Five Centuries: Furniture, Paintings & Works of Art | Auction 01 & 02 September 2021

1ST & 2ND SEPTEMBER 2021 EDINBURGH

INCLUDING THE LATE HON. ELIZABETH FAIRBAIRN COLLECTION, SELECT ITEMS FROM A NORTHUMBERLAND COUNTRY HOUSE, PROPERTY OF A GENTLEMAN, SELECT ITEMS FROM THE COLLECTION OF GORDON WATSON, PROPERTY OF THE LATE TONY EDWARDS, GRANGE FARMHOUSE, ST. ANDREWS

WEDNESDAY 01 & THURSDAY 02 SEPTEMBER 2021 AT 10AM Sale Number LT660

CONTACT EDINBURGH +44 (0) 131 557 8844 info@lyonandturnbull.com

VIEWING BY APPOINTMENT

BIDDING AT THIS SALE

Viewing at 33 Broughton Place Edinburgh EH1 3RR will be available by appointment on Saturday 28th and Sunday 29th August, noon-4pm, and Monday 1st and Tuesday 2nd

ONLINE, TELEPHONE & COMMISSION BIDDING Please see the guide to bidding on page 228

September, 10am-5pm

BOOK A VIEWING APPOINTMENT Front Cover Lot 439 [detail] Inside Front Cover Lot 153 [detail]

To book a viewing time please either CALL +44 (0) 131 557 8844 EMAIL info@lyonandturnbull.com BOOK ONLINE www.lyonandturnbull.com/appointment-bookings

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

25% up to £300,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

1 – Government issued photo ID (Passport/Driving licence)

†V AT at the standard rate payable on the hammer price

2 – Proof of address (utility bill/bank statement).

‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections).

BOOK ONLINE www.lyonandturnbull. com/appointment-bookings CALL 0131 557 8844

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

There will be no public viewing for this auction, our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Katherine Wright

Furniture, Clocks & Works of Art

Paintings & Drawings

Ceramics & Glass

Gavin Strang Rugs & Carpets

Katie Hannah

Dr. Tsai Yiing Ing

Jamie Russell

Kerstin Schaeffer

Furniture, Clocks & Works of Art

Asian Works of Art

Furniture, Clocks & Works of Art

Cataloguer & Sale Administrator

ORDER OF SALE WEDNESDAY, 1ST SEPTEMBER AT 10AM

THURSDAY, 2ND SEPTEMBER AT 10AM

Lot No.

1-118

British Furniture & Works of Art Part One

362-404

The Late Hon. Elizabeth Fairbairn Collection

119-143

The Collection of The Late Tony Edwards, Grange Farmhouse, St. Andrews

405-431

Paintings Part Two

432-536

Continental Furniture & Works of Art

144-170

Paintings Part One

537-552

Asian Furniture & Works of Art

171-295

British Furniture & Works of Art Part Two

553-624

Rugs & Carpets

296-314

Maritime Paintings, Furniture & Works of Art

625-639

Garden

315-335

Selected Items from a Northumberland Country House

336-361

British Furniture & Works of Art Part Three

Lot 42 [detail, modified]

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BRITISH FURNITURE & WORKS OF ART PART ONE

1 PAIR OF CHARLES II OAK HALL CHAIRS 17TH CENTURY with scroll carved cresting (2) 47cm wide, 102cm high, 36cm deep

£400-600

2 OAK BIBLE BOX 17TH CENTURY, DATED 1680 66cm wide, 29cm high, 43cm deep

£300-500

3 CARVED OAK AND MARQUETRY MULE CHEST 17TH CENTURY 145cm wide, 84cm high, 55cm deep Provenance: The collection of Gordon Watson.

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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4 ENGLISH WOOL AND PART SILK NEEDLEWORK CARPET SECTION DATED 1616 the central panel with a saint within a laurel wreath, in a trellis field of roses enclosed by a geometric border interspersed with various flower heads 135cm x 191cm Provenance: The collection of Gordon Watson

£3,000-5,000

5 SET OF EIGHT CAROLEAN STYLE WALNUT DINING CHAIRS 19TH CENTURY to include six side chairs and a pair of armchairs (8) Side chair 54cm wide, 118cm high, 44cm deep; armchair 64cm wide, 120cm high, 48cm deep

£700-1,000

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6 PAIR OF GOTHIC REVIVAL BRASS PRICKET CANDLESTICKS LATE 19TH CENTURY with trefoil motifs (2) 38cm high

£300-500

7 17TH CENTURY STYLE BRASS LANTERN CLOCK 19TH/EARLY 20TH CENTURY the dial signed John Harman of Horsham 36.5cm high, dial 17cm diam, 14.5cm deep

£300-400

8 EARLY GEORGIAN THREE PANEL OAK COFFER DATED 1718 121cm wide, 61cm high, 45cm deep

£300-500

9 CARVED OAK BIBLE BOX ON STAND 17TH CENTURY 67cm wide, 109cm high, 47cm deep

£400-600

10 EARLY GEORGIAN CAST IRON FIRE BACK DATED 1728 cast in relief with the initials A.H. above the arms of the Duke of Kingston 84cm high, 64cm wide Provenance: The collection of Gordon Watson

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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11 GEORGIAN SMALL WALNUT MIRROR 18TH CENTURY 72cm high, 44cm wide

£300-500

12 WILLIAM AND MARY STYLE WALNUT CROSSBANDED BUREAU EARLY 20TH CENTURY 84cm wide, 97cm high, 42cm deep

£300-500

13 WILLIAM AND MARY WALUT AND OAK LINED INLAID CHEST OF DRAWERS LATE 17TH CENTURY 81cm wide, 80cm high, 57cm deep

£500-700

14 PAIR OF GEORGE I STYLE WINGBACK ARMCHAIRS LATE 19TH/ EARLY 20TH CENTURY on cabriole legs, with white cotton covers (2) 87cm wide, 122cm high, 57cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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15 EIGHT ENGRAVINGS OF BIRDS EYE VIEWS OF COUNTRY HOUSES, FROM HENRY CHAUNCY’S ‘THE HISTORICAL ANTIQUITIES OF HERTFORDSHIRE’ CIRCA 1700 in later frames, depicting Mores Place (x2), Risden House (x2), Brent Pelham Hall (x2), Camfield Place, and Litle Court (8 total) 28.5cm high x 39cm wide [sight size]

£400-600

16 GEORGE I WALNUT, CROSSBANDED, AND INLAID CHEST-ON-CHEST EARLY 18TH CENTURY 107cm wide, 201cm high, 57cm deep Provenance: Property of a Scottish Borders family

£1,000-1,500

17 GEORGE I STYLE WALNUT AND MARQUETRY DOUBLE CHAIRBACK SETTEE 19TH CENTURY with flowering urn marquetry to the splats 131cm wide, 106cm high, 47cm deep

£1,200-1,800

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18 RARE SCOTTISH EBONY, ROSEWOOD AND ELM MARQUETRY MONTHGOING LONGCASE CLOCK, ANDREW BROWN [BROUN] EDINBURGH, CIRCA 1695 the silvered brass 12in. square dial with a Roman numeral chapter with fivesecond markers, twin winding holes, date aperture, and subsidiary seconds dial, with cherub and crown pierced finials in caddy top hood with ebony columns, above a long trunk door with a brass banded lenticle and boxwood lined marquetry panels, on a base with a central marquetry panel and raised on bun feet; the month-going five pillar movement with five trains, anchor escapement, and outside countwheel hour strike on a bell 228cm high

£8,000-12,000

Note: Edinburgh made clocks that predate 1700 are exceedlingly rare. Andrew Brown [or Broun] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665.

His apprenticeship was recorded thus “The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker.” Ten years later he offically ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen’s Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen’s Incorporation in 1689.

In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen’s Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father’s death.

John Smith, author of Old Scottish Clockmakers from 1453 to1850, states “In view of the long time he was in business, thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow”

19 GEORGE II BURR YEW AND WALNUT BRACKET CLOCK, RANDLE MADDOCK OF LEEK CIRCA 1730 the inverted bell case with an arched brass dial with false pendulum aperture and Roman number chapters, the foliate engraved backplate enclosing the eight day movement with three bell chime and pull repeat 33cm wide, 53cm high (handle up), 21cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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20 ELM WINDSOR ARMCHAIR EARLY 19TH CENTURY 50cm wide, 37cm high, 48.5cm deep

£300-500

21 GEORGE II OAK SMALL CHEST-ON-STAND 18TH CENTURY 99cm wide, 140cm high, 51cm deep

£700-900

22 GEORGIAN PROVINCIAL OAK SETTLE 18TH CENTURY 185cm wide, 108cm high, 51cm deep

£400-600

23 GEORGIAN STYLE OVAL OAK CENTRE TABLE LATE 19TH CENTURY AND LATER 214cm wide, 73cm high, 211cm deep

£500-700

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24 GEORGE II ELM WINDSOR ARMCHAIR 18TH CENTURY 60cm wide, 93cm high, 40cm deep

£600-800

25 GEORGE II PROVINCIAL OAK CHEST-ON-CHEST MID 18TH CENTURY 107cm wide, 181cm high, 59cm deep

£600-800

26 PROVINCIAL YEW WOOD OCCASIONAL TABLE EARLY 19TH CENTURY 56cm wide, 72cm high, 42cm deep

£300-500

27 GEORGIAN OAK AND WALNUT DRESSER BASE 18TH CENTURY 176cm wide, 88cm high, 56cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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28 LARGE PAINTED PINE AND DEAL SCULLERY TABLE 19TH CENTURY with drawers to both ends 200cm wide, 79cm high, 117cm deep

£600-800

29 GEORGIAN LIMED OAK SETTLE EARLY 18TH CENTURY 210cm wide, 144cm high, 42cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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30 PROVINCIAL FRUITWOOD TAVERN TABLE EARLY 19TH CENTURY 60cm diameter, 61cm high

£300-500

31 ELM AND BEECH WINDSOR ARMCHAIR EARLY 19TH CENTURY 61cm wide, 104cm high, 40cm deep

£400-600

32 LATE GEORGIAN OAK AND WALNUT SETTLE EARLY 19TH CENTURY 182cm wide, 104cm high, 59cm deep

£500-700

33 LATE GEORGIAN PROVINICAL PINE DRESSER EARLY 19TH CENTURY of small size 136cm wide, 142cm high, 49cm deep

£400-600

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34 GEORGE III OAK CHEST OF DRAWERS 18TH CENTURY 89cm wide, 84cm high, 48cm deep

£300-500

35 GEORGE III OAK MOONPHASE LONGCASE CLOCK, MESHACH BRITTAN, DEVIZES 18TH CENTURY the dentil moulded hood above an arched brass dial with a painted moon phase to the arch, subsidiary seconds dale and date aperture, 219cm high, 54cm wide, 30cm deep

£600-800

36 GEORGIAN LANCASHIRE OAK AND WALNUT MULE CHEST 18TH CENTURY 110cm wide, 79cm high, 47cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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37 FIVE VARIOUS GEORGIAN DRINKING GLASSES LATE 18TH CENTURY including three engraved examples; together with a GLASS WINE FUNNEL (6) Smallest 14cm high; tallest 17.6cm high

£300-400

38 LARGE DUTCH GLASS GOBLET ENGRAVED WITH THE ZEELAND COAT OF ARMS MID 18TH CENTURY inscribed ‘T Wel Vaaren Van Zeeland En Des Selfs Gebieders’ and to the reverse ‘Hoesee’ 27.8cm high

£400-600

39 EIGHT VARIOUS GEORGIAN GLASSES LATE 18TH CENTURY including a large plain stem goblet and a penny lick (8) Tallest 22cm high; smallest 9.2cm high

£300-400

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40 PAINTED PAPIER-MÂCHÉ AND WOOD FRAMED FOLK ART MIRROR 18TH CENTURY painted with figures, animals, and fruit against a silvered ground 63cm high, 46cm wide

£400-600

41 ENGLISH SCHOOL, PAIR OF PAINTED MAHOGANY OVAL PANELS EARLY 19TH CENTURY each depicting a young lady in a pastoral setting (2) 28.5 x 21.5cm excluding frames

£250-350

42 BOW OCTAGONAL GOLFER AND CADDY PATTERN BLUE PAINTED PLATE CIRCA 1760 painted numeral 12 near the footrim, 21.8cm diam

£250-350

43 GEORGIAN MAHOGANY AND BRASS BANDED OYSTER BUCKET LATE 18TH CENTURY 37cm wide, 34cm high, 27cm deep

£700-1,000

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44 SET OF FOUR COLOURED ENGRAVINGS FROM THE SACRED HISTORY OF JOSEPH AND HIS BRETHREN, PUBLISHED BY BOWLES & CARVER

45 GEORGE II WALNUT LOWBOY EARLY 18TH CENTURY 75cm wide, 73cm high, 58cm deep

£600-800

LATE 18TH CENTURY in period frames, comprising ‘JOSEPH’S FIRST DREAM’; ‘JOSEPH interpreting the DREAMS of PHARAOH’S chief BUTLER and BAKER’; ‘JOSEPH sold by his BRETHREN to the ISHMEELITES’; and ‘REUBEN interceding with his BRETHREN for the LIFE of JOSEPH’ (4) 16cm x 26cm [sight size]

£400-600

46 GEORGE III ELM ARMCHAIR MID 18TH CENTURY 62cm wide, 103cm high, 45cm deep

£700-1,000

47 GEORGE II WALNUT AND LINE INLAID KNEEHOLE DRESSING TABLE MID 18TH CENTURY 79cm wide, 80cm high, 44cm deep

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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48 GEORGIAN STYLE MAHOGANY SERPENTINE SILVER TABLE LATE 19TH CENTURY 86cm wide, 77cm high, 53cm deep

£400-600

49 EARLY GEORGE III MAHOGANY ARCHITECT’S TABLE MID 18TH CENTURY with a brown leather skiver opening to a compartmented interior with a small pen drawer to the side 99cm wide, 79cm high, 60cm deep Provenance: Kilmany House, Fife

£800-1,200

50 GEORGE II STYLE ‘BRIGHTLING PARK’ STAINED MAHOGANY HALL TABLE MODERN 218cm wide, 89cm high, 92cm deep Note: After the design by William Hallett commissioned by John Fuller for the drawing room of Brightling Park, then known as Rosehill House, circa 1747.

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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51 GEORGIAN STYLE LEATHER ARMCHAIR 20TH CENTURY 94cm wide, 105cm high, 61cm deep

£600-800

52 GEORGE III MAHOGANY CARVED BIRDCAGE SUPPER TABLE MID 18TH CENTURY the single board top with eight dish reserves 84cm diameter, 71cm high

£800-1,200

53 PAIR OF IRISH GEORGE II STYLE MAHOGANY LONG BENCHES LATE 19TH CENTURY on carved cabriole legs with claw and ball feet (2) 120cm long, 52cm high, 51cm deep

£1,200-1,800

54 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY 105cm wide, 98cm high, 54cm deep

£600-800

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55 SET OF FOURTEEN GEORGIAN STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY to include twelve side chairs and a pair of armchairs, with blue leather drop-in seats (14) Armchair 64cm wide, 98cm high, 45cm deep; side chairs 54cm wide, 94cm high, 43cm deep

£1,500-2,500

56 LATE GEORGE II/ EARLY GEORGE III MAHOGANY DROP-LEAF DINING TABLE MID 18TH CENTURY 55cm wide, 157cm [open], 71cm high, 122cm deep

£400-600

57 EARLY GEORGE III MAHOGANY LINEN PRESS 18TH CENTURY the upper section with four sliding shelves 138cm wide, 209cm high, 71cm deep

£600-800

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58 GEORGIAN MAHOGANY TILT-TOP TRIPOD TABLE 18TH CENTURY 78cm diameter, 72cm high

£300-400

59 GEORGE III MAHOGANY SECRETAIRE BOOKCASE CABINET LATE 19TH CENTURY, THE TOP ASSOCIATED 110cm wide, 262cm high, 59cm deep

£400-600

60 PAIR OF GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY with leather drop in seats (2) 52cm wide, 92cm high, 42cm deep

£300-500

61 GEORGE III MAHOGANY CHEST OF DRAWERS MID 18TH CENTURY 94cm wide, 85cm high, 52cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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62 GEORGE III MAHOGANY AND NEEDLEWORK SIDE CHAIR 18TH CENTURY 58cm wide, 97cm high, 49cm deep

£400-600

63 GEORGE III MAHOGANY SMALL SECRETAIRE CHEST OF DRAWERS 18TH CENTURY 47cm wide, 90cm high, 47cm deep

£400-600

64 SCOTTISH GEORGE III MAHOGANY LINEN PRESS, ATTRIBUTED TO THE WORKSHOP OF FRANCIS AND WILLIAM BRODIE 18TH CENTURY, WITH ALTERATIONS the interior converted to hanging space 125cm wide, 199cm high, 62cm deep

£500-700

65 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY 104cm wide, 102cm high, 55cm deep Provenance: Property from Kilmany House, Fife

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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66 EARLY GEORGE III MAHOGANY URN TABLE 18TH CENTURY 40cm wide, 71cm high, 35cm deep

£800-1,200

67 GEORGE III MAHOGANY DISPLAY CABINET-ON-STAND 18TH CENTURY 97cm wide, 191cm high, 47cm deep

£800-1,200

68 SET OF EIGHT LATE GEORGIAN MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with spar backs and drop-in seats (8) Armchair 59cm wide, 88cm high, 38cm deep; side chair 51cm wide, 88cm high, 36cm deep

£600-800

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69 GEORGE III MAHOGANY CHEST OF DRAWERS LATE 18TH CENTURY 110cm wide, 90cm high, 53cm deep

£300-500

70 GEORGIAN STYLE MAHOGANY FRAMED GREEN LEATHER WING ARMCHAIR 19TH CENTURY 76cm wide, 114cm high, 53cm deep

£600-800

71 GEORGE III TALL MAHOGANY GENTLEMAN’S CABINET LATE 18TH CENTURY with six drawers above a slide and base cupboard 55cm wide, 187cm high, 40cm deep

£2,000-3,000

72 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS LATE 18TH CENTURY 111cm wide, 96cm high, 59cm deep

£800-1,200

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73 SET OF FOURTEEN GEORGIAN STYLE MAHOGANY DINING CHAIRS, IN THE MANNER OF ROBERT MANWARING LATE 19TH CENTURY to include twelve side chairs and a pair of armchairs, with brown leather stuff-over seats (14) Armchair 62cm wide, 100cm high, 48cm deep; side chair 56cm wide, 97cm high, 47cm deep

£2,000-3,000

74 FINE GEORGE III MAHOGANY PEDESTAL PARTNER’S DESK 18TH CENTURY with banks of drawers to both sides 152cm wide, 82cm high, 90cm deep

£3,500-4,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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75 LATE GEORGE III MAHOGANY PEDESTAL WRITING TABLE LATE 18TH CENTURY with a hinged leather lined writing slope 80cm wide, 72cm high, 52cm deep

£500-700

76 PAIR OF GEORGIAN STYLE MAHOGANY LIBRARY OPEN ARMCHAIRS 19TH CENTURY covered in yellow silk damask with close nail trim (2) 71cm wide, 96cm high, 54cm deep

£4,000-6,000

77 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY with a brushing slide 93cm wide, 89cm high, 54cm deep

£1,500-2,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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78 SCOTTISH GEORGE III MAHOGANY BOOKCASE CABINET, ATTRIBUTED TO THE WORKSHOP OF FRANCIS AND WILLIAM BRODIE CIRCA 1775 the swan neck pediment with pierced fretwork above a crenalated and arcaded frieze, over a pair of astragal glazed doors enclosing shelves, the base with a pair of circular panel doors outlined with bead moulding and enclosing shelves, on a plinth 152cm wide, 285cm high, 61cm deep Provenance: Property of a Gentleman

£10,000-15,000

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79 LATE GEORGE III MAHOGANY DRESSING TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY 86cm wide, 78cm high, 58cm deep

£1,500-2,000

80 GEORGE III MAHOGANY FRENCH HEPPLEWHITE OPEN ARMCHAIR 18TH CENTURY together with a GEORGE III GILTWOOD OPEN ARMCHAIR, 61cm wide, 92cm high, 44cm deep (2) 67cm wide, 91cm high, 55cm deep

£400-600

81 GEORGE III MAHOGANY CASED, PARCEL GILT BARREL ORGAN-ON-STAND 18TH CENTURY with paper trade label, Edward Pistor, No. 116, Leadenhall Street, LONDON 57cm wide, 148cm high, 47cm deep; barrel 14.5in. long, 6in. diameter Note: Edward Pistor is recorded as a clock and watchmaker, repairer and organ maker and a member of the Clockmaker’s Company 1777-1794.

£600-800

82 GEORGE III MAHOGANY, FRUITWOOD, AND BRASS CONCAVE SECRETAIRE CABINET LATE 18TH CENTURY fitted with hinged and covered compartments and a baize lined slide 97cm wide, 85cm high, 51cm deep

£800-1,200

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83 GEORGE III FRENCH HEPPLEWHITE MAHOGANY TEA TABLE MID 18TH CENTURY 46cm wide, 87cm [open], 72.5cm high, 66cm deep

£800-1,200

84 LATE GEORGE III DROP-LEAF TWO TIER MAHOGANY DUMBWAITER EARLY 19TH CENTURY 58cm diameter, 88cm high

£300-500

85 SET OF FOUR GEORGIAN STYLE MAHOGANY UPHOLSTERED SIDE CHAIRS 19TH CENTURY two in green upholstery, and two with different covers (4) 60cm wide, 95cm high, 44cm deep

£400-600

86 Y LATE GEORGIAN MAHOGANY AND ROSEWOOD BANDED OVAL BREAKFAST TABLE EARLY 19TH CENTURY 166cm wide, 74cm high, 142cm deep

£2,000-3,000

87 GEORGE III MAHOGANY OPEN ARMCHAIR, IN THE CHIPPENDALE MANNER MID 18TH CENTURY 66cm wide, 94cm high, 47cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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88 Y GEORGE III TORTOISESHELL AND IVORY DECAGONAL TEA CADDY LATE 18TH CENTURY monogrammed HP 10cm high (handle down), 11cm wide

£600-800

89 GEORGE III STYLE MAHOGANY BOX, AFTER A DESIGN BY THOMAS CHIPPENDALE, RETAILED BY H. SAMUEL LATE 19TH CENTURY the cover centrally mounted with the Royal Arms of George III in gilt metal 40cm wide, 13.5cm high, 33.5cm deep Note: Henry Samuel, the Oxford Street based dealer in works of art, operated from premises at 484 Oxford Street from 1872 and specialised in copies of high quality 18th century furniture.

The design for this box is taken from a that for a tea chest in Chippendale’s Director, Pl. CXXIX. But unlike the present example, Chippendale stated it was ‘intended to be made of silver and chased’.

£600-800

90 GEORGE III MAHOGANY PIECRUST TRAY 18TH CENTURY 41.5cm wide, 29.5cm deep

£300-400

91 GEORGIAN STYLE OCTAGONAL MAHOGANY BRASS BANDED JARDINIERE LATE 19TH CENTURY 38cm high, 39cm diameter

£400-600

92 LATE GEORGIAN MAHOGANY BUTLER’S TRAY EARLY 19TH CENTURY stamped E. MARSH 88cm wide, 67cm deep [sides down]

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

33

93 GEORGIAN BLACK JAPANNED HANGING CORNER CUPBOARD 18TH CENTURY with Chinoiserie decoration 92cm high, 58cm wide

£600-800

94 GEORGIAN CAST IRON FIREBACK 18TH CENTURY cast with the Royal coat of arms 66.5cm high, 53cm wide Provenance: The collection of Gordon Watson

£500-700

95 PAIR OF GEORGIAN STYLE MAHOGANY AND BRASS PEAT BUCKETS LATE 19TH/ EARLY 20TH CENTURY with brass bail handles and spiral reeded sides (2) 36cm diameter, 44cm high [handle down]

£1,500-2,500

96 GEORGIAN STYLE BRASS AND STEEL FIRE GRATE EARLY 20TH CENTURY 106cm wide, 69cm high, 49cm deep

£400-600

34

97 GEORGE III MAHOGANY ‘BEAU BRUMELL’ LATE 18TH/ EARLY 19TH CENTURY the divided hinged top opening to an arrangement of covered wells, compartments, and a ratchet adjusted mirror 71cm wide, 87cm high, 51cm deep Provenance: Property of a Scottish Borders family

£300-500

98 SCOTTISH GEORGE III MAHOGANY AND BOXWOOD INLAID FOLD-OVER DEMILUNE TEA TABLE LATE 18TH CENTURY, EDINBURGH 104cm wide, 74cm high, 52cm deep [closed]

£300-500

99 SHERATON STYLE MAHOGANY SOFA EARLY 20TH CENTURY 153cm wide, 89cm high, 60cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

35

100 FINE GEORGE III SATINWOOD, KINGWOOD, PARCEL GILT AND GREY PAINTED DEMILUNE COMMODE CIRCA 1790 the crossbanded top with painted flower garland banding, above four short frieze drawers above cupboard doors with brass grille inserts lined with cream pleated silk, and divided by fluted columns, raised on tapered feet 156cm wide, 87cm high, 58cm deep Provenance: Property of a Gentleman

£10,000-15,000

36

101 PAIR OF NEOCLASSICAL STYLE GILTWOOD AND MIRRORED WALL SCONCES 20TH CENTURY each with three candle branches (2) 95cm high, 35cm wide

£300-500

Design for a desk by Thomas Shearer, The Cabinet-Makers’ London Book of Prices, 1788

102 GEORGE III SYCAMORE, AMARANTH, AND FLORAL MARQUETRY TAMBOURTOP WRITING TABLE, AFTER A DESIGN

BY THOMAS SHEARER LATE 18TH CENTURY the top opening to reveal a leather writing surface and drawers 92cm wide, 93cm high, 64cm deep Provenance: Property of a Gentleman

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

37

103 LATE GEORGE III SATINWOOD, TULIPWOOD, PAINTED AND PARCEL-GILT, BRASS MOUNTED BREAKFRONT SIDE CABINET CIRCA 1800 the brass banded top above three frieze drawers over cupboard doors with brass grille inserts, the drawer fronts and doors painted with flower garlands and trails, raised on tapered feet 175cm wide, 84cm high, 42cm deep Provenance: Property of a Gentleman

£10,000-15,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

38

104 GEORGIAN STYLE SATINWOOD AND MARQUETRY SERPENTINE CHEST OF DRAWERS LATE 19TH/ EARLY 20TH CENTURY 87cm wide, 84cm high, 50cm deep

£700-1,000

105 GEORGE III MAHOGANY AND KINGWOOD BANDED OVAL PEMBROKE TABLE LATE 18TH CENTURY 49cm wide, 93cm wide open, 70cm high, 81cm deep

£600-800

106 LATE GEORGE III MAHOGANY, SATINWOOD, AND INLAY PEDESTAL DROP-LEAF TABLE EARLY 19TH CENTURY 45cm wide, 102cm [open], 74cm high, 83.5cm deep

£300-500

107 GEORGE III SATINWOOD AND INLAID DEMILUNE FOLD-OVER TEA TABLE LATE 18TH CENTURY 96cm wide, 73cm high, 43cm deep [closed]

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

39

108 LATE GEORGE III IRISH SATINWOOD AND INLAID BREAKFRONT DISPLAY CABINET, IN THE MANNER OF WILLIAM MOORE OF DUBLIN LATE 18TH CENTURY of small size, inlaid with flowers, interspaced foliage, and urns draped in laurel swags 146cm wide, 195cm high, 48cm deep

£3,000-5,000

40

109 TWO COLOURED AQUATINT PRINTS OF VIEWS OF LONDON, AFTER JOSEPH FARINGTON, PUBLISHED BY WILLIAM BYRNE EARLY 19TH CENTURY to include ‘THE CHURCH OF ST MAGNUS AND THE MONUMENT’ and ‘VIEW OF BLACKFRIARS BRIDGE AND ST PAULS CATHEDRAL’, in modern frames (2) 44cm high, 62cm wide [sight size]

£300-400

110 LATE GEORGE III MAHOGANY, SYCAMORE, AND PARTRIDGE WOOD BANDED FOLD-OVER TEA TABLE EARLY 19TH CENTURY 91cm wide, 73cm high, 45cm deep [closed]

£300-500

111 GEORGE III MAHOGANY CHEST OF DRAWERS LATE 18TH CENTURY raised on French bracket feet 97cm wide, 81cm high, 53cm deep

£300-500

112 LATE GEORGE III MAHOGANY D-END DINING TABLE EARLY 19TH CENTURY 190cm long [with leaf] 127cm [leaf removed], 75cm high, 130cm deep

£400-600

41

113 LATE GEORGE III SATINWOOD AND TULIPWOOD OCTAGONAL PEMBROKE TABLE LATE 18TH CENTURY 54cm wide, 105cm open; 72cm high, 78cm deep

£800-1,200

114 LATE GEORGE III MAHOGANY LINEN PRESS EARLY 19TH CENTURY 134cm wide, 199cm high, 60cm deep

£600-800

115 GEORGE III STYLE NEOCLASSICAL MAHOGANY DEMILUNE SIDE TABLE LATE 19TH CENTURY 121cm wide, 83cm high, 61cm deep

£800-1,200

116 LATE GEORGE III MAHOGANY AND LINE INLAID STAGEBACK SIDEBOARD EARLY 19TH CENTURY 169cm wide, 112cm high, 73cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42

117 FOLLOWER OF SAMUEL DIXON, EMBOSSED GOUACHE OF WATERFOWL 20TH CENTURY 55cm high, 84cm wide (including frame), 41.5cm high, 71.5cm wide (excluding frame)

£400-600

118 LATE GEORGE III MAHOGANY INLAID SECRETAIRE BOOKCASE LATE 18TH CENTURY 120cm wide, 223cm high, 57cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

43

THE COLLECTION OF THE LATE TONY EDWARDS, GRANGE FARMHOUSE, ST. ANDREWS 119 GEORGIAN STYLE MAHOGANY UPHOLSTERED OPEN ARMCHAIR 19TH CENTURY 68cm wide, 94cm high, 50cm deep

£300-500

120 SCOTTISH MAHOGANY LONGCASE CLOCK, J. ANDERSON, NEWBURGH EARLY 19TH CENTURY the painted dial depicting Highland lasses and a scene of Mary Queen of Scots, the eight-day movement striking a bell 220cm high, 48cm wide, 23cm deep

£400-600

121 GEORGE III MAHOGANY TRIPOD TEA TABLE 18TH CENTURY 76cm diameter, 70cm high

£300-500

122 GEORGE III MAHOGANY AND LINE INLAID CADDY-TOP CHEST OF DRAWERS EARLY 19TH CENTURY 85cm wide, 81cm high, 46cm deep

£300-500

44

123 PAIR OF ENGLISH CREWEL WORK APPLIQUE WOOL DRAPERY PANELS 19TH CENTURY AND LATER on blue wool ground (2) Each panel 244cm drop, 190cm wide Note: One of two curtains is illustrated, more images are available online at www.lyonandturnbull.com

£300-500

124

125

61cm wide, 88cm high, 48cm deep

19TH CENTURY

£300-500

£300-500

KNOWLE STYLE THREE SEAT SOFA MODERN 196cm wide, 105cm high, 65cm deep

£300-500

EARLY 19TH CENTURY

MAHOGANY CANTERBURY 49cm wide, 40cm high, 34cm deep

126

REGENCY MAHOGANY CANED X-FORM ARMCHAIR

45

127 PAIR OF NEAT-SIZED MAHOGANY FRAMED UPHOLSTERED ARMCHAIRS EARLY 20TH CENTURY with enclosed arms, raised on square tapered legs (2) 58cm wide, 97cm high, 43cm deep

£300-500

128 LATE GEORGE III MAHOGANY, AMARANTH, AND LINE INLAID FOLD-OVER CARD TABLE LATE 18TH CENTURY 92cm wide, 74cm high, 45cm deep [closed]

£300-500

129 SCOTTISH REGENCY MAHOGANY AND LINE INLAID BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY 93cm wide, 85cm high, 53cm deep

£300-500

130 REGENCY MAHOGANY BOOKCASE CABINET EARLY 19TH CENTURY 112cm wide, 156cm high, 28cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

46

131 TWO GEORGE III MAHOGANY COMMODE STOOLS 18TH CENTURY one with a hinged top containing a pottery liner; the other converted with a fixed top and no liner (2) 54cm wide, 45cm high, 42cm deep

£500-700

132 LATE GEORGE III MAHOGANY BOWFRONT CADDY-TOP CHEST OF DRAWERS LATE 18TH/ EARLY 19TH CENTURY 92cm wide, 88cm high, 58cm deep

£400-600

133 GEORGE III MAHOGANY BUREAU 18TH CENTURY 96cm wide, 104cm high, 53cm deep

£300-500

134 LATE GEORGIAN MAHOGANY WARDROBE EARLY 19TH CENTURY 143cm wide, 201cm high, 57cm deep

£400-600

135

136

EDWARDIAN UPHOLSTERED ARMCHAIR

ENAMEL ROUNDEL OF JUNO AND THE PEACOCK

EARLY 20TH CENTURY

LATE 19TH CENTURY

66cm wide, 89cm high, 58cm deep

in an ebonised frame

£250-350

10.5cm diameter (excluding frame)

£250-350

47

137 Y BLOND SEA TURTLE SHELL 19TH CENTURY 69cm long, 58cm wide

£400-600

138 FRENCH BRASS FOUR GLASS MANTEL CLOCK, JAPY FRERES & CO. 19TH CENTURY the eight-day movement striking on a bell, stamped 1476 411, with a mercury pendulum 15cm wide, 25cm high, 12cm deep

£300-500

139 Y THREE CASED TAXIDERMY BIRD SPECIMENS 19TH CENTURY comprising a cockerel and hen; a godwit, 41cm wide, 41cm high, 14cm deep; and a green woodpecker under a glass dome, 39cm high (3) Cockerel and hen 62cm wide, 53cm high, 19cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

140 CONTINENTAL BAROQUE STYLE GILTWOOD SIX LIGHT CHANDELIER EARLY 20TH CENTURY 65cm drop, 66cm diameter

£300-500

141 FRENCH LOUIS XVI STYLE CARVED BEECH BERGERE 19TH CENTURY 58cm wide, 78cm high, 44cm deep

£300-500

142 FRENCH PROVINCIAL STYLE FRUITWOOD BERGERE MODERN 63cm wide, 76cm high, 52cm deep

£250-350

143 CONTINENTAL MAHOGANY LOW SIDE TABLE 19TH CENTURY AND LATER, MADE UP 100cm wide, 59cm high, 52cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PAINTINGS PART ONE

Lot 150 [detail]

50

144 MANNER OF COSMO ALEXANDER PORTRAIT OF JOHN, 7TH EARL OF GALLOWAY Inscribed on stretcher verso, oil on canvas in 18th century carved wood frame 76cm x 63.5cm (30in x 25in)

£2,000-3,000

145 ATTRIBUTED TO JOHN B. ALEXANDER PORTRAIT OF THE 7TH EARL OF GALLOWAY Inscribed on an old label verso, oil on canvas in a fine carved wood 18th century frame 76cm x 63.5cm (30in x 25in)

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

51

146 ATTRIBUTED TO SIR GODFREY KNELLER THREE QUARTER LENGTH PORTRAIT OF JAMES HILHOUSE OF FREEHALL LONDONDERRY Oil on canvas 127cm x 101.5cm (50in x 40in) Note: James Hilhouse was Mayor of Derry in 1693 and signed the Declaration of Loyalty to William and Mary in 1689

£2,000-3,000

52

147 ATTRIBUTED TO FRANCIS COTES HALF LENGTH PORTRAIT OF A LADY IN PROFILE Oil on canvas 75cm x 62cm (30in x 24.5in)

£1,000-2,000

148 18TH CENTURY FRENCH SCHOOL HALF LENGTH PORTRAIT OF A YOUNG LADY IN WHITE Painted oval, oil on canvas 25.5cm x 19cm (10in x 7.5in)

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

53

149 CIRCLE OF SIR PETER LELY HALF LENGTH PORTRAIT OF A GENTLEMAN IN LACE CRAVAT Oil on canvas 96.5cm x 84cm (38in x 33in)

£2,000-4,000

54

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

55

150

151

CIRCLE OF THE BEAUBRUN BROTHERS

THOMAS MURRAY (SCOTTISH 1663-1734)

PORTRAIT OF KING LOUIS XIV AND HIS BROTHER PHILLIPE, DUKE OF ORLEANS

PORTRAIT OF A GENTLEMAN IN A BROWN COAT

Oil on canvas, unframed

Oil on canvas

126cm x 91.5cm (49.5in x 36in)

127cm x 101.5cm (50in x 40in)

£3,000-5,000

£3,000-5,000

56

152 NICHOLAS POCOCK (BRITISH 1740-1821) THE FINAL BROADSIDE Signed and dated 1801, oil on canvas 41cm x 61cm (16in x 24in)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

57

153 ATTRIBUTED TO SIMON DE VLIEGER (DUTCH C.1600-1653) DUTCH MAN-O-WAR UNDER FULL SAIL Signed and indistinctly dated 1627?, oil on panel 60cm x 71cm (23.5in x 28in)

£10,000-15,000

58

154 PATRICK NASMYTH (SCOTTISH 1787-1831) A WOODED RIVER LANDSCAPE WITH COTTAGE Signed, oil on panel 28cm x 41cm (11in x 16in) Provenance: Thos Agnew & Son Ltd, No.15016

£1,000-1,500

155 ALEXANDER NASMYTH (SCOTTISH 1758-1840) A WOODED LANDSCAPE WITH FISHERMAN AND WATERFALL Oil on canvas 60cm x 81cm (23.5in x 32in)

£1,000-2,000

59

156

157

FOLLOWER OF EVERT COLLIER

HUGH COLLINS (19TH CENTURY SCOTTISH)

A STILL LIFE OF BOOKS AND OBJETS ON A CARPET TOPPED TABLE

THE SWORD DANCE

Oil on canvas

Signed, oil on canvas

57cm x 110cm (22.5in x 43.25in)

51cm x 76cm (20in x 30in)

£1,500-2,000

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

60

158 JOHN FREDERICK HERRING SENIOR (BRITISH 1795-1865) PORTRAIT OF THE BLACK AND TAN TERRIER PEPPER, BELONGING TO REV. EDWARD PEARCE SEROCOLD, 1836 Signed and dated 1836, octagonal, oil on canvas 39.5 x 51cm 15.5cm x 20in)

£2,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

61

159 ARCHIBALD THORBURN (SCOTTISH 1860-1935) STALKING COUNTRY POOLEWE Dated ‘June 10th ‘93’, watercolour and bodycolour 37cm x 54cm (14.5in x 21.25in) Exhibited: The McDonald Booth Gallery, London, ‘The Art of Archibald Thorburn’, 1973, no.34

£2,000-4,000

160 ARCHIBALD THORBURN (SCOTTISH 1860-1935) SCOTTISH POLECAT Signed and dated ‘Nov.16 1896’ pencil and watercolour on buff paper 43cm x 62cm (17in x 24.5in) Provenance: The Astor Collection, Tillypronie, Aberdeenshire, Christie’s 15 Dec 2017

£2,000-4,000

62

161 WILLIAM CALLOW R.W.S. (BRITISH 1812-1908) PALAZZO DEL GOVERNO, BOLOGNA Signed, inscribed and dated ‘May 6, ‘77’, pencil on buff paper and a companion by the same hand ‘Volta del Cavallo, Ferrara’ (2) 25.5cm x 18cm (10in x 7in) Exhibited: Leger Galleries, London December 1981 and January 1982

£400-600

162 SIR WILLIAM BLAKE RICHMOND R.A. (BRITISH 1842-1874) GIRL PLAYING VIOLIN Charcoal 44.5cm x 68.5cm (17.5in x 27in)

£800-1,200

63

163 REMBRANDT VAN RIJN (DUTCH 1606-1669) THE GOLF-PLAYER Etching, from the second state (of two), signed and dated 1654 in plate plate size 9.5cm x 14.3cm (3.75in x 5.5in) Provenance: Purchased by the vendor’s father in 1952, probably from The Folio Society Thence by descent

£2,000-3,000

164 DAVID BRYCE R.S.A (SCOTTISH 1803-1876) GLADIATORS Signed, crayon and white chalk 47cm x 54cm (18.5in x 21.25in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

64

165 18TH CENTURY DUTCH SCHOOL TRAVELLERS IN A WOODED RIVER LANDSCAPE Oil on canvas 91cm x 117cm (36in x 46in) Provenance: A Northumberland Country House

£800-1,200

166 ENGLISH SCHOOL C.1830 A PANORAMIC RIVER LANDSCAPE WITH CASTLE RUINS ON A HILLSIDE Oil on canvas 93cm x 127cm (37in x 50in) Provenance: A Northumberland Country House

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65

167 J**VIVIAN (BRITISH 19TH/20TH CENTURY) SHIPPING AT THE MOUTH OF THE GRAND CANAL, VENICE Signed, oil on canvas 76cm x 127cm (30in x 50in) Provenance: A Northumberland Country House

£800-1,200

168 19TH CENTURY DUTCH SCHOOL A STILL LIFE OF MIXED FLOWERS IN AN URN Oil on canvas 76cm x 63.5cm (30in x 25in) Provenance: A Northumberland Country House

£500-700

66

169 R**MIDWORTH (BRITISH 19TH CENTURY) MATILDA, WINNER OF ST.LEDGER 1827 WITH JAMES ROBINSON UP Signed and dated 1828, oil on canvas 30.5cm x 41cm (12in x 16in) Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews Note: Matilda was owned by The Hon. Edward Petre and is shown with owner, groom and jockey up

£700-1,000

170 18TH/19TH CENTURY BRITISH SCHOOL THE DAY’S BAG Oil on canvas 51cm x 71cm (20in x 28in) Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART TWO

68

171 WILLIAM IV LACQUERED BRASS COLZA CHANDELIER MID 19TH CENTURY 77cm drop, 58cm diameter

£400-600

172 Y REGENCY ROSEWOOD TRAY TOP WINE TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY 35cm wide, 74cm high, 26cm deep

£1,500-2,000

173 Y REGENCY ROSEWOOD AND BRASS INLAID CENTRE TABLE EARLY 19TH CENTURY 126cm diameter, 74cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

69

174 SET OF EIGHT REGENCY EBONISED SILVERED AND GILT DECORATED ARMCHAIRS EARLY 19TH CENTURY with wide caned seats and tapered legs (8) 49cm 89cm high, 47cm deep

£2,000-3,000

175 REGENCY LARGE MAHOGANY LIBRARY WRITING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with drawers to both sides, raised on foliate carved and reeded legs 191cm wide, 79.5cm high, 114cm deep

£6,000-8,000

70

176 PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY with urn form back panels (2) 48cm wide, 94cm high, 36cm deep

£1,000-1,500

177 Y REGENCY ROSEWOOD, KINGWOOD, AND EBONY BRASS INLAID SOFA TABLE EARLY 19TH CENTURY 99cm wide, 156cm [open]; 69cm high, 62cm deep

£500-700

178 REGENCY SMALL MAHOGANY AND EBONY STRUNG CADDY TOP CHEST OF DRAWERS EARLY 19TH CENTURY 83cm wide, 77cm high, 45cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

71

179 PAIR OF EIGHT BRANCH CUT GLASS CHANDELIERS 20TH CENTURY 50cm drop, 69cm diameter

£600-800

180 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY 71cm diameter

£300-500

181 REGENCY SIMULATED ROSEWOOD CANTERBURY EARLY 19TH CENTURY 45cm wide, 50cm high, 35cm deep

£400-600

182 GOOD REGENCY MAHOGANY LIBRARY TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with a red leather skiver 137cm wide, 77cm high, 75cm deep

£3,000-5,000

72

183 REGENCY GILT OVERMANTEL MIRROR EARLY 19TH CENTURY with acanthus clasped columns 66cm high, 108 wide

£300-500

184 REGENCY MAHOGANY CHEVAL MIRROR EARLY 19TH CENTURY 66cm wide, 169cm high, 71cm deep

£600-800

185 PAIR OF REGENCY PATINATED AND GILT BRONZE CANDLESTICK LAMPS 19TH CENTURY with triform lion paw feet on corresponding Siena marble plinths and white pleated shades (2) 46.5cm high (excluding fittings)

£1,500-2,500

186 LATE REGENCY LEATHER-TOPPED MAHOGANY DESK, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY 123cm wide, 76cm high, 61cm deep

£600-800

73

187 REGENCY ANGLO-COLONIAL TEAK LAMP TABLE EARLY 19TH CENTURY 76cm high, 51cm diameter

£400-600

188 REGENCY GRECIAN REVIVAL MAHOGANY LARGE ARMCHAIR, IN THE MANNER OF GEORGE SMITH EARLY 19TH CENTURY 105cm wide, 136.5cm high, 54cm deep

£2,000-3,000

189 WILLIAM IV GRECIAN REVIVAL MAHOGANY SOFA 223cm wide, 91cm high, 57cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

74

190 REGENCY GILT AND GESSO ‘APOLLO’ TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY with bevelled mirror plates 87cm high, 137cm wide

£400-600

191 Y REGENCY ROSEWOOD, BRASS INLAID AND GILT METAL MOUNTED SOFA TABLE EARLY 19TH CENTURY 88cm wide,145cm [open]; 72cm high, 66cm deep

£400-600

192 Y REGENCY CARVED ROSEWOOD END-SUPPORT WRITING TABLE, IN THE MANNER OF WILLIAM SMEE, MOORFIELDS, LONDON EARLY 19TH CENTURY with twin short drawers to both sides 137cm wide, 78cm high, 92cm deep

£5,000-7,000

193 REGENCY BRASS, STEEL, AND IRON REGISTER GRATE EARLY 19TH CENTURY 107cm wide, 108cm high, 26cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

75

194 MATCHED PAIR OF LATE REGENCY MAHOGANY BEDSIDE TRAY-TOP POT CUPBOARDS EARLY 19TH CENTURY on long turned legs (2) 41cm wide, 73cm high, 37cm deep

£800-1,200

195 REGENCY OVAL GILT WOOD AND EBONISED STAR MOUNTED MIRROR EARLY 19TH CENTURY 52cm x 67cm

£300-500

196 SET OF SIX MAHOGANY DINING CHAIRS 19TH CENTURY to include four side chairs and a pair of armchairs (6) Armchair 51cm wide, 86cm high, 45cm deep

£500-700

197 REGENCY MAHOGANY TRIPLE PEDESTAL DINING TABLE EARLY 19TH CENTURY with demilune ends 244cm length, 72cm high, 147cm deep Provenance: Property of Archibald Stirling of Keir

£1,000-1,500

76

198 REGENCY SMALL GILTWOOD PIER MIRROR EARLY 19TH CENTURY 51cm high, 33cm wide

£300-500

199 PAIR OF REGENCY MAHOGANY READING TABLES EARLY 19TH CENTURY with hinged tops with ratchet adjustments and book ledges (2) 57cm 78cm high, 43cm deep

£800-1,200

200 Y REGENCY ROSEWOOD FOLD-OVER CARD TABLE EARLY 19TH CENTURY 89cm wide, 74cm high, 44cm deep [closed]

£400-600

201 REGENCY MAHOGANY CANED BERGERE EARLY 19TH CENTURY 57cm wide, 90cm high, 52cm deep

£1,500-2,000

202 Y REGENCY ROSEWOOD DAVENPORT EARLY 19TH CENTURY 67cm wide, 97cm high, 52cm deep

£600-800

77

203 PAIR OF REGENCY GILT AND GESSO ‘APOLLO’ TRIPLE OVERMANTEL MIRRORS EARLY 19TH CENTURY with bevelled plates (2) 90cm high, 149m wide

£3,000-5,000

204 REGENCY MAHOGANY ‘GRECIAN’ SOFA EARLY 19TH CENTURY 230cm wide, 92cm high, 59cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

78

205 REGENCY MAHOGANY CROSSBANDED SQUARE TOP TRIPOD TABLE EARLY 19TH CENTURY 51cm wide, 72cm high, 51cm deep

£400-600

206 REGENCY ELM, OAK, AND MAHOGANY EBONY WORK TABLE EARLY 19TH CENTURY 46cm wide, 78cm high, 41.5cm deep [92cm open]

£400-600

207 SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising four side chairs and a pair of armchairs (6) Armchair 54cm wide, 88cm high, 48cm deep; side chair 50cm wide, 87.5cm high, 44cm deep

£300-500

208 REGENCY MAHOGANY CHEQUER BANDED BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY 77cm wide, 85cm high, 42cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

79

209 Y SET OF SIX REGENCY ROSEWOOD CANED DINING CHAIRS, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY with caned seats and reeded tapered legs (6) 47cm wide, 86cm high, 40cm deep

£400-600

210 REGENCY MAHOGANY MOONPHASE LONGCASE CLOCK, JOHN WARRY, BRISTOL EARLY 19TH CENTURY painted dial with subsidiary date and seconds dials, and a moonphase dial to the arch, the eight-day movement striking a bell 50cm wide, 210cm high, 23cm deep

£600-800

211 REGENCY MAHOGANY EXTENDING DINING TABLE EARLY 19TH CENTURY with four leaf extensions and a further narrow leaf 388cm long, 75cm high, 131cm wide

£4,000-6,000

80

212 REGENCY STYLE MAHOGANY CANTERBURY EARLY 20TH CENTURY 50cm wide, 56cm high, 34cm deep

£300-500

213 REGENCY MAHOGANY DRESSING TABLE EARLY 19TH CENTURY 134cm wide, 93cm high, 58cm deep

£600-800

214 REGENCY MAHOGANY MOONPHASE CHIMING LONGCASE CLOCK, SHACKLOCK, STANFREE EARLY 19TH CENTURY the painted dial with the subsidiary seconds dial, with moonphase and calender markers to the arch, the spandrels painted with figures representing the continents, the three train eight-day movement chiming on six bells with a bell strike 56cm wide, 228cm high, 28cm deep

£700-1,000

215 Y REGENCY ROSEWOOD AND EBONY BANDED FOLD-OVER TEA TABLE EARLY 19TH CENTURY 100cm wide, 75cm high, 49cm deep, 98cm open

£400-600

81

216 REGENCY GILTWOOD, GESSO, AND EBONISED TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY 75cm high, 143cm wide

£500-700

217 PAIR OF REGENCY MAHOGANY AND EBONISED TRIPOD TABLES EARLY 19TH CENTURY the scroll legs mounted with brass roundels (2) 39cm diameter, 74cm high

£600-800

218 REGENCY OAK AND EBONISED LIBRARY ARMCHAIR, IN THE MANNER OF GEORGE BULLOCK EARLY 19TH CENTURY covered in blue and gold striped silk upholstery 67cm wide, 100cm high, 61cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

82

219 PAIR OF CHARLES X PATINATED AND GILT BRONZE CANDLESTICK LAMPS 19TH CENTURY with lion’s masks, on paw feet, with a pair of grey pinch-pleated shades (2) 30cm high, excluding fittings

£800-1,200

220 Y LATE REGENCY ROSEWOOD TILT-TOP PEDESTAL TABLE EARLY 19TH CENTURY 55cm diameter, 69cm high

£700-1,000

221 Y PAIR OF REGENCY ROSEWOOD AND NEEDLEWORK POLESCREENS EARLY 19TH CENTURY with floral needlework panels (2) 146cm high

£400-600

222 REGENCY BIRDSEYE MAPLE AND EBONISED SIDE CABINET EARLY 19TH CENTURY 93cm wide, 96cm high, 35cm deep

£600-800

83

223 PAIR OF FINE REGENCY MAHOGANY AND EBONY CONCAVE DRESSING TABLE AND WASHSTAND, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY one fitted with a washbasin cutout and corner shelves (2) 112cm wide, 104cm high, 51cm deep

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

84

224 LATE REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY 69cm wide, 70cm high, 44cm deep

£400-600

225 Y REGENCY ROSEWOOD, MAHOGANY, AND BRASS DUET STAND EARLY 19TH CENTURY 44cm wide; 147cm high fully extended; 110cm high, lowest

£400-600

226 Y LATE REGENCY ROSEWOOD AND MAHOGANY FOLIO STAND EARLY 19TH CENTURY 76cm wide, 110cm high, 65cm deep

£600-800

227 Y REGENCY ROSEWOOD AND BRASS MOUNTED FOLD-OVER TEA TABLE EARLY 19TH CENTURY 102cm wide, 73cm high, 51cm deep [closed]

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

85

228 RARE REGENCY YEW WOOD COMBINATION CANTERBURY/WHATNOT EARLY 19TH CENTURY 47cm wide, 101cm high, 36cm deep

£2,500-3,000

229 REGENCY MAHOGANY AND EBONY INLAID SECRETAIRE BOOKCASE EARLY 19TH CENTURY 121cm wide, 238cm high, 56cm deep

£500-700

86

230 MASONS IRONSTONE ‘FLYING BIRD’ PATTERN PART DINNER SERVICE EARLY 19TH CENTURY comprising twelve dinner plates, 26.8cm diam; twelve breakfast plates, 24.2cm diam; ten side plates, 21cm diam; eleven shallow bowls, 27cm diam; twelve smaller shallow bowls, 24.3cm diam; two rectangular serving plates with canted corners, 27.5cm, 32cm; a large hexagonal form tureen and cover; a low hexagonal tureen, cover and stand; a low hexagonal tureen base; underglaze blue Masons Ironstone China marks, impressed letters and numerals (qty) Note: The two greyed pieces are not included in this lot

£400-600

231 SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY to include four side chairs and a pair of armchairs (6) Armchair 54cm wide, 82cm high, 48cm deep; side chair 36cm wide, 86cm high, 44cm deep

£400-600

232 Y REGENCY MAHOGANY AND CALAMANDER BANDED RECTANGULAR BREAKFAST TABLE EARLY 19TH CENTURY 134cm wide, 72cm high, 106cm deep

£600-800

87

233 SCOTTISH REGENCY MAHOGANY STICK BAROMETER, J. DUNN, GLASGOW EARLY 19TH CENTURY signed on the gauge plate, mercury filled 96cm high

£300-500

234 Y SET OF SIX REGENCY ROSEWOOD DINING CHAIRS, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY with red upholstered seat pads (6) 46cm wide, 87cm high, 42cm deep

£1,500-2,000

235 Y REGENCY COLONIAL ROSEWOOD SOFA TABLE EARLY 19TH CENTURY 92cm wide, 150cm [open]; 69cm high, 69cm deep

£600-800

236 REGENCY MAHOGANY AND EBONY SERVING TABLE EARLY 19TH CENTURY 146cm wide, 81cm high, 60cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

88

237 YORKSHIRE POTTERY PRATTWARE COW FIGURE GROUP EARLY 19TH CENTURY modelled with a farmer and dog alongside 15cm high, 15.7cm wide

£600-800

238 Y ITALIAN ROSEWOOD AND PARQUETRY WRITING SLOPE 19TH CENTURY with scrolled fretwork 45cm wide, 15cm high, 29cm deep (closed)

£250-350

239 VICTORIAN MINIATURE BURR WALNUT CHEST OF DRAWERS 19TH CENTURY 32cm wide, 26cm high, 19cm deep

£300-400

240 CREAMWARE TRANSFER-PRINTED AND LEAF-MOULDED PART DESSERT SERVICE EARLY 19TH CENTURY centrally decorated in puce with scenes of mothers and children within green leaf borders (18) Plates 19cm diameter

£300-400

89

241 REGENCY MAHOGANY AND BRASS MANTEL CLOCK, RICHARD GANTHONY, LONDON EARLY 19TH CENTURY the Gothic Revival case carved with a thistle, with a twin train fusee movement, pull repeat mechanism, the backplate engraved Ganthony/ 83, Cheapside/ London 23cm wide, 40cm high, 17cm deep

£700-900

242 FIVE REGENCY METALWARE DESK ITEMS EARLY 19TH CENTURY comprising a brass and gilt metal twin handled desk set, an ink stand in the form of a boat with snake handles, another of sarcophogas form, an eagle candle holder and an octagonal box on stand, the cover with a finial handle modelled as Napoleon (5) Desk set 40cm wide, ink stands 16.5cm and 22cm wide, candle holder 26.5cm high, box and cover 23cm high

£600-800

243 REGENCY RED LACQUER AND ORMOLU MOUNTED LARGE DESK STAND EARLY 19TH CENTURY the mounts depicting Kronos and Aphrodite and a coronet above three fleur de lis 47cm wide, 17cm high, 27cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

90

244 SMALL MAHOGANY LUGGAGE STAND 19TH CENTURY 39cm wide, 45cm high, 27cm deep

£500-700

245 SMALL WALNUT WELLINGTON COLLECTOR’S CHEST OF DRAWERS LATE 19TH CENTURY with compartmented graduated drawers 46cm wide, 66cm high, 31cm deep

£300-500

246 SET OF EARLY VICTORIAN MAHOGANY BED STEPS MID 19TH CENTURY the middle step fitted with a pottery commode 50cm wide, 70cm high, 62cm deep

£700-1,000

247 WILLIAM IV MAHOGANY UPHOLSTERED BERGERE EARLY 19TH CENTURY 69cm wide, 93cm high, 55cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

91

248 WILLIAM IV MAHOGANY SMALL WATERFALL BOOKCASE 19TH CENTURY 95cm wide, 80cm high, 25cm deep

£300-500

249 PAIR OF WILLIAM IV MAHOGANY STOOLS EARLY 19TH CENTURY with pierced supports and curved feet (2) 43cm wide, 43cm high, 43cm deep

£400-600

250 Y WILLIAM IV ROSEWOOD BREAKFAST TABLE 19TH CENTURY 127cm diameter, 72cm high

£400-600

92

251 PAPIER-MÂCHÉ BOX WITH VIEWS OF OXFORD 19TH CENTURY containing five smaller boxes 26cm wide, 6cm high, 27cm deep

£250-350

252 EARLY VICTORIAN PAPIER MÂCHÉ TRAY IN MANNER OF JENNENS AND BETTERIDGE, LONDON MID 19TH CENTURY unmarked 65cm wide, 50cm deep

£300-500

253 GROUP OF DERBYSHIRE ASHFORD BLACK PIETRA DURA OBELISKS AND DESK WEIGHTS MID-19TH CENTURY to include four obelisks and three desk weights (7) Highest 47cm

£500-700

254 Y TWO ALABASTER FRAMED ROUNDELS OF VENUS AND CUPID 19TH CENTURY watercolour on ivory, one titled CUPID DISARMED (2) 12cm diameter overall, ivory plaques 5cm high 3.5cm wide

£200-300

93

255 PAIR OF FRUIT PAINTED ROYAL WORCESTER GINGER JARS WITH COVERS PAINTED BY FREEMAN, LATE 20TH CENTURY black printed factory mark, 2826 (2) 17.5cm high

£1,000-1,500

256 ENGLISH ANIMALIER SCHOOL, A PYRENEAN MOUNTAIN DOG AND PUPS LATE 19TH CENTURY bronze, dark brown patina, signed J. W. CLARKE, with foundry mark BELLMAN & IVEY, on a rouge marble base 21cm wide, 16cm high, 18cm deep

£300-500

257 SET OF FOUR GILT METAL CANDLESTICK LAMPS 19TH CENTURY with grey pinch-pleated shades (4) 28.5cm high (excluding fittings)

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94

258 PAIR OF REGENCY GILT METAL CANDLESTICK LAMPS EARLY 19TH CENTURY on claw feet with cream twist pleated shades (2) 26.5cm high (excluding fittings)

£400-600

259 REGENCY MAHOGANY DECANTER BOX EARLY 19TH CENTURY in the form of a cylinder desk bureau with four glass decanters and two liqueur glasses 28cm wide, 28cm high, 19cm deep Provenance: Property of a Scottish Borders family

£250-350

260 REGENCY DOUBLE ARM BRASS STUDENT’S LAMP EARLY 19TH CENTURY with two snuffers 50.5cm high, 35cm wide

£250-350

261 REGENCY MAHOGANY AND BRASS BRACKET CLOCK 19TH CENTURY, THE MOVEMENT LATER the circular white enamel dial with twin winding holes, the replacement movement stamped Maple & Co Ltd, Paris 48cm high, 29cm wide, 15.5cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

95

262 REGENCY STYLE CUT GLASS SIX LIGHT CHANDELIER 20TH CENTURY hung with prism drops, wired for electricty 90cm drop, 70cm diameter

£400-600

263 PAIR OF REGENCY GILT BRASS AND PATINATED METAL CANDLESTICK LAMPS EARLY 19TH CENTURY with grey pinch-pleated shades (2) 27cm high

£800-1,200

264 GROUP OF DERBYSHIRE ASHFORD BLACK MARBLE PIETRA DURA DESK WEIGHTS MID 19TH CENTURY depicting various flowers, unframed (7) Largest 17cm x 10.5cm; smallest 12.5cm x 8.3cm

£300-500

96

265 Y WILLIAM IV ROSEWOOD AND MAHOGANY DAVENPORT EARLY 19TH CENTURY 55cm wide, 85cm high, 52cm deep

£300-500

266 EARLY VICTORIAN RENAISSANCE REVIVAL WALNUT HALL TABLE MID 19TH CENTURY 122cm wide, 77cm high, 60cm deep

£300-500

267 VICTORIAN BUTTON UPHOLSTERED TUB ARMCHAIR 19TH CENTURY 77cm wide, 88cm high, 55cm deep

£300-500

268 GEORGIAN STYLE MAHOGANY PEDESTAL DESK 19TH CENTURY with a plain finished back 137cm wide, 77cm high, 75.5cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

97

269 EARLY VICTORIAN POLLARD OAK TEA POY MID 19TH CENTURY the interior with two lidded removable caddies 49cm wide, 79cm high, 40cm deep

£800-1,200

270 WILLIAM IV MAHOGANY FOUR TIER WHATNOT 19TH CENTURY 50cm wide, 144cm high, 50cm deep

£300-500

271 EARLY VICTORIAN MAHOGANY BREAKFAST TABLE MID 19TH CENTURY 140cm diameter, 75cm high

£400-600

272 VICTORIAN SMALL SOFA MID 19TH CENTURY in cream damask upholstery 150cm wide, 78cm high, 58cm deep

£400-600

98

273 LATE REGENCY MAHOGANY CENTRE TABLE EARLY 19TH CENTURY 132cm diameter, 73cm high

£500-700

274 VICTORIAN WALNUT INVERTED BREAKFRONT PEDESTAL DESK 19TH CENTURY 122cm wide, 78cm high, 61cm deep

£600-800

275 EARLY VICTORIAN BUTTONED BACK LONG SOFA MID 19TH CENTURY on mahogany turned legs 240cm wide, 90cm high, 83cm deep Provenance: The collection of Gordon Watson

£1,500-2,500

99

276 EARLY VICTORIAN MAHOGANY TILT-TOP PEDESTAL TABLE MID 19TH CENTURY 61cm diameter, 73cm high

£400-600

277 PAIR OF EARLY VICTORIAN MAHOGANY MIRRORED BOOKCASES MID 19TH CENTURY one with a secretaire drawer (2) 146cm wide, 241cm high, 49cm deep

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100

278 PAIR OF VICTORIAN WALNUT BEDSIDE CHESTS 19TH CENTURY, WITH ALTERATIONS each with four drawers (2) 34cm wide, 69cm high, 43cm deep

£1,500-2,000

279 VICTORIAN WALNUT WELLINGTON SECRETAIRE CHEST OF DRAWERS 19TH CENTURY with six graduated drawers, one with a double drawer front and secretaire 56cm wide, 128cm high, 40cm deep

£400-600

280 VICTORIAN WALNUT AND NEEDLEWORK UPHOLSTERED CENTRE STOOL 19TH CENTURY 90cm wide, 38cm high, 62cm deep

£300-500

281 Y VICTORIAN ROSEWOOD AND SIMULATED ROSEWOOD SIDE CABINET 19TH CENTURY 117cm wide, 83cm high, 53cm deep

£1,000-1,500

101

282 AESTHETIC PERIOD WALNUT, MAHOGANY, AND PARCEL GILT FOLD-OVER CARD TABLE MORISON & CO, EDINBURGH with maker’s stamp 94cm wide, 78cm high, 47cm deep [closed]

£300-500

283 Y AESTHETIC PERIOD ROSEWOOD AND INLAY OCTAGONAL CENTRE TABLE 19TH CENTURY 90cm wide, 75cm high

£400-600

284 Y VICTORIAN ROSEWOOD CENTRE OR LOO TABLE MID 19TH CENTURY 148cm wide, 73cm high, 107cm deep

£400-600

285

286

TUNBRIDGEWARE AND BURR WOOD VENEERED BOX

VICTORIAN PARCEL GILT WALNUT PARLOUR CHAIR

19TH CENTURY

MID 19TH CENTURY

the interior fitted with a mirror and a compartmentalised insert tray

on castors

46cm wide, 19cm high, 25cm deep

46cm wide, 108cm high, 49cm deep

£250-350

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

287 VICTORIAN BUTTON-UPHOLSTERED CHAISE LONGUE LATE 19TH CENTURY covered in Colefax & Fowler polished chintz 180cm long, 95cm high, 76cm deep

£400-600

288 VICTORIAN MAHOGANY COACHING TABLE 19TH CENTURY 86cm wide, 72cm high, 43cm deep [open]

£400-600

289 VICTORIAN WALNUT, MAHOGANY, EBONISED, AND BIRCH BREAKFRONT MIRRORED TRIPLE WARDROBE MID 19TH CENTURY 203cm wide, 211cm high, 65cm deep

£500-700

103

290 VICTORIAN WALNUT LIBRARY BOOKCASE 19TH CENTURY with metal grille inserts to the upper doors 142cm wide, 239cm high, 45cm deep

£800-1,200

291 EARLY VICTORIAN MAHOGANY CHEVAL MIRROR MID 19TH CENTURY 84cm wide, 159cm high, 52cm deep

£400-600

292 EDWARDIAN BROWN LEATHER BUTTONUPHOLSTERED CHESTERFIELD SOFA EARLY 20TH CENTURY 196cm long, 74cm high, 57cm deep

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104

293 PAIR OF VICTORIAN CAST IRON STICK STANDS 19TH CENTURY with removable drip pans (2) 65cm wide, 63cm high, 21cm deep

£1,200-1,800

294 VICTORIAN MAHOGANY FRAMED SETTEE MID 19TH CENTURY 170cm wide, 100cm high, 56cm deep

£600-800

295 PAIR OF VICTORIAN EBONISED PORCELAIN MOUNTED LOW LIBRARY BOOKCASES 19TH CENTURY the porcelain mounts painted with birds and flower sprays (2) 119cm wide, 117cm high, 39cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

105

MARITIME PAINTINGS, FURNITURE & WORKS OF ART

296 MANNER OF WILLIAM HOGARTH HALF LENGTH PORTAIT OF A SEA CAPTAIN A NAVAL ENGAGEMENT BEHIND Oil on canvas, with label verso referencing Lord Hawke 39cm x 32cm (15.5in x 12.5in) Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£3,000-5,000

106

297 19TH CENTURY BRITISH SCHOOL A NAVAL ENGAGEMENT Bears signature and dated, oil on canvas 31cm x 43cm (12in x 17in) Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£300-500

298 19TH CENTURY BRITISH SCHOOL UNDER FULL SAIL Indistinctly signed, oil on panel 16.5cm x 21cm (6.5in x 8.25in) Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£300-500

299 FREDERIK JULIUS AUGUST WINTHER (DANISH 1853-1916) SHIPPING IN CALM SEAS Signed with initials and dated 1888, oil on canvas 24cm x 32cm (9.5in x 12.5in) Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£400-600

107

300 FOLLOWER OF THOMAS LUNY THE MOONLIGHT ENGAGEMENT BETWEEN THE FRIGATE H.M.S. TERPSICAE AND LA VESTIALE Oil on canvas 61cm x 89cm (24in x 35in) Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£1,000-1,500

301 CHARLES MARTIN POWELL (BRITISH 1775-1824) SHORE SCENE WITH SHIPPING Signed and dated 1823, oil on panel 41cm x 46cm (16in x 22in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

108

302 § HENRY SCOTT (BRITISH 1925-2015) SIX BELLS Signed, oil on canvas 71cm x 107cm (28in x 42in)

£1,500-2,500

303 § HENRY SCOTT (BRITISH 19111-2005) THE AMERICAN CLIPPER BLACK HAWK Signed, oil on canvas 36cm x 51cm (14in x 20in) Provenance: MacConnalMason and Son, London

£600-800

109

304 § HENRY SCOTT (BRITISH 1911-2005) THE NIGHT WATCH Signed, oil on canvas 61cm x 101.5cm (24in x 40in) Note: The ships depicted are The British Monarch and The Candahar

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

110

305 EARLY VICTORIAN SAILOR’S WOOLWORK SHIP PICTURE MID 19TH CENTURY with the Prince of Wales feathers, framed 39cm high, 53cm wide (excluding frame)

£500-700

306 FINE FRENCH PRISONER-OF-WAR MAHOGANY AND BONE MODEL OF A BARQUE EARLY 19TH CENTURY fully rigged, in a modern glazed display case the case 73cm wide, 45.5cm high, 30cm deep, the ship approx 60cm long Provenance: By repute, acquired from a descendant of the First Keeper of the Bass Rock Lighthouse who owned it in the early part of the 20th century.

£4,000-6,000

Note: There were two prisons in Scotland that housed Napoleonic French prisoners of war: one in Edinburgh and the other in Perth. Prisoners used what materials they could acquire to build items to sell to supplement their rations. Miniature ornaments, models and toys were typically made using straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity. The bone deck fittings and figurehead on the present lot are typical of prisoner of war work, as is the inlaid baseboard.

111

307 CAMPHORWOOD BRASS BANDED CAMPAIGN CHEST 19TH CENTURY inscribed A.J. SCOTT 98cm wide, 48cm high, 52cm deep

£700-1,000

308 TEAK PAINTED BRASS MOUNTED CAMPAIGN CHEST OF DRAWERS MID 19TH CENTURY 91cm wide, 97cm high, 49cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112

309 CASED BRASS 3-INCH REFRACTING TELESCOPE WITH TRIPOD STAND LATE 19TH CENTURY unmarked, in a mahogany case main tube 85.5cm long, case 89.5cm wide, 13cm high, 21cm deep

£400-600

310 ‡ OAK AND BRASS BARREL STICK STAND LATE 19TH CENTURY of oval form 37cm wide, 63cm high, 28cm deep

£250-350

311 OAK AND BRASS MOUNTED CAMPAIGN SECRETAIRE CHEST OF DRAWERS MID 19TH CENTURY the central top drawer fitted for writing 99cm wide, 103cm high, 47cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113

312 CARY’S 20-INCH CELESTIAL GLOBE CIRCA 1800 mounted with a brass meridian, 18 gore, the circular cartouche printed ‘Carys New and improved CELESTIAL GLOBE on which is carefully laid down the whole of the stars and nebulae contained in the astronomical catalogue of the Revd. Mr Wollaston, FRS, compiled from the authorities of Flamsteed, De La Caille, Hevelius, Mayer, Bradley, Herschil, Mashelyn, & C. with an exteufive number from the works of Mifs. Herschel. The whole adapted to the year 1800 and the limits of the constellation decriment by a boundry line. LONDON. Sold by M Berge (late Ramsden) No. 199 Picadilly Jan 1801’; the stand lacking 20 inch diameter

£2,000-3,000

313 OAK AND BRASS BARREL STICK STAND 19TH CENTURY of oval form with a coat of arms 50cm high Provenance: The collection of Gordon Watson

£300-500

314 TEAK BRASS MOUNTED CAMPAIGN CHEST OF DRAWERS MID 19TH CENTURY 99cm wide, 104cm high, 46cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

114

SELECTED ITEMS FROM A NORTHUMBERLAND COUNTRY HOUSE

315

316

FLEMISH VERDURE TAPESTRY

PAIR OF DUTCH DELFT BLUE AND WHITE OCTAGONAL FORM JARS AND COVERS

LATE 17TH CENTURY depicting a heron and other birds amidst trees by water, with tented pavilions in the background, within brown foliate border

18TH CENTURY

268cm x 289cm

£1,000-1,500

painted mark in underglaze blue JG/56 15, for Jan Gaal, De Twee Scheepjes factory (2) 60.5cm high

£2,000-3,000

317 CARVED OAK MULE CHEST LATE 17TH CENTURY WITH ALTERATIONS 151cm wide, 87cm high, 62cm deep

£600-800

115

318 SCOTTISH GEORGE III MAHOGANY AND INLAID SERPENTINE SOFA EDINBURGH, LATE 18TH CENTURY 155cm wide, 95cm high, 62cm deep

£800-1,200

319 FRENCH EMPIRE STYLE MAHOGANY BRASS MOUNTED CENTRE TABLE LATE 19TH CENTURY 89cm diameter, 70cm high

£400-600

320 GEORGIAN STYLE MAHOGANY BREAKFRONT LIBRARY BOOKCASE 19TH CENTURY the base with compartmented cupboards 416cm wide, 245cm high, 60cm deep

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

116

321 REGENCY GILTWOOD AND EBONISED CONVEX MIRROR EARLY 19TH CENTURY 84cm diameter

£600-800

322 GEORGE III MAHOGANY AND NEEDLEWORK OPEN ARMCHAIR 18TH CENTURY 76cm wide, 104cm high, 49cm deep

£250-350

323 GEORGIAN STYLE MAHOGANY SERPENTINE PRESS CUPBOARD 19TH CENTURY the front with dummy drawers opening to sliding trays 101cm wide, 113cm high, 63cm deep

£400-600

324 LATE GEORGIAN MAHOGANY BANDED BOWFRONT SIDEBOARD EARLY 19TH CENTURY 183cm wide, 91cm high, 56cm deep

£500-700

117

325 GOTHIC REVIVAL OAK AND POLYCHROMED DINNER GONG MID 19TH CENTURY with an associated beater (2) frame 71cm wide, 118cm high; gong 46cm diameter

£300-500

326 LATE REGENCY MAHOGANY CHEVAL MIRROR 19TH CENTURY 77cm wide, 140cm high, 53cm deep

£300-500

327 PAIR OF HOWARD STYLE UPHOLSTERED ARMCHAIRS EARLY 20TH CENTURY with floral slipcovers (2) 78cm wide, 80cm high, 61cm deep

£1,000-1,500

328 VICTORIAN OAK OVERMANTEL MIRROR 19TH CENTURY 129cm high, 157cm wide

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

118

329 ASSEMBLED ENGLISH PORCELAIN FLORAL PAINTED BOUGH POT AND VASES EARLY 19TH CENTURY the vases with covers, all unmarked (3) Bough pot 20.5cm high, 23.5cm high

£250-350

330 GEORGE III MAHOGANY AND EBONY WHEEL BAROMETER, J. TAGLIABUE, LONDON

331 FRENCH TERRACOTTA BUST OF MADAME DU BARRY 19TH CENTURY

LATE 18TH CENTURY

incised initials S A underneath the socle base 61.5cm high

signed J. Tagliabue/ 11 Brook St/ Holborn

£300-500

98cm high

£300-500

332 EDWARDIAN CROCODILE LEATHER GENTLEMAN’S DRESSING CASE AND PARTIAL SILVER-MOUNTED TOILET SET EARLY 20TH CENTURY the mounts with date marks for 1917 and maker’s marks for Charles Dumenil and Louis Augustus Leins; together with an ASSOCIATED FITTED TOILET CASE containing three glass bottles (qty) 61.5cm wide, 20.5cm high, 41cm deep

£300-500

333 ROYAL WORCESTER VITREOUS GAME BIRD PART SERVICE LATE 19TH CENTURY with printed and painted decoration, comprising an oval serving dish and ten serving plates, 23.5cm diam, brown printed factory marks; together with an ENGLISH PART DESSERT SERVICE hand painted with fruits, comprising one tall comport on stand, two medium comports on stands, three low comports, and fourteen dessert plates, unmarked, painted 6595 (qty) dessert plates 22.5cm diameter

£300-400

119

334 HENRY MARTENS (BRITISH 1790-1868) TWO MILITARY SUBJECT WATERCOLOURS signed HM, 29cm high, 23cm wide (including frame); together with MILITARY WATERCOLOUR BY M.A.HAYES, no signature visible, 19.5cm high, 19cm wide (including frame); and a GOUACHE OF THE 17th DUKE OF CAMBRIDGE OWN LANCER (4) Gouache 35cm high, 25cm wide

£400-600

335 EBONISED FOURFOLD SCREEN WITH EN GRISAILLE PAINTINGS, ATTRIBUTED TO JOHN GUILLE MILLAIS EARLY 20TH CENTURY the openwork panels with twelve framed paintings of Scottish wildlife 214cm wide, 170cm high overall

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

BRITISH FURNITURE & WORKS OF ART PART THREE

336 Y 337 Y CASED TAXIDERMY BIRD OF PARADISE AND KINGFISHER 19TH CENTURY mounted in a naturalistic setting 56cm wide, 57cm high, 27cm deep

£300-500

338 Y ROWLAND WARD WOLF FUR CARRIAGE BLANKET EARLY 20TH CENTURY labelled ‘The Jungle/ Rowland Ward/ 167 Piccadilly London’ 244cm x 156cm Provenance: The collection of Gordon Watson

£300-500

339 Y DOMED TAXIDERMY BIRD DISPLAY LATE 19TH CENTURY with fifteen songbird specimens 36cm wide, 72cm high, 26cm deep

£500-700

340 Y CASED TAXIDERMY RED FOREST DUIKER ANTELOPE 20TH CENTURY Case 76cm wide, 58cm high, 30cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

CASED TAXIDERMY WATERBIRDS,

BY JOHN LEADBEATER LATE 19TH CENTURY comprising four different waders and sandpipers in a naturalistic setting 92cm wide, 26cm high, 20cm deep

£400-600

121

341 Y TAXIDERMY CARIBOU HEAD AND SHOULDER MOUNT LATE 20TH CENTURY Rowland Ward record class specimen, right antler sixteen points, 137cm long; left antler eighteen points, 142cm long £500-700

342 Y TWO TAXIDERMY HEAD MOUNTS OF A WARTHOG AND A SLOTH BEAR

343 Y

20TH CENTURY

CASED TAXIDERMY LESSER MALAY CHEVROTAINS

the warthog with record class tusks; the sloth bear mounted on an oak shield (2)

20TH CENTURY pair of full mounts, in a glazed case

30cm wide, 44cm high, 55cm deep / 32cm wide, 34cm high, 47cm long

46cm wide, 52cm high, 39cm deep

£400-600

£500-700

344 Y TWO CASED TAXIDERMY BIRDS OF PREY EARLY 20TH CENTURY comprising a kestrel with prey, and a goshawk (2) Kestrel 34cm x 36cm x 15cm; goshawk 54cm x 53cm x 27.5cm

£400-600

345 Y CASED TAXIDERMY PIKE, BY J. COOPER & SONS 19TH CENTURY in a naturalistic setting, with label ‘Preserved by/ J. Cooper & Sons/ 28 Radnor Street/ St Luke’s, London, EC’ 108cm wide, 42cm high, 18cm deep

£300-500

122

346 ‘CHINESE CHIPPENDALE’ STYLE MAHOGANY BOOK TROUGH 20TH CENTURY 92cm wide, 84cm high, 39cm deep

£600-800

347 GEORGIAN STYLE MAHOGANY WARDROBE, BY HOWARD & SONS EARLY 20TH CENTURY with ivorine label and maker’s stamp to the drawer 120cm wide, 198cm high, 62cm deep

£400-600

348 CHIPPENDALE REVIVAL MAHOGANY INLAID OPEN ARMCHAIR,

BY S. & H. JEWELL LATE 19TH CENTURY 63cm wide, 99cm high, 52cm deep

£500-700

349 GEORGE III STYLE MAHOGANY ‘DOWNING STREET’ KNEEHOLE DESK LATE 20TH CENTURY stamped twice ‘CORLYON’ with brass presentation plaque 107cm wide, 79cm high, 61cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

350 SET OF THREE GEORGIAN STYLE MAHOGANY HANGING DISPLAY CASES EARLY 20TH CENTURY fitted with blue plush lined pads for mounting (3) 102cm wide, 30cm wide

£400-600

351 GEORGIAN STYLE MAHOGANY PRESS CUPBOARD,

BY HOWARD & SONS EARLY 20TH CENTURY ivorine label to the upper door and stamp to the drawer 112cm wide, 181cm high, 53cm deep

£400-600

352 PAIR OF GEORGIAN STYLE CAMELBACK SOFAS MODERN with twin cushion seats and coral patterned upholstery (2) 180cm wide, 86cm high, 55cm deep

£800-1,200

124

353 Y EDWARDIAN NOVELTY ‘HORSESHOE’ ROSEWOOD OCCASIONAL TABLE EARLY 20TH CENTURY 57cm wide, 67cm high, 55cm deep

£600-800

354 VICTORIAN MAHOGANY AND BRASS STICK STAND 19TH CENTURY 63cm high, 32cm diameter

£300-500

355 VICTORIAN MAHOGANY LINE INLAID AND BRASS-BANDED DEMILUNE STICK STAND LATE 19TH CENTURY 35cm wide, 79cm high, 21cm deep

£300-500

356 SET OF FOUR MAHOGANY AND SATINWOOD BANDED NESTING TABLES 19TH CENTURY the tops outlined with cockbead moulding (4) 56cm wide, 71cm high, 38cm deep

£400-600

357 EDWARDIAN SHERATON REVIVAL PAINTED SATINWOOD DISPLAY CABINET EARLY 20TH CENTURY 117cm wide, 175cm high, 38cm deep

£1,000-1,500

125

358 PITCH PINE RUSTIC BUTCHER’S BLOCK 19TH CENTURY 69cm wide, 92cm high, 51cm deep

£400-600

359 BRASS PARAFFIN STANDARD LAMP LATE 19TH CENTURY converted to electricity 144cm excluding fitting

£300-500

360 GEORGIAN STYLE MAHOGANY GREEN LEATHER UPHOLSTERED WING ARMCHAIR AND FOOTSTOOL, BY WHYTOCK & REID EARLY 20TH CENTURY with close nail head trim and straight moulded legs (2) Chair 81cm wide, 121cm high, 55cm deep; stool 56cm wide, 47cm high, 48cm deep

£700-1,000

361 WALNUT PEDESTAL PARTNERS DESK 20TH CENTURY the faded olive green leather top on pedestals with drawers to both sides 150cm wide, 78cm high, 105cm deep

£500-700

END OF DAY ONE Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

126

DAY TWO

Elizabeth Fairbairn, a prominent supporter of the Arts in Edinburgh, was the daughter of the 13th Lord Reay, chief of the clan Mackay. Her mother was Charlotte Younger,

THE LATE HON. ELIZABETH FAIRBAIRN COLLECTION

daughter of the brewing scion William.

The ancient clan Mackay has its origins in Sutherland. They were great soldiers, Donald Mackay becoming the first Lord Reay in 1628 thanks to his loyal military service to Charles I. As highly effective soldiers for hire, the Mackays fought across Europe, some settling in Holland. When the Scottish line came to have no heirs, the title passed back to the Dutch line. Elizabeth’s father Aeneas was wholly Dutch and Kasteel Ophemert, the gracious 18th century house near Tiel, still belongs in the family. That much of the furniture in this sale is Dutch in origin reflects Elizabeth Fairbairn’s rich family heritage.

362 WILLIAM AND MARY CUSHION MOULDED WALNUT MIRROR LATE 17TH CENTURY 56cm high, 51cm wide

£500-700

363 WILLIAM AND MARY OYSTER VENEERED WALNUT AND FRUITWOOD INLAID TABLE LATE 17TH CENTURY with label ‘Art Treasures Exhibition 1928, No. 49’ to the drawer 81cm wide, 73cm high, 57cm deep

£1,000-1,500

364 WILLIAM AND MARY OYSTER VENEERED SMALL CHEST OF DRAWERS LATE 17TH CENTURY, AND LATER 82cm wide, 74cm high, 52cm deep

£300-500

365 DUTCH ROCOCO CARVED BEECH AND NEEDLEWORK OPEN ARMCHAIR 18TH CENTURY covered in gros and petit point needlework 73cm wide, 103cm high, 53cm deep

£1,000-1,500

127

366 DUTCH ROCOCO WALNUT BOMBÉ BUREAU 18TH CENTURY 105cm wide, 107cm high, 54cm deep

£700-1,000

367 DUTCH MAHOGANY TEA TABLE 18TH CENTURY 95cm wide, 70cm high, 62cm deep

£300-500

368 DUTCH ROCOCO BEECH AND NEEDLEWORK OPEN ARMCHAIR 18TH CENTURY in gros and petit point needlework upholstery 66cm wide, 108cm high, 55cm deep

£1,000-1,500

369 LARGE DUTCH ROCOCO WALNUT BOMBÉ CABINET ON CHEST 18TH CENTURY 195cm wide, 239cm high, 71cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

370 DUTCH NEOCLASSICAL NARROW GILTWOOD PIER MIRROR LATE 18TH CENTURY with a divided mirror plate 172cm high, 32cm wide

£400-600

371 DUTCH CARVED BEECH AND NEEDLEWORK UPHOLSTERED OPEN ARMCHAIR 18TH CENTURY 70cm wide, 91cm high, 51cm deep

£800-1,200

372 DUTCH NEOCLASSICAL MAHOGANY TALL CHEST OF DRAWERS EARLY 19TH CENTURY 68cm wide, 141cm high, 40cm deep

£300-500

373 DUTCH WALNUT BOMBÉ DISPLAY CABINET ON CHEST 18TH CENTURY 147cm wide, 212cm high, 44cm deep

£1,000-1,500

374

375

DUTCH FRISIAN STAARTKLOK

DUTCH WALNUT, AND BURR WOOD MINIATURE BUREAU CABINET

19TH CENTURY with a painted dial case 94cm high, 30.5cm wide, 17cm deep, dial 18.5cm

£200-300

19TH CENTURY 84cm high, 39cm wide, 27cm deep

£200-300

129

376 DUTCH MAHOGANY AND FRUITWOOD MARBLE TOPPED TAMBOUR CORNER CABINET 19TH CENTURY 80cm wide, 83cm high, 56cm deep

£300-500

377 SET OF TWELVE DUTCH ELM DINING CHAIRS 19TH CENTURY to include ten side chairs and a pair of armchairs (12) Armchair 62cm wide, 95cm high, 45cm deep; side chair 50cm, 94cm high, 43cm deep

£1,000-1,500

378 DUTCH NEOCLASSICAL MAHOGANY CHEST OF DRAWERS LATE 18TH/ EARLY 19TH CENTURY 100cm wide, 77cm high, 47cm deep

£400-600

379 DUTCH NEOCLASSICAL SATINWOOD AND MAHOGANY COMMODE LATE 18TH/ EARLY 19TH CENTURY 130cm wide, 85cm high, 61cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

380 DUTCH SMALL MARBLE TOPPED PARQUETRY SIDE CABINET LATE 18TH CENTURY 71cm wide, 117cm high, 36cm deep

£400-600

381 DUTCH NEOCLASSICAL WALNUT AND FRUITWOOD MARQUETRY MARBLE TOPPED FALL FRONT SECRETAIRE LATE 18TH/ EARLY 19TH CENTURY 94cm wide, 142cm high, 40cm deep

£600-800

382 DUTCH NEOCLASSICAL SATINWOOD, AMARANTH, MARQUETRY, AND JAPANNED FALL FRONT SECRETAIRE 19TH CENTURY 118cm wide, 163cm high, 51cm deep

£1,500-2,500

383 DUTCH NEOCLASSICAL STYLE MAHOGANY, SATINWOOD, MARQUETRY AND LACQUER CABINET 20TH CENTURY 74cm wide, 92cm high, 40cm deep

£300-500

131

384 FRENCH EMPIRE GILT AND PATINATED METAL FIGURAL MANTEL CLOCK EARLY 19TH CENTURY the eight-day movement striking a bell, stamped to the back AS 1198 27cm wide, 36.5cm high, 11cm deep

£500-700

385 FRENCH WHITE MARBLE AND GILT METAL MANTEL CLOCK, JAPY FRÈRES & CO. 19TH CENTURY the eight-day movement striking a bell, stamped to back 4362 6 19cm wide, 35cm high, 9.5cm deep

£400-600

386 ITALIAN ALABASTER TAZZA 19TH CENTURY on triform dolphin supports 29cm diameter, 26cm high

£200-400

387 SÈVRES BISCUIT FIGURE GROUP ON STAND, MODELLED AS MERCURY AND THE BIRTH OF BACCHUS STAND DATED 1913 impressed SÈVRES FRANCE with an S within a leaf, incised CV; the cobalt base with red DORE A SÈVRES mark and green date mark, with further incised marks 44.5cm high, 37cm wide

£600-800

388 PAIR OF FRENCH EMPIRE GILT AND PATINATED METAL GARNITURE FIGURES EARLY 19TH CENTURY depicting a classical maiden and youth on hexagonal plinths (2) 19cm wide, 33cm high, 12cm deep

£300-500

389 PAIR OF REGENCY GILT AND PATINATED METAL URNS EARLY 19TH CENTURY together with a REGENCY GILT AND PATINATED METAL INKSTAND with snake handles (3) Urns 26cm high; inkstand 27cm wide, 13cm high, 8.5cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

132

390 GEORGIAN STYLE MAHOGANY PIECRUST TILT-TOP BIRDCAGE TEA TABLE 19TH CENTURY 80cm diameter, 74cm high

£400-600

391 PAIR OF LOUIS XVI STYLE STAINED BEECH, MARBLE AND GILT METAL TORCHERE STANDS EARLY 20TH CENTURY with pierced brass galleries and an undertier (2) 100cm high, 35cm wide

£400-600

392 GEORGE III MAHOGANY FOLD-OVER SERPENTINE CARD TABLE MID 18TH CENTURY 91cm wide, 73cm deep, 45.5cm deep [91cm open]

£500-700

393 Y REGENCY ROSEWOOD, SIMULATED ROSEWOOD, AND GREY MARBLE, PARCEL GILT CREDENZA EARLY 19TH CENTURY the centre with a mirror back 134cm wide, 94cm high, 28.5cm

£1,000-1,500

133

394 EDWARDIAN MAHOGANY AND LINE INLAY TREFOIL BIJOUTERIE TABLE EARLY 20TH CENTURY 42cm wide, 69cm high

£300-500

395 REGENCY MAHOGANY CANTERBURY 47cm wide, 55cm high, 37cm deep

£300-500

396 SATINWOOD AND MAHOGANY INLAID TRAYTOP OCCASIONAL TABLE EARLY 20TH CENTURY 75cm wide, 73cm high, 47cm deep

£300-500

397 REGENCY STYLE MAHOGANY CROSSBANDED SOFA TABLE 19TH CENTURY 91cm wide, 147cm [open], 71cm high, 61cm deep

£300-500

398 GEORGE III MAHOGANY WRITING TABLE LATE 18TH CENTURY 107cm wide, 74cm high, 69cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

399 MEISSEN FIGURE GROUP, ‘THE LUCKY FAMILY’ AFTER KAENDLER, LATE 19TH CENTURY underglaze blue crossed swords, incised 604 19cm high, 25cm wide

£700-1,000

400 MEISSEN ÉCUELLE AND COVER WITH AN ASSOCIATED STAND 18TH AND 19TH CENTURY blue crossed swords marks (3) Stand 20cm diameter

£300-400

401 MEISSEN ORNITHOLOGICAL PART TEA SERVICE CIRCA 1760 comprising a teapot, six tea bowls, and three saucers, underglaze blue crossed swords, impressed numerals (10) Teapot 14cm high; saucers 12cm diameter

£500-700

402 TWO CHINESE PAINTED VELLUM CHESTS 19TH CENTURY depicting figures in gardens and riverside landscapes, with brass handles and lock plates (2) 44cm wide, 21cm high, 27cm deep and 38.2cm wide, 18.5cm high, 23cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

403

404

SET OF THREE BRASS FIRE TOOLS AND BRASS FENDER

GROUP OF DERBY SOFT PASTE PORCELAIN FIGURES

19TH CENTURY

18TH CENTURY

together with a further BRASS SHOVEL (5) Fender 137cm wide, 29cm high, 31cm deep

comprising a lady, 19cm high; and seven putti, tallest 10.5cm high (8)

£200-400

£300-400

PAINTINGS PART TWO

136

405

406

EDWARD GEORGE WARREN (BRITISH 1834-1907)

EDWARD GEORGE WARREN (BRITISH 1834-1909)

GATHERING WILD FLOWERS, HARVEST-TIME

HARVESTERS AT REST

Signed ‘Bonomi E Warren’ and dated 1875, watercolour

Signed ‘Bonomi E Warren’ and dated 1878, watercolour

76cm x 134cm (30in x 52.5cm)

71cm x 127cm (28in x 50in)

Provenance: A Northumberland Country House

Provenance: A Northumberland Country House

£800-1,200

£800-1,200

137

407 GERTRUDE HOPE (SCOTTISH 19TH CENTURY) LOCH GOIL HEAD, BEN DONACH AND DRYSINIA CASTLE Signed and dated 1871, watercolour and gouache 51cm x 91cm (20in x 36in)

£600-900

408 BRYAN HANLON (20TH CENTURY BRITISH) RED-LEGGED PARTRIDGE Signed and dated 1983, watercolour 71cm x 51cm (28in x 20in) Provenance: A Northumberland Country House

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

138

409

410

CHARLES JONES (BRITISH 1836-1892)

ROBERT WATSON (BRITISH 1865-1916)

HIGHLAND CATTLE IN A MOUNTAIN LOCH

HIGHLAND CATTLE IN A MOUNTAIN PASS

Signed with a monogram, oil on canvas laid down on board

Signed, oil on canvas

51cm x 76cm (20in x 30in)

51cm x 76cm (20in x 30in)

£800-1,200

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

139

411 GERRIT ALEXANDER GODART MOLLINGER (DUTCH 1836-1867) WORKING THE FIELDS Signed and dated 1861, oil on canvas 71cm x 110cm (28in x 43.25in)

£1,000-1,500

412 DAVID GEORGE STEELL (SCOTTISH 1856-1930) STUDY OF A FAVOURITE HOUND Signed and dated 1891, oil on canvas 56cm x 46cm (22in x 18in)

£400-600

413 HENRIETTA RONNER KNIP (DUTCH 1821-1909) THE YOUNG GAMEKEEPER Signed, authenticated on old label verso, oil on panel 31cm x 23cm (12in x 9in)

£800-1,200

141

414 § FRANCIS PATRICK MARTIN (SCOTTISH 1883-1966) THE THREE GRACES Signed, oil on canvas 127cm x 101cm (50in x 40in)

£2,000-3,000

415 J**SYDNEY POTTER (BRITISH 19TH CENTURY) HOME FROM THE FIELDS Signed, oil on canvas 85cm x 110.5cm (33.5in x 43.5in)

£600-800

416 FREDERICK CHARLES UNDERHILL (BRITISH C.1932-1896) TOO YOUNG TO GLEAN Oil on canvas, framed as with arched top 76cm x 63.5cm (30in x 25in)

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

417 ALOIS ARNEGGER (AUSTRIAN 1879-1967) ON THE NEAPOLITAN COAST Signed, oil on canvas 76cm x 101cm (30in x 40in)

£1,200-1,800

418 NATHANIEL HUGHES BAIRD (SCOTTISH 1784-1862) “LE PERROQUET” Signed, oil on canvas 60cm x 44.5cm (23.5in x 17.5in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143

419 FERNAND LE QUESNE (FRENCH 1856-1918) STUDY OF A YOUNG BEAUTY IN PROFILE Signed and dated 1902, oil on canvas 46cm x 38cm (18in x 15in)

£1,000-2,000

420 GUSTAVE CLAUDE ETIENNE COURTOIS (FRENCH 1853-1923) A YOUNG DANDY Signed, oil on canvas 46cm x 38cm (18in x 15in)

£1,000-2,000

144

421 WILLIAM MCTAGGART R.S.A., R.S.W (SCOTTISH 1835-1910) WINTER WHEAT Oil on canvas 61cm x 77.5cm (24in x 30.5in) Provenance: Collection of Dugald McTaggart Lindsay

£2,000-3,000

145

422 EUGENE BOUDIN (FRENCH 1824-1898) FISHERMEN AND BOATS ON THE SHORE Inscribed ‘Berck’ with the Trustee’s stamp, pen, ink and watercolour 15cm x 29cm (6in x 11.5in)

£2,000-3,000

423 ATTR. TO GEORGE SIDNEY SHEPHERD (BRITISH 1784–1862) NEWCASTLE-UPON-TYNE Pencil and watercolour 23cm x 34cm (9in x 13.5in)

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

146

424 § WILLIAM LEE HANKEY R.W.S. (BRITISH 1869-1952) WASH-DAY IN A FRENCH RIVERSIDE TOWN Signed, oil on canvas 63cm x 76cm (25in x 30in)

£1,500-2,000

425 EDMUND AUBREY HUNT (AMERICAN 1855-1922) PADDLE STEAMER LEAVING PORT Signed and dated ‘83, oil on canvas, unframed 51cm x 76cm (20in x 30in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

147

426 WILLIAM BARR (SCOTTISH/AMERICAN 1867-1933) SOUTHERN HEADLANDS OF THE GOLDEN GATE, CALIFORNIA Signed, oil on canvas 46cm x 61cm (18in x 24in)

£1,000-1,500

427 HANS CHRISTIAN KNUSDEN (DANISH 1865-1947) A WINTER RIVER LANDSCAPE Signed, oil on canvas 76cm x 104cm (30in x 41in)

£700-1,000

148

428 GEORGE ROBIN (FRENCH 1873-1943) SAINT JULIAN DE CENA, DORDOGNE Inscribed on the reverse, oil on canvas 80cm x 100cm (31.5in x 39.5in)

£700-1,000

429 GERARD PASSET (FRENCH 20TH CENTURY) PROMENADE DANS LES CHAMPS Signed, oil on canvas 90cm x 116cm (35.5in x 45.5cm)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

149

430 §

431 §

LAWRENCE BIDDLE (BRITISH 1888-1968)

LAWRENCE BIDDLE (BRITISH 1888-1968)

SPRING

STILL LIFE WITH BUDDHA

Signed and dated ‘25, oil on panel

Signed, oil on panel

25.5cm x 36cm (10in x 14in)

30.5cm x 46cm (12in x 18in)

£600-800

£600-800

150

CONTINENTAL FURNITURE & WORKS OF ART 432 RUSSIAN ICON, SAINT JOHN CHRYSOSTOMOS 19TH CENTURY flanked by attendant saints, oil on panel 52cm high, 43cm wide

£500-700

433 RUSSIAN ICON OF THE RESURRECTION AND DESCENT INTO HELL, SURROUNDED BY TWELVE FESTIVALS 19TH CENTURY oil on panel, mounted in a giltwood frame (1) 30cm high, 27cm wide

£400-600

434 LARGE RUSSIAN ICON OF SAINT GEORGE AND THE DRAGON 19TH CENTURY oil on panel 89cm high, 70cm wide

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151

435 Y ITALIAN CARVED IVORY CORPUS CHRISTI 19TH CENTURY mounted in a carved walnut frame 62cm high, 43cm wide, figure 26cm high

£250-350

436 Y FLEMISH RED TORTOISESHELL AND CARVED FRUITWOOD CORPUS CHRISTI 18TH CENTURY with ivory inlay, on a moulded ebony stand with bun feet 88cm high, figure 22cm high

£600-800

437 EARLY ITALIAN WHITE MARBLE FONT 16TH/ 17TH CENTURY 60cm diameter, 105cm high

£600-800

438 CONTINENTAL PAINTED AND SIMULATED MARBLE ALTAR 19TH CENTURY 95cm wide, 86cm high, 71cm deep

£400-600

439 POLYCHROME STUCCO FIGURE GROUP OF THE MADONNA AND CHILD FROM THE WORKSHOP OF ANTONIO ROSSELLINO CIRCA 1450 the Virgin depicted wearing a red gown and blue mantle with a white headcovering edged in ochre, her dark blond curls emerging from underneath, her head turned slightly downwards and to the left; the infant Christ seated in her left arm, his left arm raised with the hand placed at the base of her neck, his left foot held tenderly in her right hand; on a polychromed and gilt hexagonal wood base 58cm high Provenance: D’Arcy Osborne, 12th Duke of Leeds Bardrochat House, South Ayrshire

£10,000-15,000

153

THE LEEDS MADONNA DR. CHARLES AVERY Independent art historian and former Deputy Keeper of the Department of Sculpture at the V&A Museum A note on the back states that this Madonna and Child was identified as coming from the workshop of Jacopo della Guercia [sic] circa 1450: that the identification was made by a ‘Professor Pollack’ and that the group was a gift to a member of the vendor’s family from D’Arcy Osborne, the 12th Duke of Leeds [1884-1964] - who served as Ambassador to the Holy See from 1936-1947.

The unusual spelling of the ‘surname’ of Jacopo as Guercia is now actually believed to be correct, meaning that the sculptor was son of a woman with a squint, rather than -more romantically - ‘of the oaktree’ (Quercia). ‘Professor Pollack’ in Rome at this period must mean the connoisseur-dealer Lodovico [Ludwig] Pollak, author of the de luxe Catalogue of Italian Bronzes in the Barsanti Collection, Rome, 1922. The attribution was at the time, therefore, authoritative: by dating it c.1450, and giving it to ‘the workshop’, Pollak meant to exclude it from being autograph, for he must have known that the sculptor died twelve years earlier.

The Duke of Leeds, KCMG (1884-1964), a British diplomat known between 1943 and 1963 as Sir D’Arcy Osborne [Wikipedia] seems to be just the sort of - more or less ‘ex-pat’ Catholic gentleman - of high diplomatic standing in the Vatican, who might have managed to obtain a genuine example of 15th century sculpture. When Italy declared war on the UK in 1940, Osborne, accredited to the Holy See but living in Italian territory, moved inside the Vatican according to arrangements made under the Lateran Treaty and would be immured inside the Vatican until the liberation of Rome in 1944.

There he was creditably involved with helping to save around 4,000 Jewish refugees and Allied POW escapees; as well as participating in a plot with some German generals to overthrow Hitler in 1940.

The fact that the sculpture is made of plaster implies the existence of an ’original’ perhaps now lost, and probably modelled in terracotta and maybe even carved in the more demanding material of marble: like the present replica these would have been painted in pleasing natural colours. But ours is not to be found among the standard repertory of such Madonna reliefs, which were mandatory for private devotions in any middle- or upper- class

lady’s bedchamber, in order to intercede for aid with conception and childbirth. The series started with alternative compositions by and after Ghiberti or Donatello. But, to modern eyes, the elegant, ‘fashionably’ elongated, oval face of this young lady, with her straight, Grecian nose, rosebud lips, high-arching eyebrows and very high forehead, framed in neatly curled ringlets of hair and a light veil, suggests an artist of the generation after them or Della Quercia, one that invented the ‘Sweet style’ of the mid-century (See Charles Avery, Florentine Renaissance Sculpture, London/New York, 1970, chapter 5). These pioneers were closely followed by Desiderio da Settignano and Antonio Rossellino; and it is with the latter that the closest analogies for the general style and particular features of the Leeds Madonna are to be found.

Several of his Madonnas have survived in marble and the one in the chapel of the Cardinal of Portugal in San Miniato al Monte, Antonio’s masterpiece in this field, was completed in 1466.

It is difficult to compare sculptures in crystalline, white marble with those that have been naturalistically painted and so a comparison is made here with a painted excerpt from the Portugal Madonna that had been acquired by Conte Umberto Serristori of Florence from an antique dealer in Perugia in 1915 (last sold by Sotheby’s, Florence, on 6 June 2007, lot 291).

The ‘aristocratic’ facial type that Rossellino employed for the Queen of Heaven in that rendering is also to be found in a marble panel probably originating from the Medici collection, but since 1626 in Innsbruck and Vienna, and in the Leeds Madonna.

Left: The Leeds Madonna in situ at Bardrochat House, South Ayrshire - Living in Scotland, Thames & Hudson, 1987

154

440 PAIR OF SPANISH CARVED FRUITWOOD AND IRON WINDOWS 18TH CENTURY the moulded frames with iron grille inserts (2) 114cm high, 70cm wide Provenance: The collection of Gordon Watson

£600-800

441 SYRIAN BURR WOOD, BONE, AND PARQUETRY SAVONAROLA CHAIR 19TH CENTURY with embossed leather seat and back 64cm wide, 89cm high, 47cm deep Provenance: The collection of Gordon Watson

£500-700

442 WHITE MARBLE CARVED RELIEF PANEL IN THE MANNERIST STYLE MODERN 75cm high, 98cm wide Provenance: The collection of Gordon Watson

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

155

443 ITALIAN BAROQUE WALNUT DROP-LEAF TABLE EARLY 18TH CENTURY opening on gatelegs 34cm wide [69cm open], 68cm high, 70cm deep

£800-1,200

444 SPANISH CARVED WALUT AND FRUITWOOD BUFFET A DEUX CORPS 18TH CENTURY, PROBABLY BASQUE COUNTRY 124cm wide, 219cm high, 53cm deep Provenance: The collection of Gordon Watson

£800-1,200

156

445 VENETIAN BAROQUE SMALL POLYCHROMED AND PARCEL GILT ARMCHAIR 18TH CENTURY 48cm wide, 89cm high, 27cm deep Provenance: The collection of Gordon Watson

£400-600

446 ITALIAN SPECIMEN MARBLE TABLE TOP 19TH CENTURY 103cm long, 67cm wide

£600-800

447 ITALIAN BAROQUE STYLE WALNUT AND PARQUETRY LARGE DOUBLE CABINET MODERN 230cm wide, 182cm high, 49cm deep

£1,000-1,500

448 ITALIAN PIETRA DURA PANEL MID 19TH CENTURY with birds and insects, in an ebonised frame 18cm x 11cm excluding frame

£250-350

157

449 FLORENTINE GILTWOOD MIRROR 19TH CENTURY 87cm high, 75cm wide

£400-600

450 VENETIAN CARVED AND POLYCHROMED PARCEL-GILT GONDOLA ARMCHAIR 20TH CENTURY 61cm wide, 180cm high, 42cm deep Provenance: The collection of Gordon Watson

£600-800

451 SCAGLIOLA SIMULATED SIENA MARBLE PEDESTAL 19TH CENTURY 115cm high, 28cm top diameter

£600-800

452 PAIR OF PAINTED AND POLYCHROMED CARVED WOOD BLACKAMOOR TORCHERES EARLY 20TH CENTURY wired for electricity (2) figures 155cm high; 212cm high overall Provenance: Previously Property of Sir Billy Butlin Purchased Lyon & Turnbull, 27 February, 2017, lot 486

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

158

453 PORTUGUESE PARCEL-GILT MAHOGANY MIRROR MID 18TH CENTURY with a bevelled plate 86cm high, 56cm wide

£400-600

454 Y PORTUGUESE ROCOCO ROSEWOOD CORNER SERVING TABLE 18TH CENTURY 138cm wide, 86cm high, 92cm deep

£600-800

455 DUTCH WALNUT AND MARQUETRY SMALL CORNER CABINET EARLY 19TH CENTURY 74cm wide, 181cm high, 53cm deep

£700-1,000

456 RENAISSANCE REVIVAL MAHOGANY JARDINIERE STAND LATE 19TH CENTURY 36cm diameter, 100cm high

£300-500

159

457 ITALIAN METAL AND GLASS PENDANT HALL LANTERN LATE 19TH CENTURY 103cm drop; 50cm diameter Provenance: The collection of Gordon Watson

£600-800

458 CONTINENTAL WROUGHT IRON, PARCELGILT AND PAINTED METAL EIGHT LIGHT CHANDELIER EARLY 19TH CENTURY, PROBABLY AUSTRIAN centred by a full model of a Lipizzaner horse 84cm drop, 83cm wide Provenance: The collection of Gordon Watson

£2,000-3,000

459 PAIR OF CONTINENTAL BAROQUE STYLE GILT METAL WALL MIRRORS 19TH CENTURY with bevelled plates (2) 79cm high, 41.5cm wide

£800-1,200

460 NORTH ITALIAN WALNUT AND BROWN LEATHER WING ARMCHAIR MID 18TH CENTURY with open arms and a reclining mechanism 78cm wide, 146cm high, 53cm deep Provenance: The collection of Gordon Watson

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

461

462

BRUSSELS TAPESTRY MARRIAGE PANEL

GERMAN BAND SAMPLER

18TH CENTURY

worked in multi-coloured silks on linen, in a modern frame

with inscription V. PLITTERBWICK and D. V. BROCKHUS with corresponding family crests 74cm high, 84cm wide

£400-600

DATED 1774

136cm high x 24cm wide [excluding frame] Provenance: Collection of Emma Henrietta Schiff Von Suvero, Staatliche Kunstgewerbe Museum, Vienna, Austria 1939 - 2003

£500-700

463 SUITE OF FRENCH PROVINCIAL GREY PAINTED SEAT FURNITURE PROVENCE, LATE 18TH CENTURY to include a two-seat radassier and a pair of armchairs, with rush seats (3) Radassier 120cm wide, 95cm high, 50cm deep; chairs 58cm wide, 89cm high, 50cm deep Provenance: The collection of Gordon Watson

£800-1,200

464 SOUTH GERMAN GREEN PAINTED AND POLYCHROMED MARRIAGE CUPBOARD DATED 1817 151cm wide, 200cm high, 58cm deep Provenance: The collection of Gordon Watson

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

161

465 SILVERED CARVED WOOD AND GESSO ARCHITRAVE EARLY 19TH CENTURY the frieze carved in deep relief with putti and flowers 183cm wide, 36cm high

£400-600

466 DUTCH WALNUT AND PINE RENT TABLE 18TH CENTURY with a sliding top and deep drawer 126cm wide, 76cm high, 112cm deep Provenance: The collection of Gordon Watson

£400-600

467 LARGE CONTINENTAL POLYCHROMED AND PARCEL-GILT COAT-OF-ARMS 19TH CENTURY on wood panel 200cm high, 120cm wide Provenance: The collection of Gordon Watson

£600-800

468 DUTCH OAK DISPLAY CABINET 18TH CENTURY the central mouldings carved with the initials ADAMN 158cm wide, 196cm high, 41cm deep Provenance: The collection of Gordon Watson

£800-1,200

162

469 BAROQUE STYLE GILT BRASS MARGIN PLATE MIRROR 20TH CENTURY, WITH SOME EARLIER PARTS the rectangular bevelled mirror plate enclosed by margin plates in an embossed brass frame with applied neoclassical mouldings 125cm high, 90cm wide

£400-600

470 FRENCH LOUIS XV STYLE BRÈCHE VIOLETTE MARBLE TOPPED KINGWOOD PARCEL GILT COMMODE, H. LEMOINE, PARIS 19TH CENTURY stamped on the underside 66cm wide, 80cm high, 38cm deep

£1,000-1,500

471 ROCOCO REVIVAL GILTWOOD WINDOW SEAT 19TH CENTURY 123cm wide, 75cm high, 46cm deep

£300-500

472 FRENCH KINGWOOD, MARQUETRY, AND GILT METAL MOUNTED ENCOIGNURE 20TH CENTURY 76cm wide, 110cm high, 49cm deep

£500-700

163

473 PAIR OF BRONZE TAZZA AND SIENA MARBLE LAMPS 19TH CENTURY previously garniture pieces, now mounted as lamps, with yellow silk shades (2) 28cm high (excluding fittings)

£1,500-2,500

474 FRENCH LOUIS XV STYLE GILTWOOD FAUTEUIL DE BUREAU 19TH CENTURY 71cm wide, 91cm high, 60cm deep

£300-500

475 FRENCH KINGWOOD AND GILT BRONZE MOUNTED JARDINIERE, IN THE MANNER OF FRANCOIS LINKE 19TH CENTURY 66cm wide, 75cm high, 66cm deep

£1,500-2,500

476 Y FRENCH ROSEWOOD, KINGWOOD, PARQUETRY, AND GILT METAL MOUNTED BUREAU PLAT LATE 19TH CENTURY with a frieze drawer 130cm wide, 75cm high, 71cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

164

477 PAIR OF FRENCH PATINATED AND GILT BRONZE CHENETS 19TH CENTURY with standing figures of putti (2) 39cm high, 25cm wide

£400-600

478 FRENCH ROCOCO STYLE GILT METAL CARTEL CLOCK 19TH CENTURY 65cm high, 29cm wide

£300-500

479 GILT BRONZE FIGURE OF A PUTTO SYMBOLISING AUTUMN, MOUNTED AS A LAMP SIGNED BOYER, LATE 19TH CENTURY on a marble base, with a cream shade 58cm high (excluding fittings)

£400-600

480 PAIR OF FRENCH ONYX AND GILT METAL PEDESTALS LATE 19TH CENTURY together with another ONYX AND GILT METAL PEDESTAL, 116cm high, 26cm wide; and a GREEN ONYX AND GILT METAL SQUARE PEDESTAL, 110cm high, 30cm wide (4) 112cm high, top 20cm x 20cm

£300-500

165

481 FRENCH GILT BRONZE AND CHAMPLEVÉ ENAMEL FOUR GLASS MANTEL CLOCK 19TH CENTURY the eight-day movement striking on a gong, the back stamped A. I. 1397 48, with a mercury pendulum 17cm wide, 33cm high, 15.5cm deep

£500-700

482 PAIR OF FRENCH OPALINE GLASS BRASS MOUNTED COLUMN LAMPS 19TH CENTURY

483

fitted for electricity, with unmatched shades (2) 75cm high to the top of the fittings

FRENCH BRASS AND ROUGE MARBLE COLUMN LAMP

£300-500

LATE 19TH CENTURY with a pleated cream shade 63cm high

£300-500

484 FRENCH GILT METAL ROCOCO REVIVAL MANTEL CLOCK, RAINGO FRERES, PARIS 19TH CENTURY stamped on the movement 33cm high, 21cm wide

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

166

485 FINE ITALIAN STATUARY MARBLE FIGURE OF BACCHUS AS A BOY 19TH CENTURY on a simulatetd rouge marble pedestal figure 105cm high; pedestal 83cm high

£8,000-12,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

168

486 Y FRENCH TORTOISESHELL AND GILT METAL MOUNTED BRACKET CLOCK, RETAILED BY HAMILTON & INCHES LATE 19TH CENTURY

487

the eight day movement striking a gong, stamped to back 32027 311, MEDAILLE D’ARGENT L. MARTI ET CIE

FRENCH VERNIS MARTIN STYLE VITRINE CABINET

31cm high (without stand)

MODERN

£400-600

with serpentine glazed door and side panels 79cm wide, 162cm high, 51cm deep

£600-800

488 PAIR OF FRENCH BEECH FRAMED BERGERES LATE 19TH CENTURY upholstered in pale cream fabric (2) 71cm wide, 88cm high, 52cm deep

£500-700

169

489 PAIR OF SÈVRES STYLE FLOWER PAINTED AND GILT VASES WITH COVERS 19TH CENTURY with blue painted Sèvres style marks (2) 34.5cm high

£300-500

490 PAIR OF FRENCH PATINATED AND GILT METAL MODERATEUR LAMPS 19TH CENTURY converted from paraffin lamps, with white pleated shades (2) 39.5cm high (excluding fittings)

£800-1,200

491 PAIR OF BOHEMIAN BLUE OVERLAY AND CUT GLASS ORMOLU MOUNTED LAMPS 20TH CENTURY with cream pleated shades (2) 60cm high (excluding fittings)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

170

492 FRENCH KINGWOOD AND AMBOYNA BONHEUR DU JOUR LATE 19TH CENTURY 71cm wide, 134cm high, 47cm deep

£800-1,200

493 FRENCH KINGWOOD, AMARANTH, EBONISED AND MARQUETRY BONHEUR DU JOUR LATE 19TH CENTURY with flowering urn marquetry and gilt metal mounts 75cm wide, 147cm high, 49cm deep

£1,000-1,500

494 CONTINENTAL KINGWOOD, AMARANTH, AND MARQUETRY TABLE 19TH CENTURY with bird and flower marquetry panels and gilt metal mounts 103cm wide, 73cm high, 63cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

171

495 CONTINENTAL GILTWOOD MARGIN PLATE MIRROR LATE 19TH CENTURY 120cm x 74cm

£400-600

496 Y FRENCH KINGWOOD, ROSEWOOD, MARQUETRY, MARBLE TOPPED AND GILT METAL MOUNTED CENTRE TABLE 19TH CENTURY 96.5cm wide, 75cm high, 63.5cm deep

£600-800

497 PAIR OF FRENCH BEECH FRAMED BERGERES EARLY 20TH CENTURY in cream silk damask (2) 77cm wide, 96cm high, 58cm wide

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172

498 FRENCH LARGE GILTWOOD AND GESSO OVERMANTEL MIRROR 19TH CENTURY with floral garlands and laurel cresting 213cm high, 120cm wide

£800-1,200

499 CONTINENTAL NEOCLASSICAL STYLE MARBLE TOPPED WALNUT COMMODE 20TH CENTURY 128cm wide, 95cm high, 46cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

500 FRENCH SILVERED METAL AND CUT GLASS TWELVE LIGHT TWO-TIER CHANDELIER 20TH CENTURY 68cm drop, 60cm diameter

£400-600

501 FRENCH KINGWOOD PETITE BIBLIOTHEQUE 19TH CENTURY the lower cabinet doors with leather book spine covers 58cm wide, 107cm high, 38cm deep

£1,500-2,000

502 FRENCH EMPIRE STYLE MAHOGANY AND PARCEL GILT THREE PIECE SUITE CIRCA 1900 comprising a settee and a pair of armchairs (3) Chairs 63cm wide, 91cm high, 46cm deep; settee 130cm wide, 98cm high, 51cm deep

£1,000-1,500

174

503 Y

504

PAIR OF FRENCH RELIEF CARVED IVORY PORTRAIT PLAQUES, DIEPPE

PAIR OF FRENCH PATINATED AND GILT BRONZE FIGURAL CANDELABRA

19TH CENTURY

19TH CENTURY

depicting Marie de Medici and Henry IV, on black velvet, framed (2) 9cm high, 7cm wide

with putti holding lily-form candle branches, on a marble bases (2)

£400-600

50cm high

£300-500

505 CONTINENTAL BRONZE FIGURE OF A LANDSKNECHT DRUMMER 19TH CENTURY on an oval black marble and gilt metal stand 40cm high overall

£300-400

506 LARGE FRENCH BRONZE FIGURE GROUP, ORPHEUS AND EURYDICE LATE 19TH CENTURY medium brown patina, signed HUZEL [?], on a rouge marble base 88.5cm high

£1,000-1,500

507 ENRICO MALVANI (ITALIAN 1864-1934) BUGLER WITH TWO HORSES bronze, dark brown patina, signed in the bronze and inscribed ‘A. Menzio & C/ Frisero - Torino’ 49cm high, 53cm wide (including base) Note: A military careerist who reached the rank of General, Enrico Malvani was also a writer and most notably a sculptor specialising in equestrian subjects. In 1904 he exhibited at the Italian Exhibition at Earl’s Court in London; 1906 the National Exhibition of Fine Arts, Milan; and in 1931 the Colonial Exhibition in Paris. The same year he was awarded the Colonial Order of the Star of Italy.

£2,000-3,000

175

508 FRENCH SCHOOL, PLASTER BUST OF AN AFRICAN MAN LATE 19TH/ EARLY 20TH CENTURY signed indistinctly F. W. George[?]

43cm high

£300-500

509 FRENCH BRONZE BACCHANALIAN URN LAMP BASE 19TH CENTURY mounted with two figures of maenads 62cm high

£300-500

510 FRENCH JAPONISME PATINATED AND PARCEL GILT WHITE METAL MANTEL CLOCK 19TH CENTURY the eight day movement striking a gong, stamped 29619 CH LES MT 38cm high

£250-350

511 PAIR OF NORTH ITALIAN MAHOGANY AND NEEDLEWORK SIDE CHAIRS MID 19TH CENTURY with loose cushion seats and backs (2) 52cm wide, 89cm high, 42cm deep Provenance: The collection of Gordon Watson

£1,000-1,500

176

512 FRENCH BRASS AND PORCELAIN REPEATER CARRIAGE CLOCK 19TH CENTURY the porcelain dial painted and gilt with a young lady, in a corniche case, the movement with gong strike and push button repeat 19cm high (handle up)

£300-400

513 FRENCH PIERCED BRASS REPEATER CARRIAGE CLOCK LATE 19TH CENTURY the painted enamel Arabic numeral dial with retailer’s inscription J. Aitchison, Paris; in a column case with pierced foliate mask, gong strike and push button repeat, stamped E. M. & CO. and 4308 16cm high (handle up)

£600-800 512

513

514 FRENCH BRASS AND ENAMEL REPEATER CARRIAGE CLOCK LATE 19TH CENTURY the Roman numeral enamel dial with retailer’s inscription HALL & CO. PARIS, in a column case, the movement stamped E. M. & CO. 609, with gong strike with push button repeat 20cm high (handle up)

£300-400

515 FRENCH CHAMPLEVÉ ENAMEL AND BRASS CARRIAGE CLOCK 19TH CENTURY Roman numeral dial in a champlevé enamel mask in a column case 15cm high (handle up)

£300-400

516 FRENCH BRASS REPEATER CARRIAGE CLOCK LATE 19TH CENTURY 514

515

the Arabic number dial with retailer’s inscription I AITCHISON TO THE QUEEN, EDINBURGH, in a beaded corniche case, the movement with gong strike and push button repeat 19cm high (handle up)

£250-350

517 TWO FRENCH BRASS REPEATER CARRIAGE CLOCKS LATE 19TH CENTURY both with white Roman numeral enamel dials in corniche cases, one signed Hry Marc Paris, the movement stamped 1416, both with gong strike and push button repeat (2) 18cm and 18.5cm high (handles up)

£400-600

517 516 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

177

518 FRENCH BRASS AND SILVERED REPEATER CARRIAGE CLOCK LATE 19TH CENTURY the ivory enamel dial with Arabic numerals and a pierced filigree mask, inscribed R & W Sorley, in a corniche case with laurel banding, the movement with gong strike and push button repeat 17cm (handle up)

£400-600

519 FRENCH BRASS REPEATER CARRIAGE CLOCK 19TH CENTURY the white enamel Roman numeral dial inscribed MADE IN FRANCE FOR A. & G. CAIRNCROSS PERTH, in a reeded corniche case, the movement with a gong strike and push button repeat 18.5cm high (handle up)

518

£300-400 519

520 FRENCH BRASS REPEATER ALARM CARRIAGE CLOCK LATE 19TH CENTURY the Arabic numeral dial and subsidiary alarm dial in a matt gilt mask and column case, the movement with gong strike and push button repeat 20cm high (handle up)

£400-600

521 FRENCH CHAMPLEVÉ ENAMEL AND BRASS REPEATER CARRIAGE CLOCK LATE 19TH CENTURY the white enamel Arabic numeral dial in a matt gilt mask and corniche case, the movement stamped R & C, with gong strike and push button repeat 20cm high (handle up)

£400-600 520

522 TWO FRENCH BRASS CARRIAGE CLOCKS LATE 19TH CENTURY

521

both with Arabic numeral dials, one with a silvered engine- turned mask in a gorge case, the movement striking a gong; the other with a matt gilt mask in a pierced fretwork and banded column case, the movement striking a gong (2) 17.5 and 19.5cm high (handles raised)

£500-700

523 FRENCH REPEATER CARRIAGE CLOCK WITH ALARM AND CALENDAR LATE 19TH CENTURY

522

the white Roman numeral enamel dial inscribed GROHE, 7 WIGMORE ST LONDON, with subsidiary alarm and calendar dials, in an engraved gilt mask and gorge case, the movement striking a bell with push button repeat 17cm high (handle up)

£1,000-1,500

523

178

524 LOUIS VUITTON MONOGRAM WARDROBE TRUNK EARLY 20TH CENTURY with original fitted interior and stamped hardware 113cm wide, 55cm high, 55cm

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

179

525 GERMAN ‘LUSTERWEIBCHEN’ ANTLER CHANDELIER 19TH CENTURY with a carved figure of a mermaid, previously fitted for gas 127cm high, 89cm wide

£700-1,000

526 ATTRIBUTED TO EDWIN OPPLER (1831-1880) OAK ARMCHAIR, CIRCA 1860 with later upholstered back, seat and arm pads, with a pierced and carved crest centred by the initial ‘G’, inscribed with the mottos ‘ERNST IST DAS LEBEN’ and ‘HIETER DIE KUNST’ 58.5cm wide, 98cm high, 56cm deep Note: The letter ‘G’ in the shield on the chair’s top rail may indicate its provenance. Georg V was the son of Ernst August I. In 1857 he commissioned Conrad Wilhelm Hase to build the gothic Schloss Marienburg, near Hildesheim, as a gift for his wife Queen Marie. In 1864, Hase was succeeded by his pupil Edwin Oppler. Oppler also designed ‘modern gothic’ chairs for Marienburg and these show the influence of Georg Gottlob Ungewitter. The projecting leaf carving on the present lot can be compared to that on a bookcase for Marienburg, and an unpublished desk chair, photographed at Schloss Marienburg, has features in common with the present example. The quotation ‘Ernst ist das Leben / Heiter die Kunst’ (life is serious, art is cheerful) is from Friedrich Schiller (1759– 1805), Wallenstein, 1800.

Provenance: Possibly Georg V (1819–78)

£600-800

527 BLACK FOREST CARVED BEAR BENCH LATE 19TH CENTURY the bears with glass eyes 163cm wide, 86cm high, 35cm deep

£3,000-5,000

180

528 MEISSEN BLUE AND WHITE ‘ONION’ PATTERN RETICULATED DESSERT SERVICE LATE 19TH CENTURY AND LATER comprising two tall comports, 22cm high; one smaller comport, 16cm high; two twin handled baskets with branch moulded handles and feet, incised A55, 26cm wide, three round baskets, 22cm diam, twenty four round plates, 23.5cm diam, 21 smaller round plates, 20cm diam; together with SEVENTEEN MEISSEN QUATREFOIL COFFEE CUPS AND THIRTEEN SAUCERS, 13.7cm wide; underglaze blue crossed swords marks and various other markings (qty) £2,000-3,000

529 EXTENSIVE BLUE AND WHITE MEISSEN ‘ONION’ PATTERN DINNER SERVICE 19TH AND 20TH CENTURY underglaze blue crossed swords, various impressed and painted numerals, comprising: 1 small cream jug, 17 larger teacups, 22 smaller teacups, 12 large saucers, 16cm diam (one 17cm diam), 15 smaller saucers, slight size variation, 13cm - 15cm diam, 71 dinner plates, approx 24cm diam, 17 breakfast plates 22.5cm diam, 15 large side plates, 19cm diam (one is Meissen style with no gilding on rim), 23 smaller side plates, 15cm diam, 26 bowls, 23cm diam (two do not have gilding to the rim but are Meissen), 24 crescent shaped plates, 21cm wide, 2 large bowls of square form with an undulating rim, 26cm wide, 4 large round serving dishes, 2 are 24cm diam, 2 are 31cm diam, 4 shallow oval serving bowls, 2 are 30cm wide, 2 are 22cm wide, 4 oval serving plates, 2 are 28cm wide, 2 are 33.5cm wide, 1 small round shallow tureen and cover, 22cm diam, 2 footed tureens and covers, 33cm wide, 6 twin handled tureens with covers, 25cm wide, 6 twin handled sauce boats on intergrated stands, 25.5cm wide, 1 large twin handled soup tureen and cover, 35cm wide, the twin handled stand 50cm wide, 5 large oval graduated serving platters, 40cm -53cm wide, with an associated Meissen style sqaure bowl and dish, ‘Blue Meissen’ pattern, L S & S, England (qty) £3,000-4,000

181

530 PAIR OF MEISSEN TWIN HANDLED ‘ONION’ PATTERN OIL LAMPS EARLY 20TH CENTURY bases with blue crossed swords, incised K12?, the base of the gilt metal footrim impressed HINKS & SON LIM (2) 40cm high overall

£300-500

531 TWO PAIRS OF MEISSEN FIGURAL SWEET MEAT BASKETS IN THE ‘ONION’ PATTERN LATE 19TH CENTURY underglaze blue crossed swords marks, one mark cancelled, incised 2858 and 2863 (4) 28-29cm wide, 20cm high

£300-500

532 MEISSEN FIGURAL CENTREPIECE WITH PIERCED BASKET IN ‘ONION’ PATTERN LATE 19TH CENTURY blue crossed swords mark, incised 2772 49cm high, 34.5cm wide

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

182

533 PAIR OF HÖCHST STYLE FAIENCE VASES WITH COVERS 19TH CENTURY gold painted wheel and orb mark, (2) 28cm high

£500-700

534 PAIR OF MEISSEN FIGURAL PIERCED BASKET CENTREPIECES 19TH CENTURY underglaze blue crossed swords mark with incised line, gilt painted 2, incised D196 (2) 33cm high

£400-600

535 GROUP OF GERMAN PORCELAIN FIGURE GROUPS LATE 19TH CENTURY to include three Dresden Meissen style figure groups; together with a MEISSEN FOLIATE ENCRUSTED EASEL MIRROR (4) Mirror 35cm high, tallest figure 29cm high, smallest figure 22.3cm high

£300-500

536 GROUP OF MEISSEN FLORAL PAINTED AND FOLIATE ENCRUSTED PORCELAIN 19TH CENTURY comprising two bottle vases with covers, and a pair of cups and saucers, underglaze blue crossed swords and numerals (6) £250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ASIAN FURNITURE & WORKS OF ART

184

537 SAMSON FAMILLE ROSE STYLE PUNCH BOWL 19TH CENTURY with gilt highlights 40cm diameter

£400-600

538 PAIR OF CHINESE ARCHAIC STYLE PATINATED METAL VASES, MOUNTED AS LAMPS 20TH CENTURY with cream shades (2) 35cm high (excluding fittings)

£400-600

539 Y CANTON IVORY BRISÉ FAN LATE 18TH CENTURY carved with the initials EM, mounted in a cased frame Cover stick 26cm long; 37cm x 48cm frame size Note: A note on the back of the frame reads: ‘This fan was brought back from India by William Taylor Money as a present for his wife Eugenia Kyrle Money. He had it made with her initials on it, date about 1790. Now the property of her great, great grand daughter Enid Money Campbell. [? To be given to Susan Ryder Enid Money]’ Sir William Taylor Money (1769 – April 1834) was an English naval captain in the East Indian Company, superintendent of the Bombay Marine and MP in the British Parliament. A portrait of him and his two brothers hangs in the National Maritime Museum, Greenwich. It is entitled ‘The Money Brothers: William Taylor, 1769-1834, James, 1772-1833, and Robert, 1775-1803, by John Francis Rigaud.

£500-700

540 CHINESE ELM AND HONGMU CABINET 19TH CENTURY the interior with shelves and drawers 86cm wide, 161cm high, 45cm deep

£300-500

541 PAIR OF CHINESE CELADON INCISED VASES MOUNTED AS LAMPS MODERN on hardwood stands, with cream plated shades (2) 38.5cm high (excluding fittings)

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

185

542 PAIR OF LARGE CHINESE BLUE AND WHITE VASES, MOUNTED AS LAMPS LATE 19TH / EARLY 20TH CENTURY decorated with dragons , on carved wood stands, one with a cream shade (2) 55cm high (excluding fittings)

£400-600

543 Y JAPANESE CARVED SOFTWOOD, EBONISED, GILT, AND IVORY MOUNTED DISPLAY CABINET EARLY 20TH CENTURY 138cm wide, 202cm high, 39cm deep

£600-800

544 PAIR OF JAPANESE LARGE TWIN HANDLED BRONZE VASES 19TH CENTURY with reserved relief panels depiciting songbirds, seal marks to base (2) 64.5cm high

£400-600

186

545 ANGLO-INDIAN SPECIMEN WOOD AND EBONISED TRIPOD TABLE 19TH CENTURY 43cm wide, 77cm high, 39cm deep

£800-1,200

546 INDO-DUTCH COLONIAL CARVED AND EBONISED FOUR POSTER BED 19TH CENTURY, PROBABLY CEYLON 183cm wide, 220cm high, 213cm long Provenance: The collection of Gordon Watson

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

187

547 ANGLO-INDIAN SPECIMEN MARBLE AND PADOUK PEDESTAL TABLE 19TH CENTURY the octagonal top with various hardstones, on a lotus-carved support and triform base 71cm diameter, 75cm high

£4,000-6,000

548 INDIAN TEAK, BONE, AND EBONY INLAID CANED PLANTER’S CHAIR EARLY 20TH CENTURY, PROBABLY HOSHIARPUR together with another TEAK CANED PLANTER’S CHAIR (2) 72cm wide, 84cm high, 128cm deep

£500-700

188

549 INDIAN URULI BRONZE BOWL AND STAND 19TH CENTURY the associated teak stand with carved and scrolled legs Bowl 55cm diameter

£400-600

550 INDIAN PIERCED BRASS AND GLASS HANGING LANTERN LATE 19TH CENTURY with hanging chains 123cm drop, 50cm diameter Provenance: Ex Mamhead House , Mamhead, Devon

£300-500

551 ANGLO-COLONIAL PADOUK BRASS MOUNTED CENTRE TABLE EARLY 19TH CENTURY the pierced central panel with stylised birds and scroll motifs 99cm diameter, 74cm high

£600-800

552 INDIAN SILK AND GOLD METALLIC EMBROIDERED LONG PANEL 19TH CENTURY depicting a tiger hunt on a black ground, framed 36cm high, 258cm long

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189

RUGS & CARPETS

553 SUSANI UZBEKISTAN, 19TH CENTURY the cream field in three joined sections woven with allover palmette pattern 210cm x 108cm

£800-1,200

554 QUM PART SILK CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the cream field with allover boteh pattern, within cream foliate border 296cm x 200cm

£1,500-2,500

190

555 CAUCASIAN SOUMAC CARPET LATE 19TH CENTURY the abrash red field with three indigo and green lozenge medallions, within polychrome star border 310cm x 220cm Provenance: A Northumberland Country House

£500-700

556 KUBA CARPET EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the abrash indigo field with allover polychrome lozenge pattern, within ivory hooked diagonal border 276cm x 164cm

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

191

557 LARGE BAKHTIARI CARPET WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the indigo field with allover boteh pattern, within rust brown turtle palmette and vine border 716cm x 354cm

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

192

558 CAUCASIAN SOUMAC CARPET LATE 19TH CENTURY the abrash salmon pink field with three indigo lozenge medallions, within brown geometric border 293cm x 196cm Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£400-600

559 KIRMAN CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the raspberry field with light blue medallion, within shaped light and dark blue foliate borders 415cm x 303cm

£400-600

560 QASHQAI RUG SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY the ivory field with allover boteh pattern, within rust brown stylised vine border 194cm x 140cm

£300-500

561 SAROUK CARPET WEST PERSIA, LATE 20TH CENTURY the indigo field with allover herati pattern, within red stylised foliate border 350cm x 225cm

£400-600

193

562 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the rust brown field with allover boteh and lozenge lattice pattern, within indigo turtle palmette and vine border 305cm x 216cm

£500-700

563 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with large indigo and red medallion, ivory and red spandrels, within indigo turtle palmette and vine border 396cm x 301cm

£500-700

564 ISFAHAN CARPET CENTRAL PERSIA, 20TH CENTURY the red field with indigo medallion, line spandrels, within blue palmette and vine border 380cm x 235cm

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194

565 CAUCASIAN SOUMAC CARPET LATE 19TH CENTURY the abrash brick red field with three indigo lozenge medallions, within brown S and geometric shape border 246cm x 202cm Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£300-500

566 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream field with light grey medallion, similar spandrels, within light grey palmette and arabesque vine border 355cm x 240cm

£400-600

567 CAUCASIAN SOUMAC CARPET LATE 19TH CENTURY the abrash pink and beige field with two large indigo lozenge medallions, within narrow wave scroll band border 286cm x 222cm Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

195

568 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the light grey field with allover palmette and scrolling vine pattern, within grey palmette and arabesque vine border 400cm x 300cm

£500-700

569 HEREKE CARPET NORTHWEST ANATOLIA, LATE 20TH CENTURY the indigo field with allover blue and olive cartouche lattice pattern, within indigo cartouche border 290cm x 200cm

£1,200-1,800

570 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the field with central pictorial medallion with animals and birds, surrounded by mihrab rectangles and similar animal scenes to corners, within indigo animal cartouche border 473cm x 362cm

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

196

571 KASHAN RUG CENTRAL PERSIA, EARLY/MID 20TH CENTURY the burgundy field with cream medallion, similar spandrels, within red cartouche border 221cm x 144cm

£400-600

572 KIRMAN CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the raspberry field with blue star medallion, indigo spandrels, within red palmette, rosette and vine border 438cm x 350cm

£1,200-1,800

573 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with indigo medallion, blue spandrels, within red arabesque vine border, signature to one end 431cm x 280cm

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

197

574 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the cream field with allover floral pattern, within red floral border 285cm x 193cm

£1,000-1,500

575 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with indigo and ivory medallion, ivory and red spandrels, within indigo rosette and vine border 392cm x 297cm

£800-1,200

576 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the field with allover foliate rectangular lattice pattern, within red cartouche and foliate border 370cm x 300cm

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

198

577 ISFAHAN PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with floral trees pattern, dark brown spandrels, within indigo cartouche border 207cm x 131cm

£1,000-1,500

578 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover palmette, rosette and script cartouche pattern, within cream palmette, script and vine border, signed 350cm x 262cm

£2,000-3,000

579 WEST ANATOLIAN CARPET MID 20TH CENTURY the brown field with elongated cream floral medallion, within light brown floral shaped border 340cm x 244cm

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

199

580 GHIORDES CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with light blue medallion, green spandrels, within light blue stylised vine border 287cm x 160cm

£800-1,200

581 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the rust brown field with indigo and red star medallion, ivory red and green spandrels, within indigo turtle palmette and vine border 370cm x 262cm

£1,200-1,800

582 KIRMAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the plain cream field with elongated olive medallion, within similar shaped olive border 372cm x 262cm

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

200

583 SARAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with allover cartouche and foliate lattice pattern, within narrow ivory stylised vine border 560cm x 110cm Provenance: A Northumberland Country House

£600-800

584 SARAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brown field with allover boteh pattern, within plain camel border 466cm x 109cm Provenance: A Northumberland Country House

£500-700

585 SARAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with three red lozenge medallions, within red and brown hooked border 352cm x 117cm Provenance: A Northumberland Country House

£400-600

201

586 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with six stepped polychrome medallions, within indigo stylised vine border 454cm x 120cm

£800-1,200

587 MALAYER PART SILK RUNNER WEST PERSIA, LATE 20TH CENTURY the red field with five indigo and ivory stepped medallions, unpiled panels between, within ivory rosette border 320cm x 106cm

£400-600

588 MALAYER RUNNER WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red and abrash indigo field with three and a half blue lozenge medallions, within cream and indigo stylised foliate border 306cm x 112cm

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

202

589 USHAK CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the olive green field with light blue and pink medallion, similar spandrels, within ochre palmette and vine border 480cm x 382cm Provenance: A Northumberland Country House

£1,000-1,500

590 LARGE USHAK CARPET WEST ANATOLIA, EARLY 20TH CENTURY the plain camel field with light blue lozenge medallion, cream spandrels, within light blue geometric vine border 610cm x 404cm Provenance: A Northumberland Country House

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

203

591 BAKHTIARI CARPET WEST PERSIA, EARLY 20TH CENTURY the dark indigo field with four elongated blue and yellow medallions, red spandrels, within ivory rosette and vine border 532cm x 327cm

£4,000-6,000

204

592 CAUCASIAN SOUMAC CARPET LATE 19TH CENTURY the rust red field with four indigo and turquoise star medallions, within polychrome star border 290cm x 205cm Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£700-1,000

593 TWO CAUCASIAN SOUMAC CARPETS LATE 19TH CENTURY each with rust brown field with three indigo lozenge medallions, within narrow borders (2) 207cm x 160cm; and 205cm x 159cm Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

205

594 KIRMAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with cusped indigo medallion and shaped palmette lattice pattern, within narrow red palmette and vine border 446cm x 344cm

£1,000-1,500

595 SAROUK CARPET WEST PERSIA, EARLY 20TH CENTURY the salmon pink field with allover palmette and vine pattern, within cream palmette and vine border 302cm x 202cm

£1,000-1,500

596 KIRMAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with cream and brown medallion, cream spandrels, within cream palmette and vine border 536cm x 356cm

£1,500-2,500

206

597 QASHQAI CARPET SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY the blue field with three red and yellow hooked lozenge medallions, red spandrels, within ivory palmette and vine border 300cm x 160cm

£1,000-1,500

598 SULTANABAD CARPET WEST PERSIA, LATE 19TH CENTURY the indigo field with allover stylised foliate ‘Mustafavi’ pattern, within red turtle palmette and vine border 351cm x 293cm

£800-1,200

599 PERSIAN STYLE SILK RUG LATE 20TH CENTURY the rust red field with black medallion, black and light brown spandrels, within black palmette and vine border 244cm x 154cm

£400-600

207

600 MAHAL CARPET WEST PERSIA, 20TH CENTURY the red field with allover palmette and foliate lattice pattern, within indigo palmette and foliate border 335cm x 222cm

£600-800

601 VARAMIN CARPET CENTRAL PERSIA, 20TH CENTURY the light indigo field with allover mini khani pattern, within red turtle palmette and vine border

602 SAROUK MAHAL CARPET

330cm x 213cm

WEST PERSIA, 20TH CENTURY

£1,200-1,800

the red field with allover brown and ivory rosette and boteh pattern, within ivory rosette and foliate border 390cm x 293cm

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

208

603 HERIZ RUNNER NORTHWEST PERSIA, 20TH CENTURY the brick red field with five polychrome rosette medallions, within narrow indigo rosette and stylised vine border 437cm x 117cm

£400-600

604 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the abrash red field with allover star lattice pattern, boteh end sections, within narrow red foliate vine border 382cm x 90cm

£300-500

605 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the black field with allover herati pattern, within red palmette and vine border 371cm x 128cm Provenance: A Northumberland Country House

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

209

606 KHOTAN CARPET EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the red field with vases and other objects, within olive green object and floral border 264cm x 170cm

£400-600

607 KHOTAN RUG EAST TURKESTAN, LATE 19TH/EARLY 20TH CENTURY the pale red field with jars and other objects, within green stylised foliate border 214cm x 126cm

£300-500

608 ALPUJARRA CARPET SOUTH SPAIN, LATE 18TH/EARLY 19TH CENTURY with loop pile in two joined sections, the indigo field with red lozenge medallion flanked by four lions, within green stylised foliate border 220cm x 176cm Provenance: The collection of Gordon Watson

£1,000-1,500

210

609 MESHED CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with multiple indigo medallions, within indigo palmette and vine border 570cm x 400cm

£1,200-1,800

610 HERIZ CARPET NORTHWEST PERSIA, 20TH CENTURY the red field with indigo medallion, ivory and red spandrels, within indigo turtle palmette and vine border 284cm x 289cm

£800-1,200

211

611 HEREKE SILK CARPET WEST ANATOLIA, MID/LATE 20TH CENTURY the blue field with central cream, red and light blue circular medallion, similar spandrels, within cream palmette and vine border between bands, inscription to one end 275cm x 195cm

£3,000-5,000

612 KIRMAN CARPET CENTRAL PERSIA, LATE 19TH/ EARLY 20TH CENTURY the red field with indigo medallion, blue, ivory and pink spandrels, within indigo palmette and foliate border 510cm x 353cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

212

613 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette and vine pattern, within cream palmette and floral lattice border 426cm x 340cm

£2,000-3,000

614 PERSIAN STYLE SILK CARPET MODERN the cream field with small puce medallion, olive spandrels, within salmon orange palmette and vine border 350cm x 246cm

£700-1,000

615 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with burgundy cusped medallion, similar spandrels, within indigo rosette and vine border 343cm x 266cm

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

213

616 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and ivory medallion, ivory and red spandrels, within indigo rosette, turtle palmette and vine border 440cm x 338cm

£3,000-5,000

617 LARGE AUBUSSON STYLE CARPET 20TH CENTURY

618

the pale blue field with allover floral geometric lattice pattern, within black rooster and other motifs border

BIDJAR CARPET

689cm x 386cm

the beige field with allover blue cusped motif and floral pattern, within beige floral vase and vine border

£1,500-2,500

NORTHWEST PERSIA, EARLY 20TH CENTURY

330cm x 240cm

£800-1,200

214

619 KAZAK LORI PAMBAK RUG SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with stepped indigo medallion flanked by two ivory octagonal medallions, within blue serrated leaf and wine glass border 226cm x 158cm Provenance: A Northumberland Country House

£500-700

620 KAZAK FACHRALO RUG SOUTH CAUCASUS, EARLY 20TH CENTURY the ivory field with two red geometric medallions, within red hooked border; and a SMALL LESGHI RUG, the red and blue fields with three star medallions, within ivory harshang border (2) 235cm x 182cm; and 135cm x 100cm Provenance: A Northumberland Country House

£300-500

621 GROUP OF SIX BAGFACES SHAHSAVAN AND OTHERS, LATE 19TH CENTURY including a pair of flatweaves made into cushions, with red cruciform medallions; two other flatweaves; and two piled examples (6) largest 58cm x 53cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

215

622 HEREKE SILK AND PART METAL THREAD PRAYER MAT WEST ANATOLIA, MID 20TH CENTURY the cream mihrab with scrolling vine pattern, metal thread inscription scroll, burgundy spandrels, within burgundy palmette and scrolling vine border, with inscription cartouches, between cream bands, signed to one end 85cm x 60cm

£500-700

623 HEREKE CARPET NORTHWEST ANATOLIA, LATE 20TH CENTURY the rust brown field with allover palmette and foliate vine pattern, within indigo palmette and foliate vine border

624 CAUCASIAN SOUMAC CARPET LATE 19TH CENTURY

283cm x 196cm

the abrash rust brown field with three indigo lozenge medallions, within narrow brown geometric border

£700-1,000

341cm x 221cm Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£400-600

216

GARDEN

625 GEORGIAN PAINTED WOOD, LEAD, AND BRASS WALL SUNDIAL FACE 18TH CENTURY 127cm high, 92cm wide

£400-600

626 BRONZE SUNDIAL AND ASSOCIATED FIRECLAY PEDESTAL LATE 19TH CENTURY AND LATER 120cm high overall

£300-500

627 MASSIVE HAND-HEWN TREE TRUNK MORTAR AND ASSOCIATED PESTLE 18TH CENTURY the pestle with double heads (2) Mortar 69cm diameter, 49cm high; pestle 95cm long

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

217

628 COALBROOKDALE STYLE PAINTED CAST IRON ‘FERN AND BLACKBERRY’ GARDEN BENCH LATE 19TH CENTURY unmarked 151cm wide, 89cm high, 35cm deep

£500-700

629 COALBROOKDALE STYLE PAINTED CAST IRON ‘FERN AND BLACKBERRY’ BENCH ENDS AND BACK 19TH CENTURY together with a PAIR OF VICTORIAN PAINTED CAST IRON BENCH ENDS (5) Ends 77cm high, 43cm deep; 84cm high, 43cm deep

£300-500

630 MATCHED PAIR OF COALBROOKDALE STYLE ‘FERN AND BLACKBERRY’ PAINTED METAL GARDEN BENCHES ONE 19TH CENTURY, THE OTHER LATER the first cast iron and unmarked; the other in white metal with a design registration mark (2) 114cm wide, 88cm high, 34cm deep; 113cm wide, 85cm high, 31cm deep

£800-1,200

218

631 PAIR OF VICTORIAN PAINTED CAST IRON CAMPANA URNS 19TH CENTURY fluted sides on square bases (2) 52cm high, 41cm diameter

£300-500

632 PAIR OF GOTHIC REVIVAL TERRACOTTA BIRDBATHS EARLY 20TH CENTURY of hexagonal form (2) 44cm diameter, 99cm high

£300-500

633 PAIR OF LARGE SCOTTISH FIRECLAY GARDEN URNS 19TH CENTURY moulded with lilies of the valley (2) 98cm high, 82cm diameter

£1,500-2,500

634 PAIR OF COMPOSITION STONE URNS AND STANDS EARLY 20TH CENTURY cast with shell motifs and high scroll handles, on square column bases (2) 99cm high, 51cm wide

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

219

635 MATCHED PAIR OF ARRAS WROUGHT IRON GARDEN SEATS 19TH CENTURY one with paw feet (2) 65cm wide, 76cm high, 67cm deep; 64cm wide, 81cm high, 66cm deep Provenance: The collection of Gordon Watson

£1,000-1,500

636 PAINTED CAST IRON CONSERVATORY TABLE 19TH CENTURY 102cm wide, 80cm high, 52cm deep

£300-500

637 PAINTED METAL ‘NASTURTIUMS’ GARDEN BENCH 20TH CENTURY marked BRAMBLE GARDEN FURNITURE BRAINTREE ESSEX 128cm wide, 88cm high, 43cm deep

£300-500

220

638 PAIR OF LARGE ITALIAN TIN-GLAZED EARTHENWARE CARNIVAL FIGURES MID 20TH CENTURY modelled as a man and woman in fancy dress wearing masks, on fluted column bases (2) 142cm and 146cm high

£400-600

639 PAIR OF WHITE MARBLE URNS AND STANDS MODERN the leaf-carved urns on square pedestals (2) Urns 46cm diameter; 61cm high; bases 35cm wide, 70cm high

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

A U C T I O N B Y LY O N & T U R N B U L L 2 8 O C TO B E R 2 0 2 1 LIVE ONLINE T H E M A L L G A L L E R I E S , LO N D O N

ALFRED WALLIS (1855-1942) | ST IVES BAY | PENCIL & OIL

The sale of this collection will further the ambitions of the trust Wilhelmina BarnsGraham herself set up in 1987: to extend financial support for artists practising today and, through exhibitions, publications, online resources and an active gifting programme to public museums and galleries, to promote and broaden the understanding and reputation of Barns-Graham’s own work to as wide an audience as possible. www.barns-grahamtrust.org.uk

THE CONTENTS OF

LO W O O D H O U S E AU C T I O N 0 6 O C TO B E R 2 0 2 1 LIVE ONLINE | EDINBURGH

Above: The Drawing Room, Lowood House, Melrose Left:

AN ITALIAN [URBINO] ISTORIATA MAIOLICA DISH, ATTRIBUTED TO NICOLA DA URBINO FIRST QUARTER 16TH CENTURY £50,000-70,000

224

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age,Provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website

21.2

or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any

improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects

not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. F AILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism

225 financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so

made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While

we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable

by Buyers of relevant Lots. Please see D.2(e) for the conditions to be fulfilled before the VAT charged on the Hammer Price may be cancelled or refunded upon exporting from the UK. (a) Lots affixed with (†): Value Added Tax on the Hammer Price and Buyer’s Premium is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the UK and is not operating under a Margin Scheme. (b) Lots affixed with (‡): A reduced rate of Import Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the UK. (c) Lots affixed with [Ω]: Standard rate of 20% of Import Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the UK and do not fall within the reduced rate category. (d) Lots affixed with [Ω] or ‡ when these lots are released to buyers in the UK, the buyer will become the importer and must pay us Lyon & Turnbull Ltd. the import VAT at the rates noted above on the hammer price. The buyer should also note that the appropriate rate will be that in force on the date of our release and not that in force at the date of auction or payment. (e) Export from the UK: For lots

offered under the VAT Margin Scheme and lots with [Ω] or ‡ symbols attached; you may be eligible to have a VAT refund in certain circumstances if the lot is exported. Should you show us proof of export within three months of collection a VAT refund may be arranged. No VAT amounts will be refunded where the total refund is under £100. Bank/transfer charges relating to any refund will be borne by the buyer and will not be reimbursed.

Please also note that all customs formalities of the destination country are the responsibility of the buyer.

3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement

226 by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be

bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in

and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. (h) If you agree to our pack and send service (if applicable) payment of shipping fees must be made prior to us posting. Any shipping fee will be inclusive of VAT. 2. IN THE EVENT OF NON-PAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING (a) We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. (b) We offer a limited pack and send service using Royal Mail on small jewellery items. When items leave our premises and are in transit via postal service We are not responsible for any damage or loss incurred. We are also not responsible for making any claim regarding loss or damage to items. A tracking reference number will be issued which can be used to raise a claim with the relevant shipping provider.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

227 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium,Provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be

unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words

“You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

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GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. There will be no on-site payment facilities and no cash accepted as all our venues are closed to the public.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING Due to the ongoing risks associated with Covid-19, in-room bidding will not be permitted at this auction.

Registered bidders will be assigned a non-transferable bidder number.

Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. All lots will be invoiced to the name and address given during your registration.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

ON THE INTERNET - ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Inside Back Cover: Lot 485 [detail]

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM