Five Centuries: Furniture, Paintings & Works of Art

INCLUDING PROPERTY FROM CASTLE OF PARK, ABERDEENSHIRE THE ARCHBALD MOFFATT HOUSE, MOFFAT PROPERTY PREVIOUSLY AT BARDROCHAT HOUSE, SOUTH AYRSHIRE SELECT CONTENTS FROM LIBERTON TOWER, EDINBURGH & TILLYCAIRN CASTLE, ABERDEENSHIRE

WEDNESDAY 10 & THURSDAY 11 FEBRUARY 2021 AT 10AM Sale Number LT593

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Please check our website for the latest viewing opportunities, including 3D photography. At time of printing viewing in person is not permitted due to governmental restrictions.

Front Cover Lot 315 [detail] Inside Front Cover Lot 271 [detail]

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

25% up to £300,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT †V AT at the standard rate payable on the hammer price *5 % import VAT payable on the hammer price No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

REGISTRATION All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first-time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration: 1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections).

BOOK ONLINE www.lyonandturnbull. com/appointment-bookings CALL 0131 557 8844

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

There will be no public viewing for this auction, our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Cardstream and Credorax) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton Furniture, Clocks & Works of Art douglas.girton@lyonandturnbull.com

Nick Curnow Paintings & Drawings nick.curnow@lyonandturnbull.com

Katherine Wright Ceramics & Glass katherine.wright@lyonandturnbull.com

Gavin Strang Rugs & Carpets gavin.strang@lyonandturnbull.com

Jamie Russell Furniture, Clocks & Works of Art jamie.russell@lyonandturnbull.com

Kerstin Schaeffer Sale Administrator kerstin.schaeffer@lyonandturnbull.com

ORDER OF SALE Lot No.

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WEDNESDAY, 10TH FEBRUARY AT 10AM

Lot No.

THURSDAY, 11TH FEBRUARY AT 10AM

Select Property from Castle of Park, Banff, Aberdeenshire

266-289

Paintings

290-361

British Furniture & Works of Art Part III

British Furniture & Works of Art

362-462

Continental Furniture and Works of Art

85-101

Select Property from Archbald Moffatt House, Moffat, Dumfries & Galloway

463-472

Asian Works of Art

102-265

British Furniture & Works of Art Part II

473-516

Rugs & Carpets

517-520

Garden

23-84

Lot 139 [detail]

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© Knight Frank

SELECT PROPERTY FROM CASTLE OF PARK, BANFF, ABERDEENSHIRE

Castle of Park has its origins in the 13th century on land that formed part of the Royal Forest of Banff. The present house comprises a 16th century tower house with extensions dating from the 17th, 18th, and 19th centuries, and remained in the same family for some four hundred years. It was eventually sold in the 1970s and passed through several owners, most recently having been purchased by Rebecca Cambell-Wilson and her late husband Neil (d. 2014) who set about returning it to a family home and creating a more castle-like ambience in keeping with the architecture and history of the property. Neil worked at Christies until 1996 and then became a dealer in Victorian art, and it was his dream to own a castle in Scotland, having family connections there.

The following pieces represent some of those amassed by Rebecca and Neil for Castle of Park.

Further and more extensive parts of the collection will be included in Lyon & Turnbulls DESIGN: 18601945 sale in April.

1 LATE GOTHIC OAK AND WALNUT CHOIR STALL 15TH/ 16TH CENTURY AND LATER with two compartments with hinged seats with misericords, between channelled column supports with carved roundels depicting a stork, a rose, and a man’s portrait, raised on a plinth base 148cm wide, 111cm high, 66cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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2 MATCHED SET OF EIGHT 17TH CENTURY STYLE CARVED OAK DINING CHAIRS, PROBABLY YORKSHIRE 19TH CENTURY each with a double arched chipcarved and scrolled back with pendant acorns above a plank seat, on turned and block legs with stretchers (8) 46cm wide, 100cm high, 39cm deep; tallest 109cm high

£800-1,200

3 OAK PRESS CUPBOARD EARLY 17TH CENTURY AND LATER the rectangular top over a carved frieze dated ‘1614’, over a central panel door carved with a deer, flanked by figural pilasters and columns, the lower section with further columns and undertier with a panelled back, raised on a stepped plinth base and paw feet 117cm wide, 130cm high, 46cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SELECT PROPERTY FROM CASTLE OF PARK, BANFF, ABERDEENSHIRE

4 CONTINENTAL EMBROIDERED HANGING 18TH CENTURY AND LATER comprising four joined strips and a base panel, each woven with floral and foliate columns, the base similar, with shaped fringe, old label attached inscribed ‘Duchess of Roxburghe’ 388cm x 215cm

£700-1,000

5 OAK JOINED ARMCHAIR EARLY 17TH CENTURY the high scrolled cresting carved with flowers and foliage over a back with a central lozenge carved panel over a panel seat flanked by scrolled open arms, raised on turned legs joined by peripheral stretchers 64cm wide, 132cm high, 45cm deep

£1,000-1,500

6 OAK SIDE TABLE EARLY 17TH CENTURY the single board top above a frieze with fielded panels and centre drawer, raised on turned and block legs joined by flat stretchers 110cm wide, 80cm high, 60cm deep

£600-800

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7 PAIR OF BRASS CHENETS 19TH CENTURY depicting lions holding shields on scrolling openwork bases (2) 35cm wide, 50cm high

£300-500

8 PAIR OF WILLIAM AND MARY STYLE SOFAS LATE 19TH CENTURY the tall shaped backs above stuff-over seats flanked by scrolled arms, raised on turned legs joined by trestle bases and stretchers; covered in claret red patterned plush upholstery (2) 153cm wide, 147cm high, 49cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SELECT PROPERTY FROM CASTLE OF PARK, BANFF, ABERDEENSHIRE

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9 FLEMISH VERDURE TAPESTRY LATE 17TH CENTURY woven with a bird amidst trees, buildings and hills in the background, within a brown foliate border 205cm x 229cm deep

£700-1,000

10 GEORGE I GILTWOOD TORCHERE EARLY 18TH CENTURY the circular moulded top raised on a turned, scrolled and foliate carved column and scrolled acanthus tripod feet 44cm wide, 111cm high

£400-600

11 GEORGE I STYLE WING ARMCHAIR LATE 19TH CENTURY the arched back with large scrolled wings over a loose cushion seat and wide outscrolled arms, with a painted carved frame, raised on carved cabriole legs with ball and claw feet, in floral upholstery with fringe trimming 105cm wide, 140cm high, 53cm deep

£400-600

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12 VICTORIAN GOTHIC REVIVAL OAK AND MARBLE LAMP TABLE MID 19TH CENTURY the hexagonal top inset with a geometric green, black, and white marble insert, over a trefoil pierced frieze, raised on a faceted column and three scrolled legs 49cm wide, 72cm high

£400-600

13 TURNED WALNUT STANDARD LAMP 18TH CENTURY AND LATER of tapering stacked baluster form on a circular base, fitted for electricity; with a cream panelled shade £300-500

14 TOLE TRAY AND PARCEL-GILT CARVED OCCASIONAL TABLE 19TH CENTURY the circular tray painted with a central panel of figures and animals, enclosed by further floral panels and a pierced gallery; on an associated base with a hexagonal top raised on three scroll carved scrolled blue painted and gilt legs 81cm wide, 60cm high

£500-700

SELECT PROPERTY FROM CASTLE OF PARK, BANFF, ABERDEENSHIRE

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15 AUBUSSON STYLE CARPET LATE 20TH CENTURY the field with fruit filled medallion against foliate ground with birds and rabbits, within light brown mask head, fruit and foliate border 304cm x 244cm

£300-500

16 GEORGE II MAHOGANY DRESSING TABLE MID 18TH CENTURY the rectangular top with a moulded edge over two long drawers and an arched recess and cupboard, flanked by banks of short drawers, raised on ogee bracket feet 78cm wide, 82cm high, 46cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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17 PAIR OF CONTINENTAL KINGWOOD, MARQUETRY, BRASS MOUNTED OCCASIONAL TABLES LATE 19TH CENTURY the brass banded shaped hexagonal tops with scrolled foliate marquetry in contrasting veneers, over a frieze with mask mounts, raised on turned baluster columns and conforming hexagonal bases with brass paw feet, with giltmetal mounts throughout (2) 61cm diameter, 68cm high

£800-1,200

18 ITALIAN LIMED OAK AND PINE SERPENTINE CONSOLE TABLE 19TH CENTURY the serpentine top with a moulded edge, raised on compound C scroll legs carved with rocaille, flower trails and shells, above a conforming undertier raised on lobed feet 113cm wide, 81cm high, 55cm deep

£500-700

19 PAIR OF LOUIS XVI STYLE GILTWOOD FAUTEUILS 19TH CENTURY the square backs above wide seats flanked by part-padded arms with acanthus carved scrolled terminals, raised on fluted tapered legs, covered in deep rose damask upholstery (2) 59cm wide, 93cm high, 49cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SELECT PROPERTY FROM CASTLE OF PARK, BANFF, ABERDEENSHIRE

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20 GROUP OF BRASS AND POTTERY SHOE DISPLAY STANDS LATE 19TH/ EARLY 20TH CENTURY each with a round plinth black glazed earthenware stand, two with a retractable brass rod with stylised leaf decoration, surmounted with a shoe shaped disc, impressed to the base ARCHD HAMILTON, SHOP FITTERS, GLASGOW, the others of similar form, with plain brass stem, the shoe shaped discs marked A M RAMSAY & CO, GLASGOW (6) tallest 66.5cm high

£300-500

21 VICTORIAN OAK POST BOX LATE 19TH CENTURY the sloping top above a brass letter slot, marked ‘LETTERS’, within a Celtic style border, over a hinged door with brass escutcheon, on a plinth base 28cm wide, 42cm high, 18cm deep

£300-500

22 GEORGIAN OAK DRESSER 18TH CENTURY the moulded cornice above two enclosed shelves; the base with three short drawers above a central fixed panel flanked by panel doors, raised on stile feet 156cm wide, 180cm high, 54cm deep

£600-800

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BRITISH FURNITURE & WORKS OF ART

23 SET OF FIVE JACOBEAN STYLE OAK CHAIRS 20TH CENTURY to include a pair of caquetoires, and three side chairs, with upright panel backs and seats, raised on turned and tapered legs joined by peripheral stretchers (5) caquetoires 64cm wide,116cm high, 37cm deep Provenance: Liberton Tower, Edinburgh and previously Tillycairn Castle, Aberdeenshire

£300-500

24 JACOBEAN OAK CHEST OF DRAWERS EARLY 17TH CENTURY AND LATER the top with a moulded edge above a long frieze drawer over a further deep panel moulded drawer, above a pair of fielded panelled doors, one enclosing three further drawers, flanked and divided by turned baluster facings, raised on stile feet 111cm wide, 120cm high, 67cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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25 OAK BOARD CHEST EARLY 17TH CENTURY with a hinged board top and cut out end supports 134cm wide, 51cm high, 43cm deep Provenance: Liberton Tower, Edinburgh and previously Tillycairn Castle, Aberdeenshire

£300-400

26 THREE OAK BACKSTOOLS 17TH CENTURY with open frame backs above plank seats with moulded edges, on turned legs joined by H stretchers (3) 39cm wide, 82cm high, 29cm

£300-500

27 LATE GOTHIC STYLE CARVED PARCHEMIN PANEL OAK LIVERY CUPBOARD 19TH CENTURY the moulded cornice over an arrangement of doors, drawers, and panels, all profusely carved with tracery, grotesques, scrolling foliage and fruiting vines with pierced iron strap hinges and lockplates, raised on stile feet 148cm wide, 160cm high, 50cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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28 PAIR OF 17TH CENTURY STYLE OAK ARMCHAIRS 20TH CENTURY the carved crest rails above panel backs carved with lunettes, foliate scrolls, and a flowering vase, above wide board seats flanked by leaf carved scrolling arms, on turned and block legs joined by an H stretcher (2) 65cm wide, 120cm high, 49cm deep Provenance: Liberton Tower, Edinburgh and previously Tillycairn Castle, Aberdeenshire

£300-400

29 LANCASHIRE OAK AND CHEQUER STRUNG PRESS CUPBOARD EARLY 18TH CENTURY AND LATER dated and initialled IB 1709, the superstructue with a moulded cornice above a wheel carved frieze over doors carved with leaf and flower motifs; the base with four short drawers with chamferred panels fronts, above a pair of triple panel cupboard doors similary carved, raised on stile feet 153cm wide, 183cm high, 52cm deep

£2,000-3,000

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30 OAK WAINSCOT ARMCHAIR 17TH CENTURY the arched cresting carved with flower motifs above a similarly carved panel back, over a plank seat flanked by open arms, raised on turned legs joined by peripheral stretchers 62cm wide, 124cm high, 40cm deep

£800-1,200

31 OAK PANEL CHEST LATE 17TH CENTURY the hinged board top above a foliate scroll-carved frieze and four panel front carved with diamond motifs, raised on stile feet 158cm wide, 78cm high, 57cm deep Provenance: Liberton Tower, Edinburgh and previously Tillycairn Castle, Aberdeenshire

£400-600

32 OAK 17TH CENTURY STYLE REFECTORY TABLE

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20TH CENTURY

OAK BIBLE BOX

the three board top with cleated ends above an arch carved frieze with initials WY, NF, RT, and dated 1661, on heavy ring-turned baluster legs joined by peripheral stretchers

LATE 17TH CENTURY

Provenance: Liberton Tower, Edinburgh and previously Tillycairn Castle, Aberdeenshire

with a hinged slope inscribed ‘T8’ opening to an interior fitted with drawers, over a front panel carved with scrolling foliage

£800-1,200

73cm wide, 37cm high, 47cm deep

212cm wide, 79cm high, 84cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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34 WILLIAM AND MARY WALNUT GATELEG TABLE EARLY 18TH CENTURY the oval top with drop leaves opening on gatelegs and raised on ball and fillet turned end supports with trestle bases joined by flat stretcher 100cm wide, 71cm high, 31cm deep [121cm open]

£600-800

35 OAK PANEL CHEST LATE 17TH CENTURY the triple panel hinged top above a scroll and archcarved triple panel front, raised on stile feet 128cm wide, 82cm high, 64cm deep Provenance: Liberton Tower, Edinburgh and previously Tillycairn Castle, Aberdeenshire

£400-600

36 CARVED OAK SETTLE LATE 17TH/ EARLY 18TH CENTURY AND LATER the panelled back carved with lozenges and foliate scrolls, above a box seat with a hinged plank top flanked by scrolled arms with spiral carved supports 185cm wide, 135cm high, 49cm deep

£600-800

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37 WILLIAM AND MARY BRASS STUDDED LEATHER CHEST, ATTRIBUTED TO THE WORKSHOP OF RICHARD PIGG JUNIOR LATE 17TH CENTURY the hinged dome top and front covered in brass stud decoration with flower motifs, scrolls and fleur de lys; the pierced lockplate and escutcheon in the form of a crown with a rose and thistle, opening to a void interior, on a later moulded base with ogee bracket 98cm wide, 62cm high, 55cm deep

£800-1,200

Note: Richard Pigg Junior worked from the reign of Charles II as ‘trunk maker to the Great Wardrobe’ until his death in 1706 when he was succeeded by William Johnson. A similar chest with crown escutcheon is in the collection of Ightham Mote, Kent. Another chest with a slightly more elaborate configuration of drawers at the base, also attributed to the workshop of Richard Pigg Junior was offered at Woolley & Wallis, 13 January 2020, lot 28.

For a discussion of 17th century coffer makers and their products, see Olivia Fryman, ‘Coffer-Makers to the Late Stuart Court, 1660-1714’, Furniture History Society, 2016, pp. 1-16.

38 WILLIAM AND MARY OAK CHEST-ON-STAND LATE 17TH CENTURY the moulded cornice above a cushion moulded drawer over three long moulded panel drawers; the stand with a further drawer, raised on spiral turned legs with ball feet and joined by a shaped peripheral stretcher 115cm wide, 127cm high, 60cm deep

£1,000-1,500

39 WILLIAM AND MARY STYLE PARCEL-GILT WALNUT DOUBLE CHAIRBACK SETTEE LATE 19TH/ EARLY 20TH CENTURY the shaped double-arched back over a cushioned seat flanked by scrolled open arms, raised on carved and scrolled legs joined by scroll carved and pierced stretcher with putti masks; in modern yellow upholstery 158cm wide, 132cm high, 55cm deep

£800-1,200

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40 WILLIAM AND MARY OAK GATELEG TABLE EARLY 18TH CENTURY the oval top with drop sides, above a frieze drawer to one end, raised on egg and fillet turned baluster legs joined by stretchers and a pair of conforming gateleg supports 116cm long, 73cm high, 46cm wide, 124cm wide [open]

£400-600

41 WILLIAM AND MARY WALNUT OYSTER VENEERED AND MARQUETRY CHEST OF DRAWERS LATE 17TH/ EARLY 18TH CENTURY the quarter-veneeredd top over two short drawers with floral marquetry, above three crossbanded long drawers, raised on later bun feet 80cm wide, 102cm high, 58cm deep

£700-1,000

42 QUEEN ANNE OAK CHEST-ON-STAND EARLY 18TH CENTURY the moulded cornice above three short and three long graduated drawers, the lower section with a short drawer flanked by two deep drawers, raised on spiraltwist legs with bun feet and linked by shaped stretchers 102cm wide, 154cm high, 57cm deep

£600-800

43 QUEEN ANNE OYSTER VENEERED LACE BOX EARLY 18TH CENTURY the hinged banded top opening to a later plush lined interior 41cm long, 11.5cm high, 27.3cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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44 GEORGE I WALNUT MIRROR EARLY 18TH CENTURY the later rectangular mirror plate in a ogee moulded frame 77cm high, 64cm wide

£300-500

45 GEORGE I WALNUT BACHELOR’S CHEST OF DRAWERS EARLY 18TH CENTURY the hinged crossbanded top outlined with feather banding, above two short and three long graduated crossbanded drawers, on bracket feet 87cm wide, 78cm high, 33cm deep

£2,000-3,000

46 PAIR OF QUEEN ANNE STYLE WALNUT AND SEAWEED MARQUETRY TORCHERE STANDS 19TH CENTURY the octagonal tops with moulded edges on baluster turned supports and tapered square columns with tripod bases inlaid with seaweed marquetry (2) 36cm wide, 103cm high

£1,200-1,800

47 QUEEN ANNE WALNUT SEAWEED MARQUETRY CHEST-ON-STAND EARLY 18TH CENTURY the moulded cornice above a pair of short drawers over two long drawers; the stand with four short drawers arranged around an arch, raised on cabriole legs ending in pad feet 110cm wide, 152cm high, 70cm deep

£1,000-1,500

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48 PAIR OF GEORGE I MAHOGANY SIDE CHAIRS EARLY 18TH CENTURY with drop-in seats, raised on cabriole legs joined by turned H stretchers; lacking upholstery covers (2) 50cm wide, 100cm high, 37cm deep

£400-600

49 GEORGE II MAHOGANY LADY’S SECRETAIRE BOOKCASE MID 18TH CENTURY the inverted breakfront cornice above a moulded mirrored door flanked by fluted pilasters, opening to adjustable shelves; the lower part with a secretaire drawer fitted with drawers, pigeon holes, and a green leather skiver, over three long graduated drawers, on a plinth base 82cm wide, 96cm high, 49cm deep Note: Small scale cabinets with secretaire drawers are generally considered to have been intended for use in a lady’s private dressing room or bedchamber. Their size would be better suited for these personal spaces, designed for intimacy and personal activities, than for the larger public and more formal rooms of the house.

£3,000-5,000

50 GEORGE II STYLE MAHOGANY FRAMED STOOL LATE 19TH CENTURY with a shaped drop-in seat covered in floral needlework, raised on shell-carved cabriole legs ending in trifid feet 73cm wide, 52cm high, 52cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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51 GEORGE II WALNUT AND GILTWOOD TRIPLE OVERMANTEL MIRROR MID 18TH CENTURY the rectangular triptych mirror plates in a gilt moulded and walnut frame with an egg and dart moulded edge and fruiting trails 72cm high, 130cm wide

£1,000-1,500

52 GEORGE II STYLE MAHOGANY AND PARCEL GILT STOOL 19TH CENTURY the padded drop-in seat over a gadroon carved seat rail, raised on shell-carved cabriole legs ending in claw and ball feet 65cm wide, 51cm high, 48cm deep

£400-600

53 GEORGE I STYLE WALNUT TALLBOY 20TH CENTURY the bowfront crossbanded top above four graduated long drawers over a shaped apron, raised on shell carved cabriole legs ending in pad feet 94cm wide, 130cm high, 57cm deep

£500-800

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54 GEORGE II STYLE GILTWOOD MIRROR EARLY 19TH CENTURY the shaped mirror plate in a rococo style frame with C and foliate scrolls and rocaille motifs with a large foliate cresting 115cm high, 63cm wide

£1,000-1,500

55 GEORGE II WALNUT BUREAU BOOKCASE EARLY 18TH CENTURY in three parts, the top with a straight cavetto moulded cornice above a pair of bevelled mirror doors opening to fixed shelves; the secretaire section fitted with pigeon holes, drawers and a leather skiver, above a pair of short drawers; the base with three long crossbanded and graduated long drawers, raised on bracket feet 102cm wide, 214cm high, 61cm deep

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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56 GEORGE III MAHOGANY PARCEL GILT MIRROR 18TH CENTURY the rectangular mirror plate with a bevelled edge, in a gilt moulded slip and scrolled and pierced frame with carved eagle finial 1112cm high, 56cm deep

£400-600

57 GEORGE II WALNUT AND FEATHER BANDED CHEST OF DRAWERS MID 18TH CENTURY the moulded rectangular top above two central short drawers flanked by deep drawers, over three long graduated drawers, raised on later bracket feet 80cm wide,91cm high, 46cm deep

£500-700

58 GEORGE II OAK KNEEHOLE DESK MID 18TH CENTURY the moulded top over a brushing slide and kneehole recess with arch drawer and cupboard, flanked by banks of three deep drawers, raised on bracket feet 89cm wide, 82cm high, 47cm deep

£700-900

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60

GEORGE II STYLE MAHOGANY TORCHERE STAND

GEORGE III OAK TRIPOD TABLE

LATE 19TH CENTURY

18TH CENTURY

the scalloped piecrust top raised on ring turned and fluted stem, carved with acanthus leaves, on carved cabriole legs

the circular top on a tapered and turned baluster column on cabriole legs with slipper feet

52cm wide, 102.5cm high

49cm diameter, 60cm high

£250-350

£250-350

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61 TWO 18TH CENTURY SAMPLERS DATED 1782 AND 1797 the first depicting Adam and Eve in the garden of Eden, further embellished with putto, flowering plants, keys, alphabet and number series, etc, bearing the initials ‘?MK SDM’ and dated ‘1782’; the second named and dated ‘Jean Laing, 1797’, with the verse ‘The habitation of thy house/Lord I have loved well/Yea in that place I do delight/Where doth thine honour dwell’, worked in coloured threads with two houses, trees, flowers and foliage, etc. (2) 73cm x 34.5cm wide; and 33cm x 24cm (excluding frames)

£400-600

62 PAIR OF BRASS PRICKET CANDLESTICKS 18TH/ EARLY 19TH CENTURY with dished drip pans on baluster stems and triform bases (2) 28cm high

£300-500

63 STAFFORDSHIRE WHITE SALTGLAZED BEAR BAITING JUG AND COVER MID 18TH CENTURY modelled seated on its haunches, being baited by a dog held between its two front paws, the head cover with a ringed open nose, the body applied with rough grains of clay, the collar and the eyes picked out in brown slip 25.5cm high

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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64 GEORGIAN PROVINCIAL FRUITWOOD CRICKET OR TAVERN TABLE 18TH CENTURY the three board circular top on squared tapered legs 60cm diameter, 69cm high

£400-600

65 SCOTTISH DARVEL ELM AND BIRCH COMB BACK WINDSOR ARMCHAIR MID 19TH CENTURY the high curved back with a U shaped midrail with baluster turned supports, above a shaped seat raised on turned and tapered legs joined by a turned H-stretcher 62cm wide, 115cm high, 42cm deep

£300-500

66 PAIR OF GEORGIAN STYLE OAK BENCHES 20TH CENTURY the long single board tops with a thumbnail edge, raised on turned legs joined by stretchers (2) 193cm long, 48cm high, 28cm deep Provenance: Liberton Tower, Edinburgh and previously Tillycairn Castle, Aberdeenshire

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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67 PROVINCIAL OAK TREFOIL SMALL TABLE LATE 18TH/ EARLY 19TH CENTURY the lobed top over a triangular undertier, raised on ring-turned legs joined by peripheral stretchers 49cm wide, 60cm high

£300-400

68 GEORGE I OAK DROP-LEAF TABLE EARLY 18TH CENTURY the oval top with hinged drop ends, opening on spiral turned gatelegs joined by stretchers 107cm wide, 73cm high, 120cm deep (open)

£300-500

69 EARLY GEORGIAN OAK PANEL BACK SETTLE EARLY 18TH CENTURY the back with five arched panels, above a long seat with squab cushion and open arms, above a shaped seat rail and raised on cabriole legs joined by side stretchers; the cushion covered in olive green plush with gold fringe trimming 196cm long, 106cm high, 82cm deep approx.

£600-800

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70 WILLIAM AND MARY OAK DRESSER BASE LATE 17TH CENTURY/ EARLY 18TH CENTURY the top with a moulded edge above three double panel short drawers, raised on tapered turned and block legs 192cm wide, 82m high, 51m deep

£600-800

71 QUEEN ANNE OAK DRESSER BASE EARLY 18TH CENTURY the rectangular top over three moulded panel short frieze drawers with lion mask ring pull handles, raised on turned legs ending in bun feet 184cm wide, 84cm, high, 49cm high

£600-800

72 GEORGE III OAK INLAID DRESSER BASE 18TH CENTURY the rectangular top with a moulded rim over three short inlaid drawers and a shaped apron with a central inlaid medallion, raised on cabriole legs 179cm wide, 85cm high, 50cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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73 GEORGIAN OAK DRESSER 18TH CENTURY the upper section with a moulded cornice above three plate shelves with an enclosed back; the base with three short drawers with bone escutcheons above an ogee shaped frieze and undertier, raised on turned legs with stile feet 185cm wide, 213cm high, 40cm deep

£500-700

74 GEORGE III OAK AND ELM DRESSER 18TH CENTURY the moulded cornice above a shaped frieze, over three shelves and an enclosed back; the base with a configuration of five short drawers with a shaped apron, raised on square legs with corner brackets 205cm wide, 204cm high, 42cm deep

£600-800

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75 PAIR OF GEORGE III MAHOGANY NORTH COUNTRY ‘DRUNKARD’S’ ARMCHAIRS LATE 18TH CENTURY with spindle backs and pierced top rails, above wide stuffover seats covered in buff sueded fabric, and flanked by open scrolled arms, raised on low square legs with trestle bases and joined by peripheral stretchers (2) 62cm wide, 80cm high, 48cm deep

£500-700

76 SET OF SIX ASH RUSH SEATED CHAIRS EARLY 19TH CENTURY the spindle backs above woven rush seats, raised on turned legs joined by stretchers (6) 44cm wide, 86cm high, 39cm deep

£400-600

77 GEORGE III MAHOGANY TILT-TOP SUPPER TABLE 18TH CENTURY the circular top with a moulded edge, on a cannon barrel column and three moulded legs with brass castors 122cm wide, 73cm high,

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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78 GEORGIAN PROVINCIAL ELM MONK’S BENCH 18TH CENTURY the pivoting plank back lowering to form a table top, supported on open arms and a box seat, raised on stile legs 154cm wide, 76cm high, 90wide [table]

£1,200-1,800

79 GEORGE III STRIPPED PINE BREAKFRONT BOOKCASE 18TH CENTURY the moulded cornice over four astragal glazed doors enclosing shelves, the lower section with four panel moulded doors enclosing further shelves, raised on a plinth base 225cm wide, 217cm high, 42cm deep Provenance: Previously Bardrochat House, South Ayrshire

£1,000-1,500

34

80 GEORGE III MAHOGANY TRIPOD TABLE MID 18TH CENTURY the circular dished top on a slender baluster column and tripod base with slipper feet 66cm high, 44cm diameter, approx.

£500-700

81 TWO WINDSOR ARMCHAIRS 19TH CENTURY with pierced splats above shaped seats and U shaped arms, on turned legs joined by crinoline stretchers; one of ash and elm, the other of yew and elm (2) 53cm wide, 106cm high, 42cm deep; and 55cm wide, 106cm high, 42cm deep

£500-700

82 THREE LEATHER FIRE BUCKETS EARLY 19TH CENTURY of typical form, with strap handles and metal fittings (3) 27cm high, approx.

£400-600

83 CAST IRON FIRE BACK, GRATE AND ANDIRONS MODERN in the 17th century style, the fire back by Kingsworthy Foundry with a thistle, rose, fleur-de-lis and lion, cast label to the reverse fireback 67cm high, 75cm wide; grate 108cm wide, 55cm high, 47cm deep

£300-400

35

84 GEORGIAN OAK AND WALNUT DRESSER 18TH CENTURY the moulded cornice with pendant finials above an enclosed back with two shelves and six short drawers, the base with four central drawers flanked by short drawers and arch panel cupboard doors, raised on stile feet 191cm wide, 206cm high, 55cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

36

SELECT PROPERTY FROM ARCHBALD MOFFATT HOUSE, MOFFAT, DUMFRIES & GALLOWAY The Archbald Moffatt House, in Moffat, Dumfries and Galloway, was built in 1751, and is a rare survivor that predates Moffat’s redevelopment in the latter part of the 18th century as Scotland’s most significant spa town. At the time the house was built Moffat was at the height of its fame. Archbald Moffatt was a weaver and Kirk Elder, and the vernacular two-storey-plus-attic townhouse he built on a prominent part of Townhead, on what was then called the Kings Highway, reflected the social standing and occupation of the owner.

The reason the house escaped demolition and redevelopment was because, unlike most of the town, it was not pavrt of the Annandale Estate which came under the control of the 2nd Earl of Hopetoun in 1758. The house and its outbuilding have undergone few changes since their construction having had three owner-occupiers since 1751, the building being let from the late 18th century until 1986.

In recent years the house has undergone a program of sympathetic restoration and conservation, and its interiors furnished to reflect the period origins of the property. For further discussion on the history of the Archbald Moffatt House, see Scottish Vernacular Building Working Group, National Museums of Scotland, Vernacular Buildings 43 (2020).

85 SET OF SIX GEORGE III MAHOGANY DINING CHAIRS 18TH CENTURY the triple arch backs with a waisted pierced splat, above drop-in seats raised on square legs joined by stretchers; to include an armchair and five side chairs (6) £600-800

86 GEORGE II MAHOGANY DROP-LEAF DINING TABLE MID 18TH CENTURY the oval top with drop-leaf sides opening on gatelegs and a frieze drawer to both ends, raised on straight legs ending in pad feet 133cm long, 72cm high, 46cm deep, 144cm [open]

£400-600

37

87 SMALL DUTCH BRASS CHANDELIER 18TH CENTURY with a central knopped baluster stem issuing seven scrolled candle arms with urn candle nozzles and drip trays 40cm high, 34cm diameter

£300-500

88 GEORGE II MAHOGANY BIRDCAGE TRIPOD TEA TABLE MID 18TH CENTURY the circular tilt top on a birdcage over a baluster support, raised on tripod legs ending in pointed pad feet 75cm diameter, 72cm high

£400-600

89 MATCHED PAIR OF EARLY GEORGE III WINE TABLES MID 18TH CENTURY the square tops with wavy galleries above blind fret carved friezes with cup slides, raised on slender turned legs joined by turned cross stretchers (2) 25.5cm wide, 64cm high, 25.5cm deep

£800-1,200

90 SCOTTISH GEORGE III MAHOGANY CHEST OF DRAWERS, ATTRIBUTED TO WILLIAM BRODIE 18TH CENTURY the top with a moulded edge over three short drawers and three long graduated drawers, raised on shaped bracket feet 112cm wide, 102cm high, 55cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

38

91 GEORGE III MAHOGANY FOUR POSTER BED LATE 18TH CENTURY the straight moulded cornice raised on turned and faceted end posts with tapered block feet 208cm long, 205cm high, 147cm deep

£700-1,000

92 EARLY GEORGE III MAHOGANY CHEST OF DRAWERS MID 18TH CENTURY of ample size, the top with a moulded edge above two short and three long graduated drawers, raised on bracket feet 122cm wide, 102cm high, 61cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SELECT PROPERTY FROM ARCHBALD MOFFATT HOUSE, MOFFAT, DUMFRIES & GALLOWAY

93 THREE GEORGIAN MAHOGANY CHAIRS 18TH CENTURY comprising two armchairs and a side chair, with shaped top rails, pierced splats, and dropin seats on straight legs with peripheral stretchers (3) 66cm wide, 99cm high, 47cm deep

£300-400

94 GEORGE II MAHOGANY DROP-LEAF DINING TABLE MID 18TH CENTURY the rectangular top with drop leaf sides opening on gatelegs with subsidiary hinged frieze panels, raised on straight legs ending in pad feet 118cm long, 72cm high, 41cm deep, 137cm [open]

£300-500

95 GEORGE II WALNUT CORNER CUPBOARD MID 18TH CENTURY the moulded cornice above a pair of raised panel doors enclosing shaped shelves; the base with a pair of panel doors enclosing a further shelf, on a moulded plinth base 118cm wide, 229cm high, 64cm deep

£600-800

39

40

96 GEORGE II MAHOGANY TEA TABLE MID 18TH CENTURY the rectangular fold-over top opening on cabriole legs ending with pad feet 81cm wide, 70cm high, 37cm deep, 75cm [open]

£300-500

97 SCOTTISH GEORGE III CAST IRON HOB GRATE 18TH CENTURY cast with thistles, harps, and roses, with a relief portrait of George III flanked by a pair of heraldic lions 89cm wide, 60cm high, 29cm deep

£400-600

98 GEORGIAN STYLE MAHOGANY HOUSEKEEPER’S CUPBOARD EARLY 20TH CENTURY the moulded cornice above a pair of raised panel doors enclosing a compartmented interior, on a plinth base 139cm wide, 183cm high, 36cm deep

£400-600

SELECT PROPERTY FROM ARCHBALD MOFFATT HOUSE, MOFFAT, DUMFRIES & GALLOWAY

41

99 TWO GEORGIAN PROVINCIAL OAK AND ELM OPEN ARMCHAIRS 18TH CENTURY both with shaped crest rails above vasiform splats and single board seats, flanked by open scrolled arms, raised on square straight legs joined by stretchers (2) 64cm wide, 100cm high, 42cm deep; and 63cm wide, 101cm high, 43cm deep

£400-600

100 GEORGIAN ESTATE BUILT MAHOGANY AND STAINED BEECH DESK 18TH CENTURY the top with a moulded edge above a long frieze drawer, over a kneehole recess flanked by drawers raised on square chamferred legs £300-500

101 GEORGE II MAHOGANY BUREAU 18TH CENTURY the slant front opening to an arrangement of drawers and pigeon holes, above a long drawer, a pair of short drawers, and two further long drawers, raised on shaped bracket feet 116cm wide, 111cm high, 58cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42

BRITISH FURNITURE & WORKS OF ART PART II 102 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY of neat size, the top with a moulded edge above a brushing slide with lopers and a pair of short drawers, over three further long graduated drawers, raised on bracket feet 78cm wide, 78cm high, 47cm deep

£800-1,200

103 GEORGE III MAHOGANY CORNER CUPBOARD 18TH CENTURY of small size, the fluted moulded cornice above a chamferred panel door outlined with egg and dart moulding opening to a cream painted interior with two fixed shelves, the lower part similarly arranged, on shaped bracket feet 92cm wide, 200cm high, 58cm deep

£1,200-1,800

104 EARLY GEORGE III STYLE MAHOGANY SOFA 19TH CENTURY the low button upholstered back above a loose cushion seat flanked by squared enclosed arms, raised on acanthus carved cabriole legs ending in scrolled toes, covered in green damask upholstery with matching scatter cushions £1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

43

105 GEORGE III MAHOGANY AND BRASS OCTAGONAL CELLARETTE 18TH CENTURY the hinged cover with a moulded edge over a conforming tapered body with three brass bands and loop handles, on a channel-moulded stand with slightly outset legs with castors 51cm wide, 63cm high

£300-500

106 FINE SET OF EIGHT CHIPPENDALE STYLE MAHOGANY DINING CHAIRS LATE 19TH CENTURY the shell and foliate carved backs with pierced interlaced splats, above drop-in seats with oxblood leather covers, the fluted seat rails raised on fluted square legs with pierced scroll corner brackets and joined by pierced fret H stretchers; to include six side chairs and a pair of armchairs of slightly different proportions (8) Sidechair 61cm wide, 97cm high, 47cm deep

£1,500-2,500

107 GEORGE II STYLE CARVED MAHOGANY STOOL MID 19TH CENTURY in the Rococo style, the padded square seat covered in green and gold foliate fabric, above a foliate carved seat rail and raised on scroll-carved cabriole legs with scrolled toes 53cm wide, 45cm high, 54cm deep

£400-600

108 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY the serpentine top over four graduated long drawers, raised on reduced bracket feet 112cm wide, 91cm high, 57cm deep

£600-800

44

109 GEORGE III MAHOGANY SMALL CHEST OF DRAWERS 18TH CENTURY the rectangular top over four long drawers, raised on shaped bracket feet 67cm wide, 74cm high, 45cm deep

£300-400

110 SET OF TEN GEORGIAN STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY with pierced serpentine top rails and ladder splats, above wide stuff-over seats covered in brown hide with close nail head trim, raised on channel-moulded square straight legs joined by stretchers, to include eight side chairs and a pair of armchairs (10) Armchair 59cm wide, 94cm high, 48cm deep

£600-800

111 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top over two short and three long graduated drawers, raised on shaped bracket feet 105cm wide, 91cm high, 51cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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112 GEORGE III MAHOGANY LIBRARY ARMCHAIR 18TH CENTURY the serpentine crest rail above a wide padded back and seat flanked by part padded arms with scrolled supports, raised on square tapered legs with leather castors and joined by stretchers; covered in salmon pink damask upholstery 71cm wide, 98cm high, 56cm deep

£800-1,200

113 GEORGE II STYLE MAHOGANY STOOL EARLY 20TH CENTURY the padded rectangular seat covered in red plush upholstery with close brass nail trim, raised on acanthus carved cabriole legs ending in pad feet 67cm wide, 55cm high, 54cm deep

£300-500

114 GEORGE III MAHOGANY TEA TABLE 18TH CENTURY the circular tilt top on a cannon barrel column and tripod base 79cm diameter, 69cm high,

£400-600

115 GEORGE III MAHOGANY NIGHT COMMODE 18TH CENTURY

116

the hinged crossbanded top above a door with carved swags, over a drawer and a further cupboard with carved swags, brass handles to the sides and raised on bracket feet

GEORGE II MAHOGANY CHEST OF DRAWERS

58cm wide, 86cm high, 46cm deep

£400-600

18TH CENTURY the top with a moulded edge above a brushing slide and four long graduated drawers, raised on bracket feet 91cm wide, 80cm high, 53cm deep

£500-700

46

117 GEORGE III MAHOGANY BEDSIDE COMMODE 18TH CENTURY the hinged top with a gallery back and serpentine front above a compartment and hinged seat opening to a potty recess, on square legs 57cm wide, 72cm high, 52cm deep

£500-700

118 GEORGE III OAK LONGCASE CLOCK, WILLIAM TURNBULL, NEWCASTLE 18TH CENTURY the brass dial with a silvered Roman numeral chapter, date aperture, and seconds dial, with a signed boss to the arch and pierced brass spandrels, in a case with a straight dentil moulded cornice with corner columns with brass capitals, above an arched trunk door and plinth base on ogee bracket feet; the eight day twin-train movement striking a bell 55cm wide, 217cm high, 28cm deep

£800-1,200

119 GEORGE III LARGE MAHOGANY BRASS BANDED WINE COOLER 18TH CENTURY of oval form, staved construction with an everted rim and twin brass bands, raised on bun feet, fitted with a lead lining and tinned copper liner 82cm wide, 42cm high, 51cm deep

£1,200-1,800

120 GEORGE III SMALL SERPENTINE MAHOGANY SERVING TABLE LATE 18TH CENTURY the serpentine top above three short frieze drawers, raised on channel moulded and chamferred straight legs 110cm wide, 77cm high, 52cm deep

£600-800

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121 LATE GEORGE III MAHOGANY BUREAU BOOKCASE LATE 19TH CENTURY the moulded cornice above a pair of astragal glazed doors opening to adjustable shelves, the lower part with a secretaire drawer fitted with pigeon holes and drawers and a green leather skiver, above three long graduated drawers, raised on French bracket feet 127cm wide, 240cm high, 61cm deep

£800-1,200

122 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN MURDOCH, EDINBURGH 18TH CENTURY the swan neck pediment carved with flower heads and a central urn finial, above an engraved arched brass dial signed to the arch over Roman numerals and subsidiary seconds dial and date aperture, flanked by fluted columns with brass mounts above a shaped trunk door flanked by fluted quarter columns, on a plinth base with ogee bracket feet; the eight day movement striking a bell 53cm wide, 226cm high, 28cm deep Note: The Edinburgh clockmaker John Murdoch was active from 1752-1775, having been apprenticed to Andrew Dickie. His son, also John, worked as his father’s apprentice from 1767.

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

123 GEORGE III MAHOGANY AND EBONISED WASHSTAND EARLY 19TH CENTURY the hinged rectangular top opening to reveal an adjustable mirror, above a central drawer holding an ironstone basin, flanked by drawers, raised on square tapering legs 92cm wide,98cm high, 45cm deep

£300-500

124 GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS 18TH CENTURY the bowfront top with a reeded edge, over two short and three long drawers, raised on French bracket feet 103cm wide, 104cm high, 52cm deep

£300-500

125 GEORGE III MAHOGANY CHEST-ON-CHEST EARLY 19TH CENTURY the dentil moulded cornice above two short and three long graduated drawers; the lower part with three further long drawers, raised on shaped bracket feet 126cm wide, 185cm high, 55cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

49

126 LATE GEORGIAN MAHOGANY BOTTLE STORE, POSSIBLY IRISH LATE 18TH CENTURY of cubic form with divisions for nine bottles, on square legs with brass castors 42cm wide, 56cm high, 36cm deep

£600-800

127 SET OF EIGHT HEPPLEWHITE STYLE DINING CHAIRS 19TH CENTURY with shaped toprails over pierced vertical splats and needlework drop-in seats, raised on chamferred square legs joined by stretchers; to include six side chairs and a pair of armchairs (8) Side chair 51cm wide, 93cm high, 38cm deep Armchair 63cm wide, 93cm high, 43cm deep

£400-600

128 GEORGE III MAHOGANY DINING TABLE LATE 18TH CENTURY comprising two demilune ends with drop-leaf extensions, and a centre section with twin drop leaf extensions, raised on square tapered legs ending in brass castors 391cm long, 76cm high, 107cm deep

£700-1,000

129 GEORGE III MAHOGANY AND INLAID SERPENTINE CHEST OF DRAWERS 18TH CENTURY the serpentine top over four graduated drawers flanked by angles with line inlay, raised on shaped bracket feet 118cm wide, 102cm high, 60cm deep

£400-600

50

130 LATE GEORGE III MAHOGANY ARMCHAIR LATE 18TH CENTURY in the Hepplewhite style, the shield shaped back carved with swags and Prince-ofWales plumes, above a blue leather stuffover seat with close nail trim, flanked by open downswept arms and raised on square tapered legs joined by an H stretcher 56cm wide, 94cm high, 44cm deep

£500-700

131 PAIR OF GEORGE III MAHOGANY ADJUSTABLE CANDLESTANDS 18TH CENTURY the oval crossbanded tops with two-way tilting action, raised on ring turned columns and tripod sabre legs with ball feet (2) 40cm wide, 74cm high

£1,000-1,500

132 LATE GEORGE III MAHOGANY FRAMED SOFA EARLY 19TH CENTURY, THE NEEDLEWORK 20TH CENTURY the slightly arched back and scrolled arms over a padded seat, upholstered in needlework with scenes of foliage and birds on a blue ground, raised on reeded tapered legs with spade feet joined by stretchers, brass plaque to the rear inscribed ‘WORKED BY HELEN MARTIN MACKENNA, COMPLETED 25TH AUGUST, 1940’ 208cm wide, 89cm high, 50cm deep

£2,500-3,500

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133 GEORGIAN STYLE CUT GLASS FIVE LIGHT CHANDELIER EARLY 20TH CENTURY the lobed sectional column issuing five scrolling candle arms hung with prisms, drops, and swags, electrified 102cm drop, 76cm diameter

£600-800

134 PAIR OF GEORGE III STYLE GILTWOOD GIRANDOLE MIRRORS 19TH CENTURY with oval mirror plates within pierced foliate carved frames surmounted by ribbon tied cresting and issuing twin foliate carved candle arms (2) 102cm high, 45cm wide

£800-1,200

135 FINE PAIR OF GEORGE III MAHOGANY AND SATINWOOD DEMILUNE CARD TABLES LATE 18TH CENTURY the crossbanded fold-over tops with quarter veneers centred by ovals, opening to baize lined playing surfaces, above plain friezes outlined with stringing, all raised on turned and tapered fluted legs (2) 97cm wide, 76cm high, 43cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

52

136 PAIR OF SAMSON DERBY STYLE PORCELAIN AND GILT BRONZE FIGURAL CANDELABRA LATE 19TH CENTURY modelled as a musician and companion in 18th century dress accompanied by dogs and sheep, set in gilt bronze bases issuing branches with three candle nozzles and mounted with porcelain flowerheads, underglaze blue marks (2) 46.5cm high

£400-600

137 LATE GEORGIAN MAHOGANY AND GONZALO ALVES INLAID SECRETAIRE BOOKCASE CIRCA 1820 of neat size, the dentil moulded cornice above a pair of astragal glazed doors opening to adjustable shelves, the lower part with a secretaire drawer fitted with pigeon holes, drawers, and a green leather skiver, above a pair of cupboard doors enclosing a slide, raised on shaped bracket feet 82cm wide, 186cm high, 52cm deep

£800-1,200

138 GEORGE III MAHOGANY AND PAKTONG MOUNTED KNIFE BOX LATE 18TH CENTURY of serpentine outline, the interior with chevron banding and star inlay, fitted for cutlery, the front with scroll-shaped lock plate, the cover with a ring handle on scalloped mount, the sides with carrying handles on shaped back plates 21.5cm wide, 35cm high, 20.5cm deep Note: This box is nearly identical to the knife box illustrated in ‘Paktong, The Chinese Alloy in Europe 1680-1820’, by Keith Pinn, published by the Antique Collectors’ Club, 1999. It is illustrated in colour on the dust jacket and in black and white on p 121, pl 98 and 98A.

£400-600

53

139 GEORGE II MAHOGANY MONTH-GOING LONGCASE CLOCK, DANIEL OR NATHANIEL DELANDER, LONDON 1730S the engraved silvered brass dial with Roman hours and subsidiary seconds dial with bolt and shutter maintaining power lever and winder cover, with a Duplex escapement, signed ‘Delander/ London’, the hood with a shaped and moulded cornice with reeded block finials and scroll brackets, and flanked by canted angles with brass lined stop fluting, above a shaped trunk door flanked by stop fluted quarter columns with brass capitals, on a plinth base outlined with moulding and raised on bracket feet; the month-going movement with duplex escapement with bolt and shutter retaining power 47cm wide, 207cm high, 25cm deep Note: The Delander family of clockmakers spanned several generations from the 17th into the latter 18th century, and produced superbly crafted and innovative clocks and timepieces. Arguably the most famous of the Delanders was Daniel, who was an inventor as well as a highly skilled clockmaker. He was apprenticed in 1692 to Charles Halstead and, later, to Thomas Tompion and became a member of the Clockmakers’ Company in 1699. Among his innovations were a patented watch case spring closing mechanism, and a year-going equation. He is credited with improving the duplex escapement so that it could be used in longcase clocks. He died in 1733 and his son Nathaniel, also a highly respected maker, succeeded him, working until 1762. Clocks by Daniel are in the collection of the Guildhall Museum, the Weatherfield Collection, the Science Museum, and the Metropolitan Museum of Art.

£10,000-15,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

140 PAIR OF GEORGE III MAHOGANY AND SATINWOOD ARMCHAIRS LATE 18TH CENTURY in the Sheraton style, the pierced bar backs with a central square panel, above wide stuffover seats flanked by downswept arms with fluted baluster supports, raised on square tapered legs ending in spade feet, covered in striped upholstery (2) 55cm wide, 83cm high, 44cm deep

£600-800

141 LATE GEORGE III MAHOGANY INLAID BREAKFAST TABLE EARLY 19TH CENTURY the rounded rectangular tilt top with ebonised fruitwood banding and a reeded edge, on a turned column support and four outswept reeded legs ending in brass caps and castors 138cm wide, 72cm high, 106cm deep

£500-700

142 LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the top with a moulded edge above four graduated long drawers, over a shaped apron and raised on French bracket feet 93cm wide, 82cm high, 54cm deep

£600-800

143 LATE GEORGE III MAHOGANY DRESSING TABLE EARLY 19TH CENTURY the top with canted forecorners above three short frieze drawers and a kneehole flanked by banks of two drawers, on a moulded base with brass castors 123cm wide, 78cm high, 54cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

55

144 GEORGE III MAHOGANY SPIDER LEG DROP-LEAF TABLE 18TH CENTURY the rectangular top with drop-leaf sides above a shaped frieze, raised on slender legs joined by peripheral stretchers and ending on ball feet 56cm wide, 71cm high, 35cm wide, 74cm (open)

£600-800

145 SET OF SIX GEORGIAN STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY the pierced backs carved with anthemions, bell flowers, and flower heads, above wide curved seats, raised on stop-fluted square tapering legs joined by stretchers, comprising five side chairs and an armchair; together with a GEORGE III MAHOGANY ARMCHAIR, with a pierced splat and channel carved arms, stuff-over seat, and square legs joined by stretchers (7) Sidechair 53cm wide, 94cm high, 43cm deep

£400-600

146 LATE GEORGE III MAHOGANY PEMBROKE TABLE LATE 18TH CENTURY the moulded rectangular top with shaped rounded drop flaps over a frieze drawer to one end, raised on square tapered legs headed by shell motif inlay 103cm wide, 72cm high, 54cm (101cm deep open)

£400-600

147 LATE GEORGE III SMALL WATERFALL BOOKCASE/ CHEST OF DRAWERS LATE 18TH CENTURY the top with a fixed shelf above three graduated drawers, raised on French bracket feet 77cm wide, 117cm high, 44cm deep

£700-1,000

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148 PAIR OF GEORGE III MAHOGANY AND SATINWOOD PEMBROKE END TABLES EARLY 19TH CENTURY AND LATER the rounded rectangular crossbanded tops with with drop-leaf sides, over single long frieze drawers, raised on square tapered legs outlined with stringing and ending on brass caps and castors (2) 54cm wide (open 100cm), 72cm high, 36cm deep

£1,000-1,500

149 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, GEORGE STODDART, EDINBURGH LATE 18TH CENTURY the swan neck pediment with a brass finials and roundels, above a singed arch and engraved brass dial, above a Roman numeral dial with subsidiary seconds dial, date aperture, and twin winding holes, flanked by columns, above a shaped trunk door flanked by fluted quarter columns, on a moulded plinth base with bracket feet, the eight day movement striking a bell

150 SET OF EIGHT LATE GEORGE III MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising a pair of armchairs and six side chairs, the bar backs above X-form rails and drop-in seats in blue and cream foliate fabric, raised on square tapered legs joined by H-stretchers (8) Armchair 55cm wide, 84cm high, 39cm deep

£600-800

151 GEORGE III MAHOGANY DROP-LEAF BREAKFAST TABLE LATE 18TH CENTURY the demilune top with a drop-leaf on the back edge, above a plain banded frieze, raised on square tapered legs £600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

52cm wide, 212cm high, 27cm deep

£800-1,200

57

152 GEORGIAN STYLE SATINWOOD URN STAND 19TH CENTURY the octagonal top centred by a circular panel with chequer banded inlay above a slide, raised on slender splayed ring-turned legs joined by a cross-stretcher 36cm wide, 72cm high, 33cm wide

£500-700

153 Y GEORGE III SATINWOOD, PARTRIDGEWOOD, AND ROSEWOOD SECRETAIRE TABLE LATE 18TH CENTURY the sloped hinged top with a green baize liner over a drawer, with brass handles to the sides, raised on square tapered legs outlined with stringing and ending in brass caps and castors 58cm wide, 87cm high, 35cm deep

£300-500

154 GEORGE III SATINWOOD AND PARTRIDGEWOOD DEMILUNE GAMES TABLE LATE 18TH CENTURY the crossbanded top with a central oval inlay opening to a green baize playing surface, above a plain frieze, raised on square tapered legs ending in spade feet 96cm wide, 75cm high, 45.5cm deep [closed]

£400-600

155 GEORGE III SATINWOOD INLAID SECRETAIRE CABINET LATE 18TH CENTURY of neat size, the crossbanded top above a secretaire drawer with oval inlay, fitted with pigeon holes, drawers, and a green leather skiver, over a fall front enclosing three drawers, raised on square tapered legs 78cm wide, 99cm high, 42cm deep

£1,500-2,500

58

156 PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS LATE 18TH CENTURY in the Hepplewhite French style, the cartouche shaped backs above wide serpentine seats flanked by part-padded scrolled arms, covered in hessian raised on moulded cabriole legs (2) 67cm wide, 95cm high, 49cm deep

£1,000-1,500

157 158 GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the bowfront top over two short and three long graduated drawers outlined with stringing, raised on French bracket feet 105cm wide, 104cm high, 52cm deep

£400-600

159 LATE GEORGE III MAHOGANY SERPENTINE SIDEBOARD 18TH CENTURY the stageback above a serpentine base with three short frieze drawers flanked by deep drawers, raised on square tapered legs outlined with stringing 217cm wide, 108cm high, 76cm deep

£1,000-1,500

GEORGE III MAHOGANY INLAID DEMILUNE TEA TABLE LATE 18TH CENTURY the crossbanded fold-over top above a plain frieze, raised on square tapered legs headed by carved sunflower motifs and ending in brass caps and castors 84cm wide, 75cm high, 42cm deep [closed]

£400-600

59

160 GEORGE III GILTWOOD, GESSO AND PAINTED TRUMEAU MIRROR

161

18TH CENTURY

LATE GEORGE III MAHOGANY CHILD’S HIGH CHAIR

with a panel painted with a bridge in a riparian landscape over a bevelled mirror plate, within angled margin plates and a moulded giltwood frame

LATE 18TH CENTURY in the Hepplewhite style with a shield back above a drop-in seat and adjustable footrest; on a separate square platform base 40cm wide, 95cm high, 46cm deep overall

92cm high, 54cm wide Provenance: Previously Bardrochat House, South Ayrshire

£500-700

£300-400

162 SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY

163 LATE GEORGE III D-END MAHOGANY DINING TABLE

in the Hepplewhite style, with arched shield backs centred by carved wheatsheaf and bellflower carved splats, above padded seats raised on square tapering legs joined by stretchers (8) 57cm wide, 103cm high, 44cm deep

£500-700

LATE 18TH CENTURY in three parts, with two D-ends and a centre with a drop sides, on square tapered legs ending in spade feet; with three leaf extensions 400cm wide (with leaves), 73cm high, 130cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

60

164 GEORGE III GRAIN-PAINTED AND GILT CHEVRETTE, OR WORK TABLE 19TH CENTURY the workbox top with a handle and three quarter gallery over two short and one long drawer, the lower section with a frieze drawer raised on square tapered legs with a shaped undertier; painted in simulated rosewood with gilt details 48cm wide, 111cm high, 30cm deep Provenance: Previously Bardrochat House, South Ayrshire

£300-500

165 LATE GEORGIAN MAHOGANY BUREAU BOOKCASE EARLY 19TH CENTURY the swan neck pediment above a pair of astragal glazed doors enclosing a blue painted and shelved interior; the lower part with a slant front opening to a satin birch fitted interior and baize writing surface, above four long graduated drawers, raised on French bracket feet 103cm wide, 204cm high, 49cm deep approx.

£400-600

166 GEORGIAN STYLE WING ARMCHAIR LATE 19TH CENTURY the arched back above a loose cushion seat, raised on square legs with brass caps and castors, in salmon upholstery 77cm wide, 107cm high, 60cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

61

167 GEORGE III STAINED MAHOGANY ARMCHAIR LATE 18TH CENTURY in the Sheraton style, the square padded back with a wide bowfront seat flanked by part padded reeded arms on turned baluster supports, raised on leaf carved tapered legs ending in brass caps and castors, in dark green upholstery 59cm wide, 91cm high, 46cm deep

£400-600

168 LATE GEORGE III MAHOGANY CARD TABLE 18TH CENTURY the D shaped fold-over top opening to a green baize lined interior, over a frieze drawer raised on square tapered legs outlined with stringing 97cm wide, 77cm high, 48cm

£300-500

169 SET OF NINE LATE GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY the square backs with foliate carved splats above wide stuffover seats covered in green needlework covers, raised on turned tapered legs; to include a pair of armchairs and seven side chairs (9) Armchair 58cm wide, 90cm high, 48cm deep

£800-1,200

170 GEORGIAN STYLE MAHOGANY AND SATINWOOD PEDESTAL DINING TABLE MODERN the circular crossbanded top on a cannon barrel column with four channel moulded outswept legs ending in brass caps and castors, with a WILLIAM TILLMAN trade label 160cm diameter, 72cm high

£400-600

62

BRITISH FURNITURE & WORKS OF ART CONTINUE D

Lot 230 [detail]

63

171 REGENCY STYLE CUT GLASS FIVE LIGHT CHANDELIER EARLY 20TH CENTURY the central baluster stem issuing five scrolling candle arms, hung with prisms, drops, and swags, electrified 104cm drop, 78cm diameter

£600-800

172 Y FINE PAIR OF EARLY REGENCY ROSEWOOD TRIPOD TABLES EARLY 19TH CENTURY the square tops with rounded corners raised on slender spiral carved baluster columns terminating on umbrella tripod bases outlined with stringing and raised on ball feet (2) 43cm wide, 77cm high, 43cm deep

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

173 LATE REGENCY MAHOGANY LAMP TABLE EARLY 19TH CENTURY the circular top with segmented veneers, on a facetted baluster column and triform base, on bun feet 48cm diameter, 75cm high

£300-500

174 SCOTTISH LATE REGENCY MAHOGANY CLOCK, THOMAS MCGREGOR, AYTON EARLY 19TH CENTURY the circular enameled Roman numeral dial with twin winding holes and subsidiary seconds and calendar dials; in an arch moulded case with brass finial, above an arched crossbanded trunk door flanked by reeded quarter columns, on a plinth base with bracket feet; the eight day twin-train movement striking a bell 47cm wide, 223cm high, 22cm deep

£500-700

175 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY with four tiers raised and divided by turned baluster supports with urn finials, the base fitted with a drawer, on tapered legs with brass caps and castors 53cm wide, 128cm high, 44cm deep

£400-600

176 Y REGENCY ROSEWOOD, GILT, AND BRASS INLAID SIDE CABINET EARLY 19TH CENTURY the veined black marble inverted breakfront top above a long frieze drawer flanked by gilt metal lion masks, above a pair of pleated silk-lined doors enclosing adjustable shelves and flanked by stop-fluted pilasters, on gilt ball feet 110cm wide, 102cm high, 45cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65

177 REGENCY GILTWOOD TRIPTYCH OVERMANTEL MIRROR 19TH CENTURY the moulded cornice with ball mounts above a gesso moulded frieze depicting Apollo in his chariot pulled by lions, above triple bevelled mirror plates flanked by reeded columns with foliate capitals 90cm high, 142cm wide

£400-600

178 Y FINE REGENCY ROSEWOOD AND BRASS INLAID CENTRE TABLE 19TH CENTURY the crossbanded tilt top with bands of foliate brass inlay, on a lotus carved column and quadriform concave base raised on sabre legs outlined with brass inlay and ending on foliate cast brass caps and castors 128cm diameter, 74cm high

£4,000-6,000

66

179 REGENCY STYLE CUT GLASS AND SILVERED CHANDELIER 19TH CENTURY the silvered metal corona hung with prism swags and drops above a tiered waterfall base with a facetted ball pendant finial 114cm drop, 60cm diameter

£800-1,200

180 REGENCY PINE AND GESSO FIRE SURROUND EARLY 19TH CENTURY the projecting moulded shelf above a frieze with central flowering urn and fruiting vine pilasters capped by figures £600-800

181 REGENCY MAHOGANY FRAMED SETTEE EARLY 19TH CENTURY with a low square back and loose cushion seat flanked by downswept enclosed arms, raised on reeded tapered legs, the rear legs with castors, covered in pale blue patterned upholstery 156cm wide, 83cm high, 56cm deep

£400-600

182

183

REGENCY MAHOGANY SIDE TABLE, IN THE MANNER OF GILLOWS

REGENCY GILTWOOD MIRROR

EARLY 19TH CENTURY

EARLY 19TH CENTURY

the rectangular top above long frieze drawer, raised on turned and reeded tapered legs ending in brass caps and leather castors 96cm wide, 78cm high, 59cm deep

of rectangular form, the projecting cornice above a frieze panel with a central lion mask carving, the mirror plate within a reeded ebonised slip, flanked by two columns

£250-350

64cm high, 42.5cm wide

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

67

184 IRISH TEN LIGHT CRYSTAL AND SILVERED BRASS CHANDELIER 19TH CENTURY with ten scrolling candle arms hung with teardrops, spheres and swags, electrified 71cm drop, 62cm diameter Provenance: Ex Castle Ffrench, Co. Galloway

£1,500-2,500

185 LATE GEORGE III MAHOGANY OCTAGONAL DRUM TABLE EARLY 19TH CENTURY the top with a gilt tooled green leather insert, over four short and four dummy drawers, raised on a baluster turned column and strung sabre legs, with brass caps and castors 102cm wide, 78cm high

£800-1,200

186 REGENCY MAHOGANY AND EBONISED BREAKFRONT BOOKCASE EARLY 19TH CENTURY the dentil moulded cornice above astragal glazed doors opening to shelves, the projecting base with three cupboard doors outlined with ebonised moulding, opening to shelves, all raised on bracket feet 176cm wide, 230cm high, 40cm deep

£1,000-1,500

68

187 REGENCY GILT BRONZE COLZA STYLE CHANDELIER 19TH CENTURY with a central urn with berry finial and three candle fittings with cut glass shades, above a triform pan hung by chains 70cm drop, 51cm diameter

£400-600

188 Y REGENCY ROSEWOOD FOLD-OVER CARD TABLE EARLY 19TH CENTURY the rectangular top with angled corners opening to a green baize lined interior, raised on a turned column and four scrolled outswept legs with brass paw caps and castors, with gilt metal mounts 92cm wide, 74cm high, 45cm deep

£600-800

189 REGENCY MAHOGANY ‘CHANNEL ISLES’ BOW FRONT CHEST OF DRAWERS EARLY 19TH CENTURY the bow front top over four long graduated drawers with brass lion mask handles, raised on large reeded scrolled feet 105cm wide, 104cm high, 57cm deep

£400-600

190 Y REGENCY ROSEWOOD AND BRASS INLAID BREAKFRONT SERVING TABLE EARLY 19TH CENTURY the breakfront top over a frieze with a centre drawers and inlaid with brass stringing, scrolls, and leaf motifs, raised on reeded tapered legs ending in ball feet 172cm wide, 93cm high, 62.5cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

69

191 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the bar backs over pierced horizontal splats with a central roundel, the stuffover seats covered in wine-red needlework covers, and raised on turned legs; comprising six side chairs and a pair of armchairs (8) 51cm wide, 82cm high, 41cm deep; Armchair 52cm wide, 83cm high, 44cm deep

£400-600

192 Y REGENCY ROSEWOOD CANTERBURY EARLY 19TH CENTURY with four divisions, raised on turned supports over a base drawer and turned tapered feet 47cm wide, 49cm high, 37cm deep

£300-500

193 REGENCY STYLE TRIPLE PEDESTAL DINING TABLE 19TH CENTURY AND LATER the rounded rectangular top on three ring turned baluster columns terminating in outswept square section legs with brass caps and castors, with two leaf extensions 344cm long, 74cm high, 138cm deep

£500-700

194 Y REGENCY ROSEWOOD MARBLE TOPPED BREAKFRONT SIDE CABINET EARLY 19TH CENTURY the white veined marble top above three frieze drawers, over four doors with yellow pleated silk lining and brass grille inserts, enclosed shelves, on a conforming plinth base 184cm wide, 93cm high, 46cm deep

£400-600

70

195 Y REGENCY ROSEWOOD AND GONCALO ALVES CARD TABLE EARLY 19TH CENTURY the D shaped crossbanded fold-over top opening to a green baize lined interior over a gilt metal mounted frieze, on a panel moulded tapered column and quadriform base with scrolled gilt metal feet with brass castors 86cm wide, 74cm high, 44cm deep (closed)

£800-1,200

196 REGENCY MAHOGANY BOOT RACK 19TH CENTURY with a cut-out handle and shaped peg rail above shaped boot stages, the scrolling trestle base united by a shaped undertier 100cm wide, 65cm high, 40cm deep

£300-500

197 SET OF TEN SCOTTISH REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the top rails carved with roses and wheat sheafs, over spiral turned horizontal splats and stuffover seats covered in cream upholstery, raised on lotus carved and spiral turned legs, comprising two armchairs and eight side chairs (10) Sidechair 49cm wide, 83cm high, 41cm deepArmchair 54cm wide, 84cm high, 42cm deep

£1,000-1,500

198 REGENCY MAHOGANY LIBRARY TABLE EARLY 19TH CENTURY the rounded rectangular top with a moulded edge and red tooled leather skiver, above pairs of dummy drawers to the long sides, with long drawers to the ends, raised on turned and reeded tapered legs ending in brass caps and castors 138cm wide, 76cm high, 94cm deep

£600-800

71

199 REGENCY MAHOGANY COAT/ HAT STAND EARLY 19TH CENTURY with a ball finial on a baluster turned central column issuing nine upturned arms, on a tripod base with ball feet 158cm high, 66cm wide

£400-600

200 REGENCY MAHOGANY CENTRE TABLE, BY NORMAN & SON EARLY 19TH CENTURY the circular top with a moulded edge on a lobed, lotuscarved column and triform base with paw feet, with paper trade label ‘M. Norman and Son, Cabinet Makers, Richmond’ 117cm wide, 70cm high, 116cm deep

£600-800

Note: Matthew Norman of Richmond in Yorkshire maintained a workshop in several locations from 1814-1840. A set of six side tables bearing the trade label ‘M. Norman & Son, Cabinet Makers, RICHMOND’ are in the collection of Aske Hall, Richmond.

201 WILLIAM IV MAHOGANY AND GILT METAL MOUNTED BOOKCASE/CABINET EARLY 19TH CENTURY the moulded cornice over two gothic arch astragal glazed doors between columns with Corinthian gilt metal capitals, the lower section with egg and dart moulded edge over a frieze drawer and two panelled doors between further columns, raised on a plinth base 110cm wide, 170cm high, 56cm deep

£500-800

202 Y REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY the rectangular top above a plain frieze, over a pair of arched panel doors opening to an adjustable shelf, flanked by leaf carved volutes, on a plinth base 105cm wide, 88cm high, 40cm deep

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

203 PAIR OF REGENCY BRASS CANDLESTICK LAMPS LATE 18TH CENTURY the urn-form candle nozzles above tapered reeded columns ending on claw feet, the edges of the circular bases decorated with a band of repeating anthemion pattern, now mounted as lamps, with cream twisted pleated shades (2) 26.5cm high (excluding fittings)

£600-800

204 PAIR OF REGENCY ORMOLU AND PATINATED BRONZE LAMPS 19TH CENTURY converted from candlesticks, with acanthus leaf form nozzles above reeded stems on acanthus cast triform bases with paw feet, with pleated cream shades; fitted for electricity (2) 41cm high (excluding fittings)

£1,200-1,800

205 REGENCY PAINTED PLASTER FIGURAL TORCHERE, IN THE MANNER OF HUMPHREY HOPPER 19TH CENTURY in the form of a Vestal Virgin, painted with a simulated bronze patina, on a circular base, unsigned 110cm high

£600-800

206 PAIR OF GILT BRASS AND TOLE LAMPS 19TH CENTURY, ADAPTED formerly candlesticks, with urn candle nozzles hung with laurel swags above tapering fluted columns with lions masks and further swags, on spreading circular bases hung candle nozzles; fitted with twin scrolling arms with electric nozzles and a burgundy red tole shade; converted to electricity (2) 51cm high Provenance: Previously Bardrochat House, South Ayrshire

£400-600

207

208

PAIR OF GRAND TOUR BRONZE AND SIENA MARBLE URNS

REGENCY EBONY BRASS INLAID INKSTAND

19TH CENTURY of low campana form with foliate cast handles, on square marble plinths and bases (2)

of rectangular form, the borders with scrolling foliate decoration, with a central compartment fitted with two hobnail cut square section inkwells with hinged covers, flanked to either side by a pen tray

18.5cm high, 16cm wide

37.5cm wide, 27.5cm deep

£250-350

£250-350

EARLY 19TH CENTURY

73

209 FINE REGENCY BIRDSEYE MAPLE INLAID GAMES TABLE, IN THE MANNER OF MOREL & SEDDON EARLY 19TH CENTURY the rounded rectangular top centred by an inlaid chess/chequer board within an inlaid laurel banded border, above a single frieze drawer flanked by scrolled brackets and inliad with foliate motifs, raised on end supports with lotus carved bases and united by a turned and carved stretcher, on trestle plinths with scrolled feet and recessed brass castors 76cm wide, 74cm high, 43cm deep Note: Morel & Seddon were the principal suppliers of furniture and furnishings to George IV (1762–1830) and the leading proponents of the new national style. Their lavish interior decoration repurposed fine French and English eighteenth-century furniture from George IV’s previous residence, Carlton House, as well as supplying new pieces in styles ranging from late Empire to Gothic Revival. The French cabinet-maker and upholsterer Nicholas Morel (fl.1790– 1830), who had worked with George IV from the 1790s, went into business with George Seddon (1769–1857) in 1827 principally to undertake the extensive refurbishment of Windsor Castle, 1827–30.

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

74

210 REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY the open top with spindle sides, above a base drawer, raised on turned legs with brass caps and castors 55cm wide, 54cm high, 44.5cm deep

£400-600

211 LATE REGENCY MAHOGANY CHEVAL MIRROR, IN THE MANNER OF GEORGE SMITH EARLY 19TH CENTURY the rectangular mirror plate between lotus carved pierced uprights joined by a turned stretcher, on trestle bases with brass castors 79cm wide, 158cm high, 59cm deep

£400-600

212 LATE REGENCY MAHOGANY OCCASIONAL TABLE EARLY 19TH CENTURY the rounded rectangular top with a gadrooned edge on a tapered column support with a lotus carved collar, the concave quadriform base with corner finials and raised on foliate carved bun feet 57cm wide, 77.5cm high, 35.5cm deep

£800-1,200

213 REGENCY MAHOGANY WASHSTAND, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the top with a three quarter gallery above an arrangement of five drawers and an arched recess, raised on turned and reeded tapered legs ending in brass caps and castors 122cm wide, 83cm high, 67cm deep

£800-1,200

75

214 LATE REGENCY MAHOGANY TUB ARMCHAIR EARLY 19TH CENTURY the curved rectangular back above a padded seat and lyre outline enclosed arms with reeded facings and flowerhead carved terminals, raised on tapered reeded legs with ceramic castors, covered in green and cream stripe upholstery 76cm wide, 103cm high, 66cm deep

£800-1,200

215 REGENCY GILT AND EBONISED OVERMANTEL MIRROR EARLY 19TH CENTURY the dentil moulded pediment painted with a cartouche, above a rectangular mirror plate flanked by pilasters 140cm high, 98cm wide

£700-1,000

216 REGENCY MAHOGANY LAMP TABLE EARLY 19TH CENTURY the rectangular top with a moulded edge above a single frieze drawer, raised on twin ring-turned end supports with trestle bases joined by a turned stretcher, previously fitted with a work basket 46cm wide, 71cm high, 40.5cm deep

£400-600

217 SCOTTISH REGENCY MAHOGANY INLAID SIDEBOARD EARLY 19TH CENTURY the stage back with two sliding doors, above a breakfront top with three short frieze drawers flanked by deep drawers, raised on square tapered legs ending in spade feet, the whole outlined with stringing 219cm wide 108cm high, 71cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

76

218 REGENCY IRON HALL LANTERN EARLY 19TH CENTURY of hexagonal form with glazed sides and a foliate and flower cast corona 52cm high, 32cm diameter

£400-600

219 THREE REGENCY STYLE CONVEX MIRRORS with a circular convex mirror plates in ebonised slips and ball mounted frames (3) 55cm, 42cm, and 24cm diameters

£300-400

220 Y REGENCY ROSEWOOD WHATNOT EARLY 19TH CENTURY of square form, with four tiers raised on turned supports, the bottom tier with a drawer, raised on turned and tapering legs ending in brass caps and castors 49cm wide, 128cm high, 44cm deep

£500-700

221 Y REGENCY ROSEWOOD X-FRAME STOOL EARLY 19TH CENTURY the square padded top covered in salmon pink foliate fabric with tassel trim, raised on scrolled and leaf-carved X supports joined by turned stretchers 64cm wide, 46cm high, 61cm deep

£300-400

222 LATE GEORGE III MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY the caddy top and plain frieze over three long graduated drawers and a shaped apron, on tall French bracket feet 90cm wide, 93cm high, 49cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

77

223 SET OF FOUR LATE REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the open backs carved with palmettes, above moulded seat rails with loose cushion pads, raised on turned and reeded tapered legs (4) 45cm wide, 84cm high, 43cm deep

£300-500

224 REGENCY PINE AND GESSO FIRE SURROUND EARLY 19TH CENTURY the bead moulded cornice above a frieze with a classical scene flanked by panels with gryphons and urns, with fluted pilaster legs 186cm wide, 156cm high, 18cm deep [interior 139 x 122cm]

£600-800

225 REGENCY BOWFRONT MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY the bowfront top with rounded outset corners, above three long drawers flanked by reeded columns with leaf carved capitals, on turned tapered legs 109cm wide, 86cm high, 56cm deep

£700-1,000

78

226 LATE GEORGE III MAHOGANY WORKTABLE EARLY 19TH CENTURY the rectangular top over a frieze drawer and silk-lined basket, raised on slender legs joined by an H stretcher 54cm wide, 74cm high, 35cm deep

£300-500

227 REGENCY MAHOGANY LAMP TABLE EARLY 19TH CENTURY the rounded rectangular top above two frieze drawers, raised on a baluster support and triform base with ball feet 51cm wide, 76cm high, 43cm deep

£300-500

228 SET OF REGENCY STYLE SATINWOOD AND MAHOGANY INLAID NESTING TABLES 19TH CENTURY the tops with oval mahogany inlay and cockbeaded borders, raised on ring turned supports and trestle bases (4) 49cm wide, 69cm high, 35cm deep

£500-700

229 Y REGENCY ROSEWOOD TEA TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top above a bead moulded panel frieze flanked by scroll carved brackets, pivoting on a tapered ring-turned and reeded column with a quadriform base and scrolled feet with brass castors 92cm wide, 76cm high, 46cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

79

230 PAIR OF REGENCY GILT AND PATINATED BRONZE NAVETTE INKSTANDS EARLY 19TH CENTURY in the form of classical boats with snake handles, twin glass inkpots, and a central covered well (2) 30cm wide, 8cm high, 10cm deep

£1,000-1,500

231 PAIR OF REGENCY PATINATED AND GILT BRONZE LAMPS CIRCA 1820 converted from candlesticks, with urn-form nozzles and acanthus leaf drip trays above tapered columns and acanthus tripod legs, on triform black bases, with pleated cream shades (2) 32cm (excluding fittings)

£800-1,200

232 PAIR OF REGENCY BRONZE AND ORMOLU CANDLESTICK LAMPS EARLY 19TH CENTURY in the form of fluted columns surmounted with urns, raised on a socle base with circular foot, the ormolu with acanthus leaf, scroll and foliate designs, the cream pinch pleated shades (2) 39.5cm high to the bulb fitting, 12.5cm diameter

£800-1,200

233 Y REGENCY ROSEWOOD READING STANDS EARLY 19TH CENTURY the rounded rectangular adjustable tops with book rests, raised on turned and reeded column supports with scrolled triform bases (2) 41cm wide, 75cm high, 31cm deep, 112cm max. high

£800-1,200

80

234 REGENCY MAHOGANY HALL CHAIR EARLY 19TH CENTURY the waisted back with an oval panel painted with an armorial lion, above a wide seat raised on ring-turned and tapered legs 49.5cm wide, 92.5cm high, 39cm deep

£300-500

235 WILLIAM IV WALNUT WHATNOT 19TH CENTURY with three tiers, each with a scrolled and pierced three-quarter gallery, raised and divided by spiral turned legs, the lower tier with a shaped apron and lobed turned feet with brass castors 58cm wide, 104cm high, 46cm deep Provenance: Previously Bardrochat House, South Ayrshire

£300-500

236 Y REGENCY ROSEWOOD WORKBOX EARLY 19TH CENTURY of sarcophagus form, with a hinged top opening to a fabric lined interior fitted with a tray, egg and dart moulding to the lower edge, raised on a waisted square support and scrolled outswept legs with pad feet 42cm wide, 88cm high, 31cm deep Provenance: Previously Bardrochat House, South Ayrshire

£300-500

237 Y WILLIAM IV ROSEWOOD MARBLE TOPPED BOOKCASE CABINET EARLY 19TH CENTURY the rectangular white marble top above a frieze marked with carved rosettes, above an open shelved centre flanked by arch mirror doors enclosing shelves, flanked and divided by lotus carved pilasters, on an inverted breakfront base 168cm wide, 96cm high, 43cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

81

238 WILLIAM IV MAPLE AND INLAY OCCASIONAL TABLE EARLY 19TH CENTURY the circular top above a turned baluster column and triform base with line inlay, raised on scrolled feet 61cm diameter, 72cm high

£400-600

239 Y PAIR OF REGENCY ROSEWOOD OCCASIONAL TABLES EARLY 19TH CENTURY the rounded rectangular tops raised on ring and baluster turned columns and four umbrella legs (2) 36.5cm wide, 75cm high, 36cm deep Provenance: Previously Bardrochat House, South Ayrshire

£1,000-1,500

240 MAHOGANY LEATHER UPHOLSTERED LIBRARY CHAIR, IN THE MANNER OF GILLOWS 19TH CENTURY the shaped button upholstered back and padded scrolled arms over a padded seat, covered in chocolate brown leather upholstery, raised on shell-carved cabriole legs ending in dolphin head feet 80cm wide, 90cm high, 48cm deep

£600-800

241 GEORGE IV OAK WINDOW SEAT EARLY 19TH CENTURY of neat size, with scrolled arm rests above a moulded panel seat with a brown leather cushion, raised on lobed and fluted tapered legs 66cm wide, 60cm high, 41cm deep

£1,000-1,500

242 REGENCY MAHOGANY WASHSTAND, BY GILLOWS EARLY 19TH CENTURY the top with a three quarter gallery and reeded edge, above a concave drawer and arched kneehole, flanked by banks of two short drawers, raised on slender ring turned and reeded legs with brass caps and castors, stamped on the drawer GILLOWS LANCASTER 92cm wide, 85cm high, 53cm deep

£1,000-1,500

82

243 WILLIAM IV GILT BRONZE AND GLASS CHANDELIER, IN THE MANNER OF WILLIAM COLLINS EARLY 19TH CENTURY with partial foliate chain suspension above a frosted glass dish and seven foliate scrolled arms terminating in foliate candle sconces and drip pans £800-1,200

244 PAIR OF WILLIAM IV GILTWOOD GIRONDOLES EARLY 19TH CENTURY in the Rococo Revival style, the oval mirror plates in pierced and carved frames with rocaille, C scrolls, flowers, and issuing twin scrolling candle arms (2) 114cm high, 59cm wide

£600-800

245 PAIR OF WILLIAM IV BIRDSEYE MAPLE MARBLE TOPPED BEDSIDE CUPBOARDS MID 19TH CENTURY the black veined marble tops above panel moulded doors centred by carved foliate roundels and pulls, opening to shelved interiors, on plinth bases (2) 35cm wide, 87cm high, 35cm deep

£1,500-2,000

246 WILLIAM IV GONCALO ALVES CHIFFONIER, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the superstructure with a centre shelf, raised on turned and reeded columns, the base with a pair of cupboard doors with pleated pink silk flanked by scrolled foliate brackets opening to two adjustable shelves, raised on bun feet 107cm wide, 136cm high, 40cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

83

247 EARLY VICTORIAN LEATHER UPHOLSTERED READING CHAIR 19TH CENTURY the horseshoe shaped back and arms above shaped brackets, over a shaped seat all in buttonupholstered red leather, raised on turned legs ending in brass caps and ceramic castors 64cm wide, 78cm high, 60cm deep

£500-700

248 Y WILLIAM IV ROSEWOOD FOOTREST EARLY 19TH CENTURY the hinged S shaped padded top with a ratchet adjustment, covered in yellow and red foliate upholstery 47cm wide, 20cm high, 31cm deep

£300-500

249 WILLIAM IV MAHOGANY EXTENDING DINING TABLE EARLY 19TH CENTURY the rounded rectangular top with two leaf extensions, raised on foliate carved and faceted tapering legs with replaced modern castors 211cm long, 72cm high, 132cm deep

£300-500

250 WILLIAM IV MAHOGANY PEDESTAL SIDEBOARD EARLY 19TH CENTURY of inverted breakfront outline with a tablet back, over three frieze drawers on arched panel cupboards flanked by pilasters with carved lotus capitals, one fitted with a deep drawer, the other with a tray slide, raised on turned tapered feet 184cm wide, 119cm high, 66cm deep

£400-600

84

251 Y TWO 19TH CENTURY SAMPLERS DATED 1809 AND 1836 the first named and dated ‘Augnes Boyd, 1809’, worked in coloured threads with the alphabet, a religious inscription, Adam and Eve in Eden, a ship, plants and flowers etc, within a rosewood frame, 59cm high, 48cm wide (including the frame), the second a schoolgirl alphabet sampler, named and dated ‘Mary Wallace, 1836’, within an oak frame (2) 35cm high, 29cm wide

£300-500

252 PAIR OF BLUE GLASS GILT METAL MOUNTED LAMPS LATE 19TH CENTURY of baluster form, with elongated slender necks, with cream pinch pleated shades (2) 42.5cm high to the top of the bulb fitting

£600-800

253 TWO GEORGE III COMMEMORATIVE PEARLWARE PLATES CIRCA 1820 blue transfer decorated with borders of thistles, roses and clover; the first with a profile portrait inscribed ‘SACRED TO THE MEMORY OF GEORGE III. / WHO DIED 29 JAN’. 1820’; the other with an image of the subject seated handing a book to a child and inscribed ‘I HOPE THE TIME WILL COME/ WHEN EVERY POOR CHILD IN MY/ DOMINIONS WILL BE ABLE TO READ THE BIBLE.’; together with a FURTHER BLUE TRANSFER PEARLWARE DISH, of similar decoration, the central reserve with seashells (3) largest 25.5cm diameter

£300-500

85

254 TWO PEARLWARE JUGS DATED 1796 AND 1818 one polychrome painted with floral decoration and inscribed ‘Thomas Timms, 1796’ and with the verse ‘From Mother Earth I took my birth, Was made a jug for Man. But now I’m here Fild with strong Beer, come tafte me if you can’, 21cm high; the other of barrel form turned with fine bands, painted with leafy swags and borders, inscribed ‘Hannah Yeadon, 1818’, (2) 18cm high

£400-600

255 FOUR THOMAS PARR STAFFORDSHIRE FIGURES 19TH CENTURY comprising a figure of the The Prince of Wales modelled wearing a sailors suit, 32cm high, a figure of Eugenie, Empress of France, modelled seated with the Prince Imperial on her lap, 32.5cm high, a figure of a French soldier wearing a blue tunic and holding a gun, 27.5cm high, Oliver Sutton label to base, and a figure of a Highland soldier modelled standing with his gun, his cap on his knee, 28cm high, Oliver Sutton label to the base (4) £300-400

256 COLLECTION OF STAFFORDSHIRE FIGURES INCLUDING THOMAS PARR EXAMPLES 19TH CENTURY comprising a Highland Mary spill vase, 30cm high; another similar modelled as a couple standing before a well, 31cm high; a figure of a musical couple with a mandolin, 28.5cm high; a pair of figures, each modelled holding a sheaf of wheat, 23cm high; a pair of spill vases, each modelled as a child standing alongside a column fountain, 19cm high; a pair of wolf spill vases, 18.5cm high; and a small pair of rabbits (11) 6cm high

257

£300-400

COLLECTION OF THOMAS PARR STAFFORDSHIRE FIGURES 19TH CENTURY comprising two Uncle Tom and Eva inscribed figures, 20.5cm high; a large figure of Rebecca at the Well, 30cm high; a figure of Joseph and Mary with baby Jesus on a donkey, 21cm high; a figure of a mother praying with her child, 20cm high; TOGETHER WITH a double sided GIN and WATER figure (6) 21.5cm high

£300-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

86

258 UNUSUAL TELESCOPE COMPASS WALKING STICK 19TH CENTURY the screw-off pommel fitted with a compass while the removable upper section of the stick fitted with telescopic lenses, bound in shagreen with a woven string collar, the malacca shaft with a brass ferrule; the engine turned brass band stamped PATENT 86cm long

£400-600

259 RARE REPUBLIC OF CANADA COMMEMORATIVE WALKING STICK CIRCA 1838

Note: Navy Island lies in the Niagara River, 4.5 kilometers above the Horseshoe Falls, between Ontario and New York. Long a strategic military outpost and centre of shipbuilding, in 1837 it was the home of the Rebellion of 1837, and self-proclaimed ‘Republic of Canada’ led by William Lyon MacKenzie and 200 of his supporters, who sought independence from British rule. Under continuing threat, MacKenzie abandoned the island in early 1838, escaping with his followers to Buffalo where he was taken prisoner.

The island is now a Canadian National Historic site (since 1921) in recognition of it’s ship building and attempted Canadian Republic history.

with a twisted natural wood shaft with horn ferrule and white metal pommel embossed with scrolling leaves and a bird, engraved ‘C. Dale/ Navy Island Niagara River’ 90cm long

£500-700

260 SCOTTISH PENWORK GAMES BOX, DECORATED WITH SCENES AFTER DAVID WILKIE EARLY 19TH CENTURY the cavetto moulded hinged lid depicting a domestic scene probably involving payment of rent, the front back and sides illustrating fox hunting scenes, the interior with a removable divided tray and four boxes, each lid with scenes of everyday life, raised on embossed brass feet, bearing paper label, ‘Smith and Co. Carvers and Gilder’s, 78 Union Street, Aberdeen’ 14cm high, 28.5cm wide, 22cm deep Provenance: Sold in these rooms 24 September 2008, lot 146 Note: The penwork scene decorating the lid of this fine box is adapted from Sir David Wilkie’s 1807 painting ‘The Rent Day.’ One of interior boxes in the interior also features a detail this picture as well, and three other genre scenes presumably after Wilkie.

Literature: Tromans, Nichols ‘David Wilkie. The People’s Painter’, published Edinburgh 2007, plate 2.

£1,500-2,500

261 CARVED COQUILLA NUT SNUFF BOX 19TH CENTURY the hinged cover carved with a profile portrait of a man, the underside with a full length figure of a lady holding a chalice standing beneath a large palm leaf 7cm long

£200-300

87

262 Y FOUR MINIATURE TABLES 19TH CENTURY to include a pedestal table with an octagonal top, a pedestal table with a circular top, a tilt-top tripod tea table, and a sofa table with ivory pulls and bun feet (4) Largest 19cm diameter, 13.5cm high

£300-500

263 MINIATURE OAK BUREAU 19TH CENTURY the fall flap enclosing a fitted interior, over four long graduated drawers, on bracket feet 22cm wide, 25.5cm high, 11cm deep

£300-500

264 SCRATCH BUILT DOLL’S HOUSE, STABLE, AND CONTENTS 19TH CENTURY the house modelled as a three story Georgian townhouse with eight glass filled windows and double door with fan light above, painted cream with black trim, the interior with papered walls; the stable with three bays with sliding doors and further doors and windows to the gable ends; together with a quantity of miniature furniture, plates, crockery, household furnishings, etc. (2) House 57cm wide, 102cm high, 41cm deep; stables 64cm 37cm high, 31cm deep

£400-600

265 SET OF LARGE CARVED WOOD LAWN SKITTLES 19TH CENTURY comprising fourteen skittles and four boules (Qty)

END OF DAY ONE

Skittle 34cm high

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

DAY TWO PAINTINGS

89

266 DAVID PAYNE (BRITISH 1843-1894) A SUMMER LANDSCAPE WITH SHEEP AND COTTAGE Signed, oil on canvas 51cm x 76cm (20in x 30in)

£800-1,200

267 THOMAS J BANKS (BRITISH 1828-1896) PEAT GATHERERS Signed with a monogram and dated 1867, oil on canvas 31cm x 46cm (12in x 18in)

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

90

268 F**LEIKAERT A DUTCH CANAL SCENE WITH WINDMILLS signed, oil on panel 35.5cm x 48cm (14in x 18in) Provenance: Williams & Son, London, 14146

£500-800

269 ATTRIBUTED TO JOHANNES CHRISTIAAN SCHOTEL BARGES IN AN ESTUARY, CALM SEAS Bears signature, oil on canvas 36cm x 49cm (14.25in x 19.25in)

£500-800

270 ATTRIBUTED TO WILLIAM ADOLPHUS KNELL SHIPPING OFF THE COAST IN CHOPPY SEAS Oil on panel, and a companion a pair (2) 30cm x 51cm (12in x 20in)

£500-800

91

271 ADOLPHE ALEXANDRE LESREL (FRENCH 1839-1929) GENTILSHOMMES FETANT LE VIEUX VIN DE FRANCE Signed and dated 1885, oil on canvas 117cm x 84cm (46in x 33cm) Exhibited: Salon, Paris 1885

£7,000-10,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92

272 § JOHAN FREDERICK SCHERREWITZ (DUTCH 1886-1951) UNLOADING THE NETS Signed, oil on canvas 61cm x 55cm (24in x 21.5in)

£1,000-1,500

273 LIONEL TOWNSEND CRAWSHAW R.S.W., R.S.B.A (BRITISH 1864-1949) CONVOLVULUS IN A BLUE VASE Signed, watercolour 59cm x 40cm (23.25in x 15.75in) Exhibited: The Fine Art Society, London, From Runswick to Russia- Paintings by the Staithes Group 2002 Ill. p.29

£500-800

274 CORNELIS VREENDENBURGH (DUTCH 1880-1946) A QUIET WATERWAY Signed, oil on canvas £800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

93

275 § WILLIAM LEE-HANKEY R.W.S. (1869-1952) WASH-DAY IN A FRENCH RIVERSIDE TOWN Signed, oil on canvas 63cm x 76cm (25in x 30in)

£3,000-5,000

276 § WILLIAM LEE-HANKEY R.W.S. (1869-1952) GRASSE Signed, oil on canvas 51cm x 61cm (20in x 24in)

£2,500-4,000

94

277 FREDERICK WILLIAM JACKSON R.B.A (BRITISH 1859-1918) HORSE DRAWN SLED IN THE SNOW RUSSIA Signed, oil on panel 23cm x 25.5cm (9in x 10in) Provenance: Peter Haworth, Cumbria Note: See ‘From Runswick to Russia - Paintings by the Staithes Group’ catalogue for a similar painting by Jackson illustrated on back cover

£1,000-1,500

278 FREDERICK WILLIAM JACKSON R.B.A (BRITISH 1859-1918) A WINTER LANDSCAPE WITH DISTANT CUPOLAS, RUSSIA Signed, oil on panel 22cm x 25.5cm (8.5in x 10in) Provenance: Peter Haworth, Cumbria Note: See ‘From Runswick to Russia - Paintings by the Staithes Group’ for similar Russian views

by Jackson

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

95

279 SIR FRANK BRANGWYN R.A., R.W.S., R.B.A. (1867-1956) A CONTINENTAL STREET SCENE Signed, watercolour 56cm x 46cm (22in x 18in)

£1,500-2,000

280 § GERALD FESTUS KELLY K.C.V.O., P.R.A., R.H.A., H.R.S.A. (BRITISH 1879-1972) SHWE DAGON PAGODA, RANGOON Oil on board, inscribed with another image verso 18cm x 15cm (7in x 6in) Provenance: Cyril Gerber Fine Art, Glasgow

£500-800

96

281 § BEATRICE E PARSONS (BRITISH 1870-1955) SPRING BLOOMS signed, watercolour 29cm x 39.5cm (11.5in x 15.5in)

£500-800

282 § BEATRICE E PARSONS (BRITISH 1870-1955) A SUSSEX GARDEN IN JULY Signed, watercolour 25cm x 35cm (9.75in x 13.75in)

£500-800

283 § BEATRICE E PARSONS (BRITISH 1870-1955) WEST CLIFF, BEMBRIDGE, ISLE OF WIGHT Signed, watercolour 26cm x 36cm (10.25in x 14.25in)

£400-600

97

284 § BEATRICE E PARSONS (BRITISH 1870-1955) FIR TOPS, OXLEY Signed, dated on a label verso ‘June 1931’, watercolour 41cm x 30cm (16in x 12in)

£500-800

285 § BEATRICE E PARSONS (BRITISH 1870-1955) STATUETTE AND BIRD BATH, THE LODGE, BEMBRIDGE Signed, watercolour 29cm x 21cm (11.5in x 8.25in)

£400-600

286 § BEATRICE E PARSONS (BRITISH 1870-1955) NTRY - THE RAINBOW Signed, watercolour 28cm x 21cm (11in x 8.25in)

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

98

287 § FRANK HENRY MASON R.B.A, R.I. (BRITISH 1876-1965) THE RESCUE OF THE TALL SHIPS WINNER, MOYANA Signed and dated, watercolour 49cm x 74cm (19.25in x 29in)

£1,000-1,500

Note: The Moyana was the winner of the first Tall Ships race in 1856. Disaster struck on the way back to Southampton, however, when Moyana got into difficulties in a storm and sank. All 23 officers and crew were taken off safely and they even had the prescence of mind to take their winning trophy with them.

The Tall Ships race was first suggested in 1953 when Bernard Morgan had the idea of an international race for sail training ships, manned by crews drawn from cadets and seamen under training to bring together the youth of the world’s seafaring people in friendly competion. The idea found favour with the Portuguese Ambassador to the U.K. Dr.Pedro Pereira and together with the support of many including Earl Mountbatten, the First Sea Lord, and His Royal Highness the Duke of Edinburgh the first race took place between Torbay in the U.K. and Lisbon in Portugal.

288 § STEPHEN J RENARD (BRITISH B. 1947) SHAMROCK V, CANDIDA K8 AND ENDEAVOUR K4 IN FULL SAIL Signed, oil on board, with authenticated work stamp verso 20cm x 30cm (8in x 12in)

£600-800

99

289 § RON C MITCHELL (BRITISH B.1960) J CLASSS YACHTS ON THE SOLENT Signed, inscribed on stretcher verso, and another by the same hand (2) 63cm x 76cm (25in x 30in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

101

BRITISH FURNITURE & WORKS OF ART PART III

290 Y MATCHED PAIR OF EARLY VICTORIAN ROSEWOOD STOOLS MID 19TH CENTURY the square padded seats on X form channel moulded legs carved with roundels and joined by turned stretchers, covered in green plush upholstery with close nail trim (2) 46cm wide, 46cm high, 46cm deep

£1,200-1,800

291 EARLY VICTORIAN WALNUT WHATNOT MID 19TH CENTURY with three square tiers raised and divided by bobbin turned supports, the base fitted with a drawer, on conforming legs with brass caps and castors 38cm wide, 105cm high, 38cm deep

£400-600

292 EARLY VICTORIAN WALNUT KIDNEY SHAPED WRITING TABLE MID 19TH CENTURY the reniform top with a pierced brass gallery, raised on foliate carved end supports joined by a stretcher rail and ending on cabriole legs with scrolled feet and ceramic castors 120cm wide, 78cm high, 57cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

293 VICTORIAN GILTWOOD OVAL MIRROR 19TH CENTURY the oval mirror plate in an egg and dart moulded frame with ribbon cresting 74cm high, 90cm wide Provenance: Previously Bardrochat House, South Ayrshire

£600-800

294 295 VICTORIAN WALNUT CHAISE LONGUE 19TH CENTURY with a padded shaped top rail on spiral turned supports over a button upholstered shaped seat, raised on spiral turned legs with brass caps and castors 143cm wide, 80cm high, 73cm deep Provenance: Previously Bardrochat House, South Ayrshire

£400-600

296 VICTORIAN AMBOYNA AND EBONISED SIDE CABINET MID 19TH CENTURY the shaped top over a frieze with painted enamel roundels of landscapes, and a centre mirrored door flanked by glazed doors enclosing shelves, all flanked and divided by reeded Corinthian columns, on a plinth base, with gilt metal mounts throughout 184cm wide, 100cm high, 51cm deep

£700-1,000

EARLY VICTORIAN SPECIMEN WOOD LONGCASE CLOCK MID-19TH CENTURY the painted arch dial with Roman numeral chapter ring and subsidiary second and date dials, two winding holes, the arch painted with a village scene in a case with swan neck pediment and feather finial, flanked by baluster turned columns; the trunk with a panel moulded door flanked by quarter columns, on a panel plinth with bracket feet; the eight day movement striking a bell 58cm wide, 225cm high, 26cm deep

£400-600

103

297 EARLY VICTORIAN OAK WHATNOT 19TH CENTURY the top with a three-quarter gallery over two further tiers with Gothic arch moulded pendant mouldings, raised and divided by spiral turned supports, on ball feet 58cm wide, 104cm high, 42cm deep Provenance: Previously Bardrochat House, South Ayrshire

£300-500

298 VICTORIAN GOTHIC REVIVAL WALNUT, SATINWOOD AND MAHOGANY HALL STAND MID 19TH CENTURY with a Gothic detailed pediment over a panelled back with two shelves and central mirror between geometric carved columns; the lower section with a carved frieze and Gothic arch panelled door flanked by columns, on a foliate carved plinth base with castors Provenance: Previously Bardrochat House, South Ayrshire

£700-1,000

299 SCOTTISH VICTORIAN WALNUT PROVOST’S ARMCHAIR 19TH CENTURY the pierced and carved cresting centred by an oval cartouche carved with the Edinburgh heraldic device, above a brown leather upholstered back embossed in gilt with Edinburgh coatof-arms and motto ‘Nisi Dominus Fustra’, above a serpentine stuffover seat flanked by part padded open arms, raised on spiral carved legs joined by an H stretcher and ending on brass castors 57cm wide, 110cm high, 45cm deep

£700-900

300 VICTORIAN MAHOGANY EXTENDING DINING TABLE 19TH CENTURY Rounded rectangular top raised on baluster carved legs with brass caps and castors, with three leaf extensions 298cm wide (fully extended) 72cm high, 131cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104

301 LARGE AND IMPRESSIVE GOTHIC REVIVAL PARCEL GILT OAK LIBRARY BOOKCASE MID 19TH CENTURY of inverted breakfront outline, the moulded frieze set with carved quatrefoils centred by moulded gesso roses, fleur-de-lis, and carnations, above astragal glazed doors enclosing adjustable shelves; the conforming lower part with a pair of triple trefoil arch moulded doors flanked by projecting open tiers divided by moulded ‘buttress’ pilasters, on a plinth base 380cm wide, 280cm high, 76cm deep

£8,000-12,000

105

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

302 VICTORIAN CASED HORN CARVING SET MID 19TH CENTURY of large size, the handles with white metal scallop edged mounts and the applied Gothic monogram ABH, comprising a carving knife with the steel blade marked ‘VR, Underwood, 56 Haymarket, London’, and a fork, within a fitted velvet lined case 55.5cm long

303

£400-600

GROUP OF MINTON NEW STONE ARMORIAL TOILET SET ITEMS MID 19TH CENTURY all in plain white earthenware, bearing the crest and motto for the Scott Plummer family, the crest showing a golden demi lion holding a palm branch, above a banner bearing the motto ‘Consulto Et Audacter’, all with gilt rims and borders, comprising six various ewers, one basin, two foot baths, and two twin handled slop vessels, three rectangular trays with canted corners, two twin handled soap dishes, and one bowl with cover, marked B. B New Stone (8) largest ewer 29cm high

£500-700

304 VICTORIAN CARVED OAK LAZY SUSAN MID 19TH CENTURY the edge formed from scrolls spaced with alternating plumes and feathers, centred with a carved crest depicting a perching bird on a torse, within a rope twist and flower carved border bearing the initials G.N.B. on a revolving segmented stand with six turned feet 62cm diameter, 10cm high

£300-400

305

306

307

THREE VICTORIAN BOTANICAL WATERCOLOURS

COLLECTION OF NAILSEA GLASSWARES

VICTORIAN WALNUT DAVENPORT

19TH CENTURY

19TH CENTURY

55cm high, 37cm wide

clear glass with opaline swirled decoration, comprising two pipes, two rolling pins, a ball float, a jar and stopper, two bottles, and a footed bottle (9)

the slant front with serpentine front and black leather insert over scrolled foliate legs and a body with a pen drawers and four further drawers to the side, dummy drawers opposing, raised on a plinth base with castors

£200-300

various sizes

56cm wide, 78cm high, 56cm deep

£200-300

£300-500

19TH CENTURY mounted in gilt frames (3)

107

308 SIR JOSEPH EDGAR BOEHM R.A. (AUSTRIAN 1834-1890) BRONZE BUST OF QUEEN VICTORIA modelled facing dexter, raised on a round socle foot impressed with VICTORIA R, the reverse inscribed J.E.BOEHM 20cm high Provenance: Gifted by Queen Victoria to Dr. Alexander Profeit, Factor at Balmoral Castle 1875-1896 Thence by family descent

£300-500

309 Y EARLY VICTORIAN WALNUT AND BRASS RENAISSANCE REVIVAL ASSEMBLED DESK SET MID 19TH CENTURY all mounted with brass strapwork, to include a domed stationery box, and folio cover; together with a spill vase, sandpot, taperstick, and a rosewood and brass page turner and pen tray of a similar design; the hinges stamped W.T.&S. IMPROVED (7) box 22cm wide, 16cm high, 12cm deep

£300-500

310 EDWARDIAN MAHOGANY COUNTRY HOUSE POST BOX

311

LATE 19TH/ EARLY 20TH CENTURY

CORNISH RED SERPENTINE TABLE LAMP

with a faceted dome top fitted with a letter slot, above a conforming columnar body with a door

19TH CENTURY

48cm high

the body of ovoid baluster form with a tall flared neck, raised on a circular foot and socle base, electrified, with a pleated cream shade

£700-900

51cm high to the top pf the neck

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

108

312 VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR 19TH CENTURY with a shaped central mirror plate flanked by smaller mirror plates within a scrolled foliate frame 105cm high, 151cm wide Provenance: Previously Bardrochat House, South Ayrshire

£700-1,000

313 SATINWOOD HANGING SHELVES EARLY 19TH CENTURY with a shaped top over four graduated shelves between scrolled supports 83cm wide, 84cm high, 19cm deep Provenance: Previously Bardrochat House, South Ayrshire

£300-500

314 VICTORIAN GILT BRONZE MOUNTED WALNUT, AMBOYNA, AND MAHOGANY CREDENZA LATE 19TH CENTURY the raised centre section with a pierced gallery rail, above a cupboard door centred by a Sèvres style porcelain plaque and foliate line inlay, opening to shelved interior; flanked by mirrored open quarter round shelves, on a shaped plinth base, with gilt bronze mounts throughout 137cm wide, 109cm high, 41cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

109

315 VICTORIAN COLONIAL INDIA INTEREST, VELVET EMBROIDERED THREE FOLD FLOOR SCREEN CIRCA 187OS each fold with two panels with applique silk needlework depicting roses, thistles, shamrocks, and lilies, against a faded red velvet ground, the same on the reverse, in an ebonised frame, bearing a brass plaque engraved ‘THIS EMBROIDERY CAME OFF THE DAIS ERECTED AT DELHI/ FROM WHICH/ QUEEN VICTORIA WAS PROCLAIMED EMPRESS OF INDIA/ 1877’ 168.5cm high, 175cm wide Note: On the 1st January 1877, the 1st Earl of Lytton, Viceroy of India, read a proclamation declaring Queen Victoria as Empress of India at the Delhi Durbar, a mass assembly of dignitaries, maharajas, and nawabs, held on the vast plain of Coronation Park in Delhi. These needlework panels were located on the central hexagonal tentlike pavilion, or shamiana, positioned at the frieze in a band above bannerettes encircling the upper tent-like cover, some 35 feet above the ground. Lytton insisted that no Indian imagery or designs were to be used in the decorative scheme for the event, although he did allow the Indian lotus to accompany the English rose, Scottish thistle, and Irish shamrock on the frieze, all represented here. A photograph of the pavillion, showing the panels in place, can be found in The Royal Collection and viewable online. Please see our website for link.

£1,000-1,500

Above: Colour lithograph “The Imperial Durbar 1877” [detail]

316 OF ROYAL INTEREST, LATE VICTORIAN TWO TIER WORKTABLE, THE SANDRINGHAM WORKSHOP DATED 1899 the rectangular tray top with a squared handle, the frieze inlaid with a continuous inscription, ‘ALEXANDRA/ TO. CH. KNOLLS/ SANDRINGHAM/ CHRISTMAS .1899’ over a lower tier tray raised and divided by slender square supports ending on slighly splayed feet 34cm wide, 80cm high, 30cm deep

£800-1,200

Note: Sandringham’s ‘Technical School of Woodwork’ was established by Princess Alexandra, later Queen Alexandra following her marriage in 1863 to Edward, Prince of Wales.

Originally established for the children of Estate workers, it later became Her Majesty Queen Mary’s ‘Carving School’ for exservicemen and local workers.

Provenance: Probably gifted from Princess Alexandra to the Honourable Charlotte Knollys (c. 1835-1930), Lady in Waiting to Queen Alexandra, sister of Francis, Lord Knollys. A later, but related, marquetry version of this table from The Collection of H.R.H The Princess Margaret was sold, Christie’s, London, 14 June 2006, lot 561, and another in satinwood, Christie’s, London, 15 June 2000, lot 11. Catalogued as ‘fruit tables’, they differ slightly in form but follow the same general configuration, indicating the present lot may have been an antecedent.

110

317 LARGE OVAL GILTWOOD MIRROR 19TH CENTURY the bevelled mirror plate in an egg and dart moulded frame 97cm x 122cm

£400-600

318 LATE VICTORIAN SCOTTISH OAK ARMCHAIR LATE 19TH CENTURY, EDINBURGH covered in button upholstered green leather outlined with close nail trim, the tapered legs with a crinoline stretcher and brass caps and castors 57cm wide, 98cm high, 48cm deep

£300-500

319 LATE VICTORIAN OAK WRITING DESK,

BY HOWARD AND SONS 19TH CENTURY The top with a red leather surface and three quarter pierced brass gallery, over a frieze drawer flanked by banks of one short and one deep drawer with a bracketed shelf to either side, raised on slightly outswept legs with undertiers, stamped ‘HOWARD AND SONS’ to the drawer 107cm wide, 80cm high, 53cm deep

£600-800

320 VICTORIAN OAK AND BRASS HALL STAND,

BY JAMES SHOOLBRED 19TH CENTURY with a central drawer flanked two stick stands with metal tray inserts, brass gallery and fittings, stamped registration mark 103cm wide, 102cm high, 34cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

111

Above: Major General Henry Trotter on the left, with his four sons, image courtesy of Mortonhall Golf Club.

Top right: Mortonhall, Edinburgh

321 OAK POST BOX IN THE FORM OF A SENTRY BOX LATE 19TH CENTURY with cladded sides and a gabled roof, the front with a brass post slot labelled ‘LETTERS’ over an arched panel with a gouache painted figure of a Grenadier Guard, signed ‘CL Buck’ 1880 and bearing a silvered presentation panel inscribed ‘From Married Women/ 2nd Bn Gren. Gds/ TO/ COLONEL H. TROTTER/ 29th April 1889’ 19cm wide, 45cm high, 19.5cm deep Note: Major General Sir Henry Trotter GCVO, DL was a senior British Army officer. Born in 1844 and commissioned into the Grenadier Guards in 1862, he commanded the regiment from 1889 to 1894 and was promoted to Major-General in 1895, appointed Major General commanding the Brigade of Guards and General Officer Commanding the Home District in 1897, serving until 1903. During preparations for the coronation of King Edward VII in 1902, Trotter acted as Chief Staff Officer to the Duke of Connaught, who was in supreme command of the troops taking part in all military ceremonies connected with the coronation. He resided at Mortonhall, a Georgian country house on the southern edge of Edinburgh. The Trotter family acquired the estate in 1635 and the house was built in 1769. Trotter and his wife had four sons and a daughter; all the sons all had military careers although two were killed in action during the first World War.

£4,000-6,000

112

322 VICTORIAN NOVELTY HUMIDOR IN THE FORM A BARGE EARLY 20TH CENTURY the tambour top opening to reveal a compartmented interior and lift-out tray, the deck and cabin exterior with brass fittings, on a black painted hull, stamped Rd 137636 41cm long, 24cm high, 22.5cm wide

£600-800

323 SCOTTISH CARVED, POLYCHROMED, AND TOLE TOBACCO FIGURE LATE 19TH/ EARLY 20TH CENTURY depicting a private grenadier from the 79th (Cameron) Highlanders, dressed in a tole kilt and bonnet with black feathers, with leather and sheepskin straps and pack with a cloth bedroll, on a square plinth with label ‘PRIVATE GRENADIER COMPANY/ 79TH CAMERON HIGHLANDERS/ HEAVY MARCHING ORDER/ 1815/ WATERLOO’ Provenance: Previously Bardrochat House, South Ayrshire

£300-500

324 PAIR OF ENGLISH ARMY SWORD HILT CANDLESTICKS 19TH CENTURY made from the handle and hilt of a sword with a sharkskin grip, the hilt with royal monogram VR, the feet made from spurs, with Registration mark 278788 (2) 30.5cm high

£400-600

325 ERNST SCHOTTE & CO. 15 INCH TERRESTRIAL TABLE GLOBE LATE 19TH CENTURY with maker’s label, on a turned ebonised stand 60cm high

£400-600

326 SHIP MODEL DIORAMA OF THE PADDLE STEAMER ‘BRITANNIA’ EARLY 20TH CENTURY full hull model in a painted shadowbox frame

327 VICTORIAN SPUN GLASS CASED SHIP MODEL 19TH CENTURY

84cm wide, 42.5cm high, 18cm deep

modelled as a three masted ship and smaller ship in a rolling sea, in white, red and blue glass, on a plinth base in a glass dome

£200-300

32cm wide, 45cm high

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113

328 EDWARDIAN MAHOGANY NICKEL MOUNTED CAMPAIGN CARD TABLE EARLY 19TH CENTURY the hinged green baize playing surface with a drawer below, raised on folding X supports; bearing a plaque BEST LONDON MAKE open 87cm wide, 78cm high, 74cm deep

£1,500-2,500

329 MAHOGANY CAMPAIGN SECRETAIRE CHEST OF DRAWERS 19TH CENTURY in two parts, the upper section with one short and one secretaire drawer over a long drawer; the lower part with two further long drawers, with brass recessed handles and corner straps, raised on turned bun feet 86cm wide, 101cm high, 43cm deep

£1,500-2,000

330 STAINED CAMPHOR WOOD CAMPAIGN CHEST OF DRAWERS 19TH CENTURY in two parts, with two short over three long drawers with recessed brass handles and corner straps 102cm wide, 105cm high, 49cm deep

£300-500

331 MAHOGANY CAMPAIGN TABLE-TOP SECRETAIRE CABINET, BY WILKINSON & SONS MID 19TH CENTURY the moulded rectangular top over a moulded panel flap and drawer, flanked by further moulded panel doors opening to an interior fitted with pigeon holes and compartments, raised on bracket feet, with brass handles to the sides, stamped ‘WILKINSON & SONS 8 OLD BOND STREET’ and 8963 105cm wide, 46cm high, 27cm deep

£300-500

114

332 GROUP OF BRISTOL BLUE GLASS PHARMACY BOTTLES LATE 19TH/ EARLY 20TH CENTURY of cylindrical form, each labelled within a red and gilt border, with stoppers (9) 20cm high

£300-500

333 LARGE COLLECTION OF GLASS PHARMACY BOTTLES LATE 19TH CENTURY mostly labelled and with stoppers, including clear glass and green fluted examples, TOGETHER WITH four green glazed earthenware pharmacy jars with domed covers (qty) tallest 26cm high

£300-500

334 LOUIS VUITTON LEATHER TRUNK EARLY 20TH CENTURY the interior with original linings, label, and removable tray, with old travel labels and owner’s monogram on one end, the brass hardware stamped 76cm wide, 56cm high, 49cm deep

£1,000-1,500

335 TWO LEATHER SHOOTING CASES EARLY 20TH CENTURY to include a cartridge case with maker’s label ‘Charles Rosson, Derby’; and a pigskin shotgun case, both with brass fittings and straps (2) cartridge 48cm x15cm x 34cm; shotgun 83cm x 8.5cm x 24cm

£600-800

336 THREE BRANDED LEATHER TRAVEL CASES EARLY 20TH CENTURY to include a brown leather suitcase with nickel plated hardware stamped ‘Cleghorn, Edinburgh’, in a canvas slip case, 61cm x 41cm x 21cm; a black leather suitcase stamped ‘ASPREY/ LONDON’ with monogram B.M.B., with brass hardware, 51cm x 18cm 21cm; and a black leather case with brass hardware and a red moiré lining with Harrod’s London label, monogrammed D. McR. with travel labels to the exterior, 46cm x 24.5cm x 46cm (3) £400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

115

337 Y TAXIDERMY GEMSBOK (ORYX GAZELLA) HEAD AND NECK MOUNT, BY ROWLAND WARD LTD. 1960S with painted number 1480/C, a paper label for Rowland Ward and a further label for ROWLAND WARD LTD./ LONDON AND NAIROBI to the reverse approx. 105cm wide, 136cm high, 62cm deep

£400-600

338 Y TAXIDERMY GIRAFFE HEAD, NECK, AND SHOULDER MOUNT 20TH CENTURY natural specimen mount with glass eyes 238cm high

£1,500-2,000

339 CASED TAXIDERMY DIORAMA, THE TAYMOUTH CASTLE SWAN 19TH CENTURY standing in grass and flowers, the back panel painted with a view of the river Tay, in a glazed mahogany frame with castors 109cm wide, 115cm high, 47cm deep Provenance: Previously the Marquess of Breadalbane, ex Taymouth Castle, Perth and Kinross

£600-800

116

340 SHERATON REVIVAL PAINTED SATINWOOD OCCASIONAL TABLE LATE 19TH CENTURY, THE DECORATION LATER the oval top painted with an oval portrait reserve within a band of laurel, above a similarly decorated frieze, raised on square tapered legs joined by a concave undertier, the painted decoration later 51cm wide, 72cm high, 39cm deep

£400-600

341 PAIR OF REGENCY STYLE MAHOGANY FAUX BAMBOO ARMCHAIRS 20TH CENTURY the padded arched backs above stuff-over seats flanked by curved open arms, raised on simulated bamboo legs joined

by X stretchers, covered in terracotta plush upholstery (2) 57cm wide, 99cm high, 47cm deep

£300-500

342 VICTORIAN OAK OPEN BOOKCASE LATE 19TH CENTURY the moulded cornice above divided open adjustable shelves, the lower part with a pair of panel doors on a plinth base 153cm wide, 256cm high, 48cm deep

£500-700

343 SET OF THREE BURR OAK, WALNUT, AND NESTING TABLES EARLY 20TH CENTURY the banded tops raised on slender supports with trestle bases and curved stretchers (3) 46cm wide, 71cm high, 31cm deep

£400-600

117

344 NOVELTY CLINKER BUILT BOAT COFFEE TABLE EARLY 20TH CENTURY of traditional construction, with oars and rudder, on a later stand with glass insert 136cm wide, 43cm high, 56cm deep

£300-500

345 PAIR OF EDWARDIAN ESTATE-MADE MAHOGANY PEDESTAL CHESTS EARLY 20TH CENTURY the moulded square tops over five graduated drawers, raised on plinth bases (2) 36cm wide, 90cm high, 37cm deep

£500-700

346 SET OF SIXTEEN GEORGIAN STYLE MAHOGANY DINING CHAIRS MODERN with serpentine top rails and pierced interlaced splats above drop-in seats, raised on square legs joined by stretchers, the seats covers in green damask (16) 52cm wide, 95cm high, 41cm deep

£800-1,200

347 VICTORIAN STYLE MAHOGANY EXTENDING DINING TABLE MODERN the circular top with a moulded edge and three leaf inserts, on turned and lobed baluster legs ending in brass caps and castors; opening with a wind-out mechanism (1) 223cm wide, 76cm high, 124cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

118

348 PAIR OF PAINTED WOOD BALUSTER LAMPS MODERN with turned baluster bodies on stepped bases in a white/grey paint wash, with linen Empire shades (2) 46cm high (without shades)

£250-350

349 SET OF THREE AMERICAN ART DECO FROSTED GLASS, SILVER OVERLAY, AND SILVER PLATE MOUNTED SPIRIT DECANTERS MID 20TH CENTURY with silver-plated caps and pourers with ball stops, above mallet shaped bodies with silvered overlay and labels for ‘SCOTCH’, ‘RYE’, and ‘BOURBON’, two with partial makers labels for the National Silver Deposit Ware Co., New York (3) 33cm high

£600-800

350 PAIR OF ENAMELED GLASS DECANTERS, OF HUNTING INTEREST CIRCA 1930 of squared tapered form in thick walled glass with faceted pyramidal stoppers, finely enameled with mounted riders, horses, and hounds (2) 28cm high

£600-800

351 ART DECO ENAMELLED GLASS LEMONADE SET, OF HUNTING INTEREST CIRCA 1930 to include a pitcher and six tumblers, enamelled with mounted riders and horses in landscapes, with a chromium and teak mirrored tray with a printed hunting scene (8) Tray 41cm long; pitcher 16cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

119

352 PAIR OF GEORGIAN REVIVAL LIBRARY ARMCHAIRS 20TH CENTURY the upholstered rounded backs above stuffover seats flanked by part-padded arms, raised on square tapered legs ending in spade feet, covered in an Arts & Crafts style fabric (2) 66cm wide, 101cm high, 46cm deep

£800-1,200

353 MAHOGANY FRAMED SOFA,

BY HOWARD CHAIRS LTD. 20TH CENTURY the low back and scrolled arms over a deep seat with twin cushions, raised on square tapering legs with brass castors, in raspberry flame pattern plush upholstery, with label ‘HOWARD CHAIRS LTD’ to underside 190cm wide, 82cm high, 80cm deep

£1,200-1,800

354 PAIR OF UPHOLSTERED EASY ARMCHAIRS,

BY HOWARD CHAIRS, LTD. LATE 20TH CENTURY the low backs and scroll arms above deep loose cushion seats, raised on square tapered legs with brass castors, in pale green patterned upholstery, with labels ‘HOWARD CHAIRS LTD’ to undersides (2) 75cm wide, 87cm high, 70cm deep

£1,000-1,500

120

355 SHERATON REVIVAL MAHOGANY BIJOUTERIE TABLE EARLY 20TH CENTURY the glazed oval top opening to a lined interior, raised on square tapered legs with shaped brackets and ceramic castors 72cm wide, 76cm high, 47cm deep Provenance: Previously Bardrochat House, South Ayrshire

£300-500

356 LEATHER AND BRASS OTTOMAN 20TH CENTURY the circular padded top covered in buttoned brown leather, on a lacquered brass frame with ringed straight legs joined by a circular stretcher rail 77cm diameter, 50cm high

£400-600

357 UPHOLSTERED BRASS CLUB FENDER MODERN the L shaped seat pads covered in horsehair flanking a U-shaped centre, on brass spindles and a stepped base 178cm wide, 51cm high, 49cm deep; interior 165cm x 43cm

£400-600

358 PAIR OF LARGE KNOLE STYLE SOFAS MODERN the backs and seats with loose cushions flanked by hinged arms with turned wood finials, raised on square tapered legs with brass caps and castors, covered in terracotta floral damask type fabric (2) 224cm wide, 91cm high, 86cm deep

£2,500-3,000

121

359 WHYTOCK AND REID MAHOGANY BEDSIDE CABINET EARLY 20TH CENTURY with a scrolled three-quarter gallery and rectangular top over a drawer and shelf, raised on carved cabriole legs with pointed pad feet 68cm wide, 81cm high, 47cm deep

£300-500

360 EDWARDIAN MAHOGANY FOLIO CABINET, BY MORISON & CO. EDINBURGH EARLY 20TH CENTURY the moulded cornice above a crossbanded and quarter veneered door opening to an arrangement of shallow compartments, above further open shelves and vertical compartments, on a moulded base with bun feet, the back stamped ‘MORISON & CO.’ and A4954 64cm wide, 158cm high, 39cm deep

£1,200-1,800

361 WHYTOCK AND REID QUEEN ANNE STYLE MAHOGANY DESK 20TH CENTURY the crossbanded rounded rectangular top with a central leather skiver, above a frieze drawer and shaped kneehole arch flanked by banks of two short drawers, raised on cabriole legs ending in faceted pad feet, maker’s stamps in the drawers 168cm wide, 77cm high, 83cm deep

£1,500-2,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

CONTINENTAL FURNITURE & WORKS OF ART

Lot 388 [detail]

123

362 CONTINENTAL GILTWOOD SUNBURST MIRROR LATE 19TH/ EARLY 20TH CENTURY the central circular mirror plate within a frame with radiating carved rays 86cm diameter

£600-800

363 VIENNA PORCELAIN PLAQUE, THE MADONNA DELLA SEGGIOLA, AFTER RAPHAEL 19TH CENTURY the circular panel in an elaborate gilt and gesso Florentine frame Plaque 19.5cm diameter

£600-800

364 POLYCHROME PAINTED AND CARVED WOOD FIGURE OF THE MADONNA AND CHILD PORTUGAL OR SPAIN, 18TH CENTURY Mary depicted seated wearing a red gown and blue mantle with gilt stars, the infant Christ seated on her lap holding a golden orb, on a stepped plinth base with canted corners 29cm wide, 56cm high, 40cm deep

£1,000-1,500

365 PAIR OF ITALIAN ROCOCO CARVED GILTWOOD ARMCHAIRS 18TH CENTURY the cartouche shaped backs in foliate and channel moulded frames with flower cresting, above wide seats flanked by scrolled and acanthus carved arms, raised on cabriole legs with scrolled toes; covered in coral pink and yellow floral brocade upholstery (2) 66cm wide, 108cm high, 48cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

124

366 TWO SHELL-CARVED CAMEOS 18TH CENTURY the oval panels depicting Europa and the Bull and Harmonia and the Serpent, in gilt bronze frames; together with a CARVED SHELL CAMEO, in a later gilt mount, fitted as a brooch, depicting putti with fruit, 3cm wide (3) Cameos 8cm wide excluding the frame, brooch 3.5cm wide

£800-1,200

367 TEN FRAMED CARVED SHELL CAMEOS DEPICTING THE LABOURS OF HERCULES 18TH CENTURY of oval and circular form, variously titled in the margins, mounted in two octagonal ebonised frames with brass bezels (2) 19.5cm wide, 20.5cm high, overall; each 4.8cm approx.

£800-1,200

368 Y ITALIAN EBONISED, IVORY, AND MARQUETRY TABLE, IN THE MANNER OF LUIGI AND ANGELO FALCINI

369

19TH CENTURY

the hinged cover with a pietra dura panel depicting two birds on a branch with flowers, in a moulded ebony frame

the rectangular top with floral marquetry within a ivory inlaid border, above a frieze drawer, raised on spiral carved legs joined by an H stretcher with conforming ivory inlay

ITALIAN PIETRA DURA AND EBONY BOX 19TH CENTURY

19cm wide, 5.5cm high, 14cm deep

61cm wide, 72cm high, 41cm deep

Provenance: Previously Bardrochat House, South Ayrshire

£400-600

£250-350

125

370 AFTER TIZIANO ASPETTI (1565-1707), VENETIAN BRONZE FIGURE OF VENUS 17TH CENTURY dark brown patina, the standing figure modelled with classical Greek hairstyle with a cloth draped across her hips, mounted on a later wood base figure 28cm high

£600-800

371 TWO CARVED WOOD FIGURES OF PUTTI 18TH/ EARLY 19TH CENTURY the first wearing a helmet and a cape kneeling on a rope-tied parcel; the other standing on a rocky mound (2) 33.5cm and 29cm high

£300-500

372 Y FLORENTINE EBONY AND IVORY INLAID MIRROR LATE 19TH CENTURY the rectangular mirror plate in a moulded ebony frame, the margins inlaid with birds, cats, urns, and folaite scrolls 31cm high, 38cm wide

£300-400

373 PAIR OF FRENCH RENAISSANCE STYLE BRONZE EWERS 19TH CENTURY dark brown/back patina, relief cast with masks, foliate scrolls, and acanthus, one with a reserve relief depicting Neptune, the other with Salacia, with figural scroll handles and circular feet (2) 48.5cm high

£300-500

374 PAIR OF FRENCH RENAISSANCE STYLE BRONZE EWERS 19TH CENTURY brown/black patina, relief cast with a continuous scene of putti and bands of fruiting vines, the high loop handles with putto finials and rams’ mask terminals (2) 57cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

126

375 SEVEN VARIOUS CONTINENTAL EARTHENWARE STORAGE VESSELS 19TH CENTURY to include a twin-handled jug with pouring spout, the body moulded with vertical ribs, 37.5cm high; a large jar moulded with vertical ribs, with three strap handles and a spout, 44cm high; an amphora with twin strap handles, the body with pinched horizontal bands, 40cm high; a large jug with a strap handle, with a partial dark olive glaze, the body with moulded vertical ribs, 41cm high; a tall slender ovoid jug with matt black glaze and a single strap handle, 38.5cm high; a jug of slender ovoid form, the short strap handle, neck and spout with a mottled glaze, 31.5cm high; and a jug of squat bulbous form, with brown glaze, the upper section with an incised band of stylised decoration, with a strap handle and pouring spout, 29cm high (7) £300-500

376 FRENCH RUSTIC CHESTNUT FARMHOUSE TABLE 19TH CENTURY with a drawer to one end and a slide to the other, on square legs joined by an H stretcher 186cm long, 73cm high, 83cm deep

£500-700

377 LOUIS XIV STYLE WALNUT UPHOLSTERED OPEN ARMCHAIR 19TH CENTURY the padded arched back and seat covered in patterned velvet, flanked by foliate carved scroll arms, raised on square tapered legs joined by a shaped X-form stretcher 76cm wide, 134cm high, 52cm deep

£300-400

378

379

GROUP OF PAINTED MARBLE FRUIT

PAIR OF RENAISSANCE STYLE PATINATED AND GILT BRONZE EWERS

19TH CENTURY to include an orange, a peach, an apple and a plum, all realistically carved and coloured with pigment (4) Various sizes

£200-300

20TH CENTURY the bodies with lion mask oval reserves and gilt bronze mask mounts; the high foliate scroll handles with putto head finials, on circular black marble bases (2) 42cm high

£200-300

127

380 ITALIAN CARVED WOOD WALL SCONCE LATE 17TH/ EARLY 18TH CENTURY carved as a mask with an arm extending from the mouth 19cm wide, 26cm high, 42cm deep

£400-600

381 PAIR OF ROCOCO STYLE CARVED FRUITWOOD WALL BRACKETS 19TH CENTURY carved with pierced C-scrolls, rocaille details and flowers, supporting a shaped rectangular top (2) 31cm high, 37.5cm wide

£300-500

382 FRENCH PROVINCIAL OAK MARRIAGE ARMOIRE 18TH CENTURY the projecting cornice with egg and dart moulding, above a frieze carved with scrolling roses and an applied carved flowering urn and pair of doves, over a pair of foliate carved panel doors with brass mounts, above a shaped apron carved with a further urn and scrolling foliage, raised on scrolled feet 71cm wide, 234cm high, 66cm deep

£800-1,200

383 ITALIAN POLYCHROME AND GILT BLACKAMOOR STOOL 19TH CENTURY the carved platform supported by a figure crouched beneath drapery 52cm wide, 48cm high, 33cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

384 DUTCH WALNUT AND MARQUETRY CARD TABLE 19TH CENTURY the shaped fold-over top with outset rounded corners, inlaid with a flowering urn and birds, opening to a blue baize lined surface, the counter wells inlaid with playing cards, raised on cabriole legs, with floral marquetry throughout 82cm wide, 76cm high, 36cm deep

£500-700

385 Y FLEMISH RED TORTOISESHELL, ROSEWOOD, MAHOGANY, BRASS, AND GILT BRONZE COCKTAIL CABINET PART 18TH CENTURY, WITH LATER ALTERATIONS the top with a pair of mirrored doors opening to a fall front faced with an arrangement of drawer and door fronts, opening to reveal an interior fitted for use as a cocktail cabinet; on an associated George II mahogany table base with dummy frieze drawers and acanthus carved cabriole legs ending in claw and ball feet 75cm wide, 149cm high, 42cm deep

£3,500-4,500

386 COLLECTION OF DUTCH DELFT 18TH CENTURY AND LATER

387

comprising, an 18th century baluster jar and cover of octagonal form decorated with alternating panels depicting a vase issuing flowers and floral designs, on a crackled effect ground, 47cm high; two Dutch delft ‘Peacock’ pattern plates with yellow rims, one marked ST, 35cm and 27cm diameter; two Dutch delft shallow dishes decorated to the centre with scrolling foliage and leafy branches within panels of stylised designs, marked VE 40, 35.5cm diameter; a large shallow dish decorated with a multipetalled flower to the centre surrounded with numerous flowers and leafy branches, unmarked, 40cm diameter; a further shallow dish, profusely decorated with flowers and panels, 30.5cm diameter; a plate decorated with a vase issuing flowers with perching birds and an insect, within stylised border, 27cm diam; and three three small 19th century round panels depicting biblical scenes, 13cm diameter (11)

GROUP OF FLEMISH OR DUTCH GLAZED BRICKS

£400-500

£200-300

17TH CENTURY AND LATER moulded with stags and rampant lions within a lattice pattern, dated168* (13) Largest 16cm wide, 10cm high, 5cm deep

129

388 LOUIS XV STYLE KINGWOOD, AMBOYNA, AND MAHOGANY BUREAU PLAT, IN THE MANNER OF CHARLES CRESSENT LATE 19TH/ EARLY 20TH CENTURY the brass banded top with a tooled and gilt brown leather insert, above a shaped frieze with three short frieze drawers with dummy drawers opposing, raised on squared cabriole legs, with gilt bronze mounts throughout 170cm wide, 76cm high, 86cm deep

£2,500-3,500

389 LOUIS XV STYLE KINGWOOD AND AMARANTH GILT BRONZE MOUNTED COMMODE, IN THE MANNER OF LÉONARD BOUDIN 20TH CENTURY the serpentine rouge marble top above a pair of long drawers with foliate marquetry and outlined with gilt bronze mounts, raised on cabriole legs with sabots 137cm wide, 86cm high, 56cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

390 GROUP OF DRAPERY TIEBACKS AND TASSELS 19TH/ EARLY 20TH CENTURY to include pairs of various sizes in blue, yellow, and green silks, cottons, linens, and chenilles (Qty) £400-600

391 GROUP OF DRAPERY TIEBACKS AND TASSELS 19TH/ EARLY 20TH CENTURY to include various pairs in brown, gold, and puce in silks, linens, and cottons (Qty) £400-600

392 GROUP OF DRAPERY TIEBACK TASSELS AND BELL PULLS 19TH/ EARLY 20TH CENTURY to include pairs and singles in shades of pink, gold, and burgundy in silks, linens, and cotton (Qty) £300-500

393 LARGE QUANTITY OF PASSIMENTERIE 19TH/ EARLY 20TH CENTURY to include various lengths of decorative braiding, tapes, cord, fringing, velvet, etc. (Qty) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

394 LARGE FRENCH RÉGENCE STYLE GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the shaped bevelled mirror plate within margin plates in a openwork giltwood frame with foliate scrolls, trailing flowers and flower heads 180cm high, 112cm wide

£800-1,200

395 FRENCH MAHOGANY AND MARQUETRY DRUM TABLE LATE 19TH CETURY the circular top with a pierced brass gallery above a gilt bronze mounted frieze with a drawer, raised on cabriole legs ending in sabots £600-800

396 FIVE PIECE SUITE OF LOUIS XVI GILTWOOD AND AUBUSSON SEAT FURNITURE LATE 18TH CENTURY comprising a canapé and four armchairs, the canapé with a padded back over a loose cushion seat, the chairs with oval padded backs above part-padded open arms and stuff-over seats, all raised on fluted tapered legs, the frames carved with guilloche, acanthus, and bead and reel with flower crestings; all covered in Aubusson tapestry with oval reserves depicting bucolic scenes of children at play, animals and foliage (5) 180cm wide, 98cm high, 66cm deep

£1,500-2,000

132

397 PAIR OF FRENCH PAINTED AND CANED BERGERE STOOLS 19TH CENTURY with caned seats in moulded rims over carved seat rails, raised on carved cabriole legs with scrolled toes; in grey paint (2) 90cm wide, 50cm high, 42cm deep

£300-500

398 FRENCH LOUIS XVI STYLE MAHOGANY AND MARBLE ETAGERE 19TH CENTURY the circular marble top with a brass gallery over a foliate metal mounted frieze with a larger tier below, raised on tapered fluted legs joined by a concave undertier on spiral turned tapered feet 40cm diameter, 87cm high

£300-500

399 LOUIS XV STYLE WALNUT FRAMED TWO SEAT SOFA EARLY 20TH CENTURY the frame carved with rocaille, raised on cabriole legs with foliate carved toes, covered in pale blue silk 141cm wide, 116cm high, 61cm deep

£300-500

400 FRENCH MAHOGANY BRASS MOUNTED BUREAU LATE 19TH/ EARLY 20TH CENTURY in the Louis XVI style, the top with a red leather writing surface and outset corners, with two slide extensions to both ends, above a central frieze drawer, flanked by a deep drawer and two short drawers, raised on tapered fluted legs 147cm wide, 81cm high, 70cm deep

£400-600

133

401 FRENCH MAHOGANY BRASS BANDED ETAGÈRE LATE 19TH/ EARLY 20TH CENTURY the oval brass banded top with foliate handles, raised on hipped square legs joined by an undertier and ending in sabots 82cm wide, 80cm high, 51cm deep

£1,000-1,500

402 CONTINENTAL KINGWOOD AND PARQUETRY BOMBÉ COMMODE 18TH CENTURY the serpentine top over a bombé body with three long drawers with diamond parquetry, over a shaped apron and bracket feet, gilt metal mounts throughout 99cm wide, 78cm high, 46cm deep

£600-800

403 PAIR OF SCANDINAVIAN PURPLE HEARTWOOD AND BURR ASH MARBLE-TOPPED ECOIGNEURS 19TH CENTURY the shaped grey marble tops over two panel doors inlaid with diamond motifs opening to an interior fitted with shelves, raised on bracket feet (2) 77cm wide, 80cm high, 55cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

404 FRENCH PAINTED AND BRASS TRIPTYCH DRESSING MIRROR, MIROIR BROT, PARIS 19TH CENTURY the triple hinged mirror plates in brass frames, stamped MIROIR BROT, the exterior with a coloured engraved print titled COLIN MAILLARD, in a grey painted frame 100cm high,, 62cm wide [closed]

£300-500

405 THREE PIECE SUITE OF LOUIS XVI GILTWOOD AND AUBUSSON FURNITURE LATE 18TH CENTURY comprising a settee and two chairs, with padded backs above part padded open arms and stuffover seats, raised on fluted tapered legs, the frames carved and with flower crestings, all covered in Aubusson tapestry with central floral bouquet panels and scrolled foliate borders (3) SETTEE 166cm wide, 96cm high, 55cm deep, CHAIRS 66cm wide, 98cm high, 49cm deep

£800-1,200

406 Y FRENCH CASED PAINTED TORTOISESHELL AND ABALONE FAN 18TH CENTURY with gilt embellished pierced tortoiseshell sticks, the leaf painted with an oval reserve portrait of a lady flanked by further reserves with classical scenes and fêtes galante, the guard with a portrait of a young man, mounted in a shadow-box frame with rococo mouldings Stick 26cm long Provenance: Previously Bardrochat House, South Ayrshire

£250-350

407 Y FRENCH SCHOOL, MINIATURE PAINTING OF A LADY AS DIANA THE HUNTRESS EARLY 19TH CENTURY on rectangular ivory panel, depicting a young woman with a bow and arrows reclining in a landscape, in an ormolu frame applied with rocaille scrolls 11.5cm high, 17cm wide

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

135

408 PAIR OF SÈVRES STYLE URNS AND COVERS LATE 19TH/ EARLY 20TH CENTURY of twin handled form, raised on a socle base and square section foot, the domed covers with finial handles, the body decorated to both sides with a mixed bouquet of flowers within a beaded gilt border, the white ground with further scattered pink and blue flowers, the middle section with blue line and gilt wreath decoration, the lower body and wrythen socle with dark blue and gilt decoration, painted LL mark centred with an R (2) 22.5cm high

£500-600

409 PAIR OF LOUIS XVI ORMOLU AND MARBLE CANDELABRA 18TH CENTURY the white marble urns with rams’ mask handles and issuing twin flower form candle branches, on square grey marble plinths (2) 42cm high

£300-400

410 PAIR OF VIENNA PORCELAIN CACHE POTS LATE 18TH CENTURY of spiral tapered cylindrical shape with moulded osier borders, painted with floral sprays, on scroll feet, underglaze blue shield mark; together with a PAIR OF COALPORT PORCELAIN URNS, early 19th century, painted with flowers and acanthus, 15.5cm high (4) 12cm high, 16cm wide Provenance: Previously Bardrochat House, South Ayrshire

£300-500

411 SET OF TWELVE SÈVRES PORCELAIN PLATES DATED 1846 each centered with the LP monogram for King Louis Philippe, within a laurel wreath, the rim with a band of ivy leaves and a gilt line border, TOGETHER WITH a large round serving plate, marked to the reverse with the blue Louis Philippe factory stamp, green stamp S.46, and the red stamp of Château St Cloud (13) plates 24.5cm diameter, serving plate 33.5cm diameter

£500-700

136

411A THREE TERRACOTTA RELIEF PLAQUES, AFTER FRANCIS DUQUESNOY 19TH CENTURY each depicting a bacchic scene with putti (3) 16.5cm wide, 11cm high

£600-800

412 PAIR OF FRENCH GILT METAL CANDELABRA EARLY 19TH CENTURY the octagonal nozzles with circular pierced rims on square section columns with twin lion mask handles, on a stepped square base with mask details, raised on paw feet (2) 38.5cm high

£400-600

413 PAIR OF FRENCH BRONZE FIGURES OF VOLTAIRE AND ROUSSEAU 19TH CENTURY dark brown patina, after the models by Jean-Claude Rosset, called Rosset Pere (1706-1786), realistically modelled wearing frock coats with hats tucked under their arms, each with a walking stick (2) 36cm and 35cm high

£600-800

414 PAIR OF FRENCH BRONZE FIGURES OF PUTTI 19TH CENTURY dark brown patina, each holding a covered urn on its shoulder, on green serpentine marble half-columns with square bases (2) 44cm high overall

£300-500

415 PAIR OF LARGE SÈVRES STYLE URNS AND COVERS 19TH CENTURY of ovoid twin handled form, each painted to one side with a figurative scene, and to the reverse with birds on flowering branches, within gilt foliate and scroll borders, on a bleu celeste ground, raised on a socle and square section foot, unmarked (2) 51cm high

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

416 PAIR OF LOUIS XVI STYLE GILT BRONZE WALL SCONCES 19TH CENTURY with flowering urn finials above twin scrolling candle arms with acanthus and floral swags (2) 44cm high

£300-500

417 SUITE OF LOUIS XVI GILTWOOD AND AUBUSSON SEAT FURNITURE LATE 18TH CENTURY comprising a settee and a pair of armchairs, with padded backs above part padded open arms and stuffover seats, raised on fluted tapered legs, the frames carved with flower crestings, all covered in Aubusson tapestry with central floral bouquet panels and scrolled foliate borders (3) Settee 167cm wide, 96cm high, 56cm deep; chairs 67cm wide, 99cm high, 48cm deep

£800-1,200

418 PAIR OF FRENCH MAHOGANY MARBLE TOP TABLES DE NUIT LATE 19TH CENTURY the veined yellow marble tops with moulded edge, above a drawer and fall front cupboard door opening to a marble lined interior, raised on foliate carved cabriole legs (2) 43cm wide, 84cm high, 43cm deep

£1,000-1,500

419 Y FRENCH EMPIRE ROSEWOOD, SATINWOOD AND PORCELAIN MOUNTED DRESSING MIRROR 19TH CENTURY the shaped rectangular mirror plate between column supports surmounted by gilt metal swans, the base with three satinwood lined drawers with floral painted porcelain panels 50cm wide, 55cm high, 24cm deep

£300-500

138

420

421

PAIR OF FRENCH GILT BRONZE MOUNTED SIENA MARBLE URNS

FRENCH CLOISONNÉ ENAMEL, GILT BRONZE AND ONYX LAMP

EARLY 19TH CENTURY

in the form of a Corinthian column, raised on an onyx base with gilt paw feet, with a parchment shade with Chinese figures, fitted for electricity

19TH CENTURY

the veined yellow cylindrical marble bodies applied with a floral swag and twin handles, the covers with acorn finials, on a stepped circular base raised on gilt toupie feet (2)

48cm high, excluding fitting

£300-500

39cm high

£400-600

422 FRENCH LOUIS PHILLIPE GILTWOOD BAROMETER/ THERMOMETER, SELON TORICELLI 19TH CENTURY the octagonal barometer dial in a gilt frame surmounted by a lyre finial enclosing a thermometer, signed on the dial 90cm high

£300-500

423 PAIR OF FRENCH EMPIRE MAHOGANY FRAMED ARMCHAIRS EARLY 19TH CENTURY the padded backs with arched top rails above padded stuffover seats covered in cut velvet gold upholstery, flanked by downswept arms with S scroll supports, raised on scrolled legs (2) 58cm wide, 93cm high, 50cm deep

£600-800

424 FRENCH EMPIRE MAHOGANY FRAMED SOFA EARLY 19TH CENTURY the padded rectangular back above a loose cushion seat flanked by enclosed leaf-carved scrolled arms, raised on square tapered legs with brass caps and castors, in faded sagegreen plush upholstery 174cm long, 94cm high, 55cm deep

£800-1,200

139

425 Y FRENCH KINGWOOD, IVORY, EBONISED, PARQUETRY BOX LATE 19TH CENTURY of serpentine outline, crossbanded panel sides with diaper pattern parquetry outlined with ebonised fruitwood, opening to a silk lined interior, raised on brass feet 29cm wide, 11cm high, 24cm deep

£300-500

426 PAIR OF FRENCH CHARLES X GILT AND PATINATED BRONZE CANDELABRA EARLY 19TH CENTURY with central nozzles and three further nozzles on leaf scroll arms, on plain tapering columns raised on scroll foliate supports and tripartite bases (2) 51.5cm high

£400-600

427 PAIR OF FRENCH GILT AND PATINATED BRONZE CANDELABRA 19TH CENTURY each with a central candle sconce with an eagle finial insert and three further candle sconces, above tapered reeded columns with chain draped elephant masks and lily cast bases on tripod lion paw supports and plinths (2) 48.5cm high

£400-600

428 PAIR OF FRENCH GILT AND PATINATED BRONZE MODERATOR LAMPS 19TH CENTURY of baluster form mounted with lions’ masks and lion monopodia, converted to electricty; with pleated cream silk shades (2) 44cm high

£1,000-1,500

429 PAIR OF FRENCH COBALT GLAZED PORCELAIN AND GILT BRONZE MOUNTED LAMPS 19TH CENTURY of baluster form, applied with twin swan neck handles and foliate swags, raised on an acanthus moulded base and square section foot, fitted for electricty, with cream waisted rectangular shades (2) 53cm high to top of bulb fitting

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

140

430

431

MALTESE OLIVEWOOD OCCASIONAL TABLE

CONTINENTAL SILVERED BRASS NEOCLASSICAL STYLE PIER MIRROR

19TH CENTURY the circular top with segmented veneers centred by an inlaid Maltese cross, above alternating real and dummy drawers, on a lotus carved column support and triform base raised on turned feet

LATE 19TH CENTURY the arched mirror plate with scrolling foliate cresting centred by a rosette, within a bead moulded frame 136cm high, 76cm wide

£400-600

47cm diameter, 71cm high

£300-500

432 PAIR OF FRENCH GILTWOOD BERGERES LATE 20TH CENTURY with arched padded backs and loose cushion seats flanked by enclosed part-padded arms, the frames carved with beads, flowers, and C scrolls, on cabriole legs with foliate carved toes (2) 79cm wide, 107cm high, 62cm deep

£400-600

433 LOUIS XV STYLE WALNUT FRAMED THREE PIECE SALON SUITE EARLY 20TH CENTURY comprising a settee and a pair of armchairs, with flower carved frames covered in floral plush upholstery (3) Settee 164cm wide, 118cm high, 66cm deep; chairs 76cm wide, 105cm high, 57cm deep Provenance; By repute, ex Castle of May

£400-600

141

434 CHRISTOPHE FRATIN (FRENCH, 1800-1864) SANCHO PANZA bronze, medium brown patina, modelled seated on a donkey waving his arm, on a naturalistic rectangular base with canted corners and signature, on a black marble plinth 12.5cm wide, 11.5cm high excluding plinth

£600-800

435 PAIR OF FRENCH BRONZE CANDLESTICKS, ATTRIBUTED TO JULES MOIGNIEZ 19TH CENTURY dark brown/black patina, the urn-form sconces cast with hares above stems cast in relief with hunting dogs, on wide circular drip pan bases cast with hares (2) 27cm high

£800-1,200

436 VACLAW [VICTOR] SZCZEBLEWSKI (POLISH, 19TH CENTURY) LE SIFFLEUR bronze, dark brown patina, modelled as a boy whistling with his hands in his pocket, on a naturalistic base, inscribed and signed V. SZCZEBLEWSKI 57cm high

£400-600

437 ADRIEN ÉTIENNE GAUDEZ (FRENCH, 1845-1902) LULLI ENFANT bronze, medium brown patina, inscribed on the base and signed A. GAUDEZ, with foundry stamp and number 133/56264 51cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

438 NAPOLEON III EBONISED AND PORCELAIN MOUNTED BUREAU LATE 19TH CENTURY the superstructure with twin cupboards with pierced brass galleries, flanking drawers and a recessed mirror, the base with a shaped leather insert above a frieze drawer, raised on square cabriole legs, mounted with Sèvres style porcelain plaques and gilt metal mounts 109cm wide, 120cm high, 63cm deep

£600-900

439 Y EBONISED BOULLE MARQUETRY COLLECTORS CABINET-ON-STAND 19TH CENTURY the dentil moulded cornice over a pair of red tortoiseshell and brass inlaid doors opening to eleven graduated drawers; the stand with a frieze drawer raised on spiral turned legs joined by turned stretchers 95cm wide, 138cm high, 45cm deep

£400-600

440 Y NAPOLEON III EBONISED, BRASS AND RED TORTOISESHELL BOULLE CREDENZA AND MIRROR 19TH CENTURY the triple arch mirror plate in a première and contre partie boulle marquetry and ebonised frame with gilt metal ribbon tied mount; the undercabinet of shaped bowfront outline with a central door and raised oval boss flanked by curved glazed and shelved corner cupboards, on a plinth base 173cm wide, 244cm high, 47cm deep

£1,000-1,500

143

441 FRENCH INDUSTRIAL AUTOMATON WINDMILL CLOCK, BY GUILMET LATE 19TH CENTURY the silvered brass and brass case in the form of a windmill with automata action to the sails and weathervane, with a Roman numeral dial, barometer dial and twin thermometer scales, on a circular black slate base 45cm high

£3,000-4,000

442 FRENCH COLD-PAINTED SPELTER ‘DEVIL’ MANTEL CLOCK, ATTRIBUTED TO DUFAUD, PARIS 19TH CENTURY modelled with a winged demon wielding a cymbal and mallet sitting astride a drum case with a brass dial inset with red enamel numerals and two winding holes, supported on a naturalistic cross stretcher and shaped base with three griffin cast feet; the twin train movement striking a bell 57cm high, 35cm wide

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

443 RUSSIAN BRONZE TROIKA GROUP CAST BY WOERFFEL, AFTER THE MODEL BY VASILII GRACHEV LATE 19TH CENTURY dark brown patina, signed on the oval base with foundry and artist signatures 28cm long

£800-1,200

444 JACQUES ANTOINE THEODORE COINCHON (FRENCH 1814-1881) DANCING MUSICIANS bronze, golden brown patina, the man playing bagpipes, the lady a tambourine, signed COINCHON, on black slate circular bases (2) 36cm high

£500-700

445 AFTER PIERRE-JULES MENE (FRENCH, 1810-1879) HORSE bronze, dark brown patina, modelled standing four square on a naturalistic ground, signed on the base 31 cm high, 37cm wide

£600-800

446 PIERRE LENORDEZ (FRENCH 1815-1892) GLADIATEUR bronze, medium brown patina, modelled standing four square on a naturalistic ground, inscribed “Gladiateur né en 1862. Par Monarque et Miss Gladiator.

Gagnant en 1864 du Clearwell à Newmarket, en 1865 des 2000 guinées du Derby d’Epsom, du Grand Prix de Paris. Appartenant à M. le comte de Lagrange. Entrainé par M. Thom. Jennings. Monté par H. Grimshaw”, signed to base 32cm high, 42cm wide

£1,000-1,500

447 FRENCH BRONZE FIGURE OF THE VENUS DE MILO, AFTER THE ANTIQUE LATE 19TH CENTURY dark brown patina, inscribed on the base ‘Musée du Louvre.’

50cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

145

448 AFTER EMILE LOUIS PICAULT PATRIA bronze, light brown patina, inscribed and signed on the base E. PICAULT 46cm high

£300-500

449 LARGE ITALIAN ALABASTER FIGURAL HALL LIGHT EARLY 20TH CENTURY comprising a carved figure of a nereid holding a shell and basin on her shoulder, on an associated ebonised carved wood column figure 115 high, 250cm higih overall

£600-800

450 19TH CENTURY FRENCH BRONZE FIGURE GROUP ARTEMIS AND HIPPOLYTUS medium brown/gold patinas, on a rectangular base, unsigned 37.5cm high

£400-600

451 EMILE LOUIS PICAULT (FRENCH, 1833-1915) LE PENSEUR bronze, red-brown and gold-brown patinas, titled and signed on the base, mounted on a green marble shaped plinth figure 46cm high, 51cm overall

£700-900

146

452 PAIR OF CONTINENTAL PORCELAIN WALL BRACKETS 19TH CENTURY decorated with scenes of courting couples with applied flowers and a lion’s mask, mounted to an ebonised backboard and platform (2) 38cm wide, 21cm high, 20cm deep

£300-500

453 PAIR OF BOHEMIAN WHITE-OVER-RED GLASS LUSTRES LATE 19TH CENTURY with barbed rims hung with faceted prisms, above tapered stems and spreading circular bases, highlighted with gilt details (2) 29.5cm high, 14cm diameter

£300-500

454 PAIR OF HELENE WOLFSOHN LARGE PORCELAIN COVERED VASES 19TH CENTURY decorated with alternating panels of equestrian scenes after Wouwerman, and botanical studies against a wine-red ground, underglaze blue AR mark (2) 51cm high

£400-600

455 LARGE MEISSEN PORCELAIN ‘SCHNEEBALLEN’ URN AND COVER EARLY 19TH CENTURY

456 LARGE DRESDEN PORCELAIN FIGURE OF AN EAGLE 19TH CENTURY modelled perched on a naturalistic base, incised 2357 and black Dresden crown mark

of baluster form with twin branch handles and a domed lid with a parrot finial, covered all over with flower heads and songbirds, blue underglaze starred crossed swords mark and incised no. 1509 82cm high

£700-1,000

50cm high

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

147

457 FIVE VIENNA PORCELAIN SPANISH RIDING SCHOOL FIGURES 20TH CENTURY each modelled as a Lipizzaner stallion and rider, signed Dobrich to the base, impressed and blue printed marks; together with a NYMPHENBURG PORCELAIN EQUESTRIAN FIGURE, 20th century, modelled as a horse and rider blowing a hunting horn, blue marks (6) Tallest 30cm, smallest 18cm high Provenance: Previously Bardrochat House, South Ayrshire

£300-500

458 HEREND ‘ROTHSCHILD BIRD’ PATTERN DINNER SERVICE 20TH CENTURY painted with birds and insects, comprising two large round plates, 28cm diameter; twelve dinner plates, 25cm diameter; twelve side plates, 17cm diameter; twelve bowls, 16.5cm diameter; twelve larger saucers, 16cm diameter; twelve teacups; six smaller saucers, 14cm diameter; six coffee cups; two very large cups and saucers, saucers 22cm diameter, cups 13.2cm diameter; a teapot; a coffeepot; a hot water pot; a large jug, 17cm high; two smaller jugs, one with an undulating rim, 9.5cm high and 8.5c high; a small bachelors teapot; a sugar bowl and cover; four footed bowls, two 7cm high and two 4.3cm high; a mustard pot with domed cover; an egg cup; two toast racks; an oblong twin handled tray, 37cm long; three crescent shaped dishes; an hors d’oeuvres set with five compartments, factory marks (Qty) £1,500-2,000

148

459 GERMAN MILITARY SHADOWBOX DIORAMA LATE 19TH CENTURY depicting a military procession of a large cannon with painted pewter figures against a coloured lithograhic town scene, the sides with mirror panels, stamped on the reverse ‘ZINNBILD KAISEREICHES MILITÄR VITRINE’ 46cm wide, 28cm high, 12cm deep

£300-500

460 BIEDERMEIER STYLE SECRETAIRE CABINET-ON-STAND 20TH CENTURY the black marble top of inverted breakfront outline, above a pair of doors flanked by terms, enclosing a shelved interior; the lower part with a frieze writing slide and drawer above squared term columns and mirror back 73cm wide, 150cm high, 47cm deep

£400-600

461 GERMAN MARQUETRY LONGCASE CLOCK the embossed arched brass dial with a Roman numeral chapter, above a long door with a lenticle, on a plinth base, with bird and mythical beast marquetry 54cm wide, 250cm high, 26cm deep

£1,000-1,500

462 CONTINENTAL GRECIAN REVIVAL MAHOGANY SETTEE EARLY 129TH CENTURY of lyre form, the shaped and gadrooned top rail and tall scrolled arms over a padded seat with stiff leave carved frame, raised on cornucopia carved legs with reeded paw feet with castors 154cm wide, 121cm high, 61cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ASIAN WORKS OF ART

150

463 Y CHINESE ROSEWOOD LAC DU BURGOUTE DESK TRAY 19TH CENTURY of tapered rectangular form, the open top with an interior compartment, the sides inlaid with mother-of-pearl with scenes of warriors on horseback, a drawer to one end, raised on carved taotie mask feet 24.5cm wide, 12cm high, 13.5cm deep

£300-500

464 CHINESE BURRWOOD DRUM TABLE 20TH CENTURY the banded top on curved supports joined by peripheral stretchers 90cm diameter, 73cm high

£300-500

465 PAIR OF CHINESE SYCAMORE YOKEBACK ARMCHAIRS LATE 19TH/ EARLY 20TH CENTURY the serpentine top rails above curved centre splats, over recessed panel seats flanked by curved open arms, on straight legs joined by peripheral stretchers, the front recess with carved panel inserts (2) 58cm wide, 115cm wide, 41cm deep

£300-500

466 CHINESE COROMANDEL LACQUER PEDESTAL DESK LATE 19TH/ EARLY 20TH CENTURY the rectangular top over a long frieze drawer flanked by short drawers, raised on banks of four drawers, with cupboards on the reverse, on shaped plinth bases, the whole profusely decorated with dragons, clouds and scrolling foliage 151cm wide, 81cm high, 76cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151

467 PAIR OF CHINESE FAMILLE ROSE BALUSTER VASE LAMPS 20TH CENTURY the baluster bodies decorated with peonies, applied pomegranates, and naturalistic ‘branch’ handles, drilled through the base and mounted as lamps, with ecru silk shades (2) vase 47.5cm high excluding fittings

£400-600

468 FOUR QAJAR POLYCHROME POTTERY IZNIK STYLE TILES PERSIA, 19TH CENTURY of rectangular form, moulded in high relief with designs of tulips, pomegranates and rosettes on overlapping stems (4) Three approx 35cm x 32cm; the other 27cm x 32cm Note: A similar pair of tiles sold Sotheby’s, Arts of the Islamic World, 18 April, 2007, lot 126

£800-1,200

469 Y 470 LARGE PERSIAN BRASS TRAY WITH ASSOCIATED MAHOGANY STAND the tray embossed with anthropomorphic animals and Islamic text, the associated stand with fluted columns and carved foliate lobed feet Tray 87cm diameter, 52cm high overall

ANGLO-INDIAN VIZAGAPATAM IVORY CASKET EARLY 19TH CENTURY outlined with foliate penwork with a silver gilt metal clasp and hinges 26.5cm wide, 8cm high, 8.5cm deep

£500-700

£400-600

471 PAIR OF INDIAN COMPANY SCHOOL WATERCOLOURS

472

19TH CENTURY

ANGLO-INDIAN CARVED EBONY BOX

depicting the Taj Mahal and the Tomb of Itmad-ud-Daulah, in reeded ebonised frames (2)

19TH CENTURY

6.5cm x 9.5cm

23cm wide, 14.5cm deep, 11.5cm high

£250-350

£250-350

rectangular with a hinged cover, relief-carved with flowers and foliage

153

RUGS & CARPETS

473 KHORASSAN CARPET NORTHEAST PERSIA, EARLY 20TH CENTURY the silvery grey field with allover foliate pattern, within silvery brown palmette and vine border 302cm x 206cm

£1,000-1,500

474 KASHAN CARPET CENTRAL PERSIA, MODERN the dark indigo field with blue and grey medallion, within dark indigo palmette and vine border 370cm x 280cm

£500-700

475 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the ivory field with grey and light blue medallion, grey spandrels, within grey palmette and foliate vine border 354cm x 250cm

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

154

476 VARAMIN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the ivory field with palmette and bird filled lattice pattern, within red palmette and bird border 304cm x 212cm

£800-1,200

477 MESHED CARPET NORTHEAST PERSIA, EARLY 20TH CENTURY

478 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brownish red field with allover herati pattern, within brownish red rosette and vine border 310cm x 233cm

£800-1,200

the red field with indigo and camel medallion, indigo spandrels, within indigo palmette and leafy vine border, signature to one end 350cm x 310cm

£400-600

155

479 PERSIAN STYLE SILK ‘HUNTING’ CARPET MODERN the salmon pink field with allover animals, palmettes and foliate pattern, script inner band, within indigo arabesque, cloudband and vine border 334cm x 255cm

£2,000-3,000

480 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the green field with indigo and brown cusped medallion, red, blue and yellow spandrels, within mauve arabesque, palmette and vine border, signed to one end 395cm x 291cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

156

481 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the rust red field with allover palmette and vine pattern, within indigo palmette and leafy vine border 336cm x 233cm

£400-600

482 TABRIZ ‘BENLIAN’ CARPET NORTHWEST PERSIA, MID 20TH CENTURY

483 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover cartouche and foliate vine pattern, within brown cartouche border 355cm x 268cm

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the ivory field with allover palmette and foliate vine pattern, within light blue palmette and floral vine border, signature star to one corner 378cm x 296cm

£1,200-1,800

157

484 SERAPI CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and camel star medallion, ivory, turquoise and camel spandrels, within indigo rosette and leafy vine border 362cm x 275cm

£2,500-3,500

158

485 USHAK CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the plain orange field with olive green lozenge medallion, within camel hooked totem border 350cm x 314cm

£2,000-3,000

486 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the red field with indigo, blue and red star medallion, ivory, red and blue spandrels, within indigo rosette and vine border 338cm x 238cm

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

159

487 MAHAL CARPET SULTANABAD, WEST PERSIA, EARLY 20TH CENTURY the red field with allover palmette foliate vine pattern, within indigo palmette and vine border 460cm x 320cm

£3,000-5,000

160

488 SHIRAZ CARPET SOUTH PERSIA, LATE 20TH CENTURY the red field with three dark indigo and ivory lozenge medallions, dark indigo spandrels with rosettes, within narrow ivory linked lozenge border 325cm x 224cm

£400-600

489 ERSARI KIZIL AYAK CARPET TURKMENISTAN, LATE 19TH CENTURY the brown field with two columns of seven guls, within red hooked zig zag border 413cm x 219cm

£400-600

490 ERSARI KIZIL AYAK CARPET TURKMENISTAN, EARLY 20TH CENTURY the red field with four columns of eleven guls, within ivory hooked vine border, minor kilim ends 345cm x 259cm

£400-600

161

491 CAUCASIAN SOUMAC CARPET LATE 19TH/EARLY 20TH CENTURY the rust red field with allover indigo lozenge medallion pattern, within dark brown zig zag and stepped border 468cm x 350cm

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

162

THE PENICUIK HOUSE PONDICHERRY CARPET

G. Carelli Ossian’s Hall, Penicuik House Dated 1878, watercolour

Little has been written on the history of the carpet industry of Southeast India beyond noting that it is the oldest centre of carpet weaving in India, with weavers arriving from Persia some time before 1550. Also mentioned is that some of the better carpets on the subcontinent were woven here prior to the late 19th century.

Of Ellore, a little further up the coast from Pondicherry, Walter Hawley writes: “here in former times were produced some of the best rugs in Southern India; and even as late as 1883, Mr. E. B. Havell wrote that he had seen pieces woven to meet special orders which were equal in point of interest and material to the old specimens in the hands of connoisseurs.” (Hawley, Walter. Oriental Rugs, New York 1913, p260) Murray Eiland Jr. comments on Indian carpets that: “in the nineteenth century there were a number of carpet centres that are not significant producers now… it is difficult, if not impossible, to identify them with specific carpets” (Eiland, Murray.

Oriental Rugs, London 1998, p295-296).

It is wonderful therefore to have the family provenance in this instance, which indicates that this example was produced in Pondicherry in the mid-19th century.

On Pondicherry carpets, Jack Franses notes that: “the French bought Pondicherri [sic] in 1702...and a small workshop, which produced the most delightful Indo-French designs in the latter part of the eighteenth

century and all the nineteenth century, which are much sought after today.”

(Franses, Jack. European and Oriental Rugs, London 1970, p82-83). That ‘Indo-French’ style can be seen very much in evidence in this example, with its cross-cultural chintz field design and European rococo cartouche border.

Western interest in Indian carpets was aroused by the impressive examples on display at the Great Exhibition of 1851.

They drew considerable admiration from the viewing public, which led to their increased popularity and production from the 1850s onwards. The choice of an Indian carpet would thus have been the height of fashion for the grandest room in the newly remodelled Penicuik House in the mid-19th century.

By family repute, this carpet was commissioned or purchased in Pondicherry and brought back from India by Edward Clerk (1824-1917) who was serving with the 4th Madras Cavalry, latterly becoming a major. He was a younger son of The Right Honourable Sir George Clerk, 6th Baronet of Penicuik (1787-1867), and bought the carpet as a gift for his father. Sir George had extended Penicuik House in 1857, with two large wings added by the eminent Victorian architect David Bryce, and would have been refurbishing the interiors thereafter.

It is presumed that this carpet was in situ at the house sometime between 1857 and

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Sir George’s death in 1867. It was certainly given pride of place by the time Carelli painted this watercolour of the grand interior of Ossian’s Hall in 1878, showing it on the floor (see image above).

Penicuik House had been built in the 1760s by Sir James Clerk, 3rd Baronet, and decorated in lavish style. The most impressive room was the grand saloon, known as Ossian’s Hall. Sir James had commissioned Scottish artist Alexander Runciman (1736-1785) to decorate the ceiling of this room with themes from the recently published Poems of Ossian (1765) by the Scottish poet James Macpherson.

Sadly, Penicuik House was destroyed by fire in 1899 and Runciman’s ceiling became one of Scotland’s greatest lost artworks.

During the fire a great deal of effort was channelled into salvaging the furnishings and the majority, including this carpet, were saved and rehoused in the Clerks’ new home in the nearby converted stable block, spending the 20th century there.

By family tradition, there is thought to have been a second carpet, which may have ended up in an American museum collection subsequent to sales from Penicuik House in the late 19th century. At present we have been unable to discover any evidence as to its whereabouts. It may be that the additional section offered here came from that second carpet.

163

492 PONDICHERRY CARPET SOUTHEAST INDIA, MID 19TH CENTURY the ivory field with allover floral pineapple and grape ‘chintz’ pattern, within blue rose cartouche border; and a strip section, possibly removed from a pendant carpet (2) carpet 650cm x 600cm; strip 600cm x 70cm Provenance: The Right Honourable Sir George Clerk, 6th Baronet of Penicuik (1787-1867); Thence by descent to the present owners.

£10,000-15,000

164

493 BESHIR CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the abrash indigo field with red palmette cruciform pattern, within burgundy hashed shield border, kilim ends 238cm x 140cm

£300-500

494 LAKAI FLATWEAVE CARPET UZBEKISTAN, EARLY 20TH CENTURY the red field woven in sections with allover gul pattern, within brown geometric border and lattice fringe ends 345cm x 154cm

£300-500

495 TEKKE CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with four columns of ten guls, within brown octagon starburst border, hooked lozenge elem panels 326cm x 226cm

£400-600

165

496 YOMUT CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with allover serrated lozenge pattern, within narrow ivory serrated lozenge border, lozenge elem end panels 267cm x 144cm

£300-500

497 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of sixteen guls, within red serrated vine border 350cm x 240cm

£400-600

498 ERSARI CARPET TURKMENISTAN, LATE 19TH CENTURY the red field with three columns of five guls, within red hooked lozenge border 258cm x 222cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

166

499 HEREKE SILK RUG WEST ANATOLIA, LATE 20TH CENTURY the rust red field with indigo medallion, light blue spandrels, within indigo palmette and foliate vine border; together with a GHIORDES STYLE SMALL PRAYER RUG, with turquoise mihrab, within cream floral border (2)

500 QUM SILK PRAYER RUG CENTRAL PERSIA, 20TH CENTURY the ivory mihrab with pink columns and spandrel, floral vase decoration, within indigo palmette and foliate vine border

95cm x 62cm; and 102cm x 62cm

216cm x 138cm

£500-700

£400-600

501 TWO SIMILAR HEREKE SILK PRAYER RUGS WEST ANATOLIA, LATE 20TH CENTURY one with red field and the other with blue, each with bird filled tree of life pattern, within indigo palmette, rosette and vine border (2) each 158cm x 92cm

£600-800

167

502 HERIZ RUNNER NORTHWEST PERSIA, MODERN the black field with allover palmette and vine pattern, within rust brown palmette and vine border 732cm x 100cm

£1,500-2,500

503 KASHAN RUNNER CENTRAL PERSIA, MODERN the red field with six indigo and ivory cusped medallions, within indigo palmette and arabesque vine border 757cm x 112cm

£1,400-1,800

504 MAHAL RUNNER WEST PERSIA, MODERN the plain red field with foliate edges, within indigo palmette and foliate vine border 513cm x 103cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

168

505 KARAKALPAK CARPET UZBEKISTAN, LATE 19TH/ EARLY 20TH CENTURY the red field with allover gul lattice pattern, within narrow indigo and red lozenge border 274cm x 214cm

£300-500

506 FACHRALO KAZAK CARPET SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with two red and green shaped medallions, within narrow stepped lozenge border between wave scroll bands 215cm x 168cm

£300-500

507 BELOUCH CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with allover palmette pattern, within brown harshang border 303cm x 201cm

£300-500

508 MESHED CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover palmette and foliate vine pattern, within indigo palmette and leafy vine border 404cm x 310cm

£300-500

509

510

GENDJE LONG RUG

LAKAI FLATWEAVE CARPET

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

UZBEKISTAN, MID 20TH CENTURY

the field with allover polychrome diagonal stripe pattern, within polychrome hooked rectangle border between skittle bands

the joined plain cotton field with allover gul pattern, within plain cotton stepped cross border

308cm x 140cm

£250-350

£250-350

268cm x 172cm

169

511 DONEGAL CARPET NORTHWEST IRELAND, LATE 19TH/EARLY 20TH CENTURY the mustard ground with allover geometric lozenge pattern, within narrow mustard geometric vine border 303cm x 233cm

£1,000-1,500

512 TETEX CARPET GERMANY, EARLY/MID 20TH CENTURY of Tabriz style, the cream field with allover palmette pattern, within indigo palmette and floral border, original label to reverse 330cm x 252cm

£700-1,000

513

514

515

516

COLLECTION OF CARPET REFERENCE BOOKS

COLLECTION OF CARPET REFERENCE BOOKS

COLLECTION OF TEXTILE AND OTHER REFERENCE BOOKS

MAINLY TURKOMAN AND OTHER CENTRAL ASIAN WEAVINGS

GENERAL

MAINLY CENTRAL AND SOUTHEAST ASIA

COLLECTION OF HALI AND OTHER CARPET MAGAZINES

including: O’Bannon, George The Turkoman Carpet; Azadi, Siawosch Turkoman Carpets; Textile Museum Turkmen; Moshkova, V. G. Carpets of the People of Central Asia; Schurmann, Ulrich CentralAsian Rugs; and over fifty other volumes (quantity) £300-500

including: Eiland Jr., Murray & Murray Eiland III Oriental Carpets; Day, Susan Great Carpets of the World; Opie, James Tribal Rugs; Hull, Alastair & Jose LuczycWyhowska Kilim; Kaffel, Ralph Caucasian Prayer Rugs; and over forty other volumes (quantity) £200-300

including: Fitz Gibbon, Kate & Andrew Hale Ikat; Howard, Michael Textiles of Southeast Asia; Harvey, Janet Traditional Textiles of Central Asia; Meller, Susan Russian Textiles; Gillow, John & Nicholas Barnard Indian Textiles; and over eighty other volumes (quantity) £300-500

including Hali issues 94-193 (missing some issues); Carpet Collector; Textiles Asia; Steppe; and some auction catalogues (quantity) £150-250

170

GARDEN

517 THREE COMPOSITION STONE CLASSICAL FIGURE GROUPS 20TH CENTURY to include a group of Three Graces, after Canova; Bathing Venus, after Allegrain; and a water bearer (3) tallest 86cm high

£300-500

518 PAIR OF FIRECLAY PLANTERS 19TH CENTURY of canted rectangular form with shell motifs and masks (2) 83cm long, 26cm high, 37cm wide

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

171

519 COLLECTION OF FIFTEEN EARLY CURLING STONES 18TH AND EARLY 19TH CENTURY various sizes and shapes, with closed and open iron handles, some engraved with initials (15) various sizes

£500-700

520 PAIR OF CARRON FOUNDRY CAST IRON GARDEN BENCHES 19TH CENTURY with pierced arcaded backs with rococo details, on foliate cast scroll legs (2) 163cm wide, 97cm high, 41cm deep

£1,000-2,000

END OF SALE

172

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

19.2

extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

173 2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability

to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

6. CURRENCY CONVERTER

C. DURING THE SALE

8. RELEVANT LEGISLATION

1. ADMISSION TO OUR AUCTIONS

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING

The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. THE PURCHASE PRICE

1. SELLER’S WARRANTIES

For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the

174 Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the

refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or

(ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NON-PAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use

the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS

Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than

175 as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless

we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of

our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely

to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

19.2

176

GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that first time or returning bidders may be required to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. There will be no on-site payment facilities and no cash accepted as all our venues are closed to the public.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING Due to governmental restrictions, in-room bidding will not be permitted at this auction.

Registered bidders will be assigned a non-transferable bidder number.

Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. All lots will be invoiced to the name and address given during your registration.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

ON THE INTERNET - ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/ Credorax).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Inside Back Cover: Lot 301 [detail]

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM