The Contents of Lowood House

THE CONTENTS OF

LOWOOD HOUSE 6TH OCTOBER 2021 EDINBURGH LIVE ONLINE

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THE CONTENTS OF

LOWOOD HOUSE

WEDNESDAY 06 OCTOBER 2021 AT 10AM

Sale Number LT654

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday, 2nd October 12 noon - 4pm Sunday, 3rd October 12 noon - 4pm Monday, 4th October 10am - 5pm Tuesday, 5th October 10am - 5pm

CONTACT

Left:

Lot 64 [detail]

EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

25% up to £300,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

1 – Government issued photo ID (Passport/Driving licence)

†V AT at the standard rate payable on the hammer price

2 – Proof of address (utility bill/bank statement).

‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections).

BOOK ONLINE www.lyonandturnbull. com/appointment-bookings CALL 0131 557 8844

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

There will be no public viewing for this auction, our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Kerstin Schaeffer

Katherine Wright

Jamie Russell

Sale Administrator

Ceramics & Glass

Furniture, Clocks & Works of Art

Nick Curnow

Simon Vickers

Cathy Marsden

Paintings & Drawings

Rare Books & Manuscripts

Rare Books & Manuscripts

Kier Mulholland Silver & Jewellery

Tsai Yiing Ing Asian Works of Art

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INTRODUCTION

Sitting by the banks of the river Tweed near Melrose, Lowood has

Strathleven eventually passed to Constance Crum Ewing (1899-

been the home of the Hamilton family since 1947 and the eclectic

1982) and her husband Ian Bogle Monteith Hamilton (1890-1971).

collection being offered here was amassed over the past two

It was their Scottish home until it was compulsorily purchased by the

centuries by two Scottish lowland families: the Crum Ewings and the

Board of Trade in 1947, the surrounding area having been earmarked

Hamiltons.

for redevelopment. At this point the couple bought and moved to

The Crum Ewing’s fortunes were founded by James Ewing (1775-

Lowood House, bringing much of the collection with them.

1853), who established the business of James Ewing & Co. at the

Ian Hamilton was the son of artistic parents, painter Vereker

beginning of the 19th century, which was rapidly successful. In

Monteith Hamilton (1856-1931) and sculptor Lilian Hamilton (née

1815 he purchased the mansion known as ‘Crawford’s Lodging’,

Swainson) (1865-1939) who had both studied at the Slade under

later ‘Glasgow House’, on the corner of the newly laid out George

Alphonse Legros (see note page 88). Vereker and Lilian mixed in

Square in Glasgow; considered the most handsome residence in the

artistic circles in London in the late 19th and early 20th centuries

city at the time. In the same year, James Ewing and Archibald Smith

and most probably once owned the collection of Leightons and

established the first ‘Provident’ or ‘Savings’ bank in Glasgow.

Corbetts included here (see lots 153-158). Vereker was also great

James Ewing’s appointments included Dean of Guild of The Merchants’ House of Glasgow and Chairman of the Glasgow

friends with the artist William Strang and lots 163 and 164 are probably testament to that relationship.

Chamber of Commerce. He was bestowed an Honorary degree of

Ian was an architect, responsible for the renowned Sidney Estate of

Doctor of Law by Glasgow University in 1826 and the following year

social housing in St. Pancras, London in the 1920s and 30s. He must

he led the establishment of the Royal Exchange in Glasgow. He was

have collaborated with the sculptor Gilbert Bayes on the project,

also instrumental in creating the Glasgow Necropolis.

leading to the inclusion of the latter’s duck finials in this collection

In the 1830s James was Lord Provost and MP for Glasgow. He also bought the house and estate of Levenside in Dumbartonshire, changing the name to Strathleven House. In 1836 he married Jane Tucker Crawford (1811-1896) and in 1838 sold Glasgow House to the Edinburgh and Glasgow railway company, who demolished it to build Queen Street Station.

In 1844 James and Jane Ewing, after having their busts carved by James Fillans in London (see lot 25), embarked on a thirteen month tour of the continent. James Ewing was actively buying art and antiques both before and during his ‘Grand Tour’. At one point, his collection included a Titian he acquired in Venice, now in The Los Angeles County Museum of Art. Many of the Italian and continental paintings and other artworks being offered here came from his collection, including the important maiolica (lots 64 and 65), mention of which is made in his letters (see note to lot 64).

James and Jane had no children and so on his death in 1853 his estate passed to his nephew, Humphry Crum Ewing (1802-1887).

Jane, who had been much younger than her husband, had been given

(see lot 66). He was also author of a book ‘The Happy Warrior’, about his uncle, the distinguished General Sir Ian Standish Hamilton, twice recommended for the VC and a close friend of Sir Winston Churchill.

The Hamiltons were a military family with four generations having served in The Gordon Highlanders. They were also a long established Glasgow family, with one ancestor, John Hamilton (1713-80), having been minister of Glasgow High Church for thirty years (lot 85).

When Constance died in 1982, Lowood was inherited by her son Alexander Hamilton (1932-2020). Alexander, who spent much of his time in Jamaica, was passionate about breeding and training racehorses, a family trait: his grandfather’s horse ‘Caymanas’ won at Royal Ascot in 1934 (see lot 193) and his mother and sister were also breeders. The more modern paintings in the collection (lots 166 & 167) speaks to this family passion.

Following Alexander’s death, the family are now leaving Lowood and feel it is time to pass on many of its treasures to new owners, with the hope that they will be enjoyed and appreciated as much as they have been by the family over the generations.

life rent of Strathleven House however and lived on there until she died in 1896, outliving Humphry.

Right: James Ewing of Strathleven, lot 25

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Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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ORDER OF SALE WEDNESDAY, 6TH OCTOBER AT 10AM

Page No.

Left: lot 183

Pictures, Furniture & Works of Art by Room

10

Hall

26

Drawing Room

54

Dining Room

82

Library

99

Bedrooms

118

Garden

120

Silver, Jewellery & Objects of Vertu

141

Rare Books, Maps, Prints & Photographs

10

11

THE HALL

1 A LARGE OAK COFFER 16TH CENTURY The top with iron hinges and lockplate, the front with five carved linen-fold panels 183cm wide, 76cm high, 74cm deep

£1,000-1,500

2 A LARGE WICKER LOG BASKET 20TH CENTURY Of tapered rectangular form 109cm wide, 88cm high, 81cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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3 A LARGE CONTINENTAL BRONZE GENRE SCENE FIGURE GROUP 19TH CENTURY Depicting a Dutch christening party in the manner of Jan Steen, the figures eating and drinking while seated around a table, on an oval naturalistic base, unsigned 48.3cm wide, 29cm high, 31cm deep

£1,000-1,500

4 PUNCH AND JUDY CAST IRON DOOR STOPS LATE 19TH/EARLY 20TH CENTURY Unpainted (2) 30cm high

£150-250

5 A GROUP OF SCOTTISH SUBJECT STAFFORDSHIRE FIGURES 19TH CENTURY Including a large flatback figure of William Wallace; a large Highlander and lady watch gvroup; a flatback Highlander with bagpipes; a Highlander with shotgun and deer; a Highlander seated on a stump; and a Highlander with lady companion and poodle (6) William Wallace figure 41cm high, watch group 37cm high

£250-350

6 A DELFT WARE BLUE AND WHITE BALUSTER JAR AND COVER 18TH CENTURY Decorated in the Chinese style, marked KG to the base; and a similar smaller vase (2) 38cm and 22cm high

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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7 A PAIR OF CHINESE BLUE AND WHITE PORCELAIN GARDEN SEATS 20TH CENTURY Of barrel form with pierced tops and stud banded sides, decorated with scrolling and stiff leaf decoration (2) 47cm high, 33cm diameter

£400-600

8 AN OAK BIBLE BOX EARLY LATE 17TH/ EARLY 18TH CENTURY The panels carved with lunettes and stylised plant motifs 61cm long, 22cm high, 39cm deep

£300-500

9 A PAIR OF CHARLES II STAINED AND EBONISED BEECH CHAIRS LATE 17TH CENTURY With carved and pierced cresting above caned backs and seats, on carved legs joined by stretchers (2) 52cm wide, 121cm high, 41cm deep

£500-700

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10 A REGENCY MAHOGANY WHEEL BAROMETER, BY F. GUGERI, LONDON EARLY 19TH CENTURY With silvered dial, convex mirror, temperature gauge, humidifier and level inscribed ‘F. Gugeri, 5 Charles Street, Hatton Garden’, with box and ebony stringing and a later swan-neck pediment 96.5cm high

£250-350

11 A SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, BY JOHN BARR, PORT GLASGOW LATE 18TH/EARLY 19TH CENTURY The 12 inch brass dial with a Roman numeral chapter, date aperture, and twin winding holes, signed in the arch, the dial centred by an engraved view of Port Glasgow, the hood with a dentil moulded cornice and fluted columns, above a trunk with fret-work panels and plinth base with ogee bracket feet 206cm high, 56cm wide, 29cm deep

£800-1,200

12 A VICTORIAN OAK COAT AND HAT STAND MID/LATE 19TH CENTURY The central column with a turned finial and issuing nine scrolled arms, on a circular base fitted with a brass rail 192cm high

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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13 ATTRIBUTED TO PAUL SANDBY AN EXTENSIVE WOODED RIVER LANDSCAPE WITH FIGURES Signed, watercolour and bodycolour 66cm x 99cm (26cm x 39in)

£800-1,200

14 ATTRIBUTED TO GIOVANNI BATISTA PASSERI MADONNA AND CHILD AND FOUR EVANGELISTS Pen and ink and brown crayon 43cm x 30cm (16.75in x 11.75in)

£800-1,200

15 ALPHONSE LEGROS (FRENCH 1837-1911) A WOODED LANDSCAPE WITH FIGURE SKETCHING Signed and dated 1880, sepia and watercolour 54.5cm x 73.5cm (21.5in x 29in)

£800-1,200

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16

◆

ARCHIBALD THORBURN (SCOTTISH 1860-1935) PTARMIGAN IN THE SNOW Signed and dated 1910, watercolour 35.5cm x 53.5cm (14in x 21in)

£30,000-50,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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17 A PAIR OF LANDSCAPE PRINTS 18TH CENTURY Verre eglomise slips and giltwood frames; and two others similar (4) the pair 36cm x 46cm (14in x 18in)

£200-300

18

Y

TWO TAXIDERMY NILE CROCODILES LATE 19TH/EARLY 20TH CENTURY Full specimens, one mounted the other flat (2) 210cm and 263cm long

£400-600

19 A GROUP OF NINE RED AND FALLOW DEER SLOTS EARLY 20TH CENTURY Mainly New Forest Buckhounds, 1915-1926, silver and plate mounted with rings (9) £200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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20 A HISPANO-MORESQUE LUSTRE DISH 19TH CENTURY Painted in underglaze blue with an ibex, the rim with a copper lustre and calligraphic border 35.5cm diameter

£200-300

21 AN INDIAN GOLD KOFTGARI STEEL DHAL SHIELD 19TH CENTURY With four central glass inset bosses and dense foliate decoration 40cm diameter

£300-500

22 AN INDIAN CARVED AND PAINTED WOOD AND GESSO MODEL OF AN ELEPHANT AND HOWDAH 19TH CENTURY The elephant mounted by a driver with a nabob seated behind 42cm high, 33cm long

£300-500

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23 A PAIR OF MONUMENTAL CANTONESE FAMILLE ROSE PORCELAIN FLOOR VASES QING DYNASTY, EARLY 19TH CENTURY The baluster form bodies with flared mouths and moulded applied handles, decorated with calligraphic panels and notable figures depicted in landscapes, gardens, and pavillions, taken from Wu Shuang Pu; each on an cubic oak plinth carved with foliate motifs (2) 127cm high

£6,000-8,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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24 A CHINESE COROMANDEL BLACK LACQUER TWELVE-PANEL SCREEN QING DYNASTY, 18TH CENTURY Each panel decorated with a continuous scene of courtly ladies engaged in leisurely pursuits in gardens and landscapes with bridges and pavilions, within a border with ‘One Hundred Antiques’, the reverse plain each panel 183cm high x 40.5cm wide; 486cm wide overall Provenance: Listed in Crum Ewing 1926 inventory as “Very Rare Old Coromandel Twelve-Fold Screen” and valued at £750.

£5,000-7,000

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Note: Scenes of ladies of the court were popular in the late Ming and early Qing period and are often based on a painting by Qiu Ying (14941552) known as ‘Spring Morning in the Han Palace’. Changing cultural models of female identity were taking place by the late Ming and early Qing dynasties and the popularity of scenes with predominantly female figures engaging in various activities, including the ‘Four Arts of the Scholar’, may reflect this shift in cultural attitudes to women in terms of cultural refinement. See W.De Kesel and G.Dhont, Coromandel: Lacquer Screens, 2002, Gent, pp.48-49, with similar twelve-leaf screens dating to the Kangxi period illustrated pp.23, 31, and 36.

A comparable twelve-panel screen, but with further decoration to the reverse, sold Bonhams, Roger Keverne Ltd/ Moving On, 11 May 2021, lot 250.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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25 JAMES FILLANS (SCOTTISH 1808-1852) A PAIR OF WHITE MARBLE BUSTS OF JAMES AND JANE EWING OF STRATHLEVEN Depicted in the classical style, both signed ‘J.A.S. Fillans S.C., London, 1844’, on circular socle bases (2) 79cm and 74cm high

£3,000-5,000

26 A PAIR OF PINK GRANITE PEDESTAL COLUMNS MID 19TH CENTURY Of plain cylindrical form with moulded bases (2) 89cm high

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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27

THE DRAWING ROOM

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27 CIRCLE OF FRANCESCO TIRONI ST. MARK’S SQUARE, VENICE Oil on canvas; and a companion by the same hand, a ‘Venetian Canal Scene’ (2) 46cm x 72.5cm (18in x 28.5in)

£10,000-15,000

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28 CIRCLE OF GIOVANNI RICHTER VIEW OF THE GRAND CANAL WITH GONDOLIERS Oil on canvas 84cm x 118cm (33in x 46.5in)

£6,000-8,000

29 CIRCLE OF MICHELE MARIESCHI VIEW OF THE MOLO VENICE, THE DOGES PALACE AND SANTA MARIA DELLA SALUTE IN THE DISTANCE Oil on canvas 58.5cm x 96.5cm (23in x 38in)

£6,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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30 THOMAS ROWLANDSON (BRITISH 1756-1827) A MAIL COACH ON THE ROAD TO A VILLAGE Signed and dated 1790, pen and ink and watercolour 28cm x 41cm (11in x 16in)

£1,000-1,500

31 THOMAS ROWLANDSON (BRITISH 1756-1827) STAG HUNTING WITH ONE OF THE FIELD TAKING A FALL Pen and ink and watercolour 24.5cm x 38cm (9.75in x 15in)

£1,000-1,500

32 THOMAS ROWLANDSON (BRITISH 1756-1827) FIGURES AND HORSES OUTSIDE A MILL Pen and ink and watercolour 15.5cm x 25.5cm (6.25in x 10in)

£800-1,200

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33 A FRENCH GILT BRONZE PENDULE D’OFFICIER 19TH CENTURY The white enamel dial with Arabic numbers and a single winding hole, in a gilt bronze case with a serpent handle and decorated with acorns and garlands, on flattened feet 21.5cm high (handle up), 13.5cm wide, 11cm deep

£400-600

34 A CHINESE EXPORT EUROPEAN SUBJECT PORCELAIN PUNCH BOWL QING DYNASTY, 18TH CENTURY Decorated with an English hunting scene with figures on horseback, hounds and a fox 34cm diameter

£400-600

35 A LATE REGENCY GILT AND PATINATED BRONZE DESK STAND EARLY 19TH CENTURY Of sarcophagus form with three inkwells, on a stand with drawer and paw feet 24cm wide, 19cm high, 15cm deep

£300-500

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37

A PAIR OF ROCOCO STYLE GILT BRONZE CANDELABRA

A VICTORIAN ROSEWOOD AND INLAID TEA CADDY

EARLY 19TH CENTURY

MID/LATE 19TH CENTURY

Each with twin scrolling branches terminating in foliate candle urns and pans, later fitted for electricity (2)

The hinged top enclosing three painted porcelain caddies; together with a George III mahogany tea caddy (2)

20cm high

each 23cm wide

£250-350

£250-350

Y

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38 A LOUIS XV STYLE WALNUT, MARQUETRY AND GILT METAL JARDINIÈRE 19TH CENTURY The oval pierced top with floral marquetry reserves and a metal liner, on cabriole legs joined by an undertier 63cm wide, 82cm high, 43cm deep

£600-800

39 A FRENCH REGENCE KINGWOOD, GILT METAL, AND ORMOLU MOUNTED MARBLE TOPPED COMMODE MID 18TH CENTURY Of serpentine outline, the pink variegated marble top above two short and two long crossbanded drawers, over a shaped apron and raised on bracket feet 130cm wide

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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40 18TH CENTURY SCOTTISH SCHOOL THREE QUARTER LENGTH PORTRAIT OF ANNE, WIFE OF GEORGE BOGLE OF DALDOWDIE Oil on canvas 91cm x 73.5cm (36cm x 29in)

£1,000-1,500

41 18TH CENTURY SCOTTISH SCHOOL THREE QUARTER LENGTH PORTRAIT OF A YOUNG MAN IN BLUE FROCK COAT Oil on canvas 96.5cm x 76cm (38in x 30in)

£1,000-1,500

42 CIRCLE OF PIERRE ANTOINE PATEL A WOODED RIVER LANDSCAPE WITH FIGURES AND HERON Oil on canvas 48cm x 51cm (19in x 20in) Provenance: John Stuart, 1st Marquess of Bute (1744-1814) and thence by descent at Luton Hoo to John Crichton-Stuart, 2nd Marquess of Bute (1793-1848); his sale Christie’s, 7th June 1822, lot 44 as ‘G.Poussin’, £15 to Johnson

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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43 ATTRIBUTED TO LUDOLPH BACKHUIZEN A DUTCH COASTAL SCENE WITH MAN O’ WAR Indistinctly signed with initials, oil on canvas; and a companion by the same hand, a pair (2) 46cm x 61cm (18in x 24in) Provenance: Acquired in 1840 for £60 from Rutley

£15,000-25,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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44 A LARGE CHINESE EXPORT FAMILLE ROSE PORCELAIN PUNCH BOWL QING DYNASTY, LATE 18TH/EARLY 19TH CENTURY Decorated with reserve panels with figures within a foliate ground 53cm diameter

£200-300

45 A GEORGIAN BLACK JAPANNED CHEST OF DRAWERS 18TH CENTURY With an arrangement of ten drawers with Chinoiserie decoration, on later stand with turned legs 95.5cm wide, 111cm high, 44cm deep

£800-1,200

46 A PAIR OF EARLY REGENCY EBONISED, PAINTED AND GILT OPEN ARMCHAIRS EARLY 19TH CENTURY The oval panel backs polychrome painted with classical scenes over waisted trellis splats, above caned seats with pads flanked by downswept scrolled arms, raised on fluted sabre legs, stamped on the frames ‘TD’ (2) 53cm wide, 84cm high, 43cm deep Note: A near identical pair of chairs to the present lot, but painted with scenes en grisaille, are illustrated on page 90, ‘18th Century English Furniture, The Norman Adams Collection’ by Christopher Claxton Stevens and Stewart Whittington, 1983.

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

39

47 TWO GERMAN NUREMBERG BRASS ‘ADAM AND EVE’ ALMS DISHES 17TH CENTURY With embossed and punched decoration, rolled rims (2) 44cm diameter

£500-700

48

Y

A CONTINENTAL GILTWOOD AND BOULLE MARQUETRY GUERIDON EARLY 19TH CENTURY The circular top in red tortoiseshell and brass boulle marquetry, raised on three acanthus and harebell decorated C-scroll legs and a concave triform base with carved paw feet 81cm high, 61cm diameter

£400-600

49 A QUEEN ANNE BLACK JAPANNED SIDE CABINET EARLY 18TH CENTURY The top with an oval panel depicting a figure in a garden above four panelled cupboard doors, all with similar chinoiserie decoration and floral sprays, on turned bun feet 192cm wide, 86cm high, 55.5cm deep

£1,500-2,500

50

Y

KING LOUIS-PHILIPPE’S AMBOYNA, WALNUT, IVORY AND EBONY MARQUETRY CENTRE TABLE, ATTRIBUTED TO GEORGE BLAKE & CO. CIRCA 1848 The circular tilt top with a central marquetry panel with two interlocking L’s and lilies under a crown, within a wide band of floral marquetry, raised on a concave triform column with additional crown and interlocking L’s marquetry to all sides, continuing to scrolled feet with castors 73cm high, 118cm diameter Provenance: Most likely supplied by Queen Victoria’s Board of Works to Claremont, Surrey, circa 1848

£10,000-15,000

‘Design for a ‘Marqueterie Centre Table’, Richard Hicks Bridgens, Furniture with Candelabra and Interior Decoration Designed by R. Bridgens, pl. 16.

41

Note: The present table bears the crown and interlaced L’s cipher of LouisPhilippe, King of France, who reigned from 1830-1848. After abdicating in 1848, Louis-Philippe and Queen Marie-Amelie moved to England, taking up residence at Claremont, Surrey, where they remained living in exile for the rest of their lives. Claremont was owned by Prince Leopold of Saxe-Coburg, who had lent it to his niece Queen Victoria, who subsequently lent it the exiled French royal family. This table was probably commissioned through the Board of Works in the late 1840’s and supplied to Claremont for the French ex-sovereign. A near identical table was sold at Christie’s, Important English Furniture and Carpets, 23 November 2006, The Property of a Lady, lot 123.

The table relates to a group of similar marquetry tables with triform concavesided pedestals profusely inlaid with floral marquetry on an ebony ground in the Dutch style made popular from the 1820s by Robert Blake, whose firm operated from premises on Tottenham Court Road. A ‘Cabinet inlayer and Buhl manufacturer’, by the 1840s the firm was trading as ‘Blake, Geo. &

Brothers, inlayers, etc’ and eventually as George Blake & Co. by the end of the decade. The design is most likely based on one for a ‘Grecian style’ table by the architect Richard Hicks Bridgens with a triform pedestal base and in-scrolled feet, featured in his Furniture with Candelabra and Interior Decoration, 1st e.

1825 & 1838, pl. 16.

There is also a strong link between the Blake manufacturers and Edward Holmes Baldock, who supplied a similar table bearing his cipher EHB to the Dukes of Buccleuch, now in the collection of Temple Newsam, see C. Gilbert, Furniture at Temple Newsam and Lotherton Hall, Vol II, London, 1978, no.395.

Baldock appears to have operated in the manner of a marchand-mercier, rather than maker, supplying luxury goods of all sorts to a list of distinguished clients.

A discussion on the relationship between Baldock and the Blake family can be found in E.H.Baldock and the Blake Family: Further Evidence, Martin Levy, in Furniture History Society Newsletter No. 158, May 2005, p.1.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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51 A PAIR OF CHINESE FAMILLE ROSE PORCELAIN HEXAGONAL COVERED VASES QING DYNASTY, LATE 18TH/19TH CENTURY The covers with gilt fu dog finials, the baluster bodies decorated with scenes of ladies in panel lanscapes with iron red and gilt borders (2) 35cm high

£800-1,200

52 A GILT BRASS AND PORCELAIN DESK SET 19TH CENTURY Including a stationery box and a pair of candlesticks, mounted with Sèvres style porcelain (3) box 22.9cm wide; candlesticks 17.5cm high

£250-350

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54

55

56

TWO CHINESE EXPORT PORCELAIN PUNCH BOWLS

A JAPANESE IMARI PORCELAIN JARDINIÈRE

A GERMAN PORCELAIN BOUGH POT

A PAIR OF DRESDEN PORCELAIN VASES

QING DYNASTY, LATE 18TH/19TH CENTURY

MEIJI PERIOD, LATE 19TH CENTURY

19TH CENTURY

19TH CENTURY

One decorated with European figures; the other with flowers (2)

Of low tapered bulbous shape

Of demilune shape, painted with flowers, V mark

33cm wide, 24cm high

27.5cm wide

Decorated with reserves of courting couples, against a blue ground (2)

29cm and 28.5cm diameter

£200-300

£200-300

33cm high

£200-300

£150-250

57

58

59

60

A SÈVRES PORCELAIN COMPORT

A ROYAL COPENHAGEN PORCELAIN TABLE LAMP

A PAIR OF CUT GLASS CANDLE LUSTRES

A JACOBEAN REVIVAL OAK OCCASIONAL TABLE

19TH CENTURY

20TH CENTURY

19TH CENTURY

EARLY 20TH CENTURY

Of oval form with swan neck handles, the green glazed body decorated with gilding, printed marks

Painted with geese, pattern 1508, blue underglaze marks

Hung with faceted bead and prism lustres (2)

base 30cm high

21.5cm high

£200-300

£150-250

33cm wide, 16.5cm high

The circular tray top above a segmented frieze marked with roundels, raised on spiral carved legs joined by a conforming X stretcher

£150-250

69cm diameter, 61cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

43

61 A GEORGE III MAHOGANY OPEN ARMCHAIR LATE 18TH CENTURY The arched toprail above a pierced vasiform splat centred by a ribbon-tied flowerhead, with a blue needlework drop-in seat, raised on square legs joined by an H stretcher 61cm wide, 95cm high, 45cm deep

£300-500

62 A REGENCY MAHOGANY AND BRASS TEA TABLE EARLY 19TH CENTURY The revolving circular top with a brass gallery, on a fluted column and four fluted outswept legs with brass caps and castors 68.5cm diameter, 67cm high

£500-700

63

Y

A PAIR OF REGENCY ROSEWOOD TEA AND CARD TABLES EARLY 19TH CENTURY The fold-over D-shaped tops with gadroon carved edges, raised on turned column supports with high scrolled legs ending in foliate brass caps and castors (2) 99cm wide, 74cm high, 49cm deep [closed]

£2,000-3,000

44

45

64

◆

AN UNRECORDED ITALIAN [URBINO] ISTORIATA MAIOLICA DISH, ATTRIBUTED TO NICOLA DA URBINO, CIRCA 1520-23 SAMSON AND DELILAH Depicting the treacherous Delilah, with scissors and holding to one side the locks of hair she has cut from the kneeling Samson, inscribed on the bench and the wall behind ‘DALIDA’ and ‘SANSON’, the single large shoe in the foreground referring to Samson’s now lost physical strength and size, or it could be the jaw of an ass, a symbol of his previous victories.

27.2cm diameter, 5.3cm high Provenance: From the collection of James Ewing (1775-1853) Strathleven House, Dunbartonshire, by descent and by inheritance to the present owners. An inventory of 1926 lists the dish along with another [also offered for sale here] as being framed in “Quaint Gilt Circular Frames” and valued at £300.

Ewing, a Glasgow merchant with antiquarian interests and contributions to the historical and literary Maitland Club, was closely involved with civic affairs as director of Glasgow’s Chamber of Commerce. In 1832 he served as Lord Provost of Glasgow and as a Glasgow MP. Marrying late and in his 60s, he accompanied his young wife on a tour of Europe and Italy in 1844-5. Correspondence in connection to this trip was later privately published as a memoir by the Reverend MacIntosh Mackay in 1866. Within these letters there are few references to Ewing acquiring or buying art, although it was at this time that he bought several significant pieces, one being the Portrait of Jacopo Dolfin by Titian, now in the Los Angeles County Museum of Art.[1] He does however mention, in a letter from Florence on the 27th November 1844, purchasing “China pieces of the fourteenth century” when he was in Genoa a few weeks previously.[2] This gives us some evidence that he acquired maiolica at this time and it seems likely that this is how he came to acquire this dish and the other in this sale.

[1] Humfrey et al., p122 Cat34 and p416 [2] Rev Macintosh Mackay, LL.D. p152

£80,000-120,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

46

Right: Figure 1 - Engraved print depicting Samson and Delilah, by Giovanni Antonio da Brescia, 1510-1520 (BM reg no. 1925,1215.104) Image source: © The Trustees of the British Museum

Nicola di Gabriele

The service, even

Sbraghe, potter

quite recently, has been

and workshop owner

described as “one the

(active 1520-1537-8), is

loveliest achievements of all

acknowledged as the master of the

maiolica-painting”.[8] There may be

‘istoriato’ style of maiolica decoration in

reasons on grounds of subject matter and

early 16th century Italy. Consensus describes

style to speculate that this plate may originally

him as the “Raphael of maiolica painting”.[1] His graceful

have been part of this service.

fluid draftsmanship, lyrical figure drawing, understanding of recessional space, and use of contemporary classically inspired Renaissance architectural views are all characteristic of his style and are well illustrated here. Overall, his knowledge of the work of his contemporary Raphael, who died in 1520, and his circle in Rome, is evidenced by a print by Giovanni Antonio da Brescia, who also worked in Rome at this time [see figure 1]. The print, from 1510-20, is a circular engraved composition in reverse of this subject.[2] Both potter and printmaker appear to have knowledge of an unknown original narrative image of this subject matter, now lost. As is sometimes the case with Nicola, some of the figures in this piece hint of an even more direct knowledge of Raphael’s early work.[3]

In the 19th century the Correr maiolica service was thought by scholars to have been painted by the Urbino painter Timoteo Viti (1469-1523) and was seen as the jewel in the crown of the Correr collection. The painting style of Nicola’s early work that we have here seems to stylistically reference his work in the broadest sense.

Viti, trained in the dynamic humanist artistic background of Bologna under Francesco Francia, is known to have worked with Raphael in the Chigi Chapel in Santa Maria della Pace in Rome circa 1511. As v a friend of Raphael, Viti is reputed to have obtained or inherited zthe most important group of Raphael’s studio drawings and to have brought them back to Urbino after Raphael’s death. He himself died in 1523. Nicola’s knowledge of Raphael’s style of work may in part

This dish and other early work by Nicola are related very closely to

be due to links with Viti whose workshop in Urbino he may have

a monogrammed and dated dish of 1521 with the figure of a seated

frequented or where he may have even trained.[9] Giovanni Antonio

sovereign, now in the Hermitage Museum, St Petersburg, to a

da Brescia copied and produced his own versions of the work of the

dish illustrating the Calumny of Apelles in the Ashmolean Museum

Bolognese printmaker Marcantonio Raimondi (1480-before 1538).

Oxford (dated by Wilson to 1522-3),[5] and to a plate of Venus, Mars,

Raimondi had also trained under Francesco Francia and did more

Apollo, and Vulcan now in the Kunstgewerbemuseum Berlin.[6]

than anything to disseminate Raphael’s ideas in Italy and abroad

Above all, however, it relates to an acclaimed service or credenza

from about 1510.

[4]

encapsulating Nicola’s early poetical style made for an unknown client consisting of seventeen surviving pieces donated to the city of Venice by the patrician Teodoro Correr after his death in 1830.[7] This is the largest surviving set of 16th Century ‘istoriato’ maiolica in the world in a single collection.

It is unprecedented for maiolica from this early period of Nicola’s maiolica production to come on the market.

With thanks to Celia Curnow for the extensive research and footnote on this lot.

[1] A description first coined by Wilson, 1987, p44. For a full catalogue raisonné of Nicola’s output see Mallet 2007, p199-250 [2] Bartsch, vol XIII, p70,n.2 (BM reg.

1925,1215.104). We are grateful to the late Michael Bury for suggestions that led to the identification of this source.

[3] For example the central figure of the armed philistine echoes in gesture and expression similar to figures round the tomb in Raphael’s early painting of The Resurrection of 1501-2, now in the Museo de Arte de Sao Paulo, Chapman, Henry and Plazzotta, 2004,Cat 21, p110 [4] Wilson in Écouen, 2011, p158-9 [5] Wilson, 2017, Cat 54, p158-9 [6] See Hausmann, 1972, Cat 170, p230 [7] All pieces from the Correr service are illustrated in Écouen, 2011 p 164-167 [8] Wilson, 2017, p133.

[9] Wilson in Écouen 2011, p160

Literature: Bartsch, Adam. Le peintre graveur, Degen, Vienna, 1808-21 Chapman, Hugo, Henry, Tom and Plazzotta, Carol.

Raphael from Urbino to Rome, exh. cat., National Gallery, London, 2004 Écouen 2011. Majolique. La faïence italienne au temps des humanistes, 1480-1530. Exb cat., Musée national de la Renaissance, Écouen, 2011 Hausmann, Tjark. Majolika spanische und italienische Keramik vom 14. is zum 18.Jahrhundert (Katalogue des Kunstgewerbemuseum Berlin V1) Berlin, 1972

Humfrey, Peter, Clifford, Timothy, Weston-Lewis, Aiden, and Bury, Michael. The Age of Titian – Venetian Renaissance Art from Scottish Collections, National Galleries of Scotland, 2004 Mallet, J.V.G. ‘Nicola da Urbino and Francesco Xanto Avelli’, Faenza, 93, no 4-6 2007, p199-250 Rev Macintosh Mackay, LL.D. Memoir of James Ewing Esq. of Strathleven, formerly Lord Provost of Glasgow and M.P for that city, LL.D of the University of Glasgow with a series of letters written while on a tour in Italy, Switzerland, &C., &C. Glasgow, 1866.

Wilson, Timothy (with the collaboration of Patricia Collins and an essay by Hugo Blake).

Ceramic Art of the Italian Renaissance, exh. cat., British Museum, 1987, p44 Wilson, Timothy. Italian Maiolica and Europe, Oxford, 2017

49

Lot 65 Reverse

Figure 1 - Engraved print depicting Four Scenes from the Aeneid, by Giovanni Antonio da Brescia, after Marcantonio Raimondi, 1516 (BM reg number 1870,0662.1065) Image source: © The Trustees of the British Museum

65 AN ITALIAN [GUBBIO] ISTORIATA MAIOLICA LUSTRED DISH FROM THE WORKSHOP OF MAESTRO GIORGIO ANDREOLI, EARLY 1530S AENEAS AND ACHATES LEAVING THEIR FRIENDS TO EXPLORE THE COAST OF LIBYA The scene is set within a landscape with classical buildings and a distant hill; the image picked out in gold and red lustre, the reverse decorated with scrolling foliage and a central fleur-de-lis within a border in red and gold lustre, on a small foot rim; the use of this particular scene is unusual.

26.5cm diam, 3.8cm high Provenance: From the collection of James Ewing (1775-1853) Strathleven House, Dunbartonshire, by descent and by inheritance to the present owners.

An inventory of 1926 lists the dish along with another [also offered for sale here] as being framed in “Quaint Gilt Circular Frames” and valued at £300.

Note: The image is after an engraving of 1516 by Giovanni Antonio da Brescia [see figure 1] of four titled scenes from Virgil’s Aeneid.[1] This engraving,[2] in turn, is a reversed copy, on a single plate, of the two side panels of Marcantonio Raimondi’s engraving ‘Quos Ego!’ (after Raphael), a composition inspired by classical relief sculpture.[3] Various panels from this engraving were frequently used by maiolica decorators in Urbino and Gubbio but the use of this particular scene is unusual.

This dish relates to pieces that are part of a lustred and un-lustred maiolica group linked by Mallet and Wilson to the workshop of Maestro Giorgio.[4] In particular, the dish shares similarities to one decorated with an unidentified subject and dated 1524,[5] and to another un-lustred dish now in the Museo Civico Medievale, Bologna,[6] decorated as we have here with a scene from Virgil’s Aeneid, using another panel from the Raimondi “Quos Ego!” engraving.

This group of maiolica attributed to the workshop of Giorgio Andreoli is inscribed with dates between 1524 and 1527.

The dating of this dish is not, however, straightforward. The lustred decoration in yellow and ruby on the reverse and its overall shape indicate that the dish is later in date and of the early 1530s.[7] [1] Aeneid, Lib.1, 312 [2] Hind, Early Italian Engraving, G.A. da Brescia, no35, p550a [3] Bartsch, vol XIV, p264-8, n.352, BM Reg. 1870,0625.1065 [4] Summarized by Wilson 2017, p251-253 [5] Wilson, 2018, Cat 174, p394 [6] Ravanelli Guidotti, 1985, p138, cat 104 [7] It is comparable, for example, to the reverse of a dated plate of 1534 decorated with the Birth of Aesculapius now in the Museum Boymans-van Beuningen and attributed to Francesco “Urbini”. (See Wilson 2005, p15, fig. 7 and 8) With thanks to Celia Curnow for the extensive research and footnote on this lot.

£20,000-30,000 (+ fees)

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

51

66 GILBERT BAYES (BRITISH 1872-1953) A PAIR OF ROYAL DOULTON GLAZED STONEWARE FINIALS, CIRCA 1935 Modelled as a duck and a drake, glazed in green, blue, mauve and umber, one with moulded signature to base ‘GILBERT BAYES’, both raised on later ebonised limewood plinths (2) tallest figure 48cm high (68cm high inc stand), 13cm wide, smaller figure 45cm high (65cm high inc stand), 13cm wide Provenance: Ian B. M. Hamilton and by family descent Literature: Irvine, Louise and Atterbury, Paul, Gilbert Bayes: Sculptor 1872-1953, Richard Dennis 1988, pp. 36-37; p.172 illus.

£5,000-7,000

Note: During the 1930’s, Gilbert Bayes worked on a community art project for the St. Pancras Housing Association Improvement Society as part of a slum clearance scheme at Sidney Street in Somerstown, north of Euston station, and at other sites across London. The aim was the provision of high-quality homes for the poorest tenants. The society’s architect was Ian B. M. Hamilton, the grandfather of the current owners, and he designed all the new flats to stand on the cleared land.

Since Bayes believed that art should be available to all people, this commission was very close to his heart. He produced relief model lunettes of fairy tale characters, as well as ceramic sculptures and post finials for the washing line posts. The finials were inspired by animals and plants, nursery rhymes, Christmas cards, or the lives of the saints.

All the post finials and relief panels were made by Royal Doulton between 1931 and 1938 and as well as at Somerstown the Society commissioned these embellishments by Bayes at their other London projects. These duck finials for example were used at the Athlone Estate (1933-7) in Kentish Town and the dragons, rose and thistle finials were made for the York Rise Estate (1937-8) near Highgate Hill.

All the original post finials for the project have now been removed, although some original relief plaques and ornaments remain at Sidney Street.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

52

67 A BESWICK BELTED GALLOWAY BULL 1746B 20TH CENTURY black and white gloss 19.5cm long

£600-800 Note: the Hamilton family have long kept a herd of Belted Galloways, with General Sir Ian Hamilton providing two cows from his Lullenden herd to add ‘fresh blood’ to the Chartwell herd belonging to his friend Sir Winston Churchill.

68

Y

TWO VICTORIAN BRASS BANDED TOILET CASES MID 19TH CENTURY in coromandel and rosewood, one with retailer’s label ‘I Turrill, London’, both lacking interior fittings (2) 33cm and 31cm wide

£200-300

69 A SMALL WEMYSS WARE PIG CIRCA 1900 White glaze, impressed mark 16.5cm long

£200-300

70 TWO VICTORIAN STATIONERY BOXES MID/LATE 19TH CENTURY One mahogany with a hinged bow top inlaid with oval shell medallions; the other oak with slant front and a base drawer (2) 25cm wide, 21cm high, 18 cm deep; and 38cm wide, 29cm high, 21.5cm deep

£250-350

53

71 ETRUSCAN SCHOOL PALAZZO INTERIOR Oil on canvas 15cm x 30cm (6in x 12in)

£500-700

72 THREE PLASTER MAQUETTES OF WILD CATS EARLY 20TH CENTURY In various poses, one signed ‘T M Swan’, another indistinctly signed, the third probably Lilian Hamilton, two on wooden plinths (3) 39cm and 28cm long, one 24cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

THE DINING ROOM

56

73 A DUTCH MAHOGANY BOOKCASE ON CHEST LATE 18TH CENTURY The top with broken pediment and urn finial above mullioned glazed doors enclosing adjustable shelves; the base with three graduated long drawers and stop-fluted angles, raised on tapered feet 130cm wide, 238cm high, 58cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

57

74 A REGENCY CUT GLASS AND GILT BRASS CASCADE CHANDELIER EARLY 19TH CENTURY The canopy hung with prism bead strands above three graduated tiers similarly hung, over a wide ring band with gilt metal flowerheads and further waterfall tiers, with alterations and adapted parts 137cm high

£2,500-3,500

75 A GEORGIAN STYLE MAHOGANY AND SATINWOOD CROSSBANDED BOWFRONT SIDEBOARD MID 19TH CENTURY The top outlined with boxwood and ebony stringing, repeated on the frieze drawer and flanking deep drawers, raised on six square tapered legs ending in block feet 180cm wide, 96cm high, 71cm deep

£800-1,200

58

76 A GEORGE II STYLE MAHOGANY TEA TABLE 19TH CENTURY With a shaped top opening on a gateleg, raised on cabriole legs ending in claw and ball feet 85cm wide, 73cm high, 74cm deep (opened), 37cm deep (closed)

£400-600

77 A REGENCY MAHOGANY WINE COOLER EARLY 19TH CENTURY Of sarcophagus form, the hinged top opening to a metal lined interior, raised on paw feet on a concave plinth 76cm wide, 62cm high, 50cm deep

£600-800

78 A GEORGIAN MAHOGANY DROP LEAF TABLE MID 18TH CENTURY The rectangular top with a single drop leaf, raised on cabriole legs ending in claw and ball feet 117cm wide, 73cm high, 77cm deep (flap up), 41cm deep (flap down)

£400-600

59

79 A SET OF FIVE GEORGIAN STYLE MAHOGANY DINING CHAIRS 19TH CENTURY With arched top rails above pierced splats carved with feather motifs, the drop-in seats raised on square fluted legs joined by H stretchers; and two similar armchairs (7) 54cm wide, 97cm high, 39cm deep

£500-700

80 A LATE GEORGIAN MAHOGANY DINING TABLE EARLY 19TH CENTURY comprising two D ends and a centre section with drop-leaves, the top with a reeded edge, raised on ring-turned tapered legs with brass caps and castors 300cm long, 72cm high, 120cm wide

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

60

81 A LATE VICTORIAN MAHOGANY AND SATINWOOD CROSSBANDED CELLARETTE LATE 19TH CENTURY Of rectangular cubic form, the hinged top with boxwood and ebony stringing on a base with square fluted legs 46cm wide

£300-500

82 A SET OF SIX GEORGIAN STYLE MAHOGANY DINING CHAIRS 19TH CENTURY The arched crest rails above pierced splats and drop-in leather seats, raised on square tapered legs, comprising five side chairs and an armchair (6) 54cm wide, 97cm high, 39cm deep

£400-600

83 A PONTYPOOL TYPE GREEN TOLE COAL HOD 19TH CENTURY Decorated with floral sprays and gilding on a green ground 58cm wide, 51cm high, 32cm deep

£300-500

84 A LATE GEORGE III CAST IRON AND BRASS FIRE GRATE LATE 18TH CENTURY The arched fireback above a three bar grate with brass finials and ribbon and harebell motifs 64cm wide, 69cm high, 37cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

61

62

85 CIRCLE OF DAVID MARTIN HALF LENGTH PORTRAIT OF JOHN HAMILTON D.D. Oil on canvas 76cm x 63.5cm (30in x 25in) Note: John Hamilton (1713-80) was minster of Glasgow High Church for thirty years and moderator of the General Assembly in 1766.

£800-1,200

86 SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823) HALF LENGTH PORTRAIT OF JOHN HAMILTON Oil on canvas 75cm x 62.5cm (30in x 25in) Note: John Hamilton of Northpark (1754-1829), the son of Reverend John Hamilton (see lot 85), was three times Lord Provost of Glasgow. The portrait of his wife by Raeburn is in the collection of the Hunterian Art Gallery, University of Glasgow

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

63

87 JOHN GRAHAM-GILBERT R.S.A. (SCOTTISH 1794-1866) THREE QUARTER LENGTH PORTRAIT OF JAMES EWING Oil on canvas 125cm x 100cm (50in x 40in)

£1,000-1,500

88 JOHN GRAHAM-GILBERT R.S.A. (SCOTTISH 1794-1866) THREE QUARTER LENGTH PORTRAIT OF HELEN CRUM EWING Oil on canvas 125cm x 100cm (50in x 40in)

£1,000-1,500

64

89 ATTRIBUTED TO VEREKER MONTEITH HAMILTON HALF LENGTH PORTRAIT OF CHARLES, 2ND VISCOUNT GORT Oil on canvas; and a companion, Jane, Duchess of Gordon (2) 76cm x 63.5cm (30in x 25in)

£1,000-1,500

90 19TH CENTURY SCOTTISH SCHOOL PORTRAIT OF A YOUNG MAN Pastel; another similar; and a head study (3) head 36cm x 28cm (14in x 11in)

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

65

91 VITTORIO MATTEO CORCOS (ITALIAN 1859-1933) THREE QUARTER LENGTH PORTRAIT OF JANE CRUM EWING IN BLACK MANTILLA Signed and dated 1885, oil on canvas 151cm x 91cm (60in x 36in)

£8,000-12,000

66

67

92 A LARGE MEISSEN PORCELAIN BLANC DE CHINE MYTHOLOGICAL FIGURE GROUP 19TH CENTURY Depicting Mars in his chariot drawn by a pair of rearing horses, blue crossed swords mark, incised No. 22 43cm wide, 34.5cm high Note: One of a series of allegorical and mythological groups originally designed in 1772-74 by J. J. Kändler to glorify the Russian Empress Catherine the Great.

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

68

93 A ROYAL WORCESTER CASED COFFEE SERVICE, PAINTED BY HARRY STINTON EARLY 20TH CENTURY Decorated with highland cows, comprising five coffee cups, six saucers, and six silver teaspoons (Sheffield 1923), in a fitted case, printed factory marks (missing one cup) cups 5cm high, 9.4cm diameter

£1,500-2,500

94 A SET OF THREE BRISTOL BLUE GLASS DECANTERS AND STOPPERS EARLY 19TH CENTURY Of barrel shape, decorated with gilt labels inscribed ‘Hollands’, ‘Brandy’ and ‘Rum’ (3) approximately 21cm high

£250-350

69

95 AN EXTENSIVE BLOOR DERBY PORCELAIN BOTANICAL PART DINNER SERVICE EARLY 19TH CENTURY Decorated with a single hand-painted flower within a grey and gilt decorated border, printed red mark, comprising: seventy-eight dinner plates, twenty one side plates, twenty nine bowls, twenty three small bowls, one comport, two twin handled tureens and covers, three low tureens and covers, one tureen base, three small twin handled tureens and covers, one small tureen base, seventeen various graduated ashets (quantity) £1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

70

96 A MATCHED DERBY PORCELAIN TOPOGRAPHICAL PART DESSERT SERVICE EARLY 19TH CENTURY Decorated with Continental and British views within gilt decorated borders, inscribed on the reverse, comprising: fifteen round plates, four quatrelobe dishes, two small sauce tureens and covers on stands, one twin handled footed comport (22) plates 22.5cm diameter

£2,000-3,000

71

72

97 A PAIR OF RARE WORCESTER TEABOWLS AND SAUCERS CIRCA 1752 Each piece of twelve-sided form with concave fluting, polychrome painted in Kakiemon style with pairs of crane-like birds in a landscape of flowering bamboo, prunus blossom, and lotus leaves, the interior rims with a rui head border (4) saucers 12cm diameter, teabowls 5cm high

£4,000-6,000

A very similar teabowl and saucer are illustrated in ‘Worcester

There are six patterns recorded on this shape, mostly featuring birds

Porcelain’, by Henry Sandon, London, 1969, Fig.8, p.34.

amongst flowers and foliage. A teabowl and saucer of this form, but

This rare shape was produced in the early Worcester period. There would have been significant technical challenges in the production of twelve-sided and ten-sided forms, hence there are few examples.

It is likely that they were made for display and decorative purposes only as this shape would have been impractical for use. Dr R. B. Cole discusses the problems of manufacture together with the short period of production of these early rare shapes, in his paper ‘Form Versus Function? A Study of some early Worcester tea wares’, NCS Journal, Vol 20, 2003-2004, p 61, fig 7. John Sandon has noted that this rare shape was conceived to set Worcester apart from contemporary pieces being produced at Chelsea, and also from conventional Chinese shapes.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

with Chinese inspired designs, were sold at Bonhams on 18th May 2016, lot 334. A teabowl and saucer of near identical Kakiemon design were sold at Bonhams on 10th December 2008, lot 98, but with a contrasting green diaper and flowerhead border, rather than the rui head border seen on the lots being offered in this sale.

73

98 A PAIR OF RARE WORCESTER TEABOWLS AND SAUCERS CIRCA 1752 Each piece of twelve-sided form with concave fluting, polychrome painted in Kakiemon style with pairs of crane-like birds in a landscape of flowering bamboo, prunus blossom, and lotus leaves, the interior rims with a rui head border (4) saucers 12cm diameter, teabowls 5cm high

£3,000-5,000

99 A RARE WORCESTER TEABOWL AND SAUCER CIRCA 1752 Each piece of twelve sided form with concave fluting, polychrome painted in Kakiemon style with pairs of crane-like birds in a landscape of flowering bamboo, prunus blossom, and lotus leaves, the interior rims with a rui head border (2) saucer 12cm diameter, teabowl 5cm high

£2,000-3,000

74

100 AFTER REMBRANDT HARMENSZ VAN RIJN PORTRAIT OF A MAN IN TURKISH COSTUME Oil on panel, oval; and a companion by the same hand, ‘Lady in a Head-dress’ (2) 21cm x 16cm (8in x 6.25in)

£2,000-3,000

75

101 ATTRIBUTED TO BALTHASER DENNER PORTRAIT OF AN ELDERLY MAN IN FUR TRIMMED COAT Oil on panel 19cm x 17cm (7.5in x 6.75in) Provenance: Sir Wyndham Carmichael Anstruther; his sale 15 July 1854, as one of a pair, where acquired by Henry Monteith of Carstairs, on behalf of Ewing Note: Originally attributed to Gerrit Dou

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

76

102 A MATCHED PAIR OF NORTHWEST PERSIAN RUNNERS LATE 19TH CENTURY Each with indigo field with allover mini khani pattern, within ivory foliate vine border (2) 583 x 98cm and 576 x 105cm

£800-1,200

103 A GEORGE I WALNUT AND CROSSBANDED CHEST ON CHEST EARLY 18TH CENTURY With cavetto moulded cornice over three frieze drawers and three graduated long drawers, the lower part with three further long drawers raised on bracket feet 104cm wide, 164cm high, 53cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

77

104 FOLLOWER OF ABRAHAM BEGYN AN ITALIANATE LANDSCAPE WITH MILKMAID Oil on canvas 24cm x 31cm (9.5in x 12.5in)

£1,500-2,500

105 JAN JACOB COENRAAD SPOHLER (DUTCH 1837-1923) A DUTCH CANAL SCENE Signed, oil on panel, unframed 16.25cm x 23.5cm (.5in x 9.25in)

£400-600

78

106 A PAIR OF JAPANESE SATSUMA COVERED JARS MEIJI PERIOD, LATE 19TH CENTURY The domed covers with fu dog finials, the bodies decorated with mon motifs and banding (2) 40cm cm high

£600-800

107 A CHINESE EXPORT PORCELAIN BLUE FITZHUGH PATTERN PART DINNER SERVICE QING DYNASTY, 19TH CENTURY Decorated with roundel and foliate designs, comprising: twenty four dinner plates, five bowls, four pierced dishes and an associated Canton blue and white oval dish with a landscape view (34) plates 25cm diameter

£500-700

108 A STAFFORDSHIRE PART DESSERT SERVICE MID 19TH CENTURY Centrally decorated with a spray of flowers within green and gilt decorated borders, comprising: twelve dessert plates, one tall comport, four short comports, and four further comports (21) £300-500

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109 ANTONIN MOINE (FRENCH 1796-1849) DON QUIXOTE AND SANCHO PANZA Bronze, dark brown patina, each inscribed ‘Editeurs Susse frères place de bourse’, and numbered 20 and 21 (2) taller 34cm high

£2,000-3,000

110 EMMANUEL FREMIET (FRENCH 1824-1910) CAT WITH A MOUSE Bronze, dark brown patina, signed 14cm wide

£300-500

111 LAMBERT-ALEXANDRE LEONARD (FRENCH 1821-1877) STAFFORDSHIRE BULL TERRIER Bronze, brown-green patina with traces of gilding 19cm long

£250-350

112 FRENCH SCHOOL RHINOCEROS Bronze, signed with initials ‘S.M.’ with Alexis Rudier Fondeur Paris stamp; together with a plaster maquette of the same subject (2) 20cm wide, 13.5cm high, 10cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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THE LIBRARY

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

81

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

82

113 AN ANCIENT EGYPTIAN PTOLEMAIC GILT CARTONNAGE MASK CIRCA 2ND/1ST CENTURY B.C. Polychrome pigment and gilding over cartonnage, the tripartite wig elaborately decorated with the upper section a gold and blue checked pattern, the lower section with dual depictions of Isis in bird form, horizontal panels of lotus leaves and a scene of Isis worshipping the resurrected Osiris, with a red headband knotted in back and central wadjet eye in relief at the front, the hair falling in linked spirals over the forehead, the face gilt and framed by umber pigment, the white eyes with black irises and eyebrows, presented in a bespoke case Provenance: By family repute possibly acquired on the advice of the noted Egyptologist, Walter Ewing Crum (1865-1944)

£10,000-15,000

114 Note: The ancient Egyptians believed that the first to achieve eternal life following death was the god Osiris. Following his murder by his brother Set, Osiris’ body was scattered throughout Egypt. It was Osiris’ devoted wife Isis who travelled across the country, collecting body parts with the aid of the other gods, to restore her husband. Thus, Osiris became the first mummy and the mythological basis for Egyptian embalming practices.

The present cartonnage mask shows two scenes from this story; at the base of the wig is the mummified Osiris, being worshipped

by Isis. We also see Isis in the form of a kite or kestrel as this was the shape she took when fanning magical breath back into Osiris’ mummified body with her wings. Yet interestingly, Osiris does not appear in this depiction, suggesting that Isis is in fact shown fanning life into the wearer of this mask.

It is through painted scenes such as this we can understand how the deceased wished to be transfigured, achieving eternal life in the same way as Osiris himself. This is further emphasised by the use of gilding to the face; the ancient Egyptians believed that the skin of Osiris (and all gods) was formed of gold; its eternal, unchanging nature and solar glow reflecting the divine. As such, a mask such as this was intended to equate its wearer with the divine in the hope of eternal life.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

THREE ANCIENT EGYPTIAN USHABTI 21ST-26TH DYNASTY The first in azurite blue cast faience, shown mummiform, holding dual hoes, wearing a tripartite wig, necklace, seed basket on the back and a dual frontal column of hieroglyphs; the second formed of cast faience, standing on an integral base, holding dual hoes and wearing a tripartite wig; the third formed of faience, with a black tripartite wig, the arms crossed on the chest holding dual hoes (3) Provenance: By repute acquired on the advice of the noted Egyptologist, Walter Ewing Crum (1865-1944)

£400-600

83

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

84

115 JULES LESSORE (FRENCH 1849-1892) THE THINKER Oil on canvas 122cm x 152cm (48in x 60in)

£500-700

116 DUTCH SCHOOL THE BETROTHAL Oil on canvas, unframed 68cm x 58cm (26.75in x 22.75in)

£800-1,200

85

117 AFTER PHILIPS WOUWERMAN TRAVELLERS AT A STABLE Oil on panel 46cm x 63.5cm (18in x 25in) Note: A copy after the painting in the Rijksmseum, Amsterdam Literature: B. Schumacher, Philips Wouwerman - Horse Painter of the Golden Age, 2006, p.198, under A75, copy 2

£4,000-6,000

118 AFTER PHILIPS WOUWERMAN TRAVELLERS OUTSIDE A BLACKSMITH Oil on canvas 40.5cm x 53cm (16in x 21in) Note: A copy after the painting formerly in the collection of Lord Lonsdale Literature: B. Schumacher, Philips Wouwerman - Horse Painter of the Golden Age, 2006, p.185, under no.A38, copy 10

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

86

119 19TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF HELEN BOGLE Oil on canvas 76cm x 63.5cm (30in x 25in)

£300-500

120 19TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF JOHN GEORGE HAMILTON Oil on canvas 76cm x 63.5cm (30in x 25in)

£800-1,200

87

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

88

121 VEREKER MONTEITH HAMILTON (SCOTTISH 1856-1931) SUNSET ON THE EIGER Signed with initials, oil on canvas 66cm x 53.5cm (26in x 21in)

£800-1,200

WORKS BY VEREKER & LILIAN HAMILTON Amongst the various owners of elements of the collection being

Lilian (née Swainson) was the granddaughter of naturalist and artist

offered from Lowood were the artistic couple Vereker and Lilian

William John Swainson (1789-1855) (see lots 400 and 401). She

Hamilton and the following 14 lots are examples of their work from

also studied at the Slade from 1881-1886 under Alphonse Legros.

the house.

Lilian was a sculptor and medallist and her works were also shown

Vereker Montieth Hamilton was the son of Lieutenant Colonel Christian Monteith Hamilton of the 92nd Gordon Highlanders and brother of General Sir Ian Standish Monteith Hamilton.

Although from a military family he chose a different path, first spending several years in Ceylon growing coffee (see lot 330) and then studying art at the Slade under Alphonse Legros, where he won a prize for landscape painting. He later exhibited at the Royal Academy from 1886 and at the Paris Salon. Coming from an army family, it is perhaps unsurprising that many of Vereker’s well-known works are on a military theme and are held in the collections of the Imperial War Museum, the National Army Museum and the Gordon Highlanders Museum. The lots offered here show a different, more peaceful, side to his art and lot 125 is an interesting collaboration with his wife Lilian, whom he met at the Slade and married in 1886.

at the Royal Academy. When the Society of Medallists was founded she took first prize at the opening exhibition. Given Vereker’s family links, it is perhaps unsurprising that some of her known works are of famous soldiers, such as lot 133, although other works include a medal of suffragist Dorothea Beale. An article in the Pall Mall magazine of August 1910 notes: “Mrs Vereker Hamilton has gained such distinction in the art that examples of her skill are included in the famous collections of medals formed by the French Government” (including the medal of the Maharaja of Kapurthala in lot 129). Her work can be found today in the collections of the British Museum and the V&A.

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122 VEREKER MONTEITH HAMILTON (SCOTTISH 1856-1931) SUNLIT PATH THROUGH THE WOODS Signed with initials, oil on canvas 76cm x 63.5cm (30in x 25in)

£800-1,200

123 VEREKER MONTEITH HAMILTON (SCOTTISH 1856-1931) OFF THE CORNISH COAST Oil on canvas 43.5cm x 58.5cm (17in x 23in)

£300-500

124 VEREKER MONTEITH HAMILTON (SCOTTISH 1856-1931) A GROUP OF THIRTY NINE LITHOGRAPHS Signed, comprising 25 copies of ‘Shot at Dawn’. Munich: Hanfstaengel; 14 copies of ‘‘The Attack on Peiwar Kotal 1891’, London: Boussod, Valadon & Co., with the small stamps of the Printsellers’ Association (39) 92cm x 65cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

90

125 VEREKER AND LILIAN HAMILTON, AFTER ALPHONSE LEGROS THE GOOD BOOK Signed and inscribed ‘A. Legros après par ses élèves Vereker et Lilian Hamilton’, oil on canvas 71cm x 61cm (28in x 24in)

£300-500

126 LILIAN HAMILTON (BRITISH 1865-1939)

127 ATTRIBUTED TO LILIAN HAMILTON

ST. CASIMIR OF POLAND

BUST OF A GENTLEMAN, POSSIBLY ALPHONSE LEGROS

Bronze, label to base

Plaster, on a plinth base

£300-500

24.5cm high

51cm high

£300-500

128

129

130

LILIAN HAMILTON (BRITISH 1865-1939)

LILIAN HAMILTON (BRITISH 1865-1939)

LILIAN HAMILTON (BRITISH 1865-1939)

ST. OSWALD

THREE ANIMAL AND RIDER SUBJECT MEDALLIONS

SIX CLASSICAL STYLE MEDALLIONS

Bronze (3)

Bronze (6)

16cm; 8.7cm; 12.5cm diameter

largest 10.2cm diameter

£300-500

£400-600

Plaster, three figures in different sizes; and another of St. Andrew (4) tallest 50cm high

£400-600

91

131 LILIAN HAMILTON (BRITISH 1865-1939) KING EDWARD VII Bronze, bas relief, framed 11.5cm x 35.8cm

£300-500

132 LILIAN HAMILTON (BRITISH 1865-1939) THREE ANIMAL SUBJECT PLAQUES Bronze (3) 12.5cm x 21.5cm; 8.8cm x 13.5cm; 9.3cm x 12cm

£400-600

133 LILIAN HAMILTON (BRITISH 1865-1939) THREE MILITARY FIGURE ROUNDELS Field Marshall Lord Roberts, Field Marshall Sir Donald Stewart and Lieutenant General Sir Ian Monteith Hamilton, bronze, two framed (3) 15cm and 8.6cm diameter

£400-600

134 LILIAN HAMILTON (BRITISH 1865-1939) THREE FIGURE SUBJECT PLAQUES Bronze (3) 14.2cm x 19cm; 12.5cm x 24cm; 22.5cm x 14cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

92

135 A GEORGE II WALNUT CARD TABLE EARLY 18TH CENTURY The fold-over top with outset rounded corners, opening to a green baize playing surface with counter wells, raised on shell carved cabriole legs ending in pad feet 89cm wide, 76cm high, 43cm deep [closed]

£600-800

136 NO LOT

137 A GEORGE III CHANNEL ISLANDS MAHOGANY LONGCASE CLOCK,

BY JEAN GRUCHY, JERSEY LATE 18TH CENTURY The arched brass dial with a signed boss, Roman numeral chapter, subsidiary seconds dial, date aperture, and two winding holes, in an arch moulded hood flanked by columns, above a trunk with an arch door, the eight day movement striking a bell 209cm high

£500-700

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138 A VICTORIAN WALNUT FOLIO CABINET MID/LATE 19TH CENTURY The ratchet adjusted hinged top with a brown leather insert above an open compartment sectioned front, raised on bracket feet 137cm wide, 94cm high, 76cm deep

£1,500-2,500

139 A GEORGIAN REVIVAL MAHOGANY PEDESTAL DESK, STAMPED M. WILLSON, LONDON MID 19TH CENTURY The brown leather insert top with a leaf carved edge over three frieze drawers and twin banks of three drawers, with a pair of cupboard doors opposing, raised on foliate carved ogee bracket feet, stamped in the drawer ‘M. WILLSON QUEEN STREET’ 151cm wide, 80cm high, 95cm deep

£2,500-3,500

Note: The stamp refers to either Mary Wilson/Willson, or her son Matthew, who took over the business in 1838. Mary Willson was married to Thomas Willson who is listed in trade directories in the early 19th century as a Furniture broker and appraiser. Operating from premises on Queen Street, London, the company dealt mainly in good quality used furniture, however there is some evidence to suggest cabinet making also took place on the premises.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

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140 A SET OF REGENCY STYLE MAHOGANY LIBRARY STEPS MODERN With four leather covered treads and a turned central column, on castors 157cm high

£300-500

141 A SET OF FOUR REGENCY EBONISED AND BRASS MOUNTED CHAIRS EARLY 19TH CENTURY With spiral carved top rails above anthemion mounted splats and padded seats, raised on sabre legs (4) 46cm wide, 85cm high, 42cm deep

£300-500

142

Y

A REGENCY ROSEWOOD, EBONISED AND SIMULATED ROSEWOOD TEA TABLE EARLY 19TH CENTURY The rounded rectangular fold-over top on a turned and carved column with a gilt-brass collar, raised on a concave quadripartite platform and four carved paw feet, ensuite with the following lot 107cm wide, 75cm high, 53cm deep [closed]

£500-700

143

Y

A REGENCY ROSEWOOD, EBONISED AND SIMULATED ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY The circular tilt top with boxwood stringing on a column with anthemion and a gilt metal collar, the concave platform base with paw feet, ensuite with the preceding lot 128cm diameter

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

95

144

145

A NORTHWEST PERSIAN RUNNER

A SCOTTISH EARLY VICTORIAN ROSEWOOD STICK BAROMETER, BY DUNCAN MCGREGOR, GLASGOW AND GREENOCK

LATE 19TH CENTURY

Y

MID 19TH CENTURY

The indigo field with allover mini khani pattern, within yellow foliate vine border

With a silvered dial to the column, the ivorine dial inscribed ‘McGregor, Glasgow and Greenock’, the bombé case with an acanthus carved crest and brass cistern

480 x 99cm

£300-500

96cm high Note: Duncan McGregor started his business in Greenock in 1836, opening premises in Glasgow in 1844. Branches were opened in Liverpool in 1879 and London in 1886. They advertised themselves as manufacturers of nautical, mathematical and optical instruments, chronometers and watches.

£400-600

146 A MAHOGANY CASED BAROGRAPH, BY ROSS OF LONDON LATE 19TH/EARLY 20TH CENTURY With drum movement, inscribed ‘Ross 13/14 Great Castle Street, London’, the case with bevelled glass sides and a base drawer 36cm wide, 22cm high, 21cm deep

£200-300

147 A FLEMISH EBONISED AND MARQUETRY SECRETAIRE CHEST 18TH CENTURY The part-hinged top with a fall-front blind drawer opening to reveal a fitted interior with a mirror, pigeon holes and drawers, above two further graduated long drawers with floral marquetry and brass handles and on bracket feet 142cm wide, 105cm high, 71cm deep

£3,000-5,000

96

148 TWO WILLIAM TASSIE PORTRAIT MEDALLIONS DATED 1791 AND 1794 Depicting William Wardlaw and Andrew Coventry MD, Professor of Agriculture, Edinburgh, both signed and mounted on an oval blue ground, in ebonised frames (2) 8cm high excluding frame

£800-1,200

149 A GROUP OF EIGHT TOLE LIBRARY SHELF LABELS

150 A PAIR OF BRONZE WARWICK VASES 19TH CENTURY Dark brown patina, raised on waisted and fluted black slate pedestals (2) 28cm high

19TH CENTURY Each variously incribed in gilt on a maroon ground: ‘Divinity’, ‘Poetry & Fiction’, ‘Miscellanous’, etc. (8) each 28cm x 9cm

£200-300

£300-500

151 TWO VICTORIAN COROMANDEL, JASPERWARE AND BRASS MOUNTED BOOK SLIDES MID 19TH CENTURY One with brass retailer’s label ‘Trussell, Brighton. Patent 3637’ (2) 35cm and 33.5cm long

£200-300

152 TWO VICTORIAN BOOK SLIDES MID 19TH CENTURY One coromandel and brass with jasperware panels, inscribed ‘Macgill, 103 Princes Street, Edinburgh’; the other a Black Forest carved beech example; and a giltmetal desk clip, in the shape of an ‘H’ (3) 41cm, 38cm and 12.5cm long

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

Right: lot 168

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THE BEDROOMS Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

98

Right: Leighton’s Studio. The column of paintings to the left of the arched alcove includes Lot 154 (second row, left).

Image © Historic England Archive.

THE LANDSCAPE ART OF FREDERIC LEIGHTON & MATTHEW RIDLEY CORBET

At first glance, Frederic Leighton (1830-1896), President of the

Unlike Leighton, Matthew Ridley Corbet’s reputation as a

Royal Academy from 1878, and Matthew Ridley Corbet (1850-

landscapist is well-established, although he initially specialised

1902), initially a portrait painter who began exhibiting at the

in portraiture. He trained at the Slade and at the Royal Academy

Academy in 1875, did not have much in common. Yet, the two artists

schools under Leighton, who was most likely responsible for

were eventually brought together by a shared passion for landscape

introducing the young artist to Costa in the autumn of 1878, while

sketching and the charismatic figure of Giovanni Costa (1827-1903),

at Perugia. Corbet then joined the circle of international painters

a rebellious Italian painter who gave rise to the so-called Etruscan

forming around the charismatic Italian painter who established

School comprising international painters gathered around him in

them as the Etruscan School around 1885. The group’s paintings

Rome and later at Bocca d’Arno.

of predominantly the Roman Campagna are characterised by a

Leighton first met Costa in 1853 at Cervara di Roma and from that point on the two remained close friends who embarked on annual

lyrical atmosphere, elongated horizontal format with a panoramic arrangement of planes, and often also a high horizon.

sketching expeditions in Italy as well as in England. While Costa,

As many painters before him, in the winter of 1878-1879, Corbet

as much as the versatile Italian environs, provided a determining

sailed up the Nile, studying the mountainous horizons, barren

stimulus for the young artist to pursue open-air painting as, in his

deserts, and ancient temples on the way. His recent contact with

own words, ‘a sort of discipline’, Leighton had been exposed to

Leighton could explain the remarkable closeness of his Egyptian

this activity already during his student days in the 1840s at the

works to those Leighton had painted in the autumn of 1868. Corbet’s

Städelsches Kunstinstitut in Frankfurt under the initial tutorship of

dated annotations on the versos of his paintings ascertain the

Jackob Becker. Over the course of the next five decades, Leighton

immediacy of the captured effect as much as the skill of this portrait

painted a multitude of locations, environments and atmospheric

painter, only recently turned landscapist.

effects, owing to his extensive and varied annual travels. While his preference remained for the sunlit southern landscapes, which he painted in Italy, Greece, Turkey, Spain, Egypt and Israel, in his later years he became increasingly drawn to the dramatic weather effects and geological formations in Ireland, Scotland and Cornwall.

Many of Leighton’s open-air works feature conspicuously in his

During the three-year period when he moved to Italy in 1880, Corbet officially supplanted portraiture for landscape painting under Costa’s direct guidance. In 1891, he married Edith Murch, a fellow member of the group who had been painting with Costa in Rome from the mid-1870s, and whose landscape style reflects the closeknit practice of the Etruscan painters.

studio pictures, in which he sometimes conflated studies from different locations in order to create the impression of more universal, generalised landscapes, perfectly fit for the mythological and symbolical subjects of his figurative works. Although Leighton proudly displayed his open-air works on the walls of his studio, they nonetheless belonged to the category of études, studies of details of nature and not full-fledged exhibitable pictures. The only major display of his oil studies took place at the Royal Society for British Artists in 1895, upon which occasion he admitted that “his passion had always been for landscape”.

We are grateful to Pola Durajska for her assistance in the cataloguing and notes for Lots 153-158 and for her introductory essay. Pola is a freelance art historian. She has completed her doctoral research on the landscape art of Frederic Leighton at the University of York, and is currently preparing an exhibition of the artist’s open-air oil studies for the Leighton House Museum in London.

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100

153 LORD FREDERIC LEIGHTON P.R.A., R.W.S. (BRITISH 1830-1896) AN ABBEY IN THE MOUNTAINS Oil on canvas 39.5cm x 25cm (15.5in x 9.75in)

£10,000-15,000

Note: While the exact location of this study remains unidentified, it was perhaps exhibited at the Royal Society of British Artists in 1895 as Convent on Capri (no. 32). If so, it would most likely represent the charterhouse of San Giacomo, with the characteristic white cloisters surrounded by barrel vaulted buildings on the left and a church seen to the right. From the hill where the abbey is located Leighton painted also an untraced study of the famous Faraglioni Rocks in 1875, in the company of Giovanni Costa. On the other hand, the vantage point in Leighton’s painting seems improbable unless he applied an artificially foreshortened perspective, given that the abbey is situated very close to the plunging cliffside. Alternative locations could perhaps include Greece or Spain. The emphatically upright format and the extremely high horizon seem to be an extension of Leighton’s experiments at the mountainous Cervara di Roma in the 1850s, and the treatment of architecture and the flowing brushwork of the landscape are typical of his open-air work.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

102

154 LORD FREDERIC LEIGHTON P.R.A., R.W.S. (BRITISH 1830-1896) VIEW OF MAQAM AL-ARBA’IN, MOUNT QASIOUN, DAMASCUS Oil on canvas 21.5cm x 35cm (8.5in x 13.75in) Note: This open-air oil study was almost certainly painted in 1873, when Leighton was visiting his friend the Orientalist and explorer Richard Burton and his wife in Damascus. It depicts the Maqam al-Arba’in shrine on Mount Qasiyun (the ‘mountain of the forty prophets’), just outside Damascus, which is the believed site of the Biblical murder of Abel at the hands of Cain. The painting is visible in the photograph of Leighton’s studio taken in 1895 (see page 99), which suggests that it was featured in the artist’s posthumous sale of 1896, organised by Christie’s. It was perhaps sold under lot 43, A View in Damascus which was exhibited at Newcastle, or lot 168, A Mountain Scene, with temple and figure, Egypt, given the speculative nature of the titles ascribed at the sale.

This work is hoped to feature in the unprecedented exhibition of Leighton’s landscape oil studies at Leighton House Museum in London around 2023-4.

£10,000-15,000

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155 MATTHEW RIDLEY CORBET (BRITISH 1850-1902) THE NILE AT LUXOR Inscribed with intitials, inscribed and dated 1879 on old label verso, oil on canvas 11.5cm x 25.5cm (4.5in x 10in)

£800-1,200

Note: This work belongs to a series of studies Corbet painted while sailing up the Nile in the winter of 1878-9 and was perhaps given to Vereker and Lilian Hamilton, fellow students at the Slade. It was painted between 5:30 and 6 pm, which testifies the significance the artist placed on the immediate impression of a landscape. Stylistically, it displays affinity with the views on the Nile that Frederic Leighton painted in 1868, which likely stems from the fact that Corbet had been sketching with Leighton and Giovanni Costa in Perugia only a few months before his trip to Egypt. The study is equally reminiscent, particularly in the bluish hue of the mountains, of the Extensive View of the Nile painted most likely in 1888 by George Howard (Castle Howard, Yorkshire), 9th Earl of Carlisle and a close associate of both Costa and Leighton.

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156 MATTHEW RIDLEY CORBET (BRITISH 1850-1902) ENTRANCE TO THE SMALLER TEMPLE AT MEDINET HABOO (SIC) Signed with initials, inscribed and dated ‘December 1878’ verso, oil on canvas laid down on board 18cm x 25.5cm (7in x 10.5in)

£800-1,200

Note: This is the only known architectural study painted by Corbet during his voyage up the Nile in the winter of 1878-9, and perhaps entered the collection of Vereker and Lilian Hamilton, Corbet’s fellow students at the Slade, as a token of friendship. As another study produced in the same month and also painted on canvas which was then laid on board, Desert Afternoon (Fondation Custodia, Collection Frits Lugt, Paris), it exemplifies Corbet’s practice of dating his open-air pieces. As his subject the artist unconventionally chose a gateway leading toward the Pavilion of Rameses III at Medinet Habu in Luxor, rather than to the site’s main temple. Having recently stayed with Frederic Leighton in Perugia, Corbet’s style displays his influence in the dynamic, imploding composition with a distant glimpse of the blue sky as well as in the characteristic brushwork which he might have seen in the sketches that Leighton himself painted on the Nile in 1868.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

106

157 MATTHEW RIDLEY CORBET (BRITISH 1850-1902) THE MOUNTAINS OF URBINO FROM PERUGIA Inscribed with initials, inscribed on old label verso, oil on canvas 9cm x 40.5cm (3.5in x 15.875in)

£800-1,200

158 MATTHEW RIDLEY CORBET (BRITISH 1850-1902 AN ALPINE VIEW Inscribed with initials verso, oil on paper laid down on canvas; and a companion, a pair, also mounted within the same frame (2) 9cm x 20.5cm (3.5in x in) each Note: These two small studies mounted together most probably depict Alpine landscapes. They were painted on individual sheets of paper subsequently laid on canvas.

The initials “M.R.C.” inscribed in charcoal directly onto the canvas verso confirm the authorship of Corbet, although they are difficult to compare with his other traced open-air works due to the lack of known Alpine views in the artist’s oeuvre. The, unusual at this stage in landscape painting, technique of oil on paper enhances the fluidity of the artist’s dynamic brushwork in these evidently swiftly executed sketches which depict a small village and a church in lush green valleys surrounded by mountains.

The motif of tumultuous clouds engulfing mountain tops especially in the latter work is close to that in the landscape sketch for Frederic Leighton’s David of around 1865 (Leighton House Museum, London).

£600-800

Note: Corbet painted this study in September 1881, most likely in the company of Frederic Leighton and Giovanni Costa who both stayed there at the time. The emphatically elongated format of this mountainous view is distinctly ‘Etruscan’ and was evidently influenced by Costa’s teachings. The undulating outline of the foreground hill steeped in lush green is dramatically backdropped by the sfumato-enveloped mountains in the distance, which adds to the impression of aerial perspective. The treatment of the mountains is reminiscent of Leighton’s studies of the Turkish coast of 1867, while the emphatically upward brushwork of the sky which evokes heat vapour is comparable with Leighton’s Egyptian studies of 1868.

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159 ATTRIBUTED TO VEREKER MONTEITH HAMILTON A RIVER LANDSCAPE WITH BOATYARD Oil on panel 7.5cm x 14cm (3in x 5.5in) Note: Possibly painted in response to Corbet’s Alpine Views

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

108

160 ARTHUR LEMON (BRITISH 1850-1912) PLOUGHING Signed, oil on canvas 86.5cm x 112cm (34in x 44in)

£1,000-1,500

161 ARTHUR LEMON (BRITISH 1850-1912) CATTLE RESTING IN A WOODED LANDSCAPE, EVENING Signed, oil on canvas 36cm x 76cm (14in x 30in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

109

162 WILLIAM STRANG R.A., R.P.E. (SCOTTISH 1859-1921) THE SAND PIT Signed with initials, oil on panel; and a companion by the same hand ‘A River Landscape’ (2) 20cm x 25.5cm (8in x 10in)

£800-1,200

163 WILLIAM STRANG R.A., R.P.E. (SCOTTISH 1859-1921) SAND PIT WITH FIGURE Signed, oil on canvas 40.5cm x 51cm (16in x 20in)

£600-800

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164 WILLIAM LEIGHTON LEITCH R.I. (SCOTTISH 1804-1883) A VIEW OF LAKE COMO Signed, watercolour; and a companion, a pair (2) 15cm x 23cm (6in x 9in)

£300-500

165

§

EARL HAIG C.B.E.,A.R.S.A (SCOTTISH 1918-2009) RIVERSIDE LANDSCAPE Signed, watercolour 23cm x 30.5cm (9in x 12in)

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

111

166

§

LEESA SANDYS-LUMSDAINE (BRITISH 1936-1985) THE HAMILTON’S FAVOURITE Signed and dated 1979, oil on canvas 61cm x 91cm (24in x 36in)

£800-1,200

167

§

LAELIA ARMINE COCKBURN R.S.W. (SCOTTISH FL.1913-1963) THE FAVOURITE SCOTTIE Signed with initials and dated 1913, oil on canvas; and another by the same hand, ‘A Horse’s Head’ (2) 34cm x 39cm (13.5in x 15.5in)

£400-600

112

168 A FRENCH EMPIRE STYLE MAHOGANY CRIB MID 19TH CENTURY Of boat shape with slat slides, suspended in a frame with a carved ram’s mask, on a trestle base with castors 124cm wide, 180cm high, 55cm deep

£300-500

169 A LARGE VICTORIAN PITCH PINE CORNER CABINET MID/LATE 19TH CENTURY The moulded cornice above a pair of panel doors, on a base with a further pair of panel doors, with a painted interior 130cm wide, 245cm high, 81cm deep

£500-700

170 A GEORGE III MAHOGANY SECRETAIRE PRESS CUPBOARD LATE 18TH CENTURY The dentil moulded cornice above a pair of oval inlaid panel doors enclosing sliding trays, the base with a secretaire drawer and three further long drawers on bracket feet 131cm wide, 230cm high, 56cm deep

£1,000-1,500

113

171 A GEORGE III OAK HANGING CORNER CUPBOARD LATE 18TH CENTURY The arched panel door inlaid with a foliate medallion 65cm wide, 93cm high, 33cm deep

£200-300

172 A GEORGE III OAK CHEST ON CHEST LATE 18TH CENTURY The key moulded cornice above three short and three graduated long drawers flanked by fluted angles, the lower part with three further long drawers on bracket feet 107cm wide, 190cm high, 52cm deep

£500-700

173 A VICTORIAN MAHOGANY SECRETAIRE CHEST OF DRAWERS MID/LATE 19TH CENTURY With a secretaire drawer over three long drawer, on a plinth base 127cm wide, 112cm high, 56cm deep

£500-700

174 A VICTORIAN BUTTON UPHOLSTERED CHAISE LONGUE MID 19TH CENTURY Covered in pink floral chintz, raised on ebonised legs with castors 172cm wide, 83cm high, 79cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

114

175

176

A LATE GEORGIAN MAHOGANY CHEST OF DRAWERS

A VICTORIAN MAHOGANY LINEN PRESS

EARLY 19TH CENTURY

The dentil moulded cornice above a frieze mounted with fruitwood and ebony bosses, over a pair of panel doors with oval inlay enclosing sliding shelves, the base with three long drawers, raised on ogee bracket feet

With two short over three long drawers, raised on bracket feet 106cm wide, 99cm high, 50cm deep

£250-350

LATE 19TH CENTURY

123cm wide, 204cm high, 60cm deep

£300-500

177 A VICTORIAN MAHOGANY COMPACTUM WARDROBE LATE 19TH CENTURY The dentil moulded cornice above a central pair of panelled doors over four short and two long drawers, flanked by cupboards with panels carved with laurel swags, enclosing hanging space 239cm wide, 214cm high, 65cm deep

£600-800

115

178 A VICTORIAN MAHOGANY PEDESTAL DESK MID/LATE 19TH CENTURY With later rexine top over three frieze drawers on banks of three drawers, the reverse plain 142cm wide, 76cm high, 71cm deep

£400-600

179 A PAIR OF RENAISSANCE REVIVAL CARVED OAK HALL TABLES 19TH CENTURY The tops with gadrooned edges above palmette carved friezes, on lobed and carved square tapered legs and panel end supports (2) 188cm wide, 95cm high, 62cm deep

£800-1,200

180 A LATE GEORGIAN PAINTED PINE AND GESSO FIRE SURROUND EARLY 19TH CENTURY With egg and dart moulded shelf above a neoclassical frieze exterior 158cm wide, 141cm high, 18.5cm deep; inner 101cm wide, 102cm high

£500-700

181 AN EARLY GEORGE III MAHOGANY SIDE CHAIR MID 18TH CENTURY With foliate and rocaille carved top rail and interlaced splat, on square tapered legs joined by peripheral stretcher 50cm wide, 96cm high, 41cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 4

116

117

THE GARDEN

182

183

A PAIR OF PAINTED CAST IRON RECUMBENT LIONS

A PAIR OF CAST IRON GARDEN URNS

19TH CENTURY

19TH CENTURY

In the manner of Landseer, on rectangular plinths (2)

Of campana form with relief cast classical figures and loop handles, on fluted circular bases; with composition stone square plinths (2)

152cm long, 86cm high Note: Based on the celebrated models at the base of Nelson’s column in Trafalgar Square

£3,000-5,000

137cm high

£300-500

118

SILVER, JEWELLERY & OBJECTS OF VERTU

119

186 A PAIR OF CHINESE METAL MOUNTED HORN TABLE LIGHTERS Unmarked, modelled as lizards (2) Length: 37cm

184

£300-500

A LATE 19TH CENTURY GERMAN SILVER GILT, ENAMEL AND DIAMOND SET TABLE SNUFF BOX

187

PAUL TELGE, BERLIN

A CHINESE EXPORT SILVER BOWL

800 standard, of rectangular form, the hinged cover with central oval miniature, possibly Kaiser Wilhelm II, within a rose-cut diamond border, interior gilt, the panels with orange ground enamel and trailing silver foliage strap work detail

WING CHEONG, CIRCA 1890

Width: 86mm

With slightly curved side, chased with animals and palm trees Diameter: 12.5cm, weight: 7.6oz

£300-500

Note: Miniature by F. Zehngrad

£2,500-3,500

185 AN ITALIAN SILVER GILT TABLE BELL The tapering plain handle with a ball knop finial, the bell with chased band and bellied body; together with a pair of French two-handled circular bowls, each with cast leaf decorated scroll handles; and a Christofle coffee pot (4) £250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

191 A WORLD WILDLIFE PUNCH BOWL TESSIERS, LONDON, 1977 Of traditional form, the shaped rectangular panels, each chased with various wild animals after drawings by wellknown animal painters, No. 52/2,000 Diameter: 26cm, weight: 52oz

£600-800

192 A 1930S SILVER GILT INKSTAND WILLIAM HUTTON & SONS LTD Of rectangular form with a raised pierced gallery with vacant shield cartouche, with square cut-glass inkwells, raised on four scroll paw feet, presentation inscription to body ‘General Sir Ian Hamilton...in the work of the British Legion (Scotland)...1938’ Width: 32cm

£300-500

193 188 A PAIR OF GEORGE III SHEFFIELD PLATE TABLE CANDLESTICKS F C & CO, CIRCA 1780 Each with corinthian column on square gadrooned base, gadroon border, drip trays lacking; together with another similar pair by Elkington, with embossed swags to bases (4) Height: 30cm, 32.5cm

£300-500

189 A PAIR OF SILVER GILT REPRODUCTION ANOINTING SPOONS CARRINGTON & CO, 1936 Engraved bowls, traditionally decorated stems, one with inscription engraved to reverse of bowl; together with another similar silver example in a fitted case, London 1901 (3) £300-500

190 A MODERN SALVER WILLIAM HUTTON AND SONS, SHEFFIELD, 1960 With moulded border, engraved to the flat: ‘Presented to Sarah Platt…

November 1960’ Diameter: 25.5cm, weight: 15.5oz

£150-250

THE ROYAL HUNT CUP, ASCOT 1934 GARRARD, LONDON 1934 In the form of an oval jardinière, on beaded foot, the base engraved with ‘Designed by Chas. Sykes, Garrard London Fecit’, raised on an oval foot, with presentation wooden plinth Width: 34cm, weight: 60oz Note: The cup was won by the Hamilton’s racehorse ‘Caymanas’

£800-1,200

121

194 A PAIR OF GEORGE V ENTRÉE DISHES AND TWIN HANDLED COVERS MARTIN, HALL & CO., LONDON 1924 Each of plain oval form, engraved with presentation inscription and crest to the lid (2) Diameter: 30 cm across handles weight: 99oz

£800-1,200

197 A COLLECTION OF FOUR EARLY 20TH CENTURY QUAICHS

195

Various makers, all of traditional form; together with a large plated example, all with various engraved inscriptions including one to Field Marshall the Earl Roberts, 1913 (5)

A GEORGE V SALVER

Width: 14cm,12cm, 8cm 23cm across lugsweighablesilver: 10oz

HARRISON BROTHERS & HOWSON, SHEFFIELD 1922

£200-300

Retailed by Thos Ross & Sons, Glasgow, of moulded outline, raised on four scroll feet

198

Diameter: 25cm, weight: 20oz

A GEORGE V INKSTAND

£200-300

R & W SORLEY, LONDON 1918

196

Of serpentine rectangular form, gadrooned rim with shell clasping, two lidded glass inkwells, all raised on bracket feet

A GEORGE V TWIN HANDLED TRAY

Length: 31cm

HARRISON BROTHERS & HOWSON, SHEFFIELD, 1924

£200-300

Of oval outline, with engraved presentation inscription to Miss Crum Ewing on her marriage, dated 1924, retailed by Thos Ross & Sons, Glasgow Width across handles: 58cm, weight: 110oz

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

122

199

204

209

A GROUP OF MISCELLANEOUS ITEMS

A GEORGE V BACHELOR’S TEAPOT

A SCOTTISH BALUSTER SNUFF MULL

To include: a cased set of hunting buttons; a gilt metal mounted bracelet; a gilt metal buckle; a silver-gilt presentation key; livery buttons; a carved coquilla nut and three pairs of gold cufflinks and an odd one; together with two regimental white metal paper weights each modelled as a sphinx; various shields and badges; gilt lighter; small silver golfing medal and a part cased set of silver mounted hunting buttons with painted decoration; and a small silver-gilt presentation key (quantity)

BIRMINGHAM CIRCA 1910

Applied white metal mounts with shield cartouche with AF engraved to centre; together with a small cased set of silver mounted and tortoiseshell place card holders and another; a cased set of salts and spoons; an 18th-century capstan; together with another central European white metal-mounted horn snuff mull with inlaid decoration a/f; a silver cased glass scent bottle and two Victorian children’s rattles (quantity)

£800-1,200

200 A LARGE GEORGE V PRESENTATION SALVER ALEXANDER CLARK & CO LTD., BIRMINGHAM 1918 With piecrust border, engraved to centre ‘Presented to Alexander Hamilton...on the occasion of his marriage 5th November 1960’ Diameter: 39.5cm weight: 49oz

£400-600

201 A GEORGE V INKSTAND R & W SORLEY, LONDON 1918 Of serpentine rectangular form, gadroon rim with shell clasping, two lidded glass inkwells, all raised on bracket feet Width: 23cm strong room

£250-350

202 A GEORGE V INKSTAND R & W SORLEY, LONDON 1917 Of rectangular form with gadrooned border and pierced sides, two glass inkwells, all raised on scroll feet, engraved inscription Width: 25cm

£250-350

203 AN 18TH CENTURY STYLE TWIN HANDLED PORRINGER LONDON 1910 Of traditional form, foliate decoration to lower half; together with a plain 17th-century style porringer with cover, D H & S Glasgow, of plain form, engraved inscription around the rim, the cover with three short legs (2)

Of oblong form, chased with floral swags, engraved double crest, raised on stud feet; together with a group of silver, to include: four small twin-handled navette shaped salts; a pair of navette shaped pierced dishes; and an oval lidded mustard pot (8) Height: 12cm, weighable silver: 28oz

£350-450

Y

£400-600

205 AN EDWARDIAN SALVER FORDHAM & FAULKNER, SHEFFIELD 1906 Of circular outline with moulded border, raised on three hoof feet Diameter: 25cm, weight: 20oz

£200-300

210 A PAIR OF MODERN GEORGE II STYLE SUGAR BOWLS HAMILTON & INCHES, EDINBURGH Each with slightly everted rims, engraved to body with prize inscription for cattle (2) Diameter: 13cm, weight: 38oz

206 A COLLECTION OF MISCELLANEOUS SILVER To include: a small stamp box; a small patch box; a German 19th century; a needle case; a seal terminal; a cased shaving brush and a chamberstick (quantity)

£200-300

211 A SET OF SEVEN GEORGE III SERVING SPOONS ROBERT GREEN, EDINBURGH 1802

£300-500

Of Old English pattern, engraved E. M. to terminal (7)

207

Length: 31.5cm, weight: 17oz

A COLLECTION OF MISCELLANEOUS SILVER To include: an Edwardian nut dish, modelled as a shell on three ball feet, engraved with crest of Hamilton and dated ‘1901’ all over lobed and pierced panel decoration; together with a small dressing table jewellery box; a large glass scent bottle with silver mounts and hinged cover; four pin trays; small engraved card tray; a large baluster sugar caster; a Victorian single-handled goblet; together with two cigarette boxes and a pocket cigarette case (quantity) Weighable silver: 25.5oz

£300-500

208

Y

A GROUP OF FOUR VICTORIAN PAGE TURNERS All with boldly embossed handles, two with tortoiseshell blades, two with ivory (4) £300-500

Height: 9cm, 11cm

£350-450

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

£220-280

212 A SCOTTISH GEORGE III SUGAR BOWL BAYNE & NAPIER, GLASGOW CIRCA 1770 Of circular form, slight baluster shaped body, with a foliate decorated flared rim, on moulded foot Height: 8cm, diameter: 11.5cm, weight: 6oz

£500-700

213

Y

A MATCHED PAIR OF GEORGE III MEAT SKEWERS ROBERT GREEN, EDINBURGH, 1800 AND 1804 Together with a small presentation trowel; two silver patch boxes with regimental button onlay; three vesta cases; a capstan inkwell; a cigar case; two salts; small tot cup; two matchbox frames; a Georgian caddy spoon; a small silver-mounted aide memoir; stamp and a pin cushion/ jewellery box (quantity) Lengths: 30cm and 31cm

£300-500

123

214

215

A VICTORIAN THREE PIECE TEA SERVICE

A PART GEORGE IV PRIVATE DIE SUITE OF FLATWARE

J. MURRAY, GLASGOW 1851

ROBERT GRAY & SONS, GLASGOW 1828

Comprising a teapot, cream jug and sugar basin, all of pear-shaped octagonal form, the panels with engraved foliage, C scroll handles and knopped finial to teapot (3)

Of Fiddle pattern with cast crest of Dennistoun, comprising, twelve table forks, eighteen dessert forks and seven teaspoons (37)

Teapot height: 17cm, weight: 44oz

£600-800

Weighable silver: 76.3oz

£1,000-1,500

124

216 A RARE SCOTTISH GEORGE II COFFEE URN ATTRIBUTED TO JAMES KERR, EDINBURGH, CIRCA 1730 The ovoid body raised on three cabriole legs, with a chased border of shells and diaper work around the shoulder and cover, with a vacant cartouche (previously engraved), with later spirit lamp Height: 31cm, weight (all in): 52.9oz

£6,000-8,000

This newly discovered mid 18th century Edinburgh coffee urn adds

While the marks to this example are now all but obliterated,

to a small but important group of Scottish silver, arguably without

it does seem possible to suggest a maker, comparing stylistic

compare. Bringing the survival to approximately seventeen (with

trends of shape, decoration and cast elements. The most likely

eleven in institutions), this urn fits perfectly within the Golden Age

candidate appears to be the highly regarded Edinburgh silversmith

of Edinburgh silver.

James Kerr, who would latterly go into partnership with William

With no parallel elsewhere in England or the rest of Europe, where the inspiration for this design emanates from is still the subject of debate, although the basic shape may derive something from the earlier practice of mounting ostrich eggs in silver.

During the period of these urns manufacture (circa 1719 - 1767) and particularly within the height of their manufacture (circa 1730 -1750) the number of standard pouring coffee pots is minimal. This and a reference in the John Rollo, Goldsmith Edinburgh, account book ‘To one Coffe poot 62 oz 2dr at 7sh 6pe per oz - £23 - 5 - 8’ and the survival of this piece adds great weight to the theory of their use being for coffee, rather than as hot water or tea.

Their functionality also is worthy of note, when it is considered that within contemporary accounts coffee is considered medicinal and should ‘be drunk as hot as one can bear’ the shape combined with the use of a burner (now lacking in most of extant examples) would have meant the contents could have been kept hot.

The design of these urns seems to vary more by the period than maker, with the flair of the maker coming in the outline shape of the body; they can vary from elongated to more compressed squat forms. All but one of the surviving urns are of Edinburgh manufacture and by a small but highly regarded group of makers.

The exception is a Dundee marked example by Alexander Johnston, which while marked by him and the body likely made by him, the cast elements (legs, handles etc.) appear to emanate from one of the Edinburgh makers, likely James Kerr. Research continues but it would appear that all seventeen urns could have these cast elements emanating from as few as three original workshops, although the number of makers marks struck to them is greater.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Dempster becoming Kerr & Dempster. On earlier examples Kerr’s mark is prolific and on later examples the partnerships maker’s mark is also seen.

Perhaps most telling is the delicately flat chased decoration and diaper work to the neck which is reminiscent of Kerr’s work on bullet teapots of the same period. The cast legs with their acanthus clasped tops, with plain rat tail rib and the raised hoof feet are also a mould recognised as coming from the Kerr workshop. Access to prepared moulds in the workshop must suggest a place of manufacture similar to the other urns featuring these patterns.

The crossover of makers using the same moulds and patterns for handles, legs and spigot does add some confusion to these theories, but the majority of urns using these moulds can be tied to the Kerr (and latterly Kerr & Dempster) workshop.

It is also worth noting that James Kerr was responsible for the creation of the Hopetoun tea and coffee service (originally commissioned with an ovoid coffee urn, now lost) and similarities can be seen with the light diaper work of the 18th century and hoof feet of the spirit kettle held in the collection of The National Museums of Scotland.

This piece certainly pre-dates his partnership with William Dempster in 1751, so it seems safe to ascribe James Kerr’s name alone to this work. This urn is also rare in that it was made with an integral placement for the spirit lamp burner.

125

126

221 217 A MATCHED SET OF EIGHTEEN GEORGIAN TABLE FORKS

AN EDWARDIAN THREE PIECE TEA SERVICE GOLDSMITHS & SILVERSMITHS CO LTD, LONDON 1904

JN, EDINBURGH VARIOUS DATES

Comprising teapot, twin-handled sugar basin and cream jug, each of plain oblong form with gadrooned rim (3)

Of Old English pattern (18)

Height of teapot: 17cm, weight (all in): 23oz

Length: 20.5cm, weight: 35.6oz

£350-450

£400-600

218 A COLLECTION OF GEORGE III OLD ENGLISH FLATWARE PREDOMINANTLY ROBERT GRAY, EDINBURGH With various crests, to include: three tablespoons, six tableforks, six dessert spoons, a matched set of nine Old English dessert spoons; together with a soup ladle AG, Glasgow, of Hanoverian pattern; two sauce ladles; together with two Fiddle pattern fish slices, London, 1820 and Dublin 1813, well pierced and engraved flats and a collection of miscellaneous condiment spoons (quantity) Weight: 62.8oz

£400-600

219 A GEORGE III HASH SPOON WM, GLASGOW CIRCA 1750 Of Hanoverian pattern engraved H. M. to terminal Length: 36cm, weight: 7oz

£500-700

220 A COMPOSITE CIRCULAR SALVER LONDON ASSAY OFFICE, LONDON 2021 On four paw feet, the whole chased with foliage and engraved with the heraldic achievement of Ewing, partly made from a salver of 1784 Diameter: 45cm, weight: 88.63oz

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

127

222 AN EDWARDIAN PUNCH BOWL ROBERT PRINGLE & SONS, LONDON 1901 Of demi fluted form, plain rim, to a spreading foot Diameter: 24.5cm, weight: 30oz

£300-500

223

Y

A MATCHED SET OF TWELVE GEORGE III SCOTTISH PROVINCIAL TABLESPOONS DAVID WARNOCK AND JAMES WRIGHT, GLASGOW CIRCA 1760 Six marked DW, Glasgow town mark, DW, S and six marked DW Glasgow town mark, S, all engraved E. and numbered (12) Length: 21.5cm, weight: 29.6oz

£700-1,000

224 A MATCHED SET OF NINE GEORGE III SCOTTISH PROVINCIAL TABLESPOONS SIX BY JAMES GLEN, GLASGOW CIRCA 1770 Engraved H. M. to reverse of terminal; three by Robert Luke Il, Glasgow circa 1770 (9) Length: 21cm, combinedweight: 19oz

£450-550

225 A MATCHED SET OF TEN GEORGIAN SCOTTISH PROVINCIAL TABLESPOONS MAINLY GLASGOW, VARIOUS DATES Five by Robert Luke I, Glasgow circa 1725, engraved MHE; four Robert Gray, Glasgow 1775 late rat-tail tablespoons, engraved W. M. (one with returned end); another by James Taylor, Glasgow 1775 engraved W. M.; one unmarked and two Edinburgh, Assay Master Hugh Gordon (10) Combined weight: 28oz

£400-600

226 A LATE VICTORIAN CASED LIQUEUR SET ATKIN BROTHERS, SHEFFIELD 1897 Retailed by Edwards, comprising a small two handled tray and a set of plain glasses, each in a silver frame (7) Tray width: 23cm, weight: 7.2oz

£250-350

227 A LATE VICTORIAN WATER POT RETAILED BY GOLDSMITHS COMPANY, LONDON 1895 Of plain baluster form, gadrooned border, basket weave handle, gadroon border to foot Height: 23.5cm, weight: 17oz

£200-300

228 A SET OF FOUR LATE VICTORIAN TABLE CANDLESTICKS MARTIN HALL, 1891 Each of small Corinthian column form, with square bases and chased with swags, loaded (one drip tray lacking) (4) Height: 18cm

£500-700

229 A LATE VICTORIAN HOT WATER JUG JACKSON AND DEERE, LONDON CIRCA 1890 Of pear shape, partly fluted and engraved with a crest and motto; together with a matching coffee pot, Thomas, New Bond Street, London 1892 (2) Height: 23cm, 20cm, weight (all in): 42oz

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

230

233

A COLLECTION OF SILVER

A VICTORIAN HIP FLASK

To include: a large sugar caster, Geo. Angel, London 1890, of plain octagonal baluster form in the George I manner; a Jersey milk pail, later replacement chrome cover; a small Victorian table cigar lighter, of vase form; together with a Victorian small cream jug, in George II style, raised on three short legs, front section of lip lacking (4)

JOHN LINEGAR, BIRMINGHAM 1874

£300-500

Height: 14cm, 14.5cm

Of oval outline and engine turned detail, engraved with the crest of Hamilton, some damages; together with another plated flask, in leather lower slipcover with presentation engraving ‘FROM STUART DECr 17th 1882’ (2) £300-500

231 A LATE VICTORIAN TEA CADDY

234

MARTIN AND HALL, SHEFFIELD 1890

A VICTORIAN TEAPOT

Of oval form, with bright cut decoration in the late 18th-century style; together with a caddy spoon, TL Sheffield 1810, the bowl, with foliate detail (2)

JOSEPH ANGEL II, LONDON 1857

Height: 10cm, weight (all in): 4.8oz

£300-500

Of oval form in the 18th century style, beaded borders and bright cut engraving; together with a twin-handled sugar bowl and cream jug, George Fox, London, 1857, each on a beaded foot and engraved with the crest of Hamilton (3) Height of teapot: 13cm, weight (all in): 32oz

232

£450-550

A LARGE LATE VICTORIAN PIN CUSHION CIRCA 1890

235

Marks indistinct, of bun shape, on four feet with floral spray centrepiece, pierced and chased sides

A WILLIAM IV TWIN HANDLED SUGAR BOWL AND CREAM JUG

£150-250

WILLIAM BURWASH, LONDON 1834 Of circular outline, each with entwined serpent handle, the sides in the Grecian manner and chased with panels of Classical scenes (2) Height: 19cm, combined weight: 28oz

£400-600

236 A VICTORIAN CENTREPIECE SMITH, NICHOLSON & CO, LONDON 1857 On shaped oval foot, the openwork basket on vine foliage stem flanked by a stag and hind, engraved presentation inscription to J Crum Ewing dated 1857 Height: 35cm, weight: 130oz

£1,500-2,500

129

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

237 A GEORGE III TWIN HANDLED SAUCE TUREEN AND COVER JOHN EAMES, LONDON 1798 Of traditional form, engraved with a crest of a collared lion’s head, on an oval reeded foot, the cover with an acorn finial Width across handles: 23cm Weight: 17oz

£500-700

241 238 A GEORGE III MUSTARD POT

A MATCHED SET OF THREE GEORGE III ENTRÉE DISHES AND COVERS

LONDON CIRCA 1730

1810 AND 1817

Pierced with bright cut decoration; together with an oval mustard pot and cover, Robert Gray; and another; together with a large cauldron salt, circa 1820; a set of four cauldron salts, Chester and nineteen other miscellaneous pieces of small salts, mustards etc and four other circular salts (quantity)

The dishes by Guest & Craddock, London 1810, the covers and ring handles (one lacking) by S. C. Yonge & Co, Sheffield 1817, of plain oblong outline with gadrooned borders (3)

Weighable silver: 37oz

£150-250

239 A GEORGE III WATER POT ROBERT MAKEPEACE & RICHARD CARTER, LONDON 1777 Of baluster form, later chased decoration with flowers and foliage, S scroll handle, the domed lid with urn finial Height: 28cm, weight: 26oz

£400-600

240 A PAIR OF EARLY GEORGE III CASTERS J DANIEL, LONDON 1764 Each of baluster form, chased with foliage and raised on a circular base, the pierced pull off covers with knopped finials (2) Height: 14cm, combined weight: 7oz

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Width: 26cm, weight: 123oz

£1,200-1,800

131

242 A SUITE OF FOUR GEORGE III TABLE CANDLESTICKS AND A PAIR OF THREE LIGHT CANDELABRA S C YONGE & CO, SHEFFIELD 1815 Each on shaped circular foot, the foot and stems of each chased with scrolls and foliage (6) Width: 50cm, height: 22cm. Weighable silver, branches: 96oz

£4,000-6,000

132

243

244

246

245

247

243

245

A SMALL EARLY 18TH CENTURY CASED SILVER BUTTERFIELD TYPE DIAL

AN 18CT GOLD CHASED OPEN FACE FOB WATCH

SIGNED CHAPOTOT PARIS, CIRCA 1710

With engine turned outer case, white enamel dial, Roman numerals in black, subsidiary seconds at 6, three quarter plate key wind movement

Of conventional form in original velvet lined case, compass detached but present

JAMES MUIRHEAD, GLASGOW

Dial diameter: 4.5cm

£2,000-3,000

£300-500

244

246

A LATE 18TH CENTURY SILVER PAIR CASED VERGE POCKET WATCH

AN 18CT GOLD CASED POCKET WATCH

J. LYNDER, LONDON CIRCA 1781 Plain outer and inner case, enamel dial with Roman and Arabic numerals in black, the key wind movement and cuvette inscribed

Engine-turned case, open-faced, off white dial with Roman numerals in black, subsidiary seconds at 6, inscribed, numbered 6084, lever movement

Outer case diameter: 5cm, dial diameter: 3.7cm

Case diameter: 4.5cm, dial diameter: 4.1cm

£300-500

£400-600

CHARLES FRODSHAM, LONDON

133

248

249

247

248

249

AN 18CT GOLD CASED POCKET WATCH

A MID 18TH CENTURY GOLD PAIR CASED VERGE WATCH

A LATE 18TH CENTURY GOLD PAIR CASE POCKET WATCH

ART. DOBSON, LONDON CIRCA 1742

KENTISH & TURNER

The outer case with repoussé decoration of figures in a room setting, ship in the distance (Departure of Aenas), white enamel dial (cracked) with Roman numerals in black, the key wind movement inscribed and numbered No. 1018 with chain fusee

The outer case engraved with coat of arms, the white enamel dial with Roman and Arabic numerals in black, centre seconds hand, the key wind fusee movement inscribed and numbered 2755, in a shagreen outer case

Case diameter: 4.9cm, dial diameter: 3.9cm

£1,200-1,800

RUSSEL & FILS The rear cover with engine turned decoration and blank cartouche, white enamel dial with Roman numerals in black, subsidiary seconds at 6, key wind movement, No.76888 Case diameter: 4.7cm, dial diameter: 4.2 cm

£400-600

Case diameter: 4.8cm, dial diameter: 3.6cm

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

250 A 9CT GOLD CIGARETTE BOX GOLDSMITHS & SILVERSMITH CO LTD, LONDON With allover engine turned decoration, inscription dated 1947 to interior Width 8.5cm, weight: 109.3g

£1,000-1,500

251 A FRENCH GOLD ALBERT With citrine set fob engraved C Length: 36cm, weight:60g

£500-700

252 A COLLECTION OF JEWELLERY To include: two short gold Alberts; a Victorian gold oval locket, on a chain, the hinged cover with applied monogram in blue enamel; together with a french gold mesh purse; and a 9ct gold propelling pencil (5) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

136

253 A COLLECTION OF 19TH CENTURY AGATE AND HARDSTONE HANDLED TABLE SEALS Gilt and gold mounts, plain and chased decoration, various paste and hardstone engraved intaglios (19) £2,500-3,500

254 A COLLECTION OF MOTHER OF PEARL HANDLED TABLE SEALS The handles of various forms including turned, carved as hands etc., gilt, gold and other mounts, glass and hardstone intaglios (28) £600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

255

Y

A GROUP OF SEVEN IVORY HANDLED DESK SEALS The handles of various forms of decoration from simple turned to hands clasping a rod, gilt metal and silver terminals with hardstone and metal intaglios, mainly initials and monograms, together with a group of wax impressions and a collection of unset glass and other intaglios, various small watch fob seals in gilt and other metal (quantity) £600-800

256 A COLLECTION OF 19TH CENTURY FOB SEALS Four of wheel form, various fob seals, paste, glass and hardstone intaglios, one fob modelled as a pair of scissors (12) £500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

138

257

Y

AN INTERESTING GROUP OF VARIOUS FOB SEALS Gilt and other metal mounts, hardstone glass and other intaglios, mainly carved with single words and symbols, swivel and fixed, some plain mounts and handles (quantity) £800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

RARE BOOKS, MAPS, PRINTS & PHOTOGRAPHS

140

259

258

259

18TH AND 19TH CENTURY WORKS

ACADEMY PLAN OF LEARNING

INCLUDING

EDUCATIONAL MANUSCRIPT

Lavater, J.C. Essays on Physiognomy, 1804, 4 volumes, 8vo, plates, contemporary half calf, a little dampstaining; Locke, John. An Essay concerning Human Understanding. 1819, 2 volumes, 8vo, contemporary calf; Campbell, George The Philosophy of Rhetoric. 1801. 2 volumes, 8vo, contemporary calf; Spurzheim, J.G. The Physiognomical System of Drs. Gall and Spurzheim. 1815, 8vo, plates, contemporary embossed calf gilt; Anderson, John Institutes of Physics. Glasgow, 1786. 8vo, title slightly loose, contemporary calf; Smith, Samuel S. An Essay on the Causes of the Variety of Complexion and Figure in the Human Species.

Edinburgh reprinted, 1788, 8vo, contemporary calf gilt; Barlow, Peter.

An Essay on Magnetic Attractions. 1823, 8vo, contemporary calf gilt; Storer, James The Antiquarian and Topographical Cabinet. [n.d.], volumes 1-6 (of 10), engraved illustrations, cloth; and others, sold not subject to return (quantity)

with sections on arithmetic, geometry, geography, navigation, trigonometry, astronomy, longitude, days works, marine surveying, fortification, gunnery and mechanics, c. 1800, folio, 483pp, 1 folding chart, diagrams, occasional hand-colouring, several ink and wash illustrations, no author or provenance, contemporary calf, rubbed, cover detached, edges worn

£400-600

£700-1,000

260 ANDERSON, JAMES THE BEE, OR LITERARY WEEKLY INTELLIGENTSER Edinburgh: printed by Mundell and Son, December 1790-January 1794.

18 volumes, 8vo in fours, contemporary half calf with red and green gilt morocco labels to spines, sold as a periodical not subject to return (18) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

141

261

263

ANNAN, THOMAS, PHOTOGRAPHER THE OLD COUNTRY HOUSES OF THE OLD GLASGOW GENTRY Glasgow: James Maclehose, 1878. Second edition, 4to, 100 mounted carbon prints and 3 plates, contemporary red morocco with a custom red morocco gilt book jacket £500-700

262 ANNAN, THOMAS, PHOTOGRAPHER THE OLD COUNTRY HOUSES OF THE OLD GLASGOW GENTRY Glasgow: James Maclehose, 1878. Second edition, 4to, 100 mounted carbon prints and 3 plates, contemporary red quarter morocco £300-500

263 ATKINSON, GEORGE FRANCKLIN THE CAMPAIGN IN INDIA 1857-58 London: Day & Son, 1859. Folio, 26 tinted lithographs on 20 sheets, finished by hand, original pictorial red cloth gilt £800-1,200

261

142

268

265 BACON, FRANCIS, LORD OF THE ADVANCEMENT AND PROFICIENCIE OF LEARNING London: T. Williams, 1674. Folio, engraved frontispiece portrait, contemporary calf, portrait with small stain and short split at plate mark, worn, upper cover detached, with final leaf “Typographus Lectori” at end £200-300

266 BARBIER, GEORGE DESIGNS ON THE DANCES OF VASLAV NIJINSKY London: C.W. Beaumont, 1913. 4to, number 330 of 400 copies, 12 pochoir plates, original wrappers, lower margins lightly damp-cockled, a few small spots, wrappers somewhat dust-soiled, title slightly spotted £800-1,200

267 BARCLAY, JAMES A TREATISE ON EDUCATION Edinburgh: A. Symmer…, 1743. 12mo, contemporary calf gilt £200-300 266

268 BARROW, JOHN

264 ATLASES - BLACK, A. & C.: PUBLISHER BLACK’S GENERAL ATLAS comprising sixty one maps. Edinburgh, 1850. Folio, 61 maps partly coloured, maroon half morocco, rubbed; Hall, Sydney Black’s General Atlas... forty four maps. Edinburgh, 1840.

Folio, 44 maps, mostly hand-coloured in outline, maroon half morocco, spine gilt, slightly rubbed (2) £200-300

AN ACCOUNT OF TRAVELS INTO THE INTERIOR OF SOUTH AFRICA in the years 1797 and 1798. London: T. Cadell & W. Davies, 1801-04. First edition, 2 volumes, 4to, 1 folding map, bookplate of James Graham, contemporary diced russia gilt, map with tiny hole at centre fold and strengthened on verso, joints rubbed, vol. 2 joints splitting, a very few pages spotted (2) £500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143

269

274

BAXTER, SAMUEL

BIBLES AND THEOLOGICAL PUBLICATIONS

THE POETS OF GREAT BRITAIN London: Cadell and Davies, 1807. 61 volumes, 12mo, contemporary tree calf gilt, sold not subject to return (61) £300-500

270 BEARDSLEY, AUBREY THE YELLOW BOOK London: Elkin Mathews & John Lane, 18941897. Volumes 1-12 (of 13), original yellow cloth, sold not subject to return (12) £200-300

271 BEATTIE, JAMES AN ESSAY ON THE NATURE AND IMMUTABILITY OF TRUTH Edinburgh: A. Kincaid, 1770. First edition, 8vo, half-title, contemporary calf, head of spine slightly rubbed £200-300

272 [BEATTIE, JAMES] SCOTICISMS, ARRANGED IN ALPHABETICAL ORDER designed to correct Improprieties of Speech and Writing. Edinburgh: William Creech, 1787. 8vo, original boards, some manuscript annotations in an early hand £200-300

273 [BETHEL, SLINGSBY] THE INTEREST OF PRINCES AND STATES London: John Wickins, 1680. First edition, 8vo, contemporary calf, with 4pp. adverts and final blank leaf at end, lacks initial blanks, contemporary calf, slightly spotted, worn, early ownership inscription and other notes to front endpapers £200-300

COLLECTION OF 17 VOLUMES, COMPRISING Testamenti veteris Biblia Sacra London: H. Middleton, 1581. 8vo, double column, final leaf of final part (p.335) with slight loss, 19th century panelled calf, rubbed; The Principall Acts of the Solemne Generall Assembly of the Kirk of Scotland Edinburgh, 1639, 4to, lacks leaf or 2 at end (final leaf is G1), contemporary calf, slightly rubbed; The Principal Acts of the General Assembly of the Church of Scotland Edinburgh 1691, Folio, bound with similar texts, [the last dated 1708], contemporary calf, rubbed; Heylyn, Peter. Aerius Redivivus, or the History of the Presbyterians Oxford, 1670, folio, later calf, title torn without loss, worn, covers detached; Novum Testamentum Oxford: Clarendon, 1763, 4to, Greek text, contemporary calf, rubbed; The Holy Bible London: Charles Bill, 1702. 4to, engraved title, contemporary calf, some preliminary and final leaves very worn; rubbed; Fuller, Thomas The Historie of the Holy Warre. Cambridge, 1640. Second edition, 4to, engraved title, 19th century half calf, leaf before title repaired; Hill, G.F. Medals of the Renaissance. 1920. 4to, original cloth; and 8 others including four 19th century Bibles; sold not subject to return (17)

275

272

BOLINGBROKE, HENRY A VOYAGE TO THE DEMERARY London: Richard Phillips, [1807], First edition, 4to, folding map, contemporary half calf, spine gilt, map slightly spotted, slightly rubbed £300-500

£600-800

269

144

280

276

278

BOSWELL, JAMES

BRITTON, JOHN

THE LIFE OF SAMUEL JOHNSON

PICTURESQUE ANTIQUITIES OF THE ENGLISH CITIES

Dublin: R. Cross, 1792. 3 volumes, 8vo, contemporary calf; Arnold, Matthew Poems. London: Macmillan and Co., 1890. 3 volumes, 8vo, red morocco gilt; Bowles, Reverend Wm. Lisle Sonnets. London: Cadell and Davies, 1805. 2 volumes, 12mo, original cloth; and 7 others, sold not subject to return (12) £200-300

277 BRITTON, JOHN THE ARCHITECTURAL ANTIQUITIES OF GREAT BRITAIN

278

1836. 4to, 60 engraved plates, tissue guards, green half morocco gilt £200-300

279 BRITTON, JOHN, AND EDWARD BRAYLEY THE BEAUTIES OF ENGLAND AND WALES 1801-12. 18 volumes bound in 25, engraved titles, frontispieces and plates, contemporary calf gilt, slight wear, 2 boards detached, lacking 3 labels; sold not subject to return (25) £300-500

280 BROCKEDON, WILLIAM

London: M. A. Nattali, 1835. 5 volumes, 4to, engraved titles and plates, contemporary green half morocco, spines gilt; sold not subject to return (5)

ITALY, CLASSICAL, HISTORICAL AND PICTURESQUE

£300-500

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

London: Duncan and Malcolm, [n.d. but c.1847] Folio, frontispiece, engraved title and 59 plates, contemporary red half morocco gilt

145

284

281

284

BROCKEDON, WILLIAM

CAMDEN, WILLIAM

ILLUSTRATIONS OF THE PASSES OF THE ALPS

BRITANNIA: OR A CHRONOGRAPHICAL DESCRIPTION

London: Rodwell, 1828. 2 volumes, 4to, engraved plates, original red half morocco gilt (2)

of the Flourishing Kingdoms of England, Scotland and Ireland. London: John Stockdale, 1806. 4 volumes, folio, portrait, 106 plates, 54 (of 57) maps and 1 folding table, contemporary half calf gilt (4)

£200-300

£800-1,200

282 BUFFON, GEORGE LOUIS LE CLERC, COMTE DE

285

A NATURAL HISTORY, GENERAL AND PARTICULAR

CAMERON, JULIA MARGARET

London: R. Evan, 1817, 2 volumes, 4to, engraved portrait in both volumes, and 51 (of 52) hand-coloured plates (2)

BEATRICE; ZENOBIA

£200-300

283 BYRNE, W. ANTIQUITIES OF GREAT BRITAIN London: T. Cadell and W. Davies, 1807. 2 volumes, oblong folio, engraved title to volume 1, 82 (of 83) engraved plates, contemporary black morocco gilt (2) £200-300

and another, albumen prints captioned and signed in ink “From Life Registered Photograph copyright, Julia Margaret Cameron”, mounted on board, 338 x 265mm, 2 on boards blindstamped “Registered Photograph, Colnaghi, London”, rather faded and soiled (3) £250-350

286 CAMPBELL, DR JOHN THE NAVAL HISTORY OF GREAT BRITAIN London: Baldwin and Co., et al., 1818. 8 volumes, 8vo, portraits in 7 volumes, frontispiece in final volume, 7 plates and maps, contemporary half calf gilt with black calf gilt labels to spines (8) £200-300

146

287

290

CHAMBERS, EPHRAIM

CHURCH, JOHN

CYCLOPAEDIA OR AN UNIVERSAL DICTIONARY

A CABINET OF QUADRUPEDS

of the Arts and Sciences. London, 1751. 7th edition, 2 volumes, folio, folding plates, contemporary calf, head and tail of spines rubbed; Postlethwayt, Malachy The Universal Dictionary of Trade and Commerce. London, 1751. 2 volumes, folio, frontispiece, contemporary half calf, worn; Petermann, A. and T. Milner The Atlas of Physical Geography. 1850. Folio, maps, original cloth, hinges weak; sold not subject to return (5)

London: Darton & Harvey, 1805, First edition, 2 volumes, folio, engraved titles & 84 plates, contemporary half calf, spines gilt, slight dampstain to inner upper corner of volume 2 towards end, tear at foot of spine of second volume (2)

£200-300

£200-300

291 CLARKE, EDWARD DANIEL TRAVELS IN VARIOUS COUNTRIES OF EUROPE, ASIA AND AFRICA

288 CHAUCER, GEOFFREY THE CANTERBURY TALES OF CHAUCER

London: Cadell & Davies, 1813. Third edition, volumes 1-5 (of 6), 4to, numerous plates and maps, some folding, tissue guards, contemporary calf gilt, slightly rubbed, 2 boards detached; sold not subject to return (5)

Oxford: The Clarendon Press, 1798. 2 volumes, small 4to, portrait, contemporary calf with black morocco gilt labels to spines (2)

£150-250

£200-300

292 CLASSICAL WORKS, A QUANTITY

289

INCLUDING

CHEMISTRY. 10 VOLUMES COMPRISING Thomson, Thomas A System of Chemistry. Edinburgh, 1807, 3rd edition, 5 volumes, 8vo, 4 plates, contemporary tree calf, red morocco labels; Chaptal, J.A.C. Elements of Chemistry. London, 1793, 3 volumes, 8vo, contemporary tree calf gilt; Lavoisier, A.L. Elements of Chemistry.

Edinburgh, 1796, 3rd edition, 8vo, 13 folding plates, contemporary tree calf, spine gilt; Ure, Andrew A Dictionary of Chemistry. 1828, 3rd edition, 8vo, plates, contemporary half calf, head of spine slightly rubbed; sold not subject to return (10) £300-500

Terentius Afer, Publius Comoediae. 1772; Sallustius, C.C. and L.A. Florus 1774; Lucretius Carus T. De Rerum Natura. 1773; Catullus, Tibullus & Propertius Opera, 1772, these 4 all 12mo, Birmingham, John Baskerville, contemporary calf gilt; Dacier, Monsieur Oeuvres d’Horace.

Hamburg, 1733. 10 volumes, 12mo, contemporary calf; Langhorne, J., editor Plutarch’s Lives. 1794. 6 volumes, 12mo, contemporary calf, spines gilt; Homer. Ilias. Glasgow: R. & A. Foulis, 1747, 2 volumes, 12mo, contemporary calf; Plato Scripta Graece Omnia 1826, 11 volumes, 8vo, contemporary calf gilt, red and green lettering pieces; Sophocles Tragoediae VII. Cambridge, 1665. 8vo 18th century calf, slight erasure marks to title, some spotting; Virgil Bucolica, Georgica et Aeneis. Glasgow, A. Foulis, 1784, 12mo, 3 copies, contemporary green, contemporary red morocco gilt and contemporary calf gilt; and others, chiefly classics, sold not subject to return (quantity) £300-500

290

289

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

147

293

293

296

COLEMAN, C.

COLLECTION OF WORKS, MAINLY LAW

A SERIES OF SUBJECTS PECULIAR TO THE CAMPAGNA OF ROME AND PONTINE MARSHES

INCLUDING ERSKINE, JOHN [IN THE ORDER OF SIR GEORGE MACKENZIE]

Rome, 1850. Folio, etched title and 53 plates on 35 leaves, contemporary half calf gilt, several other plates loosely inserted at rear £800-1,200

294 COLLECTION OF TEN VOLUMES INCLUDING Weld, Isaac Illustrations of the Scenery of Killarney. 1807, 4to, engraved plates, contemporary diced calf, upper cover detached; Williams, Hugh Select Views in Greece. 1829. 2 volumes, 4to, red half morocco, plates detached; [The Poor] A Collection of Pamphlets concerning the Poor.

1787. 4to, contemporary calf; Daniel, W.B. Rural Sports. 1807, 3 volumes, 8vo, engraved titles, plates, contemporary diced calf, neatly rebacked; Beckford, W. Thoughts on Hunting. Albion Press, 1810. 8vo, contemporary calf, rebacked; and 2 others, sold not subject to return (10) £250-350

295 COLLECTION OF PAMPHLETS, A BOUND QUANTITY INCLUDING THE ACCOUNTS OF THE CHAMBERLAIN OF SCOTLAND Edinburgh: A. Murray, 1771. 4to; [bound with] [drop-head title] Memorial for the Merchants, Traders and Manufacturers of Glasgow, 1777; [bound with] Thoughts on General Gravitation and views thence arising as to the State of the Universe. London: T. Cadell, 1777. 4to; [bound with] Stuart, Andrew A Letter to the Honourable Directors of the East India Company, December 1778 [and two other similar letters by the same author; [and bound with] and a collection of further works, mostly relating to the Church of Scotland, including an Advertisement Circulatory Letter regarding the start of the Glasgow Courier, dated 1791, contemporary quarter calf with red morocco gilt label to spine, bookplate of James Meek (quantity) £300-500

An Institute of the Law of Scotland… Edinburgh: Bell & Bradfute, 1793. Third edition, folio, 2 volumes bound together, contemporary calf; Blount, Thomas A Law-Dictionary… London: Thomas Newcomb, 1680. Folio, contemporary calf, upper cover detached; Mackenzie, George Observations on the Acts of Parliament…

Edinburgh: Heir of Andrew Anderson, 1687.

Folio, contemporary calf; Sacheverell, Henry An Impartial Account of what pass’d in the most Remarkable Last Session of Parliament…

London: Jacob Tonson, 1710. Folio, contemporary calf; Hutcheson, Gilbert Treatise on the Offices of Justice… Edinburgh: Peter Hill, 1815. 4 volumes, 8vo, contemporary calf; and a collection of others, sold not subject to return (quantity) £300-500

297 COLQUHOUN, PATRICK A TREATISE ON THE WEALTH, POWER AND RESOURCES OF THE BRITISH EMPIRE London: J. Mawman, 1815. Second edition, 4to, contemporary half calf, spine gilt, joints splitting, title slightly spotted £200-300

148

301 DANTE ALIGHIEIRI LA COMEDIA di Dante Alighieri con la nova espositione de Alessandro Vellutello. Venice: Francesco Marconi for Alessandro Vellutello, 1544. Large 8vo, 87 wood-engraved illustrations, 3 of them full-page, title partly laid down, ?17th century vellum, repairs to lower margin of AA2 and AA3 verso, dampstain to inner margin and some text at beginning, heavier dampstaining at end, a few marginal manuscript pointing fingers and a few marginal notes in an early hand, binding worn £1,500-2,500

302 DAVIES, JOHN ANTIQUAE LINGUAE BRITANNICAE nunc vulgo dictae Cambro-Britannicae. London: R. Young, 1632, Folio, title with signature of John Jamieson cut down and mounted, also with small hole and early signature of Madam Mary Cornwall, 18th century calf, rebacked, foot of spine worn, occasional spotting £300-500 300

298 CONEY, JOHN ENGRAVINGS OF ANCIENT CATHEDRALS London: Moon, Boys, and Graves, 1832. Elephant folio, additional titlepage in French, 32 engraved plates, contemporary half sheep with black morocco gilt label to upper cover £200-300

299 COX, NICHOLAS THE GENTLEMAN’S RECREATION: IN THREE PARTS London: R. Bonwicke, 1710. Second edition, folio, 75 (of 80?) engraved plates on 74 leaves, half morocco, title-page laid-down, repairs to two text leaves with loss to text £500-700

300 CUIIT, GEORGE WANDERINGS AND PENCILLINGS AMONG RUINS OF THE OLDEN TIME London: M.A. Nattali, 1848. Folio, etched titular frontispiece, etching laid onto title-page, 51 plates of etchings and 11 further etchings in text, contemporary green half morocco gilt £300-500

299 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

301

150

306

303

303

305

DEARN, T.D.W.

DENDROLOGY, 4 VOLUMES, COMPRISING STRUTT, JACOB GEORG

DESIGNS FOR LODGES AND ENTRANCES

SYLVA BRITANNICA

to Parks, Paddocks, and Pleasure-Grounds, in the Gothic, Cottage and Fancy Styles… on Twenty Plates. London: J. Taylor, 1823. ‘New edition’, 4to, half-title, 20 sepia aquatint plates, contemporary calf, embossed and gilt roll-tooled border to covers, edges and corners a bit rubbed

London: for the author, [n.d.], 4to, pictorial title & 49 plates on india paper, contemporary calf gilt; Bacon, Francis, Lord Sylva Sylvarum. London: T. Lee, 1676. Folio, 10th edition, 2 parts in one volume, 4to, contemporary calf, owner’s name deleted from title in an early hand, rubbed; Evelyn, John Silva or a Discourse of Forest Trees. 1825. 5th edition, 2 volumes, 4to, portrait & 45 plates, contemporary half calf gilt, occasional light spotting (4) £300-500

£500-700

306 304

DESAGULIERS, J.T.

DEFOE, DANIEL

A COURSE OF EXPERIMENTAL PHILOSOPHY

3 VOLUMES, COMPRISING

London: J. Senex &c., 1734. 2 volumes, 4to, 78 folding engraved plates, contemporary calf, one joint cracked, lacks one label (2)

A Journey through England. London: J. Hooke, 1724. 2 volumes, 8vo, Volume 1 Fourth edition, advert leaf before title in vol. 1, vol. 2 second edition, half title, errata leaf; A Journey thro’ Scotland. London: J. Pemberton, 1723, 8vo, uniform, contemporary panelled calf, spines gilt, head & base of spines worn, joints split (3) £200-300

£500-700

307 DICKENS, CHARLES THE WORKS OF London: Chaman and Hall, [n.d.] Illustrated Library edition, 30 volumes, 8vo contemporary blue half morocco gilt, sold not subject to return (30) £400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151

307

308

309

DICTIONARIES AND GAZETTEERS

DICTIONARIES AND LEXICONS

A QUANTITY, INCLUDING

A COLLECTION, INCLUDING

Bayle, Peter The Dictionary, Historical and Critical. 1734-38, Second edition, folio, volumes 1-4 (of 5), contemporary calf; Richardson, Charles A New Dictionary of the English Language. 1844; Abstract of the Answers and Returns… “An Act for taking an Account of the Population of Great Britain.” 1833. 3 volumes, folio, original cloth-backed boards, bindings damaged; Johnson, Samuel A Dictionary of the English Language. 1818, 4 volumes, 4to, contemporary calf, rubbed, one board detached; Richardson, Charles A New Dictionary of the English Language. London: W. Pickering, 1844. 2 volumes, 4to, contemporary red morocco, g.e.; Ogilvie, John The Imperial Dictionary. 1856, 2 volumes, 4to, contemporary calf gilt; Bosworth, J. A Dictionary of the Anglo-Saxon Language. 1838, 8vo, contemporary half calf; Howell, William A Mythological, Etymological and Historical Dictionary. 1793. 8vo, contemporary calf, lacking upper board; Chambaud, L. Dicionnaire Francois-Anglois. 1815. 4 volumes, 8vo, contemporary calf, slightly worn; Chambers, R. and W. The Gazetteer of Scotland. Edinburgh, 1836, 8vo, folding maps, contemporary half calf; Cruttwell, C. The New Universal Gazetteer. 1808, 4 volumes, 8vo, contemporary tree calf gilt; and various others, sold not subject to return (quantity)

Estienne, Charles Dictionarium Historicum Geographicum Poeticum. Geneva: Jacob Crispin, 1633, 4to (in eights), title within typographic border, contemporary calf, some spotting and marginal staining, rubbed; Skinner, Stephan Etymologicon Linguae Anglicanae. London, 1671, folio, later calf gilt; Sewel, Willem A Large Dictionary English and Dutch. Amsterdam: J. ter Beek, 1754. 2 volumes, 4to, frontispiece with substantial loss laid down, contemporary tree calf gilt; Morell, Thomas Robert Ainsworth’s Dictionary English and Latin, 1773. 4to, title slightly dampstained and frayed, some spotting, boards detached, contents leaf supplied in pen facsimile, Riddle, Joseph E. A Copius and Critical LatinEnglish Lexicon. 1849. 4to, contemporary calf gilt; Liddell, H.G. & R. Scott. A Greek-English Lexicon. Oxford, 1849. 4to, contemporary calf gilt; Jamieson, John An Etymological Dictionary of the Scottish Language. Edinburgh, 1808, 2 volumes, 4to, contemporary half calf; Jamieson, John Supplement to the Etymological Dictionary.

Edinburgh, 1825. 2 volumes, 4to, contemporary quarter calf, uncut, head of spines worn; Highland Society of Scotland Dictionarium Scoto-Celticum, a Dictionary of the Gaelic Language. Edinburgh, 1828. First edition, 2 volumes, 4to, contemporary half calf gilt; Bell, J., publisher Bell’s New Pantheon, or Historical Dictionary 1790, 2 volumes in one, 4to, plates, contemporary half calf; Watt, Robert Bibliotheca Britannica. Edinburgh, 1824, 4 volumes, 4to, contemporary embossed calf; and several others, sold not subject to return (quantity)

£300-500

£300-400 309

152

311

310

312

314

DIROM, MAJOR ALEXANDER

DUNN, SAMUEL

EGYPT

A NARRATIVE OF THE CAMPAIGN IN INDIA

A NEW ATLAS OF THE MUNDANE SYSTEM

A COLLECTION OF LATE 19TH/EARLY 20TH CENTURY ALBUMEN PRINTS

London: W. Faden, 1793. First edition, 4to, frontispiece, 8 plates and maps, contemporary half calf gilt £300-500

London: R. Sayer, [c. 1786-89], Third edition, folio, 7 (of 8) double-page celestial plates and 41 (of 42) double-page hand-coloured maps (lacks map 40), some maps split or partly split at centre fold, some slight soiling, contemporary half calf, worn, cover detached £800-1,200

£150-250

311 DRUMMOND, ALEXANDER TRAVELS THROUGH DIFFERENT CITIES OF GERMANY, ITALY, GREECE and Several parts of Asia. London: for the author, 1754. First edition, folio, folding frontispiece, Greek alphabet leaf, 2 folding maps and 31 plans and plates (8 folding), contemporary calf, occasional spotting, extremities worn, joints split £800-1,200

33 loose photographs, each c.28x22cm, showing images of Egyptian people and Ancient Egyptian remains (33)

313 EARLOM, RICHARD AND CHARLES TURNER

315

PORTRAITS OF CHARACTERS ILLUSTRIOUS IN BRITISH HISTORY

ENCYCLOPAEDIA BRITANNICA

London: S. Woodburn, [n.d.] 4to, engraved plates, contemporary half Russia gilt; Ollier, Edmund The Doré Gallery… London: Cassell, Petter & Galpin, [n.d.] 2 volumes, folio, contemporary red half morocco gilt; Henley, W.E. A Century of Artists. Glasgow: James MacLehose & Sons, 1889.

4to, original cloth gilt; Hall, S.C. The Vernon Gallery. London, 1850. 4 volumes, 4to, contemporary diced calf gilt with green morocco gilt labels to spines; sold not subject to return (8)

EDINBURGH, 1842

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

7th edition, 21 volumes, 4to, engraved plates and maps, contemporary half calf, spines gilt, a few joints broken, sold not subject to return (21) £200-300

153

312

316

318

ETCHINGS

FOLIO AND QUARTO VOLUMES

A SMALL COLLECTION, INCLUDING

A COLLECTION OF TEN, COMPRISING

24 by William Strang, 14 signed by Strang, the majority mounted, 1 torn, some spotting; 13 by William Hogarth, including 4 from Harlot’s Progress, 26 x 37cm; and a few others (quantity)

London: for the author, 1756. First edition, 4to, folding frontispiece and 13 folding plates, strip torn from lower margin of two Contents leaves, contemporary half calf, title-page very soiled, binding worn; Ferguson, James Astronomy Explained upon Sir Isaac Newton’s Principles... eighth edition. London, 1790. 8vo, folding frontispiece and 17 folding plates, contemporary tree calf, red morocco label, short tear to plate 10 (2)

Polano, Pietro S. The History of the Council of Trent.

London, 1686, folio, contemporary calf, slightly dampstained, some wear; Spotswood, John The History of the Church of Scotland. 1655. Folio, 18th century calf, some soiling, title heavily soiled; Strype, John Annals of the Reformation and Establishment of Religion. 1709, folio, contemporary panelled calf, slightly rubbed; St. Augustine Of the Citie of God. London, 1620, folio, contemporary calf; title frayed and laid down, somewhat dampstained, slight soiling, head of spine worn; Hooker, Richard Of the Lawes of Ecclesiastical Politie. London, W. Stansbye [n.d], folio, engraved title, contemporary calf, slightly rubbed; Cumberland, Richard Memoirs.

1806. 4to, contemporary half calf, slight spotting, rubbed; Paisley Free Library and Museum Memorial Volumes. 1871. 4to, original cloth gilt; Burnet, G. The Memoires of the Lives and Actions of James and William Dukes of Hamilton and Castleherald. 1677.

Folio, contemporary calf, slightly dampstained, rubbed; Vuillier, Gaston A History of Dancing. 1898.

4to, original cloth; Burn, R. Rome and the Campagna.

1876, 4to, original cloth, upper hinge weak (10)

£500-700

£300-400

£200-300

317 FERGUSON, JAMES ASTRONOMY EXPLAINED UPON SIR ISAAC NEWTON’S PRINCIPLES

317

154

320

319

320

321

FOLIOS

FOXE, JOHN

GELL, WILLIAM

A QUANTITY, INCLUDING PINELLI, B.

ACTS AND MONUMENTS OF MATTERS MOST SPECIALL AND MEMORABLE

POMPEIANA. 1832

Twenty-Seven Etchings illustrative of Italian Manners and Costume. Rome, 1844. Folio, 27 engraved plates, original quarter red morocco, lacks spine, entirely loose, 1 plate spotted; Strang, William The Earth Fiend, a Ballad. 1892. Folio, number 69 of 150 copies signed by Strang, etched title and plates, original buckram gilt, t.e.g.; Leech, John Follies of the Year. 1864. Oblong 4to, hand-coloured etchings, red half morocco, worn, upper cover detached; and several other folios (quantity)

London: Adam Islip, F. Kingston & R. Young [volume 2: 1631; volume 3: R. Young, 1631], volume 1 title within woodcut border, 3 (of 4) woodcut plates, folding woodcut table very badly damaged with major loss, final leaf with all margins renewed, woodcuts in text, vol. 1 title renewed in inner margin; volume 2 with folding woodcut of Windsor Castle, final 2 leaves repaired in margins with loss of a few letters, lacks A2, vol. 2 ends at p.788; volume 3 title cut round and mounted, a few corners worn, a few small repairs (e.g. p.601 with loss of a few letters), 1 folding woodcut plate (at p. 503), occasional spotting, soiling and discolouration, final leaf laid down, 19th century calf, slightly rubbed, volume 3 spine and upper cover very worn; sold not subject to return

£200-300

£600-900

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

2 volumes, plates, blue panelled morocco gilt, g.e.; The History of the Reformation of the Church of Scotland. Edinburgh, 1731, 4to, contemporary panelled calf; Robinson, T. The Christian System, 1805, 3 volumes, 8vo, contemporary tree calf gilt; and others mainly theology, sold not subject to return (quantity) £300-500

322 GIBRALTAR, SCRAPBOOK FOLIO, MISCELLANEOUS ENGRAVINGS & LITHOGRAPHS including 2 watercolours, with caption ascribing them to Lewin of Campbell’s River and Vale of Clwydd, New S. Wales, old calf, rebacked, worn £600-900

155

323 GILPIN, WILLIAM WORKS INCLUDING Observations relative chiefly to Picturesque Beauty. 1792, Second edition, 2 volumes; Remarks on Forest Scenery. 1794, Second edition, 2 volumes; Three Essays. 1794, Second edition; Observations on the Western parts of England. 1798; An Essay on Prints. 1802, Fifth edition; Observations on Several parts of England particularly the Mountains and Lakes. 1808, Third edition, 2 volumes; sepia aquatint plates, uniform diced russia gilt, lightly rubbed (9) £200-300

324 GODWIN, WILLIAM ENQUIRY CONCERNING POLITICAL JUSTICE London: G.G. and J. Robinson, 1796. Second edition, 2 volumes, 8vo, contemporary tree calf with red morocco gilt labels to spines (2) £600-800

325 GORDON, ALEXANDER ITINERARIUM SEPTENTRIONALE OR A JOURNEY THRO’ MOST OF THE COUNTIES OF SCOTLAND London: for the author, 1726. Folio, folding map and 66 plates, some folding, contemporary calf, repair to inner margin of title, list of subscribers, one or 2 plates with split at fold, extremities of binding worn £250-350 322

326 [GREG, E.H.] A NARRATIVE OF THE CRUISE OF THE YACHT MARIA among the Feroe Islands in the summer of 1854. London: Longman, 1855.

Large 8vo, 100 tinted lithographed plates, 1 folding, and 1 map, original pictorial blue cloth gilt, slight spotting and dust-soiling, one plate loose £100-200

327 GROSE, FRANCIS [COLLECTED WORKS ON ANTIQUITIES] London: Hooper & Wigstead, [many n.d. but c.1795] 14 volumes, 4to, mixed edition, comprising: The Antiquities of England and Wales [8 volumes]; The Antiquities of Scotland, 1797 [2 volumes]; The Antiquities of Ireland, 1791 [2 volumes]; Military Antiquities, 1812 [2 volumes]; plates, contemporary calf with calf gilt labels to spines, sold not subject to return (28) £400-600

328 GROSE, FRANCIS, EDITOR THE ANTIQUARIAN REPOSITORY London: Edward Jeffery, 1807-1809. ‘New edition’, 4 volumes, 4to, 194 plates and tables including a large hand-coloured plate of The Great Fire of London, contemporary calf gilt with red morocco gilt labels to spines (4) 328

£400-600

156

329 HALL, SIDNEY SIDNEY HALL’S BRITISH ATLAS [c. 1831], 4to, 54 engraved maps, no title-page, original blue cloth gilt £300-400

330 HAMILTON, VEREKER AND STEWART M. FASSON SCENES IN CEYLON London: Chapman & Hall, c.1890.

Oblong folio, 20 lithograph plates, original decorated morocco boards £400-600

331 HARDING, J. D. THE PARK AND THE FOREST London: Thomas Maclean, 1841.

Folio, lithographed title-page and 25 tinted lithograph plates, contemporary red half morocco gilt £600-800 331

332

157

333

332

333

HARDY, JAMES

HARRIS, JOHN

A JOURNAL OF THE PROCEEDINGS ON BOARD HIS MAJESTY’S SHIP LEDA

NAVIGANTIUM ATQUE ITINERANTIUM BIBLIOTHECA

James Hardy Esq., Captain, commencing Dec. 4th 1802 and ending Jan 10th 1803, then commanded by Robert Honeyman Esq. till Jan 14th 1804, kept by Hayes O’Grady. c.500 pp., 4to, mostly off Boulogne, Dungeness Roads, Cove of Cork, Madeira, St. Helena, Table Bay, Cape St. Anthony, Buenos Ayres, also incorporating copies of letters regarding deserters, sick call, wages, court-martials, rigging, stores; copies of orders regarding discharges of sailors, cruises, charges, commands and provisions; part of volume relating to His Majesty’s Sloop Sappho, 1811-13, Hayes O’Grady Commander, no illustrations, bound in black half morocco, lettered “Sea Journal 1802-06, Letters & Orders 181112, Hayes O’Grady, R.N.”, rubbed £1,000-1,500

or a Complete Collection of Voyages and Travels. London, 1744-48, 2 volume folio, 24 maps (15 folding) and 36 plates, contemporary calf, volume 2 title frayed and ragged with textual loss, frontispiece cut down & pasted to front endpaper, one plate stained (p.183), occasional small stains and spots, 1 plate with marginal tear, final leaf vol. 2 frayed without loss, vol. 1 world map repaired crudely and glue stained, folding Circumnavigator map lacking right-hand section, folding map of Australia torn without loss, folding plate mounted on guards, vol. 2 lacks front free endpaper, worn, upper cover detached (2) £1,500-2,500

334 HENRY, ROBERT THE HISTORY OF GREAT BRITAIN London: T. Cadell, 1805. 12 volumes, 8vo, contemporary tree calf; Adolphus, John The History of England. London: T. Cadell and W. Davies, 1810. Third edition, 3 volumes, 8vo, contemporary speckled calf; Burnet, [Bishop] Bishop Burnet’s History of his Own Time. London: printed for the Company of Booksellers, 1725. 6 volumes, 8vo, contemporary calf; Hutchinson, William History of the County of Cumberland… Carlisle: L B. Law and Son…, 1794. 2 volumes, 4to, contemporary calf and 8 other books, historical, sold not subject to return (quantity) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

158

336 HERING, GEORGE SKETCHES OF THE DANUBE IN HUNGARY AND TRANSYLVANIA London: Thomas McLean, 1838. Folio, lithographed title-page, dedication and 25 plates, contemporary burgundy half morocco gilt £500-700

337 HEYLYN, PETER ECCLIESIA RESTAURATA, THE HISTORY OF THE REFORMATION OF THE CHURCH OF ENGLAND London: H. Twyford, J. Place and T. Basset, 1674. Third edition, 8vo, hole to 2X4 slightly affecting text, panelled calf; Edward, Lord Herbert of Cherbury The Life and Raigne of King Henry the Eighth. London: Thomas Whitaker, 1649. 4to, portrait, contemporary calf spine over vellum-covered boards, dedication leaf loose, soiled and stained, worn; Verulam, Lord The Historie of the Reigne of King Henry the Seventh. 1645, 4to, woodcut title, 19th century calf, lightly rubbed; Stuart, Gilbert A View of Society in Europe. 1783, 3to, contemporary tree calf, one joint split; sold not subject to return (4) £200-300

338 HILL, DAVID OCTAVIUS AND ROBERT ADAMSON TWO PHOTOGRAPHS A Newhaven fisherman and boys. [c.1845], 196 x 146mm, rounded corners at top, mounted; Fishwives. [c.1843-47], 146 x 193mm, mounted, salted paper prints from paper negative (2)

336

£300-500

335 HERALDRY

339

A COLLECTION, INCLUDING

HISTORICAL WORKS, BIOGRAPHIES AND DIARIES

Douglas, Sir Robert The Peerage of Scotland... revised by John Philip Wood. Edinburgh, 1813, 3 volumes, folio, plates, contemporary half calf, volume 1 lacks spine, several covers detached; The English Peerage London, 1790, 3 volumes, 4to, contemporary half calf gilt; Nisbet, Alexander A System of Heraldry. Edinburgh, 1804, Second edition, 2 volumes, folio, engraved plates, contemporary embossed calf, spines gilt, lightly rubbed at head of spine; Lyndsay, Sir David Facsimile of an ancient Heraldic Manuscript emblazoned by Sir David Lyndsay. 1823.

Folio, hand-coloured title and hand-coloured lithographed plates, contemporary green half morocco, rubbed, upper hinge broken; Mackay, Robert History of the House and Clan of Mackay. Edinburgh, 1829, First edition, 4to, original cloth-backed boards, spine worn; Edmondson, Joseph The Present Peerages, with Plates of Arms. 1785, 8vo, engraved plates, original boards, uncut, rubbed and soiled; and others relating to Peerage & Baronetage, sold not subject to return (quantity)

INCLUDING BURTON, THOMAS

£300-400

Diary of Thomas Burton. London: Henry Colburn, 1828. 4 volumes, 8vo, contemporary calf gilt; Dover, Lord, editor Letters written... and addressed to John Ellis, Esq. London: Henry Colburn and Richard Bentley, 1831. 2 volumes, 8vo, contemporary calf gilt; Johnson, Samuel Letters… Dublin: R. Moncrieffe et al., 1787. 8vo, contemporary calf, some worming; Lettres Juives… The Hague: Pierre Paupie, 1738. 5 volumes, 12mo; Rose, George Henry A Selection from the Papers of the Earls of Marchmont. London: John Murray, 1831. 3 volumes, 8vo, contemporary calf gilt; Savary, M. Letters on Greece… London: C. Elliot…, 1788. 8vo, contemporary quarter calf; Walpole, Horace Private Correspondence…

London: Rodwell and Martin, 1820. 4 volumes, 8vo, contemporary calf gilt; and 15 others, sold not subject to return (quantity) £300-500

159

340

340

340

342

HOGARTH, WILLIAM

HOWARD, JOHN

THE WORKS... FROM ORIGINAL PLATES RESTORED BY JAMES HEATH

AN ACCOUNT OF THE PRINCIPAL LAZARETTOS IN EUROPE

London: Baldwin and Cradock, [n.d.] Elephant folio, portrait and 115 leaves of engraved plates, two additional suppressed plates, loosely inserted at pocket back, original half morocco gilt £1,000-1,500

341 HOOKER, WILLIAM JACKSON JOURNAL OF A TOUR IN ICELAND IN THE SUMMER OF 1809 London: Longman, 1813, Second edition, 2 volumes, 8vo, presentation copy from the author, half-titles, hand-coloured frontispiece, 3 maps (1 folding) and 4 plates (2)

London: J. Johnson, 1791. Second edition, 4to, 22 engraved plates, some folding, 1 folding table, contemporary half calf, spine gilt, slightly rubbed £200-300

343 HUMBOLDT, ALEXANDER VON ATLAS ZU ALEX. V. HUMBOLDT’S KOSMOS Stuttgart: Krais & Hoffmann, [1851]. Oblong 4to, 43 hand-coloured maps, original boards, spine lacking, neat school library stamp to titlepage £150-250

£300-500

339

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

348

344

346

HUME, DAVID

JAMESON, ROBERT

THE HISTORY OF ENGLAND

MINERALOGICAL TRAVELS

London: Cadell and Davies, et al., 1807. 8 volumes, contemporary speckled calf gilt with red and black morocco gilt labels to spines; Smollett, Tobias The History of England. London: Caddell and Davies, et al., 1807. 5 volumes, uniform contemporary speckled calf gilt with red and black morocco gilt labels to spines; sold not subject to return (13)

through the Hebrides, Orkney and Shetland Islands and Mainland of Scotland. Edinburgh: A. Constable, 1813. 2 volumes in 1, 4to, 4 maps and plans (2 folding), 9 engraved plates, contemporary calf, red morocco label, etching in text at p.243 vol. 1 and p.279 vol. 2, somewhat spotted, slight offsetting to title, rubbed, upper cover detached £200-300

£200-300

345 HUNT, F.F. ARCHITETTURA CAMPESTRE DISPLAYED in Gardeners’ Houses and other Buildings.

London, 1827, 44o, 11 lithographed plates, contemporary half calf gilt, a few plates slightly spotted £200-300 347 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

161

347 JARDINE, SIR WILLIAM THE NATURALIST’S LIBRARY Edinburgh, 1833-36. 15 volumes (of 40), comprising Mammalia, 5 vol.; Ornithology, 6 vol.; Ichthyology, 4 vol.; hand-coloured engraved plates, tissue guards, contemporary half calf, spines gilt; sold not subject to return (15) £400-600

348 JOHNSTON, W. AND A.K. JOHNSTON’S COMMERCIAL CHART OF THE WORLD Edinburgh, 1849. Very large hand-coloured folding map dissected and backed on linen, 2 parts of 12 sheets each, folding into original maroon morocco binding lettered in gilt, (each sheet 35.5 x 30cm) £500-700

349 JONES, T. RUPERT PAELAEONTOGRAPHICAL SOCIETY. MONOGRAPH. THE ENTROMOSTRACA OF THE CRETACEOUS FORMATION IN ENGLAND London: The Paelaeontographical Society, 1849. 4to, plates, original wrappers £200-300

350 JUGEL, CH.: PUBLISHER ALBUM DES RHEINS, ALBUM DU RHIN Frankfurt, c. 1845. Oblong 4to, engraved plates of Wiesbaden, Ems & Schwalbach, calf-backed painted wooden boards, gauffered edges, head of spine defective; Unterberger, F.: publisher. Innsbruck, [c.1845], oblong folio, no title, c. 30 engraved plates, blue morocco-backed painted boards gilt, gauffered edges (2) £300-500

352

351 KIRBY, W.F. 350

EUROPEAN BUTTERFLIES AND MOTHS London: Cassell, Peter, Galpin & Co., 1882. 4to, 62 handcoloured plates, later black half calf over early boards, gift inscription to free-endpaper £150-250

352 KNOLLES, RICHARD THE GENERALL HISTORIE OF THE TURKES London: Adam Islip, 1610. Second edition, folio, engraved portraits in text, engraved title frayed, soiled and laid down, with some loss, lacks A2, some dampstaining, a few tears, occasional light staining, lacks final leaf, last leaf present frayed, O1 torn with slight loss of text, later calf, extremities worn; sold not subject to return £600-800

162

356

353

356

LAMB, CHARLES

LEATHER BINDINGS

THE LIFE, LETTERS & WRITINGS

A COLLECTION, INCLUDING DEFOE, DANIEL

1876, 6 volumes, 8vo, contemporary half calf; Johnson, Samuel The Works. 1806, 12 volumes, contemporary calf, slightly rubbed; Jonson, B. The Dramatic Works. 1811, 4 volumes, 8vo, contemporary calf, rubbed; sold not subject to return (22)

The History of the Union of Great Britain. Edinburgh: Heirs of Andrew Anderson, 1709. Folio, contemporary half calf; [Whitelocke, Sir Bulstrode] Memorials of the English Affairs… London: Nathaniel Ponder, 1682. Folio, contemporary calf; Samuel, Daniel The Collection of the History of England.

London, 1621. 4to, original quarter calf; The History of the War. Glasgow: Archibald McLean, 1765. 12mo, folding map, contemporary calf; The Mirror, a periodical paper. London: A. Strahan, and T. Cadell, 1794. Fifth edition, 3 volumes, 8vo, contemporary calf gilt; Corpus Iuris Civilis. Geneva: Peter & Jacob Chouer, 1626. 2 volumes, 8vo, contemporary calf; Mrs Trimmer Fabulous Histories… London: N. Hailes, 1821. 8vo, green half morocco gilt; and a quantity of others; sold not subject to return (quantity)

£200-300

354 LEATHER BINDINGS INCLUDING EDGEWORTH, MARIA tales and Novels. 1832, 18 volumes, 12mo, contemporary half calf; Defoe, Daniel A True Collection of the Writings of the Author of the True-Born Englishman. 1705, 2 volumes, 2nd edition, 8vo, portrait cut round and laid down, contemporary calf, some spotting; Ancient Scottish Poems never before in print. 1786, 2 volumes, calf, worn; Crabbe, George The Poetical Works. 1835, 8 volumes, 8vo, contemporary half calf; Defoe, Daniel The Life and Adventures of Robinson Crusoe. 1790, 2 volumes, 12mo, plates, contemporary calf; and a quantity of leather bindings, sold not subject to return (quantity) £400-600

355 LEATHER BINDINGS TWENTY ONE, INCLUDING FILHOL: ENGRAVER Galerie du Musee de France. Paris, 1824, 10 volumes, plates, green morocco gilt, some spotting, slightly rubed, spines faded; Greville, C.F. The Greville Memoirs. 1875, 8 volumes, red half morocco; and 3 other volumes; sold not subject to return (21)

£400-600

357 LEATHER BINDINGS INCLUDING BARTHELEMY, J.J. Travels of Anacharsis the Younger in Greece. 1806, 8 volumes including 4to atlas of maps, contemporary half calf gilt; Anson, George A Voyage round the World. 1780. 15th edition, 8vo, 3 folding charts, contemporary calf, rubbed; Davy, C. & F. A Relation of a Journey to the Glaciers in the Dutchy of Savoy. 1776, 8vo, contemporary calf, rubbed; Johnson, Samuel A Journey of the Western Islands of Scotland, 1775, 8vo, calf, worn, covers detached; Withington, Nicholas The Travels... a factor in the East Indies. 1746. 8vo, folding map torn without loss, contemporary calf, slightly rubbed; Pennant, Thomas A Tour in Scotland, 1790; A Tour in Scotland and Voyage to the Hebrides. 1890, 2 parts in 2 volumes, plates, uniform calf, slightly rubbed; Eustace, J.C. A Classical Tour in Italy. 1814. 2 volumes, 4to, plates, maps, contemporary calf gilt; and 10 others, sold not subject to return (27) £600-800

£200-300

357

163

358 LEATHER BINDINGS, A QUANTITY INCLUDING SCOTT, WALTER The Life of Napoleon Buonaparte. 1827, 9 volumes, 8vo, contemporary half calf; Grammont, Count of Memoirs. 1811, 2 volumes, plates, red morocco gilt, contents slightly loose; Wilson D. Memoirs of the Life and Times of Daniel Defoe. 1830, 3 volumes, half calf; Guyse, J. The Practical Expositor. 1797, 6 volumes, 8vo, contemporary tree calf gilt, red morocco labels; and c. 83 others, virtually all in leather bindings; sold not subject to return (quantity) £300-500

359 LEATHER BOUND BOOKS A QUANTITY, INCLUDING Monypenny and Buckle Life of Disraeli. 1910, 7 volumes, red half morocco gilt, t.e.g.; Present State of Husbandry in Scotland. Edinburgh, 1778-1784, volumes 1-4 part 2 in 6 volumes, contemporary calf gilt; Lodge, Edmund Portraits of Illustrious Personages of Great Britain. 1835. 5 volumes, large 8vo, contemporary maroon morocco gilt, g.e.; Evelyn, John Memoirs. 1827, 5 volumes; North, Roger The Lives of the Norths. 1826, 3 volumes; Pepys, Samuel Memoirs. 1828, 5 volumes, uniform contemporary calf gilt; Mosheim, J.L. An Ecclesiastical History. 1790, 6 volumes, contemporary calf; Dasent, G.W. The Story of Burnt Njal… Icelandic. 1861, 2 volumes, contemporary half calf; and a few others, sold not subject to return (quantity) £600-800

362

361 LLOYD, L. SCANDANAVIAN ADVENTURES, 1854 Second edition, 2 volumes, 8vo, map and 12 tinted lithographed plates, contemporary green half morocco, rubbed; Adams, John A Voyage to South America.

1806. 2 volumes, 8vo, fourth edition, 7 maps & plates, several folding, contemporary half calf, slip of paper pasted over owner’s name at head of titles, slightly rubbed (4) £200-300

362 LOTHIAN, JOHN LOTHIAN’S HISTORICAL ATLAS OF SCOTLAND Edinburgh: John Lothian, 1829. 4to, 6 hand-coloured maps, original green quarter morocco, paper label to upper cover £300-500

360 LITERATURE

363

INCLUDING

LOUDON, J.C.

Shakespeare, William The Plays. 1811. 9 volumes, 8vo, contemporary diced calf gilt; Sibbald, J. Chronicle of Scottish Poetry. Edinburgh, 1802, 4 volumes, 8vo, contemporary calf; Scott, Walter [Works]. Edinburgh, 1806, 7 volumes, contemporary calf, slightly rubbed; Smollett, Tobias The Miscellaneous Works.

Edinburgh, 1817, 6 volumes, 8vo, contemporary calf, slightly rubbed; and a quantity of bindings, mainly French, sold not subject to return (quantity)

ARBORETUM ET FRUTICETUM BRITANNICUM London: for the author, 1838. 8 volumes, 8vo, 412 uncoloured plates, contemporary red half morocco gilt (8) £200-300

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

164

365 MACKENZIE, ALEXANDER VOYAGES FROM MONTREAL, ON THE RIVER ST. LAURENCE through the Continent of North America. London: T. Cadell, 1801. First edition, 4to, frontispiece portrait, 3 folding maps, contemporary calf, frontispiece offset onto title, errata leaf at end, bookplate of James Graham, rubbed, short split at head of joints, scuffs, and scratches to lower board £1,000-2,000

366 MALTHUS, T.R. AN ESSAY ON THE PRINCIPLE OF POPULATION London, 1817. 5th edition, 3 volumes, 8vo, contemporary calf, dampstain at end of volume 1, hinges splitting (3) £300-500

367 MCFARLAN, JOHN INQUIRIES CONCERNING THE POOR Edinburgh: T. Longman, 1782. 8vo, contemporary reversed calf, numerous contemporary manuscript notes in the margin £500-700

368 365

MISCELLANEOUS BOOKS INCLUDING

364 LOWTHORP, JOHN THE PHILOSOPHICAL TRANSACTIONS AND COLLECTIONS ABRIDGED...

Fifth edition. London 1749-1756, volumes 1-10 bound in 11, comprising volumes 1-3 fifth edition, volumes 4-5 third edition, volume 6 & 7 dated 1734, volumes 8 & 9 dated 1747, volume 10 is dated 1756, plates, some browning and spotting, a few tears, contemporary calf, worn, lacking labels, some joints split; sold not subject to return (11)

Froissart, Sir John Chronicles of England, France, Spain, Portugal, Scotland... London, 1812, 2 volumes, 4to, contemporary embossed calf, slightly rubbed, joints split; Woolnoth, W. A Graphical Illustration of the Metropolitan Cathedral Church of Canterbury. 1816, Large 4to [? possibly large paper copy], additional engraved title and plates, contemporary calf gilt; Wilson, Daniel Memorials of Edinburgh in the Olden Time. Edinburgh, 1848, 2 volumes, 4to, engraved plates, original pictorial cloth gilt, spines slightly faded; Knight, Charles, publisher Old England. [n.d.], 2 volumes, folio, original pictorial cloth gilt; Budge, E.A. Wallis Assyrian Sculptures in the British Museum. 1914, 4to, 53 plates, original cloth; and several others, sold not subject to return (quantity) £250-350

£800-1,200

364

165

369 MISCELLANEOUS BOOKS A LARGE QUANTITY, INCLUDING Horne, R.H. The History of Napoleon. 1841, 2 volumes, 8vo, contemporary half calf gilt; Turner, Sharon The History of the AngloSaxons. 1830, 3rd edition, 3 volumes, folding map, contemporary calf gilt; Wade, John British History Chronologically arranged. 1839, 2 volumes, 8vo, contemporary half calf gilt; Carlyle, Thomas The French Revolution. [c.1885], 3 volumes, contemporary calf gilt; Millot, l’Abbé Elements of General History. 1778, 5 volumes, contemporary calf, rubbed; Lloyd, L. Field Sports of the North of Europe. 1830, 2 volumes, plates, contemporary half calf, lacks labels; The History of the Life and Reign of Peter the Great. 1740. Second edition, 12mo, frontispiece, contemporary calf, early ownership inscriptions to title, title torn without loss; Crevier, J.B.L. The History of the Roman Emperors.

1814, 10 volumes, contemporary diced half calf; Ferguson, Adam The History of the Progress and Termination of the Roman Republic. 1813, 5 volumes, 8vo, folding maps, contemporary calf; Gibbon, Edward The History of the Decline and Fall of the Roman Empire. 1838, 8 volumes, plates, maps, contemporary calf, neatly rebacked, g.e.; Mitford, William The History of Greece. 1835, 8 volumes, 12mo, engraved titles, contemporary calf, spines gilt; and others, similar; sold not subject to return (quantity)

372

371 MORRIS, BEVERLEY R. BRITISH GAME BIRDS AND WILDFOWL London: Groombridge, [n.d.], 4to, 60 hand-coloured engraved plates, tissue guards, original green pictorial cloth, hinges a little weak £300-500

372

£600-800

MORRIS, FRANCIS ORPEN

370

A HISTORY OF BRITISH BIRDS

MISCELLANEOUS FOLIO VOLUMES

London: Bell and Daldy, 1870. Second edition, 6 volumes, 8vo, handcoloured plates, original green cloth gilt, sold not subject to return (6)

COMPRISING The Acts of the Parliaments of Scotland 1820, volumes 2-7. Folio, contemporary half calf, uncut, 2 spines worn; Leighton, John M. The Lakes of Scotland. Glasgow, 1834. Folio, large paper copy, additional engraved title, 51 engraved plates on india paper, list of subscribers at end, contemporary half roan, original paper label to upper board, uncut, worn, lacking spine, plates clean, occasional slight spotting to margins or text; ‘Modern Artists’, Folder containing c.40 plates Published 1883 by the British & Foreign Artists Association, folder worn; British and Foreign Artists Association, publishers Illustrated Biographies of Modern Artists. 1882. Folio, half morocco, worn, covers detached; sold not subject to return (9)

£250-350

£200-300

374

373 MUIRKIRK AND CAMBUSLANG ROAD ACTS A COLLECTION Small folio, printed and in manuscript from 1774 to 1819, comprising 17 manuscript and 34 printed leaves (many of the printed leaves with manuscript headings), 19th century half calf £200-300

NATURAL HISTORY A QUANTITY, INCLUDING Bewick, Thomas History of British Birds. 1797, vol. 1 only, contemporary tree calf gilt; Bewick, T. A General History of Quadrupeds.

Newcastle, 1807, large paper copy, 5th edition, contemporary half black morocco gilt, uncut, rubbed; Bewick, T. A General History of Quadrupeds. Newcastle, 1820, 7th edition, 8vo, cloth; Smellie, William The Philosophy of Natural History. Edinburgh, 1790. 4to, red half morocco, rubbed; Darwin, Erasmus The Botanic Garden. 1791. Second edition, 2 volumes in 1, 4to, engraved plates, contemporary tree calf, rubbed; Bingley, W. Animal Biography. 1805, 3 volumes, 8vo, plates, contemporary calf; [Pluche, Noel A.] Spectacle de la Nature. 1743.

Sixth edition, 4 volumes, 12mo, engraved plates, contemporary calf, rubbed, 2 boards detached; Gilpin, William Remarks on Forest Scenery.

Edinburgh, 1834, 2 volumes, 8vo, hand-coloured plates, contemporary maroon embossed calf gilt, spines faded; Goldsmith, Oliver A History of the Earth and Animated Nature. 1822. 4 volumes, 8vo, plates, contemporary diced calf gilt, 2 joints slightly split; and c.24 others; sold not subject to return (quantity) 371

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

166

378

375

379

NEALE, J.P.

PINKERTON, JOHN

THE MANSIONS OF ENGLAND OR PICTURESQUE DELINEATIONS OF THE SEATS OF NOBLEMEN AND GENTLEMEN

A GENERAL COLLECTION OF THE BEST AND MOST INTERESTING VOYAGES AND TRAVELS

London: M.A. Nattali, 1847. 2 volumes, 4to, plates, contemporary purple half morocco gilt; sold not subject to return (2)

London: Longman, 1808 [-14]. 17 volumes, 4to, plates and maps, some folding, contemporary half calf, spines gilt, rubbed, a few joints split or splitting, volume 8 spine worn, volume 7 tear to head of spine, occasional light spotting; sold not subject to return (17)

£250-350

376 NEWTON, ISAAC

£700-1,000

OPERA QUAE EXSTANT OPERA

380

London: J. Nichols, 1779-85. 5 volumes, 4to, diagrams in text, 31 plates, some folding, 2 folding tables in volume 2, contemporary tree calf, red morocco labels, lacks the portrait, spines slightly rubbed, one joint cracked, one joint splitting, head of one spine rubbed (5)

PITAINE, WILLIAM DE. B

£1,000-1,500

HUMANE PRUDENCE: OR, THE ART BY WHICH A MAN MAY RAISE HIMSELF AND FORTUNE TO GRANDEUR London: John Lawrence, 1682. 12mo, collates: [12], 130, [2], contemporary calf, early ownership signature of Donald Simfone to title-page £200-300

377 PARK, MUNGO TRAVELS IN THE INTERIOR DISTRICTS OF AFRICA London, 1799. Second edition, 4to, portrait frontispiece and 8 maps, plates and charts (5 folding), list of subscribers, contemporary tree calf gilt, folding map of Africa torn at fold without loss £200-300

378 PHOTOGRAPHS A QUANTITY, COMPRISING 31 large photographs of Rome (16 being of sculpture or paintings), 37 x 26cm, mounted on card, some with Italian caption in the negative, some faded; 10 albumen prints of trees, mostly in Cadzow forest; 3 of Jerusalem, one with caption in the negative; 55 albumen prints of British scenes and landscape by W. Frith with his label on verso; 7

by G.W. Wilson; and a few others, some faded, a few slightly soiled (quantity) £300-500 376 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

167

381 PRICE, UVEDALE AN ESSAY ON THE PICTURESQUE London: J. Robson, 1796. 3 volumes, 8vo, contemporary speckled calf gilt with black morocco gilt labels to spines, bookplates of General Campbell of Lochnell (3) £300-500

382 QUARTO AND FOLIO VOLUMES A COLLECTION OF SIX, COMPRISING Stackhouse, Thomas A New History of the Holy Bible.

1755. 2 vol., folio, plates, old half calf, some soiling, worn; Spelman, Henry Glossarium Archaiologicum.

1687, folio, frontispiece portrait, contemporary calf, worn; Crawfurd, George The Lives and Characters of the Officers of the Crown and of the State in Scotland.

Edinburgh, 1726, folio, volume 1 only, contemporary panelled calf; Shadbolt, S.H. The Afghan Campaigns of 1878-1880. 1882. 4to, Historical Division only, maps, frontispiece, original cloth gilt; Fitzgerald, G.F. Lord Kelvin. Glasgow, 1899. 4to, original boards; sold not subject to return (6) £200-300

383 QUARTOS AND FOLIOS INCLUDING Aikin, J. General Biography. 1799. 10 volumes, 4to, contemporary half calf; Gray, Thomas Poems and Letters. 1879. 4to, calf gilt by Riviere, g.e.; Thomson, G. The Select Melodies of Science. n.d., large 8vo, imperfect, half morocco, slightly rubbed; Purchas, Samuel His Pilgrims. [c. 1616 ?], folio, lacks title, starts at *2, x2torn with loss, some soiling and staining, 18th century panelled calf, worn; Calmet Calmet’s Dictionary of the Holy Bible, 1835, calf, rubbed; Eusebius The Ancient Ecclesiastical Histories. London, 1650, folio, later half calf, rubbed; Dick Dick’s Theology, 2 vol.; L’Academie Françoise Dictionnaire de. Nismes: 1786, 2 volumes, calf, worn; Malvezzi, V. Discourses upon Cornelius Tacitus. 1642, folio, woodcut title, contemporary calf; sold not subject to return (22)

385

384

386

RAMSAY, ALLAN

REID, THOMAS

THE GENTLE SHEPHERD

ESSAYS ON THE INTELLECTUAL POWERS OF MAN

Glasgow: A. Foulis, 1788. First edition, 4to, portrait & 12 hand-coloured plates, 19th century half calf, light soiling, marginal repair to one plate £200-300

Edinburgh: J. Bell &c., 1785. First edition, 4to, contemporary calf, black morocco label, head and base of spine slightly rubbed £300-500

385 RAPIN DE THOYRAS, PAUL

387

THE HISTORY OF ENGLAND

REID, THOMAS

London: John and Paul Knapton, 1743-47. Third edition, 4 volumes in 5, engraved plates and maps, contemporary calf gilt, sold not subject to return (5)

ESSAYS ON THE ACTIVE POWERS OF MAN

£1,200-1,800

Edinburgh: John Bell &c., 1788. First edition, 4to, half-title, advertisement leaf at end, contemporary calf, black morocco label £300-500

£300-500 379

168

169

388

◆

ROBERTS, DAVID EGYPT AND NUBIA from Drawings made on the Spot by David Roberts R.A., with Historical Descriptions

by William Brockedon, F.R.S., Lithographed

by Louis Haghe. London: F. G. Moon, 184649. Large folio (610 x 434mm), 3 volumes, 3 hand-coloured lithographed titles and 121 finely hand-coloured tinted lithographed plates mounted on card, on original guards throughout, tissue guards, contemporary red half morocco gilt by M. Ogle & Son, Glasgow bookbinders, with their ticket, gilt edges, rubbed [Abbey, Travel, 272] (3) Note: An exceptionally clean copy of the de-luxe edition with the hand-coloured plates mounted on card and the smaller plates printed separately, like the larger plates.

Although published separately, these volumes are the Egyptian and Nubian section of Roberts’s great work. The other three volumes are usually referred to as Roberts’s ‘Holy Land’. Together, they comprise ‘one of the most important and elaborate ventures of nineteenth-century publishing...the apotheosis of the tinted lithograph’ [Abbey, Travel, 385].

£30,000-50,000

170

389

391

392

RYMER, THOMAS

SCOTLAND, GLASGOW AND DUMBARTONSHIRE, A COLLECTION

SCOTT, WALTER

INCLUDING

The Abbott, 1820, 3 volumes; The Antiquary.

1816, 3 volumes; Anne of Geirstein. 1829, 3 volumes; Guy Mannering, 1815, 3 volumes, second edition; Ivanhoe, 1820, 3 volumes; Waverley. 1814, 3 volumes, 4th edition, and others similar, most contemporary half calf, rubbed or worn, sold not subject to return (71)

OF THE ANTIQUITY POWER & DECAY OF PARLIAMENTS London: J. Roberts, 1714. 12mo; [bound with] The Case of Richard Steele, Esq. London: J. Roberts, 1714. 12mo; and bound with 8 others, contemporary quarter calf, worn £250-350

390 SCOTLAND, AND HISTORY A COLLECTION, INCLUDING Scott, Sir Walter The Border Antiquities of England and Scotland. 1814, 2 volumes, 4to, engraved titles and plates, contemporary red morocco gilt, g.e.; John Tweed, publishers The History of Glasgow... by writers of eminence.

Glasgow, 1872. 2 volumes, contemporary blue half calf gilt; Nimmo, William A General History of Stirlingshire. Edinburgh, 1777.

8vo, large folding map, contemporary reversed calf; M’Ure, John A View of the City of Glasgow. Glasgow, 1736, 8vo, engraved portrait, 1 folding view, contemporary calf, view torn without loss, rubbed; Robertson, William [Works]. 1794. 10 volumes, 8vo, contemporary tree calf gilt; Laing, Malcolm The History of Scotland. 1804, 4 volumes, 8vo, contemporary calf gilt; Spalding, John History of the Troubles and Memorable Transactions in Scotland. Aberdeen, 1792. 2 volumes, 12mo, contemporary tree calf gilt; Tytler, Patrick F. History of Scotland. 1841. 9 volumes, 8vo, contemporary calf, lacking labels, slightly rubbed; Rollin, C. The Ancient History. 1795, 10 volumes, 12mo, contemporary calf, spines gilt; sold not subject to return (quantity) £300-500

Chalmers, George Caledonia, or an Account, Historical and Topographical, of North Britain. 1807, volumes 1-3 (of 4), 4to, maps, tables, contemporary half calf, joints splitting; Dalrymple, David Annals of Scotland. 177779, 2 volumes in one, contemporary half calf, rubbed; Buchanan, George Buchanan’s History of Scotland. Edinburgh, 1751, 2 volumes, 8vo, plates, contemporary calf; Gibson, John The History of Glasgow, from the earliest accounts.

Glasgow, 1777. 8vo, folding plate, late 18th century calf gilt, slightly rubbed; Cleland, James Annals of Glasgow. Glasgow, 1816, 2 volumes, 8vo, original boards, uncut, rubbed, one board loose; Browne, James A History of the Highlands and of the Highland Clans. Glasgow, 1838, 4 volumes, 8vo, original green cloth; Irving, Joseph The Book of Dumbartonshire.

1879, 3 volumes, 4to, chromolithographed plates, original pictorial cloth gilt, lightly rubbed; Fraser, William The chiefs of Colquhoun and their Country. Edinburgh, 1869, 2 volumes, no. 75 of 150 copies, presentation copy from Sir James Colquhoun, with letter from the author stating that the copy is sent at the request of the author, contemporary red half morocco gilt; Brown, Andrew History of Glasgow, and of Paisley, Greenock and Port-Glasgow. Edinburgh: for the author, [date cropped, but c. 1795.] 8vo, contemporary calf gilt; Crookshank, William The History of the State and Sufferings of the Church of Scotland.

1812, 2 volumes in one, 8vo, contemporary panelled calf with wide Greek key design on sides and central lozenge, spine gilt; and several others, sold not subject to return (quantity) £400-600

A LARGE COLLECTION, INCLUDING

£400-600

393 SHACKLETON, SIR ERNEST THE HEART OF THE ANTARCTIC London: William Heinemann, 1909. First edition, 2 volumes, 8vo, plates, original pictorial blue cloth gilt (2) £250-350

394 SLEZER, JOHN THEATRUM SCOTIAE containing the Prospects of their Majesties’ Castles and Palaces. Edinburgh, 1814. Folio, 68 (of 69) plates, 2 folding, contemporary half calf, waterstained throughout to varying degrees, title frayed and loose, binding dampstained and worn, cover detached £500-700

395 SMITH, ADAM AN INQUIRY INTO THE NATURE AND CAUSES OF THE WEALTH OF NATIONS Glasgow: J. & J. Scrymgeour, 1805. 3 volumes, 8vo, contemporary calf, spines gilt, spines rubbed, small hole at head of vol. 3 upper joint (3) £400-600

391 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

171

394

396 SMITH, ADAM THE THEORY OF MORAL SENTIMENT London: A. Strahan; and T. Cadell, 1792. Seventh edition, 2 volumes, 8vo, contemporary tree calf gilt with black morocco gilt labels to spine; [Idem] An Inquiry into the Nature and Causes of the Wealth of Nations. Edinburgh: Silvester Doig and Andrew Stirling, 1811. 3 volumes, 8vo, contemporary calf gilt, Crum Ewing bookplates (5) £700-900

397 SMITH, JAMES THE PANORAMA OF SCIENCE AND ART London: Caxton Press, 1833. 13th edition, 2 volumes, 8vo, allegorical frontispiece in vol. 1, numerous engraved plates, some folding, contemporary half calf, spines gilt, joints partly cracked, slight spotting to vol. 1 frontispiece and title-page only (2) £200-300

398 SMITH, JOHN SELECT VIEWS IN ITALY London: J. Smith, W. Byrne, and J. Edwards, 1796. 4to, frontispiece, additional engraved title, map, 71 engraved plates, contemporary red straight-grained morocco gilt £600-800 398

172

401

399

402

SOWERBY, JAMES

SWARBRECK, SAMUEL DUKINFIELD

BRITISH MINERALOGY

SKETCHES IN SCOTLAND

London: R. Taylor, 1804. volumes 1-2 only (of 5), 200 hand-coloured engraved plates, contemporary half calf, some spotting, rubbed, hinges splitting (2)

London: C. Hullmandel’s Lithographic Establishment for the Author, 1839. Folio, lithographed title-page, 24 plates, contemporary green quarter morocco gilt

£800-1,000

£500-700

400 SWAINSON, WILLIAM 67 PENCIL SKETCHES OF TREES AND LANDSCAPE IN NEW ZEALAND many captioned, including views of Browns Island, Hutt Road, Hawkshead in 1846, Bridge over Pakarati River, fern opposite Hawkshead, West Point of Browns Cove, Towa trees, Remarkable Rota Tree, White Pines, Silverbark Gum, Silver Fern Upper Hutt, New Road near Mungoroa river, Mace Pines, Native Hut and Black Fern, Upper Hutt River, Round the 2nd Hugg gorge - birch trees, Black Tree Fern, Sawyer’s Cottage, mostly c. 11 x 10 cm, some captioned, a few initialled or signed (quantity) £2,000-3,000

401 SWAINSON, WILLIAM SICILIAN SCENERY IN TWENTY FIVE SKETCHES made in 1807-1812. 4to, title page, sectional title, 25 mounted sketches, mostly pencil, a few ink wash, c. 21 x 29cm, c. 10 small ink sketches of Sicily; 6 pencil sketches of trees and a house, captioned ‘Rio de Janeiro’ 1841, c. 20 x 27cm, one initialled, some spotting (25) £400-600 399 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

173

400

403

404

SWIFT, JONATHAN

TEN QUARTO ILLUSTRATED VOLUMES

THE WORKS. 1801

COMPRISING

19 volumes, 8vo, contemporary diced russia, engraved portrait, spines faded; Shakespeare, William The Pictorial edition of the Works. edited by Charles Knight. [n.d.], 7 volumes, 8vo, contemporary green morocco gilt with black, red, brown, olive and cream onlays, spines slightly faded; sold not subject to return (26)

Beattie, William The Beauties of Scotland. [?1839], 2 volumes, 4to, engraved titles and plates, folding map, dark blue half morocco gilt, g.e.; Beattie, William Switzerland illustrated in a Series of Views. 1836. 2 volumes, 4to, engraved titles and plates, salmon half morocco gilt, g.e.; Beattie, William The Waldenses. 1838, 4to, engraved title and plates, maroon half morocco, g.e., rubbed; Forsyth, Robert The Beauties of Scotland. 1805-08, 5 volumes, 8vo, engraved titles and plates, contemporary Russia gilt, couple of joints split; sold not subject to return (10)

£300-400 402

£300-400

405 THE ANCIENT BRITISH DRAMA ANCIENT AND MODERN London: William Miller, 1810-11. 8vo, volumes 3-8 only, contemporary calf gilt; Limbiard’s Edition of the British Novelist. London: J. Limbiard, 1826-33. 11 volumes, 8vo, half calf gilt; [Hawkesworth, John] The Adventurer.

London: B. Law et al., 1797. ‘New edition’, 4 volumes, 8vo, speckled calf gilt with black morocco gilt labels to spines; sold not subject to return (36) £250-350

174

409 413

406

408

THE ANNUAL REGISTER

THE LIBRARY OF ENTERTAINING KNOWLEDGE

LONDON: J. DODSLEY, 1795-1803

THIRTY FOUR VOLUMES

[Volume 1-44], contemporary calf, [and] The New Annual Register 1793-1826, 33 volumes, contemporary half calf, red morocco labels, a few volumes rubbed, a couple worn, The New Annual Register with a paper slip pasted in at head of title to hider former owner’s name (79)

London: Charles Knight, 1829-37. 34 volumes, 12mo, contemporary half calf gilt with black morocco gilt labels to spines, sold not subject to return (34) £200-300

£700-1,000

409 407 THE LANDSCAPE ANNUAL, 1830-1834

THE SOCIETY FOR BETTERING THE CONDITION AND INCREASING THE BENEFITS OF THE POOR

COMPRISING

THE REPORTS

Roscoe, T. The Tourist in Switzerland and Italy, 1830; The Tourist in Italy, 1831, engraved title page; The Tourist in Italy. 1832, engraved title page; The Tourist in Italy. 1833, engraved title page; The Tourist in France.

1834, engraved title-page, frontispiece partly detached; engraved plates, tissue guards, uniform green morocco gilt, t.e.g., occasional spot, Italy 1833 volume very slightly rubbed; sold not subject to return (5)

London: for the Society, 1802-1800-1802-1805-1808. 5 volumes, 12mo, volume 1 in 3rd edition, contemporary tree calf, red morocco labels, slightly rubbed, one joint split, some slight dampstaining to volume 2, occasional light spotting; sold not subject to return (5)

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

£300-500 406

175

410

413

THEOLOGY AND RELIGION, A LARGE QUANTITY

TYME, THOMAS, TRANSLATOR

INCLUDING

THE THREE PARTS OF COMMENTARIES CONTAINING THE WHOLE AND PERFECT DISCOURSE OF THE CIVILL WARRES OF FRAUNCE

Tillotson, John The Works. 1748, 10 volumes, 12mo, contemporary calf; Dickinson, Jonathan Familiar Letters to a Gentleman. Dublin, 1757. 12mo, contemporary calf; Forbes, William A Treatise of Church-lands & Tithes. Edinburgh, 1705. 12mo, contemporary calf; Scapula, Johannes Lexicon Graeco-Latinum. Basel: Sebastian Henricpetri, [1605]. Folio, vellum; Calderwood, David The True History of the Church of Scotland…, 1680. Folio, contemporary calf; Wodrow, Robert The History of the Sufferings of the Church of Scotland. Edinburgh: John Watson, 1721. 2 volumes, folio, contemporary calf; and a quantity of theological works, 8vo and 12mo, sold not subject to return (quantity) £200-300

411 TOPOGRAPHICAL AND OTHER VOLUMES INCLUDING Redding, Cyrus An Illustrated Itinerary of the County of Cornwall. 1842, 4to, engraved plates, contemporary quarter morocco gilt; Leighton, John Select Views on the River Clyde. 1830; Leighton, John Select views of Glasgow and its environs. 1828, 4to, uniform embossed blue calf gilt, plates on india paper, one spine worn; Dugdale, William Warwickshire. Coventry, 1817. 8vo, engraved plates, folding coloured map, contemporary tree calf gilt, joints cracking; Burke, Edmund The Speeches. 1816, 4 volumes, 8vo, contemporary calf gilt; Lewis, Samuel Topographical Dictionary of England. 1831. 4 volumes, 4to, maps, contemporary half calf; Pinkerton, John Modern Geography. 1807, 3 volumes, 4to, plates and maps, some folding, contemporary half calf, spines gilt; Report from the Committee on the Commercial State of the West India Colonies 1807, folio, contemporary calf; [Congress of Vienna] Translation of the General Treaty, signed in Congress, at Vienna, June 9, 1815. 1816, folio, half calf; sold not subject to return (quantity) £400-600

412 TWO 18TH CENTURY VOLUMES ON TRADE COMPRISING Tucker, Josiah Memoirs of the Dutch Trade. London: J. Sackfield, G. Davis, T. Warner, [c.1756], 8vo, 232pp., contemporary panelled calf, a few spots, rubbed, one cover detached; Tucker, Josiah An Essay on the Advantages and Disadvantages… with regard to Trade with some proposals. Glasgow, 1756. Fourth edition, 12mo, contemporary calf (2) £200-300

London: Frances Coldocke, 1574. Small 4to, three volumes bound together, lacking b4 and Al-4 (supplied as blank leaves, using early 18th century Dutch paper), late 16th century calf £500-700

414 VARIOUS WORKS INCLUDING MILTON, JOHN The Poetical Works. 1809, 7 volumes; The Prose Works.

1806, 7 volumes, uniform calf gilt, a few rubbed; Milton, John The Poetical Works. 1801, 6 volumes, contemporary calf, 2 covers detached; Macpherson, James Temora. 1763, 4to, contemporary calf, very worn; and 20 others, sold not subject to return (quantity) £300-500

415 VARIOUS WORKS INCLUDING TALES OF THE EAST... containing The Arabian Nights. Edinburgh, 1812, 3 volumes, 8vo, contemporary calf gilt; The Chinese Spy London, 1765.

6 volumes, 12mo, contemporary calf, rubbed, a couple of boards detached; Chrysal or the Adventures of a Guinea... by an Adept. London, 1775. 4 volumes, 12mo, contemporary calf, rubbed; Howitt, William Pantika, or Traditions of the Most Ancient Times. 1835, 2 volumes, 12mo, contemporary green half calf gilt; Burke, Edmund The Sublime and the Beautiful. Oxford, 1796. 12mo, contemporary calf; Elegant Extracts 1808, 4 volumes, 8vo, engraved titles, contemporary tree calf, spines gilt, lightly rubbed; Swift, J. A Tale of a Tub... thirteenth edition. Glasgow, 1753. 12mo, engraved plates, contemporary calf, joints cracked; Elements of Criticism Edinburgh, 1765. Third edition, 2 volumes, contemporary calf; Campbell, Major Walter The Old Forest Ranger or Wild Sports in India. 1853. 8vo, engraved title & plates, contemporary brown morocco, t.e.g.; and various others, sold not subject to return (quantity) £200-300

411

176

416

418

416

418

VERGILIUS MARO, PUBLIUS

YOUNG, SIR WILLIAM

OPERA

THE WEST-INDIA COMMON-PLACE BOOK

Lyons: Jacobo Sachon, 1517. 2 parts in one volume, folio, collates: [10 leaves], 324 leaves, [10 leaves], titles printed in red and black within woodcut border, title page with later notes and imprint added in ink, repairs to 2 margins and tear into woodcut border, title page also slightly stained and soiled, full-page woodcut on *2 (with small hole), woodcuts in text, woodcut initials, woodcut on verso of *10 partially coloured and partially obscured by crude repair to inner and lower margin, 18th century panelled calf, a1 lower margin repaired, a few woodcuts partially coloured, small stain to upper margin through most of volume, some lines scored through in pencil, a little early ink scoring & underlining, with blank leaf CCVI, a couple of small marginal repairs, occasional slight stain, old owner’s name deleted from final 2 leaves, worn, hinges split

London: Richard Phillips, 1807. 4to, 2 folding maps, 2 folding tables of appendices, contemporary half gilt

£2,000-3,000

417 VITAE CAESARUM QUARUM SCRIPTORES BASEL: FROBEN & EPISCOPIUS, 1546 Folio, 810, [2 (blank)], [62], woodcut initials, woodcut device on title, 19th century half calf, rubbed, upper cover detached, faint contemporary inscription on title of John Kyniard, title page slightly dust-soiled £200-300

419 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

£500-700

419 ZENTNER, L. A SELECT COLLECTION OF LANDSCAPES FROM THE BEST OLD MASTERS London: J. Thane, 1791. Small oblong folio, 56 engraved plates, original publisher’s boards with paper label to spine £300-500

FURNITURE, PAINTINGS & WORKS OF ART AUCTION IN EDINBURGH & LIVE ONLINE WEDNESDAY 17 NOVEMBER AT 10AM

LARGE INDO-PORTUGUESE CARVED IVORY FIGURE OF THE INFANT CHRIST AS SALVATOR MUNDI, THE SAVIOUR OF THE WORLD LATE 17TH/ EARLY 18TH CENTURY, GOA the child Christ standing with both arms extending, one holding an orb to represent the world in his left hand, his right hand raised in blessing, on a giltwood and gesso base Figure 42cm high; 49cm high overall Provenance: Private collection Aberdeenshire

Estimate on request

For more information please contact Kerstin Schaeffer on 0131 557 8844 kerstin.schaeffer@lyonandturnbull.com

178

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age,Provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website

21.2

or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any

improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects

not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. F AILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism

179 financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are zgly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so

made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While

we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable

by Buyers of relevant Lots. Please see D.2(e) for the conditions to be fulfilled before the VAT charged on the Hammer Price may be cancelled or refunded upon exporting from the UK. (a) Lots affixed with (†): Value Added Tax on the Hammer Price and Buyer’s Premium is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the UK and is not operating under a Margin Scheme. (b) Lots affixed with (‡): A reduced rate of Import Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the UK. (c) Lots affixed with [Ω]: Standard rate of 20% of Import Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the UK and do not fall within the reduced rate category. (d) Lots affixed with [Ω] or ‡ when these lots are released to buyers in the UK, the buyer will become the importer and must pay us Lyon & Turnbull Ltd. the import VAT at the rates noted above on the hammer price. The buyer should also note that the appropriate rate will be that in force on the date of our release and not that in force at the date of auction or payment. (e) Export from the UK: For lots

offered under the VAT Margin Scheme and lots with [Ω] or ‡ symbols attached; you may be eligible to have a VAT refund in certain circumstances if the lot is exported. Should you show us proof of export within three months of collection a VAT refund may be arranged. No VAT amounts will be refunded where the total refund is under £100. Bank/transfer charges relating to any refund will be borne by the buyer and will not be reimbursed.

Please also note that all customs formalities of the destination country are the responsibility of the buyer.

3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement

180 by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be

bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in

and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. (h) If you agree to our pack and send service (if applicable) payment of shipping fees must be made prior to us posting. Any shipping fee will be inclusive of VAT. 2. IN THE EVENT OF NON-PAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING (a) We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. (b) We offer a limited pack and send service using Royal Mail on small jewellery items. When items leave our premises and are in transit via postal service We are not responsible for any damage or loss incurred. We are also not responsible for making any claim regarding loss or damage to items. A tracking reference number will be issued which can be used to raise a claim with the relevant shipping provider.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

181 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium,Provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be

unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words

“You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

21.2

182

GUIDE TO BIDDING & PAYMENT REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. There will be no on-site payment facilities and no cash accepted as all our venues are closed to the public.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET - ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Illustrated: RENÉ LALIQUE (FRENCH 1860-1945) LA CHASSE CHANDELIER, NO. 2258 Estimate on request

AUCTION AT THE MALL GALLERIES, LONDON & LIVE ONLINE THURSDAY 28 OCTOBER AT 4PM For more information please contact Joy McCall on 0207 930 9115 joy.mccall@lyonandturnbull.com

The view from Lowood House

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