Scottish Works of Art & Whisky by Lyon & Turnbull

SCOTTISH WORKS OF ART & WHISKY 12TH AUGUST 2020 EDINBURGH

SCOTTISH WORKS OF ART & WHISKY WEDNESDAY 12 AUGUST 2020 AT 10AM Sale Number LT606

CONTACT EDINBURGH +44 (0) 131 557 8844 info@lyonandturnbull.com

Front Cover Various lots, see pages 32-35 & 46-53 Inside Front Cover Lot 379 [detail]

VIEWING BY APPOINTMENT

BIDDING AT THIS SALE

Viewing at 33 Broughton Place Edinburgh EH1 3RR will be available by appointment from 4th August

ONLINE, TELEPHONE & COMMISSION BIDDING Please see the guide to bidding on page 158

BOOKING To book a viewing time please either CALL +44 (0) 131 557 8844 EMAIL info@lyonandturnbull.com BOOK ONLINE www.lyonandturnbull.com/appointment-bookings

BUYER'S GUIDE

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website). If you have not bought before we will be delighted to help you.

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. REMOVAL OF PURCHASES

BUYER’S PREMIUM The buyer shall pay the hammer price together with a premium, at the following rate, thereon. 25% up to £300,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue). ADDITIONAL VAT †V AT at the standard rate payable on the hammer price *5 % import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction. DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs. org.uk

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction. CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. There will be no public viewing for this auction, our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale. IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www.defra.gov.uk/ahvla-en/imports-exports/cites

REGISTRATION All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first-time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

COLLECTION OF PURCHASED LOTS Due to social distancing requirements all collections will be by appointment only (this applies to both carriers and personal collections). BOOK ONLINE www.lyonandturnbull.com/appointmentbookings

1 – Government issued photo ID (Passport/Driving licence)

CALL 0131 557 8844

2 – Proof of address (utility bill/bank statement).

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Sage Pay) - details will be shown on your invoice.

We may, at our option, also ask you to provide a bank reference and/ or deposit.

Please note we are unable to take payments over the phone.

MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

JOHN MACKIE Head of Department john.mackie@lyonandturnbull.com

OLIVIA ROSS Junior Specialist: Decorative Arts & Whisky olivia.ross@lyonandturnbull.com

COLIN T. FRASER Consultant: Silver, Jacobite Memorabilia, Arms & Armour colin.fraser@lyonandturnbull.com

KIER MULHOLLAND Junior Specialist: Jewellery & Silver kier.mulhollahd@lyonandturnbull.com

ORDER OF SALE WEDNESDAY, 12TH AUGUST 2020 AT 10AM Lot No.

1-51 52-144

Furniture & Works of Art Wemyss Ware

145-239

Provincial Silver

240-282

Hallmarked Silver

283-353

Coins, Collectables & Jewellery

354-378

Jacobite Works of Art

379-407

Militaria, Arms & Armour & Highland Dress

408-494

Whisky, Wine & Spirits

Illustrated Lot 361 [detail]

FURNITURE & WORKS OF ART

1 AN OVAL GLASS PASTE MEDALLION ATTRIBUTED TO JAMES TASSIE (1735–1799) CIRCA 1780 depicting a gentleman in profile on a puce ground within moulded gilt frame 2.5cm x 2cm

£200-300

2Y SCOTTISH SCHOOL PORTRAIT MINIATURE OF A YOUNG GENTLEMAN, CIRCA 1820 gouache on ivory, inscribed verso MRS. BRATSON/ NO. 26 HOWE STREET/ EDINBURGH/ LEGHORN/ DECR. 1819 6.5cm x 5.5cm

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

3Y A SCOTTISH SIMULATED ROSEWOOD BOBBIN-TURNED ARMCHAIR MID-19TH CENTURY the brander back with open arms and caned seat, raised on corresponding turned legs, with associated kelim-covered loose cushion 62cm wide, 91cm high, 65cm deep

£250-350

4 A SCOTTISH VICTORIAN MAHOGANY TOILET MIRROR BY JAMES MEIN, KELSO MID-19TH CENTURY the chamfered rectangular frame with turned and blocked uprights on moulded base, raised on tapered feet bears traces of paper label to base JAS MEIN **ET MAKER AND UPHOLSTERER, KELSO 63cm wide, 65cm high, 30cm deep

£600-800

5 A SCOTTISH REGENCY MAHOGANY SUPPER OR GAMES TABLE, ATTRIBUTED TO WILLIAM TROTTER CIRCA 1810 the fold-over top with a crossbanded edge, above a plain frieze, raised on a tapered square column and quadriform platform with reeded sabre legs ending in brass lion paw caps and castors 102cm wide, 73cm high, 50cm deep (closed) Provenance: Purchased Richard J Piner, Ltd., 1959

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

6 A SCOTTISH REGENCY OAK CENTRE TABLE, ATTRIBUTED TO WILLIAM TROTTER, EDINBURGH EARLY 19TH CENTURY the circular top inlaid with a broad band in burr walnut, the rim with applied bead and reel moulding, raised above a turned and reeded column with lappet clasps on a quatreform base with reeded sabre legs terminating in brass caps and castors Diameter: 130cm, height: 76cm

£4,000-6,000

7 A SCOTTISH EAST COAST COMMEMORATIVE PLAQUE OF KING GEORGE IV CIRCA 1825 moulded pottery with coloured glazes, impressed inscription KING GEORGE IIII 16cm x 18.5cm

£200-300

8 A MAHOGANY AND EBONY STRUNG LONGCASE CLOCK BY A. MITCHELL & SON, GLASGOW 19TH CENTURY with swan neck pediment over arched painted dial with figural panel and spandrels, depicting ‘Liberty, Justice, Peace, Plenty’, flanked by fluted pilasters, subsidiary seconds and calendar dials, over crossbanded trunk door, fluted pilasters, on base with bracket feet, the eight day movement striking on a single bell 223cm high

£400-600

9 A SCOTTISH GEORGE III LABURNUM SIDE CHAIR LATE 18TH CENTURY the pierced splat above dished velvet seat, on square chamfered legs, linked by H-stretchers 56cm wide, 89cm high, 57.5cm deep

£200-300

10 A NEEDLEWORK SAMPLER DATED 1839 worked in coloured threads with alphabets, a house, a pair of cherubs, birds and plant forms, bearing inscription and signed MARY ANN TURNER 1829 42cm x 26cm

£200-300

11 A NEEDLEWORK SAMPLER INDISTINCTLY DATED 1777 worked in coloured threads with birds and plant forms, bearing initials and dated 1777 43.5cm x 26cm

£200-300

12 A VICTORIAN TUNBRIDGE WARE INKSTAND LATE 19TH CENTURY with applied cast brass armorial with inscription PERCUTE ITERUM, with twin glass inkwells and drawer below 31.5cm wide,13cm high, 13cm deep

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

13 A NEEDLEWORK SAMPLER DATED 1725 worked in coloured threads with alphabets, crown and fleur de lys motifs and bearing inscription DONE BY ELIZABETH BROTHERTON/ THE 13 OF JULY 1725 32cm x 21.5cm

£200-300

14 A NEEDLEWORK SAMPLER DATED 1836 worked in coloured threads with a house, figures, birds and plant forms, bearing inscription and signed ISABELLA FORSYTH’S WORK/ DRUMBANAGHER SCHOOL/ MARCH THE 23 1836 27cm x 30cm

£200-300

15 A GROUP OF SCOTTISH PEWTER WARES 19TH CENTURY comprising a BALUSTER HALF PINT TANKARD, Glasgow, of bold baluster form, scroll handle, 13cm high; a LIDDED 2 GILL MEASURE, Glasgow of baluster form, various weights and measure marks, slight threaded detail, crown motif to hinged cover, scroll handle, 11cm high; a SERVING PLATTER, possibly William Scott Edinburgh, of plain circular form, plain bouge, 32.5cm diameter; and a PAIR OF LARGE PLATTERS, early 19th century, the touch marks to the rear faint, copying English rose mark, moulded rim and with four faux hallmarks to the bouge and stamped owners initials, 42.5cm diameter (5) £200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

16 A VICTORIAN MAHOGANY DRUM HEAD LONGCASE CLOCK BY PETER MCFARLANE, GLASGOW MID-19TH CENTURY with twin-train movement, the circular dial with subsidiary date and seconds dials, the dial inscribed PETER MCFARLANE/ GLASGOW, with gong strike 202cm high

£800-1,200

17 A GROUP OF FOURTEEN SCOTTISH POTTERY CARPET BOWLS 19TH CENTURY with sponge-printed, painted and glazed decoration (14) largest 8.5cm diameter; smallest 7cm diameter

£500-700

18 A SCOTTISH VICTORIAN MAHOGANY HALL TABLE CIRCA 1860 the moulded rectangular top above a single drawer, raised on barley-twist legs, linked by corresponding cross-stretchers, centred by a finial and terminating in brass caps and castors 112cm wide, 77cm high, 67cm deep

£800-1,200

19 A SCOTTISH BOG OAK MAGAZINE RACK EARLY 20TH CENTURY the X-frame with conjoined naturalistic bows 53cm long, 44.5cm high, 37cm deep

£250-350

20 A PAIR OF SCOTTISH GRANITE CURLING STONES CIRCA 1900 with cast metal and turned wood handles, inscribed JSA (2) 28cm diameter

£400-600

21 A SCOTTISH ANTLER MAGAZINE RACK CIRCA 1900 comprised of overlapping antlers on corresponding base 56cm long, 59cm high, 41.5cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

22 TAXIDERMY: MOUNTED ROYAL STAG’S HEAD 20TH CENTURY mounted on an oak shield 90cm wide, 123cm high, 57cm deep

£600-800

23 FIVE SETS OF RED DEER ANTLERS 20TH CENTURY comprising a pair with partial skulls mounted on shield-shaped oak plaques, and three larger sets antlers with partial skulls, unmounted (5) Largest 12pt 77cm wide

£300-500

24 PAIR OF VICTORIAN WALNUT AND BURR WALNUT OCCASIONAL TABLES MID-19TH CENTURY AND LATER each with moulded square tops on turned and facetted columns, above turned and moulded base with scroll feet (adaptations) (2) 41cm square, 70.5cm high

£2,500-3,000

25Y A CASED SET OF BAGPIPES EARLY 20TH CENTURY with later covered tartan bag and ivory mounted pipes and chanter, the chanter with stamped mark P HENDERSON GLASGOW, the stained pine box bearing paper label DAVID GLEN BAGPIPE MAKER, GREENSIDE PLACE EDINBURGH, with price list case 60cm wide, 17cm high, 18cm deep

£300-500

26 A SCOTTISH SALT-GLAZED FIGURE OF A HIGHLAND SOLDIER 19TH CENTURY seated with feather bonnet, kilt and sporran holding an ale jug and glass 23cm high

£300-500

27 A SCOTTISH POTTERY PIG MONEYBOX BY MORRISON & CRAWFORD, KIRKCALDY CIRCA 1890 covered in a mottled brown glaze, unmarked length: 17cm Provenance: Rogers de Rin, London

£200-300

28 A MATCHED PAIR OF FIFE POTTERY COCKEREL MANTLE FIGURES CIRCA 1880 each with gilded decoration (2) 31cm high

£800-1,200

29 A GROUP OF TWELVE SCOTTISH POTTERY CARPET BOWLS 19TH CENTURY with sponge-printed, painted and glazed decoration; and a self-coloured Jack (13) largest 9cm diameter; smallest 7.5cm diameter

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

30 SCOTT, SIR WALTER & JAMES BALLANTYNE & CO. TWO ORDERS FOR PAYMENT FROM JAMES BALLANTYNE & CO., 1817 signed by Walter Scott (“Accepts, Walter Scott”), £250, 15th November 1817; and £375, 10th July 1817, both 8.5 x 20cm. (2) Note: Rob Roy was written in 1817 and published on 31 December 1817.

£220-280

31 A SCOTTISH VICTORIAN OAK DOCUMENT CHEST CIRCA 1880 the moulded cornice above 13 deep drawers, each with applied brass label holders and turned handles, enclosed by lockable hinged closures and raised on a plinth base 63cm wide, 171.5cm high, 76cm deep

£1,500-2,000

32 A MAUCHLINE TARTANWARE JEWELLERY BOX LATE 19TH CENTURY of rectangular form, the hinges lid, painted with a figural scene, inscribed THE BLESSING, and with panel to the front, inscribed TO MRS SOMERVILE OF SORN CASTLE AS A TOKEN OF ESTEEM FOR HER BENEVOLENT DISPOSITION, the whole raised on flattened bun feet, with velvet-lined interior 17.5cm wide, 15.5cm high, 7.5cm deep Note: The Somervile family owned Sorn Castle in East Ayrshire from 1797 to 1907 when the castle was sold. The contents of Sorn castle were disposed of at Dowells saleroom, George Street Edinburgh around 1909.

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

33 ROBERT BURNS INTEREST - MISS WILHELMINA ALEXANDER AUTOGRAPH ENVELOPE FRONT, 1842 addressed to Mrs [or Miss] Alexander of Ballochmyle, Mauchline, 8 x 12cm., with a contemporary note “Written April 1842 by Miss Alexander, Burns’s Bonnie Lass of Ballochmyle, presented by Mrs [or Miss] Alexander”, both pasted onto album leaf Note: Wilhelmina Alexander was the daughter of Claud Alexander of Newtoun and sister of Claud Alexander, laird of Ballochmyle estate on the Ayr, near Mauchline. Burns saw her while out walking and on returning to Mossgiel, composed his song, ‘The Bonnie Lass of Ballochmyle’, which he sent her with a high-flown letter of compliment on 18th November 1786. He requested permission to publish the song in ‘a second edition of my poems’. She never married and in later life Burns’s letter and love song became her most cherished possession. Miss Alexander ignored his letter.

£180-220

34 GEORGE ANDERSON LAWSON (1832-1904) STATUE OF THE POET, ROBERT BURNS bronze, signed on base GEO. A. LAWSON. 1891 height: 36cm Note: This is a bronze reduction copy of the fine statue of Robert Burns erected in Burns Statue Square, Ayr, by George A. Lawson. The original was unveiled in 1891. Lawson’s statue was widely regarded as the most successful statue of Burns sculpted, and was the model for many other such statues around the world notably in Melbourne (Australia), Detroit (USA) and Vancouver, Montreal and Winnipeg (Canada).

£600-800

35 ROBERT BURNS INTEREST - A MAUCHLINE TARTANWARE AND PAINTED CARD CASE LATE 19TH CENTURY by repute painted by Robert Burns Brown of Mauchline, the case painted to the front, with figures in a Highland lakeside landscape 10cm wide, 7cm deep Note: This card case contains a typed letter, ’A copy of guarantee of authenticity, painted by my Father, Robert Burns Brown of Mauchline, who died July 16th 1874. His mother was Helen Armour, sister Jean Armour, Burns’ Bonny Jean and wife of the poet. Signed (Helen Burns Brown). 11, Woodstock Place, Kilmarnock, DECR. 17th 1910.’

£400-600

36 A MAUCHLINE TARTANWARE BOOK 19TH CENTURY ‘Souvenir of Scotland’ published T. Nelson & Sons, 1892, with boards in Stuart tartan, with applied printed scene of Princes Street, Edinburgh 20cm x 15.5cm

£100-200

37 A SCOTTISH SYCAMORE SNUFF BOX BY DANIEL CRAIG, HELENSBURGH CIRCA 1830 of rectangular form, the hinged lid inlaid with specimen woods, bearing inscriptions THE VICTORY/ BUSH ABOON TRAQUAIR/ ELDERSLIE YEW/ OAK OF TORWOOD/ BIRK OF INVERMAE/ TRYSTING TREE/ BROOM OF COWDENKNOWES/ OAK OF ALLOWAY KIRK/ THORN ABOON THE WELL/ BIRK OF ABERFELDIE/ QUEEN MARY’S YEW, and bearing transfer print of Auld Lang Syne to the base, stamped maker’s mark under lid D. CRAIG, HELENSBURGH 8.8cm wide, 2.5cm high, 5.8cm deep Note: Sir Walter Scott bought a similar box from Craig and presented it to King George IV on his visit to Scotland in 1822.

£400-600

38 A GROUP OF MAUCHLINE WARES LATE 19TH CENTURY to include: a TARTAN WARE BOX by McGregor Auchinleck, stamped maker’s mark under lid, 8cm across; a KNIFE SHARPENER, 26cm long; a DESK THERMOMETER, 16cm high; a COAL CART, 8.5cm across; a BOOK OF POETRY by Aldrich, 9cm tall; a PHOTOGRAPH FRAME, 13.5cm high; a VIDE POCHE DISH, 22.5cm across; a PIPE RACK, 22.5cm wide; a BLOTTER, 19cm across; and a JEWELLERY CASKET, 25.5cm wide (10) £200-400

39 A MAUCHLINE FERNWARE MIRROR LATE 19TH CENTURY the bevelled mirror plate within a carved and rectangular frame 41cm wide, 62.5cm high

£250-300

40 A MAUCHLINE FERNWARE TEA CADDY BY SMITH, MAUCHLINE CIRCA 1840 the shaped box with stencil decoration, enclosing a divided interior with twin lids, stamped maker’s mark SMITH MAUCHLINE/ MANUFACTURER’S TO HIS MAJESTY, no key 20.5cm wide, 12cm high, 12.5cm deep

£200-300

41 A GROUP OF MAUCHLINE TARTANWARE LATE 19TH CENTURY to include: a PHOTOGRAPH ALBUM, with later leather binding, Prince Charlie tartan, 12.5cm long; a REEL BOX, in Albert tartan, with fitted interior, 10cm diameter; a RULE, in Prince Charlie tartan; a NOTEPAD, in McPherson tartan, 8cm long; a PAGE MARKER in Stuart tartan, 11cm long; a BROOCH in Robertson tartan, 4.5cm diameter; and a PIN BOX in McPherson tartan, 5.5cm high (7) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42 A MAUCHLINE WARE EGG EPERGNE LATE 19TH CENTURY carved in sycamore wood, with 6 cups with transfer-printed scenes of Abbotsford and the surround areas, fitted to a turned stand and raised on turned feet, bears maker’s stamp 21cm diameter, 26cm high

£300-500

43 A GROUP OF MAUCHLINE WARE SEWING ITEMS LATE 19TH CENTURY comprising a REEL CAROUSEL, fitted with six barrel form thread holders and centred by a pin cushion, 14cm high, 15.5cm diameter; a DARNING MUSHROOM, 12.5cm long; a MEASURING TAPE, 6cm high; a MEASURING TAPE, 7cm high; a NEEDLE CASE, 9cm wide ; and a STRING HOLDER 9.5cm high (6) £200-400

44 A GROUP OF MAUCHLINE WARE LATE 19TH CENTURY comprising a TEA CADDY, by Smith, Mauchline 15.5cm wide; a SMALL DRAM CUP, 6cm high; a NOTEPAD, 8.5cm long; a BOOK OF COMMON PRAYER, 12.5cm long; another NOTEPAD, 8cm long; a MATCH BOX COVER, 6.5cm long; a BOX IN THE FORM OF A BOOK, 11cm high; a TWINHANDED LUGGIE, 10cm across handles; a SPILL VASE, 22.5cm high; and a STAMP BOX, 8cm wide (10) £200-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

45 A GROUP OF THREE SCOTTISH DOOR STOPS EARLY 20TH CENTURY each with quartz boulders enclosed within oak strapwork frames on plinths, 75cm high; 57cm high and 56cm high (3) £150-250

46 A WHITE OAK AND SEA GRASS HOODED ORKNEY CHAIR MODERN of typical form, with a woven seat and scroll arms, unmarked 63cm wide, 135cm high, 44cm deep

£400-600

47 A SCOTTISH VICTORIAN PUB WALL MIRROR CIRCA 1900 etched and painted mirrored glass within moulded oak frame and gilt slip, bearing inscription MORTON’S TRADEMARK CELEBRATED SCOTCH AND IRISH WHISKIES./ GEO. MORTON LTD. DUNDEE/ with maker’s mark J. BAIRD LTD GLASGOW including frame 68.5cm x 117cm

£1,200-1,800

48 PAIR OF OAK ‘GOSSIP CHAIRS BY WHEELER OR ARNCROACH CIRCA 1920 each with pierced splat back above drop-in leather seat and square legs (2) 45cm wide, 80cm high, 47cm deep

£500-700

49 A SCOTTISH MAHOGANY CENTRE STOOL BY WHYTOCK & REID, EDINBURGH CIRCA 1930 with later-upholstered rectangular top, raised on carved cabriole legs with pointed pad feet 104cm wide, 30cm high, 58.5cm deep

£1,000-1,500

50 A SCOTTISH MAHOGANY STICK STAND BY WHYTOCK & REID, EDINBURGH CIRCA 1930 the divided top with ten apertures, supported on square legs, linked by stretchers, with later tin drip-tray below, the whole raised on pointed pad feet 78cm wide, 69cm high, 31cm deep

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

51 A MONUMENTAL ROYAL SCOTTISH CARVED POLYCHROME COAT OF ARMS FOR JENNERS DEPARTMENT STORE, EDINBURGH, MID-20TH CENTURY painted in coloured enamels and with gilt embellishments, bears the mottos IN DEFENS AND NEMO ME IMPUNE LACESSIT/ BY APPOINTMENT 188cm x 178cm Literature: canmore.org.uk/site/115649/edinburgh-4748-49-50-51-52-princes-street-jenners

£2,000-3,000

Jenners was, until recently, the oldest independent department store in Scotland. It was founded as a drapery business in 1838 by Charles Jenner and Charles Kennington and known as Kennington & Jenner. Kennington retired in 1861 and the store became Charles Jenner and Co. in 1874. Jenner retired in 1881 and left the store to his junior partner James Kennedy. Kennedy and his descendants, the DouglasMiller family, ran the business from 1881.

Fire destroyed the original buildings in 1892 and in 1893 the Scottish architect William Hamilton Beattie was appointed to design the new store which subsequently opened in 1895. The new building was designed with an elaborate carved frontage supported by caryatid figures which were, at Charles Jenner’s insistence, intended ‘to show symbolically that women are the support of the house’. The new store included many technical innovations such as electric lighting and hydraulic lifts. Jenners has held a Royal Warrant since 1911 and this remarkable carved and painted crest was situated in the gallery before 2005 when the store was sold to House of Fraser, the name having been retained.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

WEMYSS WARE

52 A WEMYSS WARE PART WASH SET ‘CHERRIES’ PATTERN, CIRCA 1900 comprising a EWER & BASIN, 25cm high and 39.5cm diameter; a SOAP DISH & COVER, 14.5cm diameter; a SPONGE DISH & LINER, 23cm across handles; and a TOOTHBRUSH BOX & COVER, 21cm long, each with impressed maker’s marks WEMYSS WARE/ R. H.& S. and with printed retailer’s mark T. GOODE & CO. (4) £500-800

53 A WEMYSS WARE FOOTBATH ‘CHERRIES’ PATTERN, CIRCA 1900 printed retailer’s mark T. GOODE & CO. 50cm across handles

£700-900

54 A WEMYSS WARE EWER AND BASIN ‘GREEN RIBBONS’ PATTERN, CIRCA 1900 decorated by James Sharp, bearing ducal cypher, the EWER with impressed maker’s mark WEMYSS, 25cm high; the BASIN with incised script maker’s mark WEMYSS, 38cm diameter (2) £200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

55 A WEMYSS WARE FRILLED BOWL ‘POPPIES’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS WARE/ R. H. & S., printed retailer’s mark, T. GOODE & CO. 14cm diameter

£200-300

56 A WEMYSS WARE COMB TRAY ‘TULIPS’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO., 25.5cm across; and TWO SMALL WEMYSS WARE PLATES, comprising a ‘TULIPS’ example, impressed mark WEMYSS WARE/ R. H. & S., 12.5cm diameter; and a ‘VIOLETS’ example, impressed mark WEMYSS, printed retailer’s mark T. GOODE AND CO., 14cm diameter (3) £300-500

57 A WEMYSS WARE STANLEY FLOWER POT ‘TULIPS’ PATTERN, CIRCA 1900 impressed maker’s marks WEMYSS 32cm diameter, 26cm high

£800-1,200

58 A WEMYSS WARE TWIN-HANDLED SHALLOW BOWL ‘APPLES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 25.5cm diameter Exhibited: Wemyss exhibition Sotheby’s Belgravia 1976, with Rogers de Rin

£500-700

59 WEMYSS WARE ‘CABBAGE ROSES’ PATTERN BISCUIT BARREL AND COVER, EARLY 20TH CENTURY decorated by Joe Nekola, bearing inscription BISCUITS, painted mark WEMYSS 12cm high

£150-250

60 A WEMYSS WARE EWER AND BASIN ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 the EWER with painted and impressed maker’s marks WEMYSS, and printed retailer’s mark T. GOODE & CO., 25cm high; the BASIN also with painted and impressed maker’s marks WEMYSS, and printed retailer’s mark T. GOODE & CO., 39cm diameter (2) Provenance: Collection of Sir Frederick Ashton

£250-350

61 A WEMYSS WARE ‘JAPAN’ VASE ‘SWEET PEAS’ PATTERN, EARLY 20TH CENTURY impressed marks WEMYSS, 21cm high; a WEMYSS WARE BEAKER VASE, ‘’Cabbage Roses’ pattern, painted mark WEMYSS, 16.5cm high; and a WEMYSS WARE SINGLEHANDLED VASE, ‘Cabbage Roses’ pattern, painted and impressed marks WEMYSS, 28cm high (3) £150-250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62 AN UNUSUAL WEMYSS WARE JAR AND COVER ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY bearing inscription BATH SALTS, painted and impressed maker’s marks WEMYSS, printed retailer’s T. GOODE & CO., 12cm high; a HAIR TIDY, Cabbage Roses pattern, bearing inscription HAIR TIDY, painted and impressed maker’s marks WEMYSS, 9cm high; a MAY VASE, Cabbage Roses pattern, decorated by Edwin Sandland, painted maker’s mark WEMYSS, 16.5cm high; and a HAT PIN HOLDER, Cabbage Roses pattern, decorated by Edwin Sandland, painted maker’s mark WEMYSS, 15.5cm high (4) £300-500

63 A WEMYSS WARE CHAMBER CANDLESTICK ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, painted maker’s marks WEMYSS/ 2, 9.5cm high; and a WEMYSS WARE DOUBLE VICTORIA INKSTAND, ‘Cabbage Roses’ pattern, with later liners (covers lacking), impressed maker’s mark WEMYSS, printed retailer’s mark T. GOODE & CO, 26cm across (2) £200-300

64 A GROUP OF WEMYSS WARE ‘CHERRIES’ PATTERN, EARLY 20TH CENTURY comprising a LOW KINTORE CANDLESTICK, impressed maker’s mark WEMYSS WARE, 11.5cm high; a SMALL BEAKER VASE, decorated by Edwin Sandland, painted maker’s mark WEMYSS and T. GOODE & CO retailer’s mark, 11.5cm high; an INVALID CUP, impressed maker’s mark WEMYSS, printed retailer’s mark T. GOODE & CO., 15.5cm across; a BISCUIT BARREL & COVER, painted and impressed maker’s marks WEMYSS, printed retailer’s mark T. GOODE & CO., 11cm high; and a HEART-SHAPED INKSTAND, impressed maker’s marks WEMYSS WARE/ R. H.& S., 18cm across (5) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65 A WEMYSS WARE KENMORE VASE ‘THISTLES’ PATTERN, CIRCA 1900 impressed maker’s marks WEMYSS, printed retailer’s mark T. GOODE & CO. 37cm high

£1,000-1,500

66 A SMALL & RARE WEMYSS WARE PIG CIRCA 1900 covered in a lilac glaze, impressed maker’s marks WEMYSS WARE/ R. H.& S. length: 16cm Provenance: Rogers de Rin, London

£800-1,200

67 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a white glaze, impressed maker’s marks WEMYSS WARE/ R. H.& S. length: 16cm Provenance: Rogers de Rin, London

£150-250

68 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a yellow glaze, impressed maker’s marks WEMYSS WARE/ R. H.& S. length: 16cm Provenance: Rogers de Rin, London

£300-500

69 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a puce glaze, impressed maker’s marks WEMYSS WARE/ R. H.& S. length: 16cm

£150-250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

70 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a green glaze, impressed maker’s mark WEMYSS length: 16cm

£200-300

71 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a maroon glaze, impressed maker’s marks WEMYSS WARE/ R. H. & S. 16cm long

£250-350

72 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a puce glaze, impressed maker’s marks WEMYSS WARE/ R. H. & S. 16cm long

£350-450

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

73 A SMALL AND RARE WEMYSS WARE PIG CIRCA 1900 covered in a charcoal glaze, impressed mark WEMYSS WARE/ R. H. & S. 16cm long

£1,500-2,000

74 A SMALL WEMYSS WARE PIG EARLY 20TH CENTURY decorated by Joe Nekola with sponged black on white decoration, painted maker’s mark WEMYSS length: 15cm Provenance: Rogers de Rin, London

£200-300

75 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a ruby glaze, impressed mark WEMYSS WARE/ R. H. & S. 16cm long

£300-500

76 A WEMYSS WARE CHAMBER CANDLESTICK & SNUFFER ‘CABBAGE ROSES PATTERN’, CIRCA 1900 painted and impressed maker’s marks WEMYSS, 16cm diameter; together with a WEMYSS WARE PIN TRAY, decorated by James Sharp in the ‘Cabbage Roses’ pattern and bearing inscription NO ROSE WITHOUT A THORN, painted and impressed maker’s marks WEMYSS, 14cm across; and a LANGTOUN WARE ‘GROSVENOR’ VASE, decorated with Irises, printed maker’s marks and painted mark WC9, 21cm high (3) £200-300

77 A GROUP OF WEMYSS WARE VARIOUS PATTERNS, EARLY 20TH CENTURY comprising a TALL MUG, decorated by Joe Nekola in ‘Jazzy’ pattern, painted marks WEMYSS 216, 17.5cm high; a WEMYSS WARE PRESERVE JAR & COVER, ‘Oranges’ pattern, painted and impressed marks WEMYSS, 12cm high; a WEMYSS WARE PRESERVE JAR & COVER , ‘Brambles’ pattern, painted marks WEMYSS, 7cm high; an ABBOTSFORD WARE PRESERVE JAR & COVER, decorated with purple plums, printed marks ABBOTSFORD WARE, 12cm high; two WEMYSS WARE PRESERVE JARS LACKING COVERS, ‘Cabbage Roses’ and ‘Apples’ patterns, makers marks, 12cm and 9cm high; and a WEMYSS WARE ‘BONJOUR’ TEAPOT & COVER, ‘Black Cockerel & Hens’ pattern, painted mark WEMYSS, printed retailer’s mark T. GOODE & CO., 11cm high (7) £200-300

78 A PAIR OF WEMYSS WARE ‘ANTIQUE’ TALL CANDLESTICKS ‘CABBAGE ROSES PATTERN’, CIRCA 1900 each with impressed maker’s marks WEMYSS WARE/ R. H. & S. 28cm high

£400-600

79 A WEMYSS WARE FIFE FLOWER BOWL ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 decorated by Karel Nekola, impressed maker’s mark WEMYSS, printed retailer’s mark T. GOODE & CO. 27.5cm diameter

£250-350

80 A WEMYSS WARE BULB BASIN ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 decorated by James Sharp, painted and impressed maker’s marks WEMYSS, 27cm diameter; a WEMYSS WARE DOG BOWL, decorated in Cabbage Roses pattern and bearing inscription QUI AIME JEAN/ AIME SON CHIEN, painted and impressed maker’s marks WEMYSS, printed retailer’s mark T. GOODE & CO., 17cm diameter; and a WEMYSS WARE HEART-SHAPED TRAY, Cabbage Roses pattern, impressed maker’s marks WEMYSS WARE/ R. H.& S., printed retailer’s mark T. GOODE & CO., 31cm long (3) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

81 AN UNUSUAL WEMYSS WARE BOWL AND COVER ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY bearing inscription BATH POWDER, painted and impressed maker’s marks WEMYSS, printed retailer’s mark T. GOODE & CO. diameter: 17.5cm

£200-300

82 A WEMYSS WARE DOUBLE INKWELL ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY with domed covers, painted and impressed maker’s mark WEMYSS across: 29cm

£200-300

83 A RARE WEMYSS WARE SPONGE BOWL AND LINER CIRCA 1900 decorated by James Sharp with red and white Cabbage Roses; Dog Roses and White Lilies, on a midnight blue ground, painted and impressed maker’s marks WEMYSS 24cm across handles

£800-1,200

84 A RARE WEMYSS WARE INVALID CUP ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS across: 15.5cm

£200-300

85 A WEMYSS WARE TEAPOT ‘DRAGONFLIES’ PATTERN, EARLY 20TH CENTURY decorated by Joe Nekola, painted maker’s marks WEMYSS 11.5cm high

£250-350

86 A WEMYSS WARE TEAPOT ‘WHITE BROOM’ PATTERN, EARLY 20TH CENTURY painted maker’s marks WEMYSS 11.5cm high Provenance: George Fraser collection

£250-350

87 A RARE WEMYSS WARE TEAPOT ‘BLACKTHORN’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, painted and impressed maker’s marks WEMYSS 10.5cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

88 A WEMYSS WARE CAT CIRCA 1900 with applied glass eyes, covered in a green glaze, impressed maker’s mark WEMYSS height: 33cm

£2,000-3,000

89 A LARGE WEMYSS WARE CAT ‘SHAMROCKS’ PATTERN, POST 1930 decorated by JOE NEKOLA, painted maker’s mark WEMYSS 33cm high

£800-1,200

90 A LARGE WEMYSS WARE PIG ‘SHAMROCKS’ PATTERN, POST 1930 decorated by Joe Nekola, painted mark WEMYSS/ MADE IN ENGLAND 47cm long

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

91 A LARGE AND RARE WEMYSS WARE MARMALADE CAT CIRCA 1930 with applied glass eyes, decorated by Joe Nekola, painted maker’s mark WEMYSS height: 32.5cm

£3,000-5,000

92 A WEMYSS WARE CAT CIRCA 1900 with applied glass eyes and sponged black on white decoration, impressed maker’s mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 32.5cm high

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

93 A LARGE WEMYSS WARE MUG ‘SWEET PEAS’ PATTERN, CIRCA 1900 impressed maker’s marks WEMYSS WARE/ R. H. & S, printed retailer’s mark T. GOODE & CO. 14cm high

£200-300

94 A WEMYSS WARE JUG ‘EARLSHALL’ PATTERN, CIRCA 1915 decorated with a sundial, opposed peacocks and clipped topiary, impressed maker’s marks WEMYSS height: 14cm Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, Wemyss Ware: A Decorative Scottish Pottery, Edinburgh: Scottish Academic Press, 1986, p. 127, fig. 276b, where a similar example is illustrated.

£200-300

95 A PAIR OF WEMYSS WARE TALL SQUARE CANDLESTICKS ‘DOG ROSES’ PATTERN, CIRCA 1900 impressed maker’s marks WEMYSS WARE/ R. H. & S. (2) 30cm high

£500-700

96 TWO WEMYSS WARE GEESE FLOWER HOLDERS EARLY 20TH CENTURY comprising a MEDIUM FLOWER HOLDER, painted and impressed maker’s marks WEMYSS, 18.5cm high; and a SMALL FLOWER HOLDER, impressed maker’s marks WEMYSS WARE/ R. H.& S., 15cm high (2) £400-600

97 A PAIR OF WEMYSS WARE TALL SQUARE CANDLESTICKS ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 each with impressed maker’s marks WEMYSS WARE/ R. H.& S. and printed retailer’s mark T. GOODE & CO. (2) height: 30cm Provenance: Rogers de Rin, London

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

98 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a green glaze, impressed mark WEMYSS WARE/ R. H. & S. 16cm long

£200-300

99 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a yellow glaze, impressed mark WEMYSS WARE/ R. H. & S. 16cm long

£400-600

100 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a puce glaze, impressed maker’s mark WEMYSS WARE/ R. H. & S. 17cm long

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

101 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a brown glaze, impressed mark WEMYSS WARE/ R. H. & S. 16cm long

£800-1,200

102 A SMALL WEMYSS WARE PIG CIRCA 1900 terracotta, covered in a black glaze, unmarked 16cm long Note: Only two other black terracotta Wemyss figures have appeared at auction in recent times; a cat, offered at William Hardie’s, Glasgow on Thursday 10th December 1992; and a small pig at Sotheby’s, Gleneagles on Tuesday 29th August 2006, Lot 218. Interestingly the Sotheby’s pig was also unmarked, however the figure of the cat was marked by the factory. This anomaly may suggest that terracotta figures were made in a commercial section of the pottery with other terracotta ranges, rather than in the Wemyss shop. Additionally each known terracotta example has been slightly smaller than its earthenware counterpart, probably due to differences in shrinkage in the kiln.

£800-1,200

103 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/ R. H. & S., and retailer’s stamp for T. GOODE & CO. 16.5cm long

£200-300

104 A SMALL WEMYSS WARE PIG ‘CABBAGE ROSES’ PATTERN, POST 1930 painted mark WEMYSS 15cm long

£150-250

105 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/ R. H. & S. 15.5cm long

£200-300

106 A SMALL WEMYSS WARE PIG ‘ACORNS’ PATTERN, POST 1930 printed mark MADE IN ENGLAND 16cm long

£250-350

107 A SMALL WEMYSS WARE MONEYBOX PIG, FOR PLICHTA, LONDON ‘CABBAGE ROSES’ PATTERN, POST 1930 printed marks PLICHTA/ LONDON/ ENGLAND, 16cm long; together with a SMALL WEMYSS WARE PIG, early 20th Century, covered in a white glaze, impressed mark WEMYSS, 16cm long (restored) (2) £100-200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

108 A SMALL AND RARE WEMYSS WARE PIG EARLY 20TH CENTURY sponged black and green on white with a band of shamrocks, impressed mark WEMYSS 16cm long

£500-800

109 A SMALL WEMYSS WARE PIG, FOR PLICHTA, LONDON ‘BLUE CORNFLOWERS’ PATTERN, POST 1930 decorated by Joe Nekola, printed maker’s marks NEKOLA/ PINXT/ PLICHTA/ LONDON/ ENGLAND 16cm long

£300-500

110 A SMALL WEMYSS WARE MONEYBOX PIG, FOR PLICHTA, LONDON ‘THISTLES’ PATTERN, POST 1930 printed maker’s marks PLICHTA/ LONDON/ ENGLAND across: 15cm

£100-200

111 TWO SMALL WEMYSS WARE PIG FIGURES ‘SHAMROCK’ AND ‘ACORN’ PATTERNS, POST 1930 each with printed maker’s marks MADE IN ENGLAND, the ‘Shamrocks’ example with painted maker’s mark WEMYSS across: 16cm

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112 A SMALL WEMYSS WARE PIG ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS 16cm long

£500-700

113 A SMALL WEMYSS WARE MONEY BOX PIG ‘CABBAGE ROSES’ PATTERN, DATED 1925 decorated by Edwin Sandland, bearing inscription, ELIZABETH M. WATSON/ 31 ST JANUARY 1995, painted and impressed mark WEMYSS 16cm long

£400-600

114 A SMALL WEMYSS WARE MONEYBOX PIG ‘CLOVER’ PATTERN, EARLY 20TH CENTURY decorated by James Sharp, painted and impressed mark WEMYSS 16cm long

£200-300

115 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a yellow glaze, impressed maker’s marks WEMYSS WARE/ R. H. & S. 16cm long

£250-400

116 A SMALL WEMYSS WARE PIG ‘SHAMROCKS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., retailer’s stamp T. GOODE & CO., 16cm long; together with a SMALL WEMYSS WARE PIG ‘CLOVER’ PATTERN, post 1930, decorated by Joe Nekola, painted mark WEMYSS, 16cm lo (2) £250-350

117 A WEMYSS WARE CAT ‘CABBAGE ROSES’ PATTERN, POST 1930 decorated by Joe Nekola, painted maker’s mark WEMYSS height: 31cm

£700-1,000

118 TWO WEMYSS WARE CATS, FOR PLICHTA, LONDON ‘CORNFLOWER’ AND ‘CLOVER’ PATTERNS, POST 1930 each fitted with glass eyes, the ‘Cornflower’ example decorated by Joe Nekola, with painted maker’s marks NEKOLA/ PINXT, and with printed marks PLICHTA/ MADE IN ENGLAND, 26cm high; the ‘Clover’ example with printed maker’s marks PLICHTA/ LONDON/ ENGLAND, 26cm high (2) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

119 A MEDIUM WEMYSS WARE PIG, FOR PLICHTA, LONDON ‘CABBAGE ROSES’ PATTERN, POST 1930 unmarked length: 30cm

£300-500

120 A LARGE WEMYSS WARE PIG CIRCA 1900 with sponged black on white decoration, impressed maker’s marks WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 45cm long

£1,500-2,000

121 A RARE WEMYSS WARE RABBIT FIGURE CIRCA 1900 with sponged black on white decoration and pink eyes, printed retailer’s mark T. GOODE & CO. 19cm long

£2,500-3,500 Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, ‘Wemyss Ware: A Decorative Scottish Pottery’, Edinburgh: Scottish Academic Press, 1986, p.70, fig. 64, where a similar example is illustrated. Note: This very rare rabbit figure is one of only two known examples.

122 A LARGE WEMYSS WARE CAT POST 1930 decorated by Joe Nekola with sponged black on white decoration, painted maker’s mark WEMYSS height: 31cm

£500-800

123 A RARE WEMYSS WARE SLEEPING PIG ‘THISTLE PATTERN’, EARLY 20TH CENTURY decorated by James Sharp, painted and impressed mark WEMYSS 17cm long

£2,000-3,000

124 A MEDIUM WEMYSS WARE PIG, FOR PLICHTA, LONDON ‘THISTLES’ PATTERN, POST 1930 decorated by Joe Nekola, painted artist’s mark “NEKOLA/ PINXT”, printed retailer’s mark PLICHTA/ LONDON/ ENGLAND 29cm long

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125 A RARE WEMYSS WARE SIDE PLATE CIRCA 1900 probably decorated by Karel Nekola with a Persian Cat, impressed maker’s marks WEMYSS, printed retailer’s mark T. GOODE & CO. diameter: 14cm

£500-800

126 A LARGE & UNUSUAL WEMYSS WARE PIG MONEYBOX, FOR PLICHTA, LONDON ‘CABBAGE ROSES’ PATTERN, POST 1930 decorated by Esther Clark, printed maker’s marks PLICHTA/ LONDON/ ENGLAND, painted artist’s marks E.C. length: 46cm Note: As head decorator for the Bovey Wemyss Ware, Joe Nekola trained a number of younger decorators including Esther Clark. Joe died in 1952 and Esther Clark (Esther Weeks after she married) took over as head decorator.

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

127 A RARE WEMYSS WARE COMB TRAY CIRCA 1900 with a design of three monkeys, one sitting in a tree, and bearing the inscription I SEE NO EVIL/ I HEAR NO EVIL/ I SPEAK NO EVIL, impressed maker’s marks WEMYSS across: 25.5cm

£800-1,200

128 A LARGE WEMYSS WARE PIG POST 1930 sponged black on white, decorated by Joe Nekola, painted mark WEMYSS/ MADE IN ENGLAND 47cm long

£500-800

129 A WEMYSS WARE CHESHAM FLOWER POT ‘GEESE’ PATTERN, CIRCA 1900 impressed maker’s mark WEMYSS, printed retailer’s mark T. GOODE & CO. 10cm high

£300-500

130 A SMALL WEMYSS WARE LOVING CUP ‘GEESE’ PATTERN, CIRCA 1900 impressed maker’s marks WEMYSS WARE/ R. H. & S. 11cm diameter

£400-600

131 A WEMYSS WARE SAUCER DISH ‘GEESE’ PATTERN, CIRCA 1900 bears inscription BONJOUR., impressed maker’s marks WEMYSS WARE/ R. H. & S. 13cm diameter

£150-250

132 A WEMYSS WARE DOUBLE VICTORIA INKWELL ‘GEESE’ PATTERN, CIRCA 1900 impressed maker’s marks WEMYSS WARE/ R. H. & S. 26.5cm across

£350-450

133 A WEMYSS WARE ‘BONJOUR’ ASSEMBLED TEA SERVICE ‘BROWN COCKEREL & HEN’ PATTERN, EARLY 20TH CENTURY comprising a TEAPOT & COVER, 10.5cm high, a MILK JUG, 6.5cm high; a SUGAR BOWL, 7.5cm diameter; a SIDE PLATE, 12cm diameter; and a BREAD PLATE, 21.5cm diameter, each bear maker’s marks (5) £250-350

134 A WEMYSS WARE DOUBLE INKWELL ‘BROWN COCKEREL & HEN’ PATTERN, CIRCA 1900 with associated glass liners and domed covers, impressed maker’s marks WEMYSS WARE/ R. H.& S. across: 26cm

£150-250

135 A WEMYSS WARE SPONGE DISH AND LINER ‘BROWN COCKERELS AND HENS’ PATTERN, CIRCA 1900 printed retailer’s mark T. GOODE & CO. 24cm across

£400-600

136 A LARGE WEMYSS WARE MUG ‘BROWN COCKEREL & HENS’ PATTERN, CIRCA 1900 impressed maker’s marks WEMYSS WARE/ R. H.& S., 14cm high; together with a CAULDRON VASE, in the same pattern, impressed maker’s marks WEMYSS, 10.5cm high; and a SIDE PLATE, decorated in ‘Pheasant’ pattern, impressed maker’s marks WEMYSS WARE/ R. H.& S., 12cm diameter (3) £200-300

137 A WEMYSS WARE LOW POMADE AND COVER ‘VIOLETS’ PATTERN, CIRCA 1900 decorated by David Grinton, painted and impressed marks WEMYSS 9cm diameter

£250-350

138 A WEMYSS WARE BEAKER VASE ‘VIOLETS’ PATTERN, CIRCA decorated by James Sharp, painted and impressed marks WEMYSS, printed retailer’s mark T. GOODE & CO. 11cm high

£250-350

139 A WEMYSS WARE OVAL PIN TRAY ‘VIOLETS’ PATTERN, CIRCA 1900 impressed mark WEMYSS 13cm long

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

140 A RARE WEMYSS WARE ‘BEE SKEP’ HONEY POT & COVER CIRCA 1900 painted and impressed maker’s marks WEMYSS, printed retailer’s mark T. GOODE & CO. height: 18cm

£1,500-2,500

141 A WEMYSS WARE HONEY BOX, COVER & STAND ‘HONEY AND BEES’ PATTERN, EARLY 20TH CENTURY assembled, the stand decorated by Edwin Sandland, stand 19cm across; together with a HONEY POT, COVER & STAND, assembled, the pot decorated by Joe Nekola, the stand decorated by Edwin Sandland, pot 12cm high, stand 14.5cm diameter, each with maker’s marks (2) £300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

143

144

ROYAL DOULTON - WEMYSS

A GROUP OF PLICHTA ANIMAL FIGURES

FOUR CENTENARY GOBLETS AND PRESENTATION BOXES, DATED 1980

FOUR CENTENARY GOBLETS WITH PRESENTATION BOXES, DATED 1980

VARIOUS PATTERNS & SHAPES, CIRCA 1950

numbers 4; 156; 185 and 392 of a limited edition of 500, inscribed ‘TO HONOUR QUEEN ELIZABETH THE QUEEN MOTHER AND MARK THE WEMYSS CENTENARY’, to the reverse inscribed ‘WEMYSS 1880-1980’ (4)

numbers 5; 332; 422 and 450 of a limited edition of 500, inscribed ‘TO HONOUR QUEEN ELIZABETH THE QUEEN MOTHER AND MARK THE WEMYSS CENTENARY’, to the reverse inscribed ‘WEMYSS 1880-1980’ (4)

comprising a MEDIUM CAT FIGURE, Clover pattern, 14cm high; FOUR SMALL CAT FIGURES, including a pair of salt and pepper shakers, Clover and Shamrock patterns, 8.5cm high; a RABBIT FIGURE, Shamrocks pattern, 7.5cm long; a GIRAFFE FIGURE, Thistles pattern, 24cm high; and THREE SMALL PIG FIGURES, Thistles and Clover patterns, 7cm long (10)

19cm high

£200-300

£150-250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PROVINCIAL SILVER

145 ABERDEEN - AN UNUSUAL MATCHED SCOTTISH PROVINCIAL CANTEEN GEORGE BOOTH AND GEORGE & ALEXANDER BOOTH for eight covers comprising tablespoons, table forks, dessert spoons, dessert forks, teaspoons, pair of sauce ladles, soup ladle and serving spoon, all of Fiddle pattern with various engraved initials, in a later fitted canteen with carving set and modern silver handled table and dessert knives 72.8oz weighable silver

£2,000-3,000

146

147

148

ABERDEEN - A SCOTTISH PROVINCIAL SNUFF BOX

ABERDEEN - A SCOTTISH PROVINCIAL SOUP LADLE

ABERDEEN - A SCOTTISH PROVINCIAL TABLESPOON

JAMES ERSKINE

JOHN LESLIE

COLINE ALLAN

marked IE, boars head, thistle, of rounded rectangular form with bright engraved border and foliate cartouche

marked CA, ABD, of Hanoverian pattern with crest to reverse of terminal

6.5cm wide, 1.8oz

marked Gothic Q, IL, thistle, of OLD English pattern with foliate script initial; together with an Edinburgh serving spoon, marked FO, crest to terminal

£400-600

33cm and 31cm long, 8oz (combined)

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

20.5cm long, 2oz

£120-180

149

151 ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS

153

ALEXANDER FORBES

149 ABERDEEN - A SCOTTISH PROVINCIAL SALVER COLINE ALLAN marked CA, ABD, of shaped circular outline with scroll and shell border, the inner flat with chased foliate scrolls and flower heads, raised on three scroll feet 20.5cm diameter, 12.5oz

£400-600

150 ABERDEEN - THREE SCOTTISH PROVINCIAL TABLESPOONS of Old English pattern, John Ewan marked JoE, thistle; Peter Lambert marked PL, thistle and James Erskine marked IE, ABD (3) 22cm, 21cm and 23cm long, 5.6oz

£150-180

marked AF three towers, flowerhead, of Hanoverian pattern, with initials AAB to terminal (6) 20.5cm long, 12oz (combined)

£600-800

153 152 ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS JAMES ERSKINE

ABERDEEN - A LARGE SCOTTISH PROVINCIAL GOBLET GEORGE & ALEXANDER BOOTH

marked J.E, ABD, J.E, of Old English pattern with engraved crest and motto to terminal, the straining spoon with removable reticulated strainer (2)

marked GB, AB, GB, AB, the deep baluster bowl with flared rim, fluted lower section and engraved crest, motto and initials, on a knopped trumpet stem and with gadrooned foot

32cm long, 6.2oz

16cm high, 7.2oz

Heraldry: with crest of a pierced heart with motto THUS FAR above for Campbell

Heraldry: The crest as engraved upon this Scottish Provisional Sterling Silver Goblet by George and Alexander Booth of Aberdeen dating to circa 1825 – 50 is that of the family of Lumsden. It may be blazoned as follows:

Note: Although straining spoons such as this would be a mainstay of English production, Scottish examples are very rare. A few Edinburghmade examples are recorded but provincial examples appear to be virtually unheard of.

£300-500

152

Crest: A naked arm grasping a sword proper Motto: Deo dono sum quod sum [By the gift of God I am what I am] Note: Undoubtedly the owner of this goblet claims descent from the family of the Lumsdens of Cushnie in the County of Aberdeenshire. They stemmed from Thomas Lumsden of Conland in the County of Fife and of Medlar in the County of Aberdeenshire, who was living during the mid to late 15th Century. Whether or not he was in the direct line of descent we have no knowledge, but if not, he was undoubtedly numbered as a member of one the numerous cadet branches of the family.

£300-500

154

154 ABERDEEN - A SCARCE SCOTTISH PROVINCIAL MARROW SCOOP ALEXANDER THOMSON marked A.T, ABDn in script, of conventional double scoop form with plain stem 22.5cm long, 37.5g

£300-500

155 ABERDEEN - A SCARCE SCOTTISH PROVINCIAL VINAIGRETTE WILLIAM JAMIESON marked to each cover WJ, ABD, WJ, of rounded rectangular form with engraved border and trailing flowering foliage, both base an cover hinged, with original pierced steel grille (loose) 38mm wide, 28g

£400-600

156 ABERDEEN - A SCOTTISH PROVINCIAL HORN QUAICH WILLIAM DUNNINGHAM & CO Edinburgh 1912, the circular bowl with applied silver disc engraved ‘SCUAB AST’ for drink up, the three lugs each collet set with a faceted amethyst; together with another marked WD&Co, S, 925 9.3cm, 12cm across lugs Note: The name of William Dunningham & Co was a long established Aberdeen firm, first recorded as early as 1871 and with his own shop in Aberdeen’s Union Street by 1892. They worked continually as Jewellers & Silversmiths until 1957. While they had a wide range of wares the majority of their work catered for the booming tourist trade in the North of Scotland created from the continued interest in Balmoral and the Royal family.

While they produced various items of silver jewellery, granite mounted wares and highland dress, their most prolific and recognisable products were those made from silver mounted horn. There has long been a tradition that the horn was sourced from the Aberdeen Comb Works where large quantities would have been used. This local natural product would be turned into a large range of wares including porridge bowls and spoons, tankards and stacking beakers and at the higher level of the range, additionally mounted with gemstones, quaichs, snuff boxes and napkin rings.

£250-400

157 ABERDEEN - A SET OF NINE SCOTTISH PROVINCIAL TEASPOONS PETER GILL marked PG, Gothic Q, PG, PG of Fiddle pattern with script initials AJJ to terminal; together with a Fiddle Pattern caddy spoon by George Booth marked GB, A, B, D, N with rectangular bowl (10) 5oz (combined weight)

£120-180

158 ABERDEEN - AN UNUSUAL SCOTTISH PROVINCIAL FISH SLICE JOHN LESLIE AND WILLIAM JAMIESON blade by John Leslie marked IL, ABD, handle by William Jamieson marked WJ, Edinburgh 1836, of Fiddle Pattern with script initials JDG to terminal, the shaped blade with reeded border and pierced ribboned central panel 28.5cm long, 4.2oz Literature: For an example of William Jamieson re marking and reselling a c.1740 bullet tea pot by Alexander Forbes of Aberdeen see Fine Scottish Silver, Lyon & Turnbull 13 th February 2008 lot 137, additionally illustrated in Silver: The Aberdeen Story, page 133.

Note: This seemingly simple Aberdeen fish slice appears to tell a much wider story of the trade of silver within the city and doubtless how business was conducted throughout Scotland as well. It has long been discussed that silversmiths would take in trade for payment or to re work out of date or old fashioned silver from clients. Part of silver’s great appeal was this ability to re work and refashion or use its base value as wealth. In this instance it appears that a fish slice by John Leslie of Aberdeen (working 1773 - 1824) has been either refashioned at a client’s request or when it has been used as payment for work William Jamieson of Aberdeen (working 1806 – 1840) it has been re-modelled. It is obvious by the two set of marks to the piece that this has happened. The blade with John Leslie mark of circa 1785 and the handle with full Edinburgh hallmarks with William Jamieson as maker in 1836. This has presumably been done to bring the fish slice up to fashionable standards of 1836 and convert it from, likely, Old English pattern to Fiddle pattern. Whether it was the commissioning client’s or Jamieson seeing an opportunity we shall not know.

£200-300

159 ABERDEEN - A GROUP OF SCOTTISH PROVINCIAL TODDY LADLES various makers to include James Erskine and John Leslie etc, of Old English pattern (11) 4.5oz (combined weight)

£100-150

160 ABERDEEN - A SCOTTISH PROVINCIAL FISH SLICE WILLIAM JAMIESON marked WJ, three towers, Gothic A, the reeded Old English pattern handle with twin engraved crests, the oval blade with wriggle work border and reticulated section surrounding and engraved fish 30cm long, 4.6oz

£200-300

161 ABERDEEN - A SCOTTISH PROVINCIAL CLAN BADGE GEORGE JAMIESON & SON marked JAMIESON, ABERDEEN of conventional belted garter form with crest within, together with another marked DM possibly for David Manson of Dundee, together with seven other clan badges (9) £180-250 165

162

165

ABERDEEN - THREE SCOTTISH PROVINCIAL GRANITE BROOCHES

ABERDEEN – A SCOTTISH PROVINCIAL SNUFF BOX

M RETTIE & SONS

JAMES ERSKINE

to include two intertwined pink and silver granite star brooches and a small ivy leaf spray in silver granite (3) 5cm, 4cm and 4cm wide

marked JE, A, B, D, N, of rounded rectangular form with simple moulded rims, the hinged cover with foliate engraved initials JR, the interior gilded

£300-500

£250-350

163

166

ABERDEEN - A SCOTTISH PROVINCIAL SILVER MOUNTED HORN SNUFF BOX

ABERDEEN - A SCOTTISH PROVINCIAL SOUP LADLE

WILLIAM DUNNINGHAM & CO.

160

WILLIAM JAMIESON

marked W.D.&Co., S, 925, of circular form, with applied vacant circular cartouche to pull off lid, the underside with glass base; together another circular snuff box, collet set with a mixed-cut amethyst to centre, the underside with glass base; together with an oval snuff box, with applied silver shield, Dunningham & Co, Edinburgh 1933, with engraved italic A to centre; a similar oval box, collet set with a heart shaped citrine and another with applied white metal thistle an collet set with faceted amethyst to centre (5)

marked WJ, ABD, WJ, of Oar pattern, with a deep oval bowl, script initials IC to terminal

7.2cm, 6.8cm, 6.8cm, 7.4cm and 7.5cm across

5.2oz (combined weight)

£220-280

£120-180

164

168

ABERDEEN - A SCOTTISH PROVINCIAL SGIAN DUBH

ABERDEEN - A SCOTTISH PROVINCIAL TABLESPOON

A & J SMITH

WILLIAM SPALDING

marked A&JS, Edinburgh 1951, the carved wooden handle with applied Celtic band to centre, and paste to pommel, the scabbard with simple engraved AJB 2-11-51: together with a Victorian Sgian Dubh kilt pin, Edinburgh 1898 and with a boy’s dummy Sgian Dubh (3)

marked WS, ABD, WS, of Fiddle pattern, foliate R engraved to terminal; together with a set of six teaspoons, marked JE for James Erskine, of Old English pattern, foliate M engraved to terminal (7)

20.5cm, 12cm and 13.5cm long

£250-350

34cm long, 6oz

£250-350

167 ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL TODDY LADLES JAMES GORDON marked IG only, of Celtic Point pattern with foliate script initial B to terminal (6)

22cm long, 4oz (combined)

£200-250 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

173

173 ABERDEEN - A SET OF SIX DESSERT SPOONS JAMES EMSLIE marked JE, saltire, thistle, rose, of Fiddle pattern, foliate AGM engraved to terminals; together with a set of six George III teaspoons, WA, possibly William Auld Edinburgh, of pointed Celtic pattern, italic JH engraved to terminal; together with another set, IL, possibly John Leslie of Aberdeen, Edinburgh, of pointed Celtic pattern, italic JH engraved to terminal (18)

171

22cm, 14cm, long, combined weight: 14.7oz

£350-500

174 ABERDEEN - A SCOTTISH PROVINCIAL WINE LABEL WILLIAM JAMIESON marked WJ, ABD, of octagonal form, threaded border, Gothic script BRANDY engraved to centre; together with another of rectangular outline, marked R&S, SILVER Gothic script SHERRY engraved to centre (2)

169

171

ABERDEEN - A SCOTTISH PROVINCIAL HORN MUG

ABERDEEN – AN UNUSUAL SCOTTISH PROVINCIAL CREAM JUG

WILLIAM DUNNINGHAM & CO

JAMES ERSKINE

Edinburgh 1931, of tapered form, with a C shaped silver handled applied vacant silver cartouche to centre modelled as a shield

marked IE, IE ABD, of straight sided can form with flared wide pouring lip the lip with engraved and reeded border the body with engraved scrolling swags, the angular strap handle with long rat tail

8cm high

£200-400

12cm high, 3.6oz

170

£400-600

ABERDEEN - A MATCHED PAIR OF SCOTTISH PROVINCIAL SALTS

172

COLINE ALLAN AND JAMES GORDON marked CA, CA and marked IG, each of cauldron form with moulded rim and raised on three stepped foot, the Gordon example with engraved armorial; together with a pair of Fiddle pattern salts spoons by G Sangster of Aberdeen with Edinburgh marks 1860 (4) 60mm across, 5.6oz (combined)

ABERDEEN - A SET OF THREE SCOTTISH PROVINCIAL WINE LABELS WILLIAM JAMIESON marked WJ, ABD, WJ, of all octagonal form with threaded border, each with gothic script engraved RUM, GIN and BRANDY (3) 46mm wide, 25.7g (combined)

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40mm wide (widest), 20g (combined)

£250-350

175 OLD ABERDEEN – A RARE SCOTTISH PROVINCIAL SEAL BOX ROBERT CRUICKSHANK maker’s mark only to inside of base, the circular box with straight sides and pull off cover, engraved to the border with simple stylised foliate border, the base section with rectangular aperture for ribbon 5.3cm diameter, weight 25.2g Note: Robert Cruickshank was the only Old Aberdeen goldsmith who was born in Scotland, the only other two recorded are Etienne (Stephen) Agate and Samuel Le Revier both of French origin. His training is likely (although documents are lacking) to have been given by George Walker of Aberdeen. Cruickshank’s larger work is generally seen struck with maker’s mark only and close comparison to the marks struck to the Quaich within Aberdeen Art Gallery & Museum and the Aberdeen University Tankard show that the uniquely shaped

175

punch with rather soft edges following the shape of the two initials can concretely be tied to him. He later changes his punch (perhaps as his original is worn) to a more ‘modern’ rectangular shaped punch and this along with Old Aberdeen town marks are seen to his later production of flatware. This box is a new discovery within the rare survival of work by Robert Cruickshank and indeed of Old Aberdeen as a whole. The surviving silver by Cruickshank shows a very interesting and important cross section of work from three prong forks (perhaps the earliest for Aberdeen) to the various important Civic and Royal commission he received, including the fine Royal Huntly Race prize sword and cup and cover. It is interesting to note that the University of Aberdeen Tankard by Cruickshank has a large circular cartouche formed of the same stylised foliate engraving seen to the cover of the seal box under discussion. Seal boxes appear to be a generally rare survival in Scotland. Originally containing the wax seal of the granter of a document or charter they are suspended by a wide ribbon from the vellum document. In some instances they are engraved with a representation of the seal within on the covers. Due to this, and in spite of its plain nature, it is likely this box was part of an important presentation likely from a civic body within Aberdeen, perhaps the University or City Council. Indeed, it is not until the work of George booth circa 1825 that the next Aberdeen made example is seen (National Museum Scotland 1976-34).

£800-1,200

177 BALLATER - A SCOTTISH PROVINCIAL SNUFF BOX WILLIAM ROBB marked ROBB / BALLATER, Edinburgh 1913, of oval form with straight sides, the domed cover set with a green agate panel 7.5cm wide

BANFF – TWO SCOTTISH PROVINCIAL TEASPOONS

£400-600

JOHN KEITH

178 BALLATER – A SCOTTISH PROVINCIAL QUAICH WILLIAM ROBB

£200-300

93mm across lugs, 41g

BERWICK-UPON-TWEED - A PROVINCIAL CADDY SPOON

£200-300

PETER LAMBERT Newcastle, of Fiddle pattern

BALLATER - A SCOTTISH PROVINCIAL HORN SNUFF BOX

85mm long, 14g

£150-250

WILLIAM ROBB marked WR, of oval form, the pull off lid with applied shield shaped cartouche; together with a late 19th/ early 20th century small horn snuff box, of oval form, the pull off lid with a collet set faceted citrine to centre (2)

ARBROATH - A SCOTTISH PROVINCIAL SUGAR SPOON

£180-250

15.4cm long, 26.8g

181

179

4.2cm, 4.6cm across

marked AD, pot of lilies twice, portcullis, of Fiddle pattern, italic EU engraved to terminal

marked H, IK, B and ribboned B, IK, urn, both of Old English pattern; together with a large teaspoon by W Ferguson of Elgin marked WF, ELn, two Montrose teaspoon and four pieces of Aberdeen flatware (9)

marked ROBB / BALLATER, Edinburgh 1911, the shallow bowl with twin inswept handles and raised on a collet foot

176

ANDREW DAVIDSON

180

182 DUMFRIES - A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS DAVID GRAY marked anchor, unicorn, G, anchor, DG, of Fiddle pattern, foliate C to terminal; together with a matched set of six teaspoons also David Gray, of Fiddle pattern, italic MG to terminal (8) 22.5cm long, 7.8oz (combined)

£200-300

183

£100-200

DUNDEE - A SCOTTISH PROVINCIAL WINE LABEL ALEX CAMERON marked AC, thistle struck four times, of rectangular form, PORT engraved in gothic text, in a cast floral border; together with another Edward Livingston, marked EL, pot of lilies, of rectangular form, engraved H. GIN in Gothic script (2) 48mm wide (widest), 18.5g (combined)

£300-500 179

193

194

187 184 DUNDEE - A SCOTTISH PROVINCIAL WINE LABEL WILLIAM SCOTT

ELGIN- A SET OF SIX SCOTTISH PROVINCIAL TABLE FORKS CHARLES FOWLER marked CF, ELGIN, of Old English pattern with foliate script L to terminal (6)

marked WS, pot of lilies, WS, of moulded rectangular form, feathered border, RUM engraved to centre in gothic script

22cm long, 1.15oz

52mm wide, 8.8g

188

£200-300

ELGIN - A SCOTTISH PROVINCIAL TABLESPOON

185 DUNDEE - A SCOTTISH PROVINCIAL TODDY LADLE WILLIAM LEIGHTON marked W.L., pot of lilies thrice, of Fiddle pattern; together with a pair of toddy ladles, Edward Livingstone, marked EL, U, topped heart, of Celtic point pattern, italic M engraved to terminal, and four various toddy ladles, all of Fiddle pattern (7) 15.6cm long, 6.3oz (combined)

£450-600

186 DUNDEE - A SET OF SIX SCOTTISH PROVINCIAL DESSERT SPOONS ALEX CAMERON marked pot of lilies thrice, AC, of Fiddle pattern, italic J engraved to terminal; together with four various toddy ladles, all Cameron of Dundee, various marks and patterns (10) 17cm long, 10oz (combined)

£300-500

£400-600

CHARLES FOWLER makes CF, ELGIN, St Giles, Cathedral, of Fiddle pattern with script initials F to terminal 22cm long 2.2oz

£200-300

189 ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE WILLIAM FERGUSON marked WF, ELn, of Fiddle pattern, foliate initials PAF engraved to terminal 15.5cm, 32.3g

£250-350

190 ELGIN - A SCOTTISH PROVINCIAL DESSERT SPOON WILLIAM FERGUSON marked WF, ELGIN, thistle, of Fiddle pattern, Gothic B engraved to terminal surmounting italic McC 17.3cm long, 29.4g

£150-250

188 185 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

192

191

195

ELGIN - A SCOTTISH PROVINCIAL DESERT SPOON

GLASGOW – A RARE SCOTTISH PROVINCIAL BALUSTER SNUFF MULL

CHARLES FOWLER marked CF, ELGIN, C, of Old English pattern with script initials; together with a Scottish provincial desert spoon by William Clarke of Greenock, marked WC, anchor, C, oak tree of Celtic Point pattern with script initials (2)

DAVID WARNOCK

17cm and 17.5cm long, 1.6oz

maker’s mark only, of large typical inverted baluster form with reeded foot and girdle, the base with initials JA in script, the domed hinged cover with script initials JM

£120-180

6cm high 3.2oz

£1,200-1,800

192 ELGIN – A RARE SET OF SIX SCOTTISH PROVINCIAL TEASPOONS JOHN HUMPHREY bottom marked maker’s mark IH only, of traditional Scots Fiddle pattern with original initials JG / K (6) 11.7cm long, combined weight 2.1oz

£400-600

196 GLASGOW – A SCARCE BULLET TEAPOT ROBERT LUKE marked RL, town mark, RL, S, of plain spherical form with tapered straight spout and S scroll silver handle, the domed cover with applied hinge and ball finial

195

16.5cm high 19.6oz

193

£2,500-3,500

GLASGOW - A SCOTTISH PROVINCIAL COMBINATION MARROW SCOOP AND SPOON MILNE & CAMPBELL marked M&C, tree, M&C, of typical form with plain stem 22.5cm long 60.8g

£300-500

196

194 GLASGOW – AN UNUSUAL SCOTTISH PROVINCIAL SERVING SPOON ADAM GRAHAM marked AG, tree, AG, tree, of Hanoverian pattern with foliate script JC to terminal 26.5cm long 3.2oz

£300-500

197 GLASGOW - A SCOTTISH PROVINCIAL TABLESPOON MILNE & CAMPBELL of Hanoverian pattern, italic B/GJ engraved to reverse of terminal 21.3cm long, 72.2g

out or hinging, allowed a stirrer (or molinet) to be placed in to stir the sediments up just before pouring. While very few English molinets do survive no Scottish examples are recorded. It is also likely that both north and south of the border that wooden stirrers would have been more common place.

£3,000-5,000

£120-150

198

201 GREENOCK – THREE SCOTTISH PROVINCIAL TEASPOONS GEORGE BUCHAN marked GB, anchor, tree, of Celtic Point pattern; two teaspoon by J Heron; together with a small collection of Scottish provincial teaspoons to include Aberdeen, Perth, Dundee etc (qty) £200-300

GLASGOW - A RARE SCOTTISH PROVINCIAL CHOCOLATE POT MILNE & CAMPBELL marked M&C, O, M&C, town mark, of large baluster form with high relief chased Rococo decoration of slightly chinoiserie form, with bird within branches with nest, fruits and feeding bird, with S scroll handle and fine leaf capped thumbpiece, the hinged cover with removable acorn finial

202 A SMALL COLLECTION OF SCOTTISH PROVINCIAL FLATWARE to include teaspoons by John Keith of Banff, James Erskine of Aberdeen, Benjamin Lumsden of Montrose; together with a pair of sugar tongs possibly by A Davidson of Arbroath with Edinburgh marks 1842 (4)

28.5cm high, 33.8oz Note: Although Scottish coffee pots are rare, similar pots but for chocolate are even rarer and very few examples are recorded. In The Compendium Of Scottish Silver by R & J Dietert, between c.1720 and c.1765 only five chocolate pots are listed (although three others are known since publication) while for the same period forty six coffee pots are recorded. It is interesting to note that two of these are Glasgow made. One by Milne & Campbell (Sotheby’s New York 16 th April 2005, lot 265) and Adam Graham (in Aberdeen Art Gallery & Museum collection). When you add to this the earliest known example by Robert Bruce of Edinburgh, c.1720, which is in Dundee Museum & Art Galleries and the 1720-21 example by Patrick Murray of Edinburgh and presented as the Selkirk Race Prize in that year is within the National Museums of Scotland collection, examples available to collectors few and this lot offers an opportunity for the serious collector to add to their collection. All these are much later than their English counterparts, which not common, do survive from as early as 1685. Although their form follows almost directly that of the coffee pots of the period, their function is quite different. The placement of the spout of a coffee pot is particularly done to avoid the bitter coffee grounds from being poured into the cup. However, with chocolate the heavier coco sediment was intended to be drunk and indeed likely the most flavoursome part. Therefore, altering the design of the coffee pot to allow the finial to be removed, either by simply pulling

£160-180

203 GREENOCK - A SET OF SIX SCOTTISH PROVINCIAL DESSERT SPOONS WILLIAM CLARKE

199

marked WC, anchor, C, oak tree, of Celtic Point pattern, with script initial to terminal; together with two spoons of the same pattern, Edinburgh marked 8oz (combined)

199

£300-500

GLASGOW - A SCOTTISH PROVINCIAL MUG

204

attributed to Glasgow circa 1760 single mark H&M, of typical baluster form engraved crest and motto, scroll handle with leaf clasping, spreading circular foot

THOMAS DAVIE

10.5cm high, 9.5oz

£600-800

200 GLASGOW – A PAIR OF SCOTTISH PROVINCIAL CASTERS ADAM GRAHAM marked AG, town mark, of conventional baluster form with domed foot, the pull off cover with pierced and engraved alternating panels and wrythen finials (2) 18cm high, combined weight 11.7oz

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

GREENOCK - A SCOTTISH PROVINCIAL TODDY LADLE marked TD, anchor, C, oak tree, of Old English pattern; together with, a collection of Greenock teaspoons, various makers and marks, mostly Fiddle pattern, one of Celtic point pattern 17cm long, 3.9oz (combined)

£220-260

205 A COLLECTION OF SCOTTISH PROVINCIAL SILVER to include various teaspoons, Banff, Aberdeen and Perth (qty) 10.18oz

£250-350

198

206 INVERNESS - A SCOTTISH PROVINCIAL HORN SNUFF BOX MEDLOCK & CRAIK 210

marked M&C, INVS, of circular form, the circular silver mount to centre collet set with a fancy-mixed-cut citrine, the underside with glass base; together with another by Dunningham & Co of Aberdeen, of oval form, the pull off lid with applied silver shield and banner engraved GLASGOW, with another similar, the silver mounted shield engraved with PER MARE, a depiction of a ship / STROMNESS; together with an oval snuff box, collet set with a facetted citrine, the metal modelled as a buckle (4) 73mm, 71mm, 74mm, 73mm across

£300-500

207 INVERNESS – A GROUP OF SCOTTISH PROVINCIAL CLAN BADGES VARIOUS MAKERS to include Medlock & Craik (2), John Fraser (2); together with three marked STERLING SILVER and two by T K Ebutt of Edinburgh, of conventional form with belted garter, motto and crest (9) £150-250

208 INVERNESS - A SCOTTISH PROVINCIAL NURSE’S BUCKLE WILLIAM B TAYLOR 208

marked W.T, INVSS, of two piece construction with chased and pierced thistle decoration 12cm wide, 2.1oz

£150-250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

209

209 INVERNESS – A GROUP OF SCOTTISH PROVINCIAL CLAN BADGES MEDLOCK & CRAIK variously marked together with examples by W B Taylor, J Fraser and an unmarked example, all of conventional from with belted garter, motto and crest; together with two clan brooches one set to a sword and the other crest and motto (qty) £220-320

210 INVERNESS - A SCOTTISH PROVINCIAL PAPER CLIP FRASER, FERGUSON & MACBEAN marked FF&m, INVSS, camel, the two sides of the clip formed from intertwine Celtic beasts, sprung hinge to centre

211

213

17.5cm long, 8.2oz

INVERNESS – A SCOTTISH PROVINCIAL CLAN BADGE

INVERNESS - A SCOTTISH PROVINCIAL TABLESPOON

£500-700

MEDLOCK & CRAIK

CHARLES JAMIESON

marked M&C, INVSS, Edinburgh 1932, for clan Gordon with stag’s head crest and motto BY DAND; together a large example by J Fraser of Inverness, two by T K Ebutt and two unmarked examples, all of conventional from with belted garter, motto and crest (9)

marked CJ, INS, J, of Old English pattern, italic JMJL engraved to terminal

£150-250

212 INVERNESS (POSSIBLY) - A SCOTTISH PROVINCIAL LUCKENBOOTH BROOCH

212

unmarked, the angular heart shaped brooch of open work form with pierced crown and applied silver roundels, the reverse with traces of engraving 5.5cm, 15.5g

£200-300

21.5cm long, 51g

£120-150

214 IONA- A SCARCE BRASS WALL PLAQUE ALEXANDER RITCHIE signed AR (in monogrammed) IONA to reverse, the tapered rectangular plaque with interlaced ivy and hounds decoration with galley above, on stepped base with suspension loops and chain to reverse 49cm long, 21cm wise (at widest point)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

215

215 IONA - A BRASS TRAY ALEXANDER RITCHIE signed AR IONA to border, the pointed oval tray with Celtic interlace border and plain centre 26.5cm wide

£300-500

216 IONA - A SCARCE DOUBLE WALL SCONCE ALEXANDER RITCHIE signed AR IONA to border, the arched back plate with intricate ivy leaf and foliage flanking a galleon to top, surrounding a plain concave well, the shaped base with twin scones, with hanging loops to reverse 39cm high, 21cm wide

£600-800

217 IONA - A SILVER PIN DISH ALEXANDER RITCHIE (ATTRIBUTED) unmarked, the circular dish with trailing foliate rim the centre with cross in circular cartouche 12cm diameter

£200-300

218 IONA - A SWORD LETTER OPENER 216

HIGHLAND HOME INDUSTRIES Edinburgh 1946, traditionally formed with Celtic knot work detail and tapered blade 10.5cm long

£150-280

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

219

221 IONA - A SCOTTISH PROVINCIAL PENDANT ALEXANDER RITCHIE

221

marked A.R./ IONA of rectangular plaque outline, blue enamel to ground with an embossed nautical scene, suspending teardrop pendant, the integral chain with Celtic motif circular spacers 16mm long (pendant), 73cm long (overall)

£800-1,200

219 IONA - AN UNUSUAL ST COLUMBA ENAMEL PENDANT ALEXANDER RITCHIE

222 IONA - A PAIR OF CUFFLINKS

Birmingham 1933, the shaped oval pendant with figure of St Columba with blue enamel surround, the reverse integrally signed SAINT COLUMBA IONA

ALEXANDER RITCHIE

47mm long

2cm width of terminals

£300-500

£250-350

Birmingham 1938, the oval terminals with cast decoration of a galleon, linked by chain

217

220 IONA - AN UNUSUAL COPPER PIPE RACK ALEXANDER RITCHIE unmarked, decorated with interlaced Celtic knot motifs, entwined stylised foliage, a mythical beast and the Gaelic motto CARAIDDDILEASS [a faithful friend] 23cm wide, 27cm high Literature: E. Mairi MacArthur, Iona Celtic Art, illus p. 25, pl. 2d. The same illustration can also be found in The Art Journal, 1907, ‘Scottish Arts & Crafts’.

£400-600

220

223 IONA – A SCOTTISH PROVINCIAL BROOCH ALEXANDER RITCHIE marked AR, IONA, the circular brooch with central cross with knotwork between, the reverse with integral mark WMC 1919; a teaspoon by A Ritchie marked AR, ICA, IONA, Birmingham 1935 with knight as figural terminal; together with a small enamel brooch by I McCormick; and a galleon bracelet indistinctly marked (4) £200-300

224 IONA - TWO SCOTTISH PROVINCIAL BROOCHES to include a penannular and marriage brooch by Alexander Ritchie and a small plaque brooch of Iona abbey by Shipton & Co (3) 5cm, 5cm and 3.5cm wide

£150-250

229

228 PETERHEAD - A SCOTTISH PROVINCIAL TODDY LADLE WILLIAM SMITH

225 AN IONA STYLE BROOCH

marked W.S. PHd, anchor, of Fiddle pattern, foliate P engraved to terminal

ROBERT ALLISON, GLASGOW

15cm long, 28g

of circular form, nautical depictions; together with a modern silver luckenbooth brooch and another with applied Baccarat style cabochon; an Ola Gorie silver and enamel swirl brooch; a Celtic style bracelet stamped SILVER and a pair of yacht cufflinks stamped SILVER (6)

£1,200-1,500

35mm diameter

£250-400

marked RK four times, of simple squat cylindrical form with pull off cover and base, the interior set with original steel grill

226

29mm high, 28g

IONA - A COLLECTION OF BOOKS

£500-800

229 PERTH – A SCOTTISH PROVINCIAL NUTMEG GRATER ROBERT KEAY I

20TH CENTURY

228

to include, two copies of ‘Iona, Past and Present with Maps’ and ‘Map of Iona with a sketch historical and geological of the Island’ by Alexander Ritchie, with signature in pencil from A. Ritchie July 1928 to the latter; together with a letter addressed to Miss Roberts from A. Ritchie on letter headed paper ‘Iona Celtic Art’ dated 1939, (4)

230

£100-200

13.5cm, 5oz (combined)

227 PAISLEY - A SET OF SIX TEASPOONS WILLIAM HANNAY marked WH, anchor, WH, of Celtic point pattern; together with six teaspoons and tongs, Robert Keay of Perth, marked double headed eagle, RK, double headed eagle, RK, of Fiddle pattern, italic H engraved to terminal (qty) 13.5cm long, 7.4oz (combined)

227

£200-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PERTH - A SET OF SIX SCOTTISH PROVINCIAL TEASPOONS WILLIAM RITCHIE marked WR, double headed eagle, P, of Fiddle pattern, pointed bowls; together with another set of six, Robert Keay, of Old English pattern, pointed bowls, italic initials to terminal (12) £200-300

231 PERTH - A RARE PAIR OF SCOTTISH PROVINCIAL COMMUNION CUPS CHARLES MURRAY marked CM, eagle, CM, eagle, CM, the deep goblet bowls above knopped stem and spreading doomed foot (2) 22.5cm high, 14.75oz and 14.60oz

£3,000-5,000

231

233

237

236

232 PERTH - A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS A Murray, marked AM, double headed eagle, AM, double headed eagle, of Old English pattern, italic J to terminal, numbered 9 and 10; together with four various Perth toddy ladles, of Fiddle pattern and Fiddle and Shell pattern by W. Ritchie and R. Keay 23.5cm, 7.6oz (combined)

successful Edinburgh silversmith most noticeably in partnership with George McHattie (as McHattie & Fenwick from around 1800). George Fenwick II moved to Tobago in September 1821 but his time there was sadly short as he died only a few months later. He appears to have taken with him old stock from his father and additionally stamped them for his new market in Tobago. A number of which interestingly have found their way back to Scotland

233

TAIN – A SCOTTISH PROVINCIAL TEASPOON

marked ROBB Stonehaven, the finial set with navette shaped cairngorm to tubular stem and rounded bowl 10.5cm long, 7g

£250-350

234 TOBAGO - A SCOTTISH PUNCH LADLE marked Edinburgh 1807, GF.TOBAGO, the oval bowl with everted rim to socket, the part twisted baleen handle with simple cap finial 38cm long Note: George Fenwick II was apprenticed to his father George Fenwick I who had been a

JOHN SELLAR marked JS, WICK, of Fiddle pattern, italic AGA engraved to terminal 16cm long, 38.8g

£1,000-1,200

238 235

JOHN ROBB

WICK - A SCOTTISH PROVINCIAL TODDY LADLE

£500-800

£300-500

STONEHAVEN – A SCARCE SCOTTISH PROVINCIAL COFFEE SPOON

237

A SCOTTISH PROVINCIAL COWRIE SHELL SNUFF BOX

marked RW, TAIN, thistle, of Fiddle pattern, with script J E to terminal

unmarked, the polished shell set with simple silver mount and hinged cover, decorated with chased foliate scroll border around a polished agate insert

14cm long, 15.6g

6.8cm long

£300-500

£400-600

236

239

TAIN – A SCARCE SCOTTISH PROVINCIAL TABLESPOON

A MINIATURE SCOTTISH PROVINCIAL COWRIE SHELL SNUFF BOX

HUGH ROSS I

maker unknown, marked CH twice, the miniature polished shell with flush hinged three quarter opening lid

RICHARD WILKIE

marked HR conjoined, St Duthac, N, P, of Hanoverian pattern with script initials DMc / MMc 21.3cm long, 2.1oz

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

37mm long

£250-350

HALLMARKED SILVER

243 241

A PAIR OF SMALL SCOTTISH PIN TRAYS AND A SIMILAR COMPORT EARLY 20TH CENTURY the pin trays Rita Ferguson, Edinburgh 1937, the planished elongated oval bowls with curled Celtic knot loop handle and all raised on ring foot; together with a small comport, Bertha Inglis, Edinburgh 1932, of planished conical form raised on a Celtic ring foot (3)

241 SIR WALTER SCOTT INTEREST A VICTORIAN VINAIGRETTE NATHANIEL MILLS, BIRMINGHAM 1853 of moulded rectangular form, the hinged lid engraved with a depiction of the Scott Monument, the interior with a foliate pierced grill

240 A MODERN SILVER LETTER OPENER A F CAMPBELL, EDINBURGH 1995

4.8cm wide

formed as an 18th century basket hilted sword with wooden grip and felt lined basket, the tapered blade with engraved detail

£400-600

242

£150-250

A MODERN SILVER AND HARDWOOD SUGAR CASTER DELPHINE DAVIDSON, BIRMINGHAM 1959 with sponsor’s mark of Iain A R Davidson of ovoid form with pierced domed cover, the sides engraved with tapered panels, mounted on a hardwood base 11.5cm high Provenance: Ian & Delphine Davidson Collection

Pin trays length: 15cm, comport diameter: 11.5cm, weight (3): 9.9oz

£250-400

244 AN EDWARDIAN MANTEL CLOCK BY BROOK & SONS EDINBURGH 1908 the rectangular case with engraved simulated brick work, the white enamel dial with black Roman numerals, the cresting a representation of the 15th century crown tower of St Giles’ Cathedral, Edinburgh 15cm high

£500-800

245 TRAPRAIN TREASURE – A PAIR OF DOLPHIN HANDLED LADLES BROOK & SONS, EDINBURGH 1932 the cast and chased dolphin handles to a deep circular bowl with simple linear decoration (2) 13cm long, 4.7oz

Decorative Arts, Lyon & Turnbull 8th November, 2006, lot 223

£200-300

Private Collection

246

Note: Iain Davidson was head of department at Edinburgh College of Art. He designed and made items to a very high standard, he registered his mark in Edinburgh (in 1961) and Birmingham, in the late 1950s. He passed away in 2012. His wife also designed and made a small number of pieces, all of which bear Iain’s mark.

TRAPRAIN TREASURE – A CIRCULAR BOWL

For further information on this maker and similarly designed items see ‘Silver: Made in Scotland’ exhibition catalogue item 10.2

£180-220

£400-600

BROOK & SONS, EDINBURGH 1922 the deep circular bowl with simple circular boss, the wide flared rim with engraved linear border and beaded rim 14.5cm diameter, 6.4oz

247 TRAPRAIN TREASURE – A PAIR OF MODERN LARGE TRIANGULAR SALTS HAMILTON & INCHES, EDINBURGH 1968 of conventional form with beaded rim and simple collet foot (2)

244

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

10cm wide, 8.6oz

£200-400

248

252

TRAPRAIN TREASURE – A PAIR OF PAX DOMINI SPOONS

KELSO INTEREST - A VICTORIAN PRESENTATION BEAKER

BROOK & SONS, EDINBURGH 1921 & 1934

HAMILTON & INCHES, EDINBURGH 1882

the fluted shell bowls with engraved Pax Domini symbol, with arched join to tapered square section stem (2) 21cm long, 2.3oz

£200-300

249Y TWO SCOTTISH MARKET LETTER OPENERS BIRMINGHAM 1904 AND 1933 each with silver thistle formed handle with large faceted smoky quartz and amethyst handles, with tapered mother of pearl and ivory blades blades 21cm and 25cm long

£300-500

250 A VICTORIAN NURSE’S BUCKLE GEORGE CARSTAIRS, EDINBURGH 1898 the two piece buckle with finely engraved foliate decoration each piece set with a stag’s head facing and cross lodged between antlers (for Canongate) 11cm wide, 2.2oz

£150-250

251 A VICTORIAN LETTER OPENER EDINBURGH 1887 formed as a basket hilted broad sword with pierced and engraved basket and tapering fullered blade

242

of tapered cylindrical form with reeded girdles and engraved motto ‘Do Richt and Fear Nocht’, the lower section of the body with engraved acanthus leaves and small presentation inscription, on a simple foot 18cm high, 9.4oz Note: The engraved inscription ‘do richt and fear nocht’ has two Scottish connections. The first is connected to the name Paton, the person who presented this goblet to Archibald N Skelton was Sir Joseph Noel Paton who was born in Kelso. Sir Joseph was the renowned Scottish artist whose monumental works often depict tales folk lore and fairy tale. These are based in his deep-seated interest in Scottish folklore and Celtic legends. He was connected with the Skelton family in the 19th century in relation to Mary Skelton’s work on Mary Stuart. The other unconnected but with strong Scottish connections is for the celebrations in Kelso during their civic week. At the installation ceremony the Provost sashes the Henchmen, entrusts them with the Kelso flag and tells the Kelso Laddie to ‘do richt and fear nocht’ Their job is to return the flag on the Saturday ‘unsullied and untarnished’ Sir Joseph may have been inspired by the thought and principals behind the event and the motto to feel it was a correct and fitting statement for the young man to grow up with and adhere to in future life.

£400-600

25cm long

£250-350

252

246

254

253

255Y

257

A SNUFF BOX

AN EARLY VICTORIAN WINE EWER

A VICTORIAN PIGGIN

ALEXANDER GAIRDNER OF EDINBURGH, MID-19TH CENTURY

MARSHALL & SONS, EDINBURGH 1840

RETAILED BY WILSON & SHARP, EDINBURGH 1883

maker’s mark only, the rectangular box with all over engine turned decoration, the cover with presentation cartouche ‘A Friend of respect Mr Herman H Leslie’, the lid with chased thumbpiece, the gilt interior further engraved in script to inside cover ‘Presented by a few Friends in acknowledgement of his skill as an agriculturalist and his worth as a Man’ 8.2cm wide, 4.6oz

£250-350

254 AN UNUSUAL RAM’S HEAD STIRRUP CUP GEORGE M EWAN, EDINBURGH 1858 naturalistically cast with textured detail throughout, glass set eyes, gilt interior

of baluster form, engraved Classical depiction to body of boys and horses, the neck with engraved floral border and scalloped rim, the handle of C scroll form, raised on a circular foot 29cm high, 20oz

makers mark JC (incuse) unknown, of simulated staved form with withies binding, the single loop handle with acanthus joint 14.5cm high, 7.2oz

£200-300

£1,000-1,500

258 256

A VICTORIAN CLARET JUG

A SILVER MOUNTED QUAICH

JOHN MCKAY, EDINBURGH 1860

EARLY 19TH CENTURY unmarked, the turned wooden body with silver foot rim decorated with trailing thistles, the rim plain the twin lugs with applied thistle

the bulbous body with chased trellis foliate pendants and scrolls on matted ground, with large oval vacant cartouche, the S scroll handle and hinged cover with acanthus details

9cm wide across lugs

37cm high, 32oz

£150-250

£1,200-1,500

259

78mm long, 5.1oz

A WILLIAM IV PRESENTATION HARD STONE HANDLED KNIFE

£2,000-3,000

GEORGE PATON, EDINBURGH 1831 the faceted hardstone handle set to a simple silver blade, with presentation inscription TO JR FROM RB WHO VISITED ELFDALEN DALECARLIA 18TH AUGUST 1827, in fitted leather case; together with a Victorian souvenir spoon of Holyrood Place and a bone snuff spoon (3) Knife 21cm long

£120-180

253

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

262 A GEORGE III WINE LABEL GEORGE MCHATTIE, EDINBURGH Gothic BRANDY engraved; together with another, J.M., Edinburgh, for Hollands, and another for rum, all with cast shell and scroll border (3) 37mm across (widest), 23g (combined)

£220-260 255

260 A PAIR OF LATE GEORGE III PRESENTATION GOBLETS JAMES MCKAY, EDINBURGH 1813 of demi-fluted baluster form and flared rim, presentation engraving to upper half of body, ‘TO MR. ALEXANDER GREIG/ TEACHER IN EDINBURGH/ on his election to the Parish school of Aberdour... 1814’ and foliate M engraved to the other side, all raised on a stepped circular foot 17.3cm high, 22oz (combined) Note: Alexander Grieg was the author of various religious tomes whilst at Aberdour

£600-900

261 A GEORGE III SALVER WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1812 of circular outline, cast shell border with gadrooned detail, raised on ball and claw feet 24.5cm across, 22.5oz

£500-800

258

263

3.1cm high, 5.9cm diameter

A GEORGE IV SUGAR BASKET ROBERT GRAY OF GLASGOW, EDINBURGH 1784

264

of urn form, bright-cut engraved floral border, engraved swag detail enclosing floral motifs, armorial and initials engraved to front, gilt interior to bowl, the swing handle with threaded detail, raised on a square foot 13.5cm high, 9.4oz Heraldry: The crest is that of the family of Lang. Note: Sadly, there appears to be a dearth of genealogical information to be found upon the family of Lang whose crest and motto is engraved upon this sugar basket. Certainly, a search of printed authorities confirms that the family bore this crest and motto. They may well have borne without authority which is surprising given that Scotland has had an active heraldic court at the time of its manufacture – the Court of the Lord Lyon which been operating since the late 17th century.

£500-800

264 A LARGE GEORGE III HASH SPOON WILLIAM TAYLOR, EDINBURGH 1767 of Hanoverian pattern with large script initials HG to terminal 41.5cm long 7.8oz

£800-1,200

£600-800 267

267 A GEORGE III TABLESPOON KER & DEMPSTER, EDINBURGH 1753 Assay Master Hugh Gordon, of Hanoverian pattern with engraved crest and motto to reverse of terminal 20.5cm long, 2.4oz Heraldry: Engraved with the crest and motto for Hope of a broken terrestrial globe beneath a cloud-issuing rainbow with the motto ‘At Spes Infracta’; (Yet my hope is unbroken). Likely for John Hope, 2nd Earl of Hopetoun (1704 - 1781). Note: This spoon is en suite with an example sold, Scottish Silver & Applied Arts, Lyon & Turnbull 14th August 2019 lot 410 For two generations The Hopetoun family, Charles and John Hope 1st and 2nd Earls, were perhaps the most important commissioners of silver in Scotland. Their influence on the Edinburgh trade appears not only to have given many valuable and important commissions, but to have encouraged the goldsmiths to new heights, resulting in truly fashionable and important items. As with all family commissions, the success of the family closely directly relates to the commissions and need for silver. The boom in commissions seems to have occurred from 1699 when the architect William Bruce was commissioned by Margaret Hope, Charles’s mother, to create Hopetoun House, built in its original form between

265 A GEORGE III MARROW SCOOP KER & DEMPSTER, EDINBURGH 1766 of conventional double scoop form; together with a Hanoverian pattern tablespoon by the same maker, Edinburgh 1763 with contemporary twin initials (2) 21cm and 21.5cm long, 3.5oz

£150-250

266 A MINIATURE GEORGE III CHAMBERSTICK PATRICK ROBERTSON, EDINBURGH POSSIBLY 1766 the base of circular form with beaded border, crest to centre, centrally set with a sconce , the loop handle with reeded detail

263

91 1699 and 1702. This original Bruce building has been much changed by later work with the William Adam rebuild of 1721. Flatware bearing the armorial/ crest is surprisingly rare. It is unknown how large the original services of flatware within Hopetoun House were. Oddly, these pieces do not seem to have survived, and it is predominantly larger important pieces which are still recorded. It is highly likely these smaller items were regularly recycled into larger impressive wares and while obviously made in large numbers, few survive.

£400-600

268 AN 18TH CENTURY BOUGIE BOX WILLIAM DEMPSTER, EDINBURGH date letter lacking, of compressed spherical form, with beaded rim and collet foot, crest engraved to upper section 8.5cm high, 4.6oz

£350-500 271

269 A SET OF TWELVE GEORGE II TABLESPOONS ROBERT LOW, EDINBURGH 1754 Assay Master Hugh Gordon, of Hanoverian pattern, engraved initials to reverse of terminal; together with a set of six tablespoons William Ged, Edinburgh 1718, Assay Master Edward Penman, of Hanoverian pattern, engraved initials to reverse of terminal (18) 20.5cm long, 40.6oz combined weight

£500-700

270 A GEORGE II BALUSTER MUG JAMES MITCHELL, EDINBURGH 1746 Assay Master Hugh Gordon, of plain baluster form with S scroll handle and plain thumbpiece, raised on a stepped foot 10.5cm high, 7.7oz

£1,000-1,500

271 A GEORGE II COFFEE POT WILLIAM AYTOUN, EDINBURGH 1741

268

Assay Master Dougal Ged, of tapered cylindrical form with chased borders of shell, scrolls and flower heads, the body additionally engraved with crest and motto, with slender spout and wooden

handle, the domed hinged cover similar chased, the base with original scratch weight 30=2 26cm high, 29.95oz Heraldry: The crest as engraved is that of the family of Balfour This crest is that borne today by the Lords Balfour of Burleigh in the County of Kinrossshire. Given that the motto is dissimilar to the peerage family there is a likelihood that this coffee pot was once in the possession of a cadet branch of the family. Certainly, the motto ‘Nil temere’ as engraved above the crest is used by other branches of the Balfour family, but not with the same crest or at least one that is slightly differenced.

£2,500-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

272

274

274 A LARGE GEORGE I MUG HENRY BETHUNE, EDINBURGH 1716

272

273

A SET OF THREE GEORGE II CASTERS

A SCARCE SET OF THREE GEORGE II CASTERS

JAMES GILSAND, EDINBURGH 1740 Assay Master Hugh Gordon, the baluster casters with reeded girdle, the upper body with engraved crest and motto, on short stem and steadying foot, the domed covers with pierced and engraved decoration (3) 20cm and. 17cm high, combined weight 20.75oz Heraldry: The crest as engraved is that of the family of M’Dowell. This crest pertains to the McDowell family who lived in Galloway in South West Scotland notably the County of Wigtownshire where many cadet branches of the family were found. These cadet branches appear to have borne different crests over the centuries.

JAMES MITCHELSON, EDINBURGH 1732 Assay Master Archibald Ure, comprising large and small pierced caster and small blind caster, of baluster form with simple reeded girdle and script initial Y to lower section, the domed covers with pierced and engraved decoration (3) 15cm and 13cm high, 8.16oz, 6.37oz and 6.66oz

£3,200-3,600

Note: Although James Gilsand’s mark is struck to these pieces it seems highly likely it is as a retailer of second hand silver rather than maker. Gilsand does not register his mark or indeed became a Freeman until 1748.

£1,500-2,500

273

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Assay Master Edward Penman, the large deep bowl with reeded girlie, crest and motto engraved above, with simple wrap handle and plain thumb piece, raised on a small collet foot 8.5cm high, 5.8oz Heraldry: The crest as engraved is that of the family of Scott. This crest in combination with its motto is used by at least three branches of the family of Scott as follows: Scott of Harden in the County of Roxburghshire who were a cadet branch of Scott of Sinton as well as Scott of Thirlstane and Scott of Wall in the neighbouring County of Selkirkshire.

£4,000-6,000

275 A RARE JAMES VI (I OF ENGLAND) DISC END SPOON BY GILBERT KIRKWOOD, EDINBURGH 1613 – 15 OR 1619 – 21 Deacon James Denniestoun, the disc terminal with initials S / CI surrounded by stamped circular decoration and compressed finial, raised above an engraved torse, the tapered stem with simple chevron engraving below and at join with bowl, the short pronounced rat tail with initial D above and flanked BS 17.4cm long, 41g Note: This previously unrecorded Disc End spoon appears to be one of the earliest extant available to private hands. Although recorded from as early as c.1580 it is not until 1615 – 1616 with the survival of the Sir Andrew Noble pair of Disc Ends by George Crawford that any concretely datable examples are available to commerce. Made by Gilbert Kirkwood it not only adds to our understanding of early Scottish spoons but of the work of this important early maker. Kirkwood is first recorded in the minutes of the Incorporation of Goldsmiths of The City of Edinburgh in 1598 when he is taken as apprentice by George Foulis. He is granted his freedom in 1609 and has an active career within the Incorporation acting as Quartermaster numerous times and Deacon in 1624. He has what appears to have been a very successful career and his mark is recorded on no less than eight pairs of communion cups and various single examples. He is also recorded on at least one other Disc End spoon, dated 1611 (National Museums of Scotland Collection, see Silver: Made in Scotland item 3.33) and the earliest Scottish Slip top spoon of 1608 (Private Collection Mount Stuart, see Silver: Made in Scotland item 3.45). The fact his career was so successful is not only seen through the surviving silver and what can be gleamed from his work and clients but by his ability to purchase Pilrig Estate. What would then have been a country estate removed from Edinburgh he set upon improvements and had built Pilrig House by 1638 (still standing today). His time here would be short as he died in 1645 during an outbreak of the plague in Edinburgh. While most early Scottish spoon types follow closely known and comparable patterns, whether it is with English neighbours or further afield in mainland Europe, the Disc End is without doubt the most unique to Scotland. The only strong comparable comes from a very small group of York made spoons known as the ‘Death Head’ group. It has been commented that some mainland European spoons bear resemblances to the Disc Ends and while this is an influencing factor in many areas of Scottish silver work it does not seem to follow in this example. The main types often compared with the Disc Ends are Norwegian examples with flower head terminals. However this is not perhaps a true comparison as the terminals are not flat discs and are more often of shaped outlines following that of the flower head. Since no Scottish spoon has a figural finial or terminal this seems a very tenuous connection and not a credible one for comparison. The York ‘Death Head’ group which closely follows the basic outlines of Scottish Disc Ends are similar in many respects but deviates noticeably within the date range, the York examples appear to start after the end of the Disc End in Scotland, their date range being circa 1660 - 1670s. It is not only the date range which differentiates the two types but the decoration and original commission are extremely different. The York examples appear to have been made as christening spoons for the female members of the Strickland family. The Scottish being a standard pattern of its time. The connection between these two very distinct groups of spoons is still a mystery and no real defining connection can be found. On the most basic of levels the Scottish Disc End gives the perfect canvas for the York design with the circular terminal offering space for the engraved skull / coat of arms and flat straight stem giving the space for mottos. It can be safely assumed that the York examples were copied from an original, and earlier, Scottish spoon as the general points of comparison are too similar for coincidence.

£3,000-5,000

276

280

A PAIR OF MODERN SAUCE BOATS

A GEORGE IV SUGAR CASTER

EDWARD & SONS, GLASGOW 1937

ROBERT GRAY & SONS, GLASGOW 1825

of traditional form, scalloped rim, with leaf clasped S scroll handle, each raised on a stepped oval foot (2) 11.5cm high, 17.5oz (combined)

the baluster body and domed cover with chased scrolling foliage and flower heads on a matted ground

£500-800

13cm high, 3.4oz

£500-800

277 A LATE VICTORIAN QUOITING MEDAL

281

THOMAS ROSS & SONS, GLASGOW 1895

A PAIR OF GEORGE IV SALVERS

of traditional circular form, engraved inscription ‘WELLPARK BREWERY ATHLETIC CLUB/ CHALLENGE QUOIT/ WON BY’

MITCHELL & SONS, GLASGOW 1824

95mm across, 2.6oz

£200-300

of circular form with cast shell border, heavily decorated floral border with vacant centre, raised on three bracket feet 27cm across, 41.96oz combined weight

278

£400-600

A COLLECTION OF GEORGE IV WINE LABELS CIRCA 1830 to include, J. Muirhead, Glasgow 1831, marked PORT, with a cast shell and acanthus border; together with two others, Edinburgh, J Hardy and McKay, both with Gothic engraved inscriptions PORT (3) 50mm across (widest), 31.3g (combined)

£220-260

282 A GRADUATED SET OF THREE SILVER PLATED MEAT COVERS MID-19TH CENTURY of traditional domed form, with reeded and gadrooned rims, comprising one large without crest and simple loop handle and two smaller with finely engraved crest and cast acanthus handles (3)

279

53cm wide, 37cm wide

A WILLIAM IV WINE FUNNEL

Heraldry: The crest as engraved is that of the family of Walker.

D C RAIT, GLASGOW 1830

15.5cm long, 4.1oz

These dish covers undoubtedly from part of the domestic plate of Sir Patrick Walker of Coates and Drumsheugh in the County of Midlothian (born 1777 died October 1837).

£400-600

£200-300

the deep bowl with everted cast floral and foliate rim, the body engraved with initial K, short curved spout

279

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’

COINS, COLLECTABLES, & JEWELLERY

283 A VICTORIAN CASED GOLD MOUNTED BLOODSTONE SEAL 19TH CENTURY the faceted baluster blood stone handle to a gold collar and mount, the bloodstone matrix intaglio carved with full armorial, in original fitted case inscribed to lid for Mortimer and Hunt 283

9.5cm long, matrix 2.5cm diameter Heraldry: The arms as engraved upon the matrix of this Victorian Gentleman’s Gold and Bloodstone Personal Seal or Signet dating to between 1843 and 1856 are those of the family of Balfour impaling Gascoyne-Cecil. These armorial bearings undoubtedly commemorate the marriage of James Maitland Balfour of Whittingehame in the County of East Lothian and of Strathconan in the County of Rosshire (born 5th January 1820 died 23rd February 1856) and Lady Blanche Mary Harriet Gascoyne-Cecil (born 1825 died 16th May 1872).

£800-1,200

287 284

286

A COLLECTION OF SCOTTISH COINS

A COLLECTION OF SCOTTISH AGATE SET BROOCHES

predominantly hammered to include Alexander III penny, various Bawbees, Placks and Hard Head etc (qty) £400-600

each of stylised circular outline, set throughout with various agates and pastes (6)

285

£180-220

A VICTORIAN ENAMELLED SCOTT MONUMENT BROOCH of oval outline with blue and white enamel border, with applied detail of The Scott Monument, unmarked 42mm x 35mm

£150-250

A JAMES VI THIRTY SHILLING DATED 1582 on uneven flan with some worn sections, together with a James VI Thistle Merk date 1602 and a Queen Anne 1708 Edinburgh Mint half crown (3) £250-350

288

288 A VICTORIAN GILT METAL AND AGATE SET PEN TRAY unmarked, of elongated hexagonal form with rope twist border, the inner rim with cabochon set agates and hardstone with foliate engraving within, the flat with inlaid intertwined bloodstone and carnelian 27cm long

£200-300

289

293

A VICTORIAN SILVER MOUNTED QUAICH unmarked, the turned wooden bowl with applied foot and rim, the rim engraved ‘Inverness 1st Septr 1871’, with twin waisted lugs; together with a curly horn snuff mull with applied cartouche and hinged horn cover (2)

291

A GILT METAL AND AGATE SET SNUFF BOX unmarked, the scalloped shaped box with chased floral body and base, set to cover with polished agate panel 7cm wide

£200-300

Quaich 10.6cm across lugs, snuff mull 7cm long

£200-300

294

290

AN AGATE SET SCOTTISH HORN SNUFF BOX

A GEORGE III GOLD COUNTED CITRINE VINAIGRETTE EARLY 18TH CENTURY unmarked, the octagonal step cut citrine base and cover simple set in gold mount, the hinge cover revealing a pierced and engraved thistle grille, in original fitted red leather case

of oval form, the pull off lid set with blue john; together with another oval box the pull off lid set with a heavy cut glass panel of hobnail and diamond decoration 6.8cm, 7cm across

£200-300

22mm wide

295

£1,000-1,500

ROBERT BURNS INTEREST - A SCOTTISH MARKET HORN SNUFF BOX

291

LEVI & SALIMAN, BIRMINGHAM 1903

A SCOTTISH MARKET AGATE SET SCENT BOTTLE

of oval form, the silver lid engraved with BURNS’ COTTAGE/ ALLOWAY AYR and a depiction, within an oval border

J COOK & SONS, BIRMINGHAM 1916 the vase shaped bottle set with various coloured agates and hard stones with engraved decoration between, with twin angular handles and screw off cover, with suspension chain and finger ring

6.7cm diameter

£150-250

7.5cm high (excluding chain)

£600-800

292 A SCOTTISH HORN TABLE SNUFF BOX UNMARKED of tub form, the pull of lid, collet set with five round-cut citrines 4.3cm high, 7.4cm across lid

£200-300

290

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

296

297

299

A SNUFF BOX

A GROUP OF THREE MALACHITE AND HARD STONE SET BROOCHES

LATE 19TH/ EARLY 20TH CENTURY of oval form, the pull off lid with applied silver plated collie dog; together with a smaller blond horn oval box, the pull off lid with collet set mixed-cut citrine and a similar smaller box with applied shield cartouche stamped SILVER (3)

20TH CENTURY one modelled as a horse shoe, another as a dagger, the third as an arrow with applied shield; together with various agate set brooches and white metal cap badges (qty) £250-400

9.7cm, 9.1cm and 7.4cm wide

£200-300

300

298

A COLLECTION OF SCOTTISH JEWELLERY

A VICTORIAN NOVELTY PAIR OF SCISSORS FORMED AS A SGIAN DUBH 19TH CENTURY with registration diamond, the silver scabbard and handle engraved to replicate a sgian dubh, with paste set to pommel, the handle pulling out to reveal hinged scissors within

19TH CENTURY to include a silver mounted engraved and agate set cross, two dirk kilt pins and a carved bone and silver mounted pendant (4) £120-180

10.5cm long

£200-300

296 TWO AGATE SET BOXES one with black and white banded agate set in gilt metal mounts and ball feet, the other with star shaped inlaid agate cover to gilt metal base; together with a white metal mounted hardstone quaich (3) 9cm, 5.5cm and 9cm wide

£150-180

301 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

301 AN UNUSUAL PAIR OF STEEL CHAIN LINK DOG COLLARS 19TH CENTURY each formed of curb link chain with variable size barrel locking mechanism (No keys), the front panel section inset in brass and inscribed ‘Sir William Forbes Bart, Collington House’ and ‘John Forbes Esq. Colinton House’ (2) 18cm diameter Provenance: Colinton House Edinburgh (now part of Merchiston Castle School). Note: The house was built for Sir William Forbes of Pitsligo who bought the Colinton Castle estate from the Foulis family in 1790. Sir William Forbes (1739-1806) was one of the most important men in eighteenth century Edinburgh. He was an extremely successful banker, becoming a partner of Coutt’s bank at the age of 22, and head of the banking firm Forbes, Hunter and Co. twelve years later. He also was an extremely energetic philanthropist, and was actively engaged in the management of almost all the charitable institutions in Edinburgh. His patronage of the Church of Scotland carried it to a position of importance and influence that it had not known since the disestablishment of 1689. Originally Forbes considered altering and extending Colinton castle and had plans drawn up by local architect and mason John Fraser. He then decided to build a new house and asked a number of architects to draw up plans.

£500-800

302 A SCARCE NOVELTY COW HORN SNUFF MULL

302

UNMARKED the polished cow horn body with carved elephant head terminal, with bone in set eyes and tusks, with hinged polished horn cover and applied silver circular cartouche, engraved G Phillips to centre

304

306

A CURLY HORN SNUFF MULL

A CURLY HORN VINAIGRETTE

9cm long

UNMARKED

£400-600

the well coiled horn formed of polished cow horn, IN MEMORY OF/ Mr MILLER/ 8TH APRIL 1870 engraved to an applied silver shield cartouche, the hinged lid with heavily embossed thistle decoration, collet set with a clear paste to centre

of slender curled form, the hinged lid with embossed thistle decoration and collet set to the centre with an orange paste, the hinged lid opens to unveil silver gilt pierced grill with loop

modelled as a hoof, the hinged white metal lid with engraved foliate detail, inscribed D. Macpherson/ GLENFESHIE/ 1874, claw set with a round cut yellow paste to centre

11cm long

£150-250

305

A CURLY HORN SNUFF MULL

12cm long

A MINIATURE CURLY SNUFF MULL

EARLY 19TH CENTURY

£200-300

UNMARKED of conventional form, applied border of scalloped design, similar decoration to collar the hinged lid set with agate

unmarked, the domed hinged cover with finely chased scallop shell and foliate scrolls border around a faceted citrine, the well coiled horn with a gem set thistle and cartouche

8cm long

9.5cm long

£150-250

£250-350

303 A ‘HUNTER TROPHY’ HORN SNUFF MULL CIRCA 1874

45mm long

£150-250

307

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100

311

312 AN AGATE SET BRACELET composed of lozenge shaped links with beaded terminals, set with various Scottish agates, the clasp composed of four cushion shaped agate set links, belcher links, unmarked 18.5cm long

£200-300

313 TWO AGATE SET PENDANTS the first modelled as a padlock and set with a moss agate, glazed hair panel to reverse, unmarked; the second of scalloped outline, set with various agates, glazed panel to reverse, unmarked (2) 33mm & 28mm long overall

£200-300

308

311

A LARGE VICTORIAN TABLE HORN

A PLAID BROOCH

EDINBURGH 1876

EARLY/ MID-19TH CENTURY

John Hay (of Leith), the large curled horn set with a domed hinged cover on ball hinge, the centre of the cover set with foil backed crystal and engraved thistles around

unmarked, the shaped circular outline formed of intertwined oak leaves and acorns, centrally set with a large foil backed paste, with hinged pin to reverse

21cm long

8cm diameter

£600-800

£400-600

314 THREE AGATE SET BROOCHES each of circular outline, two with stylised cross motif to centre, all set with greyish-blue banded agates, unmarked (3) 50mm, 43mm & 55mm wide

£120-150

309 AN UNUSUAL CARVED BONE SNUFF MULL UNMARKED of standing form with stylised decoration to body and carved figure to cover; together with a bone baluster snuff mull with plated mount and three small boxes (5) Snuff mulls 5cm and 7cm high

£200-400

310 A SCOTTISH HORN SNUFF BOX LATE 19TH/ EARLY 20TH CENTURY of oval form, the pull of lid with applied thistle; together with three similar oval snuff boxes each with a collet set facetted citrine (4) 9.9cm, 9.4cm, 9.7cm, and 11.3cm wide Note: Although unmarked these boxes seem highly likely to have come from the workshop of William Dunnigham & Co. the style of box, mount and stone setting being highly reminiscent of their hallmarked work.

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

320

101

324

315

320

322

A COLLECTION OF AGATE AND GEM SET BROOCHES

A GROUP OF SILVER, ENAMEL AND HARDSTONE SET BROOCHES AND PENDANTS - JOAN SCOTT

A LATE 19TH CENTURY ENAMEL SCOTTISH BROOCH

to include an agate set brooch with shield motif, another with stylised floral motif to centre; another of circular outline set with agates and paste cabochons, another set with agates and central round-cut paste; together with a circular brooch with thistle motif in a border of citrine, moonstone and amethyst cabochons (5) £150-250

316 A CITRINE AND AGATE SET BROOCH claw set with a round cut citrine, in a border of various agates, unmarked 32mm across

£150-250

317 THREE ENAMELLED BROOCHES of various stylised outlines, each with blue enamel detail throughout, unmarked (3) £250-350

318 TWO AGATE AND PASTE SET BROOCHES each of scalloped circular outline, set throughout with various agates and orange pastes, unmarked (2) 5.1cm & 5cm diameter

£200-300

319 A COLLECTION OF AGATE STUDS each of circular outline, set with various agates, unmarked; together with a circular pendant set green and banded grey agates, unmarked (5) £200-300

Joan Scott Edinburgh, late 1990s, comprising; a grey agate panel set into an asymmetrical silver frame of conforming shape, applied trailing design; another similar; a large agate panel brooch of tapering form, simple applied wire work design; a grey-blue agate panel on a shaped oval silver mount further applied wire work design; three further silver and agate brooches and pendants; an interesting scarf clip and matching brooch in silver with enamel ground, the design inspired from a visit to York Minster and noticed in a stain glass window, as she noted “A cross wren who is chasing a far too big spider”; and for the clip “Same cross wren, but chasing two too big notes of music”. 6.9cm and 6cm widths of enamel pieces Note: Joan Scott was a keen member of The Scottish Mineral and Lapidary club and a keen collector of stones and associated items. Very well-travelled she had a keen interest in different countries and this carried through to her jewellery making. Often using Agates found on her travels, the enamel work was a later addition to her work. She rarely exhibited and sold only to members and family.

£300-500

321 TWO VICTORIAN PENANNULAR STYLE BROOCHES 19TH CENTURY both set throughout with various agates and pastes, each with diamond registration marks to reverse (2) 5cm wide (each)

£250-350

of open form, modelled as a ‘V’ with a central crown above a thistle motif, with red, green and blue enamel detail throughout, unmarked 6cm long

£200-300

323 TWO SCOTTISH ENAMELLED BROOCHES the largest of shaped outline with thistle and crown motifs, the second modelled as the initials ‘MS’ below a crown, both with blue enamel detail (2) 6.8cm & 2.5cm wide

£200-300

324 A SCOTTISH SILVER & ENAMEL BRACELET formed of hinged interlacing panels with enable and engraved detail, the main central oval section with applied saltire and crown 16.5cm long

£300-500

325 A COLLECTION OF REPRODUCTION EARLY BRASS PLAID BROOCHES of typical 17th century Scottish form with engraved decoration and swing pins (5) 15cm diameter (largest)

£180-220

102

330

332

with blue highlights and foliate cross to centre; together with a large example with saltire and crown to centre and shaped border (3)

A SCOTTISH GOLD KILT PIN with registration diamond, formed as a Scottish basket hilted sword with shield applied, each set with hard stone and agates

4cm, 4cm and 5cm diameter

£200-300

10cm long

329 THREE SCOTTISH HARDSTONE BRACELETS

326 A GROUP OF THREE HARDSTONE BRACELETS two examples with alternating polished hardstones and silver mounted faceted vitrines; together with an agate and silver mounted bracelet formed of reeded rectangular panels (3) 17cm, 18cm, 17.5cm long

£120-180

327 TWO GOLD MOUNTED SCOTTISH PEBBLE BROOCHES to include a crescent shaped polished agate example in simple gold mount and round brooch with agate border set with Maltese cross to centre (2)

£250-350 332

to include a chain link example set with alternating lozenge granites to a central shield; a mosaic panelled example with varied agates and a polished rectangular link agate bracelet (3) 19cm, 17cm and 20cm long

333 A SCOTTISH HARD STONE KILT PIN unmarked, formed as a Scottish basket hilted sword with highland targe applied, set throughout out with agates and hard stone 9.5cm long

£150-250

330 A SCOTTISH GOLD MOUNTED HARD STONE BROOCH unmarked, the circular brooch with outer engraved border interspersed with polished hard stones, centrally set with a crown and saltire 4cm diameter

£200-300

3.2cm and 3cm diameter

£200-300

328 THREE SCOTTISH SILVER AND ENAMEL BROOCHES to include a circular example with blue enamel Celtic knot panels to border set with saltire and crown to centre; a circular example

331 A GOLD MOUNTED AGATE BRACELET 331

unmarked, composed of large polished oval agates with links of three small circular agates with beaded details 19.5cm long

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

334

103

334 A SCOTTISH HARD STONE BROOCH unmarked, the oval brooch formed as a garter with applied shield and lion rampant to centre, set with agates and hard stone throughout 339

6.3cm long

£120-180

335 A VICTORIAN AGATE SET SGIAN DUBH KILT PIN 19TH CENTURY unmarked, formed as a sgian dubh fully set with agates and hard stone, the handle pulls out to reveal a silver blade 10.5cm long

£300-500

336 A COLLECTION OF SCOTTISH SILVER JEWELLERY to include a plaque brooch engraved and set with two amethyst and a citrine, a malachite set example with hinged locket panel to front, together with three circular examples set with citrine and paste (5) £150-250

337 FOUR SCOTTISH PEBBLE BROOCHES each set with various hardstone and agate panels, with engraved silver mounts (4) £250-350

338 FOUR SCOTTISH HARD STONE BRACELETS

341 TWO MONTROSE AGATE SET BROOCHES

to include an engraved and blue enamel example, Montrose agate and engraved silver linked example and two set with polished agates (4)

each of shaped circular outline set with panels of Montrose agate, together with a small two piece buckle set with shaped panels and an ivy leaf spray brooch set with green Iona marble (4)

16cm, 19cm, 20cm and 17cm long

£200-300

4.5cm, 3cm, 4cm and 8cm wide

339

£120-150

THREE VICTORIAN SCOTTISH AGATE BROOCHES

342

comprising two shaped circular examples and a shield shaped with central cross, each set throughout with various hard stone and agates (3)

A SCOTTISH AGATE SET PENDANT AND EARRING SUITE

5cm,4.5cm, 4cm wide

pendant 6cm long, earrings 3.5cm long

£150-250

£200-300

340

343

A GROUP OF FOUR SCOTTISH AGATE SET BROOCHES

A VICTORIAN SCOTTISH GOLD MOUNTED BROOCH AND EARRING SUITE

to include two penannular examples, one anchor and another shaped oval, each set in silver with engraved details and set throughout with various hard stone and agates (4)

19TH CENTURY

unmarked, the pendant and earrings formed for crosses set with polished agates and cabochon stones (3)

earrings marked 9ct, of circular outline with border of agate and hard stones and claw set to the centre with a faceted citrine (3)

4.5cm, 4cm, 4cm wide, anchor brooch 6.3cm long

£120-180

Brooch 3.5cm, earrings 2cm diameter

335

£300-500

104

343

344

348

351

THREE SCOTTISH PEBBLE KILT PINS

AN AGATE AND CITRINE SET BRACELET

A VICTORIAN AGATE SET KILT PIN

two formed as dirks, one granite set the other rock crystal, together with an arrow set with agate (3)

Joseph Cook & Son, composed of alternating links of millegrain set facetted ctirines, to box clasp; together with another Joseph Cook & Son, the rectangular and shield alternating links each set with various agate, to box clasp (2)

19TH CENTURY

9.5cm, 10cm and 8cm long

£180-220

345

both 18cm long

THREE SILVER MOUNTED SCOTTISH HARD STONE BANGLES

£120-180

each of hinged form set with various agates and granite panels (3) 6.4cm, 6cm, 6.5cm diameter

£120-180

346 A COLLECTION OF SCOTTISH PEBBLE BROOCHES of traditional designs with engraved silver mounts and set with polished agates and hard stones (6) £180-220

347 A COLLECTION OF STICK PINS to include, an agate set stick pin modelled as an acorn; together with various other including two modelled as horseshoes and a silver agate set luckenbooth brooch (8) £200-300

Victorian registration mark to reverse, modelled as a basket hilted sword with applied agate set shield, engraved presentation to reverse, ‘FROM H.M.M./ TO/ M.G.D./ 27th May 1875’; together with an agate set kilt pin modelled as a sgian dubh and another modelled as a dirk with gem set pommel biknife and fork, registration mark to reverse (3)

349

99mm, 71mm, 10cm long

A COLLECTION OF AGATE AND GEM SET BROOCHES

£180-220

to include a circular agate set brooch with applied crest; another modelled as a belt with buckle, a circular brooch with applied agates modelled as shields; together with three various brooches, each of moulded circular outline, set with various agates and paste (6)

352

£200-300

350 AN AMETHYST SET NECKLACE claw set with an oval cut amethyst flanked to either side by Celtic beast motif panels, stamped Scotland SILVER, G.A.A.; together with an enamel set brooch modelled as a penannular brooch with indistinct marks (2) 12cm wide, 4.4cm wide

£120-150

A MATCHED CITRINE AND AGATE SET JEWELLERY SUITE comprising a pair of earrings and brooch, each modelled as a shield, claw set with an oval citrine in a pierced border set with agates; together with an agate set brooch modelled as a butterfly; an agate set brooch modelled as a harp, another brooch and a padlock with foliate detail engraved to reverse; together with a pair of agate set pendant earrings (7) 31mm, length of shield

£120-150

353 A PAIR OF SCOTTISH VICTORIAN CLOAK FASTENERS unmarked, each formed with a large oval faceted citrine, claw set in a pierced and engraved scroll formed mount, with simple pin attached by long and belcher link chain 4cm x 3.5cm (mounts)

£250-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

105

JACOBITE WORKS OF ART

106

354 A FINE JACOBITE WINE GLASS 18TH CENTURY the bucket bowls engraved with large displayed rose head flanked by bud the reverse of the bowl with thistle, raised on a white enamel twisted stem and domed circular foot 15.5cm high, diameter of rim 5.2cm For the pair to this highly unusual glass see ‘The Jacobite’s and their Drinking Glasses’ by Geoffrey B. Seddon, plate 22

£1,000-1,500

355 A LARGE JACOBITE DRINKING GLASS LATE 18TH/ EARLY 19TH the drawn trumpet bowl with engraved displayed open rose head flanked by open and closed buds with trailing rose leaves, the reverse with oak leaf, star and inscribed FIAT above, raised on a short straight stem with enamel twist, on a thick domed foot 32cm high

£800-1,200

356 A JACOBITE WINE GLASS the deep cup shaped bowl with engraved displayed rose head flanked by vacant bud and foliate, the reverse with moth, on plain straight stem and spreading circular foot 16.6cm high, diameter of rim 8.6cm Literature: For an ‘Empty Bud’ glass from the Peter Lole Collection see The Scottish Sale Bonham’s Edinburgh 15 th May 2019 lot 254 (sold £1785 inc. premium) – this example illustrated in Arthur Churchill Ltd., Glass Notes No.11 (1951) page 19 figure 23. Note: The so called ‘Empty Bud’ glasses appear to number as few as ten, although this example is not believed to be recorded within that number. Originally discussed in Glass Notes by E Barrington Hayne in 1951 seven examples were recorded. This number was increased to ten by 1994 when discussed by G. B. Seddon in his seminal work ‘The Jacobite’s and Their Drinking Glasses’.

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

357 A RARE JACOBITE SYLLABUB GLASS 18TH CENTURY the deeply tapered bowl with facetted lower section, the upper rim finely engraved with rose head and closed bud, oak leaf, open rose bud, star and FIAT, raised on a knopped stem and plain circular foot 11.2cm high, diameter of foot 6.3cm Literature: For a comparable example see Scottish Silver & Applied Arts, Lyon & Turnbull 14 th August 2019 lot 522. Note: This syllabub glass is a highly unusual form of Jacobite drinking glass. While firing glasses and wine glasses etc. are commonly recorded the number of syllabub glasses number very few.

£800-1,200

358 A JACOBITE WINE GLASS 18TH CENTURY the flared bowl engraved with rose head with foliate and forget-me-not flowers, raised on a multi enamel twist stem and spreading foot 16cm high, diameter of bowl 7cm

£600-800

359

360

A JACOBITE WINE GLASS

18TH CENTURY

the tall tapered bowl on a slightly tapered hexagonal facetted stem and circular foot, the underside of the bowl at join with stem with engraved arched and spiked decoration, which, when viewed through the base of the bowl when drinking displays a Jacobite rose 18.3cm high, diameter of foot 7.4cm

the bucket tapered bowl on a swollen hexagonal facetted stem and circular foot, the underside of the bowl at join with stem with engraved arched and spiked decoration, which, when viewed through the base of the bowl when drinking displays a Jacobite rose

£300-500

15.7cm high, diameter of foot 7cm

£300-500 Note: These rare 18th century Jacobite glasses are a seldom encountered example of symbolism used in glassware of the period. In Seddon’s seminal work The Jacobites and Their Drinking Glasses no examples of the rose hidden in this form are recorded. The shape of glass is most commonly associated with English manufacture, and it may have been used by an English Jacobite supporter. Without doubt the English Jacobite supporters, post 1746, were closely watched by their Hanoverian neighbours and showing any overt support for the cause could result in lands being seized, status taken, and even death. Literature: For a comparable example see Fine Furniture & Works of Art, Lyon & Turnbull 2 nd May 2018, lot 5.

108

361 A RARE JACOBITE CORDIAL GLASS 18TH CENTURY the drawn trumpet bowl with engraved with single bud and foliage 17.5cm high, diameter of foot 7cm Literature: For the pair to this highly unusual glass see The Jacobite’s and their Drinking Glasses by Geoffrey B. Seddon, plate 22

£1,000-1,500

362 AN UNUSUAL PAIR OF JACOBITE TUMBLERS EARLY 19TH CENTURY the tapered wide bowls with facetted lower sections, engraved above with rose head and foliate spay and a separate bud within foliage, engraved to the reverse FIAT above star (2) 9.5cm high, diameter of rim 8cm Note: En suite with proceeding lot

£300-500

363 AN UNUSUAL PAIR OF JACOBITE GLASS TUMBLERS EARLY 19TH CENTURY the tapered wide bowls with faceted lower sections, engraved above with rose head and foliate spay and a separate bud within foliage, engraved to the reverse FIAT above balance scales (2) 9.5cm high, diameter of rim 8cm Note: This pair are en suite with the preceding lot however differ with the addition of the engraved balance scales. It is unclear what this unusual Jacobite symbol references and could have a Masonic connection

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

109

364 A REVERSE PAINTED ON GLASS PORTRAIT OF PRINCE CHARLES EDWARD STUART 18TH CENTURY after Robert Strange, the half-length portrait of Prince Charles in tartan jacket with blue sash for the Order of the Garter and wearing blue bonnet and white cockade, in modern white card mount Portrait 6.5cm diameter

£2,000-3,000

It would appear this portrait originally formed part of a hidden portrait snuff box and would have been concealed either to the interior of a box on under a false cover. This is further backed up by a mid-19th century manuscript note which accompanies the box which reads “Prince Charles Edward Stuart’s picture, discovered concealed in the lid of an old snuff box about 1815, probably 70 years after it was placed in the box for concealment as the box originally belonged to a Jacobite family, J. Linning Stirling 1840’ the label is also noted “M.L.Melville Esq / This belongs to you / J. Linning / Stirling 8 th Sept. / 1853” and on an alter attached section “came to Mrs Janet Linning through her mother E. Wilson & aunts (Wilson) the Jacobite ladles: probably through their Haldane mother, grandmother or relation who were all ardent Jacobites”

110

365 AN EARLY 18TH CENTURY JACOBITE MANUSCRIPT COMMISSION the four fold single page (with losses) written by the Earl of Mar and dated 1715 with wax seal addressed to John Paterson, in later double sided glazed frame document: approx 31cm x 18cm max Note: This interesting document which has sadly suffered some losses, appears to be the Earl of Mar by his lordships command promoting John Paterson. It also mentions the Earl of Breadalbane and mentions the Camps at Perth dated 22nd October 1715

£600-800

366 JACOBITE INTEREST - A FRAMED CURTAIN SECTION 18TH CENTURY the decorated fragment with foliate detail, within card mount with inscription reading ‘Relic of Bonnie Prince Charlie. The above piece of Curtain from the bed in which Prince Charles Edward Stuart slept for three nights prior to the fateful Battle of Culloden Moor. This historic bed was purchased by Mr. Lawson Johnstone from the Culloden Estate and the authenticity of the relic is beyond question’, within a simple oak frame with applied ivorine plaque inscribed ‘To Ormond Blyth from Gordon Lawson-Johnston, August 1911’ Curtain section 11cm x 6cm (approx.), frame 22cm x 21.5cm Provenance: The Valuable Contents of Culloden House, Messrs A. Fraser & Co. Inverness Wednesday 21 st and 22 nd July 1897, lot 605 (part)

£400-600

Note: The contents and collections from Culloden House have long been admired for their virtually unbroken province up until 1897 when the house and contents were sold. Immortalised in the tartan covered ‘Purchasers Catalogue’ many fascinating and important items were listed within the collection. The main section of Jacobite relics were held within the The Presidents Bedroom and included the mahogany tester bed in which Prince Charles Edward Stuart spent three nights here before the fateful battle of Culloden. It is recorded the bed was sold to J Lawson Johnstone, London and cost £750, by far the most expensive piece in the sale. From this fragment which appears to have been mounted in the late 19 th / early 20 th century Lawson Johnstone took at least some of the curtains and gifted or perhaps sold them as souvenirs. That said these relics appear on the market so seldom it seems unlikely many were made as surely more would survive and have been offered for sale.

367 A VICTORIAN JACOBITE ENGRAVING 19TH CENTURY showing Prince Charles Edward Stuart reading dispatches in full Highland Dress with blue bonnet and silver sword, his highland attendant behind him, architectural setting, in modern frame and mount Image: 31cm x 38cm, frame, 55 x 64cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

111

368 A FRAMED SECTION OF JACOBITE RIBBON MID-18TH CENTURY the section of silk ribbon woven with figure of a Highlander (likely to represent Bonnie Prince Charlie) in harlequin dress with sword and targe, in a simple later wooden frame ribbon 9.5cm x 3.5cm Provenance: Scottish Silver & Applied Arts sale Lyon & Turnbull 17th August 2016, lot 498 Note: For a similar section previously in the Fingask Castle Collection see Jacobite, Stuart & Scottish Applied Arts Lyon & Turnbull 13th May 2016, lot 7

ÂŁ2,000-3,000

112

369 THE PRINCE CHARLES EDWARD STUART WALKING CANE AN IMPORTANT 18TH CENTURY EUROPEAN DAMASCENE STEEL AND GOLD MOUNTED WALKING CANE unmarked, the gold inlaid steel head with compressed gold inlaid pommel, with British crown surmounting initials ‘CE’ within arched and foliate borders, the lower panelled section of the head formed of finely inlaid foliate scrolls with inlaid ribbed and plain collars below, the tapered snake wood stick with inlaid gold eyelet and later brass ferule to point Steel head 6.5cm long, pommel 3.3cm diameter, overall length 94.5cm Provenance: Prince Charles Edward Stuart Gifted to a French Noble Family By descent till circa 1905 - 1909 Presented to Alfred William Cox (1857 – 1919) By direct descent Exhibited: Stuart and Cromwell Relics, and articles of interest connected with the Stuart Period, Cambridge Antiquarian Society, Guildhall Cambridge 15th-20th May 1911, item 5 (lent anonymously)

£10,000-20,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113

Although many relics of the Jacobite Cause exist, few are directly and personally connected with the Stuart family, or a single member, so directly. This walking cane was no doubt an important and highly personal accessory of the fashionable Prince Charles Edward Stuart, used within the Courts of Europe when petitioning his cause. A history of portraiture illustrates the Prince as a young, fashionable, educated and confident man. With much of his life spent in Europe in the presence of many Royal courts, he was keen to portray an image of the upmost grandeur at all times. In the 18th century, it was de rigueur to own a fine walking cane; a reflection of one’s societal status, wealth and artistic interests. Sadly, no portraits can be found of the Prince which feature a walking cane, as these more often focus on official symbols of office and heraldry. However, in the Scottish National Portrait Gallery’s collection, Paolo Monaldi & Pubalacci & Silvestri’s exceptional painting, Prince James receiving his son, Prince Henry, in front of the Palazzo del Re, Prince Charles’ father James and his court can be seen with several walking canes, serving as a statement accessory; a clear indication of the fashionable taste amongst the Stuart’s social circles. It is remarkable to consider the cane’s long history with such few breaks in ownership. When it was exhibited in 1911, it was recorded as having been ‘used by Prince Charles when he was at the French court, and was presented by him to a French nobleman, in whose family it has remained until a few years ago, when it was presented by the present holder of the title to the lender’. For some time, the cane was considered to have been a gift to Prince Charles from King Louis, however it has not been possible to substantiate this. Despite this, the worked elements of the cane are certainly European, and draw comparisons to some of the finest gold inlaid and steel metalwork made in France and Germany. A closer look at the inlaid decoration is revealing: the placement of the British crown above his initials rather boldly indicates his rightful claim to the throne. Being the monarch’s crown, it is possible that this cane was made for Charles after his father’s death and he titled himself King Charles III. Indeed, other personal monogrammed items which survive feature the initials CP for Carlos Princepus.

While there is some speculation as to whether the cane was gifted by King Louis, there is no doubt surrounding the quality of manufacture. Moreover, the gifting to a French noble family by Prince Charles successfully traces the provenance back to Charles’ own lifetime; a highly unusual feat and few comparisons exist outwith established museum collections. By the 1911 exhibition the cane was the property (although lent anonymously) of Alfred William Cox. Alfred was a remarkable character of Victorian society. Son of Alexander Robb Cox (1826 – 1880) he came from a long line of successful Scottish jute merchants and factory owners working in Dundee and Liverpool. In 1879, and on failing his entrance exams for the Military Academy at Woolwich, he was given £100 and an allowance to travel to Australia. His father’s intention was for him to learn about the sheep trade and presumably set up his own. But before long he had fallen into his favourite leisure pursuit and was again involved in gambling on horse racing, which had perhaps originally led to his failed exams back in England. On hearing this, his father threatened to cut his allowance and seek his return. For a short time at least, Alfred went into sheep farming. This was not to last long however, his interests inevitably shifted over a game of cards in which he won a share in what became the Broken Hill silver mine, for a sum £120. He would return to England a wealthy man in the late 1880’s with his shares value then estimated at £1,260,000 (some £70m in today’s terms). On his return he became one of Britain’s most successful race horse owners and had many renowned winners, perhaps most famous is Bayardo, a short career which is still remembered today. Late Victorian and Edwardian horse racing at the highest levels was a highly a social event. A fashionable cane such as this would have served Alfred well when in attendance at the Royal Enclosure, and especially when in the company of the Prince of Wales (later King Edward VII) who frequented there. Alfred Cox had a small but fine collection of canes, this no doubt the highlight. How it came into his collection when it was ‘presented’ to him by the Noble French family remains a mystery, but family tradition has often held that it may have been in lieu of a debt for a horse, stud fees, or likely gambling.

114

115

370 AFTER FRANCESCO TREVISANI (1659-1746) PAIR OF HALF-LENGTH PORTRAITS OF KING JAMES III AND PRINCESS MARIA CLEMENTINA SOBIESKA King James in blue velvet cloak and with Order of the Garter, crown adjacent; the Princess in blue cloak and jewelled bodice, wearing pearls, and with crown and pocket watch on the table before her Oil on canvas (2) 96cm x 73cm Provenance: Tytler family, by repute W.B. Dunlop, Seton Castle, Longniddry, East Lothian By direct family descent.

£6,000-8,000

These impressive Jacobite portraits of King James III and Princess Maria Clementina were painted whilst they were in exile from Britain and indeed before they were married. From 1717 James was resident in Italy and continued to use portraiture as an important tool in building support and interest in the Stuart cause. The original painting of James by Francesco Trevisani was created in 1718 on the suggestion of the Earl of Mar. He was considered an important choice as an artist due to his wide international reputation, and this would further promote the importance of the images. Undoubtedly, the portraits are striking in their claim to the British throne; depicting James in the full regalia of the Order of the Garter, thereby illustrating his desire to be recognised as a ‘British King’ in all his glory. This bold statement was even more significant as the original portrait was commissioned to be sent to Maria Clementina, who James was yet to marry. The message clearly stating that she was marrying into a Royal family of right, rather than to the king of an exiled court lacking a throne. The portrait would not however reach Maria as intended, as she was captured by the Austrian Emperor Charles VI whilst en route to marry James. Charles was opposed to the pairing and held her captive in Innsbruck. Following her daring escape in 1719 she was finally presented with the portrait in Bologna. Immediately, copies of the King James and accompanying Maria Clementina portraits were ordered and presented to supporters, including the Earl of Mar. The popularity of these pictures was so great that in 1720 more copies were created to fulfil the demand. The original portrait of Maria is now with the Scottish National Portrait Gallery, acquired in 1918 (PG 886).

The current portraits have descended from a private family collection and have been recorded as being at Seton Castle since the vendor’s grandfather-in-law, W.B. Dunlop, resided there from the late 1800s until his death in 1946. He catalogued these portraits and stated that they were a set of presentation portraits, given to the Tytler family in recognition of their support for the Jacobite cause. The Tytler families’ Stuart and Jacobite support is long and well recorded. As early as the 16th century one of the Setons of Seton Palace (now Seton Castle), believed to be the chaplain, fled to France after committing a murder. There he changed his name to Tytler, settled, married and had several children. Two of his sons accompanied Mary, Queen of Scots to Scotland in 1561. After the Troubles, the Tytlers were officially recognised and accepted as Seton descendants but opted to retain the name of Tytler. Following the 1715 Jacobite rising, all the lands of the Setons, including Seton Palace, were confiscated. They were first sold in 1719 and again in 1779, bought by Lt Col Alexander Mackenzie WS. In 1789 Mackenzie started the demolition of Seton Palace, building Seton Castle in its place to a design by Robert Adam, completed in 1791.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

116

371 A SILVER GILT STUART/ JACOBITE SUPPORTERS BADGE 17TH CENTURY by T Rawlins, the oval medallion with right facing crowned portrait bust of King Charles I with motto around, the reverse with full Royal arms within garter and crowned, with integral suspension loop 4.7cm high, 9g Note: Various Stuart supports badges such as this were created from the 1660’s when Charles I was overthrown and latterly beheaded. Worn by supporters of the Stuart royal family they would have been hidden underclothing and a highly personal accessory. They were presumably only shown to other supporters or to back up a persons claim to be a supporter. Their use and significance took on a further role with the ousting of King James and the growing Jacobite cause.

£700-900

372 A RARE CONTINENTAL SILVER AND ENAMEL HIDDEN PORTRAIT SNUFF BOX the circular red enamel snuff box with reeded rims and scalloped thumb piece, the interior of lid with oil on copper half-length portrait of Prince Charles Edward Stuart 8cm diameter

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117

373 A RARE EARLY WAX RELIEF PORTRAIT MINIATURE the sitter attributed as Mary Queen of Scots, the profile bust in varied coloured wax with deep relief, in oval brass mount and turned ebony frame; together with manuscript label (loose) (2) Frame 10cm high Note: The 19 th century manuscript label reads ‘Portrait of Mary Queen of Scots, believed to be contemporary. Brought from Spain by the late John Philip R.S. and purchased at his sale Christies; Lot no. 462: May 31/67. The material used is wax’

£200-300

374 ARISAID BLANKET POSSIBLY LATE 18TH CENTURY / EARLY 19TH CENTURY composed of four stitched together panels of red and green tartan on a cream background 240cm x 186cm approx

Note: detail illustrated £200-400

375 JACOBITE INTEREST: A PAIR OF GEORGE II BERRY SPOONS ALEXANDER GAIRDNER, EDINBURGH 1756 Assay Master Hugh Gordon, the spoons converted from Hanoverian pattern, chased Rococo cartouche with single displayed rose head on matted ground to terminal, the lower section of stem with budding rose head the gilded bowls chased and shaped to oak leaf shape 21.6cm long, combined weight 4.4oz Note: These fascinating berry spoons appear to be commemorative of the Stuart and Jacobite cause. While berry spoons are not uncommon the standard of design is almost exclusively connected to exotic fruits and heavily chased bowls. These appear far more deliberate in their choice of designs. While addition of floral motifs cannot be considered unique the addition of a Stuart oak leaf bowl along with the rose in the ever popular Jacobite form cement these as Jacobite pieces

£300-500

118

376 A RARE ‘SUCCESS TO THE SOCIETY’ JACOBITE WINE GLASS 18TH CENTURY The straight sided bucket bowl finely engraved with displayed thistle and leaves, with motto Success To The Society’ engraved around and with family motto ‘Gang Warily’ below, rasied on a an opaque enamel twisted stem and conical foot 15cm high, 7cm diameter of foot Provenance: William McAdam Antique Glass, Edinburgh

£2,000-3,000

Note: Although the exact Society referenced on this glass has not been determined it appears to fall within a small group of Society’s glasses known. What confuses further is that more than one pattern is known and iconography changes from simple motto to more elaborate Jacobite symbols such as the rose and buds. Indeed variety in the mottos is recorded too with similar recorded with mottos such as ‘Health To All True Blues’ and ‘The Friendly Hunt’. There is no doubt that the Society is pro Jacobite and it is considered by the addition of the thistle that it is likely this society was Scottish based. For a glass from a similar set see ‘The Jacobite and Their Drinking Glasses’ G. B. Seddon plate 88, page 124, the pair sold Lyon & Turnbull, Scottish Silver & Applied Art 14 th August 2019 lot 524. The addition of the Drummond family motto, Gang Warily, connects this glass to either a family member, clansman or supporter of the Duke of Perth. Following a close family connection to the Stuarts the 6th Earl and 3 rd Duke of Perth was an extremely close ally of Prince Charles. As soon as he arrived in Scotland in July 1745 Perth declared his allegiance. Awarded lieutenant-general of the highland army, Perth participated in the successful battle of Prestonpans. However, as the tide turned in Inverness-shire Perth fled the battle of Culloden and was taken aboard the French frigate ship La Bellone, which had arrived with supplies for the highland forces. Worn out by the campaign he died at sea on 13 May of that year.

377 A JACOBITE WINE GLASS 18TH CENTURY The drawn trumpet bowl engraved with open rose head, buds and oak leaf, raised on a multi series air twist stem and slightly domed circular foot 15cm high, 7cm diameter of foot Provenance: William McAdam Antique Glass, Edinburgh

£800-1,200

378 A UNUSUAL JACOBITE WINE GLASS 18TH CENTURY The bell shaped bowl finely engraved with Rose head, buds and moth, raised on a double knopped air twist and plain stem, with domed circular foot 17cm high, 7cm diameter across foot Provenance: William McAdam Antique Glass, Edinburgh

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

119

MILITARIA, ARMS & ARMOUR & HIGHLAND DRESS

120

379 A SET OF SEVEN FRAMED VICTORIAN TARTAN SAMPLES comprising Prince Charlie (6 set) Stewart (12 set), Victoria (16 set) McKinley (16 set), Nicol (7 set), Urquhart (8 set) Macduff (16 set) all mounted on card with gilt borders, in modern oak frames Samples approx. 30cm x 21.5cm; Frames 37.5cm x 29cm

£400-600

380 A RAM’S HEAD 19TH CENTURY of traditional form, well coiled horns, the snout with applied engraved German armorial 43cm x 32cm Heraldry: The arms on the plaque are for the former German principality of Schwarzburg-Sondershausen (1599-1918) in present day Thuringia with its capital Sondershausen. From the presumed date of late 19th century it could relate to either Charles Gonthier, Prince of SchwarzburgSondershausen (1880-1909) or Princess Marie Gasparine of Saxe-Altenburg, it appears she was a potential spouse for the Prince of Wales.

£600-800

381

382

‘TARTANS OF THE CLANS OF SCOTLAND’ BY JAMES GRANT

A COLLECTION OF CLAN BADGES

PRINTED BY W AND A K JOHNSTON, 1886

to include a gilt metal Victorian example with applied initials; unmarked large example with eagle crest, a modern Edinburgh example retailed by W Anderson; together with plaid brooch etc (qty)

the large volume with cloth binding and gilt and colour tooling profusely illustrated with colour plates of Clan tartans, armorials and with histories of the clans Note: This lot has been donated by a private individual and is being sold for the benefit of the Scottish Tartans Authority, whose role is to preserve, promote and protect Scotland’s iconic tartan heritage.

£100-150

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

£200-300

121

383 A DRESS SPORRAN EARLY 20TH CENTURY Romanes & Paterson, Edinburgh 1922, the arched cantle with deeply embossed foliage and scrolls, the white ermine pouch with three taxidermy masks and tooled brown leather backing Cantle 16.7cm wide

£300-500

384 A VICTORIAN SPORRAN EDWIN MILLIDGE, EDINBURGH 1880 the arched cantle with deeply chased foliate scrolls, the central scroll formed cartouche with engraved crest and motto SANS PEUR, the cantle set with three ball finials, the red leather back pouch with white goat hair and twin black tassels with scroll decorated bells; together with a white metal long link chain with leather straps Heraldry: The crest and motto for Sutherland

£300-500

385 A VICTORIAN GOAT’S HAIR SPORRAN 19TH CENTURY the arched cantle with engraved panels of Celtic interlace and roundels, with black leather fringe and three compressed finials, the long goat hair body with green leather reverse cantle 15.5cm wide, overall length 41cm

£600-800

386

387

A BADGER MASK SPORRAN

A PINE MARTIN SPORRAN

the badger mask hinged to reveal pouch with brown tooled leather backing, with brass sporran chains

the full taxidermy mask with open mouth and snarling teeth, the body with paws, red leather backing and pouch

29cm long

25cm long

£200-300

122

388 AN EARLY VICTORIAN 93RD (SUTHERLAND HIGHLANDERS) REGIMENT OF FOOT OFFICERS DIRK 19TH CENTURY the basket weave ebony handle with silver studs the pommel set with a faceted smokey quartz, a single fuller spear pointed steel blade with scalloped back edge, the japanned metal scabbard with embossed thistle and scroll mounts with engraved regimental numbers, set with bi knife and fork with smokey quartz to pommel, signed ‘Prosser Charring Cross London’ Blade 31.5cm overall length 45.5cm

389

£800-1,200

AN EARLY VICTORIAN SGIAN DUBH 19TH CENTURY unmarked, the basket weave carved black wood handle with applied studs, the pommel with an ovolo border and ball final, the leather scabbard with Celtic engraved mounts Blade 8cm long, overall length 18cm

£200-300

390 A SGIAN DUBH R & H B KIRKWOOD, EDINBURGH, LATE 19TH/ EARLY 20TH CENTURY makers mark only, the basket weave carved handle with claw set citrine to pommel, steel blade with scalloped back edge, in leather covered scabbard with finely engraved Celtic knotwork mounts 17.5cm overall length

391

£150-250

AN ENGRAVED POWDER HORN EARLY 19TH CENTURY the polished cow horn section with simple nozzle and brass mount to point, the wide end with scalloped edge, the main body engraved with spray of thistle and rose with crown between and within a foliate cartouche with pierced heart, love birds and inscribed WM WILSON and MARY WILSON 28.5cm long

£200-300

392

393

394

395

A VICTORIAN ANTLER HANDLED SGIAN DUBH

A VICTORIAN QUEEN’S OWN CAMERON HIGHLANDERS OFFICER’S SPORRAN

AN ARGYLL & SUTHERLAND HIGHLANDERS OFFICER’S SPORRAN

A LONDON SCOTTISH SPORRAN

19TH CENTURY

EARLY 20TH CENTURY

the brass cantle with displays of thistles and oak leaves with acorn, surrounding regimental badge and with Peninsula, Egypt and Waterloo battle honours within ribbon, the horse hair body with six silver bullion and blue silk tassels, with red morocco leather backing, retailed by Wm. Anderson & Sons Ltd.

the full badger mask sporran with six tassels with gilt bells, the arched brass cantle to red leather backing; together with a white seal fur dress sporran with silver plated cantles (2)

the brown leather arched cantle with applied white metal regimental badge, with leather pouch and backing, the body of two tone horse hair with twin tassels

19TH CENTURY unmarked, the roe deer antler handle with collet set crystal to pommel, the leather covered scabbard with foliate engraved mounts 19cm long (overall)

£200-400

18.5cm width of cantle, 52cm overall length approximately

£400-600

49cm and 23cm long

£200-300

EARLY 20TH CENTURY

46cm long approx.

£180-220

123

396 A SCOTTISH BASKET HILT SWORD elongated side guards pierced with hearts, and unusually inset with copper alloy lines some in saltire shape, small curved wrist guard, conical shaped pommel, the wooden grip covered in ray skin and bound with a double twist of brass wire, double edge blade with twin fullers at the back edge 95cm long overall, 78cm, length of blade

£2,200-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

124

397 A VICTORIAN LONDON SCOTTISH OFFICER’S DIRK 19TH CENTURY unmarked, the basket weave studded carved ebony handle with engraved and mounted pommel, the steel blade with scalloped back edge and twin fullers, the leather scabbard with finely engraved mounts and back plate with applied Fraser crest and motto ‘JE SUIS PREST’, set with bi knife and fork 29.5cm long (blade), 44cm long overall

£1,000-1,500

398 A STEEL MOUNTED DIRK LATE 18TH / EARLY 19TH CENTURY the finely carved basket weave baluster handle with thistle detail and steel studs, the pin top pommel with engraved thistle, the single fullered steel blade with spear point and marked 4 with crown above, the leather mounted steel scabbard with steel engraved thistle mounts with bi knife and fork blade 34.5cm long, overall length 53cm

£500-800

399 A VICTORIAN DIRK 19TH CENTURY unmarked, the basket weave handle set with foil backed crystal to pommel, the leather scabbard with thistle embossed mounts and set with bi knife and fork Blade 29.5cm long, overall length 43.5cm

£300-500

400

401

402

A CANADIAN SCOTTISH (16TH HIGHLANDERS) SGIAN DUBH

A SGIAN DUBH

EARLY 20TH CENTURY

ROBERT ALLISON, GLASGOW 1948

the carved handle set with brass regimental badge and motto, the pommel with claw set paste, brass mounted scabbard and scalloped back edged blade; together with a post 1953 MOD issue military Sgian Dubh, with crown to pommel and thistle mounts (2)

with part Edinburgh hallmarks, the basket weave handle with cast figure of a lion to pommel, stainless steel blade with scalloped back edge, in a leather covered scabbard with simple plain mounts

the basket weave handle with claw set amber paste to pommel, the leather scabbard with plain silver mounts

19.5cm long overall

19cm overall length

£300-500

£150-250

125

403 TWO SCOTTISH REGIMENTAL CREAMWARE PLATES 19TH CENTURY a soup plate, impressed mark to the rear the central painted decoration of a basket hilted sword, tartan plaid and an officer’s cap, the bouge with the crest and motto of the Black Watch, also with Egypt battle honours; the smaller side plate with indistinct impressed mark, border decorated with trailing thistles, the centre with a crossed dirk and basket hilt sword (2) 24.5cm and 20cm across

£150-250

404 A VICTORIAN OUTFIT LATE 19TH/ EARLY 20TH CENTURY comprising black wool jacket and waistcoat, each with pierced and engraved circular and star buttons by T K Ebutt, Edinburgh 1922, a grey, black and red kilt with matching underpants, leather brogues with twin buckles, diced hose and wool bonnet £300-500

405 A PAIR OF MOUNTED CANNON BALLS MID-19TH CENTURY the iron cannon balls mounted on simple oak stands to form book ends, one inscribed Gordon Castle, the other inscribed Crimea 1854-6 70mm across

£150-200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

126

406 A SCOTTISH REGIMENTAL TWO-FOLD DRAUGHT SCREEN LATE 19TH CENTURY the wooden screen painted in colours and gilt paint with a royal cypher inscribed GR, between numerals and enclosed within tartan borders each fold, 215cm high, 45cm wide

£800-1,200

127

407 A RARE VICTORIAN PRESENTATION TIPSTAFF CIRCA 1851 unmarked, the ebony cylindrical shaft set with royal crown to top and simple collar to base, the upper section with applied lion rampant above a Ducal coronet, the reverse with oak tree with saw through trunk (for Hamilton), the central section with applied presentation band engraved Victoria Queen, Alexander 10 th Duke of Hamilton Hereditary Keeper, Presented to John Rogers Esquire, Baillie of the Abbey of Holyrood House, by the High Constables, Thomas Miller Moderator 1851’, in fitted velvet lined glazed domed oak display case 66cm long Note: Although Tipstaffs and Batons of office are encountered with regularity presentation examples or indeed such large examples as this are extremely rare. To find one with such direct Royal and Ducal connection as this appears to be virtually unique. The presentation itself is still somewhat of a mystery. It can safely be assumed that Thomas Miller must have had a long career within the Abbey of Holyrood House and perhaps his time as Moderator in 1851 was the end of this illustrious career. No other such examples presented to Moderators can be traced so this is by no means a standard presentation to Moderators of the Abbey when they stand down. For a similarly large example from the Barony Burgh of Portsburgh, intriguingly last presented in 1851 as well, see ‘Jewellery & Silver’, Bonhams Edinburgh 7 th December 2011 lot 535 (sold £7500)

£1,500-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

WHISKY, WINE & SPIRITS

129

408 DALLAS DHU 1975 21 YEAR OLD - RARE MALTS DISTILLERY CLOSED 1983 bottled in 1997, bottle number 5202, with carton 70cl/ 61.9%

£300-500

409 DALLAS DHU 1980 45.4 - THE SCOTCH MALT WHISKY SOCIETY DISTILLERY CLOSED 1983 bottled in 1993 70cl/ 113.6proof / 64.9%

£300-500

410 GLENBURGIE 17 YEAR OLD 1999 HUNTER LAING one of 700 bottles, with carton, 700ml/ 50%; together with INCHGOWER 2000 15 YEAR OLD, one of 663 bottles, with carton, 700ml/ 50% (2) £80-120

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

411 GLENFIDDICH MARY QUEEN OF SCOTS CERAMIC DECANTER 750ml/ 43%; together with BEINN A’CHEO (TOMATIN 1985) 15 YEAR OLD, 700ml/ 56.7% (2) £80-120

412 THE GLENLIVET ARCHIVE 21 YEAR OLD (box lacking) 70cl/ 43%

£80-120

413 BALVENIE SINGLE BARREL in cask 22-1-77, bottled 5/5/1994, cask number 316, with carton, 70cl/ 50.4%; together with a BALVENIE FOUNDER’S RESERVE 10 YEAR OLD, 70cl/ 40% (2) £250-350

414 GLENFARCLAS 1982 L1.40 - THE SCOTCH MALT WHISKY SOCIETY bottled in 1994 70cl/ 100.4 proof/ 57.4%

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

415 LONGMORN 25 YEAR OLD 7.23 - THE SCOTCH MALT WHISKY SOCIETY in wooden presentation case 70cl/ 57%

£200-300

416 GLENROTHES 18 YEAR OLD 30.57 - THE SCOTCH MALT WHISKY SOCIETY matured in first-fill Sherry butt 70cl/ 55.6%

£100-200

417 GLENLOSSIE 1970 16 YEAR OLD DECANTER facetted glass decanter, in presentation box 75cl/40%

£400-600

132

133

418 MORTLACH 1971 47 YEAR OLD cask number 2892, bottle number 34 of 94, with presentation case and certificate of authenticity 70cl/ 46.8%

£10,000-15,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

419 THE MACALLAN 10 YEAR OLD (1990S) matured in Sherry wood, with carton 70cl/ 40%

£200-300

420 THE MACALLAN 10 YEAR OLD AND PRIVATE EYE MINIATURE (1990S) with carton, 70cl/ 40%; the Private eye Miniature, 5cl/ 40% (2) £700-900

421 THE MACALLAN 10 YEAR OLD (1990S) matured in Sherry wood, with carton 700ml/ 40%

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

135

422 THE MACALLAN RARE CASK 2018 BATCH ONE with carton 70cl/ 43%

£200-300

423 THE MACALLAN RARE CASK 2018 BATCH TWO with carton 70cl/ 43%

£150-200

424 THE MACALLAN GHILLIE’S DRAM limited edition, 746 of 800, with fly wallet and maps, with carton 700ml/ 40%

£500-700

136

425 THE MACALLAN 1861 REPLICA with presentation case and booklet 700ml/ 42.7%

£300-500

426 THE MACALLAN 1975 18 YEAR OLD matured in Sherry casks, bottled in 1994 70cl/ 43%

£1,800-2,200

427 THE MACALLAN FOLIO 5 with case 70cl/ 43%

£450-550

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

428 THE MACALLAN ROYAL MARRIAGE MALT 1948/1961 bottled in 1981 to celebrate the wedding of The Prince of Wales and Lady Diana Spencer 75cl/ 43%

Â£1,500-2,000

138

429 THE MACALLAN 1983 18 YEAR OLD exclusively matured in Sherry casks, with carton 700ml/ 43%

£800-1,200

430 THE MACALLAN 1995 EASTER ELCHIES 2009 RELEASE matured in a Sherry Hogshead for 13 years, cask number 14016, with carton 700ml/ 52.8%

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

139

431 DALMORE 12 YEAR OLD 6 bottles, with cartons 70cl/ 40%

£180-220

432 BLAIR ATHOL 1995 20 YEAR OLD - HUNTER LAING one of 665 bottles, with carton 700ml/ 50%

£80-120

433 GLENURY ROYAL 1971 23 YEAR OLD - RARE MALTS DISTILLERY CLOSED 1985 bottle number 3358 70cl/ 61.3%

£200-300

434 TOMATIN 1975 31 YEAR OLD - OLD & RARE DOUGLAS LAING one of 252 bottles, bottled in 2007 from a Rioja cask, non-chill filtered, with presentation case 700ml/ 55.6%

£200-300

140

435 BRORA 1972 22 YEAR OLD - RARE MALTS CLOSED 1983 natural cask strength 70cl/ 58.7%

Â£3,000-5,000

141

436 ARDBEG KILDALTON in presentation case 70cl/ 46%

£150-250

437 ARDBEG GROOVES committee release 2018 70cl/ 51.6%

£150-200

438 ARDBEG BLAAACK committee 20th Anniversary limited edition, with carton 70cl/ 46%

£100-150

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

439 ARDBEG 21 YEAR OLD 2016 committee release, with carton 70cl/ 46%

£300-400

440 ARDBEG GUARANTEED 23 YEAR OLD 2017 committee release, with carton 70cl/ 46.3%

£400-500

441

442

443

ARDBEG 21 YEAR OLD

ARDBEG KELPIE

TWO BOTTLES OF ARDBEG KELPIE

2016 committee release, with carton

committee release 2017

limited edition, with cartons (2)

70cl/ 46%

70cl/ 51.7%

70cl/ 46%

£300-400

£150-250

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143

444 DAFTMILL SUMMER BATCH RELEASE 2006 limited edition of 1665 bottles 700ml/ 46%

£250-350

445 ROSEBANK 1992 DISTILLERY CLOSED 1993 cask number 1371, bottled for Pacific Caledonian Limited Edinburgh, bottle number 238 of 238, signed by George Motion (owner) and Matthew Forrest 70cl/ 58.5 proof

£200-300

446 LONGROW 14 YEAR OLD 1980S bottled by J & A Mitchell & Co. Ltd 75cl/ 46%

£1,500-2,500

144

447 PORT ELLEN 1983 25 YEAR OLD - MCGIBBON’S PROVENANCE CLOSED 1983 non chill-filtered, with carton 700ml/ 46%

£400-600

448 BRUICHLADDICH 15 YEAR OLD 2 bottles, with cartons (2) 70cl/ 40%

£150-250

449

450

451

452

BRUICHLADDICH 15 YEAR OLD

2 bottles, with cartons (2)

6 bottles, with cartons (6)

with tin

70cl/ 40%

70cl/ 46%

£150-250

£450-550

£80-120

145

453 BRUICHLADDICH 15 YEAR OLD in carton, 70cl/ 40%; together with a BUNNAHBHAIN 12 YEAR OLD, in carton, 70cl/ 46.3% (2) £100-200

454 HIGHLAND PARK 8 YEAR OLD (1980S/90S) - GORDON & MACPHAIL with carton 70cl/ 57%

£600-800

455 JURA 20 YEAR OLD CASK STRENGTH SPECIAL LIMITED EDITION bottle number 174 of 261, with carton 70cl/ 54%

£120-180

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

146

456 THE YAMAZAKI SINGLE MALT WHISKY 10 YEAR OLD with carton and additional sleeve 70cl/ 40% Provenance: Private English collection, Isle of Wight

£200-300

457 BOOKER’S KENTUCKY STRAIGHT BOURBON WHISKEY 8 YEAR OLD, LOT NO. C-B-16-79 with wooden presentation case 750ml/ 121.4 proof

£200-300

458 BOOKER’S TRUE BARREL BOURBON 7 YEARS, 5 MONTHS OLD Batch No. C-E-15-84, #08534, with wooden case No volume stated/ 62.3%

£400-600

147

459 GROUP OF HIGHLAND PARK MINIATURES to include THREE HIP FLASK STYLE BOTTLES, 100 proof; 70 proof; 8 year old; together with VARIETY OF 1980S OFFICIAL AND INDEPENDENT BOTTLINGS; and a HIGHLAND PARK REBUS 30TH ANNIVERSARY 10 YEAR OLD, 700ml/ 40% (16) £80-120

460 GROUP OF THE MACALLAN MINIATURES to include TWO FINE OAK 10 YEAR OLD; THREE FINE OAK 12 YEAR OLD; 10 YEAR OLD SHERRY CASK; 12 YEAR OLD SHERRY CASK; together with a CADENHEAD’S MACALLANGLENLIVET 21 YEAR OLD; and a SPEYMALT 1996 (9) £80-120

461 GROUP OF THE MACALLAN MINIATURES to include TWO HIP FLASK STYLE BOTTLINGS, 10 year old 100 proof and 10 year old 70 proof; TWO 10 YEAR OLDS; a 7 YEAR OLD GIOVINETTI & FIGLA IMPORT; THREE 12 YEAR OLDS; and a 12 YEAR OLD, bottled by Murray McDavid (9) £100-200

462 GROUP OF THE MACALLAN MINIATURES to include, Amber, Gold, Gold Double Cask, Estate Reserve, Select Oak, Whisky Maker’s Edition, 12 year old, and two ‘The Perfect Measure’ Macallan Amber and Sienna (9) £80-120

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

463 WHYTE & MACKAY 21 YEAR OLD 6 bottles; with presentation cases and scroll (6) 70cl/ 43%

£300-500

464 WHYTE & MACKAY 30 YEAR OLD 5 bottles, with cartons (5) 70cl/ 43%

£500-800

465 WHYTE & MACKAY 30 YEAR OLD with certificate of authenticity, in presentation case 75cl/ 43%

£150-180

466 RANGERS FOOTBALL CLUB 125TH ANNIVERSARY limited edition of 500, crystal decanter in presentation case No volume or ABV listed

£50-80

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

149

467 HAZELWOOD CENTENNIAL RESERVE finest blend of 100 selected casks in celebration of the 100th birthday of Janet Sheed Roberts, limited edition of 2100 bottles, aged 20 years, with carton 70cl/ 40%

£100-200

468 ROYAL PORT RUSH GOLF CLUB CENTENARY Black Bush, blended and bottled by the Old Bushmills Distillery Company, in glass decanter and presentation box, together with an engraved presentation glass and two booklets (4) 700nl/ 40%

£100-200

469 JOHNNIE WALKER BLUE LABEL with lead seal, in carton (damaged), 70cl/ 40%; together with JOHNNIE WALKER GOLD LABEL 18 YEAR OLD, with carton, 70cl/ 40%; and JOHNNIE WALKER BLACK LABEL 12 YEAR OLD, with tin, 1 litre/ 43% (3) £150-250

470 GLEN GRANT 1972 - BERRY BROTHER’S bottled in 2006, drawn from cask No’s 1983, 1954 & 1978, non chill-filtered, 70cl/ 46%; together with a DALMORE 15 YEAR OLD, with presentation case and two glasses, 70cl/ 40%; a SPEYSIDE 21 YEAR OLD, in glass decanter with presentation case, no ABV/volume stated; a WHYTE & MACKAY 500 ANNIVERSARY BLEND, no 10/50075cl/ 43%; a WHYTE & MACKAY ‘THE WHISKY OF 1990’, bottled to celebrate Glasgow as the Cultural of Europe in 1990, 75cl 40%; and a bottle of THE ASHWORTH OBE, selected and bottled by Chivas Brothers Ltd to mark the retirement of John B Ashworth OBE, 75cl/ 43% (6) £200-300

150

471 A MIXED CASE OF COCKBURN PORT (OWC) 10 Bottles 1983; 2 Bottles 1970 (12) £240-300

472 ARMAGNAC J DE MALLIAC 1928 bottled 1978, no. 5/176, in presentation case with certificate £350-450

473

475

477

KRESSMANN ARMAGNAC

PORT – A GROUP OF SEVEN BOTTLES AND TWO MAGNUMS

CALON SEGUR 1970 (OWC)

comprising: Bottles - 1975 Delaforce; 1963 Dow’s; 1966 Graham & Co. bottled 1968; 1987 Quinta de Roeda Croft; 1962 Dow’s bottled 1985; 1966, Sandeman; 1966 Fonseca; the Magnums comprising a 1970 Croft; 1997 Sandeman (9)

£400-600

5 bottles, with cartons (5) 24fl. ozs/ 39.9%

£100-200

12 bottles (12)

£300-500

474

476

478

CASE DOW PORT 1994 (OWC)

A CASE OF CHABLIS

LABEGORCE ZEDE 1986 (OWC)

12 bottles (12)

comprising six bottles of Chablis Premier Cru Montmains 1999; and six bottles of Chablis Premier Cru Montmains 1994 (12)

12 bottles (12)

£150-180

£250-350

£250-400

151

479 A MIXED CASE OF CHATEAU LATOUR comprising two bottles of 1937; two bottles of 1951; two bottles of 1954; two bottles of 1956; two bottles of 1971; and two bottles of 1985 (12) £1,800-2,200

480

482

484

486

COS D’ESTOURNEL 1986 (OWC)

A MIXED PART CASE OF WINE

SIX BOTTLES OF RED WINE

12 bottles (12)

comprising two bottles of Beaune Clos de Feves 1971; two bottles of Gevrey-Chambertin 1984; and two bottles of Beaune Champimonts 1971 (6)

THREE BOTTLES OF 1973 CHATEAU DE RAYNE VIGNEAU

£600-900

half bottles (3) £120-180

comprising two bottles of 2015 La Dame de Montrose St Estephe; two bottles of 1992 Chateau Montrose Saint Estephe; and two bottles of 1971 Chateau Beychevelle (6) £120-180

£400-600

481

483

485

487

CHATEAU MONTROSE 1986 (OWC)

A HALF BOTTLE OF SAUTERNE

A MIXED PART CASE OF WINE

A MIXED GROUP OF RED WINE

12 bottles (12)

Chateau d’Yquem 1991; together with a bottle Louis Royer Cognac Grande Fine Champagne extra. No. 04035 0.70l 40% (2)

comprising two bottles of Beaune Clos de Feves 1971; two bottles of Gevrey-Chambertin 1984; and two bottles of Beaune Champimonts 1971 (6)

comprising three bottles of 2004 Chateau Haute Milon Pauillac; and two bottles of 1995 Chateau Fourcas Hosten Medoc (5)

£150-250

£400-600

£100-180

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

152

488 A MIXED GROUP OF RED WINE comprising three bottles of 2000 Dom Leroy Premier Cru Volnay Santenots Cote De Beaune Burgundy France Mersault; and three bottles of 1972 Chateau Cantenac Bro (6) £800-1,200

489

491

493

A MIXED GROUP OF RED WINE

A MIXED GROUP OF WINE

A MIXED GROUP OF RED WINE

comprising a1982 Chateau Senejac Haut Medoc; a 1975 Brane Cantenac Margaux; a 1984 Chateau Talbot Saint Julien; a 1971 Chateau Batailley Grand Cru Pauillic; a 1968 Vina Albina Bodegas Riojanas; a 1998 Chateau Les Charmettes; (6)

comprising a 1981 Chateau Belgrave Grand Cru; a 1977 Chateau Roc St Michel Saint Emillion Grand Cru; a 1999 Chateau Tronquoy-Lalande Saint Estephe; a 1998 Chateau Beaune Toussaints 1er Cru, Btl by Morot; a 1984 Chateau Clos des Minutts, Saint Emillion Grand Cru; a 1980 Chateau Lynch-Moussas Pauillic (6)

comprising a bottle of 1975 Chateau Coufran Haut Medoc; a 1972 Chateau Grand Puy Lacoste Pauillic; a Cantina Zaccagnini Montepulcino d’Abruzzo; a 1995 Chateau Fourcas Hosten Medoc; a 1970 Chateau la Grange Saint Julien; and a 1989 Bodegas Campo Viejo (6)

£150-180

£140-180

£120-150

490

492

494

A MIXED GROUP OF RED WINE

FOUR CASED BOTTLES OF RED WINE

comprising a bottle of 1970 Chateau St Georges St Emillion; a bottle of 1970 Chateau la Grange Saint Julien; a bottle of 2005 Chateau Montrose St Estephe; a bottle of 1976 Chateau Haut Lafitte Graves; and a 1986 Chateau Calon-Segur St Estephe (5)

comprising three bottles of 2003 Chateau Phelan Segur Saint Estephe; two bottles of 1969 and a 1970 Chateau Lynch Bages Grand Cru, Pauillic (6)

comprising a 2001 Chateau Boyd Cantenac Grand Cru Margaux; a 2005 Baron de Brane Margaux; a 1988 Chateau Maucaillou Moulis; and a 1971 Chateau Beychevelle Grand Vin Achille Fould; together with a Morita Sake Black and a Tennents Centenary Lager (6)

£200-300

£150-180

£200-300

END OF SALE Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SCOTTISH PAINTINGS & SCULPTURE OPEN FOR ENTRIES The auction will take place on 3rd December at Lyon & Turnbull, Edinburgh, and online at www.lyonandturnbull.com For a free, up-to-date valuation please contact Nick Curnow on 0131 557 8844 or nick.curnow@lyonandturnbull.com

JOSEPH FARQUHARSON R.A. (SCOTTISH 1846-1935) THE GARDEN AT FINZEAN [DETAIL] Signed, oil on canvas 46cm x 31cm (18in x 12in)

Sold for £28,750 July 2020 (Inclusive of Buyer’s Premium)

154

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used. Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales. In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only. 2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

19.2

extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. 3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw. 4. JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

155 2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844. 3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller. 4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party. 5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration. 6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability

to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

6. CURRENCY CONVERTER

C. DURING THE SALE

8. RELEVANT LEGISLATION

1. ADMISSION TO OUR AUCTIONS

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction. 2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen. 4. BIDDING

The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction. 5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services. 7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above. 3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. THE PURCHASE PRICE

1. SELLER’S WARRANTIES

For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the

156 Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser. This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the

refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest. 3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or

(ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. 2. IN THE EVENT OF NON-PAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use

the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received. (3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. 2. EXPORT OF GOODS

Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than

157 as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless

we agree otherwise in writing, You may not videotape or record proceedings at any auction. 3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities. 6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website. 7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of

our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com. 10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with. 1. DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form. “Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue. “Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller. “Estimate” a statement of our opinion of the range within the hammer is likely

to fall. “Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us. “Seller” the person who offers the Lot for Sale. We act as agent for the Seller. “Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom. “Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale. “Lien” a right for the person who has possession of the Lot to retain possession of it. “Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “Title” the legal and equitable right to the ownership of a Lot.

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GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. There will be no on-site payment facilities and no cash accepted as all our venues are closed to the public.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale. BIDDING Due to social distancing requirements in-room bidding will be strictly limited, spaces available by appointment only. At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. ON THE INTERNET - ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register. Our sales are also available for viewing and live bidding through The-Saleroom and Invaluable (additional charges applicable).

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department. ONLINE CREDIT OR DEBIT CARD PAYMENTS Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. We do not accept card payments by phone. Please use our online payment service (provided by Sage Pay). You will find a link to this service in the email invoice issued after the sale or you can visit the payments section of our website. CASH No cash payments will be accepted for this auction. COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Inside Back Cover: Details from left: Lots 117, 88, 89 & 122

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM