Contemporary & Post-War Art | 15th August 2019

Thursday, 15th August 2019 33 Broughton Place Edinburgh

Contemporary & Post-War Art

Contemporary & Post-War Art Thursday, 15th August, 2019 at 11am Sale Number LT570

Viewing Times Sunday, 11th August 12 noon - 4pm Monday, 12th August 10am - 5pm Tuesday, 13th August 10am - 5pm Wednesday, 14th August 10am - 5pm Morning of sale by appointment only

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 110 (detail)

Inside Front Cover Lot 210 (detail)

Inside Back Cover Lot 214 (detail)

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Buyer’s Guide

Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

25% up to £100,000/20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that DOO ĆUVW WLPH ELGGHUV DW /\RQ 7XUQEXOO will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/ Driving licence) 2 – Proof of address

Import/Export We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

Bidding & Payment For information on bidding options see RXU *XLGH WR %LGGLQJ Payment at the back of the catalogue.

Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www. defra.gov.uk/ahvla-en/ imports-exports/ cites 19.1

Contemporary & Post-War Art 3

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history RU FXUUHQW FRQGLWLRQ RI D ORW RU MXVW ZDQW WR ĆQG RXW PRUH DERXW WKH DXFWLRQ SURFHVV

Carly Shearer

Nick Curnow

Lauren Colavita

Juliette Behr

Specialist

Head of Department

Junior Specialist

Sale Administrator

carly.shearer@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

lauren.colavita@lyonandturnbull.com

juliette.behr@lyonandturnbull.com

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Waverley Station, Princes Street

4 Lyon & Turnbull

1 [§] CHRISTINE WOODSIDE R.S.W., R.G.I. (SCOTTISH B.1946) CHINESE TABLE Signed, oil on board 46cm x 48.5cm (18in x 19in) Exhibited: Panter and Hall, London

£500-700

2 [§] JOHN G. BOYD R.G.I. (SCOTTISH 1940-2001) CHALICE WITH SHELLS Signed, oil on canvas 50cm x 51cm (19.75in x 20in) Exhibited: Portland Gallery, London, 1995

£800-1,200

3 [§] DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) WHITE BIRD - WHITE VIOLIN Signed and dated ‘67, signed and inscribed with title verso, oil on canvas 91cm x 102cm (35.75in x 40in) Exhibited: Hopetoun House Exhibition; Richard Demarco Gallery

£2,000-3,000

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4 [§] NAEL HANNA (IRAQI/SCOTTISH B. 1959) WILD SEAS, JOHNSHAVEN Signed, oil and mixed media on board 50cm x 80cm (19.75in x 30.5in)

£1,000-1,500

5 [§] ANNA KING (SCOTTISH B.1984) SHETLAND LIGHTHOUSE Oil and pencil on paper and board 36cm x 20cm (14.25in x 51in)

£500-700

6 [§] MARDI BARRIE R.S.W. (SCOTTISH 1931-2004) RETURN TO A NIGHT STRAND Oil on canvas 85cm x 119cm (33.5in x 47in)

£700-1,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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7 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) FIGURES WITH THE BASS ROCK Signed, oil on canvas 122cm x 90cm (48in x 35.5in)

£5,000-7,000

8 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) UNTITLED (TWO WOMEN) Signed, oil on canvas 91cm x 90cm (35.75in x 35.5in)

£4,000-6,000

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9 [§] MARK I’ANSON (SCOTTISH B.1968) ONE PROPHET, ONE FOOL Signed and dated ‘93, signed and inscribed with title verso, pencil 76cm x 55cm (30in x 21.5in) Exhibited: Compass Gallery, Glasgow

£300-500

10 [§] JOHN BYRNE (SCOTTISH B.1940) CERISE HEAD Signed and inscribed with title in pencil to margin, numbered 9/18, coloured etching 24cm x 14cm (9.5in x 5.5in) including margins Exhibited: The Scottish Gallery, Edinburgh

£300-500

11 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) JEUNE FILLE LE TREPORT Signed and numbered 10/25 in pencil to margin, etching 33cm x 23.5cm (13in x 9.25in) Exhibited: Berkeley Square Gallery

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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12 [§] TIM GUSTARD (BRITISH B.1954) WATER AND WINE Signed and dated ‘97, acrylic 29.5 x 22.5cm (11.5in x 9in)

£500-700

13 [§] WALTER DOLPHYN (BELGIAN B.1963) GOOD BOY Signed with monogram and inscribed ‘III,’ oil on board 7cm x 7cm (2.75in x 2.75in)

£500-700

14 [§] TIM GUSTARD (BRITISH B.1954) SPECIAL TREAT Signed and dated ‘96, acrylic 16.5cm x 13cm (6.5in x 5in)

£300-500

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15 [§] GRAEME WILCOX (SCOTTISH B.1970) THE POWER OF SUGGESTION Inscribed with title verso, acrylic on canvas 112cm x 81cm (40.25in x 32in)

£1,000-1,500

16 [§] GRAEME WILCOX (SCOTTISH B.1970) IN PYJAMAS, 1998 Signed and inscribed with title and dated verso, acrylic on canvas 112cm x 92cm (40in x 36.25in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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17 MARC CHAGALL (RUSSIAN 1887-1995) WOMAN CIRCUS RIDER ON HORSE - 1957 Signed in pencil to margin, lithograph 53cm x 40.5cm (20.75in x 16in)

£2,000-3,000

18 [§] SALVADOR DALI (SPANISH 1904-1989) THE JOY OF THE BLESSED - PARADISE NO.24, FROM ‘THE DIVINE COMEDY’ Colour woodblock print 33cm x 26cm (13in x 10.25in) (full sheet)

£200-300

19 MARC CHAGALL (RUSSIAN 1887-1995) NAOMI AND HER DAUGHTERS-IN-LAW, FROM ‘DRAWINGS FOR THE BIBLE’ - 1960 Signed, lithograph 33.5cm x 25cm (13.25in x 9.75in)

£1,500-2,000

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20 [§] JOHN BYRNE (SCOTTISH B.1940) YOUR CHEATIN’ HEART - BILLIE MCPHAIL Pen on scraperboard 15cm x 16.5cm (6in x 6.5in)

£400-600

21 [§] TOM MACDONALD R.G.I. (SCOTTISH 1914-1985) M. BLUEBEARD SLEEPS 1967, gouache 50cm x 36cm (19.75in x 14in)

£300-500

22 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) SEA MAIDEN I Signed, ink and wash 37cm x 26cm (14.5in x 10.25in) Exhibited: The Open Eye Gallery, Edinburgh

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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23 [§] PETER HOWSON O.B.E. (SCOTTISH B.1958) MOSES AND THE BURNING BUSH Signed and dated 2012, mixed media on buff paper 40cm x 30cm (15.75in x 11.75in)

£1,000-2,000

24 [§] PETER HOWSON O.B.E. (SCOTTISH B.1958) HEAD Signed, oil on canvas 29cm x 24cm (11.5in x 9.5in)

£2,500-3,500

25 [§] PETER HOWSON O.B.E. (SCOTTISH B.1958) FACE OF GOD Signed and inscribed with title and dated ‘94 in pencil to margin, A/P X/X, lithograph 63cm x 53cm (24.75in x 21in)

£300-500

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26 [§] KEN CURRIE (SCOTTISH B.1960) STATIONS NO.11, 2000 Oil on paper 25cm x 25cm (9.75in x 9.75in) Note: Number 11 in a series of 14 Exhibited: Miriam Shiell Fine Art

£1,000-1,500

27 [§] KEN CURRIE (SCOTTISH B.1960) STUDY FOR ‘SCOTTISH STOICS’ Signed and inscribed with title and dated 1986 in pencil, ink and wash 55.5cm x 37.5cm (22in x 14.5in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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KEVIN SINNOTT Kevin Sinnott, born 1947 in South Wales, is a contemporary Welsh artist with an international reputation. He trained at Cardiff College of Art and Design (196768) and Gloucestershire College of Art and Design (1968-1971) before attending the Royal College of Art, London from 1971-1974. During his time as a student, Sinnott realised the method of directly drawing exactly what was in front of his eyes onto a large canvas.

He would return to this technique after a brief experimentation with Modernism, where his works move in and out of abstraction. Sinnott’s illustrative, imaginative works from the 1980s are a product of his reaction against the Modernist emphasis on form over content.

Sinnott remained in London throughout the 1970s and 80s, exhibiting regularly in leading London galleries, major galleries in the USA and across mainland Europe.

Around 1983, he returned to painting in oils and began improvising with the medium, working out ideas directly onto canvas. With no intended subject matter, more powerful images began to emerge.

His works from this time start to echo his fascination with memory, emotion, and experience, particularly within human relationships.

Hectic Days is one of the more experimental H[DPSOHV RI 6LQQRWWèV KHDYLO\ ĆJXUDWLYH ZRUNV 7KH ćXLG LQWHUFRQQHFWHGQHVV RI WKH ĆJXUHV DQG WKH ZRUNèV FRPSOH[ composition, hint at the artist’s curiosity in the boundaries between real and imaginary. Painted in 1988, this painting is D SUHFXUVRU WR 6LQQRWWèV ODUJHU ĆJXUDWLYH pieces like his Turkish Bath series and the internationally acclaimed Running away with the Hairdresser.

Sinnott returned to Wales and quickly established himself at the forefront of PRGHUQ GD\ :HOVK SDLQWLQJ 7KH LQćXHQFH and history of the landscape is strongly felt in his more recent history paintings, which focus on historical events and life in the towns and valleys of South Wales.

In 2007, he was elected to the Royal Cambrian Academy and today his work is part of private and corporate collections worldwide.

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28 [§] KEVIN SINNOTT (WELSH B.1947) HECTIC DAYS, 1988-9 Oil on canvas 173cm x 144.5cm (68in x 57in)

£8,000-12,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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29 [§] ARCHIE FORREST (SCOTTISH B.1950) LAVENDER, DROME, 2001 Signed, oil on canvas 41cm x 61cm (16in x 24in) Exhibited: Portland Gallery, London

£1,000-1,500

30 [§] DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) GIRL ON A TRAMPOLINE, ADELAIDE Signed, oil on canvas 65cm x 100cm (25.5in x 39.5in)

£1,000-1,500

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31 [§] GEORGE DEVLIN R.S.W., R.G.I. (SCOTTISH 1937-2014) GRAND CANAL, 1999 Signed, pastel 20cm x 28cm (8in x 11in)

£300-500

32 [§] ARCHIE FORREST (SCOTTISH B.1950) INSIDE OUT, COLLIOURE Signed, oil on canvas 81cm x 61cm (24in x 24in) Exhibited: Portland Gallery, London

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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33 [§] VICTORIA CROWE R.S.A., R.S.W. (SCOTTISH B.1945) THE HEALING HERB: VIOLA Signed, inscribed and numbered 21/75, screenprint 76cm x 56cm (30in x 22in)

£200-300

34 [§] SHERREE VALENTINE DAINES (BRITISH B.1959) FIELD OF DAISIES Signed with initials, oil on board 32cm x 29cm (12.5in x 11.5in)

£1,500-2,500

35 [§] ETHEL WALKER (SCOTTISH B.1941) WHITE LILIES Signed, gouache 75cm x 62cm (29.5in x 24.5in)

£2,000-3,000

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36 [§] JAMES MORRISON R.S.A., R.S.W. (SCOTTISH B.1932) MONTROSE BAY, 1982 Oil on board 66cm x 120cm (26in x 47in)

£4,000-7,000

37 [§] JAMES MORRISON R.S.A., R.S.W. (SCOTTISH B.1932) ON MAINS OF DUN Signed and dated ‘30.X.1990’, oil on board 34cm x 63.5cm (13.5in x 25in) Exhibited: The Scottish Gallery, Edinburgh

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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38 [§] DAVID MCLEOD MARTIN R.S.W., R.G.I. (SCOTTISH 1922-2019) SCARRED LANDSCAPE Signed, oil on board 22cm x 29.5cm (8.5in x 11.5in)

£300-500

39 JON SCHUELER (AMERICAN 1916-1992) REFLECTION: SHADOW & LIGHT VI Signed and inscribed with title and dated Sept ‘72 stretcher verso, oil on canvas 61cm x 76cm (24in x 30in) Exhibited: Richard Nathan Gallery, London

£1,200-1,800

40 [§] DAVID MCLEOD MARTIN R.S.W., R.G.I. (SCOTTISH 1922-2018) LANDSCAPE AT DUSK Signed, oil on canvas 60cm x 75cm (23.5in x 29.5in)

£600-800

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41 [§] RONALD SMITH R.S.W., R.G.I., P.A.I. (SCOTTISH B.1946) BONIFACIO Signed, oil on board 15cm x 20cm (6in x 8in)

£300-500

42 [§] GORDON BRYCE R.S.A., R.S.W. (SCOTTISH B.1943) NORTH SEA LIGHTS Signed, inscribed with title verso, pastel 22cm x 25cm (8.75in x 9.75in)

£300-500

43 [§] FRANCES WALKER (SCOTTISH B.1930) SPRING, ORONSAY LOOKING TOWARDS ISLAY, C.1965 Signed, oil on board 66cm x 105cm (26in x 41.5in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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44 [ยง] DAVID DONALDSON R.S.A., L.L.D. (SCOTTISH 1916-1996) MARYSIA IN FRANCE Signed, oil on canvas 60cm x 54cm (23in x 21.25in) Exhibited: Main Fine Art, Glasgow; :LOOLDPb+DUGLH /LPLWHG *ODVJRZ

ยฃ3,000-5,000

45 [ยง] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) BARGA Signed, oil on canvas 75cm x 100cm (29.5in x 39.5in)

ยฃ3,000-5,000

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46 [§] GARY ANDERSON (SCOTTISH B.1960) GLIMPSES, 1992 Signed and dated verso, mixed media construction 18cm x 18cm (7in x 7in) Exhibited: Ewan Mundy Fine Art Ltd, Glasgow

£500-700

47 [§] DOROTHY STIRLING (SCOTTISH B.1939) SAILING BY, 1994 Mixed media assemblage 20cm x 20cm (8in x 8in) Exhibited: Compass Gallery, Glasgow, 1994

£500-700

48 [§] GARY ANDERSON (SCOTTISH B.1960) SEEING MR MERRICK, 1992 Signed and inscribed with title verso 60cm x 27cm (23.5in x 10.5in) Exhibited: Ewan Mundy Fine Art Ltd, Glasgow

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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VICTORIA CROWE Victoria Crowe is one of Scotland’s most VLJQLĆFDQW OLYLQJ DUWLVWV +HU DELOLW\ WR VNLOIXOO\ weave together landscape, portraiture, still life, and interiors make her artwork both highly desirable and instantly recognisable. She has achieved international status and recognition GXH WR PDQ\ KLJK SURĆOH H[KLELWLRQV DQG QRWDEOH commissions, including portraits of poet Kathleen Raine, composer Thea Musgrave, Professor Peter Higgs, a double portrait of the Duke and Duchess RI %XFFOHXFK DQG +5+b3ULQFH &KDUOHV Crowe began her artistic career at the age of 16 when she attended Kingston School of Art, followed by the Royal College of Art, London.

Robin Philipson, who was then head of the Edinburgh College of Art, saw her degree show in 1968 and immediately offered her a teaching post in Edinburgh, where she subsequently taught drawing and painting for thirty years. She also took over the botanical drawing class upon Elizabeth Blackadder’s retirement.

Crowe has noted that she uses plant imagery as ‘ciphers and symbols within a greater whole,’ ZKLFK PHDQV WKDW KHU ćRZHU SDLQWLQJV RSHUDWH simultaneously as abstract objects, as depictions of our known environment and as a symbolic language. Her works often begin as observations of the natural, visible world, before becoming layered with symbols and meditations on time, memory, and imagination.

Enclosed Garden was exhibited as part of the RSA Annual Exhibition in 2006 and already hints at Crowe’s curiosity about our relationship with plants and the settings in which we enjoy them, as well as the timelessness and endurance of nature.

The calming, cool blue of the painting shows Crowe’s sensitive control of colour and transports the image to an imaginary time and place. The painting is divided between the warmer interior

tones on the left and the cold, harsh light of winter’s day on the right. Behind the textured surface, we are offered a shaded glimpse at concealed images and decorative details, once again highlighting the painting’s variations in depth, both real and illusory.

As one of her more layered compositions, Crowe H[SORUHV WKH ćXLGLW\ DQG WKH ERXQGDULHV RI SK\VLFDO space, while also capturing the simplicity of symbolic details. On the right side of the painting, wild swirling twigs in a blue vase echo the barren branches of the trees directly behind it. It is as if the man-made vase is attempting to control the natural world it holds within, but chaos erupts like a trumpet blaring. The vegetation almost melds together, challenging the viewer’s perception of space and twisting the realms of interior and exterior, reality and illusion.

Enclosed Garden can be seen as a gateway painting to her 2007 exhibition Plant Memory.

The exhibition was the product of a conversation between Crowe and Professor David Ingram of St Catharine’s College, Cambridge (and formerly Regius Professor of the Royal Botanic Garden, Edinburgh) whilst she painted his portrait. The collaborative research project, which saw artist and scientist working together, centred around the use of living and preserved specimens in Botanic Gardens, Museums, Herbaria and Libraries in Cambridge, Edinburgh and Venice.

Today, Crowe is represented in a large number of private and public collections. She has recently exhibited extensively, with simultaneous shows at the Scottish National Portrait Gallery and the Scottish Gallery (Edinburgh International Festival) in 2018, followed by a major lifetime retrospective at the City Art Centre in Summer 2019. She divides her time working and living in Venice and the Scottish Borders.

Contemporary & Post-War Art 25

49 [§] VICTORIA CROWE O.B.E., R.S.A., R.S.W., A.R.W.S. (SCOTTISH B.1946) ENCLOSED GARDEN Signed, oil on canvas 102cm x 126cm (40in x 49.5in) Exhibited: Royal Scottish Academy, Annual Exhibition, 2006

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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50 [§] EDOUARD PIGNON (FRENCH 1905-1993) COCK FIGHT, 1973 Signed and dated, watercolour and gouache 56cm x 77cm (22in x 30.25in)

£400-600

51 [§] MICHAEL ROTHENSTEIN R.A. (BRITISH 1908-1993) ROUND, ROUND, ROUND Signed in pencil, mixed media 50.5cm x 75cm (20in x 29.5in) Provenance: Sothebys, London, 20 April 1966, Lot 161; Private Collection.

£600-800

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52 [§] LAURENCE STEPHEN LOWRY R.A. (BRITISH 1887-1976) MEETING POINT Offset lithograph, signed in pencil 49cm x 72cm (19.25in x 28.25in)

£800-1,200

53 [§] LAURENCE STEPHEN LOWRY R.A. (BRITISH 1887-1976) THE HARBOUR Offset lithograph, from an edition of 850, signed in pencil 44cm x 57.5cm (17.25in x 22.75in)

£1,000-1,500

54 [§] LAURENCE STEPHEN LOWRY R.A. (BRITISH 1887-1976) STATION APPROACH Offset lithograph, from an edition of 850, signed in pencil to margin 43cm x 51.5cm (17in x 20.25in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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55 [ยง] ROBERT SAWYERS (BRITISH 1923-2002) GIMBELS: CUBAN HAT SELLER, MONTEGO BAY Signed with initials, oil on board 66cm x 90cm (26in x 35in)

ยฃ2,000-3,000

ROBERT SAWYERS Robert Sawyers was a British artist best known for witty and creative compositions. He had the ability to transform memories into experiences on canvas and captured the beauty of everyday objects. Sawyers was said to be selective in what he chose to paint, focusing on personal enjoyment rather than societal expectations and commercial success.

Born in Peckham, South London, he attended Beckenham School of Art before enrolling in the Royal College of Art in 1942. Following his education, Sawyers was awarded the Herbert Baker Travel Scholarship, which allowed him to travel

to Florence, Italy. This was simply the beginning of a long career of traveling and painting; he travelled widely, often teaching and exhibiting in the exotic locations. He began formally teaching in 1947 at Leeds College of Art and later taught at Middleborough College of Art. Aside from international exhibitions across Europe and Central America, Sawyers also exhibited closer to home, showing at the Royal Academy of Arts, London, including the RA Summer Shows, the New English Art Club, and the Blue Rider Gallery in Mere.

Contemporary & Post-War Art 29

56 [§] ROBERT SAWYERS (BRITISH 1923-2002) FLORENTINE TRAMS Signed and inscribed with title verso, oil on board 43cm x 59cm (17in x 23.25in)

£800-1,200

57 [§] ROBERT SAWYERS (BRITISH 1923-2002) CAT AND DOG MEAT SHOP Signed with initials, oil on canvas 48cm x 60cm (18.75in x 23.5in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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58 [§] ROBERT COLQUHOUN (SCOTTISH 1914-1962) NUDE WITH RAISED ARMS, 1939 Pen and ink 28cm x 19cm (11in x 7.5in) Provenance: The artist’s sister, Mrs Sheila Wilson Exhibited: Cyril Gerber Fine Art, Glasgow

£1,000-1,500

59 [§] IAN HAMILTON FINLAY (SCOTTISH 1925-2006) & ROY COSTLEY VENUS OF THE HOURS, 1975 Printed at Girdwood and published by the Wild Hawthorn Press in an edition of approx. 300, screenprint 76cm x 38cm (30in x 15in)

£200-300

60 [§] WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) UNTITLED Signed with initials and dated ‘71, ink and wash 23cm x 16cm (9in x 6.25in)

£400-600

Contemporary & Post-War Art 31

61 [§] SCOTTIE WILSON (SCOTTISH 1888-1972) FISH FANTASY, C.1950 Signed, pen, ink and crayon 37cm x 34cm (14.5in x 13.5in)

£400-600

62 [§] SCOTTIE WILSON (SCOTTISH 1888-1972) UNTITLED Signed, gouache 36cm x 48cm (14in x 19in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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63 [§] DORA HOLZHANDLER (FRENCH/BRITISH 1928-2015) MOTHER AND CHILD Oil on canvasboard 57cm x 34cm (22.5in x 13.5in) Note: Holzhandler was born in Paris in 1928, where her Jewish parents KDG ćHG IURP 3RODQG DV UHIXJHHV :KHQ VKH ZDV VL[ \HDUV ROG WKH IDPLO\ moved again to London. She focused on a career as an artist from a young age. She was discovered by artist Victor Pasmore in 1947 and had her ĆUVW H[KLELWLRQ LQ +HU ZRUN KDV D QDLYHW\ LQćXHQFHG E\ 0DWLVVH DQG &KDJDOO DQG RIWHQ LQFRUSRUDWHV UHSHDWHG LFRQRJUDSK\ VSHFLĆFDOO\ mystical and religious symbolism.

£700-1,000

64 [§] ROBERT SAWYERS (BRITISH 1923-2002) POSTERS, RAVENNA, 1958 Signed with initials, signed and inscribed with title and dated verso, oil on board 89cm x 52cm (35in x 20.5in)

£1,000-1,500

Contemporary & Post-War Art 33

65 [§] ROBERT SAWYERS (BRITISH 1923-2002) RECLINING NUDE Signed with initials, oil on board 44cm x 60cm (17.25in x 23.5in)

£400-600

66 [§] ROBERT SAWYERS (BRITISH 1923-2002) FROGLAND FARM, MOTCOMBE, DORSET Signed with initials, inscribed with title verso, oil on canvasboard 38cm x 49cm (15in x 19.25in)

£500-700

67 [§] JULIAN ROEBUCK (BRITISH 1915-1991) SKETCH FOR ‘BATHERS BY THE SERPENTINE,’ 1937 Indistinctly signed, oil on canvas 25cm x 35.5cm (10in x 14in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

34 Lyon & Turnbull

68 [§] ADRIAN WISZNIEWSKI A.R.S.A. (SCOTTISH B.1958) SOUTH LOCHS Signed and dated ‘16, inscribed with title and dated 2015/16 verso, oil on board 18cm x 24cm (7in x 9.5in)

£500-700

69 [§] WILHELMINA BARNS-GRAHAM C.B.E., H.R.S.A., H.R.S.W. (SCOTTISH 1912-2004) MILLENIUM SERIES, RED, 2000 Signed and dated 2000 in pencil, numbered 22/75, silkscreen print 24cm x 30.5cm (9.5in x 12in) Exhibited: ’Wilhelmina Barns-Graham: A Celebration at 90’, June 2002, The Fine Art Society, London

£500-700

70 [§] DAVID MACH (SCOTTISH B.1956) HELP THE BLIND Signed, mixed media collage 37cm x 55cm (14.5in x 21.5in)

£700-900

Contemporary & Post-War Art 35

71 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) OBSERVATION DE LA NATURE Gouache 57cm x 68cm (22.5in x 26.75in) Note: This work is a design for a tapestry which was made at the Australian Tapestry Workshop in Victoria, Australia in 1995.

£3,000-5,000

72 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) THE STUDIO, NO.1 Signed and inscribed with title and dated ‘Aug ‘74’, gouache 51cm x 70cm (20in x 27.5in)

£2,500-3,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

36 Lyon & Turnbull

73 [§] EDWARD BARKER (BRITISH 1901-1984) ABSTRACT (LANDSCAPE) Bronze 19cm x 21cm (7.5in x 8.25in)

£300-500

74 [§] EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (BRITISH 1924-2005) FOR VICTOR HUGO, 1975 Signed and dated, bronze relief with dark brown patina, mounted on wood The bronze 38cm long, 11.4cm high, 14.7cm deep (15in long, 4.5in high, 5.75in deep) Provenance: The Paolozzi Foundation, Estate/Studio of the Artist

£3,000-5,000

Contemporary & Post-War Art 37

75 [§] BRUCE MCLEAN (SCOTTISH B.1944) SWISS BANK Signed and dated ‘89 in pencil to margin, numbered 61/500, screenprint 59cm x 75cm (23.25in x 29.5in)

£250-350

76 [§] ALBERT IRVIN O.B.E., R.A. (BRITISH 1922-2015) TRIO OF UNTITLED ABSTRACTS 7KH ĆUVW RI ZKLFK GDWHG LQ SHQFLO ZDWHUFRORXU RQ SDSHU 20cm x 15cm (8in x 6in); the second of which dated 14.10.79 in pencil, watercolour on paper, 19cm x 14.5cm (7.5in x 5.75in); the third of which signed with a printed signature, screenprint, 22cm x 17cm (8.5in x 6.75in) (3) £600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

38 Lyon & Turnbull

77 [§] BERTHE DUBAIL (BELGIAN 1911-1984) HOMMAGE À NUMBER FOUR, ET À YOKO ONO, 1968 Signed, dated and titled verso, oil on canvas 89cm x 99cm (35in x 39in) Exhibited: Salon triennal des Beaux-Arts du Hainaut, Musée des Arts et Métiers, La Louvière, 1969; Hommage rétrospectif à Berthe Dubail, Fondation pour l’Art Belge Contemporain, Bruxelles, 1991 (catalogue n°45); Ensablements: Thienpont, Dubail, Van Damme, Group 2 Gallery, Bruxelles, 1994.

£700-900

78 [§] PAT DOUTHWAITE (BRITISH 1939-2002) ANIMAL WITH SHARP TEETH, C. 1965 Oil on board 70cm x 90cm (27.5in x 35.5in)

£3,000-5,000

Contemporary & Post-War Art 39

79 CLIFFORD MARACLE (CANADIAN 1945-1996) INDIAN WITH REFLECTING GLASSES Signed, inscribed with title verso, oil on canvas 77cm x 61cm (30.25in x 24in) Note: Maracle was from the Mohawk Nation, Ontario, and is recognised for his depictions of the plight of urban First Nation peoples in the 1970s. He was strongly opposed to the injustices and prejudices suffered by his people and this is evident in his work. Sometimes using and subverting traditional native imagery, Maracle forged a distinctive expressionistic style. His work was politicised and aimed to make his audience aware of the complex realities of these social issues. Nonetheless, his work is often permeated with humour, though his use of bright colours and bold imagery was also a comment on the banality of popular culture.

ÂŁ300-500

80 [§] IAIN ROBERTSON (BRITISH B.1955) MIDSUMMER Signed and inscribed with title and dated 1998 verso, oil on canvas 152.5cm x 61cm (60in x 24in) Exhibited: Solo show, ‘Art First’, London, 1998

ÂŁ1,000-1,500

81 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) HELEN Signed and inscribed with title and dated ‘86, watercolour 76cm x 56cm (30in x 22in) Exhibited: è&HOWLF 5HćHFWLRQV RQ DQ $XOG $OOLDQFH è Scottish Arts Council, Edinburgh

ÂŁ1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

40 Lyon & Turnbull

82 [§] EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (BRITISH 1924-2005) 6 WORKS FROM ‘CALCIUM LIGHT NIGHT’ (1974-76) Featuring ‘Allegro Moderato Fireman’s Parade’ 1974, ‘Largo to Presto’ 1974, ‘Aeschylus and Socrates’ 1975, ‘Calcium Light Night’ 1975, ‘From Early Italian Poets’ 1975 and ‘Nettleton’ 1976, each signed and dated in pencil to margin and numbered 153/200, screenprints each 67.5cm x 56cm (26.5in x 22in) (6) Note: The complete set is comprised of 9 works. It contains references to the life and works of Charles Ives. It was begun while Paolozzi was in Berlin in 1974 and printed at Advanced Graphics between 1974 and 1976. It was to have been published by Propyläen Verlag, Berlin, but Paolozzi took over the whole edition and published it himself. Paolozzi made imagery related to music and musical notation in this and other works of the mid 1970s.

£600-900

Contemporary & Post-War Art 41

83 [§] RINO CRIVELLI (ITALIAN B.1924) ALLOMOBBI Signed and numbered 2/150 to base, steel. Lot comprises steel sculpture, 2 x leather scrolls with hand-drawings, in a hand-painted cardboard box inscribed with title and edition number 11cm x 19cm x 4.5cm (4.25in x 7.5in x 1.75in)

£400-600

84 [§] GEORGE WYLLIE M.B.E., R.S.A., R.G.I. (SCOTTISH 1921-2012) BUFFALO BILL Bronze Approx. 64cm x 44cm x 31cm (25.5in x 17.25in x 12.25in)

£600-800

85 [§] GEORGE WYLLIE M.B.E., R.S.A., R.G.I. (SCOTTISH 1921-2012) A DAY DOWN A GOLDMINE Inscribed ‘To Margaret from ADDAGM, ICA ‘86, with love George Wyllie’, gold-painted brick with leather handle 10.5cm x 22cm (4in x 8.75in) not including handle

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

42 Lyon & Turnbull

86 [§] JANET MELROSE R.S.W. (SCOTTISH CONTEMPORARY) STILL LIFE ON A BLUE GROUND Oil on board, unframed 122cm x 122cm (48in x 48in)

£300-500

87 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) FLOWERS IN A VASE Signed, oil on canvas, unframed 102cm x 76cm (40in x 30in)

£3,000-5,000

Contemporary & Post-War Art 43

88 [§] ROBBIE BUSHE R.S.A. (SCOTTISH B.1964) DINER KIEV, NEW YORK Signed and inscribed with title stretcher verso, oil on canvas 38cm x 52cm (15in x 20.5in)

£400-600

89

90

[§] WILLIE RODGER R.S.A., R.G.I. (SCOTTISH 1930-2018)

[§] BRIAN BRADSHAW (BRITISH/SOUTH AFRICAN B.1923)

HARBOUR WALL Signed and inscribed with title and dated ‘74 in pencil to margin, A/P, woodcut

ORANUS Signed, signed and inscribed with title and dated 1970 verso, oil on board

50cm x 50cm (19.75in x 19.75in)

60cm x 104cm (23.5in x 41in)

£150-250

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

44 Lyon & Turnbull

91 [§] SIR ROBIN PHILIPSON R.A., P.R.S.A., F.R.S.A., R.S.W., R.G.I., D. LITT., L.L.D. (SCOTTISH 1916-1992) UNTITLED (ABSTRACT) Signed, watercolour 21.5cm x 15cm (8.5in x 6in)

£300-500

92 [§] JOHN KINGERLEE (IRISH B.1936) HEAVENLY LANDSCAPE, 2004 Inscribed with title verso, collage and mixed media, unframed 15cm x 20.5cm (6in x 8in) and another by the same artist (2)

£1,000-1,500

Contemporary & Post-War Art 45

93 [§] EVA RENÉE NELE (GERMAN B.1932) ENGEL, 1966 Bronze on a wooden base 42cm x 23cm (16.5in x 9in) excluding base

£1,000-1,500

94 [§] SALVADOR DALI (SPANISH 1904-1989) TRITON ALADO Signed with initials and numbered 267/300, titled and numbered to plaque on plinth, bronze on marble plinth 23cm x 12cm (9in x 4.75in) including plinth

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

46 Lyon & Turnbull

95 [§] PETER HOWSON O.B.E. (SCOTTISH B.1958) JOURNEY’S END I, 2002 Signed, pastel 44cm x 58cm (17.25in x 22.75in) Exhibited: Flowers East, London

£800-1,200

96 [§] PETER HOWSON O.B.E. (SCOTTISH B.1958) TEMPTATION Signed, pastel 46cm x 59cm (18in x 23.25in)

£500-700

97 [§] PETER HOWSON O.B.E. (SCOTTISH B.1958) IT’S OVER, 2006 Signed, pastel 46cm x 59cm (18in x 23in)

£800-1,200

Contemporary & Post-War Art 47

98 [§] MARK DEMSTEADER (BRITISH B.1963) FIGURE IN PROFILE WITH RAISED HAND Oil on board 60cm x 60cm (23.5in x 23.5in)

£500-700

99 [§] VINCENT BUTLER R.S.A. (BRITISH 1933-2017) ACROBATS Signed and dated 1983, bronze 42cm x 20cm x 12cm (16.5in x 8in x 4.75in)

£500-700

100 [§] MARK DEMSTEADER (BRITISH B.1963) FIGURE IN PROFILE Oil on board 60cm x 60cm (23.5in x 23.5in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

48 Lyon & Turnbull

THE JOHN CALCUTT COLLECTION John Calcutt was born in Chipping Norton and moved to Scotland in 1969 to study Fine Art at Edinburgh University and Edinburgh College of Art, but realising his interests lay in the thoughts, processes and concepts of creation, rather than the processes of making, transferred from Fine Art to History of Art, gaining an MA (Hons) in 1973, specialising in European Art c. 1750-1850. He completed his IRUPDObHGXFDWLRQ DW WKH &RXUWDXOG ,QVWLWXWH of Art (University of London) in 1974, gaining an MA in Realism in European Art c.

1830-1860.

John returned to academia soon after as Senior Lecturer in History and Theory of Art and Design at the University of Central Lancashire, where he worked for twelve years before returning to Scotland in 1987 to take up the position of Lecturer in the Historical and Critical Studies Department at the Glasgow School of Art. In 2005 he became Senior Lecturer on the MFA Programme at GSA, before succeeding his close friend Sam Ainsley as Programme Leader in 2007, working with another close friend, the artist Graham Ramsay.

He was also Programme leader on the MLitt in Fine Art Practice Course at Glasgow School of Art from 2012-16 and continued to work at the school after he retired in January 2017, when he became Director of Bureau de Change, a pioneering Postgraduate Forum he initiated to nurture recent graduate talent.

Although John spent 44 years working within higher education institutions, he was no stuffy academic and loved sharing his deep and wide knowledge with students.

He was an inspirational teacher, writer DQG FULWLF ZKR VLJQLĆFDQWO\ VKDSHG DQG informed the contemporary visual art scene in Scotland and beyond, nurturing the careers of many of the countries most celebrated and critically acclaimed artists.

His collecting interests included contemporary visual art, books and music, with a particular passion for Pop Art; his home a homage to Jasper Johns, Frank Stella and Andy Warhol.

The John Calcutt Collection 49

101 [§] ALISON WATT O.B.E., R.S.A. (SCOTTISH B.1965) MEDLAR, 1994 A/P, signed and dated ‘94 and inscribed with title in pencil to margin, lithograph 25cm x 24cm (9.75in x 10in) and a further lithograph by the artist ‘A. Mortimer’ (2)

£600-800

102 [§] ALISON WATT O.B.E., R.S.A. (SCOTTISH B.1965) NARCISSUS Signed and dated ‘97 in pencil, inscribed ‘For John’, screenprint 63cm x 51cm (24.75in x 20in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

50 Lyon & Turnbull

103 [§] KENNY HUNTER (SCOTTISH B.1962) CLASSICAL BUST Cement fondue 50cm x 24cm x 34cm (19.75in x 9.5in x 13.5in) Note: 7KLV ZRUN DSSHDUV WR UHODWH WR D VHULHV ZKLFK ZDV ĆUVW GLVSOD\HG publicly in an exhibition entitled Hyperboreans at the Compass Gallery, Glasgow in 1992.

The Hyperboreans were a northern race living a long way from the southern centre of the classical world.

In these works, Opus IV, V and VIII, the artist is concerned with his awareness of a distorted, white, Eurocentric construction of history, that ignores the roots of classical civilisation in Afro-Asiatic and Semitic traditions, that has developed since the 18th century.

The sculptures took inspiration from real life models as well as making a clear reference to the classical language of sculpture, which the artist subtly alters in order to include the notion of foreignness.

£250-350

104 [§] SAM AINSLEY (SCOTTISH B.1950) SMILING SKULL Signed verso and dated 2016, mixed media on board 14cm x 14cm (5.5in x 5.5in) and two further works by the artist, a trio (3)

£400-600

The John Calcutt Collection 51

105 [§] DAVID BELLINGHAM (SCOTTISH CONTEMPORARY) CROMIAN Signed and inscribed with title in pencil, numbered 182/200, screenprint 100cm x 60cm (33.5in x 23.5in)

£250-350

106 RAYMOND PETTIBON (AMERICAN B.1957) WE STILL HAVE SOMETHING EASY TO DESTROY Signed and numbered 97/120 in pencil to margin, screenprint 70cm x 30cm (27.5in x 12in)

£400-600

107 [§] EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (BRITISH 1924-2005) SECRETS OF THE INTERNAL COMBUSTION ENGINE Signed and numbered 500/500 in pencil, screenprint 37cm x 25cm (14.5in x 9.75in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

52 Lyon & Turnbull

108 ROBERT MANGOLD (AMERICAN B.1937) UNTITLED Signed ‘R.M.’ and dated 1992 in pencil, from an edition of 300 originally published in a portfolio of 9 prints titled ‘Book of Silk Screen Prints: Multiple Panel Paintings 1973-1976’, this being from the 3rd published edition of the book in 1992, screenprint 29cm x 60cm (11.5in x 23.5in)

£300-500

109 ROY LICHTENSTEIN (AMERICAN 1923-1997) AS I OPENED FIRE - TRIPTYCH Complete triptych of off-set lithographs, published by Stedelijk Museum Amsterdam, 1991, unframed 64cm x 52.5cm (25.25in x 20.75in)

£500-700

The John Calcutt Collection 53

110 JASPER JOHNS (AMERICAN B.1930) BENT BLUE, 1971 Signed and dated ‘71 in pencil, numbered 169/240, lithograph 65cm x 50cm (25.25in x 19.75in)

£600-800

111 [§] CHRISTO & JEANNE-CLAUDE (BULGARIAN B.1935) REICHSTAG, WRAPPED Signed, offset lithograph 42cm x 30cm (16.5in x 11.75in)

£300-500

112 ED RUSCHA (AMERICAN B.1937) UNTITLED Signed and dated ‘83 in pencil, numbered 48/100, lithograph, unframed 85cm x 72cm (33in x 28.5in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

54 Lyon & Turnbull

113 LARRY POONS (AMERICAN B.1937) UNTITLED A.P., signed in pencil, screenprint and three further works from different editions by the artist (4)

£600-800

The John Calcutt Collection 55

114 [§] MARTIN BOYCE (SCOTTISH B.1967) UNTITLED Photogravure 18cm x 14cm (7in x 5.5in)

£300-500

115 [§] CAROL RHODES (SCOTTISH B.1959) UNTITLED, 2000 Oil on card 15cm x 20cm (6in x 8in) and a further work, a screenprint by John Calcutt (2)

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

56 Lyon & Turnbull

FRANK STELLA Frank Stella is one of the great American artists associated with the Minimalism movement of the 1960s. Minimalism VSDQQHG PDQ\ DUWLVWLF ĆHOGV IURP WKH compositions of musician Philip Glass, to the plays of Samuel Beckett. In terms of the visual arts, it is characterised by an often ‘hard-edged’ take on abstraction and a systemic approach to painting, often formed of geometric shapes depicted in KLJKO\ VDWXUDWHG çĆHOGVè RI FRORXU 6WHOOD is regarded as one of the pioneers of this new approach, though many included under the Minimalism banner rejected the categorisation of their work as a cohesive movement as such. Stella struck out on his career path as an artist largely independently and with a clear, singular vision for the work he wanted to create. +DYLQJ EHHQ LQćXHQFHG HDUO\ RQ E\ the precise, tonal works of European modernists like the Bauhaus’ Josef Albers, Stella very deliberately chose to move away and past the dense, gestural approach to abstraction made famous by Abstract Expressionists like Jackson Pollok.

In antithesis, his work sought to elevate the picture as object, as opposed to the

picture as cipher for something tangible in the physical world, or as representative of the artist’s own interior life and emotions.

Where the previous school had sought to capture feeling and painterly movement in the immediate post-war years, Stella and his contemporaries were cool and detached.

Lyon & Turnbull are pleased to offer two examples of his works in print for sale.

Though painting (and latterly sculpture) dominated his output, print making was DQ LQWHJUDO DQG VLJQLĆFDQW DUHD RI KLV practise. Indeed it became one of his primary interests for the 60s and 70s, to the extent that he installed a print works in his studio in 1973. Here he experimented, often layering, as in ‘Tuftonboro’, two techniques in one; in this case lithography and screenprinting.

Stella’s work is featured in the collections of important institutions around the world.

In 1970, he became the youngest artist to be the subject of a major solo exhibition DW WKH 0XVHXP RI 0RGHUQ $UW b1HZ <RUN In 2009, Stella was awarded the National Medal of Arts by President Obama.

The John Calcutt Collection 57

116 FRANK STELLA (AMERICAN B.1936) TUFTONBORO Signed and dated ‘74 in pencil, numbered 96/100, bearing two embossed studio stamps, colour lithograph and screenprint 44cm x 56cm (17.25in x 22in)

£1,000-1,500

117 FRANK STELLA (AMERICAN B.1936) SHARPSVILLE, 1972 Signed and dated 1972, numbered 50/100, lithograph 38cm x 52cm (15in x 20.5in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

58 Lyon & Turnbull

118 FRANK STELLA (AMERICAN B.1936) UNTITLED (RABAT), 1964 Unsigned, edition 500, screenprint 60cm x 50cm (20in x 24in) Provenance: The Walter Thompson Art Collection, New York

£500-700

119 ROY LICHTENSTEIN (AMERICAN 1923-1997) GRRRRRR!! - 1965 Signed in pen to margin, offset lithograph published by the Solomon R. Guggenheim Museum, New York, published 1993 77cm x 59cm (30.25in x 23.25in)

£1,000-1,500

The John Calcutt Collection 59

120 ROBERT RAUSCHENBERG (AMERICAN 1925-2008) FLOWER RE-RUN FROM THE SERIES REELS (B + C) Signed in pencil and dated ‘68, numbered 44/52, lithograph 40cm x 30cm (15.75in x 11.75in)

£800-1,200

121 JESÚS RAFAEL SOTO (VENEZUELAN 1923-2005) UNTITLED (BLACK & SILVER) Signed in pencil and numbered 124/150, embossed with ‘Denese Rene Editions’ stamp, screenprint 80cm x 50cm (31.5in x 19.5in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

60 Lyon & Turnbull

122 ROBERT LONGO (AMERICAN B.1953) A “SINGLE FRAME” FROM THE ‘MNEMONIC PICTURES’ FOLIO Signed with initials and dated ‘95 in pencil, numbered 4/26, photo-lithograph, taken from the set of 24, published 1995, unframed 20.5cm x 25.5cm (8in x 10in) and some text ‘Remembering Johnny’ from the same series (2)

£200-300

123 [§] EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (BRITISH 1924-2005) EARLY MENTAL TRAITS OF 300 GENIUSES - FROM ‘GENERAL DYNAMIC F.U.N.’ 1965-70 Photolithograph from a portfolio of thirty-four photolithographs and sixteen screenprints, edition of 350, published by Editions Alecto, London 38cm x 24.5cm (15in x 9.75in) and two further works from the same folio (3)

£300-500

The John Calcutt Collection 61

124 [§] ASHLEY COOK (SCOTTISH CONTEMPORARY) DIANE AMONGST ROSE, 1989 Signed and inscribed 1/8 in pencil to margin, various print mediums 136.5cm x 100.5cm (53.75in x 39.5in) Exhibited: Compass Gallery; Glasgow Print Studio Gallery

£300-500

125 JON SCHUELER (AMERICAN 1916-1992)

SUMMER SKY Signed and dated ‘81 and inscribed with title in pencil, numbered 33/37, lithograph on Japan paper, unframed 45cm x 53cm (17.75in x 21in), and a further similar lithograph by the artist (2)

£100-150 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

62 Lyon & Turnbull

126 BLUEPRINT FOLIO 1997 In original bound casing, featuring 7 prints by: Nathan Coley, Keith Coventry, Jim Harold, Mark Hosking, Kenny Hunter, David McMillan, and Alison Turnbull, each of which signed and numbered 15/30 in pencil, published

by Glasgow Print Studio in 1997 for ‘Blueprint’, an exhibtion curated by John Calcutt and Steven Beddoe 24cm x 34cm (9.5in x 13.5in)

£800-1,200

The John Calcutt Collection 63

127 [§] DOUGLAS GORDON (SCOTTISH B.1966) UNTITLED Signed and dated 2001 to margin, numbered 26/100, offset lithograph 51cm x 40cm (20in x 15.75in)

£400-600

128 [§] NICOLAS PARTY (SWISS B.1980) FLOWERS, 2012 Dated 01.04.2012, signed to ‘Modern Institute’ label verso, ink on paper 49cm x 69cm (19.25in x 27in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

64 Lyon & Turnbull

129 [ยง] ALISON WATT O.B.E., R.S.A. (SCOTTISH B.1965) HAND ON LEFT BREAST Inscribed with title and dated 1994 verso, oil on board 23cm x 18cm (9in x 7in)

ยฃ3,000-5,000

The John Calcutt Collection 65

130 [§] ALISON WATT O.B.E., R.S.A. (SCOTTISH B.1965) APPLE HEAD, 1994 Signed, inscribed with title and dated verso, oil on board 12cm x 12cm (4.75in 4.75in)

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

66 Lyon & Turnbull

131 JULIO LE PARC (ARGENTINIAN B.1928) SÉRIE 23, NO. 1-3, 1971 Signed in pencil, numbered 63/200, embossed with Edicion Denise Rene stamp, screenprint 73cm x 72cm (28.75in x 28.25in) and three further works from the edition of 200 (4)

£1,000-1,500

Contemporary & Post-War Art 67

OTHER PROPERTIES 132 [§] BANKSY (BRITISH B.1974) WALL SECTION (BALLOON GIRL), 2018 Multiple made from polymer resin, hand-painted, on a base made of concrete from the West Bank barrier wall, in two component pieces 12cm x 7cm x 9cm (4.75in x 2.75in x 3.5in) Note: As described on the ‘Walled-Off Hotel’ website; “A mini stretch RI VHSDUDWLRQ ZDOO GHFRUDWHG ZLWK UHFUHDWLRQV RI ZHOO ORYHG JUDIĆWL Lovingly hand painted by local craftspeople”. This reproduction of the wall dividing Israel and Palestine was made by Banksy in corporation with local craftsmen exclusively for his Walled Off Hotel. It is only sold to residents at the Walled Off Hotel in Palestine and limited to a very small amount.

£800-1,200

133 [§] BANKSY (BRITISH B.1974) WALLED OFF HOTEL Digital print and concrete relief 22cm x 22cm (8.75in x 8.75in) Note: The relief element is an original piece of the separation wall that divides Israel and Palestine, which is sprayed ZLWK JUDIĆWL 7KH :DOOHG 2II +RWHO LV DQ independent leisure facility set up by Banksy. It overlooks the separation wall.

Accompanied by original invoice.

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

68 Lyon & Turnbull

134 [§] PHILIP SUTTON R.A. (BRITISH B.1928) PORTRAIT OF JACOB SUTTON Signed, inscribed and dated ‘1963/4’ verso, oil on canvas 45cm x 40cm (17.75in x 15.75in)

£400-600

135 [§] GRAEME WILCOX (SCOTTISH B.1970) THE BOYS LEARN TO PLAY CARDS (PART 1 & 2) Signed and inscribed with title verso, acrylic on canvas 118cm x 86cm (46.5in x 34in)

£4,000-6,000

Contemporary & Post-War Art 69

136 [§] CRAIG MULHOLLAND (SCOTTISH B.1969) PROCURESS, 2001 Charcoal 77cm x 54cm (30.25in x 21.25in)

£500-700

137 ALEXEY TERENIN (RUSSIAN B. 1969) ESCAPE Signed, signed and inscribed verso, oil on canvas 82.5cm x 71cm (32.5in x 28in) Provenance: Private collection of G. S. May Esquire

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

70 Lyon & Turnbull

138 [§] GORDON BRYCE R.S.A., R.S.W. (SCOTTISH B.1943) TREES NEAR CLUNY, ABERDEENSHIRE Signed and inscribed ‘Near Cluny’ and dated ‘86, oil on board 50cm x 64cm (19.75in x 25in)

£800-1,000

139 [§] THE EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009) SANTA MARIA FORMOSA Signed, oil on canvas 61cm x 91.5cm (24in x 36in) Exhibited: Richard Demarco Gallery, Edinburgh; Graham Gallery, New York, 1983; Scottish Gallery, Edinburgh

£2,000-3,000

140 [§] GORDON BRYCE R.S.A., R.S.W. (SCOTTISH B.1943) THE DEE AT BANCHORY, DEVENICK Signed, signed and inscribed with title verso, oil on board 48cm x 58cm (19in x 23in) Exhibited: ’Gordon Bryce, New Paintings’, The Scottish Gallery, Edinburgh, 1992

£1,200-1,800

Contemporary & Post-War Art 71

141 [§] DONALD MANSON (SCOTTISH B.1948) STILL LIFE OF PICNIC Signed, oil on board 88cm x 90cm (34.5in x 35.5in)

£800-1,000

142 [§] DAVID WINFIELD (BRITISH B.1938) LANDSCAPE STILL LIFE NO.9: HARVEST Signed and dated ‘94, inscribed with title stretcher verso, oil on canvas, unframed 122cm x 121cm (48in x 47.5in)

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

72 Lyon & Turnbull

143 [§] LEON MORROCCO A.R.S.A. (SCOTTISH B.1942) HOUSES AND BOATS, MALTA Oil on board 90cm x 102cm (35.5in x 40in) Exhibited: Roger Billcliffe, Glasgow

£6,000-8,000

144 [§] DAVID MICHIE O.B.E., R.S.A., R.G.I. (SCOTTISH 1928-2015) PLANTS AT THE WINDOW Signed, oil on canvas 59.5cm x 89cm (23.5in x 35in)

£800-1,200

Contemporary & Post-War Art 73

145 [§] IRENE LESLEY MAIN (SCOTTISH B.1959) FLOWERS AT THE FIRESIDE Signed and dated 1988, oil on board 22cm x 17cm (8.5in x 6.75in)

£400-600

146 [§] SANDY MURPHY R.S.W, R.G.I. (SCOTTISH B.1956) AUTUMN FLOWERS Signed, oil on board 31cm x 28.5cm (12.25in x 11.25in)

£300-500

147 [§] DAVID MCLEOD MARTIN R.S.W. (SCOTTISH 1922-2018) THE SMALL FRENCH JUG Signed, signed and dated 2001 verso, oil on canvas 90cm x 76cm (35.5in x 30in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

74 Lyon & Turnbull

148 [§] WILL MACLEAN M.B.E., R.S.A., R.S.W. (SCOTTISH B.1941) AUXILIARY AND DOG-VANE Signed and dated ‘04, signed and inscribed with title and date verso, mixed media construction 24cm x 17cm (9.5in x 6.75in) Exhibited: Art First, London

£400-600

149 [§] WILL MACLEAN M.B.E., R.S.A., R.S.W. (SCOTTISH B.1941) DROPPING A TORPEDO, 2004 Signed and inscribed with title, signed and inscribed with title and date verso, mixed media construction 22cm x 17cm (8.75in x 6.75in) Exhibited: Art First, London

£400-600

Contemporary & Post-War Art 75

150 [§] PETER MCLAREN (SCOTTISH B.1964) BROUGH OF BIRSAY, SKIPI GEO Signed and dated ‘97 and inscribed with title verso, oil on board 76cm x 92cm (30in x 36in)

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

76 Lyon & Turnbull

151 [§] BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2001) IN PURPLE Signed in pencil, signed and dated ‘67 verso, watercolour 24cm x 37cm (9.5in x 14.5in) and another by the same artist ‘Marine I’ (2)

£500-700

152 [§] WILL MACLEAN M.B.E., R.S.A., R.S.W. (SCOTTISH B.1941) THE LOSS OF GAELIC Etching 75cm x 53cm (29.5in x 21in) and another from the same series ‘Elegy to Captain Ferguson’ (2)

£400-600

Contemporary & Post-War Art 77

153 [§] WILL MACLEAN M.B.E., R.S.A., R.S.W. (SCOTTISH B.1941) PARAVANE INBOARD, 2004 Signed, signed and inscribed with title and dated verso, mixed media construction 26cm x 26cm (10in x 10in) Exhibited: Art First, London

£400-600

154 [§] BET LOW A.R.S.A, R.S.W. (SCOTTISH 1924-2001) NIGHT-SCENTED Signed, watercolour and gouache 19.5cm x 33.5cm (7.75in x 13.25in) and another by the same artist ‘Plant Forms in Winter’ (2)

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

78 Lyon & Turnbull

155 [§] STEVEN CAMPBELL (SCOTTISH 1953-2007) PUNTS RED LAMP Signed and inscribed with title verso, oil on board 62cm x 82cm (24.5in x 32.25in) Exhibited: Cyril Gerber Fine Art, Glasgow, 1986

£3,000-5,000

156 [§] ALEXANDER MOFFAT O.B.E., R.S.A. (SCOTTISH B. 1943) JAZZ BAND Signed, signed stretcher verso, oil on board 92cm x 137cm (36.25in x 54in)

£2,000-4,000

Contemporary & Post-War Art 79

157 [§] JACK KNOX R.S.A. (SCOTTISH 1936-2015) STAG IN A HIGHLAND GLEN Signed, signed stretcher verso, oil on canvasboard 96cm x 101cm (37.75in x 39.75in)

£600-800

158 [§] JACK KNOX R.S.A. (SCOTTISH 1936-2015) THREE SHAPES OF CHERRIES Signed, oil on canvas 66cm x 107cm (26in x 42in) Exhibited: Royal Scottish Academy, 1978

£1,000-2,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

80 Lyon & Turnbull

159 [§] JACK KNOX R.S.A. (SCOTTISH 1936-2015) STUDIO, 21.2.64 Dated, oil on canvas 130cm x 92cm (51in x 36in) Exhibited: Royal Scottish Academy, Exhibition 1965, Edinburgh

£400-600

160 [§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) OPUS OG.469D HORN POINTER NO.3 DECEMBER 1968 Signed and inscribed with title verso, oil on board 25cm x 30cm (9.75in x 11.75in) Exhibited: Gimpel Fils, London

£4,000-6,000

Contemporary & Post-War Art 81

161 [§] STEVEN CAMPBELL (SCOTTISH 1953-2007) THE CHINESE CLAM Oil on canvas 229cm x 135cm (90in x 53in)

£10,000-15,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

82 Lyon & Turnbull

162 [§] ETHEL WALKER (SCOTTISH B.1941) BELLANOCH BASIN NEAR THE CRINAN CANAL, ARGYLL Oil on card 35.5cm x 24cm (14in x 9.5in)

£500-700

163 [§] IRENE LESLEY MAIN (SCOTTISH B.1959) HEAT HAZE, SAN GIMIGNANO, TUSCANY, 1980 Signed and dated 1980, oil on board 53.5cm x 75cm (21in x 29.5in)

£400-600

164 [§] ETHEL WALKER (SCOTTISH B.1941) FEBRUARY, CRINAN MOSS Signed, pastel and gouache 40.5cm x 58cm (16in x 23in)

£400-600

Contemporary & Post-War Art 83

165 [§] PETER MCLAREN (SCOTTISH B.1964) BROUGH OF BIRSAY III Signed and dated ‘97 and inscribed with title verso, oil on board 76cm x 92cm (30in x 36in)

£2,000-3,000

166 [§] ROBERT HENDERSON BLYTH R.S.A., R.S.W. (SCOTTISH 1919-1970) HARVEST LANDSCAPE Signed, oil on canvas 68cm x 75cm (26.75in x 29.5in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

84 Lyon & Turnbull

167 [§] ETHEL WALKER (SCOTTISH B.1941) STILL-LIFE WITH MIXED DAFFODILS Signed, oil on board 39cm x 51.5cm (15.25in x 20.5in)

£2,000-3,000

168 [§] ETHEL WALKER (SCOTTISH B.1941) CANDLESTICK AND ROSES Signed, oil on board 55cm x 73cm (21.5in x 28.75in)

£3,000-5,000

Contemporary & Post-War Art 85

169 [§] WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) CONTINENTAL LANDSCAPE Signed and dated LXXI, oil on canvas 64cm x 76cm (25.25in x 30in)

£600-900

170 [§] DANNY FERGUSON (SCOTTISH 1925-1993) KINTYRE HILLSIDE Signed, signed and inscribed with title on verso, oil on canvas 48cm x 58cm (19in x 22.75in)

£400-600

171 [§] ARCHIE FORREST (SCOTTISH B.1950) SUNSET AVENUE, SAUSALITO, MARIN COUNTY, C.A. Signed, signed and inscribed with title verso and dated 1985, oil on canvas 66cm x 66cm (26in x 26in)

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

86 Lyon & Turnbull

172 [§] BRIAN BRADSHAW (BRITISH/SOUTH AFRICAN B.1923) CHAIR BY GARDEN WINDOW Signed and dated ‘55, oil on board 100cm x 74cm (39in x 29in)

£600-800

173 [§] BRIAN BRADSHAW (BRITISH/SOUTH AFRICAN B.1923) LAMP LIGHT Signed and dated ‘58, pastel 78cm x 55cm (30.75in x 21.5in) Exhibited: Liverpool Academy of Arts

£300-500

174 [§] ALEXANDER GALT R.G.I. (SCOTTISH 1913-2000) STILL LIFE WITH PINK ROSE Oil on board 40cm x 32cm (15.75in x 12.5in)

£500-800

Contemporary & Post-War Art 87

175 [§] GERTRUDE HERMES (BRITISH 1901-1983) RING NET FISHERS Signed and dated 1955 and inscribed with title in pencil to margin, numbered 41/50, linocut 55.5cm x 75.5cm (21.75in x 29.75in)

£400-600

176 [§] MARY FEDDEN O.B.E., R.A. (BRITISH 1915-2012) OPPEDE LE VIEUX Signed in pencil to margin, numbered 61/150, embossed with Curwen Chilford Studio stamp, lithograph 27cm x 36cm (10.75in x 14.25in)

£400-600

177 [§] ALEXANDER GALT R.G.I. (SCOTTISH 1913-2000) THE CLYDE FROM VICTORIA ROAD, GOUROCK Oil on board 53cm x 58.5cm (21in x 23in)

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

88 Lyon & Turnbull

178 [§] JAMES MORRISON R.S.A., R.S.W. (SCOTTISH B.1932) ROLLING LANDSCAPE, ANGUS Oil on board 49cm x 91cm (19.25in x 35.75in)

£2,000-3,000

179 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) ’RESTLESS WAVE’ IN AN EAST COAST HARBOUR Signed, oil on canvas 90cm x 122cm (35.5in x 48in)

£4,000-6,000

Contemporary & Post-War Art 89

180 [§] DONALD BUYERS (SCOTTISH 1930-2003) THE HILLS OF BRAEMAR, WINTER, 1966 Signed and dated â&#x20AC;&#x2DC;66, oil on board 66cm x 118cm (26in x 46.5in)

£500-800

181 [§] GEORGES ROUAULT (FRENCH 1871-1958) MON DOUX PAYS, OÃ&#x161; ETES-VOUS?, FROM MISERERE Signed and dated 1927 in plate, ed. 450, aquatint and drypoint over heliogravure 42cm x 59.5cm (16.5in x 23.25in) Provenance: The Mercury Gallery, 1966

£300-500

182 [§] ALASTAIR FLATTELY (SCOTTISH 1922-2009) GLOUCESTERSHIRE 2LO RQ FDQYDV ZLWK SDLQWLQJ RI PRQNÄ&#x2020;VK DQG UHG gunard verso 67cm x 88cm (26.5in x 34.5in)

£600-800 Other fees apply in addition to the hammer price, please see the â&#x20AC;&#x2DC;Buyerâ&#x20AC;&#x2122;s Guideâ&#x20AC;&#x2122; section on page 2

90 Lyon & Turnbull

183 [ยง] ALASDAIR GRAY (SCOTTISH B.1934) 8 PROFESSIONAL MEN Signed, number 10 of an edition of 50 sets of 8 x photo-litho prints, unframed 29cm x 21cm (11.5in x 8.25in)

ยฃ300-500

Contemporary & Post-War Art 91

184 [§] GORDON STEWART CAMERON R.S.A. (SCOTTISH 1916-1994) PORTRAIT OF THE ARTIST ALBERTO MORROCCO Signed, oil on canvas, unframed 107cm x 127cm (42in x 50in) Note: Cameron was a colleague of Alberto’s on the teaching staff. This painting was originally in Alberto’s possession.

£500-700

185 [§] WILLIAM WARE (BRITISH 1915-1997) INMATES IN ST. AUGUSTINES, CANTERBURY Signed and inscribed with title, pen and ink 23cm x 20cm (9in x 8in) and a second sketch by the artist, ‘Old Man’ (2)

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

92 Lyon & Turnbull

186 [§] WILLIAM WARE (BRITISH 1915-1997) NORFOLK BROADS Mixed media on card 7cm x 16cm ( 2.25in x 6.25in) and a further work by the artist, ‘Pembroke Coast’ (2)

£500-700

187 ERIC ROBERTSON (SCOTTISH 1887-1941) FUTURIST LANDSCAPE, C. 1920 Pastel 25cm x 32cm (9.75in x 12.5in) Exhibited: ‘The Modern Spirit in Scottish Painting,’ The Fine Art Society, 1978; Aitken Dott and Son, Edinburgh

£700-900

Contemporary & Post-War Art 93

188 [§] HENRY MOORE (BRITISH 1898-1986) GIN 1, NUDES PORTFOLIO, 1974 Signed and inscribed with title and dated in pencil to margin, S/P, edition of 50, c397, embossed with Curwen Chilford Studio stamp, lithograph 23.5cm x 16.5cm (9.25in x 6.5in)

£500-700

189 [§] HENRY MOORE (BRITISH 1898-1986) FIGURES IN SNOW, 1976 Signed and inscribed with title and dated in pencil to margin, S/P, edition of 75, c428, embossed with Curwen Chilford Studio stamp, lithograph 34.5cm x 25cm (13in x 9.75in)

£600-800

190 [§] HENRY MOORE (BRITISH 1898-1986) SEATED FIGURES, NUDES PORTFOLIO, 1974 Signed and inscribed with title and dated in pencil to margin, S/P, edition of 50, c398, embossed with Curwen Chilford Studio stamp, lithograph 23.5cm x 20.5cm (9.5in x 8in)

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

94 Lyon & Turnbull

191 RALPH GIBSON (AMERICAN B.1939) HOTEL, 1984 Signed, dated and inscribed â&#x20AC;&#x2DC;A.P.â&#x20AC;&#x2122; verso, silver print 30.5cm x 20.5cm (12in x 8in) Provenance: Art et Industrie Gallery

£700-900

192 LEE MILLER (AMERICAN 1907-1977) UNTITLED (NUDE BENT FORWARD, THOUGHT TO BE 120$b5$7+1(5 3$5,6 )5$1&( Photographic print, and two further works by Miller: â&#x20AC;&#x2DC;Portrait of Space, Siwa, Egypt, 1937â&#x20AC;&#x2122;, and â&#x20AC;&#x2DC;Hand in Silhouette, Paris, France, 1931â&#x20AC;&#x2122;, printed by her son Anthony Penrose (who curates her archive) in an unknown edition size (3) Note: Printed by Anthony Penrose, the artistâ&#x20AC;&#x2122;s son and Director of the Lee Miller Archive and Penrose Collection.

£400-600

Contemporary & Post-War Art 95

193 [§] JENNIFER MCRAE R.S.A. (SCOTTISH B.1959) HELENA, 1999 Signed and dated, oil on canvas 98cm x 63cm (38.5in x 24.75in) Note: This work was awarded the BP Travel Award 1999: ‘Jennifer McRae at the Hogeschool, Netherlands’

£2,000-4,000

194 [§] PAULA REGO D.B.E., R.A. (BRITISH/PORTUGUESE B.1935) CRUMPLED, 2001-02, FROM THE SERIES ‘JANE EYRE - THE GUARDIANS’ Signed in pencil, lithograph, printed by Curwen Studio, unframed 92cm x 70cm (36.5in x 27.5in)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

96 Lyon & Turnbull

195 [§] JOHN BYRNE (SCOTTISH B.1940) TWO HEADS Signed, oil on board 40cm x 43cm (15.75in x 17in)

£5,000-7,000

196 [§] PETER THOMSON (SCOTTISH B.1962) WE DON’T FEEL THE COLD Signed, oil on board 88cm x 116cm (34.5in x 44.5in) Exhibited: Compass Gallery, Glasgow, May 1998

£2,000-3,000

Contemporary & Post-War Art 97

197 [§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) BUCHENWALD PRISONER Signed, signed and dated 1967 verso, oil on board 45cm x 37cm (17.75in x 14.5in)

£6,000-8,000

BUCHENWALD Bellany’s early works of the 1960s were directly related to his XSEULQJLQJ LQ WKH GHHSO\ UHOLJLRXV ĆVKLQJ FRPPXQLW\ RI 3RUW Seton. His preoccupation with mortality and the recognition of evil, which tie into his feelings of Calvinistic guilt, dominate WKHVH HDUO\ ZRUNV DQG ZRXOG FRQWLQXH WR LQćXHQFH KLV ZRUN for the rest of his life.

His work post-Buchenwald explores the relationship between the human condition and religion, and struggles with issues of mortality, evil and the individual’s capacity for survival.

Works from this period are rare, and tend to be inhabited by SULVRQHUV ZLWK VKDYHG KHDGV DQG ĆJXUHV LQ EOXH DQG ZKLWH striped pyjamas with frozen expressions.

In 1967, Bellany travelled to East Germany as part of an RIĆFLDO WRXU IRU WKRVH DFWLYH LQ WKH ĆHOG RI FXOWXUH 'XULQJ WKH trip, he visited Buchenwald concentration camp, and what Bellany witnessed there would forever change his outlook on humanity. The experience of coming face-to-face with this chapter of history left a searing impression and led him to question the value of art in a world where such horror ZDV SRVVLEOH +LV ZRUN DIWHU WKLV YLVLW WR %XFKHQZDOG UHćHFWV feelings of confusion and despair at the inhumanity he witnessed, and alludes to a loss of faith.

The suffering and destruction he witnessed at the camp eventually led Bellany to paint his autobiography through a series of nightmarish sea voyages populated by himself and anthropomorphic animals, for which he is now so well-known.

His trip to Buchenwald can ultimately be regarded as a pivotal point in the artist’s career; it was a trip that lay the foundation of his artistic and personal dogma.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

98 Lyon & Turnbull

198 [§] HENRY KORDA (BRITISH B.1957) SWIMMING Signed and dated ‘91, oil on canvas 92cm x 128cm (36.25in x 50.5in)

£2,000-3,000

199 [§] STEPHEN MANGAN (SCOTTISH B.1964) BEACH BALL Signed and dated ‘96, oil on board 37cm x 27cm (14.5in x 10.5in)

£500-700

200 [§] MICHAEL HEINDORFF (GERMAN B.1949) LOBSTER Signed and dated 1984 in pencil, numbered 37/50, colour etching with carborundum 75cm x 104cm (29.5in x 41in)

£400-600

Contemporary & Post-War Art 99

201 [§] GEOFF UGLOW (BRITISH B.1978) CITYSCAPE OF GLASGOW Oil on canvas 45cm x 90cm (17.75in x 35.5in)

£2,000-3,000

202 [§] PETER HOWSON O.B.E. (SCOTTISH B.1958) GAME BOYS Signed, oil on canvas 75cm x 90cm (29.5in x 35.5in)

£5,000-7,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

100 Lyon & Turnbull

203 [§] JIM LAMBIE (SCOTTISH B.1964) UNTITLED Mixed media 46cm x 44cm (18in x 17.25in) Provenance: Sold via Bukowskiâ&#x20AC;&#x2122;s Auction House, Sweden, 2009

ÂŁ800-1,200

JIM LAMBIE In his early years, Jim Lambie was heavily involved with the local music scene in his native Glasgow and studied Environmental Art at the Glasgow 6FKRRO RI $UW 7KHVH LQWHUHVWV DUH UHÄ&#x2021;HFWHG LQ KLV ZRUN ZKLFK LV QRUPDOO\ Ä&#x2020;OOHG ZLWK UHIHUHQFHV WR music, pop culture and art history. Lambieâ&#x20AC;&#x2122;s art shows a deep understanding and fascination with the psychological impact of colour, space and form.

His work has been compared to the readymade due to the way he manipulates and embellishes everyday objects.

In 2006, Lambie and artist Benedict Radcliffe were commissioned by Comme Des Garçons to design vehicles for their Guerrilla Pop Up store in Glasgow. On one side of the shop was a motorcycle breakers and on the other was a wedding vehicle rental service. This door panel is from a white Daimler Limousine that Lambie covered with a vinyl Paisley print for the Pop Up.

The paisley pattern was made popular in the mid and late 1960s due in part to The Beatles and the 6XPPHU RI /RYH 7KH Ä&#x2021;XLGLW\ DQG SV\FKHGHOLF nature of the paisley print, which covered the entire car, muddles the viewerâ&#x20AC;&#x2122;s perception of movement and space. Lambie has said of his work that â&#x20AC;&#x2DC;covering an object somehow evaporates the hard edge off the thing and pulls you toward more of a dreamscape. The hard, day-to-day, living edge disappears.â&#x20AC;&#x2122; Through the manipulation of colour, VSDFH DQG IRUP WKLV SLHFH LV D Ä&#x2020;QH H[DPSOH RI WKH way in which Lambie plays with psychology and optical perceptions in this work.

Lambie was nominated for the Turner Prize in 2005 and lives in NY and Glasgow.

Contemporary & Post-War Art 101

204 [§] JIM LAMBIE (SCOTTISH B.1964) DAIMLER CAR DOOR FOR COMME DES GARÇONS Decorated with vinyl tape, unique 124cm x 90cm x 17cm (48.75in x 35.5in x 6.75in) Note: Jim Lambie was commisioned by SWG3 in Glasgow and Comme de Garçons to make work for their Glasgow Guerilla Pop Up Store in 2006. On one side of the shop was a wedding vehicle rental service. Lambie elected to use a white Daimler which he decorated using his trademark vinyl tape in a paisley pattern. This door is all that survives of the project.

£5,000-7,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

102 Lyon & Turnbull

205 [§] JIM STEPHENS (BRITISH CONTEMPORARY) PALIO, CHARGE, 2004 Signed on a label verso, 1/15, lambda print mounted on aluminium 76cm x 51cm (30in x 20in) and two further prints from the on-going ‘Festivals’ series: ‘Vegetarian Festival, Firecrackers, 2007’ and ‘Vegetarian Festival, Swordsman, 2007’ (3)

£400-600

206 [§] BARBARA BALMER R.S.W. (SCOTTISH 1929-2017) DISTRIBUTION OF POPPIES Signed, watercolour 51cm x 71cm (20in x 28in) Exhibited: Scottish Gallery, Edinburgh, May 1988

£300-500

Contemporary & Post-War Art 103

207 ROBERT INDIANA (AMERICAN 1928-2018) CLASSIC LOVE, 2007 871/10000, hand tufted rug made of Indian wool, from an exclusive edition for ‘galerie f’ 76cm x 76cm (30in x 30in)

£600-800

208 [§] JIM STEPHENS (BRITISH CONTEMPORARY) HOLI, HAVOC, 2006 Signed on a label verso, 9/15, lambda print mounted on aluminium 76cm x 60.5cm (30in x 23.75in) and another aluminium-mounted print from his on-going ‘Festivals’ series: ‘Holi, Eye, 2006’ (2)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

104 Lyon & Turnbull

209 [§] ALISON WATT O.B.E., R.S.A. (SCOTTISH B.1965) UNTITLED I & II - â&#x20AC;&#x2DC;HIDING IN FULL VIEWâ&#x20AC;&#x2122;, 2011 Signed and dated 2011 in pencil and dated 4/40, photogravure, framed together as a diptych Both 46cm x 40cm (18in x 15.75in)

ÂŁ800-1,200

BOYLE FAMILY Their collective comprises husband, wife, son and daughter, but beyond being close family members, the Boyle Family are artistic collaborators. This began soon after Mark Boyle, a Glaswegian by birth, and Joan Hills, originally from Edinburgh, met whilst living in Yorkshire in the 1950s. Their children Sebastian and Georgia were exposed to studio life from an early age, ultimately opting to continue the collaboration into adulthood.

Though initially exhibiting under Markâ&#x20AC;&#x2122;s name alone, they represented themselves as â&#x20AC;&#x2DC;Boyle familyâ&#x20AC;&#x2122; as soon as the artworld expanded its narrow mindset to perceive the nature of their collaborative process, as opposed to only understanding it through the typical mythologizing of the XVXDOO\ PDOH DUWLVW DV ORQHU JHQLXV )URP WKH YHU\ Ä&#x2020;UVW WKH work itself had been the primary focus and importance, and they did not divert themselves with attempts to challenge art world stereotypes or with efforts to market themselves in a calculated manner. Now, happily, the industry recognises, respects and celebrates the unique approach to their collective practise.

Their work was experimental and cross disciplinary from the start, with famous early projects including innovative visual installations in collaboration with musicians like Jimi Hendrix DQG WKH 6RIW 0DFKLQH (OHPHQWV RI Ä&#x2020;OP DQG SHUIRUPDQFH continue to play a part in their practise, but it is the â&#x20AC;&#x2DC;Earth Seriesâ&#x20AC;&#x2122; for which they are best known.

The Earth Series, in their own words, 'are three dimensional casts of the surface of the earth which record and document

random sites with great accuracy. These works combine real material from the site (stones, dust, twigs etc) with paint and resins, preserving the form of the ground to make unique one-off pieces that suggest and offer new interpretations of the environment.' The full details of their materials, casting technique and how they achieve such accurate representations is a well-kept family secret.

Randomness, chance and an attempt to eliminate all bias are underpinning concepts of this project. Sites were selected on the map by the throw of a dart whilst blindfolded, and the precise patch of ground to be immortalised narrowed down by the toss of a t-square over the shoulder. No subject is above or beneath capture and depiction. Their aim is to FUHDWH D WUXWKIXO DQG XQDGRUQHG UHSUHVHQWDWLRQ RI D Ä&#x2021;HHWLQJ moment of reality, freeing us, the audience, from our typical interpretation of art via projected prejudices, cultural reference points, associations and reminiscences.

Though Mark Boyle sadly passed away in 2005, the family continue their work. Boyle Family has exhibited in galleries and museums world-wide, including representing Britain at the Venice Biennale in 1978 and the Sao Paulo Biennale in 1987.

Their exhibition â&#x20AC;&#x2DC;Beyond Imageâ&#x20AC;&#x2122; at London's Hayward Gallery in 1986 attracted 176,000 visitors. Their work is represented in many private and public collections with major works in forty museum collections worldwide, including Tate Britain; Stuttgart Staatsgalerie; Los Angeles County Museum; Kunstmuseum Luzern; Tokyo Metropolitan Museum; Museum Moderna Kunst Vienna. The National Gallery of Scotland, Edinburgh, hosted a major retrospective of the familyâ&#x20AC;&#x2122;s work in 2003.

Contemporary & Post-War Art 105

210 [§] BOYLE FAMILY (SCOTTISH CONTEMPORARY) UNTITLED Inscribed verso â&#x20AC;&#x2DC;To Avril and Richard, with love from the Boyle Familyâ&#x20AC;&#x2122;, PL[HG PHGLD UHVLQ DQG Ä&#x2020;EUHJODVV 40.5cm x 40.5cm x 6cm (16in x 16in x 2.25in) Provenance: The Boyle Family gifted this work directly to the present owner Note: This work is believed to be a maquette for a larger work, a private commission for a British collector c. 2000.

£3,000-5,000

Other fees apply in addition to the hammer price, please see the â&#x20AC;&#x2DC;Buyerâ&#x20AC;&#x2122;s Guideâ&#x20AC;&#x2122; section on page 2

106 Lyon & Turnbull

211 [§] TERRY FROST R.A. (BRITISH 1915-2003) NEWLYN RHYTHM, 1995 Signed, titled, dated and numbered 4/80 in pencil to margin, etching and aquatint, unframed 55cm x 35cm (21.75in x 13.75in)

£300-500

212 [§] KEITH RAND R.S.A. (BRITISH 1956-2013) UNTITLED Wood construction on marble base 99cm (39in) high

£800-1,200

213 ALEXANDER CALDER (AMERICAN 1898-1976) DERRIERE LE MIROIR #141 Lithograph 38cm x 55.5cm (14.75in x 21.75in)

£500-700

Contemporary & Post-War Art 107

214 SCOTT CAMPBELL (CONTEMPORARY AMERICAN) GO HOME DAD, YOUâ&#x20AC;&#x2122;RE DRUNK, 2012 Signed and dated 2012 verso, polyurethane foam, resin and ink over a wooden frame 129.5cm x 99cm x 9cm (51in x 39in x 3.5in) and two further works by the artist, a triptych, â&#x20AC;&#x2DC;Give Me Head Til Iâ&#x20AC;&#x2122;m Deadâ&#x20AC;&#x2122; & â&#x20AC;&#x2DC;No More Bad Newsâ&#x20AC;&#x2122; (3) Note: 6FRWW &DPSEHOO ZKRVH ç6DYHG 7DWWRRè SDUORU LQ %URRNO\Q LV D GHVWLQDWLRQ IRU LQN DÄ&#x2020;FLRQDGRV VXFK DV GHVLJQHU 0DUF -DFREV KDV LQ UHFHQW \HDUV EUDQFKHG out into the contemporary art world, presenting bodies of work that dynamically comprise the â&#x20AC;&#x153;alternativeâ&#x20AC;? aesthetic and draftsmanâ&#x20AC;&#x2122;s expertise of his trade.

These works (from a full series of 15 works depicting the phases of the moon) were exhibited during Frieze London 2012, in an exhibition organised by OHWOW Gallery, L.A. â&#x20AC;&#x2DC;A lot of what I make is illustrative, but often a sort of carving or relief. These works developed through experimenting with new ways to convey an image. Each is carved from a block of dense foam, covered in layers of drawings and writings, and then encased in a block of murky resin. The lights and darks that you see are created by the varying depths of the submerged landscapeâ&#x20AC;Ś (I take) the notion of a revered, authoritative symbol, and challenge it with playful gestures and immature profundity. As with other works, these pieces command a very strong presence in a space, and at the same time, have an intimacy to them that when approached is nice to get lost in.â&#x20AC;&#x2122; - Scott Campbell

ÂŁ2,000-3,000

215 KAWS (AMERICAN B.1974) SMALL LIE (BROWN); SMALL LIE (BLACK); SMALL LIE (GREY) Printed with the artistâ&#x20AC;&#x2122;s name, date, fabricator and title â&#x20AC;&#x2DC;KAWS..17 SMALL UE MEDICOM TOY CHINAâ&#x20AC;&#x2122; on the underside of the painted vinyl, executed in 2017, these works are from a limited edition fabricated by Medicom each 12.9cm x 12.2cm x 27.5cm (5.12in x 4.75in x 10.85in) (3)

ÂŁ600-800 Other fees apply in addition to the hammer price, please see the â&#x20AC;&#x2DC;Buyerâ&#x20AC;&#x2122;s Guideâ&#x20AC;&#x2122; section on page 2

108 Lyon & Turnbull

216 [§] PETER HOWSON (SCOTTISH B.1958) BIG GIRL Pastel and charcoal 20cm x 28cm (4in x 8in) Exhibited: William Hardie, Glasgow

£600-800

217 [§] FIONNA CARLISLE (SCOTTISH B.1954) ERASTES III Oil on canvas 101cm x 94cm (39.75in x 37in)

£500-700

218 [§] LEON MORROCCO A.R.S.A. (SCOTTISH B.1942) GIRL SEWING Signed and dated ‘73, pastel 56cm x 62cm (22in x 24.5in) Exhibited: Aitken Dott & Son, Edinburgh

£1,000-1,500

END OF SALE

Contemporary & Post-War Art 109

Index Ainsley, Sam 104 Anderson, Gary 46, 48 Balmer, Barbara 206 Banksy 132, 133 Barker, Edward 73 Barns-Graham, Wilhelmina 69 Barrie, Mardi 6 Bellany, John 7, 8, 11, 22, 45, 81, 87, 179, 197 Bellingham, David 105 Blueprint Folio 126 Blyth, Robert Henderson 166 oÂ&#x2039;1;ġ -uŕŚ&#x17E;m Ć?Ć?Ć&#x201C; Boyd, John G. 2 Boyle Family 210 Bradshaw, Brian 90, 172, 173 Bryce, Gordon 42, 138, 140 Bushe, Robbie 88 Butler, Vincent 99 Buyers, Donald 180 Byrne, John 10, 20, 195 Calder, Alexander 213 Cameron, Gordon Stewart 184 -lr0;ѴѴġ "1oÂ&#x201A; Ć&#x2018;Ć?Ć&#x201C; Campbell, Steven 155, 161 Carlisle, Fionna 217 Chagall, Marc 17, 19 Christo & Jeanne-Claude 111 Colquhoun, Robert 58 Cook, Ashley 124 Crivelli, Rino 83 Crosbie, William 169 Crowe, Victoria 33, 49 Currie, Ken 26, 27 -bm;vġ "_;uu;; (-Ń´;mŕŚ&#x17E;m; Ć&#x2019;Ć&#x201C; Dali, Salvador 18, 94 Davie, Alan 71, 72, 160 Demsteader, Mark 98, 100

Devlin, George 31 Dolphyn, Walter 13 Donaldson, David 44 Douthwaite, Pat 78 Dubail, Berthe 77 Fedden, Mary 176 Ferguson, Danny 170 Finlay, Ian Hamilton 59 Ń´-Â&#x201A;;Ń´Â&#x2039;ġ Ń´-v|-bu Ć?ŃśĆ&#x2018; Forrest, Archie 29, 32, 171 Frost, Terry 211 Galt, Alexander 174, 177 Gibson, Ralph 191 Gordon, Douglas 127 Gray, Alasdair 183 Gustard, Tim 12, 14 Haig, The Earl 139 Hanna, Nael 4 ;bm7ou@ġ b1_-;Ń´ Ć&#x2018;Ć?Ć?

Hermes, Gertrude 175 Holzhandler, Dora 63 Howson, Peter 23, 24, 25, 95, 96, 97, 202, 216 Hunter, Kenny 103 I'anson, Mark 9 Indiana, Robert 207 Irvin, Albert 76 Johns, Jasper 110 Johnstone, William 60 Kaws 215 King, Anna 5 Kingerlee, John 92 Knox, Jack 157, 158, 159 Korda, Henry 198

Lambie, Jim 203, 204 Le Parc, Julio 131 Lichtenstein, Roy 109, 119 Longo, Robert 122 Low, Bet 151, 154 Lowry, Laurence Stephen 52, 53, 54 Macdonald, Tom 21 Mach, David 70 Maclean, Will 148, 149, 152, 153 Main, Irene Lesley 145, 163 Mangan, Stephen 199 Mangold, Robert 108 Manson, Donald 141 -u-1Ń´;ġ Ń´b@ou7 Ć&#x2022;Ć&#x2013; -uŕŚ&#x17E;mġ -Â&#x2C6;b7 1Ń´;o7 Ć&#x2019;ќġ Ć&#x201C;Ć?ġ Ć?Ć&#x201C;Ć&#x2022; Mcclure, David 3 Mclaren, Peter 150, 165 Mclean, Bruce 75 Mcrae, Jennifer 193 Melrose, Janet 86 Michie, David 30, 144 Miller, Lee 192 o@-|ġ Ń´;Â&#x160;-m7;u Ć?Ć&#x201D;Ńľ Moore, Henry 188, 189, 190 Morrison, James 36, 37, 178 Morrocco, Leon 143, 218 Mulholland, Craig 136 Murphy, Sandy 146 Nele, Eva RenĂŠe 93 Paolozzi, Eduardo 74, 82, 107, 123 Party, Nicolas 128 ;ম0omġ !-Â&#x2039;lom7 Ć?Ć?Ńľ Philipson, Sir Robin 91 Pignon, Edouard 50 Poons, Larry 113

Rand, Keith 212 Rauschenberg, Robert 120 Rego, Paula 194 Rhodes, Carol 115 Robertson, Eric 187 Robertson, Iain 80 Rodger, Willie 89 Roebuck, Julian 67 Rothenstein, Michael 51 Rouault, Georges 181 Ruscha, Ed 112 Sawyers, Robert 55, 56, 57, 64, 65, 66 Schueler, Jon 39, 125 "bmmoÂ&#x201A;ġ ;Â&#x2C6;bm Ć&#x2018;Ńś Smith, Ronald 41 Soto, JesĂşs Rafael 121 Stella, Frank 116, 117, 118 Stephens, Jim 205, 208 "ŕŚ&#x17E;uŃ´bm]ġ ouo|_Â&#x2039; Ć&#x201C;Ć&#x2022; "Â&#x2020;Â&#x201A;omġ _bŃ´br Ć?Ć&#x2019;Ć&#x201C; Terenin, Alexey 137 Thomson, Peter 196 &]Ń´oÂ&#x2030;ġ ;o@ Ć&#x2018;Ć?Ć?

Walker, Ethel 35, 162, 164, 167, 168 Walker, Frances 43 Ware, William 185, 186 )-Â&#x201A;ġ Ń´bvom Ć?Ć?Ć?ġ Ć?Ć?Ć&#x2018;ġ Ć?Ć&#x2018;Ć&#x2013;ġ Ć?Ć&#x2019;Ć?ġ 209 Wilcox, Graeme 15, 16, 135 )bŃ´vomġ "1oম; ŃľĆ?ġ ŃľĆ&#x2018; )bmC;Ń´7ġ -Â&#x2C6;b7 Ć?Ć&#x201C;Ć&#x2018; Wiszniewski, Adrian 68 )oo7vb7;ġ _ubvŕŚ&#x17E;m; Ć?

Wyllie, George 84, 85

Glossary The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration. Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Dimensions are given height before width.

Names or Recognised Designation of an

Circle ofâ&#x20AC;Ś In our opinion work of the period of the artist

In our opinion a work by the artist Attributed toâ&#x20AC;Ś In our opinion probably a work by the artist in whole or in part

Follower ofâ&#x20AC;Ś In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style, but not necessarily by a pupil

Studio ofâ&#x20AC;Ś / Workshop ofâ&#x20AC;Ś In our opinion a work executed in the studio or workshop of the artist, possibly under their supervision

Manner ofâ&#x20AC;Ś In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but of a later date

Signedâ&#x20AC;Ś / Datedâ&#x20AC;Ś / Inscribedâ&#x20AC;Ś / In our opinion the work has been signed/ dated/inscribed by the artist Bears Signatureâ&#x20AC;Ś / Dateâ&#x20AC;Ś / Inscriptionâ&#x20AC;Ś / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist

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AUCTION 14 NOVEMBER IN LONDON

MODERN ART, SCULPTURE, DESIGN & STUDIO CERAMICS Including leading -uঞv|v ş 7;vb]m;uvķ "1-m7bm- b-m 7;vb]mķ |-Ѵb-m ]Ѵ-vv -m7 - 1oѴѴ;1ঞom =uol - ;ѴѴŊhmo m "|ĺ ;v -uঞv|Ľv ;v|-|;ķ =;-| ubm] ouh 0 ;mbv b|1_;ѴѴķ $;uu uov|ķ -m7 ;m b1_oѴvomĺ

OPEN FOR CONSIGNMENTS UNTIL 09 OCTOBER // CONTACT _bѴbr "lb|_ Ő ő ņņ ƏƑƏƕ ƖƒƏ ƖƐƐƔ r_bѴbrĺvlb|_ŠѴ om-m7| um0 ѴѴĺ1ol -uѴ "_;-u;u Ő &! ő ņņ ƏƐƒƐ ƔƔƕ ѶѶƓƓ 1-uѴ ĺv_;-u;uŠѴ om-m7| um0 ѴѴĺ1ol

DENIS MITCHELL (BRITISH 1912-1993) CARNGALVER ĆEUHJODVV RQ white stone plinth 29cm x 208cm x 13cm (excluding plinth)

£7,000-10,000 + fees

112 Lyon & Turnbull

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): â&#x20AC;&#x153;Auctioneerâ&#x20AC;? means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; â&#x20AC;&#x153;Hammer priceâ&#x20AC;? means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; â&#x20AC;&#x153;High Cumulative Value of Lotâ&#x20AC;? means several lots with a total lower estimate value of ÂŁ30,000 or above; â&#x20AC;&#x153;High Value Lotâ&#x20AC;? means a lot with a lower estimate of ÂŁ30,000 or above; â&#x20AC;&#x153;Lotâ&#x20AC;? means each Item offered for sale

by Lyon and Turnbull; â&#x20AC;&#x153;Purchase Priceâ&#x20AC;? is the Hammer Price and applicable Buyerâ&#x20AC;&#x2122;s Premium; â&#x20AC;&#x153;Reserveâ&#x20AC;? means the lowest price below which an item cannot be sold; â&#x20AC;&#x153;Total amount dueâ&#x20AC;? means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; â&#x20AC;&#x153;Youâ&#x20AC;?, â&#x20AC;&#x153;Yourâ&#x20AC;? means the Buyer; â&#x20AC;&#x153;Usâ&#x20AC;?, â&#x20AC;&#x153;Ourâ&#x20AC;?, â&#x20AC;&#x153;Weâ&#x20AC;? etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate.

2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers IRU LGHQWLÄ&#x2020;FDWLRQ WR SUHYHQW IUDXG underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of ÂŁ30,000 or above) or if you are bidding on several lots with a total lower estimate value of ÂŁ30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the GDWH RI VDOH E\ FRQWDFWLQJ WKH 2IÄ&#x2020;FH Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we KDYH FRQÄ&#x2020;UPHG \RXU SD\PHQW RI deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate. Upon preregistration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us. Please note that we do not accept payment from third parties and this also applies to agents.

If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the EDQN RQ WKH GDWH RI H[FKDQJH LV Ä&#x2020;QDO We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers.

Upon successful pre-registration, you will be given a numbered High 9DOXH /RW SDGGOH IRU LGHQWLÄ&#x2020;FDWLRQ purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids.

We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneerâ&#x20AC;&#x2122;s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected DQG VDWLVÄ&#x2020;HG WKHPVHOYHV DV WR LWV condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute GLVFUHWLRQ WR SUHIHU WKH Ä&#x2020;UVW ELG VR made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to

participate in bidding by telephone.

We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

4. INCREMENTS Bidding increments shall be at the Auctioneerâ&#x20AC;&#x2122;s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyerâ&#x20AC;&#x2122;s Premium of 25% of the hammer price of each lot up to and including ÂŁ100,000, plus 20% from ÂŁ100,001 thereafter. VAT at the appropriate rate is charged on the Buyerâ&#x20AC;&#x2122;s Premium.

No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

6. RESERVES 8QOHVV LQGLFDWHG E\ D LQVHUW V\PERO Ăš ), all lots in this catalogue are offered subject to a reserve. A reserve is the FRQÄ&#x2020;GHQWLDO KDPPHU SULFH HVWDEOLVKHG between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot.

7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots.

/RWV DIÄ&#x2020;[HG ZLWK Ă­ 9DOXH $GGHG Tax on the hammer price is imposed by ODZ RQ DOO LWHPV DIÄ&#x2020;[HG ZLWK D GDJJHU Ă­ 7KLV LPSRVLWLRQ RI 9$7 PD\EH because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

/RWV DIÄ&#x2020;[HG ZLWK $ UHGXFHG UDWH of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items.

/RWV DIÄ&#x2020;[HG ZLWK >á@ 6WDQGDUG UDWH of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above.

8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artistâ&#x20AC;&#x2122;s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living

artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyerâ&#x20AC;&#x2122;s premium. It will not apply to works where the hammer price is less than â&#x201A;Ź1,000 (euros). The charge for works of art sold at and above â&#x201A;Ź1,000 (euros) and below â&#x201A;Ź50,000 (euros) is 4%. For items selling above â&#x201A;Ź50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (â&#x20AC;&#x2DC;DACSâ&#x20AC;&#x2122;) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over ÂŁ5,000.

(2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied.

10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the Buyerâ&#x20AC;&#x2122;s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time.

(5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required DQG E ZKHWKHU WKHUH LV DQ\ VSHFLÄ&#x2020;F prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyerâ&#x20AC;&#x2122;s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

Conditions of Sale 113

11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting GHÄ&#x2020;FLHQF\ LQ WKH WRWDO DPRXQW GXH (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the GHEW GXH LV VDWLVÄ&#x2020;HG 12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not

be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyerâ&#x20AC;&#x2122;s obligations in any way.

(3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyerâ&#x20AC;&#x2122;s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

(5) Electrical Goods: are sold as â&#x20AC;&#x153;works of artâ&#x20AC;? only and if bought for use must be checked over for compliance ZLWK VDIHW\ UHJXODWLRQV E\ D TXDOLÄ&#x2020;HG HOHFWULFLDQ Ä&#x2020;UVW 8VH RI VXFK JRRGV LV entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as â&#x20AC;&#x153;works of artâ&#x20AC;? only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

(7) Alcohol: may only be sold to persons aged of 18 years and over. By UHJLVWHULQJ WR ELG \RX DIÄ&#x2020;UP WKDW \RX are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions

of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold â&#x20AC;&#x153;as isâ&#x20AC;? and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

These notices and terms will also form part of our terms and conditions of sales.

13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than ÂŁ300.

(2) Clocks & Watches: All lots are sold â&#x20AC;&#x153;as seenâ&#x20AC;?, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often FRQWDLQ Ä&#x2020;QH DQG FRPSOH[ PHFKDQLVPV Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally.

14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but KDYH QRW EH LGHQWLÄ&#x2020;HG DV VXFK 15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email LI QRW DYDLODEOH WKHQ Ä&#x2020;UVW FODVV PDLO LQ which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the UHIHUHQFH QXPEHU VSHFLÄ&#x2020;HG DW WKH beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the otherâ&#x20AC;&#x2122;s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, â&#x20AC;&#x153;Authorshipâ&#x20AC;?) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event Lyon and Turnbull in its reasonable opinion deems that the conditions of the authenticity JXDUDQWHH KDYH EHHQ VDWLVÄ&#x2020;HG LW VKDOO refund to the original purchaser of the lot the hammer price and applicable

114 Lyon & Turnbull

Buyerâ&#x20AC;&#x2122;s Premium paid for the lot by the original purchaser.

This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that WKHUH ZDV D FRQÄ&#x2021;LFW RI VXFK RSLQLRQV RU (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the EHQHÄ&#x2020;W RI WKH RULJLQDO SXUFKDVHU RI the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered RIÄ&#x2020;FH LQ WKH VDPH FRQGLWLRQ DV DW WKH date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lotâ&#x20AC;&#x2122;s cost, the reports of two independent DQG UHFRJQLVHG H[SHUWV LQ WKH Ä&#x2020;HOG 7KH reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice DW LWV RZQ H[SHQVH ,W LV VSHFLÄ&#x2020;FDOO\ understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyerâ&#x20AC;&#x2122;s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, ORVV RI SURÄ&#x2020;WV RU LQWHUHVW 19. DATA PROTECTION In connection with the management and operation of our business and

the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, ZDU Ä&#x2020;UH Ä&#x2021;RRG GURXJKW IDLOXUH RI power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): â&#x20AC;&#x153;Auctioneerâ&#x20AC;? means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; â&#x20AC;&#x153;Buyerâ&#x20AC;? is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such personâ&#x20AC;&#x2122;s principal where bidding as agent; â&#x20AC;&#x153;Buyerâ&#x20AC;&#x2122;s Premiumâ&#x20AC;? is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; â&#x20AC;&#x153;Hammer Priceâ&#x20AC;? is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; â&#x20AC;&#x153;Itemâ&#x20AC;? means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller; â&#x20AC;&#x153;Lotâ&#x20AC;? means each Item offered for sale

by Lyon and Turnbull; â&#x20AC;&#x153;Lower Estimateâ&#x20AC;? means the low estimate provided by Lyon and Turnbull to the Seller in relation to

each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; â&#x20AC;&#x153;Lyon and Turnbullâ&#x20AC;? means the company which has its registered RIÄ&#x2020;FH DW %URXJKWRQ 3ODFH Edinburgh, EHI 3RR registered in Scotland No. 191166 â&#x20AC;&#x153;Net Sale Proceedsâ&#x20AC;? are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; â&#x20AC;&#x153;Proposed Saleâ&#x20AC;? means the intended sale through which the items will be sold on; â&#x20AC;&#x153;Purchase Priceâ&#x20AC;? is the Hammer Price and applicable Buyerâ&#x20AC;&#x2122;s Premium; â&#x20AC;&#x153;Reserveâ&#x20AC;? means the lowest price below which an item cannot be sold; â&#x20AC;&#x153;Terms of consignmentâ&#x20AC;? means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; â&#x20AC;&#x153;Upper Estimateâ&#x20AC;? means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; â&#x20AC;&#x153;Without reserveâ&#x20AC;? where there is no minimum price at which a lot may be sold (whether at auction or private treaty); â&#x20AC;&#x153;Youâ&#x20AC;?, â&#x20AC;&#x153;Yourâ&#x20AC;? means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the ORW ZKHWKHU RU QRW \RX KDYH QRWLÄ&#x2020;HG us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. â&#x20AC;&#x153;Usâ&#x20AC;?, â&#x20AC;&#x153;Ourâ&#x20AC;?, â&#x20AC;&#x153;Weâ&#x20AC;? etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate.

2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the itemâ&#x20AC;&#x2122;s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises us in writing to the contrary on delivery

of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency.

If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds.

3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing.

4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as QRWLÄ&#x2020;HG WR WKH FRQVLJQRU DW WKH WLPH RI the entry of the lot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of ÂŁ45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge ÂŁ30.

Online Listing: ÂŁ10 per lot.

(2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense.

We may be able to assist you with this process. When organised on the Sellerâ&#x20AC;&#x2122;s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement.

(3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior.

The copyright in respect of such illustrations shall be the property of us,

Conditions of Sale 115

as is the text of the catalogue.

(4) Storage: Of the Lots after the sale, where applicable.

6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually DJUHHG EHWZHHQ XV DQG FRQÄ&#x2020;UPHG by you in writing before the sale, WKH 5HVHUYH ZLOO EH Ä&#x2020;[HG E\ XV LQ RXU sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the EHQHÄ&#x2020;W RI RXU $XWKHQWLFLW\ *XDUDQWHH or the reserve, and/or pursue other remedies.

7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur WR WKH ORW GXULQJ WKH SHULRG LGHQWLÄ&#x2020;HG in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect WKHP ZKLFKHYHU RFFXUV Ä&#x2020;UVW ,I DQ\ such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice WKH\ PD\ EH GLVSRVHG RI DV ZH VHH Ä&#x2020;W which may involve their sale by public auction on such terms as we consider appropriate, including those relating

to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us.

(2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lotâ&#x20AC;&#x2122;s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Sellerâ&#x20AC;&#x2122;s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides.

10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents WR RXU ULJKW WR UHWDLQ EHQHÄ&#x2020;FLDOO\ the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including

the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot.

12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale.

Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested).

13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by HPDLO RU LI QRW DYDLODEOH WKHQ Ä&#x2020;UVW class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the UHIHUHQFH QXPEHU VSHFLÄ&#x2020;HG DW WKH beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held

unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the otherâ&#x20AC;&#x2122;s prior written consent, but are binding on the sellerâ&#x20AC;&#x2122;s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing.

16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls ZLWKLQ WKH WHUPV DV GHÄ&#x2020;QHG E\ RXU Authenticity Guarantee (see Buyerâ&#x20AC;&#x2122;s conditions), in this event we shall send the Seller notice of such rescission.

The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control.

The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee ZLWKLQ Ä&#x2020;YH \HDUV RI WKH GDWH RI WKH auction.

17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller.

We do not act for Buyers in this role and does not give advice to Buyers.

When we make a statement about a lot it is doing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law.

If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844.

19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

116 Lyon & Turnbull

Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website.

3OHDVH QRWH WKDW DOO Ä&#x2020;UVW WLPH ELGGHUV DW Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

1 â&#x20AC;&#x201C; Government issued photo ID (Passport/Driving licence) 2 â&#x20AC;&#x201C; Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle IRU XVH DW WKH VDOH 2QFH WKH Ä&#x2020;UVW ELG KDV EHHQ placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your ELGGHU QXPEHU FRUUHFWO\ ZKHQ FRQÄ&#x2020;UPLQJ the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneerâ&#x20AC;&#x2122;s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All WHOHSKRQH ELGV PXVW EH FRQÄ&#x2020;UPHG LQ ZULWLQJ listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidderâ&#x20AC;&#x2122;s risk.

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated.

In the event of receiving two identical bids WKH Ä&#x2020;UVW RQH UHFHLYHG ZLOO WDNH SUHFHGHQFH All bids must be received an hour before the sale. This service is provided entirely at the bidderâ&#x20AC;&#x2122;s risk.

On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will UHFHLYH HPDLO FRQÄ&#x2020;UPDWLRQ RI WKHLU ELG Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department.

Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards.

Online Card Payments We no longer accept card payments by phone.

Please use our online payment service (provided by Cardstream/Credorax). <RX ZLOO Ä&#x2020;QG D OLQN WR WKLV VHUYLFH LQ DQ\ HPDLO invoice issued or you can visit the payments section of our website.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods.

Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to ÂŁ5,000.

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115