comprising a ‘CABBAGE ROSES’ QUAICH, 27cm across; a ‘CABBAGE ROSES’ GROSVENOR VASE, 14cm high; a ‘DOG ROSES’ BEAKER VASE, 11.5cm high; a ‘CABBAGE ROSES’ BEAKER VASE, decorated on a black ground, 11cm high; and a ‘CABBAGE ROSES’ SPILL VASE, 15.5cm high, variously marked (5) £200-300

28 Lyon & Turnbull

75 FOUR GRADUATED WEMYSS WARE JUGS ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY variously marked (minor damages) (4) 16.5cm, 13cm, 11cm and 10.5cm high

£200-300

76 A GROUP OF WEMYSS WARE ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising a SMALL EWER AND BASIN, ewer 17cm high, basin, 28.5cm diameter; a SPONGE DISH AND LINER, 19cm diameter; a SOAP DISH, LINER AND COVER, 14cm diameter; and a PIN TRAY, 25cm long, variously marked, minor damages (5) £300-500

77

78

79

A WEMYSS WARE PART TEASET

A WEMYSS WARE MUFFIN DISH AND COVER

WEMYSS WARE HEARTSHAPED INKWELL AND TRAY

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, painted mark WEMYSS

’CABBAGE ROSES’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY the tray with impressed marks WEMYSS WARE/ R. H. & S., 30cm long; the inkwell with impressed marks WEMYSS, minor damage, 17.5cm across (2)

’CHERRIES’ PATTERN, EARLY 20TH CENTURY comprising a TEAPOT, impressed mark WEMYSS, 11cm high; a PRESERVE JAR AND COVER, painted and impressed mark WEMYSS, 12.5cm high; a SMALL JAM POT AND COVER, painted mark WEMYSS, 7.5cm high; a MILK JUG, painted and impressed maker’s and retailer’s marks WEMYSS/ T. GOODE & CO., 7cm high; and a SUGAR BOWL, painted and impressed maker’s and retailer’s marks WEMYSS/ T. GOODE & CO., 7.5cm diameter (5) £200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22cm diameter

£200-300

£200-300

Scottish Applied Arts 29

80 THREE PIECES OF WEMYSS WARE ’DOG ROSES’ PATTERN, EARLY 20TH CENTURY comprising a BISCUIT BARREL AND COVER, 10cm high; an OVAL PIN TRAY, 13cm wide; and a TEAPOT AND COVER, decorated by Joe Nekola, 10.5cm high; each with impressed or painted maker’s marks (3) £250-350

81 TWO WEMYSS WARE CANDLESTICKS ’FORGET-ME-NOT’ AND ‘IRIS’ PATTERNS, CIRCA 1900 comprising a TALL ‘FORGET-ME-NOT’ CANDLESTICK, impressed mark WEMYSS, minor hairline to sconce, 22cm high; with A TALL WEMYSS WARE CANDLESTICK, ‘IRIS’ PATTERN, CIRCA 1900, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO., 30cm high (2) £200-300

82 A WEMYSS WARE BISCUIT BARREL AND COVER ’YELLOW ROSES’ PATTERN, EARLY 20TH CENTURY decorated on a black ground, bearing inscription BISCUITS, impressed mark WEMYSS 16cm high

£200-300

83 THREE WEMYSS WARE VASES EARLY 20TH CENTURY comprising a ‘DAFFODILS’ MAY VASE, decorated by Edwin Sandland, impressed and painted marks WEMYSS, 16.5cm high (restored chip to rim); a ‘DAFFODILS’ BEAKER VASE, impressed and painted marks, 15.5cm high; and a ‘YELLOW IRISES’ SMALL GROSVENOR VASE, impressed mark WEMYSS, printed retailer’s mark, 14.5cm high (overpainted chips to rim) (3) £200-300

30 Lyon & Turnbull

84 A WEMYSS WARE GALLERIED TRAY ’FUCHSIA’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS WARE / R. H. & S., printed retailer’s mark 27.5cm wide

£500-700

85 A WEMYSS WARE GALLERIED TRAY ’SWEET PEAS’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, stamped retailer’s mark T. GOODE & CO.,minor restoration 28cm across

£300-400

86

87

88

A WEMYSS WARE FLOWER POT AND LARGE MUG

A GROUP OF WEMYSS WARE

A GROUP OF WEMYSS WARE

VARIOUS PATTERNS, EARLY 20TH CENTURY comprising a ‘YELLOW IRISES’ GROSVENOR VASE, impressed and printed marks, 20cm high; a ‘YELLOW IRISES’ LARGE MUG, impressed marks, 14cm high (hairline at rim, restorations); a ‘BUTTERCUPS’ MILK JUG, impressed and printed marks, 6.5cm high; and a ‘MALLARD OVER POND’ BEAKER VASE, impressed mark, 11cm high (restored chip to rim) (4)

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising a LARGE JUG, 19cm high; a PAIR OF SMALL MILK JUGS, 10cm high; and a TEACUP AND SAUCER, SAUCER, saucer 12cm diameter, variously marked, some restorations (5)

’TULIPS’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY the flower pot with impressed mark WEMYSS, 17cm wide; the mug with impressed mark WEMYSS WARE/ R.H. & S., 14.5cm high, minor hairlines (2) £150-250

£250-350

£200-300

Scottish Applied Arts 31

89 A PAIR OF WEMYSS WARE GROSVENOR VASES ’SWEET PEAS’ PATTERN, CIRCA 1900 each with impressed marks WEMYSS WARE/ R. H. & S. (restored rims) (2) 20cm high

£300-500

90 A GROUP OF WEMYSS WARE ’SWEET PEAS’ PATTERN, EARLY 20TH CENTURY comprising a PAIR OF BISCUIT BARRELS AND COVERS, painted and impressed mark WEMYSS, 12.5cm high; and a LARGE MUG, impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO., 14.5cm high (3) £300-500

91 A WEMYSS WARE GALLERIED TRAY ’FORGET-ME-NOT’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, 28.5cm across; and a WEMYSS WARE ‘FORGET-ME-NOT’ BEAKER, bearing inscription FORGET-ME-NOT, impressed and painted mark WEMYSS, 9cm high (2) £250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

32 Lyon & Turnbull

92 A WEMYSS WARE PART TEA SERVICE ’THISTLES’ PATTERN, EARLY 20TH CENTURY comprising a teapot, impressed and painted maker’s marks, 11cm; a sugar bowl, impressed maker’s mark, 6.5cm diam., hairline to rim; and a milk jug, 5.5cm high (3) £200-300

93 A WEMYSS WARE BEAKER VASE AND FOOTED BOWL ’THISTLES’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY the beaker vase impressed WEMYSS, with painted mark WEMYSS., 11.5cm high; the bowl impressed WEMYSS WARE/ R. H. &S., with printed retailer’s mark T GOODE & CO, 14cm diam. (2) £200-300

94 A WEMYSS WARE SINGLE INKWELL ’THISTLES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS 16cm diameter

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 33

95 A RARE WEMYSS WARE TEAPOT ’HEATHER PATTERN’, EARLY 20TH CENTURY impressed mark WEMYSS 9cm high

£600-800

96 A RARE WEMYSS WARE HAT PIN HOLDER ’HEATHER’ PATTERN, EARLY 20TH CENTURY bearing inscription ‘HAT PINS’, impressed mark WEMYSS 15cm high

£300-500

97 A WEMYSS WARE SPONGE DISH AND LINER ’WHITE BROOM’ PATTERN, EARLY 20TH CENTURY decorated by James Sharp, painted and impressed mark WEMYSS (restored handle) 20cm diameter Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, ‘Wemyss Ware: A Decorative Scottish Pottery’, Edinburgh: Scottish Academic Press, 1986, p.111, fig. 222

£300-500

Note: ‘White Broom’ pattern was purchased as wash sets and desk sets by William Forbes J.P. for Callendar House, Falkirk. Forbes was the grandson on the maternal side of the Seventh Earl of Wemyss and white broom was the family’’s cap badge.

98

99

100

A GROUP OF WEMYSS WARE

A GROUP OF WEMYSS WARE

A GROUP OF ‘JAZZY’ WEMYSS WARE

’CABBAGE ROSES’, PATTERN EARLY 20TH CENTURY comprising TWO BISCUIT BARRELS AND COVERS, both inscribed BISCUITS, 15.5cm and 11.5cm high; a PRESERVE JAR AND COVER, 12cm high; and a further JAR WITH MATCHED COVER, 12.5cm high, variously marked (4)

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising A PAIR OF GROSVENOR VASES, 20cm high; a PAIR OF LADY EVA VASES, 15.5cm high; and a PAIR OF SMALL BEAKER VASES, 11cm high, variously marked, minor restoration (6)

EARLY 20TH CENTURY comprising a TWIN-HANDLED JARDINIÈRE, (repaired handle), 26cm diameter; a PAIR OF LARGE LADY EVA VASES, 20cm high; a SMALL LADY EVA VASE, 15cm high; a PAIR OF LARGE MUGS, (one repaired handle),17.5cm high; and a THREE-HANDLED TYG, 14.5cm high, variously marked (7)

£200-300

£300-500

£250-350

34 Lyon & Turnbull

101 A SMALL AND RARE WEMYSS WARE GROSVENOR VASE ’CROCOSMIA’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS, minor restoration to rim 14cm high

£500-700

102 A GROUP OF WEMYSS WARE ’IRIS’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY comprising TWO GROSVENOR VASES, both with impressed marks, one WEMYSS, the other WEMYSS WARE/ R. H. & S., and printed retailer’s marks T. GOODE & CO. (one with hairline to rim, the other with repairs to rim); and a LARGE MUG, impressed WEMYSS, and printed retailer’s marks T. GOODE & CO. (hairline to rim) (3) 14cm high

£200-300

103 A WEMYSS WARE COMBE JARDINIÈRE ’IRIS’ PATTERN, CIRCA 1900 impressed marks (twice) WEMYSS WARE/ R. H. & S. 28cm diameter

£500-800

104

105

106

A GROUP OF WEMYSS WARE

A WEMYSS WARE LOW KINTORE CANDLESTICK

A PAIR OF WEMYSS WARE BISCUIT BARRELS AND COVERS

VARIOUS PATTERNS, EARLY 20TH CENTURY comprising a ‘PURPLE PLUMS’ BISCUIT BARREL AND COVER, (hairline to rim cover), 18cm high; a ‘RED PLUMS’ BISCUIT BARREL AND COVER, (restored rim to cover), 16.5cm high; a ‘PURPLE PLUMS’ PRESERVE JAR AND COVER, 12cm high; a ‘RED PLUMS’ LARGE PLATE, 18.5cm diameter; and a ‘DAMSONS’ SMALL PLATE (restoration), 14cm diameter, variously marked (5) £150-250

’SHAMROCKS’ PATTERN, CIRCA 1900 impressed WEMYSS WARE, printed retailer’s mark T GOODE & CO

’BRAMBLES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, impressed marks WEMYSS, and with painted marks WEMYSS/ T GOODE & CO, one with paper label for WEMYSS EXHIBITION 1976/ SOTHEBY’S BELGRAVIA etc. (2)

11cm high

Covers 12.5cm diameter

£150-250

£200-300

Scottish Applied Arts 35

107 A RARE AND EARLY WEMYSS WARE TWIN-HANDLED VASE CIRCA 1890 decorated by Karel Nekola with flowering Peony Roses on a mottled ground with applied gilt handles, impressed maker’s mark WEMYSS/ 67 37cm high

£1,000-1,500 Note: This vase was painted by Karel Nekola as a wedding present for the current vendor’s greatgrandmother, circa 1894. Her stepfather, Robinson (Ralph) Dixon, ran a china shop in Leith and apparently had connections with the Wemyss factory.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

36 Lyon & Turnbull

108 A WEMYSS WARE PART BREAKFAST SET ’CABBAGE ROSES PATTERN’ EARLY 20TH CENTURY comprising a HEART-SHAPED TRAY, 30cm long; a TEAPOT, 10cm high; a PAIR OF SPILL VASES, (one restored) 8.5cm high; a PAIR OF TEACUPS, (hairlines and small chips to one rim) 9cm diameter; a MILK JUG, (fine hairline) 6.5cm high; and a SUGAR BOWL, 7.5cm diameter, all variously marked (8) £300-500

109 A WEMYSS WARE PART WASH SET ’CABBAGE ROSES’ PATTERN comprising a EWER AND BASIN, ewer 25.5cm high, basin 41cm diameter (hairlines); and TWO SOAP DISHES, 18.5cm diam. and 14.5cm; together with a PEN TRAY, 24.5cm wide (chip to corner); variously marked (5) £300-500

110 A WEMYSS WARE ELGIN VASE ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by James Sharp, impressed and painted mark WEMYSS 43.5cm high

£300-500

111

112

113

A GROUP OF WEMYSS WARE

A GROUP OF WEMYSS WARE

’SWEETPEAS’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY comprising a BISCUIT BARREL AND COVER, inscribed BISCUITS, 12cm high; a CREAM JUG, 6.5cm high; and a TEA CUP AND SAUCER, cup 6cm high (small chips to foot rim), saucer 13cm diam. (restoration), variously marked (4)

’SWEETPEAS’ PATTERN, EARLY 20TH CENTURY comprising a BEAKER VASE, 15.5cm high; a CHESHAM FERN POT, 9.5cm high; a SPILL VASE, 7.5cm high; a CREAM JUG, 5.5cm high; and a SUGAR BOWL, 6.5cm diam., variously marked, minor restorations (5)

TWO WEMYSS WARE PRESERVE JARS AND COVERS

£200-300

£200-300

’ORANGES’ AND ‘YELLOW PLUMS’ PATTERNS, EARLY 20TH CENTURY both with painted marks WEMYSS; together with a further ‘ORANGES’ PRESERVE JAR COVER; and a ‘YELLOW PLUMS’ PRESERVE JAR, impressed WEMYSS, cover lacking, minor damages (4) Largest 13.5cm high

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 37

114 A LARGE AND RARE WEMYSS WARE PIG CIRCA 1900 covered in a white glaze, with applied top hat and monocle, stamped marks WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 46cm long Literature: McNeill, Carol ‘Kirkcaldy Potteries’, Fife Publicity 1998, p. 98 illus. where a rare Wemyss pig of a similar design is illustrated (sold Sotheby’s Gleneagles 1998)

£4,000-6,000

38 Lyon & Turnbull

115 A WEMYSS WARE PRESERVE JAR AND COVER ’GOOSEBERRIES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO.,restoration 11.5cm high

£150-250

116 A WEMYSS WARE JAR AND COVER ’RED PLUMS’ PATTERN, EARLY 20TH CENTURY impressed maker’s mark WEMYSS WARE and painted mark WEMYSS & T. GOODE & CO. 19cm high

£250-350

117 A WEMYSS WARE PRESERVE JAR AND COVER ’GOOSEBERRIES’ PATTERN, EARLY 20TH CENTURY decorated by Joe Nekola, impressed WEMYSS, painted mark WEMYSS 12.5cm high

£200-300

118 A GROUP OF WEMYSS WARE ’STRAWBERRIES’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY comprising a BISCUIT BARREL AND COVER, painted mark WEMYSS/ T. GOODE &. CO., 16.5cm high; a PRESERVE JAR AND COVER, painted mark WEMYSS, 11.5cm high; and a QUAICH, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO., 27cm wide (3) £200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 39

119 A LARGE WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/ R. H. & S., restored tail and ear restuck 41cm long

£1,000-1,500

120 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/ R. H. & S., and retailer’s stamp for T. GOODE & CO., ear restuck 16.5cm long

£500-800

121 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/ R. H. & S., and retailer’s stamp for T. GOODE & CO. 16.5cm long

£600-800

122

123

124

A GROUP OF WEMYSS WARE

A GROUP OF WEMYSS WARE

’ORANGES’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY comprising a BISCUIT BARREL AND COVER, 16cm high; THREE GRADUATED PRESERVE JARS AND COVERS, 12cm, 10cm and 8cm high (the smallest with small chip to underside of foot rim); and a SMALL SAUCER, 10cm diameter, variously marked (5)

VARIOUS PATTERNS, EARLY 20TH CENTURY comprising a ‘BLACK COCKEREL & HENS’ TEA POT AND COVER, with inscription BON JOUR., 12cm high; a ‘BEES AND HIVE’ PRESERVE JAR AND COVER, with bee-modelled handle, 11cm high; and a SMALL ‘BEES AND HIVE’ PRESERVE JAR AND COVER, 8cm high, all with painted marks (3)

A WEMYSS WARE BISCUIT BARREL

£250-350

£150-250

’STRAWBERRIES’ PATTERN, EARLY 20TH CENTURY bearing inscription BISCUITS, painted and impressed mark WEMYSS, painted retailer’s mark T. GOODE & CO. 10cm high

£150-250

40 Lyon & Turnbull

125 A WEMYSS WARE PRESERVE JAR AND COVER AND A SAUCER ’GREENGAGES’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY the jam pot with impressed mark WEMYSS, printed retailer’s mark for T. GOODE & CO, 12.5cm high; and the saucer with impressed mark WEMYSS WARE/ R. H. & S., and printed retailer’s mark, 14cm diam. (2) £200-300

126 A GROUP OF WEMYSS WARE ’RASPBERRIES’ PATTERN, EARLY 20TH CENTURY comprising a PRESERVE JAR AND COVER, impressed WEMYSS, 12.5cm high; a SAUCER, painted mark WEMYSS, 14cm diam.; a SMALL PRESERVE JAR AND COVER, impressed WEMYSS, painted marks WEMYSS/ T. GOODE & CO., 7.5cm high; and a SMALL SAUCER, impressed WEMYSS, painted marks WEMYSS/ T GOODE & CO, 9.5cm diam. (4)

127 A GROUP OF WEMYSS WARE ’BRAMBLES’ PATTERN, LATE 19TH/ EARLY 20TH CENTURY comprising a BISCUIT BARREL AND COVER, 15.5cm high; a PRESERVE JAR AND COVER, 12cm high; a QUAICH, 24cm wide; and a SPILL VASE, 8.5cm high, minor damages (4)

£200-300

£200-300

128

129

130

B*R* (WEMYSS WARE INTEREST)

A WEMYSS WARE CHAMBERSTICK

LARGE BASKET, DATED 1929 decorated with Dog Roses, impressed mark WEMYSS, painted mark B. R/ 1929

’CHRYSANTHEMUM’ PATTERN, EARLY 20TH CENTURY painted by Edwin Sandland, impressed mark WEMYSS, and painted mark WEMYSS, restorations

A WEMYSS WARE BISCUIT BARREL AND COVER

40cm across

17.5cm diameter

’DOG ROSES’ PATTERN, EARLY 20TH CENTURY painted and impressed marks WEMYSS, restorations

£200-300

£150-250

12cm high

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 41

131 A GROUP OF THREE WEMYSS WARE PRESERVE JARS AND COVERS EARLY 20TH CENTURY comprising ‘REDCURRANTS’, painted mark WEMYSS, restored chip to cover rim; ‘RASPBERRIES’, impressed and painted marks WEMYSS; and ‘BLACKCURRANTS’, impressed mark WEMYSS, printed retailer’s marks T. GOODE & CO., restored cover rim (3) Largest 13.5cm high

132

£200-300

A WEMYSS WARE MUFFIN DISH AND LINER ’REDCURRANTS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., minor rim restoration 22cm diameter

£200-300

133 A LARGE WEMYSS WARE BASKET ’APPLES’ PATTERN impressed mark WEMYSS, minor restoration to handle and rim 41cm wide

£300-500

134 A GROUP OF WEMYSS WARE ’APPLES’ PATTERN, EARLY 20TH CENTURY comprising TWO PRESERVE JARS AND COVERS, one with painted mark WEMYSS and decorated by Edwin Sandland, the other impressed WEMYSS and with printed retailer’s mark T. GOODE & CO., 13cm and 12cm high; a SAUCER, painted mark WEMYSS, 12cm diam.; and a SPILL VASE, impressed and painted marks WEMYSS, 8cm high (4) £200-300

42 Lyon & Turnbull

135 A WEMYSS WARE PRESERVE JAR AND COVER ’LEMONS’ PATTERN, EARLY 20TH CENTURY impressed WEMYSS, painted mark WEMYSS, restoration and short hairlines to cover 11.5cm high

£200-300

136 A WEMYSS WARE SPILL VASE ’DRAGONFLIES’ PATTERN, EARLY 20TH CENTURY painted and impressed mark WEMYSS, small restoration under rim 16cm high

£200-300

137 A WEMYSS WARE EWER ’DRAGONFLIES’ PATTERN, EARLY 20TH CENTURY decorated by James Sharp, painted and impressed mark WEMYSS, restoration to spout and handle 22cm high

£400-600

138

139

140

A LARGE WEMYSS WARE SLOP PAIL

A WEMYSS WARE VASE

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY painted mark WEMYSS, handle restored and pail with hairlines

’YELLOW ROSES’ PATTERN, EARLY 20TH CENTURY of squat ovoid form, the yellow roses above a solid black ground, impressed mark WEMYSS

A LARGE WEMYSS WARE LADY EVA VASE AND A BULB HOLDER

28.5cm high

26cm high

£150-250

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

EARLY 20TH CENTURY the Lady Eva vase in ‘CABBAGE ROSES’ pattern, decorated by Edwin Sandland, with painted marks WEMYSS/ ES, 29cm high; and the bulb holder in ‘CHERRIES’ pattern, impressed marks WEMYSS, and printed retailer’s mark T. GOODE & CO., 28cm wide, hairline to one corner (2) £150-250

141 A LARGE AND RARE WEMYSS WARE MUG ’GARDEN PEAS’ PATTERN, EARLY 20TH CENTURY impressed WEMYSS 13.5cm high

£800-1,200

142 A LARGE WEMYSS WARE MUG ’PEACOCK’ PATTERN, CIRCA 1900 impressed mark WEMYSS 14cm high

£400-600

44 Lyon & Turnbull

143 A WEMYSS WARE HEART SHAPED DISH EARLY 20TH CENTURY decorated by James Sharp, depicting cupid holding a bow and bearing inscription LE MARRIAGE EST/ UN OISEAU/ EN CAGE, painted and impressed mark WEMYSS, hairline 15cm long

£200-300

144 A WEYMSS WARE PRESERVE JAR AND COVER AND A SAUCER ’BEES AND HIVE’ PATTERN, EARLY 20TH CENTURY decorated by Karel Nekola, with impressed marks WEMYSS, painted marks WEMYSS, and printed retailer’s marks T. GOODE & CO., preserve jar and cover, 12cm high, saucer 14cm diam. (2) £200-300

145 A RARE WEMYSS WARE MATCH STRIKER ’FIFIES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO., 12cm diameter; and a SMALL WEMYSS WARE ‘FIFIES’ PLATE, CIRCA 1900, impressed mark WEMYSS WARE/ R. H. & S., underside rim restored, 12cm diameter (2) £300-500

146

147

148

A SMALL WEMYSS WARE EWER

A GROUP OF WEMYSS WARE

A GROUP OF WEMYSS WARE

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY (restored handle), 15cm high; together with a SPONGE DISH AND LINER, 20cm diameter; a ‘CHERRIES’ CHAMBER POT, 21.5cm diameter, variously marked; and AN EARLY WEMYSS WARE SELF-COLOURED TWIN-HANDLED VASE, CIRCA 1890, of squat ovoid form, covered in a mottled glaze in red, blue and yellow, impressed mark WEMYSS 89, 27cm wide (4)

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising a LARGE TWIN-HANDLED VASE, decorated by Joe Nekola, 30cm high; a MUFFIN DISH AND COVER, decorated

by Edwin Sandland, , 22cm diameter; a LOW KINTORE CANDLESTICK, 12cm high; and a TEAPOT, 11cm high, all variously marked, minor restorations (4)

’CABBAGE ROSES’ AND ‘CHERRIES’ PATTERNS, EARLY 20TH CENTURY comprising TWO LARGE MUGS, in ‘CABBAGE ROSES’ and ‘CHERRIES’ patterns, 14.5cm high; THREE HAT PIN HOLDERS, two in ‘CABBAGE ROSES’ and one in ‘THISTLES’ patterns, two with inscriptions ‘HAT PINS’, largest 15cm high; and a HAIR TIDY, in ‘CABBAGE ROSES’, inscribed ‘HAIR-TIDY’, 6cm high, variously marked, some minor restorations (6)

£200-300

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£150-250

Scottish Applied Arts 45

149 A GRADUATED SET OF THREE PLICTHA CATS ’CORNFLOWER’ PATTERN, MID-20TH CENTURY the largest decorated by Joe Nekola, painted mark NEKOLA/ PINXT, all with printed maker’s mark PLICHTA/ LONDON/ ENGLAND (3) tallest 26.5cm high

£1,000-1,500

150 A WEMYSS WARE SLEEPING PIG ’THISTLES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS 16.5cm long

£2,500-3,000

46 Lyon & Turnbull

151 A PAIR OF WEMYSS WARE LOW CANDLESTICKS ’MALLARDS’ PATTERN, EARLY 20TH CENTURY impressed maker’s mark WEMYSS, minor restoration to one neck (2) each 17.5cm high

£250-350

152 A WEMYSS WARE CHAMBERSTICK ’MALLARD’ PATTERN, EARLY 20TH CENTURY decorated by Karel Nekola, painted and impressed mark WEMYSS 16cm diameter

£300-500

153 A LARGE WEMYSS WARE MATCHED EWER AND BASIN ’MALLARDS’ PATTERN, EARLY 20TH CENTURY the ewer painted by Joe Nekola, the basin painted by Karel Nekola, painted and impressed marks WEMYSS (2) Ewer 27cm high; Basin 39cm diameter

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 47

154 A RARE WEMYSS WARE ‘WIDGEON’ PLATE DATED 1908 painted by Karel Nekola, depicting widgeons in a coastal landscape, painted marks K. NEKOLA/ 1908/ WIDGEON, minor restoration to rim 27cm diameter

£500-800

155

156

157

A LARGE WEMYSS WARE EWER AND BASIN

A WEMYSS WARE DOUBLE INKWELL

A WEMYSS WARE EWER AND BASIN

’BROWN COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 26cm across

’BLACK COCKEREL & HENS’ PATTERN, CIRCA 1900 each with impressed mark WEMYSS WARE/ R. H. & S., and printed retailer’s mark T. GOODE & CO., basin restored (2)

£200-300

Ewer 16.5cm high; basin 18.5cm diameter

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Joe Nekola, painted maker’s marks WEMYSS Basin 38.5cm diameter, ewer 25cm high

£300-500

£200-300

48 Lyon & Turnbull

158 A WEMYSS WARE PART TEASET ’GEESE’ PATTERN, EARLY 20TH CENTURY comprising a TEAPOT, (restoration),10cm high; a MILK JUG, 6.5cm high; and a SUGAR BOWL, 7.5cm diameter, all with impressed maker’s marks; together with a WEMYSS WARE TEAPOT, ‘PHEASANT’ PATTERN, EARLY 20TH CENTURY, impressed mark WEMYSS (restored lid), 10.5cm high (4) £400-600

159 A LARGE WEMYSS WARE MUG ’PEACOCK’ PATTERN, CIRCA 1900 impressed mark WEMYSS, restored handle 14cm high

£300-500

160

161

162

A GROUP OF WEMYSS WARE

A WEMYSS WARE HEARTSHAPED INKSTAND

A WEMYSS WARE COMB TRAY

’BLACK COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS, printed retailer’s mark, 18.5cm wide; and A WEMYSS WARE COMB TRAY, ‘BLACK COCKEREL AND HENS’ PATTERN, CIRCA 1900, impressed maker’s mark WEMYSS WARE / R. H. & S., printed retailer’s mark, restorations to rim, 25.5cm wide (2)

’BLACK COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS WARE / R. H. & S., printed retailer’s mark

’BLACK COCKEREL & HENS’ PATTERN, EARLY 20TH CENTURY comprising a HEART-SHAPED INKWELL, 15cm long; a TEAPOT, 11cm high; a FRILLED BOWL, 12cm diameter; a ‘BONJOUR’ TEACUP, 9cm diameter; a ‘BROWN COCKEREL & HENS’ ‘BONJOUR’ SAUCER, 13cm diameter; together with a WEMYSS WARE MUFFIN DISH AND COVER, ‘BROWN COCKEREL & HENS’ PATTERN, CIRCA 1900, 22.5cm diameter, variously marked, some restoration (5) £200-300

25.5cm wide

£200-300

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 49

163 A RARE WEMYSS WARE PORRIDGE BOWL CIRCA 1900 depicting a brown cockerel within a moulded leafy border, bearing inscription SAVE YER BRAITH TAE CUIL YER PARRITCH, painted mark WEMYSS and impressed mark WEMYSS WARE/ R. H. & S. 16.5cm diameter

£300-500

164 A PAIR OF TALL WEMYSS WARE CANDLESTICKS ’BLACK COCKEREL & HENS’ PATTERN, CIRCA 1900 each with impressed mark WEMYSS WARE/ R. H. & S., each with minor restorations (2) 31cm high

£200-300

165 A WEMYSS WARE MEDIUM BASKET ’BROWN COCKEREL & HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 30cm wide

£500-800

50 Lyon & Turnbull

166 A LARGE WEMYSS WARE PIG CIRCA 1900 covered in a pink glaze, stamped marks WEMYSS WARE/ R. H. & S. 40cm long

£2,000-3,000

167 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a brown glaze, impressed mark WEMYSS WARE/ R. H. & S. 16cm long

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 51

168 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a green glaze, impressed mark WEMYSS WARE/ R. H. & S., repaired foot 16cm long

£150-250

169 A PAIR OF SMALL WEMYSS WARE PIGS EARLY 20TH CENTURY each covered in a white glaze, apparently unmarked (2) 16cm long

£300-500

170 A SMALL WEMYSS WARE PIG FIGURE ’SHAMROCKS’ PATTERN, POST-1930 decorated by Joe Nekola, painted maker’s mark WEMYSS, restored ear 15.5cm long

£200-300

171 A SMALL SCOTTISH POTTERY PIG EARLY 20TH CENTURY covered in a turquoise glaze, apparently unmarked 16.5cm long

£200-300

52 Lyon & Turnbull

172 A WEMYSS WARE COMMEMORATIVE GOBLET CIRCA 1900 decorated with two flying British flags and the Royal Crown amongst flowers and foliage, bearing inscription GOD SAVE THE QUEEN/ 1899-1900/ VRI/ TO COMMEMORATE THE SUCCESS OF BRITISH ARMS IN SOUTH AFRICA, printed retailer’s mark T. GOODE & CO., small hairline to rim 16.5cm high

£200-300

173 ROYAL DOULTON - WEMYSS TWO CENTENARY GOBLETS AND PRESENTATION BOXES, DATED 1980 number 116 and 130 of a limited edition of 500, inscribed ‘TO HONOUR QUEEN ELIZABETH THE QUEEN MOTHER AND MARK THE WEMYSS CENTENARY’, to the reverse inscribed ‘WEMYSS 1880-1980’ (2) 19cm high

£150-250

174 A WEMYSS WARE SOAP DISH, LINER AND COVER ’EARLSHALL’ PATTERN, EARLY 20TH CENTURY painted mark EARLSHALL 14cm diameter

£150-250

175 A WEMYSS WARE ‘EARLSHALL’ JUG DATED 1914 decorated with crows amongst branches, bearing inscription AS THE MANY WINTERED CROW, THAT LEADS THE CLANGING ROOKERY HOME/ EARLSHALL FAIRE/ A. D. 1914, painted and impressed mark WEMYSS 14.5cm high

£400-600

176 A WEMYSS WARE ‘EARLSHALL’ JUG DATED 1914 decorated with crows and trees in a landscape and bearing inscription OR WHIILES A CLAN O’ ROOSTY CRAWS CANGLE THEGITHER./ EARLSHALL FAIRE/ A. D. 1914, painted and impressed mark WEMYSS, restored rim 14.5cm high

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 53

177 A WEMYSS WARE ‘EARLSHALL’ DERBY MILK JUG EARLY 20TH CENTURY depicting rabbits and crows in a landscape, impressed mark WEMYSS 13cm high

£800-1,200

178 A LARGE WEMYSS WARE ‘EARLSHALL’ MUG EARLY 20TH CENTURY decorated with rabbits and crows in a landscape, impressed mark WEMYSS, hairline to rim, small restoration to handle 14cm high

£500-800

179 A LARGE WEMYSS WARE ‘EARLSHALL’ MUG EARLY 20TH CENTURY decorated with huntsmen, hounds and birds in a landscape, impressed mark WEMYSS, restoration 14cm high

£300-500

180 A WEMYSS WARE ‘EARLSHALL’ TOILET SET EARLY 20TH CENTURY decorated with windmills, rooks and trees in a landscape, comprising a SLOP PAIL AND COVER, with wicker handle, restored, 29cm high; a EWER AND BASIN, Ewer 26cm high, basin 39cm diameter; a CHAMBERPOT, restored handle, 22cm diameter; a SPONGE DISH AND LINER, 20cm diameter; a SOAP DISH, LINER AND COVER, cover restored, 14cm diameter; and a BEAKER VASE, apparently unmarked, 11.5cm high, all others with painted mark EARLSHALL (7) £1,500-2,000

54 Lyon & Turnbull

181 A SMALL WEMYSS WARE MUG ’COWS’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO., minor hairline 7cm high

£400-600

182 AN UNUSUAL WEMYSS WARE SLEEVE VASE EARLY 20TH CENTURY possibly decorated by David Grinton, depicting a squirrel perching on an oak branch against a green and brown ground, painted mark WEMYSS, restored 29.5cm high

£300-500

183 A RARE METHVEN POTTERY PRESERVE JAR AND COVER CIRCA 1900 decorated with a frieze depicting a stag and hinds in silhouette, apparently unmarked 14cm high Note: For a Methven Pottery mug decorated in a similar manner see Lyon & Turnbull, ‘The Drambuie Collection Part II’, 27th January 2006, Lot 14.

£200-300

184 A WEMYSS WARE ‘EARLSHALL’ CHAMBER POT AND BASIN EARLY 20TH CENTURY decorated with windmills, rooks and trees in a landscape, each with painted mark EARLSHALL, restorations to basin (2) Chamber pot 22cm diameter; Basin 39cm diameter

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 55

185 A GROUP OF SCOTTISH POTTERY EARLY 20TH CENTURY comprising a JESSIE MARION KING BOWL, decorated with red flowers within blue bands, with artists cypher and painted green gate marks, (hairlines), 16cm diameter; a PAIR OF BOUGH POTTERY BOWLS, dated 1923 and decorated with apples and leaves, 11cm diameter; THREE PLATES, two decorated by Elizabeth Armour for Bough Pottery 23cm diameter; the other by Mary Ramsay for Strathyre pottery, 25cm diameter; a TWIN-HANDLED BOWL, painted with flowers, 13cm diameter; and a further BOWL, bearing inscription DO MUCH/ SPEAK LITTLE, 13cm diameter, all variously marked (8) £200-300

186 A SET OF VASART GLASS FINGER BOWLS AND UNDERPLATES 1950S in brown and pale green glass, with acid etched maker’s marks VASART, comprising five bowls, 12cm diam.; and five underplates, 17cm diam.

(10) £200-300

187

188

189

A GROUP OF MAK’ MERRY POTTERY

A GROUP OF MAK’ MERRY POTTERY

A GROUP OF BOUGH POTTERY

EARLY 20TH CENTURY comprising a QUAICH, painted in orange and yellow with flowers, 10cm across; a further QUAICH, painted with apples and leaves, 19.5cm across; a LARGE JUG, decorated in blue and green, 14cm high; an ASHTRAY, 11.5cm across; a SUGAR BOWL, 9cm diameter; a POWDER BOX AND COVER, 9cm diameter; a PLATE, 17cm diameter; and a SHALLOW BOWL, dated 1922, 16.5cm diameter, all with painted mark MAK’ MERRY (8)

EARLY 20TH CENTURY comprising a LARGE TUREEN BOWL AND COVER, (hairlines), 23.5cm diameter; a LARGE TUREEN BOWL, 22cm diameter; an OVAL DISH, dated 1926, (hairlines), 26cm long, a LARGE BOWL, dated 1923, 26cm diameter; and a SHALLOW BOWL, 28cm diameter, all with painted mark MAK’ MERRY (5)

EARLY 20TH CENTURY comprising a TALL SPILL VASE, decorated

by Elizabeth Armour, 27.5cm high ; a JUG, decorated by Richard Armour, 13cm high; a SMALL JUG, decorated by Richard Armour, 11.5cm high; a SMALL BEAKER, decorated

by Richard Armour, 10cm high, TWO SMALL VESSELS, one decorated in yellow, the other in pink, 8cm high; and a PRESERVE JAR AND COVER, decorated in green, 9cm high (7)

£150-250

£200-300

£150-250

56 Lyon & Turnbull

190 A CHILD’S OAK-FRAMED ORKNEY CHAIR EARLY 20TH CENTURY the curved woven straw back above open arms and dropin cord seat raised on square legs linked by stretchers 42cm wide, 60cm high, 40cm deep

£400-600 Note: Rooted in traditional craftsmanship, the Orkney Chair has evolved over time from a low round stool completely covered in straw, to a distinctive low chair with a straw back. On the largely treeless northern isles, straw quickly became an important alternative material for the manufacture of furniture and other practical domestic items.

Some designs feature a hood, thought to provide shelter from any draughts. Later, inset seats began to replace solid wooden bases and the chairs were made commercially by local craftsmen such as David Kirkness. Retailers such as Liberty of London regularly sold Orkney chairs during the early 20th century.

191 A SCOTTISH ARTS & CRAFTS CARVED ASH SINGLE BED BY WHYTOCK & REID, EDINBURGH AFTER DESIGNS BY SIR ROBERT LORIMER, CIRCA 1920 the shaped headboard with cartouche carved with flowers, the footboard raised on carved pad feet, supplied with original side rails 100cm wide, 126cm high, 206cm long

£300-500

192 A CHILD’S OAK-FRAMED ORKNEY CHAIR EARLY 20TH CENTURY the curved woven straw back above open arms and drop-in cord seat raised on square tapering legs linked by stretchers 55cm wide, 84cm high, 49cm deep

£300-500

Furniture & Works of Art Part II

Scottish Applied Arts 57

193 A ROYAL BANK OF SCOTLAND ARMORIAL CIRCA 1960 polychrome enamels painted on aluminium 56.5cm x 62cm Note: The Royal Bank of Scotland was set up in 1727 when the Bank of Scotland lost its monopoly as it was suspected of having Jacobite sympathies.

The current lot, the coat of arms of the bank, is a relative newcomer and was only granted in 1960. In 1969 it was supplanted by the familiar brand symbol which is still used today.

£250-350

194 A MAHOGANY DROP-LEAF CENTRE TABLE BY WHYTOCK & REID, EDINBURGH CIRCA 1930 the oval top with shaped and moulded edge raised on shaped tapering legs terminating in leaf-carved pad feet 105cm wide, 67.5cm high, 93.5cm deep

£1,000-1,500

195 THEATRE ROYAL, EDINBURGH A COLLECTION OF 26 THEATRE BILLS, 1823-1828 including The Faithless Friend on April 3rd 1828; Paul Pry on November 17th 1827; Gilderoy on November 21st 1827; Venice Preserv’d on February 5th 1824; The Birth-Day on November 3rd 1823; and a collection of others, including 9 bills for Shakespeare plays; all c.270 x 225mm (26) £300-400

196 A MAHOGANY SILVER TABLE BY WHYTOCK & REID, EDINBURGH EARLY 20TH CENTURY the quarter-veneered and dished rectangular top with lobed angles above a single fitted drawer raised on cabriole legs terminating in pointed pad feet 118cm wide, 75cm high, 60cm deep

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

58 Lyon & Turnbull

197 A MODEL OF A SINGLE SCREW STEAMER GOTHLAND 1932 built by A. J. Berry-Robinson for Mr W. Adams, the ship supplied to Builders H. Robb Ltd., Dundee, contained in a brass framed display case with engraved plaque with details, the hull stiffened for use in icy waters 79cm model length

£1,500-2,000

Note: Built at Henry Robb Shipyards and ordered by The Currie Line, the Gothland weighed 1286 tons, and was launched in March 1932. With a length of 250 feet, the ship was primarily used on the Leith to Hamburg route in peacetime. In 1940 she was taken over by the Ministry of Defence. SS Gothland was in convoy rescue service sailing with 41 convoys and rescued 149 seamen. This service came about when it was noticed no provisions had been made for the rescue of sailors from sunk or damaged ships. Cargo vessels were converted to hold around 150 people, with larger catering and storage facilities for supplies, and basic medical services along with AA guns. Although they were supplying a rescue service, they were still a target, unlike Hospital ships. Gothland was also useful in the North Atlantic as her hull had been strengthened for working in icy waters.

Before being demobilised after the end of hostilities, she came back to the yard for inspection. To the satisfaction of the owners and the firm of Henry Robb it was found that after a prolonged period of excessive strain, the hull showed no sign of any structural defects, and the worst that could be found was a few slack rivets, a real testament to the shipbuilders who built her.

The ship was sold to Claymore Shipping London in 1958 and renamed ‘Asrar’. In 1984 Henry Robb ran out of orders and closed in early 1984, ending over 600 years of shipbuilding in Leith. The land once occupied by Robb’s shipyard is now the Ocean Terminal shopping centre, home to the Royal Yacht Britannia.

These model ships and paintings form part of a collection, of which the remaining examples will be included in the Five Centuries sale on September 4th 2019. They formed an all-round display in the previous owner’s home which had a wide view over the Forth, underlining his interest in the sea, shipbuilding and ships. There is a surprising contrast between the finely detailed and accurately rendered ships models in the collection and the group of paintings

by Malcolm Cheape which are quite free in their execution. Cheape however was also keen to research his subject thoroughly, not only in the configuration of the ships but also in the accuracy of the surroundings into which they are set.

Cheape graduated from Duncan of Jordanstone College of Art, Dundee in 1987 and has worked widely in Scotland and London ever since. His subject matter is drawn almost exclusively from the sea.

His distinctive style combines paint, ink, pencil marks, paper and tape and are multi-layered pieces that are held in a number of private and public collections.

William Adam, who commissioned these works was Leith born and bred and wanted to own scale models of the ships that he knew. He met Alan Berry-Robinson in London in 2008 and commissioned a model of SS Gothland in 2009, shortly followed by SS Pharos and SS Sunniva in 2010. All were built in the builder’s-model style with gilded/silvered deck fittings on a carved timber hull, from original plans and photographs and, of course, Bill’s memory. The last commission was for MS Hubert in 2015.

Alan Berry-Robinson has been restoring and building ship models for the past 30 years for dealers, private collectors and Museums in the UK and overseas.

Scottish Applied Arts 59

198 A MODEL OF A SINGLE SCREW STEAMER SS “ST SUNNIVA II” Built by A. J. Berry Robinson for Mr W. Adams, the ship supplied to The North of Scotland & Orkney & Shetland Steam Navigation Company Ltd, builders Neil Russell and Co. Aberdeen, within a brass framed glazed display case

Note: Built by Hall Russell and Co. of Aberdeen, the St. Sunniva was named after one of the first purpose-built cruise ships which was launched in 1897. Hall Russell & Co. was founded in 1864 and closed in 1992. The firm built iron and steel ships of every kind ranging from cargo vessels to warships and fishing trawlers, making Aberdeen a name synonymous with engineering excellence around the world. Initially, the company made engines and boilers but in 1868 produced its first ship. Hall Russell & Co. Ltd was the last of the Aberdeen shipbuilders.

Model Length: 92cm

£2,500-3,500

The ST SUNNIVA II had a similar career to the GOTHLAND. Built in 1931 as a passenger vessel for the North of Scotland, Orkney & Shetland Steam Navigation Co., she was requisitioned by the Admiralty as a guard ship, and in 1940 was converted into an accommodation vessel. In September 1942 she was further converted into a Convoy Rescue Ship. After further refitting, she left Greenock on 3rd January 1943 on her first assignment and joined the New York-bound 35 ship convoy, which sailed from Liverpool on the 2nd of January. She was last sighted 21st January 1943 off Sable Island, Nova Scotia and it is believed that the ship capsized without warning due to severe icing up. No trace of the ship or her 64 crew and medical staff were ever found.

Note: PHAROS VII was in service with The Northern Lighthouse Board from launch in 1909 to 1955. Built by Wm. Beardmore & Co. Ltd Glasgow. It was broken up in Charlestown, Fife by Shipbreaking Industries Ltd. Beardmores were one of many large shipbuilders on the Clyde.

At their peak they employed around 40,000 workers. Their original industry was steel forging but in 1900 they took over Napier and sons in Govan and moved into the shipbuilding industry, however they were also known for the production of cars and motorcycles as well as a variation on the ‘London Black Taxi’

199 A CASED MODEL OF A LIGHTHOUSE AND BUOY TENDER PHAROS VII 1909 built by A. J. Berry Robinson, for Mr W. Adams, the ship supplied to The Commissioners of The Northern Lighthouse Board, in a brass framed glazed display case with engraved plaque 61cm length of model

The duties of the PHAROS VII like all others owned before and since include the delivery of stores and supplies, buoy working and the replacement ships now have the added statutory inspection of the navigation aids on oil rigs in the Scottish sector

£1,500-2,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

60 Lyon & Turnbull

200 [§] MALCOLM JOHN CHEAPE (B. 1964) PETERHEAD HARBOUR Watercolour and mixed media, inscribed to the rear; and a companion a pair (2) 43cm x 33cm

£300-500

201 [§] MALCOLM JOHN CHEAPE (B. 1964) INS276 IN PETERHEAD INNER HARBOUR Watercolour, signed to the rear 52cm x 70cm

£250-400

202 [§] MALCOLM JOHN CHEAPE (B. 1964) RANEE Gouache and mixed media, signed 49cm x 69cm

£300-500

203 [§] MALCOLM JOHN CHEAPE (B. 1964) CY341 IN HARBOUR Watercolour, signed 48cm x 66cm

£250-400

204 [§] MARK SCADDING (B. 1967) FISHING BOAT Watercolour 76cm x 55cm

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver

62 Lyon & Turnbull

Provincial Silver 206

205 ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE VARIOUS MAKERS to include a pair of teaspoons, marked HM, sporran, dog, of Old English pattern, italic GC engraved to terminal; a Fiddle pattern teaspoon, by William Young marked WY, ABD, overstriking D,A; an Old English pattern teaspoon by Peter Lambert, marked thistle, PL, thistle; together with two pairs of sugar tongs, one Glasgow, the other London (6)

214

209 ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL TONGS JOHN DUNCAN, NATHANIEL GILLET, JAMES GORDON marked JD, JD, device to one arm, JD to the other, of Fiddle and Shell pattern; Nathaniel Gillet, marked NG to each arm, shell bowls, bright cut engraving, initials to bow; and another marked IG ABD, bright cut engraving (3)

213 ABERDEEN - A PAIR OF SCOTTISH PROVINCIAL DESSERT SPOONS

JAMES BEGG marked JB, A, B, D, stylised thistle twice, of Fiddle pattern with gothic initial W to terminal (6)

14.5cm, 14.5cm, 14cm, 114g combined

JAMES BEGG marked JB, sporran, dog, of Old English pattern, initials to terminal; together with a Celtic Point dessert spoon, William Jamieson & Co., marked WJ&Co, a, ABD and another dessert spoon, William Jamieson, marked WJ, A, B, D, WJ, of Fiddle pattern, initials to terminal (4)

£90-120

16.5cm long, 110g combined

17.5cm long, 6.4oz

ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS

5oz combined

£300-500

206 ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL DESSERT SPOONS

£180-240

207 ABERDEEN - A PAIR OF DESSERT FORKS WILLIAM WHITECROSS marked W.W., A,B,D, of Fiddle pattern; together with another Emslie & Sutherland, marked E&S, ABD, of Fiddle pattern, foliate H engraved to reverse of terminal 17cm long, 144.7g

£140-180

208 ABERDEEN - A COLLECTION OF SIX SCOTTISH PROVINCIAL TEASPOONS VARIOUS MAKERS to include Alexander Mollison, marked A.M, A,B,D,; Colin Robertson, marked CR, ABD; Peter Ross, marked PR (double struck), A, B, D; James Begg, marked JB, thistle, all of Fiddle pattern, italic initials to terminal; together with a teaspoon, James Gordon, marked three towers, hand and dagger, E, of Old English pattern, crest to terminal and another, James Law, marked I.La, of Old English pattern, threaded border, initials to terminal (6)

£160-180

210

JAMES ERSKINE marked IE, ABD, of Old English pattern with crest and motto to terminal (6) 22.5cm long, 11.4oz

£180-220

211 ARBROATH - A SCOTTISH PROVINCIAL SUGAR SPOON ANDREW DAVIDSON marked AD, pot of lilies twice, portcullis, of Fiddle pattern with script initials EU to terminal 15.1cm long, 27g

£140-180

212 ABERDEEN - A SCOTTISH PROVINCIAL MINIATURE COWRIE SHELL SNUFF BOX WILLIAM JAMIESON marked WJ, ABD, the polished shell with simple flush hinged cover and engraved vacant cartouche 50mm long

£250-350

214 ABERDEEN - A SET OF TWELVE SCOTTISH PROVINCIAL TEASPOONS AND TONGS JAMES HARDY marked J.H, Glasgow 1884, A, B, D, of beaded Old English pattern with foliage initial M to terminal (13) 12cm long (teaspoons), 6.7oz (combined weight)

£160-180

215 ABERDEEN - A SCOTTISH PROVINCIAL TABLESPOON COLINE ALLAN marked CA, ABD, of Hanoverian pattern with large drop heel and engraved initials IL / IL to reverse of terminal 20cm long, 69g

£120-180

216 ABERDEEN - A SCOTTISH PROVINCIAL MARROW SCOOP JAMES GORDON marked IG, ABD, of conventional double scoop form

93g combined

21.5cm long, 1.4oz

£90-120

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 63

219

219

223

217 ABERDEEN - A SCOTTISH PROVINCIAL JAM SPOON JAMES BYERS marked J.B, thistle, three castles, of Fiddle pattern with square bowl, crest and motto engraved to terminal; together with an engraved pair of sugar tongs by James Erskine marked to each arm, hand and dagger, three castles, E (2)

224

15.5cm, 15cm long, 68g combined

£150-180

218

221

223

ABERDEEN - A PAIR OF TODDY LADLES

ABERDEEN - A SET OF FOUR SCOTTISH PROVINCIAL TABLESPOONS

ABERDEEN - A SCARCE SCOTTISH PROVINCIAL TABLESPOON

NATHANIAL GILLET marked NG, ABDN, of Old English pattern, italic GA to terminal; together with a tablespoon, Donald Fraser, Inverness, marked DF, INS, of Celtic Pointed pattern; another Aberdeen, James Gordon, marked IG., ABD, of Old English pattern; a pair of Fiddle pattern forks, Aberdeen, George Jamieson; a dessert spoon, Peter Gill, Aberdeen; another, marked AM, Gothic Q, AM, both of Fiddle pattern; a pair of tongs, Aberdeen, George Booth and an egg spoon, Aberdeen marked G.B. A,B,D,N (qty)

JAMES ROBERTSON AND ALEXANDER MOLLISON marked AM, J.R, A, B, D, AM, of Fiddle pattern with script initials DME to terminal

JAMES BEGG marked JB, thistle, three towers, of Fiddle pattern, initials engraved to terminal; together with a toddy ladle, James Gordon, marked IG, thistle, duty head, of Old English pattern (3) 15.5cm, 16.5cm long, 71.6g combined

£160-180

219 ABERDEEN - A GROUP OF FIVE SCOTTISH PROVINCIAL TODDY LADLES WILLIAM JAMIESON marked flower head, WJ, flowerhead, gothic A, thistle, A, comprising one small and one large, each of long Fiddle pattern with engraved crest and motto for Grant (5) 17.5cm and 16.5cm long, 5.2oz

£400-500

220 ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS VARIOUS MAKERS to include five of Old English pattern, William Jamieson; John Leslie; Nathaniel Gillet; James Gordon; James Erskine; together with another of Fiddle pattern, Colin Robertson (6) 63.3g combined

£90-120

21.5cm long, 19.4oz (combined)

£200-300

222 ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS VARIOUS MAKERS to include William Byers; Nathaniel Gillet; William Jamieson & Co.; unknown, three of Old English pattern, one of Celtic Point pattern; together with another teaspoon, Colin Robertson, of Fiddle pattern and a mustard spoon, James Piries, of Fiddle pattern (6) 73.g combined

£90-120

21.2cm long, 66g

£60-80

224 ABERDEEN - A PAIR OF SCOTTISH PROVINCIAL GRAVY SPOONS WILLIAM JAMIESON marked WJ, ABD, of Old English pattern with script initial JES to terminal (2) 30cm long, 6.9oz (combined)

£300-500

225 ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS VARIOUS MAKERS to include Alexander Mollison, marked A.M, A,B,D, initials to terminal, David Pirie, DP, ABD, initials to terminal and Colin Robertson, CR, ABD, all of Fiddle pattern; together with two Old English teaspoons, and one Celtic Point pattern, William Jamieson & Co. (6) 85.9g combined

£90-120

64 Lyon & Turnbull

226

231

ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS

ARBROATH - A SCOTTISH PROVINCIAL TODDY LADLE

VARIOUS MAKERS to include four of Old English pattern, James Smith; James Gordon; John Leslie and another of Fiddle pattern, unknown maker TJ, and a condiment spoon, Alex Mollison (6)

ANDREW DAVIDSON marked AD, pot of lilies, pot of lilies, portcullis, of Fiddle pattern, italic PL engraved to terminal; together with a salt ladle, Paisley, John Allen marked I.A, anchor, I.A, of Old English pattern with script initial W engraved to terminal, and a toddy ladle, J & G Heron marked I & G H, anchor, I & G H, of Old English pattern, italic M engraved to terminal (3)

87g combined

£90-120

16cm long, 32.5g

£200-300 230

227 ABERDEEN - A SCARCE SET OF SIX SCOTTISH PROVINCIAL TABLE FORKS DAVID IZAT marked DI, ABD, of Old English pattern with twin set of initials to terminal (6)

232 ARBROATH - A SCOTTISH PROVINCIAL TODDY LADLE ANDREW DAVIDSON Marked AD, pot of lilies twice, portcullis, of Fiddle pattern with script initial J to terminal 14.7cm long, 27.2g

£140-180

20.5cm long, 11.7oz

£240-360

233

228 ABERDEEN - TWO SCOTTISH PROVINCIAL SUGAR SPOONS PETER GILL marked PG, stylised plant / thistle thrice, one of Fiddle pattern, the other of Fiddle and Shell pattern, italic G engraved to terminal; together with two toddy ladles, John Robertson, marked J.R., A, B, D, both of Fiddle pattern, italic M engraved to terminal (4) 15cm, 16cm & 15.5cm long, 111g combined weight

£200-300

229 ABERDEEN - A SCOTTISH PROVINCIAL CASTER JAMES ERSKINE maker’s mark IE to body and cover, the domed bun cover with simple pierced decoration to a tapering body, short stem and domed foot

ARBROATH - A SCOTTISH PROVINCIAL TEASPOON ANDREW DAVIDSON Marked AD, pot of lilies twice, portcullis, of Fiddle pattern with script initials WCW to terminal 14cm long, 17.6g

£30-40

234 BALLATER - A SCOTTISH PROVINCIAL SOUVENIR SPOON WILLIAM ROBB marked WR, BLTR, Edinburgh 1927, with collet set citrine finial above a twisted stem, the bowl engraved BRAEMAR; together with a pair of wishbone sugar tongs, marked WR, BLTR, Edinburgh 1915, of typical form (2) 11cm, 12cm long, 31g combined

£200-300

75mm high, 51g

£400-800

235

230

BANFF - A SCOTTISH PROVINCIAL TODDY LADLE

ABERDEEN - A SCOTTISH PROVINCIAL WINE LABEL PETER GILL marked PG twice, of rounded rectangular form, chased foliate and rosehead border, inscribed RUM

JOHN KEITH marked IK, B, H, of Celtic Point pattern with script initial S to terminal 17cm long, 28.7g

£120-180

40mm across, 9.2g

228

£100-200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 65

236 BANFF - A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE To include a masking spoon by J Keith, egg spoon and teaspoon by same maker, together with teaspoon by John McQueen and David Izat (5)

239

240

72g combined

£250-350

240 237 BANFF - A SCARCE SCOTTISH PROVINCIAL COWRIE SHELL SNUFF BOX DAVID IZAT marked DI, the cowrie shell snuff box with three quarter opening flush hinged cover with finely engraved wriggle work border with standing female figure holding an anchor with script initial AB below 7.4cm long

£300-500

238 CASTLE DOUGLAS / DUMFRIES - A SCOTTISH PROVINCIAL TODDY LADLE ADAM BURGESS marked AB, ruined castle, D, anchor, of Fiddle pattern, italic K engraved to terminal

CUPAR - A SCOTTISH PROVINCIAL TODDY LADLE ROBERT ROBERTSON marked, R, fleur de lys, thistle, R, of Fiddle pattern 15cm long, 35.5g

£250-350

241 DINGWALL (?) - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS marked AR to each arm, of Old English pattern with bright cut engraved borders and shell bowls; together with an Old English pattern teaspoon by the same maker marked AR, sunburst (2) 14cm, 14cm long, 58g combined

£200-300

16cm long, 32.6g

£200-300

242

239

DUMFRIES - A SCOTTISH PROVINCIAL TEASPOON

CASTLE DOUGLAS / DUMFRIES - A PAIR OF SCOTTISH PROVINCIAL TEASPOONS ADAM BURGESS marked AB, ruined castle, thistle, gothic D, tree, of Fiddle pattern with foliate script initial M to terminal (2) 14cm long, 1.2oz

HENRY MOUNCIE marked K, unicorn, anchor, HM, of Fiddle pattern with script initials, together with a single struck Queen’s pattern tea spoon marked EW, star, thistle, star (2) 13.5cm, 14cm, long, 27.2g combined weight

£150-180

£200-300

237

238

66 Lyon & Turnbull

251 251

243

247

DUMFRIES - A PAIR OF SUGAR TONGS

DUNDEE - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS

DAVID GRAY marked DG, anchor, G, unicorn, of Fiddle pattern 15.5cm long, 47g

£120-180

WILLIAM SCOTT marked WS, pot of lilies, each of curved rectangular form with flat chased scroll and ribbed decoration, with original steel hinged fastenings

WILLIAM SCOTT marked WS, pot of lilies to each arm, of Old English pattern with feather edged decoration, scalloped bowls, engraved script initial to bowl

7cm wide, combined weight 3.3oz

14cm long, 50.3g

DUNDEE - A RARE SCOTTISH PROVINCIAL SNUFF BOX

244

£80-120

DUMFRIES - A SCOTTISH PROVINCIAL TODDY LADLE

248

DAVID GRAY marked K, unicorn, anchor, DG, of Old English pattern, engraved initials to terminal; together with another toddy ladle, Greenock, J & G Heron, marked I&GH, I&GH, of Fiddle pattern, engraved initials to terminal and an Irish dessert spoon, Richard Sawyer, Dublin 1809, of Fiddle pattern, engraved initials to terminal (3)

DUNDEE - A SCARCE PAIR OF SCOTTISH PROVINCIAL SHOW BUCKLES

£400-600

252

JOHN STEVEN marked IS, script M, pot of lilies, S, of simple oval form with recessed rim, the hinged cover set with polished panel of mother of pearl

DUNDEE - A SCOTTISH PROVINCIAL DESSERT SPOON WILLIAM SCOTT marked WS, pot of lilies, WS, M, of Old English pattern with script initial B to terminal

65mm wide

18cm long, 34.5g

253

£80-120

DUNDEE - A SCOTTISH PROVINCIAL TABLESPOON

14.5cm, 14.5cm, 18cm long, 2.6oz (combined)

£150-250

249

£600-800

EDWARD LIVINGSTONE marked EL, heart, D, crowned heart, of Celtic Point pattern with engraved crest and motto to terminal

245

249

23cm long, 68g

A GROUP OF SCOTTISH PROVINCIAL SUGAR TONGS

DUNDEE - A SET OF SIX SCOTTISH PROVINCIAL DESSERT SPOONS

£60-80

to include a Fiddle pattern pair by D Gray of Dumfries, a Fiddle pattern pair by A McLeod of Inverness and an engraved Old English pair by W Simpson of Banff (3)

JAMES DOUGLAS maker DOUGLAS, crowned heart, crowned heart, small heart, ID, of Celtic Point pattern with foliage initials M L to terminal (6)

£200-300

18.5cm long, 7.1oz

£240-280

254

246 DUNDEE - A SCOTTISH PROVINCIAL AGATE SET SNUFF BOX WILLIAM LEIGHTON marked WL twice, of rectangular form, engraved scroll and floral decoration throughout, gothic J A underneath thumbpiece

250

254

DUNDEE - A SCOTTISH PROVINCIAL WINE FUNNEL STAND

DUNDEE - A SET OF SIX SCOTTISH PROVINCIAL TEASPOONS

EDWARD LIVINGSTONE marked EL, pot of lilies, m, of plain circular form, raised centre

55mm wide

10cm across, 45g

£300-500

£300-500

EDWARD LIVINGSTONE marked EL, pot of lilies, of Celtic Point pattern with bright cut borders and script initials S to terminal (6) 13cm long, 67.5g

£160-180 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 67

255 DUNDEE - A SOUP LADLE ALEX CAMERON marked CAM/ERON, C, thistle, pot of lilies, DUN/DEE, of Fiddle pattern, italic J engraved to terminal 35cm long, 6.8oz

£200-300

256

256

DUNDEE - A SET OF SIX SCOTTISH PROVINCIAL TODDY LADLES ALEXANDER CAMERON (PROBABLY) with deliberately removed maker’s and town mark, flanking C, thistle, pot of lilies of Fiddle pattern, with vacant terminal (6)

257

260

262

ELGIN - A SCOTTISH PROVINCIAL TEASPOON

ELGIN - A SET OF TWELVE SCOTTISH PROVINCIAL TABLESPOONS

THOMAS STEWART marked TS, ELn, of Fiddle pattern with script initials to terminal

JL (UNKNOWN) marked JL, tree and baubles thrice, of Fiddle pattern, foliate script initial B to terminal (12)

14.1cm long, 14g

22cm long, 30.4oz

FRANK R. EDWARD, JEWELLER, DUNDEE the leather and cloth-bound card page album filled with a variety of watercolours, drawn and photographic patterns for precious and semi-precious jewellery, also various patterns for Civic, Masonic and sporting badges and fobs, various golfing medallions noted, approximately 46 pages illustrated

£80-120

£800-1,200

261

263

ELGIN - A SCOTTISH PROVINCIAL DESSERT SPOON

ELGIN - A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE

WILLIAM FERGUSON marked WF, ELn, thistle, of Fiddle pattern, foliate M to terminal

£600-900

17.5cm long, 34.9g

VARIOUS MAKERS to include a Fiddle Pattern teaspoon by J. Pozzi and R. Stewart, six teaspoons by William Ferguson, marked WF, Edinburgh 1841, Elgin; together with a clan badge, maker’s mark IT (unknown) (qty)

16cm long, 6.6oz

£300-500

257 A SCARCE VICTORIAN JEWELLER’S PATTERN BOOK

£180-240

258 ELGIN - A SCOTTISH PROVINCIAL TEASPOON

5.7oz combined

£400-600

THOMAS STEWART marked TS, ELn, of Fiddle pattern with script initials JP to terminal 14cm long, 14.5g

£80-120

259 ELGIN - A SCOTTISH PROVINCIAL TEASPOON CHARLES FOWLER marked CF, ELN, St. Giles, of Fiddle pattern with foliage initials WED to terminal 13.6cm long, 16.8g

£180-240

257

68 Lyon & Turnbull

268

264

265

267

ELGIN - A GROUP OF THREE SCOTTISH PROVINCIAL TODDY LADLES

ELGIN - A SET OF FOUR DESSERT SPOONS

GLASGOW - TWO SCOTTISH PROVINCIAL TEASPOONS

JOHN SELLAR marked, JS, tree and baubles thrice, of Fiddle pattern; Thomas Stewart, marked TS, ELn, of Old English pattern, oval bowl with vacant terminal; William Ferguson, marked WF, ELGIN, of Fiddle pattern, oval bowl, script initial P engraved to terminal (3)

CHARLES FOWLER marked CF, ELGIN, C*, of Pointed Old English pattern, italic MM engraved to terminal

ADAM GRAHAM maker’s mark only, each of Scots Fiddle pattern with engraved initial ‘TW’ and ‘HM’ to terminals (2)

15cm long, 98.16g combined weight

£300-500

17.5cm long, 3.3oz Note: Charles Fowler’s work in Elgin is often denoted by fine quality, even in the smallest of items. While his hand is seen in various larger items including mugs and quaichs, his work is predominantly flatware.

He is unique in Elgin as he seems to have adopted an unofficial date letter system using not only the C and F of his makers punch struck to replicate a date letter (as seen here), but also had a variety of other punches from A - H. Whether this had any direct correlation with the date letter cycle in Edinburgh at the time is unknown but seems unlikely. It does however show an understanding of the regulations and practices and a local maker’s attempt to work ‘within’ them.

£350-450

£120-180

268Y GLASGOW - A SCOTTISH PROVINCIAL THREE PIECE TEA SERVICE JAMES MCEWAN marked JMcE, town mark, S, comprising teapot, sugar basin and milk jug, all of oval baluster form, lipped rim, crest and motto engraved to body, leaf clasped C scroll handle, the hinged lid to teapot with domed finial, all raised on a stepped spreading foot (3) 18cm height of teapot, 34.22oz combined

£1,800-2,500 264

266 ELLON (POSSIBLY) - A SCOTTISH PROVINCIAL TODDY LADLE JOHN MACKIE marked JM, JM, EL, of Fiddle pattern, italic WR engraved to terminal 15.5cm long, 30g

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 69

269

271

GLASGOW - A SCOTTISH PROVINCIAL MARROW SCOOP

GLASGOW - A RARE SCOTTISH PROVINCIAL TABLESPOON

JAMES GLEN marked IG, two indistinct marks, of conventional double scoop form with engraved initials to reverse of bowl

BY TB (MAKER UNRECORDED) marked TB, Glasgow town mark, O, of early Old English pattern with script initial R to terminal

22.5cm long, 56g

21.5cm long, 56.8g

£300-500

Note: This previously unrecorded Glasgow maker’s mark appears to date to the middle of the 18th century and bears the pseudo date letter O which is most commonly associated with the period 1757 - 1780. The initials could relate to either Thomas Barr or Thomas Bisbrown but both these men are only recorded as Journeymen so would not have had their own mark. The only Freeman of Glasgow whose initials fit are those of Thomas Brydson who was made free in 1779 and only worked for four years.

While it is a tentative attribution, Brydson seems the most likely maker of this piece.

270 GLASGOW - A SCOTTISH PROVINCIAL TABLESPOON ADAM GRAHAM marked AG, town mark, AG, town mark,, of Old English pattern with script initials to terminal 22cm long, 78g

£150-180

273

£300-500

271

272 GLASGOW - A SCOTTISH PROVINCIAL TEAPOT STAND ROBERT GRAY marked RG, town mark, RG, town mark, of moulded oval form, raised border with fine bright cut engraving, raised on four claw and ball feet 16.5cm, 5.3oz

£400-600

273 GLASGOW - A SCOTTISH PROVINCIAL MUG ADAM GRAHAM marked AG, town mark, AG, of bold baluster form with everted rim with original engraved initials D / KC, the body raised on a stepped foot, with large acanthus capped S scroll handle 8.8cm high, 6.3oz

272

Note: The handle to this mug is very recognisable as a Glasgow style. While it is not unique to Glasgow it must be considered a Glasgow fashion and would for example be considered very rare if encountered in Edinburgh.

£800-1,200

70 Lyon & Turnbull

275

274

276

278

GLASGOW - A SCOTTISH PROVINCIAL BULLET TEAPOT

GLASGOW - A SCARCE SCOTTISH PROVINCIAL KETTLE STAND

GLASGOW - A SCOTTISH PROVINCIAL TABLESPOON

JAMES GLEN, GLASGOW 1743 of conventional bullet form with flat chased border of acanthus leaves and foliage, the cover with ball finial and similar decoration, leaf clasped spout, C scroll handle, raised on a stepped domed foot

MILNE & CAMPBELL marked M&C, town mark, O, of moulded triangular form, gadrooned border with cast floral details, raised on three hoof feet

MILNE & CAMPBELL marked M&C, Glasgow town mark, O, of Hanoverian pattern with script initial H and numbered 6 to terminal

19cm wide

21cm long, 71.8g

£1,000-1,500

£120-180

£2,500-3,500

277

279

275

GLASGOW - A RARE SCOTTISH PROVINCIAL HARDSTONE MOUNTED SNUFF BOX

GLASGOW - A SCOTTISH PROVINCIAL TABLESPOON

13.5cm high, 23.2oz

GLASGOW - A SCOTTISH PROVINCIAL COFFEE POT JAMES GLEN marked to base IG, S, IG, town mark, of slight baluster form, with chased shell and scroll borders, with slender spout, with fluted decoration, chased hinge cover and S scroll handle 25.5cm high, 31oz

JOHNANN GOTLEIFF BILSINDS makers mark only, the octagonal box with polished agate hinged cover, with straight sides and shaped thumbpiece, the base central set with a circular slightly domed panel of moss agate

ADAM GRAHAM marked AG, town mark, AG, townmark, of large Hanoverian pattern with engraved initial A above crest and motto for McLeod 21cm long, 76.2g

£100-200

6cm wide

280

£600-800

THE CITY OF GLASGOW BANK ONE POUND NOTE

£3,000-5,000

dated 11th November 1868, with two hand signed signatures, laid down on board, later framed Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£300-500

Scottish Silver 71

281

286

GREENOCK - TWO SCOTTISH PROVINCIAL TODDY LADLES

GREENOCK - A SET OF TEN SCOTTISH PROVINCIAL TEASPOONS

ALEX CAMPBELL & THOMAS DAVIE marked AC, oak tree, anchor; marked TD, anchor, O, oak tree, both of Old English pattern, italic initials engraved to terminal; together with another, John Heron marked JH (in script), anchor, G, oak tree, of Fiddle pattern with vacant terminal, the other, William Clarke, marked WC, anchor, oak tree, part twisted stem with ball finial and deep circular bowl (4) 16cm long, 127g

£300-500

JOHN ORR marked JO, oak tree, anchor, of Celtic Point pattern with script initial M and numbered (10) 14.5cm long, 4oz

£280-320

287 GREENOCK - A SCOTTISH PROVINCIAL DESSERT SPOON ALEXANDER CAMPBELL marked I, thistle, device, AC, of Old English pattern with script initial W to terminal

282 GREENOCK - A PAIR OF SCOTTISH PROVINCIAL TONGS

17.9cm long, 31.8g

marked anchor, oak tree, anchor, of Fiddle and shell pattern, shell bowls; together with a collection of teaspoons, Edinburgh, various dates and makers (qty) 16.5cm long, 18.2oz (combined)

£200-300

283 GREENOCK - A SCOTTISH PROVINCIAL TABLESPOON THOMAS DAVIE marked TD, anchor, C, oak tree, of Celtic Point pattern with wide terminal, engraved with large initial E

£80-120

288 INVERNESS - THREE SCOTTISH PROVINCIAL TODDY LADLES JOHN MCRAE & ROBERT NAUGHTON marked JMcR, INS, bird, thistle, of Fiddle pattern, italic JAL engraved to terminal; another marked JMcR, INS, thistle, initials engraved to terminal; Robert Naughton marked RN, cornucopia, thistle, both of Fiddle pattern 112g combined

£200-300

23.5cm long, 65.8g

£150-180

289

284

INVERNESS - A SCOTTISH PROVINCIAL WINE FUNNEL

294

291 INVERNESS- A SET OF FOUR SINGLE STRUCK SCOTTISH PROVINCIAL TABLESPOONS ROBERT NAUGHTON marked RN, cornucopia, thistle, of King’s pattern; together with a set of five tablespoons, Inverness, Donald Fraser, marked DF, INS, of Pointed Old English pattern (9) 23cm, 21.5cm long, 16.3oz (combined)

£250-350

292 INVERNESS - A SCOTTISH PROVINCIAL CLAN BADGE P G WILSON, INVERNESS CUIDCIH IN RHI embossed in a rope twist belt border, applied cast stag to centre; together with another cap badge, unmarked, ALWAYS FAITHFUL embossed to border and a penannular brooch (3) 48mm, 45mm, 42mm across

£200-300

JAMES HERON marked JH (in script), anchor, oak tree, of Fiddle pattern with crest to terminal (6)

ROBERT NAUGHTON marked RN, thistle, thistle, RN, cornucopia, of conventional form, gadrooned rim, plain body and spout, threaded bands

14.5cm long, 3.7oz

12.8cm high, 106g

£140-180

£250-400

ALEXANDER MCLEOD marked AML, INS, device, thistle, of Fiddle pattern with twin initials to terminal

290

23cm long

INVERNESS - A SET OF EIGHT SCOTTISH PROVINCIAL TEASPOONS

£80-120

GREENOCK - A SET OF SIX SCOTTISH PROVINCIAL TEASPOONS

285

285

GREENOCK- A SCARCE SCOTTISH PROVINCIAL TODDY LADLE JOHN SUMMERS marked S.S, A, heart-shaped punch twice, of Fiddle pattern with script initial B to terminal 16.5cm long, 35.8g

£150-250

CHARLES JAMIESON marked CJ, J, of Old English pattern with script initials JC / MG (8) 13.5cm long, 3.7oz

£120-150

293 INVERNESS - A SCOTTISH PROVINCIAL TABLESPOON

294 INVERNESS - A SCARCE SCOTTISH PROVINCIAL COWRIE SHELL SNUFF BOX JAMES ANDERSON marked IA, S, S, INS, the polished cowrie shell mounted with flush hinged cover with fine borders and foliate initials 8cm long

£600-800

72 Lyon & Turnbull

295

295

298

301

INVERNESS - A SCOTTISH PROVINCIAL SGIAN DUBH

INVERNESS - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS

IONA - A SCOTTISH PROVINCIAL COMPACT MIRROR

FERGUSON AND MACBEAN signed to blade FERGUSON & MACBEAN / INVERNESS, the carved black wood handle with basket weave decoration and applied silver studs, claw set citrine / cairngorm to pommel, the scalloped back edge blade with single fuller, the leather covered scabbard with finely foliate engraved mount

ALEXANDER STEWART marked AS to each arm, of Old English pattern, circular bowls, foliate AR to bow 15cm long, 46.9g

ALEXANDER RITCHIE Chester 1914, of circular form, the hinged lid with Celtic border and nautical scene, mirror to inside of lid

£120-180

52mm across, 23.3g

19.3cm long overall

£250-350

296 INVERNESS - A SCOTTISH PROVINCIAL SPORRAN FERGUSON & MACBEAN the cantle marked F&M, camel, INVS, of canted angular form, heavily decorated with Celtic scrolls, stag to front, leather body with five plaited leather tassels 15.5cm width of cantle, 23cm long overall

£800-1,200

297

£300-500

299 INVERNESS - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS CHARLES JAMIESON marked CJ, J to either arm, bright-cut engraved decoration throughout, italic D to bow 15.5cm, 38.1g

£50-100

302 IONA - A SET OF EIGHT SCOTTISH PROVINCIAL COFFEE SPOONS ALEXANDER RITCHIE marked AR, IONA, Birmingham 1936, of traditional Iona Nunnery spoon pattern in original cardboard box 7.7cm long, 1.6oz

£200-300

300 A COLLECTION OF CELTIC JEWELLERY ALEXANDER RITCHIE to include various annular and penannular brooches and various Celtic knotwork examples (10) £400-600

INVERNESS - A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS

303 IONA - A PAIR OF CLOAK FASTENERS ALEXANDER RITCHIE marked AR/ IONA, Glasgow 1908, each of circular form, cast with Celtic knotwork, with chain suspension 52mm across, 44.8g combined

£300-500

VARIOUS MAKERS to include Donald Fraser, marked D.F/INS, of Fiddle pattern, foliate M engraved to terminal; Charles Jamieson, marked CJ, J of Celtic Point pattern, with foliate LE engraved to terminal; two by Alexander Stewart, marked A.S, C, of Old English pattern, J engraved to terminal; Jamieson & Naughton, marked J&N, INS, cornucopia, of Fiddle pattern, JC engraved to terminal and Donald Fraser, marked DF, INS, of Fiddle pattern, AJC to terminal (6)

304 IONA - A SCOTTISH BRASS PICTURE FRAME ALEXANDER RITCHIE (ATTRIBUTED) of rectangular outline, with Celtic knotwork border and bosses, galleon to upper edge 34cm x 28cm external

£300-500

105.8g combined

305

£200-300

A SCOTTISH PROVINCIAL SNUFF MULL LIKELY HIGHLANDS, CIRCA 1720 indistinctly marked to interior of base and cover, of straight sided, curved rectangular form with sprung hinged cover 305

50mm high, 2.7oz

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 73

306

311

A SCOTTISH PROVINCIAL MAZER

PAISLEY - A COLLECTION OF FLATWARE

J CAMERON, KILMARNOCK of circular form, carved mahogany body, silver plated borders, raised on three ball feet, imprint Burns to bowl, marked J Cameron Kilmarnock to the base

VARIOUS MAKERS to include a pair of sugar tongs, William Hannay, of shell and thread pattern and two teaspoons; a teaspoon, I&G Heron and another Lindsay Luke (qty)

21cm across

97.4g combined

£250-400

£200-300

312 PERTH - A GROUP OF SCOTTISH PROVINCIAL FLATWARE

307

307 MONTROSE - A SCOTTISH PROVINCIAL DESSERT SPOON JAMES STURROCK marked thistle, JS, rose, of Old English pattern with script initials JA to terminal 17.7cm long, 29.7g

£140-180

308 MONTROSE - A SCOTTISH PROVINCIAL TODDY LADLE JOHN GLENNY marked IG, hammer IG in script, rose head, IG, of Fiddle pattern with vacant terminal 15.5cm long, 25.6g

£140-180

309 OBAN - A SCOTTISH PROVINCIAL COFFEE SPOON ROBERT LINDSAY marked Sheffield 1927, RL, R.LINDSAY, OBAN, with Celtic cross finial and simple stem 12cm long, 12.9g

£80-120

310 PAISLEY - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS WILLIAM HANNAH marked WH, rat, WH, of Old English pattern with simple threaded border and shell bowls 14.5cm long, 32.2g

£200-300

to include a pair of toddy ladles by R Keay I, a table spoon by J Cornfute and a pair of sugar tongs by C Murray (4) 5oz combined

£80-120

313 PERTH - A PAIR OF SCOTTISH PROVINCIAL TODDY LADLES marked RK, thistle, George III duty head, of Celtic point pattern, engraved initials to terminal; together with a teaspoon marked J.S. eagle, J.S., of Fiddle pattern, engraved initials to terminal (3)

317

315 PERTH - A PAIR OF SCOTTISH PROVINCIAL TODDY LADLES WILLIAM RITCHIE Marked WR, eagle, one with 3 the other with 11, of Fiddle pattern with script initial M to terminal (2) 14.2cm long, 51.9g

£100-200

15.5cm long

£150-180 315

314 PERTH - A SCARCE SCOTTISH PROVINCIAL TABLESPOON J & F BROWN marked IB, armorial, FM, of slender Hanoverian pattern with initials M / WM / AM engraved to terminal and elongated rat tail to bowl (2) 20.7cm long, 3.4oz Note: The working careers of John and his son Francis Brown are somewhat confused. Although recorded in Perth as early as 1724 they appear to have worked in Edinburgh and possibly Elgin as well. No marks have been confidently ascribed to either of these periods and all their work is tied to Perth.

The marks they used fall into three groups (all with the very recognisable IB and FB maker’s marks), with PERTH in full, a large Fleur de Lys, as seen on this spoon, what appears to be an armorial bearing.

The use of the armorial punch has not been explained and the use is certainly their rarest. Its large size means that when encountered it is often poorly struck leaving details hard to ascertain.

For another example of this mark see Scottish Silver & Applied Arts, Lyon & Turnbull, 16th August 2017 lot 322.

£120-180

316 PERTH - A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS ROBERT KEAY, JAMES STOBBIE marked RK, double-headed eagle, RK, doubleheaded eagle, of Fiddle and Shell pattern, italic WM to terminal; another, marked RK, doubleheaded eagle, RK; James Stobie, marked JS/ JS, double-headed eagle, thistle, S, JS/JS, of Fiddle pattern, foliate M to terminal; together with two Montrose teaspoons, John Glennie, marked IG, rose, IG, rose, of Fiddle pattern and Benjamin Lumsden, marked BL, rose, of Old English pattern (qty) 75g combined

£200-300

317 PERTH - A PAIR OF SCOTTISH PROVINCIAL COMMUNION CUPS ROBERT & ROBERT KEAY OF PERTH marked eagle, R&RK, eagle, R&RK, of vase form, engraved to rim, ‘For the Church of St. Madois 1836’, beaded rim 22cm high, 22oz

£2,000-3,000

74 Lyon & Turnbull

321 321

318 PERTH - A SCOTTISH PROVINCIAL DESSERT SPOON DANIEL MCLEAN Marked DMcL, device, eagle, device, eagle, of Fiddle and Shell pattern with crest and initials to terminal

PERTH - A FINE SCOTTISH LATE 19TH CENTURY PROVINCIAL PRESENTATION CASKET DAVID MACGREGOR inscribed ‘Designed and wrought by David MacGregor, Perth’, the rectangular oak casket with applied silver panels and borders each profusely pierced and engraved with acanthus border and fine foliate and scroll interlace panels, the front panel with full armorial, the cover with cast heraldic eagle, the presentation panel inscribed ‘Presented to The Honourable The Master of Strathallan by Tenants on Strathallan Estate on occasion of celebrating his coming of age 29th December 1892’ 29cm wide

£1,000-1,500

17.5cm long, 35.3g

£80-120

319 PERTH - A SCOTTISH PROVINCIAL WINE FUNNEL ROBERT KEAY marked RK, eagle, RK, of conventional form, with curved spout and reeded rim 16cm high, 155g

£1,200-1,800

320 PERTH - A SCOTTISH PROVINCIAL VINAIGRETTE JOHN SCOTT marked SCOTT, Q, thistle eagle, of rectangular form, the lid with cast floral border and leaf engraving, italic MH engraved to centre 4.1cm wide, 18.6g

£400-600

322 PETERHEAD - A SCOTTISH PROVINCIAL TODDY LADLE WILLIAM SMITH marked WS, PHd, anchor, of Fiddle pattern, engraved S to terminal 15cm long, 28g

£600-800

323 PETERHEAD - A SCOTTISH PROVINCIAL WINE LABEL WILLIAM S. FERGUSON marked WF, PHD, of canted rectangular form, reeded border, engraved and enamel for GLENTRODLIE 6.1cm long, 9.9g Note: Possibly related to the small village of Cairntrodlie in Peterhead parish.

£300-400 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

322

Scottish Silver 75

327 TAIN - A SET OF EIGHT SCOTTISH PROVINCIAL TABLESPOONS 324

324 ST. ANDREWS (POSSIBLY) - A SCOTTISH PROVINCIAL TEASPOON MAKERS HW AND THOMAS LINDSAY (POSSIBLY) marked H.W, St. Andrews on cross, anchor, TL, of Fiddle pattern with script initials JM to terminal

HUGH ROSS marked HR (conjoined in shaped punch), St Duthac flanked by S D, script A, various pseudo date letters, of Hanoverian pattern, gothic A engraved to terminal 21cm long, 14.9oz

£4,000-6,000

£60-80

3.3oz combined

£200-300

JOHN SELLAR marked JS, WICK, JS, JS, of Fiddle pattern with gothic initial C to terminal

STONEHAVEN - A MATCHED SET OF SIX COFFEE SPOONS

10.5cm long

£500-800

331

331 WICK - A SCOTTISH PROVINCIAL TABLESPOON

325

FOUR BY J. ROBB OF STONEHAVEN marked ROBB / STONEHAVEN, two by C T Burrows & Sons, Birmingham 1923, each with collet set citrine to finial (one lacking), straight stem, small bowl, in fitted box for James Robb...

Stonehaven

JOHN SELLAR marked JS, WICK, of Fiddle pattern, italic Q engraved to terminal £500-800

VARIOUS MAKERS to include seven Scottish Fiddle pattern teaspoons and various small condiment spoons (qty) 325

WICK - A SCOTTISH PROVINCIAL TODDY LADLE

17cm long, 35g

328 A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE

14cm long, 16.2g

330

330

23cm long, 75.3g

329

329

WICK - A SCOTTISH PROVINCIAL TODDY LADLE JOHN SELLAR marked JS, WICK, JS, of Fiddle pattern, italic JML engraved to terminal 15cm long, 28.3g

£500-800

£550-650

332 JAMAICA - A SCARCE BALUSTER CREAM JUG ANTHONY DANVERS marked AD, crocodile head, of plain baluster form with three trefoil hoof feet, leaf-clasped S scroll handle 17cm high, 5.5oz

326

£2,000-3,000

326 TAIN - A RARE SCOTTISH PROVINCIAL TABLESPOON HUGH ROSS marked HR (conjoined in shaped punch), St Duthac flanked by S D, Script P twice, of Hanoverian pattern with original script initial ‘DMK / HMcC’ 21.4cm long, 65.3g

£600-800

327

76 Lyon & Turnbull

Hallmarked Silver

333

333

334

A MODERN CASED SET OF TRAPRAIN MINIATURE TRIANGULAR SALTS AND SPOONS

A MATCHED THREE PIECE TEA SERVICE

HAMILTON & INCHES, EDINBURGH 2007 comprising six miniature triangular salts and matching spoons in fitted velvet lined case

EDITH CAROLYN HERRIES, EDINBURGH 1967, 1963 comprising a teapot, milk jug and sugar basin, all of circular form, the teapot with loop handle, pull-off lid, with circular finial, the milk jug with beak spout, the sugar basin with a planished finish (3)

Salts 7.5cm wide, spoon 8cm long 13.8oz

15cm high, 33.3oz (all in)

Note: Perhaps the most iconic pieces copied within the Traprain Treasure, these Roman reproduction salts have been made since the discovery in 1919 to date. Their production has carried forward from the originals by Brook & Sons to Hamilton & Inches and are made virtually in the same pattern and way to this day.

Note: Edith Carolyn Herries only ever had nine pieces assayed at Edinburgh Assay office, eight in 1963 and one in 1967.

£300-500

£400-600

335 A MODERN QUAICH THOMAS KERR EBBUTT, EDINBURGH 1979 of traditional form, Celtic style border, the lugs with pierced Celtic beasts, the pull-off lid with pierced and engraved decoration and a raised set amethyst 31.5cm wide across lugs, 30oz (all in)

£400-600

335

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 77

337

336

337

338

A MODERN CADDY SPOON

A SIX PIECE NOVELTY SCOTTISH THISTLE CRUET SET

A MODERN TWIN HANDLED TROPHY

EDITH CAROLYN HERRIES, EDINBURGH 1962 the wide bowl of double spouted form; together with another long spoon 1962 and a page turner, Jamieson & Carry, Edinburgh 2002, with claw set amethyst terminal (3) 16.5cm, 32cm, 32cm long, 6.8oz (all in)

£200-300

HAMILTON & INCHES, EDINBURGH 1935 comprising large sugar caster, covered mustard pot and spoon, pair of pepperettes and pair of open salts with matching spoons and blue glass liners, each finely chased in the form of a thistle head and raised on thistle leaf foot, the spoon with thistle head terminals (9)

HAMILTON & INCHES, EDINBURGH 1931 of traditional squat form, S scroll handles, presentation engraving to body ‘SWANFIELD CUP/ presented by / John Wilson... SHEEP DOG TRIALS / 1935, raised on a spreading domed foot 14cm high, 8.9oz

£180-250

Sugar caster 11cm high, 5.6oz

£800-1,200

339 A COLLECTION OF ITEMS RELATED TO THE LEITH TOWN HALL LIBRARY 20TH CENTURY to include a presentation trowel for the laying of the foundation stone 1929, Birmingham 1929; a matching presentation Mason’s mallet and a leather bound visitor book containing numerous signatures including that of Sir Harry Lauder with a caricature (3)

339

Note: Leith Town Hall and Library is a B-listed complex of three buildings situated on Ferry Road in North Leith. The building, made from sandstone ashlar (highly characteristic of Edinburgh) was designed by architects Bradshaw, Gass and Hope in an interwar classical style. The structure has a socially historical significance attached to it.

This complex was gifted to the Burgh of Leith

by Edinburgh council following the merger of Leith into Edinburgh on 10th October 1920. The significance of these ceremonial pieces date back to when the work on the building first started, when the Lord Provost of the time, Sir Alexander Stevenson, laid the foundation stone on 11th October 1929. The laying of the foundation stone by the Lord Provost of Edinburgh was highly symbolic as it represented a union between Leith and Edinburgh, which had been notoriously divided for many years.

£500-800

78 Lyon & Turnbull

343

340

341

344

A PRESENTATION FLAT IRON

A RARE NOVELTY FIGURATIVE PEPPER

A MODERN BOWL

EDINBURGH 1927 of traditional form, the upper side engraved with armorial surrounded by the Craigmillar Steam Laundry Company Ltd., the flat with presentation inscription to the Right Hon. Sir Alexander Stevenson, Lord Provost of Edinburgh

WILLIAM HAMILTON & SON, EDINBURGH 1926 finely cast and modelled as Newhaven Fishwife with crossed arms, pierced head and screw-off base, raised on a naturalistic base

HAMILTON & INCHES, EDINBURGH 1911 of vase form, scalloped rim with gadroon border; together with a tea strainer and stand retailed by Edward & Sons, Glasgow and another strainer stand (3)

10.1cm high, 146.2g

95mm high, 8.5oz (combined)

£600-800

£100-150

342

345

A MODERN CIGARETTE CASE

A PAIR OF MODERN SILVER GILT SALTS

HAMILTON & INCHES, EDINBURGH 1913 of rounded square form, all over engine turned detail, italic initial JM to centre, gilt interior

R & W SORLEY, GLASGOW 1908 each of octagonal baluster form, inverted corners, deep bowl

88mm across, 121g

50mm high, 10.3oz

£100-150

£150-180

343

346

GLASGOW - A SILVER GILT FREEDOM PRESENTATION CASKET

A PAIR OF SWEETMEAT BASKETS

8.5cm long, 22oz

£200-300

ALEXANDER DUNCAN, GLASGOW 1912 of rectangular form, with chased scenes of Glasgow landmarks to sides; floral and classical scrolls to hinged cover, Glasgow crest finial, raised on an outswept floral garland base with bracket feet, silk-lined interior with Burgess roll for Glasgow since 1800, and vellum presentation certificate awarded Robert Graham 28cm wide

£800-1,200

HAMILTON & INCHES, EDINBURGH 1905 each of oval pierced form, embossed and reticulated decoration with beaded border 21cm wide, 9oz combined

£150-250

347 A VICTORIAN SET OF FOUR HERALDIC MENU HOLDERS WILSON & SHARP, EDINBURGH 1899 each depicting a three-masted Galleon on rough sea set upon a torse (4) 6.2cm x 5.1 x 4.6cm, 22.0g

341

£150-250

Scottish Silver 79

348 A LATE VICTORIAN SUGAR BASIN MACKAY & CHISHOLM, EDINBURGH 1896 of circular form, everted scalloped rim, raised on three cast mask and paw feet 11cm across, 5.8oz

£250-350

349 A VICTORIAN SCOTTISH SAUCE BOAT MACKAY AND CHISHOLM, EDINBURGH 1895 scrolling beaded border, threaded and beaded scroll handle, bulbous body to an oval foot 21.5cm long, 11.1oz

345

352

£400-600

A VICTORIAN SILVER BARREL-FORM MUG

350

MACKAY & CHISHOLM, EDINBURGH 1868 the tapered body with engraved barrel staves, with angular scroll handle

A SCOTTISH FORK UNMARKED the twisted baleen handle with simple cap finial, set with a two-prong fork 33.5cm long

6.5cm high, 4oz Provenance: Private collection of G. S. May Esquire

£180-220

£200-300

353 351

A SET OF FIVE VICTORIAN TABLE FORKS

A PAIR OF LATE VICTORIAN MENU HOLDERS

7.2cm, 7.4cm across, 58.7g

W.A., GLASGOW 1857 of single struck Queen’s pattern, gothic L to terminal; together with a pair of dessert spoons, RAIT, Glasgow of single struck Queen’s pattern; two table forks, Glasgow of Fiddle and thread pattern, crest to terminal; a pair of sugar tongs; a fruit knife and a collection of teaspoons, various makers and patterns (qty)

£200-300

21.5cm long, 31oz (combined)

HAMILTON & INCHES, EDINBURGH 1894 one modelled as a classical bear hunt scene, the other a gladiator, the lion devouring a gladiator, both of open design, hinged loop stand

352

£300-500

351A A PAIR OF VICTORIAN PEPPER POTS POSSIBLY ROBERT & GEORGE DRUMMOND, GLASGOW 1879 each of egg form, filled lower halves, all over embossed and chased floral and foliate decoration Height: 6.5cm Provenance: Private collection of G. S. May Esquire

£180-250

354 A VICTORIAN BASKET HILTED SWORD LETTER OPENER YOUNG & TATTON, EDINBURGH 1895 the long-tapered blade with double edges, to a traditional formed basket hilt with pierced and engraved decoration, with red lining and ebony handle 30cm long

£250-350

354

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

80 Lyon & Turnbull

355

356

359

A VICTORIAN SCOTTISH CASTLETOP CARD CASE

AN EARLY VICTORIAN VINAIGRETTE

A VICTORIAN COFFEE POT

PETER SUTHERLAND, EDINBURGH 1847 of slight plain rounded form, top hinged cover engraved ‘C Short’, inner grill, base hinged to reveal compartment with sponge (2)

JOHN MCKAY, EDINBURGH 1843 of baluster form with profusely engraved and chased floral displays, scrolls and foliage, with bold S scroll handle and fluted spout

3.8cm wide, 26.9g

32cm high, 30oz

£200-300

Provenance: Private collection of G. S. May Esquire

357

£500-800

A SET OF TWELVE VICTORIAN DESSERT FORKS

360

JAMES NASMYTH & CO., EDINBURGH, CIRCA 1850 of rectangular form with hinged lid, the reverse engraved with foliate scrolls on a hatched background, shield cartouche with engraved IAN italic initials, the front of similar decoration and depiction of Loch Leven Castle in Perth & Kinross, Scotland 9.2cm long, 76.1g Note: The image was probably inspired by a contemporary engraving of Loch Levan Leven castle by A. Wilson. The print was also used on the title page of ‘Mary Queen of Scots’, or Loch Levan Leven castle, a drama founded on The Abbot.

£1,000-2,000

D C RAIT, GLASGOW, 1845 of single struck Queens pattern variant, with vacant terminal (12)

A VICTORIAN SOUP LADLE

Provenance: Private collection of G. S. May Esquire

D MCDONALD, GLASGOW 1840 of single struck Queen’s pattern variant with vacant terminals; together with a London George III soup ladle with shell bowl (date letter lacking) (2)

£150-250

35cm and 37cm long, 13oz

17.5cm long, 16oz

358 AN EARLY VICTORIAN WINE FUNNEL J MCKAY, EDINBURGH 1844 the deep bowl with slender curved spout and three staved detail, with reeded rim and engraved crest, the pull out strainer with cast acanthus leaf border, shell clip and muslin ring 14cm long, 5.20oz

£800-1,200

Provenance: Private collection of G. S. May Esquire

£150-250

361 GLASGOW - AN EARLY VICTORIAN STAVED LUGGIE PETER ARTHUR, GLASGOW 1838 composed of fine alternating feathered staves, applied silver twin shaped lugs and banding 9.7cm across lugs

£300-500

358

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 81

362 A COLLECTION OF FIDDLE PATTERN FLATWARE VARIOUS MAKERS, EDINBURGH comprising six tablespoons, crest to terminal; two matched dessert forks, foliate M to terminal of one; a tablespoon; a set of three dessert spoons and another, italic initials to terminal; a teaspoon, italic MW to terminal; a pair of sugar tongs, shell bowls and another plain pair (qty) 25.7oz combined

£200-300

361

363 A GEORGE IV MARROW SCOOP GLASGOW 1827 of double struck Fiddle thread and shell pattern, with tapered large and small scoop 24cm long, 2oz

£200-300

364 A VICTORIAN SCOTTISH TIPSTAFF 19TH CENTURY unmarked, the ebony cylindrical shaft with central ribbed mount, the end caps with cast foliate detail and engraved with VR and crown above and to base mount THIRD BAILLIE POLICE COMMISSIONER OF EDINR 13cm long

£200-300

365 A WILLIAM IV SNUFF BOX JAMES NASMYTH, EDINBURGH 1832 of rectangular outline with engine turned decoration to cover and base, with scroll thumbpiece 7.5cm wide, 2.6oz Provenance: Private collection of G. S. May Esquire

£150-250

359

82 Lyon & Turnbull

366

366

369

372

A WILLIAM IV SNUFF BOX

A GEORGE IV FISH SLICE

JAMES NASMYTH, EDINBURGH 1831 of rectangular outline with unswept sides, all over engine turned decoration with foliate thumb piece and vacant cartouche

J MCKAY, EDINBURGH 1827 of short Fiddle pattern, pierced and engraved blade, initial C to terminal; a Victorian stuffing spoon, McKay & Chisholm, Edinburgh 1860, of single struck Queen’s pattern, with script initial C; together with a set of six single struck King’s pattern variant teaspoons, Glasgow 1862 (8)

A GEORGE IV SINGLE HANDLED STRAINER

8cm wide, 3.1oz

£200-300

367

ROBERT GRAY & SONS, GLASGOW 1826 of circular outline with reeded rim and simple pierced decoration with cast and scroll single loop handle 15.5cm long, 3.2oz

£200-300

13oz (all in)

373

EDINBURGH 1829 of double struck Queen’s pattern, italic initials EMF to terminal, the pierced blade with threaded detail

£300-500

A GEORGE IV SCOTTISH TIPSTAFF

33cm long, 6.3oz

ROBERT GRAY AND SONS, GLASGOW 1827 of Fiddle and Thread pattern, pierced detail to edge of blade, crest to terminal; together with another John, Henry & Charles Lias, London, of Fiddle pattern, pierced foliate blade (2)

A LATE GEORGE IV FISH SLICE

£200-300

368 A GEORGE IV PUNCH LADLE GLASGOW 1828 maker’s mark A.S., the bowl of oval form, slightly everted moulded rim, straight socket to part twisted baleen handle 35cm long

£150-250

370 A GEORGE IV FISH SLICE

CIRCA 1827 unmarked, the cylindrical ebony shag with simple capped mounts, the top mount with GR 4th with crown above and City of Edinburgh 1827, the base mount inscribed L Sutherland with Inspector of the Fish & Flesh Market 12.7cm long

£200-300

30cm, 32cm long, 10.5oz combined Provenance: Private collection of G. S. May Esquire

£120-180

371 THE MARROWBONE CLUB - AN EARLY VICTORIAN MARROW SCOOP WILLIAM CUNNINGHAM, EDINBURGH 1840 of traditional form, double struck Fiddle & Thread variant pattern with crest and motto of the club, engraved armorial and dated 1855, Thomas Brown engraved to reverse of terminal 23cm long, 3.2oz

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

374 A GEORGE IV SALVER MARSHALL & SONS, GLASGOW 1824 of circular form, gadroon border, engraved floral and foliate decoration with crest and motto to centre, raised on three bracket feet 20cm wide, 11oz

£250-350

375 AN EARLY GEORGE IV SNUFF BOX RICHARD HAXTON, EDINBURGH 1823 of rounded rectangular form, foliate hinged flange thumb piece 75mm wide, 94g

£200-300

Scottish Silver 83

376 A GEORGE IV TOAST RACK ROBERT GRAY & SON, GLASGOW 1820 formed of seven wire work divisions, the central with loop and cast vine handle on a reeded frame and cast vine and scroll bracket feet 16cm long, 7.8oz

£300-500

376

377 AN EARLY 19TH CENTURY VINAIGRETTE

377

JAMES NASYMTH OF EDINBURGH, CIRCA 1815 marked J, JN, N, of rounded rectangular form with slightly domed cover set with central oval facetted Cairngorm within chased scrolls and shells, the body and base with engine turned decoration, the interior gilded and with finely pierced and hinged grill 32mm wide, 24g

£600-800

378 A GEORGE III SWING HANDLED BREAD BASKET WILLIAM PEAT, EDINBURGH 1814 of oval form, heavy cast gadrooned and shell border, deep bowl with crest, motto and italic HMN to centre, raised on an oval foot with gadroon border, the handle similarly decorated with crest, motto and initials to bow 24cm across, 36.2oz Crest: McNeil of Oransay

£2,000-3,000

379 A GEORGE III PRESENTATION GOBLET J HOWDEN, EDINBURGH 1817 the demi-fluted body raised on spreading pedestal foot, bright cut border with presentation engraving ‘...to the Rev’d Dr. Laird, by his parishioners...May 1825’ 16.3cm high, 10.4oz

£250-400

378

84 Lyon & Turnbull

380

380

385

A GEORGE III SALVER

A PAIR OF GEORGE III PEPPERETTES

WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1813 of circular form, raised gadrooned border, and engraved armorial to centre, raised on three claw and ball feet

WILLIAM MARSHALL, EDINBURGH (DATE LETTER LACKING) each of tapered urn form, the domed pierced screw off lid with ribbed detail, raised on a spreading circular foot (2)

24cm across, 19.4oz

£300-500

381 A GEORGE III TEAPOT ON STAND GEORGE MCHATTIE, EDINBURGH 1812 of squat circular form, demi-fluted to body and hinged lid with gadrooned and angular handle, raised on a circular foot, the stand of similar decoration raised on four bracket feet (2) 17cm high (including stand), 30.5oz

£500-800

382 TWO GEORGE III WINE LABELS EDINBURGH, CIRCA 1810 maker’s marks MK and D&M, date letter lacking, of simple rectangular form inscribed WHISKY, SHERRY, with belcher link suspension 47mm wide, 18.8g

£120-180

383 A MATCHED PAIR OF GEORGE III DECANTER STANDS GEORGE FENWICK, EDINBURGH 1806, 1808 (DUTY LACKING) each of circular form, bright cut engraved border, crest and motto SPERO MELIORA for the Moffat clan (2) 14.7cm across, 9.3oz (combined)

£400-600

384 A PAIR OF GEORGE III SALTS WILLIAM AULD, EDINBURGH (DATE LETTER LACKING) each of pierced oval form, bright cut engraving, raised on four bracket feet, with blue glass liners (2) 88mm across, 4.5oz

£250-350

9.5cm high, 126.6g

£200-300

386 A SCOTTISH WINE FUNNEL WILLIAM & PATRICK CUNNINGHAM, EDINBURGH, CIRCA 1800 of conventional form, decorated floral border, engraved crest, removable ring, the spout with cross bars 12cm high, 74g

£200-300

387 A GEORGE III CASTER JAMES MITCHELSON maker’s mark IM only, of typical baluster form with engraved script initial H, the domed cover with pierced and engraved decoration 10cm high, 56g

£200-300

Scottish Silver 85

388Y AN IMPRESSIVELY LARGE GEORGE III TEAPOT FRANCIS HOWDEN, EDINBURGH 1799 of tapered urn form, bright cut border depicting Neo-Classical and chrysanthemum border, C scroll handle with engraved decoration, curved spout, the hinged lid with bright cut engraving and domed finial with chrysanthemum detail, presentation engraving to centre, the knopped stem to a spreading incurved decagonal foot and similar engraved detail 30cm high, 33.6oz

388

£1,200-1,800

389

391

392

THREE PAIRS OF GEORGE III SUGAR TONGS

A SET OF SIX GEORGE III TABLESPOONS

A GEORGE III WINE FUNNEL

FRANCIS HOWDEN, EDINBURGH 1795 of Celtic Point pattern; together with six dessert spoons Alex Spense, Edinburgh 1786, of Old English pattern; six Dog Nose teaspoons, Hamilton & Inches, Edinburgh 1980; and six Dog Nose teaspoons with floral engraved detail, G.A., Edinburgh 1870 (qty)

WILLIAM ROBERTSON, EDINBURGH (DATE LETTER LACKING) of conventional form, threaded border, italic R to body, removable ring

390

23cm long, 23oz combined

393

A GEORGE III SOUP LADLE

£300-500

A PAIR OF GEORGE III SUGAR TONGS

EDINBURGH Alexander Ziegler, Frances Howden, various patterns 15cm, 15cm, 14cm long, 4oz combined

£180-250

ROBERT GRAY, EDINBURGH 1797 of Old English pattern, foliate M to terminal

15cm high, 109.7g

£400-500

25cm long, 6.1oz

DAVID MARSHALL, EDINBURGH, CIRCA 1795 of beaded Old English pattern

£120-180

15cm, 44g

£120-180 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

86 Lyon & Turnbull

401 A SET OF FIVE HANOVERIAN PATTERN TABLESPOONS WM. GILCHRIST, EDINBURGH 1770 italic AJ/E to reverse of terminal; together with a pair of tablespoons, R. G., Edinburgh 1802, of Old English pattern, engraved W to terminal; another pair, J.McKay, Edinburgh 1811, of Fiddle pattern; another pair, William Fearn, London 1790, of Old English pattern, engraved initial to terminal and a pair of Newcastle tablespoons, GM (13) 21cm long, 28.5oz combined

395

£250-400

402 A GEORGE III SALVER

394

397

A SET OF TWELVE GEORGE III CELTIC POINT PATTERN TABLESPOONS

A PAIR OF GEORGE III SUGAR TONGS

WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1793 crest to terminal; together with a Celtic point basting spoon and four dessert spoons, Mc, Edinburgh 1794, both with foliate B to terminal; and five George III dessert spoons, all of Old English pattern (qty) 23cm long, 34.9oz combined

£250-350

395 A GEORGE III TEAPOT

WILLIAM DAVIE, EDINBURGH, CIRCA 1785 the arms with bright cut borders and engraved trailing foliage, to chased ‘spiralled’ and shell bowls, with engraved initials D / I*A £120-180

A SCOTTISH GEORGE III TOAST/ BANNOCK RACK

398

JAMES GILSLAND, EDINBURGH 1773 the bold rounded rectangular base with gadroon edge, with seven divisions formed from simple looped wire, the central division with carry handle, the base engraved with a crest of an egg timer and motto ‘In time’, all raised of four ball feet

A PAIR OF GEORGE III SHOE BUCKLES EDINBURGH, CIRCA 1785 marked with town maker and duty mark only, of simple curved rectangle form with steel fastener (2)

15cm high, 15.1oz

WILLIAM DAVIE, EDINBURGH 1783 of tapered oval form with bright cut and engraved borders, reeded swing handle, all raised on short stem and spreading foot

GLASGOW - A COLLECTION OF FLATWARE VARIOUS MAKERS to include four teaspoons, two teaspoons and a toddy ladle, D. McDonald; a teaspoon by Robert Gray and Son; four pairs of sugar tongs; a collection of Fiddle pattern teaspoons W.A. and four other various pattern teaspoons (qty) 13oz combined

£200-300

£250-350

403

7cm wide, combined weight 4.1oz

396

24.5cm across, 18oz

14cm long, 45g

WILLIAM DEMPSTER, EDINBURGH 1788 of traditional oval form, straight spout, C scroll handle, bright cut engraved border, floral and swag decoration with vacant oval cartouche to centre of body, the hinged domed lid with wooden turned finial £800-1,200

PATRICK ROBERTSON, EDINBURGH 1774 gadroon and pierced border, plain flat, all raised on pierced bracket feet

£150-250

24cm wide, 17.8oz

£700-900

399 A GEORGE III SWING-HANDLED SUGAR BASIN

9.5cm high, 5.7oz

£300-500

400 A GEORGE III MARROW SCOOP PATRICK ROBERTSON, EDINBURGH 1782 of traditional from with large and small scoop 21.5cm long, 1.3oz

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

399

Scottish Silver 87

403

404 A PAIR OF GEORGE III SAUCE BOATS PATRICK ROBERTSON, EDINBURGH 1770 of traditional form, gadroon border, leaf clasped S-scroll handle, raised on three scalloped feet with stepped legs, crest of an oak tree with motto SUB TEGMINE to body 12.5cm high, 23.7oz combined

£2,000-3,000

405 A GEORGE III SHELL DISH WILLIAM DEMPSTER, EDINBURGH 1770 The large fluted shell formed dish with curled handle, raised on three stepped and shell feet 25cm long, 13.8oz

£300-500

406 A GEORGE III COFFEE POT JAMES GILSLAND, EDINBURGH 1769 of slight baluster form, with profuse floral chasing on a textured background, engraved with a crest and coronet to the C scroll cartouche, fluted leaf clasped scroll spout with domed hinged cover, with fruitwood handle 20.5cm high, weight: 29oz Crest: Appears to be for Lord St. John heir to the Earl of Wiltshire and Marquess of Winchester.

£1,500-2,500

406

88 Lyon & Turnbull

407 A GEORGE III SAUCE / CREAM BOAT JAMES WELSH, EDINBURGH 1766 of low baluster form with floral and foliate chased garlands to body and rococo scroll cartouche with engraved crest, with wide pouring spout and leaf capped S scroll handle, raised on three shell capped hoof feet 18cm wide, 9oz Heraldry: With crest and motto of Swinton

£250-350

407

408

410

A GEORGE III DOUBLE LIDDED SNUFF BOX

A GEORGE II TABLESPOON

UNMARKED, LATE 18TH CENTURY possibly Scottish, of oval form, bright cut engraving border, with thumb loop to centre

KERR & DEMPSTER, ASSAY MASTER HUGH GORDON, 1753 of Hanoverian pattern, Hopetoun House crest to reverse of terminal

94mm across, 82g

20cm long, 2.3oz

£500-700

Note: Engraved with the crest and motto for Hope; of a broken terrestrial globe beneath a cloud-issuing rainbow with the motto ‘At Spes Infracta’; (Yet my hope is unbroken). Likely for John Hope, 2nd Earl of Hopetoun (1704 - 1781).

409 A GEORGE III SAUCER PATRICK ROBERTSON, EDINBURGH 1769 of circular form, scalloped rim, slightly domed centre with engraved crest 8cm across, 1oz

£150-180

For two generations The Hopetoun family, Charles and John Hope 1st and 2nd Earls, were perhaps the most important commissioners of silver in Scotland. Their influence on the Edinburgh trade appears to have not only to have given many valuable and important commissions, but to have encouraged the the goldsmiths to new heights, resulting in truly fashionable and important items.

As with all family commissions, the success of the family closely directly relates to the commissions and need for silver.

The boom in commissions seems to have occurred from 1699 when the architect William Bruce was commissioned by Margaret Hope, Charles’s mother, to create Hopetoun House, built in its original form between 1699 and 1702. This original Bruce building has been much changed by later work with the William Adam rebuild of 1721.

412

Flatware bearing the armorial/ crest is surprisingly rare. It is unknown how large the original services of flatware within Hopetoun House were. Oddly, these pieces do not seem to have survived, and it is predominantly larger important pieces which are still recorded. It is highly likely these smaller items were regularly recycled into larger impressive wares and while obviously made in large numbers, few survive.

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

411

411 A SCOTTISH GEORGE III BALUSTER MUG EDWARD LOTHIAN, EDINBURGH, CIRCA 1740 Assay Master Dougal Ged, of conventional form, with a scroll handle 8.5cm high, 6oz

£400-600

412 A GEORGE II CREAM JUG EDINBURGH 1743, MAKER’S MARK LACKING Assay Master Edward Lothian, of sparrow beak form with chased rococo scroll and shell border, S scroll handle, raised on a stepped domed foot 11cm high, 6.3oz

£600-800

Scottish Silver 89

413

413

415

AN EARLY 19TH CENTURY NUTMEG GRATER

A GEORGE II CASTER

4.3cm wide

WILLIAM AYTOUN, EDINBURGH 1729 Assay Master Archibald Ure, the large baluster body with reeded girdle and spreading circular foot, the domed pull-off cover with alternating pierced panels and urn finial, engraved initial ‘N’ to underside

£500-800

21.5cm high, 10oz

ROBERT HAXTON, EDINBURGH maker’s mark only, of oval outline with simple plain body and domed polished agate cover, with original pierced steel grill

£800-1,200

414 A GEORGE II TABLESPOON

416

EDWARD LOTHIAN, 1735 Assay Master Archibald Ure, of Hanoverian pattern, eagle roussant crest to reverse of terminal

A GEORGE I TABLESPOON

20cm long, 2.1oz

19.5cm long, 66g

£150-250

£150-180

JAMES TAIT, EDINBURGH 1711 of Hanoverian pattern with rat tail to bowl and script initials MC / KM to reverse of terminal

415

417 AN EARLY 19TH CENTURY VINAIGRETTE ROBERT HAXTON, EDINBURGH of diminutive form, the hinged cover formed of a polished agate panel, with engraved and pierced grill, with suspension loop and chain 26mm wide

£400-600

418 A QUEEN ANNE HASH SPOON THOMAS KERR, EDINBURGH 1709 Assay Master Edward Penman, of Hanoverian pattern, rat tail bowl, crest and motto to reverse of terminal 41.5cm long, 7.1oz

417

£400-600

90 Lyon & Turnbull

Note: This remarkable new discovery is arguably amongst the finest work by the highly regarded ‘Edinburgh Golden Age’ maker Colin McKenzie and is also likely to be one of the largest early 18th century pieces of Scottish silver to survive. While punch bowls would have been commonplace in Scotland at the time, only the very highest levels of society would have been able to afford a silver example, most making do with ceramic.

There are currently only ten pre-1710 punch bowls, or Montieths recorded, with at least five in museums / institutional collections.

Indeed, it is not until the very late 18th century that punch bowls of any form can be considered anything other than rare in Scotland.

Colin McKenzie is amongst the most important early 18th century Edinburgh (and Scottish) makers. His hand is linked to many important examples of silver and what must be considered some of the finest and most fashionable items of their day. From tankards and tazze to candlesticks and, as under discussion, Montieths and punch bowls, not to mention the only surviving toilet service hallmarked in 1703.

The two earliest Montieths in Scotland are by his hand, one in a Private Collection (Mount Stuart) and the other the Kinloch Monteith (City of Edinburgh Museums), both dated 1698. Each of these weighs in excess of 70oz, making them not only among the finest but also the largest extant.

McKenzie was trained in the workshop of James Penman and therefore completed his apprenticeship in one of the most successful workshops of the late 17th century. He was trained alongside a remarkable group of silversmiths whose work would define the early part of the next century and whose legacy would last well beyond their working lives. When Colin McKenzie was completing his apprenticeship he would have trained and worked with Thomas Ker, Henry Bethune and Edward Penman, all makers whose work must be considered as fine a quality as their master and McKenzie.

After gaining his freedom in 1695 McKenzie’s career flourished, during which time he took on ten apprentices including two of his sons, and he is recorded working up until at least 1720. For a maker of such renown it is interesting to note that although an active member of The Incorporation of Goldsmiths of The City of Edinburgh he never served as Deacon.

A bold example of McKenzie’s work, this piece typifies his quality in manufacture, his use of large and bold proportions and also the plain almost austere form of the period.

Scottish Silver 91

419 AN IMPORTANT QUEEN ANNE PUNCH BOWL COLIN MCKENZIE, EDINBURGH 1707 Assay Master Edward Penman, the exceptionally large hemispherical punch bowl of plain form, reeded rim and short flared foot, the underside prick engraved S * E / F within scroll cartouche, additionally engraved with original scratch weight 66oz 19dwt 34.5cm diameter of rim, 22cm diameter of foot, 65.9oz

£20,000-30,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

92 Lyon & Turnbull

420 A GEORGE I MUG ALEXANDER KINKAID, EDINBURGH 1722 Assay Master Edward Penman, of diminutive baluster form, S scroll handle and outswept footrim, engraved crest to body 8cm high, 4.2oz

£800-1,200

421

422

A COLLECTION OF SCOTTISH FLATWARE

A GEORGE III WINE COASTER

predominantly Edinburgh, various makers and dates; together with two modern Scottish silver quaichs (qty) Weight all in: 46oz

ROBERT AND DAVID HENNELL, LONDON 1795 of simple circular form with outswept rim, turned mahogany base, engraved with crest and motto of MacDougall

£400-600

13cm across

£200-300

423 A ‘CASTLE TOP’ VINAIGRETTE TAYLOR AND PERRY, BIRMINGHAM 1836 silver gilt, the hinged cover with a view of Abbotsford, well cast foliate border, good pierced and engraved grill Width: 45mm, weight: 35.8g

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 93

Jewellery 424 A SUITE OF MODERN SCOTTISH ENAMEL JEWELLERY MAUREEN EDGAR, EDINBURGH 1985 comprising brooch and earrings, each of triangular shape with bold V shaped enamel borders in alternating black and subtle blues, in original cardboard box (3) Brooch 32mm wide

£150-180

Maureen Edgar is arguably Scotland’s most important enameller and while her name is not yet known to as many collectors as it should the appreciation of her work is becoming widespread. Her work can be found in the collections of The National Museum Scotland, Incorporation of Goldsmiths of the City of Edinburgh, The Goldsmiths Company London and likely the largest grouping within The Pearson Silver Collection.

Artistic from an early age, Maureen Edgar started her art training with an evening class at Glasgow School of Art and was latterly accepted to Duncan of Jordanstone College of Art in Dundee. Here she moved from painting to the silver and jewellery department where she found her passion. Like many of the period, she trained under the eye of Bernard Harrington. It was in 1977 that she applied, and to her own surprise, was accepted to the Royal College of Art and would further her training under Gerald Benney for three years.

425 A COLLECTION OF MODERN SCOTTISH ENAMEL EARRINGS comprising three pairs of earrings, each with black ground enamel, one disc shaped with gold baton inlay; an interchangeable pair of black and white zig zag with removable central domed stud (comes with smaller studs to replace), and a pair of curved with white snake skin detail, all in original boxes (8) £200-300

In Maureen’s own words about working with Benney ‘This was my biggest opportunity’. Building from her training at Duncan of Jordanstone College of Art this would prove to be the final link in the chain turning Maureen fully into an enameller.

Her work was almost immediately a success and even early in her career she was gaining a reputation and large commissions. This early success perhaps explains the relative rarity of her jewellery as she immediately found work in larger commissions such as goblets, eggs and napkin rings. Sadly, due to ill health her career was cut short prematurely and she retired from working in 1999, with her final commission being the cruet set for The Millennium Collection of silver for Bute House.

For a full biography and illustrations of much of her important work see ‘Designer British Silver’ John Andrew and Derek Styles page 194 - 199.

94 Lyon & Turnbull

426 A GOLD VICTORIAN MACDONALD HERALDIC LOCKET UNMARKED, 19TH CENTURY of lozenge form, the hinged locket with applied enamel Macdonald crest to obverse, and initials to reverse 45mm long, 18.6g

£300-500

427 A GEM SET KILT PIN UNMARKED (tests as gold), the facetted citrine heart above an intertwined knotted and plain stem, with hinged pin and safety clasp; together with a silver kilt pin, T Ebutt, Edinburgh 1951, with polished citrine heart above angular Celtic knotwork and plain section (2) 9.5cm and 8.5cm long

£200-300

428

430

433

A VICTORIAN SCOTTISH PEBBLE BRACELET

AN AGATE SET KILTPIN

AN AGATE AND GEMSET BROOCH

modelled as a dirk, paste pommel, set throughout with various agates to body

of lobed circular outline, collet set with four oval shaped citrines and a central oval shaped amethyst, the border set with varying agates, presented in a fitted box

19TH CENTURY the hexagonal polished links between Saltire set agate panels with heart shaped padlock; together with three Scottish agate and pebble set brooches

11cm long

£200-300

65mm long

431

£200-300

AN AGATE SET KILTPIN

429

modelled as a dirk, paste pommel, set throughout with various agates to body

A ‘DISRUPTION’ BROOCH

85mm long

CIRCA 1843 of hollow circular form, formed as thistle wreath overlaid with ribbons on which are inscribed significant dates from the history of the Church of Scotland, the reverse inscribed with a short history of the disruption, with registration mark 126 55mm across

£300-500

£200-300

432 A VICTORIAN GEM SET KILT PIN 19TH CENTURY modelled as a dirk, engraved mounts, fancy cut amethyst set to pommel and miniature bi-knife and fork 80mm long

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£400-800

434 A VICTORIAN AGATE AND CITRINE SET TIE PIN UNMARKED, 19TH CENTURY formed as luckenbooth; together with an enamel and silver set pansy brooch and a medallion awarded to the cabine club £250-350

Scottish Silver 95

435 A VICTORIAN COPY OF THE LOCHBUIE BROOCH 19TH CENTURY the central turret collet set with round cut citrine set in a floral surround, in a border of eight turrets each set with a round citrine cabochon, to a pin fitting, unmarked 75mm wide

£150-250

Note: The original made circa 1500 can found housed in the British Museum and was discovered on the Estate of Lochbuie in Mull.

By descent through the female line, the brooch was handed down until Anna Campbell, lady to Murdock McLean who had no male issue. She gave it to Isabella McLean, their daughter, spouse to John Scrogie, Esq, to whom she presented it to on the day after their marriage.

The Lochbuie brooch is very similar to that of two other contemporary brooches, the Ugadale or Lossit brooch and the Brooch of Lorn all of turreted form.

436 A STAR OF SNOWDOUN MASONIC LADIES CHAPTER BROOCH DATED 1859 the central sunburst set with a bouton pearl with three forget-me-knots in a heart shaped border with green enamel leaf detail, suspending a snowdrop flower and surmounting a coronet, the reverse engraved ‘Ladies Rock’ and two references EPH III 17.18, Phil IV 7 in box of issue, title inside lid of box Star of Snowdoun Sech IV 6 and Luke XI 9 dated 1859 90mm long

£300-500

Note: This lot has been granted a license from Scottish Natural Heritage, and it contains fresh water pearls legally taken from the wild prior to 27 March 1991.

During the ‘killing times’ of the 1680’s many martyrs were put to death due to their religious beliefs. Margaret Wilson, her younger sister Agnes, and Margaret McLaughlin succumbed to this fate, as covenanters, as they refused to swear an oath to James VII as head of the church.

Two Biblical references are noted on the box and two are engraved on the brooch, Zechariah 4:6 and Luke 11:9 on the box, and Ephesians 3:17-19 and Philippians 4:7 on the reverse of the brooch. Three similar brooches can be found in the Stirling Smith Art Gallery and Museum. See ‘A History of Stirling in 100 Objects’, Elspeth King, 2011.

Taken from New International Version (NIV), the biblical references are as follows;

Agnes was only 12 at the time, and was spared, but is depicted in the memorial commissioned by William Drummond of Stirling in 1859. The statue depicts a guardian angel watching over Margaret Wilson reading the Bible to her younger sister, Agnes. In addition to the statue, William Drummond commissioned this brooch for all female members of his family for the inauguration of the Drummond funded Virgin Martyrs’ memorial.

Ephesians 3:17-19

The brooch, heavily symbolic, with the three forget-me-nots for each woman, the pearl symbolising purity and most significantly the cross, crown and laurel leaves of martyrdom.

Philippians 4:7

[17] so that Christ may dwell in your hearts through faith. And I pray that you, being rooted and established in love, [18] may have power, together with all the Lord’s holy people, to grasp how wide and long and high and deep is the love of Christ, [19] and to know this love that surpasses knowledge-that you may be filled to the measure of all the fullness of God. [7] And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.

Zechariah 4:6 [6] So he said to me, This is the word of the Lord to Zerubbabel: ‘Not by might nor by power, but by my Spirit,’ says the Lord Almighty.

Luke 11:9 [9] So I say to you: Ask and it will be given to you; seek and you will find; knock and the door will be opened to you.

96

437 AN AGATE-SET CELTIC CROSS indistinctly marked, of traditional design, set with various agates and engraved detail throughout, to a belcher link chain with barrel clasp pendant 60mm long

£400-600

438 A SCOTTISH PEARL SET CLUSTER RING claw set with a central bouton pearl in a border of smaller pearls, to a plain shank, stamped 9c Ring size: M Note: This lot has been granted a license from Scottish Natural Heritage, and it contains fresh water pearls legally taken from the wild prior to 27 March 1991.

£300-500

439

441

444

AN AGATE-SET VICTORIAN LUCKENBOOTH BROOCH

A NOVELTY KILT PIN

A COLLECTION OF SCOTTISH BROOCHES

CIRCA 1866 of conventional open heart form, set throughout with various agates, the intricate pierced ‘crown’ surmounting set with various amethyst and citrines, engraved to reverse registration marks for 1866

with Victorian registration marks, modelled as a basket hilted sword, with agate set terminal with rope twist detail; together with a Celtic style pendant, Ammonite Ltd, Birmingham 1973 (2)

£150-250

440 A VICTORIAN SCOTTISH BROOCH 19TH CENTURY unmarked, finely engraved and pierced with Celtic knotwork between crowns, the centre set with saltire and crown 5.7cm wide 28.1g Provenance: Scottish Silver & Applied Arts sale Lyon & Turnbull 17th August 2016, lot 103

£200-300

£150-180

95mm, 49mm long

445

£100-200

A LARGE SCOTTISH PEARL SET BAR BROOCH

442

claw set with a large Scottish pearl, stamped 9ct

43mm long Note: This piece has been independently tested and confirmed to be silver.

of various designs, each set throughout with agates and pastes, mostly unmarked (10)

TWO ENAMELLED SCOTTISH BROOCHES both unmarked, each of circular outline, with applied cross detail and blue enamel Celtic knot detail throughout (2) 50mm across, each

£100-200

443 A COLLECTION OF SCOTTISH SILVER JEWELLERY to include seven brooches of various designs, agate set brooch; paste set plaid brooch; kilt pin and an agate set bracelet (qty) £300-500

67mm length of brooch Note: This lot has been granted a license from Scottish Natural Heritage, and it contains fresh water pearls legally taken from the wild prior to 27 March 1991.

£300-500

446 A COLLECTION OF SCOTTISH PEARL JEWELLERY to include a 9ct gold single pearl set ring, a bar brooch with a single bouton pearl, unmarked; a bar brooch set with five graduated pearls, unmarked (3) Ring size: M Note: This lot has been granted a license from Scottish Natural Heritage, and it contains fresh water pearls legally taken from the wild prior to 27 March 1991.

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver 97

Boxes & Collectables

447 A LEATHER AND SILVER MOUNTED SNUFF MULL MID TO LATE 18TH CENTURY of tall standing form, the leather body mounted with arched rims and domed hinged cover, the cover scallop set with an open oval panel of Montrose agate 85mm high

£300-500

448Y AN IVORY AND EBONY BALUSTER SNUFF MULL MID-18TH CENTURY the ebony body set with ivory to upper section, the base and rim with silver mounts, the silver hinged to domed ebony cover with wide silver rim and round engraved “Post Nubila Phabus, Alexr Smith 1745 Longmay” and set centrally with oval plaque with mirrored monogram ‘AS’ and dated 1743 below 71mm high

£600-800

Literature: Kelvin, M. (2003). The Jacobite Legacy. 1st ed. Wigtown: G C Book Publishers Ltd, p.151.

Note: Alexander Smith of Longmay (also known as Lonmay) near Peterhead was based very close to Pitsligo Castle. Although his name is not listed among the ranks of the Pitsligo Regiment it is highly likely he was a volunteer within their ranks. A staunchly Jacobite area, the regiment contained many local people who lived on or near the estates and marched under Forbes of Pitslgio’s name throughout the ‘45.

While the Latin motto to this piece Post Nubila Phabus could be a family one, its translation as ‘Sunshine After Clouds’ has a very Jacobite sympathy and mind set.

The Sunshine being interpreted as the restoration of the Stuart from the Cloud of the Hanoverian rule.

449 A BONE STANDING SNUFF MULL 18TH CENTURY the polished bone body with carved scroll detail which acts as safety clasp, with brass mounted hinged cover 6cm high

£300-400

98 Lyon & Turnbull

450 A RARE NOVELTY COW HORN SNUFF MULL UNMARKED the polished cow horn body with carved elephant head terminal, with bone in set eyes and tusks, the silver collar engraved ‘1822 From James Watt to Robert Inglis Singer Glasgow’, with hinged polished horn cover 10cm long

£500-800

Note: Mr. James Watt named here could possibly be Mr. James Watt Junior (5 February 1769 – 2 June 1848), son of the Scottish inventor. This is further strengthened as the crest of the Watt family includes elephants.

Crest: Upon a fer de moline fessways Or, an elephant statant Proper charged on the body with a cross moline gold (for Watt). Upon a key fesseways wards downwards Azure a pelican in her piety Or wings addorsed Azure semee of crescents Argent.

451Y AN IVORY BALUSTER SNUFF MULL MID-18TH CENTURY the ivory body with grille to lower section, with double butterfly hinged and oval cartoon with initials AR to cover 55mm high

£200-300

452

454

456

A GEORGE III COWRIE SHELL SNUFF BOX

A CURLY HORN SNUFF MULL

ALEXANDER AITCHISON & SONS the polished cowrie shell mounted with flush hinged cover with simple border and inscribed ‘the gift of Jn Batchin to W Batchin’

UNMARKED the well coiled horn formed of polished cow horn with simple silver band to rim engraved ‘Presented by Robert Mears to’ and with applied plaque engraved ‘JR’, the hinged cover with engraved foliate plaque

A SET OF THREE PEWTER CANDLESTICKS

7.5cm long

£200-300

9cm long

453

£120-180

A HORN SNUFF MULL UNMARKED of conventional curled form with silver butterfly hinge and cartouche engraved ‘JJ’

455 A CURLY HORN SNUFF MULL

Provenance: Private collection of G. S. May Esquire

the hinged lid with silver mounts, italic JA to centre, all secured to terminal of horn point; together with a horn snuff mull of oval form; two wooden snuff mulls (4)

£150-250

£250-400

9cm long

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

WILSON & SHARP, EDINBURGH each modelled as a thistle, raised on a spreading foliate foot, removable sconces 16.5cm high

£200-300

A Private Collection of Jacobite Works of Art 457 A JACOBITE WINE GLASS MID-18TH CENTURY the drawn trumpet bowl engraved with displayed rose head flanked by open and closed buds, the reverse of the bowl with oak leaf, star and motto Fiat, raised on a tapered multi air twist stem and domed circular foot 15.2cm high, 62cm across diameter of rim Provenance: Sotheby’s 24th November 1986 Mellor’s & Kirk, 7th December 2006, lot 198 Note: For a Jacobite portrait decanter from the same collection see ‘Jacobite, Stuart & Scottish Applied Arts’ Lyon & Turnbull 13th May 2015

£700-900

100 Lyon & Turnbull

458 A BRONZE JACOBITE ‘BRAVADO’ MEDALLION DATED 1749 obverse, a standing figure of a Highlander, the targe with motto within QUIS CONTENDAT MECUM (Who can contend with me) and raised sword, motto NULLUM NON MOVEBO LAPIDEM UT ILLUD ADIPISCAR 1749 (I will leave no stone unmoved to obtain that, 1749), the reverse with open displayed Jacobite rose head, legend around MEA.RES.AGITUR (My affairs are at issue) 31mm across, 16.4g Literature: ‘The Medallic Record of the Jacobite Movement’, N Woolf, item 61:1a ’British Commemorative Medals, and their values’, C Eimer, item 624

£200-300 Note: Perhaps one of the most commonly encountered Jacobite medallions, it shows the strength and support Charles Edward was gaining. No two symbols can show greater connection and power to the cause than the fighting Highlander in full dress or the Jacobite rose so commonly encountered in all aspects of Jacobite art. The mottos and legends offer little disguise in the support of the Stuarts and are an open display of force towards the Hanoverians. Unlike many medallions which show a gentle or political side to propaganda this is a defiant show of force, giving rise to this medallion being called the Bravado medallion.

The maker, although unrecorded, is possibly connected to the Capture of Edinburgh medallion as there are many similarities in the engraving of the Highlander and the lettering to the legends. This connection assumes that this medallion was locally produced in Scotland for distribution around followers and supports still loyal after the failure of the uprising.

Mass produced and widely issued, there are two variations of dies used for this medal and it appears to have been produced in silver, bronze and gilded bronze over a number of years as striking and die quality varies.

459 A CONTINENTAL SILVER AND GILT BUCKLE MID-18TH CENTURY the shaped oval outline with applied chased silver scrolls enclosing the supports of Ian Dubh Mackinnon, Chief of Clan Mackinnon, the reverse engraved “Carolus Princeps Deo Tibi Patriae”, with hinged curved double buckle 74mm high, 65mm across Literature: Kelvin, M. (2003). The Jacobite Legacy. 1st ed.

Wigtown: G C Book Publishers Ltd, p.48.

Note: The support of the Mackinnon clan is well recorded through both the ‘15 and the ‘45. Ian Dubh Mackinnon, Chief of the Clan joined Prince Charles after the battle of Prestonpans and marched with him to England. He and 120 of his clansmen stood beside Charles at the battle of Falkirk.

After the defeat of the Jacobite army at Culloden in 1746 Ian Dubh Mackinnon went with Prince Charles from the mainland to Skye in the same boat and retreated together for five days till the Prince went to Macdonald of Morar and latterly escaped back to the continent.

Mackinnon was captured only the day after leaving the Prince and was imprisoned by Hanoverian troops and tried. It was not until 1759 he would be pardoned for his offences.

This buckle would appear to be a gift from Prince Charles and the fact that is of continental manufacture would support this. The use of the supporters, a lion and leopard, which are unique in this form to the Mackinnon’s shows a very personal touch to the presentation. The symbolism of the lion at the base where the scrolls emanate is also very symbolic. It can be taken to mean kingship and connection, or that the lion mask is indeed representing the Stuarts and by intertwining the Mackinnon support it shows their close connection.

As the lion mask has both the ram and sheep sitting by its side, this seems likely as these would represent the subjects awaiting the dynasty’s restoration.

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 101

460 A GOLD MOUNTED RING ENCLOSING A LOCK OF PRINCE CHARLES EDWARD STUART’S HAIR MID-18TH CENTURY the oval gold head enclosing a tied lock of hair under a glazed domed panel, the reverse of the setting engraved Mèche de cheveux de Prince Charles Edward Stuart 1744.”, set to a simple gold shank Ring head 13mm x 17mm Literature: Kelvin, M. (2003). The Jacobite Legacy.

1st ed. Wigtown: G C Book Publishers Ltd, p.132 - 133.

£2,000-3,000 Note: While various locks of Prince Charles Edward Stuart’s hair survive it is highly unusual to find one with a dated presentation and even more so to a date pre the launch of the ‘45 campaign.

Given the date of thivs presentation, it appears this lock must have been given to a supporter while Charles waited to embark on his journey to Scotland from Dunkirk in 1744.

461 A JACOBITE SEAL RING LATE 18TH CENTURY the banded agate intaglio of shield-shaped outline, engraved with displayed rose head and single bud emanating from stem with motto Turno Tempus Erit above, set in a tradition collet setting with deep scroll to the shoulders Intaglio 11mm widest part Literature: Seddon, G. (2001). The Jacobites and their drinking glasses. Woodbridge, Suffolk: Antique Collectors’ Club, p.107.

£600-800 Note: The motto seen in connection to the typical Jacobite rose and bud, Turno Tempus Erit, translates as ‘For Turnus there will come a time’. This appears to have been taken from the Xth book of Virgils Aeneid. Turnus had killed Aeneas’ friend, Pallas. Later when Aeneas overcame Turnus, the King of the Rutuli, in battle, he was about to spare his life, however he noticed that Turnus was wearing Pallas’ gold sword belt. He was so incensed that he killed him in retribution.

This motto and story shows the classical ideas which the 18th century Jacobites placed themselves under. Seeing the cause as such an important and God given right, in this case Turnus represents the Hanoverian Duke of Cumberland, their foe in many battles, and the Stuarts as Aeneas.

Although a motto rarely seen, it is also recorded on a Jacobite wine glass within the Drambuie Collection

462 AN IMPORTANT JACOBITE SOCIETY OF SEA SERGEANTS’ RING 18TH CENTURY the oval hardstone carved with a dolphin / sea serpent with sun radiating from behind, collet set within an oval setting, the shank with deeply cast shoulders with a butterfly and rose to both sides, the shank engraved Success to the Society Intaglio 7mm x 9mm Literature: Kelvin, M. (2003). The Jacobite Legacy. 1st ed.

Wigtown: G C Book Publishers Ltd, p.136 (39)

£1,000-1,500

Note: The Jacobite Society of Sea Sergeants was based in West and South Wales. They convened once a year at a seaside location, often for a week at a time, and unlike some societies did have women present at meetings.

The emblem and motto of the society can also be found on rare glassware (see The Jacobites and their Drinking Glasses, G. B. Seddon pp. 68 - 69, plate 7.).

Since it is the only recorded example of fine quality, it would seem highly unlikely it was a standard piece owned or worn by all members. This perhaps suggest that this was worn by the chairman of the society.

102 Lyon & Turnbull

463 A PORTRAIT SEAL OF PRINCE CHARLES EDWARD STUART the oval carnelian matrix with intaglio carved halflength portrait bust of Prince Charles Edward Stuart, after the engraving by Sir Robert Strange, collet set in a gilded mount with intricate scroll suspension which forms a stylised crown, in fitted case 45mm overall length, intaglio 26mm high

£1,200-1,800

Literature: Kelvin, M. (2003). The Jacobite Legacy. 1st ed.

Wigtown: G C Book Publishers Ltd, p.142 (2) Note: The finely carved detail so closely follows the known engraving by Sir Robert Strange of Prince Charles while he was in Edinburgh in 1746 that it offers the tantalising possibility that this was engraved by Sir Robert Strange himself or certainly under his close supervision. Another seal of this pattern is recorded within the collection of Blair Castle.

464 A DESK SEAL 18TH CENTURY the brass matrix engraved with the crest of Robertson with motto ’Virtutis Gloria Merces’ above, mounted to a simple turned wooden handle 70mm high, matrix 20mm diameter Heraldry: The crest as engraved upon this 18th century brass and wooden-handled Desk Seal is that of the chiefly family of Robertson of Struan. It may be blazoned as follows: Crest: A dexter hand erect holding an imperial crown all proper Motto: Virtutis gloria merces [Glory is the reward of valour] Provenance: Discovered in a house in Lauder, circa 1965 Anderson & Garland, Northumberland, 9th May 2006

£300-500

Note: Alexander Robertson of Struan was a committed Jacobite. Born in 1668, he joined the Jacobite army, but was captured following its withdrawal from Dunkeld. He succeeded in escaping to France, and was subsequently attainted until 1703, when he could return to Scotland. In 1715 he again supported the Jacobite cause, raising, it is said, 500 of his clan, but was taken once more, this time at the Battle of Sheriffmuir. With the assistance of his sister, he escaped yet again, and once more fled to France. Although attainted

by Act of Parliament for a second time, he could return home in 1732.

In 1745, Struan was 77 years of age, yet nevertheless led 150 of his tenants to join the Prince, and, being too old himself to take up arms, returned to his home in General Cope’s carriage, which had been captured at Prestonpans, reputedly with the general’s furred nightgown and gold chain as trophies.

Murray of Broughton wrote of him: “he is an old Batcheler, (sic) lived long abroad, and is reckoned a man of letters”. He was permitted to remain at Struan, and died at Carie on the Struan estate in 1749, 2000 men following his coffin 14 miles from Rannoch to Struan Kirk.

In 1725 he was reportedly created a Knight and Baronet by King James VIII. He wrote in English as well as Gaelic, and a book of his poetry was published in 1789.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 103

465 A PORTRAIT MINIATURE OF PRINCE CHARLES EDWARD STUART AFTER MAURICE QUENTIN DE LA TOUR, 18TH CENTURY the half-length portrait on vellum of Prince Charles in armour with sash of The Order of The Garter, neck badge of The Order of The Thistle and draped in an ermine lined red velvet cloak, glazed and within gilt metal frame with scroll surmount 72cm x 59cm Provenance: Fine Portrait Miniatures, Bonham’s London, 17 November 2004, lot 11.

Note: This portrait is a copy of the (now lost) original 1747 portrait in pastel by Maurice Quentin de la Tour.

While the original is lost, various copies are recorded.

This miniature appears to closely follow a copy by John Daniel Kamm in its composition and being landscape rather than the more traditional portrait alignment.

These copies by Kamm were likely painted circa 1749 when George Watts, banker to Prince Charles, mentioned copies were being produced. This example closely matches this date and is probably after a Kamm original.

£2,000-3,000

466 A JACOBITE FOB SEAL MID-18TH CENTURY the rounded rectangular citrine seal engraved with a displayed rose with single bud and thistle emanating, with motto REDII above, in a simple collet setting engraved David Rodger around with scroll suspension Seal 11mm x 10mm Literature: Kelvin, M. (2003). The Jacobite Legacy. 1st ed. Wigtown: G C Book Publishers Ltd, p.143 (11)

Note: Whilst at first glance, the motto to this piece seems a common and recognisable version often seen on wine glasses, on closer inspection it tells a much deeper story. The motto more commonly seen is REDITT rather than REDII. Reditt translates as ‘will return’ however Redii means ‘I have returned’.

It has been long-considered that this motto relates to the clandestine visit of Prince Charles to London in 1750. It is recorded that he visited the Jacobite Oak Society meeting that year (which was commemorated in a medallion) and stayed with Lady Primrose.

£800-1,200

467 AN UNUSUAL JACOBITE SNUFF BOX the blue agate base and cover set in an engine turned gilt metal frame, the hinged cover opening to reveal an engraved motto ’Awa Whigs Awa’ 67mm across Literature: Kelvin, M. (2003). The Jacobite Legacy. 1st ed.

Wigtown: G C Book Publishers Ltd, p.148 (48)

£1,500-2,500

Note: The Jacobite motto ‘Awa Whigs Awa’ was a popular and long enduring one. It is seen on various items of Jacobite support including seals and rings; however it is rare to see on larger items such a this. For a fine ring bearing this inscription previously in the Thriepland of Fingask collection see ‘Jacobite, Stuart & Scottish Applied Arts’ Lyon & Turnbull 13th May 2015 lot 2

104 Lyon & Turnbull

468Y A HAND-COLOURED ENGRAVING OF PRINCE CHARLES EDWARD STUART MID-18TH CENTURY the half-length portrait after Sir Robert Strange with Prince Charles wearing blue bonnet and white cockade, in a gilt metal reeded frame with integral suspender the reverse with tortoiseshell backing 51mm high Note: This famous image by Sir Robert Strange was popular and widely spread during the ‘45.

However by 1747 it is recorded that Strange was living in semi anonymity in Edinburgh (perhaps due to his overt support for the cause) and he made his living selling miniatures of the Prince. While not signed, the quality of the engraved print and the period frame do offer the possibility this was of the period.

£600-800

469 A HIDDEN PORTRAIT JACOBITE ENAMEL SNUFF BOX MID-18TH CENTURY the circular box with enamel tartan decoration, the hinged cover opens to reveal a plain interior, the hidden double lid opens to reveal a finely enamelled portrait of Prince Charles Edward Stuart in tartan jacket with orders of The Garter and Thistle decorations, white cockade and blue bonnet 73mm across

Note: Hidden portrait snuff boxes such as this are amongst the most iconic Jacobite works of art. While they are a well recorded type, they are rare in any form. This example is in particularly good condition and finely enamelled. The portrait is a variant of the famous Sir Robert Strange example which likely date this piece to circa 1750.

For a similar example but with a pasted engraved print on the interior of lid see Lyon & Turnbull ‘Scottish Silver & Applied Art’ 17th August 2016, lot 496 (sold for £10,000 hammer).

Provenance: The Scottish Sale, Bonham’s Edinburgh 24th - 26th August 2005 lot 746

£2,000-3,000

470 A RARE RELIQUARY PENDANT FOR KING JAMES II the silver heart-shaped pendant with pull-off cover, the obverse engraved with initial IR with crown above and heart below, within circular cartouche, the border with oak leaf border, the reverse engraved ‘IHS’ within oak leaf border, the interior with fragment of what is believed to be a section of King James' pericardium 30mm including bale x 33mm Note: Reliquary pendants are more regularly for King Charles I after his beheading in 1649 and are seen in similar form with much the same motifs and iconography. Some rarer examples do feature engraved portraits of King Charles of memento mori motif, such as skulls.

While the relic inside the pendant is now almost perished it is considered that due to iconography on the obverse showing the heart under the initials for King James that this could be what it held. While it would not have been flesh of the actual heart itself it would more likely have been a section of pericardium - the fibrous membrane which encloses the heart. This would not be unusual as another reliquary containing a portion of James’ pericardium is known at Chiddingstone Castle, Kent.

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 105

471 THE NERQUIS HALL/ WHITE ROSE CYCLE CLUB PORTRAIT PRINCE CHARLES EDWARD STUART oil on canvas, within gilt frame, the profile bust within feigned oval, showing Prince Charles in armour with Order of the Garter Sash and Order of The Thistle pendant 24.5cm x 20cm Provenance: Nerquis Hall by descent Edward Williams (Cycle Club member from 1735) Robert Hyde (Cycle Club member from 1746) Reverend Maurice Wynne (Cycle Club member from 1815) By descent to Noel Lloyd Fletcher Wynne-Tringham, last Mr L Buckleyower of Nerquis Hall Gift to Mr Leonard W Buckley, 1963 Sold directly to current owner, 1997 Note: Nerquis Hall was built in 1637-38 on the order of John Wynn. A staunch Catholic family their support of the Stuart cause started from an early period.

While a direct connection to the Wynn’s of Nerquis Hall and Sir Watkin Williams-Wynn who started the Cycle Club have not been found, it seems highly likely there was a close family tie. Indeed, there are various members of the family who are recorded in the membership rolls of the White Rose Cycle Club.

Sir Watkin Williams-Wynn was amongst the most prominent Jacobites south of the border and certainly the staunchest supporter in Wales. He is credited with setting up the Cycle Club, perhaps the most active and well known of the numerous Jacobite clubs/ societies.

Founded on 19th June 1710, the anniversary of the Old Pretenders birthday, the club would continue for over 150 years. Termed the Cycle Club as the meetings were held alternately in members’ houses and undoubtedly at Nerquis Hall, Watkin Williams-Wynn’s home, Wynnstay, seems to have been for general and anniversary meetings.

The club’s rules and regulations are well known and the burden to attend meetings was key, all members having to attend each three-weekly meeting or give written notice as to why not. The members presumably had to supply their own glasses, which would explain the various patterns, style and engravers noted to those examples still surviving. As with all clubs, these glasses would have been used for communal toast and songs.

The Cycle Club are one of the few societies which can claim an active part in the uprising of the ‘45. They marched to meet Charles’ army in England with men, money and supplies but by the time they reached Derby the Highland army was on retreat. In quick succession, they returned to Wales where the incriminating plans and papers were destroyed, although the club continued.

£1,500-2,500

472 PRINCE CHARLES EDWARD STUART’S SHOE BUCKLE 18TH CENTURY silver and gold-mounted, the navette shaped shoe buckle set with eighteen pastes claw set in silver with additional engraved gold inner border, the reverse converted to a brooch 52mm wide Provenance: By descent to Mrs Colquhoun, till circa 1888 By 1903 Mrs Robertson, Kingsburgh Bungalow, St Pierre du Bois, Guernsey With Francis Kerr by 1922 (whose hand-written note accompanies this lot) Private Collection Exhibited: Highland and Jacobite Exhibition Inverness 4th August - 20th September 1903, where described as ‘Brooch of old French paste, made from a shoe buckle worn by the Prince. Lent Mrs Robertson, Kingsburgh Bungalow, St Pierre du Bois, Guernsey’ Note: Although various buckles purport to have been given by Prince Charles to loyal supporters after he fled from the battlefield at Culloden few if any have an earlier history. This example is highly unusual having exhibition history back to 1903 and with written family provenance from 1922 detailing some earlier history.

While the name of the original recipient is not mentioned, it seems possible it could have been gifted by the Prince to Donald Cameron of Glenpean.

Donald Cameron had helped the Prince elude the Hanoverian troops and affect his eventual escape to the continent. Charles had stayed with Cameron on the 18th April 1746 and with MacDonald of Glenaladale near Glenfinnan they travelled a route through Corrour and the Braes of Moidart. Cameron saved the Princes’ life when, in the dark, he almost fell to his death. By the 22nd of July they parted ways and it is told that the Prince gave the gift of silver shoes buckles to him - amongst the last values he had about his person, having lost his baggage train after Culloden.

£1,500-1,800

106 Lyon & Turnbull

THE CREYKE FAMILY MINIATURES The Creyke family heritage appears to stem from Danish routes although they are recorded settled and holding the title of Governor in Berwick under the reign of Edward III in 1340. The family seem to have been spread along the borders of Scotland, York and wider afield in Yorkshire. By the time of the Stuart uprisings their seat was, and had been since 1447, Marton Hall in East Riding.

However their connection to the Stuart cause goes much further back than the 18th century and they are recorded supporting and indeed suffering for their support upon the execution King Charles I. At this time the family patriarch was Gregory Crekye (born 1595) and it is recorded that for his support he ‘suffered greatly for his devoted attachment to Charles I, and compounded heavily for his estates’.

Two of Gregory’s sons were also close adherents of the Stuarts. One being page to Queen Henrietta Maria and his eldest son Richard was commissioned by the Duke of Newcastle to guard the East Riding coast against the coming of William of Orange to over throw the Stuart King James II. In fact, it was Richard who personally delivered the fateful news to King James of William’s arrival. Setting in motion the Glorious Revolution and overthrow of the Stuart monarchy which would in turn create their supporters, the Jacobite’s.

It is either this Richard Creyke or his son Reverend John Creyke who must be considered the original owners of these fine miniatures. In either case they were staunch Jacobite’s who as the miniature of King James suggest could have been given this directly for their long and well recorded support. Of course it was not only this past support but the need for future support through the uprisings of the 18th century which the Stuarts hoped to guarantee.

473Y KING JAMES III A PORTRAIT MINIATURE ON IVORY ATTRIBUTED ANNE SHERON, CIRCA 1704 the half-length portrait of King James III in armour with blue sash and red cloak, in silver frame, the reverse engraved (later hand) Prince Charles Edward/ given by him to/ John Greyke/ before ‘The 1745’/ Arlaud, contained in a fitted red leather case 92mm long (including suspension) Provenance: John Creyke, c1690 - 1757, Marton Hall Yorkshire His sons Ralph Creyke, Rawcliffe Hall Yorkshire By direct descent Lawrence’s of Crewkerne 12th October 2010 Private Collection

£3,000-5,000

The Creyke support is seen early in the century with Reverend John who after the Jacobite defeat at Preston was so despondent by this defeat he refused on the 6th May 1718 to take the Oath of Allegiance to King George I. By doing so he had to resign from St. John College Cambridge. Almost immediately he appears to have taken refuge not at the family seat but under the care of the 5th Earl of Winchelsea, Heneage Fincha. So close was their relationship he stayed there as his chaplain and librarian until his death in 1757.

This support was not only known locally but obviously met the ear of Prince Charles Edward Stuart, indeed he and Creyke may have had a more personal connection than is now understood. It is stated in an 1802 edition of Old Yorkshire that Prince Charles promised to Reverend Creyke that should he come to the throne that he would be granted the position as Archbishop of York. This obvious close connection tempts even further that these miniatures could in fact have been direct court gifts.

It should also be said in case any doubt is still cast on the Reverend John Creyke’s Jacobite credentials it is recorded that not only was he present to witness the deaths of the Manchester Regiment soldiers so brutally dealt with for their ‘crime’ of taking arms for the Jacobite’s. But he also wrote the speeches given on the gallows by two of their soldiers. These speeches were written for Thomas Syddall and Thomas Deacon of Manchester. It therefore seems highly likely he would have been present at Southwark Gaol to comfort and consult with other prisoners and likely gave religious clemency to many.

It would appear that these remarkable miniatures not only have a connection to a remarkable, and little known, Jacobite family but for their near 300 year existence have only been in the possession of two Jacobites, the Creyke family and one Private Collector.

Scottish Applied Arts 107

474Y A RARE DOUBLE-PORTRAIT MINIATURE OF JAMES III AND MARIA CLEMENTINA SOBIESKI the oval portrait miniature on ivory set within gold frame with crown surmount and hessonite garnets set around, in a later fitted leather case 47mm long (including suspender) Provenance: John Creyke, c1690 - 1757, Marton Hall Yorkshire His sons Ralph Creyke, Rawcliffe Hall Yorkshire By direct descent Lawrence’s of Crewkerne 12th October 2010 Private Collection

£3,000-5,000

475 LANG, ANDREW PRINCE CHARLES EDWARD, LONDON Groupil & Co., 1900. 4to, frontispiece portrait, plates, modern half calf £100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

108 Lyon & Turnbull

Jacobite Works of Art from Other Properties 486

483

484 490

485

476

480

484

A BRONZE ASCOT OF GRACE MEDALLION

A BRONZE MARRIAGE OF CHARLES III MEDALLION

A HENRY IX SILVER TOUCHPIECE

J CROKER, CIRCA 1717 obverse with bust of King George I, reverse with Clemency leaving on a column with olive branch

F. HAMERANI, 1772 obverse bust of Charles III, reverse with bust of Louise of Stolberg

F. HAMERANI (PROBABLY), CIRCA 1788 Obverse with ship in full sail and legend around, the reverse with St. Michael slaying dragon

32mm, 12.6g

21mm, 3g

45mm, 34g

£120-180

£600-800

481

485

A BRONZE MARRIAGE OF JAMES AND CLEMENTINA MEDALLION

A JACOBITE PRINCE CHARLES EDWARD STUART AND PRINCE HENRY LEGITIMACY OF THE JACOBITE SUCCESSION BRONZE MEDALLION

£150-250

477 A BRONZE BIRTH OF PRINCE CHARLES MEDALLION E. HAMERANI, 1720 Obverse with conjoined busts of King James and Clementina, the reverse with Providentia holding a child with legend below

E. HAMERANI, CIRCA 1719 obverse with classical conjoined portrait, reverse with Hercules and Venus with Cupid 41mm, 31.g

£200-300

41mm, 34.6g

£200-300

482

478

A BRONZE SOUTH SEA BUBBLE MEDALLION

A BRONZE DEATH OF CHARLES III MEDALLION G. HAMERANI, 1788 obverse with Henry Benedict Cardinal Duke of York, reverse with standing figure of Religion holding cross and bible with lion at her feet 53mm, 69g

E. HAMERANI, 1721 obverse with portrait of King James, reverse horse of Hanover trampling the lion and unicorn with inhabitants reduced to naked penury behind 49mm, 43g

£120-180

41mm across, 33.8g

£200-300

486 A JAMES III SILVER TOUCH PIECE

£200-300

483 479

A CHARLES III SILVER TOUCHPIECE

A BRONZE JACOBITE BRAVADO MEDALLION

F. HAMERANI (PROBABLY), CIRCA 1766 obverse with ship in full sail and legend around, the reverse with St. Michael slaying dragon

bronze, obverse standing highland figure, reverse displayed Jacobite rose legend MEA. RES.AGITUR

OTTONE HAMERANI (1694 - 1764), STRUCK C.1731 Obverse; armoured and draped bust of Prince Charles facing right with motto MICAT. INTER. OMNES and with six pointed star within field Reverse; armoured bust of Prince Henry facing left with legend ALTER. AB. ILLO The edge with additional motto EXTVLIT. OS. SACRVM. COELO * DIE XXXI DECEMBR. MDCCXX

21mm, 3g

£400-600

£100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

ENGRAVED UNKNOWN, POST 1718 obverse with ship in full sail and legend around, the reverse with St. Michael slaying dragon 21mm, 3g

£600-800

Scottish Applied Arts 109

492

488 491

494

487

491

494

A QUEEN ANNE SILVER MEDALLION

A JACOBITE BRONZE PEACE NEGOTIATIONS AT GERTRUYDENBERG MEDALLION

A JACOBITE SILVER PRINCESS CLEMENTINA ESCAPE FROM INNSBRUCK MEDALLION

NORBERT ROETTIER (1665 - 1727), STRUCK 1710 Obverse; laureate and armoured bust of Prince James with legend CVIS. EST Reverse; map of Great Britain and Ireland with ships around and motto REDDITE in banner above

OTTONE HAMERANI (1694 - 1764), STRUCK 1719 Obverse; bust of Princess Clementina with legend CLEMENTINA. M. BRITIAN. FR. ET. HIB. REGINA. Reverse; Princess hurriedly escaping in a horse and carriage with Rome in the distance with legend FORTVNAM. CAV. SAMQVE. SEQVOR and in exergue DECEPTIS. CVSTODIBVIS. MDCCXIX

CIRCA 1708 Obverse with crowned portrait of Queen Anne the reverse with Royal Scottish arms and dated 1708 25mm, 3.1g

£120-180

488 A SILVER BATTLE OF CULLODEN MEDALLION R. YEO, 1746 obverse portrait of Duke of Cumberland, the reverse with Hercules trampling Discord and raising Britannia 51mm, 53g

£200-300

489 A SILVER BATTLE OF SHERRIFMUIR MEDALLION J CROKER, CIRCA 1715 obverse with profits to King George I, signed under bust, reverse with scene of the battle with legend below 45mm, 35.7g

£180-220

490 A HENRY IX SILVER TOUCHPIECE F. HAMERANI (PROBABLY), CIRCA 1788 Obverse with ship in full sail and legend around, the reverse with St. Michael slaying dragon 21mm, 3g

£600-800

38mm across, 20.2g

£200-300

492

48mm across, 47.8g

A JACOBITE BRONZE PRINCE CHARLES EDWARD STUART OAK SOCIETY MEDALLION

£300-500

THOMAS PINGO (1714 - 1776), STRUCK 1750 Obverse; bust of Prince Charles facing right Reverse; stricken oak with shoots appearing from base with REVIRESCIT above and 1750 in exergue

TWO ANTI JACOBITE MEDALLIONS

34mm across, 15.2g

496

£200-300

TWO BRONZE DEATH OF CHARLES III MEDALLIONS

493

G. HAMERANI, 1788 one silver plated, obverse with Henry Benedict Cardinal Duke of York, reverse with standing figure of Religion holding cross and bible with lion at her feet; together with a Death of Pope medallion (3)

A JACOBITE BRONZE TREATY OF AIX-LACHAPELLE MEDALLION JOSEPH CHARLES ROETTIER (1693 - 1779), STRUCK 1748 Obverse; right facing bust of Prince Charles, legend CAROLUS WALLIEA PRINCEOPS (Charles Prince of Wales) 1745 Reverse; standing figure of Britannia with union flag within shield protecting a globe showing the British Isles, with rock and seaweed in foreground and ships in sail behind, legend AMOR ET SPES (Love and Hope), with BRITANNIA in exergue 41mm across, 30g

£150-250

495 both bronze to include Carlisle Repcatured and Jacobite Victory medallions (2) 36mm and 40mm

£100-200

53mm and 27mm

£180-220

110 Lyon & Turnbull

497Y A PORTRAIT MINIATURE OF HENRY BENEDICT AFTER JEAN-ETIENNE LIOTARD EARLY 18TH CENTURY, POST-1737 the oval half-length portrait on ivory with Henry in red velvet coat with Order of The Garter sash, in gilt bronze mount and ebonised wooden frame 65mm high

£2,000-3,000

498Y A SILVER AND TORTOISESHELL BOX, ENGRAVED WITH JACOBITE SYMBOLS MID-18TH CENTURY unmarked, plain silver moulded rims to lid and base, plain tortoiseshell base, the slightly rounded lid with delicately engraved landscape, with a tiled floor, table with crown jewels and a mitre, the sky with sun, moon and eye 12.4cm across Provenance: Scottish Silver and Applied Arts sale Lyon & Turnbull 17th August 2016, lot 495 Literature: For similar examples with this iconography see; Delieb, “Silver Boxes”, published by Ferndale, London 1979, illustrated pp 41-42, 45. ”The Swords and Sorrows”, National Trust for Scotland, London 1996 No 7:1

£1,500-2,500

Note: The hidden Jacobite symbolism on this box is not perhaps as obvious as those on glasses and other snuff boxes, however its meaning is deep within the Stuart cause. As discussed by Prof. J. H. Plumb, Vice Master of Christ’s College, Cambridge: “The son (pun on the ‘sun’) of Charles I - will return or emerge (as the moon is doing from the eclipse) from the Boscobel Oak (the oak tree with the Welsh mountains behind, which was commonly used as a symbol for Charles II at the time of the Commonwealth) to his kingdom (indicated by the engraved city on the right) or this might read from Breda (I have not seen an engraving of this city, but it might be related to a city with twin spires) and restore the succession (the crown), royal authority (orb), the church (mitre), bring peace (the spectre laid across the sword) restore the coinage (the bits of gold on the table), and hang (the halter) his enemies. There is the picture of a peaceful and plentiful countryside to the left. The fact of the guineas on the table, suggests, I think, that the box can be dated just after 1696 when the re-coinage by the government of William III created great difficulty for most people and brought about a chronic shortage of cash. Also, I think that this emblematic description of restoration of the Stuarts is cast in an historic form so that it could not be regarded as treasonable. It could be argued that it only depicted what had happened in 1660, although the implication, of course is clear enough: what happened once might happen again”.

Scottish Applied Arts 111

499 A FRAMED SECTION OF JACOBITE RIBBON MID-18TH CENTURY the section of silk ribbon woven with figure of a Highlander (likely to represent Bonnie Prince Charlie) in harlequin dress with sword and targe, in a simple later wooden frame ribbon 9.5cm x 3.5cm Provenance: Scottish Silver & Applied Arts sale Lyon & Turnbull 17th August 2016, lot 498 Note: For a similar section previously in the Fingask Castle Collection see ‘Jacobite, Stuart & Scottish Applied Arts’ Lyon & Turnbull 13th May 2016, lot 7

£2,000-3,000

500 PRINCE CHARLES EDWARD STUART: SECTIONS OF CLOAK CUTTINGS one red velvet round border with silver and gold bullion embroidery; together with two red velvet off cuts 46cm long (embroidered section), 44cm, 35cm long Note: These three sections of red velvet are accompanied by a hand-written envelope detailing their provenance from the 1740s.

This reads “pieces of red velvet part of Prince Charles Edward’s cloak given by him to Colonel Hamilton brother of my g. grandmother, *** Babington. after the fighting of 1741”.

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

112 Lyon & Turnbull

501 A SELECTION OF 10 JACOBITE PRINTS THE BEHEADING OF THE REBEL LORDS ON GREAT TOWER HILL London: Robert Wilkinson, [1746], 272 x 400mm, framed and glazed; Lying in State The Remains of his Late Royal Highness, Prince Wm. Augustus, Duke of Cumberland..., [n.p., 1765] 321 x 188mm; Earl of Kilmarnock, Earl of Cromartie, Lord Lovat, Lord Balmerino and Charles Radcliffe Esq., an engraving showing a portrait of each man inside a medallion, [n.p., 1747], 221 x 136mm; The Coffin Plates of the Rebel Lords, who were executed on Tower Hill, 1746 & 1747, London: R. Wilkinson, 1816, 330 x 282mm; Departure of the Pretender from Scotland, [n.p., n.d.], 216 x 285mm; Battle-field of Preston Pans, [n.p., n.d.], 189 x 124mm; and portrait engravings of Flora MacDonald, John Graham Viscount of Dundee, Lord Lovat after Hogarth and the Duke of Cumberland (10) £500-700

502 AN ARCHITECTURAL CAPSTONE - OF JACOBITE INTEREST LATE 17TH CENTURY of triangular outline, cross sword and sceptre, with initials I E K, dated 1698 below, surmounted by crown 45cm high x 39cm at widest point Note: The Earldom of Kintore and Lord Keith of Inverurie and Keith Hall was created in 1677 and first issued to John Keith, maternal grandson of the Earl of Mar and the son of the 6th Earl of Marischal.

The 10th and last Earl Marischal was John Keith (c. 1693-1778), a staunch Jacobite, he managed to escape to the Continent after actively participating in the rising of 1715, where he was able to serve the Jacobite court at Avignon and be its ambassador to Spain and then Prussia, dying in Potsdam in 1778.

Although the original location of this stone is untraced it presumably graced a lintel or doorway above one of many properties owned by John Keith. It is tempting to consider it may have been removed after the ‘15 in defiance of his participation from one of his forfeited estates.

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 113

503 A JACOBITE WINE GLASS 18TH CENTURY the bucket shaped bowl, with engraved rose head and closed bud, flanked by a thistle, raised on a multi-enamel twist stem and domed circular foot 14.8cm high Provenance: Private collection of G. S. May Esquire

£800-1,200

504 A JACOBITE WINE GLASS 18TH CENTURY the bucket bowl with engraved trailing border of flowers including a Jacobite rose, rose buds, tulip sunflower etc. with foliage between, raised on an enamel twist stem and a domed circular foot 15.5cm high Provenance: The Late Michael Buckingham Collection

£300-500

505 A JACOBITE WINE GLASS 18TH CENTURY the bucket bowl with engraved trailing border of flowers including a rose, forget-me-not, chrysanthemum etc. with foliage between, raised on an air twist stem and a domed circular foot 16.5cm high Provenance: The Late Michael Buckingham Collection

£600-800

506 A JACOBITE ENGRAVED WINE GLASS 18TH CENTURY the shaped ogee bowl engraved with a band of fruiting vine entwined with various flowers including a rose and carnation on a double series air twist stem with a swollen knop, and conical foot 15cm high

£700-1,000

507

508

A JACOBITE ENGRAVED WINE GLASS

A JACOBITE ENGRAVED WINE GLASS

the slender trumpet bowl engraved with open rose head and empty bud, on a plain stem and conical foot

MID-18TH CENTURY the round funnel bowl engraved with a band depicting a rose, honeysuckle and carnation, with slightly tapered stem on a conical foot

17.5cm high

£300-500

15cm high

£300-500

114 Lyon & Turnbull

509 A FINE JACOBITE WINE GLASS MID-18TH CENTURY the small drawn bowl engraved with open rose head flanked by open and closed bud, with oak leaf and star to reverse, raised on a tapered multi air twist stem and circular foot 15.4cm high Provenance: The Late Michael Buckingham Collection

£1,000-1,500

510 A JACOBITE WINE GLASS MID-18TH CENTURY the drawn trumpet bowl engraved with a displayed rose head flanked by open and closed buds, the reverse of the bowl with moth, raised on a multi-enamel twist stem and domed circular foot 16cm high Provenance: The Late Michael Buckingham Collection Note: This glass seems to be by Engraver E. The style and detail to the moth fits most comfortably within his surviving work.

£1,000-1,500

511 A JACOBITE WINE GLASS MID-18TH CENTURY the drawn trumpet bowl, with engraved displayed rose head flanked by open and closed buds, on a tapered plain stem and domed folded foot 16.5cm high Provenance: Private collection of G. S. May Esquire

£1,000-1,500

512 A JACOBITE ENGRAVED WINE GLASS 18TH CENTURY the flared bowl engraved with a rose head flanked by open and closed buds and a star, raised on an air twist stem with a basal knop with internal bubbles on a conical foot 17cm high

£600-800

513 A JACOBITE ENGRAVED WINE GLASS MID-18TH CENTURY the drawn trumpet bowl engraved with open rose head flanked by open and closed buds, additionally engraved FIAT with an oak leaf, on plain stem and domed folded foot 13.5cm high

£500-700

514

515

A JACOBITE ENGRAVED WINE GLASS

OF JACOBITE INTEREST, AN ENGRAVED WINE GLASS

18TH CENTURY the round funnel bowl engraved with sunflower and a bee, on a mixed-metal stem and conical foot

18TH CENTURY the flared bowl engraved with a sunflower and moth, on a tapered teared stem and folded foot

14.5cm high

13.5cm high

£400-600

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 115

516 A RARE AND LARGE JACOBITE GOBLET EARLY 18TH CENTURY the large conical bowl with diamond point engraved motto ‘God Beff King James’ around, raised on a bold baluster stem with air bubble inclusion and lower knop, with large spreading folded foot 20.2cm high Provenance: The Late Michael Buckingham Collection Note: Other than the fabled Amen Glasses, very few Jacobite glasses feature diamond point engraving. All that do survive seem to relate to the earlier period of the Uprisings and come from the first quarter of the 18th century. Due to this, they mainly relate to King James, rather than Prince Charles.

For a slightly later ‘Down With The Rump’ diamond point engraved wine glass see Lyon & Turnbull ‘Scottish Silver & Applied Arts’ 16th August 2017 lot 411.

£3,000-5,000

517 A LARGE JACOBITE ENGRAVED GLASS GOBLET 18TH CENTURY the rounded bowl engraved with a rose head flanked by open and closed buds, with a moth, raised on an airtwist stem and conical foot 20cm high Provenance: Bears label from the A. Leonard Fuller Collection

£1,200-1,800

518 A LARGE JACOBITE GLASS GOBLET 18TH CENTURY the flared bowl engraved with a rose head flanked by open and closed buds, with a star and acorn leaf, raised on a teared steam and conical foot, engraved ‘Redi’ 23cm high

£1,500-2,500

519

520

A LARGE JACOBITE REVIVAL GLASS GOBLET

A JACOBITE ENGRAVED WINE GLASS

EARLY 19TH CENTURY the rounded bowl engraved with a rose head and bud to one side, and ‘Jos. Stone. 1826’ to the other, raised on a short knopped stem and square lemon-squeezer foot

MID-18TH CENTURY the drawn trumpet bowl engraved with single displayed rose head and six-pointed star, on a tapered multi-air twist stem and conical foot, with label for A. Leonard Fuller Collection

22cm high

17cm high

Provenance: Bears label from the Paul Kettle Collection

Provenance: Bears label to foot, from the A. Leonard Fuller Collection, no. 275

£400-600

£400-600

116 Lyon & Turnbull

The song of the cycle club being sung at each meeting in toast to the Jacobites was: I hope there’s no soul, That over his Bowl, But means honest Ends to pursue, With the Voice goes the Heart, And let’s never depart, From the Faith of an honest True Blue.

True Blue! From faith of the honest True Blue.

For Country and Friends, Let us dam private Ends, And keep old British Virtue in View, Despising the Tribe, Who are bought by Bribe, Let’s be Honest and ever True Blue True Blue! From faith of the honest True Blue.

Here’s Health to all those, Who Slavery oppose, And our trade both defend and renew, And to each honest Voice, That concurs in the Choice, And Support of an honest True Blue, True Blue! From faith of the honest True Blue. (this last verse added in 1745) For the Days we’ve misspent, Let us truly repent, And render to Caesar his due, Here’s a Health to the Lad, With his Bonnet and Plaid, For the World cannot stain his True Blue.

True Blue! From faith of the honest True Blue.

521 A RARE SET OF SIX ORDER OF THE GARTER JACOBITE WINE GLASSES

LATE 18TH/ EARLY 19TH CENTURY the tapered bowls with diamond engraved WW creating two panels with badge of The Order of Garter between, raised on short reeded knopped stem and domed foot (6) 9.2cm high Provenance: The Late Michael Buckingham Collection Believed to have been made for the Watkin Wynne family, by descent Note: Sir Watkin Williams-Wynn was amongst the most prominent Jacobites south of the border and certainly the staunchest supporter in Wales. He is credited with setting up the Cycle Club, perhaps the most active and well known of the numerous Jacobite clubs/societies.

Founded on 19th June 1710, the anniversary of the Old Pretender’s birthday, the club would continue for over 150 years. Termed the Cycle Club as the meetings were held alternately in members houses and had a supposed base at Wynn’s home Wynnstay which seems to have been for general and anniversary meetings.

The club’s rules and regulations are well known and the burden to attend meetings was key, all members having to attend each three-weekly meeting or give written notice as to why. Various glasses are associated with the Club, and it seems likely that members presumably had to supply their own glasses, which would explain the various patterns, styles and engraving noted to those still surviving. As with all clubs these glasses would have been used in the communal toast and songs.

The Cycle club are one of the few societies which can claim an active part in the uprising of the ‘45. They marched to meet Charles’ army in England with men, money and supplies but by the time they reached Derby the Highland army was on retreat. In quick succession, they returned to Wales where the incriminating plans and papers were destroyed, although the club continued.

Wynne himself an MP at the time survived the uprising relatively unscathed and indeed kept his seat in the Houses of Parliament. Perhaps no direct evidence could be found, or the Hanoverian retribution was focused more on the highland supporters seen to have betrayed the crown.

His luck however ran out while in 1749 he died falling from his horse hunting.

The Jacobite sympathies to these glasses is very covert and even the somewhat hidden nature of the WW’s is interesting. This presumably shows they were in use at a time when hiding ones sympathies was safer than advertising your belief in the cause. The Order of the Garter star is an emblem associated with some rare Jacobite glasses and it shows the right that the followers felt the Stuarts had to the throne. The Order of the Garter is seen in portrait and the use of chivalry within the cause and the Stuarts’ belief in their right to these honours is well recorded.

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 117

522 A RARE JACOBITE SYLLABUB GLASS MID-18TH CENTURY the flared bowl finely engraved with a rose head flanked by open and closed buds, on a compressed knop with air bubbles, on a stepped domed foot 10cm high Provenance: Private collection of G. S. May Esquire Note: This unusual glass seems to be a crossover pattern between a firing glass and a syllabub glass; an unusual pattern which is rarely seen with Jacobite engraving. Although of standard firing glass size it does not have the heavy thick foot that the standard form requires and the bowl shape is slightly later than the drawn bowls of the early 18th century when firing glasses were more common. The attractive compressed stem and domed foot along with the waisted bowl seem to suggest this is a syllabub glass. For one of very few comparable examples see ‘The Scottish Sale’, 26 - 17th April 2017, Bonham’s, Edinburgh, lot 247.

£1,500-2,000

523 A JACOBITE ENGRAVED FIRING GLASS MID-18TH CENTURY the drawn trumpet bowl engraved with open rose head flanked by open and closed buds, additionally engraved with an oak leaf, on a short red and white multi-twist enamel stem and a flat foot 11cm high

£1,000-1,500

524 A JACOBITE WINE GLASS MID-18TH CENTURY the bucket bowl engraved with open rose head flanked by open and closed buds, the reverse with displayed thistle, engraved above ‘SUCCESS TO THE SOCIETY’, raised on a multi-enamel twist stem and circular foot 15cm high Provenance: Private collection of G. S. May Esquire Note: Although the exact Society referenced on this glass has not been determined it appears to fall within a small group of Society’s glasses known. Others similar by the same hand are recorded with mottos such as ‘Health To All True Blues’ and ‘The Friendly Hunt’. There is no doubt that the Society is pro Jacobite and it is considered by the addition of the thistle that it is likely this society was Scottish based. For a glass from the same set see ‘The Jacobite and Their Drinking Glasses’ G. B. Seddon plate 88, page 124.

£1,500-2,500

525 A JACOBITE ENGRAVED DRAM GLASS MID-18TH CENTURY of waisted form with an everted rim, engraved with a thistle to one side, and the name Q. MURRY and REDI to the other 8.5cm high

£800-1,200

526 OF JACOBITE INTEREST, A PAIR OF ENAMEL-TWIST STEM WINE GLASSES with ogee bowls, engraved with rose heads/carnations and foliage, the reverse with moths, on double-series opaque twist stems and conical feet (2) 15cm high

£300-500

118 Lyon & Turnbull

527 A JACOBITE ENGRAVED WINE GLASS 18TH CENTURY the flared bowl engraved with a rose head flanked by open and closed buds, with a star, acorn leaf and the inscription ‘Fiat’, on an air twist stem and conical foot 15cm high Provenance: Purchased from auctioneers J. & R. Edmiston, Bath Street, Glasgow in 1971 from the Collection of G. S. Coats of Paisley

£500-700

528 A LARGE JACOBITE GLASS GOBLET LATE 18TH/ EARLY 19TH CENTURY the ogee bowl engraved with a border of circles above the facet-cut base concealing a rose head and leaves, on a faceted stem and conical foot 19cm high

£600-800

529 A LARGE JACOBITE ENGRAVED DUTCH SODA GLASS MID-18TH CENTURY the deep bowl engraved with open and closed rose head within foliage, with moth and tulip, on a multi-enamelled twist stem and domed foot 16.5cm high

£700-1,000

529A

530

531

532

OF JACOBITE INTEREST, A WINE GLASS

OF JACOBITE INTEREST, A FACETTED STEM ENGRAVED WINE GLASS

A JACOBITE STYLE WINE GLASS

A JACOBITE INTEREST WINE GLASS

the large bucket bowl engraved with open rose head and a pair of open buds, raised on a multi-enamel twist stem and large spreading foot

the bucket bowl with engraved trailing border of rose heads and foliage, on a straight plain stem and domed foot with folded rim, with label for the James Hall Collection

18TH CENTURY the round funnel bowl engraved (possibly later) with a rose bud, on a plain stem and folded foot 16cm high

£150-250

LATE 18TH CENTURY the round funnel bowl engraved with open and closed rose heads, the reverse with moth, the lower section of bowl and stem facet cut, on a conical foot

15cm high

14cm high

Provenance: Private collection of G. S. May Esquire

£200-300

£150-250

14.5cm high Provenance: Ex James Hall Collection; Private collection of G. S. May Esquire

£300-400 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 119

Militaria, Arms & Armour, and Highland Dress

120 Lyon & Turnbull

533 A RARE BRASS SCOTTISH BASKET HILTED BACK SWORD CIRCA 1730 the hilt of Glasgow style, with fluted brass bars and panels pierced with conventional rectangular holes and circles, with large bun shaped pommel, the wooden grip with remnant of fish-skin and wire binding the single edged blade with double fuller running almost the full length 88cm length of blade, 104cm overall

£6,000-8,000

534 A FINE SCOTTISH BASKET-HILTED BACKSWORD CIRCA 1730 the hilt guards pierced with hearts and circles and ribbed and scalloped detail, with fluted conical pommel, fish skin covered grip wire bound with silver mounts, the single edged blade with a wide fuller along the back edge 76cm length of blade, 92cm overall

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 121

535 AN IMPORTANT EARLY 18TH CENTURY SILVER HILTED PRESENTATION RACE PRIZE BASKET HILTED BROAD SWORD WILLIAM SCOTT II (ATTRIBUTED), ELGIN, CIRCA 1700-1710 marks very worn but traces visible, the silver basket hilt formed with plain and gadrooned bar with flat forward facing knuckle guard flanked by pierced panels with crowned CR monogram and thistle, with compressed pommel, the tapered double edged blade with triple fullers, with a silver chape and remnants of the leather scabbard Blade 75cm long, overall length 102cm

£30,000-40,000 Note: This highly important silver basket hilted sword forms part of a very small group of race prize swords presented for the Huntly Races.

Currently the prizes known to survive are a thistle cup by William Scott of Banff 1695 (National Museums of Scotland), a basket hilted sword by William Scott of Elgin 1701 (National Museums of Scotland), another basket hilted sword by William Scott of Elgin 1713 (Royal Collection), a cup and cover by Robert Cruickshank of Old Aberdeen circa 1725 (Private Collection Mount Stuart) and a basket hilted sword by the same maker 1727 (Royal Collection).

The Huntly Races were held between 1695 and 1749 under the tenure of the 1st and 2nd Dukes of Gordon, after being granted the right by the Scottish Parliament. Termed the ‘Charles Fair’ this seems to have been in commemoration of King Charles II, and therefore a thinly veiled support of the Stuart/ Jacobite cause.

That said the Races followed a form common throughout Scotland of race meetings ‘sponsored’ by the local council of gentry. As well as adding to the social and sorting calendar they were a means of attracting business and money to the area in the form of big-spending aristocrats and gentry who owned and ran the horses. From the outset it was clear that the Races were intended to appeal to a far-flung constituency.

Prizes were most commonly supplied by the organisers and often took the form of silver or gold plate rather than cash, the plate being made by one of the most highly regarded makers in the area. The fact that so few have actually survived in Scotland suggests they were often converted back into hard cash.

Although the knuckle guard has now been erased as well as the original presentation inscription, and disappointingly the marks have been worn, there is no doubt this sword forms part of this important group. The form of the basket, cipher, crown and bars are unique to this group. It seems highly likely this sword is by William Scott rather than Robert Cruickshank. It fits far more comfortably within his surviving examples with the obvious gadrooned bars and identical construction.

122 Lyon & Turnbull

536

537

A SCOTTISH RIBBON-HILTED BROADSWORD

A RARE SILVER HILTED BACK SWORD

LATE 17TH CENTURY the basket composed of flat blackened iron panels formed with open circular bosses and S bars, with pronounced beakit neb and with traces of incised decoration, compressed domed pommel and leather covered spiralled wooden covered grip, the double edge blade with twin fullers to both sides

EARLY 18TH CENTURY unmarked, the full basket composed of fluted flat bars, side guards with ram's horn, heart and lozenge design, main guard with crowned A V surrounded by geometric bars, conical pommel with fluted decoration, wire bound leather grip, the single edged blade with triple fuller

83cm length of blade, 97cm overall

Provenance: From the collection of the late Baron Earlshall

Provenance: Ex. Arnold Rothschild Collection, Baltimore, USA

Note: Although the hilt is unmarked other comparables have been marked by Colin McKenzie of Canongate.

Illustrated in “British Basket-Hilted Swords”, by C. Mazansky, p. 72, CAC.

£10,000-15,000

£3,000-4,000

538 AN ENGLISH MORTUARY HILTED SWORD CIRCA 1640 the blackened iron hilt pierced and chiselled with portrait masks, the base of the guard with sea monsters, the side guards linked to the knuckle guard by two slender bars, the globular foliate pommel, fishskin covered grip with wire, single edged blade with three fullers, stuck with sickle and crescent moon marks 89cm length of blade, 105cm overall

£3,000-3,500

82cm blade length, 101cm overall

Scottish Applied Arts 123

539 A RARE SCOTTISH HIGHLAND DIRK DATED 1677 the blade of triangular section, tapering to a fine point, the back edge engraved 1677, the carved hardwood grip with spiralled grooved and incised borders, the pommel inlaid with geometric steel design and ringed edge; the leather scabbard stitched along the back edge profusely decorated with Celtic knotwork and interlace, with remnants of suspension loop 39cm length of blade, 50cm overall

£8,000-10,000

540 A BASELARD DAGGER EARLY 14TH CENTURY the sharply tapered blade with V shape fuller at haunches with waisted grip and flared pommel 35cm long Provenance: Private Glasgow collection Sold circa 1970s Private Collector Note: By repute found early 19th century in the Bannockburn near Telford Bridge

£300-500

541 A LEATHER AND BRASS STUDDED REPRODUCTION TARGE the wooden body with leather covered front, the domed central brass boss with 11cm spike, surrounded by domed and facetted brass studs and plates, the reverse with twin leather arms, loop and travelling spike pocket 46cm across Note: A fine reproduction closely following the 18th century (and earlier) originals.

The attention to detail is unusual, the addition of the screw out spike and the spike carrying pocket are rarely seen.

£250-350

124 Lyon & Turnbull

542 A BASKET HILTED SWORD LATE 18TH CENTURY the basket formed of flattened side and main guards with pierced heart shaped dot decoration, wooden grip and conical pommel, with single edged double fullered blade signed four times X ANDRIA X FARARA X 79cm length of blade, 98cm overall

£800-1,200

543 A VICTORIAN SEAFORTH HIGHLANDER OFFICER’S DRESS SPORRAN R & H B KIRKWOOD, 19TH CENTURY the arched gilt brass cantle with applied silver regimental badge and battle honours, the white goat hair body with six bullion and red woven tassels, the reverse with red morocco leather pouch 15.3cm width of cantle x 46cm long (approx.)

£300-500

544 A LATE VICTORIAN BLACK WATCH OFFICER’S DRESS SPORRAN 19TH CENTURY the arched gilt brass cantle with cast thistle border and central regimental badge, the white goat hair body with five knotted gold bullion tassels, the reverse with red morocco leather pouch £300-500

545 A MODERN SCOTTISH OFFICER’S BASKET HILTED SWORD of conventional pattern with pierced and incised basket with red felt lining, the blade with etched decoration with metal scabbard 81cm length of blade, 103cm overall length

£150-250

Scottish Applied Arts 125

546 A BLACK WATCH OFFICER’S SPORRAN the arched gilt brass cantle with thistles and regimental badge designs, with white horse hair body with twin black tassels with gilt brass thistle decorated bell, the leather pouch with change purse 15cm width of cantle, 48.5cm overall length

£200-300

547 A FINE VICTORIAN OFFICER’S QUEEN’S OWN CAMERON HIGHLANDERS VOLUNTEER BATTALION SPORRAN 19TH CENTURY the large silvered deeply chased cantle with displays of thistles and oak leaves with acorn, surrounding regimental badge and with Peninsula, Egypt and Waterloo battle honours within ribbon, the horse hair body with six silver bullion and blue silk tassels, with red morocco leather backing 20cm width of cantle, 53cm overall length approximately

£1,000-1,500

548 A VICTORIAN QUEEN’S OWN CAMERON HIGHLANDERS OFFICER’S SPORRAN 19TH CENTURY the brass cantle with displays of thistles and oak leaves with acorn, surrounding regimental badge and with Peninsula, Egypt and Waterloo battle honours within ribbon, the horse hair body with six silver bullion and blue silk tassels, with red morocco leather backing, retailed by Wm. Anderson & Sons Ltd.

Note: This rare sporran is from the much rarer volunteer battalion Queen’s Own Cameron Highlanders, denoted by the silvered cantle and silver bullion tassels rather than gilded and gold bullion as found on the standard regimental version.

18.5cm width of cantle, 52cm overall length approximately

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

126 Lyon & Turnbull

549 A RARE SET OF SILVER BALMORAL HIGHLANDERS DOUBLET / KILT JACKET BUTTONS FIRMIN & SON LTD., LONDON With integral mark for ‘FIRMIN & SON Ltd LONDON’ around central button loop, the lozenge shaped buttons with central lion sergeant Royal Scottish crest on a linear background, within simple framed border (28) 27mm wide

£800-1,200

Note: The Balmoral Highlanders are recorded as the Royal bodyguard at the highland estate of Balmoral. Formed from the estate workers rather than a military regiment their formation and duties are still somewhat misunderstood. The most recognised period of their existence was in 1904 when King Edward VII commissioned, from the local Ballater silversmith William Robb, 25 complete suites of uniform. While these are obviously rare, split uniforms do occasionally appear at auction. However, this commission is really only a part of the story as it is known from photographic and documentary evidence that this was not the formation of the ‘regiment’ merely a continuation and perhaps an attempt at standardisation of uniform.

Until the discovery of these buttons it had been considered that the earlier buttons - to the same pattern - were made in silver by Lumsden & Co of Aberdeen (two or three sets currently recorded) and the William Robb 1904 order was commissioned with silver plated buttons by Firmin & Co. However, these buttons are certainly of silver and are by the latter maker. It is possible these were commissioned specifically by the Royal Household, perhaps via William Robb, for either an ‘Officer’ or perhaps Royal Piper or perhaps even Royal use.

For a full 1904 William Robb Balmoral Highlanders uniform on view see the recently opened Braemar Royal Highland Society’s, Highland Games Centre at Braemar.

550

552

554

TWO 1740 LAND PATTERN FLINTLOCK MUSKET LOCKS

AN ARGYLL & SUTHERLAND HIGHLANDERS OFFICER’S SPORRAN

A LATE VICTORIAN CAMERON HIGHLANDERS SGIAN DUBH

18TH CENTURY in recovered state, reputedly salvaged from the remains of the house fire within Bankton House, with traces of military cyphers and insignia

WATT & SONS, EDINBURGH the shaped hinged cantle with gilt metal borders around patent leather centre, with applied silver cipher and regimental badges, the white horsehair body with five gold bullion tassels 46cm long

MEDLOCK AND CRAIK, INVERNESS the basket weave carved handle with applied studs and regimental battle honour, the pommel with thistle collet setting containing a paste, with spear point blade with single fuller and scalloped back edge, with simple brass mounts to leather scabbard

£200-300

19.5cm long overall

20cm long approximately Note: Bankton House within the Scottish Borders was destroyed by fire 1852. It was the site of the Battle of Prestonpans 21st September 1745.

£300-500

551 A VICTORIAN ARGYLL AND SUTHERLAND HIGHLANDERS OFFICER’S SPORRAN 19TH CENTURY the badger mask sporran of traditional form with six tassels, brass cantle and maroon leather backing

£250-350

553 EARLY 19TH CENTURY SCOTTISH SCHOOL PORTRAIT OF AN ARGYLL & SUTHERLAND HIGHLANDERS OFFICER Oil on canvas 33cm x 27cm (13in x 10.5in)

£300-500

34cm long

£200-300

555 AN EDWARDIAN ARGYLL & SUTHERLAND HIGHLANDER SGIAN DUBH EDINBURGH, 1907 the large basket weave carved handle with applied studs and cipher with collet set citrine to pommel, the curved steel blade with a single fuller and scalloped back edge, the leather scabbard with Celtic beast mounts 19.5cm long overall

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Applied Arts 127

Note: Although the exact reason for the presentation of this dirk is not recorded it seems highly likely it will relate to the Highland Light Infantry’s time serving in India during the Indian Mutiny. They served there between 1857 and 1863 after having seen service in the Crimea in 1854.

556

557

558

A VICTORIAN BLACKWATCH (42ND HIGHLANDERS) OFFICER’S DIRK

A VICTORIAN QUEENS OWN CAMERON HIGHLANDERS (79TH HIGHLANDERS) OFFICER’S DIRK

A MILITARY PRESENTATION DIRK

R & H B KIRKWOOD, EDINBURGH the carved black wooden handle with basket weave decoration and brass studs, the pommel set with foil back crystal in gadrooned border, the single fullered blade with scalloped back edge and spear point, the leather covered wooden scabbard set with bi-knife and fork, the mounts with regimental badge and displayed thistles

19TH CENTURY the carved black wooden handle with basket weave and feather bonnet decoration and brass studs and applied thistle plaque to front, the pommel set with foil back crystal in thistle and acorn mount, the single fullered blade with scalloped back edge and spear point, the leather covered wooden scabbard set with bi-knife and fork, the mounts with regimental badge and displayed thistles and bluebells

MID-19TH CENTURY blade signed Lockwood Brothers, Sheffield, the carved root wood handle with silver studs and flat pommel cap, engraved around the button ‘Presented to Capt & Adjutant William Donaldson, Highland Light Infantry, by Major the Hon Alistair E. Fraser, Scots Fusilier Guards 1857’, the tooled leather scabbard with engraved silver mounts and set with bi knife and fork, with spear point blade

28cm length of blade, overall length 44cm

36cm length of blade, overall length 48cm

26.5cm length of blade, overall length 42cm

£1,000-1,500

£1,000-1,500

£1,000-1,500

128 Lyon & Turnbull

559 A MID-VICTORIAN 72ND HIGHLANDERS (DUKE OF ALBANY’S / SEAFORTH HIGHLANDERS) CROSS BELT PLATE 19TH CENTURY the gilt brass plate with regimental number within thistle and surmounted by crown, with hook and stud fastening to reverse 9.5cm x 7cm

£200-300

560 A MID-VICTORIAN 78TH HIGHLANDERS (DUKE OF ALBANY’S / SEAFORTH HIGHLANDERS) BRASS AND SILVER PLAID BROOCH UNMARKED, 19TH CENTURY The brass annular brooch applied with silver (unmarked) crown, regimental number and thistle with regimental motto, hinged pin to reverse 8.5cm wide

£300-500

561

563

565

A SCOTS GREYS OFFICER’S SILVER MOUNTED POUCH

A VICTORIAN OFFICER’S DRESS BELT POUCH

A VICTORIAN DRESS SPORRAN

BENT & PARKER, BIRMINGHAM 1835 the curved leather covered cartridge case with hinged silver cover with foliate engraved border and applied gilt regimental badge, with silver mounts

BENT & PARKER, BIRMINGHAM 1870 engraved border and applied gilt cypher for Hussars (Prince of Wales’ Own) 19cm wide

£400-600

R & H B KIRKWOOD, EDINBURGH the plain arched cantle with triple knops, the black goat hair body with three black tassels with eagle claw clasping ball bells 19cm width of cantle, 39cm overall length approximately

£400-600

17.5cm wide (excluding hanging mounts)

£400-600

564 81ST HIGHLAND REGIMENT OF FOOT - A POWDER HORN

566

562

the polished cow horn point with metal knop finial, the base with engraved Regimental badge and number for the 81st Regiment, integrated loops with cord

the canted square cantle profusely decorated with thistles and vacant cartouche, with long black horsehair body and twin white tassels with thistle decorated bells

23cm long

16.5cm width of cantle, 45cm overall length approximately

A VICTORIAN OFFICER’S DRESS BELT POUCH JOSEPH JENNENS & CO, BIRMINGHAM 1857 engraved border and applied gilt cypher for Hussars (Prince of Wales’ Own) 19.5cm wide

£400-600

Note: Raised between 1777-1783, the 81st Highland Regmient of Foot was an infantry regiment in the British Army.

The regiment raised by General the Hon. William Gordon of Fyvie. Under the nose of his nephew Alexander Gordon, 4th Duke of Gordon, the raising of the regiment caused several family disputes.

It was disbanded after service in Ireland and Britain when it refused to sail to the West Indies in March 1783.

£600-800

A DRESS SPORRAN

£150-250

Scottish Applied Arts 129

567 AN OTTER MASK SPORRAN the mask sporran with folding access to pouch, simple leather backing 18.5cm approx. at widest point

£300-500

568

570

573

AN EDWARDIAN SEAFORTH HIGHLANDERS SGIAN DUBH

A VICTORIAN DRESS SPORRAN

A WILD CAT MASK SPORRAN

19TH CENTURY the arched cantle finely engraved with Celtic knot work panel and bosses with triple ball knops, with white horsehair body and twin back tassel with engraved bells

the mask sporran with folding access to pouch, with simple leather backing

15.5m width of cantle, 45cm overall length approximately

574

ANDERSON & SONS, EDINBURGH the ebony handle with applied St Andrew on cross with star motif and basket weave carving around with thistle mounted collet set foil back crystal to pommel, with single fuller blade with scalloped back edge, the leather covered scabbard with simple mounts

£250-350

£250-350

571

569

A LATE VICTORIAN GOAT HAIR SPORRAN

carved basket weave wooden handle with oak leaf gallery and collet set paste, leather covered scabbard with simple mounts 20cm long

£300-500

A BADGER MASK SPORRAN the mask sporran with folding access to pouch, six hair tassels, gilt brass thistle decorated bells, with simple leather backing

20cm long overall

A GORDON HIGHLANDERS OFFICER’S SGIAN DUBH

18.5cm approximately at widest point

19TH CENTURY the simple arched cantle with simple knop, the white goat hair body with twin grey goat hair tassels with simple bells 15cm width of cantle, 49cm overall length

£200-300

£100-200

572

18.5cm approximately at widest point

£200-300

575 A LEATHER SPORRAN the plain leather purse with three leather tassels (one lacking) surmounted by a brass cantle, punched crosses, with push-button opening mechanism 11cm long

AN OTTER MASK SPORRAN the mask sporran with folding access to pouch, with simple leather backing

£200-300

17cm approximately at widest point

£200-400 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

576 A SILVER PLATED SPORRAN UNMARKED, EARLY 20TH CENTURY the arched cantle with three compressed knops and engraved crest, the pouch of white seal skin with three tassels with simple bells, with green leather backing; together with a silver-plated sporran chain £150-250

577 AN EARLY 20TH CENTURY DIRK HENRY TATTON, EDINBURGH 1912 the carved wooden handle with basket weave and Celtic interlace, with collet set foil back crystal to pommel, the leather scabbard with engraved Celtic mounts and set with bi-knife and fork 29.5cm long, overall length 46cm

£500

578 A SILVER PLATED SPORRAN EARLY 20TH CENTURY silver plated arched cantle with pierced heart motifs, the grey horsehair body with five black horse hair tassels

581 A SILVER PLATED SPORRAN 20TH CENTURY the large arched cantle with bold Celtic beasts and knotwork with central vacant cartouche, the white horse hair body with two black horse hair tassels with Celtic knotwork bells, the reverse of red leather; together with sporran chain 16.5cm width of cantle, 47cm overall length

£250-350

21cm width of cantle, 48cm long

£150-250

579

582

584

A GROUP OF SPORRANS

AN EARLY 19TH CENTURY SGIAN DUBH

A MODERN SGIAN DUBH

20TH CENTURY the horsehair bodies with silver plated cantles and leather backing (4)

CIRCA 1810 unmarked, the cross hatched carved ebony handle with thistle mount collet set foil back crystal to pommel, with double edge steel blade, the leather scabbard with thistle engraved mounts

T K EBBUTT, EDINBURGH 1971 the Celtic interlaced handle with claw set paste, leather covered scabbard with engraved silver mount with Celtic knotwork

£150-250

580 A VICTORIAN HIGHLANDER’S PRESENTATION DIRK CIRCA 1870 unmarked, the boldly carved knotwork blackwood handle with thistle mounted paste, single fullered blade with scallop back edge, leather scabbard set with bi-knife and fork and presentation plaque to reverse which reads ‘Clan Donnachiedh Society (from Rannoch barracks) presented to Mr. A. Robertson Clan Piper’ 50cm long

20cm long

£120-180

17cm long overall

£200-300

583 A VICTORIAN ANTLER HANDLED SGIAN DUBHV UNMARKED, 19TH CENTURY the Roe deer antler handle claw set with fancy cut citrine, engraved mount above tapered blade, with later leather scabbard 17.5cm

£120-180

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

SALE OF WHISKY & SPIRITS FOLLOWS AT 6PM

To be offered 4th September 2019 in Edinburgh

LARGE DUKE OF CUMBERLAND ENGRAVED GLASS WINE GOBLET MID-18TH CENTURY wheel-engraved with the profile of the Duke of Cumberland, within the inscription HIS ROYAL HIGHNESS WILLIAM DUKE OF CUMBERLAND 19cm high Provenance: Ex Arthur Churchill Glass Ltd. Private Collection of G.S. May Esq.

£6,000-8,000

AUCTION 04 SEPTEMBER IN EDINBURGH

For a valuation or to discuss selling works, please contact: Theo Burrrell 0131 557 8844 theo.burrell@lyonandturnbull.com

2 Lyon & Turnbull 132 Lyon & Turnbull

Whisky & Spirits: Buyer's Guide

Registration

Bidding & Payment

Catalogue descriptions

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all fist time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address (utility bill/bank statement).

Buyer’s Premium & Other Charges The buyer shall pay the hammer price together with a premium, at the rate of 15%.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale).

Additional VAT

We may, at our option, also ask you to provide a bank reference and/ or deposit.

† VAT at the standard rate payable on the hammer price

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

No VAT is payable on the hammer price or premium for books bought at auction.

* 5% import VAT payable on the hammer price

Alcohols are catalogued as accurately as possible at the time of going to print.

However, purchasers must take into consideration the natural variations and conditions of cases, labels, ullages, corks and wines. Lyon & Turnbull are unable to accept returns.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Please note that due to The Licensing (Scotland) Act 2005: Collection of any purchases from our Whisky & Spirits auctions will not be permitted before 10am. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting.

18.6 WHISKY

Whisky & Spirits 133

Whisky & Spirits Wednesday, 14th August, 2019 at 6pm Sale Number LT569

Speyside 600 ABERLOUR VINTAGE 1964 25 YEAR OLD bottled in 1989, with presentation case and key 75cl/ 43%

£400-600

601 CRAIGELLACHIE 1995 21 YEAR OLD - OLD MALT CASK bottled in 2017, one of 587 bottles, with carton 70cl/ 50%

£150-250

602 GLENFARCLAS 25 YEAR OLD with carton 70cl/ 40%

£150-180

603 BENRINNES 15 YEAR OLD - FLORA AND FAUNA with wooden presentation case, 70cl/ 43%; together with a BENRINNES 12 YEAR OLD THE MANAGER’S DRAM, bottled at natural cask strength, 75cl/ 43% (2) £250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

134 Lyon & Turnbull

604 BENRINNES 1974 21 YEAR OLD RARE MALTS bottle number 4641, bottled at natural cask strength, with carton 70cl/ 60.4%

£200-300

605 GLENGLASSAUGH 1973 THE FAMILY SILVER 70cl/ 40%

£120-180

606 MORTLACH 16 YEAR OLD - FLORA AND FAUNA 70cl/ 43% Note: Although by no means the oldest Mortlach ever issued (that going to the fabled 75 year old!) this expression does have a major following by both collectors and connoisseurs.

Now discontinued and replaced by new ranges, the Flora & Fauna has become a sought after example for both drinking and collecting.

£150-250

607 DAILUAINE 1973 22 YEAR OLD - RARE MALTS US IMPORT bottle number 11741, natural cask strength, imported by Schieffelin & Somerset Co, New York 75cl/ 60.92% (121.8 proof)

£200-300

Whisky & Spirits 135

608 DAILUAINE 1975 27 YEAR OLD FIRST CASK bottle number 50, cask 5526, 70cl/ 46%; and a ALLT-A-BHAINNE 1977 25 YEAR OLD; 70cl/ 46%; a STRATHMILL 1974 26 YEAR OLD, 70cl/ 46%; together with a MANNOCHMORE 1977 22 YEAR OLD,70cl/ 46% (4) £400-600

609 CARDHU 1978 25 YEAR OLD 106.8 - THE SCOTCH MALT WHISKY SOCIETY bottled in 1994, with carton 70cl/ 93.2 proof/ 53.3%

£100-150

610 DALLAS DHU 1979 24 YEAR OLD FIRST CASK DISTILLERY CLOSED 1983 70cl/ 46%; and a NORTH PORT BRECHIN 1976 24 YEAR OLD (DISTILLERY CLOSED 1983) 70cl/ 46%; a BLAIR ATHOL 1976 26 YEAR OLD, 70cl/ 46%; a MACDUFF 1973 28 YEAR OLD, 70cl/ 46%; together with a CAOL ISLA 1984 18 YEAR OLD, 70cl/ 46% (5) £500-800

611 THE SINGLETON 1976 with import label for Jerez, Spain 75cl/ 43%

£80-120

614 THE MACALLAN EDITION NO.2 with carton 70cl/ 48.2%

£200-300

612 CRAGGANMORE 1984 THE DISTILLER’S EDITION matured in port-wine casks, special release CggD-6549

615

617

70cl/ 40%

THE MACALLAN CONCEPT NUMBER ONE 2018 RELEASE

THE MACALLAN 10 YEAR OLD CASK STRENGTH

£80-120

with carton 70cl/ 40%

matured in sherry casks from Jerez, Spain, non-chill filtered

613

£100-200

1 litre/ no ABV stated

BRAEVAL 2001 13 YEAR OLD DOUGLAS OF DRUMLANRIG

616

bottled 2014, cask 11008, one of 300 bottles, non-chill filtered, with carton, 70cl/ 46%; and a GLENDRONACH 12 YEAR OLD, matured in sherry casks, with carton, 70cl/ 40%; together with a SINGLETON 1976, with carton, 75cl/ no volume stated (3)

£300-500

THE MACALLAN EDITION NO.2

618

with carton

THE MACALLAN TWENTIES

70cl/ 48.2%

a re-creation of 1920’s style Macallan, with carton

£200-300

50cl/ 40%

£200-300

£180-220 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

136 Lyon & Turnbull

619 THE MACALLAN 1993 18 YEAR OLD OLD MALT CASK bottled in 2012, one of 412 bottles, with carton 70cl/ 50%

£300-500

620 THE MACALLAN 12 YEAR OLD (1990S) matured in sherry casks 1 litre/ 43% Note: All proceeds from this sale will go to Multiple Sclerosis Society Scotland.

£400-600

621 THE MACALLAN 1987 18 YEAR OLD matured in sherry casks from Jerez, Spain 70cl/ 43%

£400-600

622

623

624

THE MACALLAN 10 YEAR OLD (1990S)

THE MACALLAN 10 YEAR OLD (1990S)

matured in Sherry casks, with carton

matured in sherry casks, with carton

THE MACALLAN 1989 - WHISKY GALORE

70cl/ 40%

75cl/ 40%

with carton

£200-300

£200-300

70cl/ 40%

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

Whisky & Spirits 137

625 THE MACALLAN 1975 25 YEAR OLD ANNIVERSARY MALT bottled in 2000, with wooden presentation case 70cl/ 43% Note: The last official bottling of Macallan’s 25 year old anniversary series, with vintages ranging from 1957 to 1975.

£2,500-3,500

626 THE MACALLAN 25 YEAR OLD ANNIVERSARY MALT non-vintage example 70cl/ 43%

£1,500-2,500

627 THE MACALLAN 1971 25 YEAR OLD ANNIVERSARY MALT bottled in 1997, matured in sherry casks, with presentation case 70cl/ 43%

£1,500-2,500

628 THE MACALLAN 1966 18 YEAR OLD matured in sherry casks, bottled in 1985 75cl/ 43% Note: This classic Macallan vintage was distilled in 1966, the year the FIFA World Cup trophy was stolen in London and later found by Pickles the dog wrapped in newspaper.

Geoff Hurst’s memorable hattrick at Wembley led England to victory against West Germany.

£2,000-3,000

138 Lyon & Turnbull

Regarded by some as one of the most sought-after special editions by Macallan, the Private Eye bottling is known for its rich dark chocolate and fruity flavour profile - synonymous with sherried Macallan expressions from the 1960s.

Celebrating 35 years of the renowned satirical publication, each bottle features a vibrant label, designed by the magazine’s illustrator Ralph Steadman. This vatting of 5000 bottles included a 1961 cask, marking the year Private Eye was founded.

629

630

631

THE MACALLAN PRIVATE EYE

THE MACALLAN PRIVATE EYE

THE MACALLAN PRIVATE EYE

cask number 1580, bonded 1961, bottle number 3454 of 5000, bottled in1996 to commemorate the 35th anniversary of Private Eye magazine

cask number 1580, bonded 1961, bottle number 2212 of 5000, bottled in 1996 to commemorate the 35th anniversary of Private Eye Magazine

cask number 1580, bonded 1961, bottle number 3147 of 5000, bottled to celebrate the 35th anniversary of Private Eye magazine

70cl/ 40%

70cl/ 40%

70cl/ 40%

£3,000-5,000

£3,000-5,000

£4,000-6,000

Whisky & Spirits 139

632 GLEN AVON 1959 bottled in 2000 70cl/ 40% Note: One of Gordon & MacPhail’s ‘mystery’ malts, strongly rumoured to be Glenfarclas, this 1959 vintage is also a millennium bottling.

£600-800

633 GLEN GORDON 1957 bottled in 1995 70cl/ 40% Note: One of Gordon & MacPhail’s ‘mystery’ malts, strongly rumoured to be Macallan, this 1957 vintage is one of the earlier expressions.

£400-600

634

635

A COLLECTION OF MINIATURES

A COLLECTION OF MINIATURES

each in clan tartan packaging to include TAMDHU 8 year old, GLENROTHES 8 year old, LINKWOOD 15 year old, CLYNELISH 12 year old, together with other single malt and blended whisky (10)

to include various Signatory vintage bottlings and other single malt Scottish whiskies (14)

all 5cl / various ABV

£80-120

all 5cl / various ABV

£100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

140 Lyon & Turnbull

Highland

636 CLYNELISH 1972 24 YEAR OLD - RARE MALTS bottle number 4337 70cl/ 61.3%

£800-1,200

637 OBAN 13 YEAR OLD THE MANAGER’S DRAM matured in Sherry casks and bottled at natural strength 75cl/ 62%

£500-800

638 OBAN 16 YEAR OLD BICENTENARY EDITION - THE MANAGER’S DRAM matured in Sherry casks and bottled at natural strength 70cl/ 64%

£800-1,200

639

640

641

OLD PULTENEY 1983 21 YEAR OLD

ROYAL BRACKLA 1978 20 YEAR OLD RARE MALTS

ROYAL BRACKLA 1978 20 YEAR OLD RARE MALTS

bottled in 1998, number 3377, with carton

bottle number 3392, natural cask strength, with carton

70cl/ 49.8%

70cl/ 59.8%

£200-300

£200-300

limited edition, non-chill filtered, with carton 70cl/ 46%

£100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

Whisky & Spirits 141

642 GLENGOYNE SINGLE CASK 1968 bottled in 2002, cask number 4620, bottle number 94 of 126, with presentation case 70cl/ 51.3%

£700-900

643 MILLBURN 1976 25 YEAR OLD DOUGLAS LAING DISTILLERY CLOSED 1985 non-chill filtered, one of 270 bottles, with carton 70cl/ 50% Note: The oldest of Inverness’ three distilleries, Millburn was closed in the widespread cull of distilleries during the 1980s. Often described as a bold malt in the classic Inverness style, now mainly seen as independently bottled by Signatory and Gordon & McPhail, it also formed part of the Rare Malts range.

£100-200

644

645

646

BLAIR ATHOL 1966 40 YEAR OLD DOUGLAS LAING PLATINUM EDITION

GLENGOYNE 1997 14 YEAR OLD SINGLE CASK

GLENGOYNE 1987 24 YEAR OLD SINGLE CASK

non-chill filtered, 19 of 184 bottles, with presentation case and certificate of authenticity

matured in bourbon hogshead, bottled in 2011, cask number 1546, bottle number 8 of 264, with wooden presentation case

matured in a sherry butt, bottled in 2011, cask number 354, bottle number 58 of 515, with wooden presentation case

70cl/ no ABV stated

70cl/ 57.8%

70cl/ 54.8%

£400-600

£250-350

£200-300

142 Lyon & Turnbull

Lowland

Whisky & Spirits 143

ST. MAGDALANE / LINLITHGOW DISTILLERY Built by Sebastian Henderson in the mid1800s, St. Magdalene operated for over 200 years before its closure in 1983. With a capacity of 1 million litres per annum, the traditional coal-fired stills and naturally sourced water from the Union Canal produced a distinctively floral lowland malt, characterised by smoky undertones.

As the majority of production went into blending, no official bottlings were released until the 1990s. Only two such bottlings were issued, one as part of Diageo’s Rare Malts series, the other one of Diageo’s special releases in 2004 marking a revived interest in this ‘lost’ distillery.

144 Lyon & Turnbull

647 ST. MAGDALENE/ LINLITHGOW 1973 30 YEAR OLD DISTILLERY CLOSED 1983 bottled in 2004, with presentation case 70cl/ 59.6%

£700-900

648 ST. MAGDALENE/ LINLITHGOW 1979 19 YEAR OLD - RARE MALTS DISTILLERY CLOSED 1983 bottled in 1998, number 1630, with carton 70cl/ 63.80%

£800-1,200

649 ST. MAGDALENE/ LINLITHGOW 1982 23 YEAR OLD SINGLE CASK - DOUGLAS LAING DISTILLERY CLOSED 1983 matured in one refill Hogshead, one of 329 bottles bottled in 2006, non-chill filtered, with carton 70cl/ 50%

£350-450

650 ST. MAGDALENE/ LINLITHGOW 1975 26 YEAR OLD - SIGNATORY VINTAGE DISTILLERY CLOSED 1983 bottled in 2001, number 161 of 354, with presentation case 70cl/ 51.5%

£400-600

651 ST. MAGDALENE/ LINLITHGOW 1975 29 YEAR OLD - SIGNATORY VINTAGE DISTILLERY CLOSED 1983 matured in a Hogshead, bottled in 2005 number 275 of 343, with carton 70cl/ 48.7%

£400-600

652 ST. MAGDALENE/ LINLITHGOW 1982 GORDON & MACPHAIL DISTILLERY CLOSED 1983 bottled in 2001, with presentation case 70cl/ 40%

£500-800

Whisky & Spirits 145

653 ROSEBANK 1981 20 YEAR OLD RARE MALTS DISTILLERY CLOSED 1993 bottled in 2002, number 5243, with carton 70cl/ 62.3% Note: Named after the abundance of roses which grew along the banks of the Forth and Clyde canal, Rosebank was once described

by Jim Murray in 2007 as one of the ‘top ten distilleries in the world’. The triple-distilled expressions were full-bodied, floral and aromatic and still sought-after today. Recent official bottlings include the Rare Malts range by Diageo and the Flora & Fauna series, which was discontinued in 2006.

Mothballed in 1993, Rosebank is now set to reopen in 2020 after a major refubishment

by Ian Macleod Distillers whose reputation with Glengoyne and Tamdhu gives Rosebank enthusiasts great hopes for the future.

£500-700

654

655

AUCHENTOSHAN 21 YEAR OLD - THE LORD PROVOST’S SPECIAL RESERVE

AUCHENTOSHAN 21 YEAR OLD

with presentation case

70cl/ 43%

70cl/ 43%

£180-220

with presentation case

£100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

146 Lyon & Turnbull

Islay, Islands & Campbelltown 656 ARDBEG 1977 non chill-filtered, with carton 70cl/ 46% Note: Considered a classic vintage for Ardbeg, Jim Murray awarded this 96 points, describing it as “simply one of the greatest experiences”.

£300-500

657 ARDBEG GUARANTEED 17 YEAR OLD with carton 70cl/ 40%

£200-300

658 BRUICHLADDICH 1968 23 YEAR OLD - THE SCOTCH MALT WHISKY SOCIETY 23.8 bottled in 1991, with carton 75cl/ 84 proof/ 48%

£400-600

659 BRUICHLADDICH VALINCH distilled in 1984, bottle number 43 of 575, bottled to commemorate the opening of the Harvey Bottling Hall in 2003, with carton 50cl/ 53.3%

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

Whisky & Spirits 147

660 BOWMORE 25 YEAR OLD with presentation case 75cl/ 43%

£500-700

661 BOWMORE 2000 30 YEAR OLD YEAR OF THE DRAGON EDITION in ceramic bottle, with presentation case 75cl/ 43%

£2,000-3,000

662

663

664

BOWMORE BICENTENARY 1779-1979

SIX BOTTLES OF OCTOMORE 2002 FUTURES

LAGAVULIN 16 YEAR OLD

bottled in 2008, matured in Buffalo Trace casks peated to 80.5ppm (6)

£120-180

in glass decanter with stopper, with wooden presentation case and certificate of authenticity 75.5cl (26 2/3 fl. ozs) / 75proof Note: There is a known issue with this Bowmore edition as the cork is small and held in place with wax. The contact of the whisky has likely eroded the wax causing leakage and for the cork to move down the neck of the bottle. Lyon & Turnbull will not be held liable for any leakage/damage caused whilst the bottle is in transit. Collection is strongly advised.

£1,500-2,500

70cl/ 46%

£400-600

70cl/ 43%

148 Lyon & Turnbull

665

666

HIGHLAND PARK 1974 34 YEAR OLD AMBASSADOR CASK 5

HIGHLAND PARK 12 YEAR OLD (1990S)

cask number 8845, with ebonised presentation case

with limited edition crystal decanter, 70cl/40%; and a BALBLAIR 16 YEAR OLD, with carton, 70cl/ 40%; a P&O 150 YEAR CELEBRATION SPECIAL, 75cl/ 40%; together with a WHYTE AND MACKAY 21 YEAR OLD MASTERS RESERVE, with presentation case 70cl/ 43% (4)

70cl/ 41.5%

£800-1,200

£150-250

667 HIGHLAND PARK 1973 DRAGON bottled by Robertson of Kirkwall 75cl/ 58.9% (99.4 proof)

£500-800

668 HIGHLAND PARK 1968 34 YEAR OLD - JOHN SCOTT’S cask number 9535, bottled in 2003, number 15 of 102 bottles, non-chill filtered 70cl/ 40%

£800-1,200

669 HIGHLAND PARK 1967 40 YEAR OLD - JOHN SCOTT’S cask number 6687, bottled in 2007, number 18 of 168 bottles, non-chill filtered 70cl/ 47.1%

£1,500-2,500

Whisky & Spirits 149

670 HIGHLAND PARK 1967 40 YEAR OLD - JOHN SCOTT’S cask number 6687, bottled in 2007, number 25 of 168 bottles, non-chill filtered 70cl/ 47.1%

£1,500-2,500

671 SPRINGBANK 1969 - MURRAY MCDAVID bottled in 1997, cask number MM 7787, matured in Sherry casks 70cl/ 46%

£1,000-1,500

672

673

674

HIGHLAND PARK 1967 42 YEAR OLD JOHN SCOTT’S

SCAPA 1991 14 YEAR OLD - OLD MALT CASK

A COLLECTION OF MINIATURES

matured in a sherry cask, cask number 6282, bottled in 2009, number 7 of 190 bottles, nonchill filtered

matured in refill hogshead, cask number 1428, bottle number 5 of 303, non-chill filtered, with carton; together with a SCAPA 1983 GORDON & MACPHAIL, with carton, 70cl/ 40% (2)

70cl/ 50.3%

£1,500-2,500

to include three Signatory bottlings of PORT ELLEN dated 1979 and 1983; also to include various BOWMORE, LAPHROIG etc. (10) all 5cl / various ABV

£150-250

£120-180 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

150 Lyon & Turnbull

Grain, Blended & Other Spirits 675 NORTH BRITISH 50 YEAR OLD 125TH ANNIVERSARY BOTTLING bottled in 2010 to commemorate the 125th anniversary of the distillery, number 359 of 500, in glass decanter with presentation case, and hardback written by Robin Laing 70cl/ 53%

£350-450

676 NORTH BRITISH 50 YEAR OLD 125TH ANNIVERSARY BOTTLING bottled in 2010 to commemorate the 125th anniversary of the distillery, number 348 of 500, in glass decanter with presentation case, and hardback written by Robin Laing 70cl/ 53%

£350-450

677 JOHNNIE WALKER BLUE LABEL - 200TH ANNIVERSARY EDITION in Baccarat crystal decanter with stopper, stamped maker’s marks, bottled to celebrate the birth of Johnnie Walker in 1805, with leather presentation case and booklet 70cl/ 60.5% Provenance: Private collection of G. S. May Esquire

£1,500-2,500

678

679

DUNCAN TAYLOR RAREST OF THE RARE 33 YEAR OLD BLEND

JOHNNIE WALKER BLUE LABEL BY PORSCHE DESIGN STUDIO

blended from closed distilleries including Kinclaith, Ladyburn, Glen Mhor, Glen Albyn, Glen Craig and Carsebridge, one of 750 bottles, with carton

bottle number PD26201, with carton

70cl/ 43.4%

£100-200

£120-180 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

75cl/ 40% Provenance: Private collection of G. S. May Esquire

Whisky & Spirits 151

680 WHITE HORSE 1948 the old blend of Scotch Whisky of the White Horse Cellar, from the original recipe, bottle number 658035 No volume stated/ 70 proof Note: Often described as the golden age of blending, this 1940s White Horse is known to include a high percentage of Lagavulin single malt. It is also possible that this bottling includes whisky from the fabled Malt Mill Distillery which is located on the same site as Lagavulin, until they absorbed production 1962.

£400-600

681 JAMES BELL, LEITH CIRCA 1920-40 No strength or volume stated Note: It is recorded that James Bell of Leith were importers and bottlers of various wines, spirits and whiskies. It is due to the shape and style of bottle it is considered likely this contains whisky, however this lot is being sold for collectable value, not consumption.

£80-120

682 A COPPER ULLAGE STICK with pierced and flatted circular handle and tapering shaft, inscribed, ‘JAMES HEAPS’ with stamped crown and stag’s head motifs 101cm long Provenance: Drambuie Collection

£200-300

683 TWELVE BOTTLES OF CRAWFORD’S THREE STAR SPECIAL RESERVE (1970S) 26 2/3 fl. ozs./ 70 proof; and a CRAWFORD’S BLENDED THREE STAR, 75cl/ 40%; together with a MACARTHUR’S SELECT (1970S), 26 2/3 fl. ozs/ 70 proof (14) Note: A popular and long established brand, Crawford’s 3-star was originally released before the turn of the 20th century.

Still available today both in the UK and internationally, these 1970s bottlings were produced under Distillers Company Limited (now Diageo) ownership of A&A Crawford.

684

£400-600

£300-500

MIDLETON VERY RARE 2005 with wooden presentation case 70cl/ 40%

152 Lyon & Turnbull

685 J. DE MALLIAC 1928 ARMAGNAC bottled in 1978, with wooden presentation case and certificate of authenticity 1 litre/ 40 proof

£400-600

686 J. & F. MARTELL SILVER JUBILEE 1952-1977 SPECIAL RESERVE COGNAC bottle number 693, with wooden presentation case and leaflet 24 fl. ozs/ 73.5 proof

£600-800

687 BOLLINGER R. D.1988 EXTRA BRUT with presentation case 75cl/ 12%

£200-300

END OF SALE

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 132

Scottish

Wemyss Ware 1882 - 1930

ISBN: 9781788840170 RRP £30.00

A treasure trove of Wemyss Ware, this book catalogues a collection lovingly compiled over decades. Carol McNeil’s essay traces the history of the Fife Pottery where Wemyss Ware saw its debut, while Bellamy’s introduction guides the reader through several of the key figures involved in the locating and preserving of these works of art. Scottish Wemyss Ware 1882-1930 celebrates the labour, design and artistry that poured into each hand-decorated pot. Often inspired by the Fife countryside where they first originated, these characterful creations are just as delightful now as when they were first produced.

For further information please visit our website: www.accartbooks.com or contact us at uksales@accartbooks.com or on 01394 389950.

Advertisment

RARE BOOKS, MAPS, MANUSCRIPTS & PHOTOGRAPHS UNRECORDED COPY - 1715 RISING THE DANGER OF REBELLION. SET FORTH THE LIVES AND DEATHS OF JAMES LATE EARL OF DERWENTWATER, and William late Viscount Kenmure, who were Executed at Tower-Hill, for High-Treason against King George, on Friday the 24th of February, 1715-16, With the Speeches spoken by them before they receiv'd Sentence, and that made by Derwentwater at the Place of Execution: With a Copy of Viscount Kenmure's Letter to the Pretender. Also an Historical Account of their beginning to raise the unnatural Rebellion, for which they suffer'd, and manner of their being taken Prisoners by General Wills at Preston, and sent up to London. London: Printed for J. Benson, near Fleet-street, and Sold by the Booksellers of London and Westminster, Price One [Penny]. 8vo, 11, [1]p., woodcut of execution on title, later marbled boards, title cropped at foot with loss of 2 words ["One Penny"] (and possibly a date), [not traced in ESTC or COPAC] £300-500 to be offered 9th October in Edinburgh

AUCTION 09 OCTOBER IN EDINBURGH OPEN FOR CONSIGNMENTS For a valuation or to discuss selling works, contact Simon Vickers simon.vickers@lyonandturnbull.com Cathy Marsden cathy.marsden@lyonandturnbull.com

John Makepeace

AN ADVENTURE IN WOOD EXHIBITION SAT 31 AUGUST - SUN 17 NOVEMBER John Makepeace OBE is a distinguished furniture designer and maker. Through a collection of chairs, artist’s prototypes, and designs, this exhibition will look at John’s inspiration and the very distinctive rationale behind each piece.

Court Barn, Church Street, Chipping Campden, GL55 6JE

RELATED EVENTS THURS 12 SEPT 10.30AM-12.30PM Jewellery Masterclass with Kate Flitcroft FGA, Lyon & Turnbull A fascinating insight into the world of Arts and Crafts gems and jewels and a new appreciation of the skill and craftsmanship required to create them. Have something at home? Bring it along to find out more.

SAT 26 OCT 3PM - 6PM One-on-One with John Makepeace, followed by An Eye for Design - Paul Reeves in conversation about his life and career as a designer and dealer, and his interest in design and textiles from the 19th century onwards. Followed by a drinks reception.

For information please contact Barbara Alderton, Administrator 01386 841 951 admin@courtbarn.org.uk www.courtbarn.org.uk Exhibition sponsored by:

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale

by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate.

2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers for identification to prevent fraud, underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate.

Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us.

Please note that we do not accept payment from third parties and this also applies to agents.

If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final.

We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers.

Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids.

We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to

participate in bidding by telephone.

We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot.

7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

(1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above.

8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living

artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000.

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.

10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

Scottish Applied Arts 157

11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied.

12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not

be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

(5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

(7) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for

natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

These notices and terms will also form part of our terms and conditions of sales.

13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally.

14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such.

15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale

(Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event Lyon and Turnbull in its reasonable opinion deems that the conditions of the authenticity guarantee have been satisfied, it shall

158 Lyon & Turnbull

refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser.

This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller; “Lot” means each Item offered for sale

by Lyon and Turnbull;

“Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it.

“Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import

history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds.

3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing.

4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30.

Online Listing: £10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense.

We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement.

(3) Illustrations: The cost of any illustrations will be borne by the

Scottish Applied Arts 159

Seller , unless agreed otherwise prior.

The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue.

(4) Storage: Of the Lots after the sale, where applicable.

6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice they may be disposed of as we see fit, which may involve their sale by public

auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us.

(2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the

Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale.

Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held

unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission.

The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control.

The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction.

17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller.

We do not act for Buyers in this role and does not give advice to Buyers.

When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

18.6

160 Lyon & Turnbull

Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website.

Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received.

Payment may be made by the following methods:

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated.

In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid.

Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards.

Online Card Payments We no longer accept card payments by phone.

Please use our online payment service (provided by Cardstream/Credorax).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods.

Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

19.1

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115