Fine Asian & Isalmic Works of Art | Auction 6th November 2019

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FINE ASIAN & ISLAMIC WORKS OF ART 6TH NOVEMBER 2019 LONDON

FINE ASIAN & ISLAMIC WORKS OF ART WEDNESDAY 06 NOVEMBER 2019 AT 12PM Sale Number LT578

AUCTION The Hellenic Centre 16-18 Paddington Street, Marylebone, London W1U 5AS

Front Cover

VIEWING

Lot 91 [detail]

Lyon & Turnbull, 22 Connaught Street, London, W2 2AF

Inside Front Cover Lot 7 [detail]

Sunday, 3rd November 12pm - 5pm Monday, 4th November 10am - 7pm Tuesday, 5th November 10am - 5pm Day of Sale 10am - 11am

CONTACT LONDON +44 (0) 207 930 9115 EDINBURGH +44 (0) 131 557 8844 info@lyonandurnbull.com

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BUYER'S GUIDE This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

BUYER’S PREMIUM & OTHER CHARGES The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £300,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue). ADDITIONAL VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

REGISTRATION

CATALOGUE DESCRIPTIONS

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on RXU ZHEVLWH 3OHDVH QRWH WKDW DOO ĆUVW time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http: // www.defra.gov. uk/ahvla-en/ imports-exports/cites

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed LQIRUPDWLRQ DERXW WKH KLVWRU\ RU FXUUHQW FRQGLWLRQ RI D ORW RU MXVW ZDQW WR ĆQG RXW PRUH DERXW WKH DXFWLRQ SURFHVV

Grace Tu Head of Sale & Asian Art Specialist grace.tu@lyonandturnbull.com

Theodora Burrell Islamic Art Specialist theo.burrell@lyonandturnbull.com

AUCTION VENUE $XFWLRQ DW The Hellenic Centre (top) 9LHZLQJ DW /\RQ 7XUQEXOO Connaught Street Gallery (bottom) Underground

Laura Kondrataite Department Administrator lk@lyonandturnbull.com

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COLLECTION & STORAGE

FOR INTERNATIONAL BUYERS & UK OUTSIDE SCOTLAND BUYERS STORAGE: Items will be stored 22 Connaught Street, until Tuesday 19th November at 5pm.

COST: Please note from 20th November you will be charged by our storage partners.

Thereafter we will store items at Stephen Morris Shipping Ltd., Unit 9, Ockham Drive, Greenford Park, Greenford, UB6 0FD. Telephone +44(0)20 8832 2222. Items will be available to collect from 9am on Friday 22nd November.

Insurance 0.25% (all items)

Please ensure payment has been made prior to collection. This can be done online, cheque, EDQN WUDQVIHU RU LQ SHUVRQ DW RXU /RQGRQ RIĆFH - details will be shown on your invoice also. Please note we are unable to take payments over the phone.

Smalls (paintings and objects) - ÂŁ2.50 admin fee then ÂŁ1.00 per day. Furniture pieces ÂŁ5.50 admin fee then ÂŁ2.50 per day. FOR SCOTTISH BUYERS STORAGE: Items will be stored 22 Connaught Street, until Friday 8th November at midday. Thereafter items will be transported to our Edinburgh saleroom and will be available to collect from 9am on Thursday 14th November. Please ensure payment has been made prior to collection. This can be done online, cheque, bank transfer or in person at one of our locations - see invoice for details.

FOR INTERNATIONAL VENDORS & UK OUTSIDE SCOTLAND VENDORS STORAGE: Items will be stored 22 Connaught Street, until Tuesday 19th November at 5pm. Thereafter we will store items at Stephen Morris Shipping Ltd., Unit 9, Ockham Drive, Greenford Park, Greenford, UB6 0FD. Telephone +44(0)20 8832 2222. Items will be available to collect from 9am on Friday 22nd November. FOR SCOTTISH VENDORS STORAGE: Items will be stored 22 Connaught Street, until Friday 8th November at midday. Thereafter items will be transported to our Edinburgh saleroom and will be available to collect from 9am on Thursday 14th November.

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㼩倴豤呔貽顠㹻

⦍⮭ 㖈 剢 傈僤劍✳♴⼯ 럊⵹䬝ㅷ㼟㶸佞㖈22 Connaught Street

⦍⮭㖈 剢 傈僤劍❀⚥⼯ 럊⵹䬝ㅷ㼟㶸佞㖈22 Connaught Street

姽䖕䬝ㅷ㼟⮭㶸㖈 Stephen Morris Shipping Ltd., Unit 9, Ockham Drive, Greenford Park, Greenford, UB6 0FDꨶ鑨+44(0)20 8832 2222顠㹻〳㖈 剢 傈僤劍❀♳⼯ 럊Ꟛ㨥倴姽⦍⮭㖒럊《顊

姽䖕䬝ㅷ㼟鄄麌鷑ⵌ劥Ⱇ぀⡙倴䠦♨㜄涸鳵Ⱇ㹔顠㹻〳㖈 剢 傈僤劍㔋⚥⼯ 럊Ꟛ㨥倴姽㖒《顊

锞焷⥃㖈《顊⛓⵹䊺㸤䧭➰妵顠㹻〳鸒麕㖈箁佅➰佅牱ꋓ遤鱲䌙 䧴鋷荈褜荆劥Ⱇ぀⧍侚鳵Ⱇ㹔㸤䧭➰妵 ˊ鑬稣⥌䜂⛳㼟곏爚㖈䝡涸涮 牱♳侣锞岤䠑䧮⦛搂岁鸒麕ꨶ鑨䱺「➰妵 顥欽 侣锞岤䠑荈 剢 傈饱䧮⦛涸⦍⮭ざ⡲㣎⠶㼟ぢ䝡佐《顥 欽 㼭⟝䬝ㅷ粭殥ㄤ暟⟝ £2.50 䩛糵顥搭䖕嫦㣔㟞佐£1.00 ⪨⥡ £5.50䩛糵顥搭䖕嫦㣔㟞佐£2.50

锞焷⥃㖈《顊⛓⵹䊺㸤䧭➰妵顠㹻〳鸒麕㖈箁佅➰佅牱ꋓ遤鱲䌙 䧴鋷荈褜荆劥Ⱇ぀⧍侚鳵Ⱇ㹔㸤䧭➰妵 ˊ鑬稣⥌䜂⛳㼟곏爚㖈䝡涸涮 牱♳侣锞岤䠑䧮⦛搂岁鸒麕ꨶ鑨䱺「➰妵 㼩倴㕜ꥹ⣘䥰㉂ 薊㕜㞯Ⰹ涸ꬌ豤呔貽⣘䥰㉂ ⦍⮭㖈 剢 傈僤劍✳♴⼯ 럊⵹䬝ㅷ㼟㶸佞㖈22 Connaught Street 姽䖕䬝ㅷ㼟⮭㶸㖈 Stephen Morris Shipping Ltd., Unit 9, Ockham Drive, Greenford Park, Greenford, UB6 0FDꨶ鑨+44(0)20 8832 2222顠㹻〳㖈 剢 傈僤劍❀♳⼯ 럊Ꟛ㨥倴姽⦍⮭㖒럊《顊 㼩倴豤呔貽⣘䥰㉂ ⦍⮭㖈 剢 傈僤劍❀⚥⼯ 럊⵹䬝ㅷ㼟㶸佞㖈22 Connaught Street 姽䖕䬝ㅷ㼟鄄麌鷑ⵌ劥Ⱇ぀⡙倴䠦♨㜄涸鳵Ⱇ㹔

6

ORDER OF SALE WEDNESDAY, 6TH NOVEMBER 2019 AT 12PM Lot No.

1

Works of Art Part I

34

Thangkas including a Private London Collection

44

Works of Art Part II

49

Metalwares

79

Ivory, Snuff Bottles & Glass

110

Jade & Hardstones including a Private Spanish Collection

139

Paintings & Works of Art

149

Ceramics

251

Japanese Art

267

Korean & Southeast Asian Art

270

Indian & Islamic Works of Art

7

1 PAIR OF MOTHER-OF-PEARL DUCKS QIANLONG MARK BUT LATER

✝ꥑ妵 ꕣꉖ듙䕎仗⟝♧㼩 HDFK ĆQHO\ PRGHOOHG LQ WKH IRUP RI a standing duck, the body delicately inlaid with mother-of-pearl pieces and incised emulating feathers, the back with a small disguised cover inscribed with a ‘Qianlong Yu Wan’ mark (2) FPbZLGH

£600-800

2 CINNABAR LACQUER RECTANGULAR BOX AND COVER QING DYNASTY, 19TH CENTURY

幢 ⶂ秋蔅⼰➃暟Ꟁ倰覈渱 the slightly domed cover carved with a scholar riding on a horse and in conversation with a traveler, the sides of the cover and the box decorated with bamboo leaves and cherry blossom on a square ground 15cm wide Provenance: Previously in private collection of Countess Tolstoy, inherited from her late father, Carl Kempe

£1,800-2,400

3 QIANGJIN LACQUER ‘DRAGON’ DISH KANGXI MARK BUT 19TH CENTURY

䐁擳妵 䨏ꆄ䲾怚⺠角秙꧱륌馜棟湏 the interior decorated with two coiling GUDJRQV FKDVLQJ D ćDPLQJ SHDUO DPLGVW ORWXV ćRZHUV DERYH MDJJHG URFNV EDWWHUHG by crashing waves against a background of swastikas, enclosed by a ring of hui (meander) pattern 34.5cm diameter

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

8

4 CINNABAR LACQUER ‘BOYS AT PLAY’ FOLIATE BOX AND COVER QING DYNASTY, 19TH CENTURY

嚢 ✂秋㾌䨥ă•ŹčŚˆ渹 the cover carved with boys playing hide and seek in a fenced garden, surrounded by a towering wutong tree, craggy rocks and mountains in the distance, the interior and the base lacquered in black 13.5cm diameter

ÂŁ600-800

5 FOUR WOODEN STANDS LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ ĺŠ ꧨä? ä? 㔋â&#x;? two rounded stands elevated from a square base with four inverted legs; two with an uneven shape carved with FRQFDYHG DUHDV WR ĆW VSHFLĆF VKDSHG items, the largest is of a gnarled wood with old patina (4) ODUJHVW b FP ZLGH

ÂŁ300-500

6 HARDWOOD AND MOTHER-OFPEARL INLAID TABLE CLOCK QING DYNASTY, 19TH CENTURY

嚢 ꕣꉖ䅺霾⥚䏄㞌ä’­ĺŠ é†˘č?Šę—ť the rectangular case with inlaid border enclosing a foliate chased brass plate, circular round dial with Roman numerals, the base with small drawer for the key (present), pierced and further inlaid decoration, the rear with twin fusee movement, striking on two bells FP ZLGH [ FP KLJK [b FP GHHS

ÂŁ700-1,000

9

7 BAMBOO BRUSH POT 4,1* '<1$67< :,7+ :$1*b1$,*21*b0$5.

嚢 楏⛇䛞匾 畞ꧨ넞㥌ĺŒĄĺ?Œç˜˜ç˜ł ĆQHO\ FDUYHG LQ KLJK UHOLHI ZLWK D VFHQH RI VFKRODUV DQG DWWHQGDQWV in a dense forest retreat of pine trees growing amidst outcroppings of rocks, pavilions and cottages, the mouth and foot with black hardwood mounts, incised with ‘Wang Nai Gong Ke’ mark 17cm high Provenance: Private Paris collection, acquired in Southern France in the 1990s

ÂŁ2,500-3,500

8 ZITAN RECTANGULAR TORTOISESHELL INLAID BOX LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ 稙奚䅺梌漿ę&#x;€ĺ€°čŚˆ渹 the sides carved in low relief with clawed mythical creatures on a square ground, the top inlaid with a tortoiseshell panel inscribed with a four-character ‘Li Ting Zhen Wan’ mark FPbZLGH

ÂŁ5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

10

9 BAMBOO BIRD CAGE 20TH CENTURY

âœłâź§âš†ç§ ç•žé†˘ë‘ˇçĄą of cylindrical form, raised on three lobed feet carved in low relief with leaping carp, crabs, and prawns, accompanied by foliage and weaved baskets, the interior equipped with two miniature famille rose bird feeders in lime-green ground and two blue and white porcelain bird feeders, topped with a brass hook, with a brass handle installed at the base FPbKLJK

ÂŁ200-300

10 HONGMU RECTANGULAR TABLE WITH HANDLES QING DYNASTY, 19TH CENTURY

嚢 ç§‹ĺŠ ꧹䲿瞎ç€?呲 with a plain top and two curved handles attached to the sides, carved with grapes and vines on the friezes, raised on straight offset legs FP ZLGHb[b FP KLJK [ FP GHHS

ÂŁ600-800

11 SET OF FOUR HONGMU NESTING TABLES QING DYNASTY, 18TH-19TH CENTURY

嚢 ç§‹ĺŠ ä…şę‹“窣ꟛ秙㤛呲㔋â&#x;? each with rectangular top, decorated by silver wire-inlaid with two horses in a landscape VHWWLQJ UDLVHG RQ VWUDLJKW RIIVHW OHJV MRLQHG E\ shaped stretchers (4) ODUJHVW FPbZLGH [b FP KLJK [b FPbGHHS

ÂŁ400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

11

12

12 ZITAN INK STICK REST QING DYNASTY, 18TH-19TH CENTURY

幢 稙塚㟯䎯⿻渱Ⰽ⟝ carved in an open-scroll form with two straight and curved back feet; WRJHWKHU ZLWK $ =,7$1 %2; ĆQHO\ FDUYHG LQ WKH IRUP RI D FDEEDJH

LQN VWLFN UHVW FPbZLGH ER[ FPbZLGH

£800-1,200

13 MOTHER-OF-PEARL INLAID BLACK LACQUER BRUSH AND COVER MING DYNASTY, 17TH CENTURY

僈 랱怚䅺ꕣꉖ嬁瘘 both the cylindrical handle and the cover neatly inlaid with mother-of-pearl in a GHQVH ćRUDO GHVLJQ RQ D EODFN JURXQG 23.5cm long Provenance: Private Japanese collection

£800-1,200

14 HUANGHUALI BRUSH POT 랔蔅唅ꧨ괐兞➃暟瘘瘳 of cylindrical form, the straight sides carved freely with a mountainous landscape, inscribed with a mark of Peng Yuanrui (1731-1803) 15.2cm high

£600-800

13

15 BAMBOO BRUSH POT QING DYNASTY, 19TH CENTURY

嚢 畞ꧨę´?ĺ…žâžƒćš&#x;ç˜˜ç˜ł RI F\OLQGULFDO IRUP FDUYHG ZLWK ĆJXUHV FURVVLQJ D ULYHU RQ D ERDW WKH ULYHU ćRZLQJ EHWZHHQ FUDJJ\ FOLIIV DQG IROLDJH 14cm high

ÂŁ2,000-3,000

16 BAMBOO BRUSH POT QING DYNASTY, 19TH CENTURY

嚢 畞ꧨę´?ĺ…žâžƒćš&#x;ç˜˜ç˜ł ĆQHO\ FDUYHG ZLWK YDULHG UHOLHIV WKURXJK WKH VXUIDFH layer, depicting an elderly scholar lecturing, while his great number of pupils listen and attend to him and other scholars, some attendants holding scrolls or carrying a wrapped qin musical instrument 17.5cm high

ÂŁ1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

14 Note: the painter Jiang Hanting (1903-1963), born in Changshu, Jiangsu province, famous for his bird painting and was appointed as a member in the China National Academy of Painting

17 PAINTED FAN WITH HUANGHUALI GUARDS PAINTED IN MAY 1961

ĺŻ?㺯ĺŽ?掼 术깧着蔅唅äŠ? ink and colour on paper, painted with a light-vented bulbul bird standing on a bamboo above rocks, the inscription reading ‘May in Summer, the year of Xin Chou’ (1961), the huanghuali guards carved in low relief with a bird on the top of a tree branch on the front incised with a three-character ‘Xia Ri Ke’ (carved in summer time) mark and a spider hanging down from a web on the back guard incised with ‘Han Ting Hua’ (painted by Hanting) mark 56cm wide

ÂŁ250-350

18 EMBROIDERED SILK ‘HUNDRED BIRDS’ PANEL QING DYNASTY, 19TH CENTURY

嚢 朰둡㕏窲粚䳄㞓 depicting various species of birds including peacocks, pheasants and VZDOORZV DPRQJVW SLQH WUHHV DQG ćRZHULQJ SHRQLHV LQVHUWHG LQWR D mother-of-pearl inlaid wooden table screen supported by two bracket feet 51.5cm x 40.5cm

ÂŁ400-600

19 PAINTED FAN WITH ZITAN GUARDS PAINTED IN 1944

㢚敜ăˇ&#x;掼 ę´?㞔♲⼊稙奚äŠ? ink and colour on paper, painted with a Tang dynasty legend titled ‘Fong Chen San Xia’, a story revolving around two heroes and a heroine, the painting depicting a bearded man with a donkey waiting outside a fenced house for a young man and a woman, the inscription reading ‘The Year of Jia Shen (1944), written by Xia Yensun’ together with two red seals, the zitan guards carved in low relief with two GUDJRQV FKDVLQJ D ćDPLQJ SHDUO 57cm wide

ÂŁ300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

15

20 ZITAN BRUSH POT QING DYNASTY, 18TH-19TH CENTURY

嚢 稙奚ꧨç•žçœ?ä’­ç˜˜ç˜ł the cylindrical body carved as bamboo nodes, the slightly concave base with a single central hole and plugged with a wooden spigot 13.5cm high

ÂŁ1,800-2,400

21 ZITAN RECTANGULAR TRAY QING DYNASTY, 19TH CENTURY

嚢 稙奚ę&#x;€ĺ€°äŠŻćš? framed by four carved lengths of wood MRLQHG WRJHWKHU WKH VXUIDFH GHFRUDWHG with a dense woven design in low relief FPbZLGH

ÂŁ2,000-3,000

22 ZITAN FOLIATE PANEL QING DYNASTY, 19TH CENTURY

嚢 稙奚ꧨč”…ĺŒ˘ LQ WKH IRUP RI D çKDLWDQJè ćRZHU WKH surface carved with a dense woven design in low relief and a branch of bamboo leaves FPbZLGH

ÂŁ2,500-3,500

16

23 ZITAN MOTHER-OF-PEARL AND HARDSTONE INLAID CIRCULAR BOX AND COVER QING DYNASTY, 19TH CENTURY

嚢 稙奚朰㟂䅺虧ĺ?•čŚˆ渹 the slightly domed cover decorated with a branch of fruiting lychees inlaid with mother-of-pearl and soapstones in brown and green colours 12.5cm diameter Provenance: Private Paris collection, acquired in Southern France in the 1990s

ÂŁ400-600

24 SANDALWOOD ROSARY QING DYNASTY, 19TH CENTURY

嚢 ĺĄšęťťĺŠ äŠ›âšŽ comprising twenty beads, two inlaid ZLWK JROGHQ ĆOLJUHH LQ shou (longetivity) character, suspending tassel decorated ZLWK JROGHQ ĆOLJUHH VDQGDOZRRG SODTXHV each bead 1.7cm diameter

ÂŁ400-600

25 MULTI-GEMSTONE COURT NECKLACE QING DYNASTY, 18TH-19TH CENTURY

嚢 劊ćŁ&#x; comprising one hundred and eight purplish quartz beads, spaced with greenish larger TXDUW] EHDGV WKH PDLQ WDVVHO ZLWK D MDGHLWH plaque, the auxiliary tassels with turquoise beads and suspending agate pendant drops each purplish quartz bead 1.2cm diameter approx

ÂŁ300-500

17

26 ZITAN INK STICK REST QING DYNASTY, 18TH-19TH CENTURY

幢 稙塚ꖖꧨ㟯䎯 carved in the Ming furniture style, the VXUIDFH FDUYHG ZLWK D ORWXV ćRZHU LQ openwork FPbZLGH

£800-1,200

27 TWO ZITAN BRUSH POTS 稙塚瘘瘳Ⰽ⟝ both of cylindrical form with plain sides, one of dark purplish colour, the other with brick red colour (2) 12.2cm and 10.1cm high

£1,200-1,800

28 HUANGHUALI RECTANGULAR TRAY LATE MING TO EARLY QING DYNASTY, 17TH-18TH CENTURY

僈劣幢ⴲ 랔蔅唅 뇬滚Ꟁ倰䩯湏 PDGH RI IRXU OHQJWKV RI ZRRG MRLQHG WRJHWKHU ZLWK D WKLQ SDQHO ZLWK ZRRG knots similar to ‘eyes’ FPbZLGH

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

18

29 BAMBOO FIGURAL GROUP OF THE HEHE TWINS QING DYNASTY, 19TH CENTURY

嚢 ç•žę§¨ă„¤ă –âœłâž˛ ERWK ĆJXUHV VWDQGLQJ RQ URFNV RQH KROGLQJ D EUDQFK RI ORWXV ZLWK OHDI ĆUVW SXQ RI he), the other holding a toad in his right hand, a bamboo-woven box (second pun of he) underneath the rock base 35cm high

ÂŁ500-700

30 LACQUERED WOOD FIGURE OF GUANYIN QING DYNASTY, 18TH -19TH CENTURY

嚢 ĺŠ čƒŁç§‹ć€šéŒšę°‰ç”¨âŤš carved in standing pose with left hand half raised in karana mudra, right hand holding the drapery, dressed in layered robes and the hair in high chignon, covered in a layer of red lacquer and highlighted in gold paint 51cm high

ÂŁ1,000-1,500 Provenance: The base attached with a paper label ‘Spink & Son Ltd. Est 1666’ Note: For a similar example in the collection of GDR Museum, see Schatze Chinas aux Museen der DDR (Treasures of China from GDR museums), Vrlag Phillip von Zabern, 1990, front cover

31 GROUP OF THREE BAMBOO MALE FIGURES QING DYNASTY, 18TH CENTURY

嚢 ç•žę§¨âžƒćš&#x;♲â&#x;? comprising: one carrying a sword on his back, probably representing the Daoist GLHW\ /X 'RQJELQ D ĆJXUH ZHDULQJ DQ RIĆFLDO KDW DQG ZLWK IHURFLRXV H[SUHVVLRQ holding a pomegranate on top of his protruding belly; and an bald elder with crouch back, standing with a walking stick and holding a peach in his left hand, representing the deity of longevity (3) ODUJHVW b FP KLJK

ÂŁ1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

19

32 HUANGHUALI RECTANGULAR TRAY LATE MING TO QING DYNASTY, 17TH-18TH CENTURY

僈劣幢ⴲ 랔蔅唅 㿋宐Ꟁ倰䩯湏 WKH SODLQ VXUIDFH ĆQHO\ SROLVKHG ZLWK WKH QDWXUDO JUDLQV RI ZRRG VLPLODU to a shanshui (mountain and water) landscape 37cm wide

£2,000-3,000

33 THREE TAPESTRY PANELS QING DYNASTY, 19TH CENTURY

幢 话㖒ꆄ窣杙桄㕬ⵞ粚♲䌴 a blue-ground cloth embroidered with golden thread depicting cavaliers and attendants hunting along rocky mountains (3) 103cm x 29cm Provenance: Private Scottish collection, Argrennan House, Dumfries and Galloway

£500-700

20

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A PRIVATE LONDON COLLECTION OF THANGKAS 34 THANGKA DEPICTING GREEN TARA QING DYNASTY, 19TH CENTURY

幢 笃䏞嫢㇫⽓ seated in lalitasana on a white lotus seat with her right foot resting on a smaller red lotus, holding a lotus stalk in her left hand raised in abhaya mudra and right lowered in varada mudra, wearing a red dhoti ZLWK ćRUDO GHFRUDWLRQV VHFXUHG ZLWK JUHHQ ULEERQ topped by a golden belt, accompanied by Yellow Jambhala on the left bottom, and AmitÀbha on the top amidst an idealized rocky landscape, painted with general pigments and gold on textile FPb[b FP Provenance: Private London collection

£1,500-2,500

35 THANGKA DEPICTING FLOWEROFFERING LHAMO QING DYNASTY, 18TH-19TH CENTURY

幢 ⣘蔅㣔㥏㇫⽓ depicting a goddess seated in ardha padmasana on a colourful lotus seat, holding a stem of lotus topped with a white pearl on her left hand in karana mudra, the right in tarjani 73cm x 51cm Provenance: Private London collection

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

22

36 THANGKA DEPICTING AVALOKITESVARA SAHASRABHUJA QING DYNASTY, 18TH CENTURY

嚢 ⟧♧ꏗ⟪䊛⟪ćťšéŒšę°‰ă‡Ťâ˝“ depicted in his eleven-headed, thousand-armed form standing on a colourful lotus base, wearing a dhoti with gilt decoration, his front two hands in anjali mudra holding a blue oval gemstone, six further arms each holding different ritual implements, followed by thousands of hands at his back forming a fan-shape, accompanied by the Five Tathagatas on the top FPb[b FP Provenance: Private London collection

ÂŁ4,000-6,000

37 THANGKA DEPICTING AN ARHAT QING DYNASTY, 19TH CENTURY

嚢 çš?ć Žă‡Ťâ˝“ depicted in his red kasaya with yellow shawl seated on a red carpet on top of a white rock, holding an alms bowl on his right hand, left hand a brush pointing to a book, accompanied by an attendant holding a feather fan, and a Tathagata elevated on top in a ring FP [b FP Provenance: Private London collection

ÂŁ800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

23

38 THANGKA DEPICTING NAROPA QING DYNASTY, 18TH-19TH CENTURY

幢 齡峫䊼㇫⽓ holding a vajra in his right hand in karana mudra, a kapala bowl on his left palm in dhyana mudra, seated in ardha padmasana RQ D ćD\HG JRDW VNLQ 56cm x 68cm Provenance: Private London collection

£5,000-7,000

24

OTHER PROPERTIES 39 THANGKA DEPICTING A MANDALA QING DYNASTY, 19TH CENTURY

嚢 㠢㙚㇍⽓ depicting a ten-armed Buddha in karmamudrĂƒ in his mandala surrounded by three bands of monks and the enlightened ones in karmamudrĂƒ within a square wall, four temples with Buddhas and disciples attached to four sides of WKH ZDOO IROORZHG E\ DQRWKHU EDQG RI ĆJXUHV LQ karmamudrĂƒ FPb[b FP

ÂŁ400-600

40 THANGKA DEPICTING VAJRAKILAYA MANDALA QING DYNASTY, 19TH CENTURY

嚢 ĺ…œäŠźę†„âś?㠢㙚㇍⽓ WKH 9DMUDNLOD\D GHSLFWHG VWULGLQJ LQ alidhasana RYHU D FLUFOH ZLWKLQ ćDPHV in the centre, surrounded by Buddhas on four sides and enlightened PRQNV DPLGVW D ZKLWH VTXDUH IRUPLQJ WKH ĆUVW ZDOO RI WKH PDQGDOD IXUWKHU surrounded by two bands of monks before a decorated red circular wall, RXWVLGH WKH ZDOO DFFRPSDQLHG E\ ĆYH RWKHU 9DMUDNLOD\D DW WKH ERWWRP topped by celestial Buddhas and monks surrounded by clouds on the top 61cm x 75cm

ÂŁ400-600

41 EMBROIDERED ‘WEDDING CELEBRATION’ BANNER LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ 倞㭜䣔饭ă•Źâľžç˛šĺ žäŒ´ RI D VOLP UHFWDQJXODU VDWLQ FORWK GHSLFWLQJ WKH HOGHUO\ LQ WKH PLGGOH XQGHU D URRI ZLWK FLYLO DQG PDUWLDO RIĆFHUV ZLWK WKHLU PXVLFDO EDQGV DQG HQWRXUDJH accompanied by gifts coming symmetrically towards the centre, to the right end of the banner written ‘Gong He Xin Hun Zhi Qing’, meaning ‘Congratulations to the happy marriage’ 52cm x 216cm

ÂŁ500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

25

42 LARGE THANGKA DEPICTING SIX-ARMED MAHAKALA QING DYNASTY, 18TH CENTURY

嚢 Ⱉ苯ăŁ?랹㣔㇍⽓ striking in alidhasana and trampling on Vinayaka, symbolising his destruction and dispersal of great obstacles, with two hands holding kartika and kapala bowl to his chest, a skull rosary and damaru drum to his right, a trident and robe to his OHIW WRJHWKHU ZLWK WKH ćD\HG 9LQD\DNDèV OHJV RQ ERWK WRS KDQGV KH ZHDUV VNXOOV MHZHOOHU\ DQG ćD\HG WLJHU VNLQ DSURQV KLV ERG\ ćDQNHG ZLWK WZR VQDNHV D ćDPLQJ QLPEXV EHKLQG FPb[b FP

ÂŁ3,000-5,000

Provenance: Private Manila collection; the present owner’s father acquired them in the 1970s Note: “This very impressive and wonderfully painted Mahakala is extraordinarily vivid and appears to leap from the surface. Certainly painted by a master, one can imagine the story that Tibetan artists FDQ RQO\ SDLQW ZHOO LI WKH\ KDYH H[SHULHQFHG WKH GHLW\ LQ WKH ćHVK DQG IHOW WKHLU EUHDWK RQ WKHLU IDFHV 7KLV LV TXLWH D UHDOO\ ĆQH VFUROO 7KLV one has an extra elephant skin around him as a shawl.� - viewed by Dr. David Templeman, Monash University of Melbourne, Australia

26

43 THANGKA DEPICTING AVALOKITESHVARA SAHASRABHUJA QING DYNASTY, 19TH CENTURY

å¹¢ ⼧♧꬗⼪ä©›⼪滚錚갉㇫⽓ depicted with a tower of heads, the uppermost head representing Buddha Amitabha, the Bodhisattva’s spiritual father, DERYH WKH EOXH GHPRQLF KHDG RI 9DMUDSDQL IXQFWLRQLQJ WR ZDUG RII HYLOQHVV WKH WZR SULQFLSDO KDQGV KHOG EHIRUH WKH FKHVW SURWHFWLQJ WKH UDWQD MHZHO RI WKLV HQOLJKWHQHG VWDWH ćDQNHG E\ WKRXVDQGV RI DUPV UDGLDWLQJ IURP WKH WRUVR LQ D IDQ OLNH PDQQHU WKH ĆJXUH VXSSRUWHG RQ D ORWXV SOLQWK LQ IURQW RI D SDODWLDO EXLOGLQJ DQG VXUURXQGHG E\ IXUWKHU %XGGKLVW GHLWLHV and disciples 48cm x 39cm Provenance: Private American collection

£5,000-7,000

27

44 TORTOISESHELL CIRCULAR BOX AND COVER QING DYNASTY, 19TH CENTURY

嚢 梌漿ꧨ➃ćš&#x;㜰ꌿčŚˆ渹 WKH FRYHU GHHSO\ FDUYHG ZLWK D PDOH RIĆFLDO VLWWLQJ in a carriage and surrounded by attendants in scene of Chinese village life, the base unusually carved with a proud peacock displaying its tail feathers VXUURXQGHG E\ D ćRUDO ERUGHU 8.5cm diameter

ÂŁ1,200-1,800

45 AMBER CARVING OF A LANDSCAPE QING DYNASTY, 18TH-19TH CENTURY

嚢 漊梾ꧨďš˛ĺ˜°ĺ €㢚幯䝗â&#x;? carved in high relief with a monk ringing a temple bell, D ĆJXUH LQ D ERDW DQG D EXLOGLQJ QDPHG ç*X 6X &KHQè surrounded by trees, together depicting a scene from a Tang dynasty poem ‘Feng Qiao Ye Po (Maple Bridge Night Mooring)’ by Zhang Ji, ‘Outside Gusu city lies Cold Mountain Temple; at midnight, the sound of bells reaches the ferries’ 8cm high

ÂŁ1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

28

46 COLLECTION OF INK STICKS 20TH CENTURY

âœłâź§âš†ç§ ĺ‰†ç¨‡â¸†âžŹăĽ?ă•Źę§Œę?˜ă&#x;Ż comprising a box of eight ink sticks in miscellaneous shapes, each depicting a famous court lady from Chinese history, including Meng Cairen, Ning Xiang’er, etc., in original cloth-bound case bearing seal of ‘Cao Sugong’ workshop ODUJHVW LQN VWLFN FPbORQJ

ÂŁ150-250

47 THREE SETS OF DECORATIVE INK STICKS 20TH CENTURY

âœłâź§âš†ç§ â™˛ć¸ąę§Œę?˜ă&#x;Ż comprising: a box with nine ink sticks titled ç6LJQLĆFDQW 5XOHUV LQ 9DULRXV '\QDVWLHVè LQ DQ original cloth box; a box depicting nine of the eighteen literati from the Zhenguan (627-649) period in Tang dynasty, placed in a box used to designate to the inks of ‘The Immortal Land’; the last collection depicting miscellaneous calligraphic themes in an original cloth box (3) ODUJHVW LQN VWLFN b FPbORQJ

ÂŁ200-300

48 SET OF ‘EIGHTEEN ARHATS’ INK STICKS 20TH CENTURY

âœłâź§âš†ç§ ĺ‰†ç¨‡â¸†⟧â°”çš?ć Žę§Œ ę?˜ă&#x;Ż each moulded in relief with one of the Eighteen Arhats seated in meditation, painted with subtle remnant of gold, red, and green pigments, stored in two trays staking in an original cloth-bound case, labelled ‘Eighteen Arhats’ and bearing a seal of ‘Cao Sugong’ ODUJHVW LQN VWLFN b FPbORQJ

ÂŁ250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

29

49 GILT-SILVER CIRCULAR BOX AND COVER QING DYNASTY, 18TH CENTURY

嚢 ę‹“ę“Śę†„č”…âź°ë‘ˇćĄŠčŚˆ渹 the slightly domed cover and the straight sides both GHFRUDWHG LQ KLJK UHOLHI ZLWK ĆJXUHV LQ D ODQGVFDSH setting, surrounded by various birds, animals and ćRZHUV DOO RQ D ĆQHO\ LPSUHVVHG FLUFXODU JURXQG FPbGLDPHWHU Provenance: Private English collection

ÂŁ1,000-1,500

50 COLLECTION OF FIVE SILVER FAN-SHAPED MENU HOLDERS QING DYNASTY, 19TH CENTURY

嚢 㢍ęŒźę‹“äŠ?䕎呲晌ĺ?şî™ˇâ?€â&#x;? HDFK GHFRUDWHG LQ ORZ UHOLHI ZLWK EXWWHUćLHV EDPERR IRUHVW SUXQXV WUHHV DQG ELUGV LQ ćLJKW each with a ‘WANG HING’ hallmark on the back (5) 7.2cm wide

ÂŁ300-500

51 RETICULATED SILVER DECANTER WITH LID 20TH CENTURY

âœłâź§âš†ç§ ă˘ŤęŒźę‹“⺍梯槾ę––ç‘ ç•žç§™ę‚‹㟤 WKH JODVV ERG\ ZUDSSHG DURXQG ZLWK ĆQHO\ reticulated and repoussĂŠ worked silver bamboo leaves and sticks, the lid covered in silver plate, the base of the silver engraved with ‘sterling 950’, marked on the shoulder of the glass reading ‘Federal Law Forbids’, the base of the glass marked with ‘D-9’, ‘67’, ‘51’, ‘13’ FPbKLJK

ÂŁ300-400

30

52 SILVER SQUARE BOX WITH A JADEITEMOUNTED COVER LATE QING DYNASTY-REPUBLIC PERIOD, 19TH20TH CENTURY

嚢劣字ⴲ 㢍ęŒźę‹“ä…şçťżçťźĺ€°ć¸ą WKH ER[ RI SODLQ VLGHV WKH MDGHLWH FDUYHG LQ ORZ UHOLHI with a bird perching on a tree, accompanied by a rabbit underneath, the interior of the box and the inner base of the lid walled with wooden panel, the base with a hallmark and marked ‘silver’ FPbKLJK Provenance: From the collection of the late Donald Black.

ÂŁ300-500 Note: 'RQDOG %ODFN ZDV D UHQRZQHG FKDPSLRQ MRFNH\ LQ +RQJ .RQJ LQ WKH PLG WK century. He moved to Hong Kong after the Second World War, following his service in the British Navy, stationed off India. As an accountant he was a partner with Peat, Marwick, Mitchell & Co, until his retirement in 1962, when he returned to Great Britain.

53 BRONZE SQUARE SEAL SONG DYNASTY, DATED ON SEAL 981AD

㸢 ę‹œę™?â›°ćŻ•çœš㸽⽍ DQ RIĆFLDO VHDO LQ ç-LX 'LH =KXDQè QLQH IROG VHDO script, in which vertical lines are folded back and IRUWK WR ĆOO WKH DYDLODEOH VSDFH UHVXOWLQJ LQ DQ abstruse and convoluted form, the back of the seal engraved with the production year as the eighth month in the sixth year of Taiping Xingguo (981 AD) 6.5cm wide

ÂŁ300-500

54 LARGE SILVER STEM BOWL LATE QING DYNASTYREPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ 㢍ęŒźę‹“ă”‹㠰㜊 넞駈烞

Provenance: From the collection of the late Donald Black, see note lot 52 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the deep bulbous body divided evenly into six partitions, each raised up from a short stem to a point top on the rim resembling lotus petals, the exterior decorated with ‘four noble ones’plum, orchid, bamboo, and chrysanthemum, intermittent with fourclawed dragons, the foot rim with a ‘WAI KEE 90 SILVER’ mark 24.5cm diameter

ÂŁ800-1,200

31

55 THREE GILT-BRONZE BELT BUCKLES QING DYNASTY, 18TH CENTURY

嚢 ę‹œę“Śę†„čˆšäŒ&#x;䊞♲㤛 each composed of two pieces cast in openwork, one decorated with an endless knot ZLWK D ćRZHUKHDG DW WKH FRUQHU RQH ZLWK WZR bats encircling an endless knot in the middle; and another of oval shape decorated with a overlapping-circle pattern (3) ODUJHVW FPbZLGH

ÂŁ800-1,200

56 GILT-BRONZE CANDLE HOLDER OF A LION QING DYNASTY, 18TH-19TH CENTURY

嚢 ę‹œę“Śę†„ć&#x;˛ć–§č?Š ĆQHO\ FDVW ZLWK KHDY\ ERG\ ZLWK IRXU OHJV ZLGH RSHQHG LQ crawling pose, the paws and ferocious facial expression PLQXWHO\ GHĆQHG LQ GHWDLO WKH EXVK\ WDLO ZUDSSHG EDFN around its rear right hind, a dish-shaped hole on its back FPbZLGH

ÂŁ6,000-8,000

32

57 PAIR OF BRONZE ‘LION’ PAPERWEIGHTS QING DYNASTY, 18TH CENTURY

清 銅獅紙鎮（一對）

each heavily cast in seated position with its head turned towards the side, mouth wide opened roaring, ears pricked up towards the back, the bushy tail wrapped around its rear left hind (2) 9cm wide Provenance: Private English collection

£400-600

58 BRONZE GROUP OF A BOY AND BUFFALO MING-QING DYNASTY, 17TH-18TH CENTURY

明至清 銅鑄牧童水牛擺件

the buffalo shown standing foursquare on a rectangular plinth with the body accentuated by a defined spine, the boy wearing a conical bamboo hat and a straw rain cape, seated on the back of buffalo and holding a rein tied to its nostril 14cm high

£300-500

59 BRONZE ‘MOUNTAIN’ BRUSH REST QING DYNASTY, 17TH-18TH CENTURY

清 銅鑄筆山及樹瘤筆筒（兩件）

the cast bronze brush rest in the form of a mountain with three peaks, decorated with leafy tendrils on the side, with a wooden stand; together with A WOODEN BRUSH POT carved from a whole block of gnarled tree trunk (2) brust rest: 8.5cm wide; brush pot: 12.5cm high Provenance: Private Japanese collection

£400-600

60 BRONZE GROUP OF A BOY AND ELEPHANT MING-QING DYNASTY, 17TH-18TH CENTURY

明至清 銅鑄童男騎象擺件

the elephant standing foursquare with head turned slightly to the left, a young boy holding a lingzhi fungus seated on the top of its back covered by a rounded mat 16cm high

£600-800

33

61 GILT-BRONZE ‘LUDUAN’ PAPERWEIGHT XUANDE MARK BUT PROBABLY QING DYNASTY

ăš’ä—ž匾 ę‹œę“Śę†„ć­ ç•Žç§śę”Š ĆQHO\ FDVW LQ WKH IRUP RI D UHFXPEHQW P\WKLFDO creature luduan with its horned head turned to the left, with alerted eyes and its curling mane incised ZLWK ĆQH GHWDLOV WKH ULGJHG VSLQH RQ LWV DUFKHG ERG\ a bushy tail wrapping around its left hind leg, the base inscribed with a four-character Xuande mark FPbZLGH

ÂŁ2,500-3,500

62 BRONZE ‘TORTOISE’ WATER DROPPER QING DYNASTY, 18TH CENTURY

嚢 ę‹œ뼰ĺŽ?ĺżš cast in the form of a tortoise supported on four splayed feet, the raised head with an open mouth and an aperture on its back, with a small bird standing and peeking into the hole FPbZLGH Provenance: Private Japanese collection

ÂŁ400-600

63 BRONZE ‘QILIN’ PAPERWEIGHT MING DYNASTY, 17TH-18TH CENTURY

ĺƒˆ ę‹œëœ›ëœżç§śę”Š cast as a recumbent qilin, its horned head raised and turned to its left side, the scaly body decorated with serrated spine and ćDPHV ZLWK D KROH XQGHUQHDWK LWV ERG\ DQG two apertures on each side of its mouth FPbZLGH

ÂŁ50-100 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

34

64 BRONZE TRIPOD CENSER XUANDE MARK BUT 19TH CENTURY

ăš’ä—ž匾 ę‹œę™?â™˛é§ˆęťťć—° of compressed form with a pair of pierced handles, supported on three conical feet, the underside cast with a six-character apocryphal Xuande mark within double squares 17.5cm wide

ÂŁ200-300

65 SILVER-INLAID BRONZE ‘DING’ CENSER WITH COVER QING DYNASTY, 18TH CENTURY

嚢 瀖〚匾 ę‹œä…şę‹“â™˛é§ˆë łä’­ć—° of archaic vessel ding form, with carved upright handles and supported on three cylindrical legs, the body decorated with key fret pattern and the neck adorned with chi dragons, inlaid with silver wire on the body and the handles, the base with a two-character ‘Shi Sou’ PDUN ZLWK D GRPHG FRYHU FDUYHG ZLWK ćRUDO IROLDJH LQ RSHQZRUN 14cm high

ÂŁ800-1,200

66 GOLD-SPLASHED BRONZE TRIPOD ‘DING’ CENSER WITH BASE XUANDE MARK, 18TH19TH CENTURY

ăš’ä—ž匾 ę‹œę™?ć‰ľę†„â™˛é§ˆęťťć—° the vessel with a bulbous body supported on three VKRUW IHHW ćDQNHG E\ D SDLU of C-shaped handles, the base cast with a six-character apocryphal Xuande mark within a recessed panel, with D ĆWWHG WULSRG EURQ]H EDVH both the censer and the base decorated with irregular golden splashes 19.5cm wide

ÂŁ1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

35

67 LARGE BRONZE CENSER WITH COVER QING DYNASTY, 17TH-18TH CENTURY

嚢 㚝询棇㟂匾 ę‹œę™?ęťťć—° the heavily cast body of compressed globular form, UDLVLQJ IURP D VKRUW VSOD\HG IRRW WR D JHQWO\ ćDUHG rim, set with a pair of ring handles, the base with a ‘Jia Cang Zhen Bao’ mark in a recessed square panel, ZLWK D ZRRGHQ OLG PRXQWHG ZLWK D MDGH ĆQLDO DGRUQHG ZLWK EDPERR SLQH WUHH DQG EXWWHUć\ GHFRUDWLRQV FPbZLGH

ÂŁ12,000-18,000

36

68 GILT-BRONZE FIGURE OF MEDICINE BUDDHA ę‹œę“Śę†„č°”äŒŒ⥹ă—‚⍚ cast seated in dhyanasana on a lotus base, arms in dhyana mudra KROGLQJ D MDU RI PHGLFLQDO QHFWDU ZHDULQJ D VLPSOH dhoti with ćRUDO ERUGHU WKH IDFH ZLWK GRZQFDVW H\HV DQG VHUHQH H[SUHVVLRQ 20cm high

ÂŁ300-500

69 GILT-BRONZE ‘LUDUAN’ INCENSE BURNER ę‹œę“Śę†„ć­ ç•Žęťťć—° in standing position, the beast’s KRUQHG KHDG ZLWK ćDULQJ QRVWULOV and a wide opened mouth, the KROORZ ERG\ FDVW ZLWK ćDPLQJ ćDQNV LQODLG ZLWK YDULRXV W\SHV RI MDGH DQG KDUGVWRQHV including lapis lazuli, agate, soapstone, turquoise 21.5cm high

ÂŁ300-500

70 TWO BRONZE VESSELS OF ARCHAIC FORM QING DYNASTY, 18TH-19TH CENTURY

嚢 â&#x;Źă€˘ęŤ­ę‹œćŤ–â°?â&#x;? comprising: a heavily cast fanggu vase of square body, supported RQ D VSOD\HG IRRW DQG ćDUHG RXW with a trumpet neck, decorated with a taotie mask, the sides UDLVHG ZLWK YHUWLFDO ćDQJHV WKH base cast with four characters in archaic script; together with a tear-shaped bronze vase, the well-patinated body decorated with chi dragons and triangular pattern containing taotie mask (2) fangu: 35cm high; vase: 30.5cm high

ÂŁ600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

37

71 BRONZE FIGURE OF BODHISATTVA AVALOKITESHVARA MING DYNASTY, HONGZHI PERIOD, DATED 150

ĺƒˆä’žĺą›⟧ă”‹äŽƒ ę‹œę™?éŒšę°‰ă—‚⍚ cast seated in dhyanasana on a double-lotus throne pedestal, the left hand resting on his left foot in tarjani mudra, the right hand half raised in front of the chest, dressed in an elaborate necklace, the shoulders draped with a celestial scarf, the full round face ZLWK PHGLWDWLYH H[SUHVVLRQ EHQHDWK D ĆYH SRLQWHG FURZQ the back of the pedestal with an inscription “Hongzhi shisi nian zhengyue shiliu Yang Wenyue ershi (The 14th \HDU RI +RQJ]KL WKH WK GD\ RI WKH ĆUVW PRQWK dedicated by Yang Wenyue) 22.5cm high Provenance: Private English collection

ÂŁ2,000-3,000

38

72 BRONZE FIGURE OF TARA QING DYNASTY, 18TH-19TH CENTURY

嚢 ę‹œę™?çŹƒä?ž卢ă—‚⍚ cast seated in lalitasana royal ease pose on a lotus base, the left hand raised and the right hand lowered, each in vitarka mudra with a spray of uptala lotus rising from both palms, wearing a dhoti and beaded necklaces, the face with a benevolent expression, crowned with a tiara in front of the high chignon 16.5cm high Provenance: Private English collection

ÂŁ800-1,200

73 BRONZE FIGURAL GROUP OF KSITIGARBHA BODHISATTVA RIDING QILIN MING DYNASTY, 17TH-18TH CENTURY

ĺƒˆ ę‹œę“Śę†„ă–’询čž’čŽ?ă—‚⍚ cast with a seated Ksitigarbha Bodhisattva in lalitasana royal ease pose on a qilin ZHDULQJ D ĆYH %XGGKD mitre and dressed in layered robes, his right arm half raised seemingly holding a staff in origin and a wishIXOĆOOLQJ MHZHO LQ KLV OHIW KDQG WKH recumbent qilin has its two front legs half raised against the base, the bronze lacquered in red and dark green, highlighted with gilt paints on the heads of bodhisattva and the beast 16cm high

ÂŁ2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

39

74 BRONZE FIGURE OF SEATED GUANYIN QING DYNASTY, 18TH-19TH CENTURY

嚢 ę‹œę™?éŒšę°‰ă—‚⍚ seated in dhynasana on a double-lotus base, hands in anjali mudra, the upright ERG\ DGRUQHG ZLWK MHZHOU\ wearing layered robes, the hair neatly tighted up in a high chignon 36.5cm high

ÂŁ10,000-15,000

40

75 GILT-BRONZE STANDING FIGURE OF AVALOKITESHVARA PADMAPANI YONGLE MARK BUT LATER

厕ĺ?żĺŚľ ę‹œę“Śę†„č§’čž äŠ›čž’čŽ?用⍚ the right arm half raised in vitarka mudra and the left arm lowered in varaha mudra, with two lotus EORVVRPV ćDQNLQJ HDFK VKRXOGHU DQG FRQQHFWHG WR the outwardly-facing hands by long, curving stems, crowned with an elaborate diadem encircling a high topknot and set above a broad, tranquil face, WKH HDUV DQG ERG\ DGRUQHG ZLWK RUQDWH MHZHOU\ D celestial sash wrapping around the shoulders and DUPV WKH ZDLVW VHQVXRXVO\ GHĆQHG DERYH D ORZ slung dhoti, a six-character Yongle mark inscribed to the front of the base, the bottom of the lotus base incised with a double vajra 37.5cm high Note: For similar gilt-bronze Avalokiteshvara Padmapani in seated position, marked and dated to Yongle period, see Sotheby’s New York on 10 September 2019, lot 328

ÂŁ3,000-5,000

41

76 PAIR OF CLOISONNÉ ENAMEL ‘DOGS OF FO’ LIONS QIANLONG MARK BUT 19TH-20TH CENTURY

âœ?꼑匾 ę‹œčƒŁäą”窣漡槒挰ć&#x;˛î™ˇâ™§ăźŠ  each enamelled in turquoise, one with a paw placed protectively on its cub, the other on a brocade ball, each seated on a plinth with diaper-pattern cloth set diagonally (2) 55cm high

ÂŁ5,000-7,000

77 CANTON ENAMEL ‘DRAGON’ CUP WITH COVER QING DYNASTY, 19TH CENTURY

嚢 掼漡ć§’ëĽŒç§™č˜˘ćš„ the cup raised on a slightly splayed foot, the exterior and cover decorated with two four-clawed dragons among clouds, the interior of the cup painted with a SHDFK DQG ćRZHU DOO RQ WKH EOXH JURXQG 9.5cm diameter

ÂŁ150-250

78 CLOISONNÉ ENAMEL TRIPOD CENSER QIANLONG MARK BUT LATER

âœ?꼑匾 ę‹œčƒŁäą”窣漡ć§’â™˛é§ˆęťťć—° WKH JOREXODU ERG\ GHFRUDWHG WKURXJKRXW ZLWK ORWXV ćRZHUV DPRQJVW scrolling leaves on turquoise ground and ruyi heads decoration along the VKRXOGHU UDLVHG RQ WKUHH IHHW DQG ćDQNHG ZLWK WZLQ KDQGOHV WKH EDVH engraved with a line of Qianlong mark and a ‘Ming’ character underneath 12cm high

ÂŁ1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42 Y

79

IVORY ‘HU’ VASE QING DYNASTY, 18 CENTURY

嚢 é&#x;?暆ꧨč˝ˆč´…ćŤ– carved in the form of an archaic bronze hu wine vessel, incised with chi dragon and triangular pattern, set with a pair of handles in horned mythical beast forms protruding from the neck 8.5cm high Provenance: Private English collection, acquired from Hong Kong in the 1970s

ÂŁ800-1,200

Y

80

FINELY CARVED AND RETICULATED IVORY BOX AND COVER QING DYNASTY, 19TH CENTURY

嚢 é&#x;?暆ꖖꧨčŚˆ渹 WKH VLGHV RI WKH ER[ ĆQHO\ FDUYHG ZLWK ORWXV ćRZHUV DOWHUQDWLQJ ZLWK SHQGDQW EDWV against a reticulated trellis ground, the cover decorated with a continuous lotus scroll FPbZLGH

ÂŁ800-1,200

81 FOUR FAMILLE ROSE SNUFF BOTTLES QING DYNASTY, 19TH CENTURY

嚢 ă ?ä’­çŁŒä•™ë˘™ć‘łăĄšî™ˇă”‹â&#x;? FRPSULVLQJ D ćDWWHQHG SHDU VKDSHG ERWWOH SDLQWHG RQ RQH VLGH ZLWK WKUHH PDOH ĆJXUHV DW SOD\ and the other side with an archer riding on horse, mounted with a silver stopper adorned with D FRLOHG GUDJRQ D ćDWWHQHG RYDO ERWWOH SDLQWHG RQ RQH VLGH ZLWK D KXQWHU VKRRWLQJ DW ELUGV WKH RWKHU VLGH ZLWK ELUGV LQ ćLJKW DPRQJ EDPERR PRXOGHG ZLWK WZR taotie rings on either shoulder, WKH EDVH ZLWK D IRXU FKDUDFWHU <RQJ]KHQJ PDUN LQ UHG D EXOERXV MDU ERWWOH SDLQWHG ZLWK D ĆYH FODZHG GUDJRQ FKDVLQJ D ćDPLQJ SHDUO LQ UHG WKH VOLJKWO\ GRPHG VWRSSHU DGRUQHG ZLWK D ćDPLQJ SHDU DQG D ćDWWHQHG RYDO ERWWOH SDLQWHG RQ HLWKHU VLGH ZLWK D FULFNHW DQG D JUDVVKRSSHU DPLGVW ćRZHUV WKH EDVH LQVFULEHG ZLWK D IRXU FKDUDFWHU 4LDQORQJ PDUN LQ UHG

ODUJHVW b FPbKLJK

ÂŁ800-1,200

43

82 THREE OVERLAY GLASS SNUFF BOTTLES QING DYNASTY, 19TH CENTURY

嚢 ă ?䒭㤛俲뢙摳㥚♲â&#x;? FRPSULVLQJ D JUHHQ RYHUOD\ 3HNLQJ VQXII ERWWOH RI ćDWWHQHG SHDU IRUP GHFRUDWHG ZLWK ćRUDO IROLDJH DURXQG WKH ERG\ ZLWK D VSLQDFK MDGH VWRSSHU D EXOERXV \HOORZ RYHUOD\ 3HNLQJ VQXII ERWWOH DGRUQHG ZLWK ELUGV RQ ćRZHULQJ branches, with a lapis lazuli stopper; a green overlay <DQJ]KRX VW\OH VQXII ERWWOH RI UHFWDQJXODU IRUP ĆQHO\ FDUYHG ZLWK ćRZHULQJ EUDQFKHV RQ URFNV DQG taotie masks attached on the sides (3) largest: 7cm high

ÂŁ1,000-1,500

83 FOUR AGATE SNUFF BOTTLES QING DYNASTY, 19TH CENTURY

嚢 ă ?ä’­ć§ˆ挧뢙摳㥚㔋â&#x;?

84 THREE RED OVERLAY PEKING GLASS SNUFF BOTTLES QING DYNASTY, 19TH CENTURY

嚢 ă ?䒭㤛秋俲뢙摳㥚♲â&#x;? comprising: three snuff bottles of ćDWWHQHG RYDO IRUP RQH GHFRUDWHG with a Daoist making pills for immortality in a landscape VHWWLQJ ZLWK D MDGHLWH stopper; a bottle adorned with a coiled four-clawed dragon on top of swirling waves, with a stopper in taiji (ying and yang) motif; and a bottle adorned with WKUHH ĆJXUHV KROGLQJ ORWXV DQG ćRZHUV LQ landscape, with a rose quartz stopper (3)

each of compressed spherical form and cleverly carved in relief using the different tones of the stone, one decorated with a scholar lecturing a seated young man, with an agate stopper; one carved with a chi GUDJRQ FKDVLQJ D ćDPLQJ SHDUO RQH depicting an elder reclining against a tree underneath a bird cage, with an agate stopper; and one decorated with two birds, with a pink hardstone stopper (4) largest: 8cm high

ÂŁ1,000-1,500

largest: 6.6cm high

ÂŁ800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44

85 CARVED PORCELAIN SNUFF BOTTLE REPUBLIC PERIOD

ĺ­—ă•œ 楏ćŒ´ĺ›™匾 ꧨ捙➲떝 ĺŒĄĺ&#x; 秙뢙摳㥚 decorated in high relief with a crane with pine trees, the base with ‘Wang Bingrong’ mark, with a carved porcelain stopper 8cm high

ÂŁ300-500

86 FAMILLE ROSE SNUFF BOTTLE QIANLONG MARK BUT LATER

âœ?꼑匾 çŁŒä•™âžƒćš&#x;ę´?兞㕏뢙摳㥚 of baluster bottle form, the body SDLQWHG ZLWK ĆJXUHV LQ D ODQGVFDSH setting, the base inscribed with a four-character Qianlong mark, with a metal stopper adorned with bat motifs 7cm high

ÂŁ250-350

87 PAINTED GLASS SNUFF BOTTLE LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ 梯槾â°‰掼ăż‹ĺŽ?㕏뢙摳㥚 RI ćDWWHQHG IRUP WKH LQVLGH SDLQWHG with a landscape setting with rivers DQG PRXQWDLQV ZLWK D MDGH VWRSSHU

88

7.5cm high

BLUE AND WHITE SNUFF BOTTLE

ÂŁ200-300

.$1*;,b0$5. %87 352%$%/< /$7(5

ä? 擳匾 ꍭ蔅銯ä?•éŽšë˘™ć‘łăĄš the cylindrical body raised to a slightly broader shoulder, painted with a scene in the Romance of the Western Chamber, where the female protagonist Cui Yinyin, accompanied by her servant girl Hong Niang, listen surreptitiously outdoors to the qin music played by Zhang Sheng indoors, a bat and the moon indicate a nocturnal scene, the base inscribed with a six-character Kangxi mark in underglaze EOXH ZLWK D UHG MDVSHU VWRQH VWRSSHU 9.5cm high

ÂŁ200-300

89 BLUE AND WHITE SNUFF BOTTLE QIANLONG MARK AND OF PERIOD

âœ?꼑匾 ꍭ蔅㕰蔅秙뢙摳㥚 RI F\OLQGULFDO IRUP WKH ERG\ SDLQWHG ZLWK PHGDOOLRQV LQ YDULRXV ćRUDO SDWWHUQV WKH base inscribed with a six-character Qianlong mark 8.4cm high

ÂŁ200-300

45

90 GILT-METAL AND GLASS INLAID ENAMEL SNUFF BOX QING DYNASTY, 18TH CENTURY

嚢 顴ĺƒˆ漡槒꓌ꆄꚊ䅺梯槾뢙摳渹 RI RYDO IRUP WKH OLG ĆQHO\ GHFRUDWHG ZLWK D ćRZHUKHDG highlighted in gold and picked out in translucent blue bassetaille enamels, further encircled by small pieces of grey and SLQN JODVV WKH VLGHV ZLWK HQJUDYHG ćRZHUKHDGV DQG WKH EDVH ZLWK D ć\LQJ ELUG WKH LQWHULRU RI WKH OLG PRXQWHG ZLWK D PLUURU 5.5cm wide

ÂŁ1,000-1,500

91 SILVER-MOUNTED MOTHER-OF-PEARL SNUFF BOX QING DYNASTY, 18TH CENTURY

嚢 ꕣꉖ梯槾â°‰掼➏ăĽ?㕏뢙摳渹 composed of European-carved mother-of-pearl panels and a Chinese reverse glass painting mounted underneath the cover, the top of the cover carved in low relief with Venus and Cupid surrounded by angels, the side panels adorned with an European coat of arms, the Chinese reverse glass painting depicting a Chinese lady dressed in a translucent gown, reclining against a low table, with a female attendant holding a fan beside her, together in a Chinese household setting (2) FPbZLGH Provenance: Private English collection

ÂŁ1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

46

92 AGATE SNUFF BOTTLE QING DYNASTY, 19TH CENTURY

嚢 ć§ˆ挧ꧨꟛ秙뢙摳㥚 carved utilising the inherent colour variations of the stone with two horses on one side, with a hardstone stopper 7cm high

ÂŁ1,000-1,500

93 BLUE AND WHITE SNUFF BOTTLE '$2*8$1* 0$5. $1' 2)b3(5,2'

麼⯕匾 ꍭč”…çŠˇăĄ˝ç§™ćŤ–âżťč”…âź°âžƒćš&#x;秙霾⥚㟊 捖♲â&#x;? of baluster bottle form, the body decorated intermittently with fu and shou characters, the base inscribed with a four-character Daoguang mark; together with TWO MINIATURE BLUE AND WHITE BOTTLE VASES, decorated with ĆJXUHV DQG ćRUDO SDWWHUQV UHVSHFWLYHO\

snuff bottle: 7cm high

94

ÂŁ300-500

FAMILLE ROSE SNUFF BOTTLE DAOGUANG MARK AND OF THE PERIOD

麼⯕匾 çŁŒä•™ă™šä?¸ă•Źë˘™ć‘łăĄš WKH UHFWDQJXODU ERG\ SDLQWHG ZLWK D UDPSDUW DQG D FLW\ LQ LW WKH FLW\ DGMDFHQW WR D ULYHU and mountain scene, the base inscribed with a six-character Daoguang mark in iron red FPbKLJK

ÂŁ300-500

95 IRON-RED SNUFF BOTTLE YONGZHENG MARK BUT PROBABLY LATER

꧚姝匾 秋䕙犡䖰㣔꣎뢙摳㥚 of cylindrical form, decorated with seven bats and an emblem of fortune in red, the base inscribed with a four-character Yongzheng mark 9.7cm high

ÂŁ200-300

96 GROUP OF THREE PORCELAIN WARES LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ ćŤ™čƒŁćŤ–⿝ꍭ蔅뢙摳㥚♲â&#x;? comprising: a blue and white with underglaze red bottle vase with a garlic head, the ERG\ SDLQWHG ZLWK WKUHH FUDQHV LQ ćLJKW DORQJ D UHHG EHG WKH EDVH SDLQWHG ZLWK D OHDI in underglaze blue; a famille verte bottle vase with an angled shoulder, painted with an elder male scholar and a female attendant sailing in the river on a covered boat; and a blue and white snuff bottle of cylindrical form, painted with a historical story NQRZQ DV ç7KUHH 9LVLWV 7R 7KH 7KDWFKHG &RWWDJHè GHSLFWLQJ RIĆFLDOV YLVLWLQJ D ZLVH man in his thatched cottage, the shoulder inscribed with three characters ‘Gu Mao Lu’ in underglaze blue (3) largest: 16cm high

ÂŁ200-300

47

97 GOLD-SPLASHED AMBER GLASS SNUFF BOTTLE QING DYNASTY, 19TH CENTURY

嚢 㟂瀖秋俲找ꆄ뢙摳㥚 RI ćDWWHQHG RYDO IRUP FDUYHG GHFRUDWHG ZLWK golden splashes around the amber colour JODVV ERG\ ZLWK D VLOYHU ĆOLJUHH VWRSSHU 6cm high

ÂŁ250-350

98 SAPPHIRE GLASS SNUFF BOTTLE QING DYNASTY, 19TH CENTURY

嚢 čŻ?俲č˝ˆč´…ë˘™ć‘łăĄš RI ćDWWHQHG RYDO VKDSH FDUYHG ZLWK WZR taotie masks on either side of the shoulders, WKH JODVV RI D GHOLFDWH WUDQVOXFHQW VDSSKLUH WRQH ZLWK D JROGHQ ĆOLJUHH VWRSSHU FPbKLJK

ÂŁ600-800

99 TWO CHALCEDONY SNUFF BOTTLES QING DYNASTY, 19TH CENTURY

嚢 楪ë„?ꧨꍙč“?âżťëˆ´éŹŞë˘™ć‘łăĄšî™ˇâ°?â&#x;? comprising: one carved with a lingzhi fungus stemming out from a tree trunk; the other with a carp leaping out of water, with a stopper (2) largest: 6.6cm high

ÂŁ250-350

100 RED GLASS SNUFF BOTTLE QING DYNASTY, 18TH-19TH CENTURY

嚢 秋俲č˝ˆč´…ç§™ë˘™ć‘łăĄš RI ćDWWHQHG SHDU IRUP WKH ERG\ FDUYHG LQ ORZ UHOLHI ZLWK D crawling chi dragon on either side, with a red glass stopper 7.5cm high

ÂŁ500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

101 JADEITE SNUFF BOTTLE 20TH CENTURY

âœłâź§âš†ç§ çťżçťźę§¨ëĽŒë’‰ç§™ë˘™ć‘łăĄš RI ćDWWHQHG ERWWOH VKDSH HDFK VLGH FDUYHG LQ UHOLHI ZLWK D GUDJRQ DQG D SKRHQL[ UHVSHFWLYHO\ D EUDQFK RI ćRZHU extending from the base all the way to both shoulders in RSHQZRUN FDUYLQJ ZLWK D MDGHLWH VWRSSHU 5.7cm high

ÂŁ500-700

102 WHITE JADE ‘DOUBLE-GOURD’ SNUFF BOTTLE QING DYNASTY, 19TH CENTURY

嚢 术楪ꧨ袎蹢뢙摳㥚 ĆQHO\ FDUYHG LQ WKH VKDSH RI D GRXEOH JRXUG GHFRUDWHG ZLWK D IXUWKHU JRXUG FDUYHG LQ KLJK UHOLHI DERYH D ć\LQJ EDW WKH VWRQH RI HYHQ ZKLWH colour with two areas of pale russet colour 7cm high

ÂŁ500-700

103 CELADON JADE SNUFF BOTTLE QING DYNASTY, 18TH-19TH CENTURY

嚢 ꍭ楪ꧨ꺣긽秙뢙摳㥚 of ovoid form, carved in low relief with a taotie mask and ring handle on either shoulder, with a hardstone stopper 7cm high

ÂŁ600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

49

104 SOAPSTONE ‘LANDSCAPE’ CARVING QING DYNASTY, 19TH CENTURY

嚢 㥽㿋瀖ꧨăż‹ĺŽ?➃ćš&#x;äť—â&#x;? FDUYHG ZLWK WZR ĆJXUHV UHVWLQJ EHKLQG D SLQH WUHH DGMRLQLQJ VWDLUVFDVHV OHDGLQJ WR D EXLOGLQJ FPbZLGH

ÂŁ500-700

105 TWO ROCK CRYSTAL VASES AND COVERS QING DYNASTY, 19TH CENTURY

嚢 ĺŽ?ĺ…Şę§¨č”…ë‘ˇčŚˆćŤ–äť—â&#x;?♧㟊 FRPSULVLQJ D YDVH RI ćDWWHQHG KH[DJRQDO IRUP carved to the exterior with two cranes perched XSRQ URFNV KROGLQJ D EUDQFK RI ćRZHUV LQ WKHLU beaks, the cover carved with a multi-facet ĆQLDO WKH RWKHU RI ćDWWHQHG RYDO IRUP FDUYHG in openwork with two branches of prunus embracing the body, the cover surmounted by a ĆQLDO ZLWK D OHDI HDFK ZLWK D ZRRGHQ EDVH

heights: 11.5cm and 11.3cm

ÂŁ1,000-1,500

106 SOAPSTONE CARVING OF BUDAI QING DYNASTY, 18TH CENTURY

嚢 㥽㿋瀖ꧨä‹’éƒ?ㄤ㟿㗂⍚ ZHDULQJ ORRVH ĆWWLQJ UREHV FDUYHG LQ ORZ UHOLHI ZLWK ćRUDO SDWWHUQV VHDWHG LQ UR\DO HDVH SRVLWLRQ ZLWK KLV OHIW hand holding the drapery, his right hand resting on his EHQW ULJKW NQHH KLV ODXJKLQJ IDFH ĆQHO\ GHĆQHG LQ UHOLHI with black paint on the eyebrows and red paint on lips 8.5cm high

ÂŁ1,000-1,500

50

107 AGATE ‘LINGZHI’ BRUSH WASHER WITH JADE BASE LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ ć§ˆ挧ꧨꍙč“?瘘峤äŒ&#x;楪ä? carved with double vessels in the shape of lingzhi heads borne on a gnarled branch issuing further smaller lingzhi heads and peaches, the stone of a milky white tone with red and brown inclusions cleverly worked into the carving, with a dark JUHHQ MDGH FDUYHG LQ RSHQZRUN ZLWK PRXQWDLQRXV ODQGVFDSH ZLWK D ĆWWHG wooden box attached with a paper on the cover ‘Ji Gu Ge Cang’ 11.5cm high (with jade base)

ÂŁ1,500-2,500

108 LARGE ROSE QUARTZ RECUMBENT HORSE QING DYNASTY, 19TH CENTURY

嚢 çŁŒĺ…Şę§¨č? ꟛ䝗â&#x;? carved with its head turned back towards his left, with four legs tucked underneath and a bushy tail wrapping around its left hind leg FPbZLGH

ÂŁ400-600

109 GREEN MARBLE LOTUS BASE ĺš€çŹƒăŁ?椚瀖ꧨ角蔅ä? carved with lotus petals encircling the bulbous body raised from a tappered foot, the well polished dark green marble showing natural stone texture 29.5cm diameter

ÂŁ200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

51

A SPANISH PRIVATE COLLECTION OF JADE CARVINGS

52

110 INSCRIBED PALE CELADON JADE PLAQUE QING DYNASTY OR LATER

嚢䧴ĺˆżĺ„ť 术楪ꧨă ˜ă&#x;› FDUYHG IURP D WKLFN EORFN RI ZKLWH MDGH RQH VLGH carved in relief with two literati appreciating a scroll painting beside a pavilion, the reverse side LQVFULEHG ZLWK D ĆYH OLQH SRHWLF LQVFULSWLRQ WKH stone of an even pale celadon colour with one side remaining with original brownish skin 6.5cm high Provenance: Private Spanish collection, acquired between 1998 and 2002; the family has been collecting Asian antiques and art pieces for more than 30 years, with family business in Asia

ÂŁ1,500-2,500

111 WHITE JADE PLAQUE QING DYNASTY OR LATER

嚢䧴ĺˆżĺ„ť 术楪ꧨë„ž㥌颣掼ă ˜ă&#x;› one side carved in relief with three literati appreciating a scroll painting with a taiji (Yin and Yang) in a garden setting with bamboos, the reverse side depicting a bat hovering above a pine tree, all below a pair of dragons, the stone of an even white colour with some brownish skin on the top FPbKLJK Provenance: Private Spanish collection

ÂŁ2,000-3,000

112 WHITE JADE PLAQUE QING DYNASTY OR LATER

嚢䧴ĺˆżĺ„ť 术楪ꧨ袖č&#x;?ç§™ă ˜ă&#x;› one side carved with a landscape setting with a building surrounded by pine trees on rugged mountains, the reverse side decorated with grape vines and inscribed with two seal marks, all below a key-fret pattern, the stone of an even white colour with one top edge remaining with original yellowish skin FPbKLJK Provenance: Private Spanish collection

ÂŁ1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

53

113 WHITE JADE WITH YELLOW SKIN CARVING OF A BUDDHIST LION QING DYNASTY, 18TH-19TH CENTURY

嚢 术楪ëž”桟ꧨć&#x;˛äť—â&#x;? the mythical beast crouching with its limbs tucked beneath its body, its head facing towards its right and its mouth stretched into a wide grin, carrying a ruyi scepter on its back, the stone of an attractive smooth white colour with yellowish tone FPbZLGH Provenance: Private Spanish collection

ÂŁ1,500-2,500

114 WHITE JADE ‘ELEPHANT’ PENDANT QING DYNASTY, 18TH-19TH CENTURY

嚢 术楪ꧨé&#x;?äť—â&#x;? carved as an elephant standing four-square with its head turned sideward with its trunk curled alongside its foreleg, wearing a saddle cloth carved in low relief, the stone of an even white tone 5.3cm wide Provenance: Private Spanish collection

ÂŁ800-1,200

115 WHITE JADE ‘GOOSE’ CARVING QING DYNASTY

嚢 术楪ꧨë”­äť—â&#x;? carved as a large goose holding a branch of lingzhi IXQJXV LQ LWV EHDN ĆQHO\ LQFLVHG ZLWK feathered wings and two feet tucked underneath the body, the semi-translucent stone of an even white tone with minor russet inclusions 6.5cm wide Provenance: Private Spanish collection

ÂŁ2,000-3,000

54

OTHER PROPERTIES

116 WHITE JADE ARHAT QING DYNASTY, 18TH CENTURY

嚢 术楪ꧨçš?ć Žă—‚⍚ roundedly carved in seated position, his right hand half raised holding a rosary in front of his chest, the layered robes and his GHPXUH H[SUHVVLRQ ĆQHO\ FDUYHG in low relief, on a carved wooden base in double-lotus form 10cm high Note: )RU D JUHHQ MDGH $UKDW VLPLODU in size and carving is in the collection RI WKH 3DODFH 0XVHXP %HLMLQJ VHH Jade Artifact Collection in the Palace Museum by Zhang, Guangwen and Zhang Shcushan, the Forbidden City Publishing House, 1996, no.145, p.154

ÂŁ6,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

55

117 WHITE JADE BELT PLAQUE TANG DYNASTY OR LATER

ă‡Ťä§´ĺˆżĺ„ť 术楪ꧨ➃ćš&#x;ç§™čˆšäŒ&#x;䊞 carved in relief to one side with a musician, possibly of Central Asian origin, seated on an oval mat playing a reed pipe wind instrument sheng WKH ĆJXUH HQFORVHG ZLWKLQ an undulating frame, the other side pierced at four corners for suspension, the stone of a pure white tone with some russet inclusions FPbZLGH Provenance: Private Paris collection, acquired in Southern France in the1990s

ÂŁ400-600

118 THREE JADE AND HARDSTONE PENDANTS QING DYNASTY, 19TH CENTURY

嚢 楪ꧨäť—â&#x;?čŽ…ç‚˝ç€–ă ˜ă&#x;›î™ˇâ™˛â&#x;? FRPSULVLQJ D ZKLWH MDGH LQ D GRXEOH JRXUG IRUP FDUYHG ZLWK a symbol of shuangxi (happiness and marriage), the reverse side with similar decoration but showing russet colouring; D SLHUFHG MDGH GLVF FDUYHG ZLWK VFUROOLQJ GHFRUDWLRQ DQG DQ DJDWH SHQGDQW FDUYHG DV D IUXLW RI ćDW IRUP

heights: 7.7cm, 5.6cm, 5.2cm Provenance: From the collection of the late Donald Black, see note lot 52

ÂŁ300-500

119 FIVE JADE OBJECTS REPUBLIC PERIOD

ĺ­—ă•œ ă ?䒭楪ꧨâ?€â&#x;? FRPSULVLQJ D FHODGRQ MDGH LQ a coiled dragon form; a small \HOORZLVK MDGH ULQJ WRSSHG with a chi dragon; a rounded FDUYHG SDOH FHODGRQ MDGH ĆJXUH of a foreign origin wearing a SRLQWHG KDW DQG EHDUG WZR MDGH pendants carved with ribbed sides and two protruding eyes, each stone of pale white and brownish tone respectively, ZLWK D ĆWWHG EXUO ZRRG veneered wooden box (5) ODUJHVW FPbZLGH

ÂŁ300-500

56

120 STONE CARVING OF A GOAT QING DYNASTY, 18TH-19TH CENTURY

嚢 术瀖ꧨăż‹çš™䪞â&#x;? carved in round and recumbent pose with four legs tucked underneath the body, its head turned towards its right, ZLWK LWV EHDUG H\HV DQG HDUV ZHOO GHĆQHG LQ ORZ UHOLHI FPbZLGH

ÂŁ800-1,200

121 TWO PALE CELADON JADE CARVINGS MING DYNASTY

ĺƒˆ ꍭ术楪ꧨë›Šâżťâžƒćš&#x;äť— â&#x;?â°?â&#x;? comprising a recumbent deer turning its head towards the back, carved in detail with a horned head and bulging eyes; and a laughing boy reclining on a pillow, carved in relief with layered robes, each with a wooden base (2) GHHU FPbZLGH ER\ FPbKLJK

ÂŁ700-1,000

122 WHITE JADE ‘ELEPHANT’ CARVING LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ 术楪ꧨé&#x;?äť—â&#x;? carved as an elephant standing four-square with its head turned sideward with its trunk curled alongside its foreleg, wearing a saddle cloth carved in low relief with rocks in waves, two boys clambering up the back of the elephant and each cleaning the animal with D EUXVK WKHLU IDFHV GLVSOD\LQJ D MRYLDO H[SUHVVLRQ the stone of an even white tone with some greyish inclusions, with a textile base 10.8cm wide

ÂŁ1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

57

123 YELLOW AND RUSSET ‘GOOSE’ JADE PENDANT QING DYNASTY, 19TH CENTURY

嚢 ëž”楪ꧨë”­ă ˜ă&#x;› roundly carved with its head turned towards its right resting on its back, WKH IHDWKHUHG ZLQJV ĆQHO\ GHĆQHG LQ ORZ UHOLHI WKH VWRQH RI D \HOORZLVK tone with russet patches FPbZLGH Provenance: Private Paris collection, acquired in Southern France since 1990

ÂŁ600-800

124 WHITE JADE ‘MOUNTAIN’ BRUSH REST QING DYNASTY, 18TH CENTURY

嚢 术楪ꧨꍙč“?ç§™ç˜˜ăż‹ carved in the form of a rugged mountain with various peaks, with a branch of lingzhi fungus issuing from the base, WKH VWRQH RI HYHQ ZKLWH WRQH ZLWK D ĆWWHG ZRRGHQ EDVH FPbZLGH

ÂŁ4,000-6,000

125 CELADON JADE ‘DRAGON’ RHYTON QING DYNASTY, 18TH CENTURY

嚢 ꍭ楪ꧨ矞ëĽŒéŒŹĺŒ‰ carved in the form of a tapering cup with ćDWWHQHG RYDO VKDSH VXSSRUWHG RQ WKH EDFN RI a winged dragon with its horned head and tail GHĆQHG LQ UHOLHI WKH VLGH RI WKH YHVVHO GHFRUDWHG in high relief with three playful chi dragons FODPEHULQJ WKH ćDQNV DQG SHDNLQJ RYHU WKH rim, the stone of an even green tone with faint horizontal, streaked creamy-white inclusions 10cm high

ÂŁ6,000-8,000

58

126 PALE CELADON JADE SEAL QING DYNASTY, 19TH CENTURY

嚢 ꍭ楪ꧨ⽍ćŠ&#x; carved with a mythical creature coiling on the top as a knob, the seal with a four-character inscription in seal script, the stone of an even pale celadon tone 2cm wide Provenance: Private Paris collection, acquired in Southern France in the 1990s

ÂŁ300-500

127 CELADON JADE ‘DHARMA KING’ SEAL ęŤ­ćĄŞę§¨ĺ˛ ćĄŹâ°”ä™źäŠźäż’⽍ćŠ&#x; of square form, with two dragons interlinking with each other as the knob, their arching intertwined scaleless bodies pierced through the centre with an aperture for a cord, the seal is carved in relief with eight characters in ফPhags-pa script 8.5cm wide Provenance: Private Paris collection, acquired in Southern France in the 1990s

ÂŁ500-700

128 WHITE AND GREEN JADE BRUSH LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ 术楪ꧨëĽŒç§™ĺŹ ç˜˜ WKH ZKLWH MDGH F\OLQGHU KDQGOH FDUYHG ZLWK WZR GUDJRQV LQ ćLJKW DPLGVW VZLUOLQJ clouds, mounted with a bulbous spinachJUHHQ MDGH EUXVK VRFNHW ZLWK D ULQJ ĆQLDO 21cm long

ÂŁ1,500-2,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

59

129 PALE CELADON JADE CARVING OF A BOY QING DYNASTY, 18TH CENTURY

嚢 ꍭ术楪ꧨç•™㜊äť—â&#x;? carrying a large sprig of lingzhi fungus with leaves over his shoulder, the stone of even pale green tone with some white spot inclusions and some yellow skin around the leaves 5.6cm high

ÂŁ3,000-5,000

130 CELADON JADE BRUSH POT JIAQING MARK BUT PROBABLY LATER

㎗䣔匾 ꍭ楪ꧨ ➃ćš&#x;ç˜˜ç˜ł of cylindrical shape with thick walls and base, carved in high relief ZLWK DQ HOGHU ZDONLQJ ZLWK D VWLFN DQG KLV DWWHQGDQW MXVW SDVVHG a footbridge and watching three farmers with a buffalo in the IDUP ĆHOG WKH VFHQH LV XQGHU D SLQH WUHH ZLWKLQ D PRXQWDLQRXV landscape, the stone of even celadon colour with some icy-white inclusions, the base engraved with a four-character Jiaqing mark 13.3cm high

ÂŁ5,000-7,000

60

131 PALE CELADON JADE ‘LOTUS POND’ LIBATION CUP QING DYNASTY, 18TH-19TH CENTURY

å¹¢ ꫭ涯桪ꧨ角寒錬匉 carved in imitation of a libation cup as a lotus leaf with undulating edges, with a craggy rock which forms the base, from which rise entwined stems of budding lotus blossoms carved and pierced in high relief, together with two mandarin ducks holding a sprig of lotus in their beaks, egrets perched RQ EUDQFKHV FDWFKLQJ ĆVK DQG D FUDE WKH VWRQH RI SDOH FHODGRQ colour with some russet inclusions FPbZLGH

£8,000-12,000

132 LARGE CELADON AND RUSSET JADE ‘DRAGON’ RHYTON ꫭ桪ꧨ륌秙錬匉 carved in the form of a tapering horn cup, supported on the back of a winged dragon with LWV KRUQHG KHDG DQG EXVK\ PDQH ĆQHO\ GHĆQHG LQ relief, the side of the vessel decorated in high relief with two pairs of playful chi dragons clambering WKH ćDQNV DPLGVW WKH FORXGV WKH ZKLWLVK VWRQH with uneven greyish and brownish inclusions, with a wooden stand carved with swirling waves 15cm high Provenance: Private Paris collection, acquired in Southern France in the 1990s

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

61

133 WHITE JADE ‘DRAGON’ BELT HOOK QING DYNASTY, 18TH-19TH CENTURY

嚢 术楪ꧨëĽŒç§™čˆšäŒ&#x;䊞 meticulously worked with a horned dragon’s head forming the hook, skilfully rendered with bulging eyes and a wide snout, the gently arched shaft carved in openwork with a pair of Buddhist snow lions playing with a brocade ball, the reverse of the shaft with a round knob, the stone with a very pale celadon tinge

Provenance: Private Glasgow collection; collected in the 1960s and 1970s.

FPbZLGH Provenance: Private Glasgow collection; collected in the 1960s and 1970s.

ÂŁ800-1,200

134 PALE CELADON AND RUSSET JADE CARVING OF A HORSE QING DYNASTY OR LATER

嚢䧴ĺˆżĺ„ť ꍭ术 楪ꧨč? ꟛ䝗â&#x;? in recumbent pose, depicted with two rear legs tucked underneath its body and two front legs half raised against the ground, its head slightly LQFOLQHG WR WKH OHIW ZLWK ĆQHO\ GHĆQHG PDQHV DQG SULFNHG ears, the bushy tail wrapped around its left hind, with a wooden base, all included in D ĆWWHG ZRRGHQ ER[ ODEHOOHG on the cover with ‘Gong Shi Cang Qi (Collection of Gong Family)’, two further paper labels inside, indicating that the Gong family acquired WKLV MDGH KRUVH DW /LXOLFKDQJ %HLMLQJ LQ $XWXPQ FPbZLGH

ÂŁ2,800-3,200

135 LARGE CELADON JADE CARVING OF A GOOSE QING DYNASTY, 18TH-19TH CENTURY

嚢 ꍭ楪ꧨë”­äť—â&#x;? roundedly carved as a goose with the head turned backwards resting gently above the plump body, grasping in its beak D ORQJ OHDI\ VWHP ZLWK ĆQHO\ LQFLVHG SOXPDJH WKH JUH\LVK green stone with russet patches, on a carved wooden stand 16.3cm wide Provenance: From the descendants of Sir Robert Stodart Lorimer, KBE (1864–1929); purchased from Christie’s sale dated 9th November 1992, lot 75, with original sale label

ÂŁ2,000-3,000

62

136 CELADON JADE ‘HORSE AND MONKEY’ GROUP QING DYNASTY, 18TH CENTURY

嚢 ꍭ楪ꧨꟛ♳㟓⣜äť—â&#x;? carved with a recumbent horse with its legs tucked underneath the body and with its head turned towards its left, a monkey climbing on the back of the horse, with a wooden stand FPbZLGH

ÂŁ3,000-5,000

137 PAIR OF CELADON JADE BELT BUCKLES QING DYNASTY, 18TH CENTURY

嚢 ꍭ楪ꧨčˆšäŒ&#x;䊞♧㟊 each plaque carved in a rectangular form with corners, the surface incised with key fret motifs, suspending a hinged ring with double dragon heads, the stone of an even green tone (2) FPbZLGH HDFK

ÂŁ800-1,200

138 TWO JADE VESSELS MING DYNASTY

ĺƒˆ 楪ꧨâ&#x;Źă€˘ęŤ­ę‹œă?źä’­ćŤ–⿝瞎ĺŒ‰î™ˇâ°?â&#x;? FRPSULVLQJ D MDGH YDVH LQ DQ DUFKDLF EURQ]H gu form, supported on a ribbed tall foot, the three-sectioned body carved in low relief with taotie masks, kuei dragons and triangular decoration from the bottom to the top, with protruding edges, the whitish stone with UXVVHW LQFOXVLRQV DQG D MDGH FXS ZLWK D ćDUHG ULP VXSSRUWHG RQ D VKRUW IRRW WKH ERG\ FDUYHG LQ ORZ UHOLHI ZLWK ćRZHUV D EUDQFK RI SUXQXV RQ HLWKHU VLGH DWWDFKHG DV KDQGOHV the stone of yellowish white tone with some white vine inclusions (2) gu vase: 10.7cm high; cup: 11cm wide (across handles)

ÂŁ800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

64

139 TWO PITH PAINTINGS OF LADIES QING DYNASTY, 19TH CENTURY

幢 㥏㶩㤉坿㕬鏤蒀鸒虋秶劥Ⰽ䌴 vibrant watercolour paintings on pith, depicting a lady playing yangqin, and a lady playing qinqin, both with the tip of their lotus feet showing from the hemline (2) 23cm x 15cm Provenance: Private Scottish collection, Argrennan House, Dumfries and Galloway

£100-150

140 BONIAN REN (CHINESE 1840-1896) SET OF TEN GILT, INK AND WATERCOLOUR ‘BIRDS AND FLOWERS’ PAINTINGS

幢 ⟤⠭䎃 ꆄ皸蔅둷鏤蒀ꆄ 硹殥⼧䌴 comprising ten gilt paintings, featuring various types of ELUGV ZLWK ćRZHUV

23cm x 17cm Provenance: From the collection of the late Donald Black, see note lot 52

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65

141 INK PAINTING OF A LANDSCAPE QING DYNASTY, 19TH CENTURY

嚢 â&#x;Ź čŻ?挍աꨔ㿋內睟ոé?¤č’€窲劼 ink and colour on silk, after the style of Lan Ying, a Ming dynasty Chinese painter, depicting two travellers on horses with a walking attendant crossing a rock bridge heading towards a redish building enclosed by a rocky vegetated mountain, titled ‘Sunny and Green in the Snow Mountain’, signed ‘Lan Ying’, one of the seals ‘Todoshi’, in wooden frame 107cm x 32.5cm Provenance: From the collection of the late Donald Black, see note lot 52

ÂŁ1,000-2,000

142 PAIR OF INK AND COLOUR PAINTINGS AFTER WONG CHENGPEI

ĺŻ?䪭ꊑ匾 č”…âź°ă•Źé?¤č’€窲劼â°?䌴 ink and colour on silk, depicting peony YDULRXV RWKHU ćRZHUV VLJQHG çSDLQWHG by Wong Chengpei’ (d.1805), with gilt wooden frames (2) FPb[b FP

ÂŁ600-800

66

143 HUANG GUANGNAN (TAIWANESE B.1944) ‘TWO MAGPIES’, PAINTED IN 1997

랔⯕歑շ꧱㋐ㄤ뒊ո鏤蒀秶劥用鯥 ink and colour on paper, dated in the year of Ding Chou (1997) with one seal of the artist, the inscription reads ‘the harmonious song of two magpies, louder than the high winds’ FPb[ FP Provenance: private collection of Professor Philip N Love, CBE, Aberdeen. He received this painting as a gift from the artist in 1997 in Taiwan. Note: Huang Guangnan was born in Kaohsiung, Taiwan in 1944. He was the Director of Fine Arts Museum, Taipei from 1986 to 1995, and then the Director of National Museum of History, Taiwan from 1995 to 2004.

£500-700

144 INK PAINTING OF THE DRUNKEN ZHONG KUI RECITING POETRY շ ꗻ껸ꃰへ㕬ո宐㟯鏤蒀秶劥用鯥 ink and colour on paper, hanging scroll, titled and inscribed ‘painted in the ancient city, Chang’an’, with four seals, including ‘Xi Shi’, ‘sanren xing, biyou woshi’ (a Confucius quote: when three are walking together, I am sure WR ĆQG WHDFKHUV DPRQJ WKHP FPb[b FP

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

67

145 FANG ZHAOLING (CHINESE 1914-2006) ç7+( /$.(b7$,b6&(1(5<è 3$,17(' ,1 )(%58$5<

ĺ€°ă€Žëœ–ŐˇăŁ–坪ĺ…žŐ¸é?¤č’€秜劼 LQN DQG FRORXU RQ SDSHU GHSLFWLQJ YDULRXV ĆJXUHV DORQJ WKH /DNH 7DL surrounded by a mountainous setting, with various seals of the artist, in gilded wooden frame done by the collector, translation of the Chinese calligraphies: “Drafted on the 7th and 8th day in the Year of Bing Zi (25 DQG )HEUXDU\ 2Q WKH WK )HEUXDU\ WKH ĆJXUHV DQG SLQH trees were added. Fang Zhaolingâ€? 80 x 113cm Provenance: private collection of Professor Philip N Love, CBE, Aberdeen. He received this painting as a gift from the artist on 14 September 1996. Together with the painting, he was also gifted “The Passionate Realmâ€? exhibition catalogue including paintings by Fang Zhaoling, where Fang wrote “Philip and Isobel, With Season’s Compliments, from Fang Zhaoling, 1996 Sep 14thâ€? followed by her signature Photo: Prof. Love and Fang Zhaoling in her apartment in Repulse Bay Road, Hong Kong Handwritten note by Sir Harry Fang , the late brother-in-law of Fang Zhaoling, on a photograph of the painting indicating that the painting is titled as ‘The Lake Tai Scenery’ Note: Fang Zhaoling was born in Wuxi, Jiangsu province. From 1937 onwards she travelled and lived in many places, including Oxford from 1956 to 1958, and exhibited her paintings widely in the United States, Europe and East Asia. Exhibitions including: “Fang Zhaoling: A Life in Paintingâ€? at Asian Art Museum of San Francisco in 2005; “Fang Zhaoling: A Centenary Exhibitionâ€? at the Ashmolean Museum of Art in the University of Oxford in 2015 Lake Tai is situated in Wuxi where Fang Zhaoling was born in Jiangsu Province in 1914. She clearly had very fond memories of the lake which is known for LWV SURGXFWLYH ĆVKLQJ LQGXVWU\ DQG RI WKH ĆVKHUPHQ DQG WKHLU ćHHWV RI VPDOO SULYDWH ĆVKLQJ ERDWV DV DSSHDUHG LQ KHU SDLQWLQJ

ÂŁ2,500-3,500

68

146 TWO SCROLL PAINTINGS WITH SEALS LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ ă ?䒭劍⽍秜劼é?¤č’€ç”¨éŻĽî™ˇâ°?䌴 ink and red seal pressed on paper, respectively composed of 25 and 24 red seals, each with an ink-writing transcription underneath (2) FPb[b FP

ÂŁ400-600

147 COLLECTION OF CHRISTIE’S AND SOTHEBY’S ORIENTAL CERAMICS CATALOGUES MID 20TH CENTURY

âœłâź§âš†ç§ âšĽĺŠ? ⢕㥌ä–¤âżťčą¤ăş˘ĺŤ˛ĺŒŒĺ€°ćŤ™ă?źäŹ?颪暥ę?— comprising approximately 170 catalogues in total, with 94 catalogues from the Sotheby’s dated from 8 March 1966 to 25 May 1971, accompanied by 76 catalogues from Christie’s dated from 11 October 1965 to 29 July 1969, some titled ‘Important Chinese Ceramics and Works of Art’ (Christie’s 19 June 1967), ‘An Important Collection of Japanese Netsuke’ (Christie’s 21-23 February 1966), ‘A Fine Collection of Chinese Export Porcelain’ (Sotherby’s 27 October 1970), ‘Catalogue of Important Archaic Chinese Bronzes Sculpture and Ceramics- The Property of Mrs. Mary Cohen’ (Sotheby’s 14 July 1970) (qty) ODUJHVW FDWDORJXH bb FP [b FP

ÂŁ300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

69

From a private collection in Dublin, the present owner ɴȲʰ ʰɏȲ ȉʟʰɔʦʰ ɔɷ ɏɔɷȉ ɔɷ ࢾࣆࣅࣁू ʰɏȲɷ ȉȦ̍ʹɔʟȲȬ ʰɏɔʦ ʜȉɔɷʰɔɷɆ Ʌʟʁɴ ʰɏȲ ȉʟʰɔʦʰ ȬɔʟȲȦʰɫ˘ ˒ɏȲɷ ɏȲ ˑɔʦɔʰȲȬ ʰɏȲ ©Z in 198ࣃ ʹɷȬȲʟ ʰɏȲ ʦʜʁɷʦʁʟʦɏɔʜ ʁɅ gɔɦȲ =ȉʦʦȉ˒ȉ˘े Susan and Michael Gassaway (Syllavethy Gallery, Aberdeenshire) met Chen Yanning on a trip to China in 1984, when he was the Head of the Guangdong Institute of Fine Art. To reciprocate his hospitality, Susan and Michael invited Yanning to visit the UK to view some of ʰɏȲ sɫȬ gȉʦʰȲʟʦ ʁ̎ ÂȲʦʰȲʟɷ ʟʰ ʰɏȉʰ ɏȲ ɏȉȬ ʁɷɫ˘ ʦȲȲɷ ɔɷ books back in China. Two years later, Yanning arrived in Aberdeen and together with Susan and Michael, he visited the museums in Scotland and London. Yanning made the museum attendants nervous as he wanted to get up close to study the thickness of paint on his favourite masterpieces. He, Susan and Michael communicated by using sign language and drawing ʦɦȲʰȦɏȲʦ ȉɷȬ ̍ʹɔȦɦɫ˘ ȲʦʰȉȥɫɔʦɏȲȬ ȉ ɆʟȲȉʰ ɅʟɔȲɷȬʦɏɔʜे Chen Yanning (b.1945) is a Chinese painter who lives and works in the United States. He was born in the southern province of Guangzhou, where he studied at the Academy of Fine Arts, graduating in 1965. He continued to work at the Academy as a painter until 1986 when he relocated to America, to study at Oklahoma City University. His early Chinese works include the poster Chairman Mao Inspects the

Guangdong Countryside (1972) and New Doctor of the Fishing Port (1973). He has had many public portrait commissions most notably for the British Royal Family, in which he painted ûʹȲȲɷ *ɫɔˢȉȥȲʰɏू $ʹɦȲ ʁɅ *ȬɔɷȥʹʟɆɏ ȉɷȬ ʟɔɷȦȲʦʦ ɷɷȲे ÈȉɷɷɔɷɆউʦ ʜʁʟʰʟȉɔʰ ʁɅ ʰɏȲ ûʹȲȲɷ ˒ȉʦ ʦʹȥʦȲ̍ʹȲɷʰɫ˘ ʹʦȲȬ by Royal Mail for the Jubilee Year stamp. ÈȉɷɷɔɷɆ ʜɫȉȦȲʦ ʰɏȲ εɆʹʟȲ ȉʰ ʰɏȲ ȥʁʰʰʁɴ ʁɅ ʰɏȲ Ȧȉɷˑȉʦू on the threshold of the pictorial plane. Only his head is ˑɔʦɔȥɫȲू ɏɔʦ ȉʟɴʦ ȉɷȬ ȥʁȬ˘ Ȧʹʰ ʁΦ Ʌʟʁɴ ˑɔȲ˒े Jʰ ɔʦ ȉɫɴʁʦʰ ȉʦ ɔɅ ɏȲ ɏȉʦ ȥʟɔȲζ˘ ʜʁʜʜȲȬ ɏɔʦ ɏȲȉȬ ʹʜ ɔɷʰʁ ʰɏȲ ʜɔȦʰʹʟȲ space, all of a sudden occupying the otherwise empty ˑɔʦʰȉ ʁɅ ȉ ζʁ˒ȲʟɔɷɆ ʜʟʹɷʹʦ ʰʟȲȲे ÈȉɷɷɔɷɆ ɏȉʦ ʹʦȲȬ ʰɏȲ device to create a sense of movement in the work, an immediacy between the viewer and the otherwise static painted surface. Yanning works with oil paint, a medium predominantly used by western artists. Chinese painting was ʰʟȉȬɔʰɔʁɷȉɫɫ˘ ȥȉʦȲȬ ʁɷ ʰɏȲ ʰȲȦɏɷɔ̍ʹȲ ʁɅ ȥʟʹʦɏ ʜȉɔɷʰɔɷɆू ˒ɏɔȦɏ ȦʁɷʦɔʦʰȲȬ ʁɅ ʦɔɴɔɫȉʟ ʰȲȦɏɷɔ̍ʹȲʦ ʰʁ ȦȉɫɫɔɆʟȉʜɏ˘ using black ink or coloured pigments. Although a very ȬɔΦȲʟȲɷʰ ɴȲȬɔʹɴ ʰʁ ʁɔɫ ʜȉɔɷʰू ÈȉɷɷɔɷɆউʦ ʜʁʟʰʟȉɔʰʦू ɔɷ Ȳɴʜɫʁ˘ɔɷɆ ȉɷ ɔɴʜȉʦʰʁ ʰȲȦɏɷɔ̍ʹȲू ˒ɏɔȦɏ ɔɴȥʹȲʦ ʰɏȲ ʦʹʟɅȉȦȲ ˒ɔʰɏ ȉɷ ȉɫɴʁʦʰ ȥɫʹʟʟȲȬ ˒ȉʦɏȲȬ εɷɔʦɏू ʦȲȲɴʦ ʰʁ ʦʹηȲʦʰ ʰɏȲ ʦʹʦʰȉɔɷȲȬ ɔɷζʹȲɷȦȲ ʁɅ ɏɔʦ Ȧʁʹɷʰʟ˘উʦ ɷȉʰɔˑȲ painting.

148 CHEN YANNING (CHINESE B.1945) ’YOUNG BOY WITH FRUIT’, PAINTED IN 1986

꤫遥㻞 շ 㼱䎃莅卓 ո 屘殥 oil on canvas, depicting a young boy set against the background of a blossoming tree FP [b FP Provenance: private Dublin, Ireland collection

£10,000-15,000

70

71

149 LONGQUAN CELADON TEA BOWL SONG DYNASTY

㸢 륌屮ꫭꅹ角檫秙蘢湄 potted with deep round sides DQG D ćDULQJ PRXWK ULP PRXOGHG with lotus petals on the exterior, supported on a short straight foot and covered in a pale greyish-green glaze 14.1cm diameter Provenance: 2Q GLVSOD\ LQ WKH 6KRNRNX ML 7HPSOH -\RWHQNDNX Museum, Kyoto until 2000, with an original museum paper label.

£3,000-5,000

150 LONGQUAN CELADON TABLE SCREEN MING DYNASTY

僈 륌屮ꫭꅹ뜛뜿劆剢䳄㾓 of rectangular form and supported on two bracket feet, one side of the screen decorated with a qilin looking at the moon, the other VLGH LQFLVHG ZLWK WZR ĆVKLQJ boats in a landscape beneath two moulded character ‘Li Yi’ (Rites and Justice), covered with a thick layer of bluish-green glaze, with a wooden box 24.7cm high Note: a very similar example is in the collection of Tokyo National Museum, see Illustrated Catalogue of Tokyo National Museum, Chinese Ceramics II, no.531, p.136; another example dated to 1492 with an inscription is in the Sir Percival David collection at the British Museum, registration number PDF.275

£8,000-12,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

151 TWO PURPLE-SPLASHED JUN-GLAZED ‘BUBBLE’ BOWLS YUAN DYNASTY OR LATER

⯋䧴ĺˆżĺ„ť ęˆšç“žčŻ?ꅚ稙俤çƒžî™ˇâ°?â&#x;? each with rounded sides rising from a short straight foot, covered inside and out with a thick glaze of blue tones and mushroom-brown tones at the mouth rim, the interior with an irregularly-shaped splash of reddish-purple (2) 10cm diameter

ÂŁ2,000-3,000

152 GE-TYPE CRACKLE-GLAZED CENSER QING DYNASTY, 18TH-19TH CENTURY

嚢 â&#x;Źă†Ľę…šęťťć—° heavily potted of deep bowl shape, the sides rising to an inverted rim and supported on tripod knobbed feet, covered overall in a thick glaze with brownish FUDFNOHV ZLWK D ĆQHO\ FDUYHG ZRRGHQ VWDQG 12.5cm diameter Provenance: The Estate of the Late Dr. Virginia Glenn

ÂŁ400-600

153 SILVER-MOUNTED JIAN ‘HARE’S FUR’ TEA BOWL WITH LACQUER STAND ę‹“䊞⯨受䒊暄äŒ&#x;怚ä? potted with deep rounded sides rising from a short foot to a silverPRXQWHG ULP FRYHUHG ZLWK D WKLFN EODFN JOD]H ĆQHO\ VWUHDNHG ZLWK ‘hare’s fur’ markings, stopping above the foot exposing the dark brown body, with a tixi lacquer wooden stand bowl: 12.5cm diameter; 13cm high (with stand)

ÂŁ300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

73

154 GE-TYPE CRACKLE-GLAZED INCENSE BURNER QING DYNASTY, 18TH CENTURY

å¹¢ â&#x;¬ã†¥ê…¹ã£”羮껻æ—° the bulbous body raised on three short conical feet to D VOLJKW ZDLVWHG QHFN ZLWK D ćDUHG ULP WKH ULP ćDQNHG with two ear-handles, the vessel covered overall in a layer of greyish-blue glaze suffused with a network of black and faint russet crackles, the exterior and part of the interior further applied with a brownish patina, with D ZRRGHQ EDVH DQG FRYHU WRSSHG ZLWK D MDGHLWH ĆQLDO FHQVHU b FPbZLGH Provenance: Private Edinburgh collection; collected in the 1920s-30s

£3,000-5,000

74

155 LONGQUAN CELADON ‘LOTUS’ BOWL SONG-YUAN DYNASTY, 13TH-14TH CENTURY

㸢 ⯋ ëĽŒ幎ꍭꅚ角檍烞 well potted with generously rounded sides rising from a narrow, slightly tapered foot to a softly JURRYHG EDQG EHORZ WKH FULVS DQG JHQWO\ ćDUHG ULP the exterior carved with lotus petals, covered overall with a lustrous translucent glaze of soft green tone 15cm wide Provenance: Private Manila collection

ÂŁ3,000-5,000

156 CELADON-GLAZED DISH '$2*8$1*b0$5.

麼⯕匾 ꍭę…šäŤ”čˆšç„ˆ the shallow rounded sides raised on a short foot and rising to a VOLJKWO\ ćDUHG ULP WKH LQWHULRU DQG WKH H[WHULRU DUH FRYHUHG LQ MDGH green glaze, the base inscribed with a six-character Daoguang mark 7cm diameter

ÂŁ400-600

157 SKY-BLUE-GLAZED DISH 4,$1/21*b0$5. BUT PROBABLY LATER

âœ?꼑匾 㣔ꍭę…šç„ˆ the shallow rounded sides raised on a tapered foot, the body covered in a thick layer of sky-blue glaze, leaving only the foot rim unglazed and revealing the purplish-brown body, the base inscribed with a six-character Qianlong mark in underglaze blue 14.8cm diameter

ÂŁ600-800

158 YELLOW-GLAZED DEEP BOWL QIANLONG MARK BUT LATER

âœ?꼑匾 ëž”ę…šč§’č”…ç§™çƒž WKH LQWHULRU LQFLVHG ZLWK D ĆYH SHWDO ORWXV ćRZHU WKH H[WHULRU GHFRUDWHG ZLWK ORWXV ćRZHUV LQWHUVSHUVHG ZLWK FORXG PRWLIV the base inscribed with a six-character Qianlong mark in underglaze blue 12.1cm diameter

ÂŁ1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

75

159 BLUE-GLAZED BOTTLE VASE YONGZHENG MARK BUT LATER

꧚姝匾 ꍀčŻ?ę…šč‹ ćŤ– of pear-shaped with a tall cylindrical neck and circular foot rim, covered overall in a deep blue glaze, the base with a six-character Yongzheng mark in underglaze blue 24cm high

ÂŁ1,000-1,500

160 LONGQUAN CELADON VASE CHENGHUA MARK BUT 18TH CENTURY

䧭âť‹匾 ëĽŒ幎ꍭę…šĺ&#x;˛ĺĽ­ăź¤ elegantly potted with a gently rounded body, tapering towards a slightly spreading foot, rising to the neck with VOLJKWO\ ćDUHG ULP WKH body carved with lotus and foliage, covered overall in a delicate light green glaze, the base inscribed with a fourcharacter apocryphal Chenghua mark in underglaze blue, with a wooden base and and ĆWWHG ZRRGHQ ER[ 35cm high

ÂŁ6,000-8,000

76

161 CARVED PORCELAIN ‘DOUBLE PHOENIXES’ VASE QIANLONG MARK BUT LATER

âœ?꼑匾 ꧨ捙꧹뒉秙捖 raised from a short foot with straight body, gradually recessed into a long slender neck with splayed mouth rim, the body carved with two standing phoenixes facing each other with wide-spread wings, the neck carved ZLWK ćRUDO WHQGULOV LQ WKH (XURSHDQ VW\OH DOO DJDLQVW D key-fret ground, the recessed base impressed with a four-character Qianlong mark in archaic script, covered with a thin layer of transparent glaze 14cm high

ÂŁ2,500-3,500

162 DEHUA FIGURE OF GUANYIN QING DYNASTY, 19TH CENTURY

嚢 ä—žâť‹术ćŤ™éŒšę°‰ç”¨âŤš wearing layers of robes, standing on a lotus leaf supported by budding lotus ćRZHUV DQG OHDYHV RQ ZDYHV KROGLQJ D ORWXV ćRZHU DQG OHDI LQ OHIW KDQG KHU right hand in tarjani mudra, covered entirely in pale cream-tinged glaze, the base marked with two you (right) characters enclosed by a diamond shape in red, with a wooden base 63cm high

ÂŁ500-700

163 DEHUA FIGURE OF SEATED GUANYIN QING DYNASTY

嚢 ä—žâť‹术ćŤ™éŒšę°‰ă—‚⍚ holding a scroll in her right hand in front of her chest, covered overall in a white glaze 19.5cm high

ÂŁ400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

77

164 DING WHITE-GLAZED ‘DRAGON’ DISH NORTHERN SONG-JIN DYNASTY, 11TH-12TH CENTURY

âť?㸢 ꆄ ăš ç“ž术ę…šëĽŒç§™ćš? WKH ĆQHO\ SRWWHG URXQGHG VLGHV ULVLQJ IURP D VKRUW IRRW WR D ćDUHG ULP the interior delicately carved with a three-clawed dragon with bulging eyes and a scaly body in powerful stance, the dish covered overall ZLWK D FOHDU LYRU\ WLQJHG JOD]H VKRZFDVLQJ WKH ĆQH ZKLWH SRUFHODLQ body, the rim mounted with a metal band, with a wooden box 17.3cm diameter Provenance: Private Japanese collection

ÂŁ12,000-15,000

78

165 AUBERGINE-GLAZED RETICULATED BRUSH POT KANGXI PERIOD

ä? ć“ł č–¸ç¨™ę…šéˇ´ę§¨ç˜˜ç˜ł carved with the ‘Three Friends of Winter’- pine, bamboo, and prunus issuing from rockwork FPbKLJK Provenance: Private Edinburgh collection; collected in the 1920s-30s

ÂŁ300-500

166 OX-BLOOD-GLAZED BOTTLE VASE QING DYNASTY, 19TH CENTURY

嚢 ç§‹ę…šč‹ ćŤ– the globular body rising to a long cylindrical neck, the exterior applied with an ox-blood glaze, together with a wooden stand 16cm high Provenance: Private Edinburgh collection; collected in the 1920s-30s

ÂŁ400-600

167 COPPER-RED GLAZED SHALLOW BOWL YONGZHENG MARK BUT PROBABLY LATER

꧚姝匾 秋ꅚĺš?ćš? the rounded sides rising from a short foot to a ćDUHG ULP WKH FRSSHU UHG JOD]H VWRSV QHDWO\ at the foot, the base inscribed with a sixcharacter Yongzheng mark in underglaze blue 20.4cm diameter

ÂŁ800-1,200

168 BLUE-GLAZED SHALLOW DISH DAOGUANG MARK BUT PROBABLY LATER

麼⯕匾 čŻ?ę…šä¸ƒă€Ąç„ˆ supported on a short foot and raised to a splayed rim, covered overall with a cobalt blue glaze, the base with a six-character Daoguang mark 20.8cm diameter

ÂŁ600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

79

169 RED-GLAZED ‘YUHUCHUN’ BOTTLE VASE TONGZHI MARK BUT PROBABLY LATER

ă šĺą›匾 ç§‹ę…šćĄŞăĄšĺƒąćŤ– the gently rounded sides rising from a short foot to a waisted QHFN DQG ćDUHG ULP FRYHUHG LQ D GHHS FRSSHU UHG JOD]H WKH base with a six-character Tongzhi mark in underglaze blue 30cm high

ÂŁ300-500

170 LARGE BLUE-GLAZED BOTTLE VASE QING DYNASTY, 18TH-19TH CENTURY

嚢 ꍀčŻ?ꅚ㣔椕捖 the globular body rising to a long cylindrical neck, covered overall with deep blue glaze, with a hardwood stand 43cm high Provenance: Private Edinburgh collection; collected in the 1920s-30s

ÂŁ1,500-2,500

80

171 GE-TYPE CRACKLE-GLAZED ‘DOUBLE GOURD’ VASE LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ â&#x;Źă†Ľę…šč˘Žčą˘ćŤ– supported on a recessed foot, the body fully covered in ivory glaze with a network of faint russet crackle 10cm high

ÂŁ200-300

172 LARGE WHITE-GLAZED FIGURE OF BUDAI QING DYNASTY, 19TH CENTURY

嚢 术ę…šä‹’éƒ?ㄤ㟿㗂⍚ WKH VHDWHG ĆJXUH KROGLQJ D URVDU\ in his left hand resting on the raised NQHH WKH IDFH ĆQHO\ PRXOGHG ZLWK a laughing expression 31cm high

ÂŁ600-800

173 PEACOCK-BLUE-GLAZED PORCELAIN HAWK KANGXI PERIOD OR LATER

ä? ć“łä§´ĺˆżĺ„ť 㜰ꌿčŻ?ę…šë˜żä•Žäť—â&#x;? perching on a pierced rock, converted to a lamp, mounted on a brass stand, a brass pole for wiring ascends from the base over the hawk for bulb and lamp shade FPbKLJK ZLWKRXW EDVH Provenance: Private Scottish collection, Argrennan House, Dumfries and Galloway

ÂŁ300-500

174 LARGE LANGYAO REDGLAZED BOTTLE VASE QIANLONG MARK BUT LATER

âœ?꼑匾 鞼瓞秋ꅚ䓛秙㣔椕捖 with a waisted globular body rising from a slightly splayed foot WR D ORQJ QHFN DQG ćDUHG PRXWK the base inscribed with a sixcharacter apocryphal Qianlong mark in underglaze blue 39cm high

ÂŁ200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

81

175 DEHUA FIGURE OF SEATED GUANYIN QING DYNASTY, 18TH-19TH CENTURY

嚢 ä—žâť‹术ćŤ™éŒšę°‰ă—‚⍚ VHDWHG LQ UR\DO HDVH SRVH GUHVVHG LQ ORRVHO\ ĆWWLQJ UREHV DQG WKH KDLU covered by a cowl, the exterior covered by a white glaze in bluish hue 13cm high

ÂŁ800-1,200

176 PAIR OF LU-JUN-GLAZED ‘DOGS OF FO’ INCENSE STICK HOLDERS QING DYNASTY, 19TH CENTURY

嚢 ć—°ęˆšę…šâĄąć&#x;˛ęťťäł„â°?â&#x;? comprising a female with a cub under its right paw and a male with a pierced ball, both carrying a gu-shaped vase as an incense stick holder, on a rectangular base, covered in a turquoise glaze suffused with purple splashes (2) 15.5cm high

177

Provenance: Private UK collection

GE-TYPE CRACKLE-GLAZED ‘DOUBLE-GOURD’ VASE â&#x;Źă†Ľę…šč˘Žčą˘ćŤ–

ÂŁ1,000-1,500

supported on a recessed foot, the body fully covered in a thick greyish blue glaze with a network of black and faint russet crackles 11.5cm high

ÂŁ400-600

178 GE-TYPE CRACKLE-GLAZED SQUARE ‘HU’ VASE QIANLONG MARK

âœ?꼑匾 â&#x;Źă†Ľę…šĺ€°ăĄš RI ćDWWHQHG hu form with squared sections, raised from D VSOD\HG IRRW DQG WHUPLQDWLQJ LQ D ćDUHG PRXWK WKH foot, the body and the neck respectively adorned with a band of unglazed panel, moulded in high relief with two taotie masks and ring handles to the sides, the rest of the vessel covered in a thick layer of glaze with black crackles, the base with a six-character Qianlong mark 27cm high

ÂŁ800-1,200

82

179 BLUE-GLAZED CIRCULAR INK PASTE BOX AND COVER QING DYNASTY, 19TH CENTURY

嚢 čŻ?ę…šă•ŠčŚˆ渹 supported on a short ring foot, both the domed cover and the box covered in a dark blue glaze, the base painted with double circles in underglaze blue, ZLWK D ĆQHO\ FDUYHG ZRRGHQ EDVH 6.8cm diameter

ÂŁ200-300

180 BLUE-GLAZED SHALLOW DISH XUANDE MARK

ăš’ä—ž匾 ꍀčŻ?ę…šĺš?焈 WKH URXQGHG VLGHV ULVLQJ IURP D VKRUW IRRW WR D ćDUHG PRXWK ULP the indigo-blue glaze stops neatly around the white-glazed base, the base inscribed with a six-character Xuande mark 13.3cm diameter

ÂŁ800-1,200

181 LONGQUAN CELADON OCTAGONAL CHARGER QING DYNASTY

嚢 ëĽŒ幎ꍭćŤ™â°”éŒŹćš? the body raised from a short IRRW WR D ćDUHG RFWDJRQDO ULP the interior decorated with a coin pattern, the cavetto decorated with a cloud motif 35cm diameter

ÂŁ500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

83

182 IRON RED DECORATED STEM BOWL KANGXI PERIOD

嚢 ä˜žę§‰ă›”é†˘ĺŚľ ꅚ♳秋䕙粭ëˆ´ç§™ë„žé§ˆĺŒ‰ VWXUGLO\ SRWWHG ZLWK VWHHS URXQGHG VLGHV ULVLQJ WR D ćDUHG rim, supported on a hollow splayed foot, the exterior painted in iron-red enamel with a design of three carps, the unglazed foot-ring showcasing the smooth white body, the interior of the stem inscribed in underglaze blue with a four-character ‘Zhong Ya Tang Zhi’ mark 20.2cm diameter

ÂŁ1,000-1,500

Provenance: Private Edinburgh collection; given to the current owner’s stepfather as a wedding present by Henry Ford (1863-1947), the founder of the Ford Motor Company.

183 GILT-DECORATED CORALRED-GLAZED BALUSTER VASE QING DYNASTY, 19TH CENTURY

嚢 ćŁ ćŚŠç§‹ę…šä˛žę†„çłźĺ?•ç§™ĺ&#x;˛ĺĽ­ăź¤ the tapering ovoid body rising from a slightly spreading foot to a KLJK QHFN DQG ćDUHG ULP FRYHUHG with a coral glaze and adorned with gold paint with stylised foliage borne on scrolling tendrils 41cm high

ÂŁ800-1,200

84

184 TWO SWATOW BLUE AND WHITE CHARGERS MING DYNASTY, 16TH-17TH CENTURY

僈 息䊝瓞ꫭ蔅뜛뜿秙⿻ꧽ猑秙湏Ⰽ⟝ comprising: one charger painted freely with a qilin in the FHQWUH DQG VXUURXQGHG ZLWK D ćRUDO EDQG RQ WKH ULP WKH other decorated with two roosters in a natural setting (2) diameters: 39.5cm and 38cm

£800-1,200

185 LARGE SWATOW BLUE AND WHITE CHARGER MING DYNASTY, 16TH-17TH CENTURY

僈 息䊝瓞袖蟏暆䨞葦秙㣐湏 painted in underglaze blue with Portuguese ships in the centre, surrounded by armours around the rim band 43cm diameter

£800-1,200

85

186 BLUE AND WHITE ‘GOURD’ VASE WITH COVER MING-QING DYNASTY, 17TH-18TH CENTURY

ĺƒˆ䧴嚢 ꍭč”…ćŞ˜ĺ–‰čŚˆćŤ– the bulbous body raised from a short foot to a narrow mouth, bulging strips separate the body into six partitions to imitate a gourd, all SDUWLWLRQV SDLQWHG ZLWK LQGLYLGXDO VWRFNV RI ćRZHUV LQ XQGHUJOD]H EOXH FPbKLJK

ÂŁ1,500-2,500

187 PAIR OF BLUE AND WHITE BOTTLE VASES KANGXI PERIOD

ä? ć“ł ꍭč”…â˝ˆă€˘ă•ŹćŤ–î™ˇâ°?â&#x;?

Provenance: Private Scottish collection Note: For a similar pair of vases from the Collection of Gerson and Judith Leiber, but painted with dragons, see Sotheby’s New York, 20 March 2018, lot 424

each with a compressed pear-shaped body rising from a tall, splayed foot to an HORQJDWHG QDUURZ QHFN DQG ćDUHG PRXWK painted in intense cobalt tones with an arrangement of antiques, the base with a ćRZHU PDUN LQ XQGHUJOD]H EOXH

27cm high

ÂŁ2,000-3,000

188 BLUE AND WHITE ‘EQUESTRIAN SOLDIERS’ ROULEAU VASE LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ ꍭč”…ꞡⰼ秙ĺ•?ĺœ–ćŤ– SDLQWHG ZLWK D FRQWLQXRXV VFHQH RI D ZDU LQFOXGLQJ ĆYH HTXHVWULDQ VROGLHUV KROGLQJ ćDJV DQG ULGLQJ SDVVHG D PRXQWDLQ SDWK ZLWK WZR IRRW VROGLHUV DVLGH DQG WKUHH PDOH ĆJXUHV in discussing behind the rock, all below a band of ruyi and key-fret band in blue line 45.5cm high

ÂŁ2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

86

189 BLUE AND WHITE WITH UNDERGLAZE RED ARROW VASE QIANGLONG MARK BUT LATER

âœ?꼑匾 ꍭ蔅哆č?Žç§™ă”‹ĺ€°éĄ?瞎捖 the globular body with four angular edges painted with blossoming plum tree, EDPERR DQG FKU\VDQWKHPXP ćRZHUV ULVLQJ WR D VTXDUH PRXWKULP VXSSRUWHG RQ D VOLJKWO\ VSOD\HG IRRW WKH QHFN ćDQNHG E\ D SDLU RI VTXDUH KDQGOHV 17cm high Provenance: Private Scottish collection

ÂŁ400-600

190 BLUE AND WHITE STEM CUP QING DYNASTY

嚢 ꍭč”…ăż‹ĺŽ?➃ćš&#x;ç§™ë„žé§ˆĺŒ‰ the body painted with a hermit in a mountainous landscape setting, the tall foot adorned with bamboo leaves FPbKLJK

ÂŁ300-500

191 SMALL BLUE AND WHITE ‘BIRTHDAY CELEBRATION’ BALUSTER VASE KANGXI PERIOD

ä? ć“ł ꍭč”…éż“㜊â­‘䏺㥽㕏捖 decorated in vibrant shades of cobalt blue depicting the birthday celebration of the Tang dynasty General Guo Ziyi, the scene set in a pavilion with views towards the garden 18.5cm high Provenance: )URP WKH &ROOHFWLRQ RI 0DMRU *HQHUDO 6LU %DVLO $ +LOO .%( &% '62 -3

ÂŁ400-600

192 BLUE AND WHITE JAR QING DYNASTY, 18TH-19TH CENTURY

嚢 ꍭč”…çłźĺ?•č”…秙硜 of bulbous form, raised from a recessed foot rim to a wide shoulder, terminating into short straight rims, SDLQWHG RYHUDOO ZLWK ćRZHUV ZLWK WHQGULOV 19cm high

ÂŁ600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

87

193 BLUE AND WHITE RECTANGULAR CENSER JIAQING MARK AND PERIOD

㎗䣔匾 ꍭ蔅蔅⟰秙ę&#x;€ĺ€°ć—°äŒ&#x;čŚˆ the straight sides painted in cartouches respectively with a landscape VFHQH EUDQFKHV RI EDPERR ZLWK URFNV YDULRXV DQWLTXHV ZLWK ćRZHU SRWV and a four-line inscription, the base inscribed with a six-character Jiaqing mark in underglaze EOXH ZLWK D ZRRGHQ OLG FDUYHG LQ RSHQZRUN LQODLG ZLWK DQ DJDWH ĆQLDO ZLWK D ZRRGHQ EDVH FPbZLGH

ÂŁ800-1,200

194 BLUE AND WHITE BRUSH WASHER KANGXI MARK BUT 18TH-19TH CENTURY

ä? 擳匾 ꍭč”…⥹ć&#x;˛ç§™ç˜˜â˛‘ the bulbous body painted with six ‘Dogs of Fo’ in various poses, the recessed base with a six-character Kangxi mark 13cm diameter

ÂŁ400-600

195 BLUE AND WHITE INK PASTE BOX QING DYNASTY, 19TH CENTURY

嚢 ꍭč”…čĄžä•ŽčŚˆ渹 of leaf form, the cover decorated with a squirrel in grape vines with foliage 6.1cm long

ÂŁ200-300

196 PAIR OF BLUE AND WHITE TALL VASES QING DYNASTY, 19TH CENTURY

嚢 ꍭč”…âœłâź§ă”‹ăˇ‚ă•ŹćŤ–î™ˇâ°?â&#x;? of tapering square form, decorated with the stories from The Twenty-four Filial Exemplars (2) 45cm high Provenance: Private Scottish collection, Argrennan House, Dumfries and Galloway

ÂŁ600-800

88

197 BLUE AND WHITE ‘DOUBLE GOURD’ VASE QING DYNASTY, 19TH CENTURY

嚢 ꍭč”…ăż‹ĺŽ?➃ćš&#x;秙袎蹢捖 decorated with a landscape setting with rugged mountains interspersed with small houses and trees FPbKLJK

ÂŁ300-500

198 BLUE AND WHITE TULIP VASE QIANLONG MARK BUT 19TH CENTURY

âœ?꼑匾 ꍭč”…âžƒćš&#x;çłźĺ?•ç§™â?€ăś°ćŤ– painted with a lady in a garden setting, VXUURXQGLQJ E\ ORWXV DQG ćRUDO WHQGULOV 25.5cm high Provenance: Private London collection

ÂŁ1,000-1,500

199 BLUE AND WHITE ‘CRACKED ICE AND PRUNUS’ BALUSTER JAR KANGXI PERIOD

ä? ć“ł ꍭ蔅⹺哆秙硜 SDLQWHG ZLWK ćRZHULQJ SUXQXV branches on an underglaze blue ‘cracked-ice’ ground, the neck decorated with ribbon-tied SUHFLRXV REMHFWV ZLWK wooden cover and stand 32cm high (excluding stand and cover) Provenance: Private Scottish collection

ÂŁ500-700

200 LARGE BLUE AND WHITE JAR 4,$1/21*b0$5. %87 /$7(5

âœ?꼑匾 ꍭč”…ç‘­č”…ëĽŒç§™꧹瞎㟤 WKH EXOERXV ERG\ VXSSRUWHG RQ D VKRUW VSOD\HG IRRW SDLQWHG ZLWK ĆYH ĆYH FODZHG GUDJRQV DPRQJVW ćRUDO IROLDJH ćDQNHG ZLWK WZR chi dragon handles to the shoulder, the base inscribed with a six-character Qianlong mark 36.5cm high Note: Private European collection, acquired in the 1970s

ÂŁ400-600

89

201 BLUE AND WHITE TEA CUP AND SAUCER QIANLONG MARK BUT PROBABLY LATER

âœ?꼑匾 ꍭč”…çłźĺ?•ćš”âš¸ç§™č˜˘ćš„䊯 the interior of the saucer and the exterior of the cup are surrounded E\ IROLDJH VWHPPLQJ IURP SHRQLHV LQ ĆQH EOXH JOD]H ERWK RI WKH bases are inscribed with a four-character Qianlong mark (2) VDXFHU FP GLDPHWHU FXS b FP KLJK Provenance: Private Scottish collection

ÂŁ200-300

202 BLUE AND WHITE DISH KANGXI PERIOD

ä? ć“ł ꍭč”…ĺľłčą…ëˆ´čżŠç§™ç„ˆ with moulded foliate rim, decorated with a crab in the FHQWUH VXUURXQGHG ZLWK ĆVK VKHOOV DQG DTXDWLF SODQWV 21.2cm diameter Provenance: From the collection of the late Donald Black, see note lot 52

ÂŁ200-300

203 LARGE BLUE AND WHITE BASIN MING DYNASTY OR LATER

ĺƒˆ䧴ĺˆżĺ„ť ꍭč”…ëˆ´čą…ç§™çśż decorated to the body in various shades of cobalt blue with different VSHFLHV RI ĆVK VZLPPLQJ DPRQJVW ORWXV OHDYHV ORWXV ćRZHUV DQG VHDZHHG DOO below a swastika band to the rim 35cm high Note: Private European collection, acquired in the 1970s

ÂŁ2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

90

91

204 PAIR OF SPANIEL PUPS QING DYNASTY, 18TH-19TH CENTURY

嚢 㢍ęŒźćŤ™ă?–ćœ„î™ˇâ™§ăźŠî™¸ each porcelain spaniel modelled seated with their tails curled around a hind leg and slightly open mouth, each wearing a collar with a gilt bell pendant, their fur naturalistically painted in brown (2) 17cm high Provenance: From the collection of Sir Robert Stodart Lorimer, KBE (1864– 1929); thence by direct family descent and most recently on loan to Kellie Castle Note: a closely comparable pair of spaniel pups with the same size and painted in iron-red was in the Peggy and David Rockefeller collection, sold at Christie’s New York on 9th May 2018, lot 153

ÂŁ2,000-3,000

205 TWO FAMILLE ROSE MILLEFLEUR BALUSTER VASE AND CHARGER QIANLONG MARK BUT LATER

âœ?꼑匾 çŁŒä•™ćś°č”…â™śčĄ†ă–’ćš?〥捖⿝ăŁ?ćš?â°?â&#x;?  comprising a baluster vase, the bulbous body rising from a short foot to a waisted neck, extending to a large opening of a disc mouth, the body FRYHUHG HQWLUHO\ E\ PLOOHćHXU DQG D ODUJH FKDUJHU UDLVHG IURP D WDSSHUHG IRRW WR D VOLJKWO\ ćDUHG ULP WKH LQWHULRU GHFRUDWHG ZLWK PLOOHćHXU WKH H[WHULRU FRYHUHG LQ ZKLWH JOD]HG DQG DGRUQHG ZLWK IRXU ćRZHUV HDFK YHVVHO inscribed with a six-character Qianlong mark in iron red on the base (2) YDVH FPbKLJK FKDUJHU b FP GLDPHWHU

ÂŁ1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92

206 FAMILLE ROSE ‘DOUBLE GOURD’ WALL VASE QIANLONG MARK BUT LATER

âœ?꼑匾 çŹƒă–’çŁŒä•™ę&#x;šâŻ•袎蹢㠗捖 the lower bulb decorated with a panel depicting two birds perched on a blossoming branch emerging from a tree stump surrounded by a plethora of ćRUD WKH XSSHU EXOE LQVFULEHG ZLWK D SRHP DOO UHVHUYHG RQ D JLOW JURXQG ZLWK turquoise leaves, the base with a four-character iron-red Qianlong seal mark 20cm high

ÂŁ1,500-2,500

207 FAMILLE ROSE YELLOW-GROUND ‘DOUBLE-GOURD’ VASE QIANLONG MARK BUT LATER

âœ?꼑匾 ëž”ă–’çŁŒä•™çłźĺ?•č”…秙袎蹢捖 painted in vibrant colours with a variety of seasonal ćRZHUV LQFOXGLQJ ORWXV DQG KLELVFXV ERUQH RQ VFUROOLQJ leafy stems, below a ruyi head collar at the mouth and a lappet band encircling the foot, the turquoise-glazed base with a six-character apocryphal Qianlong mark 23cm high Provenance: Private Edinburgh collection

ÂŁ1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

93

208 WUCAI ‘DRAGON AND PHOENIX’ BOWL DAOGUANG MARK

麼⯕匾 â?€ä•™ëĽŒ睼ë’‰čŽťçƒž the deep rounded sides rising from a short straight foot to a subtly everted rim, the exterior vividly painted with WZR ĆYH FODZHG GUDJRQV LQ UHG DQG JUHHQ UHVSHFWLYHO\ DFFRPSDQLHG E\ WZR SKRHQL[HV FKDVLQJ çćDPLQJ SHDUOVè all above a band of the Ashtamangala- eight Buddhist auspicious emblems, intermitent with ruyi motifs on the ULP WKH LQWHULRU ZLWK D PHGDOOLRQ RI D UHG ĆYH FODZHG GUDJRQ JUDVSLQJ IRU D çćDPLQJ SHDUOè WKH EDVH ZLWK D VL[ character Daoguang mark in seal inscription 16cm diameter Note: for a nearly identical bowl, sold at Sotheby’s New York on 13 September 2017, lot 3

ÂŁ1,000-1,500

209 LARGE FAMILLE VERTE ‘DRAGON’ CHARGER KANGXI MARK BUT LATER

ä? 擳匾 çŹƒä•™â?€ëĽŒéŚœ ćŁ&#x;ăŁ?ćš? painted with a ĆYH FODZHG GUDJRQ in iron-red in the centre, surrounded by four dragons FKDVLQJ çćDPLQJ pearls’ in green, blue, pale yellow, and grey respectively, all against a crashingwave ground, the base inscribed with a six-character Kangxi mark in underglaze blue within double rings, with a wooden stand 40cm diameter Provenance: From the collection of the late Donald Black, see note lot 52

ÂŁ800-1,200

94

210 FAMILLE VERTE JAR CHENGHUA MARK BUT LATER

䧭âť‹匾 çŹƒä•™ę&#x;šâŻ•ëˆ´ćĄŠç§™硜 RI RYRLG IRUP ZLWK D ćDUHG QHFN painted with four panels showing carp and lions, the base inscribed with a sixcharacter apocryphal Chenghua mark in underglaze blue, with a wooden stand 18cm high Provenance: From the collection of the late Donald Black, see note lot 52

ÂŁ150-250

211 FAMILLE VERTE SQUARE-SECTIONED VASE AND COVER QING DYNASTY, 19TH CENTURY

嚢 çŹƒä•™âžƒćš&#x;秙äŒ&#x;čŚˆĺ€°ćŤ– painted with four panels depicting immortals in various poses and scenes, the neck with peonies, the cover moulded with a ç'RJ RI )Rè OLRQ ĆQLDO ZLWK ZRRGHQ VWDQG 33.5cm high

ÂŁ250-350

212 FAMILLE VERTE ‘DOUBLE-GOURD’ VASE REPUBLIC PERIOD

ĺ­—ă•œ çŹƒä•™ëĽŒç§™袎蹢捖 rising from a foot rim to a waisted neck, painted with continuous scenes of D ĆYH FODZHG GUDJRQ 35cm high

ÂŁ600-800

213 FAMILLE VERTE ROULEAU VASE QING DYNASTY, 19TH CENTURY

嚢 çŹƒä•™âžƒćš&#x;秙ĺ•?ĺœ–ćŤ– ZLWK ćDUHG QHFN WKH ERG\ GHFRUDWHG with a continuous scene of ladies with children at play and listening to music, adorned with trellis borders 45.5cm high Provenance: Private Scottish collection, Argrennan House, Dumfries and Galloway

ÂŁ500-700

95

214 PAIR OF FAMILLE ROSE VASES QING DYNASTY, 19TH CENTURY

嚢 çŁŒä•™č”…ë‘ˇç§™㟊捖â°?â&#x;? each of square baluster form, the tapered body rising to a slightly splayed neck, painted with chrysanthemum, peony, and ORWXV ćRZHUV ZLWK VRQJELUGV WR WKH QHFN ZLWK ZRRGHQ VWDQGV

72cm high Provenance: From the collection of the late Donald Black, see note lot 52

ÂŁ1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

96

215 FAMILLE ROSE SQUARE JARDINIĂˆRE QIANLONG MARK BUT LATER

âœ?꼑匾 çŁŒä•™č”…âź°ę˛—é‘˜ĺ€°ć¸? WKH ĆQHO\ SRWWHG SRUFHODLQ ERG\ SDLQWHG on two sides with peonies and prunus blossoms on branches, the two other sides inscribed with poems and three red seal marks, the base with an apocryphal four-character Qianlong mark in red, with a carved wooden base 12.5cm wide

ÂŁ2,500-3,500

216 LARGE CANTON FAMILLE ROSE CHARGER QING DYNASTY

嚢 䑞䕙蔅⟰秙ăŁ?ćš? WKH FHQWUH SDLQWHG ZLWK D EDVNHW DQG D YDVH ZLWK ORWXV ćRZHUV SHRQLHV FKU\VDQWKHPXP SRPHJUDQDWH yulan magnolia, and their foliage VWHPPLQJ RXW IURP WKH YHVVHOV WKH FDYHWWR DGRUQHG ZLWK ćRZHUV SDWWHUQ VHWV LQWHUPLWWHQW ZLWK SOXP EORVVRPV RQ FUDFNOHG JURXQG 60cm diameter

ÂŁ1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

97

217 WUCAI BRUSH POT QING DYNASTY

幢 ❀䕙➃暟秙瘘瘳 depicting a scholar seated in a garden setting and a male attendant playing with a ball, enamelled in green, red, yellow and blue 14cm high

£2,000-3,000

218 WUCAI JAR LATE QING DYNASTY-REPUBLIC PERIOD, 19TH20TH CENTURY

幢劣字ⴲ ❀䕙⚋し㉏暋秙⽷綿 KDQG SDLQWHG LQ GHWDLO ZLWK WKH ç%LQJML DVNV DERXW WKH buffallo’ story, an allusion accounted in the Book of Han, all above three bands of ruyi motifs, auspicous emblems and patterns encircled the rim 35cm diameter

£3,000-5,000

98

219 FAMILLE ROSE CUP AND SAUCER QIANLONG PERIOD

å¹¢ 銯峕殥磌䕙蘢湄䩯 after the Derby style, the interior of the cup and the centre of the VDXFHU SDLQWHG ZLWK D FRXQWU\VLGH VFHQH LQFOXGLQJ KRXVHV LQ ĆHOGV the exterior of the cup and the inner band of the saucer adorned with scenes of English life, including a courting couple seated on a EHQFK PHQ ZDONLQJ ZLWK VWLFN DQG GRJ D ODG\ ć\LQJ D NLWH

cup: 4.5cm high; saucer: 14.2cm diameter

£300-500

Inside view of cup

Top down view of saucer

220 CANTON FAMILLE ROSE BOTTLE VASE AND COVER QING DYNASTY, 19TH CENTURY

å¹¢ 䑞䕙蔅둷➃æš&#x;秙覈櫖 decorated with scroll-framed cartouches depicting courtly scenes alternating ZLWK ELUGV DQG ćRZHU SDQHOV UHVHUYHG RQ D JLOW JURXQG ZLWK ćRUDO VFUROOV 45cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

99

221 PAIR OF FAMILLE ROSE CUPS AND SAUCERS LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ çŁŒä•™č˜˘ćš„䊯♧㟊 HDFK SLHFH SDLQWHG ZLWK D EXWWHUć\ DQG D branch with red fruits and green leaves (2) FXS b FPbKLJK VDXFHU FP GLDPHWHU

ÂŁ200-300

222 FAMILLE ROSE BOTTLE VASE JIAQING MARK BUT 19TH-20TH CENTURY

㎗䣔匾 çŁŒä•™č”…âź°ç§™ćŤ– WKH EXOERXV ERG\ ĆQHO\ SDLQWHG ZLWK SHRQ\ DQG PDJQROLD WUHHV WKH WDOO VOHQGHU QHFN IXOO\ decorated with lotus in tendrils on an apple green ground, the interior and the base covered in turquoise enamel glaze, the base inscribed with a six-character Jiaqing mark in red 33cm high

ÂŁ600-800

223 FAMILLE ROSE CHARGER DATED 1959

ĺ…žä—žę”ŠçŁŒä•™âžƒćš&#x;秙ćš? painted with red armies returning to their hometown after victory for revolution, with an inscription to the top right, indicating the plate was made in the Jingdezhen in Spring, March 1959, attributed to artist Tu Juqing (1904-1970), the base painted with a two-line, ten-character mark ‘Jing De Zhen Shi, Yi Shu Ci Chang Chu Pin’ in red 33cm diameter Note: an almost identical but larger plate was sold at Xiling Yinshe Auction in Spring 2017, lot 1439

ÂŁ1,500-2,500

100

224 ‘LANDSCAPE’ PAPERWEIGHT 鷴ꧨ櫙秶ꔩ of brick form, both ends are carved in openwork with a double-coin pattern, the surface is decorated with buildings in a landscape setting, with inscription reading ‘made at Zhushan in the Spring of Ding Hai year’ (1947) FPbZLGH

£400-600

225 GROUP OF THREE FAMILLE ROSE WARES ぐ䒭磌䕙櫙㐼♲⟝ comprising: a porcelain-covered bowl of rectangular form, the sides of the bowl and the domed cover are decorated with landscape scenes with green mountains and small boats in rivers; a small vase of tear shape supported on a tall foot; and a snuff bottle, both decorated with a landscape setting, each piece bears an inscription attributed to artist Wang Yeting (3) ODUJHVW b FP ORQJ

£200-300

226 QIANJIANG ENAMELLED AND INSCRIBED PORCELAIN PLAQUE 㶩㸞妵 幏窧䕙➃暟㿋宐秙 櫙晝殥 depicting two scholars in discussion in a mountainous waterside landscape, inscribed with a poem, signed ‘Zi An’, with a seal of the artist 38.6cm x25.5cm

£500-700

101

227 FAMILLE ROSE BOTTLE VASE QING DYNASTY, 19TH CENTURY

嚢 çŁŒä•™âžƒćš&#x;ä¸ƒă€ĄćŤ– RI EXOERXV ERG\ DQG D ćDUHG ULP VXSSRUWHG RQ D WDOO VSOD\HG IRRW SDLQWHG ZLWK WKUHH PDOH ĆJXUHV LQ FRQYHUVDWLRQ 25cm high

228

ÂŁ500-700

LARGE FAMILLE ROSE ‘EIGHT HORSES’ CHARGER YONGZHENG MARK BUT 19TH CENTURY

꧚姝匾 çŁŒä•™â°”ęžšęź›ă•ŹăŁ?ćš? the rounded sides rising from a straight foot WR D ćDUHG ULP ERWK WKH LQWHULRU DQG H[WHULRU painted with eight horses in a mountainous landscape, each horse portrayed as galloping, grazing, walking, or reclining below a weeping willow, the base inscribed with a sixcharacter Yongzheng mark in underglaze blue 39.8cm diameter

ÂŁ1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

229 PAIR OF TEA BOWLS WITH COVERS AND SAUCERS QIANLONG MARK, BUT REPUBLIC PERIOD

âœ?꼑匾 çŁŒă–’ę&#x;šâŻ•č”…âź°ç§™č˜˘ćš„âżťćš„䊯♧㟊 each cup and cover decorated in three cartouches with magpies, orchids, chrysanthemums, and plum blossoms, all against a pink JURXQG WKH WRS RI WKH FRYHUV DQG WKH EDVH RI WKH ćDUHG ULP FXSV inscribed with a four-character Qianlong mark in red (2) 10.5cm diameter

ÂŁ300-500

230 FAMILLE ROSE ‘DOUBLE HAPPINESS’ BOWL DAOGUANG MARK AND OF THE PERIOD

麼⯕匾 çŹƒă–’çŁŒä•™çłźĺ?•ăź‚ćšąč”…꧹ă‹?ĺľłĺ•§çƒž RI LQJRW VKDSH WKH H[WHULRU GHFRUDWHG ZLWK ORWXV ćRZHUV scrolling foliage, bats and four ‘double happiness (shuang xi)’ character, indicating this bowl as a Chinese wedding ware, the interior and the base covered in turquoise enamel, the rim with gilt paint, the base inscribed with a six-character Daoguang mark 19cm diameter

ÂŁ400-600

231 FAMILLE ROSE FOUR-TIERED BOX AND COVER REPUBLIC PERIOD

ĺ­—ă•œ çŁŒä•™äŒ&#x;čŚˆćŻ•渹 painted on the cover with two female deities descending from the sky to meet a general and KLV DWWHQGDQW KROGLQJ D ćDJ WKH VLGHV RI HDFK WLHU GHSLFWLQJ GLIIHUHQW DVSHFW RI &KLQHVH OLIH including playing chest, appreciating chrysanthemums, playing qin, a musical instrument etc., each tier with two looped handles on either side, some inserted with a metal ring 20.5cm high

ÂŁ400-600

232 PAIR OF FAMILLE ROSE ROULEAU VASES QING DYNASTY, 19TH CENTURY

嚢 čŻ?ă–’çŁŒä•™ę&#x;šâŻ•č”…⟰秙㟊捖 each painted with a garden setting including YDULRXV ćRZHUV LQ WZR ODUJH FLUFXODU cartouches, interspersed with two small FLUFOHV FRQWDLQLQJ D ćRZHU YDVH DQG EDW WKH QHFN GHFRUDWHG ZLWK ĆJXUHV LQ D GUDJRQ ERDW DQG ćRZHU YDVH DOO DJDLQVW D GDUN EOXH JURXQG with yellow tendrils (2) 38.3cm high

ÂŁ300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

103

233 FAMILLE ROSE JARDINIERE QING DYNASTY, 19TH CENTURY

嚢 çŁŒä•™ę&#x;šâŻ•â˝ˆă€˘ç§™ć¸? the exterior decorated with ‘Bo Gu Tu’- various antiquities in four cartouches, surrounded by lotus, bats and foliage, all underneath a band of peonies on a yellow ground to the rim FPbGLDPHWHU

ÂŁ400-600

234 FAMILLE VERTE ROULEAU VASE QING DYNASTY, 19TH CENTURY

嚢 çŹƒä•™âžƒćš&#x;ĺ•?ĺœ–ćŤ– the body decorated with a lady in red dress playing a qin musical instrument in front of a large screen in a garden, surrounded by her friends appreciating the music 46.5cm high

ÂŁ300-500

235 PAIR OF LARGE CANTON GILT FAMILLE VERTE VASES QING DYNASTY, 19TH CENTURY

嚢 ä‘žä•™䲞ę†„âžƒćš&#x;蔅둡秙äŒ&#x;瞎㟊捖 each of baluster body, tapering to D ćDUHG ULP RQH VLGH SDLQWHG ZLWK scholars gathering around a long table appreciating antiques in a garden scene, the other side with two birds standing on a rock, all on a polychrome background with various ćRZHUV ELUGV DQG EXWWHUćLHV

62cm high

ÂŁ800-1,200

104

236 DOUCAI ‘POMEGRANATE’ MEDALLION BOWL XUANDE MARK BUT 18TH CENTURY

ăš’ä—ž匾 ë†˝ä•™ç€–ĺ›¤č”…ç§™çƒž WKH GHHS URXQGHG VLGHV ULVLQJ IURP D VKRUW VWUDLJKW IRRW WR D VOLJKWO\ ćDUHG rim, delicately decorated with pomegranates, pomegranate trees and plum blossom trees in round pattern on the exterior, the base inscribed with an apocryphal six-character Xuande mark within double circles 15.2cm diameter Note: Property from an Asian private collection; acquired from Sotheby’s London, 14th May 2014, lot 348

ÂŁ300-500

237 FAMILLE ROSE ‘BIANCO-SOPRA-BIANCO’ PLATE QIANLONG PERIOD

嚢 çŁŒä•™ç•™㜊ꞡé&#x;?秙ćš? of circular form, painted with elephant and mahout in the centre within a cartouche LQ IDPLOOH URVH DQG JLOW SDLQW GHFRUDWHG ZLWK ELDQFR VRSUD ELDQFR ćRUDO JURXQG ZLWK ORWXV ćRZHUV DQG EXGV RQ WKH ULP H[SRUW SRUFHODLQ IRU WKH ,QGLDQ PDUNHW 23cm diameter

ÂŁ500-700

238 FAMILLE VERTE BARBERS BOWL KANGXI PERIOD

嚢 çŹƒä•™ëˆ´čť‹č”…ë‘ˇç§™ćš? SDLQWHG WR WKH FHQWUH ZLWK D SKRHQL[ LQ ćLJKW DPRQJVW SHRQLHV WKH VLGHV DUH SDLQWHG ZLWK SDQHOV RI ĆVK DQG VKULPS LQWHUVSHUVHG ZLWK EXWWHUćLHV DQG ćRZHUV FPbZLGH

ÂŁ500-700

239 FAMILLE ROSE OCTAGONAL PLATE <21*=+(1*b3(5,2'

嚢 çŁŒä•™č”…âź°âžƒćš&#x;ç§™â°”éŒŹćš? WKH FHQWUDO SDQHO SDLQWHG ZLWK WZR ODGLHV SOXFNLQJ ćRZHUV in a garden, alongside a pavilion and lotus pond, the band LV IXOO\ GHFRUDWHG ZLWK YDULRXV IUXLWV DQG ćRZHUV ZLWK some gilt paint highlighting the decoration and the rim FPbZLGH

ÂŁ500-700

105

240 AUBERGINE-GLAZED DEEP BOWL KANGXI PERIOD

嚢 č–¸ç¨™ă–’č”…ç§™çƒž GHFRUDWHG ZLWK ćRZHULQJ EUDQFKHV LQ JUHHQ DQG yellow colour against an aubergine background 20.7cm diameter

ÂŁ400-600

241 SMALL FAMILLE VERTE BOTTLE VASE QING DYNASTY, LATE 18TH19TH CENTURY

嚢 çŹƒä•™č”…âź°ç§™ăź­ćŤ– the bulbous body and long neck fully decorated with VPDOO ćRZHU EORVVRPV RQ OLJKW apple green enamel ground, WKH ćDUHG ULP SDLQWHG ZLWK geometric square pattern in green and yellow 13.6cm high

ÂŁ300-500

242 PAIR OF FAMILLE VERTE SQUARE ‘ARROW’ VASES AND BASES QING DYNASTY, 18TH-19TH CENTURY

嚢 çŹƒä•™ę&#x;šâŻ•㥽秙垸⽍挰楊㿋ĺŽ?秙倰捖ă‚?ä? ♧㟊 HDFK YDVH GHFRUDWHG ZLWK ORWXV ćRZHUV DW WKH WRS UDLVHG shou (longevity) FKDUDFWHUV DQG SHDFK EUDQFKHV LQ WKH FHQWUH ćRZHUKHDGV LQ KH[DJRQDO patterns at the bottom, the alter-shaped base adorned with dragons, ruyi, and ‘cracked ice and prunus’ decoration (2) Note: a closely comparable example in similar square shape and decorative style, but dated to Kangxi period (1662-1722), is in the collection of Victoria & Albert Museum, museum number: 788&STAND-1883

46cm high (including base)

ÂŁ4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

243 INK PAINTED TEAPOT TONGZHI MARK AND OF PERIOD

ă šĺą›匾 ă&#x;Żä•™â°”➲捙㥚 the cylindrical body raised from a short foot to a wide mouth, the domed FRYHU ZLWK D SHDFK IRUP ĆQLDO WKH ERG\ DQG FRYHU SDLQWHG ZLWK HLJKW immortals, the base inscribed with a six-character Tongzhi mark in iron red 11cm diameter

ÂŁ200-300

244 BISCUIT SANCAI GLAZED FIGURE OF GUANYIN KANGXI PERIOD

ä? ć“ł ç¨‡â™˛ä•™éŒšę°‰ă—‚⍚ covered with sancai glaze in aubergine, green and yellow colour, holding a ruyi sceptre, with a square wooden stand 21cm high

ÂŁ200-300

245 SANCAI-GLAZED ROOFTILE OF A MALE FIGURE THE THIRD YEAR OF DAOGUAN PERIOD, 1823

麼âŻ•â™˛äŽƒ ♲䕙ꤲă?–➃ćš&#x;⍚ GHSLFWHG LQ RIĆFLDO FRVWXPH ZLWK D FURZQHG KHDG DQG OD\HUHG robes, seated on a rectangular base and stepped on an alter WDEOH WKH ĆJXUH FRYHUHG LQ JUHHQ \HOORZ FUHDP DQG WXUTXRLVH glaze, the backside of the unglazed base inscribed with a line of four Chinese characters ‘Dao Guang San Nian’, indicating this piece was made in the third year of Daoguan reign 47cm high

ÂŁ700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

246 YIXING STONEWARE TEAPOT 䖛僱猗 랔륌㿋岟㹆莇稙瀨 㿋宐蘢㡹 the well-potted conical teapot carved with a landscape scene and an inscription reading ‘Yun Gao Zhi Jing’ , the base with a ‘Xu Chun Xiu Zhi’ seal mark, the interior of the cover with two seal marks of the artist, with D FHUWLĆFDWLRQ IURP WKH DUWLVW LQGLFDWLQJ WKDW WKH WHDSRW ZDV PDGH RI WKH clay from Huanglong mountain 12.5cm wide

£400-600

247 YIXING STONEWARE TEAPOT QING DYNASTY

幢 幢껻棇梖妵 㹆莇稙瀨蘢㡹 of squatted bulbous form, set with a short spout and a loop handle, the stoneware of a rich darkbrown colour, the base signed with a four-characeter mark ‘Qing Xiang Zhen Wan’ in archaic script 12cm wide

£600-800

248 YIXING STONEWARE TEAPOT WITH TWO CUPS ꤫䘞䖛 笃岟㹆莇稙瀨 㿋宐蘢㡹わ匉Ⰽ⟝ the teapot carved with a landscape scene and an inscription reading ‘Shan Qing Shui Xiu (green mountains and beautiful water)’ , the base with a ‘Chen Zhong Xu Zhi’ seal mark, the interior of the cover with two seal marks of the artist, each cup with a ‘Sheng Zhong Xu’ seal mark on the base (3) WHDSRW b FPbZLGH

£400-600

108

249 GROUP OF THREE YIXING STONEWARES ăš†čŽ‡ç¨™ç€¨ę¤˛ĺ€°ä•Žç˜˜ç˜łâżťč”…ć¸?♧㟊♲â&#x;? comprising: a brush pot of square form, the sides incised with a branch of plum blossom and a seven-character inscription, OLWHUDOO\ PHDQLQJ çSHQ ćRZHU DQG UDLQ ZRXOG QRXULVK DQ article’, also inscribed with the production year of this pot ‘in the autumn of the year of Kuei Hai (1923AD); and two FLUFXODU ćRZHU SRWV HDFK EXOERXV ERG\ VXSSRUWHG RQ WKUHH short feet and decorated with landscapes on the exterior (3) brush pot: 11.5cm high; pot: 9.5cm diameter

ÂŁ1,200-1,800

250 YIXING STONEWARE TEAPOT QING DYNASTY

嚢 糒梖匾 ăš†čŽ‡ç¨™ç€¨č˜˘ăĄš the compressed globular body with a raised lid, set with a short spout and a loop handle, the stoneware of a rich dark-brown colour, the base incised with ‘Ji Wan’ in archaic script 11.5cm wide

ÂŁ600-800

251 YIXING LU-JUN-GLAZED TEAPOT LATE QING DYNASTY REPUBLIC PERIOD, 19TH-20TH CENTURY

嚢劣字ⴲ ăš†čŽ‡ç¨™ç€¨ć—°ęˆšę…šę¤˛äŒ&#x;čŚˆč˜˘ăĄš with a tall square body, both the body and the domed cover covered in a thick layer of Jun-glazed fused with light and dark blue colours, the interior and the foot rim revealed the original purplish clay body, the base with a four-character ‘Dan Fu Zhai Zhi’ mark in archaic script 20cm high

ÂŁ300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

JAPANESE WORKS OF ART

110

252 TWO WOOD NETSUKES MEIJI PERIOD

僈屛 姻妄妵 加ꧨ롗䕎 ⿻ 桪瀖妵 加ꧨ跨䕎呏➰Ⰽ⟝ comprising: one carved with a mouse gripping its long tail and standing on top of a pile of sweetcorn inside a wooden barrel, signed ‘Masatsugu’; and a frog lying on a lotus leaf, signed ‘Gyokuseki’ (2) ODUJHVW FPbZLGH

£250-350 Y

253

LARGE BAMBOO STICK WITH IVORY INLAY MEIJI PERIOD

僈屛 韍暆䅺傈劥娀㡦娀놽ꧨ畾瘳 the bamboo body intoxicatedly carved in high relief ZLWK DQ HSLF DUPHG ĆJKW EHWZHHQ IRXU VDPXUDL holding disparate weapons under a pine tree, the faces of the samurai highlighted with ivory inlay, carved in low relief with austere expressions FPbKLJK

£300-500

254

WOOD FOUR-CASE INRO MEIJI PERIOD

僈屛 傈傻妵 加ꧨ⼧Ⱉ繏恎 秙⽫硱 carved with sixteen arhats together with a monkey, dragon and bird, some inlaid with glass eyes, signed ‘Nissho’ on the base 8cm high

£150-250

111

255 NABESHIMA PORCELAIN DISH EDO PERIOD, LATE 17TH CENTURY

寐䨫儘➿ ꑜ䃋敯暔⚸嵠秙湏 painted in underglaze blue, iron-red, green, and ochre enamels with peony blossoms on stylised waves, the underside with linked cash and tassels and a comb design encircling the high foot rig 19.7cm diameter Provenance: Private Scottish collection Note: For a nearly identical dish, see Bonhams New York, 13 September 2017, lot 1270

£1,000-1,500

256 PAIR OF SATSUMA VASES MEIJI PERIOD

僈屛 㸛㿋妵 讍䷒敯Ꟛ⯕䲾ꆄ蔅둷 ➬㥏㕬㼩櫖 each of cobalt blue with gold outline, painted exquisitely with similar themes in two cartouches: geishas under a maple tree and surrounded by chrysanthemum, peonies, sakura, birds, etc., the base bearing the maker’s sign in gold ‘Houzan’ (2) FPbKLJK

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112

257 INLAID IRON BOX SET OF KOMAI STYLE MEIJI PERIOD

ĺƒˆĺą› 幎ę°šĺš?â? 匾 ę?Ťę†„ę‹“䟭渹 in circular form, composed with a central circular box surrounded by three further curved boxes, decorated with inlaid silver and gold with scenes of pagodas in landscapes and a dragon to the centre, raised on a plinth base and signed ‘Kyoto Asai’ within a square

258 TWO MIXED-METAL INLAID BRONZE FAN-SHAPED SHAKUDO MENU HOLDERS MEIJI PERIOD

16.5cm wide Provenance: From the collection of the late Donald Black, see note lot 52

ÂŁ1,000-1,500

ĺƒˆĺą› éĽ•ę‹œă –ę†„ęšŠä…şč”…ë‘ˇç§™äŠ?䕎呲晌ĺ?şî™ˇâ°?â&#x;? one of circular fan form, each exquisitely GHFRUDWHG ZLWK FUDQHV DQG ćRZHULQJ WUHHV

widths: 7cm and 8cm

ÂŁ700-1,000

Y

259

UTAGAWA KUNIHISA (JAPANESE 1832-1891) 6+,%$<$0$b$1' 3$,17(' IVORY FAN, MEIJI PERIOD

ĺƒˆĺą› ĺ§?äŠ›ă•œâ›‰掼 é&#x;?暆䲞ꆄ㟂瀖 Ꚋ䅺䍔äŠ?

Note: Kunihisa, a pupil of the ukiyo-e print designer Utagawa Kunisada, was renowned for his painted decoration of fans for the export market

ivory sticks and guards inlaid with mother of pearl, carved horn and green hardstone, gilt lacquer birds and branches, the fan painted ZLWK D ZLQWHU VFHQH ZLWK ĆJXUHV red seal mark and a signature of the aritist, the reverse with spring VFHQH RI ELUGV ć\LQJ 30.2cm wide

ÂŁ300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113 Y

260

IVORY OKIMONO OF A BIJIN AND CAT MEIJI PERIOD

ĺƒˆĺą› ⿟鋡匾 é&#x;?暆ꧨ皥➃⍚縨ćš&#x; ĆQHO\ FDUYHG LQ NQHHOLQJ SRVH GUHVVHG LQ HOHJDQW NLPRQR GHOLFDWHO\ LQFLVHG ZLWK ćRZHUKHDGV DQG IROLDJH KHU ULJKW DUP KDOI UDLVHG DQG ZLWK D EDOO EDODQFHG RQ WKH EDFN RI hand, a cat playing with her kimono obi sash behind, the base engraved with ‘Tomochika’ 7cm high Provenance: Private English collection

ÂŁ300-500

Y

261

IVORY OKIMONO OF A FISHERMAN MEIJI PERIOD

ĺƒˆĺą› é&#x;?暆怒字縨ćš&#x; kneeling with a basket and toolbox, a two-character red seal mark to the base, with a carved wooden plinth 10cm high (without base) Provenance: Private Edinburgh collection; collected in the 1920s-30s

ÂŁ300-500

Y

262

PAIR OF IVORY TUSK VASES MEIJI PERIOD

ĺƒˆĺą› é&#x;?暆ꧨć&#x;?㟊捖 each decorated with Japanese macaque monkeys playing with their younger ones, integral wooden stands, each vase engraved with a two-character red-stained seal mark (2) 27cm high Provenance: Private Scottish collection

ÂŁ3,500-4,500

114

263 KATSUSHIKA HOKUSAI (JAPANESE 1760-1849) FOUR WOODBLOCK PRINTS WITH MOUNT FUJI LANDSCAPE

袇ꡇâť?뢚⿝ĺ§?䊛䑞ꅞ 㺢㥌ăż‹ć™?掼♏â&#x;? FRPSULVLQJ IRXU SLHFHV RXW RI ç7KH 7KLUW\ 6L[ 0RXQW )XML /DQGVFDSHVè E\ WKH UHNQRZQ Ukiyo-e SDLQWHU .DWVXVKLND +RNXVDL UHVSHFWLYHO\ WLWOHG ç0RXQW )XML IURP WKH PRXQWDLQV of 5Ă’UĂ’NJ’, ‘Ushibori in Hitachi Province’, ‘Rainstorm Beneath the Summit’, ‘Sazai Hall Temple of Five Hundred Rakan’; one WOODBLOCK PRINT BY UTAGAWA HIROSHIGE GHSLFWLQJ WKH FURZGHG 1LKRQEDVKL EULGJH ZLWK 0RXQW )XML LQ WKH EDFNJURXQG WZR 60$// :22'%/2&. 35,176 GHSLFWLQJ IDUPHUV LQ ĆHOGV DOO IUDPHG

largest: 40cm x 52.5cm Provenance: Private Scottish collection; with a paper label ‘J.D. Sinclair’ on the back

ÂŁ400-600

264 INK AND WATERCOLOUR ON SILK â&#x;Źę ŚĺŚ„äŽ‚ďšąć›ƒć­Šă•Źďš˛é?¤č’€窲劼 after the similarly-themed painting by the Southern Song artist Yan Ciping, signed â€˜ĺ›™âĽŒę…žâ›“â€™ in Ikawa 34cm x 30cm

ÂŁ200-300

265 ISODA KORYUSAI (JAPANESE 1735-1790) TWO WOODBLOCK PRINTS OF LADIES, CIRCA 1770 AND LATER

ç‡?ć­Š坪ëĽŒ뢚ć™?掼â°?䌴 FRPSULVLQJ D ZRUN E\ ,VRGD .RU\½VDL HQWLWOHG ç7R\RKDUX RI WKH &KÂśML\D .DPXUR Tasoya and Takino, from the series Models for Fashion: New Year Designs as Fresh as Young Leaves’; and of a lady holding a mirror, both framed (2) FPb[b FP b FP [ FP Provenance: Private Scottish collection; with a paper label ‘J.D. Sinclair’ on the back Note: A closely comparable woodblock print also by Isoda KoryĂťsai is in the collection of Metropolitan Museum of Art, New York, accession number 2627

ÂŁ150-250

266 SEIKEN GENGYO (JAPANESE) WOODBLOCK PRINT OF JAPANESE HISTORICAL MAP, PUBLISHED IN 1864

ĺŻ?䨍ĺ„˜âžżĺŠŁ Őˇ ăŁ?ĺ‚ˆĺŠĽĺľłę¤ˇďˆŁă•ŹŐ¸ć™?掼ă–’ă•Ź titled in kanji, reads ‘Dai-Nihon kaikiru zenzu’, translated as ‘the complete nautical and land maps of the Great Japan’, published in the 4th #VOLZĂš year (1864) by the publisher Ebisuya Shoshichi in Toto City, the original woodblock engraved by Takeguchi TakizaburĂ’, oriented with north to the upper right, with the scale of 1:1,944,000, despite the mainland of Japan, also covers the Japanese archipelago, which are Yakushima, 7DQHJDVKLPD 2NLQRHUDEXMLPD .LNDLMLPD +DFKLMĂ’ MLPD .XQDVKLU HWF ZLWK ZRRGHQ frame 81cm x 108cm

ÂŁ400-600

115

KOREAN & SOUTHEAST ASIAN WORKS OF ART 267 THAI GILT-BRONZE BUDDHA AMULET 19TH-20TH CENTURY

岲ă•œ ę…źéś‹ćš‘㽳⥹晌 seated in dhynasana on a double lotus base, left hand rest on the right foot and right hand in bhumisparsha mudra, wearing layered robes, the head topped with D SRLQWHG ćDPH RI W\SLFDO 7KDL VW\OH 5cm high

ÂŁ200-300

268 KOREAN CELADON ‘MAEBYEONG’ VASE KORYO DYNASTY, 14TH CENTURY

ë„žëœŠâź§ă”‹âš†ç§ ęŻ“ă•œꍭꅚ哆捖 heavily potted of maebyeong form, the pottery vase of a rounded body and broad shoulder, tapering to a splayed mouth rim and VXSSRUWHG RQ D FLUFXODU ćDW IRRW SDUWO\ FRYHUHG LQ JUH\LVK JUHHQ JOD]H 30.5cm high Provenance: Private Japanese collection

ÂŁ200-300

269 BURMESE SILVER RECTANGULAR BOX LATE 19TH-EARLY 20TH CENTURY

⟧â›°âš†ç§ ĺŠŁč?›âœłâź§âš†ç§ â´˛ 玊歒ꥇ㢾⥄ꧨę‹“渹 repoussed and chased in dense relief with various courtly scenes which more probably relate to the Jataka, the past lives of the Buddha, the scenes are separated by interlaced foliage FPbZLGH Provenance: Private English collection

ÂŁ500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117

INDIAN & ISLAMIC WORKS OF ART

270 GROUP OF INDIAN PAINTINGS 19TH CENTURY mixed media, comprising twelve on paper, depicting couples or SDLUV RI ĆJXUHV DQG WKUHH VPDOO DOEXPV ĆWWHG ZLWK WKLUW\ SDLQWLQJV on mica, depicting various processions, farming and deities (qty) Provenance: Coul House, Auchterarder, Perthshire

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

118

271 QAJAR MANUSCRIPT ON SUFISM DEDICATED TO PRINCE MUHAMMAD WALI MIRZA (1789-1869) SIGNED JA’FAR YAZDI, DATED AH 1238/ AD 1822 Persian manuscript on paper, 253 leaves (as numbered in SHQFLO SOXV ć\ OHDI HDFK OHDI with fourteen lines of black naskh script, with a dedication to Prince Muhammad Wali Mirza inscribed in gold on the second page, text within blackruled gold frame, catchwords, with black and gold line around the margins, red thuluth script marginal marker at top, opening IROLR ZLWK JROG ćRUDO LOOXPLQDWHG margins and illuminated head piece preceded by an index, colophon elegantly signed, in stamped black morocco binding Folio: 23.8cm x 14.7cm

£1,000-1,500

272 CALLIGRAPHIC ALBUM PAGE WITH PERSIAN POETRY IN NASTA’LIQ SCRIPT 08*+$/ ,1',$ 7+b&(1785< Persian manuscript on paper, with six lines in nasta’liq within cloudbands reserved against a gold JURXQG GHFRUDWHG ZLWK SRO\FKURPH ćRUDO WHQGULOV two further lines in the upper and lower registers, rules outlined in blue, green, red and gold, an elegant border decorated in gold on a cream ground with animals, birds, foliage and trees, framed Sight size: 26cm x 17 cm

£1,000-1,500

119

273 FINE NASTA’LIQ QUATRAIN SIGNED BIMIQDAR HUSAINI, 3(56,$ 7+b&(1785< album page, Persian manuscript on paper, four lines of text written diagonally in bold nasta’liq script in black ink on a cream ground within cloudbands, against a gold ground GHFRUDWHG ZLWK ćRZHUV LQ EODFN LQN margin outlined in black ink, outer blue mount speckled with gold 23.5cm x 15.5cm

£800-1,200

274 TWO LINES OF NASTA’LIQ POETRY 08*+$/ ,1',$ 7+b&(1785< black ink on paper, inscribed in thick bold nasta’liq script that reads: ‘I kissed your shirt and alas my kiss is leaving with it’, mounted and framed Sight size: 17cm x 29cm Provenance: Ex. Stewart Carey Welsh Collection

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

275 EARLY COPY OF POEMS (DIWAN ) BY THE OTTOMAN COURT POET MESIHI (D. 1512) 785.(< 7+b&(1785< Ottoman manuscript on paper, written with a very ĆQH QLE LQ EODFN nasta’liq, 79 leaves with eight lines arranged in two columns within a gold border, outer blue rule, frontispiece with illuminated header, modern binding 19.5cm x 12.5cm Note: Born in Prishtina, Mesihi ZDV RQH RI WKH OHDGLQJ ĆJXUHV of classical Ottoman poetry. He served the court of Sultan Bayazid II (r. 1481-1512). He was a celebrated calligrapher and particularly famed for his mastery of nasta’liq script.

£2,000-3,000

121

276 COPY OF POEMS (DIWAN) OF TIMURID COURT POET ALI SHER NAVAI CENTRAL ASIA, DATED AH 970/ AD 1562 Persian manuscript on paper, 121 leaves, with between ten and twelve lines written in black nasta’liq arranged in two columns with double gold intercolumnar rule, catchwords, text panels outlined in gold and polychrome, some headings in red, opening folio with illuminated header followed by two further panels illumination on the second page, later owners’ QRWHV DQG VWDPSV VRPH ZDWHUVWDLQLQJ LQ ĆQH 2WWRPDQ binding Sight size: 23.8cm x 16.2cm Note: Mir ‘Alisher Navai (9 February 1441 – 3 January 1501), also known as Nizam-al-Din ‘Alisher Herawi was a leading Chagatai Turkish poet, writer, politician, linguist, mystic and painter. He ZDV DOVR WKH FRQĆGDQW DQG YL]LHU RI WKH 7LPXULG 6XOWDQ +XVDLQ Bayqara (r. 1469-1506). Navai is considered by many throughout the Turkish-speaking world to be the founder of early Turkish literature.

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

122

277 OTTOMAN CALLIGRAPHIC PANEL (QIT’A) 6,*1(' %< 0(+0(' %$<$=,' =$'( 785.(< 7+b&(1785< Ottoman manuscript on paper, with bold heading in thuluth script, followed by six lines in black naskh script, outer mount in coloured marbled effect Page: 16cm x 22.5cm Note: Mehmed Bayazid is an important Ottoman calligrapher, celebrated for his mastery of both thuluth and naskh scripts. He is D IROORZHU RI WKH UHQRZQHG FDOOLJUDSKHU +DĆ] 2VPDQ (IHQGL G 1698). For a Hilye panel signed by Mehmed Bayazid in the Demet/ Cengiz Cetindogan Collection of Ottoman Calligraphy, see Exhibition Catalogue, ‘Hilye-I Serife’, Antik A.S., Istanbul, 2011, pp. 110-111.

£1,500-2,000

278 OTTOMAN NASTA’LIQ QUATRAIN SIGNED MEHMED SAID AL-HUSAINI, TURKEY, 18TH CENTURY Ottoman manuscript on paper, four lines written diagonally in black nasta’liq VFULSW SUDLVLQJ D KLJK UDQNLQJ RIĆFLDO RQ D FUHDP JURXQG GHFRUDWHG ZLWK SRO\FKURPH ćRUDO SDOPHWWHV ZLWK LQVFULEHG UHFWDQJXODU FDUWRXFKHV GHFRUDWHG with gold arabesque, margins rules in red, gold, black and blue, outer margin with gold speckled turquoise border, mounted and framed Sight size: 26cm x 16.5cm Note: The calligrapher appears to be Mehmed Said b. Ahmed, a famous pupil of Hoca Mehmed Rasim Efendi. He was celebrated for his mastery in six pens. He passed away in Istanbul in 1721.

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

279 OTTOMAN CALLIGRAPHIC PANEL (QIT’A) SIGNED MEHMED ATAULLAH, DATED AH 1200/ AD 1785-86 Ottoman manuscript on paper, comprising an upper register in large muhaqqaq, nine lines of diagonal naskh beneath, the inscription includes the reading ‘The calligrapher hand is blessed with the Divine’, ruled in red and gold, mounted and framed 10.5cm x 21.5cm Note: Shanizade Mehmed Ataullah (d.1826) was a renowned scientist in the early nineteenth century. He was born in Istanbul in 1771, and after having completed his studies in the madrasa, including Arabic DQG 3HUVLDQ KH MRLQHG WKH 6XOH\PDQL\H 0HGLFDO 6FKRRO in 1786. This calligraphic panel dates to the last years in WKH 0DGUDVD MXVW EHIRUH WKH VWDUW RI KLV PHGLFDO FDUHHU $ SUROLĆF DXWKRU DQG WUDQVODWRU DPRQJ $WDXOODKèV PRVW IDPRXV ZRUNV DUH D ĆYH YROXPH ZRUN RQ medicine, entitled Hamse-i Shanizade, and a threevolume translation from French of Charles Bossut’s mathematical theories. He practised calligraphy under the supervision of calligrapher Isma’il Zuhdi Efendi and Yesari Esad Efendi.

£2,000-3,000

280 KEMALPASHAZADE’S DAQAIQ AL-HAQAIQ 27720$1 (03,5( 7+b&(1785< an early copy of this Persian-Turkish dictionary written by the well-known Ottoman erudit and shaykh al-islam, Ottoman manuscript on Italian paper, 86 leaves plus 2 ć\ OHDYHV HDFK IROLR ZLWK WZHQW\ RQH OLQHV RI EODFN naskh script, some words picked out in red, catchwords, marginal notes, one later seal impression, in modern binding 21.5cm x 13 cm

£600-800

124

281 PORTRAIT OF OTTOMAN SULTAN MEHMED V RESHAD (R. AD 1909-1918) oval, oil on canvas laid down on card, framed 17.3cm x 12 cm Note: Mehmed Reshad reigned as the 35th and penultimate sultan during the Ottoman Empire. He was known for his deep interest and study of Persian poetry, and was regarded as an exceptional poet himself.

£800-1,200

282 SCHOOL OF NARCISSE VIRGILIO DIAZ (FRANCE, 1807-1876) MAIDENS IN OTTOMAN DRESS oil on canvas, indistinctly signed and dated lower left ‘……..1873’ 21.7cm x 16.4cm

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

283 OTTOMAN SILK AND METALTHREAD LAMPAS WEAVE (KEMHA) FRAGMENT TURKEY, 16TH/ 17TH CENTURY woven on a red ground with white silk thread and metal-thread, decorated with saz leaves and a partpomegranate, mounted and framed 13cm x 22.5cm Provenance: Private Scottish Collection of a Connoisseur

£800-1,000

284 FINE OTTOMAN SILK LAMPAS WEAVE (KEMHA) PANEL 785.(< 7+b&(1785< of rectangular form, the red burgundy ground woven in gold silk thread, the decoration forming repeat rows of stylised tulips interlinking with stylised pomegranates, on stretcher 71cm x 53 cm

£2,000-3,000

126

285 OTTOMAN POLYCHROME PAINTED WOOD PANEL TURKEY, 19TH CENTURY of rectangular form carved with two arched friezes, the left frieze with the bismillah heading and an architectural landscape below, the right frieze painted with a vase and rococo-style ornamental motifs, architectural landscapes painted between the arches above FP [ FP

£800-1,200

286 GROUP OF OTTOMAN POLYCHROME-PAINTED INTERIOR DECORATIVE PANELS TURKEY, 19TH CENTURY comprising two calligraphic wood panels, the narrow panel inscribed in gold and carved in low relief with the sixth of the ninety-nine names of Allah in nasta’liq script, which reads: ‘the most-rich, the bestower of all JRRG WKH JORULRXV WKH DOO NQRZOHGJHDEOH WKH MXVW DQG WKH FRQĆGHQWè the other panel of rectangular form inscribed, against a ground of ćRUDO WHQGULOV DQG WZR XQGHU JODVV SDLQWHG SUD\HU SDQHOV HDFK ZLWK D large oval medallion containing an inscription, decorated below with three arched friezes, each containing stylised rosewater sprinklers (4) /DUJHVW ZRRG SDQHO FP ORQJ bODUJHVW JODVV SDQHO FP [ FP

£1,000-1,500

127

287 OTTOMAN GILT-COPPER (TOMBAK) COVERED BOWL (SAHAN) TURKEY, 18TH CENTURY the base of rounded form with everted mouth and short vertical rim, the dome-shaped lid ZLWK VORSLQJ ULP DQG EXG ĆQLDO HQJUDYHG ZLWK D EDQG RI PHDQGHULQJ ćRUDO PRWLIV

12cm high, 16.5cm diam.

£700-1,000

288 KUTAHYA UNDERGLAZE-PAINTED POTTERY HANGING ORNAMENT OTTOMAN TURKEY, 19TH CENTURY of typical egg-shape, pierced at each end, the white ground painted in cobalt blue with wide bands of repeat LQWHUOLQNLQJ OREHG VKDSHG ćRUDO PRWLIV 13cm high; approx. 10cm diam.

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

289 GROUP OF THREE OTTOMAN SILVER VESSELS TURKEY AND GREECE, 19TH CENTURY comprising two parcel-gilt vases with openwork decoration, and a small ewer of pear-shape with curving spout with GRPH VKDSHG OLG DQG EXG NQRS ĆQLDO

Tallest 14cm high

£800-1,200

290 COLLECTION OF PORCELAIN COFFEE CUPS, MADE FOR THE TURKISH MARKET VENICE OR FRANCE, 19TH CENTURY each on a short foot, variously painted on a white ground with ćRUDO VSUD\V &KLQHVH PRWLIV VRPH ZLWK JLOW GHFRUDWLRQ

Largest: 4.6cm high, 8.8cm diam.; smallest: 3.8cm high; 4.7cm diam.

£600-800

291 GROUP OF OTTOMAN SILVER VESSELS AND ORNAMENT TURKEY, 18TH & 19TH CENTURIES comprising a circular lobed mirror with silver-repoussé and chased decoration with a central roundel with the emblem of the Ottoman Imperial Dolmabahce Palace Orchestra (Mizikai-Humayun), the inner rim with a narrow band of FRQWLQXRXV ćRUDO PRWLIV 19th century, 20.9cm diam.; a small Ottoman Greek silver begging bowl decorated with the Orthodox double-headed eagle and inscribed in Greek, 18th century; a pair RI VLOYHU ĆOLJUHH EHOW EXFNOHV in the form of botehs; and a silver-repoussé and chased hammam bowl decorated ZLWK ćRUDO PRWLIV

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

129

292 TWO BEYKOZ NARGILE GLASS BOTTLES OTTOMAN TURKEY, 19TH CENTURY each with drop-shaped body on a splayed foot, RQH SDLQWHG LQ SRO\FKURPH ZLWK ćRUDO VSUD\V the other with gilt decoration (2) Tallest 31cm high; smallest 26.4cm high

£800-1,200

293 PORCELAIN EWER, MADE FOR THE TURKISH MARKET FRANCE, 19TH CENTURY of pear-shape with wide curving spout and hinged lid, the lid and handle PRXOGHG ZLWK IROLDWH DQG ćRUDO PRWLIV LQ UHOLHI WKH ZKLWH JURXQG SDLQWHG LQ SRO\FKURPH DQG JLOW ZLWK ODUJH ćRUDO VSUD\V EDVH PDUNHG ZLWK IDFWRU\ QR ç è 37.5cm high

£800-1,200

294 GROUP OF FOUR BEYKOZ GILT CLEAR GLASS VESSELS OTTOMAN TURKEY, 19TH CENTURY comprising three bottles with cylindrical bodies, two of which with stoppers, tallest 22cm high; and a tankard, 12.3cm high; all decorated LQ JLOW ZLWK UHSHDW ćRUDO PRWLIV

£1,000-1,500

130

295 OTTOMAN SILVER REPOUSSÉ BOWL TURKEY OR GREECE, 18TH CENTURY of rounded form with a raised centre decorated with St. George and the Dragon, the interior sides decorated with six apostles in shaped arches against fruiting vines 12.5cm diameter, 102grams

£1,000-1,500

296 LARGE OTTOMAN GREEK ECCLESIASTICAL SILVERREPOUSSÉ CHARGER TURKEY, 18TH CENTURY of circular form with raised central URXQGHO DQG ZLGH ćRULDWHG ULP WKH roundel containing the Trinity in the form of the Father, the Son and the Holy Spirit (bird), the Fathers touching a globe and sitting on cloud scrolls, the rim profusely decorated and chased with a continuous band of putti interspersed with arabesque palmettes 33.2 cm. diam.; 596grams

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

297 FINE OTTOMAN SILVER-GILT REPOUSSÉ BOWL GREECE, 18TH CENTURY of rounded form with a raised centre decorated with a dragon, the interior sides decorated with various animals in relief including a GHHU ZROI ZLOG ERDU DQG D ZLQJHG ĆJXUH KROGLQJ D ERZ DQG DUURZ 11.8cm diam.; 67.2grams Note: This bowl is a rare and important example of 18th century Ottoman Greek silverware. It is richly decorated with iconography derived both from ancient Greek mythology and the Eastern Orthodox tradition. Each ĆJXUH KDV D PHDQLQJ WKH ZLQJHG ĆJXUH KROGLQJ D ERZ LV (URV V\PEROLF RI hope and love; the two deer are symbolic of piety and devotion; the wolf symbolises the founding of pagan Rome; the pig represents forbidden food, and lastly; the dog is symbolic of patience, loyalty and obedience. A comparable bowl is in the Sadberk Hanim Museum, Istanbul, see ‘A Treasured Memory – Ecclesiastic Silver from Late Ottoman Istanbul in the Sevgi Gönül Collection’, 2006, no. 32-33, pp. 62-64.

£1,500-2,000

298 LARGE OTTOMAN SILVERREPOUSSÉ MIRROR WITH TUGHRA OF ABDULMEJID I (R. AD 1839-1861) TURKEY, 19TH CENTURY of circular form with a zig-zag rim, the reverse elaborately decorated in silver-repoussé with a large central roundel containing a spray of pine cones on branches tied with a ribbon, surrounded E\ D QDUURZ EDQG RI UHSHDW ćRUDO motifs, the inner rim with a band of meandering stemmed pine cones, stamped with a tughra and sah mark 36.3cm diameter

£1,500-2,000

132

299 SAFAVID BLUE AND WHITE UNDERGLAZEPAINTED POTTERY SPITTOON PERSIA, 17TH/ 18TH CENTURY WKH JOREXODU ERG\ ZLWK ZLGH ćDULQJ PRXWK LQ the form of a dish, the centre of the dish pierced with geometric motifs, the white ground painted in cobalt blue with vegetal motifs, meandering leafy tendrils to the main body 13cm high

£500-700

300 SAFAVID BLUE AND WHITE UNDERGLAZEPAINTED POTTERY DISH PERSIA, 17TH CENTURY of shallow form on a short foot, the white ground profusely decorated in cobalt blue with two birds to the centre surrounded by huts, trees, deer and Chinese-style motifs, the rim with an inner narrow band of continuous wave motif, verso with four Chinesestyle emblems, base marked 21.6cm diameter

£800-1,200

133

301 SAFAVID GOLD-DAMASCENED STEEL HELMET (KHULA-KHUD) 3(56,$ 7+b&(1785< of typical dome-shape with rivetted chain mail attached, the helmet decorated with gold arabesques and a band of nasta’liq inscriptionĆOOHG FDUWRXFKHV DURXQG WKH rim with one inscription reading ‘mighty souvenir of the exalted…’ Helmet: 15cm high

£600-800

302 FINE QAJAR GOLD DAMASCENED STEEL BOW PERSIA, LATE 18TH/ EARLY 19TH CENTURY of typical double-curved form, formed of two arms screwed together, the handle decorated in gold with ćRUDO PRWLIV DQG LQVFULSWLRQ ĆOOHG SDOPHWWHV DOO WKH edges with bands of repeat undulating motifs, the ends with further similar gold decoration 79cm long

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

303 QAJAR STEEL AND BRASS WEIGHING SCALE 3(56,$ 7+b&(1785< ĆWWHG ZLWK WKUHH VXVSHQGHG FKDLQV united by the dished scale 64cm high

£300-400

304 TWO QAJAR POLYCHROME POTTERY TILES PERSIA, 19TH CENTURY of rectangular form, each depicting a falconer on horseback with a bird perched RQ KLV KDQG RQ EOXH ćRUDO JURXQGV

25.5cm x 17cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

END OF SALE

135

WHISKY & SPIRITS AUCTION 04 DECEMBER 2019 IN EDINBURGH Forthcoming auction highlights include several rare bottles by The Macallan, a Mortlach 1971 47 year old in presentation case, and a Brora 1972 22 year old. To enquire please contact Olivia Ross olivia.ross@lyonandturnbull.com 0131 557 8844

THE MACALLAN 1949 50 YEAR OLD DECANTER matured exclusively in Sherry butts, one of 900 bottled at cask strength in 1999, in Caithness crystal decanter, with lockable oak presentation case DQG FHUWLĆFDWH RI DXWKHQWLFLW\ 700ml/ 43%

£15,000-25,000 + fees

136

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the 6DOHURRP 1RWLFHV DV ZHOO DV VSHFLĆF Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing VR <RX ZLOO ĆQG D OLVW RI GHĆQLWLRQV and a glossary at the end providing explanations for the meanings of the words and expressions used. Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales. In these Conditions the words “Us�, “Our�, “We� etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You�, “Your� means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller.

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Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only. 2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. 3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw. 4. JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

19.2 report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will FRQĆUP ZKHQ QR LPSURYHPHQW RU treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen�, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain ĆQH DQG FRPSOH[ PHFKDQLVPV %X\HUV should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By UHJLVWHULQJ WR ELG <RX DIĆUP WKDW <RX are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is� and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than ÂŁ300. (e) Electrical Goods: are sold as “works of artâ€? only and if bought for use must be checked over for compliance ZLWK VDIHW\ UHJXODWLRQV E\ D TXDOLĆHG HOHFWULFLDQ ĆUVW 8VH RI VXFK JRRGV LV entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of artâ€? only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS

D ,I WKLV LV <RXU ĆUVW WLPH ELGGLQJ DW Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: L ,QGLYLGXDOV 3KRWR LGHQWLĆFDWLRQ (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) LL &RUSRUDWH FOLHQWV <RXU &HUWLĆFDWH of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and EHQHĆFLDO RZQHUV DQG (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a ĆQDQFLDO UHIHUHQFH DQG RU D GHSRVLW to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844. 2. RETURNING BIDDERS

137 We may at our discretion ask You for FXUUHQW LGHQWLĆFDWLRQ DV GHVFULEHG LQ SDUDJUDSK % D DERYH D ĆQDQFH reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844. 3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our %LGGHU LGHQWLĆFDWLRQ DQG UHJLVWUDWLRQ procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism ĆQDQFLQJ FKHFNV ZH PD\ UHTXLUH WR RXU satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller. 4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party. 5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo LGHQWLĆFDWLRQ ZLWK <RX WR DOORZ XV WR verify Your registration. 6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software

malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected DQG VDWLVĆHG WKHPVHOYHV DV WR LWV condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute GLVFUHWLRQ WR SUHIHU WKH ĆUVW ELG VR made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

6. CURRENCY CONVERTER

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services. 7. SUCCESSFUL BIDS

C. DURING THE SALE

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

1. ADMISSION TO OUR AUCTIONS

8. RELEVANT LEGISLATION

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

2. RESERVES

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

Unless indicated by an insert symbol Ú DOO /RWV LQ WKLV &DWDORJXH DUH offered subject to a Reserve. A 5HVHUYH LV WKH FRQĆGHQWLDO +DPPHU Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen. 4. BIDDING

The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction. 5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

F /RWV DIĆ[HG ZLWK >á@ 6WDQGDUG UDWH of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above. 3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than â‚Ź1,000 (euros). The charge for works of art sold at and above â‚Ź1,000 (euros) and below â‚Ź50,000 (euros) is 4%. For items selling above â‚Ź50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. THE PURCHASE PRICE

1. SELLER’S WARRANTIES

For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as GHĆQHG LQ WKH JORVVDU\ SDLG E\ <RX WR us. The Seller will not be responsible to You for any reason for loss of SURĆWV RU EXVLQHVV H[SHFWHG VDYLQJV loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. D /RWV DIĆ[HG ZLWK í 9DOXH $GGHG Tax on the Hammer Price is imposed by ODZ RQ DOO LWHPV DIĆ[HG ZLWK D GDJJHU í 7KLV LPSRVLWLRQ RI 9$7 PD\EH because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. E /RWV DIĆ[HG ZLWK $ UHGXFHG UDWH of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship�) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the

138 Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been VDWLVĆHG LW VKDOO UHIXQG WR WKH RULJLQDO purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser. This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that WKHUH ZDV D FRQćLFW RI VXFK RSLQLRQV RU (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the EHQHĆW RI WKH RULJLQDO SXUFKDVHU RI the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered RIĆFH LQ WKH VDPH FRQGLWLRQ DV DW WKH date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in WKH ĆHOG 7KH UHSRUWV PXVW EH PXWXDOO\ acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is VSHFLĆFDOO\ XQGHUVWRRG DQG DJUHHG that the rescission of a sale and the

refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without OLPLWDWLRQ ORVV RI SURĆWV RU LQWHUHVW 3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain IRU D SHULRG RI QRW OHVV WKDQ ĆYH \HDUV the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or

(ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. 2. IN THE EVENT OF NON-PAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting GHĆFLHQF\ LQ WKH 7RWDO $PRXQW 'XH (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any SXUSRVH XQWLO WKH GHEW GXH LV VDWLVĆHG You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use

the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received. (3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location RU DQ DIĆOLDWH RU WKLUG SDUW\ DQG FKDUJH You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. 2. EXPORT OF GOODS

Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and E :KHWKHU WKHUH LV DQ\ VSHFLĆF prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but KDYH QRW EH LGHQWLĆHG DV VXFK

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than

139 as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot ZLWK UHJDUG WR PHUFKDQWDELOLW\ ĆWQHVV for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of SURĆWV EXVLQHVV ORVV RI RSSRUWXQLW\ or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information FRQĆGHQWLDO H[FHSW WR WKH H[WHQW disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless

we agree otherwise in writing, You may not videotape or record proceedings at any auction. 3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT

,I D FRXUW ĆQGV WKDW DQ\ SDUW RI WKLV agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities. 6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not UHćHFW DQ\ DGGLWLRQDO IHHV WKDW PD\ have been incurred. We regret we cannot agree to requests to remove these details from our Website. 7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of

our Privacy Policy (subject to any DGGLWLRQDO VSHFLĆF FRQVHQW V <RX may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com. 10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, ZDU ĆUH ćRRG GURXJKW IDLOXUH RI power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases ZKLFK KDYH D VSHFLĆF OHJDO PHDQLQJ which You may not be familiar with. 1. DEFINITIONS

“Auctioneer� Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder� a person who has completed a Bidding Form “Bidding Form� our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form. “Buyer� the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You� and “Your� “Buyer’s Premium� the sum calculated on the Hammer Price at the rates stated in Catalogue. “Catalogue� the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report� the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller. “Estimate� a statement of our opinion of the range within the hammer is likely

to fall. “Hammer Priceâ€? the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lotâ€? several Lots with a total lower Estimate value of ÂŁ30,000 or above; “High Value Lotâ€? a Lot with a lower Estimate of ÂŁ30,000 or above; “Lotâ€? each Item offered for sale by Lyon & Turnbull; “Purchase Priceâ€? is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserveâ€? the lowest price below which an item cannot be sold whether at auction or by private treaty; “Saleâ€? the auction sale at which a Lot is to be offered for sale by us. “Sellerâ€? the person who offers the Lot for Sale. We act as agent for the Seller. “Total Amount Dueâ€? the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VATâ€? value added tax at the prevailing rate at the date of the sale in the United Kingdom. “Websiteâ€? Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY

7KH IROORZLQJ KDYH VSHFLĆF OHJDO meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right� the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down� when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale. “Lien� a right for the person who has possession of the Lot to retain possession of it. “Risk� the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “Title� the legal and equitable right to the ownership of a Lot.

19.2

140

GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. 3OHDVH QRWH WKDW DOO ĆUVW WLPH ELGGHUV DW Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

BY PHONE

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale. BIDDING At the Sale Registered bidders will be assigned a bidder number and given a SDGGOH IRU XVH DW WKH VDOH 2QFH WKH ĆUVW bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number FRUUHFWO\ ZKHQ FRQĆUPLQJ WKH VDOH ,I WKHUH is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All WHOHSKRQH ELGV PXVW EH FRQĆUPHG LQ ZULWLQJ listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. IN WRITING Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids WKH ĆUVW RQH UHFHLYHG ZLOO WDNH SUHFHGHQFH All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk. ON THE INTERNET A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will UHFHLYH HPDLO FRQĆUPDWLRQ RI WKHLU ELG Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

PAYMENT Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department. CREDIT OR DEBIT CARDS Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. ONLINE CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax). <RX ZLOO ĆQG D OLQN WR WKLV VHUYLFH LQ DQ\ HPDLO invoice issued or you can visit the payments section of our website. CHEQUE Cheques should be made payable to Lyon & Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. CASH Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000 per annum.

Inside Back Cover Lot202

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTURN BULL .C OM

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