Jewellery, Watches & Silver

JEWELLERY, WATCHES & SILVER 7TH & 8TH DECEMBER 2021 EDINBURGH

JEWELLERY, WATCHES & SILVER

TUESDAY 07 & WEDNESDAY 08 DECEMBER 2021 AT 10AM Sale Number LT667

VIEWING

CONTACT

Friday 3rd December 10am - 5pm Sunday 5th December 12pm - 4pm Monday 6th December 10am - 5pm Tuesday 7th December 2pm - 4pm

EDINBURGH +44 (0) 131 557 8844 info@lyonandturnbull.com

Front Cover Lots 362 - 364 Inside Front Cover Lot 162

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

25% up to £300,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT † V AT at the standard rate payable on the hammer price ‡ R educed rate of 5% import VAT payable on the hammer price Ω S tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

Our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Lots will be available to collect from 33 Broughton Place, Edinburgh EH1 3RR. Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections).

BOOK ONLINE www.lyonandturnbull. com/appointment-bookings CALL 0131 557 8844 Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Ruth Davis Head of Department ruth.davis@lyonandturnbull.com

Kier Mulholland Jewellery & Silver kier.mulholland@lyonandturnbull.com

Sarah Fergusson Head of Watches sarah.fergusson@lyonandturnbull.com

Trevor Kyle Consultant trevor.kyle@lyonandturnbull.com

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COLOURED GEMSTONE & DIAMOND GUIDE Historically many gemstones have been subjected to a variety of treatments to enhance their appearance. Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires.

Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including staining, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments.

The international jewellery trade has generally accepted these methods.

Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone. Gemstones that have been oiled may require reoiling after a number of years in order to retain their optimum appearance.

It is, in suitable cases, Lyon & Turnbull’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold

by Lyon & Turnbull. In the event that Lyon & Turnbull have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description.

However, it is not feasible for Lyon & Turnbull to obtain a gemmological report for each gemstone offered for sale by Lyon & Turnbull. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method. However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. Prospective buyers should be aware that Lyon & Turnbull’s pre-sale estimates assume that gemstones may have been subjected to such treatments.

ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE. DIAMOND GRADING TERMS Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospective buyers. Lyon & Turnbull do not guarantee these estimated grades due to the limitations of mounts and settings.

DIAMOND COLOUR GIA

CIBJO

EXPLANATION

D

Exceptional White + (EW+)

Face up colourless - Face down colourless

E

Exceptional White (EW)

-

F

Rare White + (RW+)

-

G

Rare White (RW)

-

H

White (W)

Face up colourless - Face down slightly tinted

I/J

Slightly Tinted White (STW)

-

K/L

Tinted White (TW)

Face up slightly tinted - Face down obviously tinted

M to Z

Tinted Colour (TC)

Face up obviously tinted - Face down obviously tinted

Fancy

Fancy Colour

Face up definite colour

DIAMOND CLARITY GIA

CIBJO

Flawless (FL)

Loupe Clean (LC) Shows no inclusions or blemishes under 10x magnification

EXPLANATION

Internally Flawless (IF) Shows no inclusions and only insignificant blemishes under 10x magnification Very Very Slightly Included (VVS) VVS1 / VVS2

Very Very Small Inclusions Minute inclusions, which are difficult, even for an experienced (VVS) VVS1 / VVS2 grader, to locate under 10x magnification

Very Slightly Included (VS) VS1 / VS2

Very Small Inclusions Minor inclusions, observable with effort under 10x magnification (VS) VS1 / VS2

Slightly Included (SI) SI1 / SI2

Small Inclusions Noticeable inclusions under 10x magnification (SI) SI1 / SI2

Included (I) I1 / I2 / I3

Pique Obvious inclusions, visible to the unaided eye, face up. These may affect the stone’s beauty and durability.

(P) P1 / P2 / P3

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ORDER OF SALE Lot No.

1-81

Silver

82-150

Coins

151-198

Lot No.

Watches

WEDNESDAY 8TH DECEMBER AT 10AM

199-440

Jewellery

441-468

Designer Handbags & Accessories

469 470-471

Above Lot 38

TUESDAY 7TH DECEMBER AT 10AM

Pens & Accessories Wine

SILVER

7

1

PLATED SILVER

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1

marks of Fa. J.M. van Kempen en Zn., Voorschoten, Netherlands, each of melon form with Greek Key style border; together with a spherical style teapot and an angular teapot by the same maker (4)

A PAIR OF PLATED THREE LIGHT CANDELABRA each with central fluted urn finial issuing two scrolled candle branches with trumpet sconces, the fluted tapering column on spreading oval foot, with two flame finials (2)

A LATE 19TH CENTURY DUTCH TEAPOT AND MILK JUG

Height: 10cm Provenance: Property of the late the Hon. Elizabeth Fairbairn

£350-500

Height: 47cm

£250-400

4 A DUTCH GOLD SCENT BOTTLE together with an unmarked gilt scent bottle of baluster form (2)

FOREIGN SILVER

Height: 8.5cm, 12.5cm Provenance: Property of the late the Hon. Elizabeth Fairbairn

£300-500

2 AN EARLY 19TH CENTURY MATCHED FOUR PIECE TEA SERVICE all with retailer’s mark of Willem Diemont, comprising teapot, milk jug and oval tea caddy and a swing handled sugar basket, all with beaded border (4) Height of teapot: 12cm Provenance: Property of the late the Hon. Elizabeth Fairbairn

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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5

5

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A COLLECTION OF MINIATURE FURNITURE

A COLLECTION OF MINIATURES

predominantly unmarked and in the Dutch fashion, including miniature chairs and miniature holloware, including a miniature baluster caster, Chester (qty)

predominantly unmarked and in the Asian fashion, including miniature junk models, rattles, various characters in motion and various Continental trinket boxes etc. (qty)

Provenance: Property of the late the Hon. Elizabeth Fairbairn

Provenance: Property of the late the Hon. Elizabeth Fairbairn

£300-500

£250-400

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8

A COLLECTION OF MINIATURE FURNITURE

A PAIR OF CHINESE EXPORT PEPPERETTES

predominantly unmarked and in the Dutch fashion, including miniature bedpan, chambersticks, Dutch windmill etc (qty) Provenance: Property of the late the Hon. Elizabeth Fairbairn

marked for Wang Hing, WH 90, each modelled as a pagoda and a pair of spill vases, marked WH, 90; together with a collection of Eastern style condiments, salts modelled as swans, miniature furniture, and a box (qty)

£300-500

Height of spill vases: 8cm

£400-600

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MODERN SILVER 11 A GEORGE III STYLE TUREEN AND COVER London Assay Office, London 2021, of oval outline, the cover of bellied form with gadrooned border and knopped finial, later engraved with a crest, above ribbed cast handles and supports, with an armorial to the body, raised on four cast shell-moulded feet Width: 41cm, weight: 117.7oz

£600-800

12 A 1970S SALVER Sanders & Mackenzie, Birmingham 1979, with cast shell and moulded border, feature hallmarks to centre of dish, raised on three ball and claw feet Diameter: 25cm, weight: 16oz

£200-300 9

13 A 1960S SALVER

9 AN EARLY 19TH CENTURY RUSSIAN BEAKER Alexander Nordert Gotkvoski, of St. Petersburg, with Moscow City Assay mark, of tapered cylindrical form, allover niello decoration with two oval depictions each of St. Petersburg, presentation inscription to the underside Height: 8cm

Carrington & Co, London 1962, with pie crust border raised on three ball clasped feet; together with a card tray, Sorley, Glasgow 1929 (2) Diameter: 30cm, 19cm, combined weight: 37oz

£350-500

14 A 1950S CHRISTENING BOWL

£300-500

10 AN INDIAN FOOTED BOWL Grish, Chunder & Dutt, Bhowanipore CALCUTTA, the hemi-spherical bowl with rivet style band, to a spreading square foot with similar detail, with plated liner

Fenton Russell & Co Ltd, Sheffield 1952, of circular outline with a slightly moulded border and stepped rim, presented in a wooden box with green lining; together with a wooden communion bread plate with applied silver insert, W. Kay Edinburgh, 1961, engraved to dish (2) Diameter: 33cm, 21cm, weighable silver: 39oz

£300-400

Height: 11cm, diameter: 25.5cm

£400-600

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Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

10

16

15

16

17

A MATCHED FOUR PIECE COFFEE SERVICE

A BUTT MARKER FORMED AS A SET OF SIX MINIATURE MUGS

A 1920S QUAICH

Edward & Sons of Glasgow, Birmingham 1938/9, comprising coffee pot, water pot, twin handled sugar basin and milk jug, all in the style of the 19th-century silversmith, Paul de Lamerie, each with a panelled body, chased shell and diaper border with ivory handles and knopped finials (4)

Adie Brothers, Birmingham 1933, formed as miniature 18th-century baluster mugs with simple S scroll handles and gilded interiors, each with engraved number 1 – 6 to base, in original fitted case

Y

Height: 18.5cm, weight (all in): 53.8oz

Height: 4.2cm, weight: 29g each

£400-600

£500-700

18

Docker & Burn Ltd, Birmingham 1927, of traditional form with waisted lugs; together with a Chinese export wine coaster, embossed floral decoration to sides, and simulated tortoiseshell base (2) Diameter (across lugs): 22.5m, weight: 9.6oz

£400-600

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19

18

19

21

A GEORGE V PRESENTATION TREASURY INKSTAND

A PAIR OF COMMUNION CHALICES

A 1920S WOLF HEAD STIRRUP CUP

Barker Brothers, Chester 1923, of traditional form, engraved to centre of body ‘In Memoriam 1914-1918’, presented in a fitted wooden box (2)

Import marks for L Neresheimer & Co, London 1926, with a grimacing wolf head modelled naturalistically, to a tapered cup, with chased depictions of a wolf hunt, also engraved Peter

Height: 20cm, combined weight: 30oz

Height: 15cm, weight: 6.2oz

£250-400

£300-500

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22

A 1920S MATCHED FUCHSIA ENAMEL SILVER-MOUNTED DRESS SET

A PAIR OF EARLY 20TH CENTURY SAUCE BOATS

Goldsmiths and Silversmiths Company, London 1927, of simple rectangular outline with raised borders, the hinged cover with three small compartments, one fitted for glass inkwell the other a silver ponce pot, and with pen box to opposing side, with one swing loop handle, raised on four paw feet, with an engraved inscription to the interior of lid ‘To the Right Honorable Lord Blanesburgh G.B.E. ... 1924-1927’ also engraved George V cypher and Royal Arms Width: 26cm, weight: 69oz Provenance: Property of the late the Hon. Elizabeth Fairbairn

£800-1,200

Alexander Clark & Co Ltd, Birmingham, 1926/ 8 etc., comprising various brushes, mirror and dressing table bottles; together with a pale pink enamel cigarette case & lighter, Garrard & Co. Ltd, Birmingham (9) £300-500

London 1910, with scallop rim, S scroll handle and each raised on three hoof feet; together with a Victorian card tray Glasgow 1894, of circular outline with gadrooned rim, crest engraved to centre, raised on three bracket feet (3) Length of sauceboat: 15cm, combined weight: 15oz

£300-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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25

23

25

A GEORGE V SALVER

A LARGE TWIN HANDLED PRESENTATION TRAY, ROYAL COMPANY OF ARCHERS

Walker & Hall, Sheffield 1915, with cast foliate border, engraved scroll and foliate decoration to centre with vacant middle, raised on three bracket feet Diameter: 38cm, weight: 37oz

Brook & Son (of Edinburgh), Sheffield 1906, of rectangular outline with cast gadrooned border, engraved presentation inscription to centre for ‘... King’s prize...1906’, below engraved coat of arms and armorials

£300-500

Width across handles: 71cm, weight: 138oz

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Known as the Queen’s Bodyguard for Scotland, the Royal Company of Archers has been in existence in some way since the 17th century, when in 1676 it was formed as an archery club.

AN EDWARDIAN TWIN HANDLED TRAY Barker Brothers, Birmingham 1907, of oval outline with a cast moulded shell border, chased scroll and shell decoration to the flat, the cast handles with similar decoration, raised on four bracket feet Width across handles: 69cm, weight: 102oz

£1,000-1,500

Following the Jacobite uprisings the Company of Archers sought to reconcile themselves with the House of Hanover and in 1822 on King George IV’s first visit to Scotland they became the personal bodyguard of the monarch.

With notable members such as Sir Walter Scott and Robert Burns, the former who designed their uniform, the Royal Company of Archers has always been a prominent part of Scottish history. This twin-handled tray presented to James Crawford Dunlop in 1906, is emblazoned with three coats of arms, is a rare insight into a highly regarded and identifiably Scottish society.

£1,000-1,500

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SCOTTISH SILVER

31

26

Alexander Henderson, Edinburgh1809, of Fiddle pattern; together with a set of twelve dessert spoons John Zeigler, Edinburgh 1812, of Fiddle pattern with initials engraved to terminal and one plated Fiddle pattern dessert spoon

A SET OF FOUR EDWARDIAN TABLE CANDLESTICKS

A SET OF TWELVE GEORGE III TABLEFORKS

Hamilton & Inches, Edinburgh 1908, each of George III style, the knopped stem and stepped foot with cast foliate and scrolling detail, the pull off sconces of similar design (loaded) (4)

Length: 20cm, 17.5cm, weighable silver: 36oz

Height: 26cm

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£500-700

27 A COMPREHENSIVE EDWARDIAN CANTEEN Crighton and Bruce, Edinburgh 1907, of Old English pattern, comprising a soup ladle, two sauce ladles, eighteen table forks, eighteen table knives, six tablespoons twelve dessert forks, twelve dessert knives, twelve dessert spoons, five teaspoons, one sugar spoon, six coffee spoons, three mustard spoons, and six salt spoons, sugar tongs, serving spoon and asparagus tongs, four napkin rings, six modern side knives, a pickle fork, sugar sifter and a pair of grape scissors; together with two carving sets and a George III serving spoon, all contained in a five drawer oak canteen Weighable silver: 142.8oz

£1,500-2,500

28

Y

A WILLIAM IV TEAPOT William Cunningham, Edinburgh 1831, of baluster form, all overall embossed floral decoration, crest and motto engraved to cartouche to one side, the hinged lid with budding finial, leaf clasped S scroll handle, raised on a circular foot with similar decoration; together with a twin handled sugar basin, Robert Hennell I & David Hennell II, London 1799, of oval outline with bright-cut engraved borders and angular handles (2) Height: 17cm, 11cm, combined weight: 34.4oz

£300-500

29 A PAIR OF EARLY VICTORIAN COMMUNION CUPS

£350-500

A GEORGE III AGATE SET BOX Richard Haxton, Edinburgh, the hinged lid set with a banded agate, the underside engraved with presentation inscription to ‘...Mr. James Swan...1806’ Width: 9cm, weight: 4.7oz

£300-500

33 A GEORGE II CASTER Lothian & Robertson, Edinburgh 1758 with Hugh Gordon’s last HG assay, of plain balsuter form, the pull off pierced lid with acorn finial; together with a kitchen pepper, Edinburgh, of straight-sided can form, Bright-cut garland and oval cartouche, simple S scroll handle and reeded foot, the domed pull-off cover with similar Bright-cut detail (2) Height: 18.5cm, .5cm, combined weight: 7oz

£400-600

34 A SET OF SIX GEORGE II TABLESPOONS Assay Master, Hugh Gordon, Edward Lothian, Edinburgh 1745, of Hanoverian pattern, initials engraved to reverse of terminal; together with two similar tablespoons, Assay Master Archibald Ure, Edinburgh 1738 with crest engraved to reverse of terminal and one dessert spoon, London of Old English pattern (qty) Length: 20cm,17cm, combined weight: 21oz

£350-500

35

James Howden & Co, Edinburgh 1844, the deep bowl engraved South Leith Free Church with slightly everted rim, to a baluster stem and stepped circular foot (2)

A GEORGE V TWIN HANDLED TRAY

Height: 25cm, combined weight (all in): 42oz

Diameter: 58cm, weight: 83.6oz

£500-800

£700-1,000

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36

A PAIR OF VICTORIAN COMMUNION CUPS

AN EARLY 20TH CENTURY FOUR PIECE TEA SERVICE

James Howden & Co, Edinburgh 1844, each with a deep bowl, engraved ‘South Leith Free Church’ to a baluster stem and stepped circular foot (2) Height: 25cm, combined weight: 44oz

£500-800

Sorley & Co, Glasgow 1919, of rounded rectangular form with threaded border

Aird, Thomson & McKeller, Glasgow 1918, comprising waterpot, teapot, twin handled sugar basin and milk jug, all of oval panelled form, stylised cast swirl border, the handles of S scroll form, all raised on four leaf clasped scroll feet (4) Height of waterpot: 22cm, combined weight: 64oz

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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43 42

37

40

A FOUR PIECE TEA SERVICE

A VICTORIAN FOUR PIECE TEA SERVICE

R & W Sorley, Glasgow 1913, comprising waterpot, teapot, twin handled sugar basin and milk jug, all of oval panelled form, stylised cast swirl border, the handles of S scroll form, all raised on four leaf clasped scroll feet (4) £600-800

Edward & Sons, Glasgow 1899, comprising teapot, hot water pot, cream jug, and twin handled sugar basin, each of baluster form, heavily chased depictions of Classical scenes in amongst cherubic masks and garland decoration, engraved monogram to the centre panel, S scroll handles, the domed lids with knopped finials, ivory insert to teapot and waterpot handles (4)

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£1,200-1,800

Height of waterpot: 24cm, weight (all in): 65oz

A PAIR OF LATE VICTORIAN FOUR BRANCH CANDELABRA George Edward & Sons, Glasgow 1900, each of baluster form with heavily embossed floral and scroll decoration, the scroll branches each with removable sconces, the central light of similar form, with presentation engraving to rim of base (2)

Y

Height of waterpot: 27cm, combined weight: 60oz

41

Y

A VICTORIAN BACHELOR’S WINE OR WATER POT

£1,500-2,000

James A Ferrier, Glasgow 1893, (retailed by George Edward & Sons), modelled as a classical ewer of baluster form, decorated to the body with embossed panels of various Oriental dieties, allover chased and engraved scroll design, with cartouche to centre with engraved initials

39

£200-300

Height: 50cm, weight branches only 92oz

A VICTORIAN TWIN HANDLED TEA TRAY Lawson & co, Glasgow 1899, of rectangular form, embossed raised Celtic border and engraved intertwined Celtic motifs with vacant oval cartouche to centre, the cast handles of scroll form, raised on four low ball feet Width: 65cm across handles, 108oz approximately

£1,000-1,500

Height: 20cm, weight: 11oz

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44

42

44

A VICTORIAN COFFEE POT

A WILLIAM IV THREE PIECE TEA SERVICE

David Crichton Rait, Glasgow 1872, of plain tapering ovoid form with decorative banding to top and bottom, with engraved with armorials and motto”pro rege et lege”, with turned wooden handle to the side Height: 21cm, weight, all in: 25oz

John Finlay, Glasgow, 1837, comprising teapot, milk jug and a twin handled sugar bowl, each of squat circular form with heavily chased and embossed floral decoration, budding finial to teapot, raised on a cast bracket base with four anthemion clasped feet (3)

£350-500

Height: 16cm, combined weight: 53oz

Y

£600-1,000

43

Y

A VICTORIAN COFFEE POT

45

Robert Gray & Son, Glasgow, 1844, of baluster form, leaf clasped S scroll handle and spout, the hinged lid with budding finial in a foliate border, raised on a circular foot with similar decoration

CANONGATE - A SCOTTISH PROVINCIAL TEASPOON William Craw, marked WC, cat facing right, of Scot’s Fiddle pattern

Height: 27cm, 32oz

Similar marks illustrated in “Illustrated Directory of Scottish Provincial Silversmiths & Their Marks”, Richard W. Turner Page 33.

£400-600

Length: 12cm, 10.5g

In his book “Scottish Gold and Silver Work” Ian Finlay (revised by Henry Steuart Fothringham 1991), page 179, Finlay writes: “There are in addition some anomalous marks, particularly two associated with William Craw.

One of them is an animal usually described as a cat, which may be meant to mimic the English lion passant mark. The other is a crowned thistle, which Jackson illustrated upside-down in his table of uninscribed Scottish marks. The significance of these two marks, if there is any, has not yet come to light. It must be remembered that Craw moved to Dumfries and the crowned thistle mark may therefore relate to his work there, rather than in Canongate”

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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46 A MID/LATE 18TH CENTURY FOB SEAL the bronze matrix with simple loop attachment, engraved with armorial of Alexander MacDonald of Sleat Matrix: 2.1cm x 1.9cm Heraldry: Arms of Alexander MacDonald of Sleat Quarterly 1st and 4th Argent a lion rampant gules 2nd Or a dexter arm in armour couped in fess proper the hand holding a cross crosslet fitchy gules 3rd Or a lymphad oars and sails sable flags flying gules 4th Vert a salmon naiant proper Crest: A dexter arm in armour couped in fess proper the hand holding a cross crosslet fitchy gules Supporters: Two leopards proper Note: This fob seal appears to have belonged to perhaps one of the most traitorous family’s of the ‘45. While it may be fair to say they, as with many families, were stuck between both camps it does seem that the Macdonald’s of Sleat (also commonly known as MacDonald of Monkstadt) along with the Macleod’s of Dunvegan not only let down their Prince whom they had promised support of men, arms and money but let down the clansmen they lead who were prepared, and indeed ready, to follow the Jacobite army.

Both the MacDonald’s and MacLeod’s of Skye had promised their support to Prince Charles should he arrive. On his arrival at Glenfinnan, he was surely disappointed not to receive this. Both conveyed they would not be coming, falling back on the excuse that the men, arms and money from the French which they had trusted their support on had not been forthcoming. This disappointment from the lack of support was compounded as they were actively being portrayed as anti-Jacobite and indeed supporters of the Hanoverians and spies of Cumberland, a bitter layer of deceit to further the Hanoverian cause and besmirch their Clan name.

Various theories have been discussed around their failure to come out but it seems highly likely that pressure had been placed on both MacDonald and MacLeod by Lord President Forbes of Culloden obliging that their support should not materialise. This pressure was placed upon them for their apparent (although at this point unproven) part in the infamous ‘Soitheach nan Daoine’ (‘The Ship of the People’) in 1739.

As has been variously written in 1739, around the coast of Skye ’a sort of pirate ship frequented the creeks and bays of the Long Island, by means of which many persons of both sexes were cajoled on board, made prisoners and deprived of their liberty. At this wicked proceeding the natives of Lews, Harris, Uist, Benbecula, and Skye became exceedingly alarmed, and it created much anxiety and confusion among all ranks and classes of the natives’.

This kidnapped cargo was bound to be sold into slavery in the Southern states of America and had made sail for their shore. Thankfully they only reached the coast of Ireland where the ship ran aground and ‘totally wrecked and splintered into fragments’, remarkably all the natives of the western isles were saved.

Sheltered by the Irish they were cared for and eventually returned home. This diabolical plot was later discovered to have been perpetrated by Donald MacLeod of Berneray who was a close companion of both McLeod of Dunvegan and MacDonald of Sleat who it seems highly likely were involved in or at least turning a blind eye to this. However, by 1745 the case had still not come to court or been privately resolved. It is this power over these men that seems to have been President Forbes’ leverage over such previously strong Jacobite’s, meaning they did not turn out for their Prince.

Previously the Macdonald’s of Sleat’s support for the Stuart cause could not have been questioned and at heart the family were undoubtedly staunch Jacobite’s. Under the leadership of Sir Donald Macdonald (11th Baron and 4th Baronet) they played a leading role in the ’15. Indeed he was one of King James commanders at Sherrifmuir and other battles throughout the campaign. This involvement meant that the lands were lost and the family paid the price with rising debts.

Upon the defeat and seeing there was likely no chance of continued campaigning Sir Donald returned to Skye with his 1000 men and would remain head of the clan and in his lands for some time. This however came to an abrupt end when the Hanoverian Colonel Clayton came to make reparations for his defiant acts.

Not finding the terms for safety suitable he escaped to Uist and hid among his kin till he escaped to France, where he would die in 1718.

While Sir Alexander’s failure to support Prince Charles is well recorded it appears not to have been such a simple case as this. While he publicly did not support the Prince nor is recorded in his presence in Edinburgh (although Alexander spent much of 1745 in the city) he seems to have vicariously supported throughout the ‘45.

It is well noted that many of his Clansmen actively supported Charles and were in his armies throughout the campaigns, particularly in the later stages of the ’45 and at Culloden. With the strength and structure of the clan system on the west coast and isles, it seems impossible to believe this support was not known or indeed supported by their leader.

This veiled support is more obviously seen in the actions of Sir Alexander’s wife Lady Margaret and their niece and charge Flora MacDonald. These two heroines of the Uprising are remembered to this day with great emotion. It must be asked again, could such staunch and active supporters as Margaret and Flora have done so without the knowledge and or encouragement of Sir Alexander, it seems highly unlikely. During Prince Charles’s protracted escape from Scotland he was sheltered by many on the isles of Skye, Uist and Benbecula. This network centred around the clan and kin of MacDonald’s and throughout this time Lady Margaret sent parcels to the Prince, often containing the loyal newspapers reporting his fate and cause.

However it must be Flora’s part in his escape which cements the Clans support for the Prince and is still to this day immortalised and undoubtedly one of the most romantically viewed parts of the whole campaign.

£600-800

17

49 48

47

49

A PAIR OF 19TH CENTURY LARGE TUMBLER CUPS - MARY QUEEN OF SCOTS INTEREST

JACOBITE INTEREST - A MID/LATE 18TH CENTURY MEMORIAL RING

unmarked, each of hemi-spherical form, embossed foliate and fleur-de-lys decoration, with various engraved Royal mottos and crests, engraved with the date of Mary Queen of Scot’s forced abdication in 1567 and MARIA O. HENRICr DEI GRA R.O.R SCOTORV to rim (2)

the glazed oval panel with hair formed as intertwined initials CP, in simple scalloped setting and shank Ring size: I/J, length of panel: 1.8cm Note: The ring comes from the same family source as the proceeding lot. This ring has long been considered to be the hair of Prince Charles Edward Stuart perhaps set as a memorial to him on his death or a token from earlier in the century worn by a supporter.

£600-800

Height: 9cm, combined weight: 20oz Note: For a similar pair please see Bonhams, ‘Home & Interiors’ 19th January 2017, Lot 68.

£800-1,200

48

50 A VICTORIAN SILVER MOUNTED SPORRAN Kirkwood and son, Edinburgh 1888, the arched cantle with chased stylised scrolling detail, two drop tassels to the hair body, red leather fittings Cantle widt: 18.5cm

JACOBITE INTEREST - A MID/LATE 18TH CENTURY GEM-SET PENDANT

£400-600

the heart-shaped glazed locket containing a pleated lock of hair, the seed pearl set border with pearl and ruby set intertwined suspender

51

Length: 2.5cm Note: With accompanying early 19th century manuscript note reading ‘This brooch in which is Prince Charles Edwards hair was given to Sir William Napier’s mother by Flora MacDonald’s niece the hair in the brooch is Prince Charles Edwards’.

It is believed the Sir William Napier the note refers is the General who served with distinction in Wellingtons army in the peninsula wars. Not only a renowned military figure he was an avid historian publishing widely on army history

£800-1,200

A 19TH CENTURY PIPER’S DRESS DIRK Stamped Lawrie of Glasgow to the plated mounts with thistle decoration, bi-knife and fork and pommel set foil backed pastes, saw back blade, short fuller, with belt strap Overall length: 44cm

£600-800

52 ROYAL INTEREST - A CASED CITRINE SET SEAL of tapered faceted form, Bowes Lyon crest engraved to matrix, in a well fitted box, retailed

by Woodruff & Horsfield, Royal Arcade, Old Bond Street Length: 40mm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

18

ANTIQUE SILVER 53 A VICTORIAN CASTER William Gibson & John Langman, Regent Street, London 1898, of baluster form on circular foot, the domed cover with bud finial and gadrooned borders; together with a George III swing handled basket, Solomon Hougham, London 1795, of plain oval boat shaped form, slight threaded border and similar handle (2) Height: 16.8cm, combined weight: 15oz

£300-500

58 A MATCHED SET OF SEVENTEEN TABLE FORKS AND OTHERS predominantly London, various makers and marks including Mary Chawner, of Hanoverian pattern with the Percy crest engraved to the reverse of each terminal; together with fourteen similar dessert forks of Hanoverian pattern with crest engraved to terminal; together with a matched set of twelve dessert forks, all with four prongs (qty) Length: 20cm, 16.5cm, combined weight: 57oz

£500-700

59 AN EARLY 19TH CENTURY PORTRAIT MINIATURE

A LATE VICTORIAN OIL LAMP

English school, circa first half 19th century, depicting a seated halflength portrait of Mr Edward Percy Thompson in a blue cravat, on ivory, in a hinged leather covered case

Sorley of Glasgow, London 1897, of Corinthian form with embossed Classical swag, laurel and garland detail

£300-500

54

Image: 10cm x 8.5cm

Height: 68cm

£700-1,000

60 A SET OF FOUR VICTORIAN CAULDRON SALTS

55 A SET OF THREE VICTORIAN SILVER CHALICES

Edward Ker Reid, London 1856, with gadrooned border, engraved initials to body, each raised on three shell clasped legs with hoof feet (4)

James Dixon & Sons Ltd, Sheffield, 1879, each of goblet form, with engraved inscription to each body ‘U.P. Congregation, Junction St, Leith 1880’, with knopped stems and circular foot (3)

Diameter: 7cm, combined weight: 11oz

Height: 24cm, combined weight: 60oz

61

£400-600

56

Y

A VICTORIAN MATCHED FOUR-PIECE TEA AND COFFEE SERVICE The Barnards, London 1869/70, comprising coffee pot, teapot, twin handled sugar basin, and milk jug, all of pear form with chased floral and fan decoration within beaded borders and further engraved decoration, engraved initials to the centre of each, with C scroll handles and knopped finials, ivory insulators to handles (4) Height of coffee pot: 24cm, combined weight: 65oz

£500-800

57 A CASED MID 19TH CENTURY GILT AND GEM SET PORCELAIN SCENT BOTTLE The body of spherical form, all-over painted scenes of famous Boucher paintings (The “Music Lesson”, etc.), the gilt hinged domed lid set with rows of turquoise cabochons, with original velvet lined presentation case Height: 8cm

£600-800

£300-500

A SET OF SEVEN GEORGE IV TABLESPOONS AND OTHERS Morris & Michael Emanuel, London 1827, of Fiddle pattern, with Percy crest engraved to the terminal and four dessert spoons of the same maker; together with another similar set of seven tablespoons and five dessert spoons, WJ, London 1823; two dessert forks, a ladle and a sifter, all of Fiddle pattern with crest to terminal (qty) Length of tablespoon: 21.5cm, combinedweight: 57oz

£500-800

62 A MATCHED GEORGE IV THREE PIECE TEA SERVICE Charles Thomas Fox, and William Bateman I, London, 1827, comprising teapot, milk jug, and twin handled sugar basin, all of squat circular form, embossed with foliate detail, vacant cartouches with scroll borders to body, teapot with rose finial, each raised on four bracket rose and paw feet (3) Height: 14cm, combined weight: 46oz

£500-800

63 A PAIR OF GEORGE IV SALTS Robert Hennell II, London 1826, each of demi-spherical pedestal form, with undulating gadrooned border, engraved and applied foliate decoration to body with engraved crest, raised on a circular spreading foot with foliate border (2) Height: 5.5cm, weight: 14.8oz

£500-800

19

64 A PAIR OF GEORGE IV WINE COOLERS William Brown, London 1824, of tapering form, ribbed bandings, engraved with Garter and crest with a ducal coronet, plain handles, wire inner frame, removable rim (2) Height: 22cm, weight (all in): 54oz Heraldry The Crest of The Rt Hon William Lowther KG, the 1st Earl of Lonsdale A dragon passant argent The crest is environed with the Garter with its motto: ‘Honi soit qui mal y pense’ [Shame on him who thinks evil of it]. The whole is ensigned with an Earl’s coronet.

Note: Sir William Lowther (born 29th December 1757 died 19th March 1844), the 1st Earl of Lonsdale and 2nd Baronet of Little Preston and Swillington in the County of Yorkshire, served as Member of Parliament for Appleby in 1780, for Carlisle from 1780 to 1784 and for Cumberland from 1784 to 1790. In 1796, he returned as Member of Parliament for Rutland, holding the seat until 1802 when he resigned his seat in the House of Commons on succeeding his cousin as Viscount Lowther as a peer in the House of Lords.

William served as a Lieutenant Colonel in the army as well as being the Lord Lieutenant of Cumberland and Westmorland and Recorder of Carlisle.

Having been appointed a Knight of the Garter and created Earl of Lowther in 1807, he set about an extensive redesign of the family estate, rebuilding Lowther Caste with the architect Robert Smirke between 1806 and 1814.

An industrialist and coal magnate, Lowther was a man of vast means, allowing him to indulge his interests in the arts and he served as patron to many artists and writers, including William Wordsworth.

He was well known for his extravagant purchases, Robert Smirk reported in his diary that he was believed to have a yearly income of £100,000; close to the equivalent of £10 million today. The craft of the silversmith did not escape his notice and following his inheritance of the title in 1807, he set about commissioning a large gilt service from silversmiths Paul Storr, Digby Scott and Benjamin Smith, much of which was later sold in 1947, following the closure of the Castle in 1937 due to the depletion of the family fortune by the 5th Earl’s more profligate tendencies.

Many pieces from the original collection still surface at auction today, such as a set of four silver-gilt salts from the Lonsdale Service, by (not marked) Digby Scott and Benjamin Smith (II), 1803 and retailed by Rundell, Bridge and Rundell (Sotheby’s New York, 16th April, 2013, lot 407), typical of the early 19th century Egyptian Revival style, and exude the luxury of the Regency period.

Although regarded as a top tier client of the Royal goldsmiths, Rundell, Bridge & Rundell, the size of the Earl’s commissions presumably meant that even they had to outsource work to meet the demands placed upon their workshops. These vast commissions often lasted over many years and it is possible these wine coolers were either outsourced to William Brown and part of the original commission or possibly ordered to increase the size of the already huge service.

£10,000-15,000

20

65

71

A GEORGE III IRISH THREE FOOTED SUGAR BASIN AND MATCHED CREAM BOAT

A GEORGE IV MATCHED FOUR PIECE TEA SERVICE

Y

Height of sugar bowl: 7cm, combined weight: 10oz

Burrows, London 1801/1802, comprising teapot and stand, twin handled sugar basin and milk jug, all of oval form, bright-cut engraved decoration throughout and laurel cartouche to the centre of each, with threaded angular handles, the stand raised on four bracket feet, teapot with ivory handle and turned finial (4)

£400-600

Height of teapot: 16.5cm, weight (all in): 30oz

Matthew West, Dublin 1817, of traditional round spiral fluted form, embossed floral detail, all raised on scallop clasped cabriole legs and hoof feet; together with a milk jug of similar design (2)

£500-800

66 A MATCHED SET OF FIFTEEN TABLE FORKS AND OTHERS

72

predominantly London, various makers and marks including William Eley, William Fearn & William Chawner, of Old English pattern with the Percy crest engraved to the reverse of each terminal; together with fourteen similar dessert forks (qty)

A GEORGE III TWIN HANDLED CUP Peter & Ann Bateman, London 1799, of blauster form, the handles each with heart terminals, to a domed spreading circular foot

Length: 20cm, 16.5cm, combined weight: 52oz

£400-600

Height: 18cm, 13oz

£450-600

67 A SET OF SIX GEORGE III TABLESPOONS AND OTHER FLATWARE William Eley & William Fearn, London 1806, of Old English straight double-threaded pattern, with Percy crest engraved to terminal with six similar matched dessert spoons; together with a set of six Fiddle pattern tablespoons and five dessert spoons, William Eley, William Fearn & William Chawner and two sauce ladles, Chester, with vacant terminals (qty) Length of tablespoon: 22cm, combinedweight: 45oz

£400-600

68 A GEORGE III TEA CADDY Peter & William Bateman, London 1805, of oval panelled form, the hinged cover with urn finial, plain body with threaded border, all raised on bun feet Height: 22cm, weight: 18.7oz

£500-800

69 A SET OF THREE GEORGE III STACKING BEAKERS William Purse, London 1805, of tapered cylindrical form, crest engraved to body (3) Height: 8.5cm, weight: 14oz

£600-800

70 A COMPREHENSIVE COLLECTION OF MATCHED FIDDLE PATTERN FLATWARE predominantly London, various makers and marks, including John, Henry, and Charlies Lias and Mary Chawner etc, comprising, a basting spoon, a soup ladle, thirty five dinner forks, thirty five dessert forks, fifteen tablespoons, twenty nine dessert spoons, thirty seven teaspoons, ten egg spoons, two mustard spoons, seven salt spoons, sauce ladles, asparagus tongs and butterknives, all contained in an oak fitted canteen retailed by D & J Welby Ltd. (qty) Weighable silver: 275oz (approximately)

£2,500-3,500

73 A GEORGE III BEAKER John Kidder, London 1782, of tapered cylindrical form, crest engraved to centre of body in a shield cartouche, with a presentation inscription for 1799 Height: 8.5cm, weight: 4oz

£300-500

74 A GEORGE II/III AGATE SET SNUFF BOX London 1760, of scallop outline, the hinged lid set with a banded agate within a chased foliate border Width: 7cm, weight: 48g

£300-500

75 A SET OF THREE GEORGE III SCALLOP BUTTER DISHES William Plummer London 1775, of traditional form, with engraved crest, raised on three ball feet (3) Length: 14.5cm, weight:8.6oz Provenance: Property of the late the Hon. Elizabeth Fairbairn

£300-500

76

Y

A GEORGE III LIDDED JUG Joseph Steward, London 1768, (later spout marked), of conventional cylindrical form, the domed hinged cover with scroll thumbpiece, threaded detail to domed cover and base, lid fully marked, ivory inserts to handle and prick engraved initials to handle Height: 20cm, weight: 28.6oz

£500-800

21

78

77

Y

80 (not to scale)

79

A GEORGE II TEAPOT

A PAIR OF GEORGE II TRENCHER SALTS

John Payne, London 1759, of compressed bullet form, Chinoiserie style throughout with naturalistic handle and spout, allover chased scroll and foliate detail to body, the central cartouches with pastoral scenes, with budding finial, ivory inserts to finial

Edward Wood, London 1729, of traditional form elongated plain octagonal form, ‘***/1755’ engraved to one (2)

Height: 10cm, weight: 13oz

Width: 8cm, combined weight: 3oz

£400-600

£400-600

80

78

A RARE EARLY 18TH CENTURY BRITTANIA STANDARD MINIATURE PORRINGER

A GEORGE II COFFEE POT William Hunter, London, the slight baluster body of simple plain form with fluted and leaf capped S scroll spout, with S scroll wooden handle and domed hinged cover with acorn finial, the whole raised on a simple stepped foot, the body engraved with a crest Height: 25cm, weight: 27oz

£500-800

William Fleming, London 1706, of blauster demi-fluted form waisted border, with S scroll handles, prick engraved initials to underside Height: 3cm, weight: 20g

£300-500

81 A MATCHED SUITE OF OLD ENGLISH FLATWARE various marks and makers, to include Bateman etc, with crest engraved to terminal (qty) Combined weight: 42oz

£350-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

22

COINS

82 A GEORGE III HALF SOVEREIGN 1817, S.3786 UNC £1,000-1,500

83 TWO VICTORIAN SOVEREIGNS comprising 1872 Sydney mint S.3855 EF; 1872 Melbourne min S.3854 EF or better (2) £1,000-1,500

84 A GROUP OF VICTORIAN HALF SOVEREIGNS comprising 1858 S.3859; 1878 die 24 S.3860; 1885 low relief S.3861 and 1887 shield back S.3869 all EF or better (4) £1,500-2,500

85 A GEORGE III SOVEREIGN 1820, S.3785 EF or better £2,500-3,500

86 A GEORGE IV SOVEREIGN 1821 S. 3800, EF or better £2,200-3,200

87 84

A VICTORIAN £2 COIN 1893, S.3865 EF+ £1,000-1,500

86

90

23

88

97

A 1989 PROOF £2 COIN

A 1989 PROOF SOVEREIGN

500th anniversary of the sovereign 1489-1989, with box and certificate

500th anniversary of the sovereign 1489-1989, with box and certificate

£1,000-1,500

£800-1,200

89 A GEORGE IV HALF SOVEREIGN 1824, S.3803 EF; together with a William IV half sovereign 1835 S.3831 EF (2)

98 AN EDWARD VII ELEVEN COIN MATT PROOF SET

£2,500-4,000

1902, from sovereign down, in an unofficial fitted case with dark even tone S.PS10, UNC

90

£500-800

A GEORGE IV SOVEREIGN 1825, S.3801, EF

99

£2,000-3,000

THREE SOVEREIGNS AND TWO HALF SOVEREIGNS

91

sovereigns 1909, 1918 & 1989 VH, half sovereigns 1908 & 1913 (5)

A WILLIAM IV SOVEREIGN 1827, S.3829 EF £1,000-1,500

92 A GEORGE IV HALF SOVEREIGN 1829, S.3804 AUNC £1,500-2,500

93 A GROUP OF THREE VICTORIAN SOVEREIGNS comprising 1842 S.3852, AUNC; 1872 die 56, S.3853 AUNC; 1883 Sydney mint, S.385 EF (3) £2,000-3,000

£800-1,200

100 AN EDWARD VII SOVEREIGN 1910 Ottawa mint, S.3970, AEF

92

102 A 2018 PIEDFORT PROOF SOVEREIGN in box and outer box of issue with certificate £400-600

103 A COLLECTION OF MODERN SILVER PROOF £5 COINS

£550-750

to include 1997, 2003, 1999 / 2000 two coin set, 2001, 2002 x2, in original case of issue with certificates (6)

101

£100-200

A 2017 PIEDFORT PROOF SOVEREIGN in box and outer box of issue with certificate £600-800

94 A GOLD SOVEREIGN 1880, YH, with certificate stating originated from RMS Douro salvage operation £250-350

95 A VICTORIAN £2 COIN 1893, S.3873 EF+ £2,500-3,500

96 A 1989 PROOF HALF SOVEREIGN 500th anniversary of the sovereign 1489-1989, with box and certificate £400-600

93

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

24

104

112

119

A COLLECTION OF ROYAL MINT SILVER PROOF £1 COIN SETS

A GEORGE III BANK OF ENGLAND DOLLAR

A COLLECTION OF MODERN ROYAL MINT SILVER PROOF COINS

to include two four coin Piedfort set; two four coin pattern set; together with a four coin and two single proof Britannia coins (7)

1804 S.3768 GVF or better £150-250

to include various £1, 50p and 5p coin sets, some Piedfort, all in original cases of issue with certificate etc. (18)

£100-150

113

£200-300

105 A GEORGE VI PROOF CROWN 1937S.4079; an Elizabeth II 1960 proof crown from polished ides and a 1961 half crown proof from polished dies, all EF or better (3) £100-150

106 A GROUP OF ISLE OF MAN SILVER PROOF COINS commemorative issues, all crown sized; together with two two-coin sets BU and a Piedfort £1, all in cases of issue (12)

A GEORGE III MAUNDY SET 1792, S.3763 EF

120

£150-250

A COLLECTION OF ROYAL MINT SILVER PROOF COINS

114

to include two 20008 Olympic Handover Piedfort £2; an Olympics and Paralympics £5 piedfort and with various other proof coins from £2 – 50p (7)

A 2006 QUEENS 80TH BIRTHDAY COLLECTION ROYAL MINT SILVER PROOF SET from £5 down to Maundy penny; tougher with a Millennium Collection silver proof set from £5 down to Maundy penny, both in case of issue with certificate etc. (2)

£200-300

121 A GEORGE VI PROOF SET

£180-250

1937, from crown to farthing, in original case, S.PS16 all Virtually UNC

£100-200

115

£200-300

107

A COLLECTION OF CHANNEL ISLAND SILVER PROOF COINS

122

A CHARLES II MAUNDY SET undated, S.3391 VF or better £120-150

Jersey, Alderney etc, comprising ten crown sized examples, a Piedfort 20p and fine silver 155g Battle of Britain 50th Anniversary 1990 £5 (12)

108

£180-220

A COLLECTION OF CHANNEL ISLAND SILVER PROOF COINS

116

Jersey, Guernsey, Alderney etc, from Crowns sized down, in original cases of issue (11) £150-250

109 A COLLECTION OF JERSEY AND GUERNSEY SILVER PROOF COINS to include seven coin Shipbuilders series; States of Jersey twelve coin £1 set; together with ten crown sized proof silver coin and BU (toned) example, in cases of issues (13) £150-250

110 A COLLECTION OF ROYAL MINT PROOF SETS

A GROUP OF ROYAL MINT PROOF SETS to include The £1 coin 25th Anniversary collection; 25th Anniversary of Decimal Coinage; 2002 Manchester Commonwealth Games £2 coin et; 2005 and 2008 Piedfort sets (5) £180-250

117 A COLLECTION OF BANK OF ENGLAND BANKNOTES to include five 10/1 1960-79 issue; three 10/- 1928-62 issue 10/- 1940 issues; £1 1928-1962 issue and four £1 notes 1929-1934 issues (13) £200-300

to include 2000 – 2013 inclusive, all in original boxes (14)

118

£150-250

A COLLECTION OF ISLE OF MAN SILVER PROOF COINS

111

commemorative issues, predominantly crown sized, together with a small number of £1 sizes issues, in boxes and card folders of issue (23)

A COLLECTION OF SILVER PROOF COIN predominantly crown sized, to include a 1935 Crown, 1997, 1998 1972 etc; together with a few Isle of Man and fantasy pieces (16) £150-250

£200-300

A GROUP OF BANK OF ENGLAND BANKNOTES to include a ‘White Fiver’ signed L K O’Brian, 1st August 1956; a 1970 – 1994 issue and 2007 – Matthew Boulton & James Watt issue £50; a 2000 £10 note prefix YR and a QC50 £20 (5) £200-300

123 A COLLECTION OF BANK OF ENGLAND BANKNOTES to include eleven 1960 – 1979 issue £1; five 1970 – 1994 issue £5; two 1960 – 1979 issue £5; one 1957 – 1967 £5 and four 1970 – 1994 issue £1 (22) £250-280

124 A COLLECTION OF MODERN ROYAL MINT SILVER PROOF PIEDFORT £5 COINS commemorative issue to include 2018, 2017, 2012, 2017 and 200; together with a 2013 silver proof £5 coin, all in original boxes of issue with certificates of issue (6) £250-350

25

125

132

139

A COLLECTION OF ROYAL MINT PIEDFORT SILVER PROOF COINS

THREE GEORGE VI MAUNDY SETS

A GROUP OF THREE VICTORIAN MAUNDY SETS

to include 2012 Countdown to London 4 coin set; 2002 Commonwealth Games 4 coin set; 2009, 2010 and 2011 year sets; and 2011 Royal Wedding £5 coin (6) £250-350

126 A COLLECTION OF ROYAL MINT SILVER PIEDFORT PROOF SET comprising 2015 – 2019 annual sets, in original boxes, cases and with certificate etc. (5) £250-350

127 A COLLECTION OF ROYAL MINT SILVER PIEDFORT PROOF SETS 2008 Sheild of Arms; 2006 2008, 2013 and 2014 year sets, all in boxes of issue with certificates etc. (5) £250-350

128 A GEORGE III CROWN 1818 S.3787 AEF; a George IV crown 1821 S.3805 GVF+ and a Victorian crown 1844 S.3882 AEF (3) £250-400

129 A GEORGE IV MAUNDY SET 1822, S.3816, EF or better; together with a William IV Maundy set 1836 S.3840, EF both in tooled red leather boxes (2) £250-400

130 A GROUP OF BANK OF ENGLAND £5 AND HIGHER DENOMINATION BANKNOTES to include two 1970 – 1994 issue £20; one 1960-1978 issue £10; two 1970 – 1994 issue £10; eight 1990 – 1999 issue £5; seven 1990 – 1999 issue £10; three 1990 – 199 £issue £20 and two 2007 issue £20 (25) £250-350

131 A GROUP OF THREE CROWNS 1887 S.3921 EF; 1893 edge LVI S.3937 EF and 1902 S.3978 VF+ (3)

1937, 1948 and 1949, S.4086 and S.4089, all EF or better (3) £250-350

comprising 1872 S.3916; 1892 S.3932 and 1895 S.3943 all EF in modern boxes (3) £350-500

133 TWO ELIZABETH II MAUNDY SETS 1972 and 1982, both UNC S.4211 (2) £260-400

134 AN EDWARD VII MAUNDY SET 1905 S.3985 EF+; together with two George V Maundy sets 1918S.4016, UNC and 1925 S.4027 UNC; and nine Two Anna coins 1841 (qty)

140 A COLLECTION OF ROYAL MINT ANNUAL PROOF SETS comprising 2013 – 2019 in original cases and outer sleeves with certificates etc; together with a 2015 ’Definitive Proof coin set’ (8) £400-600

141 A VICTORIAN ‘GOTHIC’ CROWN 1847, .3883 VF or better

£280-400

£400-600

135 A COLLECTION OF ROYAL MINT £2 SILVER PROOF COINS to include 1989 and 1997/98 two coin set; 1994, 1995, 1993, 2001 etc; together with a small group of silver proof coins (qty) £300-500

142 A COLLECTION OF MODERN SILVER PROOF COIN to include a 2005 Nelson two coin Piedfort set; two 2015 Piedfort £2 Britannia coins2003 and 2004 three coin Piedfort sets etc. (8)

136

£600-800

A COLLECTION OF SILVER THREE PENCE COINS

143

from Charles II undated issue to 1959, generally EF or better; together with a collection of four d 1 1/2 d coins and a collection of Jersey and Guernsey issues, Victorian onwards (qty) £300-500

A GROUP OF GEORGE III BANK OF ENGLAND TOKENS comprising three shilling 1812 S.3769 and 1815 S.3770 and one shilling and sixpence 1811 S.3771 and 1815 S.3772 all EF or better (4) £650-800

137 A GEORGE V WREATH CROWN 1928, S.4036, GVF; together with a 1935 crown S.4048 GVF+ and a George VI 1937 crown S.4078 EF+ (3) £300-500

138 THREE ROYAL MINT PRE-DECIMAL PROOF SETS George VI 1950 ‘Mid Century’ from half crown to farthing S.PS17; 1951 ‘Festival of Britain’ from crown to farthing S.PS18’ Elizabeth II 1953 Coronation S.PS19, all in original fitted cases EF or better throughout (3)

144 A COLLECTION OF ISLE OF MAN SILVER PROOF SETS predominantly four and five coin commemorative crown set, c1979 – 1985, in cases of issue with certificates of authenticity (15) £800-1,200

145 A 2003 FOUR COIN GOLD PATTERN PROOF SET the Bridges collection, in box with certificate £1,200-1,800

£300-500

£250-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

26

146 A 2008 EMBLEMS OF BRITAIN AND ROYAL SHIELD OF ARMS FOURTEEN COIN GOLD PROOF SET from £1 down to 1p, in box with certificate of authenticity £1,500-2,500

147 AN EDWARD VII £2 1902, S.3967 virtually UNC £1,500-2,500

148 A GEORGE IV £2 COIN 1823, S.3798, virtually UNC £2,000-3,000

149 A 2003 GOLDEN JUBILEE THIRTEEN COIN GOLD PROOF SET from £5 down to 1p with Maundy set, in box with certificate of authenticity £3,000-5,000

150 A COLLECTION OF MILLED BRITISH COINAGE double Florin to Farthing, George III to George VI issues in general EF or better; together with a small amount of decimal coinage £800-1,200

146

147

148

WATCHES

28

151 ROLEX: A STAINLESS STEEL DEEPSEA WRIST WATCH Oyster Perpetual Date Deepsea model 116660, originally purchased 2008, manufactured 2008 from serial number to rehaut, stainless steel Ringlock system case, automatic Perpetual 3235 movement, round black dial with stainless steel-edged lume plot and rectangular hour markers, date aperture at 3, lume-filled Mercedes hands, with helium escape value to the case edge, uni-directional black Cerachrom bezel with count-up scale in platinum Arabic numerals, screw-down crown with coronet, on a stainless steel Oyster bracelet strap with EO 98210 and coronet to the interior of the end link, signed Rolex Glidelock clasp with PJ4 to the interior, in box, with swing tag, with outer box, with guarantee card and booklets Case: 43mm excluding crown and guards

£8,500-10,000

29

152 AUDEMARS PIGUET: A STAINLESS STEEL WRIST WATCH Royal Oak model number 113, stainless steel case, automatic movement, round black tapisserie dial, AP logo at 12, stainless steel baton hour markers, date aperture at 3, stainless steel hands with lume inserts, centre seconds hand, stainless steel octagonal bezel with screw-head motifs, screw-down octagonal crown with AP logo, with ROYAL OAK No. 113 to the caseback, on a stainless steel bracelet strap with signed Audemars Piguet clasp, skeletonised AP to the interior, no box and papers Case: 35mm excluding crown

£3,000-5,000

153 EBEL: A LIMTED EDITION WRIST WATCH Sportwave Aquatica model A079853, limited edition number 081/100, originally purchased 2014, stainless steel case, automatic movement, round black dial with stainless steel-edged white wedge hour markers, raised outer seconds track in white to the bevelled dial edge, stainless-steel edge white hands, red centre seconds hand with white-filled arrowhead terminal, stainless steel bezel with count-up scale, screw-down crown, the caseback with A079853 and 9120K61, on a signed black rubber strap with stainless steel Sportwave clasp, in box, with guarantee card, with booklet, with outer box and original purchase receipt Case: 44mm excluding crown and guards

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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154 ROLEX: A RARE SUBMARINER WRIST WATCH Oyster perpetual Date Submariner model number 16618, 1991 from serial number, originally purchased 1994, round black dial with applied gold-edged lume plot hour markers, date aperture at 3, outer seconds track in gold, gold-edged lume-filled Mercedes hands, centre seconds hand with lume plot, unidirectional fluted bezel with black insert, numerals in gold, screw-down crown with coronet, on an Oyster bracelet strap with Oysterlock clasp marked 18K, 92908, marked R8 to the reverse, in box, with outer box, with papers and booklets, with swing tag, handkerchief and Rolex Oyster anchor on chain Case: 40mm excluding crown and guards

£12,000-16,000

32

155 ROLEX: A STAINLESS STEEL BI-COLOUR WRIST WATCH Oyster Perpetual model 67193, stainless steel case, automatic movement, 1988 from papers, originally purchased 1989, round champagne dial with coronet at 12, applied gold baton hour markers, gold hands with lume inserts, gold fluted bezel, gold screw-down crown with coronet, on a stainless steel Jubilee bi-colour bracelet, with 491B to the end link, with a signed Rolex foldover clasp with M11, 62523D.18, in box, with outer box, with papers and booklets Case: 24.5mm excluding crown

£2,000-3,000

156 TAG HEUER: A STAINLESS STEEL CHRONOGRAPH WRIST WATCH Carrera Cal 1887 model CAR2110-0, stainless steel case, signed TAG Heuer 39 jewel calibre 1887 automatic movement, round black dial with applied stainless steel baton hour markers, sunken 30 minute register and 12 hour register at 12 and 6 respectively, small seconds at 9, date aperture at 6, stainless steel pencil hands with lume inserts, stainless steel tapered centre seconds hand, raised outer seconds track in white to the rehaut, crown with TAG Heuer logo flanked by twin circular push-buttons, on a stainless steel bracelet strap with 3156 to the end link, with a signed TAG Heuer deployant clasp numbered FAA043, no box and papers. Note: short bracelet Case: 40mm excluding crown

£600-800

33

157 ROLEX: A STAINLESS STEEL WRIST WATCH Oyster Perpetual Date model 115200, 2010 from serial number to rehaut and on papers, stainless steel case, Perpetual automatic movement, round dark blue dial with applied stainless steel baton hour markers, date aperture at 3, stainless steel hands with lume inserts, stainless steel tapered centre seconds hand, screw-down crown with coronet, on an Oyster stainless steel bracelet strap with 7HR 72190A and coronet to the interior of the end link, with a signed Rolex Oyster clasp marked Q5U to the interior, in box, with outer box, with papers, with booklets and swing tag Case: 34mm excluding crown

£2,000-3,000

34

158 ROLEX: A ‘KERMIT’ STAINLESS STEEL WRIST WATCH Oyster Perpetual Submariner date model 16610 T, 2007/8 from serial number, stainless steel case, signed Rolex Perpetual automatic movement, round black dial with applied stainless steel-edged lume triangular, rectangular and plot hour markers, date aperture at 3, outer seconds track in white, serial number along with ROLEX in repeat to the rehaut, uni-directional green bezel with count up scale, screw-down crown with coronet, on a stainless steel Oyster bracelet strap with signed Rolex Oysterlock clasp marked EO7 93250, no box and papers.

Note: short bracelet Case: 40mm excluding crown and guards

£7,000-9,000

36

159 ROLEX: A STAINLESS STEEL WRIST WATCH Oyster Perpetual model 177200, 2011-21 from serial number, stainless steel case, automatic movement, round blue dial with applied stainless steel coronet at 12 and Roman 3, 6 and 9, remaining numerals Arabic in pale blue, stainless steel bevelled hands, stainless steel centre seconds hand, outer seconds track in white, plain stainless steel bezel, screwdown crown with coronet, on a stainless steel Oyster bracelet strap with signed Oyster clasp marked P2K, in box, with guarantee card and booklet, with swing tag, no outer box Case: 31mm excluding crown

£2,000-3,000

159

160 KOBOLD X CHRONOSWISS: A LIMITED EDITION WRIST WATCH U.S.S Pittsburgh Chronograph model number CH7513, limited edition of 200, originally purchased 2008, stainless steel case, Valjoux 7750 automatic movement, round black dial with Arabic numerals in white, subsidiary dials at 12, 6 and 9 for 30 minute register, 12 hour register and small seconds respectively, white pencil hands, centre seconds hand also white, stainless steel and black bezel with count up scale, bezel and caseback with coin-edge, on a signed black Louisiana alligator strap with signed Kobold stainless steel clasp, in box, with outer box, with papers and purchase receipt, with retail bag and branded sports cap Case: 40mm excluding crown

£1,000-1,500

161 OMEGA: A 1970S WRIST WATCH Constellation Automatic model, case marked 750, rounded square goldcoloured textured dial with applied black baton hour markers, black pencil hands, the case edge marked 750, on a later generic strap, in box, no papers, with pre-owned receipt dated 2009 Case: 31.5mm

£400-600

160

162 CHOPARD: A HAPPY DIAMONDS WRIST WATCH model 20/5458, quartz movement, small signed round champagne dial to a larger circular case, lacking numerals, gold sword hands, with a diamond border, with a concentric circular skeletonised section with crystal to the case front and back, with seven collet-set round brilliant cut diamonds free-moving within, within a final diamond-set border/bezel, with a single larger collet-set diamond to each lug, with serial number to the caseback along with Swiss Helvetia head assay mark, on a signed Chopard leather strap, with signed Chopard gold plated clasp, no box, Certificat d’Origine et Garantie and booklet Case: 27mm excluding crown

£1,800-2,500

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163 HUBLOT: A LIMITED EDITION WRIST WATCH King Power model, Paris St. Germain edition, no. 86 of 200, black ceramic case, signed Hublot HUB4200 automatic movement, signed round skeletonised dial with Paris St. Germain emblem at 3, with applied titanium dual baton hour markers, small seconds at six in blue and white, outer 45 minute track in blue, white and red, further outer seconds track in white with Arabic numerals to the underside of the crystal, part-skeletonised titanium hands with blue inserts, titanium centre seconds hand with arrow terminal in white and Hublot logo counterbalance, black ceramic bezel, titanium and rubber crown with Hublot logo, flanked by twin rectangular titanium push-buttons topped with rubber in white and blue, exhibition caseback revealing movement, with 988241 to the edge, on a signed Hublot black rubber strap with central blue line detail, numbered 12-716-80, with signed Hublot King Power foldover clasp, no box and papers Case: 44mm excluding crown and guards, 57mm including crown and guards The Hublot King Power St. Germain was produced as a run of 200 pieces in 2014 and was the French football club’s official watch at the time.

£2,500-4,000

163

164 BREITLING: A STAINLESS STEEL WRIST WATCH Colt Ocean model A7738011, originally purchased 2006 from receipt, stainless steel case, quartz movement, round dark blue dial with applied stainless steel Arabic 12, 6 and 9 and baton hour markers, date aperture at 3, railroad outer seconds track in white with Arabic numerals, raised outer track to the rehaut, uni-directional stainless steel bezel with count-up scale, the caseback with model and serial number, on a stainless steel bracelet strap with 813A to the end link and S1506 to the first link, with a signed Breitling folding clasp, with additional link, in box, with papers, with outer box, with swing tag Case: 33mm excluding crown and guards

£500-700

165 BREITLING: A STAINLESS STEEL CHRONOGRAPH WRIST WATCH Super Ocean model A13340, stainless steel case, automatic movement, signed round black dial with applied stainless steel-edged lume baton hour markers, sunken subsidiary dials at 12, 6 and 9 for 30 minute register, 12 hour register and small seconds respectively, date and date apertures at 3, outer seconds track in white, decimal scale to the rehaut in white, stainless steel lume-filled sword hands, stainless steel centre seconds hand with red terminal and Breitling logo counterbalance, uni-directional stainless steel bezel with count up scale, lume pip at 60, crown with Breitling logo flanked by twin circular screw-down push-buttons, with model and serial number to the caseback, on a stainless steel bracelet strap with S070 to two links, with a signed Breitling folding clasp, in box, with outer box, with papers and booklets Case: 42mm excluding crown and guards

£1,500-2,000

165

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166

167

BREITLING: A TITANIUM WATCH

BREITLING: A 1960S WRIST WATCH

Avenger Seawolf model number E17370, titanium case, automatic movement, round black dial with raised Arabic numerals in white, date aperture at 3, outer seconds track in white, white lume-filled hands, centre seconds hand also in white with red terminal, scale in white to the raised dial edge, stainless steel bezel with count-up scale, screw-down monogrammed crown, the caseback with E17370 and serial number, on a titanium bracelet strap with 2702 to middle first links, signed Breitling foldover clasp, in box, with outer box, with papers and booklets 44mm case excluding crown guards and crown

Top Time model 2008, serial number 1136621, rounded square stainless steel case, signed Breitling 17 jewel 7733 manual wind movement, round silver-coloured dial with applied stainless steel baton hour markers, small seconds and 60 minute register at 3 and 9 respectively in black with numerals in white, outer tachymeter scale in black, stainless steel hands with black and lume inserts, centre seconds hand in red, plain bezel, case front with engraved linear decoration, crown flanked by twin rectangular push-buttons, all brass-coloured, the caseback signed and with Breitling logo and serial number, on a later generic strap, no box and papers

£1,000-1,500

Case: 36.5mm excluding crown

£1,200-1,500

168 BLANCPAIN: A VILLERET WRIST WATCH No.2599, purchased 2000, the case marked 750, signed Blancpain calibre 21, 18 jewel manual wind movement, round white dial with Roman numerals in gold, gold leaf hands, skeleton caseback revealing the movement, the caseback edge with BLANCPAIN No 2599, on a signed black strap with clasp marked B 750, in box, with papers Case 33.5mm excluding crown

£1,800-2,500

169 LONGINES: A QUARTZ WRIST WATCH case marked OR-750, signed Longines calibre L150.4 quartz movement, signed round champagne dial with applied gold baton hour markers, gold pencil hands, serial number to caseback, on a bracelet strap with Longines logo to the snap clasp, in box, no papers Case: 31mm excluding crown

£800-1,200

170 TAG HEUER: A DIAMOND SET WRIST WATCH Aquaracer 300 meters model WAY131N, originally purchased 2015, stainless steel case, ETA quartz movement numbered 955412, round black dial with applied stainless steel-edged lume baton hour markers, date aperture at 3, stainless steel-edged lume hands, stainless steel centre seconds hand, outer seconds track in white, stainless steel diamond set bezel, serial number to the caseback, on a stainless steel bracelet strap with signed TAG Heuer clasp numbered G-S4, FAA106, with two additional links, in box, with outer box, with papers and booklets 170

Case: 35.5mm excluding crown

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40

171 ROLEX: A SEA-DWELLER ‘GREAT WHITE’ WRIST WATCH Oyster Perpetual Sea-Dweller Date model 1665, 1979 from serial number, black dial with lume plot hour markers, date aperture at 3, outer seconds track, lume-filled Mercedes hands, centre sweep seconds hand with lume plot, black bezel with count-up scale, screw-down crown with coronet, on a stainless steel Oyster bracelet strap with 585 to the end links, 93150 to the first links, no box and papers, with accompanying history of service paperwork Case: 40mm excluding crown This is being sold for a private individual who inherited the watch from his father who was a GP in Aberdeen. His father’s role included carrying out the medicals for Comex, checking the fitness of divers to work in the late 1970s and early 1980s.

£8,000-12,000

172 OMEGA DE VILLE: A GOLD WRIST WATCH rounded square case marked 375, Omega signed calibre 625 17 jewel manual wind movement numbered 38 019183, 1970s, rounded square dial with applied gold baton hour markers, black pencil hands, tiger’s eye cabochon set crown, the caseback interior numbered 111 540 8300 002, on a textured bracelet strap with sliding clasp marked for 9ct gold and with RCK, no box and papers Case: 29mm excluding crown

£600-900 171

173 TAG HEUER: A STAINLESS STEEL WRIST WATCH Monaco model CW2112, stainless steel case, signed square silver dial with applied baton hour markers with lume terminals, round square subsidiary dials at 3, 6 and 9, stainless steel pencil hands with lume inserts, centre seconds hand, rounded square case, crown with TAG Heuer logo and flanked by twin push-buttons, with model and serial number to the caseback, on a black strap with signed TAG Heuer stainless steel deployant clasp, in box, with outer box, with papers Case 38mm excluding crown

£600-900

174 BAUME & MERCIER: A QUARTZ WRIST WATCH model number 15607, quartz movement, round white dial with Roman numerals in black, inner gold circle to centre of dial, beaded bezel, coin edge detail to case edge, with Swiss Helvetia head mark and 18K to the caseback, on a generic strap, in box, with guarantee card Case 32mm excluding crown

£400-600

173

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175 TAG HEUER: A STAINLESS STEEL WRIST WATCH Carrera Calibre 5 model WAR201A-1, stainless steel case, signed TAG Heuer calibre 5 26 jewel movement, round black ‘Azurage’ dial with applied stainless steel wedge hour markers, day and date apertures at 3, outer seconds track in silver to the rehaut, exhibition caseback with model and serial number to the edge, on a stainless steel bracelet strap with 3178 to the end link, with signed TAG Heuer folding clasp numbered Y-S4 FAA067 to the interior, no box and papers Case: 40mm excluding crown

£500-700

176 PIAGET: A RARE ALTIPLANO WRIST WATCH skeletonised model 26930, case marked 750, signed Piaget calibre 293P automatic movement marked 22K, with 9/50 to the rotor, signed crystal, the dial with movement visible beneath, with Roman numerals in black to an outer ring, gold leaf hands, sweep centre seconds hand, cabochon gem set crown, the caseback skeletonised with the machined movement visible within, with PIAGET Automatique 750, 26930, 812726 to the caseback edge, on a signed Piaget black strap with blue stitching, signed Piaget clasp marked 750, no box and papers Case: 34mm excluding crown

£8,000-10,000

177 DOGMA: A MID-CENTURY WRIST WATCH chronograph model, caseback marked 18K, unsigned movement, mid1940s, round silver-coloured dial with gold-coloured Arabic numerals, sunken 30 minute register and small seconds at 9, inner telemeter scale in red, outer seconds track in black, outer tachymeter scale in blue, gold-coloured hands, black centre seconds hand, metal movement cover, 0.750, 612236, 121, on a later strap, no box and papers Case 37.5mm excluding crown

£300-500

178 BAUME & MERCIER: A GOLD WATCH case marked 18K 750 to the interior, signed Baumatic automatic movement, signed round silvered dial with applied gold baton hour markers, date aperture at 3, gold sword hands, the caseback with 172565 35012 to the exterior, on a later bangle-style strap also marked 750 to the clasp Case: 33.5mm excluding crown

£400-600

179 GIRARD-PERREGAUX: A MID-CENTURY WRIST WATCH unmarked rose-coloured case, signed Girard-Perregaux 17 jewel manual wind movement numbered 0300205, c.1950, round target dial with silver-coloured outer section surrounding the central circular champagne section, applied gold-coloured baton hour markers, sunken small seconds at 6 intersecting the central circle, tapered hands, on a modern strap, no box and papers

176

180 OMEGA: A MID-CENTURY GOLD WRIST WATCH 9ct gold case, signed Omega calibre 501 movement, round white dial with applied gold arrowhead hour markers with lume plots to the angles, outer seconds track, sword hands with lume inserts, Omega logo to crown, the caseback with engraved monogram, the inside of the caseback marked DENNISON and numbered 13308, 993214, on a later generic strap, no box and papers Case: 34mm excluding crown

£400-600

181 LONGINES: AN OCTAGONAL-CASED WRIST WATCH case marked 18K, signed Longines 17 jewel manual wind movement, octagonal white dial with Roman numerals in black, inner railroad seconds track in black, black pencil hands, octagonal stepped case, blue cabochon set crown, on a generic strap, no box and papers Case: 27.5mm excluding crown

£400-600

Case: 36mm excluding crown

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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182

186

TAG HEUER: A DIAMOND SET WRIST WATCH

A DIAMOND COCKTAIL WATCH

Formula 1 model WAH1221, stainless steel case, ETA quartz movement, round white dial with diamond dot hour markers, date aperture at 3, outer seconds track in black, gold white-filled sword hands, gold tapered centre seconds hand, gold plated bezel with white ceramic sections interspaced by pairs of diamonds, within a diamond border, gold plated crown with TAG Heuer logo, with model and serial number to the caseback, on a stainless steel bracelet with central row of white ceramic sections each bordered by gold plating and with GE-3 to the last link, with a signed TAG Heuer concealed clasp, no box and papers

the case marked PLATINUM, 15 jewel manual wind movement marked VW, round silver-coloured dial with Arabic numerals in black, railroad outer seconds track in black, blued steel Breguet-style hands, diamondset bezel, the case with engraved edges, with personalised engraving to the caseback dated 1937, on diamond-set open circular lugs, on a cord strap, the white metal clasp marked 9ct, in a red leather box retailed by Wilson & Sharp Ltd., Edinburgh

Case: 32.5 excluding crown

£350-500

183 RICHARD: AN ANNUAL CALENDAR WRIST WATCH chrome case, unsigned manual wind movement, signed round silvered dial with lume Arabic numerals, day and date apertures at 12, outer seconds track in black with Arabic numerals, outer date track in red, gold sword hands, centre seconds hand also in gold, black date pointer hand with red arrow terminal, with 15520 to the caseback, lacking strap, no box and papers Case 34.5mm excluding crown

Case 20.5mm excluding crown

£400-600

187 EBEL: TWO BI-COLOUR WRIST WATCHES to include a Classic Wave model 181909, stainless steel case, quartz movement, signed round champagne dial with applied baton hour markers, gold pencil hands, gold bezel with screw-head motifs, with serial number to the caseback, on an integrated bi-colour bracelet strap with deployant clasp with Ebel logo, in pouch, with outer box, with papers; along with a smaller Ebel model 1911, in box, with outer box, with papers Case: 34mm including crown

£350-500

£300-500

184 PARMIGIANI FLEURIER: A DIAMOND SET WRIST WATCH special edition Tonda Metropolitaine PFC273-0063300 model, stainless steel case, automatic PF310 calibre movement, round signed creme de menthe flinque dial with applied rhodium-plated Arabic numerals and rounded wedge hour makers, sunken small seconds at 6, with dot markers in white, broad lume-filled hands, pencil sweep seconds hand, cut out elongated date aperture at 6, diamond-set bezel with 72 round brilliant cut stones, crown with PF monogram, skeleton caseback revealing signed 28 jewel movement, with Edition Speciale and No. 67171 to the caseback edge, on a tapered stainless steel polished link bracelet strap, with a concealed clasp featuring PF monogram, personalised inscription to the clasp interior, in box, with outer box, no papers Case: 33mm excluding crown

£1,500-2,500

185 A DIAMOND SET COCKTAIL WATCH 1930s, unsigned manual wind movement, white dial with Arabic numerals in black, outer railroad seconds track in black, blued steel hands, diamond set bezel and diamonds set open lugs, the caseback interior marked ‘ALL PLAT,’ on a bracelet strap, unmarked, no box and papers Case: 13.5mm excluding crown

£300-500

188 ORIS: TWO STAINLESS STEEL WRIST WATCHES to include a Big Crown Pointer model 7543, stainless steel case, signed automatic movement, signed round black dial with lume Arabic numerals, railroad seconds track in white, outer date track also in white, lume-filled Mercedes hands, centre date pointer hand with red demi-lume terminal, coin edge bezel, skeleton caseback revealing the movement within, on a black strap, in box, with outer box, with papers; along with another stainless steel Oris, automatic movement, white dial, small seconds at 9 and date pointer and track, no box and papers First case: 40mm, second case: 33mm excluding crown

£350-450

189 BULOVA AND ZENITH: TWO MID-CENTURY WRIST WATCHES to include a Bulova 18ct gold case, signed Bulova calibre 11 AFC manual wind movement, 1960s, round silvered dial with applied gold baton hour markers, outer seconds track, gold bevelled sword hands, centre seconds hand also in gold, the caseback with engraved monogram and dated 1965, metal crown, on a generic black strap, no box and papers; and a Zenith with 9ct gold case, signed Zenith 17 jewel movement, 1950s, round silvered dial with applied gold Arabic numerals, sunken small seconds at 6, gold sword hands, engraved initials to the caseback, on a later generic strap, no box and papers Bulova case: 33.5mm excluding crown Zenith case: 31mm excluding crown

£400-600

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190

192

A 19TH CENTURY FOB WATCH AND CHAIN

A GOLD POCKET WATCH

the watch open face, keyless wind, unsigned movement, gold-coloured dial, with central circular section featuring decorative engraving, Roman numerals in black, gold dot outer seconds track, blued steel leaf hands, the caseback with decorative engraving and blank shield motif, marked 18K to the interior, metal movement cover; along with a guard chain formed by fancy belcher links, with a single dog clip clasp marked 9ct

half hunter, keyless wind, 18ct gold case with partial hallmarks, the casefront with Roman numerals enamelled in blue around aperture, white enamel dial with Roman numerals in black, sunken small seconds at 9, railroad outer seconds track in black, along with an unmarked watch chain formed by anchor links, with T-bar appendage and dog clip clasp

Case: 35.5mm, chain: 70cm long while forming a closed loop

Case: 46mm

£500-700

£500-800

191

193

A 19TH CENTURY GOLD POCKET WATCH

AN 18CT GOLD POCKET WATCH AND CHAIN

open face, key wind, 18ct gold case, full plate movement signed Vale & Rotheram 1875, round white enamel dial with Roman numerals in black, railroad outer seconds track in black, blued steel leaf hands, the caseback with decorative engraving, with full hallmarks for London 1863

open face, keyless wind, full plate movement signed Tho. B. Cardwell, Liverpool the round gold-coloured dial with central engraved section with engraved floral motifs, Roman numerals in black, blued steel leaf hands, the caseback and edges with further engraved decoration, with full Chester hallmarks for 1878; along with a watch chain with single dog clip clasp, the chain marked 15, the clasp unmarked

Case 45mm Text below taken from website of David Penney’s Antique Watch Store re: Vale & Rotherham, Coventry #7040: “Vale & Rotherham, a most important partnership that predated the Coventry based firm of Rotherham’s that became one of the best and most important suppliers of machine-made watch movements in England.”

£600-800

Case 40mm

£1,000-1,500

194 FRODSHAM: A GOLD REPEATER POCKET WATCH half hunter, keyless wind, movement signed Cha’s Frodsham 84 Strand London, 18ct gold case with Roman numerals in blue around the dial-viewing aperture, white enamel dial with Roman numerals in black, sunken small seconds at 9 with Arabic numerals, railroad outer seconds track in black, blued steel leaf hands, the case with full London hallmarks for 1861 Case: 49mm

£400-600

195 LE ROY ET FILS: GOLD POCKET WATCH AND CHAIN half hunter, keyless wind, the case front with Arabic numerals enamelled in blue, with inner seconds track around the aperture, silvercoloured machined dial with Arabic numerals in black, small seconds at 6, black dot outer seconds track, leaf hands, the movement cover with TO H.M. THE KING and with Le Roy et Fils address, with import marks and 18ct, in a green leather silk-lined case for Le Roy et Fils, New Bond Street, along with a bi-colour watch chain, with lobster clasp and T-bar, the bar marked M.D. 9.375 Case: 48.5mm

£1,000-1,500

195 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44

196

196 LONGINES: AN ART DECO GOLD POCKET WATCH WITH CHAIN open face, keyless wind, 18ct gold case, signed Longines 16 jewel movement, round dial with Roman numerals in black, small seconds at 6 with Arabic numerals also in black, railroad outer seconds track in black, blued steel hands, the movement cover with personalised inscription dated 1930; along with a bi-colour fetter link watch chain marked 18ct & PT to the lobster clasp and T bar Case: 44mm. Chain: 32cm long

£800-1,200

197 ROTHERAM’S LONDON: A GOLD POCKET WATCH 18ct gold case, signed Rotheram of London 3/4 plate dial, signed round white enamel dial with Roman numerals in black, sunken small seconds at 6, railroad outer seconds track in black, blued steel leaf hands, with full Birmingham hallmarks for 1939 Case: 48mm excluding crown

£600-900

198 MUST DE CARTIER: A TRAVEL ALARM CLOCK model 8915, serial number 03380, originally purchased 1991, in the Art Deco style, Gilt and onyx case, the case with doors with engraved sunburst radiating lines, onyx set handle, opening to reveal the sunken signed white dial, lacking numerals, black hands with lume lots, goldcoloured alarm hand, the border in gilt and with large Roman numerals in black and continuing onto the inside of the doors, cabochon gem-set crown to the top of the case, the caseback pierced with Cartier logo and signed, with model and serial numbers, in box, with outer box, with papers and receipts and booklet 56mm high, 40mm wide, 23.5mm deep

£300-500

198

JEWELLERY

46

199

200 203

199

203

A LATE 19TH CENTURY DIAMOND PENDANT

A LATE 19TH CENTURY MOONSTONE, DIAMOND AND PEARL BROOCH

modelled as a heart, pavé-set with graduated old round-cut diamonds, glazed panel to reverse, unmarked, to a trace link chain, stamped 800 Overall length (inc. bale): 3cm

set with a heart-shaped cabochon moonstone, in a border of rose-cut diamonds and small natural pearls (untested), unmarked

£600-800

Length: 2.5cm

£300-500

200 A PAIR OF DIAMOND CLUSTER EARRINGS each set with nine graduated old round and cushion-cut diamonds, to post and butterfly fittings, unmarked

204 AN OPAL AND DIAMOND RING

Diameter: 1cm

set with three oval cabochon opals and four old round-cut diamonds, to a plain band, unmarked

£800-1,200

Ring size: P

£300-500

201 A PAIR OF PEARL AND DIAMOND EARRINGS each millegrain-set with an old round-cut diamond, suspending an ovoid pearl drop, to screw back fittings, unmarked

205 AN OPAL AND DIAMOND BAR BROOCH

£300-500

set with a pear-shaped cabochon opal, in a border of round-cut diamonds, each terminal set with a small round-cut diamond, stamped 15

202

£250-400

Length: 1.2cm

A NATURAL SALTWATER PEARL NECKLACE composed of a single row of graduated natural saltwater pearls, to a barrel clasp, set with colourless gemstones Length: 52cm

£600-800

Length: 4.2cm

206 A PAIR OF OPAL AND DIAMOND PENDENT EARRINGS each set with a small round brilliant-cut diamond, suspending a knife bar link, terminating in a pear-shaped cabochon opal, in a border of graduated round brilliant-cut diamonds, to post and butterfly fittings, modelled in 18ct gold Length: 3cm

£400-600

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207

211 209

207

211

A SINGLE-STONE DIAMOND RING

A GOLD ROPE-TWIST BRACELET

claw-set with a round brilliant-cut diamond, to a plain band, stamped 18CT

composed of bold rope-twist links, to a large bolt-ring clasp, modelled in 18ct gold

Ring size: N, estimated diamond weight: 1.40cts

Length: 20.5cm

£800-1,200

£800-1,200

208

212

A THREE-STONE DIAMOND RING

A PAIR OF DIAMOND EARRINGS

claw-set with three graduated old round-cut diamonds, scrolling detail to the gallery, the plain band stamped 18CT

each earring with textured finish set with three pairs of round brilliant-cut diamonds, to post and clip fittings, stamped 750

Ring size: N/O

Length: 2cm

£300-500

£400-600

209

213

A THREE-STONE DIAMOND RING

A PAIR OF LAPIS LAZULI, TOPAZ AND DIAMOND SET EARRINGS

claw-set with three round brilliant-cut diamonds, to a plain platinum band

each set with a kite-shaped blue topaz, a small round-cut diamond and a polished lapis lazuli drop, to post fittings, stamped 750

Ring size: I/J

Length: 2.7cm

£600-800

£400-600

210

214

A PAIR OF 9CT GOLD ENAMEL CUFFLINKS

A LATE 20TH CENTURY BRACELET WATCH

each of terminal of oval outline with guilloche enamel detail of various game birds, in a fitted box for Garrard & Co ... London Width of cufflink terminal: 2cm

the case integrated within a woven bracelet strap, with a hinged cover opening to reveal the rectangular dial signed ‘Genève,’ with applied baton hour markers, leaf hands, the bracelet clasp marked 14k, no box and papers

£300-500

Length: 17.5cm

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

217

216 218

215

219

A LATE 19TH CENTURY LAPIS LAZULI AND ENAMEL BROOCH, BY ROBERT PHILLIPS

A COLLECTION OF JEWELLERY, BY GRAHAM STEWART

Diameter: 3.4cm

to include an oval silver brooch, collet-set with a green tourmaline, with bird and fish motifs; an oval silver brooch with pierced detail of a bird to centre, and a silver pendant with pierced stylised tree motif to centre; all cased in handmade wooden or traditional jewellery boxes (3)

£600-800

Length: 3.4cm, 3.1cm & 3cm

of circular outline, collet-set with a lapis lazuli cabochon in a beaded border with white enamel detail, unmarked

£400-600

216 A PAIR OF DIAMOND OWL CUFFLINKS

220

each principal terminal of circular outline with cast detail of an owl, round brilliant-cut diamond eyes, secondary torpedo terminals, stamped 18k

A COLLECTION OF AQUAMARINE JEWELLERY to include a ring, stamped 18ct; a pair of aquamarine and diamond pendent earrings, to hook fittings, unmarked; and a pendant necklace (3)

Diameter of principal terminal: 2.2cm

Ring size: M

£400-600

£350-500

217

221

A DIAMOND OWL BROOCH, BY GRAHAM STEWART

A PAIR OF AQUAMARINE AND DIAMOND PENDENT EARRINGS

of oval outline, set with two small round brilliant-cut diamond eyes, modelled in 18ct gold, in original box

each millegrain-set with an eight-cut diamond, suspending a briolette aquamarine drop, to hook fittings, unmarked

Length: 3.3cm

Length: 2.7cm

£500-700

£300-500

218

222

A PAIR OF MOONSTONE EARRINGS, BY GRAHAM STEWART

AN AQUAMARINE AND DIAMOND RING

each modelled as a small bird, suspending a drop collet-set with a small round-cut diamond and a pear-shaped cabochon moonstone, modelled in 18ct gold

claw-set with an oval-cut aquamarine, flanked to either side by a round brilliant-cut diamond, to a plain 18ct gold band

Length: 3cm

£400-600

£400-600

Ring size: K

49

225

223 A PAIR OF DIAMOND EAR STUDS AND PENDANT each claw-set with a round brilliant-cut diamond, the earrings to post and butterfly fittings, unmarked (2)

228

Estimated total diamond weight of earrings: 0.40cts

£300-500

224 A THREE-STONE DIAMOND RING claw-set with three graduated round brilliant-cut diamond, to a plain 18ct gold band

227

Ring size: K/L

A DIAMOND BRACELET

£400-600

composed of round brilliantcut diamond clusters, between two rows of round brilliant-cut diamonds, to a concealed clasp

225 A FIVE-STONE DIAMOND RING claw-set with five round brilliant-cut diamonds, the plain band stamped 750 Ring size: P, estimated total diamond weight: 1.75cts

Estimated total diamond weight: 7.35cts

227

£1,500-2,500

£700-1,000

226 A DIAMOND CLUSTER RING claw-set with seven round brilliant-cut diamonds, to a plain band, stamped 750 Ring size: Q/R

£500-700

228 AN EARLY 20TH CENTURY DIAMOND COCKTAIL WATCH the rectangular dial with Arabic numerals, within a bezel of geometric design, set throughout with old brilliant, single and baguette-cut diamonds, to a box-set old brilliant-cut diamond bracelet Length: 18.0cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

50

231 234

233

229

232

AN EMERALD AND DIAMOND BRACELET

A PAIR OF DIAMOND CLUSTER EARRINGS

claw-set with nine oval-cut emeralds, in a scrolling border of graduated round brilliant-cut diamonds, to a concealed clasp, stamped 750

each set throughout with seven graduated old round-cut diamonds, to post and butterfly fittings, unmarked

Length: 17.5cm

Width: 1.2cm

£4,000-6,000

£400-600

230

233

A EMERALD AND DIAMOND CLUSTER RING

A PAIR OF DIAMOND CLUSTER EARRINGS

claw-set with a cushion-cut emerald, the domed mount with pierced detail set throughout with graduated eight-cut diamonds, the plain band with Portuguese marks

each claw-set with a round brilliant-cut diamond, in a halo border of smaller round brilliant-cut diamonds, to post and butterfly fittings, unmarked

Ring size: H/I

Diameter: 0.8cm

£1,500-2,500

£1,200-1,800

231

234

A PAIR OF GREEN BERYL AND DIAMOND PENDENT EARRINGS

A PAIR OF DIAMOND CUFFLINKS

each modelled as a stylised pendent cluster, set throughout with square step-cut green beryls, millegrain-set with eight-cut diamonds and a central round brilliant-cut diamond, to post and butterfly fittings, unmarked

each oval terminal millegrain-set with two old round-cut diamonds and a row of six eight-cut diamonds, white enamel detail, unmarked

Length: 3.8cm

£2,800-3,200

Terminals: 1.5cm x 1.1cm

£1,200-1,800

229

230

52

235

236 (not to scale)

239

235

239

A FIVE-STONE DIAMOND RING

A SAPPHIRE AND DIAMOND RING

claw-set with a pear-shaped diamond, four graduated cushion-cut diamonds and eight-cut diamond detail, scrolling detail to the gallery, to a plain 18ct gold band £1,000-1,500

claw-set with a cushion-cut sapphire, the fleur-de-lis shoulders set with rose-cut diamonds, to a plain band, unmarked; with accompanying report by Gemmological Certification Services, dated 23.02.2021, numbered 81296-33, stating that the sapphire is of natural Sri Lankan origin, showing no indications of heat treatment

236

£3,200-3,800

Ring size: K/L

TWO PRINCESS-CUT DIAMONDS

Ring size: P, stated sapphire weight: 5.77cts

unmounted

240

Estimated diamond weight 0.51cts and 0.52cts

AN UNMOUNTED STAR-SAPPHIRE

£400-600

oval cabochon

237

£200-300

A PAIR OF SAPPHIRE CUFFLINKS, BY DEAKIN & FRANCIS each baton with ribbed detail, collet-set to each terminal with a cabochon sapphire, secondary torpedo terminal, modelled in 18ct gold

15.11 x 12 x 9.15mm

241 A TANZANITE AND DIAMOND RING

£300-500

claw-set with three graduated oval-cut Tanzanites and four small round brilliant-cut diamonds, to a plain band stamped 18k

238

£300-500

Length of principal teriminal: 2.4cm

A PAIR OF ONYX AND SAPPHIRE CUFFLINKS, BY DEAKIN & FRANCIS the principal terminal with ribbed onyx batons, secondary torpedo terminal of similar design, each end collet set with a cabochon sapphire, modelled in 18ct gold Length of principal terminal: 2.5cm

£300-500

Ring size: L

53

242

243

245

242 A SAPPHIRE AND DIAMOND BANGLE, BY MAPPIN & WEBB

246

channel-set to the front with a row of circular-cut sapphires, between brilliant-cut diamond borders, signed M&W Internal diameter: 6.0cm

£1,000-1,500

243

245

A SAPPHIRE AND DIAMOND RING AND DIAMOND HALF-HOOP RING

A DIAMOND BANGLE

the cut-cornered step-cut sapphire to a brilliant-cut diamond surround and bifurcated shoulders; together with a matching brilliant-cut diamond set half-eternity ring (2) Ring size: K

£1,500-2,500

244 AN OPAL, RUBY AND DIAMOND SET BROOCH modelled as a floral spray, the carved opal formed as leaves and flowers, with round-cut ruby and diamond accents, modelled in 18ct gold Length: 5cm

of hinged design, the bifurcated front with central openwork scrolling motif, set throughout with brilliant-cut diamonds, stamped 750 18k Internal diameter: 6cm

£800-1,200

246 A DIAMOND DRESS RING designed as an openwork scrolling motif, set throughout with brilliantcut diamonds, to a plain band Ring size: M

£500-800

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

249

250

247

249

A CAMEO AND GEM-SET BROOCH

A THREE-STONE DIAMOND RING

the shell cameo depicting a woman in profile, in a stylised border set with round-cut rubies and diamonds, modelled in 9ct gold

gypsy-set with three graduated cushion-cut diamonds, to a plain band, stamped 18

Length: 5.5cm

Ring size: N

£200-300

£800-1,200

248

250

A THREE-STONE DIAMOND RING

A CULTURED PEARL AND DIAMOND NECKLACE

collet-set with three graduated old round-cut diamonds, to a plain band, unmarked

composed of a single strand of graduated cultured pearls, the clasp millegrain-set with three old round-cut diamonds, unmarked

Ring size: L

Length: 45.5cm

£350-500

£800-1,200

55

257

256

258

251

255

A CULTURED PEARL AND GARNET BRACELET

A BRACELET, BY TIFFANY & CO

composed of three rows of cultured pearls, the circular clasp set with ten round-cut garnets and nine cultured pearls, stamped 9ct

composed of woven links, stamped TIFFANY & CO 750

Length: 18cm

£300-500

Length: 19cm

£300-500

252 A CULTURED PEARL AND GARNET NECKLACE composed of three rows of graduated cultured pearls, the clasp set with an oval-cut garnet in a border of half-pearls Length (of shortest strand): 44cm

£300-500

253 A PEARL AND TOURMALINE PENDANT AND EARRINGS, BY JOANNA THOMPSON each modelled in 9ct gold as a scrolling heart, set with a pear-shaped cabochon tourmaline and small cultured pearls, the earrings to post and butterfly fittings, the pendant to a trace-link chain (2) Length of earrings: 3.4cm, length of pendant: 4.7cm

£250-400

254 A TOURMALINE NECKLACE AND EARRINGS, BY JOANNA THOMPSON each of scrolling foliate design, collet-set at intervals with cabochon tourmalines, the earrings to post and butterfly fittings, the necklace to a figaro-link chain (2) Length of pendant: 5.5cm

£350-500

256 AN OPAL BROOCH set with an oval cabochon opal, in an open scrolling border, unmarked Width: 3.4cm

£500-700

257 AN UNMOUNTED OPAL of rounded triangular cabochon form 15.40mm x 13.10 x 4.30mm

£600-800

258 AN OPAL AND DIAMOND CLUSTER RING claw-set with an oval cabochon opal, in a border of round brilliant-cut diamonds, to a plain 18ct gold band Ring size: Q

£600-800

259 A DIAMOND SET DRESS WATCH 1960s, the textured case with diamond-set cover lifting to reveal the faux mother of pearl dial within, under glass, with Arabic numerals and wedge hour markers, gold sword hands, marked 14K, on an ornate bracelet strap formed by textured and engraved panels and with finer link sections to either side, the clasp also marked 14K, no box and papers Case front at widest point: 18.5mm

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

56

263

265

264

260

263

AN OPAL AND DIAMOND PENDANT NECKLACE

A PAIR OF PEARL AND DIAMOND PENDENT EARRINGS

claw-set with an oval cabochon opal, in a border of graduated old round-cut diamonds, unmarked, to a 9ct gold belcher link chain

each millegrain-set with a row of four round-cut diamonds, suspending an ovoid pearl (untested) drop, to screw back fittings, unmarked

Length of pendant: 3.3cm

Length: 2.2cm

£1,200-1,800

£1,400-1,800

261

264

A THREE-STONE DIAMOND RING

A DIAMOND RING

claw-set with three graduated old round-cut diamonds, to a plain band, unmarked Ring size: M, estimated total diamond weight: 2.90cts

set with a row of four old-cut diamonds, the mount with pierced detail also set with old round and eight-cut diamonds, engraved detail to shoulders, band stamped 18KT

£3,000-5,000

Ring size: M

£700-1,000

262 AN EARLY 20TH CENTURY PEARL AND DIAMOND BROOCH

265

modelled as a floral spray, set throughout with graduated old round and rose-cut diamonds, and five graduated natural pearls (untested), unmarked, in a fitted box for Tessiers Ltd ... London

A DIAMOND HORSESHOE BAR BROOCH set with various old round-cut coloured and colourless diamonds, stamped 15c

Width: 7.5cm

Width: 5cm

£1,500-2,500

£500-700

260

261 262

58

266

267 268

266

268

A PAIR OF PEARL AND DIAMOND CLUSTER EARRINGS

A NATURAL PEARL AND DIAMOND PENDANT

each set with a central bouton pearl (untested), in a border of eleven old round-cut diamonds, to post and butterfly fittings, unmarked Diameter: 1.5cm

the central natural freshwater bouton pearl in an open border of old round-cut diamonds, the drop set with a smaller natural freshwater bouton pearl and an old round-cut diamond, to a trace-link chain

£1,000-1,500

Length of pendant: 4.1cm

£2,000-3,000

267 A PEARL AND DIAMOND CLUSTER RING set with a central bouton pearl (untested), in a border of old round and cushion-cut diamonds, to a plain band, unmarked

269 A PAIR OF CULTURED PEARL PENDANT EARRINGS

Ring size: O

each set with two cultured pearls and a tapering angular link, hook fittings, unmarked

£800-1,200

Length: 3.6cm

£300-500

270 A PEARL AND DIAMOND BRACELET composed of a single row of graduated round pearls (untested), the clasp set with a bouton pearl in a single border of old round-cut diamonds, unmarked Length: 19cm

£1,000-1,500

270

59

276 A ‘SAVANNAH’ CITRINE NECKLACE, BY VIVIANNA TORUN FOR GEORG JENSEN collet-set with an oval mixed-cut citrine, suspended from baton links and a woven-link chain, stamped TORUN 750, with original box Length of pendant: 4cm

£300-500

277 AN EARLY 20TH CENTURY CITRINE AND PEARL PENDANT collet-set with a heart-shaped citrine, the border and bow motif set with seed pearls, to a woven link necklace, unmarked Length of pendant: 3.5cm

£300-500 276

278 A CITRINE AND PEARL PANSY BROOCH set with four heart-shaped citrines, seed pearl detail, stamped 9ct

271

Width: 3.2cm

£250-400

A CULTURED PEARL AND DIAMOND NECKLACE, BY LEO DE VROOMEN, 1985 composed of two rows of cultured pearls, to a cultured pearl and diamond set flower head clasp, modelled in 18ct gold Length: 42cm

£500-700

272 A PAIR OF ENAMEL AND QUARTZ CUFFLINKS each circular terminal with textured ground, set with a white quartz cabochon and a white enamel border, stamped PLATINUM Diameter of terminals: 1.3cm

£300-500

273 A VICTORIAN THREE-STONE DIAMOND BROOCH the bar brooch with scrolling rope-twist detail, claw-set with three old round-cut diamonds, stamped 18ct Width: 4.7cm

£300-500

274 A ZIRCON SET BAR BROOCH modelled as a spider set with a round-cut zircon and small pearl, stamped 9ct Legnth: 7.4cm

£300-500

275 A PAIR OF CITRINE AND DIAMOND PENDENT EARRINGS of open drop design, set throughout with graduated round-cut citrines, smokey quartz and diamonds, hook fittings, modelled in 18ct gold

271

Length: 5.5cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

60

280

281 A DIAMOND BOMBÉ RING, BY PAUL SPURGEON the dome pavé-set with graduated round brilliant-cut diamonds, to a plain 18ct gold band Ring size: R/S

£600-800

282 282

A FRENCH ENAMELLED WATCH CHAIN the woven chain with sliding links with enamelled night sky detail, the T-bar, watch-key and fob pendants all with similar detail, French marks Length of pendant section: 8cm

£500-800

279

283

Y

AN EARLY 19TH CENTURY PEARL AND PORTRAIT MINIATURE NECKLACE composed of nine strands of slightly graduated pearls (untested), the clasp set with a portrait miniature of a gentleman in a red coat, unmarked; together with three coral charms (4) Length of necklace: 38.5cm

A COLLECTION OF GOLD JEWELLERY to include two 9ct gold fancy-link chains, a pair of 9ct gold sapphire and diamond cluster earrings, and a pair of colourless gem-set stud earrings (4) Length of chains: 60cm & 42cm

£350-500

£400-600

284

280 A DIAMOND RING, BY PAUL SPURGEON

A MATCHING SAPPHIRE AND DIAMOND NECKLACE, BRACELET AND EARRINGS

Ring size: R/S

each set throughout with oval-cut sapphires and small round brilliant and eight-cut diamonds, the earrings to post and butterfly fittings, stamped 18k (3)

£500-700

Lenghts: 38cm, 18.5cm & 1cm

set with six round brilliant-cut diamonds between two polished 18ct gold rings

£700-1,000

285 A THREE-STONE SAPPHIRE AND DIAMOND RING collet-set with a cushion-cut sapphire, flanked to either side by an old round-cut diamond, to a plain band, unmarked Ring size: N

£700-1,000

281

285

61

290

286

292

A SAPPHIRE AND DIAMOND CLUSTER RING

A MULTI-GEM SET BRACELET

set with a spray of graduated round brilliant-cut diamonds and roundcut diamonds, to an 18ct gold band

claw-set with a row of various gemstones including sapphire, ruby, emerald, cat’s-eye chrysoberyl, pearl, coral etc., modelled in 18ct gold

Ring size: O/P

Length: 17.5cm

£700-1,000

£500-700

Y

287 A PAIR OF SMOKY QUARTZ AND DIAMOND EARRINGS set with a round-cut smoky quartz, in a border of colourless and brown diamonds, to post and clip fittings, stamped 14k Diameter: 1.3cm

£300-500

288 A SAPPHIRE AND DIAMOND CLUSTER RING claw-set with an oval-cut sapphire in a border of twelve round brilliantcut diamonds, the band with ribbed detail, stamped 750 Ring size: O/P

£700-1,000

289 A SAPPHIRE RING set with a single polished sapphire pebble, to a plain 18ct gold satin finish band Ring size: K/L

£500-700

290 A SAPPHIRE NECKLACE spectacle-set with various oval and cushion-cut sapphires, to a hook clasp, stamped 14k Length: 47cm

£800-1,200

291

291 A PAIR OF MULTI-GEM PENDENT EARRINGS wirework strands suspending various graduated satin finish leaves and various briolette-cut coloured gems, to hook fittings, unmarked Overall length: 9cm

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62

298 293

297 A RUBY AND DIAMOND CLUSTER RING claw-set with an oval-cut ruby, in a border of old round and cushion-cut diamonds, each shoulder set with a small round-cut diamond, unmarked Ring size: S

£600-800

298 A PAIR OF RUBY AND DIAMOND CLUSTER EARRINGS 296

claw-set with a round-cut ruby, in a border of baguette-cut and old round-cut diamonds, to post and butterfly fittings, unmarked Lenght: 1.5cm

£3,000-5,000

293

299

A PAIR OF DIAMOND AND PLIQUE-A-JOUR ENAMEL EARRINGS

A RUBY NECKLACE

modelled as Egyptian water lilies, pavé-set throughout with eightcut diamonds and enamel detail, to post and clip fittings, modelled in 18ct gold

Length: 46.5cm

Length: 3.5cm

300

£800-1,200

spectacle-set with various round-cut rubies, to a hook clasp, unmarked £600-800

A RUBY AND DIAMOND RING

294

collet-set with an oval-cut ruby, each shoulder channel-set with three round-cut diamonds, to a plain band, stamped 750

A SPINEL AND DIAMOND RING

Ring size: Q/R

claw-set with an oval-cut orangish-red spinel, in a border of round brilliant-cut diamonds, to a plain 18ct white gold band

£200-300

Ring size: N

301

£700-1,000

295 A ‘HONG KONG JOCKEY CLUB’ DIAMOND AND RUBY BROOCH

A RUBY AND DIAMOND NECKLACE AND EARRINGS collet-set with oval-cut rubies and trios of small round brilliant-cut diamonds, the necklace to a box-link chain, stamped 585; the earrings to post and butterfly fittings, unmarked (2) Length of necklace: 44cm

modelled as a riding crop and horse-shoe, set with round-cut rubies and small round brilliant-cut diamonds, stamped 18k

£300-500

Width: 5.2cm

302

£300-500

296 A 1940S RUBY AND DIAMOND BROOCH of open floral design, channel-set with calibre-cut rubies and pavé-set old round-cut diamonds, unmarked Width: 3cm

£500-700

A COLLECTION OF GENTLEMAN’S JEWELLERY to include an early 20th century 18ct gold signet ring, a band with engraved classical scenes, stamped 14k; a large agate set fob seal, and a pair of cufflinks, modelled as eastern daggers, stamped 18c (4) Ring sizes: N/O & R

£400-600

63

307

308

303

303

306

A SCOTTISH AGATE BRACELET

A MULTI-GEM SET CUFF, BY OSCAR DE LA RENTA

each baton link set with a polished agate, to an agate-set heart-shaped padlock clasp with glazed panel to reverse, unmarked

modelled as stylised foliate branches, set with various pastes throughout, hinged design

Legnth: 19.5cm

Length of centre front: 6.5cm

£300-500

£100-150

304

307

A BROAD ARTICULATED-LINK BRACELET

A PAIR OF CITRINE AND DIAMOND EARRINGS

composed of articulated polished and textured links, stamped 750 £600-800

each set with a circular rose-cut citrine, in a textured scrolling surround set with a cluster of small round brilliant-cut diamonds, to post and butterfly fittings, unmarked

305

£350-500

Length: 18cm

A STYLISED DRESS RING

Length: 1.5cm

of bold textured design, the textured band stamped 14k

308

Ring size: K/L

A MID-20TH CENTURY CITRINE BROOCH

£300-500

modelled as a bow, channel-set to the centre with calibre-cut citrines, stamped 585, in a fitted box for Heming & Co ... London Width 6cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

64

313 (boxed)

309

312

A WOVEN-LINK NECKLACE

A DIAMOND RING, BY CARTIER

composed of woven strands with Hercules knot and tassel detail, hook clasp, stamped 21k

of woven design, set with a row of three graduated round brilliant-cut diamonds, signed Cartier OR ET ACIER, numbered 72493-50

Overall length: 49cm

Ring ring: J/K

£700-1,000

£500-700

310

313

A WOVEN-LINK BRACELET

A ‘DIAMANTS LÉGERS’ NECKLACE, BY CARTIER

composed of woven strands with Hercules knot detail, hook clasp, stamped 21k Length: 18.5cm

collet-set with a round brilliant-cut diamond, to an integral trace link chain, singed Carter, stamped 750, numbered PB3505, in original red leather box

£400-600

Estimated diamond weight: 0.19cts

£1,000-1,500

311 AN ABSTRACT DIAMOND BROOCH the pierced textured design, set throughout with round brilliant-cut diamonds, unmarked Length: 5.5cm

£500-700

311

309 310

312

313

66

315

320

314

318

A TRINITY RING, BY CARTIER

A CURB-LINK CHAIN

composed of three interlocking yellow, white and rose gold bands, signed Cartier, stamped AU750, numbered KNZ524, with original box, outer box and certificate

composed of a single strand of polished curb-links, plain clasp, modelled in 18ct gold

Ring size: K/L

£700-1,000

Length: 45cm

£350-500

315 A PAIR OF RUBY CUFFLINKS each baton terminal with textured finish, channel-set with a row of calibre-cut rubies, stamped 18k Length of principal terminal: 2.1cm

319 A HARDSTONE CAMEO BROOCH depicting a classical woman in profile, in a surround of natural pearls (untested) and rose-cut diamonds, unmarked Diameter: 3.5cm

£300-500

£400-600

316 A MOONSTONE PENDANT set with an oval cabochon moonstone in a plain mount, stamped 750, to a woven link necklace Length of pendant: 3.8cm

320 A PEARL AND DIAMOND SET BROOCH modelled as a panther with satin finish, the collar and eye set with small round brilliant-cut diamonds, sitting on a collet-set mabé pearl, stamped 14c Length: 5cm

£700-1,000

£300-500

317 AN AMBER PENDANT AND CHAIN the polished amber pendant to a plain bale, suspended from a belcher link chain Length of pendant: 3.7cm

£300-500

321 A 1900 SOVEREIGN PENDANT in a detachable mount with rope-twist detail, to a flattened-link chain, stamped 585 Length of pendant (inc. bale): 4.3cm

£350-500

67

322

322

324

A BLACK OPAL PENDANT collet-set with a black boulder opal, in a simple mount, to a snake-link chain, both stamped 750 Length of pendant: 3.1cm

£1,000-1,500

323 AN OPAL AND DIAMOND CLUSTER RING claw-set with an oval cabochon opal, in a single border of round brilliant-cut diamonds, to a plain band, stamped 18CT Ring size: P/Q

£1,200-1,800

324

323

AN OPAL AND DIAMOND PENDANT collet-set with an oval cabochon opal, in a border of small round brilliant-cut diamonds, stamped Au750, to a trace link chain Length of pendant: 2.9cm

£700-1,000

325 A JELLY OPAL RING collet-set with a large cabochon orange jelly opal, to a plain band, stamped 9ct Ring size: K/L

£300-500

326 A PAIR OF DIAMOND CUFFLINKS each principal terminal modelled as a ship’s wheel, set throughout with graduated round brilliant-cut diamonds, secondary torpedo terminal, stamped 18k 750

326

Diameter of principal terminal: 2.6cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

68

333

334

327

333

A FIVE-STRAND CULTURED PEARL NECKLACE

A PAIR OF PEARL AND DIAMOND PENDENT EARRINGS

composed of five graduated strands of cultured grey and purplishblack pearls, to a plain barrel clasp, stamped 925; together with additional pearls

each collet-set with an old round-cut diamond, suspending an open oval drop set throughout with rose-cut diamonds and three graduated cultured pearls, to hook fittings, unmarked

Length of shortest strand: 48cm

Length: 4cm

£300-500

£1,200-1,800

328

334

A TAHITIAN CULTURED PEARL NECKLACE AND EARRINGS

A THREE-STONE EMERALD AND DIAMOND RING

the necklace composed of a single strand of Tahitian pearls, to a T-bar clasp, stamped 750, the stud earrings to post fittings (2)

claw-set with an emerald-cut emerald, flanked to either side by an old round-cut diamond, to a plain band, stamped 18

Length of necklace: 47cm

Ring size: N

£400-600

£1,500-2,500

329

335

A CULTURED PEARL NECKLACE

AN AMETHYST AND PEARL BRACELET

composed of a single row of graduated cultured pearls, the barrel clasp set with eight-cut diamonds

millegrain-set with three trap-cut amethysts in a scrolling surround, set with seed pearls, to a later brick link bracelet, stamped 15ct

Length: 51cm

Length: 17.5cm

£300-500

£500-700

330

336

A PAIR OF CULTURED PEARL PENDENT EARRINGS

AN AMETHYST COCKTAIL RING

each set with a large cultured pearl, to an 18ct gold satin finish mount and long hook fitting Overall length: 5.3cm

claw-set with a pear-shaped amethyst, each shoulder set with two small round brilliant-cut diamonds and two round-cut amethysts, to a plain 18ct rose-gold band

£400-600

Ring size: M

£500-700

331 A PEARL NECKLACE composed of a single strand of graduated pearls (untested), the clasp set with three graduated French-cut diamonds, unmarked Length: 46cm

£300-500

332 A SCOTTISH-PEARL BROOCH, BY CAIRNCROSS OF PERTH modelled as snowdrops in 9ct gold, set with three Scottish pearls Length: 4.4cm Note: This lot has been granted a license from NatureScot, and it contains freshwater pearls legally taken from the wild prior to 27 March 1991.

£300-500

336

69

342 A SINGLE-STONE DIAMOND RING claw-set with a round brilliant-cut diamond, to a plain band, stamped 14k Ring size: J, estimated diamond weight: 0.45cts

£500-700

343 AN HEART-SHAPED IMITATION DIAMOND RING claw-set with a heart-shaped colourless gem, to a plain band, unmarked Ring size: L

337

£100-150

344

337 AN EDWARDIAN AMETHYST AND DIAMOND PENDANT millegrain-set with a small round-cut diamond, suspending a pearshaped amethyst, to an integral trace-link chain Length of pendant: 2.5cm

A FIVE-STONE DIAMOND RING claw-set with five round brilliant-cut diamonds, to a plain white metal band, stamped 750 Ring size: H/I, estimated total diamond weight: 0.50cts

£300-500

£500-700

345

338 AN AMETHYST AND DIAMOND FLORAL BROOCH set with a cushion-cut amethyst in a floral border of cushion-cut diamonds, unmarked Width: 2.7cm

£400-600

A DIAMOND HEART BROOCH of open from, set throughout with rose-cut diamonds, unmarked Width: 2.2cm

£300-500

346 A THREE-STONE DIAMOND RING

339 A PAIR OF PEARL AND DIAMOND CLUSTER EARRINGS each set with a central bouton pearl (untested) in a border of old roundcut diamonds, to post fittings, unmarked Diameter: 1.2cm

£1,200-1,800

claw-set with three graduated old-cut diamonds, to a plain band, unmarked Ring size: P, estimated total diamond weight: 1.25cts

£400-600

347 AN OPAL AND DIAMOND HORSESHOE BROOCH

340 A DIAMOND CLUSTER RING set with an old round-cut diamond, in a border of eight old round and cushion-cut diamonds, to a plain band, stamped 18CT Ring size: K

set throughout with opal cabochons and old round-cut diamonds, unmarked Length: 3cm

£600-800

£400-600

341 A DIAMOND ETERNITY RING pavé-set throughout with graduated round brilliant-cut diamonds, modelled in 18ct gold Ring size: M

£400-600

339

347

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

70

348 AN OPAL AND DIAMOND CLUSTER RING collet-set with an oval cabochon opal, in a border of eight-cut diamonds, to a plain band, stamped 18CT PLAT Ring size: P

£500-700

349 A DIAMOND PENDANT the drop-shaped pendant with floral detail set throughout with graduated round brilliant-cut diamonds, to trace link chain, unmarked Length of pendant: 4.8cm

£400-600

350 352

A THREE-STONE DIAMOND RING claw-set with three old round-cut diamonds, to a plain band, unmarked Ring size: N

£500-700

351 TWO EARLY 20TH CENTURY PENDANTS the first of open circular design, set with a central peridot, round-cut rubies and seed pearls, stamped 15ct; the second of scalloped outline, set throughout with amethyst and seed pearls, stamped 9c (2) Overall lengths (inc. bale): 4.8cm & 4cm

£300-500 353

352 AN EARLY 20TH CENTURY EMERALD AND DIAMOND PENDANT the foliate drop suspending a circular pendant set throughout with rosecut diamonds, channel-set emerald detail, central milliegrain diamond pendant, unmarked Length: 5.6cm

£500-700

353 A PAIR OF RUBY AND DIAMOND CLUSTER EAR STUDS each claw-set with an oval-cut ruby, in a millegrain-set half-border of eight-cut diamonds, to post and butterfly fittings, unmarked Width: 1.1cm

£1,800-2,200

354 354

A RUBY AND DIAMOND STICK PIN set with an old round-cut diamond, in a double border of round-cut rubies and diamonds, unmarked Overall length: 7.5cm

£400-600

71

356 358

357

355

359

A RUBY AND DIAMOND BAR BROOCH

A BLACK DIAMOND BEAD NECKLACE

channel-set with step-cut rubies, with applied floral detail set with three old round-cut diamonds, unmarked

composed of a single row of facetted black diamond beads, to a diamond set barrel clasp

Length: 6.2cm

£400-600

356 A 1920S FRENCH RUBY AND DIAMOND SET BROOCH of stylised square design, channel-set with rows of calibre-cut rubies, and throughout with eight-cut and old round-cut diamonds, French eagle’s head mark to pin and clasp

Length: 41cm

£600-800

360 A FRENCH ART DECO ONYX, RUBY AND SEED PEARL BRACELET composed of alternating polished onyx batons, seed pearls, ruby cabochons and rose-cut diamond links, French marks to clasp; together with a report by Gemmological Certification Services, dated 20.11.2020, numbered 81284-02, stating that the rubies are of Burmese origin, showing no indications of heat treatments Length: 18cm

£1,800-2,200

Width: 3cm

£800-1,200

357 AN AQUAMARINE AND RUBY COCKTAIL RING claw-set with an emerald-cut aquamarine, each shoulder channel-set with three step-cut rubies, to a plain band, unmarked Ring size: M

£4,200-5,000

358 A PAIR OF ONYX AND DIAMOND PENDENT EARRINGS each set with an onyx bead, suspending an eight-cut and rose-cut diamond drop suspending a larger onyx bead, to post and butterfly fittings, unmarked Lenght: 4cm

£1,600-2,000 360 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

365

366

361

361

364

A SINGLE-STONE DIAMOND RING

A SINGLE-STONE DIAMOND RING

asymmetrically claw-set into the broad band with a mixed emerald-cut diamond, stamped 750

claw-set with a round brilliant-cut diamond, each shoulder set with a baguette-cut diamond, to a plain 18ct white gold band

Ring size: K

Ring size: P/Q, estimated principal diamond weight: 3.98cts

£5,000-7,000

£7,000-10,000

362

365

A PAIR OF DIAMOND STUD EARRINGS

A DIAMOND BRACELET

each claw-set with a round brilliant-cut diamond, to post and butterfly fittings, unmarked

composed of two rows of round brilliant-cut diamonds between polished links, stamped 750

Estimated total diamond weight: 4.00cts

Length: 18cm

£8,000-12,000

£1,500-2,500

363

366

A DIAMOND BRACELET

A PAIR OF DIAMOND PENDENT EARRINGS

composed of alternating floral clusters and pairs of round brilliant-cut diamonds, between two rows of round brilliant-cut diamonds, modelled in 18ct white gold

each claw-set with three graduated old round-cut diamonds, to hook fittings, unmarked

Length:18cm

£1,000-1,500

£10,000-12,000

Length: 2.9cm

362

364

363

74

367

369

371 372

A JADE AND DIAMOND RING claw-set with a rectangular jade panel, in a surround of eight old round-cut diamonds, to a plain band, unmarked Ring size: Q/R

£300-500

367

372

A THREE-STONE DIAMOND RING

AN EMERALD AND DIAMOND DRESS RING

claw-set with three graduated old round-cut diamonds, to a plain band, stamped 18ct

collet-set with a square emerald-cut emerald, each shoulder channel-set with three round-cut emeralds and eight round-cut diamonds, stamped 18k

Ring size: P, estimated total diamond weight: 2.60cts

Ring size: P

£4,000-6,000

£2,000-3,000

368

373

A DIAMOND RING

AN EMERALD AND DIAMOND RING AND EARRINGS

pavé-set with graduated round brilliant-cut diamonds, to a plain 18ct gold band

the ring claw-set with a marquise-cut emerald and two small round brilliantcut diamonds, plain shank stamped 18k; together with a pair of earrings each set with three round-cut emeralds, and pairs of small round-cut diamonds, suspending a single round-cut emerald, to post and clip fittings, stamped 18k (2)

Ring size: J/K

£400-600

369 A DIAMOND NECKLACE, BY TIFFANY & CO. the heart-shaped pendant set with small round brilliant-cut diamonds, to an integral 18ct yellow gold trace-link chain; with original black suede box and outer cardboard box

Ring size: J/K

£300-500

374 A TURQUOISE DRESS RING

£600-800

set with various turquoise briolettes in a ‘tassel’ motif, to a plain 22ct gold band

370

£400-600

Overall length: 41cm

A FIVE-STONE DIAMOND RING set with five graduated round brilliant-cut diamonds, diamond chip detail, to a plain band, unmarked Ring size: P, estimated total diamond weight: 1.65cts

£600-800

Ring size: P

375 AN EMERALD AND RUBY CLUSTER RING collet-set with an oval-cut emerald, in a border of eight alternating colletset emeralds and rubies, to an 18ct gold band Ring size: M/N

£300-500

376

380

376 AN EMERALD AND SEED PEARL DRESS RING bar-set with an emerald-cut emerald, each shoulder set with a row of seed pearls, to a broad mount, stamped PT900 Ring size: M

£5,000-8,000

377 A CHRYSOPRASE AND DIAMOND RING collet-set with a cabochon chrysoprase and two old round-cut diamonds, to a plain band, unmarked Ring size: K/L

£400-600

378 AN EMERALD BRACELET composed of brick links with a brushed effect, set with a central row of small round-cut diamonds, stamped 750 Length: 18cm

381

£600-800

379 A 1920S SILVER, GLASS AND CHRYSOPRASE NECKLACE attributed to Theodor Fahrner, the fancy-link necklace set at intervals with trio’s of green glass beads, the drop composed of circular marcasite links suspending a carved chrysoprase drop

381 A CULTURED PEARL NECKLACE

Length of pendant: 7.5cm

composed of a single strand of cream, golden and grey cultured pearls, to a globular clasp

£200-300

Overall length: 89cm

380 A CULTURED PEARL AND DIAMOND DRESS RING, BY CORLETTO

£500-600

382 A BEADED NECKLACE, BY CHANEL

set with a large golden cultured pearl, the domed mount set throughout with graduated round-cut diamonds, stamped CORLETTO 18K

composed of graduated black beads, the double-C pendant set with colourless pastes

Ring size: M

Length: 74cm

£1,900-2,200

£150-250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

76

388

383

387

A FAUX PEARL NECKLACE, BY CHANEL

A RUBY AND COLOURED SAPPHIRE NECKLACE

the double-C pendant set with colourless pastes, together with a pair of faux pearl and faux diamond earrings (2)

composed of four strands of facetted ruby and various coloured sapphire beads, to a globular clasp, stamped 585

Length of necklace: 74cm

Length: 37cm

£150-250

£400-600

384

388

A SUITE OF MABÉ PEARL JEWELLERY

A MULTI-GEM SET NECKLACE

to include a ring, earrings and pendant, each set with a mabé pearl in a shaped surround set with eight-cut diamond detail; the earrings to post and clip fittings, the pendant to a flattened link chain, all stamped 585 (3)

set with various coloured gemstones including garnet, peridot, amethyst etc. the front forming a lattice motif, stamped 14K

Ring size: Q

Overall length: 42cm

£500-700

£400-600

385 A PAIR OF FRESHWATER CULTURED PEARL PENDENT EARRINGS each set with four freshwater cultured pearls and 18ct gold satin finish ‘nugget’ links, to post and butterfly fittings Length: 8.4cm

£300-400

386 A CULTURED PEARL NECKLACE composed of a single row of large baroque cultured pearls, to a bolt-ring clasp, stamped 375, together with a pair of matching pendent earrings and an additional loose pearl (3) Length of necklace: 87cm

£250-400 385

77

395

391

392

389

393

A FRESHWATER PEARL AND AQUAMARINE NECKLACE

A PAIR OF AQUAMARINE AND DIAMOND EARRINGS

composed of various freshwater pearl links in an angular design, with collet-set round-cut aquamarines and similarly set aquamarine pendants; to trace link chain, unmarked

each claw-set with an emerald-cut aquamarine, above a collet-set round brilliant-cut diamond, to post and butterfly fittings, modelled in 18ct gold

Length: 42cm

Length: 1.1cm

£300-500

£300-500

390

394

AN AQUAMARINE AND DIAMOND PENDANT

AN AQUAMARINE AND DIAMOND PENDANT

claw-set with a pear-shaped aquamarine, in a border of twelve round brilliant-cut diamonds, the bale set with a single round brilliant-cut diamond, to an 18ct gold belcher link chain

claw-set with an emerald-cut aquamarine, below a small round brilliantcut diamond, to a trace-link chain

Length of pendant (inc. bale): 2.4.cm

£300-500

Length of pendant: 2cm

£500-700

391 AN AQUAMARINE AND SAPPHIRE RING modelled as a coil, set to each terminal with a collet-set sapphire cabochon and a faceted aquamarine briolette, modelled in 18ct gold Ring size: N/O

395 A DIAMOND CLUSTER PENDANT set with an emerald-cut diamond in a border of baguette and tapered baguette-cut diamonds, to a trace link chain, stamped 750 Length of pendant (inc. bale): 1.5cm

£1,400-1,800

£400-600

392 AN AQUAMARINE AND DIAMOND COCKTAIL RING

396 A PAIR OF FLORAL DIAMOND PENDENT EARRINGS

claw-set with an emerald-cut aquamarine, each shoulder set with small old round-cut diamonds, to a plain band, unmarked

each modelled as a floral cluster with a collet-set oval-cut diamond, suspending a curving drop set throughout with rose-cut diamonds, post and butterfly fittings, unmarked

Ring size: Q

Length: 4.4cm

£2,500-4,000

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

78

399 398

400

397

402

A BLACK AND COLOURLESS DIAMOND PENDANT

A DIAMOND COCKTAIL WATCH, BY DOXA

of open oval form, pavé-set with graduated black and colourless round brilliant-cut diamonds, to a trace link chain, modelled in 18ct gold

the case marked PLA to the interior, unsigned manual wind movement marked 89U, signed dial, rectangular dial with Arabic numerals in black, outer seconds track in black, blued steel hands, elongated rectangular case set all over with diamonds, the caseback inscribed ‘PARA11.6.1952,’ diamond set open lugs, on a diamond bracelet strap, unmarked, no box and papers

Length of pendant: 2cm

£500-700

398 A DIAMOND ‘POSSESSION’ RING, BY PIAGET gypsy-set with seven round brilliant-cut diamonds to a swivelling band, signed Piaget, stamped 750, numbered B66500 Ring size: I/J

Case width: 1.5cm

£1,700-2,000

403 A SAPPHIRE AND DIAMOND CLUSTER RING

£1,200-1,800

set with a cushion-cut light-blue sapphire, in a border of old round-cut diamonds, to a plain band, unmarked

399 A DIAMOND DRESS RING collet-set with a circular cluster of four rounded triangular-cut diamonds, to an openwork band with brilliant-cut diamond detail, French assay and maker’s marks

Ring size: S/T

£1,000-1,500

404

Ring size: N/O

A THREE-ROW PEARL, SAPPHIRE AND DIAMOND NECKLACE

£800-1,200

composed of three rows of slightly graduated cultured pearls, the central oval panel set throughout with graduated old round and eightcut diamonds, millegrain-set with a central cushion-cut sapphire

400 A SINGLE-STONE DIAMOND RING claw-set with a round brilliant-cut diamond, to a plain platinum shank, with accompanying European Gemological Laboratory report, dated 10th May 2010, numbered AA 500244, stating that the diamond is 2.00cts, VVS1 clarity and G colour

Length (of shortest strand): 38cm

£8,000-12,000

405 A SAPPHIRE AND DIAMOND HORSESHOE BROOCH

£8,000-12,000

set with a graduated row of oval and cushion-cut sapphires, a row of old round and eight-cut diamonds and rose-cut diamond detail, unmarked

401

£1,200-1,800

Ring size: L, stated diamond weight: 2.00cts

Length: 3cm

A DIAMOND CRESCENT BROOCH set with a row of graduated old round-cut diamonds, in a border of rose-cut diamonds, unmarked

406 A SAPPHIRE AND DIAMOND CLUSTER RING millegrain-set with an oval cushion-cut sapphire, in a border of fourteen old round-cut diamonds, to a plain band, unmarked

Width: 3.5cm

£600-800

Ring size: M/N

£1,200-1,800

407 A SAPPHIRE AND DIAMOND CLUSTER RING claw-set with an oval-cut sapphire, in a single border of graduated round brilliant-cut diamonds, to a plain unmarked shank Ring size: K

403

£600-800

406

404 405

80

408

409

411

408

414

A SAPPHIRE RING

AN AMETHYST AND DIAMOND RING

collet-set with a cushion-cut sapphire, each shoulder cast as a mythical winged creature, lion mask motif to the gallery, unmarked Ring size: P

bar-set with a square step-cut amethyst, each shoulder channel-set with four princess-cut diamonds, the gallery pavé-set with graduated round brilliant-cut diamonds, unmarked

£1,800-2,200

Ring size: J/K

£600-800

409 A SINGLE-STONE DIAMOND RING claw-set with a single round brilliant-cut diamond, to a plain platinum shank

415 A DIAMOND CROSSOVER RING

Ring size: J, estimated diamond weight: 2.00cts

the overlapping bi-coloured bands, pavé-set with brilliant-cut diamonds, stamped 750

£4,000-6,000

Ring size: M/N

£700-900

410 A TWO-STONE DIAMOND TWIST RING claw-set with two round brilliant-cut diamonds, the shoulders each set with three eight-cut diamonds, stamped PLAT

416 A DIAMOND CLUSTER RING

Ring size: N/O

claw-set with a cluster of thirteen round brilliant-cut diamonds, to a plain band, stamped 750 18k

£500-700

Ring size: R, estimated total diamond weight: 0.65cts

£300-500

411 AN OPAL AND DIAMOND CLUSTER RING collet-set with a cabochon opal, in a border of eighteen round brilliantcut diamonds, to a plain 18ct gold band

417 A DIAMOND DRESS RING

£1,000-1,500

set with a central cluster of six princess-cut diamonds, each shoulder set with six graduated princess-cut diamonds and ten small round brilliant-cut diamonds, to a plain 14ct gold shank

412

£300-500

AN EARLY 20TH CENTURY AMETHYST AND SEED PEARL NECKLACE

418

Ring size: Q/R

composed of a row of thirteen graduated oval-cut amethyst and seed pearl drops, suspended from knife-bar links, to a plain trace link chain

Ring size: P

A COLOURED SAPPHIRE NECKLACE

Length: 40cm

spectacle-set with various oval and pear-shaped coloured sapphires, hook clasp, stamped 585

£300-500

Length: 46cm

£600-800

413 AN AMETHYST AND DIAMOND COCKTAIL RING claw-set with an oval mixed-cut amethyst, in a border of round brilliantcut diamonds, to a plain 18ct gold band Ring size: R

£500-700

419

81

424 A SAPPHIRE AND DIAMOND CLUSTER RING claw-set with a marquise-shaped sapphire, in a border of graduated round brilliant-cut diamonds, to a plain band, stamped 18CT Ring size: M

£500-800

425 AN INDIAN BRACELET composed of cast textured links, each suspending a ball pendant, unmarked Length: 17.5cm

£600-800

426 A PAIR OF ‘PHYSALIS’ EARRINGS, BY NORA FOK 420

modelled as skeletonized physalis shells in knitted nylon Length: 6.5cm

£300-500

419 A PAIR OF RUBY AND DIAMOND EARRINGS each of stylised lotus design, set with five round brilliant-cut diamonds and five step-cut rubies, to post and butterfly fittings, unmarked Length: 1.7cm

£1,200-1,500

420

427 A COLLECTION OF JEWELLERY to include an opal and diamond stylised cluster ring, stamped 14k; a ruby and diamond ring, stamped 18k; an 18ct gold single-stone diamond ring, an emerald and pearl cluster ring, stamped 18k; an onyx and pearl cluster ring, stamped 14k; a diamond set buckle ring, stamped 14k and a pair of ruby and diamond cluster earrings, unmarked (7) £500-700

A TOURMALINE AND PEARL PENDANT claw-set with a large oval-cut pink tourmaline, in a border of small round-cut diamonds and eleven cultured pearls, stamped Au750, to a black ribbon necklace Length: 4cm

£600-800

421

428 A 9CT GOLD CHARM BRACELET composed of 9ct gold curb-links, suspending various unmarked charms, including a crab, a fish and a beaver etc.

Gross weight: 38.2g

£400-600

A SAPPHIRE AND DIAMOND RING set with a row of seven graduated cushion-cut sapphires, in a border of rose-cut diamonds, to a plain band, unmarked Ring size: Q/R

£500-800

422 A SAPPHIRE AND DIAMOND CLUSTER RING claw-set with an oval-cut sapphire in a border of eight-cut diamonds, the plain band stamped 18CT PLAT Ring size: R

£200-300

423 A SAPPHIRE AND DIAMOND RING part collet-set with an oval-cut sapphire, each shoulder set with four princess-cut diamonds and four round brilliant-cut diamonds, to a plain band, stamped 750 Ring size: L

£400-600

428

82

432

437

A COLLECTION OF DIAMOND JEWELLERY

FOUR COSTUME JEWELLERY NECKLACES

to include a single-stone diamond ring, stamped 750; a pair of 18ct gold round brilliant-cut diamond trefoil earrings, to post and butterfly fittings; and a diamond pendant necklace, stamped 18k (3)

to include two colourless crystal necklaces, one signed Grazano; a large faux-pearl, onyx and diamond five strand necklace, and a four-row purple quartz beaded and colourless paste necklace (4)

Ring size: Q

£100-200

£400-600

433 A COLLECTION OF JEWELLERY to include two ruby and diamond ‘V.E’ brooches with crown motif, unmarked; a pearl bar brooch stamped 9ct; a pearl and enamel brooch of floral design, unmarked; a pearl cluster ring, unmarked, and a Victorian banded agate brooch (qty) £300-500 430

434 A COLLECTION OF JEWELLERY

429 A PAIR OF DIAMOND CUFFLINKS each of stylised textured form, claw set with a round brilliant-cut diamond, to secondary torpedo terminals, stamped 585; together with a two-tone ring, stamped 925 585 (2) Ring size: S/T

£400-600

430 AN ESSEX CRYSTAL STICK PIN depicting a horse and jockey mid-race, in a beaded border, unmarked; together with a snake brooch, set with a pear-shaped emerald (2) Overall lengths: 9cm & 3.6cm

£350-500

to include a tourmaline pendant, by Murrle Bennett; a carved jade and pearl pendant necklace; an early 20th century circular enamel, pearl and diamond brooch, a pair of jade ear-studs; a citrine bar brooch, and various other necklaces, brooches and rings (qty) £400-600

435 A COLLECTION OF JEWELLERY to include a pair of aquamarine and diamond pendent earrings (one aquamarine deficient), a pair of early 20th century green agate pendant earrings; two hardstone fob-seals, a 9ct gold bangle and a 9ct gold box-link chain; an 18ct gold ring, and an early 20th century pendant necklace, stamped 9ct; a gentleman’s Rotary wristwatch and various other necklaces (qty)

431

£500-700

A COLLECTION OF DIAMOND AND PINK SAPPHIRE JEWELLERY

436

to include a 9ct white gold diamond and pink sapphire dress ring, a 9ct yellow gold pink sapphire half eternity ring; a pair of 9ct white gold heart-shaped pink sapphire cluster earrings, a pair of diamond cluster earrings, stamped 9k; a pair of diamond pendent earrings, stamped 925 and a pair of pink sapphire earrings, stamped 925 (6)

A COLLECTION OF JEWELLERY

Ring sizes: P & O

£250-400

£300-500

to include three hardstone and tigers-eye pendants, a single strand cultured pearl necklace; two cross pendants, a suite of Victorian jet mourning jewellery, various cultured and faux pearl necklaces, silver plaid brooches and costume jewellery (qty)

438 FOUR SETS OF GENTLEMAN’S BUTTONS to include two cased sets by Holland & Sherry with enamelled detail, and two cased sets with anchor or windsurfer detail (4) £150-250

439 A COLLECTION OF JEWELLERY to include two ruby and diamond ‘V.E’ brooches with crown motif, unmarked; a pear bar brooch stamped 9ct; a pearl and enamel brooch of floral design, unmarked; a pearl cluster ring, unmarked, and a Victorian banded agate brooch (6) Ring size: N

£300-500

440 A COLLECTION OF JEWELLERY to include three hardstone and tigers-eye pendants, a single strand cultured pearl necklace; two cross pendants, a suite of Victorian Jet mourning jewellery, various cultured and faux pearl necklace and silver plaid brooches and costume jewellery (qty) £250-400

DESIGNER HANDBAGS & ACCESSORIES

84

441 AN EBURY HANDBAG, ANYA HINDMARSH black leather, silver-tone hardware, with black and green shoulder straps, with outer dust/ tote bag Width: 30cm

£100-150

442 A MINI TOTE HANDBAG, BURBERRY Nova check canvas and black calf leather, silver-toned hardware, with navy dustbag Width: 28cm

£100-150

443 A SMALL PADDINGTON BAG, CHLOÉ black leather, gold-toned hardware, leather clasped padlock, with cream dustbag Width: 27cm

£100-150

444 A DRAGON TATTOO CRIS CASE, CHRISTIAN LOUBOUTIN modelled in black velvet with embroidered dragon motif, the lined in red leather with zip and slip pockets, with dust bag 27cm x 21cm

£250-400

445 A SHOULDER BAG, GUCCI black leather, gold-toned hardware, with original dust bag

448

Width: 20cm

£300-500

446 A SHOULDER DISCO BAG, GUCCI beige leather, gold-toned hardware, with original dust bag, box, and carrier bag 21cm x 16cm x 8cm

£300-400

447 THREE SILK PATTERNED SCARVES, HERMÈS the first with a feather motif in a green border; the second with equestrian motifs in a green border; and the third with monochrome equestrian motifs (3) 90cm x 90cm

£300-500

448

449

A FONSEBELLE SHOULDER BAG, HERMÈS

A MULTIPLI CITE GM SHOULDER BAG, LOUIS VUITTON

1978, black crocodile skin and gold-tone hardware

monogrammed coated canvas and vachetta leather, brass hardware

Width: 24cm

Width: 37cm

Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 593947/01.

£500-700

Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer’s sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/importsexports/cites/

£1,800-2,500

450 A RECTANGLE TOP HANDLE BAG, LOUIS VUITTON monogrammed coated canvas and vachetta leather, brass hardware, with ball tassel zip Width: 30cm

£250-350

85

456 A WHITE MURAKAMI KEEPALL 45 TRAVEL BAG, LOUIS VUITTON white monogrammed coated canvas and vachetta leather, brass hardware Width: 50cm

£400-600

457 A MURAKAMI PAPILLON CHERRRY BLOSSOM BY TAKASHI SHOULDER BAG, LOUIS VUITTON monogrammed and cherry blossom coated canvas and vachetta leather, brass hardware, luggage tag Width: 27cm

£400-600

458 A WHITE MURAKAMI THEDA HANDBAG, LOUIS VUITTON

454

white monogrammed coated canvas and vachetta leather, brass hardware, red interior Width: 30cm

£400-600

451 A MINI RIBERA HANDBAG, LOUIS VUITTON brown Damier Ebene coated canvas, gold-toned hardware, red interior Width: 22cm

£300-500

459 A SPEEDY 30 HANDBAG, LOUIS VUITTON monogrammed coated canvas and vachetta leather, gold-toned hardware, dustbag with original box Width: 30cm

£400-600

452 A MONOGRAM VERNIS SHOULDER BAG, LOUIS VUITTON pink vernis monogrammed leather, vachetta leather, pink interior Width (at widest): 33cm

£300-500

453 A NEO SPEEDY HANDBAG, LOUIS VUITTON denim monogrammed canvas, valetta leather, with gold-toned hardware, yellow interior Width: 30cm

£350-500

454 A MANHATTAN HANDBAG, LOUIS VUITTON monogrammed coated canvas and vachetta leather, gold-toned hardware Width: 29cm

£400-600

455

459

A BLACK MURAKAMI SPEEDY HANDBAG, BY TAKASHI, LOUIS VUITTON monogrammed coated canvas and vachetta leather, brass hardware, with luggage tag Width: 29cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

86

460 A LEONOR SHOULDER BAG, LOUIS VUITTON monogrammed coated canvas and vachetta leather, brass hardware Width (at widest): 30cm

£500-700

461 A BLACK MURAKAMI NANO SPEEDY, BY TAKASHI, LOUIS VUITTON monogrammed coated canvas and vachetta leather, brass hardware Width: 16cm

£600-800

462 A CHERRY BLOSSOM MURAKAMI, SAC RETRO, BY TAKASHI, LOUIS VUITTON monogrammed and cherry blossom coated canvas and vachetta leather, brass hardware, luggage tag Width: 29cm

£600-800

462

463 A LIMITED EDITION HAVANE STAMPED TRUNK BOWLER BAG, LOUIS VUITTON red suede Havane stamped, croc embossed patent leather, gold toned hardware, with box and carrier bag Width: 37cm

£600-800

464 A TAN BAYSWATER HANDBAG, MULBERRY tan leather, with mulberry turn lock to the center, with leather L bag charm; together with a tan wallet (2) Width: 25cm

£300-500

465 A LOUIS VUITTON SUITCASE monogrammed coated canvas and vachetta leather, gold-toned hardware 64cm x 45cm x 17cm

£300-500

463

87

466

466 A BLACK LEATHER ZIPPED BAYSWATER HANDBAG, MULBERRY

PENS & ACCESSORIES

black leather, classic postman gilt lock, with original dust bag, and carrier bag; together with a black leather ‘Continental’ wallet, Mulberry, with original box (2)

469

Width: 20cm

Length: 14cm

£400-600

£300-500

A LIMITED-EDITION ‘THE AVIATOR’ FOUNTAIN, BY ONOTO ribbed detail to case, gilt fittings, with box and certificate

467 A HANDBAG, MULBERRY tan leather, with Mulberry turn lock to the centre, with dustbag Width: 21cm

£200-300

468 A BROWN SHOULDER BAG, MULBERRY brown leather, with Mulberry fold over lock; together with brown leather wallet (2) Width: 29cm, 12cm

£300-500

WINE 470 A GROUP OF FOUR BOTTLES OF WINE AND PORT Dom Perignon, Champagne 1980; Porto Dalva 1934 port; Porto Dalva 1940 port; Pima no. 1 cup, possibly 1950s/60s (4) £300-500

471 MARGAUX 1993 Two bottles, Grand Cru Classe, chateau bottle £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

88

CONDITIONS OF SALE FOR BUYERS (UK)

These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age,Provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website

21.2

or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee.

Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any

improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted.

These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects

not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism

89 financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding.

Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are zgly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so

made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While

we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable

by Buyers of relevant Lots. Please see D.2(e) for the conditions to be fulfilled before the VAT charged on the Hammer Price may be cancelled or refunded upon exporting from the UK. (a) Lots affixed with (†): Value Added Tax on the Hammer Price and Buyer’s Premium is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the UK and is not operating under a Margin Scheme. (b) Lots affixed with (‡): A reduced rate of Import Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the UK. (c) Lots affixed with [Ω]: Standard rate of 20% of Import Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the UK and do not fall within the reduced rate category. (d) Lots affixed with [Ω] or ‡ when these lots are released to buyers in the UK, the buyer will become the importer and must pay us Lyon & Turnbull Ltd. the import VAT at the rates noted above on the hammer price. The buyer should also note that the appropriate rate will be that in force on the date of our release and not that in force at the date of auction or payment. (e) Export from the UK: For lots

offered under the VAT Margin Scheme and lots with [Ω] or ‡ symbols attached; you may be eligible to have a VAT refund in certain circumstances if the lot is exported. Should you show us proof of export within three months of collection a VAT refund may be arranged. No VAT amounts will be refunded where the total refund is under £100. Bank/transfer charges relating to any refund will be borne by the buyer and will not be reimbursed.

Please also note that all customs formalities of the destination country are the responsibility of the buyer.

3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement

90 by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by

any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in

and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. (h) If you agree to our pack and send service (if applicable) payment of shipping fees must be made prior to us posting. Any shipping fee will be inclusive of VAT. 2. IN THE EVENT OF NON-PAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE

(1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING (a) We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. (b) We offer a limited pack and send service using Royal Mail on small jewellery items. When items leave our premises and are in transit via postal service We are not responsible for any damage or loss incurred. We are also not responsible for making any claim regarding loss or damage to items. A tracking reference number will be issued which can be used to raise a claim with the relevant shipping provider.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

91 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium,Provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may

be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead.

Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY

The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The

Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

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GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities will be by appointment. No cash accepted.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING Registered bidders will be assigned a non-transferable bidder number.

Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. All lots will be invoiced to the name and address given during your registration.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative.

Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

ON THE INTERNET - ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Inside Back Cover: Lot 463

LOND ON | EDINB URGH | GL A SGOW LYONA NDT UR NBULL.COM