Five Centuries: Furniture, Paintings & Works of Art | Auction 5th February by Lyon & Turnbull

WEDNESDAY 05 FEBRUARY 2020 AT 10AM Sale Number LT588

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING

Cover: Lot 453 [detail]

Saturday, 1st February 12 noon - 4pm Sunday, 2nd February 12 noon - 4pm Monday, 3rd February 10am - 5pm Tuesday, 4th February 10am - 5pm Day of Sale from 9am

Left: Lot 234 [detail]

Catalogue Â£15

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

BUYER'S GUIDE This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

BUYER’S PREMIUM & OTHER CHARGES The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £300,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue). ADDITIONAL VAT † VAT at the standard rate payable on the hammer price * 5% import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

REGISTRATION

CATALOGUE DESCRIPTIONS

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All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http: // www.defra.gov. uk/ahvla-en/ imports-exports/cites

MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Gavin Strang

Furniture, Clocks & Works of Art

Paintings

Ceramics & Glass

Rugs & Carpets

douglas.girton@lyonandturnbull.com

nick.curnow@lyonandturnbull.com

theo.burrell@lyonandturnbull.com

gavin.strang@lyonandturnbull.com

Jamie Russell

Olivia Ross

Kerstin Schaeffer

Katie Hannah

Cataloguer

Department Administrator

Cataloguer

jamie.russell@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

kerstin.schaeffer@lyonandturnbull.com

katie.hannah@lyonandturnbull.com

AUCTION VENUE

Lyon & Turnbull

York Place Tram Stop Waverley Station, Princes Street

ORDER OF SALE WEDNESDAY, 5TH FEBRUARY 2020 AT 10AM Lot No.

1 16

Property from Newbattle Abbey, Midlothian British Furniture & Works of Art Part I

169

Paintings Part I

186

British Furniture & Works of Art Part II

382

Paintings Part II

407

A Private London Collection

431

Continental Furniture & Works of Art

573

Rugs & Carpets

620

Chinese Works of Art

623

Garden

Lot 99 [detail]

PROPERTY FROM NEWBATTLE ABBEY, MIDLOTHIAN

Newbattle Abbey, which sits outside Edinburgh in the Midlothian countryside, has origins dating back 900 years. Originally a Cistercian monastery founded in the 12th century by monks from Melrose Abbey, it was developed in the 16th century as a country house, with expansions and further improvements in the 18th and 19th centuries. The house incorporates some existing elements of the earlier abbey in the south part, with stone used for building the new house as well as a new parish church. Newbattle Abbey is considered a rare example of a Scottish house converted for secular use which retained elements from its ecclesiastical past. It is now a category A listed building due to its national and historical importance. As a result of the Reformation, the abbey and estate passed into the ownership of Mark Kerr. Son of a local landowner,v he converted to Protestantism and was named lay Abbot of Newbattle Abbey in 1547. Kerr’s son, also named Mark, was created 1st Earl of Lothian

in 1604 and several generations later Robert Kerr, the 4th Earl of Lothian was elevated to Marquess. The house and estate played a prominent role in Scottish as well as British history, twice sacked during Henry VIII’s ‘Rough Wooing’, and hosted multiple royal visitors over its 900 years. These included Alexander II in 1241, Edward I of England in 1296, Princess Margaret in 1503, James V in 1526, Mary of Guise in 1557, George IV in 1822, and a visit by Queen Victoria in 1886. In 1930, shortly after inheriting the estates of Newbattle, Monteviot, Ferniehurst and Blickling, the 11th Marquess of Lothian decided to hand over Newbattle Abbey, its contents and 125 acres of garden and parkland to a foundation that would run an education college. Newbattle Abbey College opened to students in 1937 and, apart from a break during World War II, its educational role continues to this day. Image © Crown copyright: HES

1 UNRECORDED ITALIAN MAIOLICA HANDLED SPOUTED DRUG JAR SIENA, CIRCA 1510-1530 with short cylindrical neck and tubular spout united by a single twisted rope of clay, fitted with a thick handle of flat joined bands decorated with green stripes, above the bulbous body with pharmacy label inscribed SYo. DEISAP. O and a gadrooned urn, decorated throughout with polychrome grotesque decoration of stylised dolphins, birds and flowerheads on an orange ground, within characteristic bands of interlaced ornamental knotwork, incised L6 d ?2 to the base, (for ‘libbre’ (pounds) and ‘once’ (ounces) likely equating to 2095.2gm, its modern weight when empty) 27cm high, 25.5cm wide

£600-800

Note: This jar belongs to a small group of recorded surviving jars from Siena with characteristic shapes and handles made circa 1500-circa 1530 for various pharmacies. All known survivors were made and labelled to contain syrups. Two (one in the V&A and one in the Museo Internazionale delle Ceramiche Faenza) are decorated on a dark blue ground and one, very similar to this example, (in a private collection) on a dark orange ground (see Mario Luccarelli and Anna Migliori Luccarelli, ‘L’evoluzione della maiolica senese dall’immaginario medievale al ‘capriccio’della grottesca’, in La ceramica a Siena dalle origini all’Ottocento, ed. Margherita Anselmi Zondadari and Paolo Torriti,2012, figs 90-91, p68-69.). This orange ground was popular with early 16th century Sienese maiolica potters. The group relates in decoration and colour to tiles made in Siena in particular to those made for the Santa Caterina Oratory of 1504-5. This drug jar here also relates to a group of smaller dark orange grounded albarellos made from 1500 and in particular to one dated 1515 in the Metropolitan Museum of Art New York (see Timothy Wilson, Maiolica - Italian Renaissance Ceramics in the Metropolitan Museum of Art, 2016, cat22, p96-7.). For reference to the weight of the jar please see Dora Thornton and Timothy Wilson, Italian Renaissance Ceramics. A catalogue of the British Museum Collection, 2009, vol 2, cat249, p427-8. We are grateful to Celia Curnow for writing these entries and to Dr Elisa Sani for confirming her attributions.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

2 ITALIAN MAIOLICA HANDLED SPOUTED DRUG JAR MONTELUPO, ABOUT 1570 with a short cylindrical neck and spout with a moulded mask, united by a single twisted rope of clay, with a rounded handle consisting of two adjoined bands within bands of blue crosses and scrolls, above the ovoid body with an inscribed label SYo. DI. POMIS. S., and decorated with an unidentified shield of arms and the initials F and L, amongst grotesques, putti, beasts and fruit on a dark blue ground 26cm high, 21cm wide Note: The label to this drug jar describes the previous contents of this piece: SYo. DI. POMIS.S., a purgative syrup. (See R.E. Drey, Apothecary Jars,1978, p224). We are grateful to Celia Curnow for writing these entries and to Dr Elisa Sani for confirming her attributions.

ÂŁ600-800

3 PAIR OF MAIOLICA VASES 19TH CENTURY with everted necks and pierced interior platforms, above rounded pear-form bodies, raised on short feet, decorated with labelled reserves depicting the figures ‘AENEA’, ‘ASCANIO’, ’LAVINIA’ and ‘DIDONE’ all on grotesque decorated white grounds with yellow borders (2) 19.5cm and 19cm high

£300-500

4 MAIOLICA MOONFLASK, POSSIBLY ITALIAN 19TH CENTURY with slender cylindrical neck above the flattened circular body fitted with strap handles, profusely decorated with dolphins, angels and swags on a dark blue ground, with reserves inscribed 1509, all raised on a splayed foot 33.5cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

5 PAIR OF UNRECORDED ITALIAN MAIOLICA ALBARELLOS, FROM A SET OF PHARMACY JARS BY ANDREA DI MARCO DI IACOPO DE LE SCINE MADE FOR THE HOSPITAL OF SANTA MARIA DELLA MISERICORDIA, PERUGIA, IN 1565 the cylindrical bodies with swelling at the shoulders and bases, and decorated with bands of yellow armorial trophies on dark blue grounds, enclosing central oval reserves depicting the emblem Ds ME (for Domus Misericordiae House of Pity) surmounted by crosses flanked by trophies, with inscribed labels, the first EL. D.’ GENZNA, the second UNG. D’. B’SILICO, with incised symbols to the base, the first L2 d2 (for ‘libbre’ (pounds) and ‘once’ (ounces), possibly equating to 792.5gm its modern weight when empty), the second L2 d6 (possibly equating to 937.3gm, also its modern weight when empty) (2) 20.8cm high, 13.6cm wide; 21.5cm high, 13.4cm wide Note: The emblem depicted on the albarellos is still to be found on the buildings which were formally the Hospital of Santa Maria della Misericordia in Perugia. The surviving hospital account books note in 1565 payment for a set of pharmacy vases from the Perugian potter Andrea di Marco di Iacopo delle Scine. These albarellos belong to this commissioned set. Eight others are recorded. Four spouted jars - one in the Castello Sforzesco, Milan, dated 1565, one in the collection of the Fondazione Cassa di Risparmio in Perugia, two in private collections, one in Ostra, one in Assisi (Giulio Busti and Franco Cocchi in La Via Della Ceramica Tra Umbria e Marche: Maioliche Rinascimentali da Collezioni Private, 2010, ed. Ettore A. Sannipoli, cat1.23, p104.). Four albarellos similar to these exist, two in the Bagatti Valsecchi Museum Milan, and two, both dated 1565, formerly in the Della Gherardesca Collection (Finarte, Milan, 21-22 Nov, 1963, lot 65). The labels: EL.D.’ GENZNA and UNG.D’.B’SILICO probably refer to an elixir of gentian, and an ointment made from basil, respectively. For reference to the weight of the albarellos please see Timothy Wilson, Maiolica - Italian Renaissance Ceramics in the Metropolitan Museum of Art, 2016, cat30, p116-7. We are grateful to Celia Curnow for writing these entries and to Dr Elisa Sani for confirming her attributions.

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

6 GREEK APULIAN POTTERY GUTTOS 4TH CENTURY B.C. of rounded form with vertical line border enclosing a central mask of Hercules and a splayed spout, handle lacking, in a black glaze 13cm high

£200-300

7 PAIR OF CLASSICAL STYLE BRONZE URNS with everted lips issuing twin handles, above cylindrical bodies and fluted bases, raised on circular feet, embossed with Bacchanalian putti and goats amongst grape vines (2) 21cm high

£300-500

8 BASALT AND MARBLE WATERLOO MONUMENT MODEL DATED 1815 in the form of an obelisk on a separate squared base fitted with four white marble plaques inscribed WATERLOO 18TH. JUNE 1815/ TO THE DUKE OF WELLINGTON AND THE BRITISH ARMY WILLIAM KERR SIXTH MARQUIS OF LOTHIAN AND HIS TENANTRY DEDICATE THIS MONUMENT 30TH JUNE 1815./ WELLINGTON/ VICTORY 47cm high Note: This obelisk may be a model for a monument, not realised, commissioned by the 6th Marquis of Lothian in 1815 to commemorate Wellington’s victory at Waterloo. The original monument, designed by the Scottish architect William Burn and described as a pyramid, was built on the summit of Penielheugh on the Monteviot estate near Jedburgh in the Scottish Borders. It famously collapsed ‘with a tremendous crash’ a year after being built and was replaced by the triumphal column designed by Archibald Elliot which still occupies the spot.

£800-1,200

TWO DOMED TAXIDERMY BIRDS

GEORGE I WALNUT LONGCASE CLOCK CASE

GEORGE II GILTWOOD MIRROR

LATE 19TH CENTURY

EARLY 18TH CENTURY AND LATER

MID 18TH CENTURY

comprising a kingfisher and a lovebird, each on branchwork and ebonised stands covered by small glass domes (2) 20.5cm high approx. overall

the caddy moulded hood with brass finials above an arch moulded door, over a crossbanded trunk door, base, and plinth, distressed

£200-300

253cm high, 50cm wide

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the oval mirror plate in a lancet-moulded giltwood frame with pierced scrolling acanthus marked with rosettes 60cm high, 46cm wide

£250-350

12 QUEEN ANNE SEAWEED MARQUETRY LONGCASE CLOCK, JASPER TAYOR, LONDON EARLY 18TH CENTURY the caddy top cornice above an 11 3/4in. brass dial with silvered chapter with Roman and Arabic numbers, pierced brass spandrels, date aperture, and subsidiary seconds dial, signed ‘Jaspar Taylor, in Grey’s Inn’, flanked by corner columns, above a long trunk door with a lenticle, on a plinth and platform base, with seaweed marquetry throughout; the eight day movement striking a bell 245cm high, 50cm wide

£2,000-3,000

13 TWO CEYLONESE CARVED HARDWOOD SIDE CHAIRS LATE 19TH CENTURY the tall back pierced and carved with fruit and scrolling foliage above a circular seat, the pad lacking, on low carved scroll legs; and another of slightly smaller proportions and similarly carved, with a serpentine seat on scroll legs (2) One 59cm wide, 119cm high, 53cm deep; the other 62cm wide, 112cm high, 50cm deep

£300-500

Undated image of The Great Drawing Room at Newbattle Abbey, showing the chairs in situ

14 OTTOMAN SADDLE, RED VELVET SADDLE-CLOTH, AND TACKLE LATE 18TH/ EARLY 19TH CENTURY the saddle covered in yellow silk velvet with a white metal horn embossed with a cartouche and military trophy; the trapezoidal saddle-cloth of red silk velvet with applied gilt metal stars and silvered stud decoration, the central reserve with cut-outs for the the saddle back and horn; with a partial leather and white metal bridle and breastplate Saddle-cloth 142cm x 208cm

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

15 OTTOMAN SADDLE AND METAL-THREAD EMBROIDERED RED GROUND SADDLE CLOTH 18TH CENTURY the saddle with a raised pommel and cantle, covered in yellow velvet with metallic thread embroidery; the saddle cloth of red silk velvet with floral and foliate metallic thread embroidery and gilt metallic thread tassel trim (3) Saddle cloth 112cm x 98cm

£1,000-1,500

BRITISH FURNITURE & WORKS OF ART PART I

16 CAROLEAN WALNUT ARMCHAIR EARLY 17TH CENTURY the tall caned back with pierced scroll cresting above open arms and a caned seat, stamped to reverse PI 65 wide, 137cm high, 64cm deep

£300-500

17 OAK PRESS CUPBOARD LATE 17TH CENTURY the channel moulded frieze centred by carved intials G.S. and dated 1691, above a pair of panel doors over a further door flanked by panels all carved with stylised geometric motifs, on stile feet 141cm wide, 120cm high, 61cm deep

£700-900

18 CHARLES II OAK AND EBONISED CHEST 17TH CENTURY the hinged lid opening to an interior with drawers and candle box, the fielded panel front with applied strap moulding above two short base drawers, raised on stile feet 147.5cm wide, 85cm high, 62cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

19 DUTCH SCHOOL, 16TH CENTURY PORTRAIT MINIATURE OF A MAN oil on copper, oval, the sitter facing square on, with natural curled hair and lace collar, unframed 6cm high

£800-1,200

20 Y CIRCLE OF SAMUEL COOPER (BRITISH 1609-1672) PORTRAIT MINIATURE OF CHARLES II oval, watercolour on vellum, the King facing to the left in a full bottomed natural wig and wearing a white lace lawn collar and Blue Garter sash over armour, within a hinged and scalloped tortoiseshell box frame 6.5cm high Note: This image of Charles II is based on a portrait of the King at Chiddingstone Castle, Kent, by Samuel Cooper who was the King’s limner. For a similar portrait of Charles II, also see G. Reynolds, The Sixteenth and Seventeenth Century Miniatures in the Collection of Her Majesty the Queen, 1999, p.145-6, no.126.

£600-800

21 ENGLISH SCHOOL, 17TH CENTURY PORTRAIT MINIATURE OF A YOUNG LADY oil on copper, oval, the sitter with brown hair adorned with pearls and wearing a pink gown with lace trim, in a later gilt bronze frame 8cm x 6.5cm excluding frame

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

22 ENGLISH SCHOOL, EARLY 18TH CENTURY PORTRAIT MINIATURE OF A GENTLEMAN WEARING ARMOUR oil on copper, oval, the subject in a large powdered periwig, wearing a white cravat and armour breastplate and pauldrons, unframed 11.5cm high

£600-800

23 ENGLISH SCHOOL, 18TH CENTURY PORTRAIT MINIATURE OF A CLERIC oil on copper, oval, the sitter wearing a powdered periwig and white clerical cravat, unframed 6.7cm high

£250-350

24 MINIATURE BRASS CASED LANTERN CLOCK LATE 17TH/ 18TH CENTURY the semi-spherical bell top above pierced sides, enclosing a circular dial with Roman numerals and a subsidiary alarm dial t o the centre, with a verge escapement 20cm high

£500-700

25 JAMES I OAK BIBLE BOX EARLY 17TH CENTURY the hinged rectangular lid with a central lock opening to a void interior, the front and side panels carved with scrolling foliate motifs, inscribed BP and dated 1610 55cm wide, 20cm high, 41.5cm deep

£300-500

26 CHARLES II PARCEL-GILT AND SILVERED CARVED WALNUT DOORWAY PEDIMENT CIRCA 1670

the arched and pierced foliate carving with a central oval carved reserve with a threequarter length portrait of Charles II

OAK JOINED STOOL

144cm wide, 72cm high

£800-1,200

17TH CENTURY rectangular top above a channel moulded seat rail, on bobbin turned legs joined by peripheral stretchers 43.5cm wide, 55cm high, 29cm deep

£250-350

28 WILLIAM AND MARY OAK TABLE 17TH CENTURY the rectangular top with a thumb moulded edge above a long frieze drawer, raised on turned baluster legs joined by peripheral stretchers 88cm wide, 70cm high, 51cm deep

£300-500

28A CARVED OAK OPEN BOOKSHELVES 16TH/ 17TH CENTURY, MADE UP 19TH CENTURY the scroll-carved cornice panel above open shelves flanked by carved figures and columns, on a plinth base 121cm wide, 242cm high, 39cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

29 OAK REFECTORY TABLE EARLY 18TH CENTURY the rectangular single-plank top above a moulded frieze on turned and blocked legs joined by peripheral stretchers 205cm long, 78cm high, 67.5cm deep

£1,500-2,500

30 SET OF TEN WILLIAM AND MARY STYLE DINING CHAIRS MODERN comprising a pair of armchairs and eight side chairs, the rectangular padded backs and square seats covered in red plush upholstery with close-nail trim, raised on ring-turned legs joined by stretchers, the armchairs with enclosed arms (10) Side chairs 54cm wide, 107cm high, 44cm deep

£800-1,200

31 GEORGE II WALNUT CHEST-ON-STAND SECOND QUARTER 18TH CENTURY, AND LATER the projecting cornice above two crossbanded short and three long drawers, the separate stand with three drawers above a shaped apron, raised on shell-carved cabriole legs ending in pad feet 103cm wide, 158cm high, 53cm deep

£800-1,200

32 GEORGE II STYLE WALNUT TRAY TOP TEA TABLE LATE 19TH CENTURY the rectangular quarter-veneered tray top above an ogee frieze with a drawer and candle slides to the sides, with a shaped frieze raised on lappet and harebell carved cabriole legs ending in claw and ball feet 82cm wide, 74cm high, 51cm deep

£300-500

33 QUEEN ANNE WALNUT TABLE EARLY 18TH CENTURY the top with a moulded edge above a long frieze drawer, raised on bobbin turned legs joined by stretchers 85cm wide, 75cm high, 55cm deep

£300-500

34 QUEEN ANNE STYLE DOUBLE CHAIRBACK SOFA, MORISON & CO., EDINBURGH LATE 19TH CENTURY the shaped double-arched back over a drop-in seat flanked by scrolled open arms, above a shaped seat rail and slight cabriole legs ending in pad feet and united by wavy stretchers, the rear leg stamped and numbered 20/980 154cm wide, 121cm high, 61cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

35 QUEEN ANNE WALNUT BUREAU EARLY 18TH CENTURY the slope front with chevron banding enclosing a fitted interior, above three frieze drawers and shaped apron, raised on turned and tapered legs joined by a wavy X form stretcher and ending in bun feet 89cm wide, 88.5cm high, 50cm deep

ÂŁ1,000-1,500

36 GEORGE I STYLE WALNUT BUREAU BOOKCASE 20TH CENTURY the ogee moulded cornice with urn finials above arch moulded mirrored doors enclosing an interior fitted with drawers and pigeon holes, the slant front opening to further pigeon holes, drawers, and a well, above two long graduated drawers outlined with chevron banding and raised on bracket feet 105cm wide, 256cm high, 61cm deep

ÂŁ800-1,200

37 QUEEN ANNE STYLE MAHOGANY CHEVAL MIRROR EARLY 20TH CENTURY the shaped mirror plate in a moulded double dome frame between square tapered supports with brass pine cone finials, on palmette carved twin cabriole legs joined by a shaped stretcher and ending in pad feet 68cm deep, 158cm high, 67cm deep

£800-1,200

38 GEORGE II STYLE MAHOGANY SILVER TABLE BY WHYTOCK & REID EARLY 20TH CENTURY the rectangular dished top above a long frieze drawer, raised on cabriole legs ending in pointed pad feet 94cm wide, 75cm high, 55cm deep

£300-500

39 EDWARDIAN GEORGIAN STYLE MAHOGANY FRAMED DWARF SOFA EARLY 20TH CENTURY the low back and scrolled enclosed arms above a long seat, raised on cabriole legs with pad feet, covered in green striped ticking 126cm wide, 81cm high, 47cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40 GEORGE III STYLE BURR WALNUT TEA TABLE 20TH CENTURY the circular tilt tray top on a birdcage and turned baluster column and tripod base ending in spade feet 69cm diameter, 69cm high

£500-700

41 GEORGE I STYLE RED JAPANNED BUREAU BOOKCASE 20TH CENTURY with faux tortoiseshell and Chinoiserie decoration, the double dome cornice above a pair of mirrored doors enclosing a shelved interior; the base with a slant front enclosing an interior fitted with drawers and pigeon holes, above two short and two long graduated drawers, raised on bracket feet 104cm wide, 215cm high, 49.5cm deep

£800-1,200

42 PAIR OF GEORGE I STYLE MAHOGANY WING ARMCHAIRS MODERN the tall backs with scrolled top rails and serpentine wings above loose cushion seats flanked by outscrolled arms, raised on cabriole legs ending in pointed pad feet and joined by H stretchers, covered in salmon pink foliate upholstery (2) 86cm wide, 117cm high, 55cm deep

£1,000-1,500

43 ORKNEY HOODED ROCKING CHAIR MODERN of typical form 64cm wide, 131cm high, seat 43cm deep

£400-600

44 GEORGIAN OAK TABLE 18TH CENTURY the rectangular top with a moulded edge above a long frieze drawer and shaped apron, raised on baluster turned legs united by peripheral stretchers 92cm wide, 78cm high, 62cm deep

£300-500

45 LARGE VICTORIAN PINE DRESSER LATE 19TH CENTURY the superstructure with a moulded cornice and shaped frieze over three open shelves and a tongue and groove backboard; the base with two drawers above four cupboard doors with iron strap hinges, opening to a single shelf interior, on stile feet 195.5cm wide, 217cm high, 59cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

46 TWO MINIATURE GEORGIAN OAK CHESTS 18TH CENTURY WITH ALTERATIONS each with a hinged lid opening to a void interior with faux drawer fronts and brass handles to the sides, raised on bracket feet (2) One 52cm wide, 59cm high, 46cm deep; the other 49cm wide, 54.5cm high, 42cm deep

£1,500-2,500

47 GEORGIAN PROVINCIAL OAK TRIPOD TABLE 18TH CENTURY the circular planked top on a turned baluster column and tripod base 65cm diameter, 70.5cm high

£250-350

48 GEORGIAN MAHOGANY AND WALNUT LONGCASE CLOCK, EDWARD PATRICK, LONDON EARLY 18TH CENTURY the silvered Roman numeral dial with brass spandrels with a secondary seconds dial and date aperture, in an associated case with a moulded cornice and arched trunk door, on a plinth base with bracket feet; the eight day movement striking a bell 51cm wide, 193cm high, 28cm deep Provenance: The Estate of the Late Dr. Virginia Glenn

£400-600

49 GEORGIAN OAK LIVERY CUPBOARD 18TH CENTURY the moulded cornice above a pair of triple panel doors, the lower part with three short dummy drawers over two further short drawers and a long drawer, raised on stile feet 135cm wide, 189cm high, 59cm deep

£400-600

50 COLLECTION OF ENGLISH BLUE AND WHITE PORCELAIN 18TH CENTURY variously marked, comprising a Worcester ‘Convolvulus’ pattern Low Chelsea ewer cream boat; a Worcester ‘Three Flowers’ pattern butter tub and cover; a Liverpool ‘Fisherman’ pattern coffee cup; two Caughley ‘Three Flower’ pattern tea bowls and saucers; a ‘Fence’ pattern tea bowl and saucer; a further ‘Fence’ pattern tea bowl; and a chinoiserie-printed cartouche shaped spoon tray, probably Caughley (11) Cream boat 6.5cm high

£300-500

51 LOWESTOFT BLUE AND WHITE PORCELAIN PICKLE DISH CIRCA 1770 of small shallow leaf form, moulded with veins and a small leaf next to the stalk handle, painted in blue with a trailing flowering plant within a blue feathered rim 9cm long

£400-600

52 GEORGIAN OAK DRESSER LATE 18TH CENTURY AND LATER the moulded cornice over a pierced frieze, above a central panelled cupboard and an arrangement of shelves; the lower section with three short crossbanded drawers and a shaped apron, raised on round tapered legs 153cm wide, 197cm high, 48cm deep

£600-800

PAIR OF GEORGIAN MAHOGANY AND BRASS CANDLESTICKS

GEORGE II MAHOGANY JARDINIÈRE STAND

LATE 18TH/ EARLY 19TH CENTURY

SECOND QUARTER 18TH CENTURY

the urn-shaped brass nozzles above slender reeded baluster stems and turned circular feet (2)

with a circular dished top, on tripod cabriole legs ending in pad feet

34cm high

£200-300

£250-350

28cm diameter, 51cm high

55 GEORGE III MAHOGANY BRASS BOUND PEAT BUCKET 18TH CENTURY of cylindrical staved form with twin brass loop handles and three brass bands 36cm diameter, 32cm high

£300-500

56 GEORGE II MAHOGANY SIDE TABLE MID 18TH CENTURY the rectangular top above a single drawer, on round tapering legs with pad feet 74cm wide, 68.5cm high, 47.5cm deep

£300-400

57 GEORGE II STYLE MAHOGANY FRAMED WING ARMCHAIR LATE 19TH CENTURY the back with a serpentine top and deep wings above scroll arms, raised on cabriole legs with pad feet and joined by later side stretchers; in cream striped upholstery 75cm wide, 113cm high, 77cm deep

£500-700

58 GEORGE III MAHOGANY AND NEEDLEWORK POLE SCREEN 18TH CENTURY the rectangular needlework panel depicting a flower-filled blue and white urn, on a tapered baluster support and tripod base panel 74cm x 53cm, total height 147cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

59 GEORGE II STYLE MAHOGANY FRAME OPEN ARMCHAIR 20TH CENTURY the arched back above a wide seat flanked by part-padded arms with foliate carved supports, the seat rail carved with a shell motif and acanthus, raised on cabriole legs ending in hoof feet, covered in striped silk 65cm wide, 95cm high, 53cm deep

£400-600

60 GEORGE III MAHOGANY KETTLE STAND MID 18TH CENTURY the galleried hexagonal top with a cup slide, on a ring-turned tapered column and tripod cabriole legs carved with acanthus, C-scrolls and rocaille, ending in raised pad feet 27cm wide, 53cm high

£700-1,000

61 GEORGE II CARVED GILTWOOD MIRROR MID 18TH CENTURY the bevelled oval mirror plate within a pierced giltwood frame with C scrolls, rocaille, and surmounted by a shell motif 126cm high, 77cm wide

£600-800

62 GEORGE III MAHOGANY BUREAU 18TH CENTURY the figured slant front opening to a leather insert and an arrangement of pigeonholes and drawers around a central cupboard, above four long graduated drawers, raised on shaped bracket feet 92cm wide, 108cm high, 53cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

63 GEORGE III MAHOGANY CHIMING BRACKET CLOCK, THOMAS EASTLAND, LONDON 18TH CENTURY the bell-top case with a brass handle and gilt ball finials, above an arched brass dial with silvered chapter ring with Arabic and Roman numerals and matt centre, subsidiary Silent/Strike and regulator dials, mock pendulum and date apertures, the dial arch signed ‘Thos Eastland/ London’, flanked by gilt metal figural corner mounts, the glazed back and sides enclosing the eight-day chiming movement with signed and engraved back plate, raised on a stepped base with brass mounted feet 35.5cm wide, 58.5cm high (handle up), 22.5cm deep

£2,500-3,500

64 SCARCE CASED PAIR OF 20 BORE FLINTLOCK DUELLING PISTOLS BY JOSEPH LODER LONDON CIRCA 1769 with sighted re-blued octagonal barrels with London view and proof marks, engraved London, the barrel tangs and cocks engraved with Neoclassical flowerheads and a shell at the tail, with a double row of roulettes at the breeches and traces of gold lines, flat stepped bolted locks signed Loder, with full figured walnut stocks with slab sided butts and escutcheons with initials AG, iron trigger guards with acorn finials and engraved flowerheads in a lozenge on the bows, with original horn-tipped lancewood ram rods with iron jaggs, in a re-fitted and lined period mahogany case with two way shagreen powder flask, a bullet mould, patch cutter, pricker, turn-screw, and spare flints, in a leather pouch with raised brass handle and later trade label, with original case key 8inch barrels

£7,000-10,000

65 GEORGIAN STYLE MAHOGANY FALL FRONT SECRETAIRE-ON-STAND 19TH CENTURY the moulded fall front opening to an interior with pigeonholes, drawers, and a blotter, on a stand with straight legs joined by an X stretcher, bearing an ivorine label ANDERSON, STANDFORD & RIDGEWAY LTD./ DUBLIN 57cm wide, 113cm high, 32cm deep

£300-500

66 GEORGE III MAHOGANY LONGCASE AUTOMATA CLOCK BY THOMAS FAYRER, LANCASTER SECOND HALF 18TH CENTURY the dentil moulded cornice over an arched brass dial with Roman and Arabic chapters, a calendar aperture and subsidiary seconds dial, signed in the arch ‘Thomas Fayrer/ Lancaster’ above a painted naval scene with a moving masted ship, over a shaped trunk door flanked by quarter columns, on a plinth base with bracket feet; the eight day movement striking a bell 57cm wide, 226cm high, 28cm deep

£600-800

67 GEORGIAN STYLE MAHOGANY SMALL CHEST OF DRAWERS 20TH CENTURY the moulded top with canted corners above four graduated drawers, raised on bracket feet 69cm wide, 75cm high, 36cm deep

£500-700

EARLY GEORGE III GILTWOOD PIER MIRROR

PAIR OF GEORGIAN STYLE BRASS STORM LAMPS BY MOTTAHEDEH

18TH CENTURY the rectangular plate within a gadrooned border and moulded edge flanked by moulded tasselled swags

MODERN

57.5cm high, 41cm wide

with cylindrical glass shades on brass candlestands with repouse knops and domed feet, with maker’s labels (2)

£200-300

52cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

70 GEORGIAN STYLE STEEL HALL LANTERN 20TH CENTURY with arched scroll brackets above a pierced frieze mounted with foliate finials, the cylindrical body with four glass panel sides enclosing four lights and ending in a pendant scroll finial 81cm high, 45cm diameter

£300-500

71 PAIR OF LATE GEORGE II MAHOGANY HALL CHAIRS 18TH CENTURY of sgabello form, the tall shaped backs above plank seats with circular recesses, on shaped supports with further circular recesses joined by stretchers (2) 44cm wide, 97cm high, 41cm deep

£600-900 Note: Based on an Italian Renaissance prototype, the present model of ‘back-stool’ was particularly popular in the 18th century. While the basic design was known to exist by 1730, this version with rounded seats post-dates 1750. A set of twelve oak chairs of apparently identical profile was supplied by William Masters of Coventry Street, Piccadilly to the 2nd Duke of Atholl (d.1764) for Blair Castle, Perthshire in 1751 (A. Coleridge, ‘William Masters and some early 18th Century Furniture at Blair Castle, Scotland’, The Connoisseur, October 1963, p.79, fig.5), the same model was also supplied by Alexander Peter to Dumfries House in 1759.

72 SMALL GEORGE III MAHOGANY BUREAU 18TH CENTURY the slant front opening to reveal an interior fitted with drawers and pigeonholes above four long drawers and bracket feet 71.5cm wide, 97cm high, 44cm deep

£800-1,200

73 EARLY GEORGE III MAHOGANY DOME-TOP CELLARETTE 18TH CENTURY the hinged domed cover opening to a lined and divided interior, with a moulded front panel over a pair of panelled doors, raised on a moulded stand with straight chamfered legs joined by an H stretcher 59.5cm wide, 96cm high, 32cm deep

£400-600

74 GEORGE III OAK LONGCASE CLOCK BY SAMUEL BURTON, MORLEY LATE 19TH CENTURY the moulded broken arch pediment with brass eagle finials above an arched brass dial with Roman and Arabic chapters, with a calendar aperture and inscribed SAML. BURTON/ MORLEY, above a shaped trunk door and plinth base with bracket feet; the eight day twin train movement striking a bell 208cm high, 49.5cm wide, 23cm deep

£500-700

75 GEORGE III MAHOGANY ARCHITECT’S CABINET, IN THE MANNER OF WRIGHT & ELWICK, YORK 18TH CENTURY the rectangular hinged lid enclosing a void interior, over a blind fretwork frieze and three central short drawers flanked by arch moulded doors, on an inverted breakfront plinth 133cm wide, 93cm high, 62cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

76 EARLY GEORGE III MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY the projecting dentil moulded cornice above a pair of astragal glazed doors enclosing shelves, above a blind-fret carved secretaire drawer with a fitted interior and four long graduated drawers, flanked by fluted angles, raised on ogee bracket feet 127cm wide, 212cm high, 58cm deep

£3,000-5,000

GEORGE II LIGNUM VITAE TRUNCHEON OR TIPSTAFF

FOUR OLIVE GREEN GLASS ‘ONION’ BOTTLES

GEORGE III MAHOGANY TEA CADDY

18TH CENTURY

of rectangular form with a hinged lid, banding, and a brass handle, opening to a covered compartment and bowl reserve (bowl lacking)

18TH CENTURY the cylindrical end painted with the Royal Coat of Arms and GR II/ No. 2, above a tapered handle and turned end, 24cm long; together with a SUN LIFE LEAD FIRE INSURANCE PLAQUE, with sun in a disc over rectangular panel and impressed policy number 7I644I, 16.5cm high (2) Note: The Sun Fire Office that issued insurance markers like this was founded in 1710. The plaques were called Fire Mark, and stamped with the individual policy number. They would be attached to the insured building well visible to the fire fighters. The early marks were made from lead, like this one, while later ones are made from tin, copper or similar materials.

£250-350

of typical form, with slender spouts spreading to rounded dumpy bodies (4) Largest 20.5cm high

£250-350

18TH CENTURY

23.5cm wide, 16.5cm high (handle down), 14.5cm deep

£200-300

80 Y PAIR OF GEORGE III STYLE ROSEWOOD FRAMED OPEN ARMCHAIRS LATE 19TH CENTURY with moulded frames, the upholstered cartouche-shaped backs above wide seats and part-padded arms, covered in mustard yellow plush upholstery, all raised on cabriole legs, the forelegs with castors (2) 59cm wide, 92cm high, 56cm deep

£400-600

81 PAIR OF GEORGE III STYLE INLAID MAHOGANY TORCHERES EARLY 20TH CENTURY the circular dished tops on slender tapering columns with barber pole banded inlay, raised on tripod bases ending in flattened pad feet (2) 36cm diameter, 101cm high

£400-600

82 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top with a moulded edge above two short and three long graduated drawers raised on shaped bracket feet 97.5cm wide, 80.5cm high, 53cm deep

£800-1,200

83 LARGE GEORGIAN STYLE HALL LANTERN EARLY 20TH CENTURY the corona with six scrolling supports above six cylindrical glazed panels in a laurel cast frame enclosing two tiers of candle arms for nine lights, electrified 125cm high, 72cm diameter

£2,000-3,000

84 GEORGE II MAHOGANY SERVING TABLE 18TH CENTURY the rectangular top above a fluted frieze raised on channel moulded square legs ending in block feet 161cm wide, 84cm high, 76cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

85 FIVE ENGLISH PORCELAIN ‘CHELSEA LOW EWER’ CREAMBOATS 18TH CENTURY all with moulded bodies and decorated with flowers in polychrome enamels, comprising a Worcester example moulded with a flowerhead to the underside of the spout, label for Stockspring Antiques, London; a further jug attributed to Worcester with gilt rim; a small Lowestoft example with green rim; an example with floral border rim to interior; and a ‘Target’ pattern example (5) Largest 11cm wide

£400-600

GROUP OF BRISTOL PORCELAIN TEA AND COFFEE WARES 18TH CENTURY variously painted with floral swags and sprigs with gilt highlights, with various maker’s marks, comprising a coffee cup and matching saucer; a further coffee cup and matching saucer; a teacup and matching saucer; and a further saucer (7)

£300-500

FIVE ENGLISH PORCELAIN ‘CHELSEA LOW EWER’ CREAMBOATS 18TH CENTURY all with moulded bodies, comprising three blue and white examples: a Worcester ‘Convolvulus’ pattern jug, underglaze crescent mark; a Worcester jug with flower sprigs, underglaze crescent mark; and an example with flower swags and feathered border; together with a jug with green leafy sprigs; and an example decorated in the Imari palette (5) Largest 12cm wide

£400-600

FOUR ENGLISH POLYCHROME PORCELAIN ‘DOLPHIN EWER’ CREAMBOATS

THREE ENGLISH MINIATURE PORCELAIN VESSELS

FOUR ENGLISH BLUE AND WHITE PORCELAIN PICKLE DISHES

LATE GEORGE III MAHOGANY INLAID CARD TABLE

SECOND HALF 18TH CENTURY

LATE 18TH CENTURY

comprising a Worcester example in the ‘Two Peony Rock Bird’ pattern, workman’s marks, 10.5cm long; a Caughley ‘Fisherman’ pattern dish, 9cm long; and two Bow examples, one decorated with fruiting vines, 9cm long, and one with trailing flower sprigs, 8.5cm long (4)

the crossbanded fold-over demilune top inlaid with husk trails and foliate scrolls, opening to a green baize playing surface, above a frieze inlaid with husk swags and raised on square tapered legs ending in spade feet

£250-350

£200-300

18TH CENTURY with moulded bodies and painted with floral sprays and sprigs, one with a sticker for Stockspring Antiques, London (4) Largest 10cm wide

£300-500

18TH CENTURY comprising a Worcester en grisaille coffee cup with olive branch swags and gilt highlights, 4.5cm high; and two blue and white jugs, decorated with Chinese landscapes and buildings, 5.5cm high and 4.5cm high (3) £250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

76cm wide, 72cm high, 38cm deep (closed)

92 GEORGIAN GILTWOOD WALL MIRROR 18TH CENTURY the bevelled plate within frame carved with rocaille work, C-scrolls, and foliate motifs 105cm high, 61cm wide

£600-800

93 SET OF TWELVE GEORGIAN STYLE MAHOGANY DINING CHAIRS 20TH CENTURY comprising ten side chairs and a pair of armchairs, with serpentine foliate carved crest rails above pierced and carved splats, over drop-in pad seats raised on acanthus carved cabriole legs ending in ball and claw feet (12) Armchair 61cm wide, 104cm high, 44cm deep

94 GEORGIAN STYLE MAHOGANY BOMBÉ SIDEBOARD LEAF-HOLDER LATE 19TH CENTURY in the manner of Ince & Mayhew, the moulded inverted breakfront top with lobed corners over foliate and scroll carved frieze panels and a bombé centre section, flanked by cupboards and raised on acanthus carved scroll feet, opening at one end to accommodate up to six leaves 206cm wide, 85cm high, 85cm deep

£600-800

£1,500-2,000

95 GEORGE III STYLE GILT BRONZE MOUNTED WHITE MARBLE FIRE SURROUND MODERN the inverted breakfront shelf above a frieze mounted with gilt bronze rosettes, flanked by panel moulded jambs with laurel trails headed by blocks with lion mask mounts 137cm wide, 106cm high, 36cm deep; interior 91cm wide x 80cm high

£1,000-1,500

96 BRASS STEEL AND CAST IRON FIRE BASKET EARLY 20TH CENTURY the arched foliate cast backplate centred by a ribbon-tied roundel, above a bow front steel grill flanked by brass lion monopodia; together with a SET OF BRASS FIRETOOLS AND ANDIRONS 68cm wide, 80cm high, 36cm deep

£700-1,000

97 BRASS FRAMED CLUB FENDER MODERN with two L shaped seat pads with the close-nailed upholstery, raised on brass rails and a moulded base 171cm wide, 52cm high, 65cm deep; interior 131cm wide

£400-600

98 PAIR OF GEORGE III STYLE GILTWOOD MIRRORS 19TH CENTURY the oval mirror plates in ribbon moulded frames hung from ribbon tied bellflower trails (2) 91cm high, 45cm deep

£800-1,200

99 GEORGE III SCAGLIOLA AND MARBLE TOPPED GILT PIER TABLE LATE 18TH CENTURY the serpentine top inlaid with anthemion and ribbon-tie swag motifs, above a frieze with applied gesso urn and swags, raised on square tapered legs ending in spade feet 82cm wide, 85cm high, 35cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100 GEORGE III UPHOLSTERED TUB ARMCHAIR LATE 18TH CENTURY the curved back and scroll carved arms on square tapered legs with brass caps and castors; covered in later faux leather upholstery outlined with close-nail decoration 64cm wide, 94cm high, 60cm deep

£400-600

101 GEORGE III MAHOGANY STOOL LATE 18TH CENTURY

102 LATE GEORGE III MAHOGANY TRIPOD TEA TABLE LATE 18TH CENTURY the circular tilt top on a ring turned baluster column and tripod base with slipper feet 75cm diameter, 70cm high

£300-500

103 LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the moulded top above a brushing slide and three long graduated drawers, raised on French bracket feet 102.5cm wide, 86cm high, 61.5cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the rectangular drop-in seat with a later pictorial needlework cover, raised on square legs with moulded angles, linked by stretchers 48cm wide, 47cm high, 41cm deep

£300-400

104 GEORGE III MAHOGANY LINEN PRESS 18TH CENTURY the dentil moulded cornice above a pair of panel doors opening to hanging space, the lower part with two short and two long drawers, raised on bracket feet 135cm wide, 215cm high, 60cm deep

£600-800

105 GEORGE III MAHOGANY AND EBONY SERPENTINE TEA TABLE LATE 18TH CENTURY the fold-over top above a plain frieze, raised on square tapering collared legs 82cm wide, 74cm high, 44cm deep (closed)

£400-600

106 GEORGE III MAHOGANY FRAMED SETTEE LATE 18TH CENTURY in the Hepplewhite style, the curved and arched back above a padded seat, raised on square tapering legs with boxwood line inlay and ending in brass caps; in blue and mauve striped foliate upholstery 155cm wide, 92cm high, 68cm deep

£1,500-2,500

107 FOUR GEORGIAN STYLE LACQUERED BRASS HALL LANTERNS MODERN each of cylindrical form with three glass panels and a central three light fixture (4) 48cm high, 27cm diameter

£400-600

108 GEORGE III MAHOGANY LONGCASE CLOCK BY JAMES STEWART, GLASGOW LATE 18TH CENTURY the dentil moulded and fluted cornice above an arched brass and silvered dial with subsidiary date and seconds dials, signed boss to the arch ‘James Stewart/ GLASGOW’, flanked by spiral columns, above a banded trunk door flanked by spiral quarter columns, on a plinth base with bracket feet, the eightday twin train movement striking a bell 220cm high, 60cm wide, 25cm deep

£600-900

109 LATE GEORGIAN MAHOGANY HANGING WALL SHELVES EARLY 19TH CENTURY the narrow moulded cornice above three open shelves and base with two short drawers 80cm wide, 115cm high, 25cm deep Provenance: Property of the Late George Neilson

£300-500

110 GEORGIAN STYLE MAHOGANY AND SATINWOOD CELLARETTE LATE 19TH CENTURY with canted corners, the hinged banded cover opening to a void interior, raise on square tapered legs ending in spade feet 44cm wide, 61cm high, 31cm deep

£800-1,200

111 SMALL GEORGE III MAHOGANY WRITING TABLE LATE 18TH CENTURY the rectangular moulded top with inset leather skiver, above slide with corresponding slider and two false drawers over one long drawer to the front, a fitted drawer and false drawer to the right-hand side and a single drawer and false drawer to the left-hand side, with two short over one false drawer to the rear, the whole raised on square tapering legs, terminating in brass caps and castors 91cm wide, 79cm high, 61cm deep

£2,500-3,500

112 PAIR OF GEORGE III MAHOGANY WINDOW SEATS LATE 18TH CENTURY with upholstered seats and high scrolled arms raised on moulded square legs joined by H stretchers, lacking covers (2) 115.5cm wide, 73cm high, 41cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113 GEORGE III PAINTED AND PARCEL GILT ARMCHAIR, ATTRIBUTED TO THE WORKSHOP OF THOMAS CHIPPENDALE 18TH CENTURY the curved oval back above a wide seat and open part-padded arms, raised on stop-fluted tapered legs, the frame painted in pale blue over grey with gilt highlights and blue plush upholstery 62cm wide, 95cm high, 46cm deep

£300-400

114 LATE GEORGE III MAHOGANY TALL CHEST-ON-CHEST LATE 18TH CENTURY the key moulded cornice above two short and four long graduated drawers, flanked by angles; the lower part with three further long graduated drawers, raised on bracket feet 124cm wide, 206cm high, 58cm deep

£400-600

115 LATE GEORGE III MAHOGANY WALL CLOCK, BY J. ANDERSON EARLY 19TH CENTURY the circular painted Roman numeral dial within a circular hood and waisted case with removable door, with one winding hole and a single train movement 146cm high, 51cm wide, 20cm deep Provenance: Property of the Late George Neilson

£400-600

116 PAIR OF GEORGIAN STYLE MAHOGANY FRAMED OPEN ARMCHAIRS MODERN with serpentine crest rails above padded arms with downswept mahogany supports, over wide square seats, raised on bead and channel moulded straight legs joined by stretchers, in blue and silver patterned upholstery (2) 70cm wide, 95cm high, 55cm deep

£500-700

117 GEORGE III MAHOGANY FRAMED SOFA LATE 18TH CENTURY the curved hump back and enclosed arms above a long seat, raised on channel moulded square tapered legs ending in brass caps and castors; covered in pale green diamond pattern upholstery 162cm wide, 97cm high, 56cm deep

£400-600

118 GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the bowfront top outlined with banding, above a pair of short drawers and three graduated long drawers, all with stringing, raised on bracket feet 112cm wide, 94cm high, 54.5cm deep

£500-700

119 REGENCY MAHOGANY SIDEBOARD EARLY 19TH CENTURY with boxwood line inlay the rectangular top above a central long drawer with marquetry medallions, flanked by a cupboard and deep drawer with applied lion ring handles, raised on reeded and ring-turned tapering legs with ball feet 198cm wide, 99.5cm high, 75cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120 PAIR OF LATE GEORGIAN SCOTTISH ‘LORD PROVOST’ COPPER AND STEEL LANTERNS SECOND QUARTER 19TH CENTURY the pointed finials above tapered glazed panel sides, on four scrolling brackets and collar ring (2) 44cm wide, 103cm high

£2,000-3,000

121 AFTER FRANCIS WHEATLY, COMPLETE SET OF THIRTEEN ‘CRIES OF LONDON’ COLOURED STIPPLE ENGRAVINGS, BY VENDRAMINI, CARDON, SCHIAVONETTI, GAUGAIN LATE 18TH CENTURY in ‘Hogarth’ frames (13) 51cm x 37cm (sight size)

£400-600

122 GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the bowfront top with a moulded edge, over two short and three long graduated drawers, raised on bracket feet 116cm wide, 96cm high, 65cm deep

£500-700

123 LATE GEORGE III SCOTTISH MAHOGANY AND INLAY SMALL SIDEBOARD LATE 18TH CENTURY the banded top above a central drawer and arched recess, flanked by two short drawers to one side and a deep drawer on the other, raised on square tapered legs ending in brass caps and castors 117cm wide, 95cm deep, 60cm deep

£1,200-1,800

124 FINE LATE GEORGE III MAHOGANY AND TULIPWOOD INLAID OCCASIONAL TABLE LATE 18TH CENTURY the crossbanded top outlined with stringing above a frieze drawer with ebonised turned knobs and fitted with a liftout tray, with a dummy drawer opposing, raised on slender square tapered legs ending in brass caps and castors 53cm wide, 75cm high, 40cm deep

£1,200-1,800

125 GEORGE III MAHOGANY SERPENTINE SECRETAIRE CHEST OF DRAWERS LATE 18TH CENTURY the serpentine top above a central secretaire drawer enclosing an arrangement of drawers and pigeonholes, flanked by twin banks of two short drawers above three long graduated drawers and a shaped apron, raised on French bracket feet 114cm wide, 103cm high, 57cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

126 LARGE GEORGIAN ENGRAVED AND COLOURED TWIST STEM GLASS COIN GOBLET LATE 18TH/ EARLY 19TH CENTURY the large rounded bowl engraved with BENJ MASON/ 1787 above a blown knop containing a silver shilling for 1787, above a tri-coloured opaque twist stem of yellow, blue and white enamel, and a conical foot 26cm high

Â£600-800

127 NEAR PAIR OF DUTCH TOASTING GLASSES (PIJPENSTEELGLAZEN) EARLY 18TH CENTURY of typical slender form, with wide conical bowls, slim stems and conical feet (2) 24cm and 23.5cm high

£400-600

128 THREE GEORGIAN GLASSES 18TH CENTURY comprising a trumpet-bowl wine glass with an air twist stem and folded foot, 18cm high; an ogee-bowled wine glass engraved with fruiting vines, above an opaque twist stem, 14.5cm high; and a tankard, with ribbed rim and gadrooned base, 11.5cm high (3) £400-600

129

130

131

132

133

GROUP OF REGENCY AND VICTORIAN CUTGLASS VESSELS

GROUP OF GEORGIAN GLASS

PAIR OF REGENCY CUTGLASS DECANTERS AND STOPPERS

LARGE GEORGIAN GLASS TAZZA

TWO VICTORIAN WHEELENGRAVED JUGS

19TH CENTURY

18TH/ EARLY 19TH CENTURY

comprising two jugs, 18.5cm high and 11.5cm high; two bowls, 22cm diam. and 20cm diam.; a wine rinser, 15cm across; a heavy candle stand, on lobed foot, 11.5cm high; a decanter and matched stopper, 24cm high; a pair of small decanters (stoppers lacking), 17cm high; a carafe, 19.5cm high; and a small dish/tray, 17.5cm wide (11)

comprising a mallet form decanter and stopper, with engraved and gilt swaga; a claret jug with dimpled body and strap handle, with engraved and gilt flower sprigs, 31.5cm high; a wasp catcher and stopper, 19.5cm high; and three wine funnels, largest 19cm high (6)

Provenance: Property of the Late George Neilson

Decanter 32.5cm high

with domed star-cut stoppers above ringcut sloped necks and cylindrical bases, 27cm high; together with an ENGRAVED GLASS WINE DECANTER AND STOPPER, with flattened facet-cut stopper and shouldered body, the engraving imitating a label inscribed W. WINE, 28cm high (3)

£250-350

EARLY 19TH CENTURY

MID-LATE 18TH CENTURY of typical form, the circular platform with galleried lip, raised on a tapered pedestal stem with a ringed base, all raised on a domed folded foot 31.5cm diam.; 20cm high Provenance: Property of the Late George Neilson

19TH CENTURY of slender bellied form and raised on flat feet, the first with a swan amongst ferns and foliage, and the other with a swallow amongst dragonflies (2) 26cm high

£200-300

£150-250

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134 WILLIAM IV SILVER MOUNTED CUT-GLASS CRUET SET LONDON, 1832 the silver stand with a central carrying handle, fitted with six panel-cut glass bottles and a corresponding jar, maker’s mark for Henry Chawner 23.5cm wide, 25cm high

£400-600

135 GROUP OF GEORGIAN CUT-GLASS LATE 18TH/ EARLY 19TH CENTURY comprising two facet-cut candlesticks, with lobed rims and cylindrical nozzles above cut stems and domed feet, 31.5cm and 30.5cm high; together with two sweetmeat glasses, one with a matched cover, with ogee shaped bowls on knopped stems and lobed feet, 25cm and 16cm high (4) £300-500

136 GROUP OF LATE GEORGIAN/ EARLY REGENCY CUT GLASS VESSELS LATE 18TH/ EARLY 19TH CENTURY comprising a pair of deep-bowled goblets raised on short facetted knops and panelled feet, 14cm high; a small jug, 11cm high; and a boat-form bowl and stand, stand 24.5cm wide, all of similar design; and a further boat-form bowl, 21.5cm wide; together with a VICTORIAN CUT-GLASS PUNCH BOWL, 25cm diam. (6) £400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137 VICTORIAN GILT BRASS AND GLASS HALL LANTERN, IN THE CHIPPENDALE STYLE 19TH CENTURY the tapered squared frame with ram’s mask mounts to the upper corners and pendant finials, fitted for electricity 28.5cm wide, 60.5cm high, 28.5cm deep

£400-600

138 GEORGIAN SATINWOOD CUTLERY URN EARLY 18TH CENTURY of typical form, with an urnshaped finial above the stepped hinged lid and tapered body with inlaid banding, opening to a void interior, all raised on a circular foot and ebonised square base 60.5cm high

£700-900

139 Y THREE GEORGIAN TEA CADDIES LATE 18TH/ EARLY 19TH CENTURY comprising an oval fruitwood caddy with inlaid shell paterae and flowering vases, with ivory escutcheon, opening to a void interior, 15cm wide; an octagonal mahogany caddy with boxwood banding and an inlaid urn of flowers, opening to a lidded interior with ivory knop handle, 17cm wide; and a walnut caddy of sarcophagus form with chequer banding and a void interior, 20.5cm wide (3) £400-600

140

141

142

CARVED COQUILLA NUT SNUFF BOX

LATE GEORGE III BRASS MOUNTED MAHOGANY APOTHECARY BOX

GEORGE III MAHOGANY CHEESE COASTER

of rectangular form, the central hinged cover carved with two winged figures flanking a central rosette and floral panel with vases, the main body with carved floral borders and ends, the underside carved with a figure receiving communion in an arched setting, pierced detail

LATE 18TH/ EARLY 19TH CENTURY of cuboid form, the hinged lid opening to a velvet-lined interior fitted with labelled glass bottles, above a single drawer fitted with accessories

with two compartments and an adjustable divider; together with a GEORGE III MAHOGANY WALL BRACKET, with galleried rectangular top above pierced bracket supports, 36.5cm wide, 37cm high, 22cm deep (2)

17cm wide, 19cm high, 17.5cm deep

43.5cm wide, 17cm high, 26cm deep

8.5cm wide

£250-350

£200-300

18TH CENTURY

LATE 18TH CENTURY

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143 GEORGE III MAHOGANY SECRETAIRE CHEST-ON-CHEST 18TH CENTURY the moulded cornice and fluted frieze over two short and three long graduated drawers; the lower section with a secretaire drawer and three further long drawers, raised on shaped bracket feet 123cm wide, 193cm high, 57cm deep Provenance: The estate of the late 5th Earl of Lovelace

£500-700

144 REGENCY MAHOGANY AND EBONISED STAGEBACK SIDEBOARD EARLY 19TH CENTURY the panelled superstructure above a shaped breakfront top with panel frieze drawers flanked by deep drawers, raised on turned and tapered legs 258cm wide, 120cm high, 73cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

145 PAIR OF GEORGE III STYLE GILT METAL WALL SCONCES 19TH CENTURY modelled like basket chandeliers, with demi-lune brackets united by chains and glass beads, above three outscrolling arms hung with pear-shaped pendants above ribbon swags, wired for electricity (2) 73cm high

£1,000-1,500

146 GEORGE III MAHOGANY TRAY ON STAND 18TH CENTURY the galleried tray with cut out handles, on a later separate stand with straight legs and an H stretcher 71cm wide, 53cm high, 50cm deep

£300-500

147 GEORGIAN STYLE MAHOGANY TRIPLE PEDESTAL DINING TABLE 20TH CENTURY the rounded rectangular top with D ends on tripod bases and centre table with four legs ending in brass hairy paw caps and castors; with two leaf extensions and two small leaf extensions to convert the centre section into a square dining table; stamped 5860 382cm long, 74cm high, 122cm deep

£800-1,200

148 GEORGE III MAHOGANY DROP-LEAF DRESSING TABLE 18TH CENTURY the hinged quarter veneered square top with drop sides, raised on chamfered square legs ending in block feet with leather castors 100cm wide, (open), 70cm closed, 73cm high, 56cm deep

£400-600

149 GEORGE III MAHOGANY LINEN PRESS LATE 18TH CENTURY the dentil moulded cornice above a pair of moulded panel doors opening to hanging space; the lower part with two short and two long drawers, raised on shaped bracket feet 128cm wide, 206cm high, 58cm deep

£500-700

150 GEORGE III MAHOGANY DEMILUNE CARD TABLE LATE 18TH CENTURY the fold-over top with fan inlay opening to a green baize lined playing surface, above a crossbanded frieze, raised on square tapered legs 83cm wide, 75cm high, 43cm deep (closed)

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151 Y AFTER ANDREW PLIMER (1763-1837) PORTRAIT MINIATURE OF A YOUNG LADY oval, watercolour on ivory, the subject with fair hair in a bandeau, wearing an Empire waist dress, with initials AP and dated 1798, in a gilt metal frame, with woven hair verso and applied seed pearl monogram MD. 6.5cm high

£200-300

152 JAMES TASSIE (1735-1799) PORTRAIT MEDALLION OF ROBERT ADAM, DATED 1792 of typical form, depicted in profile, indistinctly impressed ROBERT ADAM/ ARCHITECT/ DIED 3 MARCH 1792/ IN HIS 64 YEAR/ Tassie F., in a glazed ebonised plaster frame 10cm high

£300-500

153 SET OF THREE GEORGE III MAHOGANY HALL CHAIRS LATE 18TH CENTURY with oval backs and bow-front seats with circular dished panels, raised on square tapering legs with spade feet (3) 47cm wide, 96.5cm high, 46cm deep

£800-1,200

154 LATE GEORGE III MAHOGANY CHEST OF DRAWERS LATE 18TH CENTURY the rectangular top outlined with stringing above four long graduated drawers, raised on French bracket feet 106cm wide, 92cm high, 53cm deep

£300-500

155 GEORGE III STYLE INLAID MAHOGANY WRITING TABLE 19TH CENTURY the rectangular top with a leather writing surface above single frieze drawer, raised on square tapered legs united by an undertier and ending in spade feet, inlaid throughout with paterae, fluting, and husk garlands and trails 68cm wide, 70cm high, 45cm deep

£300-500

156 LARGE GILTWOOD PIER MIRROR 20TH CENTURY the bevelled rectangular mirror plate within margin plates and a moulded giltwood frame 180cm high, 130cm wide

157 VICTORIAN MAHOGANY BOWFRONT CHEST OF DRAWERS MID 19TH CENTURY the top with a moulded edge and line inlay above two short and two long drawers, with a shaped apron and French bracket feet 102cm wide, 92cm high, 53cm deep

£300-500

158 LATE GEORGE III MAHOGANY HARLEQUIN METAMORPHIC WRITING AND DRESSING TABLE LATE 18TH CENTURY the hinged divided top opening to a ratchet adjusted writing slope and rising superstructure with pigeonholes and drawers, flanked by covered document compartments, above a dummy drawer and real long drawer with brass handles to the sides, over a concave compartment with tambour doors, all raised on turned tapered legs ending in brass castors 66cm wide, 132cm open, 87cm high, 53cm deep Note: This form is based on two slightly different designs in The Cabinet-Makers’ London Book of Prices, 1788, pls. 10 and 9

£500-700

£600-800

159 PAIR OF GEORGE III STYLE SATINWOOD, PARTRIDGEWOOD, PAINTED, AND PARCEL GILT CONSOLE TABLES TOPS 18TH CENTURY, BASES LATER the shallow crossbanded demilune tops inlaid with large shell motifs, above painted friezes with fan medallions and centred by foliate panels, raised on square tapered legs (2) 164cm wide, 86cm high, 64cm deep

£6,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160 SET OF GEORGE III MAHOGANY QUARTETTO TABLES EARLY 19TH CENTURY each with ebony and boxwood-lined inlay, rectangular tops on ring-turned supports and trestle feet, linked by stretchers (4) Largest 53.5cm wide, 69.5cm high, 36.5cm deep

£600-800

161 GEORGE III STYLE HIGH-BACKED TUB ARMCHAIR MODERN the curved back and low scroll arms above a loose cushion seat, on square legs with brass caps and castors; in cream foliate and solid claret red close-nailed upholstery 61cm wide, 219cm high, 70cm deep

£300-500

162 Y GEORGE III ROSEWOOD AND SATINWOOD SECRETAIRE CABINET LATE 18TH CENTURY the superstructure with green glazed doors above three panel doors enclosing drawers and pigeonholes, the base with inlaid top raised above a single drawer fitted with hinged writing surface the whole raised on divided tapered legs 82cm wide, 169cm high, 50.5cm deep

£500-700

163 Y GEORGE III SATINWOOD AND ROSEWOOD INLAID SERPENTINE CARD TABLE LATE 18TH CENTURY, THE INLAY 19TH CENTURY the crossbanded fold-over top centred by a laurel wreath oval reserve with an urn, opening to a green baize playing surface, above a frieze with an urn filled panel, raised on square tapered legs with ball feet and headed by patera 99cm wide, 74cm high, 49cm deep

£500-700

164 FINE LATE GEORGE III INLAID MAHOGANY AND SATINWOOD WRITING CABINET, PROBABLY IRISH LATE 18TH CENTURY the top with a three quarter pierced gilt metal gallery enclosing urn marquetry and banding, above a writing slide with a black gilt tooled leather insert, above a set of four central graduated drawers flanked by short drawers over cupboards enclosing drawers and compartments, the doors inlaid with urn and anthemion motifs and fan inlay to the banded corners, raised on bracket feet 101cm wide, 82cm high, 52cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

165 GEORGE III MAHOGANY INLAID DEMILUNE TEA TABLE LATE 18TH CENTURY the crossbanded fold-over top inlaid with husk trails and foliate scrolls, opening to a green baize playing surface, above a frieze inlaid with husk swags and raised on square tapered legs ending in spade feet 76cm wide, 72cm high, 38cm deep (closed)

£300-500

166 GEORGE III GILTWOOD MIRROR 18TH CENTURY the squared mirror plate in a pierced leaf and rocaille carved frame with a foliate finial 116cm high, 83.5cm wide

£800-1,200

167 PAIR OF GEORGE III MAHOGANY CORNER WASHSTANDS LATE 18TH CENTURY each with hinged cover opening to form a splashback, raised above twin-panelled drawers with single drawer below, with outswept square legs, linked by an urn stretcher (2) 70.5cm wide, 86.5cm high (closed), 133cm high (open), 50cm deep

£1,500-2,500

168 LATE GEORGE III MAHOGANY LINEN PRESS LATE 18TH CENTURY the moulded cornice above a pair of moulded and crossbanded doors centred by oval panels, enclosing hanging space; the lower part with two short and two long drawers, raised on shaped feet 127cm wide, 203cm high, 58cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PAINTINGS PART I

169 WILLEM BASTIAAN THOLEN (DUTCH 1899-1931) BEACHED FISHING BOATS Signed and dated ‘93, watercolour 46cm x 61cm (18in x 24in)

£600-800

170 THEODOR ALEXANDER WEBER (GERMAN 1838-1909) ARRIVAL OF THE TUG Signed, oil on canvas 33cm x 53cm (13in x 21in)

£500-800

171 JOZEF ISRAELS (DUTCH 1824-1911) THE TOY BOAT Signed, oil on panel 14cm x 24cm (5.5in x 9.5in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172 RUBENS SANTORO (ITALIAN 1859-1942) STREET IN TUNIS Signed, oil on panel 17cm x 13cm (6.75in x 5.25in) and another a pair ‘Girl with a water jug’ (2)

£2,500-3,500

173 § CHARLES ERNEST CUNDALL R.A., R.W.S., R.P., N.E.A.C (BRITISH 1890-1971) THE TERRACE MONTE CARLO Signed, oil on canvas 59cm x 91cm (23.25in x 36in)

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

174 CHARLES-EMILE JACQUE (FRENCH 1813-1894) NORMANDY PASTURES Signed, oil on panel 33cm x 46cm (13in x 21in)

£600-800

175 WILLEM GEORGE FREDERIK JANSEN (DUTCH 1871-1949) HERDING THE FLOCK WINTER Signed, oil on canvas 28cm x 41cm (11in x 16in)

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

176 ADRIANO BONIFAZI (ITALIAN 1858-1914) BELLA DONNA Signed, inscribed and dated ‘Assisi, 1884,’ oil on panel 29.5cm x 23cm (11.5in x 9in) (2)

£1,200-1,500

177 JOHANNES KAREL LEURS (DUTCH 1865-1938) TREES BY THE ROAD Oil on canvas 61cm x 46cm (24in x 18in)

£800-1,200

178 17TH CENTURY DUTCH SCHOOL ITALIANATE LANDSCAPE WITH FISHERMAN Oil on panel 18cm x 30cm (7in x 11.75in)

£800-1,200

179 MANNER OF SIR JOSEPH NOEL PATON REFLECTION BEFORE BATTLE Oil on canvas 33cm x 41cm (13in x 16in)

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

180 ALLAN MACDOUGALL (SCOTTISH 1851-1871) AUCHENHEATH ON THE NETHAN Signed and dated 1861, oil on canvas 61cm x 91cm (24in x 36in)

£600-800

181 FOLLOWER OF WILLIAM SARTORIUS A STILL LIFE OF FRUIT AND VIOLIN Oil on canvas 51cm x 67cm (20in x 26.25in)

£500-700

182 FOLLOWER OF PHILLIPE MERCIER FULL-LENGTH PORTRAIT OF THE MOTHER OF GEORGE III, AS A CHILD (POSSIBLY PRINCESS CHARLOTTE) Oil on canvas, a copy by Richard Tod 128cm x 102cm (50in x 40in)

£600-900

183 JOHN GRAHAM GILBERT, AFTER HALF-LENGTH PORTRAIT OF JANET DUNLOP Oil on canvas, a copy made in 1912 by Richard Tod 76cm x 63.5cm (30in x 25in)

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

184 19TH CENTURY ENGLISH SCHOOL PORTRAIT OF A WOMAN AND CHILD, ORIGINALLY THOUGHT TO BE ELIZABETH FRY Oil on canvas 76cm x 61cm (30in x 24in)

£1,200-1,800

185 JAMES NASMYTH (SCOTTISH 1808-1890) HIGHLAND MARY Inscribed verso with copy of original annotation ‘’To my dear wife A.E.M ,March 24, 1864’ oil on canvas 51cm x 41cm (20in x 16in)

£1,000-1,500

BRITISH FURNITURE & WORKS OF ART PART II 186 Y REGENCY BRASS INLAID ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt-top with a scrolling brass inlaid border, on a tapered square column with bead moulding and quadriform base raised on outswept legs, with corresponding brass inlay, ending in brass paw caps and castors 123cm diameter, 74cm high

£400-600

187 ASSEMBLED SET OF EIGHT REGENCY MAHOGANY BRASS INLAID DINING CHAIRS EARLY 19TH CENTURY comprising a set of four and two other pairs, all with foliate brass inlaid top rails and splats, seat pads with various covers, and sabre legs; [two chairs broken not illustrated] (8) 46cm wide, 81cm high, 40cm deep

£600-800

188 GEORGE III SCOTTISH MAHOGANY AND SATINWOOD STAGEBACK SIDEBOARD LATE 18TH CENTURY the crossbanded superstructure with sliding doors above three frieze drawers, flanked by two drawers to one side and a drawer and cupboard to the other, raised on later square section legs 205.5cm wide, 116cm high, 71.5cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189 REGENCY CARVED GILTWOOD AND EBONISED CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in an ebonised slip and moulded frame with ball mounts, with a carved eagle cresting, hanging chains with further giltwood balls, and a leaf and pinecone pendant finial 82cm high, 45cm wide

£1,000-1,500

190 Y GEORGE IV ROSEWOOD X FORM STOOL SECOND QUARTER 19TH CENTURY the square padded seat covered in taupe fabric, raised on X frame supports with a turned stretcher rail and carved lotus drop finials to the corners of the seat rail 53cm wide, 46cm high, 48cm deep

£400-600

191 Y REGENCY BRASS INLAID ROSEWOOD SOFA TABLE EARLY 19TH CENTURY the rounded rectangular crossbanded top with drop ends with heart inlay, above two frieze drawers, raised on twin ring-turned columns and quadriform base with scrolled sabre legs outlined with brass and ending in brass foliate caps and castors 149cm wide, 71cm high, 69cm deep

£600-800

192 REGENCY GRAIN PAINTED AND BRASS MOUNTED CHAISE LONGUE EARLY 19TH CENTURY with scroll ends and back, raised on sabre legs ending in brass caps and castors 207cm long, 87cm high, 62cm deep

£600-900

193 Y SET OF REGENCY ROSEWOOD QUARTETTO TABLES EARLY 19TH CENTURY with reeded rectangular tops on ringturned column supports joined by stretchers and ending on trestle feet Largest 50.5cm wide, 76.5cm high, 31.5cm deep

£1,200-1,800

194 REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop ends and outlined with stringing, above a pair of frieze drawers, with dummy drawers opposing, raised on pierced lyre form supports and splay legs ending in brass caps and castors and joined by a turned stretcher 165cm wide, (open), 102cm wide (closed) 72cm high, 72cm deep

£400-600

195 LATE REGENCY PADOUK CAMPAIGN SIDE TABLE EARLY 19TH CENTURY the rectangular top with a gadrooned edge above three frieze drawers, raised on removable turned and reeded legs 121cm wide, 71cm high, 56cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

196 POLYCHROMED PLASTER AND PAPIER-MÂCHÉ BUST OF A BARRISTER 20TH CENTURY raised on a faux-marble plinth base 75cm high overall Note: This amusing bust is believed to have presided over The Tilted Wig, an Edinburgh New Town pub now named The Cumberland.

£400-600

197 REGENCY CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a black slip and ball mounted deep moulded frame, with a carved eagle cresting and foliate pendant finial 115cm high, 61cm wide

£400-600

198 REGENCY OAK AND BURR WOOD OCCASIONAL TABLE EARLY 19TH CENTURY the rectangular top with a plain frieze on lotus carved column and quadriform base with squat bun feet and recessed brass castors 52cm wide, 72cm high, 41cm deep

£400-600

199 LATE GEORGE III INLAID MAHOGANY MARBLE TOPPED DWARF BOOKCASE LATE 18TH CENTURY the breakfront rouge marble top above adjustable shaped shelves, flanked by line and trailing husk inlay, the side panels with green silk-lined brass grille inserts, raised on bracket feet 86cm wide, 86cm high, 24cm deep

£400-600

200 REGENCY GILTWOOD AND PAINTED TRIPTYCH OVERMANTEL MIRROR EARLY 19TH CENTURY the reeded pilaster frame with an applied shell and foliate frieze above triple bevelled mirror plates 81.5cm high, 140cm wide

£400-600

201 LATE GEORGE III MAHOGANY SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop ends over two short frieze drawers, raised on end supports with sabre legs joined by a cross stretcher and ending in brass caps and castors 97cm wide, 128cm (open), 73cm high, 54cm deep

£500-700

202 GEORGE IV SCOTTISH MAHOGANY CHIFFONIER EARLY 19TH CENTURY the superstructure with two galleried shelves with scroll carved supports above a single frieze drawer and pair of doors, on a plinth base 101cm wide, 161.5cm high, 45cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

203

204

REGENCY PORCELAIN ARMORIAL PART TEA AND COFFEE SERVICE

WEDGWOOD JASPERWARE COVERED VASE

EARLY 19TH CENTURY

DATED 1872

with gilt bands of interlocking ovals, above painted coats-of-arms for the MacDonald family and the motto PER MARE PER TERRAS, comprising twelve coffee cans, 6.5cm high; a single teacup, 6cm high; a slop bowl, 16cm diam.; and six saucers, 13cm diam. (20)

with acorn finial and domed cover, on a shouldered vase with twin handles, decorated with a frieze of ‘Hercules in the Garden of the Hesperides’, after a design by John Flaxman, on a socle foot and square base, impressed WEDGWOOD and with date code A

£200-300

40cm high

£150-250

205 MATCHED SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with bar backs with foliate scroll carved splats and reeded uprights, four with drop-in seats, four with stuff-over seats, raised on turned and tapered legs joined by cross stretchers (8) 50cm wide, 87cm high, 42cm deep

£400-600

206 REGENCY STYLE MAHOGANY CIRCULAR EXTENDING DINING TABLE 20TH CENTURY the circular top extending with five peripheral leaves, on four turned columns joined by a circular stretcher raised on sabre legs terminating in brass caps and casters; with a mahogany leaf holder with fitted interior and brass handle (2) Table: 127cm diameter, 183cm diameter extended, 74cm high; leaf holder: 40.5cm wide, 122cm high, 48cm deep

£1,000-1,500

207 SCOTTISH VICTORIAN ENGRAVED POWDER HORN DATED 1856 with various emblems, buildings and inscriptions local to Edinburgh, including Britannia flanked by ships, above the Scottish arms, Holyrood Palace, the Register Office, the University, Heriot’s Hospital, Nelson’s Monument, the Royal Institution, and various churches of Edinburgh, named and dated ‘JAMES JONES/ TROON/ ANNO DOMINO 1856’ and with maker’s inscription ‘D. GOURLAY PLUMBER CARVED ME WHEN HE WAS AGED SEVENTY’ 44cm long (measured along outside curve)

£500-700

208 PAIR OF CONTINENTAL PERCUSSION BOX-LOCK POCKET PISTOLS CIRCA 1820 with unsigned actions and Continental proof marks at breech, folding drop down triggers and bulbous rounded walnut stocks; together with a further POCKET PISTOL, BY HOLE OF BRISTOL, the corroded barrel with Birmingham proof marks, chequered butt and brass action; a POCKET PISTOL, signed UTTOXETER, proof marks, with chequered butt and lion mask butt cap; and a FLINTLOCK BOXLOCK POCKET PISTOL, proof marks, with plain stock and straight trigger (5) Pair 1.75inch barrels

£300-400

209 PAIR OF FLINTLOCK BOX-LOCK TURN OFF PLAIN CANNON BARREL POCKET PISTOLS CIRCA 1800 with actions signed Keene & Co., view and proof marks struck at the breech, folding drop-down triggers, and walnut flat-slab sided butts (2) 2.5inch barrels; 7.25inches overall

£300-400

210 TWO RARE BRITISH MILITARY FLAP POUCHES comprising an officer’s silver and ormolu mounted flap pouch to the 1st Royal Dragoons, with centre badge of the French eagle captured at the Battle of Waterloo within engraved leafy border, hallmarked Birmingham 1899; and an officer’s Sheffield silver plated flap pouch and belt, to the Glamorganshire Imperial Yeomanry, circa 1901 (2) Flap pouches 19cm wide

£700-1,000

211 PAIR OF EARLY VICTORIAN WOOLWORK PICTURES OF SHIPS MID 19TH CENTURY of rectangular form, depicting masted ships at sea, in glazed simulated rosewood frames (2)

212 REGENCY SPECIMEN MARBLE PIETRA DURA GAMES TABLE EARLY 19TH CENTURY the circular marble top inlaid with various hardstones as a games board, raised on an ochre painted baluster stem and tripod base

28cm x 35cm Provenance: Ex. Sotheby’s, Marine Pictures and Nautical Works of Art sale, 3rd May 1995, lot 375

£800-1,200

56cm diameter, 77cm high

£400-600

213 REGENCY TEAK AND CAMPHOR WOOD CAMPAIGN CHEST OF DRAWERS EARLY 19TH CENTURY in two sections, each with two long drawers and brass carrying handles and brass bound angles, raised on flattened bun feet; the undersides of both sections with handwritten inkwash numbers and letters 106.5cm wide, 100.5cm high, 48cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

The Guard Room, Blair Castle, Ayrshire, showing lot 214

214 PAIR OF VICTORIAN OAK AND NEEDLEWORK POLE SCREENS MID/LATE 19TH CENTURY each mounted with part of a saddle cloth of the 16th Lancers, mounted on brass cross rails raised on tripod bases with scrolled feet (2) 149cm high Provenance: The Blair Sale, Lyon & Turnbull, Edinburgh, 14th-15th March 2012, lot 10 Note: The saddlecloth belonged to Colonel Frederick Gordon Blair, 26th Laird, who was commissioned in the 16th Lancers in 1874.

£400-600

215 PAIR OF EARLY VICTORIAN OAK FRAMED AND LEATHER UPHOLSTERED LIBRARY ARMCHAIRS CIRCA 1842 each with high padded back and seat in red leather flanked by part padded arms ending in scrolled hand holds, raised on lappet carved legs with brass caps and castors, one chair fitted with a brass and oak adjustable bookrest and bearing a white metal plaque inscribed ‘HMS Brittania/the wooden home of/Will. F. Blair/for 7 years/1842’, the other chair lacking bookrest, bearing similar plaque engraved ‘The Royal George/Sunk at Spithead Aug 19th 1782/1100 souls perished/Recovered 1840’ (2) 69cm wide, 112cm high, 72cm deep Provenance: The Blair Sale, Lyon & Turnbull, Edinburgh, 14th-15th March 2012, lot 68

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Note: HMS Britannia was a 120-gun first-rate ship-of-the-line of the Royal Navy, laid down in 1813 and launched on 20 October 1820. Commissioned in 1823, she saw service in the Mediterranean from 1830 to 1841. She was decommissioned in 1843, before returning to service for the Crimean War, from 1851-4. She returned to England at the beginning of 1855 and that year became a hospital ship at Portsmouth, then a cadet training ship in 1859. She was moved to Portland in 1862, then Dartmouth in 1863. She was finally sold for scrapping in 1869. These timbers were presumably removed when she was first decomissioned in 1842-3. HMS Royal George was a 100-gun first-rate ship-of-the-line of the Royal Navy, built at Woolwich Dockyard and launched on 18 February 1756. The largest warship in the world at the time of launching, she saw service during the Seven Years’ War, as Admiral Sir Edward Hawke’s flagship at the Battle of Quiberon Bay and later taking part in the Battle of Cape St Vincent. She sank whilst undergoing routine maintenance work, anchored off Portsmouth on 29 August 1782 with the loss of more than 1,000 lives one of the most serious maritime losses to occur in British waters. In 1840 the broken wreckage was destroyed by the Royal Engineers in a huge controlled explosion that shattered windows as far away as Portsmouth and Gosport. Several of the salvaged bronze cannon were melted down to form the base of Nelson’s column in Trafalgar Square. Timber from the ship was also used to make the billiard table for the North Wing of Burghley House, Lincolnshire.

216 SIX COBALT BLUE AND GILT GLASS WINE RINSERS, ATTRIBUTED TO THE WORKSHOP OF ISAAC JACOBS, BRISTOL CIRCA 1810 of plain cylindrical form with twin lips and gilt Greek-Key pattern borders below the rims (6) approximately 11cm high, 14cm diameter (slight variations in size)

£700-1,000

217 GEORGIAN CHINOISERIE VERRE EGLOMISÉ PIER MIRROR 18TH CENTURY the arched mirror plate in a glass frame depicting gilt figures, trees, birds, animals and leaves on a cobalt blue ground, fitted with applied cut glass bosses 38cm x 68cm

£300-500

218 GROUP OF BRISTOL BLUE GLASS LATE 18TH/ EARLY 19TH CENTURY comprising four bottle-form decanters with flattened tear-drop stoppers, 29.5cm high; and a low goblet, with large open bowl and conical feet, 10cm high (5) £300-500

219 REGENCY MAHOGANY AND CALAMANDER SOFA TABLE EARLY 19TH CENTURY the rounded rectangular crossbanded top with drop ends, above two short drawers with lion-ring handles and dummy drawers opposing, raised on lyre-form supports linked by a turned stretcher and ending on outswept legs with brass paw feet and castors 156cm wide (extended), 97.5cm wide (closed), 72cm high, 70.5cm deep

£400-600

220 REGENCY GILTWOOD, GESSO, AND EBONISED TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the inverted breakfront cornice with ball mounts above a frieze depicting Rhea in a chariot pulled by lions approaching Chronos, above a triple mirror plate flanked by spiral columns 100cm high, 141cm wide

£500-700

221 SCOTTISH GEORGE IV MAHOGANY BREAKFRONT CHEST OF DRAWERS 2ND QUARTER 19TH CENTURY the breakfront top with a moulded edge above a central set of four long graduated drawers with turned knobs, flanked by banks of four short drawers, all raised on square tapered legs with moulded collars and ending on block feet 210cm wide, 125cm high, 67cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

222 REGENCY GILTWOOD OVERMANTEL TRIPTYCH MIRROR EARLY 19TH CENTURY the breakfront moulded cornice above triple mirror plates in ebonised slips enclosed by a leaf-clasped pilaster frame 76.5cm high, 154cm wide

£400-600

223 REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop ends and a reeded edge, above two frieze drawers with dummy drawers opposing, on rectangular supports joined by a turned stretcher and ending on sabre legs with brass caps and castors 91.5cm wide (closed), 151cm wide (open), 72.5cm high, 76cm deep

£500-700

224 WILLIAM IV MAHOGANY PEDESTAL DINING TABLE SECOND QUARTER 19TH CENTURY the rectangular tilt top with a reeded edge, on a baluster turned column and reeded scroll legs ending in lion paw brass caps and castors 148cm long, 72cm high, 121cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

225 Y REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with a bead moulded edge and drop ends, above a pair of short frieze drawers with dummy drawers opposing, on a tapered square column with further bead moulding and scroll brackets, raised on acanthus carved and hipped sabre legs ending in foliate brass caps and castors 94cm wide, (115cm open), 72cm high, 72cm deep

£800-1,200

226 PAIR OF UPHOLSTERED SIDE CHAIRS BY BEAUMONT & FLETCHER MODERN the backs with scrolled top rails above square padded seats, raised on turned legs ending in brass caps and castors, in salmon and gild upholstery (2) 57cm wide, 81cm high, 46cm deep

£400-600

227 REGENCY MAHOGANY, PARTRIDGEWOOD, AND SATINWOOD COLLECTOR’S CABINET, IN THE MANNER OF GEORGE BULLOCK EARLY 19TH CENTURY the brass galleried top above a pair of oval panelled doors with applied gilt-metal mounts depicting profile busts of Emperor Napoleon and Empress Josephine, the interior with two banks of eight drawers, raised on lappetcarved tapering legs with hemispherical panelled feet 91.5cm wide, 111.5cm high, 52cm deep

£1,000-1,500

228 LATE REGENCY GILTWOOD AND GESSO TRIPTYCH OVERMANTEL MIRROR 19TH CENTURY the inverted breakfront cornice with ball mounts above a frieze depicting Apollo and chariot pulled by lions, above a triple mirror plate flanked by reeded columns 90cm high, 144cm wide

£400-600

229 REGENCY MAHOGANY BUTLER’S TRAY AND STAND 19TH CENTURY the rectangular tray with gallery sides with handle cut-outs, on a separate ring turned folding stand Overall 72cm wide, 84cm high, 53cm deep

£300-500

230 REGENCY MAHOGANY PEDESTAL SIDEBOARD EARLY 19TH CENTURY the bowed centre section with two drawers, flanked by pedestal ends with short drawers over panelled doors and reeded columns, raised on turned feet 209cm wide, 112cm high, 59cm deep

£500-700

231 MAHOGANY WATERFALL HANGING SHELVES 19TH CENTURY with four shelves with rounded fore-edges between shaped side panels 111cm wide, 119cm high; shelf depth

£800-1,200

232 SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY comprising six side chairs and a pair of armchairs, with pierced mid-rails above upholstered stuffover seats, raised on square tapered legs joined by peripheral stretchers (8) Armchair 57cm wide, 86cm high, 46cm deep; sidechairs 51cm wide, 86cm high, 45cm deep

£600-900

233 REGENCY MAHOGANY PEDESTAL DINING TABLE EARLY 19TH CENTURY the rounded rectangular top with a moulded edge, comprising two pedestals ends on turned columns and tripod channelmoulded legs ending in brass caps and castors, the centre section with a gateleg action and two leaves on turned and reeded tapering legs 344cm wide extended, 75cm high, 137cm deep

£3,000-4,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

234 REGENCY GILT BRONZE AND CUT-GLASS CANDELABRA EARLY 19TH CENTURY with central cut-glass palmette finial above outscrolling arms with corresponding cut-glass nozzles and drip trays hung with prisms, all raised on a heron-form column and naturalistic base decorated with shells and leaves 49.5cm high, 35cm wide approx. Provenance: Property of the Late George Neilson

£400-600

235 WILLIAM IV MAHOGANY AND BRASS BRACKET CLOCK EARLY 19TH CENTURY the arched pediment case with foliate carving above a cream enamel dial with Roman numerals, signed RIDLEY/ LONDON, with gilt brass loop handles, brass line inlay and fret panels to the sides, raised on a rectangular base with brass ball feet, the eight-day movement striking a bell 44.5cm high, 30.5cm wide

£400-600

236 Y EARLY VICTORIAN BRASS INLAID ROSEWOOD ARTIST’S BOX MID 19TH CENTURY of square form, the lid and front inlaid with pierced brass borders, opening to a fitted interior with covered palette, pigments and paint, above a single drawer with further palettes, with a porcelain handheld palette stamped ACKERMAN 24.5cm wide, 10cm high, 21cm deep

£300-400

237

238 Y

REGENCY GILT BRASS MOUNTED MAHOGANY BOOK TROUGH

SCOTTISH ROSEWOOD WHEEL BAROMETER, G. REID, OBAN

EARLY 19TH CENTURY

19TH CENTURY

the three-quarter pierced arch gallery with handles to either end, above a rectangular platform with a moulded edge

the broken swan-neck pediment above Dry/Damp dial, thermometer and signed main dial, with an ivory adjustor and level dial

57cm long, 22.5cm deep

95cm high

£200-300

£250-350

239 PAIR OF BLUE JOHN AND GILT METAL CANDLESTICKS the rounded nozzles with swags in relief above deep drip trays, raised on baluster form Blue John bodies and conical feet fitted with beaded borders, on square black marble bases (2) 16cm high

£1,000-1,500

240 Y REGENCY TORTOISESHELL AND MOTHER-OF-PEARL TEA CADDY EARLY 19TH CENTURY of rectangular outline with three concave lobes to the front, opening to an ivory banded interior and two lidded compartments, all raised on squat bun bone feet above a splayed apron 20.5cm wide, 12.5cm high, 13cm deep

£300-500

241 WILLIAM IV PATINATED AND GILT BRONZE INKSTAND EARLY 19TH CENTURY the rectangular tray with twin handles and a central stamp box surmounted by a greyhound, flanked by two cut-glass inkwells with pen trays to either side, raised on squat ball feet 34cm wide

£500-700

242 PAIR OF REGENCY GILT AND PATINATED BRONZE LAMPS EARLY 19TH CENTURY the urn shaped nozzles above tapered reeded columns terminating in acanthus leaves, raised on triform bases with lion’s paw feet, with cream shades; converted from candlesticks (2) 32.5cm high (excluding fittings)

£1,000-1,500

243

244

PAIR OF REGENCY PATINATED AND GILT BRONZE LUSTRES

SCOTTISH REGENCY MAHOGANY WINE COASTER, POSSIBLY JAMES MEIN, KELSO

EARLY 19TH CENTURY with ring-moulded nozzles above curved rose mounts hung with cut glass drops, raised on column bases with acanthus leaves, raised on turned circular bases (2)

EARLY 19TH CENTURY

22cm high

23cm diameter

Provenance: Property of the Late George Neilson

£250-350

of circular form with a gadrooned carved border enclosing a shallow base

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

245 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular moulded frame with eagle surmount 107cm high, 65cm wide Provenance: Property of the Late George Neilson

£400-600

246 Y REGENCY ROSEWOOD, COROMANDEL AND BRASS INLAID CARD TABLE EARLY 19TH CENTURY the rectangular crossbanded fold-over top with notched corners, opening to a green baize-lined playing surface, above tablet frieze inlaid with anthemion and pierced brass banding, on waisted supports and arched legs ending in leaf cast brass caps and castors 91cm wide, 74cm high, 45.5cm deep (closed)

£800-1,200

247 Y REGENCY STYLE MAHOGANY, ROSEWOOD, AND BRASS INLAID SIDE CABINET MODERN the crossbanded top above a long frieze drawer and a pair of cupboard doors with brass grille inserts lined with cream silk and flanked by columns, on a plinth base 100cm wide, 93cm high, 46cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

248 Y LATE REGENCY ROSEWOOD AND BRASS INLAID CENTRE TABLE 19TH CENTURY circular crossbanded tilt-top with foliate inlay raised on a tapering triangular section column and triform concave base with scroll carved feet with castors 136cm diameter, 72cm high

Â£3,000-5,000

249 Y REGENCY ROSEWOOD LIBRARY TABLE EARLY 19TH CENTURY the canted rectangular top above a moulded frieze, on reeded lotus carved columns with rosette collars and trestle bases linked by a turned stretcher, on carved bun feet with recessed castors 132cm wide, 74.5cm high, 67cm deep

£500-700

250 GEORGE IV MAHOGANY BOOKCASE EARLY 19TH CENTURY the pediment cornice with an applied rosette frieze above a pair of astragal glazed doors enclosing adjustable shelves, raised on turned feet 101cm wide, 196cm high, 35cm deep

£800-1,200

251 REGENCY MAHOGANY, SATINWOOD AND MARQUETRY LONGCASE CLOCK EARLY 19TH CENTURY the circular enamelled dial with Arabic numbers and a calendar aperture, in an arched hood with a marquetry urn and garland cresting, flanked by fluted columns with urn finials, above a shaped trunk crossbanded door flanked by stop-fluted Corinthian columns, on a plinth base with an oval panel flanked by stop-fluted angles, raised on bracket feet; the eight day movement striking a bell 52cm wide, 227cm high, 26cm deep

£600-800

252 TWO PORTOBELLO POTTERY FIGURES OF FISHWIVES EARLY 19TH CENTURY both in traditional costume, the first carrying a basket of fish on her back, on a ‘paved stone’ base, 20.5cm high; the second holding a fish, with a basket of fish at her feet, on a green painted base, 21cm high (2) £500-700

253 SIX STAFFORDSHIRE HISTORICAL FIGURES 19TH CENTURY variously titled, comprising a figure of Gladstone, 41cm high; Louis Napoleon, 40.5cm high; the Duke of Cambridge, 35.5cm high; Lord Roberts, 30.5cm high; Milton, 28cm high; and a bust of George Washington, 19.5cm high (6) £250-350

254 SEVEN LARGE STAFFORDSHIRE FIGURES 19TH CENTURY comprising Robert the Bruce, 40.5cm high; a figure of a Highlander, 38cm high; a spill vase titled ‘Dog Tray’, 34.5cm high; an allegorical figure with parrot and axe, 34cm high; The Jolly Jack Tar, 28cm high; a figure of Bacchus, 17.5cm high; and Othello and Iago, 30.5cm high (7) £300-500

255

256

257

258

ELEVEN STAFFORDSHIRE FIGURES OF ANIMALS

SIX STAFFORDSHIRE FIGURES

19TH CENTURY

comprising a cow spill vase, 25.5cm high; a pair of horses and jockeys, 23cm high; two cows with a milkman and milkmaid, 22cm high; a zebra, 20cm high; St George fighting the dragon, 19cm high; a pair of cow spill vases, 18cm high; a cow creamer, 12.5cm high; and a small dog, 6.5cm high (11)

comprising an Auld Lang Syne figure group, 18cm high; three Highland dancers, a lady and two men, the largest 21cm high; a spill vase with a shepherd in Highland dress, 18.5cm high; and a figure group of a Crimean boy and girl on a boat, 16.5cm high (6)

LATE 18TH/ EARLY 19TH CENTURY

SIX STAFFORDSHIRE FIGURES OF FISHERMEN AND WOMEN

£250-350

£200-300

comprising Venus with a dove, 26.5cm high; the Cobbler Jobson and his wife Nell, 17.5cm high; a figure of Hope with an anchor, 18cm; a figure of an archer, 17cm high; and ‘Shepe’rdess,’ 14cm high (6)

19TH CENTURY

£250-350

all with baskets of fish, of various sizes, comprising two figures of fishermen and four fishwives (6) Largest 35.5cm high

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

259 AMERICAN NAIVE SCHOOL, 19TH CENTURY PORTRAIT OF JANE AND WILLIAM MCCONNELL watercolour on paper, the girl seated on a rocking horse, the boy holding the reins and a whip, inscribed verso ‘Jane McConnell aged 9 years/ William McConnell aged 7 years/ Drawn by Miss Catherine Jeffrey (their aunt) June 1840/ at Markbroom/ Canandaigua, Northern America’; framed 16cm x 21cm (sight size) Note: Canandaigua lies at the northern tip of Canandaigua Lake, one of the Finger Lakes located in central New York state.

£200-300

260 GEORGE III NEEDLEWORK SAMPLER DATED 1802 of rectangular form, depicting alphabets and a verse above floral sprays, coronets, stags, and a flower border, with number series and inscription EUPHEN JANE WALKER: HER WORK, IN THE SEVENTH YEAR OF HER AGE. EIGHTEEN HUNDRED AND TWO, glazed and framed 35cm x 31cm

£300-500

261 LATE WILLIAM IV NEEDLEWORK SAMPLER DATED 1837 of square form, with a verse above a house flanked by trees, figures and birds, embroidered ‘Maria Higginson(?)/ Aged 9 1837’, within a strawberry border, in a bird’s eye maple frame 39.5cm x 42cm

£200-300

262 EARLY VICTORIAN NEEDLEWORK SAMPLER DATED 1842 of rectangular form, with repeating floral motifs above an embroidered ship and ‘ANNE MARSHALL SEWED/ THE SAMPLER IN THE YEAR 1842’, above the facade of a large house with a couple in the doorway and a garden to the forefront, above Adam & Eve flanked by trees, the field filled with flower baskets, birds, animals and initials, within a flower border, in a gold painted frame 52cm x 46.5cm

£600-800

263 LARGE LATE REGENCY SILK AND NEEDLEWORK SAMPLER EARLY 19TH CENTURY of rectangular form, with two alphabet series and numbers, signed ‘Frances White’s sampler/ worked in her 11th year/ worked at Mrs Longs school’, centred with a verse titled ‘Personal Virtues’ and flanked by tigers, birds, flower baskets, and other animals and floral motifs, with a geometric and flower border, in a modern frame 44cm x 66cm

£800-1,200 Note: Mrs. Easter Jones bequeathed £1000 to establish a school for girls in Hoddesdon, Hertfordshire in 1818 as part of the early 19th century reform movement to provide educational opportunities for poor children. Girls from the communities of Broxbourn and Amwell were given lessons in reading, spelling, knitting and needlework and by 1834 the school is recorded as having 56 pupils.

264 AUGUSTIN EDOUART (1789-1861) TWO SILHOUETTES OF LADIES, DATED 1830 against ink wash grounds depicting interiors, signed and dated, one with impressed stamp EXTRA SUPREME/ LONDON BOARDS, with handwritten notes to verso including MRS BRADSHAW SMITH/ BLAIRWOOD HOUSE and paper labels, unframed (2) 28cm x 18.5cm approx.

£200-300

265

266

TEN FRAMED PORTRAIT SILHOUETTES

SCOTTISH ‘BLINDMAN’ CARVED TREEN TABLE SNUFF BOX

EARLY 19TH CENTURY all of oval form in ebonised frames, comprising seven profiles of men, and three of women, some highlighted with gilt, including some titled to verso including ‘Major George Willock’ and ‘Sir Henry Willock’ (10) Largest 9cm high Note: Sir Henry Willock (1790-1858) was a Chairman of the East India Company, and is recorded as having been a lieutenant-colonel as well as a British Envoy to Persia during his lifetime.

19TH CENTURY carved in high relief, depicting two Scotsmen with rifles and a lady drinking, above carved dogs and rams, opening to a void interior, with label for the E. H. Pinto Collection 17cm wide, 6cm high, 8.5cm deep

£200-300

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

267 REGENCY MAHOGANY AND EBONY TEA TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top above a line inlaid frieze, raised on a spiral turned and reeded column and quadriform base with scrolled feet and brass castors 100cm wide, 77cm high, 49cm deep

£300-500

268 Y REGENCY ROSEWOOD FRAMED LONG STOOL EARLY 19TH CENTURY the close-nailed padded top in foliate upholstery, raised on X scroll supports joined by a foliate carved stretcher 84cm wide, 43cm high, 56cm deep

£600-800

269 REGENCY MAHOGANY AND BRASS CHIFFONIER FIRST QUARTER 19TH CENTURY the superstructure on scroll supports above a projecting base with a long drawer over a pair of silk lined doors with brass wire inserts, raised on turned legs 94cm wide, 104cm high, 38cm deep

£300-500

270 SCOTTISH REGENCY SOFA TABLE, PROBABLY EDINBURGH FIRST QUARTER 19TH CENTURY the rounded rectangular crossbanded top with drop ends above a pair of line inlaid frieze drawers, with dummy drawers opposing, raised on four square supports and platform raised on outswept legs ending in brass paw feet with castors 93cm wide (down), 152cm wide (up), 72cm high, 65cm deep

£600-800

271 Y FINE PAIR OF REGENCY ROSEWOOD MARBLE TOP CONSOLE TABLES EARLY 19TH CENTURY of small size, the later rectangular inset marble tops set above moulded arched friezes, raised on slender turned baluster supports and plinth bases (2) 73cm wide, 92cm high, 41.5cm deep

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100

272 Y GEORGE IV ROSEWOOD AND BRASS INLAID SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop ends, outlined with brass and fleur-de-lis inlay over a pair of frieze drawers, with dummy drawers opposing, raised on end supports joined by a turned stretcher, on trestle bases with scrolled feet with castors 98cm wide (160cm wide open) 71cm high, 70cm deep

£600-800

273 SET OF SEVEN REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising six side chairs and an armchair, with panelled top rails and reeded mid-rails above upholstered seats, raised on ring-turned tapering legs (7) Armchair 56cm wide, 82cm high, 52cm deep

£500-700

274 Y REGENCY ROSEWOOD AND BRASS INLAID PEDESTAL TABLE EARLY 19TH CENTURY the rounded rectangular top outlined with brass banding and marked at the corners with anthemions, above a panel frieze with bead moulding, banding and further anthemions, raised on a tapered and concave quadripartite column and quadriform base with brass flower head inlay and banding, on leaf carved sabre legs ending in foliate and lotus cast brass caps and castors 137cm wide, 73cm high, 76cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

101

275 REGENCY MAHOGANY AND BRASS INLAID WORK TABLE EARLY 19TH CENTURY the reeded rectangular drop-flap top above single and false drawer to each side, raised above a wool bin and lyre supports on sabre legs linked by a turned stretcher 76cm wide (open), 39cm wide (closed), 71cm high, 41.5cm deep

£800-1,200

276 GEORGE IV MAHOGANY BOOKCASE CABINET EARLY 19TH CENTURY the moulded cornice abvoe a pair of glazed doors enclosing adjustable shelves; the lower part with a long drawer over a pair of bead moulded doors flanked by reeded columns, raised on carved paw feet 131cm wide, 235cm high, 59cm deep

£800-1,200

277 SMALL REGENCY MAHOGANY DRUM TABLE EARLY 19TH CENTURY the circular cross-banded top, above a frieze of four drawers (one fitted), alternating four false drawers, raised on a spiralling reeded column, on triform base with scroll feet 71cm diameter, 76.5cm high

£2,000-3,000

102

278 EARLY VICTORIAN MAHOGANY PRESS CUPBOARD WARDROBE EARLY 19TH CENTURY of breakfront outline, the centre with a pediment cornice and twin panel doors enclosing sliding shelves, above two short and two long graduated drawers, flanked by long cupboard doors, on a plinth base 214cm wide, 214cm high, 52.5cm deep Provenance: Property of the Late George Neilson

£700-1,000

279

280

281 Y

282

EARLY VICTORIAN MAHOGANY BOOT AND WHIP STAND

REGENCY MAHOGANY SEMI-BOWFRONT CHEST OF DRAWERS

PAIR OF WILLIAM IV ROSEWOOD TABLES

REGENCY MAHOGANY THREE TIER WHATNOT

EARLY 19TH CENTURY

SECOND QUARTER 19TH CENTURY

EARLY 19TH CENTURY

MID 19TH CENTURY of typical form, on arched trestle legs 91cm wide, 104cm high, 35cm deep

with four long graduated drawers, raised on turned legs

£250-350

120cm wide, 106cm high, 58cm deep

the circular top on acanthus carved baluster supports and triform bases with ball feet (2)

£200-300

44.5cm diameter, 54cm high

with three dished circular tiers, the top tier extending, supported on reeded and leaf-carved column and triform base with disc feet with recessed castors

£250-350

51cm diameter, 105cm high

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

103

283 GEORGE IV MAHOGANY MARBLE TOP HALL TABLE BY GILLOWS EARLY 19TH CENTURY the rectangular rouge marble-top above a plain frieze on ring-turned and reeded tapering legs, stamped GILLOWS 150.5cm wide, 94.5cm high, 65cm deep

£1,500-2,500

284 REGENCY POLLARD OAK GAMES TABLE EARLY 19TH CENTURY the D shaped fold-over top opening to green baize lined surface, above a plain frieze and canted corners carved with palmettes, on a waisted triform column with reed banding and tripartite platform base with scrolled feet with castors 102cm wide, 76cm high, 51cm deep; 101cm deep open

£300-500

285 REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top with a moulded edge and plain frieze, raised on a panelled and tapered triform column outlined with bead moulding, on a triform base with carved paw feet 134cm diameter, 69cm high

£1,000-1,500

104

286 PAIR OF REGENCY PATINATED AND GILT BRONZE TABLE LAMPS EARLY 19TH CENTURY with urn-form candle sconces cast with palmettes, above tapered reeded columns, terminating in anthemion and foliate cast bases, with grey pleated shades; converted from candlesticks (2) 27.5cm high (excluding fittings)

£800-1,200

287 WEDGWOOD PEARLWARE PART DINNER SERVICE EARLY 19TH CENTURY with blue transfer-printed decoration of botanical and floral specimens within ringed borders, impressed maker’s marks, comprising a meat platter, 47cm wide; a large platter, 52cm wide; a soup tureen and cover, 22.5cm high; a vegetable tureen and cover, 25cm wide; a sauce tureen, cover and stand, stand 18.5cm wide; 36 dinner plates, 24.5cm diam.; 16 soup plates, 25cm diam.; 17 side plates, 21cm diam.; and two smaller side plates, 16.5cm diam. (qty) £400-600

288 VICTORIAN PAINTED PAPIER-MÂCHÉ TRAY, B. WALTON & CO. 19TH CENTURY the shaped oval pie crust rim enclosing a painted view of Loch Lomond with figures in the foreground, with impressed maker’s marks B. WALTON & CO/ WARRANTED, and painted title verso 81cm wide

£300-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

105

289 PAIR OF GOTHIC REVIVAL GILT AND PATINATED BRONZE LAMPS MID 19TH CENTURY with gilt collars above slender hexagonal tapered columns, on Gothic tracery bases, fitted for electricity, with white pleated shades (2) 46cm high (excluding fittings)

ÂŁ800-1,200

290 LARGE STONE CHINA PART DINNER SERVICE 19TH CENTURY decorated in the Imari palette with central cobalt blue urns issuing peonies, with gilt highlights, underglaze blue marks STONE CHINA/ NO 6, comprising seven tureens with moulded light blue borders and scrolled handles terminating in masks, including a large soup tureen, cover and stand, 29.5cm high overall; three vegetable tureens, two with covers and liners, 21.5cm high; and three covered sauce tureens, 16cm high; a meat platter, 54cm wide; eight graduated platters, largest 49cm wide; 66 dinner plates, 25cm diam.; 12 soup plates, 24cm diam.; and 12 side plates, 19cm diam. (qty) ÂŁ1,500-2,500

106

Taymouth Castle near Kenmore, Perth and Kinross was built during the early 19th century and stands on the site of Balloch Castle, built in 1552. Encompassing 450 acres, the land and castle were the property of the Campbells of Breadalbane until 1922. When they built Taymouth, no expense was spared and the interiors were bedecked in the finest Gothic style carvings, plasterwork and murals. Important craftsmen, architects and designers of the time were employed, including James Gillespie Graham and A. W. Pugin, plasterwork designer Francis Bernasconi and painter Cornelius Dixon.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

When Taymouth Castle was sold in 1922, a large auction of the contents was offered by Dowell’s of Edinburgh in a six day sale (24-29 April 1922) on the premises. The sale catalogue of the time lists lots 2173 and 2180 as oak hall seats/chairs carved with coats of arms (see illustration online), which most likely describe the current lots. The armorial bearings as carved on the stools and chairs are those of Campbell, Earl of Breadalbane and Holland. Given the evidence of the arms and the accompanying coronet of rank, together with vthe 1922 sale listing, they were possibly commissioned by John Campbell (1762-1834), the 4th Earl of Breadalbane and Holland, or his son, John Campbell, 2nd Marquess of Breadalbane and Holland, and the 5th Earl of that style.

107

291 SET OF FOUR SCOTTISH VICTORIAN CARVED OAK ARMORIAL HALL STOOLS, EX TAYMOUTH CASTLE, PERTH AND KINROSS MID 19TH CENTURY the channel moulded tops with scroll ends above shaped seat rails centred by carved armorials for Campbell, Earl of Breadalbane and Holland, and acanthus scrolls, raised on lotus carved reeded tapered legs (4) 71cm wide, 43cm high, 41cm deep Provenance: Ex. Taymouth Castle, Perth & Kinross-shire

£3,000-5,000

292 SET OF THREE SCOTTISH VICTORIAN CARVED OAK HALL CHAIRS, EX TAYMOUTH CASTLE, PERTH AND KINROSS MID 19TH CENTURY the gadrooned shield backs carved with armorials for Campbell, Earl of Breadalbane and Holland, above C scroll supports and shell motifs, over tapered seats with scroll carved seat rails with further gadrooning, raised on lotus carved and reeded tapered legs (3) 47cm wide, 93cm high, 41cm deep Provenance: Ex. Taymouth Castle, Perth & Kinross-shire

£1,500-2,500

108

293 EARLY VICTORIAN NEEDLEWORK AND WALNUT FIRESCREEN MID 19TH CENTURY the arched needlework panel depicting a girl with a dog and puppies, in frame with scroll carved cresting and supports, on trestle bases with brass castors and joined by a stretcher 91cm wide, 124cm high, 47cm deep

£400-600

294 TWO WILLIAM IV MAHOGANY TELESCOPIC READING TABLES 19TH CENTURY both with ratchet adjusted rectangular tops, one with a pair of book rests on a faceted column and concave quadriform base; the other with a ring turned baluster column and concave quadriform base, with metal trade label ‘TH FILMER & SONS/ BERNERS ST OXFORD ST/ LONDON W’, on bun feet with castors (2) One 91cm wide, 72cm high, 45cm deep; the other 91.5cm wide, 76cm high, 46cm deep

£600-800

295

296

DAVENPORT BLUE AND WHITE FOOTBATH

ENGLISH PAINTED PORCELAIN PART DESSERT SERVICE

19TH CENTURY

MID 19TH CENTURY

of oval form with twin handles above moulded bands, decorated with a repeating scene of a large turreted and domed building with men in a boat to the foreground, impressed maker’s marks DAVENPORT

painted with central botanical specimens within moulded green and gilt borders, painted numbers 2/ 3445, comprising two footed comports, 12cm high, 28cm wide; two shaped circular low comports, 25.5cm long; two shaped rectangular low comports, 29cm across; and 12 plates, 23cm diam. (18)

20.5cm high, 48cm wide

£200-300

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

109

297 GEORGE IV MAHOGANY CELLARETTE EARLY 19TH CENTURY of sarcophagus form with canted, reeded angles and shell and scroll carved handles to each side, raised on turned lobed feet 75cm wide, 42cm high, 50cm deep

£300-500

298 WILLIAM IV MAHOGANY THREE TIER BUFFET SECOND QUARTER 19TH CENTURY the top tier with a scroll carved back gallery over two further tiers with plain back galleries, the end supports with foliate and scroll carved brackets, raised on scrolled feet ending in ceramic castors 111cm wide, 130cm high, 43cm deep

£600-800

299 Y EARLY VICTORIAN ROSEWOOD CENTRE TABLE MID 19TH CENTURY the oval top with a moulded edge on U-shaped end supports with carved shell motifs, raised on S scroll legs joined by a turned stretcher and ending on brass castors 135cm wide, 76cm high, 80cm deep

£500-700

110

300 VICTORIAN WALNUT BREAKFAST TABLE MID-19TH CENTURY the quarter-veneered circular tilt top with a moulded edge, raised on a carved baluster column and cabriole tripod legs carved with flowering foliage with ceramic castors 120cm diameter, 73cm high

£400-600

301 Y EARLY VICTORIAN ROSEWOOD OPEN BOOKCASE MID 19TH CENTURY the three-quarter gallery top above two adjustable open shelves flanked by carved brackets, raised on a plinth base 94cm wide, 103cm high, 36cm deep

£700-1,000

302 Y WILLIAM IV ROSEWOOD LIBRARY TABLE 19TH CENTURY the rounded rectangular top above two short frieze drawers, raised on tapered hexagonal supports and trestle bases with scroll feet and brass castors 136cm wide, 74cm high, 78cm deep

£700-1,000

111

303 EARLY VICTORIAN LEATHER UPHOLSTERED RECLINING ARMCHAIR MID 19TH CENTURY the button upholstered adjustable back above a T shaped seat and padded arms raised on turned spindles, raised on turned legs ending in brass caps and castors, in brown leather 71cm wide, 98cm high, 64cm deep

£2,000-3,000

304 § JOHN HENRY MONSELL FURSE (1860-1950) THE ARTIST’S SON, RALPH life-size bronze figure, signed in the bronze I.H.M. FURSE / 5 OF 11, raised on a granite plinth 122.5cm high, plinth 65cm long, 9.5cm high, 42cm deep Note: Henry Mansell Furse was born in Egham, Surrey in 1860. He is noted for his relatively short production period due to an illness which led him to being an invalid for the last forty years of his life. Furse studied under Herkomer before attending the Slade School. He worked at the British Museum from 1881 to 1887, after which he produced many sculptures, most notably of animals though also human subjects, as in this example. His keen observational eye allowed him to capture the subtleties of movement into a static object, as though they were about to come alive. His works were regularly exhibited at the Royal Academy of Arts as well as other well-known galleries.

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112

305 Y EARLY VICTORIAN ROSEWOOD AND NEEDLEWORK FIRESCREEN MID 19TH CENTURY the rectangular panel depicting William Shakespeare courting Anne Hathaway, in a moulded frame with foliate scroll cresting and spiral carved supports, on acanthus carved trestle supports joined by a turned stretcher 75cm wide, 154cm high, 57cm deep

£400-600

306 EARLY VICTORIAN MAHOGANY CHEVAL MIRROR MID 19TH CENTURY the bevelled mirror plate in a frame with a carved and pierced cresting, flanked by spiral carved supports on a shaped base with pad feet 73cm wide, 192cm high, 61cm deep

£500-700

307 EARLY VICTORIAN MAHOGANY INVERTED BREAKFRONT BOOKCASE MID 19TH CENTURY the projecting moulded cornice above a plain frieze, over a central pair of glazed doors flanked by further glazed doors divided by tapered columns, opening to adjustable shelves; the conforming base with panel doors and further columns, on a plinth base 180cm wide, 211cm high, 45cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113

308 VICTORIAN WALNUT, INLAY, AND NEEDLEWORK CANTERBURY 19TH CENTURY the hinged top opening to a divided interior, the sides with floral needlework panels, on trestle supports with ceramic castors 45cm wide, 53cm high, 41cm deep

£300-500

309 Y PAIR OF VICTORIAN ROSEWOOD, MARBLE, AND EGLOMISÉ SIDE CABINETS MID 19TH CENTURY with inset white marble tops above pairs of doors with reverse-painted floral glass panels and flanked by scroll carved brackets, opening to shelved interiors, raised on plinth bases (2) 105cm wide, 97.5cm high, 42.5cm deep

£800-1,200

310 THREE SEAT ‘HAMILTON’ SOFA, BY BEAUMONT AND FLETCHER MODERN the triple tight upholstered back above three loose cushions flanked by low scroll arms, raised on turned mahogany legs with brass caps and castors, covered in Ikat style silk flame stitch and chenille upholstery 221cm wide, 98cm high, 57cm deep

£1,000-1,500

114

311 EARLY VICTORIAN GILTWOOD AND GESSO GIRONDOLE MIRROR MID 19TH CENTURY the oval mirror plate in a leaf moulded frame surmounted by a scrolling cartouche cresting, with an acanthus pendant finial issuing three scrolling foliate candle arms 125cm high, 66cm wide

£300-400

312 VICTORIAN PAPIER-MÂCHÉ AND INLAID GAMES TABLE, BY JENNENS & BETTRIDGE MID 19TH CENTURY the top with a games board inlaid with motherof-pearl and painted with flowers, raised above a single drawer and faceted column with quadriform base on bun feet, stamped under the drawer JENNENS & BETTRIDGE/PATENT 58cm wide, 72cm high, 41cm deep

£600-800

313 REGENCY PAPIER-MÂCHÉ TRAY EARLY 19TH CENTURY rounded rectangular form, the borders decorated with concentric bands of gilt oak leaves and acorns, and roses and leaves 75.5cm wide, 56cm deep, 6cm high

£300-400

115

314 Y MATCHED SET OF TEN VICTORIAN ROSEWOOD DINING CHAIRS MID-19TH CENTURY comprising a set of six each with scroll carved balloon back and later needlework upholstery, 43.5cm wide, 85.5cm high, 40cm deep; another circular pair with mismatched upholstery, 44.5cm wide, 85cm high, 41cm deep; and another pair, 47cm wide, 90cm high, 43cm deep (10) £400-600

315 VICTORIAN MAHOGANY DOUBLE-CHAIR BACK SOFA MID 19TH CENTURY with a button upholstered back and seat raised on scrollcarved cabriole legs with brass castors, with three additional scatter cushions; covered in brown equestrian print fabric 210cm wide, 100cm high, 76cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

116

316 MINTON MAJOLICA FIGURAL COMPORT DATE CODE FOR 1865 modelled with two putti representing the seasons, one draped in ivy, the other in wheat sheaves, united by a large shell-form bowl, on a naturalist oval form base, with impressed maker’s marks, date code and no. 365 28cm high, 27cm wide approx. Provenance: Presented by the painter, Alexander Johnston (1815-1891) to his wife Emily, on the birth of one of their children, and thence by family descent.

£400-600

317 LARGE MINTONS MAJOLICA JARDINIÈRE AND STAND DATE CODE FOR 1884 modelled with ferns, foxgloves and convolvulus, on brown grounds with green painted rims, impressed maker’s marks and date codes, incised numbers (2) Jardinière 32.5cm high, 48.5cm wide; stand 48cm wide

£400-600

318 VICTORIAN TOLE PAINTED COAL BOX 19TH CENTURY the recessed top with a glazed square painted panel of a dog, above the hinged fall-front bucket with a corresponding painted panel, on pierced iron X form brackets united by spiral stretchers 32.5cm wide, 47.5cm high, 32.5cm deep

£400-600

319 VICTORIAN COROMANDEL AND PIETRA DURA BOOK SLIDE, BY BETJEMANN’S 19TH CENTURY the hinged folding ends with gilt brass mounts enclosing pietra dura reserves of flowers, with maker’s plaques SELF CLOSING BOOK SLIDE/ 17849/ BETJEMANN’S PATENT, and retailer’s plaque FURBER & SON./ Cheltenham 40.5cm wide closed

£200-300

320 SMALL VICTORIAN GILT BRONZE HALL LIGHT 19TH CENTURY the foliate ceiling rose above a suspended lobed glass shade with a pendant finial 28cm high, 13cm wide

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117

321 VICTORIAN KINGWOOD AND MARQUETRY INLAID ÉTAGÈRE, BY EDWARDS & ROBERTS, LONDON LATE 19TH CENTURY with three graduated galleried tiers supported on turned uprights with cast gilt-metal scroll feet, bearing a maker’s label under the top tier 37cm wide, 83.5cm high, 32cm deep

£400-600

322 LARGE BRASS AND GLASS HALL LANTERN LATE 19TH CENTURY of squared form, the glass panes surmounted by pierced foliate mounts and united by curved uprights issuing a single pole fitted with four light sconces, fitted for electricity 92cm high overall

£400-600

323 EARLY VICTORIAN WALNUT CHAISE LONGUE MID 19TH CENTURY with an arched curved back to one end with enclosed padded arms and a serpentine seat covered in taupe upholstery, raised on cabriole legs with scrolled toes 170cm wide, 101cm high, 55cm deep

£1,200-1,800

118

324 VICTORIAN GILTWOOD MIRROR 19TH CENTURY the shaped oval plate within a frame carved with C and leaf scrolls 81cm high, 61cm wide

£400-600

325 THREE BRANCH BRASS AND GLASS GASOLIER CHANDELIER 19TH CENTURY the corona with scroll branches and hung with prisms, above a cut-glass central column and three twisted scrolling branches with brass gas fittings and dished candle sconces

326

95cm high, 77cm diameter

VICTORIAN WALNUT FRAMED AND NEEDLEWORK PARLOUR CHAIR

£600-800

MID 19TH CENTURY the spoon back with carved ribbon cresting, above a circular padded seat, raised on short cabriole legs with ceramic castors, covered in floral Berlin needlework 50cm wide, 101cm high, 49cm deep

£300-500

327 EARLY VICTORIAN UPHOLSTERED GILTWOOD LONG STOOL MID 19TH CENTURY the button-upholstered seat covered in raspberry pink damask, raised on foliate carved and tapered legs with brass caps and castors 104cm wide, 41cm high, 56cm deep

£400-600

119

328 LATE VICTORIAN OAK EASEL LATE 19TH CENTURY the arch moulded and foliate carved top above a hinged back leg and front supports with adjustable pegs, joined by a lyre form stretcher 183cm high, 73cm wide

£800-1,200

329 HOWARD & SONS STYLE EASY ARMCHAIR EARLY 20TH CENTURY the button-upholstered scroll back and downswept scroll arms above a deep seat, raised on square tapered legs with brass caps and castors; in grey damask upholstery 78cm wide, 86cm high, 94cm deep

£300-500

330 VICTORIAN TÊTE-A-TÊTE SOFA LATE 19TH CENTURY of oval form with four seats and shaped dividers, covered in modern wine-red foliate pattern upholstery, raised on square tapered legs 173cm wide, 83cm high, 131cm deep

£600-800

331 Y VICTORIAN ROSEWOOD FRAMED CENTRE STOOL MID 19TH CENTURY the rectangular upholstered seat above a scrolling apron and raised on moulded and rosette carved cabriole legs 87cm wide, 38cm high, 64cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

332 VICTORIAN WALL TIMEPIECE, MACKAY & CHISHOLM, EDINBURGH 19TH CENTURY the white enamel dial with Roman numerals in brass bezel and arched moulded case with a glazed door, having a single train fusée non-striking movement 78cm high, 35.5cm wide

£300-400

333 PAIR OF MAHOGANY BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS the moulded tops with three-quarter galleries above four graduated drawers with flame veneers and brass sunflower ring handles, on plinth bases (2) 44cm wide, 77cm high, 41cm deep

£1,200-1,800

334 VICTORIAN MAHOGANY AND LEATHER DESK CHAIR LATE 19TH CENTURY the button upholstered back and arms above a curved pivoting seat outlined with close-nailed trim, raised on outscrolled legs with ceramic castors, covered in brown leather 65cm wide, 87cm high, 54cm deep

£300-500

335 VICTORIAN MAHOGANY PEDESTAL PARTNER’S DESK 19TH CENTURY the rounded rectangular top with a moulded edge and black leather insert, above three frieze drawers over banks of four drawers, the reverse with the same configuration of drawers, on plinth bases 148cm wide, 78cm high, 85cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

336 GOTHIC REVIVAL OAK AND BRONZE DINNER GONG MID 19TH CENTURY the arched frame with trestle bases on brass castors, supporting a large hammered bronze gong; with a mallet, 28cm long approx. 62cm wide, 103cm high, 43cm deep

£600-800

337 VICTORIAN MAHOGANY WELLINGTON CHEST LATE 19TH CENTURY with seven graduated drawers and a locking panel headed by carved foliate brackets, on a plinth base 54cm wide, 111cm high, 37cm deep

£500-700

338 OAK AND BRASS BENCH, ATTRIBUTED TO JAMES SHOOLBRED LATE 19TH CENTURY with a low back with straight backrails above a plank seat flanked by scrolled open arms with brass palmettes and roundels, raised on scroll legs joined by peripheral stretchers 55cm wide, 62cm high, 31cm deep

£400-600

339 VICTORIAN MAHOGANY COLLECTOR’S CABINET LATE 19TH CENTURY the moulded cornice above a single drawer and twin panelled doors opening to an interior fitted with sixteen numbered oak-lined drawers, on a plinth base 105cm wide, 121cm high, 71.5cm deep

£800-1,200

122

340 PAIR OF VICTORIAN UPHOLSTERED OPEN ARMCHAIRS LATE 19TH CENTURY the square button upholstered backs above deep seats and padded open arms with turned mahogany supports, raised on turned legs with ceramic castors, covered in pink and cream striped upholstery with later solid blue and cream slipcovers (2) 69cm wide, 86cm high, 52cm deep

£500-700

341 HOWARD & SONS FOOTSTOOL LATE 19TH/ EARLY 20TH CENTURY the square attached cushion top and base covered in monogram print fabric, raised on square tapered legs with stamped brass castors, one leg stamped 101443/4008 HOWARD & SONS LTD/ BERNERS ST, with sewn in label to underside 59cm wide, 59cm high, 45cm deep

£300-500

342 VICTORIAN WALNUT PEDESTAL DESK 19TH CENTURY the shaped rectangular top with a red leather insert, above three frieze drawer, the central drawer fitted with a writing slope and shallow drawer, a further writing slope and dummy drawers opposing, raised on pedestals with arch moulded doors enclosing four drawers, on plinth bases 142.5cm wide, 79.5cm high, 90.5cm deep

£700-1,000

123

343 PAIR OF MAHOGANY BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS the moulded edge tops with a back gallery rails, over four graduated drawers with twin turned knobs, on plinth bases (2) 44.5cm wide, 79cm high, 43.5cm deep

£1,200-1,800

344 VICTORIAN WALNUT WELLINGTON CHEST LATE 19TH CENTURY with seven graduated drawers and a locking panel headed by carved foliate brackets, on a plinth base 51cm wide, 103cm high, 35cm deep

£400-600

345 VICTORIAN WALNUT FRAMED UPHOLSTERED ARMCHAIR MID 19TH CENTURY the angled padded back above a deep stuffover seat and padded open arms, raised on turned legs with brass caps and spoked castors, the castors stamped COPE, partially covered in blue printed fabric and a later cream slipcover 72cm wide, 88cm high, 100cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

124

346 VICTORIAN GILT BRONZE DOG INKWELL MID 19TH CENTURY in the form of a terrier’s head with inset glass eyes, reminiscent of the figure of Greyfriar’s Bobby, the hinged head opening to the inkwell liner, raised on a dished base with waved rim 17cm diam. approx.

£400-600

347 FRENCH BRASS REPEATING CARRIAGE CLOCK LATE 19TH/ EARLY 20TH CENTURY the four-glass corniche case enclosing a white enamelled dial with Roman numerals and signed THOS SMITH & SONS/ PARIS & EDINBURGH, the movement with platform escapement, gong strike, and button repeat to the top 18cm high (handle up)

£300-500

348 PAIR OF BRASS MOUNTED COW HORN TABLE LAMPS CIRCA 1900 converted from oil lamps, with rounded brass reservoirs and caps above single horns, raised on splayed stems and domed feet, with later fittings for electricity (2) 54.5cm high overall (inclusive of fittings)

£800-1,200

349 FRENCH GILT BRASS CARRIAGE CLOCK EARLY 20TH CENTURY the pagoda-form case with bevelled glass enclosing a white enamelled dial with Roman numerals and raised on splayed feet, with platform escapement and non-striking movement, Duverdrey & Bloquel trademark logo 16.5cm high (handle up)

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

350 ROYAL WORCESTER JAR AND COVER, BY GEORGE OWEN DATED 1913 of typical colourway in cream with gilt highlights, the knopped finial above the sloped honeycomb-pierced cover and corresponding canted square tapered base raised on a circular foot, decorated with beaded borders and foliate accents, with gilt maker’s marks and incised G OWEN 15cm high

£3,000-5,000

351 COALPORT PAINTED AND ‘JEWELLED’ VASE LATE 19TH/ EARLY 20TH CENTURY with everted neck and twin handles above a bulbous body and raised on a socle foot, decorated with turquoise ‘jewels’ on a gilt ground enclosing an oval reserve painted with a riverscape, all on a cobalt blue ground with gilt borders, printed and gilt maker’s marks 15cm high

£400-600

126

352 COCO DE MER DRAINER/BASKET (LODOICEA MALDIVICA) with carved rim and handle, the base pierced with holes 29cm long

£300-500

353 3 -INCH REFRACTING PATINATED BRASS TELESCOPE AND STAND, BY J. H. DALLMEYER, LONDON the signed tube with a lens cap, raised on a signed folding tripod stand and contained in a fitted box with further lenses 88.5cm long (extended) Provenance: Property of the Late George Neilson

£600-800

354 EARLY VICTORIAN STAINED FRUITWOOD AND LEATHER BARBER’S CHAIR MID 19TH CENTURY the ratchet adjustable headrest above a leather vasiform splat and wide serpentine seat flanked by padded arms, all with close-nail trim, raised on turned and tapered legs 60cm wide, 98cm high, 48cm deep

£600-800

127

355 Y VICTORIAN MAHOGANY POOL SCOREBOARD, PALMER & SONS, LONDON 19TH CENTURY the moulded pediment above maker’s label PALMER & SONS, 111, HIGH STREET, BORO’, LONDON, with nine slides, two fitted with ivory bosses, 64.5cm high; together with TWO PRINTS, THE RULES OF POOL & THE RULES OF PYRAMID POOL, Burroughes & Watts, London., in oak frames, 38.5cm x 28.5cm (3) Provenance: Sotheby’s Belgravia sale on 6th December 1979 of World Champion Billiards/Snooker player ‘Joe Davis’

£300-500

356 IRON CHOLE CLUB EARLY 19TH CENTURY with iron head, hickory shaft, and twisted grip 105cm long

£250-350

357 BRASS BANDED MAHOGANY STICK STAND LATE 19TH CENTURY of cylindrical form with a metal liner and applied lion-ring handles

358

29cm diameter, 57cm high

COLLECTION OF VICTORIAN AND EDWARDIAN PARLOUR GAMES

£300-400

LATE 19TH/ EARLY 20TH CENTURY comprising a games board for CANNONADE, with maker’s mark JAQUES LONDON; the magic set THE CONJURER, two sets of DISSECTED MAPS jigsaw puzzles; the games HISTORICAL LOTO, AUCTIONEER, JUDGE & JURY and STOCK EXCHANGE; a boxed set of bone Dominoes; and the card games PIT, FAMOUS PAINTINGS, AUTHORS, and MUSTERING OF THE MUSTARD CLUB (13) Largest 42.5cm wide

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

359 Y DOMED TAXIDERMY BIRD DISPLAY 19TH CENTURY with twelve full mounts, including an Andean Cock of the Rock and a Scarlet Tanager, variously perched on branches and groundwork, on a painted wood base 54cm high, 50cm wide approx.

£500-700

360 TAXIDERMY ROYAL STAG’S HEAD EARLY 20TH CENTURY

361 Y PARTIAL NARWHAL TUSK

the twelve point specimen mounted on an oak shield shaped backboard 53cm wide

£300-500

(MONODON MONOCEROS) unmounted 58.5cm long Note: Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 587043/01

£300-500

362

363

CAST COMPOSITION SALMON TROPHY

EDWARDIAN CANVAS AND HARDWOOD BANDED CABIN TRUNK

MODERN

EARLY 20TH CENTURY

mounted on a painted backboard inscribed 26lb. SALMON CAUGHT RIVER DEVERON 2007

of rectangular form with brass bound angles, covered in brown glazed cloth with carrying handles, inscribed with owner’s details

Salmon 100cm long; overall 52cm high, 127cm long

93cm wide, 36cm high, 56cm deep

£500-700

£250-350

129

364 EDWARDIAN MAHOGANY DISPLAY CABINET EARLY 20TH CENTURY the hinged glazed top opening to a glazed vitrine top, above glazed sides and door opening to shelves and a plush velvet base, over a shaped apron and raised on tapered square legs ending in spade feet 63cm wide, 107cm high, 43cm deep

£300-500

365 PAIR OF EDWARDIAN MAHOGANY BOOK TROUGHS EARLY 20TH CENTURY the divided troughs raised on turned blocked supports linked by corresponding cross stretchers, on straight legs ending in pad feet (2) 91cm wide, 84.5cm high, 39cm deep

£800-1,200

366 GEORGIAN STYLE MAHOGANY TWO PIECE BERGERE SUITE, ATTRIBUTED TO GILLOWS & WARING EARLY 20TH CENTURY comprising a sofa and armchair, the low caned backs and enclosed arms with carved eagle’s head terminals, above deep seats with Vitruvian scroll carved seat rails, raised on claw and ball feet; with green foliate covered cushions with tassel trimming (2) Sofa 162cm wide, 74cm high, 76cm deep; chair 92cm wide, 72cm high, 83cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

367 PAIR OF EDWARDIAN PAINTED SATINWOOD ARMCHAIRS EARLY 20TH CENTURY the shield-shaped backs painted with flowerfilled urns above caned seats and swag painted seat rails, raised on square tapered legs (2) 54cm wide, 99cm high, 55cm deep

£500-700

368 EDWARDIAN SATINWOOD DESK EARLY 20TH CENTURY the top with a brown leather insert and a pair of superstructure drawers, above a bowfront centre drawer flanked by quarter-veneered drawers, raised on square tapered legs with spade feet, brass castors and a peripheral stretcher 107cm wide, 89cm high, 50.5cm deep

£300-500

369 MATCHED PAIR OF EDWARDIAN UPHOLSTERED ARMCHAIRS EARLY 20TH CENTURY with padded low backs above a deep loose cushion seats and wide arms, raised on mahogany square tapered legs with brass castors; one with rear leg stamped ‘S&S’ and ‘245’; the other with ceramic castors, the leg stamped ‘HAMPTON & SONS LTD’; both in modern floral upholstery (2) One 99cm wide, 92cm high, 71cm deep; the other 89cm wide, 87cm high, 73cm deep

£600-800

131

370 PAIR OF ‘HAMILTON’ UPHOLSTERED ARMCHAIRS BY BEAUMONT & FLETCHER MODERN the low scroll backs above loose cushion seats and scroll arms, raised on turned mahogany legs with brass caps and castors, in pale yellow cut velvet upholstery (2) 84cm wide, 89cm high, 55cm deep

£800-1,200

371 SET OF WALNUT QUARTETTO TABLES EARLY 20TH CENTURY the quarter-veneered tops with moulded edges raised on tapered and ring turned supports on arched trestle bases joined by turned stretchers (4) Largest 54cm wide, 72cm high, 40cm deep

£500-700

372 MAHOGANY PARQUETRY DESK, POSSIBLY WHYTOCK & REID 20TH CENTURY in the French taste, the inverted breakfront top with a gallery back and moulded edge, above three frieze drawers on banks of three drawers flanked by ribbon tied reeded quarter columns, raised on acanthus carved legs with brass castors 131cm wide, 88cm high, 69cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

132

373 LARGE PAIR OF CUT-GLASS TABLE LAMPS 20TH CENTURY of globular form with bands of oval-cut circles, raised on faceted knops and conical feet, wired for electricity and with modern shades (2) 42cm high (excluding fittings)

£400-600

374 THREE BRASS FRAMED OCCASIONAL TABLES, MANNER OF MAISON JANSEN MODERN comprising a pair of two-tier side tables with glass inserts, and a matching two-tier coffee table, with ball finials and brass castors (3) Side table 52cm wide, 59cm high, 32cm deep; coffee table 102cm wide, 50cm high, 53cm deep

£1,000-1,500

375 ‘SWISS’ TWO SEAT SOFA, BY PETER DUDGEON MODERN the low back and deep seat with loose cushions flanked by straight enclosed arms, covered in silk taupe upholstery with white stitched details 170cm wide, 76cm high, 59cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

133

376 PAIR OF HOWARD AND SONS STYLE EASY ARMCHAIRS MODERN with low padded backs above scrolled arms raised on mahogany stained cabriole legs with brass castors, covered in terracotta and ivory diamond pattern upholstery (2) 75cm wide, 85cm high, 60cm deep

£800-1,200

377 LARGE UPHOLSTERED OTTOMAN MODERN the rectangular hinged lid opening to reveal a gingham-lined interior, upholstered in tweed burnt umber windowpane check 122cm wide, 44cm high, 94cm deep

£500-700

378 WALNUT FRAMED TERRESTRIAL LIBRARY GLOBE STAND, BY DAVID LINLEY, LONDON 20TH CENTURY with a Replogle globe set within an ebony line inlaid horizon ring raised on turned and tapered columns linked by stretchers, bearing maker’s label LINLEY, LONDON 70cm wide, 93cm high

£800-1,200

134

379

380

PAIR OF COROMANDEL AND FRUITWOOD INLAID PEDESTALS, BY DAVID LINLEY, LONDON

WALNUT AND BURR WALNUT LONGCASE CLOCK, BY DAVID LINLEY, LONDON

MODERN the stepped square tops with dot inlay to the edges, raised on square tapering columns inlaid with faux fluting, on spreading square bases and block feet (2)

in the Georgian style, the arch moulded hood with a brass finial above an arched brass dial with silvered hours chapter and with subsidiary moon phase and strike/ silent dial, above an arched crossbanded trunk door and moulded plinth base, the eight-day twin train movement striking a bell, inscribed DAVID LINLEY FURNITURE

42cm wide, 110cm high

265cm high 56cm wide, 32cm deep

£1,000-1,500

£2,500-3,500

MODERN

381 WALNUT, COROMANDEL AND MACASSAR EBONY SIDE CABINET, BY DAVID LINLEY, LONDON LATE 20TH CENTURY the inverted breakfront and bowed top with a rear gallery above three short drawers and a central quarter-veneered and banded door, flanked by outset compartments with corner columns, on a plinth base, the drawer stamped LINLEY 116cm wide, 94cm high, 51.5cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

135

136

PAINTINGS PART II 382 § JOHAN FREDERICK SCHERREWITZ (DUTCH 1886-1951) GATHERING LOGS Signed, oil on canvas 41cm x 51cm (16in x 20in)

£800-1,200

383 D*** B*** HUNTING IN THE GLEN Initialled D.B., oil on canvas 44cm x 90cm (17.25in x 35.5in)

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

384 THOMAS ROSE MILES (BRITISH 1869-1910) UNLOADING THE CATCH ON THE IRISH COAST Signed, inscribed and dated 1891 on reverse, oil on canvas 51cm x 76cm (20in x 30in)

£1,000-1,500

385 SAM BOUGH R.S.A, R.S.W. (SCOTTISH 1822-1878) A MOUNTAINOUS LANDSCAPE WITH DISTANT LAKES Signed and dated 1863, watercolour 55cm x 85cm (21.5in x 33.5in)

£1,000-1,500

138

386 WILLIAM JOSEPH J. C. BOND (BRITISH 1833-1926) SHIPPING BY MOONLIGHT Signed and dated ‘71, oil on panel 23cm x 31cm (9in x 12in)

£500-700

387 WILLIAM MACBRIDE (SCOTTISH 1856-1913) FALLS OF ORCHY Signed, oil on canvas 55cm x 74cm (21.5in x 29in)

£500-700

388 FRANCIS NICHOLSON O.W.S. (BRITISH 1753-1844) SCARBOROUGH Pen and ink and watercolour 30cm x 41.5cm (12in x 16.25in)

£500-800

139

389 § FREDERICK GORE C.B.E., R.A. (BRITISH 1913-2009) WINTER, CLEMENT’S REACH, MEOPHAM, KENT Signed, inscribed on the stretcher verso and dated 1982, oil on canvas 76cm x 102cm (30in x 40in)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

140

390 ENGLISH SCHOOL STUDY OF THE GREYHOUND MIDFIELD POLE Inscribed, oil on board 53cm x 63cm (21in x 25in)

£600-800

391 § EDOUARD FREIHERR VAN HANDEL MAZZETTI (AUSTRIAN 1885-1950) WINTER LANDSCAPE, ST.MORITZ Signed and dated 1932, inscribed on stretcher verso, oil on canvas 71cm x 84cm (28in x 33in)

£500-800

141

392 § TERENCE CUNEO (BRITISH 1907-1996) ROYAL STALLION Signed and dated ‘September 1986’, oil on canvas 91cm x 122cm (36in x 48in) Note: This work was painted to commemorate the centenary of thoroughbred breeding at the Royal Stud, Sandringham, 1887-1997. The leading European Classic Sire, Shirley Heights, surveys a part of his 1986 Court- (left to right) the Champions, Dunfermline, Akiyda and Pawneese, led by Seattle Slew’s half-sister, Clandestina with her filly foal by Nijjinsky JJ. A signed Artist Proof also accompanies lot.

£6,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

393 CLARA MONTALBA (BRITISH 1842-1929) HAZY VENETIAN DAY, ASOLO Signed, inscribed on contemporary label verso, watercolour 37cm x 26cm (14.5in x 10.25in)

£600-800

394 RUBENS SANTORO (ITALIAN 1859-1942) ROASTING CHESTNUTS Signed, oil on canvas 41cm x 15.5cm (16.25in x 6in)

£800-1,200

395 J.C. HOWITT (BRITISH 20TH CENTURY) STILL LIFE WITH ASIAN OBJECTS Signed, oil on canvas 46cm x 38cm (18in x 15in)

£600-800

143

396 STUART PARK (SCOTTISH 1862-1933) PINK ROSES Signed twice, oil on canvas 61cm x 51cm (24in x 20in)

£1,000-1,500

397 GEORGE HOUSTON R.S.A, R.S.W., R.G.I (SCOTTISH 1869-1947) MARIGOLDS IN A BLUE AND WHITE JAR Signed, oil on canvas 61cm x 46cm (24in x 18in)

£800-1,200

398 § ALEXANDER CREE (SCOTTISH 1929-2014) STILL LIFE- 1951 Signed, signed and inscribed in pencil verso, oil on canvas 99cm x 89cm (39in x 35in)

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

399 PHILIP ALEXIUS DE LASZLO (HUNGARIAN 1899-1937) PORTRAIT STUDY OF ISOBEL CODRINGTON Signed and indistinctly dated, oil on board 57cm x 46cm (22.5in x 18in) Provenance: The sitter and family and thence by descent

£8,000-12,000

400 § RICHARD JACK R.A., R.I., R.P. (BRITISH 1866-1952) AN EDWARDIAN BEAUTY Signed and dated 1907, oil on canvas 150cm x 90cm (59in x 35.5in)

£1,500-2,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

145

146

401 § JACK BUTLER YEATS R.H.A (IRISH 1871-1957) EVENING Hand-coloured Cuala Press print, signed and inscribed in the plate, unframed 20cm x 30cm (8in x 11.75in) Literature: H. Pyle, The Different Worlds of Jack B. Yeats, 1994, p.285 ill.pl.25

£400-600

402 § JACK BUTLER YEATS R.H.A. (IRISH 1871-1957) THE NEW BALLAD Hand-coloured Cuala Press print, unframed 12cm x 15.5cm (4.75in x 6.25in) Literature: H. Pyle, The Different Worlds of Jack B. Yeats, 1994, p.286, ill.pl.26

£300-500

147

403 EDOUARD MANET (FRENCH 1832-1883) JEANNE, JEUNE FILLE À L’OMBRELLE Etching 16.5cm x 10.5cm (6.5in x 4.25in)

£1,000-1,500

404 MARY COTTENHAM YEATS (IRISH 1869-1947) THE RAINBOW Hand-coloured Cuala Press print, unframed (5) 21cm x 14cm (8.5in x 5.5in) and four other prints by the same hand ‘Virgin’, ‘Holy Children’, The Christ child’ and ‘The Locket’ Literature: H. Pyle, The Different Worlds of Jack B. Yeats, 1994

£300-500

405 § JACK BUTLER YEATS R.H.A (IRISH 1871-1957) THE WREN BOYS Hand-coloured Cuala Press print, unframed (8) 12.5cm x 9.5cm (5in x 3.75in) and seven other similar prints by the same hand, ‘The star in the East’, ‘Mountain road’, ‘The crib’, ‘The message’, ‘Day closes’, ‘The star is risen’ and ‘Once I went o Literature: H. Pyle, The Different Worlds of Jack B. Yeats, 1994

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

406 JOHN BYAM LISTON SHAW A.R.W.S. (BRITISH 1872-1919) FULL LENGTH PORTRAIT OF ISOBEL CODRINGTON IN EVENING DRESS Signed and dated 1904, pastel 80cm x 32cm (1.5in x 12.5in) Provenance: The sitter and family and thence by descent Note: Isobel Codington’s sister Evelyn was married to Byam Shaw and there were numerous examples of his work within the family

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

149

A PRIVATE LONDON COLLECTION

With thanks to Dr Charles Avery, Art Historian and former Deputy Keeper of the Department of Sculpture at the V&A Museum, for his help in researching and cataloguing this collection.

150

407 Y CONTINENTAL CARVED IVORY CANE HANDLE carved in relief depicting Poseidon riding a dolphin and holding a trident, above further shells and sea creatures 11.5cm wide

£1,000-1,500

408 CARVED COQUILLA NUT SHOE-FORM SNUFF BOX EARLY 19TH CENTURY the arched handle carved with three masks, with an oblong cover depicting a flowerhead amongst diamonds and radiating lines, above a ‘buckle’ and further flowerhead to the pointed tip 18cm long

£400-600

409 BYZANTINE STYLE ENAMELLED AND GILT BRASS TRIPTYCH the hinged covers depicting the Archangel Gabriel and Mary, opening to an applied scene of the Crucifixion with Mary and St. John, flanked by panels with the four Evangelists, inscribed in Latin on the bottom edge ‘MAGISTER VINVANTH ... IONIS AURIF EX PAIAURIRI ME FECIT MCC[]XXXV 12cm wide, 16cm high, 4.8cm deep

£400-600

410

411

412

412A Y

SCANDINAVIAN CARVED STAG’S HORN

CARVED COQUILLA NUT BUG BEAR SNUFF MULL

ISIDORE JULES BONHEUR (FRENCH 1827-1901)

CONTINENTAL IVORY HANDLED IRON FORK

possibly a section from a drinking horn, of natural curved form, engraved with the inscription FELTE PFEICKER and 1679, above a fishscale pattern

19TH CENTURY

SMALL BRONZE FIGURE OF A BULL

LATE 18TH CENTURY

21.5cm long (along curve)

8.5cm long

£250-350

£200-300

carved all around with kneeling winged figures, a ‘bug bear’ face at the top and an open crown at the bottom

dark brown patina, signed on the base I. BONHEUR 13cm long

£250-350

carved with a recumbent lion above figures of Justice, Hope and Courage, in relief, 23cm long; together with a further similarly carved IVORY HANDLE, 11.5cm long; and a SMALL CARVED IVORY HEAD OF A MAN, wearing a hat, 3cm long (3) £250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151

413 Y CARVED IVORY COUNTER 16TH CENTURY carved in low relief depicting a woman in stocks with a lock on her tongue, enclosed by the inscription CONSVFSCE ABSTINERE ANNO M DC XVI, with paper labels verso 3.2cm diameter

£800-1,200

414 Y CONTINENTAL CARVED IVORY FIGURE 18TH CENTURY depicting the Archangel Gabriel, with one arm raised in annunciation, on an oval base 10cm high

£700-1,000

415 Y TWO GERMAN CARVED IVORY PLAQUES 18TH CENTURY each of rectangular form and carved in low relief, one depicting a scene of Gaius Mucius Scaevola, and the other depicting Nereids on horseback in the sea, unframed (2) 7.5cm x 11cm approx.

£800-1,200

152

416 TEN CARVED HARDSTONE CAMEOS, DEPICTING THE LABOURS OF HERCULES LATE 17TH/ EARLY 18TH CENTURY of oval and circular form, with various inscriptions, presented in two 19th century ebonised frames with gilt metal slip frames (2) Frames 20.5cm x 20cm; cameos 5cm high/diam. approx.

£3,000-5,000

417 AFTER THE ANTIQUE, ITALIAN OR FRENCH BRONZE FIGURE OF A YOUNG SATYR PLAYING THE FLUTE FIRST HALF 18TH CENTURY dark brown patina, marked with the French crowned C control mark 26cm high Note: the subject of this bronze is the 1st-2nd century Roman figure which is itself a copy of the 4th century BC Greek original. The marble statue was in the Villa Borghese in Rome and now is in the collection of the Louvre. The crowned C was a French tax mark struck on bronzes over a certain weight between February 1745 and February 1749. The ‘C’ stands for cuivre (copper), the principal component in the bronze alloy.

£2,000-3,000

153

418 TWO CARVED HARDSTONE CAMEOS LATE 17TH/ EARLY 18TH CENTURY of oval form, in gilt bronze frames, depicting Europa and the Bull and Harmonia and the Serpent, 8cm wide; together with a ROMAN HARDSTONE-CARVED CAMEO, in a later gilt mount, fitted as a brooch, depicting putti with fruit, 3cm wide (3) £3,000-5,000

419 FLEMISH GILT BRONZE TABLE BELL, BY PETRUS GHEINEUS, MESCHELN DATED 1577 the putti-form handle above a scene of Orpheus playing to animals amid scrolls between lettered bands OMATER DE MEMENTO MEI, and PETRVS GHEINEVS ME FECIT 1577 14cm high Note: An ungilded example of this bell, dated 1571, is in the Museum of Fine Arts, Boston.

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

154

420 CONTINENTAL GILT METAL AND HARDSTONE SNUFF BOX LATE 18TH CENTURY of rectangular form, with an hardstone-backed hinged lid fitted with a scene of figures, dogs and a putto amongst C-scrolls, the waisted body engraved with rococo borders and flowers, with base depicting a butterfly, opening to a void interior 7.5cm wide

£1,000-1,500

421 GERMAN GILT BRONZE FIGURE OF MARS 18TH/ 19TH CENTURY in two sections, with his cape in one hand and a sword in the other leaning against a flag, arrow and drum, all raised on a square plinth base 16cm high

£800-1,200

422 POSSIBLY THE CIRCLE OF GERMAIN PILON (1535-1590) AND/OR BARTHÉLEMY PRIEUR (BERZIEUX 1540-1611, PARIS) FRENCH GILT BRONZE FIGURE OF THE VIRGIN AND CHILD, POSSIBLY EARLY 17TH CENTURY traditionally depicted, previously mounted 17.5cm high Note: Pilon is famed for his allegorical figures in marble and bronze: first for the Tomb of King Francis I in the Abbey of St Denis, Paris; then, in 1559, the Monument for the heart of King Henri II, with a group of the Three Graces, the epitome of French Mannerist figure-sculpture; and, finally, the Tomb of King Henri II, again in St. Denis. Prieur was a French follower as court sculptor of Pilon, working in stone and marble: he specialised in casting bronze statuettes in commercial series. Characteristic of Prieur’s many statuettes of young women – usually secular, nearly nude, classical nymphs – is the profile of the face such as is used here for the Virgin Mary: a high forehead, sloping back in an almost Grecian continuous line from a small nose, with a receding hairline, while small pursed lips appear above a daintily receding chin. Close too is the coiffure, where a plait of hair is wound round the crown of the head in a neat circle. This group is not dissimilar from a figure of the Virgin alone (sometimes paired with a St John the Evangelist from under a Crucifix), of which three examples are known, and one of which was given to the Metropolitan Museum of Art, New York, after a sale at Sotheby’s in 1996. Similarities between that figure and the present statuette in style, dress (especially the drapery on their backs) and physiognomy support a tentative attribution to the circle of practitioners around the two sculptors, though its treatment is not as refined as theirs normally is.

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

155

423 CIRCLE OF GIROLAMO CAMPAGNA (1549-1621) VENETIAN GILT BRONZE FIGURE OF ATLAS 16TH CENTURY raised on a square green marble base 10cm high overall

£800-1,200

Literature: Rossi, Girolamo Campagna,Verona, 1968, p. 26; Timofiewitsch, “Campagna”, in Dizionario Biografico degli Italiani, p. 300-06; Timofiewitsch, Girolamo Campagna: Studien zue venezianischen Plastik um das Jahr 1600, Munich, 1972; Bruce Boucher, “Campagna”, in J. Turner [ed.], The Dictionary of Art, London, 1996; Victoria Avery, “Campagna”, in A. Bostrom [ed.], The Encyclopedia of Sculpture, New York / London, 2004, pp. 238-42

Note: The subject and treatment of mature, muscular, male anatomy are related to two marble statues signed by Girolamo Campagna, State Sculptor in Venice: an over-life-size Giant in the atrium of the Library of St Mark’s (contract of 1590), and a Hercules on the mantlepiece of the Sala del Collegio in the Ducal Palace, probably dating from the dogate of Pasquale Cicogna, 1585-95 (Rossi, 1968, pls. 14). They manifest more implicit movement, whereas this sturdy Atlas stands four-square and frontally, with his arms akimbo, to support the enormous weight of the notional globe. Otherwise it might be suggested that the figure was intended - perhaps with other companions - to stand in a niche of a cabinet, popular at the time. The statuette, which appears to be un-published, shows analogies with others of roughly the same scale and similarly gilded that are usually attributed to Campagna, such as kneeling or standing youths or older men holding up shells to act as a salt-cellars or sweetmeat dishes (see Philippe Cros, Fondation Bemberg, Bronzes de la Renaissance Italienne, Toulouse / Paris, 1996, pp.62-64).

424 NORTH ITALIAN OR SOUTH GERMAN GILT METAL FIGURE OF ‘WINTER’ LATE 18TH/ EARLY 19TH CENTURY depicted with his robes blowing in the wind, raised on a squared column inset with agates and hardstones, on a marble and porphyry base 19cm high overall

£2,000-3,000

156

425 CONTINENTAL GILT METAL SNUFF BOX 18TH/ 19TH CENTURY of rectangular form with lobed outline, depicting a figure presenting grapes to another within C-scrolls, above rococo flowers, C-scrolls and shells engraved to the base and underside, opening to a void interior with a crest 6.5cm wide

£400-600

426 CONTINENTAL GILT COPPER SNUFF BOX 18TH/ 19TH CENTURY of oval outline, depicting Cronus and Rhea within a C-scrolled border, above the slightly tapered base with further scenes amongst rococo C-scrolls, opening to a void interior 8cm wide

£400-600

427 AFTER EVGENI ALEXANDROVICH LANCERAY, CAST BY THE CHOPIN FOUNDRY, ST PETERSBURG RUSSIAN BRONZE EQUESTRIAN FIGURE GROUP modelled as a cossack on horseback, inscribed in cyrillic ‘E. Lansere’ and ‘F. Chopin’ 24.5cm wide

£2,000-3,000

157

428 PAIR OF LOUIS XIV GILT BRONZE CANDLESTICKS EARLY 18TH CENTURY with fish-scale decorated nozzles above waisted stems surmounted by leafy swags, raised on domed fluted bases with ribbon tied olive branches within moulded borders; together with a PAIR OF GILT BRONZE NOZZLES, of similar design, 5.5cm wide (4) 23.5cm high

£1,500-2,500

429 CONTINENTAL PORCELAIN PATCH BOX AND SEALING WAX CASE 19TH CENTURY comprising a Continental patch box, in the form of a masked lady with inset paste eyes, with gilt metal mounts, 7cm long; and a German porcelain sealing wax case, with moulded C scrolls and portraits of figures, underglaze blue maker’s marks, 12cm long (2) £600-800

430 PAIR OF LOUIS XV GILT BRONZE THREE-LIGHT CANDELABRA 18TH CENTURY with leafy nozzles and outscrolling arms, raised on baluster stems and circular feet engraved with shells, tulips and trailing flowerheads (2) 37cm high

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

159

CONTINENTAL FURNITURE & WORKS OF ART

431 COLONIAL SPANISH PAINTED TERRACOTTA FIGURE OF THE MADONNA 18TH CENTURY the flatback figure modelled seated below the sun, with crown and cross, with a domed skirt decorated with gilt leafy fronds, against a diaperpainted ground, with fragments of a handwritten label, raised on an ebonised plinth base 64cm high overall

£700-1,000

432 ITALIAN CARVED, EBONISED AND PARCEL GILT MIRROR LATE 17TH/ EARLY 18TH CENTURY the rectangular mirror with etched banding in a frame carved and pierced with foliate scrolls, fruit and a putto 115cm high, 108cm wide

£1,200-1,500

433 PAIR OF RENAISSANCE REVIVAL OAK HALL CHAIRS 19TH CENTURY the tall backs with swan neck top rails above panels carved with urns, scrolls, grotesques, and masks, above plank seats raised on baluster turned legs joined by arched carved stretchers (2) 49cm wide, 125cm high, 44cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

434 SIX DUTCH HAND-COLOURED BOTANICAL ENGRAVINGS, BY RHEEDE TOT KRAAKESTEIN CIRCA 1685, AMSTERDAM from Hortus Indicus Malabaricus, framed (6) 35cm x 45cm (sight size) Note: The Hortus Indicus is the first comprehensive work of the flora of the East Indies containing illustrations of a great number of tropical and sub-tropical plants and fruits classified in Latin, Sanskrit, Arabic and Malayam. It is still considered a major reference of work for botanists and herbalists studying the flora of South Asia.

£1,000-1,500

435 LEATHER PAINTED FOUR-FOLD SCREEN 19TH CENTURY painted in the Chinese style with ladies and children in a garden with waterfowl, flowers, and pavilions, within a panelled border with flowering vases, the reverse painted with flowers against a black ground 216cm wide, 175cm high

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

161

436 Y FRENCH CARVED IVORY VESSEL 19TH CENTURY, IN THE 17TH CENTURY STYLE the hollow carved tusk depicting the twelve Apostles on plinths inscribed with their names, below lancet architectural arches with signs of the Zodiac, raised on an oval foot, with a crest to the underside and date 1657 16.5cm high, 12.5cm wide

£300-500

437 SET OF NINE FRENCH COLOURED LITHOGRAPH COSTUME STUDIES depicting female sitters through the ages, in Florentine-style giltwood frames, some labelled verso 21.5cm high, 16.5cm wide

£300-500

438 FRENCH WOVEN SILK PANEL CIRCA 1720 the central panel with a repeating pattern of stylised flowering foliate forms within a later appliqué border, embroidered in silks and metal threads with a flowering foliate design 137cm x 137cm

£300-500

439 Y CONTINENTAL CARVED IVORY HOLY WATER FONT in high relief with cherubs within scrolling roses above a shell-form well 14cm high

£200-300

162

440 PAIR OF ITALIAN GILTWOOD MIRRORS 19TH CENTURY in the Rococo taste, the shaped and bevelled mirror plates enclosed by frames carved with rocaille, C-scrolls and flowering foliage (2) 111cm high, 69cm wide

£600-800

441 NORTH ITALIAN WALNUT AND MARQUETRY COMMODE, IN THE MANNER OF GIUSEPPE MAGGIOLINI LATE 18TH CENTURY WITH ALTERATIONS the rectangular top centred by an octagonal medallion with foliate inlay, above long frieze drawer over a fall front with corresponding inlay, converted from a pair of drawers and opening to a void interior, raised on square tapered legs 163cm wide, 100cm high, 58cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

442 PAIR OF ITALIAN GILTWOOD AND FAUX MARBLE FIGURAL CONSOLES LATE 19TH CENTURY the rectangular tops with moulded edges painted to simulate verde antico marble, above plain friezes raised on carved standing satyrs, on moulded plinth bases (2) 92cm wide, 96cm high, 52cm deep

Â£4,000-6,000

164

443 FOUR ITALIAN ENGRAVINGS BY PIETRO FONTANA LATE 18TH CENTURY after Stefano Tofanelli, depicting DIANA, VENERE, MARTE and APOLLO, in ebonised and gilt frames (4) Sight size 34cm high, 41.5cm wide; overall 71.5cm high, 81.5cm wide

£400-600

444 NORTH ITALIAN WALNUT MARQUETRY COMMODE LATE 18TH CENTURY the rectangular top above a pair of short frieze drawers over three long drawers, inlaid throughout with scrolling foliate motifs, flowering urns, and banding, raised on bracket feet 128cm wide, 106cm high, 62cm deep

£800-1,000

445 FLORENTINE CARVED GILTWOOD FRAME of typical form, with carved and scrolled acanthus leaves 58cm x 50cm

£200-300

446

447

448

449

AFTER THE ANTIQUE, ITALIAN BRONZE FIGURE GROUP OF THE CAPITOLINE WOLF

AFTER THE ANTIQUE, ITALIAN BRONZE FIGURES OF MERCURY AND NARCISSUS

PAIR OF CHARLES X BRONZE AND SIENA MARBLE URNS

PAIR OF FRENCH BRONZE PATINATED LAMPS

EARLY 19TH CENTURY

19TH CENTURY

dark brown patina, with figures of Romulus and Remus, raised on rectangular onyx and marble stepped bases

each with dark brown patina, Mercury mounted on an oval yellow marble base (2)

the shallow urns decorated with repeating acanthus leaves and flanked by swan-form handles, raised on squared columns with corresponding bronze mounts and marble bases (2)

in the Greek style, of baluster form depicting Classical figures and palmettes, with curved twin handles terminating in masks, above corresponding feet and veined marble bases, converted from vases and fitted for electricity; with linen shades (2)

25cm high

30cm high (excluding fittings)

£300-400

£200-300

21.5cm long, 13cm high

Mercury 23cm high overall; Narcissus 25cm high

£250-350

£200-300

165

450 DUTCH BRASS SIX BRANCH CHANDELIER 18TH CENTURY the central baluster stem issuing six scrolling candle arms, converted to electricity 62cm high, 88cm diameter

£1,000-1,500

451 PAIR OF VENETIAN MIRRORED GIRANDOLES LATE 19TH/ EARLY 20TH CENTURY the cartouche-form mirror plates engraved with a male and female figure in Greek attire, within moulded giltwood frames fitted with two outscrolling gilt metal candle arms each (2) 58cm high overall

£300-500

452 SPANISH OAK TRESTLE TABLE 20TH CENTURY the rectangular top above three short frieze drawers divided by reeded volutes, raised on scrolling trestle ends united by S scroll iron supports 150cm wide, 77cm high, 70cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

167

453 TWO FINE DECORATIVE LACQUERED IRON FULL SUITS OF ARMOUR CIRCA 1880 based on 16th century German examples, with impressed decoration and chainmail accessories, mounted standing on oak plinths; one holding a halberd, the other with a pike (2) 174cm high and 179cm high; plinth 25cm wide, 25cm high, 47cm deep; halberds 227cm and 237.5cm

£8,000-12,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

168

454 DUTCH BRASS REPOUSSÉ LOG BIN 19TH CENTURY decorated with fleur-de-lis and heraldic cartouches with lion mask loop handles, above a lobed base and boss decorated foot 48cm diameter, 41cm high

£300-400

455 DUTCH BRASS EIGHTEEN BRANCH CHANDELIER 18TH/ 19TH CENTURY with a central baluster stem with orb base and three tiers of scrolling graduated candle arms, not electrified; together with an OAK AND BRASS CANDLE SNUFF, 162.5cm high (2) 93cm high, 85cm diameter

£800-1,200

456 Y MINIATURE PORTUGUESE ROSEWOOD BUREAU 19TH CENTURY the slant front opening to a fitted interior with drawers and pigeonholes, above three serpentine graduated long drawers and moulded apron 44.5cm wide, 45cm high, 33cm deep

£600-800

457 DUTCH MARQUETRY AND EBONISED CENTRE TABLE 18TH CENTURY the rectangular top with a flower-filled vase enclosed by strapwork, foliate scrolls, flowers, birds and insects, above a frieze drawer, raised on tapered square legs joined by a wavy X-form stretcher, on turned bun feet 109cm wide, 76.5cm high, 82.5cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

169

458 Y FLEMISH RED TORTOISESHELL, EBONY, IVORY INLAID AND SILVERED AND GILT METAL MOUNTED CABINET AND ASSOCIATED STAND 17TH CENTURY, THE STAND 18TH CENTURY the raised hinged top opening to a void compartment above a pair of moulded fielded panel doors centred by heart-shaped bosses, opening to an interior fitted with an arrangement of small drawers enclosing an architectural mirrored recess, above a long drawer and slide; the corresponding separate base with a further long drawer; on an associated George III mahogany stand with blind fret carved square legs and pierced corner brackets Cabinet 89cm wide, 89cm high, 46cm deep; stand 90cm wide, 63cm high, 57cm deep; 149cm high overall

Â£3,000-5,000

170

459 SEVEN ENGLISH AND DUTCH DELFT DISHES 18TH CENTURY comprising five chargers, including one polychrome example; two blue and white ‘Peacock’ pattern dishes by The Claw (De Klauw) Factory with maker’s marks and initials L.S.; and a two blue and white examples with peonies, largest 35.5cm diam.; together with two smaller plates, also in blue and white, one decorated with peonies, the other a leaping stag, 23cm diam. (7) £400-600

460 PAIR OF FRENCH FAIENCE COVERED VASES 20TH CENTURY with moulded feather-like finials above domed covers, raised on panelled baluster bodies, decorated in polychrome enamels with exotic scenes of couples, on lobed ebonised wall brackets (4) Vases 47cm high; brackets 25.5cm wide

£300-500

461

462

ELEVEN BLUE ON WHITE DUTCH DELFT TILES

FOURTEEN BLUE ON WHITE DUTCH DELFT TILES

18TH/ EARLY 19TH CENTURY

six with village scenes within blue borders; two with village scenes and boats; two with bridges; and one with a sailing ship (11)

depicting masted sailing ships with various flags (14)

13cm x 13cm approx.

£250-350

13cm x 13cm approx.

£200-300

463

464

SEVENTEEN DUTCH DELFT TILES

TEN DUTCH DELFT TILES

18TH/ EARLY 19TH CENTURY

comprising a set of four blue on white flowering urn tiles; another blue on white flower tile; three polychrome flower tiles; and nine with animals or birds, two in manganese and the rest blue on white (17)

comprising seven blue on white with figures, 13cm square and 12.5cm square; two blue on white with tulips, 13.5cm square and 13cm square; and one manganese on white, with a foliate design, 13cm square (10)

Largest 13.5cm x 13.5cm square approx.

£200-300

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

171

465

466

SEVENTEEN DUTCH DELFT TILES

NINETEEN BLUE ON WHITE DUTCH DELFT TILES

18TH/ EARLY 19TH CENTURY

comprising fifteen blue on white depicting biblical scenes, most within roundels and leafy corners, 13cm square; and two manganese on white, with biblical scenes, 12.5cm square (17)

depicting figures of men and women in various costumes, within stylised corner motifs (19)

£400-600

£300-500

467

468

TWENTY-TWO BLUE ON WHITE DUTCH DELFT TILES

TWENTY DUTCH DELFT TILES

18TH/ EARLY 19TH CENTURY

all with figures engaged in various pursuits and games (22) 13cm x 13cm approx.

all depicting buildings, windmills or wells, nineteen in blue on white and one in manganese, 13cm square approx.; one 8cm x 13cm (20)

£300-500

13cm x 13cm approx.

13cm x 13cm

£300-500

172

469 ANGLO-DUTCH INLAID SATINWOOD CENTRE TABLE EARLY 19TH CENTURY the oval top with shell inlay and a chequer banded rim above a frieze with barber pole banding, raised on line-inlaid square tapered legs 88cm wide, 76cm high, 58cm deep

£300-500

470 DUTCH INLAID MAHOGANY SECRÉTAIRE ABATTANT EARLY 19TH CENTURY the canted rectangular top over a single drawer and fall front opening inlaid with a ribbon-tied basket of fruit, opening to an interior fitted with pigeonholes, drawers, and a baize writing surface, above a pair of doors on with further ribbon-tied urns, raised on square tapered legs 90.5cm wide, 149cm high, 43cm deep

£600-800

471 DUTCH WALNUT, EBONISED AND INLAID DEMILUNE TABLE EARLY 19TH CENTURY the pierced brass gallery top above two short drawers with shell inlay, raised on square tapering legs with ebonised inlay 77cm wide, 76cm high, 41cm deep

£300-500

173

472 ITALIAN CARVED GILTWOOD OVERMANTEL MIRROR 18TH CENTURY the rectangular mirror plate in a laurel moulded frame enclosed by robust pierced and carved acanthus and ribbontied garlands, the cresting centred by a mask with a further mask below 144cm high, 172cm wide

£2,000-3,000

473 DUTCH MAHOGANY AND MARQUETRY CENTRE TABLE 19TH CENTURY the oval top with a pierced gallery and centred by a shell motif, above a frieze marked with oval foliate medallions and a pendant gallery, raised on square tapered legs with brass ball feet 94cm wide, 78.5cm high, 61cm deep

£400-600

474 PAIR OF ITALIAN NEOCLASSICAL GILTWOOD BERGÈRES 18TH CENTURY the squared enclosed backs with foliate and bead carved frames and downswept scroll enclosed arms, raised on stop-fluted tapered legs, covered in pale yellow striped silk (2) 66cm wide, 97cm high, 49cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

174

475 FRENCH KINGWOOD AND MARQUETRY TABLE À ÉCRIRE LATE 19TH CENTURY the shaped rectangular top with strapwork and floral marquetry, above a frieze drawer fitted for writing, raised on square cabriole legs with gilt bronze sabots 49cm wide, 72cm high, 36cm deep

£300-500

476 Y LARGE FRENCH LOUIS XIV STYLE TORTOISESHELL AND GILT BRONZE BRACKET CLOCK 19TH CENTURY surmounted by a gilt bronze figure of an angel on a waisted domed pediment, above an arched case with urn finials, enclosing cream enamelled chapters and plaque PIERRE LEURTIER/ PARIS above a mask mount, the eight-day movement striking a gong, all raised on tapered stepped feet; together with a GILT METAL MOUNTED MAHOGANY BRACKET, with mask mounts to the front corners, 38.5cm wide, 29.5cm high Clock 76cm high

£800-1,200

477 LOUIS XV STYLE ARMCHAIR 20TH CENTURY the back with a serpentine top rail above a loose cushion seat flanked by low arms, raised on cabriole legs with scrolled toes, covered in green silk outlined with close-nail head trim 85cm wide, 103cm high, 52cm deep

£300-500

175

478 RENAISSANCE REVIVAL GILT BRASS CHANDELIER 19TH CENTURY with lion mask corona above the slender column terminating in a knop fitted with the heads of figures, above six outscrolling arms, fitted for electricity 50cm high, 37cm wide approx.

£300-500

479 LOUIS XV STYLE KINGWOOD PARQUETRY AND MARQUETRY GILT METAL MOUNTED OCCASIONAL TABLE LATE 19TH/ EARLY 20TH CENTURY the shaped brass banded top with floral marquetry, raised on slender cabriole legs with gilt metal mounts and joined by an undertier 41cm wide, 73cm high, 41cm deep

£300-500

480 LOUIS XV STYLE WALNUT FRAMED CANAPÉ 19TH CENTURY the padded back with a carved floral cresting, above a serpentine seat flanked by part-padded open arms with flower carved supports, raised on cabriole legs ending in scrolled toes, in pale sage green upholstery 131cm wide, 97cm wide, 59cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

176

481 PAIR OF FRENCH GILTWOOD FAUTEUILS 19TH CENTURY in the Louis XV style, the cartouche shaped backs in channel moulded frames with flower cresting, above wide serpentine seats flanked by part padded arms, raised on cabriole legs (2) 70cm wide, 94cm high, 50cm deep

£300-500

482 LOUIS XV STYLE KINGWOOD BUREAU PLAT LATE 19TH CENTURY the shaped rectangular top with a red leather gilt tooled insert, above three frieze drawers with dummy drawers opposing, raised on squared cabriole legs, all outlined with gilt bronze mounts 122cm wide, 78cm high, 62cm deep

£800-1,200

483 FRENCH STYLE MAHOGANY MARBLE TOPPED VITRINE CIRCA 1910 the brass galleried top above single glazed door outlined with brass and enclosing glass shelves and lined with wine red fabric, raised on cabriole legs with gilt metal mounts 72cm wide, 166cm high, 33cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

177

484 Y PAIR OF FRENCH ROSEWOOD AND MARQUETRY MARBLE-TOPPED COMMODES LATE 19TH CENTURY the serpentine breche marble tops with three-quarter galleries, above a pair of doors with floral marquetry, raised on squared cabriole legs with gilt metal mounts, bearing paper trade label R. KERSLEY, Upholsterer & Cabinet Maker, 22, ALBERT TERRACE, KNIGHTSBRIDGE, S.W. (2) 58cm wide, 78cm high, 39cm deep

£600-900

485 LARGE CONTINENTAL ROCOCO REVIVAL CARVED GILTWOOD PIER MIRROR MID 19TH CENTURY the shaped mirror plate in a frame carved with acanthus scrolls, flower garlands, and shell motifs 230cm high, 120cm wide

£1,000-1,500

486 KINGWOOD AND WALNUT CENTRE TABLE MID 19TH CENTURY in the Louis XV style, the shaped oval quarter-veneered top with gilt-metal mounts above an inlaid frieze centred by a drawer, the whole raised on cabriole legs outlined with gilt metal mounts with female masks 175cm wide, 74.5cm high, 83cm deep

£800-1,200

178

487 PAIR OF FRENCH BRASS TABLE LAMPS EARLY 19TH CENTURY with urn-form nozzles raised on ringed and faceted tapered columns ending on paw feet and reeded circular bases, with grey pleated shades; converted from candlesticks (2) 26.5cm high (excluding fittings)

£500-700

488 AFTER EUROPE BOURET (FRENCH 1833-1906) TWO BRONZE FIGURE GROUPS, LATE 19TH/ EARLY 20TH CENTURY with golden brown patina, each depicting entwined lovers, signed BOURET, raised on chamfered black marble bases with gilt borders (2) 48cm high

£800-1,200

489 PAIR OF FRENCH GILT AND PATINATED BRONZE CANDELABRA 19TH CENTURY with central sconces above five outscrolling arms, held aloft by putti draped in vine leaves, and raised on fluted columns with corresponding swags, beaded mounts and toupie feet (2) 58.5cm high

£400-600

490

491 Y

FRENCH PROVINCIAL FRUITWOOD OCCASIONAL TABLE

LOUIS XV STYLE TORTOISESHELL MANTEL CLOCK

18TH CENTURY

EARLY 20TH CENTURY

the rectangular top with a moulded edge above a shaped frieze with a long drawer, raised on cabriole legs with hoof feet

the waisted rococo case surmounted by bronze scrolling flowers above a circular white enamelled dial with Roman and Arabic chapters, with bronze mounts terminating in splayed scrolled feet, the eight day movement striking a gong, stamped MADE IN PARIS

62cm wide, 73cm high, 46cm deep

£250-350

30cm high, 18.5cm wide

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

179

492 Y FRENCH ROSEWOOD AND GILT BRASS BRACKET CLOCK AND BRACKET LATE 18TH CENTURY surmounted by a figure of Cupid on a waisted pediment, above a waisted case enclosing a white enamelled dial with Roman numerals and dragon-form mount, the eight day movement striking a bell and signed FRANCOIS LE ROY/ A PARIS/ NO. 1255, all raised on scrolled leafy feet; raised on a matching bracket, with rococo gilt mounts Clock 57.5cm high; bracket 29.5cm wide, 25cm high

£1,000-1,500

493 PAIR OF FRENCH GILT BRONZE AND WHITE MARBLE CANDELABRA 19TH CENTURY in the Neoclassical style, with a central stiff candle nozzles with associated finial inserts and three outscrolling arms decorated with scrolled acanthus leaves, raised on tapered fluted columns and circular feet decorated with instruments and quivers of arrows, on white marble bases (2) 35.5cm high

£300-400

494 FRENCH GILT METAL AND PORCELAIN THREE-PIECE CLOCK GARNITURE 19TH CENTURY with an urn finial above cornucopia mounts and a cream dial with Arabic numerals, flanked by reeded pillars, with porcelain panels above scrolled and paw feet, the eightday movement striking a bell, 35cm high; together with a pair of urns, en suite, decorated with a gentleman and lady on blue grounds, on corresponding bases, 29.5cm high (3) £300-500

495 AFTER JUSTIN CHRYSOSTOME SANSON (FRENCH 1833-1910) DANCING BOY, LATE 19TH CENTURY bronze with golden brown patina, signed on base J. SANSON, ROMA 73cm high

£500-700

180

496 GERMAN PORCELAIN POUNCE POT, POSSIBLY THE GOTZKOWSKY FACTORY 18TH CENTURY the barrel form body with a dished pierced top, basket-weave border and entwined leafy handle, painted with flower sprays and sprigs, impressed marks 8.5cm high

£400-600

497 THREE MEISSEN TEA AND COFFEE WARES 18TH CENTURY comprising a coffee cup painted with Chinese figures in polychrome enamels on gilded brackets, underglaze blue crossed swords marks, gilt number 6., 7cm high; and a tea bowl, 7.5cm diam., and matching saucer, 13cm diam., decorated with flowers, figures and animals, enamelled and gilded, underglaze blue crossed swords marks (3) £400-600

498 STUDY GROUP OF MEISSEN PORCELAIN 18TH AND 19TH CENTURY all with underglaze blue crossed swords marks, comprising six teacups with matching saucers, variously decorated with flowers and figures, including a Marcolini set; and two further teacups one decorated with flowers, the other a seascape; and a covered box, with basketweave border and painted with floral sprigs (15) Box 13.5cm wide

£400-600

499 PAIR OF GERMAN CARLSBAD PORCELAIN COVERED VASES LATE 19TH CENTURY with moulded bud finials and domed covers, above shouldered bodies with short scrolled twin handles united by moulded swags enclosing demi-lune scenes of figures in gardens with floral sprays opposing, raised on socle feet and square bases, decorated with floral sprigs, pink and gilt borders, impressed marks CARLSBAD (2) 37cm high

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

500 PAIR OF LOUIS XVI PAINTED SIDE CHAIRS 18TH CENTURY the moulded and cream painted frames with padded square backs and seats upholstered in green and cream fabric, raised on fluted tapered legs (2) 52cm wide, 90cm high, 43cm deep

£250-350

181

501 PAIR OF CONTINENTAL PARCEL GILT AND BLUE PAINTED FAUTEUILS 18TH CENTURY the cartouche-shaped padded back frames carved with rocaille and scrolls, above wide stuff-over seats flanked by part padded arms, raised on cabriole legs with leaf-carved toes, covered in silk brocade upholstery (2) 72cm wide, 110cm high, 55cm deep

£1,000-1,500

502 FRENCH MARBLE AND GILT METAL OCCASIONAL TABLE LATE 19TH CENTURY the oval white veined marble top with a gilt metal husk-pendant frieze raised on tapering marble and gilt metal mounted legs linked by an arched urn stretcher, ending on toupie feet 54cm wide, 75cm high, 41cm deep

£400-600

182

503 FRENCH PARQUETRY AND MARQUETRY CHIFFONIÈRE LATE 19TH CENTURY in the Transitional style, the brass-banded top with floral marquetry and outset canted corners, above two drawers between angles with chutes and line inlay, linked by a lower tier with conforming marquetry, on slightly hipped legs with sabots 55cm wide, 77cm high, 37cm deep

£300-500

504 PAIR OF GILT BRONZE MOUNTED MARBLE PEDESTALS EARLY 20TH CENTURY with pivoting square tops above gilt bronze foliate capitals on red-veined white marble columns, raised on s tepped plinth bases (2) 24.5cm wide, 105.5cm high

£400-600

505 PAIR OF LOUIS XVI GILTWOOD AND AUBUSSON TAPESTRY FAUTEUILS 18TH CENTURY with curved square shield shaped backs and stuffover seats flanked by part-padded arms with fluted supports, covered in Aubusson tapestry covers with cartouche reserves depicting cockerels and flowers, raised on stop fluted tapering legs with toupie feet (2) 61cm wide, 91cm high, 46cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

183

506 Y FINE FRENCH ROSEWOOD, KINGWOOD, ORMOLU AND PARQUETRY ENCOIGNURE, BY JEAN-LOUIS BENJAMIN GROS, PARIS MID 19TH CENTURY the breche d’alep marble top with outset corners above a parquetry door with lyre scroll and foliate mounts, opening to an adjustable shelved interior, flanked by fluted columns with ram’s head mounted capitals, the whole raised on a plinth with turned and tapered feet, stamped twice under the marble GROS, PARIS 84cm wide, 105cm high, 48cm deep Note: Jean-Louis-Benjamin Gros was recorded as an ébéniste and marqueteur at 27 rue des Blancs-Manteaux until 1850 and then at 43 rue des Tournelles. He was principal cabinet-maker for the highly regarded atelier of Charles-Guillaume Winckelsen. Gros and his son Aristide-Henry, also a cabinet-maker, exhibited at the major 19th century Exhibitions Universelle, winning a Mention Honorable in 1855. Aristide-Henry took over the business following his father’s retirement in 1863.

£2,500-3,500

184

507 LARGE ITALIAN GILTWOOD MIRROR 19TH CENTURY the rectangular mirror plate in a pierced giltwood frame carved with acanthus and shells 167cm high, 128cm wide

£600-800

508 FRENCH KINGWOOD, MARBLE AND GILT-METAL MOUNTED CENTRE TABLE IN THE MANNER OF JEAN-HENRI REISENER LATE 19TH CENTURY the inset beige marble top above a single drawer frieze with swag mounts and opposing relief cast entablatures of putti, raised on square tapered legs ending in foliate cast sabots 99cm wide, 77cm high, 63.5cm deep

£1,000-1,500

509 NO LOT

185

510 FRENCH KINGWOOD, MARQUETRY AND MARBLE BUREAU À CYLINDRE LATE 19TH CENTURY the marble top with a brass gallery above cylinder front inlaid with musical trophy marquetry, opening to a fitted interior and slide-out writing surface, above three short and one long frieze drawer, raised on square cabriole legs with gilt metal mounts; with further floral marquetry throughout 89.5cm wide, 108cm high, 46.5cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

186

511 THREE PALAIS ROYAL CUT-GLASS CASKETS 19TH CENTURY all of cubic form with gilt copper mounts, comprising a pair with polished glass panels amongst line-cut borders, 7.5cm wide, 13.5cm high, 7.5cm deep; and a single smaller example with strawberry-cut panels, the escutcheon engraved GD, 8cm wide, 11cm high, 8cm deep (3) £300-400

512 SMALL FRENCH GILT AND PATINATED BRONZE ‘TROPHIES OF WAR’ MANTEL CLOCK EARLY 19TH CENTURY the octagonal case surmounted by a plumed helmet, sword and axe with oak leaves, acorns, olive leaves and fruit, above the gilt dial with Roman numerals, raised on a stepped base with feather-form mount and engine-turned feet; the non-striking timepiece movement with silk suspension stamped 1061 BUTTE 27.5cm high, 14.5cm wide

£300-400

513 PAIR OF DRESDEN PORCELAIN COVERED ICE PAILS MODERN of typical construction, the deep dished tops with scrolled handles above the bellied bowls with lift-out liners, painted with a flower-formed letter F beneath a crown, flower sprigs and sprays, within gilded borders, underglaze blue maker’s marks, painted and impressed numbers (2) 28.5cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

187

514 FRENCH AMBOYNA AND GILT BRONZE PENDULE D’OFFICIER 19TH CENTURY the white enamel Roman numeral dial with Arabic seconds markers and two winding holes, in an arch case with pagoda top outlined with gilt bronze moulding, flower heads, and surmounted by a tied laurel garland and serpent loop handle, raised on toupie feet; the movement numbered 9750 and striking a bell 15cm wide, 28cm high (handle up), 10.5cm deep

£400-600

515 FRENCH EMPIRE GILT BRONZE MANTEL CLOCK EARLY 19TH CENTURY the circular engine-turned dial with Roman numerals in a rectangular plinth surmounted by a music stand, a youth playing a lyre, on a plinth base with flowering baskets and swans, the eight-day movement striking a bell, raised on squat engine-turned feet 38cm high, 27.5cm wide

£600-800

516 Y FRENCH BRASS, WHITE METAL AND IVORY INLAID EBONISED PORTICO CLOCK 19TH CENTURY the stepped cornice over a white enamel dial with Roman numerals, signed W. PROMOLI/ A PARIS, flanked by four Corinthian columns, raised on a plinth base inlaid with leopards and stags within landscape settings, the signed movement striking a bell, within a glass dome Clock 49.5cm wide; overall 65cm high

£1,000-1,500

188

517 FRENCH EMPIRE WALNUT PORTICO CLOCK EARLY 19TH CENTURY the moulded cornice above an engine-turned gilt bronze dial with Roman numerals and a gridiron pendulum, flanked by plain columns, the eightday movement striking a bell, on a stepped base with squat bun feet Clock 49cm high, 26cm wide

£400-600

518 FRENCH EMPIRE MAHOGANY AND BRASS MOUNTED ARMCHAIR EARLY 19TH CENTURY the pedimented back with griffin and anthemion gilt-metal mounts above a padded back and seat flanked by open arms carved with lion head terminals, raised on square tapered legs and carved paw feet 60.5cm wide, 92cm high, 60cm deep

£800-1,200

519 ITALIAN PIETRA DURA AND BRASS LOW TABLE 20TH CENTURY the rectangular Siena marble top with an inlaid hardstone and scagliola border with flowers in a black ground, raised on twin brass reeded X form supports 106cm wide, 47cm high, 51cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189

520 LARGE CONTINENTAL GILTWOOD AND GESSO PIER MIRROR MID 19TH CENTURY the acanthus moulded frame enclosing divided centre plates within margin plates divided by leaf and branch mouldings, with a large flowering urn cresting 237cm high, 105cm wide

£1,500-2,500

521 Y FRENCH ROSEWOOD AND BRASS INLAID OCCASIONAL TABLE EARLY 19TH CENTURY the brass banded circular tilt top inlaid with a foliate panel, on tapered faceted column on a leaf-carved tripod base ending in hoof feet with ceramic castors 55.5cm diameter, 70.5cm high

£1,000-2,000

190

522 GROUP OF DANISH BISQUE AND TERRACOTTA RELIEF PLAQUES LATE 19TH CENTURY comprising three large Bing & Grondahl roundels, with moulded borders and scenes after Bertel Thorvaldsen, including ‘Day’ and ‘Night’, 29cm diam.; and ‘Christmas Joy in Heaven’, 33cm diam.; impressed maker’s marks B&G/ ENERET/ C; and ten smaller plaques, depicting Classical figures, comprising three Royal Copenhagen bisque roundels, and a Bing & Grondahl roundel of similar form, largest 14.5cm diam.; two P. Ipsen terracotta rectangular plaques, 28.5cm wide; a similar P. Ipsen bisque plaque, 26cm wide; a smaller plaque with green painted ground, 15.5cm wide; a P. Ipsen basalt plaque with gilt ground, 24.5cm wide; and a L. Hiorth bisque plaque with maroon ground, 30.5cm wide; various impressed and incised marks (13) £400-600

523 LARGE GILTWOOD AND EBONISED OVERMANTEL MIRROR MODERN in the Louis Phillipe style, the arched and bevelled mirror plate in a foliate scroll carved and pierced frame centred by a large shell motif cresting 227cm high, 145cm wide

£600-800

524 FRENCH FOUR GLASS MANTEL CLOCK 19TH CENTURY the oval case with floral swags and a gilt brass dial with Arabic numerals, flanked by reeded pilasters and enclosing a mercury pendulum and eight-day movement striking a gong, all on shaped feet 26.5cm high 18cm wide

£250-350

525 PAIR OF VICTORIAN SILVER PLATED AND ONYX CENTREPIECES 19TH CENTURY each with a pink onxy bowl in a pierced frame with fruiting vines and cabriole legs headed by satyr masks, on a triform base with a pineapple finial, raised on paw feet (2) 24cm wide, 18.5cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

191

526 FRENCH GILT BRONZE AND PINK MARBLE MANTEL CLOCK 19TH CENTURY surmounted by a pair of doves on wreaths and cascading cornucopia, above the white enamelled dial with Roman and Arabic numerals, raised on a circular plinth with beaded and leafy mounts on eight columns united by floral swags, on a corresponding circular base with toupie feet, the eight-day movement striking a bell and stamped C. CH 51.5cm high

£600-800

527 LOUIS PHILLIPE MAHOGANY MARBLE TOPPED CONSOLE TABLE 2ND QUARTER 19TH CENTURY of small size, the veined grey marble top with rounded corners above a plain frieze with a long drawer, raised on scroll supports with leaf-carved brackets, on a concave plinth with carved claw feet 59cm wide, 83cm high, 40cm deep

£1,200-1,800

528 FRENCH DIRECTOIRE MAHOGANY MARBLE TOPPED COMMODE LATE 18TH CENTURY the rectangular white marble top with rounded forecorners above three brass mounted long drawers enclosed by fluted quarter columns, raised on toupie feet with brass caps 127.5cm wide, 92cm high, 61cm deep

£1,200-1,800

192

529 PAIR OF FRENCH ‘JAPONISME’ GILT BRONZE AND CHAMPLÊVÉ ENAMEL JARDINIÈRES LATE 19TH CENTURY of tapered square form, decorated with stylised foliate motifs against a cobalt ground, on Japanese style footed bases (2) 9cm wide, 13cm high, 9cm deep

£250-350

530 PAIR OF FRENCH CHAMPLEVÉ ENAMEL AND GILT BRONZE CASSOLETTES 19TH CENTURY with grape-form finials on domed covers above egg-shaped bodies decorated with polychrome enamels on a bleu celeste ground, raised on slender tripod legs with goat’s masks and hooves, on circular gadrooned bases and toupie feet (2) 24cm high

£250-350

531 AFTER HERMANN EICHBERG PAIR OF BRONZE FIGURES OF JUSTICE AND VICTORY, LATE 19TH/ EARLY 20TH CENTURY with mid-brown patina, signed to the bases EICHBERG 90, each on a veined marble base (2) 29cm and 27cm high

£300-500

532 PAIR OF FRENCH GILT BRONZE TABLE LAMPS EARLY 19TH CENTURY with urn-form nozzles raised on tapered columns with crown collars and reeded bases, on circular feet cast with palm fronds, stamped BBBB and BBB, with grey pleated shades; converted from candlesticks (2) 29cm high (excluding fittings)

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

193

533 AFTER JACQUES ANTOINE THEODORE COINCHON (FRENCH 814-1881) DANCING MUSICIANS, LATE 19TH CENTURY bronze, golden brown patina, the man playing bagpipes, the lady a tambourine, signed COINCHON, on black slate circular bases (2) 36cm high

£2,000-3,000

534 ÉMILE LOUIS PICAULT (FRENCH 1833-1915) PAIR OF BRONZE FIGURES OF SOLDIERS, ‘ARBALETRIER’ AND ‘PORTE ETENDARD’ with brown patina, signed on the square bases E. PICAULT, and fitted with plaques one titled ARBALETRIER, the other PORTE ETENDARD and PAR PICAULT/ EXPN. DES BEAUX ARTS. PARIS, with foundry stamps for PINEDO BRONZES/ PARIS (2) 42cm and 38cm high

£600-800

535 VICTORIAN SLATE AND MARBLE MANTEL CLOCK 19TH CENTURY with a circular white enamel dial with Roman numerals, signed W. MARSHALL & CO/ EDINBURGH, fitted with a visible anchor escapement, all raised on carved scrolled spandrels and a plinth base, the eight day movement striking a bell 33cm high, 50cm long

£300-500

194

536 LARGE VICTORIAN GREEN GLASS TABLE LAMP 19TH CENTURY of mallet form with panelled column and base, with gilt metal mounts, later wired for electricity, with a modern pleated shade 48.5cm high (excluding fittings)

£300-500

537 CHARLES X GILT BRONZE AND SLATE CANDELABRA EARLY 19TH CENTURY with a central flaming urn sconce above six outscrolling arms, raised on a slate column above masks and acanthus mounts, on a triform base with acanthus feet 83cm high

£500-700

538 PAIR OF GILT AND PATINATED METAL FRENCH ‘JAPONISME’ MODERATOR LAMPS, BY MONCIN FILS, MARSEILLE 19TH CENTURY converted from oil lamps, the inverted baluster bodies with faux bamboo and key pattern bands, raised on gilt Oriental style bases, with maker’s labels to the undersides; with cream silk pleated shades 42cm high (excluding fittings)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

195

539 AFTER PIERRE-JULES MÊNE (FRENCH 1810-1871) BRONZE FIGURE GROUP OF A HUNTSMAN AND DOG medium brown patina, on naturalistic ground, signed P. J. MENE, on a red marble base 45cm wide, 50cm high, 21cm deep

£400-600

540 ANTOINE-LOUIS BARYE (FRENCH 1795-1875) BRONZE FIGURE OF A DACHSHUND dark brown patina, signed BARYE to the base 31cm long

£800-1,200

541 PIERRE-JULES MÊNE (FRENCH 1810-1879) BRONZE FIGURE GROUP OF A FOX AND COCKEREL dark brown patina, stamped to the oval base P J MENE 25cm wide

£300-400

542 AFTER PIERRE JULES MÊNE (FRENCH 1810-1879) L’ACCOLADE, FALKIRK IRON COMPANY patinated cast iron, with two horses on a naturalistic base, inscribed FALKIRK 54cm wide, 34cm high, 18.5cm deep

£200-300

543 AFTER VINCENZO CINQUE (ITALIAN 1852-1929) BRONZE FIGURE GROUP OF FIGHTING STAGS medium brown patina on a black marble base, signed V. CINQUE 53cm wide, 50cm high

£300-400

544 AFTER NIKOLAI LIEBERICH (RUSSIAN 1828-1883) RUSSIAN GILT BRONZE BEAR DESKWEIGHT, 19TH CENTURY lying recumbent and resting on a front paw, raised on a rectangular black marble base Base 19cm long

£300-500

196

545 ENAMELLED AMBER GLASS CASKET, PROBABLY MOSER 19TH CENTURY of rectangular domed form with gilt brass handles, the hinged lid opening to a void interior and marked 1., decorated with stylised enamel orchids on scrollwork, on open wirework ball feet 15cm wide, 13.5cm high, 10cm deep

£300-500

546 PAIR OF ROYAL VIENNA STYLE PORCELAIN URNS, COVERS AND STANDS 19TH CENTURY with pointed finials above shouldered bodies with squared-twin handles decorated with classical figures titled Opferfest and Fruhlingsfest, and each signed Jager, on puce and pink grounds with gilt highlights, raised on square plinth bases, blue bildenshield marks (2) 32.5cm high

£500-700

547 BERLIN (KPM) PORCELAIN PLAQUE, AFTER PAUL THUMANN ’KUNST BRINGT GUNST’, LATE 19TH/ EARLY 20TH CENTURY of rectangular form, signed KNOULLER, with impressed sceptre mark/ KPM/ H/ 203-145 and with a further impressed mark, with title and artist name in pen, framed 22cm high, 15.5cm wide

£400-600

548 ENGRAVED BOHEMIAN GLASS COVERED GOBLET 19TH CENTURY

549 LARGE LUDWIGSBURG PORCELAIN FIGURE OF A EURASIAN SPARROWHAWK 20TH CENTURY realistically modelled, on a circular base with a gilt band, with underglaze blue maker’s marks 55cm wide, 34cm high

£300-400

with amber staining, the faceted finial and domed cover above a rounded bowl engraved with deer in a forest landscape, above a faceted stem and lobed foot 34cm high

£300-500

197

550 LARGE COLLECTION OF BLACK FOREST CARVED BEARS LATE 19TH/ EARLY 20TH CENTURY comprising fifteen on all fours, two standing upright, and two sitting examples, of various sizes (19) Largest 19cm long approx; smallest 3cm wide

£1,000-1,500

551 EIGHT BLACK FOREST CARVED BEAR DESK ITEMS LATE 19TH/ EARLY 20TH CENTURY comprising an extendable book stand, with hinged ends, 51.5cm wide (open); a desk stand, complete with covered inkwells and a pen tray, 23.5cm wide; a further desk stand, with a covered inkwell in the form of a log, and a pen tray, 16.5cm wide; and five ashtrays carved with figures of bears and raised on rockwork bases, fitted with brass or copper reservoirs, some with match strikers, including an example with a secret drawer and one marked LUZERN, the largest 21.5cm wide (8) £900-1,400

552

553

THREE BLACK FOREST CARVED BOXES

GROUP OF NOVELTY WOOD CARVINGS

LATE 19TH/ EARLY 20TH CENTURY

LATE 19TH/ 20TH CENTURY

comprising a cigarette box, surmounted by grouse and carved with oak leaves to the sides, opening to a fitted interior with sliding trays, 22.5cm wide; a jewellery casket, surmounted by flowers and leaves, with hinged swing-out compartments, 25cm wide; and a smaller box, also surmounted by grouse, opening to a void plushlined interior, 19.5cm wide (3) £200-300

comprising a cigarette box with a carved terrier, the tail operating the cover; a carved spaniel; two clothes brushes carved with bears; a chamois head; an owl wall hook; and a novelty hatchet with a man’s head; together with a SMALL PATINATED SPELTER TABLE BELL, in the form of an owl with sprung beak and glass eyes (8) Largest 24.5cm long

£250-350

554

555

THREE BLACK FOREST CARVINGS

GROUP OF WOOD CARVINGS

LATE 19TH/ EARLY 20TH CENTURY

comprising two wall pockets carved with oak leaves and horns, one with a hare, the other a fox, 31.5cm and 31cm high; and a book slide, the hinged ends carved with owls with glass eyes, 30cm long; together with a CARVED OAK FIGURE OF AN EAGLE, clutching a shield with three wild boars depicted, on a circular base, 37cm high (4)

comprising a small pierced frame with hinged covered panels; a carved figure of a bearded man in a cloak; three carved masks; and a carved moulding depicting flowers and scrolls (6) Largest 42.5cm wide

£200-300

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

198

556 FOUR BLACK FOREST CARVED WALL BRACKETS LATE 19TH/ EARLY 20TH CENTURY all carved in high relief, comprising two with bowed platforms, one raised on a heron, the other a grouse, within foliage and plantforms, 38.5cm and 36.5cm high; and two with lobe shaped bowed platforms, raised on hounds’ heads, 40.5cm and 22.5cm high (4) £300-400

557 BLACK FOREST CARVED BEAR STICK STAND LATE 19TH CENTURY the standing bear holding a naturalistic stick support, above a base with a removable metal drip tray 40cm wide, 95.5cm high, 49cm deep

£700-1,000

558 RUSTIC BARK CONSERVATORY TRIPOD TABLE LATE 19TH CENTURY the circular top with an applied bark apron, raised on turned tripod legs linked by stretchers and with further applied bark embellishments 53cm diameter, 70cm high

£300-400

199

559 CONTINENTAL OAK OCCASIONAL TABLE LATE 19TH CENTURY the circular top with a carved edge raised on a tripod base profusely carved with winged scrolls, dolphins, and lion monopodia 51cm diameter, 81cm high

£300-500

560 Y SWISS ROSEWOOD CASED CYLINDER MUSIC BOX, NO. 47129 19TH CENTURY the hinged lid with inlaid marquetry, opening to a song card and mechanism with 8.5in. cylinder playing 10 airs, stamped 47129 46cm wide, cylinder 21cm across

£400-600

561 SWISS WALNUT AND MARQUETRY TILT TOP TABLE MID 19TH CENTURY the shaped oval top inlaid with chamois and edelweiss, over a pierced foliate carved frieze, raised on a turned and stiff leaf carved support and scrolled foliate carved legs 75cm wide, 74cm high, 56cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

200

562 Y FERDINAND PREISS (GERMAN 1892-1943) CARVED IVORY FIGURE WITH A FLY, CIRCA 1930S signed F. Preiss., and raised on an octagonal green onyx plinth base 15cm high

£500-700

563 Y FERDINAND PREISS (GERMAN 1892-1943) CARVED IVORY FIGURE OF A BOY WITH A HORN, CIRCA 1930S signed F. Preiss., and raised on an octagonal green onyx plinth base 15.5cm high overall

£500-700

564 Y FERDINAND PREISS (GERMAN 1892-1943) CARVED IVORY FIGURE OF AN ARCHER, CIRCA 1930S signed F. Preiss., and raised on an oval green onyx plinth base 18.5cm high overall

£500-700

565 Y ATTRIBUTED TO FERDINAND PREISS (GERMAN 1892-1943) CARVED IVORY AND GREEN ONYX ASHTRAY, CIRCA 1930S with a carved ivory child, seated on a shallow green oynx base 10cm wide

£400-600

566 Y FERDINAND PREISS (GERMAN 1892-1943) CARVED IVORY FIGURE WITH A SKIPPING ROPE, CIRCA 1930S signed F. Preiss., and raised on an octagonal green onyx plinth base 15.5cm high overall

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

201

567 Y FERDINAND PREISS (1882-1943) ART DECO SILVERED BRONZE AND IVORY FIGURE OF A DANCER, CIRCA 1925 the figure standing on tip-toe with arms outstretched, on a silvered base raised on a green onyx plinth base, etched inscription F. PREISS 27cm high

Â£3,000-5,000

202

568 ’ATMOS’ CLOCK, JAEGER LECOULTRE 20TH CENTURY the four glass case with green enamel highlights and corner columns, enclosing the gilt brass movement and white enamelled dial with Roman numerals, raised on a green veined marble base 25cm high, 21.5cm wide

£400-600

569 LARGE HEREND FIGURE OF A ROE DEER, MAPPIN & WEBB COLOURWAY DATED 1973 with gilt antlers, nose, mouth and hooves, with a brown allover pattern, on a shaped base incised JULY 1973, with printed and impressed maker’s marks, model no. 15286 36.5cm high

£500-700

570 THREE ASTON MARTIN BRANDED RED LEATHER CASES 20TH CENTURY comprising two suitcases and an attaché, all with gilt metal combination locks and bearing a label on the interior TANNER KROLLE & CO LTD, the suitcases with cream leather trim and luggage tags, the interiors lined with red silk pocket compartments, 67.5cm wide, 34cm high and 43cm wide, 58.5cm high; the attaché fitted with a folio, 42.5cm wide, 34cm high (3) £400-600

203

571 HERMÈS MIDNIGHT BLUE LEATHER SUITCASE CIRCA 1930 with gilt metal hardware, the leather stamped above the lock HERMÈS PARIS, the locks and catches also stamped HERMÈS PARIS, the lock with number stamp 87.1; the interior lined with blue moire silk and fitted with a leather pocket; with rare gilt hinge; with a key 45.5cm wide, 29cm high, 17cm deep

£1,500-2,500

572 HERMÈS VELLUM, LEATHER AND CANVAS SUITCASE CIRCA 1930 with vellum corner mounts fitted with brass nail heads, the lock and catches stamped HERMÈS PARIS, and stamped further on the leather interior edge above the lock, the interior with two leather buckled straps; with a signature key 22cm high, 80.5cm wide, 45.5cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

204

205

RUGS & CARPETS 573 SULTANABAD CARPET WEST PERSIA, LATE 19TH CENTURY the abrash indigo field with allover palmette and foliate pattern, within cream rosette and stylised foliate border 350cm x 255cm

£1,500-2,500

574 KARAKALPAK CARPET UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with two columns of seven guls, smaller column of guls between, within indigo stepped lozenge border 351cm x 162cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

206

575 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover star and rosette lattice pattern, within similar cream border 346cm x 227cm

£400-600

576 YOMUT CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with allover gul pattern, within ivory hooked pyramid border, serrated lozenge elem end panels 335cm x 210cm

£700-1,000

577 ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the ivory field with allover palmette and foliate vine pattern, within blue palmette and vine border 308cm x 228cm

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

207

578 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the crimson red field with allover palmette and scrolling vine pattern, within cream palmette and foliate vine border 340cm x 340cm

£2,000-3,000

579 KYRGYZ LONG RUG KYRGYZSTAN, LATE 19TH/ EARLY 20TH CENTURY the indigo field with allover red lozenge pattern, within red stepped diagonal stripe border 346cm x 147cm

£300-500

580 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the brick red field with large indigo and salmon pink medallion, ivory, pink and indigo spandrels, within indigo turtle palmette and vine border 332cm x 232cm

£1,500-2,500

208

581 KASHAN CARPET CENTRAL PERSIA, 20TH CENTURY the indigo field with allover foliate lattice pattern and similar medallion, within red palmette and angular vine border 232 x 138cm

£400-600

582 TABRIZ PART SILK CARPET NORTHWEST PERSIA, MODERN the cream field with small rosette medallion and allover palmette and scrolling vine pattern, within cream turtle palmette and arabesque vine border 195 x 150cm

£300-500

583 KASHAN CARPET CENTRAL PERSIA, MODERN the indigo field with elongated red, cream and light blue medallion, similar spandrels, within indigo palmette and arabesque vine border 393cm x 304cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

584

585

SOUMAC CARPET

AFGHAN CARPET

MODERN

LATE 20TH CENTURY

the red field with allover square rosette pattern, within double indigo and cream animal borders

the dark red field with three columns of seven guls, within triple red X borders

236 x 168cm

324cm x 264cm

£200-300

£250-350

209

586 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with allover floral spray pattern, within similar border, signature to one end 288cm x 200cm

£1,200-1,800

587 HERIZ CARPET NORTHWEST PERSIA, 20TH CENTURY the brick red field with large indigo and pink medallion, ivory, pink and green spandrels, within dark indigo rosette and vine border 396 x 293cm

£800-1,200

588 SAROUK FEREGHAN CARPET WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the light red field with indigo medallion, pink and indigo spandrels, within indigo rosette and vine border 293 x 204cm

£500-700

210

589 QUM CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the cream field with allover palmette and foliate lattice pattern, within rust red palmette and vine border 305 x 245cm

£400-600

590 ERSARI KIZIL AYAK CARPET TURKMENISTAN, LATE 19TH CENTURY the red field with four columns of fifteen guls, cruciform motifs between, within narrow polychrome serrated lozenge border 345cm x 195cm

£400-600

591 BELOUCH CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the field with allover red and indigo geometric foliate pattern, within similar border, kilim ends 405cm x 216cm

£300-500

592 ZEIGLER STYLE CARPET MODERN the abrash rust red field with allover palmette pattern, within cream palmette border 412cm x 302cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

211

593 KASHAN CARPET CENTRAL PERSIA, MODERN the crimson red field with allover palmette and foliate pattern, within indigo palmette and arabesque vine border 410 x 300cm

£600-800

594 ERSARI KIZIL AYAK CARPET TURKMENISTAN, LATE 19TH CENTURY the red field with three columns of twelve guls, lozenges between, within narrow red hooked cross border, kilim ends 296cm x 183cm

£400-600

595 PERSIAN STYLE SILK CARPET LATE 19TH/EARLY 20TH CENTURY the brick red field with allover ‘hunting’ animal pattern, within indigo floral vase and vine border 277cm x 185cm

£300-500

212

596 LARGE BENLIAN TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with allover Shah Abbas pattern of palmettes and foliate vine, within indigo palmette, rosette and vine border, signature star to one corner 650cm x 454cm Note: Benlian was an important carpet workshop in Tabriz in the early 20th century, known by its star signature - as found woven in one of the corners of this carpet. It was famous for successfully weaving high quality interpretations of the great Safavid carpets of the 16th and 17th centuries.

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

213

597 LARGE MESHED CARPET NORTHEAST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the red field with cusped indigo medallion, similar spandrels, within indigo foliate border 775cm x 355cm

£2,000-3,000

598 AGRA CARPET NORTH INDIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover palmette and foliate vine pattern, within ivory palmette and vine border 500cm x 373cm

£3,000-5,000

214

599 TEKKE ENGSI TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the reddish brown field with cruciform panels, within reddish brown hooked lozenge border, brown lozenge elem panel to one end 130cm x 126cm

£300-500

600 KUBA RUG EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with allover stepped lozenge lattice pattern, within ivory hooked lozenge border 154cm x 113cm

£500-700

601 SARYK LONG RUG TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with column of twelve guls, within multiple borders, lozenge lattice elem panels 241cm x 117cm

£300-500

602 GHIORDES PRAYER RUG WEST ANATOLIA, 18TH/19TH CENTURY the green mihrab with blue spandrel, within red and ivory stripe border 158cm x 118cm

£400-600

215

603 KASHAN PART SILK RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with pictoral medallion surrounded by floral pattern, within indigo palmette and arabesque vine border 203cm x 135cm

£600-800

604 QUM SILK RUG CENTRAL PERSIA, MODERN the blue field with cusped red medallion, cream and brown spandrels, within red palmette and vine border, signature to one end 156cm x 103cm

£500-700

605 PAIR OF KIRMAN RUGS CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY each with cream field with indigo medallion with pictoral centre, cream spandrels, within cream bird and foliate border (2) each 210cm x 142cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

216

606 TWO SHIRVAN RUGS EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY one with ivory field with allover shield pattern, within multiple borders; the other with indigo field with three Lesghi stars, within ivory glass and leaf border (2) 170cm x 119cm; and 125cm x 105cm

£300-500

607 SENNEH RUG WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the cream field with allover boteh pattern, within narrow pink stylised vine border 192cm x 130cm

£300-500

608 SAROUK FEREGHAN RUG WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with stylised double tree motif, pink spandrels, within indigo palmette and foliate vine border; AND A KUBA RUG, the indigo field with two ivory serrated medallions, within ivory stylised hooked S border (2) 191cm x 129cm; and 168cm x 101cm

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

217

609 TABRIZ ‘HADJI JALILI’ RUG NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with pink and brown medallion, similar spandrels, within pink rosette and vine border 169cm x 126cm

£600-800

610 YOMUT RUG TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with allover hooked lozenge pattern, within ivory star and cross border, red hooked lozenge elem panels 180cm x 110cm

£300-500

611 YOMUT RUG

612 TWO TEKKE RUGS TURKMENISTAN, LATE 19TH/ EARLY 20TH CENTURY each with rust field with columns of guls, within starburst borders (2) 176cm x 98cm; and 162cm x 150cm

£200-300

613 PAIR OF SHAHSEVAN BAGS NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY each with brown field with indigo stepped medallion, within indigo stylised vine border (2) each 68cm x 56cm

£200-300

TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with allover hooked lozenge pattern, within ivory star and cross border, red hooked lozenge elem panels 185cm x 118cm

£300-500

218

614 BESHIR RUNNER TURKMENISTAN, EARLY 20TH CENTURY the dark brown field with allover red and orange stylised rosette lattice pattern, within dark brown rosette border 437cm x 107cm

£300-500

615 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the brick red field with column of palmettes and medallions, within narrow ivory stylised vine border 470cm x 92cm

£250-350

616 PAIR OF USHAK ‘TURKEY’ RUNNERS WEST ANATOLIA, LATE 19TH CENTURY each with red field with column of cruciform motifs, within indigo stylised vine border (2) 427cm x 125cm; and 420cm x 126cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

219

617 KARABAGH RUNNER SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the dark indigo field with seven polychrome medallions, birds between, red and pink spandrels, within narrow yellow stylised foliate border 625cm x 107cm

£600-800

618 SARAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel lattice field with three lozenge medallions, half medallions between, within plain camel border 420cm x 104cm

£600-800

619 MALAYER RUNNER WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover flowerhead pattern, within indigo rosette and vine border 300cm x 125cm

£600-800

220

CHINESE WORKS OF ART 620 CHINESE ARCHAISTIC STYLE HU-FORM BRONZE LAMP LATE 20TH CENTURY of squared vase shape, with animal mask loop handles and lugs to the sides, decorated with Taotie masks and leiwen pattern ground, mounted as a lamp 42cm high (excluding fittings)

£200-300

621 SET OF CHINESE HARDWOOD QUARTETTO TABLES EARLY 20TH CENTURY the square panel tops above open work friezes raised on bent legs joined by peripheral stretchers (4) 38cm wide, 73cm high, 38cm deep

£600-800

622 CHINESE HONG MU COFFER TABLE LATE 19TH CENTURY the top with everted ends above a pair of short drawers with dragon motifs over a pair of cupboard doors flanked by hanging spandrels which conceal two small drawers, all with relief carved archaic decoration 124.5cm wide, 97cm high, 44.5cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

221

GARDEN 623 REPLICA CAST IRON CANNON MODERN black painted with four reinforced bands and three crowns and large round chasuble, on a garrison style cast iron carriage, barrel 38.5in . long, muzzle aperture 2in . diameter; together with a PAIR OF REPLICA MINIATURE BLOMEFIELD TYPE CAST IRON CANNONS, mounted on cast iron garrison carriages, one marked CARRON/ IRON CO., the other COPYRIGHT, barrels 20in. long (3) £300-500

624 EAST INDIA COMPANY CAST BRONZE BELL DATED 1747 bearing the company insignia VOC and the date 1747, JAFFANAPATNAM, suspended in a wrought iron frame mounted to a large stone mill wheel Bell diameter 14in.

£800-1,200

Note: The Dutch East India Company, Vereenigde Oostindische Compagnie, was founded in1602 and was sponsored by the Dutch government in an effort to stabilize profits and form a monopoly in the Dutch spice trade. It was the world’s first formally listed public company, and was given the power to build forts, keep armies and make treaties. The first permanent trading post was in Batavia, Indonesia; but eventually they were establishing colonies and trade throughout Asia, expanding their reach to Ceylon, modern day Sri Lanka, in 1640. Jaffanapatnam is today’s Jaffna on the Sri Lanka’s northwest coast, a city that had been established by the Portuguese as their colonial administrative center, that was won by the Dutch East India Company in 1658 after a three-month-siege. This bell, cast with the name of the city and the date 1747, probably hung in one of the trade warehouses or company buildings and would have been used to announce ship arrivals and departures, or for administrative proclamations.

222

625 CARVED SANDSTONE CAPSTONE OF JACOBITE INTEREST LATE 17TH CENTURY of triangular shape, with crossed sword and pike, and initials I E K, dated 1698 below, surmounted by a coronet 45cm high x 39cm at widest point

£400-600

Note: The initials on this stone most likely refer to John Keith (d. 1714), Lord Keith of Inverurie and Keith Hall and first Earl of Kintore, maternal grandson of the Earl of Mar and the son of the 6th Earl of Marischal. The Earldom of Kintore and Lord Keith of Inverurie and Keith Hall was created in 1677. The 10th and last Earl Marischal was also John Keith (c. 16931778), a staunch Jacobite, who managed to escape to the Continent after actively participating in the rising of 1715. He served the Jacobite court at Avignon with ambassadorships to Spain and then Prussia, dying in Potsdam in 1778. Although the original location of this stone is untraced, it presumably graced a lintel or doorway above one of many properties owned by the 1st Earl of Kintore. It is tempting to consider it may have been removed after the ‘15 in defiance of his participation from one of his forfeited estates.

626 CARVED STONE PLINTH 18TH/ EARLY 19TH CENTURY in three parts, the dished square top on a tapered square column and square base 25cm wide, 48cm high, 24cm deep

£250-350

627 TWO CARVED STONE TROUGHS AND PLINTHS 19TH CENTURY both of semicircular design, one raised on three tapered stone supports, the other on two tapered stone supports (2) Larger 62cm wide, 77cm high, 71cm deep; other 64cm wide, 65cm high, 57cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

223

628 PIETRO LAZZERINI (1842-1919) NEAPOLITAN FISHERBOY white marble, the standing figure holding a catch of fish, on a circular base signed ‘P LAZZERINI FECIT/ 1874[?] 101cm high

£1,000-1,500

629 BRONZE AND SANDSTONE SUNDIAL AND PEDESTAL MID 19TH CENTURY the octagonal patinated bronze dial with an hour armature and inscribed on the plate ‘James Law[?]/ John Douglas’, mounted in a red standstone faceted baluster pedestal Dial 39cm diameter; Overall 52cm diameter, 152cm high

£600-800

630 GROUP OF THREE SCOTTISH FIRECLAY CHIMNEY POTS, BY GARNKIRK 19TH CENTURY in the form of lotus flowers on moulded circular bases, stamped GARNKIRK/ WARRANTED (3) 42cm diameter, 60cm high Note: the design for these chimney pots appears in the Garnkirk Coal Company Catalogue 1853

£800-1,200

END

RARE BOOKS, MANUSCRIPTS, MAPS & PHOTOGRAPHS

AUCTION 17 JUNE 2020 AT 11AM IN EDINBURGH

OPEN FOR ENTRIES

ROWLING, J.K. HARRY POTTER AND THE PHILOSOPHER’S STONE London: Bloomsbury, 1997. First edition, first impression hardback in original pictorial boards, signed and inscribed by J.K. Rowling Note: Only 500 copies of the first edition hardback ‘Harry Potter and the Philosopher’s Stone’ were produced, with a majority of these being sent to libraries. First edition, first impression copies of this work are exceedingly rare, with fine, signed copies, such as this, being highly elusive.

Estimate on Request

To enquire, or to discuss consigning works to this auction please contact +44 (0) 131 557 8844 SIMON VICKERS simon.vickers@lyonandturnbull.com CATHY MARSDEN cathy.marsden@lyonandturnbull.com

DECORATIVE ARTS: DESIGN SINCE 1860 AUCTION 01 APRIL 2020 AT 11AM IN EDINBURGH OPEN FOR ENTRIES

THOMAS J. CLAPPERTON (1879-1962) ‘HESITATION’, DATED 1922 bronze, raised on a naturalistic onyx plinth, signed to the base THOS. J. CLAPPERTON RB 1922, the whole rotating on a hexagonal sculpture stand with facetted legs linked by a lower tier figure and plinth 74cm high, 167cm total height

£4,000-6,000

To enquire, or to discuss consigning works to this auction please contact JOHN MACKIE +44 (0) 131 557 8844 john.mackie@lyonandturnbull.com

Lot 313 [Detail]

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WHISKY & SPIRITS AUCTION 15 APRIL 2020 AT 6PM IN EDINBURGH OPEN FOR ENTRIES

THE MACALLAN 1949 50 YEAR OLD DECANTER

To enquire, or to discuss consigning works to this auction please contact

matured exclusively in Sherry butts, one of 900 bottled at cask strength in 1999, in Caithness crystal decanter, with lockable oak presentation case and certificate of authenticity

OLIVIA ROSS +44 (0) 131 557 8844 olivia.ross@lyonandturnbull.com

700ml/ 43%

SOLD FOR Â£32,200 DECEMBER 2019

228

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used. Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales. In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only. 2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. 3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw. 4. JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

19.2 report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

229 2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844. 3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller. 4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party. 5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration. 6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability

to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

6. CURRENCY CONVERTER

C. DURING THE SALE

8. RELEVANT LEGISLATION

1. ADMISSION TO OUR AUCTIONS

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction. 2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen. 4. BIDDING

The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction. 5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services. 7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above. 3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. THE PURCHASE PRICE

1. SELLER’S WARRANTIES

For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the

230 Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser. This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the

refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest. 3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or

(ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. 2. IN THE EVENT OF NON-PAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use

the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received. (3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. 2. EXPORT OF GOODS

Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than

231 as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless

we agree otherwise in writing, You may not videotape or record proceedings at any auction. 3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities. 6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website. 7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of

our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com. 10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with. 1. DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form. “Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue. “Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller. “Estimate” a statement of our opinion of the range within the hammer is likely

to fall. “Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us. “Seller” the person who offers the Lot for Sale. We act as agent for the Seller. “Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom. “Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale. “Lien” a right for the person who has possession of the Lot to retain possession of it. “Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “Title” the legal and equitable right to the ownership of a Lot.

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GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

BY PHONE

following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale. BIDDING At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests

PAYMENT Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER

must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

Account details are included on any invoices we issue or upon request from our accounts department.

IN WRITING

Please use our online payment service (provided by Cardstream/Credorax).

Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

ON THE INTERNET A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available - access through our website, or download the live bidding app L&T Live. This service is offered for no additional fee.

CREDIT OR DEBIT CARDS Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. ONLINE CARD PAYMENTS We no longer accept card payments by phone.

CHEQUE Cheques should be made payable to Lyon & Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. CASH Cash payments can be made at the accounts desk during or after a sale. Cash payments are limited to £5,000 per annum.

Lot 263 [detail]

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