Five Centuries: Furniture, Paintings & Works of Art by Lyon & Turnbull

19TH & 20TH MAY 2021 EDINBURGH

INCLUDING PROPERTY FROM KILMANY HOUSE, FIFE, ARCHIBALD STIRLING OF KEIR, TORNAVEEN HOUSE, ABERDEENSHIRE & THE COLLECTION OF DR. JOHN A. PACKER, EDINBURGH NEW TOWN

WEDNESDAY 19 & THURSDAY 20 MAY 2021 AT 10AM Sale Number LT641

CONTACT EDINBURGH +44 (0) 131 557 8844 info@lyonandturnbull.com

VIEWING BY APPOINTMENT

BIDDING AT THIS SALE

Viewing at 33 Broughton Place Edinburgh EH1 3RR will be available by appointment from Saturday 15th until Tuesday 18th May, 10am-4pm

Please contact us regarding ways to bid in this sale as in-person bidding may not be available in adherence to Government Guidelines

BOOK A VIEWING APPOINTMENT Front Cover Lot 573 [detail] Inside Front Cover Lot 400 [detail]

To book a viewing time please either CALL +44 (0) 131 557 8844 EMAIL info@lyonandturnbull.com BOOK ONLINE www.lyonandturnbull.com/appointment-bookings

BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website). If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

25% up to £300,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue). ADDITIONAL VAT

1 – Government issued photo ID (Passport/Driving licence)

†V AT at the standard rate payable on the hammer price

2 – Proof of address (utility bill/bank statement).

‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. No VAT is payable on the hammer price or premium for books bought at auction. DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections). BOOK ONLINE www.lyonandturnbull. com/appointment-bookings CALL 0131 557 8844

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. There will be no public viewing for this auction, our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice. Please note we are unable to take payments over the phone.

MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Katherine Wright

Furniture, Clocks & Works of Art

Paintings & Drawings

Ceramics & Glass

Gavin Strang Rugs & Carpets

Katie Hannah

Dr. Tsai Yiing Ing

Jamie Russell

Kerstin Schaeffer

Furniture, Clocks & Works of Art

Asian Works of Art

Furniture, Clocks & Works of Art

Cataloguer & Sale Administrator

ORDER OF SALE Lot No.

50-136

WEDNESDAY, 19TH MAY AT 10AM British Furniture Part One

Please note the first lots in this sale can be found in the separate catalogue PROPERTY OF THE EARLS OF BREADALBANE & HOLLAND, TAYMOUTH CASTLE,

137-177

Property from Kilmany House, Fife

to be offered TUESDAY, 18TH MAY AT 6PM. Clients

178-192

Paintings Part One

who register to bid in either auction will be registered

193-213

Property of Achibald Stirling of Keir

to bid in both.

214-354

British Furniture & Works of Art Part Two

Lot No.

THURSDAY, 20TH MAY AT 10AM

355-404

The Collection of Dr. John A. Packer

405-432

Paintings Part Two

433-472

British Furniture & Works of Art Part Three

473-496

Property from Tornaveen House, Aberdeenshire

497-576

Continental Furniture and Works of Art

577-587

Asian Furniture & Works of Art

588-646

Rugs & Carpets

647-650

Garden & Architecture

Left Lot 547 [detail] Above Lot 262 [detail]

BRITISH FURNITURE PART ONE

50 OAK COURT CUPBOARD, WESTMORLAND OR NORTH YORKSHIRE LATE 17TH CENTURY the moulded cornice above a scroll carved frieze and central palmette carved panel flanked by angled doors and cup and cover supports; the lower part with a pair of cupboard doors enclosing a shelved interior, raised on stile feet 145cm wide, 164cm high, 56.5cm deep

£800-1,200

51 LEATHER AND BRASS STUDDED DOME TOP TRUNK 17TH CENTURY the hinged top and front panel decorated with scroll motifs in brass studs, with iron loop handles to the sides, on later bun feet; the void interior lined with printed fabric 110cm long, 50cm high, 52cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

52 WILLIAM AND MARY SMALL EBONISED AND GILT MIRROR EARLY 19TH CENTURY the rectangular divided and engraved mirror plate in a black japanned bead moulded cushion frame decorated with flowers and surmounted by a carved gilt shell and palmette cresting 90cm high, 32cm wide Provenance: Spink & Son, London Phillips, New York, 20 January, 1998, The Robert and Rosemary Turner Collection, lot 170

£800-1,200

53 SCOTTISH LABURNUM ARMCHAIR EARLY 18TH CENTURY upholstered square back over a cushioned seat and spiral turned open arms, raised on turned legs joined by further spiral turned stretchers 64cm wide, 113cm high, 42cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£300-500

54 CAROLEAN WALNUT ARMCHAIR 17TH CENTURY the caned arched back panel flanked by turned side rails with acorn finials, above a carved caned seat flanked by scrolled arms and raised on scroll legs joined by stretchers 61cm wide, 112cm high, 43cm deep

£400-600

55 QUEEN ANNE WALNUT LOWBOY EARLY 18TH CENTURY the quarter veneered top above three drawers arranged around and arch, raised on turned and tapered legs joined by a wavy stretcher 107cm wide, 83cm high, 56.5cm deep

£600-800

56 ASSEMBLED SET OF SEVEN SPINDLE BACK CHAIRS EARLY 19TH CENTURY comprising an armchair and six side chairs, with spindle backs above rush seats, raised on tapered legs joined by stretchers (7) Armchair 61cm wide, 108cm high, 45cm; 47cm wide, 94cm high, 37cm deep, approx.

£300-400

57 EARLY GEORGIAN OAK GATELEG TABLE EARLY 18TH CENTURY the oval top with drop-down sides opening on double gatelegs, on baluster turned legs joined by stretchers 93cm wide, 73cm high, 113cm wide [up], 33cm deep [down]

£400-600

58 GEORGE III FIVE PANEL MAHOGANY SETTLE 18TH CENTURY the back with a moulded top rail over five shaped and raised panels and open scroll arms, above a canvas strung seat with a horsehair tufted cushion covered in green fabric, raised on squared cabriole legs with pad feet 188cm long, 108cm high, 55cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

59 GEORGIAN FOUR PANEL OAK SETTLE 18TH CENTURY the back with four arch moulded panels above a rope strung seat with squab cushion flanked by open arms, on turned legs joined by a shaped front stretcher 186cm wide, 112cm high, 51cm deep

£400-600

60 CARVED OAK THREE PANEL CHEST LATE 17TH CENTURY the hinged top above a foliate scroll carved frieze with initials MW, over a three panel front carved with stylised tulips, on stile feet 137cm wide, 73cm high, 54cm deep

£300-500

61 GEORGE III OAK DRESSER LATE 18TH CENTURY with a moulded cornice above three plate shelves and enclosed back; the base with three short drawers over an undertier and raised on square section legs and a central shaped leg 152cm wide, 194.5cm high, 42cm deep

£600-800

62 OAK BOARDED BENCH 17TH CENTURY the single board top on bracket supports and scroll cut shaped ends joined by a moulded mid-stretcher 103cm wide, 59cm high, 39cm deep

£400-600

63 PINE NARROW LONGCASED LANTERN CLOCK, JOHN STARTBRIDGE, LYMINGTON 19TH CENTURY the moulded hood above an arched brass 5 inch dial, with Roman numerals and a single hand, signed JOHN STARTBRIDGE LYMINGTON, the trunk with moulded door, raised on a plinth, striking on a bell 25cm wide,185cm high, 19cm deep

£700-1,000

64 GEORGIAN OAK LIVERY CUPBOARD 18TH CENTURY the moulded cornice above a pair of arch moulded panel doors opening to hanging space; the base with two dummy drawers over two short drawers, on stile feet 166cm wide, 204cm high, 53cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65 GEORGIAN OAK TRIPOD TABLE 18TH CENTURY the rounded rectangular top, on a tapered ring-turned column and outswept tripod base 42cm wide, 67cm high, 38.5cm deep

£300-500

66 GEORGE II OAK KNEEHOLE DESK MID 18TH CENTURY the moulded top over a brushing slide and kneehole recess with arch drawer and cupboard, flanked by banks of three deep drawers, raised on bracket feet 89cm wide, 82cm high, 47cm deep

£400-600

67 GEORGIAN OAK AND WALNUT DRESSER 18TH CENTURY AND LATER the moulded cornice above a shaped frieze and two shelves and six short drawers; the base with three drawers and a shaped apron, raised on cabriole legs with pad feet £600-800

68 GEORGE I STYLE WALNUT AND PARCEL GILT MIRROR 19TH CENTURY the shaped mirror plate in gilt moulded slips and scroll frame centred by a carved bird 101cm high,, 59cm wide,

£400-600

69 QUEEN ANNE BURR ELM AND RED JAPANNED TOILET MIRROR ON STAND EARLY 17TH CENTURY the arched mirror plate in a cushion moulded frame between tapered uprights with acorn finials, above a slant front opening to a red japanned interior, over a convex arcade moulded drawer fitted with compartments and covered wells, on an integral stand with straight legs joined by an X stretcher united by a brass acorn finial 47cm wide, 157cm high, 32cm deep

£1,500-2,500

70 GEORGE I WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded top with a moulded edge over two short and three long graduated drawers, raised on bracket feet 96cm wide, 89cm high, 52cm deep

£500-700

71 GEORGE I WALNUT, CROSSBANDED, AND INLAID CHEST-ON-CHEST EARLY 18TH CENTURY the broken arch pediment centred by a cartouche, over a pair of short drawers and three long drawers flanked by fluted angles; on a base with three further long drawers, all with crossbanding and flanked by matching fluted angles, raised on bracket feet 107cm wide, 201cm high, 57cm deep Provenance: Property of a Scottish Borders family

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72 GEORGE I WALNUT AND GILTWOOD MIRROR EARLY 18TH CENTURY the rectangular bevelled mirror plate in a gilt moulded slip, in a frame with scroll cresting centred by a pierced feather roundel and pendant foliate garlands to either side 96cm high, 51cm wide

£500-700

73 GEORGE II WALNUT BUREAU BOOKCASE 18TH CENTURY the top with a straight moulded cornice above a pair of glazed doors enclosing shelves with candleslides below; the base with a slant front opening to an arrangement of drawers and pigeon holes and a well, over two short graduated drawers and two further long drawers, all with featherbanding, raised on bracket feet 102cm wide, 216cm high, 55cm deep Provenance: Property of a Scottish Borders family

£600-800

74 GEORGE II STYLE CARVED AND PAINTED PINE FIRE SURROUND LATE 19TH CENTURY in the Palladian style, the moulded egg and dart moulded shelf above a frieze centred by a carved mask and swags, the jambs with carved foliate mouldings 156cm wide x 149cm high; opening 102cm wide x 102cm high

£1,000-1,500

75 GEORGE I STYLE WALNUT AND GILT MIRROR 19TH CENTURY the swan neck pediment centred by a giltwood urn, above a shaped rectangular mirror plate with a bevelled edge and gilt moulded slip, the base with twin brass candle arms 129cm high, 65cm wide

£800-1,200

76 GEORGE II WALNUT CHEST-ON-CHEST EARLY 18TH CENTURY the moulded cornice above a pair of crossbanded short drawers over three further long drawers, flanked by fluted angles; the lower part with a green baize line brushing slide and two long drawers flanked by conforming fluted angles, raised on bracket feet 107cm wide, 165cm high, 50cm deep

£800-1,200

77 GEORGE I WALNUT, INLAY, AND OAK CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above four banded and line inlaid graduated drawers, on bracket feet 145cm wide, 175cm high, 56.5cm deep

£400-600

78 GEORGE II WALNUT FOOTSTOOL 18TH CENTURY the padded seat covered in green plush with nail head trim, raised on cabriole legs ending in pad feet 59cm wide, 46cm high, 45cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

79 PAIR OF GEORGE II MAHOGANY SIDE CHAIRS 2ND QUARTER 18TH CENTURY the scrolled top rails above vasiform splats and wide dropin seats, raised on cartouche and foliate scroll carved legs ending in claw and ball feet with pierced talon grips (2) 58cm wide, 102cm high, 40cm deep

£800-1,200

80 GEORGE II WALNUT LOWBOY 18TH CENTURY the quarter veneered and crossbanded top over a long drawer and pair of short drawers, raised on squared cabriole legs ending in pointed pad feet 77cm wide, 73cm high, 50cm deep

£400-600

81 GEORGE I STYLE WALNUT AND MARQUETRY DOUBLE CHAIRBACK SETTEE 19TH CENTURY the back carved with shells and foliate scrolls above splats inlaid with flowering urn marquetry, above a drop-in seat covered in pale green velvet and flanked by shepherd’s crook arms, on a seat rail carved with shells and anthemion, raised on shell-carved cabriole legs ending in claw and ball feet 131cm wide, 106cm high, 47cm deep

£1,500-2,000

82 LATE GEORGE II WALNUT DWARF SECRETAIRE CHEST MID 18TH CENTURY the caddy top above a secretaire drawer fitted with drawers and a leather skiver, above four further graduated drawers, on bracket feet 58cm wide, 89cm high, 46cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

83 GEORGE II MAHOGANY AND GILTWOOD MIRROR 18TH CENTURY the rectangular bevelled mirror in a gilt moulded slip and scroll cut and pierced cresting with rocaille, flanked by trailing gilt flower trails 118cm high, 72cm wide

£800-1,200

84 GEORGE II MAHOGANY KETTLE STAND MID 18TH CENTURY the dished lobed top on a baluster turned column and lappet carved tripod base ending in pointed pad feet 28cm diameter, 57cm high

£4,000-6,000

85 GEORGE II STRIPPED PINE PALLADIAN ARCH AND COLUMNS MID 18TH CENTURY AND LATER the central arched centred by keystone moulding and supported by four Corinthian columns on plinth bases and flanked by further pairs of matching pilasters overall 372cm wide, 337cm high, 75cm deep Provenance: Purchased Talisman, Dorset, early 1990s

£3,000-5,000

86 GEORGIAN STYLE STAINED MAHOGANY AND GILTWOOD MIRROR LATE 20TH CENTURY the rectangular mirror plate in a giltwood slip and frame carved with leaf trails and surmounted by a swan neck cresting cented by a carved cartouche with rocaille 153cm high, 81cm wide

£700-900

87 GEORGE II MAHOGANY PIECRUST TRIPOD TABLE MID 18TH CENTURY the deep tray top with a piecrust edge on a baluster turned column and acanthus carved cabriole legs ending in carved paw feet 50cm diameter, 74cm high

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

88 QUEEN ANNE WALNUT DRESSING MIRROR EARLY 18TH CENTURY the rectangular mirror plate within a moulded frame flanked by square section supports topped with brass urns, above three short concave drawers raised on bracket feet 59cm high 42cm wide

£400-600

89 GEORGE II MAHOGANY DEMI-LUNE TEA TABLE SECOND QUARTER 18TH CENTURY the fold-over top opening to a void interior, raised on cabriole legs ending in pointed pad feet 79cm wide, 72cm high, 40cm deep [closed]

£400-600

90 PAIR OF GEORGE II STYLE WING ARMCHAIRS 20TH CENTURY the arched backs above deep wings and loose cushion seats flanked by outscrolled arms, raised on acanthus carved cabriole legs with leaf carved toes; covered in cream foliate damask (2) 86cm wide, 110cm high, 59cm deep

£800-1,200

91 GEORGE II MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above a brushing slide and four graduated drawers, raised on bracket feet 76cm wide, 79cm high, 42cm deep Provenance: Robert Pelham Borley, Esq.

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92 SCOTTISH GEORGE II MAHOGANY FRETWORK MIRROR MID 18TH CENTURY the rectangular mirror plate within a fretwork frame with a pendant thistle and surmounted by a swan neck pediment 99cm high, 50cm wide

£400-600

93 LATE GEORGE II MAHOGANY LIBRARY BOOKCASE MID 18TH CENTURY the egg and dart moulded breakfront cornice above a pair of astragal glazed doors with arch moulded tops, flanked and divided by square pilasters; the lower part with hinged flap cupboards enclosing shelves, on a moulded plinth base 175cm wide, 290cm high, 29cm deep Provenance: Cusworth Hall, Yorkshire Hollis & Webb, 14-23 October, 1952, Estate of the late Lady Isabella G. K. Battie-Wrightson, [one of] lots 565-568 Sotheby’s New York, 28-29 October, 1988, Property of Claus van Bulow, Clarendon Court, Newport, Rhode Island Freeman’s Auctioneers, Philadelphia, 20 September, 2007, lot 124

£2,500-3,500

94 GEORGE II MAHOGANY BRASS MOUNTED TEA TABLE Note: Cusworth Hall is a Grade I listed Georgian Palladian country house near Doncaster in South Yorkshire. The house was built for William Wrightson in 174045. The house stayed with members of the Wrightson family until 1952, when the contents were put up for sale to meet death duties. The house was subsequently sold to Doncaster Council and today is a venue and museum. The present lot, one of four bookcases originally from the library wing, was sold in 1952 as one of lots 565-568.

18TH CENTURY the rectangular tray trop with a later moulded edge, above a frieze with brass band mounts, raised on cabriole legs ending in pointed pad feet £300-500

95 GROUP OF THREE ‘GRINLING GIBBONS’ TYPE CARVED MOULDINGS 19TH CENTURY carved with palmettes, flowers, and fruit clusters (3) largest 71cm wide

£300-500

96 LATE GEORGE II GILTWOOD MIRROR MID 18TH CENTURY the shaped arched mirror plate in a moulded frame with C scroll, acanthus, and rocaille cresting 126cm high, 72cm wide

£1,500-2,500

97 GEORGE II MAHOGANY CARD TABLE MID 18TH CENTURY the fold-over top with outset corners opening to a baize lined playing surface with counter wells, above a plain frieze raised on shell and scale carved cabriole legs ending in claw and ball feet 86cm wide, 70cm high, 42cm deep [closed]

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

98 TWO GEORGIAN TOILET MIRRORS 18TH CENTURY the first of mahogany with a shaped mirror plate in a moulded gilt slip, above three concave base drawers, on ogee bracket feet; the other of walnut with bevelled mirror and gilt moulded slip, above three concave base drawers, on ogee bracket feet (2) 49cm wide, 63cm high, 19.5cm deep; and 38.5cm wide, 58cm high, 20cm deep Provenance: Property of a Scottish Borders family

£400-600

99 EARLY GEORGE III MAHOGANY TEA TABLE MID 18TH CENTURY the rectangular fold-over top above a plain frieze with a carved gadroon carved edge, raised on stiff leaf carved cabriole legs ending in ball and claw feet 81cm wide, 70cm high, 37cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£800-1,200

100 GEORGE III STYLE MAHOGANY ARMCHAIR 19TH CENTURY the serpentine top rail with scrolled ears above a pierced splat carved with oak leaves and acorns, over a drop-in needlework seat flanked by scrolled open arms with foliate carved hand holds, raised on carved cabriole legs carved at the knees with further oak leaves and ending in claw and ball feet 71cm wide, 102cm high, 44cm deep Provenance: Mrs. K. M. Copley, Mappowder Court, Dorset

£300-500

101 GEORGIAN STYLE MAHOGANY AND PAINTED WINE TABLE 19TH CENTURY INCORPORATING SOME EARLY ELEMENTS the dished piecrust top on an associated green painted Chippendale style openwork scrolled tripod base 35cm wide, 56cm high, 35cm deep

£400-600

102 LATE GEORGE II/ EARLY GEORGE III MAHOGANY SIDE TABLE MID 18TH CENTURY the top with a moulded edge over a long frieze drawer, raised on cabriole legs ending in claw and ball feet 85cm wide, 71cm high, 48cm deep

£400-600

103 GEORGIAN STYLE MAHOGANY PIECRUST TEA TABLE 19TH CENTURY the tilt top with a tray top with carved edge, on a reeded baluster column and tripod base ending in claw and ball feet 83cm diameter, 71cm high

£400-600

104 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above four long graduated drawers, on bracket feet 95cm wide, 85cm high, 47cm deep

£300-500

105 SET OF FIVE GEORGE III MAHOGANY DINING CHAIRS 18TH CENTURY in the Chippendale style, with pierced ladder backs above wide stuff-over seats covered in green velvet, raised on chamfered straight legs joined by stretchers (5) 55cm wide, 95cm high, 41cm deep

£400-600

106 CHIPPENDALE REVIVAL MAHOGANY DESK LATE 19TH CENTURY the top with a green leather skiver and bead moulded edge, above three frieze drawers above a kneehole recess flanked by banks of two graduated drawers, all with carved leaf moulding, raised on foliate carved cabriole legs ending in claw and ball feet flanking carved lion mask pendants 137.5cm wide, 76cm high, 62cm deep

£2,500-3,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107 GEORGE III GILTWOOD MIRROR MID 18TH CENTURY, IN THE MANNER OF THOMAS JOHNSON the oval mirror plate in a rococo style frame with C and foliate scrolls 71cm high 36cm wide

£300-500

108 SCOTTISH GEORGE III MAHOGANY AND LINE INLAID LONGCASE CLOCK, BY JOHN ROBERTSON, EDINBURGH EARLY 19TH CENTURY the hood with a swan pediment centred by a brass eagle, with an arched engraved silvered 12 inch dial, with seconds subsidiary dial and date aperture, signed John Robertson Potterrow Port Edinburgh, flanked by fluted columns, above the trunk with arched fielded panel door, flanked by quarter fluted columns, raised on plinth base and bracket feet, with an eight day movement, striking on a bell 50cm wide 227cm high 27cm deep

£1,000-1,500

109 EARLY GEORGE III ‘CHINESE CHIPPENDALE’ SIDE TABLE 18TH CENTURY the rectangular top above a blind fret carved frieze, raised on blind fret chamfered legs with pierced fret brackets 92cm wide, 75cm high, 47cm deep

£700-1,000

110 GEORGE III MAHOGANY WINE COOLER 18TH CENTURY of cubic form with a moulded rim and cut-out handles, on a moulded base raised on scrolled angles 31cm wide, 51cm high, 31cm deep

£500-700

111 PAIR OF GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY the shaped top rails carved with foliate scrolls and swags, above pierced interlaced splats and drop-in seats, raised on chamfered square legs joined by stretchers (2) 55cm wide, 95cm high, 41cm deep

£700-1,000

112 GEORGE III STYLE MAHOGANY TEA TABLE EARLY 20TH CENTURY the shaped rectangular dished top above a blind-fret frieze, raised square tapered pierced column legs 77cm wide, 72cm high, 54cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113 EARLY GEORGE III MAHOGANY OCTAGONAL BIRDCAGE TRIPOD TABLE 18TH CENTURY the hinged top with a moulded edge on a birdcage mechanism, raised on a slender blind fret carved column and carved cabriole legs ending in slipper feet 46cm wide, 73cm high

£1,200-1,800

114 GEORGE III STYLE MAHOGANY AND INLAID DEMI-LUNE TABLE EARLY 20TH CENTURY the crossbanded top with fan inlay above a fluted frieze centred by inlaid palm fronds, raised on square tapered legs 98.5cm wide, 77cm high, 45.5cm deep

£600-800

115 GEORGE III MAHOGANY AND FRUITWOOD INLAID DEMILUNE COMMODE LATE 18TH CENTURY the top outlined with rope banding above a frieze with simulated fluting above a central deep drawer flanked by a cupboard and dummy cupboard with lion mask ring handles, raised on fluted square tapered legs 126cm wide, 88cm high, 63cm deep

£1,500-2,500

116 PAIR OF GEORGIAN STYLE MAHOGANY HALL TABLES 19TH CENTURY, LATER ADAPTED the rectangular top with reeded edges above plain friezes, raised on recess moulded square tapered legs ending in block feet (2)

117 GEORGE III MAHOGANY WINE STAND 18TH CENTURY

each 107cm wide, 77cm high, 45cm deep

the top divided into four compartments with a central cut-out handle, on square chamfered legs

£800-1,200

33cm wide, 49cm high, 33cm deep Provenance: Property of a Scottish Borders family

£300-500

118 PAIR OF GEORGE III STYLE MAHOGANY ARMCHAIRS 19TH CENTURY the square backs with re-entrant corners with pierced and carved lattice backs above drop-in seat pads flanked by conforming fretwork enclosed arms, raised on blind fret carved square legs joined by stretchers (2) 63cm wide, 97cm high, 46cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

119 GEORGE III MAHOGANY BIRDCAGE TRIPOD TEA TABLE 18TH CENTURY the dished circular top on a cannon barrel column, and tripod base with cabriole legs ending in pointed pad feet 79cm diameter, 72cm deep

£300-500

120 TWO GEORGE III MAHOGANY NIGHT COMMODES 18TH CENTURY with square tray tops over cupboard doors, one with a sliding drawer fitted with a pottery insert; on straight square legs (2) 46cm wide, 81cm high, 46cm deep; 46.5cm wide, 81.5cm high, 46.5 deep

£400-600

121

122

GEORGE III MAHOGANY CHEST OF DRAWERS

GEORGE III MAHOGANY LINEN PRESS

18TH CENTURY

the part crossbanded top with a moulded edge, above four long graduated drawers, raised on bracket feet

the dentil moulded cornice above a pair of crossbanded and moulded doors opening to hanging space; the lower part with two dummy drawers over a long drawer, on bracket feet

80cm wide 83cm high 46cm deep

£500-700

126cm wide, 183cm high, 57cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

124

GEORGE III MAHOGANY STICK BAROMETER, NAIRNE & BLUNT, LONDON

GROUP OF REVERSE GLASS MEZZOTINTS

LATE 18TH CENTURY with a hygrometer above an engraved backplate with adjustable vernier scale and a mercury-filled bayonet tube, signed ‘Nairne and Blunt London’, above a covered ball cistern 107cm high Provenance: From the collection of Mary, Duchess of Roxburghe, sold at Sotheby’s May 2015, lot 61

£2,000-3,000

17TH - EARLY 19TH CENTURY to include RURAL HAPPINESS, HEALTH FILICITY AND CONTENTMENT, printed for Carington Bowles, 1773; THE PRUDENT MOTHER, printed by Thomas Burford; DOMESTIC EMPLOYMENT. NEEDLEWORK, printed by Robert Sayer & John Bowles & Son; THE MILKING MAID, published by Simon, after Berkam; PORTRAIT OF A LADY, printed by J. McArdell, after Francis Cotes, 1756; LORD NEWBATTLE & LADY ELIZABETH KARR, printed by Robert Sayer; THE LORD EUSTON, by John Smith, after Kneller, 1689; THE 1ST DUKE OF DORSET & LADY MARY SACKVILLE, after Kneller; LORD WILLIAM VILLIERS & HIS SISTER LADY MARY VILLIERS, after Kneller; WILLIAM III, by John Smith, after Kneller; and TWO HUNTING SUBJECTS, after Carle Vernet; most in period giltwood frames (12) largest 27cm x 38cm Provenance: Property of a Scottish Borders family

£500-700

125 GEORGE III MAHOGANY ‘BEAU BRUMELL’ DRESSING CHEST LATE 18TH/ EARLY 19TH CENTURY the divided hinged top opening to an arrangement of covered wells, compartments, and a ratchet adjusted mirror, above a slide with a baize lined hinged slope, above an arrangement of drawers, raised on square tapered legs ending in brass caps and castors 71cm wide, 87cm high, 51cm deep Provenance: Property of a Scottish Borders family

£600-800

126 GEORGE III MAHOGANY BEDSIDE COMMODE 18TH CENTURY the tray top above a pair of cupboard doors and a sliding base fitted with a covered potty, raised on square straight legs 55cm wide, 78.5cm high, 48cm deep

£250-400

127 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY comprising six side chairs and a pair of armchairs, the scrolling top rails above pierced splats and drop-in seats with yellow covers, over scrolling seat rails raised on square legs joined by stretchers (8) Armchair 62cm wide, 98cm high, 42cm deep; side chair 53cm wide, 96cm high, 39cm deep

£600-800

128 Y LATE GEORGE III MAHOGANY AND ROSEWOOD SERVING TABLE EARLY 19TH CENTURY, ADAPTED the crossbanded bowfront top above three frieze drawers and divided by brass Bacchic masks, on square tapering legs ending in brass paw feet 157cm wide, 86cm high, 67cm deep

£400-600

129 GEORGE III STYLE MAHOGANY SERPENTINE COMMODE EARLY 20TH CENTURY the serpentine top with a moulded edge over two short and two long drawers flanked by blind fret carved canted corners, raised on shaped bracket feet 118cm wide, 87cm high, 68cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130 GEORGE III MAHOGANY AND KINGWOOD PEMBROKE TABLE LATE 18TH CENTURY the crossbanded top with serpentine drop leaves above a frieze drawer to one end, a dummy drawer opposing, raised on square tapered legs outlined with stringing 46cm wide, 91cm [open], 70cm high, 74cm deep

£400-600

131 GEORGE III MAHOGANY BUREAU BOOKCASE 18TH CENTURY the dentil moulded cornice above a blind fret frieze, over a pair of astragal glazed doors enclosing adjustable shelves; the lower part with a slant front opening to a green baize writing surface, pigeon holes, drawers, and secret compartments, above a long drawer and pair of moulded panel doors, raised on gadrooned and foliate carved ogee bracket feet 106cm wide, 218cm high, 53cm deep

£500-700

132 GEORGE III SERPENTINE CHEST OF DRAWERS MID 18TH CENTURY AND LATER the serpentine top above a long drawer fitted with a baize writing surface, hinged mirror, and compartments, above two further long drawers flanked by blind fret carved angles, raised on a later blind fret carved base and pierced block feet 96cm wide, 83cm high, 54cm deep

£2,000-3,000

133 LATE IRISH GEORGE II MAHOGANY AND GILTWOOD MIRROR 18TH CENTURY the shaped mirror plate in a moulded gilt slip and scroll cut frame with acanthus and foliate bud cresting, flanked by trailing leaves and berries 105cm high, 61cm deep

£300-500

134 GEORGE III MAHOGANY TAMBOUR DESK 18TH CENTURY the tambour top opening to a fitted interior with a red leather writing slope, above a slide and two short frieze drawers, raised on square tapered legs 107cm wide, 95cm high, 68cm deep

£800-1,200

135 PAIR OF LEATHER UPHOLSTERED MAHOGANY OPEN ARMCHAIRS 20TH CENTURY in the Georgian style, the rounded arch backs above wide seats flanked by scrolled part-padded open arms, raised on square tapered legs ending in spade feet, covered in brown leather with nail head trim (2) 60cm wide, 98cm high, 45cm deep

£800-1,200

136 GEORGE III MAHOGANY AND INLAID BREAKFRONT SECRETAIRE BOOKCASE LATE 18TH CENTURY the arched cornice with fluting centred by a carved sunflower motif, over glazed doors marked at the corners with carved roundels and enclosing a pale blue painted interior with adjustable shelves; the base with a secretaire drawer inlaid with foliate scrolls and penwork, opening to reveal an interior fitted with pigeon holes, drawers and a red plush skiver, above a pair of panel doors opening to a sliding tray, flanked by banks of five graduated drawers, on a conforming plinth base 192cm wide, 211cm high, 58cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PROPERTY FROM KILMANY HOUSE, FIFE

Kilmany House has been the much-loved home of the Anstruther-Gray/ Kilmany family for the last 150 years. Originally Kilmany Cottage, and before that a coaching Inn where Walter Scott is reputed to have written, the house was extended twice by Reginald Fairlie before and after the First World War, giving it Dutch style gables, a unique feature from its neighbours. The family has had a long history and affiliation with horses and riding, as noted by the many pictures of horses included here. The current family occupier is now downsizing and unable to take many of the things into their new house and hopes they will find new homes and that others will enjoy them for years to come.

137 CEREMONIAL CARVED OAK ARMORIAL ARMCHAIR EARLY 19TH CENTURY the back, arms and seat rail profusely carved with various armorial bearings relating to the Gray of Dalmarnock family of Lanarkshire, within trails and fields of oak leaves and the motto ‘FAST THROUGH’ 68cm wide, 150cm high, 48cm deep

£1,000-2,000

Note: The impressive carvings on this chair appear to be armorial bearings reflecting marital alliances or genealogical connections within the Gray family. The principal arms carved on the back panel of the chair are those of Gray of Dalmarnock quartering Hamilton of Newton with the crest of Hamilton shown above the arms and the crest of Gray below, with a circlet bearing the motto ‘Fast Through’. Either side of the back panel are found a further ten arms, together with another six arms carved on the front rail below the seat of the chair. They are identified as follows: back panel dexter from the top, Gray of Dalmarnock; Chapman; Lord Boyd; Hamilton of Newton; and Pollok; sinister from top, Dundas; Hamilton of Westburn; Lindsay, Earl of Crawford; Hamilton of Barnes; Carmichael, Earl of Hyndhope; front rail from dexter, Anderson of Dowhill; Steuart of Allantown; Crawford Viscount Garnock; Hamilton, Duke of Hamilton; Cunninghame; and Hamilton of Westburn. From information gleaned regarding this chair it was probably commissioned by Robert Gray of Cartyne in the County of Lanarkshire (1756-1833). He was the son of John Gray of Dalmarnock and Cartyne aforesaid and his wife, Isabella Chapman. Upon the death of its last heiress in 1823, Robert became the representative of the ancient family of Hamilton of Newton. He had also married into the Hamilton family in 1799 marrying Mary Anne Hamilton of Westburn (d. 1809) through whose veins run the blood of the Dundas, Lindsay and Crawford families as well as a cousinship to the line of the Dukes of Hamilton.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

138 PAIR OF WILLIAM AND MARY STYLE WALNUT ARMCHAIRS 19TH CENTURY the high backs with shaped cresting above rectangular padded seats covered in green plush upholstery and flanked by scrolled open arms, on turned square legs with turned stretchers, with a combination of brass and ceramic castors (2) 81cm wide, 154cm high, 45cm deep

£700-900

139 GEORGE I WALNUT ESCRITOIRE EARLY 18TH CENTURY the moulded cornice over a cushion moulded frieze drawer, above a quarter-veneered and featherbanded fall enclosing an arrangement of eleven drawers around a central cupboard, with six secret drawers; the lower part with two short and two long drawers raised on bracket feet 118cm wide, 172cm high, 51cm deep

£1,000-1,500

140 COLLECTION OF ELEVEN REVERSE GLASS MEZZOTINTS 18TH & 19TH CENTURY comprising: ‘The Rt Honble Earl of Loudoun’, Ramsey Pinxt, Spooner Fecit, 43cm high x 42.5cm wide; ‘His Royal Highness Prince Edward &C &C’, Morland Pinxt, Richard Houston fecit, 41cm high, 30.5cm wide; ‘Maria Countess of Coventry’, 47cm high, 37cm wide; ‘Pastora’, Ryall 7 R.Withy, Fleet Street, 45cm high, 34.5cm wide; ‘Beating and Trailing for a Hare’, J.Seymour invent, T.Burford delin etg fecit, 36.5cm high, 46.5cm wide; ‘Going to Cover’, Published July 14 1794 by John Fairburn, Map, chart and print seller, No. 146 Minories, London, 31cm high, 41cm wide; ‘Partridge Shooting’, Pubd Dec 1804 by Stamp and Son, 74 Leather Lane, London, 31cm high, 41.5cm wide; ‘Going Out in the Morning’, Published according to act of parliament, June 20th 1753, J.Seymour invt, T.Burford del at fect, 36cm high, 46.5cm wide, ‘Woodcock Shooting’, Pubd. Dec 1804 by Stampa & Son, 74 Leather Lane, London, 42cm wide, 31.5cm high; and an untitled print depicting two stabled horses, Seymour pinx, T.Burford fec, (11) 46cm wide, 36cm high

£400-600

141 SCOTTISH PROVINCIAL OAK ARMCHAIR EARLY 18TH CENTURY the panel back with a scrolling crest rail above a plank seat flanked by open scrolled arms, raised on baluster supports joined by peripheral stretchers 62cm wide, 122cm high, 43cm deep

£300-500

142 Y OAK MARBLE TOP CENTRE TABLE, IN THE MANNER OF GEORGE WALTON EARLY 20TH CENTURY in the Queen Anne style, the rouge marble inset top above three frieze drawers, the centre drawer with an ivory heart shaped escutcheon, raised on cabriole legs joined by a shaped and dished undertier 140cm wide, 75cm high, 74cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143 JOHN BOULTBEE AFTER THE DURHAM OX Print after the original engraving by J Whessell 50cm x 60cm (19.75in x 23.5in)

£200-300

144 LATE GEORGE III MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY the quarter veneered and crossbanded top above a brushing slide and four long graduated drawers, raised on bracket feet 85cm wide, 82cm high, 47cm deep

£300-500

145 GEORGE III MAHOGANY BOWFRONT SIDEBOARD LATE 18TH CENTURY the plain top above a long drawer over an arch recess flanked by deep drawers, raised on square tapered legs with spade feet 170cm wide, 93cm high, 72cm deep

£400-600

146 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above a pair of short drawers and three long graduated drawers flanked by fluted angles, raised on shaped bracket feet 104cm wide, 102cm high, 55cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

147 COLLECTION OF ELEVEN MEZZOTINT EQUESTRIAN PRINTS LATE 18TH CENTURY mostly published by T.Burford, including some titled examples, within giltwood and gesso frames, behind glass with reverse painted black and gilt borders (11) 40.5cm x 51cm (16in x 20in)

£300-500

148 GEORGE III MAHOGANY CELLARETTE EARLY 19TH CENTURY of sarcophagus form, the crossbanded top opening to a void interior, above reeded base moulding and raised on carved paw lion feet with sunken brass castors 67cm wide, 53cm high, 49cm deep

149

£800-1,200

EARLY GEORGE III MAHOGANY ARCHITECT’S TABLE MID 18TH CENTURY the ratchet adjusted top above a pull-out front with a brown leather skiver opening to a compartmented interior with a small pen drawer to the side, on enclosed legs with leather castors 99cm wide, 79cm high, 60cm deep

£1,500-2,500

150 LATE GEORGE III SERPENTINE STAGEBACK SIDEBOARD EARLY 19TH CENTURY the stageback with fixed tambour doors, above a long drawer flanked by deep drawers, raised on square tapered legs with spade feet 214cm wide, 109cm high, 74cm deep

£500-700

151 ELEVEN BLACK AND WHITE FRAMED PRINTS OF BALLOONING INTEREST 20TH CENTURY, AFTER 18TH AND 19TH CENTURY EXAMPLES depicting various views of balloons in flight, including examples such as ‘Globe Aerostatique, Dedie Monsieur Charles’, ‘An Exact Representation of Mr. Lunardi’s New Balloon’, ‘Royal Vauxhall Balloon Crossing the Rhine Near Coblentz’, TOGETHER WITH a print entitled ‘The Aerostat, worked by manual power, Invented by W.Miller, M.R.C.S’ (12) all approximately 38cm x 40cm (15in x 15.75in)

£600-800

152 PAIR OF NORTH ITALIAN PAINTED HALL BENCHES, CASSAPANCAS 18TH CENTURY each with a shaped hinged seat with a moulded edge, the front panels polychrome decorated with a central mask and scroll work, flanked by protruding shaped end supports (2) 224cm wide, 51cm high, 42cm deep

£500-700

153 TWO OFFICER’S SHOULDER BELT POUCHES 19TH CENTURY the first Victorian with a silver cover with gilt metal cypher VR, hallmarked Birmingham, 1879; the other larger and unmarked white metal with copper initials GGBG (2) 17cm long and 18cm long

£400-600

154 PAIR OF REGENCY STYLE GILT AND PATINATED BRONZE CANDLESTICKS 19TH CENTURY the single nozzle above a triple platform terminating in acorn finials, on three paw legs on a triform black slate base (2) 19.5cm

£250-350

155 EARLY VICTORIAN FRUITWOOD DRESSER BASE MID 19TH CENTURY in the Georgian style, with four frieze drawers above a shaped apron, raised on square cabriole legs with square pad feet 228.5cm wide, 82cm high, 52.5cm deep

£600-800

156 EARLY VICTORIAN FRUITWOOD DRESSER BASE MID 19TH CENTURY a pair to the preceding lot, in the Georgian style, with four frieze drawers above a shaped apron, raised on square cabriole legs ending in square pad feet 229cm wide, 82cm high, 52.5cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

157 NEAR PAIR OF FRENCH PROVINCIAL CHESTNUT ARMOIRES 18TH CENTURY each with arched cornice, above twin panelled doors, with double brass key plates, flanking fluting detail enclosing hanging space, with three short drawers, shaped apron, raised on short legs (2) 162cm wide, 240cm high, 68cm deep; 157cm wide, 234cm high 62cm deep

£800-1,200

158

159

REGENCY MAHOGANY WASHSTAND

LOUIS XV STYLE FRENCH KINGWOOD AND MAHOGANY POUDREUSE

EARLY 19TH CENTURY

LATE 19TH CENTURY

the top with a three-quarter gallery above an arrangement of five drawers and an arch, raised on turned and reeded legs 106cm wide, 98cm high, 58cm deep

the divided and hinged top inlaid with parquetry and star motifs, enclosing interior compartments, with one real and one dummy crossbanded frieze drawers, raised on square shaped legs

£250-350

60cm wide 75.5cm high 38cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160 THOMAS WEAVER (BRITISH 1774-1843) THE DARK BAY RACEHORSE ‘MAGNET’ Oil on canvas 63.5cm x 86.5cm (25in x 34in) Provenance: Sir John Whitmore Bt., Onsett Hall Pawsey & Payne, London

£1,500-2,000

161 WILLIAM FRANK CALDERON (BRITISH 1865-1943) A HEAVY HORSE AT AN OUTSIDE MANGER Signed, oil on board 25.5cm x 30.5cm (10in x 12in)

£400-600

162 EDWARD BROWN OF COVENTRY (BRITISH 1823-1877) A DARK BAY HUNTER IN A SANDY LANDSCAPE Signed and dated 1888, oil on canvas 61cm x 76cm (24in x 30in)

£400-600

163 HENRY FREDERICK LUCAS LUCAS (BRITISH 1848-1943) THE CHESTNUT RACEHORSE, THE BARD WITH TRAINER AND STABLE LAD Signed and dated 1886, signed and inscribed on the backboard, oil on canvas laid down 23cm x 30.5cm (9in x 12in)

£500-700

164 ATTRIBUTED TO JOHN ARNOLD WHEELER TOM CRANE, HUNTSMAN OF THE FIFE FOXHOUNDS, ON HIS CHESTNUT COB Inscribed verso, oil on board 16.5cm x 23cm (6.5in x 9in) Provenance: Wemyss Castle with confirmatory letter verso

£300-500

165 FRANCIS SARTORIUS (BRITISH 1734-1804) A BAY RACEHORSE, THE FIGURE IN A GREEN FROCK COAT Signed, oil on canvas 23cm x 28cm (9in x 11in)

£300-500

166 19TH CENTURY ENGLISH SCHOOL DARK BAY COB WITH A RETREIVER IN A STABLE Indistinctly signed, oil on canvas 51cm x 63.5cm (20in x 25in)

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

167 JOHN BOULTBEE (BRITISH 1753-1812) A BRIGHT BAY HUNTER AND A DARK BAY HUNTER WITH SPANIEL IN LANDSCAPE Signed, oil on canvas 102cm x 1227cm (40in x 50in) Note: Presented to Lord Kilmany by his Conservative friends in Berwickshire and East Lothian 1966

£3,000-5,000

168 DAVID DALBY OF YORK (BRITISH 1810-1865) A LIVER CHESTNUT HUNTER AND A RED AND WHITE SPANIEL BY A WELL Signed, inscribed ‘York’ and dated 1837, oil on canvas 63.5cm x 76cm (25in x 30in)

£1,500-2,000

169 PATRICK NASMYTH (SCOTTISH 1787-1831) FIGURES ON A SANDY PATH BY A RIVER Signed and dated 1824, oil on panel 25.5cm x 35.5cm (10in x 14in)

£1,500-2,000

170 MANNER OF ALEXANDER NASMYTH A WOODED LANDSCAPE WITH FIGURES BATHING IN A RIVER Oil on panel 35.5cm x 53.5cm (14in x 21in)

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

171 HERMANUS DONSELAER (BELGIAN 1761-1829) A WINTER LANDSCAPE WITH FIGURES SKATING Signed, oil on panel 41cm x 61cm (16in x 24in)

£1,500-2,000

172 WILLIAM GARTHWAITE (BRITISH 1821-1889) THE PADDLE STEAMER MARTELLO LEAVING SCARBOROUGH Signed and dated 1853, oil on canvas 43cm x 58.5cm (17in x 23in)

£700-1,000

173 FOLLOWER OF SIR PETER LELY HALF LENGTH PORTRAIT OF THE DUCHESS OF CLEVELAND Feigned oval, oil on canvas 76cm x 63.5cm (30in x 25in) Provenance: Anstruther Gray 26.01.1902

£1,000-1,500

174 18TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF SIR ROBERT ANSTRUTHER, 1ST BARONET Feigned oval, oil on canvas 76cm x 63.5cm (30in x 25in)

£600-800

175 FOLLOWER OF BATONI HALF LENGTH PORTRAIT OF HENRY STUART, CARDINAL YORK Inscribed, oil on canvas in finely carved period frame 74cm x 56cm (29in x 23in)

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

176 ATRRIBUTED TO FRANCESCO TREVISANI BUST LENGTH PORTRAIT OF THE CHEVALIER Oil on canvas in finely carved gilt wood swept frame 66cm x 53.5cm (26in x 21in)

£2,000-3,000

177 ATTILIO BACCANI (ITALIAN 1844-1889) HEAD AND SHOULDER PORTRAIT OF A LADY Signed, oil on canvas, oval 74cm x 61cm (29in x 24in)

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PAINTINGS PART ONE

178 FOLLOWER OF NICOLAES MAES PORTRAIT OF A BOY WITH PET LAMB Arched top, oil on panel in an elaborate carved gilt frame 23cm x 17cm (9in x 6.75in) Provenance: Property of a Scottish Borders family

£2,000-3,000

179 18TH CENTURY ENGLISH SCHOOL HALF LENGTH PORTRAIT OF A BOY WITH A BIRD Oil on canvas 74cm x 61cm (29in x 24in) Provenance: Property of a Scottish Borders family

£600-800

180 18TH CENTURY FRENCH SCHOOL HALF LENGTH PORTRAIT OF A NOBLE WOMAN Oil on canvas 39cm x 30.5cm (15.25in x 12in) Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

181 18TH CENTURY FRENCH SCHOOL ELEGANT FIGURES BOAR HUNTING Oil on canvas, a set of four hunting scenes of slightly varying sizes (4) 76cm x 127cm (30in x 50in) Provenance: Property of a Scottish Borders family

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

182 17TH CENTURY FRENCH SCHOOL HALF LENGTH PORTRAIT OF A LADY AS DIANA Oil on canvas 87cm x 66cm (34.25in x 26in) Provenance: Property of a Scottish Borders family

£2,000-3,000

183 ATTRIBUTED TO SAMUEL SCOTT A PANORAMIC VIEW OF LONDON AND THE THAMES FROM ABOVE GREENWICH PALACE Oil on canvas 76cm x 137cm (30in x 54in) Provenance: Property of a Scottish Borders family

£4,000-6,000

184 JOHN GREENHILL (BRITISH 1640-1676) HALF LENGTH PORTRAIT OF A YOUNG WOMAN IN WHITE Signed with initials, oil on canvas 103cm x 84cm (40.5in x 33in)

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

185 18TH CENTURY SCOTTISH SCHOOL FIGURES AND HORSEMEN OUTSIDE A CHURCH Oil on canvas 48cm x 71cm (19in x 28in)

£600-900

186 MANNER OF DAVID TENIERS A VILLAGE DANCE Oil on panel 20cm x 25.5cm (8in x 10in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

187 17TH CENTURY DUTCH SCHOOL ON THE OUTSKIRTS OF A SMALL DUTCH TOWN Oil on panel 41cm x 57cm (16in x 22in)

£800-1,200

188 17TH CENTURY DUTCH SCHOOL WHILE THE CAT’S AWAY Oil on canvas 35.5cm x 53.5cm (14in x 21in)

£600-900

189 REMBRANDT VAN RIJN (DUTCH 1606-1669) JOSEPH TELLING HIS DREAMS Etching, 1638 the sheet 11.3cm x 8.4cm (4.5in x 3.25in), unframed

£1,000-1,500

190 REMBRANDT VAN RIJN (DUTCH 1609-1669) THREE ORIENTAL FIGURES (JACOB AND LANBAN?) Etching, 1641, signed and dated in plate the sheet 15.3cm x 12cm (6in x 4.75in), unframed

191 REMBRANDT VAN RIJN (DUTCH 1609-1669) THE RAT CATCHER (BARTSCH 121) Etching the sheet 13.9cm x 9.3cm (5.5in x 3.75in)

£300-500

£700-1,000

192 REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST DRIVING THE MONEY CHARGERS FROM THE TEMPLE (BARTSCH 69) Etching, 1635, a good impression of the first state of two, on paper with an ‘Arms of Amsterdam’ watermark the sheet 14.5cm x 17.5cm (5.75in x 7in), unframed Provenance: Purchased by the current vendor’s father at Sotheby’s, 29.6.99.

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PROPERTY OF ARCHIBALD STIRLING OF KEIR The following collection originates from Keir House, a

As a result, the estates were forfeited but later restored.

large country house near Stirling in central Scotland,

The current house, the core of which was built around

owned by the Stirling family from the 15th to the late 20th

1760, was expanded and improved through the 19th

century. The Stirlings of Keir acquired the lands of Keir

century, while the grounds and gardens are noted for their

in Perthshire when Sir William Stirling of Keir supported

historic significance. While the house and estate were

Prince James, son of James II of Scotland when he

sold in the 1970s, much of its contents remained with the

rebelled against his father. During the Jacobite risings of

family, some of which are offered here.

1715 and 1745 the Stirlings of Keir sided with the Stuarts.

193 18TH CENTURY DUTCH SCHOOL A STILL LIFE OF ASSORTED FLOWERS SET AGAINST A RUINED WALL Oil on canvas 41cm x 74cm (16in x 29in)

£2,000-3,000

194 ATTRIBUTED TO JOHN MCLEOD STUDY OF A BAY HUNTER IN A LANDSCAPE Oil on canvas 63.5cm x 76cm (25in x 30in)

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

195 JOHN MCLEOD (SCOTTISH FL.1846-1872) STUDY OF A PRIZE COW AND CALF IN A STABLE INTERIOR Signed and dated 1848, oil on canvas 71cm x 91cm (28in x 36in)

£800-1,200

196 JOHN MCLEOD (SCOTTISH FL.1846-1872) STUDY OF A WEST HIGHLAND OX AGED 5 YEARS Signed, oil on canvas, unframed 63.5cm x 81cm (25in x 32in) Note: A label verso states that the Ox won First Prize at the Highland and Agricultural Society, Edinburgh 1853 and Glasgow 1854

£1,000-1,500

197 CHARLES II STYLE OAK ARMCHAIR EARLY 20TH CENTURY the carved toprail centred by a crown and stellar motif, flanked by scrolls, the turned uprights topped with finials, the panelled back centred by an armorial, on downswept arm supports, solid seat, on ring turned and square section legs, joined by a carved front stretcher; TOGETHER with an oak armchair with pierced splat and repeated crown motif, downswept arm supports, raised on square section and turned legs joined by a carved front stretcher (2) 60cm wide, 128cm high 44cm deep; 50cm wide, 122cm high, 43cm deep

£400-600

198 SET OF SIX CHARLES II WALNUT HALL CHAIRS LATE 17TH CENTURY with arched moulded toprails carved with foliage and bell flowers above pierced backs carved with stiff leaves, scrolls and acanthus, over stuffover seats raised on shaped legs joined by wavy stretchers, the front stretchers centred by scrolls and acanthus (6) 50cm wide, 121cm high, 39cm deep

£700-1,000

199 Y DUTCH WALNUT AND FLORAL MARQUETRY CABINET-ON-STAND, IN THE MANNER OF VAN MECKEREN LATE 17TH CENTURY with a moulded cornice above a pair of featherbanded doors profusely inlaid with marquetry veneers, stained and white ivory depicting birds, tulips, and flowers, and acanthus, the sides similarly decorated, the inside of each door with quarter-figured veneers outlined with geometric banding and stringing, the interior fitted with four later rosewood fronted shelves; the stand with three short frieze drawers raised on spiral twist legs with ball feet and joined by a wavy peripheral stretcher 181cm wide, 198cm high, 57cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

200 REGENCY MAHOGANY TEAPOY EARLY 19TH CENTURY with a moulded octagonal lid enclosing compartments, raised on a turned column support with a quadripartite platform base, on scrolled and outswept paw feet with castors 49cm wide 82cm high 36cm deep

£300-500

201 GEORGE II WALNUT CARD TABLE MID 18TH CENTURY the rectangular crossbanded top with re-entrant corners, centred by a lozenge, enclosing a parquetry surface with card recesses, raised on cabriole legs 91cm wide 75cm high 44cm deep closed 89cm open

£500-700

202 VICTORIAN MAHOGANY UPHOLSTERED TUB CHAIR MID 19TH CENTURY the arched button back, with outscrolled arms, raised on turned front legs, brass caps and castors 68cm wide 77cm high 50cm deep

£400-600

203 REGENCY MAHOGANY AND INLAID TILT TOP TABLE EARLY 19TH CENTURY the circular top, raised on ring turned column, with reeded and crossbanded splayed legs, on caps and castors 107cm diameter, 72cm high

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

204 PAIR OF GEORGE III STYLE MAHOGANY BEDSIDE TABLES EARLY 20TH CENTURY the square tops with a moulded edge, raised on turned supports over an undertier with a frieze drawer, on straight legs joined by x-frame stretchers and ending on pad feet (2) 32cm wide, 66cm high, 32cm deep

£300-500

205 VICTORIAN MAHOGANY AND SATINWOOD INLAID DROP-LEAF TABLE, BY EDWARDS & ROBERTS LATE 19TH CENTURY the rectangular crossbanded top with rounded corners inlaid with fan motifs and a central oval trophy, above a frieze drawer, stamped EDWARDS & ROBERTS, raised on square tapering legs ending in brass caps and castors 71cm wide, 61cm high, 92cm deep flaps raised, 39cm closed

£300-500

206 LATE GEORGE III MAHOGANY LINEN PRESS EARLY 19TH CENTURY the moulded cornice above a pair of re-entrant moulded doors with roundels at the corners, opening to hanging space and two drawers; the base with four long graduated drawers, raised on turned feet 136cm wide, 212cm high, 61cm deep

£500-700

207 VICTORIAN OAK OVERMANTEL MIRROR MID 19TH CENTURY the crowned figure head armorial cresting flanked by pears, above the rectangular plate within a moulded frame, decorated with trailing oak leaves and acorns 160cm high 130cm wide

£600-800

208 VICTORIAN OAK ARMCHAIR MID 19TH CENTURY the carved toprail centred by metal plaque with monogram GB, above a fielded panel back and outswept arms with white metal plaques to the terminals engraved ‘THIS CHAIR WAS COPIED FROM ONE WH BELONGED TO GEORGE BUCHANAN, 1856, BORN 1520’, the other ‘DIED 1582’, with panelled seat, raised on turned front legs with hidden castors and chamfered back legs 64cm wide 99cm high 45cm deep

£400-600

209 EDWARDIAN BRASS AND LEATHER UPHOLSTERED CLUB FENDER EARLY 20TH CENTURY the L shaped seat pads on brass spindles, with a stepped base 160cm wide 32cm high 54cm deep; inside 139cm wide 38cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

210 SET OF FIVE VICTORIAN MAHOGANY BALLOON BACK DINING CHAIRS MID 19TH CENTURY the backs with leaf carved lower rails, above padded seats raised on ring-turned legs (5) 47cm wide 84cm high 45cm deep

£300-500

211 REGENCY MAHOGANY TRIPLE PEDESTAL DINING TABLE EARLY 19TH CENTURY the top with rounded ends, raised on three turned columns each with three outswept legs ending in brass caps and castors 244cm length, 72cm high, 147cm deep

£2,000-3,000

212 LARGE CHINESE FAMILLE ROSE LIMEGREEN GROUND ‘LONGEVITY’ VASE of baluster form, sturdily potted, one side of the body richly enamelled on the moulded figure of Shoulao- the God of Longevity holding a staff patting a deer, his attendant behind holding a prodigious peach, underneath a celestial building in multi-coloured clouds, the reverse finely painted with a majestic phoenix amongst luscious peonies, all against a sgraffiato line-green ground 60.7cm high

£700-1,000

213 PIETRA DURA SPECIMEN MARBLE TABLE TOP 20TH CENTURY of rectangular form, decorated with inset flowers and foliage 181cm wide 88cm high

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART TWO

214 EXTENSIVE ENGLISH PORCELAIN PART DINNER SERVICE, BEARING THE FAMILY CREST FOR LLOYD EARLY 19TH CENTURY each piece decorated with a crest showing a stag wearing a collar over a ropetwist band, the scalloped edged and scroll moulded borders highlighted with blue and gilt decoration, comprising: sixty six dinner plates, 25.7cm diam, twenty five bowls, 25.7cm diam, six oblong serving plates, 33.2cm long, two round footed comports with twin handles and domed cover, 30cm wide, unmarked, TOGETHER WITH similar matched Chamberlain’s pieces including two smaller sauce tureens with covers, on stands, the tureens 18.2cm wide, and two larger round footed comports, one with a domed cover the other with cover lacking, with brown printed marks for Chamberlain H, 155 New Bond Street (qty) Chamberlain’s footed comports 30cm wide Provenance: Property of a Scottish Borders family

£600-800

215 GEORGE III MAHOGANY CHEST OF DRAWERS LATE 18TH CENTURY the top with a moulded edge over four long graduated drawers, raised on French bracket feet 97cm wide, 81cm high, 53cm deep

£400-600

216 GEORGIAN PAINTED PINE AND GESSO FIRE SURROUND LATE 18TH/ EARLY 19TH CENTURY the inverted breakfront shelf above a frieze with oak leaves and acorns, dolphins, anchors, and shells, painted brown/black 172cm wide x 142cm high; opening 125cm wide x 110cm high

£500-700

217 PAIR OF GEORGE III STAINED BEECH AND MAHOGANY SIDE CHAIRS LATE 18TH CENTURY the oval backs with pierced splats centred by a sunflower motif, above wide stuff-over seats and raised on chamfered square straight legs (2) 52cm wide, 94cm high, 43cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

218 THREE CHELSEA TURQUOISE GROUND VASES LATE 18TH CENTURY one of moon flask form, painted to one side with a Watteau inspired scene of courtship, and to the reverse with a floral bouquet, the scroll handles with gilt highlights, 19cm high, the other two of flattened pear shaped form with rococo scroll handles, one painted to both sides with scenes of courtship, the handles with gilt and puce decoration, the other painted to both sides with rustic scenes of men making music and of a couple smoking and drinking from a tankard, the scrolling handles with gilt highlights; all with gold anchor mark (3) 17.5cm high Provenance: Property of a Scottish Borders family

£500-700

219 FOUR CHELSEA VASES REPRESENTING THE SEASONS LATE 18TH CENTURY each of flattened gourd shaped form, with scrolling rococo handles, the front panels representing a season, Spring depicted as a child amongst flowering plants and branches, autumn depicted as a child with a sickle sleeping on a wheat sheaf, and two vases depicting winter with a child warming it’s hands by a fire, the reverse panels painted with a floral bouquet, three with a gold anchor mark (4) 18cm high Provenance: Property of a Scottish Borders family

£500-700

220 221

PAIR OF CHELSEA STYLE VASES AND COVERS

CHINESE EXPORT PORCELAIN OCTAGONAL TUREEN

19TH CENTURY

18TH CENTURY decorated with pink flower sprays and scale pattern borders and gilt highlights, with boar’s head handles to the sides 32cm wide

of tapering square section form, each with two panels painted with ‘fancy birds’ perched within branches, and two panels painted with flowers, the smaller panels on the shoulders embellished in gilt with insects, with gilt decoration throughout, the neck rims formed as a moulded band of stiff leaves, the covers with a knopped handle, with gold Chelsea style anchor marks (2)

Provenance: Property of a Scottish Borders family

37cm high

£250-350

Provenance: Property of a Scottish Borders family

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

222 GEORGIAN BLACK JAPANNED HANGING CORNER CUPBOARD LATE 18TH CENTURY of bowfront outline, the twin doors decorated with birds, flowers, and a landscape, opening to shelves 58cm wide, 86cm high, 39cm deep

£300-500

223 GEORGE III MAHOGANY STATIONERY RACK LATE 18TH/ EARLY 19TH CENTURY comprising an arrangement of narrow serpentine fronted compartments 38cm wide, 62cm high, 24cm deep

£400-600

224 MATCHED PAIR OF LATE GEORGE III MAHOGANY BEDSIDE COMMODES EARLY 19TH CENTURY of serpentine outline, the hinged top tiers above open compartments with hinged covers, one with brass handles to the sides (2) 56cm wide, 78cm high, 56cm deep

£1,000-1,500

225 LATE GEORGE III MAHOGANY SIDEBOARD EARLY 19TH CENTURY with a crossbanded serpentine top above a central drawer and arched recess with corner fan inlay, flanked by two deep drawers and raised on square tapering legs and spade feet 177cm wide, 92cm high, 71cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

226 GEORGE III SMALL GILTWOOD MIRROR 18TH CENTURY the rectangular mirror plate in a moulded frame with outset corners surmounted by an urn cresting 75cm high, 51cm deep

£300-500

227 GEORGE III MAHOGANY NIGHT COMMODE LATE 18TH CENTURY the square tray top above a tambour door and a sliding base refitted with a green leather insert, on square straight legs 51cm wide, 78cm high, 45cm deep

£300-500

228 GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS LATE 18TH/ EARLY 19TH CENTURY the top with a moulded edge over four long drawers, above a shaped apron and raised on French bracket feet 110cm wide, 93cm high, 57cm deep

£700-1,000

229 GEORGE III MAHOGANY LEATHER TUB ARMCHAIR EARLY 19TH CENTURY with a curved back and enclosed arms covered in green leather, raised on channelled square tapering legs and spade feet 62cm wide 88cm high 45cm deep

£800-1,200

230 GEORGIAN STYLE MAHOGANY PEDESTAL DESK 19TH CENTURY the top with a moulded edge and red leather skiver, above three frieze drawers raised on pedestals with banks of three short drawers, with a plain finished back 137cm wide, 77cm high, 75.5cm deep

£800-1,200

231 PAIR OF GEORGE III GILT AND VERRE ÉGLOMISÉ MIRRORS EARLY 19TH CENTURY each with a central oval mirror plate in a bead and gadrooned border, surmounted by an oval panel depicting three maidens within scrolling foliage, and further circular panel below with a pair of doves (2) 75cm high 36cm wide

£400-600

232 GEORGIAN NEEDLEWORK PANEL DEPICTING OTHELLO AND DESDEMONA LATE 18TH CENTURY the oval panel worked in silk with painted faces, hands, and sky, depicting Desdemona in contemporary dress seated at a table, a dog at her feet, while Othello gestures through a pillared archway to the Grand Canal, in a giltwood frame 24cm x 29cm Provenance: Property of a Scottish Borders family

£250-350

233 LATE GEORGE III SATINWOOD PEMBROKE TABLE LATE 18TH CENTURY the rounded rectangular top with a crossbanded edge, above a frieze drawer to one end, a dummy drawer opposing, raised on square tapered legs ending in brass caps and castors 48cm wide, 92cm [wide], 73cm high, 84cm deep

£1,500-2,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

234 SET OF FOUR REVERSE GLASS MEZZOTINTS OF THE SEASONS CIRCA 1800 the prints published by P Stampa, No. 3 Dorrington Street, Leather Lane, in giltwood frames (4) 35cm x 25cm sight size Provenance: Property of a Scottish Borders family

£400-600

235 GEORGE III HAREWOOD AND SATINWOOD DEMI-LUNE COMMODE LATE 18TH CENTURY the demi lune top with fan inlay above a frieze drawer inlaid with flutes and later fitted with two hinged humidor compartments, over a central cupboard inlaid with a fan medallion, flanked by oval yew-wood panels to each side, raised on square tapered legs 114cm wide, 86cm high, 50cm deep

£4,000-6,000

236 LATE GEORGE III MAHOGANY TEA TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the fold-over D shaped top with a reeded edge, raised on turned and reeded tapered legs 91cm wide, 75cm high, 45.5cm deep

£400-600

237 LATE GEORGE III MAHOGANY AND EBONY CHEST OF DRAWERS LATE 18TH CENTURY with a caddy top over four long graduated drawers, raised on French bracket feet 96cm wide, 83.5cm high, 47cm deep

£400-600

238 GEORGE III SATINWOOD AND INLAID SECRETAIRE LATE 18TH CENTURY with a removable book compartment above a hinged slope opening to a baize writing surface, with two drawers to the sides, on square tapered legs ending in brass caps and castors 72cm wide, 106cm high, 50cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£800-1,200

239 LATE GEORGE III MAHOGANY INLAID BREAKFAST TABLE EARLY 19TH CENTURY the rounded rectangular tilt top with ebonised fruitwood banding and a reeded edge, on a turned column support and four outswept reeded legs ending in brass caps and castors 138cm wide, 72cm high, 106cm deep

£400-600

240 GEORGE III STYLE MAHOGANY AND INLAID DEMI-LUNE TEA TABLE LATE 19TH CENTURY the fold-over top outlined with stringing, above a frieze inlaid with ribbon-tied husk garlands, raised on square tapered legs 92cm wide, 71cm high, 46cm deep [closed]

£400-600

241 GEORGE III MAHOGANY OPEN ARMCHAIR LATE 18TH CENTURY the arched back with five reeded bars, above downswept arms and a bowed stuff-over seat, raised on fluted square tapered legs joined by stretchers 55cm wide, 94cm high, 45cm deep

£500-700

242 LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY the top outlined with boxwood stringing, above an arrangement of four short drawers over two long drawers, raised on French bracket feet 95cm wide, 93cm high, 56cm deep

£800-1,200

243 GEORGE III MAHOGANY PEDESTAL DESK LATE 18TH/ EARLY 19TH CENTURY the red leather top above three frieze drawers, on banks of three short drawers on plinth bases with castors, the reverse with three frieze drawers over cupboards outlined with bead moulding 152cm wide, 82cm high, 113cm high

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

244 GEORGIAN MAHOGANY AND KINGWOOD PEMBROKE TABLE 18TH CENTURY, POSSIBLY EDINBURGH the oval crossbanded top above a frieze drawer to one end, a dummy drawer opposing, raised on square tapered legs ending in brass caps and castors 58cm wide, 110cm [open], 73cm high, 90cm deep

£400-600

245 PAIR OF IRISH MAHOGANY PEAT BUCKETS 20TH CENTURY with brass bail handles and banding above stop-fluted tapered sides, with brass liners (2) 41cm diameter, 52cm high

£2,000-3,000

246 STEEL AND BRASS CLUB FENDER LATE 20TH CENTURY of standard form, with upholstered seat 186cm wide 54cm high 72cm deep, inside 169cm wide, 61cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

247 RARE GEORGE III PEWTER AND GESSO MOUNTED FIRE SURROUND 18TH CENTURY the dentil moulded shelf above a frieze mounted with urns, swags ad foliate scrolls cast in pewter, the jambs with stiff leaves, urns and anthemion, also in pewter 142cm wide x 137cm high; opening 97cm wide x 95cm high

£7,000-10,000

Note: The fire surround is designed in the George III Roman fashion popularised by the court architect Robert Adam (1728-1792). The ornamentation of chimneypieces with pewter is most prevalent in the 1770s, with pewter vanishing as a medium with the proliferation of gesso ornamentation which was cheaper, quicker, and more flexible in its application. The metallic surface was meant to be painted to merge with the background. One of the principal exponents of the manufacture of pewter ornament was the Soho works of Matthew Boulton and John Fothergill.

248 GEORGE III FLAME MAHOGANY PEMBROKE TABLE MID 18TH CENTURY in the Hepplewhite style, the rectangular top with drop leaf sides, above a frieze drawer to one end, raised on slender moulded cabriole legs carved with palmettes and ending in raised scroll toes 46cm wide, 87cm [open], 72.5cm high, 66cm deep

£800-1,200

249 LATE GEORGE III MAHOGANY LONGCASE CLOCK, THOMAS FITZ, SALISBURY EARLY 19TH CENTURY the circular white enamel dial with Roman numeral and twin winding holes, in an arched hood with brass ball finials and quarter columns, above an arched trunk door and plinth base with French bracket feet, the eight-day movement striking a bell 48cm wide, 213cm high, 25cm deep

£400-600

250 GEORGIAN STYLE MAHOGANY DEMI-LUNE SIDE TABLE LATE 19TH CENTURY the top with a moulded edge above a central frieze drawer, the frieze carved with patera and interspaced fluting, raised on acanthus carved tapered fluted legs 159cm wide, 90cm high, 59cm deep

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

251 PAIR OF GEORGE III STYLE LEATHER UPHOLSTERED LIBRARY ARMCHAIRS 20TH CENTURY the serpentine arched back above loose cushion seats, flanked by gently scrolled arms, raised on moulded Marlborough legs with foliate corner brackets on brass castors (2) 84cm wide, 102cm high, 53cm deep

£2,500-3,500

252 GEORGE III MAHOGANY DEMI-LUNE CARD TABLE 18TH CENTURY the crossbanded fold-over top opening to a green baize playing surface, raised on square tapered legs 97cm wide, 74cm high, 48.5cm deep [closed]

£400-600

253 LATE GEORGIAN MAHOGANY PEDESTAL DESK 19TH CENTURY the top with a moulded edge and green leather insert, above three frieze drawers raised on banks of three graduated drawers on plinth bases, the reverse with further drawers and cupboards 125cm wide, 77cm high, 88cm deep

£800-1,200

254 LATE GEORGE III MAHOGANY LAMP TABLE EARLY 19H CENTURY the square top above a frieze drawer, raised on square tapered legs joined by an X stretcher 41cm wide, 71cm high, 36cm deep

£300-500

255 GEORGE III MAHOGANY, KINGWOOD, AND INLAY TEA TABLE LATE 18TH CENTURY the crossbanded demi-lune fold-over top above a frieze outlined with stringing and marked with shell inlay, raised on moulded square tapered legs ending in brass caps and castors 92cm wide, 73cm high, 45cm deep [closed]

£400-600

256 LATE GEORGE III MAHOGANY DRESSING TABLE EARLY 19TH CENTURY the bowfront top above one long drawer and two further short drawers flanking an arch recess, raised on square tapering legs 84cm wide 76cm high 47cm deep

£500-700

257 GEORGE III MAHOGANY SERPENTINE SERVING TABLE LATE 18TH CENTURY the shaped top above three frieze drawers, on square tapering legs 185cm wide, 85cm high, 68cm deep

£700-1,000

258 GEORGE III MAHOGANY CANED ARMCHAIR 18TH CENTURY the square back above three reeded bars joined by carved swags, above moulded downswept open arms and a wide caned seat and fluted seat rail, raised on moulded square tapered legs headed by carved rosettes and ending in spade feet 57cm wide, 87cm high, 45cm deep

£400-600

259 GEORGE III MAHOGANY DROP-LEAF BREAKFAST TABLE LATE 18TH CENTURY the demilune top with a drop-leaf on the back edge, above a plain banded frieze, raised on square tapered legs 130cm wide, 70cm high, 70cm deep [closed]

£400-600

260 Y GEORGE III MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY with a moulded rectangular top, above three short and three long graduated drawers, with ivory escutcheons, raised on bracket feet 125cm wide, 105cm high, 57cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

261 GEORGE III SATINWOOD AND EBONY CARD TABLE LATE 18TH CENTURY the cross banded D shaped fold-over top opening to a green baize playing surface, above a plain frieze, raised on turned and tapered legs 91.5cm wide, 73cm high, 44cm deep [closed]

£300-500

262 GEORGE III MAHOGANY AND SATINWOOD DRESSING TABLE LATE 18TH CENTURY the crossbanded and divided hinged top opening to an ratchet adjusted mirror and covered compartments, above a long drawer, raised on square tapered legs 64cm wide, 84cm high, 51cmd deep Provenance: Property of a Scottish Borders family

£400-600

263 GEORGE III SATINWOOD AND MARQUETRY DEMI-LUNE HALL TABLE LATE 18TH CENTURY the crossbanded top inlaid with a fan motif within chequer and line banding borders, over a frieze with three banded panels centred by similar fan motifs, raised on square tapered legs outlined with further banding and dot inlay 130cm wide, 83cm high, 54cm deep

£1,000-1,500

264 GEORGIAN STYLE SATINWOOD URN STAND 19TH CENTURY the octagonal top centred by a circular panel with chequer banded inlay above a slide, raised on slender splayed ring-turned legs joined by a cross-stretcher 36cm wide, 72cm high, 33cm wide

£400-600

265 Y GEORGE III SATINWOOD, HAREWOOD, EBONY, AND KINGWOOD SECRETAIRE CABINET LATE 19TH CENTURY the moulded cornice above an oval glazed door enclosing shelves flanked by inlaid stop fluting; the lower part with a secretaire drawer with Battersea enamel backplates opening to an interior fitted with drawers with ivory pulls, pigeon holes and a green leather writing surface, over a pair of oval inlaid doors enclosing sliding trays, raised on bracket feet 96cm wide, 211cm high, 53cm high

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

266 GEORGE II MAHOGANY AND SATINWOOD PEMBROKE TABLE LATE 18TH CENTURY the shaped rectangular top with a crossbanded edge, above a frieze drawer to one end and a dummy drawer opposing, raised on square tapered legs outlined with stringing 72cm wide, 72cm high, 53cm deep, 97cm [open] Provenance: Property of a Scottish Borders family

£300-500

267 PAIR OF GEORGE III MAHOGANY AND SATINWOOD ARMCHAIRS LATE 18TH CENTURY in the Sheraton style, the pierced bar backs with a central square panel, above wide stuffover seats flanked by downswept arms with fluted baluster supports, raised on square tapered legs ending in spade feet, covered in striped upholstery (2) 55cm wide, 83cm high, 44cm deep

£500-700

268 GEORGE III MAHOGANY AND KINGWOOD DEMI-LUNE TEA TABLE the fold-over top opening on double gatelegs, above a central frieze drawer, raised on square tapered legs with line inlay 103cm wide, 74cm high, 51cm deep

£300-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

269 LATE GEORGE III SATINWOOD AND INLAID BOOKCASE, IN THE MANNER OF WILLIAM MOORE OF DUBLIN LATE 18TH CENTURY with a dentil moulded stepped cornice, above a rosette inlaid frieze, the astragal glazed doors enclosing shelves, above a lower concave frieze drawer flanked by two further drawers, inlaid with flowers and interspaced foliage, the central concave doors flanked by further doors centred by an oval panel decorated with a classical urn draped in laurel swags, raised on square tapering legs and spade feet 146cm wide, 195cm high, 48cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

270 REGENCY CUT GLASS CHANDELIER EARLY 19TH CENTURY hung with prism swags and drops, with three scrolling candles arms with scalloped drip trays, above a tiered waterfall base, fitted for electricity 80cm diameter 120cm high

£600-800

271 REGENCY MAHOGANY ‘VIDE POCHE’ SIDE TABLE EARLY 19TH CENTURY in the French Empire style, the rectangular tray top above a frieze drawer to one end and a dummy drawer opposing, raised on gilt metal mounted column supports joined by a curved X-form stretcher, with ball feet 60.5cm wide, 73.5cm high, 41cm deep

£800-1,200

Note: It would be easy to mistake this flame-figured vide poche for a work table made in France or elsewhere on the continent during the Empire period. Its mahogany drawer linings and English made lock belie its origins however. The best-known cabinet-maker accurately replicating the French Empire style in England during the Regency period was S. Jamar (fl. circa 1818-26), who worked in London and Liverpool and produced work of very high quality. While unstamped, the present table could have come out of the same workshop due to it’s fine craftsmanship and top quality veneers.

272 Y REGENCY ROSEWOOD BRASS AND MIRROR MOUNTED CREDENZA EARLY 19TH CENTURY the superstructure with a mirrored back and brass baluster supports, above four brass grille insert doors backed with black silk and divided by columns with brass capitals, opening to a shelved interior, flanked by concave corner open shelves with mirror backs, on a conforming plinth base 219cm wide, 121cm high, 46cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

273 REGENCY PLUM PUDDING MAHOGANY AND EBONISED LAMP TABLE EARLY 19TH CENTURY the rectangular top on a ring turned baluster support and four outswept scroll legs with reeded roundels 55cm wide, 76cm high, 42.5cm deep

£800-1,200

274 REGENCY MAHOGANY X-FORM ARMCHAIR EARLY 19TH CENTURY with a reeded frame with a pierced splat above a curved padded seat, on X legs centred by a rosette and joined by stretchers 54cm wide, 93cm high, 46cm deep

£300-500

275 REGENCY MAHOGANY SOFA TABLE 19TH CENTURY the rounded rectangular top with drop ends and banded inlay, over two frieze drawers, raised on a baluster turned reeded column with four scrolled sabre legs ending in brass caps and castors 90cm wide (147cm open), 72cm high, 76cm deep

£500-700

276 REGENCY MAHOGANY AND EBONY INLAID SIDE TABLE EARLY 19TH CENTURY with a bowfront top above a long drawer and two short drawers flanking an arched recess, raised on ring turned legs 107cm wide, 79cm high, 55cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

277 REGENCY GILTWOOD AND EBONISED CONVEX MIRROR EARLY 19TH CENTURY the convex plate in a reeded ebonised slip and deep moulded frame with ball mounts surmounted by an eagle cresting flanked by dolphins, with acanthus pendant finial 101cm high, 56cm deep

£500-700

278 SET OF SIX REGENCY STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY with scroll carved top rails and pierced horizontal splats, above drop in seat pads raised on sabre legs (6) 46cm wide, 89cm high, 42cm deep

£400-600

279 REGENCY MAHOGANY DINING TABLE EARLY 19TH CENTURY the rectangular top with rounded ends and reeded edge, above the frieze with moulded edge, raised on triple ring turned column supports and reeded legs, brass caps and castors 330cm length, 70cm high, 130cm deep

£1,500-2,500

280 SCOTTISH REGENCY SATINWOOD AND KINGWOOD SOFA TABLE 19TH CENTURY, EDINBURGH the rounded rectangular crossbanded top above a pair of frieze drawers with dummy drawers opposite, raised on squared end supports inlaid with star motifs on step moulded outswept legs ending in brass lion paw feet with castors 101cm wide, 150cm [open], 72cm high, 73cm deep

£600-800

281 REGENCY MAHOGANY AND SATINWOOD BREAKFAST TABLE EARLY 19TH CENTURY the crossbanded top veneered in well-figured mahogany with a reeded edge, raised on a turned column and four reeded splayed legs ending in stiff leaf brass caps and castors 145cm wide, 71cm high, 109cm deep

£1,000-1,500

282 MAHOGANY BOOT AND WHIP STAND 19TH CENTURY with pegs and dividers for boots, and a brass handle 64cm wide, 102cm high, 31cm deep

£300-500

283 REGENCY MAHOGANY TWIN PEDESTAL DINING TABLE EARLY 19TH CENTURY the rounded rectangular top with a reeded edge, on baluster column supports with four reeded legs ending in brass caps and castors, with one leaf insert overall 203cm long, 71cm high, 125.5cm deep

£400-600

284 PAIR OF REGENCY MAHOGANY AND EBONISED LAMP TABLES EARLY 19TH CENTURY the octagonal tops on tapered ring turned columns and tripod bases mounted with brass roundels (2) 39cm diameter, 74cm high

£1,000-1,500

285 REGENCY MAHOGANY AND EBONY INLAID BUREAU BOOKCASE EARLY 19TH CENTURY the arched cornice with ebonised line inlay above a pair of astragal glazed doors enclosing adjustable shelves, the lower part with a secretaire drawer and an arrangement of drawers and pigeon holes, over three further long drawers, raised on bracket feet 124cm wide, 228cm high, 47cm wide

£700-1,000

286 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY with five tiers raised and divided by turned column supports, on brass castors 52cm wide, 108cm high, 35cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

287 PAIR OF REGENCY PATINATED AND GILT BRONZE LAMPS 19TH CENTURY converted from candlesticks, each with a leaf cast nozzle above a tapered reeded column and lion mask base, raised on lions’ paw tripod legs and a plinth base, converted from candlesticks, with cream silk pinch pleated shades (2) 29.5cm high (excluding fittings)

£800-1,200

288 REGENCY GILT BRONZE AND BLACK MARBLE INKSTAND EARLY 19TH CENTURY AND LATER the stepped rectangular base with applied mounts, surmounted by a trumpet form candle nozzle flanked by twin stylised dolphin inkwells 26.5cm wide, 25cm high, 17cm deep

£300-500

289 PAIR OF REGENCY GILT AND PATINATED BRONZE NAVETTE INKSTANDS EARLY 19TH CENTURY in the form of classical boats with snake handles, twin glass inkpots, and a central covered well (2) 30cm wide, 8cm high, 10cm deep

£800-1,200

290 PAIR OF REGENCY PATINATED AND GILT BRONZE LAMPS 19TH CENTURY the leaf cast nozzles above tapered reeded columns and anthemion cast bases, raised on lions’ paw tripod legs and plinth bases, converted from candlesticks, with pleated cream silk shades (2) 42cm high

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Sketch of an extending library table from the Gillows design book

291 REGENCY MAHOGANY EXTENDING LIBRARY TABLE BY GILLOWS OF LANCASTER EARLY 19TH CENTURY the draw leaf top above a central frieze drawer flanked by dummy drawers, with dummy drawers opposing, raised on turned and reeded tapered legs ending in brass caps and castors; the drawer stamped GILLOWS LANCASTER, and stamped twice on the interior top LANCASTER 115cm wide, 73cm high, 86cm deep; 160cm wide [open]

£4,000-6,000

100

292 Y REGENCY ROSEWOOD LAMP TABLE EARLY 19TH CENTURY the rectangular top above a baluster leaf carved support, on a concave quadripartite base with scrolled feet, with a partial paper trade label under the drawer 48cm wide, 73cm high, 38cm deep Note: The label fragment under the drawer is most likely that of the furniture maker Reuben Paul, who was in partnership with Charles Paul at 48 Upper Marylebone Street 1817-1819, then singly from 1820-1835.

£400-600

293 Y REGENCY ROSEWOOD DAVENPORT, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with a brass gallery above a hinged slope with a black leather skiver, above a slide and four graduated drawers, a further slide on the reverse, on bracket feet with castors 47cm wide, 82.5cm high, 58cm deep

£800-1,200

294 PAIR OF REGENCY MAHOGANY STOOLS, PROBABLY GILLOWS EARLY 19TH CENTURY the rectangular padded seats covered in wine red leather with brass nail head trim, raised on turned and tapered reeded legs (2) 43cm wide, 48cm high, 38cm deep

£1,000-1,500

101

295 REGENCY STYLE MAHOGANY EBONY STRUNG CANTERBURY 19TH CENTURY with four divisions and ring turned corner supports, above a base drawer, raised on baluster turned legs with brass caps and ceramic castors 47cm wide, 51cm high, 34cm deep Provenance: Property of a Scottish Borders family

£300-500

296 Y REGENCY ROSEWOOD AND MAHOGANY OCTAGONAL WINE TABLE EARLY 19TH CENTURY the octagonal top on a double baluster support and concave quadripartite base with carved paw feet 41cm diameter, 73cm high

£1,000-1,500

297 REGENCY LARGE MAHOGANY LIBRARY ARMCHAIR, IN THE MANNER OF GEORGE SMITH EARLY 19TH CENTURY the button upholstered padded back with a shaped top rail carved with lotus and acanthus scrolls, above downswept padded arms with carved lotus facings and a padded seat, raised on turned and reeded tapered legs ending in brass caps and castors, covered in embossed red plush fabric 105cm wide, 136.5cm high, 54cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

298 REGENCY GILT AND EBONISED OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular bevelled mirror plate enclosed by leaf-clasped ebonised pilasters and a moulded cornice 59cm high, 109cm wide

£400-600

299 PAIR OF REGENCY LACQUER, EBONISED AND BRASS MOUNTED POLESCREENS EARLY 19TH CENTURY the rounded rectangular screens with black lacquer chinoiserie scenes, on brass poles and ebonised triform bases with brass ball feet (2) 146cm high Provenance: Collection of Mary, Duchess of Roxburghe , sold Sotheby’s May 2015 lot 61

£500-700

300 REGENCY BRASS REGISTER GRATE EARLY 19TH CENTURY the surround with a fluted cross bar and flanking Ionic fluted columns enclosing an iron grate and ash pan 111cm wide, 115cm high, 39cm deep, the basket 56cm wide 30cm high

£800-1,200

301 REGENCY MAHOGANY AND BRASS SIDE CABINET 19TH CENTURY with a pair of brass grille doors opening to a shelved interior, on a plinth base 116cm wide, 89cm high, 31cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

103

302 REGENCY GILTWOOD AND EBONISED CONVEX MIRROR EARLY 19TH CENTURY the circular plate in an ebonised reeded slip and deep moulded frame with ball mounts, surmounted by an eagle finial 78cm high, 49cm wide

£800-1,200

303 REGENCY PAINTED AND PARCEL GILT PEDESTAL, IN THE MANNER OF GEORGE BULLOCK EARLY 19TH CENTURY the circular top with a baize lined platform and moulded lobed edge above a lotus carved column and quadripartite base with foliate scrolls, anthemion and shell motifs top 27cm diameter; 124cm high

£600-800

304 REGENCY ZEBRAWOOD AND KINGWOOD SOFA TABLE EARLY 19TH CENTURY the crossbanded rounded rectangular top with drop ends above a pair of short frieze drawers with dummy drawers opposing, raised on flat end supports on hipped outswept sabre legs ending in brass caps and castors 152cm wide [open], 71cm high, 69cm deep

£500-700

305 REGENCY MAHOGANY BRASS INLAID LOW SIDE CABINET EARLY 19TH CENTURY of breakfront outline, the bead moulded top above a pair of brass grille insert doors, opening to shelves, flanked by further doors, raised on turned feet 186cm wide, 94cm high, 48cm deep

£600-800

104

306 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a deep moulded frame with ball mounts with eagle surmount and foliate pendant finial 118cm high, 62cm wide

£500-700

307 REGENCY MAHOGANY BRASS INLAID CHEVAL MIRROR EARLY 19TH CENTURY the rectangular mirror plate within a spiral carved frame marked with brass inlay, on outset reeded trestle legs ending in brass paw feet and castors 70cm wide, 166cm high, 59cm deep

£800-1,200

308 REGENCY MAHOGANY AND INLAID LIBRARY TABLE 19TH CENTURY WITH ALTERATIONS the rectangular top with a reeded edge inset with red leather skiver, above a long convex fitted frieze drawer, with a central inlaid cupboard, flanked by book end secret drawers, and pigeon holes, raised on tall reeded sabre legs 125cm wide 91cm high 65cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

105

309 Y REGENCY ROSEWOOD AND BRASS MOUNTED TEA TABLE EARLY 19TH CENTURY the D shaped fold-over top outlined with banded inlay, above a frieze outlined with brass mouldings, on a spiral carved baluster support and concave quadriform base with further brass mounts, raised on carved paw feet with brass castors 102cm wide, 73cm high, 51cm deep [closed]

£700-1,000

310 SCOTTISH REGENCY MAHOGANY LONGCASE CLOCK, BY C. MERRYLIES, EDINBURGH EARLY 19TH CENTURY with a moulded arched hood, enclosing a white painted 12 inch painted dial with Roman numerals, two subsidiary seconds dials, above an arched trunk door. flanked by canted angles, raised on plinth base and bracket feet, with an eight day movement, striking on a bell 48cm wide 206cm high 22cm deep

£800-1,200

311 REGENCY OAK AND EBONISED LIBRARY ARMCHAIR, IN THE MANNER OF GEORGE BULLOCK EARLY 19TH CENTURY the scrolled back above enclosed arms with scrolled supports and ebonised roundels and a loose cushion seat, raised on tapered part-reeded forelegs and reeded sabre rear legs, all ending in brass caps and castors, covered in blue and gold striped silk upholstery 67cm wide, 100cm high, 61cm deep

£1,500-2,500

106

312 PAIR OF REGENCY GILT AND PATINATED METAL LAMPS 19TH CENTURY each with an urn candle nozzle and leaf cast pan, on a reeded column with a circular domed foot cast with acanthus, converted from candlesticks, with taupe pinch-pleated shades (2) 29cm high (excluding fittings)

£800-1,200

313 SMALL MAHOGANY WHEEL BAROMETER, JACOB ABRAHAM, BATH EARLY 19TH CENTURY the swan neck pediment with a brass acorn finial above a detachable thermometer plate and 4 1/2 in. dial, the level dial engraved ‘Abraham/ Optician/ Bath 96cm high Note: Jacob Abraham is listed as an important maker and was Instrument Maker to the Duke of Gloucester and the Duke of Wellington. He was working in Bath from 1805 to 1841 and maintained premises in Cheltenham.

£400-600

314 PAIR OF REGENCY GILT METAL LAMPS 19TH CENTURY with urn-form nozzles above tapered columns and domed foot with engine turned bands, converted from candlesticks, with cream silk pinch pleated shades (2) 30cm high (excluding fittings)

£800-1,200

315 Y

316

REGENCY EBONISED AND PENWORK BOX

TWO MINIATURE WALNUT CHESTS OF DRAWERS

EARLY 19TH CENTURY

19TH/ EARLY 20TH CENTURY

of rectangular form with brass handles, the lid and all four sides with war scenes from classical antiquity, the lock with ivory escutcheon, opening to a void interior

the first with a crossbanded top above three short and two long drawers, raised on ogee bracket feet; the second of serpentine outline with two short over two long crossbanded drawers (2)

35cm wide, 14.5cm high, 23cm deep

19.5cm wide, 18cm high, 13cm deep; and 22cm wide, 20cm high, 13cm deep

Provenance: Property of a Scottish Borders family

£250-350

107

317 RARE ABOLITIONIST ANTI-SLAVERY ROUNDEL EARLY 19TH CENTURY depicting an African man in chains, in relief, kneeling before Britannia, below a banner inscribed ‘Britannia Set Me Free’, the background painted with a ship on the waves, behind convex glass with a reverse painted black and gilt border, within a moulded alabaster frame 11.5cm diameter including the frame

£500-700

318 REGENCY MAHOGANY DECANTER BOX EARLY 19TH CENTURY in the form of a miniature bureau with two dummy drawers, the hinged cylinder lid opening to reveal four square glass decanters with matching stoppers and two liqueur glasses, with gilt decoration 28cm wide, 28cm high, 19cm deep Provenance: Property of a Scottish Borders family

£400-600

319 REGENCY BURRWOOD AND PENWORK WORKBOX EARLY 19TH CENTURY the hinged top decorated with a scene of a mother and child enclosed by floral penwork borders, opening to a compartmented interior, above a pair of doors with further images of mothers and children, opening to an arrangement of drawers, raised on bracket feet 31cm wide, 30.5cm high, 18cm deep Provenance: Property of a Scottish Borders family

£300-500

320 Y REGENCY ROSEWOOD BOOK TRAY 19TH CENTURY the rectangular top with baluster column galleried H-shaped superstructure, with carry handles and scrolled ends, above a frieze drawer and bead moulded base 42cm wide, 24cm high, 31cm deep Provenance: Property of a Scottish Borders family

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

108

321 PAIR OF YORKSHIRE PEARLWARE FIGURES OF A RAM AND A SHEEP CIRCA 1820 the ram modelled with a shepherd standing alongside, a young lamb at it’s feet, the ewe modelled with a shepherdess carrying a basket standing alongside, twin lambs at it’s feet, both raised on a sponged plinth base (2) approximately 15.5cm high Provenance: Property of a Scottish Borders family

£700-1,000

322 TWO YORKSHIRE PRATTWARE COW AND CALF FIGURES CIRCA 1820 the pearlware body of each with sponged and painted decoration, modelled with a female milkmaid standing alongside and a calf lying on the grass below (2) 15cm high Provenance: Property of a Scottish Borders family

£700-1,000

323 LARGE REGENCY NEEDLEWORK PICTURE EARLY 19TH CENTURY depicting a young farmhand regarding sheep in a shed, worked in silk chenille and silk threads, the farmhand’s face painted on silk, in a later giltwood frame 47cm high x 59.5cm wide

£300-500

324 PAIR OF REGENCY GREEN GLASS SHIP’S DECANTERS MID 19TH CENTURY each with bands of ring, oval and diamond cut decoration, with triple ring neck, star cut base and star cut mushroom stopper, 21.5cm high, TOGETHER WITH a pair of green glass pouring carafes with fluted lower body, neck and neck ring (4) 30.5cm high

£300-400

325

326

PAIR OF POTTERY COW CREAMERS

THREE STAFFORDSHIRE PEARLWARE FIGURES OF DEER

EARLY 19TH CENTURY

LATE 18TH/EARLY19TH CENTURY

each cow with puce sponged decoration, modelled standing on a rectangular plinth base with green glazed ground and border, with a milkmaid seated alongside, approximately 14cm high, TOGETHER WITH a pottery cow figure modelled with a man and his dog standing alongside, the cow with puce painted and spotted decoration, the base with a sponged border (3)

comprising a pair of spotted deer, each modelled resting on a naturalistic green moulded ground, with tree bocage behind, approximately 13-14cm high; and another deer reclining on a naturalistic ground, the body with ochre sponged decoration, 12cm high; TOGETHER WITH two pearlware Pratt male figures, one modelled as a hunter with his hound , 19cm high, the other modelled as a man playing a lute, on a square plinth base (5)

15cm high Provenance: Property of a Scottish Borders family

£250-350

22cm high Provenance: Property of a Scottish Borders family

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

£250-350

109

327 Y REGENCY MINIATURE MAHOGANY, INLAY AND JASPERWARE MOUNTED COLLECTOR’S CABINET EARLY 19TH CENTURY enclosing six graduated drawers with turned ivory handles, behind a lift off door inset with a blue jasperware roundel depicting a putto holding a dove, within an ivory moulded surround, the door with further decorative embellishments such as inlaid mother of pearl and banding highlighted with gilt leaves and flowers, the sides and top with boxwood and ebony stringing, raised on bracket feet with scroll details, the top surmounted with three ivory finials, one acting as a pin for the door 20cm wide, 29.5cm high, 13.5cm deep

£300-500

328 REGENCY MAHOGANY BRASS INLAID MANTLE CLOCK, T & R NOBLE, BATH EARLY 19TH CENTURY the circular enamel dial with Roman numeral chapter and one winding hole, with maker’s signature, in an arched case with a brass handle and outlined with bead moulding and brass line inlay, raised on gilt metal ball feet embossed with flowers, with a single train non-striking movement 32cm high, 21cm wide, 14cm deep Provenance: Property of a Scottish Borders family

£600-800

329 REGENCY MAHOGANY, SATINWOOD AND EBONY WATCH STAND EARLY 19TH CENTURY in the form of a castellated three bay castle, the side turrets with cannon embrasures, the central tower with an opening fitted with a silver cased pocket watch by Harley & Son of Shrewsbury, no. 3368, the case Chester, 1792 34.5cm wide, 28.5cm high, 17cm deep

£300-500

330 REGENCY MAHOGANY BRACKET CLOCK, GOODMAN, KENTISH TOWN EARLY 19TH CENTURY the cream enamel dial with Roman numerals and two winding holes, signed ‘Goodman/ KENTISH TOWN’, in a lancet case with line moulding and brass handles, raised on brass ball feet; the eight-day movement striking a bell with pull repeat, with an engraved and signed backplate 29cm wide, 45cm high, 19cm deep

£500-700

331

332

COLLECTION OF REGENCY AND REGENCY STYLE GLASS

SET OF THREE CUT GLASS SQUARE DECANTERS

19TH CENTURY AND LATER

19TH CENTURY

comprising: a set of eight double lipped glass rinsers, the lower body cut with flutes, 11cm high; a set of four ‘batwing’ salts with diamond cut scalloped edges on an oval star cut foot, 6.5cm high; a set of four boat shaped salts cut with a band of diamonds with a crenelated rim, on a diamond shaped foot, 9cm high; and a pair of salts of urn shaped form, with out-turned rim, on a square foot (qty)

each side cut with an arched panel with two stars, with hollow ball diamond cut stoppers, 25cm high, TOGETHER WITH a pair of Regency decanters of Prussian form, with triple neck ring, faceted shoulders, fluted lower body and star cut mushroom stoppers (6)

8cm high

approx 25cm high

£250-350

£200-300

110

333 LATE REGENCY MAHOGANY, GESSO, AND GILTWOOD TRIP OVERMANTEL MIRROR 19TH CENTURY the moulded cornice with ball mounts above a divided frieze with figures of muses and dancing nymphs, above three bevelled mirror plates divided by fluted pilasters 102cm high, 148cm wide

£600-800

334 Y REGENCY ROSEWOOD AND BRASS INLAID LAMP TABLE EARLY 19TH CENTURY the circular banded top with brass line inlay, on a tapered octagonal column and triform base raised on gilt brass paw feet 52cm diameter, 72cm high

£300-500

335 LATE REGENCY MAHOGANY HAT, BOOT, AND WHIP STAND EARLY 19TH CENTURY with three tiers of wood pegs on a trestle base 56.5cm wide, 115cm high, 30cm deep

£300-500

336 LATE REGENCY MAHOGANY THREE TIER BUFFET EARLY 19TH CENTURY the top with a three quarter gallery above two further tiers raised and divided by turned supports ending on brass castors 105cm wide, 105cm high, 46cm deep

£400-600

337 Y LATE REGENCY ROSEWOOD MARBLE TOP SIDE CABINET EARLY 19TH CENTURY the veined green marble top with a pierced gallery above a moulded frieze, over a pair of doors with brass grille inserts and chartreuse green silk lining, opening to adjustable shelves and flanked by pilasters with acanthus carved capitals, on a plinth base 115cm wide, 101cm high, 48cm deep

£600-800

111

338 PAIR OF REGENCY MAHOGANY ARMCHAIRS EARLY 19TH CENTURY the moulded bar backs with reeded spindles, above a stuffover seat with needlework covers, flanked by reeded arms with baluster supports, raised on turned and tapered legs (2) 54cm wide, 87cm high, 44cm deep

£300-500

339 REGENCY SATINWOOD WHATNOT EARLY 19TH CENTURY the square top with twin folding leaves above two short frieze drawers, above two further tiers, on brass caps and castors 44.5cm wide closed, 89cm open; 82cm high, 45cm deep Provenance: Property of a Scottish Borders family

£300-500

340 LATE REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top with segmented veneers above a bead moulded frieze, raised on a plain column support and triform base carved lion’s paw feet with recessed brass castors 135cm diameter, 73cm high

£600-800

341 REGENCY MAHOGANY CHIFFONIER EARLY 19TH CENTURY the superstructure with an open shelf above a pair of recessed panel doors outlined with moulding, raised on ring-turned feet 89cm wide, 125.5cm high, 36.5cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112

342 SET OF EIGHT GEORGE IV MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with tablet toprails above reeded horizontal splats and drop-in seat, raised on turned and tapered octagonal legs; to include six side chairs and a pair of armchairs (8) armchair 54.5cm wide, 92cm high, 47cm deep; side chair 51cm wide, 92cm high, 42cm deep

£500-700

343 GEORGE IV MAHOGANY BUFFET EARLY 19TH CENTURY with three tiers with scroll bracket supports and trestle bases raised on flared cup feet with ceramic castors 111cm wide, 142cm high, 55cm deep

£400-600

344 PLASTER BUST OF A YOUNG LADY EARLY 19TH CENTURY the subject with her hair in a chignon with ringlets, on a grey faux marble socle, unsigned; TOGETHER WITH a grey scagliola column (2) Bust 73cm high; pedestal 115cm high

£600-800

345 Y WILLIAM IV ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular top on a tapered column support and triform base with scrolled open brackets, raised on carved paw feet with castors 127cm diameter, 74cm high

£800-1,200

113

346 PAIR OF GILTWOOD GIRONDOLE MIRRORS 19TH CENTURY the shaped mirror plates in gilt and gesso frames with C scrolls and floral vine cresting, issuing twin scrolling candle arms (2) 70cm high, 45cm wide

£400-600

347 GILT BRONZE GASOLIER IN THE MANNER OF WILLIAM COLLINS 19TH CENTURY the central stem a with three chain suspension, linked on scrolled arm supports to the central flaming twin handled urn, the three branches with drip pans and opaque globular glass bulbs 73cm diameter 157cm high

£1,000-1,500

348 Y

349

WILLIAM IV ROSEWOOD WORK TABLE

EDWARD BOWRING STEPHENS (1815-1882)

EARLY 19TH CENTURY

PLASTER BUST OF LADY DEVON

the rounded rectangular fold-over top opening to a green baize lined surface, above a frieze drawer and a sliding work box covered in pleated pale blue silk, on a tapered square column and concave quadriform base on bun feet with brass castors 51cm wide, 78cm high, 38cm deep

£300-500

350 WILLIAM IV BURR ELM LIBRARY TABLE 2ND QUARTER 19TH CENTURY the rectangular top with rounded corners above two frieze drawers centred by a tablet, raised on facetted tapering supports terminating in circular trestle bases on carved scroll and paw feet 122cm wide, 72cm high, 62cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

inscribed verso, E. B. STEPHENS, SC/ LONDON 1843, on a painted column (2) Bust 73cm high; 109cm high

£500-700

114

351 Y REGENCY ROSEWOOD WINE TABLE EARLY 19TH CENTURY the circular top on an acanthus carved double baluster support and triform base, raised on lobed bun feet 37cm diameter, 71cm high

£700-1,000

352 PAIR OF GEORGE IV MAHOGANY AND NEEDLEWORK POLESCREENS 19TH CENTURY the circular needlework panels with silk and metallic thread embroidered armorials, one with motto ‘NOS PASCIT DOS’ the other ‘LABORE ET HONORE’, in carved and gilt carved foliate frames, raised on acanthus carved columns and triform bases with scrolled feet (2) 144cm high

£600-800

353

354

GEORGE IV MAHOGANY FRAMED ARMCHAIR

REGENCY MAHOGANY WHATNOT

EARLY 19TH CENTURY the square back above a loose cushion seat and outscrolled arms, the lyre form mahogany facing carved with acanthus scrolls, raised on leaf carved legs ending in brass caps and ceramic castors; covered in deep red cut velvet 83cm wide, 106cm high, 53cm deep

£500-700

EARLY 19TH CENTURY with three tiers over a shelved open compartment, on turned legs with brass castors 47cm wide, 141cm high, 40cm deep Provenance: Property of a Scottish Borders family

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

115

DAY TWO

THE COLLECTION OF DR. JOHN A. PACKER, EDINBURGH NEW TOWN The well-curated collection of Dr. John A. Packer is quintessential

Centred on the style and taste of the late Georgian and Regency

of Edinburgh and its New Town location. Occupying the piano nobile

periods, which saw the growth of Edinburgh and its emergence

of a house once inhabited by the architect William Playfair, with

as the ‘Athens of the North’, the flat was furnished with period

sweeping views across the Dean Bridge and the Water of Leith

furniture, paintings, and works of art all thoughtfully selected and

gorge, the collection presented is traditional and refined with a

displayed for maximum effect. Lyon & Turnbull is pleased to present

casual elegance befitting its home.

them here for sale.

116

355 REGENCY MAHOGANY AND EBONY INLAID TEAPOY EARLY 19TH CENTURY the hinged lid inlaid with stylized flowers, the sides with lion masked handles and conforming inlay, enclosing a fitted interior, on twin turned supports and platform inlaid with flowers, raised on leaf carved splayed legs with brass caps and castors 40cm wide, 73cm high, 30cm deep

£400-600

356 PAIR OF GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY with shaped top rails carved with anthemion, above pierced splats and wide stuff-over seats covered in raspberry silk damask, raised on channel moulded straight legs with leaf carved corner brackets and united by stretchers (2) 57cm wide, 93cm high, 44cm deep

£400-600

357 PAIR OF GEORGE III MAHOGANY DEMI-LUNE SIDE TABLES LATE 18TH CENTURY/ EARLY 19TH CENTURY on square tapering legs, previously the ends of a dining table (2) 115cm wide, 73cm high, 57cm deep

£300-500

358 Y REGENCY ROSEWOOD, GRAIN PAINTED AND BRASS INLAID PARCEL GILT SIDE CABINET 19TH CENTURY the rectangular pink marble top above three frieze drawers, the centre drawer with a brass inlaid panel, over a pair of doors with brass grilles backed by yellow silk opening to an adjustable shelf, on short cabriole forelegs and turned rear legs 98cm wide, 94cm high, 51cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117

359 REGENCY GILTWOOD GIRONDOLE CONVEX MIRROR EARLY 19TH CENTURY the mirror plate in an ebonised slip and deep leaf moulded frame, with an eagle finial and stiff leaves with two candle branches ending in cut glass drop drip trays and drops, fitted for electricity 119cm high, 120cm wide approximate

£800-1,200

360 Y SCOTTISH REGENCY ROSEWOOD, EBONY, AND BRASS INLAID SIDE CABINET EARLY 19TH CENTURY the rectangular top inlaid with scrolling foliate brass within ebonised bands and a bead moulded edge, above a conforming brass inlaid frieze and a pair of recessed mirrored doors enclosing shelved interior, flanked by columns with brass Corinthian capitals, on a plinth base 125cm wide, 93cm high, 43cm deep

£1,000-1,500

361 GEORGE III SOFA LATE 18TH CENTURY the low straight back above a bow front stuffover seat flanked by enclosed arms raised on reeded tapering legs joined by stretchers with brass castors, covered in pale blue damask upholstery 184cm wide, 84cm high, 56cm deep

£1,500-2,500

118

362 ASSEMBLED SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY all with carved scrolled top rails, horizontal splats, and drop-in seats covered in green damask; comprising a set of three, a pair, another pair, and an armchair with scrolled arms and reeded tapered legs (8) Armchair 54cm wide, 86cm high, 47cm deep

£400-600

363 SCOTTISH REGENCY MAHOGANY BREAKFAST TABLE 19TH CENTURY the circular top with bead moulded edge raised on a column support and concave triform base with paw feet and inset casters £500-700

364 SCOTTISH REGENCY MAHOGANY PRESS CUPBOARD EARLY 19TH CENTURY the moulded cornice above a pair of recessed beaded panel doors opening to five sliding trays flanked by reeded columns; the lower section with two short and two long crossbanded drawers, raised on scroll feet 151cm wide, 214cm high, 61cm deep

£1,000-1,500

365 Y REGENCY ROSEWOOD AND PARCEL GILT CONSOLE TABLE EARLY 19TH CENTURY the rectangular grey marble top above a plain frieze, with lotus capital columns and a mirror back raised on a plinth 77cm wide, 91cm high, 34cm deep

£600-800

119

366 REGENCY GILTWOOD AND EGLOMISÉ MIRROR EARLY 19TH CENTURY the inverted breakfront cornice with a ball mounted frieze above a chinoiserie eglomise panel with bevelled mirror plate below enclosed in an ebonised slip flanked by cluster columns 105cm high, 70cm wide

£400-600

367 WILLIAM IV MAHOGANY DROP LEAF WORK TABLE EARLY 19TH CENTURY the rounded rectangular top with drop sides above two frieze drawers, on a tapered column support and quadripartite base with bun feet with castors 51cm wide (down) 78.5cm (up), 69cm high, 46.5cm deep

£300-500

368 REGENCY STYLE MAHOGANY UPHOLSTERED FOOTSTOOL 20TH CENTURY the rectangular buttoned upholstered seat on turned and reeded tapering legs ending in brass caps and castors 93cm wide 38cm high 63cm deep

£400-600

369 REGENCY MAHOGANY CHIFFONIER EARLY 19TH CENTURY the raised back panel and brass three-quarter gallery on lyre supports and mirror back, above a frieze drawer and a pair of pleated doors with interlaced brass wire, enclosing a shelf, on a plinth base 92cm wide, 117cm high, 42cm deep

£500-700

370 SCOTTISH GEORGE IV MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY in the manner of William Trotter, the rectangular top with a reeded edge above a bead moulded frieze, over three short and three long graduated drawers outlined with line inlay, flanked by leaf clasped fluted columns, on squat bun feet 126cm wide, 101cm high, 58cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

371 PAIR OF UPHOLSTERED ARMCHAIRS LATE 20TH CENTURY with scrolled button backs and padded arms, above padded seats raised on square tapering legs with brass caps and castors, in green/blue upholstery (2) 68cm wide 87cm high 62cm deep

£600-800

372 SET OF GEORGE III STEEL FIRE IRONS EARLY 19TH CENTURY to include a poker, shovel, and tongs, with ball finials; TOGETHER WITH an embossed brass coal scuttle of baluster form (5) shovel 80cm long; scuttle 73cm high

£400-600

373 EDWARDIAN BRASS AND STEEL FIRE FENDER EARLY 20TH CENTURY surmounted with acorn finials to the corners, above a pierced palmette frieze within a moulded border, on stepped base 140cm wide 23cm high 32cm deep

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

374 WILLIAM IV MAHOGANY DROP-LEAF WORK TABLE 19TH CENTURY the rounded rectangular top with a moulded edge and drop-leaf sides, above a frieze drawer and raised on turned tapered legs ending in brass caps and castors 46cm deep, 78cm high, 38cm wide [closed]

£300-500

375 THREE WILLIAM IV STYLE MAHOGANY DINING CHAIRS 20TH CENTURY each with a scrolled toprail and rectangular back with carved lapetted uprights, in mauve plush upholstery, raised on lappetted turned legs ending in brass caps and ball feet (3) 49cm wide, 92cm high. 43cm deep

£300-500

376 WILLIAM IV UPHOSLTERED FOOTSTOOL 2ND QUARTER 19TH CENTURY with a padded seat, raised on gilt metal scroll supports with hoof feet; TOGETHER WITH a Victorian red damask upholstered footstool, with inverted sides, on paw feet (2) 35cm square, 20cm high; 30cm square, 20cm high

£300-500

377 EDWARDIAN MAHOGANY AND SATINWOOD DEMI-LUNE CARD TABLE EARLY 20TH CENTURY the fold-over top with segmented veneers, opening on twin gatelegs to a green baize lined playing surface, above a satinwood crossbanded frieze, raised on square section tapering legs with spade feet with ceramic castors 91cm wide, 75cm high, 44cm deep [closed]

£300-500

122

378 GEORGE IV MAHOGANY WORK AND GAMES TABLE EARLY 19TH CENTURY the square top with a games board and twin hinged folds opening to a green baize playing surface, above a frieze drawer with pen tray and drawer, a candle slide opposing, over a sliding yellow silk covered work box, on lyre form supports and trestle bases with carved scroll feet with brass castors 43cm wide, 86cm wide [open], 76cm high, 43cm deep

£400-600

379 TWO HANGING DISPLAY CABINETS 20TH CENTURY the first in the Chinese style with a glazed door and asymmetric shelves; the other of mahogany and parcel gilt, with a glazed door enclosing shelves (2) 70cm wide, 85cm high, 16cm deep; 64cm wide, 97cm high, 14cm deep

£300-500

380 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY the rectangular crossbanded top on turned supports with two shelves below, raised on turned feet with recessed brass castors 76cm wide, 78cm high, 43cm deep

£500-700

381 Y

382

SET OF THREE ROSEWOOD GRAIN-PAINTED AND GILT SIDE CHAIRS

SCOTTISH GEORGE III MAHOGANY WHEEL BAROMETER

EARLY 19TH CENTURY

the backs with large gilt carved anthemion above caned seats, raised on sabre legs lined with gilt details (3) 47cm wide, 84cm high, 41cm deep

the case with a swan neck pedimeter, hygrometer, mercury thermometer, convex mirror and spirit level, signed ‘Chas. Crotchie, Inverness/ Warranted’

£250-350

97cm high

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

383 Y GEORGE IV ROSEWOOD AND BRASS INLAID COLLECTOR’S CABINET, IN THE MANNER OF GEORGE BULLOCK EARLY 19TH CENTURY the inverted breakfront top surmounted by a rectangular brass-banded plinth inlaid with a drawer, above twin recessed panelled doors enclosing shelves, flanked by glazed doors enclosing six drawers to one side and thirty-four shallow drawers fitted with red baize inserts for coins to the other, all with turned ivory handles, raised on a conforming plinth with an ebonised base 133cm wide, 97cm high, 59cm deep

£2,500-3,500

124

384 TWO FRAMED COLLECTIONS OF WAX SEALS, RELATING TO THE KRUPP FAMILY 18TH/ 19TH CENTURY comprising seventy red and black examples cut and mounted in shadowbox frames (2) 29cm x 44cm overall

£300-500

385 Y GEORGE IV ROSEWOOD READING TABLE EARLY 19TH CENTURY the rounded rectangular top with two small ratchet adjusted reading slopes, the top with adjustable rising and sliding actions, over three short frieze drawers with dummy drawers opposing, on a stiff leaf carved support and quadripartite base with paw feet and castors 91cm wide, 76cm high, 45cm deep

£800-1,200

386 FRENCH EMPIRE MAHOGANY DRESSING TABLE EARLY 19TH CENTURY the rectangular top with a hinged lid enclosing a mirror and a marble insert, above three long drawers on half column supports joined by an under tier, raised on turned feet 67cm wide, 89cm high, 34cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

387 PAIR OF MINTON POSY HOLDERS DATE MARK 1870 designed by Christopher Dresser, of crescent-shaped form, modelled as a pierced turquoise strap with gilt borders, on four key pattern feet, impressed MINTON, 1552 , with indistinct date marks and a diamond registration mark; TOGETHER WITH a posy vase modelled as a fisherman seated beside a basket, on an oval base, no maker’s mark, incised 394, 13cm high (3) 23cm wide

£300-400

388 FIVE NYMPHENBURG BLANC-DE-CHINE FIGURES 20TH CENTURY to include a figure group with three putti fishing around a tree; a lady holding a spaniel, 17cm high; and three putti emblematic of Summer, Autumn and Winter, 12cm high (5) group 21cm high

£300-500

389 FOUR ENGLISH TEAPOTS LATE 18TH/ EARLY 19TH CENTURY comprising a blue printed Worcester ‘Fisherman and Cormorant’ pattern teapot, blue crescent mark,15cm high, two polychrome floral painted teapots, probably Caughley, one of fluted barrel-shaped form, 13cm high, the other of globular form with a domed cover, 14cm high, and a Castleford-type teapot, the body moulded with foliate decoration and painted to each side with a panel depicting an architectural scene, with a slide out cover, 15.5cm high, TOGETHER WITH a white Continental teapot of gourd-shaped form, moulded throughout with leaf, insect and squirrel designs, the cover with a squirrel finial, impressed numbers to base (5) 13cm high

£400-600

390 LATE REGENCY MAHOGANY BRACKET CLOCK, NICHOLSON AND SON, BERWICK EARLY 19TH CENTURY the circular cream enamel dial with Roman numerals and twin winding holes, signed ‘Nicholson and Son/ Berwick’, in a chamfertop case surmounted by a pinecone finial and outlined with bead moulding, raised on brass ball feet, the eight-day movement striking a bell 32.5cm wide, 57cm high, 15cm deep

£600-800

391 CHINESE YELLOW GROUND BOTTLE VASE 20TH CENTURY decorated with white slip with flowering branches and birds, drilled and converted to a lamp, with a yellow silk pagoda shade vase 45cm high

£250-350

126

392 THREE CUT GLASS COMPORTS 19TH/20TH CENTURY two of round bowl-shaped form, each with a prism cut rim and hobnail cut body, raised on a square section foot, 23.5cm diam, 19.5cm high, 23.5cm diam, 20cm high, a canoe-shaped comport with a Van Dyke rim, the body cut with various diamonds and flutes, raised on a circular lobed foot, 37cm wide, 21.7cm high, TOGETHER WITH a deep oval tray with scalloped rim and square strawberry cutting (4) 33.6cm wide

£250-350

393 COLLECTION OF CUT GLASS 19TH/ 20TH CENTURY comprising two water jugs, a small sauce boat, five various jars with covers, and a decanter with stopper, the body with a band of strawberry cut diamonds (9) decanter and stopper 24cm high

£250-350

394 COLLECTION OF GLASS AND CUT GLASS 19TH / 20TH CENTURY comprising eight custard cups, two canoe-shaped salts on a square foot, two batwing-shaped salts on an oval foot, a round cup-shaped salt with a scalloped rim, and a prism cut salt, a pair of sweet meat jars with strawberry cut diamonds on a square section foot, a sweet meat jar with strawberry cut diamonds and engraved with the initials GJE, with a further pair of sweet meat dishes, the scalloped rim with fan cutting and the body cut with diamonds, raised on a circular lobed foot (19) custard cups 8.5cm-9cm high, tallest sweet meat dishes 14cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

127

395 LOUIS XVI STYLE MAHOGANY BRASS INLAID SIDE TABLE 19TH CENTURY the kidney-shaped top with a pierced brass three-quarter gallery enclosing a top inlaid with a brass vase and scroll motifs, above a frieze drawer, on fluted tapering legs joined by a conforming undertier and ending in brass feet, bearing a brass plaque 54cm wide, 74cm high, 36cm deep

£600-800

396 LARGE JAPANESE CLOISONNÉ VASE 20TH CENTURY of ovoid shape with a narrow neck and flared mouth, decorated with a coiling dragon on a black ground, now mounted as a lamp, with a wine red pagoda shade; TOGETHER WITH a carved and stained softwood stand 60cm high (2) vase 46cm high (excluding fittings)

£400-600

397 ITALIAN NEOCLASSICAL FRUITWOOD AND INLAY ARMCHAIR EARLY 19TH CENTURY with an oval pierced back, part-padded arms and a wide stuff-over seat covered in yellow striped floral fabric, raised on fauxfluted tapering legs 63cm wide, 97cm high, 49cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

398 WILLIAM POWELL FRITH (BRITISH 1819-1909) THE LETTER Signed and dated 1862, oil on canvas 33cm x 25.5cm (13in x 10in)

£1,500-2,500

399 JAMES CHARLES PLAYFAIR (BRITISH ACTIVE FROM 1865-1904) MEDITATION Signed and dated ‘75, watercolour 31cm x 22cm (12.25in x 8.5in)

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

129

400 THOMAS HUDSON (BRITISH 1701-1779) HALF LENGTH PORTRAIT OF HENRY COURTHOPE CAMPION OF DANNY B.1734 Oil on canvas, feigned oval 76cm x 71cm (30in x 28in)

£4,000-6,000

130

401 WILLIAM TRAIES (BRITISH 1789-1872) A WOODED RIVER LANDSCAPE WITH FIGURE AND DOG Signed, oil on canvas, and a companion a pair ‘A wooded river landscape with fisherman’ (2) 61cm x 84cm (24in x 33 in)

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

402 JOHN CLOSTERMAN (GERMAN 1660-1711) THREE QUARTER LENGTH PORTRAIT OF JOHN PACKER (1660-1771) IN BLUE FROCK COAT Oil on canvas 127cm x 102cm (50in x 40in) Provenance: Groombridge Place, Kent Note: The sitter was the second son of Philip Packer and his first wife Isabella Berkeley of Spetchley. He inherited Groombridge from his father in 1686.

£5,000-7,000

132

403 ENGLISH SCHOOL, EARLY 19TH CENTURY PORTRAIT OF MR CHARLES CLARK, HALFLENGTH IN A BLUE JACKET; AND HIS WIFE IN A LACE EDGED CREAM DRESS Pastel, oval, a pair (2) 20cm x 17cm (8in x 6.5in) Provenance: Lyon & Turnbull, 28th April 2007, lot 206

£600-800

133

404 THOMAS HUDSON (BRITISH 1701-1779) HALF LENGTH PORTRAIT OF FRANCIS CAMPION IN A WHITE TRIMMED BLUE DRESS Oil on canvas, feigned oval 76cm x 63.5cm (30in x 25 in)

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

PAINTINGS PART TWO

405 FOLLOWER OF MICHELANGELO DI CAMPIDOGLIO A STILL LIFE OF ASSORTED FRUIT AND FLOWERS WITH SILVER URN Oil on canvas 91cm x 112cm (36in x 44in) Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

135

406 AFTER REMBRANDT PORTRAIT OF SASKIA VAN UYLENBURGH THE ARTIST’S WIFE Oil on canvas laid on panel 73cm x 55 cm (28.75in x 21.5in)

£800-1,200

407 16TH/17TH CENTURY ENGLISH SCHOOL THREE QUARTER LENGTH PORTRAIT OF KING HENRY VIII Oil on panel 28cm x 23cm (11in x 9in) Provenance: The Property of the late 5th Duke of Sutherland, George Granville SutherlandLeveson-Gower (1888-1963), Christie’s, London, 3rd November 1972, lot 191, as ‘Holbein, Portrait of King Henry VIII, small half length’, stencil number verso. Note:The present work relates to the now lost original by Hans Holbein the Younger for the mural at the Palace of Whitehall, destroyed by fire.

£2,000-3,000

136

408 17TH CENTURY BOLOGNESE SCHOOL LATONA AND THE FROGS Oil on canvas 51cm x 86.5cm (20in x 34in) Provenance: Property of a Scottish Borders family Note: Latona was the mother of Diana and Apollo and once when thirsty stopped with her infant children to drink at a lake. She was prevented from doing so by some peasants working on the osier beds. Latona was so angry she turned them into frogs.

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

409 STUDIO OF CLAUDE JOSEPH VERNET A CLASSICAL LANDSCAPE AT SUNRISE Oil on canvas 95cm x 132cm (37.25in x 52in)

£8,000-12,000

138

410 17TH CENTURY ENGLISH SCHOOL A FAMILY PORTRAIT IN A LANDSCAPE Oil on canvas 119cm x 91cm (47cm x 36in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

139

411 ATTRIBUTED TO HEINRICH WILHELM SCHWEICKARDT (GERMAN 1746-1797) A SNOW COVERED WINTER LANDSCAPE Oil on panel 49cm x 71cm (19.25in x 28in)

£1,500-2,500

412 17TH/18TH CENTURY GERMAN SCHOOL THE ANCIENT GODS AURORA Gouache on glass 22cm x 32cm (8.5in x 12.5in)

£800-1,200

140

413 ALLAN RAMSAY (SCOTTISH 1713-1784) HALF LENGTH PORTRAIT OF MRS GRANT OF PRESTONGRANGE Signed, inscribed and dated 1749, oil on canvas, feigned oval 76cm x 63.5cm (30in x 25in) Provenance: By family descent through the sitter’s son-in-law Sir George Suttie Sotheby’s 14th April 1948 bt. Doig Wilson & Wheatley Dowell’s 6th December 1963 bt. Gordon & Gordon Note: The daughter of the Rev. William Miller of Neilston, Renfrew, she married William Grant, Lord Prestongrange c.1729 Literature: Alistair Smart, Allan Ramsay 1999, p.169, fig.319

£5,000-7,000

141

414 18TH CENTURY SCOTTISH SCHOOL VIEW OF OLD GEORGE WATSON’S COLLEGE FROM THE MEADOWS Oil on canvas 89cm x 113cm (35in x 44.5in)

£1,500-2,500

415 JAMES FRANCIS WILLIAMS (SCOTTISH 1785-1846) FIGURES IN A ROCKY LANDCSAPE Signed with initials, oil on canvas 55cm x 45cm (21.5in x 17.75in) Provenance: Fine Art Society, November 1990

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

416 LOUIS RAOELINA (MADAGASCAN, LATE 19TH - EARLY 20TH CENTURY) A COLLECTION OF SCENES OF MADAGASCAN LIFE A collection of 15 watercolours and gouaches: Two Women in Blue, Signed and dated 1888, 21.5cm x 25cm; Two Women in Pink and Purple, Signed and dated ‘Sep. 1888’, 21cm x 26cm; Slaves Grinding Rice, Signed, titled and dated 1888, 21.5cm x 25cm; Gentleman Being Carried, 22cm x 25cm; Lady Being Carried, 22cm x 25cm; Two Blacksmiths Working, 24.5cm x 21.5cm; Woman Weaving, 22.5cm x 25cm; Woman Spinning, 25cm x 19cm; Practicing the Lasso, 20cm x 25cm; Two Women, 22cm x 23cm; The Water Carrier, 25cm x 21cm; Working the Earth, 26cm x 21cm; Meat Market, Signed with monogram, 25cm x 19cm; View of the Village, Signed with mongram and dated 1888, 18.5cm x 26cm; Looking Up to the Village, Signed with monogram and dated 1888, 20cm x 27cm (15) Various sizes, unframed

£3,000-5,000

Note: Very little is recorded about the life and work of Madagascan artist Louis Raoelina. He may be part of the first generation of Malagasy artists who were trained by British missionaries and depicted scenes of everyday life. When the island came under French occupation in 1897, French administrators were drawn to these works and some made it back to French collections. Within this collection, a wide range of aspects of everyday life is depicted – from contemporary hairstyles and dress to farming techniques, landscape and wider cultural practices. Raoelina’s delicate and deliberate technique is apparent in these works, as his exquisite attention to detail, capturing the tiniest aspects of Madagascan life. Very rarely offered on the open market, Raoelina’s work features in the collection of the Musee du quai Branly - Jacques Chirac, Paris and SOAS University Collection, London.

143

417 PIERRE LANGLADE (FRENCH 1812-1909) BOTANICAL STUDY Signed and dated 1899, mixed media (4) 14.5cm x 25cm (5.75in x 9.75) and three other similar works by the same hand

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

418 ANTON HÄHNISCH (AUSTRIAN 1817-1897) THREE QUARTER LENGTH PORTRAIT OF A YOUNG LADY HOLDING A ROSE Signed and dated 1854, oval, watercolour and a companion male portrait by the same hand dated 1856 (2) 34cm x 28cm (13.5in x 11in)

£600-800

419 SIR WILLIAM BLAKE RICHMOND R.A. (BRITISH 1842-1874) GIRL PLAYING VIOLIN Charcoal 44.5cm x 68.5cm (17.5in x 27in)

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

146

420 JOHN WILLIAM GODWARD (BRITISH 1861-1922) POPPIES Signed and dated ‘98, oil on canvas 76cm x 61cm (30in x 24in) Provenance: The Late Dr Helen E C Cargill Thompson Note: The model is Miss Ethel Warwick who was sixteen when she posed for this picture We are grateful to Dr Vern G Swanson for his assistance in cataloguing this entry. It is no.7 in his catalogue raisonne which he has updated.

£100,000-150,000

JOHN WILLIAM GODWARD (BRITISH 1861-1922) The details of Godward’s personal life are relatively vague. His

He often exhibited at the Royal Academy and as the eminent

choice to pursue a career as a painter went against his family wishes

scholar on Godward’s work, Dr Vern G. Swanson, indicates; he

and this disapproval was compounded when he left England for Italy

‘quickly established a reputation for his paintings of young women

with one of his models. It is believed that at this point he became

in a classical setting and his ability to convey with sensitivity and

estranged from his relations to such an extent that they removed

technical mastery the feel of contrasting textures, flesh, marble,

his likeness from family pictures. He remained in Italy for almost a

fur and fabrics.’ This is evident in the offered work, where Godward

decade, only returning home in 1921. In 1922 he died by suicide,

beautifully renders the cool, smooth marble framing the figure in

with notes left by him indicating that he was struggling with his place

marked contrast to the soft fabric folds of her gown while behind her

in an artistic world that was now largely interested in the modern

a verdant expanse of overlapping lavender and red poppies unfold

and contemporary. The circumstances of his death were considered

before further architectural columns and sculpture appear. The

a source of great shame to his family and so they destroyed much

scene is a vision of sumptuousness and beauty, meticulous depicted

of his archive and papers; it is believed there remains only one

by a talented hand.

photograph of the artist.

Godward’s approach has been referred to as that of a ‘High Victorian

There was drama and sadness in his personal life but this never

Dreamer.’ Technically, he can be considered a Victorian Neo-

spilled over into Godward’s painting. A loyal follower of Sir Lawrence

Classicist, though at times his strong colour and posed subject have

Alma-Tadema and similarly inspired by classical civilization,

seen him be grouped with the Pre-Raphaelites, despite a differing

particularly Ancient Rome, his works depict elegant women in

inspiration source. Within his lifetime, this approach fell out of

classical dress, lounging against architectural features. His paintings

fashion and though Godward remained committed to the art he

are characterised by exquisite and meticulous detail. There had

loved, he did struggle to find his place as taste moved away from his

been a widespread taste for this style of painting and subject matter

work. Fortunately, his mastery of his craft and the enduring human

in-line with a wider cultural interest in classical study and so to be

interest in the beautiful and sumptuous means favour has returned

successful in this style of painting required a high level of accuracy

to his work since his death. Fashions evolve but quality and harmony

and precision; Godward carefully researched architecture and dress

endure and this exquisite work is rich in both.

to make sure every detail in his painting was right. Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

421 JOHN PETTIE R.A., H.R.S.A. (SCOTTISH 1839-1893) THE TRUANT Signed, oil on canvas 91cm x 130cm (36in x 51.25in)

£1,000-2,000

149

422 CIRCLE OF JEAN FRANCOIS MILLET THE DIGGERS Bears initials, oil on canvas 46cm x 56cm (18in x 22in) Provenance: J.B.Bennett & Sons, Glasgow An important Glasgow collection Note: There is an etching ‘Les Becheurs’ of c.1855 of the same subject but from a slightly lower perspective

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151

423 JOHN LINNELL (BRITISH 1792-1882) THE FORD Oil on canvas 117cm x 152cm (46in x 60in)

£6,000-9,000

424 WILLIAM JAMES MULLER (BRITISH 1812-1845) GUDDLING FOR TROUT Signed and dated 1840, oil on canvas 107cm x 86.5cm (42in x 34in)

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

152

425 HENRI FANTIN-LATOUR (FRENCH 1836-1904) THE GUITAR PLAYER Signed, oil on canvas 23cm x 30.5cm (9in x 12in)

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

153

426 EDWIN HARRIS (BRITISH 1855-1906) THE MODEL YACHT Signed, oil on canvas 61cm x 51cm (24in x 20in)

£2,000-3,000

427 19TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF CAPTAIN LESLIE RUNCIMAN Inscribed ‘ Dunbar’ oil on canvass 63.5cm x 51cm (25in x 20in)

£600-800

154

428 DAVID COX (BRITISH 1783-1859) THE TIMBER WAGON Signed, watercolour 52cm x 70cm (20.5in x 27.5in)

£800-1,200

429 SIR FRANK BRANGWYN R.A., R.W.S., R.B.A. (BRITISH 1867-1956) A CONTINENTAL STREET SCENE Signed, watercolour 56cm x 46cm (22in x 18in)

£800-1,200

155

430 WILLIAM LEE HANKEY R.W.S. (BRITISH 1869-1952) WASH-DAY IN A FRENCH RIVERSIDE TOWN Signed, oil on canvas 63cm x 76cm (25in x 30in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

156

431 § WILLIAM LEE HANKEY R.W.S. (BRITISH 1869-1952) GRASSE Signed, oil on canvas 51cm x 61cm (20in x 24in)

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

157

432 SAMUEL JOHN LAMORNA BIRCH R.A., R.W.S., R.W.A. (BRITISH 1869-1955) THE OLD MILL, POSSIL Signed, oil on canvas 51cm x 61cm (20in x 24in)

£2,000-3,000

158

BRITISH FURNITURE & WORKS OF ART PART THREE

159

433 PAIR OF GOTHIC REVIVAL OAK ARMCHAIRS 19TH CENTURY the square panel backs carved with quatrefoils and pointed arches, above wide plank seats flanked by downswept open arms carved with leaf tips, raised on square legs with arch brackets to the back legs (2) 66cm wide, 114cm high, 47cm deep

£1,500-2,500

434 CARVED OAK EAGLE LECTERN 19TH CENTURY representing the eagle of St John standing on an orb, on a tapered octagonal column and base 157cm high

£2,500-3,500

435 LATE VICTORIAN OAK PEDESTAL DESK 19TH CENTURY the red leather insert top with a gilt tooled edge, above three frieze drawers, the central drawer fitted with a matching slope, raised on banks of four short drawers with pierced corner brackets to the kneehole; the opposing side finished without drawers 147cm wide, 86cm high, 82cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

436 VICTORIAN WALNUT WORK TABLE MID 19TH CENTURY the lobed oval top with a hinged cover opening to a compartmented interior and well, raised on carved baluster supports with trestle bases united by a stretcher 66cm wide, 72cm high, 46cm deep

£300-500

437 VICTORIAN WALNUT WELLINGTON SECRETAIRE CHEST OF DRAWERS 19TH CENTURY with six graduated drawers, one with a double drawer front and opening to a secretaire, on a plinth base 56cm wide, 128cm high, 40cm deep

£400-600

438 VICTORIAN WALNUT OPEN BOOKCASE 19TH CENTURY the moulded cornice above a plain frieze, and two open compartments with adjustable shelves, on a plinth base 142cm wide, 110cm high, 31cm deep

£1,000-1,500

439 EARLY VICTORIAN MAHOGANY, SATINWOOD, WALNUT, AND MARQUETRY CENTRE TABLE MID 19TH CENTURY the circular tilt top with a wide band of scrolling leaf inlay, on a carved baluster column and three foliate carved scrolled legs 137cm diameter, 70cm high

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

161

440 NEAR PAIR OF EARLY VICTORIAN WALNUT PEDESTAL TABLES MID 19TH CENTURY the shaped rectangular tops with a moulded edge, on knopped columns carved with flowers and beading, raised on cabriole legs with scrolled toes (2) 43cm wide, 69cm high, 32cm deep

£800-1,200

441 PAIR OF VICTORIAN WALNUT OPEN BOOKCASES MID 19TH CENTURY the moulded cornices above open adjustable shelves, on a plinth base (2) 105cm wide, 136.5cm high, 30.5cm deep

£2,500-3,500

442 VICTORIAN WALNUT CREDENZA MID 19TH CENTURY with a rectangular inverted top with a moulded edge above a pair of of twin glazed doors flanked by fluted columns and mirror door cupboards raised on turned feet 175cm wide, 84cm high, 52cm deep

£600-900

162

443 OVAL GILTWOOD CONVEX MIRROR 19TH CENTURY the mirror plate in a moulded giltwood frame 58cm high, 51cm wide

£400-600

444 Y EARLY VICTORIAN ROSEWOOD AND PAINTED GLASS FIRESCREEN MID 19TH CENTURY the glazed panel painted with irises, in a fretwork frame flanked by spiral twist columns, on outswept scrolled trestle bases 117cm high 63cm wide Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£400-600

445 VICTORIAN WALNUT AND EBONISED CANTERBURY WHATNOT MID 19TH CENTURY the three-quarter gallery top tier above a canterbury base with three divisions above a base drawer, on turned legs ending in ceramic castors 56cm wide, 92cm high, 41cm deep

£300-400

446 VICTORIAN MAHOGANY EXTENDING DINING TABLE 19TH CENTURY Rounded rectangular top raised on baluster carved legs with brass caps and castors, with three leaf extensions 298cm wide (fully extended) 72cm high, 131cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

163

447 EARLY VICTORIAN MAHOGANY CARPET BALLS STAND MID 19TH CENTURY with a central column and arms to hold fourteen Scottish carpet balls 101cm high Note: by repute, this stand was supplied by R W Forsyth, Prince’s Street, Edinburgh.

£1,500-2,500

448 Y ROYAL INTEREST, WINDSOR CASTLE ROSEWOOD POLESCREEN MID 19TH CENTURY the rectangular framed screen containing a section of aubusson tapestry, on a tapered column and triform base stamped on the underside with a crown and initials VR and dated 1866 ‘WINDSOR CASTLE/ ROOM 124’ with various overstamps 137cm high

£300-500

449 EARLY VICTORIAN MAHOGANY CANTERBURY MID 19TH CENTURY with four divisions and turned baluster corner supports, over a base drawer with ebonised pulls, raised on turned legs with brass castors 48cm wide, 50cm high, 33cm deep

£250-350

450 KELIM UPHOLSTERED ARMCHAIR EARLY 20TH CENTURY with a low back and slightly scrolled arms, covered in diamond pattern kelim, raised on square tapered legs ending brass castors 83cm wide, 88cm high, 66cm deep

£500-700

451 PAIR OF EARLY VICTORIAN MAHOGANY FOOTSTOOLS MID 19TH CENTURY the square seat pads covered in machined tapestry covers, above seat rails moulded with C and S scrolls, raised on lappet carved cabriole legs ending in scrolled toes (2) 50cm wide, 45cm high, 50cm deep

£800-1,200

164

452 GILTWOOD GIRONDOLE MIRROR MID 19TH CENTURY the circular mirror plate in a rococo style frame with rocaille, C and foliate scrolls, and issuing twin scrolling candle arms 82cm high, 58cm wide

£300-500

453 VICTORIAN STAINED MAHOGANY WINDOW SEAT EARLY 20TH CENTURY in the French style, the outscrolled padded arms flanking a loose cushion seat, raised on moulded cabriole legs; in distressed pink silk 126cm wide, 63cm high, 45cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£400-600

454

455

LARGE EARLY VICTORIAN SALON STOOL

MAHOGANY FRAMED SIX-FOLD SCRAPWORK SCREEN

MID 19TH CENTURY

the padded top covered in green velvet and needlework panels, above a flower carved apron and raised on leaf carved cabriole legs 102cm wide, 48cm high, 68cm deep

each panel with various coloured printed scenes of historical figures, flowers, animals and old master and genre paintings; the reverse similarly decorated with black and white prints

£1,200-1,800

Each panel 69cm wide, 205cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

165

456 PAIR OF GEORGIAN STYLE MAHOGANY, EBONISED, AND SATINWOOD PEMBROKE TABLES 20TH CENTURY the oval crossbanded tops with drop sides, above drawers to one end frieze, raised on square tapered legs ending in brass caps and castors, bearing HARROD’S KNIGHTSBRIDGE brass labels to the drawers (2) 61cm long, 72cm high, 40cm wide, 81cm [open]

£600-800

457 PAIR OF GREEN LEATHER LIBRARY ARMCHAIRS SECOND QUARTER 20TH CENTURY the square backs above loose cushion seats and scrolled arms, covered in pea-green leather, raised on moulded square tapered legs (2) 87cm wide, 91cm high, 60cm deep

£2,500-3,500

458 HOWARD & SONS CHESTERFIELD SOFA EARLY 20TH CENTURY with a low back and scrolled arms, on square tapered mahogany legs with brass stamped castors, a leg stamped 148 8499/ HOWARD & SONS LTD BERNERS ST., covered in pale blue striped fabric 195cm long, 69cm high, 60cm deep

£3,000-5,000

166

459 PAIR OF EARLY VICTORIAN SILVER MOUNTED AMETHYST GLASS WINE BOTTLES HALLMARKED LONDON, 1839 by C Reily & G Storer, the bottles of slender form with vine leaf cast double lip mounts, the stoppers capped with vine leaf covers and open work vine and grape finial (2) 39cm high

£300-400

460 COLLECTION OF VICTORIAN ENGRAVED GLASSWARE 19TH CENTURY comprising a tall tumbler and smaller glass with handle, both cut with flutes, both engraved with sprays of flowers, the tumbler inscribed ‘William 18.5cm high Frain 1878’, the smaller inscribed ‘Eleanor Lockhart Frain Born 6th June 1890’; a tall jug on three scroll feet, etched with two birds amongst foliage, 26.5cm high; a shaft and globe decanter, a tall tumbler and a vase with a flared rim on a knopped stem, 25.5cm high, all engraved with ferns; a small sherry glass cut with flutes, engraved with the monogram ‘W F’ and dated ‘24th August 1892’; and a pocket watch display dome on later wooden stand, engraved with ferns and scrolls, with inscribed initials ‘G C’ , with a glass hook for suspending a watch (8) 18.5cm high including stand

£300-400

461

462

COLLECTION OF VARIOUS DECANTERS WITH STOPPERS

TWO CUT GLASS CLARET JUGS

19TH CENTURY AND LATER

19TH CENTURY

comprising a pair of liqueur decanters, with strawberry cut diamonds on the body and the two neck rings, 22cm high; a further liqueur decanter with diamond and step cutting and triple neck rings, 22cm high; a larger decanter of similar style, 24cm high; two ship’s decanters, one with diamond and step cutting, 25cm high, the other cut with flutes and facets and centred with a diamond cut band, 22cm high; a magnum bucket shaped decanter with single neck ring and faceted lower section, 29cm high; and another modern plain decanter with later ball stopper (8) 31cm high

one with a central band of strawberry cut designs in the form of circles, petals and navettes, the neck with three faceted rings, with a star cut mushroom stopper and star cut base, the handle with a cut thumb rest, 27cm high, the other of flattened oval form, with decoration in the Aesthetic taste, the central band cut with a roundel to each side engraved with flowers and foliage, between multiple bands of geometric designs, with engraved white metal mounts, 29cm high; TOGETHER WITH a large water jug, possibly Irish, the lower body with flute cutting, a circular medallion below the spout engraved ‘J A H May 5 1816’, with prunties at the shoulder and a band of stylised cut leaves to the neck, with a strap handle (3)

£200-300

18.5cm high

£200-300

167

463 Y EARLY VICTORIAN GILT METAL AND MARBLE MANTEL CLOCK, VINER & CO., LONDON MID 18TH CENTURY the drum case with a gilt metal engine turned dial with Roman numerals and a single winding hole, on a rectangular black marble plinth mounted with fruit garlands, signed on the backplate ‘Viner/ New Bond St. London’, on a rosewood base with glass dome clock 22cm high

£500-700

464 PAIR OF SIX-INCH TERRESTIAL AND CELESTIAL JOHNSTON’S TABLE GLOBES LATE 19TH CENTURY twelve printed gores, labelled JOHNSTON’S SIX INCH GLOBE/ CONSTRUCTED FROM THE LATEST/ LATEST AUTHORITIES/ EDINBURGH/ AND LONDON, with a brass meridian ring, wood wedge, and horizon ring with calendar and zodiac markers, raised on turned ebonised stands united by x-form stretchers (2) 25cm high overall

465 MATTHEW NOBLE (BRITISH, 1817-1876) LORD ALBERT GOWER marble bust, the subject dressed in classical robes, signed M. NOBLE. SC., on a nero africano marble pedestal 38cm high overall Note: Lord Albert SutherlandLeveson-Gower (1843-1874) was the second son of George, 2nd Duke of Sutherland. He gained the rank of Captain in the 2nd Life Guards.

£300-500

466 PAIR OF PATINATED METAL AESTHETIC MOVEMENT MODERATOR LAMPS 19TH CENTURY converted from oil lamps, the inverted baluster bodies with lozenge and ribbed bands, raised on bases with simplified floral applications, with oatmeal pleated shades (2) 41cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

£600-800

168

467 ROYAL CROWN DERBY ‘GREEN DERBY PANEL’ DINNER SERVICE 20TH CENTURY decorated with green enamel and gilt floral designs in alternating panels, pattern A1237, red printed factory marks, comprising: twelve teacups and twelve saucers (14.5cm diam), twelve coffee cans and twelve saucers (12cm diam), twelve side plates (16cm diam), twelve twin handled soup bowls and twelve stands (16cm diam), twelve salad plates (21.5cm diam), twelve dinner plates (27cmm diam),two cream jugs (9.5cm and 115.cm high), a twin handled sugar bowl, a round sugar bowl (10cm diam), a teapot, a coffeepot, two twin handled tureens with covers, a sauce boat on stand, a large round bowl (24cm diam), two oval serving ashets (38cm long and 41cm long), and an oval serving dish (qty) 24.5cm long

£600-800

468 FOUR CONTINENTAL GLASS AND SILVER DECANTERS CIRCA 1930S comprising two glass decanters with mallet shaped bodies and pourers with cork stops, with foliate silver metal overlay, 32cm high; a brown glass decanter with silver metal overlay in the shape of a shield on a chain, stamped MEME SWEDEN, 34cm high; and another glass decanter with a mallet shaped body and silver metal overlay, bearing a SCOTCH label, 28.5cm high; TOGETHER WITH a rectangular chrome and wood tray, stamped REGENT OF LONDON (5) tray 42cm wide, 25cm deep

£800-1,200

469 ART DECO ENAMELLED GLASS LEMONADE SET, OF HUNTING INTEREST CIRCA 1930 to include a tankard pitcher and six footed glasses, enamelled with mounted riders and horses in landscapes, with a chromium and teak mirrored tray printed and enamelled with a hunting scene, stamped REGENT OF LONDON to underside (8) tray 37cm wide, pitcher 30cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

169

470 VICTORIAN WEST INDIES SHELL DISPLAY CASE LATE 19TH CENTURY the ebonised case inscribed SHELLS FROM BARBADOES WEST INDIES, above a glazed curved front panel enclosing three shelves with an array of shell specimens, dried plants, insects and reptiles, and a mirror back 45cm wide, 68cm high, 25cm deep

£600-800

471 Y BENGAL TIGER SKIN, BY VAN INGEN & VAN INGEN, MYSORE EARLY 20TH CENTURY with claws, no head, mounted on a black felt backing and stencilled ‘26672, Van Ingen & Van Ingen, Mysore’ 240cm long (tip of tail to neck)

£600-800

472 TEAK CAMPAIGN CHEST OF DRAWERS 19TH CENTURY in two sections, the top with two short and one long drawer, the base with two further long drawers, with inset brass handles, raised on bun feet £600-800

PROPERTY FROM TORNAVEEN HOUSE, ABERDEENSHIRE

Tornaveen House, nestled away in the quiet countryside of Aberdeenshire, is one of the ancestral homes of one branch of the Fraser clan. The first written account of the family dates back to 1160 in East Lothian. The following collection is a compelling representation of this long-standing family and its history, connected to multiple famous Scottish names: Sir Simon Fraser fought in the Scottish Wars of Independence alongside Sir William Wallace and Robert the Bruce, and another Simon Fraser, 11th Lord Lovat, was involved in both Jacobite risings. Most notable is the provenance of one item that leads us back to the beginning of the 17th century, and gives us a connection to another well-known Scottish family; the Bairds of Auchmedden. Henrietta Baird married Francis Fraser IV of Findrack in the mid-18th century, and their son, William Nathaniel Fraser, took a lively interest in their family history, editing and publishing the family genealogy his grandfather had originally assembled, including letters, notes, and other family documents, as well as providing anecdotal insights into the family lore.

171

473 REGENCY GILTWOOD CONVEX GIRONDOLE MIRROR EARLY 19TH CENTURY the circular plate in a reeded ebonised slip and deep moulded frame with rope twist moulding, issuing twin scrolling candle arms, surmounted by an eagle finial with a shell pendant 121cm high, 66cm wide

£600-800

474 GEORGE III BLACK JAPANNED LONGCASE CLOCK, BY WILLIAM BARON, LONDON MID 18TH CENTURY the step moulded hood with a pair of finials, above a blind fret frieze, with an engraved silvered and brass arched 11 inch dial with Roman and Arabic numerals, a subsidiary seconds dial and date aperture, signed WILLIAM BARON LONDON, flanked by columns, above an arched trunk door, raised on plinth base, with an eight-day movement striking a gong 48cm wide, 232cm high, 24cm deep

£700-1,000

475 ITALIAN WALNUT COLLECTOR’S TABLE CABINET 18TH CENTURY with a pair of fielded panel moulded doors with handles to either side, enclosing twenty-two drawers surrounding an arcaded cupboard 91cm wide, 74cm high, 42cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172

476 COLLECTION OF SATIRICAL ENGRAVINGS, JAMES GILLRAY AND OTHERS EARLY 19TH CENTURY Hays, John, publisher The Modern Hercules on His Labours. London: 1806. 41 x 28cm, hand-coloured; Gillray, James Tiddy-Doll the great FrenchGingerbread-Baker. London: H. Humphrey, 1806. 39.5 x 29.5cm, hand-coloured; [Idem] “More Pigs than Teats”. London: H. Humprey, 1806. 36 x 27cm, hand-coloured; [Idem] Making Decent; - i.e. - Broad-bottomites getting into the Grand Costume. London: H. Humphrey, 1806. 48.5 x 30cm, hand-coloured; [Idem] The Cabinetical-Balance. London: H. Humphrey, 1806. 30.5 x 44cm, handcoloured; [Idem] Le Diable-Boiteaux. London: H. Humphrey, 1806. 30 x 44.5cm, hand-coloured; [Idem] a Tub for the Whale! London: H. Humphrey, 1806. 37.5 x 29cm, hand-coloured; Holland, William, publisher Sancho the Second’s Triumphal Entry into Barataria!!! London: 1806. 44.5 x 30cm, hand-coloured; Williams, Charles [“Argus”] Boney & the Great State Secretary. London: Walker, 1806. 28.5 x 37cm, hand-coloured; [Idem] God Save the King - by a New Set of Performers... London: Walker, 1806. 36 x 27.5cm, hand-coloured; [Idem] The Honey Moon. London: W. Holland, 1806. 38.5 x 27cm, hand-coloured; [Idem] Billy’s Ghost, or, Seasonable Admonition. London: W. Holland, 1806. 38 x 28cm, handcoloured; [Idem] Kissing Hands or New Appointments. London: E. Walker, 1806. 44.5 x 30.5cm, hand-coloured; [Cruikshank, Isaac] A Design for a Scene in the Intended new Melo Drama intitled the Forty Thieves. London: I. Hays, 1806. 38 x 27.5cm, hand-coloured; (14) the largest measuring 44.5 x 30cm

£500-700

477 Y VICTORIAN COROMANDEL GAMES COMPENDIUM DATED 1869, BY ALLEN, 37 STRAND, LONDON the hinged lid inset with a brass oval inscribed ‘F. Fraser’, opening to reveal a red leather lined interior with folding games board, fitted with a gilt cribbage board and turned ivory draughts and whist markers, the two hinged doors to the front opening to reveal a satinwood lined interior, bearing a registration mark, and with ivory chess pieces, the interior with tray inserts containing other games related items, the box bearing an ivory maker’s label 32.5cm wide, 18cm high, 22.5cm deep

£700-1,000

478 SCOTTISH NEEDLEWORK MAP SAMPLER LATE 18TH/ EARLY 19TH CENTURY outlined in silk on a linen ground, the place names in black, signed ‘Agnes Watson/ Edinburgh’ in a cartouche, mounted but unframed 40cm x 34cm

£150-250 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

173

479 POLISHED STEEL AND ENGRAVED SIX BARREL PIN-FIRE PEPPER BOX TRAVELLING PISTOL 19TH CENTURY with slab sided rounded hardwood grips and folding trigger in original leather case £300-500

480 ADAMS PERCUSSION FIVE SHOT DOUBLE ACTION CAP AND BALL REVOLVER CIRCA 1860 SERIAL NUMBER B4414 and patent number 19922R with engraved blued action, with sliding safety locking the cylinder, finely chequered rounded butt , engraved on top of the barrel DEANE & SON, NO. 50 KING WILLIAM ST, LONDON BRIDGE in original oak case lined with green baize with some accessories including powder flask , bullet mould oil bottle and with Dean and Son trade label

481

£1,000-1,500

FRENCH PERCUSSION RIFLED REVOLVER BY DEVISME A PARIS MODEL 1855 with blued barrel and frame on the Thouvenin system, signed on the top of the barrel at the breech and at the side of the frame, chequered pale walnut butt stamped 7983 on right above trigger guard in original oak case lined with green baize with some accessories including powder flask bullet mould and percussion cap box a hand written loading instruction is pasted into the lid £1,000-1,500

482 Y

483

STIRRUP HILTED LIGHT CAVALRY OFFICERS SABRE

OAK BRACKET CLOCK, WINTERHALDER & HOFMEIER

CIRCA 1803 with a chequered ivory grip and curved single edged blade with original brass mounted leather scabbard

the arch top case above an arched dial with silvered chapter, twin winding holes, pierced gilt spandrels and a SLOW/FAST dial to the arch, mounted with bronze floral swags, laurel wreaths and terms to the angles, handles to the sides, the eight day movement striking on two gongs

31 inches overall

24cm wide, 43cm high, 17.5cm deep

£300-500

£250-350

LATE 19TH CENTURY

174

484 REGENCY OAK METAMORPHIC WHATNOT EARLY 19TH CENTURY the square top with a reeded edge, above two further tiers with pull-out set of steps supported on ring turned legs with brass castors 52cm square 108cm high

£400-600

485 GEORGE III OAK AND MAHOGANY INLAID SMALL FALL-FRONT SECRETAIRE EARLY 19TH CENTURY the rectangular moulded cornice above a fall front [detached], with a baize writing surface, enclosing an arrangement of cupboards, drawers and pigeon holes, above two short and two long graduated drawers, the stand with square tapering legs 55cm wide 124cm high 27cm deep

£300-500

486

487

VICTORIAN TURKEY CARPET UPHOLSTERED ARMCHAIR

GEORGE III MAHOGANY WINE COOLER

19TH CENTURY the rectangular back with a bolster style toprail, padded arms and seat, raised on turned front legs, with brass caps and castors

the octagonal hinged lid centred with an inlaid star, opening to a fitted interior, with brass banded sides and brass handles, raised on square tapering legs with pierced brackets

88cm wide, 89cm high, 61cm deep

61cm wide, 77cm high, 57cm deep

£300-500

£500-700

EARLY 19TH CENTURY

175

488 SCOTTISH REGENCY GILTWOOD CONVEX GIRANDOLE MIRROR EARLY 19TH CENTURY the circular mirror plate within an ebonised reeded slip and frame with a pair of intertwined serpents and bullrushes, issuing a pair of scrolling candle arms with raised star motifs, bearing a maker’s label verso, JOHN STEELL, CARVER, GILDER, EDINBURGH 96cm high 88cm wide Note: John Steell (1779-1849) was born in Aberdeen but settled in Edinburgh in 1806 and worked as a carver, gilder, and print-seller, having premises at 2 Low Calton and later 34 Princes Street. A carver of considerable skill, he completed numerous commissions throughout the capital, but proved to be a poor businessman with proceedings to declare him bankrupt taking place in 1819. Notably, his son John Steell, who started as an apprentice in his father’s workshop, went on to become one of Scotland’s highest regarded 19th century sculptors.

£700-1,000

489 REGENCY MAHOGANY AND INLAY CARD TABLE EARLY 19TH CENTURY the rounded rectangular fold-over and crossbanded top with ebony inlaid scrolls, opening to a baize lined writing surface, above an inlaid frieze with a central tablet, raised on ring turned tapering legs ending on brass caps and castors 96cm wide, 76cm high, 48cm deep

£300-500

490 THREE ASH AND ELM WINDSOR CHAIRS 19TH CENTURY all with hoop backs and pierced splats over shaped seats, raised on turned legs joined by stretchers 95cm high; 108cm high; and 113cm high

£400-600

491 PAIR OF CAST IRON AND COPPER FIREDOGS 19TH CENTURY

492 PAIR OF GOTHIC STYLE GILT CAST IRON CANDLESTICKS 19TH CENTURY the nozzles with acanthus leaves above a knopped cluster column stem, on foliate scroll triform bases and with bun feet (2)

each modelled as a mythical beast standing on three paw feet, holding a ball in its mouth (2) 38cm high

£300-500

57cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

176

Above: The now lost Academy casket

Currently only eight other complete secular ivory coffrets like

Although this legend has been retold many times, one of the most

the present one are known. These so-called composite caskets

popular ones is the version by Béroul, a Norman or Breton poet of

are mostly in important museum collections around the world.1

the 12th century. According to his account, King Mark asks King

With all panels intricately carved in bas-relief, the high quality of

Arthur to try his wife Isolde at court for her unfaithfulness. To have

the workmanship is immediately visible, while a closer look reveals

Isolde exonerated from the charges, she and Tristan concoct a

the richness of the motifs. It gives us a beautiful insight into the

clever ruse. Tristan disguises himself convincingly as a poor leper,

medieval fascination with the concept of courtly love.

begging for alms on the banks of the river Malpas. When the royal

The present example likely originated in a workshop in Paris around 1330, due to the similarities with the existing ones. The exact meaning behind the iconological programs of these caskets has long been a subject for discussion between scholars. One thing the panels on all these caskets have in common is the link to medieval courtly literature, tales of love usually between knights and noble ladies emphasising nobility and chivalry, popular in Europe since around the time of the First Crusade in 1099. On this coffret, the two main tales the panels relate to are most likely Tristan and Isolde, and the Queste del Saint Graal.2 The two panels on the right side probably refer to the famous medieval romance, Tristan and Isolde. This tale, based on a Celtic legend, centres around the young knight Tristan, who travels to Ireland to ask for the hand of princess Isolde on behalf of his uncle King Mark of Cornwall. After slaying a dragon there, the princess agrees to marry King Mark. On the journey back Tristan and Isolde drink the love potion prepared by the queen for her daughter and King Mark and fall for each other. The main part of the romance is focussed on King Mark trying to prove their secret love affair and punishing them.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

party arrives, he carries her across the river, so Isolde can truthfully swear in front of the court that “no man ever came between my thighs except the leper who carried me on his back across the ford and my husband, King Mark”. This oath was seemingly so convincing, that everyone hearing it applauded it, and King Arthur made Mark promise to never slander her again. The front left panel shows Tristan carrying Isolde across the river, her headdress clearly indicating she is a married woman. After Isolde is safe, Tristan dresses up as the Black Knight and joins the jousting, a scene represented on the left end panel of the casket. The carvings on the front right and right end panel allude to another preeminent story, the Queste del Saint Graal, the story of the fabled Holy Grail, part of the Arthurian Legend. It begins at King Arthur’s court with a gathering of the well-known Knights of the Round Table. Just before dinner a sword in a stone appears miraculously floating in the river below the castle. Lancelot’s claims that whoever tries to remove the weapon will be gravely wounded does not deter his companions eager for adventure. Only the recently arrived Galahad can withdraw the sword, which he uses to achieve the quest for the grail.

177

493 Y RARE AND IMPORTANT FRENCH GOTHIC IVORY COMPOSITE CASKET CIRCA 1330 the panels intricately carved in bas-relief to include scenes from the Medieval tales Queste del Saint Graal and Tristan & Isolde, with later brass brackets, straps and handle 25cm wide, 11cm high, 13cm deep

£30,000-50,000

178

The carving next to the lock on the right of a man presenting his

The overall iconography of this casket seems to confirm the general

arm with severed hand to a king and queen probably relates to

notion that they were made as courting or wedding gifts for noble

this, he having failed to retrieve the sword and receiving this grisly

ladies, personalised to the commissioner’s preferences, as all the

injury in trying so. The sword over the altar on the right end panel

panels include notions of love and chivalry, to perhaps represent

possibly refers to the divine and miraculous nature of the weapon

wishes for the future relationship especially important to the suitor.

Galahad obtained. The scene on the right end could either show

These very personal meanings have been lost to time, yet make this

the appearance of the grail just after Arthur, Galahad, and the

coffret extraordinarily intriguing.

knights of the Round Table sit down to eat, or when Galahad and his companions finally encounter the grail at the end of the story, or a conflation of the two. That the figure in the middle of the right end panel lacks a crown suggests that he is Galahad and not Arthur. The lions shown on the lid support this identification, as the grail castle was guarded by lions and surrounded by water.

Another element making this casket so significant is the impeccable provenance. We can trace it all the way back to the beginning of the 17th century, as it is mentioned in the family genealogy of the Baird family of Auchmedden6 in relation to Thomas Baird.7 According to this text, he became a friar of a monastery in Besançon, Burgundy, in 1615. Letters from his uncle Andrew, who was staying close by in

The wild men presented in intricate detail fighting to conquer

France, to his father Gilbert mention him to be hard of learning and

a castle on the lid, and again defeated and in chains on the back

‘incapable of any of the sciences’. His saving grace was said to being

panel, are a very popular motif in medieval imagery, ubiquitously

excellent at mechanics, having made ‘an oblong, small chest of ivory

represented in art of the highest quality from the early 14th

10 inches long, 5 broad, and 4 high, delicately carved in bas-relief,

century and continuing well into the sixteenth century. 3 Wild

with the chisel, upon the top and sides into figures of knight-errants,

men represented the opposite of accepted standards of society,

distrest [sic] damsels, and enchanted castles, taken from some of the

subliminally implying chaos, insanity and ungodliness. Especially in

old romances which were so much in vogue in that age’.

the 14th century the wild men seem to take on an erotic role, seen storming the Castle of Love in several artworks, one of the most common allegorical scenes in which the winning of a lady’s heart is depicted as the siege of a castle.4 The carving on this coffret actually is reminiscent of the so-called Academy Casket (see image on preceding page), now lost.

Unusual on this panel is the wild man wearing a crown. There are some wild men wearing crowns in 15th century German tapestries, but we don’t have an explanation why the carver added one in this case.

None of the letters later on in the genealogy indicate as to why the author thinks the casket was made by Thomas Baird, and not just sent over to his family as a gift. We don’t know if it was Thomas himself trying to make up for his shortcomings as a scholar by telling his family he was the talented maker, or if this is down to family lore evolving over the centuries. The casket would have already been nearly 300 years old at the time of Thomas’ acquisition. A footnote in the genealogy places the casket in the editor W. N. Fraser’s possession in 1870, which gives us the firm link to the present-day vendors, who are descendants by marriage of the Baird family.

Metropolitan Museum of Art, New York, 17.190.173, 1988, 16; British Museum, London, Dalton 386; Victoria and Albert Museum, London, 146.1866; Walters Museum, Baltimore, 71.264; Barber Institute of Fine Arts, Birmingham; Bargello, Florence, 123 c.; Cathedral Treasury, Krakow; Winnipeg Art Gallery

Thanks to Paula Mae Carns for identifying the various iconography

Timothy Husband, Metropolitan Museum of Art, Gloria Gilmore-House. Metropolitan Museum of Art, 1980, p. 4

Timothy Husband, Metropolitan Museum of Art, Gloria Gilmore-House. Metropolitan Museum of Art, 1980, p. 73

The location of all panels from this dismantled casket is unknown, apart from the back panel which is now in the Metropolitan Museum of Art in New York (2003.131.2). This casket is known from an eighteenth- century engraving (see Lévesque de Ravalière).

Genealogical collections concerning the sir-name of Baird, and the families of Auchmedden, Newbyth, and Sauchton Hall in particular : with copies of old letters and papers worth preserving, and account of several transactions in this country during the last two centuries: Baird, William, 1700 or 1701-1777, edited by W. N. F. Fraser, London 1870, page 21

The exact dates for Thomas Baird are unknown, however he is known to be the third son of Gilbert Baird (1551-1620), and he resided in France from at least 1609.

179

180

494 Y GROUP OF SEVEN SOUTHEAST ASIAN EDGED WEAPONS a curved single edge blade with the hilt inlays of mother-of-pearl in plain replacement sheath; a knife with grip with carved dragon head pommel; another with carved ebony and pierced decorations (Kandy Knife ) with damaged scabbard; an oval grip knife in leather sheath; a short European Bowie type knife; an ivory and silver hilted knife; and a cleaver with ivory grips and wooden sheath, Indian dagger (peshkabz); TOGETHER WITH three Nepalese Gurkha Kukri fighting knives with buffalo horn and wooden grips and companion knives WITH A CLEAVER WITH IVORY GRIPS AND WOODEN SHEATH INDIAN DAGGER (PESHKABZ) (10) longest: 30.5cm

£400-600

495 PAIR OF INDIAN HARDENED LEATHER SHIELDS (DHALS) decorated with painted central rosettes and with four brass bosses with cast masks, with four internal rings (2) 18.5 inches wide

£300-500

496 Y ANGLO-INDIAN SOLID IVORY AND SATINWOOD SIDE CHAIR, MURSHIDABAD EARLY 19TH CENTURY the shaped back carved with flowerheads above a horizontal splat and satinwood framed caned seat, raised on turned and tapered ivory legs with flowerhead caps and united by turned satinwood stretchers 47cm wide, 79cm high, 38cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

181

CONTINENTAL FURNITURE & WORKS OF ART

182

497 BAROQUE STYLE CARVED PINE AND LIMEWOOD MIRROR 19TH CENTURY the deep moulded frame carved with scrolling acanthus, with a modern rectangular mirror plate 106cm high, 89cm wide Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£500-700

498 FLEMISH TAPESTRY FRAGMENT LATE 16TH CENTURY depicting a woman in peasant dress holding a staff, flanked by terms, captioned ‘SENETUS’ 119cm x 69cm Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent Note: For a similar example of this fragment, possibly originating from the same source, see Christie’s, The Roger Warner Collection, Part I, 21 January 2009, lot 509.

£1,500-2,500

499 FRENCH TAPESTRY BORDER FRAGMENTS LATE 17TH/ EARLY 18TH CENTURY woven with fruit and flowers against brown, blue, and cream bands, mitre sectioned and mounted in a glazed frame; a label on the reverse stating the fragments were found ‘in the dungeons of Killkenny Castle’ 78cm x 71cm Provenance: From Castle of Park, Aberdeenshire

£300-500

500 SPANISH PINE AND IRON TRESTLE TABLE 18TH CENTURY the long single board rectangular top with a moulded edge, on scrolled trestle bases carved with Green Man masks and iron arch supports 230cm long, 78cm deep, 72cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

183

501 RUSSIAN ICON OF THE RESURRECTION AND DESCENT INTO HELL SURROUNDED BY TWELVE FESTIVALS 19TH CENTURY oil on panel, mounted in a giltwood frame 30cm high, 27cm wide

£700-900

502 RUSSIAN ICON OF THE KAZAN MOTHER OF GOD 19TH CENTURY in a metal oklad with applied halos 31cm high, 26.5cm wide

£300-500

503 RUSSIAN ICON OF ST JOHN CHRYSOSTOMOS

504

19TH CENTURY

LARGE RUSSIAN ICON OF ST GEORGE AND THE DRAGON

oil on panel, the saint flanked by the standing figures of St. Pelagia and Archbishops of Nevgored, Eudokia and Daria

19TH CENTURY oil on panel, depicting St George lancing the dragon who is tethered to a princess by a tower, while a king and queen observe from a window 89cm high, 70cm wide

£2,000-3,000

52cm high, 43cm wide

£1,000-1,500

184

505 Y PORTRAIT MINIATURE OF POPE INNOCENT XII EARLY 19TH CENTURY oil on ivory, the subject seated in a red velvet chair, dressed in white, red and cold papal regalia, his left hand resting on the triregnum, his right hand pointing to the note ‘A.S.S./ PAPA SISTO V./ Gan***netti?’, in a Florentine giltwood frame 20cm x 15.5cm Note: Innocent XII served as Pope from 1691-1700. The note in his lap to which he is pointing is a reference to Pope Sixtus V, who served 1585-1590. £300-400

506 WHITE MARBLE BUST OF THE VENUS DE MILO, AFTER THE ANTIQUE 19TH CENTURY on a socle base 43cm high

£300-500

507 DIANA DE GABII, AFTER THE ANTIQUE LATE 19TH CENTURY composition, with a dark brown surface to simulate bronze, on a stained wood tapered square pedestal Figure 100cm high; pedestal 108cm high

£600-800

508 SILENUS WITH INFANT BACCHUS, AFTER THE ANTIQUE 19TH CENTURY bronze, dark brown patina, on green marble base 66cm high Provenance: The Late Dr Helen E C Cargill Thompson

£1,000-1,500

509 ITALIAN PIETRA DURA AND EBONY BOX 19TH CENTURY the hinged cover with a pietra dura panel depicting two birds on a branch with flowers, in a moulded ebony frame 19cm wide, 5.5cm high, 14cm deep Provenance: Previously Bardrochat House, South Ayrshire

£250-350

185

510 FINE FRENCH LOUIS XIV STYLE GILTWOOD MIRROR 19TH CENTURY the bevelled octagonal plate within margin plates surmounted by foliate scrolls, putti heads, flower garlands, and a central pair of lovebirds 136cm high, 104cm wide

£800-1,200

511 PAIR OF VENETIAN CARVED, POLYCHROMED AND GILT FIGURES OF NORTH AFRICAN ATTENDANTS LATE 19TH/ EARLY 20TH CENTURY each figure wearing a headdress and gilt tunic and robe, each holding a gold dish in their hands, standing on large integrated tripod bases carved with masks, shells, foliate scrolls and foliate swags (2) 173cm high, 92cm wide

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

186

512 LOUIS XIV STYLE GILT BRONZE MANTLE CLOCK, BY SUSSE FRERES, PARIS 19TH CENTURY the circular signed white enamel dial with Roman and Arabic chapters and twin winding holes, in an architectural case with lion mask loop handles, acanthus, laurel trails and an urn finial, raised on paw feet on a shaped platform base; the eight day movement striking a bell and stamped 1482 55cm high, 35cm wide, 20cm deep

£700-1,000

513 FRENCH ROCOCO STYLE GILTWOOD MIRROR 19TH CENTURY the shaped mirror plate in a pierced frame with acanthus scrolls, rocaille, roses, and a pair of putti 134cm high, 67cm wide

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

187

514 FRENCH GILT AND PATINATED BRONZE AND MARBLE MANTLE CLOCK GARNITURE, AFTER CLODION 19TH CENTURY the white enamel dial with Roman and Arabic chapters and twin winding holes, in a waisted white marble case surmounted by a pair of putti emblematic of Autumn, the eight-day movement striking a bell and stamped 146/416; together with a pair of four light figural candelabra each with a putto holding a cornucopia issuing floral candle arms, on matching bases (3) Clock 59cm wide, 34cm high; candelabra 59cm high

£1,500-2,500

515 Y LOUIS XV TORTOISESHELL AND BOULLE MARQUETRY BRACKET CLOCK, BALTAZAR, PARIS 18TH CENTURY

516 LOUIS XV STYLE KINGWOOD AND AMARANTH BUREAU PLAT MID 20TH CENTURY the brown leather top with brass banded mounts above three frieze drawers, with dummy drawers opposing, raised on cabriole legs with figural gilt bronze masks, ending in lion paw sabots 163cm wide, 78cm high, 82cm deep

£2,500-3,500

the waisted rococo case set with individual blue and white Roman numeral chapters and black and white seconds chapters, signed J*C H TOME BALTAZAR/ A PARIS, the case with gilt bronze dragons and surmounted by the figure of Minerva, the backplate engraved J C me v Baltazar A Paris, the eight-day twin barrel movement chiming on a bell 97cm high, 48cm wide, 26cm deep

£1,000-1,500

188

517 FRENCH THREE PIECE GILTWOOD AND AUBUSSON SALON SUITE 19TH CENTURY comprising a canapé and pair of fauteuils in the Louis XV style, the frames carved with flaming urns and laurel branches, covered in floral Aubusson covers (3) canape 136cm long, 100.5cm high, 58cm deep; fauteuil 69.5cm wide, 97.5cm high, 52cm deep

£3,500-4,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189

518 SUITE OF FOUR FRENCH GILTWOOD AND AUBUSSON FAUTEUILS 19TH CENTURY ensuite with the previous lot, in the Louis XV style with floral Aubusson covers (4) 69.5cm wide, 97.5cm high, 52cm deep

£4,000-6,000

190

519 LOUIS XV STYLE KINGWOOD AND ORMOLU EASEL TABLE MIRROR LATE 19TH CENTURY the shaped reniform bevelled plate within a moulded frame banded in gilt bronze and centred by a foliate mount, raised on foliate scrolled feet, with a strut support 55cm high, 71cm wide

£300-500

520 PAIR OF LOUIS XV STYLE KINGWOOD AND AMARANTH MARBLE TOPPED SIDE TABLES LATE 19TH CENTURY the shaped purple veined marble tops bound in brass above drawers to the short sides, raised on brass mounted square cabriole legs with gilt bronze mounts, above a conforming undertier, and ending in sabots (2) 37cm wide, 72cm high, 27cm deep

£2,000-3,000

521 LOUIS XV STYLE MAHOGANY AND CANED BERGERE SUITE LATE 19TH CENTURY comprising a canape, two bergeres, and four side chairs, carved with rocaille, each with arched back, serpentine fronted seat and on shaped legs (7) canape 127cm wide 93cm high 53cm deep; bergere 56cm wide, 87cm high 43cm deep; side chair 43cm wide 84cm high 37cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

191

522 SET OF FOUR VERDIGRIS PATINATED BRONZE TABLE LAMPS 20TH CENTURY with hexagonal-rimmed urn shaped nozzles, above facetted baluster stems on hexagonal bases, fitted for electricity (4) 28cm high (excluding fittings)

£800-1,200

523 GERMAN MARQUETRY LONGCASE CLOCK 18TH CENTURY the embossed arched brass dial with a Roman numeral chapter, above a long door with a lenticle, on a plinth base, with bird and mythical beast marquetry

524

54cm wide, 250cm high, 26cm deep

LOUIS XV STYLE KINGWOOD AND GILT METAL VITRINE TABLE

£600-800

LATE 19TH CENTURY/ EARLY 20TH CENTURY the hinged brass-banded top with a bevelled glass panel opening to a red plush lined interior, raised on slender square cabriole legs with gilt metal mounts 33cm wide, 68cm high, 26cm deep

£400-600

525 PAIR OF LOUIS XV STYLE BERGERES EARLY 20TH CENTURY the flower carved walnut frames on cabriole legs, covered in salmon pink floral damask (2) 73cm wide, 105cm high, 57cm deep

£500-700

192

526 GOOD PAIR OF SAMSON ‘COMPAGNIE DES INDES’ FAMILLE ROSE ARMORIAL VASES AND COVERS LATE 19TH CENTURY of baluster shape, the domed covers with bud finials, decorated with flower filled urns, sprays, and lingzhi, with a band of armorials to the necks, highlighted with gilding (2) 57cm high

£400-600

527 TWO PAIRS OF SAMSON ARMORIAL DOUBLE-WALLED VASES AND COVERS 19TH CENTURY in the famille rose Chinese export style, the domed covers with pointed finials above high shouldered baluster bodies, all with pierced lattice panels and decorated with flower sprigs and sprays, iron red pseudo seal marks (4)

528 FRENCH PROVINCIAL FRUITWOOD COMMODE

45.5cm high

18TH CENTURY

Provenance: Property of a Scottish Borders family

the top with a moulded edge above two short and a long drawer flanked by reeded angles, raised on short scroll legs

£600-800

156cm wide, 85.5cm high, 57cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

193

529 MEISSEN COFFEE POT MID 18TH CENTURY of pear shape, the domed cover with a flower finial, with scroll moulded spout and tau handle, the body painted to both sides with huntsmen and their dogs pursuing stags and deer in the landscape, blue underglaze crossed swords mark, 23.5cm high, TOGETHER WITH a Meissen teapot painted to both sides with a courting couple in a landscape setting, with insects and flower sprigs, with a bird’s head moulded spout and tau handle, blue underglaze crossed swords and gold painted S (2) 10.5cm high Provenance: Property of a Scottish Borders family

530

£700-1,000

COLLECTION OF CONTINENTAL TEAWARE LATE 18TH CENTURY comprising four Höchst cups and saucers, painted with waterside scenes within puce and gilt floral borders, including two coffee cups with wishbone handles and two teacups, blue underglaze wheel mark, saucers 13cm diameter; a Fürstenberg cup and saucer each painted with two panels in puce monochrome depicting buildings in a landscape setting, within a scrollwork cartouche border, with floral sprays and gilt rim border; blue underglaze F mark, saucer 14cm diameter; and two further Fürstenberg tea cups with a matching sugar bowl, painted with floral decoration and gilt rim borders, blue underglaze F marks (13) cups 5cm high Provenance: Property of a Scottish Borders family

£300-400

531 MEISSEN MARCOLINI PART TEA AND COFFEE SERVICE EARLY 19TH CENTURY the pieces formed with angular square section handles, the cups and pots of tapering cylindrical form, painted throughout with grey roses and buds on leafy green stems, comprising: a coffee pot, a hot water pot, a tea pot, a caddy with cover, a sugar basin with cover, a slop bowl, six tea cups, one coffee cup, five saucers; blue underglaze Marcolini marks (18) the coffee pot 26cm high, the tea pot 15cm high Provenance: Property of a Scottish Borders family

£400-600

532 MEISSEN PART TEA AND COFFEE SERVICE MID 18TH CENTURY painted with scenes of courting couples in a landscape setting, comprising a teapot with moulded bird’s head spout and tau handle, a coffee pot with tau handle (cover lacking), three tea cups, four saucers, and a leaf shaped dish with domed cover, blue underglaze crossed swords marks and painted gilt marks (10) teapot 10.5cm high, saucers 13.5cm diameter Provenance: Property of a Scottish Borders family

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194

533 PAIR OF LOUIS XVI ORMOLU AND MARBLE CANDELABRA 18TH CENTURY the white marble urns with rams’ mask handles and issuing twin flower form candle branches, on square grey marble plinths (2) 42cm high

£300-400

534 LARGE FRENCH GILT AND PATINATED BRONZE MANTEL CLOCK 19TH CENTURY the circular white enamel dial with Roman and Arabic chapters and twin winding holes, in a cylinder case surmounted by an urn with pinecone finial, flanked by seated putti holding flower garlands, on a shaped rectangular base with a shell motif and raised on scroll feet, the eight-day movement striking a bell 56cm wide, 67cm high

£1,000-1,500

535 FRENCH MARBLE AND GILT BRONZE THREE PIECE CLOCK GARNITURE LATE 19TH CENTURY the cream enamel dial with Arabic chapter and two winding holes, in a cylinder case set between tapered columns surmounted by urn finials and hung with flower garlands, the eight-day movement striking a bell; the matching candelabra with twin scrolling candle arms and central flaming urn, on square stepped bases with bun feet (3) clock 27.5cm wide, 51cm high, 11cm deep

£400-600

536 FRENCH GILT BRONZE AND BLUE TURQUIN MARBLE CLOCK GARNITURE 19TH CENTURY the white enamel dial painted with Arabic numerals and swags, signed ‘Denière/ Fd de Bronzes/ A Paris’, in an arched marble case on a stepped base of breakfront outline, with gilt bronze cornucopia mounts and surmounted by a ribbon-tied quiver, arrow and floral wreath, the eight-day movement signed J DENIERE A PARIS 2766 and striking a bell; the matching candelabra with a central stiff and two scrolling candle arms on circular bases (3) clock 30cm wide, 33cm high, 12.5cm deep

£1,000-1,500

195

537 PAIR OF LOUIS XVI GILTWOOD FAUTEUILS 18TH CENTURY the oval backs above wide seats and part-padded arms, in guilloche moulded frames raised on fluted tapered legs; covered in dove grey striped velvet (2) 64cm wide, 98cm high, 54cm deep

£600-800

538 PAIR OF FRENCH MARBLE, BRONZE, AND GILT METAL GUERIDONS LATE 19TH CENTURY/ EARLY 20TH CENTURY the circular brass banded white marble tops raised on incurved legs surmounted by rams’ masks and ending in hoof feet with castors, with a conforming undertier and united by stretchers with a central urn finial (2) 71cm wide, 71cm high

£6,000-8,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

196

539 PAIR OF SAND PICTURES, ATTRIBUTED TO BENJAMIN ZOBEL (GERMAN, 1762-1830) LATE 18TH/EARLY 19TH CENTURY one depicting donkeys and goats in a wood, the other showing cattle and sheep near a windmill, in gilt frames (2) 50cm wide, 40.5cm high

£400-600

540 FRENCH DIRECTOIRE MAHOGANY AND BRASS DEMI-LUNE CARD TABLE LATE 19TH/ EARLY 19TH CENTURY the fold-over top opening to a green baize playing surface, above a panel frieze, all outlined with brass banding, raised on fluted tapered legs 110cm wide, 74cm high, 55cm deep [closed] Provenance: Collection of Yvonne Hackenbroch , curator of the British Museum

£700-1,000

541 PAIR OF FRENCH EMPIRE MAHOGANY FRAMED ARMCHAIRS EARLY 19TH CENTURY the padded backs with arched top rails above padded stuffover seats covered in cut velvet gold upholstery, flanked by downswept arms with S scroll supports, raised on scrolled legs (2) 58cm wide, 93cm high, 50cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

197

542 FRENCH MAHOGANY BRASS BANDED VITRINE TABLE LATE 19TH/ EARLY 20TH CENTURY the hinged and glazed top opening to a red plush interior and glazed side panels, raised on tapered legs with brass lined fluting and ending on brass feet 65cm wide, 73cm high, 43cm deep Provenance: Property of a Scottish Borders family

£300-500

543 FRENCH VERNIS MARTIN VITRINE CABINET LATE 19TH CENTURY the arched cornice above a serpentine glazed door and side panels with Vernis Martin panels below depicting a pastoral scene and landscapes, enclosing a green plush lined interior with glass shelves, all raised on cabriole legs, the whole outlined with gilt metal mounts 86cm wide, 179cm high, 42cm deep

£2,000-3,000

544 FRENCH LOUIS XVI STYLE MAHOGANY AND PARCEL GILT MOUNTED DUCHESSE BRISÉE LATE 19TH CENTURY with an arched back, part padded arm supports and shaped seat, raised on ring turned tapering legs on foliate sabots, with conforming stool (2) the chair 69cm wide, 95cm high, 50cm deep; the stool 90cm length, 42cm high, 69cm wide

£400-600

198

545 AFTER PAUL DUBOIS (FRENCH, 1829 - 1905) LE CHANTEUR FLORENTIN bronze, medium brown patina, inscribed P. DUBOIS 1869 and F. BARBEDIENNE FOUNDEUR, pastille mark A. COLLAS, BREVETE REDUCTION MECHANIQUE, V; underside inscribed three times 35 and xx, as well as in ink 6728. gna 60cm high

£1,000-1,500

546 LARGE CONTINENTAL BRONZE FIGURE OF A TURK LATE 19TH/ EARLY 20TH CENTURY depicting running with a stick/ cane in one hand, a feathered bag, and a flintlock rifle strapped to his back, on a stepped base 71cm high approx.

£500-700

547 AFTER PIERREJULES MÊNE (1810-1879) FIGHTING STAGS bronze, green/brown patina, on an oval base, signed P.J. MENE 59cm wide, 29cm high, 24cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

199

548 PAIR OF FRENCH BRONZE CANDLESTICKS, ATTRIBUTED TO JULES MOIGNIEZ 19TH CENTURY dark brown/black patina, the urn-form sconces cast with hares above stems cast in relief with hunting dogs, on wide circular drip pan bases cast with hares (2) 27cm high

£400-600

549 FRENCH BRONZE OF SEATED VENUS 19TH CENTURY medium patina, on a wood base 30cm high

£400-600

550 ITALIAN ALABASTER AND BRONZE FIGURE OF CLASSICAL MAIDEN 19TH CENTURY the figure seated on a bench holding a book and regarding a gilt bronze rose resting beside her on the seat, signed NICCIOLE 34cm high

£300-500

551 AFTER DONATELLO, LARGE BRONZE FIGURE OF DAVID 19TH CENTURY dark brown patina, on marble base 101cm high

£400-600

552 AFTER FRANCOIS CLEMENT MOREAU (FRENCH. 1831-1865) BOTTELEUR AND FONTAINE FLEURIE, MID-19TH CENTURY bronze, dark brown patina, signed, on circular green marble bases (2) 29CM HIGH

£300-400

200

553 PAIR OF FRENCH MODERATEUR PATINATED AND GILT METAL LAMPS converted from oil lamps, the inverted baluster bodies with lion masks ring handles, on scroll feet, with white pleated shades (2) 39.5cm high (excluding fittings)

£1,000-1,500

554 AFTER HIPPOLYTE MOREAU (FRENCH, 1832 - 1927) MAENAD bronze, reddish brown patina, signed H. MOREAU and stamped 5063 to base, and 098 and 289 to underside 46cm high

£400-600

555 PAIR OF CLASSICAL BRONZE RELIEF PLAQUES LATE 19TH/ EARLY 20TH CENTURY the first depicting Ariadne with a panther, the other Venus and Cupid, both mounted in modern black frames (2) 23cm high, 38cm wide

£300-400

556 FRENCH CHAMPLEVÉ ENAMEL, GILT BRONZE AND ONYX LAMP

557

19TH CENTURY

PAIR OF BRASS MARLEY HORSE FIGURES, AFTER COUSTOU

in the form of a Corinthian column, raised on an onyx base with gilt paw feet, with a parchment shade with Chinese figures, fitted for electricity

19TH CENTURY on naturalistic bases (2)

48cm high, excluding fitting

36cm high

£300-500

558

559

PAIR OF FRENCH BRONZE MARLEY HORSE FIGURES, AFTER COUSTOU

AFTER ÉMILE GUILLEMIN (FRENCH,1841-1907)

19TH CENTURY

PAIR OF CONQUISTADORS, LATE 19TH CENTURY

dark brown patina, on naturalistic bases (2)

bronze, medium brown patina, on red marble bases (2)

28cm high

22.5cm high

£250-350

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

201

560 FRENCH GILT BRONZE AND CHAMPLEVÉ ENAMEL MANTLE CLOCK 19TH CENTURY the silvered Roman numeral dial in a rococo case surmounted by a putto, the eight day gong-strike movement stamped A.D. MOUGIN 32cm high

£300-500

561 FRENCH CHAMPLEVÉ ENAMEL AND GILT BRASS THREE PIECE CLOCK GARNITURE 19TH CENTURY in the Islamic taste, the Arabic numeral dial with two winding holes, in a four square case with dome top and corner finials, the eight-day movement stamped Vincenti & Cie Medaille d’argent 1855; the candlesticks of tapered square form on stepped bases (3) clock 29cm high, candlesticks 22cm high

£400-600

562 FRENCH MARBLE, GILT AND PATINATED BRONZE THREE PIECE CLOCK GARNITURE 19TH CENTURY the white enamel dial with blue Roman and Arabic numeral chapters and two winding holes, in a breakfront white marble case surmounted with a pair of putti and a central flame finial, the eight-day movement striking a bell; the associated figural candelabra each with a putto standing on a column with a standard issuing three candle arms (3) clock 43cm wide, 37cm high, 13cm deep

£800-1,200

563 MINIATURE FRENCH SECRETAIRE ABBATANT 19TH CENTURY the rouge marble top over a drawer and fall front, opening to reveal a recess and two short drawers and a green leather skiver, above two further long drawers, raised on tapered legs, with gilt metal mounts throughout 33cm wide, 43cm high, 16.5cm deep

£300-400

202

564 GERMAN BAND SAMPLER DATED 1774 worked in multi-coloured silks on linen, depicting patterns, alphabets, and a number series, religious motifs and subjects, buildings, trees, flowers, people, and various birds and animals, with a cartouche with initials and date, in a modern frame 136cm high x 24cm wide [excluding frame] Provenance: Collection of Emma Henrietta Schiff Von Suvero . Staatliche Kunstgewerbe Museum , Vienna , Austria 1939 2003

£800-1,200

565 GERMAN BAND SAMPLER 18TH CENTURY worked in multi-coloured silks on linen, depicting alphabet and number series, religious figures and symbols, trees, various animals, birds, and people, some designs taken from Johann Sibmacher’s pattern book, in a modern frame 135cm high x 31cm wide [excluding mount and frame] Provenance: Collection of Emma Henrietta Schiff Von Suvero . Staatliche Kunstgewerbe Museum , Vienna , Austria 1939 - 2003

£500-700

566 GERMAN BAND SAMPLER DATED 1776 worked in multi-coloured silks on a linen ground edged with silk ribbons, depicting pattern bands, alphabet and number series, birds, trees, flowers, religious motifs, tools, a building and people, with initials and date, mounted in a modern frame 104cm high, 22.5cm wide [excluding mount and frame]

567 GERMAN BAND SAMPLER DATED 1746 worked in multi-coloured silks on linen, depicting pattern bands, birds, flowers, baskets and animals, number and alphabet series, with religious motifs and subjects, and a cartouche with initials and date, some designs taken from Johann Sibmacher’s pattern book, in a modern frame

Provenance: Collection of Emma Henrietta Schiff Von Suvero . Staatliche Kunstgewerbe Museum , Vienna , Austria 1939 - 2003

160cm x 33cm [sight size]

£400-600

£1,000-1,500

Provenance: Collection of Emma Henrietta Schiff Von Suvero . Staatliche Kunstgewerbe Museum , Vienna , Austria 1939 - 2003

203

568 GERMAN BAND SAMPLER worked in silk on linen, muted blue, green and gold threads depicting alphabet and number series, numerous birds, animals, people and religious subjects, with various initials and dates 1786 [x2] and 1810, mounted in a modern frame 105cm x 24cm [excluding frame] Provenance: Collection of Emma Henrietta Schiff Von Suvero . Staatliche Kunstgewerbe Museum , Vienna , Austria 1939 - 2003

£400-600

569 GERMAN VIOLIN, LOUIS LOWENDALL, DRESDEN DATED 1883

Note: Ludwig Spohr, 1784 -1859, was a German composer, violinist, and conductor. Highly regarded during his lifetime, he toured extensively through Europe, and made six tours of England beginning in 1820. He composed more than one hundred and fifty works in the Romantic style, but fell into obscurity for most of the 20th century, but has experienced a rediscovery over the last few decades.

the two piece curly maple back stamped ‘DRESDEN’ and ‘REGISTERED’ and painted with a portrait of the violinist Ludwig Spohr, the button with a Registration stamp and number 390660, the back of the scroll branded ‘LOWENDALL’S ARTIST VIOLIN’; the front of ash with interior label ‘Louis Lowendall/ fecit Dresdæ. Anno 1883’; TOGETHER WITH a bow stamped GERMANY and branded initials ACHM in a cross, 740mm long; in a baize-lined wood case with extra keys, frets, strings, and tailpiece back 358mm long, upper bout 170mm, lower bout 214mm

£300-500

570 COLLECTION OF ROYAL COPENHAGEN FLORAL PAINTED PORCELAIN LATE 19TH / EARLY 20TH CENTURY comprising seven teacups and saucers, each painted with bouquets and sprays of flowers, with a gilt rim to a wavy and basket moulded body, saucers 14.7cm diameter, TOGETHER WITH seven similarly decorated plates, each with a pierced scalloped edged rim, green printed and underglaze blue wave factory marks (21) pierced plates 18.5cm diameter

£400-600

571

572

573

SIXTEEN MEISSEN FLOWER PAINTED PLATES

GROUP OF DRESDEN YELLOW GROUND PORCELAIN

SET OF FOUR MEISSEN STYLE ROSE PETAL MOULDED CUPS AND SAUCERS

19TH CENTURY

CIRCA 1900

19TH CENTURY

each plate painted with a mixed bouquet of flowers, with further floral sprays, the border with a scalloped edge with gilt rim, blue underglazed crossed swords marks, 23cm diameter; TOGETHER WITH two Meissen style square shaped floral painted dishes, cancelled crossed swords marks, 21cm x 21cm, and a leaf shaped dish painted with flowers, cancelled crossed swords mark (19)

including a twin handled vase with domed cover, painted to each side with a panel of courtship, with further floral and gilt decoration throughout, raised on a square section base, blue AR mark, 48cm high; two bottle vases with elongated necks, the cover of each with a flame finial handle, painted to one side with a scene of battle and to the reverse with a floral bouquet, AR marks, 36cm high; TOGETHER WITH a French rectangular box, the domed cover painted with flowers within gilt scrollwork (4)

the outside of each cup moulded with overlapping petals shaded in pink, the handle in the form of a green leafy branch, painted to the interior with a bouquet and sprigs of flowers, the underside of each saucer also with moulded overlapping petals, the upper surface painted with flowers; unmarked saucers 14cm diameter, cups 6.5cm high, TOGETHER WITH a Continental porcelain gilt metal mounted basket and scroll moulded box, painted to the sides, lid, interior and underside with flowers; unmarked (9)

Provenance: Property of a Scottish Borders family

13.5cm wide, 6cm high, 9cm deep

Provenance: Property of a Scottish Borders family

£250-350

19cm long

16.5cm wide, 9cm high, 12cm deep

204

574 PAIR OF SWEDISH BIRCH OVAL PEDESTAL TABLE 19TH CENTURY the fixed oval tops with moulded edges on ring-turned baluster supports and four flat-scrolled legs (2) 61cm wide, 75cm high, 44cm deep

£1,200-1,800

575 DUTCH WALNUT AND MARQUETRY DISPLAY CABINET-ON-CHEST EARLY 19TH CENTURY of small size, the moulded cornice above a glazed door and side panels enclosing shelves; the lower part with four graduated drawers flanked by angles, inlaid throughout with floral marquetry 91cm wide, 189cm wide, 56cm deep

£1,000-1,500

576 DUTCH CHEST OF DRAWERS 19TH CENTURY with a shaped moulded top, above three short drawers, flanked by canted angles, with raised detail, panelled sides with carrying handles on small shaped feet 84cm wide, 78cm high, 57cm deep Provenance: William Teacher (1811-1876), Scottish wine and spirit merchant, thence by descent

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

205

ASIAN FURNITURE & WORKS OF ART

577 PAIR OF ANGLO-INDIAN EBONY ARMCHAIRS AND ASSOCIATED FOOTSTOOLS MID 19TH CENTURY the frames carved with shell, leaf, and flower motifs above padded backs and seats, on lotus carved legs with brass caps and castors on the forelegs and ceramic castors on the rear legs; the footstools with padded tops and foliate carved rails on lotus carved feet; in brown foliate upholstery (4) Chairs 63cm wide, 105cm high, 53cm deep; stools 42cm wide, 24cm high, 27cm deep Provenance: The Late Dr Helen E C Cargill Thompson

£2,000-3,000

206

578 KASHMIRI PAPIER-MÂCHÉ TURBAN BOX 19TH CENTURY octagonal decorated with gilt flower and foliage motifs; TOGETHER WITH a Southern Indian brass mounted painted casket, 33.5cm wide, 21cm high, 27cm deep (2) 22cm diameter, 18.5cm high

£250-350

579 INDIAN POLYCHROME CARVED WOOD AND METAL MODEL OF A BULLOCK CART 19TH CENTURY with two bullocks pulling a cart with a driver and two dignitaries 39cm long, 41cm high, 21cm deep

£300-500

580 PAIR OF LARGE RAJASTHANI CARVED AND POLYCHROMED FIGURES OF A RAJAH AND RANI 19TH CENTURY each figure depicting standing on a square platform raised on stylised paw feet (2) 98cm and 109cm high

£1,500-2,000

581 INDIAN URULI BRONZE BOWL AND STAND 19TH CENTURY the associated teak stand with carved and scrolled legs bowl 55cm diameter

£700-1,000

207

582 ANGLO-INDIAN CARVED HARDWOOD JARDINIERE 2ND HALF 19TH CENTURY the circular bowl with a pierced gallery, above a leaf carved column, flanked by three mythical birds, each clutching trailing eels in their beaks, raised on a tripartite platform with leaf carved and moulded edge, on castors 72cm wide 90cm high

£4,000-6,000

583 PAIR OF ANGLO INDIAN PADOUK BEDSIDE CHESTS 19TH CENTURY the square tops with foliate carved galleries, above arch panel doors carved with a palmette and opening to reveal four drawers, each drawer signed on the underside ‘Made by Ungappa Chary/ Madras 1867’, on separated stands with square straight legs with pierced corner brackets (2) 36cm wide, 76cm high, 35cm deep

£1,800-2,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

208

584 PAIR OF IZNIK TYPE PORCELAIN AND BRONZE BOTTLE VASE LAMPS 19TH/ EARLY 20TH CENTURY decorated in the typical palette, with acorn and laurel garland bronze mounts and bases, on scroll feet, with dark blue pleated shades (2) 32cm high

£800-1,200

585 BURMESE SILVER AND SILVER GILT NOTEBOOK COVER, RELATING TO THE BURMA ATHLETIC ASSOCIATION DATED 1911 of rectangular form, the front and back with chased and embossed scrolling decoration and with twelve roundels with relief moulded figures representing cricket, football, hurdles, running, hockey, rugby, high jump, tennis, boxing, pole vaulting, shot put, and swimming; the front and back cover set to the centre with a gilt medallion with the moulded inscription ‘Burma Athletic Association’, and centred with a temple, the front inscribed ‘Presented to The Honble Sir Harvey Adamson K.C.S.I Lieutenant Governor of Burma On the Occasion of his Opening the Grounds of the Burma Athletic Association, 2nd January 1911’, fitted with a pen holder 16cm high, 11.5cm wide

£250-350

586 PAIR OF CHINESE HARDWOOD ARMCHAIRS

587

19TH CENTURY

PAIR OF CHINESE BLUE AND WHITE BALUSTER VASES

the shaped top rails above centre splats and cleated panel seats flanked by slightly curved arms, raised on square legs joined by stretchers (2) 57cm wide, 115cm high, 4cm deep

£400-600

19TH CENTURY decorated with chrysanthemums and plantain leaves, with foliate handles to the neck, now converted to lamps, drilled and mounted on wood bases with pagoda cream silk shades (2) vase 44cm high

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

210

RUGS & CARPETS

588 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the indigo field with camel medallion, light blue spandrels, within dark red rosette, palmette and vine border, signed to one end 344cm x 255cm

£800-1,200

589 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with allover palmette and vine pattern, within camel palmette, rosette and vine border 330cm x 225cm

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

211

590 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette and vine pattern, within cream palmette and floral lattice border 426cm x 340cm

£3,000-5,000

591 TABRIZ ‘NARVANI’ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the light camel field with allover palmette and vine pattern, within polychrome half cartouche border, signed to one end 341cm x 240cm

£1,500-2,500

212

592 KIRMAN PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover foliate vine pattern and half medallion to base, light blue spandrels, within dark indigo palmette and vine border 220cm x 143cm Provenance: Tornaveen House, Aberdeenshire

£300-500

593 KASHAN RUG CENTRAL PERSIA, 20TH CENTURY the indigo field with allover foliate lattice pattern and similar medallion, within red palmette and angular vine border 232cm x 138cm

£300-500

594 VARAMIN RUG CENTRAL PERSIA, 20TH CENTURY the cream field with allover rosette and vine lattice pattern, within pink turtle palmette, rosette and vine border 211cm x 148cm

£500-700

213

595 KASHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the ivory field with allover palmette and scrolling vine pattern, within olive palmette and arabesque vine border 405cm x 300cm

£2,000-3,000

596 LAVAR KIRMAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with ochre medallion suspending pendants, pink spandrels, within ochre script cartouche border 370cm x 275cm

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

214

597 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with burgundy cusped medallion, similar spandrels, within indigo rosette and vine border 343cm x 266cm

£800-1,200

598 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the brick red field with elongated indigo and pink medallion suspending pendants, light blue spandrels, within indigo turtle palmette, rosette and vine border 345cm x 220cm

£700-1,000

599 SAROUK CARPET WEST PERSIA, MID/LATE 20TH CENTURY the cream field with allover palmette and arabesque vine pattern, within red palmette and vine border 398cm x 285cm

£800-1,200

215

600 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the brownish red field with three columns of four polychrome medallions, within ivory foliate border 500cm x 390cm

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

216

601 LAKAI FLATWEAVE CARPET UZBEKISTAN, MID 20TH CENTURY the raspberry field with allover polychrome gul pattern, raspberry stepped lozenge border to each side 252cm x 191cm

£300-500

602 ERSARI KIZIL AYAK CARPET TURKMENISTAN, LATE 19TH/ EARLY 20TH CENTURY the red field with five columns of sixteen guls, within double red geometric borders 422cm x 232cm

£400-600

603 ERSARI KIZIL AYAK CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with four columns of fourteen guls, within ivory stylised palmette and vine border 382cm x 260cm

£400-600

604

605

PAIR OF TEKKE JUVALS

PAIR OF YOMUT JUVALS

TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY

each with red ground with five columns of six guls, stylised floral elem panel (2)

each with brown field with four columns of four guls, narrow ivory border, pole and hooked lozenge elem panel (2)

each approximately 136cm x 82cm

each approximately 133cm x 72cm

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

217

606 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the red field with vases and other objects, within olive green object and floral border 264cm x 170cm

£400-600

607 GENDJE PRAYER RUG SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the field with allover polychrome lattice pattern, cream mihrab panel, within double cross and skittle borders 189cm x 98cm

£400-600

608 ALPAN KUBA RUG EAST CAUCASUS, EARLY 20TH CENTURY the indigo field with allover red medallion and harshang pattern, within red geometric border 210cm x 133cm

£400-600

609 KAZAK RUG SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the plain red field with hexagonal indigo medallion suspending pendants and flanked by triangles, within double indigo geometric borders 222cm x 158cm

£400-600

610 THREE ERSARI JUVALS TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY each with different ikat style designs (3) 173cm x 101cm; 136cm x 83cm; 115cm x 109cm

£400-600

218

611 MOHAJERAN SAROUK CARPET WEST PERSIA, EARLY 20TH CENTURY the abrash and shaded red field with small medallion and allover foliate pattern, within indigo palmette and foliate border 370cm x 260cm

£1,500-2,500

612 LARGE TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the indigo field with allover herati pattern, within pink rosette and vine border 574cm x 408cm Provenance: Kilmany House, Fife

£600-800

219

613 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the field with central pictorial medallion with animals and birds, surrounded by mihrab rectangles and similar animal scenes to corners, within indigo animal cartouche border 473cm x 362cm

£1,500-2,500

614 MESHED CARPET NORTHEAST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the red field with multiple indigo medallions, within indigo palmette and vine border 570cm x 400cm

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

220

615 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover cartouche and foliate vine pattern, within brown cartouche border 355cm x 268cm

£500-700

616 LARGE KIRMAN CARPET

617 HERIZ CARPET NORTHWEST PERSIA, 20TH CENTURY the salmon pink field with indigo and red lozenge medallion, ivory spandrels, within indigo palmette and vine border 443cm x 348cm

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with allover dense floral and foliate pattern, within similar border 589cm x 353cm

£1,000-1,500

221

618 TABRIZ CAPRET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with pale pink medallion, similar spandrels, within rust brown palmette, animal and vine border 351cm x 273cm Provenance: William Teacher, Scottish wine and spirit merchant and thence by descent

£600-800

619 KIRMAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with blue and camel medallion, brown spandrels, within camel palmette, animal and foliate vine border 498cm x 342cm

£1,000-1,500

620 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with pink medallion suspending pendants, within camel palmette, animal and vine border 380cm x 301cm Provenance: William Teacher, Scottish wine and spirit merchant and thence by descent

£600-800

222

621 QUM SILK RUG CENTRAL PERSIA, MID/LATE 20TH CENTURY the green field with cream and pink medallion, similar spandrels, within cream floral border, signature to one end 144cm x 102cm

£400-600

622 GHIORDES STYLE SILK RUG WEST ANATOLIA, 20TH CENTURY the faded cream field with grey lozenge medallion, cream spandrels, within multiple borders 176cm x 117cm

£300-500

623 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red medallion, similar spandrels, within indigo floral border 204cm x 134cm Provenance: The Collection of Dr. John A. Packer, Edinburgh

£400-600

624 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo medallion, indigo spandrels, within indigo palmette and vine border 213cm x 133cm

£300-500

223

625 HERIZ CARPET NORTHWEST PERSIA, 20TH CENTURY the red field with indigo and salmon pink star medallion, ivory, pink and indigo spandrels, within indigo rosette and vine border 385cm x 285cm

£800-1,200

626 BAKHTIARI CARPET WEST PERSIA, MODERN the polychrome field with allover square foliate lattice pattern, within red palmette and vine border 401cm x 300cm

£400-600

627 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover palmette pattern, within indigo palmette and vine border 373cm x 282cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

224

628 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo medallion, similar spandrels, within indigo palmette and vine border 195cm x 130cm

£500-700

629 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY

630 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover boteh and vine pattern, within red boteh border 285cm x 178cm

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the red field with indigo and cream cusped medallion, ivory spandrels, within indigo rosette and vine border 378cm x 262cm

£700-1,000

225

631 ANATOLIAN CARPET 20TH CENTURY the pink field with cream medallion, cream spandrels, within cream palmette and vine border 300cm x 200cm

£800-1,200

632 LAVAR KIRMAN CARPET CENTRAL PERSIA, LATE 19TH CENTURY the plain camel field with red and indigo star medallion suspending pendants, indigo spandrels, within ivory palmette and vine border 394cm x 335cm

£1,000-1,500

633 KASHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the light grey field with dark grey medallion, similar spandrels, within grey palmette and vine border 418cm x 310cm

£500-700

226

634 KARAJA RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with seven blue and indigo medallions, within indigo star and vine border 315cm x 96cm

£300-500

635 SAROUK RUNNER WEST PERSIA, MODERN the light green field with allover floral spray pattern, within red floral vine border 383cm x 71cm

£400-600

636 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the brown field with allover boteh pattern, within ivory rosette and stylised vine border 396cm x 105cm

£300-500

637 KAZAK RUNNER SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the rust red field with six polychrome medallions, within ivory harshang border 338cm x 92cm

£400-600

227

638 PAIR OF SARAB RUNNERS NORTHWEST PERSIA, EARLY 20TH CENTURY one of shorter length, each with camel field with column of red and camel lozenge medallions, within ivory geometric palmette and vine border (2) 391ccm x 90cm; and 334cm x 95cm

£2,000-3,000

639 HERIZ RUNNER NORTHWEST PERSIA, LATE 20TH CENTURY the brick red field with five indigo and ivory star medallions, within red stylised vine border 306cm x 148cm

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

228

640 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the dark red field with large red and cream medallion, similar spandrels, within black turtle palmette and vine border 273cm x 250cm

£400-600

641 CENTRAL PERSIAN CARPET MID 20TH CENTURY the abrash indigo field with allover palmette and foliate vine pattern, within red palmette and vine border 305cm x 200cm

£400-600

642 KASHAN CARPET CENTRAL PERSIA, MODERN the red field with indigo and cream medallion, similar spandrels, within indigo palmette and arabesque vine border 410cm x 296cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

229

643 LARGE CHINESE CARPET EARLY 20TH CENTURY the plain indigo field with floral sprays and birds centred by floral vase medallion, similar spandrels, within beige vase, roundel and foliate border 713cm x 333cm

£2,000-3,000

230

644 CHINESE CARPET EARLY 20TH CENTURY the plain cream field with floral sprays, centred by blue foliate and key pattern medallion flanked by smaller roundels, similar spandrels, within cream palmette and vine border 263 x 186cm

£500-700

645 TETEX CARPET GERMANY, EARLY/MID 20TH CENTURY of Tabriz style, the cream field with allover stylised palmette pattern, within pink palmette and floral border 353cm x 266cm

£500-700

646 TETEX CARPET GERMANY, EARLY/MID 20TH CENTURY of Caucasian style, the abrash red field with column of four lozenge medallions, within indigo S and rosette border 400cm x 300cm

£700-1,000

231

GARDEN & ARCHITECTURE

647 PAIR OF GREEN PAINTED CARRIAGE LAMPS MID 20TH CENTURY each with a pagoda pierced top above bevelled glass panes on turned support (2) 69cm high

£400-600

648 NEAR PAIR OF TERRACOTTA CORBELS, POSSIBLY DOULTON 19TH CENTURY each modelled as a lion mask set in a scroll bracket (2) 60cm high 21cm wide; 65cm high 21cm wide

£500-700

649 GOTHIC STYLE CAST IRON GARDEN BENCH, ATTRIBUTED TO COALBROOKDALE SECOND HALF 19TH CENTURY the back interlaced with quartrefoils and crockets, the sides with scrolling arms modelled as griffin heads and conforming tracery, with a slatted seat 124cm wide, 87cm high, 34cm deep

£600-800

650 REGENCY PAINTED WROUGHT IRON GARDEN SEAT 19TH CENTURY with an interlaced back and scrolling arms above a slat seat and straight legs 138cm wide 90cm high 45cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

232

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used. Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales. In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age,Provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only. 2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website

21.2

or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. 3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw. 4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any

improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects

not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844. 2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844. 3. F AILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism

233 financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller. 4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party. 5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration. 6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so

made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction. 2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen. 4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction. 5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services. 7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While

we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges. 8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. Please see D.2(e) for the conditions to be fulfilled before the VAT charged on the Hammer Price may be cancelled or refunded upon exporting from the UK. (a) Lots affixed with (†): Value Added Tax on the Hammer Price and Buyer’s Premium is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the UK and is not operating under a Margin Scheme. (b) Lots affixed with (‡): A reduced rate of Import Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the UK. (c) Lots affixed with [Ω]: Standard rate of 20% of Import Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the UK and do not fall within the reduced rate category. (d) Lots affixed with [Ω] or ‡ when these lots are released to buyers in the UK, the buyer will become the importer and must pay us Lyon & Turnbull Ltd. the import VAT at the rates noted above on the hammer price. The buyer should also note that the appropriate rate will be that in force on the date of our release and not that in force at the date of auction or payment. (e) Export from the UK: For lots

offered under the VAT Margin Scheme and lots with [Ω] or ‡ symbols attached; you may be eligible to have a VAT refund in certain circumstances if the lot is exported. Should you show us proof of export within three months of collection a VAT refund may be arranged. No VAT amounts will be refunded where the total refund is under £100. Bank/transfer charges relating to any refund will be borne by the buyer and will not be reimbursed. Please also note that all customs formalities of the destination country are the responsibility of the buyer. 3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement

234 by law, are excluded. 2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser. This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be

bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest. 3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in

and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. (h) If you agree to our pack and send service (if applicable) payment of shipping fees must be made prior to us posting. Any shipping fee will be inclusive of VAT. 2. IN THE EVENT OF NON-PAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received. (3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING (a) We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. (b) We offer a limited pack and send service using Royal Mail on small jewellery items. When items leave our premises and are in transit via postal service We are not responsible for any damage or loss incurred. We are also not responsible for making any claim regarding loss or damage to items. A tracking reference number will be issued which can be used to raise a claim with the relevant shipping provider. 2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

235 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium,Provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be

unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities. 6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website. 7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com. 10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with. 1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form. “Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words

“You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue. “Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller. “Estimate” a statement of our opinion of the range within the hammer is likely to fall. “Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us. “Seller” the person who offers the Lot for Sale. We act as agent for the Seller. “Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom. “Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale. “Lien” a right for the person who has possession of the Lot to retain possession of it. “Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “Title” the legal and equitable right to the ownership of a Lot.

21.2

236

GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

PAYMENT

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. There will be no on-site payment facilities and no cash accepted as all our venues are closed to the public.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale. BIDDING Registered bidders will be assigned a non-transferable bidder number. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. All lots will be invoiced to the name and address given during your registration.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. ON THE INTERNET - ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department. ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo). You will find a link to this service in any email invoice issued or you can visit the payments section of our website. CASH No cash payments will be accepted for this auction. COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Inside Back Cover: Lot 85 [detail]

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM