Jewellery, Watches & Silver | Auction 4th December by Lyon & Turnbull

JEWELLERY, WATCHES & SILVER 4TH DECEMBER 2019 EDINBURGH

JEWELLERY, WATCHES & SILVER

WEDNESDAY, 4TH DECEMBER 2019 AT 10AM

Sale Number LT582

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Sunday 1st December: 12 noon-4pm Monday 2nd December: 10.30am-5pm Tuesday 3rd December: 10.30am-5pm Day of Sale from 9am

CONTACT

Catalogue £15

EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

BUYER'S GUIDE This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

BUYER’S PREMIUM & OTHER CHARGES The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £300,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue). ADDITIONAL VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

REGISTRATION

CATALOGUE DESCRIPTIONS

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http: // www.defra.gov. uk/ahvla-en/ imports-exports/cites

MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Ruth Davis FGA DGA

Kier Mulholland

Trevor Kyle

Head of Department (Scotland)

Administrator & Junior Specialist

Consultant

ruth.davis@lyonandturnbull.com

kier.mulholland@lyonandturnbull.com

trevor.kyle@lyonandturnbull.com

AUCTION VENUE

Lyon & Turnbull

York Place Tram Stop Waverley Station, Princes Street

DIAMOND GUIDE Historically many gemstones have been subjected to a variety of treatments to enhance their appearance. Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires. Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including staining, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. The international jewellery trade has generally accepted these methods. Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone. Gemstones that have been oiled may require reoiling after a number of years in order to retain their optimum appearance. It is, in suitable cases, Lyon & Turnbull’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold by Lyon & Turnbull. In the event

that Lyon & Turnbull have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description. However, it is not feasible for Lyon & Turnbull to obtain a gemmological report for each gemstone offered for sale by Lyon & Turnbull. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method. However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. Prospective buyers should be aware that Lyon & Turnbull’s pre-sale estimates assume that gemstones may have been subjected to such treatments. ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE. DIAMOND GRADING TERMS Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospective buyers. Lyon & Turnbull do not guarantee these estimated grades due to the limitations of mounts and settings.

DIAMOND COLOUR GIA

CIBJO

EXPLANATION

Exceptional White + (EW+)

Face up colourless - Face down colourless

Exceptional White (EW)

–

Rare White + (RW+)

–

Rare White (RW)

–

White (W)

Face up colourless – Face down slightly tinted

I/J

Slightly Tinted White (STW)

–

K/L

Tinted White (TW)

Face up slightly tinted – Face down obviously tinted

M to Z

Tinted Colour (TC)

Face up obviously tinted – Face down obviously tinted

Fancy

Fancy Colour

Face up definite colour

GIA

CIBJO

EXPLANATION

Flawless (FL)

Loupe Clean (LC)

Shows no inclusions or blemishes under 10x magnification

DIAMOND CLARITY

Internally Flawless (IF)

Shows no inclusions and only insignificant blemishes under 10x magnification

Very Very Slightly Included Very Very Small Inclusions (VVS) VVS1 / VVS2 (VVS) VVS1 / VVS2

inute inclusions, which are difficult, even for an experienced grader, to locate M under 10x magnification

Very Slightly Included (VS) VS1 / VS2

Very Small Inclusions (VS) VS1 / VS2

Minor inclusions, observable with effort under 10x magnification

Slightly Included (SI) SI1 / SI2

Small Inclusions (SI) SI1 / SI2

Noticeable inclusions under 10x magnification

Included (I) I1 / I2 / I3

Pique (P) P1 / P2 / P3

bvious inclusions, visible to the unaided eye, face up. These may affect the O stone’s beauty and durability.

ORDER OF SALE WEDNESDAY, 4TH DECEMBER 2019 AT 10AM Lot No.

Jewellery

224

Modern Jewellery

244

Parcel Lots of Jewellery

293

Wrist Watches

330

Pocket Watches

347

Coins, Medals & Banknotes

371

Luggage & Accessories

376

International & Plated Silver

394

A Private Collection from a European Lady

466

Modern Silver

515

Scottish Silver

540

Provincial Silver

545

Antique Silver

Lot 469

Lot 65

JEWELLERY 1 A NOVELTY DIAMOND SET BROOCH modelled as a sailing boat, the sails set throughout with small rose‑cut diamonds, stamped 9ct Width: 42mm

£250‑400

6 2

A SAPPHIRE AND DIAMOND SET FIVE STONE RING

AN EARLY 20TH CENTURY AQUAMARINE AND SEED PEARL SET PENDANT

claw set with a row of graduated round‑cut sapphires, with rose‑cut diamond details, the plain yellow metal shank stamped 18C H. NEWMAN

of open tapering design, millegrain set with an oval‑cut aquamarine, seed pearl detail, suspending an aquamarine and seed pearl pendant, stamped 15ct, to a trace link chain, in a fitted box for ‘Edwards …Glasgow’

Ring size: N

Length of pendant: 50mm

£400‑600

AN AQUAMARINE AND DIAMOND SET CLUSTER RING

claw set with an oval‑cut aquamarine in a border of round brilliant‑cut diamonds, the shoulders with scroll and foliate detail, to a plain 18ct gold shank

A BELLE ÉPOQUE DIAMOND SET RING

£200‑300

millegrain set with three graduated old round‑cut diamonds in a pierced surround, the shoulders each pavé set with rose‑cut diamonds, to a plain yellow metal shank with indistinct marks

Ring size: O

Ring size: L/M

£500‑700

A SAPPHIRE AND DIAMOND SET CLUSTER RING

£400‑600

claw set with a round brilliant‑cut diamond, to a plain yellow metal shank stamped 18CT

claw set with an oval‑cut cornflower blue sapphire, in a single border of old round‑cut diamonds, to a plain shank, unmarked; with accompanying report by Gemmological Certification Services, dated 17.10.19, numbered 80236‑37, stating that the sapphire is of natural Sri Lankan origin, showing no indications of heat treatment

Ring size: O, estimated diamond weight: 0.43cts

Ring size: K/L, estimated sapphire weight: 2.85cts

£250‑400

£3,000‑5,000

4 A SINGLE STONE DIAMOND SET RING

9 A DIAMOND SET CLUSTER RING set with an old cushion‑cut diamond in a border of claw set old round and cushion‑ut diamonds, to a plain yellow metal shank, unmarked Ring size: Q/R, estimated principal diamond weight: 0.45cts

£700‑1,000

10 A SINGLE STONE DIAMOND RING claw set with a single old round‑cut diamond, to a plain yellow metal shank, unmarked Ring size: O, estimated total diamond weight: 0.70cts

£500‑700

5 A SAPPHIRE AND DIAMOND SET CLUSTER RING claw set with a round‑cut sapphire, in a border of old round‑cut diamonds, to a plain yellow metal shank stamped 18 Ring size: S, estimated sapphire weight: 0.85cts

£250‑400

11 A SAPPHIRE AND DIAMOND SET RING claw set with an oval‑cut sapphire, flanked to either side by a round brilliant‑cut diamond, to a plain shank; together with an 18ct gold wedding band (2) Ring size: P

£300‑500

12 17

A SAPPHIRE AND DIAMOND SET PENDANT AND MATCHING EARRINGS the pendant claw set with an oval‑cut sapphire, in a single border of small round‑brilliant cut diamonds, suspended from a rope‑twist chain stamped 750; together with a matching pair of sapphire and diamond cluster earrings (2) Length of pendant (inc. bale): 25mm

£800‑1,200

16 A DIAMOND SET CLUSTER RING claw set with an emerald‑cut diamond in a border of round brilliant‑cut diamonds, the shoulders each set with eight round brilliant‑cut diamonds, to a plain shank; with accompanying E.G.L. report, dated 18th November 2014, numbered EGL3411169530, stating that the principal diamond is 0.71cts, D colour and VS2 clarity Ring size: N, principal diamond weight: 0.71cts

A THREE STONE DIAMOND SET RING

£2,000‑4,000

millegrain set with a vertical row of old round‑cut diamonds in a navette shaped border, to a plain yellow metal shank stamped 18; together with a diamond set cluster ring, to a plain yellow metal shank (2)

Ring size: O & L

A DIAMOND SET PENDANT claw set with a round brilliant‑cut diamond, in a double border of smaller round brilliant ‑ut diamonds, to a trace link chain, stamped 750

£150‑250

Diameter of pendant: 9mm, estimated total diamond weight: 0.47cts

14 A DIAMOND SET BRACELET

£1,000‑1,500

composed of alternating curb links, pavé set with graduated eight‑cut diamonds or polished ribbed detail, stamped 750

Length: 19cm

claw set with a single row of round brilliant‑cut diamonds, to a concealed clasp and safety clips

£1,000‑1,500

A DIAMOND SET LINE BRACELET

Length: 18.5cm, estimated total diamond weight: 3.00cts

15 A DIAMOND SET HALF ETERNITY RING

£3,500‑5,000

claw set with sixteen round brilliant‑cut diamonds, to a plain platinum shank

Ring size: N

the pear shaped cluster pavé set throughout with round brilliant‑cut diamonds, to a plain white metal shank stamped 750

£300‑500

A DIAMOND SET CLUSTER RING

Ring size: N/O, estimated total diamond weight: 0.40cts

£800‑1,200

16 18

20 A DIAMOND SET SPRAY BROOCH modelled as a floral spray, set throughout with graduated old round and eight‑cut diamonds, unmarked Length: 50mm

£500‑700

A DIAMOND SET ETERNITY RING claw set with a single row of round brilliant‑cut diamonds, unmarked

Ring size: O, estimated total diamond weight: 2.40cts

A LARGE AQUAMARINE AND DIAMOND SET COCKTAIL RING

£500‑700

claw set with a large oval mixed‑cut aquamarine in a border of small round brilliant‑cut diamonds, each shoulder set with five round brilliant‑cut diamonds, to a plain 18ct gold shank

A SINGLE STONE DIAMOND SET RING

Ring size: O

claw set with a round brilliant‑cut diamond, to a plain white metal shank stamped 750

£400‑600

Ring size: N/O, estimated diamond weight: 1.03cts

£600‑800

A MORGANITE AND DIAMOND SET CLUSTER RING

23 A TURQUOISE AND DIAMOND SET RING set with a faceted turquoise cabochon, the shoulders pavé set with round brilliant‑cut diamonds, shank stamped 750

claw set with an oval‑cut morganite, in a border of small round brilliant‑cut diamonds, the split shoulders and gallery also diamond set, stamped 14k; together with a 9ct gold pink spodumene and diamond set ring (2) Ring sizes: L/M & N

£300‑500

Ring size: M

£700‑1,000

TWO PEARL AND TURQUOISE SET BRACELETS

A OPAL SET COCKTAIL RING

Ring size: P

the first composed of curb links, set at intervals with knotted links collet set with pearl and turquoise cabochons, stamped 15; together with another similar, suspending a pavé set heart shaped turquoise pendant, stamped 15 (2)

£250‑400

Lengths: 21.5cm & 18.5cm

collet set with an opal doublet in a stylised rope‑twist surround, to a plain unmarked shank

£350‑500

25 A RUTILATED QUARTZ SET COCKTAIL RING collet set with an oval rutilated quartz cabochon, to a textured 18ct yellow gold shank 1 Ring size: P/Q

£200‑300

29 AN AMETHYST SET BRACELET the gate links collet set at intervals with oval‑cut amethysts, to a concealed clasp, stamped 9; together with a 9ct gold hinged bangle with engraved detail (2) Length of bracelet: 18.5cm

£200‑300

30 AN OPAL SET BRACELET composed of gate links, set at intervals with collet set opals, concealed clasp stamped 9ct 375 Length: 18.5cm

£200‑300

31 A BELLE ÉPOQUE AMETHYST AND SEED PEARL SET PENDANT

of open scrolling form, set throughout with seed pearls and a central oval amethyst, suspending a small seed pearl and amethyst drop, unmarked, to an integral 18ct gold trace link chain Length of pendant: 50mm

£200‑300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

37 32

32 A PEARL AND ENAMEL SET BROOCH

A FIVE STONE DIAMOND SET RING claw set with five graduated round brilliant‑cut diamonds, to a plain yellow metal shank; together with another a diamond set bar brooch, set with a central cluster of old‑round and rose cut‑diamonds, the terminals each set with a rose‑cut diamond, unmarked (2)

of circular pierced design, set to the centre with a single pearl in a border of rose cut diamonds in a pierced red enamel ground, the black enamel border with scrolling detail and four further pearls, unmarked

Ring size: N/O

Width: 46mm

£400‑600

A PAIR OF 18CT GOLD AMETHYST SET EARRINGS

each collet set with an oval fancy‑cut amethyst, suspending from a tapering satin finish bale, to post and butterfly fittings

A PINK TOURMALINE SET RING

Length: 38mm

collet set with a rose‑cut pink tourmaline in a foil backed mount, the collar and shoulders with scrolling white enamel detail, to a 22ct gold shank

£250‑400

£300‑500

Ring size: J/K

A DIAMOND SET BROOCH

£300‑500

modelled as a stylised floral cluster, claw set with a central cluster of graduated old round‑cut diamonds, in a further cluster of old‑round and rose‑cut diamonds, unmarked

A COLLECTION OF BELLE ÉPOQUE PENDANTS

Overall diameter: 30mm, estimated principal diamond weight: 0.65cts

to include, an amethyst and seed pearl set pendant and a peridot and seed pearl set pendant, both of similar scroll design, unmarked; together with a seed pearl and garnet set pendant of trefoil design, unmarked, to a fancy link chain (3) Lengths: 60mm, 40mm & 50mm

£300‑400

35 AN EARLY 20TH CENTURY AMETHYST AND PEARL SET PENDANT

£600‑800

40 A RUBY AND DIAMOND SET THREE STONE RING claw set with a cushion‑cut ruby, each shoulder claw set with a round brilliant‑cut diamond, to a plain shank stamped 18ct Ring size: R/S

£1,000‑1,500

set with a large mixed round‑cut amethyst, in a single border of half pearls, the bale similarly set, unmarked, to a rope twist chain Overall diameter of pendant: 32mm

£300‑500

36 AN AMETHYST SET NECKLACE composed of a single row of collet set amethyst cabochons, terminating in two tassels, to a yellow metal hook fitting, unmarked Length: 54cm, length of longest tassel: 55mm

£1,000‑1,500

41 A RUBY AND DIAMOND SET BRACELET composed of a single row of claw set small round brilliant‑cut diamonds, the central motif composed of pear‑shaped ruby and diamond clusters with alternating diamond set floral motifs, stamped 750

Length: 19cm, estimated total gem weights: ruby 1.43cts, diamond 1.56cts

£1,800‑2,500

42 A BURMESE RUBY AND DIAMOND SET CLUSTER RING claw set with a lozenge‑shaped ruby, in a channel set border of baguette‑cut diamonds, each shoulder set with three round brilliant‑cut diamonds, to a plain 9ct gold shank; with accompanying report by Gemmological Certification services, dated 18.09.19, numbered 79233‑41, stating that the ruby is of Burmese origin, showing no indications of heat treatment

45 A DIAMOND AND RUBY SET CRESCENT BROOCH

Ring size: M, estimated ruby weight: 2.12cts

claw set with alternating old round‑cut diamonds and cushion‑cut rubies, with safety chain, unmarked

£3,500‑4,500

Width: 58mm

£600‑800

43 A RUBY AND DIAMOND SET RING

composed of intertwined bands pavé set with round‑cut diamonds, each terminating with a collet set ruby or old round‑cut diamond, to a yellow metal shank stamped 750

A TANZANITE SET COCKTAIL RING

Ring size: M

claw set with a large oval‑cut Tanzanite, the gallery and shoulders with pierced scrolling detail, indistinctly marked Ring size: N/O, estimated Tanzanite weight: 8.63cts

£250‑400

£500‑700

A RUBY AND DIAMOND SET CLUSTER RING claw set with an oval‑cut ruby, in a single border of round brilliant‑cut diamonds, to a plain 18ct white gold shank

A GEM SET NAVARATNA STYLE RING

Ring size: O, estimated total gem weights: ruby 3.03cts, diamonds 0.94cts

claw set with a central pink sapphire, in a border of various gemstones including blue sapphire, coral, pearl, cat’s‑eye‑chrysoberyl etc., to an 18ct yellow gold shank

£2,200‑2,800

Ring size: Q/R

£250‑400

44 42 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

53 A MULTI‑GEM SET BAR BROOCH 48

modelled as an owl, pavé set with rose‑cut diamonds and cabochon garnet eyes, bar brooch stamped PLAT 15ct Width: 60mm

£250‑400

48 A SAPPHIRE AND DIAMOND SET BRACELET each link set with alternating clusters of four baguette‑cut diamonds or two channel set round‑cut sapphires, to a concealed clasp and safety chain, stamped 750 Length: 18.5cm, estimated total gem weights: diamonds 3.57cts, sapphires 3.25cts

£700‑1,000

A SAPPHIRE AND DIAMOND SET CLUSTER RING SUITE the cluster ring claw set with an oval‑cut sapphire, in a border of twelve round brilliant‑cut diamonds, to a plain platinum shank; together with an 18ct gold fitted diamond set wishbone half‑eternity ring, and a similar 18ct gold wedding band (3) Ring size: I, estimated sapphire weight: 1.96cts

£1,500‑2,000

49 A SAPPHIRE AND DIAMOND SET CLUSTER RING claw set with an oval‑cut sapphire in a border of round brilliant‑cut diamonds, to a plain 18ct yellow gold shank Ring size: M, estimated total gem weights: sapphire 1.79cts, diamonds 0.24cts

£700‑900

A PURPLE SAPPHIRE AND DIAMOND SET RING claw set with a deep pinkish‑purple emerald‑cut sapphire, in a border of small round brilliant‑cut diamonds, each shoulder set with a baguette‑cut diamond in a border of small round brilliant‑cut diamonds, the shoulders also diamond set, to an 18ct white gold shank Ring size: P, estimated total gem weights: sapphire 2.78cts, diamonds 0.40cts

£2,000‑3,000

A SAPPHIRE AND DIAMOND SET CLUSTER RING

collet set with a square‑cut sapphire in a border of old round‑cut diamonds, to a plain white metal shank stamped 18CT Ring size: M/N

£250‑450

AN ENAMEL AND SEED PEARL SET LONG CHAIN composed of small belcher links, set at intervals with seed pearls and green enamel ball spacers, to a bolt ring clasp, unmarked Length: 122cm

£600‑900

51 AN UNHEATED COLOUR‑CHANGE SAPPHIRE claw set with an oval cushion‑cut unheated purplish‑blue colour‑change sapphire, each shoulder set with two graduated old round‑cut diamonds, to a plain white metal shank, stamped 18ct Ring size: O/P, estimated sapphire weight: 5.45cts Note: This lot is accompanied by a verbal report by Gemmological Certification Services, confirming that it is of Madagascan origin, showing no indication of heat treatment

£1,800‑2,500

52 AN OPAL SET BAR BROOCH

claw set with an oval opal, to a yellow metal bar brooch, stamped 9ct; together with another smaller stamped 9CT (2) Width: 54mm & 43mm

£200‑300

57 AN ENAMELLED CHAIN

composed of alternating belcher links and rectangular green and white enamelled links, to a bolt‑ring clasp, unmarked Length: 115cm

£800‑1,200

60 A BELLE ÉPOQUE DIAMOND AND PERIDOT SET PENDANT of open scrolling design, set throughout with graduated eight‑cut and round brilliant‑cut diamonds, set with a round‑cut, trap‑cut and pear‑shaped peridots, to a detachable trace link chain, with optional brooch fitting Overall length of pendant: 73mm

£800‑1,200

A PEARL SET HAIR COMB with enamel Greek key detail below a row of pearls, unmarked

Width: 70mm

AN ENAMELLED PENDANT WATCH

£3,500‑4,500

of globular form, the guilloche blueish green enamel ground set with pearls and rose‑cut diamonds, from a bar brooch with enamelled links, in a fitted case for Brook & Sons… Edinburgh

A GREEN TOURMALINE AND DIAMOND SET RING

Overall length: 63mm

claw set with a rectangular mixed‑cut bluish‑green tourmaline, the pierced geometric shoulders set throughout with small round brilliant‑cut diamonds, to a plain 18ct gold shank

£500‑800

Ring size: N

AN 18CT GOLD DIAMOND SET ETERNITY RING

£200‑300

channel set with a continuous row of round brilliant‑cut diamonds

Ring size: K/L

£200‑300

63 A SAPPHIRE AND PEARL SET RING claw set with a mixed cushion‑cut sapphire, flanked to either side by an off‑round pearl, to a plain yellow metal shank Ring size: H

£200‑300

64 A DIAMOND CLUSTER RING claw set with a single round brilliant‑cut diamond, in a border of small round brilliant‑cut diamonds, to a plain 18ct rose gold shank Ring size: L, estimated principal diamond weight: 1.34cts

£2,200‑2,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

A 1940S DIAMOND SET NECKLACE

A 1940S DIAMOND SET BRACELET

composed of a row of alternating claw set round brilliant and collet set baguette‑cut diamonds, set with three graduated scrolling motifs similarly diamond set, the central motif suspending four graduated articulated drops, unmarked, in a fitted tooled red and gold leather box Overall length: 43cm, length of centre front: 79mm

set with a central round‑ cut diamond, in a scrolling surround set with old round and baguette‑cut diamonds, the articulated bracelet with a central row of alternating baguette and graduated round brilliant‑cut diamonds, in an outer border of round‑cut diamonds, to a concealed clasp and safety clips

£18,000‑25,000

Length: 16.5cm

£7,000‑10,000

Lots 65, 67, 69 and 204

A DIAMOND SOLITAIRE RING

A NAVETTE SHAPED DIAMOND CLUSTER RING

claw set with an old cushion‑ cut diamond, each shoulder collet set with a baguette‑cut diamond in a pavé set old round cut diamond surround, to a plain shank stamped PLATINUM

set with a single row of nine old round and rose‑cut diamonds, to a plain shank, unmarked

Ring size: J, estimated principal diamond weight: 2.56cts

£700‑1,000

Ring size: G/H

£2,500‑4,000

A DIAMOND SET PLAQUE RING

A DIAMOND SET CLUSTER RING

pavé set with various old round‑cut diamonds, to a plain yellow metal shank stamped indistinctly 18

claw set with an old round‑cut diamond in a border of round brilliant‑cut diamonds, to a plain white metal shank stamped PLAT

Ring size: P/Q

Ring size: K, estimated principal diamond weight: 1.29cts

£200‑300

£4,000‑6,000

A DIAMOND SET RING

A DIAMOND SET FLORAL BROOCH

claw set with five graduated clusters of four tension set princess‑cut diamonds, a plain 18ct white gold shank

of circular outline with central floral motif, claw set with an old round‑cut diamond and pavé set throughout with old‑cut diamonds, unmarked

Ring size: L, estimated total diamond weight: 0.75cts

Diameter: 31mm, estimated principal diamond weight: 0.99cts

£300‑500

£700‑1,000

73 A DIAMOND SET RING, BOODLES composed of two rows of round brilliant‑cut diamonds, to a plain 18ct white gold shank, signed ‘Boodles’ Ring size: J, estimated total diamond weight: 1.19cts

£250‑400

74 AN ART DECO DIAMOND SET BAR BROOCH the central plaque millegrain set with three graduated old round‑cut diamonds, in an open border of pavé set old‑cut and eight‑cut diamonds, to a plain bar brooch stamped 18ct PLAT

Width: 66mm

£150‑250

80 75

A DIAMOND SET LINE BRACELET

A CITRINE AND SEED PEARL SET BROOCH

claw set with a row of round brilliant‑cut diamonds between s‑shaped spacers, to a concealed clasp and safety chain, stamped 14k

millegrain set with a cushion cut‑citrine in an open foliate border of seed pearls and collet set citrine accents, stamped 9ct; together with a filigree sapphire and pearl set bar brooch, unmarked (2)

Length: 18.5cm, estimated total diamond weight: 6.00cts

£1,000‑1,500

Width: 38mm & 58mm

£200‑300

76 AN EARLY 20TH CENTURY MULTI‑GEM SET NECKLACE composed of alternating scrolling links, claw set with fringed detail of seed pearls, oval citrines and colourless gems, to a hook clasp, unmarked Overall length: 42.5cm

81 A DIAMOND SET ETERNITY RING pavé set with a double row of round brilliant‑cut diamonds in a scalloped border of smaller round brilliant‑cut diamonds, to a plain 18ct yellow gold shank Ring size: N, estimated total diamond weight: 1.80cts

£2,500‑4,000

£200‑300

82 77

A MOONSTONE SET NECKLACE AND MATCHING EARRINGS

A MORGANITE AND DIAMOND SET COCKTAIL RING claw set with an oval mixed‑cut pink morganite, the D‑shaped shoulders set throughout with graduated round brilliant and eight‑cut diamonds, to a plain 9ct gold shank

composed of a single strand of slightly graduated collet set moonstone cabochons, to a hook clasp, indistinctly marked, the earrings each modelled as a tassel’ collet set with oval moonstone cabochons, hook fittings, indistinctly marked (2)

Ring size: N/O

Length: 54cm & 40mm

£300‑500

£450‑550

TWO PAIRS OF GEM SET EARRINGS

A PAIR OF SAPPHIRE SET CUFFLINKS

including a pair of 9ct gold garnet set floral earrings, to clip fittings; and a pair of jade set earrings, in a textured surround, to clip fittings, unmarked (2)

each composed of two ribbed cylindrical batons, the collar channel set with square‑cut sapphires, stamped 925

Diameters: 20mm (each)

£200‑300

Length of terminals: 23mm

£250‑400

84 79

A PAIR OF LAPIS LAZULI AND RUBY CUFFLINKS

A SAPPHIRE SET NECKLACE AND BRACELET

each terminal composed of a ridged baton of lapis lazuli collet set to each end with a cabochon ruby, gilt belcher links, stamped 925

each collet set with a single row of oval mixed‑cut sapphires of various colours, to a plain hook clasp, unmarked (2) Length: 46cm,& 16.5cm

Length of terminal: 22mm

£200‑300

£600‑800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

85 89

85 AN 18CT WHITE GOLD AQUAMARINE AND DIAMOND SET BRACELET claw set with a single row of oval‑cut aquamarines, between pairs of small round brilliant‑cut diamonds, to a concealed clasp and safety clips Length: 18cm, estimated total gem weights: aquamarine 13.80cts, diamonds 1.30cts

£2,800‑3,500

AN AQUAMARINE SET NECKLACE composed of a single row of spectacle set alternating oval and round mixed‑cut aquamarines, to a hook clasp, indistinctly marked Length: 53cm

£400‑600

89 A PAIR OF AQUAMARINE SET EARRINGS each claw set with an oval‑cut aquamarine, in a single border of round brilliant‑cut diamonds, to 18ct gold post and butterfly fittings Estimated total gem weights: aquamarines 2.81cts, diamonds 0.94cts

£1,000‑1,500

87 A TOPAZ AND DIAMOND SET COCKTAIL RING claw set with a large emerald‑cut blue topaz, the foliate shoulders set with eight‑cut diamonds, shank stamped 18k Ring size: Q/R

£300‑500

90 AN AQUAMARINE AND DIAMOND SET RING claw set with an emerald‑cut aquamarine, flanked to either side by three rose‑cut diamonds, to a plain shank stamped 585 Ring size: L/M

£1,500‑2,500

AN EARLY 20TH CENTURY SAPPHIRE AND DIAMOND SET CLUSTER RING

collet set with a cushion‑cut diamond in a channel set border of sapphires, each shoulder set with three old round‑cut diamonds, to a plain shank, unmarked

claw set with an oval‑cut topaz, in a border of eight‑cut diamonds, to a plain 18ct yellow gold shank

A TOPAZ AND DIAMOND SET CLUSTER RING

Ring size: M/N, estimated principal diamond weight: 1.78cts

Ring size: N/O

£4,000‑6,000

£600‑800

92 A PAIR OF DIAMOND SET PENDANT EARRINGS each of stylised floral design, set throughout with graduated round brilliant‑cut diamonds, to post and butterfly fittings, unmarked Length: 33mm

£900‑1,200

92 88

93 A DIAMOND SET PENDANT collet set with a single round brilliant‑cut diamond, to a plain yellow metal bale, unmarked; together with original ring mount, unmarked (2)

Estimated diamond weight: 1.20cts

£2,500‑4,000

99 94 A DIAMOND SET PENDANT

A PAIR OF VICTORIAN ETRUSCAN REVIVAL PENDANT EARRINGS

the scrolling pendant set with a single round brilliant‑cut diamond, unmarked; to a trace link chain, stamped 750; together with a GIA report, dated 24.01.2018, numbered 3275833176, stating that the diamond is 0.41cts, G colour and Internally Flawless

each with a central drop composed of three graduating globes, secondary drops with pear shaped terminals, ropetwist detail and hook fittings, unmarked

Length of pendant: 34mm, diamond weight: 0.41cts

£700‑1,000

Length: 55mm

£1,000‑1,500

100 95 AN OPAL AND DIAMOND SET CLUSTER RING

A COLLECTION OF ANCIENT JEWELLERY AND ORNAMENTS

Ring size: M

various items including Roman and Sassanian gold beads, a Marlik gold ornament; a pair of Bactrian gold foil inlays, a Sassanian agate intaglio with an animal scene; an ancient Greek gold foil leaf, a Villanovan silver hair pin with bird terminal and a Byzantine bronze crucifix etc. (qty)

£400‑600

101

AN OPAL BAR BROOCH

A CAT’S‑EYE‑CHRYSOBERYL AND DIAMOND SET BANGLE

stamped 9ct; together with an opal and diamond set ring, to an 18ct gold shank (one opal missing) (2)

of hinged design, claw set with three large graduated cat’s‑eye‑chrysoberyl cabochons, small old round‑cut diamond detail, unmarked

claw set with an oval opal cabochon, in a border of round brilliant‑cut diamonds, to a plain white shank, indistinctly marked

Ring size: L

£250‑400

Internal diameter of bangle: 56mm

£4,500‑5,500

97 A LARGE VICTORIAN CAMEO BROOCH depicting a classical figure in profile, in an open scrolling yellow metal border with floral engraved decoration, apparently unmarked Length: 77mm

£300‑500

102 AN 18CT GOLD NECKLACE AND BRACELET both composed of alternating egg shaped and beaded links, to a globular clasp (2) Lengths: 44cm & 18.5cm

£800‑1,200

98 A PAIR OF CHALCEDONY AND ROSE QUARTZ PENDANT EARRINGS each collet set with an oval‑shaped chalcedony cabochon, suspending a cushion‑shaped rose quartz cabochon, to post and butterfly fittings, unmarked Length: 32mm

£250‑400

101

105

103

107

A MODERN BROAD LINK BRACELET

A TWO‑TONE BOMBÉ RING, BULGARI

composed of three rows of textured links, to a concealed clasp stamped 750

of bombé from with to interlocking pierced ‘D’s’, stamped 750, BVLGARI

Length: 19cm

£400‑600

Ring size: M

£600‑800

108 104

A DIAMOND SET RING, CARTIER

A FRENCH RUBY AND DIAMOND SET BRACELET composed of nine articulated strands, the clasp collet set with five rows of graduated round‑cut rubies to form a bow, stamped 750

of plain design, gypsy set with eight round brilliant‑cut diamonds, signed ‘Cartier’ stamped PT950 63 BT 0057, in a tooled red leather box and outer box for Cartier

Length: 19cm

Ring size: V, estimated diamond weight: 0.40cts

£1,800‑2,500

£600‑800

105

109

A MID‑20TH CENTURY FRENCH GOLD NECKLACE

AN ENAMELLED PATCH BOX, CARTIER

of modernist design, composed of graduated off‑set square shaped links, with textured finish, fringed to the front by similar articulated links, with concealed clasp and safety clip, stamped with French control marks, also inscribed ‘France 18kt gold’

of rectangular outline, the hinged lid with blue guilloche enamel detail, signed Cartier, stamped 925 ITALY STERLING, in a blue Cartier pouch 41 x 37mm

£300‑500

Length: 42cm

110

£1,500‑2,500

A TWO‑TONE RING, CARTIER

106 A SILVER AND LEATHER BRACELET, ASPREY & CO import marks for London 1937, composed of eleven square links, each of leather with an applied silver animal motif, to a concealed clasp stamped AUSTRIA 936, signed to the reverse of one link ‘DG/ February 1939’, in an Asprey leather box

composed of yellow and white plain domes, French marks for 18ct gold, signed ‘Cartier 732001’ Ring size: L

£800‑1,200

Length: 18cm

£400‑600

106

108

111

114

111

114

A CITRINE SET RING, CARTIER

A 18CT GOLD TOURMALINE AND DIAMOND SET RING, FABERGÉ

gypsy set with a squared citrine cabochon, signed ‘Cartier’, stamped CARTIER 1997 750 656818 Ring size: K/L

£800‑1,200

claw set with an oval‑cut tourmaline, in a border of small round brilliant‑cut diamonds, with green and gold guilloche enamel detail to the shoulders, in a Fabergé presentation box Ring size: Q/R

112

£800‑1,200

A PAIR OF DIAMOND, ONYX AND PEARL SET EARRINGS, CARTIER

115

each of tapering domed design, pavé set with small round brilliant‑cut diamonds and onyx cabochons, all below a single cultured pearl; to post and clip fittings, signed ‘Cartier London R7569’; in a tooled red leather box for Cartier

A VICTORIAN BRACELET

Length: 22mm

£250‑400

composed of fancy oval and faceted links, the heart shaped padlock clasp set with a large red glass cabochon, glazed hair panel to reverse Length of bracelet: 20cm

£1,800‑2,500

116 113

A PAIR OF 15CT GOLD PENDANT EARRINGS

AN 18CT GOLD WEDDING BAND, CARTIER of plain design, signed ‘Cartier 750 65 IH3711’, in a tooled red leather box and outer box for Cartier

each modelled as a floral cluster set with a small turquoise cabochons, suspending a drop with applied floral cluster detail set with turquoise cabochons

Ring size: W

Length: 56mm

£400‑500

£200‑300

112

113

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117 126

117

121

A 19TH CENTURY NAPOLEON III PORTRAIT SIGNET RING

A COLLECTION OF PASTE SET RINGS

the hinged locket engraved with ‘N’ within a laurel wreath, opening to reveal a struck portrait of Napoleon III, plain shank is unmarked

to include a 9ct yellow gold paste and red gem set cluster ring; a paste set eternity ring, indistinctly marked; a 9ct gold emerald‑cut paste set ring, and another similar marked 14k (4)

Ring size: L Note: By family repute, this ring was gifted by Rachael Felix (mistress to Napoleon III) to the wife of General Stopford, military attaché at the British Embassy. Thence by decent through that family, until it was purchased in the 1990s by the current vendors father.

£300‑500

Ring size: P, R/S, K/L & N

£200‑300

122 A RUBY AND DIAMOND CLUSTER RING

118 A TURQUOISE SWIVEL RING collet set with a turquoise cabochon within a swivel mount, to an 18ct yellow gold matte shank Ring size: N/O, dimensions of turquoise: 20mm x 15mm

£250‑400

claw set with an oval‑cut ruby, in a border of round brilliant‑cut diamonds, to a plain shank stamped 18k Ring size: L

£500‑700

123 A BURMESE RUBY AND DIAMOND SET RING

119 AN ANTIQUE GEM SET RING possibly 17th century, the plain satin finish gold mount set with a single rectangular faceted gem stone in rub‑over setting, unmarked Ring size: L

claw set with an oval‑cut ruby, flanked to either side by an old cushion‑cut diamond, unmarked; together with a report from Gemmological Certification Services, stating that the ruby is of Burmese origin, showing no indications of heat treatment Ring size: K/L, estimated ruby weight: 1.26cts

£1,500‑2,500

£200‑300

124

120 A SET OF TWO GEM SET STACKING RINGS the first collet set with an oval‑cut pink tourmaline, the shoulders each gypsy set with three round‑cut diamonds, to an 18ct yellow gold shank; together with a similar collet set with a fancy cut pear‑shaped peridot (2) Ring size: N & N

A FANCY BROWN AND COLOURLESS DIAMOND SET RING collet set with a marquise‑shaped fancy brown diamond, flanked to either side by a collet set round brilliant‑cut diamond, the split shoulders each set with seven small round brilliant‑cut diamonds, stamped 750 Ring size: O, estimated principal fancy brown diamond weight: 0.38cts

£600‑800

£300‑500

125 A PAIR OF RUBY AND DIAMOND SET EARRINGS each modelled as a flower, illusion set with a round‑cut diamond, in a border of oval‑shaped rubies, to post and butterfly fittings, the butterflies stamped 18K Width: 15mm

£300‑500

126 A RUBY SET PENDANT claw set with a heart‑shaped ruby, to an 18ct gold fox link chain Estimated ruby weight: 1.20cts

£1,000‑1,500 123

137

127

133

A RUBY AND DIAMOND SET FOUR LEAF CLOVER PIN

A PAIR OF LAPIS LAZULI AND EMERALD CUFFLINKS

claw set with a central old round‑cut diamond, the petals set with trios of round‑cut rubies and pavé set throughout with rose‑cut diamonds, unmarked

each terminal set with a hexagonal lapis lazuli baton, the collar channel set with square‑cut emeralds, stamped 925

Width of brooch: 34mm

£200‑300

Length of terminal: 23mm

£600‑800

134 128 A DIAMOND SET RING claw set with an old round‑cut diamond, in a fanned border of four eight‑cut diamonds to each side (one lacking), to a plain white metal shank Ring size: P, estimated principle diamond weight: 0.50cts

A SILVER GILT AND SAPPHIRE SET COMPACT with geometric engine turning throughout, the cover set with a rope‑twist trefoil applied with three cabochon sapphires, the cast foliate thumb‑piece further set with a cabochon Length: 83mm

£200‑300

£400‑600

135 129 A THREE STONE DIAMOND SET RING claw set with three graduated round brilliant‑cut diamonds, to a plain yellow metal shank stamped 18CT 1 Ring size: L, estimated total diamond weight: 0.90cts

A CITRINE AND ENAMEL SET RING collet set with an oval fancy‑cut citrine, the raised setting and shoulders with green foliate enamel detail, to an 18ct yellow gold shank Ring size: N

£300‑500

136 130 A PAIR OF DIAMOND SET STUD EARRINGS each claw set with a round brilliant‑cut diamond, to post and butterfly fittings stamped 750 Estimated total diamond weight: 0.91cts

A FIRE OPAL AND DIAMOND SET RING claw set with a large oval‑cut fire‑opal, flanked to either side by a princess‑cut diamond, to a plain 18ct gold shank Ring size: P, estimated fire opal weight: 6.35cts

£500‑700

£2,000‑4,000

137 131 A DIAMOND SET BAR BROOCH collet set with two triangular‑cut diamonds, in a border of eight‑cut diamonds, to a yellow metal bar brooch stamped 750 1 Width: 50mm

AN 18CT GOLD AND ENAMEL BANGLE of hinged tapering design, with applied beaded detail and green enamel pattern throughout Internal width: 58mm

£1,000‑1,500

£250‑400

132 A 14CT GOLD DIAMOND CLUSTER RING illusion set with six princess‑cut diamonds, in a border of small round brilliant‑cut diamonds, the shoulders and gallery also set with small round brilliant‑cut diamonds, plain shank Ring size: N/O

£500‑700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

138

143

A CONTEMPORARY AQUAMARINE AND SAPPHIRE SET RING

A MODERN FLEXIBLE LINK BRACELET

collet set in a swivelling mount with an aquamarine cabochon, each shoulder set with a sapphire cabochon, to a plain 18ct yellow gold mount

composed of interlocking textured and polished links, stamped 750

Ring size: L/M

£1,000‑1,500

Length: 19cm

£250‑400

144 139 A PAIR OF FRENCH ENAMELLED EAR CLIPS each of domed design, with blue and green ‘scaled’ enamel detail, to clip fittings, with French marks to clip, stamped 750 Kt18, numbered 1647A Length: 23mm

AN 18CT GOLD RUBY SET NECKLACE compsed of tapering bi‑coloured stylised leaf links, the central links set with trios of small round cut rubies, to a concealed clasp and safety clip Length: 40.5cm

£600‑800

£1,000‑1,500

145 140 A TANZANITE AND DIAMOND RING claw set with an oval‑cut Tanzanite, the tapering shoulders and gallery pav é set with small round brilliant‑cut diamonds, to a plain 18ct gold shank Ring size: N/O, estimated Tanzanite weight: 4.62cts

A HAEMATITE AND EMERALD SET NECKLACE composed of a single strand of uniform haematite beads, set at intervals with eight channel set emerald spacers, the clasp similarly set, stamped 750 Overall length: 44cm

£300‑500

£600‑800

146Y 141

A CORAL NECKLACE

A MULTI‑GEM SET NECKLACE, BRACELET AND EARRINGS SUITE

composed of a single strand of slightly graduated coral beads, to a plain metal clasp

all composed of slightly graduated collet set oval mixed‑cut gemstones, including amethyst, garnet, peridot, citrine etc., to yellow metal hook fittings stamped 585 (3)

Length: 97cm

£200‑300

Length: necklace 54cm, bracelet 18cm, earrings 50mm

£800‑1,200

142 A LATE 20TH CENTURY 14CT GOLD AND SAPPHIRE SET NECKLACE of woven link design, set with a central spray of round‑cut sapphires Length: 41cm (approx)

£1,200‑1,800

138

154

152 150

147 A NATURAL PEARL NECKLACE composed of a single strand of one hundred and nineteen graduated natural pearls, to a plain bolt‑ring clasp; with alternative cluster clasp, collet set with a round cut‑ruby in a single border of rose‑cut diamonds; with accompanying report by The Gem & Pearl Laboratory, dated 11.10.19, numbered 17886, stating that the pearls are of natural saltwater variety Overall length: 40cm

A NATURAL PEARL NECKLACE composed of a single strand of graduated natural pearl, to a diamond set clasp; together with a report by Gemmological Certification Services, dated 11.03.19, numbered 79203‑74, stating that the pearls are of natural saltwater variety Length: 46cm

£1,200‑1,800

153 AN EMERALD AND DIAMOND SET PENDANT millegrain set with a square‑cut emerald, in a border of rose cut diamonds, to a diamond set bale stamped 750

£600‑800

Length of pendant (inc. bale): 19mm

148 A THREE STONE EMERALD AND DIAMOND SET RING millegrain set with a heart‑shaped emerald, flanked to either side by a round brilliant‑cut diamond, to an 18ct gold shank; together with a coral set ring modelled as a dolphin, stamped 14k (2) Ring size: L/M & L

Note: This lot is accompanied by a verbal confirmation from Gemmological Certification Services, stating that the emerald is of Colombian origin

£1,600‑2,500

154 AN EMERALD AND DIAMOND SET THREE STONE RING

£300‑500

claw set with an oval‑cut emerald, flanked to either side by a round brilliant‑cut diamond, to a plain shank, stamped 18CT

149

Ring size: L/M, estimated total gem weights: emerald 0.49cts, diamonds 1.12cts

AN EMERALD AND DIAMOND SET CLUSTER RING claw set with a central round brilliant‑cut diamond, in a double border of round brilliant‑cut diamonds and emeralds, to a plain shank Ring size: M, estimated diamond weight: 4.50cts

£500‑700

£700‑1,000

155 AN EMERALD SET RING claw set with a rectangular polished emerald slice, to a plain yellow metal shank with indistinct marks

150

Ring size: N

A TOURMALINE AND PEARL SET PENDANT claw set with an oval cut green tourmaline, in a floral surround set with graduated seed pearls, unmarked, to a trace link chain Length of pendant (inc. bale): 35mm

£250‑400

£500‑700

156 AN EMERALD AND DIAMOND SET CLUSTER RING claw set with a square emerald‑cut emerald, in a border of graduated round brilliant‑cut diamonds, to a plain 18ct white gold shank

151

Ring size: K, estimated total gem weights: emerald 1.52cts, diamonds 0.36cts

A PAIR OF TOURMALINE SET PENDANT EARRINGS each drop composed of five graduated curved circular discs, and six graduated faceted tourmaline beads, to post and butterfly fittings, unmarked

£4,500‑5,500

Overall length: 63mm

£300‑500

156 153

163 A PAIR OF CULTURED PEARL AND DIAMOND SET PENDANT EARRINGS, THEO FENNELL each modelled as a bow, collet set with a marquise‑cut diamond and pavé set with round brilliant‑cut diamonds, suspending two round brilliant‑cut diamonds and an ovoid cultured pearl drop, to post and butterfly fittings, in a fitted black leather box for Theo Fennell (see right) Overall length: 30mm

£1,000‑1,500

164 158

A CULTURED PEARL AND DIAMOND SET BRACELET, THEO FENNELL

claw set with an oval‑cut emerald, below a claw set princess‑cut diamond, to a plain platinum trace link chain

composed of three rows of cultured pearls, with central stylised bow pavé set with graduated round brilliant‑cut diamonds around the central collet set marquise‑cut diamond, the central panel pierced to reverse, initialled FL and dated 23 5 87, the rectangular clasp channel set with a border of round brilliant‑cut diamonds, contained in a tooled blue leather fitted case stamped THEO FENNELL LONDON (see right)

Length of pendant: 12mm

Length: 18cm

£150‑250

£2,000‑3,000

158

165

AN EMERALD AND DIAMOND SET CLUSTER RING

A CULTURED PEARL AND DIAMOND SET NECKLACE, THEO FENNELL

157 AN EMERALD AND DIAMOND SET PENDANT

claw set with a pear‑shaped emerald, in a single border of round brilliant‑cut diamonds, to a plain squared shank stamped 14k Ring size: L

£1,200‑1,800

159 AN 18CT GOLD TOURMALINE AND DIAMOND SET CLUSTER PENDANT claw set with an oval mixed‑cut pink tourmaline, in a double border of round‑ brilliant and eight‑cut diamonds, to a pavé set diamond bale Length (inc. bale): 37mm

composed of three rows of graduated cultured pearls, the stylised bow‑form clasp pavé set with graduated round brilliant‑cut diamonds around the central collet set marquise‑cut diamond, suspending an ovoid cultured pearl drop, contained in a tooled blue leather fitted case, stamped THEO FENNELL LONDON (see right) Length of shortest strand: 45cm

£3,000‑5,000

166 A PAIR OF MULTI‑GEM SET PENDANT EARRINGS

£300‑500

each collet set with an oval‑cut amethyst and citrine, suspending a faceted prehnite pendant, to 18ct yellow gold post and butterfly fittings

160

Length: 41mm

A JADE SET BANGLE

£250‑400

of double hinged design, the yellow gold mounts with embossed detail, clasp stamped P.C 18

167

Internal diameter: 57mm

£250‑400

161 A PERIDOT AND DIAMOND SET COCKTAIL RING claw set with a pear‑shaped peridot in a border of round brilliant‑cut diamonds, an 18ct gold shank Ring size: N/O

£400‑600

162 A PAIR OF MALACHITE CUFFLINKS each set with a chamfered malachite baton, gilt braided collars, stamped 925 Length of batons: 23mm

£200‑300

A PAIR OF MULTI‑GEM SET PENDANT EARRINGS each composed of five belcher link tassels, suspending a central briolette‑cut orange topaz and secondary green and purple quartz briolettes, and rose quartz briolette details, to hook fittings Length: 70mm

£300‑500

168 A SAPPHIRE SET NECKLACE AND MATCHING EARRINGS the necklace spectacle set with a single row of pear‑shaped sapphires, to a hook clasp; the earrings collet set with multiple oval‑cut sapphires (2) Lengths: 45cm & 40mm

£600‑800

Lots 112, 113, 163, 164, 165, 175 & 179

176 177

169

175

A PAIR OF INDIAN 19TH CENTURY NAVARATNA GEM‑SET AND ENAMELLED ARM‑BANDS (BAZUBANDS)

A SAPPHIRE AND DIAMOND SET THREE STONE RING

each composed of eleven gold and enamel ovals rub‑over set with a different gem, with enamel border and traditional enamelled backs, all on silver bound cord frame, with tassels, 19th century

claw set with an oval‑cut sapphire, flanked to either side by a cushion‑cut diamond, to a plain yellow metal shank stamped 18CT Ring size: N/O, estimated sapphire weight: 1.60cts

£1,200‑1,800

Each link: 11mm

£1,200‑1,500

170 A TURQUOISE SET BROOCH in the form of a coiled snake, its body set with circular turquoise cabochons, unmarked

176 A SAPPHIRE AND DIAMOND SET PENDANT claw set with a rectangular cushion‑cut sapphire, in an oval halo of small round brilliant‑cut diamonds, to a similarly set bale stamped 750, and an 18ct white gold trace link chain Length of pendant: 24mm, estimated total gem weights: sapphire: 4.69cts,

Length: 45mm

diamonds 0.25cts

£150‑200

£6,000‑8,000

171

177

A PAIR OF GERMAN SILVER BUCKLES

A SAPPHIRE AND DIAMOND SET PENDANT

maker’s mark IAD for Drexel, Augsburg, 1784‑85, each rectangular cast with ‘C’ scrolls Length: 61mm

claw set with a cushion‑cut sapphire, above a row of three graduated round brilliant‑cut diamonds and a smaller cushion‑cut sapphire, to an 18ct gold fox link chain

£180‑220

Length of pendant: 21mm

£700‑1,000

172 A CORAL AND DIAMOND SET RING AND BROOCH the ring composed of nine coral cabochons, and eight‑cut diamond details, to an unmarked yellow metal shank; together with a coral and diamond set floral spray brooch, stamped 750 (2) Ring size: N, length of brooch: 78mm

£250‑400

173 A PAIR OF GEM SET PINEAPPLE EARRINGS each claw set with a light green carved quartz, to post and screw back fittings, unmarked

174

Length: 32mm

£200‑300

174 A THREE STONE DIAMOND SET RING claw set with three graduated old cushion‑cut diamonds, to a plain white metal shank, unmarked Ring size: F/G, estimated total diamond weight: 1.75cts

£800‑1,200 175

178 AN 18CT WHITE GOLD SAPPHIRE AND DIAMOND SET LINE BRACELET 178

claw set with a single row of oval‑cut sapphires, between pairs of small round brilliant‑cut diamonds, to a concealed clasp and safety clips Length: 18cm, estimated total gem weights: sapphire 11.00cts, diamonds 1.29cts

£4,200‑4,800

179

183

A SAPPHIRE AND DIAMOND CLUSTER RING

A PAIR OF TOURMALINE SET HOOP EARRINGS

claw set with an oval‑cut sapphire, in a border of round brilliant‑cut diamonds, each shoulder set with five round brilliant‑cut diamonds, to a plain 18ct yellow gold shank

each set with vari‑coloured briolette cut tourmalines, to an 18ct yellow gold oval shaped hoop

Ring size: M, estimated gem weights: sapphire 4.16cts, diamonds 0.35cts

£450‑650

£7,000‑9,000

Length: 52mm

184

180

A PAIR OF CITRINE SET PENDANT EARRINGS

A SINGLE STRAND OF CULTURED PEARLS, MIKIMOTO

each collet set with an oval rose‑cut citrine, suspending a lighter briolette‑cut citrine, to 18ct yellow gold post and butterfly fittings

composed of a single strand of uniform cultured pearls, to a stylised bow clasp, in a suede pochette for Mikimoto

Length: 37mm

£250‑400

Length: 46cm

£200‑300

185

181

TWO EDWARDIAN GEM SET PENDANTS

A FOUR STRAND CULTURED PEARL LARIAT NECKLACE, COLEMAN DOUGLAS

both of scrolling design and set throughout with seed pearls and amethysts, one stamped 15ct, to associated fancy link chains (2)

composed of four strands of cultured freshwater pearls, set at intervals with tumbled labradorite bead spacers; together with a Hamilton & Inches faceted amethyst and freshwater pearl sautoir, with two hammered silver beads to each terminal (2)

Length of pendants: 47mm & 49mm

Lengths: 136cm & 210cm

A THREE STONE AQUAMARINE AND DIAMOND SET RING

£350‑500

claw set with alternating oval and round‑cut aquamarines, in a border of eight‑cut diamonds, to a plain 18ct white gold shank

£250‑400

186

182

Ring size: M

AN AMETHYST SET NECKLACE

£300‑400

spectacle set with a single row of oval‑cut amethysts, the centre front composed of a tapered lattice of similarly set amethysts, to a hook clasp, unmarked

187

Overall length: 43cm

channel set with a continuous row of round‑cut sapphires, unmarked

£300‑500

Ring size: K/L

A SAPPHIRE SET ETERNITY RING

£200‑300

188 A SAPPHIRE AND DIAMOND SET CLUSTER RING claw set with five round‑cut sapphires, and graduated eight‑cut diamond accents, to a plain 14ct gold shank Ring size: O/P

£600‑800

189 A TOPAZ AND DIAMOND SET RING

179

claw set with an oval‑cut blue topaz, each shoulder set with three round brilliant‑cut diamonds, to a plain shank stamped 18ct Ring size: K

£200‑300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194 192

195 A DIAMOND SET CLUSTER RING, NEIL LANE

190 AN AQUAMARINE AND DIAMOND SET PENDANT claw set with an oval‑cut aquamarine, four small round brilliant‑cut diamond details, to a trace link chain, stamped 750

claw set with an oval‑cut diamond in a double border of graduated round brilliant‑cut diamonds, the shoulders similarly set, to a plain 14ct white gold shank, with original boxes Ring size: N, estimated total diamond weight: 0.80cts

£500‑700

Length of pendant: 30mm

£300‑500

191 AN AQUAMARINE AND DIAMOND SET RING claw set with a trap‑cut aquamarine, flanked to either side by a round brilliant‑cut diamond, to a plain 18ct white gold shank

196 A THREE STONE DIAMOND RING claw set with three round brilliant‑cut diamonds, to a plain 18ct white gold shank Ring size: L, estimated total diamond weight: 1.61cts

£4,000‑6,000

Ring size: K/L

£400‑600

192 A LARGE AQUAMARINE AND DIAMOND SET COCKTAIL RING claw set with a fancy cushion‑cut aquamarine, the gallery modelled as an opening bud, pavé set throughout with alternating round‑cut coloured diamonds, to a plain yellow metal broad shank stamped 750

197 A DIAMOND SET RING claw set with a round brilliant‑cut diamond, each shoulder set with a baguette‑cut diamond and three graduated eight‑cut diamonds, to a plain shank, stamped PLATINUM Ring size: O, estimated principal diamond weight: 0.94cts

£600‑800

Ring size: R/S

£1,000‑1,500

193 A PAIR OF MULTI‑GEM SET DROP EARRINGS

198 A DIAMOND SET BAR BROOCH claw set with a row of ten round brilliant‑cut diamonds, to a tapering bar brooch, unmarked

each collet set with foil backed garnet, suspending a drop set with two cultured pearls, a tumbled emerald pebble and faceted tourmaline drop, to post and butterfly fittings, unmarked

Width: 60mm, estimated principal diamond weight: 0.55cts

Length: 55mm

199

£250‑400

A 18CT GOLD DIAMOND SET PENDANT

194

of rounded rectangular outline with pierced lattice detail, set throughout with graduated round brilliant‑cut diamonds, to a plain 18ct gold trace link chain

AN AQUAMARINE AND DIAMOND SET PENDANT claw set with a round brilliant‑cut diamond, suspending a pear‑shaped aquamarine, unmarked, to an 18ct trace link chain

£300‑500

Length of pendant (inc. bale): 32mm

£250‑500

Length of pendant: 20mm, estimated total aquamarine weight: 11.44cts

£2,000‑4,000

196

204

204 A PAIR OF DIAMOND CLUSTER EARRINGS each claw set with a round brilliant‑cut diamond, in a border of smaller round brilliant‑cut diamonds, to post fittings, unmarked, in a fitted box for Garrard & Co Overall diameter: 10mm

£700‑1,000

205 A DIAMOND SET ETERNITY RING set with a continuous row of round brilliant‑cut diamonds Ring size: U/V

£1,000‑1,500 203

206 A GEM SET TIE PIN modelled as a dragonfly in vari‑coloured enamel, clutching an opal cabochon, indistinctly marked

200

Overall length: 65mm

A FANCY BROWN AND COLOURLESS DIAMOND SET LINE BRACELET

£150‑250

claw set with sixty‑five round brilliant‑cut diamonds, with concealed clasp and safety clip

207

Length: 18cm, estimated total diamond weight: 6.50cts

the first millegrain set with a mother‑of‑pearl panel, in a scrolling blue and green enamelled border; unmarked; the second of pierced stylised floral design, enamelled throughout, unmarked (2)

£1,200‑1,800

TWO EARLY 20TH CENTURY ENAMEL BROOCHES

201

Overall lengths: 45mm & 59mm

AN OPAL AND DIAMOND SET CLUSTER RING

£150‑250

claw set with an oval opal cabochon in a single border of round brilliant‑cut diamonds, the shoulders set with three tapered baguette‑cut diamonds, to a plain shank stamped Pt900

208

Ring size: L

£1,000‑1,200

202

AN OPAL AND HARDSTONE SET NECKLACE composed of lozenge shaped links with pierced scrolling detail, collet set at intervals with oval opal cabochons and facetted green beads Length: 110cm

£200‑300

A THREE STONE DIAMOND RING claw set with three graduated old round‑cut diamonds, to a plain shank, stamped 18ct Ring size: M/N, estimated total diamond weight: 1.92cts

£1,000‑1,500

203 A DIAMOND SET CRESCENT BROOCH of traditional design, set with graduated old round‑cut diamonds, unmarked, in a fitted box for Garrard & Co Diameter: 33mm

£800‑1,200

205

209§

215

AN ENGRAVED SILVER NECKLACE, MALCOLM APPLEBY

A CORAL NECKLACE, ATTRIBUTED TO ESTHER EYRE

composed of a single strand of textured links, the feature clasp modelled as a cat with engraved detail

the coral necklace composed of pear‑shaped coral beads with gilt metal shell spacers; together with a pair of shell pendant earrings, composed of gilt metal shell clusters and pendants, with cultured pearl detail, stamped 925 (2)

Length: 44.5cm

£300‑500

Length of necklace: 41cm

210 A COMPOSITE AMBER BEAD NECKLACE

£150‑250

composed of graduated amber beads, to a concealed screw clasp

216§

Overall length: 77cm

A COLLECTION OF SILVER JEWELLERY, MALCOLM APPLEBY

£100‑200

211 AN AMBER BEAD NECKLACE composed of a single strand of oval amber beads, to a bolt‑ring clasp Length: 46cm

£300‑500

212 A PAIR OF DIAMOND SET HOOP EARRINGS each of oval hoop, suspending a stylised snowflake pavé set throughout with graduated round brilliant‑cut diamonds, suspending a teardrop pendant, apparently unmarked Length: 90mm

£650‑800

213 A SAPPHIRE BEAD NECKLACE AND BRACELET each composed of multiple rows of faceted sapphire beads of various colours, with briolette‑cut pink/purple and orange sapphire detail throughout, to hook fittings (2)

to include four scrolling textured brooches, four pairs of cufflinks, some with gilt detail, others with ram’s head or galleon detail; together with one cufflink (9) Note: From the estate of Dr. Virginia Glenn, the bequest of her estate is to the Society of Antiquaries of Scotland. A medievalist and specialist in the decorative arts, especially goldsmiths’ work and seals, Dr Glenn spent most of her career as a museum curator. Her first job was as assistant in the Royal Scottish Museum in Edinburgh. Going from Edinburgh to London’s Victoria & Albert Museum, Virginia worked on tapestries as an assistant conservator. Realizing that she really wanted to be a curator, for which a degree was desirable, from 1969‑72 she studied for her B.A. in Art History at the Courtauld Institute, and in her last term there got a curatorial job in the Birmingham City museum and art gallery. Here she helped organize and catalogue the important exhibition of Birmingham silver: Birmingham Gold and Silver 1773‑1973: an exhibition celebrating the bicentenary of the Assay Office 28 July‑16 September 1973. From Birmingham she went on to the National Museum of Wales in Cardiff, where she helped catalogue the major Burges exhibition: The strange genius of William Burges, “art‑architect” (1827‑1881): a catalogue to a centenary exhibition, ed. J. Mordaunt Crook, Cardiff & London 1981. She returned in 1985 to the National Museums of Scotland, in Edinburgh, a city she loved. A range of activities in the museum included refurbishing the European ceramics and glass galleries, and arranging new European decorative arts galleries, for which she commissioned a huge and ornate silver vase from Malcolm Appleby, goldsmith and gunsmith.

Lengths 43cm & 18cm

This collection of personal jewellery certainly reflects the life of Dr. Glenn, and includes lots 216 to 223.

£700‑1,000

£400‑600

214

217

A CARNELIAN BEAD NECKLACE, ATTRIBUTED TO ESTHER EYRE

A COLLECTION OF ENAMELLED JEWELLERY, SHEILA MCDONALD

composed of a single row of graduated carnelian beads, with gilt metal spacers and carved floral carnelian terminals, together with a gilt metal pearl and citrine set brooch (2) Length of necklace: 154cm

to include a haematite bead necklace, suspending a dark blue and gold enamelled pendant; a rectangular silver and enamelled brooch; and three pairs of silver and enamelled cufflinks (5)

£100‑200

Length of necklace: 50cm

£250‑350

216 (part)

MODERN JEWELLERY 224 A SCANDINAVIAN ENAMELLED NECKLACE, A MICHELSEN comprising nineteen linked daisy flower heads, stamped maker’s marks and hallmarks 925S, in original box Overall length 37.5cm

£200‑300 218 (part)

218 A COLLECTION OF CONTEMPORARY JEWELLERY to include two stylised textured silver brooches by Norman Cherry and a similar bangle; another silver and gilt detail bangle, a silver and enamel ring and another with gilt detail (6)

225 A MODERN NECKLACE composed of three rows of flattened oval links, to a lobster clasp stamped 750 Length: 40cm

£300‑500

219 A GROUP OF FIVE BROOCHES to include various anodised metal brooches; others of stylised design; and a hinged bangle (qty) £350‑450

220 A COLLECTION OF CONTEMPORARY JEWELLERY to include a silver and glass bead necklace, by Ulla Hornfeldt; two textured silver brooches by Norman Cherry; a stylised acrylic brooch, by Peter Chang; various other pieces of contemporary and costume jewellery (qty) £250‑350

221 A COLLECTION OF CONTEMPORARY JEWELLERY to include an anodized brooch and matching necklace, a circular multi‑link necklace, another with polished gem specimen; an enamelled tie pin modelled as a turkey, and a modern matching silver necklace and bracelet (7) £350‑450

222 A COLLECTION OF CONTEMPORARY JEWELLERY to include a textured silver Ulla Hornfeldt pendant; a multi‑strand silver and gilt detail bracelet; a found‑objects brooch, possibly by Grainne Morton; various contemporary enamelled and stylised brooches (qty) £450‑650

226 A TRI‑COLOURED BANGLE, RING AND EARRING SUITE each composed of white, rose and yellow coloured interlocking rings, all stamped 750, the earrings to post and butterfly fittings (3) Ring size: M/N

£800‑1,200

227 A COLLECTION OF GOLD CHARMS AND OTHER JEWELLERY to include a 9ct gold ingot pendant with feature hallmarks, four various 9ct gold charms, including Jonah and the whale, a speed boat etc; a 9ct gold tooth pick, an unmarked gem set pendant; an unmarked rope‑twist chain and four unmarked associated additional links (9) £400‑500

228 A 9CT CHARM BRACELET the curb link chain to 9ct gold padlock clasp, suspending various charms including a 1903 half‑sovereign, a kettle, a violin etc. Gross weight: 37g

£400‑500

229 A FANCY LINK MUFF CHAIN unmarked Length: 180cm

£350‑500

230

223

A SOVEREIGN MOUNTED BRACELET

A GROUP OF CELTIC INSPIRED SILVER JEWELLERY

composed of six various sovereigns mounted in articulated plaques with engraved foliate borders, to a concealed push spring clasp, unmarked

to include two larger silver Celtic style brooches, another smaller, of penannular design; a MacIntosh style bracelet and another brooch, both unmarked; various other buttons, brooches etc. (qty)

Length: 18.6cm

£2,200‑2,800

£180‑250

231 A MODERN 9CT PENDANT of geometric star burst design, with a textured finish; to a trace link chain Length of pendant: 40mm

£150‑250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

232

239

A COLLECTION OF GOLD JEWELLERY

A COLLECTION OF JEWELLERY

to include a 1908 half‑sovereign, two 9ct gold bangles; two 9ct gold chains, a 9ct gold wedding band, and a 9ct gold locket; a hinged bangle stamped 9ct, various gem set rings, and gilt metal pieces (qty)

to include a hinged bangle modelled as a buckle, stamped 9ct; another set with rubies and eight‑cut diamonds, stamped 15ct; a fancy link bracelet stamped 9ct and a plain 9ct gold bangle; together with a brooch modelled as a swallow, stamped 15ct, and a diamond set locket, stamped 15ct (6)

£500‑700

233 A 9CT GOLD FOUNTAIN PEN/PENCIL William Vale & Sons, Birmingham 1896, chased detail throughout, agate seal top; together with a 9ct gold pencil and another smaller, both with engine turned decoration (3)

£250‑400

240 A GENTLEMAN’S 9CT GOLD ALBERT composed of curb links with T‑bar suspension and agate set swivel fob

Lengths: 10.5cm, 11cm & 85mm

Overall length: 38cm

Provenance: Private collection of G. S. May Esquire

£500‑700

£300‑500

241

234

TWO PAIRS OF 9CT GOLD CUFFLINKS

A RUSSIAN GOLD CASED PROPELLING PENCIL

mid‑20th century, one textured with applied motifs, the other chequered, both with swivel terminals; together with swallow brooch, stamped 750 and a gold mounted half sovereign pendant and chain (4)

with Fabergé mark and 56 standard (to the clip), of hexagonal form, alternating blank and engraved panels, chased finial decorated with scrolling foliage, blank terminal, all contained in an oval card box with Fabergé gilt trade label

£300‑500

Length: 11.3cm

242

£300‑500

A PAIR OF 18CT GOLD CUFFLINKS each oval terminal with textured finish, belcher links, fully hallmarked

235

Terminals: 15mm x 12mm

A COLLECTION OF GOLD JEWELLERY

£300‑500

to include two 9ct flattened curb link neck chains, a pair of large 9ct gold rope twist hoop earrings and a similar smaller pair, stamped 375; together with two pairs of 9ct hoop earrings, another pair, unmarked; a pair of stingray pendant earrings marked 14k and a single unmarked hoop (qty) £350‑500

236 A COLLECTION OF JEWELLERY to include three 9ct gold wedding rings, a pair of 9ct gold pendant earrings and a 9ct gold sapphire set tie pin; a circular pendant to a 9ct gold chain; three hoop earrings stamped 375, a knotted ring, stamped 585, and various other earrings and pendants, unmarked (qty) £300‑500

237 A 9CT GOLD WATCH CHAIN composed of curb links; together with a pair of 9ct gold cufflinks, and an unmarked rope‑twist necklace and matching bracelet (4) Length of watch chain: 44cm

243 THREE GENTLEMAN’S WATCH CHAINS to include a 9ct gold elongated curb link watch chain with T‑bar clasp; a 9ct gold fancy link watch chain with T‑bar suspension and pendant medal; a 9ct gold bi‑coloured watch chain with T‑bar pendant (3) £600‑800

PARCEL LOTS OF JEWELLERY 244 TWO BRACELETS the first by Chimento, composed of tapered rectangular links, set with a small round brilliant‑cut diamond, stamped 750; together with a silver Georg Jensen bangle, numbered A78A (2) Length of bracelet: 18cm

£400‑600

£250‑350

238 A COLLECTION OF JEWELLERY

245 A THREE STRAND TOPAZ NECKLACE

to include a pair of 9ct gold cufflinks, a curb link chain stamped 9ct; a fancy link chain stamped 9ct and another unmarked (4)

composed of three strands of faceted topaz beads, the bow clasp stamped 585; together with a faceted moss agate set necklace, to a magnetic ball clasp; and a 9ct gold fancy cut multi‑gem set ring (3)

£250‑400

Lots 60, 66, 68 & 88

246

253

FOUR GEM SET RINGS

A COLLECTION OF GEM SET RINGS

to include an 18ct gold knotted ring, a pearl and turquoise set ring, unmarked; and two indistinctly marked five stone pearl set rings (4) 4

to include a 9ct five stone garnet set ring, a 9ct sapphire and paste set ring; a 9ct gold cultured pearl set ring, a textured ring with navette jade cabochon marked 14K; together with a 9ct citrine set ring and two further 9ct rings and pendant (8)

Ring size: L, N/O, O & R/S

£300‑500

£250‑400

247 A COLLECTION OF THREE ETERNITY RINGS

254

to include a platinum and diamond set eternity ring, composed of a continuous row of round brilliant‑cut diamonds; together with another composed of alternating marquise and pairs of round brilliant‑cut diamonds; and an 18ct gold sapphire and diamond set eternity ring (3)

A COLLECTION OF JEWELLERY

Ring size: R, R, O/P

£200‑300

£400‑600

to include a 9ct gold mounted cameo brooch, with applied pearl detail; a 9ct bi‑coloured gold bracelet, and an oval locket with engraved detail, to a 9ct gold chain (3)

255

248

A COLLECTION OF FOUR GEM SET RINGS

FOUR GEM SET RINGS

to include a three stone diamond ring, shank stamped 18ct, and another unmarked; a three stone garnet set ring, unmarked, and a 22ct gold gem set ring (4)

to include an 18ct gold Victorian ruby and diamond set ring, a five stone diamond set ring, indistinctly marked; a three stone diamond set ring (one deficient), stamped 18ct; a five stone sapphire and diamond set ring, stamped 18ct (4) Ring size: R, R, P/Q & N/O

£300‑400

249 A COLLECTION OF GEM SET RING to include an 18ct yellow gold diamond set ring, an 18ct gold five stone diamond set ring; a single stone diamond ring, stamped PLAT, and a gem set half eternity ring; together with an amethyst set bar brooch, stamped 9ct and a pearl and tourmaline set bracelet, composed of circular foliate links, set with a round cut tourmaline and a seed pearl, stamped 9ct (qty).

£400‑600

256 A COLLECTION OF FOUR GEM SET BROOCHES to include a pearl and diamond set brooch, of stylised star design, unmarked; an early 20th century seed pearl and amethyst set brooch; a turquoise and diamond‑chip set brooch; a garnet and seed pearl set pendant (4) £250‑400

257 A COLLECTION OF GEM SET RINGS

Ring size: K, P, Q/R & N

to include a 9ct gold garnet and diamond set ring, of navette form; a 9ct gold garnet set cluster ring and a large silver and citrine set ring (3)

£350‑500

Ring size: P, K/L & P

£200‑300

250 A COLLECTION OF JEWELLERY to include to cameo brooches, a large banded agate set brooch, various Victorian brooches and pendants; a fancy link chain, stamped 14k; various other curb link chains; a Longines wrist watch (qty) £150‑250

258 A COLLECTION OF JEWELLERY to include a large unmarked yellow metal Victorian locket, with engraved inscription; a small thimble with scrolling detail, unmarked; various loose cultured pearls and coral beads and a carved bead necklace (qty) £200‑300

251 THREE GEM SET RINGS to include a cabochon jade set ring, indistinctly marked; an opal and diamond set ring, stamped 375; and a diamond set eternity ring, unmarked (3)

259 A COLLECTION OF MODERN JEWELLERY

Ring sizes: R, N & Q

to include an onyx bead and heart shaped pendant bracelet, by Tiffany & Co; two Pandora bracelets and four charms and a colourless gem set eternity ring (4)

£400‑600

Ring size: P

£120‑180

252 A PAIR OF GEORGIAN PASTE SET BUCKLES of rounded rectangular outline, set throughout with colourless pastes, in a fitted blue velvet box, unmarked; together with a pearl set tie pin, to a plain pin fitting, in a box tooled leather box for Hamilton & Inches… Edinburgh (2) £260‑370

260 A COLLECTION OF RINGS to include a large amethyst set cocktail ring, stamped 18ct; an eight‑cut diamond set eternity ring, unmarked; an 18ct gold three stone diamond set ring, and 18ct gold wedding band, and an engraved wedding band stamped PLAT (5) Ring sizes: M, O, P, M & O

£400‑500

261

269

A COLLECTION OF JEWELLERY

A LARGE COLLECTION OF GEM SET RINGS

to include an amethyst set pendant brooch, unmarked; a 9ct gold amethyst set fob, an enamel and multi‑gem set brooch, unmarked; three strands of faux pearls, various brooches, rings necklaces etc. (qty)

to include various unmarked gem set rings, some stamped 9ct, 18ct etc.; together with silver and costume examples, all indistinctly or unmarked (qty)

£300‑500

£600‑800

262

270

AN AQUAMARINE AND SAPPHIRE SET NECKLACE

A LARGE COLLECTION OF GEM SET RINGS

composed of a row of polished aquamarine beads, to an 18ct yellow gold circular pendant collet set with a sapphire sugarloaf cabochon; together with a cultured pearl single row necklace with diamond set clasp (2)

to include various unmarked gem set rings, some stamped 9ct, 18ct etc.; together with silver and costume examples, all indistinctly or unmarked (qty)

Length: 37cm & 54cm

£600‑800

£300‑500

271

263

A COLLECTION OF 9CT GOLD GEM SET RINGS

A COLLECTION OF THREE GEM SET RINGS

to include a large citrine set cocktail ring, a tigers‑eye set signet ring; a haematite set signet ring, an engraved wedding band; various other gem set rings (some stones deficient), all hallmarked (15)

to include an 18ct gold rose‑cut diamond set ring, an 18ct gold sapphire and diamond set ring, and a five stone ruby and diamond set ring, stamped 18ct (3) Ring size: P, M & R

£250‑400

£300‑500

272 A COLLECTION OF 9CT GOLD GEM SET RINGS

264 A LARGE COLLECTION OF GEM SET RINGS

to include a large citrine set cocktail ring, an agate set signet ring; a plain octagonal band, various other gem set rings (16)

to include a 9ct gold onyx set ring, a single stone opal set ring, a 9ct gold garnet set ring, a 9ct gold smokey quartz set ring, various other gem set rings (all with damage or missing stones) (14)

£300‑500

A COLLECTION OF 9CT GOLD GEM SET RINGS

265 A COLLECTION OF DIAMOND SET RINGS to include a 9ct gold sapphire and diamond set cluster ring, an 18ct white gold diamond set cluster ring, a 9ct gold single stone diamond ring and a 9ct gold ruby and diamond set cluster ring (4) Ring sizes: L, N, L & M

£250‑400

266 A COLLECTION OF JEWELLERY to include a Victorian globular ruby set pendant locket, two opal set bar brooches and an opal tie pin, a 15ct gold bar brooch with beaded detail and an amethyst and seed pearl set bar brooch (6) £300‑500

267 A COLLECTION OF BAR BROOCHES AND TIE PINS including various gem and paste set examples (qty)

273 to include a large citrine set cocktail ring, and another smaller example; a diamond set signet ring and a plain wedding band; a ring modelled as a buckle with textured detail; various other gem set rings (some gemstones deficient), all hallmarked (16) £300‑500

274 A COLLECTION OF 15CT GOLD GEM SET RINGS to include a five stone diamond‑chip set ring, a sapphire and pearl set ring; a multi‑gem set cluster ring and various other gem set rings (some stones deficient), all hallmarked (7) £250‑400

275 A COLLECTION OF 18CT GOLD GEM SET RINGS to include an illusion set single stone diamond ring, a ruby and pearl set three stone ring; a five stone ruby and diamond ring, and various other gem set rings (some stones deficient), all hallmarked (8) £400‑600

£350‑500

276

268

A COLLECTION OF 18CT GOLD GEM SET RINGS

A COLLECTION OF GEM SET JEWELLERY to include a pair of yellow metal Etruscan revival earrings, a large pearl and glazed panel brooch, a hardstone fob pendant, and two pendant necklaces (6)

to include a five stone sapphire and diamond set ring, a five stone diamond set ring; a ring with engraved knotted detail; various other gem set rings (some stones deficient), all hallmarked (7) £400‑600

£300‑500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

277

285

A COLLECTION OF ANTIQUE AND GEM SET MOURNING RINGS

A COLLECTION OF GEM SET JEWELLERY

to include an 18ct gold black enamel and pearl set floral mourning ring, another similar diamond set example, a 15ct gold pearl and black enamel ring; an 18ct gold turquoise set ring; various other multi‑gem set rings (8)

to include an 18ct gold opal and diamond set ring; a 9ct gold ruby and diamond set bar brooch; and a seed pearl set star brooch, unmarked (3)

£400‑600

£250‑400

278 A COLLECTION OF ANTIQUE GEM SET RINGS to include a 9ct gold amethyst and opal set ring; an2 18ct gold emerald and diamond set ring; an 18ct gold pearl set ring and an 18ct gold engraved wedding band (4) Ring size: L, N, K & N

£300‑500

Ring size: P

286 A COLLECTION OF RINGS to include an 18ct gold multi‑gem set cluster ring, and 18ct gold ring with applied shield motif; and two 15ct gold gem set rings (4) Ring sizes: L/M, O, L & L

£200‑300

279

287

A COLLECTION OF SILVER AND SCOTTISH JEWELLERY

A COLLECTION OF GEM SET BROOCHES

to include two hinged citrine set bangles, various paste and hardstone set brooches in the Scottish style; various watch chains, rings, thimbles etc. (qty) £300‑500

to include a peridot and seed pearl set bar brooch, stamped 15ct; a peridot, amethyst and seed pearl set bar brooch, two other seed pearl and peridot set bar brooches, various other early twentieth century bar brooches (9) £300‑500

280 A COLLECTION OF JEWELLERY to include a large oval enamelled pendant, unmarked; a 9ct gold agate set swivel fob and a 9ct gold circular locket; a coin set tie pin and two seed pearl set tie pins; various agate set and engraved watch‑keys, fobs, lockets etc. (qty) £400‑600

281

288 A COLLECTION OF JEWELLERY to include an 18ct gold Georg Jensen dolphin brooch, numbered 1317; a 9ct gold garnet set ring, a jade and diamond set ring; a 9ct gold diamond set half eternity ring, a 15ct gold ruby and diamond ring; various other pendants, brooches earrings etc (qty) £350‑500

A COLLECTION OF JEWELLERY

289

to include two three stone diamond set rings, a 9ct gold sapphire and diamond set cluster ring; a 9ct gold garnet set hinged bangle, various loose yellow metal charms, two mother of pearl card cases; various brooches, chains and other jewellery (qty)

A COLLECTION OF JEWELLERY AND POCKET WATCHES

£400‑600

to include a citrine set bangle stamped 9ct, and a 9ct gold citrine set ring; a paste set Scottish brooch, two vesta cases; a gilt metal half‑hunter cased pocket watch, a silver cased open‑faced pocket watch, with associated watch chain, and a small open faced fob‑watch (9)

282

£250‑400

TWO VICTORIAN BROOCHES AND A CHAIN

290

the belcher link chain with engraved detail, unmarked; together with an oval pearl and enamel set brooch and a brooch of scrolling design, with engraved detail, both unmarked (3) Length of chain: 38cm

£250‑400

283 A COLLECTION OF BROOCHES to include a pearl set brooch modelled as an oak leaf and acorn, another modelled as fleur‑de‑lis, unmarked; a circular jade set brooch and a moonstone set bar brooch, unmarked; an amethyst and pearl set cluster brooch, a turquoise set ‘bird’ brooch, unmarked; a floral foil‑backed red gem set cluster brooch and three further gem set bar brooches, an unmarked yellow metal locket (11) £250‑400

A COLLECTION OF FOUR EARLY‑20TH CENTURY PENDANTS to include an amethyst and seed pearl set pendant, of scrolling design, to an integral trace link chain, stamped 9ct; a circular seed pearl and turquoise set pendant with applied bow motif, unmarked; another similar set with seed pearls and garnets; a paste and cultured pearl set pendant, unmarked (4) £300‑400

291 A COLLECTION OF VICTORIAN JEWELLERY to include a pearl and sapphire set crescent brooch, stamped 18ct; a bar brooch with applied pearl set crescent motif; a small gem set propelling pencil (3) £250‑400

284

292

A COLLECTION OF JEWELLERY

to include a 9ct gold belcher link chain, a 9ct gold rope twist chain; a similar bracelet stamped 14k, an emerald set brooch, stamped 14k; two nappy pins stamped 9ct; various other brooches, earrings and bracelets etc. (qty)

to include a Norwegian red guilloche enamelled necklace and matching bracelet, with additional links; a Victorian diamond set tie pin, and an enamel and gem set ‘blackamoor’ pendant (4)

£350‑500

£150‑250

WRIST WATCHES 293 A GENTLEMAN’S STAINLESS STEEL WRIST WATCH, BULOVA C8776678, automatic, polished case, silvered dial with subsidiary seconds dial and 24 hour dial, visible escapement, visible movement to rear, polished and satin finished bracelet, double clasp, with box, booklet and cushion Case width: 42mm

£300‑400

294 A LADY’S 18CT GOLD CASED WRIST WATCH, CARTIER Large Tank Divan, ref. no. 2603, polished broad rectangular case, guilloche type dial, black Roman numerals, sweep second hand, sapphire cabochon to the crown, Cartier leather strap, gold Cartier buckle Case width: 38mm

£3,000‑5,000

294

295 A LADY’S 18CT GOLD CASED WRIST WATCH, MUST DE CARTIER Tank model, plain rectangular dial, Roman numerals, sapphire crown, manual movement, plain leather strap with gold deployant fold over clasp, in box with spare Cartier strap Case width: 20mm

£500‑800

296 A GENTLEMAN’S STAINLESS STEEL CASED WRIST WATCH, CARTIER, Roadster, ref. no. 3312, polished case with black inner border to the shaped dial, silvered dial with black Roman numerals, sweep second hand and date aperture, original rubber strap and fold over deployant buckle, with box and booklet Case width including crown: 45mm

£1,800‑2,400

297

296

TWO DESK ALARM CLOCKS, CARTIER the first of square form, brown lacquered moulded frame the square dial with Roman numerals, the second of octagonal form with gilt border, conforming dial with Roman numerals and on strut support with cylindrical front foot (2) Widths: 74mm

£400‑600

298 AN 18CT GOLD CASED WRIST WATCH, CHAUMET Jump Hours, Ref 10A, circa 1990s, plain gold case with apertures for hour and minute numerals, automatic movement, leather strap with Chaumet buckle Case width: 34mm

£1,000‑1,500

298 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

306

307

299

304

A GENTLEMAN’S 9CT GOLD DRESS WATCH, CERTINA

A GENTLEMAN’S STAINLESS STEEL CHRONOGRAPH, CITIZEN

circa 1976, the champagne dial with baton indicators, integral flexible Milanese type bracelet, fold over clasp

Eco Drive, WR200, Radio Controlled, Skyhawk, black dial with sub register dials and indicators, dead beat second hand, tachymeter bezel, satin finish bracelet and fold over clasp, with case, box papers etc and Rotary, a gentleman’s automatic gilt cased wrist watch, skeleton dial etc, and open glazed rear, leather strap (2)

Case diameter: 34mm

£350‑500

300

Case width: 45mm

A STAINLESS STEEL CASED WRIST WATCH, CHOPARD

£300‑400

Grand Tourismo, 1000 Miglia, black dial large Arabic luminous numerals, sweep second hand, large date aperture, polished fixed bezel, automatic movement original ‘tyre tread’ rubber strap, with booklet and box

305

Case width: 40mm

£500‑700

A GENTLEMAN’S STAINLESS STEEL WRIST WATCH, FERRARI Gran Premio, satin finished case, fixed outer bezel, black dial, sweep second hand, day and date aperture/arch, stainless steel bracelet, fold over clasp, in box and booklet

301

Case width: 45mm

A CHRONOGRAPHE SUISSE 18K GOLD WRIST WATCH

£200‑300

silvered dial with telemetre outer indicators, subsidiary register dials, polished rose gold case, leather strap

306

Case width: 36mm

A GENTLEMAN’S 18CT ROSE GOLD CASED WATCH, IWC

£400‑600

302 A DESK ALARM CLOCK, MUST DE CARTIER of circular form, bold rounded bezel, circular dial plain with Roman numerals, strut support with front cylindrical foot, cased with booklet Case width: 76mm

£300‑500

303 A GENTLEMAN’S STAINLESS STEEL CHRONOGRAPH, CITIZEN Eco drive WR200, perpetual Calendar, radio control, polished steel case with black dial and register dials, outer tachymeter dial operated by side crown, integral bracelet and clasp, with box and booklet, CD etc Case width: 44mm

£300‑500

circa 1950s, Cal. C88, silvered dial, sweep second hand, gilt baton and Arabic numerals to the quarters, leather strap, gilt buckle, in IWC service box Case width: 38mm

£1,000‑1,500

307 A STAINLESS STEEL WRIST WATCH, IWC Fliegeruhr MK XVI, pilot’s watch, plain stainless steel case, black dial with clear Arabic numerals, sweep second hand and date aperture, screw down crown, automatic movement, satin finished brick link bracelet, with box and papers Case width: 40mm

£1,000‑1,500

308

314

308

312

A GENTLEMAN’S STAINLESS STEEL WRIST WATCH, JAEGER LECOULTRE

A GENTLEMAN’S STAINLESS STEEL CASED MULTI‑FUNCTION WRIST WATCH

Memovox type, rounded square case, broad bezel, lapis effect dial, baton indicators, sweep second hand, alarm dial on rotating lapis effect panel, twin crowns, associated bracelet

Minute Repeater, Cal 9000, polished case and bracelet, black chapter ring, silvered sub dials, polished bracelet, with box

Case width: 37mm

£300‑500

Case width: 40mm

£400‑600

313 309 A LADY’S 9CT GOLD CASED WRIST WATCH, JAEGER LECOULTRE

A GROUP OF THREE GENTLEMAN’S WATCHES, OMEGA AND LONGINES

Case widths: 20mm & 21mm

Omega Geneve, gilt cased and matching bracelet, the champagne dial with day and date, sweep second hand; a gilt cased wrist watch, Omega, plain case, silvered dial with baton indicators, sweep second hand and date aperture, leather strap; Longines, gilt case, champagne dial, baton indicators, leather strap (3)

£300‑500

Case widths: 36mm two at 33mm

mid‑20th century, plain stepped gold case, dial with Arabic and baton indicators, leather strap; together with a modern gilt cased wrist watch, black enamel dial with gem set at 12, cased

£300‑500

310 AN 18CT GOLD WRIST WATCH, LONGINES probably 1970s, the moulded yellow gold case of square form with angled corners, white dial, with sweep second hand, crown with sapphire cabochon, lmanual wind, eather strap

314 A GENTLEMAN’S 18CT GOLD CASED WRIST WATCH, OMEGA

Case width: 26mm

Louis Brandt, cal. 1119, plain polished case, ‘Clous de Paris’ dial, Roman indicators, sweep second hand, date aperture, automatic movement, visible to rear, leather strap and gold buckle

£600‑800

Case width: 34mm

£1,200‑1,800

311 TWO MID‑20TH CENTURY STAINLESS STEEL CASED WRIST WATCHES

315 A GENTLEMAN’S 9CT GOLD CASED WRIST WATCH, OMEGA

Longines, Cal L30, off white dial, polished baton indicators, plain case, subsidiary seconds dial, later bracelet; Omega, rectangular case and dial, subsidiary seconds dial, Arabic numerals, later bracelet, both manual wind (2)

1930s, of cushion shape, rounded square form silvered dial, gilt baton indicators and Arabic numerals at the quarters, subsidiary seconds dial, Dennison case, later expanding bracelet

Case widths: 34mm & 21mm

£400‑600

Case width: 29mm

£300‑500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

316 A RARE MID‑20TH CENTURY STAINLESS STEEL WRIST WATCH, OMEGA Seamaster 300, black rotating bezel, black dial, luminous baton indicators, Arabic numerals to quarters, sweep second hand, automatic movement, Omega bracelet, the rear cover finely engraved with owners name etc. ‘OOCD403 BRIAN SMITH’ formerly with Fleet Air Arm Case width: 40mm

£8,000‑12,000

317 A GROUP OF THREE GENTLEMAN’S MODERN WRIST WATCHES Arkitekt, Fossil, FS‑2920, chronograph, blue dial and register dials, date aperture, diamond at 12, satin and polished bracelet; Skone 6114, silvered dial, sub dials, stainless steel bracelet; Accurist 2105, black dial, baton indicators, sweep second hand, day and date aperture, gilt bracelet (3) £200‑400

318 A GENTLEMAN’S 18CT GOLD WRIST WATCH, OMEGA Seamaster, champagne dial, baton indicators, plain case, with a heavy flexible link bracelet, fold over clasp, engraved initials Case width: 34mm

£700‑900

320

319 THIRTEEN VARIOUS GOLD CASED WRIST WATCHES mainly first half of the 20th century, various styles, mainly small dials (13) £350‑500

320 A LADY’S 14CT GOLD WRIST WATCH, ROLEX Cal. 1400, the oval silvered dial with baton indicators, the bezel, lightly engraved textured effect as is the integral bracelet, fold over clasp Case width: 26mm

£1,000‑1,500

321

AN 18CT GOLD CASED WRIST WATCH, ROLEX Cellini, ref. 5110, slimline, champagne dial, baton indicators for hours, plain case, leather strap, original gold Rolex buckle, with boxes and papers Case width: 32mm

£1,000‑1,500

322 A GENTLEMAN’S STAINLESS STEEL WRIST WATCH, ROLEX GMT Master II, 16710, ‘Batman’ bezel, black dial with sweep second hand, date aperture, screw down crown, satin finished Oyster bracelet, with box and papers Case width: 40mm

£3,000‑4,000

322

323 A GENTLEMAN’S SILVER CASED WRIST WATCH, 1930S, ROLEX Prince, the upright rectangular dial with small hour dial and lower second’s dial below, the Prima Extra movement, observatory quality, timed to six positions, no. 72934, plain silver curved case also numbered, 05809/9701U, all on a leather strap, plain buckle Case width: 22mm, length (inc lugs): 42mm

£1,600‑2,000

323 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

324 A STAINLESS STEEL AND GOLD WRIST WATCH, ROLEX Oyster Perpetual Datejust, Ref. 16233, champagne dial, sweep second hand, baton indicators, date aperture, screw down crown, Jubilee bracelet with deployant clasp, with boxes and papers Case width: 35mm

£3,000‑5,000

325 A GROUP OF GENTLEMAN’S MODERN WRIST WATCHES Royal, stainless steel cased, guilloche silvered dial, sweep second hand, day and date subsidiary dials, moon phase arch, quartz movement, leather strap; Royal, a brushed stainless steel cased pocket watch, plain white dial, sweep second hand, quartz; Junghans, brushed stainless steel case black polished ceramic and steel bracelet DCF77, solar power; Accurist, Skymaster, outer tachymetre bezel, black dial, subsidiary LED indicators, stitched leather strap; Bulova, a gilt cased wrist watch, copper coloured dial, baton indicators, date aperture, sweep second hand, leather strap (5) £400‑700

326 A GENTLEMAN’S STAINLESS STEEL CHRONOGRAPH, TAG HEUER 2000, professional, satin gold dial and sub registers, date aperture, stainless steel and gilt bracelet, quartz movement 324

Case width: 40mm

£300‑400

327 A LADY’S GILT WRIST WATCH, TAG HEUER Professional 200 meters, cream dial, baton indicators, sweep second hand, screw down crown polished ribbed bracelet, double fold over clasp, quartz movement Case width: 37mm

£180‑250

328 TWO LADY’S DESIGNER WRIST WATCHES, TIFFANY AND GUCCI the Tiffany watch in stainless steel, white dial, with sweep second hand and date aperture, polished bracelet; the Gucci black and gilt case, silvered patterned dial, leather strap (2) Case diameters: 23mm & 30mm

£300‑500

329 A GENTLEMAN’S STAINLESS STEEL AND GOLD CHRONOGRAPH, ZENITH

329

El Primero Rainbow, 53‑0370‑400, metallic blue dial and sub dials, second hand, date aperture, uni‑directional bezel in gold and blue, screw down crown and stop start buttons, satin finished stainless steel bracelet with gold finished links Case width: 38mm

£1,200‑1,800

Lots 294, 314, 320, 321, 322 and 341

POCKET WATCHES

335

330 to include, four hunting cases, all white dials with subsidiary seconds dials, one by Omega, others by Cyma, Elgin, Waltham, etc., all keyless wind, lever movements (6)

the first Inscribed J Steward 406 Strand, with stop watch action and verniers for distance travelled, plain case; the second a silver pair cased pocket watch with a plain outer case, enamel dial with Roman and Arabic numerals, the movement signed Alex Hollisone Liverpool; the third, a silver pair cased pocket watch, plain outer case, enamel dial with Roman numerals, plain verge movement, unsigned movement (3)

£200‑300

£350‑500

331

336

A LARGE COLLECTION OF SILVER WATCHES AND JEWELLERY

TWO SILVER CASED POCKET WATCHES

SIX GILT METAL POCKET WATCHES

approximately twenty seven silver cased pocket watches, open faced, lever and pair cased, fob and pocket watches; ten pairs of sugar tongs including Scottish 19th century and others, various coins, pin tray, neck chains, small ingots etc., vesta cases, Scottish brooches etc., sovereign keeper etc., pair glove stretchers large group of silver Alberts (qty) Weighable silver (Excluding watches): 26oz

£400‑600

332 FOUR VARIOUS PAIR CASED POCKET WATCHES the first Scott and Coutts London, plain dial, Roman numerals, gilt hands, verge movement, signed; the second, Mitchell Russell, Glasgow, domed white enamel dial, Arabic numerals, verge movement, signed, plain outer case; the third Markwick Markham, Perigal London, small size, enamel dial marked for Turkish market and inscribed, the verge movement inscribed and numbered in Turkish, gilt case; the fourth, Richard Thaine London, later dial, verge movement signed and numbered, 2813, plain cases; the fifth, J Richards Liverpool, white dial with Roman and Arabic numerals, movement signed and numbered 844; and a silver cased English lever pocket watch (5)

A GROUP OF THREE SILVER CASED POCKET WATCHES

to include a silver pair cased pocket watch, with a later dial with Roman numerals, movement inscribed John Donald Inverness and a silver pair cased pocket watch, with an enamel dial with Roman numerals, movement not inscribed (2) Case widths: 55mm & 52mm

£250‑350

337 A SILVER CASED POCKET WATCH, LONGINES engine turned open faced case, key less wind, the bezel and rear cover with gold detail, enamel dial with Arabic numerals, subsidiary seconds dial, gold hands, lever movement numbered 2812844 Case diameter: 50mm

£500‑800

338 AN 18CT GOLD CASED POCKET WATCH, RATTRAY DUNDEE open faced case, white dial, central seconds hand, keyless wind, three quarter plate lever movement, engraved monogram to rear cover

Overall diameters from: 50mm to 59mm

Case diameter: 50mm

£500‑700

£300‑500

333

339

A GROUP OF THREE POCKET WATCHES

AN 18CT GOLD OPEN FACED POCKET WATCH

the first a gilt cased open face pocket watch, with a gilt dial front key wind, movement signed John Danieli; the second a gilt cased open faced pocket watch, with a gilt dial Roman numerals, movement inscribed William John, London; the third, a silver pair cased pocket watch with later dial with Roman numerals, movement inscribed William Mason Dunse sic (3)

key wind, gilt dial, with floral engraved centre, plain outer case, with a thin yellow metal Albert with a fob pendant and a 9ct gold medal (3)

Case widths: 44mm, 46mm & 53mm

AN 18CT GOLD FULL HUNTER CASED QUARTER REPEATER POCKET STOP WATCH

£300‑400

334 TWO POCKET WATCHES the first a gun metal cased pocket watch with complications, the dial with subsidiary dials for day, date, month and time, central sweep second hand; the second a silver pair cased pocket watch, with a plain outer case, enamel dial with Roman numerals, movement signed J White London and numbered 6753 (2) Case widths: 54mm and 55mm

£350‑450

Case width: 41mm

£250‑400

340

keyless wind, the outer case with engraved monogram, white enamel dial with Roman numerals, and outer fine dial for the stop watch seconds hand, subsidiary running second’s dial, lever movement and striking on two gongs Case width 50mm

£1,200‑1,800

341 AN 18CT GOLD OPEN FACED KEY‑WIND REPEATER POCKET WATCH Green Ward and Co London, gilt dial with Roman numerals, engine turned rear cover, movement signed and numbered Case width: 46mm

£1,500‑2,500

342 AN 18CT GOLD OPEN‑FACED POCKET WATCH key wind, gilt dial, engraved outer case, enclosed unsigned movement Case width: 42mm

£300‑500

343 AN 18CT GOLD FULL‑HUNTER POCKET WATCH white enamel dial, subsidiary seconds dial, Edwin Flinn, London, lever movement, case engraved with monogram

337

Case width: 40mm

£400‑600

344 AN 18CT GOLD OPEN FACED POCKET WATCH/STOP WATCH key less wind, open faced, the dial with Roman numerals and subsidiary Arabic seconds dial to outer plain unsigned movement, rear cover engraved monogram Case width: 50mm

£400‑600

345 THREE GOLD CASED POCKET WATCHES an 18K small hunter cased pocket watch, lever movement, marked 18K, keyless wind; a 14K open faced pocket watch, key less wind, lever movement, all over engraved case, gilt dial and a 12ct gold open faced small fob watch, keyless wind, silvered dial, lever movement (3)

340

Case widths: 35mm, 39mm & 32mm

£400‑600

346 A 9CT GOLD OPEN FACED POCKET WATCH Alexander of London, gilt dial with Roman numerals, floral engraved case, lever key wind movement Case width: 50mm

£300‑500

341

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

COINS, MEDALS & BANK NOTES 347 BYZANTINE ‑ ALEXIS IER (1081‑1108). HYPERPÈRE IN GOLD Christ standing with Nimbus, reverse, the Emperor standing forward (Sear, n°1913 – Morrisson, n°3 sq.) Diameter: 31mm, weight 4.3g

£200‑300

348 EDWARD III 1337‑1377 QUARTER NOBLE Edward III quarter noble, pre treaty period, S1498 £250‑400

349 A SPADE GUINEA AND HALF GUINEA both drilled, 1775 and 1788; a large filigree pendant of round form, small eastern coin to centre, gem set detail to the ground; a small gold mounted compass fob; a Georgian momento mori brooch and another later; a filigree mounted bracelet with ancient Egyptian inset scarabs and a bes figure with a blue glazed charm appendage; sewn silk panel and woven ribbon; miscellaneous other objets trouvé (qty) £300‑500

350

351

356 G.B. ‑ CASED PROOF GOLD £2 AND TWO HALF SOVEREIGNS £2 1990, half sovereigns, 1983 and 1980, as issued with papers (3) £760‑1,020

A CASED SET OF SILVER PROOF COINS, THE GENIUS OF LEONARDO DA VINCI

357

fifty silver proof coins by John Pinches, all in a case with drawers Weighable silver: 2550g

Watt, Ballantyne, Dick, 1st February 1954, with Royal Bank of Scotland £5 Ryder Cup issue 22nd September

£500‑700

£150‑210

351

358

FRANCE ‑ A GROUP OF 20 FRANC COINS

G.B. ‑ ROYAL BANK OF SCOTLAND‑ £5 UNIFACE

1806 to 1815 inclusive, AN14, An13, AN12, 1815 Louis XVIII (14)

two signatories Henderson, Dick, P319 1st December 1952

£2,000‑2,500

£170‑250

352

359

G.B ‑ A SOVEREIGN

G.B ‑ THREE BANK OF ENGLAND £5 UNIFACE NOTES

1910

all P S Beale, January 1952, Ref. B270; May 1949, thin paper, Ref B270; June 1951, Ref B270 (3)

£250‑350

G.B ‑ A ROYAL BANK OF SCOTLAND £5

£340‑510

353 G.B. ‑ TWO SOVEREIGNS

360

1910, 1912 (2)

G.B ‑ BANK OF ENGLAND, BRITISH ARMED FORCES, ROYAL BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES

£300‑500

354 G.B. ‑ THREE SOVEREIGNS (MELBOURNE MINT) 1878 1886, 1886 all young head (3) £600‑800

355 G.B. ‑ A 2011 PROOF GOLD SOVEREIGN SET cased and with booklet, comprising; double sovereign, sovereign, half and quarter sovereign, all as issued £600‑800

BAF, £5 2nd Series; £1 4th series; £1 x 3, 3rd series; £1 2nd series; 10/‑ PM28b; 5/‑ PM20d; 1/‑ x 2 PM26b and PM32b; Bank of England £1 notes various types x 16 70s and 80s; £5 x 4 RBS £1 Alexander Graham Bell x 7; Robert Louis Stevenson x 9; European Summit x 11; Robert the Bruce x 6; Edinburgh Castle x 6; Parliament x 9; Standard x 136 (qty) £210‑340

361

366

G.B ‑ CLYDESDALE AND NORTH OF SCOTLAND BANK, COMMERCIAL BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES

G.B ‑ BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES

comprising; National Commercial Bank £5 September 1959 D Alexander; Commercial Bank of Scotland £5 January 1953 PS333; Clydesdale & North of Scotland Bank £5 1952 Campbell, P192; £5 1952 Campbell P192; 1955, Campbell P192; North of Scotland £1 1935 PS638; 1945 Webster? PS644b; £1 Harvey Smith, 1940 PS644; £1 1935 Butterworth; Commercial Bank of Scotland £1 1947 PS332 x 2; £1 x 3 1956, 1957, 1959, MacDonald PS336; National Commercial Bank of Scotland £1 x 4 Alexander Burke, 1962, 1963, 1964, 1968 (qty)

£10 x 3 Patullo, Burt, 1992, 1993, P117; £10 Patullo, Burt, Feb 1995, P120a; £5 Patullo, Burt, Jan 1993 P116b; £5 Jan 1995 Patullo, Burt, Jan 1995 P119a; £5 Burt, Mitchell, June 2002; £5 x 4 Risk, Patullo, 2 1987, 2 1988, P112f; £5 Nov 1991 Patullo, Burt Nov 1991, P116b; £5 Elphinstone, Crawford, July 1949 P98a; £5 Elphinstone, Watson, Dec 1953, P98b; £1 Elphinstone, Crawford, Dec 1951, P96b: £1 Elphinstone, Watson, Nov 1953; £1 x2 Bilsland, Watson, Oct 1957, August 1957, P100c; £1 x 11 various signatures, dates from 1970 to 1986, P111; and four others similar used (qty) £170‑250

£170‑250

367

362

G.B ‑ ROYAL BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES

G.B ‑ THE NATIONAL BANK OF SCOTLAND, UNION BANK OF SCOTLAND, BRITISH LINEN BANK ‑ A COLLECTION OF BANKNOTES National Bank ‑ £1 Alexander 1956 P258; £1 Alexander 1957 P258c; £1 group of 3 Leggatt 1944, 1944, 1949, P258; Union Bank ‑ £1 Hird Wilson, 1942; £1 Morrison 1949; British Linen Bank, £1 Thos Walker, 1969, 1970, P169; £5 1968, Thos Walker, 1968, P170; £5 A P Anderson 1959 P161b; £1 Walker 1967 P168; £1 x 2 Thos Walker P169; £1 x3 Anderson 1962, Thos walker 1963 and 1964 P166: £1 x 3 Anderson 1954, 1957, 1960 P157; £1 x 3 Wahg 1942, Mackenzie 1947, 1950 P157; £1 Waker 1968 (qty) £210‑340

363 G.B ‑ BANK OF SCOTLAND ‑ A £20 UNIFACE NOTE 1958, Bilsland, Watson P94f £170‑250

364 G.B ‑ BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES £1 x 2 Polworth, Letham, Mar 1967 P105b: £1 Polworth, Letham, July 1968, A/1 Prefix P109a; £1 x 2 Polworth, Letham, P109b; £1 x 6 1974, 75, 77, 81, 83, 84, P111; £5 x 2 Bilsland, Watson Sept 1961 P103; £5 Bilsland, Watson Jan 1965, P106a; £5 x 2 Bilsland, Watson, Mar 1966 P106b; £5 x 3 Clydesmuir, Pattullo 1973, 1979, 1980 P112; £10 x 3 Risk, Patullo, 1984, 1986, 1989, Risk Burt, P113; £20 Patullo, Burt, Feb 1992 P118; £1 Risk Patullo Nov 1986 P111f: £10 Stevenson Matthew, Sept 2007 P125 (qty) £250‑340

365 G.B ‑ BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES £10 Grant, Masterton, Aug 1998, P120c; £10 x 2 Shaw, Mitchell, June 2001 P120d; £10 x 2 Mitchell, Nov 2003, P120e; £5 x 2 Risk, Patullo, June 1982, 1984 P112e; £5 x 2 Risk, Patullo, Dec 1985, P112f; £5 Bilsland, Watson, Oct 1959 P103?; £5 Bilsland, Watson, May 1960 P101c; £5 Polworth, Letham, Nov 1 1968, P110a; £1 x 3 Risk, Patullo Nov 1986, Dec 1985, P111f; £1 Clydesmuir, Russell, Z/2 prefix, P111c; £1 x 2 Clydesmuir, Patullo, Oct 1979, Nov 1980, P111d; £1 x 4 Bilsland, Williams, Nov 1960, Nov 1961, Dec 1962, May 1965, P100c and P102; £10 x 3 Patullo, Burt 1993 (qty) £230‑290

£1 Speed and Brown, hand written, Oct 1932 P321; £1 Speed 1939 P322a; £1 Brown, 1949, P322b; £5 x 2 Goodwin, May 2004 R & A issue; £5 x 2 Royal College of Surgeons 500 years; £5 x 2 July 2005 Jack Nicklaus issue; £10 x 2 Hester, Diamond Jubilee 2012, P368; £5 x 2 Hester, Nov 2008; £1 Mathewson, European summit 1992, P356; £1 x 2 July 1970, Burke, A prefix, P334; £1 x 10 Various dates and signatories, P336, P346; £1 x 2 Mathewson RLS Issue P358; £1 Mathewson 1997 Graham Bell issue P359 (qty) £340‑420

368 G.B ‑ ROYAL BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES £1 Dick, 1951; £1 Dick, 1953; £1 Ballantyne 1957, P324a; £10 x 3 1985, 87, 89, various signatories; £5 x 4 Various signatories, various dates; £5 x2 Goodwin, 2002 Queen’s Golden Jubilee P363; £1 x 3 various commemorative issues RLS, AGB, First sitting parliament, P358, P359, P360; £1 x 5 2000, 2001 various signatories; £1 x 6 1984, 85, 86 C and D Prefixes; £1 Mathewson, March 1994, NO watermark, UNC P351cc; £1 x 3 Mathewson Feb 1987; £1 x 2 Mathewson Dec 1992 EEC P356; £1 Robertson, July 1967, P325b; £1 x 2 Dale, Sept 1967 P327a; £1 x 2 Robertson, Burke, March 1969, P329 (qty) £340‑510

369 G.B ‑ ROYAL BANK OF SCOTLAND ‑ A COLLECTION OF BANKNOTES £1 x 5 Ballantyne 1958, 61, 64, 64, 65, P324, P325a; £1 x 2 Robertson, March 1967, June 1967, P325b; £10 x 2 Mathewson, March 1994; £20, Goodwin, 2000; £20 Goodwin 2000 100th Birthday issue P361; £5 x 4 Burke, Robertson, 1969, Burke 1970 P330 P335: £1 x 4 Mathewson 1987; £1 Mathewson, 1999, Scottish Parliament issue P360; £1 x 3, Burke, Winter 1979, 1981, P336, Winter, 1983 P341b; £1 x 8 various signatories and dates early 90s (qty) £250‑340

370 A FAMILY GROUP OF CAMPAIGN MEDALS CRIMEA TO WWII A pair to John J Gregory Nl Cadet, ‘Winchester’ with bar for Pegu, Baltic medal un named as issued; WW! and WWII group of five to Capt/Major GMA Gregory, 1914‑15 star, with bar, 5th August to Nov 1914, A.V.M., with laurel wreath, 1914‑18 B.W.M., Defence Medal 1939‑45 B.W.M.; A WWII group of seven miniatures O.B.E., Order of the Bath (Companion), D.S.O., with bar, 1939‑45 star, Atlantic star, 1939‑45 War Medal and laurel leaf, EIIR coronation, full size of two stars and B.W.M., only ‑ probably to Vice Admiral Sir (George) David (Archibald) £300‑500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

LUGGAGE & ACCESSORIES

374

371

the leather belt with a black crocodile style finish, signed Gucci, the yellow metal clasp modelled as a Rolls Royce radiator, stamped 18K

A CANVAS AND VELLUM SUITCASE, HÈRMES CIRCA 1930 of rectangular form, decorated with various hotel and travel stickers including Raffles Hotel, Grand Hotel Terminus St. Lazare, Paris, with gilt metal fittings, stamped HÈRMES Width: 55cm, depth: 16cm, height: 35cm

£1,000‑1,500

372 A 1950S FLÈCHE D’OR BRIEFCASE, HÈRMES CIRCA 1955

A GENTLEMAN’S ROLLS ROYCE LEATHER BELT, GUCCI

Length: 111cm, buckle weight: 50.6g

£1,500‑2,000

375 A ROLLS ROYCE CHROME PLATED NOVELTY FLASK, RUDDSPEED modelled as a Rolls Royce car radiator with screw off top and window to reverse, retailed by RUDDSPEED LTD. Height: 22cm

£400‑600

of traditional black leather rectangular form, the gilt metal fittings, stamped HÈRMES PARIS, with an orange dust draw string sleeve Width: 44cm, height: 30cm, depth: 8.5cm

£800‑1,200

373 A 1930S LEATHER BRIEFCASE, HÈRMES CIRCA 1930 of midnight blue leather, rectangular form, the gilt metal fittings, stamped HÈRMES PARIS Width: 45.5cm, height: 29cm, depth: 17cm

£1,500‑2,500

371

INTERNATIONAL & PLATED SILVER 376 A PAIR OF SHEFFIELD PLATE THREE LIGHT CANDELABRA the square moulded bases, beneath tapered columns and urn shaped capitals, with two reeded scroll branches, with embossed scrolling and bud border throughout (loaded) Height: 42cm

£200‑400

377 A LARGE OAK CASED CANTEEN OF AMERICAN CUTLERY stamped WALLACE STERLING, composed of twelve fish knives, twelve fish forks, twelve table forks, twelve table knives, twelve dessert spoons, twelve dessert forks, twelve coffee spoons, eleven consommé spoons, twelve shellfish forks, twelve butter knives and twelve pastry forks, all of double struck Rococo scrolls and floral detail with engraved italic B to reverse of terminal (qty)

383

Length of fish fork: 20cm

382

£1,800‑2,500

AN ITALIAN CHAMPAGNE BUCKET

378

stamped Goretta 800 to underside, of demi‑fluted Campagna form with a slight everted rim with threaded border, the cast handles with moulded foliate decoration, on a stepped circular foot

A FRENCH SILVER PLATED BOWL marked A. RISLER & CARRE/ PARIS, of circular form, embossed scrolling border; together with a pair of Victorian salts, 1885, gadrooned border, raised on three shell feet with associated mustard and salt spoons of Fiddle, thread and Shell pattern; a pair of scissors, Sheffield 1921 and a pair of plated tongs and other salt spoons (12)

Height: 24cm

Diameter:20cm, weighable silver: 13oz

£200‑300

import marks for London 1900, marked to base, modelled as a hurdy gurdy player, collet set throughout with various coloured cabochon foil back pastes, the music box with two monkeys surmounted

379

Height: 22cm, weight: 18oz

£400‑600

383 A NOVELTY CONTINENTAL SILVER AND GEM SET FIGURE

A PAIR OF LATE 19TH CENTURY FRENCH TWO LIGHT CANDELABRA

£300‑500

stamped Minerva head to base for Paris, the Corinthian column extending to two leaf clasped branches with circular sconces, the central finial designed as a rose bud, each raised on a circular foot with beaded and decorative border (2)

384 A TORTOISESHELL SNUFF BOX

380

of canted rectangular form, silver pique swag and foliate detail, cartouche to centre with italic initials, hinged lid; together with a silver and parcel gilt box and cover made up of two Christian IV of Denmark silver Speciedaler of 162*, the coin forming the base with a basket weave decorated side, the base with projecting milled edge, the cover also with similar milled edge (2)

A FRENCH AGATE PATCH BOX

Length: 11cm

of circular outline, modelled in a banded red moss‑agate, the mounts with French Eagles head marks for gold; together with a small silver snuff box with filigree grill (2)

Provenance: Kennard family, ex Coul Estate

Diameter: 41mm

385

£200‑300

A MIXED GROUP OF SILVER FLATWARE

381

to include; a 19th century German silver gilt apostle type spoon, cased and engraved for a silver wedding present, other cased spoons etc. miscellaneous loose spoons, George III sprung tongs etc. (qty)

Height: 23cm

£300‑500

A CYPRIOT SILVER TWIN HANDLED TRAY apparently unmarked, attributed to Michalis Diogenous of Canaca, of oval form, intricate filigree detail with foliate design, the raised border of interwoven loops, the handles of similar design, all raised on four feet composed of the interwoven loop Width across handles: 39cm

£200‑400

£250‑400

£200‑300

390

390 AN EARLY 19TH CENTURY SWEDISH LADLE 387

Adolf Zethelius, Stockholm 1805, the bowl of egg form, elongated stem with threaded detail and very narrow shoulders, embossed and textured foliate detail to terminal Length: 39cm

£200‑300

386 A COLLECTION OF FLATWARE, GEORG JENSEN various import marks 1960s, comprising eight fish knives and forks, all of the Margrethe pattern (16)

391 A MISCELLANEOUS COLLECTION OF EUROPEAN AND OTHER FOREIGN SILVER

Length of fork: 17cm, weight: 24.4oz

to include; various serving spoons, serving tongs, ladles, strainer, copy Roman spoon, two Scottish table spoons with unascribed marks TB? thrice, group of Japanese small spoons, wrythen stems (qty)

£200‑300

£280‑350

387Y

392

A SWEDISH THREE PIECE COFFEE SERVICE

TWO DUTCH EARLY 19TH CENTURY TEA CADDIES

Guldsmedsaktiebolaget, Stockholm 1948, comprising coffee pot, cream jug and lidded sugar basin, all of moulded octagonal form, undulating rim, the lids of domed form with cast bud finials, raised on an octagonal foot

each of rounded tapering rectangular form, both with threaded bands, one with a lion couchant finial, the other a ball finial and raised on ball feet, both with locks (2)

Height: 21.5cm

Heights: 13cm and 14cm, weight: 19oz

£400‑600

£300‑500

388

393

A CONTINENTAL SILVER AND PARCEL GILT BEAKER

A RUSSIAN 19TH CENTURY SILVER BASKET

makers mark AFC for Lisbon 1891‑1937, of tapered form, embossed silver floral borders; together with a pair of Britannia standard miniature twin handled porringers, Arthur Sibley, London 1877, of traditional form, demi‑fluted bodies, punched foliate border, engraved dolphin crests; together with two unassociated, unmarked miniature tablespoons and a set of four miniature kitchen peppers, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Chester 1895, modelled as tankards; together with a vinaigrette, T.S., 1760, bright cut decoration and a spirit lighter modelled as a cauldron (qty)

Vasily Iconov, St Petersburg, circa 1890s of rectangular form and modelled as basket weave throughout, swing handle Width: 25cm, weight: 22oz

£600‑800

Height: 94mm, combined weight: 8oz Provenance: Kennard family, ex Coul Estate

£250‑400

389 AN EARLY 20TH CENTURY SWEDISH VASE Guldsmedsaktiebolaget, Stockholm 1919, of tapering vase form, gilt border to rim with engraved foliate detail, gilt beaded border to base with foot of domed form and embossed foliate detail, gilt interior Height: 21cm weight: 11oz

£300‑500

393 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Lots 413, 440, 444, 452 & 461

A PRIVATE COLLECTION FROM A EUROPEAN LADY 394 AN AMERICAN SILVER BOWL Abraham Dubois, Philadelphia, circa 1785, marked AD/AD, of circular form, lipped fringe border, engraved monogram to centre in a swag and floral border, raised on a domed circular foot with beaded border

399

Diameter: 16.7cm

398

£800‑1,200

A DUTCH 19TH CENTURY SILVER BOX AND COVER

395 A SOUTH AMERICAN TWIN HANDLED BOWL apparently unmarked, of circular form, the raised border with applied oval cartouches, the dish with applied solar motif, S scroll handles; together with a Dutch, silver gilt dispenser with burner, marks to base and assay scrape marks, composed of a ball with hook dispenser to a three footed stand (2)

indistinctly marked, of circular form, the lid decorated with a seated lady by a river’s edge; a late 18th/early 19th century silver gilt patch box and cover, possibly Italian, decorated formal leaf border and central rosette, mirror to interior; a trefoil shaped gilt box and cover, unmarked, divided interior; an unusual snuff box and cover, unmarked modelled as a large boot, allover chased decoration of country scenes and geese to the hinged cover (4) Boot height: 92mm

£800‑1,200

Diameter across handles: 19cm

£700‑900

399

396

AN EARLY 19TH CENTURY DUTCH BRANDY BOWL

A DUTCH 18TH CENTURY SILVER TOBACCO BOX

of circular lobed outline, with simple chased borders, twin cherub and flowerhead handles

marked with imported duty mark and two anchors, of oval cushion form, squeeze lid engraved with a bold cypher with European Count’s coronet, slightly later engraved armorials to base

Width: 23cm

£200‑300

Width: 95mm, weight: 2.6oz Note: The armorial bearings as engraved upon the base of this silver tobacco box dating to around the late 17th/ early 18th Century are those of the family of Nichell or its variant spelling of Nichells, Nicolls etc. The armorials on the lid are probably not connected to those on the base.

£300‑500

400 AN 18TH CENTURY DUTCH BRANDY BOWL possibly Rotterdam, of traditional lobed form, with twin engraved armorials, cast cherub and flowerhead handles Width: 25cm

£200‑300

397 TWO DUTCH 19TH CENTURY SMALL BASKETS with faux 18th century marks, the baskets of oval form, one with scroll terminals, beaded edge and pierced sides; the other with flat handles, beaded border, plain sides, tapering legs; three lobed two handled open small bowls each with a raised centre (5)

401 A DUTCH SILVER‑GILT SMALL PLAQUE mid‑17th century, chased with Tobias and the archangel Raphael Diameter: 11.5cm, weight: 64g Note: A slightly larger silver plaque of this scene, from the Dreesman collection, Amsterdam is illustrated by F. W. Frederiks, Dutch Silver, vol. I, p. 202

Widths from: 12cm to 17cm

£500‑700

£800‑1,200

396

401

402 A DUTCH LATE 18TH CENTURY BRANDY BOWL the bowl with tulip and foliate chased decoration with engraved date and import mark to rim, cast cherub and mask handles Width: 24.5cm

£400‑600

403 A GROUP OF DUTCH 18TH AND 19TH CENTURY SILVER to include: a Dutch silver hot milk jug, mark of A. Dingemans, the Hague 1799, of plain bulbous form, pull off cover, short spout, leather covered handle; a small tazza with a central standing figure in a round bowl, chased foliate decoration, plain stem, spreading foot; a small tapering beaker, simple engraved shield; a small silver gilt teapot, marks of Louis de Haan Rotterdam circa 1770, of squat circular form, scroll border and fluted lower border, lion mask spout, pull off cover, turned finial (4)

407

407 A CONTINENTAL SILVER NOVELTY CONDIMENT SET

Milk jug height: 14cm, silver (all in): 23oz

possibly Austro‑Hungarian, 19th Century, modelled as a wheelbarrow with two hinged barrels for condiments, marked to arm of wheelbarrow

£1,200‑1,800

Width: 20cm

£800‑1,200

404 A CONTINENTAL INCENSE BURNER

408

circa 1700, the thurible bowl of fluted form raised on three cast lion feet, the pierced screw off domed lid with ball finial and links for three chain with loop handle

A PAIR OF ITALIAN 18TH CENTURY SILVER HOLY WATER STOOPS

Height (not including chain): 16cm

indistinctly marked, of bucket shape, swing handle, mask terminals, the bodies with bands of lozenges, anthemion and swags

£800‑1,200

Height (handle down): 12.5cm, weight: 19.9oz

£700‑1,000

405 A CONTINENTAL STYLISED BOWL

409

possibly German, indistinctly marked to base, modelled as a lily pad base with textured details, with bowl on stem modelled as a lily

AN EARLY 19TH CENTURY ITALIAN SILVER BOX AND COVER

Height: 9cm

£400‑600

makers mark DS, of oval form, the hinged cover with boldly decorated marine scene with figures, cast thumb piece, the base of concave sides and plain Width: 10.2cm, weight: 3.7oz

406 A LATE 17TH/EARLY 18TH CENTURY GERMAN SILVER GILT PERPETUAL CALENDAR formed from three discs, the rotating plate to one side engraved with days of the week and inscription to border “Eccemen Sur Abile Sposius Tidie Smeos”, chased and engraved with shell and foliate decoration, the other plate engraved in descending pairs to either side of a cut‑out sector “Festu/Feyrt”, “Sonen/Lauff”, “Monat/D’Jahrs”, “Tages/Lenges” and “Sone/Aufg”, with pierced aperture engraved in descending pairs “”Nachts/Lenge” and “Sone/Untig”, engraved with birds and foliate decoration, the central disc engraved one side with numerals 1‑31, the other with important festivals, star sign symbols, month of the year etc.

£600‑800

410 A 17TH CENTURY PENDANT MINIATURE Spanish school, of a nobleman wearing a coat with full ruff, and a gold belt and court sword to his waist, reverse painted on glass within a silver gilt simple frame, slight ribbed border, scroll surmount with suspension loop Height (excluding ring): 56mm

£700‑1,000

Diameter: 42mm

£400‑600

406

410

411 AN EARLY 19TH CENTURY FIGURAL SEAL the silver and parcel gilt seal formed as a lion attacking a horse with ruby set eyes, parcel gilt detail on a rocky out crop, with vacant crystal matrix Height: 70mm

£200‑300

412 A PAIR OF GILT OIL DISPENSERS apparently unmarked, possibly early 19th century, each modelled as Eastern market shaped ewers, the hinged domed lid to S scroll handles, the tapered body to a stepped circular foot Height: 9cm

£200‑300

418

413 AN EARLY 19TH CENTURY FRENCH SILVER GILT BOX AND COVER indistinctly signed, of round form, the whole with engine turned decoration

418

Weight: 3.8oz

A LATE 18TH CENTURY PAIR OF ITALIAN THREE LIGHT TABLE CANDELABRA

£400‑600

414 TWO CENTRAL EUROPEAN BOXES

Naples circa 1780, the scrolling branches with ivy decoration, shaped sconces, the stick of baluster form, slight leaf clasping, serpentine circular base (2)

HB monogram possibly Portugal circa 1800, of oval form, the hinged lid decorated with a tavern scene, the base with figures playing various instruments in a garden scene, the border of figures carousing and drinking, gilt all over; together with another small box, maker’s mark only, JR in script, possibly Norwegian, of round form, the pull off cover with crimped edge and central spray of flowers (2)

Maximum height: 35cm, weight: 56oz

Widths: 90mm, 57mm, combined weight: 5.9oz

maker’s mark only, slight everted rim, lower gilt band with ring and mask motifs, rope twist border, to a spreading base with wing clasped feet; together with a Swedish parcel gilt bowl, single mark to underside, the oval bowl of elliptical shape, rising points with applied finials, simple engraved decoration, spreading circular foot (2)

£300‑500

415 TWO CENTRAL EUROPEAN SNUFF BOXES

£800‑1,200

419 AN EARLY 18TH CENTURY SCANDINAVIAN SILVER GILT BEAKER

a silvered oval table snuff box, apparently unmarked, chased design in classical manner with drapes, vignettes and swags, the other of oval form, the hinged cover with shell and scroll motifs, the base wrythen detail, the edge marked with a maker’s mark IW in serrated punch (2)

Height: 15.5cm, weight (2): 11.5oz

Width: 81mm, second length: 72mm

£300‑500

A SET OF FOUR EARLY 18TH CENTURY SWEDISH SMALL SILVER GILT SALTS

416

Magnus Myrman, Norrkopping, early 18th century, stamped gadrooned border, gilt well, all raised on collet foot (4)

AN EARLY 19TH CENTURY EUROPEAN DRESSING TABLE BOX AND COVER possibly Hannau, of demi‑fluted oval form, gadrooned border, the underside with pricked initials A.V.H/ G.V.E. the pull off cover with similar decoration and embossed shell and foliate decoration to centre, raised on four cast paw feet

£200‑300

420

Diameter: 10.5cm, combined weight: 9.1oz Note: See Erik Andren, Brynholf Hellner, Carl Hermarck, ‑ Svensk Silversmide 1520‑1850 P. 472, no’s. 6318 and 6319

£700‑900

421

Width: 13.5cm

AN EARLY 18TH CENTURY NORWEGIAN BOX AND COVER

£300‑500

Johannes Johansen the younger, Bergen circa 1720, of round form, the pull off cover with crimped edge and central panel of grapes and flowers the base with scrolling leaf decoration to the side and crimped projecting edge, together with; a small box and cover, Augsburg circa 1750, maker AN conjoined, the box plain cylindrical form, engraved Tudor style rose to lid; the other box of diamond shape, unmarked, gadrooned border, the centre of the pull off cover with engraved monogram (3)

417 A LARGE CENTRAL EUROPEAN OVAL BOX marked to base with assay scrape, the body depicting classical embossed scenes including Pegasus and allegorical figures, the lid depicting a scene of figures at a river with a donkey being attacked by a snake from a waterfall Width: 22cm

£350‑500

Diameters: 83mm, 40mm, width: 10cm

£400‑600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

425

425 A 17TH CENTURY CASED GROUP OF SIMON DE PASSE ENGRAVED COUNTERS 422

422 A 17TH CENTURY STYLE PYX BOX AND COVER marked to underside, the pull off cover with crimped edge and engraved scene of an arm holding a sword cutting a flame and NEC ME VIS DIVIDET VILA to the border, the shallow base with threaded border and further crimping Diameter: 80mm

£250‑400

maker’s mark only IT, of plain cylindrical form, engraved Tudor rose, slight moulded detail to box, enclosing a group of twelve double sided counters, with Mary and Charles; together with a tall cylindrical counter box of similar period, maker’s mark only, the pull off cover with Tudor rose, slight scalloped onset borders (qty) Diameter: 35mm, other box height: 56mm

£600‑800

426 A GROUP OF ENAMEL JEWELLERY AND OTHER ITEMS

unmarked, 18th century, of conventional form, with flat handled modelled as armorials and supporters, the bowl with stippled panelling to the exterior, all on ball feet, together with an Edwardian cast copy, Elkington & Co., London, 1909 (2)

to include; a pair of ear studs modelled as clown faces set with rose cut diamond eyes; a pair of oval portraits of an 18th century lady and gentleman, half bust length, simple wire frames; a pair of oval gold mounted enamel panels with loop fittings and later loose fittings to convert to brooches with safety clasps, the panels of classical figure in garden settings; a round box and cover, domed enamel discs with figures, deep sides, apparently unmarked; a large circular enamel plaque decorated various figures on board a ship (8)

length: 85mm, weight (2): 5.5oz

Large plaque diameter: 97mm

£700‑1,000

£1,000‑1,500

424

427

AN INTERESTING GROUP OF SMALL OBJETS DE VERTU

A MIXED GROUP OF VARIOUS ITEMS

comprising; a small 18th century counter box, makers mark only IG, pull off cover engraved ID; an early 19th century silver small spice box, unmarked, of cylindrical form, slight threaded detail screws into four parts; a small patch box with small compartment; small Dutch box and cover; a small caster with pull off lid, cut out hole to side, reeded centre section, gadrooned base; a silver and root wood pipe tamper, unmarked, one terminal engraved VIGO; a pair of small gilt metal figures of gentleman holding items relating to their office (7)

to include; an Art Nouveau style small rectangular medal, by Daniel Dupuis, the obverse with a young girl washing at a basin, the reverse with a winged putto above a blank stone for engraving medal details; an 18th century small flask and over, the body carved from a nut, silver mount with pull off cover, engraved band “MI DUDE NOME DARDO MORALE’ the nut carved with scroll motifs; an early 19th century silver mounted carved amber?? portrait of a lady, apparently unmarked; a small Scandinavian two handled bowl on three ball feet, unmarked, engraved ‘Berette Oles D’ a brass two part buckle, central motif of Mary and Jesus, the side panels with applied wire work and leaf motifs (5)

423 A RUSSIAN SILVER GILT KOVCHIK

Counter box diameter: 28mm

£400‑600

Medallion height: 65mm

£500‑700

428

430

A RARE MID 17TH CENTURY SILVER MOUNTED SHAGREEN SURGEON’S BOX

A VICTORIAN SILVER PLATED FISH DISH AND COVER

apparently unmarked, the rounded rectangular box and cover with shagreen, silver and other mounts, the shaped hinges and escutcheon and lock of plain outline and with pierced heart motifs, simple slide locking knob, the central panel simply engraved shield of armorials, with later onset initials W C, the interior lined with ‘leather?’ gilt detail of armorials as lid and various star and other motifs all in gilt Width: 15.7cm Note: The armorial bearings probably dates to around the mid‑17th Century are those of the Company of Barber‑Surgeons of the City of London. These arms are also stamped in gold leaf on the interior of the lid of the box. This case was part of a surgeon’s accoutrements which at one time contained various instruments of his profession such as leams (for bloodletting), silver catheters, scalpels, syringes and other medical paraphernalia. These arms as found on both the exterior and interior of its lid indicate that he was a member of the Company of Barber‑Surgeons of the City of London. A further clue to the identity of the original owner of the box are the initials ‘W C’ either side of the arms on the exterior lid. Although not conclusive given the approximate date of this case there are two likely candidates, a father and son who were Barber‑Surgeons who had the initials of ‘W C’. they were possibly William Clowes (born 1540 died 1604) who had served as Surgeon to both Queen Elizabeth and King James VI & I. He was appointed as Warden of the Company in 1594. As the father, William’s death occurred in 1604 it more than likely that this case was in the possession of his son, William Clowes, junior (born circa 1582 died prior to 30th October 1648). William was apprenticed to his father and was admitted to the Freedom of the Company on the 22nd January 1605 and advanced to its Livery some ten years later the 13th December 1615. At this date, William was the Surgeon to Charles, Prince of Wales. Upon the succession of Charles as King in 1625, William became the King’s Serjeant Surgeon.

Richard Hodd and Sons, modelled as a large flat fish on a rocky base with various other marine items, shells etc. Width: 24.5cm

£300‑500

431 A PAIR OF CAST SILVER SATYRS James Hunt, part marked London circa 1840, each modelled as a satyr, one on haunches holding a child figure, the other with a winged putto as a rider, all on shaped socle ebonised stands (2) Height: 10cm, length: 12cm, weight (2): 28oz

£800‑1,200

432 A 19TH CENTURY GILT METAL TABLE BOX AND COVER unmarked, the hinged cover with central miniature on card of winged putto, stepped sides to a base of plain rectangular form all raised on flattened ball feet, the whole with overlaid pierced, chased rectangular panels in the rococo manner of bold floral scrolls, portrait of male and female to each side; together with a 19th century gilt metal mounted octagonal box and cover with deep blue glass body and cover, unmarked; a gilt filigree small table inkwell modelled as a stylised flower an cover, with chain swags, spreading open base (3) £250‑400

He served twice as Master of the Company, firstly in 1626 and secondly in 1638. The placing of the initials of the owner of the box appears to be the fashion as other contemporary examples show this being done. There is a suspicion that either the company supplied such items directly or more feasibly had a tame box maker in the City who made them to a given pattern. The armorial bearings of the Company of Barbers‑Surgeons were granted by Sir Gilbert Dethick, Garter King of Arms, Robert Cooke, Clarenceux King of Arms and William Flower, Norroy King of Arms at The College of Arms on the 2nd June 1569. There are two similar boxes in the Wellcome Museum and another two in the collection of the Barbers’ Company. Although these have small drawer to the side. For more information see www.piratesurgeon.com Lyon & Turnbull sold a similar box but without the initials or armorials as lot 258 in sale 27th November 2006

£800‑1,200

429 A SILVER AND GILT ON COPPER COMMUNION CHALICE possibly 16th century, the plain bowl clasped with gilt leaf clasping, the knopped stem also gilt and with various Limoges style enamel bosses of saints, flared hexagonal base with rounded sides, slight engraved detail; together with another silvered and parcel gilt chalice of quatrefoil form, knopped stem, spreading foot (2) Height: 17cm, 14cm

£250‑400

431

435 A GEORGE III SILVER MOUNTED CARVED COCONUT CUP Robert Hennell, London 1827, the coconut carved with three ovals of plants, basket of flowers, parted curtains with heart pierced by arrow on a plinth, silver gilt liner, cast leaf border, the cup supported by bold birds on monopod legs with claw foot, concave triangular base, scroll shell feet Height: 13.75oz, weighable silver: 14.7oz

£300‑500

436 AN INTERESTING CARVED MOUNTED COCONUT CUP WITH CHARLES I CONNECTIONS

433

unmarked circa 1740, the coconut carved with three panels relating to Charles I, an oval portrait of Charles and engraved ‘ IN ALIUS PROMPTISSIMUS IN DIVINIS OPTIMUS’ second a scene passing sentence ‘LACHLY MOROPTERIM CREDU TITAT EM’ the third a scene of an execution at Tower of London, all on turned wood base, and domed foot Height: 17cm

£800‑1,200

433

437

JERSEY ‑ AN 18TH CENTURY CHANNEL ISLANDS SMALL BEAKER

A PAIR OF CHAMBER STICKS

pricked mark attributed to Thomas Mauger, Jersey, circa 1730, of slight flared form, simple engraved band of scrolling foliage all raised on ball feet Height: 7.5cm, weight 3.4oz

the hexagonal white metal bases with stamped mark L&R, loop handle, engraved crest and central candle holder, with a later Sheffield plate ring for holding a candle shade (2) Width: 11.5cm

£200‑300

£800‑1,200

438 434 JERSEY ‑ AN 18TH CENTURY CHANNEL ISLANDS TWIN HANDLED PORRINGER marked Thomas Mageur, Jersey, circa 1760, of circular form, intricate S scroll handle, prick engraved E Stert to body, slight domed centre Diameter across handles: 16cm, weight: 4.2oz

AN EARLY 18TH CENTURY SILVER MOUNTED COWRIE SHELL SNUFF BOX apparently unmarked, the oval flat lid with sliding knob and an engraved scene of hare coursing on horse back, leaf clasped border, simple hinge Width: 75mm

£300‑500

£600‑800

436

439

444

AN 18TH CENTURY KNIFE AND FORK

A DOUBLE LIDDED BOX AND COVER

unmarked, the heavy cast male figural handles with traces of gilding, steel two prong fork, the knife blade in steel, with leaf clasping detail (2)

unmarked, the rectangular box with moulded edge, the lid enclosing a flush mirror and the other lid enclosing an open space, the whole well pierced with stylised formal floral pattern, the similarly pierced sides with birds and flowers

Length: 19cm

£250‑400

Width: 79mm

440

£300‑500

TWO 18TH CENTURY AGATE SNUFF BOXES unmarked the oval box with plain frame work to the agate base and top, slight moulded detail to the frame, the sides with engraved branch and flower design, the other with carved out agate base and cover, the well patterned agate in gilt ormolu mounts, slight scallop detail with scroll thumb piece (2) Widths: 63mm, 60mm

£400‑600

441 AN OWL SILVER SALT AND PEPPER indistinctly marked, modelled in standing poses, glass eyes, together with a figure of a cast silver lion standing on a flat platform base, slight enamel detail, probably Austrian, unmarked (3)

445 A COLLECTION OF VARIOUS SNUFF BOXES to include; an Austrian oval snuff box, 1878, maker LR, of oval shape, plain, stepped hinged cover; an 18th century English snuff box and cover, indistinct maker’s mark only, the hinged cover with scrolling foliage, the front engraved S Barrett, the whole of canted rectangular form; a central European silver gilt standing bottle and hinged cover, indistinctly marked to base, wrythen form body, twin bird finial; a filigree thread bobbin; an 18th century miniature wine taster (5) main box width: 67mm

£300‑500

446

Owls height: 50mm

A LATE 18TH/EARLY 19TH CENTURY SILVER GILT SNUFF BOX

£250‑350

various marks, of serpentine outline, the stepped hinged lid revealing inner hinged lid with a small spoon held by clips

442

Width: 48mm, weight: 1.4oz

AN EARLY 19TH CENTURY SMALL TABLE SNUFF BOX

£250‑400

unmarked, of rectangular form, slight serpentine outline, cavetto border to the two hinged lids and shell detail, gilt divided interior all raised on short cabriole legs; a cast snuff box, parcel gilt, decorated battle scenes and figures, unmarked (2) Width of double snuff box: 68mm

£300‑500

443 A 19TH CENTURY SILVER GILT SEAL unmarked modelled as the abduction of the Sabien women on a square plinth with a vacant matrix Height: 62mm

447 A GROUP OF THREE VARIOUS ANTIQUE SNUFF AND OTHER BOXES the first modelled as a skull, unmarked, hinged jaw bone; the second as a conch shell, gilt metal, unmarked, the inner cover with small inner lid; the third a small ponce pot, marked to underside, of flattened round form, semi rotating cover revealing holes, the whole engraved scrolls and floral decoration, raised on short pedestal foot (3) Width: 30mm

£300‑500

448

£400‑600

AN EARLY 18TH CENTURY THREE SIDED SWIVEL SEAL FOB unmarked, composed of three oval seals each with, engraved monogram; armorial; a classical motto, all to a stylised mount with loop handle Height: 41mm

£200‑300

449 A CAST ART NOUVEAU STYLE FIGURE unmarked of a naked nymph with wings and long flowing hair; a pair of ebonised socles with applied silver cartouches; a large early 19th century parcel gilt mount, of lobed form with raised roundels, surrounding a centre with small bosses and central hole, later brooch fittings (3) Figure height: 13cm, mount diameter: 76mm

£300‑400

443 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

454 AN 18TH CENTURY SILVER PERPETUAL CALENDAR on one side the rotating “Calendarium Perpetuum” showing the days of the week in German, and marked with their planetary signs against dates, engraved floral scrolls, reverse gives, month, number of days, etc. Diameter: 45mm

£500‑700 450

455 A PAIR OF GEORGE III SILVER THREE LIGHT TABLE CANDELABRA John Schofield, London, 1783, the scrolling branches with leaf clasping, concave square drips with round sockets, the sticks of Corinthian pattern reeded columns, square bases, with leaf clasping, stepped base 4

450

Height overall: 45cm, branches (2): 50oz

A GEORGE III BOUGIE BOX maker’s mark only possibly John Huston, of conventional form, bright cut engraved borders Diameter: 46mm

£2,000‑3,000

456 A SMALL BRITANNIA STANDARD LIDDED JUG

£250‑400

London 1718, of baluster form, the hinged lid inset silver coin, scroll thumb piece, plain handle, engraved monogram, slight stepped base, scratch weight to underside 6=13

451 A GEORGE IV SILVER GILT SNUFF BOX Joseph Wilmore, Birmingham 1829, of rectangular form, the hinged cover with a scene of hare coursing on horseback, cast foliate border, engine turned sides and base with further cast border Width: 8.5cm

Height: 9.7cm, weight: 6.76oz

£250‑400

457 AN EARLY 18TH CENTURY GOBLET

£400‑600

James Goodwin, London, circa 1700, of plain tapering form, knopped stem to a domed and stepped circular foot

452

Height: 10cm, weight: 3.4oz

A GEORGE IV SILVER GILT SNUFF BOX William Simpson, Birmingham 1829, of rectangular form, the hinged cover with cast group of partridges in a rural setting, cast foliate border, engine turned sides and base, gilt interior

£300‑500

Width: 8cm, weight: 6.7oz

£400‑600

453 A SET OF FOUR SMALL OVAL SILVER GILT SALTS John Emes, London 1800, of plain form, threaded border, engraved crest to the bouge (4) Width: 13cm, combined weight: 8.2oz

£200‑300

455

452

458 463

458Y

463

AN 18TH CENTURY TORTOISESHELL CASKET AND COVER

A SILVER MOUNTED SECTION OF THE FLAGPOLE AT BASTION SEBASTOPOL, CRIMEA

the mounts unmarked, of rectangular form, domed hinged lid, cast handle, ornate strapwork hinges, simple edging, pierced decoration, the base similar, ornate escutcheon, the corners with cast caryatid figures on scroll and disc feet, plain velvet lined interior

the wood disc of pole with an arched silver framework holding a glass grenade, the silver engraved ‘From the Flagstaff Bastion Sebastopol, 10th Sept 1855’

Height: 14.5cm

Height: 9.2cm

£500‑700

Note: On the 10th September 1855 celebrations were held for the fall of Sebastopol. The end of the siege at Sebastapol was the last decisive event in the Crimean War, it would appear souvenirs were acquired. This piece of flagpole was later mounted in silver in UK in 1875.

459 A SILVER GILT SAINTS CROWN FINIAL unmarked, possibly 18th century, cast with cross finial, four main support arms of scrolling form, ring base Height: 9cm, weight: 5.5oz

£300‑500

£250‑400

464 A GEORGE II SAUCE BOAT

460

Kerr and Dempster, Edinburgh circa 1750, of conventional form, gadrooned border, leaf clasped scroll handle, all on shell capped legs with web feet

A LATE 17TH CENTURY EASTERN EUROPEAN SMALL CUP

Length: 20.5cm, weight: 12.3oz

three marks only TS?, of round form, simple line engraving with stippled ground below, simple collet foot, engraved to underside 1699, A*P

£300‑400

Diameter: 50mm, weight: 13.6g

465

£250‑400

GREENOCK ‑ A SCOTTISH PROVINCIAL SNUFF BOX

461

John Heron circa 1800, three marks, JH, anchor, tree, of tapering oval form, hinged cover with traces of engraving to border, later applied panel, plain interior

A CHARLES II TABLE SNUFF BOX apparently unmarked, of oval form, the hinged cover with tortoiseshell panel with onset portrait of Charles II, wearing order of The Garter, plain moulded frame to the cover, the sides and base plain

Overall length: 75mm, weight: 2.3oz

£300‑400

Height: 10cm, weight (all in): 6.5oz

£300‑500

462 A CHARLES I ROYALIST SUPPORTER’S BADGE designed by Charles Rawlins, circa 1645, of oval form, bust of Charles to right, border engraved “Carolus. DG. Mag. Bri. Fr. Et. Hib. Rx.” fixed suspension loop, the reverse with Royal Arms and motto; together with a gilt bronze medallion for St Bernard and another gilt metal coin (3) Height: 45mm

£500‑700 462

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

MODERN SILVER 466 A 25TH ANNIVERSARY ZODIAC EGG, SARAH FABERGÉ SF, London 1996, number 115/ 500, the traditional style textured egg with applied blue enamel zodiac detail surmounts a four leg stand with swag borders, the pull off lid opens to a gilt interior to reveal orb with sapphire detail, in a presentation red leather case

474

Height: 12cm, weight: 5.8oz

471

£250‑350

A MATCHED PAIR OF 1960S THREE BRANCH LIGHT CANDELABRA

467 C. J. Vander, Sheffield 1991, of simple Georgian style, knopped stem to a stepped canted square base, loaded

Mappin & Webb, London, the candlestick of George I style, hexagonal form, knopped baluster stem, the three branch light fitting of similar form, hexagonal drip trays, knopped finial to centre; together with another candlestick of similar design (3)

Height: 30cm

Height: 10.5cm, weight: 90.5oz

£250‑400

£800‑1,200

468

472

A MODERN OVAL GALLERY TRAY

A PAIR OF MODERN PHEASANTS

C. J. Vander Ltd, Sheffield 1990, the dish of oval form with engraved swag detail, the raised pierced beaded border with quatrefoil detail, raised on four ball feet

Israel Freeman & Son Ltd, London 1958, each cast naturalistically looking in different directions

A PAIR OF TABLE CANDLESTICKS

Width: 19cm, weight: 9.8oz

Diameter: 45cm, weight: 60oz

£250‑400

£400‑600

473

469

A MODERN MATCHED THREE PIECE TEA SERVICE

A MODERN STIRRUP CUP

Viner’s Ltd, Sheffield 1955/6, comprising teapot, twin handled sugar basin and milk jug, all of oval baluster form, cast beaded border, raised on an oval foot with four paw feet (3)

William Comyns & Sons Ltd, London 1990, modelled as a greyhound, naturalistically textured with plain flared rim; together with a bottle with novelty stopper, Birmingham, with cast fox mask (2)

Height of teapot: 15.5cm, weight (all in): 44oz

Length: 12.5cm, weight: 8.6oz

£300‑500

£250‑350

474

470

A 1930S TABLE CIGARETTE BOX

A GEORGIAN STYLE COFFEE POT

Asprey & Co Ltd, London 1937, with duty mark for the coronation of George VI and Elizabeth, of rectangular form, engine turned horizontal striations throughout, yellow metal key border to lid and rose metal border to body, applied monogram to centre of lid, the inside reveals gilt interior later engraved to lid with presentation inscription, to ARTHUR LEONARD ADAMS/ BY/ POUNTNEY AND COMPANY LIMITED/… VALUABLE SERVICES TO THE BRISTOL POTTERY, with facsimile signatures, dated June 1942, yew wood interior

Richard Comyns, London 1962, of tapering cylindrical form, plain; together with a silver lidded glass preserve jar with automatic opening of cover; a small bowl; and a small pair of George III pin trays (qty) Weighable silver 24oz

£200‑300

Width: 16.7cm

£500‑800

472

476

475

480

A MODERN WAITER

A 1930S MATCHED FOUR PIECE SILVER TEA SERVICE

BPLLC, London 1936, of circular outline with pie crust border, presentation engraving to centre, raised on three leaf clasped ball feet; together with a table cigarette box, Hamilton & Inches, Edinburgh 1893, of rectangular form, monogram engraved to lid, cedar lined interior (2) Width: 20cm, 12cm, Weighable silver: 11.6oz

James Deakin & Sons, Sheffield, comprising water pot, teapot, twin handled sugar basin and milk jug, all of circular form, in‑curved rim with undulating border, the sugar basin and milk jug with gilt interior and angular handles, the water pot and teapot with slightly domed lids and domed finials, all raised on a circular foot (4)

£180‑220

Height of waterpot: 19.5cm, weight (all in): 61oz

476

£300‑400

A CANTEEN OF MODERN FLATWARE AND CUTLERY

481

Brook & Son of Edinburgh, Sheffield, 1936, comprising six table forks, six dessert forks, six dessert spoons, ten tablespoons, two sauce ladles, a soup ladle, all of Old English pattern, two sets of ivorine handled carvers and knife sharpener, six ivorine handled table knives and side knives, all presented in a fitted case; together with a set of six ivorine handled fish knives and forks, Mappin & Webb, Sheffield 1930 (qty)

A MODERN COMPORT

Weighable silver: 62.3oz

Walker & Hall, Sheffield 1928, of circular form, cast shell and threaded border, raised on a spreading domed foot with similarly decorated border Height: 9.5cm, weight: 12.2cm

£150‑250

£700‑1,000

482

477

A QUANTITY OF SILVER

A PAIR OF BRITANNIA STANDARD SAUCE BOATS C. F. Hancock & Co, London 1934, of traditional form, scallop border, leaf clasped S scroll handle, each raised on three cast scallop capped legs to hoof feet (2) Width: 20cm, combined weight: 17.8oz

to include, an octagonal inkwell Birmingham 1928; a sugar caster, Adie Bros Ltd. Birmingham 1923; a dwarf chamber candlestick, a tortoiseshell box, and a twin handled cup (qty) Weighable silver: 9.9oz

£300‑500

£200‑300

483

478

A MATCHED CAFÉ AU LAIT SET

AN ART DECO SUGAR CASTER Deakin & Francis Ltd, Birmingham 1934, composed of eight alternating inverted triangles, the pull off lid of similar design with pierced triangle motifs and knopped finial, raised on a stepped square foot Height: 16cm, weight: 4.4oz

£200‑300

London 1927/1928, comprising milk pot and coffee pot, each of tapering octagonal form, S scroll handles, with domed knopped finials; together with a chocolate pot, Brook & Sons, Edinburgh 1916, engraved initials to body and an unmarked christening mug (4) Height: 20cm, weight (all in): 33.3oz

£250‑400

479 A MODERN COCKTAIL SHAKER James Dixon & Sons Ltd, Sheffield 1933, of tapered form, threaded border to waist, the angular handle with similar decoration, the spout with pull out cork stopper, the domed pull lid with gadrooned border; together with another, Cooper Brothers & Sons Ltd, Sheffield 1933, of traditional tapered form with an internal lemon squeezer (2) Height: 23cm, 19cm, weight (all in): 30.2oz

£300‑500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

488 A MODERN SALVER Fenton Brothers Ltd, Sheffield 1924, of circular outline with pie crust border, engraved gothic M to centre, raised on three hoof feet; together with a cigarette box, indistinct marks, of rectangular form, Royal Engineers crest to centre of lid (2) Diameter: 26.5cm, weight: 20.8oz

£250‑400

489 A MATCHED THREE PIECE SERVICE HB and Co., London 1924, comprising of a waterpot and teapot, later milk jug, modelled as elongated ovals, stylised angular handles, raised on oval base; together with a similar oval tea caddy, Birmingham (4) Height of waterpot: 21.5cm, weight (all in): 50.1oz

£250‑400 484

490 A MATCHED FOUR PIECE TEA SERVICE

484 A CELTIC INSPIRED FOUR PIECE TEA SERVICE Martin Hall & Co Ltd, Sheffield 1928, comprising, water pot, teapot, twin handled sugar basin and milk jug, all of circular form, Celtic border to waist with embossed Celtic knots, Gothic A engraved to body, S scroll handles, all raised on a circular foot with four stepped bracket feet, the domed lids to water pot and teapot with turned finials Height of waterpot: 21cm, weight (all in): 60oz

£400‑600

485Y A MATCHED FOUR PIECE TEA SERVICE Adie Bros Ltd., London 1923/6, comprising a waterpot, teapot, sugar basin with pull off lid and milk jug, all of waisted circular form, shell and floral border to waist of each, all with engraved detail to upper half, knopped ivory finials, raised on a circular stepped foot (4)

Thomas Bradbury & Sons Ltd, Sheffield 1923/4, comprising water pot, teapot, twin handled sugar basin and milk jug, all of elongated octagonal form with engraved border and italic M to body, angular handles, raised on an octagonal foot (4) Height of waterpot: 17.5cm, weight (all in): 59.8oz

£300‑500

491 A TWIN HANDLED PRESENTATION TROPHY Jay, Richard Attenborough Co Ltd, Chester 1921, of baluster form, the handles of S scroll with leaf clasped detail, presentation engraving to body, raised on a domed stepped foot, the pull off lid with an intricate knopped finial; together with a collection of twin handled trophies, various makers and marks (5) Height with lid: 25cm, combined weight: 40.5oz

£300‑400

Height of waterpot: 25cm, weight (all in): 71.2oz

492

£350‑500

A PAIR OF MODERN TAZZA

486

James Ramsay of Dundee, Birmingham 1919, each with a shallow dish of panelled circular outline and threaded border, raised on a knopped spreading stem

A COLLECTION OF SILVER to include a waterpot Atkin Brothers, Sheffield 1926, of oval form, gadrooned border to lid, angular handle, raised on four ball feet; a presentation goblet, Sheffield 1898, of demi‑ fluted tapering urn shape, raised on a knopped stem and spreading circular foot; together with a twin handled sugar basin, JR, Sheffield 1897, of oval demi fluted form and a rectangular cigarette box with engraved with italic M to centre (4) Weighable silver: 37oz

£300‑500

487 A TWIN HANDLED PRESENTATION TROPHY Walker & Hall, Sheffield 1925, of tapered vase form, angular handles, the central cartouche with cast floral detail, raised on a domed circular foot, the pull off lid with pineapple finial Height: 36.5cm, weight: 50oz

£500‑800

Height: 14cm, combined weight: 25.8oz

£300‑500

493 A FOUR PIECE TEA SERVICE Brook & Son of Edinburgh, Sheffield 1915, comprising a water pot, teapot and sugar basin, all of circular form, a raised pierce acanthus border, panelled body with italic F engraved, C scroll handle, all raised on a spreading circular foot; together with a copy of the Traprain Law hoard tea strainer and stand (6) Height of water pot: 22cm, weight (all in): 47.7oz

£300‑500

494 A MIXED GROUP OF SILVER to include; two silver mounted glass noggins and whisky labels; an Art Deco small cream boat; a cased set of oval salts and spoons; two mustards and other condiments and a pin tray (qty) Weighable silver: 14oz

£200‑300

500 A MATCHED FOUR PIECE TEA SERVICE Birmingham 1910/13, comprising water pot and teapot by Jones & Crompton and twin handled sugar basin and milk jug by Henry Williamson Ltd, all of oval demi fluted baluster form, gadrooned border, with angular handles, each raised on an oval foot (4) Height of waterpot: 22cm, weight (all in): 53.9oz

£400‑600

501 497

495 A GENTLEMAN’S TRAVELLING DRESSING CASE various marks and makers, including Birmingham 1915, Chester 1915, the leather Gladstone type bag containing various dressing table bottles, brushes, shoe horns, hip flask, with silver mounts hammered finish, presented in an outer removable travelling cover (qty) Width: 39cm

£250‑400

496 A THREE PIECE TEA SERVICE PFM, Sheffield 1912, comprising teapot, twin handled sugar basin and milk jug, of oval waisted form, gadrooned border, angular handles, all raised on four ball feet (3) Height: 15cm, weight (all in): 35.5oz

£200‑300

497

A COLLECTION OF MISCELLANEOUS SILVER to include; cased sets of napkin rings, tea and coffee spoons, two knife fork and spoon sets, servers, loose items to include, pair asparagus tongs, napkin rings, casters, etc. (qty) Weighable silver: 36.3oz

£500‑800

502 AN EDWARDIAN SALVER George David Rattray, Sheffield 1908, of moulded circular form, raised threaded and beaded border with applied foliate detail, the border with applied swag detail to each panel, the centre with elaborate cartouche modelled in the Grecian form with urn and acanthus border, raised on three leaf clasped ball feet Diameter: 30.2cm, weight: 25.2oz

£200‑300

503 A SILVER SERVING DISH AND BURNER

AN EARLY TWENTIETH CENTURY REPRODUCTION VAPHEIO CUP

Goldsmiths Co. London 1907, of rectangular form, gadrooned border, the cover with rising centre and urn finial, engraved crest of greyhound and cross, plain silver liner, all on a plated stand with burner

George Nathan & Ridley Hayes, Chester 1912, depicting “Taming Wild Bulls”

Width: 36cm, weighable silver: 65oz

Height: 7.5cm, weight: 10.3oz

Note: With a letterhead stating information about the entrée dish being bought at Lyon and Turnbull in 1927 for the sum of £11‑18‑4

£500‑800

£450‑600

498

504

A TWIN HANDLED CUP AND COVER

AN EDWARDIAN SPIRIT KETTLE AND STAND

Carrington and Company, London 1911, the cover of stepped form, pineapple finial, gadrooned border, the body of plain campagna form leaf clasped handles ribbed detail to the stem, spreading foot

J. Dixon, Sheffield, 1906, the teapot of circular form, gadrooned border, fixed scroll and ebony handle, the demi fluted body with ribbon and swag border, all on a stand, pierced collar, raised on four bold scroll legs with platform feet

Height: 22cm, weight: 29oz

£300‑500

Overall height: 32cm, weight (all in): 42oz

£180‑250

499 A CAFÉ AU LAIT SET Charles Stuart Harris, London 1911, of baluster form, all over chased floral and C scroll decoration, raised on short cabriole legs turned wood handles Height: 17cm, weight (all in): 19oz

£280‑350

503

511 A COLLECTION OF MODERN SILVER to include; napkin rings, small toast rack, miscellaneous odd cutlery, sugar and cream, Dutch spoon, set spoons, mustards, Indian bowl, two pairs of small dishes, cream jugs Weighable silver: 41oz

£350‑450

506

505 AN ART NOUVEAU TWIN HANDLED SUGAR BASIN AND CREAM JUG James Fenton & Co. Birmingham 1905, with applied enamel plant form decoration on a planished ground (2) Height: 8cm, weight: 4.6oz

£200‑300

506Y A SILVER AND TORTOISESHELL BOX AND COVER

512 A MATCHED BACHELOR’S THREE PIECE TEA SERVICE Birmingham, comprising teapot, twin handled sugar basin and milk jug, of oval demi‑fluted form, angular handles; together with a sugar caster, Mappin & Webb Ltd, Birmingham 1924, of traditional baluster form, pull off pierced lid with knopped finial and a Georgian milk jug with sparrow beak (5) Height of teapot: 13cm, weight (all in): 30.8oz

£350‑500

513 A MISCELLANEOUS COLLECTION OF SMALL SILVER

Width: 13.4cm

to include: various condiments, small toast racks, ashtrays, small dressing table box with tortoiseshell inset cover, a George III mustard pot and cover, London 1796, of oval form and a pair of Sheffield plate wine coasters, turned wood base (qty)

£250‑350

Weighable silver: 17oz

William Comyns & Sons, London 1898, of rectangular form, scalloped silver border, with cast cherub corners

507

£250‑400

A SILVER‑MOUNTED GLASS LIQUEUR JUG

514

William Comyns & Sons, London 1896, the bulbous glass body formed as four separate spirally fluted containers for various liqueurs, the silver mounted pull off lid with four spouts, each with a silver mounted and cork stopper with turned finial

A QUANTITY OF SILVER, TO INCLUDE

Height: 31.5cm

£250‑400

a cased set of mother of pearl fruit knives and forks; various dressing table brushes, mirrors and trinket box; a cased set of knives; various bon bon and sweet meat baskets; a pair of spill vases; three various toast racks, a cream jug and milk jug and various loaded spill vases and candlesticks (qty) Weighable silver: 31.55oz

508

£200‑300

A COLLECTION OF FLATWARE AND OTHER SILVER to include; Asprey wish bone tongs, odd spoons, other flatware, Dutch style tea caddy and cover; two Dutch boxes, inkwell, egg cup etc. odd plated items to include, Anchor paperweight, cased cutlery, loose fruit and tea knives, some silver handles etc. Weighable silver: 40oz

£250‑400

509 A COLLECTION OF SMALL SILVER to include; mainly 20th century, four various toast racks, salt and pepper pots and three napkin rings, sugar basin, spill vase, sifters and casters together with a ladle (qty) Weighable silver: 36oz

£400‑600

510 A COLLECTION OF SILVER to include, a square low tazza, Harrods, pierced and cast vine leaf border with grapes, plain flat and raised on a simple square base; a hip flask; two sauce boats and a collection of condiments Weighable silver: 46oz

£300‑500

507

SCOTTISH SILVER 515 A COLLECTION OF MISCELLANEOUS SCOTTISH SILVER to include, a cased set of servers, Hamilton & Inches, Edinburgh 1925 and another similar fish fork server, Edinburgh 1859, of single struck King’s pattern, a sugar caster, Hamilton & Inches, Edinburgh 1910, of traditional octagonal form, pierced pull off lid; a twin handled trophy, Hamilton & Inches; a pap boat, Edinburgh 1817 and a Traprain Law reproduction spoon, Brook and Sons, Edinburgh 1928 Combined weight: 27.6oz

£600‑800 520

516 A COLLECTION OF SCOTTISH FLATWARE to include a George III fish slice, Edinburgh of Fiddle pattern, pierced blade with salmon detail; together with a matched set of single struck dessert forks, Edinburgh, of King’s pattern, crest to terminal with another similar, London, engraved italic P to terminal; together with a set of Fiddle pattern teaspoons, Glasgow, engraved italic P to terminal; a cake fork, Brook & Sons, Edinburgh; a set of six silver pistol handled fruit forks and four similar knives; together with three miscellaneous pieces of flatware (qty)

520 A LARGE QUAICH Hamilton & Inches, Edinburgh 1916, of traditional form, waisted lugs, presented on an ebonised plinth with presentation engraving Dimension across lugs: 36.5cm, weight: 38.2oz

£300‑400

521

Weighable silver: 25oz

A PAIR OF LATE VICTORIAN MENU STANDS

£300‑500

517

Hamilton and Inches, Edinburgh 1894, one modelled as a classical bear hunt scene, the other a gladiator, the lion devouring a gladiator, both of open design, hinged loop stand

A FOUR PIECE TEA SERVICE

Widths: 7.2cm, 7.4cm weight: 58.7g

Brook & Sons, Edinburgh 1924, comprising water pot, teapot, twin handled sugar basin and milk jug, all of circular baluster form, with embossed Celtic border with Celtic knots, Gothic initials engraved to body, leaf clasped C scroll handles, all raised on four cast Celtic knot capped legs and paw feet, the teapot spout modelled as a bird’s beak (4)

£180‑250

Height of waterpot: 23cm, weight (all in): 65.4oz

£400‑600

522 A SCOTTISH SILVER PUNCH BOWL Hamilton and Inches, Edinburgh 1900, of plain form demi‑fluted, engraved Armorials, for Trinity College University of Cambridge, the stepped base with names engraved to the rim Diameter: 21cm, weight: 18oz

518

£400‑600

A MIXED GROUP OF THREE PRONG FORKS five Hamilton and Inches, Edinburgh 1920, three Newcastle and one London George III fiddle pattern, together with a cased part christening set, Theobold and Atkinson London 1840, bold double struck allover grape and vine decoration (11)

523 A SET OF FOUR VICTORIAN SALTS

Weighable silver: 19oz

Hamilton & Inches, Edinburgh 1875, the oval deep bowl with applied oval cartouches depicting Classical scenes, threaded elongated C scroll handles, raised on a four hoofed stem to an oval platform foot (4)

£250‑400

Height: 7.5cm, weight: 20.5oz

519

£500‑800

A MODERN MONTEITH

524

Hamilton & Inches, Edinburgh 1916, of circular form, moulded rim, raised on a stepped domed foot, with ebonised plinth

A VICTORIAN DISH

Diameter: 23cm, weighable silver: 18.5oz

£300‑500

Hamilton & Inches, Edinburgh 1869, the deep dish with armorial and motto to centre, the rim with heavily embossed floral details and vacant shell cartouches to five points; together with a basket, Mappin & Webb, Sheffield 1899, with undulating shell border and swing handle (2) Diameters: 25.5cm, 24cm, combined weight: 35.7oz Note: The armorial bearings are possibly those of the family of Clapperton who resided at Annan in the County of Dumfriesshire at the end of the 18th Century and one of their descendants

£250‑400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

528 A VICTORIAN PUNCH LADLE M&GS, Edinburgh 1844, of traditional form, the bowl with embossed thistle and floral decoration, the turned wooden stem with knopped finial; together with another with spout, apparently unmarked; a set of six dessert spoons, William Pope, Exeter 1836, of Fiddle pattern, crest to terminal and a tea caddy spoon John Maitland Talbot, Edinburgh 1904, depicting St. Giles cathedral (qty) Length: 40cm, weighable silver: 10.2oz

525

£350‑500

529 A WILLIAM IV MUSTARD POT

525

A MID‑VICTORIAN TEA SERVICE Mackay, Cunningham & Co., Edinburgh 1866, comprising, teapot, twin handled sugar basin and cream jug, all of baluster form, leaf capped S scroll handles, with all over textured and embossed foliate decoration, engraved monogram to one cartouche, and vacant cartouche to other side, raised on a circular spreading foot with similar decoration (3)

Edinburgh 1836, of circular outline, crest to lid with scallop cast thumbpiece; together with another Victorian mustard pot of oval form, London, with bright cut engraving and a collection of condiments (7) Height: 6cm, weighable silver: 12.8oz

£200‑300

530 A COMPOSITE SCOTTISH GEORGE III WARWICK CRUET

Height: 23cm, weight (all in): 48.2oz

£300‑500

526 A SCOTTISH SILVER TABLE SERVICE SINGE‑STRUCK, COMPRISING; J and W Marshall, Edinburgh mainly 1850, single struck King’s pattern, twelve each of; table spoons; table forks; dessert spoons; dessert forks; fourteen teaspoons, together with twelve silver‑plated table and dessert knives, engraved crest and initials for Wyld family Weighable silver: 121oz

£1,500‑2,000

the base for London 1775 and additionally, William Davey, Edinburgh 1775, of moulded cinquefoil form, the gallery pierced and gadrooned border, central handle with loop, crest and motto to cartouche, cut glass bottle with various silver mounts, all raised on four ball and claw feet Height: 26cm, weight of stand: 3.9oz

£400‑600

531 A GEORGE IV SALVER Marshall and Sons, Glasgow 1824, of circular form, gadrooned border, chased floral and foliate decoration with crest and motto to centre, raised on three bracket feet Width: 20cm, weight: 11oz

527 A SET OF SIX DESSERT SPOONS Edinburgh 1845, of Fiddle pattern, italic D/E to terminal; together with a meat skewer Edinburgh 1831; a cheese scoop, Edinburgh 1882; together with a sugar sifter, Sheffield and a set of four teaspoons, Chester 1898 (qty) Length: 17.5cm, combined weight: 12.9oz

£250‑350

£200‑300

532 A MATCHED SET OF FISH KNIVES AND FORKS Marshall & Sons, Edinburgh 1824 and James McKay, 1849, all of single struck King’s pattern; together with a set of six table forks, Glasgow, of Hanoverian pattern; a fish slice of Fiddle and Thread pattern, Glasgow; together with a fish knife and a butter knife (qty) Length of fish knife: 23.5cm, combined weight: 54.2oz

£400‑600

533 A GEORGE III PRESENTATION GOBLET J Howden, Edinburgh 1817, the demi‑fluted body raised on spreading pedestal foot, bright cut border with presentation engraving ‘…to the Rev’d Dr. Laird, by his parishioners… May 1825’ Height: 16.3cm, weight: 10.4oz

£200‑300

534 A SCOTTISH GEORGE III HASH SPOON Archibald Ure, Assay Master, Alexander Aitchison, Edinburgh 1766, of Hanoverian pattern, engraved initial to terminal Length: 38cm, weight: 5.8oz

£450‑550 526

538

535

538

AN EARLY GEORGE III SUGAR BASIN

A PRIVATE DIE COLLECTION OF FLATWARE

Edinburgh 1763, of oval form, slighted moulded everted rim, raised on a spreading stepped oval foot

Robert Gray & Sons, Glasgow various dates, of single and double struck King’s pattern with embossed crest to terminal, comprising a set of silver handled carvers, eight table knives, three side knives, six tablespoons, four table forks, eight dessert forks, four dessert spoons and four teaspoons (qty)

Width: 13.5cm, weight: 6.8oz

£300‑500

536

Weighable silver: 59.2oz

A FIVE PIECE TEA SERVICE

Note: The crest is for the Bartholomew family and probably ordered by Robert Bartholomew (born 30th April 1802 baptised 2nd May 1802 died 6th February 1873), of Broomhill, Kirkintilloch in the County of Dunbartonshire and of St Anne’s Lodge, Ascog, Isle of Bute.

Edward & Sons, Glasgow 1924, comprising, water pot, teapot, twin handled sugar basin, sugar basin with pull off lid and milk jug, all of circular form, threaded borders, S scroll handles, raised on circular stepped base (5) Height of coffee pot: 24.5cm, weight (all in): 78.6oz

£700‑900

537 AN ARTS AND CRAFTS COMPORT James Weir, Glasgow 1912, the deep planished bowl with three curved supports, to a planished domed foot; together with a sugar basin, Rait, Glasgow 1880, with embossed zodiac design and another Persian style bowl, George Edward & Sons, Glasgow 1894, with embossed scenes depicting Asian animals (3) Height: 10.5cm, combined weight: 16.7oz

£350‑500

A Cotton Merchant of Glasgow who was granted armorial bearings by the Lord Lyon King of Arms in 1869. Robert was second child of John Bartholomew, Merchant and his wife, Janet Orr. He married as his second wife on the 14th April 1852, Susan Jane Cunninghame Graham (who died prior to 1861 Census for Scotland). Susan was the eldest daughter of William Cunninghame Graham of Gartmore in the County of Perthshire and Ardoch in the County of Dunbartonshire. The Bartholomews were noted Cotton Merchants in the City of Glasgow. Bartholomew Street in the city was named after Robert’s father, John. Robert also appears to have served as the third Provost of the Burgh of Calton, one of the suburbs of Glasgow between 1839 and 1843.

£1,000‑1,500

539 AN EARLY 19TH CENTURY SCOTTISH BUN PEPPER RK, Edinburgh, of traditional form, the pull off pierced lid with gadrooned border; together with a Chester mustard pot and another of domed form (3) Height: 9.5cm, weight: 5oz

£250‑350

Lot 453 and a selection from lots 608-615

PROVINCIAL SILVER

ANTIQUE SILVER

540

545

ABERDEEN ‑ TWO SCOTTISH PROVINCIAL TABLESPOONS

A COLLECTION OF FLATWARE

William Jamieson, marked WJ, A, B, D, W, of Fiddle pattern, engraved initials to terminal; together with another, James Erskine of Aberdeen, crest and italic initials engraved to terminal (2)

to include, a set of three Edwardian tablespoons, London 1903, of Fiddle pattern, foliate JB engraved to terminal; together with another three London 1840, vacant terminals; a set of five mid‑Victorian table forks, London 1861 of Fiddle pattern; together with a pair of George III sauce ladles, London 1767, one pierced Onslow pattern, a pair of mustard spoons and two other sauce ladles (15)

Length: 30.5cm, 30cm, combined weight: 7oz

£220‑280

541

Combined weight: 32.2oz

A PAIR OF SMALL SALTS AND MATCHING SPOONS

£200‑300

possibly James Rettie and Sons of Aberdeen, Edinburgh, 1883, decorated in the Indian taste, with two matching spoons with figural decoration; together with a group of small silver to include, condiment spoons and butter forks, card case, two small pocket flasks, one with pull off sleeve, a large cut crystal scent bottle and stopper and another small scent bottle, a cased three piece Victorian silver christening set (qty) Weighable silver: 15oz

546 AN EARLY 20TH CENTURY TWIN HANDLED TAZZA Walker & Hall, Sheffield, the dish of circular form with angular handles, to a knopped stem and spreading domed foot Height: 15cm, weight: 12.7oz

£200‑300

£400‑500

547 542

A REPLICA TUDOR CUP

BANFF ‑ A SCOTTISH PROVINCIAL CREAM LADLE George Elder, three marks, GE, Thistle, B, fiddle pattern, engraved N in script; together with a teaspoon, Banff, William Simpson, one mark WS, fiddle pattern, engraved initials; a pair of salt spoons, John McQueen, Banff, four marks, B, A, Thistle, McQ and three marks, A, Thistle, McQ, fiddle pattern, plain, scallop shaped gilt bowls (2)

George Nathan & Ridley Hayes, Chester 1903, George Nathan & Ridley Hayes, Chester 1908, the font‑shaped cup with chased detail below a Latin inscription in Lombardic letters reading ‘Benedictus Deus In Dona Suis Amé’, the pedestal foot with two tiers of ribbed detail Height: 10cm, weight: 10.5oz

£300‑500

Ladle length: 15cm, weight (2): 1.9oz

548

£250‑350

A MATCHED PART SET OF FLATWARE

543 Edward Livingstone, three marks, EL, two stocks, heart, of pointed end pattern engraved H in script (2)

various dates and makers, various engraved crests and initials, fiddle pattern comprising; twelve tablespoons; table forks; twenty dessert spoons; thirteen dessert forks; teaspoons; four condiment spoons; soup ladle

Length: 24cm, weight: 4.2oz

Weight: 101oz

£200‑300

£600‑900

544

549

GLASGOW – A SCOTTISH PROVINCIAL LARGE MUG

A COLLECTION OF FLATWARE

M&Co (unrecorded), marked M&Co, town mark, O, of tall baluster form with everted rim, the large S scroll handle with acanthus capped thumbpiece, raised on a stepped foot Height: 12cm, weight: 10oz

various makers and marks, all of Shell pattern, comprising five dessert forks, fourteen dessert spoons, crest to reverse of terminal; together with a Georgian sauce ladle, various tea and condiment spoons and a collection of plated fruit, fish, knives and forks (qty)

£1,200‑1,800

Weighable silver: 34.5oz

DUNDEE ‑ A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS

£400‑600

550 AN EDWARDIAN FOUR PIECE TEA AND COFFEE SERVICE Charles Edward Nixon, Sheffield 1902, comprising; a coffee pot, teapot, twin handled sugar basin and milk jug, all of oval demi‑fluted form, angular handles with threaded detail, all raised on threaded oval foot (4) Height of coffee pot: 25cm, weight (all in): 53oz

£350‑500

544

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

551

555

A COLLECTION OF FLATWARE AND MISCELLANEOUS SILVER

A 19TH CENTURY COW CREAMER

to include; a matched set of six dessert spoons, of Old English pattern, feather border, with a set of four Fiddle pattern dessert spoons, crest to reverse of terminal with a similar table fork; together with a two Fiddle pattern dessert spoons and various pieces of flatware including a matched set of Old English teaspoons; together with a cased set of scalloped shaped salts, a mustard modelled as a tankard, various condiments and pin tray and a collection of plated fish knives and forks (qty)

Import marks for London 1902, of conventional form, bee to hinged cover on back, comparable to a model by Schuppe Length: 13.5cm, weight: 5.2oz

£350‑500

556 A LATE VICTORIAN SILVER WAITER Sheffield, 1900, in the 18 th century style, heavy cast border, chased flat, all on volute feet

Weighable silver: 42.4oz

£300‑500

Width: 20.5cm, weight: 20.5oz

552

£150‑250

A LARGE EDWARDIAN TABLE CIGAR BOX

557

James Dixon & Sons, London 1902, of rectangular outline, presentation engravings to lid, opening to a wood lined interior

A SET OF EIGHT VICTORIAN MENU HOLDERS Samuel Jacob, London 1898, each cast depicting different jockeys throughout history, to a demi‑lune base (8)

Width: 26cm

£250‑400

Width: 10cm (widest), weight (all in): 11.2oz

553

£2,000‑3,000

A MATCHED BACHELOR’S TEAPOT AND MILK JUG

558

George Nathan & Ridley Hayes, Chester 1902/1904, of oval form, demi‑fluted body, angular handles, curved spout with demi‑fluted decoration; together with a George III sauce boat, I.B., London 1762, of traditional form, scallop border, crest to body, leaf clasped S scroll handle, raised on four hoof feet with scallop shell detail to legs, with later floral embossed detail and a Victorian sugar basin, F B Thomas & Co, London 1843, of pleated bulbous circular form (qty)

A SILVER MOUNTED PAGE TURNER 1897, the silver handle of waisted oval form with all over embossed decoration depicting a country scene with lute player to a tortoiseshell turner Length: 38.5cm

£250‑350

Height: 13cm, weight (all in): 9.8oz

559

£450‑600

A LATE VICTORIAN CAFÉ AU LAIT SET

554

London 1896, comprising two pots both of demi‑fluted baluster form, embossed floral decoration, cartouche to centre with crest, the hinged lids of domed form and fluted detail with domed finials, each raised on three cast legs and web feet (2)

A COLLECTION OF ANTIQUE SILVER to include; three George III bright cut table spoons, Benjamin Mountigue, London 1790; a pair of oval George III salts; pair of ornate Dutch spoons; miscellaneous condiment spoons; a preserve spoon by Alex Ritchie Iona and Birmingham marks, longship terminal and a plain mustard pot and cover (qty)

Height: 24.5cm, weight (all in): 30.4oz

£300‑500

Weighable silver: 23oz

£300‑400

557

560

560 A PAIR OF ENTRÉE DISHES AND COVERS ON STANDS WITH BURNERS the silver entrée dishes Hawksworth, Eyre & Co Ltd., London 1896, of rectangular form, removable handles, gadrooned borders, all on plated stands of plain form with burners, the reeded legs with paw feet Width: 24.5cm, weight pair for silver dishes and liners: 74oz

£800‑1,200

561 A SET OF VICTORIAN FLATWARE Josiah Williams & Co, London 1897, Old English pattern, comprising six each of table and dessert forks, table and dessert spoons Weight: 48oz

£500‑700

562 A VICTORIAN PRESENTATION CANTEEN Francis Higgins, London 1894, comprising, a soup ladle, twelve table forks, twelve tablespoons, twelve dessert forks, twelve dessert spoons, two sauce ladles, a mustard ladle, a gravy spoon, a pair of sugar tongs and twelve teaspoons, all of Fiddle pattern, engraved with double crest to terminal for Gordon and possibly Wolrigg, presented in an oak fitted canteen with engraved plaque to centre (qty)

562

Weight: 130oz Provenance: Regimental gift to Major Henry G. Woldrige‑Gordon by the 79th (Queen’s Own Camerons) Highlanders on the occasion to his marriage to Lady Florence Gordon on 9th May 1895 Major HG. Woldrige served with the Queen’s Own Cameron Highlanders in the Egypt campaigns of the 1880s including the Sudan Frontier Force in 1885‑86 and was awarded both the Egypt medal and the Khedive’s Star. He would later serve in the First World War and the third reserve battalion Queen’s Own Cameron Highlanders. He married on the 9th May 1895 Lady Florence Gordon daughter of the 19th Earl and Countess of Erroll, Slains Castle Aberdeen. Who served as lady of the bedchamber to Queen Victoria 1873‑1901. On the occasion of their wedding Queen Victoria presented a brooch to Lady Florence.

£2,000‑3,000

563 TWO OFFICER’S CAP BADGES a cast Gordon Highlander officer’s cap badge by George Jamieson and Son Aberdeen and a Queen’s Own Cameron Highlander, unmarked (2) Width: 6.5cm and 6cm

£250‑350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

564

565

564

567

A VICTORIAN SERVICE AND OTHER FLATWARE

A SET OF FIVE DOG NOSE PATTERN DESSERT SPOONS

Devonshire pattern, various dates and makers to include; thirty seven table forks, twenty eight table spoons, twenty two tea spoons, seven dessert forks, eight dessert spoons, nine coffee spoons, two soup ladles, serving spoon, fish slice, various small ladles, condiment spoons, twelve each of steel bladed table and side knives and a bag of odd flatware (not associated)

crest to shaped terminal; together with a set of ten Hanoverian pattern teaspoons, crest to reverse of terminal and a set of seven Old English teaspoons, shell bowls with embossed scene to terminal and crest to reverse of terminal (22)

Combined weight: 320oz

£200‑400

Length: 15cm, combined weight: 12oz Provenance: Kennard family, ex Coul Estate

£3,000‑5,000

565

568

A LATE VICTORIAN PART GILT SERVICE OF FLATWARE

AN EARLY 19TH CENTURY SILVER MOUNTED COWRIE SHELL SNUFF BOX

Chawner & Co, London various dates, comprising twelve forks, twelve spoons, all of double struck Devonshire pattern, crest to terminal and monogram to reverse of terminals; together with six later similar forks Goldsmiths & Silversmiths Co circa 1896, vacant terminals and six knives of similar pattern (36)

unmarked, of plain form the hinged cover engraved James Watson, together with a pair of large George III shoe buckles, William Eley, marked patent; silver wire inlaid cheroot holder with coral mouthpiece; silver overlaid glass scent bottle; a niello decorated buckle with shamshir clasp (qty)

Length of fork: 18cm, weighable silver: 65.3oz

£250‑400

£700‑1,000

569 566

A GROUP OF ITEMS TO INCLUDE

A LATE VICTORIAN CASED SET OF CURLING IRONS

a pair of Victorian salts, William Evans London 1880, of open cauldron form, shell capped legs, web feet; a group of Victorian double struck condiment spoons; a large French white metal bowl, A Rissler Carre, Paris, indistinct control marks

Birmingham 1892, the outer case of rectangular form, heavily embossed floral and scroll decoration, foliate AEB engraved to cartouche, the brass interior encloses heating implement and silver handled curling iron with similar decoration Width: 17.5cm

Weighable silver: 13oz

£200‑300

£300‑400

566

570 A MATCHED VICTORIAN CANTEEN Josiah Williams & Co, Exeter 1877, comprising seventeen tablespoons, seventeen dessert spoons matched with Josiah Williams & Co London 1883, eighteen table forks, seventeen dessert forks, all of Old English pattern with pointed bowls, the terminals with engraved scroll and floral detail, Gothic T to cartouche on terminals (qty) Weight: 127.6oz

£1,200‑1,500

571 A COLLECTION OF FLATWARE to include a soup ladle, Josiah Williams & Co, Exeter 1877, of Old English Thread pattern with crest to terminal and a pair of tablespoons; together with another soup ladle, JB., London 1831, of Fiddle pattern (4) 577

Length: 34.5cm, combined weight: 15.6oz

£200‑300

572 A MODERN PUNCH BOWL William Hutton & Sons, London 1887, of traditional circular form, fluted detail to body, vacant cartouches to either side of body, loop handles with lion mask supports Diameter: 23cm, weight: 23oz

£300‑400

573

576 A COLLECTION OF IRISH 19TH CENTURY FLATWARE retailer, Lee, J. Scott, Dublin 1865, of Fiddle pattern, vacant terminals; together with three similar spoons, marked IB, with foliate initials to terminals and another with crest to terminal; together with a set of five George III Irish dessert spoons, Dublin 1811, of Celtic pointed pattern, bright cut engraving to stems and a set of six teaspoons, Dublin of Fiddle pattern and one associated teaspoon (26) Length: 18cm, combined weight: 30.3oz

£250‑350

A VICTORIAN ENTRÉE DISH AND COVER Jonas and George Bowen, Birmingham 1873, of oval; form, removable handle, the body with gadrooned border and engraved cartouches with scrolling surround

577 A PART SUITE OF SILVER FLATWARE

574

Mainly George Adams, London 1860, Old English pattern with engraved Renaissance style cartouches to either side, engraved crest, comprising: twelve table spoons; twelve dessert spoons; eighteen table forks; twelve dessert forks; eleven teaspoons; soup ladle; large serving spoon; pair sauce ladles

A VICTORIAN THREE PIECE TEA SERVICE

Weight: 133oz

Daniel and Charles Houle, London 1873, of small size with bold decoration of tavern and other country scenes with figures, the teapot with a drinker seated on a tun, mythical bird’s head for the spout, comprising; teapot, sugar and cream, all raised on cast shell feet, the handles of naturalistic form with carousing figure terminals (3)

£2,000‑3,000

Width: 33cm, weight: 46oz

£400‑600

Teapot height: 15oz, weight (all in): 22.5oz

£300‑500

575 A VICTORIAN SUGAR BASIN AND MILK JUG Thomas Smiley, London 1866, of pear form, bright cut engraving throughout, ornate oval cartouche with bow and foliate border with scroll leaf clasped handles; together with a central European early 19th century sugar basin; an unmarked punch ladle, a collection of flatware, including two pairs of Irish tongs; napkin rings; together with two plated tablespoons (qty) Height of sugar basin: 12cm, weighable silver: 30.8oz

£300‑400

578 A VICTORIAN PRESENTATION TWIN HANDLED CUP John Bell & Frederick Brasted, London 1861, of traditional baluster form, embossed floral decoration throughout, cartouche to one side of body with crest, cartouche to other side with presentation engraving ‘…John Hodgson on attaining the 21st year of his age… Jan 6th 1863’, raised on a spreading stem with floral skirt to a domed foot with similar embossed decoration Height: 24cm, weight: 15.4oz

£250‑350

579 A MATCHED GEORGE III TEAPOT AND STAND the oval teapot Benjamin Mountigue, London 1785, incuse duty mark, with bright cut engraving blank cartouche, straight tapering spout, together with a similar stand, maker HN, London 1800, similarly decorated and raised on three small volute feet Teapot height: 14cm, weight: 13.4oz

£280‑350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

581

583Y A MATCHED THREE PIECE TEA SERVICE

580

I.B., London 1826, comprising teapot and milk jug, later twin handled sugar basin, all of octagonal panelled form each with embossed floral detail, leaf clasped C scroll handles, raised on a moulded foot, the finial to teapot with rose finial (3)

AN EARLY VICTORIAN CAKE BASKET

Height: 14.5cm, weight: 37.6oz

Robert Garrard, London, 1844, in the late George II style, shaped oval, the sides chased with beaded flutes the sides pierced with alternate panels of diaperwork and quatrefoils between, the border cast and applied with shells and foliage, the swing handle with applied with rococo cartouche, marked underneath and on handle, the underside further stamped ‘R&S GARRARD PANTON ST. LONDON’

£300‑500

580

584 A GEORGE IV TEAPOT Thomas Burwash, London 1822, of circular form, fluting to body with gadrooned border, the C scroll handle with cast serpent detail

Width: 37cm, weight: 56.5 oz

Height: 15.5cm, weight: 28oz

£700‑1,000

£200‑300

581

585

A VICTORIAN CASTLE TOP CARD CASE

A PAIR OF GEORGE III SALTS

Nathaniel Mills, Birmingham 1844, of shaped rectangular outline with foliate and scroll decoration and with chased scene of Westminster Abbey to obverse and cartouche enclosing engraved foliate initials JMcK to reverse

CH., London 1819, of open circular form with chased decoration, gilt interiors, each raised on cabriole legs with hoof feet; together with two other Georgian salts; a rattan handled jug, indistinct marks, engraved 13. June 1882 to underside; a collection of condiments and plated condiments with assortment of unmarked spoons; a cased collection of apostle teaspoons various marks only five hallmarked and a collection of teaspoons (qty)

Length: 10.5cm, weight: 2.4oz

£600‑800

582

Weighable silver: 11.2oz

A PAIR OF GEORGE IV GRAPE SCISSORS

£300‑500

London 1829, of conventional form, heavy cast handles with bacchanalian pattern to both sides, engraved initials Length: 18.5cm

£120‑180

583

586

591

A SET OF NINE GEORGE III TABLE FORKS

A GEORGE III SALVER

William Chawner, London 1818, of double struck Fiddle and Shell pattern, Gothic J engraved to terminal; together with a set of six mash spoons, FH, London 1824 of Old English pattern with shoulders and crest to terminals (15)

London 1778, of rounded outline with crest to centre raised on scroll feet

Length: 21cm, 17cm, combined weight: 31.3oz

£300‑500

Diameter 23cm, weight: 15.5oz Provenance: Private collection of G. S. May Esquire

£300‑400

587 A COLLECTION OF SILVER to include; a George III christening mug, 1799 of ribbed design, angular handle and another later George IV example of the same design; together with a Victorian christening mug, of baluster form, heavily engraved floral decoration and a silver mounted leather cased travelling clock, Hamilton & Inches, Edinburgh 1898, monogram and 1905 engraved to cover (4) Weighable silver: 11.6oz

£350‑450

588 A GEORGE III COFFEE POT indistinct marks, of tapered form, crest and motto to body, leaf clasped spout; together with a Victorian sugar caster, Reid & Sons, London 1862, of traditional baluster form, the pierced pull off lid with knopped finial, to a stepped domed foot (2) Height: 19cm, 18cm, weight (all in): 18.5oz

592 A GEORGE III SILVER DISH CROSS John Lambe (possibly), London 1770, wavy punch, of traditional form, sliding feet of open beaded form, central burner, engraved crest and motto Maximum width: 34cm, weight: 17.5oz

£200‑300

593 A GEORGE III SMALL SAUCE BOAT probably Stephen Adams, London 1770, traditional form, later decorated raised on three hoof feet, handle a/f and another slightly larger, London circa 1760, of similar deign and decoration, both on three hoof feet Larger length: 14.5cm, combined weight: 8.6oz

£350‑450

594 A GROUP OF FIVE GEORGE III TABLE SPOONS

£200‑300

George III London, various dates and makers, later embellished to berry spoons, two pairs and a single (5)

589

Weight: 9.8oz

A GEORGE III SILVER WINE COASTER London circa 1790, of round form, gadrooned edge, engraved crest and motto, ‘Through’, with tied feather border, turned wood base Diameter: 13cm Note: The crest and motto is for Clan Hamilton

£150‑250

590 TWO PAIRS OF SAUCE BOATS

£150‑250

595 A PAIR OF SILVER SECOND COURSE DISHES Parker and Wakelin, London 1765, of conventional form, slight serpentine shape, gadrooned border, the bouge engraved armorials, scratch numbered and weights to underside Diameter: 29cm, weight (pair): 49oz

£1,800‑2,200

the first pair, George III sauce boats, circa 1790, of conventional form, gadrooned border, engraved crests all on shell clasped legs, hoof feet, leaf clasped scroll handles; another pair Georgian style, wavy rim, lion masks to the legs with paw feet, flying scroll handle; an Edwardian twin handled sugar basin, and a similar lidded sucrier, engraved inscription to the underside (6) Weight; 60oz

£300‑500

595

596

599

A PAIR OF EARLY GEORGE III SALVERS

A MID‑18TH CENTURY MILK POT

CH, London 1763, each of circular form, heavy cast border with floral decoration, the centre of the dish with engraved crest within cartouche, raised on three cast bracket feet of similar design (2)

John Fossey, London 1743, of baluster form, the hinged cover with wrythen finial, the body with all over foliate decoration

Diameter: 36cm, weight: 104.8oz

£250‑350

Note: The Marital Arms of Onley and Savill. These armorial bearings undoubtedly commemorate the marriage of The Reverend Charles Onley (born 1734 died 1822), of Stisted Hall, Stisted in the County of Essex and Ann Savill. Charles and Ann were married at the Parish Church of St Martin, Colchester in the County of Essex on the 19th April 1763. This date agrees quite well with the date of the manufacture of this pair of trays. Charles was the son of Captain (……?) Onley, Royal Navy, whilst Ann was the daughter and co‑heiress of (……?) Savill, of Colchester and Fordham in the same county aforesaid. Sadly, there appear to be dearth of genealogical information concerning the antecedents of both the Onley and Savill families. Charles was educated at Pembroke College, Cambridge and that he was subsequently ordained in the Church of England eventually becoming the Rector of All Saints Church at Fordham between the years 1763 to 1804. This living was in the gift of his sister‑in‑law, Sarah Savill as she held the advowson. Charles was an absentee rector employing several curates to take care of the pastoral work of the parish during his tenure. His main occupation appeared to be that of a gentleman farmer at Stisted Hall. Finally, when he vacated the living at Fordham in 1804, he presented a new solid silver communion plate to the church.

Height: 16cm, weight: 8.9oz

600 A MATCHED SET OF TWELVE GEORGE II TABLESPOONS various makers, London 1740s and others, all of Hanoverian pattern, crest to reverse of terminal; together with a set of eleven silver handled table knives and ten side knives, Sheffield 1938 of Shell pattern (qty) Length: 20cm, weighable silver: 24.9oz

£350‑450

£1,000‑1,500

597 AN EARLY GEORGE III COFFEE POT Thomas Whipham & Charles Wright, London 1762, of traditional baluster form, leaf clasped curved spout, circular moulded foot with gadrooned edge, cartouche to centre of one side with three crests and mottos in garter belts, later embossed Oriental scenes throughout, the domed lid with bud finial Height: 30cm, weight: 34.6oz

£800‑1,200

598 JERSEY ‑ A MID 18TH CENTURY CHANNEL ISLANDS TREFID SPOON Pierre Amereux, Jersey circa 1750, of traditional form, the split terminal with GLG to the rear, plain short rat tail Length: 19.7cm, weight: 34.8g

£150‑250 597

605 A LATE 17TH CENTURY LACE BACK TREFID SPOON Lawrence Cole, London circa 1690, scroll decorated terminal, initials to back, lace detail to rear of bowl with plain long rat tail Length: 18.2cm weight: 43.4g

£150‑250

606 A LATE 17TH CENTURY TREFID SPOON Maker’s mark TA, London circa 1690, of typical form, with initials R / R H*E with moulded rat tail to bowl Length 19.6cm weight: 56.6g

£300‑500

607 A LATE 17TH CENTURY TREFID SPOON 603

maker’s mark TA (possibly Thomas Allan) London circa 1688, of conventional form, prick engraved initials and moulded rat tail Length: 19cm, weight 54.6g

£200‑300

608 601

A LATE 17TH CENTURY/EARLY 18TH CENTURY COCONUT CUP

A PAIR OF GEORGE II SALTS

marks for Dublin between 1671‑ 1730, composed of an Indo‑Anglo intricately carved coconut with floral and scroll details within a similarly decorated border, mounted within three silver parts one with a stepped spout, raised on a domed spreading foot.

James Smith, London 1733, of circular form, gadrooned border, gilt interior and glass liners, raised on three hoof feet; together with four matched circular salts and a pair of Fiddle pattern Edinburgh salt spoons (qty) Weight: 17.4oz

Height: 31.5cm

£1,000‑1,500

£350‑500

602 A WILLIAM III BRITANNIA STANDARD TREFID SPOON William Scarlett London 1700, the terminal with traces of initials to the rear, the bowl with beaded rat tail Length: 19.8cm, weight: 56.4g

£250‑400

603 A WILLIAM AND MARY LIDDED TANKARD maker’s mark WS, London 1694, the hinged cover with scroll thumb piece, stepped form to a tapering body, plain, the scroll handle with simple engraved initials A/RM, slight stepped base Height: 16.5cm, weight: 21oz Note: Ex Hancocks 1970s

£2,000‑3,000

604 A WILLIAM AND MARY LACE BACK TREFID SPOON maker’s mark IP star above and crescent below, London 1691, with lace decoration to front of stem and rear of bowl, prick engraved initials to terminal Length: 19.2cm, weight: 43.3g

£250‑400

608

609

612

613

609

613

A JAMES II TREFID SPOON

A JAMES I SEAL TOP SPOON

maker’s mark EH with crown above and crescent below, London 1685, the plain trefid terminal prick engraved D*S / T*A / 1685, with moulded and beaded rat tail

William Cawdwell, London 1609, of conventional form, blank seal, the support of turned and leaf clasped form, plain stem and fig shape bowl, initials MR to reverse

Length: 19.6cm, weight: 1.5oz

Length: 16.7cm, weight: 44.1g

£400‑600

£600‑900

610

614

AN EARLY 17TH CENTURY SEAL TOP SPOON

maker’s mark II pellet between and below, circa London 1640, of conventional form, blank seal, slight leaf clasped terminal, fig shaped bowl

William Cawdwell, London 1607, of conventional form, short gadrooned support to seal, good fig shaped bowl, traces of prick engraved seal

Length: 17cm, weight: 46.1g

£600‑900

Length: 15.6cm, weight: 40.5g

£300‑500

615 611 A CHARLES I SEAL TOP SPOON Daniel Cary, London 1632, vacant seal above baluster and acanthus support, classic stem to fig shaped bowl Length: 16.5cm, weight: 43.9g

A LATE 16TH CENTURY SEAL TOP SPOON William Cawdwell London 1595, of conventional form, the seal top with prick engraved initials, fig shaped bowl length: 14.5cm, weight: 31.2g

£400‑600

£300‑400

612 A CHARLES I SEAL TOP SPOON Edward Hole, London 1629, the large three stage seal with reeded and foliate detail, prick engraved RH, straight stem to a large ovoid bowl Length: 17.9cm, weight: 1.8oz

£600‑900

END OF SALE

WHISKY & SPIRITS AUCTION WEDNESDAY 04 DECEMBER 2019 AT 6PM IN EDINBURGH Forthcoming auction highlights include several rare bottles by The Macallan, a Mortlach 1971 47 year old in presentation case, and a Brora 1972 22 year old. To enquire please contact Olivia Ross olivia.ross@lyonandturnbull.com +44 (0) 131 557 8844

THE MACALLAN 1949 50 YEAR OLD DECANTER matured exclusively in Sherry butts, one of 900 bottled at cask strength in 1999, in Caithness crystal decanter, with lockable oak presentation case and certificate of authenticity 700ml/ 43%

Â£15,000-25,000

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used. Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales. In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only. 2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. 3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw. 4. JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

19.2 report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

85 2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844. 3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller. 4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party. 5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration. 6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability

to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

6. CURRENCY CONVERTER

C. DURING THE SALE

8. RELEVANT LEGISLATION

1. ADMISSION TO OUR AUCTIONS

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction. 2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen. 4. BIDDING

The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction. 5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services. 7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above. 3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. THE PURCHASE PRICE

1. SELLER’S WARRANTIES

For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the

86 Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser. This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the

refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest. 3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or

(ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. 2. IN THE EVENT OF NON-PAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use

the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received. (3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. 2. EXPORT OF GOODS

Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than

87 as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless

we agree otherwise in writing, You may not videotape or record proceedings at any auction. 3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities. 6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website. 7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of

our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com. 10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with. 1. DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form. “Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue. “Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller. “Estimate” a statement of our opinion of the range within the hammer is likely

to fall. “Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us. “Seller” the person who offers the Lot for Sale. We act as agent for the Seller. “Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom. “Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale. “Lien” a right for the person who has possession of the Lot to retain possession of it. “Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “Title” the legal and equitable right to the ownership of a Lot.

19.2

GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

BY PHONE

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale. BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

PAYMENT Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department. CREDIT OR DEBIT CARDS Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. ONLINE CARD PAYMENTS We no longer accept card payments by phone.

IN WRITING

Please use our online payment service (provided by Cardstream/Credorax).

Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

ON THE INTERNET A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

CHEQUE Cheques should be made payable to Lyon & Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. CASH Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000 per annum.

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM