Five Centuries: Furniture, Paintings & Works of Art from 1600 | Auction 4th September 2019 by Lyon & Turnbull

Wednesday, 4th September 2019 33 Broughton Place Edinburgh

Five Centuries: Furniture, Paintings & Works of Art Wednesday, 4th September, 2019 at 10am Sale Number LT571

Including The Selected Contents of Coul House, Auchterarder The Private Collection of G.S. May, Esquire A Private Collection of English Porcelain A Private Collection of Painted Satinwood Furniture A Private Collection of Model Ships A Private Collection from an Ambassador's Residence

Location Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR

Viewing Saturday, 31st August 12 noon - 4pm Sunday, 1st September 12 noon - 4pm Monday, 2nd September 10am - 5pm Tuesday, 3rd September 10am - 5pm Morning of sale from 9am

Enquiries Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 19 (detail)

Inside Front Cover Lot 35 (detail)

Inside Back Cover Lot 356 (detail)

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Buyer's Guide

Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £300,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

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All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Additional VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http: // www. defra.gov.uk/ahvla-en/ importsexports/cites 19.2

Five Centuries: Furniture, Paintings & Works of Art

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Gavin Strang

Furniture, Clocks & Works of Art

Paintings

Ceramics & Glass

Rugs & Carpets

douglas.girton@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

theo.burrell@lyonandturnbull.com

gavin.strang@lyonandturnbull.com

Jamie Russell

Olivia Ross

Kerstin Schaeffer

Cataloguer

Department Administrator

Sale Administrator

jamie.russell@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

kerstin.schaeffer@lyonandturnbull.com

Lyon & Turnbull

York Place Tram Stop Waverley Station, Princes Street

4 Lyon & Turnbull

Order of Sale Wednesday, 4th September 2019 at 10am

1-62 Selected Contents of Coul House, Auchterarder 63-128 British Furniture & Works of Art: Part I 129-151 The Private Collection of G.S. May, Esquire 152-228 British Furniture & Works of Art: Part I Continued 229-243 A Private Collection of English Porcelain 244-265 Paintings 266-400 British Furniture & Works of Art: Part II 401-418 A Private Collection of Painted Satinwood Furniture & Other Properties 419-433

Science, Travel & Technology Including a Collection of Model Ships

434-462 British Furniture & Works of Art: Part II Continued 463-540 Continental Furniture & Works of Art 541-543 Garden Lot 152

544-585

Rugs & Carpets

Coul House, Auchterarder

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The Selected Contents of Coul House, Auchterarder Coul House, a pretty, grade-C listed Georgian laird’s house, sits on an elevated position outside the Perthshire town of Auchterarder. Coul was bought in 1950 by Major David Kennard and his mother, Evelyn Mary Kennard, née Kennedy. Evelyn (1874-1955) was daughter of Lord David Kennedy and Lady Mary Boyle, sister of the 9th Earl of Cork, and married Lt. Col. Arthur Kennard (1867-1917). The Kennards were Falkirk ironmasters, partners in the Falkirk Iron Company. Lord David Kennedy (1820 -1905) was 4th son of Lord Archibald Kennedy, 12th Earl of Cassillis. The Kennedy family seats were Cassillis House, and Culzean Castle, both in Ayrshire, and some of the pieces in the family have been inherited from these houses through the Kennedy line. Other pieces have come through the Boyle connection in Ireland, as well as pieces obtained from other notable houses. The selection of items offered over the following pages provide the feel of a quintessential Scottish country house with pieces of different periods and countries of origin, ranging from the 17th century through the 19th and into the early 20th.

1 VICTORIAN PAINTED PINE POST BOX 19TH CENTURY of octagonal form, in red paint with a black base, mounted with brass V R and a crown 107cm high, 43cm diameter

£1,000-1,500

Five Centuries: Selected Contents of Coul House, Auchterarder

2 GREEK ‘MOUNT ATHOS’ CARVED MINIATURE CRUCIFIX 18TH CENTURY carved cedar, depicting the Crucifixion with the Resurrection verso, enclosed by saints and angels, with a separate stand, in a fitted wood box 17.5cm with stand, 10cm without; box 15.5cm Provenance: By repute Count Anthony Esterhazy, attaché to the Austrian Embassy in London

£400-600

3Y ANGLO-PORTUGUESE IVORY FIGURE OF THE VIRGIN MARY GOA, EARLY 18TH CENTURY the standing figure wearing a crown with hands raised in prayer, mounted on a pierced brass ground against a wooden panel set with red and green glass cabochons, copper studs, and brass filigree borders 27cm high, 21.5cm wide

£400-600

4 MALINES ALABASTER RELIEF OF CHRIST THE GOOD SHEPHERD 17TH CENTURY plaque carved alabaster with some remnants of gilding, depicting Christ holding an orb with sheep, set in a giltwood frame with moulded rim and paper-mâché border, inscribed on the reverse 27cm x 21.5cm

£300-500

5 PAIR OF SPANISH IRON SCISSORS ALBACETE, LATE 18TH CENTURY with pierced scrollwork handles and engraved blades SERVIMOS. A NTRO. DUENO Y SENOR, the other side EN ALBACETE. CASTELLANOS. FECIT. R & S, 31.5cm long; together with a PAIR OF CONTINENTAL IRON SCISSORS, 18th century, in a red velvet sheath with gilt brass mounts with foliate engravings, 32cm long (2) £150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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6 TWO CARVED OAK WALL PLAQUES 19TH CENTURY comprising a panel with a lion rampant holding a flag, possibly the crest for the Duke of Wellington, 39cm x 20cm; and a bust of a bearded man in a hat, 19.5cm high (2) £200-300

7 OAK PANEL CHEST 17TH CENTURY, WITH LATER CARVING the hinged top with a moulded edge above a triple panel front carved with stylised flower and geometric motifs, raised on stile feet 134cm wide, 82cm high, 57cm deep

£400-600

8Y SCRIMSHAW WHALE’S TOOTH EARLY 19TH CENTURY with a pin-pricked design depicting American and British three-masted sailing ships, the reverse undecorated 20cm long

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Selected Contents of Coul House, Auchterarder

9 THE KENNEDY OF CASSILLIS FRENCH AND INDIAN WAR ENGRAVED MAP POWDER HORN 18TH CENTURY with later white metal mounts engraved DATE/ Sept. 5th 1760, the butt cover engraved with the heraldic crest for Kennedy of Cassillis; the horn displaying the British Royal Arms above a trophy and banner NEW YORK and a view of the skyline, the body of the horn engraved with a map of the Hudson and Mohawk Rivers, terminating at Lake Champlain and Lake Ontario, marked with the principal cities, towns, and forts, and a cartouche marked ‘JOHN COU/LTER HIS/ HORN MA/ DE BY SA/ M DAVIS’ 26cm long

£3,000-5,000

Note: Powder horns were necessary personal possessions in Colonial America. Engraving them became popular because soldiers experienced prolonged periods of waiting, as much of their time on an expedition would be spent sitting in a fort or around a campfire. Powder horns were ideally carved with gravers, although sometimes with needles or even slowly with small knives. When the engraver was happy with what he had done, he would rub the horn with grease, wax, or ash in order to make the engravings contrast against the light colour of the horn. Horns typically featured their owner’s name or, if the owner was illiterate or largely so, only their initials. They might also have had an educated fellow soldier engrave their name for them. War expeditions would have likely been seen as one of the most significant moments in men’s lives, and the horn would be a source of pride. Engraved powder horns were considered a great trophy and souvenir of service in the French and Indian, or Seven Years’ War by British officers and troops. Map engravings were particularly desirable, and the Mohawk and River Valleys examples are not uncommon, as they were of key importance to the early colonies. With much of the interior impassable or under Indian control, the water-level routes to the north up the Hudson River to the French-held territories, or West along the Mohawk to Lakes Oneida and Ontario, were considerably safer and quicker. In some cases a cottage industry developed where itinerant engravers would make horns for newly arrived soldiers from Britain, or for those heading home after a campaign. This present powder horn bears the owner’s name ‘John Coulter’, and the engraver, ‘Sam Davis’. While the connection of Coulter to the Kennedy family is currently unknown, by family repute the horn was owned by Archibald Kennedy, 11th Earl of Cassillis, a Captain in the Royal Navy based in New York. He returned to Scotland in 1792 upon inheriting the Culzean Estate in Ayrshire. The addition of the unmarked silver cap bearing the Kennedy of Cassillis coat-of-arms indicates the status assigned to it, while the date of September 5, 1760 on the plug collar is significant in the timeline of the French and Indian War. It is the day prior to the Siege of Montreal, where the French were beaten by the British forces, leading to the Treaty of Paris, which marked the end of French rule in North America. Interestingly, three similar powder horns were in the collection of the 11th Earl of Eglinton, also from Ayrshire, and were acquired while the Earl was serving with the British Army in America in the 1750s and 1760s. For similar powder horns see Herbert G. Houze, The Sumptuous Flask, Cody, Wyoming, 1989, cat. no. 36, and Stephen V. Grancsay, American Engraved Powder Horns, Philadelphia, 1976, cat. nos. 24, and 26-29 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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10 DUTCH PADOUK PEMBROKE TABLE LATE 18TH CENTURY the rectangular top with drop leaf sides, above a single drawer frieze with bead moulding and fluting centred by a carved sunflower, raised on six fluted square tapered legs joined by an X stretcher 88cm long, 73cm high, 56cm deep (down) 112cm (open)

£400-600

11 ASSEMBLED SET OF SIX DUTCH WALNUT AND MARQUETRY SIDE CHAIRS 18TH/ 19TH CENTURY comprising a set of four with shell carved crest rails above baluster splats, and a pair of similar chairs with stretcher rails, all with flowering urn and floral marquetry, over serpentine drop-in seats raised on cabriole legs with carved claw and ball feet (6) 53cm wide, 113cm high, 40cm deep

£600-800

PAIR OF CAROLEAN STYLE STAINED BEECH SIDE CHAIRS

DUTCH DEMILUNE MAHOGANY AND INLAY SIDE TABLE

WILLIAM AND MARY BLEACHED BEECH SIDE CHAIR

19TH CENTURY the pierced and carved tall backs above stuff-over seats, raised on turned and block legs joined by carved stretchers (2) 46cm wide, 123cm high, 42cm deep

EARLY 19TH CENTURY the top with feather banding above a pair of frieze drawers outlined by further banding, raised on square tapered legs with fluted inlay and headed by blind fret carved blocks

£200-300

61cm wide, 71cm high, 35cm deep

17TH CENTURY the tall back with a pad insert and seat pad, 44cm wide, 129cm high, 38cm deep; together with a 7TH CENTURY STYLE CARVED WALNUT ARMCHAIR with a caned back, 64cm wide, 107cm high, 44cm deep (2)

£200-300

£250-350

Five Centuries: Selected Contents of Coul House, Auchterarder

15 DUTCH MAHOGANY AND MARQUETRY TABLE LATE 18TH CENTURY the oval top centred by oak leaf and acorn inlay, above a frieze with two real and two dummy drawers, raised on fluted square tapered legs 86cm wide, 70cm high, 64cm deep

£400-600

16 DUTCH WALNUT PARCEL-GILT DISPLAY CABINET-ON-CHEST 18TH CENTURY the swan neck moulded cornice above a glazed door flanked by angles and opening to a red plush lined shelved interior; the lower part with four crossbanded long drawers of bombé outline, raised on bracket feet 110cm wide, 236cm high, 54cm deep

£2,000-3,000

17 DUTCH WALNUT AND FRUITWOOD SERPENTINE CHEST OF DRAWERS 18TH CENTURY the quarter-veneered serpentine top above three graduated drawers outlined with feather banding and flanked by canted angles, raised on bun feet 87cm wide, 79cm high, 57cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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18 CONTINENTAL GILTWOOD TABLE MIRROR 18TH CENTURY the rectangular bevelled mirror plate enclosed in a dentil moulded frame with flowerhead corners, surmounted by a carved trophy cresting, with an easel back 52.5cm high, 31cm wide

£250-350

19Y REGENCY 'LOVER’S KNOT' PUZZLE PURSE EARLY 19TH CENTURY watercolor and ink, depicting a love puzzle on paper with hand-inscribed verse, hearts and flowers, unfolded, in a glazed rosewood frame 33cm x 30cm

£200-300

20 GEORGE I WALNUT, FRUITWOOD AND INLAID KNEEHOLE DRESSING TABLE FIRST QUARTER 18TH CENTURY WITH ALTERATIONS the top with later fan motif inlay above a long drawer and recessed cupboard with an apron drawer, flanked by banks of three short drawers, all with banding, on later ebonised ball feet 74cm wide, 75cm high, 47cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Selected Contents of Coul House, Auchterarder

21 PAIR OF CONTINENTAL GILTWOOD MIRRORS 19TH CENTURY in the Rococo style, the oval mirror plates in moulded frames with C and auricular scrolls, flower heads, and leaf sprays, surmounted by large pierced scroll crestings (2) 94cm high, 52cm wide

£800-1,200

22 GEORGE III MAHOGANY COMMODE 18TH CENTURY the tray top with cut-out handles, above a pair of doors and sliding potty drawer with pottery insert and cover, on square legs 56cm wide, 72cm high, 48cm deep Provenance: By repute ex Cassillis, Ayrshire.

£300-500

23 PAIR OF REGENCY MAHOGANY POLYCHROMED HALL CHAIRS EARLY 19TH CENTURY the waisted scroll-carved backs painted with a coronet, above plank seats raised on sabre legs (2) 42cm wide, 90cm high, 37cm deep

£300-500

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24 GEORGE II WALNUT AND GILTWOOD TRIPLE PLATE OVERMANTEL MIRROR MID 18TH CENTURY the bevelled mirror plates in a gilt slip and walnut frame with leaf moulding and marked at the corners with flower heads 48cm high, 128cm long

£500-700

25 GEORGE III MAHOGANY INLAID SERPENTINE SIDEBOARD LATE 18TH CENTURY the banded serpentine top centred by a fan medallion, above a central frieze drawer and arched recess, flanked by short drawers over deep drawers, one fitted as a cellarette, raised on square tapered legs ending in spade feet 181cm wide, 90cm high, 75cm deep

£500-800

GEORGE I WALNUT AND YEW WOOD CHEST OF DRAWERS

GEORGE III MAHOGANY WORK TABLE

FIRST QUARTER 18TH CENTURY the moulded cornice above two short and three long graduated drawers with crossbanding, on a moulded base with pad feet; formerly the top of a chest-on-chest

LATE 18TH CENTURY the hinged rectangular top opening to a compartmented interior, the front panel with two dummy drawers, raised on square tapered legs joined by an X stretcher and ending in brass caps and castors

97cm wide, 83cm high, 53.5cm deep

55cm wide, 72cm high, 42cm deep

£200-300

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Selected Contents of Coul House, Auchterarder

28 GEORGE II MAHOGANY AND GILTWOOD PIER MIRROR SECOND QUARTER 18TH CENTURY the rectangular mirror plate in a gilt slip and shaped mahogany frame with a swan neck pediment centred by an associated foliate carved cartouche 138cm high, 72cm wide

£1,500-2,500

29 GEORGE III MAHOGANY BRASS MOUNTED PLATE BUCKET LATE 18TH CENTURY the brass bale handle and banded top above slat sides 31cm diameter, 39cm high

£400-600

30 PAIR OF GEORGE III MAHOGANY, SATINWOOD AND PENWORK DEMILUNE GAMES TABLES, POSSIBLY IRISH LATE 18TH CENTURY the fold-over tops with radial veneers centred by a sunflower motif and banding with flower trails, opening to green baize surfaces, raised on square tapered legs with further flower trails and ending in brass caps and castors (2) 104cm wide, 74cm high, 52cm deep Note: By family repute, possibly the Earls of Cork, or the Mulocks, County Offaly.

£3,000-5,000

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31 WILLIAM IV MAHOGANY BREAKFAST TABLE SECOND QUARTER 19TH CENTURY the circular tilt top with radial veneers and crossbanding, on a facetted column with acanthus carved base, on a triform platform raised on gilt foliate carved ball feet with bass castors 140cm diameter, 73cm high Provenance: Ex Camperdown House, Dundee, purchased 1941. The property of the late Countess of Buckinghamshire, formerly the Earl of Camperdown.

£800-1,200

32 ASSEMBLED SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS 18TH CENTURY comprising a pair of armchairs with pierced interlaced splats; a pair of Hepplewhite style side chairs with waisted pierced splats; and four side chairs with shield-shaped backs; all with blue leather drop-in seats (8) Armchairs 58cm wide, 97cm high, 44cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Selected Contents of Coul House, Auchterarder

33 GEORGE III STYLE GILTWOOD MIRROR, IN THE MANNER OF THOMAS JOHNSON 19TH CENTURY the shaped mirror plate in a Rococo style frame pierced and carved with rocaille, foliate scrolls and surmounted by a pavilion 156cm high, 92cm wide

£1,000-1,500

34 EARLY REGENCY MAHOGANY AND EBONY PRESS CUPBOARD, IN MANNER OF GILLOWS EARLY 19TH CENTURY the moulded cornice above three panel cupboard doors, the left cupboard enclosing five sliding trays above two short and two long drawers, and a long hanging space on the right with three dummy drawers to the front panel, raised on carved acroterion feet 162cm wide, 207cm high, 61cm deep

£1,000-1,500

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35 GEORGE III MAHOGANY HOUR REPEATING BRACKET CLOCK, HARRY POTTER, LONDON LATE 18TH CENTURY the bell top case with a brass handle and ball finials, above an arched brass dial with silvered chapter with Roman and Arabic numbers beneath a Strike/Silent dial to the arch, date aperture, and silvered signature plate inscribed ‘Harry Potter/ London’; with a glazed back and sides enclosing an engraved backplate and bob pendulum, the eight day double fusée movement striking a bell, on a moulded base raised on brass ogee bracket feet 28cm wide, 52cm high (handle up), 19cm deep Note: The Potter family of clock and watchmakers were well-known in the 18th and early 19th centuries in London. There were two Harry (Henry) Potters, Senior and Junior, operating at the end of the 18th century. Harry Potter (Junior), was apprenticed to William Creak in 1761 worked from No. 5 west St Aldersgate in 1785 and was made a Master of the Clockmaker’s Company in 1795 and 1812. He died in office in 1813.

£2,000-3,000

36 LATE GEORGE II RED JAPANNED CHIMING BRACKET CLOCK, WILLIAM CREAK, LONDON MID 18TH CENTURY the bell top with gilt brass pine cone finials and découpage scraps, above an arched brass dial signed WILLM/ CREAK/ LONDON to the arch, above the Roman numeral chapter, with a subsidiary STRIKE/SILENT dial, date and mock pendulum apertures, in a red lacquered and parcel-gilt case, fitted with mask corner mounts and twin brass handles, the engraved backplate enclosing the triple fusée eight-day movement with bell strike, and chiming on eight further bells and gongs, with a paper label to the interior CAMERER, CUSS & CO. 38cm wide, 65cm high, 24cm deep

£5,000-7,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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37 MEISSEN PORCELAIN BOLOGNESE DOG 20TH CENTURY realistically modelled, with brown highlights, blue crossed swords marks, incised 677 and impressed no. 46 15cm high Provenance: Ex Cassillis, Ayrshire

£400-600

38Y FRENCH BOULLE MARQUETRY AND ROSEWOOD TEA CADDY 19TH CENTURY of slightly domed rectangular form, the hinged lid opening to a rosewood interior, with a single covered caddy and cut-glass bowl 21cm wide, 15.5cm high, 12.5cm deep

£300-500

39 PAIR OF GERMAN PORCELAIN FIGURES OF PIGEONS, BY CARL THIEME 19TH CENTURY painted in vibrant colours and raised on bullrush bases with Rococo scrolls, one with underglaze blue maker’s marks and impressed 2421 (2) 20cm high

£250-350

TWO PORCELAIN CABINET CUPS AND SAUCERS

TWO BRASS CORINTHIAN COLUMN LAMPS

VICTORIAN PAPIER-MÂCHÉ TRAY

19TH CENTURY the first a large Meissen cup and saucer, with osier borders enclosing painted bullfinches and insects, crossed swords marks, cup 8cm high, saucer 18cm diam.; and a further cup and saucer, painted with posies, swags and roses in polychrome with gilt highlights, underglaze maker’s marks, cup 7.5cm high, saucer 17cm diam.; together with a PAIR OF VICTORIAN ETCHED DECANTERS, of globular form, depicting birds and fruiting vine, 22cm high (4) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

of typical form, raised on reeded columns and stepped bases, with shades, wired for electricity (2)

19TH CENTURY the black ground decorated allover with flowering branches, butterflies and an exotic bird, numbered 1095 and 0864

36cm high (excluding fittings)

61cm wide

£150-250

£200-300

Five Centuries: Selected Contents of Coul House, Auchterarder

43 NEAR PAIR OF VICTORIAN GESSO AND GILTWOOD GIRANDOLE MIRRORS 19TH CENTURY the cartouche shaped mirror plates surmounted by ribbon bows and flowers, above twin outscrolling candle arms adorned with foliage and wheat sheaves (2) 67cm high, 32cm wide

£300-500

44 PAIR OF ONYX GILT METAL MOUNTED TABLE LAMPS EARLY 20TH CENTURY of shouldered form with gilt metal twin handles and masks above floral ribbon-tied swags, raised on square bases, wired for electricity, with shades (2) 38cm high excl. fittings

£300-500

45 REGENCY MAHOGANY AND LEATHER PIANO STOOL EARLY 19TH CENTURY the circular brown leather upholstered seat with brass nail trim on a rising ring-turned support and outswept reeded legs ending in cast paw feet 36cm diameter, 46cm high (lowest) 61cm (highest)

£300-500

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46 TWO VICTORIAN HOWARD & SONS STYLE ARMCHAIRS 19TH CENTURY with low backs and open padded arms above deep wide seats, raised on turned legs with castors; one chair stamped 17830/2361; covered in grey cotton duck canvas (2) 69cm wide, 65cm high, 56cm deep; and 58cm wide, 75cm high, 60cm deep Provenance: Ex Callendar House, Falkirk.

£500-700

47 EDWARDIAN WALNUT KIDNEY-SHAPED DESK EARLY 20TH CENTURY the superstructure with drawers, cupboards, and a central recess above a central drawer and recess flanked by banks of four drawers, the reverse with open shelves, raised on reeded legs with brass caps and ceramic castors 133cm wide, 90cm high, 66cm deep

£600-800

50Y

PAIR OF LATE GEORGE III MAHOGANY SIDE CHAIRS

GEORGE III MAHOGANY DEMILUNE GAMES TABLE

EARLY VICTORIAN ROSEWOOD CANTERBURY

VICTORIAN UPHOLSTERED ARMCHAIR

LAST QUARTER 18TH CENTURY in the Hepplewhite style, the shield backs carved with Prince of Wales plumes, over wide bowfront stuffover seats, raised on channel moulded square tapered legs (2)

LATE 18TH CENTURY the fold-over crossbanded top opening to a green baize surface, above a plain frieze outlined with stringing, raised on square tapered legs

SECOND QUARTER 19TH CENTURY with three divisions raised on baluster turned spindles, above a base drawer and raised on ceramic castors

LATE 19TH CENTURY the low curved back and scroll arms above a low seat, with mahogany turned legs with castors, in a green slipcover

54cm wide, 95cm high, 41cm deep

79cm wide, 74cm high, 40cm deep (closed)

37cm wide, 37cm high, 49cm deep

£200-300

£250-350

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£200-300

66cm wide, 80cm high, 60cm deep

Five Centuries: Selected Contents of Coul House, Auchterarder

52Y NICOLE FRÈRES ROSEWOOD AND WALNUT CASED CYLINDER MUSIC BOX, NO. 38368 CIRCA 1860 the hinged lid with strapwork marquetry, opening to a song card and mechanism playing 12 airs, stamped NICOLE FRÈRES A GENEVE/ 38368, with a winder Cylinder 31cm long; case 52cm wide, 16.5cm high, 22cm deep

£400-600

53 SCOTTISH GEORGE V GLASS AND SILVER INKWELL EDINBURGH 1912 of square form with hobnail base and circular hinged lid, maker’s mark WH & S, 9.5cm high; atogether with a SILVER CAPSTAN INKWELL, of plain circular form with hinged lid, engraved with PRESENTED TO MR DAVID KENNARD, 4TH JAN. 1937, FROM THE EMPLOYEES AT PITCAIRNS, DUNNING, Birmingham 1934, indistinct maker’s marks, 17cm diam.; and a SMALLER SILVER CAPSTAN INKWELL, with hinged lid, Birmingham 1907, maker’s mark for A & J Zimmerman Ltd, 11.5cm diam. (3) £300-500

54 VICTORIAN STAINED BEECH DOLL’S HALF TESTER BED MID 19TH CENTURY with a moulded canopy and arched footboard with knob finials, with chintz hangings, spread, and feather pillows, eiderdowns and a hair mattress 56cm wide, 99cm high, 78cm long Provenance: Ex Old Manse, Lumsden

£200-300

55 DAVENPORT DOLL’S PART DINNER SERVICE CIRCA 1860 decorated with blue and white transfer print of a bird perched above fruit and flowers, printed and impressed marks DAVENPORT and 7-64; comprising two soup tureens with covers, one with a broken ladle, 9.5cm and 10.5cm wide; two platters with covers, 11cm and 12.5cm wide; five graduated ashets, 11.5-14cm wide; two platters, 11.5cm wide; two sauce boats, 7.5cm wide; six soup plates, 9cm diameter; six side plates, 7.5cm diameter; eleven dinner plates, 9.5cm diameter; six dessert plates, 8cm diameter; and one further cover, 10cm wide (qty) £200-300

24 Lyon & Turnbull

56 CHARLES VYSE (1882-1971) ‘THE CINNERARIA BOY’, A CHELSEA POTTERY FIGURE, DATED 1925 painted maker’s marks under base CV/ CHELSEA/ 1925 27cm high

£500-800

57 CHARLES VYSE (1882-1971) ’THE TULIP WOMAN’, A CHELSEA POTTERY FIGURE, DATED 1921 painted maker’s marks under base CV/ CHELSEA/ 1921 27cm high

£400-600

58 CHARLES VYSE (1882-1971) ’THE PICCADILLY ROSE WOMAN’, A CHELSEA POTTERY FIGURE, 1920S incised maker’s marks to base CHARLES VYSE/ CHELSEA 22.5cm high

£400-600

61Y

FOUR MILITARY THEMED PRINTS, BY W. H. BUNBURY

SHEFFIELD PLATE TWIN HANDLED TRAY

PORTRAIT MINIATURE OF LOUIS XVIII

TWO ENAMEL PATCH OR PILL BOXES

LATE 18TH CENTURY titled ‘Recruits’, ‘A Vist to the Camp’, ‘A Recruiting Party’, and ‘The Relief’, variously published, in ebonised glazed frames, largest 30cm x 34.5cm; together with a further PRINT, DESIGNED BY W. H. BUNBURY, titled ‘Sir Gregory Gigg’, published July 23rd 1782 by J. R. Smith, London, , similarly framed, 31.5cm x 25cm (5)

EARLY 19TH CENTURY of oval form, the gadrooned rim marked with shells, centrally engraved with the marital arms of Fry and Clarke, 72cm across handles; together with a SILVER-PLATED SERVING DISH AND COVER, of kidney shape with a hollow handle, the cover with an engraved crest and leaf handle, 32cm wide (2)

19TH CENTURY watercolour on oval ivory, in a Florentine-style giltwood frame, 7cm high; together with a further PORTRAIT MINIATURE OF A GENTLEMAN, on oval metal, early 18th century, in a carved giltwood frame, 8cm high (2)

18TH CENTURY the first French, decorated with lovers in landscapes, the interior painted with a lady holding a fan, 8cm wide; and a small Bilston enamel box, the lid with inscription MAY CHARMS LIKE THINE BE STILL MY LOT, AND LOVE LIKE MINE, BE NEVER FORGOT, above the waisted blue body, 4cm wide (2)

£200-300

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£150-250

British Furniture & Works of Art: Part I

Including a Private Collection of Glassware

and a Private Collection of English Porcelain

26 Lyon & Turnbull

63 CHARLES I OAK CUPBOARD MID 17TH CENTURY WITH ALTERATIONS the flower head and lozenge carved cornice above a pair of angled panel doors divided by carved stylised flower panels, with a carved central pendant panel bearing date 1672, flanked by cup-and-cover columns; the projecting base with a further pair of knot-carved cupboard doors, raised on stile feet; together with a matching carved oak back panel with stylised flower motifs 190cm wide, 124cm high, 56cm deep

£700-1,000

64 SET OF FOUR WILLIAM AND MARY OAK SIDE CHAIRS LATE 17TH CENTURY the scroll carved and pierced crests rails above slatted backs flanked by baluster turned side rails, over moulded panel seats raised on block and turned legs joined by stretchers (4) 44cm wide, 125cm high, 38cm deep

£600-800

65 TUDOR OAK FIRE SURROUND 16TH CENTURY AND LATER the arched surround flanked by moulded legs and surmounted by a carved and arcaded overmantel flanked by columns 210cm wide, 250cm high, 16cm deep Provenance: By repute removed from Marton Hall near Baschurch, Shrewsbury

£300-500

Five Centuries: British Furniture & Works of Art: Part I

66 ANGLO-DUTCH STYLE BRASS EIGHT LIGHT CHANDELIER EARLY 20TH CENTURY with a chain hung pierced circular frame marked with masks and eight short scrolling arms with electrified ‘candle’ fittings 85cm diameter, 70cm high

£300-500

67 QUEEN ANNE WALNUT AND LABURNUM OYSTER VENEERED DWARF CHEST-ON-STAND EARLY 18TH CENTURY the crossbanded top with line inlay and a moulded edge above three long drawers, on a separate base with a further long drawer, raised on bun feet 52cm wide, 66cm high, 34cm deep

£800-1,200

68 QUEEN ANNE WALNUT ESCRITOIRE EARLY 18TH CENTURY the moulded cornice over a cushion frieze drawer above two doors opening to an interior fitted with a central door, drawers, pigeon holes, and a brushing slide; the lower section with two short and two long drawers, raised on bracket feet 115cm wide, 173cm high, 50cm deep

£1,200-1,800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

28 Lyon & Turnbull

69 SMALL GEORGE I WALNUT BUREAU EARLY 18TH CENTURY the crossbanded and quarter-veneered slant front opening to an interior fitted with pigeon holes and drawers and a leather writing surface, over a long drawer; the separate base with a single long drawer and wavy apron, raised on shell-carved cabriole legs ending in pad feet 70cm wide, 94cm high, 41cm deep

£600-800

70 PAIR OF GEORGE I WALNUT SIDE CHAIRS EARLY 18TH CENTURY the tall shaped backs with vasiform splats, over drop-in needlework seats, raised on shellcarved cabriole legs and pad feet (2) 54cm wide, 100cm high, 45cm deep

£600-800

71 GEORGE I WALNUT BUREAU EARLY 18TH CENTURY the crossbanded slope front enclosing an arrangement of drawers and pigeon holes and a well, over two short and two long drawers, all outlined with featherbanding, raised on bracket feet 84cm wide, 91cm high, 48cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

72 GEORGE II WALNUT SIDE TABLE SECOND QUARTER 18TH CENTURY the quarter-veneered and crossbanded top outlined with stringing, with a moulded edge over a long frieze drawer, raised on cabriole legs with acanthus carved knees and ending in pad feet 77cm wide, 73cm high, 45cm deep

£1,000-1,500

73 GEORGE I STYLE WALNUT DOUBLE CHAIRBACK SETTEE EARLY 20TH CENTURY the back with double vasiform splats and a central carved shell motif over a dropin seat flanked by scroll arms, above a seat rail and cabriole legs carved with shells and ending in claw and ball feet 130cm wide, 110cm high, 47cm deep

£800-1,200

74 QUEEN ANNE WALNUT AND FEATHER-BANDED BUREAU EARLY 18TH CENTURY the sloping fall enclosing an arrangement of pigeon holes and drawers above a well, with two short and two long drawers on bun feet 92cm wide, 97cm high, 53cm deep

£1,500-2,500

30 Lyon & Turnbull

75 GEORGE II STYLE WALNUT FOOTSTOOL SECOND QUARTER 19TH CENTURY of waisted oval form, the drop-in seat covered in green plush, raised on shell-carved cabriole legs ending in claw and ball feet 74cm wide, 43cm high, 45cm deep

£250-350

76 GEORGIAN STYLE WING ARMCHAIR EARLY 20TH CENTURY the arched back above a loose cushion seat and scrolled arms, raised on shellcarved cabriole legs ending in trifid feet, covered in distressed cream upholstery 85cm wide, 110cm high, 53ccm deep

£400-600

77 GEORGE II OAK PEDESTAL DESK SECOND QUARTER 18TH CENTURY the moulded top with a leather insert, above a shallow drawer and arched kneehole with a shelf, flanked by banks of three drawers, on bracket feet with castors; the reverse with a pair of panel doors opening to pigeon holes 131cm wide, 74cm high, 81cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

78 GEORGE II SIMULATED WALNUT AND GILT FRETWORK MIRROR MID 18TH CENTURY the rectangular mirror plate in a gilt slip and painted frame with pierced scroll cresting and apron 92cm high, 61cm wide

£800-1,200

79 GEORGE II MAHOGANY FOLD-OVER TEA TABLE MID 18TH CENTURY the rectangular top above a long frieze drawer, raised on square chamfered legs 65cm wide, 75cm high, 33cm deep (closed)

£600-800

80 GEORGE II MAHOGANY ARCHITECT’S TABLE SECOND QUARTER 18TH CENTURY the rectangular hinged top with a ratchet adjustment and retractable book rest, above pivoting frieze drawers, on a telescope action square pedestal and tripod base with pad feet 70cm wide, 77cm high, 51cm deep

£1,000-1,500

32 Lyon & Turnbull

81 GEORGIAN STYLE FIGURED WALNUT PIECRUST TEA TABLE LATE 19TH/ EARLY 20TH CENTURY the quarter-veneered tilt top raised on a turned and fluted column with a spiral carved knop, on a tripod base with cabriole legs ending in claw and ball feet 67cm diameter, 60cm high

£500-700

82 GEORGE II WALNUT CHEST-ON-CHEST SECOND QUARTER 18TH CENTURY the moulded cornice above a pair of short drawers over three graduated long drawers all with featherbanding; the lower part with three further graduated drawers, on bracket feet 99cm wide, 177cm high, 48cm deep

£1,500-2,000

83 DUTCH COLONIAL PADOUK BLOCK FRONT CHEST OF DRAWERS MID 18TH CENTURY the top with a moulded edge and above four long drawers, on a wide moulded plinth base with a shaped apron 80cm wide, 80cm high, 56cm deep

£2,000-3,000

TWO GEORGIAN PROVINCIAL MAHOGANY TRIPOD TABLES

GEORGE II MAHOGANY JARDINIÈRE STAND

18TH CENTURY both with circular tilt tops, the larger with a plain tapered column and the smaller with a baluster column, on tripod bases with slipper feet (2)

SECOND QUARTER 18TH CENTURY with a circular dished top, on tripod cabriole legs ending in pad feet

Larger 60cm diameter, 67cm high; smaller 50cm diameter, 62cm high

28cm diameter, 51cm high

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£200-300

Five Centuries: British Furniture & Works of Art: Part I

86 GEORGE II PADOUK TABLE SECOND QUARTER 18TH CENTURY the crossbanded top inlaid with featherbanding above three frieze drawers arranged around a shaped apron, raised on tapered cabriole legs ending in pad feet 61cm wide, 78cm high, 46cm deep

£800-1,200

87 GEORGE III MAHOGANY PIECRUST BIRDCAGE TEA TABLE LATE 18TH CENTURY the shaped circular tilt-top on a cannon barrel column, raised on acanthus carved legs ending in ball and claw feet with recessed castors 90cm wide, 72cm high, 88cm deep

£1,200-1,800

88 PAIR OF GEORGE II MAHOGANY WRITING TABLES MID 18TH CENTURY the rectangular tops with moulded edges above three frieze drawers, raised on leaf carved tapered legs ending in pad feet (2) 121cm wide, 79cm high, 55cm deep

£2,000-3,000

34 Lyon & Turnbull

89 GEORGE III MAHOGANY BIRDCAGE TEA TABLE THIRD QUARTER 18TH CENTURY the circular top on a birdcage and baluster column, raised on a tripod base with slipper feet 88cm diameter, 74cm high

£300-500

90 PAIR OF GEORGE III MAHOGANY SIDE CHAIRS SECOND QUARTER 18TH CENTURY the scroll carved top rails above pierced and interlaced splats, over drop-in seats raised on foliate carved cabriole legs with claw and ball feet (2) 57cm wide, 98cm high, 40cm deep

£400-600

91 PAIR OF GEORGE II ADAM-STYLE URN PEDESTALS 18TH CENTURY WITH ALTERATIONS the bowfront tops above cupboard doors richly carved with patera, swags and husk trails on a flattened column base, opening to shelves, sliding trays and drawers, raised on carved hairy hoof feet (2) 53.5cm wide, 95cm high, 68cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

92 GEORGE II GILTWOOD AND GESSO MIRROR SECOND QUARTER 18TH CENTURY the rectangular mirror plate in a leaf moulded frame surmounted by a swan neck pediment centred by a shell motif 100cm high, 60cm wide

£800-1,200

93 GEORGE II MAHOGANY BACHELOR’S CHEST OF DRAWERS 2ND QUARTER 18TH CENTURY the fold-over top above four graduated long drawers, raised on bracket feet 80cm wide, 87cm high, 34cm deep Provenance: Purchased Gordon Partridge, Mayfair in 1958.

£2,000-3,000

94 GEORGE III MAHOGANY SERPENTINE TRIPLE-FOLD TEA AND CARD TABLE MID 18TH CENTURY the serpentine top opening on a gate leg to a make a tea table and a further leaf opening to a green baize lined playing surface, above two short frieze drawers, raised on square chamferred legs with blind fret carving 80cm wide, 72cm high, 39cm deep, 79cm deep (open)

£1,500-2,500

36 Lyon & Turnbull

95 GEORGE II STYLE GILTWOOD MIRROR 19TH CENTURY the arched mirror plate in a moulded openwork frame carved with urns, C and leaf scrolls and surmounted by a robust C scroll and flower garland cresting 163cm high, 101cm wide

£600-800

96 SET OF SIX GEORGE III MAHOGANY DINING CHAIRS THIRD QUARTER 18TH CENTURY comprising an armchair and five side chairs, the shaped top rails carved with acanthus and centred by well-carved Prince of Wales plumes, above pierced splats over wide stuff-over seats covered in taupe fabric with cord details, raised on channel moulded square legs joined by stretchers (6) Armchair 58cm wide, 94cm high, 46cm deep

£800-1,200

97 GEORGIAN STYLE MAHOGANY SIDEBOARD BY MAPLE & CO. EARLY 20TH CENTURY the bowfront top with a reeded edge and mounted with a brass rail with green hangings, over a central drawer and recess drawer flanked by pairs of cupboards, all raised and divided by reeded columns with foliate carved capitals 197cm wide, 92cm high (131cm high overall), 75cm deep Provenance: By repute Bryngwyn Hall, Llanfyllin

£600-800

Five Centuries: British Furniture & Works of Art: Part I

98 EARLY GEORGE III MAHOGANY BREAKFRONT CABINET IN THE MANNER OF THOMAS CHIPPENDALE MID 18TH CENTURY, WITH SOME LATER CARVING the dentil and leaf tip carved cornice above a central mirrored door flanked by side cabinets with shaped mirror panel doors outlined with ribbon and bead moulding and marked at the corners with shells, opening to shelves; the projecting lower part with a pair of doors outlined with ribbon and bead moulding and shell carving and enclosing shelves, over egg and dart base moulding and raised on bracket feet 118cm wide, 173cm high, 46cm deep

£8,000-12,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

38 Lyon & Turnbull

99 GEORGE III MAHOGANY SERPENTINE TEA TABLE THIRD QUARTER 18TH CENTURY the well-figured foldover top above a fluted frieze, raised on straight chamfered and fluted legs 92cm wide, 73cm deep, 45cm deep (closed)

£500-700

100 SCOTTISH GEORGE III MAHOGANY SECRETAIRE CHESTON-CHEST THIRD QUARTER 18TH CENTURY the dentil moulded cornice above three short and three long graduated drawers flanked by blind fret carved angles; the lower part with a secretaire drawer fitted with pigeon holes and drawers, above three further long drawers, raised on bracket feet 115cm wide, 194cm high, 61cm deep

£700-1,000

101 CHIPPENDALE STYLE DROP-LEAF BREAKFAST TABLE EARLY 20TH CENTURY the shaped rectangular top with drop leaf sides above a frieze drawer, raised on pierced and tapered square legs joined by a pierced cross stretcher and ending in foliate carved block feet 69cm long, 72cm high, 59cm wide (closed) 117cm (open)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

102 GEORGE II WALNUT DOUBLE FOLD TEA TABLE 18TH CENTURY with two shaped fold-over tray tops, opening to a compartmented interior, raised on cabriole legs with lapet carving and pad feet 73cm wide, 76cm high, 32cm deep, 63cm extended

£2,000-3,000

103 SET OF SIX GEORGE III MAHOGANY DINING CHAIRS THIRD QUARTER 18TH CENTURY the serpentine top rails above pierced baluster splats carved with anthemion, above drop-in seats raised on straight legs joined by stretchers (6) 56cm wide, 95cm high, 44cm deep

£800-1,200

104 GEORGE III STYLE MAHOGANY SILVER TABLE LATE 19TH CENTURY the rectangular top with a gallery rail above a pierced frieze, raised on fluted square tapered legs with pierced corner brackets and ending in block feet 96cm wide, 86cm high, 65cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

40 Lyon & Turnbull

105 PAIR OF GEORGIAN STYLE GILTWOOD GIRONDOLE MIRRORS 19TH CENTURY in the Rococo style, the frames with C and leaf scrolls, rocaille, pavilions, and issuing twin candle arms against blued mirror backs (2) 85cm high, 67cm wide

£600-800

106 GEORGE III MAHOGANY LOW BOY SECOND QUARTER 18TH CENTURY the rectangular top with an egg and dart carved edge above three frieze drawers and a shaped apron, raised on cabriole forelegs ending in pad feet 79cm wide, 70cm high, 49cm deep

£400-600

107 GEORGE III MAHOGANY KNEEHOLE DESK THIRD QUARTER 18TH CENTURY the top with a moulded edge above a brushing slide and long drawer over a recess with an apron drawer and cupboard, flanked by banks of three drawers, raised on bracket feet 97cm wide, 85cm high, 54cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

108 CHINESE EXPORT SIDE TABLE 18TH CENTURY the top with a three-quarter moulded edge above a pierced key frieze and shaped apron, raised on cabriole legs ending in chamfered pad feet 79cm wide, 85cm high, 51cm deep

£1,200-1,800

109 PAIR OF GEORGIAN STYLE MAHOGANY TORCHÈRES 19TH CENTURY each with a circular dished top, on fluted and baluster turned columns and tripod legs ending in hairy pad feet (2) 31cm diameter, 152cm high

£600-800

110 GEORGE II MAHOGANY DROP-LEAF TABLE SECOND QUARTER 18TH CENTURY the oval top with drop-leaf sides above a shaped frieze, raised on tapered legs ending in pad feet 126cm long, 70cm high, 42cm deep (closed), 128cm (open)

£400-600

42 Lyon & Turnbull

111 GEORGE III MAHOGANY DROP-LEAF DUMBWAITER 18TH CENTURY with two graduated circular tiers with drop-leaf sides with reeded edges, raised on baluster columns and outswept legs ending in brass caps and castors 68cm diameter, 91cm high

£400-600

112 GEORGE III MAHOGANY BOOKCASE THIRD QUARTER 18TH CENTURY the moulded cornice above a pair of astragal glaze doors opening to adjustable shelves, on a separate base with a pair of moulded doors marked at the corners with flowerheads, raised on shaped bracket feet 108cm wide, 203cm high, 30cm deep

£600-800

113 GEORGE III MAHOGANY TEA TABLE MID 18TH CENTURY the circular tilt top on a baluster column and tripod base with slipper feet 83.5cm wide, 68cm high, 82cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

114 GEORGE III MAHOGANY WINE TABLE LATE 18TH CENTURY with a circular tilt top, on a slender ring turned and baluster column and umbrella tripod legs with spade feet 56cm diameter, 71cm high

£500-700

115 PAIR OF GEORGIAN STYLE MAHOGANY DISPLAY CABINETS 19TH CENTURY, WITH SOME 18TH CENTURY PARTS the dentil moulded cornices above blind fret carved friezes, over astragal glazed doors opening to adjustable shelves, the lower parts with blind fret carved frieze drawers over foliate carved and quatrefoil moulded panel doors on plinth bases (2) 64cm wide, 199cm high, 40cm deep

£600-800

116 GEORGIAN STYLE LEATHER WINGBACK ARMCHAIR 20TH CENTURY the serpentine top rail above a straight back and wide seat flanked by deep wings and scroll arms, covered in olive green buttoned leather outlined with brass nail head trim, raised on moulded straight legs joined by stretchers 102cm wide, 114cm high, 52cm deep approx.

£800-1,200

44 Lyon & Turnbull

117 GEORGE III MAHOGANY BIRDCAGE TEA TABLE MID 18TH CENTURY the circular tilt top on a birdcage and cannon barrel column with a tripod base and slipper feet, stamped twice ‘MY’ 73cm wide, 69.5cm high, 73cm deep

£400-600

118 CHIPPENDALE STYLE MAHOGANY PARCEL-GILT DISPLAY CABINET EARLY 20TH CENTURY the moulded cornice above a pair of glazed doors with C and foliate scroll carving, opening to a blue plush lined interior, the shelves lacking; on a separate base carved with leaf tips and a pair of moulded panel doors marked with rosettes at the corners, raised on ogee bracket feet 110cm wide, 167cm high, 46cm deep

£700-1,000

119 GEORGE III STYLE MAHOGANY SIDE TABLE 18TH CENTURY AND LATER the later crossbanded top above a fluted frieze marked with foliate carved blocks, raised on square tapered legs carved with shells and husk trails 150cm wide, 86cm high, 51cm deep

£600-800

Five Centuries: British Furniture & Works of Art: Part I

120 PAIR OF GEORGE III MAHOGANY ARMCHAIRS THIRD QUARTER 18TH CENTURY the serpentine top rails above carved and interlaced splats over wide drop-in seats flanked by scrolled arms raised on channel moulded square legs joined by stretchers (2) 68cm wide, 96cm high, 47cm deep

£800-1,200

121 GEORGIAN WOOLWORK HANGING CIRCA 1750, WITH SOME LATER RE-WORKING the rectangular panel worked in satin stitch and French knots depicting scrolling flowers and foliage on a cream linen ground, with later trim Panel 285cm x 142cm; overall 294cm x 153cm

£1,500-2,500

122 GEORGE III MAHOGANY BREAKFAST TABLE THIRD QUARTER 18TH CENTURY the rectangular top with shallow drop-leaf sides, above long frieze drawers to both sides, raised on canted square legs joined by a pierced X stretcher and ending in brass caps 137cm wide (open), 93cm (closed), 74cm high, 85cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

46 Lyon & Turnbull

123 GEORGE III STYLE MAHOGANY WINE TABLE 19TH CENTURY the shaped top with a moulded edge on a stop-fluted column with a foliate carved baluster stem, on acanthus carved cabriole legs ending in claw and ball feet 30cm diameter, 54cm high

£300-500

124 GEORGE III MAHOGANY AND BRASS CELLARETTE 18TH CENTURY of octagonal form, with three brass bands and loop handles, on a channel-moulded stand with slightly outset legs 49cm diameter, 63cm high Provenance: Private Collection from an Ambassador’s Residence

£300-400

125 GEORGIAN STYLE MAHOGANY AND SATINWOOD BREAKFRONT BOOKCASE EARLY 20TH CENTURY in the Hepplewhite style, the swan neck pediment above a dentil moulded frieze inlaid with rosettes and fluting, above a pair of astragal glazed doors flanked by side doors all opening to adjustable shelves, on a projecting breakfront base with moulded panel doors, enclosing shelves 236cm wide, 234cm high, 58cm deep

£700-1,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

126 MATCHED PAIR OF BRASS BANDED PEAT BUCKETS 18TH CENTURY the oval tapered bodies with concave rims and brass bale handles, with brass liners and banding (2) 29cm wide, 36cm high

£400-600

127 GEORGE III MAHOGANY BUREAU BOOKCASE LATE 18TH CENTURY the straight dentil moulded cornice above a pair of astragal glazed doors enclosing adjustable shelves; the slant front base with an inlaid shell motif opening to pigeon holes and drawers, above four graduated long drawers on shaped bracket feet 114cm wide, 218cm high, 53cm deep

£700-1,000

128 PAIR OF GEORGE III STYLE MARBLE TOP HALL TABLES 19TH CENTURY the veined grey marble tops above plain friezes raised on square tapered legs headed by patera and ending in spade feet (2) 180cm wide, 86cm high, 44cm deep

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

48 Lyon & Turnbull

The Private Collection of G.S. May, Esquire 129 IRISH WILLIAMITE ENGRAVED WINE GLASS MID 18TH CENTURY the bucket bowl engraved with a profile of William III with inscription THE IMMORTAL MEMORY, with the heraldic arms for the Kingdom of Ireland flanked by fruiting vines to the reverse, on a plain stem and conical foot 15.5cm high Provenance: Ex Paul Kettle Collection

£800-1,200

130 WILLIAMITE ENGRAVED WINE GLASS MID 18TH CENTURY the round funnel bowl wheelengraved with inscription ‘THE GLORIOUS MEMORY OF KING WILLIAM III’ above a band of fruiting vines, on a plain stem and folded foot 13.5cm high

£500-700

131 WILLIAMITE ENGRAVED WINE GLASS MID 18TH CENTURY the flared bowl wheel-engraved with inscription ‘THE GLORIOUS MEMORY OF KING WILLIAM THE III’ enclosing a portrait of William on horseback, on a tapered plain stem and conical foot 18cm high

£800-1,200

132 IRISH WILLIAMITE ENGRAVED GLASS DECANTER AND STOPPER POSSIBLY WATERFORD, EARLY 19TH CENTURY with a bull’s eye stopper, of mallet form, with a wheelengraved portrait of William III on horseback within inscription ‘GLORIOUS MEMORY’, the reverse inscribed ‘LOYAL DUBLIN SOCIETY’ 28.5cm high

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: The Private Collection of G.S. May, Esquire

Note: Prince William, Duke of Cumberland (1721-1765) was the third and youngest son of King George III, gaining his title in 1726 at the age of four. He is best remembered for his role in defeating the Jacobite Rebellion at the Battle of Culloden in 1746, an event which earned him the title of ‘Butcher’ Cumberland from his Tory opponents. His military action was widely celebrated, particularly in the Lowlands of Scotland and the South of England where he was also branded ‘Sweet William’. This, however, proved to be the highlight of his military career, and in 1757 he diverted his attentions to politics and horse racing. Whilst engraved glassware commemorating popular figures and royals during the Georgian period are known, this glass depicting the portrait of the Duke of Cumberland forms part of a rare group of Anti-Jacobite pieces produced during the 18th century. Arthur Churchill Glass Limited, who once sold this particular glass, was one of the most highly regarded dealers and authors about antique glass from the 1930s through to the 1970s.

133 LARGE DUKE OF CUMBERLAND ENGRAVED GLASS GOBLET MID 18TH CENTURY with a flared bucket bowl wheelengraved with the profile of the Duke of Cumberland, within the inscription ‘HIS ROYAL HIGHNESS WILLIAM DUKE OF CUMBERLAND’, on a double knopped air twist stem and conical foot, with a paper label for A. Churchill Glass 19cm high Provenance: Ex Arthur Churchill Glass Limited

£6,000-8,000

50 Lyon & Turnbull

134 LARGE WILLIAMITE ARMORIAL ENGRAVED GOBLET 18TH CENTURY the large round funnel bowl depicting the armorial for William III, with inscriptions/mottoes ‘HONY SOIT OUI MAL Y PENSE/ IE MAINTIENDRAY’ (sic), on a thick plain stem and conical foot 25.5cm high

£4,000-6,000

135 THREE GEORGIAN WINE GLASSES 18TH CENTURY comprising an example with a pan top, enamel twist and folded foot, 14cm high; an ogee-bowled glass with swollen knopped stem and folded foot, with a label for the James Hall Collection, 12.5cm high; and a cylindrical-shaped bowled glass with teared stem and domed foot, 14.5cm high (3) £400-600

136 THREE GEORGIAN TWIST STEM WINE GLASSES MID 18TH CENTURY comprising two with trumpet bowls and air-twist stems, 17.5cm and 16.5cm high; and a bucket bowled glass with a double-series opaque-twist stem, 15.5cm high (3) £300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: The Private Collection of G.S. May, Esquire 51

137 THREE GEORGIAN OPAQUE TWIST STEM WINE GLASSES MID 18TH CENTURY all with round funnel bowls, comprising one with an everted lip and knopped stem, 15cm high; a glass with a double series twist stem, 14.5cm high; and one with a single series twist stem, 15cm high (3) £300-500

138 THREE GEORGIAN WINE GLASSES MID 18TH CENTURY all with hammered round funnel bowls, comprising one on a double series air twist stem, 15cm high; an example with a double series opaque twist stem, 14.5cm high; and a glass with a plain stem and folded foot, 15cm high (3) £300-500

139 FOUR GEORGIAN WINE GLASSES 18TH CENTURY with trumpet and flared bowls, on plain stems, including two with tears, and folded feet (4) Largest 18cm high

£400-600

52 Lyon & Turnbull

140 THREE GEORGIAN ENGRAVED WINE GLASSES 18TH CENTURY all with flared trumpet bowls, comprising a small glass with a pedestal stem and folded foot, 11.5cm high; a glass engraved ‘TALLY HO’, also with a folded foot, 14.5cm high; and an example depicting a lion with a staff, on a conical foot, 17cm high (3) £300-500

141 TWO ENGRAVED GLASS TUMBLERS 18TH AND 19TH CENTURY comprising a Georgian ale glass, engraved with barley and hops and 'OLEVERS/ 1797', 10cm high; and an early 19th century glass with inscription ‘SUCCESS TO MR COOPERS WAGGONS’, above a scene of a horse-drawn wagon, 12.5cm high (2) £300-500

142 PAIR OF VICTORIAN ENGRAVED MASONIC RUMMERS 19TH CENTURY with wide bowls tapering to conical feet, each wheel-engraved with a compass, a crescent moon, sun and open eye (2) 11.5cm high

£300-500

143

144

GEORGIAN CORDIAL GLASS

GEORGIAN ENGRAVED DWARF ALE GLASS

MID 18TH CENTURY the small bucket bowl possibly later engraved with the Coat of Arms for the Kingdom of Ireland, within an indistinct inscription for the Mallow Volunteers, on a opaque twist stem and conical foot

EARLY 18TH CENTURY the conical bowl with inscription ‘SUCCESS TO STAG HUNTING’, above thumb-moulded base, raised on a short stem and slightly conical foot

17cm high

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

12.5cm high

Five Centuries: The Private Collection of G.S. May, Esquire 53

145 TWO LARGE ENGRAVED HUNTING GLASS GOBLETS EARLY 19TH CENTURY the first with a large rounded bowl depicting a man holding a fox, with hounds and a horse in a landscape setting, on a hollow baluster stem and thick foot, 22.5cm high; and a flared bucket bowled glass, with hunters on horseback and a pub named FOX & GOOSE, 19cm high (2) £400-600

146 FRANKLIN D. ROOSEVELT COMMEMORATIVE GLASS GOBLET, BY VERNAY DATED 1945 the rounded bowl engraved allover, depicting a profile of Roosevelt with dates 1882-1945, with important dates and occasions inscribed, marked MADE IN ENGLAND/ PRESIDENTIAL GLASS 149/ VERNAY, with Sotheby’s lot label 16cm high Provenance: The Duke & Duchess of Windsor sale, Sotheby’s, September 11-19, 1997, lot 1736

£300-500

147 VICTORIAN SILVER MOUNTED GLASS CLARET JUG HALLMARKED BIRMINGHAM 1864 the hinged cover with a lion-form thumb piece above the thick collar depicting masks amongst diaper pattern reserves, fitted to the wheel-engraved jug decorated with fruiting vines, in original fitted box with dealer’s label 26.5cm high Provenance: H. Danker, Dublin

£500-700

54 Lyon & Turnbull

148 VICTORIAN ENGRAVED TUMBLER, POSSIBLY BY TOM SUTHERLAND MID 19TH CENTURY with thumb-cut bowl and thick base, diamond-point engraved with the Royal Coat of Arms and various armorials, dated 1863 and with the name Isabella Mackay 10.5cm high

£200-300

149 RUSSIAN ENGRAVED GLASS TUMBLER 18TH CENTURY of tapered cylindrical form, depicting the Imperial eagle within a starburst reserve 13.5cm high

£250-350

150 PAIR OF EASTERN EUROPEAN ARMORIAL ENGRAVED GLASSES 19TH CENTURY the ovoid bowls with lobed exteriors, wheelengraved with the crest for the Counts of Stollberg, on faceted knopped stems and star-cut feet (2) 13cm high

£300-500

151 BOHEMIAN ENGRAVED GLASS VASE, OF JUDAIC INTEREST LATE 19TH/ EARLY 20TH CENTURY of cylindrical form, engraved with a crown and Star of David above the Ten Commandments tablets with lion bearers, the obverse with a menorah flanked by angels 15cm high

£300-500

Five Centuries: British Furniture & Works of Art: Part I

Other Properties 152 LARGE DUTCH WHEEL-ENGRAVED ARMORIAL GLASS GOBLET MID 18TH CENTURY the flared bowl engraved with the abbreviated Spanish Royal Arms, quarterly Castile and León, inescutcheon Bourbon, and the Order of the Golden Fleece, the base of the bowl facet-cut, raised on a knopped teared faceted stem and domed conical folded foot 22.5cm high

£1,000-1,500 Note: The armorial bearings are the lesser or abbreviated Royal Arms of the Kingdom of Spain. These arms probably refer to King Charles III of Spain (1716 -1788). He was the fifth son of King Philip V of Spain, and the eldest son of Philip’s second wife, Elisabeth Farnese. Upon the death of his granduncle Antonio Farnese in 1731, Charles became Charles I, Duke of Parma and Piacenza. He married Princess Maria Amalia of Saxony (1724-1760) in 1738, the daughter of King Augustus III of Poland and his wife, Archduchess Maria Josepha of Austria. During their marriage Charles and Maria had thirteen children, eight of whom survived into adulthood. He ascended to the Spanish throne in 1759 upon the death of his half-brother, King Ferdinand IV.

153 LARGE BOHEMIAN ENGRAVED DECANTER AND STOPPER, IN THE MANNER OF DOMINIK BIEMANN EARLY 19TH CENTURY the facet-cut pointed stopper above the splayed panel-cut neck terminating in three roundels, wheel-engraved with portraits of two men in military garb and a lady in a dress, possibly depicting Jean Bernadotte (1763-1844), Baron Carl Otto Mörner (1781-1868), and Désirée Clary (1777-1860), on a star-cut base 32cm high Note: Dominik Biemann (1800-1857) was a one of the best glass engravers of the 19th century. His work took him to Prague, where as a self-employed artisan he undertook private commissions for clients. He is well known for his portraits, wheel-engraved onto glass. The portraits depicted on this decanter are thought to show Jean Bernadotte, Marshal of France in 1804 and later King Charles XIV John of Sweden; Baron Mörner, a Swedish courtier and member of the Diet; and Désirée Clary, wife of Bernadotte and later Queen consort.

£2,000-3,000

154

155

GEORGIAN ENGRAVED TWIST STEM WINE GLASS

GERMAN EMPIRE GILDED AND ENAMEL VASE

CIRCA 1750 with a round funnelled bowl engraved with fruiting vines, raised on an air twist stem with an applied moulded knop and a conical foot

LATE 19TH/ EARLY 20TH CENTURY the cylindrical neck spreading to a prunt-covered base, with a gilt Reichsadler/German coat of arms (1888-1918) amongst enamelled dots

16.5cm high

£120-180

33cm high

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

56 Lyon & Turnbull

156 JACOBITE STYLE ENGRAVED WINE GLASS 18TH CENTURY, THE ENGRAVING POSSIBLY LATER the flared trumpet bowl wheel-engraved with carnations and a moth, on a Newcastle baluster stem and conical foot 17cm high

£500-800

157 PAIR OF GEORGIAN ENGRAVED WINE GLASSES MID-LATE 18TH CENTURY with round funnel bowls, wheel-engraved with lily of the valley, raised on facet-cut stems on thick flat feet (2) 15.5-16cm high

£400-600

158 GROUP OF EIGHT SMALL GEORGIAN AND REGENCY GLASSES 18TH AND EARLY 19TH CENTURY comprising a glass engraved with the Weaver’s Trust motto and coat of arms, initialled R.M.S. and dated 1815, 10.5cm high; two plain-bowled glasses with thick bases to the bowls, 11cm and 10cm high; a rounded bowled glass with an annular knop, 9cm high, an example with an opaque twist stem and moulded bowl, 15cm high; a flared wine glass with an air twist stem, 16cm high; and two glasses with knopped stems, 15cm and 12cm high; together with a CONTINENTAL GILDED GREEN WINE GLASS, late 18th/early 19th century, the panelled bowl with traces of gilt swags, on a facet-cut stem, 14.5cm high (9) £300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

159 LARGE GEORGIAN ENGRAVED SWEETMEAT GLASS MID 18TH CENTURY the slightly everted ogee bowl engraved with a band of flowers including a carnation and honeysuckle, raised on a single opaque twist stem and domed folded foot 16.5cm high

£1,500-2,500

160 GEORGIAN ENGRAVED WINE GLASS 18TH CENTURY the flared trumpet bowl engraved with a rose head and moth, above a multiknopped air twist stem, on a conical foot 18.5cm high

£1,500-2,500

161 THREE ENGRAVED GLASS WARES 18TH AND 19TH CENTURY comprising a shouldered decanter and facet-cut stopper, decorated with roses and buds, 29.5cm high; a rummer engraved with a daffodil and moth, 17cm high; and a rummer with rose heads and buds with a small bird, 15.5cm high (3) £500-700

58 Lyon & Turnbull

British Furniture & Works of Art: Part I, Continued 162 PAIR OF GEORGIAN MAHOGANY FRAMED UPHOLSTERED STOOLS 19TH CENTURY with velvet upholstered seats with close nail head trim, raised on square legs joined by H stretchers (2) 64cm wide, 44cm high, 50cm deep

£400-600

163 GEORGE III MAHOGANY LINEN PRESS 18TH CENTURY the moulded cornice above a pair of moulded panel doors opening to three sliding trays, the lower part with three long drawers raised on shaped bracket feet 133cm wide, 203cm high, 63cm deep

£400-600

164 LATE GEORGE III MAHOGANY PEDESTAL DINING TABLE LATE 18TH CENTURY the oval crossbanded tilt top with a reeded edge, on a cannon barrel column and four reeded outswept legs ending in brass caps and castors 166cm long, 71cm high, 139cm deep

£600-800

Five Centuries: British Furniture & Works of Art: Part I

165 GEORGE III MAHOGANY OCTAGONAL WINE TABLE LATE 18TH CENTURY with a tilt top, on ring turned slender column, on a tripod base with downswept legs and spade feet 42cm diameter, 69cm high

£800-1,200

166 GEORGE III MAHOGANY AND SATINWOOD DEMILUNE SIDE CABINET LATE 18TH CENTURY the crossbanded top above a central frieze drawer, over a pair of cupboard doors flanked by side panels all with oval inlay, raised on square tapered legs 122cm wide, 92cm high, 52cm deep

£800-1,200

167 GEORGE III MAHOGANY SERPENTINE SIDEBOARD LATE 18TH CENTURY the serpentine top above a central drawer and shaped apron flanked by deep drawers, all outlined with banding and stringing, raised on channel moulded square tapered legs 159cm wide, 93cm high, 67cm deep

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

60 Lyon & Turnbull

168 LATE GEORGE III MAHOGANY MARBLE TOP SIDE TABLE LATE 18TH CENTURY, THE MARBLE LATER the veined green marble D-shaped top above a shaped frieze with a drawer, raised on square tapered legs outlined with stringing 79cm wide, 73cm high, 44.5cm deep

£300-500

169 TWO GEORGE III MAHOGANY UPHOLSTERED SIDE CHAIRS 18TH CENTURY with square padded backs and seats, raised on straight square legs joined by stretchers, covered in white silk (2) Larger 57cm wide, 93cm high, 50cm deep Provenance: Private Collection from an Ambassador’s Residence

£300-500

170 LATE GEORGE III MAHOGANY AND FRUITWOOD HANGING CORNER CABINET LATE 18TH CENTURY the moulded cornice above a dentil frieze, over an astragal glazed door enclosing plush lined shelves 80cm wide, 106cm high, 45cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

171 LATE GEORGE II MAHOGANY WINE TABLE MID 18TH CENTURY the circular dished tilt top on a fluted and acanthus carved column support, on leaf carved legs ending in claw feet 53cm diameter, 70cm high

£800-1,200

172 SET OF SIX GEORGE III INLAID DINING CHAIRS LATE 18TH/ EARLY 19TH CENTURY the square backs with chequer banded top rails above three splats, over drop-in seats covered in green plush fabric, raised on square tapered legs with stretchers (6) 52cm wide, 87cm high, 39cm deep

£400-600

173 GEORGE III MAHOGANY AND SATINWOOD BREAKFAST TABLE EARLY 19TH CENTURY the oval crossbanded top with a reeded edge, on a turned column with reeded outswept legs ending in brass caps and castors 154cm wide, 73cm high, 102cm deep

£600-800

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174 LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY the top with a reeded edge above two short and three long graduated drawers, raised on splayed French feet 104cm wide, 107cm high, 54cm deep

£300-500

175 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, BY ALEXANDER MITCHELL, GORBALS LATE 19TH CENTURY the moulded swan neck pediment above an arched brass dial with signed boss Alex. Mitchel/ Gorbals, above a silvered chapter with Roman and Arabic chapters, a subsidiary seconds dial and date aperture, above an arched moulded trunk door flanked by reeded quarter columns, on a plinth base; the eight day movement striking a bell 211cm high, 52cm wide, 26cm deep

£300-500

176 GEORGE III MAHOGANY BREAKFRONT WARDROBE LATE 18TH CENTURY the moulded cornice above a fluted frieze marked with fan medallions, the centre section with a pair of doors with crossbanded oval panels opening to seven modern sliding trays, above a pair of short drawers and pair of long drawers below, all with harewood crossbanding; the centre section flanked by cupboards enclosing shelves, hanging space and sliding trays, on a plinth base 216cm wide, 209cm high, 64cm deep

£800-1,200

Five Centuries: British Furniture & Works of Art: Part I

177 LATE GEORGE III MAHOGANY FRAMED WINGBACK ARMCHAIR EARLY 19TH CENTURY in the Sheraton style, the curved back and shaped wings above outscrolled arms and a padded seat, raised on turned and tapered legs ending in castors, covered in white silk 63cm wide, 104cm high, 55cm deep Provenance: Private Collection from an Ambassador’s Residence

£600-800

178 GEORGE III MAHOGANY AND INLAID WINE TABLE LATE 18TH CENTURY the circular tilt top with a baluster column on umbrella tripod legs with spade feet 49cm diameter, 72cm high

£400-600

179 GEORGIAN STYLE MAHOGANY FOUR POSTER BED 19TH CENTURY with a moulded cornice supported on reeded baluster columns with wheatsheaf carving and terminating on block legs, with floral print hangings 139cm wide, 229cm high, 210cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

64 Lyon & Turnbull

180 GEORGE III SATINWOOD AND INLAID CARD TABLE LATE 18TH CENTURY the D-shaped crossbanded top opening to a baize playing surface, above a line inlaid frieze, raised on square tapering legs 91cm wide, 74cm high, 43cm deep, 86cm extended

£700-1,000

181 LATE GEORGE III MAHOGANY, SATINWOOD AND MARQUETRY LINEN PRESS LATE 18TH CENTURY the dentil moulded cornice above a pair of cupboard doors with oval panels with urn marquetry opening to five sliding trays; the base with a pair of short drawers over three graduated drawers centred by marquetry oval panels, all outlined with zig-zag inlay, raised on bracket feet 120cm wide, 196cm high, 63cm deep

£600-800

182

183

PAIR OF EARLY GEORGE III MAHOGANY SIDE CHAIRS

GEORGE III MAHOGANY WASHSTAND

MID 18TH CENTURY the serpentine top rails above pierced baluster splats, over drop-in seats raised on square tapered legs joined by stretchers (2) 53cm wide, 96cm high, 39cm deep

£250-350

FOURTH QUARTER 18TH CENTURY the hinged rectangular top opening to a void interior with cut-outs for a washbasin, raised on square tapered legs joined by a galleried undertier and ending in spade feet 71cm wide, 84cm high, 43cm deep

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

184 PAIR OF LATE GEORGE III SATINWOOD DEMILUNE SIDE TABLES FOURTH QUARTER 18TH CENTURY of neat size, the tops with crossbanding and line inlay, above plain friezes and raised on square tapered legs all outlined with stringing and ending in spade feet (2) 80cm wide, 73cm high, 40cm deep

£1,500-2,500

185 GEORGE III SATINWOOD SECRETAIRE, ATTRIBUTED TO GILLOWS 18TH CENTURY the superstructure with open shelves flanked by cupboards, above a secretaire drawer opening to a leather tooled writing surface and an arrangement of drawers and pigeon holes, over a pair of twin panelled doors flanked by outset column supports raised on tapering legs 91cm wide, 152cm high, 47cm deep

£3,000-5,000

66 Lyon & Turnbull

Note: In 1703 the Methuen Treaty established the trade relations between Portugal and England, allowing English woollen cloth to be admitted into Portugal free of duty. In return, Portuguese wines imported into England would be subject to a third less duty in contrast to French imported wines. This was particularly important with regards to the port industry. As England was at war with France it became increasingly difficult to acquire wine and so port started to become a popular replacement. In 1717 a first English trading post was established in Porto. The production of port wine then gradually passed into the hands of a few English firms. The neo-Palladian British Factory House in Porto became the centre of the English commercial and social presence in Porto, and English culture and taste became an influential part of Porto’s society. The increased presence of English port traders and merchants created a market for English influenced desigh, and furniture in the Chippendale, Hepplewhite, and Sheraton styles in the second half of the 18th century was in demand. While at first glance these pieces are recognisably English in nature, on closer examination the influence of local taste and workmanship becomes evident as these designs were interpreted through local hands. The present long set of chairs have a distinctly Hepplewhite feel with their oval backs and gathered pierced splats. However the seats are wider than one would expect to find on their English counterparts and the legs taper to a narrow point, creating the impression the chairs are balanced on their toes, in a manner not seen in English versions. It is rare to come across sets of Anglo-Portuguese chairs of this period, and highly unusual to find a set with this number intact.

186 SET OF FOURTEEN ANGLO-PORTUGUESE MAHOGANY DINING CHAIRS LATE 19TH CENTURY, ONE ARMCHAIR LATER in the Hepplewhite style, comprising a pair of armchairs and twelve side chairs, the oval moulded frame backs with central waisted vertical pierced splats, above wide serpentine seats covered in brown hide outlined with close nail head trim, raised on slender tapering fluted square legs (14) Armchair 56cm wide, 96cm high, 45cm deep; side chair 55cm wide, 96cm high, 45cm deep

£7,000-10,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

68 Lyon & Turnbull

187 GEORGIAN STYLE GILTWOOD GIRANDOLE MIRROR 19TH CENTURY the oval mirror plate in a ribbon tied frame with laurel clad frame issuing twin branches each with three candle arms 180cm high, 92cm wide

£700-1,000

188 GEORGE III MAHOGANY TAMBOUR DESK 18TH CENTURY the tambour top opening to an interior with pigeon holes, drawers, and a sliding baize writing surface, over a long frieze drawer, raised on square tapered legs 92cm wide, 106cm high, 56cm deep

£600-800

189 GEORGE III MAHOGANY, HAREWOOD AND INLAID PEMBROKE TABLE 18TH CENTURY the oval crossbanded top with drop-leaf sides above a frieze drawer to one end, raised on square tapered legs headed by floral oval medallions and ending in brass caps and castors 78cm long, 72cm high, 48cm wide (down), 96cm wide (up)

£500-700

Five Centuries: British Furniture & Works of Art: Part I

190 GEORGE III MAHOGANY LIBRARY TABLE EARLY 19TH CENTURY the rectangular top on shaped end supports with outswept fluted legs ending in brass caps and castors 107cm wide, 70cm high, 50cm deep

£800-1,200

191 LATE GEORGE III MAHOGANY VITRINE-ON-STAND LATE 18TH CENTURY the arched framed vitrine with a glazed door and two mahogany framed and glazed shelves, on a separate stand with tapered square legs and pierced brackets, joined by curved stretchers united by an oval platform 56cm wide, 159cm high, 29cm deep

£1,200-1,800

192 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS LATE 18TH CENTURY with a crossbanded top over four long graduated crossbanded drawers, with shaped apron and splayed French feet 97cm wide, 84cm high, 58cm deep

£2,000-3,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

70 Lyon & Turnbull

193 NEAR PAIR OF GEORGIAN STYLE MAHOGANY LIBRARY ARMCHAIRS EARLY 20TH CENTURY the serpentine top rails above wide flat backs and serpentine seats flanked by padded arms with curved supports, raised on channel moulded straight square legs joined by stretchers (2) 63cm wide, 91cm high, 53cm deep approx.

£300-500

194 GEORGE III MAHOGANY PEMBROKE TABLE LATE 18TH CENTURY the crossbanded oval top with radial veneers above a frieze drawer, raised on square tapered legs outlined with stringing and ending in brass caps and castors 75cm wide, 75cm high, 99cm deep (open), 48cm (closed)

£400-600

195 LATE GEORGE III MAHOGANY AND INLAY WORK TABLE LATE 18TH CENTURY the crossbanded top with a rising draught screen, over a single frieze drawer fitted with a writing slope and ink drawer, above a sliding workbox, raised on square tapered legs ending in brass caps and castors 53cm wide, 175cm high, 45cm deep

£300-500

196 LATE GEORGE III MAHOGANY FRAMED SOFA LATE 18TH CENTURY in the Hepplewhite style, the slightly arched back and downswept arms above a bowfront padded seat, raised on eight square tapered legs joined by stretchers, covered in white silk 195cm wide, 94cm high, 70cm deep Provenance: Private Collection from an Ambassador’s Residence

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

197 GEORGE III MAHOGANY AND BRASS BOUND WINE COOLER 18TH CENTURY of oval form with twin brass handles and straps, the interior with a lead liner, on a stand with pierced brackets and square legs 60cm wide, 53cm high, 40cm deep

£2,000-3,000

198 GEORGE III MAHOGANY, SATINWOOD, AND MARQUETRY SECRETAIRE, IN THE MANNER OF JOHN LINNELL FOURTH QUARTER 18TH CENTURY the superstructure with a moulded edge above a fall front inlaid with urns, swags, and flowerheads, opening to an interior fitted with drawers and pigeon holes and further urn inlay, on an integral projecting base with a long frieze drawer, raised on tapered square legs 62cm wide, 125cm high, 46cm deep

£400-600

199 LATE GEORGE III MAHOGANY SOFA TABLE EARLY 19TH CENTURY the banded rounded rectangular top with drop sides above a pair of short frieze drawers raised on squared end supports joined by a stretcher and ending on down-turned legs with brass caps and castors 154.5cm wide (open) 98cm wide (closed), 77cm high, 63cm deep

£600-800

200 GEORGE III STYLE MAHOGANY SERPENTINE COMMODE EARLY 20TH CENTURY the top with a moulded edge above a brushing slide and four graduated drawers over a shaped apron, raised on French feet 87cm wide, 84cm high, 52cm deep

£1,500-2,500

72 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

201 FINE GEORGE III MAHOGANY AND EBONISED BREAKFRONT LIBRARY BOOKCASE, ATTRIBUTED TO GILLOWS OF LANCASTER EARLY 19TH CENTURY the cornice with a central tablet and bead moulded frieze, surmounted by four turned and carved urn finials, the upper section with four arched astragal doors enclosing shelves; the projecting base with a central secretaire drawer enclosing a leather writing surface and an arrangement of drawers and pigeon holes, flanked by two further dropdown drawers with void interiors; above a pair of panelled doors flanked by further doors all divided by stop-fluted and part-reeded columns, raised on turned and tapered feet 154cm wide, 207cm high, 48cm deep

ÂŁ12,000-18,000

74 Lyon & Turnbull

202 GEORGE III MAHOGANY UPHOLSTERED ARMCHAIR 18TH CENTURY the low arched back and short enclosed arms above a loose cushion seat, raised on square straight legs joined by stretchers and ending in brass castors, covered in white silk 70cm wide, 102cm high, 60cm deep Provenance: Private Collection from an Ambassador’s Residence

£300-500

203 LATE GEORGE III MAHOGANY INLAID BOWFRONT SIDE CABINET LATE 18TH CENTURY the later top with a moulded edge above an arrangement of dummy drawers and central drawer, above a bowfront cupboard door flanked by side panels, all with line inlay, on a plinth base 92cm wide, 80cm high, 50cm deep

£400-600

204 LATE GEORGE III MAHOGANY SERVER FOURTH QUARTER 18TH CENTURY the tambour top opening to a void interior, above a central concave frieze drawer and arched recess flanked by cupboard doors, one enclosing a deep drawer, with sliding side panels and a slop cupboard on the lower right side 153cm wide, 117cm high, 69cm deep

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

205Y GEORGE III INLAID MAHOGANY ZOGRASCOPE LATE 18TH CENTURY with small ivory finials, raised on a baluster stem and turned circular foot 63.5cm high Note: A zograscope is an optical viewer used for enhancing depth perception from a flat picture, and was regularly used as a parlour game during the Georgian period.

£300-500

206 PAIR OF WORCESTER PORCELAIN BUTTER BOATS MID 18TH CENTURY the exteriors moulded with overlapping geranium leaves and issuing twig handles, painted to the interiors with flower sprigs in polychrome enamels, unmarked (2) 8cm long

£400-600

207 LARGE ENGLISH DELFT BLUE AND WHITE PUNCH BOWL MID 18TH CENTURY decorated to the exterior with Chinoiserie landscapes with buildings and trees, the well with similar decoration within trellis borders 40cm diameter

£400-600

208 DAVENPORT STONE CHINA PART DINNER SERVICE 19TH CENTURY decorated in the Imari palette with peonies and prunus, within cobalt blue, pink and red borders, with gilt highlights, printed and painted marks, comprising a soup tureen and under plate (no lid), 21cm high; a large platter, 52cm wide; a small platter, 23.5cm wide; 24 dinner plates, 26cm diam.; 16 soup plates, 25.5cm diam.; 15 dessert plates, 22cm diam.; and nine side/bread plates, 16cm diam. (qty) Provenance: Private Collection from an Ambassador’s Residence

£300-500

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209 LARGE SCRUBBED PINE SCULLERY TABLE 19TH CENTURY WITH ALTERATIONS the long rectangular top above a frieze with later drawers, on turned and tapered legs 255cm long, 84cm high, 101cm deep

£400-600

210 GEORGIAN OAK PRESS CUPBOARD 18TH CENTURY the moulded cornice above a pair of panel doors opening to shelves; the separate base with three short shelves over two further short drawers and two long drawers, raised on bracket feet 133cm wide, 198cm high, 51cm deep

£400-600

211 GEORGIAN OAK AND WALNUT DRESSER 18TH CENTURY the top with a moulded edge above a central pair of short drawers over a pair of pointed arch panel doors, flanked by banks of three long drawers with walnut banding, raised on bracket feet 217cm long, 87cm high, 52cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part I

212 WELSH CARVED FRUITWOOD BETROTHAL WALL SHELF DATED 1778 surmounted by two hearts and two diamonds in relief, above a rectangular panel with further hearts and repeating triangular borders flanking the initials GA/ IA and the date 1778, with a later added platform shelf 39cm high, 34cm wide

£800-1,200

213 OCTAGONAL PAINTED HARDWOOD PEDESTAL 19TH CENTURY the octagonal platform above a solid hardwood column and moulded base, in russet red 30cm wide, 87cm high

£350-450

214 PROVINCIAL ELM AND CHESTNUT COUNTRY SETTLE 18TH CENTURY the long panel back above a single plank seat and scrolled arm panels 263cm long, 97cm high, 31cm deep

£600-800

215 TWO LIVERPOOL ENAMEL PORTRAIT PLAQUES LATE 18TH CENTURY both oval, with puce transfer printed portraits and inscriptions for Admiral Rodney and General Clinton, in brass frames (2) 6.5cm high Note: Admiral George Brydges Rodney, 1st Baron Rodney ( 1718 - 1792), was a British naval officer from a distinguished, but poor background. He was most famous for his victory over the French at the Battle of the Saintes. He was a controversial figure, prone to nepotism and unscrupulousness in seeking prize money, but nonetheless famed for being a brilliant tactician. General Sir Henry Clinton (1730? - 1795), British army officer and politician, he sat in the House of Commons between 1772 and 1795, and was named Governor of Gibraltar but died before he could assume the post. He served during the American War of Independence, as the British Commander-in-Chief in North America.

£400-600

216 STAFFORDSHIRE PEARLWARE FIGURE OF ST GEORGE AND THE DRAGON LATE 18TH CENTURY of Ralph Wood type, in manganese, brown, and green glaze 30cm high Note: This model appears to corresponds to two earthenware figures of St George and the Dragon attributed to Ralph Wood the younger, in the Victoria & Albert Museum, dated to c. 1783-17800, one of which is stamped. For a similar example also see Pat Halfpenny, English Earthenware Figures 1783-1800 (Antiques Collector’s Club, 1991), p. 101.

£500-700

217

218

219

220

221Y

GEORGIAN STYLE GILTWOOD MIRROR

GEORGE III MAHOGANY AND GILT FRETWORK MIRROR

GEORGE III MAHOGANY CHILD’S ARMCHAIR

LATE GEORGIAN MAHOGANY CHEESE COASTER

ENGLISH SCHOOL, LATE 18TH/ EARLY 19TH CENTURY

MID 18TH CENTURY the shaped rectangular mirror plate in a gilt slip and moulded frame with a pierced scroll cresting centred by a carved ho-ho bird

18TH CENTURY with an arched toprail and a wheatsheaf carved pierced splat, leading to scroll arms above a dropin needlework seat, raised on square straight legs

EARLY 19TH CENTURY with a two section interior and scrolled ends, on a square base raised on castors

88cm high, 47cm wide

44cm wide, 69cm high, 30cm deep

TWO PORTRAIT MINIATURES oval, watercolour on ivory, the first of girl in an Empire waist dress with blue sash, the second a gentleman in a blue coat, in glazed ebonised frames (2)

£200-300

6.5cm high

EARLY 20TH CENTURY the oval mirror plate in a moulded frame hung with ribbon tied bellflower trails and surmounted by an urn finial 103cm high, 55cm wide

£250-350

£200-300

42.5cm wide

£200-300

£250-350

Five Centuries: British Furniture & Works of Art: Part I

222Y ANDREW PLIMER (BRITISH 1763-1837) PORTRAIT MINIATURE OF A GENTLEMAN watercolour on ivory, oval, the sitter with powdered hair and wearing a pale blue coat and white cravat, against a cloud filled background, in a gilt metal frame 6.5cm high

£800-1,200

223Y ENGLISH SCHOOL, PORTRAIT MINIATURE OF A GENTLEMAN LATE 18TH/ EARLY 19TH CENTURY watercolour on ivory, oval, the sitter in a blue jacket and white cravat, with plaited hair verso, in a gilt metal frame 7.5cm high

£400-600

224Y JOHN MIERS (BRITISH 1756-1821) TWO PORTRAIT SILHOUETTES oval, on ivory, signed MIERS., of a gentleman and lady, contained in a doublesided frame mounted with blue glass 3cm high approx.

£250-350

Reverse Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

80 Lyon & Turnbull

225 GEORGE III SATINWOOD AND EBONY INLAID CARD TABLE LATE 18TH CENTURY the fold-over D shaped top inlaid with stylized laurel and anthemion motifs, on a square section column and quadriform platform raised on outwsept C scroll legs ending in brass claw caps and castors 91cm wide, 74cm high, 45cm deep, 96cm extended

£800-1,200

226 MATCHED PAIR OF GEORGE III MAHOGANY UPHOLSTERED SIDE CHAIRS LATE 18TH CENTURY the rounded backs above serpentine stuffover seats, raised on square tapered legs joined by stretchers, covered in white silk (2) Larger 52cm wide, 92cm high, 46cm deep Provenance: Private Collection from an Ambassador’s Residence

£400-600

227 GEORGE III MAHOGANY BREAKFAST TABLE LATE 18TH CENTURY with a circular tilt top, on a turned column and reeded outswept legs, ending in brass caps and castors 121cm wide, 73cm high, 122cm deep

£800-1,200

228 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS, IN THE MANNER OF HENRY HILL OF MARLBOROUGH LATE 18TH CENTURY the serpentine crossbanded top above a pair of short and three long graduated crossbanded drawers, over a shaped apron and raised on French feet 113cm wide, 95cm high, 56cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A Private Collection of English Porcelain

82 Lyon & Turnbull

229 FOUR CHELSEA POLYCHROME WARES 18TH CENTURY all decorated with flower sprigs and brown rims, with red anchor marks, comprising three cups of rounded bellied form, one with a moulded stem handle, largest 6.5cm high; and a trembleuse saucer, 12cm diam. (4) £400-600

230 LARGE WORCESTER POLYCHROME MUG, POSSIBLY PAINTED BY JAMES ROGERS CIRCA 1760 the baluster shaped body with a ribbed handle, decorated with flower sprigs and sprays 12cm high

£300-500

231 WORCESTER MATCHED ‘EN GRISAILLE’ PART TEA SERVICE 18TH CENTURY comprising three tea bowls, largest 7.5cm diam.; four saucers, largest 12cm diam.; four coffee cups, largest 6cm high; and a teapot stand, 13.5cm wide, in various patterns, one with label for The Smalle Collection, South Africa (12) £400-600

Five Centuries: A Private Collection of English Porcelain

232 WORCESTER ‘HOP TRELLIS’ PATTERN TRIO CIRCA 1780 comprising a tea bowl, 5cm high; a coffee can, 6.5cm high; and a saucer, 13.5cm diam., all with fluted moulding and decorated in polychrome enamels with gilt rims (3) £300-500

233 WORCESTER ‘EARL OF DALHOUSIE’ PATTERN COFFEE CUP AND SAUCER CIRCA 1780 each of lobe-moulded form, painted with roundels of river scenes, within blue and gilt borders, with flower sprays, blue crescent marks, cup 6.5cm high, saucer 14cm diam.; together with a WORCESTER COFFEE CUP AND SAUCER, in a similar pattern and shape, decorated with roundels of urns, within blue and gilt borders, with fruit, blue crescent marks, cup 6cm high, saucer 13.5cm diam. (4) £300-500

234 GROUP OF WORCESTER BLUE AND WHITE TEA AND COFFEE WARES 18TH CENTURY variously marked, comprising a tea bowl and saucer in the ‘Feather Moulded Floral’ pattern; two tea bowls and a saucer in the ‘Prunus Root’ pattern; two ‘Cannonball’ pattern coffee cups; a moulded tea bowl and matching saucer; and two moulded coffee cups (11) £300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

84 Lyon & Turnbull

235 TWO WORCESTER POLYCHROME SUCRIERS AND COVERS CIRCA 1770 each with flower finials, decorated with flower sprigs, one with a lobed body and cover, 12cm high; the other with a fluted body and cover, square seal mark, 13cm high (2) £250-350

236 TWO WORCESTER POLYCHROME DESSERT DISHES CIRCA 1770 of shaped oblong form with moulded cavettos and gilt rims, decorated with flower sprigs and sprays (2) 30cm wide

£400-600

237 GROUP OF WORCESTER SCALE BLUE WARES CIRCA 1770 variously decorated with polychrome reserves of birds, insects and flowers, on scale blue grounds with gilt borders, square seal marks, comprising a lobed plate, 19cm diam.; a small covered tureen and underplate, with label for T. A. HALL, BURNLEY., underplate 20cm wide; a mug, with the same label, 8.5cm high; a twin-handled cup and a single-handled cup, 7cm high; two deep saucers, 14.5cm diam.; three coffee cups, 6.5-6cm high; a teacup, 5cm high; a tea bowl, 7.5cm diam.; and two saucers, 13cm and 12cm diam. (15) £400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: A Private Collection of English Porcelain

238 TEN LOWESTOFT TEA WARES 18TH CENTURY comprising a tea bowl and saucer in a Redgrave pattern; two coffee cups and a saucer in the Redgrave ‘Doll’s House’ pattern; a sparrow beak jug in Redgrave ‘Two Birds’ pattern; two blue and white tea bowls; a blue and white coffee cup; and a blue and white saucer (10) £300-500

239 LOWESTOFT BLUE AND WHITE ‘SUNFLOWER’ PATTERN FEEDING CUP CIRCA 1765-70 with a bucket-shaped bowl, partial fixed cover and long straight spout, with painter’s numeral inside the foot rim 15.5cm wide

£400-600

240 GROUP OF WORCESTER JAPANNED TEA AND COFFEE WARES 18TH CENTURY comprising a coffee cup and tea bowl in ‘Dragons in Compartments’ pattern, square seal marks; a coffee cup, two teacups and a saucer in ‘Japan Fan’ pattern, faux character marks; a sparrow beak jug and two coffee cups in variations of ‘Scarlett Japan’ pattern; two coffee cups and a teacup with fanpanelled decoration; a matching coffee cup and saucer; and three further coffee cups, one with square seal mark (17) £500-700

86 Lyon & Turnbull

241 GROUP OF DERBY AND WORCESTER MOULDED ‘DOLPHIN EWER’ CREAM BOATS 18TH CENTURY comprising four Derby examples, two with polychrome flowers, and two in blue and white; and a similar Worcester example, with dolphin-form handle, also in blue and white, crescent mark (5) 8cm high approx.

£600-800

242 TWO WORCESTER PORCELAIN CHESTNUT BASKETS 18TH CENTURY each of typical form with open lattice sides and applied flower heads, the first with twig handles, painted in polychrome with cobalt borders and gilding, square seal mark, 22cm wide; the second with twisted handles, decorated in blue and white in the ‘Pine Cone’ pattern, crescent mark, 21cm wide (2) £250-350

243 GROUP OF WORCESTER TEA AND COFFEE WARES 18TH CENTURY all decorated with Chinese figures engaged in various pursuits, comprising a tea caddy, 12.5cm high; a saucer decorated with the ‘Red Bull’ pattern, 11.5cm diam.; and nine coffee cups, largest 6.5cm high (11) £400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Paintings

88 Lyon & Turnbull

244 HENRY GARLAND (BRITISH 1854-1890) HIGHLAND CATTLE IN A MOUNTAIN GLEN Signed, oil on canvas 76cm x 127cm (30in x 50in)

£1,000-1,500

245 FRANZ VAN SEVERDONCK (BELGIAN 1809-1889) SHEEP AND CHICKENS IN A MEADOW Signed and dated 1876, oil on panel 17cm x 23cm (6.75in x 9in) and a companion a pair (2)

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

246 MANNER OF MELCHIOR DE HONDECOETER ORNAMENTAL FOWL IN A GARDEN Oil on canvas 2 8cm x 25.5cm (11in x 14in) Provenance: Coul House, Auchterarder

£1,500-2,500

247 JAMES HARDY SR (BRITISH 1801-1879) A STILL LIFE OF DEAD GAME Signed, oil on canvas 30cm x 36cm (11.75in x 14in)

£700-900

90 Lyon & Turnbull

248 CIRCLE OF MARY BEALE PORTRAIT OF A PHYSICIAN Oil on canvas 76cm x 63.5cm (30in x 25in)

£400-600

249 ATTRIBUTED TO CHARLES EDOUARD FRÈRE (FRENCH 1837-1894) REPAIRING THE SLEDGE Oil on canvas 56cm x 46cm (22in x 18in)

£1,000-1,500

Five Centuries: Paintings

250 MANNER OF AUGUSTUS LEOPOLD EGG THE LACE BONNET Oil on board, arched top 28cm x 23cm (11in x 9in) Provenance: Coul House, Auchterarder

£500-700

251 JAMES CLARK (BRITISH 1858-1943) YOUNG GIRL WITH DOG AND BLACK HORSE Signed, oil on canvas 46cm x 61cm (18in x 24in)

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

92 Lyon & Turnbull

252 18TH CENTURY DUTCH SCHOOL SHIPPING OFF THE COAST Oil on canvas 46cm x 66cm (18in x 26in)

£1,000-1,500

253 WILLIAM RAYMOND DOMMERSEN (DUTCH FL.1850-1927) ZANDOORP Signed, oil on canvas 31cm x 41cm (12in x 16in) and a companion a pair (2)

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

254 JOHN FRASER (BRITISH 1858-1927) THE CELEBRATED CLIPPER ‘AMERICA’ Signed, oil on canvas 76cm x 107cm (30in x 42in)

£2,000-3,000

255 JOHN CALLOW (BRITISH 1822-1878) SHIPS BY THE COAST Signed, oil on canvas 20.5cm x 33.5cm (52.5in x 85in)

£1,000-1,500

94 Lyon & Turnbull

256 EDWARD HENRY EUGENE FLETCHER (BRITISH 1857-1945) BARGES ON THE THAMES Signed, oil on canvas 49.5cm x 74.5cm (19.5in x 29.25in)

£600-900

257 MANNER OF GIUSEPPE ZAIS A CLASSICAL LANDSCAPE WITH FIGURES BY RUINS Oil on canvas 74cm x 99cm (29in x 39in) Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£2,000-3,000

Five Centuries: Paintings

258 CONSTANTIN TERECHKOVITCH (RUSSIAN 1902-1978) STILL-LIFE WITH CHERRIES Signed, oil on board 45cm x 54cm (17.75in x 21.25in) Provenance: Private collection of G. S. May, Esquire

£1,000-1,500

259 HENRY HOLIDAY (BRITISH 1839-1927) ANCIENT EGYPT REVEALED, 1907 Signed, dated ‘Jan. 11. 1907’, and inscribed ‘Ancient Egypt Revealed To C.T. Currelly from Henry Holiday’ in pencil to margin, pencil on paper 22cm x 14cm (8.75in x 5.5in) Exhibited: The Art Museum of Toronto, ‘Black and White Loan Exhibition’, April 1912, cat no. 631 Notes: Dedicated to C. T. Currelly (first director of the Royal Ontario Museum - Toronto, Canada)

£800-1,200

260 ADRIAEN JANSZ VAN OSTADE (DUTCH 1610-1685) THE QUACKSALVER Signed in plate, arched top, etching 15.5cm x 12.5cm (6in x 5in) Note: Hand-written label verso suggests that the work was from the Duke of Hamilton’s collection.

£800-1,200

96 Lyon & Turnbull

261 JOHANNES BOSBOOM (DUTCH 1817-1891) CHURCH INTERIOR Signed, oil on canvas 44cm x 40cm (17.25in x 15.75in)

£700-900

262 MANNER OF FREDERICK RICHARD LEE DURHAM FROM THE RIVER Oil on canvas 41cm x 61cm (16in x 24in)

£500-700

263 WILLIAM GEORGE FREDERICK JANSEN (DUTCH 1871-1949) BRIDGE OVER THE CANAL, ROTTERDAM Signed, oil on canvas 31cm x 24cm (12in x 9.5in)

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Paintings

264 THOMAS WILSON (SCOTTISH FL.18751914) CHILDREN ON A ROCKY BEACH Signed, oil on canvas 46cm x 61cm (18in x 24in)

£800-1,200

265 DUTCH SCHOOL A WINTER LANDSCAPE WITH FIGURES ON A FROZEN LAKE Oil on canvas 59cm x 102cm (23.25in x 40in)

£800-1,200

Five Centuries: British Furniture & Works of Art: Part II

British Furniture & Works of Art: Part II 266 REGENCY MAHOGANY DRUM TABLE FIRST QUARTER 19TH CENTURY the circular top with a black and gilt tooled leather insert above four real drawers, a fitted pen and ink drawer, and three further dummy drawers, on a turned pedestal support on reeded outswept legs ending in brass hairy paw caps and castors 107cm diameter, 75cm high

£2,000-3,000

267Y FINE PAIR OF REGENCY ROSEWOOD AND GILTWOOD SMALL CONSOLE TABLES EARLY 19TH CENTURY the tops with concave fronts and serpentine sides with foliate carved edges, raised on slender scrolling acanthus carved supports with mirror backs enclosed by carved flowerheads and laurel leaves, on conforming plinth bases with gilt dart moulding (2) Each 48cm wide, 84cm high, 36cm deep

£3,500-4,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

100 Lyon & Turnbull

268 PAIR OF REGENCY STYLE MAHOGANY SIDE CABINETS 20TH CENTURY the tops with scrolled finials above open recesses and pairs of moulded short drawers, raised on outswept feet ending in brass paw feet and castors (2) 74cm wide, 72cm high, 36cm deep

£800-1,200

269 GEORGE IV MAHOGANY CHEVAL MIRROR EARLY 19TH CENTURY the bevelled oval mirror plate in a conforming frame supported between spiral carved columns with pinecone finials, on foliate carved trestle bases with brass castors 99cm wide, 155cm high, 56cm deep Provenance: By repute Bryngwyn Hall, Llanfyllin

£500-700

270 REGENCY MAHOGANY LIBRARY TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rectangular top on reeded tapering legs, with brass caps and castors 152cm wide, 72cm high, 110cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

101

271Y FINE REGENCY ROSEWOOD AND BRASS INLAID GAMES TABLE FIRST QUARTER 19TH CENTURY the fold-over D-shaped top outlined in foliate brass inlay and crossbanding, opening to a red baize surface, on an octagonal pedestal support and quadriform platform base and scroll legs with brass-inlay and recessed brass castors 90cm wide, 73cm high, 45cm deep

£2,500-3,500

272 MATCHED PAIR OF REGENCY EBONISED, PARCEL-GILT AND BRASS MOUNTED ARMCHAIRS FIRST QUARTER 19TH CENTURY the X-form backs with brass grille inserts, the moulded frames carved with acroterion and stars, above caned seats flanked by downswept arms, raised on moulded sabre legs (2) 54cm wide, 79cm high, 46cm deep

£3,000-5,000

102 Lyon & Turnbull

273 REGENCY MAHOGANY WHATNOT FIRST QUARTER 19TH CENTURY with three square galleried tiers, raised on turned and tapered legs ending in brass caps and castors 51cm wide, 127cm high, 50.5cm deep

£300-500

274 LATE REGENCY MAHOGANY LINEN PRESS EARLY 19TH CENTURY the pagoda cornice above a pair of panel doors, enclosing five sliding trays; the base with a beaded frieze and panel doors enclosing an adjustable shelf, flanked by turned and reeded corner columns and pad feet 146cm wide, 232cm high, 61cm deep Provenance: Hatton Castle, Aberdeenshire

£500-700

275 REGENCY MAHOGANY, KINGWOOD AND INLAID STAGEBACK SIDEBOARD EARLY 19TH CENTURY the superstructure with two tambour doors and inlaid with palmettes and a central anthemion, above a bowfront centre section with a frieze drawer, flanked by deep drawers, raised on carved and inlaid slender tapered legs 183cm wide, 112cm high, 61cm deep

£700-1,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

276 REGENCY MAHOGANY WINE COOLER EARLY 19TH CENTURY of sarcophagus form, the moulded cover with an acorn finial, enclosing a lead liner, raised on splayed claw feet 52cm wide, 47cm high, 37cm deep

£300-500

277 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS FIRST QUARTER 19TH CENTURY comprising a pair of armchairs and six side chairs, the top rails carved with stylised anthemion over single pierced horizontal splats, above drop-in seats and reeded seat rails, raised on channel moulded sabre legs (8) Armchair 52cm wide, 87cm high, 45cm deep

£2,000-3,000

278 REGENCY MAHOGANY EXTENDING DINING TABLE EARLY 19TH CENTURY the rounded rectangular top with a moulded edge, raised on turned and reeded legs ending in brass caps and castors, with two leaf inserts 236cm long (extended), 72cm high, 123cm deep,

£1,500-2,500

103

104 Lyon & Turnbull

279Y LATE REGENCY ROSEWOOD LAMP TABLE SECOND QUARTER 19TH CENTURY the octagonal top above a shaped frieze on a baluster turned support and quadriform base with carved paw feet 40cm diameter, 72cm high

£300-500

280 PAIR OF REGENCY PAINTED MAHOGANY HALL CHAIRS FIRST QUARTER 19TH CENTURY the moulded arch top rails above waisted backs centred by oval reserves painted with a heraldic device, above rounded seats raised on the turned and tapered legs (2) 46cm wide, 89cm high, 41cm deep

£600-800

281 SET OF REGENCY MAHOGANY LIBRARY STEPS FIRST QUARTER 19TH CENTURY with a tapering ring-turned post topped by a finial, and four treads 57cm diameter, 149cm high

£400-600

282 REGENCY CAST IRON AND PAINTED WOOD MUSIC STAND EARLY 19TH CENTURY the lyre shaped music support painted with laurel and a shell motif, on an adjustable cast iron and brass support with a triform base 120cm high, 36cm wide

£300-500

Five Centuries: British Furniture & Works of Art: Part II

105

283 SET OF REGENCY PLUM PUDDING MAHOGANY QUARTETTO TABLES EARLY 19TH CENTURY the rectangular tops with ebony moulding raised on ring turned supports joined by a curved stretcher and ending on trestle bases (4) 49.5cm wide, 69cm high, 34.5cm deep

£700-1,000

284Y REGENCY ROSEWOOD WRITING TABLE EARLY 19TH CENTURY with an adjustable green leather tooled central writing surface, flanked by compartments with lifting lids, dummy drawers to the frieze, raised on end supports joined by a central cushioned stretcher ending on disc feet 64cm wide, 72cm high, 43cm deep

£800-1,200

285 REGENCY MAHOGANY FRAMED BERGÈRE EARLY 19TH CENTURY the curved back above a padded seat and downscrolled arms with mahogany facings, raised on square tapered legs ending in brass caps and castors 67cm wide, 87cm high, 57cm deep

£400-600

286 REGENCY MAHOGANY THREE-TIER BUFFET EARLY 19TH CENTURY each tier with a three-quarter gallery, on turned and square section supports, terminating in brass caps and castors 92cm wide, 102cm high, 50cm deep

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

106 Lyon & Turnbull

287 SET OF TEN SCOTTISH REGENCY MAHOGANY AND SATINWOOD DINING CHAIRS FIRST QUARTER 19TH CENTURY comprising a pair of armchairs and eight side chairs, the curved top rails with satinwood banding, above three leaf-carved and reeded tapered splats, over wide stuff-over seats, raised on square tapered legs ending in spade feet (10) Armchair 57cm wide, 85cm high, 44cm deep

£5,000-7,000

288 REGENCY MAHOGANY EXTENDING DINING TABLE, ATTRIBUTED TO GILLOWS CIRCA 1820 the rounded rectangular top opening on a telescopic action to accommodate three leaf inserts, above a wide frieze with bead moulding, raised on turned and reeded legs ending in brass caps and castors 332cm long (extended), 74cm high, 137cm deep

£3,000-5,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

107

108 Lyon & Turnbull

289Y REGENCY ROSEWOOD, BRASS, AND PARCEL GILT OCCASIONAL TABLE EARLY 19TH CENTURY the octagonal crossbanded top on a facetted column and downswept scrolling legs 56cm diameter, 72cm high

£400-600

290 REGENCY GILTWOOD TRIPTYCH OVERMANTEL MIRROR EARLY 19TH CENTURY the inverted cornice with reel moulding above triple mirror plates in reeded ebonised slips, enclosed by leaf-clasped columns 58cm high, 150cm wide

£400-600

291 REGENCY MAHOGANY, SATINWOOD AND INLAY STAGEBACK SIDEBOARD EARLY 19TH CENTURY the superstructure with four tambour doors above a bowfront top, over a central long drawer and recess with tambour door, flanked by short drawers over deep drawers, one fitted as a cellarette, raised on square tapered legs 207cm wide, 120cm high, 70cm deep

£800-1,200

Five Centuries: British Furniture & Works of Art: Part II

109

292 REGENCY MAHOGANY CENTRE TABLE FIRST QUARTER 19TH CENTURY the circular top with a moulded edge above a frieze with opposing short drawers, on a lobed and lotus carved pedestal and triform base raised on carved paw feet with brass castors 128cm diameter

£700-1,000

293 SET OF FOUR REGENCY MAHOGANY BRASS INLAID SIDE CHAIRS FIRST QUARTER 19TH CENTURY the top rails with Greek key brass inlay above stuffover seats covered in horsehair, on ring-turned tapered legs (4) 48cm wide, 83cm high, 42cm deep

£300-500

294Y REGENCY ROSEWOOD MIRROR-BACK CONSOLE TABLE EARLY 19TH CENTURY the black marble top above a moulded cornice with bead moulding, on leaf carved S scroll supports on a concave base with mirror back 87cm wide, 95cm high, 33cm deep

£700-1,000

295 CARVED FRUITWOOD ROYAL COAT OF ARMS pierced and carved in high relief 69cm x 60cm Provenance: Private collection of G. S. May, Esquire

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

110 Lyon & Turnbull

296 REGENCY GILT BRASS MOUNTED QUARTER-STRIKING MUSICAL CLOCK EARLY 19TH CENTURY the case with a pagoda top mounted with ball and pinecone finials, the painted 12 in. dial signed ‘Thwaites & Reed/ Clerkenwell/ LONDRES’, with polychrome floral decoration and tune selection ‘SONG/ COOLUN/ TYROLESE/ WALTZ/ WALTZ/ WALTZ/ WALTZ/ WALTZ/ CONTRADANZA/ CONTRADANZA’ and ‘REPITE / SILENCIO’ flanking the organ selector for ‘SILENT/ PLAY EACH HOUR/ PLAY’; the triple chain and fusée movement with anchor escapement striking the hours on a single bell and the quarter hours on a nest of eight bells, with trip repeat; with three pull stops to the right side for the organ pipes, the chain and fusée organ movement wound from the side and playing through fifty pipes via 12in. long pinned wooden barrel; with an engraved backplate signed ‘Thwaites & Reed / Clerkenwell/ LONDON’ Clock 121cm high, 63cm wide, 48cm deep; Base 114cm high, 77cm wide, 64cm deep

£30,000-40,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Thwaites & Reed can trace their origins to the 17th century to the Thwaites family of clockmakers. Operating as Aynsworth Thwaites from the 1730s, the firm traded from various premises in Clerkenwell, London and were known for making a variety of domestic clocks as well as turret clocks, many still in use in public settings today. One of their earlier commissions was the turret clock at Horseguards Parade while other public clocks can be found in America, Australia, and South Africa. John Thwaites headed the firm from 1780-1816 and was master of the Clockmakerâ&#x20AC;&#x2122;s Company in 1815, 1819, and 1820. In 1816 he went into partnership with his nephew George Jeremiah Reed, with Thwaites remaining head of the firm until 1842. Thwaites & Reed were extremely prolific and supplied movements to other notable 19th century clock makers including Dutton, Dwerrihouse, Ellicott and Vulliamy.

This impressive large, giltbrass, mahogany clock was made circa 1820, during the inaugural years of the firmâ&#x20AC;&#x2122;s partnership. The clock doubly functions as a quarter-striking eight-day clock and a musical organ with a repertoire ranging from a waltz to a contradanza, illustrating the earlynineteenth-century fascination with uniting multiple technological mechanisms to create composite everyday objects of scientific innovation.

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297 SCOTTISH REGENCY STAINED MAHOGANY AND BRASS-INLAID SMALL BRACKET CLOCK EARLY 19TH CENTURY the circular cream-painted dial with Roman numerals, signed MITCHELL & SON/ GLASGOW, in an arched cased with a moulded pediment surmounted by a gilt brass finial; the case inlaid with brass swags, flowerheads and stringing, raised on gilt brass ball feet, the back plate signed and numbered MITCHELL & SON, GLASGOW. 1265; with an eight day nonstriking movement 38.5cm high, 20.5cm wide

£800-1,200

298 LATE GEORGE III MAHOGANY BRACKET CLOCK LATE 18TH/ EARLY 19TH CENTURY the arch moulded case with a gilt brass handle, above a cream enamel dial with Roman numerals with two winding holes, the case and moulded plinth base with line inlay, the eight-day movement striking a bell 39cm high (handle down), 29cm wide

£600-800

299Y FIVE TASSIE STYLE CAMEO IVORY PORTRAITS 19TH CENTURY all in profile, including the Duke of Wellington, Sir Walter Scott, and Michaelangelo, in glazed ebonised frames (5) Frames 12cm x 9.5cm

£400-600

300 REGENCY DÉCOUPAGE PICTURE EARLY 19TH CENTURY comprised of various coloured papercut figures and groups engaged in various pursuits, in a modern frame with mount 28cm x 21cm

£250-350 See illustration p.98 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

301 REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS, AFTER A DESIGN BY GILLOWS EARLY 19TH CENTURY with three long graduated drawers, flanked by outset reeded columns on tapering legs 163cm wide, 85cm high, 55cm deep

£1,000-1,500

302Y REGENCY ROSEWOOD AND BRASS INLAID CARD TABLE EARLY 19TH CENTURY the D-shaped swivel top, with brass inlay foliate banding, above a frieze centred by a brass inlaid tablet, raised on a square tapering column and quadriform base with outswept legs with brass paw caps and castors 91cm wide, 74cm high, 45cm deep, 91cm extended

£1,500-2,500

303 IRISH REGENCY MAHOGANY SIDEBOARD EARLY 19TH CENTURY the pediment back above a bowfront top over a central drawer flanked by a cellarette drawer and cupboard, divided by outset spiral and ringcarved columns, raised on tapered reeded legs 203cm wide, 116cm high, 71cm deep

£1,500-2,000

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304 PAIR OF REGENCY MAHOGANY AND EBONY ARMCHAIRS EARLY 19TH CENTURY the bar backs with ebony inlay above wide stuffover seats covered in needlework upholstery, flanked by scrolled arms, raised on sabre legs (2) 57cm wide, 82cm high, 47cm deep

£300-400

305 PAIR OF REGENCY MAHOGANY AND EBONY ARMCHAIRS EARLY 19TH CENTURY the bar backs with ebony inlay above wide stuffover seats covered in needlework upholstery, flanked by scrolled arms, raised on sabre legs; ensuite with the preceding lot (2) 57cm wide, 82cm high, 47cm deep

£300-400

306 REGENCY MAHOGANY GAMES TABLE FIRST QUARTER 19TH CENTURY the D-shaped crossbanded fold-over top with a bead moulded edge opening to a green baize playing surface, above a frieze centred by a foliate scroll-carved frieze panel, on a spiral carved support and quadriform base with sabre legs ending in leaf-cast brass caps and castors 90cm wide, 72cm high, 44cm deep (closed)

£700-1,000

307 REGENCY MAHOGANY MARBLE TOPPED SIDE CABINET EARLY 19TH CENTURY the later green marble top above a pair of short drawers and a pair of doors with brass grille inserts backed with black horsehair and marked at the corners with rosettes, opening to shelves, raised on lobed bun feet 97cm wide, 97cm high, 51cm deep

£400-600

Five Centuries: British Furniture & Works of Art: Part II

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308 REGENCY MAHOGANY TOILET MIRROR, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the rectangular mirror plate between reeded column supports, the base with two dummy drawers and a hinged top enclosing compartments 72cm wide, 71cm high, 33cm deep

£400-600

309 REGENCY MAHOGANY DAVENPORT, BY GILLOWS EARLY 19TH CENTURY the sliding upper section with a gallery and sloping leather writing surface, enclosing two drawers and a dummy drawer, the left side with document slide and three dummy drawers, the right side with stationery drawer, further slide and drawers below, the top drawer stamped GILLOW, raised on lobed bun feet 56cm wide, 85cm high, 60cm deep

£1,800-2,200

310Y PAIR OF SCOTTISH REGENCY ROSEWOOD CARD TABLES SECOND QUARTER 19TH CENTURY the rounded rectangular oldover tops opening to green baize playing surfaces, above moulded bead moulded friezes with scroll carved brackets, on tapered and lotus-carved columns with quadriform bases raised on turned bun feet with brass castors (2) 92cm wide, 72cm high, 44cm deep (closed)

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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311 ’BRIGHTON PAVILION’ STYLE BAMBOO CHAIR 19TH CENTURY the openwork back with a scroll crest rail above an hexagonal caned seat and lattice frame base 47cm wide, 77cm high, 39cm deep

£400-600

312 REGENCY MAHOGANY AND BRASS OCCASIONAL TABLE EARLY 19TH CENTURY the circular top with a pierced brass gallery, on a reeded column support, with outswept legs carved at the knees with acanthus 80cm high 61cm diameter

£400-600

313Y REGENCY ROSEWOOD WORKBOX ON STAND EARLY 19TH CENTURY of sarcophagus form with a drawer, the hinged cover opening to a void interior, raised on an hexagonal tapered column and triform base with carved paw feet 46cm wide, 72cm high, 37cm deep

£300-500

314 REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY the bowfront top with serpentine sides, outset corners and a reeded edge, above four graduated long drawers outlined with stringing and flanked by reeded corner columns, on turned and tapered feet 124cm wide, 98cm high, 60cm deep

£300-400 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

315 WILLIAM IV MAHOGANY BRACKET CLOCK 1830S the arched pediment with carved mouldings above a cream dial with Roman numerals, signed RIDLEY/ LONDON, flanked by gilt brass loop-handles and brass-inlay and brass fretwork side panels, raised on a rectangular base with brass ball feet, the eight-day movement striking a bell 44.5cm high, 30.5cm wide

£1,000-1,500

316Y REGENCY ROSEWOOD WHATNOT FIRST QUARTER 19TH CENTURY with four tiers with three quarter galleries, raised and divided by ring turned supports with ball finials and ending in brass caps and castors 56cm wide, 112cm high, 44cm deep

£400-600

317 REGENCY EBONISED AND PARCEL GILT ARMCHAIR EARLY 19TH CENTURY the top rail gilt decorated with Greek key pattern above curved splats, over a caned seat flanked by deep scroll arms, raised on sabre legs 55cm wide, 83cm high, 47cm deep

£300-500

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318Y REGENCY ROSEWOOD, SATINWOOD, AND BRASS INLAID CARD TABLE EARLY 19TH CENTURY the fold-over D top opening to a purple baize playing surface, raised on four scrolling supports united by a platform and mounted with gilt metal rosettes and leaf mounts, the legs ending in foliate cast gilt metal caps and brass castors 91cm wide, 74cm high, 45cm deep (closed)

£1,000-1,500

319 REGENCY GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice with urn finials above a trellis patterned frieze, over mirror plates divided by cluster columns 80cm high, 146cm wide

£600-800

320 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising seven side chairs and an armchair, the pierced splats centred by a roundel, above stuffover seats in green plush, raised on sabre legs (8) Side chair 48cm wide, 84cm high, 43cm deep

£600-800

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321 IRISH GEORGE IV MAHOGANY, COROMANDEL AND BRASS INLAID GAMES TABLE SECOND QUARTER 19TH CENTURY the fold-over top with canted corners and radiated veneers opening to a baize playing surface, above a bead and gadroon moulded frieze with scrolling brass inlay, raised on S scroll legs joined by a moulded platform and ending on brass castors 92cm wide, 79cm high, 48cm deep (closed)

£1,000-1,500

322 PAIR OF GEORGE IV STAINED MAHOGANY AND OAK HALL STANDS SECOND QUARTER 19TH CENTURY each with a central ring-turned shaft with a turned ball finial, issuing three tiers of scrolling coat/hat branches, above a lower tier fitted for sticks and umbrellas, on dished bases with metal liners (2) 227cm high, 55cm wide

£2,000-3,000

323 REGENCY ANGLO-INDIAN MAHOGANY AND EBONY WINDOW SEAT EARLY 19TH CENTURY of X form with an upholstered seat covered in purple plush fabric, raised on carved lotus and paw feet 112cm wide, 74cm high, 50cm deep

£800-1,200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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324Y WILLIAM IV ROSEWOOD LIBRARY TABLE 2ND QUARTER 19TH CENTURY the rounded rectangular top above a pair of frieze drawers with scroll carved brackets, raised on fluted and lotus carved end supports and trestle bases raised on scroll feet with brass castors 138cm wide, 75cm high, 68cm deep

£800-1,200

325 PAIR OF REGENCY MAHOGANY, EBONY, EBONISED, AND BRASS MOUNTED OPEN BOOKCASES 19TH CENTURY the crossbanded and moulded tops above long freize drawers, over adjustable shelves flanked by fluted pilasters capped by brass anthemions, on plinth bases (2) 95cm wide, 106cm high, 23cm deep

£600-800

326Y GEORGE IV ANGLO-INDIAN ROSEWOOD WINDOW SEAT EARLY 19TH CENTURY the upholstered bowfront seat leading to part-padded ends with foliate carved uprights ending in carved lion head terminals, raised on carved zoomorphic legs ending in brass hairy paw feet with recessed brass castors 180cm long, 97cm high, 58cm deep

£2,000-3,000

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327 REGENCY MAHOGANY LIBRARY ARMCHAIR EARLY 19TH CENTURY the X frame enclosing a button upholstered back and deep seat flanked by part padded scrolling arms, on arched legs ending in brass caps and castors 67cm wide, 98cm high, 70cm deep

£600-800

328Y WILLIAM IV ROSEWOOD LIBRARY TABLE 2ND QUARTER 19TH CENTURY the rounded rectangular top above a bead moulded frieze with a pair of drawers and central panel carved with anthemions, raised on columnar end supports joined by a turned stretcher and trestle bases with carved paw feet with recessed brass castors 149cm wide, 73cm high, 67cm deep

£1,000-1,500

329 WILLIAM IV MAHOGANY PEDESTAL DESK, BY T. WILLSON, LONDON 19TH CENTURY of small size, the top with a red leather insert and a moulded edge, above three frieze drawers, raised on banks of three short drawers on plinth bases, the centre drawer stamped ‘T. WILLSON/69 GREAT QUEEN STREET/ LONDON’ 106cm wide, 76cm high, 65cm deep Provenance: By repute Bryngwyn Hall, Llanfyllin, Llanfyllin Note: Thomas Willson is listed as a furniture broker and appraiser at 68 Great Queen Street in London between 1821-29, and is likely to be the ‘Thomas Wilson’ recorded as an auctioneer at 28 Great Queen Street, 1799-1825. As well as retailing second-hand furniture, by companies like Gillows, paper labels used by the firm suggest Willson was also a cabinet maker. Following his death, his widow Mary and son, Matthew continued the firm, from 1830 until 1837.

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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330

331

ENGLISH PEARLWARE PEPPER POT OF ROGER GILES

TWO STAFFORDSHIRE PEARLWARE FIGURES OF THE SEASONS

CIRCA 1835 modelled defecating in a squatting position, on a sponged base, in polychrome colours

CIRCA 1800 the first modelled as Summer with a cornucopia of fruit, the second as Autumn with a scythe and wheat, on domed leafy bases, in Prattware colours of browns, oranges, greens, yellows and blues (2)

11.5cm high

£200-300

20cm and 19.5cm high

£200-300

Note: For various similar examples of these models, see Pat Halfpenny, English Earthenware Figures 1740-1840 (Antique Collectors’ Club, 1991), pp. 102, 109, 112,123.

332 STAFFORDSHIRE PEARLWARE MANTEL ORNAMENT, ATTRIBUTED TO OBADIAH SHERRATT FIRST HALF 19TH CENTURY modelled with angels above a painted clock dial flanked by the sun and moon, and the inscription PREPARE TO MEET THY GOD, with figures of men, one holding a bible, the other a sword, on a serpentine base with sponged decoration 27cm wide, 28cm high

£500-700

333 ENGLISH PORCELAIN PART TEA AND COFFEE SERVICE EARLY-MID 19TH CENTURY painted with landscapes and architectural scenes within gilt bands and anthemion palmette borders, comprising a covered teapot and stand; teapot 14.5cm high, stand 17cm wide; a slop bowl, 16cm diam.; a covered sugar bowl, 12cm high; nine coffee cups, 6.5cm high; seven teacups, 6cm high; and 10 saucers, 14.5cm diam.; together with an ENGLISH COFFEE CAN AND SAUCER, of similar design, coffee can 6cm high (32) Provenance: Private Collection from an Ambassador’s Residence

£300-500

Five Centuries: British Furniture & Works of Art: Part II

Note: Bruneel, also seen spelled Bruniel and Brunel, was active from around 1825 until circa 1850 and are thought to have supplied weapons and other goods to the French military.

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334Y ROSEWOOD CASED PAIR OF FRENCH TARGET PISTOLS, BRUNEEL À LYON FIRST HALF 19TH CENTURY signed on the lock plates PAR. BREVET D’INVENTION/ BRUNEEL À LYON, with octagonal Damascus barrels and walnut stocks with chequered grips, terminating in carved butts, with shortened metal ramrods, in a relined case fitted with accessories, including a wooden mallet, bore rod, cleaning rod, cap holder, screwdriver, flask and ball mould Case 46cm wide

£2,500-3,500

335 MAHOGANY CASED PERCUSSION DOUBLE ACTION REVOLVER, ROBERT ADAMS

336 VICTORIAN BRONZE COMMEMORATION MEDAL, THE VISIT OF THE SHAH OF PERSIA TO LONDON, BY A. B. WYON, LONDON

CIRCA 1852 54 calibre, signed on the barrel and action, with slab-sided chequered grips, London view and proof marks, in original fitted case with accessories including a powder flask, nipple turn screws, percussion caps, bullet mould and lead bullets, with original Adams trade label Case 35cm wide

£1,000-1,500

DATED 20TH JUNE, 1873 in original leather box with gilt inscription, the interior velvet-lined 7.5cm diam.

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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337 PAIR OF IMARI PORCELAIN TABLE LAMPS MODERN of baluster form, decorated with dragons to the shoulders above reserves of peonies and prunus flowers, with wooden bases, brass fittings and pleated shades, wired for electricity (2) 40.5cm high (excluding shades and brass fittings)

£300-500

338 FOUR REGENCY STYLE MARBLE AND BRASS STORM LAMPS MODERN the bell-shaped glass shades above plain sconces, on leaf capped domed marble columns and square feet (4) 50.5cm high, base 21cm high

£300-500

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340

341

ENGLISH BLUE AND WHITE TRANSFERPRINTED JARDINIÈRE STAND

VICTORIAN GILTWOOD STANDARD LAMP

DUKE OF WELLINGTON BRITISH VICTORIES BRONZE MEDAL BOX

19TH CENTURY of cylindrical form with a moulded base, decorated in the Chinese style with peonies in vases

19TH CENTURY with turned carved column on circular base with three scrolled feet

50.5cm high, 39cm diam.

£150-250

EARLY 19TH CENTURY the interior with two fixed paper discs and twelve loose paper discs, listing the British victories in Portugal, Spain and France, 1808-1815

155cm high

£150-250

4.6cm diam.

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

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342 ANGLO-INDIAN PADOUK, HORN AND BONE INLAID SETTEE EARLY 19TH CENTURY the lattice back with horn mounts and a scroll shaped top rail, above a rope seat with a loose horsehair cushion, flanked by down-scrolled arms, and raised on turned legs 188cm long, 97cm high, 53cm deep

£1,000-1,500

343 ANGLO-INDIAN PADOUK BREAKFAST TABLE 19TH CENTURY the large circular top with a reeded edge, above a leaf-carved baluster column with a knopped collar, raised on a quadripartite platform base raised on four leaf-carved scroll legs ending in brass paw caps and feet 163cm diameter, 75cm high

£3,000-4,000

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344 PAIR OF WILLIAM IV MAHOGANY LIBRARY ARMCHAIRS SECOND QUARTER 19TH CENTURY the high scroll backs with button upholstery above deep seats flanked by padded open arms with scroll carved supports, raised on turned legs ending in brass caps and castors (2) 65cm wide, 96cm high, 55cm deep

£800-1,200

345 EARLY VICTORIAN MAHOGANY WATERFALL BOOKCASE 19TH CENTURY with three open shelves, on trestle feet and castors 99cm wide, 124cm high, 38cm deep

£500-700

346 PAIR OF WILLIAM IV MAHOGANY SIDE TABLES SECOND QUARTER 19TH CENTURY the rounded rectangular tops above bead panel friezes with foliate carved brackets, raised on lotus carved pedestals and quadriform bases with scrolled legs ending in brass castors (2) 129cm wide, 72cm high, 57cm deep

£1,000-1,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

347 WILLIAM IV SATINWOOD AND SPECIMEN MARBLE CENTRE TABLE EARLY 19TH CENTURY the circular pietra dura marble top with a games board within geometric borders, on a tripartite central column with C scroll supports, and and lotus carved triform platform base raised on ball and claw feet 86cm diameter, 74cm high

Â£5,000-7,000

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348Y WILLIAM IV ROSEWOOD CENTRE TABLE SECOND QUARTER 19TH CENTURY the shaped oval top above a lappet moulded frieze, raised on twin foliate carved supports joined by a leaf carved stretcher and ending on scroll and leaf carved trestle legs with drop finials 165cm wide, 73cm high, 126cm deep

£1,000-1,500

349 VICTORIAN SATIN BIRCH AND PARCEL GILT CHIFFONIER 19TH CENTURY the superstructure with two shelves and a pierced gallery, the lower part with four panel doors opening to drawers and shelves, on a plinth base 207cm wide, 157cm high, 50cm deep

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

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350 SET OF SIX GOTHIC REVIVAL OAK DINING CHAIRS MID 18TH CENTURY the arch backs with twin foliate carved pillars and Gothic arches, above stuffover seats, raised on foliate carved and ring turned legs (6) 46cm wide, 95cm high, 44cm deep

£800-1,200

351 LARGE EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE MID 19TH CENTURY the rounded rectangular top with a moulded edge, opening with winding mechanisms to both ends to accommodate five full leaves and two half leaf inserts, raised on six turned and fluted baluster legs ending in brass caps and castors, the castors stamped COPE & COLLINSON 548cm long (fully extended), 73cm high, 160cm deep; 141cm wide (closed)

£3,000-5,000

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352 EARLY VICTORIAN WALNUT PEDESTAL DESK MID 19TH CENTURY the top with a moulded edge and brown leather writing insert, above three frieze drawers raised on banks of three drawers, with cupboards to the reverse, on a plinth base with castors 145cm wide, 78cm high, 82cm deep

£1,000-1,500

353 PAIR OF VICTORIAN BURR WALNUT BEDSIDE CABINETS 19TH CENTURY, WITH ALTERATIONS the tops with a moulded edge above four graduated drawers on plinth bases (2) 39cm wide, 81cm high, 42cm deep

£500-700

354 VICTORIAN BURR WALNUT BOOKCASE MID 19TH CENTURY the moulded cornice above a pair of arched glazed doors enclosing adjustable shelves; the lower part with a pair of arch moulded doors enclosing a shelf interior, on plinth base 128cm wide, 230cm high, 57cm deep

£800-1,200

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355 VICTORIAN WALNUT, EBONY AND FRUITWOOD MARQUETRY TABLE MID 19TH CENTURY the circular tilt top with a foliate carved edge inlaid with extensive scrolling and floral marquetry, on a leaf-carved baluster stem and carved scrolling legs with ceramic castors 141cm diameter, 75cm high

£2,000-3,000

356 VICTORIAN WALNUT, INLAY, AND JASPERWARE MOUNTED CREDENZA MID 19TH CENTURY with a D shaped top above an inlaid frieze and a pair of panelled doors centred by jasperware plaques, flanked by outset twin columns and glazed cupboards enclosing shelves, on a conforming plinth base 172cm wide, 104cm high, 47cm deep

£2,000-3,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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357Y EARLY VICTORIAN MAHOGANY AND ROSEWOOD BREAKFAST TABLE 2ND QUARTER 19TH CENTURY the crossbanded circular top with radial veneers, above a tapered support with stiff-leaf carving, on a concave triform base raised on carved paw feet 120cm diameter, 69cm high Provenance: Private Collection from an Ambassador’s Residence

£300-500

358Y EARLY VICTORIAN ROSEWOOD OPEN BOOKCASE MID 19TH CENTURY with two shelves above a projecting plinth base, raised and divided by scroll carved supports 107cm wide, 89cm high, 38cm deep

£400-600

359 VICTORIAN MAHOGANY FRAMED SOFA MID 19TH CENTURY the low button-upholstered back and curved arms with foliate scroll carved facings, raised on scroll legs with ceramic castors, the rear legs with brass castors 220cm wide, 68cm high, 52cm deep

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

360 VICTORIAN WALNUT AND INLAY WORK/ GAMES TABLE MID 19TH CENTURY the fold-over shaped oval top opening to inlaid draughts, backgammon, and cribbage boards, above a frieze drawer and sliding workbox, raised on turned baluster supports on trestle bases joined by a turned stretcher 63cm wide, 69cm high, 42cm deep (closed)

£400-600

361 VICTORIAN WALNUT AND BURR WALNUT WELLINGTON CHEST THIRD QUARTER 19TH CENTURY the matchbook-veneered top over a plain frieze and seven long drawers flanked by hinged locking pilasters, on a plinth base 73cm wide, 118cm high, 40cm deep

£1,500-2,500

362 VICTORIAN WALNUT CENTRE TABLE MID 19TH CENTURY the circular tilt top with radial matchbooked veneers and a moulded edge, above an open triform support and scroll legs ending in scrolled feet with ceramic castors 126cm diameter, 73cm high

£400-600

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363Y EARLY VICTORIAN ROSEWOOD WORK TABLE MID 19TH CENTURY the top with drop-leaf sides above a frieze drawer with a dummy drawer opposite, over a silk covered sliding work basket, on a semi-circular support and baluster column ending on a circular base with bun feet 53cm wide, (85cm open), 73cm high, 46cm deep

£800-1,200

364 PAINTED PRESS CUPBOARD, DECORATED BY ALEXANDER JOHNSTON (1815-1891) 19TH CENTURY the upper part with a pair of twin panel doors painted with scenes of putti, opening to a shelved interior; the lower part with three long drawers painted with gold swags, scrolls and hippocamps, against a red ground, above a shaped apron and bracket feet 111cm wide, 209cm high, 55cm deep Provenance: Painted by Alexander Johnston, then by family descent. Note: Alexander Johnston was an Edinburgh-born artist, known for his portraits, genre and history paintings. In 1836 Johnston entered the schools of the Royal Academy under William Hilton, and in the following years exhibited his work there. Although he settled in London, the north continued to inspire his paintings, which were often based on Scottish literature or historical events.

£700-1,000

365Y WILLIAM IV ROSEWOOD TEA TABLE 2ND QUARTER 19TH CENTURY the rounded rectangular fold-over top on a carved baluster support and quadriform base with disc feet and recessed brass castors 95cm wide, 76cm high, 47cm deep (closed)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

366 GLASS AND GILT METAL CHANDELIER LATE 19TH CENTURY the corona with stars and pointed prisms above a central baluster stem issuing six gilt metal scrolling arms with drip pans and candle sleeves, the whole hung with prism drops and swags 115cm high, 64cm diameter

£600-800

367 LARGE VICTORIAN GILTWOOD OVERMANTEL MIRROR MID 19TH CENTURY the arched mirror plate in a bead and foliate moulded frame with shell and leaf scroll cresting 195.5cm high 148cm wide

£1,000-1,500

368 PAIR OF VICTORIAN MAHOGANY BEDSIDE CHESTS OF DRAWERS 19TH CENTURY WITH ALTERATIONS of neat size, the tops with moulded edges over four graduated drawers with knob handles, on moulded plinth bases (2) 45cm wide, 88cm high, 42.5cm deep

£1,200-1,800

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369 VICTORIAN PARQUETRY AND MARQUETRY GAMES TABLE MID 19TH CENTURY the hexagonal tilt top inlaid with a games board and oval reserves depicting architectural landmarks, on a spiral carved stem and scrolling tripod base 65cm wide, 76cm high

£400-600

370 VICTORIAN GILTWOOD GIRANDOLE MIRROR MID 19TH CENTURY the oval mirror plate in a ribbon and bead carved frame surmounted by a cartouche, issuing three scrolling candle arms 86cm high, 54cm wide

£400-600

371Y VICTORIAN ROSEWOOD FRAMED ARMCHAIR, BY HOWARD AND SONS 19TH CENTURY the arched and curved backrail upholstered in buttoned cream upholstery on turned spindle supports and scrolled hand terminals, above a wide seat raised on flower carved cabriole legs with stamped brass castors 62cm wide, 75cm high, 55cm deep

£500-700

372 EARLY VICTORIAN MAHOGANY FOOTSTOOL MID 19TH CENTURY the square padded seat raised on scroll carved X supports joined by stretchers 56cm wide, 41cm high, 51cm deep

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

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373 LATE VICTORIAN EBONISED BRASS MOUNTED CHIMING BRACKET CLOCK LATE 19TH CENTURY the moulded arched case with flame finials above an arched brass dial with subsidiary CHIME/SILENT and WESTMINSTER CHIMES/ CHIMES ON EIGHT BELLS dials to the arch, over a silver Roman numeral chapter; the dial flanked by brass Corinthian columns and brass fret side panels and swing handles, raised on Rococo style scroll feet; the eight day quarter-strike movement chiming on eight bells and striking a gong 47cm high, 43cm wide, 26cm deep

£600-800

374Y VICTORIAN BRASS-INLAID ROSEWOOD DRESSING BOX 19TH CENTURY the hinged lid inlaid with pierced brass plaques, opening to a fitted interior with a mirror, lift-out tray, and silver-plated accessories, above a single drawer 31cm wide, 16.5cm high, 23.5cm deep

£300-500

375 PAIR OF VICTORIAN GOTHIC REVIVAL WALNUT AND EBONY SIDE CHAIRS MID 19TH CENTURY the arched spindle backs with crocket finials and quatrefoil cut-outs, above padded seats raised on ring-turned legs joined by peripheral stretchers (2) 45cm wide, 90cm high, 42cm deep

£200-300

376

377

SCOTTISH TRANSFER PRINTED FOOTBATH, BY J. AND M. P. BELL

VICTORIAN BRUNSWICK FOOTBATH AND EWER

19TH CENTURY the moulded body with twin handles, decorated in blue and white with the ‘Triumphal Car’ pattern, stamped maker’s marks

19TH CENTURY the moulded bodies transfer printed and painted with peonies, prunus and pagodas, marked BRUNSWICK NO (2)

52.5cm wide

Footbath 51cm wide; ewer 36.5cm high

£250-350

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378 JAQUES SOLITAIRE BOARD GAME CIRCA 1858 the mahogany board with sixteen recesses and corresponding numbered white glazed pottery marbles, with Victorian design lozenge mark for 25th November, 1858, impressed maker’s marks JAQUES LONDON Board 18cm diameter approx.

£300-500

379 TWO EARLY VICTORIAN WAX DOLLS MID 19TH CENTURY each with curled hair and inset blue glass eyes, with wax head and shoulders and kid leather arms, dressed in original muslin dresses, bloomers, and underskirts, adorned with silk flowers (2) 70cm long approx.

£250-350

380 EARLY VICTORIAN MINIATURE MAHOGANY SIDEBOARD MID 19TH CENTURY the arched pediment centred by a fleur-de-lis, over a single drawer and central panelled doors opening to shelves, flanked by further panelled doors with fitted interiors 45cm wide, 43.5cm high, 18.5cm deep

£300-500

381 ‘PADDY AND THE PIG’ CAST IRON MECHANICAL BANK, BY J. & E. STEVENS CIRCA 1882 depicting a seated figure with a pig between his legs, with lever action to move the eyes, open the mouth and raise the pig’s front leg, marked ENG PAT JULY 28 1882/ US PAT AUG 8 1882. 20cm high

£400-600

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382 VICTORIAN PAINTED ARCHITECTURAL BIRD CAGE 19TH CENTURY in the form of a Palladian villa with a central cupola with shingle roof, painted green with yellow and black details 78cm wide, 83cm high, 52cm deep

£500-700

383 EDWARDIAN DAPPLE GREY ROCKING HORSE EARLY 20TH CENTURY with horse hair mane and tail, leather bridle and reins, on a wood trestle base with painted iron hardware Horse 129cm long; 150cm long overall

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

140 Lyon & Turnbull

384 PAIR OF VICTORIAN MAHOGANY BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS of neat size, the tops with moulded edges, one with five graduated drawers with moulded fronts and central knop handles, the other with four drawers, one with a double drawer front, on plinth bases (2) 43cm wide, 82cm high, 42cm deep

£1,200-1,800

385 MAHOGANY GILT BRONZE MOUNTED CENTRE TABLE BY HOLLAND & SONS THIRD QUARTER 19TH CENTURY the octagonal top with a faux leather insert above a panelled frieze outlined with brass beading and marked with gilt bronze sunflower heads, raised on fluted tapered legs joined by a wavy X-form stretchers with an urn finial, on brass feet, stamped HOLLAND & SONS 126cm wide, 74cm high

£600-800

386 VICTORIAN SOFA LATE 19TH CENTURY the straight back over a long seat and scroll arms, covered in bottle green mohair and carpet covers, raised on turned oak legs with brass castors stamped HOWARD & SONS, LONDON 202cm long, 95cm high, 65cm deep

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

387 EDWARDIAN MAHOGANY KIDNEY-SHAPED DESK, BY HOWARD & SONS EARLY 20TH CENTURY with a green leather tooled writing surface, a central drawer flanked by eight further short drawers with lion mask brass handles, the top right hand drawer stamped, HOWARD & SONS LTD, BERNERS ST, 3273/6344, raised on fluted, tapering legs 129cm wide, 77cm high, 68cm deep

£2,500-3,500

388 TWO VICTORIAN BRASS TELESCOPIC STANDARD LAMPS LATE 19TH CENTURY one with a reeded column and spiral scrolled brackets on an embossed circular base with gadrooned feet, 153cm high; the other with a plain column and scrolling brackets with lobed base and feet, 133cm (2) Provenance: By repute Bryngwyn Hall, Llanfyllin

£300-500

389 VICTORIAN SPECIMEN MARBLE, EBONISED AND GILT CENTRE TABLE 19TH CENTURY the circular top inlaid with various hardstones to form a games board, on four column supports joined by x-frame stretcher centred by an urn finial, raised on outswept legs with castors 62cm diameter, 70.5cm high

£1,200-1,800

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390 VICTORIAN MAHOGANY WELLINGTON CHEST LATE 19TH CENTURY the rectangular top above a moulded frieze and seven graduated drawers, on a plinth base; the lock lacking 61cm wide, 141cm high, 43cm deep

£400-600

391 MATCHED PAIR OF BRASS STANDARD LAMPS EARLY 20TH CENTURY each with a telescopic Corinthian column and square base on claw feet (2) 47cm wide, 178cm high and 39cm wide, 197cm high Provenance: By repute Bryngwyn Hall, Llanfyllin

£400-600

392 VICTORIAN MAHOGANY BREAKFRONT CABINET 19TH CENTURY the moulded cornice above four panel cupboard doors enclosing shelves, the base with four short frieze drawers over four fielded panel cupboard doors, on a plinth base 200cm wide, 224cm high, 49cm deep

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

393 VICTORIAN MAHOGANY ROLL-TOP CYLINDER BUREAU LATE 19TH CENTURY the carved three-quarter gallery above a cylinder top opening to an arrangement of drawers, pigeon holes, and a ratchet adjusted writing slope, raised on banks of three graduated drawers with plinth bases and castors 135cm wide, 119cm high, 81cm deep

£800-1,200

394 LARGE EDWARDIAN MAHOGANY BREAKFRONT BOOKCASE EARLY 20TH CENTURY the moulded cornice above a lancet moulded frieze and a pair of glazed doors flanked by further doors enclosing adjustable shelves, all divided by ring-turned pilasters with Ionic capitals; the conforming base with a cushion moulded frieze with drawers, above a pair of moulded panel doors marked at the corners with rosettes, flanked and divided by further columns and side cupboards, on a plinth base 295cm wide, 285cm high, 72cm deep

£3,000-5,000

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395 LATE VICTORIAN OAK OVERMANTEL MIRROR 19TH CENTURY the stepped bevelled mirror plate in a frame carved with leaf tips, scrolls, and lions’ masks 108cm high, 140cm wide

£1,000-1,500

396 VICTORIAN OAK HALL STAND LATE 19TH CENTURY in the Jacobean style with profusely carved oak surround centred with a mirror plate, the drawer with brass plaque MARDON HALL, HENRY MILLS MEREDITH, with a stick stand, on bulbous and turned front legs 120cm wide, 210cm high, 37cm deep Provenance: By repute Marton Hall, near Baschurch

£400-600

397

398

399

400

ENGLISH GILT BRASS BEEHIVE SEWING BOX

VICTORIAN GILT BRASS CLARKE’S ‘CRICKLITE’ CANDELABRUM

VICTORIAN SILVER PLATED COMMEMORATIVE 60TH ANNIVERSARY CORONATION DISH

PAIR OF GILT AND PATINATED BRONZE CANDLESTICKS, IN THE MANNER OF WILLIAM BATEMAN 19TH CENTURY with leafy-stems raised on starform bases mounted with birds, on plant-form feet (2)

38.5cm high

LATE 19TH CENTURY embossed with roundels depicting Queen Victoria and the Royal family, above Britannia, flanked by scenes of Balmoral and Windsor Castles and the dates 1837-1897, with registration no. 293870.

£200-300

30cm wide

19TH CENTURY in the form of a bee skep, with a hinged lid and twist loop handle, mounted with honeybees, one with a polished agate and stone body, one fitted on the catch 16.5cm high, 17cm diameter

£250-350

CIRCA 1880 the Corinthian column issuing three bracket holders stamped CLARKE’S TRADE CRICKLITE MARK, with moulded glass pans and green glass shades, on a stepped square base

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22cm high

£250-350

A Private Collection of Painted Satinwood Furniture

146 Lyon & Turnbull

401 LATE VICTORIAN PAINTED SATINWOOD LADY’S WRITING TABLE LATE 19TH CENTURY the fall-front painted with an oval reserve depicting ‘The Disarming of Cupid’ after Angelica Kauffmann, opening to an interior fitted with pigeon holes and drawers, raised on trestle supports; painted with roses, garlands, birds and trophies 56cm wide, 116cm high, 43cm deep

£500-800

402 LATE VICTORIAN PAINTED MAHOGANY OCCASIONAL TABLE LATE 19TH CENTURY the oval top centrally painted with putti, within flower garlands and ribbons, with a wavy gallery, raised on square tapered legs joined by a X stretcher with a central oval platform and ending in spade feet 65cm wide, 74cm high, 45cm deep

£400-600

403 LATE VICTORIAN PAINTED SATINWOOD AND MAHOGANY PEMBROKE TABLE LATE 19TH CENTURY the banded top with rounded drop sides painted with a fan and flower garlands with classical profiles en grisaille, above a frieze drawer and dummy drawer with silver-plated handles, raised on slender reeded legs ending in brass castors 84cm long, 72cm high, 104cm wide (open) 55cm (down)

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: A Private Collection of Painted Satinwood Furniture

404Y VICTORIAN PAINTED MAHOGANY AND ROSEWOOD OCCASIONAL TABLE LATE 19TH CENTURY the oval crossbanded top painted with a musical trophy and palmettes, above a frieze drawer, raised on square tapered legs joined by turned X stretchers united by an oval platform; painted with flower garlands 59cm wide, 75cm high, 41cm deep

£400-600

405 SET OF THREE LATE VICTORIAN PAINTED SATINWOOD ARMCHAIRS LATE 19TH CENTURY the backs with lyre-form splats above padded seats flanked by downswept arms, raised on tapered faceted legs painted with flower garlands (3) 56cm wide, 83cm high, 45cm deep

£1,000-1,500

406 LATE VICTORIAN PAINTED SATINWOOD AND HAREWOOD DEMILUNE SIDE TABLE LATE 19TH CENTURY the crossbanded top centrally painted en grisaille with a classical scene, within flower garlands, above a frieze with ribbon tied swags raised on square tapered legs 92cm wide, 75cm high, 45cm deep

£400-600

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407Y LATE VICTORIAN PAINTED SATINWOOD, ROSEWOOD, BOXWOOD AND EBONY LINED BREAKFRONT SIDE CABINET LATE 19TH CENTURY the crossbanded top above a breakfront frieze, over a central cupboard door painted with an oval reserve depicting ‘The Disarming of Cupid’ after Angelica Kauffmann, and flanked by tapered corner columns, raised on turned and tapered feet, painted with floral garlands, swags, and classical busts 93cm wide, 96cm high, 33cm deep

£800-1,200

408 VICTORIAN MAHOGANY BREAKFRONT WARDROBE 19TH CENTURY the moulded cornice above a central pair of cupboard doors enclosing sliding trays, above two short and three long drawers, flanked by side cupboards enclosing hanging space, raised on bracket feet 203cm wide, 211cm high, 59cm deep

£700-1,000

Five Centuries: A Private Collection of Painted Satinwood Furniture

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409 LATE VICTORIAN PAINTED SATINWOOD AND KINGWOOD DISPLAY CABINET LATE 19TH CENTURY the arched pediment mounted on the corners with urns, above a pair of astragal doors opening to a plush lined interior with adjustable shelves; the base with a serpentine top and frieze panel raised on square tapered legs joined by a galleried undertier, painted with flower scrolls, garlands, lovebirds, and fruit 101cm wide, 231cm high, 42cm deep

£1,000-1,500

410 LATE VICTORIAN PAINTED SATINWOOD SINGLE WARDROBE LATE 19TH CENTURY the straight moulded cornice above a moulded panel door opening to hanging space and a cupboard, on a plinth base, painted with ribbon-tied garlands, palmettes, swags, and musical trophies 84cm wide, 211cm high, 61cm deep

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

150 Lyon & Turnbull

411 LATE VICTORIAN PAINTED SATINWOOD WORK TABLE LATE 19TH CENTURY the quarter veneered hinged oval top painted with a fan motif and flower garland, opening to a compartmented interior, the fabric-lined exterior with a door opening to a void interior, raised on square tapered legs with spade feet 61cm wide, 72cm high, 41cm deep

£400-600

412 LATE VICTORIAN PAINTED SATINWOOD ARMCHAIR LATE 19TH CENTURY in the Sheraton style, the shield back with a pierced vasiform splat painted en grisaille with a putto, above a stuffover seat and downswept arms, raised on square tapered legs painted with flower trails 54cm wide, 94cm high, 44cm deep

£300-500

413 LATE VICTORIAN PAINTED SATINWOOD BERGÈRE LATE 19TH CENTURY the square padded back and enclosed arms in a satinwood frame painted with a classical scene en grisaille, and harebell trails, on square tapered legs with spade feet ending in brass caps and castor, covered in blue and yellow striped upholstery 66cm wide, 94cm high, 59cm deep

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

Other Properties 414 LATE VICTORIAN PAINTED SATINWOOD DEMILUNE CABINET LATE 19TH CENTURY the crossbanded top above a central drawer over a cupboard door flanked by side panels, painted throughout with flower garlands and figural reserves, raised on square tapered legs with spade feet 91cm wide, 107cm high, 45cm deep Provenance: By repute Bryngwyn Hall, Llanfyllin

£800-1,200

415 EDWARDIAN PAINTED SATINWOOD AND BRASS INLAID WORK TABLE EARLY 19TH CENTURY the hinged top with brass inlay opening to a compartmented interior and sliding work box, raised on square tapered legs joined by a shaped undertier, ending on brass feet; painted with flower sprays, garlands, putto, and a musical trophy 40cm wide, 79cm high, 41cm deep Provenance: Nostell Priory, West Yorkshire

£500-700

416 LATE VICTORIAN PAINTED SATINWOOD AND KINGWOOD BONHEUR DU JOUR LATE 19TH CENTURY the superstructure with a drawer and pair of cupboard doors around a recess, the doors painted with oval reserves of 18th century ladies, the lower part with a crossbanded top over three short frieze drawers, raised on square tapered legs painted with husk trails and ending in spade feet 90cm wide, 124cm high, 51cm deep

£2,000-3,000

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417 GEORGIAN STYLE PAINTED SATINWOOD DEMILUNE CARD TABLE LATE 19TH CENTURY the painted fold-over top with a central vignette surrounded by flower swags, opening to a baize lining, raised on square tapering legs with bell flowers and spade feet 89cm wide, 78cm high, 44cm deep, 88cm extended

£800-1,200

418 LATE VICTORIAN PAINTED SATINWOOD BREAKFRONT BOOKCASE/ DISPLAY CABINET LATE 19TH CENTURY the moulded ogee arch cornice above a pair of astragal glazed doors flanked by matching single door cabinets, enclosing cream silk-lined shelves and short drawers; on a breakfront base with a central pair of panel doors flanked by side cabinets all painted with oval reserves of fruit and flower filled urns, flanked and divided by painted baluster columns, raised on bun feet 248cm wide, 260cm high, 55cm deep

£6,000-8,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Science, Travel & Technology

154 Lyon & Turnbull

A Collection of Model Ships These model ships are part of a collection which formed an all-round display in the previous owner’s home which had a wide view over the Firth of Forth, underlining his interest in the sea, shipbuilding and ships. William Adam, who commissioned these works, was Leith born and bred and wanted to own scale models of the ships that he knew. He met Alan Berry-Robinson in London in 2008 and commissioned a model of SS Gothland in 2009, shortly followed by SS

Pharos and SS Sunniva in 2010. All were built in the builder’s-model style with gilded/silvered deck fittings on a carved timber hull, from original plans and photographs and, of course, Bill’s memory. The last commission was for MS Hubert in 2015. Alan Berry-Robinson has been restoring and building ship models for the past 30 years for dealers, private collectors and museums in the UK and overseas.

419 CASED MODEL OF THE CARGO LINER ‘HUBERT’ dated 1955, built by A.J. Berry Robinson for Mr. W. Adams Esq., the ship supplied to Builders Cammell Laird, Birkenhead, in a brass glazed case with ebonised base Ship 127cm long; overall 138cm long

£4,000-6,000

This passenger cargo liner was built for Booth Line by Cammell Laird & Co. Ltd, at Birkenhead. Named ‘Hubert’ she was launched on August 31, 1954 and after her fit-out she ran her sea trials early in January 1955.

Tourist Class had accommodation for 96 passengers who had cabins for two and four berths, most of which being outside and only some having private facilities. These were located on A and B Decks.

Her short mid-section superstructure was lined with two covered Promenade Decks and above an open Boat/Sports Deck. These decks provided her passengers with ample deck space for relaxation and sport facilities. The aft section also offered a covered deck and a topside recreation deck.

Her service continued, but like so many services with newer and more modern and larger passenger ships competing, the Hubert in due course was no longer profitable and there were other markets where she could be of better use within the greater Vestey Bros Shipping Group. Thus by 1964 she was withdrawn and placed on charter to one of their subsidiaries in Asia, the Austasia Line.

First Class had accommodation for 70 passengers in outside cabins and suites, all having a bathroom. There was a Lounge forward on Promenade Deck which was quite pleasantly wood panelled opening into a large Veranda. The Dining Room was below, both Promenade and Boat Decks were exclusive to First Class passengers.

The next twenty-four years saw a number of changes of owners, names and purposes for the ship, and she was eventually broken up in 1985.

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420Y CASED MODEL OF THE CARGO SHIP ‘SS OSLO’ built for the Short Brothers Ltd. Sunderland, England, owners Steamship Company Pacific, Copenhagen, Denmark, with an ivory plaque and mahogany glazed case Ship 105cm long; overall 127cm long Note: Built in 1949 Later Nuevo Dominicano III, Fundacion, Puerto Plata, Java

£1,200-1,800

421 CASED MODEL OF A FORTY-EIGHT GUN FRIGATE painted, with full rigging, on a mahogany plinth in a glazed mahogany case Ship 56cm long; overall 62cm long

£300-400

422 CASED MODEL OF A SAILING LIGHTER built by J. Phelby, in a glazed hardwood case with a brass plaque Ship 62cm long; overall 71cm long

£300-400 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

156 Lyon & Turnbull

423 CASED DIORAMA OF THE STEAM TRAWLER ‘BURNBANKS’ the painted ship mounted on a modelled sea, in an oak glazed case ship 37cm long; overall 55cm long Note: Built by Hall, in 1905, yard no. 389, steel and steam driven. Originally named ‘Strathisla’, renamed to ‘Burnbanks’ in 1926

£250-350

424 CASED MODEL OF A TWO MASTED CARGO VESSEL, BRIGANTINE ‘LEON’ with full rigging and carved and painted crew figures, in a hardwood glazed case Ship 50cm long; overall 64cm long Note: Originally built in Laurvig in 1880, as a wood Brigantine weighing 302 tons. This model may have been built from plans supplied by Harold Underhill. His well-known two volume work, ‘Plank-on-Frame Models’ was published in 1960 and shows details on how the full size ships were built. The models followed these working methods as closely as possible. In the Royal Museum in Greenwich is a model of the ‘Leon’ by Underhill himself, made in 1950, which shows the framing in progress.

£500-700

425 MODEL OF THE CLIPPER SHIP ‘THERMOPYLAE’ with full rigging and sails, half painted hull, on a stand and painted wood base 95cm long

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Note: Built in 1868 for The Aberdeen Line, with 212 inches in length and weighing 991 tons, like all clippers, she was built for speed. Initially used for the China tea trade, she set speed records on her maiden voyage to Melbourne. She raced the Cutty Sark from Shanghai back to London and beat her by seven days, mainly owing to Cutty Sark losing her rudder; in other journeys the Cutty Sark beat her. In 1882 she transferred to the wool trade in Australia. 1897 saw her sold to Portugal as a naval training vessel and renamed to ‘Pedro Nunes’. After ten years she was retired and torpedoed with full military honours in 1907

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426 DOLLOND ‘DAY OR NIGHT’ SINGLE DRAW TELESCOPE MID 19TH CENTURY engraved DOLLAND/ LONDON/ DAY OR NIGHT, the brass tube clad in later leather, with a lens cap and raised on a tripod stand, with some further lenses Tube 66.5cm long

£250-350

427 LATE VICTORIAN 18IN. TERRESTRIAL LIBRARY GLOBE, BY MALBY & CO. DATED 1895 with maker’s label inscribed MALBY’S TERRESTRIAL GLOBE./ COMPILED FROM THE LATEST & MOST AUTHENTIC SOURCES INCLUDING ALL THE RECENT GEOGRAPHICAL DISCOVERIES/ EDWARD STANFORD, GEOGRAPHICAL PUBLISHER, &C., 26 & 27, COCKSPUR STREET, CHARING CROSS, LONDON./ JANY. 1ST 1895, fitted with a horizon ring, on a turned mahogany stand and tripod base with brass caps and castors £1,000-1,500

428 VICTORIAN MAHOGANY FOLDING DECK CHAIR MID 19TH CENTURY the adjustable back with an arched top rail and fitted with a detachable buttoned leather seat pad between folding part-padded arms, on scroll legs 70cm wide, 110cm high, 50cm deep

£2,000-3,000

429 VICTORIAN LEATHER TRUNK 19TH CENTURY covered in embossed brown hide, the interior fitted with a lift-out secretaire tray with a writing slope and compartments covered in red and green leather, bearing maker’s label JOHN UNDERHILL, FULTON STREET, NEW YORK and dated 1859; the exterior stamped R. FYFE/ NEW YORK 88cm wide, 51cm high, 48cm deep

£400-600

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430Y

431

NARWHAL TUSK STANDARD LAMP

’THE KINORA’ VIEWER, BY KINORA LTD., LONDON

(MONODON MONOCEROS), EARLY 20TH CENTURY the natural tusk with brass fittings for electricity, raised on a turned wood base

EARLY 20TH CENTURY with a viewing hood and hand-cranked mechanism, fitted with maker’s label, mounted on an oak base, with six boxed flipbook reels including nos. 39, 49, 79, 299, and 301

Tusk 136cm long

£600-800

Base 30cm long

Note: Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 581756/01.

£4,000-6,000

Note: Invented in France by the Lumiere Company in 1895, the Kinora was patented in Britain and found huge success in middle-class homes at the advent of the motion picture era. Operating by a crank handle and using a flip book of photographic images, the apparatus rotates a reel of film into a 30-second sequence, often of travel documentaries, curiosities, and fantasy films. Moreover, reels could be made at photographic studios, adding to the appeal of the Kinora as a device that could eternalise family life which users could curate themselves.

432Y TWO TAXIDERMY GHARIALS (GAVIALIS GANGETICUS), EARLY 20TH CENTURY both full mounts, one elongated, the other curled slightly (2) 88cm and 80cm long approx.

£200-300

433Y TAXIDERMY LEOPARD SKIN, POSSIBLY BY ROWLAND WARD CIRCA 1920 with inset glass eyes and painted open mouth, some claws present, 246cm long approx.; together with a LEOPARD SKIN CARRIAGE RUG, made up of four skins, on a black felt backing, 205cm x 96cm (2) Note: Private Scottish Collection, the photograph showing the vendor’s father in India with the leopard skin in circa 1927.

£300-500

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British Furniture & Works of Art: Part II, Continued 434Y EDWARDIAN OAK SNOOKER SCOREBOARD EARLY 20TH CENTURY the scoreboard with stained ivory markers, by Burroughes & Watts, London; together with a SNOOKER BALL RACK with a hinged glazed compartment, with ivory label G EDWARDS KINGSLAND ROAD LONDON NE, 94cm long (2) 98cm wide, 55cm high

£200-300

435 BRASS THREE TIER DRINKS TROLLEY 20TH CENTURY with three rectangular glass tiers with spindle galleries, the bar handles with hand brackets, on offset brass castors 69cm wide, 84cm high, 59cm deep

£400-600

436 LATE VICTORIAN MAHOGANY WALL DISPLAY CABINET of bowfront outline, the moulded cornice above a glazed door and side panels enclosing a mirror back and glass shelves 79cm wide, 82cm high, 25cm deep

£300-500

437 LARGE ALUMINIUM AND BRASS UPHOLSTERED CLUB FENDER MODERN the L shaped pads covered in taupe faux leather, on straight spindle supports and a moulded base 208cm wide, 61cm high, 63cm deep; Interior 187cm wide

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

160 Lyon & Turnbull

438 MACQUOID, PERCY & RALPH EDWARDS ‘THE DICTIONARY OF ENGLISH FURNITURE: FROM THE MIDDLE AGES TO THE LATE GEORGIAN PERIOD’ London and New York: Country Life and Charles Scribner’s Sons. 1924, volumes I-III (3) £300-500

439 PAIR OF ROYAL WORCESTER COVERED VASES, SIGNED H. AYRTON AND J. SMITH SECOND HALF 20TH CENTURY with pointed finials and domed covers above twin-handled shouldered bodies raised on socle feet, each painted with fruit and signed by Harry Ayrton and John Smith, with printed maker’s marks and shape numbers 2710 and 2710/2 (2) 32cm high

£500-700

440 ASSEMBLED ROYAL CROWN DERBY PORCELAIN PART DINNER AND TEA SERVICE 20TH CENTURY decorated in the Imari palette, printed factory marks and with pattern nos. 2451 and 1128, comprising: a covered tureen, 24cm high; a fruit comport, 14cm high; eight dinner plates, 27.5cm diam.; eight lunch plates, 23cm diam.; six dessert plates, 18.5cm diam.; 10 bread/side plates, 16cm diam.; six consommé cups, 5cm high; six saucers, 13.5cm diam.; eight teacups, 5.5cm high; and eight saucers, 14cm diam. (62) £600-800

441

442

FRENCH BRASS CARRIAGE CLOCK

PAIR OF SILVER-MOUNTED CUT GLASS DECANTERS AND STOPPERS

20TH CENTURY the bevelled-glass corniche case enclosing a white enamelled dial with Roman numerals and retailer’s marks for HAMILTON & INCHES, striking a gong, the back plate stamped MADE IN FRANCE 17.5cm high (handle up)

HALLMARKED BIRMINGHAM 1989 with silver collars above the ribbed necks and ovoid strawberrycut bodies, with maker’s marks for C. J. Vander Ltd., in red-painted Regency coasters, with gilt brass lion mask handles (2)

£200-300

Decanters 27cm high

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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443 ROYAL WORCESTER PAINTED PORCELAIN PLAQUE, BY JOHN STINTON (JNR) (1854-1956) LATE 19TH/ EARLY 20TH CENTURY the oval plaque painted with cattle by a river with hills in the background, signed JOHN STINTON, in a glazed giltwood frame 24cm x 15.5cm

£1,000-1,500

444Y MATCHED TEN PIECE SILVER-MOUNTED TORTOISESHELL DRESSING SET 20TH CENTURY with various patterns, comprising a hair brush, 25cm long; a hand mirror, 28cm long; two clothes brushes, 17cm long; a button hook, 19.5cm long; three round graduated jewellery boxes, 12.5cm to 7.5cm diameter; a serpentine shaped box,10.5cm wide; and a mounted glass jar, 8cm high; all marked with various Birmingham and London hallmarks; together with a MOUNTED GLASS BOTTLE,, 12cm high; and a DOUBLE ENDED SCENT BOTTLE, with monogrammed gilt tops, 13cm long (12) £400-600

445Y GROUP OF EDWARDIAN BOULLE MARQUETRY DESK WARES CIRCA 1900 comprising a large inkstand with a pen tray, lidded stamp box and two glass inkwells, 35.5cm wide; two leather bound blotters, 24.5cm and 33cm high; two frames, 19.5cm and 18cm wide; a pair of pen holders/ spill vases, each 8cm high; a circular ashtray, 13cm diameter; and a letter holder with stamp tray, 9.5cm high; five of the items with impressed maker’s mark J. C. VICKERY, 177 TO 183 REGENT ST. W., some with rosewood elements (9) £1,000-1,500

162 Lyon & Turnbull

446 BIEDERMEIER STYLE BURR WALNUT AND EBONISED BIJOUTERIE TABLE EARLY 20TH CENTURY the circular glazed top above hexagonal glazed panel sides, one side hinged, raised on ebonised tapered legs joined by a star-shaped undertier, on ceramic castors 70cm diameter, 70cm high

£600-800

447 SHERATON STYLE MAHOGANY DROP LEAF SIDE TABLE, BY MAPLE & CO. EARLY 20TH CENTURY the rounded rectangular top above a pair of frieze drawers, raised on square tapered legs ending in brass castors 120cm wide (open) 79cm (down), 73cm high, 53cm deep

£400-600

448 PAIR OF SOFAS, BY HOWARD CHAIR COMPANY MODERN with button upholstered hump backs and low scroll arms above loose cushion seats, covered in green herringbone fabric and raised on turned mahogany legs with brass caps and castors (2) 184cm long, 82cm high, 65cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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449 SET OF SIX MAHOGANY ‘COCKPEN’ DINING CHAIRS 20TH CENTURY comprising four side chairs and a pair of armchairs, of typical form with concave seats and close nail head trim (6) Armchair 61cm wide, 90cm high, 46cm deep

£1,200-1,800

450 LARGE EDWARDIAN MAHOGANY AND INLAY BREAKFRONT BOOKCASE EARLY 20TH CENTURY the moulded cornice above a central sliding and pair of astragal glazed doors, flanked by further astragal glazed doors, all enclosing shelves; the projecting base with a sliding centre door flanked by doors and a further set of doors, the whole outlined with chequer banding 254cm wide, 230cm high, 57cm deep

£1,500-2,500

164 Lyon & Turnbull

451 THREE PAIRS OF LINED AND INTERLINED CURTAINS MODERN each panel with a repeating pattern of red flowers with green stems and undulating blue vertical stripes (3) Each panel 118cm wide (top), 244cm wide (bottom), 260cm drop

£500-600

452 TWO PAIRS OF LINED AND INTERLINED CURTAINS in a large paisley pattern on an iron red ground (2) Each panel 131cm wide (top), 270cm wide (bottom), 349cm drop

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: British Furniture & Works of Art: Part II

453

454

455

TWO PAIRS OF LINED AND INTERLINED CURTAINS AND PELMETS

TWO PAIRS OF LINED AND INTERLINED CURTAINS

THREE PAIRS OF LINED AND INTERLINED CURTAINS

in an allover blue and cream foliate scroll and trellis pattern (2)

with a repeating pattern of red and blue flower posies with alternating vertical red polka-dot stripes entwined by blue and green vines (2)

in blue and grey ticking stripe (3)

Each panel 118cm wide (top), 245cm wide (bottom), 326cm drop

£500-600

Each panel 132cm wide (top), 261cm wide (bottom) 345cm drop

£300-500

Each panel 129cm wide (top), 257cm wide (bottom), 365cm drop

£300-500

456

457

458

TWO PAIRS OF LINED AND INTERLINED CURTAINS

THREE PAIRS OF LINED AND INTERLINED CURTAINS

in solid iron red (2)

in a blue and cream repeating pattern of leafing trees with pomegranates (2)

in a modern stitched pattern of bare white trees against a pale grey ground (3)

Each panel 126cm wide (top), 269cm wide (bottom), 349cm drop

Each panel 113cm wide (top), 255cm wide (bottom), 358cm drop

£300-500

Each panel 128cm wide (top), 264cm wide (bottom), 315cm drop

£300-500

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166 Lyon & Turnbull

459 PAIR OF ‘ALPHONSE’ ARMCHAIRS, BY JOHN SANKEY MODERN the arched backs and low scroll arms above wide seats, raised on ebonised bracket feet, covered in gunmetal grey upholstery (2) 80cm wide, 87cm high, 61cm deep

£400-600

460 LARGE PAINTED TOLE MIRROR MODERN the square mirror plate in a metal cushion moulded frame applied with tied laurel leaf garlands 120cm high, 120cm wide

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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461 PARCEL GILT STEEL AND MARBLE TOPPED HALL TABLE MODERN the inset rectangular veined white marble top in a spiral-cast and parcel-gilt frame with a cross stretcher centred by an acorn finial, raised on bun feet 140cm wide, 85cm high, 58cm deep

£600-800

462 PAIR OF ‘BLAIR’ SOFAS AND OTTOMAN, BY CHARLOTTE JAMES MODERN the sofas with button-upholstered backs and sloping arms, above cushion seats, covered in violet velvet upholstery, and raised on square tapered legs with brass caps and castors; the rectangular ottoman covered to match 103cm wide, 37cm high, 82cm deep (3) Sofas 221cm long, 92cm high, 95cm deep

£1,000-1,500

Continental Furniture & Works of Art

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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463Y CONTINENTAL STAINED FRUITWOOD, TORTOISESHELL AND IVORY MEMENTO MORI LATE 17TH CENTURY in the form of a tomb monument, surmounted by turned ivory finals above scrolled spandrels, corresponding finials and an ivory skull, above a single tortoiseshell-veneered drawer 18cm wide

£500-700

464 CONTINENTAL CARVED BONE HOURGLASS LATE 18TH CENTURY / EARLY 19TH CENTURY the waisted glass with silk and twine binding between six turned pillars, united by terminals carved with flowerheads 22.5cm high

£800-1,200

465Y TWO CONTINENTAL CARVED IVORY AND WOOD FIGURES, IN THE MANNER OF SIMON TROGER 18TH/ 19TH CENTURY carved as two female musical beggars, with ivory heads, legs and skin showing through their rags; one playing the cymbals, the other one a flute (2) 25cm and 24.5cm high

£400-600

466 BAROQUE STYLE GILT METAL MIRROR LATE 19TH CENTURY with scroll and foliate arched top over a ‘cushion’ frame with margin mirror plates enclosing a central bevelled mirror plate 57cm high, 32.5cm wide

£250-350 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

170 Lyon & Turnbull

467 ITALIAN POLYCHROMED AND GILT DECORATED PASTIGLIA CASKET 19TH CENTURY in the 15th century style, decorated in relief with scenes from the life of Christ, including the raising of Lazarus and Christ and Mary Magdalene after the Resurrection 33cm wide, 27cm high, 17.5cm deep

£300-500

468 VENETIAN RED AND GILT JAPANNED CASKET 18TH CENTURY of rectangular form with canted corners, decorated with figures taking tea beneath birds, butterflies and palms, enclosing a later silk-lined interior, 31cm wide; together with an EASTERN RED LACQUERED BOX, 20th century, with gilt decoration, the interior void, 30cm wide; and a RED JAPANNED BRACKET CLOCK, F.W. ELLIOTT LTD., 20th century, retailed by Hamilton & Inches, Edinburgh, 28.5cm high (3) £400-600

469 THREE DUTCH CARVED OAK FIGURES 17TH CENTURY depicting Virtues of Hope, Charity and Justice, on later plinth bases; previously part of a Dutch oak Beeldenkast (3) Largest 34.5cm high (height of figure only)

£400-600

470 SILVER AND MALACHITE MOUNTED OSTRICH EGG 20TH CENTURY surmounted by the malachite finial, raised on a silver stand with Portuguese hallmarks, 20cm high; together with a WHITE METAL MOUNTED COCONUT BOX, with scrolled finial handle, raised on three corresponding feet, 16.5cm high (2) £300-500

Provenance: Ex Kinross House, Scotland And Property Removed From The London Residence of Mrs. Winston Spencer Churchill, Christies, London, March 2011, lot 3

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471 NORTH ITALIAN WALNUT AND EBONISED SERPENTINE CHEST OF DRAWERS 18TH CENTURY the moulded serpentine top with canted corners over four graduated long drawers outlined with ebonised moulding, flanked by panelled angles with foliate capped pilasters, raised on scrolled stile feet 154cm wide, 113cm high, 64cm deep Provenance: Ex Yester House, Gifford, East Lothian

£1,000-1,500

472 PAIR OF BAROQUE STYLE WALNUT ARMCHAIRS 19TH CENTURY the square padded backs above wide seats flanked by padded arms with leaf carved C scroll supports; raised on scroll carved legs joined by pierced and carved front stretchers centred by a coronet, and scrolling X stretchers united by foliate carved medallions (2) 77cm wide, 105cm high, 50cm deep

£600-800

473 NORTH ITALIAN WALNUT, EBONISED AND FRUITWOOD MARQUETRY COMMODE LATE 17TH CENTURY of inverted breakfront outline, the concave moulded superstructure with an arrangement of short drawers; the base of conforming outline with four long moulded drawers with scrolling foliate inlay, raised on pierced and shaped bracket feet 138cm wide, 135cm high, 57cm deep

£600-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

172 Lyon & Turnbull

474 PAIR OF BAROQUE STYLE SILVERED PINE AND SILK MIRRORS 19TH CENTURY the octagonal mirror plates in cushion moulded frames with silk panels surmounted by relief carved acanthus and shell cresting (2) 76cm high, 51cm wide

£500-700

475 LARGE IRON MORTAR AND PESTLE ON STAND 17TH CENTURY, THE STAND LATER with a double ended laburnum pestle and iron mortar, on a later baluster column 36cm diameter, 82cm high

£500-700

476 ITALIAN WALNUT, CHESTNUT, BONE AND EBONISED PRIE DIEU CHEST OF DRAWERS LATE 18TH CENTURY the banded shaped rectangular top with an ebonised moulded edge above three long drawers with marquetry figural panels, above a pull-out shelf to the moulded base, on bun feet 68cm wide, 87cm high, 52cm deep Provenance: Contents from a West Coast of Scotland Lodge

£300-500

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478

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479

477 EASTERN ORTHODOX ICON, THE MANDYLION 19TH CENTURY the polychrome face of Christ centred on a stippled gilt and ‘jewelled’ cloth, mounted on a blue painted ground with a gilt moulded frame; together with a BRONZE RELIEF PLAQUE OF OUR LADY OF PERPETUAL HELP, in a green velvet and giltwood shadowbox frame, 11cm x 9cm (2) Icon 11.2cm x 8.8cm; Overall 28cm x 21cm

£200-300

478 EASTERN ORTHODOX ICON, DEPICTING THE MANDYLION WITH SAINTS EARLY 19TH CENTURY the recessed panel painted with a bishop saint and a beggar gazing at the Mandylion, in a ochre border 31.5cm x 28cm approx.

£300-500

479 RUSSIAN ICON OF SAINTS ISAIAH AND BARUCH 19TH CENTURY each figure depicted full figure holding a scroll, in a recessed panel within an ochre border, the reverse with a single brace, with a paper label for A La Vieille Russie, New York 18cm x 16.5cm

£250-350

480 EASTERN ORTHODOX ICON, WITH CHRIST ENTHRONED WITH THE VIRGIN MARY AND JOHN AND BAPTIST 18TH CENTURY the central figure of Christ seated on a throne with his hand raised and holding the scriptures, flanked by the standing figures of the Virgin Mary and John the Baptist 33.5cm x 27.5cm

481 CARVED WOOD AND GESSO PAINTED FIGURE OF CHRIST EARLY 20TH CENTURY the near life-size figure in robes wearing the Sacred Heart, with arms raised in blessing, standing on a celestial dome and octagonal base inscribed ‘The Master of the House’ 163cm high

£400-600

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

174 Lyon & Turnbull

482Y PAIR OF DUTCH WALNUT, IVORY AND MARQUETRY SIDE CHAIRS EARLY 18TH CENTURY the tall backs with shell carved cresting above baluster splats with flowering urn and bird marquetry, above serpentine drop-in seats covered in needlework, raised on shell-carved cabriole legs joined by wavy stretchers and ending in ball and claw feet (2) 54cm wide, 111cm high, 37cm deep

£600-800

483 DUTCH MARQUETRY LONGCASE CLOCK SECOND QUARTER 18TH CENTURY the moulded cornice above the 10in. brass dial with a silvered Roman numeral chapter, date aperture, subsidiary seconds dial and month dial, flanked by corner columns above a long trunk door and bombé base raised on carved paw feet, inlaid throughout with bird and flowering urn marquetry, the movement striking on two bells 215cm high, 56cm wide, 29cm deep

£2,000-3,000

484 DUTCH WALNUT AND MARQUETRY BOMBÉ BUREAU 18TH CENTURY in two parts, the slant front top opening to an interior fitted with pigeon holes, drawers, and a covered recess, above three long drawers flanked by serpentine angles, raised on scroll feet; the whole covered with floral marquetry 120cm wide, 107cm high, 62cm deep

£1,500-2,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

485 GEORGIAN STYLE GILTWOOD MIRROR 19TH CENTURY the shape oval mirror plate in a pierced and carved Rococo style frame with rocaille, C scrolls and surmounted by a foliate cresting 102cm high, 64cm wide

£500-700

486 LOUIS XV STYLE PARQUETRY AND MARQUETRY MARBLE TOP COMMODE LATE 19TH CENTURY the serpentine breche marble top above a pair of long drawers with cube parquetry and central floral marquetry reserve, with Rococo gilt bronze mounts, raised on tall splayed legs with foliate sabots

487

120cm wide, 88cm high, 69cm deep

LOUIS XV STYLE KINGWOOD AND GILT BRONZE MOUNTED BUREAU PLAT

£800-1,200

MID 20TH CENTURY the shaped rectangular top with a green leather insert and banded in gilt bronze, above a shaped frieze with three drawers with dummy drawers opposing, raised on cabriole legs with female busts mounts and foliate sabots, the whole outlined in gilt bronze mounts 177cm long, 79cm high, 95cm deep

£2,000-3,000

488

489

LOUIS XV STYLE GILT BRONZE FIRESCREEN

CONTINENTAL CARVED AND STAINED FRUITWOOD JARDINIÈRE

19TH CENTURY the scrolling arched leaf-cast and pierced frame with wire gauze, with putti mounts to the left and right, on pierced scroll feet 70.5cm high, 72cm wide

19TH CENTURY in the Baroque style, the gadrooned edge above sides carved with flower garlands, lambrequins, and cartouches, the corners with scroll brackets and masks

£250-350

66cm wide, 30cm high, 28cm deep

£200-300

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176 Lyon & Turnbull

490Y FRENCH BOULLE MARQUETRY BRACKET CLOCK LATE 19TH/ EARLY 20TH CENTURY the pine-cone finial above the waisted case, enclosing a white enamelled chapter ring with Roman numerals, signed HAMILTON & INCHES, on an engraved brass plate, all raised on hairy-paw feet, the eight-day movement striking a gong, 51cm high; together with a matching bracket, with concave front and mask mount, 31cm wide( 2) £1,000-1,500

491Y FRENCH GREEN BOULLE MARQUETRY BRACKET CLOCK 19TH CENTURY in the Louis XIV style, the arch top with a cockerel finial, above the circular gilt dial with white enamel Roman numeral chapters and a sunburst pendulum, raised on paw feet with acanthuscast corner mounts, the eight-day movement striking a bell, stamped P.L TRE/ 9554 48cm high, 23.5cm wide

£400-600

492 PAIR OF GILT BRONZE MOUNTED SÈVRES STYLE PORCELAIN EWERS 19TH CENTURY with faux swan-form spouts and handles, mounted on tapered porcelain bodies painted with opposing reserves of birds and fruit on blue grounds, raised on reed-form bases and scrolled feet, stamped to feet DUN (2) 30cm high Provenance: Private Collection from an Ambassador’s Residence

£400-600

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493 FRENCH WALNUT, OAK, AND MARQUETRY CYLINDER DESK 19TH CENTURY the top opening to an arrangement of drawers and a sliding writing surface, above a shaped apron and three drawers raised on square cabriole legs with gilt metal mounts, inlaid with floral marquetry and a musical trophy 69cm wide, 98cm high, 47cm deep

£300-500

494 PAIR OF FRENCH TRANSITIONAL GILTWOOD FAUTEUILS THIRD QUARTER 18TH CENTURY the curved square backs with moulded frames enclosing padded backs, over wide bow front seats flanked by part padded arms with curved supports, raised on fluted tapered legs, covered in distressed 18th century Aubusson tapestry covers (2) 58cm wide, 88cm high, 45cm deep

£1,000-1,500

495 CONTINENTAL WALNUT MARBLE TOPPED SERPENTINE COMMODE 19TH CENTURY the shaped veined marble top with a moulded edge above three long drawers outlined with moulded cartouches, above a shaped apron raised on block feet 98cm wide, 79cm high, 57cm deep

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

178 Lyon & Turnbull

496 SCANDINAVIAN GILTWOOD MIRROR 19TH CENTURY the shaped mirror plate with foliate scroll cresting and central cartouche and sunflower pendant finial 112cm high, 67cm wide

£600-800

497 GROUP OF FOUR CARVED AND PAINTED FIGURAL BRACKETS 19TH CENTURY each as a winged term supporting a circular dished platform(4) 22cm wide, 95cm high, 34cm deep

£2,000-3,000

498 FRENCH CREAM-PAINTED AND PARCEL-GILT BUREAU PLAT EARLY 20TH CENTURY the shaped top with a brown leather insert, above a shaped frieze carved with foliate C scrolls and centred by a drawer, the same opposing, raised on foliate carved cabriole legs 130cm wide, 74cm high, 83cm deep

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

499 FRENCH GILT BRONZE MANTEL CLOCK, ALPHONSE GIROUX & CIE., PARIS 19TH CENTURY surmounted by a cherub holding drafting equipment flanked by a globe, set square and a compass, over a signed white enamel dial with Roman numerals, on an acanthus cast curved base inset with an agate roundel, the signed eight-day movement striking a bell 27cm high, 23cm wide

£600-800

500 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK 19TH CENTURY in the Louis XVI style, surmounted by an urn finial above a porcelain Roman numeral dial, with a Sèvres style panel painted with lovers, on a floral base and squared toupie feet, with a giltwood plinth, the eight-day movement striking a bell, stamped J.J.S./ 4472 39cm high, 24cm wide

£600-800

501 PAIR OF SÈVRES STYLE PORCELAIN AND GILT BRONZE FIGURAL CANDELABRA 19TH CENTURY with central sconces and twin scrolling candle arms, each held by a putto in bleu celeste with gilt highlights, above floral-painted squared bases fitted with floral swags (2) 47cm high

£500-700

502Y IVORY AND BRASS LETTER OPENER, BY EUGÈNE BERNOUD LATE 19TH/ EARLY 20TH CENTURY the terminal with a bust of Napoleon, the face carved in ivory, signed E. BERNOUD/ FRANCE 24.5cm long Provenance: Private collection of G. S. May, Esquire

£200-300

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180 Lyon & Turnbull

503 FRENCH EMPIRE SMALL GILT BRONZE MANTEL CLOCK, BASILE C. LE ROY, PARIS EARLY 19TH CENTURY the silvered chapter ring with Roman numerals and signed BASILE C. LE ROY A PARIS, surmounted by a flaming torch and laurel wreath and flanked by a youth holding a lyre, on a rectangular base with applied roundels, on bun feet, the eight-day movement striking a bell 32.5cm high, 22cm wide

£800-1,200

504 JEAN JACQUES PRADIER (SWISS, 1790-1852) LA TOILETTE D’ATALANTE (ATALANTA BATHING) dark brown patina, signed to base PRADIER./ SUSSE FRERES 24cm high

£600-800

505 AFTER THE ANTIQUE, BRONZE FIGURE OF THE BORGHESE GLADIATOR LATE 19TH CENTURY dark brown patina, on a rectangular base 21cm high

£300-400

506 FRENCH EMPIRE GILT BRONZE MANTEL CLOCK EARLY 19TH CENTURY the gilt Roman numeral dial surmounted by the seated figure of Cupid with a ewer, his feet on a stool, by an oil lamp on a column, on a rectangular base with applied wreath, arrows and quiver, on curved feet, with an eight-day movement striking a bell 39.5cm high, 30cm wide

£600-800

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507 LOUIS XVI STYLE MAHOGANY, BRASS AND GILT BRONZE MOUNTED BIJOUTERIE TABLE BY GEORGES-FRANCOIS ALIX, AFTER A DESIGN BY ADAM WEISWEILLER LAST QUARTER 19TH CENTURY the hinged glazed panel top opening to a silk lined interior, raised on slender brass supports with fluted brass-lined mahogany bases joined by an interlaced undertier with a central giltbronze twin dolphin finial, on tapered feet, stamped ALIX four times to the underside 69cm wide, 76cm high, 37cm deep

£4,000-6,000

Note: This elegant ‘table a ouvrage’ is modelled after the celebrated table reputedly made for Marie Antoinette on the occasion of the birth of the dauphin of France, Louis Joseph, in 1781. That table, now in the collection of the musee du Louvre, was previously attributed to the Jean-Henri Riesener, but is now considered to have been designed by Adam Weisweiler. Made for the 19th century luxury market, this table was interpreted by a number of important French 19th century makers including Henry Dasson, Paul Sormani and Beurdeley. Their designs differ slightly from the original model with the absence of the gilt bronze dolphin mount to the stretcher. The present version is truer to Weisweiler’s original. George-Francois Alix (1846-1906) was established at 6, rue de Charonne and moved to 6 bis, rue Richard Lenoir in 1878. He specialised in elegant and sophisticated furniture based on 18th century models and exhibited at the important international exhibitions including the Paris Expositions of 1884, 1885, and 1889.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

182 Lyon & Turnbull

508 PAIR OF FRENCH GREEN PAINTED BERGÈRES 19TH CENTURY the low backs and enclosed scroll arms above serpentine seats, raised on carved cabriole legs, in floral champagne silk upholstery (2) 70cm wide, 76cm high, 54cm deep

£800-1,200

509 FRENCH GILT BRONZE FLOOR LAMP LATE 19TH CENTURY in the Louis XVI style, with a central urn with triform supports and base, raised on paw feet 145cm high excluding fitting

£400-600

510 PINK GRANITE HALF COLUMN PEDESTAL 19TH CENTURY with a plain moulded base and square plinth 117cm high, 31cm diameter

£500-700

511 SET OF THREE LOUIS XVI STYLE PAINTED AND PARCEL GILT ARMCHAIRS 19TH CENTURY the oval padded backs in ribbon carved frames with ribbon cresting, above wide seats flanked by part-padded arms, raised on fluted tapered legs (3) 60cm wide, 96cm high, 45cm deep

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

512 BACCARAT EIGHTEEN-LIGHT GLASS CHANDELIER EARLY 20TH CENTURY with two tiers of barley-twist scrolled arms hung with prisms, drops and swags, and terminating with etched glass shades, wired for electricity 80cm diameter, 140cm high Provenance: Private Collection from an Ambassador’s Residence

£7,000-10,000

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184 Lyon & Turnbull

513 GILTWOOD SUNBURST MIRROR MODERN the bevelled oval mirror plate in a moulded frame with giltwood rays 145cm high, 130cm wide

£500-700

514 FRENCH KINGWOOD AND VERNIS MARTIN CORNER CABINET LATE 19TH/ EARLY 20TH CENTURY the arched cornice centred by a pierced gilt bronze mount, above a shaped serpentine glazed door with a Vernis Martin panel painted with a couple on a swing, opening to a purple plush lined interior with glass shelves, outlined with gilt bronze mounts 75cm wide, 194cm high, 65cm deep

£1,200-1,800

515 ITALIAN NEOCLASSICAL WALNUT, FRUITWOOD AND MARQUETRY TEA TABLE 19TH CENTURY the rectangular pivoting fold-over top with a central marquetry roundel, opening to quarter veneered surface centred by a marquetry roundel, over a crossbanded frieze, raised on square tapered legs capped by foliate inlaid corner blocks 92cm wide, 80cm high, 46cm deep

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Continental Furniture & Works of Art

516 FRENCH WALNUT AND BRASS INLAID VITRINE CABINET 19TH CENTURY with two end glazed doors opening to a fixed shelf interior, on turned legs ending in brass caps and castors 59cm wide, 91cm high, 41cm deep

£1,200-1,800

517Y TWO FRENCH IVORY EROTIC BOXES 19TH CENTURY comprising a cylindrical and a rectangular example, each engraved with a sapphic scene to the lid interiors (2) 7.5cm diameter and 12cm wide Provenance: Private collection of G. S. May, Esquire

£300-500

518 PAIR OF KINGWOOD, MARQUETRY, AND VERNIS MARTIN GILT METAL MOUNTED MARBLE TOPPED BOMBÉ CABINETS 20TH CENTURY the moulded serpentine marble tops over bombé doors with painted Vernis Martin and floral marquetry panels enclosed with gilt metal mounts and flanked by gilt bronze female busts on the angles, opening to shelved interiors with short drawers, raised on splayed feet with gilt metal sabots (2) 93cm wide, 156cm high, 46cm deep

£4,000-6,000

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186 Lyon & Turnbull

519 GERMAN WALNUT CHIMING BRACKET CLOCK 20TH CENTURY with gilt metal mounts, the arched top above the bevelled glass door enclosing a silvered chapter ring with Roman numerals, and a subsidiary dial for SLOW/ FAST, marked MADE IN GERMANY, flanked by female mask mounts, on a moulded base with scrolled feet, the back plate stamped ELITE/ 77846/ GERMANY 45cm high, 32cm wide

£500-700

520 CHARLES X WALNUT MARBLE TOPPED CONSOLE TABLE MID 19TH CENTURY the later marble top over an ogee moulded frieze drawer, raised on scroll supports and shaped plinth base outlined with stringing, raised on carved paw feet 127cm wide, 91cm high, 49cm deep

£800-1,200

521

522

523

TWO AUSTRIAN COLD PAINTED BRONZE BIRDS

AUSTRIAN COLD PAINTED BRONZE HARE PAPER CLIP

GROUP OF PARIS PORCELAIN CAMPANA URNS

LATE 19TH/ EARLY 20TH CENTURY both with polychrome paint, comprising a kingfisher, 9cm high; and a cockatoo, 9.5cm high (2)

LATE 19TH/ EARLY 20TH CENTURY with two running hares, hinged, mounted on an oak base with metal inscription FROM NUNG 18cm wide

19TH CENTURY comprising a large pair painted with reserves of figures, with flower sprays to the opposing sides, above green bands with applied gilding, with corresponding square bases, 29.5cm high, 23cm diam.; and two smaller pairs, painted with landscape scenes of buildings and figures, within gilt bands and borders, raised on square bases, one pair 21.5cm high, 15.5cm diam.; other pair 19.5cm high, 14.5cm diam. (6)

£200-300

£250-350

Provenance: Private Collection from an Ambassador’s Residence

£250-350

Five Centuries: Continental Furniture & Works of Art

187

524 PAIR OF MEISSEN PORCELAIN POT POURRI URNS MARCOLINI PERIOD the pierced domed covers above baluster bodies encrusted with flowers, fruit and putti, the reserves painted with birds and flowers, with starred blue crossed swords mark and incised 2055 (2) 35cm and 34cm high

£300-500

525 MEISSEN PORCELAIN FIGURAL COMPORT LATE 19TH/ EARLY 20TH CENTURY the pierced basket applied with flowers above a figural column with a semi-nude maiden emblematic of Autumn and a putto holding wheat sheaves, on a rococo style base with gilt highlights, with blue crossed swords marks, incised and painted numbers 47cm high

£800-1,200

526 COLLECTION OF MEISSEN PORCELAIN BLUE AND WHITE DINNER WARES LATE 19TH/ EARLY 20TH CENTURY decorated with deutsche Blumen and insects, underglaze blue crossed swords marks, some cancelled, comprising six graduated ashets, largest 58.5cm wide; three square covered tureens, 26.5cm wide; and a further spare cover; two circular covered tureens, 22cm high; an oblong covered tureen with figural handle, 28cm wide; a square-shaped serving dish, 23.5cm wide; and a large circular platter, 33.5cm diam. (15) £500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

188 Lyon & Turnbull

527 FRENCH POLISHED SLATE, MALACHITE AND GILT BRONZE THREE-PIECE CLOCK GARNITURE 19TH CENTURY the stepped platform top above a large dial with applied Roman numerals and indistinct marks, flanked by cat-form handles and acanthus scrolls, on a stepped base with flower swags, the movement stamped SF & JD/ 11147, striking a bell, 38.5cm high; with a pair of urns, en suite, 22cm high (3) £400-600

528 ASSEMBLED SUITE OF ST. LOUIS COLOURED GLASS 20TH CENTURY comprising a set of wine glasses with Greek key bands, 19cm high, including 12 red glasses, 11 green glasses, and nine blue glasses; together with a set of port glasses with flowerheads issuing olive branch swags, 11cm high, comprising 13 emerald green glasses; four light green glasses; and six red glasses; together with a NEAR PAIR OF ST. LOUIS GLASS WINE DECANTERS, 25cm and 25.5cm high; and a NEAR PAIR OF ST. LOUIS DECANTER BOTTLES AND STOPPERS, 31.5cm and 30cm high (qty) Provenance: Private Collection from an Ambassador’s Residence

£300-500

529

530

531

532

PAIR OF NAPLES BLANC DE CHINE PORCELAIN MARLY HORSES, AFTER THE MODELS BY MEISSEN

GERMAN PORCELAIN INK STAND, POSSIBLY BY HELENA WOLFSOHN, DRESDEN

VIENNA STYLE PAINTED PORCELAIN PLATE

PAIR OF FRENCH WHITE METAL MOUNTED GLASS WINE DECANTERS

19TH CENTURY of typical form, with wire reigns, on naturalistic bases with applied flowers, underglaze blue maker’s marks; together with a PAIR OF STAFFORDSHIRE FIGURES OF GREYHOUNDS, 19th century, with hares in their mouths, 27cm high, 23cm wide (4) 31cm high

19TH CENTURY in the Meissen style, the oval dish with two barrel-form covered ink pots, decorated with harbour reserves within polychrome and gilt borders, with underglaze Augustus Rex marks

£200-300

Dish: 27.5cm wide

£250-350

LATE 19TH/ EARLY 20TH CENTURY centrally decorated with Venus directing Aeneas and Achates to Carthage, after Angelica Kauffmann, enclosed in a border of entwined pink ribbons and gilt leaves, with overglaze blue Bindenschild mark 24.5cm diameter

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£200-300

DATED 1899 the domed metal tops issuing female mask-form handles, the necks with scrolls and flowers enclosing plaques inscribed CORINA to one side, and dated 15.6.99 to the other, on ovoid bodies engraved with flowers, palmettes and leaves, marked 833M (2) 35.5cm high Provenance: Private Collection from an Ambassador’s Residence

£300-500

Five Centuries: Continental Furniture & Works of Art

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533 PART SUITE OF BACCARAT ‘HARCOURT EMPIRE’ GLASS 20TH CENTURY decorated in gilt with repeating panels of stylised hearts above palmettes on oval-cut bowls, raised on facetted knopped stems and hexagonal feet, with acid-etched maker’s marks, comprising 12 water glasses, 15cm high; 12 red wine glasses, 13.5cm high; eight white wine glasses, 12.5cm high; nine liqueur glasses, 9cm high; 16 champagne flutes, 17.5cm high; three bottle-form decanters and stoppers, 30cm high; and three square-shaped decanters and stoppers, 24.5cm high (63) Provenance: Private Collection from an Ambassador’s Residence Note: The ‘Harcourt’ collection was created in 1841 and is the oldest in the Baccarat archive.

£2,500-3,500

534 PART SUITE OF BOHEMIAN RED FLASH-CUT GLASS 19TH CENTURY with wheel-engraved cartouches, buildings, birds and deer, within scrolls and dot-borders, comprising six decanters and stoppers, of various shapes and heights, 41cm-37cm high; two jugs, 19cm high; nine conical water glasses, 13.5cm high; 12 wine glasses, 13cm high; five port glasses, 12cm high; nine liqueur glasses, 10cm high; four tumblers, 14cm high; six small bowls, 5cm high, 11cm diam.; a fruit bowl, 8cm high, 20cm diam.; and a small footed dish, 6cm high, 18cm diam.; together with FIVE TUMBLERS, 12cm high; and a FOOTED FRUIT BOWL, 15.5cm high, 19cm diam., all of similar design and colour (qty) Provenance: Private Collection from an Ambassador’s Residence

£800-1,200

190 Lyon & Turnbull

535 FRENCH GILT BRONZE FIGURE OF NYX, GODDESS OF NIGHT 19TH CENTURY with gold patina, the nude recumbent figure sleeping on a rocky oval base with poppies, unsigned 18.5cm wide

£300-500

536 PROFESSOR ARISTIDE PETRILLI (ITALIAN, 1868-1930?) SAPPHO alabaster figure with gilt highlights, signed and inscribed to the base PROF A PITRILLI/ FIRENZE/ SAPHO 48.5cm high Provenance: An English Collection of Works of Art Note: Petrilli established his own studio at via Serragli, 152, in Florence. He specialised in romanticised figures of classical and historical themes, often celestial and ethereal maidens using coloured marbles or bronze or gilt highlights.

£300-500

537 SET OF THREE SILVER MOUNTED ENAMELLED TEA CADDIES LATE 19TH/ EARLY 20TH CENTURY decorated with zreserves with figures within pastoral settings on pale turquoise grounds, with metal mounts marked STERLING, comprising two rectangular boxes, 8cm x 12.5cm x 14.5cm; and a square box, 12.5cm x 12.5cm x 14.5cm (3) Provenance: Ex Christies, London, March 2011, lot 506

£500-700

538

539

540

SWISS BIRD CAGE AUTOMATON, BY REUGE MUSIC

FRENCH CHAMPLEVÉ ENAMEL AND ONYX DRESSER STAND

AFTER PIERRE JULES MENE

20TH CENTURY the wirework domed cage enclosing two feathered birds, raised on a thick base with floral swags, concealing the movement, marked REUGE MUSIC/15565/ SAINTE CROIX/ MADE IN SWITZERLAND 28.5cm high

19TH CENTURY of lobed quatrefoil form with lion mask handles, the wide champlevé border enclosing an onyx centre, raised on toupie feet

£250-350

36cm wide

GILT BRONZE FIGURE OF A SETTER, SUSSE FRÈRES modelled with one paw raised, on a naturalistic ground, signed and with foundry mark, inscribed CAPTAIN’S PRIZE - LUCHON 1912, on a veined red-marble base

£250-350

Base 15.5cm wide

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Garden

Garden

191

541 CARVED STONE FINIAL 19TH CENTURY with a central domed pillar and four leaf scrolls, on a separate hexagonal base 116cm high, 66cm wide

£250-350

542 COALBROOKDALE CAST IRON ‘FERN AND BLACKBERRY’ PATTERN THREE PIECE GARDEN SUITE LATE 19TH CENTURY comprising a bench and pair of armchairs with wood slat seats, painted teal, with registration marks and No. 1143617 (3) Bench 152cm wide, 91cm high, 35cm deep

£2,000-3,000

543 COTSWOLD SCHOOL OAK HALL BENCH MODERN the long slat seat on chamfered end supports with ball finials and trestle bases 180cm wide, 75cm high, 43cm deep

£300-500

Five Centuries: Rugs & Carpets

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Rugs & Carpets 544 KHORASSAN CARPET NORTHEAST PERSIA, EARLY 20TH CENTURY the cream field with raspberry medallion, indigo spandrels, within raspberry palmette and vine border 480cm x 360cm

£800-1,200

545 MESHED CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the blue field with red and cream medallion, red spandrels, within red palmette and vine border between bands, inscription cartouche to one end 416cm x 292cm

£300-500

546 SERABEND CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with allover boteh pattern, within cream stylised boteh vine border 500cm x 358cm

£500-700 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

194 Lyon & Turnbull

547 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover foliate and boteh pattern, within cream foliate vine border 331cm x 221cm

£1,500-2,500

548 QUM CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the cream field with allover palmette and vine pattern, within red palmette and vine border 335cm x 226cm

£1,500-2,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets

549 ISFAHAN CARPET CENTRAL PERSIA, 20TH CENTURY the cream field with cusped medallion, within blue palmette and vine border 332cm x 209cm

£2,000-3,000

550 MAHAL CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover palmette and vine pattern, within indigo palmette and vine border 360cm x 260cm

£1,500-2,500

551 AFSHAR SOFREH CARPET SOUTH PERSIA, 20TH CENTURY the indigo field with allover lozenge pattern, within indigo geometric border, lozenge end panels 366cm x 125cm

£400-600

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552 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and red medallion, similar spandrels, within indigo rosette and serrated leafy vine border 383cm x 290cm

£1,500-2,500

553 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the red field with indigo and rose medallion, ivory spandrels, within indigo turtle palmette and vine border 385cm x 292cm

£1,500-2,500

554 USHAK CARPET WEST ANATOLIA, LATE 19TH CENTURY the red field with five columns of palmettes, within red rosette and diagonal vine border 401cm x 363cm

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets

197

555 TABRIZ ‘HADJI JALILI’ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with allover palmette and foliate pattern, within camel rosette and cartouche border 400cm x 290cm

£2,000-3,000

556 TABRIZ ‘GARDEN’ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the field with allover tree in mihrab lattice pattern in blues, creams and browns, within similar border 430cm x 420cm

£700-900

198 Lyon & Turnbull

557 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with red medallion, olive spandrels, within red cartouche and floral vine border 420cm x 302cm

£1,200-1,800

558 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with cream medallion, similar spandrels, within cream turtle palmette and vine border 317cm x 221cm

£1,200-1,800

559 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within brown palmette and vine border 403cm x 295cm

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets

560 TABRIZ ‘HADJI JALILI’ CARPET NORTHWEST PERSIA, LATE 19TH CENTURY the rust red field with cream and indigo large lozenge medallion, similar spandrels, within indigo palmette and vine border 513cm x 330cm

£10,000-15,000

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200 Lyon & Turnbull

561 TEKKE CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the reddish brown field with five columns of twelve guls, within reddish brown octagon starburst border, serrated lozenge elem panels 284cm x 218cm

£600-800

562 TEKKE CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with five columns of fourteen guls, within brown octagon starburst border, serrated lozenge elem panels 280cm x 224cm

£400-600

563 AUBUSSON STYLE CARPET LATE 20TH CENTURY the cream field with neoclassical paterae and cartouche medallion in pinks and olives, olive spandrels, within narrow gold tied leaf border 365cm x 268cm

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Five Centuries: Rugs & Carpets

564 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of five guls, within red cruciform hexagon border 281cm x 253cm

£300-500

565 CHODOR CARPET TURKMENISTAN, EARLY 19TH CENTURY the brown field with four columns of fifteen guls, within ivory lozenge, linked hexagon and vine border, kilim ends 276cm x 201cm

£300-500

566 TURKOMAN CARPET LATE 20TH CENTURY the dark brown field with two columns of six guls, within narrow red rosette and vine border 328cm x 125cm

£300-500

567 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brick red field with small indigo lozenge medallion, blue, red and green spandrels, within indigo turtle palmette and vine border 265cm x 247cm

£400-600

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202 Lyon & Turnbull

568 SUSANI UZBEKISTAN, 19TH CENTURY made up of three joined strips, depicting roseheads and carnations within leaves on a light coloured ground, with later trim and border Panel 159cm x 108.5cm; overall 189cm x 133cm

£800-1,200

569 AGRA RUG

570 TEKKE CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of eleven guls, within hexagon starburst border

NORTH INDIA, LATE 19TH/ EARLY 20TH CENTURY the raspberry red field with small star medallion and floral motifs, within narrow dark grey stylised vine border 208cm x 120cm

£400-600

242cm x 140cm

£250-350

571

572

TABRIZ ‘HUNTING’ RUG

CENTRAL PERSIAN PART SILK RUG

NORTHWEST PERSIA, MID 20TH CENTURY the cream field with red medallion flanked by floral vases and lions with prey, within indigo and red cusped animal and foliate border

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

MID 20TH CENTURY the plain cream field with open floral medallion, similar spandrels, within beige floral border, inscription to one end

243cm x 141cm

233cm x 150cm

£250-350

Five Centuries: Rugs & Carpets

573 KASHAN SILK RUG CENTRAL PERSIA, 20TH CENTURY the red field with indigo medallion, indigo spandrels, within cream palmette and arabesque vine border 213cm x 132cm

£1,500-2,500

574 NAIN PART SILK RUG CENTRAL PERSIA, LATE 20TH CENTURY the dark indigo field with cream medallion, similar spandrels, within cream palmette and arabesque vine border 232cm x 145cm

£500-700

575 PAIR OF ISFAHAN RUGS CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY each with raspberry red field with camel and red medallion, camel spandrels, within red palmette and vine border (2) each approximately 200cm x 140cm

£2,000-3,000

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204 Lyon & Turnbull

576 SOUTH CAUCASIAN RUG 20TH CENTURY the camel field with allover mini khani pattern, within narrow reddish orange border 205cm x 130cm

£800-1,200

577 PAIR OF TABRIZ ‘HADJI JALILI’ RUGS NORTHWEST PERSIA, LATE 19TH CENTURY each with plain red field with indigo and cream medallion, similar spandrels, within red rosette and vine border (2) 171 x 124cm

£400-600

578 PAIR OF TABRIZ PRAYER RUGS NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY each with indigo mihrab with floral urn, trees and birds, cream spandrels, within brown floral vine and palmette border (2) each approximately 210cm x 125cm

£500-700

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579 HERIZ RUNNER NORTHWEST PERSIA, LATE 20TH CENTURY the cream field with nine red and indigo medallions, within burgundy rosette and arrowhead border

580 NORTHWEST PERSIAN RUNNER LATE 20TH CENTURY the reddish pink field with allover herati pattern, within cream stylised border

420cm x 95cm

£800-1,200

776cm x 75cm

£1,200-1,800

581 AVAR KILIM RUNNER DAGHESTAN, LATE 19TH CENTURY the brick red field with four large indigo and blue star medallions, within indigo stylised foliate border 555cm x 162cm

£700-1,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

206 Lyon & Turnbull

582 PAIR OF NORTHWEST PERSIAN RUNNERS LATE 19TH/EARLY 20TH CENTURY each with red field with allover boteh pattern, within stylised vine border (2) larger one 487cm x 101cm

£400-600

583 SIVAS RUNNER CENTRAL ANATOLIA, LATE 19TH CENTURY the abrash raspberry and orange-red field with three indigo and green hooked zigzag columns, within narrow blue square border 401cm x 81cm

£300-500

584

585

NORTHWEST PERSIAN RUNNER

MODERN the dark red field with allover herati pattern, within cream stylised vine border

LATE 19TH/ EARLY 20TH CENTURY the abrash indigo field with allover stylised foliate pattern, within narrow blue star and vine border

393cm x 83cm

482cm x 106cm

£200-300

END OF SALE

Five Centuries

Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate. 2. AGENCY We act as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid. We reserve the right to ask buyers for identification to prevent fraud, underage purchases and/or any other legal or legitimate purpose. (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with us, you should complete the High

Value Lot pre-registration before the date of sale by contacting the Office Manager or on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if we have confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate. Upon pre-registration, you should pay the deposit or such other sum as determined by us dependant on circumstances, by way of bank transfer or credit card(s) acceptable to us. Please note that we do not accept payment from third parties and this also applies to agents. If you are not successful in any bid and do not owe us any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by us. Please make sure that you provide your bank details in the pre-registration form. The exchange rate provided to us by the bank on the date of exchange is final. We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers. Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids. We have the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to

participate in bidding by telephone. We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between us and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot. 7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living

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artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000. (2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied. 10. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

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11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied. 12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/images provided may not

be fully representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot. (2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between us and the Buyer. The condition reports do not affect the Buyer’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item. (7) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. All collections must be signed for by a person over the age of 18. We reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for

natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any lots which may be subject to CITES but have not be identified as such. 15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale

(Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 18. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event Lyon and Turnbull in its reasonable opinion deems that the conditions of the authenticity guarantee have been satisfied, it shall

Five Centuries

refund to the original purchaser of the lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser. This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the lot. We shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on our policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 20. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller; “Lot” means each Item offered for sale by Lyon and Turnbull;

“Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. W ARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided us with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import

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history; and (d) Unless the Seller advises us in writing to the contrary on delivery of the item to us, there are no restrictions on our rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. If any of (a) (b) (c) and (d) above are incorrect, you will reimburse us and/or the Buyer in full for all claims, costs or expenses incurred by us or the Buyer as a result, whether arising in relation to the Lots or the sale proceeds. 3. PREPARATION FOR SALE (a) We shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) We will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by us is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in our absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing. 4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 5. S TANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at settlement. (3) Illustrations: The cost of any illustrations will be borne by the

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Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, as is the text of the catalogue. (4) Storage: Of the Lots after the sale, where applicable. 6. RESERVES (a) The lots will be sold subject to the Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lot. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, We may treat the Seller as bound as Seller and as Buyer but without the benefit of our Authenticity Guarantee or the reserve, and/or pursue other remedies. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below we will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by us and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to us for items still in the possession of us but not consigned for sale (unless part of a long-term storage agreement). (b) We shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, our liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If any or all of the lots are unsold and are not re-consigned to us for sale, or are not included in a sale, or are withdrawn from sale for any reason, they must be collected from us within one month. After the date of the sale, or one month after we send you a notice requiring you to collect them (whichever occurs first). If any such lots remain uncollected at the end of such period we shall arrange storage at your expense, which may involve a third party. If such lots are not collected within 90 days after the date of the sale or the date of notice they may be disposed of as we see fit, which may involve their sale by public

auction on such terms as we consider appropriate, including those relating to estimates and reserved, we shall account to you for the proceeds of sale, deducting all amounts due to us. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) We may withdraw a lot from the proposed sale without any liability if: (i) We reasonably believes that there is any doubt as to the lot’s authenticity, attribution, or provenance; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when we took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) We will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) We, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the

Condition of Sale (Buyers) including the right to cancel the sale and return the property to the Seller. We will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf we will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform us of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested). 13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to us should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held

unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by us shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 16. RECISSION OF SALES We may rescind the sale where it reasonably believes that the lot falls within the terms as defined by our Authenticity Guarantee (see Buyer’s conditions), in this event we shall send the Seller notice of such rescission. The Seller agrees to return to us the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by us. We will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith our control. The Buyer must satisfy us that the Buyer is entitled to exercise a remedy under the authenticity guarantee within five years of the date of the auction. 17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When we make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of our services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). We will not give out personal information except as may be required by law. If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply. 18.6

RENÉ LALIQUE (1860-1945) ‘FORMOSE’ GREEN GLASS VASE, INTRODUCED 1924 (DETAIL) £1,500-2,000 + fees

DECORATIVE ARTS: DESIGN SINCE 1860

Auction 23 October in Edinburgh. Selected entries to the sale are invited until 14 September. Featuring in this sale will be a Private Collection of Arts & Crafts, including a beautiful embroidered hanging by May Morris, and works by diverse artists such as Ernest Gimson, William Morris, Charles Bevan and Christopher Dresser. To enquire about selling or buying please contact JOHN MACKIE john.mackie@lyonandturnbull.com 0131 557 8844

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Guide to Bidding & Payment REGISTRATION

HOW TO BID

PAYMENT

By phone

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk. On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax). You will find a link to this service in any email invoice issued or you can visit the payments section of our website. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000.

19.1 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115