Five Centuries: Furniture, Paintings & Works of Art from 1600 | Auction 20th November 2019

20TH NOVEMBER 2019 EDINBURGH

Lot 548 [detail]

WEDNESDAY 20 NOVEMBER 2019 AT 10AM Sale Number LT580

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday, 16th November 12 noon - 4pm Sunday, 17th November 12 noon - 4pm Monday, 18th November 10am - 5pm Tuesday, 19th November 10am - 5pm Day of Sale from 9am

CONTACT

Catalogue £15

EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

BUYER’S PREMIUM & OTHER CHARGES The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

25% up to £300,000/20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%.

For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

REGISTRATION

CATALOGUE DESCRIPTIONS

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http: // www.defra.gov. uk/ahvla-en/ imports-exports/cites

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Gavin Strang

Furniture, Clocks & Works of Art

Paintings

Ceramics & Glass

Rugs & Carpets

douglas.girton@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

theo.burrell@lyonandturnbull.com

gavin.strang@lyonandturnbull.com

Jamie Russell

Olivia Ross

Kerstin Schaeffer

Katie Hannah

Cataloguer

Department Administrator

Department Administrator

Cataloguer

jamie.russell@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

kerstin.schaeffer@lyonandturnbull.com

katie.hannah@lyonandturnbull.com

AUCTION VENUE

Lyon & Turnbull

York Place Tram Stop Waverley Station, Princes Street

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ORDER OF SALE WEDNESDAY, 20TH NOVEMBER 2019 AT 10AM Lot No.

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British Furniture & Works of Art Part I

164

Items from the Estate of the Late 5th Earl of Lovelace

185

Paintings Part I: including Works from the Estate of the Late William (Billy) Skelly (1931-2019)

211

British Furniture & Works of Art Part II

313

Works from the Estate of the Late Dr. Virginia Glenn (1931-2019)

330

Paintings Part II: Including a Private Collection of the Art of Isabel Codrington

348

British Furniture & Works of Art Part III

483

Continental Furniture & Works of Art

609

Asian Works of Art

621

Rugs & Carpets

655

Garden & Statuary

Lot 528 [detail]

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BRITISH FURNITURE & WORKS OF ART PART I 1 TWO SILVER AND GOLD METALLIC THREAD PRAYER BOOK COVERS LATE 17TH CENTURY depicting flowering baskets, one with a double monogram M/W R, the other with a cross and christogram IHS, mounted on a red plush ground in a later glazed maple frame Each 6.5cm x 5cm

£200-300

2 CONTINENTAL BAROQUE EBONY MOULDED MIRROR 17TH CENTURY the bevelled mirror plate in a gilt moulded slip and wide moulded ebony frame 72cm high, 63cm wide

£800-1,200

3 OAK PANEL ARMCHAIR 17TH CENTURY the shaped crest rail carved with stylised flowerheads and dated ANNO 1656, above a double panel back carved with geometric bands, over a plank seat flanked by scrolled arms on turned baluster supports, raised on turned and tapered legs joined by peripheral stretchers 57cm wide, 109cm high, 41cm deep

£600-800

4Y SCOTTISH BASKET-HILTED BROADSWORD CIRCA 1630 constructed of a blackened iron bar of flattened oval section, with conical pommel button and an original grip constructed of narwhal tusk and animal skin covering, the two edged blade with prominent mid-ridge 88cm length of blade, 103.5cm overall Provenance: Ex. Arnold Rothschild Collection, Baltimore, USA; Illustrated in “British Basket-Hilted Swords”, by C. Mazansky, p.81, D(10) top Note: Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 584611/01

£3,000-4,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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5 LARGE DUTCH BRASS AND COPPER LOG BIN 19TH CENTURY the sides embossed with gadrooning and foliate scrolls, and inset with a copper coat-of-arms, with lion mask loop handles and raised on three legs with masks and hoof feet 69cm wide, 88cm high, 67cm deep

£600-800

6 WILLIAM AND MARY OAK CHEST OF DRAWERS LATE 17TH CENTURY the rectangular plank top with a moulded edge above four moulded panel drawers, raised on bun feet 95cm wide, 82cm high, 58cm deep

£500-700

7 CHARLES II OAK ARMCHAIR 17TH CENTURY the panel back with a serpentine top rail above a plank seat and scrolled open arms on turned supports, raised on turned and block legs joined by stretchers 56cm wide, 108cm high, 40cm deep

£250-350

8 OAK CARVED PANEL CHEST LATE 17TH/ EARLY 18TH CENTURY the hinged top above a foliate carved frieze and triple panel front, carved with stylised heart and leaf motifs, raised on stile feet 120cm wide, 74cm high, 53cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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9 WILLIAM AND MARY OAK PANEL CHEST LATE 17TH CENTURY the hinged top with a moulded edge above a frieze carved with initials I H and dated 1696, above a triple panel front carved with lozenges, raised on stile feet 113cm wide, 61cm high, 46cm deep

£400-600

10 SET OF EIGHT CAROLEAN STYLE OAK AND POLYCHROME LEATHER DINING CHAIRS LATE 19TH/ EARLY 20TH CENTURY the square padded backs and seats covered in green and gold decorated leather, raised on turned and spiral carved legs joined by stretchers, comprising six side chairs and a pair of armchairs (8) Armchair 57cm wide, 96cm high, 43cm deep

£800-1,200

11 GEORGIAN OAK REFECTORY TABLE 18TH CENTURY AND LATER the rectangular plank top with cleated ends raised on straight legs joined by an H-stretcher 213cm wide, 72cm high, 76cm deep

£700-1,000

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12 QUEEN ANNE STYLE MAHOGANY DRESSING TABLE EARLY 20TH CENTURY the top of concave outline with a moulded edge and brown leather insert, over a centre drawer flanked by banks of four short drawers, raised on cabriole legs joined by a shaped X form stretcher and ending on bun feet 76cm wide, 72cm high, 46cm deep

£300-500

13 QUEEN ANNE WALNUT ESCRITOIRE EARLY 18TH CENTURY the moulded cornice over a cushion frieze drawer above two doors opening to an interior fitted with a central door, drawers, pigeon holes, and a brushing slide; the lower section with two short and two long drawers, raised on bracket feet 115cm wide, 173cm high, 50cm deep

£600-800

14 QUEEN ANNE STYLE DOUBLE CHAIRBACK SOFA, MORISON & CO., EDINBURGH LATE 19TH CENTURY the shaped double-arched back over a dropin seat flanked by scrolled open arms, above a shaped seatrail and slight cabriole legs ending in pad feet and united by wavy stretchers, the rear leg stamped and numbered 20/980 154cm wide, 121cm high, 61cm deep

£800-1,200

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15 PAIR OF GEORGE I STYLE ARMCHAIRS 19TH CENTURY with padded arched backs and seats flanked by shepherd’s crook arms, raised on carved cabriole legs ending in pad feet; covered in pale green upholstery (2) 59cm wide, 93cm high, 44cm deep

£800-1,200

16 GEORGE I STYLE WALNUT TEA/CARD TABLE LATE 19TH CENTURY of unusual large size, the fold-over crossbanded top with a moulded edge and outset rounded corners, opening on gatelegs to an interior with dished counter wells, raised on carved cabriole legs ending in pad feet 113cm wide, 76cm high, 56cm deep

£2,000-3,000

17 GEORGE I WALNUT BUREAU EARLY 18TH CENTURY the crossbanded and featherbanded slant front opening to an interior fitted with an arrangement of drawers, pigeon holes and a central cupboard, over a leather insert, above four graduated long drawers, raised on bracket feet 92cm wide, 100cm high, 53cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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18 GEORGE II SIMULATED WALNUT AND GILT FRETWORK MIRROR MID 18TH CENTURY the rectangular mirror plate in a gilt slip and painted frame with pierced scroll cresting and apron 92cm high, 61cm wide

£500-700

19 QUEEN ANNE STYLE OYSTER VENEERED CHEST OF DRAWERS 20TH CENTURY the top with a moulded edge above two short and two long banded drawers flanked by angles, raised on bracket feet 104.5cm wide, 107cm high, 46cm deep

£500-700

20 GEORGE I WALNUT CHEST-ON-CHEST EARLY 18TH CENTURY the moulded cornice above three short drawers over three long graduated drawers; the base with three further long drawers, all outlined with cross and featherbanding, raised on bracket feet 125cm wide, 168cm high, 57cm deep

£600-800

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21 GEORGE II STYLE WALNUT TRAY TOP TEA TABLE LATE 19TH CENTURY the rectangular quarter-veneered tray top above an ogee frieze with a drawer and candle slides to the sides, with a shaped frieze raised on lappet and harebell carved cabriole legs ending in claw and ball feet 82cm wide, 74cm high, 51cm deep

£700-1,000

22 GEORGE II WALNUT AND PARCEL GILT GIRONDOLE MIRROR 19TH CENTURY the bevelled and arched mirror plate in a moulded frame with a pierced scroll cresting centred by plumes, with two scrolling brass candle arms with urn-form nozzles 125cm high, 56cm wide

£2,500-3,500

23 GEORGE I WALNUT BANDED CHEST-ON-CHEST EARLY 18TH CENTURY the moulded cornice above a pair of short featherbanded drawers over three long drawers; on a base with four further long drawers, the base drawer inlaid with a sunburst motif, raised on bracket feet 101cm wide, 177cm high, 52cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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24 GEORGE II STAINED BEECH STOOL MID 18TH CENTURY the rectangular padded seat raised on foliate carved cabriole legs ending in claw and ball feet 62cm wide, 48cm high, 50cm deep

£200-300

25 GEORGE II MAHOGANY CHEST-ON-CHEST 18TH CENTURY the Greek key moulded cornice over two short and three long graduated drawers flanked by fluted angles, the lower section with three long graduated drawers, raised on ogee bracket feet 110cm wide, 173cm high, 56cm deep

£800-1,200

26 PAIR OF GEORGE II STYLE MAHOGANY FRAME WING ARMCHAIRS 19TH CENTURY the serpentine top rails above deep serpentine wings and concave loose cushion seats, raised on cabriole legs with brass castors; one covered in distressed red velvet, the other in mustard yellow (2) 81cm wide, 112cm high, 54cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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27 GEORGE I MAHOGANY CARD TABLE EARLY 18TH CENTURY the rectangular fold-over top opening on a gateleg to a green baize playing surface, with a concealed drawer, raised on lappet carved straight legs ending in pad feet 87cm wide, 70cm high, 39cm deep, 78cm open

£400-600

28 GEORGE II MAHOGANY LOWBOY EARLY 18TH CENTURY the top with a moulded edge above three frieze drawers and an arched apron, raised on cabriole legs ending in pad feet 77cm wide, 70cm high, 46cm deep

£800-1,200

29 GEORGE II MAHOGANY KNEEHOLE DESK MID 18TH CENTURY the top with a moulded edge and rail back over a long frieze drawer and recess cupboard with fretwork, flanked by banks of three short drawers, raised on shaped bracket feet 82cm wide, 84cm high, 50cm deep

£500-700

30 SET OF EIGHT GEORGE II STYLE WALNUT AND LEATHER DINING CHAIRS LATE 19TH/ EARLY 20TH CENTURY the arched padded backs above wide shaped seats covered in close-nailed brown leather, raised on shell-carved cabriole legs ending in pad feet (8) 56cm wide, 96cm high, 43cm deep

£2,000-3,000

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31 GEORGE II RED WALNUT FOOTSTOOL SECOND QUARTER 18TH CENTURY the drop-in seat pad covered in yellow silk damask, with a plain seat rail and cabriole legs ending in pad feet 53cm wide, 38cm high, 45cm deep

£500-700

32 PAIR OF GEORGE II STYLE MAHOGANY TORCHERE STANDS 19TH CENTURY the circular galleried tops on spiral carved and knopped columns ending in acanthus carved cabriole legs with carved hairy paw feet (2) 33cm wide, 112cm high

£400-600

33 GEORGE II MAHOGANY BIRDCAGE TEA TABLE MID 18TH CENTURY the dished lobed top on a birdcage and cannon barrel column, raised on cabriole legs ending in pad feet 70cm diameter, 71.5cm high

£800-1,200

34 DUTCH MAHOGANY TEA TABLE 19TH CENTURY the moulded fold-over top with rounded outset corners, opening to a void interior, above a dummy frieze drawer and shaped apron, raised on cabriole legs and pad feet 73cm wide, 73cm high, 36cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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35 LARGE GEORGIAN STYLE GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the shaped rectangular mirror plate enclosed by margin plates in a frame carved with rocaille, C scrolls, flowerheads and auricular motifs 195cm high, 142cm deep

£1,000-1,500

36 GEORGE III STRIPPED PINE AND MARBLE FIRE SURROUND AND POLISHED STEEL REGISTER GRATE 18TH CENTURY the dentil moulded shelf above a frieze carved with foliate scrolls, flowers, and a central leaf motif flanked by acanthus brackets, above a flower and leaf tip carved opening with a Portoro marble moulded surround marked at the corners with carved white marble flower heads; the register with circular bosses and a grate surmounted with urn finials above a pierced apron and ash tray Overall 179cm wide, 151cm high, 27cm deep; interior opening 99cm x 94cm

£2,000-3,000

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37 PAIR OF GEORGE III MAHOGANY ARMCHAIRS THIRD QUARTER 18TH CENTURY the serpentine top rails above carved and interlaced splats over wide drop-in seats flanked by scrolled arms raised on channel moulded square legs joined by stretchers (2) 68cm wide, 96cm high, 47cm deep

£500-700

38 GEORGE III MAHOGANY CHEST-ON-CHEST 18TH CENTURY the moulded Greek key cornice over a blind fret frieze above two short and three long drawers flanked by blind fret carved angles; the lower section with a brushing slide over three long drawers, raised on bracket feet 113cm wide, 188cm high, 56cm deep

£700-900

39 GEORGE III MAHOGANY BUREAU 18TH CENTURY the slant front outlined with ribbon banding, opening to a red leather writing surface and an arrangement of pigeon holes, drawers and a central cupboard, over four long graduated drawers, raised on ogee bracket feet 125cm wide, 118cm high, 59cm deep

£500-800

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40 GEORGE III MAHOGANY TRIPLE FOLD SERPENTINE TEA AND GAMES TABLE 18TH CENTURY the top opening on a single gate leg to a tea table top, the next leaf opening to a green baize lined card table, and the final leaf opening to an inlaid chess and backgammon board, with a ratchet adjusted slope, raised on tapered chamfered legs ending in spade feet 92cm wide, 77cm high, 45cm deep; 90cm wide (open)

£1,000-1,500

41 EARLY GEORGE III MAHOGANY BREAKFRONT BOOKCASE MID 18TH CENTURY the broken pediment centred by a carved giltwood foliate cartouche, above a Vitruvian scroll carved frieze, above a pair of glazed doors opening to adjustable shelves, flanked by similar side cabinets; the base with an ogee moulded waist above plain panel doors enclosing shelves, on a plinth base with bracket feet 190cm wide, 262cm high, 46cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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42 GEORGIAN STYLE BRASS SIX BRANCH CHANDELIER 20TH CENTURY the knopped central column issuing six scrolling arms with wide drip pans and nozzles, electrified 69cm diameter, 56cm high

£300-500

43 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above a brushing slide and four graduated long drawers, raised on bracket feet 85cm wide, 80cm high, 47cm deep

£800-1,200

44 DUTCH PADOUK PEMBROKE TABLE LATE 18TH CENTURY the rectangular top with drop leaf sides, above a single drawer frieze with bead moulding and fluting centred by a carved sunflower, raised on six fluted square tapered legs joined by an X stretcher 88cm long, 73cm high, 56cm deep (down) 112cm (open) Provenance: Coul House, Auchterarder, Perthshire

£300-500

45 GEORGE III MAHOGANY BUREAU 18TH CENTURY the slant front opening to an interior fitted with drawers and pigeon holes, above four long graduated drawers raised on bracket feet 99cm wide, 106cm high, 54cm deep

£300-500

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GEORGE II WALNUT TOILET MIRROR

GEORGIAN MAHOGANY TRIPOD TABLE

MID 18TH CENTURY

18TH CENTURY

the shaped bevelled mirror plate above a base with three short drawers raised on bracket feet

the rectangular tilt top on a slender baluster column and tripod base with pointed pad feet

47cm wide, 62cm high, 23cm deep

£250-350

£250-350

58cm wide, 77cm high, 46cm deep

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48 GEORGE III MAHOGANY CHILD’S HIGH CHAIR 18TH CENTURY the serpentine top rail above a pierced splat, over a drop-in leather seat pad flanked by scroll arms with a restraining bar, raised on square legs with peripheral stretchers and an adjustable footrest 42cm wide, 92cm high, 29cm deep

£800-1,200

49 AMERICAN COLONIAL MAHOGANY TALL CHEST OF DRAWERS 18TH CENTURY the projecting moulded cornice above a blind fret carved frieze, over three short drawers and five graduated long drawers flanked by fluted quarter columns and raised on shaped bracket feet 111cm wide, 171cm high, 62cm deep

£1,500-2,000

50 DUTCH MAHOGANY AND MARQUETRY TABLE LATE 18TH CENTURY the oval top centred by oak leaf and acorn inlay, above a frieze with two real and two dummy drawers, raised on fluted square tapered legs 86cm wide, 70cm high, 64cm deep Provenance: Coul House, Auchterarder, Perthshire

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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51 AFTER PHILIPPE MERCIER (1689-1760) AIR, EARTH, FIRE, AND WATER four engraved prints emblematic of the elements, engraved by Richard Houston, in period Hogarth frames; together with a PAIR OF FRENCH COLOURED ENGRAVINGS, engraved by Augustin Legrand, Les Reproches du Retard and Le Repos des Travaux, 18th century, in eglomise and gilt frames, 41cm x 31cm sight size (6) 35.5cm x 25.5cm sight size

£300-400

52 GEORGE III MAHOGANY BIRDCAGE TEA TABLE MID 18TH CENTURY the circular tilt top on a birdcage and cannon barrel column with a tripod base and slipper feet, stamped twice ‘MY’ 73cm wide, 69.5cm high, 73cm deep

£300-500

53 EARLY GEORGE III MAHOGANY MULE OR BLANKET CHEST MID 18TH CENTURY the hinged top opening to a void interior, above two long base drawers, raised on bracket feet with brass handles to the sides 124cm wide, 105cm high, 62cm deep

£600-800

54 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS LATE 19TH CENTURY comprising two armchairs and six side chairs, the serpentine toprails above pierced ladder backs and bowed drop in seats, raised on channelled square legs united by stretchers (8) Armchair 63cm wide, 96cm high, 44cm deep; Sidechair 56cm wide, 94cm high, 41cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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55 FINE GEORGE III MAHOGANY SERPENTINE COMMODE MID 18TH CENTURY the serpentine top with a moulded edge, above four long graduated drawers outlined with cockbead moulding and fitted with brass handles with pierced trellis backplates, on a moulded base raised on ogee bracket feet concealing wood castors 111cm wide, 85cm high, 68cm deep

£6,000-8,000

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56 EARLY GEORGE III MAHOGANY AND PARCEL GILT MIRROR MID 18TH CENTURY the rectangular mirror plate in a gilt moulded slip and mahogany frame with pierced scrolling cresting with auricular and foliate scrolls and surmounted by a ho-ho bird, flanked by trailing leaves 145cm high, 67cm deep

£600-800

57 GEORGIAN MAHOGANY BUREAU BOOKCASE LATE 18TH CENTURY of small size, the dentil moulded cornice above astragal glazed doors opening to adjustable shelves; the associated bureau base with a slant front opening to an arrangement of pigeon holes and drawers, over four long graduated drawers, on bracket feet 100cm wide, 204cm high, 57cm deep

£600-800

58 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS 20TH CENTURY comprising six side chairs and a pair of armchairs, the moulded serpentine backs with pierced splats above drop-in saddle seats, raised on square straight legs joined by stretchers (8) Armchair 64cm wide, 99cm high, 43cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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59 GEORGE III STYLE GILTWOOD GIRONDOLE MIRROR, AFTER A DESIGN

BY THOMAS CHIPPENDALE 19TH CENTURY the asymmetrical mirror plate in a rococo frame with three scrolling candle branches, the frame carved with rocaille, foliate scrolls, a squirrel and flower-filled urn, surmounted by a large ho-ho bird 180cm high, 97cm wide

£1,500-2,000 Note: This mirror relates directly to a design for a ‘girondole’ in Chippendale’s Director, Plate CLXXVIII. Conceived in the high rococo style prevalent from the 1750s through the 1770s, and again in during the Chippendale Revival of the 19th century, the mirror with its asymmetrical plates is enclosed in a undulating frame whimsically embellished with animals and flowers. Squirrels seem to have been a popular subject as other noted 18th century makers incorporated them in mirror frames, including Thomas Johnson.

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60 GEORGE III MAHOGANY BREAKFAST TABLE THIRD QUARTER 18TH CENTURY the rectangular top with shallow drop-leaf sides, above long frieze drawers, raised on canted square legs joined by a pierced X stretcher and ending in brass caps 137cm wide (open), 93cm (closed), 74cm high, 85cm deep

£400-600

61 SET OF FOUR GEORGE III CARVED MAHOGANY DINING CHAIRS 18TH CENTURY in the Chippendale style, the leaf-carved crest rails above pierced and interlaced splats, over drop-in seat pads, raised on straight chamfered legs joined by H stretchers (4) 57cm wide, 104cm high, 40cm deep

£1,000-1,500

62 GEORGE III MAHOGANY TEA TABLE 18TH CENTURY the rectangular fold-over top opening on double gatelegs, above a short frieze drawer, raised on square tapered channel moulded legs 91cm wide, 75cm high, 43cm deep (closed)

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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63 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above two short and three long frieze drawers, raised on bracket feet 100cm wide, 96cm high, 54cm deep

£400-600

64 MATCHED SET OF TEN GEORGIAN STYLE DINING CHAIRS 19TH CENTURY comprising a set of five including one armchair, the backs with carved ears and fan motifs above pierced splats, and another set of five including one armchair, with carved ears and reeded arch moulded top rails above pierced splats, three bearing old labels ‘HER GRACE’S PERSONAL’ and ‘DEVONSHIRE HOUSE’; all with drop-in seats raised on square straight legs joined by stretchers (10) Armchair 70cm wide, 101cm high, 47cm deep

£600-800

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65 GEORGIAN OAK SETTLE 18TH CENTURY the four panel back above a long plank seat flanked by downscrolled arms, raised on tapered legs 183cm long, 100cm high, 45cm deep

£400-600

66 GEORGIAN OAK SIDE TABLE EARLY 18TH CENTURY the top with a moulded edge above a long frieze drawer and wavy apron, on turned legs joined by peripheral stretchers 88cm wide, 72cm high, 60cm deep

£600-800

67Y YEW AND ELM DOUBLE BOW-BACK WINDSOR ARMCHAIR the low arched back above pierced splats and arms, over a shaped seat, raised on baluster turned legs joined by a crinoline stretcher; together with a further WINDSOR ARMCHAIR (2) Largest 71cm wide, 116cm high, 46cm deep; smallest 55cm wide, 92cm high, 37cm deep

£300-500

68 OAK PANEL DOG BED 19TH CENTURY, WITH 18TH CENTURY COMPONENTS with a panelled back and sides and a cushion insert, raised on stile feet 89cm wide, 52cm high, 58cm deep

£300-500

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69 THAMES VALLEY ELM AND ASH COMBBACK ARMCHAIR LATE 18TH CENTURY the shaped crest rail above a vase shaped splat and U shaped arms, over a wide shaped seat stamped WL to the fore-edge, on turned splayed legs, the seat stamped on the underside WWW in a heart 66cm wide, 107cm high, 67cm deep

£1,000-1,500

70 LATE GEORGIAN OAK CRICKET TABLE EARLY 19TH CENTURY the circular top raised on three baluster turned and block legs joined by peripheral stretchers 63cm diameter, 57.5cm high

£400-600

71 GEORGIAN OAK SETTLE 18TH CENTURY the four panel back and plank seat flanked by open downward scrolled arms, raised on turned legs joined by stretchers 184cm wide, 95cm high, 52cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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72 SCANDINAVIAN PAINTED LADDERBACK ARMCHAIR 19TH CENTURY painted pale green, the wide back with turned finials above a loose cushion seat and straight turned arms, on straight legs joined by double stretchers 64.5cm wide, 97cm high, 57cm deep

£250-350

73 GEORGE III LIMED OAK CADDY TOP CHEST OF DRAWERS 18TH CENTURY the caddy top over two short and three long graduated drawers, raised on shaped bracket feet 108cm wide, 89cm high, 56cm deep

£800-1,200

74 GEORGIAN OAK DRESSER 18TH CENTURY the moulded cornice above open shelves with an enclosed back and flanked by panel doors; the base with three short drawers above an open recess and baluster turned supports, on an undertier raised on bracket feet 177cm wide, 196cm high, 43cm deep

£800-1,200

75 GEORGIAN PROVINCIAL ELM TRIPOD TABLE 18TH CENTURY with a plain circular top raised on a turned column and tripod base ending in slipper feet 68cm wide, 65cm high, 66cm deep

£250-350

76 PAIR OF SALT GLAZED STONEWARE LIONS EARLY 20TH CENTURY possibly sewer tiles, modelled recumbent on moulded bases, inscribed 6M/ B.M./ 1914 (2) 25.5cm long

£200-300

29

77 CONTINENTAL COPPER AND BRASS LOG BIN 19TH CENTURY the divided top with strap hinges and embossed with a fleur-de-lis, above a waisted body with ring handles to the sides and a bead moulded base 65cm diameter, 52cm high

£800-1,200

78 TWO CANVAS SHELL CASE STICK STANDS 19TH CENTURY the taller example painted black with a British coat-of-arms, the smaller with a swing handle and traces of a coat-of-arms; together with an OAK BARREL STICK STAND, 57cm high (3) Taller 51cm high; shorter 41cm high

£300-500

79 PAINTED AND POLYCHROME ARMORIAL BARREL EARLY 19TH CENTURY of typical form with metal straps, painted with a Royal Coat of Arms against an iron red ground 38cm diameter, 58cm high

£250-350

80 GEORGE III OAK CHEST OF DRAWERS 18TH CENTURY the moulded top over four long graduated drawers, raised on shaped bracket feet 80cm wide, 74cm high, 49cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

30

81 VAUXHALL BLUE AND WHITE MOULDED SAUCEBOAT CIRCA 1760 of boat form, decorated with scrolling foliage and leaves, the interior well depicting a seated figure, with labels for Nicholas Panes Collection and ECC Exhibition 2007 14cm wide

£400-600

Literature: This lot appears to be illustrated in Nicholas Panes, British Porcelain Sauceboats of the 18th Century (2009), Fig 267, p. 164.

82 RARE MINIATURE WELSH PINE AND FRUITWOOD COFFER BACH EARLY 19TH CENTURY the hinged top opening to a void interior, over two short and a long drawer with heart shaped escutcheons, raised on bracket feet 41cm wide, 48.5cm high, 24cm deep

£350-450

83 GROUP OF ENGLISH BLUE AND WHITE PORCELAIN 18TH CENTURY comprising a Lowestoft teapot and cover, a Worcester butter tub and cover, 12cm across, a coffee cup, 6cm high, and a miniature Worcester tea bowl, 5.5cm diam., all in the ‘Three Flowers’ pattern; a Lowestoft tea cannister, 10cm high, a milk jug, 13.5cm high, and a coffee cup, 5.5cm high, all in the ‘Mansfield’ pattern; a Worcester ‘Fruit Sprigs’ pattern tea bowl, 8cm diam., and saucer, 12cm diam.; and a Worcester pickle dish in the ‘Two Peony Rock Bird’ pattern, 11cm long; variously marked (10) Teapot 15.5cm high

£500-700

31

84 BOW BLUE AND WHITE ‘CROSSED-LEGGED CHINAMAN’ PATTERN COFFEE CAN 1750S of typical form, depicting a fisherman in a boat to the other side 5.5cm high

£300-500

85 THREE LONGTON HALL PORCELAIN WARES MID 18TH CENTURY comprising a blue and white sparrowbeak jug decorated with a figure in a boat by a building, painter’s numeral, 8cm high; a blue and white coffee cup with ribbed moulding below a rim border, painter’s numeral, 6cm high; and a polychrome painted coffee cup with flower sprigs and sprays, 6.5cm high (3) £500-700

86 THREE WORCESTER ‘FISHERMAN AND WILLOW PAVILION’ PATTERN WARES CIRCA 1755-60 all with moulded bodies, decorated in underglaze blue, variously marked, comprising two coffee cups, 6cm and 5cm high; and a saucer, 12cm diam. (3) £300-500

87 GROUP OF WORCESTER BLUE AND WHITE WARES SECOND HALF 18TH CENTURY comprising a baluster-form mug in the ‘Thorny Rose’ pattern, unmarked, 12cm high; a further baluster mug, decorated with various flower sprays, with underglaze crescent mark, 12cm high; and a pair of scallop-rimmed plates, in the ‘Pinecone’ pattern, with underglaze crescent marks, 19cm diameter (4) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

32

88Y PORTRAIT MINIATURE OF PRINCE WILLIAM FREDERICK, DUKE OF GLOUCESTER AND EDINBURGH LATE 18TH/ EARLY 19TH CENTURY oval, watercolour on ivory, shown in three-quarter profile, wearing a red jacket, blue sash and the Order of the Garter, in a gilt metal frame with an enamelled coronet bale and inscribed WILLIAM FREDERICK DUKE OF GLOUCESTER, with woven hair verso 7cm high

£600-800

89Y AFTER ANDREW PLIMER (1763-1837) PORTRAIT MINIATURE OF A YOUNG LADY oval, watercolour on ivory, the subject with fair hair in a bandeau, wearing an Empire waist dress, with initials AP and dated 1798, in a gilt metal frame, with woven hair verso and applied seed pearl monogram MD. 6.5cm high

£300-500

90 CARVED COQUILLA NUT SNUFF BOX 18TH CENTURY of rectangular form, the central hinged cover carved with two winged figures flanking a central rosette and floral panel with vases, the main body with carved floral borders and ends, the underside carved with a figure receiving communion in an arched setting, pierced detail 8.5cm wide

91

£400-600

ATTRIBUTED TO SAMUEL PERCY (1750-1820) WAX PORTRAIT, REPUTEDLY OF ADMIRAL GUTHRIE depicted in profile, with a powdered wig, ruff, waistcoat, and greatcoat, in a glazed walnut frame 9.5cm high Note: Samuel Percy (1750-1820) was a wax modeller from Ireland, and trained at the Dublin Society’s Schools. He first exhibited work in the city in 1772, before moving to London in c.1777 where he showcased his work at the Royal Academy in 1786, 1803 and 1804. He was a prolific worker, and was considered the best wax modeller of his time. He tended to model sitters in profile until 1790 when he turned his hand to full face reliefs. Examples of his work are held at the Nation Portrait Gallery, London and by the National Trust Collections.

£400-600

92Y FIVE TASSIE STYLE CAMEO IVORY PORTRAITS 19TH CENTURY all in profile, including the Duke of Wellington, Sir Walter Scott, and Michelangelo, in glazed ebonised frames (5) Frames 12cm x 9.5cm

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

33

93 RARE GEORGE II GRANDSONNERIE EBONISED BRACKET CLOCK, THOMAS GORDON, EDINBURGH CIRCA 1730 the bell top case with a brass handle and knopped finials, above an arched gilt brass dial with silvered chapter with Roman and Arabic numbers signed THO GORDON/ EDINBURGH, with a Strike/Silent dial to the arch, mock pendulum aperture and date aperture; with a glazed back and brass fret sides, the eight day, six pillar, three train movement with pull-repeat mechanism striking a bell, with chiming six bells on the quarter hours, enclosed by a backplate engraved with flowers, foliage, and birds, all raised on a moulded base and squat brass feet 32cm wide, 54.5cm high (handle up), 21cm deep Note: Thomas Gordon, Edinburgh 1688-1743 was apprenticed to Andrew Brown and freed in 1703. He worked for forty years making watches as well as longcase and bracket clocks. Existing clocks by him are very rare, as indeed, all early Edinburgh clocks are. Further information can be found in Old Scottish Clockmakers by John Smith.

ÂŁ4,000-6,000

34

94 FIVE LOWESTOFT POLYCHROME PAINTED SPARROWBEAK JUGS 18TH CENTURY comprising three painted in red, puce and green, depicting various flower sprigs and sprays, largest 8.5cm high; a jug depicting Chinese figures, 7.5cm high; and a jug decorated in the ‘Harvest Bug’ pattern, 8cm high (5) £500-700

95 GROUP OF LOWESTOFT TEA AND COFFEE WARES 18TH CENTURY comprising a matching trio, comprising a tea bowl, coffee cup and saucer, decorated with Chinese figures; a coffee cup and saucer in the ‘Mandarin Parrot’ pattern; a further tea bowl, also decorated with Chinese figures; a matching tea bowl and saucer, decorated with flowers in reserves; and a lobed tea bowl and a saucer, similarly decorated in the ‘Curtis’ style with flowers (10) £400-600

96

97

GROUP OF ENGLISH PORCELAIN TEA AND COFFEE WARES

GROUP OF BOW PORCELAIN WARES

18TH CENTURY

MID 18TH CENTURY

comprising two Derby moulded cream jugs, decorated in puce with gilt highlights, 11cm long; a Worcester trio, of a coffee cup, tea bowl and saucer, with matching puce flowers and gilt borders, saucer 12.5cm diam.; three further coffee cups, one with fluted moulding, largest 6cm high; and a tea bowl, decorated with flowers, 7cm diam. (9)

comprising a polychrome sauce boat with lobed rim and flower sprays, 18.5cm across; two small blue and white milk jugs, 12.5cm and 11cm across; two coffee cups, one painted with Chinese figures, the other with flower sprigs, 6cm and 5.5cm high; and a small tea bowl, left in the white with applied prunus branches, 7cm diam. (6)

£300-500

£250-350

35

98 TWO PIECES OF WORCESTER PORCELAIN MID-LATE 18TH CENTURY comprising a ‘Scolopendrium’ moulded and painted cup, typically decorated with leaves and flower sprigs, with label for The Smalle Collection/ South Africa, 6cm high; and a cabbage leaf moulded sauce boat with twig-form handle, decorated with insects and flowers, red painted maker’s marks, 18cm across (2) £300-500

99 THREE BRISTOL AND PLYMOUTH PORCELAIN WARES 18TH CENTURY comprising two sparrowbeak jugs, one painted with flower sprays, Bristol, blue cross mark, 9cm high, the other with puce flower sprigs, Plymouth, 8cm high; and a Bristol coffee cup with hatched reserves and flower sprigs, faux blue crossed swords marks, 6cm high (3) £250-350

100 GROUP OF PORCELAIN, ATTRIBUTED TO VAUXHALL 18TH CENTURY comprising a ‘Man on a Bridge’ pattern tea bowl and saucer, in the Imari palette, tea bowl 7.5cm diam., saucer 11.5cm diam., the saucer with label for the Watney Collection; a sparrowbeak jug with a label for the ECC Exhibition, 2007, 6.5cm high, a coffee cup, 5.5cm high, and a saucer 11.5cm diam., all with polychrome insects, flower sprigs and sprays (5) Provenance: The Vauxhall ‘Man on a Bridge’ saucer, The Watney Collection of Fine Early English Porcelain, Part III, London, 2000, lot 1147

£600-800

101 GROUP OF WORCESTER COFFEE WARES 18TH CENTURY comprising two cups and saucer, all in the ‘Harvest Bug’ pattern; a matching cup and saucer decorated in the famille rose palette with floral sprigs; a fluted cup with green floral sprigs; a reeded cup with floral swags; three cups with flower sprays; a ‘Queens Floral’ pattern cup; and a cup in the ‘Hibiscus’ pattern; together with a WORCESTER SPARROWBEAK JUG, with flower sprays, label for ‘Mary & Peter White Collection/ 1409’ (13) £400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

36

102 WILLIAMITE ENGRAVED WINE GLASS MID 18TH CENTURY the round funnel bowl wheel-engraved with inscription ‘THE GLORIOUS MEMORY OF KING WILLIAM III’ above a band of fruiting vines, on a plain stem and folded foot 13.5cm high Provenance: Private collection of G. S. May, Esquire

£300-500

103 JACOBITE AIRTWIST WINE GLASS 18TH CENTURY the bucket bowl with engraved trailing border of flowers including a rose, a forget-me-not, and chrysanthemum, interspersed with foliage, on an airtwist stem and a domed circular foot 16.5cm high Provenance: The Late Michael Buckingham Collection

£300-500

104 SIX GEORGIAN TWISTSTEM WINE GLASSES 18TH CENTURY comprising one air-twist glass with a bucket bowl; and five opaque-twist glasses, including two with conical bowls; a trumpet bowled glass; a rounded bowl glass with a domed foot; and a small glass, also with a rounded bowl (6) Largest 17cm high

£400-600

105 GROUP OF ENGRAVED GLASSWARE 19TH CENTURY AND EARLY 20TH CENTURY comprising a pair of Victorian Masonic glasses, with wide bowls, each wheel-engraved with a compass, a crescent moon, sun and open eye, 11.5cm high; a Victorian tumbler, possibly by Tom Sutherland, diamondpoint engraved with the Royal Coat of Arms and various armorials, dated 1863; 10.5cm high; a Franklin D. Roosevelt commemorative goblet, Vernay, dated 1945, with Sotheby’s lot label, 16cm high; and a Bohemian engraved glass, of Judaic interest, engraved with a crown and Star of David above the Ten Commandments tablets with lion bearers, 15cm high (5) Provenance: Private collection of G. S. May, Esquire; The Roosevelt glass from The Duke & Duchess of Windsor sale, Sotheby’s, September 11-19, 1997, lot 1736

£500-700

106 GROUP OF FOUR COLOURED AIRTWIST WINE GLASSES 18TH CENTURY all with bell shaped bowls, two with blue and white airtwist stems, one with a green airtwist stem, and one with a red airtwist stem; together with a SET OF TEN DUTCH ENAMELLED WINE GLASSES, early 20th century, with gilt rims and painted with windmills, on white twist knopped stems and conical feet (14) 15.5cm high

£250-350

37

107 LARGE WILLIAMITE ARMORIAL ENGRAVED GLASS GOBLET 18TH CENTURY the large round funnel bowl depicting the armorial for William III, with inscriptions/mottoes ‘HONY SOIT OUI MAL Y PENSE/ IE MAINTIENDRAY’ (sic), on a thick plain stem and conical foot 25.5cm high Provenance: Private collection of G. S. May, Esquire

£2,500-3,500

108 LARGE DUTCH WHEEL-ENGRAVED ARMORIAL GLASS GOBLET MID 18TH CENTURY the flared bowl engraved with the abbreviated Spanish Royal Arms, quarterly Castile and León, inescutcheon Bourbon, and the Order of the Golden Fleece, the base of the bowl facet-cut, raised on a knopped teared faceted stem and domed conical folded foot 22.5cm high

£500-700

Note: The armorial bearings are the lesser or abbreviated Royal Arms of the Kingdom of Spain. These arms probably refer to King Charles III of Spain (1716 -1788). He was the fifth son of King Philip V of Spain, and the eldest son of Philip’s second wife, Elisabeth Farnese. Upon the death of his granduncle Antonio Farnese in 1731, Charles became Charles I, Duke of Parma and Piacenza. He married Princess Maria Amalia of Saxony (1724-1760) in 1738, the daughter of King Augustus III of Poland and his wife, Archduchess Maria Josepha of Austria.

During their marriage Charles and Maria had thirteen children, eight of whom survived into adulthood. He ascended to the Spanish throne in 1759 upon the death of his halfbrother, King Ferdinand IV.

109 THREE GEORGIAN WINE GLASSES 18TH CENTURY comprising an example with a pan top, enamel twist and folded foot, 14cm high; an ogee-bowled glass with swollen knopped stem and folded foot, with a label for the James Hall Collection, 12.5cm high; and a cylindrical-shaped bowled glass with teared stem and domed foot, 14.5cm high (3) Provenance: Private collection of G. S. May, Esquire

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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110 LARGE GEORGE III STYLE GILT BRASS HALL LANTERN EARLY 20TH CENTURY of cylinder form with a stiff leaf plate over swag-mounted S scroll supports ending in rams’ head masks, the six glazed panel sides enclosing a central reeded shaft terminating in nine pendant lights; electrified 61cm wide, 117cm high

£1,500-2,500

111 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, THOMAS REID, EDINBURGH LATE 18TH CENTURY the dentil moulded swan neck pediment over an arched brass dial with silvered Roman and Arabic chapters, subsidiary seconds dial and a large calendar aperture, the arch with an engraved and signed silvered brass demilune panel, with pierced brass spandrels and flanked by fluted columns, above a shaped trunk door flanked by fluted quarter columns, on a plinth base; the eight day movement striking a bell 49cm wide, 212cm high, 24cm deep

£600-800

112 GEORGE III STYLE MAHOGANY LIBRARY ARMCHAIR MODERN the straight back with a serpentine top rail above a wide seat and padded open arms, on square straight legs joined by stretchers and ending on brass castors; covered in yellow damask 73cm wide, 103cm high, 60cm deep

£300-500

39

113 RARE SCOTTISH GEORGE III EBONISED BRACKET CLOCK, HUGH GORDON ABERDEEN CIRCA 1770 the bell top case fitted with a brass carrying handle and four pineapple brass finials, above the gilt break-arch dial plate with a silvered chapter ring with Roman numerals, enclosing a signed aperture HUGH GORDON/ ABERDEEN and a date aperture, with a subsidiary STRIKE/SILENT dial to the arch and engraved plate, within a glazed case, the eight-day movement striking a bell, with verge escapement and bob-pendulum, the floral engraved backplate signed HUGH GORDON/ ABERDEEN, on a moulded plinth base and short feet 28cm wide, 48cm high (handle up), 18cm deep Note: Hugh Gordon was working in Aberdeen from 1748-90, having previously worked in Edinburgh and London. He seems to have been a very proficient maker although little of his work has apparently survived.

£3,000-5,000

114 GEORGE III MAHOGANY THREE TIER REVOLVING BOOKCASE LATE 18TH CENTURY with three graduated tiers with open compartments and dividers covered with leather book spines, on a baluster column and four outswept reeded legs ending in brass caps and castors 68cm diameter, 129cm high

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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115 GEORGIAN STYLE GILTWOOD GIRANDOLE MIRROR 19TH CENTURY the oval mirror plate in a ribbon-tied frame clad with laurel leaves and issuing twin scroll branches each terminating with three candle nozzles 180cm high, 92cm wide

£500-700

116 LATE GEORGE III SMALL BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY the top with a reeded edge above four graduated drawers, above a shaped apron and French feet 72cm wide, 78cm high, 50cm deep

£300-400

117 LATE GEORGE III MAHOGANY DINING TABLE LATE 19TH CENTURY the rounded rectangular tilt top with a reeded edge, on a tapered and turned baluster column with four reeded scroll legs ending in brass caps and castors 153cm long, 74cm high, 114cm deep

£400-600

41

118 FINE GEORGE III STYLE WALNUT PEDESTAL DESK 19TH CENTURY the rectangular top with a thumbnail moulded edge and a brown leather insert with gilt tooled border, above three frieze drawers, raised on banks of three graduated short drawers with cupboards opposing, on plinth bases with castors 145cm wide, 78cm high, 85cm deep

£5,000-8,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42

119 LATE GEORGE III MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY of angled bowfront outline, the crossbanded caddy top above four long graduated drawers, raised on French feet 92cm wide, 88cm high, 50cm deep

£400-600

120 SET OF TWELVE GEORGE III STYLE MAHOGANY DINING CHAIRS, BY MORISON & CO., EDINBURGH EARLY 20TH CENTURY in the Sheraton style, comprising ten side chairs and a pair of armchairs, the shield shaped backs with pierced vase splats carved with wheat stalks and foliage, above bowed stuff-over seats raised on channel moulded square tapered legs with spade feet, stamped to inner rear leg MORISON AND CO. EDINBURGH and A7318 (12) Armchair 58cm wide, 95cm high, 41cm deep

£700-1,000

121 GEORGIAN STYLE MAHOGANY TRIPLE PEDESTAL DINING TABLE, BY ARTHUR BRETT & SONS, NORWICH LATE 20TH CENTURY the rounded rectangular and crossbanded top with leaf extensions, on baluster supports with four moulded scrolling legs with brass caps and castors 490cm long, 74cm high, 122cm deep

£1,000-1,500

43

122 PAIR OF GEORGE III MAHOGANY DEMILUNE SIDE TABLES EARLY 20TH CENTURY with shallow profiles, the fluted friezes marked with flower heads above bead moulding, raised on turned and leaf carved tapered legs (2) 152cm wide, 83cm high, 52cm deep

£1,200-1,800

123 LATE GEORGE III MAHOGANY COMPACTUM WARDROBE EARLY 19TH CENTURY the shaped cornice with urn finials above two short and six long drawers flanked by long cupboards with hanging space and drawers, raised on tapered legs 226cm wide, 198cm high, 60cm deep

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44

124 GEORGE III MAHOGANY DEMILUNE PIER TABLE 18TH CENTURY the crossbanded top above a boxwood lined frieze, raised on reeded tapered legs 64cm wide, 91cm high, 35cm deep

£600-800

125Y GEORGE III SATINWOOD AND ROSEWOOD INLAID SERPENTINE CARD TABLE LATE 18TH CENTURY, THE INLAY 19TH CENTURY the crossbanded fold-over top centred by a laurel wreath oval reserve with an urn, opening to a green baize playing surface, above a frieze with an urn filled panel, raised on square tapered legs with ball feet and headed by patera 99cm wide, 74cm high, 49cm deep

£1,000-1,500

126 GEORGE III STYLE MAHOGANY AND SATINWOOD DEMILUNE SIDE CABINET LATE 19TH/ EARLY 20TH CENTURY the crossbanded top above a central frieze drawer, over a pair of cupboard doors flanked by side panels all with oval inlay, raised on square tapered legs 122cm wide, 92cm high, 52cm deep

£600-800

127 SCOTTISH MAHOGANY AND SATINWOOD MARQUETRY SIDEBOARD LATE 18TH CENTURY the D-shaped banded top above a pair of short frieze drawers flanked by deep drawers, one fitted as a cellarette, raised on square tapered legs ending in spade feet, inlaid with shell medallions and flowering urns 198cm wide, 97cm high, 68cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

45

128 GEORGE III STYLE MAHOGANY AND MARQUETRY DEMILUNE CARD TABLE 20TH CENTURY the fold-over D-shaped top with floral inlay opening to a brown leather playing surface, with a drawer to the rear, raised on square tapered legs 96cm wide, 81cm high, 49cm deep

£300-500

129 GEORGE III MAHOGANY SECRETAIRE PRESS CUPBOARD 18TH CENTURY the moulded cornice over two oval moulded panel doors enclosing three sliding trays; the lower section with a secretaire drawer over two short and one long drawer, raised on bracket feet, bearing an enamel plaque inscribed ‘C. PERRY’ 125cm wide, 198cm high, 63cm deep

£500-700

130Y LATE GEORGE III MAHOGANY AND SATINWOOD BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the bowfront top over four graduated and banded drawers with ivory escutcheons, the top drawer fitted with a small drawer, raised on splayed bracket feet 121cm wide, 106cm high, 58cm deep

£400-600

46

131 SIX COBALT BLUE AND GILT GLASS WINE RINSERS, ATTRIBUTED TO THE WORKSHOP OF ISAAC JACOBS, BRISTOL CIRCA 1810 of plain cylindrical form with twin lips and gilt Greek-Key pattern borders below the rims (6) approximately 11cm high, 14cm diameter (slight variations in size)

£1,000-1,500

132 GEORGE III BRASS TAVERN ‘HONESTY’ TOBACCO BOX CIRCA 1800 of rectangular form with a central handle, comprising two lidded compartments, one coin operated, raised on ball feet 24cm wide, 18cm high, 12cm deep

£300-500

133 LATE GEORGIAN MAHOGANY BALLOT BOX EARLY 19TH CENTURY with a cylindrical aperture above a moulded door, with gilt letter YES/NO, opening to baize lined drawers lettered Y and N; with a group of later glass voting marbles 29.5cm wide, 45cm high, 20cm deep

£800-1,200

134

135

136Y

GEORGE III MAHOGANY BOTTLE CARRIER

GEORGIAN DEMI-LUNE MAHOGANY BOX

LATE GEORGE III ROSEWOOD AND BRASS TEA CADDY

LATE 18TH CENTURY

the hinged cover with later fan inlay, opening to an interior fitted with five banded satinwood covered boxes, with void interiors

of rectangular form, with six divided compartments united by a pierced carrying handle 41.1cm long, 34.5cm wide

£250-350

LATE 18TH CENTURY

33cm wide

£200-300

EARLY 19TH CENTURY the front and top outlined with bands of brass inlay marked at the corners with stars, the top with a monogrammed brass plaque, opening to two covered caddies and an associated cut-glass bowl 31cm wide, 15cm high, 15.5cm deep

£250-350

47

137 THREE GEORGIAN STYLE LACQUERED BRASS HALL LANTERNS

138

MODERN

GEORGIAN MAHOGANY AND WALNUT LONGCASE CLOCK, EDWARD PATRICK, LONDON EARLY 18TH CENTURY the silvered Roman numeral dial with brass spandrels with a secondary seconds dial and date aperture, in an associated case with a moulded cornice and arched trunk door, on a plinth base with bracket feet; the eight day movement striking a bell

each of cylindrical form with three glass panels and a central three light fixture (3) 48cm high, 27cm diameter

£300-500

51cm wide, 193cm high, 28cm deep

£600-800

139 LATE GEORGE III MAHOGANY ‘CUMBERLAND’ DINING TABLE EARLY 19TH CENTURY in two parts, each with a drop-leaf rounded end opening on double ring-turned supports, with a centre leaf extension, raised on outscrolled legs terminating in brass paw caps and castors (3) Overall 228cm long, 72cm high, 121cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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140 LATE GEORGIAN MAHOGANY POT CUPBOARD EARLY 19TH CENTURY the oval top above a single cupboard door, raised on slender turned legs joined by an X stretcher 69cm wide, 78cm high, 51cm deep

£400-600

142 LATE GEORGE III HARLEQUIN MAHOGANY METAMORPHIC WRITING AND DRESSING TABLE LATE 18TH CENTURY the hinged divided top opening to a ratchet adjusted writing slope and rising superstructure with pigeon holes and drawers, flanked by covered document compartments, above a dummy drawer and real long drawer with brass handles to the sides, over a concave compartment with tambour doors, all raised on turned tapered legs ending in brass castors 66cm wide, 132cm open, 87cm high, 53cm deep Note: This form is based on two slightly different designs in The CabinetMakers’ London Book of Prices, 1788, pls. 10 and 9

£800-1,200

143 GEORGIAN STYLE MAHOGANY SIDEBOARD 20TH CENTURY the crossbanded top of broken bowfront outline above a central drawer and apron drawer flanked by a deep cellarette drawer and a cupboard, raised on square tapered stop-fluted legs ending in block feet 182cm wide, 92cm high, 57cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

49

144 LATE GEORGE III MAHOGANY URN STAND LATE 18TH CENTURY the oval crossbanded top with a wavy gallery above a cup slide, raised on splayed square tapered legs outlined with stringing and ending in spade feet 36cm wide, 63cm high, 27cm deep

£800-1,200

145 LATE GEORGIAN MAHOGANY DRUM TABLE EARLY 19TH CENTURY the top with a leather insert above four real and four dummy frieze drawers, raised on a ring turned column and three outswept legs ending in brass caps and castors 115cm wide, 75cm high

£1,500-2,500

146 LATE GEORGE III MAHOGANY SIDEBOARD LATE 18TH CENTURY the superstructure with tambour doors above a base of broken bowfront outline, with a central frieze drawer over an arched recess and further tambour drawers flanked by short drawers, a cupboard and a deep drawer, all outlined with crossbanding, raised on leafcarved square tapered legs 214cm wide, 119cm high, 72cm deep

£600-800

50

147 GEORGE III MAHOGANY AND SATINWOOD CHEVERET the separate superstructure with four short drawers and pigeon holes above a long frieze drawer and a sliding work basket, raised on square tapered legs 53cm wide, 103cm high, 43cm deep

£300-500

148 LATE GEORGE III MAHOGANY SOFA TABLE EARLY 19TH CENTURY the banded rounded rectangular top with drop sides above a pair of short frieze drawers raised on squared end supports joined by a stretcher and ending on downturned legs with brass caps and castors 154.5cm wide (open) 98cm wide (closed), 77cm high, 63cm deep

£400-600

149 GEORGE MAHOGANY WING ARMCHAIR LATE 18TH CENTURY the back with a serpentine crest rail above deep shaped wings and a loose cushion seat flanked by scrolled arms, raised on straight legs joined by an H stretcher; covered in pale yellow damask 80cm wide, 112cm high, 53cm deep

£800-1,200

150

151

LATE GEORGE III MAHOGANY DEMILUNE GAMES TABLE

GEORGE III CAMPHORWOOD, BRASS AND LEATHER CHESTON-STAND

LATE 18TH CENTURY

LATE 18TH CENTURY

the fold-over top opening to a green baize playing surface, above a plain frieze with a central drawer, raised on square tapered legs

the hinged top opening to a void interior, with brass corner mounts and bail handles to the sides, on an integrated close nailed leather trimmed stand, raised on chamfered legs

105cm wide, 74cm high, 49cm deep

£200-300

56cm wide, 50cm high, 40cm deep

£200-300

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152 GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the circular dished top on a slender baluster turned column and tripod base 35cm diameter, 59cm high

£800-1,200

153 GEORGE III MAHOGANY AND KINGWOOD SERPENTINE CARD TABLE LATE 18TH CENTURY in the French style, the crossbanded fold-over top opening to a green baize playing surface, raised on cabriole legs 90cm wide, 74cm high, 46cm deep

£500-700

154 SCOTTISH LATE GEORGE III MAHOGANY AND INLAY SERVING TABLE LATE 18TH CENTURY the serpentine top with cross and feather banding above three frieze drawers, raised on square tapered legs ending in spade feet and headed by oval medallions with thistles 182cm wide, 82cm high, 67cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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155 THREE GEORGIAN STYLE LACQUERED BRASS HALL LANTERNS MODERN each of cylindrical form with three glass panels and a central three light fixture (3) 48cm high, 27cm diameter

£300-500

156 LATE GEORGE III MAHOGANY AND HAREWOOD URN STAND LATE 18TH CENTURY the rounded square top with a wavy gallery above a cup slide, raised on slender square tapered legs ending in spade feet with leather castors 35cm wide, 72cm high, 35cm deep

£400-600

157 GEORGE III MAHOGANY SECRETAIRE BOOKCASE LATE 18TH CENTURY the key moulded cornice above a lancet moulded frieze, over a pair of astragal glazed doors enclosing adjustable shelves; the lower part with a reeded edge marked with inlaid fan medallions, above a secretaire drawer opening to an arrangement of drawers and pigeon holes, over three further long graduated drawers, raised on French feet 107cm wide, 222cm high, 55cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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158 FINE LATE GEORGE III SATINWOOD KINGWOOD, AND FRUITWOOD DEMILUNE PIER TABLE LATE 18TH CENTURY the well-figured and crossbanded top with green stained banding above a crossbanded panel frieze, raised on inlaid square tapered legs ending in block feet 122cm wide, 86cm high, 56cm deep

£4,000-6,000

159 GEORGE III MAHOGANY LONGCASE CLOCK, BENJAMIN MAUD, LONDON LATE 18TH CENTURY the pagoda top with a reeded panel and brass finials, above an arched dial with a silvered Roman and Arabic chapter ring, subsidiary Strike/ Silent and seconds dials, date aperture, signed to the arch ‘Benjamin Maud London’, flanked by stop-fluted brass inlaid columns, above a moulded arched trunk door flanked by fluted angles, on a moulded plinth base with shaped feet; the eight day movement striking a bell 47cm wide, 239cm high, 24cm deep

£700-1,000

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160 OAK CARVED AND POLYCHROME PANEL 19TH CENTURY carved in relief with a central cartouche painted with a castle fortification, against a trophy and oak leaves 35cm high, 80cm wide

£200-300

161 LATE GEORGE III IRISH MAHOGANY AND BRASS PEAT BUCKET EARLY 19TH CENTURY of ridged coopered design with three brass bands and upright loop handles 41cm diameter, 42cm high

£700-1,000

162 PAIR OF GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY in the Hepplewhite style, the arched backs with triple pierced splats over bowed seats, raised on channel moulded square legs united by peripheral stretchers (2) 57cm wide, 89cm high, 37cm deep

£300-500

163 LATE GEORGE III STEEL AND CAST IRON FIRE GRATE EARLY 19TH CENTURY with three curved bars above a pierced grille, on square tapered legs surmounted with by urn finials 80cm wide, 63cm high, 48cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

55

The Great Hall, Horsley Towers

56

ITEMS FROM THE ESTATE OF THE LATE 5TH EARL OF LOVELACE The fortunes of the King family, firstly as Barons King and later Earls of Lovelace, began with Peter King (1669-1734) of Exeter, Devon.

A clever and studious boy, he spent three years at the University in Leiden, before embarking on a career in London where he acquired a high reputation for his legal knowledge. He went on to hold the office of Lord Chief Justice and Lord Chancellor. He was created 1st Lord King, Baron of Ockham in 1725 by George I. Each of Peter King’s four sons succeeded to the title, with Thomas, 5th Baron (1712-1779) succeeded by his son, Peter, the 6th Baron (17361793). He had three sons, the eldest of whom, also Peter (17761833), 7th Baronet, became the next to inherit.

The 7th Baronet made many improvements to Ockham Park, the family estate in Surrey, and it is easy to speculate that much of the late Georgian and early Regency furniture for sale here were purchased at that time. The eldest of the Baron’s two sons, William (1805-1893), 8th Baron King of Ockham and 1st Earl of Lovelace, was also a significant figure in the family history.

William entered the diplomatic service and became secretary to Lord Nugent, Lord Commissioner of the Ionian Islands, and retained a love of the Eastern Mediterranean after being recalled to England in 1833. At the age of 22 he assumed to title Lord King, and returned to Ockham, and was created an Earl in 1838, one of the elevations made to celebrate the coronation of Queen Victoria. The Lovelace title was chosen to mark that his wife Ada was a descendant of the Barons Lovelace of Hurley. He purchased the East Horsley estate in 1840 and rechristened the enlarged Tudor style house designed

by Sir Charles Barry ‘Horsley Towers’. Some of the Gothic Revival furniture made for Horsley follows, specifically lots 164 and 173.

In 1886 William purchased the 12,000 acre Ben Damph Forest on the south side of Loch Torridon, and built the sporting lodge, Ben Damph House in 1887. After his death, the title passed to his surviving second son Ralph King-Milbanke (1839-1906), 2nd Earl of Lovelace and 13th Baron Wentworth and subsequently his stepbrother, Lionel Fortescue King (1865-1929), 3rd Earl. In 1920 Lionel sold Horsley Towers, and Ockham had passed into the family of the 2nd Earl, so he moved to Whitwell Hatch, Haslemere, as well as retaining a house in Knightsbridge and the Ben Damph estate.

His son, Peter Malcolm King (1905-1964) became the 4th Earl and took the opportunity to buy Torridon House and estate in 1960 and moved across the loch from Ben Damph. On the 4th Earl’s death in 1964, his son Peter Axel William Locke King, (1951-2018) became the 5th Earl of Lovelace. A man of various interests, he married Kathleen, Countess of Lovelace, having been introduced by mutual friends in Turkey in 1993. The following selection of lots, from the Gothic Revival furniture commissioned for Horsley Towers, and the Georgian and Regency furniture supplied Ockham, and the furnishing pieces from Torridon House, the collection of artefacts is intimately entwined with an illustrious family through the ages.

164 SET OF EIGHT EARLY VICTORIAN OAK AND POLYCHROME HERALDIC ‘GLASTONBURY’ CHAIRS, BEARING THE LOVELACE COAT-OF-ARMS MID 19TH CENTURY the backs carved with various fruits and flowers above a quatrefoil panel enclosing the carved and polychromed Lovelace coat-of-arms and motto LABOR IPSE VALUPTAS, on X legs with brass castors; with seven embossed leather seat pads in green and red dyed hide (8) 57cm wide, 86cm high, 42cm deep Provenance: Commissioned for Horsley Towers, Surrey, by William King, 1st Earl of Lovelace, probably between 1846 and 1860 The estate of the late 5th Earl of Lovelace

£7,000-9,000

Note: An original medieval Glastonbury chair survived in the Bishop’s Palace at Wells where Pugin almost certainly saw it, and another example was known at Strawberry Hill.

Pugin copied the form exactly, although he did not add the original carved decoration to his versions (see V&A collection, British Galleries, Room 122e). The present examples are elaborately carved to the backs with coats of arms. The full coat of arms dates from the 30 June 1838, when William King, 8th Baron King of Ockham was elevated to the titles 1st Earl of Lovelace and Viscount Ockham. The chairs were likely to have been made after 1846, when the 1st Earl started living at Horsley Towers, and before 1860; as on the 29 Sept 1860 William King adopted the name and arms King-Noel by royal licence.

Literature: Atterbury, Paul and Wainwright, Clive, Pugin: A Gothic Passion, London 1994, p. 132, illus. plate 233.

57

For an illustration of these chairs in situ, please see page 55

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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165 VICTORIAN GILTWOOD AND GESSO MIRROR MID 19TH CENTURY the oval mirror plate in an open trellis frame with fruiting vines 139cm high, 121cm wide Note: For two similar mirrors see lots 93 & 133, Lyon & Turnbull, Contents of Torridon House, 28th October 2015

£500-700

166 GEORGE III MAHOGANY SECRETAIRE CHEST-ON-CHEST 18TH CENTURY the moulded cornice and fluted frieze over two short and three long graduated drawers; the lower section with a secretaire drawer and three further long drawers, raised on shaped bracket feet 123cm wide, 193cm high, 57cm deep

£800-1,200

167 VICTORIAN MAHOGANY BRASS BANDED WINE COOLER 19TH CENTURY oval form with a zinc lined interior and two brass bands, the base raised on bun feet 76cm wide, 44cm high, 53cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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168 RARE PARQUETRY, MOTHER-OF-PEARL AND BRASS INLAID OCCASIONAL TABLE, PROBABLY OTTOMAN FOR THE BRITISH MARKET

The Library, Torridon House, with table in foreground

LATE 18TH CENTURY the dished circular top with radiating star inlay, on a spiral turned column and three cabriole legs with scrolled feet 77cm diameter, 71cm high

£3,000-5,000

Note: The inlay on this very British form of tripod table is highly unusual and may have been a specific commission. The use of star and crescent motherof-pearl inlay hints at a possible Ottoman origin or involvement, perhaps Istanbul. The wire inlay is reminiscent of similar work on Ottoman firearms.

William King, 1st Earl of Lovelace, was secretary to Lord Nugent, commissioner of the Ionian Islands, prior to 1833. Whilst there, he travelled extensively, meeting Mehemet Ali, Pasha of Egypt. He may have picked this piece up during his time in the region.

168A LOUIS XV KINGWOOD AND MARQUETRY WRITING TABLE MID 18TH CENTURY the shaped rectangular top with a leather insert and three quarter brass gallery, over an arrangement of drawers and a kneehole, raised on cabriole legs with gilt metal sabots, with floral marquetry throughout 82cm wide, 74cm high, 46cm deep

£300-500

60

169 REGENCY MAHOGANY CELLARETTE EARLY 19TH CENTURY of sarcophagus form, with moulded sides with brass ring handles, raised on paw feet with castors, with a lead insert 72cm wide, 47cm high, 48cm deep

£1,000-1,500

170Y REGENCY ROSEWOOD AND BRASS INLAID LIBRARY TABLE, MANNER OF THOMAS HOPE, POSSIBLY BY GEORGE OAKLEY EARLY 19TH CENTURY the rounded rectangular top above two frieze drawers, on trestle end supports joined by a stretcher and raised on brass paw feet with castors 112cm wide, 75cm high, 71cm deep Literature: Gilbert, C. and Beard, G., Dictionary of English Furniture Makers 1660-1840, 1986, pp.658-660

£2,500-3,500

Note: The firm of George Oakley in London characteristically produced Grecian style furniture at the turn of the 19th century, and were known for their use of boullework. Their designs and craftsmanship earned them royal patronage and Oakley himself worked for the Prince Regent at Carlton House, as well as supplying furniture and upholstery for the Mansion House and the Bank of England. He was greatly influenced by the work of Thomas Hope, as well as contemporary French furniture designs. Similar handles and stretcher design can be seen on a table offered by Bonham’s London, 7th March 2012, lot 227.

171

172

TWO BAMBOO LANCES

MAHOGANY BAROGRAPH

LATE 19TH CENTURY

LATE 19TH/ EARLY 20TH CENTURY

each with a metal tip with a short flat double edged blade, the metal ferrule with short spike, with the remains of pennants (2)

the glazed cover enclosing the mechanism, on a moulded base with a frieze drawer, on bracket feet

276cm high

38cm wide, 23cm high, 23.5cm deep

Note: Lionel King, 3rd Earl of Lovelace, was a Captain in the 9th Lancers

£200-300

£150-250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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Dining chair from Scarrisbrick Hall, designed by A.W.N. Pugin, circa 1837-40

173 SET OF SIXTEEN GOTHIC REVIVAL OAK DINING CHAIRS, IN THE MANNER OF A.W.N. PUGIN MID 19TH CENTURY including two carvers, each with a moulded rectangular back, the back and seat covered in red floral pattern cut velvet, on faceted knopped legs and toupie feet, the armchairs with additional carving, the back legs with later buttresses fitted with ceramic castors (16) 48cm wide, 94cm high, 49cm deep

£5,000-7,000

Provenance: Commissioned for Horsley Towers, Surrey, by William King, 1st Earl of Lovelace, probably after 1850 The estate of the late 5th Earl of Lovelace Literature: Atterbury, Paul and Wainwright, Clive, Pugin: A Gothic Passion, London 1994, pp.131-132, illus. plates 229 and 232.

Note: Pugin designed a more elaborate x-frame armchair for Scarisbrick Hall in 1836, based on a design for a chair which he had illustrated in ‘Gothic Furniture’ of 1835, which demonstrates his archaeological approach to chair design. The armchairs in this set borrow several characteristics from that chair, most notably the elaborate scrollwork terminals on the arms and the form of the back, with its rounded and moulded rectangular form and arched top rail with carved panel. The legs are reminiscent of Pugin’s chairs for the House of Commons, however the brackets for castors at the rear of the back legs look to be an eccentric Lovelace addition.

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174 NOVELTY BRASS ARTICULATED LOBSTER INKWELL LATE 19TH/ EARLY 20TH CENTURY of naturalistic form, the back opening to reveal voids for inkwells, with registration stamp ‘RD 136502’ 31cm long

£200-300

175Y GROUP OF TWENTY IVORY SNOOKER BALLS EARLY 20TH CENTURY comprising nine red-stained examples, six yellow-stained balls, a blue-stained ball, a brown-stained ball, and three unstained balls (20) approximately 4.5cm diameter each

£300-500

176 ENGLISH PORCELAIN ARMORIAL PART TEA SERVICE 19TH CENTURY each piece painted with a gilt and polychrome crest with the motto LABOR IPSE VOLUPTAS, within coloured Greek key borders, with retailers marks MORTLOCK/ 18 REGENT ST., comprising eight teacups, 6cm high; eight saucers, 13.5cm diameter; and eight plates (24) Plates 22cm diameter

£250-350 Note: Mortlock was a merchandising rather than a manufacturing operation. It has been described as arguably the most important china retailer in London in the early nineteenth century. It exercised enormous power and influence over the manufacturers, particularly including Coalport, insisting that the products that Mortlocks sold should bear the Mortlock mark rather than that of the original maker.

By 1803, Mortlock was claiming to supply “Her Majesty [Queen Charlotte] and the Royal Family” with “Coalbrook Dale [Coalport] porcelain”. In the late 1830s Mortlock provided Coalport pieces for Queen Victoria.

177

178

SEVEN BLUE AND WHITE DELFTWARE HOLLOW WARES

GROUP OF CONTINENTAL POLYCHROMED TIN GLAZED EARTHENWARE

18TH/ EARLY 19TH CENTURY comprising a pair of jars with associated porcelain covers; four miscellaneous garlic mouth vases, one marked ‘B’, another with monogram for the Drie Posteleyne Astonne factory; and a baluster vase; all variously decorated with flowers or figures (7) Largest 29cm high

£200-300

The arms show Lovelace with Byron/Noel/ Wentworth/Lovelace in pretence, with earl’s coronet above, indicating a date after 1838.

18TH/ EARLY 19TH CENTURY comprising a pair of Delft covered baluster vases, by the De Blompot factory, marked ‘B:P.’; a near pair of Delft waisted baluster vases, by De Klauw factory, maker’s marks; a pair of faience twin-handled vases, maker’s marks; a pair of faience candlesticks, maker’s marks; and a similar candlestick; all decorated in polychrome glazes (9) Largest 32cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

179 SIX EARLY VICTORIAN ENGRAVED GLASS CARAFES 19TH CENTURY with panelled everted necks above ovoid bodies decorated with wheel-engraved stars, with star-cut bases (6) 17cm high

£200-300

63

180 MANNER OF COWAN DOBSON HALF LENGTH PORTRAIT OF LADY ROSEMARY DIANA KING Oil on canvas 102cm x 76cm (40in x 30in)

£700-900

181 19TH CENTURY BRITISH SCHOOL FULL LENGTH PORTRAIT OF WILLIAM KING-NOEL, 1ST EARL OF LOVELACE Indistinctly signed, oil on canvas, unframed 218cm x 134cm (86in x 52.75in) Note: William, 1st Earl of Lovelace was a significant figure in the family history. He entered the diplomatic service and became secretary to Lord Nugent, Lord Commissioner of the Ionian islands. At the age of twenty-eight, on the death of his father, and now Lord King, William returned to Ockham where two years later he married Augusta Ada Lovelace, daughter of Lord Byron, the celebrated poet. His wife Ada was a significant figure in her own right. She had been a child prodigy able to tackle geometry and mathematics, play the violin and guitar and fluent in several languages by the age of ten. Sadly, the marriage did not last and William embarked on the architectural works in polychrome bricks for which he is best known. It was William who added the foothold in Torridon to the family’s estates. He was Lord Lieutenant of the County from 1840-1993. He died in 1893.

£500-700

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182 S**C** (BRITISH 19TH CENTURY) PROSPECT OF HORSLEY TOWERS, SURREY Signed with a monogram, pen and ink and watercolour (3) 33cm x 47cm (13in x 18.5cm) and two other prospects by the same hand

£1,000-1,500

183 CIRCLE OF JONATHON RICHARDSON FULL LENGTH PORTRAIT OF PETER KING, 1ST BARON OF OCKHAM AND LORD CHANCELLOR Oil on canvas 76cm x 51cm (30in x 20in)

£500-700

184 19TH CENTURY ENGLISH SCHOOL THE GOTHIC FIREPLACE, HORSELY TOWERS Watercolour (3) 35cm x 28cm (13.75in x 11in) and a watercolour and a lithograph also of Horsley

£250-350

END OF COLLECTION Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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PAINTINGS PART I INCLUDING WORKS FROM THE ESTATE OF THE LATE WILLIAM (BILLY) SKELLY (1931-2019)

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THE ESTATE OF THE LATE WILLIAM (BILLY) SKELLY (1931-2019)

Billy Skelly was a ‘well kent’ face in the Scottish art market. Born in Motherwell, where his father had a small garage, Billy went on to run one of the strongest Ford dealerships in Scotland. In addition to paintings, Billy’s main interest was motor racing and in the early 1950’s he competed extensively in non-championship Formula 1 and Formula 2 races.

After 1953, Billy only raced rarely as his business interests grew, although he remained an active member of the British Racing Driver’s Club. After selling his interests in the garages, Billy retired to the Isle of Man but not before he became a frequent buyer in the Scottish auction scene. His taste was wide-ranging as this part of his collection shows – other paintings will be offered in forthcoming Scottish and Contemporary sales - and he remained actively involved in the Scottish market long after his move to the Isle of Man.

185§ EDGAR HUNT (BRITISH 1876-1953) A LUCKY FIND Signed and dated 1933, oil on canvas 31cm x 46cm (12in x 18in) Provenance: Richard Green Fine Paintings, London, K.329

£3,000-5,000

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186§ EDGAR HUNT (BRITISH 1876-1953) PUPPIES AND PIGEONS Signed, oil on canvas 25.5cm x 31cm (10in x 12in)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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187 HENRY CALVERT (BRITISH 1798-1869) STUDY OF A BAY HUNTER IN A LANDSCAPE Oil on canvas 31cm x 38cm (12in x 15in) Provenance: Fine Art Society, Edinburgh, British Landscape Painters 1973, no.12

£500-800

188§ HEATHER ST. CLAIR DAVIS (BRITISH 1937-1999) THE MEET, QUEENWOOD, NORTH HEREFORD HUNT Signed and dated ‘89, oil on canvas 61cm x 76cm (24in x 30in) Provenance: Frost & Reed Ltd, London 1989, L.19373

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

69

189 PIETER CHRISTIAN DOMMERSEN (DUTCH 1865-1913) HARBOUR SCENE AT FLUSHING Signed and dated 1878, inscribed verso and with artist’s seal, oil on panel 28cm x 38cm (11in x 15in)

£1,000-1,500

190 WILLIAM DELMAR R.B.A. (BRITISH, 19TH CENTURY)) ON THE BEACH, RAMSGATE Signed and dated 1833, oil on board 25.5cm x 35.5cm (10in x 14in)

£600-800

70

191 JOHN FREDERICK HERRING SENIOR (BRITISH 1795-1865) DUCKS ON A RIVER BANK Signed, oil on canvas, circular 41cm (16in) diameter

£2,000-3,000

192 THOMAS WOODWARD (BRITISH 1801-1852) DRAGOON PIGEON Signed with initials and dated 1837, oil on canvas 36cm x 31cm (14in x 12in)

£500-800

193 CORNELIS VAN LEEMPUTTEN (BELGIAN 1841-1902) CHICKENS IN A FARMYARD Signed, oil on panel 16cm x 24cm (6.25in x 9.5in)

£500-800

71

194 JOHN FREDERICK HERRING JUNIOR (BRITISH 1816-1907) A BUSY FARMYARD SCENE Signed, oil on canvas 31cm x 46cm (12in x 18in) Provenance: Richard Green Fine Paintings, London 1973, K631

£1,500-2,500

195 JOHN FREDERICK HERRING JUNIOR (BRITISH 1816-1907) RESTING THE TEAM Signed, oil on canvas 41cm x 61cm (16in x 24in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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196§ BLANCHE CAMUS (FRENCH 1904-1968) JARDIN FLEURIE EN ST. TROPEZ Signed, signed on reverse and signed and titled on stretcher, oil on canvas 46cm x 55cm (18in x 21.5in) Provenance: Frost & Reed Ltd, London 1991, L.19843 Literature: Gerald Schurr, 1820-1920, Les Petits Maitres de la Peinture Valeur de Demain, vol. 4, p.151

£1,500-2,500

END OF COLLECTION Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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197 ALICE MAUD FANNER (BRITISH 1865-1930) BAY OF NAPLES, 1923 Signed, inscribed on a contemporary label verso, oil on canvasboard 25.5cm x 35.5cm (10in x 14in)

£1,000-1,500

198§ SIR ERNEST ALBERT WATERLOW R.A (BRITISH 1850-1998) EARLY SPRING RIVIERA Signed, inscribed verso, oil on canvas 61cm x 91cm (24in x 36in)

£3,000-5,000

74

199 HENRY HOLIDAY (BRITISH 1839-1927) ANCIENT EGYPT REVEALED, 1907 Signed, dated ‘Jan. 11. 1907’, and inscribed ‘Ancient Egypt Revealed To C.T. Currelly from Henry Holiday’ in pencil to margin, pencil on paper 22cm x 14cm (8.75in x 5.5in) Exhibited: The Art Museum of Toronto, ‘Black and White Loan Exhibition’, April 1912, cat no. 631 Notes: Dedicated to C. T. Currelly (first director of the Royal Ontario Museum - Toronto, Canada)

£500-700

200 ADRIAEN JANSZ VAN OSTADE (DUTCH 1610-1685) THE QUACKSALVER Signed in plate, arched top, etching 15.5cm x 12.5cm (6in x 5in) Note: Hand-written label verso suggests that the work was from the Duke of Hamilton’s collection

£400-600

201 ROBERT DIGHTON (BRITISH 1752-1814) CARLTON HOUSE, PALL MALL Pen and ink and watercolour 25cm x 43cm (9.75in x 17in) Provenance: Agnew’s March 1937, no.132 Abbott and Holder Ltd, London Note: Engraved and published by Laurie & Whittle, 1813

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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202 ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) THE FISHERMEN RETURN Signed, oil on canvas 50cm x 76cm (19.75in x 30in)

£2,000-3,000

203 GERALD FESTUS KELLY K.C.V.O., P.R.A., R.H.A., H.R.S.A. (BRITISH 1879-1972) STUDY FOR THE STATE PORTRAIT OF HER MAJESTY QUEEN ELIZABETH, THE QUEEN MOTHER Oil on canvas, unframed 79cm x 67cm (31in x 26.25in) Provenance: Christie’s, Studio of Sir Gerald Kelly, February 1980, lot 245

£2,000-3,000

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204 ENGLISH SCHOOL CIRCA 1900 FULL LENGTH PORTRAIT OF A YOUNG WOMAN IN FUR-LINED DRESS Indistinctly signed and dated 1900, oil on canvas 51cm x 36cm (20in x 14in)

£500-700

205§ WILLIAM GEORGE FREDERICK JANSEN (DUTCH 1871-1949) BRIDGE OVER THE CANAL, ROTTERDAM Signed, oil on canvas 31cm x 24cm (12in x 9.5in)

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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206 ESTHER BLAIKIE MACKINNON (SCOTTISH 1885-1934) THE YOUNG ANGLER Signed, oil on canvas 76cm x 46cm (30in x 18in)

£800-1,200

207 ALEXANDRE NOZAL (FRENCH 1852-1929) CHURCH BY THE RIVER Signed, oil on canvas, unframed 56cm x 38cm (22in x 15in)

£700-1,000

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208 E GIACHI (ITALIAN 19TH CENTURY) PREPARATIONS FOR THE BALL Signed, oil on canvas and a companion, a pair (2) 33cm x 23cm (13in x 9in)

£800-1,200

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209 FOLLOWER OF J M W TURNER CLASSICAL LANDSCAPE WITH VIADUCT Oil on canvas, oval 76cm x 64cm (30in x 25in) Note: This may relate to Turner’s painting of the Walton Bridges

£1,000-1,500

210 FREDERICO MORO (ITALIAN) NEW EXPLORATIONS Signed and inscribed ‘Firenze’, oil on canvas 65cm x 42cm (25.5in x 16.5in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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BRITISH FURNITURE & WORKS OF ART PART II

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211 PAIR OF REGENCY STYLE PAINTED PINE MARBLE TOPPED DOLPHIN TABLES LATE 19TH/ EARLY 20TH CENTURY the D shaped veined white marble tops with a moulded edge, raised on carved twin dolphin supports centred by shells, on inverted breakfront bases, painted white and grey/green on faux marble bases (2) 102cm wide, 87cm high, 45cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

82

212Y REGENCY ROSEWOOD AND SATINWOOD PEDESTAL PEMBROKE TABLE EARLY 19TH CENTURY the octagonal top with drop sides outlined with banding, and a frieze drawer to one end, raised on four scroll supports and a quadriform platform with hipped scroll legs ending in brass paw caps and castors 92cm wide, 70cm high, 50cm deep closed, 106cm open

£400-600

213 REGENCY MAHOGANY, SATINWOOD AND MARQUETRY LONGCASE CLOCK EARLY 19TH CENTURY the circular enamelled dial with Arabic numbers and a calendar aperture, in an arched hood with a marquetry urn and garland cresting, flanked by fluted columns with urn finials, above a shaped trunk crossbanded door flanked by stop-fluted Corinthian columns, on a plinth base with an oval panel flanked by stop-fluted angles, raised on bracket feet; the eight day movement striking a bell 52cm wide, 227cm high, 26cm deep

£1,200-1,800

214 REGENCY MAHOGANY AND EBONY LINEN PRESS EARLY 19TH CENTURY the moulded cornice above a pair of panel doors opening to sliding trays; the base with two short over two long drawers, raised on bracket feet 129cm wide, 208cm high, 59cm deep

£600-800

215 LATE GEORGIAN MAHOGANY AND FRUITWOOD MARQUETRY BOX EARLY 19TH CENTURY the hinged cover with an oval reserve centred by a leaping stag and tree, the sides with geometric and stylised plant motifs, opening to a baize lined interior 44cm wide, 25cm high, 32cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

83

216 REGENCY PLUM PUDDING MAHOGANY AND SATINWOOD DINING TABLE EARLY 19TH CENTURY the circular crossbanded tilt-top with a central satinwood circular panel, raised on a turned column support and four channel-moulded outswept legs ending in brass caps and castors 152cm diameter, 74cm high

£600-800

217 SET OF SIX REGENCY EBONISED AND PARCEL GILT ARMCHAIRS BY JOHN GEE EARLY 19TH CENTURY the scroll caned panel backs above caned seats with loose pads flanked by scrolled arms with baluster supports, raised on tapered ring turned legs, stamped on the seat rail GEE (6) 56cm wide, 84cm high, 44cm deep Note: John Gee (active c.1779-1824) is listed as a chairmaker and turner. In about 1779 he replaced Thomas Ayliffe as partner to Benjamin Crompton, who had been Turner in Ordinary to George III since 1762. Gee is also included in the list of master cabinet makers attached to Sheraton’s Cabinet Dictionary, 1803, with the last directory listing for him in 1823–24. An example of Gee’s work is included in the Royal Collection.

Provenance: Ex. Tickerage Mill, the home of Vivien Leigh following her divorce from Sir Lawrence Olivier.

Purchased Bonham’s, Period Design, London, 21st April 2015, lot 287.

£1,500-2,500

218 LARGE SCOTTISH REGENCY MAHOGANY SIDEBOARD EARLY 19TH CENTURY the superstructure with two crossbanded sliding doors and a central chevron banded panel, the base of broken bowfront outline above a pair of short drawers and matching banded panel flanked by deep drawers, raised on turned and reeded tapered legs 260cm wide, 119cm high, 72cm deep

£800-1,200

84

219 REGENCY MAHOGANY THREE-TIER BUFFET EARLY 19TH CENTURY each tier with a three -quarter gallery, on turned and square section supports, terminating in brass caps and castors 92cm wide, 102cm high, 50cm deep

£500-700

220 REGENCY MAHOGANY CENTRE TABLE FIRST QUARTER 19TH CENTURY the circular top with a moulded edge above a frieze with opposing short drawers, on a lobed and lotus carved pedestal and triform base raised on carved paw feet with brass castors 128cm diameter

£500-700

221Y SET OF SEVEN REGENCY ROSEWOOD DINING CHAIRS EARLY 19TH CENTURY the top rails carved with leaf scrolls above bobbin turned spindles and ring turned supports, above caned seats raised on reeded sabre legs (7) 45cm wide, 82cm high, 42cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

85

222Y SCOTTISH REGENCY ROSEWOOD BREAKFAST TABLE, IN THE MANNER OF MEIN OF KELSO EARLY 19TH CENTURY the circular tilt top with a bead moulded edge, on a tapered quadripartite column raised on foliate carved hipped sabre legs, all outlined with bead moulding and ending in foliate cast brass caps and castors 135cm diameter, 72cm high

£1,000-1,500

223 REGENCY MAHOGANY AND EBONISED CHIFFONIER EARLY 19TH CENTURY the superstructure with two tiers, above a long frieze drawer fitted with a writing slope, over a pair of doors with pleated yellow silk inserts, flanked by reeded pilasters, raised on turned feet 77cm wide, 142cm high, 38cm deep

£500-700

224Y REGENCY ROSEWOOD LOW OPEN BOOKCASE EARLY 19TH CENTURY the inverted breakfront top above three frieze drawers, with central open shelves flanked by cupboards with moulded panel doors, raised on lobed bun feet 163cm wide, 93cm high, 43cm deep

£600-800

[Please note, books are not included with this lot]

86

225 REGENCY SATINWOOD, EBONY AND BRASS MOUNTED CELLARETTE EARLY 19TH CENTURY of square sarcophagus form, the hinged top opening to a compartmented interior, the sides with ebony stringing and brass mounts, handles and lion’s mask, on four scrolling supports and quadriform platform with further brass mounts, raised on scroll legs with brass caps and castors 49cm wide, 85cm high, 49cm deep

£600-800

226Y REGENCY ROSEWOOD, SATINWOOD, AND BRASS INLAID CARD TABLE EARLY 19TH CENTURY the fold-over D top opening to a purple baize playing surface, raised on four scrolling supports united by a platform and mounted with gilt metal rosettes and leaf mounts, the legs ending in foliate cast gilt metal caps and brass castors; with old Christies sale label 91cm wide, 74cm high, 45cm deep (closed)

£500-700

227 REGENCY POLLARD OAK GAMES TABLE EARLY 19TH CENTURY the D shaped fold-over top opening to green baize lined surface, above a plain frieze and canted corners carved with palmettes, on a waisted triform column with reed banding and tripartite platform base with scrolled feet with castors 102cm wide, 76cm high, 51cm deep; 101cm deep open

£600-800

87

228 PAIR OF REGENCY ‘GRECIAN’ OAK HALL BENCHES, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the rectangular seats with scroll ends outlined with channel moulding, the friezes centred by moulded roundels, raised on reeded sabre legs headed by further moulded roundels (2) 117cm wide, 38cm high, 54cm deep Note: This pair of low benches, meant for lining a wall in a hall or gallery, are in the restrained, pared down style influenced by the furniture of ancient Greece and Rome. They reflect the simpler ornamentation favoured at the beginning of the 19th century, exemplified by the popularity of the ‘klismos’ chair, and are a progression from the sometimes overly complicated Neoclassical design so prevalent in the second half of the 18th. The spare nature of the design is further enhanced by the use of oak, which is atypical for the period, when the taste favoured the use of darker woods finished with ebonised mouldings and brass mounts, as detailed in the published designs of Thomas Hope. Gillows of Lancaster were known to produce commissioned pieces in oak, and the restrained approach of the form and moulded embellishments incorporates subtle references to their Greek antecedents.

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

88

229 DUTCH BRASS BOUND MAHOGANY TRAY EARLY 19TH CENTURY of oval form, with a wavy rim and pierced heartform handles, bound with two brass rings 64cm wide

£250-350

230 PAIR OF REGENCY BRONZE TABLE LAMPS 19TH CENTURY converted from candlesticks, with everted drip trays with leaf-frond borders, on engine-turned tapered columns and circular bases, with grey pleated shades; converted for electricity (2) 26.5cm high (excluding fittings)

£600-800

231Y LATE REGENCY ROSEWOOD STICK BAROMETER, ROBERT PEACOCK, SPALDING EARLY 19TH CENTURY the arched ivory scale marked PEACOCK SPALDING, with a mercury filled vial fitted to a plain column, above a rounded cistern cover 91cm high

£300-500

232 ASSEMBLED ENGLISH PART ‘GREEK’ PATTERN PEARLWARE DESSERT SERVICE FIRST HALF 19TH CENTURY transfer-printed in blue and white, with yellow/brown borders, comprising two covered sauce tureens, with integrated stands, impressed 10 and 12, 17cm high; three small platters, with pierced rims, 24cm wide; four quatrefoil-form dishes, 21cm across; an oval diamond-form dish, 25.5cm wide; nine plates with pierced rims, 18cm diam.; and a pierced basket, 25.5cm wide (20) £400-600

89

233 REGENCY MAHOGANY LANCET MANTEL CLOCK, SEPTIMUS MILES, LONDON EARLY 19TH CENTURY the cream enamelled dial with Roman numerals, signed SEPTIMUS MILES/ LUDGATE ST/ LONDON, in an inlaid and ebonised case with lion mask handles and fretwork side panels, enclosing a pull repeat and alarm, the backplate signed SEPTIMUS MILES/ LUDGATE STREET/ LONDON, raised on a moulded base and squat bun feet 23cm wide, 33cm high, 17.5cm deep

£800-1,200

234 AUGUSTIN EDOUART (1789-1861) SILHOUETTE OF WILLIAM MACDOWALL, DATED 1832 depicted in uniform on horseback, against an ink wash landscape, signed and dated, framed with paper label verso; together with TWO SILHOUETTES, ATTRIBUTED TO AUGUSTIN EDOUART, comprising a four figure group of the Eliott family, dated 1830, framed, 27cm x 45cm; and a double silhouette of Mrs William Napier and Master George Napier, dated 1831, framed with handwritten label verso, 25cm x 18cm (3) 30cm x 23cm

£400-600

235 PAIR OF REGENCY GILT AND PATINATED BRONZE TABLE LAMPS EARLY 19TH CENTURY converted from candlesticks and fitted for electricity, with engine-turned drip trays above leaf and berry cast nozzles, raised on spreading reeded columns terminating in triform bases with paw feet and plinth bases, with white pleated shades (2) 30.5cm high (excluding fittings)

£800-1,200

236Y MATCHED PAIR OF REGENCY ROSEWOOD TEA CADDIES EARLY 19TH CENTURY of sarcophagus form with rounded bodies, ivory escutcheons, boxwood inlay and twin handles, opening to lidded caddies and associated cut-glass bowls, raised on brass bracket feet (2) 31cm wide, 18cm high, 16cm deep

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

90

237 PAIR OF REGENCY MAHOGANY HALL CHAIRS, BY GILLOWS EARLY 19TH CENTURY the scroll and foliate carved waisted backs above plank seats, raised on reeded tapered legs, stamped on the seat rails GILLOW LANCASTER (2) 42cm wide, 86cm high, 37cm deep

£600-800

238Y REGENCY ROSEWOOD LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top over two short frieze drawers with dummy drawers opposing, raised on reeded and turned end supports with bead moulded trestle bases on scrolled feet with castors 112cm wide, 72cm high, 66cm deep

£1,000-1,500

239 IRISH REGENCY MAHOGANY SIDEBOARD EARLY 19TH CENTURY the pediment ledge back above a bowfront top and central drawer flanked by a cellarette drawer and cupboard, divided by outset spiral and ring-carved columns, raised on tapered reeded legs 203cm wide, 116cm high, 71cm deep

£800-1,200

91

240 PAIR OF REGENCY STYLE MAHOGANY BERGERES EARLY 20TH CENTURY with caned square backs, enclosed arms, and caned seats, in reeded frames with baluster arms supports and tapered legs (2) 62cm wide, 88cm high, 61cm deep

£3,000-5,000

241 GEORGE III MAHOGANY LONGCASE CLOCK, E. HAER, WINCHESTER EARLY 19TH CENTURY the silvered dial with Roman numeral chapter and subsidiary seconds dial, signed ‘E. Haer/ Winchester’, with one winding hole, the hood with a Gothic style pierced gallery, above a glazed trunk door on a plinth base 44cm wide, 187cm high, 23cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92

242 SCOTTISH REGENCY MAHOGANY PEDESTAL DROP-LEAF TABLE EARLY 19TH CENTURY the oval top with drop sides above a frieze drawer with stringing and bead moulding, a dummy drawer opposing, raised on a baluster column and four hipped sabre legs ending in brass caps and castors 72.5cm wide, 75cm high, 47cm deep, 95cm (open)

£600-800

243Y REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY the breakfront top over doors with grille inserts backed with yellow silk, opening to baize lined shelves, on a plinth base 138cm wide, 92cm high, 42cm deep

£600-800

244 REGENCY STYLE MAHOGANY TWIN PEDESTAL DINING TABLE 20TH CENTURY the rounded rectangular top with two leaf extensions and a thumbnail moulded edge, raised on turned baluster supports with three channel moulded outswept legs ending in brass lion paw caps and castors 260cm long, 73cm high, 116cm deep

£500-700

93

245 REGENCY MAHOGANY WINE COOLER, BY T. & G. SEDDON, LONDON EARLY 19TH CENTURY of sarcophagus form, the hinged cover with a lobed finial above a panel front, opening to a lead lined interior, raised on bracket feet with castors, the interior stamped twice T & G SEDDON 97cm wide, 66cm high, 59cm deep

£500-700

246 SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with curved bar backs over scroll and shell carved splats and drop-in seats, raised on sabre legs; the seat pads with horsehair covers (6) 47cm wide, 86cm high, 40cm deep

£400-600

247 REGENCY MAHOGANY PEDESTAL SIDEBOARD EARLY 19TH CENTURY the bowed centre section with two drawers, flanked by pedestal ends with short drawers over panelled doors and reeded columns, raised on turned feet 209cm wide, 112cm high, 59cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94

248 SET OF SIX REGENCY MAHOGANY BRASS INLAID AND GILT DINING CHAIRS EARLY 19TH CENTURY the reeded top rails with brass line inlay, above a carved gilt lotus and flowerhead splat, with black leather drop-in seat pads, raised on sabre legs (6) 47cm wide, 82cm high, 41cm deep

£400-600

249 REGENCY MAHOGANY TELESCOPIC DINING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top above a bead moulded frieze, with four leaf extensions, raised on turned and reeded tapered legs ending on brass caps and castors 305cm long, 73cm high, 130cm deep

£2,500-3,500

95

250 REGENCY MAHOGANY GAMES TABLE FIRST QUARTER 19TH CENTURY the D-shaped crossbanded fold-over top with a bead moulded edge opening to a green baize playing surface, above a frieze centred by a foliate scroll-carved frieze panel, on a spiral carved support and quadriform base with sabre legs ending in leaf-cast brass caps and castors 90cm wide, 72cm high, 44cm deep (closed)

£400-600

251 REGENCY GILTWOOD AND PAINTED OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate in a moulded giltwood frame with shell and foliate cresting, within a cream painted back panel mounted with palmettes 200cm high, 123cm wide

£700-1,000

252 REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS, CHANNEL ISLANDS EARLY 19TH CENTURY the crossbanded top over four long graduated drawers outlined with stringing, with large brass loop handles with flower head backplates, above a shaped apron and raised on splayed feet 97cm wide, 99cm high, 54cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

96

253 FOUR ENGLISH PAINTED PORCELAIN CUPS 19TH CENTURY all decorated with flowers, comprising two Coalport-type loving cups, the largest with a gilt scrolled ground; the other inscribed PRESENTED TO MARY JAMES 1856., 12.5cm high; a smaller mug with a dog-form handle, bead moulding and cobalt ground, painted mark 219, 12cm high; and the smallest example inscribed A GIFT, 9.5cm high (4) Largest 14cm high

£400-600

254 PAIR OF GILT BRONZE TABLE LAMPS 19TH CENTURY converted from candlesticks, with urn form nozzles raised on tapered columns with crown collars and reeded bases, on circular feet cast with palm fronds, stamped BBBB and BBB, with grey pleated shades; fitted for electricity (2) 29cm high (excluding fittings)

£800-1,200

255 REGENCY STYLE MAHOGANY BRACKET CLOCK, HAMILTON & INCHES, EDINBURGH EARLY 20TH CENTURY with break-arch top and gilt brass handle, above the silvered dial with Roman numerals and signed HAMILTON & INCHES/ EDINBURGH, above fretwork panels, the eight-day movement striking a gong, raised on brass bracket feet 35cm high (handle down), 28.5cm wide

£600-800

256 REGENCY MAHOGANY BOOK TRAY EARLY 19TH CENTURY with spindle gallery sides and raised scroll handles to either end 47.5cm long

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

97

257 MATCHED PAIR OF REGENCY EBONISED, PARCEL-GILT AND BRASS MOUNTED ARMCHAIRS FIRST QUARTER 19TH CENTURY the X-form backs with brass grille inserts, the moulded frames carved with acroterion and stars, above caned seats flanked by downswept arms, raised on moulded sabre legs (2) 54cm wide, 79cm high, 46cm deep

£2,000-3,000

258Y REGENCY ROSEWOOD AND BRASS INLAID PEDESTAL TABLE EARLY 19TH CENTURY the rounded rectangular top outlined with brass banding and marked at the corners with anthemions, above a panel frieze with bead moulding, banding and further anthemions, raised on a tapered and concave quadripartite column and quadriform base with brass flower head inlay and banding, on leaf carved sabre legs ending in foliate and lotus cast brass caps and castors 137cm wide, 73cm high, 76cm deep

£2,500-3,500

259

260

SET OF TEN REGENCY CHAMPAGNE FLUTES

REGENCY ORMOLU AND MARBLE CASSOLETTE

EARLY 19TH CENTURY

EARLY 19TH CENTURY

with slightly everted rims above slender cylindrical bowls with elongated thumb-cutting, on shot knopped stems and flat feet (10)

the reversible candle sconce raised on a grey marble column hung with chain and ending on a circular white marble base fitted with leaf and bead mounts, on toupie feet

17cm high

30cm high

£150-250

£250-350

98

261 MANNER OF BENJAMIN ZOBEL (GERMAN 1762-1831) SAND PICTURE OF TWO PIGS IN A STY in a glazed giltwood frame 29.5 x 37cm

£400-600

Note: Benjamin Zobel was a British-German painter, who developed the technique of marmotino, otherwise known as sand painting. It was based on the Japanese craft of bonseki (tray painting), and was at the height of its popularity in England at the end of the 19th century. In 1783, George III hosted a dinner party where a display of unfixed coloured sands, sugar and marble dust was arranged on the table below a glass surface, by Zobel. So enchanted was the king that Zobel found ways of incorporating sand into his other work, which continued to prove popular with members of the Royal household including the Duke of York.

Examples of Zobel’s work are included in the Memmingen city museum archives in Germany, the Victoria and Albert Museum, London and Dundurn Castle, Hamilton, Ontario.

262 MANNER OF BENJAMIN ZOBEL (GERMAN 1762-1831) SAND PICTURE OF A RAM AND EWE UNDER A TREE in a glazed giltwood frame 39.5cm x 32cm See footnote for preceding lot

£400-600

263Y GEORGE IV ROSEWOOD AND BRASS INLAID SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop ends, outlined with brass and fleur-de-lis inlay over a pair of frieze drawers, with dummy drawers opposing, raised on end supports joined by a turned stretcher, on trestle bases with scrolled feet with castors 98cm wide (160cm wide open) 71cm high, 70cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

99

264Y FINE REGENCY ROSEWOOD, MARQUETRY, BRASS INLAID AND PARCEL GILT CENTRE TABLE EARLY 19TH CENTURY the tilting circular crossbanded top with a wide inlaid brass band with foliate scrolls, with bead moulding edge and frieze, on a tapered quadripartite pedestal outlined with carved leaf tip moulding, on a quadriform base outlined with further bead moulding and raised on scrolled feet with carved gilt rosettes and foliate marquetry inlay 141cm diameter, 72cm high This table, with its contrasting figured rosewood and intricate scrolling brass inlay is in the style of the French ‘Antique’ fashion produced by prominent early 19th century designers and cabinetmakers including George Oakley, Thomas Parker, Louis Le Gaigneur and George Bullock.

£2,000-3,000

100

265 WILLIAM IV MAHOGANY WRITING TABLE EARLY 19TH CENTURY the rounded rectangular top with a moulded edge over a pair of short frieze drawers, on turned and lotuscarved tapering legs, ending in brass caps and castors 120cm wide, 80cm high, 60cm deep

£400-600

266 LARGE REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the inverted breakfront cornice above a rectangular mirror plate in an ebonised slip and enclosed by spiral leaf-clasped columns 127cm high, 155cm wide

£600-800

267 REGENCY MAHOGANY DRESSING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the top with a three-quarter gallery above a centre frieze drawer and arched apron flanked by two short drawers, raised on turned and reeded tapered legs 115cm wide, 79cm high, 56cm deep

£600-800

101

268Y REGENCY ROSEWOOD AND PENWORK GAMES TABLE EARLY 19TH CENTURY the square top with a moulded edge decorated with a penwork games board enclosed by a band of flowers, on a turned column and triform base raised on carved scroll and bun feet 46cm wide, 73cm high, 46cm deep

£800-1,200

269Y GOOD REGENCY ROSEWOOD DRUM TABLE, PROBABLY SCOTTISH EARLY 19TH CENTURY the circular top with a bead moulded edge above four real and four dummy frieze drawers, on a tapered leaf carved column and triform base raised on lobed feet with recessed brass castors 108cm diameter, 73cm high

£1,500-2,500

270 LATE REGENCY SATINWOOD MARBLE TOPPED SIDE CABINET EARLY 19TH CENTURY the later breakfront marble top above a central pair of grille and wire mesh insert doors opening to shelves, flanked by open shelves, the shelves mounted with brass stars, on a plinth base 144cm wide, 86cm high, 41cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

271 REGENCY GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice with ball mounts above a frieze depicting Apollo in a chariot pulled by lions, with three bevelled mirror plates in ebonised slips flanked by columns 87cm high, 137cm wide

£400-600

272 REGENCY MAHOGANY TEA TABLE EARLY 19TH CENTURY the D shaped fold-over top with a reeded edge, raised on tapering reeded legs with brass caps and castors 87cm wide, 75cm high, 44cm deep

£300-500

273 REGENCY MAHOGANY BREAKFAST TABLE 19TH CENTURY the rounded rectangular top raised on a spiral reeded column ending in four hipped outswept legs with brass caps and castors 111cm wide, 77cm high, 99cm deep

£400-600

274

275

LATE REGENCY MAHOGANY STICK STAND

REGENCY MAHOGANY AND HAREWOOD OCCASIONAL TABLE

EARLY 19TH CENTURY

EARLY 19TH CENTURY

with twelve divisions and turned knop finials above a metal drip tray

the rectangular crossbanded tilt top with canted corners, on a baluster column and tripod umbrella base

61cm wide, 72cm high, 22.5cm deep

£250-350

61cm wide, 73cm high, 48cm deep

£200-300

103

276 REGENCY MAHOGANY CHEVAL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in a cushion moulded frame between squared upright supports surmounted by brass urn finials, raised on reeded splay legs with brass caps and castors and joined by a stretcher 70cm wide, 138cm high, 56cm deep

£500-700

277 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY with four tiers raised and divided by turned baluster supports, the bottom tier fitted with a drawer, raised on turned tapered legs with brass caps and castors 48cm wide, 147cm high, 40cm deep

£300-500

278 LATE REGENCY MAHOGANY DROPLEAF DINING TABLE EARLY 19TH CENTURY comprising a pair of D-ends with a reeded edge and drop-leaf extensions opening on gatelegs, and an associated centre section raised on a lobed baluster column and quadriform base on bun feet with brass castors 306cm wide, 73cm high, 123cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104

279 LATE REGENCY MAHOGANY WRITING TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a green leather insert and reeded edge, above a pair of frieze drawers, with dummy drawers opposing, on end supports joined by a stretcher and raised on stepped bases with brass castors 81cm wide, 74cm high, 50cm deep

£1,200-1,800

280 REGENCY MAHOGANY AND KINGWOOD LONGCASE CLOCK, WILLIAM FINNEMORE, BIRMINGHAM EARLY 19TH CENTURY the enamelled Roman number dial with subsidiary calendar and seconds dials, in an arched case with brass finials, above crossbanded trunk door flanked by quarter columns, on a plinth base raised on bracket feet; the eight day movement striking a bell, the backplate engraved FINNEMORE 46cm wide, 221cm high, 24cm deep

£400-600

281Y LATE REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY with a shelved superstructure over a pair of ogee arched astragal glazed doors opening to an adjustable shelf, raised on turned and tapered legs 102cm wide, 125cm high, 31cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

105

282Y LATE REGENCY ROSEWOOD TRIPOD TABLE EARLY 19TH CENTURY the shaped rectangular tilt top on tripartite scroll supports above a shell carved platform and leaf carved scroll legs ending in scrolled toes 63cm wide, 73cm high, 53cm deep

£1,200-1,800

283Y REGENCY ROSEWOOD CARD TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top opening to a green baize playing surface, raised on scrolled end supports with trestle bases on reeded bun feet 91cm wide., 72cm high, 45cm deep

£400-600

284 LATE REGENCY MAHOGANY MARBLE TOPPED SIDE CABINET EARLY 19TH CENTURY the D shaped green marble top above a pair of doors with brass grille inserts opening to a fixed shelf interior, flanked by fluted moulding and reeded angles, on a plinth base 106cm wide, 89cm high, 31cm deep

£1,200-1,800

106

285 MAHOGANY, EBONISED AND BRASS HALL STAND BY GILLOW & CO. MID 19TH CENTURY with ring turned uprights with ball finials and mounted with brass hooks, above three divisions with brass drip pans, stamped ‘GILLOW & Co. 10878’ 181cm wide, 218cm high, 38cm deep Provenance: The Late Sir David Tang

£1,200-1,800

286 MATCHED PAIR OF GEORGE IV MAHOGANY FRAMED HALL CHAIRS MID 19TH CENTURY the low square backs with angled wings above scrolling enclosed arms, raised on turned and tapered legs, covered in closenailed burgundy upholstery (2) 51cm wide, 87cm high, 38cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

287 REGENCY GILTWOOD TRIPLE OVERMANTEL MIRROR

288

EARLY 19TH CENTURY

GEORGE IV GILT BRASS PENDANT LIGHT

with three bevelled mirror plates flanked by fluted columns

EARLY 19TH CENTURY

62cm high, 130cm wide

£300-500

of circular form with a pierced foliate frieze with a glass insert and foliate scrolled corona, suspended on square link chains from a conforming brass ceiling plate Light 55cm diameter, 37cm high; chain 840cm long overall

£1,000-1,500

289Y GEORGE IV BURR OAK AND ROSEWOOD LAMP TABLE EARLY 19TH CENTURY the circular top banded with burr oak, on a tapered octagonal column and moulded circular base marked with carved flowerheads, raised on moulded brass feet 45cm diameter, 72cm high

£300-400

290 WILLIAM IV MAHOGANY PRESS CUPBOARD EARLY 19TH CENTURY the three-quarter gallery top above a pair of panel doors opening to hanging space, over a pair of short drawers, raised on turned feet 116cm wide, 140cm high, 33cm deep

£500-700

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291 NEAR PAIR OF CORNISH SERPENTINE MARBLE URNS MID 19TH CENTURY of baluster form with everted rims terminating in short knopped stems and socle feet, on contrasting octagonal marble bases (2) 33cm high

£800-1,200

292 PAIR OF GILT BRONZE MOUNTED PORCELAIN TABLE LAMPS LATE 19TH/ EARLY 20TH CENTURY with everted rims, slim necks and moulded ovoid bodies, painted with repeating cloud-like motifs and raised on reeded and ropeform bronze bases, with modern fittings for electricity and light blue pleated shades (2) 29cm high (excluding fittings)

£600-800

293Y WILLIAM IV ROSEWOOD BOOK TROUGH, ATTRIBUTED TO GILLOWS FIRST HALF 19TH CENTURY the bead moulded top with turned spindle dividers and handles to both ends, raised on lobed bun feet 43cm wide, 22cm high, 33cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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294 WILLIAM IV PATINATED AND GILT BRONZE INKSTAND EARLY 19TH CENTURY the rectangular tray with twin handles and a central stamp box surmounted by a greyhound, flanked by two cut-glass inkwells with pen trays to either side, raised on squat ball feet 34cm wide

£800-1,200

295 VICTORIAN MINIATURE WAX FRUIT DISPLAY MID 19TH CENTURY comprising a basket of apples, pears, grapes and red currants, in a glass dome and ebonised stand Overall 13.5cm high

£150-250

296 PAIR OF LATE REGENCY BRONZE FIGURES OF FALLOW DEER EARLY 19TH CENTURY modelled as a recumbent stag and doe, dark brown patina, raised on white marble plinths (2) 20cm wide

£800-1,200

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297 ASSEMBLED SET OF TWENTY-FOUR WILLIAM IV MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the curved bar backs and scroll carved splats with floral carving over serpentine seats covered in brown leather, raised on turned and tapered legs, slight variations in colour and carving throughout (24) 47cm wide, 89cm high, 45cm deep

£4,000-6,000

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298 IRISH WILLIAM IV MAHOGANY EXTENDING DINING TABLE EARLY 19TH CENTURY the rounded rectangular top with a reeded edge, the ends pivoting on telescopic action bases to accommodate leaves, raised on turned lotus-carved tapered legs ending in brass caps and large pierced castors, the bases stamped 18972; with four leaf extensions Overall 450cm long, 77cm high, 152cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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299 REGENCY MAHOGANY PEDESTAL TEA TABLE EARLY 19TH CENTURY the D shaped fold-over top with a moulded edge over a bead moulded frieze, raised on a tapered column support outlined with bead moulding on a quadriform base with scrolled and reeded feet with castors 93cm wide, 73cm high, 45cm deep

£300-500

300 WILLIAM IV MAHOGANY JARDINIÈRE STAND EARLY 19TH CENTURY the circular top with a lappet carved edge and a pot recess and draining hole, on bead and lobed carved baluster support and triform base with scroll feet 37cm diameter, 73cm high

£700-1,000

301 WILLIAM IV MAHOGANY METAMORPHIC BUFFET TABLE EARLY 19TH CENTURY with three rectangular tiers, the top tier rising on a spring action, raised on squared end supports on trestle bases with lobed bun feet with recessed brass castors 118cm wide, 76cm high, 102cm high (extended), 55cm deep

£500-700

302Y WILLIAM IV ROSEWOOD AND SATIN BIRCH DAVENPORT 19TH CENTURY the slant top with a red leather insert opening to an interior with drawers, above four short drawers and a pen drawer, dummy drawers opposing, raised on spiral carved supports and a concave plinth base with bun feet with recessed brass castors 71cm wide, 84cm high, 61cm deep

£400-600

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303Y GEORGE IV ROSEWOOD CARD TABLE EARLY 19TH CENTURY the D-shaped fold-over top with a bead moulded edge, opening to a green baize playing surface, the frieze centred by a palmette carved panel, raised on a tapered leaf-carved column and concave quadriform base with carved paw feet with brass castors 92cm wide, 76cm high, 46cm deep (closed)

£400-600

304 GEORGE IV WALNUT MARBLE TOPPED CENTRE TABLE EARLY 19TH CENTURY the circular veined marble top with a moulded edge, on a lobed baluster column and leaf carved scroll legs ending in carved lion feet 100cm diameter, 72cm high

£1,000-1,500

305Y GEORGE IV ROSEWOOD LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top above a frieze marked at the corners with carved foliate motifs and with short drawers, raised on scrolled end supports joined by a reeded stretcher and ending on trestle bases with scrolled feet with brass castors 145cm wide, 72cm high, 82cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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306 OAK AND BRASS BOUND SILVER CHEST LATE 19TH CENTURY fitted with four compartmented blue baize lined trays, the exterior with large brass corner and edge straps and carrying handles 87cm wide, 53cm high, 55cm deep

£1,800-2,200

307 SET OF MAHOGANY METAMORPHIC LIBRARY STEPS 19TH CENTURY with two folding steps with carpet covered treads 40cm wide, 71cm high, 51cm deep (open)

£500-700

308 MAHOGANY AND BRASS CAMPAIGN CHEST OF DRAWERS EARLY 19TH CENTURY in two parts, the top with two short and one long deep drawer, the base with two further long drawers, raised on turned feet 97cm wide, 118cm high, 46cm deep

£1,200-1,800

309 WILLIAM IV MAHOGANY PEDESTAL DINING TABLE SECOND QUARTER 19TH CENTURY the rectangular tilt top with a reeded edge, on a baluster turned column and reeded scroll legs ending in lion paw brass caps and castors 148cm long, 72cm high, 121cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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310 WILLIAM IV MAHOGANY BRACKET CLOCK EARLY 19TH CENTURY the arched pediment case with foliate carving with a cream enamel dial with Roman numerals, signed RIDLEY/ LONDON, with gilt brass loop handles, brass line inlay and fret panels to the sides, raised on a rectangular base with brass ball feet, the eight-day movement striking a bell 44.5cm high, 30.5cm wide

£600-800

311Y WILLIAM IV ROSEWOOD AND BRASS DECANTER BOX, SAMPSON MORDAN & CO., LONDON CIRCA 1830 of cubic form, with brass mounts and carrying handle, opening to a leather compartmented interior with four cut-glass decanters and stoppers, with maker’s plaque PATENT/ MORDAN & CO/ MAKERS/ LONDON 19cm wide, 23cm high, 19cm deep

£300-500

312 EARLY VICTORIAN MAHOGANY AND BRASS CAMPAIGN WRITING SLOPE MID 19TH CENTURY the brass inlaid top with a brass plaque engraved ‘Charles Thomas Stone/ C. Stone.’ opening to a red morocco folio case with days of the week, and a green baize writing slope with ratchet supports and a detachable bookrest, the sides with flush brass handles; the edges all bound in brass 50.5cm wide, 18cm high, 27.5cm deep

£500-700

116

WORKS FROM THE ESTATE OF THE LATE DR. VIRGINIA GLENN (1931-2019) Dr. Virginia Glenn was a specialist in decorative arts, especially goldsmiths’ work and seals, and spent most of her career as a museum curator. Born in Armagh in 1941, she studied at the Belfast College of Art and in Edinburgh, and continued to be involved with art historical societies during her life. She worked at the Royal Scottish Museum in Edinburgh, before joining the Victoria & Albert Museum, where she focused on tapestries.

In the 1970s she moved to Birmingham City Museum, before returning to Edinburgh in a role at the National Museums Scotland.

Here she was involved in major projects such as the refurbishment of the European ceramics and glass galleries. Having taken early retirement in 1996, Dr. Glenn spent her latter years travelling and researching, and enjoying time with friends. She died on 28th December 2018, after a short illness.

313 CHELSEA KAKIEMON ‘QUAIL’ PATTERN DISH MID-18TH CENTURY of octagonal form, the central scene depicting two stylised quails flanked by bamboo and prunus, within a floral border, in polychrome and gilt enamels, unmarked 24cm wide

£300-500

314 EARLY VICTORIAN NEEDLEWORK SAMPLER DATED 1841 rectangular, worked with a verse, flower vases, a pair of girls, birds, and insects above a large building, date and further verse ‘WHEN THIS YOU SEE REMEMBER ME’, in a later glazed maple frame 43.5cm x 29.5cm

£200-300

315Y LATE GEORGE III ROSEWOOD AND MAHOGANY TAMBOURFRONTED WRITING BOX EARLY 19TH CENTURY with a moulded half-platform above twin handles and a single drawer, opening to operate the tambour front, to reveal a fitted interior with drawers with ivory handles and a compartment for inkwells, above a baize-lined writing slope 31.5cm wide, 18.5cm high, 25.5cm deep

£200-300

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316 GEORGE IV MAHOGANY WORK TABLE EARLY 19TH CENTURY the rounded rectangular top with drop sides above two long drawers, the bottom drawer with a double front, raised on a turned column and four outswept reeded legs ending in brass caps and castors 35cm wide, 76cm (open), 73cm high, 50cm deep

£400-600

317 REGENCY MAHOGANY DWARF CABINET 19TH CENTURY the rectangular top above a pair of glazed doors with brass grille inserts and flanked by spiral turned pilasters, opening to a shelved interior and raised on bun feet 86cm wide, 67cm high, 25cm deep

£300-500

318 LATE GEORGIAN MAHOGANY ARMCHAIR EARLY 19TH CENTURY the low padded square back and part-padded open arms above a stuffover square seat, raised on turned tapered legs with brass caps and castors; covered in deep blue velvet 62cm wide, 88cm high, 52cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

118

319 GEORGE IV MAHOGANY DWARF DISPLAY CABINET 19TH CENTURY the arched top over two glazed panel doors flanked by columns, over two short drawers, raised on flattened bun feet 57cm wide, 73cm high, 22cm deep

£250-350

320Y VICTORIAN ROSEWOOD WELLINGTON CHEST 19TH CENTURY the rectangular top above seven graduated drawers and a hinged locking panel, on a plinth base 58cm wide, 110cm high, 40cm deep

£500-700

321Y WILLIAM IV ROSEWOOD CHIFFONIER 19TH CENTURY the superstructure on turned supports above a projecting top and frieze drawer, over a pair of cupboard doors, raised on carved scrolled feet 89cm wide, 116cm high, 33cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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322 LATE GEORGE III MAHOGANY PEDESTAL PEMBROKE TABLE EARLY 19TH CENTURY the rounded rectangular top with drop sides above a frieze drawer to one end, a dummy drawer opposing, on a ring turned baluster column and four reeded outswept legs ending in brass caps and castors 91cm long, 73cm high, 56cm wide (closed) 109cm (open)

£300-500

323Y WILLIAM IV ROSEWOOD DAVENPORT EARLY 19TH CENTURY the sliding top with a gallery and green leather writing slope opening to reveal four small drawers; the base with a dummy slide and four drawers to one side, with a slide and dummy drawers opposing; raised on turned bun feet with recessed castors 54cm wide, 82cm high, 59cm deep

£400-600

324 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top over three long graduated drawers, raised on shaped bracket feet 80cm wide, 94cm high, 48cm deep

£300-500

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CHARLES VINCENT LAMB R.H.A., R.U.A (1893-1964) 325§

326§

CHARLES VINCENT LAMB R.H.A., R.U.A (IRISH 1893-1999)

CHARLES VINCENT LAMB R.H.A., R.U.A (IRISH 1893-1999)

CONNEMARA CHILDREN ON THE SHORE

WAVES BREAKING ON THE CONNEMARA COAST

Signed, oil on board

Signed, oil on canvasboard

53.5cm x 41cm (21in x 16in)

41cm x 51cm (16in x 20in)

Provenance: The Estate of the Late Dr. Virginia Glenn

Provenance: The Estate of the Late Dr. Virginia Glenn

£8,000-12,000

£2,500-3,500

Lamb was born in Portadown, Armagh and studied initially at Belfast School of Art. After gaining a scholarship to Dublin’s Metropolitan School of Art, 1917-21, where he won gold and silver medals, Lamb settled in Carraroe, County Galway. He became noted for his studies of peasant life and views of the local landscape and both aspects of his work are represented in this collection.

He travelled extensively in Ireland but also further afield to Brittany. A member of the RHA and RUA, he exhibited widely in Ireland and abroad, including the Royal Academy. In 1969, the Municipal Gallery of Modern Art held a memorial show and most Irish public collections hold examples of his work.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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327ยง CHARLES VINCENT LAMB R.H.A., R.U.A (IRISH 1893-1999) CONNEMARA FISHWIFE Signed, oil on canvasboard 41cm x 33cm (16in x 13in) Provenance: The Estate of the Late Dr. Virginia Glenn

ยฃ6,000-8,000

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328§ CHARLES VINCENT LAMB R.H.A., R.U.A (IRISH 1893-1999) COTTAGES, CONNEMARA SUMMER Signed, oil on board 25.5cm x 34.5cm (10in x 13.5in) Provenance: The Estate of the Late Dr. Virginia Glenn

£1,500-2,500

329§ CHARLES VINCENT LAMB R.H.A., R.U.A (IRISH 1893-1999)

BY THE LOCH Signed, oil on board 30.5cm x 41cm (12in x 16in) Provenance: The Estate of the Late Dr. Virginia Glenn

£1,000-1,500

END OF COLLECTION Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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A PRIVATE COLLECTION

330 ISABEL CODRINGTON (BRITISH 1874-1943) THE ONION ROVER

‘IN THE FOREFRONT OF THE MOVEMENT’: THE ART OF ISABEL CODRINGTON

Oil on canvas 122cm x 91cm (48in x 36in) Provenance: The artist’s family and thence by descent

£5,000-7,000

BY KENNETH MCCONKEY With the Great War, the modernist experiment in the fine arts was temporarily suspended. Many artists, including Picasso, returned to various forms of realism which, in the 1920s, led to a renewed interest in visual reporting. Those stationed on or close to the Western Front felt that the horror of war demanded it, and that there was no going back to their pre-war aesthetic diversions.

Symbolist, Futurist and Cubist abstractions now seemed selfindulgent as painters looked to natural forms in field and flower for signs of renewal. Early evidence is found in the Royal Academy War Pictures exhibition in 1919, as Isabel Codrington (1874-1943) resumed her exhibiting career with the copiously studied Cantine Franco-Britannique, Vitry-le-François, 1919.

This scene of jubilation on the Marne celebrated one of the great alliances of history, and also reminded art lovers of a name, and a remarkable talent, that was almost forgotten. Born at Bydown, Swimbridge, near Barnstaple in Devon, Isabel Codrington Pyke-Nott was the daughter of the local squire who sent both his daughters to art school – first on the south coast and then to St John’s Wood Art School, a crèche for the Royal Academy Schools, where Miss PykeNott was offered a place at the age of fifteen.

Within a few years of leaving the schools, Codrington met the brilliant young journalist of Austro-Hungarian descent, Paul George Konody (1872-1933). At the time of their marriage in 1901 Konody was editor of The Artist. He would later become art correspondent of The Daily Mail and The Observer, with a wide circle of friends that included the poet, Ezra Pound, the illustrator, Dudley Hardy, the portrait-painter, Philip Alexius de Laszlo and the artist-traveller and former Whistler pupil, Mortimer Menpes.

Unfortunately the Konodys’ marriage was not to last and following their divorce, the artist and Gustave Mayer, a partner in a London art dealership, were married in 1913. It was only in 1918, in her mid-forties, that Codrington ‘felt she would like to begin again’. ‘I had forgotten almost everything’, she later told a Devon reporter, but as is clear from the war museum commission, her remarkable skill as a draughtswoman had not left her, and ‘Codrington’, as she chose to be known, was set to emerge (Western Morning News, 16 May 1928, p. 5). Throughout the 1920s, she showed regularly at the Royal Academy and, after 1923, at the Salon in Paris where, on one occasion she received a ‘Mention Honorable’ from the jury.

Codrington favoured scenes of peasant life drawn from travels in France, Spain and Italy. The heroic Onion Rover, 1923 (lot 330) typifies these, while The Blouse Shop (lot 334) reverts to the picturesque rusticity of coster women and gypsies, common in the work of painters such as Eric Kennington and Albert Rutherston.

An article on her work appeared in The Studio in 1925, where she was seen ‘in the forefront of the movement’ to secure recognition for women in the fine arts. Solo exhibitions at the Knoedler Galleries in Paris and the Fine Art Society in London followed in 1926 and 1927. Writing in the Fine Art Society catalogue, Frank Rutter likened Codrington to a ‘straight’ actor – but one whose work was ‘fresh, direct and natural’. Being ‘thrilled by the beauty of colour and texture … she convinces us that … commonplace objects are lovelier than pearls …’, he declared. These exhibitions revealed that the artist’s range extended to landscapes, flower-pieces and still-life paintings. One of her ‘singularly joyous’ landscapes, in the words of the Westminster Gazette, is The Ploughed Field, exhibited in the 1927 show (lot 333).

Other landscapes painted around the Mayers’ estate at Wistler’s Wood, Woldingham in Surrey like The Ploughed Field, adopt a clear, clean alla prima style that characterises all her work. While there are echoes of John Nash and Allan Gwynne Jones, space, colour and line are carefully controlled in these sunny scenes of the north Downs.

Like that of many women artists of her day, Codrington’s was a short, but highly successful career. In her heroic decision to reacquaint herself with the tools of her trade in the last year of the Great War, she unfurled a flag for all those women who had proved themselves just as capable as their male counterparts. After her final solo exhibition of ‘Flower Paintings’ in 1935, she concentrated on printmaking. She returned to her native Devon during the closing years of her life and died there in 1943.

Lyon & Turnbull would like to thank Kenneth McConkey for his assistance in writing the essays and notes accompanying this collection.

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331 ISABEL CODRINGTON (BRITISH 1874-1943) PEASANT GIRL Signed with a monogram, oil on canvas 61cm x 46cm (24in x 18in) Provenance: The artist’s family and thence by descent Exhibited: Goupil Fils, London 1927 Note: Codrington’s Peasant Girl is one of a series of perceptive studies of boys and girls painted in the mid-twenties at Wistler’s Wood, her home in Surrey. It is a remarkably confident performance that, with great economy of means, achieves real psychological depth. Beauty, claimed one critic, ‘jumps out at her… she is so intensely moved by the souls of homely places and people and things that she paints them as they stand, and then shocks us into seeing that there is an exquisite loveliness in the commonplace’ (Eve, 11 May 1927, p.320).

£2,000-3,000

332 ISABEL CODRINGTON (BRITISH 1874-1943) THE YOUNG SHEPHERD BOY Oil on canvas 51cm x 41cm (20in x 16in) Provenance: The artist’s family and thence by descent Exhibited: Fine Art Society, London 1927 Note: Although Codrington and George Clausen exhibited together in the Campden Hill Club, the older artist’s formidable pictures of rustics in the manner of Bastien-Lepage were things of an earlier age. He was now essentially a landscape painter specializing in misty mornings and moonlit twilights. For Codrington, however, shepherds, field workers and country characters remained viable subjects, even if they were survivors of a bygone era. In this instance, the farmer’s boy is recorded without sentimentality and no concessions are made to the complexity of his personality.

£2,000-3,000

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333 ISABEL CODRINGTON (BRITISH 1874-1943) PLOUGHED FIELD Signed with a monogram, oil on canvas 41cm x 61cm (16in x 24in) Provenance: The artist’s family and thence by descent Exhibited: Fine Art Society, London 1927 Note: Reviewers of Codrington’s exhibition in 1927 commented particularly on landscapes painted within reach of her home at Wistler’s Wood. ‘The Surrey hills and vales’ for one critic, provoked in her ‘the sudden development of her feeling for light and colour … [and] patterns of flowing rhythm that hold a hint of the … subconscious influence of Japanese design …’ (The Observer, 10 April 1927). As in her figure studies, Codrington looks for clean lines and pure colours. In this, she was indeed ‘in the forefront of the movement’ in British landscape painting and for works like Ploughed Field, stands beside John Nash and Stanley Spencer.

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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334 ISABEL CODRINGTON (BRITISH 1874-1943) THE BLOUSE SHOP Signed and dated 1923, oil on canvas 104cm x 127cm (41in x 50in) Provenance: The artist’s family and thence by descent

£10,000-15,000

Exhibited: Grosvenor Gallery London 1923 Liverpool Autumn Exhibition 1923 Hull, Ferens Art Gallery, Autumn Exhibition 1924 Derby Art Gallery 1924 Bristol Art Gallery 1925 Venice International Exhibition 1926

Literature: ‘The Grosvenor Galleries’, Sheffield Daily Telegraph, 6 June 1923, p. 6 LGRH, ‘The Art of Isabel Codrington’, The Studio, vol XC, October 1925, p. 213 (illus in col), 217 ‘Modern Art, Oil Paintings

by British Artists’, Sheffield Daily Telegraph, 5 December 1929, p. 3

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

By the early twenties, Codrington’s work had fundamentally changed. Having completed her Imperial War Museum commission – an ambitious work entitled Cantine Franco-Britannique, Vitry-leFrançois – she embarked on a series of interiors shown at the Royal Academy and in the Paris Salon. The Blouse Shop is one of these. According to one reviewer it was a picture that ‘stands out’ when first shown at the Grosvenor Galleries summer exhibition in 1923. Essentially a carefully composed costume-piece, it reverts to the picturesque rusticity of coster women and gypsies, common in the work of British painters such as Eric Kennington and Albert Rutherston just prior to the outbreak of war. Codrington takes evident delight in the exotic stuffs her women are discussing in a room at the back of a shop.

130

335 ISABEL CODRINGTON (BRITISH 1874-1943) CHRYSANTHEMUMS Signed with a monogram, oil on canvas 46cm x 74cm (29in x 18in) Provenance: The artist’s family and thence by descent Exhibited: Towner Art Gallery, Eastbourne

£2,000-3,000

336 ISABEL CODRINGTON (BRITISH 1874-1943) LAST RAYS Signed with a monogram, oil on canvas 51cm x 41cm (20in x 16in) Provenance: The artist’s family and thence by descent Exhibited: Fine Art Society, London 1927 Note: Despite the fact that she embraced a plein air tradition in her landscapes, Codrington occasionally returns to her Symbolist roots. In its invitation to explore a dark woodland path, Last Rays evokes an atmosphere of foreboding, almost hinting at the supernatural. In an age fascinated by the Cottingley Fairies, fed on Rackham illustrations and ‘the woodland and the wild’ of WB Yeats, it was not hard to imagine the sprites and elves who might inhabit such a path to a secret garden as this.

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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337 ISABEL CODRINGTON (BRITISH 1874-1943) IDUNA AND THE EAGLE Watercolour 80cm x 46cm (31.5in x 18in) Provenance: The artist’s family and thence by descent Exhibited: V Exposicion International de Arte, Barcelona 1907, where Isabel, under her maiden name Konody, won a silver medal Note: The medal and certificate awarded to Isabel are included in this lot.

Codrington’s subject in this early watercolour is derived from Norse mythology and refers to Iduna, the young woman who picks the golden apples on which the gods depend for their strength. According to legend she was kidnapped

by Thiassi, the King of the Giants disguised as an eagle, in the first of many adventures. These tales may well have been remembered from Codrington’s childhood since, according to an interview, the PykeNott siblings, growing up in Devon, ‘revelled in their country life, and the stories of fairies, elves and smugglers …’ (Western Morning News, 21 November 1935, p. 3).

In stylistic terms, with its references to Edward Burne-Jones and John William Waterhouse, the work is decidedly of the Celtic Revival period, and is likely to have been painted some years before the Barcelona exhibition at which it was awarded a silver medal. It chimes with that of some of Codrington’s Royal Academy Schools contemporaries – Edwardian Pre-Raphaelites such as Frank Cadogan Cowper, Charles Sims and John and Mary Young Hunter who also appealed to myths and fairy tales from northern Europe and Scandinavia.

£3,000-5,000

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338§ JAMES S PYKE-NOTT (BRITISH 1869-1965) THE BACKS Oil on canvas 51cm x 76cm (20in x 30in) Provenance: The artist’s family and thence by descent

£3,000-5,000

END OF COLLECTION

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339 ATTRIBUTED TO MARIO NUZZI (ITALIAN 1603-1673) A STILL LIFE OF FLOWERS IN A GLASS VASE Oil on canvas 65cm x 46cm (25.5in x 18in)

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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340 WILLIAM SHAYER THE ELDER (BRITISH 1799-1879) A WEE DRAM Signed and dated 1855, oil on panel 45cm x 35cm (17.75in x 13.75in)

£1,000-1,500

341 FOLLOWER OF GEORGE MORLAND TENDING THE PRIZE PIGS Bears initials, oil on board (2) 25.5cm x 35.5cm (10in x 14in) and another similar

£600-900

135

342 18TH CENTURY DUTCH SCHOOL SHIPPING OFF THE COAST Oil on canvas 46cm x 66cm (18in x 26in)

£600-800

343 COLIN GRAEME (BRITISH 1858-1910) RETRIEVERS AT WORK Signed and dated ‘90, oil on canvas 51cm x 76cm (20in x 30in)

£800-1,200

344 ATTRIBUTED TO JOHN FREDERICK HERRING HORSES AND DOGS IN A STABLE INTERIOR Oil on canvas 35cm x 43cm (13.5in x 17in)

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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345 GEORGE BLACKIE STICKS (1843-1938) DUNSTAFFNAGE CASTLE Signed and dated 1891, signed, inscribed and dated verso, oil on canvas 61cm x 91cm (24in x 36in)

£800-1,200

346 LUCA PAPALUCA (ITALIAN 1890-1934) MAGDALENE R.Y.S OFF NAPLES Signed and inscribed, gouache 46cm x 67cm (18in x 26.25in)

£400-600

347 DUTCH SCHOOL A WINTER LANDSCAPE WITH FIGURES ON A FROZEN LAKE Oil on canvas 59cm x 102cm (23.25in x 40in)

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART III

138

348 THOMAS THORNYCROFT (1815-1885) QUEEN VICTORIA ON HORSEBACK bronze, dark brown patina, signed T. THORNYCROFT FECIT/ LONDON 1853 and inscribed ART UNION OF LONDON/ 1854 54cm high, 65cm wide approx.

Arriving at the Great Exhibition in 1851 visitors were met in the central courtyard by a larger-than-life plaster statue of Queen Victoria on horseback by Thomas Thornycroft. The composition, believed to be derived from an engraving of Victoria reviewing the troops at Chobham, was greatly admired by the sovereign and Prince Albert. Some critics however, felt this version, which showed Victoria in contemporary dress on her lively Arabian horse, too modern, with The Times reviewer going so far as to brand it ‘too anatomical’. Nevertheless, it was favoured by the Queen and used later with some alterations for a large bronze group to accompany an equestrian figure of Prince Albert outside St George’s Hall, Liverpool, completed in 1869.

The Art Union of London commissioned Thornycroft to complete fifty statues in bronze, and awarded them as prizes between 1854 and 1859, of which the current lot is one. As part of the commission, he repositioned to horse’s legs, changing them from the plaster version shown at the Great Exhibition. Other examples are in the Royal Collection and the collection of the V&A. Thomas Thornycroft, the son of a farmer, spent four years as an apprentice to the Sculptor John Francis, marrying his daughter Mary, also a sculptor, in 1840.

He exhibited at the Royal Academy from 1839 and 1874 and made numerous large commissions, including Boadicea and Her Daughters on the Western end of Westminster Bridge, and a marble group Commerce for the Albert Memorial in Kensington Gallery.

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

139

349Y AFTER FRANZ XAVER WINTERHALTER PORTRAIT MINIATURE OF QUEEN VICTORIA oval, watercolour on ivory, signed ‘Bruney’, in a gilt bezel and amboyna and ebony frame 13cm x 10cm; Overall 22.5cm x 19.5cm

£300-500

140

350 PAIR OF GOTHIC REVIVAL GILT AND PATINATED BRONZE LAMPS MID 19TH CENTURY with gilt collars above slender hexagonal tapered columns, on Gothic tracery bases, fitted for electricity, with white pleated shades (2) 46cm high (excluding fittings)

£1,000-1,500

351 PORTOBELLO POTTERY FIGURE OF A BAGPIPER CIRCA 1820 in polychrome ‘tartan’ jacket and kilt, playing the pipes, and raised on a naturalistic base 23.5cm high Literature: For a similar example in the same colourway, on a different base, see Patrick McVeigh, Scottish East Coast Potteries, 1750-1840, Edinburgh, 1979, fig. 63, p.116

£800-1,200

352 THIRTEEN SCOTTISH CARPET BOWLS LATE 19TH CENTURY comprising a large white example; two blue checked examples; two red checked examples; two green checked examples; and six with sponged floral decoration; together with two white jacks, approx. 5cm diameter (15) 8.5cm-8cm diameter

£300-500

353

354Y

355

PAIR OF WILLIAM IV MAHOGANY GONDOLA CHAIRS

WILLIAM IV ROSEWOOD TEA TABLE

BLOOR DERBY PORCELAIN FIGURE OF THE WELSH TAILOR’S WIFE

EARLY 19TH CENTURY

the D shaped fold-over top above a plain frieze and tapered column with gadroon moulding, on a quadriform base raised on lobed bun feet with brass castors

EARLY 19TH CENTURY

the curved backs above stuffover seats, raised on lotus carved tapered legs ending in ceramic castors (2) 50cm wide, 87cm high, 44cm deep

96cm wide, 75cm high, 47cm deep (closed)

£250-350

£250-350

Literature: F. Brayshaw Gilhespy, Derby Porcelain, London 1965, pl. 146; John Twitchett, Derby Porcelain, Cambridgeshire 1980, pl. 303, p. 236.

EARLY 19TH CENTURY

the figure riding on a goat with three infants, on a rococo base, incised No 62/ X 25cm high

£250-350

141

356 MAUCHLINE TARTANWARE BOOK COVER, SIR WALTER SCOTT, THE LADY OF THE LAKE 19TH CENTURY in ‘Prince Charlie’ pattern with leather binding and a fernware reserve to the front cover; the book published Edinburgh, 1869 Covers 21.5cm x 13cm

£300-500

357 MAUCHLINE TARTANWARE CARD BOX 19TH CENTURY in ‘Prince Charlie’ tartan, the domed cover depicting three playing cards, opening to a divided interior with two packs of cards 10.5cm wide, 9cm high, 6.5cm deep

£250-350

358 LARGE MAUCHLINE TARTANWARE SPOOL BOX, CLARK & CO. 19TH CENTURY in ‘McBeth’ tartan, of rectangular form with label for CLARK & CO./ ANCHOR MILLS/ PAISLEY, opening to a silk-lined fitted interior with various spools and accessories, and a mirror to the lid 33.5cm wide, 6cm high, 19.5cm deep

£400-600

359 FIVE MAUCHLINE TARTANWARE SEWING ITEMS 19TH CENTURY comprising a ‘McLean’ pattern octagonal spool holder

by Clark & Co.; a ‘McLean’ needle case; a ‘McLean’ bookmark; a small ‘McBeth’ pin cushion; and a large ‘Stuart’ pin cushion (5) Spool holder 11.5cm diameter

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

360 FIVE MAUCHLINE TARTANWARE ITEMS 19TH CENTURY comprising a ‘Prince Charlie’ pattern beaker holder, with enclosed glass; a pair of ‘McDuff’ whist counters; a ‘Prince Charlie’ pen knife; and an ‘Albert’ pastille box (5) Beaker holder 8cm high

£250-350

361 THREE MAUCHLINE TARTANWARE ‘MCDUFF’ PATTERN ITEMS 19TH CENTURY comprising a scissor box with associated scissors; a Clark & Co. spool box, the cover with label KC 25 GRAMMES, 7cm diam.; and a sewing kit box, labelled ‘John Wight & Co.’, 11cm long (3) Scissor box 17.5cm long

£300-500

362 MAUCHLINE TARTANWARE JEWELLERY BOX 19TH CENTURY in ‘Macintosh’ tartan, of rectangular form, the hinged lid with an oval reserve of figures by water, opening to a fitted lift-out tray and void interior 20cm wide, 10cm high, 15.5cm deep

£250-350

363 SCOTTISH CARVED LIMEWOOD TABLEAU ‘BOUSING AT THE NAPPIE’ FROM TAM O’SHANTER, WORKSHOP OF THOMAS HALL TWEEDY CIRCA 1860 carved in high relief depicting Souter Johnnie and Tam O’Shanter conversing and drinking, while the Miller and proprietress look on, in a glazed mahogany case 56cm wide, 33.5cm high, 12.5cm deep Based in Newcastle, Thomas Hall Tweedy (18161892) was a noted woodcarver working in England in the mid-nineteenth century. Tweedy was primarily a business man rather than a craftsman. It is recorded by his apprentice Ralph Hedley that he only saw him hold a tool once when he changed the figure of Miranda from a panel of the “Tempest” into a rock. However, he did have the gift of recognising skilled workmen and giving them employment thus enhancing his considerable reputation. Other carved tableaux from ‘Tam O’Shanter’ attributed to Tweedy are in the collection of the Robert Burns Museum, Ayrshire.

£400-600

143

364Y EARLY VICTORIAN ROSEWOOD CENTRE TABLE BY GILLOWS MID 19TH CENTURY the oval top with a bead moulded edge on a reeded baluster column stamped ‘GILLOW’ and numbered 00576314, on four scrolling legs ending in carved paw feet with recessed brass castors 149cm wide, 72cm high, 109cm deep

£2,000-3,000

365Y EARLY VICTORIAN ROSEWOOD SIDE CABINET 19TH CENTURY the serpentine moulded top above three doors inset with scrolling fretwork panels backed by yellow silk, flanked by carved scrolling volutes, on a plinth base 172cm wide, 94cm high, 53cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

366 EARLY VICTORIAN MAHOGANY AND SATIN BIRCH SECRETAIRE WELLINGTON CHEST, BY B. TAYLOR & SON MID 19TH CENTURY the projecting top over eight drawers with a locking fret-carved hinged panel; one drawer with a double front and fitted for writing with pigeon holes, drawers, and a leather insert, on a plinth base; stamped ‘B Taylor & Son Cabinet & Upholstery 167 Gt. Dover St’ 68cm wide, 149cm high, 48cm deep

£2,500-3,500

367 EARLY VICTORIAN CHESTERFIELD SOFA MID 19TH CENTURY of typical form, with mahogany turned legs with brass caps and ceramic castors, covered in yellow damask 192cm wide, 72cm high, 57cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

145

368 EARLY VICTORIAN LARGE MAHOGANY BUTLER’S TRAY AND STAND 19TH CENTURY the tray with high sides with cut-out handles on an associated folding stand Tray 75cm wide, 10.5cm high, 62cm deep; stand 70cm high

£400-600

369 VICTORIAN BRASS AND BEADWORK POLESCREEN 19TH CENTURY the beadwork panel depicting lilies within a strapwork border, on a brass tripod base cast with acanthus and paw feet 59cm wide, 148cm high

£300-500

370Y EARLY VICTORIAN ROSEWOOD OCCASIONAL TABLE MID 19TH CENTURY the shaped oval tilt top with a wavy edge on a moulded baluster column and four moulded scroll legs 82cm wide, 70cm high, 65cm deep

£800-1,200

371 VICTORIAN HOWARD & SONS STYLE UPHOLSTERED ARMCHAIR 19TH CENTURY the low scroll back above scrolled arms and a deep seat, raised on turned and reeded mahogany legs with ceramic castors, covered in green striped upholstery 79cm wide, 77cm high, 66cm deep

£700-1,000

146

372 PAIR OF LACQUERED BRASS CORINTHIAN COLUMN TABLE LAMPS MODERN of typical form on square moulded bases, with cream pleated shades, 49cm high excluding fittings; together with a VICTORIAN GILT BRASS AND TOLE PATENT LAMP, 19th century, the fitting stamped ‘PALMER & CO. PATENT’, with a cream pleated shade, 63cm high excluding fitting (3) £400-600

373Y EARLY VICTORIAN ROSEWOOD CENTRE STOOL MID 19TH CENTURY the hinged padded seat above a seat rail carved with anthemions, raised on cabriole legs with scrolled toes and brass castors 99cm wide, 45cm high, 60cm deep

£800-1,200

374 PAIR OF VICTORIAN MAHOGANY FRAMED ARMCHAIRS 19TH CENTURY with high curved backs with foliate carved cresting, above serpentine seats flanked by enclosed arms with leaf carved facings, raised on cabriole legs with scrolled toes with ceramic castors, in pale yellow upholstery (2) 71cm wide, 100cm high, 54cm deep

£400-600

147

375 VICTORIAN GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate in a bead and foliate moulded frame with scrolled foliate cresting 156cm wide, 126cm high

£700-1,000

376 VICTORIAN MAHOGANY FRAMED WINDOW SEAT 19TH CENTURY the serpentine padded seat above a floral carved seat rail raised on moulded cabriole legs, with blue fabric upholstery 110cm wide, 45cm high, 51cm deep

£600-800

377 VICTORIAN WALNUT FRAMED CHAISE LONGUE 19TH CENTURY with a button upholstered spoon back and serpentine seat, raised on floral carved scroll legs with brass castors, in cream upholstery 179cm long, 87cm high, 53cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

378 VICTORIAN BLACK LEATHER JEWELLERY CASE, T. W. HOPKINS, LONDON 19TH CENTURY of rectangular form with a recessed brass handle to the cover, opening to a later plush-lined interior with lift-out tray with stamp T. W. HOPKINS MAKER/ 22. NEW BOND ST W., with Bramah locks 33cm wide, 14cm high, 24cm deep

£400-600

379 GILT BRASS REPEATING CARRIAGE CLOCK, CHARLES FRODSHAM, LONDON 20TH CENTURY the four-glass corniche case enclosing a white enamel dial with Roman numerals, signed CHARLES FRODSHAM/ LONDON, the movement with platform escapement and bell strike 17.5cm high (handle up)

£300-500

380 VICTORIAN WALNUT AND KINGWOOD TABLE CABINET MID 19TH CENTURY of cubic form, the front with a pair of banded cupboard doors fitted with a Bramah lock and opening to three drawers with recessed brass handles, the sides with further recessed handles 43cm wide, 34cm high, 29.5cm deep

£500-700

381

382

VICTORIAN WALNUT AND MOTHER-OF-PEARL DRESSING BOX

FIVE TREEN SNUFF BOXES

19TH CENTURY the hinged lid and escutcheon inset with mother-of-pearl, opening to a blue velvet lined interior fitted with glass bottles and boxes with silver-plated covers, and a mirror, with two drawers to the base

comprising a penwork example depicting a glutton eating; a walnut example in the form of a bulldog’s face with glass eyes, 6.5cm high; a Tunbridgeware box, 10cm wide; a shoe shaped box with pique inlay, 8cm long; and a burrwood example, 8.5cm wide (5)

31cm wide, 18cm high, 22.5cm deep

Penwork snuff box 9cm wide

£250-350

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

18TH/ 19TH CENTURY

149

383 VICTORIAN GILT BRONZE DOG INKWELL MID 19TH CENTURY in the form of a terrier’s head with inset glass eyes, reminiscent of the figure of Greyfriar’s Bobby, the hinged head opening to the inkwell liner, raised on a dished base with waved rim 17cm diam. approx.

£600-800

384 LARGE VICTORIAN OAK AND BRASS CORINTHIAN COLUMN LAMP BASE MID 19TH CENTURY the brass capital above a reeded oak column, raised on a stepped brass base 70.5cm high (excluding fittings)

£600-800

385 VICTORIAN WALNUT BRASS MOUNTED JEWELLERY BOX 19TH CENTURY of domed rectangular form with brass banding and catch, opening to a re-fitted plush interior with fitted liftout tray, with rubbed maker’s plaque 29cm wide, 12cm high, 22cm deep

£400-600

386Y VICTORIAN OAK GAMES COMPENDIUM 19TH CENTURY of rectangular form, opening to a fitted interior with liftout trays and a hinged front, complete with leather chess and backgammon boards, chess pieces, ivory dominoes, cards, draughts and die, and counters 32cm wide, 16cm high, 21.5cm deep

£1,000-1,500

150

387 GOOD VICTORIAN BURR MAPLE OCCASIONAL TABLE MID 19TH CENTURY the circular crossbanded tilt top on a tapered and knopped column with a carved leaf collar, on a triform base with carved scroll feet with brass castors 61cm diameter, 70cm high

£600-800

388Y SET OF SIX GOTHIC REVIVAL ROSEWOOD DINING CHAIRS MID 19TH CENTURY the arch backs with twin foliate carved pillars and Gothic arches, above stuffover seats, raised on foliate carved and ring turned legs (6) 46cm wide, 95cm high, 44cm deep

£600-800

389 EARLY VICTORIAN MAHOGANY CENTRE TABLE MID 19TH CENTURY the oval tilt top with a moulded rim over a reeded and lotus carved baluster support, raised on four outswept scrolled legs with castors 150cm wide, 74cm high, 84cm deep

£300-500

151

390 GEORGE IV BURR ELM LAMP TABLE EARLY 19TH CENTURY the rectangular top on a faceted column and shaped cruciform base with scroll feet 56cm wide, 64cm high, 40cm deep

£300-500

391 PAIR OF VICTORIAN MAHOGANY BEDSIDE CHESTS LATE 19TH CENTURY, WITH ALTERATIONS the moulded tops above four graduated short drawers, on plinth bases (2) 39cm wide, 174cm high, 38cm deep

£1,500-2,500

392 UNUSUAL MANX MAHOGANY AND INLAID TRIPOD TABLE EARLY 19TH CENTURY the octagonal crossbanded tilt top with zigzag banding, on a baluster and ring-turned column and reeded outswept legs ending in carved hand and ball terminals, mounted with small brass castors 91cm wide, 73cm high, 63.5cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

152

393 VICTORIAN OREGON PINE DRESSING TABLE,

BY HOWARD & SONS 19TH CENTURY the moulded rectangular top above a kneehole recess with cupboard, flanked by banks of four short drawers on plinth bases, outlined in faux bamboo, one drawer stamped HOWARD & SONS BERNERS ST 121cm wide, 77cm high, 51cm deep

£400-600

394 VICTORIAN OREGON PINE SIDE CABINET,

BY HOWARD & SONS 19TH CENTURY with a central cupboard door enclosing shelves flanked by banks of five drawers outlined with simulated bamboo, one a plinth base, one drawer stamped HOWARD & SONS BERNERS ST key 188cm wide, 123cm high, 61cm deep

£500-700

395

396Y

SALT-GLAZED STONEWARE WALL BRACKET

VICTORIAN BRASS-INLAID ROSEWOOD DRESSING BOX

LATE 19TH CENTURY

19TH CENTURY

the shaped square platform raised on a stag’s head and branch supports 32.5cm high, 26.5cm wide

the hinged lid inlaid with pierced brass plaques, opening to a fitted interior with a mirror, lift-out tray, and silver-plated accessories, above a single drawer

£250-350

31cm wide, 16.5cm high, 23.5cm deep

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

153

397 PAIR OF VICTORIAN SCOTTISH PINE SIDE CABINETS MID 19TH CENTURY of neat size, the back panels with scrolled tops, above two graduated shelves on baluster supports; the lower parts with single ogee arch doors with metal strap hinges, on bracket feet (2) 51cm wide, 131.5cm high, 22cm deep

£400-600

398 VICTORIAN MAHOGANY SMALL BOOKCASE 19TH CENTURY the moulded cornice above a plain frieze and carved foliate brackets, over a pair of glazed doors enclosing adjustable shelves; the projecting base with a concave frieze drawer over a pair of moulded panel doors, on a plinth base 109cm wide, 203cm high, 39cm deep

£400-600

154

399 BRONZED SPELTER NOVELTY OWL HUMIDOR, PROBABLY CRAIGHEAD & KINTZ 19TH CENTURY the two-part owl fitted with glass eyes, the head lifting off to a void copper liner 26cm high

£400-600

400 VICTORIAN COROMANDEL AND BRASS WRITING SLOPE, G. BETJEMANN & SONS, LONDON LATE 19TH CENTURY with large Gothic style pierced mounts, the fall-front opening to a leather-lined slope and satinwood-lined fitted interior with secret drawer, with maker’s and retailer’s plaques: MAKERS/ G. BETJEMANN & SONS/ LONDON and EARDLEY D. MORTON/ MANCHESTER 37cm wide, 15cm high, 28cm deep

£500-700

401Y VICTORIAN COROMANDEL LAP DESK AND DRESSING BOXES 19TH CENTURY comprising a lap desk inlaid with mixed metals, mother-of-pearl and abalone, opening to a velvet-lined desk, with label MADE BY S. WOOLFIELD/ 28 BUCHANAN ST. GLASGOW; a brass banded dressing box with plaques engraved with a monogram and dated MARCH 1873, opening to a silk-lined interior, 30.5cm wide; and a brush box, with ivory handled brushes and a tortoiseshell comb, label for CHAPMAN SON & CO LONDON, with a key, 27cm wide (3) Lap desk 40.5cm wide

£300-500

402 DERBYSHIRE ASHFORD MARBLE AND HARDSTONE PIETRA DURA PEDESTAL TABLE 19TH CENTURY the circular top inlaid with malachite and other hardstones depicting a floral garland, on a baluster column and triform base with disc feet 51cm diameter, 77cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

155

403 DAVID WATSON STEVENSON (1842–1904) MARBLE BUST OF A GIRL (MARIA), DATED 1879 bears inscription verso D.W. STEVENSON A.R.S.A. SC./ EDIN. 1879; raised on an associated mahogany column plinth, with carved floral swag decoration, the fluted sides with husk-carved stop fluting (2) bust 56cm high; column 108cm high Note: Renowned for his portrait sculptures in bronze and marble, David Watson Stevenson is arguably most recognised for his bronze rendering of William Wallace, which can still be seen on the Wallace Monument in Stirling. His naturalistic depictions of figures such as Mary, Queen of Scots, James VI of Scotland and Robert Tannahill won him many accolades, shortly after his 8 year apprenticeship with sculptor William Brodie in the 1860s. Stevenson frequently exhibited at the Royal Academy in London and, by 1876, he was elected Associate at the Royal Scottish Academy.

£800-1,200

404 MINTON MAJOLICA FIGURAL COMPORT DATE CODE FOR 1865 modelled with two putti representing the seasons, one draped in ivy, the other in wheat sheaves, united by a large shell-form bowl, on a naturalist oval form base, with impressed maker’s marks, date code and no. 365 28cm high, 27cm wide approx.

Provenance: Presented by the painter, Alexander Johnston (1815-1891) to his wife Emily, on the birth of one of their children, and thence by family descent.

£700-1,000

405 VICTORIAN COROMANDEL AND BRASS TABLE CABINET 19TH CENTURY of cubic form, the edges bound in brass with recessed handles and a brass plaque monogrammed HN, the divided front panel opening to three drawers with recessed handles 31cm wide, 33cm high, 25.5cm deep

£400-600

156

406 FRENCH POLISHED IRON ‘INCOMBUSTIBLE’ STRONGBOX, BAUCHE, GUEUX 19TH CENTURY of rectangular form with a carrying handle above the single door, with plaque INCOMBUSTIBLE/ NOUVEAU SYSTÈME/ BREVETÉ S.G.D.G./ BAUCHE À GUEUX (MARNE), opening to a void baize-lined interior 32cm wide, 18cm high (handle down), 20.5cm deep

£600-800

407 MATCHED PAIR OF VICTORIAN SILVERED BRASS CORINTHIAN COLUMN LAMPS 19TH CENTURY with fluted shafts on stepped bases, both stamped G.S.; fitted for electricity (2) 41cm high excluding fittings

£400-600

408 VICTORIAN SILVER MOUNTED GLASS CLARET JUG BIRMINGHAM, 1864 the hinged cover with a lion-form thumb piece above the thick collar depicting masks amongst diaper pattern reserves, fitted to the wheel-engraved jug decorated with fruiting vines, in original fitted box with dealer’s label 26.5cm high Provenance: H. Danker, Dublin; Private collection of G. S. May, Esquire

£300-500

409 VICTORIAN LEATHER JEWELLERY CASE 19TH CENTURY of rectangular form over-dyed in red, with brass mounts and a folding handle, opening to a velvet and silk lined interior fitted with three trays, with stamped Bramah locks 36.5cm wide; 17cm high, 24.5cm deep

£300-500

410 SET OF SIX VICTORIAN GLASS RUMMERS MID-19TH CENTURY with large thumb-cut bowls, raised on facetted baluster stems and conical feet (6) 17cm high

£150-250

157

411 GOLF AND TENNIS INTEREST, TWO EDWARDIAN SILVER-PLATED AND ENGRAVED GLASS CLARET JUGS, PRYOR & TYZACK COMPANY, SHEFFIELD EARLY 20TH CENTURY the first with a mask-form spout and scrolled handle, wheelengraved with an Edwardian lady playing golf, indistinctly signed, stamped ; the second with a fluted spout, wheelengraved with an Edwardian lady playing tennis, stamped 2; each with marks PT&CO.S (2) Larger 29.5cm high; smaller 28.5cm high

£700-1,000

412 VICTORIAN WHEEL-ENGRAVED GLASS CLARET JUG AND WINE GLASS, IN THE MANNER OF HOLYROOD GLASSWORKS MID-LATE 19TH CENTURY each depicting songbirds on leafy branches above star-cut feet, the claret jug with a nest of eggs (2) Claret jug 29cm high; glass 16.5cm high

£300-500

413 SET OF EIGHT LATE VICTORIAN CUT-GLASS WATER GOBLETS LATE 19TH/ EARLY 20TH CENTURY with large conical bowls with circle and thumb-cut decoration, raised on annulated knops and tapered stems above conical feet (8) 18cm high

£350-450 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

158

414 GOOD VICTORIAN PAINTED SATINWOOD CARLTON HOUSE DESK AND ARMCHAIR LATE 19TH CENTURY of typical form, the curved superstructure with an arrangement of drawers and cupboards, above a light brown leather insert and three frieze drawers, raised on square tapered legs ending in brass caps and castors, painted with a classical scene, foliate scrolls, husk trails, garlands, and flowering urns, with a Harrod’s trade label; the armchair with a lattice splat and downscrolled arms above a caned seat, raised on faux bamboo legs (2) Desk 133cm wide, 97cm high, 61cm deep; chair 55cm wide, 84cm high, 47cm deep

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

415 GEORGIAN STYLE WALNUT BRACKET CLOCK, LENKIRCH LATE 19TH CENTURY the carved domed top case surmounted by gilt metal flaming finials, above an arched dial with silvered chapter with Roman numerals and a subsidiary Slow/Fast dial to the arch, the eight-day movement striking a gong and stamped LENZKIRCH, on a moulded base and scrolled feet 26.5cm wide, 38.5cm high, 19.5cm deep

£400-600

416 LATE VICTORIAN PAINTED SATINWOOD BERGÈRE LATE 19TH CENTURY the square padded back and enclosed arms in a satinwood frame painted with a classical scene en grisaille, and harebell trails, on square tapered legs with spade feet ending in brass caps and castors, covered in blue and yellow striped upholstery 66cm wide, 94cm high, 59cm deep Provenance: A Private Collection of Painted Satinwood Furniture

£250-350

417 LATE VICTORIAN PAINTED SATINWOOD WORK TABLE LATE 19TH CENTURY the quarter veneered hinged oval top painted with a fan motif and flower garland, opening to a compartmented interior, the fabric-lined exterior with a door opening to a void interior, raised on square tapered legs with spade feet 61cm wide, 72cm high, 41cm deep Provenance: A Private Collection of Painted Satinwood Furniture

£250-350

418 SET OF THREE LATE VICTORIAN PAINTED SATINWOOD ARMCHAIRS LATE 19TH CENTURY the backs with lyre-form splats above padded seats flanked by downswept arms, raised on tapered faceted legs painted with flower garlands (3) 56cm wide, 83cm high, 45cm deep Provenance: A Private Collection of Painted Satinwood Furniture

£500-700

161

419 PAIR OF CARVED GILTWOOD AND GESSO WALL SCONCES LATE 19TH/ EARLY 20TH CENTURY the ribbon-tied backplates centred by wreaths with torches and quivers of arrows, each issuing a pair of outscrolling arms (2) 65cm high

£300-500

420 VICTORIAN BRASS AND COPPER STANDARD PARAFFIN LAMP LATE 19TH CENTURY the ovoid reservoir with scrolled bracket supports on a copper column with three further spiral supports, raised on stepped cabriole legs with paw feet, converted to electricity 160cm high, 42cm wide

£300-500

421 HOWARD & SONS STYLE SOFA, BY ADAM DESIGNS MODERN the back with two loose cushions above two cushion seats and over-padded arms, raised on turned mahogany legs with brass castors, in yellow damask upholstery 205cm long, 85cm high, 80cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

162

422 VICTORIAN MAHOGANY AND BRASS PORTABLE COAT RACK 19TH CENTURY the hinged frame consisting of two parts with hanging loops, fitted with eight rotating columns and brass hooks, above shorter columns with smaller hooks, stamped 2/ 28746 Open 101cm wide

£700-1,000

423 THREE LACQUERED BRASS CASED CARRIAGE CLOCKS LATE 19TH/ EARLY 20TH CENTURY the first in a corniche case with a white enamel Roman numeral dial with subsidiary alarm dial, platform escapement and gong strike, with a presentation inscription to the top, in a red leather travelling case; the second with an oval case with circular white enamel dial and plain mask inscribed BARNARD, MIDDLESBRO., platform escapement and non-striking movement, in a mahogany travelling case, 15cm high (handle up); and the third in a four column brass and white metal case with a white enamel Roman numeral dial with Arabic seconds, signed RITCHIE & SON/ EDINBURGH, platform escapement and non-striking movement, in a red leather travelling case, 14cm high (handle up) (3) Largest 18cm high (handle up)

£300-500

424 LATE VICTORIAN OAK TANTALUS LATE 19TH CENTURY the carved case fitted with three cut-glass decanters below an engraved plaque PRESENTED TO MR EDWIN C. JOB/ BY THE COMMITTEE AND SUBSCRIBERS OF THE PITSMOOR FLORAL SOCIETY/ IN RECOGNITION OF HIS SERVICES AS PRESIDENT FOR 8 YEARS/ SEPTEMBER 17TH 1896, with a cabinet to the front with two flap top compartments above a sprung drawer 38cm wide, 33.5cm high, 28cm deep

£300-500

425

426

VICTORIAN BURRWOOD BRASS BANDED HUMIDOR

EDWARDIAN COROMANDEL SILVER MOUNTED HUMIDOR

LATE 19TH CENTURY

LONDON, 1902

of rectangular form, the top with a brass cartouche opening to a cedar-lined interior with moveable divider 27cm wide, 7cm high, 18cm deep

of rectangular form, with silver escutcheon and mounts, and a label CIGARS to the lid, with maker’s marks M. C., opening to a lined and fitted interior

£300-500

29cm wide, 9cm high, 18.5cm deep

£300-500

163

427 VICTORIAN WALNUT AND BRASS STATIONERY BOX MID 19TH CENTURY the divided slope front mounted with Ottoman style brass strapwork, opening to a compartmented interior with calendar cards and a removeable note board 34cm wide, 32cm high, 29cm deep

£500-700

428 AESTHETIC MOVEMENT TEAK, EBONY AND BONE INLAID STOOL IN THE MOORISH STYLE LATE 19TH CENTURY the square padded seat raised on tapered conical legs with geometric and foliate inlay 63cm wide, 35cm high, 63cm deep

£600-800

429 AESTHETIC MOVEMENT OAK AND BRASS STICKSTAND, BY JAMES SHOOLBRED & CO. LATE 19TH CENTURY with a galleried shelf above a brass four division stick stand flanked by turned supports with brass finials, on a base fitted with a metal drip pan, raised on brass bracket feet 55cm wide, 99cm high, 17cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

164

430 LATE VICTORIAN POLLARD OAK BOOKCASE 19TH CENTURY the moulded cornice above a frieze carved with triglyphs, over a pair of glazed doors opening to adjustable shelves; on a projecting base with pair moulded panel doors, raised on a plinth base 116cm wide, 238cm high, 44cm deep

£1,500-2,500

431Y STAUNTON STYLE CHESS SET AND GAMEBOARD 19TH CENTURY comprising thirty-two boxwood and ebonised wood chess pieces, in a box; the hinged rosewood and boxwood gameboard opening to a backgammon board inlaid with specimen woods, ivory and ebony King 8cm high; gamesboard 48.5cm x 56.5cm

£600-700

432 LATE VICTORIAN TURKEY CARPET ARMCHAIR LATE 19TH CENTURY the square back above a stuffover seat and enclosed arms, raised on tapered legs with ceramic castors 70cm wide, 91cm high, 58cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

165

433 JOHN WILLIS GOOD (1845-1879) BRONZE FIGURE OF A RACEHORSE, CIRCA 1870 with mid-brown patina, signed WILLIS GOOD 30cm wide, 23cm high

£1,200-1,800

Note: John Willis Good is considered one of the top English animalier sculptors of the latter part of the 19th century, with his work rivaling the masters of the French animalier school.

He concentrated mainly on studies of hunting scenes, dogs and racehorses, working primarily in bronze and terracotta. Although is career was brief, he exhibited at the Royal Academy from 1870 to 1878, and many of his models were cast by Elkington & Co.

434 VICTORIAN LEATHER WRITING SLOPE, V

BY RODMAN & CO. BELFAST 19TH CENTURY the exterior covered in embossed brown leather opening to a black leather interior fitted with a stationery rack, folio, journal, cashbook, match box and striker, pen tray and leather cased inkpot, with three ceramic memo boards, opening further to a black leather writing slope; embossed maker’s mark and Bramah lock 40.5cm wide, 17.5cm high, 29cm deep

£800-1,200

166

435 LIGHT INFANTRY PATTERN 1827 RIFLE VOLUNTEER’S SWORD LATE 19TH CENTURY the iron hilt painted in gold, with black ray skin grip bound with brass wire, with single etched blade, with a hunting horn surmounted by a royal crown and inscribed RIFLE VOLUNTEERS, in a blackened metal scabbard, 32inch blade; together with a ROYAL NAVAL OFFICER’S SWORD, retailer’s marks for R. GERMAN/ DEVONPORT, with gilt metal guard, single edge etched blade with fouled anchor surmounted by a royal crown, in distressed scabbard, 29inch blade (2) £400-600

436 VICTORIAN LEATHER BRASS MOUNTED CARTRIDGE CASE 19TH CENTURY with brass corner mounts and lock, the hinged lid fitted with twin straps and embossed initials C. E. S., opening to a fitted interior with five compartments 40cm wide, 14cm high, 28.5cm deep

£400-600

437 VICTORIAN LEATHER BRASS MOUNTED CARTRIDGE CASE, CHARLES LANCASTER & CO. LTD., LONDON 19TH CENTURY with brass corner mounts and locks, stamped with maker’s marks J. HODGES, the hinged lid with twin straps and embossed STEWART BALMAIN./ XV THE KING’S HUSSARS, opening to a fitted interior with seven compartments with straps, with maker’s label CHARLES LANCASTER & CO LTD. 55cm wide, 18cm high, 27cm deep

£400-600

438 ADMIRALTY BRASS POWDER CASE STICK STAND LATE 19TH CENTURY of cylindrical form with three bands, stamped AIR TIGHT CANISTER/ FOR FUZE/ POWDER, 100 LB/ S.T.1358, ** METAL WORKS/ LONDON 35cm diameter, 56.5cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

167

439 TAXIDERMY RED DEER STAG’S HEADS EARLY 20TH CENTURY with eight points, mounted on a Black Forest carved shield with oak leaves Spread 55cm wide

£400-600

440 TAXIDERMY RED DEER STAG’S HEAD EARLY 20TH CENTURY with eleven points, mounted on a shield-form plaque with label GLENTANAR/ 1932 Spread 66cm wide

£300-500

441Y PARTIAL NARWHAL TUSK (MONODON MONOCEROS) unmounted 78cm long Note: Sold in compliance with CITES regulations, with (nontransferable) Transaction Specific Certificate no. 583449/01

£1,000-1,500

442 UNUSUAL SCOTTISH FALLOW DEER ANTLER PEAT HOLDER MID 19TH CENTURY of oval form comprising an openwork arrangement of antlers on an arched antler base 56cm wide, 56cm high, 40cm deep

£600-800

443Y PAIR OF LARGE TAXIDERMY ELEPHANT FOOT JARDINIÈRES EARLY 20TH CENTURY the specimens with copper banding and inserts (2) 40cm high

£400-600

168

444 GILTWOOD AND IRON TUROG BREAD TRADE SIGN EARLY 20TH CENTURY with giltwood letters mounted on iron back bars 199cm wide, 64cm deep

£800-1,200

445 VICTORIAN MAHOGANY FRY & SONS CHOCOLATE COUNTER DISPLAY CABINET LATE 19TH CENTURY with a glazed front and top fitted with a glass shelf and mirror back, with a carved gilt inscription CHOCOLATE J. S. FRY & SONS LTD COCOA 91cm wide, 28cm high, 29cm deep

£500-700

446 MAHOGANY GLAZED ‘TURKEY SPONGE’ DISPLAY CABINET EARLY 20TH CENTURY

447 VICTORIAN LEATHER TRUNK 19TH CENTURY covered in embossed brown hide, the interior fitted with a lift-out secretaire tray with a writing slope and compartments covered in red and green leather, bearing maker’s label JOHN UNDERHILL, FULTON STREET, NEW YORK and dated 1859; the exterior stamped R. FYFE/ NEW YORK

moulded cornice over glazed sides and two glazed doors opening to three shelves and a mirrored back, the lower section with glazed front and sides and mirrored back, the front with gilt and painted ‘TURKEY SPONGE’ panel, raised on a plinth base 79cm wide, 167cm high, 39cm deep

£500-700

88cm wide, 51cm high, 48cm deep

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

169

448 CONTINENTAL PLASTER ZOOLOGICAL MODEL OF A MANGALICA (WOOLLY PIG) EARLY 20TH CENTURY polychrome decorated, on a plinth base with a printed paper label in Italian: MINISTERUL AGRICULTURII/ VIER MANGALITA etc.

29cm high, 41cm wide

£500-700

449 LARGE BRASS FITTED COPPER GRAIN MEASURE, DE GRAVE & CO. LTD., LONDON 19TH CENTURY of conical form with a large handle and two side handles, engraved 5 GALLON/ A. A. O. CO./ DE GRAVE & CO. LTD., LONDON 44cm high

£400-600

450 LATE VICTORIAN APOTHECARY CABINET LATE 19TH CENTURY WITH ADDITIONS of cubic form with an arrangement of six drawers with applied paper Latin labels, on bun feet 65cm wide, 50cm high, 28cm deep

£350-450

451 EDWARDIAN MAHOGANY AND EBONISED COLLECTOR’S CHEST OF DRAWERS EARLY 20TH CENTURY WITH LATER DECORATION with two banks of seven shallow drawers with twin turned knobs, each with later gilt letter labels, raised on block pad feet 77cm wide, 67cm high, 35cm deep

£800-1,200

452 TRUNK BY MORITZ MADLER, LEIPZIG, WITH ROYAL ENTOMOLOGICAL SOCIETY OF LONDON ASSOCIATION 19TH CENTURY of brown canvas with metal hardware, bearing two ROYAL ENTOMOLOGICAL SOCIETY OF LONDON shipping labels, the interior with red ticking and partial maker’s label 80cm wide, 67cm high, 52cm deep

£300-500

170

453 LARGE CASED MODEL OF THE AMERICAN CLIPPER SHIP ‘SOVEREIGN OF THE SEAS’, BY LANNAN SHIP MODEL COMPANY, BOSTON 20TH CENTURY finely modelled with three masts, in a mahogany and satinwood inlaid glazed case bearing a plaque inscribed with builder, captain, etc., and a presentation plaque, and raised on a base with four moulded square legs united by an H stretcher 118cm wide, 161cm high, 49cm deep The Sovereign of the Seas was built by Donald McKay, a Canadian born American shipbuilder, and launched at Boston in the late spring of 1852.

Her owners were Funch & Menke, New York and she was captained by Lauchlan McKay. She measured 258ft. long, with a tonnage of 2421. She was renowned for setting the world record for fastest sailing ship at 22 knots and was the first ship to travel more than 400 nautical miles in 24 hours. On the second leg of her maiden voyage, she made a record passage from Honolulu, Hawaii to New York City in 82 days. She then broke the record to Liverpool, England, making the passage in 13 days 13.5 hours. In 1853 she was chartered by James Baines of the Black Ball Line, Liverpool for the Australia trade, but her career was relatively short, having wrecked in the Strait of Malacca, on a voyage from Hamburg to China, in 1859.

£800-1,200

454 ROYAL NAVAL OFFICER’S SWORD EARLY-MID 20TH CENTURY with gilt metal guard and original sword knot, the white ray-skin grip bound in brass wire, above the single-edge etched blade with fouled anchor surmounted by a royal crown, in a black leather scabbard with brass mounts 31inch blade

£200-300

455 CASED MODEL OF THE CARGO LINER ‘HUBERT’ dated 1955, built by A.J. Berry Robinson for Mr. W. Adams Esq., the ship supplied to Builders Cammell Laird, Birkenhead, in a brass glazed case with ebonised base Ship 127cm long; overall 138cm long This passenger cargo liner was built for Booth Line by Cammell Laird & Co. Ltd, at Birkenhead. Named ‘Hubert’ she was launched on August 31, 1954 and after her fit-out she ran her sea trials early in January 1955.

Her short mid-section superstructure was lined with two covered Promenade Decks and above an open Boat/Sports Deck. These decks provided her passengers with ample deck space for relaxation and sport facilities. The aft section also offered a covered deck and a topside recreation deck.

First Class had accommodation for 70 passengers in outside cabins and suites, all having a bathroom. There was a Lounge

forward on Promenade Deck which was quite pleasantly wood panelled opening into a large Veranda. The Dining Room was below, both Promenade and Boat Decks were exclusive to First Class passengers.

Tourist Class had accommodation for 96 passengers who had cabins for two and four berths, most of which being outside and only some having private facilities. These were located on A and B Decks.

Her service continued, but like so many services with newer and more modern and larger passenger ships competing, the Hubert in due course was no longer profitable and there were other markets where she could be of better use within the greater Vestey Bros Shipping Group. Thus by 1964 she was withdrawn and placed on charter to one of their subsidiaries in Asia, the Austasia Line.

The next twenty-four years saw a number of changes of owners, names and purposes for the ship, and she was eventually broken up in 1985.

£2,000-3,000

171

456 LARGE VICTORIAN 17IN. TERRESTRIAL GLOBE, JAMES WYLD, LONDON DATED 1886 with twenty-four gores and maker’s cartouche A TERRESTRIAL GLOBE COMPLETED FROM THE LATEST & MOST AUTHENTIC SOURCES INCLUDING ALL THE RECENT GEOGRAPHICAL DISCOVERIES/ PUBLISHED

BY J. WYLD. 11 & 12 CHARING CROSS. LONDON./ JANY. 1ST 1886, with a horizon ring raised on reeded mahogany legs united by turned stretchers 68cm high approx.

£1,000-1,500

457 2 3/4-INCH TULLEY & SONS BRASS REFRACTING TELESCOPE AND TELESCOPIC-ACTION STAND 19TH CENTURY signed on the tube ‘TULLEY & SONS Islington London’, on a column with a tripod base with a telescope strut, on a later mahogany fluted column pedestal with a rising mechanism and brass holding brackets and three arched leg supports Tube 66cm long; stand 45cm diameter, 77cm high in lowest position

£1,200-1,800

Note: The firm was listed as Tulley & Sons in Islington from around 1826 to 1846.

458 LOUIS VUITTON CANVAS AND ALUMINIUM COURIER TRUNK LATE 19TH CENTURY

EARLY 20TH CENTURY

covered in dark brown canvas with wood lathes and banded with aluminium straps with brass studs and lock hardware, the handles stamped LV. opening to a void interior with ticking lining and label LOUIS VUITTON EMBALLEUR

of typical form, raised on chamfered straight legs joined by stretchers

100cm wide, 69cm high, 58cm deep

61cm wide, 41cm high, 40cm deep

£5,000-7,000

459 EDWARDIAN OAK LUGGAGE STAND

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172

460 EDWARDIAN CARVED MAHOGANY AND GLAZED FOUR-FOLD SCREEN EARLY 20TH CENTURY each section with a carved floral finial above a part glazed and moulded panel 225cm wide, 180cm high

£500-700

461 EDWARDIAN SATINWOOD, MAHOGANY AND BRASS TIERED BOOKSTAND ETAGERE EARLY 20TH CENTURY with a brass banded circular top over a tripartite brass galleried mid-tier and conforming lower tier, on a tripod base 47cm wide, 80cm high

£300-500

462 TWO SEAT TUB SOFA, BY MAPLE AND CO. 20TH CENTURY the enclosed button-upholstered back above a two cushion seat, covered in eggshell blue velvet upholstery with tassel trimming, with a Maple & Co. ivorine label 168cm wide, 85cm high, 67cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

173

463 PAIR OF EDWARDIAN CREAM PAINTED AND PARCEL GILT HANGING CUPBOARDS EARLY 20TH CENTURY of serpentine outline, with pierced galleries above bow-front doors with carved ribbon-tied baskets and swags, with Bramah locks (2) 38cm wide, 54cm high, 18cm deep

£500-700

464 PAIR OF EDWARDIAN MAHOGANY BOOK TROUGHS EARLY 20TH CENTURY

465 EDWARDIAN UPHOLSTERED ARMCHAIR,

BY HAMPTON & SONS LTD. EARLY 20TH CENTURY the low scroll back above a deep seat and wide scrolled arms, raised on square tapered legs with ceramic castors, stamped ‘HAMPTON & SONS LTD’; in modern floral upholstery 89cm wide, 87cm high, 73cm deep

£600-800

466 EDWARDIAN UPHOLSTERED ARMCHAIR EARLY 20TH CENTURY the padded low back above a deep loose cushion seat and wide arms, raised on mahogany square tapered legs with brass castors, the rear leg stamped ‘S&S’ and ‘245’ 99cm wide, 92cm high, 71cm deep

£600-800

with five partitions and open lattice sides, raised on straight legs joined by turned X stretchers and ending on pad feet (2) 93cm wide, 85cm high, 40cm deep

£800-1,200

174

467 LARGE GEORGIAN STYLE OAK BRACKET CLOCK, WINTERHALDER & HOFMEIER LATE 19TH CENTURY the bell top case with a central gilt brass flaming torch finial and smaller flaming urns to the corners, above an arched dial with three winding holes and a silvered chapter ring with Roman numerals and subsidiary ‘Slow/Fast’ dial to the arch, flanked by angels with gilt bronze mask and floral mounts and raised on paw feet, the eight-day movement stamped W&H SCH. and striking on five gongs 55.5cm high, 29.5cm wide

£600-800

468 EDWARDIAN MAHOGANY BIJOUTERIE TABLE EARLY 20TH CENTURY the shaped triangular glazed top opening to a velvet lined interior, with gilt metal mounts and raised on cabriole legs joined by an undertier 57cm wide, 74cm high, 50cm deep

£300-500

469 EDWARDIAN MAHOGANY FRAMED HIGH BACK SOFA EARLY 20TH CENTURY the high enclosed back and sides above a stuff-over seat raised on square tapered legs ending in brass castors, in pale green close-nailed upholstery 138cm wide, 101cm high, 57cm deep

£300-500

470 BRASS CLUB FENDER MODERN with two L shaped pads raised on spindles with a U-shaped front section, on a moulded base 185cm wide, 54cm high, 46cm deep; interior width 142cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

175

471 REGENCY STYLE MAHOGANY BRACKET CLOCK, HAMILTON & INCHES, EDINBURGH EARLY 20TH CENTURY with a break-arch top and gilt brass handle, above the silvered dial with Roman numerals and signed HAMILTON & INCHES/ EDINBURGH, above fretwork panels, the eight-day movement striking a gong, all raised on brass bracket feet 38cm high (handle down), 31cm wide

£700-900

472 EDWARDIAN GLOBE TABLE CLOCK, ‘THE EMPIRE CLOCK’, SMITH & SON LTD. EARLY 20TH CENTURY with label PATENT 19460/ THE EMPIRE CLOCK, with a brass horizon ring with Roman numerals, raised on a corresponding brass base concealing the movement, marked SMITH & SON LTD./ MADE IN FRANCE 29.5cm high

£1,000-1,500

473 OAK, COW HORN AND SILVER-PLATE TABLE DINNER GONG EARLY 20TH CENTURY the horns mounted on an oak base with silver-plate mounts and cartouche, with a suspended silvered brass gong engraved with an Egyptian scene; with an associated wood beater 37.5cm wide, 49cm high, 20cm deep

£500-700

474 LARGE VICTORIAN WALNUT AND EBONISED TABLE CABINET 19TH CENTURY with brass recessed handles and inlaid brass cartouche, the front with a pair of doors with a Bramah lock opening to an arrangement of eleven short drawers with further recessed handles 43cm wide, 48cm high, 27cm deep

£700-1,000

176

475 ENGLISH GILT BRASS CARRIAGE CLOCK MID 19TH CENTURY in a column case with bevelled glass panels enclosing a circular white enamel dial with Roman numerals and a mask engraved with an exotic bird and scrolling foliage, the fusée movement and platform escapement, raised on flattened feet 15cm high (handle up)

£600-800

476 BURR WALNUT HUMIDOR, ALFRED DUNHILL LTD., LONDON 20TH CENTURY with brass banded edges, opening to a lined and divided interior with maker’s plaque ALFRED DUNHILL LTD./ LONDON, raised on brass bracket feet 26.5cm wide, 9cm high, 18.5cm deep

£300-500

477 ROYAL WORCESTER AESTHETIC STYLE PART DESSERT SERVICE DATED 1882 comprising four low comports, and twelve plates, 23.5cm diam.; decorated in the Japanese taste with gilt cranes amongst leafy branches, within ‘cracked ice’ borders decorated with prunus flowers, with printed maker’s marks and date code letter T (16) Comports 24.5cm diameter

£300-500

478 MALACHITE AND WHITE HARDSTONE CHESS SET AND BOARD 20TH CENTURY comprising thirty-two pieces, on a circular chessboard with brass line inlay (33) Chessboard 40.5cm diam.

£300-500

479 EDWARDIAN COROMANDEL SILVER MOUNTED HUMIDOR LONDON, 1902 of rectangular form, with silver mounts to the corners and a shieldshaped plaque to the lid with maker’s marks M. C., opening to a lined interior with a moveable divider 20.5cm wide, 7.5cm high, 13.5cm deep

£250-350

177

480 PAIR OF ROYAL CROWN DERBY ‘MILLENNIUM’ DWARVES, DECORATED BY J. BRYAN MODERN decorated with planets, the sun, an observatory etc. on circular bases, with maker’s marks and signatures, comprising Millennium Dwarf (Low), numbered 64 of 100, 17cm high; and Millennium Dwarf (High), numbered 66 of 100, 18cm high (2) £400-600

481 ROYAL WORCESTER PORCELAIN VASE, SIGNED A. LEWIS DATED 1911 with an everted neck tapering to a globular body, painted with red and pink roses and signed A. LEWIS, on a domed foot, with gilt highlights maker’s marks and shape mark 1846 26.5cm high

£300-500

482 ENGLISH SILVER AND PINK ENAMELLED DRESSING SET SECOND QUARTER 20TH CENTURY with guilloche and pink enamel backs depicting floral reserves, various maker’s marks, London and Birmingham hallmarks; comprising a hand mirror; four wheel-engraved glass scent bottles, 10.5cm high; two clothes brushes, 16.5cm long; a cut-glass powder box and cover, 14cm diam.; two hairbrushes, 23.5cm long; two small covered pots, 4cm diam.; and a nail buffer, 12.5cm wide; together with a small TABLE CLOCK, of similar design and colour, London 1925, 11cm high (14) Mirror 26cm long

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

CONTINENTAL FURNITURE & WORKS OF ART

179

483 FLEMISH TERRACOTTA FIGURAL PLAQUE OF THE INFANT JOHN THE BAPTIST, IN THE MANNER OF FRANCOIS DUQUESNOY 17TH CENTURY modelled as a recumbent child holding a cross, on a scrolled lambrequin 30cm long approx.

£1,500-2,500

484 ITALIAN BRONZE FIGURE OF NARCISSUS, AFTER THE ANTIQUE 19TH CENTURY with brownish patina, on a circular plinth base 38cm high

£300-500

485 SMALL ITALIAN MICROMOSAIC PANEL, PROBABLY THE VATICAN WORKSHOP 18TH CENTURY of rectangular form, depicting the Temple of Minerva with figures, in a carved giltwood frame 3.5cm x 6cm approx.

£600-800

486 SPANISH MARBLED AND GILTWOOD STAND, OF AVA GARDNER PROVENANCE 19TH CENTURY of octagonal waisted form, with carved relief mouldings to the sides; with a catalogue The Ava Gardner Collection, Sotheby’s, London, Wednesday 21st November, 1990 38.5cm wide Provenance: Sotheby’s, The Ava Gardner Collection, London, Wednesday 21st November, 1990, lot 108

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

180

487 RUSSIAN ICON OF THE SMOLENSKAYA MOTHER OF GOD EARLY 18TH CENTURY in a chased silvered metal oklad with applied halos 28.5cm x 25cm Provenance: The Gerry Rafferty Collection of Russian Icons Maria Andipa Icon Gallery, London Private Scottish Collection

£300-400

488 TWO GREEK ICONS LATE 18TH/ 19TH CENTURY the first a triptych with an arched reserve depicting the Transfiguration flanked by hinged panels with saints, surmounted by a pierced and carved crest with angels and a crown; and a large panel icon depicting scenes from the life of Christ (2) Triptych 39.5cm x 22.5cm, 43cm (open); the second 45cm x 29cm Provenance: The Gerry Rafferty Collection of Russian Icons Maria Andipa Icon Gallery, London Private Scottish Collection

£300-500

489 TWO RUSSIAN ICONS DEPICTING CHRIST WITH SAINTS LATE 18TH/ EARLY 19TH CENTURY the first with a central image of Christ with saints, enclosed by twelve further scenes from his life, with a repoussé silvered metal oklad with applied halos; the second with the Mandylion with two female and four male saints, with an embossed silvered metal oklad with applied gilt halos (2) First 38cm x 30.5cm; second 31cm x 26.5cm Provenance: The Gerry Rafferty Collection of Russian Icons Maria Andipa Icon Gallery, London Private Scottish Collection

£500-700

181

490 TWO LARGE RUSSIAN ICONS OF SAINT NICHOLAS AND THE DORMITION 18TH CENTURY the first of Saint Nicholas the Miracle Worker enclosed with scenes from his life and flanked by standing saints on an ochre ground; the second with a square vignette of the Dormition flanked by seraphim above an array of saints, flanked by two standing saints, on an ochre ground (2) Nicholas 56cm x 47cm; Dormition 53cm x 44cm Provenance: The Gerry Rafferty Collection of Russian Icons Maria Andipa Icon Gallery, London Private Scottish Collection

£400-600

491 TWO RUSSIAN ICONS 18TH/ 19TH CENTURY the first with a central image of the Resurrection enclosed by twelve further scenes from the life of Christ; the second depicting Saint John, an unidentified monk, and Mary Magdalene (2) First 31cm x 26cm; the second 29cm x 26cm Provenance: The Gerry Rafferty Collection of Russian Icons Maria Andipa Icon Gallery, London Private Scottish Collection

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

182

492 TWO CANTAGALLI RUBY-LUSTRE FIGURAL CANDLESTICKS LATE 19TH CENTURY modelled as griffins with shields, one with a snake in its mouth on a square shell-moulded base; the other decorated with blue, on a tri-form base; with blue cockerel marks (2) 33cm high

£300-500

493 PAIR OF ITALIAN STEEL AND IRON FIRE DOGS 18TH CENTURY with spiral knop steel finials on tall twist stems and high arched feet (2) 141cm wide, 110cm high, 69cm deep

£400-600

494 SPANISH OAK TRESTLE TABLE 20TH CENTURY the rectangular top above three short frieze drawers divided by reeded volutes, raised on scrolling trestle ends united by S scroll iron supports 150cm wide, 77cm high, 70cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

183

495 PAIR OF BRASS AND GLASS STARBURST HALL LIGHTS MODERN with multiple glass panel sides to form points (2) 42cm high, 40cm diameter approx.

£600-800

496 ITALIAN CARVED GILTWOOD AND PAINTED NEOCLASSICAL STANDARD LAMP LATE 19TH CENTURY with a carved sphynx on a fluted column and carved lion paw tripod base, electrified 146cm high excluding fittings

£400-600

497 PAIR OF VENETIAN CARVED WOOD AND GESSO POLYCHROMED FIGURAL TORCHERES 19TH CENTURY carved as a draped classical figures holding urns, on rococo style plinth bases with carved paw feet and cherubims, electrified (2) Overall 143cm high; figure 89cm high

£1,000-1,500

184

498Y ITALIAN WALNUT, EBONISED, IVORY AND MOTHER-OF-PEARL MARQUETRY OCCASIONAL TABLE 19TH CENTURY the circular top of putti and floral panels, on an ebonised spiral turned support and triform base with turned feet 50cm diameter, 70cm high

£300-500

499Y ITALIAN BAROQUE STYLE WALNUT, EBONY, AND TORTOISESHELL SIDE TABLE MID 19TH CENTURY the rectangular top inlaid with concentric interlaced circles outlined with ivory stringing, raised on splayed bobbin turned and square section legs, united by stretchers with wrought iron supports 83cm wide, 71cm high, 54cm deep

£800-1,200

500 NORTH ITALIAN WALNUT AND EBONISED SERPENTINE CHEST OF DRAWERS 18TH CENTURY the moulded serpentine top with canted corners over four graduated long drawers outlined with ebonised moulding, flanked by panelled angles with foliate capped pilasters, raised on scrolled stile feet 154cm wide, 113cm high, 64cm deep Provenance: Ex Yester House, Gifford, East Lothian

£600-800

501 FRENCH TOOLED AND GILT LEATHER BLOTTER 17TH CENTURY the covers tooled with a gilt armorial and motto NON EST MORTALE QVOD OPTO for Paul Petan, Counsellor of the French Parliament, 1568-1615 37.5cm high

£150-250 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

185

502Y CHARLES X WALNUT, ROSEWOOD AND FRUITWOOD OCCASIONAL TABLE SECOND QUARTER 19TH CENTURY the octagonal tilt top inlaid with a large star motif, on a triform column and three scrolling legs 66cm diameter, 71cm high

£800-1,200

503 FRENCH WALNUT AND NEEDLEWORK ARMCHAIR EARLY 20TH CENTURY the square padded back and seat covered in foliate needlework and tassel trimming, with foliate carved scroll arms and raised on block and turned legs on carved paw feet joined by stretchers, the front stretcher centred by a mask; together with a NEEDLEWORK CUSHION (2) 67cm wide, 113cm high, 47cm deep

£400-600

504 CONTINENTAL OAK AND PARQUETRY CENTRE TABLE 19TH CENTURY the circular top with radial geometric inlay and a leaf-carved edge, on a fluted and lobed baluster column and tripod base carved with overlapping medallions and ending in carved paw feet 94cm diameter, 74cm high

£1,500-2,500

186

505 FIVE DELFT POLYCHROME ‘PEACOCK’ PATTERN CHARGERS, THE CLAW (DE KLAUW) FACTORY SECOND HALF 18TH CENTURY typically decorated with coloured feathers spreading from a lobed jardinière, with painted factory marks (5) 36cm diameter

£500-700

506 TWO DELFTWARE BEAKERS, POSSIBLY DE DRIETAND 20TH CENTURY comprising a blue and white example, and a polychrome example, each decorated with farming scenes with figures and cows, with trident maker’s marks (2) 13cm high

£300-500

507 PAIR OF DUTCH DELFT POLYCHROME COVERED VASES LATE 18TH/ EARLY 19TH CENTURY the hexagonal covers surmounted by birds, above panelled baluster bodies decorated with blue and white scenes of farming couples, within polychrome borders, with painted maker’s marks (2) 38cm high

£300-500

508

509

CONTINENTAL CARVED FRUITWOOD FOOTED CENTREPIECE BOWL

FOUR PIECE DELFT BLUE AND WHITE GARNITURE, THE CLAW (DE KLAUW) FACTORY

MID 19TH CENTURY

18TH CENTURY

of navette form, carved with a serpent head to one end and a boar to the other, with swags and fluting to the exterior, raised on a cruciform stand with ball and claw feet

comprising a pair of covered baluster vases, and two trumpet vases; painted with reserves of deer in a landscape, two with painted factory marks (4)

35cm wide, 21cm high

32.5cm high and 23cm high

£300-500

£250-350

187

510 DUTCH WALNUT PARCEL-GILT DISPLAY CABINET-ON-CHEST 18TH CENTURY the swan neck moulded cornice above a glazed door flanked by angles and opening to a red plush lined shelved interior; the lower part with four crossbanded long drawers of bombé outline, raised on bracket feet 110cm wide, 236cm high, 54cm deep Provenance: Coul House, Auchterarder, Perthshire

£1,000-1,500

511 DUTCH WALNUT, EBONISED, AND FLORAL MARQUETRY BUREAU 18TH CENTURY the slant front opening to an interior fitted with pigeon holes and drawers, a sliding cover well and black leather writing insert, above a pair of short drawers and two long bombé drawers flanked by hinged angles enclosing four short drawers to each side, raised on carved paw feet, inlaid throughout with flowering urns, baskets, masks, birds and flowers 110cm wide, 106cm high, 63cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

188

512 PAIR OF FRENCH FAIENCE AND GILT BRASS WALL SCONCES 19TH CENTURY the moulded oval backs surmounted by ribbon swags and painted with coastal fishing scenes and armorials, with artist’s initials J. V. and indistinct date, issuing two outscrolling arms united by maiden masks, with painted marks LILLE 1767, wired for electricity (2) 44cm high

£400-600

513 FRENCH PROVINCIAL OAK DRESSER 19TH CENTURY AND LATER the superstructure with a moulded cornice above three shelves with a later enclosed back; above two short drawers and a pair of moulded panel doors centred by carved flower motifs, above a shaped apron raised on bracket feet 151cm wide, 205cm high, 48cm deep

£500-700

189

514 ROCOCO STYLE PAINTED GIRANDOLE MIRROR 19TH CENTURY the arched mirror plate within a reel and leaf-tip moulded frame marked at the corners with shells, with a fruit and flower carved cresting and a fruiting pendant finial, issuing three scrolling foliate candle arms; painted white 67cm wide, 127cm high

£300-500

515Y LOUIS XV STYLE TORTOISESHELL MANTEL CLOCK EARLY 20TH CENTURY the waisted rococo case surmounted by bronze scrolling flowers above a circular white enamelled dial with Roman and Arabic chapters, with bronze mounts terminating in splayed scrolled feet, the eight day movement striking a gong, stamped MADE IN PARIS 30cm high, 18.5cm wide

£400-600

516 FRENCH KINGWOOD OCCASIONAL TABLE 19TH CENTURY the crossbanded top with radial veneers and brass banding, raised on slender cabriole legs joined by curved stretchers united by a galleried undertier 45cm diameter, 72cm high

£300-500

517 LOUIS XV STYLE KINGWOOD, FRUITWOOD AND MARQUETRY MARBLE TOPPED COMMODE 19TH CENTURY the serpentine rouge griotte marble top with a moulded edge over three long drawers with floral marquetry above a shaped apron, on tapered splay legs with foliate cast gilt metal mounts; the drawer with brass label ‘JOHN MURPHY/ CABINET MAKER AND UPHOLSTERER/ 215 BROMPTON Rd . SW’ 70cm wide, 84cm high, 39cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

190

518 FRENCH TERRACOTTA PORTRAIT ROUNDEL OF ÉTIENNE CHARLES DE LOMÉNIE DE BRIENNE 18TH CENTURY in profile relief, facing sinister and simulated as bronze, inscribed in French verso ‘Donne par lui même au 1777/ a puis disan je nos donne a vous’, with a handwritten biography of the sitter, in a giltwood frame, 18.5cm diameter; together with a LOUIS XIV COMMEMORATION BRONZE MEDALLION, with a profile of Louis XIV and inscription LVD MAGNVS FRAN ET NAV REX P.P., the opposing side with the sun above the world flanked by inscription NEC PLVRIBVS IMPAR/ 1674, 8cm diam. (2) £400-600

519 FRENCH GILT BRONZE MANTEL CLOCK, ALPHONSE GIROUX & CIE., PARIS 19TH CENTURY surmounted by a putto holding drafting equipment flanked by a globe, set square and a compass, over a signed white enamel dial with Roman numerals, on an acanthus cast curved base inset with an agate roundel, the signed eight-day movement striking a bell 27cm high, 23cm wide

£400-600

520 LOUIS XV STYLE PORCELAIN MOUNTED GILT BRONZE MANTEL CLOCK 19TH CENTURY surmounted by a Bacchic goat and putto, over a white enamel dial with Roman and Arabic numerals, signed VOR ASSEL/ *** 170 PALAIS ROYAL/ PARIS, flanked by bleu celeste painted porcelain plaques and raised on a moulded base with toupie feet, the eight-day movement striking a bell 45cm high, 40cm wide

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

191

521Y FINE ROSEWOOD, KINGWOOD AND MARQUETRY BUREAU PLAT 19TH CENTURY the rectangular top with a central marquetry panel depicting Europa and the Bull, against a diaper ground and parquetry border, the whole enclosed with gilt bronze mounts marked at the corners with shells, above three frieze drawers with foliate marquetry, raised on square cabriole legs, outlined with gilt brass and bronze mounts 131cm wide, 76cm high, 77cm deep

£3,000-4,000

522 FRENCH BURR WALNUT, MAHOGANY, SYCAMORE AND KINGWOOD CYLINDER BUREAU LATE 19TH CENTURY in the Louis XV style, the superstructure with a pierced brass gallery and four drawers, above a cylinder front opening to an arrangement of pigeonholes, drawers and a writing slope, raised on square cabriole legs with gilt bronze mounts 84cm wide, 122cm high, 56cm deep

£1,800-2,200

192

523 ROCOCO GILTWOOD MIRROR 19TH CENTURY the arched mirror plate in a rococo style frame with rocaille, C and leaf scrolls 106cm high, 82cm wide

£300-500

524 FRENCH COROMANDEL LACQUER MARBLE TOPPED COMMODE 19TH CENTURY in the Louis XV style, the serpentine breche marble top with a moulded edge, above two long drawers depicting Chinese figures in a garden, the sides with flowers and insects, raised on cabriole legs with gilt metal mounts 80cm wide, 87cm high, 46cm deep

£1,200-1,800

525 FRENCH LACQUERED BRASS FENDER 19TH CENTURY with opposing figures of bull terriers on rococo style plinth bases united by a cross-bar 105cm wide, 25cm high, 12cm deep

£300-500

193

526 PAIR OF CONTINENTAL GILTWOOD MIRRORS 19TH CENTURY in the Rococo style, the oval mirror plates in moulded frames with C and auricular scrolls, flower heads, and leaf sprays, surmounted by large pierced scroll crestings (2) 94cm high, 52cm wide Provenance: Coul House, Auchterarder, Perthshire

£400-600

527 FRENCH TRANSITIONAL STYLE KINGWOOD AND COROMANDEL LACQUER MARBLE TOPPED COMMODE LATE 19TH CENTURY the shaped rectangular yellow brocatelle marble top above a pair of doors with Chinese lacquer panels depicting figures in gardens and pavilions, raised on cabriole legs, with gilt bronze chutes to the angles and mounts to the legs 110cm wide, 87cm high, 43cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194

528 CONTINENTAL BRONZE FIGURE OF THE BELVEDERE HERMES 18TH CENTURY dark brown patina, raised on a black marble plinth base Overall 36cm high

£600-800

The original model for this bronze of Hermes was found around 1540 in the gardens surrounding the Mausoleum of Hadrian in Rome, the Castel Sant’Angelo, and bought

by Pope Paull III (1534-1549) for the Cortile del Belvedere. For a long time, it was known as Belvedere Antinous, named after the Roman Emperor Hadrian’s famously handsome Greek lover, due to the place he was unearthed and the melancholic look on his face.

However, the statue’s similarities with the Hermes of Olympia confirm not only that this is a depiction of the messenger of the gods, it also tells us that the statue in the Vatican is a copy of a work of the great Greek sculptor Praxiteles.

Considered a model of ideal human proportions, the statue inspired many artistic interpretations and copies. The general upsurge of interest in classical antiquity from the Renaissance onwards coincided with a taste for bronze statuettes, and so reduced-size bronze reproductions made after famous ancient models were highly sought after by European collectors. Slight variations found between the Roman original and the present lot can be simply due to the sculptor’s taste, or because it was not taken straight from the original, but from a drawing or engraving, allowing for adjustments to accommodate bronze casting.

Jan de Bisschop (1628-1671, from Signorum Veterum Icones

Hercules is shown sitting on a rock covered by the pelt of the Nemean lion, one of his most recognisable attributes. His posture, with the fine and realistic rendering of the lean, muscled body and the powerful curve of the back is reminiscent of a long-standing sculptural tradition that leads the path from the late fourth century Greek sculptor Lysippos to Auguste Rodin’s The Thinker in the 20th century.

While the lion’s pelt and wooden club make it clear that the sculpture is meant to be the Greek hero, the other attributes are more uncommon. The wreath encircling his head is probably made from the leaves of the white poplar tree, which was consecrated to Hercules according to Roman mythology: he destroyed the giant Caucus on Aventine Hill, which was covered in white poplar trees. After his triumph, he wound a branch of the tree around his head as a token of victory. In the Roman Hercules cult, people offering ritual sacrifices to him were always crowned with the leaves of this tree. What he is holding in his left hand is harder to distinguish, but it could be the apples from the garden of the Hesperides, relating to Hercules’ eleventh labour.

Undoubtedly inspired by the Roman marble fragment known as the Belvedere Torso in the collection of the Vatican Museum, this bronze figure of a resting Hercules is just one of countless examples of artworks based on the Roman original. The 1st Century Roman fragment, itself a copy of a lost Greek original of the 3rd or 4th century BC, was praised and studied after it’s discovery in the 15th century. The torso was so well regarded by Michelangelo that it became known as ‘The School of Michelangelo’. Facsimiles in plaster and print were circulating from the 16th century, with engravings producing a reversed image of the torso, as seen in an engraving by Netherlandish artist Jan de Bisschop (1628-1671), from Signorum Veterum Icones. For artists unable to travel to Rome, engravings were crucial for establishing a visual repertoire of classical references. In the present example, the sculptor has incorporated the torso into a study of Hercules, while the original subject is still debated.

A compositionally similar bronze of Christ as the Man of Sorrows, attributed to the circle of Adriaen de Vries (1556-1629), on Loan to the Fitzwilliam Museum, utilises the same twisted torso as the present lot and is indicative of the 17th century Netherlandish school of sculpture.

195

529 NETHERLANDISH OR GERMAN BRONZE FIGURE OF SEATED HERCULES 17TH/ EARLY 18TH CENTURY dark brown patina, raised on a stepped black marble plinth 17cm high, 24cm overall Note: A bronze of the same subject sold Bonham’s, London, 15 April 2008, lot 27

£1,000-1,500

196

530 FRENCH GILTWOOD THREE-FOLD SCREEN 19TH CENTURY in the Louis XV style, each panel with a glazed upper section with cream embroidered silk, the lower sections lined with pale pink damask 178cm wide, 188cm high

£400-600

531 PAIR OF FRENCH GILTWOOD FAUTEUILS 19TH CENTURY in the Louis XV style, the cartouche shaped backs in channel moulded frames with flower cresting, above wide serpentine seats flanked by part padded arms, raised on cabriole legs (2) 70cm wide, 94cm high, 50cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

197

532 LOUIS XVI STYLE MAHOGANY MARBLE TOPPED BOUILLOTTE TABLE 19TH CENTURY the circular white marble top with a pierced brass gallery above a frieze with two short drawers and two candle slides, raised on fluted tapered legs 65cm diameter, 73cm high

£300-500

533 PAIR OF LOUIS XVI GILTWOOD AUBUSSON COVERED FAUTEUILS 18TH CENTURY with curved square shield shaped backs and stuffover seats flanked by part-padded arms with fluted supports, covered in Aubusson tapestry covers with cartouche reserves depicting cockerels and flowers, raised on stop fluted tapering legs with toupie feet (2) 61cm wide, 91cm high, 46cm deep

£1,500-2,500

534 LOUIS XVI STYLE MAHOGANY AND KINGWOOD GILT METAL MOUNTED BUREAU PLAT IN THE MANNER OF JEAN-HENRI REISENER LATE 19TH CENTURY the rectangular brass banded top with a brown leather surface over a central frieze drawer mounted with a gilt bronze plaque of cloud-borne putti emblematic of the arts, flanked by panels with swagged garland mounts, raised on square tapered legs and brass leaf moulded feet 115cm wide, 74cm high, 64cm deep

£1,500-2,500

198

535 PAIR OF LOUIS XVI PAINTED SIDE CHAIRS 18TH CENTURY the moulded and cream painted frames with padded square backs and seats upholstered in green and cream fabric, raised on fluted tapered legs (2) 52cm wide, 90cm high, 43cm deep

£500-700

536 PAIR OF FRENCH RESTAURATION STYLE GILT AND PATINATED BRONZE TABLE LAMPS 19TH CENTURY converted from candlesticks with engine-turned drip trays above acanthus cast nozzles raised on reeded columns united by leafy collars and feet, with white pleated shades; converted to electricity (2) 28cm high (excluding fittings)

£800-1,200

537 SCANDINAVIAN PAINTED SETTEE AND CHAIRS 19TH CENTURY the box-form settee with a slat back and arms, with loose cushions covered in blue and cream striped fabric, raised on square tapered legs; the associated armchairs with curved top rails above scrolled arms and matching pad seats, raised on turned legs; all painted white with gilt details (3) Settee 223cm long, 82cm high, 71cm deep; chairs 55cm wide, 85cm high, 45cm deep

£500-700

199

538 PAIR OF NORTHERN EUROPEAN NEOCLASSICAL PATINATED AND GILT BRONZE CANDELABRA EARLY 19TH CENTURY with central bud-form terminals issuing leafy twin arms and seed-pod nozzles, above vase shaped bases fitted with eagles’ heads, on short columns and stepped bases (2) 38.5cm high

£2,000-3,000

539 FRENCH EMPIRE MAHOGANY AND GILT METAL PORTICO CLOCK, THONISSEN, PARIS EARLY 19TH CENTURY the mahogany framed case with a moulded cornice above a white enamel dial signed ‘Thonissen à Paris’, with Roman numeral hour markers, minutes marked on the quarter hour, and concentric seconds and date chapters, above an Apollo mask sunburst pendulum, the twin barrel movement striking a bell; in a glass dome and ebonised stand Clock 28cm wide, 49cm high, 18cm deep; Dome 66cm high Note: Thonissen is recorded in the Rue Mandar between 1806 and 1820 and in the Rue Comtesse d’Artois in 1830

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

200

540 FRENCH PALAIS ROYALE SILK, NEEDLEWORK, PAPER AND GILT METAL MOUNTED BOX LATE 19TH CENTURY the cover inset with a silk panel worked with metallic threads and payette sequins enclosing a stipple engraved print of ladies playing nine pins, within a leaf tip cast gilt metal border mount, the turquoise painted sides decorated with gilt; opening to a void interior 28.5cm wide, 6.5cm high, 21cm deep

£300-500

541 FOUR FRENCH AUBUSSON DESIGNS/CARTOONS 19TH CENTURY watercolour and gouache on paper, all of scrolling floral design, some with artist’s notes and numbers, in later maple frames (4) Largest 64.5cm squared

£300-500

542 GUSTAVIAN PAINTED CHAISE LONGUE LATE 18TH CENTURY/ EARLY 19TH CENTURY with scrolled head and footboards with caned panels above a long seat with a loose cushion covered in duck egg blue fabric, raised on fluted tapered legs, the frame painted cream with green details 189cm long, 82cm high, 72cm deep

£400-600

201

543 PAINTED LEATHER FOUR-FOLD SCREEN LATE 19TH/ EARLY 20TH CENTURY painted in the Chinese style with exotic birds, butterflies, and flowering trees 240cm wide, 214cm high

544 SCANDINAVIAN NEOCLASSICAL BRASS AND MAHOGANY BUREAU PLAT

£800-1,200

EARLY 19TH CENTURY the brass banded and crossbanded top with a green baize insert, above three short frieze drawers, raised on square tapered legs 150cm wide, 77cm high, 75cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

202

545 EMPIRE STYLE GILT BRONZE AND GLASS SIX ARM BASKET CHANDELIER EARLY 20TH CENTURY the foliate corona hung with floral swags and graduated prism beads above an central ring interspersed with cartouches and six scrolling foliate candle arms, the domed underside hung with further prism bead swags and a pine cone pendant finial; electrified 90cm diameter, 108cm high

£1,000-1,500

546 PAIR OF LOUIS XVI GREEN-PAINTED CHAISES,

BY JOHN-BAPTISTE LELARGE CIRCA 1780 the rectangular padded backs and ribbon carved frames above shaped seats, covered in pink and green silk, raised on fluted tapered legs, stamped B LELARGE (2) 39cm wide, 84cm high, 32cm deep Provenance: Purchased Christies, The Elizabeth Stafford Collection, New York, 1 November, 2018, lot 1087 Note: Jean-Baptiste Lelarge III maître-menuisier from 1775

£800-1,200

547 FRENCH MARBLE TOPPED AND PAINTED CONSOLE TABLE MODERN the breakfront marble top over a foliate and bead moulded frieze marked with patera and a central drawer, raised on winged lion monopodia 138cm wide, 87cm high, 44cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

203

548 PAIR OF CHARLES X GILT AND POLISHED BRONZE AND MARBLE CANDELABRA EARLY 19TH CENTURY the tapered lotus and acanthus cast columns surmounted by orbs with flame finials, each issuing six scrolling cornucopia candle arms with mask terminals, raised on stepped green marble bases (2) 47cm wide, 80cm high, 49cm deep

£1,500-2,500

549 FRENCH EMPIRE WALNUT PORTICO CLOCK EARLY 19TH CENTURY the moulded cornice above an engine-turned gilt bronze dial with Roman numerals and a gridiron pendulum, flanked by plain columns, the eight-day movement striking a bell, on a stepped base with squat bun feet Clock 49cm high, 26cm wide

£600-800

550 NORTH ITALIAN WALNUT MARQUETRY COMMODE LATE 18TH CENTURY the rectangular top above a pair of short frieze drawers over three long drawers, inlaid throughout with scrolling foliate motifs, flowering urns, and banding, raised on bracket feet 128cm wide, 106cm high, 62cm deep

£1,500-2,500

204

551 FRENCH GILT BRONZE PENDULE D’OFFICIER, JUMP & FILS, PARIS 19TH CENTURY the white enamel Arabic number dial with two winding holes and signed ‘Jump & Fils/ Paris’ and ‘93 Mount St/ London’, in a beaded bezel and gilt bronze case with flower heads, acorns and oak leaves, and serpent loop handle, raised on pad feet; the movement stamped S Marti et 12.5cmCie and numbered 34451, striking a bell 12.5cm wide, 21cm high (handle up), 8.5cm deep

£400-600

552 FRENCH AMBOYNA AND GILT BRONZE PENDULE D’OFFICIER 19TH CENTURY the white enamel Roman numeral dial with Arabic seconds markers and two winding holes, in an arch case with pagoda top outlined with gilt bronze moulding, flower heads, and surmounted by a tied laurel garland and serpent loop handle, raised on toupie feet; the movement numbered 9750 and striking a bell 15cm wide, 28cm high (handle up), 10.5cm deep

£800-1,200

553 FRENCH BRASS AND FAUX SHAGREEN PENDULE D’OFFICIER LATE 19TH CENTURY the white enamel circular Arabic numeral dial enamelled with ribbon-tied swags enclosed by a paste ‘jewel’ bezel, in a square case with pagoda top covered in green paper simulated shagreen, with a brass handle and classical style mounts, raised on toupie feet; the movement striking a bell 14cm wide, 29cm high (handle up), 9.5cm deep

£300-400

554

555

556

557

TWO SILVERED COMPOSITE FIGURES OF CAVALIERS

FRENCH BRASS AND CLOISONNÉ ENAMEL MANTEL CLOCK

FRENCH BRONZE, CHAMPLEVÉ ENAMEL, AND ONYX CORINTHIAN COLUMN TABLE LAMP

PAIR OF FAUX MARBLE PAINTED COLUMNS

EARLY 20TH CENTURY in full costume with swords, raised on waisted plinth bases decorated with scrolled foliage, indistinct facsimile signatures (2) 52cm and 51.5cm high

£200-300

LATE 19TH CENTURY the four-glass case enclosing the cream enamel dial with Arabic numerals, raised on a shaped plinth base, with a mercuryfilled pendulum and eight-day movement striking a gong

LATE 19TH/ EARLY 20TH CENTURY

30.5cm high, 17cm wide

the column in champlevé depicting fruiting branches against a turquoise ground, on a stepped onyx base with foliate gilt bronze mounts, fitted for electricity

£250-350

50cm high excluding fitting

£250-350

MODERN the square moulded tops above square columns and stepped moulded bases (2) tops 27 x 27cm, bases 29 x 29cm, 119cm high

£300-500

205

558 JAMES PRADIER (1790-1852) PATINATED AND GILT BRONZE FIGURE OF PHRYNE, CIRCA 1850 the standing draped nude figure with one arm raised, signed on the base PRADIER 40.5cm high

£1,200-1,800

Note: James Pradier (born Jean-Jacques Pradier, 1790 -1852) was a French sculptor, famous for his neoclassical works which earned him the nickname “the last of the Greeks”.

Important works by Pradier include the bust of the Duc d’Orleans in the Louvre, the Figures of Fame in the spandrels of the Arc de Triomphe, decorative figures at the Madeleine Church and the Victories surrounding Napoleons tomb.

559 CARVED GILTWOOD PEDESTAL 19TH CENTURY the tapered square with stop-fluted sides on a square base 111cm high, 37cm wide, 33cm deep

£400-600

560 LOUIS XVI STYLE GILTWOOD CHAISE LONGUE LATE 19TH CENTURY with a high scrolled end and giltwood frame carved with laurel, bell flowers, and ribbons, on stop fluted tapered legs, covered in distressed floral stripe upholstery 185cm long, 84cm high, 74cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

206

561 BACCARAT EIGHTEENLIGHT GLASS CHANDELIER EARLY 20TH CENTURY with two tiers of barley-twist scrolled arms hung with prisms, drops and swags, and terminating with etched glass shades, wired for electricity 80cm diameter, 140cm high Provenance: Private Collection from an Ambassador’s Residence

£3,000-5,000

562 FRENCH KINGWOOD BRASS MOUNTED DISPLAY CABINET LATE 19TH/ EARLY 20TH CENTURY the rectangular glazed top over a pair of glazed doors opening to a green velvet lined interior with glass shelves, on a plinth base 92cm wide, 83cm high, 31cm deep

£300-500

207

563 LARGE FRENCH EMPIRE GILT AND PATINATED BRONZE MANTEL CLOCK EARLY 19TH CENTURY the gilt dial with Roman numerals flanked by standing male and female Classical figures reading books, on a square plinth and rectangular base with relief plaques emblematic of the Sciences, the eight-day movement striking a bell and indistinctly stamped, raised on shaped feet 41.5cm high, 41cm wide

£1,000-1,500

564 FRENCH EMPIRE GILT BRONZE MANTEL CLOCK EARLY 19TH CENTURY with a figure of Eros seated on a plinth holding a ewer above an oil lamp on a column, the Roman numeral dial on a rectangular base with a trophy mount, raised on scrolled feet, the eight-day movement striking a bell 39.5cm high, 30cm wide

£400-600

565 PAIR OF FRENCH GILT BRONZE AND MARBLE CANDELABRA LATE 19TH CENTURY with central stiff sconces above four pierced scrollwork arms each, raised on baluster black marble urns and triform bronze bases with lion mask mounts, on circular marble bases (2) 56cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

208

566Y FRENCH PORTRAIT MINIATURE OF A LADY, SIGNED LAGARDE 19TH CENTURY of rectangular form, watercolour on ivory, depicting a lady in a white dress with a fountain behind her, signed LAGARDE, in a glazed gilt metal easel back frame 13.5cm x 10cm

£300-500

567 GILT BRASS STRUT CLOCK

BY LEROY & FILS, IN THE MANNER OF THOMAS COLE 19TH CENTURY the pierced oval frame enclosing a silvered Roman numeral dial in an engraved mask, on an easel back, inscribed LEROY & FILS/ PALAIS ROYAL/ 114 & 115 13cm high

£700-1,000

568 FRENCH CHAMPLEVÉ ENAMEL MANTEL CLOCK LATE 19TH CENTURY the scrolled arched top above a corresponding case enclosing a painted porcelain dial with Roman numerals and retailer’s signature THE SHEFFIELD GOLDSMITH’S CO./ SHEFFIELD, above a painted plaque depicting a classical maiden and Cupid, signed COLLOT, the glazed sides and back enclosing a mercury filled pendulum and eight-day movement striking a gong, raised on splayed bracket feet 31.5cm high, 22cm wide

£300-500

569 PAIR OF SÈVRES-STYLE ‘JEWELLED’ PORCELAIN SCENT BOTTLES AND STOPPERS 19TH CENTURY with square-shaped stoppers above short necks and square bases, decorated with monograms and medallions with gilding on cobalt grounds, with pseudo maker’s marks (2) 16cm high

£400-600

209

570 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK 19TH CENTURY in the Louis XVI style, surmounted by an urn finial above a porcelain Roman numeral dial, with a Sèvres style panel painted with lovers, on a floral base and squared toupie feet, with a giltwood plinth, the eight-day movement striking a bell, stamped J.J.S./ 4472 39cm high, 24cm wide

£400-600

571 FRENCH WHITE MARBLE FIGURE OF A NYMPH 19TH CENTURY the standing semi-nude draped figure with a putto on her shoulder and wrapped in a floral garland, on a circular base, unsigned; together with a mahogany fluted column pedestal 86cm high; 109cm high overall

£700-1,000

572 AFTER JEAN LOUIS GREGOIRE (FRENCH 1840-1890) BRONZE FIGURE OF ERATO dark brown patina, the figure seated on a column base, signed GREGOIRE to the base 69cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

210

573 FRENCH BRASS REPEATING CARRIAGE CLOCK, E. MAURICE & CO. LATE 19TH/ EARLY 20TH CENTURY the corniche case with a circular silvered dial with Arabic numerals and a pierced central rosette, in a silvered mask, with a platform escapement and gong strike with button repeat; with a leather travelling case 16cm high (handle up)

£300-400

574 FRENCH BRASS REPEATING CARRIAGE CLOCK LATE 19TH/ EARLY 20TH CENTURY the four-glass corniche case enclosing a white enamelled dial with Roman numerals and signed THOS SMITH & SONS/ PARIS & EDINBURGH, the movement with platform escapement, gong strike, and button repeat to the top 18cm high (handle up)

£500-700

575 FRENCH LIMOGES ENAMEL AND GILT BRASS REPEATER CARRIAGE CLOCK LATE 19TH/ EARLY 20TH CENTURY the four-glass column case enclosing a circular gilt dial with Roman numerals, and a plain gilt mask signed MACKAY & CHISHOLM/ PARIS, the sides with Limoges enamel plaques depicting a gentleman playing chess, with a platform escapement and gong strike 21cm high (handle up)

£600-800

576 FRENCH GILT BRONZE AND LIMOGES ENAMEL TABLE MIRROR 19TH CENTURY the enamelled portrait roundel on a floral ground with swag and acanthus leaves, fitted with a bevelled mirror verso, raised on tapered uprights and scrolled acanthus-form feet 24cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

211

577 PAIR OF FRENCH GILT BRONZE AND CUT-GLASS WALL SCONCES CIRCA 1880 the vase shaped backplates with flower-head and cut-glass prisms and swags, issuing four outscrolling arms, wired for electricity (2) 43cm high Provenance: The Late Sir David Tan

£400-600

578 FRENCH LACQUERED BRASS DEMILUNE VITRINE, BY SIEGEL, PARIS EARLY 20TH CENTURY with a glazed door and side panels, enclosing four glass shelves and a mirror back, raised on fluted tapered legs with toupie feet, bearing a brass maker’s label ‘Siegel Paris’ 106cm wide, 178cm high, 39cm deep

£1,000-1,500

212

579 FOUR BERLIN PORCELAIN DOUBLE SALTS LATE 19TH/ EARLY 20TH CENTURY each modelled with a putto above twin wells, variously painted with birds or courting couples, on rococo bases, with blue sceptre marks, some with impressed numbers (4) 12.5cm high, 13.5cm wide

£400-600

580 MEISSEN PORCELAIN FIGURE, EMBLEMATIC OF TOUCH 19TH CENTURY after a model by J. J. Kändler, the female figure holding a parrot, with wrestling putti and a dog at her feet, the rococo base modelled with a lobster and a human hand, blue crossed swords marks, incised 1136, painted 25 26cm high

£400-600

581 PAIR OF LARGE MEISSEN FIGURES OF A GARDENER AND COMPANION 19TH CENTURY modelled in 18th century dress, both holding baskets of flowers and raised on square bases with blue crossed swords marks, variously impressed, incised (B65 and 2868) and painted with numbers (2) 49.5cm and 48cm high

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

213

582 AUSTRIAN COLD PAINTED BRONZE FIGURE GROUP OF FOXES CIRCA 1870 modelled as a vixen holding a mallard in its mouth, with two kits seated below 9cm high

£700-1,000

583 AUSTRIAN COLD PAINTED BRONZE FIGURE OF A GREAT DANE, MORITZ SPITZ CIRCA 1870 modelled sitting and alert, with a red collar, impressed marks M.S 15.5cm high

£700-1,000

584 FRANZ XAVER BERGMANN (1861-1936) LARGE AUSTRIAN COLD PAINTED BRONZE COCKEREL, LATE 19TH CENTURY polychrome decorated, with amphora mark and impressed GESCHUTZ 30cm high

£1,800-2,200

214

585 TWO BERLIN PAINTED PORCELAIN PLAQUES 19TH CENTURY both oval, the first depicting a young beauty with flowing hair, in an ebonised frame; the second depicting a Vestal Virgin, in a gilded frame (2) 12cm high and 11cm high excluding frames

£300-500

586 LARGE KPM PAINTED PORCELAIN PLAQUE, SIGNED R. DITTRICH ’GUTE NACHT’, 19TH CENTURY the rectangular plaque depicting a girl holding a brass candlestick and bathed in candlelight, signed lower right, title and with impressed sceptre mark and numbers verso, in a gesso and giltwood frame 32.5cm x 19cm

£1,500-2,500

215

587 BOHEMIAN ENAMELLED WHITE OVER GREEN GLASS SIX LIGHT CHANDELIER LATE 19TH CENTURY the central baluster stem issuing six curved candle arms, enamelled with flower sprays and hung with prism drops and swags 54cm diameter, 64cm high

£300-500

588 AUSTRIAN SILVER-PLATE AND GLASS CLARET JUG, ARTHUR KRUPP, BERNDORF EARLY 20TH CENTURY the silver-plated covered spout and handle above a bottle-form base with applied green glass banding, maker’s marks 28.5cm high

£200-300

589 PAIR OF VICTORIAN ENAMELLED WHITE OVER GREEN GLASS LUSTRES 19TH CENTURY with lobed rims hung with cut-glass prisms, raised on tapered stems and conical feet, painted with flowers and gilt borders (2) 32cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

216

590 LARGE BOHEMIAN ENGRAVED DECANTER AND STOPPER, IN THE MANNER OF DOMINIK BIEMANN EARLY 19TH CENTURY the facet-cut pointed stopper above the splayed panel-cut neck terminating in three roundels, wheel-engraved with portraits of two men in military garb and a lady in a dress, possibly depicting Jean Bernadotte (1763-1844), Baron Carl Otto Mörner (1781-1868), and Désirée Clary (1777-1860), on a star-cut base 32cm high

£800-1,200

Note: Dominik Biemann (1800-1857) was a one of the best glass engravers of the 19th century. His work took him to Prague, where as a self-employed artisan he undertook private commissions for clients. He is well known for his portraits, wheel-engraved onto glass.

The portraits depicted on this decanter are thought to show Jean Bernadotte, Marshal of France in 1804 and later King Charles XIV John of Sweden; Baron Mörner, a Swedish courtier and member of the Diet; and Désirée Clary, wife of Bernadotte and later Queen consort.

217

591 THREE BLACK FOREST CARVINGS LATE 19TH/ EARLY 20TH CENTURY comprising two wall pockets carved with oak leaves and horns, one with a hare, the other a fox, 31.5cm and 31cm high; and a book slide, the hinged ends carved with owls with glass eyes, 30cm long; together with a CARVED OAK FIGURE OF AN EAGLE, clutching a shield with three wild boars depicted, on a circular base, 37cm high (4) £500-800

592 BLACK FOREST CARVED LABRADOR RETRIEVER INKSTAND LATE 19TH/ EARLY 20TH CENTURY carved with the dog’s head and paws, with glass eyes, hinged to reveal an inkwell, above a pen tray 25cm wide

£400-600

593 BLACK FOREST CARVED KING CHARLES SPANIEL INKWELL LATE 19TH/ EARLY 20TH CENTURY carved as a recumbent dog with glass eyes, the hinged head and back opening to two glass inkwells 28cm long

£600-800

594 THREE BLACK FOREST CARVED BOXES LATE 19TH/ EARLY 20TH CENTURY comprising a cigarette box, surmounted by grouse and carved with oak leaves to the sides, opening to a fitted interior with sliding trays, 22.5cm wide; a jewellery casket, surmounted by flowers and leaves, with hinged swing-out compartments, 25cm wide; and a smaller box, also surmounted by grouse, opening to a void plush-lined interior, 19.5cm wide (3) £400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

218

595 THREE BLACK FOREST CARVED WALL BRACKETS LATE 19TH/ EARLY 20TH CENTURY each with bowed platforms raised on animal heads in high relief, comprising a pair of roe deer flanked by fruiting vines, 27.5cm high; and a wild boar on a shield shaped back, in oak, 28.5cm high (3) £300-500

596 BLACK FOREST ANTLER AND BOAR TUSK MOUNTED BOX 19TH CENTURY of rectangular form, mounted with antler and tusk sections, opening to an oak divided interior and raised on four splayed feet 29cm wide, 23.5cm high, 18cm deep

£500-700

597 FIVE BLACK FOREST CARVED FIGURES OF BEARS LATE 19TH/ EARLY 20TH CENTURY comprising three bears on all fours, a standing example and a sitting bear, of various sizes (5) Largest 19cm long approx; smallest 13cm long

£500-700

598 SIX BLACK FOREST CARVED FIGURES OF BEARS LATE 19TH/ EARLY 20TH CENTURY each on all fours, comprising two examples with salmon in their mouths; a further similar example; and three smaller bears with glass eyes, largest 19cm long, smallest 13cm long; together with a similar CARVED WOOD FIGURE OF A BEAR, 17.5cm long (7) £400-600

219

599 BLACK FOREST CARVED BEAR HALL STAND LATE 19TH CENTURY depicting a standing bear beside a tree, and a bear cub in the top branches above an oval mirror, the base fitted with a stick stand 98cm wide, 215cm high, 60cm deep

£1,000-2,000

600 LARGE BLACK FOREST CARVED WALL CLOCK, RETAILED BY THE MORATH BROTHERS, LIVERPOOL LATE 19TH/ EARLY 20TH CENTURY the gabled cornice with scrolling oak branches and leaves and centred by a stag’s head, the dial a circular chapter ring with applied Roman numerals and signed MORATH BROTHERS/ LIVERPOOL, with two winding holes and carved hounds’ heads and shotguns, flanked by a hanging gamebird, fox and hare, above a pair of carved doors enclosing a pair of trumpeters, and a pierced and carved apron centred by a hunting horn and eagle’s head 97cm high, 56cm wide Provenance: Ex. Alton Towers

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

220

601 LARGE HEREND FIGURE OF AN ELEPHANT, MAPPIN & WEBB COLOURWAY MODERN with gilt tusks and toes, with a brown allover pattern, printed maker’s marks and model no. 5214 25cm high, 36cm wide

£700-1,000

602 LARGE HEREND FIGURE OF A ROE DEER, MAPPIN & WEBB COLOURWAY DATED 1973 with gilt antlers, nose, mouth and hooves, with a brown allover pattern, on a shaped base incised JULY 1973, with printed and impressed maker’s marks, model no. 15286 36.5cm high

£700-1,000

603 ASSEMBLED ROYAL COPENHAGEN BLUE AND WHITE PORCELAIN PART DINNER SERVICE 20TH CENTURY in the ‘Blue Fluted’ and ‘Blue Fluted Half Lace’ patterns, with various maker’s marks, comprising a large circular serving dish, 34cm diam.; a small tureen, 23cm wide; three dinner plates, 26cm diam.; five soup plates, 25cm diam.; 14 side plates, 17cm diam.; seven side plates, 19.5cm diam.; seven side plates, 15.5cm diam.; eight tea cups; seven coffee cups; 13 saucers, 12.5cm diam.; 12 saucers, 14.5cm diam.; six saucers, 14.5cm diam.; six miniature dishes; and two condiment pots (qty) £400-600

604

605

PAIR OF PATINATED BRASS AND GLASS WALL SCONCES

SET OF VENETIAN RUBY DRINKING GLASSES

modelled as scrolling flower heads, with central bosses issuing facet-moulded petals, above two outscrolling arms with moulded glass drip trays, wired for electricity (2)

20TH CENTURY

44.5cm high

£250-350

the tapered panelled bowls above clear twist-blown tapered stems and slightly conical ruby glass feet, with gilt aventurine, various sizes, comprising two larger glasses, 18cm high; seven medium glasses, 16cm high; and seven smaller glasses, 14cm high (16) £200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

221

606 JAEGER LECOULTRE TABLE CLOCK 20TH CENTURY the silvered brass case enclosing enamelled panels and dial plate simulating lapis lazuli, with applied Roman numerals and maker’s plaque, battery-powered movement, stamped 5061 to underside 19cm wide, 20cm high

£500-700

607 LARGE ART DECO SILVER-PLATED AND CUT-GLASS PUNCH BOWL COOLER EARLY 20TH CENTURY the cylindrical cut-glass bowl surmounted by a plated cover with opening for a ladle, contained in a large hammered reservoir raised on three curved supports, marked 6/ EP/ B.E.P./ 2244 33cm diameter

£500-700

608 AMERICAN SILVERPLATED COCKTAIL SET, BLACK, STARR & FROST SECOND QUARTER 20TH CENTURY with a planished finish, comprising a cocktail shaker surmounted by a crowing cockerel; eight beakers with gilt interiors, 5.5cm high; and a twinhandled tray, 39cm across; with maker’s marks and numbered 313 (10) Shaker 31.5cm high

£400-600

222

ASIAN WORKS OF ART 609 ANGLO-INDIAN PADOUK BRASS INLAID FITTED CHEST 19TH CENTURY the hinged top opening to a compartmented lift out tray, the exterior with brass straps and inlaid with brass leaf and flower motifs 61cm wide, 36cm high, 38cm deep

£400-600

610 INDIAN TEAK AND IRON CHEST 19TH CENTURY the hinged cover and sides covered with multiple iron-work straps and a double lockplate, with handles to the sides 108cm wide, 50cm high, 66cm deep

£800-1,200

611 ANGLO-INDIAN PADOUK, HORN AND BONE INLAID SETTEE EARLY 19TH CENTURY the lattice back with horn mounts and a scroll shaped top rail, above a rope seat with a loose horsehair cushion, flanked by down-scrolled arms, and raised on turned legs 188cm long, 97cm high, 53cm deep

£600-800

223

612Y ANGLO-INDIAN VIZAGAPATNAM ANTLER HORN MOUNTED WORKBOX MID 19TH CENTURY of sarcophagus form with a carved roundel to the hinged lid, opening to a fitted sandalwood and ivory interior with a lift-out tray fitted with penwork compartments, all raised on carved squat bun feet 33.5cm wide, 23cm high, 26cm deep

£800-1,200

613Y INDIAN BONE AND IVORY INLAID OCCASIONAL TABLE LATE 19TH/ EARLY 20TH CENTURY the octagonal top inlaid with a circular floral roundel enclosed by a repeating pattern of stylised trees and peacocks, on a corresponding hinged folding base 61cm wide, 62cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

224

614 PAIR OF LARGE ENAMELLED GLASS DECANTERS AND STOPPERS, FOR THE ISLAMIC MARKET LATE 19TH CENTURY the pointed stoppers above the ring-necked decanters with rounded bodies, enamelled with stylised C-scrolls and flowers, flanking circular cut-glass reserves, with gilt highlights (2) 60cm and 59cm high

£400-600

615 PAIR OF NICKEL-PLATED HALL LANTERNS MODERN of hexagonal tapered form, with frosted glass inserts (2) 65cm high, 50cm wide

£500-700

616 INDO-PORTUGUESE PADOUK CENTRE TABLE 19TH CENTURY the rectangular top with a gadrooned edge above three cushion moulded frieze drawers, raised on bobbin turned legs joined by peripheral stretchers, on ball feet 130cm wide, 83cm high, 71cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

225

617 CHINESE EXPORT HARDWOOD SILVER MOUNTED TRAY LATE 19TH/ EARLY 20TH CENTURY oval with a gallery pierced and carved with prunus blossoms, mounted with silver bamboo handles hallmarked ‘LW’ 66cm long, 42cm wide

£300-500

618Y CHINESE EXPORT LACQUER TABLE CABINET 19TH CENTURY with a pair of raised panel doors opening to five drawers with turned ivory handles, decorated throughout with gilt on a black ground, depicting figures, buildings, trees and flowers, raised on bracket feet 28cm wide, 35cm high, 17.5cm deep

£700-1,000

619 CHINESE HARDWOOD AND MOTHER-OF-PEARL SIDE CABINET 20TH CENTURY the banded top above a pair of carved short drawers and a pair of panel doors carved with bamboo, an elephant, a qilin, and shou symbols, with scrolling floral mother-of-pearl inlay throughout 80cm wide, 85cm high, 45cm deep

£800-1,200

620Y CHINESE EXPORT LACQUER TABLE CABINET 19TH CENTURY with a pair of raised panel doors opening to five drawers with turned ivory handles, decorated throughout in gilt with scenes with figures, pavilions, trees and flowers on a black ground, on bracket feet 29.5cm wide, 35cm high, 18.5cm deep

£200-300

227

RUGS & CARPETS 621 AUBUSSON STYLE CARPET LATE 20TH CENTURY the cream field with neoclassical paterae and cartouche medallion in pinks and olives, olive spandrels, within narrow gold tied leaf border 365cm x 268cm

£1,000-1,500

622 HAMADAN CARPET WEST PERSIA, MID/LATE 20TH CENTURY the red field with cream and blue medallion, similar spandrels, within indigo palmette and foliate vine border 383cm x 274cm

£300-500

623 BELOUCH CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the field with allover red and indigo lattice pattern, within brown geometric border 379cm x 225cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

228

624 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with grey and ivory medallion, ivory, red and light blue spandrels, within grey rosette and vine border 364cm x 278cm

£400-600

625 AFGHAN CARPET LATE 20TH CENTURY the rust brown field with two columns of five gul style medallions, within double rust foliate borders 293cm x 199cm

626

£300-500

AFGHAN CARPET LATE 20TH CENTURY the red field with four columns of nine gul style medallions, within serrated leafy pole border 296cm x 204cm

£300-500

627 BELOUCH CARPET NORTHEAST PERSIA, EARLY 20TH CENTURY the dark burgundy field with column of five lozenge medallions, within narrow red star border 276cm x 158cm

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

229

628 QUM CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the cream field with allover palmette and vine pattern, within red palmette and vine border 335cm x 226cm

£1,200-1,800

629 KARAKALPAK LONG CARPET UZBEKISTAN, LATE 19TH CENTURY the brownish red field with two columns of six guls, within polychrome ram’s head pyramid border 338cm x 160cm

£500-700

630 PAIR OF BELOUCH CARPETS NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY each with dark indigo field with allover red and brown elongated hooked lozenge pattern, within red hooked vine border (2) larger 252cm x 123cm

£400-600

230

631 WEST PERSIAN CARPET LATE 20TH CENTURY the purple field with allover small lattice pattern, within red palmette and vine border 340cm x 223cm

£300-500

632 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the red field with indigo and ivory medallion, similar spandrels, within indigo palmette and vine border 301cm x 201cm

£300-500

633 TEKKE CARPET TURKMENISTAN, EARLY 20TH CENTURY the burgundy field with five columns of fourteen guls, within faded red sunburst octagon border 315cm x 214cm

£300-500

231

634 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the red field with indigo and rose medallion, ivory spandrels, within indigo turtle palmette and vine border 385cm x 292cm

£1,200-1,800

635 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with cream medallion, similar spandrels, within cream turtle palmette and vine border 317cm x 221cm

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

232

636 HERIZ RUNNER NORTHWEST PERSIA, LATE 20TH CENTURY the cream field with nine red and indigo medallions, within burgundy rosette and arrowhead border

637 NORTHWEST PERSIAN RUNNER LATE 19TH/ EARLY 20TH CENTURY the indigo field with allover stylised boteh and vine pattern, within polychrome geometric border 309ccm x 112cm

£200-300

638 USHAK RUNNER WEST ANATOLIA, LATE 19TH CENTURY the red field with eight and a half cruciform medallions, within narrow red ribbon border 484cm x 72cm

£250-350

639 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of eight guls, within red octagon starburst border 498cm x 325cm

£300-500

420cm x 95cm

£600-800

233

640 NORTHWEST PERSIAN RUNNER LATE 20TH CENTURY the reddish pink field with allover herati pattern, within cream stylised border 776cm x 75cm

£1,000-1,500

641 TABRIZ ‘HADJI JALILI’ CARPET NORTHWEST PERSIA, LATE 19TH CENTURY the rust red field with cream and indigo large lozenge medallion, similar spandrels, within indigo palmette and vine border 513cm x 330cm

£8,000-12,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

234

642 PAIR OF ISFAHAN RUGS CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY each with raspberry red field with camel and red medallion, camel spandrels, within red palmette and vine border (2) each approximately 200cm x 140cm

£1,500-2,500

643 PERSIAN STYLE SILK RUG MID/LATE 20TH CENTURY the cream field with bird filled tree of life, animals below, within black animal and foliate border 215cm x 132cm

£500-700

644

645

BELOUCH RUG

THREE BELOUCH RUGS

NORTHEAST PERSIA, EARLY 20TH CENTURY

NORTHEAST PERSIA, LATE 19TH/ EARLY 20TH CENTURY

the field with three columns of fourteen guls in rectangles, within multiple narrow borders

the largest with brown field with six rectangular red and brown panels, within double red border; the other two with allover geometric rosette pattern, within red hooked vine borders (3)

217cm x 120cm

220cm x 120cm; 176cm x 96cm; and 166cm x 90cm

£200-300

£200-300

235

646 SHIRVAN RUG EAST CAUCASUS, DATED 1906 the plain blue field with two stepped lozenge medallions flanked by red serrated palmettes, inscription and date to one end, within camel hooked geometric border 201cm x 120cm

£300-500

647 SHIRVAN RUG EAST CAUCASUS, LATE 19TH/ EARLY 20TH CENTURY the indigo field with red elongated rectangular medallion, within ivory linked harshang border 165cm x 119cm

£300-500

648 SHIRVAN RUG EAST CAUCASUS, LATE 19TH CENTURY the indigo field with three ivory and red star medallions, octagons between, within ivory hooked geometric border 168cm x 106cm

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

236

649 SUSANI PUSHKENT, UZBEKISTAN, LATE 19TH CENTURY the cream field woven with three columns of four large purplish roundels, within narrow palmette border 229cm x 166cm

£800-1,200

650

651

TALISH RUG

SAROUK FEREGHAN RUG

SOUTH CAUCASUS, LATE 19TH CENTURY

WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY

the plain red field with five small motifs to centre, within ivory rosette border 256cm x 115cm

the ivory field with large brown star medallion, red spandrels, within red palmette and vine border; and a SOUTH CAUCASIAN RUG, the blue field with four and a half red and camel lozenge medallions, within red stepped lozenge border (2)

£250-350

199cm x 131cm; and 208cm x 92cm

£300-500

652

653

654

KASHMIR SHAWL

TWO TEKKE RUGS

PERSIAN STYLE SILK RUG

NORTH INDIA, MID/LATE 19TH CENTURY

TURKMENISTAN, LATE 19TH/ EARLY 20TH CENTURY

MODERN

the turquoise field woven with small cusped medallion and scrolling pattern, within cusped foliate border 196cm x 203cm

one with brown field with two columns of eight guls, within narrow indigo vine border; the other with pink field with two columns of three lozenges, multiple borders (2)

the dark indigo field with allover lozenge lattice pattern, rust brown medallion, cream lattice spandrels, within rust foliate lattice border

£200-300

188cm x 109cm; and 126cm x 83cm

186cm x 123cm

£150-250

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

237

GARDEN & STATUARY

655 SCOTTISH CARVED STONE AND BRONZE SUNDIAL LATE 18TH/ EARLY 19TH CENTURY the square stone slab carved with hour markers and centred by a bronze armature, one side carved with initials A McL 30cm wide, 20cm high, 30cm deep

£250-350

656 BLUE PAINTED WOOD AND WIRE BIRDCAGE LATE 19TH/ EARLY 20TH CENTURY with a central cupola surmounted by a turned finial 56cm wide, 99cm high, 26cm deep

£300-500

657 VICTORIAN CAST IRON BENCH 19TH CENTURY the back with interlaced Gothic tracery centred by a cartouche, above a wood slat seat flanked by down scrolling arms and pierced scrolling legs 152cm wide, 86cm high, 36cm deep

£700-1,000

238

658 ITALIAN STATUARY MARBLE BUST OF ARTEMIS MID 19TH CENTURY. the chest length bust facing sinister, her hair in a chignon, on a separate socle base Overall 63cm high

£600-800

659 REGENCY GRAND TOUR STATUARY MARBLE SNAKE HANDLE URN EARLY 19TH CENTURY of low campana form, on a socle; broken and partially repaired 75cm diameter, 40cm high

£600-800

660 WROUGHT IRON GARDEN BENCH 19TH CENTURY the double arch back with strapwork rails, above a slat seat and downscrolled arms, on slender legs joined by an H stretcher 101cm wide, 95cm high, 68cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

661 GROUP OF FIVE PLASTER CLASSICAL FIGURES, AFTER THE ANTIQUE 19TH/ 20TH CENTURY comprising near life-size figures of Bacchus, 159cm high; Flora, 163cm high; and Hebe, 157cm high; a smaller figure of Fidelity with a dog, 138cm high; and a small figure of Terpsichore, 108cm (5) Largest 163cm high

£2,000-3,000

END OF SALE

240

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

19.2 report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

241 2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability

to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

6. CURRENCY CONVERTER

C. DURING THE SALE

8. RELEVANT LEGISLATION

1. ADMISSION TO OUR AUCTIONS

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING

The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. THE PURCHASE PRICE

1. SELLER’S WARRANTIES

For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the

242 Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the

refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or

(ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NON-PAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use

the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS

Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than

243 as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless

we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of

our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely

to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

19.2

244

GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website.

Please note that all first time bidders at Lyon & Turnbull will be asked to supply the

BY PHONE

following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests

PAYMENT Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER

must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

Account details are included on any invoices we issue or upon request from our accounts department.

IN WRITING

Please use our online payment service (provided by Cardstream/Credorax).

Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated.

In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

ON THE INTERNET A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid.

Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

CREDIT OR DEBIT CARDS Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards.

ONLINE CARD PAYMENTS We no longer accept card payments by phone.

CHEQUE Cheques should be made payable to Lyon & Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods.

Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

CASH Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000 per annum.

Lot 185 [detail]

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